U RESERVED @Neal Auction
ONLINE AUCTION August 7 & 8, 2024
EXHIBITION
Beginning Monday, August 5
Exhibition will be available August 5 through August 8, 2024, 10 a.m. to 5 p.m. at our 4038 Magazine Street Gallery
AUCTION DAY 1
Wednsday, August 7, 11 a.m.
LOTS 1-354
1. American Rococo Carved Walnut Hall Chair, 19th c., pierced carved splat, molded seat rail, barley twist legs, casters, h. 47 in., w. 18 1/2 in., d. 17 in.
[$75/150]
2. American Rococo Carved Rosewood and Faux Grained Desk, 19th c., crest with carved floral urn, slant front lid, fitted interior, frieze drawer, cabriole legs, h. 55 1/2 in., w. 38 in., d. 20 1/2 in.
[$300/500]
3. American or English Carved Mahogany Library Steps, late 19th c., inset tooled leather treads, three steps, h. 24 in., w. 13 in., d. 19 1/2 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
Set of Three Vintage “Solid Kumfort”
Folding Chairs, labeled Louie
& Sons, Fort Wayne, Ind, USA, h. 31 in., w. 18 in., d. 16 in. [$50/75]
Provenance: Estate of Jane S. Phillips, New Orleans.
4.
Painted
Rastrtter
5. Antique Faux Grained Wood Pedestal, molded square top, plinth base, h. 54 in., w. 16 in., d. 16 in.
[$150/250]
6. Victorian Circassian Walnut and Burl Cabinet, late 19th/early 20th c., molded top, frieze molded drawer, molded paneled doors, h. 53 1/2 in., w. 36 1/2 in., d. 17 1/4 in.
[$400/600]
7. Southern Carved Cypress Side Table, of recent date, New Orleans, molded plank top, two frieze drawers, square legs, h. 30 1/4 in., w. 54 1/2 in., d. 20 1/2 in.
[$300/500]
8. Pair of Vintage Nichols & Stone “Harvard University” Armchairs, labeled Nichols & Stone Co. Gardner, Massachusetts, h. 34 in., w. 23 in., d. 19 in.
[$250/350]
9. American Mahogany Bowfront Console, 19th c., frieze drawer, square tapered legs, h. 30 in., w. 39 in., d. 20 1/2 in.
[$300/500]
10. Grain-Painted Pine Cupboard, upper case with molded cornice, paneled doors, shelf interior, lower case with 2 short over 2 long drawers, turned pulls, paneled sides, plinth base, one backboard loose, h. 88 1/2 in., w. 49 in., d. 27 3/4 in.
[$400/600]
11. American Figured Mahogany Armoire, mid-19th c., stepped molded cornice, paneled doors, scroll-carved escutcheons, plinth base, scrolled bracket feet, interior altered for electronics, h. 90 1/2 in., w. 61 in., d. 23 1/4 in.
[$500/700]
12. Octagonal Patinated & Painted Metal Tray on Stand, 20th c., Asian motif decor, removable handled tray, h. 21 1/2 in., w. 38 in., d. 19 in. [$400/600]
13. Contemporary French Gilt Bronze Table, 20th c., circular marble top, figural bronze trioid base, h. 21 in., dia. 24 in. [$600/900]
14. Edwardian Satinwood Inlaid Mahogany Desk, early 20th c., banded top, kneehole configuration of drawers, square tapered legs, h. 29 1/4 in., w. 52 3/4 in., d. 32 in. [$300/500]
15. Fine English Edwardian Marquetry Side Table, early 20th c., geometric inlaid top, blind frieze drawer, tapered legs, stretcher shelf, h. 29 1/4 in., w. 30 in., d. 18 in.
[$500/700]
Provenance: Michael W. Murphy, El Dorado, AR.
16. Queen Anne-Style Carved Walnut Stool, cabriole legs, ball and claw feet, h. 19 in., w. 19 1/2 in., d. in. [$75/150]
19. Edwardian Inlaid Mahogany Jardiniere, early 20th c., copper liner, tripod base, h. 35 1/4 in., dia. 14 1/2 in. [$50/75]
Provenance: Estate of Jane S. Phillips, New Orleans.
18. Georgian II Walnut Armchair, 19th c., upholstered back, scroll arms, H-form stretcher, h. 42 in., w. 24 in., d. 25 in. [$300/500]
Provenance: Keil’s Antiques, New Orleans, 1987; Estate of Jane S. Phillips, New Orleans
17. English Mahogany Bedsteps/ Commode, 19th c., inset tooled leather treads, lift tops, middle step retains chamber pot, molded plinth base, turned legs, casters, h. 27 in., w. 28 1/2 in., d. 20 in. [$200/300]
20. Two English Mahogany Trays on Stand, 19th c. and later, butler’s tray h. 23 3/4 in., w. 29 3/4 in., d. 19 1/2 in.; cutlery tray h. 27 1/2 in., w. 17 in., d. 10 1/2 in. [$75/150]
Provenance: Estate of Jane S. Phillips, New Orleans.
[$100/150]
Provenance: Estate of Jane S. Phillips, New Orleans.
23.
Provenance: Moss
Provenance:
Provenance: Royal
22. Queen Anne-Style Carved Walnut Wingchair, rounded padded back, cabriole legs, h. 36 in., w. 33 in., d. 32 1/2 in.
[$500/700]
24. Antique English Inlaid Mahogany Side Table, 19th c., molded top, two frieze drawers, turned legs, h. 27 5/8 in., w. 42 in., d. 19 3/4 in. [$400/600]
Estate of Jane S. Phillips, New Orleans.
21. Antique English Carved Walnut Candlestand, 19th c., rectangular top, turned standard, tripod base, sabre legs, h. 27 in., w. 19 1/2 in., d. 14 1/4 in.
Queen Anne-Style Walnut Bench, upholstered seat, turned legs and stretchers, h. 19 in., w. 73 in., d. 13 in. [$500/700]
Antiques, New Orleans, 1987; Estate of Jane S. Phillips, New Orleans.
25. English Carved Walnut Cricket Table, circular plank top, tripod stretchered shelf base, h. 26 1/2 in., dia. 25 in. [$400/600]
Antiques, New Orleans; Estate of Jane S. Phillips, New Orleans.
26. Two English Elm Hoop-Back Windsor Chairs, hoops backs, spindled backs, saddle seats, turned splayed legs, stretchers, h. 44 in., w. 23 in., d. 18 in.; and h. 38 in., w. 23 in., d. 19 in. [$250/350]
Provenance: Estate of Jane S. Phillips, New Orleans.
27. English orAmerican Carved Pine Washstand, shaped backsplash flanked by towel bars, frieze drawer, turned supports, shelf, turned legs, h. 31 in., w. 23 in., d. 14 in. [$250/350]
Provenance: Estate of Jane S. Phillips, New Orleans.
28. Georgian Mahogany Drop-Leaf Sofa Table, 19th c., drop-leaf top, two frieze drawers, trestle base, reeded legs, casters, h. 28 1/2 in., w. (closed) 36 in., w. (open) 52 1/2 in., d. 40 in. [$400/600]
Charles
30.
II Oak Chest of Drawers, late 17th c., molded top, three molded paneled drawers, shaped skirt, block feet, old dart finish; Note: Block feet are later, h. 24 in., w. 26 1/2 in., d. 16 in. [$500/700]
29. Queen Anne-Style Carved Rosewood Side Table, molded shaped top, conforming frieze, cabriole legs, ball and claw feet, h. 28 3/4 in., w. 39 1/4 in., d. 28 in. [$250/350]
31. Set of Four Regency-Style Inlaid Carved Mahogany Dining Chairs, 19th c., one armchair, three side chairs, incurvate tablet crest rail, medial slat, trapezoidal seat, sabre legs, armchair h. 34 1/2 in., w. 22 in., d. 20 1/2 in., side chairs, h. 35 in., w. 19 in., d. 161/2 in. [$300/500]
32. Set of Four Regency-Style Carved Mahogany Dining Chairs, 19th c., incurvate tablet crest rail with swags, medial back slat, trapezoidal seat, sabre legs, reeding throughout, h. 33 1/2 in., w. 18 1/2 in., d. 21 3/4 in. [$250/350]
33. English Carved Oak Partners Desk, late 19th/ early 20th c., tooled leather top, kneehole flanked by drawers above cabinets, plinth base, disk feet, h. 30 1/2 in., w. 51 in., d. 33 1/2 in. [$500/700]
36. French Provincial Carved Walnut and Rush Seat Chairback Settee 19th c., shaped finialed crest rail, ladder back, turned supports, X-form finialed stretchers, h. 40 in., w. 90 in., d. 25 in. [$700/900]
34. Regency Rosewood Side Table, 19th c., molded top, plain frieze, trestle base, turned stretcher, disk feet, h. 29 in., w. 24 in., d. 14 in. [$300/500]
35. WITHDRAWN
37. Georgian-Style Carved Oak
Side Table, 19th c., molded top, frieze drawer, cabriole legs, pad feet, h. 28 1/2 in., w. 28 3/4 in., d. 19 1/2 in.
[$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
38. Louis XV/XVI-Style Kingwood Parquetry
Petite Commode, late 19th c., stamped France, brass gallery, inset marble top, three drawers, cabriole legs, kidney-shaped stretcher, h. 30 in., w. 19 in., d. 13 in. Note: “as is” condition of marble.
[$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
39. Louis XVI-Style Carved Walnut
Fauteuil, 20th c., molded crest rail, padded arms, fluted tapered legs, h. 35 in., w. 23 in., d. 19 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
40. Regency Inlaid Mahogany Armchair, 19th c., incurvate tablet crest rail, medial back slats, with Greek key inlay, conforming arms with turned supports, sabre legs, h. 33 1/2 in., w. 21 in., d. 20 1/2 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
41. French Provincial-Style Carved Fruitwood Barrell-Back Armchair, slat back, turned stretchered legs, h. 42 in., w. 30 in., d. 31 in.
[$250/350]
Provenance: M. Arnold Granet, French Antique Shop
42. Antique French Giltwood and
Top
Marble
Console, 19th c., inset molded marble top, scrolled supports, shaped molded base. h.32 in., w. 39 in., d. 18 ¾ in. [$400/600]
43. Regence-Style Carved Walnut
Fauteuil, 19th c., molded carved crest rail, upholstered back, scrolled arms, molded conforming seat rail, cabriole legs, h. 41 in., w. 28 in., d. 23 in.
[$400/600]
44. French Provincial Fruitwood Bergere, 19th c., back-scrolled crest rail, conforming arms with turned supports, square tapered legs, h. 38 in., w. 24 in., d. 24 in.
[$250/350]
45. Antique Spanish Renaissance-Style Refectory
Table, 20th c., plank top, trestle base, h. 28 in., w. 41 1/2 in., d. 27 1/4 in.
[$500/700]
46. Louis XV-Style Inlaid and Brass-Mounted Mahogany Demilune Petite Commode, late 19th/early 20th c., marble top, two drawers, shaped apron, sabre legs, sabots, h. 30 in., w. 26 in., d. 14 in.
[$200/300]
47. Set of Six French Provincial Ladderback Side Chairs, of recent date, carved shaped crest rail, ladder back, conforming rush seats, stretcher cabriole legs, h. 36 1/2 in., w. 16 3/4 in., d. 16 1/2 in.
[$200/400]
48. Chestee Harrington (American/Louisiana, b. 1941), “Aunt Ruby” and “Grandma Emma”, 2010/2011, 2 charcoal and graphites on paper laid on board, each signed and dated lower right, one titled, dedicated and inscribed upper right, one titled, dedicated and inscribed lower left, 18 in. x 14 in. and 18 in. x 13 5/8 in., framed alike, each overall 22 1/4 in. x 18 1/8 in. x 3/4 in. (2 pcs.) [$200/300]
Condition: Overall good condition.
49. Chestee Harrington (American/Louisiana, b. 1941), “Horse Drawn Wagon”, 1976, oil on carved wood, signed and dated lower center, signed and inscribed en verso, 4 7/8 in. x 6 7/8 in., unframed. [$200/300]
Condition: Overall good condition.
50. Chestee Harrington (American/Louisiana, b. 1941), “Standing in the Sunshine”, oil on carved wood laid on canvas board, signed lower left, 5 1/2 in. x 2 5/8 in., framed, overall 8 5/8 in. x 6 5/8 in.
[$100/200]
Condition: Overall good condition.
51. Chestee Harrington (American/Louisiana, b. 1941), “Cabin Tucked into the Bayou”, oil on carved wood laid on panel, signed lower left, 3 3/4 in. x 5 in., framed, overall 8 3/4 in. x 9 5/8 in. x 2 in. [$200/300]
Condition: Overall good condition.
52. Joan Farrar (American/ Louisiana, 20th c.), “Portrait of a Girl”, oil on unstretched canvas, unsigned, “Associated Artist Studio, New Orleans, LA” label with artist and title lower left, 21 3/8 in. x 17 1/2 in., framed, overall 25 1/8 in. x 19 1/8 in. x 3/4 in.
[$300/500]
Condition: Overall fair condition.
53. Bjorn Barnett (American/Florida, 18871965), “Nocturne”, 1912, oil on board, signed and dated lower center, signed and titled en verso, partial label on reverse of frame, 10 1/4 in. x 8 1/4 in., framed, overall 13 5/8 in. x 11 5/8 in. x 3/4 in. [$400/600]
Condition: Overall fair condition.
54. Kate Swope (American/Kentucky, 1878-1941), “Women in Flowing White Cloaks”, oil on board, signed lower left, 9 in. x 14 3/4 in., framed, overall 14 3/4 in. x 20 1/2 in. x 1 in.
[$200/300]
Condition: Overall fair condition.
55. Jorge Villegas (Argentinian/ Arkansas, 20th c.), “Tower of Babel and Other Buildings to Reach Heaven”, 1983, oil on canvas, signed and dated lower left, label with title on backing board, 24 in. x 18 in., framed, overall 24 1/4 in. x 18 1/4 in. x 1 3/8 in.
[$300/500]
Condition: Overall fair condition.
56. Louisiana School, 20th c., “Night Blooming Cereus”, oil on canvas laid on panel, unsigned, 39 in. x 28 1/4 in., framed, overall 39 3/4 in. x 29 in. x 1 1/8 in.
[$500/700]
Condition: Overall fair to poor condition.
57. Walter Scott (American/Louisiana, 20th c.), “Century Plant”, oil on board, unsigned, label with artist and title en verso, sight 45 in. x 17 3/4 in., framed, overall 47 1/2 in. x 20 1/2 in. x 1 1/4 in.
[$200/300]
Provenance: Acquired from the artist, New Orleans, LA; Estate of Caroline P. Ireland.
Condition: Overall fair condition.
58. Rise Delmar Ochsner (American/ Louisiana, b. 1944), “Phyllis S. Dennery”, 1988, acrylic on canvas, signed and dated lower left, 48 in. x 36 in., framed, overall 50 3/4 in. x 38 1/2 in. x 1 1/2 in.
[$400/600]
Condition: Overall good condition.
59. Alvin Batiste (American/Louisiana, b. 1962), “Big Moma Babysitting the Little Girl in the Number 3 Tub”, 2000, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed “#3550” on stretcher, 14 in. x 11 in., unframed. [$250/350]
Condition: Overall good condition.
60. Alvin Batiste (American/ Louisiana, b. 1962), “Big Moma Melou is Eating Watermelon”, 1999, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed “#2442” on stretcher, 12 in. x 9 in., unframed. [$250/350]
Condition: Overall good condition.
61. Alvin Batiste (American/Louisiana, b. 1962), “People Roasting the Pig for the Sunday Dinner on the Plantation”, 2000, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed “#3299” on stretcher, 24 in. x 36 in., unframed. [$800/1200]
Condition: Overall good condition.
62. Alvin Batiste (American/Louisiana, b. 1962), “Ponchatoula Louisiana’s Finest Strawberries”, 1999, oil on masonite, signed and dated lower right, signed, titled, dated and inscribed “#1934” en verso, 12 3/8 in. x 15 1/4 in., unframed. [$300/500]
Condition: Overall good to fair condition.
63. Alvin Batiste (American/Louisiana, b. 1962), “Popa Meak’s the Best Crawfish Gumbo in Town, Yum Yum”, 2000, oil on panel, signed and dated lower right, signed, titled, dated, inscribed “Maey [sic] God Bless You” and “#3318” and 3 sketches en verso, 20 in. x 16 in., unframed. [$400/600]
Condition: Overall good condition.
64. Alvin Batiste (American/Louisiana, b. 1962), “Soul Food Cafe”, 2000, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed “#3555” on stretcher, 10 in. x 8 in., unframed.
[$250/350]
Condition: Overall good condition.
65. Alvin Batiste (American/Louisiana, b. 1962),
“The Baptism in the River”, 2000, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed “#3551” on stretcher, 14 in. x 11 in., unframed. [$250/350]
Condition: Overall good condition.
66. Rise Delmar-Ochsner (American/ Louisiana, b. 1944), “Lightbulb”, acrylic on canvas laid on foamcore, signed midleft, 20 1/2 in. x 16 1/2 in., framed, overall 32 in. x 25 1/2 in. x 1 in.
[$300/500]
Condition: Overall good condition.
69. Charles Gillam, Sr. (American/ Louisiana, b. 1945), “Charley Patton”, oil on carved panel, signed lower right, signed and titled en verso, 19 3/4 in. x 14 5/8 in., unframed.
[$250/350]
Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.
Condition: Overall good condition.
67. Morris Henry Hobbs (American/Louisiana, 18921967), “Foo Dog”, 1945, watercolor on paper, signed lower right, dated lower left, artist label en verso, 13 3/4 in. x 10 1/2 in., framed, overall 22 3/4 in. x 19 1/2 in. x 1 in.
[$300/500]
Condition: Overall good condition.
68. Charles Gillam, Sr. (American/Louisiana, b. 1945), “James Black, Legendary Drummer”, oil on carved panel, signed lower right and en verso, 20 in. x 15 3/8 in., unframed.
[$250/350]
Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.
Condition: Overall good condition.
70. Julian Courtenay Hunt (American/Florida, 1917-2014), “Portrait of a Lady”, oil on canvas, signed upper right, 24 in. x 20 in., unframed.
[$500/700]
Condition: Overall fair condition.
71. Megan Kimber (American/Alabama, 20th c.), “Fisherman’s Daughter”, 2012, “These Forms, They Cannot Take Shape”, 2014, “Glass Carrier”, 2014, “Wing & Bone”, 2012, “Oh, Thine with Four Legs and not Merely Two, Defend and Protect Us till the End”, 2014 and “Remember the Earth from which You Came”, 6 ink and mixed medias on board, 3 signed and dated lower right, 2 signed and dated lower left, one unsigned, each with label with artist, title and 3 with date on backing paper, dia. 4 1/2 in. to 13 in. x 10 1/2 in., each framed, overall dia. 6 3/4 in. x 1 in. to 15 3/4 in. x 13 3/8 in. x 1 in. (6 pcs.) [$400/600]
Provenance: grayDUCK Gallery, Austin, TX.
Condition: Overall good condition.
72. Caroline Wright (American/Texas, 20th c.), “The Wave of Last Year” and “Scherzo”, 2008, 2 monotypes, each signed and dated lower right, one titled lower left, one with “Bay 6, Austin TX” exhibition flyer and exhibition pricelist with artist, titles and dates on backing paper, 8 in. x 15 in. and 7 5/8 in. x 17 in., framed alike, overall 15 in. x 18 in. x 1 in. and 15 in. x 24 in. x 1 in.; and “Small Horizon”, 2010, ink on rice paper, initialed and dated lower left, 5 in. x 5 in., framed, overall 10 in. x 10 in. x 1 3/4 in. (3 pcs.)
[$300/500]
Exh.: “i do not know what it is i am like”, Bay 6 Gallery, Austin, TX, Mar. 7 - Mar. 22, 2009.
Condition: Overall good condition.
73. Marcelle Martinet Peret (American/Louisiana, 1898-1973, active Newcomb College, 1918-1923), “Children”, watercolor on board, signed twice lower left, “Jean Bragg Gallery, New Orleans, LA” label with provenance on backing paper, 10 1/8 in. x 12 5/8 in., framed, overall 15 5/8 in. x 18 3/16 in. x 1 5/8 in. [$200/300]
Exh.: “Newcomb College Arts & Crafts Sales Exhibition”, Jean Bragg Gallery, New Orleans, LA, Oct. 30 - Nov. 30, 1998.
Condition: Overall fair condition.
