April 25, 26 & 27 Important Estates Auction by Neal Auction

Neal Auction Company Important Spring Estates Auction April 25, 26 & 27, 2014

Front Cover (detail): Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Striae #2”, 1972, oil on canvas, signed lower middle, titled and dated on “The Mint Museum of Art” exhibition label en verso, 59 in. x 47 in., period frame. Provenance: Private Collection, Birmingham, AL, acquired from the artist. Back Cover (detail): A Fine American Neo-Grec Gilt Bronze-Mounted, Ebonized, Gilt Decorated and Inlaid Rosewood Parlor Cabinet, c. 1870, Pottier & Stymus, New York, width 55 1/2 in., depth 22 3/4 in. This page (detail): Friedrich Nerly the Elder (German, 1807-1878), “View of the Volta del Canale in Venice from the Squares of Giustinian and Foscari”, oil on canvas, signed “F. Nerly” lower right, 27 1/8 in. x 35 1/4 in.

LOUISIANA SPRING ESTATES PURCHASE AUCTION AUCTION October APRIL 25, 6 26&& 7, 27,2007 2014 On Our Premises 4038 Magazine Street & 3923 Carondelet Street • FEATURING: A Gentleman Antiquarian’s Collection of Period Furniture, Paintings and Decorative Arts, Part II • Important Fine Art and Antiques from the Estate of James Fenimore Cooper IV • The Lifetime Collection of a Florida Antiquarian • Fine Art and Photography from the Collection of Artist Charles Fritchie, New Orleans, LA • Fine Shearwater Pottery from an Important Private Collection • Chinese Porcelain and Jade from the Estates of Robert and Edwina Reisfeld, New Orleans, LA • Chinese Furniture and Decorative Objects from the Estate of Restauranteur Luo Yapquan, Flushing, NY and Miami, FL • African and Oceanic Art Deaccessioned from the High Museum of Art, Atlanta, GA, Sold to Benefit Future Acquisitions • A Collection of Fine Art and Antiques from a Prominent Old Metairie Home

EXHIBITION both galleries beginning Monday, April 14, 10 a.m. to 5 p.m. Note: we will be closed April 18 in observance of Good Friday. Special Saturday Preview, April 19, 10 a.m. to 5 p.m. Evening Preview Reception, Wednesday, April 23, 5 to 7 p.m. AUCTION SCHEDULE Friday, April 25, 1 p.m., 4038 Magazine Street Saturday, April 26, 10 a.m., 4038 Magazine Street Sunday, April 27, 11 a.m., 3923 Carondelet Street

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Session One Friday, April 25, 1 p.m. 4038 Magazine Street

W denotes the lot is illustrated at www.nealauction.com

W 3. A Large Amazonian

Bark Painting, light pigment on bark painted with symbolic and geometric motifs, mounted on stretched canvas, overall 74 in. x 72 in. $300/500 W 4. Two Shipibo Dyed

and Woven Cotton Textiles, Peru, each of rectangular form with geometric designs, each mounted on stretched canvas, overall 69 in. x 25 1/2 in. and 56 in. x 27 in. $300/500 W 5. An Igbo Painted and

Pitch Decorated Carved Wood Mask, Nigeria, realistically carved as a male visage with forehead protrusions, pierced sides, height 16 1/2 in. $200/300 9

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.105); sold to benefit future acquisitions.

W 6. An Igbo Polychrome Painted Carved Wood

Mask, Nigeria, hollowed almond form with tri-lobed headpiece, height 17 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.106); sold to benefit future acquisitions. W 7. An Igbo Carved Wood Female Ancestor Figure,

Nigeria, rectilinear standing nude carved throughout with geometric designs, height 56 in., width 8 1/2 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.108); sold to benefit future acquisitions.

W 1. Five Amazonian Blowgun Dart Cases, one of bamboo with

bone and fiber attachments, and three of reed with fiber attachments, length 11 in. to 18 in. $300/500 W 2. Three Shipibo Shaman’s Rattles, Peru, two with gourd bodies

and wood shafts, height 20 in. and 14 in.; the third with rattan body and reed shaft, height 20 3/4 in. $200/300

8. A Monumental Igbo Polychrome Painted Carved Wood Meeting House Pole, Nigeria, carved in tiers with a female torso surmounted by a squatting nude, crescent form capital, height 93 3/4 in., mounted to a black metal plinth, overall height 95 1/2 in. $3000/5000 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 551.2005); sold to benefit future acquisitions. 9. An Igbo Carved Wood Ancestor Figure with Child, Nigeria, seated female nude carved with an elongated neck and pendulous breasts, cradling an infant in her lap, height 43 1/2 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.108); sold to benefit future acquisitions.

W 10. A Yoruba

Polychrome Painted Carved Wood Gelede Mask, Nigeria, hollowed oval visage with conical headdress, height 25 in. $100/200 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 50.1994); sold to benefit future acquisitions. 17

W 11. A Yoruba

Carved Wood Dance Staff, Nigeria, cylindrical shaft surmounted by a seated female nude cradling a child, height 15 1/4 in. $100/200 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 51.1994); sold to benefit future acquisitions. W 12. A Yoruba Carved

Wood Divination Bowl, Nigeria, conical body raised on three U-form zoomorphic supports over mounded base, height 7 in. $50/75 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.116); sold to benefit future acquisitions.

W 15. An Ekoi Hide Clad Carved

Wood Mask, Nigeria/Cameroon, hollowed helmet form surmounted by a seated figure in the front and a head in the rear, height 19 1/2 in., mounted on an iron base, overall height 25 1/2 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.100); sold to benefit future acquisitions. W 16. An Idoma Carved Wood

Figure of a Male Nude, Nigeria, male figure with elongated torso and lobed headpiece carved seated on a two-legged stool, height 40 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.109); sold to benefit future acquisitions.

W 13. A Yoruba

Polychrome Painted Carved Wood Headdress, Nigeria, hollowed domed form carved with incised ribs and surmounted by a kneeling female figure, pierced rim, height 12 in., width 7 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.118); sold to benefit future acquisitions.

17. A Pair of Dogon Iron Mounted Carved Wood Granary Doors, Mali, each of opposing rectangular form with central double mammary bosses, iron strap attachments, height 13 3/8 in., width 13 1/8 in., mounted on rectangular platform base, overall height 13 5/8 in. $250/350

21. A Bamana Carved Wood Chiwara Headdress, Mali, carved as a stylized standing female antelope surmounted by a smaller antelope, mounted on a domed basketry base with raffia surround, wood height 36 1/4 in. $300/500

19. A Dogon Carved Wood Ladder, Mali, slightly curved Y-form carved with steps, height 80 in. $400/600

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 74.15); sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 1995.191); sold to benefit future acquisitions.

Wood Figural Palm Wine Cup, possibly Nigeria, standing rectilinear figure with central double lobed cup beneath an inset cabochon bead, height 19 3/4 in.

W 18. A Dogon Carved Wood

W 20. Two Bamana Carved

$200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.35); sold to benefit future acquisitions.

Provenance: With Gallerie Carrefour, Paris, c. 1960; to the High Museum of Art, Atlanta, GA, 1975 (no. 72.62); sold to benefit future acquisitions. W 22. An African

Wood Chiwara Figures, Mali, carved as stylized standing male and female antelopes, height 18 in. and 18 1/2 in., respectively.

Pottery Tripod Bowl, Mali, conical body raised on three double incurvate feet, height 3 3/4 in., diameter 5 1/8 in., on clear acrylic base, overall height 4 3/4 in., width 5 in., depth 5 in.

$400/600

$75/125

$125/150

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 76.120); sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 52.1994 and SC 53.1994); sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 76.121); sold to benefit future acquisitions.

W 14. A Mumuye Carved

Mythical Figure, Mali, carved in tiers as a female nude surmounted by another female nude, height 43 3/4 in., wood plinth, overall height 45 in.

W denotes the lot is illustrated at www.nealauction.com

29. An African Carved Wood Weaving Pulley, Ivory Coast, carved in the form of a female nude, height 6 1/2 in. $500/700 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 71.64); sold to benefit future acquisitions. W 30. A Guro Polychrome Painted Carved Wood

Mask, Ivory Coast, hollowed almond form with an open zoomorphic mouth and curved horn-like headpiece, height 16 1/2 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 106.1995); sold to benefit future acquisitions. W 31. Two Baule Carved Wood Masks, Ivory Coast, each

of hollowed almond form with stylized upright coiffures, the larger with a beard, height 14 3/4 in. and 12 in. $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 74.33 and 1977.135); sold to benefit future acquisitions.

W 23. An African Copper-

W 32. A Pair of Turka Stained and Carved Wood

Clad Carved Wood Mask, Mali, hollowed almond form with copper, metal and pink thread highlights, height 15 3/8 in.

Figures, Ivory Coast, carved as a standing male nude and a seated female nude, height 11 1/2 in. and 11 7/8 in., respectively. $1000/1500 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.112 and 75.113); sold to benefit future acquisitions.

$200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 110.1995); sold to benefit future acquisitions. W 24. A Group of Five

African Cotton Textiles, including a tunic, length 51 in.; a matching rectangular example, 43 1/2 in. x 33 in.; two rectangular examples, 138 in. x 44 in. and 138 in. x 43 in.; and a Kente cloth strip, length 70 in.

W 25. A Group of Four

African Cotton Textiles, including three Kente cloth strips, Ghana, lengths 115 in., 36 in., and 63 3/4 in., and a printed scarf, Kenya, 63 in. x 41 in. $50/100 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 35.1994, SC 36.1994, EL 181.1983 and SC 55.1994); sold to benefit future acquisitions.

Ghana, each modeled as a standing male figure carrying an instrument, height 2 3/8 in.

W 26. An African Turquoise,

$50/100

Yellow and Black Striped Cotton Tunic, rectangular form with stylized embroidered white collar, length 41 1/4 in.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 233.2001 and 234.2001); sold to benefit future acquisitions.

$50/100

W 34. An Akuba Carved Wood Fertility Doll, Ghana,

Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 54.1994); sold to benefit future acquisitions.

$100/200

$200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 58.1999, 61.1999, 62.1999, 60.1999, and 57.1999); sold to benefit future acquisitions.

W 33. Two Asante Bronze Figural Gold Weights,

W 27. An African Carved Wood

Weaving Pulley, Ivory Coast, carved in the form of a horned antelope, height 6 1/4 in.

nude female figure carved with flat spherical face on crossform body, height 15 3/4 in. Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 44.1994); sold to benefit future acquisitions.

$350/450

35. Yacouba Bonde (Burkino Faso, b. 1963), “Bird”, polychrome painted carved wood Bwa mask with animal hair, height 50 in.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 71.60); sold to benefit future acquisitions.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 404.2008); sold to benefit future acquisitions.

W 28. An African Carved Wood

Weaving Pulley, Ivory Coast, carved in stylized human form, height 4 3/4 in. $350/450 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 71.62); sold to benefit future acquisitions.

$800/1200

Note: This mask and the one offered in the following lot are excellent examples of the masks that Bonde’s travelling group La Troupe des Masques de Boni use in the Bwa ritual dances they have performed throughout museums and cultural centers in the United States and Europe. Masks, such as these, are often collaboratively made by La Troupe des Masques, under the direction of Bonde - the master sculptor and maskmaker, who also oversees the masquerade traditions in the Bwa village of Boni as acting chief and artistic director. Bonde’s masks have been exhibited in and collected by museum’s worldwide, including the Musée du quai Branly, the University of Iowa Art Museum and the High Museum of Art.

36. Yacouba Bonde (Burkina Faso, b. 1963), “Warthog”, 2005, polychrome painted carved wood Bwa mask with animal hair, height 16 1/4 in. $400/600 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 561.2005); sold to benefit future acquisitions. W 37. A Bwa, Nuna or Winiama Carved

Wood Mask, Burkina Faso, carved as a stylized bull’s head with crescent form horns, rope attachments, height 18 3/4 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 71.65); sold to benefit future acquisitions. 38. A Mossi Bronze Female Figure, Burkina Faso, modeled as an expressive standing nude, height 22 in., mounted on clear acrylic plinth, overall height 24 in.

$800/1200 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 74.17); sold to benefit future acquisitions. 39. A Makonde Carved Wood Female Torso Mask, Mozambique, hollowed oval form carved as the trunk of a voluptuous pregnant woman, pierced sides, height 24 1/4 in., width 13 7/8 in.

W 44. An African Carved Wood

$400/600

Figure, squatting male nude carved with flattened bulbous head, exaggerated features and large belly, neck and waist encircled by rope, height 22 in.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 226.2003); sold to benefit future acquisitions. W 40. A Mende Polychrome Painted

$300/500

Carved Wood Mami Wata Spirit Figure, Sierra Leone, reclining female nude carved with entwined serpent, base pierced for mounting, height 10 3/4 in., width 24 in.

Provenance: Property of the High Museum of Art, Atlanta, GA (no. 225.2003); sold to benefit future acquisitions.

$400/600 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 540.2005); sold to benefit future acquisitions.

W 45. A Collection of Four

39 W 41. A Baga Carved Wood D’mba

Headdress, Guinea, carved as a nude female bust with exaggerated protruding head over tall neck and arched supports, height 21 1/8 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.62); sold to benefit future acquisitions. W 42. A Kuba Copper-Clad Carved Wood

Mask, Democratic Republic of the Congo, hollowed helmet form with fiber crown, embellished with glass beads and cowrie shells, height 13 1/2 in., width 16 in. $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.34); sold to benefit future acquisitions.

W 43. A Luba Hemba

Carved Wood Figure, Democratic Republic of Congo, standing male nude with copper and nailhead embellishments and rope, hide and fiber attachments, horn headpiece, overall height 33 1/2 in. $100/150 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.111); sold to benefit future acquisitions.

African Carved Wood Masks, the first of stained almond form with fiber surround, height 8 1/2 in.; the second of painted and stained oval form surmounted by the figure of a bird, height 21 1/2 in.; the third of painted circular form, height 11 1/2 in., width 10 1/2 in.; and the fourth, of copper embellished animal head form, height 13 1/4 in. $300/500 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 52.1999, 53.1999, 54.1999, and 55.1999); sold to benefit future acquisitions. W 46. An African Polychrome Painted

Carved Wood Mask, hollowed almond form with protruding features and large forehead boss, raffia trim, height 12 5/8 in. $50/100 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 42.1994); sold to benefit future acquisitions.

W denotes the lot is illustrated at www.nealauction.com

W 52. Four Burkina Faso Brass

Bracelets, including 2 of elliptical form, diameter 4 1/4 in., and two of spherical form, diameter 2 1/2 in. $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 253.2003, 252.2003, 238.2003, and 239.2003); sold to benefit future acquisitions. W 53. A Collection of African

Jewelry, including 2 Yorubian spherical shaped brass bracelets, diameter 2 3/8 in.; a pair of Tuareg silver loop earrings, diameter 1 1/4 in; 3 Tuareg “X” shaped tin and silver amulets, height 3 1/4 in. to 3 3/4 in.; and a necklace made of seeds and beads, length 28 in., (8 pcs.) $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 240.2003, 241.2003, 244.2003, and 56.1999); sold to benefit future acquisitions. W 54. An Ok Polychrome Painted

Carved Wood House Board, New Guinea, elongated oval form with overall figural and geometric designs, height 79 1/4 in. $400/600 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.36); sold to benefit future acquisitions.

W 47. An African Polychrome Painted

Carved Wood Mask, hollowed almond form carved with exaggerated protruding features, fiber surround embellished with cowrie shells and bells, overall height 15 1/2 in. $50/75 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 49.1994); sold to benefit future acquisitions. W 48. Two African Musical

Instruments, including an Ethiopian string and hide harp, height 14 1/2 in., width 10 1/4 in.; and a metal and wood finger harp, height 7 1/4 in., width 5 1/8 in. $25/50 Provenance: Property of the High Museum of Art, Atlanta, GA (no. SC 34.1994 and SC 46.1994); sold to benefit future acquisitions. W 49. Two African Gourd Pipes, gourd

bodies pierced and mounted with wood mouth pieces, height 18 in. and length 15 3/4 in., iron and wood display stands, overall height 21 in. and 11 1/2 in. $200/300 Provenance: Ex-Collection Joel Cooner, Dallas, TX.

W 50. A Collection of African Jewelry

and Currency, including an Ivory Coast archaeological brass bracelet, diameter 3 3/4 in.; a Bere brass bracelet, diameter 2 1/4 in.; a Senufo hinged ankle bracelet, diameter 2 5/8 in.; and a piece of Fali iron currency in the form of a horseshoe, diameter 6 in., (4 pcs.) $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 237.003, 246.2003, 255.2003, 249.2003); sold to benefit future acquisitions. W 51. A Collection of African

Jewelry, including 2 Nigerian horseshoe shaped copper alloy bracelets, diameter 2 in.; a Nigerian brass looped necklace threaded with braided leather, iron length 25 5/8 in.; and a Ghanaian crescent shaped leg rattle, diameter 4 3/4 in., (4 pcs.) $200/400 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 229.2003, 230.2003, 236.2003, and 242.2003); sold to benefit future acquisitions.

55. A Sepik Polychrome Painted Carved Wood Canoe Prow, New Guinea, hollowed triangular form terminating in a figurehead, surmounted by two heads conjoined by a crocodile, length 39 1/2 in. $1000/1500 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.114); sold to benefit future acquisitions. 56. A Sepik Polychrome Painted Carved Wood Guardian Figure, New Guinea, elongated oval visage carved with pendant trunk, trimmed in fiber and cowrie shells, surmounted by tall upright ears, raised on tall neck, over mounded base, height 51 1/2 in. $1000/1500 Provenance: Property of the High Museum of Art, Atlanta, GA (no. 75.115); sold to benefit future acquisitions.

58. A Monumental Polychrome Painted Carved Wood House Gable, New Britain, Papua New Guinea, triangular upper portion comprised of seven interlocking panels over single vertical panel base, carved with birds and scrolls, height 121 in., width 72 1/2 in.

W 61. A Fujian

$1000/2000

Carved Wood Masks, the first polychrome painted, height 12 in.; the second, stained, height 17 1/4 in.

59. A Group of Five Tolai Polychrome Painted Carved Wood Dance Masks, Gazelle Peninsula, New Britain, each of almond form with raffia and feather surround, surmounted by conical fiber headdress, overall height 17 in. to 19 in., metal wall hanging mounts. $1200/1800 Provenance: Ex-Collection Loed van Bussel, Amsterdam. 58

W 60. A Group of

57. A Monumental Malagan Polychrome Painted Carved Wood House Sculpture, New Ireland, Papua New Guinea, tall reticulated columnar form carved with a pig’s head base and four figures standing atop one another surmounted by the figure of a bird, height 169 in.

Five Tolai Polychrome Painted Carved Wood Dance Masks, Gazelle Peninsula, New Britain, each of almond form with raffia and feather surround, surmounted by conical fiber headdress, overall height 17 in. to 19 in., metal wall hanging mounts.

$2000/3000

$1200/1800

Provenance: With H.M. Lissauer, Melbourne, Australia; to Greg LaChapelle, Santa Fe, NM; to current owner.

Provenance: Ex-Collection Loed van Bussel, Amsterdam.

Carved Wood Feast Bowl, carved in stylized turtle-form with central conical bowl raised on four tapering feet, height 5 7/8 in., width 21 3/4 in., depth 16 1/2 in. $500/700 W 62. Two Indonesian

$75/125 Provenance: Property of the High Museum of Art, Atlanta, GA (no. EL 80.1986 and EL 81.1986); sold to benefit future acquisitions. 63. Two Indonesian Metal Inlaid Carved Hardwood Chests, each hinged lid opening to fitted interior, shaped base on wood wheels, carrying handles, height 21 7/8 in., width 35 3/4 in., depth 20 1/2 in. and height 18 1/4 in., width 26 7/8 in., depth 15 in. $300/500 Provenance: James Barker Arts, Santa Fe, NM.

W denotes the lot is illustrated at www.nealauction.com

64. Le Pho (Vietnamese/French, 1907-2001), “Woman with a Vase of Yellow Flowers”, oil on canvas, signed “Le Pho” lower right and signed again in Chinese lower right, inscribed on stretcher “Findlay Chicago”, 28 3/4 in. x 21 1/2 in., framed. $8000/12000

W 65. Indonesian School, 20th c., “Bali Life”, three

paintings, each ink and color on paper, sight 8 1/8 in. x 11 1/2 in. to 11 1/2 in. x 15 3/4 in., giltwood frames. (3 pcs.) $800/1200 W 66. Indonesian School, 20th c., “Bali Dreams”,

three paintings, each ink and color on paper, one inscribed “MD. Djata. / Botuan” lower left, sight 10 7/8 in. x 7 3/4 in. to 15 3/4 in. x 10 1/2 in., giltwood frames. (3 pcs.) $800/1200 W 67. A Group of Four Annamese Blue and

White Stoneware Circular Boxes, probably 16th c., each with a finialed cover, three raised on splayed feet, two with brown glazed highlights, heights 3 1/8 in. to 4 5/8 in.

$300/500 W 68. Three Annamese Blue and

White Stoneware Circular Boxes, probably 16th c., two of flattened globular form with slightly finialed domed covers, the third of octagonal form with conforming cover, height 1 3/4 in. to 2 in. $200/400 W 69. Three Chinese Molded

Blue and White Porcelain Circular Boxes, probably Ming Dynasty (1368-1644), two of ‘lotus’ form, one with finialed cover and trace green and iron red decoration, the third with reeded sides, height 2 1/8 in. to 2 3/4 in. $200/400 W 70. Two Chinese Blue and White

Porcelain Boxes, probably Ming Dynasty (1368-1644), the first of square form, height 1 3/8 in., width 2 1/8 in., depth 2 1/8 in.; the second of domed circular form, height 1 5/8 in.; together with four circular boxes, each with breaks and glue repairs, (7 pcs.) $50/100 W 71. A Pair of Chinese Tilework

Pottery Figures, probably Qing Dynasty (1644-1911), modeled as confronting Buddhist lions wearing saddle blankets and neck guards, height 8 7/8 in., width 9 1/2 in. $400/600

73 73. A Chinese Blue and White “Kraak” Porcelain Foliate Rim Dish, probably Wanli Period (1573-1620), shallow bowl-form body decorated with a central cricket, rock and floral cartouche, banded around the cavetto and barbed rim with fruit, flower, and antique reserves, height 1 3/4 in., diameter 11 1/4 in. $500/700 74. A Pair of Chinese Motherof-Pearl Inlaid Horseshoe Back Armchairs, probably 20th c., curved crestrails above carved scrolled splats, solid panel seats, shaped aprons, flange brackets, box stretchers. $2000/4000

W 72. A Chinese Blue and White

Porcelain Jar, probably Ming Dynasty (13681644), globular body decorated with a waterscape scene with boats and dwellings, base with teapot mark, height 4 7/8 in. $200/400

Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, Fl.

75. A Chinese Red Silk Kesi Panel, probably Qing Dynasty (1644-1911), worked in slit-weave technique and couched metallic threads with the figure of Shoulao standing beside a spotted deer and a small child, 58 1/2 in. x 31 1/8 in., silk brocade border and backing, overall 80 1/4 in. x 38 in. $4000/6000

W denotes the lot is illustrated at www.nealauction.com

79. A Chinese Famille Rose Porcelain Inset Hardwood Table Screen, probably late 19th c., rectangular tile painted with figures crossing a bridge in a mountainous waterscape, bearing cyclical date of 1891, sight 17 1/4 in. x 9 3/4 in., framed and set in a hardwood stand as a table screen, overall height 24 1/2 in., width 13 1/8 in., depth 6 3/8 in. $800/1200 Provenance: By descent in the family of YMCA Secretary Whitfield Walton Brockman (Shanghai, 1916-1935); acquired Atlantic Beach, FL estate sale.

80. A Chinese Pale Celadon Jade Brushwasher, probably 19th c., carved in the form of a ruyi head surrounded by rockwork, lingzhi and cavorting monkeys, height 2 1/8 in., width 6 in., depth 3 3/8 in.

$800/1200 W 81. A Chinese

Celadon Jade Vase and Cover, flattened baluster body carved with loose ring lion’s head handles, conforming cover with button finial, height 5 7/8 in.

76. A Chinese Gilt Bronze Figure of Buddha, probably 19th c., modeled seated in dhyanasana on a double lotus base with hands held in dhyana mudra, height 11 7/8 in. $2500/3500 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. W 77. A Chinese Polychrome Decorated Molded Inkstick, probably 20th c.,

modeled as two joined scrolls, the face with raised calligraphy and seals, the reverse with archaic characters, height 1 in., width 8 5/8 in., depth 3 1/4 in. $150/250 W 78. A Chinese Bamboo and Hardwood Brush Pot, probably 19th c., cylindrical

body carved with a scene of scholars and attendants in a forest, inscribed, mounted to separately carved hardwood rim, base and feet, height 7 in., diameter 5 3/4 in. $200/400 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

$800/1200 82. A Chinese Scholar’s Rock, yellow ochre stone formed as conjoined geometric blocks, height 5 1/2 in., inscribed wood stand, overall height 7 in. $1000/1500 W 83. A Chinese Yellow Glass Bowl,

probably early 20th c., bell-form body carved around the sides with flowering prunus and peony branches, height 2 1/4 in., diameter 4 1/4 in. $150/250

W 84. Two Chinese Yellow

Glass Figures of Lions, slightly translucent glass carved as a Buddhist lion and a winged lion, height 1 1/2 in. to 2 1/8 in., fitted wood stands, overall height 3 3/8 in., storage box. $700/900 85. A Chinese Bronze Censer, probably Qing Dynasty (1644-1911), bombé body with everted rim on splayed foot ring, stylized lion head handles, base with Xuande mark, height 3 1/4 in., diameter 6 1/4 in.

$800/1200 86. A Chinese “Blancde-Chine” Porcelain Figure of Confucius, probably 20th c., bearded figure modeled wearing scholar’s robes and cap standing with clasped hands held before his chest, reverse with impressed seal mark, height 12 3/4 in.

$200/400 87. Chinese School, “Tethered Falcon”, ink and color on paper, inscribed and sealed upper to middle right, 36 1/2 in. x 19 7/8 in., mounted as a hanging scroll. $2000/3000 88. A Chinese Bamboo Figure of a Luohan, probably Qing Dynasty (1644-1911), carved seated beside a lion-dog wearing loose robes and holding a fly whisk, height 7 7/8 in.

W 89. A Chinese Export Silver

$400/600

Presentation Stem Cup, probably mid-19th c., impressed maker’s mark of Wo Shing (1830-1875), tapering cylindrical body with bamboo form loop handles on a spindled stem and round base, relief-decorated with birds-and-branches on a punch-work ground, inscribed, height 7 3/4 in. $300/500 Provenance: By descent in the family of YMCA secretary Whitfield Walton Brockman (Shanghai, 1916-1935); acquired Atlantic Beach, FL estate sale. W denotes the lot is illustrated at www.nealauction.com

91. A Chinese Hardwood Folding Mirror Stand, probably 20th c., arched crest rail with scroll terminals over square lattice frame supported on adjustable base, open height 18 1/2 in., width 14 7/8 in., depth 16 in. $200/400 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. 92. Three Chinese Blue and White Porcelain Covered Jars, probably Qing Dynasty (1644-1911), ovoid bodies decorated with alternating antique and flower panels, bases with double circle marks, height 10 1/2 in., hardwood stands, overall height 11 1/2 in. $3000/5000 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA. 93. A Near Pair of Chinese Blue and White Porcelain Ovoid Jars, probably Qing Dynasty (1644-1911), decorated with floral sprays between wide bands of floral lappets, pierced wood covers, height 9 1/2 in. and 10 in.

$1500/2500 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA. W 94. A Near Pair of Chinese

Blue and White Porcelain Rose Water Sprinklers, probably Qing Dynasty (1644-1911), bottle form bodies decorated with lotus blossoms amid trailing foliage, height 6 1/2 in. and 6 3/4 in. $800/1200 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA. 92

W 90. A Chinese Bronze Figure of a Buddhist Monk,

probably late 19th c., modeled wearing loose robes standing on a double lotus base, height 8 7/8 in. $500/700

95. A Chinese Famille Verte Porcelain Bowl, probably 18th c., interior decorated with a central floral spray, exterior with lappet panels against a gilt decorated blue ground, base with artemisia leaf mark, base with partial Polly Latham label, height 5 1/2 in., diameter 11 3/4 in. $1200/1800 Provenance: Acquired Polly Latham Asian Art, Boston.

W 96. A Chinese Blue and White

Porcelain Covered Jar, probably 19th c., bulbous body decorated with figural panels, conforming cover with finial, base with Chenghua mark, height 9 3/4 in. Note: Restoration. $300/500 W 97. A Chinese Famille Verte

Porcelain Rouleau Vase, probably Qing Dynasty (1644-1911), enameled with a scene of Nezha battling the East Sea Dragon, base with double circle mark, height 18 in. $800/1200 98. A Chinese Blue and White, Copper Red and Celadon Glazed Porcelain YenYen Vase, probably 20th c., upper and lower sections decorated with idyllic waterscapes, the raised middle section with dragons, base with double circle mark, height 15 7/8 in.

$800/1200 99. A Fine Chinese Boxwood Figural Group, probably Qing Dynasty (16441911), carved as the figure of Guanyin seated beside a crane, height 4 3/4 in., shadow box frame, overall height 9 3/8 in., width 6 3/4 in. $1000/1500 100. A Chinese Hardwood Table, probably Qing Dynasty (1644-1911), rectangular top with everted ends above carved apron and spandrels on openwork trestle panels, block feet, height 33 3/4 in., width 71 in., depth 15 7/8 in. $3000/5000 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. 100 101. A Chinese Hardwood Table, probably 20th c., rectangular floating panel top above shaped apron, spandrels and turned stretchered legs, height 31 1/2 in., width 66 7/8 in., depth 19 3/4 in. $1000/1500 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

101 W denotes the lot is illustrated at www.nealauction.com

102

102. A Fine Chinese Gilt-Decorated Jadeite Inset Black Lacquer Four-Panel Screen, probably early 20th c., each gilt-decorated black lacquer panel inset with four mottled green and white jadeite plaques, painted with scenes of ladies at leisurely pursuits on the front and with birds and animals on the reverse, height 65 3/4Â in., width 63 1/2Â in. $5000/7000 Provenance: With Earle E. Kuhns, Iowa Falls, IA; thence to current owner.

103. A Chinese Jadeite Bangle Bracelet, semitranslucent green stone with a large lavender patch, diameter 2 7/8 in. $800/1200 W 104. A

Chinese Jadeite Bangle Bracelet, semitranslucent green, white and pale lavender stone, diameter 3 1/4 in.

103 108

$500/700 W 105. A

Chinese Jadeite Bangle Bracelet, semitranslucent white stone with pale green patches, diameter 2 3/4 in. $300/500 W 106. A

Monumental Chinese Rose Quartz Figure of Guanyin, carved seated in royal ease holding a ruyi scepter across the lap, height 25 in., wood stand, overall height 26 1/2 in.

109

$2500/3500

W 110. A Chinese Famille Rose Porcelain Rouleau

111 W 107. A Pair of

Chinese JadeMounted Enameled Brass Cups, probably early 20th c., U-form bodies with petal-furled rims and jade loop handles, enameled with floral sprays on the exterior, height 1 1/2 in., width 3 3/4 in. $300/500

Vase, probably 20th c., decorated with Immortals and attendants, base with Qianlong mark, height 19 1/4 in. $400/600

108. Chinese School, “Pink Roses in a Blue Vase”, oil on board, bearing signature “Tchun” for Chen Baoyi upper left, 9 1/2 in. x 11 3/8 in., framed. $500/700 109. A Pair of Chinese Famille Rose Porcelain Bottle Vases, probably 20th c., each globular body and thin tubular neck decorated in mirror image with two scholars beneath a twisted locust tree, bases marked, height 10 3/4 in. $400/600

111. A Chinese Famille Rose Porcelain Inset Hardwood Table Screen, probably Republican Period (1911-1949), rectangular tile painted with the figure of a scholar standing at desk beside an attendant chasing a mouse, bearing seal of Wang Dafan, sight 14 1/8 in. x 9 1/2 in., framed and set into a hardwood stand as a table screen, overall height 21 3/8 in., width 13 in., depth 8 7/8 in. $1500/2500 W 112. A Chinese Carved Wood Scroll Box, probably

20th c., slightly domed rectangular body and cover carved with a dragon, flowers and musical instruments, interior lid with Christie’s, February 2006 label, height 3 1/8 in., width 29 1/2 in. $300/500 W denotes the lot is illustrated at www.nealauction.com

114

W 113. A Chinese Tiered Wood Lunch Box, probably

20th c., three rectangular compartments with fitted cover and strap handle with locking bar, height 10 1/4 in., width 14 7/8 in., depth 8 5/8 in. $200/400 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. 114. A Chinese Blue Gauze Summer Dragon Robe, Ji Fu, probably Qing Dynasty (1644-1911), worked in counted stitch and couched gold threads with nine five-clawed dragons in pursuit of the flaming pearl amid clouds and auspicious emblems above a lishui stripe and terrestrial diagram at the hem, matching collar and horsehoof cuffs, black sleeve extensions, length 49 1/2 in., width 77 1/8 in. $8000/12000 115. An Antique Chinese Hardwood Stool, probably Huanghuali, waisted square top with inset floating panel, cabriole legs, blocked feet, height 20 in., width 19 in., depth 19 in. $2500/3500

115

116. A Chinese Hardwood Towel Rack and Wash Basin Stand, probably Qing Dynasty (1644-1911), towel rack with turned crest rail terminating in openwork dragon heads flanked by scrollwork spandrels above reticulated panel connecting to the basin stand on turned supports with an upper and lower wheel-shaped stretcher terminating in four basin supports, height 67 in., width 25 in., depth 18 in. $800/1200

119

Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

120. A Chinese Famille Rose Porcelain Plaque, probably 20th c., rectangular tile enameled with the figure of a court lady in a walled garden with a view of an interior room, bearing seal of Qui Kunru, height 15 3/8 in., width 9 3/4 in.

W 117. A Pair of

Chinese Famille Rose Porcelain Olive-Form Vases, probably 20th c., decorated with red crested cranes amid flowering plants and pine, bases with Qianlong marks, height 12 in.

$800/1200 W 121. A Large Chinese Famille Rose Porcelain

Bottle Vase, probably Republican Period (1911-1949), pear form body with ruyi handles enameled with nine scholars in a garden, base with Qianlong mark, height 19 3/4 in. $800/1200

$400/600

W 122. A Collection of Five Chinese Celadon

W 118. A Chinese

Blue and White Porcelain Rouleau Vase, probably 20th c., decorated with a continuous “Lotus Pond” scene with carp and perch, base with Qianlong mark, height 18 1/2 in.

116

$300/500 W 123. Two Chinese Pale Celadon Jade Plaques,

$300/500

one of openwork square form carved with the He He Erxian twins, the other of ruyi form carved with three sages, height 2 3/8 in. and 2 1/4 in., width 2 1/2 in. and 3 1/8 in.

119. A Pair of Chinese Famille Rose Porcelain Vases, probably 20th c., ovoid bodies with compressed globular mouths decorated in mirror image with figures of Shoulao standing beneath pines being served by ladies, each bearing signature of Wang Dafan, height 12 7/8 in. $1000/1500

and White Jade Plaques, two of rectangular form with pierced cash centers, height 1 1/2 in., width 1 3/8 in.; two of pierced butterfly form, height 1 7/8 in., width 2 5/8 in., and height 1 3/8 in., width 2 1/4 in.; and one of rectangular double butterfly form, height 2 1/4 in., width 1 3/4 in.

$500/700 W 124. A Collection of Four Chinese Pale

Celadon Jade Garment Appliqués, two carved as a triple tailed phoenix bird amid foliage, height 1 1/4 in., width 2 3/4 in.; the third of rectangular form carved with birds in foliage, height 2 in., width 1 1/2 in.; and the fourth of oval form carved with three sages, height 2 in., width 2 1/4 in. $200/300

120 W denotes the lot is illustrated at www.nealauction.com

128

128. A Fine Chinese Carved Stone Inkstone and Case, probably Qing Dynasty (16441911), probably Songhua, green oval inkstone inscribed on the reverse above a Yongzheng mark, green and brown fitted case elaborately carved on the cover with stylized archaistic dragons, case height 1 in., width 4 1/4 in., depth 3 1/4 in. $2000/3000

127

129. A Fine Chinese Yellow Jade Vase Group, probably 18th c., carved as a flattened baluster vase with scroll handles, a bat in clouds and a hydra dragon, domed lid with a lion finial, on a lingzhi and cloud base beside a small open pot, Spink & Son label, height 5 in., wood stand, overall height 6 1/8 in. $3000/5000 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA.

129 130 W 126. A Chinese Mother-of-Pearl Embellished W 125. A Chinese Polychrome Painted

Incised Black Lacquer Storage Box, probably early 20th c., tiered drum form body with strap handle, decorated with auspicious emblems and floral sprays, height 8 1/4 in., width 8 1/4 in. $300/500

Hardwood Tray, probably 19th/20th c., rectangular form with indented and galleried sides, embellished with a central “endless knot” surrounded by eight bats grasping flowers and fruit, height 1 in., width 12 5/8 in., depth 9 3/4 in. $1000/1500 127. A Chinese Gilt Bronze Mounted Cloisonné Enamel Tripod Censer, probably Republican Period (1911-1949), bulbous body on splayed foot ring raised on three figural feet and tied around the neck with a gilt bronze “ribbon”, figural handles, domed finialed cover embellished with gilt bronze butterflies, base with De Xing Cheng mark, height 7 1/2 in. $1200/1800

130. A Pair of Chinese Lapis and Agate Gem Inset Bronze Elephants, probably Qing Dynasty (1644-1911), each caparisoned beast standing on a galleried double lotus base and bearing a vase on its back with removable Buddhist mandorla, bases with Qianlong marks, height 17 in., width 5 3/4 in., depth 4 in. $2000/3000

131. A Chinese Scholar’s Rock, light brown stone naturalistically formed as a perched bird of prey, height 7 3/4 in., wood stand, overall height 9 3/4 in. $400/600 132. A Good Chinese Beige and Russet Jade Vase and Cover, probably 18th/19th c., flattened pear form with scroll handles, relief carved with taotie masks, fitted cover, height 6 1/4 in., wood stand, overall height 7 1/2 in. $2000/4000 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA. W 133. A Chinese Sandalwood Veneer Box,

probably early 20th c., rectangular cover carved with the figure of a female Immortal standing on a lotus, bearing signature of Wang Dong, height 2 5/8 in., width 9 1/8 in., depth 4 3/8 in. $200/400 Provenance: By descent in the family of YMCA secretary Whitfield Walton Brockman (Shanghai, 1916-1935); acquired Atlantic Beach, FL estate sale.

131

132

135

W 134. A Set of Six Chinese Gray Silk Kesi Panels, probably late 19th c., each

worked in slit-weave technique and gold thread highlights with three panels of three figures, height 11 1/2 in., width 8 1/4 in.; and three floral panels, height 3 3/8 in., width 8 3/8 in.

136

$800/1200 Provenance: By descent in the family of YMCA secretary Whitfield Walton Brockman, (Shanghai, 19161935); acquired Atlantic Beach, FL estate sale. 135. A Pair of Chinese Hardwood Horseshoe Back Armchairs, probably Qing Dynasty (1644-1911), curving crestrails above carved scroll splats, hard cane seats, shaped aprons and flange brackets, box stretchers.

136. A Chinese Famille Rose Porcelain Hu Vase, probably 19th c., pear-form body with deer head handles decorated with cranes amid pine and rockwork, height 17 3/8 in. $1500/2500

$2500/3500 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. W denotes the lot is illustrated at www.nealauction.com

144. A Sino-Tibetan Gilt Bronze Figure of Buddha, probably 19th c., modeled seated in dhyanasana on a double lotus base with hands held in bhumisparsha and avakasha mudra, height 8 1/8 in. $500/700 Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

143

W 145. A Chinese Bronze Figure

of a Bodhisattva, probably 20th c., modeled seated on a draped hexagonal pedestal raised on an hexagonal plinth, height 11 1/2 in.

138

$200/400

W 137. A Chinese Hardwood Seal

W 146. A Chinese Wood Figure

Chest, probably 20th c., molded top above two doors concealing five drawers, patinated brass fittings, height 17 in., width 16 1/2 in., depth 12 in.

of Guandi, probably Qing Dynasty (1644-1911), carved seated on a tall rockwork base wearing full military regalia, height 19 3/4 in.

$400/600

Provenance: Estate of restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

W 147. A Chinese Brown Silk

138. A Chinese Cream Glazed Porcelain Brush Pot, probably 19th/20th c., cylindrical body molded with dragons, waves and fish between cloud bands at the rim and foot, base with Wang Bing Rong seal, height 6 1/4 in., diameter 4 3/4 in.

144

$800/1200 W 139. A Chinese Powder Blue

Porcelain Brush Pot, probably 20th c., cylindrical body molded with stylized dragons between ruyi and petal lappet bands, base with Qianlong mark, height 6 1/8 in., diameter 7 1/4 in.

W 141. A Chinese White Slip Decorated

Pale Blue Glazed Porcelain Vase, probably 20th c., ovoid body and cylindrical neck decorated with chrysanthemums and butterflies, height 17 in. $700/900

$500/700 W 142. A Pair of Large Chinese Famille W 140. Chinese School, “Taming the

Water Buffalo”, ink and color on silk, inscribed and sealed middle right, bearing Daoquang seal mark, 7 in. x 9 1/4 in., framed. $400/600 Provenance: By descent in the family of YMCA secretary Whitfield Walton Brockman (Shanghai, 1916-1935); acquired Atlantic Beach, FL estate sale.

Rose Porcelain Rouleau Vases, probably Qing Dynasty (1644-1911), each enameled with a scene of the Eighteen Luohan beneath a dragon in clouds, bases with Qianlong marks, height 18 1/2 in.

$1200/1800 W 148. A Chinese Embroidered

Brown Silk “Long-Life” Panel, probably Qing Dynasty (1644-1911), worked in satin stitch and couched metallic threads with a central roundel enclosing a spotted deer in a landscape with peaches, bats, butterflies, and auspicious emblems, sight 16 in. x 39 1/2 in., framed. $400/600

$1000/1500 W 149. A Chinese Scholar’s

143. A Chinese Famille Rose Relief-Molded Yellow Ground Porcelain Bowl, probably Qing Dynasty (1644-1911), shallow bell-form body molded with stylized lotus and foliage, base with Daoquang mark, height 3 5/8 in., diameter 8 7/8 in. $800/1200

Kesi Panel, probably Qing Dynasty (1644-1911), each half worked in mirror image of the other in slitweave technique with a five-clawed dragon amid clouds, bats, and bajixian above further dragons, a terrestrial diagram, and a wide lishui band, black silk border, cotton backing, height 85 1/2 in., width 27 3/4 in.

Rock, gray stone naturalistically formed as an angular succession of plates, height 7 in., wood stand, overall height 8 5/8 in. $400/600

150. A Pair of Chinese “Dreamstone” Inset Hardwood Table Screens, probably Qing Dynasty (16441911), rectangular mottled stone panels, sight 23 1/4 in. x 15 1/4 in., framed and set in motherof-pearl inlaid wood stands as table screens, overall height 34 1/4 in., width 21 1/2 in., depth 6 1/4 in. 150

$1000/1500

154

151. A Pair of Chinese Hardwood Stools, each with floating panel top, waisted frieze, curved square legs, shaped feet, height 16 in., width 18 in., depth 18 in. $800/1200 151 W 152. Chinese

School, “Kitten with Lilies and Loquat” and “Herding Girl with Three Mules”, two paintings, each ink and color on paper, each inscribed upper right, 39 1/2 in. x 13 1/4 in. and 25 1/2 in. x 18 1/4 in., respectively, mounted as hanging scrolls.

156

$200/400 W 157. A Set of Six Chinese

Blue and White Porcelain Wine Cups, probably Qing Dynasty (16441911), height 1 1/2 in., diameter 2 3/4 in., presented in a fitted box; accompanied by a Certificate of Authenticity dated 1977.

W 153. A Chinese Yellow Glazed

Porcelain Bowl and Dish, probably 20th c., stepped bell-form bowl and saucer form dish with mustard yellow glaze overall, bowl height 2 1/2 in., diameter 7 1/4 in., dish diameter 8 1/8 in.

155

$100/200

$250/350 154. A Chinese Famille Jaune Biscuit Glazed Garlic Head Bottle Vase, probably late 19th/early 20th c., globular body decorated with dragons in pursuit of the flaming pearl beneath floral sprays and leaf tips at the neck, height 17 1/4 in. $800/1200 Provenance: Estate of James Fenimore Cooper IV.

155. A Chinese Polychrome Porcelain Covered Bowl, probably Qing Dynasty (16441911), decorated with floral panels and swags in thick overglaze enamels, height 5 in., diameter 8 1/8 in. $800/1200

W 158. A Chinese Ming-Style

Blue and White Porcelain Baluster Vase, probably 20th c., decorated with dragons amid lotus and scrolling foliage, height 12 3/8 in. $150/250

156. A Chinese “Tea-Dust” Glazed Porcelain Bottle Vase, probably 20th c., overall yellow infused green glaze, base with impressed Qianlong mark, height 14 in. $300/500 W denotes the lot is illustrated at www.nealauction.com

159. A Pair of Chinese Molded Polychrome Porcelain Covered Baluster Jars, probably 20th c., molded with mythical beasts on a flowerhead ground, height 17 1/4 in. $1000/1500 W 160. A Chinese Blue and

White Porcelain Bowl, probably 20th c., compressed globular body with flat rim and short straight foot, decorated with a continuous scene of Immortals and attendants, base with double circle mark, height 7 in., diameter 13 3/4 in. $200/400 159 W 161. A Chinese Blue and

White Porcelain Bottle Vase, probably 20th c., decorated with dragons amid peonies, base with Kangxi mark, height 16 in. 165

$100/200 W 162. Chinese

School, “Five Donkeys”, ink on paper, inscribed and sealed upper left, 34 1/4 in. x 18 3/4 in., mounted as a hanging scroll. $200/300 163. A Pair of Gilt Bronze-Mounted Chinese Famille Rose Porcelain Jars, probably 20th c., barrel form bodies decorated with figural panels on a dense floral ground, bronze handles, covers and bases, height 24 in.

163

$2500/3500 166 164. A Pair of Chinese Gilt BronzeMounted Blue and White Porcelain Vases, probably 20th c., ovoid bodies and flared necks decorated with “Hundred Antiques” design, height 17 1/2 in. $1000/1500 165. A Chinese Gilt Decorated “Mirror Black” Porcelain Baluster Vase, probably 19th c., decorated with a phoenix amid flowers, now mounted as a lamp, overall height 34 in. $700/1000

164

166. A Chinese Famille Rose Porcelain Hu Vase, probably 20th c., pear form body with elephant head handles, decorated with figural reserves on a mille fleurs ground, base with Qianlong mark, height 20 1/4 in. $800/1200

167. A Chinese Scholar’s Rock, chocolate brown stone naturalistically formed as a weathered mountainscape, height 9 in., wood stand, overall height 11 1/4 in. $500/800 W 168. Three Chinese Pale Celadon Jade

Plaques, the first of rectangular form carved with a dragon to the front, height 3 1/8 in., width 2 1/4 in.; the second of butterfly form, height 3 in., width 2 in.; and the third of circular form carved with a central shou character, diameter 2 1/4 in. $400/600 W 169. A Set of Four Chinese Hardstone

Embellished Black Lacquer Panels, each panel embellished with seasonal flowers and antiques, each height 39 1/4 in., width 11 1/8 in. $600/800 W 170. A Chinese Embroidered Red Silk

Theatre Robe, probably 20th c., worked in satin stitch and couched silver threads with dragons amid clouds and flowers, length 56 in.

167

176

$600/800 171. A Chinese Embroidered Red and Black Silk Altar Frontal, probably 20th c., worked in satin stitch and couched gold threads with three phoenix birds amid clouds, black silk border with applied symbols and characters, 21 1/4 in. x 34 in. $75/150 Provenance: Estate of Earle W. Newton II, Ponte Vedra, FL. W 172. A Chinese Hardwood Low Coffer,

probably 20th c., rectangular floating panel top with upturned ends above two drawers framed by square legs with shaped spandrels and apron, height 24 in., width 56 in., depth 23 in. $600/800 W 173. Chinese School, “Deer in a Forest”, a

pair of paintings, each ink and color on silk, inscribed and sealed lower left and inscribed and sealed lower right respectively, each 14 1/4 in. x 16 1/4 in., brocade mounted and framed alike.

171

$400/600 W 174. Chinese School, “Horses and Herdsman

in Landscape”, four paintings, each ink and color on paper, inscribed upper left and upper right, two with seals lower left, one sealed lower right, each 37 in. x 11 1/2 in., mounted as hanging scrolls. $400/600

W 175. A Near Pair of Chinese

Blue and White Porcelain Baluster Vases, probably 20th c., decorated with alternating figural and bird-and-flower panels beneath butterfly-and-flower panels on a blue ground strewn with prunus heads, height 19 3/8 in. and 19 5/8 in.

176. A Chinese Blue and White Porcelain Vase, probably 20th c., ovoid body with lion’s head handles, decorated with Immortals and attendants in a garden, base with Kangxi mark, height 15 3/4 in. $300/500

$400/600

W denotes the lot is illustrated at www.nealauction.com

W 182. A Chinese Malachite Figure of Budai, probably

20th c., seated happy figure carved wearing open robes exposing a corpulent belly, height 3 1/2 in., wood stand, overall height 4 1/4 in. $200/300 W 183. A Chinese Polychrome Porcelain Figural

Group, 20th c., modeled as two seated male figures holding an open box with a bat, height 9 3/4 in. $100/200 W 184. A Monumental Chinese Cloisonné Enamel

Charger, probably 20th c., enameled with Chang-e, the Goddess of the Moon, in clouds with rabbits, bordered by butterflies and ruyi heads, height 3 in., diameter 25 1/4 in. $1500/2000 180 179

185. A Korean Blue and White Porcelain Water Dropper, probably late Joseon Dynasty (1392-1896), octagonal body with scroll spout raised on eight incurvate feet, freely decorated to the top side with a cymbidium orchid and foliage, height 1 1/2 in., width 2 3/4 in.

W 177. A Pair of Chinese

Famille Rose Porcelain Vases, probably 20th c., squared baluster bodies with lion’s head handles decorated with alternating figural and calligraphic panels, bases with Daoguang marks, height 13 7/8 in.

$800/1200 W 186. A Southeast Asian Amazonite Figure of a

Buddhist Lion, carved seated on its haunches with its head lifted in the air, height 3 3/4 in., length 5 1/8 in., storage box. Note: Restoration to proper left hind paw.

$300/500

$150/250 Provenance: By repute, with Academy Award winning Hollywood actor and wildlife conservationist William Franklin Holden (1918-1981); thence to current owner.

185

W 178. A Set of Four

Chinese Famille Rose Porcelain Plaques, probably 20th c., circular tiles enameled with birds on branches beside calligraphic inscriptions, each bearing seal of Cheng Yiting, diameter 6 1/4 in.

187. Thai School, “Figures before a Temple” and “Figures on a Porch”, two paintings, each ink and color on cloth, one with gilt highlights, sight 24 3/4 in. x 21 1/8 in., matted and framed alike.

$1000/1500 179. A Large Chinese Blue and White Porcelain Sleeve Vase, probably 20th c., decorated with an official procession through a mountainous landscape, base with Kangxi mark, height 15 7/8 in.

$1200/1800 W 188. A

187

$700/900 W 181. A Chinese Yellow Glass

180. A Chinese Blue and White Porcelain Covered Baluster Jar, probably 20th c., decorated with ladies and children in a garden setting, base with double circle mark, height 11 in. $700/900

Vase, ovoid body with waisted flared neck carved around the sides with a bird in flight above lotus blossoms and leaves, height 10 in.

Japanese Polychrome Decorated White Glazed Figure of a Dog, Meiji Period (1868-1912), modeled as a crouching Pekingese with brocade collar and ball, height 5 in., width 6 1/2 in. Note: Old staple repair to tail. $200/300

$100/150 W 189. Japanese School, “Chickens”, ink and color on silk,

inscribed and sealed lower left, 42 3/4 in. x 16 1/4 in., mounted as a hanging scroll. $300/500

190. A Japanese Bronze and Mixed Metal Bottle Vase, Meiji Period (1868-1912), hexagonal body relief decorated with birds and butterflies amid flowers and grasses, height 7 7/8 in. $500/700 191. A Japanese Bronze and Mixed Metal Vase, Meiji Period (1868-1912), ovoid body with waisted neck and foot, relief decorated with cranes wading in a lotus pond, height 5 3/4 in. $500/700 W 192. A Large Japanese Blue and White

Porcelain Vase, probably 20th c., ovoid body with molded ringed neck and furled foliate rim, decorated with cranes amid bamboo and flowering cherry panels on a dense flowering peony ground, height 36 7/8 in., wood stand, overall height 49 in. $1500/2500 193. An Assembled Set of Six Southeast Asian Mother-of-Pearl Inlaid Hardwood Chairs, comprising two armchairs and four sides, each with shaped crest rail, reticulated splat.

190

191

$1500/2500 194. A Monumental Japanese Imari Porcelain Charger, 20th c., enameled with a central fan surrounded by cranes, pine, brocade hexagons, and floral and textile panels, height 3 3/8 in., diameter 24 1/8 in. $1000/1500 195. A Pair of Japanese Imari Porcelain Covered Jars, probably Meiji Period (18681912), compressed globular bodies with flat knobbed covers, decorated with floral and avian panels, height 17 in. $1200/1800 193

W 196. A Collection of Six Japanese

Cloisonné Pieces, 20th c., including a pair of covered baluster jars, height 9 1/4 in., wood stands, overall height 10 1/2 in.; a bowl with flared rim, height 4 1/8 in., diameter 8 3/4 in., wood stand, overall height 5 3/8 in.; and three miniature vases, height 4 3/4 in. and 5 3/4 in. $300/500

195 194 W denotes the lot is illustrated at www.nealauction.com

197. A Pre-Columbian Jade Plaque, mottled green stone carved in rounded rectangular form with a full length portrait of an elaborately attired standing figure, pierced twice at the top, height 7 3/8Â in., width 2 5/8Â in. $30000/50000 Provenance: With Julio Castro Vargas, San Jose, Costa Rica; to Richard Sirkin, MD, Williamsville, NY, 1992 (accompanied by a copy of a letter stating provenance); to David Walley, Pontontoc, MS, 2004 (accompanied by a letter stating provenance); to current owner.

