0813 by Neal Auction

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Front Cover: Joseph Rusling Meeker (American/Louisiana, 1827-1889), Bayou View with Trumpet Vine and Wildflowers,â&#x20AC;? 1878, o/c, sd., 14 x 10 in.

Back Cover (detail): Anglo-Indian Brass and Copper Inlaid Rosewood Tray Table, h. 24 1/2 in. 2

LOUISIANA IMPORTANTPURCHASE ESTATES AUCTION AUCTION September October 614&&7, 15,2007 2013 On Our Premises 4038 Magazine Street & 3923 Carondelet Street • FEATURING: • Property from the Collection of Esteemed Antiquarian, Robert E. Canon, Natchez, MS • Property Sold to Benefit the Acquisition Fund, Morris Museum of Art, Augusta, GA • Contemporary Art from a Prominent Corporate Collection • Estate of Elaine Newell Stich, New Orleans • Property from the Collection of Noted Antiquarian, Charles Cresson, 1921 Sophie Wright Place, New Orleans • Additional Property from the Estate of Author and Historian, Earle Williams Newton II, Ponte Vedra, FL • Property of Others

EXHIBITION both galleries beginning Tuesday, September 3, 10 a.m. to 5 p.m. Special Saturday Preview, September 7, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, September 12, 5 to 7 p.m. AUCTION SCHEDULE Saturday, September 14, 10 a.m., 4038 Magazine Street Sunday, September 15, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514

Dining Room, Villa di Caprone, residence of Robert Canon and Wayne Bryant

Robert E. Canon Neal Auction Company is pleased to offer the collection of noted antiquarian Robert E. Canon, removed from Villa di Caprone, Natchez, MS. This large and diverse collection reflects the influence of Mr. Canon’s extensive travels and is a testament to his appreciation for the distinctive object. He patronized the finest antiques dealers in Paris, Rome and London, and made pilgrimages to museums in this country and abroad. Canon’s career as a highly successful interior designer spanned five decades. In 1964 he and the late Newton Wilds formed the firm Wilds & Canon in Austin, TX, moving to Houston the following year. The firm quickly became one of the premier decorating firms for the River Oaks carriage trade and boasted an international clientele. In 1975 Canon and Wilds bought The Briars in Natchez and began their much-admired restoration of the historic property. Other major projects in Natchez include the 1976-1977 redecoration of Dunleith, as well as work at Stanton Hall, Edgewood, Greenleaves, and most recently, Villa di Caprone. Built on the site of Natchez’s infamous “Goat Castle”, Villa di Caprone represents the swan song to Canon’s illustrious career as a designer and collector.

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Session One Saturday, September 14th, 10 am 4038 Magazine Street

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1. A Restauration Carved Mahogany Fauteuil, early 19th c., rectangular padded back, arms terminating in lion’s heads, bowed front seat rail, square tapered legs, paw feet.

4. A French Gothic Revival Carved Walnut Side Chair, 19th c., ogee arch crest rail, pierced tracery back flanked by stiles surmounted by pinnacles, seat with tracery brackets, octagonal legs, stretchers.

$1000/1500 2. A Charles X Gilt-Bronze Mounted Mahog any Center Table, c. 1825, dished Gris de Ste. Anne marble top, tapered columnar standard, incurvate plinth, height 28 1/2 in., diameter 32 in. $1200/1800 3. An English Brass-Bound Rosewood Lap Desk, mid-19th c., fitted interior, brass carrying handles, height 7 in., width 19 7/8 in., depth 10 3/8 in., presented on a later stand, overall height 20 in. $500/700

$300/500

5. Dr. Robert John Thornton (English, 1768-1837), “The Narrow Leaved Kalmia”, hand-colored engraved aquatint with mezzotint, from The Temple of Flora, or Garden of Nature, 1799-1812, sheet 22 1/4 in. x 17 1/2 in., matted and framed. $1000/1500

6. Spanish School, 17th/18th c., “Still Life in a Landscape with Grapes, Melon, Peaches, Pears, and Cherries”, oil on canvas, unsigned, 38 1/2 in. x 28 1/4 in., framed. $1500/2500 7. Johann Christoph Volckhamer (German, 1662-1744), six hand-colored engravings of citrus fruit, from Nürnbergische Hesperides: two plates from vol. 1 (Nuremberg, 1708) with German country houses, and four plates from vol. 2 (Nuremberg, 1714) with Italian country houses along the River Brenta, engraved by Paul Decker I (1677-1713), Joseph de Montalegre, I. C. Dehne, and T. G. Becsch, sight 13 in. x 8 1/4 in., framed.

$1000/1500 8. A Good Antique Patinated Bronze of “The Warwick Vase”, by F. Barbedienne Fondeur, Paris, inscribed on socle, with Bacchanalian masques, entwined handles, on a stepped rouge marble base, total height 14 1/2 in., width 16 in., depth 11 1/2 in. $600/900

9. A Collection of Seven Grand Tour Marble Obelisks, including one of black onyx with face decorated with hieroglyphs; another of giallo antico finely outlined with malachite; a near pair of red-veined marble; a rouge marble example with all four sides covered in hieroglyphs (including an old repair on the shaft); and a pair of black onyx inlaid with specimen marbles and pietra dura flowers, height 9 1/2 in. to 18 1/4 in. $1000/1500 10. A Good Bronze Figure of the Standing Napoleon, late 19th c., with his cap on a volume of the Code Napoleon, after Jean-Auguste Barre (French, 18111896), inscribed on all four sides of the selfbase, “NAPOLEON”, “Barre Sclp.”, “Susse Frères Editeurs”, and with the foundry mark of “Susse...Paris”, height 11 in.; together with a small bronze bust of Napoleon, 19th c., on marble socle and ormolu plinth, finely patinated, height 6 3/4 in. $500/800

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11. A Pair of William IV Day’s Patent Candlescreens in the Gothic Taste, c. 1840, with removable telescopic shaft, marked, height 9 1/2 in., diameter 3 1/4 in. $300/500 12. A Fine Pair of Regency Cut Crystal and Bronze Girandoles, early 19th c., the candle arms and central crystal flame finial borne atop an 11 elephant and castle raised on shaped white and gray marble bases, height 14 1/2 in., width 12 in., depth 5 in.

$1500/2500 13. A George III Mahogany Sideboard Table, late 18th c., molded top, three frieze drawers, square tapered legs, brass cuffs with casters, height 32 1/2 in., width 60 in., depth 26 1/2 in. $800/1200

14. A Very Fine Regency Carved Mahogany Armchair, c. 1810, tablet crest with rosettes, scrolled acanthus rail, scrolled arms, caned seat, arched legs. Note: Underside of seat rail branded “RC” twice. $1000/2000 Note: The stamp “RC” appears on a number of examples of Regency seat furniture that have been offered at auction in the past decade. In March 2003, Christie’s London sold a set of six painted and gilt side chairs, one of which was stamped “RC.” The same branded initials appeared on a simulated rosewood bergere sold by Christie’s London in November 2007. The craftsman has yet to be identified.

15. An American or English Carved and Gilded Convex Mirror, late 18th/early 19th c., surmounted by spreadwing eagle and foliate branchwork, scrolled pendant, height 35 1/2 in., width 21 3/4 in. $1200/1800

16. A Regency-Style Carved Fruitwood and Mahogany Low Table, in the manner of Thomas Hope, Gris de St. Anne marble top with molded brass edge, triangular pedestal with anthemion panels, incurvate plinth, paw feet, height 19 1/4 in., diameter 38 5/8 in. $400/600 17. British School, 19th c., “Figures Gathering Water and Fishing Beside a Suffolk Stream”, oil on canvas, unsigned, identified as by James Stark (1794-1859) on frame plaque, but more plausibly in pencil on 19th c. paper label en verso of top stretcher rail as by Edwin Henry Boddington Jr. (1836-1905), 22 in. x 33 1/2 in., framed. $1000/1500

20. A George III Sterling Silver Teapot and Teapot Stand, Henry Chawner, London, 1790, mark entered 1786, each oval faceted form with crest and neoclassical banding, teapot height 5 3/4 in., stand length 6 5/8 in., combined weight 17.60 troy ozs.

18. Patrick Nasmyth (English, 1787-1831), “Landscape with Figures along the Creek”, 1829, oil on panel, signed and dated lower middle, 18 1/4 in. x 26 in., framed.

$1000/1500

$3000/5000 19. A Fine Pair of Grand Tour Variegated Marble Columns Crowned with Orbs, 19th c., the smooth shafts and plinths of Seravezza marble, the socles and bases of Carrara marble, molded elements of black onyx, height 32 1/2 in. $800/1200

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23. A Pair of Bagues-Style Rock Crystal Three-Light Sconces, vasiform standards, surmounted by foliage and opposing birds, height 31 in., width 21 in., depth 13 in.

$1500/2500 24. A Pair of Georgian Sheffield Plate ThreeLight Candelabra, Matthew Boulton & Co., early 19th c., double sunburst mark, reeded scrolling arms with straight gadroon border and bobêches, trumpetshaped standard with molded stepped foot, height 23 1/2 in. $2000/3000 25. A Georgian Sheffield Plate Magnum Wine Coaster, Matthew Boulton & Co., early 19th c., double sunburst mark, grape and grapeleaf decor, gadroon and shell rim, gilded interior, turned hardwood bottom with silver button, height 2 1/4 in., diameter 7 in. $700/1000

21. A George III Sterling Silver Double Tea Caddy, John Emes, London, 1796, navette form with neoclassical banding, reeded handle, cover with flush hinge, dual tea compartments, each fitted with box lock, height 7 1/2 in., weight 14.6 troy ozs. $700/1000 W 22. A Pair of Silverplate Magnum Wine

Coasters, each with floral scroll rim, turned hardwood base with central button, marked “Royal Castle/Sheffield/ EP”, height 5 1/4 in., diameter 9 in. $400/600

26. A Fine Pair of Regency Sheffield Plate Wine Coolers, early 19th c., urn form, each fitted with liner and removable collar, all retaining tinned back, Bacchus mask and ring handles, gadrooned borders and engraved crest with motto “Virtute et Fortuna”, height 8 1/2 in., diameter 8 1/2 in. $2000/3000

27. An Antique American Tôle Peinte Hexagonal Hall Lantern, pressed metal floral crest, original glass panes reverse painted with red ground, reserved with rural landscapes executed en grisaille, height 27 in. $500/800 28

28. A Pair of Louis XV-Style Patinated and Gilt Bronze Two-Light Wall Sconces, each with a seated 27 Chinese figure amid foliate decoration issuing scrolling candle arms, height 13 in., width 8 1/2 in., depth 4 1/2 in.

30. A Continental “Archaeological” Bronze Figure of an Antique Hero, 20th c., astride a bulbous base, signed “F/ deLuca”, mounted on a square verde antico base, overall height 31 in. $500/1000

$300/500 31. Charles Coleman (British, 1808-1874), “Harvest Season in the Roman Campagna”, 1852, oil on canvas, signed, dated and inscribed “Roma” lower right, 21 in. x 30 1/4 in., period frame.

29. A Pair of Regency Gilt and Patinated Bronze Figural Candlesticks, early 19th c., after the designs of Thomas Hope, each font form candlecup with flame finials atop standard in the form of the three graces, tripartite paw feet, plinth base, bracket feet, height 9 1/2 in. $500/1000 Note: The tripartite paw foot base appears in several designs by Thomas Hope. Specifically they are seen on torchères illustrated in Hope’s Household Furniture and Interior Decoration.

$4000/6000

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W 34. Sir William Hamilton (British, 1751-

1801), 18th c., three hand-colored engravings from Hamilton’s vases, including a frieze of classical figures, a battle scene and a scene of Zeus and Ganymede between two female attendants, with the figure of Eros overhead, largest sight 19 1/2 in. x 13 3/8 in., framed. $500/700 W 35. A Group of Eight British Etchings,

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32. Follower of Claude-Joseph Vernet (French, 1714-1789), “Capriccio of a Classical Port, with Mt. Vesuvius”, early 19th c., oil on canvas laid on masonite, labeled in mid-19th c. handwriting on verso of former lining canvas, “Vernet” [sic], but evidently by one of Vernet’s followers, possibly Alexandre-Jean Noël (1752-1834), 30 1/4 in. x 48 1/2 in., framed. $8000/12000

33. Sir William Hamilton (British, 1751-1801), 18th c., four hand-colored engravings from Hamilton’s vases including: three small erotic scenes and one larger scene of combat, largest sight 9 1/4 in. x 12 1/2 in., framed. $500/700

including: William Strang, “Self Portrait in Hat”, 1910, and “Tinkers”, 1883; David Muirhead Bone, “Self Portrait in Hat”; Arthur Briscoe, “The Futtock Shrouds”; James McBey, “The Thomas Barge Race - The Start”; William Lee-Hankey, “Pere Duchincourt”, 1920; Kenneth Holmes, “Maltese Landscape”, 1902; E. Herbert Whydale, “The Joke”, all pencil-signed, sights 5 in. x 4 in. to 10 in. x 12 in. unframed. $1000/1500

W 36. A Group

of Nine British Etchings, including: George Cruikshank, “Sketch for an Al-bum”, colored; George Cuitt, “South Porch, Chester Cathedral”; H.M. Glanville, “San Rufino, Assisi”; P.G. Hamerton, “Trees”, detail after Waterloo; G.P. Jacomb-Hood, “A Gentle Knight”; Charles Keene, “Edwin Edwards Painting”; and Sir William Llewellyn, “Untitled (Bearded Man)”, sights 4 1/2 in. x 6 in. to 10 in. x 6 1/2 in., unframed. $500/700 W 37. A Group of Seven

Continental Etchings of British Notables, 18th c., including: Jacobins Honbraken, “Henry Bennet”, “Archbishop Williams, Lord Keeper”, “Geoffrey Chaucer” and “Sir Thomas More”; Georges Vertue, “John Locke, Esq.”, “Geo. Morley, Bishop of Winchester”, and “Usher, Archbishop of Armagh”, each sight 14 1/2 in. x 9 in., unframed. $500/700

38. A Monumental Pair of English Polychrome Porcelain “Etruscan” Urns, mid-19th c., each of amphora form, neck with portrait medallion, paint decorated with Greek motifs, frieze depicting warrior youth and Classical maiden offering a sacrifice, obverse with quadriga, two Classical maidens and Eros above; the other urn with similar opposed frieze, height 25 3/4 in.

39. An Italian Neoclassical White and Green Painted Fauteuil, c. 1795, Naples, scrolled crest, padded arms with lion’s head terminals, bowfront rail, acanthine turned tapered legs. $2000/3000 40. A Fine Italian Pietra Dura and Marble Center Table, 19th c., scalloped top with various inlaid specimens, medallion centering rosette comprised of pendant flowers and floral sprays encircled by border, gadrooned baluster standard, incurvate triangular plinth, scrolled feet, height 31 1/4 in., diameter 35 in. $5000/7000

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41. A Fine Pair of Chinese Famille Rose Export Porcelain Covered Soup Tureens and Stands, c. 1820, oval bodies with entwined grapevine handles, conforming domed covers with flower head finials, oval stands, each vibrantly enameled with figural reserves and fish and dragon banding, height 11 in., width 13 1/2 in., depth 10 3/8 in.