74. Southern School, 19th c., “Caroline Tabor (1822-1899)”, oil on canvas, signed “J. Porter” lower right, handwritten label with sitter information en verso, 20 in. x 16 in., framed, overall 27 1/2 in. x 23 1/2 in. x 1 3/4 in. [$400/600]
Condition: Overall poor condition.
75. Pamela Marquis (American/Louisiana, 20th c.), “Hurricane”, 2015, “Margarita”, 2017, “Bloody Mary”, 2018, “Red Wine”, 2018, “Fried Chicken Leg”, 2018 and “Cohiba Maduro Cigar”, 2019, 6 acrylics on slate, 4 signed lower center, one lower left, one lower right, each signed and dated en verso, 6 1/4 in. x 11 in. to 14 1/8 in. x 6 1/4 in., unframed. (6 pcs.) [$250/350]
Condition: Overall good condition.
76. Carol Sadowski (American/Florida, 1929-2024), “Provence, France”, oil on canvas, signed lower right, 10 in. x 12 in., framed with title plaque, overall 16 3/8 in. x 18 1/4 in. x 3 3/4 in. [$400/600]
Condition: Overall good condition.
77. Bruce Bordelon (American/Louisiana, b. 1940), “Northshore”, 2013, oil on canvas board, signed and dated lower left, signed and titled en verso, 16 in. x 20 in., framed, overall 18 3/4 in. x 22 3/4 in. x 1 1/8 in.
[$300/500]
Condition: Overall good condition.
78. Janet Lucas Beck (American/Alabama, b. 1959), “Gus O’Connors Pub, Dublin, Ireland”, 2007, oil on canvas board, signed lower right, signed, titled and dated en verso, 9 in. x 12 in., framed, overall 13 5/8 in. x 16 5/8 in. x 1 1/4 in.
[$200/300]
Condition: Overall good condition.
79. Morris Henry Hobbs (American/Louisiana, 1892-1967), “Fairplayx”, 1945, watercolor and graphite on paper, signed and dated lower left, 11 3/4 in. x 16 in., framed, overall 15 1/2 in. x 20 1/2 in. x 7/8 in.
[$400/600]
Condition: Overall good condition.
80. John Gadsby Chapman (American/Virginia, 1808-1898), “Young Florentine in the XIV Century (from a Picture by T. Gadda in the Church at S. Croce in Florence)”, watercolor, gold tempera and graphite on paper, unsigned, titled lower right, “Estate of John Gadsby Chapman” stamp with inscribed “JGCE-5” en verso, “Fletcher/Copenhaver Fine Art, Fredericksburg, Virginia” label with artist and title on backing paper, 5 1/4 in. x 4 in., framed, overall 14 1/4 in. x 12 3/8 in. x 1 in.
[$300/500]
Provenance: “Summer Catalogue Auction”, Leland Little Auctions, Hillsborough, NC, Jun. 13-14, 2014, lot 756; Neal Auction, Apr. 17-19, 2015, lot 731; Neal Auction, Sept. 12-13, 2015, lot 414.
Condition: Overall fair condition.
81. James Hussey (American/Louisiana, b. 1931), “Bayou Scene” and “French Quarter Scene”, 2 watercolor and inks on paper, each signed lower left, 7 1/2 in. x 11 in. and 15 in. x 10 7/8 in., framed alike, overall 14 in. x 17 in. x 1 1/4 in. and 21 in. x 17 in. x 1 1/4 in. (2 pcs.) [$250/350]
Condition: Overall good condition.
82. Norman Taylor (American/Louisiana, b. 1993), “Still Life of Tabasco”, gouache on paper, signed lower right, 14 in. x 11 in., framed, overall 19 3/4 in. x 16 3/4 in. x 2 in.
[$100/200]
Condition: Overall good condition.
83. Norman Taylor (American/Louisiana, b. 1993), “Still Life of Lemon and Bottle”, gouache on paper, signed lower right, 14 in. x 11 in., framed, overall 21 in. x 18 1/4 in. x 2 1/2 in. [$100/200]
Condition: Overall good condition.
84. Norman Taylor (American/Louisiana, b. 1993), “Edgar ‘Dook’ Chase, IV of Dooky Chase Restaurant in New Orleans”, 2023, gouache on paper, signed lower right, signed and dated en verso, printed label with artist and title on backing paper, 12 in. x 9 in., framed, overall 19 in. x 16 in. x 2 1/4 in.
[$100/200]
Condition: Overall good condition.
86. Norman Taylor (American/Louisiana, b. 1993), “Man in a Yellow Hat”, gouache on paper, signed lower left, 19 in. x 12 in., framed, overall 26 in. x 18 in. x 1 3/4 in.
[$100/200]
Condition: Overall good condition.
85. Norman Taylor (American/Louisiana, b. 1993), “Marie Laveau”, gouache and graphite on paper, signed lower left, 20 in. x 16 in., framed, overall 24 in. x 30 in. x 1 1/2 in.
[$200/300]
Condition: Overall good condition.
87. Adolf Kronengold (American/Louisiana, 1900-1986), “Shrimp Boats”, watercolor on paper, signed lower right, 14 3/4 in. x 11 1/4 in., framed, overall 22 1/4 in. x 17 7/8 in. x 1 1/4 in.
[$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall good condition.
88. Brother Benjamin Franklin “B.F.” Perkins (American/Alabama, 1904-1993), “King Tut, Challace”, acrylic on canvas, initialed and titled lower center, 20 in. x 15 3/8 in., framed, overall 20 3/8 in. x 16 3/8 in. x 3/4 in.
[$500/700]
Condition: Overall fair condition.
89. Brother Benjamin Franklin “B.F.” Perkins (American/Alabama, 1904-1993), “American Flag (Pledge of Allegiance)”, 1991, acrylic on panel, signed and dated left side, 12 in. x 14 in., unframed.
[$300/500]
Condition: Overall fair condition.
90. Chris Clark (American/Alabama, 1958-2011), “Girl in Chair”, 1994, mixed media on found cabinet door, signed and dated lower right, 27 in. x 22 in., unframed.
[$300/500]
Condition: Overall fair condition.
91. Bernice Sims (American/ Alabama, 1926-2014), “Mother and Children”, oil on canvas, signed lower right, 12 in. x 9 in., unframed.
[$300/500]
Condition: Overall good condition.
93. Adrian Deckbar (American/Louisiana, b. 1950), “Female #6 Standing” and “Life Drawing-Nude, Rear View”, 2 pastels and graphite on paper, one signed upper right, one lower right, one titled, inscribed, “Hanson Gallery, New Orleans, LA” label and artist information on backing paper, one with exhibition label with artist and title on backing paper, 6 3/4 in. x 5 in. and 9 1/2 in. x 6 1/2 in., framed, overall 13 in. x 11 in. x 3/4 in. and 16 3/8 in. x 13 in. x 3/4 in. (2 pcs.) [$300/500]
Condition: Overall good condition.
92. Carol Leake (American/Louisiana, 20th c.), “Suzanne Standing”, watercolor and graphite on paper, signed lower right, titled and label with artist and title on backing paper, sight 17 3/4 in. x 14 1/4 in., framed, overall 25 in. x 21 1/4 in. x 1 1/2 in.
[$250/350]
Condition: Overall good condition.
94. American School, 2008, “Abstract Composition”, oil on board, indistinctly signed and dated lower right, 28 7/8 in. x 21 3/4 in., framed, overall 37 1/2 in. x 30 in. x 1 in.
[$200/300]
Condition: Overall good condition.
96. Frank Anderson (American/New York, 1844-1891), “House along a Path”, 1869, oil on canvas, initialed and dated lower right, 14 in. x 20 1/4 in., framed, overall 17 5/8 in. x 23 3/4 in. x 1 3/4 in. [$700/900]
Condition: Overall poor condition.
95. American School, c. 1940s, “Portrait of a Woman”, oil on canvas, signed “Sturgis” lower left, inscribed “FLA. ‘42” en verso, “Florida Federation of Art Twentieth Annual Exhibition, Clearwater, FL” label with artist and date and “Royal Art Framing Co., Inc., New York, NY” label on reverse of frame, 20 in. x 16 in., framed, overall 25 3/4 in. x 21 3/4 in. x 2 1/2 in. [$300/500]
Condition: Overall fair condition.
97. Attributed to Patricia Hermine Sloane (American, 1934-2001), “Surrealist Figures”, mixed media on paper, unsigned, “The Samuel Collection / Estate of Patricia Sloane” stamp en verso, 9 in. x 12 1/4 in., unframed. [$50/100]
Condition: Overall good condition.
98. Robert Doney (American/Pennsylvania, 1923-2012), “Docked Canoe”, pastel on paper, signed lower left, blind stamps visible, sight 17 3/4 in. x 27 3/4 in., framed, overall 27 in. x 39 in. x 1 3/4 in. [$200/300]
Condition: Overall fair condition.
99. Albert Gold (American/Pennsylvania, 1916-2006), “Study”, ink on paper, unsigned, artist stamp with title on backing board, 16 3/4 in. x 12 3/4 in., framed, overall 24 1/8 in. x 17 7/8 in. x 1 in. [$200/300]
Condition: Overall fair to poor condition.
100. Dom Lee (South Korean/American, b. 1959), “Cityscapes”, 1998, 2 oils on paper, one signed and dated lower right, other lower left, one with “Works On Paper #2831” label on backing board, 11 in. x 14 in. and 15 1/8 in. x 22 1/4 in., framed, overall 17 in. x 20 in. x 1 in. and 21 1/4 in. x 27 1/4 in. x 1 1/8 in. (2 pcs.)
[$200/300]
Condition: Overall good condition.
101. Betty Strauss (American/ New York, b. 1905), “Still Life”, oil on panel, signed lower right, 13 in. x 9 1/2 in., framed, overall 17 1/4 in. x 13 3/4 in. x 1 1/4 in. [$300/500]
Condition: Overall fair condition.
102. Margaret Baker (American/California, b. 1899), “Houses along the Wharf”, oil on canvas board, signed lower right, artist en verso, 18 in. x 14 in., framed, overall 21 in. x 17 in. x 1 7/8 in. [$500/700]
Condition: Overall fair condition.
104. Ernest Marius Wilson (Swedish/American, 1885-1969), “Mission San Carlos Borromeo de Carmelo (The Carmel Mission, Carmel, CA)”, 1967, oil on panel, signed and dated lower right, signed, titled and inscribed en verso, 23 5/8 in. x 38 7/8 in., framed, overall 32 1/2 in. x 47 3/4 in. x 1 1/2 in. [$200/300]
Provenance: Neal Auction, June 25, 2022, lot 544.
Condition: Overall fair condition.
103. William Schinzel (American/New York, 19th/20th c.), “Nature Morte”, 1881, oil on canvas laid on masonite, signed and dated lower left, “The Hogarth Shop, 3rd Ave, NYC” label on reverse of mount, 21 7/8 in. x 14 in., framed, overall 24 5/8 in. x 16 5/8 in. x 1 in. [$400/600]
Condition: Overall fair to poor condition.
105. American School, 20th c., “Untitled Composition”, encaustic and mixed media on board, indistinctly initialed lower right, 23 1/8 in. x 23 1/8 in., unframed. [$200/300]
Condition: Overall fair condition.
106. Harry Shoulberg (American/New York, 1903-1995), “Street Scene at Night”, oil on canvas, signed lower right, “Skinner” label on reverse of frame, 10 1/8 in. x 14 1/8 in., framed, overall 15 in. x 19 in. x 2 in.
[$200/300]
Condition: Overall fair condition.
107. American School, 20th c., “City Scene”, oil on canvas, indistinctly signed lower left, 30 in. x 15 in., framed, overall 34 1/4 in. x 20 1/4 in. x 2 in.
[$300/500]
Condition: Overall fair condition.
108. Joseph Sherly Sheppard (American/Maryland, b. 1930), “Arno”, oil on masonite, signed lower left, “Grand Central Art Galleries, Inc., New York, NY” and handwritten labels with artist and title on reverse of frame, 20 in. x 24 in., framed with artist and title plaque, overall 29 3/4 in. x 33 3/4 in. x 1 1/2 in.
[$200/300]
Condition: Overall good condition.
109. Maud Mary Mason (American/Connecticut, 1867-1956), “Still Life, The Lustre Pitcher”, oil on canvas, signed lower right, “The National Arts Club, New York, NY” label with artist, handwritten label with title and artist information on backing board, 24 1/8 in. x 20 1/4 in., framed, overall 31 1/2 in. x 27 1/2 in. x 2 1/2 in.
[$400/600]
Condition: Overall poor condition.
110. Stephen Csoka (Hungarian/American, 1897-1989), “In the Studio: Reclining Nude”, 1964, oil on canvas board, signed and dated lower right, 11 in. x 14 in., framed, overall 19 in. x 22 1/4 in. x 1 5/8 in.
[$400/600]
Condition: Overall fair condition.
111. Maxwell Stewart Simpson (American/New Jersey, 1896-1984), “Still Life with Basket of Grapes”, 1959, oil on canvas, signed upper left, titled and dated on stretcher, “Mongerson Wunderlich, Chicago, IL” label with artist and title en verso, 18 in. x 24 in., framed, overall 24 7/8 in. x 30 7/8 in. 1 1/4 in.
[$400/600]
Condition: Overall good condition.
112. American School, 20th c., “Two Women”, oil on canvas, signed “K. Marion” lower left, inscribed on stretcher, 20 in. x 16 in., framed, overall 26 in. x 22 in. x 1 1/4 in.
[$100/200]
Condition: Overall good condition.
113. Hedley Williams Waycott (British/American, 1865-1938), “Green Landscape”, oil on canvas, signed lower left, 10 in. x 14 1/2 in., framed, overall 14 3/8 in. x 18 7/8 in. x 1 1/2 in.
[$300/500]
Condition: Overall fair condition.
114. Rock Vaccaro (American, 20th c.), “American Flag”, oil on canvas, signed upper left, 14 in. x 18 in., framed, overall 16 3/8 in. x 20 1/4 in. x 1 1/4 in.
[$300/500]
Condition: Overall fair condition.
115. William Fischer (American/New York, 1891-1985), “Street Scene”, 1939/1940, oil on canvas, signed lower right, signed, dated and illegibly inscribed on stretcher, 24 in. x 36 in., framed, overall 24 3/8 in. x 34 3/8 in. x 1 1/4 in.
[$400/600]
Condition: Overall fair condition.
116. Frank Whipple (American/California, 1928-2016), “Pear”, oil on panel, signed lower right, 5 in. x 5 in., framed, overall 10 in. x 10 in. x 1 in. [$100/200]
Condition: Overall fair condition.
117. Anna Lynch (American/Illinois, 1865-1946), “Still Life of Flowers in Blue Vase”, oil on canvas, signed lower left, 26 1/4 in. x 28 1/4 in., framed, overall 31 in. x 33 in. x 1 3/4 in.
[$300/500]
Condition: Overall fair to poor condition.
118. Henry Martin Gasser (American/New Jersey, 1909-1981), “House with Trees”, watercolor on paper laid on board, signed lower left, artist stamp on reverse of mount, 7 1/4 in. x 9 1/2 in., framed, overall 11 3/4 in. x 14 1/4 in. x 1 1/2 in.
[$400/600]
Condition: Overall good condition.
119. Henry Martin Gasser (American/New Jersey, 1909-1981),
“Cape Houses, New England”, watercolor on paper laid on board, signed lower right, artist stamp on reverse of mount, artist information label inscribed with title on backing board, 7 1/4 in. x 9 5/8 in., framed, overall 13 1/2 in. x 15 5/8 in. x 1 1/2 in.
[$400/600]
Condition: Overall fair condition.
120. Peter Hayward (American/New York, 1905-1993), “New York City, Westside”, oil on canvas, signed lower left, label with artist and title attached to hanging wire, 16 in. x 20 in., framed, overall 21 3/4 in. x 25 3/4 in. x 2 1/4 in.
[$500/700]
Condition: Overall good condition.
121. Edward Joseph Finley Timmons (American/ Illinois, 1886-1960), “Carmel-by-the-Sea”, 1930, oil on panel, signed lower left, signed and inscribed en verso, label with artist, title and date on reverse of frame, 12 in. x 13 3/8 in., framed, overall 14 1/2 in. x 16 in. x 1 in. [$300/400]
Condition: Overall good condition.
122. Studio of Lee Burr (American/California, 1936-2017), “Abstract Composition”, 1983, oil on canvas, signed and dated lower left, 2 “East Park Gallery” stamps en verso, 68 in. x 87 3/4 in., unframed. [$300/500]
Condition: Overall fair condition.
American School, 19th c.,
William Francis Ferguson Broaddus, nee Mary Ann Farrow (d. 1850)”, oil on canvas, unsigned, handwritten hanging tag with sitter information on reverse of frame, 30 in. x 25 1/4 in., framed, overall 39 3/4 in. x 34 5/8 in. x 4 in. [$400/600]
Condition: Overall fair condition.
American School, 19th c., “Portrait of a
unsigned, 30 1/4 in. x 25 in., framed, overall 35 3/8 in. x 30 1/4 in. x 2 in.
Condition: Overall fair condition.
Condition: Overall fair condition.
Condition: Overall fair condition.
124.
Seated Gentleman”, oil on canvas,
[$400/600]
126. American School, 19th c., “Portrait of a Gentleman in a Black Cravat”, oil on canvas, unsigned, 30 in. x 25 in., framed,
[$300/500]
123.
“Mrs.
125. American School, 19th c., “Portrait of an Older Gentleman Wearing a White Cravat”, oil on canvas, unsigned, 29 in. x 24 in., framed, overall 35 in. x 30 in. x 2 3/4 in. [$400/600]
128. Lottie B. Helwick (American/Ohio, 1911-1992), “Architectural Study”, watercolor on paper, signed and inscribed lower right, “Jessie’s Art Gallery, Frankfort, KY” label on backing paper, sight 36 1/2 in. x 28 1/2 in., framed, overall 47 in. x 39 in. x 1 in.; together with American School, 20th c., “Architectural Study”, watercolor on paper, unsigned, sight 25 in. x 26 in., framed, overall 27 1/2 in. x 28 in. x 3/4 in.; and Andras Kaldor (Hungarian/British, 1938-2022), “Royal Opera House, Covent Garden”, 1990, reproduction print, signed, titled and dated in plate, sight 19 in. x 27 in., framed, overall 27 1/2 in. x 35 5/8 in. x 1 in. (3 pcs.)
[$600/900]
Condition: Overall good to fair condition.
127. American School, 20th c., “Abstract Composition in Shades of Red, Pink and Cream”, oil on canvas, unsigned, 36 in. x 41 7/8 in., framed, overall 36 3/4 in. x 42 5/8 in. x 1 3/4 in.
[$400/600]
Condition: Overall fair condition.
129. Virginia True (American/Missouri, 1900-1989), “Abstract (Red and Yellow)”, gouache on paper, unsigned, “Alfred J. Walker Fine Art Gallery, Boston, MA” label with artist and title on backing paper, 27 3/8 in. x 21 in., framed, overall 36 in. x 30 1/2 in. x 1 1/4 in.
[$300/500]
Condition: Overall good condition.
130. Latin American School, 1900, “Apparition of the Virgin and Child”, oil on panel, inscribed “G. R. B. G.” and dated lower left, 11 3/4 in. x 19 3/4 in., framed, overall 12 in. x 20 1/2 in. x 1 3/8 in.
[$250/350]
Condition: Overall poor condition.
132. L. Vernet (Haitian, 20th c.), “In the Field”, oil on masonite, signed lower right, 31 1/2 in. x 24 in., framed, overall 37 in. x 30 in. x 1 1/4 in. [$300/500]
Provenance: Michael W. Murphy, El Dorado, AR. Condition: Overall fair condition.
131. Robert Von Zimmerman (Guatemalan, 1924-1984), “Semana Santa”, 1973, watercolor on board, signed, titled and dated lower left, 22 15/16 in. x 29 in., framed, overall 35 in. x 41 in. x 1 in. [$250/350]
Condition: Overall fair condition.
133. Charles Gillam, Sr. (American/Louisiana, b. 1945), “Mr. Big Stuff”, mixed media on bowling pin, signed and titled on self-base, underside and reverse, h. 16 in., w. 5 3/4 in., d. 5 in. [$100/150]
Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.
Condition: Overall fair condition.
135. Charles Gillam, Sr. (American/ Louisiana, b. 1945), “Robert Johnson”, paint and mixed media on concrete, signed on reverse, h. 65 in., w. 35 in., d. 31 in. [$700/1000]
Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.
Condition: Overall poor condition.