197

197 (detail back)

200 198

199 201 198. Riccardo Tommasi Ferroni (Italian, 1934-2000), “Studio per Un Gioco Tornatto”, 1974, oil on canvas, signed and dated lower right, signed, dated and titled en verso, 27 1/2 in. x 39 1/2 in., framed. $2500/5000 Note: Ferroni was a leading post-modern Italian figure painter throughout the latter part of the twentieth-century. Ferroni’s paintings combine classical themes and subjects from the Renaissance in surreal discontinuous spaces that stylistically resemble the works of DeChirico, Dali and DuChamp. In contrast to their works, Ferroni’s paintings are politically charged. Ferroni’s surreal compositions were pivotal to the resurgence of figurative painting in the early 1980s. Abstract existential art, void of figural or classical narratives, dominated the Italian art scene following World War II. Ferroni’s works were inspirational to the following generation of artists looking to reintegrate the past within a modern dialogue. Ferroni’s paintings have been exhibited and collected throughout museums and institutions in Europe and in the U.S. cities New York, Newport and Los Angeles. He was elected a member of the prestigious Accademia Romana di San Luca in 1982, and is recognized in prominent art history textbooks on Italian art such as Antonio Del Guercio’s Storia dell’Arte Presente (1998). References: Angelo Calabrese, “Riccardo Tommasi Ferroni: Una Costante Altezza di Tono L’Arte Come Circuito Aperto”, Arte & Arte Online, 24 February 2006, Web. 27 March 2014; R.T. Ferroni, Le Regine di Riccardo Tommasi Ferroni (Parma: Galleria Borgobello, 1982).

199. Antonio Rodriguez Luna (Spanish/Mexican, 1910-1985), “Las Palomas”, 1967, oil on canvas, signed and dated lower right, signed, titled and dated en verso, partial “Galerias Carlota S.A.” label en verso, 24 in. x 32 in., framed. $1500/2500 200. A Regency Gilt Bronze-Mounted Rosewood Cabinet, early 19th c., grey marble top, mounted frieze, grillwork doors, shelf interior, columnar supports, incurvate plinth base, height 35 1/2 in., width 40 1/2 in., depth 16 1/2 in. $800/1200 201. A Regency Carved Mahogany Armchair, early 19th c., after a design by George Smith, scrolled paneled crest rail with acanthus, scrolls and palmettes, padded barrel back, downswept reeded stiles, reeded arms over shaped supports with volutes, saber legs, casters. $1500/2000 W denotes the lot is illustrated at www.nealauction.com

204. A Napoleon III Gilt Bronze Figural Vide-Poche, c. 1870, signed Dumaige, for Étienne Henri Dumaige (French, 1830-1888), the cherub playing a flute, over the cloudform vessel, height 4 1/4 in., width 5 in., depth 4 1/4 in. $600/900 205. A Pair of Regency Patinated and Gilt Bronze Candlesticks, c. 1815, gadrooned nozzle, flanked by rams head masks, engine-turned and palmette decoration, height 7 1/4 in., diameter 4 1/4 in. $1800/2500 Provenance: Hirschl & Adler Galleries.

203

206. A Charles X-Style Gilt Bronze and Cut Crystal Centerpiece, c. 1900, oval bowl supported by swans, beaded and diapered decoration, on conforming mirrored plateau, paw feet, height 12 1/2 in., width 23 1/2 in., depth 14 in.

202

$1200/1800

204

205

202. A Regency-Style Mahogany Library Ladder, scrolled terms, height 62 in., width 15 1/2 in. $400/700 203. An Antique Anglo-Indian Carved Ebony Jardinière Stand, beaded rim fitted with curved supports, fluted stem, incurvate plinth, arched legs, scrolled toes, ball feet, height 31 1/2 in., diameter 19 1/2 in. $700/900

206

207

208

209

207. A Large Decorative Silverplate Bouillotte Lamp, adjustable shade, height 27 in. $600/900

209. A Fine English Patinated Bronze Two-Light Argand Lamp, mid-19th c., centered with a foliate-decorated urn, baluster standard, and tripod feet, dark patina, retaining both burner mechanisms, with a fine pair of etched and cut crystal vasiform shades, height 21 1/4 in., width 18 in., depth 8 3/4 in. $1500/2500

208. A Fine Beaux-Arts Gilt Bronze Twenty-Light Gasolier, c. 1880, cartoucheform corona, the standard with fluted and pierced spheres, shepherd’s crook supports, with acanthus and rosettes, height 47 in., diameter 43 in.

210. George Halse (British, 1826-1895), “Bust of a Young Girl in Cloak and Hood”, 1860, miniature marble bust, inscribed “G. Halse Sculp.” on shoulder truncation, with separate matching socle, overall height 14 1/2 in.

$5000/7000

$300/500 Illustrated: Lebow, “A Gothic Tale”, House and Garden, (May 1987), p. 192. 210 W denotes the lot is illustrated at www.nealauction.com

212. An Antique Aubusson Tapestry, c. 1900, depicting a gentleman hunting with dogs in an idyllic landscape, 4 ft. x 6 ft. $1000/1500 213. A Green Silk Brocade Bishop’s Cope, mid-to-late 19th c., with green and gold velvet brocade trim, height 52 1/2 in., width 41 in., mounted within a clear acrylic frame, overall 60 3/4 in. x 49 1/2 in. $800/1200 214. A French Mahogany Calendar Bracket Clock, c. 1860, dial with visible escapement, marked “Pert Bally a Paris”, subsidiary dials showing day, date and month, striking bell movement, on brass pad feet, height 14 1/4 in., width 8 in., depth 5 3/4 in. $1500/2500

211

214

212

211. A Good Continental Bronze Figure of an Artillery Boy in Costume, early 20th c., from the Franco-Prussian War of 1871, after Jean Garnier (France, 1820-1895), inscribed “J. Garnier” on base, height 13 1/4 in. $400/600

213

215. The Gauloise Polychrome Painted Carved Wood Ship’s Figurehead, c. 1866, carved as the Roman deity Ceres borne on scrollwork leafy vines, height 91 in., width 22 in., depth 19 1/2 in. $5000/6000

La Gauloise photographed at Tresco Collection, c. 1900. Photo courtesy of Hunter Figurehead Archives.

Provenance: La Gauloise, 18661888; to Tresco Abbey, Valhalla Collection, Tresco, Isles of Scilly, after January 1888 to after 1935; to Richard Headley, c. 1950; to Nantucket Auctions, August 2008, lot 229; to current owner. Note: This beautiful hand-carved wood figurehead once graced La Gauloise, the merchant sailing ship launched from Bordeaux, France, in 1866. The 322-ton Gauloise was built in 1866 and given the name to represent its ancient Gallic heritage of shipbuilding and commerce on the sea. Carved wood figureheads have graced the bows of ships since ancient times, and this majestic survivor is a fantastic example of nautical carpentry. La Gauloise was en route to the Welsh port of Porthcawl when she went down on a foggy day in January 1888. Fortunately, all hands were saved and portions of the ship salvaged, including this impressive figurehead. Reference: Captain Jack Hamilton. “Valhalla of Ships: Famous Figureheads”, Sydney Morning Herald, (July 25, 1935), p. 11.

216

217

215

216. A William and Mary Carved Walnut Looking Glass, early 18th c., shaped crest, divided mirror plate with molded surround, height 43 1/2 in., width 17 1/2 in.

217. A Monumental Pair of Old Sheffield Plate Three-Light Candelabra, early 19th c., gadroon borders, removable flame finials, height 25 1/4 in.

$500/700

$1500/2500

Provenance: Acquired John Walton, Inc., CT, 1982. W denotes the lot is illustrated at www.nealauction.com

220 218

220. A Fine Pair of English Carved Mahogany Hall Chairs, mid-19th c., each back with polychromed achievement of arms within an oval, gothicized crest, lion’s mask terminals, molded stiles, rectangular seats, curule legs centering a mask, paw feet. $800/1200 Note: This achievement of arms is associated with Craven County, North Carolina. It is a variant of the coat-of-arms of William, Earl of Craven, whose nephew William, Lord Craven, succeeded him as Lord Proprietor of Carolina.

221 219

218. A Pair of Neoclassical-Style Carved and Parcel Gilt Four-Light Lamps, early 20th c., in the Russian taste, oil-lamp form, on incurvate triangular base, royal blue highlights, electrified, height 22 in., width 8 1/2 in., depth 8 1/2 in. $800/1200

219. An Egyptian Revival Bone Inlaid Hardwood Side Chair, late 19th/early 20th c., back carved as a stylized winged Anubis, square seat, tapered legs, height 36 in. $400/600

221. A George III Carved Mahogany Armchair in the Hepplewhite Manner, c. 1790, shield back, arched crest centering an acanthus spray, bellflower pendant stiles and swags, padded arms, bellflower and rosette uprights, serpentine seat, square bellflowercarved and molded legs, spade feet. $800/1200

222. An English Papier-Mâché Tray, mid-19th c., rectangular oxblood ground tray, floral reserve, later bamboo turned stand, height 19 1/2 in., width 28 in., depth 21 1/2 in. $600/900 223. An Antique English PapierMâché Lacquer Tray, scalloped tray, foliate surround, later bamboo turned stand, height 22 in., width 31 1/2 in., depth 24 in. $500/700

222 223

224

225

224. A Fine William IV Carved Rosewood Canterbury, early 19th c., spindled divided superstructure, lyre sides, base with drawer, lobed feet, brass ferrules, casters, height 19 in., width 19 1/2 in., depth 15 1/2 in. $700/900

225. A Regency-Style Mahogany Sofa Table, frieze drawers, curule base, casters, height 31 in., width 42 in., depth 22 in. $800/1200 Provenance: Ritz Carlton Collection, San Diego. W 226. A Regency-Style Mahogany Sofa Table,

en suite with preceding lot. $800/1200

W denotes the lot is illustrated at www.nealauction.com

227

228

227. An AngloIndian Carved Tropical Hardwood Jardinière, mid19th c., foliatecarved circular bowl supported by exotic birds clasping serpents and ending in paw feet, incurvate triangular plinth terminating in acanthus scrolls height 36 1/2 in., diameter 37 in. $2500/3500 228. An AngloIndian Carved Tropical Hardwood Jardinière, mid19th c., en suite with preceding lot, with casters, height 35 in., diameter 29 in. $2000/3000

229

229. A Fine Pair of Continental Carved Fruitwood and Leather Bergères, of Louis XVI inspiration, probably Paris, each arched crest with rosettes, scrolled arms, molded seat rail with rosette blocks, tapered fluted legs. $2500/3500

230

231

233

230. A Very Fine Louis XVI Carved Walnut Table de Jeu, late 18th/early 19th c., tooled leather top, four small frieze drawers, cabriole legs, height 29 1/2 in., width 48 in., depth 31 in.

232

$1500/2000 231. Flemish School, early 17th c., “Portrait of a Man in Black Doublet and Ruff, Age 28”, 1627, oil on wood panel, unsigned, inscribed and dated upper left “Etatis 28 / An 1627”, 20th century label “Churchill 6849/209”, 27 1/2 in. x 21 5/8 in., antique foliate giltwood frame. $2000/3000 Provenance: A New Orleans Gentleman, acquired Kennedy Galleries, New York, early 20th c.

233. A Fine Pair of Napoleon III Brass-Mounted and Inlaid Mahogany Vitrine Tables, mid-to-late 19th c., Paris, hinged glazed lids, square tapered legs, stretcher shelf, height 30 in., width 16 in., depth 10 1/2 in. $1500/2500

232. Continental School, 19th/20th c., “Madonna and Child Enthroned, with an Apple, flanked by two Music-Making Angels”, oil on cradled wood panel, unsigned, 27 1/2 in. x 20 1/8 in., framed. $800/1200 Provenance: Estate of James Fenimore Cooper IV. W denotes the lot is illustrated at www.nealauction.com

234

234. A Pair of French Cast Iron Urns, mid-19th c., each with gilt bronze rams head handles, height 22 in., width 30 1/2 in. $1800/2500 235

236

235. E. Blair Leighton (British, 1852-1922), “Peleus and Melisander”, oil on board, initialed “E.B.L. / E.B.T.” lower left, title inscribed on frame, sight 7 1/2 in. x 6 3/8 in., gilt shadowbox frame. $4000/6000

236. A Louis XV-Style Bronze Doré and “Blanc-de-Chine” Porcelain Three-Piece Clock Garniture, female figure on a mythical beast within elaborate scrolled acanthus and foliate surround centering an enameled dial, movement marked “Marti”, scrolled base, conforming three-light candelabra, clock height 29 1/2 in., width 18 1/2 in., depth 9 in.; candelabra height 25 in., width 17 1/2 in., depth 12 in. $15000/20000

239 (1 of 2)

237

238 240 237. A Very Fine Napoleon III Carved and Gilded Tripartite Dressing Screen, 19th c., beveled glass above original inset tapestry panels, height 62 in., width 23 1/2 in. $1800/2500 238. A Louis XVI-Style Carved Walnut Chaise Longue en Bateau, arched crest rail, cabriole legs, height 40 in., length 78 in., width 32 in. $1800/2500 239. William Langley (British, 1852-1922), “Coastal Landscapes”, two oils on canvas, each signed lower left, Atlanta, GA gallery labels en verso, each 16 in. x 24 in., framed alike (2 pcs.) $1200/1800

240. School of John Constable (British, 1776-1837), “Figures and Animals by a Stream Below a Pool (Perhaps at Dedham)”, mid-19th c., oil on oak panel, unsigned, partially effaced framers’ labels en verso, 11 3/4 in. x 9 3/4 in., period giltwood frame with brass artist’s plaque. $2000/3000 Provenance: Collection of a New Orleans Gentleman, acquired Kurt E. Schon, Ltd. Gallery, New Orleans, LA. Note: This fine oil sketch, very close to those by John Constable, closely parallels another smaller study of his “Anglers at Stratford Mill”, 1811, discovered in 1982, at 7 3/8 in. x 5 3/4 in. (Ian Fleming Williams and Leslie Parris, The Discovery of Constable, London, 1984, p. 133, fig. 59); it even more closely resembles a Constable oil sketch with an exactly similar perspective and church-tower, dated 30 July 1816, rediscovered in 1981 (ibid., color frontispiece). But Fleming and Parris document many close followers and imitators of the master, of which this may well be one of the more inspired works.

W denotes the lot is illustrated at www.nealauction.com

241. George E. Armfield (British, 18081893), “Terriers in Training” and “The Chase”, two oils on canvas, each signed lower left, each 12 in. x 16 in., framed alike. (2 pcs.). $1200/1800 242

241 (1 of 2)

242. Henry Constantine Richter (English, 1821-1902), “Black Tern”, c. 1865, watercolor and pencil on paper, initialed lower right, original work used for the lithograph in The Birds of Great Britain (1862-1873), vol. V, Plate 75, 14 1/2 in. x 21 3/8 in., framed. $2500/3500

243

243. A Regency Carved Mahogany Triple Pedestal Dining Table, early 19th c., reeded edge top, turned pedestals with reeded sabre legs, brass paw feet, casters, height 28 1/4 in., length 92 1/4 in., width 52 in., with two 22 1/4 in. leaves. $2000/3000 244. A Good Set of Ten George III-Style Carved Mahogany Dining Chairs, 19th c., comprising two armchairs and eight side chairs, each with arched crest, interlaced splat, molded legs, H stretcher. $3000/4000

244 (5 of 10)

246

W 250. A

Chinese Export Famille Rose Porcelain Bowl, 18th c., interior decorated with a central floral spray, exterior with shaped panels of figures in garden settings, height 3 7/8 in., diameter 9 in., wood stand, overall height 5 1/8 in.

245

$400/600

251

W 248. A Chinese Export Famille

252

245. A Pair of Louis XVI-Style Gilt-Bronze Mounted Green Marble Urns, 19th c., each with floral garland suspended from ram’s head handles, beaded band around neck and plinth base, height 16 in., width 7 1/2 in., depth 6 in. $800/1200 246. A Fine Pair of Louis XV-Style Carved Walnut Brackets, 19th c., each with serpentine top, scrolled supports, height 18 in., width 21 1/2 in., depth 14 1/2 in. $1000/1500 W 247. A Chinese Export Canton Famille Rose

Porcelain Vase, 19th c., baluster body with applied dragons and lion handles, decorated with alternating figural and avian panels on a floral ground, height 12 in.

Verte Porcelain Covered Teapot, 17th/18th c., splayed cylindrical body with upright faux rattan handle, decorated with floral panels, height 6 1/4 in., width 4 1/2 in. $400/600 Provenance: Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 443.

251. A NeoclassicalStyle Gilt Bronze and Blue Enamel Occasional Table, marble top with molded bronze edge, four double columnar supports, spiral foliate mounts, stretcher centering a wreath, blocked and molded feet, height 25 in., diameter 24 in. $700/1000

W 249. A Set of Fourteen Chinese

Export Famille Rose Porcelain Foliate Rim Dishes, 18th c., each decorated with a central floral spray encircled around the rim with further floral sprays, height 1 in., diameter 8 7/8 in.; together with a famille rose porcelain mug, height 5 3/8 in. Note: Restoration to mug. $400/600

252. An Italian Neoclassical Carved and Inlaid Walnut Cabinet, early 19th c., molded top, paneled doors and sides, plinth base, paw feet, height 42 1/2 in., width 43 1/4 in., depth 22 3/8 in. $800/1200

$400/600

W denotes the lot is illustrated at www.nealauction.com

W 257. A Paris Porcelain

Armorial Plate, mid-19th c., with conjoined shields of arms beneath a royal canopy, within Empire style stenciled gilt border, diameter 9 1/4 in. $200/300 W 258. A Fine Paris

254

Porcelain Cabinet Plate, c. 1820, with a Classical maiden embracing a statue of Athena and chastising Cupid, café-aulait ground with sepia Gothic Revival tracery border, gilt banding, inscribed in black script “Les Reproches & la menace” and “C[ont]e de Gxxx”, pseudo Sèvres mark, diameter 8 5/8 in. $200/300 W 259. A Pair of

Continental Neoclassical Polychrome and Gilt Decorated Porcelain Corbeilles, 19th c., pale blue beehive marks on base, reticulated bodies, bowl height 3 1/2 in., bowl diameter 8 in., dish diameter 10 3/4 in. Note: restoration.

253

253. A Continental Baroque-Style Carved Walnut Hall Chair, 19th c., arched crest, embossed leather back and seat with brass nailhead trim, cabriole legs, claw and ball feet. $1000/1500

256

W 260. A Group of

254. A Pair of French Gilt and Polychrome Decorated Porcelain Vases in the Neo-Grec Taste, mid-19th c., each with amphora shaped body, Vitruvian scroll border, Classical scene on lavender ground, handles with biscuit porcelain masks, height 16 3/4 in.

Three Italian UrbinoStyle Majolica Dishes, probably 19th c., the rims polychrome painted with cherubs on a yellow ground, diameter 9 1/4 in. $150/250

$800/1200

261. A Pair of Chinese Export Canton Famille Rose Porcelain Vases, 20th c., hexagonal baluster bodies with molded pomegranate handles, decorated with alternating figural and landscape panels, height 22 3/4 in.

W 255. A Large Continental Majolica

Armorial Dish, probably 18th c., wide rim polychrome painted with a shield-form armorial on a cream crackle ground, diameter 14 1/2 in., together with a set of six 19th c. faience armorial dishes bearing motto “D LAURITIO LAURITII”, diameter 9 7/8 in., accompanied by a Plummer, Ltd., New York sales receipt dated April, 5, 1957.

$600/800

$400/600 261

Provenance: Acquired Plummer, Ltd., New York, NY, 1957; thence by descent.

256. A Set of Six Paris Porcelain Botanical Plates, early 19th c., marked in iron red “Darte, Pal. Royal, No 21”, with gilt borders, diameter 9 in. $400/600

$300/500

262. A Pair of Chinese Export Canton Famille Rose Porcelain Vases, 19th c., baluster bodies with Buddhist lion handles and applied dragons at the shoulder, decorated with alternating figural and landscape panels, height 18 in., wood stands, overall height 20 1/2 in. $600/800 Provenance: Acquired M. Arnold Granet, French Antique Shop, Royal Street, 1988.

263 262

263. A Chinese Export Famille Rose Porcelain Teapot, early 20th c., globular body with fauxbranch spout and stylized loop handle, decorated with shaped floral reserves on an enameled pink ground with concentric bands of upright lotus leaves, conforming domed cover, height 6 5/8 in. $500/800

266

Provenance: Sallea Antiques, New Canaan, CT.

265

264. A Louis XVIStyle Gilt BronzeMounted Mahogany Dining Table, Maison Dissidi, Paris, oval top, molded frieze with rosettes, fluted, tapered legs, ferrules, height 31 1/2 in., length 84 in., width 50 in, with one conforming 23 1/2 in. leaf $7000/10000 265. A Louis XVIStyle Gilt BronzeMounted Mahogany Bouillotte Table, 19th c., dished marble top with gallery, frieze mounted with rosettes, fluted tapered legs, arched stretchers, height 30 1/2 in., diameter 33 1/2 in. $1200/1800

264

266. A Small Scottish Regency Satinwood Inlaid Mahogany Writing Table, early 19th c., inset tooled leather top, two frieze drawers on one side, lyre supports, sabre legs, brass cuffs, casters, height 28 in., width 36 in., depth 20 in. $1500/2500

W denotes the lot is illustrated at www.nealauction.com

W 270. Thomas Bewick (English, 1753-1828), a group of six natural

history books, including: David Croal Thomson, The Life and Works of Thomas Bewick..., 1882, London, octavo (10 3/4 in. x 8 3/4 in.), cloth; Thomas Bewick, A Supplement to the History of British Birds, part I & II, 1821, Newcastle, octavo (8 1/2 in. x 5 in.), full leather, with numerous wood engravings; and 4 books (of 7) from W. Davison, Natural History, nd, c. 1814, 12mo (5 1/2 in. x 3 1/4 in.), three-quarter leather, including: British Birds, Foreign Birds, Water Birds and Fishes. $400/600 Provenance: Estate of James Fenimore Cooper IV. W 271. A Continental Watch Box, 19th c., domed trunk form with

incised ivory decorative straps and fitted interior, height 2 1/2 in., width 4 1/4 in., depth 3 1/2 in. $300/500 272. [Old Masters Reference], Alphonse Bacheret, Une Centaine de Peintres; (The Works of One Hundred Great Masters), engraved with Descriptive Text, nd.(1900), published by George Barrie, Phil., Édition de Grand Luxe, large folio (23 in. 17 1/2 in.), full leather, with paint palette in multicolor calf, and owner’s monogram, number 39 of the edition of 1200, this copy specially printed for Mr. Wm. Eugene Hayword, Pana, Illinois. 267

$1000/1500 W 273.

268 (2 of 10) 267. A George III Mahogany Writing Desk on Stand, late 18th c., three quarter gallery rail, slant top opening to fitted interior, brass carrying handles; lower stand fitted with two over one drawer, square legs, H stretcher, height 44 1/2 in., width 29 in., depth 20 in. $700/1000 Provenance: John Doughty Antiques, San Francisco, CA. 268. A Group of Ten Antique English Botanical Prints, 1872, chromolithographs from Beautiful Leaved Plants..., each sight 9 in. x 6 in., framed alike. ( 10 pcs.) $700/1000 W 269. [Hand-Colored Engravings of English Costumes], Martin,

Charles, The Civil Costume of England from the Conquest to the Present Time..., 1842, London, Henry Bohn, octavo, (11 3/4 in. x 8 1/2 in.), threequarter leather, with 61 hand-colored plates. $500/700 Provenance: Estate of James Fenimore Cooper IV.

272

[Decorative Leather Bindings], a group of 42 books including: Works of Charles Dickens, Riverside Edition, 28 vols., 18671872, 1/2 leather with marbled boards and endpapers; and William Makepeace Thackeray, 14 vols., 1868, 1/2 leather with marbled boards and endpapers. $500/700

W 274. [Decorative Leather Bindings], a group of 43

books including: R.H. Gabriel, ed., The Debates and Proceedings in the Congress of the United States, 28 vols., 1853; The Pageant of America: A Pictorial History of the United States, 15 vols., 1925. $500/700 W 275. [Decorative Leather Bindings], a group of 27

books including: The Library of Entertainment: A Thousand Hours of Enjoyment with the World’s Greatest Writers, 13 vols., 1920; Plutarch’s Lives and Writings, The Book Lover’s Addition, 5 vols., 1/2 red leather; J.B. Schriever, Complete Self-Instructing Library of Practical Photography, 9 vols., 1909, 1/2 red leather. $400/600

276. NicolasAntoine Boulanger (French, 17221759), “Nouvelle Mappemonde dédiée au progrès de nos connoissances”, 1760, Paris, copper-engraved map in original outline color, double-hemisphere map with elaborate ornament by Chouffard, sheet 21 1/4 in. x 29 1/4 in.

276 279

$500/700 Note: A portion of the proceeds of this lot to benefit Spring Hill College Library, Rare Book Room. 277. Louis Claude de Vezou (French, 18th c.), “Mappe-Monde Géo Sphérique ou Nouvelle Carte Idéale du Globe Terrestre...Sphère Armillaire”, 1760, Paris, double hemisphere copper-engraved map in outline color, with diagrams of the movements of the planets by Tyco Brahe, Descartes, Copernicus and Ptolemy, sheet 21 1/4 in. x 31 1/8 in.

277

280 (1 of 5)

279. Gorki (aka Gorky), Maxime, Les Vagabonds, Paris, 1921, Chez Mornay, translation by Ivan Strannik, illustrated by Jean Lebedeff (Russian/French, 1884-1972), the sixth in the collection of Les Beaux Livres, this rare book of 1000 with 20 signed artist proofs of Lebedeff’s wood cuts and 30 original pencil sketches, all loose, as designed in illuminated vellum wrap, with 1/2 leather clamshell, and slipcase.

$500/700 Note: A portion of the proceeds of this lot to benefit Spring Hill College Library, Rare Book Room.

$600/900 278

278. Robert Jean Janvier (French, fl. 1746-1776), “Mappemonde ou Déscription de Globe Terrestre assujettie aux Obsérvations Astronomiques”, 1760 Paris, double hemisphere copper-engraved map in outline color, with allegorical cartouche by Choffard, sheet 21 1/4 in. x 29 2/8 in. $500/700 Note: A portion of the proceeds of this lot to benefit Spring Hill College Library, Rare Book Room.

280. [Artist Illustrated Books], a group of 5 books including: Alexander Calder and Richard Wilbur, A Bestiary, 1955, Pantheon Books, NY, signed by Calder and Wilbur on the colophon page, with slipcase; Edgar Degas, Album de Dessins, 1949, Quatre Chemins-Editart, Paris, with slipcase; Bernard Dorival, Paul Gauguin, Carnet de Tahiti, 1954, Quatre Chemins-Editart, Paris, with slipcase; René Huyghe, Le Carnet de Paul Gauguin, 1952, Quatre Chemins-Editart, Paris, with slipcase; and Guillaume Apollinaire, Le Bestiaire ou Cortège d’Orphée, illustrated by Raoul Dufy, 1977, Metropolitan Museum of Art, NY, with slipcase. $600/900

W denotes the lot is illustrated at www.nealauction.com

282. An Extensive Group of Bohemian Cut Glass Ware, engraved hunt scene, square base, including 5 water, 19 red wine, 8 white wine, 20 coupes, 60 cordials and 4 master salts, total 116 pcs. 281

$1500/2500

283 (3 of 22)

283. A Set of St. Louis “Bubbles” Pattern Crystal Stemware in Sky Blue, including 8 champagne flutes, 6 hocks and 8 dessert coupes, heights 9 1/4 in., 9 1/2 in. and 4 3/4 in., respectively (22 pcs.). $1200/1800 284. A Set of St. Louis “Bubbles” Pattern Crystal Stemware in Amethyst, including 8 champagne flutes, 8 hocks and 8 dessert coupes, heights 9 1/4 in., 9 1/2 in. and 4 3/4 in. respectively (24 pcs.). 282

$1200/1800 285. A Set of St. Louis “Bubbles” Pattern Crystal Stemware in Chartreuse, including 12 champagne flutes, 11 hocks and 10 dessert coupes, heights 9 1/4 in., 9 1/2 in. and 4 3/4 in. respectively (33 pcs.). $1500/2500

284 (3 of 24)

285 (3 of 33)

281. Autograph Letter Signed by Maxim Gorky (aka Gorki), in Cyrillic, to writer Franz Hellens and his Russian wife Maria Marcova, dated November 22, 1925, from Villa Gallotti, Posilippo, Napoli, one page, with envelope; relating his thanks for their recent letter, his recent ailments and his criticism of a translation of a book that Hellens had sent him; accompanied by a typed translation of the letter, in French, possibly by Hellens. $1000/1500

287 286

291

288. Attributed to Filippo Antonio Cifariello (Italian, 1864-1936), “Two Children with a Doll”, marble, inscribed indistinctly on the hem of the girl’s dress “Ciafari..lo”, height 23 3/4 in. $1000/1500

289

289. A French Verte Marbre and Gilt Bronze-Mounted Crystal Regulator Mantel Clock, c. 1890, engine turned and porcelain dial signed by retailer Black, Starr and Frost, New York, movement by L. Marti & Cie., Paris, with mercury pendulum, architectonic case with carved pediment and base joined by fluted columns, height 13 1/2 in., width 8 3/4 in., depth 5 in. $1000/1500

288

290. An Antique French Rococo Carved Walnut and Rouge Marbre Wall Clock, 19th c., dial marked “Antony Bailly / Jules Bailly succr / Lyon”, carved and gilt Roman numerals, movement marked “Farret a Paris”, height 27 in., width 25 1/2 in., depth 5 in.

286. An Arts Decoratifs Etched Crystal Vase, wave form glass, etched with maiden holding a greyhound, height 12 in., diameter 6 3/4 in. $300/500

$800/1200

287. A Continental Bronze Figure of a Seated Nude Stretching, mid-20th c., after Robert Couturier (French, 19052008), inscribed “Couturier” on base, height 5 3/4 in.

291. A Pair of French Brass and Tôle Peinte Carriage Lamps, hexagonal form, eagle surmounts, electrified, height 28 in., width 8 in., depth 11 in. $600/900

$1000/1500 290

W denotes the lot is illustrated at www.nealauction.com

294. French School, late 19th c., “Still Life with Flowers and Scissors”, oil on canvas, signed “A. Warisse” lower right, “Christie’s East” labels en verso, 10 3/4 in. x 8 1/2 in. $800/1200 295. A Jugendstil Art Pottery Vase, c. 1905, Austria, by Amphora, marked, with spider webs, moths, and inset “jewels”, height 8 1/2 in., diameter 6 in. $700/1000

293 294

296. A French Brass Inlaid Rosewood Nécessaire de Toilette, mid-19th c., Paris, labeled “Taulin Fabt. Palais Royal 131”, fitted with glass bottles and jars with hallmarked silver lids and mother-of-pearl handled pen knife, glove hook and seal, height 5 1/2 in., width 12 3/4 in., depth 9 in. $500/750 297. A Jugendstil Brass Mounted and Inlaid Rosewood Ice Bucket, c. 1905, by Erhard and Sohne, cylindrical body with stylized branch handles decorated with floral vines beneath a procession of musicians, removable glass liner, height 8 in., diameter 6 1/4 in. $600/900

296 295

W 298. A Group of Antique

293. Cesare-Auguste Detti (Italian, 1847-1914), “Peasant Woman and Boy”, watercolor and gouache on paper, signed lower right, artist label en verso, sight 22 1/2 in. x 18 in., gilt frame.

and Vintage Guilloche Enamel Objects in Shades of Sky Blue, including a Continental satinwood parasol handle in trompe l’oeil design of quilted silk with gilt stars; an English sterling silver purse mirror, Birmingham, 1920, maker’s mark rubbed; another English sterling silver purse mirror, Abraham Brothers, Birmingham, 1927, missing mirror plate; and a Continental silver pillbox, gilt interior with mirror (4 pcs.)

$600/900

$400/600

W 292. A Pair of French Brass

Carriage Lamps, hexagonal form, eagle finials, swag decoration, height 30 1/2 in., width 7 1/2 in., depth 11 in. $600/900

297

W 299. A Group of Guilloche

Enamel Objects in Shades of Sky Blue, including a sterling silver and celluloid bell-push; a Continental .935 silver oval pillbox, frosted crystal lid with marcasite accents; unmarked circular powder compact with engineturned back; sterling silver circular box; and a German sterling silver vermeil and opalescent compact with interior mirror and bale (5 pcs.). $400/600 W 300. Four Guilloche Enamel

Objects, including a pink and sterling silver travel clock, Swiss movement, retailed by Caldwell, Phil.; another small silverplate and enamel travel clock; a small void clock case; and a picture frame, largest clock height 3 3/4 in.

306 308

W 305. A Group of Enamel

$300/500

Objects, including a pair of Lemaire Paris opera glasses, 20th c., emerald green ground with gilt stars and floral reserves with applied beads; an etched glass jam pot, sterling silver lid and spoon with sky blue guilloche enamel accents; a stainless steel and crimson guilloche enamel olive tongs; and a brass and crimson guilloche enamel clothes brush (4 pcs.).

W 301. A Group of Antique and Vintage

Guilloche Enamel Objects in Shades of Aqua, including a Continental silver rectangular powder and rouge compact, provenance Marche aux Rives, Paris; an unmarked cigarette holder; a Continental .935 silver petite cigarette case, blue cabochon clasp and gilt interior; an English sterling silver pillbox, Charles Edward Turner, Birmingham, 1911, gilt interior; a Swiss sterling silver eggshaped pendant watch (as is); an egg-shaped scent vial pendant; a German sterling silver rouge compact, gilt interior with mirror, note small chip; and an Austrian .935 silver powder compact with basket of flowers filigree lid (8 pcs.).

$300/500 306. A Good Charles X BronzeMounted Cut Crystal Coffer, early 19th c., probably Baccarat or St. Louis, foliate mounts, on paw feet, height 4 3/4 in., width 5 1/2 in., depth 3 3/8 in.

$300/500 W 302. A Group of Guilloche Enamel

$600/800

Objects in Shades of Pink, including an American sterling silver measuring tape, Webster Co., North Attleboro, MA, early 20th c.; an American sterling silver compact on chain, provenance Beatrice Fried; an unmarked double (powder and rouge) compact, lid with marcasite basket of flowers, provenance Henri Bendel; a Coro powder compact ;and a pillbox with apricot enamel (5 pcs.).

307. An Ancient Greek Wine Amphora, late 5th-3rd century BCE, double-handle, body tapered to a knop base, with remnants of original painted design, height 31 in., diameter 14 in.

$300/500 W 303. A Group of Guilloche Enamel

Objects in Shades of Blue and Green, including an Edwardian sterling silver and glass scent/cosmetic jar, Henry Clifford Davis, Birmingham, 1912; an Edwardian sterling silver pillbox, Birmingham, 1911, maker’s mark rubbed; a Continental .935 silver rectangular compact, gilt interior with mirror; an American sterling silver compact, The Thomas Co., North Attleboro, MA, c. 1920-1940, gilt interior with mirror, note chip; a cigarette holder with rosebuds; and two mechanical pencils (7 pcs.). $300/500

307

$1500/2500 W 304. A Group of Guil-

loche Enamel Objects, including an American sterling silver and “Sèvres blue” pocket flashlight, R. Blackinton & Co., North Attleboro, MA, c. 1920; a Continental .935 silver and teal enamel compact, lid with engraved basket of flowers, engine-turn engraved back, gilt interior with mirror; a Continental .935 silver circular box, polychrome lid, gilt interior; a German sterling silver pillbox, teal lid with grisaille portrait of girl, gilt interior (4 pcs.).

Provenance: Christie’s, The Axel Guttmann Collection of Ancient Arms and Armour, Part 2, April 28, 2004, London, lot 121. 308. A Continental .930 Silver-Mounted Book of Common Prayer, probably Hanau, with British import marks for William Moering, London, 1895; the silver cover and clasp with cast and chased decoration featuring the Crucifixion, Madonna and Child, and the Ascension; printed at the University Press, Oxford for Peacock, Mansfield and Britton, London; inscribed “Margaret Birkwell/ 29th May.1897./Postwick.”, height 4 1/2 in., width 3 in., depth 1 1/8 in. $250/350

$300/500 W denotes the lot is illustrated at www.nealauction.com

W 311. An Antique

English Silverplate Venison Dome, 19th c., vintage motif handle, armorial crest and beaded border, height 12 1/2 in., width 18 1/4 in., depth 14 1/2 in.

309

$300/500 316

317 310 312. An Old Sheffield Plate Epergne, with gadrooned borders, scroll arms and acanthus bracketed paw feet, diamond point and fan cut glass bowls, height 14 1/2 in., diameter 23 1/4 in. $800/1200 W 313. A Good Group of Victorian Sterling Silver Serving

Spoons, including a pair of dressing spoons, William Bateman II, London, 1838, and a pair of sauce ladles, Samuel Hayne and Dudley Cater, London, 1840, dressing spoon length 11 3/4 in., ladle length 7 3/4 in., combined weight 12.45 troy ozs. (4 pcs.). $400/600 W 314. A Louis XV-Style Silverplate-Mounted Cut Glass Claret

Jug, height 11 3/4 in. $400/600 312

W 315. Two Bellestone Alligator Handbags, with gold tone

hardware. 309. A Good Antique English Sterling Silver Tazza, William Comyns & Sons, London, 1889, reticulated rocaille rim and foot, height 1 1/2 in., diameter 6 7/8 in., weight 8.70 troy ozs.

$100/200 316. A Jasperware Portrait Medallion of an English Gentleman, early 19th c., gilt frame mounted as brooch.

$150/250

$300/500

310. A Silverplate Monteith, crenellated rim, lion mask handles, stepped molded foot, height 15 in., diameter 18 1/2 in.

317. A 14 Kt. Yellow Gold, Silver Top, Diamond Bangle Bracelet, prong set with sixteen graduated round brilliant cut diamonds with estimated total weight of 4.70 cts.

$600/900

$10000/12000

318

319

320

323

324

318. A Pair of Van Cleef and Arpels Coral and Diamond Clip Earrings, central Angel Skin coral cabochon in yellow gold mounts, each set with six round brilliant cut diamonds with estimated total weight of .30 cts.

323. A Pair of Tiffany & Co. 18 kt. Yellow Gold and Amethyst Ear Clips, each with a bezel set Fantasy cut amethyst, signed Paloma Piccaso.

$4000/6000 319. A Tiffany & Co. Art Deco Platinum and Diamond Bar Pin, composed of a central row of 7 bezel-set Old European cut diamonds surrounded by arched rays set with mixed cut diamonds, estimated total weight 5.69 cts.

$1200/1800

320. A Platinum, Diamond and Sapphire Cocktail Ring, set with an oval sapphire, estimated weight of 2.24 cts., 12 round brilliant cut diamonds, estimated weight of .83 ct., and 6 baguette shaped diamonds, estimated weight of .63 ct., with original appraisal.

324. A Platinum and Diamond Ring, square brilliant cut diamond, estimated weight of .75 ct., on eternity band channel-set with an estimated .68 cts. of square-cut diamonds.

$2500/3500

$1500/2500

$8000/12000

322 W 321. A 14 kt. Yellow Gold,

Sapphire and Diamond Ring, central oval cut sapphire, estimated weight of .60 ct. surrounded by 10 round brilliant diamonds estimated total weight of .40 ct. $1000/1500

322. A 14 kt. Yellow Gold, Emerald and Diamond Bracelet, 13 links, each set with a pear-shaped emerald surrounded by round brilliant cut diamonds, estimated total weight of emeralds 7.0 cts., diamonds 3.12 cts. $2500/3500 W denotes the lot is illustrated at www.nealauction.com

329. A Pair of 14 kt. White Gold and Diamond Pendant Earrings, teardrop shape, each set with 19 round brilliant cut diamonds, estimated total weight 3.20 cts. $1200/1800

W 330. A 14 kt. White

Gold, Diamond and Emerald Circle Brooch, the frame with ribbon decoration, set with estimated 1.81 cts. diamonds and emerald accents. $600/800 W 331. A 10 kt. White Gold

and Diamond Fleur-de-Lis Ring, openwork casting set with estimated 1.47 ct. of mixed cut diamonds.

325

$300/500 W 332. A 14 kt. White Gold

and Diamond Floral Dome Ring . $250/350 W 333. A 14 Kt. White

Gold and Diamond Navette Shaped Ring, central cluster of nine round brilliant cut diamonds with estimated weight of 2.07 cts. $250/350

326

325. A 14 kt. Yellow Gold, Opal and Diamond Bangle Bracelet, set with 13 small oval Australian opals and 56 single cut diamonds. $500/750 326. An Antique 18 kt. Yellow Gold Micromosaic Brooch and Earrings, depicting scenes of St. Peterâ&#x20AC;&#x2122;s square in malachite mounts, Roman touchmarks. Note: Earrings converted to screwbacks.

328

$1000/1500 W 327. A Pair of 14 kt. Gold and Diamond

Danfrere Ear Clips, each cast as petaled flowers and set with three round brilliant cut diamonds. $800/1200 328. A Rolex Oyster Perpetual Gentlemanâ&#x20AC;&#x2122;s Gold Wrist Watch, serial number 1124508, movement serial number 7152410, with 14 kt. gold expansion band, with original guarantee, Rolex certification and extra link. $1500/2500

329

Session Two Saturday, April 26, 10 am 4038 Magazine Street

W denotes the lot is illustrated at www.nealauction.com

334

337

335

338

337. Frederick William Jackson (American/British, 18591918), “Harbor with Cliffs, possibly Dover”, 1890, oil on canvas, signed and dated lower right, 20 1/4 in. x 30 1/2 in., framed. $1500/2500 336

334. A Pair of Large Antique KPM Porcelain Centerpieces, late 19th c., rocaille form, finely painted polychrome floral and blossom pattern, scroll handles, height 7 in., width 19 in., depth 14 1/2 in. $600/800 335. A Group of Portuguese Palissy Majolica, 19th c., each with impressed mark “M. Mafra/ Caldas Portugal”, including a lidded sugar and two pitchers, each in the form of cabbage and snake, the tallest height 7 1/2 in. $600/900 Provenance: Estate of James Fenimore Cooper IV.

338. Charles Warren Eaton (American, 1857-1937), “The Old Road”, pastel, signed lower right, titled en verso, sight 14 in. x 19 1/2 in., framed. $1000/2000 W 339. A Pair of Antique Regency-Style Brass and

Mahogany Étagerès, each with reticulated three quarter gallery rail, three tiers, reeded columnar uprights, tapered legs, ball feet, height 33 in., width 23 1/2 in., depth 9 3/4 in. $500/700 W 340. A Large Needlepoint and Mahogany Bench, late

19th c., square upholstered seat, turned legs, height 16 in., width 34 in., depth 34 in. $500/750

336. Hayley Lever (American, 1876-1958), “Boats on a Side Canal in Venice”, early 20th c., oil on panel, signed lower right, 11 in. x 14 in., in a period gilt frame. $1500/1800

342

344. PierreAuguste Renoir (French, 18411919), “Femme au Cep de Vigne, III Variante”, 1919, lithograph, signed in plate, published by Vollard from Douze Lithographes Originales de PierreAuguste Renoir, sheet 13 in. x 10 in., framed.

341

341. A George III Satinwood Inlaid Mahogany Cellarette, 18th c., banded oval lid centering a patera, zinc-lined divided interior, body with bellflower, paterae and banding on splayed tapered square legs, brass cuffs, casters, height 28 3/4in., width 22 1/2in., depth 17 3/4 in. $2000/3000

$700/1000 W 345. Bernard

Buffet (French, 1928-1999), “Matador”, lithograph, artist proof, pencil signed and numbered “E.A.”, sheet 29 1/4 in. x 21 in., framed.

344

342. A Pair of Empire Carved Mahogany Armchairs, early 19th c., scrolled rectangular backs, curved arms on Egyptian busts, curved seat rail, square tapered legs, paw feet.

343 (2 of 4)

343. Albert Genick (German, d. 1906), “Schalen”; “Kannen”; “Trinkgfasse”; and “Amphoren”, 1883, four color-printed lithographs, from A. Genick’s Griechische Keramik, published by Ernst Wasmuth, Berlin, 2010, sheet 26 1/8 in. x 17 in., each matted and framed.

$1200/1800

$1800/2500 347

$400/600 W 346. Bernard Buffet (French, 1928-

1999), “Acrobats”, lithograph, signed and numbered “18/120”, sheet 28 in. x 19 3/4 in., framed. $400/600 347. Jean Carlu (French, 1890-1997), “International Exposition, Arts et Techniques, Ministère du Commerce et de l’Industrie, Paris”, 1937, lithograph, printed by Bedos & Cie, Paris, published by the French Government, sight 63 in. x 48 in., framed. $600/900

W denotes the lot is illustrated at www.nealauction.com

349

349. A Pair of Decorative Carved Rock Crystal Tazzas, each with oval bowl over baluster standard and pedestal with stepped base, height 9 1/4 in., width 6 3/4 in., depth 5 1/4 in.

348

$1000/1500

350

350. A Scottish Silver-Mounted Ram’s Horn Snuff Mull, 18th c., inscribed “Alex Boag Faskin... if it is missing return it to him”, two cartouches with his monogram and a date of 1766, height 3 in., width 1 1/2 in., depth 3 in. $400/600 351. A George III Satinwood Tea Caddy, late 18th c., with shell inlay and banding, interior with conforming inlay and two covered compartments, length 9 in.

351

$1000/1500 Provenance: White Hall Antiques, Chapel Hill, NC. 352. A Fine George IV Yew Wood Sarcophagus Form Tea Caddy, c. 1830, with lozengeshaped escutcheon and brass paw feet, interior with two lidded compartments, retains traces of foil lining, length 8 in. 352

348. Alexander Calder (American, 1898-1976), “Untitled”, 1946, lithograph, pencil-signed lower right, “Marais” watermark, sheet 19 1/2 in. x 15 1/2 in., unframed. $2000/3000 Note: For an identical version, see the Museum of Modern Art, New York, acc. no. 1029.1969.

353

$700/900 Provenance: White Hall Antiques, Chapel Hill, NC.

353. An Antique English Melon-Form Tea Caddy, 18th c., with oval escutcheon, interior retains traces of foil lining, height 5 7/8 in. $1000/1500 Provenance: Wellesley House Ltd., Lake Forest, IL.

354. A Late Georgian Birdseye Maple and Zebrawood Tea Caddy, c. 1825, with banding and inlaid escutcheon, interior with two covered tea compartments and central mixing bowl, length 12 in.

354

$500/700 Provenance: White Hall Antiques, Chapel Hill, NC. 355. A George II Burl Elm and Paktong Mounted Tea Caddy, mid-18th c., with paktong scroll handle, plaques and escutcheon, carved banding, interior fitted with two lidded compartments and central mixing bowl, length 10 in.

356

355

$500/800 Provenance: White Hall Antiques, Chapel Hill, NC. 356. A George III Tortoiseshell Octagonal Tea Caddy, late 18th/early 19th c., with silver handle, line inlay and escutcheon, two covered interior compartments with ivory banding, height 5 1/2 in., width 6 5/8 in., depth 4 1/4 in. Note: Minor repairs. $2000/3000 W 357. Two Pairs of

Georgian Sterling Silver Salt Cellars, 18th c., marks rubbed, one pair probably Hester Bateman; together with a Georgian sterling silver teaspoon, an American sterling silver salt spoon and a Continental .800 silver salt spoon, total weight 5.95 troy ozs. (7 pcs.).

360

359

W 358. A Group of Seven Silver Pill Boxes,

including one English, Birmingham, 1900, maker J.C.F. untraced; one round, one oval and one rectangular French example; one circular basketweave by Los Ballesteros, Taxco; an octagonal Mexican example with cabochon; and an oval example, probably American; combined weight 2.90 troy ozs; together with an oval basketweave Alpaca example, (8 pcs.).

359. A William IV Sterling Silver Chamberstick, Sheffield, 1831, maker’s mark rubbed, with an associated snuffer, 1842, engraved armorial, anthemion thumbpiece, gadroon and shell border, height 4 3/4 in., weight 12.80 troy ozs. $500/750 360. A Regency Blonde Tortoiseshell Octagonal Tea Caddy, 19th c., two interior compartments, height 5 in., length 6 in. $2000/3000 Provenance: Wellesley House Ltd., Lake Forest, IL.

$200/300

$200/400 W denotes the lot is illustrated at www.nealauction.com

361. A Set of Four Antique English Silverplate and Cut Glass Tazzas, 19th c., engraved with crest and motto “Subsum”, each stand with swagged chains, diamond and fan cut glass inserts, height 7 in., diameter 7 3/4 in. $1000/2000 361

363

363. A Regency Mahogany Étagère, early 19th c., four tiers with turned supports, cup casters, height 44 in., width 20 1/8 in., depth 15 1/2 in. $600/900

362

362. A George III Carved Mahogany Breakfront Bookcase, late 18th/early 19th c., upper case with molded cornice, plain frieze, four astragal glazed doors, fabric lined interior with adjustable shelves; conforming base with foliate molding, raised panel doors, ogee bracket feet, height 96 in., width 75 in., depth 20 in. $7000/10000

364. A Fine Set of Six Irish GeorgianStyle Carved Mahogany Dining Chairs, 19th c., comprised of one armchair and five side chairs, shaped crest, volute “ears”, pierced splats, trapezoidal slip seats, shaped molded seat rails, acanthine cabriole legs. $1500/2500

364

365. A Regency Painted and Gilt Decorated Caned Recamier, early 19th c., shaped scrolled back, scrolled head and foot, molded seat rail, blocked fluted scrolled legs, height 35 in., width 79 in., depth 26 in. $3000/5000 366. A Set of Regency Black Japanned Quartetto Tables, early 19th c., shaped tops, lyre trestle supports, stretchers, paw feet, height 27 1/2 in., width 20 in., depth 13 1/2 in.

365

$1000/1500 367. A French Provincial Fruitwood Games Table, late 18th/early 19th c., tooled leather top, frieze with four “gaming” drawers, restrained cabriole legs, hoof feet, height 28 in., width 30 in., depth 33 in. $1200/1800

367 366 W denotes the lot is illustrated at www.nealauction.com

368

370

369

368. A Pair of Neoclassical-Style Carved, Painted and Parcel Gilt Pedestals, each fluted body with swags, flared plinth, height 31 in., width 22 in., depth 22 in. $1000/1500

369. Friedrich Nerly, the Elder (German, 1807-1878), “The Volta del Canale in Venice: Palazzi Giustinian and Foscari”, oil on canvas, signed “F. Nerly” lower right, 27 1/8 in. x 35 1/4 in., framed.

370. A Georgian Figured Walnut and Parcel Gilt Trumeau Mirror, late 18th/early 19th c., shaped surround with foliate pendants, oil on canvas depicting a schooner flying the colors above the rectangular mirror plate, height 38 in., width 37 1/2 in.

$15000/25000

Provenance: Estate of James Fenimore Cooper IV.

$1200/2000

371. After Thomas Crawford (American, 1813-1857), “Apollo Lycian”, 1837, marble, inscribed “T. Crawford” and dated on base, height 59 1/4 in. $4000/6000 Provenance: Estate of the reknowned antiquarian Lee B. Anderson. 372. A Late Regency Patinated Bronze ThreeLight Argand Chandelier, early 19th c., body suspended by chains, on acanthus and mask supports, molded arms centered by an urn font, foliate pendant, height 37 1/2 in., diameter 21 in. $2000/3000

372

371

373. A Fine George III Carved Mahogany Chair Back Settee, late 18th c., serpentine crest rail, pierced splats, scrolled arms with rosette terminals, acanthine supports, straight seat rail, molded square legs, stretchers, height 37 in., width 54 in., depth 24 in. $7000/9000

373

W denotes the lot is illustrated at www.nealauction.com

375

374. A George I Burled Walnut Bureau Bookcase, early 18th c., upper case with double-domed molded cornice, conforming mirrored doors, shelf interior, candle slides; lower case with slant front opening to well fitted interior, two over two drawers below, bracket feet, height 85 in., width 41 in., depth 23 1/2 in. Note: “Sotheby’s Restoration” label on back of upper case. $5000/7500 375. A Fine Louis Philippe Mahogany and Cane Bergère de Bureau, c. 1840, caned seat and back.

374

$1200/1800 376. An Italian Carved Walnut Salon Table, mid-18th c., of generous size, serpentine top, deep reticulated frieze, cabriole legs, height 33 1/2 in., width 60 in., depth 45 1/2 in. $5000/7000

376

377. A Fine Chinese Export Famille Rose Porcelain “Hunt” Bowl, 18th c., decorated around the exterior with a European hunt scene beneath a blue trellis border edged in pendant spearheads, interior with “hunt” roundel, height 6 1/2 in., diameter 15 3/4 in. $5000/7000 Provenance: Philip Suval, Inc. 378. A Pair of Chinese Export Famille Verte Porcelain Figures of Quail, probably late 19th/ early 20th c., each bird modeled in mirror image standing on a rockwork plinth, height 7 1/2 in. $1000/1500 Provenance: Bardith, New York, NY.

377

379. A Chinese Export Famille Rose Porcelain Charger, late 18th/early 19th c., decorated with a central bird and flower medallion, encircled around the flat rim with flowering branches, height 1 3/4 in., diameter 15 3/8 in. $800/1200 Provenance: Sallea Antiques, New Canaan, CT.

378

379

381

380

380. A Pair of Chinese Export “Mandarin Palette” Porcelain Vases, 18th c., each of flattened baluster form with dragon handles, decorated with shaped figural reserves against a “T” fret ground, base with H. Moog, Atlanta, label, height 11 1/8 in.

381. A Chinese Export Famille Rose Porcelain Bowl, probably 20th c., decorated throughout with flowers, butterflies, Buddhist emblems, and floral and bamboo swags, height 4 7/8 in., diameter 11 3/8 in. $1000/1500

$3000/5000 W denotes the lot is illustrated at www.nealauction.com

382. A Chinese Export Famille Rose Porcelain Lotus Form Dish, late 18th/ early 19th c., decorated with a central floral roundel and banded around the foliate rim by peonies on a scrollwork ground, height 2 1/8 in., diameter 13 1/8 in. $500/800 Provenance: Sallea Antiques, New Canaan, CT. 382

383

384

386

383. A Chinese Export Famille Rose Porcelain Dish, 18th c., shallow bowl form body decorated with a central peony spray encircled around the rim by landscape panels on a green ground, height 1 3/4 in., diameter 10 3/8 in.