43. A Near Pair of Chinese Famille Verte Porcelain Barbed Rim Dishes, Kangxi Period (16621722), each decorated with a central medallion of potted dwarf trees and a deer in a garden setting bordered around the rim with interlocking flowering plant medallions, height 2 1/4 in., diameter 15 in.

$4000/6000 Provenance: Estate of Vernon C. Stoneman, Belmont, MA; Sotheby’s, New York, Sale 5158, March 16, 1984, lot 473. 42. A Chinese Mandarin Palette Export Porcelain Covered Punch Pot, 18th c., bulbous body with scroll handle and zoomorphic spout decorated with figural panels against a gilt scrollwork ground, height 8 1/8 in., width 12 in.

$2000/4000

$1000/1500

44. A Chinese Famille Verte Export Porcelain Covered Teapot, 18th c., canted rectangular form with rattan covered metal handle, decorated with floral and brocade panels, height 7 1/4 in., width 5 1/4 in. $500/700

45. A Pair of Chinese Famille Rose Porcelain “Cockerel” Dishes, 18th c., each with a central scene of fowl amid peonies, banded around the rim with floral reserves on a brocade ground, diameter 8 1/2 in. $400/600 Provenance: Sotheby’s, New York, Sale 5080, June 18, 1983, lot 461. 46. A Chinese Famille Verte Export Porcelain Covered Chocolate Pot, Kangxi Period (1662-1722), pear form body decorated with waves and sea life, height 7 in. $400/600 Provenance: Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 443.

47. A Chinese Famille Verte Export Porcelain Dish, Kangxi Period (16621722), decorated with a central medallion enclosing a horseman before a garden gate, banded around the rim by alternating qilin and floral panels, diameter 9 3/4 in.; together with a similar example with breaks and repairs, diameter 8 3/8 in. $600/800 48. A Chinese Blue and White Porcelain Dish, Kangxi Period (1662-1722), interior decorated with a scholar in a pavilion playing the qin with ladies in the garden outside, cavetto banded with ribbon-tied antiques reserved on a cross-hatch ground, rim encircled by a band of prunus, pine and bamboo sprays, diameter 13 3/8 in. Note: Gold lacquer repair to rim.

$1000/1500 Provenance: Estate of Philip Kappel; Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 390. 47

49. A Chinese Blue and White Porcelain Dish, Kangxi Period (1662-1722), interior decorated with a dragon and two carp rising from crashing waves, everted rim with a wide band of waves and flowers, base with prunus mark, diameter 10 3/8 in. Note: Restoration to rim. $800/1200 Provenance: Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 387. W denotes the lot is illustrated at www.nealauction.com

52. An English Modern Gothic Carved Oak Metamorphic Library Chair, late 19th c., pierced crest and slat, frame opening to inset green tooled leather steps, height 35 1/2 in., width 17 in., depth 15 in.

$400/600 52

W 50. A Group of Four Chinese Famille Rose Export Porcelain

Cups and a Saucer, 18th c., each variously decorated with figures in landscape and garden settings, cup diameter 3 1/8 to 3 3/8 in., saucer diameter 5 3/8 in., (5 pcs.) $250/350 51. An Italian Embossed, Gilt and Paint-Decorated Leather Four Panel Folding Screen, 19th c., floral foliate design, height 72 1/2 in., overall width 112 1/2 in. $2000/3000

53. An Italian Neoclassical Polychrome PaintDecorated Armoire, c. 1810, molded cornice above paneled doors, plinth base, the whole with crème peinte ground and foliate decoration, height 90 1/2 in., width 76 in., depth 25 1/2 in. $5000/7000 54. A Pair of Neoclassical Carved Mahogany, Parcel Gilt and Bronze-Mounted Side Chairs, 19th c., each tablet crest centered by a portrait bust, paneled splat with anthemion, rosette blocked seat rail, turned legs. $600/800

55. An Italian Carved Walnut Figural Stand, 19th c., the rotating circular top supported by a kneeling Hercules, rockwork base, turned plinth, height 22 in., diameter 13 in. $1000/1500 56. A Fine Bronze of the Orator Aristides (or Aeschines), 19th/20th c., after the over-lifesize original marble in the Naples Archaeological Museum discovered at Herculaneum in 1779, height 24 in.

58. An Antique Gustavian Carved Giltwood Pier Mirror, 19th c., beaded cornice, frieze with laurel leaf scrolls centered with a roundel of a centaur, guilloche and bead frame, divided mirror plate, height 68 in., width 28 1/2 in. $2500/3500 59. A Fine Egyptian Revival Bronze and Marble Figural Mantel Clock, late 19th c., of generous size, marked “Bonnet & Pottier”, depicting Cleopatra seated, the clock surmounted by a griffin, plinth base with incised wing scarab, height 22 1/2 in., width 24 in., depth 8 1/2 in.

$2500/3500

$1000/1500 57. An “Archaeological” Bronze Bust of a Youth, after a Hellenic or Hellenistic prototype, with irregular neck truncation and patina simulating burial, mounted on a fine turned gray marble socle, overall height 14 1/2 in. $700/900 57

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60. A Pair of George III Paint-Decorated Satinwood Armchairs, late 18th c., possibly Seddon Sons & Shackleton, London, in the Adam taste, each with shield back, shaped arms, caned seat, square tapered legs, cuffed feet. Note: The underside of the seat rail is stamped “IP”.

61. A Restauration Gilt Bronze-Mounted Mahogany Commode, early 19th c., Paris, stamped “GOMIEN” for Sigisbert Gomien, marble top, case with three graduated long drawers flanked by pilasters, plinth base, block feet, height 35 in., width 51 in., depth 24 1/2 in.

$4000/6000

Note: In 1824, Sigisbert Gomien established a cabinetmaking workshop at 193 Rue SaintAntoine. He was active at 18 Rue des Tournelles from 1827-1842.

Note: This pair of armchairs is very similar to three armchairs that survive from a large suite of painted satinwood seat furniture supplied about 1790 to the Tupper family for Hauteville House, St. Peter Port, Guernsey. The suite, which included eighteen chairs, a settee, three window seats, and two fire screens, was made by the firm of Seddon, Sons & Shackleton, one of the largest furniture makers in London at the end of the eighteenth century. The three chairs are now part of the collection of the Victoria and Albert Museum. Two of the chairs are stamped “IP” under the rear seat rail. It is believed that the stamp is the mark of a journeyman cabinetmaker employed by Seddon, Sons & Shackleton. Another recorded example of a chair stamped “IP” was included in the Swaythling Collection in 1965.

$2500/3500

62. An Italian Rococo Walnut and Parquetry Commode, 18th c. and later, serpentine top, conforming case fitted with three drawers, cabriole legs, hoof feet, height 36 in., width 36 1/2 in., depth 21 in. $1200/1800 63. A Pair of Chinoiserie Paint-Decorated and Lacquered Wood Low Tables, each waisted square top with figures in a landscape, square legs, hoof feet, height 20 in., width 26 in., depth 26 in. $500/800

64. An Austrian Carved and Jeweled Ivory and Enameled Bronze Figure, late 19th c., marked with crown over fleur-de-lis, the figure modeled as a disheveled street vendor, allover inset with “jewels”, holding a wire basket and cane with hardstone fruit and flowers, raised on a molded base with lapis and enamel, height 8 1/2 in., width 2 7/8 in., 2 7/8 in. $800/1200 65. An Austrian Jeweled and Enameled Bronze Figural Desk Clock, 19th c., with crown over fleur-de-lis mark, on lapis-inset base, disk feet, height 5 in., width 4 in. depth 1/2 in. $700/1000 66. Roman School, early 19th c., two large panels of miniature plaster impressions after engraved gems, mostly c. 1803-1823, many made for Prince Stanislaw Poniatowski of Poland (1754-1833), the impressions, for the Roman firms of Cades, Liberotti, Paoletti, etc., cast before c. 1840, various sizes, in large uniform frames, frame size 52 in. x 16 3/4 in.

W 67. Roman School, early 19th

c., two large panels of miniature plaster impressions after engraved gems, en suite with preceding lot. $500/750 68. A Pair of Regency Gilt and Patinated Bronze and Marble Figural Candlesticks, early 19th c., each eagle standard with a serpent in its beak, marble base, height 7 1/4 in. $500/1000

$500/750 Reference: Douglas Lewis, “The Last Gems: Italian Neoclassical Gem Engravings and Their Impressions”, in Engraved Gems: Survivals and Revivals, Clifford M. Brown, ed., National Gallery of Studies in the History of Art, 54 (Washington, Hanover, and London, 1997), pp. 292-305.

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71. A Fine Gilt Bronze-Mounted “Sevres” Porcelain Urn, c. 1900, lid with spurious mark, cobalt ground with finely cast mounts including grapeleaf and berry cluster finial, reed and ribbon rim, scrolling acanthine frieze, classical mask handles, laurel and berry foot, height 17 in., width 14 1/2 in., depth 11 1/2 in.

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$3000/5000

69. A Pair of Late Regency Mahogany Bookcase Cabinets, c. 1820, each with molded cornice above open adjustable shelves, silk-lined brass grillwork doors enclosing shelves, plinth base, height 84 in., width 41 in., depth 12 in. $2000/3000 70. A Pair of Empire-Style Carved Mahogany Bergères, each with barrel back, swan terms, shaped legs. $2000/3000

72. A Fine Louis XVIStyle Gilt Bronze and Cut Glass EightLight Chandelier, late 19th/early 20th c., Mottheau et Fils, Paris, marked, circular frame issuing four pairs of foliate scrolled branches and suspending bell-shaped shade, draped with festoons of beads and pendants, height 51 1/2 in., diameter 34 in. $5000/10000 Note: The firm Mottheau et Fils, known for its lighting fixtures, did well with the advent of electricity and displayed several of their “torchère lumineuse” at the 1900 Paris Exhibition where it was commented “we doubt if a more complete success is to be recorded to the credit of any exhibitor than can be conceded to Messieurs Mottheau et Fils.” While primarily focused on lighting, the firm still offered a variety of other wares. Reference: Wilson, Gillian ed. French Furniture and Gilt Bronzes: Baroque and Régence: Catalogue of the J. Paul Getty Museum Collection. 2008. p. 153; Thomson, D. Croal ed. The Art Journal The Paris Exhibition 1900. 1901. p. 155

73. An English Gilt Lacquered Brass and Bronze Sinumbra Lamp, c. 1834, Thomas Clutton Salt, Birmingham, marked, font atop fanciful standard with a dragon, cut and etched glass shade, overall height 32 1/4 in. $2000/3000 Note: The dragon coiled around the standard of this lamp relates to that of the monumental gasolier produced by Perry & Co. for the Banqueting Room at Brighton Pavilion. Brighton was remodeled by John Nash, from 1815-1823, for George, Prince Regent, later George IV. 74. A Pair of Continental RockCrystal Obelisks, 20th c., of typical form, height 20 1/4 in., width 4 in., depth 4 in. $1500/2500 75. After Vasilli Grachev (Russian, 1831-1905), “Cossack’s Farewell Kiss”, late 19th c., patinated bronze, cast signature and Woerffell foundry mark in Cyrillic, naturalistic base, height 9 3/8 in., width 8 3/8 in., depth 5 1/2 in.

$7000/9000 76. A Fine Bronze Bust of the Famous “Head of a Philosopher “, after an example in the Naples Archaeological Museum (a bronze Greco-Roman 75 exact original of this bust), finely cast and chased, with rich black patina, plinth and turned socle base, overall height 26 1/4 in. $1500/2500 Provenance: Howard Hand Antiques, 1965.

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77. A Regency Brass-Inlaid Beechwood Meridienne, early 19th c., scrolled ends and back, bolection seat rail, blocks with foliate inlay, saber legs, acanthine cuffs with casters, height 31 1/2 in., width 79 in., depth 26 in. Note: Frames retains traces of rosewood graining. $2500/3500

78. A Good Late Regency Rosewood Footstool, c. 1830, scrolled feet, height 8 in., width 18 3/4 in., depth 15 in. $300/500

79. A Regency Gilt-Brass Mounted Rosewood Cabinet, c. 1820, rectangular top, paneled frieze with two drawers, brass grillwork doors with fabric liner, shelf interior, flanking columns, plinth base, turned feet, height 39 in., width 48 1/2 in., depth 15 1/2 in. $1500/2500

80. A Biedermeier Mahogany Secretary Bookcase, early 19th c., upper case with rectangular marble top, frieze drawer above a pair of mirrored doors with pointed-arch muntins, interior fitted with shelf and four drawers; lower case with escritoire drawer over demilune paneled door, on plinth base, height 68 3/4 in., width 35 7/8 in., depth 20 3/4 in. $2500/3500

81. Attributed to Justus Sustermans (Flemish, 15971681), “Portrait of a Gentleman in Armor (possibly a member of the Medici court)”, oil on canvas, monogrammed “J.S.” lower left, (oval within rectangle) 33 in. x 27 in., framed. $3000/5000 82. George Bernard O’Neill (Irish/British, 1828-1917), “Judging the Wheat”, 1856, oil on canvas, signed and dated lower left, remnant of framer’s label en verso of stretcher, 20 in. x 24 in., framed; accompanied with a letter of provenance. $3000/5000 Provenance: Woolworth Family Collection, Monmouth, Maine. 83. A George II Walnut and Parcel-Gilt Mirror, 18th c., scrolled pediment with rosettes centering eagle, beveled mirror plate within molded surround flanked by foliate pendants, shaped base, height 56 3/4 in., width 31 in. $3000/5000 Provenance: Acquired Dolphin Antiques, London, England, 1977.

W denotes the lot is illustrated at www.nealauction.com

84 (back)

84 (details)

84 (front)

84. A Monumental Antique Chinese Carved Lacquer “Coromandel” Twelve Panel Screen, front carved with a famous battle scene bordered by dragons, antiques and fans, the reverse carved with prunus, pine, bamboo and spring flowers, height 107 in., length 232 in. $8000/12000 Provenance: Acquired Didier Rabes, Paris, France, January 11, 1987.

84 (detail) W denotes the lot is illustrated at www.nealauction.com

85. A Pair of English Cased Dueling Pistols, early 19th c., lockplate marked “Patrick”, top of octagonal barrel marked “Liverpool”, walnut stock with checkered grip, void cartouche, swing plunger, hardware engraved with foliate design, oak case with void cartouche, facsimile Edward Patrick label, barrel length 6 in.

$3000/5000 86. A Pair of French Percussion Pistols, walnut with checkered grip, octagonal barrel with remnants of gilt inlay, foliate engraved hardware, barrel length 3 1/2 in.