134. Charles Gillam, Sr. (American/Louisiana, b. 1945), “Bessie Smith”, paint and mixed media on concrete, signed on guitar, h. 72 in., w. 24 in., d. 17 in.,
Note: large crack and damage to base.
[$700/1000]
Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.
Condition: Overall poor condition.
138. Anthony Frudakis (American, b. 1953), “Bust of a Man”, bronze, signed on truncation, “Modern Art FDRY, New York City, New York” stamp on self-base, h. 14 1/2 in., w. 11 1/2 in., d. 8 1/2 in., marble base, overall h. 19 1/2 in.
[$300/500]
Condition: Overall good condition.
136. Bronze Figure of a Running Girl, signed “Jim Davidson” on back pocket, h. 52 1/4 in., w. 42 1/4 in., d. 35 in. [$400/600]
Condition: Overall fair condition.
137. Carl Wagner (American/New Jersey, 1938-2011), “Terns”, bronze, signed, titled, dated and numbered “13/25” on reverse, h. 27 in., w. 31 in., d. 12 in., metal base with artist and title plaque, overall h. 29 in. [$300/500]
Condition: Overall good condition.
139. Dale Evers (American/Hawaii, 20th c.), “Dolphins”, bronze, signed on self-base, h. 11 in., w. 8 in., d. 8 in., marble base, overall h. 12 1/2 in. [$300/500]
Condition: Overall good condition.
140. Bronze Figure of a Woman with Basket, 1943, indistinctly signed and dated on self-base, h. 25 1/2 in., w. 8 1/2 in., d. 9 in.
[$400/600]
Condition: Overall good condition.
141. Dale Evers (American/Hawaii, 20th c.), “Leaping Dolphin”, bronze, signed and numbered “206 of 950” on self-base, h. 6 1/4 in., w. 4 1/2 in., d. 1 3/4 in., marble base, overall h. 7 3/8 in.
[$200/300]
Condition: Overall good condition.
142. Mike Bucha (American/Michigan, 20th c.), “Fish”, welded bronze and metal, signed on self-base, h. 20 1/2 in., w. 43 in., d. 8 in., mixed media illuminated pedestal, overall h. 76 1/2 in. [$200/300]
Condition: Overall good condition.
144. Chris Clark (American/Alabama, 1958-2011), “Snake”, mixed media on wood, unsigned, h. 9 in., w. 33 1/2 in., d. 3 in. [$250/350]
Condition: Overall good condition.
143. Carl Wagner (American, 1939-2011), “Mr. Bill”, 1994, bronze, signed, dated and numbered “19/100” on tail, h. 3 5/8 in., w. 8 3/4 in., d. 3 1/4 in., marble base, overall h. 4 1/2 in. [$200/300]
Condition: Overall good condition.
145. Bronze Bust of a Boy, unsigned, h. 13 1/2 in., w. 10 in., d. 6 in.
[$300/500]
Condition: Overall good condition.
146.Menno Krant (Dutch/Canadian, b. 1950), “Tonis”, pastel on paper mounted to board, unsigned, “Joy Moos Gallery, Miami, FL” label on backing paper, 26 in. x 20 in., framed, overall 33 in. x 27 in. x 1 3/4 in. [$300/500]
Condition: Overall good condition; frame has separation in upper left corner with associated repair on reverse of frame.
147. Continental School, 20th c., “Landscape with Cabin and Haystacks”, oil on canvas, indistinctly signed and inscribed lower left, 21 1/2 in. x 26 1/2 in., framed, overall 30 in. x 34 3/8 in. x 2 1/4 in. [$400/600]
148. Federico Fernandez Gimenez (Spanish, 1841-c. 1931), “Pining for Her Lover”, watercolor on paper laid on board, signed lower right, 14 7/8 in. x 10 3/4 in., framed, overall 21 1/4 in. x 17 1/2 in. x 3/4 in.
[$300/500]
Condition: Overall fair to poor condition.
149. Arthur Fillon (French, 1900-1974), “Nature Morte: Fleurs”, watercolor, ink and graphite on paper mounted to board, signed lower right, inscribed “Paris No. 140” en verso, “Wally Findlay Galleries” label on backing board, 12 1/2 in. x 9 1/4 in., framed, overall 17 1/8 in. x 13 5/8 in. x 1 1/2 in.
[$400/600]
Condition: Overall fair condition.
150. Continental School, 20th c., “Ad Finem Fidelis”, watercolor, ink and metallic paint on paper, unsigned, 12 in. x 10 in., unframed. [$100/200]
Condition: Overall good condition.
151. Marie Joseph Jean Raymond “José” Silbert (French, 1862-1939), “Lydie”, oil on wood panel, signed upper left, titled en verso, inscribed with artist on reverse of frame, 12 3/4 in. x 9 1/2 in., framed, overall 17 1/2 in. x 14 in. x 1 5/8 in.
[$400/600]
Condition: Overall fair condition.
152. Paul Renard (French, 1941-1997), “Paris”, oil on canvas laid on board, signed and titled lower right, 22 3/4 in. x 14 in., framed, overall 30 1/4 in. x 21 1/4 in. x 1 1/4 in.
[$300/500]
Condition: Overall fair condition.
154. Continental School, 19th/20th c., “Distant Ships at Sea”, oil on panel, indistinctly signed lower right, 6 3/4 in. x 10 1/2 in., framed, overall 11 5/8 in. x 15 1/2 in. x 1 1/2 in.
[$200/300]
Condition: Overall fair condition.
153. Jean-Etienne Karnec (French/Austrian, 1865-1934), “Ships at Sea”, oil on panel, signed lower left, artist information en verso, 6 3/4 in. x 12 5/8 in., framed, 10 1/8 in. x 16 1/8 in. x 1 1/4 in.
[$200/300]
Condition: Overall good condition.
155. Paul Lambert (French, 1910-c. 1970), “Place D’Ancourt, Theatre de l’Atelier” and “Eglise St. Pierre de Montmartre”, 2 oils on canvas, each signed lower left, each signed and titled en verso, each with artist information label on stretcher and tag with artist and title on hanging wire, 9 1/2 in. x 13 in. and 13 in. x 9 1/2 in., framed alike, overall 15 3/8 in. x 19 in. x 1 in. and 19 in. x 15 3/8 in. x 1 in. (2 pcs.)
[$200/300]
Condition: Overall good condition.
157. Continental School, 19th/20th c., “Courting Couple”, oil on panel, unsigned, 12 3/4 in. x 9 1/2 in., framed, overall 22 3/4 in. x 19 3/8 in. x 3 1/4 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall fair condition.
156. Paul Bernard Morchain (French, 1876-1939), “Arrivée de la Pêche”, oil on cradled panel, signed lower left, “Vincent Mann Gallery, INC., New Orleans” label with artist and title on reverse of frame, 12 3/8 in. x 16 1/4 in., framed, overall 19 5/8 in. x 23 1/4 in. x 1 1/4 in. [$400/600]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall poor condition.
158. Continental School, 20th c., “The Charles Bridge, Prague”, watercolor on paper, indistinctly signed lower right, 8 1/8 in. x 11 5/8 in., framed, overall 13 1/2 in. x 16 1/2 in. x 3/4 in. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall good condition.
159. Dutch School, 1875/1876, “Floral Still Lifes”, 2 oils on canvas, each illegibly signed “Bonnaf...” and dated lower left or lower right, each 23 5/8 in. x 28 3/4 in., framed alike, each overall 31 3/4 in. x 37 in. x 3 3/4 in. (2 pcs.)
[$500/700]
Condition: Overall poor condition.
160. British School, 20th c., “Lady with Dog”, oil on canvas, signed “Meggesi S. H.” and inscribed lower right, “Reeves & Sons, London, England” stamp en verso, 44 1/8 in. x 34 in., framed, overall 50 in. x 39 3/4 in. x 2 3/4 in. [$500/800]
Condition: Overall fair condition.
161. Alfred Rozelaar Green (British, 1917-2013), “Landscape”, 1962, pastel and watercolor on paper mounted to board, signed and dated lower left, 18 1/16 in. x 23 1/4 in., framed, overall 25 1/4 in. x 30 1/8 in. x 2 in.
[$200/300]
Condition: Overall fair condition.
162. Anne Mary Teresa Constable-Maxwell Fitzalan-Howard, Duchess of Norfolk (British, 1927-2013), “Hambleden Village in the Snow (The Church Tower)”, oil canvas board, signed “Anne Norfolk” lower right, titled on reverse of frame and on stretcher, label with title en verso, 18 in. x 24 in., framed, overall 24 5/8 in. x 30 5/8 in. x 1 1/4 in. [$200/300]
Condition: Overall good condition.
163. J. W. Pocock (British, 18th c.), “Landscape”, 1796, grisaille watercolor on paper, signed and dated lower left, 9 1/4 in. x 12 3/8 in., framed, overall 16 1/4 in. x 18 7/8 in. x 3/4 in. [$200/300]
Condition: Overall fair condition.
164. British School, 20th c., “Garden and Fountain”, watercolor on paper, unsigned, “Stephanie Hoppen, London, England” label on backing board, 13 3/4 in. x 25 in., framed, overall 21 3/4 in. x 32 7/8 in. x 3/4 in.
[$300/500]
Condition: Overall good condition.
165. Mary Nicol Neill Armour (Scottish, 1902-2000), “Calm Day, Corrie”, 1963, oil on canvas, signed and dated lower left, titled on reverse of frame, “Lyon & Turnbull, Edinburgh, Scotland” and “Aitken Dottson, Edinburgh, Scotland” labels on reverse of frame, 22 in. x 26 in., framed, overall 27 3/4 in. x 31 3/4 in. x 2 1/4 in.
[$500/700]
Provenance: Michael W. Murphy, El Dorado, AR. Condition: Overall good condition.
166. George Cattermole (British, 1800-1868), “Lady with Parrot”, oil on canvas, unsigned, artist information on stretcher, 12 3/8 in. x 9 3/8 in., framed, overall 18 3/4 in. x 15 in. x 3 in.
[$100/200]
Condition: Overall poor condition.
167. Phillip Eustace Stretton (British, c. 1863-c. 1930), “The George Coaching House at Worcester”, gouache on board, signed lower right, titled and partial sketch en verso, 2 original handwritten labels, one with artist and title, one with title and information and “Henry Graves & Company, LTD, London” label on backing board, sight 18 1/2 in. x 14 3/4 in., framed, overall 26 3/4 in. x 22 3/4 in. x 1 in.
[$400/600]
Condition: Overall good condition.
168. Frederick Cowie (British, 19th c.), “Portrait of a Young Girl”, oil on canvas, signed lower center, “Winsor & Newton, London, England” stamp en verso, 16 1/4 in. x 12 in., framed, overall 22 1/2 in. x 18 5/8 in. x 3 1/2 in. [$400/600]
Condition: Overall poor condition.
British School, 20th c., “Bonnie Prince Charlie Last of the
oil on canvas, unsigned, 70 in. x 69 in., framed, overall 74 in. x 74 in. x 1 1/2 in.
Condition: Overall fair condition.
169.
Stuarts”,
[$400/600]
172. After John James Audubon (American, 1785-1851), “Seaside Finch”, Plate 93, reproduction print, from Birds of America, later edition, sheet 36 1/2 in. x 26 1/4 in., framed, overall 44 1/4 in. x 30 1/2 in. x 2 1/2 in. [$400/600]
Condition: Overall fair condition.
170. Southern School, 1913, “Something Doing! By Gosh. Sixth Annual Monroe Fair, Monroe, LA. Oct. 28-29-30-31, 1913”, lithograph poster, publisher stamp “The Donaldson Litho Company, Newport KY” visible, sight 40 in. x 27 in., framed, overall 45 1/2 in. x 31 1/2 in. x 1 in.
[$300/500]
Condition: Overall fair to poor condition.
171. After John James Audubon (American, 1785-1851), “Ruff-Necked Humming Bird”, Plate 374, reproduction print, from Birds of America, later edition, sheet 37 3/8 in. x 25 3/4 in., framed, overall 44 in. x 30 1/2 in. x 2 1/2 in. [$400/600]
Condition: Overall fair condition.
173. Giorgio Trevisan (Italian, b. 1934), “Air India International”, 1950, lithograph poster, signed and dated in plate, printed by Alfred Wall, Graz, sight 37 1/8 in. x 24 in., framed, overall 40 1/4 in. x 27 1/4 in. x 3/4 in. [$200/300]
Provenance: M.S. Rau, New Orleans, LA.
Condition: Overall fair condition.
174. Howard Chandler Christy (American, 1872-1952), “Fight or Buy Bonds, Third Liberty Loan”, 1917 and “Clear the Way, Buy Bonds, Fourth Liberty Loan”, 1918, 2 lithograph posters, each signed in plate, each printed by Forbes, Boston, sights 29 1/2 in. x 19 1/2 in., framed alike, overall 38 in. x 29 in. x 3/4 in. (2 pcs.) [$600/800]
Condition: Overall fair to poor condition.
175. Indian School, 20th c., “Air India International, Speed, Luxury, Service”, c. 1950s, lithograph poster, signed “Asiart” in plate, printed by Bolton Fine Art Offset & Litho Works, Bombay, sight 39 in. x 26 in., framed, overall 41 in. x 29 in. x 3/4 in. [$200/300]
Provenance: M.S. Rau, New Orleans, LA.
Condition: Overall fair condition.
176. Mark Catesby (British, 16831741), “Blackcap Flycatcher”, 1730-1771, hand-colored engraving, from The Natural History of Carolina, Florida and the Bahama Islands, sight 16 3/4 in. x 13 1/4 in., framed, overall 23 3/4 in. x 20 1/4 in. x 3/4 in. [$300/400]
Condition: Overall fair condition.
177. John James Audubon (American, 1785-1851), “Yellow Billed Magpie”, Plate 228 and “Yellow Throated Vireo”, Plate 238, 2 hand-colored lithographs mounted to board, from Birds of America, Bowen octavo edition, sheets 10 1/4 in. x 6 1/2 in. to 6 1/4 in. x 6 5/8 in., framed alike, each overall 14 in. x 10 in. x 5/8 in.; together with William Home Lizars (Scottish, 1788-1859), “Trochilus Loddiges”, 1843 and “Blue Titmouse”, 1889, one hand-colored lithograph and one hand-colored engraving, sights 6 1/4 in. x 4 in., framed alike, each overall 10 in. x 7 5/8 in. x 3/4 in. (4 pcs.) [$100/200]
Condition: Overall fair condition.
178. Twenty-Eight Political Pinback Buttons, from Taft to Bush, largest dia. 3 in. [$200/400]
179. Reuven Rubin (Romanian/Israelie, 1893-1974), “King Soloman”, 1971, lithograph, pencil-signed, dated and personalized lower left, numbered “XVII/48” lower right, sheet 23 in. x 17 1/4 in., framed, overall 25 3/8 in. x 19 1/4 in. x 1 in. [$300/500]
Condition: Overall fair condition.
180. Georges-Pierre Guinegault (French, 1893-1982), “Venice”, handcolored etching, signed, inscribed and stamped “sz” lower margin, signed in plate, sheet 20 3/4 in. x 17 15/16 in., framed, overall 24 in. x 22 1/2 in. x 3/4 in. [$300/500]
Condition: Overall fair condition.
181.Olle Nordmark (Swedish/American, 1890-1973), “Two Figures”, etching, pencil-signed and inscribed “To Reginald Marsh” lower margin, sheet 9 3/4 in. x 7 1/4 in., framed, overall 12 1/2 in. x 7 3/4 in. x 1/2 in.
[$300/500]
Condition: Overall fair condition.
182. Lê Bá Dang “Hoi Lebadang” (Vietnamese/French, 1921-2015), “Horses” and “Harlequins”, 2 lithographs, each pencil-signed and numbered “103/120” and “115/120” respectively lower margin, 15 3/4 in. x 21 in. and 16 1/4 in. x 22 in., framed, each overall 23 3/8 in. x 29 1/4 in. x 1 3/4 in. (2 pcs.)
[$200/300]
Condition: Overall fair condition.
183. Will Barnet (American/Massachusetts, 1911-2012), “The Reader”, 1979, lithograph, signed, titled, dated and numbered “31/250” lower margin, label with artist, title, date and edition, artist biography and “Ashland Gallery, Mobile, AL” label on backing paper, sheet 21 3/4 in. x 38 in., framed, overall 25 1/4 in. x 45 1/4 in. x 1 3/4 in.
[$500/700]
Condition: Overall good condition.
184. Joseph Pennell (American/Pennsylvania, 1857-1926), “Entrance of Henry VII Chapel, Westminster”, 1906, etching, pencilsigned and inscribed lower margin, “E.H. & A.C. Fredricks Co., New York, NY” label on backing paper, 11 in. x 8 1/2 in., framed, overall 18 1/8 in. x 14 5/8 in. x 1/2 in. [$400/600]
Condition: Overall fair condition.
185. Georges Schreiber (American, 1904-1977), “Going Home”, 1946, lithograph, pencilsigned lower margin, handwritten label with artist, title and date on backing board, 9 1/4 in. x 13 1/2 in., framed, overall 16 3/4 in. x 20 3/4 in. x 3/4 in. [$300/500]
Condition: Overall fair condition.
186. After Salvador Dali (Spanish, 1904-1989), “Hell Canto 19 (The Divine Comedy)”, lithograph, printed signature lower left, 10 in. x 7 1/4 in., framed, overall 15 in. x 11 3/4 in. x 1 in. [$200/300]
Condition: Overall good condition.
187. Charles Bragg (American/Missouri, 1931-2017), “Claude Monet”, c. 1989, lithograph, signed lower right, numbered “255/400” lower left, sight 25 1/2 in. x 38 in., framed, overall 33 1/8 in. x 45 3/4 in. x 3/4 in.
[$400/600]
Condition: Overall good condition.
188. Charles Bragg (American/Missouri, 1931-2017), “The Sixth Day”, c. 2002, lithograph, pencil-signed, titled and numbered “109/300” lower margin, 24 1/4 in. x 20 in., framed, overall 32 3/8 in. x 27 3/4 in. x 1 1/4 in.
[$300/500]
Condition: Overall good condition.
189. Charles Bragg (American/Missouri, 1931-2017), “Midrash”, c. 1995, offset lithograph, pencil-signed, titled and numbered “780/950” lower margin, signed in plate, 16 in. x 24 in., framed, overall 20 1/4 in. x 28 1/4 in. x 3/4 in. [$200/300]
Condition: Overall good condition.
190. Charles Bragg (American/Missouri, 1931-2017), “Torah”, “Midrash” and “Succoth”, 2 etchings and one lithograph, each pencil-signed, titled and numbered lower margin, 4 7/8 in. x 3 7/8 in. to 10 1/2 in. x 15 in., framed, overall 14 3/4 in. x 11 3/4 in. x 1 in. to 17 in. x 21 7/8 in. x 1 1/2 in. (3 pcs.) [$200/300]
Condition: Overall good condition.
191. Charles Bragg (American/ Missouri, 1931-2017), “King of the Me’s”, “Doyle the Mohel”, “Judge” and “Jury”, 2 lithographs and 2 etchings, each pencil-signed and numbered and 2 titled lower margin, 5 in. x 5 1/2 in. to 9 3/4 in. x 14 in., framed, overall 13 1/4 in. x 14 3/8 in. x 1 in. to 17 3/8 in. x 21 3/8 in. x 1 7/8 in. (4 pcs.)
[$200/300]
Condition: Overall good condition.
192. Charles Bragg (American/ Missouri, 1931-2017), “Ready C.B.”, “Greed”, “Meyer the Flyer” and “Kramer the Framer”, 3 etchings and one lithograph, each pencil-signed and numbered and 3 titled lower margin, 5 in. x 7 in. to 7 7/8 in. x 9 3/4 in., framed, overall 13 3/4 in. x 16 1/2 in. x in. to 16 in. x 18 1/4 in. x 1 3/4 in. (4 pcs.)
[$200/300]
Condition: Overall good condition.
193. Paul Geissler (German, 1881-1965), “Bern, Switzerland Courtyard”, hand-colored etching, inscribed with artist lower margin, signed in plate lower right, sight 13 in. x 9 3/8 in., framed, overall 21 5/8 in. x 16 5/8 in. x 1 in.
[$10/20]
Condition: Overall good condition.
195. After Damien Hirst (British, b. 1965), “For the Love of God”, 2007, reproduction print, signed in plate, pencil-numbered “51/150” and “D&P” blindstamp lower margin, sheet 15 in. x 11 in., framed, overall 21 1/2 in. x 17 1/2 in. x 2 1/4 in. [$100/200]
Condition: Overall good condition.