385. A Pair of Neoclassical-Style Bronze and Malachite Tables, each with circular inset galleried top, paired and turned supports, conforming tier, incurvate triangular plinth, disc feet, height 27 in., diameter 20 1/2 in.

$300/500

$4000/6000

Provenance: Sallea Antiques, New Canaan, CT. 384. A Fine Pair of French Empire-Style Gilt Bronze-Mounted Fruitwood Bergères, 19th c., each with scrolled crest rail, padded arms, bowed seat rail with rosette blocks, tapered legs. $2500/3500

385

386. A George IV Carved Mahogany Bergère, c. 1825, scrolled crest rail over padded back, arms with lotus carved scrolled terminals, downswept lotus carved arm supports, molded front seat rail, round tapering reeded legs, casters. $1000/1500

387

388

390 389

387. A Very Fine Pair of Venetian Gilt and Crème Peinte Fauteuils, late 18th/ early 19th c., arched volute crest, padded back and arms, anthemion seat rail, acanthine cabriole legs. $2000/3000

388. An Italian Neoclassical Marquetry and Parquetry Commode, early 19th c., marble top, case fitted with three small over two long drawers, square tapered legs, height 34 1/2 in., width 40 in., depth 18 1/2 in. $2000/3000 389. A Pair of Large Malachite Obelisks, in the Russian taste, of typical form, on tall plinth base, height 33 1/2 in., width 6 1/2 in., depth 6 1/2 in. $2000/3000 390. A Set of Four North Italian Ivory Inlaid Walnut Chairs, 19th c., in the Moorish style. $1500/2500 Provenance: Sotheby’s, London, March 13, 2002, Pop Art: The Ken Paul Collection.

W denotes the lot is illustrated at www.nealauction.com

391. British School, 20th c., “Coast of Granada” and “Near Sabey [sic] River, East, South Africa”, 1936, two oils on wood panel, the former unsigned, the later monogrammed “L.S.” and dated lower left, both titled with exhibition and London framer’s labels en verso, 6 3/4 in. x 9 1/2 in. and 7 1/4 in. x 9 3/4 in. respectively, framed. $1500/2500 Provenance: From the Estate of Lord Justice Scott, British Court of Appeals Judge, c. 1940-1958. 392. An English Apple-Form Tea Caddy, 18th c., with cut steel escutcheon, interior retains traces of foil lining, height 2 3/4 in. $1000/1500 Provenance: Purchased from Wellesley House Ltd., Lake Forest, IL. 393. An English Apple-Form Tea Caddy, 18th c., with cut steel escutcheon, interior retains traces of foil lining, height 5 in.

391 (1 of 2)

$800/1200 Provenance: Purchased from Wellesley House Ltd., Lake Forest, IL. W 394. An Old Sheffield Plate

Chamberstick, Matthew Boulton, Birmingham, 19th c., height 3 3/4 in. $200/300 395. An Old Sheffield Plate Hot Water Urn, with 1845 presentation inscription, lobed urn-form with acanthus handles, gadroon borders and paw feet, height 16 1/2 in. 392

$700/1000

393

396. A George III Sterling Silver Coffee Pot, London, 1798, maker’s mark rubbed, domed lid, tapered body with engraved armorial, scrolled spout, ebonized handle, molded foot, height 9 in., weight 27.50 troy ozs. $800/1200

395

396

397 (2 of 4)

400

399

398

397. A Rare Set of Four Late Georgian Sheffield Plate Wine Coolers, c. 1830-1840, with integral liner and removable collar, original tinned back, height 9 1/2 in. $2000/3000 398. A Georgian Sheffield Plate Hot Water Urn, late 18th c., urnform with acorn finial, scroll handles and ball feet, retains interior fitting, height 20 1/2 in. $600/900

401

400. An Antique English Silverplate Circular Tray, reticulated foliate scroll border, diameter 23 1/2 in. $500/700

399. A Rare Pair of Georgian Sheffield Plate Tureens, Matthew Boulton, Birmingham, early 19th c., oval with acanthus handles, gadrooned borders, armorial crests and paw feet, height 10 in., length 16 in.

401. A Pair of George III Sheffield Plate Campagna Form Wine Coolers, c. 1800, crested with inset silver shield, retains original tinned back, removable liner, height 9 3/4 in.

$4000/6000

$2000/3000 W denotes the lot is illustrated at www.nealauction.com

403. A French First Standard Silver Double Salt, the stand with central handle and crystal shell-shaped salt cellars on silver gadroon bordered pedestals, monogrammed base with shell and scroll decoration, presented with two Christofle silverplate salt spoons, height 9 in., width 8 in., depth 3 1/2 in. (3 pcs.). $600/900 W 404. A Continental .925

Silver Serving Fork and Spoon, unidentified Continental mark, with English import marks for London 1905, each reticulated handle surmounted by a ship at sail, length 10 7/8 in.; together with a set of 6 French silverplate dessert knives (hh) with threaded borders, marked “PARIS/ACIER FOUNDU”, knife length 18 1/2 in., servers weight 8.85 troy ozs. (8 pcs.).

402

403

$300/500 405. An Antique Chippendale Carved Mahogany Stool, probably 18th c., Irish or American, serpentine seat, conforming seat rail, acanthine cabriole legs, claw and ball feet, height 20 in., width 24 in., depth 19 in. $400/600 Provenance: Estate of James Fenimore Cooper IV. 406. A Pair of American Classical Gilt and Faux Bois Armchairs, early 19th c., each with turned crest rail, reticulated slat, scrolled arms, rush seat, turned legs, stretchers, ball feet. $800/1200

405

406

402. A Georgian Sheffield Plate Venison Dome, Matthew Boulton, Birmingham, early 19th c., original engraved armorial crest on inset silver shield, height 9 3/4 in., length 17 in. $800/1200

407

407. An American Classical Carved Mahogany Games Table, early 19th c., Boston, shaped foldover top with reeded edge, conforming frieze, plinth base, sabre legs ending in brass paw feet, casters, height 29 in., width 36 in., depth 18 in. $800/1200

408. Norman Rockwell (American, 18941978), “‘At the Vets’ (Study for the March 29, 1952 Cover of The Saturday Evening Post)”, charcoal on paper laid on card, monogrammed lower right, inscribed “Best wishes to my friend / Dr. Henry Cooper, cordially Norman Rockwell” lower margin and initialed and inscribed “Sketch for / figure on Post Cover / NR” en verso, 18 1/2 in. x 8 3/8 in., framed. $12000/18000 Provenance: Estate of James Fenimore Cooper IV. Through his illustrations, Norman Rockwell (American, 1894-1978) became as familiar to the American public as the iconic images that he created. Perhaps Rockwell’s most celebrated works were covers produced for The Saturday Evening Post. In his covers, Rockwell captured a wide range of topics relating to the social and cultural changes of the time. During the course of his tenure at the Post, Rockwell created over 300 covers, including “At the Vets”, the cover illustration for the March 29, 1952 edition, for which the present work is a study. This poignant image of a young boy sitting patiently as he waits to bring his injured dog to visit the veterinarian is signed and dedicated by the artist “to my friend Dr. Henry Cooper.” Dr. Henry Sage Fenimore Cooper (b. 1895 Albany, NY- d.1984 Cooperstown, NY) was a noted surgeon in New York City. Dr. Cooper graduated from Yale University; following his service in World War I, he attended Harvard Medical School. During his career, Dr. Cooper served as an associate attending surgeon at Presbyterian Hospital and an associate clinical professor at the College of Physicians and Surgeons of Columbia University, where he was known for his emphasis on humanism in training of physicians. In 1925, Dr. Cooper along with the support of Stephen C. Clark, Sr., the philanthropist and art collector, reopened the Basset Hospital in Cooperstown, NY, a community founded by his ancestors. The Basset Hospital became one of the country’s leading rural research and teaching hospitals. Upon his death, Dr. Cooper was trustee emeritus of the Hospital and had been its president for 50 years. References: Norman Rockwell: My Adventures as an Illustrator, New York, 1994. ; Ennis, Thomas W. (1984, Sept. 12) Henry S.F. Cooper, Surgeon and Ex-Columbia Professor. The New York Times.

408 W denotes the lot is illustrated at www.nealauction.com

410

409

411. Louis Agassiz Fuertes (American, 1874-1927), “Red Tail Hawk”, 1899, watercolor on paper laid on paper board, signed lower right, titled and inscribed “Ithaca [NY]” lower left, 10 in. x 8 in., framed. $1000/1500 Provenance: Estate of James Fenimore Cooper IV.

411 412

409. Francis Hopkinson Smith (American, 1838-1915), “Women and Children on a Wooded Slope”, 1878, watercolor, gouache and charcoal on paper, monogrammed, dated and later fully signed lower left, sight 32 in. x 17 1/4 in., framed. $1000/1500

410. Louis Agassiz Fuertes (American, 1874-1927), “Raven”, watercolor on paper laid on Bristol board, signed lower center, sheet 20 1/8 in. x 18 3/8 in., framed. $3000/5000 Provenance: Estate of James Fenimore Cooper IV.

412. Francis Hopkinson Smith (American, 1838-1915), “Westminster Abbey”, Conté crayon on paper, signed lower left, hand inscribed label “Westminster Abbey / by F. Hopkinson Smith / from Tinka, Lewis & John / to Frederick Morris in memory of / Katherine Clark Morris” en verso, 22 5/8 in. x 28 5/8 in., framed. $1500/2500

413

417

413. An American Federal Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., Mid-Atlantic or Delaware River Valley, four graduated drawers, “French” feet, height 36 1/4 in., width 42 in., depth 23 5/8 in. $2000/3000 414. A Fine American Rococo Carved Mahogany Armchair, mid-19th c., scrolled upholstered back, padded scroll arms, serpentine seat rail, turned legs, casters. $500/750 415. An American Classical Mahogany Armchair, early 19th c., Boston, tablet crest, conforming slat, scrolled arms, turned legs. $800/1200

414

Note: This chair relates to a group of Boston chairs. Shipping manifests indicate that very little furniture was imported into Boston, either from abroad or from other American cities, which further emphasized the use of English design books.

415

Reference: Talbott, Page, “Seating Furniture in Boston, 1810-1835”, The Magazine Antiques, May 1991, pp. 956-969.

416. The Governor William Heard Sterling Silver Presentation Tea and Coffee Service, c. 1900, A.G. Schultz & Co., Baltimore, comprising a teapot, coffee pot, creamer, sugar and waste bowl, each piece engraved with a Louisiana State seal, weight approx. 86.8 troy ozs. $5000/7000 Provenance: Descended in the family of Louisiana Governor William Wright Heard (1853-1926). Note: Wright served as governor of Louisiana from 1900 to 1904. He is credited with the design of the Louisiana State Seal, adopted in 1902 and in use to this day.

416 417. An Antique American Painted Pine Hutch Table, 18th c. and later, oval tilt top, shaped supports, trestle base, height 26 3/4 in., width 39 1/2 in., depth 27 1/2 in. Note: Lacks hinged seat. $500/800 Provenance: Estate of James Fenimore Cooper IV. W denotes the lot is illustrated at www.nealauction.com

418. The Mary Lawrence Carved and Painted Oak “Hadley” Chest, c. 1708, Hatfield, Hampshire County, Massachusetts, façade with tulip flower and leaf design, central panel with the initials “ML” under a heart, later hinged lid inscribed “AOS 1844”, pine secondary wood, height 34 in., width 47 3/4 in., depth 20 3/4 in.; accompanied by a copy of The Hadley Chest by Clair Franklin Luther, 1935, Copy #459. $15000/25000 Provenance: Probably made for the 1708 marriage of Mary Lawrence (16881713) and John Allis Jr. (1682-1773). Acquired by James Fenimore Cooper (18581938) before 1929; thence by descent within the Cooper family, to James Fenimore Cooper IV. Published: Luther, Clair Franklin, The Hadley Chest (Hartford: 1935), p.138, #47; Kane, Patricia E., “The Seventeenth-Century Furniture of the Connecticut Valley: The Hadley Chest Reappraised,” in Ian M. G. Quimby, ed. Arts of the AngloAmerican Community in the Seventeenth Century (The Henry Francis DuPont Winterthur Museum: 1975), pg. 119, #126.

carving on the leaves”.iv Both chests have flat leaf and tulip carved decoration that was laid out with templates and the designs on each rail confined within incised borders, an unusual feature on Hadley chests that these two related chests share with another Hadley chest with the initials HA, possibly for Hannah Allis, Rebecca’s sister, who married John Broughton Jr. in 1691.v Though free-hand carving is liberally sprinkled throughout the panels, there is no free-hand carving across the joints on any of the three chests as there is on other Hadley-type chests. The rails and panels were designed, carved, and painted before the chest was assembled and the stippling in the carved areas unified the design as well as hid the tool marks.vi The ML chest has the typical construction that is found in most Hadley chests. The four stiles have five sides and the framing members are all chamfered. The upper back board is framed into place, and a lower backboard, typically covering the drawer cavity, is missing here, perhaps removed when the drawer was repaired. The bottom of the chest compartment is comprised of three pine boards, with grain running from front-to-back, while the drawer bottom is constructed with two boards joined by a lap joint with the grain running from side-to-side. The drawers are side-hung, with a single large dovetail joining the drawer sides to the drawer façade. The groove in the drawer sides and its relationship to the single large dovetail varies from chest to chest; in this particular example, the dovetail is just above the groove.

Note: In 1883, pioneer collector Henry Wood Erving purchased an early American joined and carved chest out of a house in Hadley, Massachusetts, and ever since, this group of related chests has been referred to as Hadley chests. To date, there are over 250 pieces of related The “ML” chest was most likely joined furniture that survive from this made as a engagement or wedding area of Western Massachusettspresent for Mary Lawrence and stretching from Enfield to Northfieldmight have carried her dowry to her along the Connecticut River. i In new life, just as chests have done 1935, the present chest was throughout ages and cultures. The recorded in the first comprehensive heart and tulip motif are both study of the form by Reverend Clair symbols of love, and the tree of life Franklin Luther, who used motif carved and incised into each genealogical records in an attempt to inset panel is symbolic of fertility and match the initials carved into the longevity. The strong provenance of fronts of the chests to contemporary the RA chest, together with the local women’s birth and marriage shared templates and free-hand records. Dr. Luther identified Mary decoration on the two chests suggest Lawrence (1682-1713), who married that they were made by the same John Allis Jr. (1682-1773) in 1708, as hand. John Jr., his brother Ichabod the original owner of this chest. This and his father, John Sr., have long early provenance is strengthened by been known as joiners who made the survival of an almost identical these types of chests and it is chest, carved with the initials “RA,” tempting to speculate that either that descended in the family of Ichabod, John Jr., or both, were the fig 1 Photograph courtesy of the Pocumtuck Valley Memorial Rebecca Allis (Ichabod and John Jr.’s craftsmen who made these chests. Association, Memorial Hall Museum, Deerfield, Massachusetts. sister) and her husband Nathaniel At the time of Dr. Luther’s study, the Graves (fig 1). That chest was given ML chest was owned by James to the Memorial Hall Museum in Deerfield, Massachusetts in 1887 by Chester Fenimore Cooper (1858-1938), grandson of the author and great-grandson of the ii Graves Crafts, Rebecca and Nathaniel’s great-grandson. Both chests feature founder of Cooperstown, NY, where this chest was purportedly found in an old identical overall design of flat tulip flowers with leaves and scrolls, what Patricia farm house. The top, a later addition, is painted with the initials AOS and the date iii Kane termed “the Hadley Motif,” repeated five to a row on the drawer front 1844. and medial rail and four at the top of the chest, leaving the area surrounding the Neal Auction Company would like to thank Seth A. Thayer Jr. for his lock uncarved. The same pattern templates were used on both chests, which is invaluable assistance with this catalogue entry. most evident in the carving surrounding the central incised tulip motif on the drawer front and medial rails. Additionally, the bottom rail of both chests is narrower than on other Hadley chests and unusually carved with a pattern of reverse C-scrolls separated by gouge marks. There are subtle differences in the incised scrolling and the placement and number of gouge marks throughout both chests, particularly around the flat tulip heads. The ML chest does not have gouge marks decorating the tulip heads as the RA chest does. In 1975, Patricia Kane categorized the known 126 Hadley chests into six distinct groups by related style and carving. She assigned the RA chest to subcategory C, “Crescent-shaped gouge carvings on both tulips and leaves,” of minor group 5, called the Scribed Line Type, which included a total of six related chests. The ML chest, which had previously been in group 8, “Unidentified Hadley Chests,” should be moved to group 5 subcategory B “Crescent-shaped gouge

References: i. Safford, Frances G. American Furniture in the Metropolitan Museum of Art: 1. Early Colonial Period: The Seventeenth Century and William and Mary Styles (Metropolitan Museum of Art, New York: 2007) p. 227. ii. Zea, Phillip and Suzanne Flynt, Hadley Chests (Pucumtuck Valley Memorial Association, Deerfield, MA: 1992), p. 10, cover and title page. iii. Kane, Patricia E., “The Seventeenth-Century Furniture of the Connecticut Valley: The Hadley Chest Reappraised,” in Ian M. G. Quimby, ed. Arts of the Anglo-American Community in the Seventeenth Century (The Henry Francis DuPont Winterthur Museum: 1975), p.85. iv. Ibid, pp. 116-119 v. The HA chest is in the Wadsworth Atheneum Collection. Though the free-hand carving appears to be by another hand, the same templates may have been used to carve this chest as well. Patricia Kane assigned this chest to Group 5, subcategory C. Correspondence with Alyce Englund, the Richard Koopman Associate Curator of American Decorative Arts, Wadsworth Atheneum Museum of Art, March 18, 2014. vi. Zea, p.13.

418 W denotes the lot is illustrated at www.nealauction.com

421. An American Mixed Woods Tavern Table, 18th c., probably New England, rectangular top with batten ends, straight frieze, turned and blocked legs, conforming H stretcher, height 25 in., width 39 1/4 in., depth 28 3/4 in. $700/1000 Provenance: Estate of James Fenimore Cooper IV.

419

420

421A. An Early Wrought Iron and Oak Chest, probably 18th c., domical lid with strap hinges, void interior, carrying handles, height 15 in., width 27 in., depth 17 in. $800/1200 Provenance: Estate of James Fenimore Cooper IV.

$2500/5000

422. An American PaintDecorated Tea Caddy, c. 1830, dovetail construction, with leaf borders, the reserves with pears, tripartite interior with remnants of foil lining, bun feet, height 6 1/2 in., width 12 in., depth 5 3/4 in.

Provenance: Estate of James Fenimore Cooper IV.

$500/800

422

421

419. An American William and Mary Tiger Maple Chest-on-Stand, 18th c., New England, upper case with molded cornice, two over three graduated drawers; lower case with three drawers, arched molded frieze, turned legs, shaped box stretcher, turned feet, height 60 in., width 37 in., depth 19 in.

420. An American Pine Stepback Cupboard, early 19th c., molded cornice, scalloped frieze, open shelves, raised paneled cupboard doors below, height 76 3/4 in., width 49 in., depth 15 1/2 in. Note: Traces of old paint. $1000/1500 Provenance: Estate of James Fenimore Cooper IV. 421A

Provenance: Estate of James Fenimore Cooper IV.

423. An American Gilt Brass ThreePiece Girandole Garniture, c. 1850, attributed Cornelius & Co., Philadelphia, “Leather-Stocking” model, depicting Natty Bumppo with two Indians, flared grape leaf and cluster prism ring, central girandole height 6 1/4 in., width 17 in., depth 4 1/2 in., electrified. $500/700

423

424

Provenance: Estate of James Fenimore Cooper IV. Reference: Bacot, H. Parrott Nineteenth Century Lighting..., 1987, pp. 174-175.

426. [Kelmscott Press], William Morris, Story of the Glittering Plain or the Land of Living Men, 1894, Kelmscott Press, Hammersmith, illustrated with woodcuts after Walter Crane, octavo (11 1/2 in. x 8 1/4 in.), quarter linen over blue boards.

424. A Rare War of 1812 Commemorative Kerchief, c. 1815, copper-engraved cotton, memorializing the naval victories of the War of 1812, with vignettes of the Battles of Lakes Erie and Champlain and others, and the signing of the peace at Ghent, decorated with eagle armorials, portraits, laurel leaves, ropes and banners, 25 1/2 in. x 29 in., framed.

$1200/1800 Provenance: Estate of James Fenimore Cooper IV. W 427. A Group of Seven Grolier

$600/900 Provenance: Estate of James Fenimore Cooper IV. Note: The only other known example is conserved at the New York Historical Society, inv. 1943-442. 425. Document Signed by Abraham Lincoln, as President, engraved vellum document, appointing William A. Banks, as Assistant Surgeon of Volunteers, July 1, 1864, signed by Abraham Lincoln as President, and Edwin M. Stanton as Secretary of War, with green paper seal, War Department docketing notations at upper left, 18 3/4 in. x 14 3/4 in., folded, matted and framed.

425

$500/700

$2000/3000 Provenance: Estate of James Fenimore Cooper IV. Note: Born in 1821 in Rockland, Maine, Dr. William A. Banks went out with the Fourth Maine as surgeon and later as Assistant Surgeon of U.S. Volunteers. After the war he was port surgeon of the Marine Hospital Service in Rockland, Maine, where he died in 1893.

Club Books, including: The History of Helyas, Knight of the Swan, 1901, with elaborate pigskin binding and slipcase; Arthur Warren, The Charles Whittinghams Printers, 1896, in three-quarter leather; Charles Dexter Allen, A Classified List of Early American Bookplates..., 1894, paper wraps (2 copies); Catalogue of an Exhibition Illustrative of a Centenary of Artistic Lithography, 1796-1896; 1896, paper wraps; Catalogue of the Engraved Work of Asher B. Durand, 1895, paper wraps (2 copies); Theo. DeVenne, Historic Printing Types, 1886, hard cover in three-quarter linen; and Robert Hoe, A Lecture on Bookbinding as a Fine Art, 1886, hard cover in three-quarter linen, with 63 illustrations.

426

Note: Named after the famed 16th century French bibliophile, Jean Grolier de Servières, the Grolier Club of New York is a fellowship of men and women devoted to books and the graphic arts. The Club, which is located in a neo-Georgian townhouse on E. 60th St. in Manhattan, holds a 100,000 volume library. In addition, the Club publishes books and offers exhibitions and lectures throughout the year to enhance the study and scholarship of the book arts. Membership to this exclusive organization is reserved for collectors, antiquarian book dealers, rare book librarians, and those involved in bibliophile pursuits. Reference: A Brief History of the Grolier Club, The Grolier Club of New York, 2014.

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W 430. [African

Exploration], James Riley, Loss of The American Brig Commerce..., 1817, London, John Murray, octavo, (10 1/4 in. x 7 3/4 in.), 3/4 leather with marbled boards, with folding map of Africa and rebound with 9 engravings from the later edition of An Authentic Narrative of the Loss of the American Brig Commerce... Note: One board loose.

428

$500/700 Provenance: Estate of James Fenimore Cooper IV.

432

428. Charles A. Lindbergh Signed Book, The Spirit of St. Louis, New York, Charles Scribner’s Sons, 1953, silver-stamped blue cloth, original dust jacket, prepublication copy, inscribed by Lindbergh “To Dr and Mrs. H.S.F Cooper / With Best Wishes, Charles A. Lindbergh / Sept., 1953 / Publication date is Sept., 14th”, accompanied by a gilt bronze commemorative medallion, 1931, by Frederick MacMonnies, published by The Society of Medallists, Fourth Issue, cast by Medallic Art Co., NY, diameter 2 3/4 in. $1000/1500 Provenance: Estate of James Fenimore Cooper IV. W 429. [Heraldry], John Guillim, A Display of

Heraldry..., fifth edition, bound with John Logan, Analogia Honorum: or, a Treatise of Honour and Nobility..., London, 1679, printed by S. Roycroft for R. Blome, folio (14 in. x 9 in.), full leather, with 317 and 181 pgs., respectively, bearing the bookplate of James Fenimore Cooper (1858-1938), showing the doorway to his stone manor Fynmere, built by noted architect Charles Platt.

431

$600/900 Provenance: Estate of James Fenimore Cooper IV.

431. John James Audubon (American, 1785-1851), “Wild Turkey”, chromolithograph, from The Birds of America, Bien edition, NY, 1860, sheet 39 1/4 x 26 3/4 in., framed. $1000/1500 432. John James Audubon (American, 1785-1851), “Red-eyed Vireo”, Plate 150, handcolored engraving with aquatint, from The Birds of America, Havell edition, partial “J. Whatman” watermark, sheet 29 3/4 in. x 21 1/2 in., framed. $600/900 433. John William Hill (American, 18121879) and Benjamin Franklin Smith (American, 18301927), “New Orleans from St. Patrick’s Church, 1852”, hand-colored lithograph, published by Smith Brothers & Co., 225 Fulton Street, New York, signed in plate lower left, sheet 23 3/8 in. x 39 3/4 in., unframed. $500/700

433

Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans.

434

434. John L. Boqueta de Woiseri (active America, 1797-1815), “A View of New Orleans taken from the Plantation of Marigny”, 1803, colored aquatint with engraving, showing saw mills, the Place des Armes, St. Louis Cathedral, three newly hoisted American flags, with an eagle holding a banner with the motto “Under My Wings Every Thing Prospers” above, sheet 13 in. x 22 3/4 in., framed. Note: Mounted on heavy stock.

436

$1500/2500 Note: In 1803, John L. Boqueta de Woiseri, a portrait artist by trade, who developed his talents as an engineer and designer, produced a bird’s eye view of the city of New Orleans. The etching presented here is a companion to a map produced by Boqueta de Woiseri most likely under the guidance of Pierre Clement Laussat, the prefect of Louisiana, who resided at the Marigny plantation. Boqueta de Woiseri’s etching is unique as it was the only view at the time to depict the city’s most important buildings: the Cabildo, the Presbytere, and St. Louis Cathedral. In addition, the etching celebrates the purchase of New Orleans and the Louisiana territory by the United States. This monumental event is symbolically portrayed by the eagle clutching a sixteen star-spangled banner. John L. Boqueta de Woiseri’s rendering of the newly minted American city is also included in the collection of Monticello and has been exhibited at the Historic New Orleans Collection. Reference: The Historic New Orleans Collection, Charting Louisiana: Five Hundred Years of Maps, 2003. The Historic New Orleans Collection Printmaking in New Orleans, 2006.

W 435. A Victorian Tôle Peinte and Parcel Gilt Coal Hod, 19th c.,

brass hardware, the reserve painted with a swallow flying over lily pads, removable liner, retains shovel with porcelain handle.

437

$200/300 Provenance: Estate of James Fenimore Cooper IV. 436. An American Federal Inlaid Mahogany Server, late 18th/early 19th c., bowfront top, conforming frieze drawer, square tapered legs with paterae over bellflowers, height 33 in., width 38 3/8 in., depth 20 in. $1000/1500 437. A George III Ebonized, Oak and Satinwood Miniature Collector’s Chest, 19th c., eight drawers over a single long drawer, bracket feet, height 17 in., width 23 1/4 in., depth 9 1/4 in. $800/1200 438. A George III Inlaid Mahogany Bowfront Chest of Drawers, late 18th/early 19th c., banded top, two over two drawers, shaped base, “French” feet, height 35 1/2 in., width 35 1/2 in., depth 20 in. $800/1200 438

W denotes the lot is illustrated at www.nealauction.com

439

442

441. A William IV Birdseye Maple Dome Top Tea Caddy, c. 1840, with mother-of-pearl inlay, two interior compartments, length 12 in. $700/900 Provenance: White Hall Antiques, Chapel Hill, NC. 442. A Regency Tortoiseshell Tea Caddy, early 19th c., decagonal form, two interior compartments, retains traces of foil lining, height 5 1/4 in., width 5 in., depth 5 in.

440

439. A George III Inlaid Mahogany Bowfront Sideboard, early 19th c., banded top, case fitted with a drawer flanked by cupboard door and deep drawer, square tapered legs, spade feet, height 37 in., width 55 in., depth 24 in.

$2000/3000 Provenance: Wellesley House Ltd., Lake Forest, IL.

$2500/3500 440. A George III Carved Mahogany Camelback Sofa, late 18th c., volute arms, serpentine seat rail, feather carved, fluted tapered legs, brass cuffs, casters, height 36 in., width 81 in., depth 36 in. $2500/3500

441

443. A George III Fruitwood Tea Caddy, late 18th c., with brass scroll handle and batwing escutcheon, compass star inlay, divided interior, length 9 1/4 in. $700/900 Provenance: White Hall Antiques, Chapel Hill, NC. 444. A George III Inlaid Mahogany Pembroke Table, late 18th c., drop-leaf top, frieze drawer, square tapered legs, cuff casters, height 28 1/2 in., width 20 in., depth 31 in. $1500/2500 445. Joseph Thors (British, 1843-1900), “Figures Fishing in the Pool of a Wooded Stream”, c. 1870, oil on canvas, signed lower right, early 20th c. labels “Joseph Cooke...Birmingham” en verso of frame, 20 1/2 in. x 30 1/4 in., original giltwood frame.

443

$1000/1500

444

446. Henry Deacon Hillier (British, 18581930), “A Shepherd’s Cot Near Taynuilt, Loch Etive, Arcy Nshite”, oil on canvas, signed lower left, titled, numbered “A.239” and London canvas stamp en verso, 12 1/4 in. x 18 1/4 in., original frame with Marshall Field Picture Galleries label.

447

445

446

447. A Pair of American Classical Mahogany Side Chairs, early 19th c., New York, each with tablet crest, cornucopia splat, molded uprights, trapezoidal slip seat, molded saber legs. $1000/1500

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

448

448. An American Gothic Carved and Laminated Rosewood Étagère, c. 1850, probably New York, reticulated crest, spire finials, octagonal bracket shelves, mirror back, low marble shelf, ring-turned legs, height 81 in., width 33 in., depth 13 1/2 in. $7000/10000 Note: An almost identical étagère is conserved in the Brooklyn Museum (acc. no. 76.101) and another, from the Lee B. Anderson Collection, was sold at Doyle, New York, September 19, 2012 as lot 1233.

449. A Good American Classical Carved and Gilt Pier Mirror, early 19th c., attributed to Isaac Platt, New York, engaged columnar surround, fleur-de-lis corners, height 59 1/2 in., width 32 in. $1500/2500 Provenance: Estate of James Fenimore Cooper IV. 450. An American Classical Carved and Giltwood Pier Mirror, early 19th c., split baluster surround with rosette blocks, divided mirror plate, height 50 1/2 in., width 26 in. $500/750 Provenance: Mary Plantation, Braithwaite, LA.

449

450

451

451. A Rare Pair of American Classical Carved and Gilt Stenciled Mahogany Encoignures, early 19th c., New York, each with quarter round top with fans and banding, frieze with fruit reserve, turned acanthus stenciled support, molded drum plinth, outswept legs ending in paw feet, height 36 in., width 33 in., depth 24 in. $2500/5000 Note: The extensive use of stenciling on this pair of encoignures points to their New York origin. The ornately turned moldings on the plinths relate to a labeled table by Edward Holmes (active 1821-42) that sold April 3, 2005 at Northeast Auctions as lot 1255. Of the small group of known labeled pieces by the firm of Holmes and Haines, most of those incorporate the use of elaborate gilt stencils. Reference: Northeast Auctions, Kelly Collection, April 3, 2005, lot 1255; Rini, Erik, “Edward Holmes & Simeon Haines: Cabinetmakers in the Empire New York City”, The Magazine Antiques, May 2005.

W denotes the lot is illustrated at www.nealauction.com

452

454

453

452. A Pair of American Classical Mahogany Side Chairs, early 19th c., Philadelphia, each with tablet crest rail, scrolled slat centering a panel, saber legs. $500/1000 453. A Pair of American Classical Mahogany Side Chairs, early 19th c., Philadelphia, en suite with preceding lot. $500/1000

455. A Fine Pair of Monumental Charles X Ormolu-Mounted Tôle Peinte Annular Lamps, c. 1820, each font atop Pompeian red urn, faux marbre columnar standard, plinth base, period cut and etched glass shade with ormolu crown, overall height 43 3/4 in., diameter 11 1/2 in. $3000/5000

454. A Fine Scottish Carved Giltwood Mirror, in the Louis XVI taste, stamped John Taylor & Sons, Manufacturer, Edinburgh, oval bellflower swagged frame surmounted by a beaded cartouche, base with foliate shell, height 78 in., width 46 in. $1500/2500

455

Note: These lamps relate to several examples in a trade catalogue published by Marsaux et Cie in Paris during the early 19th century. The catalogue listed similar lamps ranging in size from thirteen to twenty-five inches. Stylistically related to ancient Roman motifs, the Neoclassical designs were the height of fashion in the Empire style from 1800 to 1830. The popularity of these fixtures, especially in the United States, is reflected in the presence of a tôleware annular lamp in Henry Sargent’s 1821 work, “The Dinner Party”. Reference: Plescia, Vincent P., “Successful Innovations in Domestic Oil Lighting, 1784-1859”, The Magazine Antiques (December 2005).

456 (1 of a pair)

457

456. A Pair of Antique French Three Panel Papier Peinte Wallpaper Screens, early 19th c., one side with gray ground and an arabesque design incorporating putti, sphinxes and floral vases, the reverse with repeating floral motifs, height 73 1/4 in. and 74 1/4 in., respectively, both width 75 in. $4000/6000 457. A George II Carved Mahogany Library Armchair, mid-18th c., arched rectangular back, padded arms, acanthine cabriole legs, ball and claw feet.

458

458. A George III Mahogany Secretaire Bookcase, early 19th c., upper case with turreted cornice, two glazed doors flanked by reeded colonettes, interior with adjustable shelves, conforming base with satinwood fitted writing drawer above three graduated drawers, turned feet. $4000/6000

$3000/5000 458 (detail closed) W denotes the lot is illustrated at www.nealauction.com

459

460

461. A Monumental Louis XV Carved Fruitwood Bombé Commode, 18th c., possibly Lyon, fitted with three paneled drawers, cabriole legs, scrolled toes, height 38 in., width 54 1/2 in., depth 28 in. $6000/8000 461

459. A Fine William IV Carved Mahogany Sarcophagus-Form Cellarette, early 19th c., fitted interior with zinc liner, spiral-carved ball feet, casters, height 26 1/2 in., width 27 1/2 in., depth 21 1/2 in.

460. A Fine Louis XVI Mahogany and Bois Clair Console Table, c. 1790, later shaped rouge marble top, conforming frieze drawer, fluted legs, stretcher shelf, height 33 1/2 in., width 32 1/2 in., depth 20 in.

$2500/3500

$1500/2500

462

463

462. A George II Mahogany Console, early to mid-18th c., marble top, molded frieze, cabriole legs, pad feet, height 32 in., width 48 in., depth 24 in. $4000/6000 463. A George III Mahogany Bachelor’s Chest, c. 1780, dressing slide, two short over three graduated drawers, molded base, shaped bracket feet, height 36 1/2 in., width 36 1/2 in., depth 18 1/2 in. $1000/2000 464. A Pair of Continental Carved Figures of Saints, late 18th/early 19th c., heights 45 1/2 in. and 42 in. $7000/10000

464 W denotes the lot is illustrated at www.nealauction.com

466. A Rare Art Copy of a Vapheio Cup, late 19th/early 20th c., Emile Gilliéron (Swiss, 1850/1-1924) and his son, Emile (1885-1939), marked, depicting the capture of wild bulls in ferocious resistance, height 3 1/4 in., width 5 1/4 in., depth 4 in. 465

$1000/2000 467

466

468

465. A Rare Art Copy of a Vapheio Cup, late 19th/early 20th c., Emile Gilliéron (Swiss, 1850/1-1924) and his son, Emile (1885-1939), marked, depicting the capture of wild bulls peacefully following their captor, height 3 in., width 5 1/2 in., depth 4 1/4 in.

467. A Rare Art Copy of a Mycenaean Cup, late 19th/ early 20th c., Émile Gilliéron (Swiss, 1850/1-1924) and his son, Émile (1885-1939), marked, repoussé design with mythical beasts, height 5 1/4 in., width 5 in., depth 4 1/4 in.

$1000/2000

468. A Rare Pair of Art Copies of Mycenaean “Nestor Cups”, late 19th/ early 20th c., Émile Gilliéron (Swiss, 1850/1-1924), and his son, Émile (1885-1939), marked, each with falcons resting on the handles, height 6 3/4 in., width 6 1/2 in., depth 3 1/2 in.

Note: Heinrich Schliemann’s discoveries at Mycenae in 1876 and Sir Arthur Evan’s excavations of the ancient Minoan civilization at Knossos (1900-1930) were instrumental to the works of 469 Émile Gilliéron and his son. The Gilliérons spent more than thirty years working at Knossos, establishing a thriving business in the reproduction of these rare antiquities. Examples of their work can be found in collections around the world. Recent accolades include an exhibition of their work at the Metropolitan Museum of Art, Historic Images of the Greek Bronze Age: The Reproduction of É. Gilliéron & Son, May 2011- December 2012. The Metropolitan houses pieces by the Gilliérons, including two Vapheio cups (06.202 and 06.203) similar to the ones offered here. Examples of Vapheio, Nestor and Mycenaean cups (that resemble this lot and the following) are also found in the Harvard Art Museum/Arthur M. Sackler Museum (1901.3, 1901.4, 1910.13 and 1910.15).

$800/1200

$1000/2000 469. A Vintage Louis Vuitton Trunk, early 20th c., orange label with serial #124254, logo cloth, void interior, sides painted “Dr. H. Bayon/ New Orleans/ LA-USA”, height 14 3/4 in., width 23 3/4 in., depth 14 3/4 in. $700/1000 Note: Sold for the benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

470. An American Carved Walnut Portfolio Stand, 19th c., adjustable frame, trestle base, turned stretchers, casters, height 45 in., width 31 in., depth 26 in.

471

$1200/1800 470

473 472

471. A Pair of Louis XV-Style Polychrome Porcelain Parrots, each seated on Rococo gilt bronze bases, height 13 1/2 in., width 9 in., depth 10 in. $1000/1500 472. A Fine Georgian-Style Burl Walnut Partner’s Desk, banded oval top, frieze fitted with three drawers and opposing sham drawers, each pedestal with two drawers, molded plinth, height 31 3/8 in., width 83 in., depth 44 in. $2500/3500 473. A Restauration Carved Mahogany Fauteuil, early 19th c., arched crest rail, scrolled arms, rounded seat rail, scrolled legs. $600/900 474. A Restauration Carved Mahogany Fauteuil, early 19th c., molded crest, scrolled arms, rounded seat rail, lappet carved legs, scrolled toes. $600/900 474

W denotes the lot is illustrated at www.nealauction.com

476

475. A Very Fine Louis XVI Carved and Inlaid Walnut Armoire, late 18th c., molded arched cornice, paneled doors centering compass stars, drawer below, shaped feet, height 98 in., width 65 in., depth 33 1/2 in. $4000/6000 476. A French Provincial Carved Walnut Side Cabinet, 18th c., “swelled” case with drawer over paneled doors, short cabriole legs, height 38 1/2 in., width 47 1/2 in., depth 26 1/2 in. $2500/3500 477. An Italian Rococo Gilt and Creme Peinte Console Table, late 18th c., Rosso Antico serpentine marble top, conforming frieze, cabriole legs, scrolled acanthine stretcher, height 38 1/2 in., width 61 in., depth 23 1/2 in.

475

$3000/5000

477

478. A Pair of Louis XVI-Style Figural TwoLight Sconces, opposing cherub standards holding scroll and foliate supports, height 27 in., width 15 in., depth 9 1/2 in. 478

$2500/3500

481

479. A Fine Pair of Louis XVIStyle Lapis Lazuli and Bronze Doré Urns, rope-twist body, foliate collar, mounted as lamps, height 19 1/2 in., diameter 6 1/2 in. $2000/4000 480. A Fine Pair of Carved Stone Jardinières, each bowl of interlaced Celtic design, height 13 1/2 in., diameter 19 1/2 in.

482

$2000/3000 479

481. A Continental Bronze Figural Group, 19th c., modeled as Pan and a wood nymph frolicking with an infant satyr at their feet, after Claude Michel Clodion (French, 1738-1814), inscribed “Clodion” on base, height 14 1/2 in. $1500/2500 482. An Anglo-Colonial Carved and Inlaid Side Table, probably 19th c., cabriole legs, height 27 1/2 in., width 26 in., depth 25 in. $1200/1800

480 W denotes the lot is illustrated at www.nealauction.com

483

483. An Italian Rococo Carved, Gilt and Verte Peinte Mirror, probably 18th c., surround finely ornamented with cavorting putti amid scrolled acanthus, height 91Â in., width 48Â in. $10000/12000

484. A Pair of Decorative Beaux-Arts Console Tables, early 20th c. and later, each of Neoclassical inspiration, with colorful specimen marble top, paired gesso and plaster lion monopod supports, framed mirror back, plinth base, height 33 in., width 60 in., depth 23 in. $5000/7000 485. An Italian Rococo Walnut and Parquetry Commode, 18th c. and later, serpentine top, conforming case fitted with three drawers, cabriole legs, hoof feet, height 36 in., width 36 1/2 in., depth 21 in. $800/1200 484 (1 of a pair)

485

487

486. An Empire Carved Mahogany Canapé, early 19th c., paneled crest rail, reeded arms, curved seat rail, anthemion carved tapered legs, height 37 in., width 69 3/4 in., depth 21 in. $1200/1800 487. A French Provincial Carved Walnut Console Table, late 18th/ early 19th c., marble top, frieze centering shells, cabriole legs, hoof feet, height 28 1/2 in., width 37 in., depth 23 in. $1500/2500

486

W denotes the lot is illustrated at www.nealauction.com

488

491

489. An Antique Louis XVI Carved Fruitwood Baldachin, probably 18th c., arched top, surround with floral reserves. $1000/1500 489 490. An Interesting French Provincial Carved and Verte Peinte Pine Conservatory Table, 19th c., decorative faux marbre top, baluster supports, medial shelf, plinth base, height 31 in., length 78 in., width 48 1/2 in. $3000/5000 491. A Restauration Brass Inlaid Mahogany Table, early 19th c., gris de Ste. Anne marble top, paneled and blocked frieze, fluted columnar legs, stretcher, disc feet, casters, height 28 in., diameter 28 1/2 in.

490

$2000/3000

488. A Good French Provincial Carved Walnut Drawleaf Dining Table, early 19th c., rectangular top, conforming leaves, paneled frieze, columnar supports, stretcher, bun feet, height 29 1/2 in., length 56 1/2 in., width 27 in. $2000/3000

492. Gaston Sébire (French, 1920-2001), “Petite Plage”, oil on canvas, signed lower right, signed, titled and with “Wally Findlay Galleries” label en verso, 7 3/4 in. x 18 3/4 in., original giltwood frame. $1200/1800 492

493

495

493. Constantine Kluge (French, 1912-2003), “Les Cressionnières”, oil on canvas, signed lower left, titled on frame plaque, “Wally Findlay Galleries New York” label on backing material, 24 1/4 in. x 36 in., framed.

494

$2500/5000 494. A Continental Neoclassical Walnut and Parquetry Secretaire, 18th c., Italian or German, pedimented superstructure with drawers and door, cylinder lid with fitted interior above three drawers, molded base, turned feet, height 76 in., width 52 1/2 in., depth 27 in. $2000/3000

495. A Fine Pair of Louis XV-Style Carved and Gilded Consoles, each with shaped marble top, floral frieze with central cartouche, C scrolled floral legs, scrolled toes, pierced cartouche, stretchers, height 32 in., width 19 1/2 in., depth 19 1/2 in. $5000/7000 496. A Good Pair of Louis Philippe Gilt Bronze Chenets, 19th c., each opposing musical figure within rocaille surround, height 11 in., width 9 in., depth 7 1/2 in. $800/1200

496 W denotes the lot is illustrated at www.nealauction.com

499. A Continental Carved and Polychrome Figure of The Immaculate Virgin, standing on a starry hemisphere surmounted by an apple-eating serpent, height 52 in., width 23 in. $2000/3000 500. A Continental Alabaster Group of “The Three Graces”, 20th c., on oval base, overall height 28 3/4 in., width 13 3/8 in. $2000/3000 497

499

498

497. A Pair of Empire-Style Bronze Doré and Marble Two-Light Candelabra, probably late 19th c., Winged Victory figure with paired torchères, violette marble bases, with Classical mounts, height 21 1/2 in., width 8 in., depth 6 in. $1500/2500 498. A Louis XVI-Style Gilt Bronze-Mounted, Carved and Inlaid Mahogany Commode, early 19th c., marble top, three over two drawers, tapered legs, cup casters, height 34 in., width 51 in., depth 23 in. $2000/3000

500

501

502

501. A Pair of Very Fine Continental Gilt Bronze Girandole Mirrors, probably French, each opposed mirror within complex scrolled foliate and floral surround issuing four arms, height 47 1/2 in., width 27 in. $10000/15000

503

502. An Edwardian Paint-Decorated Satinwood Two-Tiered Stand, early 20th c., molded oval top, shaped supports, conforming second tier, square tapered legs, height 31 1/2 in., width 35 in., depth 22 in. $800/1200

503. An Italian Renaissance-Style Carved Walnut Refectory Table, 19th c., rectangular top with lamb’s tongue molded edge, frieze drawers, trestle supports, wrought iron stretcher, height 30 in., width 52 in., depth 30 1/2 in. $2000/3000

W denotes the lot is illustrated at www.nealauction.com

504

506

504. A Pair of Venetian Polychrome PaintDecorated Commodes, early 20th c., each with serpentine top, conforming case with two drawers, cabriole legs, found in original paint, height 32 in., width 39 1/2 in., depth 16 in. $2000/4000 505. A Neoclassical-Style Gilt and Patinated Bronze Jardinière, late 19th/early 20th c., central corbeille on baluster support, smaller corbeilles on winged female terms, incurvate triangular faux marbre base, height 40 1/2 in., width 29 in., depth 29 in. $8000/12000 506. A Restauration Bronze-Mounted Figured Walnut Commode, 19th c., green marble top, frieze drawer, three graduated drawers flanked by engaged columns below, blocked feet, height 34 in., width 52 1/2 in., depth 26 in. $1200/1800

505

507

507. An Opposing Pair of Louis XVIStyle Gilt Bronze-Mounted and Inlaid Mahogany Demilune Commodes, Maison Dissidi, Paris, marked, each with marble top, frieze drawer over door, square tapered legs, ferrules, the whole inlaid with extensive views of Classical ruins, height 36 in., width 46 in., depth 20 1/4 in. $30000/40000 508. A Louis XIV-Style Wrought Iron Refectory Table, finely figured “Breche des Alpes” marble top, scrolled trestle supports, arched stretcher, height 31 in., length 78 1/2 in., width 39 1/2 in.

508

$2000/3000 509. A Louis XVI-Style BronzeMounted Mahogany Console, Maison Dissidi, Paris, galleried demilune marble top, frieze drawer, fluted legs, stretcher shelf, toupie feet, height 33 1/2 in., width 60 in., depth 23 1/2 in. $4000/6000 W 510. An Antique Louis XV

Carved Walnut Fauteuil and Stool, square padded back, shaped legs, stretchers, conforming stool, ottoman height 17 1/2 in., width 20 in., depth 16 1/2 in. $1200/1800 509

W denotes the lot is illustrated at www.nealauction.com

511. Alexander Bakhuyzen (Dutch, 1826-1878), “Milkmaid with Cattle Beside a Pond”, oil on canvas, signed lower right, “Aitken Dottson, Edinburgh” framer’s label on frame, 13 3/4 in. x 21 1/4 in., framed.

W 513. Ludovicus Teseo

Taurinensis (Italian, 18th c.), a copper-plate engraving of an architectural panel of Raphael’s Vatican loggia, by Johannes Volpato, sight 43 in. x 19 1/8 in., matted and framed.

$2000/3000 512. Amedée Bodin (French, b. 1825), “Mother and Child”, 1871, oil on canvas, signed and dated lower right, 22 1/4 in. x 18 1/4 in., antique giltwood frame.

$500/700

$1200/1800

511

512

515

514. A French Bisque Bust of Marie Antoinette, with impressed “Sèvres” mark, on a red variegated marble base, height 31 1/2 in., width 18 in. $1500/2500 515. A Monumental Minton Majolica Jardinière, c. 1876, impressed marks, designed by A.E. Carrier-Belleuse (1824-1887), the vessel centered by ribbon-tied portrait medallions, flanked by ram’s head handles suspending fruit garlands, supported by seated cherubs on circular plinth, height 32 3/4 in., width 34 in., depth 27 1/2 in, now mounted on painted wood plinth, overall height 35 3/4 in. $6000/8000 514

516 518

517

516. A Napoleon III Gilt Bronze-Mounted Marquetry Salon Table, mid-19th c., serpentine top, floral reserve, conforming frieze fitted with drawer, cabriole legs, height 28 1/4 in., length 45 in., width 26 3/4 in.

518. A Fine Pair of William IV-Style Carved Rosewood Library Bergères, each rectangular back with scroll crest, outswept arms on blocked seat rails with bosses and bolection molding, turned and reeded legs, casters.

$1200/1800

519. A George II Carved Mahogany Console, 18th c. and later, scroll frieze centering a shell, bracketed legs, pad feet, height 31 3/4 in., width 54 1/2 in., depth 20 1/4 in.

517. A Regency Burl Maple Writing Table, early 19th c., inset tooled leather top, paneled frieze, trestle base with acanthus brackets, disc feet, turned stretcher, height 29 in., width 36 in., depth 21 in. $1500/2500

519

$2000/3000

$2500/3500 520. A William and Mary Figured Walnut Side Table, 18th c. and later, rectangular top, frieze drawer, trumpet turned legs, shaped stretchers, ball feet, height 27 in., width 31 in., depth 20 in.

520

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

521

522

523

521. A Very Fine Suite of Eight Louis XV-Style Carved Beech and Caned Fauteuils, probably 19th c., each with arched crest centering a shell, padded arms, scrolled legs, shaped stretcher, scrolled toes.

522. A French Provincial Fruitwood Writing Table, late 18th/early 19th c., later inset tooled leather top, frieze drawers, cabriole legs, hoof feet, height 29 in., width 38 1/2 in., depth 23 in.

$4000/6000

$1000/1500

523. A Pair of Louis XVI-Style Argenté Five-Light Sconces, backplate with bouquet finial, tapered and fluted standard, issuing foliate arms, pineapple pendant, height 34 1/2 in., width 20 in., depth 12 in. $2500/3500

100

525

526. A Fine Pair of American Renaissance Carved, Gilded and Ebonized Burled Walnut Pedestals, late 19th c., circular tops, turned anthemion carved and blocked stems, stepped circular bases, height 42 3/4 in., diameter 14 in.

524

$4000/6000

527

526

524. A French Provincial Carved Oak Trumeau Mirror, 18th c., scrolled crest centering a shell, inset painted canvas depicting winged putti with a beribboned dove, shaped mirror plate below, height 83 1/2 in., width 55 in.

525. A Continental Neoclassical Inlaid Fruitwood Commode, 19th c., probably Italian or Austrian, case fitted with two drawers, square tapered legs, height 35 in., width 43 1/2 in., depth 23 in.

527. A Fine American Beaux Arts Carved Mahogany and Marquetry Vitrine, late 19th c., arched crest, bombé case with glazed door, conforming sides, mirrored back, paneled door below, flared leaf carved legs, height 69 1/4 in., width 30 3/4 in., depth 19 1/2 in. $2500/3500 Provenance: Boynton Beach, FL Estate.

$1800/2500

$3000/5000 W denotes the lot is illustrated at www.nealauction.com

101

528

528. A Fine American Neo-Grec Gilt Bronze-Mounted, Ebonized, Gilt Decorated and Inlaid Rosewood Parlor Cabinet, c. 1870, Pottier & Stymus, New York, bronze mounts marked and numbered “4738”, reverse of cabinet numbered “4738”, stepped shaped top, conforming case fitted with two paneled doors centering bronze plaques, birdseye maple shelf interior, fluted and blocked uprights, plinth base, height 51 in., width 55 1/2 in., depth 22 3/4 in. $5000/7500 Note: The sophisticated design of this cabinet incorporates a theme of marital fidelity and domestic harmony. The two large plaques on the doors depict Penelope attending her weaving while awaiting the return of her husband and Ulysses seated with his devoted hound. The bronze plaques are likely from Pierre E. Guerin (1843-1911), who established his New York foundry in 1864 providing mounts for renowned cabinet makers such as Leon Marcotte and Pottier & Stymus. A cabinet with “Penelope” plaques marked “Gúerin” related to those here was offered by Neal Auction Company as lot 81, September 10, 2011. An important rosewood parlor cabinet with collared stiles and bust mounts marked “P&S” very similar to those placed on this cabinet was sold by Neal Auction Company as lot 742, May 1993. The use of a four and five-digit numbering system by Pottier & Stymus before 1888 is well-known and documented in Kristin Herrons’ article on Glenmont, the Thomas Edison Residence in West Orange, New Jersey. The digits on a Pottier & Stymus example could be impressed, stenciled, or inscribed in ink, as seen here. Herron notes that the numbers were probably assigned chronologically, low digits, an “3924” on an Egyptian Revival chair at the Metropolitan Museum of Art dates from 1870, an1882 wardrobe at Glenmont is marked with a higher number “66595”. The inked number on this cabinet, “4736,” indicates manufacture in the early 1870s. An 1888 fire in the manufactory destroyed the firms’ records, and probably terminated use of the numbers in subsequent work from Pottier & Stymus. Reference: Laux, Barbara. “The Furniture Mounts of P.E. Gúerin,” Magazine Antiques (May 2002) p. 140-149 and Herron, Kristin. “The Modern Gothic Furniture of Pottier and Stymus.” Magazine Antiques. (May 1999) p. 765, 768, pl. XIII-XIV, note 15, and p. 769, note 17.

102

529

530

531

529. A Spanish Carved Walnut Refectory Table, 18th c., plank top, frieze with three drawers, splayed trestle supports, iron stretcher, height 31 1/2 in., width 60 in., depth 33 1/2 in.