$1500/2500 87. A German Flintlock “Horse” Pistol, c. 1720, full walnut stock, engraved lockplate and buttcap, stock with metal inlay of grotesque mask and animals, barrel length 15 1/2 in. $2500/3500 88. A Dutch Marquetry Tallcase Clock, late 18th c., arched bonnet, gilt brass and steel dial signed “B. Vander Cloese, Hague” with moonphase dial and calendar, flanking columns, waisted case, bombé plinth, suppressed ball feet, height 98 in., width 24 in., depth 13 in. $3000/5000

89. A William IV Rosewood Teapoy, c. 1835, hinged molded lid, interior with four tea caddies and compartments for mixing bowls, hexagonal standard, incurvate plinth, bun feet. $700/1000

90. An AngloColonial Carved Ebony Armchair, early-to-mid 19th c., probably Galle District, Ceylon, arched foliate crest, continuous caned back and seat, scrolled arms and seat rail with applied rosettes, shellcarved legs, paw feet, casters. $2500/3500 Note: A similar pair of carved ebony armchairs, also associated with the Galle District in Ceylon, sold Christie’s, New York, April 2011 as lot 732; another almost identical armchair sold Christie’s, London, October 2009 as lot 29. Elaborately carved chairs produced in the Galle District of Ceylon (now Sri Lanka) were influenced by English designs of the early 19th century and continued to be made over a long period of time. This type of chair, produced in exotic ebony, was fairly common in the mid-19th century. Amin Jaffer’s Furniture from British India and Ceylon notes the 1850 published account of H.C. Sirr in Colombo as “the most exquisitely carved ebony furniture conceivable”.

92. Chinese School, Qing Dynasty (16441911), “Portrait of a Nobleman, possibly An Lushan”, gouache on cloth mounted to masonite, “DuBose Gallery, Houston, TX” label en verso, 73 in. x 33 1/2 in., brocade border, framed.

$800/1200 93. A Pair of Chinese Blue and White Porcelain Dishes, Qianlong Period (1736-1795), each decorated with flowers, ferns and rocks encircled around the wide rim with an alternating floral and brocade band, diameter 8 7/8 in. 93

91. A Spanish Gilt Decorated Red Lacquer Low Table in the Chinese Taste, c. 1950-1960, Casa Onoro, Madrid, branded, top with bird, flowers and bamboo, height 16 in., width 20 in., depth 18 1/2 in. $1000/1500

$800/1200

94. A Chinese Famille Verte Porcelain Foliate Rim Charger, Kangxi Period (1662-1722), decorated with central battle scene enclosed by a border of antiques, mythical animals and flowers, height 2 1/8 in., diameter 14 3/4 in. $500/700

Provenance: Arthur Bennett Kouwenhoven, Savannah, Georgia. W denotes the lot is illustrated at www.nealauction.com

W 99. A Chinese

Mandarin Palette Export Porcelain Bowl, 18th c., decorated with figural and ‘sepia’ landscape reserves on an iron red diaper ground, height 4 1/4 in., diameter 10 1/4 in. $300/500 95

$500/700 W 101. A

95. A Chinese Famille Verte Export Porcelain Covered Wine Pot, Kangxi Period (1662-1722), barrel form body with raised bosses, flat cover with Buddhist lion finial, decorated with floral reserves, height 4 1/8 in., width 7 1/8 in. $600/800 Provenance: Sotheby’s, New York, Sale 5012, February 26, 1983, lot 507. 96. A Chinese Famille Verte Export Porcelain Covered Teapot, Kangxi Period (1662-1722), bell form body with faux rattan handle, decorated with floral panels, height 6 1/4 in., width 4 1/2 in.

100. A Chinese Blue and White Porcelain Dish, Kangxi Period (1662-1722), decorated with a central fenced garden scene encircled by a band of floral and leaf sprays around the rim, base with handwritten label identifying it as formerly lot 138, Phillips, London, April 15, 1987, diameter 8 3/4 in.

Chinese Mandarin Palette Export Porcelain Bowl, 18th c., decorated with figural and ‘sepia’ landscape panels, height 3 1/2 in., diameter 8 in. $200/300

$600/800 Provenance: Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 443.

W 102. A

Chinese Famille Rose Export Porcelain Bowl, 18th/19th c., decorated with a fenced garden scene with flowering plants, height 3 7/8 in., diameter 9 1/4 in. Note: Hairline.

97. A Chinese Blue and White Porcelain Barbed Rim Dish, Wanli Period (1573-1620), reverse-painted with a central scene of deer amid foliage, encircled around the rim with a landscape border, diameter 7 3/4 in. $600/800 Provenance: Sotheby’s, New York, Sale 5567, April 23-25, 1987, lot 306. 98. A Chinese Famille Verte Export Porcelain Covered Teapot, Kangxi Period (1662-1722), molded pear form body decorated with floral sprays, height 4 in., width 6 in.

$200/300

$400/600 Provenance: Sotheby’s, New York, Sale 5012, February 26, 1983, lot 507.

100

103. A Pair of Continental Gilt Bronze Trophées, each spreadwing eagle atop a globe, on reeded columns flanked by arrows, marked “C51J”, height 17 in., width 5 1/2 in., depth 3 1/4 in. $300/500 104. An Antique Italian Patinated Bronze Athenienne, of antique inspiration, bowl with cast commemorative medal after Pisanello for Alfonso V of Aragon (1394-1458) depicting birds of prey, each Bacchus mask handle hung with chains, winged sphinx atop fluted standard with voluted capital, raised on acanthine base with paw feet, height 55 in., diameter 20 in. $1000/1500 105. A Pair of Regency Gilt and Patinated Bronze Candlesticks, early 19th c., each tripod standard on paw feet, plinth base, prism hung, height 12 in., diameter 5 1/2 in.

103

$700/1000 106. An English Sterling Silver Standish, George Fox, London, 1884, mark registered 1861; stand with reticulated gallery, scrolled gadroon crest and scrolled feet with foliate brackets, fitted with two bottles, the silver mounts and tops also hallmarked George Fox, 1884; stand height 2 3/8 in., length 10 in., depth 6 in., weight 19.10 troy ozs.

104

105

$800/1200

107

107. A George III Sterling Silver Cruet Stand, London, 1766, possibly Edward Aldridge, reticulated cinquefoil frame with gadrooned rim and reticulated feet, associated bottles, one “as is”; stand height 8 7/8 in., diameter 5 3/4 in., weight 17.50 troy ozs. 106

$800/1200 W denotes the lot is illustrated at www.nealauction.com

108. An American or English Gilt Lacquered Brass and Bronze Sinumbra Lamp in the Gothic Taste, mid-19th c., font atop cluster column standard, cut and etched glass shade, overall height 34 1/2 in. $1500/2500 109. A Regency Carved Mahogany Étagère, early 19 c., three rectangular tiers, low drawer, turned spindle supports, turned legs, casters, height 44 in., width 19 1/2 in. $300/500 110. An Antique Italian NeoclassicalStyle Carved Mahogany Curule-Form Tabouret, 19th c., leaf-carved turned arms, vasiform arm supports, X-form supports joined by turned stretcher, impressed “535”, height 26 1/2 in., width 22 1/2 in., depth 17 1/2 in. $1200/1800 111. An Italian Baroque Walnut Chest of Drawers, late 17th/early 18th c., molded top with outset canted corners, conforming case fitted with three drawers, plinth base, height 35 in., width 31 1/2 in., depth 16 1/2 in. 108

109

110

$5000/7500

111

112

112. A Continental Inlaid Walnut, Gilt Metal Repoussé and Ebonized Table Cabinet, 17th/18th c., case fitted with ripple molded drawers centered by conforming mirrored compartment, molded plinth base, disc feet, height 17 in., width 25 in., depth 10 in. $1200/1800

114 (2 of 4)

113. A Fine Italian Carved, Gilt and PaintDecorated Console Table, 19th c., molded top, verde antico faux marbre frieze, scrolled support with winged caryatid, molded base, height 38 1/2 in., width 43 in., depth 19 in. $5000/7000 114. A Suite of Four Monumental Carved and Crème Peinte Musical Trophées, each with beribboned crest, central winged shield cartouche amid oboe, flutes and violin and openwork foliate decoration, height 59 in., width 22 in., depth 3 in. $4000/6000 113 W denotes the lot is illustrated at www.nealauction.com

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115. A Finely Carved and Polychrome Painted Putto, 18th or 19th c., probably Venetian, height 12 in., width 25 in., depth 9 in. $1200/1800 116. A Fine Pair of Napoleon III Gilt Bronze Urns, mid-19th c., of Renaissance inspiration, each with winged female handles, bulbous body with masque medallions amid scrolled decoration, foliate stem, plinth base, height 20 in., diameter 9 in. $2500/3500 117. A Very Fine Large Napoleon III Rouge Royale Marble and Gilt Bronze Coupe, mid-19th c., Paris, deep bowl centering a Classical plaque, reeded handles, molded bronze bands, square plinth, height 9 1/2 in., width 15 in., depth 9 1/2 in. $1500/2500 118. A Pair of Italian Carved and Gilded Prickets, early 19th c., each with vasiform standard, triangular base, paw feet, height 26 in., width 7 1/4 in., depth 7 1/4 in. $1000/2000

118

119. An American Gothic Revival Carved Rosewood Side Chair, c. 1850, cathedral back over conforming seat on blind tracery legs. $800/1200 Provenance: Sold in these rooms September 2012, as lot 843; Estate of noted antiquarian Lee B. Anderson, New York. Note: With attached card “Purchased 1853 from C.P.F... from A. Roux NY. Large Gothic Bedroom set. Be-Arm& 4 chairs. General Hal T. Walker Grandson of James Polk...in Whitehouse. Marion, Alabama.

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120. A Pair of American Classical Carved Mahogany Side Chairs, early 19th c., New York, tablet crest rail, scrolled acanthus medial rail, saber legs. 119

$700/900

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121 (detail)

121. A Fine American Classical Mahogany Extension Dining Table, c. 1810-1820, Baltimore, top with molded edge, drop leaves, plain frieze, ring-turned and reeded legs, oak and poplar secondary woods, height 29 in., extended length with four leaves 151 1/4 in., width 56 in. $12000/18000

Note: The Baltimore origin of this dining table is indicated by the distinctive legs, which feature pronounced pointed reeding and distinctive ring turnings. Legs combining bold reeding with vase-and-ring turnings are typical of tables made in Baltimore during the late Federal years. The collection of the Maryland Historical Society includes a games table and a set of dining tables with legs that are nearly identical to those of the table offered here. Both tables are discussed and illustrated in Gregory R. Weidman, Furniture in Maryland, 1740-1940, Maryland Historical Society, 1984, pp. 182-183. W denotes the lot is illustrated at www.nealauction.com

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122. A Fine Set of Twelve Late Regency Carved Mahogany Dining Chairs, early 19th c., each with tablet crest rail, medial rail with hexagonal tablet centered by fans, molded seat rails with brass band, turned reeded legs. $20000/30000 Provenance: Acquired Harvey & Co. Antiques, Chalk Farm Road, London, England, 1977.

122 (side detail)

124

Note: The distinctive profile formed by the tablet crest rail, outswept stiles, and rear saber legs imitates the outline of the ancient Greek klismos chair. Such archeological prototypes were academically interpreted in the designs of Thomas Hope, who in 1807 published Household Furniture and Interior Decoration. While the chairs offered for sale do not copy a particular plate in Hope’s publication, they reflect the archeological quality associated with his designs. 123. A George III Inlaid Mahogany and Tulipwood Crossbanded Bowfront Sideboard, late 18th/early 19th c., case fitted with frieze drawer flanked by two deep drawers, square tapering legs, spade feet, height 37 in., width 59 7/8 in., depth 27 in. $2000/3000 124. A Fine Regency Brass Inlaid Rosewood Sofa Table, early 19th c., drop-leaf top, frieze fitted with drawer, shaped supports, turned stretcher, saber legs, brass cuffs with casters, height 27 3/4 in., width 32 3/4 in., depth 27 in.

123

$1500/2500

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125. An American Classical GiltStenciled and Carved Mahogany Games Table, c. 1825, New York, foldover top with rounded corners, trestle support with hexagonal columns, acanthus scrolled legs, hairy paw feet, stretcher, brass casters, height 30 in., width 36 in., depth 18 in. $2000/3000 Note: A table of similar design by Duncan Phyfe, which descended in the Astor family, is discussed by Nancy McClelland in Duncan Phyfe and the English Regency 1795-1830, ill. pl. 239, p. 252. 128 126. An American Federal Carved Mahogany Étagère, early 19th c., Boston, tiered shelves, ringturned uprights with X-form supports, one tier fitted with drawer, height 51 7/8 in., width 20 in., depth 15 in. $2000/3000

126

127. An American Federal Carved Mahogany Games Table, early 19th c., attributed to the workshop of Samuel Field McIntire, Salem, MA, serpentine foldover top, conforming frieze with acanthus capitals, turned and reeded legs, height 29 3/4 in., width 37 3/4 in., depth 17 1/4 in.

128. Agnes Millen Richmond (American, 1870-1964), “The Bride”, 1924, oil on canvas, signed and dated upper right, partial period exhibition label en verso, “Morris Museum of Art” label, gallery labels from “Robert M. Hicklin, Jr., Charleston” and “Knoke Galleries, Atlanta”, 36 in. x 32 in., framed. $6000/9000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

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129. George Biddle (American, 18851973), “Lilies”, 1929, oil on canvas, signed and dated lower right, “Morris Museum of Art” label en verso, 30 in. x 25 in., framed. $4000/6000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

130 (volumes)

130

130. John James Audubon (American, 17851851), The Birds of America: From Drawings Made in the United States and Their Territories, 1870, George R. Lockwood, New York, octavo, 7 volumes (of 8, lacking vol. I), with 430 hand-colored lithographed plates, printed backgrounds, by J.T. Bowen, Phil., 3/4 leather with marbled boards and endpapers, gilt titles. $5000/7000 131. John James Audubon 131 (volumes) (American, 1785-1851), The Quadrupeds of North America, J.J. Audubon and V.G. Audubon, New York, 1846-1854, first edition, 3 volumes, octavo, with 155 hand-colored lithographs by J.T. Bowen, Phil., 3/4 leather with marbled boards and endpapers. Note: Boards loose. $2000/3000

131

132

132. John Gould (English, 1804-1881), A Monograph of the Odontophorinae or Partridges of America 1850, London, Richard and John Taylor for the author, folio (21 1/2Â in. x 14Â in.), with title page, dedication to his highness Charles Lucien Bonaparte, list of subscribers, preface, introduction, 32 hand-colored lithographs, heightened with gum arabic, by Gould and H.C. Richter, printed by Hullmandel & Walton, contemporary green morocco, gilt lettering and decoration, all edges gilt, green silk endpapers. $6000/9000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

W denotes the lot is illustrated at www.nealauction.com

133

134

133. Thomas L. McKenney (American, 1785-1859) and James Hall (American, 1793-1868), History of the Indian Tribes of North America..., large folio (19 3/4 in. x 14 in.), Volume II only, published by Greenough and Rice & Clark, Phil., 1838, with 48 hand-colored lithographs printed and colored by J.T. Bowen, Phil., 3/4 leather. Note: Estate condition, plates poor to good.