194. Rob Anderson (American/California, 1953-2014), “1982 Gay Olympic Games San Francisco”, silkscreen on board, pencil-signed mid-right, printed by William James Art Co., Berkeley, 15 in. x 38 in., framed, overall 15 1/4 in. x 38 3/8 in. x 7/8 in.
[$600/800]
Condition: Overall fair condition.
196. Dan Wingren (American/Texas, 1923-1998), “Products of the Petroleum Industry”, 1955, lithograph on paper laid on board, pencil-signed, titled, dated, inscribed and numbered “5/25” lower margin, 22 3/4 in. x 17 1/4 in., framed, overall 31 1/4 in. x 17 1/2 in. x 3/4 in. [$200/300]
Condition: Overall fair condition.
197. Thomas P. Lewis (American/Pennsylvania, 1940-2008), “The Seven Seals”, lithograph on paper, pencil-signed, titled and inscribed “IMP” mid-right, sight 42 3/4 in. x 32 1/8 in., framed, overall 44 1/4 in. x 33 3/4 in. x 7/8 in. [$200/300]
Provenance: Mobile Museum of Art, Mobile, AL; Neal Auction, Mar. 5, 2020, lot 184.
Condition: Overall good condition.
199. Ray Buuck (American/Louisiana, 20th c.), “Milenburg”, “Gone are the Days” and “Fair & Windy”, 3 engravings, each pencil-signed, titled and numbered lower margin, one monogrammed in plate, 11 3/4 in. x 14 1/2 in. to 14 3/4 in. x 11 5/8 in., framed, overall 21 1/4 in. x 23 in. x 1 in. to 23 3/4 in. x 19 3/4 in. x 3/4 in. (3 pcs.) [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall good to fair condition.
200. Philip Anthony Sage (American/Louisiana, b. 1942), “The Marketplace”, 1973, etching, pencil-signed, titled and numbered “84/120” lower margin, signed and dated in plate, 14 3/4 in. x 17 5/8 in., framed, overall 23 1/8 in. x 25 5/8 in. x 1 in. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans. Condition: Overall fair condition.
201. Lot “Lance” Thackery (British, 1867-1916), “May I Play to Hearts” and “Ruffing the Black Suit”, 1904, 2 chromolithographs on paper laid on board, each signed lower left and in plate, vignettes of playing cards and etched remarques on mount margins, from Bridge, published by The Fine Art Society, London, sights 17 3/4 in. x 22 1/4 in., framed alike, each overall 20 in. x 24 1/4 in. x 3/4 in. (2 pcs.) [$300/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
Condition: Overall fair condition.
203. After Giovanni Battista Piranesi (Italian, 1720-1778), “Veduta della Facciata di dietro della Basilica di S. Maria Maggiore”, etching, from Vedute di Roma, sheet 20 1/4 in. x 29 in., framed, overall 24 1/4 in. x 32 1/4 in. x 1 in. [$300/500]
Condition: Overall fair condition.
202. Gerald Leslie Brockhurst (British, 1890-1978), “Casper Son of Chenil”, 1933, etching, pencil-signed lower margin, initialed in reverse in plate, 7 3/4 in. x 5 3/4 in., framed, overall 20 1/2 in. x 16 1/2 in. x 7/8 in.; accompanied by Stone & Press, New Orleans, LA invoice and “Gerald Brockhurst: A Retrospective” catalogue from the New Orleans Museum of Art. (3 pcs.) [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans. Exh.: “Gerald L. Brockhurst: A Retrospective of Prints and Drawings from the William P. Brumfield Memorial Collection”, New Orleans Museum of Art, New Orleans, LA, 1991, and listed in the accompanying catalogue as No. 73.
Condition: Overall good condition.
204. After Samuel Howitt (British, 1756-1822), “The Elephant Killed”, “Shooting the Hyæna” and “Anecdote Great Boa Serpent & a Bull”, c. 1813, 3 handcolored aquatints, from Foreign Field Sports, Fishing, Sporting Anecdotes, published by Edward Orme, London; and “Chase after The Wol f”, 1807, handcolored aquatint, from Oriental Field Sports, published by Edward Orme, London, sights 7 in. x 9 in., framed alike, each overall 12 3/4 in. x 14 3/4 in. x 1/2 in. (4 pcs.) [$300/500]
Condition: Overall fair condition.
205. After Jean-Baptist Vanmour (Flemish/French, 1671-1737), “Femme Turque qui Fume sur le Sopha” and “La Jannissaire-Aga ou Commandant des Jannissaires”, 1714-1715, 2 hand-colored etchings, engraved by Gerard-Jean Baptiste Scotin (French, 1698-after 1755), published by Jacques le Hay, Paris, sights 14 in. x 10 in., framed, each overall 21 1/2 in. x 17 1/2 in. x 3/4 in. (2 pcs.)
[$200/300]
Condition: Overall fair condition.
206.Joseph Yeager (American/Pennsylvania, 1792-1859) after William Edward West (American/Kentucky, 1788-1857), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, 1817, engraving, published by McCarty and Davis, Philadelphia, PA, 16 in. x 20 3/4 in., framed, overall 30 in. x 34 1/2 in. x 2 in.
[$500/700]
Condition: Overall fair condition.
207. Paul Berthon (French, 1872-1909), “Les Boules de Neige”, 1900, color lithograph, signed in plate lower right, “Gerhard Wurzer Gallery, Houston, TX” label with artist, title and date on backing, published by Imprimerie Chaix, edition of 200, 15 1/4 in. x 21 in., framed, overall 27 1/2 in. x 32 3/4 in. x 1 1/2 in. [$400/600]
Condition: Overall good condition.
208. Alphonse Mucha (Czech, 1860-1939), “L’Estampe Moderne (Cover July)”, 1898, lithograph on laid paper, signed in plate lower left, “Gerhard Wurzer Gallery, Houston, TX” label with artist on backing, sight 16 1/4 in. x 12 1/4 in., framed, overall 24
[$150/250]
Condition: Overall good condition.
209. Rudolph “RC” Gorman (Navajo Nation/Arizona, 1932-2005), “Woman with Pottery”, 1973, lithograph, pencil-signed and dated lower left, numbered “23/60” lower right, 30 in. x 22 1/2 in., framed, overall 37 3/4 in. x 29 3/4 in. x 1 1/4 in. [$300/500]
Condition: Overall good condition; frame has separation in corners.
210. Leo Meiersdorff (American/Louisiana, 1934-1994), “Sugar Bowl New Orleans 1981”, 1980, reproduction print, signed, titled, dated and inscribed in plate, artist information label on backing board, sheet 15 in. x 20 in., framed, overall 21 1/4 in. x 26 1/4 in. x 3/4 in. [$200/300]
Condition: Overall fair condition.
211. After Antoine Babuty Desgodetz (French, 1653-1728), “Of the Temple of Jupiter the Thunderer, at Rome”, “Of the Temple of the Three Columns in the Campo Vaccino at Rome II”, “Of the Temple of Antoninus and Faustina at Rome III” and “Of the Temple of Antoninus and Faustina at Rome IV”, 4 reproduction prints, from Les Edifices Antiques de Rome, sights 15 1/2 in. x 11 in., framed alike, each overall 25 1/4 in. x 21 in. x 1 in. (4 pcs.) [$200/300]
Condition: Overall good condition.
212. Joseph Woodson “Pops” Whitesell (American/Indiana, 18761958, active Louisiana, 1918-1958), “Margaret Has the Floor”, gelatin silver print mounted to board, pencil-signed, titled and inscribed “to Fonville Winans from Pops” on mount, partial sketch on reverse of mount, 13 1/2 in. x 16 1/2 in., unframed. [$500/700]
Condition: Overall fair to poor condition.
213. Eugene Delcroix (American/Louisiana, 1891-1967), “Spanish Courtyard, Royal St.”, hand-colored photograph mounted to paper mounted to board, signed and titled on second mount, 19 1/4 in. x 15 in., framed, overall 31 3/4 in. x 25 1/4 in. x 2 in. [$200/300]
Condition: Overall fair condition.
215. After Edward Sheriff Curtis (American, 1868-1952), “Haida Slate Carvings”, 1915, photogravure, from The North American Indian, Supplementary Portfolio 11, printed by John Andrew & Sons, Boston, sheet 22 1/4 in. x 18 1/4 in., unframed. [$150/250]
Condition: Overall fair condition.
214. Lee Crum (American/Arkansas, 20th c., active Louisiana, 19782005), “Nude beside Brick Ruins”, 2004, archival pigment print on paper, pencilinitialed, dated and inscribed “AP” en verso, sheet 46 3/4 in. x 34 7/8 in., framed, overall 56 in. x 45 1/2 in. x 1 1/2 in. [$200/400]
216. Richard H. LeSesne (American/Florida, 1880-1946), “Landscape”, orotone, unsigned, partial label on backing paper, 10 in. x 8 in., original frame, overall 12 1/2 in. x 10 5/8 in. x 1 1/2 in. [$150/250]
Condition: Overall fair condition.
217. Group of Three Portrait Miniatures, incl. woman with pink rose, woman with bird and “Duchesse de Lamballe”, 2 signed, one titled en verso, 3 1/2 in. x 2 3/4 in. to 3 3/4 in. x 3 in., framed, overall 4 1/4 in. x 3 1/8 in. x 1/2 in. to 4 1/2 in. x 3 3/8 in. x 3/4 in. (3 pcs.)
[$400/600]
Condition: Overall good condition.
218. Group of Four Portrait Miniatures, incl. woman with flowered hat, woman by a window, baby boy and Empress of France, 2 signed, 2 1/2 in. x 2 1/2 in. to 3 1/2 in. x 3 1/2 in., framed, overall 3 1/8 in. x 2 5/8 in. x 1/2 in. to 4 5/8 in. x 3 3/4 in. x 3/4 in. (4 pcs.)
[$300/500]
Condition: Overall good condition.
219. Group of Four Miniatures, incl. woman in pink, woman in green, woman in feathered hat and violin concert, 3 signed, 1 3/8 in. x 1 3/8 in. to 1 3/4 in. x 1 3/4 in., all double framed, overall 3 in. x 2 5/8 in. x 1/4 in. to 4 in. x 3 1/4 in. x 1/4 in. (4 pcs.)
[$400/600]
Condition: Overall good condition.
220. Collection of Five Burlon Craig Pottery Vessels, 20th c., Vale, NC, all marked “B.B.C.” or “B.B. Craig/Vale, NC”, incl. brown and white swirl pinch flask, h. 7 in., and cup, h. 3 1/4 in.; gray swirl pitcher, h. 7 1/4 in.; green and brown swirl vase, h. 3 3/4 in.; and handled large pot or batter pitcher, h. 7 in., w. 11 in., d. 9 1/2 in.
[$200/300]
221. Mary Kirk Kelly (American/Alabama, 1918-2013), “Female Blue Crab”, 1997, “Male Blue Crab”, 1998, and “Butternut Squash”, 1997, 3 glazed ceramics, each signed and dated on underside, h. 2 1/2 in., w. 7 1/2 in., d. 8 in. to h. 9 in., dia. 4 1/2 in. (3 pcs.) [$300/500]
Condition: Works vary from good to poor condition; small crab has 2 repaired legs and 2 broken legs.
222. Carl Walters (American, 1883-1955) for Stonelain Pottery Rooster Vase, c. 1940, fully marked, h. 11 1/2 in., w. 8 in., d. 4 1/4 in. [$300/500]
223. Five Miniature Pottery Vases, each base impressed with letters D.A.H.L., tallest h. 1 1/4 in. [$50/75]
224. American Art Pottery Vase, attributed to Weller, h. 10 in. [$50/75]
Provenance: Toomey, 15 September 2013, lot 252
225. Shadyside Art Pottery Pitcher, signed, h. 9 1/2 in., w. 10 in., d. 5 1/2 in. [$100/150]
Provenance: Estate of Jane S. Phillips, New Orleans.
226. Four Vintage Porcelain Spirits Bottles, incl. “The Spirit of 76” Wild Turkey Kentucky Straight Bourbon Whiskey bottle, h. 12 in.; rare antique sportsman’s series “Golfer 1971” 10 year old bourbon bottle, h. 13 1/2 in.; Remington Cowboy James B. Beam Distilling Co. or Jim Beam Kentucky Straight Bourbon Whiskey, h. 10 1/2 in.; and Royal Copenhagen “Rosenberg Castle” Cherry Herring made by Peter F. Heering bottle, h. 9 1/2 in. [$50/75]
Provenance: Estate of Jane S. Phillips, New Orleans.
228. Pair of Raynaud et Cie. Limoges Polychrome Porcelain Cachepots, 20th c., marked, cylindrical bodies with splayed feet and rims, decorated with floral sprays, h. 9 1/4 in., dia. 9 1/4 in. [$150/250]
227. Large Art Nouveau Amphora Ceramic Figural Centerpiece, c. 1920, Turn-Teplitz, Austria, red stamp, impressed mark “AMPHORA” and “802”, h. 20 in., w. 24 in., d. 15 in. [$700/1000]
229. Continental Majolica Jardinière on Stand, floral motif, jardiniere h. 16 in., dia. 15 in.; stand h. 30 in. [$300/500]
230. Continental Porcelain Plaque of Queen Louise of Prussia, unmarked, 3 1/4 in. x 2 1/2 in.; ornate giltwood frame, overall 9 1/4 in. x 6 1/4 in. [$200/300]
231. Three Continental Majolica Reptile Figures, marked, incl. lizard, frog and turtle, tallest h. 2 1/2 in. [$300/500]
233. French Empire-Style Gilt
Bronze Corbeille Centerpiece on Mirrored Plateau, maiden standard, reticulated basket fitted with crystal liner, incl. separate caviar server, h. 19 1/2 in.; plateau, dia. 19 1/2 in.
[$400/600]
234. Pair Sevres-Style Bronze-Mounted Porcelain Urns Mounted as Lamps, reserved with Classical figures and putti in garden, signed “A.Menars”, Bacchus head handles, h. (to finial) 35 1/2 in.
[$300/500]
232. Palissy-Style Crab and Pair of Lobster Chargers, dia. 10 1/2 in.; and crab charger, dia. 13 in.
[$200/300]
235. Royal Vienna Polychrome and Gilt Porcelain Cabinet Plate of a “Beauty”, marked, sight dia. 9 1/4 in., framed, ornate giltwood frame, overall 16 in. x 16 in., 3 1/4 in.
[$400/600]
236. Polychrome Porcelain Plaque of Young Maiden, sight 4 in. x 3 1/4 in., framed, overall 11 in. x 9 in.; together with German porcelain plate of a Beauty, marked, inscribed “Mercedes”, dia. 9 1/2 in., note: as is condition. [$200/300]
238. German Oval Porcelain Plaque “After” Gustav Karl Ludwig Richter (German, 18231884), depicting “Neapolitan Boy”, sight 3 1/8 in. x 2 1/8 in., gilt metal frame, overall 4 1/2 in. x 2 3/4 in. [$100/200]
Polychrome and
239. Polychrome Enamel Plaque on Copper of “French Queen with Children”, 19th c., illegibly marked en verso, sight 11 in. x 5 3/4 in., framed, overall 18 in. x 12 1/2 in. [$200/300]
237. Polychrome Porcelain Plaque of “Young Beauty Wearing a Rose Garland”, illegibly signed en verso, sight 4 3/4 in. x 4 1/4 in., framed, overall 13 1/2 in. x 11 1/2 in. [$300/500]
241.Paris Porcelain Corbeille, signed M. Schooler, c. 1800, gilt and claret decoration; together with Italian ceramic piece of similar design, h. 8 1/2 in. and h. 7 1/2 in. [$100/150]
240.
Gilt Decorated Porcelain “Napoleon I” Plate, 19th c., marked “Franz Xaver Thallmaier Munchen”, cobalt rim, dia. 9 1/2 in. [$150/250]
242. Royal Vienna Polychrome and Gilt Porcelain Portrait Plate of Ruth, marked, dia. 9 1/2 in. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
243. Russian Enameled Metal “Cup of Sorrows” Beaker Commemorating the Coronation of Nicholas II and Alexandria in 1896, decorated with the cypher of Nicholas II and Alexandra on one side and the Russian Imperial eagle on the other, h. 4 in.; together with English enameled metal beaker commemorating the 1897 Diamond Jubilee of Queen Victoria, decorated with cartouches of Queen Victoria and Windsor Castle, h. 4 in. [$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
244. Four Dresden Polychrome and Gilt Reticulated Porcelain Plates, marked, central “MA” monogram, floral motif, dia. 9 1/2 in. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
246. Meissen Polychrome and Gilt Porcelain Nodding Pagoda Figure, blue crossed swords mark, various incised numbers, h. 6 in. [$300/500]
245.Antique French Faience Plate, unmarked, reserved with shield and “A la Nation”, dia. 9 in. [$50/100]
Provenance: Estate of Jane S. Phillips, New Orleans.
Two Boch Freres Keramis Vases, marked, incised floral design, h. 10 3/4 in. and 8 in. [$600/900]
247.
248. Boch Freres Keramis Art Nouveau Jardiniere, c. 1900, marked, cobalt ground, polychrome and gilt floral decoration, figural face handles, h. 8 1/8 in., dia. 11 in. [$500/700]
249. Wedgwood “Games of the 30th Olympiad” Black Jasperware Figure of a Torch Bearer, marked, official product of London 2012, h. 11 1/2 in., original box. [$100/200]
250. Wedgwood Fairyland Lustre Octagonal Bowl, marked, pattern “Z 5440” designed by Daisy Makeig-Jones (English, 1881-1945), h. 3 1/4 in., dia. 6 1/2 in. [$700/900]
252. Group of Five of Antique English Pottery Pitchers, 19th and 18th c.,
decoration, largest h. 6 1/2 in. [$200/300]
251. English Polychrome and Gilt Porcelain Urn, black ground with Classical figures, now mounted as a lamp, possibly by Samuel Alcott, h. (to finial) 35 in. [$300/500]
253. Staffordshire Ceramic Bust of a Woman, Herny Stern label, h. 14 in. [$100/150]
Chinoiserie
254. Group of Thirty-Nine Miniature British Porcelain Souvenirs, various forms, tallest h. 4 1/4 in. [$75/150]
255. Dr. Wall Worcester Blue and White Porcelain Jug, 18th c., crescent mark, mask spout, h. 11 3/4 in. Note: cracked, with heavy restoration. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
256. Antique English Ironstone Octagonal Dish, mid-19th c., impressed mark “PATENT/IRONSTONE/CHINA”, polychrome and gilt chinoiserie decoration, gilt trim, h. 1 7/8 in., w. 14 1/2 in., d. 11 1/4 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
257. French Creil Covered Mug, c. 1810, black transfer scenic decoration, h. 4 1/8 in. [$100/150]
Provenance: Willow Corners Antiques, Mr. & Mrs. Jerome Blum Lisbon, CT; Estate of Jane S. Phillips, New Orleans.