532

531. An Art Deco-Style Marble Figure of Cleopatra Standing before a Sphinx, 20th c., architectonic stepped base, height 47 in., with a siena marble base, overall height 63 1/4 in., width 21 3/4 in. $4000/6000

$3000/5000 530. Henri Matisse (French 1869-1954), “Leaves; Lierre en Fleur”, color lithograph, pencil-signed lower right and in plate, sheet 14 in. x 10 in., unframed.

532. A Pair of Fantasy Rock Crystal, Malachite, Gilt and Patinated Bronze and Marble Figural Garniture Obelisks, obelisks supported on rhinoceros’ howdah, marble bases with decorative mounts, fronted with a pietra dura scene of a temple, height 41 1/2 in., width 10 1/2 in., depth 21 in.

$1000/1500

$10000/15000 W denotes the lot is illustrated at www.nealauction.com

103

533

536

534

533. A Georg Jensen Sterling Silver AfterDinner Coffee Service, pattern 510, designed by Gustav Pedersen, c. 1927, marked with Jensen trademark and “DESSIN/GP/ DENMARK/ STERLING/510”; comprised of an after-dinner coffee pot, sugar and creamer, with an associated sterling silver tray, S. Kirk & Son; coffee pot height 6 1/4 in., tray diameter 10 in., combined weight 44.85 troy ozs. $2000/3000 Reference: Taylor, David A. and Laskey, Jason W. Georg Jensen Holloware: The Silver Fund Collection, pp. 34 and 188-189.

535. A Continental .800 Silver Salver, late 19th c., marked “ELIMEYER”, “800” and” DRESDEN”, probably Moritz Elimeyer, Jeweler to the Royal Court of Saxony; serpentine reticulated border interspersed with cartouches, scrolled foot, diameter 13 1/8 in., weight 41.25 troy ozs. $700/1000 536. A Rare Pair of Tiffany & Co. Sterling Silver Salt Shakers, 18701875, marked “TIFFANY & Co/ 3147/ STERLING/ M/ 1367/ UNION-SQUARE”, height 5 in., weight 6.95 troy ozs. $1000/1500 Note: An identical pair of pepper shakers from the collection of the Preservation Society of Newport County, Rhode Island, is illustrated in Carpenter, Charles H. et al. Tiffany Silver, p. 89, fig. 102.

535 534. A Fine Danish Art Nouveau Sterling Silver Wine Coaster, Richard Axel Balle, Copenhagen, wc. 1920-1937, reticulated gallery decorated with various beautifully detailed mushrooms, gilt interior, turned wood bottom, height 2 3/4 in., diameter 5 1/2 in. $500/750

104

537

537. A Fine Tiffany & Co. Makers Sterling Silver Asparagus Tray, c. 1902-1907, pattern introduced 1899, with scroll border and paw feet, removable mazarine on ball feet, script monogram, height 2 1/2 in., length 13 3/4 in., width 10 3/4 in., weight 44.55 troy ozs. $1200/1800

538. A Good American Art Nouveau Sterling Silver Punchbowl, Mauser Mfg. Co., New York, 1887-1903, footed form with sinuous cast scroll border, height 9 1/4., diameter 17 in., weight 80.30 troy ozs. $1500/2500 539. An American Art Nouveau Sterling Silver Punch Ladle, Mauser Mfg. Co., New York, 1887-1903, en suite with preceding lot, length 17 1/2 in., weight 13.85 troy ozs.

538

$300/500 540. A Set of Twelve Gorham Sterling Silver Goblets, height 6 1/2 in., weight 60.45 troy ozs. $1500/2500 539

542

540 541 541. A Good Vintage Louis Vuitton Steamer Trunk, c. 1928, serial #745669, logo cloth, with brass hardware, wood slats, void interior, on brass squat wheels, painted monogram “L.F.C. / Cooperstown, N.Y.”, with remnants of ship labels, height 19 1/2 in., width 35 3/4 in., depth 20 in. $1200/2000 Provenance: Estate of James Fenimore Cooper IV.

542. An Arts Decoratifs Black Lacquered and Elm Dressing Mirror, early 20th c., with mother-of-pearl inlay in the Japanese taste, base fitted with deep and shallow drawers, tilting beveled mirror, height 45 in., width 21 3/4 in., depth 10 in. $700/900

Note: The monogram on this trunk belongs to Linn Fenimore Cooper (b. 1899, Albany, NY - d. 1959, Sibu Sarawak, East Malasia), son of James Fenimore and Susan Cooper. A noted humanitarian and doctor, Cooper attended Yale and went to Harvard Medical School and the Johns Hopkins University School of Medicine. He practiced medicine in Washington, D.C. and overseas in Asia, England and Africa, with a stint as lieutenant colonel in the U.S. Air Force Medical Corps. He is buried in Cooperstown, NY. W denotes the lot is illustrated at www.nealauction.com

105

543

543. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Striae #2”, 1972, oil on canvas, signed lower middle and en verso, titled and dated on “The Mint Museum of Art” exhibition label en verso, 59 in. x 47 in., period frame. $12000/18000 Provenance: Private Collection, Birmingham, AL; acquired from the artist. Exhibited: “Ida Kohlmeyer: Thirty Years”, Cheekwood Botanical Gardens and Fine Arts Center, Nashville, TN, January 7-March 18 1984; Oklahoma Art Center, Oklahoma City, OK, June 2-July 15, 1984; Montgomery Museum of Fine Arts, Montgomery, AL, August 11-September 30, 1984; Fort Wayne Museum of Art, Fort Wayne, IN, November 9, 1984-January 6 1985; New Orleans Museum of Art, New Orleans, LA, March 1-April 28, 1985; McAllen International Museum, McAllen, TX, May 28-July 28, 1985; Mint Museum of Art, Charlotte, NC, September 15-December 1, 1985. Literature: Illustrated Ida Kohlmeyer: Thirty Years, Charlotte: Mint Museum of Art, 1983, p. 73. Note: The celebrated New Orleans modernist Ida Kohlmeyer explored a variety of compositional themes in her work. Some formulations, such as the iconic grid paintings, were created for many years. The painting offered here, Striae #2, is from a short lived period in her work. This vibrant canvas is composed of registers and layers of color presented in three separate totems. Striae #2 is an important work in Kohlmeyer’s oeuvre representing the transition from an abstract expressionist style to her more colorful neo-expressionist grid compositions.

106

545

545. Dawson Dawson-Watson (British/Texas, 1864-1939), “Western Landscape with Flowering Cacti”, 1938, oil on canvas, signed and dated lower right, 21 1/8 in. x 16 1/4 in., framed. 544

544. Raoul François Larche (French, 1860-1912), “Loie Fuller, the Dancer”, c. 1900, gilt bronze table lamp, inscribed “R. Larche” with foundry mark “Siot. Decauville. Paris” on base, numbered 705 on base, height 17 3/8 in. $15000/25000 Note: Raoul Larche’s bronze table lamps, modeled after Loie Fuller’s famous Serpentine Dance, are a stylistic masterpiece of Art Nouveau aesthetics. Fuller (1862-1928) was an American dancer, who first developed the Serpentine Dance for her performance in the play Quack, M.D. (1889). The popular reception Fuller received helped launch her career in Paris at the Folies-Bergère where she perfected the “dance of light” under stage lighting to better resemble the flowering shapes that Larche captures in the lamp offered here. The swirling movements and organic forms of the dancer’s billowing dress, designed to represent the provocative abandon of a woman under hypnosis, epitomize fin-de-siècle fascination with psychology and light. From 1900-1912, the Parisian foundry Siot-Decauville cast three identical models of the Loie Fuller lamp in three different sizes, with the gilt bronze finish being the most expensive. An identical lamp to the one offered here (bearing the same 705 stamp) sold at Christie’s, New York, December 7, 2001, lot 377. For more information, see our online catalogue entry.

$9000/12000 Note: Dawson Dawson-Watson (1864–1939) was a British born Impressionist painter who trained in Paris with Carolus Duran (1837-1917) among others. He was one of the first members of the famous Impressionist colony in Giverny, France and was a prominent teacher in Hartford, CT, St. Louis, MO, and San Antonio, TX. Dawson-Watson began spending time in San Antonio while he was still living in St. Louis. From 1914 to 1926 he spent part of each year in San Antonio. It is generally believed that it was the Edgar B. Davis Wildflower Competition that drew him to San Antonio permanently. In 1926, oilman Edgar B. Davis founded an art competition to draw attention to the beauty of the Texas Hill Country. A jury selected the paintings, dividing them into two categories: artists who were residents of Texas and those who came from outside of the state. The formal name of the contest, organized by the San Antonio Art League, was the Texas Wildflower Competitive Exhibition. In 1927, Dawson-Watson won the prize for artists who came from outside Texas and was awarded the $5,000 first prize for Glory of the Morning, at the time the largest cash prize in an American art competition. He went on to win first and fifth prizes in the 1929 competition. These awards not only gave Dawson-Watson great prestige in San Antonio, but national recognition and financial awards that made him financially comfortable for the first time in his life. In San Antonio, he became famous for his paintings of the many variety of cacti that grow in the Texas Hill Country. The work offered here is a lovely example of his impressionist views of flowering cacti. Painted in the year prior to his death, the canvas is a fine example of his fully developed mature style.

References: For additional examples, see: the Musée de l’École de Nancy’s exhibition catalogue Loie Fuller, danseuse de l’Art Nouveau, May- August 2002, p.122; and the Catalogue de la Maison Siot-Decauville, p.101.

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546. Walter Inglis Anderson (American/Mississippi, 19031965), “Frogs”, watercolor and pencil on paper, estate stamp lower right, “Luise Ross Gallery, New York” label en verso, 10 7/8 in. x 8 3/8 in., framed. $10000/15000 Provenance: Luise Ross Gallery, New York, early 1990s. Note: Among the varied flora and fauna that Walter Anderson painted in watercolor during his sojourns to Horn Island, his compositions of frogs are among the most successful. The two frogs depicted here are colorfully rendered with Anderson’s characteristic style: painted in the shades of blue, green, purple and yellow that Anderson generally used in his depictions of frogs. The work offered here is a fulsome composition, using the negative space to reinforce his bold design.

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547. Walter Inglis Anderson (American/ Mississippi, 1903-1966), “Shore Birds”, c. 1960, watercolor and pencil on paper, “Luise Ross Gallery, New York” label en verso, 11 in. x 8 1/2 in., framed. $4000/6000 548. Hunt Slonem (American, b. 1951), “Golden Pheasant”, 1989, oil on canvas, signed, titled, and dated en verso, and “Allene Lapides Gallery, Santa Fe, NM” label en verso, 48 in. x 48 in., unframed. $7000/10000 Note: Hunt Slonem (b. 1951) is an American painter, sculptor, and printmaker best known for his Neo-Expressionist paintings of tropical birds. Since 1973, Slonem has lived and worked in New York City in his legendary loft with his pet birds. His personal aviary has between 30 to over 100 live birds of various species at any one time. His fascination with exotica was imprinted during his childhood in Hawaii and experience as a foreign exchange student in Managua, Nicaragua.

547

Born in Maine, Slonem received his Bachelor of Arts degree from Tulane University in New Orleans and studied painting at the renowned Skowhegan School of Painting and Sculpture in Maine. Slonem’s works are included in many important museum collections such as The Metropolitan Museum of Art in New York, the New Orleans Museum of Art, and the Ogden Museum of Southern in Art in New Orleans, among others. Since 1977, Slonem has had over one hundred-fifty solo exhibitions at prestigious galleries. He regularly exhibits at both public and private venues and has received numerous honors and awards. The vibrant canvas presented here is a colorful study of a pheasant, which utilizes Slonem’s characteristic hatch marks, adding texture and dimension to the composition. A large composition created by energetic blocks of various colors, the hatch marks give the sense of a cage before the bird. For Slonem, cross-hatching has “a feeling of a tapestry, it’s like weaving. I’m making colors bleed into each other, I’m revealing the under-painting.” Reference: Andersen, Kurt, “Hunt Slonem’s Artist Aviary”, February 24, 2012, Studio360.org.

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551. A Newcomb College Art Pottery Vase, 1909, decorated by Marie de Hoa LeBlanc with narcissus modeled in low relief, high glaze with blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. CY-18, and “W” for white clay body, height 12 1/4 in. $6000/9000 551

549

549. A Newcomb College Art Pottery Vase, 1911, decorated by Anna Frances Simpson with freesia modeled in relief, semi-matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. EW65, and “B” for buff clay body, height 10 3/8 in. $10000/15000 550. A Shearwater Art Pottery Vase, c. 1930-40, thrown by Peter Anderson, carved by Walter Anderson, with a pattern of gulls and waves, double glaze of alkaline blue and antique green, ink stamp and impressed mark, height 6 3/4 in. $5000/7000

550

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552. A Rookwood Pottery Vase, 1885, decorated by Albert Robert Valentien with fish in green slip on a yellow-green ground under high glaze, impressed Rookwood mark and date and pattern no. 162A, base initialed by artist, height 12 1/2 in.

554

554. A Rare Shearwater Pottery Cast “Duck” Vase, c. 1930s, cast by Walter Anderson, bronze glaze by Peter Anderson, marked with ink stamp, height 7 1/2 in. $4000/6000

$1500/2500 553. A Newcomb College Art Pottery Vase, 1930, decorated by Anna Frances Simpson with a landscape of moss-laden live oaks modeled in relief, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. SB62, and shape no. 500, height 6 1/8 in., diameter 6 in.

555. A Newcomb College Art Pottery Tankard, 1906, decorated by Maude Robinson in relief with trumpet flowers and the verse “Frame Your Mind To Mirth and Merriment”, high glaze with blue-green and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BI62 and “Q” for buff clay body, height 5 3/4 in. $4000/6000

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556. Louis Oscar Griffith (American/ Indiana, 1875-1956, active New Orleans, 1916-1917), “Noon”, oil on canvas board, signed lower right, titled and signed on “Joseph Sartor Galleries, Dallas” label en verso, 10 in. x 14 in., glazed and framed. $15000/25000 Note: During his time in New Orleans in the winter of 1916-17, Louis Oscar Griffith painted an important series of vibrant impressionistic views of life on the New Basin Canal. Brilliantly rendered, these paintings are studies in the pleinaire effects of winter light reflected off water. The work offered here, Noon, is painted with the richly saturated palette indicative of the full sun of midday. A beautiful example of American Impressionism, this composition demonstrates Griffith’s fondness for depicting the historic waterway that once traversed the city of New Orleans. 557. Will Henry Stevens (American/ Louisiana, 1881-1949), “Forms in Brown and Ochre”, pastel on paper, unsigned, titled on “Richard York Gallery, New York” label en verso, 21 3/4 in. x 26 in., framed. $3000/5000 Provenance: Richard York Gallery, New York.

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558. Albert E. Backus (American/Florida, 1906-1991), “Florida Estate”, oil on canvas, signed lower right, 25 in. x 30 in., framed. $15000/18000 Note: Considered the Dean of Florida painters, Albert E. “Beanie” Backus depicted various locales and vistas of the Florida landscape as well as still lifes of the indigenous fauna. A native of Fort Pierce, Backus was largely a self-taught artist, who studied briefly at the Parsons School of Design in New York. Backus had his first exhibition in 1931 and achieved national recognition in 1939 when his work was included as Florida’s entry in “Art Across the Nation,” a show sponsored by IBM and the Golden Gate Exposition committee. Maintaining a studio in Fort Pierce, Backus exhibited his work in Miami beginning in 1949, which greatly increased his reputation in the state. Backus painted the wide ranging Florida landscape from tropical views of the Everglades to the piney woods of the northern part of the state. The work offered here is a large composition that seemingly depicts an area in central Florida. A rutted road of red clay earth leads to a simple house shaded by a stand of trees. Backus was fascinated by sky and cloud formations, as shown in this painting with its vivid cerulean blue sky and light-filled clouds. Characterized by a sense of serenity, this work is an important example of one of Backus’ mature landscapes of the Florida backcountry. 559. Will Henry Stevens (American/Louisiana, 1881-1949), “Abstraction with Flowers”, 1939, watercolor and gouache on paper, signed and dated lower right, sight 17 3/4 in. x 15 in., framed. $3000/5000 559 W denotes the lot is illustrated at www.nealauction.com

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560. Robert C. Gruppé (American, b. 1944), “Harbor”, oil on canvas, signed lower right, 25 in. x 30 in., framed. $2500/3500 561. A Newcomb College Art Pottery Vase, 1930, decorated by Anna Frances Simpson with lilies-of-the-valley modeled in low relief, matte glaze with green, blue and white underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. SK48 and shape no. 300, height 5 7/8 in. $2500/3500

563

562. A Shearwater Pottery Cast “Fish Bowl”, c. 1940, designed by James “Mac” Anderson, double glaze with bronze over pale blue, height 5 3/4 in. $3000/5000 563. A Shearwater Pottery Plate, c. 1950s, decorated by Walter Anderson with a stylized plant design, cobalt blue, green, mulberry and white glaze, impressed mark, diameter 6 in. $2500/3500

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564. A Shearwater Pottery Plate, c. 1950s, decorated by Walter Anderson with a duck among waves, multi color applied slip with incised decoration, diameter 6 in. $2000/3000 565. A Shearwater Pottery Goblet, c. 1950s, decorated by Walter Anderson with incised and glazed ducks flying above waves, cobalt blue, black and white glaze, impressed mark, height 4 1/2 in.

564

$2000/3000 566. A Shearwater Pottery Cast Figure of a “Heart Faced Cat”, c. 1930s, designed by Walter Anderson, bronze glazed by Peter Anderson, impressed mark, height 7 1/8 in.

567

$1500/2500 567. A Shearwater Pottery Vase, c. 1930s, thrown and glazed by Peter Anderson, antique bronze glaze, impressed, mark and numbered “151” on base, possibly indicating a test glaze or shape, height 9 in.

565

$1200/1800 568. A Shearwater Pottery Vase, c. 1930-40s, thrown and glazed by Peter Anderson, lavender and plum double glaze, impressed mark, height 7 7/8 in.

568

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571. A Shearwater Pottery Vase, c. 1930s, thrown and glazed by Peter Anderson, rare double glaze, impressed mark, height 8 3/8 in. $700/1000 572. A Shearwater Pottery Bowl, c. 1940-50, thrown and shaken by Peter Anderson, turquoise and antique green double glaze, impressed mark, height 4 in., diameter 9 1/2 in.

569

$600/900 571

570

572

569. A Shearwater Pottery Porch Ashtray, c. 1938, thrown by Peter Anderson, decorated by James “Mac” Anderson with a geometric design, double antique green glaze, height 1 in., diameter 4 1/8 in. $800/1200 570. A Shearwater Pottery Vase, c. 19351945, thrown and glazed by Peter Anderson, antique green, impressed mark, height 6 1/2 in. $400/600

573

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573. A Newcomb College Art Pottery Vase, 1923, decorated by Anna Frances Simpson with freesia molded in relief, matte glaze with blue, pink and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MX37, and shape no. 27, height 5 1/2 in. $1000/1500

576. A Shearwater Pottery Ramekin, c. 1930s, thrown by Peter Anderson with platypus handle by James “Mac” Anderson, antique green glaze, impressed mark, height 1 in., width 5 3/4 in. $300/500 576

577. Walter Inglis Anderson (American/ Mississippi, 19031965), “Pitcher Plants”, pen and ink on paper, unsigned, sight 10 1/2 in. x 8 1/4 in., framed; accompanied by a Certificate of Authentication from the Family of Walter Anderson, Ocean Springs, MS, 2003.

574

$2500/3500 578. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Untitled”, 1975, oil and pastel on museum illustration board, signed and dated lower right, sight 12 1/2 in. x 21 1/2 in., framed. $3000/5000 Provenance: Private Collection, Birmingham, AL, acquired from the artist. 577

575

574. A Shearwater Pottery Cast Figural Pelican Bookend, c. 1940s, designed by Walter Anderson, with rare combination of Shoal and blue over green glaze, height 10 1/4 in., width 4 3/8 in., depth 4 3/4 in. $500/750 575. A Shearwater Pottery Vase, c. 1930s, thrown and glazed by Peter Anderson in antique green, impressed mark, height 5 5/8 in. $500/700

578

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579. Jerry Uelsmann (American, b. 1934), “Untitled: Boys on Beach”, silver gelatin print mounted on board, pencil initialed “J.N.U.” and dated lower right, signed, dated and artist label en verso, image 10 in. x 13 in., matboard 16 in. x 20 in., unframed. $1000/1500 580. Jerry Uelsmann (American, b. 1934), “Untitled: Eye in Garden”, 1975, silver gelatin print mounted on board, pencil initialed “J.N.U.” and dated lower right, signed, dated and artist label en verso, image 13 1/2 in. x 10 in., matboard 20 in. x 16 in., unframed. $800/1200

579

581. Edward Steichen (American, 1879-1973), “Mask of Goethe with Spiral”, 1932, silver gelatin print, stamped “Original Photograph by Edward Steichen” and “Printed from the original negative”, pencil titled, dated, numbered “5-264-P” and “#1461”, and inscribed “Exhibit #147” and “Book pl 165” en verso, image 13 in. x 10 in., unframed. $1500/2000 Provenance: Collection and Artist Charles Fritchie (b. 1936), New Orleans, LA. 582. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Untitled”, 1990, from the “Rebus” series, mixed media on wood, signed and dated on underside of base, height 15 1/2 in., width 11 in., depth 3 1/2 in. $2000/3000 Provenance: Arthur Roger Gallery, New Orleans, LA.

580

582

583. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Untitled: Abstract Lines”, c. 1966, pen and ink on paper, signed upper left, sight 7 3/4 in. x 10 1/2 in., original frame. $500/700 Provenance: Private Collection, Birmingham, AL; acquired from the artist.

581 583

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584. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Circular Form”, c. 1960s, oil on linen, signed lower right, “F.W. Nickel - Alexza.ow... Nurnberg, Germany” label en verso, 33 in. x 26 1/2 in., framed.

587

586. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Untitled: Abstract Lines”, c. 1966, pen and ink on paper, signed middle right, sight 10 1/2 in. x 7 7/8 in., original frame.

$5000/7000 Provenance: Private Collection, Santa Fe, NM.

$500/700 585. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Untitled: Abstract Lines”, c. 1966, pen and ink on paper, signed lower right, sight 10 1/2 in. x 7 3/4 in., original frame. $500/700 Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Provenance: Private Collection, Birmingham, AL, acquired from the artist.

585

587. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Untitled: Abstract Lines”, c. 1966, pen and ink on paper, signed lower right, sight 10 1/2 in. x 7 3/4 in., original frame. $500/700 Provenance: Private Collection, Birmingham, AL, acquired from the artist. W denotes the lot is illustrated at www.nealauction.com

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590. Enrique Alferez (Mexican/New Orleans, 19011999), “Female Figure”, bronze, medium brown and verdigris patina, on original mahogany base, height 11 in., overall height 16 in. $8000/12000 Provenance: By descent in a New Orleans family and displayed in a Prytania Street residence for many years, acquired

589

from the artist. 588

Note: A native of Mexico, Enrique Alferez’s life spanned almost the entire 20th century, much of it creating art. A prolific sculptor, Alferez came to New Orleans in 1929 and was so taken with the thriving artistic community in the French Quarter that he stayed. Alferez received a number of commissions, taught at the Arts & Crafts Club and directed the sculpture program for artists employed by the WPA. The latter was certainly Alferez’s most significant contribution to the city of New Orleans. He created statues, fountains and friezes which are located in parks, gardens, airports, public buildings and street scapes all over the city. Alferez’s work is characterized by a gracefulness, especially in his depictions of women for which he is best known. The work offered here is a c. 1950s bronze of a partial nude figure. The face is easily recognizable as the visage Alferez portrays in many of his female sculptures, with her delicate nose and slightly pursed lips. The texture of the sculpture reflects the modeling of clay and differs from the smooth surface that he uses in much of his work. A true afficianado in his renditions of the female form, this a lovely example of his work.

591

588. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Untitled: Abstract Lines”, c. 1966, pen and ink on paper, signed lower right, sight 10 1/2 in. x 7 3/4 in., original frame. $500/700

591. Claude (Claudine) Raguet Hirst (American, 1855-1942), “Still Life with Flowers”, 1886, oil on canvas, signed, dated and inscribed “NY” lower right, 13 in. x 10 in., original frame.

Provenance: Private Collection, Birmingham, AL, acquired from the artist. 589. Walter Inglis Anderson (American/ Mississippi, 1903-1965), “Zinnias and Grasshopper”, c. 1946, ink on paper, unsigned, “Luise Ross Gallery, New York” label en verso, 8 1/2 in. x 11 in., framed. $1500/2500 Provenance: Luise Ross Gallery, New York.

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$800/1200 590

W 592. Louis Oscar Griffith

(American, 1875-1956, active New Orleans, 19161917), “St. Ann Street, New Orleans”, etching, posthumously printed by Carolyn Griffith, pencil-signed, titled, numbered “37/100” and initialed “C.G.”, image 6 1/4 in. x 6 5/8 in., framed. $400/600 W 593. Louis Oscar Griffith

(American, 1875-1956, active New Orleans 1916-17), “Old House, Louisiana”, color aquatint, pencil-signed and titled, 1st proof, image 7 7/8 in. x 9 7/8 in., sheet 9 in. x 11 in., framed.

594 596

595. Alfred Heber Hutty (American/ South Carolina, 1877-1954), “Corner of the Huguenot Church, Charleston, South Carolina”, 1925, etching on paper laid down on board, pencil-signed and snail monogram lower right, edition of 75, plate 5 1/2 in., x 6 1/4 in., framed.

$400/600 594. Elizabeth O’Neill Verner (American/South Carolina, 1883-1979), “Saturday Morning, Charleston”, etching on paper, pencil-signed, titled and numbered “15/50”, plate 10 in. x 9 5/8 in., sheet 13 1/2 in. x 14 in., framed.

$800/1200

$800/1200 595

Illustrated: Alfred Hutty, American Etchers Series, vol. 2, introduction by Duncan Philips, New York: Crafton Collection, 1929; Saunders, Boyd and Ann McAden, Alfred Hutty and the Charleston Renaissance, Orangeburg: Sandlapper Publishing Company, 1990, p. 78; and Arnold, Sara C. and Stephen G. Hoffius, eds., The Life and Art of Alfred Hutty: Woodstock to Charleston, Columbia: The University of South Carolina Press, 2012, p. 131 596. Elizabeth O’Neill Verner (American/South Carolina, 1883-1979), “Kitchen Courtyard, Charleston”, etching on paper, pencilsigned, titled and number “6”, plate 9 7/8 in. x 6 7/8 in., sheet 13 1/2 in. x 9 3/4 in., framed. $500/800 597. Eudora Welty (American/ Mississippi, 1909-2001), “The Mattress Factory, Jackson, MS”, c. 1930s, printed 1992, silver gelatin print, pencil-signed and numbered “47/60”, “Diogenes Editions, Jackson, MS” embossed stamp lower left, image 10 in. x 17 1/2 in., sheet 16 in. x 20 in., framed. $4000/6000

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598. Eudora Welty (American/Mississippi, 1909-2001), “Madam Palmer”, c. 1930-39, printed 1992, silver gelatin print, pencil-signed and numbered “54/60”, “Diogenes Editions, Jackson, MS” partial embossed stamp lower left, image 17 1/4 in. x 12 1/2 in., sheet 20 in. x 16 in., framed. $4000/6000

598

599. Ansel Adams (American, 19021984), “Tenaya Creek, Dogwood, Rain, Yosemite National Park, CA”, 1948, printed c. 1975, silver gelatin print, pencil-signed lower right on mount, “Carmel Gallery” stamp with title and date en verso, “Durel-Harris Gallery, New Orleans” label en verso of backing board, 15 1/8 in. x 18 3/4 in., unframed. $6000/9000 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA. 600. Clementine Hunter (American/ Louisiana, 18861988), “Funeral Procession”, oil on artist board, initialed lower right, sight 17 1/4 in. x 23 3/8 in., framed. $7000/10000

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Provenance: Estate of Pecan Broker, Charles and Elaine Pyle, Pauls Valley, Oklahoma, acquired from the artist.

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601. William Aiken Walker (American/South Carolina, 1838-1921), “Cabin Scene, Wash Day”, oil on academy board, signed lower left, partial “Devoe & Co.” label, titled and inscribed “Cabin” en verso, 9 1/4 in. x 12 1/8 in., framed. $15000/25000 Provenance: Acquired by the current owner from the George F. McMurray Collection, Hartford, CT, c. 1979. Note: To be included in John Fowler’s forthcoming catalogue raisonne on William Aiken Walker. This exceptional cabin scene depicts a “wash day,” a favored trope among Walker’s domestic scenes. Depicted here is a complex composition with a plethora of finely rendered naturalistic details, including a cat napping at the cabin door, garments and a stretched hide hanging on the cabin exterior, a featherbed airing on a chicken coop in the foreground, a view of a neighboring cabin in the background, an outbuilding with a martin house in the right foreground, a sow and rain barrel center right, four moss laden trees with a palmetto, and three children in the left foreground including a toddler in a wagon. Reference: Trovaioli, August and Roulhac Toledano. William Aiken Walker, Southern Genre Painter. Gretna, LA: Pelican Publishing, 2008, pp. 174-177; Seibels, Cynthia. The Sunny South, The Life and Art of William Aiken Walker. Spartanburg, SC: Saraland Press, 1995, p. 136, fig. 65.

602. William Tolliver (American/Louisiana, 1951-2000), “Three Figures Picking Cotton”, acrylic on canvas monotype, signed lower left, 39 in. x 32 in., unframed. $3000/5000 Provenance: Family of the artist. 602 W denotes the lot is illustrated at www.nealauction.com

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603. William Hemmerling (American/ Louisiana, 1943-2009), “Musicians (Portraits en verso)”, double-sided oil on board, signed lower left, 74 in. x 18 7/8 in., unframed. $4000/6000 604. William Hemmerling (American/ Louisiana, 1943-2009), “Jazz Angel (Sweet Oliver en verso)”, double-sided oil on board, both sides signed lower center, 61 1/4 in. x 17 3/4 in., unframed. $4000/6000 605. Louis Oscar Griffith (American/ Indiana, 1875-1956, active New Orleans 1916-17), “Old Flower Market”, watercolor on paper, signed upper right, pencil inscribed “OK Amer” and with “Newcomb-Macklin Co., Picture Frame Makers, Chicago” label en verso, 3 1/2 in. x 5 1/2 in., framed. $700/900

603

604

Note: The inscription on this watercolor “Ok Amer” is tied to the illustrious history of the St. Charles Hotel in New Orleans at the turn of the century. The proprietor of the hotel, Alfred S. Amer, was an avid patron of Griffith and Robert F. Grafton, who often 604 (verso) exhibited their scenes of New Orleans in the hotel’s parlors. In 1916, Amer commissioned the artists to paint two horseracing murals “The Start and “The Finish” for the hotel’s Men’s Café. These works, along with “Old Flower Market”, were reproduced eight years later in a booklet Amer published on the arts and scenery of the city titled Souvenir of New Orleans, The Paris of America. The book was so well received that it was expanded from its original seventeen-page format to a full fortytwo-page book in 1925 that was reprinted throughout the1930s. The inscription “Ok Amer” on the back of this watercolor not only attests to the close relationship Griffith had with Amer, but it also indicates that Amer approved of Griffith’s watercolor study for the painting. 606. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Grand Isle Bus”, 1934, silver gelatin print, signed and dated lower left, 16 in. x 20 in., framed. $1000/1500

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607. Clementine Hunter (American/Louisiana, 18861988), “Fishin’ (Preliminary drawing en verso)”, c. 1975, oil on canvas, monogrammed lower right, 18 in. x 24 in., framed with brass title plaque; accompanied by a photograph of artist holding painting and copy of cancelled check to artist. $3000/5000 Provenance: Acquired from the artist, Melrose Plantation, Natchitoches, Louisiana; Collection of Marcella Alba, Metairie, Louisiana. 608. Clementine Hunter (American/Louisiana, 18861988), “Goin’ to the Cotton Gin”, c. 1975, oil on artist board, monogrammed lower right, 12 in. x 24 in., framed; accompanied by photograph of artist holding painting and copy of cancelled check to artist. $3000/5000 Provenance: Acquired from the artist, Melrose Plantation, Natchitoches, Louisiana; Collection of Marcella Alba, Metairie, Louisiana. 609. Clementine Hunter (American/Louisiana, 18861988), “Juke Joint, Saturday Night”, c. 1975, oil on canvas, monogrammed lower right, 18 in. x 24 in., framed with brass title plaque; accompanied by photograph of artist holding painting and copy of cancelled check to artist.

607

$3000/5000 Provenance: Acquired from the artist, Melrose Plantation, Natchitoches, Louisiana; Collection of Marcella Alba, Metairie, Louisiana. 610. Louis Oscar Griffith (American, 1875-1956, active New Orleans, 1916-1917), “Banana Toters”, color aquatint, pencil-signed, titled and numbered “No. 7”, image 11 1/2 in. x 9 1/2 in., framed.

608

$800/1200

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612. A New Orleans Coin Silver Sugar Basket, Joseph Rafel, wc. 18521861, marked “J.RAFEL. N.O.” in rectangle; navette form with beaded swing handle and medallions of Mercury and Mars, height 7 1/4 in., width 6 3/8 in., weight 9 troy ozs. $2000/3000 Reference: Crescent City Silver, pp. 100-101, 123 and 127.

613

611

613. A New Orleans Coin Silver Sugar Bowl, Melville & Co., wc. 18491858, marked “MELVILLE & Co” in rectangle, and with pseudo hallmarks; cover with flame finial, footed urn form with loop handles, stiff leaf and beaded banding, height 6 in., width 5 1/4 in., weight 13.75 troy ozs. $800/1200 Reference: Crescent City Silver, p. 122.

614. A Georgia Coin Silver Repoussé Pitcher, Clark, Rackett & Co., Augusta, GA, 1840-1852, marked “CLARK R. & CO” in rectangle, overstruck illegible mark; footed vase form with foliate scroll handle, monogrammed cartouche, body chased with cotton blossoms, cotton bolls and bales of cotton, height 12 1/8 in., weight 18.20 troy ozs.

612

611. A Mobile Coin Silver Covered Pitcher, James Conning, act. Mobile 1840-1872, marked “J.CONNING” in rectangle and “MOBILE” in rectangle; paneled urn form, conforming cover with urn finial, scroll handle, molded foot, height 10 1/2 in., width 9 in., weight 30.90 troy ozs. $3000/5000 Reference: Smith, Sidney Adair, Mobile Silversmiths and Jewelers, 1820-1867.

614

$3000/5000 Reference: Cutten, George Barton. The Silversmiths of Georgia, p. 26.

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615

615. A Charleston Coin Silver Pap Boat, John Ewan, 1786-1852, wc. 1823-1852, marked “J.EWAN” in serrated rectangle, bottom with center point, molded rim, reeded scroll handle, height 2 1/8 in., length 5 3/4 in., weight 2.55 troy ozs.

617

616

$2000/3000 Reference: Burton, E. Milby, South Carolina Silversmiths, 1690-1860, pp. 54-57.

616. A Charleston Coin Silver Creamer, John Mood, 1792-1864, wc. 1816-1864, marked “J.MOOD” in serrated rectangle, urn form with scroll handle, faceted body and die rolled borders, height 7 3/4 in., weight 10.55 troy ozs.

618

619

$1200/1800

$1500/2500 Reference: Burton, E. Milby. Charleston Silversmiths 1690-1860, pp. 129-132.

617. A New Orleans Coin Silver Porringer, marked “E.A.TYLER.” in rectangle and “NEW -ORLEANS” in rectangle, reticulated handle engraved “Charles Grayson Movall/from/ FLV/1856”, height 1 1/2 in., length 8 1/4 in., weight 6.35 troy ozs. $1000/2000 Reference: Crescent City Silver. pp. 96-98.

618. An American Coin Silver Premium Julep Cup, Nathan Lord Hazen, Cincinnati, wc. 1831-1851, marked “Hazen” in rectangle; engraved “The/Miami Valley/Agricultural Society’s/Second best Premium/Awarded to E.B. Squires/of Butler County O./For his black Boar/Democrat/8 Months Old/October 1838”, with applied reeded borders, height 3 1/2 in., weight 3.85 troy ozs.

619. A Kentucky Coin Silver Julep Cup, Garner & Winchester, Lexington, w. 1842-1862, marked “GARNER & WINCHESTER” in rectangle, “10 OZ. 15” in rectangle, “B.C”, “PREMIUM” in banner and “A S”; seamed construction with applied reeded borders, height 3 3/8 in., weight 5.2 troy ozs. $1200/1800 Reference: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785-1900, pp. 130-131 and 301.

620

620. A Georgia Coin Silver Soup Ladle, Clark, Rackett & Co., Augusta, GA, 1840-1852, marked “CLARK.RACKETT & Co.” in serrated rectangle and with pseudo hallmarks; fiddle typt handle, length 13 in., weight 5.75 troy ozs. $500/750 Reference: Cutten, George Barton. Silversmiths of Georgia, p. 26.

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621

621. An American Classical Coin Silver Tea Service, Taylor and Hinsdale, Newark, NJ, 1804-1818 and New York, 1804-1830, comprised of a teapot, covered sugar and creamer, each with lobed body and applied borders, teapot height 10 in., combined weight 67.35 troy ozs. $2500/3500 622. An American Coin Silver Tea Caddy, Bailey & Co., Philadelphia, 1833-1848, marked with lion passant, “BAILEY & Co.” in arc, over “136”, over “CHESTNUT ST PHILA” in arc, over pseudo hallmarks; serpentine paneled form with conforming cover, flat chased floral decoration, height 4 1/2 in., weight 12.45 troy ozs.

624 622

$1200/1800 623. A Pair of American Sterling Silver Presentation Candlesticks, J. E. Caldwell & Co., Philadelphia, early 20th c., each engraved “A Souvenir to/ T.E. Doremus/ from/ his shooting friends/ in/ The Good Old U.S.A./ May 1919”, weighted bases, height 9 7/8 in. $600/900 624. An American Classical Giltwood Mirror, early 19th c., molded surround, height 68 1/4 in., width 33 in. $1200/1800

623

625. An American Federal Carved and Gilded “Constitution” Mirror, early 19th c., rectangular frame with bellflowers, crest surmounted by an eagle above wheat sheaf and star oval cartouche, rosette scrolls to the sides, garland swagged base, height 37 in., width 16 1/2 in. $700/1000 Provenance: Estate of James Fenimore Cooper IV.

625

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626

628

627

629

626. Ettrick (German/American, 19th c.), “A Church Boating Party on Otsego Lake”, mid-19th c., oil on canvas laid on masonite, signed lower left, 24 in. x 48 in., framed. $1500/2500 Provenance: Estate of James Fenimore Cooper IV. 627. Meyer Straus (American, 18311905), “Canyon Trail”, oil on canvas, signed lower right, 20 in. x 36 in., original frame. $1000/1500 628. Harry Leroy Johnson (American, b. 1876), “The Brook, Keene Valley, Adirondacks”, oil on canvas, signed lower left, titled on period label affixed to stretcher, 20 in. x 25 in., framed.

630

$1000/1500 629. William Merritt Post (American, 1856-1935), “Meandering Creek”, oil on canvas, signed lower right, 18 in. x 24 in., original gilt frame.

630. A Set of Six American Classical Carved Mahogany Side Chairs, early 19th c., Boston, each with tablet crest, foliate scroll medial rail centered by a shell, saber legs. $1200/1800

$2000/3000

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633

631

631. An American Classical Carved and Parcel-Gilt Mahogany Armoire, 1829-35, attributed to Joseph Meeks & Sons, New York, arched frieze over doors with Gothic panels flanked by columns with gilt capitals and bases, interior with shelves and belt of drawers, side compartments, plinth base, eagle and lion’s paw feet, height 93 1/2 in., width 70 1/2 in., depth 31 1/2 in. $3000/5000 Note: The gothic door panels, arched frieze, and case form for this armoire are very similar to those illustrated as number 28 on the noted Meeks “broadside” of 1833. The finely carved capitals on this lot are nearly identical to those on a secretary bookcase attributed to Meeks conserved at the Metropolitan Museum of Art (acc. 60.29.1). The distinctive eagle carved feet and shallow side cabinets featured here reflect the firm’s highest quality examples. Reference: Davidson, Marshall. The American Wing: The Metropolitan Museum of Art. New York: Harrison House, 1987. pp. 164, fig. 254 and 161, fig. 249.

632. An American Classical Carved Mahogany Center Table, early 19th c., school of Anthony Quervelle, Philadelphia, circular tilt-top, cylindrical stem, incurvate plinth, acanthine paw feet, casters, height 28 1/2 in., diameter 38 1/2 in. $1200/1800 633. An American or English Carved Rosewood Table and Screen, mid-19th c., shaped leaf and cabochon tilt-top centering needlepoint screen, reeded foliate stem, arched shaped legs, scrolled toes, height 34 in., width 32 1/2 in., depth 21 in. $500/750

632

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634

634. A Pair of American Classical Carved Mahogany Games Tables, c. 1825, attributed to Anthony Quervelle, Philadelphia, each with foldover swivel top, frieze with rosette corners, turned and acanthine support, incurvate plinth, acanthine bracketed paw feet, casters, height 29 in., width 36 in., depth 18 in. $2500/3500 Note: Functioning as consoles, games tables are joined to create a center table or to augment a banquet space. Tables by Anthony Quervelle similar to this lot are illustrated in Robert C. Smith “The Furniture of Anthony G. Quervelle, Part II: The Pedestal Tables,” Magazine Antiques, (July 1973), p. 95-96, fig. 12-13. 635. A Pair of Diminutive American Classical Carved Mahogany Pier Tables, c. 1840, Boston, Egyptian marble top, straight frieze, foliate pendants, scrolled supports, mirrored back, plinth base, height 33 in., widths 24 in. and 27in., depth 15 1/4 in.

635

$2500/3500 Note: The distinctive “C” form supports on these tables may derive from a design in John Hall’s Cabinet Maker’s Assistant, (plate 18, fig. 91). The differing widths, yet identical ornament on these tables, indicate that they were made to fit specific architectural spaces. The finely carved ornament, well matched veneers and restrained form seen here would be found on commissions in important Beacon Hill townhouses.

636

636. A Pair of American Rococo Carved Rosewood Window Benches, mid-19th c., serpentine upholstered seats, cabriole legs, scrolled toes, height 16 in., width 46 3/8 in., depth 17 in. $500/700 W denotes the lot is illustrated at www.nealauction.com

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639

639. A Set of Six American Classical Birdseye Maple Side Chairs, c. 1825, New York, each with tablet crest, conforming slat, rush seat, saber legs. 638

$800/1200

640

W 637. An American Classical Curule

641

Bench, early 19th c., upholstered seat, scrolled legs connected by a medial turned stretcher, height 19 in., width 25 in., depth 18 1/2 in.

640. An American Classical Carved Mahogany Pier Table, early 19th c., New York, rectangular marble top, arched inset frieze, Corinthian columnar supports, mirror plate flanked by pilasters, incurvate stretcher shelf, acanthine lobed feet, height 37 in., width 35 in., depth 19 in.

$300/500

$1500/2500

638. An American Classical Carved Mahogany Basin Stand, early 19th c., lift top, rounded corners, circular cut out interior above drawer and cupboard door, tapered chamfered legs, ball feet, height 33 in., width 21 3/4 in., depth 15 1/2 in.

641. An American Rococo Carved Rosewood Cabinet, mid-19th c., attributed to J. & J.W. Meeks, New York, molded marble top, lamb’s tongue molded frieze with drawer, paneled doors flanked by rounded paneled corners, plinth base, molded feet, height 37 1/4 in., width 43 in., depth 20 in.

$500/700

$1200/1800 Note: This cabinet exhibits many similar features to a J. & J.W. Meeks cabinet with a stenciled label from the Stanley Weiss Collection (no. 00335). Reference: www.stanleyweiss.com

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642. An American Classical Carved Mahogany Work Table, early 19th c., Boston, rectangular top with rounded corners, frieze fitted with a single drawer above a demilune work basket, yoke support, columnar stem, incurvate plinth, turned tapered disc feet, casters, height 31 1/4 in., width 20 in., depth 17 in. $1500/2500 642

643

644

645

643. A George III Inlaid Satinwood Pembroke Table, late 18th c., drop leaf top, frieze drawer, square tapered cuffed legs, cuff casters, height 28 in., width 36 in., depth 20 in. $1200/1800 644. A Regency Mahogany Writing Table, early 19th c., inset tooled leather top, three frieze drawers, ring turned and reeded legs, brass cup casters, height 29 5/8 in., width 51 in., depth 23 3/8 in.

645. An American Aesthetic Brass and Mixed Metals Side Table, c. 1885, attributed to Charles Parker Company, Meriden, CT, rectangular top with pierced gallery, trestle base with floral brackets, stretcher centering hammered panel, arched legs, ball feet, height 30 in., width 19 1/4 in., depth 13 1/4 in. $2000/3000 Note: An almost identical table by the Charles Parker Co. is in the collection of the Munson-WilliamsProctor Arts Institute (no. 2003.21). The Charles Parker Co. was one of the leading American manufacturers in the late nineteenth century of artistic brass household furnishings in the Aesthetic Movement style. Founded in Meriden, Connecticut in 1832, the company initially produced coffee mills and waffle irons. Production expanded to include plated flatware and hollowware in the mid-19th century. By the 1880s, the firm was producing luxury “art brass” wares in addition to utilitarian goods. Reference: D’Ambrosio, Anna Tobin, A Brass Menagerie Metalwork of the Aesthetic Movement, 2005, p. 42-8. pl. 14.

$2000/3000

W denotes the lot is illustrated at www.nealauction.com

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646

649

650 647 647. An American Egyptian Revival Carved Rosewood Corner Chair, late 19th c., padded arms, rosette and feather carved splats terminating in scrolled zoomorphic masks, molded reeded seat rail, square incised legs, hoof feet, casters. $500/750 648. Alfred De Gault (American, late 19th c.), “Sea-Side Belle”, oil on wood panel, signed lower right, titled on old paper label en verso, 4 1/2 in. x 7 1/4 in., period giltwood frame. $1500/2500

648

646. A Pair of Egyptian Revival Brass Gasolier Sconces, late 19th c., in the form of an oil lamp, with incised scrolls and portrait medallions, with fluted support, now electrified, height 12 1/4 in., width 6 1/2 in., depth 16 in. $2500/3500

649. American School, mid-19th c., “Still Life with Fruits, Melon, Wine Glass and a Bird Nest”, c. 1845, oil on canvas, signed “Conaughty” with grape-tendril at lower right, “Morris Museum of Art” label en verso, 27 1/4 in. x 37 in., framed. $1500/2500 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. 650. Harry Leslie Hoffman (American, 1871-1964), “Grand Cayman Island”, oil on canvas, signed lower right, titled en verso on stretcher, 14 in. x 20 in., framed. $800/1200

134

651. Attributed to Colin Campbell Cooper (American, 1856-1937), “Sketch, Venice”, gouache on paper, faint inscription, titled and attributed en verso, 6 1/8 in. x 10 in., period Arts and Crafts frame. $500/700 652. An American Sterling Silver Centerpiece, Roger Williams, Providence, RI, c. 1900-1913, oval bowl with reticulated floral scroll border, scroll handles and reticulated floral scroll pedestal foot, height 10 in., width 17 in., weight 58.80 troy ozs.

651

656

656. A Rare Pair of American Gilt Lacquered Brass and Bronze Hanging Solar Lamps, c. 1850, attributed to H.N. Hooper & Co., Boston, each corona supporting rectangular chain links, the font resting in a circlet joined by three scrolled branches, period blown chimneys and cut and etched shades with ruffled rim, retaining burner elements, unelectrified, height 25 1/2 in., diameter 11 1/2 in.

$1500/2500 W 653. An Early

Tiffany & Co. Sterling Silver Bowl, made by John C. Moore, 1848-1852, marked “TIFFANY & COMPY.” in serrated rectangle, Gothic “M” in circle, and “262”; Greek key border, molded foot, engraved crest, height 2 5/8 in., diameter 5 3/8 in., weight 8.95 troy ozs.

652

$1500/2500 Note: An identical solar lamp is illustrated in 19th c. Elegant Lighting, Gerald Gowitt, p. 92. W 657. A French or Italian Grand Tour

Bronze Oil Lamp, 19th c., fish form, twin spouts, with hanger and wick implements, height with out hanger 4 1/4 in., width 3 in., depth 3 1/4 in.

$250/500 Reference: Carpenter, Charles H. Jr., Tiffany Silver, p. 247, fig. 3.

$500/700 W 654. A Pair of American

Sterling Silver Repoussé Sugar or Sweetmeat Baskets, A.G. Schultz & Co., Baltimore, wc. 18991950; each footed navette form with swing handle, height 6 1/2 in., width 5 3/4 in., weight 14.05 troy ozs.

658. A French or Italian Grand Tour Bronze Figural Oil Lamp, 18th/19th c., in the form of a Nubian mask, height 1 3/4 in., width 1 1/4 in., depth 3 1/2 in.

658

$500/700

$500/750 659. A Pair of Georgian Tôle Peinte Chestnut Urns, early 19th c., grape leaf frieze, lion mask handles, height 13 in., width 7 in., depth 4 1/4 in.

W 655. An American Art

Moderne Sterling Silver Covered Box, Kurt J. Matzdorf (1922-2008), act. from c. 1950, New Paltz, New York; marked “HANDWROUGHT”, “351”, “STERLING” and with Matzdorf’s maker’s mark; finial set with black onyx in brass bezel, textured finial, cover and foot rim, height 4 1/8 in., width 4 7/8 in., depth 4 3/8 in., weight 18.35 troy ozs.

$1000/2000

$400/600 659 W denotes the lot is illustrated at www.nealauction.com

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660. A Pair of Continental Malachite Obelisks, of typical form, on tall specimen marble bases, height 28 1/2 in., width 4 1/2 in., depth 4 1/2 in. $1500/2500 W 661. Maude

662

Schuyler Clay (American/ Mississippi, b. 1953), “Cassidy Bayou Dogs, Sumner, Tallahatchie County, Mississippi”, 2000, from Bayou Dogs, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, sight 14 3/4 in. x 18 3/4 in., framed. $600/900

660

Note: To be included in Clay’s forthcoming monograph Delta Dogs (Jackson University Press of Mississippi, 2014). 662. Walter Sies (American/Indiana, 19th c.), “The Violinist”, 1911, oil on canvas, signed, dated and inscribed “C.O.” lower right, inscribed “from F. AnLottie” upper left, 24 in. x 20 in., framed. $1500/2500 Provenance: Sold in these rooms December 3, 2005, as lot 306. 663. A French Bronze Figure of “Fortune”, mid-to-late 19th c., on a pedestal ornamented with a frieze of musicmaking angels, height 32 3/4 in. $2000/3000 664. An Antique Continental Bronze Figural Group, cast as a satyr, a bacchante and two infant fauns with musical instruments, in the manner of Claude Michel “Clodion” (French, 17381814), height 14 1/2 in., red marble base, inscribed “Clodion”, overall height 17 3/4 in. $1500/2500 Provenance: Descended in a New Orleans Family.

664

136

663

665

668

665. An American Aesthetic Carved and Inlaid Mahogany Cabinet, c. 1880, attributed to Associated Artists, New York, stepped pedimented top with reticulated brass gallery, frieze with bands of scrolled bellflowers, the whole with arched niches, turned supports, blocked base, height 52 3/4 in., width 54 3/4 in., depth 13 1/2 in. $1200/1800 Provenance: This cabinet was part of a suite of furniture given as a wedding present in 1882 to Emily M. Whitney and Amory Leland, residents of 692 Park Avenue, New York. Descended in the family. Thereafter acquired by the present collector from the Lelands’ granddaughter. Note: An aesthetic “spider” table, also from the Leland home and made en suite with this cabinet, was sold by Neal Auction Company as lot 417, September 10, 2011. The lot offered here has inlay identical to that on the Leland “spider” table, which was inspired by a design from E.W. Godwin. Reference: Soros. The Secular Furniture of E.W. Godwin, pp. 149151. Another Godwin table is conserved by the Victoria and Albert Museum (acc. W54.1980). The Magazine Antiques (January/ February 2012), p. 80.

666 666. An American Gothic Revival Carved Rosewood Side Chair, c. 1850, cathedral back over conforming seat on blind tracery legs. $800/1200 Provenance: Sold in these rooms September 2012, as lot 843; Estate of noted antiquarian Lee B. Anderson, New York. Note: With attached card in Anderson’s hand,“Purchased 1853 from C.P.F... from A. Roux NY. Large Gothic Bedroom set. Be-Arm& 4 chairs. General Hal T. Walker - Grandson of James Polk...in Whitehouse. Marion, Alabama.”

667

667. A Regency Carved Mahogany Étagère, early 19 c., three rectangular tiers, low drawer, turned spindle supports, turned legs, casters, height 44 in., width 19 1/2 in. $300/500

668. A Regency Carved Mahogany and Cane Bergère, early 19th c., scrolled paneled crest, curved reeded back continuing into reeded arms, reeded front seat rail, reeded saber legs surmounted by blocks with bosses, casters. $700/900

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669. A Fine American Neo-Grec Rosewood, Marquetry, and GiltIncised Bedstead, c. 1875, attributed to Herter Bros., New York, paneled headboard surmounted by an urn inlaid crest, flanked by fluted urns and scrolled inlaid wings; faceted posts, conforming low footboard with stylized flower inlaid reserve, paneled rails, turned disc feet, height 84 in., length 79 in., width 58 in. $3000/5000 670. A Very Rare Pair of American Classical Carved Mahogany Chests of Drawers, early 19th c., Philadelphia, each with two outset frieze drawers, three graduated bowfront drawers flanked by columns, plinth base, turned feet, height 44 1/2 in., width 43 1/2 in., depth 24 1/4 in. Note: Old script notes in drawers “Willed to Mary Johnson M....of Reading/ Elizabeth M. .../ Owner”.

669

$2500/3500

670

138

672

672. An American Classical Carved Mahogany Wardrobe, early 19th c., Baltimore, molded cornice, paneled doors flanked by reeded pilasters with foliate capitals, divided interior with drawers and hanging compartment, plinth base, turned feet, poplar and cedar secondary woods, height 86 1/4 in., width 65 1/4 in., depth 28 1/4 in. $2000/3000 Note: A number of design details on this armoire relate to well known Baltimore examples. The canted cornice, pilaster stiles, and vertically proportioned doors are similar to those on a maple armoire labeled by John Needles at the Baltimore Museum of Art (acc. 1961.45) and two mahogany armoires sold in these rooms as lot 403, June 3, 1997 and lot 123 July 17, 2010.