134. Wolf Kahn (German/American, b. 1927), “Barn, Stark Road”, oil on canvas, signed lower center, titled in red pencil and inventory “18350 E. Long” label en verso, 30 in. x 40 in., framed.

$3000/5000

Provenance: Meredith Long & Company, Houston, Texas.

Provenance: The Parsonage, Natchez, MS; then to Fair Oaks, Natchez.

$8000/12000

135

139

137

136. Roger Tory Peterson (American, 1908-1996), “Songbirds”, watercolor on paper, monogrammed lower right, labels en verso read “Life Magazine, May 23, 1938” and “Morris Museum of Art”, sight 15 in. x 20 1/2 in., framed. $4000/6000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. 137. An Antique American Ship Diorama, 19th c., fully-rigged model, case with mirrored side panels, tapered columnar frame with central carved caduceus, height 21 in., width 36 in., depth 8 in. $1000/2000 136

W 138. A Group of Five American Walking Sticks, various

handles including carved ivory in the form of a hand; fox; bust of Napoleon; silverplate knob; and foliate. 135. Wolf Kahn (German/American, b. 1927), “Little Leining Barn”, oil on canvas, signed lower right, titled and “Meredith Long & Company, Houston, Texas” label en verso, 14 in. x 20 in., framed. $3000/5000 Provenance: Meredith Long & Company, Houston, Texas.

$500/700 139. An Antique George II Mahogany Tea Caddy, c. 1750, bombe form, molded lid with bail handle, floral escutcheon, void interior, height 15 1/2 in., width 10 in., width 6 in. $700/1000

W denotes the lot is illustrated at www.nealauction.com

140

143. An Extensive Kirk “Repoussé” Pattern Sterling Silver Luncheon Flatware Service, S. Kirk & Son Inc., Baltimore, 19251932; including 20 luncheon forks, 10 luncheon knives, 12 soup spoons, 12 bouillon spoons, 25 teaspoons, 20 iced tea spoons, 12 demitasse spoons, 1 dinner fork, child’s fork, 2 dinner knives, 3 piece large carving set, a steak carving knife and fork, cold meat fork, 3 tablespoons, small asparagus server, a cake knife, ice tongs, sugar tongs, gravy ladle, sauce ladle, 4 cream ladles, master butter spreader (fh), sugar shell, jelly spoon, cheese knife (hh), relish fork, bottle opener and a later Kirk Stieff asparagus server (hh); 140 pcs., total weight (weighable) 153.15 troy ozs.

141

$3000/5000 142

140. An American Sterling Silver Polo Trophy Cup, Dominick & Haff, New York, wc. 1868-1923; engraved “Southern Circuit/Polo Association Cup/ Aiken Polo Club/ Aiken S.C./ March 1911” and “WON BY/ Marion Weis” en verso, with scroll handles, molded banding and pedestal foot, height 7 1/2 in., weight 11.90 troy ozs. $300/500 141. A Gorham Sterling Silver Repoussé Covered Tureen, 1882, circular footed form with floral repoussé on stippled ground with foliate collars, loop handles and lobed ball feet, height 9 in., width 12 in., weight 48.90 troy ozs. $1200/1800 142. A Pair of Baltimore Sterling Silver Repoussé Tazzas, A.G. Schultz & Co., wc. 1899-1950; each undulating rim with floral repoussé, scalloped circular foot, engraved “1890 F 1915”, height 3 1/2 in., diameter 7 1/4 in., weight 14.55 troy ozs. $500/750

143

144. A Kirk Sterling Silver Repoussé Tyg, 1896-1924, marked “S KIRK & SON CO/925/1000”; footed vase form with foliate scroll handles, chased with landscape featuring village scenes with figures and various flowers including chrysanthemums and anemones, stippled ground, height 10 in., weight 47.75 troy ozs.

146

$3000/5000 144 145. A French Gentleman’s Nécessaire du Voyage, Gustave Keller (Keller Freres), Paris, wc. 1882-1922, probably early 20th c.; the suede case with leather-lined fitted interior, retaining original 1st standard silver dressing articles, the brushes with exotic wood backs, all monogrammed “FSW”; case height 2 1/2 in., width 9 1/4 in., depth 6 3/4 in., silver weight approx. 18.55 troy ozs. $1000/1500 145 146. A Fine George VI Sterling Silver and Tortoise shell Jewelry Box, the silver mounts marked Synyer & Beddoes (Harry Synyer and Charles Joseph Beddoes), Birmingham, 1928, mark reg. 1896; the oval hinged lid with silver garland, foliate scroll feet, height 2 1/4 in., width 4 5/8 in., depth 3 1/4 in.

147

147. A Diminutive George III Sterling Silver Hot Water Urn, London, 1792, maker’s mark rubbed, vase shape with neoclassical banding, height 14 1/2 in., weight 42.30 troy ozs. $1200/1800 148. A Pair of Iron and Gilt Bronze FiveLight Candelabra, each banana tree standard with gilt hanging fruit and pineapple candle cups, three monkeys seated amid intertwining leaves on the base, a serpent coiled around trunk, after the well-known example at Brighton Pavilion, height 26 1/2 in., width 12 in., depth 12 in. $1000/1500

$500/750 148 W denotes the lot is illustrated at www.nealauction.com

151

149. A Fine Empire-Style Gilt Bronze and Tôle NineLight Chandelier, 19th c., circular corona with acorn pendant, dome surmounted by Eros holding a torch, swan form branches with alternating winged Victories, height 40 in., diameter 23 in. $2500/3500 149

150. A Pair of Regency Gilt and Patinated Bronze and Cut Crystal Two-Light Argand Lamps, c. 1820, attributed to Johnston, Brookes & Company, London, each cut glass font atop foliate standard, incurvate triangular plinth base with masks, acanthus paw feet, prism hung, etched glass shade, electrified, height 22 1/4 in., width 10 in., depth 7 in. $1800/2500 151. An American Classical Giltwood Mirror, 19th c., cornucopia crest, oval surround with acanthus leaves, height 41 1/2 in., width 32 in. $2000/3000

150

152. An American Classical Carved Mahogany Pier Table, early 19th c., New York, white marble top, straight frieze, bronze collared columns, cylindrical stretchers, acanthine lobed feet, height 34 3/4 in., width 41 1/2 in., depth 19 in. $2500/3500 Note: A precedent of columnar supports and conforming stretchers on early 19th century New York furniture can be seen in the designs of CharlesHonore Lannuier and Duncan Phyfe. A Lannuier work table of 1817 incorporates these design features, as does a Phyfe games table of 1820 and a later Phyfe work, including a games table from the Kelly Collection. Reference: Kenny, et. al. Honore Lannuier, Cabinetmaker from Paris, The Life and Work of a French Ebeniste in New York, 1998, pl. 70, p. 155; Kenny, Brown, Bretter and Thurlow. Duncan Phyfe: Master Cabinetmaker in New York. 2011. Fig. 2.22, p. 287; Northeast Auctions, Kelly Collection, April 3, 2005, lot 1224.

152

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153. A Good Pair of George III Carved Mahogany Side Chairs, c. 1760, each with shaped crest rail, molded stiles, pierced and interlaced splat, trapezoidal seat, square legs joined by H-stretcher. $1000/2000

154

154. An Edwardian Sterling Silver Armorial Charger or Sideboard Dish, Sebastian Henry Garrard for R. & S. Garrard & Co., London, 1902, mark entered 1901; diameter 17 7/8 in., weight 71.95 troy ozs. $3000/5000

W denotes the lot is illustrated at www.nealauction.com

W 158. An American Coin Silver

Ladle, Thomas Rockwell, Norwalk, CT, c. 1784-1794, marked “Rockwell” in rectangle, eagle in oval and “C” in oval; fiddle handle with script monogram, length 13 3/4 in., weight 4.60 troy ozs. $250/350 159. A Pair of Tiffany and Co. Sterling Silver Trumpet Vases, c. 1912, paneled octagonal form with neo-classical chasing, height 11 1/2 in., weight 21.85 troy ozs.

155

$800/1200 160. A Fine American Sterling Silver Repoussé Vase, Jacobi & Jenkins, Baltimore, wc. 1894-1908; graceful elongated form, ruffled collar with beaded borders, floral garlands and stiff leaf decoration, height 17 1/2 in., weight 33.35 troy ozs. $2000/3000 156

155. A Fine Pair of Regency Sheffield Plate Covered Entree Dishes with Warming Stands, early 19th c., oblong, each cover with foliate scroll handle, inset silver shield with engraved armorial and motto “Nun Quam Non Paratus”, foliate gadroon and shell borders, warming stand with paw feet and anthemion petal brackets, retains tinned back, height 7 1/2 in., width 14 in., depth 9 3/4 in. $1500/2500 156. A Set of Six Louis-Philippe Mahogany Gondola Chairs, c. 1830, each with arched crest, vasiform splat, leather slip seat, shaped legs, carved with lotus leaves, later brass paw feet. $1800/2500

159

W 157. An Italian Silverplate Verriere, oval footed form with crenellated rim and ram’s head

and ring handles, height 6 1/4 in., length 13 1/2 in., depth 8 1/2 in. $300/500

160

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162. An American Sterling Silver Repoussé Coffee and Tea Service, Whiting Mfg., New York, wc. 1866-1926; comprised of a coffee pot, teapot, sugar, creamer and waste bowl, each with pear-form body, all-over floral repoussé on stippled ground, monogrammed on underside with script “F”, coffee pot height 9 in., total weight 83.05 troy ozs. $2000/3000 162

161. A Tiffany and Co. “English King” Pattern Sterling Silver Partial Flatware Service, late 19th c., pat. 1885, including 8 dinner forks, 16 luncheon forks, 8 salad forks, 8 cocktail forks, 8 knives (10 in.), 13 knives (9 1/4 in.), 8 butter knives (fh), 4 butter knives (hh), 8 oval soup spoons, 19 teaspoons, 12 iced tea spoons, 10 demitasse spoons, 6 163 tablespoons, berry spoon, salad serving fork and spoon, 2 gravy ladles, sauce ladle, 2 piece roast carving set, steak carving knife, cake knife and cheese knife, 139 pcs., total weight (weighable) 207.55 troy ozs., presented in a contemporary mahogany fitted case. $7000/10000

163. A Jeweled and Gilt MetalMounted Malachite Box, the hinged lid embellished with metal filigree surrounding red and green stones, raised on floral feet, height 6 1/2 in., width 16 1/2 in., depth 10 3/4 in. $1500/2500 164. A “Sevres” Gilt BronzeMounted Cobalt Blue Glazed, Gilt and Polychrome Decorated Urn, late 19th c., in the Louis XVI taste, pseudo Sevres mark, signed “H. Desprez”, domed cover decorated with laurel wreath centering monogram “N”, baluster body applied with handles and painted with Napoleonic battle scene, socle with laurel wreath enclosing monogram “N”, on octagonal base with concave corners, height 35 in., width 16 in., depth 12 in. $4000/6000 W denotes the lot is illustrated at www.nealauction.com

167. A Fine Onyx and Gilt Bronze Pedestal, 19th c., Corinthian capital, plinth base, height 48 in., width 16 1/2 in., depth 16 1/2 in. $1500/2000 165

167

166

165. A Fine Louis-Philippe Carved and Gilded Frame, mid-19th c., with oval sight, foliate scroll spandrels, acanthus corners, original gilding, height 40 1/4 in., width 35 1/4 in., depth 4 1/2 in. $800/1200

166. A Fine Régence-Style Gilt Bronze-Mounted Kingwood Bureau Plat, 19th c., in the manner of Charles Cressent, inset leather top, frieze fitted with drawers, masques at each end, cabriole legs surmounted by caryatid busts, hairy paw feet, height 31 in., width 79 in., depth 39 in. Note: Exceptionally good “estate” condition. $10000/15000

170

168. A Pair of Neoclassical-Style Gilt Bronze-Mounted Brêche de Alpes Marble Pedestals, each with square top, stop-fluted column, square plinth, height 47 1/2 in., width 10 in., depth 10 in. $2000/3000 169. A Set of Four Italian Crème Peinte and Parcel Gilt Fauteuils, 19th c., each with scrolled crest centering a shell, padded arms, shaped seat rail, cabriole legs. 168

$1500/2000

170. An Antique Continental Neoclassical-Style Inlaid Fruitwood Commode, probably early 19th c., rectangular dark grey marble top with canted corners, conforming case fitted with three graduated drawers, square tapered legs, height 32 1/2 in., width 45 in., depth 21 in. $2000/3000

169

W denotes the lot is illustrated at www.nealauction.com

171. A Rare Pair of Italian Rococo Painted, Carved and Parcel Gilt Side Chairs, late 18th c., each with scrolled foliate crest, shaped back, cabriole legs surmounted by ram’s head, hoof feet. $2000/3000 172. A Beaux Arts Gilt Bronze, Beveled Glass and Crystal Cave à Liqueur, late 19th/early 20th c., hinged case and acanthine bracket feet, interior brass armature with decanters and stemware height 11 1/4 in., width 15 1/4 in., depth 12 1/4 in. $1200/1800 171

173

173. A Bronze-Mounted Malachite Box, hinged lid with micromosaic plaques depicting architectural views of Rome, including the Coliseum, the via Sacra and others, bracket feet, height 6 1/2 in., width 16 1/2 in., depth 10 1/2 in. $3000/5000 172

174. A Neoclassical Carved and Gilded Mirror, 19th c., swagged crest flanked by bows and quivers of arrows, molded surround, height 54 in., width 26 in. $800/1200 175. A Swedish Rococo Giltwood Mirror, mid18th c., arched crest with C scrolls and acanthus centering a cabochon, molded surround, divided mirror plate, height 60 in., width 24 1/2 in. $3000/5000 176. French School, mid19th c., “Napoleon Dans La Chapelle Ardente Aux Invalides” and “Convoi Funebre De L’Empereur Napoleon”, 1840, two hand-colored funerary lithographs, hand inscribed and dated en verso on one, sight 9 in. x 12 in. each, giltwood frames. (2 pcs) $800/1200 174

175

176 (1 of 2)

177. A Set of Six Paris Porcelain Botanical Plates, early 19th c., marked in iron red “Darte, Pal. Royal, No 21”, with gilt borders, diameter 9 in. $200/400

177

W 178. An Antique Tortoiseshell

W 179. A Boehm Polychrome and Gilt

Needle Case and English Sterling Silver Vinaigrette, 19th c., needle case with void cartouche, encircled by a motherof-pearl frame; vinaigrette engraved with a cathedral, length 2 5/8 in., depth 1 1/2 in., and length 1 1/2 in., width 1 in., respectively.