258. Chinese Export Porcelain “American Market” Covered Teapot, 18th c., cover and upper rim enameled in gilt, pink and blue with floral swags, body painted with a gilt eagle grasping arrows and olive branch within underglaze blue roundel, h. 5 1/4 in., w. 8 7/8 in. [$150/250]
259. Four Chinese Export Famille Rose Porcelain Teapots, 19th/early 20th c., three decorated in “rose medallion” pattern with fabric-wrapped metal handles, two stamped “CHINA” or “MADE IN CHINA”, h. (excl. handles) 5 in. to 5 3/4 in.; fourth with bird, butterfly and flower decoration, wrapped metal handles, h. (excl. handles) 7 1/2 in. [$200/400]
260. Two Chinese Export Famille Rose Porcelain Covered Teapots, 18th/19th c., first blue and white painted in famille rose enamels with elegant figures in a garden landscape, base with “Henry Stern / New Orleans” label, h. 6 in.; other with flower arrangements, h. 5 1/2 in. [$300/500]
261. Chinese Export Famille Rose Porcelain Covered Teapot, 19th/early 20th c., semi-circular shape painted with an elegant lady in a garden and Shoulao holding a peach beside a young boy, mounded top with calligraphy, h. 3 5/8 in., w. 6 7/8 in., d. 2 1/2 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
264. Pair of Chinese Export Orange “Fitzhugh” Pattern Porcelain Plates, early 19th c., dia. 9 1/2 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
262. Three Chinese Export Blue and White Porcelain Platters, 19th c., each of rectangular form with canted corners, l. 12 in., w. 9 in.; l. 12 1/2 in., w. 9 1/4 in.; and l. 11 1/2 in., w. 8 5/8 in. [$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
263. Two Chinese Export Blue and White Porcelain Warming Dishes, 19th c., both decorated with village waterscapes, incl. octagonal, h. 1 1/2 in., w. 10 1/2 in., d. 9 1/4 in.; and round, h. 1 5/8 in., w. 11 1/8 in., d. 9 1/4 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
265. Pair of Chinese Export Famille Rose Porcelain Joss Stick Holders, modeled as guardian figures squatting on rectangular plinths, h. 9 1/4 in., w. 4 1/2 in., d. 2 3/4 in. [$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
266. Chinese Export GiltDecorated Blue and White Porcelain Mug, late 18th c., twist vine handles with stylized fruit terminals, painted with a mantled shield enclosing a gilt monogram, h. 4 1/4 in., w. 5 in., d. 3 3/8 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
267. Chinese Export Famille Rose Porcelain Mug, late 18th c., painted in “mandarin palette” with large figural scene and floral and avian panels, loop handle with lingzhi terminal, h. 4 3/4 in., w. 6 1/4 in., d. 4 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
268. Chinese Export Famille Rose Porcelain Mug, Qing Dynasty (1644-1911), decorated in “mandarin palette” with figural scenes beneath wide decorative border, twisted loop handle, h. 6 1/8 in., w. 6 in., d. 5 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
269. Three Chinese Export Porcelain Warming Dishes, Qing Dynasty (1644-1911), incl. octagonal with famille rose floral sprays, h. 2 1/8 in., w. 11 1/8 in., d. 9 1/2 in; oblong with iron red decoration, h. 2 1/2 in., w. 15 1/2 in., d. 11 1/8 in., Note: old staple repair; and round with famille rose figural decoration, h. 2 3/4 in., w. 11 1/4 in., d. 9 5/8 in. [$200/300]
Provenance: Jerome Blum, Lisbon, CT; Estate of Jane S. Phillips, New Orleans.
270. Three Chinese Export Famille Rose Porcelain Pieces, incl. hexagonal covered vase, probably early 20th c., decorated with mythical creatures on a turquoise ground, base with Tongzhi mark, h. 7 1/2 in.; lobed bowl, 18th/early 19th c., painted with figures in a garden, l. 8 1/4 in., d. 7 in.; and footed bowl, 19th c., decorated with fish and water reeds, base with Jiaqing mark, h. 2 3/8 in., w. 9 1/4 in., d. 9 1/4 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
271. Two Chinese Export Blue and White Porcelain Octagonal Plates, 18th/19th c., decorated in “willow” pattern with village seascapes, w. 8 7/8 in. and 9 in. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
272. Chinese Export Famille Rose Porcelain Covered Teapot and Food Storage Covered Jar, 19th c., teapot decorated in “Rose medallion” pattern with figural and bird-and-flower panels, wrapped metal double handles, h. (excl. handles) 8 in., w. w. 7 in., d. 5 in.; ribbed jar with figural decoration, metal handles, h. 5 1/2 in., w. 5 3/4 in., d. 5 5 1/2 in.; together with famille rose teapot (lacking lid) with Immortals decoration, metal handles, base with apocryphal Qianlong mark, h. 3 3/4 in., w. 6 1/8 in., d. 5 in. (3 pcs.) [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
274. Two Chinese Export Famille Rose Porcelain Teapots; 19th/early 20th c., incl. covered cylindrical with figural decoration, metal handle, h. (excl. handle) 5 1/4 in., w. 6 5/8 in., d. 4 1/2 in.; and lobed globular (lacking cover) with floral decoration, metal handles, h. (excl. handles) 4 in., w. 6 1/2 in., d. 5 1/4 in.; together with famille rose porcelain globular vase with boys at play, base marked CHINA”, h. 5 in. (3 pcs.) [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
276. American Treenware Hanging Salt Box, hinged lid, h. 9 7/8 in., dia. 5 in. [$100/150]
273. Three Chinese Export Porcelain Pieces, 19th/20th c., incl. famille rose and overglaze blue decorated teapot (lacking lid), metal handles, base with Tongzhi mark, h. (excl. handles) 3 1/4 in., w. 5 in., d. 3 1/2 in.; famille rose covered teapot, metal handles, h. (excl. handles) 5 3/8 in., w. 6 1/2 in., d. 4 5/8 in.; and blue and white food storage covered jar, metal handles, h. 6 in., dia. 5 1/2 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
275. Carved and Polychrome Carousel Horse, h. 31 in., w. 41 in., d. 10 in., metal base, overall h. 56 in. [$500/700]
Continental Bronze Relief, depicting figures in a palace, h. 18 1/4 in., w. 31 in. [$300/500]
277.
278. Continental Bronze Relief, depicting figures in a landscape, h. 17 3/4 in., w. 31 in.
[$300/500]
279. Victorian Ebonized Fireplace Screen, 19th c., with swivel panel depicting a girl holding a cat, h. 48 1/2 in., w. 31 in., d. 15 in.
[$250/350]
280. American Brass-Bound Bucket, paw feet, h. 16 in., dia. 16 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
281. Three Copper and Brass Pots; together with brass sieve, largest pot h. 10 1/2 in., dia. 15 in. [$75/100]
Provenance: Estate of Jane S. Phillips, New Orleans.
282. Antique American Tray on Stand, h. 25 in., w. 16 in., d. 8 in.
[$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
283. American Carved Wood Dough Bowl, with hanging hole, h. 3 1/4 in., w. 25 in., d. 14 1/2 in. [$75/150]
Provenance: Estate of Jane S. Phillips, New Orleans.
284. New Orleans Store Advertising Lithograph Stone, 19th c., limestone, with five reverse images incl. John Spring, Contractor in Glass, New Orleans; the building of Haubtman & Loeb Co.; an image of a bottle of Standard Tokay Pure Blended Tea; a logo for Cartoon Dept. Halle & Co. Ltd., and an image of a woman holding a caduceus, next to a plaque of a sailing ship, 5 1/2 in. x 6 1/2 in. x 1/2 in.
[$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
285. Antique Tin Hat Box, oval form, hinged lid, h. 12 in., w. 17 3/4 in., d. 14 3/4 in.
[$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
Antique American Ship
, three-masted ship, background with several vessels, including a
ship, h. 22 in., w. 50 in., d. 6 in.
287. Napoleon III Rouge Marble and BronzeMounted Urn, late 19th c., floral finial, ram’s head handles, h. 26 in., w. 13 1/2 in., d. 9 in. [$800/1200]
289. Pair of Italian Carved and Painted Faux Marbre Brackets, 19th c., h. 16 in., w. 25 in., d. 6 3/4 in. [$200/400]
286.
Diorama
pirate
[$300/500]
288. WITHDRAWN
290. Two Malachite Table Objects, incl malachite obelisk, h. 15 3/4 in., w. 3 1/4 in.; and box with hinged lid, h. 1 1/2 in., w. 5 1/2 in., d. 4 1/4 in. [$200/300]
Provenance: From the estate of Charles Amie and Barret Place Mansion in Shreveport and formerly the home of Louisiana Lieutenant-Governor Thomas Charles Barret (1912-1916)
292. Pair of Continental Bronze-Mounted Marble Cassolettes, in the Empire style, h. 21 1/2 in., dia. 8 in. [$300/500]
291. Continental Bronze Dresser Box, hinged lid, mounted with portrait miniature of Napoleon and Josephine, h. 2 1/4 in., w. 7 in., d. 5 1/2 in. [$75/150]
293. Pair of Art Nouveau Patinated Metal Art Nouveau Wall Plaques, late 19th c., seated women playing a musical instrument in a landscape, 15 1/2 in. x 23 in. [$75/150]
294. Continental Gold-Mounted Tortoiseshell Cigarette Case, hinged case, push-button mounted with ruby, h. 3 1/4 in., w. 4 3/4 in., d. 3/8 in. [$200/300]
Provenance: Estate
Provenance:
299. Two Lemaire Antique
Mother-of-Pearl
late 19th/early 20th c., one with gilt brass frame and monogram “H”, other with nickel frame and removable handle. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
297. Antique Carved and Polychrome Cherub, centered in brass sun rays, dia. 13 in. [$100/150]
French
Opera Glasses,
295. Spanish Carved Wood Santos Figure of St. Anthony, 19th c., h. 12 in. [$50/75]
301. Two Continental Dresser Boxes, incl. cameo-mounted brass, and bone-mounted brass, larger h. 4 3/4 in., w. 5 3/4 in., d. 3 3/4 in. [$200/300]
Estate of Jane S. Phillips, New Orleans.
296. Spanish Carved Wood Santos Figure of Jesus, 19th c., h. 15 in.; together with Spanish Colonial mirror, h. 17 3/4 in. (2 pcs.) [$50/75]
298. Continental Bronze Dresser Box, mounted with portrait miniature, h. 2 in., w. 6 in., d. 4 1/4 in. [$200/300]
300. Continental Brass Candlestick, now mounted as a lamp, star-form base, h. (to socket) 17 in. [$100/200]
of Jane S. Phillips, New Orleans.
302. Pair of Italian Repousse Brass Flower Reflectors, 18th c., h. 21 1/4 in., w. 9 in., d. 4 in. [$150/250]
Provenance: George I Gravert Antiques, Boston; Estate of Jane S. Phillips, New Orleans.
304. Antique French Green Painted Tin Lantern, c. 1790. reticulated chimney, h. 23 in., w. 12 1/2 in., d. 6 in.
Condition: loss to glass panel [$200/300]
Provenance: Jerome W. Blum, Lisbon, CT; Estate of Jane S. Phillips, New Orleans.
306. Antique Carved Wood Figure of St. Francis, polychrome, glass eyes, 20 1/2 in., w. 8 1/4 in., d. 6 3/4 in. [$100/150]
303. Antique Spanish Carved Walnut Book Stand, rust and blue paint, folds flat, h. 14 in., w. 14 in., d. 16 in. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
305. After Luca Della Robbia (Italian, 1400-1482), fiberglass relief of “Trumpeters with Dancing Children”, from the Cantora Frieze, h. 41 in., w. 39 in., d. 6 1/2 in. [$400/600]
307. Antique Brass-Mounted Mahogany Cave a Liqueur, interior fitted with six decanters, two bitters bottles, tray and three cordials, h. 9 1/4 in., w. 13in., d. 10 in. [$700/1000]
308. Victorian Black Lacquer and Mother-of-Pearl Inlaid Dressing Box, 19th c., fitted interior with silverplatetopped bottles, h. 5 in., w. 10 in., d. 7 in. [$150/250]
310. Victorian Brass and Cast Iron Umbrella Stand, petal-form pan, h. 32 in., dia. 17 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
309. English Tole Peinte Plate Warmer, 18th c., original paint, h. 27 in., w. 20 1/2 in., d. 17 in. [$150/250]
Provenance: M. Finkels Daughter, Philadelphia, PA; Estate of Jane S. Phillips, New Orleans.
312. English Brass and Walnut Bedwarmer, hinged compartment, turned handle, l. 43 in. [$50/75]
Provenance: Estate of Jane S. Phillips, New Orleans.
311. Edwardian Inlaid Mahogany Letter Box, broken arch, Greek key design, h. 13 in., w. 12 3/4 in., d. 4 1/2 in. [$50/75]
Provenance: Waldhorn Company; Estate of Jane S. Phillips, New Orleans.
313. English Inlaid Aneroid
[$50/75]
Provenance: Estate of Jane S. Phillips, New Orleans.
Barometer, dia. 9 in. Note: glass cracked.
314. Antique English Mahogany Tea Caddy, hinged lid, interior with tole tea canisters, h. 5 1/4 in., w. 9 1/2 in., d. 6 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
315. Antique English Inlaid Mahogany Knife Box, converted to a letter box, h. 15 1/4 in., w. 9 in., d.11 1/2 in.
[$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
316. Eleven Antique English Brass Candlesticks, incl. five pairs, and one single, tallest h. 12 3/4 in.
[$250/350]
Provenance: Estate of Jane S. Phillips, New Orleans.
317. Three Antique Toleware Items, incl. two boxes and egg coddler, lager box h. 6 1/2 in., w. 9 1/2 in., d. 5 1/4 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
318. English Regency Brass Inlaid Rosewood Lap Desk, fitted interior, h. 5 3/4 in., w. 16 in., d. 9 1/2 in.
[$75/150]
319. Good Baltimore Sterling Silver Repousse Tazza, A.G. Schultz Co., act. 1899-1950, wide floral repousse border on stippled ground, handsome script monogram, h. 1 7/8 in., dia. 10 7/8 in., wt. 18.90 troy ozs. [$400/600]
320. WITHDRAWN
321. Ten Sterling Silver Animalier Place Card or Menu Holders marked “STERLING/925” and “Iliart”, various figures, each on a stump base, h. 1 1/2 in. to 2 1/4 in., total wt. 13.60 troy ozs. [$200/400]
323. Gorham Aesthetic Movement Hammered Sterling Silver and Mixed Metals Salad Serving Spoon, “Antique Hammered and Applied” pattern, pat. 1880, period script monogram, l. 8 7/8 in. [$200/400]
322. Antique Silverplate Mirrored Plateau, late 19th c., circular mirror inset in molded surround with flat chased decoration, applied foliate feet, h. 4 in., w. 19 in., d. 12 1/2 in. Condition: loss to silvering, loose backboard, “estate” condition. [$150/250]
324. Set of Eight Sterling Silver Bread Plates, S. Kirk & Son Inc., no. 58, dia. 6 in., wt. 25.20 troy ozs. [$400/600]
325. Group of American Sterling Silver Demitasse Spoons, incl. 5 Gorham “Domestic” pattern, pat. 1880; 9 Duhme & Co., 12 Blackinton “Alden” pattern, 6 Whiting “Louis XV”, 4 souvenir spoons and David-Andersen, Norway, silver gilt and enameled fork and spoons, total wt. 12.30 troy ozs. (38 pcs.) [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
326. Group of Antique Mother-ofPearl Handled Knives, late 19th c., with sterling ferrules and silverplate blades, incl. 12 with Meriden blades (incl. 2 “as is”), l. 9 1/8 in; 12 with Russell and Co. blades (8 l. 9 in. and 4 l. 9 1/8 in.); and 4 l. 7 3/4 in., “estate” condition. (24 pcs.) [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
327. Group of American Sterling Silver Hollow Ware, 20th c., incl. Reed & Barton “Trojan” pattern oval vegetable dish, date mark for 1946, l. 9 3/4 in.; Gorham “Chippendale” pattern sauceboat, date mark for 1946, l. 7 1/4 in.; and porringer, l. 6 1/2 in.; total wt. 22.84 troy ozs. (3 pcs.) [$400/600]
Provenance: Estate of Jane S. Phillips, New Orleans.
328. Group of Small Silver Objects, incl. Wallace sterling baby fork and spoon with rabbit, engraved “Janet”, hollow handled sterling and mother-of-pearl letter knife, engraved “Gertrude”, hollow handled silver miniature tool, Gorham “Piper” sterling tea knife, salad serving fork and spoon (hh), 2 piece carving set (hh), 4 cake/pie knives (hh), cheese knife (hh), and corn scraper (hh), lemon fork, cocktail fork and 5 associated spoons. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
329. Mexican Sterling Silver TwoPart Condiment Dish, mid-20th c., l. 12 1/8 in.; together with 4 salt and pepper casters, h. 1 3/4 in.; wt. 19.35 troy ozs; and 5 unmarked cocktail picks. [$300/500]
330. American Sterling Silver Water Pitcher, Wallace pattern 201, h. 8 5/8 in., wt. 19.95 troy ozs. [$400/600]
331. Victorian Silverplate Cruet Stand, mid-19th c., handle with rubbed English registration mark, h. 10 1/2 in., w. 7 1/2 in.; with associated antique pressed glass cruets, most with silver or silverplate mounts. [$300/500]
332. Group of Sterling Silver Souvenir Spoons, approx. 27 pieces and 1 baby fork, various makers and themes, wt. 8.60 troy ozs. [$150/250]
333. Set of Eight Mexican Sterling Silver Oval Napkin Rings, mid-20th c., l. 2 1/8 in., total wt. 5.90 troy ozs. [$200/300]
334. Group of American Sterling Silver Hollow Ware, incl. Gorham floral repousse bowl, pattern A3982, date mark for 1907, dia. 7 3/8 in.; Wallace bread tray, no. 3719, l. 12 3/4 in., Lunt Revere bowl, h. 2 5/8 in., dia. 4 1/2 in.; and brandy warmer with turned wood handle, w. 8 in.; total wt. 19.40 troy ozs. (4 pcs.) [$400/600]
335. Group of American Sterling Silver Hollow Ware, mid-20th c., incl. Fisher reticulated underplate, dia. 11 1/8 in., gadrooned circular vegetable dish, dia. 9 1/2 in., Gorham reticulated and gadrooned circular vegetable dish, dia. 9 in., and underplate, dia. 6 in; total wt. 30.70 troy ozs. (4 pcs.) [$300/500]
336. Eight Pieces of Small American Sterling Silver Hollow Ware, 20th c., incl. Gorham open sugar bowl, Watson goblet, h. 3 7/8 in.; goblet, h. 4 1/8 in.; 3 baby cups (Gorham, Newport and Webster), h. 2 in. to 1 3/8 in.; bunny rattle, l. 3 3/8 in.; vermouth funnel, l. 1 7/8 in.; and Gorham “Chantilly” dinner bell (hh), h. 4 3/8 in.; total wt. (weighable) 10.20 troy ozs. [$150/250]
337. Group of Five American Sterling Silver Water Goblets, mid-20th c., incl. 3 Alvin and 2 Fisher, h. approx. 6 5/8 in., total wt. 20.50 troy ozs. [$300/500]
338. Group of American Sterling Silver Hollow-Handled Flatware Serving Pieces, 20th c., various makers and patterns incl. Gorham “Chantilly” pattern carving knife and fork (l. 10 1/8 in. and 8 1/2 in.), large carving set (l.13 7/8 in. and 11 1/2 in.), serving spoon and cheese knife. [$150/250]
339. Set of Four Silvered Metal Pheasant Garniture Figures. [$150/250]
340. J.E. Caldwell & Co. Sterling Silver Revere Bowl, Philadelphia, h. 2 3/4 in., dia. 5 1/8 in., wt. 6.65 troy ozs. [$150/250]
341. Gorham Silverplate Corinthian Columnar Candle Lamps, electrified, Charlotte Moss lampshades, [$300/500]
343. Continental Silver and Silverplate Wyvern Garniture Coupe, 19th c., mark untraced, carved wood hoof feet, one with losses, other lacking, h. 7 1/2 in., w. 9 in. [$300/500]
342. Continental Silver and Silverplate Satyr Garniture Coupe, 19th., marks untraced, carved wood, hoof feet and horns, note losses, removable head, h. 7 1/8 in., w. 8 1/8 in. [$300/500]
344. French 1st Standard Silver Cup, prob. late 19th c., lobed footed form, scroll handle, floral decoration, blank cartouche, traces of gilt wash to interior, h. 4 1/2 in., wt. 4.10 troy ozs. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
345. Pair of Antique Silverplate Five-Light Candelabra, 19th c., Charles Halphen, Paris, with removable candlearms, urn-form candle cups and removable bobeches, h. 17 1/2 in., w. 11 1/2 in. [$300/500]
Note: The firm was founded in 1850 and reorganized in 1853 as “Alfenide” with Charles Christofle as a major shareholder.
346. Miscellaneous Group of Antique Continental and American Silver Flatware, incl. 6 Austro-Hungarian .800 silver forks (l. 7 in.), J. Jarzyna, Lwow (now Lviv, Urkaine); Russian .875 silver teaspoons, assayed Moscow, 1891, maker untraced, Baker Manchester “Spartan” fork (l. 6 in.), Frank M. Whiting “Neapolitan/King’s Court” teaspoon, Wallace “Waverly” teaspoons, and “Yellowstone Park” souvenir teaspoon; total wt. 12.40 troy ozs. (14 pcs.)
[$150/250]
347. Antique French 1st Standard Silver Dressing Set, maker LB untraced, incl. 2 hairbrushes (l. 9 1/2 in. and 7 1/2 in.), 2 clothes brushes (l. 7 1/2 in., w. 2 1/2 in. and 1 5/8 in.), pair of bottles (h. 6 in.), pair of bottles (h. 5 1/2 in.) octagonal jar (h. 3 1/2 in.), and rectangular box (l. 4 1/2 in.), each engraved with coronet and cipher “LS”, panel-cut glass bottles and jars; together with 2 associated jars with .813 silver mounts, Vienna, 1st half 19th c. (12 pcs.) Note: silver backs detached from brushes.