671

Reference: Weidman, Gregory. Classical Maryland 18151845, Baltimore, The Maryland Historical Society, 1993, p. 123, fig. 148.

671. An American Classical Carved Mahogany Writing Table and Bookcase, c. 1835, attributed to Anthony Jenkins, Baltimore, upper case with flared cornice, anthemion and wreath glazed doors; lower case with short drawers over central writing drawer, Ionic columnar legs, height 93 in., width 57 in., depth 24 1/2 in.

673. A George IV Carved Mahogany Reading Chair, early 19th, after a design by Morgan and Sanders, possibly by Gillows, horseshoe shaped continuous crest and arms with sliding hinged book rest, splats surmounted by lobed arches, stiles with lancet panels, saddle shaped seat, round tapered reeded legs.

$5000/7000 Note: Similar anthemion and waterleaf carved mullions appear on a signed Jenkins bookcase, exhibited by the Maryland Historical Society in 1993 and sold in these rooms as lot 395 on December 6, 2003. The lower case of the lot offered here relates to another Baltimore writing table and bookcase, once part of the furnishings for Brooksdie, Orwell, VT, illustrated in The Magazine Antiques and sold in these rooms as lot 283 on September, 15, 2012. Reference: Weidman, Gregory. Classical Maryland 18151845, p. 136, fig 166; Gallenkemp. “Living with Antiques”, The Magazine Antiques, June 1979, p. 1283, Pl. V.

$2000/3000

673

Note: This lot is similar to a design for a ‘Library Reading Chair’ by the Strand cabinetmakers Morgan and Sanders, illustrated in the September 1810 issue of Rudolph Ackermann’s Repository of Arts. The legs with flattened ball turnings, heavy reeding and tapered cup-like feet relate to the legs of chairs produced by the Gillows firm of Lancaster and London. W denotes the lot is illustrated at www.nealauction.com

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674

674. A Very Fine American Classical StencilDecorated and Carved Mahogany Extension Dining Table, early 19th c., New York, comprising a pair of D end consoles and drop leaf center, two detached leaves, frieze with geometric gilt stenciling, columnar supports on square plinths, acanthus carved scroll legs, paw feet, casters, height 30 in., width 49 in., total extended length 162 3/4 in., console length 24 1/2 in., center width 24 in. $15000/25000 Provenance: Former 675 collection of James M. Goode, author, scholar, and curator at the Smithsonian Institution, 1970-1988. Publications: This table is illustrated in Oscar P. Fitzgerald. Four Centuries of American Furniture. New York : Wallace-Homestead (1995). p. 125, pl. VI-32.

676

675. An American Classical Inlaid Mahogany Dressing Chest, c. 1821, dated on reverse, rectangular mirror with turned tapered supports, marble top, case fitted with outset drawer over three drawers, plinth base, disc feet, height 78 1/2 in., width 44 1/4 in., depth 21 1/2 in. $1000/1500 676. An American Federal Tiger and Birdseye Maple Server, early 19th c., shaped backsplash, serpentine sides, frieze drawer, open shelf over low drawer, ring-turned legs, height 38 in., width 34 1/2 in., depth 16 1/2 in. $800/1200

140

680

677

677. An American Late Classical Rosewood and Rosewood Grained Bookcase, mid-19th c., with ogee cornice, glazed doors, moiré-lined interior with adjustable shelves, two paneled drawers, shaped bracket feet, height 84 1/2 in., width 51 in., depth 19 1/4 in.

681

$1500/2000

681. Paul King (American, 1867-1947), “Snow Scene”, oil on canvas, signed lower right, 25 in. x 30 1/4 in., framed.

678. An American Late Classical Rosewood Sunderland Table, c. 1840, J. & J.W. Meeks, New York, stenciled label, deep drop leaves, frieze drawers, trestle base, pierced stretcher, height 29 in., extended length 44 3/4 in., depth 32 in. $1500/2500 Note: One drawer bears the stenciled label and address of The Meeks firm “No. 14 Vesey Street,” which operated at that address from 1836-1855.

$4000/6000

Reference: Dubrow, Eileen & Richard, American Furniture of the 19th Century 1840-1880, 1983 & 2000, p. 44.

W 679. An American Classical Mahogany Footstool,

early 19th c., New York, curule base, turned stretcher, height 17 in., width 22 in., depth 18 in. $500/700 680. An Empire Carved Mahogany Pier Table, early 19th c., gris de Ste. Anne marble top, molded frieze with blind drawer, scrolled supports with paw feet, incurvate plinth, height 35 in., width 52 1/2 in., depth 21 1/4 in. $800/1200 678 W denotes the lot is illustrated at www.nealauction.com

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W 683. Walter F. Lansil (American, 1846-1925),

“Afternoon Venice”, 1892, oil on canvas, signed lower left, signed, dated and titled en verso, 19 1/2 in. x 25 3/4 in., framed. $700/1000 684. Possibly George Frederick Watts, R.A. (British, 1817-1904), “Sleeping Child: H.O. Shore (b. 1889)”, oil on canvas, faintly monogrammed and inscribed with sitter’s identity and birth year on lower right, artist attribution on stretcher; London canvas stencil, “Christie’s East” label and handwritten label inscribed with title (sitter’s identity and birth year, erroneously marked “1833”) and medium en verso, 10 in. x 12 in., period frame. $700/1000 685. A Regency Mahogany Sofa Table, early 19th c., drop-leaf top, two frieze drawers, paired turned supports, outswept legs, turned stretcher, brass cuffs, casters, height 28 1/2 in., width 35 1/2 in., depth 25 1/2 in. Note: Shrinkages.

682

$1500/2500

684

685

682. Hermann Herzog (German/ American, 1832-1932), “View of Sentinel Rock in Yosemite Valley”, c. 1870, oil on canvas, signed lower right, 17 1/4 in. x 24 in., framed. $4000/6000 Note: Hermann Herzog (1832-1932) was a prominent 19th and early 20th c. landscape painter. Born in Bremen, Germany, he emigrated to the United States when he was in his late twenties, settling in Philadelphia. Herzog was fascinated by the variety of the American landscape and traveled widely throughout the U.S. and Mexico. He painted his way across the western states, arriving in California in 1873. His works from this trip included a series of Yosemite Valley paintings. In 1876, he received an award at the Philadelphia Centennial Exhibition for his painting of Sentinel Rock in Yosemite, the same subject as the painting offered here.

686

686. A William IV Mahogany Writing Table, early 19th c., inset Greek key tooled leather writing surface, three drawers on each side, turned, reeded tapered legs ending in brass cuffs, casters, height 30 1/2 in., width 59 1/2 in., depth 37 in. $4000/6000

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687. A Regency Carved Mahogany Drum Table, early 19th c., inset tooled leather revolving top, four frieze drawers and four sham drawers, well turned stem, lobed collar, incurvate beaded plinth, spiral turned ball feet, casters, height 29 in., diameter 40 in. $1500/2500

688 687

688. A Pair of Renaissance-Style Carved Giltwood Prickets, scroll and mask shield issuing armform support, height 16 1/2 in., width 12 in., depth 21 in. $1000/1500 689. A Pair of Venetian Carved Parcel Gilt Two-Light Sconces, probably early 20th c., palmettes above seated blackamoors, paired arms issuing painted tôle candlecups, electrified, height 33 in., width 10 in., depth 5 1/2 in. $700/1000 690. A Continental Marble Figure of “Ariadne Recumbent on a Panther”, 20th c., after Johann Heinrich von Danneker (German, 1758-1841), height 23 in., width 22 in.

690

689

$2500/3500 691. An English Carved Mahogany Long Bench, mid-19th c., molded edge, scrolled legs, turned stretcher, height 17 in., width 49 1/2 in., depth 22 in. $1200/1800

691 W denotes the lot is illustrated at www.nealauction.com

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696

693. A Napoleon III Giltwood Overmantel Mirror, late 19th c., shell and garland crest, Greek key frieze, floral swags, molded frame, base with carved brackets, height 109 in., width 54 in.

692

$2000/3000 W 694. An Edwardian

Metamorphic Library Step, early 20th c., in the form of a side cabinet with faux leather bound books, opening to steps, incurvate low shelf, square legs, height 34 1/2 in., width 15 1/2 in., depth 13 in. $700/1000 695

692. A George II Walnut and Parcel-Gilt Mirror, 18th c., scrolled pediment with rosettes centering an eagle, beveled mirror plate within molded surround flanked by foliate pendants, shaped base, height 56 3/4in., width 31 in. $2500/3500 Provenance: Acquired Dolphin Antiques, London, England, 1977.

695. A William IV Carved Mahogany Metamorphic Armchair, 19th c., tufted back, padded arms terminating in volutes, seat rail with pull out support, turned legs, casters, upholstered brown faux leather. $800/1200 696. A Set of Six Hepplewhite Mahogany Dining Chairs, 19th c., two arms and four sides, square backs with reeded splats, trapezoidal slip seats, square tapering legs connected by H stretcher. $800/1200

693

144

697. An Antique George III-Style Carved Mahogany Serving Table, serpentine top, conforming fluted frieze centering an urn and fitted with a drawer, rosette blocks, square tapered fluted legs, spade feet, height 34 1/2 in., width 66 1/2 in., depth 24 in. $1000/1500 698. A George III-Style Mahogany Triple Pedestal Dining Table, with reeded edge top, turned vasiform pedestals with reeded saber legs, brass cuff casters, height 28 1/2 in., length 95 5/8 in., width 47 1/2 in., with two 23 1/2 in. leaves, extended length 142 in. $1500/2500 Provenance: Estate of James Fenimore Cooper IV.

697

698

701

699

699. A Rare Pair of Georgian Cast Iron Urns, late 18th/early 19th c., foliate finial, flared rim, lobed body, circular foot, plinth base, height 28 in., diameter 18 in. $2500/3500

700

700. A Suite of Four English Painted Cast Iron Ecclesiastical Figures, 19th c., depicting Matthew, Mark, Luke and John, plinth bases, height 27 1/2 in., width 7 1/2 in., depth 6 in.

701. A Good Pair of Beaux-Arts Carved Wood Architectural Pilasters, each finely molded and carved with scrolls and foliate cartouche, height 64 1/2 in., width 18 1/2 in., depth 14 1/2 in.

$2500/3500

$1800/2500 W denotes the lot is illustrated at www.nealauction.com

145

705. A Near Pair of Fine First Period Worcester “Bengal Tiger” Porcelain Covered Sugar Bowls, c. 1770, height 4 1/2 in., diameter 4 1/2 in. $2000/3000 Provenance: Leo Kaplan, Ltd., New York, NY. 703

707

705

704

W 702. A Late Georgian Carved Mahogany Poster Bed, late 18th/

early 19th c., upholstered arched headboard flanked by square posts, foot with tapered leaf and wheat chamfered posts, blocked at the base, straight rails, height 89 in., interior length 73 in., interior width 53 1/2 in.

706

$800/1200 703. A Regency Mahogany Bed Step, early 19th c., three tooled leather treads, turned legs, height 26 in., width 27 in., depth 18 in.

706. Two Worcester “Bengal Tiger” Porcelain Cake Dishes, c. 1765, scalloped rims, diameter 9 in. $1000/1500

$600/900

Provenance: David P. Willis, Plainfield, NJ.

704. A William IV Carved Mahogany Server, mid-19th c., backsplash with roundel terminals, frieze drawer, each pedestal end with paneled door, plinth base, height 46 in., width 48 1/2 in., depth 20 in. $1000/1500

707. A Pair of English “Famille Rose” Porcelain Covered Vases, 19th c., hexagonal bodies and conforming lids with floral finials, decorated with bird and flower panels on blue fish-scale ground.

Provenance: Sold in these rooms, June 3, 2000, lot 821.

$1000/1500

146

711 708 710. A Carved Oak and Silverplate Carving Trolley, revolving domed lid with egg and dart border and turned handle, interior with removable platter, fitted on Louis XV-style carved oak stand on casters, height 43 in. $1500/2500 711. A Continental Rococo-Style Patinated and Gilded Iron Console Table, serpentine rouge marble top, leaf and scroll frieze, acanthine cabriole legs, scrolled toes, height 36 1/4 in., width 51 in., depth 16 in. 709

$1800/2500 710 712. A Pair of American Brass Andirons in the Gothic Taste, 19th c., reticulated cathedral form, centered by shield with porcupine, height 26 3/4 in., width 11 in., depth 26 in.

708. A French Tôle and Brass Billiard Gasolier, probably early 20th c., turned standard and supports, electrified, height 47 in., width 44 in., depth 12 in. $1000/1500 709. A Pair of Empire-Style Gilt Bronze Six-Light Candelabra, 19th c., scrolling branches, classical maiden standard, green variegated marble plinth base, height 23 in., width 6 in., depth 6 in.

$800/1200

$700/1000

712 W denotes the lot is illustrated at www.nealauction.com

147

716

716. An Antique English PearForm Tea Caddy, 18th c., with cut steel escutcheon, interior retains traces of foil lining, height 7 1/2 in. $1000/1500 Provenance: Wellesley House Ltd., Lake Forest, IL.

713

W 717. A

George III Birdseye Maple Tea Caddy, c. 1810, with loop handle, inlaid banding and escutcheon, interior fitted with two lidded tea canisters and central mixing bowl, length 12 in. $500/800 Provenance: White Hall Antiques, Chapel Hill, NC.

719

714. A Pair of Louis Philippe Gilt and Patinated Bronze Figural Candlesticks, c. 1840, each candlecup atop scrolled support held aloft by a cherub, height 15 1/2 in., width 3 1/2 in., depth 3 1/2 in.

W 718. A Good George II

$500/750

$400/600

714 W 715. A Pair of English Gilt Bronze

713. Coplestone Bampfylde (British, 1720-1791), “Pastoral Landscape with Shepherds and a Lake”, 1752, oil on canvas, initialed and dated lower left, stencil stamped “596BA”, dated and inscribed en verso, 21 in. x 27 1/2 in., framed. $4000/8000 Provenance: Private Memphis, TN collection.

148

Figural Candlesticks, allover grape and grapeleaf decoration, goat’s mask candle nozzle, on lion feet, height 12 1/2 in., width 5 in., depth 5 in. $500/700

Figured Walnut Tea Caddy, c. 1735-1750, with brass bale handle and escutcheon, divided interior, length 8 1/2 in. Provenance: White Hall Antiques, Chapel Hill, NC. 719. A Cartier Sterling Silver “Revere” Punchbowl, 20th c., with engraved script monogram, height 6 1/4 in., diameter 12 in., weight 48.8 troy ozs. $1000/1500

720

720. A Pair of French Silver Candlesticks, Harleux, Paris, late 19th c., floriform candlecup and drip pans, urn-shaped shaft, conforming foot, height 12 in., weight 40.45 troy ozs. $500/750 W 721. A Pair of Continental .800 Silver Knights in

Armor, 19th c., Germany, with carved bone faces, height 7 1/4 in. and 5 3/8 in., weight 12.65 troy ozs. $500/700

724

W 722. A French Silverplate Five-Light Bouillotte

Lamp, acanthus and floral scroll arms, adjustable reticulated shade, with anthemion and lion’s paw feet, height 26 in., diameter 14 1/2 in. $600/900 W 723. A Pair of Neoclassical-Style Painted and

Parcel Gilt Lamps, vase form with beaded and bellflower decoration, height 33 in., width 7 in., depth 7 1/2 in. $700/900 724. A Fine Italian Carrara Marble Bust of “Artemis Chasseresse”, 19th c., reduced copy after the life-size marble figure in the Louvre, Paris, inscribed “Romanelli F[rate] lli”, height 21 3/4 in., width 13 in. $3500/4500 Provenance: Collection of Stanley & Gladys Bachman, Fifth Avenue, New York, 1980s; to present owner. 725. A Continental Marble Figural Group of a Boy and Girl Playing with a Goat, respectively holding a puppet and grapes, 20th c., height 34 3/4 in., width 34 in. $3000/5000 725 W denotes the lot is illustrated at www.nealauction.com

149

726. A Louis XVI-Style Carved Giltwood Mirror, fruit and foliate filled urn crest, foliate finials, Greek key blocks, scrolled acanthus garlands, height 53 in., width 32 1/2 in. $800/1200 727. A Decorative Argenté Octagonal Cushion Mirror, height 60 in., width 50 in. $1200/1800

726

727

729

728. A Fine Pair of Continental Carved Walnut Torchères, probably 18th c., turned circular tops and bases, rope-twist columns, height 53 in., diameter 18 in. $2000/3000 728

150

729. A George III Inlaid and Paint-Decorated Satinwood Games Table, late 18th c., demilune foldover top with rosewood banding and foliate border, frieze with patera inlaid blocks, square tapered legs, cuffs, height 29 in., width 36 in., depth 17 1/2 in. $1000/1500

730. A Louis XVI-Style Mahogany Buffet Bas, probably early 19th c., molded top, fluted chamfered corners, paneled doors, old painted interior, height 35 1/2 in., width 68 in., depth 20 in. $2000/3000 731. A Louis XV-Style Carved Giltwood Console Table, 19th c., serpentine marble top, diapered frieze with foliate shell cartouche, foliate cabriole legs, shaped stretcher, tapered feet, height 32 1/2 in., width 64 1/4 in., depth 17 1/2 in. $1800/2500

730

731

732. A Regency Mahogany Bookcase, early 19th c., cornice with reeded frieze above a pair of glazed doors, adjustable shelves, lower case with inlaid doors, shelf interior, bracket feet, height 90 in., width 53 1/2 in., depth 18 1/2 in.

733 732

$3000/5000 733. An English Carved Rosewood Canterbury, mid-to-late 19th c., Edwards & Roberts, London (act. 1845-1899), labeled, divided superstructure with spindle supports, low drawer, turned feet, brass ferrules, casters, height 22 1/2 in., width 26 1/2 in., depth 17 in.

W 734. British School Miniature, early 19th c., “Portrait

of a Blond-Haired Gentleman”, gouache on vellum, inscribed “Fecit F.N.” en verso, 2 1/2 in. x 2 in., period mahogany frame. $300/500

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

151

743 735 739. A Pair of Georgian Sheffield Plate Candlesticks, c. 1790, removable bobêches, height 11 3/4 in.

741

$300/500 W 740. A Small

Tapestry of Medieval Women on Horseback, hung from a decorative iron rod. $400/600 741. A Continental Patinated Bronze Figural Lamp, c. 1900, modeled as a Classical maiden, on black marble base.

739

$600/900 735. French School, mid-19th c., “Portrait of a Gentleman with a Book”, oil on canvas, unsigned, 28 in. x 22 1/2 in., framed.

742. A Pair of Neoclassical-Style Carved and Gilded Four-Light Sconces, probably French, ribbon backplate carved with torch, quiver and arrows, height 42 in., width 20 1/2 in., depth 11 1/2 in.

$1000/1500 Provenance: Private Memphis, TN collection. W 736. Attributed to Samuel Shelley

(England, c. 1750-1808), “Portrait of a Lady in a Pink Hat, Green Gown”, watercolor on ivory, signed center right, 3 1/4 in. x 2 1/2 in., frame; together with Continental School, 19th c., “Portrait of Napoleon Bonaparte”, watercolor on ivory, signed “Wusschagin” center right, framed en suite with former. $800/1200

742

$1200/1800 W 738. A Pair of Continental

Silver Castors in the Louis XVI Taste, late 19th c., French import marks, maker untraced, height 5 3/8 in., weight 7.35 troy ozs. $250/500

W 737. A Pair of Cartier Sterling Silver

Goblets, height 6 5/8 in., weight 11.80 troy ozs. $250/350

152

743. A Wedgwood Basaltware Bust of “Mercury”, after Jean-Baptiste Pigalle (French, 1714-1785), inscribed “Mercury” and “Wedgwood”, height 17 1/2 in. $1000/1500

744. A Fine Ornate Carved Giltwood Mirror, 19th c., foliate scroll surround, height 39 in., width 30 in. $800/1200 745. An AdamStyle Carved, Painted and Gilded Overmantel Mirror, arched crest with oval medallion and bellflower swags, molded frame, height 90 in., width 33 in. $800/1200

744

745

746

746. A Pair of Baroque-Style Carved Mahogany Armchairs, early 20th c., labeled, each with padded back, arms, and seat, acanthine baluster arm supports, acanthine cabriole legs, scroll feet, serpentine stretchers, scroll feet, serpentine stretchers. $1200/1800 747. An American Rococo Carved Rosewood Slipper Chair, mid-19th c., oval padded back, leaf and flower crest, spiral turned stiles, deep ripple molded seat rail with pendants, spiral turned legs, casters. $300/500 747 W denotes the lot is illustrated at www.nealauction.com

153

748. An American Classical Carved Mahogany Center Table, c. 1825, attributed to Isaac Vose and Son, Boston, circular banded tilt top, chamfered triangular support, incurvate triangular plinth, scroll feet, casters, height 29 in., diameter 39 in. $2500/3500 Note: The paneled standard, shaped plinth and distinctive scroll feet on this table are very similar to those on a noted games table bearing the stencil of Isaac Vose and Son conserved at the St. Louis Museum of Art (acc. 127:1965). Reference: Cooper. Wendy. Classical Taste in America, 1800-1840. p. 134, fig 94; @ slam.org St Louis Museum of Art. web. March 1, 2014.

749. An American Classical Carved Mahogany Work Table, early 19th c., Philadelphia, hinged lid with an interior scene of a millinery shop on High Street, fitted interior, two drawers below, columnar support, incurvate plinth, acanthine paw feet, casters, height 32 in., width 21 1/2 in., depth 16 1/4 in. $1000/1500 750. A George III Rosewood Inlaid Mahogany Pembroke Table, late 18th c., oval drop-leaf top, frieze drawer, square tapered legs, cuff casters, height 29 in., width 23 in., depth 30 in. $1200/1800 W 751. An Antique China Trade Mother-of-Pearl

Inlaid, Gilt Decorated and Lacquered Hall Chair, mid19th c., shaped crest, curved back, trapezoidal slip seat, scalloped rail, outswept legs, trifid feet. $400/600 748

749

154

750

752

753

754

752. An Antique Louis XVI-Style Inlaid Mahogany Miniature Chest of Drawers, turreted top, conforming case with three graduated drawers flanked by stop-fluted columns, turned feet, height 11 1/2 in., width 11 1/4 in., depth 8 in. $1200/1800 Provenance: Ingham Springs Antiques, New Hope, PA. 753. Henri Hayden (Polish/French, 1883-1970), “Still Life”, 1961, oil on canvas board, signed and dated “Hayden 61” lower left, 24 in. x 19 3/4 in. $3000/5000 Provenance: A New York Estate. 754. A Louis Philippe Fruitwood Cabinet-Maker’s Apprentice Model, c.1845, molded top over three drawers, brass pulls, scrolled pilasters, height 11 1/4 in., width 15 3/4 in., depth 8 1/4 in. $500/800 Provenance: White Hall Antiques, Chapel Hill, NC. 755. A Pair of French Empire-Style Gilt Bronze-Mounted Porphyry Candelabra, each obelisk standard mounted with palmettes, bees, anthemia, and Classical motifs, on eagle feet, height 34 1/2 in., width 16 in., depth 16 in. $3000/5000

755 W denotes the lot is illustrated at www.nealauction.com

155

756

760

758. Charles Valton (French, 18511918), “Pair of Mastiffs Chained to Fences”, c. 1900, bronzes, inscribed “Valton” on self bases, height 11 3/8 in., (2pcs.) $1800/2500 759. A Continental Gilt Bronze Figure of a Dying Bull, late 19th/early 20th c., modeled with banderillas protruding from the neck and shoulder, height 8 1/2 in., onyx base. $300/500

757

758 759 756. A Louis XVI-Style Gilt Bronze Fireplace Garniture, 19th c., fluted columnar standard surmounted by vase, centered by acanthine cartouche, height 21 in., width 45-57 in., depth 8 in. $1000/1500 757. A Pair of Italian Neoclassical-Style Variegated Marble Tazzas, lobed body, on a socle base, height 15 1/2 in., diameter 20 in. $1500/2500

156

760. A Bronze Patinated Jardinière, 20th c., after the “Classical” Pompeian examples, on paw feet, height 12 in., width 24 in., depth 20 in. $800/1200

762

761

761. A Charles X Inlaid Rosewood Work Table, early 19th c., hinged sarcophagus lid, fitted satinwood interior, scroll legs, stretcher shelf, height 29 1/4 in., width 19 1/2 in., depth 13 in. $500/750 762. Joaquín Torres García (Uruguayan, 1874-1949), “New York Harbor”, oil on canvas, unsigned, inscribed with artist’s name and labeled on stretcher, 15 3/4 in. x 19 3/4 in., framed.

763

763. François Gall (French, 1912-1987), “French Lady by the Seine”, oil on canvas, signed and inscribed “F. Gall, Paris” lower left, 18 in. x 15 in., gold leaf Mytoka frame. $2000/3000 764. A Bronze Bust of a Classical Maiden Wearing a Garland of Flowers, late 19th c., mounted on an onyx base, height 11 7/8 in., overall height 14 3/4 in.

$700/1000 764

$400/800

W denotes the lot is illustrated at www.nealauction.com

157

767

767. Continental School, 19th c., “Figures and Cattle in a Classical Landscape”, oil on canvas, unsigned, 21 5/8 in. x 32 3/4 in., framed. $800/1200 768. French School, early 19th c., “Two Children with a Basket of Flowers”, oil on canvas, 31 1/2 in. x 22 1/2 in., period giltwood frame with anthemion corners. $1500/2500 Provenance: Henry Stern Antiques, New Orleans, LA.

765

766

765. A Regency Carved Giltwood Girandole Mirror, early 19th c., spread-wing eagle crest, spherule-mounted surround, ebonized rabbet, scrolled candlearms, foliate pendant, height 31 3/4 in., width 21 in., depth 9 3/4 in.

766. Johann Heinrich Wüst (Swiss, 1741-1821), “Idyllic Country Landscape with Men at Rest, a Cottage and Sheep”, 1777, oil on cradled wood panel, signed and dated lower mid-right, 20 1/2 in. x 28 3/4 in., framed.

$1500/2500

$2000/3000

158

768

769. A Fine American Classical Carved Mahogany Extension Dining Table, early 19th c., attributed to Duncan Phyfe and Son, New York, rectilinear pivoting top above a frieze concealing a pair of fold-down turned legs and extension rails opening to receive six leaves, trestle support, disc feet, casters, height 29 1/2 in., extended length 134 in., width 53 3/8 in. $2000/3000 Note: The innovative “draw” table, with well-matched veneers of choice mahogany and finely rendered molded convex bosses on the leg terminals, is typical of the work of Phyfe and Son and their close competitors in the 1830s. An important group of furniture by Phyfe at Milford Plantation in South Carolina may offer an appropriate linkage to this dining table, as well as a related trestle base table made in 1834 by Phyfe for George and Maria Clark Fox’s country home, Fanewood. Reference: Smith, Thomas Gordon. “Milford Plantation in South Carolina, Magazine Antiques (May 1997), pp. 732-741; Kenny, Brown, Bretter and Thurlow. Duncan Phyfe: Master Cabinetmaker in New York. 2011. pp. 135-136, fig. 172.

769

769 (detail extended)

770

770. An American Classical Carved Mahogany Sideboard, early 19th c., attributed to Anthony Quervelle, Philadelphia, pedimented mirrored back, volute scrolled brackets, Ionic columns, marble top drop center, drawers to each side, long drawer, four cabinet doors flanked by Corinthian columns, gadrooned base, acanthine paw feet, height 6 1/1 2in., width 74 in., depth 23 in. $2000/3000 771. An American Classical Gilt-Decorated Mahogany SecretaryBookcase, early 19th c., flared crest, pair of glazed doors over paneled doors enclosing fitted interior, lower case with foldover writing surface, scrolled supports flanking a pair of doors, molded base, bracket feet, height 86 1/2 in., width 41 1/2 in., depth 20 1/4 in. Note: Interior center drawer with pencil inscription on underside “no. 23 Sout(h) Second St/for Mrs. ?Tompson?”. $2500/3500 771 W denotes the lot is illustrated at www.nealauction.com

159

775

772

772. A Dutch Marquetry Pembroke Table, c. 1790, top extensively inlaid with flower-filled urns, butterflies, vines and mythical serpents, frieze drawer, square tapered legs, height 29 1/2 in., width 33 1/2 in., depth 19 1/2 in.

775. A Pair of RegencyStyle Gilt Decorated and Black Lacquered Armchairs, each with turned crest rail centering a panel, reticulated back, arms with vasiform supports, turned legs. $1000/1500

$1000/1500 773. Follower of Nicolas de Largillière (French, 1656-1746), “Portrait of a Noblewoman”, oil on canvas, unsigned, 28 1/2 in. x 24 in., period frame. $600/800 Provenance: Acquired by a New York family, 1920. 774. Continental School, 19th c., “Scene in a North African Port”, gouache, unsigned, “Saxon and Clemens...New York” framer’s label en verso, sight 13 1/4 in. x 16 1/4 in. oval, framed. $800/1200

773

774

160

776

776. A Regency Carved Giltwood Overmantel Mirror, early 19th c., blocked crest with spherules, frieze depicting Cybele and a chariot pulled by lions, tripartite beveled mirror plate, ebonized rabbets, Corinthian column stiles, blocked base, height 35 in., width 52 3/8 in. $800/1200

778

777. A Monumental American Copper Architectural Finial, 19th c., probably Philadelphia, fully modeled eagle on sphere, on armature base, height 64 3/4 in., width 19 in., depth 28 in. $9000/12000 777 778. A Monumental Patinated Bronze Fountain, in the Italian Neoclassical style, surmounted by a draped Classical female, on figural supports, the whole on a circular plinth ornamented with shells and fish, scrolled feet, height 98 in., diameter 59 in. $4000/6000 779. A French Gilt Bronze and Cut Glass Epergne, 19th c., in the manner of Thomire, oval scalloped center bowl with six trumpet-shaped arms issuing cornucopia vases, height 8 in., width 24 in., depth 20 in. $2500/3500

779 W denotes the lot is illustrated at www.nealauction.com

161

780

782

782. A Fine Persian Serapi Carpet, distinctive geometric pattern on a cream ground, 13 ft. x 15 ft. 9 in. $7000/9000 783. A Persian Serapi Carpet, cream ground, central medallion spandrels and borders with floral motif, 10 ft. x 13 ft. 8 in. $5000/7000

781

780. A Fine Persian Esfahan Carpet, red, blue and cream ground, central medallion and spandrels, overall floral motifs, 10 ft. x 14 ft. 8 in. $6500/7500

162

783

781. A Fine Persian Kashan Carpet, blue ground with floral and paisley motif, cream and blue stylized border, 9 ft. 8 in. x 13 ft. $5000/7000

784. A Pair of Empire-Style Gilt Bronze-Mounted Cut Crystal Urns, each with foliate finial atop pierced lid, spread wing eagle handles, height 18 1/2 in., width 7 1/2 in., depth 5 1/2 in. $1500/2500 785. Lillian Mathilde Genth (American/Philadelphia, 1876-1953), “Fountain, Villa d’Este, Tivoli, Italy”, oil on canvas, signed lower right, 15 in. x 18 in., framed. $700/900 786. William T. Robinson (American, 1852-1934), “Barnyard with Chickens”, oil on canvas, signed lower right, 12 in. x 16 in., framed.

787. André Gisson (American, 1921-2003), “Landscape with Figures Along the River”, oil on canvas, signed lower left, old typed label en verso, 24 in. x 36 in., framed. $3000/5000 788. Gaylord Sangston Truesdell (American, 1850-1899), “A Shepherd and his Flock within a Vast Landscape”, 1890, oil on canvas, signed and dated lower left, pencil-inscribed “Geo W. Reynolds” on stretcher, 24 in. x 36 1/8 in., framed. $1500/2500

$2000/3000 784

785

786

787

788 W denotes the lot is illustrated at www.nealauction.com

163

789

792

790. George Glen Newell (American/New York, 18701947), “In Springtime”, oil on canvas, signed lower left, typed artist label with title and address “Carnegie Hall, N.Y.C.” en verso, 25 in. x 30 in., unframed. $2000/3000 Provenance: Private Memphis, TN collection.

790

789. Alfred Jansson (American, 1863-1931), “Impressionist Winter Landscape”, 1924, oil on canvas, signed and dated lower left, 20 in. x 24 in., period gilt frame.

793

$1000/1500

791. French School, early 20th c., “Mother and Child”, oil on canvas board, unsigned, various French stamps, “Christies’” labels and pencil inscription “Seurat” en verso, frame stamped “W. R. Schweitzer, NY”, 10 1/2 in. x 8 1/2 in., framed. $800/1200

792. A Persian Heriz Carpet, red ground, central medallion and spandrels, allover floral motif, 9 ft. 9 in. x 13 ft. $4000/6000

791

793. A Fine Persian Kashan Carpet, spandrel medallion on an ivory filed with blue floral motif, 11 ft. 4 in. x 16 ft. 4 in. $7000/9000

164

794. A Persian Tabriz Carpet, red central ground, blue border, overall repeating stylized motifs, 11 ft. x 12 ft. 5 in. $3500/4500 W 795. A Continental

Patinated Bronze NineLight Chandelier, 19th c., modeled as a triple nozzled ancient oil lamp with Bacchic masks and swags, each spout issuing three candlearms, height 26 in., width 18 in., depth 18 in., electrified. $400/600 796. A Pair of Continental Neoclassical-Style Gilt Bronze Four-Light Sconces, 20th c., scrolled backplate and candlearms, electrified, height 25 in., width 15 3/4 in., depth 9 in.

797

794

$800/1200 797. A Carved Polychrome Figure of St. Joseph Holding a Sprig of Lilies and the Christ Child with the Orb of the World, late 19th/ early 20th c., height 27 in. $1200/1800 798. Rudolf Chochoka (Austrian, 1888-1958), “A Bedouin Warrior on His Camel, Led by a Groom”, bronze on original marble plinth, inscribed “Chochoka” on base, height 13 in., width 15 3/4 in.

796

798

$1200/1800

799 799. Anna Debska (Polish, b. 1929), “Herd of Fourteen Running Horses and Foals”, 1994, bronze, inscribed “Anna Debska”, dated, and numbered “5/25”, on wood base, height 18 3/4 in., width 75 in. $1000/1500 Provenance: Formerly in The Crow Art Partnership Collection. W denotes the lot is illustrated at www.nealauction.com

165

803

801. A Monumental French Plaster Allegorical Figure, with an elephant helmet, her foot caressed by a lion (after the famous model of G.L. Bernini’s St. Daniel), height 44 1/2 in., width 18 1/2 in. $2000/3000 802. An Antique Louis XVI-Style Carved Giltwood Mirror, crest with torch and quiver trophée, molded oval surround, height 48 in., width 31 3/4 in.

801

$800/1200 800

803. A French Carved Giltwood Wall Clock, late 19th c., porcelain dial with engine turned bezel, works marked “The Pemsel/ N=21”, height 16 1/2 in., width 14 in., depth 4 3/4 in. $800/1200

$3500/4500

804. A Fine Louis XVI-Style Parquetry and Mahogany Games Table, 19th c., foldover top with outset corners, baize interior with wells, fluted frieze, turned and fluted legs, height 29 in., width 32 1/2 in., depth 16 1/2 in.

Provenance: Acquired from Artist’s Estate.

$1200/1800

804 800. Victor Salmones (Mexican, 19371989), “Momento Eterno”, bronze, inscribed “M-29 Salmones” and numbered “6/10”, on black marble, total height 79 1/8 in.

802

166

Illustrated: Cassidy MacDonald, Victor Salmones: A Sense of Human, pg. 75, color pl. 93.

805

807

806

805. An Antique Italian Renaissance-Style Carved Walnut Side Table, 19th c., plank top, shaped frieze, ring turned tapered legs, stretcher base, turned feet, height 30 1/2 in., width 52 in., depth 21 in.

808

807. A Good Italian Rococo Verte Peinte Petite Commode, late 18th/early 19th c., molded top, two drawers, cabriole legs, height 27 1/2 in., width 28 in., depth 19 1/2 in. $1000/1500

$1000/1500 806. A Venetian Carved, Gilt and Verte Peinte Fauteuil, 19th c., of Rococo inspiration, arched crest centering a shell, cabriole legs.

808. A Neoclassical-Style Specimen and Verde Antico Marble Center Table, circular top with radial inlay with beribboned border; gilt dolphin supports, incurvate triangular plinth, height 30 in., diameter 45 1/2 in.

$1200/2000

$3000/5000

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167

812. An Extensive Paris Porcelain Dinner Service, 19th c., rose Pompadour band with gilt decoration, comprising a large tureen, 2 covered vegetable tureens, 6 graduated platters, 2 corbeilles, 2 open serving dishes, a compote, a covered sauce tureen, a gravy boat with underplate, 10 dinner plates, 8 soup plates, a cake plate, 8 dessert plates, 10 fruit bowls, 11 large saucers, 10 small saucers, 7 coffee cups, 6 pot-decrèmes, 12 butter pats; together with 10 associated tea cups with saucers, and 6 Syracuse china tea cups and saucers. $2000/3000 809

812

809. A Pair of Louis XV-Style Carved Walnut Fauteuils, late 18th c., arched crest centering a shell, padded arms, cabriole legs. $1200/2000 813

W 810. An Antique French Lithograph

of Moscow, “Moscou, Basilique de Saint Basile”, c. 1850, hand-colored lithograph by Lemercier, sight 10 1/2 in. x 14 1/4 in., oak frame. $300/500 W 811. Pierre-Auguste Renoir

(French, 1841-1919), “Femme au Cep de Vigne”, 1904, lithograph on Arches paper, signed in the plate, published by Vollard for Douze Lithographes Originales de PierreAuguste Renoir, sheet 13 in. x 10 in., framed. $700/1000

814

$800/1200

814. A Pair of French Brass Carriage Lamps, late 19th c., chimneys with pineapple finials, hexagonal lights mounted with cherub masks and swags, electrified, height 27 in., width 9 in., depth 10 in. $500/700

168

813. An American Beaux-Arts Gilt Bronze and PorcelainMounted Bouillotte Lamp, c. 1910, marked on base “Sterling Bronze Co. New York”, adjustable tôle peinte shade, floriform candlecups with enameled porcelain flowers, now electrified, height 24 in., diameter 13 in.

815

816

818

815. A Queen Anne Inlaid Burled Walnut Bureau, early 18th c., crossbanded top, fall front, fitted interior, two over two drawers, bracket feet, height 41 in., width 40 in., depth 22 in.

821

W 817. An Antique English

W 819. A Vintage French “Au Depart” Steamer

Carved Oak and Caned High Chair, seat with restraint bar, barley twist and blocked uprights, adjustable foot rail.

Trunk, early 20th c., leather and brass bound lift top, tray interior, carrying handles.

$300/500

W 820. A Louis XV-Style Carved and Crème

$2000/3000 816. A George II Carved Mahogany Lowboy, mid-18th c., molded top, three drawers, shaped apron, shell and bellflower cabriole legs, ball and claw feet, height 28 1/2 in., width 29 1/2 in., depth 19 1/2 in. $1000/1500

818. A Fine Pair of HispanoMoresque Inlaid Mother-ofPearl, Bone and Hardwood Tabourets, each with octagonal top, architectural arched bracketed legs, height 34 in., width 20 in., depth 20 in. $2000/3000

$400/600

Peinte Chaise Percée, early 20th c., floral crest rail, caned back, lift seat with serpentine panel below, cabriole legs. $300/500 821. A Pair of Antique Louis XV/XVI-Style Inlaid Fruitwood Petite Commodes, each with tambour door, height 27 1/2 in., width 16 1/2 in., depth 11 1/2 in. $700/1000

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169

822

824

W 825. A Pair of Gilt

Bronze and Tôle Peinte Three-Light Bouillotte Lamps, of typical form, adjustable shade, reticulated base, height 25 in., diameter 16 1/2 in. $600/900 826. A Pair of Neoclassical-Style Specimen Marble Obelisks, of typical form, with black ground, height 22 in., width 6 in., depth 6 in. $1000/1500 W 827. A Chinese

828 826

Rug, possibly Manchester wool, floral motifs in blues, yellow and rose, on an orange and blue ground, 9 ft. 4 in. x 11 ft. 6 in. $1200/1800

W 823. A Rosewood and Mother-of-Pearl Inlaid

822. An Antique Louis XV/XVI-Style Inlaid Mahogany and Kingwood Commode, marble top, three drawers, shaped legs, height 32 in., width 37 1/2 in., depth 17 in. $1200/1800

Sarcophagus Form Jewelry Coffer, 19th c., inlaid floral decoration, hinged cover, fitted interior, one drawer incorporating a lap desk, height 12 1/2 in., width 11 3/4 in., depth 9 3/4 in. $500/750 824. A Pair of Large Charles X-Style Cut Crystal and Bronze-Mounted Urns, diaper pattern decoration, on paw feet, height 20 1/2 in., diameter 10 in. $1800/2500

170

828. A Persian Mahal Carpet, red ground with central medallion, cream, blue and red stylized border, 9 ft. 9 in. x 13 ft. 2 in. $2000/3000

833 830

829

830. Attributed to Juan Miguel Herrera (Mexican Colonial School/ Santa Fe, 1835-1905), “Jesus of Nazareth with the Marks of the Passion”, c. 1855, painted wood Bulto figure, textile and straw, mounted on a wood base, height 26 3/4 in. $1500/2500 Provenance: Christie’s, New York, January 12, 2004, lot 27. 831. Attributed to José Rafael Aragón (Mexican Colonial School/ Santa Fe, active 1820-1865), “St. Christopher, c. 1825, painted wood Bulto figure, textile, mounted on a wood base, height 24 in. $1500/2500 Provenance: Christie’s, New York, January 12, 2004, lot 28.

831

$700/1000 Provenance: Marion Hamilton Winters Antiques and Ethnographia, Winters, CA.

832

829. A Persian Qashqai Carpet, red ground with central diamond motifs, repeating geometric borders, 4 ft. 10 in. x 8 ft. 10 in.

832. An Antique Spanish Colonial Polychrome Wood Figure of the Christ Child, carved as a standing figure with outstretched arms, height 17 in., on a molded black and gold pedestal, overall height 24 in.

833. A George II Carved Mahogany Tilt-Top Tea Table, c. 1740-1750, circular top, molded standard, broken-scroll legs, acanthine scrolled feet, gadrooned stretchers, height 27 1/2 in., diameter 27 1/2 in. $600/800

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171

835

836

834

834. A George III Carved and Inlaid Mahogany Tall Case Clock, c. 1800, scrolled crest, floral decorated dial, case with fluted colonettes, height 88 in., width 18 in., depth 9 in. $2000/4000 835. A Set of Eight Regency-Style Brass Inlaid Mahogany Dining Chairs, comprising two armchairs and six side chairs, each with tablet crest, molded slat, turned legs. $1200/1800

836. A Continental Neoclassical Parcel Gilt and Faux Bois Settee, 19th c., possibly Swedish, shaped crest rail, shaped padded back, dolphin carved arms, paneled seat rail with gilt metal paterae, winged lion’s paw feet, height 37 in., width 94 in., depth 27 1/2 in.

W 839. Cuzco School, 19th c., “Carlos II

$2000/3000

Day”, oil on linen, unsigned, 13 in. x 29 1/8 in., framed.

W 837. A Pair of Louis XV-Style

Carved and Creme Peinte Bergères, late 19th c., shaped floral carved crest rail over padded back, serpentine seat rail, floral cabriole legs. $800/1200 W 838. Cuzco School, 19th c.,

“Archangel St. Uriel”, oil on linen, unsigned, 19 1/2 in. x 14 1/4 in., framed. $500/800

172

Defending the Eucharist”, oil on linen, unsigned, 33 1/2 in. x 25 in., framed. $400/600 W 840. Cuzco School, 19th c., “Market

$300/500 W 841. Cuzco School, 19th c, “Virgen

Hilando (Virgin Spinning Yarn)”, oil on linen, unsigned, 19 3/4 in. x 15 1/8 in., framed. $300/500

842. Franz Wobring (German, b. 1862), “Young Woman with Roses”, oil on canvas laid on board, signed upper left, artist and medium identified on handwritten label en verso 25 1/2 in. x 19 1/2 in., framed. $1800/2500 843. An Antique Carved and Painted Santos Cage Doll, head inset with glass eyes, articulated head and arms, height 70 in., width 24 1/2 in., depth 18 in. $3000/5000 Note: Santos cage dolls were originally created as in-home altars in areas where there were no priests, or during times, such as war, when it was not possible to travel to church. The dolls, which were primarily found in Portuguese or Spanish communities, were often used in Catholic religious processions for which they would be elaborately dressed in beautiful gowns, adorned with wings, or topped with golden crowns.

842

845

844. A Pair of Italian Carved, Painted and Parcel Giltwood Court Pages, late 20th c., each of the opposing turbaned figures with an outstretched arm, height 20 1/4 in., width 18 in. $1200/1800 845. A Monumental Regency-Style Silverplate Centerpiece, columnar support with spreading foot, cut glass bowl, height 20 3/4 in., diameter 13 in.

844

$1000/1500 846. A Pair of French Patinated Bronze Carcel Lamps, 19th c., urn form, with continuous friezes of Classical figures, acanthine handles, electrified, height 17 in., diameter 6 in. $800/1200 843 846 W denotes the lot is illustrated at www.nealauction.com

173

847

847. A Pair of Louis XV-Style Bronze Dore and Crystal Four-Light Wall Sconces , height 12 in., width 15 1/2 in., depth 10 1/2 in.

848

$700/900 W 851. Alfred

Barye (French, 1839-1882), “Lion and Serpent”, bronze, inscribed “Barye” on self base, height 14 1/2 in.

848. A Continental Carved Walnut Six Light Figural Chandelier, c. 1900, owl figure with glass eyes, scrolled arms, suspended by silk ropes, height 33 in., diameter 29 in.

$800/1200

$700/900 849. A Pair of French Tôle Peinte Lamps, 20th c., each yellow and black column with decoupage scenes of Napoleonic regiments and a profile of Marquis de Lafayette, plinth base decorated with flower and harp pattern, height 36 in., width 6 in., depth 6 in.

852. A Bust of an Algerian Woman on a Columnar Support, in the manner of Charles-HenriJoseph Cordier (French, 198271905), mounted on a rouge marble plinth, overall height 12 1/4 in.

849

$500/750

$500/700 853. Two Egyptian Revival Marble Portraits, one 852 said to depict Prince Khaemwaset, height 19 1/2 in.; the other a bas relief of a pharaoh with a bird crest, height 10 in.

W 850. A French

Bronze Dore Figure after Michelangelo, “Bacchus with a Young Faun”, late 20th c., on ormolu-mounted marble base, height 18 3/4 in., diameter 6 in.

$200/400

$700/900 853

174

854

854. A Bronze Head of Nefertiti, 20th c., after the celebrated limestone portrait at the Egyptian Museum in Berlin, height 20 1/4 in.

856

$200/400 W 855. Gyula Maugsh (Hungarian,

1882-1946), “Nude Female Picking the Forbidden Fruit”, 1925, bronze, inscribed “Maugsh” and dated on self base, mounted on an agate base, height 9 1/2 in., overall height 11 3/8 in. $200/400 856. A Napoleon III Bronze-Mounted Marble Mantel Clock, mid-19th c., dial marked “Caron/ Pl. Des Victories 5”, case mounted with shells, dolphins and a gadrooned border, surmounted by a tazza, on scroll feet, height 17 1/4 in., width 9 3/4 in., depth 5 in. $500/700 857. A Regency Carved Mahogany Cheval Mirror, c. 1810, ring-turned and blocked frame with ebonized decoration, lion’s head cast brass knobs, trestle base with brass cup casters, height 53 in., width 24 in., depth 20 1/2 in. $700/1000

857

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175

Notes

176

Session Three Sunday, April 27, 11 am 3923 Carondelet Street

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177

864. A Christofle “Malmaison” Pattern Silverplate Flatware Service, pattern introduced 1967, including 8 dinner forks, 17 dinner knives, 21 dessert forks and 21 dessert spoons, in a fitted storage case, (67 pcs.).

868

$1000/1500

861 W 859. A Chinese Export Canton

Famille Rose Porcelain Fruit Basket and Underplate, 19th c., pierced basket and underplate decorated with figural and naturalistic panels on a floral ground, basket height 4 1/4 in., width 8 3/8 in., depth 7 1/4 in.; underplate height 1 1/8 in., width 8 3/8 in., depth 7 1/4 in. $300/500 W 860. A Caribbean Coral

Encrusted Box, 20th c., assorted white and blue varieties, polished shell handles, height 14 in., width 16 in., depth 13 in. $200/300

864

861. A Scenic Papier Peinte Wallpaper Panel Depicting a Village Tavern Scene, 86 in. x 104 in. (with frame). $300/500 W 862. A Scenic

Papier Peinte Wallpaper Panel Depicting a Landscape with Stream and a Bridge, 79 in. x 63 in. (with frame).

867

$300/500

W 858. After Guido Reni (Italian, 1575-1599),

“Portrait of Beatrice Cenci”, 19th c., hand-painted porcelain plaque, 3 1/2 in. x 2 3/4 in., antique cast-iron frame. $400/600 Note: Beatrice Cenci (1577-1599), an Italian noblewoman, was beheaded for the murder of her abusive father.

W 863. A Pair of Gorham

Sterling Silver Three-Light Candelabra, weighted bases, height 11 1/2 in. $400/600

W 865. A Group of American

Sterling Silver Objects, including a pair of International “Prelude” candlesticks (weighted), a Gorham goblet and an Art Nouveau dinner bell. $300/500 W 866. A Decorative Silverplate

Double Cannon-Form Wine Carriage, with movable wheels and beaded bottle rest, length 11 1/2 in. $300/500 867. A Gorham “Plymouth” Pattern Sterling Silver Meat Tray, with serpentine reeded rim, tree and well, and scroll feet, height 2 1/2 in., length 23 in., width 17 in., weight approx. 100 troy ozs. $1500/2000 868. A Group of Gorham “Buttercup” Pattern Sterling Silver Flatware, pat. 1899; including 10 salad forks, 5 soup spoons, 11 bouillon spoons, 9 teaspoons, 11 flat butter spreaders and 1 cocktail fork, combined weight 43.55 troy ozs., (47 pcs.). $1000/1500 W 869. A Pair of Neoclassical-

Style Silverplate Candlesticks, height 10 5/8 in. Note: Loss to silvering. $250/350 W 870. An English Silverplate-

Mounted Cobalt Cut-to-Clear Glass Biscuit Barrel, height 8 1/2 in. $200/400

178

W 871. An Antique

English Silverplate Covered Urn, John Gallimore, Sheffield, act. 1876-1896, height 13 1/2 in. $150/250 872. An American Tôle and Églomisé Hall Lantern, 19th c., hexagonal form, fitted with acanthine and compass star decoration, height 24 in., diameter 9 1/2 in. $300/500 873. An American Brilliant Cut Glass Punchbowl, late 19th c., with star, fan and diaper decoration, height 13 3/4 in., diameter 14 3/4 in. $400/600

872

874. An American Rococo Carved Giltwood Mirror, 19th c., arched molded crest, shell and leaf cartouche, molded sides, height 70 1/2 in., width 27 1/2 in.

874

$700/1000 875. American School, c. 1930, “Blue Parrot with a Bowl of Fruit”, pastel, unsigned, sight 39 1/2 in. x 29 1/2 in., framed.

873

$800/1200 876. Robert C. Gruppé (American, b. 1944), “Harbor”, oil on canvas, signed lower right, 12 in. x 16 in., gilt frame. $500/800

876

875 W denotes the lot is illustrated at www.nealauction.com

179

878. Boris Riab (French/ Russian, 1898-1975), “English Setter Holding a Partridge”, watercolor, signed lower right, sight 12 1/2 in. x 15 in., framed. $700/1000 879. Thomas Noelsmith (English, active 18891900), “Dutch Harbor”, watercolor, signed lower left, sight 15 1/2 in. x 27 5/8 in., framed.

878

$400/600 880. Joan Miró (Spanish, 1893-1983), “Céramiques”, 1974, (Mourlot 928), lithograph, pencil-signed and numbered “10/200”, pub. by Maeght Éditeur, Paris, sheet 21 5/8 in. x 30 in., unframed.

877

879

$300/500 881. Marc Chagall (Russian/French, 1887-1985), “Paris/ l’Opéra [Romeo and Juliet]”, 1965, color lithograph, published by Mourlot, Paris, lithograph by Sorlier, signed on plate lower left, ed “65/45” lower right, 25 in. x 39 in., framed. $700/1000

880

882

882. A Queen AnneStyle Chinoiserie Lacquer Secretary Desk on Stand, c. 1910, upper case with mirrored doors, shelf interior; lower case with slant front, fitted interior frieze drawer, cabriole legs, pad feet, height 68 in., width 30 1/2 in., depth 21 in. $800/1200

877. Gabriel Spat (American/France, 18901967), “Paris Races”, gouache on track program, signed and inscribed “La journeé des Drags à Auteuil, L’Aga Khan et la femme” lower right, 12 in. x 9 in., framed. $300/500

180

881

883

884

885

886

883. A George III-Style Mahogany Partners’ Desk, rectangular inset tooled leather top, frieze drawers, each pedestal fitted with drawers, plinth base, height 30 1/2 in., width 65 1/2 in., depth 57 in. $1000/1500 884. Two George III Mahogany Bedside Commodes late 18th/early 19th c., each with galleried top, pair of cupboard doors, pull out shaped commode drawer, chamfered square legs, height 31 in., width 24 in., depth 18 in. $800/1200 885. A Set of Six Louis XVI-Style Carved and Crème Peinte Side Chairs, shaped floral crests, molded stiles, serpentine seats, rosette tapered legs, brass ferrules.