Porcelain Tutankhamun Mask, c. 1979, made to commemorate the “Treasures of Tutankhamun” exhibit, 19761979, height 12 in., width 9 in., depth 10 in. $300/500

$200/400 W denotes the lot is illustrated at www.nealauction.com

W 181. A Continental Gilt Bronze-Mounted

Rouge Marble Inkwell, late 19th c., after the Antique, sarcophagus form, well covers mounted with fauns and recumbent dog, lions’ masks and loop handles, raised on paw feet, black marble plinth, height 5 1/2 in., width 10 1/4 in., depth 3 1/2 in. $600/900 182. An Austrian Jeweled and Enameled Bronze Figure of a Frog, on a stepped enameled base, height 1 1/2 in., width 2 1/2 in., depth 2 1/2 in. $500/700 183. An Austrian Jeweled and Enameled Bronze Grouping of Ducks, jeweled ducks and ducklings with blue enameled heads and tail feathers, swimming in lapis “water”, octagonal base with scroll feet, height 2 in., width 4 in., depth 2 1/2 in.

180

$600/900

182

183

184. A Continental Patinated Bronze “Medici Vase”, 19th c., finely modeled frieze of Bacchanalian figures beneath a grape arbor, with foliate handles, on verde antico marble base, overall height 9 1/2 in., diameter 7 in. $500/750 185. A Pair of Charles X-Style Gilt Bronze Candlesticks, 19th c., with stylized palm leaf decoration, height 10 1/2 in., diameter 5 1/4 in.

185

180. A Czechoslovakian EtruscanStyle Red, Black and Gilt Porcelain Coffee Service, late 19th/early 20th c., marked Fischer & Mieg, comprising coffee pot, milk jug, waste bowl, 6 cups, 7 saucers, and a tray; decorated with Classical figures, anthemia and vitruvian scroll, tray with gilt scrolled handles, coffee pot height 9 in., tray length 20 in., cup height 2 1/2 in. (17 pcs.) $1000/1500

$300/500

184

186. A Grand Tour Patinated Bronze Model of the Vendôme Column, 19th c., thermometer en verso, black marble base, height 11 1/8 in. $500/750 187. A Grand Tour Patinated Bronze Model of the Column of Trajan, 19th c., black marble base, height 15 5/8 in. $800/1200 188. An Antique Persian Blue and White Pottery Herb Jar, 18th c. or earlier, decorated in underglaze blue, height 8 in., diameter 6 in. $400/600 W 189. An Antique Persian Blue and White

Pottery Bowl, late 18th/early 19th c., decorated with floral motifs and writing in underglaze blue, height 4 in., diameter 8 1/2 in. $200/300 W 190. Ludovicus Teseo Taurinensis

(Italian, 18th c.), a copper-plate engraving of an architectural panel of Raphael’s Vatican loggia, by Joannes Volpato, sight 43 in. x 19 1/8 in., matted and framed.

186

$500/700 187 191. A Good French Bronze Figure of an Artillery Boy in Costume, from the Franco-Prussian War of 1871, after Jean Garnier (France, 1820-1895), signed on base, height 13 1/4 in. $400/600 W 192. Attributed to Henry William

Bunbury (British, 1750-1811), “Billiards”, c. 1780, ink wash on paper, original design for stipple engraving published by Watson and Dickenson, London, 8 3/4 in. x 11 in., unframed. $500/700 W 193. A French Bronze-Mounted

“Sevres” Porcelain Jardinière, marked, signed “P. Roche”, cobalt ground reserves of courting couples, on paw feet, height 4 in., diameter 7 1/4 in.

188

$400/600 W 195. Two Cabinet Bronze Figures of the W 194. A Paris Porcelain Footed

Center Bowl, 19th c., diapered peach ground and gilt bands, signed Edouard Honoré à Paris, presented with gilt porcelain eggs, bowl height 5 in., diameter 10 in. $200/400

“Venus de Milo” and a “Standing Youth with Arms Crossed Above His Head”, respectively after the Antique and perhaps after Camellio (Vittore Gambello, c. 1455-1537), the former on a marble plinth, its bronze self-base inscribed “Aphrodite von Melos / Louvre. Paris”, German, 20th c., height 8 1/2 in.; the Youth on a turned wooden socle, height 10 3/4 in.

191

$200/400 W denotes the lot is illustrated at www.nealauction.com

W 196. A Bronze Figure of an

W 198. A Tiffany and Co. Sterling

Archer, after Otto H. Riese (German, 1851-1910), signed, with foundry stamp, on black marble plinth, height 12 1/2 in., width 3 1/2 in., depth 3 1/2 in.

Silver Dresser Box, early-to-mid 20th c., shaped oblong with engine-turned decoration and molded borders, velvet-lined interior, height 2 in., length 5 3/4 in., width 3 1/8 in.; together with a Gorham “Frontenac” pattern sterling silver bonbon dish, 1932, diameter 6 in., combined weight approx. 14.45 troy ozs.

$200/400 197. An American Art Deco Sterling Silver Water Pitcher, Gorham (Durgin Division), 1931, paneled vase form with scroll handle, height 9 3/4 in., weight 33.10 troy ozs.

$300/500 199. A Tiffany & Co. Makers Sterling Silver Tyg in the Arts and Crafts Taste, pattern introduced 1902, 1913 presentation inscription, height 8 1/8 in., weight 44.40 troy ozs.

$500/750

$1000/1500

197

200. A Liberty & Co. Cymric Sterling Silver and Enamel Double Chamberstick, hallmarked Birmingham, 1901, possibly designed by Archibald Knox (1864-1933); the paneled back with loop hand grip and inset enamel hearts with Celtic strapwork, tray fitted with two candleholders and an oval removable bobêche, height 6 1/2 in., width 7 3/4 in., weight 20 troy ozs. 199

$1500/2500

201

201. Elbert Hubbard, The Complete Writings of Elbert Hubbard, The Roycroft Shop, East Aurora, New York, 1908-1915, Author’s edition, #211 of 1000, in 20 volumes, large octavo, signed by the author, 3/4 morocco with gilt titles, in a variety of colors, blindstamp decoration. $800/1200

200

200 (reverse)

202. A Pair of Tiffany & Co. 18 kt. Yellow Gold and Diamond Button Covers, signed “Tiffany & Co.”, gold unmarked but tested 18 kt., circular starfish design set with Old European cut diamonds, totaling approx. .40 ct., weight 8 dwt. $1000/1500 Provenance: Succession of Harry T. Howard III, New Orleans, LA.

202

W 203. A 14 kt.

Yellow and White Gold, Frosted Crystal and Sapphire Cufflink and Tuxedo Stud Set, marked Krementz, total sapphires approx. .80 ct., total weight 11 dwt.; together with 3 similar 14 kt. yellow and white gold and sapphire tuxedo studs, also marked Krementz.

212

$800/1200 Provenance: Succession of Harry T. Howard III, New Orleans, LA. W 204. A Mexican Sterling Silver

Bead Necklace, by Alicia; together with an Italian sterling silver link bracelet and a Mexican Alicia sterling silver brooch, unsigned; necklace length 16 1/2 in., bracelet length 7 1/4 in, brooch length 3 in.; combined weight 3.75 troy ozs. $300/500 Reference: Hougart, Bille. The Little Book of Mexican Silver Trade and Hallmarks, pp. 19, 240.

W 205. A Vintage Lady’s 18 kt.

Yellow Gold Movado Day/Date Wristwatch, with French date, new leather band.

207 208. A Contemporary Murano Glass Sculpture, cobalt and green glass, height 20 1/2 in., width 14 in., depth 4 1/2 in. $600/900 W 209. A Group of Four Baccarat-

Style Crystal and Gilt Metal Mounted Lidded Boxes, dome chest form on paw feet, height 6 in., width 8 in., depth 5 1/2 in.; oval form with wreath and ribbon clasp, height 6 in., width 7 in., depth 4 1/2 in.; chest with wreath and ribbon clasp and hinged lid handle, height 5 in., width 5 1/4 in., depth 3 3/4 in.; oval form with diaper pattern, height 4 in., width 3 1/4 in., depth 2 1/2 in. $500/1000

$200/300 W 210. A Group of Steuben Blue W 206. A Tiffany Favrile Glass Tulip

Vase, 1905, marked “LCT” and model number “7489”, with remnants of paper label, height 12 1/4 in. Note: Loss to base. $500/700

Aurene Glass, 20th c., including a ruffled flare vase, marked, height 5 1/4 in.; a pair of perfume bottles with stoppers, marked, height 6 1/2 in.; together with a small blue iridescent vase and an iridescent perfume bottle with bronze mounts. (5 pcs.)

208

$800/1200 207. Sidney Hutter (American, b. 1954), “Vase #13”, c. 1988, from the Plate Glass Vase series, engraved signature and with edition number “2/80”, green, cut, ground and polished glass, height 12 in., diameter 6 in. $1000/2000

W 211. A Small Tiffany Iridescent

Glass Vase, dimpled form, gold color, marked 1070-1495N, L.C. Tiffany, Favrile, height 4 1/2 in.

212. A Pair of Bronze Sphinxes, mid20th c., strongly stylized in the Art Déco Taste, pyramidal black marble bases, height 9 1/4 in., width 7 in., depth 12 in. $500/750

$600/900

Provenance: The Headley-Whitney Museum, Lexington, KY (Acc.No. 80.2.4). W denotes the lot is illustrated at www.nealauction.com

214

213. Emil Manz (German, 1880-1945), “The Teutonic Archer”, 1913, finely cast splendid full figure signed and dated on base-plate between feet, height 26 in. $1500/2500 214. A Pair of White Marble Putti, seated on inverted volute brackets, one with a bunch of grapes, one with a scarf, height 22 in., width 18 in., depth 7 in. $1200/1800

213

216

215. A Good Bronze Figure of a Standing Nude Youth, early 20th c., probably American, leaning on a plinth, forming a book-end, height 17 3/4 in., width 4 1/2 in., depth 6 1/2 in. $300/500 216. An Art Moderne Burl Walnut Two-Pedestal Extension Dining Table, each rectangular top on square waisted standard, plinth base, shaped bracket feet, height 29 3/4 in., length 96 in., width 36 in., two leaves 17 1/2 in. and 18 in. 215

$1000/2000

217

217. A Pair of American GothicStyle Carved Oak Bibliothèques, late 19th c., each with crest comprised of pinnacles and cusping, covemolded cornice, case fitted with three glazed doors with Gothic tracery and linen-fold panels, columns with leafcarved capitals, paneled sides, height 101 3/4 in., width 74 1/4 in., depth 20 in. $4000/6000 218. A Venetian Glass Six-Light Chandelier, with 218 clear glass standard, twisted arms hung with rings and yellow pendants terminating in candle cups rimmed with red pressed glass petals; long stemmed pink and blue double bloom flowers and plumes edged green, yellow, red and blue from two tiers, height 36 in., diameter 31 in.

219. A Decorative White Marble Figure of a Winged Youth, height 24 1/2 in., width 21 1/2 in., depth 9 in.

$2000/3000

$800/1200

219

W denotes the lot is illustrated at www.nealauction.com

W 222. Lamar

Dodd (American/Georgia, 1909-1996), “Monhegan Island, Maine”, 1949, watercolor and ink on paper, signed and dated lower right, sheet 15 in. x 22 in.; and “Untitled: Coastal Landscape”, ink and paper, unsigned, estate stamp en verso, sheet 19 in. x 24 in., both unframed, (2 pcs.)

220

$800/1200 Provenance: Estate of the artist; both pieces accompanied by letters of authenticity signed by Annie Laurie Dodd, widow of the artist, dated 6-5-13.

223

223. Marc Chagall (Russian/French, 1887-1985), “The Artist as Phoenix”, (Sorlier 58), 1972, lithograph on paper, edition of 5,000, printed by Mourlot, pub. by Galerie Maeght, Paris, signed and dated in felt tip marker lower right, 30 in. x 22 in., framed.

221

$2500/3500

225

224

220. Marie Atkinson Hull (American/ Mississippi, 1890-1980), “Hillside Village”, watercolor and gouache on paper, signed lower right, handwritten “Spanish Town” label en verso, 15 5/8 in. x 22 in., framed. $1000/1500

221. Lamar Dodd (American/Georgia, 19091996), “Field of Sunflowers”, 1988, watercolor and graphite on paper, signed and dated lower right, sheet 14 in. x 20 in.; and “Field of Flowers”, watercolor, unsigned, estate stamp en verso, sheet 14 in. x 30 in., both unframed, (2 pcs.) $1500/2000 Provenance: Estate of the artist; both pieces accompanied by letters of authenticity signed by Annie Laurie Dodd, widow of the artist, dated 6-5-13.

224. Joan Miro (Spanish, 1893-1983), “Personnages Solar”, (Dupin 648), 1974, color etching and aquatint with embossing on paper, pencil-signed and numbered “40/50”, pub. by Gustavo Gill, Barcelona, sight 22 3/4 in. x 32 7/8 in., framed. $1500/2500 225. Joan Miro (Spanish, 18931983), “La Melodie Acide”, 1980, lithograph on japon paper, pencilsigned lower right, ed. H.C., 13 1/2 in. x 10 in.; accompanied by a Merrill Chase Galleries Certificate of Authenticity. $2000/3000

226. Edouard Vuillard (French, 18681940), “La Naissance d’Annette”, (Roger-Marx 44), c. 1899, lithograph on paper, unsigned, second state of three, printed by Vollard, Paris, 16 7/8 in. x 22 3/8 in., framed. $1000/1500 Provenance: Purchased from Beacon Hill Fine Art, NY, 1998.

226

227

227. Mary Cassatt (American, 1844-1926), “En Deshabille” (Breeskin 95.a), c. 1889, drypoint etching on paper, “Adelson Galleries” label en verso, plate 7 1/8 in. x 5 1/2 in., sheet 10 1/4 in. x 7 7/8 in., framed. $1500/2500 Provenance: Acquired from Adelson Galleries, New York, Nov. 2000, from the exhibition “From the Artist’s Studio: Unknown Prints and Drawings by Mary Cassatt”, Nov. 10-Dec. 29, 2000. 228. Ida Rittenberg Kohlmeyer (American/New Orleans, 19121997), “Squared #2”, 1978, mixed media on canvas, signed and dated lower right, 66 in. x 71 1/4 in., framed. $20000/30000

228

W denotes the lot is illustrated at www.nealauction.com

229

230 231 229. Alexander Calder (American, 1898-1976), “Les Rubans”, 1971, lithograph, pencil-signed lower right and numbered “57/75”, sheet 29 1/2 in. x 21 1/2 in., float mounted and framed. $800/1200

232

231. A Newcomb College Art Pottery Chamberstick, 1911, decorated by Henrietta Bailey with paperwhite narcissus, semi-matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. EN24, height 6 1/4 in, diameter 4 1/4 in.