[$300/500]
348. Good Antique Silverplate Tea Tray, oval with beaded and foliate loop handles, rope border, flat chased floral scroll well, 33 3/4 in. x 23 in. [$500/700]
349. Pair of Silverplate Wall Pockets, made from antique English meat dome, h. 8 5/8 in., w. 14 1/2 in. [$150/250]
350. Pair of Ellis Barker Silverplate Three-Light Candelabra, menorah mark (from 1912), with removable candlearms and bobeches, h. 13 1/2 in.; together with silverplate chamber candlestick with snuffer, William Hutton & Sons, Sheffield, c. 1900, gadroon borders, h. 4 in., w. 7 1/4 in.
[$500/700]
Provenance: Estate of Jane S. Phillips, New Orleans.
351. Antique English Silverplate Revolving Breakfast Tureen, retracting cover with 2 liners, script monogram “JSP”, h. 8 1/2 in., w. 14 in.; together with antique English shell-shaped biscuit box, script monogram “RSL”, h. 9 3/4 in., w. 9 1/4 in.; and tea tray with floral scroll border and loop handles, 23 in. x 14 1/2 in. (3 pcs.)
[$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
352. Group of English Antique and Vintage Silverplate Hollow Ware, incl. biscuit box with ivy decoration, lion and ring handles and bracketed paw feet, h. 7 1/2 in., thistle motif condiment stand with salt cellar, pepper caster and mustard pot, William Mammatt & Sons, Sheffield, late 19th c.; Sheffield soup tureen and cover, w. 15 in., and reticulated salver, dia. 8 1/4 in. [$150/250]
353. Group of Vintage English Silverplate and Celluloid “Bone” Flatware, incl. cased set of 6 fish forks and knives; bread fork with sterling ferrule marked by William Yates, Sheffield, 1898, l. 8 1/2 in.; bread fork, Akin Brothers, Sheffield, l. 10 1/8 in.; and candle snuffer, l. 15 1/2 in.
[$150/250]
354. Group of Antique and Vintage Silverplate Hollow Ware, incl. Victorian 2 bottle decanter stand with cut glass decanters, h. 18 in.; Renaissance Revival basket with griffin legs, h. 6 7/8 in.; Victorian reticulated butter dish with associated cover with cow finial, h. 6 7/8 in.; and Gorham barrel-form butter dish and cover, 2 3/4 in.
[$150/250]
~ Thursday, August 8, 1 p.m.
355. African-American Folk Art Quilt, pine burr or pine cone design, Vileusx County, Alabama, 62 in. x 62 in. [$100/150]
356. African-American Folk Art Quilt, stripe line quilt made from men’s pants cuffs, 62 in. x 65 in. [$100/150]
357. Group of Six Pairs of Suecomma Bonnie Shoes, incl. 4 pairs of heels, size 36 1/2; and 2 pairs of heels, size 36; all with original boxes. [$200/300]
358. Six Pairs of Luxury High Heel Shoes, incl. 2 pairs of Suecomma Bonnie heels, size 37; 2 pairs of Gio Dieu shoes, size 37; and 2 pairs of Suecomma Bonnie heels, size 37 1/2; all with original boxes. [$200/300]
359. Six Pairs of Luxury High Heels Shoes, incl. 2 pairs of Suecomma Bonnie heels, 2 pairs of Gio Dieu heels and 2 pairs of Jerome C. Rousseau heels; all size 38; all with original boxes [$200/300]
360. Eight Pairs of Luxury High Heel Shoes, incl. 2 pairs of Gio Dieu heels, size 39; 2 pairs of Suecomma Bonnie heels, size 39; pair of Jerome C. Rousseau animal print heels, size 39; pair of Jerome C. Rousseau houndstooth heels, size 38 1/2 in.; 2 pairs of Suecomma Bonnie heels, size 38 1/2; all with original boxes. [$200/300]
361. Five Pairs of Luxury High Heel Shoes, incl. 2 pairs of Jerome C. Rousseau heels, size 40; pair of Gio Dieu heels, size 40; and pair of Jerome C. Rousseau heels, size 39 1/2; all with original boxes. [$200/300]
362. French Tapestry “Merchants Trading Wares”, printed color, h. 94 in. x w. 56 in. [$100/150]
363. English Embroidery, 19th c., sight 32 1/4 in. x 26 3/4 in., framed. [$100/150]
364. Mink Fur Cape, silk-lined, l. 34 in. [$150/250]
365. Maison Blanche Fox Fur Coat, silk-lined (note condition), l. 51 in., w. 19 in., sleeve l. 24 in. [$200/300]
366. Long Mink Fur Coat, labeled “Made in Greece”, l. 49 in., w. 26 in., sleeve l. 26 in. [$300/500]
367. Pairpoint Reverse-Painted Boudoir Lamp, on dolphin base, repaired onyx base, h. 14 in., dia. 8 in. [$700/1000]
369. Brass Bouillotte-Style Lamp, two-light fixture, h. 24 in., dia. 14 in. [$75/150]
371. Pair of Brass TwelveLight Chandeliers, scroll arms, h. 20 in., dia. 22 in. [$300/500]
368. Decorative Tole Hall
, fitted with four-light fixture, h. 31 in., dia. 13 in. [$75/150]
370. Patinated Metal Figural Lamp, depicting Atlas, h. 14 in., dia. 5 in. [$150/250]
372.
Lantern
Brass Four-Light Chandelier, h. 17 1/2 in., dia. 24 in.; together with half chandelier. [$50/75]
373. Brass Six-Light Chandelier, scroll arms, h. 20 in., dia. 25 in. [$100/150]
375. American Green Glass Hall Lantern, globe-form, foliate-embossed hardware, h. 17 in., dia. 7 1/2 In. [$400/600]
374. Four American Iron Chandeliers, various forms, largest h. 31 in., dia. 19 in. [$400/600]
376. Galle-Style Cameo Art Glass Desk Lamp, early 20th c., raised signature, “bronzed” base, foliate design, h. 13 in., w. 9 1/2 in., d. 10 in. [$300/500]
Continental
378. Diminutive Antique French Gilt Bronze Six-Light Chandelier, 19th c., scroll and foliate arms, hung with crystal drops, h. 20 in., dia. 12 in. [$600/900]
377.
Painted Six-Light Chandelier, composite, h. 32 in., dia. 28 in. [$150/250]
379. Pair of Italian Giltwood Two-Light Sconces, eagle finial, h. 25 in., w. 11 in., d. 6 1/2 in. [$150/250]
381. Pair of Louis XVI-Style Brass Two-Light Sconces, foliate design, h. 15 in., w. 9 in., d. 6 in. [$125/175]
383. Belgian Etched Glass Hall Lantern, marked “BELGIUM”, foliate design, h. 16 in., dia. 8 1/2 in. [$300/500]
380. Five Brass Hall Lanterns, reticulated case, fitted with two lights, h. 22 in., dia. 9 in. [$200/300]
382. Pair of Neo-Grec Brass Lamps, 19th c., h. to socket 25 in. [$200/400]
Provenance: Estate of Jane S. Phillips, New Orleans.
384. Regency-Style Hall Lantern, bell-form, h. 18 in., dia. 7 1/2 in. [$200/300]
385. Pair of Continental Polychrome Plaster Portrait Bust Lamps in the Egyptian Taste, 20th c., h. (to socket) 18 in. [$400/600]
387. Two Pairs of Antique English Sconces, incl. green glass with reflectors, and brass pair with removable fonts, h. 10 3/4 in.
Provenance: Estate of Jane S. Phillips, New Orleans.
389.
386. Pair of English Brass Single Light Sconces, 19th c., swivel arm, h. 6 1/4 in., w. 4 in., d. 11 1/4 in.
Provenance: Estate of Jane S. Phillips, New Orleans.
388. English Tole Peinte Military Hat Box, c. 1860, now fitted as a table lamp, h. 27 in., dia. 17 in. [$500/700]
Provenance: Case & Casey, New Orleans, 1972; Estate of Jane S. Phillips, New Orleans.
390. Nine New Orleans Related Books, incl. Krewe of Proteus The First Hundred Years, New Orleans Masquerade Chronicles of Carnival, If Ever I Cease to Love One Hundred Years of Rex 1872-1971, and others
[$75/125]
[$200/300]
Regency-Style Hall Lantern, bell-form, clear glass, h. 21 in., dia. 12 in. [$300/500]
[$300/500]
391. [Twenty-Six Antique French Hand-Colored Fashion Engravings], incl. 11 from Douze Nouveaux Travestissements par Gavarni, Paris, Journal les Modes Parisiennes, 1856; and 15 showing costumes from different countries, bound, 13 in. x 9 in. [$150/250]
Provenance: Estate of Jane S. Phillips, New Orleans.
392. Fortier, Alcee, A History of Louisiana, Paris, Goupil & Co., 1904, four volumes, octavo, 3/4 leather, Edition de Luxe, Number 447 of 1000 copies. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
393. President Franklin D. Roosevelt Postmaster Appointment, June 24, 1940, appointing Henry Sample the position of postmaster in Lecompte, Rapides Parish, Louisiana, signed Postmaster General James Farley, with facsimile signature of Franklin Roosevelt, sight 11 3/4 in. x 16 in., framed.
[$100/150]
394. [Manuscript Louisiana Map], a plan of Cabanocey Plantation, St. James Parish, Louisiana, property of the Citizen’s Bank of Louisiana, July 1886, 29 in. x 22 in.; together with a letter and deed signed by notary Edgar Grima [$200/300]
395. Two Antique Maps of New Jersey, incl. “Geographical, Historical and Statistical Map of New Jersey”, Philadelphia, 1822, 20 1/2 in. x 16 1/2 in.; together with 1838 map of New Jersey; Thomas Bradford, Boston, 14 1/2 in. x 11 1/2 in., both framed (2 pcs.) [$300/500]
396. Antique French Map of North America, “Cartes des parties nord et ouest de L’Amerique”, 1772, by Vaugondy, engraved map in original outline color, 11 1/2 in. x 14 3/4 in., framed. [$300/500]
397. Group of 14 kt. Yellow Gold and Amethyst Jewelry, incl. pendant on chain, ring and pair of earrings, 10.67 dwts. [$100/200]
399. Antique 14 kt. Yellow Gold and Seed Pearl Cross, l. 1 3/4 in., w. 1 in., 2.95 dwts. [$200/400]
398. Vintage 14 kt. Yellow Gold, Diamond, Enamel and Gemstone Flower Brooch, possibly shaped from a thimble into the form of a flowerpot, note: green stone is glass; together with vintage 14 kt. yellow gold and diamond stick in.
[$100/200]
400. Art Deco Silver and Enamel Locket Watch. [$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans.
401. Good Group of Mexican Sterling Silver Lady’s Jewelry, late 20th c., incl. squared circle bangle bracelet, Reveriano Castillo (act. 1952-1992), marked “STERLING/TAXCO/MEXICO/Reveri” and 278 eagle marks “MEX/925/TS-43”; and band ring with applied circles on oxidized ground, marked “MEXICO/SM ALLENDE/ DAVID/0925”; together with Mignon Faget sterling medium “Bow” ring, marked, w. 1/4 in.; total wt. 4.95 troy ozs. [$200/400]
402. Pair of Chanel Pearl and Crystal Heart Dangle Earrings, marked “CHANEL”, “B21 K” and “MADE IN ITALY”, l. 1 1/2 in. [$500/700]
404. Sterling Silver, Emerald and Diamond Ring, center oval emerald flanked by 2 emerald faceted cut emeralds, total wt. approx. 3.20 cts.; shoulders set with 26 round brilliant cut diamonds, total wt. approx. 0.39 ct.; size 7.25; GGA card.
[$500/700]
403. 14 kt. White Gold, Pearl and Diamond Necklace, set with 41 graduated near round and oval cultured pearls, 8.20 mm to 12.32 mm.; finished with bead style plunger clasp set with numerous round brilliant cut diamonds, total wt. approx. 0.35 ct.; l. 18 in.; GIA report
[$400/600]
405. Sterling Silver and Cabochon Emerald Ring, center cabochon emerald, wt. approx. 7.00 cts.; bezel and shoulders set with 58 round faceted cut colorless sapphires, total wt. approx. 0.70 ct,; size 7; GGA card.
[$200/300]
406. Platinum, Diamond and Sapphire Ring, center prong set round brilliant cut diamond, total wt. approx. 0.54 ct., I-J color, SI3 clarity; bezel with additional round cut diamonds, total wt. 0.13 ct.; and 6 square cut blue sapphires, total wt. approx. 0.26 ct.; size 6.75; IAS report.
[$400/600]
407. Sterling Silver, Sapphire and Diamond Ring, ornately mounted with 19 oval faceted cut blue sapphires, total wt. approx. 6.29 cts.; and numerous round brilliant cut diamonds, total wt. approx. 1.00 ct.; size 7; GGA card.
[$200/300]
408. Sterling Silver, Sapphire and Diamond Necklace, set with 126 marquise faceted cut sapphires, total wt. approx. 14.28 cts.; heart shape bezels set with numerous round brilliant cut diamonds, total wt. approx. 0.24 ct.; l. 17 1/4 in.; GGA card. [$700/900]
410. Gold Vermeil, Ruby and Diamond Ring, center round cabochon ruby, wt. approx. 1.95 cts.; accented by 126 tablet and rose cut diamonds, total wt. approx. 0.71 ct.; size 6.5; appraisal card. [$200/300]
412. 14 kt. Yellow Gold, Ruby and Diamond Ring, center oval mixed cut fracture filled ruby, wt. approx. 12.42; bezel with 20 round brilliant cut diamonds, total wt. 0.93 ct.; size 7.75; AIGL report. [$300/500]
409. Gold Vermeil, Emerald and Diamond Bib Necklace, mounted wit 112 round faceted cut emeralds, total wt. approx. 6.00 cts.; and numerous round brilliant cut diamonds, total wt. approx. 5.00 cts.; l. 18 in.; GGA card. [$700/900]
411.14 kt. Yellow Gold, Ruby and Diamond Pendant on Chain, center ruby composite, total wt. approx. 14.22 cts.; accented by numerous round brilliant cut diamonds total wt. approx. 0.97 cts.; pendant l. (incl. bail) 1 1/4 in.; chain l. 18 in.; IAS report. [$400/600]
413. 14 kt. White Gold, Ruby and Diamond Ring, center oval brilliant faceted cut heated ruby, wt. approx. 2.61 cts.; shoulders and bezel set with 44 round brilliant cut diamonds, total wt. approx. 1.01 cts.; size 6.75; GGA and GIA reports. [$300/500]
414. 14 kt. Rose Gold, Morganite and Diamond Ring, center pear shape mixed cut morganite, wt. approx. 2.21 cts.; openwork shoulders set with 27 round brilliant cut diamonds, total wt. approx. 0.24 ct.; size 6.75; GGA report. [$200/300]
416. Gold Vermeil, Chalcedony and Sapphire Pendant on Chain, center cabochon chalcedony, wt. approx. 35.00 cts.; bezel and bail with 69 round colorless sapphires, total wt. approx. 2.50 cts.; chain l. 17 in.; appraisal card. [$200/300]
415. Platinum, Opal, Sapphire and Diamond Ring, center oval cabochon opal, wt. approx. 6.23 cts.; accented by 4 triangular mixed cut pink sapphires, total wt. approx. 0.90 ct.; and 30 round brilliant cut diamonds, total wt. approx. 0.30 ct.; size 6.75; AIGL report. [$300/500]
417. Gold Vermeil, Cabochon Sapphire and Sapphire Pendant on Chain, center purple cabochon sapphire, total wt. approx. 63.46 cts.; openwork bezel set with 185 round colorless sapphires, total wt. approx. 4.37 cts.; chain l. 18 in.; appraisal card. [$200/300]
418. Gold Vermeil, Star Ruby and Sapphire Ring, center round cabochon star ruby, wt. approx. 44.62 cts.; openwork bezel set with 88 round brilliant cut white sapphires, total wt. approx. 1.44 cts.; size 8; AIG report. [$200/300]
10
419.
kt. Yellow Gold and Gemstone Bracelet. [$25/50]
420. Two Blown and Etched Glass Hurricane Shades, 19th/early 20th c., cranberry pink flashed rims, h. 9 1/8 in. and 9 1/2 in.; set in Italian white glazed porcelain candle stands, overall h. 14 3/4 in. and 15 1/8 in. (4 pcs.) [$200/400]
421. Pair of Steuben Glass ‘Spiral’ Bowls, signed, model #8060, designed 1954 by Donald Pollard, h. 3 5/8 in., dia. 7 in and 7 1/8 in. Condition: Overall very good condition. Bases with minor shelf wear. [$200/400]
422. Three Steuben Glass ‘Low-Footed’ Bowls, signed, model #7909 (1 larger) and #7967 (2 smaller) designed 1942 and 1949 by John Dreves, incl. large, h. 3 1/2 in., dia. 10 3/4 in., and 2 small, h. 3 in. and 3 1/8 in., dia. 8 in. and 8 1/8 in. (3 pcs.) Condition: The larger with scattered scratches. The smaller two in very good condition. [$300/500]
423. Pair of Steuben Glass ‘Floret’ Bowls, signed, model #8059, designed 1954 by Donald Pollard, h. 3 1/4 in. and 3 5/8 in., dia. 7 3/4 in. Condition: Very good condition. Minor shelf wear to bases. [$200/300]
424. Daum Pate de Verre Glass Vide Pouche, signed Daum, France, with applied snails, h. 4 1/4 in., w. 14 in., d. 14 in. Note: restoration. [$500/700]
426. Arnold Brott (American/Louisiana) Blown Glass Vase, 1995, signed and dated, cobalt body with yellow overlay, h. 22 7/8 in., w. 6 in., d. 5 in. [$150/250]
425. Steuben Opaline Glass Bowl, paper label, h. 6 1/2 in., w. 12 in., d. 7 in. [$200/300]
427. Arnold Brott (American/ Louisiana) Cased Glass Vase, 1996, signed and dated, h. 16 3/4 in., w. 9 in., d. 8 1/2 in. [$150/250]
429. Buzz Blodgett Art Glass Vase, California, signed and dated 1993, h. 10 1/2 in., dia. 6 1/2 in. [$100/150]
428. Townsend Studio Glass “Red Spotted Toad”, signed and dated 2010, h. 3 3/4 in., w. 4 1/2 in., d. 4 1/4 in. [$100/150]
430. Buzz Blodgett Art Glass Vase, “Birds in Flight”, 2001, signed and dated, h. 10 1/2 in., dia. 6 3/4 in. [$100/150]
431. Dale Tiffany Art Glass Vase, pulled feather design, h. 14 1/2 in., w. 8 3/4 in., d. 5 in. [$75/150]
432. Mark Pieser (American, b. 1938) Glass Ashtray, 1982, signed, dated and inscribed “Merry Christmas to the Browns”, h. 2 in., w. 5 1/4 in., d. 3 1/4 in. [$100/150]
433. David Garcia (American, Contemporary), “Tureen”, 1995, blown glass, incised signature, h. 7 in., w. 14 in., d. 9 1/2 in. [$75/150]
434. Pewter-Mounted Glass Bottle, with handle, now mounted as a lamp, h. to socket 18 in. [$75/125]
Provenance: Estate of Jane S. Phillips, New Orleans.
436. Pair of
435. American Cast Iron Bench, 19th c., signed “HINDERER’S IRON WORKS, NEW ORLEANS LA”, h. 32 in., w. 41 in., d. 20 in. Note: lacking front leg. [$200/300]
437. Pair of Bronze Garden Figures, incl. dog and mythological beast, tallest h. 34
in. [$300/500]
439. Bronze Garden Figure of a Frog, h. 9 in., w. 20 in., d. 21 in. [$200/300]
Cast Iron Garden Figures of Herons, tallest h. 30 in. [$300/500]
438. Bronze Garden Figure of a Rabbit, h. 11 in., w. 25 in., d. 13 in. [$200/300]
440. Pair of Cast Stone Fleur-di-Lys Garden Ornaments, h. 34 in., w. 18 in., d. 18 in. [$300/500]
441. Bronze Garden Figure of a Resting Pelican, h. 16 1/2 in., w. 28in., d. 9 in. [$200/300]
442. Bronze Garden Figure of an Alligator, h. 7 in., w. 22 in., d. 12 in. [$200/300]
443. Neoclassical-Style Bronze Garden Urn, scroll arms, foliate and lion mask decoration, h. 25 1/2 in., dia. 17 in. [$300/500]
444. Antique Fern and Berry Cast Iron Bench, white paint, h. 34 in., w. 55 in., d. 21 in. Note: some breaks. [$50/75]
445. Federal Giltwood
, 19th c., dia. 27 in. [$300/500]
446. American
plate, trestle base, h. 67 1/2 in., w. 25 1/4 in., d. 22 1/4 in. [$150/250]
447.