887

$500/1000 886. A Pair of Louis XV-Style Carved and Crème Peinte Upholstered Chaises, shaped floral crest rail, padded back, serpentine seat rail, cabriole legs. $400/600

887. A Louis Philippe Mahogany Console Table, early 19th c., black marble top, frieze drawer, scroll supports, incurvate plinth base, height 35 in., width 58 in., depth 20 in. $1000/1500

W 888. Continental School, 19th c.,

“Autumn Flowers”, oil on canvas laid on board, “Christies’ East” label en verso, 8 in. x 5 in., framed; TOGETHER WITH Continental School, 18th c., “Putto Hand with a Rose”, oil on canvas laid on board, “Christies’ East” label en verso, diameter 5 in., framed. (2 pcs). $150/250

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181

894

889

895

W 890. A Pair of Chinese

896

Export Pink Glazed Porcelain Figures of Hounds, 20th c., each modeled seated on its haunches wearing a green collar, height 6 3/8 in., length 5 1/4 in. $200/300 W 891. A Chinese Export

Canton Famille Rose Porcelain Vase, 19th c., baluster body with applied dragons and lion-dog handles, foliate rim, height 10 1/4 in. $200/300 W 892. A Chinese Export

897

Polychrome and Slip Decorated Porcelain Tankard, 19th c., slightly waisted cylindrical body decorated with alternating bands of insects and flowers and white slip floral swags, height 6 7/8 in. $150/250

889. A Large Chinese Export Canton Famille Rose Porcelain Punchbowl, 19th c., U-form body decorated with alternating figural and landscape panels on a floral ground, height 5 3/8 in., diameter 13 in., wood stand, overall height 7 3/8 in. $500/700 Provenance: Acquired Shreve, Crump & Lowe, Boston, c. 1982.

182

W 893. A Pair of Louis

XV-Style Gilt Bronze Chenets, with elaborate scrolling Rococo form, turned log stop, height 17 in., width 9 in., depth 21 in. $200/300

894. A Brass Fireplace Fender, 19th c., cylindrical crossbars with spherule supports, height 9 in., width 42 in., depth 14 in. $300/500 895. A Pair of Continental Neoclassical-Style Fruitwood Tabourets, 19th c., tubular arms, turned uprights, curule legs, baluster turned stretchers, height 28 in., width 24 in., depth 20 in. $600/800 896. Attributed to Cuzco School, 19th c., “The Entombment of Christ (El Santo Sepulcro)”, surrounded by the figures of St. Joseph of Arimathea, St. Nicodemus, the Virgin, Mary Magdalene and St. John the Evangelist, oil on canvas, 23 3/4 in. x 32 1/8 in., framed. $700/900 Provenance: New Orleans Museum of Art, deaccessioned. 897. Jean Pierre Dubord (French, b. 1949), “Le Boulevard de la Madeleine, Paris”, oil on canvas, signed lower right, titled and signed en verso, 19 3/4 in. x 24 in., framed. $700/1000

W 898. Two American

Mimbres Pots, modern, by Bill Freeman, black on white ground Anasazi designs, heights 16 in., diameter 17 in. and 19 in. Note: restored chips and breaks, as designed, to simulate the ancient pots. $300/500 Provenance: Artful House Tour Auction, Sante Fe, NM, to benefit the Georgia O’Keefe Museum, lots 6 & 8, 2006. W 899. A Pair of Danish

901

Neoclassical-Style Black Terracotta Bracket Shelves, 19th c., of classical form with sphinx supports, impressed “P. Ipsen Kobenhavn Eneret 108”, height 7 3/4 in., width 4 1/4 in., depth 4 1/4 in. $200/300 W 900. A Pair of Gilt and

Patinated Bronze Figural Candlesticks, in the form of blackamoors, height 15 3/4 in.

912

$400/600 901. An American Sterling Silver Luncheon Flatware Service for Eight, Manchester Silver Company, “Park Avenue” pattern, pat. 1931, comprised of 8 each: luncheon forks, luncheon knives, salad forks, dessert spoons, teaspoons and 6 ice teaspoons, total weight (weighable) 41.50 troy ozs, (38 pcs.) $500/750

W 909. A Miscellaneous Group of Ameri-

906

W 904. An American Sterling Silver

Water Pitcher, squat form with scroll handles, beaded border and script monogram, height 8 in., weight 19.05 troy ozs. $300/500 W 905. A Vintage Silverplate Plateau,

circular, gadroon border, scroll feet, height 4 in., diameter 19 1/2 in.

Flatware, including a baby knife, Georg Jensen, “Pyramid” pattern, designed by Harald Nielsen, 1926, length 4 5/8 in.; a flat server, serving fork and spoon and master salt spoon, Georg Jensen, “Parallel” pattern, designed by O. Gundlach-Pedersen, 1931, lengths 4 to 5 in.; and 5 lemon forks, W. & S. Sorensen, “Funkis” pattern, length 4 1/4 in.; combined weight (weighable) 5.60 troy ozs, (10 pcs.).

W 902. An American

906. A Gorham Sterling Silver Oval Tea Tray, “Plymouth Engraved” pattern, cut-out handles, 26 1/2 in. x 19 1/4 in., weight 121.45 troy ozs.

$500/750

$300/500

$200/300 W 910. A Group of Danish Sterling Silver

$400/600 Sterling Silver Partial Luncheon Flatware Service, Gorham “Melrose” pattern, pat. 1948, including 8 each: luncheon forks, luncheon knives, salad forks, soup spoons and teaspoons, total weight (weighable) 47.20 troy ozs, (40 pcs.).

can Sterling Silver Flatware, including a cake knife, International, “Wedgwood” pattern, pat. 1924; a tablespoon, Gorham, “Villa Norfolk” pattern, pat. 1905; 2 soup spoons, Whiting, “Livingston” pattern, pat. 1915, ret. Geo. Brodnax, Memphis; 4 soup spoons, International, “Prelude” pattern, pat.1939; 2 spoons, Durgin, “Fairfax” pattern, pat. 1910; 2 teaspoons, Watson, Newell & Co., “St. Louis” pattern; and 2 Colonial Revival demitasse spoons; combined weight (weighable) 14.15 troy ozs, (14 pcs.).

$2000/3000

$200/300

W 907. A Classical Silverplate and

Crystal Center Bowl . W 911. Eight Decorative Silverplate Goblets,

various designs, heights from 6 3/8 in. to 8 1/4 in. $250/350

W 903. A Set of Twelve

W 908. A Good Group of American

Sterling Silver Demitasse Cups and Saucers, with Lenox porcelain liners.

Sterling Silver Spoons, pat. 1906, including 6 dessert spoons, 5 teaspoons and 6 egg spoons, combined weight 18.05 troy ozs.

$300/500

912. A William IV Mahogany Three Tier Étagère, early 19th c., acorn finials, turned supports, molded shelves, base with drawer, turned feet, casters, height 42 1/4 in., width 16 1/2 in., depth 17 in. $500/1000

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183

914. A George II Mahogany Drop-Leaf Table, mid-18th c., turned legs, pad feet, height 28 1/2 in., width 18 in., depth 39 1/2 in. $400/600

913

914

913. A Regency Brass Inlaid Mahogany Server, early 19th c., frieze drawers, turned supports, two shelves, molded base, height 36 1/2 in., width 43 in., depth 17 in. Note: “Estate” condition. $500/700 Note: Sold for the benefit of HermannGrima/Gallier Historic Houses, New Orleans.

915. An EmpireStyle Gilt BronzeMounted Mahogany Side Cabinet, molded top, paneled frieze, grillework door, enclosing shelves, flanked by tapered pilasters surmounted by pharaoh busts, plinth base, height 35 in., width 20 1/2 in., depth 15 1/2 in. $500/700 916. Louis Icart (French, 1888-1950), “Meadow Maiden”, color drypoint etching, pencil signed lower right, plate 7 1/2 in. x 5 1/2 in., framed. $400/600 917. An Empire Carved Mahogany Center Table, early 19th c., dished grey marble top, reeded vasiform standard, hipped acanthine legs, paw feet, casters, height 29 1/2 in., diameter 32 in.

916 915

$400/600 918. Frank Moss Bennett (English, 18741952), “Bayeux (France)”, oil on canvas board, signed and titled lower left, 14 in. x 10 in., framed. $600/800

918

184

917

919. A Handsome Silverplate Oval Tea Tray, beaded border and conforming loop handles, well with chased procession of classical figures, 28 1/2 in. x 19 in. $400/600 920. An Oval Silverplate Footed Tray, reticulated border with Bacchic masks and figural frieze, chased well with script monogram, reticulated dolphin feet, 25 3/4 in. x 21 in.

919

$500/700 W 921. A Continental

Beaded Crystal and Gilt Metal-Mounted Chandelier, tiered form, with fruit garlands, height 28 in., diameter 15 in. 922

$400/600 922. Professor Otto Poertzel (German, 18761963), “Dancer”, bronze on agate base, inscribed “Prof. Poertzel” on self base, height 11 3/8 in. $200/400

920

Provenance: A Florida Antiquarian.

923

924. A Pair of Charles X-Style Maple and Ebonized Writing Tables, each with rectangular top, frieze drawers and writing slides, curule base, height 30 in., width 37 in., depth 23 1/2 in.

924 (1 of a pair)

923. Bo More (Continental, late 19th/early 20th c.), “Belly Dancer with Castanets”, bronze, inscribed “MORE” on side of self base, mounted on a mottled green marble plinth, height 9 7/8 in.

$1000/1500

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185

925

925. An Empire-Style Mahogany Bibliothèque, blocked cornice, arched frieze, glazed doors flanked by bronze-mounted columns, disc feet, height 72 1/2 in., width 47 in., depth 18 in. $1800/2500

926

926. A Dutch Rococo-Style Burled Walnut and Marquetry Cabinet, early 20th c., upper case with serpentine bonnet cornice centering a foliate cartouche, conforming paneled glazed doors, serpentine shelves, canted sides; conforming base, two serpentine drawers, turned legs, shaped stretchers, bun feet, oak secondary wood, height 89 in., width 79 1/2 in., depth 15 1/2 in. $3000/5000 927. An Antique Louis XVI-Style Brass-Mounted Mahogany Demilune Games Table, triple foldover top opening to wood and baize-lined interiors, paneled frieze, tapered fluted legs, height 30 in., width 43 1/2 in., depth 21 1/2 in. $2000/3000

927

186

928

930

928. A Restauration Gilt BronzeMounted Figured Walnut Commode, c. 1830, Gris de Ste. Anne marble top with reeded edge, frieze drawer over three graduated drawers, molded plinth, shaped feet, height 40 1/2 in., width 51 1/2 in., depth 24 in. $1000/2000 929. Circle of Sir Thomas Lawrence (British, 17691830), “Portrait 929 of a Lady, possibly Mrs. William Wilson, neé Miss Caroline Fry (1787-1846)”, early 19th c., oil on canvas, unsigned, 36 in. x 29 in., in inner liner of original frame. $3000/5000 Note: The sitter depicted here closely resembles Miss Caroline Fry, noted author and Anglican Theologian. Sir Thomas Lawrence painted Miss Fry’s portrait at least two times before her marriage; one canvas is conserved at the Brooklyn Museum (acc. 51. 218) another is at the Tate Gallery, London (ref. NO1307).

931

930. A Pair of Neoclassical-Style Bronze-Mounted Cut Crystal Urns, vasiform urns and mask handles, tall diapered bases on malachite plinths, spherical feet, height 18 in., width 11 1/2 in., depth 8 1/2 in.

931. A Continental Carved Giltwood Mirror, mid-19th c., rocaille and garland crest, molded frame, acanthine corners, blocked feet at the base, height 80 in., width 48 in.

$1500/2000

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

187

933

935. Serge Zelikson (Russian/ French, 18901966), “Barge Haulers on the Volga River”, early 20th c., bronze, inscribed “S. Zelikson/ #12” and stamped “L.N./ Paris/ J.L.” on rear of self base, length 21 3/8 in., mounted on a black variegated marble base, overall length 22 5/8 in. $1200/2000 W 936. A Continental

Rococo-Style Carved Giltwood Mirror, possibly Venice, molded surround with shells, mirror plate centering etched figure of a gentleman, height 14 1/4 in., width 10 in.

932

$200/300 937. A NeoclassicalStyle Carved and Gilded Mirror, urn finial, foliate swags, molded surround, height 47 1/2 in., width 26 1/2 in. $600/900 937

935

932. A Monumental Empire Carved and Gilded Overmantel Mirror, of architectonic form, blocked molded cornice, conforming frieze, mirror plate flanked by pilasters, conforming base, height 71 in., width 64 in., depth 6 in. $2000/3000 933. A Rare Arts and Crafts Studio Shade, early 20th c., the tapering leaded shade inset with abalone shells, presently mounted on a wrapped metal standard, onyx-mounted base, height 65 in., diameter 20 in. $1000/2000 W 934. A Crystal Bust of a Stag’s

Head, 20th c., curving neck and head with long antlers, height 12 1/2 in., width 12 1/4 in. 938

188

$300/500

938. A Louis XVIStyle Carved, Gris Peinte and ParcelGilt Console Table, late 19th/early 20th c., shaped molded marble top, conforming frieze with scrollwork and rocaille centering cartouche, floral cabriole legs, serpentine stretchers centering cartouche. $800/1200

939. An Italian Rococo-Style Inlaid Walnut Cabinet, 19th c., shaped molded cornice, glazed doors, lower case with serpentine paneled doors, cabriole legs, height 81 in., width 40 in., depth 19 in. $600/800 940. A Continental Carved Walnut Chest, 18th c., rectangular lid with iron strap hinges, void interior, front carved with doubleheaded eagle, ewers with flowers, and date of 1722(?), height 20 1/2 in., width 46 in., depth 20 1/4 in. $400/600 941. A Gilt Bronze-Mounted “Sèvres” Porcelain Guéridon, circular top centering reserve of a courting couple after Fragonard, paneled surround with floral cartouches on bleu ground, paneled frieze with shells, baluster support, arched legs, acanthine feet, height 29 1/4 in., diameter 24 in. $1000/1500

939

941

940

942

942. A Spanish Renaissance-Style Refectory Table, 19th c., plank top, turned trestle base, wrought iron stretcher, height 31 in., width 55 in., depth 34 in. $1500/2500 943. An Antique Continental Carved and Painted Dower Chest, 18th c., probably German, molded lift top, strap hinges, interior till, paneled front bound with strapwork, molded base, casters, height 22 1/2 in., width 58 3/4 in., depth 24 3/4 in. 943

$700/1000

W denotes the lot is illustrated at www.nealauction.com

189

W 948. A Pair of

Louis XVI-Style Carved Giltwood Bergères, each with molded crest rail, padded arms, shaped seat rails, rosette blocks, tapered fluted legs; together with a decorative side table, scrolled legs, stretcher shelf.

944

944. A Pair of Louis XV-Style Carved Walnut and Caned Fauteuils, arched crest rail, shaped arms, cabriole legs.

$500/700 945

$1000/1500 945. A Large Bronze Group of Two Bacchantes with the Infant Bacchus on shaped bronze plinth, 20th c., marked, height 31 1/2 in. $1000/1500 946. A Pair of Rococo-Style Gilt Bronze Four-Light Girandole 946 (1 of a pair) Mirrors, 19th c., each with eagle crest, foliate scrolled surround, candlearms flanking a medallion, height 24 3/4 in., width 14 in., depth 7 3/4 in. $1000/1500 947. A Louis XVI-Style Carved and Gilded Mirror, urn and swag crest, molded surround flanked by bellflowers, dolphin pendants, associated console with serpentine marble top, conforming frieze, cabriole legs, foliate stretcher, mirror height 53 1/4 in., width 28 3/4 in; console height 31 in., width 31 in., depth 12 1/2 in. $800/1200

947

190

949

950 951

949. A Pair of Continental Rococo-Style Carved Rosewood Console Tables, mid-19th c., probably German, each with serpentine rouge royale marble top, conforming frieze with cartouche of scrolling leaves, rocaille, and strapwork, floral cabriole legs, serpentine stretchers centering urn finial, height 33 1/4 in., width 57 in., depth 22 1/2 in. $2500/3500

952

950. An Antique RenaissanceStyle Ebonized Walnut Chest of Drawers, molded top with canted corners, conforming case with frieze drawer over three graduated paneled drawers, plinth base, block feet, height 39 in., width 62 in., depth 26 1/2 in.

951. A Pair of Rococo-Style PaintDecorated Fauteuils, each with molded crest rail, interlaced splat, cabriole legs. $800/1200 952. An Antique Continental Neoclassical-Style Carved and Gilded Console Table, probably French, shaped white marble top, leaf and rosette frieze, fluted trumpet shaped legs, stretcher, disc feet, height 36 in., width 38 in., depth 18 in. $800/1200

$800/1200

W denotes the lot is illustrated at www.nealauction.com

191

953

955

956

954

953. A Napoleon III Upholstered Settee, late 19th c., arched crewel work crest, padded arms, turned legs, height 42 in., width 55 in., depth 25 in. $1000/1500 954. A French Carved and Gilded Overmantel Mirror, mid-19th c., in the Rococo taste, reticulated foliate arched crest, conforming molded surround, height 84 in., width 55 1/2 in. $2000/3000

192

957

955. A Louis XV-Style Rosewood, Kingwood and Marquetry Bedstead, early 20th c., arched molded crest rail, urn and acanthus scroll inlaid panel, conforming low footboard and shaped rails, height 56 in., interior length 78 1/2 in., interior width 58 in.

956. A Chinoiserie Paint-Decorated and Lacquered Wood Cocktail Table, waisted rectangular top with phoenix and dragons, square legs, hoof feet, height 18 1/2 in., width 48 in., depth 24 in.

$500/750

957. A George III Mahogany Pedestal Dining Table, reeded edge top, turned support, reeded legs, casters, height 27 1/2 in., width 38 3/4 in., depth 58 in.

$500/700

$800/1200

958. An Irish Georgian-Style Carved Mahogany Serving Table, early 20th c., molded top, three drawers to the rear, center drawer fitted for bottles, front and sides with pierced volute carving, acanthine cabriole legs, hairy paw feet, height 34 in., width 74 1/2 in., depth 26 1/2 in. $1000/2000 959. An Irish Georgian-Style Carved Mahogany Serving Table, early 20th c., en suite with preceding lot, height 34 in., width 74 1/2 in., depth 26 1/2 in. $1000/2000 958 960. A Georgian-Style Carved Mahogany Chairback Settee in the Hepplewhite Taste, 19th c., arched crest, pierced, swagged back, scrolled arms, blocked, bellflower carved legs, stretchers, height 38 in., width 45 1/2 in., depth 20 1/2 in. $1000/1500 961. A Pair of Regency-Style Lacquered and Caned Bergères, arched back, continuous arms, straight seat rail, turned tapered reeded legs, brass ferrules, casters. $400/600

959

961 960

W 962. Armand-Marie Guérin (French, 1913-1983), “View of

Seine River and Eiffel Tower”, lacquer enamel on masonite, signed lower left, 10 5/8 in. x 13 5/8 in., framed.

W 963. Armand-Marie Guérin (French, 1913-1983), “Circus”,

lacquer enamel on masonite, signed lower left, inscribed “B. Minel/ N.Y./ France” on framer’s label en verso, 10 1/2 in. x 13 5/8 in., framed. $500/800

$500/800

W denotes the lot is illustrated at www.nealauction.com

193

964. Paul Lambert (French, b. 1910), “Notre Dame, vue de I’isle...”, oil on canvas, signed lower left, signed, titled and stamped en verso, 20 1/8 in. x 16 1/8 in., framed; together with French School, 20th c., “View of Notre Dame”, oil on canvas, illegibly signed lower left, inscribed “Van Donnell” en verso, 20 in. x 24 1/8 in., framed, (2 pcs.). 966

$1000/1500 W 965. Continental School, 19th c., “Child with a Rose” and “Child with Cherries”, two oils on canvas laid on board, unsigned, 14 in. x 11 in., matching frames. (2 pcs.).

964 (1 of 2)

$600/900

967

966. A Pair of EmpireStyle Patinated Bronze Campagna Urns, with a frieze of Classical figures and grapevines, height 8 in., diameter 6 1/4 in. $700/1000 967. A Group of Six Decorative Rock Crystal Spheres , diameters 5 1/4 in. to 7 1/4 in. $800/1200 968. A Carved and Painted Blackamoor, holding a jardinière, copper liner, molded pedestal, height 61 in., width 13 in., depth 13 1/2 in. $1200/1800 969. A Fine Persian Pictorial Esafahan Carpet, cream ground with Double Tree of Life design, salmon border with light and dark blue accents, 5 ft. x 7 ft. $3000/4000

968

194

969

972

970

971

970. A Pair of Adam-Style Two-Light Sconces, gilt metal and gesso, urn-form backplate, scrolled arms, height 44 in., width 16 in., depth 6 in. $800/1200 973 971. An American Aesthetic Carved and Gilt Slipper Chair, late 19th c., turned spindled back with painted panel, conforming seat rail, turned tapered legs. $500/700 972. An Empire-Style Bronze-Mounted Figured Walnut Bureau Plat, early 20th c., inset leather top, frieze with writing slides and three drawers, columnar supports, incurvate plinth base, disc feet, height 30 in., width 55 1/2 in., depth 28 in.

973. An American Mahogany Breakfront Bookcase, Frank Livaudais, New Orleans, pedimented cornice, four glazed doors, fixed shelves, base with two drawers over four doors, molded base, height 105 in., width 83 in., depth 20 1/2 in. $7000/10000 Provenance: Estate of a New Orleans Gentleman, commissioned from Livaudais, c. 1983.

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

195

974

978

975

976

977. An English Mahogany Linen Press, mid-19th c., possibly Johnstone & Jeanes, London, breakfront case with molded edge top, two paneled doors flanked by banks of four drawers, turned and reeded feet, height 46 1/2 in., width 92 in., depth 23 in.

974. A George III-Style Mahogany Partners’ Desk, Frank Livaudais, New Orleans, signed, inset tooled leather top, frieze drawers, each pedestal fitted with writing slide and drawers, height 30 1/2 in., width 72 in., depth 42 1/2 in. $1000/1500

$1500/2500

Provenance: Estate of a New Orleans Gentleman. 975. A George III Mahogany Tilt-Top Breakfast Table, banded top, turned support, arched legs ending in brass caps, casters, height 28 1/2 in., length 42 3/4 in., width 29 1/2 in. $300/500

196

977

976. A Georgian-Style Carved Mahogany Chairback Settee, shaped crest rail, scrolled ears, pierced vasiform splats, shaped arms, cabriole legs, pad feet, height 39 in., width 59 1/2 in., depth 25 in.

978. An English Rosewood Work Table, mid-19th c., foldover swivel top, frieze drawer, turned trestle supports, turned stretcher, arched legs, casters, height 30 in., width 23 3/4 in., depth 14 in.

$1000/2000

$500/750

979. A George III-Style Carved Mahogany Library Armchair, 19th c., rectangular back, foliate scrolled arms, blind fretwork and blocked legs, stretchers, needlepoint upholstery. $500/750 980. A Near Pair of Italian Rococo-Style Carved Fruitwood Stands, 19th c., top with scrollwork edge, naturalistic standard with two embracing putti at base of tree trunk, rockwork base, height 31 in., width 16 in., depth 12 in.

979

980

$400/600 981. An Antique Louis XV-Style Carved Beechwood Fauteuil, shaped back, padded arms, cabriole legs.

983

$400/600 982. A Miniature Empire-Style Mahogany Chest of Drawers, probably late 19th c., frieze drawer over three graduated drawers flanked by gilt metal mounted engaged columns, square tapered legs, height 19 1/2 in., width 19 1/2 in., depth 11 1/2 in.

981

$500/700 984 (1 of 2)

983. Parker S. Perkins (American, 18621942), “Sailboats at Sea”, 1896, oil on canvas, signed and dated lower left, 14 in. x 18 in., framed.

984. Henry Gasser (American, 1909-1981), “Fishing Camps Beside a Lake” and “Coastal View from the Rocky Dunes”, two oils on canvas board, each signed lower left, 9 in. x 11 7/8 in., framed alike, (2 pcs.).

$1200/1800

$1000/1500 982 W denotes the lot is illustrated at www.nealauction.com

197

W 990. An

American Federal Mahogany Candlestand, early 19th c., New York, shaped tilt top, vasiform turned standard, outswept reeded legs, turned button feet, height 29 in., width 24 in., depth 19 1/2 in.

985

$600/900 991. An American Federal Mahogany Secretary Desk, early 19th c., probably Massachusetts, molded cornice, glazed doors, interior with shelves, compartments and drawers, foldover writing surface, four graduated drawers below, “French” feet, height 65 in., width 40 in., depth 20 in.

991

992

$1000/1500

985. Circle of William Kidd (British, 1790-1863), “Illustration for Robert Burns’ Poem ‘Tam O’Shanter’”, oil on canvas, unsigned, 14 in. x 20 in., framed.

Provenance: Estate of James Fenimore Cooper IV.

$800/1200 992. An American Queen Anne Maple Lowboy, 18th c. and later, New England, molded edge top, case fitted with one long over three short drawers, cabriole legs, pad feet, height 35 in., width 39 in., depth 20 in.

W 986. An American Federal Cherrywood

Dining Table, early 19th c., drop leaf top, turned and blocked legs, height 27 3/8 in., width 41 3/4 in., depth 21 1/2 in. $400/600 W 987. Edward Loyal Field (American, 1856-

1914), “Forest Path”, oil on masonite, signed lower right, “ELF, Tovar Collection Inventory #53” stencil en verso, 10 in. x 8 in., framed.

$800/1200

993

Provenance: Estate of James Fenimore Cooper IV.

$300/500 W 989. Edward Loyal Field W 988. Edward Loyal Field (American, 1856-

1914), “Farmhouse Beside a Forest Path”, oil on canvas, signed lower left, “ELF, Tovar Collection, Inventory #112” stencil en verso, 9 in. x 12 in., framed. $400/600

198

(American, 1856-1914), “Home Amid a Clearing”, oil on canvas, monogrammed lower right, “ELF, Tovar Collection Inventory #207” stencil en verso, 8 in. x 10 in., framed.

993. A George III Oak Tilt-Top Tea Table, late 18th c., circular top, bird cage support, baluster standard, arched legs, snake feet, height 27 in., diameter 28 1/2 in. to 29 1/2 in.

$400/600

994. Harry Willson Watrous (American, 1857-1940), “Still Life with Architectural Angels, Putto, Coins, and Prayer Beads”, oil on canvas, signed lower right, 16 in. x 30 in., framed. $1500/2500 995. James Gale Tyler (American, 1855-1931), “Clipper Ship”, oil on canvas, signed lower right, 26 in. x 20 in., framed. $2000/3000 996. George Wainwright Harvey (American, 1855-1930), “Golden Sunset After a Shower, Annisquam Marshes”, 1907, oil on linen, signed lower right, signed, titled and dated en verso, “Annesley & Co, Albany NY “ framers label en verso, 20 in. x 24 in., framed.

994

$1000/1500 Provenance: Estate of James Fenimore Cooper IV. 997. George Wainwright Harvey (American, 1855-1930), “October Afternoon, Annisquam Marshes”, 1907, oil on linen, signed lower right, signed, titled and dated en verso, 20 in. x 24 in., framed.

996

$700/1000 Provenance: Estate of James Fenimore Cooper IV.

995

997

998. An American Classical Carved Mahogany Center Table, c. 1825, Philadelphia, circular tilt top, columnar support, incurvate triangular plinth, volute scrolled feet with rosettes, casters, height 29 3/8 in., diameter 41 1/4 in. $500/750

998 W denotes the lot is illustrated at www.nealauction.com

199

999

1000

1002 1001

999. An American Classical Mahogany Armoire, c. 1825, outset cornice, plain frieze, paneled doors, interior fitted with drawers and shelves to one side, turned feet, height 90 in., width 60 in., depth 24 in. $1200/1800 1000. An American Rococo Carved Mahogany Dressing Chest, mid19th c., J. & J.W. Meeks, New York, labeled, arched mirror with pierced crest, turned supports, serpentine marble top, conforming case fitted with a frieze drawer over four graduated drawers, plinth base, height 80 1/2 in., width 42 in., depth 22 in. $2500/3500

200

1001. An American Rococo Carved Rosewood Library Table, mid-19th c., attributed to Alexander Roux, New York, top with gadrooned edge, frieze drawers, trestle base, barley-twist supports, casters, height 30 in., width 48 in., depth 25 1/2 in. $2000/3000 Note: An identical library table bearing the stencil label of Alexander Roux sold in these rooms October 6, 2007, lot 101. 1002. A Pair of American Classical Brass Andirons, c. 1830, New York, with turned standards, spurred legs and ball feet, height 19 3/4 in., width 10 1/4 in., 19 1/2 in. $800/1200

1003. George Wainwright Harvey (American, 1855-1930), “Sunrise Along the Shore”, pastel on paper, signed lower left, 19 1/2 in. x 15 1/2 in., framed. $600/900 Provenance: Estate of James Fenimore Cooper IV. 1003

1003A

1004

1003A. Wladyslaw T. Benda (Polish/American, 1873-1948)., “Portrait of a Seated Girl in a Traditional Polish Dress”, oil on canvas, signed lower left, remnant of Albany, New York gallery label en verso, 30 in. x 22 in., period frame. $1000/1500 Provenance: Estate of James Fenimore Cooper IV. 1004. An American Federal Tiger Maple Chest of Drawers, early 19th c., three graduated drawers, bracket feet, height 28 in., width 43 in., depth 19 1/2 in. $500/800 Provenance: Estate of James Fenimore Cooper IV. 1005. An American Pine Hutch Table, 19th c., circular tilt top, trestle base with hinged seat, void interior, found in old red wash, height 28 1/2 in., diameter 40 1/2 in. $500/750 Provenance: Estate of James Fenimore Cooper IV.

1005

W 1006. An American Painted Hardwood Ladderback

Wagon Seat, 19th c., shaped slats, rush seat, stretcher base, found in old red paint, height 31 1/2 in., width 37 1/4 in., depth 16 in. $300/500 Provenance: Estate of James Fenimore Cooper IV. W 1007. An American Federal Walnut Side Table, early

19th c., possibly Tennessee, frieze drawer, turned legs, ball feet, height 29 in., width 21 in., depth 17 5/8 in. $400/600 W denotes the lot is illustrated at www.nealauction.com

201

1010. A China Trade Brass Bound Painted Sea Chest, mid19th c., labeled “Capt. Hall Jackson Tibbits”, New York, hinged lid, void interior, carrying handles, height 13 3/4 in., width 30 1/2 in., depth 17 in. $500/750 1009

1008

1010

Note: Captain Hall Jackson Tibbits (American, 17971872) owned and commanded several clipper ships, trading tea and silk on a trade route between America, China and South America. 1011. A Pair of American Classical Brass Andirons, attributed to John Molineaux, Boston, left and right form with original log stops, height 14 1/2 in., width 9 in., depth 24 in. $400/600 1012. A Chitimacha Double Weave Carba, late 19th/ early 20th c., red, brown and natural cane, body with “perch” or “little trout” pattern over “worm tracks”, lid with “worm tracks”, height 7 1/2 in., width 6 1/2 in., depth 6 1/2 in.

1011

1008. An American Walnut Garde Manger, mid-19th c., top above a long drawer, paneled and punched tin doors, tall square legs, height 54 1/2 in., width 38 1/2 in., depth 16 3/4 in. $600/900 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

$2000/3000

1009. A Louisiana Cypress Blanket Chest, mid-to-late 19th c., paneled lift top, void interior, paneled sides, molded base, height 25 in., width 55 3/4 in., depth 25 1/2 in.

Provenance: A Denver, Colorado, Estate.

$300/500 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

202

1012

1013

1013. [Rare Norman’s New Orleans Map], “Norman’s Plan of New Orleans & Environs”, 1854, published by B.M. Norman, lithographed by G. Hayward, New York, folding pocket map, on blue-gray paper, with original hand-coloring in outline, having 86 numbered references in the lower margin showing hotels, banks, churches, schools, theaters, hospitals, markets, cotton presses, and other public buildings, publisher’s blindstamped and gilt cover preserved, sheet 15 1/4 in. x 19 7/8 in., attractively matted and framed.

1014

1014. An American or English Hardwood Étagère, 19th c., reticulated gallery, turned and blocked uprights, three serpentine tiers over low shelf with a drawer, height 54 1/2 in., width 26 in., depth 15 1/2 in. $400/600 1015. An Antique Louisiana Painted Side Table, frieze drawer, turned legs, found in an old white over blue paint, height 30 3/4 in., width 26 3/8 in., depth 20 1/4 in. $500/700 1015 1016. Robert Rucker (American/Louisiana, 1932-2001), “Uncle Sam Plantation” and “Destrehan”, two watercolors on paper, each signed lower right, titles inscribed en verso, 15 1/4 in. x 19 1/2 in. and 15 1/2 in. x 19 1/4 in. respectively, unframed. (2 pcs.)

$4000/6000 Note: This seminal 19th century plan of New Orleans was first issued by Norman in 1845. In the present 1854 issue, Norman has made significant updates to the plan and has removed the credit to the original draughtman Henry Moellhausen. Moellhausen was an important early surveyor and architect, particularly active in the 1840s, and was an early advocate of an underground drainage system. This plan shows the city divided into four districts and nine wards, the former shown in pink lines and the latter in green. Norman’s most famous map, “Chart of the Lower Mississippi River”, designed by Marie-Adrien Persac, was published four years after this map.

$1500/2500 Provenance: Collection of a New Orleans family.

1016 (1 of 2) W denotes the lot is illustrated at www.nealauction.com

203

1019

1017. George Louis Viavant (American/ Louisiana, 1872-1924), “Nature Morte: Two English Wrens”, 1913, watercolor on paper, signed, dated and inscribed “N.O.” lower left, “W... Picture Frames, Knoxville, Tennessee” label en verso, 20 in. x 11 in., period frame. $4000/6000 1018. Theora Hamblett (American/Mississippi, 1893-1977), “Horse Training”, 1974, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. $8000/12000

1020

1017

1019. Maude Schuyler Clay (American/ Mississippi, b. 1953), “Cotton Field Church, Mattson Coahoma County, Mississippi”, 1998, from Delta Land, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, sight 13 in. x 17 in., framed. $600/900 Illustrated: Clay’s monograph Delta Land (Jackson: University Press of Mississippi, 1999). 1020. Maude Schuyler Clay (American/ Mississippi, b. 1953), “The Lost Town of Rodney, Mississippi”, 1999, silver gelatin print, signed, titled and dated lower margin, “Frame Up, Oxford, MS” label en verso, sight 15 in. x 18 1/2 in., framed. 1018

204

$600/900

1021. Huger Foote (American/Tennessee, b. 1961), “Vines”, pigment transfer print, signed lower left, numbered “1/10”, 13 1/4 in. x 19 3/4 in., framed. $500/700 1022. Huger Foote (American/Tennessee, b. 1961), “A Birthday Treasury”, pigment transfer print, signed lower right, numbered “3/10”, image 20 in. x 13 1/4 in., framed.

1021

$500/700 1023. Theodore “Fonville” Winans (American/ Louisiana, 1911-1992), “The Hunt: Fox Hunt Series, Feliciana Parish, Louisiana”, 1938, silver gelatin print, signed and dated lower right in white ink, estate no. “PN-528”, 16 in. x 20 in., unframed.

1022

$800/1200 1024. Clarence John Laughlin (American/New Orleans, 1905-1985), “The Mad Engine, Engine of Compulsion: 1940”, silver gelatin print (1973), signed lower right, titled lower left, artist stamp and inscribed en verso, image 14 in. x 11 in., unframed.

1023

$800/1200 Provenance: Collection of New Orleans Artist Charles Fritchie (b. 1936). 1025. Clarence John Laughlin (American/ New Orleans, 19051985), “Black & White (No.3): 1947”, silver gelatin print (1973), signed lower right, titled and dated lower left, artist stamp and inscribed en verso, image 14 in. x 10 7/8 in., unframed. $800/1200

1024

1026

1026. Clarence John Laughlin (American/New Orleans, 1905-1985), “The Language of Light: 1952”, silver gelatin print (1976), signed lower right, titled and dated lower left, artist stamp and inscribed en verso, 10 7/8 in. x 13 5/8 in., unframed. $800/1200

1025 W denotes the lot is illustrated at www.nealauction.com

205

W 1032. A

1033 (1 of 4)

Group of Seven American School Lithographs, including: Gordon Hope Grant, “Old Coaster”, “Sun and Shadow”, and “The Butterfly and the Ant”; Marion Greenwood, “Carib Caryatid” and “Fringed Scarf”; John McClure Hamilton, “A Portrait”, 1825; John M. Kelly, “Kahani, Hawaii”, 9 in. x 11 1/2 in. to 11 1/2 in. x 16 1/2 in., unframed. (7 pcs.) $500/700

1027

1034 (1 of 4)

W 1029. Arthur William Heintzelman (American,

1891-1965), Six etchings including: “Untitled (Seated Girl)”; “Vieille Femmes de Sestri Levante”; “Maestro Toscanini”; “Three Scores and Ten”; “The Stand”; and “Untitled (Man with Hat)”, all pencil-signed, sight 9 1/2 in. x 6 1/4 in. to 12 in. x 8 3/4 in., unframed (6 pcs.) $500/700

1033. Matt Anderson (Florida/New Orleans, b. 1948), four photographs: “New Orleans, LA”, 1975; “Central Park, NY”, 1974; “Guatemala City”, 1975; and “Austria”, 1973, all printed in 1976, silver gelatin prints, all signed and dated lower left, all pencil-signed, titled and dated en verso, 8 in. x 10 in., unframed (4 pcs.) $800/1200

W 1030. A Group of Eight American School

1028

1027. Jerry Uelsmann (American, b. 1934) “Animal Dream”, 1978, silver gelatin print, titled lower left, initialed and dated lower right, sight 20 1/2 in. x 14 3/8 in., framed. $1200/1800 1028. Jerry Uelsmann (American, b. 1934), “Untitiled: Surreal Sky over Study”, 1976, silver gelatin print, initialed and dated lower right, image 19 in. x 14 in., framed. $1000/1500

206

Etchings, including: K. Batsulara, “Golden Gate”; Lyman Byxbe, “Lone Pines”, “Mt. Meekes” and “Trail to Dream Lake”; Leone Rene Pescheret, “Chain Fruit Cholla Arizona” and “Joshua Trees Arizona”; Alfred Rudolph, “The Sentinel (Saguaro Cactus)”; Ronan William Woiceske, “Sunlit Woods”, sight 4 in. x 6 in. to 10 1/4 in. x 7 1/2 in., unframed (8 pcs). $500/700 W 1031. Gerald Nailor (American/New Mexico,

1917-1952), “Native American Woman on Horseback”, silkscreen on paper, pencil signed lower right, sheet 18 5/8 in. x 17 in., framed. $400/600

1034. Matt Anderson (Florida/New Orleans, b. 1948), four photographs: “Siblings, Orpheum Theatre”, 1983; “Mardi Gras Indian Child”, 1978; “Sleeping Child and Brass Band”, 1981; and “Girl on Bench”, 1982, silver gelatin prints, all signed and dated lower or upper right, from 10 in. x 8 in. to 12 1/2 in. x 8 1/2 in., unframed. (4 pcs.) $800/1200

1037

1038. A Pair of Renaissance RevivalStyle Carved Rosewood Pedestals, late 19th c., probably French, each with revolving circular top, turned and carved support, centered by fluted, turned spindles, conforming bases, height 49 1/2 in., diameter 12 1/2 in.

1035

$1000/1500

1039

1039. A Pair of Neoclassical-Style Bronze Tables, each with grey marble top, paired supports, incurvate stretcher, height 24 1/2 in., diameter 16 in. $2000/3000

1038

1035. Owen Murphy (American/New Orleans, b. 1948), “Morocco”, 1975, silver gelatin print, signed lower right, titled and dated lower left on mat board, 14 in. x 11 in., unframed. $500/800 1040

$500/700

W 1036. An American Eastlake

Carved and Incised Walnut Hanging Cabinet, late 19th c., spindled gallery over glazed door flanked by bracket shelves, conforming base, height 39 1/8 in., width 27 3/8 in. $200/400

1040. An English Burl Walnut Games Table, mid-19th c., labeled “Crown and Sons/.../St. Stephen’s Street/ Norwich”, foldover swivel top with molded edge, circular baize lined playing surface, lobed standard, arched molded legs, scrolled feet, casters, height 29 in., width 36 1/4 in., depth 18 in.

1037. A Fine Brunswick Mahogany Billiard Table, early 20th c., with brass plaque, of typical form, decorated with geometric inlaid borders and Moorish motifs, height 33 in., length 110 in., width 60 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

207

1041

1041. A Set of Four American Rococo Carved Rosewood Side Chairs, c. 1850, New York, arched floral crests, shaped backs, serpentine floral seat rails, cabriole legs, casters. $700/900 1042. An American Renaissance Carved, Gilt Incised, Ebonized and Marquetry Mahogany Center Table, late 19th c., New York, molded top centering a floral reserve amid burled walnut panels, bracketed columnar support with fluted blocks and turning, casters, height 31 in., diameter 28 in.

1042

1043

$1200/1800 1043. An American Aesthetic Rosewood and Marquetry Étagère Cabinet, late 19th c., R.J. Horner, New York, labeled, mirrored superstructure with arched crest, galleried shelves; lower case with shelves and cupboard doors, the whole inlaid with exotic woods and bone, square tapered legs, height 98 1/8 in., width 60 1/8 in., depth 17 3/8 in. $1500/2500 Provenance: By repute from the Hygeia Hotel, Old Point Comfort, VA; to the collection of Mr. and Mrs. Harrison Pheobus, Hampton, VA, by descent in the family to Susan Vanderslice; to the current owner. Note: In 1874, Harrison Pheobus (1840-1886) acquired the Hygeia Hotel (rebuilt 1868 after it was demolished during the Civil War in 1862).

208

1044

1044. A Regency-Style Ebonized Curule Bench, caned seat, ball feet, height 24 in., width 44 1/2 in., depth 17 in. $400/600

1045. An American Beaux Arts Rosewood and Marquetry Salon Suite, late 19th c., R.J. Horner, New York, labeled, comprised of a settee, a pair of armchairs and two side chairs, each extensively inlaid with exotic woods and bone, settee with shaped back, curved padded arms, shaped rail, blocked square tapered legs, casters, conforming chairs, found en suite with lot 1043, height 36 1/2 in., width 57 1/2 in., depth 27 in.

1045 (2 of 5 pieces)

$1500/2500 W 1046. Two

American Beaux Arts Inlaid Mahogany Armchairs, late 19th c., probably R.J. Horner, New York, shaped crests, oval and vasiform splats, shaped arms, rounded and serpentine seat rails, cabriole legs, found en suite with lots 1043 and 1045.

1048

$200/300 1047. An American Beaux Arts Carved and Mother-of-Pearl Inlaid Mahogany and Marquetry Writing Desk, late 19th c., New York, bombé form, superstructure with mirrored back amid cupboards, lower case with serpentine top, kneehole configuration of drawers, cabochon carved cabriole legs, scrolled toes, height 69 in., width 39 1/4 in., depth 21 1/2 in. $800/1200

1047

1048. An American Walnut Bookcase and Cupboard, mid-19th c., upper case with molded cornice, two arched glazed doors; lower case with paneled ripple-molded doors, bracket feet, height 88 in., width 34 3/8 in., depth 16 1/2 in. $500/700 1049. An American Renaissance Carved, Gilt Incised and Burl Walnut Desk Chair, late 19th c. and later, crest flanked by eagle masks, padded arms terminating in eagle heads, shaped seat rail. Note: Underside of seat rail with incised number “04100”.

1049

$800/1200 W denotes the lot is illustrated at www.nealauction.com

209

1051

1051. An American Carved Walnut Center Table, 19th c., attributed to Thomas Brooks, New York, oval molded marble top, cabochon carved frieze, columnar support with scrolled brackets, serpentine plinth, turned disc feet, height 29 1/2 in., width 36 in., depth 26 1/2 in. $1500/2500 1052. An American Renaissance Carved and Ebonized Marquetry Center Table, c. 1865, New York, shaped top with sunflower bands, conforming blind fretwork frieze, square tapered legs, incurvate finialed stretcher, turned feet, casters, the whole carved with sunflowers and geometric motifs, height 30 in., width 44 in., depth 29 in. 1050

$1000/2000

1050. An American Aesthetic Carved, Ebonized and Inlaid Cherrywood, Rosewood, Birdseye Maple and Maple Étagère/Desk, late 19th c., attributed to Herter Brothers, New York, stepped pediment, central fall front opening to fitted interior of drawers and compartments, flanking pedestals each with upper drawer, columnar uprights, mirrored back, the whole with medial drawers, pedestal base with bossed brackets, low shelf with gallery, shaped feet, reverse left branded “JNF(?)”, height 67 in., width 41 1/4 in., depth 14 3/4 in. $3000/5000 Provenance: Acquired from a California Estate, c. 1980. Note: An identical Herter étagère/desk of walnut and maple is in the collection of Michael and Margie Loeb, New York, and illustrated in Old House Interiors. Herter is known for juxtaposing finishes and colors on identical forms to continually create “one-ofa-kind originals”. This is seen in side chairs made for the drawing room of the Vanderbilt residence, New York and for the Hopkins residence, San Francisco, as well as cabinets in the High Museum of Art, Atlanta, Georgia (acc. 1981-1000.51) and also Sagamore Hill National Historic Site, Oyster Bay, New York (acc. SAHI.1.1384). Reference: Coleman, Brian, “Manhattan Aesthetic”, Old House Interiors, October/ November 2002, Vol. VIII, No. 6, pp.61-67; Howe, Katherine S., Alice Cooney Frelinghuysen et al. Herter Brothers: Furniture and Interiors for a Gilded Age, 1994, pp. 177-179, fig. 25, 26.

210

1052

1053. An American Renaissance Carved and Burled Walnut Breakfront Bookcase, late 19th c., broken pediment centering a crest, central arched glazed door flanked by conforming cases, plinth fitted with three drawers, casters, height 81 1/2 in., width 64 in., depth 18 in.

1056

$1500/2500 1054. An American Aesthetic Carved and Burled Walnut Partners’ Desk, late 19th c., inset leather top, frieze fitted with faux drawer and single drawer over two short drawers, turned and spindled uprights, stretcher, blocked feet, height 29 in., width 54 in., depth 31 in.

1053

$1000/1500 1055. A Pair of American Rococo Carved Rosewood Side Chairs, mid-19th c., oval back, pierced floral crest, molded serpentine seat rail, molded cabriole legs, casters.

1057

1054

1056. An American Rococo Carved Rosewood and Rosewood Grained Work Table, mid-19th c., Mitchell & Rammelsburg, Cincinnati, OH, stenciled label, cove molded lift top, fitted interior, drawer and work basket, cabochon carved cabriole legs, leaf carved feet, height 31 1/2 in., width 21 3/4 in., depth 16 3/4 in. $700/900

$250/350 1057. An Anglo-Colonial Carved Hardwood Center Table, 19th c., molded marble top, fluted frieze with rosette blocks, fluted tapered legs, height 30 in., width 22 1/4 in., depth 22 1/4 in. $300/500

1055 W denotes the lot is illustrated at www.nealauction.com

211

W 1061. George Valentine

Dureau (American/New Orleans, b. 1930), “Trio of Menotaurs”, graphite on paper, signed lower center, sheet 29 in. x 23 in., unframed. $500/700 Provenance: Collection of Ronald Bourgeois and Chuck East, New Orleans. 1058

1060 (1 of 2) 1062. George Valentine Dureau (American/New Orleans, b. 1930), “Putto”, watercolor and mixed media on paper, signed lower center, “927 Gallery, Royal Street, New Orleans” label en verso, 30 in. x 23 7/8 in., framed. $800/1200 Provenance: Collection of Ronald Bourgeois and Chuck East, New Orleans.

1062

1059

1058. An American Arts and Crafts Carved Cherrywood and Walnut Desk, possibly Cincinnati, geometric pinwheel lift top, void interior, carved frieze, scrolled legs, scalloped stretcher shelf with initials EJE and dated “1843” and “1914”, height 29 in., width 26 1/2 in., depth 20 3/4 in. $300/500 1059. A Pair of Antique Aesthetic Carved Walnut, Motherof-Pearl and Bone Inlaid Side Chairs, late 19th c., shaped crest, reticulated panel, padded back, serpentine seat, turned and blocked legs, ball feet, stretchers. $400/600 1060. George Valentine Dureau (American/New Orleans, b. 1930), “Cherubs”, two pencil on paper drawings, both signed lower center, each sight 15 in. x 12 in., framed. $800/1200 Provenance: Collection of Ronald Bourgeois and Chuck East, New Orleans.

212

1063

1063. William Woodward (American/New Orleans, 18591939), “Boats at Low Tide, Annisquam, Mass”, 1890, watercolor on paper laid down on board, signed and dated lower left, titled, signed and inscribed “Biloxi, Miss” en verso, 14 in. x 20 in., framed. $800/1200

1064

1064. Knute Heldner (Swedish/New Orleans, 1875-1952), “Florida”, 1927, watercolor, signed and dated lower center, sight 10 in. x 13 1/2 in., framed. $800/1200

1066

1065. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Live Oak”, oil wash on board, pencil signed lower left, “Farish Art Store Inc, New Orleans” label en verso, sight 9 3/4 in. x 29 1/2 in., original frame. $2500/3500 1066. Knute Heldner (Swedish/New Orleans, 18751952), “Cabin and Fisherman in a Pirogue, Louisiana Bayou”, oil on canvas board, signed lower left, “Devoe and Raynolds Co., Inc., New York” and “Guenther’s Galleries, Cleveland” labels en verso, 12 in. x 16 in., framed.

1065

$3000/5000 1067. James “Mac” Anderson (American/ Mississippi, 1907-1998), “Oyster Tonging, Gulf Coast”, 1989, oil on masonite, signed and dated lower right, 23 1/4 in. x 47 in., framed. $4000/6000 Provenance: Acquired from the artist.

1067

W denotes the lot is illustrated at www.nealauction.com

213

1068

1071

1068. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Marion 22, Pensacola, Florida, Harbor”, 1969, oil on masonite, signed and dated lower right, inscribed “Pensacola Harbor” en verso, 20 in. x 31 7/8 in., unframed.

1069. Emil Eugen Holzhauer (American/Georgia/Florida, 1887-1986), “American Eagle and Salvatore Boats, Valparaiso, Florida”, oil on board, signed lower right, signed and inscribed “Valp Boats” en verso, 24 in. x 18 in., unframed. $800/1200 1070. Colette Pope Heldner (American/New Orleans, 19021990), “The Sabbath, Louisiana Bayou Country”, oil on canvas, signed lower left, 26 in. x 47 1/2 in., unframed. $2500/3500 Note: Colette Pope Heldner and her husband Knute painted in the New Orleans area throughout the mid-20th century, depicting urban scenes of the French Quarter architecture and atmosphere, and rural denizens of the bayous outside the city. The church featured in this painting, with its congregation arriving by foot and by boat, is also a subject of several landscapes by Knute Heldner.

$1000/1500

1069 1071. Robert Rucker (American/ Louisiana, 1932-2001), “The Wagon Path”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $2000/3000

1070

214

1072

1075

1073

1074

1072. Robert Rucker (American/Louisiana, 19322001), “Swamp”, oil on canvas, signed lower left, “Gilley’s Gallery, Baton Rouge, LA” label en verso, 8 in. x 10 in., framed. $1000/1500 1073. Will Ousley (American/Louisiana, 18661953), “Texas Bluebonnets”, 1929, oil on board, signed lower right, titled, signed, dated and inscribed “made near San Antonio, TX” en verso, 8 1/4 in. x 15 3/4 in., framed. $800/1200 1074. Will Ousley (American/Louisiana, 18661953), “Calcasieu River, Southwest Louisiana”, oil on board, signed lower right, 12 3/4 in. x 20 3/4 in., framed. $800/1200 1075. Robert Rucker (American/Louisiana, 19322001), “By the River”, oil on canvas, signed lower left, 19 3/4 in. x 29 1/2 in., framed.

1076

$2500/3500 Provenance: A U.S. military serviceman’s collection.

1076. Peter Lanz Hohnstedt (American/Texas, 1872-1957), “Texas Landscape”, oil on canvas laid on masonite, signed lower right, 20 in. x 23 1/4 in., framed. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

215

1078. Mildred Nungester Wolfe (American/ Mississippi, 1912-2009), “Farm House”, 1933, watercolor on artist paper, signed and dated lower right, “Leger Galleries, NY” label en verso, sight 14 in. x 17 in., framed. $700/900 1079. Harry P. McDermott (American/New Orleans, 1901-1975), “View from a French Quarter Balcony”, oil on canvas, signed lower right, 20 in. x 16 in., framed.

1078

$800/1200

1077

1080. Ellsworth Woodward (American/Louisiana, 1861-1939), “Marie Celeste”, etching on paper, initialed “E.W” in plate lower right, plate 9 3/4 in. x 8 in., sheet 10 1/4 in. x 8 1/4 in., framed. $600/900 1081. Alfred Heber Hutty (American/South Carolina, 1877-1954), “Edisto Live Oak”, 1944, drypoint, pencilsigned and monogrammed lower right, titled and dated in printed note from “The Miniature Print Society” on the mat, sheet 7 in. x 7 1/2 in., period mat, unframed.

1081

1079

$500/800 Provenance: Estate of the artist Morris Henry Hobbs (1892-1967). Note: The print was published exclusively for the members of The Miniature Print Society, Alexandria, Virginia, 1944. 1082

1077. Arnold E. Turtle (British/ Louisiana, 1892-1954), “French Quarter Courtyard, New Orleans”, 1938, watercolor and gouache on paper, signed and dated lower right, sight 11 3/4 in. x 9 3/4 in., framed. $800/1200 1080

216

1082. Rolland Harve Golden (American/ Louisiana, b. 1931), “Pirate’s Alley, French Quarter”, 1966, watercolor on paper, signed and dated lower right, “Taylor Clark Gallery, Baton Rouge” label en verso, sight 19 1/2 in. x 16 1/2 in., framed. $1000/1500

1083. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Summer Day on Main St., Georgia”, 1943, oil masonite, signed and dated lower right, signed en verso, 24 in. x 32 in., unframed. $700/1000 1083

1084

1084. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “The Tugboat Brunswick”, oil on masonite, signed and inscribed “Brunswick” en verso, 19 3/4 in. x 24 7/8 in., unframed. $800/1200

1086

1087

1085. Colette Pope Heldner (American/New Orleans, 1902-1990), “Swamp Idyl, Louisiana Bayou Country”, oil on canvas board, signed lower left, 29 1/2 in. x 11 1/2 in., framed. $700/900 1086. Émile A. Gruppé (American, 1896-1978), “Sailboat Harbor”, pair of charcoal drawings on paper, each signed lower right, each sight 3 1/2 in. x 5 1/4 in., framed. (2 pcs.). $200/400 1087. Charles Whitfield Richards (American/Louisiana, 1906-1992), “Back to Nature”, 1972, oil on canvas, signed lower right, signed and dated en verso, 35 1/2 in. x 47 1/2 in., framed.