230. A Newcomb College Art Pottery High Glaze Vase, 1901, decorated by Marie de Hoa LeBlanc with stylized iris blossoms in underglaze dark blue, bluegreen and mustard yellow, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. D54 and an “X” indicating that the piece was not for sale but reserved for the decorator or college, height 7 in.

$1800/2500

$8000/12000

$1200/1800

232. A Newcomb College Art Pottery Vase, 1931, decorated by Aurelia Arbo with a stylized Art Deco design, matte glaze with blue and green underglaze, base marked with Newcomb cipher (filed), decorator’s mark, Jonathan Hunt’s potter’s mark, and reg. no. TG72, height 5 7/8 in.

233

233. A Newcomb College Art Pottery High Glaze Pitcher, 1901, decorated by Ada Wilt Lonnegan with daisies in dark blue, blue-green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. D50 and “U” for white clay body, height 8 1/4 in. $6000/9000 234. A Monumental Newcomb College Art Pottery Matte Glaze Vase, 1913, decorated by Sadie Irvine with tall pines, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FU44 and “B” for buff clay body, height 12 1/2 in.

234

$14000/18000 Provenance: The Charles and Susan Murphy Collection; Neal Auction Company, November 2, 2006, lot 200, illustrated page 39. 235. A Newcomb College Art Pottery High Glaze Tyg, 1903, decorated by Mazie T. Ryan with hyacinth and the text “The Hyacinth’s for Constancy with its Unchanging Blue”, incised and glazed with dark blue, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. Y78, and “U” for white clay body, height 5 3/4 in. Note: Repaired break. $2000/3000

235 W denotes the lot is illustrated at www.nealauction.com

236

238

239

237

236. A Newcomb College Art Pottery High Glaze Mug, 1901, decorated by Marie de Hoa LeBlanc with stylized buds and foliage in blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, triangular 1901 date symbol, and “Q” for buff clay body, height 4 1/2 in. $3000/5000

237. A Newcomb College Art Pottery Candlestick, 1921, decorated by Anna Frances Simpson with freesia in low relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. MC100 and shape no. 232, height 7 in. $1200/1800 238. A Newcomb College Art Pottery Lidded Sugar Bowl, 1933, decorated by Sadie Irvine and Aurelia Arbo with stylized Art Deco foliage and floral finial, matte glaze with blue and yellow underglaze, base marked with Newcomb cipher, decorator’s marks of both artists and reg. no. UM96, height 4 1/8 in. $700/1000

239. George Bauer Dunbar (American/ Louisiana, b. 1927), “Untitled”, mixed media, signed lower right, “Gallerie Simonne Stern” label en verso, 30 in. x 36 in., presented in a lucite shadow box. $1000/1500

241

240

240. Walter Inglis Anderson (American/Mississippi, 19031965), “A Study for the Proposed Jackson, Mississippi Court House Mural”, c. 1963, oil on trapezoidal wood panel, unsigned, 23 3/4 in. x 10 1/2 in., unframed. $7000/10000 Provenance: Estate of Robert T. McKnight, former Director of the Brooks Memorial Art Gallery (today the Memphis Brooks Museum of Art). Note: As part of his efforts for the Works Progress Administration (WPA), Walter Anderson proposed a mural for the Court House in Jackson, Mississippi. A cartoon for the mural is conserved at the Walter Anderson Museum of Art in Ocean Springs, Mississippi. The mural project was not completed. Ref: King, Anne R., Walls of Light: The Murals of Walter Anderson, University Press of Mississippi and the Walter Anderson Museum of Art, 1999, pp. 25-28.

241. Mildred “Millie” Wohl (American/Louisiana, d. 1977), “Abstract Landscape”, 1975, oil on masonite, signed and dated en verso, 12 in. x 15 in., period frame. $1000/1500

242

242. Will Henry Stevens (American/Louisiana, 1887-1949), “Wooded Landscape in the Great Smoky Mountains”, oil on canvas, signed lower right, 22 in. x 18 in., framed. $2500/3500 Provenance: A Circleville, Ohio, estate. Note: The pioneering American Modernist painter Will Henry Stevens moved to New Orleans in 1921 to teach at Newcomb College. Remaining in New Orleans until the year before his death, Stevens often summered in western North Carolina and eastern Tennessee where he painted the pristine natural landscape of the Great Smoky Mountains. The vivid and colorful landscape offered here depicts a stand of pine trees reflected in the lake in the foreground. Stevens had a lifelong love for nature which he translated to canvas as exemplified by this painting. Reference: Delehanty, Randolph, Art in the American South: Works from the Ogden Collection, Baton Rouge: LSU Press, 1996.

W denotes the lot is illustrated at www.nealauction.com

243

243. William Woodward (American/New Orleans, 18591939), “The Archbishop’s Palace, New Orleans”, c. 1900-10, oil on canvas, signed and titled by artist on period label on stretcher, 16 in. x 22 in., original gilt frame with artist plaque signed and titled in Woodward’s hand. $25000/35000 Provenance: Private collection, acquired from the family of the artist c. 1940. Note: William Woodward documented the historic buildings of the Vieux Carré in the early 20th century. A pioneering advocate of historic preservation, his impressionist works uniquely record the ambiance, architectural character and street life of this district. Prior to his use of Rafaelli oil crayons, Woodward worked en plein aire using traditional oil paints. The painting offered here, “The Archbishop’s Palace, New Orleans,” is a rare example of one of Woodward’s oil paintings of the French Quarter. He must have very much appreciated this notable view as he also rendered two important Rafaelli oil crayon works of the same scene, with only discrete variations in the figures depicted going about their business on their street. One work is in the collection of the New Orleans Museum of Art and the other was sold in these rooms on October 4, 2003, lot 536. Reference: Pennington, Estill Curtis, Downriver: Currents of Style in Louisiana Painting 1800-1950, Gretna: Pelican Publishing Co., 1991, p. 156.

244. Clementine Hunter (American/Louisiana, 18861988), “Picking Cotton and Harvesting Pecans near the African House”, oil on board, monogrammed lower right, 24 in. x 30 in., framed. $8000/12000 Provenance: Estate of Margaret Murrell (b. 1921, Natchitoches, LA - d. 2013, Annandale, VA). 245. Clementine Hunter (American/Louisiana, 18861988), “Pot of Zinnias”, c. 1960, oil on masonite and aluminum, monogrammed lower right, sight 20 5/8 in. x 12 in., framed. $4000/6000 Provenance: Received as a wedding gift from Francois Mignon by the present owner. 244

246

246. Hobson Pittman (American/North Carolina, 1899-1972), “Moonlit Gardens - Cypress Gardens Near Charleston”, c. 1946, pastel on paper, signed upper left “Hobson Pittman”, artist seal upper right, sight 17 1/2 in. x 23 1/4 in., framed. $4000/6000

245

Note: A native of North Carolina, Hobson Pittman was an accomplished painter known for his atmospheric landscapes and interior views of stately homes. Spending most of his career in the Philadelphia area, Pittman was on assignment in Charleston in 1946 for LIFE magazine, a publication created by Henry Luce in 1934. In addition to creating pastel drawings of interiors of Charleston’s elegant homes to illustrate an article on the city’s architectural heritage, Pittman painted ethereal landscapes depicting the distinctive Lowcountry geography. Reference: Severens, Martha R., The Charleston Renaissance, Spartanburg, SC: Saraland Press, 1998.

W denotes the lot is illustrated at www.nealauction.com

247. Alexander Calder (American, 1898-1976), a suite of three wall sculptures, c. 1949, “Moon Mask”, painted metal, height 14 1/2 in., width 10 in., depth 4 1/2 in.; “Red Smiling Mask”, painted metal, height 13 3/4 in., width 14 3/4 in., depth 4 1/4 in.; and “Blue Mask with Orange Nose”, painted metal, height 14 1/4 in., width 9 in., depth 3 3/4 in. $80000/120000 Provenance: Acquired by Nathaniel Curtis directly from the artist. Commissioned by Curtis & Davis Architects for the interior of the Sazerac Bar at the Roosevelt Hotel in New Orleans. Note: The commission of this whimsical set of sculptures by Alexander Calder, the preeminent American modern sculptor and artist, is described by the esteemed New Orleans architect Nathaniel Curtis is his memoirs.

t alled a es inst . r u t lp u A lder sc ans, L der Ca w Orle Alexan te Place, Ne et Marqu

Nat

“I have three metal faces in the patio at home by the artist Alexander Calder. Down the street from our office on Perdido Street on the corner of Carondelet stood the Sazerac Bar. The Sazerac Bar was no ordinary bar - it was the only one in New Orleans that did not allow women - except on Mardi Gras. The place was open from 4 o’clock p.m. until 8 o’clock p.m. and was an immensely popular place for men in the Central Business District to drop in for a drink or two on their way home after work. To everyone’s dismay, the “Sazerac” was purchased by Seymour Weiss, proprietor of the Roosevelt Hotel. Seymour had just been released from the Federal Penitentiary where he spent time because of complicity in the Louisiana scandals of the Huey Long era and he wanted to liven up his hotel by installing a new bar in it. There was never any doubt that we would design it. The theme of the new bar was Mardi Gras. In accordance with the theme for the new bar we commissioned Calder to create five metal masks with moving eyes or teeth or tongues in bright colors. These would go on the walls around the room. The fee was to be $1,250, a very modest amount for the work of so great an artist. As the construction neared completion we tried our best to have the artist submit sketches of his work so that Mr. Weiss could approve them but to no avail. When the masks arrived and were uncrated, Mr. Weiss, no great patron of modern art in the first place, rejected them and refused to pay on the grounds that the masks were not worth what was being asked for them. We were so chagrinned and embarrassed that we never told Mr. Calder about it and paid the bill ourselves, splitting up the pieces evenly and flipping a coin for the extra one which I won.” The Calder sculptures were installed for a brief time in the Sazerac Bar, as the September 26, 1949 photograph illustrated here shows “Red Smiling Mask” and “Blue Mask with Orange Nose” placed on the Sazerac wall.

se on

is’ hou

Curt haniel

247

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248

248. Edwin Lord Weeks (American, 1849-1903), “Bullock Cart before Stores and Houses, Ahmedabad, India”, oil on canvas, signed lower left, with “W.E. Seebold/New Orleans” label en verso of frame, 25 in. x 32 1/8 in., finely carved period giltwood frame. $40000/60000 Provenance: Succession of Harry T. Howard III, New Orleans; Sold in these rooms May 1987, as lot 432; Succession of Flores Howard Sussdorf. Note: To be included in Ellen K. Morris’ forthcoming catalogue raisonné on Edwin Lord Weeks and accompanied by a letter of authenticity.

251 250

W 249. George Valentine

Dureau (American/New Orleans, b. 1930), “Centaur and Cherub”, pencil drawing on paper, signed lower center, sheet 20 in. x 15 in.; and “Big Beach”, silkscreen on paper, pencil signed and inscribed, numbered “46/50”, sheet 20 in. x 26 in., both unframed (2 pcs.) $400/600 250. Paul Cadmus (American, 1904-1999), “Seated Male Nude”, 1976, brown and red pencils on paper, signed in red pencil at top right, and extensively inscribed in black pencil upper right “On the occasion of a memorable visit from Patrick 29 XII.76 with all sorts of good wishes for his future/Paul”, sight 19 in. x 19 3/4 in., framed. $8000/12000 Provenance: Rev. Patrick Jones, Natchez, MS; thence to Robert E. Canon, Natchez, c. 1980.

251. George Rodrigue (American/Louisiana, b. 1944), “Blue Dog; Red Suit”, acrylic on canvas, signed lower left, artist’s stamp en verso, 24 in. x 20 in., framed. $8000/12000 252. George Rodrigue (American/Louisiana, b. 1944), “The Fiddler”, pastel on japon paper, signed lower left, “Cyprian Gallery, Lafayette, LA” label en verso, sheet 34 in. x 22 3/4 in., float framed. $3000/5000 W 253. William Ciccariello

(American, b. 1954), “Study for New Orleans Panel Commission”, 1986-1987, three oils on canvas and two oils on canvas affixed to board, all signed and dated and three with “Obelisk Gallery, Boston” labels en verso, sizes from 10 in. x 13 3/4 in. to 10 in. x 15 in., framed (5 pcs.) $800/1200 Provenance: Collection of Sonesta International Hotel Corporation.

252 W denotes the lot is illustrated at www.nealauction.com

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256. An English Parian Figure of “Rebekah”, c. 1851, after William Theed (British, 1804-1891) marked “Copyright Reserved Copeland”, depicted leaning against palm holding amphora, height 20 1/8 in., diameter 7 1/2 in. $400/600 Reference: Dennis, The Parian Phenomenon, p. 13, fig. 7; p. 151, fig. 514.

257

254. A Louis-Philippe Marble Mantel Clock, c. 1845, porcelain dial marked by retailer Henderson & Gaines, New Orleans, act. 1841-1865, visible escapement movement by “S. Marti, Paris”, beveled dial and pendulum glass, height 17 in., width 9 1/2 in., depth 6 in. $700/900

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255. An American Federal Inlaid Mahogany Tallcase Clock, early 19th c., scrolled pediment with brass finials, astragal-form glazed door enclosing painted dial with moon phase and calendar aperture, flanked by fluted columns, waisted case with arched door flanked by fluted quarter columns, paneled base, bracket feet, moon dial marked “Wilson”, height 95 in., width 18 3/4 in., depth 10 in. $3000/5000

257. An English Parian Figural Group of “The Sacrifice of Isaac”, 19th c., after the Biblical scene with Abraham, marked “J.W.30”, height 8 3/4 in., width 5 3/4 in., depth 2 3/4 in.; presented in a glass vitrine, overall height 12 in., width 8 1/2 in., depth 6 in. $500/700

258

258. A Louisiana Inlaid Mahogany Armoire, early 19th c., molded cornice, frieze with interlaced inlay over paneled doors, false medial stile with urn inlay, fiche hinges, shelf interior with medial belt of drawers, paneled sides, scalloped skirt, cabriole legs, height 86Â in., width 59Â in., depth 23Â in. $7000/10000 Note: The distinctive urn patera on the false stile, the configuration of the side panels, and the shape of the front and side skirts on this armoire share characteristics with an example in the Stromeyer Collection, which according to oral tradition once belonged to Governor William C.C. Claiborne. The proportions, the door and side panels, the drawer configuration, and skirt pattern on this armoire also relate closely to elements seen on an armoire from the collection of Dr. George Crozat, sold by New Auction Company as lot 338, September 30, 2006. Reference: Holden, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 1735-1835. Fig. 85, p. 190.