449.
Mirror
Continental Rococo Carved Giltwood Mirror, 19th c., h. 77 in., w. 34 in. [$400/600]
Antique Continental Crucifix, with giltwood mirrored surround, h. 25 in., w. 15 1/4 in., d. 4 1/2 in. [$300/500]
450. Louis XV-Style Giltwood Mirror, foliate surround, h. 49 in., w. 42 in. [$300/500]
Provenance: Estate of Jane S. Phillips, New Orleans
Mahogany Cheval Mirror, beveled mirror
448. Continental Rococo Carved Giltwood Mirror, 19th c., h. 59 in., w. 38 in. [$400/600]
451. German Cuckoo Clock, new, in box, h. 24 in., w. 16 in., d. 11 in. [$200/300]
452. Edwardian Burl Walnut Shelf Clock, c. 1900, striking gong movement, h. 15 1/4 in., w. 14 1/2 in., d. 6 in. [$400/600]
453. Continental Walnut and Giltwood Automaton Shelf Clock, c. 1840, striking gong movement, dial centered by a smithy, with a cherub striking an anvil on the hour, paw feet, h. 12 1/2 in., w. 11 1/2 in., d. 5 1/4 in.
[$300/500]
454. Louis XV-Style BronzeMounted Bracket Clock, 19th c., inlaid brass case, dial with inset porcelain numerals, signed “Courvoisier a Paris”, now with electric movement, h. 29 in., w. 15 in., d. 7 1/4 in.
[$600/900]
455. Decorative Gilt Metal Shelf Clock, 20th c., suspended movement, in a beveled glass case, h. 9 in., w. 4 1/2 in., d. 4 in. [$100/150]
Provenance: Estate of Jane S. Phillips, New Orleans.
456. Diminutive Joseph Guarnerius-Style Violin, c. 1900, label inside reads “Copy of Joseph Guarnerius/ Made in Germany”, overall l. 15 1/2 in., with a mother-of-pearl inlaid bow, l. 18 1/4 in. [$300/500]
457. Three Antique Indonesian Ceremonial Kris/ Keris Daggers, with sheaths, various forms, longest l. 20 in. [$200/300]
459. Three Vintage Swords, one marked “Spartan”, with scabbard; other marked “KONSTETUCIA”; and third lacking handle, longest l. 37 in. [$100/150]
458. Omani Khanjar Silver Filigree Dagger, typical form, blade l. 6 in.
[$150/250]
460. Chinese School, “Birds on Branches”, seven paintings, each ink and color on silk, 16 in. x 12 in., each silk mounted, framed and glazed alike. [$300/500]
461. Lu Hong (Chinese, b. 1952), “Heart and Soul”, serigraph, signed and numbered “62/100” lower margin, 30 in. x 29 in., framed.
[$400/600]
462. Chinese Famille Rose Porcelain Vase, probably 20th c., painted with various exotic birds amid foliage, h. 15 3/4 in., mounted as a lamp, overall h. (incl. finial) 37 in. [$100/200]
463. Chinese ‘Blanc de Chine’ Porcelain Figure of Guanyin, modeled seated on a rockwork base holding a ruyi scepter and leaning on a low table supported by one curved leg with a monster mask head and claw foot terminal, wearing long draping robes, a bead necklace and knotted hair centered by a cloud-form tiara, back with impressed He Chaozong seal mark, h. 16 in., w. 9 1/2 in., d. 7 1/4 in. [$1000/1500]
464. Chinese ‘Blanc de Chine’ Porcelain Figure of Guanyin, modeled seated before a furled lotus leaf mandorla on a base of crashing waves with lotus pods, flowers, and leaves, holding a ruyi scepter and wearing loose open robes revealing a beaded necklace, the hair tied up and held with a diadem featuring Amitabha, back with illegible impressed marks enclosed by a double gourd and a square, h. 17 1/2 in., w. 9 1/4 in., d. 10 1/4 in. [$2500/3500]
465. Large Chinese Celadon Green Porcelain Vase, 20th c., compressed baluster body with twisted rope concentric bands and incised vertical basketry, the shoulder with an applied green and brown crab, h. 10 1/4 in., w. 13 1/2 in., d. 12 3/4 in. [$200/300]
466. Large Chinese Celadon Porcelain Bowl, probably Ming Dynasty (1368-1644), exterior carved with a cloud band above flower scrolls, interior with basketweave roundel encircled by crashing waves, base burnt orange, h. 5 1/8 in., dia. 12 1/8 in., wood stand, overall h. 6 3/4 in. [$1000/1500]
467. Large Chinese Decorative Fishbowl, decorated with gilt and imitation of lacquerware, giltwood stand, h. 41 in., dia. 27 in.
[$300/500]
468. Two Pairs of Chinese Amber, White and Celadon Crackle Glazed Porcelain Vases, larger with everted foliate rims, applied qilong, and brown reliefbands, bases with apocryphal Chenghua marks, one with “Tom Hayes & Associates” shipping label, h. 13 3/8 in.; smaller with brown glazed lingzhi rims, lions mask handles and brown relief bands, bases with apocryphal Chenghua marks, h. 11 3/8 in.
[$200/400]
Provenance: Tom Hayes, Atlanta, GA
469. Chinese Glazed Pottery Figural Group, modeled as two figures seated on a cloud-form base, h. 7 3/8 in., w. 5 1/2 in., d. 3 1/4 in. Note condition.
[$10/20]
470. Pair of Chinese Blue and White Porcelain Bowls, decorated with lotus scrolls, bases with apocryphal Tongzhi marks, h. 2 7/8 in., dia. 6 3/4 in. [$150/250]
471. Three Antique Chinese Blue and White Porcelain Table Items, incl. covered box, decorated with lotus pond scene, h. 2 3/4 in.; bowl, h. 2 3/4 in., dia. 6 5/8 in.; and stem cup, h. 2 1/4 in., dia. 3 3/4 in.
[$200/400]
473. Two Antique Chinese Pottery Figures, incl. Dehua ‘blanc-de-chine’ Guandi, h. 4 1/2in.; and ‘mud man’, impressed ‘CHINA’’, h. 4 1/4 in. [$150/250]
474. Collection of Chinese Objects, incl. carved wood relief panel, h. 6 in., l. 23 1/4 in.; cloisonne enamel peach form box on branch, h. 4 3/4 in., l. 7 1/2 in.; stone Buddhist lion on plinth, h. 3 1/4 in., w. 3 1/8 in., d. 1 3/4 in.; and 15 ‘Sgraffito’ green and pink glazed porcelain small dishes, bases with apocryphal Qianlong marks, dia. 3 1/4 to 4 in.
[$200/400]
476. Chinese Apple Green Glazed Porcelain Baluster Vase, Qing Dynasty (1644-1911), overall emerald hued glaze suffused with golden crackle, h. 13 1/4 in., now mounted as a lamp, over h. (incl. finial) 30 1/2 in. [$200/400]
478. Chinese Hardstone-Mounted Yixing Pottery Covered Teapot, probably 20th c., finial, spout and handle of pale celadon stone with silvered metal mounts, body relief-decorated with a bird on a flowering prunus branch and calligraphy, base marked, h. 4 1/4 in., w. 6 1/2 in. [$100/200]
475. Monumental Chinese Brown Glazed Stoneware Jar, relief-molded with dragons pursuing the flaming pearl, h. 29 3/4 in., dia. 25 in. [$400/600]
477. Chinese Blue and White Porcelain Brush Pot, slightly waisted cylindrical body painted with scenes of figures at leisure, base with apocryphal Kangxi mark, h. 6 1/2 in., dia. 7 5/8 in. [$100/200]
479. Two Chinese Celadon Porcelain “Cadogan” or “Puzzle” Wine Pots or Teapots, each of peach-form, taller with small copper red, peachbloom glazed spot at top, h. 6 1/4 in., w. 8 in.; shorter with molded copper red and blue leaves at spout and handle and peachbloom spot at top, h. 5 1/2 in., w. 7 in. [$200/400]
480. Chinese Tang Dynasty or Tang Dynasty-Style Painted Pottery Horse, modeled wearing saddle and pad, standing foursquare on flat rectangular base, lacking mane and tail, h. 14 5/8 in., w. 13 3/4 in., d. 4 3/4 in. [$200/300]
481. Pair of Chinese Paktong or Metal Pentagonal Cannisters, 20th c., inset with panels painted with historic figures, bases with factory or hall marks, h. 6 3/4 in. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
482. Two Chinese Famille Rose Porcelain Rectangular Boxes, 20th c., both with figural decoration and calligraphy, smaller with remnant seal paste, h. 1 3/8 in and 1 in., w. 2 1/2 in. and 2 1/8 in., d. 3 1/2 in. and 3 in. [$50/100]
Provenance: Estate of Jane S. Phillips, New Orleans.
484. Chinese Blue and White Porcelain Double Vase, faceted body painted with figures in a landscape and calligraphy, h. 13 1/8 in., w. 7 1/4 in., d. 4 3/4 in. [$100/200]
483. Chinese Famille Rose Porcelain Jardiniere and Underplate, 19th/20th c., incurvate faceted sides painted with figural scenes and poetry, overall h. 8 5/8 in., w. 9 7/8 in., d. 9 7/8 in. [$400/600]
485. Chinese Green and Red Porcelain Items, incl. dish, decorated with phoenix and flowers, dia. 9 7/8 in.; and vase, decorated with foliate band, h. 8 1/8 in. (2 pcs.) [$100/200]
486. Two Chinese Blue and White Porcelain Bowls, wide everted rims, interiors decorated with trailing pea vine, h. 3 3/4 in., dia. 11 3/4 in. and 11 5/8 in. [$150/250]
487. Chinese Famille Rose Porcelain Covered Ginger Jar, 20th c., painted with a scene of young boys riding a qilin and calligraphy, h. 13 in. [$200/400]
488. Two Large Chinese Blue and White Porcelain Low Bowls, incl. one with dragon and floral decoration, base with apocryphal Chengua mark, h. 3 1/2 in., dia. 16 1/4 in.; and other with everted rim and phoenix and floral decoration, base with apocryphal Xuande mark, h. 3 1/8 in., dia. 16 1/4 in. [$300/500]
490. Chinese Blue and White Porcelain Shallow Bowl, probably 20th c., foliate molded walls and everted barbed rim, decorated with a dragon and foliage, h. 3 1/4 in., dia. 16 1/4 in. [$200/300]
489. Chinese Famille Rose Porcelain Vase, 20th c., Buddhist lion handles, decorated with colorful peonies, h. 17 7/8 in., mounted as a lamp, overall h. (incl. finial) 33 in. [$100/200]
491. Chinese Yellow Glazed Porcelain
Bowl, probably 20th c., molded body and everted barbed rim, relief-decorated with a dragon roundel encircled by crashing waves, base with apocryphal Yongle mark, h. 2 3/4 in., dia. 16 1/2 in. [$200/300]
Shallow
492. Chinese Blue and White Porcelain Dish, everted barbed rim, bowl-form body relief-decorated with dragons pursuing the flaming pearl, h. 2 1/4 in., dia. 12 in. [$100/150]
494. Chinese Ge-Style Stoneware Bottle Vase, overall pale bluish glaze suffused with wide network of “golden wire” crackle, h. 8 3/4 in. [$150/250]
493. Pair of Chinese Blue and White Porcelain Dishes, 20th c., shallow bowl-form bodies painted with dragons in pursuit of the flaming pearl, bases with Guangxu marks, h. 1 3/8 in., dia. 6 7/8 in. [$100/150]
495. Chinese Blue and White Porcelain Bowl, decorated with floral vines, base with apocryphal Chenghua mark, h. 2 3/4 in., dia. 5 7/8 in. [$100/200]
496. Pair of Asian Cloisonne Enamel Chargers, crane and flower decoration, turquoise ground, mounted for hanging, dia. 12 in. [$150/250]
497. Pair of Asian Cloisonne Enamel Chargers, bird and peony decoration, turquoise ground, dia. 12 in. [$150/250]
498. Group of Four Chinese Cloisonne Enamel Chargers, bird and flower decoration, various borders and turquoise grounds, dia. 11 7/8 in. to 14 1/4 in. [$200/400]
499. Large Uncarved Jade Boulder, flattened egg-form, h. 6 1/4 in., w. 15 1/2 in., d. 10 in. [$400/600]
500. Set of Four Chinese Painted and Carved Giltwood Panels, deeply relief-carved with figures in landscapes set within painted wood imitating cloisonne frames, set within black wood frames, overall h. (excl. brass hangers) 36 in., w. 18 in., d. 1 3/4 in. [$800/1200]
Provenance: Reputedly, from the estate of Charles Amie (1941-2023), Barret Place, Shreveport, LA and formerly the home of T homas Charles Barret (1860-1922), Lieutenant Governor of Louisiana (1912-1916).
501. Pair of Chinese Cloisonne Enamel Spittoons, probably Qing Dynasty (1644-1911), wide everted rims decorated with four colorful dragons, bulbous body with further dragons, splayed base with crashing waves, h. 5 3/4 in., dia. 9 7/8 in. [$400/600]
502. Chinese Cloisonne Enamel Bowl, compressed globular body decorated with Buddhist lions and brocade balls, base with apocryphal Qianlong mark, h. 3 1/4 in., dia. 10 in. [$200/300]
503. Two Chinese Cloisonne Enamel Circular Covered Boxes, first with inset Canton enamel roundel featuring a female musician amid prunus branches, h. 1 3/4 in., dia. 4 1/2 in.; other with horned dragon, h. 2 1/2 in., dia. 4 in. [$100/200]
504. Two Asian Bronze Pieces, incl. vasiform vessel with mask loop loose ring handles and pierced sides, h. 10 3/4 in. and a censer or bowl with high loop handles, Buddhist lion masks, dragon and turtle cartouches in relief, four zoomorphic mask feet, h. 8 in., w. 9 1/4 in., d. 4 1/4 in.; together with a metal seated Buddhist figure, h. 6 in. (3 pcs.) [$300/500]
505. Chinese Bronze Tripod Censer, upright loop handles, bowl-form body, elephant mask and trunk feet, h. 5 3/8 in., w. 4 5/8 in., d. 4 3/8 in.
[$200/300]
506. Chinese Bronze Tripod Ritual Wine Vessel, jue-form body bearing inscription cartouche underneath and centered by upright posts, one supported on a zoomorphic mask loop handle, three curved legs (one separating at body), h. 6 1/8 in., w. 6 in., d. 3 1/8 in. [$200/400]
507. Chinese Bronze Gu Vase, square sectioned body with flared rim, splayed base, and dragon mask loop handles, decorated with stylized taotie motifs, h. 9 7/8 in., w. 4 5/8 in., d. 4 5/8 in. [$200/400]
508. Chinese Marble Figure of an Immortal, carved standing with one hand grasping his long beard, h. 19 in., giltwood lotus stand, overall h. 24 1/2 in. [$200/400]
509. Chinese Lacquer Three-Tier Storage Basket, early 20th c., upper compartment with divided interior, painted overall with birds and flowers on a brownish-black ground, strap handle, h. 14 1/4 in., w. 11 1/2 in., d. 10 in.
[$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
510. Chinese Cloisonne Enamel Figure of a Recumbent Water Buffalo, h. 3 in., w. 6 in., d. 3 in. [$200/300]
Provenance: Estate of Jane S. Phillips, New Orleans.
511. Chinese Celadon Jade Dragon Bowl, Qing Dynasty (1644-1911), pale greenish white stone with creamy russet inclusions, bowl-form body on low foot carved with three chilong forming the handles, h. 3 1/4 in., w. 7 in., d. 7 1/4 in., bowl dia. 4 3/4 in., wood stand, overall h. 4 1/2 in.
[$4000/6000]
Provenance: Kwok Gallery, Singapore, Aug. 24, 1983.
512.Archaistic Chinese Grayish White and Russet Jade Figure of a Goose, carved with its head turned towards its back side over stylized wings neatly tucked against its body, h. 3 1/2 in., l. 4 3/4 in., d. 1 3/4 in., wood stand, overall h. 4 1/4 in.
[$1500/2500]
513. Chinese Grayish Green Jade Figure of a Camel, grayish green stone with russet inclusions, carved recumbent with head turned toward its back side, h. 2 1/2 in., l. 4 1/4 in., d. 1 3/4 in., wood stand, overall h. 3 1/8 in. [$800/1200]
Provenance: Kwok Gallery, Singapore, May 1982.
514. Chinese Pale Celadon Jade Horse and Monkey Group, pale stone with light russet inclusions, modeled as a recumbent horse with a monkey seated on its back holding a peach, h. 2 in., w. 3 1/2 in., wood stand, overall h. 3 1/8 in.
[$400/600]
515. Antique Chinese Han-Style Carved Hardstone Pendant or Amulet, mottled gray, black and russet stone carved as a recumbent bird with wings tucked neatly at sides, reverse with flattened knop, l. 2 in., w. 1 1/2 in. [$200/400]
516. Chinese Stained Figural Group of an Immortal, modeled reclining against a child on a rockwork ledge holding a fan beside peaches, h. 4 in., w. 4 5/8 in., d. 2 3/8 in.
517. Pair of Chinese Cloisonne Enamel Vases, 20th c., decorated with birds amid wisteria, peonies, chrysanthemums and foliage on green ground, h. 14 3/4 in. [$150/250]
[$100/200]
519. Antique Chinese Partial Gilt Lacquered Bronze Figure of Shakyamuni Buddha, probably Ming Dynasty (1368-1644), modeled seated in dhyanasana on double lotus base with hands held in dhyanamudra, wearing loose robes open at the chest and right arm, h. 9 in., w. 6 in., d. 4 in. [$1500/2500]
Provenance: Reputedly, Asiatische Kunst Art Gallerie, East Berlin, 1965; thence by descent
518. Antique Chinese or Tibetan Parcel Gilt Bronze Figure of Amitayus, modeled seated in dhyanasana on a round base wearing a five-pronged crown (lacking one prong) centered by figures, loose robes tied at the waist, h. 6 7/8 in. [$800/1200]
520. Chinese Famille Rose Porcelain Octagonal “Wu Shuang Pu” Jardinière, probably 19th c., faceted sides painted with historic heroes and poetry, h. 7 5/8 in., w. 9 5/8 in., d. 9 5/8 in. [$300/500]
521. Pair of Chinese Famille Rose Porcelain “Cockerels” Jars, probably Republic Period (1912-1949), painted with domestic fowl amid foliage, bases with Tongzhi marks, h. 8 5/8 in., pagoda-form wood covers, overall h. 10 1/2 in. [$500/700]
523. Chinese Stone-Inset Hard Wood Rectangular Covered Box, lid with reticulated white stone carved with a dragon, figures, and foliage, h. 3 1/8 in., w. 7 1/4 in., d. 5 1/8 in. [$100/150]
525. Nisaburo Ito (Japanese, 1910-1988), “Bonsai Chrysanthemum” and “Ninnaji Temple in Snow”, two woodblock prints, sheet 17 1/4 in. x 11 7/8 in. and 17 1/4 in. x 12 in., unframed, (2 pcs.) [$200/400]
522. Chinese Famille Verte Porcelain Bowl, probably Qing Dynasty (1644-1911), foliate molded body with petal barbed rim, decorated with figures and poetry, h. 4 1/4 in., dia. 9 in., wood stand, overall h. 6 1/2 in. [$400/600]
524. Three Chinese Jadeite Archers Rings, h. 1 1/8 in., exterior dia. 1 1/4 in. [$200/300]
526. Mayumi Oda (Japanese, b. 1941), “September Afternoon”, 1972, silkscreen, pencil-signed, titled, dated, numbered “11/50”, and inscribed lower margin, sight 30 in. x 22 3/4 in., matted and framed. [$400/600]
527. Tsukioka Kogyo (Japanese, 1869-1927), five woodblock prints, sight 14 1/2 in. x 9 3/4 in., double matted and framed alike. (5 pcs.) [$50/100]
528. WITHDRAWN
529. Two Pieces of Asian Cloisonne Enamel, 19th/20th c., incl. Japanese covered tripod jar, h. 7 1/4 in., dia. 5 1/2 in.; and Chinese vase, h. 7 in. [$100/200]
530. Japanese Patinated Bronze Figural Candle Holder and Usubata or Brazier, Meiji Period (1868-1912), first modeled as a crane standing on a turtle beside a baby crane holding a lotus branch forming the candle holder, h. 13 in.; second with broad rim, bowl-form body incised with petal tips, and incurvate tripod base, h. 6 1/4 in., dia. 8 1/2 in. (2 pcs.) [$200/300]
531. Pair of Japanese Kutani Porcelain Vases, Meiji Period (1868-1912), decorated with birds and flowers, bases with Kutani marks, h. 9 5/8 in. [$200/400]
532. Japanese Gilt and Lacquered Wood Shrine, carved with two central seated figures in front of mandorla flanking central shrine, raised on tall, stepped base, h. 11 1/8 in., w. 8 in., d. 2 1/2 in. [$100/200]
533. Antique Japanese Carved, Lacquered and Gilded Wood Figure of the “Daibutsu of Kamakura” Buddha, probably Edo Period (1603-1868), modeled seated before tall mandorla on lotus base raised on tiered pedestal, h. 34 1/2 in., w. 12 1/2 in., d. 8 3/4 in. [$400/600]
534. Asian Painted and Gilded Wood Figure of Buddha, carved seated in dhyanasana on giltwood lotus base wearing loose voluminous robes and celestial scarf, the hair raised in a topknot and painted blue, base with old Nieman Marcus label, overall h. 11 1/2 in. Note: figure is separated from stand. [$200/300]
535. Antique Thai Gilt Bronze Figure of Buddha, modeled seated on a double lotus stand with hands resting on lap, h. 8 3/4 in. [$300/500]
536. Three Antique Asian Blue and White Porcelain Covered Boxes, various sizes, all with floral motifs, largest h. 2 1/4 in., dia. 3 1/4 in. [$100/200]
537. Asian Iron Figure of a Six-Armed Bodhisattva, modeled seated on a square plinth atop a double lotus base, trace gilt, h. 9 3/4 in., w. 6 1/4 in., d. 5 3/8 in. [$150/250]
538. Korean School, “Mountainous Fishing Village”, ink and color on silk, inscribed and sealed upper left, sealed lower right, 49 3/4 in. x 16 1/4 in., mounted as a hanging scroll.