1088

1088. Reuben Le Grande Johnston (American, 1850-1918), “Tonalist Evening Landscape”, oil on canvas, signed lower left, 25 in. x 30 in., framed. 1085

$1000/1500

$800/1200 W denotes the lot is illustrated at www.nealauction.com

217

1089

1090

1091

1089. Charles Francis Browne (American, 1859-1920), “Poplars, Bass Lake, Indiana”, oil on canvas, signed lower right, titled and framer’s label en verso, 16 1/4 in. x 16 1/4 in., Newcomb-Macklin frame. $2000/3000

218

1090. Robert Emmett Owens (American, 1878-1957), “A Snowy Day, Road to the Farm”, oil on canvas, signed lower right, 16 in. x 20 in., period frame. $1200/1800

1091. Steven Assael (American, b. 1957), “Reclining Nude”, 1991, oil on masonite, initialed and dated “SA91” lower right, titled on “Forum Gallery” label en verso, 23 in. x 28 in., framed. $5000/7000 Provenance: Forum Gallery, New York.

1092

1094

1094. Robert Gordy (American/New Orleans, 19331986), “Urns, Lemons and Females”, 1966, oil on canvas, unsigned, titled and dated en verso, diameter 32 1/2 in., unframed. 1093 1092. Derek James (American, b. 1958), “Secaucus”, 1990, oil on canvas, signed lower left, 26 in. x 72 in., framed.

$2500/3500 Exhibited: New Orleans Museum of Art, “Robert Gordy: Paintings & Drawings: 1960-1980”, 1981. Illustrated: Baro, Gene. Robert Gordy: Paintings & Drawings: 1960-1980, New Orleans Museum of Art, 1981, p. 24.

$3000/5000 Provenance: Fendrick Gallery, Washington, D.C. 1093. Raphael DiLuzio (American, b. 1960, active New Orleans, 1990-92), “Apotheosis (The World of Picasso)”, 1992, oil on canvas, signed and dated lower right, “Tilden-Foley Gallery, American Art, Magazine Street, New Orleans” label with title en verso, 84 in. x 72 in., framed. $2500/3500 Note: Professor of Art and New Media at the University of Maine, DiLuzio was the Associate Curator of Arts Education for the New Orleans Contemporary Arts Center, 1990-92. W denotes the lot is illustrated at www.nealauction.com

219

1095. Robert Gordy (American/New Orleans, 19331986), “Landscape with Spotted Dog #1”, 1976, acrylic on canvas, signed, titled, dated and exhibition label en verso, 38 in. x 61 in., period frame. $2500/3500 Provenance: Collection of New Orleans Artist Charles Fritchie (b. 1936). Exhibited: “Robert Gordy Paintings & Drawings: 19601980”, New Orleans Museum of Art, 1981.

1095

Illustrated: Robert Gordy Paintings and Drawings: 1960-1980, New Orleans Museum of Art, 1981, pg 75.

1096. George Rodrigue (American/ Louisiana, 1944-2013), “You Won’t Find Me in the Yellow Pages”, acrylic on linen, signed lower left, titled on frame, in a custom three-dimensional book-form frame, framers’ labels en verso, 14 in. x 11 in., framed. $10000/15000

1096

220

1097

1098

1100 1099

1097. George Rodrigue (American/Louisiana, 1944-2013), “Mixed Media”, 1992, silkscreen on canvas with original paint, signed lower left, image 13 in. x 10 1/2 in., sheet 20 1/2 in. x 16 in., framed.; accompanied by an appraisal from Rodrigue Studios, LLC, 2013. $4000/6000 1098. Nancy Cheairs (American/Tennessee, b. 1956), “Grey Sky with a Girl in a Red Dress”, c. 1995-1999, diptych, two oils on canvas, both signed lower right, “David Lusk Gallery, Memphis” label en verso, overall 52 in. x 56 in., both unframed. (2 pcs.).

1099. Robert Joseph Warrens (American/New Orleans, b. 1933), “Anteater”, acrylic on canvas, initialed “R.W.” lower right, 60 in. x 70 in., unframed. $800/1200 Provenance: Collection of New Orleans Artist Charles Fritchie (b. 1936). 1100. Richard A. Johnson (Texas/New Orleans, b. 1942), “Aquatic Moonscape”, 1972, acrylic on canvas, initialed and dated lower right, signed, titled, dated and inscribed “Commerce, Texas” en verso, exhibition label en verso, 54 in x 66 in., framed. $800/1200 Provenance: Collection of New Orleans Artist Charles Fritchie (b. 1936).

$3000/5000

W denotes the lot is illustrated at www.nealauction.com

221

1101 1101. Marion Sims Souchon (American/New Orleans, 18701954), “The Sales Lady”, oil on board, signed lower right and en verso, titled on “Arts & Crafts Club” exhibition label en verso, 22 in. x 28 in., framed. $4000/6000 Provenance: Estate of Newcomb College Art Department Chairman Norman Boothby (1919-1999), New Orleans, LA. 1102. Hunt Slonem (American/ Louisiana, b. 1951), “St. Martin de Porres”, 1983, oil on canvas, signed and dated en verso, 72 in. x 24 in., unframed.

1103

$4000/6000 Note: St. Martin de Porres (1579-1639) is the patron saint of mixed races and interracial peace. Born in Peru to a freed slave from Panama and a Spanish nobleman, de Porres became one of the first men of multiracial descent to be ordained as a Dominican brother. He is often depicted with a broom, because he worked his way up from a donado, “a volunteer who performed menial tasks in the friary”, like sweeping the floor, to one of the most respected members of the clergy. In 1962, de Porres was canonized for the devout life he 1104 lived, caring for indigent people and animals, regardless of race and species. De Porres is the most commonly portrayed saint in Hunt Slonem’s works. In 1983, he painted a series of paintings that depict the saint in a blue vestment with a broom, surrounded by exotic flora and fauna. Two of those paintings, which closely resemble the one offered here, are in the permanent collections of the Metropolitan Museum of Art, NY and Newark Museum, NJ. For more information on the symbolism of birds and animals in Slonem’s oeuvre, please see lot 548. References: Craughwell, Thomas J., “Patron Saints for Modern Challenges.” St. Anthony Messenger. American Catholic Organization. Web. Accessed April 2, 2014; Dinnerman, Barbara. “Winged Victory:Hunt Slonem’s Own Jungle Inspires His Flight of Fancy.” Art and Antiques 25:11 (Dec. 2002): p. 68-70; Yau, John. The New Response: Contemporary Painters of the Hudson River. Albany: Albany Instiute of History and Art, 1985, p.72.

222

1102

1103. Hunt Slonem (American/Louisiana, b. 1951), “Monkeys”, 1984, oil on canvas, signed, dated and artist’s card en verso, 8 in. x 10 in., framed. $1000/1500 1104. Hunt Slonem (American/Louisiana, b. 1951), “Doctor”, 1983, oil on canvas, signed and dated en verso, 8 in. x 8 in., framed. $800/1200

W 1105. Robert

Joseph Warrens (American/New Orleans, b. 1933), “Four-Eared Taska”, 1986, acrylic on canvas, unsigned, artist, title and date inscribed on “Galerie Simonne Stern, Julia Street” label en verso, 39 in. x 45 in., framed. $500/700 Provenance: Collection of New Orleans Artist Charles Fritchie (b. 1936).

1106

1106. Arnold Turtle (American/Louisiana, 1892-1954), “Boats at Shore”, oil on masonite, signed lower left, 16 in. x 20 in., original frame.

1108

$800/1200 1107. Richard Haines (American/ California, 19061984), “White Sand”, 1966, oil on canvas, signed lower right, signed and dated en verso, titled on “Dalzell Hatfield Galleries, Los Angeles” label en verso, 26 in. x 30 in., framed.

1107

$800/1200 1108. Leo Manso (American, 19141993), “Tidescape”, 1983, mixed media collage, signed lower left, signed and titled en verso, “Stuart Levy Fine Art” and “Hood Museum of Art”, Dartmouth College, NH labels en verso, 33 3/4 in. x 27 7/8 in., framed. $500/700

1110

Exhibited: The Art Students League of New York, “Leo Manso: A Retrospective of Four Decades 1952-1992”, 1992.

1110. Michael Low Crespo (American/ Louisiana, 1947-2010), “Grace: A Rose, Peach, Calla Lily and Feather”, 1994, oil on wood panel (diptych), signed, titled and dated en verso, 49 1/4 in. x 28 in., framed.

1109

1109. Pamela Black Wagner (American/ Tennessee, 20th c.), “Sublime Season”, 1999, oil on board, signed, titled, dated and “Ledbetter Lusk Gallery, Memphis, TN” label en verso, 46 in. x 46 in., unframed.

$1200/1800

$1500/2500 W denotes the lot is illustrated at www.nealauction.com

223

1112. John Robinette (American/ Tennessee, b. 1947), “Delta Star, Crescent Moon”, 2008, acrylic on canvas, titled upper center, signed, titled, dated and artist’s label en verso, 48 in. x 36 in., framed. $1000/1500

1113

1111

1114

1113. John Robinette (American/Tennessee, b. 1947), “River Church, Crescent Moon”, 2009, acrylic on canvas, titled upper center, signed, titled, dated and artist’s label en verso, 20 in. x 16 in., unframed. $700/900 1112

1111. James Starks (American/Tennessee, 20th c.), “Sunflower”, 1995, acrylic on canvas, initialed and dated lower right, signed, titled and dated en verso, 60 in. x 50 in., unframed. $800/1200

224

1114. Reverend McKendree Robbins Long (American/North Carolina, 1888-1976), “An Angel Pours Fire and Blood From on High: Book of Revelation 11:4-10”, acrylic on canvas, unsigned, titled en verso, typewritten biblical verse en verso, 40 1/2 in. x 40 in., framed. $800/1500 Reference: Delehanty, Randolph, Art in the American South: Works from the Ogden Collection, Baton Rouge: LSU Press, 1996, p. 239.

1115. Larry Connatser (American/Georgia, 1938-1996), “Figures in a Pastoral Setting”, 1991, acrylic on cardboard and wood, signed and dated lower right, “Archer Locke Gallery, Atlanta” label en verso, 44 in. x 35 3/4 in., unframed. $600/900 Provenance: Gift of the Estate of the artist. Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, Georgia. 1116. Fred Trenchard (American/Louisiana, b. 1941), “Upside Down Ida, the Wicked Witch (Portrait Sketch en verso)”, 1974, oil on canvas, signed lower right, titled and dated en verso, 24 in. x 16 in., unframed.

1115

1117

$300/500 1117. Eric Albrecht (Maryland/New Orleans, 20th c.), “Man with a Wine Glass”, 1999, oil and mixed media on board, signed and dated upper left, 37 1/4 in. x 23 3/4 in., framed. $700/900 Note: A graduate of College of Art at Maryland Institute, Eric Albrecht exhibits regularly in New Orleans with Soren Christensen Gallery. 1118. Eric Albrecht (Maryland/New Orleans, 20th c.), “Chair”, 1999, oil and mixed media on board, signed and dated lower right, 30 in. x 24 in., framed. $600/900 Note: A graduate of the College of Art at Maryland Institute, Eric Albrecht exhibits in New Orleans with Soren Christensen Gallery.

1118

W 1120. Attributed to Beatrice

1116

W 1119. James L. Steg (American/New Orleans,

1922-2001), “Portrait of A”, 1964, intaglio etching on paper, pencil-signed, titled, dated and number “10/35” in lower margin, plate 23 1/2 in. x 25 3/4 in., framed.

Mandelman (American, 1912-1998), “Abstract”, mixed media on paper, unsigned, 16 in. x 14 in., framed. $400/600

$300/500 Provenance: Franz Bader Gallery, Washington, D.C., 1965.

W denotes the lot is illustrated at www.nealauction.com

225

1123. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Encircled”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated and numbered “36/100”, sheet 7 1/2 in. x 7 1/2 in., float mounted and framed. $600/900 Provenance: Private Collection, Birmingham, AL, acquired from the artist. 1121

1123

1124. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Monostitch”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated and numbered “36/100”, sheet 6 1/4 in. x 6 3/4 in., float mounted and framed. $600/900 Provenance: Private Collection, Birmingham, AL, acquired from the artist.

1124 1122

1121. Alexander de Cañedo (Mexican/ American, 1902-1978), “Male Nude Playing Guitar”, 1948, oil on board, signed and inscribed “To Charles from Alex- with gratitude for his faith in my work- 1948 December” en verso, 7 in. x 8 in., framed.

$600/900

$500/700

Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Provenance: Groves Collection, New Orleans, LA. 1122. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Landscape with Two Xs”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated and numbered “36/100”, sheet 5 1/2 in. x 4 5/8 in., float mounted and framed. $600/900 Provenance: Private Collection, Birmingham, AL. acquired from the artist.

226

1125. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Quiet Boxes”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated, and numbered “36/100”, sheet 6 1/4 in. x 7 1/2 in., float mounted and framed.

1125

1126. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Cupid’s Work”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated and numbered “36/100”, sheet 6 1/2 in. x 4 in., float mounted and framed. $600/900 Provenance: Private Collection, Birmingham, AL, acquired from the artist. 1127. Ida Kohlmeyer (American/Louisiana, 1922-1997), “Landscape with Four Xs”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil initialed, dated and numbered “36/100”, sheet 4 1/4 in. x 7 in., float mounted and framed. $600/900 Provenance: Private Collection, Birmingham, AL, acquired from the artist. 1126

W 1128. A Pair of Art

Deco Argenté Ecclesiastical Torchères, in the style of Edgar Brandt, bronze mount with “IHS” christogram, height 61 1/2 in., width 14 1/2 in., depth 7 1/2 in.

1129

$300/500 1129. An Arts and Crafts Hammered Wrought Iron Jardinière Stand, early 20th c., dished circular top, rosette frieze, strapwork decoration, scrolled feet, height 40 in., diameter 18 in.

1131. W. Steve Rucker (Tennessee/Louisiana, b. 1954), “Snake”, 1989, mixed media, ceramic and driftwood sculpture, inscribed “W.S. Rucker” and dated on reverse, length 55 1/2 in. $1000/1500 Provenance: Arthur Roger Gallery, New Orleans, LA.

1127

$700/900 W 1130. George

Febres (Ecuadorian/ Louisiana, 19431996), “A Hand Bag”, canvas soft sculpture, inscribed “George Febres” inside flap, height 36 in., width 18 in. $400/600 Provenance: Estate of historian Dr. Stephen E. Ambrose (1936-2002), New Orleans, LA. Note: Known for using provocative visual puns in his artwork, George Febres was the leader of the Visionary Imagism artists in New Orleans during the 1970s and early 1980s.

1131

Note: Born in Cleveland, Tennessee, W. Steve Rucker earned his M.F.A. in 1979 from Louisiana State University. In 1981, he joined the faculty of the Art Department at Loyola University in New Orleans where he remained until he retired in 2012. As a ceramic and installation artist, Rucker pushes the limits of traditional craft through wellknown works, such as “site specific burns” on the levees of New Orleans where he ignites his ceramic and wood sculptures.

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227

1132

1133

1132. Gilbert Franklin (American, 1919-2004), “Hotenot Venus on the Rocks“, 1992, bronze, height 15 1/2 in. $1500/2500 Provenance: Long Point Gallery, Provincetown, MA.

1135

1133. Charles Fritchie (American/New Orleans, b. 1936), “Standing Female Nude Gesticulating with Her Hands”, 1995, bronze, inscribed “Fritchie” and dated on base, height 25 in. $800/1200

1137

228

1134

1135. Terry Weldon (American/ Louisiana, b. 1947), “Study for Stele Fragment”, 1977, paper construction mounted on linen canvas, signed lower left, signed, dated and titled on “Galerie Simonne Stern, New Orleans” label en verso, 23 in. x 24 in., Plexiglas® frame. $500/700 W 1136. Stig Marcussen (American/

New Orleans, b. 1960), “Red Brick Stairway, New Orleans”, 1992, acrylic on canvas, signed and dated lower left, signed, dated and inscribed “New Orleans Academy Show, 1992” en verso, 28 in. x 22 in., framed. $300/500

1134. Charles Fritchie (American/New Orleans, b. 1936), “Man Wearing Shorts”, 2005, bronze, inscribed “Fritchie” and dated on base, height 27 in.

1137. Greg Mort (American/ Maryland, b. 1952), “Autumn Leaves”, 1987, watercolor on paper, signed and dated lower right, sight 33 in. x 41 in., framed.

$700/900

$800/1200

1138. Hartwell Leon Woodcock (American, 1853-1929), “Nassau, Bahamas”, 1907, watercolor on paper, signed, titled and dated lower left, 14 in. x 20 in., framed. $500/800 W 1139. Knute

1138

Heldner (Swedish/New Orleans, 1877-1952), “Scavengers”; “Roof Tops, View from a French Quarter Balcony” and “Street Vendor”, c. 1932-33, three etchings, two signed and dated in plate lower right, plate 7 3/4 in. x 5 3/4 in.; 5 3/4 in. x 7 3/4 in;, and 5 in. x 6 3/4 in., framed alike, (3 pcs.). $500/800 Provenance: Gift of the artist’s wife, Colette Pope Heldner, c. 1963 to the current owner. 1140. George Rodrigue (American/Louisiana, 1944-2013), “New Orleans Jazz and Heritage Festival”, 1996, featuring Pete Fountain, pencil-signed lower left, sight 34 1/2 in. x 20 1/2 in., framed.

1144

$700/1000 W 1141. George Rodrigue

(American/Louisiana, 1944-2013), six prints comprising two of “Aioli Dinner”, 1971; “Breaux Bridge Band Calendar”, 1973; “The Riding Academy of Mamou Calendar”, 1974 and “Broussard’s Barber Shop”, 1973-74; “Jolie Blonde Calendar”, 1974, six offset color lithographs, the former five all pencil-signed and numbered, all signed in plate and titled in lower margin, Delta Graphics, the latter signed and numbered lower left, from 22 in. x 28 in. to 40 in. x 26 in., five unframed, one framed. $600/900 W 1142. A Louisiana Cypress Mortar

and Pestle, 19th c., together with a coal carrier, mortar height 26 1/2 in., diameter 15 1/2 in. $300/500 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

1140

W 1143. An American

Federal Walnut Side Table, early 19th c., Southern, frieze drawer, turned legs, box stretcher, ball feet, height 32 in., width 19 7/8 in., depth 19 in. $500/700 1144. An American Federal Carved Mahogany Secretary Bookcase, early 19th c., Southern, broken arch crest with scrolled acanthus, glazed doors, foldover top with baize writing surface and compartments, frieze fitted with two drawers, spiral turned legs, height 76 1/2 in., width 35 3/4 in., depth 21 1/2 in. $2000/3000

1145

1145. An American Federal Mahogany Chest of Drawers, early 19th c., top with turreted corners, two over three graduated drawers flanked by reeded columns, turned and reeded legs, height 40 5/8 in., width 46 in., depth 22 in. $1200/1800

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229

1147

1149. An American Classical Mahogany Dining Table, early 19th c., circular top, pillar support, incurvate plinth, scrolled feet, casters, height 31 in., diameter 56 1/2 in., with three leaves, two 12 in., one 13 1/2 in. $2000/3000

1146

1146. An American Cast and Wrought Iron Garden Gate, probably late 19th c., scroll and leafwork surround with leaf swagged cartouche, gate centered by a fleur-de-lis, found in old green paint, height 104 in., width 58 in. $800/1200

1148

Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA. 1147. A New Orleans Carved Cypress Architectural Pediment, late 19th c., fretwork elements with pilaster flanked opening, height 59 in., width 176 in. $600/900 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA. 1148. A Pair of New Orleans Turned Cypress Architectural Roof Finials, late 19th c., each of cone shape, with copper flashing, height 48 in., width 8 in. Note: Weathered surface. $500/700 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

1149

230

1152

1154

1152. An American Rococo Carved and Laminated Rosewood Side Chair, mid-19th c., attributed to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Stanton Hall”.

1150

$1000/1500

1153

1150. An American Classical Carved Mahogany Secretary Bookcase, early 19th c., New York, upper case with ogee cornice, glazed doors, adjustable shelves, scrolled pilasters; lower case with molded fall front writing surface and fitted desk interior, raised paneled doors, scrolled sides, scroll feet, height 83 3/4 in., width 44 3/4 in., depth 26 7/8 in. $1500/2500

1151

1151. An American Classical Carved Mahogany Dressing Table, early 19th c., New York, rectangular mirror on scrolled supports, superstructure with three drawers, lower case with kneehole configuration of drawers, spiral turned legs, height 62 1/4in., width 41 in., depth 19 1/2 in.

1153. An American Federal Mahogany Pembroke Table, early 19th c., Mid-Atlantic, shaped drop leaves, frieze drawer, turned and reeded legs, ball feet, height 29 3/8 in., width 35 in., depth 22 5/8 in. $800/1200 1154. An American Federal Mahogany Candlestand, early 19th c., Baltimore, oval tilt top, ring and baluster turned support, arched legs, height 29 in., width 24 in., depth 18 1/2 in. $600/900

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231

W 1160. A

1156 1155

Group of Four Antique Engravings of Sculpture, from Fréderic Clanac Maury’s canon of Western sculpture Musée de Sculpture Antique et Moderne (1841), including prints of “Bacchus” (2), “Adonis”, and “Génie Funèbre”, after the drawings by Jules Antoine Vauthier (17821864), sight 7 3/4 in. x 5 3/4 in., framed alike. $500/700 Reference: Musée de Sculpture Antique et Moderne, vol. 3. Paris: Imprimerie Royale, 1841, p. 365-366.

1158

1157

1155. A Fine American Rococo Carved Mahogany Slipper Settee, mid19th c., shaped back, cabriole legs, height 36 in., width 45 in., depth 26 in.

$1000/1500

$800/1200 1156. George Armfield (British, 1808-1893), “Four Cairn Terriers Ratting”, oil on canvas, signed “G. Armfield” lower left, 20 in. x 24 in., gilt frame with artist plaque. $1200/1800 Provenance: Purchased in England from a private gallery. 1161 1157. Georgina Lara (British, active 18611871), “The Village Inn”, oil on canvas, signed lower left, 22 in. x 32 1/2 in., framed. $2500/3500

232

1161. An American Gilt Lacquered Brass and Bronze Sinumbra Lamp, mid-19th c., William Carleton, Boston, labeled, font atop cluster column standard, plinth base, cut and etched glass shade, overall height 29 1/2 in.

1159

1158. Neil W. Cox (English, b. 1955), “Fox Cubs in a Small Woodland Clearing”, watercolor and gouache on paper, signed lower left, sight 17 1/2 in. x 26 1/2 in., framed. $1000/1500 1159. English School, late 18th c., “Portrait of a Gentleman”, oil on canvas, 23 1/2 in. x 19 1/4 in., oval giltwood frame. $500/700 Provenance: Henry Stern Antiques, New Orleans, LA.

Note: William Carleton first appears in the Boston city directory in 1820, but is not listed as a lamp manufacturer until 1841. Carleton is still involved in the lighting business in 1869 when he and his partner Rufus S. Merrill secure a patent relating to a kerosene burner. Reference: Gowitt. 19th Century Elegant Lighting, 2002, pp. 170-172.

1162. An American Gilt Lacquered Brass and Bronze Three-Light Solar Chandelier, mid-19th c., probably Cornelius & Company, Philadelphia, fluted tapering shaft with foliate arms fitted with font, glass globes, prism hung, height 35 in., diameter 32 in. $800/1200 1163. A Pair of American Gilt Bronze Four-Light Gasoliers, 19th c., scrolled foliate arms amid cherub busts, foliate pendant, height 41 in., diameter 31 in.

1162

$2500/3500 1163 (1 of a pair)

1164. An American Late Classical Mahogany Center Table, early 19th c., New York, marble top, narrow frieze, chamfered pillar, incurvate plinth, scroll feet, casters, height 29 in., diameter 34 in. $500/700 1165. An American Late Classical Carved Rosewood SingleDoor Armoire, c. 1830, probably Prudent Mallard, New Orleans, flared cornice, single mirrored door with molded and beaded surround, plinth drawer, bracket feet, height 95 1/2 in., width 51 in., depth 26 in.

1164

$1200/2000 Note: The fixed construction, proportions and case form of this armoire relate to an armoire accompanied by the bill of sale from Prudent Mallard sold by Neal Auction Company as lot 308 on September 30, 2006 and to an armoire also with Mallard bill of sale at Gallier House, New Orleans. Reference: Dubrow. American Furniture of the 19th c., 1840-1880, p. 151. Moscou. New Orleans’ FreeMen-of-Color Cabinetmakers in the New Orleans Furniture Trade, 18001850 p. 46; Ibid. fig. 9.

1165

1166

1166. An American Classical Carved Mahogany and Gilt Stenciled Games Table, early 19th c., New York, foldover swivel top, frieze with stenciled band, acanthine vasiform support, acanthine legs, paw feet, casters, height 30 in., width 36 in., depth 36 in. $800/1200

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233

1167. An American Classical Carved Mahogany Sofa, c. 1835, attributed to J.& J.W. Meeks, New York, ogee crest rail, stepped scrolled arms, ogee seat rail, massive scrolled feet, height 34 1/2 in., width 79 1/2 in., depth 33 1/2 in. $800/1200 Note: A sofa of this type is illustrated in the well-known 1833 Joseph Meeks and Sons Broadside No. 44. 1168. An American Classical Mahogany Dressing Chest, early 19th c., Boston, superstructure with rectangular mirror over two drawers, case fitted with deep drawer over two drawers flanked by pilasters, ball feet, height 70 3/4 in., width 36 1/2 in., depth 18 1/2 in. $800/1200 1167 1169. An American Classical Carved Mahogany Chaise Voltaire, early 19th c., New York, arched crest, padded arms on swan supports, lappet legs, brass ferrules. $800/1200 1170. A New Orleans Coin Silver Soup Ladle, Edward A. Tyler, 1815-1879, act. New Orleans 1838-1879, marked “E.A.TYLER.” in rectangle and “NEWORLEANS” in rectangle, fiddle typt handle with handsome strapwork monogram, length 13 1/2 in., weight 7.40 troy ozs. 1169

$500/750 Reference: Crescent City Silver, pp. 96-98 and 124.

1171. A Virginia Coin Silver Soup Ladle, Michael Gretter 17851867, act. Richmond, 1806-1818, marked “Ml. GRETTER” in rectangle, fiddle handle, length 13 1/4 in., weight 4.85 troy ozs.

1168

$750/1000 1171

Reference: Hollan, Catherine B. Virginia Silversmiths, Their Lives and Marks, pp.347-350.

W 1172. A Group of American Gothic Silver Flatware, including a coin

silver sifter spoon, William Gale & Son, New York, act. 1853-1866; a coin silver mustard ladle, Gale & Hayden, New York, act. 1845-1850; 7 sterling silver ramekin forks, Wallace Silversmiths, “Rheims” pattern, pat. 1918; and 3 nut picks. 1170

234

$200/300

1173. A Memphis Coin Silver Soup Ladle, James E. Merriman, c. 1841-1847, marked “MERRIMAN” in rectangle and “MEMPHIS” in rectangle, fiddle typt handle with period script monogram, length 12 3/4 in., weight 5.45 troy ozs. $800/1200

1173

Reference: Caldwell, Benjamin Hubbard Jr. Tennessee Silversmiths, pp. 126-129.

1174. A Large American Neoclassical Silverplate Centerpiece, Reed & Barton, oval footed form with laurel leaf decoration, height 10 in., length 19 3/4 in.

1177

W 1178. A Group of American

Coin Silver Tablespoons, including four marked “PITMAN” in rectangle, one marked “LOWELL & SENTER”, one marked “A.J.&.Co” and with pseudo hallmarks, one marked “DAVISON” in rectangle, and one with pseudo hallmarks; together with a Continental silver soup ladle and tablespoon; total weight 17.70 troy ozs. (10 pcs.).

$400/600 Provenance: Antiquarian David Stockwell, Wilmington, DE.

1174

1175. A Pair of Kentucky Sterling Silver Julep Cups, Mark J. Scearce, Shelbyville, act. 1947 to present, with date mark “RWRII” for the second term of the Reagan Presidency (1986-1989), molded rims with beading, height 3 3/4 in., weight 9.65 troy ozs. $500/800

$300/400 W 1179. A Good Group of

American Sterling Silver Spoons, 20th c., including a folding medicine spoon, R. Blackinton & Co., North Attleboro, MA; and a set of 30 sipper/stirrers, various makers, each with heart-shaped bowl and knop terminal; lengths 6 1/4 in. and 8 1/8 in. respectively, combined weight 12.35 troy ozs.

1175

W 1176. Four

$250/350

American Coin Silver Spoons, 19th c., including a tablespoon, Palmer, Batchelders & Co., Boston, 1846-1888; a tablespoon, mark rubbed; a dessert spoon, Ranger & Thompson, Brattleboro, VT, and a dessert spoon, J & J Hall.

1180. A Georgia Coin Silver Soup Ladle, Francis and Horace Clark, Augusta, GA, 1830-1840, marked “F & H.CLARK” in serrated rectangle and with pseudo hallmarks, fiddle typt handle with period script monogram, length 13 1/4 in., weight 5.80 troy ozs.

$250/350 1177. A Kentucky Coin Silver Julep Cup, Joseph Werne, Jr. (1837-1903), act. from 1858, Louisville, marked “COIN”, “JOE.WERNE”, AND “4”; molded rims, height 4 in., weight 3.85 troy ozs. $500/700

$500/750 Reference: Cutten, George Barton. The Silversmiths of Georgia. p. 24.

1180

W 1181. A Reed & Barton “Medallion” Pattern Silverplate

Hot Water Urn, late 19th c., height 14 in. $400/600

Reference: Boultinghouse, Marquis. Silversmiths of Kentucky: 1785-1900, pp. 276-277.

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235

1182

1185

1183

1184. An American Sterling Silver Luncheon Flatware Service, International “Royal Danish” pattern, pat. 1939, including 12 luncheon forks, 12 luncheon knives, 8 salad forks, 12 teaspoons, 5 butter spreaders, 2 tablespoons, large cold meat fork, small cold meat fork and gravy ladle, combined weight (weighable) 63.10 troy ozs. (54 pcs.).

1186

1182. A Reed & Barton “Georgian Rose” Pattern Sterling Silver Tea and Coffee Service, comprised of a teapot, coffee pot, sugar and creamer; coffee pot height 9 3/4 in, combined weight 74.85 troy ozs. (4 pcs.).

$1000/1500 1185. An Oval Silverplate Tea Tray, reticulated grape and grapeleaf border, chased well, loop handles, 29 in. x 19 1/2 in. $500/700

$1800/2500

1184

1183. A Reed and Barton Sterling Silver Flatware Service, in the “Marlborough” pattern, pat. 1906; comprised of 12 each: forks, knives, salad forks, cocktail forks, cream soup spoons, teaspoons and ice tea spoons, 10 butter spreaders (fh), a soup spoon, tablespoon, pierced tablespoon, master butter knife (fh), cake knife (hh), cheese knife (hh), butter knife (hh), sugar spoon, jelly spoon, gravy ladle and 2 sauce ladles, combined weight (weighable) 125.55 troy ozs. (116 pcs.) $2000/3000

236

1186. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1850, attributed to Starr, Fellows & Company, identified as item No. 177 in the 1856 catalogue, standard with acanthus cartouches and cabochons, cut and etched shade, crystal prisms, height 24 in., diameter 9 in. $800/1200 Reference: Gowitt, Gerald 19th Century Elegant Lighting 2002, p. 115.

1188

1193

W 1187. An Antique Bronze

Five-Light Lamp, 19th c., scrolled bracket with lion term, the light cast with bellflowers, acorn pendant, height 42 in., width 16 in., depth 16 in. Note: Shade in estate condition. $400/600 1188. A Pair of Antique Cast Iron Fern Pattern Garden Chairs, leaf and frond back, scroll arms, pierced seat, splayed legs. $1200/1800 1189 (example) 1189. A Group of Cast Iron Architectural Elements, 19th c., comprising railings, columns, arches and other associated pieces, openwork scrolled floral and foliate designs. $2000/3000

1193. A Pair of Cast Iron Garden Urns, flared rim, fluted pedestal, molded base, found in old white paint, height 32 1/2 in., diameter 19 in.

W 1190. A Group of Three Cast Iron

$600/900

Jardinières, each cylindrical body with lion mask cartouches, height 12 in., diameter 17 in.

W 1194. A Set of Six

$500/1000 W 1191. A Rococo Cast Iron Umbrella

Stand, 19th c., pierced scrolled acanthus back, rectangular bracket, drip pan, height 33 1/2 in., width 25 in., depth 9 1/2 in. $300/500 W 1192. A Group of New Orleans

Carved Cypress Architectural Fragments, late 19th c., comprised of a porch railing section, a scalloped bracket, and appliqués. $400/600 Note: Sold for the Benefit of Hermann-Grima/Gallier Historic Houses, New Orleans, LA.

Patinated Iron Chairs, slat backs, scrolled stiles, cabriole legs, stretchers. $500/1000 1195. An American or English Aesthetic Bronze Mirror, with scrolled Celtic motif, rounded domed corners, bears partial paper label, probably for Bailey, Banks & Biddle, Philadelphia, height 40 in., width 30 in. $800/1200 1195

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237

1197. An American Classical-Style Carved Mahogany and Parcel Gilt Pier Table, late 19th/early 20th c., in the New York style, marble top, torus-molded frieze, columnar supports with composite capitals, mirror plate flanked by engaged columns, incurvate plinth, acanthine bracketed lion’s paw feet, height 38 in., width 44 1/2 in., depth 21 1/2 in. $1000/2000 1198. An American Late Classical Mahogany Chest, 19th c., four graduated drawers, molded plinth, casters, height 31 5/8 in., width 21 3/8 in., depth 19 1/4 in. $800/1200 1196 1199. Al Gilbert (American, b. 1939), “Hawks of Eastern North America”, watercolor on paper, signed lower right, “Morris Museum of Art” label en verso, sight 14 in. x 33 in., framed. $400/600 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

1197

1198

1199

1196. An American Classical Gilt Bronze-Mounted, Carved, Parcel Gilt and Verde Antico Mahogany Sofa, 20th c., in the New York style, scrolled crest rail flanked by dolphins, padded back, outscrolled arms, paneled front seat rail, dolphin shaped legs, height 35 1/2 in., width 74 in., depth 26 in. $1000/2000

238

1200

1200. Terry Samples (American, 20th c.), “Shadows at Sunset”, 1982, acrylic on canvas, signed and dated lower right, 31 1/2 in. x 70 1/2 in., framed. $600/900 Provenance: Adelle M Gallery, Dallas, TX, 1986; Heritage Auction Galleries, The Crow Art Partnership Collection, October 13, 2007, lot #33317.

1201

1202

1204

1201. Carl Kauba (Austrian, 1865-1922), “U.S. Cavalry Soldier”, bronze on a polished agate base, inscribed “Carl Kauba” and stamped “Gesch” on right rear side of pack, height 11 1/2 in. $1200/1800 Provenance: A Florida Antiquarian. 1202. Franz Iffland (German, 1862-1935), “Young Girl in a Billowing Dress”, 1891, bronze, inscribed “F. Iffland” and dated on side of self base, mounted on a black marble pedestal, overall height 11 1/2 in. $250/350 1203. A Russian Bronze of a Cossack on Horseback Kissing His Sweetheart, late 19th c., cast after the model by Vassili Grachev (Russian, 18311905), artist name and Woerfel foundry inscribed in Cyrillic on base, height 9 1/2 in. $3000/5000 1204. Clarence Frederick Runtsch (American, 1923-2010), “Bust of Crazy Horse”, copyright 1980, bronze, inscribed “Runtsch” and dated on braid reverse, stamped “Eagle Art Works/ St. Louis” and numbered “12/25” on mounting bracket, mounted on a red variegated marble block with artist and title plaque on a wood plinth, overall height 15 1/4 in. $600/800

1203

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239

1205

1206

1208. American School, late 19th c., “Figures Beside a Mountain Lake”, oil on canvas, initialed and inscribed “C.G.G. Baltimore” lower right, “Kennedy Gallery” handwritten on frame liner, 13 3/4 in. x 17 in., framed. $800/1200

1208

1209. Warren Stuart (American, late 19th/early 20th c.), “Nature Morte: Ruffled Grouse”, oil on canvas, signed lower right, 18 in. x 14 in., period frame.

1209

$600/900 1205. Metz Castleberry (American, 20th c.), “The Last Prairie Dog Hole”, bronze, copyright 1969, inscribed “Metz Castleberry”, dated and numbered “4 of 10” on side of self base, mounted on a wood plinth, overall height 11 3/4 in.

1210. Josephine Jerome Sands (American/New York, b. 1913), “Minstrel” (pencil drawings en verso), c. 1940s, oil on board, signed lower right, signed, inscribed “Mr. Reynards Class” and exhibition labels with title from “The Greenwich Society of Artists”, “Westchester Arts and Crafts Guild” and “Architectural League of New York, Annual Exhibition” en verso, 22 in. x 15 in., framed.

$600/800 1206. Carl Hantman (American, b. 1935), “Trail Decisions”, 1977, oil on canvas, signed and dated lower right, titled on artist label en verso, 24 in. x 36 in., framed. $2000/3000 W 1207. Manner of Adolf Schreyer (German,

1828-1899), “Arabian Horseman”, oil on canvas, unsigned, 15 in. x 22 in., framed. $500/700

240

1210

$800/1200

1213

1214

W 1211. William Henry Blackman (American/California, b. 1930),

“Seascape”, oil on canvas, signed lower right, artist stamp and “G. Harvey Gallery, Austin, Texas” label en verso, 24 in. x 36 in., framed. $300/500 W 1212. S.M. Wilson (American, late 19th/early 20th c.), “The

Horse Drawn Wagon”, oil on wood panel, signed lower left, 9 in. x 12 in., gilt frame. $300/500 1213. Josephine Jerome Sands (American/New York, b. 1913), “Shooting Dice”, c. 1940s, oil on board, signed lower right, signed and inscribed “Mr. Reynards Class” en verso, 15 1/2 in. x 21 3/4 in., framed. $800/1200 Note: From the handwritten inscription en verso of this painting, Josephine Jerome Sands took classes from the American artist and illustrator, Grant T. Reynard (1857-1968). Reynard taught classes at the Grand Central School of Art in New York City for six years.

1215

1214. Colette Pope Heldner (American/New Orleans, 19021990), “Bayou Country, Swamp Idyll”, oil on canvas, signed lower left, signed and titled en verso, 20 in. x 36 in., framed. $1500/2500 Provenance: Estate of LSU Basketball Coach Lawrence “Jay” McCreary (1918-1995). 1215. Colette Pope Heldner (American/New Orleans, 19021990), “Patio, Jazz Preservation Hall, French Quarter, New Orleans”, oil on canvas board, signed lower left, signed and titled en verso, 16 in. x 20 in., period frame. $700/900 W 1216. Louisiana School, late 19th/early 20th c., “Fisherman in

the Bayou”, oil on board, unsigned, 12 in. x 9 in., framed. $300/500 1218 W 1217. Attributed to Pauline “Popo” Abadie (American/

Louisiana, late 19th c.), “Louisiana Bayou”, oil on board, unsigned, handwritten label identifying artist en verso, 12 1/4 in. x 18 1/2 in., framed. $200/300 Provenance: Juanita Elfert (1904-1996), New Orleans Antiquarian.

1218. James L. Kendrick III (American/Louisiana, 20th c.), “The ‘Jerry Lynn’ Shrimp Boat at Herbert’s Dry Dock”, 1979, oil on canvas, signed and dated lower right, artist’s stamp en verso, 18 in. x 24 in., framed. $600/900

W denotes the lot is illustrated at www.nealauction.com

241

W 1221. A Mexican

Sterling Silver and Onyx Bangle Bracelet, Taxco, with flush hinge; together with a silver and braided leather bolo tie, the slide an oval onyx cabochon mounted in sterling silver. $100/200 1222. David Cobb Kupferman (American, 20th c.), “November Sky”, 1983, oil on canvas, signed, dated and titled en verso, 40 in. x 72 in., framed.

1219

$400/600 1225

1222

1226 W 1223. Auseklis Ozols (Latvian/New Orleans, b. 1941), “The

Copyist”, 1993, graphite on paper, signed and dated lower left, titled on artist label en verso, watermark “Arches France” lower right, sheet 22 3/4 in. x 15 in., unframed. $400/600

1224

1224. Colette Pope Heldner (American/New Orleans, 19021990), “Swamp Idyll”, oil on artist board, signed lower left, titled and signed en verso, 16 in. x 20 in., framed. $1500/2500

1219. Woodward, William, French Quarter Etchings of Old New Orleans, 1938, The Magnolia Press, New Orleans, first edition, with dust jacket. $300/500

1225. Charles Kenneth Sibley (American/Virginia, 1921-2005), “Ladies”, watercolor on paper, signed lower left, biography of artist from Olde Towne Gallery, Portsmouth, VA en verso, sight 21 3/8 in. x 14 3/8 in., matted and framed.

W 1220. A Mexican Sterling Silver Necklace, Bracelet

$800/1200

and Earring Suite, Sigfrido Pineda (b. 1929), marked “Sigi, Taxco, Sterling Made in Mexico, Eagle 3 and 258”; swirl motif, the collar necklace and cuff bracelet featuring Sigi’s characteristic hinge incorporated into the design, the earrings with screw back. $200/400

242

1226. Colette Pope Heldner (American/New Orleans, 19021990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 20 in. x 36 in., framed. $1200/1800 Provenance: Acquired from a Private Collector in Port Neches, Texas.

1227. Colette Pope Heldner (American/New Orleans, 19021990), “Le Petit Theatre Courtyard”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1000/1500 1228. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Spences Niceville,...”, 1968, oil on masonite, signed and dated lower right, titled en verso, 24 1/4 in. x 36 in., unframed.

1227 1229

W 1231. Nell Pomeroy O’Brien

(American/New Orleans, 1897/981966), “Still Life with Flowers”, watercolor, signed lower right, 21 1/2 in. x 16 in., framed.

$1000/1500

$200/300

1229. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Portrait of a Black Woman in a Hat”, 1940, watercolor, signed and dated lower right, signed en verso, 15 1/4 in. x 11 1/2 in., unframed.

1232. Alice Latimer Moseley (American/Mississippi, 1909-2004), “The Old Witch Dropped a Stitch”, 1978, oil on wood, signed lower right, signed, titled and dated en verso, 11 in. x 15 in., framed. 1228

$1000/1500 Provenance: Estate of the artist. W 1230. Nell

Pomeroy O’Brien (American/New Orleans, 1897/98-1966), “Garden District Facade”, possibly Musson Bell House, watercolor, unsigned, 11 in. x 9 in., framed.

$800/1200 Note: Alice Moseley (1909-2004) was a self-taught “idyllic folk artist”, who began painting at the age of 60. For many years she had a log cabin studio at Plum Point Retreat near Batesville in northern Mississippi. Her work is based upon her memories and a lifetime of images of a folk past, rendered with brilliant color and simplistic detail. Her sometimes humorous titles convey her imagination in painting these scenes from her past. Moseley exhibited extensively and won numerous awards during her lifetime. In her later years, she moved to Bay St. Louis where her studio currently exists as the Alice Moseley Museum. The works offered here are from a private collection and were acquired directly from the artist over many years. The collectors and “Miss Alice” were great friends and enjoyed a delightful correspondence.

1232

$200/300

W denotes the lot is illustrated at www.nealauction.com

243

1233. Edward Fraughton (American, b. 1939), “A Man Called York”, 2000, patinated bronze, on original granite and wood plinth base, inscribed “Edward Fraughton”, dated and numbered “6/30” on self base, height 21 in., width 17 1/2 in., depth 10 in.

1235. An 1876 American Miniature Opaline Glass Bust of George Washington, late 19th c., molded “WASHINGTON” lower front, raised inscription “CENTENNIAL EXHIBITION / GILLINDER & SONS” on reverse, height 5 3/4 in. $200/400

$1500/2500 Provenance: With Richard “Dick” Bass, noted ski resort pioneer and mountaineer; gifted to Stephen E. Ambrose (1936-2002), noted historian, author and co-founder of the World War II Museum, New Orleans; thence by descent in his family.

1233

Note: The grouping depicts “York”, the childhood companion and “manservant” of Captain William Clark, playing with Captain Merriwether Lewis’ dog “Seaman”. Although a slave, “York” was permitted to carry a gun and was a full voting member of the Lewis and Clark expedition 1234. Autograph Letter Signed by Susan B. Anthony, dated “Huron, D.C., April 29/90”, on National-American Woman Suffrage Association letterhead (noting Anthony as the vice-president at large), asking “the treasurer of the 3rd district” to pay a woman $39.87 “for her services in canvassing & organizing equal suffrage societies”, 9 in. x 5 3/4 in., matted and framed with a photograph of Anthony. $700/1000 Provenance: Kenneth W. Rendell Gallery, New York, NY, by descent in the family of noted historian and writer Stephen E. Ambrose.

1234

W 1236. A French Pink Opaline

Glass Cornucopia Vase, 19th c., entwined with a white and gilt decorated snake, height 6 3/4 in. $100/200 W 1237. A French White Opaline

Glass Baluster Vase, 19th c., entwined with a cobalt and gilt decorated snake, height 14 3/4 in. $150/250 W 1238. A Partial Service of

Baccarat Crystal Stemware, including 10 each water goblets, red wines and champagne/sherbet coupes. $300/500 W 1239. A Bronze Figure of a

Male Nude, 20th c., twisting, tortured body raised on oval self-base, height 8 in., wood stand, overall height 11 in. $500/700 Provenance: Estate of Robert (1912-1991) and Edwina (1920-2006) Reisfeld, New Orleans, LA. 1240. A Pair of French Porcelain and Gilt Bronze Three-Light Sconces, 19th c., each mounted with a cabinet plate with courting couple, foliate and ribbon surround, classical mask issuing scrolled arms, height 16 in., width 10 in., depth 5 in. $600/900

1235

244

1240

1241. A Continental Ebonized and Bone Decorated Coffer, late 19th c., with applied reticulated and incised decoration, the lid with Chinese figures, void interior, height 13 in., width 26 in., depth 15 in. $500/750 1242. A Neoclassical-Style Paint-Decorated Mirror, molded cornice, frieze with foliate swag, pilasters with foliate urns, blocked base, height 72 in., width 60 in.

1241

$700/1000 1243 1243. An Italian Carved Alabaster Urn and Cover, with floral finial, serpentine handles, scroll foot, height 24 in., width 16 in., depth 7 in.

1244. A Louis XV-Style BronzeMounted Parquetry and Marquetry Writing Table, shaped top, serpentine frieze with three drawers, cabriole legs, sabots, height 31 in., width 42 1/2 in., depth 22 in. $700/1000

$800/1200 1245. A Georgian Chinoiserie Decorated Black Lacquer Stand, late 18th c., molded top, shaped frieze, bracketed cabriole legs, hairy paw feet, height 27 1/2 in., width 28 1/2 in., depth 27 1/2. $500/750 1242

1244

1245 W denotes the lot is illustrated at www.nealauction.com

245

1246

1246. A George III-Style Carved Mahogany Two Pedestal Dining Table, each pedestal with vasiform stem and reeded legs, brass paw feet, height 28 3/4 in., length 71 1/2 in., width 48 in., with one leaf.

1247

$800/1200 1247. An Antique Dutch Inlaid Mahogany Server, probably 19th c., top with canted corners, conforming case with a drawer and pair of cupboard doors centering floral medallion, tapered feet, height 33 in., width 32 1/2 in., depth 16 in. $500/700 1249

1248

1249. An American Rococo Carved Rosewood Armchair, mid-19th c., arched floral crest, padded back, arms ending in acanthus scrolls, serpentine seat rail, acanthine cabriole legs, found in old black surface. $300/500 W 1250. A Regency Inlaid Mahogany Sofa Table,

early 19th c., drop leaf top, frieze drawers, tapered support, incurvate plinth, arched reeded legs, brass paw feet and casters, height 27 1/2 in., open width 61 1/4 in., depth 31 1/8 in. Note: Legs reinforced with iron box and cross stretcher. $400/600 1251

1248. An American Rococo Carved Rosewood Side Table, mid-19th c., shaped oval marble top, conforming frieze, paired scroll supports, stretcher shelf, arched scrolled legs, casters, height 29 in., width 31 in., depth 19 in. $400/600

246

1251. French Colonial School, late 19th/early 20th c., “Napoleon Interviewing Prisoners”, probably in the aftermath of the Siege of Acre, Israel, 1799, oil on canvas, signed “M. Tobbal” lower right, 39 5/8 in. x 59 1/8 in., original gilt frame. $2000/3000 Provenance: Purchased in France by a New Orleans Lady.

1252. A Louis XVI Carved Pine Buffet à Deux Corps, late 18th c., upper case with arched volute cornice, paneled frieze centered by a roundel, scrolled and paneled grillework doors; lower case with paneled doors, cabriole legs, scrolled toes, height 92 1/2 in., width 54 1/2 in., depth 20 1/2 in.

1253

$1500/2500 1253. English School, late 18th c., “A London Tavern Scene”, in the manner of William Hogarth (16971764), oil on canvas, 25 in. x 30 in., carved wood frame.

1252

$1500/2500 1254. A Pair of Louis XVIStyle Gilt Bronze and Crystal Three-Light Sconces, torch-form backplate hung with crystal swags and prisms, height 18 1/2 in., width 12 in., depth 7 1/2 in.

1256

$600/800 W 1255. A Moorish-Style

Pierced Brass Censer, inset with colorful “jewels”, bulbous form, mounted on a brass stand, height 23 1/4 in., diameter 6 1/2 in. $400/600 1256. A Monumental American Carved Walnut Overmantel Mirror, c. 1860, arched mirror plate, reeded and beribbon surround, height 73 in., width 57 1/2 in. $800/1200

1257 1254 1257. An American Classical Giltwood Pier Mirror, early 19th c., ring-turned pilasters, rosette blocked corners, divided mirror plate, height 31 3/4 in., width 16 1/4 in.

W 1258. Dutch School, late 19th/early 20th c.,

$500/700

$300/500

“Young Girl in a Field of Tulips”, oil on canvas, unsigned, 20 in. x 10 in., framed.

W denotes the lot is illustrated at www.nealauction.com

247

1261. An American Late Classical Carved Mahogany Center Table, c. 1840, New York, serpentine marble top, conforming frieze, shell and scroll supports, stretcher base centered by an octagonal plinth, scrolled feet, casters, height 29 1/2 in., width 36 in., depth 18 in. $600/800 1262. An American Ebonized, Gilt and PaintDecorated Dresser, c. 1845, Philadelphia, attributed to Hart, Ware and Co., later cartouche form mirror and uprights, variegated marble top, frieze drawer over a pair of cabinet doors, ogee molded plinth containing a blind drawer, bun feet, the whole decorated with birds, flowers and arabesque borders, height 71 1/2 in., width 34 1/2 in., depth 22 in.

1263 1261

$1000/1500 Provenance: Neal Auction Company, 2002.

1264

W 1259. An Antique Continental

Painted Metal Figural Group, after Auguste Moreau (French, 18341917), cast as a young woman gathering grapes, accompanied by a child holding a lamb, artist name inscribed on self-base, mounted on a wood base, overall height 25 1/4 in. $300/500 W 1260. An Antique Empire-

Style Mahogany Mirror, beveled frame with antique mirror plate, height 18 1/2 in., width 14 1/4 in. $400/600

1262

248

1263. An American Ebonized and PaintDecorated Bedside Commode, c. 1845, Philadelphia, attributed to Hart, Ware and Co., en suite with the preceding lot, height 33 in., width 17 3/4 in., depth 17 3/4 in. $400/600 1264. An American Rococo Carved Walnut Child’s Chair, mid-19th c., floral crest, spindled back, padded arms terminating in spherules, turned legs. $300/500

1265

1266

1265. An American Rococo Carved Rosewood Center Table, mid-19th c., oval string inlaid top, shell and foliate scroll frieze, beaded C scroll legs, stretchers centering a shell, casters, height 29 in., width 46 1/4 in., depth 23 in. $800/1200 1266. A Pair of Louis XVI-Style Carved, Painted and Parcel Gilt Bergères, arched molded crest rail, padded back, acanthine arms, serpentine seat rail, tapering fluted legs surmounted by rosette carved blocks. $500/1000

1267

1268

1267. A Louis XVI-Style Carved Giltwood Center Table, early 20th c., inset marble top, outset corners, conforming pierced frieze, tapering fluted legs, caned stretcher shelf, height 30 in., width 27 1/2 in., depth 18 in. $600/900 1268. A Louis XVI-Style Carved Giltwood Console Table, early 20th c., demilune molded marble top, conforming frieze, round tapering fluted legs, shaped stretchers centering flame finial, height 36 in., width 31 in., depth 13 in. $500/700 1269. A Good Near Pair of Antique Louis XV-Style Carved Walnut Fauteuils, shield backs, old petit point upholstery. $1000/1500 Provenance: Sold onsite at Bocage Plantation, Darrow, LA, December 8, 2007 lot 66. W 1270. A Pair of Charles X-Style Brass Candlesticks.

20th c., fluted columns with acanthus and palmette decoration, fitted as lamps, height 12 in. $300/500

1269

W 1271. A Pair of Antique English Brass Andirons, tapered ball and

claw monopodial form with scalloped shell, urn finials, height 21 in., width 7 in., depth 19 1/2 in. $600/900 W denotes the lot is illustrated at www.nealauction.com

249

1272

1273

W 1276. A Pair of

American Gilt Metal Sconces, 20th c., each with spherule body, etched glass shade, height 18 in., width 8 in., depth 10 1/2 in. $600/900 W 1277. An American

Aesthetic Brass ThreeLight Gasolier, rope-twist and foliate decoration, with clear to yellow etched glass shades, height 35 in., diameter 25 in. 1279

$500/700

1278 1278. An American or English Aesthetic Carved Rosewood Armchair, late 19th c., shaped crest surmounted by ball finials, spindled back, conforming arms, ring-turned legs joined by stretchers.