258 (detaial) W denotes the lot is illustrated at www.nealauction.com

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259. A Good American Federal Carved Mahogany Sewing Table, c. 1815, Philadelphia, lift top, fitted interior, reeded case with two drawers, tapered reeded legs, height 29 in., width 24 in., depth 12 1/2 in. $1200/1800 260. A Fine American Classical Mahogany Dining Table, early 19th c., reeded edge drop-leaf top, molded frieze, turned tapered legs, brass ferrules, casters, height 29 in., extended length with four leaves 126 3/4 in., width 48 in. $1500/2500 261

261. An American Classical Carved Mahogany Dressing Bureau, c. 1830, New York, rectangular mirror, turned uprights, two drawer superstructure, arched paneled and gadrooned drawer, acanthus corners, turned tapered legs, height 72 in., width 36 1/2 in., depth 21 in. $1000/1500 262. An American Federal Inlaid Mahogany Server, early 19th c., bowfront top with Greek key inlaid edge over two long drawers, square tapered legs with paterae and bellflowers, height 33 1/8 in., width 42 in., depth 22 3/8 in. $1200/1800

263. An Antique Empire-Style Gilt and Patinated Bronze FifteenLight Chandelier, late 19th c., linked rod supports, bell form body issuing floral arms with Classical masks, electrified, height 36 in., diameter 30 in. $3000/5000 263

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264

264. A Pair of William IV Cut Crystal and Gilt Bronze Candelabra, mid-19th c., each paired arm and central standard prism hung, acorn finial, height 14 3/4 in., width 14 in., depth 5 in. $800/1200 265. A Fine Bronze Figure of the Apollo Belvedere, early 19th c., after the famous over-lifesize Hadrianic marble copy of the 4th c. Classical Greek bronze by Leochares, in the Cortile del Belvedere, Vatican, since 1510, rouge marble plinth, overall height 23 3/4 in. $1500/2500

266. A Fine Bronze of the Pugilist Creugas, after Antonio Canova (Italian, 1757-1822), inscribed “CREUCANTE” on oval selfbase, twice pierced for fig-leaf (one piercing filled), after Canova’s lifesize marble of 1795/1801 in the Museo Pio-Clementino of the Vatican; cast c. 1893 by the firm of Nelli, Rome, height 27 3/4 in., width 17 in., depth 8 in. $2500/3500 Note: Compare the examples sold in these rooms on February 7, 2009, lot 345, and April 18, 2009, lot 85.

266

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267 (label)

267. An American Late Classical Mahogany Center Table, mid‑19th c., J. & J.W. Meeks, New York, with New Orleans label, dodecagonal Egyptian marble top, conforming molded frieze, incurvate pedestal with arches and columns, plinth base, scrolled feet, casters, height 29 3/4 in., diameter 37 in. $9000/12000

267

Note: A nearly identical table is at the New York State Museum. Though similar center tables are pictured in the well-known Meeks broadside, this example with the reverse serpentine frieze and architectonic standard is among the most ambitious produced by the firm. Joseph W. Meeks opened his New Orleans warehouse in 1821. New Orleans city directories list the Meeks firm at 29 Chartres Street, 23 Chartres Street and 39 Royal Street between 1830 and 1838. The table offered here bears the 23 Chartres Street address, which appeared in 1838. Reference: Dubrow, American Furniture of the 19th Century 1840-1880, 1983/2000, p. 44-45.

268. An American Classical Carved Mahogany Pier Table, c. 1830, Boston, rectangular top, ogee frieze, fluted Doric columns with foliate collars, plinth base, height 31 in., width 42 1/2 in., depth 18 in. Note: Original mahogany top. $1500/2500 Provenance: Ex-collection of Carl Van Dell, Salem, Massachusetts.

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269. A George IV Carved Mahogany Sideboard, c. 1825, shaped gallery, reeded frieze over a central drawer flanked by doors, rope-twist legs ending in turned feet, height 41 1/2 in., width 58 5/8 in., depth 25 in. $1500/2500 270. A Late Regency Rosewood Bookcase, early 19th c., rectangular top above two adjustable shelves flanked by engaged columns, plinth base, height 42 in., width 60 1/8 in., depth 15 5/16 in. $800/1200 Provenance: Acquired Camden Passage, London, England, 1970. 271. American School, mid-19th c., “The Paddlewheeler Eclipse on the Mississippi River”, oil on canvas, unsigned, 12 in. x 24 in., giltwood frame. $3000/5000 Provenance: Presented to Commodore Nathaniel Curtis from the Members of the Southern Yacht Club, New Orleans, LA.

270

Note: This charming paddlewheeler portrait appears to be by the same hand as the “Paddlewheeler Fugela on the Mississippi River” sold in these rooms as lot 722 on June 11, 2005. Both paintings are unsigned but bear strong stylistic and compositional similarities. 272. Alfred Huber Hutty (American/ South Carolina, 1877-1954), “My Charleston Studio”, etching on paper, pencilsigned, titled and numbered “3/75”, image 7 1/2 in. x 9 in., framed. $800/1200

271

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274. Louis Oscar Griffith (American/ Indiana, 1875-1956, active New Orleans, 1916-1917), “Luggers, New Basin Canal”, color aquatint, pencil-signed and numbered “38/100”, plate 9 1/2 in. x 11 1/2 in., framed. $500/750 274

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275. Caroline Durieux (American/Louisiana, 1896-1989), “Banc Parisien”, 1950, lithograph, pencil-signed, titled and numbered “13/25”, sight 23 in. x 16 3/8 in., framed. $800/1200

273. Clarence John Laughlin (American/ Louisiana, 1905-1985), “The House of the Past”, 1947, printed in 1978, silver gelatin print, signed, titled and dated lower margin, artist’s stamps and inscriptions en verso, photograph 13 1/2 in. x 10 in., mat 17 in. x 14 in., unframed. $1200/1800

276. John Bachmann (Swiss/American, 1814-1896), “Panorama of the Seat of War. Birds Eye View of Kentucky and Tennessee showing Cairo and Part of the Southern States”, New York, [no date but 1862], chromolithograph, sheet 22 3/4 in. x 31 in., attractively matted and framed. $4000/6000 Note: The clouds of smoke over Fort Donelson show that this image is intended to recall a moment in time between February 11 and 16, 1862, when Brigadier General Ulysses S. Grant besieged and secured the surrender of Fort Donelson.

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277. J.L. Giles, [Steam-Ship Quaker City 1 800 Tons Regular U.S. Mail Line between New York and Charleston. W.H. West, Commander]. [N.P but New York: n.d. but circa 1860], lithograph, proof before all letters, printed in colors by Macay & Herwig, drawn by J.L. Giles & Co., signed in the image ‘J.L. Giles’, sheet 21 1/2 in. x 34 in., attractively matted and framed. $1800/2500 Note: The schooner-rigged ocean paddle-steamer Quaker City was built in Philadelphia “for the express purpose of running between Philadelphia and Charleston” [where the current scene is set]. During the Civil War she was seconded to the U.S. Navy for blockading service. In 1867 she “carried a large excursion group to the Mediterranean and Holy Land, one of the first examples of an ocean mail steamer being employed for a yachting cruise. One of her passengers on this cruise was Mark Twain, and he wrote the greater part of “Innocents Abroad” on board her.” Reference: A Descriptive Catalogue of the Marine Collection to be found at India House (New York: 1935) item number 355; Parker & Bowen Mail and Passenger Steamships of the Nineteenth Century (London: 1928) p. 245. (#19923).

279

278. Karl Bodmer (1809-1893), “TowerRock view on the Mississippi”, [Vig. 9]. Paris, Coblentz and London: [1839-1842], hand-colored aquatint engraving by John Outhwaite after Bodmer, blindstamp, issue with no date after English imprint, plate mark 10 5/8 in. x 14 in., sheet 11 3/4 in. x 15 7/8 in., attractively matted and framed.

279. After Carl Nebel, “Battle of Cerro Gordo”, Plon Brothers of Paris for D. Appleton & Co. and George S. Appleton, 1851, hand-colored lithograph, heightened with gum arabic, from The War between the United States and Mexico illustrated..., printed by Lemercier, sheet 10 3/4 in. x 16 1/2 in., framed, with gilt title on mat.

$700/1000 Note: Bodmer and benefactor Prince Maximilian set out for St. Louis from Mount Vernon making their way rapidly down the River Ohio and joining the Mississippi. On the afternoon of 21 March 1833, their steamer approached a feature known as the Grand Tower (or Tower-Rock), which Maximilian described as an isolated drum-like formation between sixty and eighty feet high. He added that `Mr. Bodmer sketched the Grand Tower and found this place highly interesting and picturesque’. The scene includes the travellers’ Ohio paddle-steamer and three Mississippi keel-boats, a form of freight transportation that, by the 1830s, was fast being replaced by the steamers.

$800/1200 280 280. Ellsworth Woodward (American/New Orleans, 1861-1939), “Grocery and Bar”, etching, pencil-signed and titled lower margin, sheet 11 in. x 12 1/2 in., framed. $800/1200

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282. Joseph Rusling Meeker (American/ Louisiana, 1827-1889), “Bayou View with Trumpet Vine and Wildflowers”, 1878, oil on canvas, signed and dated lower left, monogrammed and dated en verso, 14 in. x 10 in., antique frame. $15000/25000 283. Alexander John Drysdale (American/New Orleans, 1870-1934), “Dusk with Approaching Storm”, 1911, oil on board, signed and dated lower left, “Farrish Art Store” label en verso, 11 in. x 17 in., framed.

282

$1500/2500 281. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou”, 1914, oil wash on board, signed and dated lower left, 20 in. x 30 in., framed. $3000/5000

284. Achille Perelli (American/New Orleans, 1822-1891), “Nature Morte: Blue Wing Teal”, watercolor on paper, signed and localized “NO” lower left, sight 24 in. x 19 in., original frame. $7000/9000 Provenance: Descended in a New Orleans family.

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285. William Lester Stevens (American, 1888-1969), “Blacklock House, Charleston, South Carolina”, watercolor on paper, signed lower right, sight 19 1/4 in. x 25 in., framed. $2500/3500 Note: The William Blacklock House is located at 18 Bull Street in the historic district of Charleston. Built in 1800, the house is considered one of the most important examples of Adamsesque design in the United States. Declared a National Historic Landmark in 1973, the house is presently owned by the College of Charleston. 286. Joseph Jefferson (American/ Louisiana, 1829-1905), “The Old Mill”, 1895, oil on canvas, signed and dated lower left, 27 1/4 in. x 40 in., framed. $4000/6000 Provenance: Deaccessioned from the Phoenix Museum of Art. 287. William Aiken Walker (American/ South Carolina, 1838-1921), “Louisiana Cabin Scene and Live Oak Tree with Spanish Moss at Cotton Harvest”, oil on academy board, signed lower left, partial “Devoe & Co.” label en verso, 9 1/4 in. x 12 in., period frame.

287

$10000/15000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker. 288. A Good Baltimore Sterling Silver Repoussé Coffee and Tea Service, The Steiff Company, date mark for 1948; comprised of a coffee pot, teapot, sugar, creamer, waste bowl and tea tray; footed urn forms with hand-chased floral repoussé featuring chrysanthemums, roses, anemones and daisies on stippled ground, the two handled tray with matching border; coffee pot height 11 in., tray length 26 in., width 16 in., combined weight 227.20 troy ozs. $5000/7000 Provenance: Estate of Cecil and Isabelle Kaufmann, Washington, DC. Mr. Kaufmann developed his family’s Reading, PA jewelry store into the national chain Kay Jewelers.

288

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289. A Tennessee Coin Silver Julep Cup, J.S. Britton, Nashville, wc. 1855-1860, marked “J.S.B&CO” and “COIN.”, tapered form, seamed construction with applied molded rims, height 3 3/4 in., weight 4.30 troy ozs.

W 294. A North Carolina Coin Silver

Tablespoon, John U. Vogler (1812-1856), wc. Salisbury 1841-1856, marked “J.U.VOGLER” in serrated rectangle and with eagle; fiddle handle with script monogram “EB”, length 9 1/8 in.; together with a miscellaneous group of spoons including 6 coin silver teaspoons ret. J.C. Hanna, New Castle, PA, act. 1845-1877; a fiddlethread coin silver tablespoon ret. Spooner & Welch, Brooklyn, NY, act. 18651885; and a sterling silver teaspoon by A.F. Towle, Greenfield, MA, act. 1890-1902, ret. M. Alexander; combined weight 7.40 troy ozs.

$1000/1500 Reference: Caldwell, Benjamin H. Tennessee Silversmiths. pp. 42-43, mark illustrated p. 43. A closely related cup (with handle) with identical marks is illustrated in plates 41c and 41d.

W 290. A North Carolina Coin Silver

Ladle, Brown & Anderson, Wilmington, NC, wc. 1850-1871, by William Gale & Son, New York, wc. 1853-1866; in the fiddle thread pattern, script monogram “CLK” en verso, length 12 3/8 in., weight 4.65 troy ozs.

$200/300

289

Reference: Cutten, George B. The Silversmiths of North Carolina. p. 86.

$300/500 295. A Southern Coin Silver and Wrought Iron Buckle, probably for knee breeches, mark of John Winckler (1730-1803) or John Winckler, Jr. (1775-1854), 1 3/4 in. x 1 1/8 in.

Reference: Cutten, George B. The Silversmiths of North Carolina. pp. 27-28.

W 291. A Southern Coin Silver

Soup Ladle, John Peabody, wc. Fayetteville, NC from 1823, Nashville, TN 1836-1850, marked “J PEABODY” in rectangle; fiddle handle with engraved script monogram “FJ”, length 12 1/2 in.; together with a teaspoon, marked “J. PEABODY” in rectangle, length 5 7/8 in., combined weight 5.60 troy ozs. $300/500

$150/250 Note: Silversmith John Winckler worked in Charleston, SC 1761-1763; in Raleigh, NC 1771-1778; and in Mecklenburg County, VA 1778-1803. His son, John Winckler, Jr., used the same maker’s mark and worked in Mecklenburg County 1790-1854.

295

Reference: Burton, E. Milby. South Carolina Silversmiths. pp. 194-195; Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks. pp. 826828.

Reference: Cutten, George B. The Silversmiths of North Carolina. pp. 64-65. Caldwell, Benjamin H. Tennessee Silversmiths. pp. 137138, ladle mark illustrated p. 138, pl. 104 and 104a.

W 296. A Mobile Sterling

Silver Ice Spoon, Durgin “Chrysanthemum” pattern, patent 1893, ret. Julius Goldstein, Mobile, founded 1879; length 9 in., weight 3.60 troy ozs.

W 292. A Group of North

Carolina Coin Silver Flatware, Stephen Baker, Wilmington, wc. 1817-1836, marked “S. BAKER” in rectangle; including 6 tablespoons, fiddle handle with script monogram, length 9 1/4 in.; and a mustard ladle, fiddle handle with script monogram, length 5 7/8 in.; combined weight 13.05 troy ozs. $500/750 Reference: Cutten, George B. The Silversmiths of North Carolina. pp. 20-21.

W 293. A North Carolina Coin Silver Sugar Tongs, Bernard

Dupuy, Raleigh, wc. 1828-1843, marked “B. DUPUY” in rectangle and with eagle; shell decoration, script monogram, length 6 1/2 in., weight 1.50 troy ozs. $300/400 Reference: Cutten, George B. The Silversmiths of North Carolina. p. 34.