[$100/200]
Provenance: Reputedly purchased in Korea, c. 1950s by CIA operative William Ted Brown of Virginia and Louisiana.
539. Antique West Asian Bronze Cow Bell, splayed body with stylized birds in relief, h. 7 1/2 in., w. 4 1/2 in.; together with a bronze bell, h. 4 3/4 in. (2 pcs.)
[$100/200]
540. Persian School Manuscript Page, 19th c., “Maritime Scene”, watercolor, gouache and gilt accents on paper, unsigned, sight 10 7/8 in. x 6 7/8 in., framed, overall 15 in. x 10 3/4 in x 3/4 in. [$100/200]
Provenance: Estate of Jane S. Phillips, New Orleans.
541. Antique Southeast Asian Bronze Buddhist Head, h. 6 1/4 in., mounted to a wood base, overall h. 9 1/4 in.
[$150/250]
542. Large China Trade Painted Leather Trunk, 19th c., nail head trim, bail handles, decorated with figural scenes, void interior, h. 15 3/4 in., w. 35 in., d. 18 1/4 in., later stand, overall h. 20 1/2 in. [$300/500]
543. Burmese or Thai Glass Embellished Carved Giltwood Buddha, carved standing on lotus base with arms lowered at sides, wearing knotted hair tied in a top knot, a bejeweled tiara, and long robes with bejeweled hems, h. 40 1/2 in., w. 20 in., wood stand, overall h. 47 1/4 in [$500/700]
544. Antique Burmese Carved and Gilded Wood Figure of Buddha, modeled seated on colored glass gem embellished, painted, carved tiered wood stand, h. 22 1/2 in., w. 9 1/4 in., d. 6 1/4 in. [$700/900]
Provenance: Reputedly, acquired c. 1985 from widow of with Lt. Col. Jeremy Nicholson, USA Rangoon, British Burma; thence by descent.
545. Monumental Southeast Asian Carved, Gilded and Glass Gem Embellished Figure of Reclining Buddha, l. 59 in. [$500/700]
546. Antique Shan/Ava Style Burmese Carved, Lacquered and Gilded Wood Figure of Buddha, carved seated on a tiered throne, h.26 1/4 in. w. 12 in., d. 8 in. [$400/600]
548. Antique Burmese Glass Gem Embellished, Carved and Gilded Wood Figure of a Seated Monk, h. 17 1/2 in., w. 12 1/4 in., d. 16 in. [$400/600]
Provenance: Reputedly, acquired in Burma from American actress Audrey Meadows; thence by descent.
547. Antique Burmese Carved Wood “Nat” Spirit Guardian, modeled standing on a mounded base, h. 25 in., mounted to a painted wood plinth., overall h. 29 3/4 in., w. 6 1/4 in., d. 5 1/2 in. [$400/600]
549. Thai Parcel Paint and Gilt Bronze Figure of Buddha, 19th c., modeled seated on double lotus base on tiered triangular plinth, h. 10 in., w. 6 1/2 in., d. 4 1/4 in. [$400/600]
Provenance: Acquired c. 1980; thence by descent.
550. Thai Glass Gem Embellished Carved, Painted and Gilded Wood Figure of a Seated Musician, h. 16 in., w. 10 3/4 in., d. 9 in.
[$200/400]
551. Pair of Large Burmese or Thai Glass Gem Embellished Carved Giltwood Wall Panels, deeply relief-carved with Kinnera, lotus, and foliage, h. 36 in., w. 19 3/4 in., d. 3 in.
[$500/700]
552. Burmese or Thai Gilt and Lacquer Papier Mache Head of Buddha, h. 11 7/8 in., wood stand, overall h. 18 in., w. 6 5/8 in., d. 6 5/8 in.
[$100/200]
553. Antique Asian Bronze Head of Buddha, modeled with hair tied high in tightly knotted curls, with elongated earlobes flanking a downcast serene expression, h. 7 1/2 in., hard wood pedestal, overall h. 11 3/4 in., w. 3 7/8 in., d. 3 7/8 in.
[$400/600]
554. Thai Gilt Bronze Figure of a Standing Buddha, 19th c., modeled standing on lotus base atop a tiered octagonal pedestal with left arm raised in anhaya mudra, wearing elaborately detailed robes, h. 17 1/4 in., w. 5 1/4 in., d. 5 1/4 in.
[$300/500]
Eight
or
11
555.
Asian Carved Wood Buddhist Figures, each carved seated on bases with hands held in various mudras, variously painted, gilded
unadorned, h. 3 5/8 in. to
1/4 in. [$300/500]
556. Four Asian Bronze Figures or Fragments of Budda, incl. two standing, h. 3 3/4 in. and 4 1/8 in.; and two heads mounted to wood stands, overall h. 3 5/8 in. and 4 3/4 in. [$200/300]
557. Group of Four Asian Items, incl. Chinese red and black lacquer covered vase, h. 5 3/4 in.; Chinese porcelain inset brass circular box, h. 3 in., dia. 5 3/8 in.; Korean mother-of-pearl inlaid black lacquer box, h. 2 1/4 in., w. 6 3/4 in., d. 3 3/4 in.; and Japanese painted black lacquer oval box, h. 1 7/8 in., l. 6 1/2 in., w. 4 3/4 in. [$100/200]
558. Collection of Indigenous Textiles, c. 1960s, incl. Laotian Hmong long jacket or robe, l. 54 in.; coral ground blanket, l. 89 in., w. 44 1/2 in.; brownish-black ground blanket, l. 89 in., w. 45 in.; and pouch, h. (excl. fringe and handle) 5 1/2 in., w. 6 3/4 in.; together with a carved bamboo ceremonial comb, h. 10 1/2 in., w. 3 in. (5 pcs.) [$200/400]
559. Burmese Laquered and Gilded Wood Kammavaca Prayer Book, 19th/early 20th c., incl. 2 covers, h. 5 1/4 in., l. 22 5/8 in.; and 4 leaves with Pali, h. 5 in., l. 20 3/4 in., now mounted together, framed and glazed, overall 53 3/4 in. x 32 1/4 in.
[$200/400]
561. Chinese Carved Wood Table or Stand, waisted round top, apron and wide curved legs reliefcarved with foliage and terminating in scroll feet, l ow round shelf, h. 36 in., dia. 27 in.
[$200/400]
Provenance: Reputedly, from the estate of Charles Amie (1941-2023), Barret Place, Shreveport, LA and formerly the home of Thomas Charles Barret (18601922), Lieutenant Governor of Louisiana (1912-1916).
560. Chinese Hardwood Table, early 20th c., waisted petal-lobed top inset with pink marble, reticulated apron carved with foliage, medial shelf, tall lions mask legs carved with foliage and terminated in claw and ball feet, h. 31 3/4 in., dia. 23 1/4 in. Note: Loose Piece.
[$400/600]
Provenance: Reputedly, from the estate of Charles Amie (1941-2023), Barret Place, Shreveport, LA and formerly the home of Thomas Charles Barret (1860-1922), Lieutenant Governor of Louisiana (1912-1916).
562. Pair of Chinese Black and Red Lacquered Chairs, stepped backs centered by qilin roundels, waisted square seats, straight stretchered legs, foliate apron, h. 40 1/4 in., w. 18 1/4 in., d. 16 1/4 in.
[$150/250]
564. Chinese Carved Hardwood Plant
Stand, early 20th c., waisted foliate carved top, inset round marble panel, curved legs carved with dragon heads, scaley dragon feet, foliate apron, reticulated low shelf, h. 37 1/4 in., w. 19 in., d. 19 in.
[$200/400]
563. Chinese Carved Wood Altar Table, rectangular top with everted flanges, foliate carved spandrels and apron, splayed square legs with pairs of cross braces centered by openwork panels, h. 38 3/4 in., w. 70 in., d. 14 1/2 in.
[$200/300]
565. Chinese Hardwood Table, waisted rectangular top with inset panel, prunus and bamboo carved with foliage, three tiered shelves, h. 31 1/4 in., w. 26 1/4 in., d. 21 3/4 in.
[$300/500]
566. Chinese Hardwood Table, rectangular top with inset panel, square corner legs, reticulated apron, medial shelf, h. 31 3/8 in., w. 16 1/4 in., d. 12 1/4 in.
[$300/500]
567. Chinese Hardwood Cabinet, reticulated case, two reticulated panel doors, shelf interior, above two small drawers, h. 22 3/4 in., w. 25 3/4 in., d. 15 1/8 in.
[$200/400]
568. [Mardi Gras], Group of Krewe pins, incl. 8 Knights of Momus and 4 Knights of Chaos, various dates 1993-2008; some with original Adler’s boxes [$150/250]
569. [Mardi Gras], group of pins, various krewes and clubs, incl. Twelfth Knight Revelers (3), Elves of Oberon (1), the Mystic Club (7) and Sunday Sinners (4); dates 1989-2017, some with original Adler’s boxes. (15 pcs.)
[$150/250]
570. [Mardi Gras], group of Krewe pins, incl. Rex ladies’ pins, various dates 20002007, some with original cases or Adler’s boxes. (8 pcs.) [$150/250]
571. [Mardi Gras], group of Krewe favors and pins, Mistick Krewe of Comus, various dates 2000-2007, and Comus/Rex Queens Supper pin, 2000; most with original Adler’s boxes. (12 pcs.)
[$150/250]
573. [Mardi Gras], group of dance cards, incl. Proteus 1911, Falstaffians (cover only), Rex 1900 and Proteus envelope. [$100/150]
572. [Mardi Gras], group of Krewe pins, Krewe of Proteus, various dates 2000-2008; most with original boxes. (8 pcs.) [$150/250]
574. [Mardi Gras], three parade bulletins, incl. Miskick Krewe of Comus, 1930, theme “The Legend ofFaust” and 1936, theme “The Beautiful”; and Krewe of Proteus, 1936, theme “Don Quixote de la Mancha”, chromolithographs, published by Searcy & Pfaff, New Orleans, 28 in. x 42 in., unframed. [$300/500]
576. [Mardi Gras], four Knights of Momus Parade Bulletins, chromolithographs, by Walle & Co., New Orleans, incl.: “The Adventures of Baron Munchausen”, 1917; “Odds and Ends of Nonsense”, 1914; “Pinocchio, The Tale of a Marionette”, 1916, and “Chronicles of Momus”, 1912, sheets approx. 28 in. x 42 in. [$700/1000]
578. [Mardi Gras], four Mistick Krewe of Comus Parade Bulletins, chromolithographs, by Walle & Co., New Orleans, incl.: “Mahomet”, 1910; “Tales from Chaucer”, 1914; and “Flights of Fancy”, 1909, and “Familiar Quotations”, 1911, sheets approx. 28 in. x 42 in. [$700/1000]
575. [Mardi Gras], three Knights of Momus Parade Bulletins, chromolithographs, by Walle & Co., New Orleans, incl.: “Odds and Ends of Nonsense”, 1914; “Myths of the Red Men”, 1903; and “Just-So Stories or Tales of the How and Why”, 1915, sheets approx. 28 in. x 42 in. [$600/900]
577. [Mardi Gras], three Mistick Krewe of Comus Parade Bulletins, chromolithographs, by Walle & Co., and Fitzwillian, New Orleans, incl.: “Izdubar”, 1904; “Lore and Legends of Childhood”, 1915; and “Romantic Legends”, 1917, sheets approx. 28 in. x 42 in. [$600/900]
579. [Mardi Gras], Mistick Krewe of Comus 1899 parade bulletin, theme “Josephus”, chromolithograph, by Walle & Co., New Orleans, sheet
28 in. x 42 in. [$400/600]
581. [Mardi Gras] Knights of Momus, January 30, 1913, theme “Above the Clouds”, parade bulletin, lithographer Walle & Co., float mounted and framed. [$500/700]
583. [Mardi Gras] Rex Proclamation blank, probably c. 1920-1930, framed, together with 7 unframed Rex Proclamation blanks. [$150/250]
580. [Mardi Gras] Mistick Krewe of Comus, February 4, 1913, theme “Time’s Mysteries”, parade bulletin, lithographer Walle & Co., float mounted and framed. [$500/700]
582. [Mardi Gras] Krewe of Proteus, February 3, 1913, theme “The Adventures of Telemachus”, parade bulletin, lithographer Walle & Co., float mounted and framed. [$500/700]
585. [Mardi Gras] Mistick Krewe of Comus, February 4, 1913, theme “Time’s Mysteries”, admit card and dance card, float mounted and framed. [$300/500]
584. [Mardi Gras] Rex, 1913, silverplate pin tray, theme “Enchantments and Transformations”, note loss to silvering. [$75/125]
6,
588. [Mardi Gras] The Atlanteans, January 28, 1913, invitation and dance card; Nereus, January 10, 1913, invitation and 2 admit cards, framed.; together with Mithras, January 20, 1913, invitation, each group framed. [$300/500]
of
589. [Mardi Gras] Elves of Oberon, January 23, 1913, invitation; Olympians, January 13, 1913, invitation, admit card and dance card; and Krewe of Athenians, January 22, 1913, invitation; framed. [$300/500]
590. [Mardi Gras] Collection of Antique and Vintage Memorabilia, incl. photographic portrait of a debutante, early 20th c.; 1913 pamphlet “The City Care Forgot/The St. Charles Hotel”; Sunday Illustrated Magazine of The Daily Picayune, Feb. 2, 1913; and 2 panels of floatmounted postcards, 5 framed pieces. [$250/350]
591. [Mardi Gras] Rex, February 4, 1913, theme “Enchantments and Transformations”, dance card, float mounted and framed.
[$250/350]
587. [Mardi Gras] Krewe
Proteus, February 3, 1913, theme “The Adventures of Telemachus”, invitation, float mounted and framed. [$300/500]
586. [Mardi Gras] Twelfth Night Revelers, January
1913, invitation, admit card and dance card, float mounted and framed. [$300/500]
592. [Mardi Gras] Collection of Rex Ducal Badges and Pins, 2d half 20th c., incl. ducal badges from 1964 and 1965 with original boxes, 1978; and pins from 1972, 1973, 1975, 1979 and 1980, some with original boxes. (8 pcs.) [$150/250]
Italian
593. [Mardi Gras] Rex Ducal Badge, 1917, theme “The Gifts of the Gods to Louisiana”, with original box.
594. California Wine Mixed Lot, Charles Krug Napa Valley Pinot Noir 1968, 1 bottle, 750ml; Inglenook North Coast Counties Vintage Burgundy 1971, 1 bottle, 750ml; Alexander Valley Vinyards Cabernet Sauvignon 1976, 1 bottle, 750ml; Almaden California Mountain Pinot Noir c. early 1970s, 4 bottles, 750ml. (7 bottles)
[$200/400]
595.
Wine Mixed Lot, Marchesi Antinori Tenuta Guado al Tasso Bolgheri Superiore 1998 & Domenico Clerico Ciabot Mentin Ginestra Barolo 2000, 2 bottles, 750ml. (2 bottles) [$100/200]
[$100/200]
596. African Patinated Bronze Head, possibly Cameroon. [$300/500]
OF BUILDING COLLECTIONS
Neal Auction Company was founded June 7, 1984 by the late John R. Neal, noted collector and authority on 19th century American decorative arts.
From the beginning, Neal Auction Company has had a core focus on the history and material culture of the Lower Mississippi River Valley, which has led to our discovery of rare examples of furniture, paintings and decorative arts of the region, many of which are now in important institutional and private collections.
Our history includes legendary onsite auctions of important historic collections, notably the Sisters of Mercy Convent, Vicksburg, MS in 1984, and Houmas House Plantation, Darrow, LA in 2003, as well as block-buster sales of private collections such as the estate of author and tastemaker Julia Evans Reed in 2021.
Over the past forty years, we have enjoyed a frontrow seat to the ever-evolving market trends in taste and collecting, as we assist in dispersing estates and introducing the objects to new collections.
Today’s savvy collectors particularly respond to the eco-conscious aspect of recycling objects via auction. They recognize that they are seeking out unique objects with a history, not “cookie-cutter” mass-produced “disposable” goods.
As we enter our 5th decade, Neal Auction Company continues to be family-owned and locally managed, serving our New Orleans and regional community. We are proud to be one of Magazine Street’s landmark businesses, having debuted at 4139 Magazine then subsequently relocating to our 4038 Magazine address in 1990.
AUCTION SCHEDULE
September 19 & 20 - Premier Collections Live Auction
October 17 - UNRESERVED @ Neal Auction
November 14 & 15 - Louisiana Purchase Auction™
December 5 - UNRESERVED @ Neal Auction
December 19 - Mid-Century, Modern, Contemporary Art & Design Auction dates may be subject to change.
John R. Neal (1940-2018), Founder
Michelle LeBlanc Leckert, CAI President
Katherine Hovas
Senior Vice President
ADMINISTRATION
Director of Administration & Finance
Michelle LeBlanc Leckert, CAI
Client Services / Accounts Receivables
Rebekah Abernathy
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Cameron McHarg
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Jason Leckert
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Claire Whitmore
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Graphics Director / Catalogue Design
David Roberts
Photography
Gerard Lewis
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OPERATIONS
Operations Staff
Charlie Clay
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Richard McClain
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Decorative Arts Inventory Management
Charlie Clay
AUCTIONEERS
Michelle LeBlanc Leckert #1514
Bettine Field Carroll #1874
Marc Fagan #1935
Marney Robinson #2155
Cameron McHarg #2184
Marc Fagan Vice President Consignments
CONSIGNMENTS
Paintings, Prints & Photography, Sculpture
Marney Robinson; Sophie Hirabayashi; Casey Foote; Renee Longon
Books, Maps & Natural History Prints, Modern Furniture
Marc Fagan
Antique Furniture & Decorative Arts
Jason Leckert
Silver & Decorative Arts
Katherine Hovas
Jewelry & Couture
Cameron McHarg
Fine Art Inventory Manager, Wine & Spirits
Casey Foote
Consignments Administrator
Heather Munch
AUCTION SERVICES
Trust & Estates Advisor
Henry G. McCall
Appraisals
Marc Fagan, Cameron McHarg
CATALOGUE CONSULTANTS
Asian Arts & Special Projects
Bettine Field Carroll
Decorative Arts & Victoriana
Ann M. Masson
Jewelry - GIA Graduate Gemologist
Stephen A. Moses