1272. Jules René Hervé (French, 1887-1981), “Girl and Swing”, oil on paper board, signed lower right and en verso, 8 1/2 in. x 10 1/2 in., framed.

$200/400

$300/500

1279. An American Renaissance Carved Mahogany Partners’ Desk, late 19th c., in the manner of R.J. Horner, New York, rectangular molded top with rounded corners, conforming frieze fitted on each side with a drawer flanked by a false drawer, drawer fronts decorated with scrolling acanthus leaves, cabriole legs with lion’s masks, paw feet, shaped stretcher shelf, height 29 in., width 46 in., depth 30 1/2 in.

1273. An Antique French Parquetry and Carved Fruitwood Refectory Table, molded top, acanthus scrolled trestle supports, wrought iron stretcher, height 29 3/4 in., length 70 in., width 41 1/2 in. $500/800 W 1274. An Antique English

Silverplate Coffee and Tea Service, Thomas Cox Savory, Corn Hill, London, 19th c., comprised of a coffee pot, teapot, sugar and creamer, coffee pot height 9 1/2 in., (4 pcs.) $300/500

1280

W 1275. A Pair of Silverplate Magnum

Wine Coasters, marked “Royal Castle/ Sheffield/ EP”, each with floral scroll rim, tall molded body, turned hardwood base with central silverplate button, height 5 1/4 in., diameter 8 1/2 in. $250/350

250

$800/1200 1280. A Pair of American Rococo Carved Walnut Slipper Chairs, mid19th c., New York, each with foliate and scroll reticulated shield back, cabriole legs, casters. $300/500

1281. An American Rococo Carved Walnut Tester Bed, mid19th c., molded tester, turned and faceted posts, arched headboard with scrolled crest, shaped panels, bracketed rails, turned feet, height 100 1/2 in., interior length 65 in., interior width 48 in. $1000/1500 1282. An American Renaissance Carved and Burled Walnut and Elm Armoire, late 19th c., flared molded cornice, blocked frieze, arched paneled doors, divided interior of shelves and open compartment, plinth base with two drawers, bracket feet, height 86 1/2 in., width 59 1/2 in., depth 21 1/2 in. $800/1200 1283. An American Late Classical Carved Mahogany Extension Dining Table, mid-19th c., circular top, cluster column support, scroll feet, casters, height 30 in., diameter 54 in., one conforming 14 in. leaf. $800/1200 W 1284. An American Carved Walnut Crib, 19th c., headboard

with scrolled crest, ring-turned posts, spindled rails, height 41 1/4 in., interior length 42 1/2 in., interior width 28 3/4 in. $400/600

1281

1283

W 1286. An American Classical

W 1288. A Persian Baktiari

Carved Walnut Looking Glass, early 19th c., rope-twist split columnar surround, boss blocked corners, height 28 3/4 in., width 20 in.

Rug, red and blue ground, central medallion, with overall stylized floral design, 10 ft. 4 in. x 13 ft. 1 in. $1000/2000

$400/600 W 1289. A Persian Heriz W 1287. An Antique Dutch Cast

1282

Brass Twelve-Light Chandelier, central baluster standard, scrolled arms, now electrified, height 28 1/2 in., diameter 21 1/2 in.

Rug, red ground, central medallion, serrated spandrels, with overall stylized floral design, 10 ft. 5 in. x 13 ft. 9 in. $1000/2000

$500/750 W 1285. An Antique Chippendale-Style Figured

Mahogany Looking Glass, height 28 3/4 in., width 18 in. $700/900 W denotes the lot is illustrated at www.nealauction.com

251

1295

W 1294. A Decorative Beveled

W 1297. R. Bernard (French, 19th c.),

Glass and Metal Dining Table, with tripartite swan pedestals cast in the manner of J.W. Fiske Iron Works, New York, height 29 in., length 120 in., width 48 in.

“Still Life with Fruit”, oil on canvas, signed lower right, 24 in. x 24 in., framed.

$300/500

W 1298. Rebecca Rebouché

1295. An American Ebonized “Morris” Chair, late 19th/early 20th c., slat back, turned finials, padded arms, spindled supports, legs joined by stretchers, casters.

$400/600

(American/New Orleans, 20th c.), “Seed Pods”, graphite on paper, signed lower right, sheet 11 5/8 in. x 16 in., framed.

$200/400

W 1299. John Reed Campbell

1296. A Group of Four Continental Marble Inlaid Figural Plaques, 20th c., black ground with figures in Middle Eastern and 18th c. costume, height 12 in., width 9 1/2 in., depth 1/2 in.

$300/500

(American/Louisiana, 1925-1997), “Brulatour Courtyard”, 1970, pastel on paper, signed and dated lower right, sight 10 1/2 in. x 13 1/2 in., framed.

$900/1200

1296 (2 of 4)

W 1290. A Persian Kazvin Hall Rug, dark blue ground, with white

medallion, overall floral design, 7 ft. 2 in. x 16 ft. 4 in. $700/1000 W 1291. A Persian Carpet, blue ground, central medallion with stylized

floral design, 8 ft. 10 in. x 12 ft. $600/900 W 1292. An Antique Persian Runner, repeating medallions, foliate

1300

borders, 3 ft. 8 in. x 9 ft. $800/1200 W 1293. A Mid-Century Modern Chrome and Faux Leather

Settee, in the manner of Le Corbusier, height 32 in., width 58 1/2 in., depth 32 in. $500/750

1300. An English Mahogany Linen Press, with fitted interior, height 88 in., width 54 in., depth 24 in. $1200/1500 W 1301. A Pair of Dresden Porcelain Reticulated

Tazzas, “Deutches Blumen” decor. $200/400

252

1302A (1 of 6) 1302

1303

1302. After Pablo Picasso (Spanish, 1881-1973), “Rembrandt et Femme au Voile”, reproduction, from the Vollard suite, bearing signature in red pencil, sight 10 1/4 in. x 7 1/2 in., attractively matted and framed. $600/800 1302A. A Group of Six Antique French Engravings of Vases and Urns, c. 1724, from Simon Thomassin’s Recueil des Statues, Groupes, Fontaines, Termes, Vases..., sight 6 in. x 4 in., attractively matted and framed. $500/700 1303. After Pablo Picasso (Spanish, 1881-1973), “Femme Nue Assise”, reproduction, from the Vollard suite, bearing signature in red pencil, 10 1/4 in. x 7 1/2 in., attractively matted and framed. $600/800 1303A. A Group of Six Antique French Engravings of Statues, c. 1724, from Simon Tomassin’s Recueil des Statues, Groupes, Fontaines, Termes, Vases..., sight 6 in. x 4 in., attractively matted and framed. $500/700

1303A (1 of 6)

1304 (6 of 14)

1304. A Group of Fourteen Antique English Porcelain Trompe-l’oeil Plates, 19th c., with basket-form grounds, the “napkins” painted with various floral decoration, gilt rims, diameter 8 in. $500/700 1305. An Aesthetic Bamboo Child’s Corner Chair, late 19th c., turned beehive finials, square seat, stretchers. Note: “Estate” condition. $200/300 W 1306. A Gilded and Carved Low

Console, marble top. $300/500 1305 W denotes the lot is illustrated at www.nealauction.com

253

1310. James Harvey (John Paul) Marsh (American, 18861939), “A Wooded Path”, oil on board, unsigned, “Marx Art Store, New Orleans” label and pencil inscribed “by Marsh” en verso, 10 5/8 in. x 14 in., original frame.

1307

$500/750

1309

Note: Marsh was a student at John Herron Art Institute, Indianapolis and the Art Students League, New York City and worked in the Art Department at Indiana Limestone Company. Perhaps through his association with Wayman Adams, Marsh is known to have opened a studio in New Orleans for a time and exhibited with the New Orleans Art League, Arts and Crafts Club of New Orleans and Southern States Art League.

1308

1311

1308. An Antique Regency-Style Carved Mahogany Pembroke Table, drop-leaf top, frieze drawer, ring-turned tapered legs, brass ferrules, casters, height 29 in., width 36 in., depth 23 in. $400/600 1310

1307. An Antique English Chest of Drawers with Later Paint Decoration, top painted with H.M.S. Aurora in oval rope framed reserve, three graduated long drawers bearing depictions of various ships, bracket feet, height 30 1/2 in., width 38 in., depth 20 1/2 in. $500/700

254

1309. A Georgian Carved Oak Tilt-Top Tea Table, circular top, fluted baluster standard, acanthine cabriole legs, snake feet, height 28 in., diameter 28 7/8 in. Note: Later carved decoration. $300/500

1311. A. Hart (American, mid-19th c.), “Portrait of a Girl Holding a Basket of Flowers”, 1868, oil on canvas, signed and dated lower right, 30 in. x 25 in. (oval), period gilt frame. $700/1000 W 1312. Arnold Vail

(American/Louisiana, 1920-1995), “There is No Place Like Home”, oil on canvas board, signed lower right, with a sketch of a man en verso, 18 in. x 24 in., framed. $600/900

1313

1313. American School, late 19th c., “Still Life with Mussels, Fish, Lobsters and Copper Pot”, 1896, oil on canvas, signed “E. Birnbaum” lower right, signed, dated and dedicated en verso, 24 in. x 30 in., framed. $800/1200 W 1314. Morris Henry Hobbs

(American/New Orleans, 18921967), seven works: “New Hampshire Winter”, etching on paper, pencil-signed and titled lower right, inscribed from Alice Hobbs, sheet 5 5/8 in. x 6 3/4 in.; “French Quarter Courtyard”, ink on paper, signed lower left, image 4 1/2 in. x 3 in., and “Old Merlin”, 1945, four trial proof etchings on paper, all pencil-signed, titled, dated and inscribed in lower margins, matted together with inscriptions “edition of 50”, largest 3 1/2 in x 4 3/4 in.; together with John Taylor Arms, N.A. (American, 1887-1953), “Cathedral of Chartres( Miniature)”, 1939, etching on paper, pencil signed and dated lower right, titled in plate upper right, image 1/2 in. x 3/4 in., sheet 5 1/2 in. x 9 in., all unframed, (7 pcs.). $300/500 Provenance: Collection of philanthropist Ralph M. Pons (1895-1893), New Orleans. W 1315. Ke Francis (Tennessee/

Florida, b. 1945), Jugline: A Fish Tale and a Portfolio of Prints, including the illustrated “The Walking Catfish” story and 10 tipped-in woodcut prints “Relating to the Pastime of Fishing”, all prints pencil-signed, titled and numbered, published by The Hoopsnake Press, Tupelo, Mississippi, 1992, numbered 117 of a 250 edition, pencil-signed on Colophon page by author/illustrator, in a clamshell box. $600/800

1318

W 1316. A

Staffordshire Pottery Figural Group of Uncle Tom and Little Eva, 19th c., primary figure modeled seated with little Eva standing on his knee, titled “Uncle Tom” on base, height 11 in., width 5 1/2 in., depth 4 in. $300/500 1318A

W 1317. Thirteen

Silverplate Julep Cups, various makers. $150/250 1318. A George III-Style Carved Walnut Dining Table, shaped top with molded edge, acanthine cabriole legs, height 30 in., length 74 in., width 38 1/2 in. $500/800 1318A. A Pair of Louis XV-Style Carved Fruitwood Fauteuils, each with arched crest, padded arms, cabriole legs.

W 1320. A Victorian Silverplate Cake Basket,

$600/900

19th c., height 11 in., width 11 1/2 in.

1319

$200/300 1319. A Georgian Sheffield Plate Venison Dome, c. 1800, with floral scroll handle, lobed body, gadrooned collar and original tinned back, height 12 in., width 18 in., depth 14 1/2 in. $500/750

W 1321. A Victorian Silverplate Cake Basket,

19th c., height 9 1/2 in., width 11 in. $200/300 W 1322. A Victorian Silverplate Cake Basket,

19th c., height 10 in., width 12 1/2 in. $200/300 W denotes the lot is illustrated at www.nealauction.com

255

W 1323. A Victorian

1333. An American Carved Mahogany Bedstead, 19th c., headboard with scrolled crest centered by a shell, tapered posts, shaped foot board, bracketed rails, height 75 1/2 in., interior length 75 in., interior width 62 1/2 in. Note: Post reduced.

Silverplate Cake Basket, George Wish, Sheffield, act. 1878-1934, height 9 in., width 10 in. $150/250 W 1324. A Pair of

Regency Sheffield Plate Wine Coasters, with gadrooned rims and molded bodies, hardwood bases with central boss, diameter 6 1/8 in.

$1000/2000 W 1334. An American

Rococo Carved Mahogany Commode, mid-19th c., shaped marble top, conforming drawer, cupboard door, shelf interior, shaped base, casters, height 31 in., width 18 1/2 in., depth 15 in.

$300/500 W 1325. A Group of

Three Continental Lamps, including a mixed metals urn-form lamp, a columnar brass and glass lamp and a bronze vasiform lamp on rouge marble base, tallest height 17 in.

$400/600 1333

$200/400 W 1326. A Pair of Quezal Art Glass

Shades, early 20th c., marked with feather design, height 5 1/2 in., diameter 4 in., base 2 1/8 in.; together with another Quezal shade, marked, height 5 1/4 in., diameter 5 in., base 2 1/8 in.

$400/600

$150/250

W 1336. An American Pine Hutch

Table, 19th c., hinged top, trestle support joined by a bench seat, height 29 in., length 71 in., width 46 in.

W 1327. A Collection of Victorian

Glasswares, Cut and Engraved with Vines, 19th c., comprising a celery vase, height 11 1/4 in.; pair of large oviform shades, height 12 in. and 21 in.; a baluster jug, 7 3/4 in.; a large baluster vase, height 13 in.; and a large hurricane shade, height 20 1/2 in., (5 pcs.).

$400/600 W 1337. A Six Tier Oak Barrister

1335

$200/400 W 1328. A Collection of Lithyalin

Glass, 19th c., comprising a faceted scent bottle with gilt and polychrome decoration, height 4 1/4 in.; a Venetianstyle wine glass, height 6 1/4 in.; a red cut-to-clear scent bottle, height 3 1/2 in.; and a small vase, height 4 1/2 in, (4 pcs.). $200/400 W 1329. A Continental Enameled

W 1330. A Continental Bronze Miniature

Figure of a Goat, mounted on a red lithyalin plinth, height 3 in., width 5 in., depth 2 3/4 in. $100/200 W 1331. A Continental Carved Giltwood

Mirror, scrolled crest with rose garlands, molded surround, height 32 in., width 36 in. $150/250

Green Glass Vase, late 19th/early 20th c., probably Moser, applied floral scrolls centered by geometric design on gilt ground, hemisphere base, unsigned, height 10 in.

W 1332. An American Louis XV-Style Gilt

$100/150

$400/600

256

1335. An American Classical Mahogany Washstand, 19th c., shaped gallery, molded drawer, two ripple molded doors, bracket feet, height 36 1/2 in., width 33 1/2 in., depth 16 7/8 in.

Metal Crystal Regulator Clock, c. 1900, Seth Thomas, beveled glass panels, striking gong movement, with faux mercury pendulum, height 14 1/4 in., width 8 1/4 in., depth 6 1/2 in.

Bookcase, after the Globe-Wernicke Company examples, bears label, molded top, four glazed doors and two paneled sections, molded base, height 103 3/4 in., width 33 3/4 in., depth 13 3/4 in. $500/750 W 1338. An American Late

Classical Mahogany Games Table, mid-19th c., foldover top, molded frieze, paneled standard, incurvate plinth, scroll feet, casters, height 29 3/4 in., width 34 in., depth 16 1/2 in. $500/700 W 1339. A George III-Style Carved

Mahogany Tilt-Top Tea Table, circular top, birdcage support, baluster standard, cabriole legs, pad feet, height 27 in., diameter 29 in. $250/500

1348. Noel Rockmore (American/New Orleans, 1928-1995), “Portrait of Nude Woman Draped in Cloth”, 1969, oil on masonite, signed, dated and inscribed “N.O.” lower right, 20 1/4 in. x 16 in., period frame.

1340. An English Beechwood Campaign Chair, late 19th c., partial label of John Ward, London, caned back and seat, turned legs. $300/500 Note: John Ward and subsequently John Ward, Ltd. were in operation from around 1762 until 1958 when they last appeared in the London trade directory.

$600/900 W 1349. Robin Durand

Reference: Brawer, Nicholas A. British Campaign Furniture Elegance under Canvas 1740-1914, pp. 212-213.

(American/New Orleans, late 20th/early 21st c.), “Street Mist”, 2001, “Cityscape”, and “Trees by the House”, three oils on masonite, the former signed, titled and dated with “Cole Pratt Gallery, New Orleans” label en verso, the latter two unsigned, largest 11 3/4 in. x 15 3/4 in.

W 1341. David S. John

(American, 20th c.), “Ships on a Quiet Sea by Moonlight”, oil on canvas, signed lower left, 26 in. x 42 in., framed. $400/600

1340

$250/350

W 1342. After William Henry

W 1350. A Reed & Barton “Sierra”

Bartlett ( British, 1809-1854), “Head of the Killeries, Connemara, Ireland”, oil on porcelain tondo, unsigned, title stamped en verso, diameter 5 1/4 in., framed.

Pattern Silverplate Flatware Service, including 36 dinner forks, 24 dinner knives, 38 dessert forks, 8 dessert spoons and 9 teaspoons, in a fitted storage case.

$200/300

$300/500

W 1343. Continental School, late

W 1351. A Pair of Antique English

19th c., “The Concert; a Boy and his Violin, Dog and Chickens”, oil on canvas, unsigned, 11 in. x 13 1/2 in., framed.

Silverplate Candlesticks, 19th c., acanthus and gadroon decoration missing bobêches, height 11 in.

$200/300

$150/250

W 1344. Michael Wening (German,

1645-1718), “Bavarian Castles”, two engravings from Historica Topographica Descriptio, 1701, printed by Johann Lucas Straub, sight 10 1/4 in. x 14 1/4 in., framed.

W 1352. A Group of American

Sterling Silver Weighted Serving Pieces, including a pair of three-light candelabra, a pair of candlesticks and small Revere bowl.

1348

$300/500

$200/300 W 1345. A Pair of Continental Onyx Obelisks, of typical form,

variegated onyx on stepped plinths, height 18 1/2 in., width 4 1/4 in., depth 4 1/4 in. $300/500 W 1346. A Continental Carved Malachite and Specimen

Marble Grouping of a Mother and Child, 20th c.; together with marble busts of two men, heights 11 in., 6 1/2 in. and 7 in., respectively. $200/300

W 1353. A Group of Small American Sterling Silver

Hollowware, including a chrysanthemum reticulated tray, 2 small bowls and baby cup, tray length 13 1/2 in. $300/500 W 1354. A Circular Silverplate Tray with Piecrust Border,

together with a shell-shaped dish, an oval lobed dish and a bowl. $150/250 W 1355. Two Large Silverplate Tea Trays, together with a

gallery tray and a footed tray, both “as is”. W 1347. Chapman Kelley (American/Texas, b. 1932), “Female

Nudes”, 1971-1972, three red chalk drawings on paper, all signed lower left and dated lower right, 25 1/2 in. x 20 1/2 in. (2); 20 1/2 in. x 25 1/2 in. (1), framed (3 pcs.) $400/600

$150/250 W 1356. A Group of Silverplate Serving Pieces, including 3

English sauce ladles, 2 reticulated ladles, 3 King’s pattern master salt spoons, a mother-of-pearl handled jam spoon, a mother-of-pearl handled fruit fork and knife, an ice scoop, 2 pair of serving tongs and 2 mother-of-pearl caviar spoons. $100/200 W denotes the lot is illustrated at www.nealauction.com

257

W 1357. A Webster Silverplate

W 1364. [Art of Louisiana and

Sugar, Creamer and Covered Bowl, with “Tree of Life” glass liners.

New Orleans Reference Books], a group of 20 books including: John Reps, Cities of the Mississippi: Nineteenth-Century Images of Urban Development; William Woodward, Early Views of the Vieux Carré; John Glasgow, G.P.A. Healy: Famous Figures and Louisiana Patrons; Encyclopaedia of New Orleans Artists, 1718-1918; The New Orleans Museum of Art, Handbook of the Collection; Jessie Poesch, Newcomb Pottery; and Art of the Old South; George Jordan, George L. Viavant: Artist of the Hunt; Louisiana Portraits; John James Audubon, The Art of Audubon: The Complete Birds and Mammals; James Michalopoulos, Michalopoulos; and others.

$150/250 W 1358. Eight Dozen Christofle

“Malmaison” Pattern Silverplate Dessert/Salad Forks, pattern introduced 1967, in a fitted storage case. $1000/1500 W 1359. Three Pairs of

Decorative Silverplate Goblets.

1363

$250/350 W 1360. Three Antique

English Silverplate Candlesticks, one with associated bobêche.

$200/300

W 1365. An American

Sixteen-Inch Terrestrial Globe, c. 1948, Weber Costello Co., Chicago, with lithographed gores, on a decorative cast iron base with copper patination, height 24 3/4 in.

W 1361. A Pair of Antique

English Silverplate Candlesticks, missing bobêches. $150/250

$200/400

W 1362. A Pair of Antique

English Silverplate Candlesticks, 19th c., missing bobêches.

1366

$150/250 1363. [20th Century Artist Reference Books], a group of 12 books including: D. Duncan, Picasso’s Picasso, 1961 (2 copies); K. Gallwitz, Picasso, The Heroic Years, 1985; W. Rubin, ed., Picasso and Portraiture: Representation and Transformation, 1996; Doreen Bolger and Marc Simpson, eds., William M. Harnett, 1992; J. Zilczer, Willem DeKooning from the Hirshhorn Museum Collection, 1993; H. Adams, Thomas Hart Benton: An American Original, 1989; C. Marks, World Artists, 1950-1980, 1984; and others.

1366. A Carved and Burl Walnut Roswell-Type Stereo Graphoscope, 19th c., hinged and adjustable with folding magnifying lens and stereo lenses, card holder with shaped fretwork crest, the whole folding flat into the molded base, base 12 1/2 in. x 25 1/4 in., accompanied by two stereographic view cards from the International Exhibition of 1876 showing booths from “Herts & Co.” and “Austrian Bent Wood Furniture”. $500/800 1367. An American Carved Walnut Shelf Clock, c. 1860, Ives, Bristol, CT., painted dial with raised gilt decoration, the églomisé tablets painted with foliage and a Greek Revival house in a landscape, height 38 in., width 17 in., depth 5 1/2 in.

$200/300

$500/700 W 1368. An Antique French Black

1367

258

Marble and Bronze Mantel Clock, with frieze of Classical warriors, now surmounted by patinated metal figure of a Classical maiden, lacks clock works, height 17 in., width 18 in., depth 9 in. $200/400

W 1369. Two Chelsea Clock Co. Ships’ Clocks, 20th c., one

W 1375. A Wool Dhurrie Carpet, boldly patterned with dark

with with with dials

green vines with salmon buds set within an overall cream field surrounded by salmon geometric meander border, 8 ft. 11 in. x 11 ft. 4 in.

Bakelite case, the painted dial marked “Chelsea”; the second metal case, the dial marked “Chelsea Clock Co./Boston” and marine products retailer “Baker Lyman & Co., Inc./New Orleans”, 5 in. and 8 in. respectively.

$200/300

$300/500 W 1376. A Persian Tribal Rug, blue and red ground, with central W 1370. [Mardi Gras], The Atlanteans, two dance cards, February

medallion and overall floral and geometric designs, 6 ft. 8 in. x 9 ft. 3 in.

7th, 1893, theme: The Bird’s Wife (Lafcadio Hearn) and February 15th, 1898, with pencil, theme: The Garden of Irem; The Mystic Krewe of Hermes, ball programs, 1940, 1970-1995, 1997, 1999, 2000, 2002 (2) and 2004; Krewe of Endymion, ball programs, 1968 (3), 1969 (3) and 1972(3); and Twelfth Night Revelers, ball programs, 1937, 1938, 1940, 1950 (2), 1952, 1959, 1963, 1964, 1968, 1971, 1972, 1976 and 1977 (approx. 58 pcs.)

$500/700 W 1377. A Large Majolica

Figural Frog Vase, polychromed body with finished interior, marked at base with model number “2464”, height 11 in., width 6 1/2 in., depth 8 in. $300/500

$200/400 1371. [Mardi Gras], John Norris Teunisson (American/New Orleans, 1869-1959), “The Arrival of Rex as the Monday King “, probably 1896, theme of “Heavenly Bodies”, mounted silver gelatin print, signed lower right, pencil inscribed “Mag + Laf” en verso, image 7 3/4 in. x 9 1/2 in., mat 11 in. x 14 in., framed.

W 1378. Raymond Besse

(French, 1871-1969), “Paris Street Scenes”, oil on canvas, signed lower left, 18 1/4 in. x 24 1/4 in., framed; together with French School, 20th c., “Winter Kiosk”, oil on beveled wood panel, signed “F. Boudin” lower right, 7 in. x 5 in., framed. (2 pcs.). $400/600

1371

1379. Gregory Frank Harris (American, b. 1953), “Summertime and Cool Waters”, 1989, oil on canvas, signed lower right, signed, titled, dated and artist’s label en verso, 48 in. x 60 in., framed.

$100/200 W 1372. Alan Siegel

(American, b. 1938), “Spirals”, 1987, carved and painted hardwood sculpture of a chair, stylized scrolling shape, inscribed “Alan Siegel” and dated beneath seat, height 63 in., width 34 in., depth 27 1/2 in.

$1000/1500 Provenance: Sutton Galleries, 519 Rue Royale, New Orleans, Louisiana.

$400/600 Provenance: Purchased Arthur Roger Gallery, 1987.

W 1380. R. Andrée

(French, 20th c.), “Bavarian Courtyard Steps”, W 1373. A Wool 1848, oil on canvas, signed Crewelwork Rug, all over lower right, dated and floral pattern on celadon inscribed “Bamberg” en ground with blue floral verso, 19 1/4 in. x 15 border, 36 in. x 48 in. 1/4 in., framed; together 1379 with Florence Helena $400/600 McGillvray (Canadian/ Ontario, 1864-1938), W 1374. Two Chinese Rugs, the first with the Eight Immortals, “Dahlia-Larkspur”, oil on masonite, signed lower right, 14 in. x 10 in., Shoulao, and the Queen Mother of the West with their attributes; the framed (2 pcs.) second with chariots and archers on horseback, 3 ft. x 5 ft. and 3 ft. $300/500 3 in. x 4 ft. 6 in., respectively. $300/500

W 1381. An Antique Brass National Cash Register, 1912,

serial # 1297499/332, cast with elaborate foliate decoration, height 17 in., width 17 in., depth 16 in. $150/250 W denotes the lot is illustrated at www.nealauction.com

259

1383. Emil Eugen Holzhauer (American/Georgia/Florida, 1887-1986), “Along the Railroad Tracks (“On the Street, Georgia” en verso)”, watercolors signed lower right, 15 in. x 22 3/4 in., unframed. $600/800 Provenance: Estate of the artist. W 1384. Emil Eugen Holzhauer

(American/Georgia/Florida, 1887-1986), “On Colonel’s Row, Cold Spring”, 1954, watercolor, signed and dated lower left, titled en verso, 22 1/2 in. x 31 in., unframed.

1388. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Red Stone III, Colorado”, 1965, watercolor on paper, signed and dated lower right, titled and dated en verso, 22 in. x 30 1/8 in., unframed. $300/500

$300/500 Provenance: Estate of the artist. 1382

1383 (recto) 1389

W 1385. Emil Eugen Holzhauer

(American/Georgia/Florida, 18871986), “Winter in Hudson Valley”, 1954, watercolor on paper, signed and dated lower left, titled en verso, 22 1/2 in. x 30 3/4 in., unframed.

1389. Emil Eugen Holzhauer (American/ Georgia/ Florida, 18871986), “Grand Tetons, II”, 1965, watercolor on paper, signed and dated lower right, titled and dated en verso, 22 in. x 30 in., unframed.

$200/400

$300/500

(American/Georgia/Florida, 18871986), “Black Dog”, 1965, watercolor on paper, signed and dated lower right, 20 1/4 in. x 26 1/4 in., unframed. $200/400 W 1386. Emil Eugen Holzhauer

1388

W 1387. Emil Eugen Holzhauer

1382. A Rare Coca-Cola “Curb Service” Double-Sided Polychrome Enamel Painted Metal Sign, height 42 in., width 60 in.

(American/Georgia/Florida, 18871986), “Murray Street in Winter, (Cold Springs, New York en verso)”, watercolor on paper, signed lower left, 21 1/2 in. x 29 3/4 in., unframed.

$1500/2000

$200/400

260

Notes

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Notes

262

H I G H

HIGH MUSEUM OF ART ATLANTA

INNOVATIVE DESIGN • VISIONARY IDEAS

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This exhibition is organized by the High Museum of Art, Atlanta. Images: General Motors Firebird I XP–21, 1953. Courtesy General Motors Heritage Center. Lancia (Bertone) Stratos HF Zero, 1970. Courtesy XJ Wang Collection. Photography by Michael Furman. *per person

W denotes the lot is illustrated at www.nealauction.com

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Notes

264

UPCOMING AUCTIONS Summer Estates Auction June 28 & 29 Autumn Estates Auction September 13 & 14 Louisiana Purchase Auction™ November 22 & 23

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265

Important Bidding Information All Absentee/Telephone bids for the Friday, Saturday and Sunday auction sessions must be received by Thursday, April 24 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500. Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. 266

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

Albert E. Backus, 558 Alexander Bakhuyzen, 511 Coplestone Bampfylde, 713 William Henry Bartlett (aft), 1342 Alfred Barye, 851 Wladyslaw T. Benda, 1003A Frank Moss Bennett, 918 R. Bernard, 1297 Raymond Besse, 1378 Thomas Bewick, 270 William Henry Blackman, 1211, 1211 Amedee Bodin, 512 Yacouba Bonde, 35-36 Nicolas-Antonie Boulanger, 276 British School, 391, 734 Charles Francis Browne, 1089 Bernard Buffet, 345-346

Alexander Calder, 348 John Reed Campbell, 1299 Alexander de Cañedo, 1121 Jean Carlu, 347 Metz Casteberry, 1205 Marc Chagall, 881 Nancy Cheairs, 1098 Chinese School, 87, 108, 140, 152, 162, 173, 174 Rudolf Chochoka, 798 Filippo Antonie Cifariello (attr), 288 Maude Schuyler Clay, 661, 1019, 1020 Claude Michel Clodion (manner), 481, 664 John Constable (Sch. of), 240 Larry Connatser, 1115 Continental School, 232, 464, 499-500, 725, 741, 759, 764, 767, 774, 797, 854, 888, 945, 965, 1330, 1343 Colin Campbell Cooper (attr), 651 Charles-Henri-Joseph Cordier (manner), 852 Neil W. Cox, 1158 Thomas Crawford (aft), 371

Michael Low Crespo, 1110 Cuzco School, 838-841 Cuzco School (attr), 896

Johann Heinrich von Danneker (aft), 690 Anna Debska, 799 Cesare-Auguste Detti, 293 Raphael Diluzio, 1093 Alexander Drysdale, 1065 Jean Pierre Dubord, 897 Robin Durand, 1349 George Valentine Dureau, 1060-1062 Dutch School, 1258

Charles Warren Eaton, 338 English School, 268, 269, 1159, 1253 Ettrick, 626

George Febres, 1130 Riccardo Tommasi Ferroni, 198 Edward Loyal Field, 987-989 Flemish School, 231 Ke Francis, 1315 Gilbert Franklin, 1132 Edward Fraughton, 1233 French School, 294, 663, 735, 768, 791, 801, 1251, 1302A, 1303A Charles Fritchie, 1133, 1134 Huger Foote, 1021, 1022 Louis Agassiz Fuertes, 410-411

Francois Gall, 763 Joaquin Torres Garcia, 762 Jean Garnier (aft), 211 Henry Gasser, 984 Alfred de Gault, 648 Albert Genick, 343 Lillian Mathilde Genth, 785 Al Gilbert, 1199 Andre Gisson, 787 Louis Oscar Griffith, 556, 592, 593, 605, 610 Rolland Harve Golden, 1082 Robert Gordy, 1094, 1095 Vassili Grachev, 1203 Robert C. Gruppe, 560, 876, 1086 Armand-Marie Guérin, 962, 963

Richard Haines, 1107 George Halse, 210 Theora Hamblett, 1018 Carl Hantman, 1206 Gregory Frank Harris, 1379 A. Hart, 1311 George Wainwright Harvey, 996, 997, 1003 Henri Hayden, 753 Arthur William Heintzelman, 1029 Colette Pope Heldner, 1070, 1085, 1214, 1215, 1224, 1226, 1227 Knute Heldner, 1064, 1066, 1139, 1226

William Hemmerling, 603604 Juan Miguel Herrera (attr), 830 Jules René Hervé, 1272 Hermann Herzog, 682 John William Hill, 433 Henry Deacon Hillier, 446 Claude Raguet Hirst, 591 Morris Henry Hobbs, 1314 Harry Leslie Hoffman, 650 Emil Eugen Holzhauer, 1068, 1069, 1083, 1084, 1228, 1229, 1383-1389 Peter Lanz Hohnstedt, 1076 Clementine Hunter, 600, 607-609 Alfred Heber Hutty, 595, 1081

Louis Icart, 916 Franz Iffland, 1202 Indonesian School, 65, 66 Italian School, 724, 968

Frederick William Jackson, 337 Derek James, 1092 Alfred Jansson, 789 Robert Jean Janvier, 278 Japanese School, 189 David S. John, 1341 Harry Leroy Johnson, 628 Richard A. Johnson, 1100 Reuben Le Grande Johnston, 1088

Carl Kauba, 1201 Chapman Kelley, 1347 James L. Kendrick III, 1218 William Kidd (cir), 985 Paul King, 681 Constantine Kluge, 493 Ida Rittenberg Kohlmeyer, 543, 578, 582-588, 1122-1127 David Cobb Kupferman, 1222

Paul Lambert, 964 William Langley, 239 Walter F. Lansil, 683 Georgina Lara, 1157 Raoul Francois Larche, 544 Nicolas de Largilliere (foll. of), 773 Clarence John Laughlin, 1024-1026 Sir Thomas Lawrence (cir), 929 E. Blair Leighton, 235 Lemercier & Co., 810 Hayley Lever, 336 Reverend McKendree Robbins Long, 1114 Louisiana School, 1216 Antonio Rodriguez Luna, 199

Beatrice Mandelman (attr), 1120 Leo Manso, 1108

Stig Marcussen, 1136 James Harvey (John Paul) Marsh, 1310 Henri Matisse, 530 Gyula Maugsh, 855 Harry P. McDermott, 1079 Michelangelo Merisi (aft), 850 Joan Miró, 880 Alice Latimer Mosely, 1232 Bo More, 923 Greg Mort, 1137 Owen Murphy, 1035

Francis Hopkinson Smith, 409, 412 Marion Souchon, 1101 Spanish Colonial School, 832 Gabriel Spat, 877 James Starks, 1111 Edward Steichen, 581 James L. Steg, 1119 Will Henry Stevens, 557, 559 Meyer Straus, 627 Warren Stuart, 1209

Gerald Nailor, 1031 Friedrich Nerly, the Elder, 369 New Orleans School, 1013 George Glen Newell, 790 Thomas Noelsmith, 879

Nell Pomeroy O’Brien, 1230, 1231 Will Ousley, 1073, 1074 Robert Emmett Owens, 1090 Auseklis Ozols, 1223

Ludovicus Teseo Taurinensis, 513 Thai School, 187 Joseph Thors, 445 William Tolliver, 602 Fred Trenchard, 1116 Gaylord Sangston Truesdell, 788 Arnold E. Turtle, 1077, 1106 James Gale Tyler, 995

Jerry Uelsmann, 579, 580, 1027, 1028

Pablo Picasso (aft), 1302, 1303 Parker S. Perkins, 983 Le Pho, 64 Jean-Baptiste Pigalle (aft), 743 Professor Otto Poertzel, 922 William Merritt Post, 629 Rebecca Rebouché, 1298 Guido Reni (aft), 858 Pierre-Auguste Renoir, 344, 811 Boris Riab, 878 Charles Whitfield Richards, 1087 Henry Constantine Ritcher, 242 John Robinette, 1112, 1113 William T. Robinson, 786 Noel Rockmore, 1348 Norman Rockwell, 408 George Rodrigue, 1096, 1097, 1140, 1141 Robert Rucker, 1016, 1071, 1072, 1075, 1131 Clarence Frederick Runtsch, 1204

Victor Salmones, 800 Terry Samples, 1200 Josephine Jerome Sands, 1210, 1213 Adolf Schreyer (mnr. of), 1207 Gaston Sebire, 492 Samuel Shelley (attr), 736 Charles Kenneth Sibley, 1225 Alan Siegel, 1372 Walter Sies, 662 Hunt Slonem, 548, 1102 - 1104

Arnold Vail, 1312 Charles Valton, 758 Jules Antoine Vauthier (aft), 1160 Elizabeth O’Neill Verner, 594, 596 Louis Claude de Vezou, 277 George Louis Viavant, 1017 Pamela Black Wagner, 1109 William Aiken Walker, 601 Robert Joseph Warrens, 1099, 1105 Harry Wilson Watrous, 994 Dawson Dawson-Watson, 545 George Frederick Watts (possibly), 684 Terry Weldon, 1135 Eudora Welty, 597-598 Michael Wening, 1344 S.M. Wilson, 1212 Theodore “Fonville” Winans, 606, 1023 Franz Wobring, 842 Hartwell Leon Woodcock, 1138 Ellsworth Woodward, 1080 William Woodward, 1063, 1219 John L. Boqueta de Woiseri, 434 Mildred Nungster Wolfe, 1078 Johann Heinrich Wüst, 766

✹

Ansel Adams, 599 Pauline “Popo” Abadie (attr), 1217 Eric Albrecht, 1117, 1118 Enrique Alferez, 590 American School, 649, 875, 1030, 1032, 1208, 1313 James “Mac” Anderson, 1067 Matt Anderson, 1033, 1034 Walter Inglis Anderson, 546547, 577, 589 R. Andree, 1380 George E. Armfield, 241, 1156 Jose Rafael Aragón, 831, Steven Assael, 1091 John James Audubon, 431-432

April 25, 26, & 27, 2014 ✹ artist index ✹ artist index ✹ artist index

Serge Zelikson, 935

W denotes the lot is illustrated at www.nealauction.com

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6539 • www.nealauction.com

Auction Date: April 25, 26 & 27, 2014

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

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Confidential Absentee / Telephone Bid Form

14/04M

Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more. Absentee bids are gladly accepted for all items below $500. 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 3. In the event identical bids are submitted, the earliest bid received will take precedence. 4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids. 5. Auction addendum available prior to the auction on the website or via facsimile. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. 7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ City: _____________________________________________ Prov/State _______________________ Postal Code ________________ Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________ Dealer Resale# ________________________________State __________Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______ Credit Card V-code:________

☎

MUST PROVIDE: Cash Payment Check Method: Wire

Credit Card

IF SUCCESSFUL, please bill my card. Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

Lot#

Description

Bid Amount $ or Telephone No.

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required

Date

For Internal Use Only: Approved_ _____________Registered____________ Entered_ ____________ Clerks Initial________________ Account #_ _________________ Confirmed_______________________

Fax Form on or before Thursday, 4/24/14 to 504-617-6431 or 504-617-9990

W denotes the lot is illustrated at www.nealauction.com

269

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6431 • www.nealauction.com page 2 14/04M

Name: ________________________________________________________________________

Lot#

Description

Bid Amount $ or Telephone

✍ Signature Required For Internal Use Only: Approved________________________ Registered________________Entered_ ______________________ Clerks Initial_____________________ Account #______________ Confirmed_______________________

270

Date

Fax Form on or before Thursday, 4/24/14 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. 2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 3. Documentation of tax exemption must be provided upon registration. 4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 25% of the hammer price. See www.liveauctioneers.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale. W denotes the lot is illustrated at www.nealauction.com 271

Auction Results for February 2014 0001-$793 0002-$358 0003-$537 0005-$298 0006-$1434 0010-$1230 0011-$1792 0012-$5975 0013-$836 0014-$1673 0016-$1230 0017-$956 0019-$358 0020-$62140 0021-$5676 0023-$2390 0024-$4270 0025-$597 0027-$2091 0030-$4182 0032-$2928 0037-$1968 0038-$1912 0039-$11053 0040-$1792 0041-$9858 0046-$1195 0049-$11352 0051-$7767 0052-$6572 0053-$10147 0054-$2460 0055-$9858 0056-$3585 0057-$3585 0058-$6572 0059-$2829 0063-$1476 0068-$615 0072-$478 0074-$358 0075-$246 0078-$1075 0080-$11685 0081-$5676 0082-$1075 0085-$836 0088-$1075 0089-$3075 0090-$4612 0091-$836 0092-$2270 0093-$1792 0094-$4481 0095-$836 0096-$976 0097-$553 0099-$4780 0101-$478 0102-$2629 0105-$956 0106-$2440 0107-$956 0108-$956 0109-$492 0110-$738 0111-$1792 0113-$27485 0117-$6572 0120-$2767 0121-$3883 0123-$1107

272

0124-$2270 0125-$4481 0129-$1599 0130-$1845 0131-$1314 0132-$1314 0133-$3567 0134-$2868 0135-$2214 0136-$956 0137-$430 0140-$836 0141-$615 0142-$1464 0142A-$239 0143-$615 0144-$369 0145-$2460 0146-$5975 0147-$3107 0148-$799 0149-$2987 0151-$2091 0155-$1476 0156-$1075 0157-$956 0158-$537 0159-$418 0160-$492 0165-$597 0166-$799 0167-$1195 0171-$5676 0174-$2270 0176-$1476 0177-$597 0179-$5078 0180-$1045 0181-$2151 0182-$2031 0183-$1968 0184-$2270 0185-$657 0186-$657 0187-$836 0188-$246 0189-$776 0190-$537 0191-$657 0192-$418 0193-$597 0194-$3075 0195-$1015 0196-$2390 0197-$2337 0198-$1195 0200-$1673 0202-$984 0203-$1553 0206-$2151 0211-$4305 0212-$4612 0213-$5795 0214-$3883 0216-$1792 0217-$4880 0219-$4780 0220-$4780 0221-$1599 0222-$1792 0223-$8610 0225-$2460

0226-$4182 0228-$6572 0229-$5377 0230-$4481 0232-$7468 0233-$8917 0234-$3883 0235-$610 0236-$861 0237-$7468 0238-$3585 0239-$6273 0241-$8365 0242-$3585 0243-$1599 0246-$8663 0247-$1553 0248-$861 0250-$16132 0251-$13145 0252-$10456 0257-$2390 0258-$3585 0259-$1075 0260-$1845 0261-$522 0262-$2074 0265-$246 0270-$3883 0273-$717 0275-$298 0278-$3883 0280-$956 0281-$615 0283-$179 0284-$298 0285-$1314 0286-$1952 0288-$5078 0289-$854 0290-$776 0292-$861 0293-$7170 0294-$5975 0295-$3883 0296-$4780 0297-$2390 0299-$836 0300-$2987 0303-$12547 0304-$984 0305-$1792 0306-$1792 0308-$2318 0309-$478 0310-$861 0313-$3690 0316-$9560 0317-$28680 0318-$25095 0320-$14937 0321-$2151 0322-$610 0323-$1553 0325-$836 0326-$1792 0329-$861 0330-$1107 0331-$5975 0332-$5078 0335-$984 0336-$4270

0339-$119 0341-$1195 0344-$836 0347-$213 0348-$335 0349-$239 0352-$244 0353-$657 0354-$358 0358-$956 0359-$597 0360-$418 0361-$1708 0362-$1075 0363-$6572 0365-$5078 0366-$1476 0367-$9560 0368-$1075 0369-$3585 0370-$861 0372-$3286 0373-$956 0375-$3585 0376-$2031 0378-$1792 0380-$1195 0382-$17327 0385-$1434 0386-$2688 0387-$1107 0388-$1107 0390-$478 0391-$358 0393-$1912 0395-$597 0396-$1792 0397-$1434 0398-$1195 0399-$1107 0400-$537 0401-$478 0402-$717 0404-$1353 0405-$1195 0407-$1792 0408-$1476 0409-$836 0411-$2460 0412-$2031 0413-$1912 0414-$1314 0415-$717 0416-$657 0419-$5185 0420-$2868 0422-$1830 0423-$1673 0424-$2767 0426-$3660 0427-$1792 0430-$1792 0432-$2460 0433-$4305 0434-$2688 0435-$1553 0436-$1845 0437-$1792 0439-$7625 0440-$5377 0441-$7930 0442-$7072

0443-$17925 0444-$9858 0445-$9261 0446-$3585 0447-$3585 0448-$7930 0450-$8365 0451-$11377 0452-$3286 0453-$5078 0454-$18522 0455-$2987 0456-$4302 0457-$13443 0458-$3172 0459-$2987 0461-$1845 0462-$6871 0463-$5975 0464-$3286 0465-$717 0466-$5975 0467-$6871 0468-$25095 0469-$3286 0470-$3346 0471-$3107 0472-$12300 0473-$1553 0474-$6765 0476-$8365 0478-$358 0480-$861 0483-$1434 0484-$676 0485-$799 0486-$5842 0487-$1968 0488-$369 0490-$836 0495-$5377 0496-$358 0497-$358 0498-$478 0499-$717 0500-$1220 0501-$27485 0502-$6572 0503-$836 0504-$2460 0505-$799 0506-$5185 0507-$3997 0508-$1673 0510-$1464 0511-$956 0512-$305 0516-$1912 0520A-$717 0521-$776 0522-$1553 0523-$5377 0524-$1708 0525-$1586 0527-$597 0531-$2151 0534-$5185 0536-$8663 0537-$4780 0539-$2151 0545-$358 0546-$732

0547-$369 0548-$3690 0549-$8962 0550-$956 0551-$956 0553-$1792 0554-$1830 0557-$5078 0558-$239 0559-$11950 0560-$956 0561-$1075 0564-$1599 0571-$3585 0572-$537 0575-$3075 0576-$1912 0577-$4575 0578-$1673 0579-$2151 0581-$956 0583-$6871 0585-$5078 0586-$861 0587-$537 0588-$2868 0589-$358 0592-$1353 0593-$956 0598-$26290 0602-$153 0603-$369 0604-$149 0605-$239 0607-$2868 0611-$2748 0613-$597 0614-$1673 0615-$799 0616-$29875 0619-$14340 0620-$3286 0621-$4612 0623-$1195 0625-$6100 0626-$5795 0627-$6100 0630-$369 0631-$478 0632-$358 0633-$430 0634-$896 0639-$298 0640-$29520 0641-$3075 0642-$1792 0643-$3883 0644-$369 0648-$123 0649-$276 0652-$1230 0654-$2509 0655-$597 0656-$8917 0668-$3075 0670-$1195 0674-$956 0675-$1045 0677-$2337 0681-$307 0682-$369 0685-$717

0692-$369 0693-$25095 0695-$1434 0697-$246 0699-$209 0700-$448 0704-$492 0705-$861 0708-$298 0709-$492 0710-$836 0711-$676 0712-$369 0714-$123 0715-$836 0716-$1912 0719-$657 0722-$418 0722A-$430 0723-$549 0724-$119 0725-$119 0726-$239 0727-$671 0728-$549 0729-$793 0730-$179 0733-$149 0735-$179 0737-$149 0738-$179 0739-$358 0740-$418 0741-$179 0742-$179 0743-$179 0744-$149 0745-$179 0746-$149 0748-$119 0750-$179 0751-$984 0752-$89 0753-$732 0755-$119 0756-$179 0757-$184 0759-$184 0760-$298 0761-$149 0762-$478 0763-$369 0766-$1553 0768-$1195 0769-$369 0770-$1230 0772-$1195 0773-$717 0775-$1673 0776-$492 0779-$307 0780-$657 0781-$298 0782-$246 0785-$492 0786-$246 0787-$152 0788-$152 0789-$799 0790-$615 0791-$537 0793-$836

0794-$1353 0795-$956 0796-$537 0797-$1230 0798-$984 0799-$2151 0800-$246 0803-$478 0804-$1075 0805-$4182 0806-$2390 0807-$1195 0808-$956 0809-$3226 0811-$1722 0813-$717 0816-$1230 0817-$1599 0818-$676 0819-$553 0822-$2767 0825-$1230 0826-$1599 0827-$1314 0828-$369 0829-$119 0830-$776 0833-$1195 0834-$2390 0835-$59750 0836-$3585 0837-$1220 0840-$5676 0841-$537 0842-$179 0843-$358 0844-$298 0845-$358 0846-$1673 0847-$239 0848-$1195 0849-$836 0850-$1792 0852-$1195 0853-$717 0854-$836 0855-$537 0857-$358 0858-$1553 0859-$358 0860-$358 0861-$478 0862-$119 0863-$3226 0866-$597 0867-$956 0868-$1792 0870-$369 0872-$119 0873-$244 0874-$179 0875-$119 0876-$461 0877-$1195 0878-$836 0880-$738 0881-$861 0884-$2688 0885-$2390 0886-$2270 0887-$4575 0888-$3585

0889-$2031 0890-$478 0891-$738 0892-$2390 0893-$4481 0894-$836 0895-$3585 0900-$1673 0901-$836 0902-$854 0904-$1792 0905-$1075 0906-$1314 0908-$717 0909-$1220 0910-$3585 0911-$984 0913-$1912 0914-$861 0915-$717 0916-$1553 0918-$369 0921-$4780 0922-$2390 0927-$1464 0930-$1075 0934-$799 0935-$478 0937-$1673 0938-$2509 0939-$1314 0940-$738 0941-$597 0942-$179 0947-$922 0949-$1434 0952-$369 0953-$776 0954-$213 0955-$122 0956-$358 0957-$418 0959-$738 0960-$305 0961-$738 0962-$3444 0965-$896 0966-$427 0967-$717 0969-$1075 0970-$366 0972-$984 0973-$1195 0974-$478 0975-$717 0976-$1098 0978-$1553 0979-$2987 0981-$1434 0983-$1015 0984-$1314 0985-$430 0989-$776 0994-$2270 0997-$657 0998-$896 0999-$717 1000-$615 1001-$366 1002-$956 1004-$2031 1006-$537

1009-$478 1010-$246 1011-$2196 1012-$984 1013-$488 1014-$239 1015-$1314 1016-$2074 1017-$2390 1019-$1464 1021-$6273 1022-$956 1025-$717 1026-$1434 1027-$597 1028-$2748 1031-$7320 1032-$4059 1033-$657 1034-$418 1035-$1586 1037-$717 1038-$492 1039-$956 1042-$597 1044-$478 1045-$615 1047-$717 1049-$2151 1051-$717 1052-$1476 1054-$1553 1057-$976 1058-$1792 1059-$1722 1060-$597 1061-$5975 1063-$738 1064-$1314 1066-$1434 1071-$717 1072-$3883 1075-$836 1080-$717 1081-$615 1082-$615 1083-$478 1084-$732 1085-$738 1087-$1075 1088-$1075 1089-$1098 1091-$244 1092-$537 1093-$298 1094-$369 1095-$246 1096-$976 1098-$836 1099-$239 1100-$358 1101-$427 1102-$597 1103-$262 1105-$956 1108-$597 1111-$298 1113-$239 1114-$732 1115-$1353 1116-$717 1117-$366

1118-$3226 1120-$657 1121-$3107 1124-$239 1125-$209 1126-$1159 1127-$732 1130-$358 1131-$1230 1134-$956 1135-$896 1136-$717 1137-$3286 1139-$1075 1140-$3465 1141-$1722 1143-$478 1146-$537 1147-$1015 1148-$2629 1150-$1434 1151-$478 1154-$1195 1155-$1195 1156-$3346 1157-$244 1158-$2270 1159-$615 1163-$2270 1166-$597 1168-$492 1169-$776 1170-$369 1171-$1195 1172-$657 1173-$657 1175-$478 1176-$657 1177-$418 1178-$298 1179-$896 1180-$418 1186-$597 1189-$492 1190-$246 1191-$153 1192-$2706 1193-$2987 1194-$2337 1195-$615 1196-$956 1197-$369 1198-$358 1199-$537 1203-$239 1205-$717 1206-$1195 1207-$799 1208-$1195 1209-$179 1215-$478 1216-$861 1217-$2074 1218-$358 1219-$338 1221-$246 1224-$657 1225-$298 1226-$553 1227-$2629 1228-$4920 1229-$358

1230-$366 1233-$657 1235-$1434 1236-$122 1237-$956 1238-$119 1240-$738 1241-$338 1242-$2829 1244-$418 1245-$179 1246-$1045 1247-$239 1248-$239 1251-$179 1253-$184 1254-$119 1255-$338 1260-$1434 1261-$153 1263-$123 1264-$119 1265-$184 1267-$671 1268-$183 1269-$717 1270-$119 1271-$861 1272-$1314 1273-$179 1274-$123 1275-$184 1276-$184 1278-$358 1279-$184 1280-$179 1281-$1168 1283-$184 1284-$239 1285-$184 1291-$12300 1292-$1553 1293-$1476 1294-$984 1295-$984 1296-$1476 1299-$119 1301-$1230 1302-$984 1303-$478 1304-$2214 1305-$430 1306-$836 1307-$984 1309-$984 1310-$239 1312-$358 1316-$209 1319-$179

Neal Auction Company John R. Neal Chairman

Neal Alford Katherine Hovas President Senior Vice President

Michelle LeBlanc Leckert, CAI Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager/Assistant to Director Jackie Hernandez Client Services Johanna Darilek Database/Administrative Assistant Lisa Weisdorffer

Director of Consignments Books, Maps & Natural History Prints Marc Fagan Director of Furniture & Decorative Arts Neal Alford; Steven G. Rutledge Director of Paintings, Prints & Photography Rachel Weathers; Reneé Gautreaux Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Sackey Research Nicole Casi, Ph.D. Inventory Coordinator Steven G. Rutledge Consigments Administrator Claire Thriffiley

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director Emory Nolan Catalogue Design Carolyn Finnell Photography Jason Leckert Tom Simpson Reneé Gautreaux

OPERATIONS Director of Operations Charles Lee Operations Staff Sol Carter Charlie Clay Kelvin Gibson Thomas Johnson Jerry Majors

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Sackey #1874

AUCTION SERVICES Director of Business Development Bettine Field Sackey Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

CATALOGUE CONSULTANTS Paintings & Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Fine & Decorative Arts Linda Stubbs Asian Arts Richerson Rhodes