$150/250 297. A Set of Antique Nuremberg Nesting Weights, 18th c., the cup 297 marked “N” over a crown, with seven weights (lacking “pill”); TOGETHER WITH a larger Nuremberg nesting weight cup (lacking weights), marked with an “S” , “4” and a chalice; a Dutch mortar and pestle; another mortar; and a decorative 17th c. iron lock plate, height of largest mortar 4 1/4 in. $700/900 W 298. A Pair of English Arts and Crafts Movement

Copper Candlesticks, c. 1910, turned standard over geometric design, raised on peg feet, height 9 1/4 in. $300/500

299. A French Brass Skeleton Clock, 19th c., signed “Wurtel à Paris”, also stamped, enameled dial set within scrolled body; presented in an antique glass dome and base, overall height 21 1/2 in., width 12 1/2 in., depth 8 in.

301. A Continental Wrought-Iron Mechanical Strong Box, 17th/18th c., working lock mechanism with original key, ring handles, height 6 1/2 in., width 10 in., depth 5 in.

$1000/1500

$600/900

Note: Wurtel is listed in Galignani’s New Paris Guide of 1853 as a clock and watchmaker at 38 to 42, Galerie Vivienne. This guidebook was printed in English and Wurtel’s listing notes “English spoken”. W 300. An English Gilt-Brass

and Cast-Iron Balance Scale, marked “W&T Avery Ltd., Birmingham, Class B”, height 31 in., width 29 in., depth 11 1/4 in; together with a 7 lb. weight, height 7 1/4 in.

W 302. Two Continental

Glazed Polychrome Bowls, probably 18th c. or earlier, both in Iznik style with serrated saz leaf and carnations, diameters 10 1/4 in. and 11 1/2 in. Note: Restorations. $200/300

$400/600 299

301

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303. Two Blue and White Glazed Dishes, probably 18th c. or earlier, each of bowl form, the first decorated in the Chinese Wanli style with a central bird medallion encircled around the cavetto by radiating floral sprays, height 2 7/8 in., diameter 14 1/4 in.; the second decorated in the Dutch style with a central bird medallion encircled around the cavetto with chrysanthemum heads, height 3 in., diameter 16 1/4 in. $400/600 304. A Group of Three Antique English Tea Caddies, 19th c., two tortoiseshell and one haliotis, each with hinged lid and two lidded compartments, height 4 in. to 5 5/8 in. $800/1200

304

W 305. A Georgia Coin Silver Cup, Joseph E. Veal, Madison, GA, wc. from 1848, by Wm.

Gale & Son, NY, act. 1853-1866, marked “J.VEAL” in rectangle, Gale trademark and “A”; seamed construction with applied beaded moldings and hollow handle, height 3 1/2 in., weight 5.15 troy ozs. $300/500 Provenance: Collection of Steven Cabot Barnes Harvey. Exhibited: High Museum of Art, Atlanta. Reference: Cutten, George Barton. The Silversmiths of Georgia. p. 60., mark 26(a), p. ix.

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W 307. A Georgia Coin Silver

W 310. A Group of

“Kings Pattern” Soup Ladle, Josiah Penfield (1785-1828), Savannah, marked “PENFIELD&CO.” in rectangle; length 13 1/4 in.

South Carolina Silver Flatware, including a coin silver teaspoon, Moreau Sarrazin, Charleston (17101761, wc. 1734-1761); a coin silver sugar shell, Theodore Evans & Co., New York, act. 1855-1865, ret. R.A. Yongue, Columbia, wc. 1852-1857; a cased fish fork and knife in Whiting’s “Keystone” pattern, patent Sep. 7, 1889, ret. W. Carrington & Co., Charleston, founded 1835, silver and case marked by retailer; and a souvenir demitasse spoon, Gorham, “Old French” pattern, patent 1904, ret. Carrington, Thomas & Co., Charleston, wc. 18721920s, engraved “Charleston S.C.” in script.

$300/500 Provenance: Collection of Steven Cabot Barnes Harvey. Exhibited: High Museum of Art, Atlanta, GA. Note: Penfield learned the silversmith craft and its business aspects from his uncle, Isaac Marquand. In 1810 he became a partner in the firm Marquand, Paulding & Penfield. Penfield took over the business in 1816 and continued to operate it until 1820 when he received his cousin, Fredrick Marquand of New York into the partnership J. Penfield & Co. In 1826 Marquand returned to New York but J. Penfield & Co. continued, with Moses Eastman replacing Marquand as Penfield’s partner. Reference: Cutten, George Barton. The Silversmiths of Georgia, pp. 98-100.

W 308. A Group of Savannah Coin

312

Silver Flatware, including two soup or dessert spoons, Avice & Pottier, wc. -1818; a butter knife, Samuel Wilmot, c. 1850; a spoon, Constantine Hope, wc. 1807-1809; and a sterling silver souvenir spoon, late 19th c.

$250/350

$200/300

Silverplate Wirework Wine Basket, height 6 1/2 in., length 13 in.

Provenance: Collection of Steven Cabot Barnes Harvey, some pieces exhibited High Museum of Art, Atlanta, GA. Reference: Cutten, George Barton. The Silversmiths of Georgia, pp. 106, 109 and 112.

W 309. A Group of Georgia Coin

313

W 306. A Georgia Sterling Silver Goblet, George Sharp,

Jr., wc. Danville, KY, 1857- late 1860s, Atlanta, GA from 1871; by Krider & Biddle, Philadelphia, wc. 1850-1860, marked “GEO SHARP JR./ATLANTA GA./925” and with Krider & Biddle trademark; with bell-shaped bowl, tapering stem, stepped foot, beaded moldings, height 6 3/4 in., weight 10.75 troy ozs. $300/500 Provenance: Collection of Steven Cabot Barnes Harvey. Exhibited: High Museum of Art, Atlanta, GA. Reference: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785-1900. p. 241.

Silver Flatware, including 4 teaspoons, Benjamin Lord (1770-1843), act. Athens c. 1831; 3 “Variant Olive” forks, marked “L.H. WING/MACON.GA.” and with pseudo hallmarks; “Fiddle Typt” fork, Charles Catlin, Augusta, act. 1840s, by William Gale & Son, marked “C.CATLIN” in rectangle and with Gale trademark; a teaspoon, Daniel B. Hempsted & Co., wc. Eatonton c. 1821; 2 teaspoons, E.R. Lawshe, Atlanta, wc. 1850-1885; a serving spoon ret. George Sharp, Jr., act. Atlanta from 1871, by Krider & Biddle, Philadelphia, wc. 18501860, length 8 1/2 in.; and a cased set of 6 mother-of-pearl fruit knives, Maier & Berkele, Inc. (Armin Maier and John Berkele), Atlanta, c. 1890.

Reference: Burton, E. Milby. South Carolina Silversmiths. pp. 166-169, 231-232 and 36-37.

W 311. An Antique

$200/300 Provenance: Collection of Steven Cabot Barnes Harvey. 312. An American Chippendale Walnut Chest of Drawers with Linen Press, late 18th c., probably Pennsylvania, press attached to rectangular molded top, case fitted with two over three graduated, beaded drawers, bracket feet, height 66 in., width 37 1/2 in., depth 20 1/4 in. $3000/5000

Provenance: Collection of Steven Cabot Barnes Harvey.

313. An American Federal Walnut Chest of Drawers, early 19th c., Southern, two over three graduated drawers, “French” feet, height 38 in., width 38 1/4 in., depth 20 1/2 in.

Exhibited: High Museum of Art, Atlanta, GA.

$700/1000

$300/500

Reference: Cutten, George Barton. The Silversmiths of Georgia, pp. 14, 36, 108 and 109.

W 314. An

American Federal GiltStenciled and RosewoodGrained “Fancy” Chair, early 19th c., possibly Baltimore, tablet crest, cornucopia slat, caned seat, ring turned legs, stretchers. $200/400 315. An American Classical Birdseye Maple Washstand, early 19th c., Philadelphia, shaped threequarter gallery, marble top, frieze fitted with two drawers, paneled doors flanked by columns, plinth base, winged paw feet, height 41 in., width 30 in., depth 17 1/2 in.

315

$1200/1800 316. An American Classical Carved Mahogany Drum Table, c. 1822, Philadelphia, inscribed “Made by H. Richard” (probably for Hovel Richard), and dated, segmented bookmatched top, paneled frieze fitted with drawer, acanthine standard and legs, paw feet, casters, height 28 in., diameter 23 1/2 in. $2000/3000 Note: Hovel Richard is listed in The Philadelphia Directory and Register for 1821 as a cabinetmaker at 5 Shield’s Court.

316

317. An Opposed Pair of George III-Style Carved Giltwood Mirrors, 19th c., in the Chinese Chippendale taste, each shaped foliate surround with divided mirror plates surmounted by a Ho-Ho bird, height 66 in., width 37 in. $1500/2500

317

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320. A Pair of George I Carved Walnut Side Chairs, early 18th c., each with yoked crest rail, vasiform splat, compass-form slip seat, volute cabriole legs, snake feet. Note: Each seat rail is marked, one “X” the other “XII”. $2000/3000 321. A French Provincial Walnut Commode, 18th c., molded serpentine top, conforming case with three graduated long drawers, paneled sides, shaped feet, height 37 3/8 in., width 53 5/8 in., depth 27 3/4 in.

318

$3000/5000

320

319

318. A Fine Regency Carved Mahogany TriplePedestal Dining Table, early 19th c., each pedestal with rope-twist baluster supports, incurvate plinth, arched reeded saber legs, brass paw feet, casters, height 28 in., length 107 in., width 52 in. $1500/2500 319. A George II Carved Mahogany Tea Table, c. 1740-1750, tilt top, molded standard, broken-scroll legs terminating in acanthus-carved scrolled feet, gadrooned stretchers, height 27 1/2 in., diameter 27 1/2 in. $1200/1800

321

322

324

322. A Pair of Louis-Philippe Style Carved Mahogany Bergères, each with barrel back, swan terms, sabre legs. $1500/2000 323. Jean-Joseph Vaudechamp (French/Louisiana, 1790-1866, active New Orleans 1831-1839), “Portrait of a Creole Lady in a Black Dress and Fur Stole”, 1837, oil on canvas, signed and dated upper left, 32 in. x 25 1/2 in., period gilt frame. $10000/15000 Exhibited: Delgado Museum of Art (now the New Orleans Museum of Art) in September 1938. Illustrated and included in William Keyse Rudolph’s dissertation Jean-Joseph Vaudechamp (1790-1864) in France and Louisiana, Bryn Mawr College, pp. 434-436. The pendant portrait of her husband is also illustrated. 324. A Rare Regency Cast Iron Coal Scuttle, early 19th c., sarcophagus form, sides with rosette decoration, paw feet, height 28 in., width 21 in., depth 21 in. $800/1200

323

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327

325

328

326. Spanish Admiralty Sea Chart, “Delta de Mississippi”, published by the Spanish Admiralty, 1880, Madrid, engraving, printed on wove paper, sheet 27 1/2 in. x 41 1/4 in., attractively matted and framed. $3000/5000 327. Henri Abraham Chatelain (1684-1743), “Carte de la Nouvelle France, ou se Voit le Cours des Grandes Rivieres de S. Laurens & de Mississipi... de la Floride, de la Louisiane, de la Virginie, de la Marie-Lande, de la Pensilvanie, du Nouveau Jersay, de la Nouvelle Yorck, de la Nouv. Angleterre...”, [Amsterdam: l’Honore & Châtelain, 1719], copper-engraved map, inset map and view of Quebec in the lower right, large inset of the Mississippi Delta and Mobile Bay in the upper left, sheet 17 1/2 in. x 20 5/8 in., attractively matted and framed.

326

$1200/1800

325. A Regency Carved Giltwood Convex Mirror, c. 1820, surmounted by a spreadwing eagle, molded surround with spherules, ebonized rabbet, foliate pendant, diameter 33 3/4 in.

328. Jan Jansson (1588-1664), “Insulae Americanae in Oceano Septentrionali, cum Terris adiacentibus”, Amsterdam, 1644, first state, hand-colored copper-engraved map, French text en verso, sheet 17 in. x 23 1/4 in., attractively matted and framed.

$1500/2500

$1000/1500

329

330

329. Nicholas de Fer (1646-1720), “Carte de la Nouvelle France ou se voit le cours des Grandes Rivieres de S. Laurens & de Mississipi Aujour d’hui S. Louis, aux Environs des quelles se Trouvent les Etats, Pais, Nations, Peuples &c. de la Floride, de la Louisiane, de la Virginie... dressee sur les memoires les plus nouveaux recueillis pour l’etablissement de la Compagnie Françoise Occident”, [Paris: circa 1719], engraved map, full period hand-coloring, sheet 21 1/2 in. x 25 in., attractively matted and framed. $2500/3500 Note: This separately issued map depicts much of North America, as far north as Hudson’s Bay, as far south as Cuba and westward well past the Mississippi to Spanish territory in the southwest. Insets include a large depiction of the Mississippi Delta and a smaller inset map of Quebec surmounting a view of the city, the latter including 18 numbered references.

331

330. Johann Baptist Homann (German, 1664-1724), “Regni Mexicani seu Novae Hispaniae, Floridae, Novae Angliae, Carolinae, Virginae et Pensylvaniae...”, c. 1712, first state, hand-colored copper engraved map, elaborate cartouches show Indians mining, and engaged in trade with Europeans, spirited naval battle scene in lower quadrant, sheet 19 1/2 in. x 23 in., framed.

331. Hermann Moll (1654-1732), “A Map of the West-Indies or the Islands of America in the North Sea...”, [London]: Moll, n.d., c. 1720, copper-engraved map, with hand-coloring in outline, inset view of Mexico City, inset maps of the Bay of Porto Bella, Bay of Havana, Cartagena, St. Augustine, and Vera Cruz, sheet 25 1/4 in. x 40 5/8 in., attractively matted and framed. $3000/5000

$700/1000

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334

332

332. Julius Garibaldi “Gari” Melchers (American/Virginia, 18601932), “Marie, West Indian Woman”, c. 1928, gouache on paper, signed lower right, labels en verso from the “Coggins Collection of American Art”, “Morris Museum of Art”, and Greenville County Museum of Art’s exhibition, A Sense of Time and Place: Southern Works on Paper from the Morris Museum of Art, 1991, as well as Christie’s East stickers, 19 1/4 in. x 13 in., framed. $3000/5000 Provenance: Christie’s East sale to Robert Powell Coggins Collection; by purchase to Southeastern Newspapers Corporation; by gift to the Morris Museum of Art. Note: The expatriate artist Gari Melchers returned to America in 1915 and purchased an 18th century estate outside of Fredericksburg, Virgina, known as Belmont. During a sketching trip to Savannah, Melchers traveled further south to the West Indies. There he painted this sketch of his favorite model, Marie, who he called Ma Petite. Illustrated: Pennington, Estill Curtis, A Southern Collection: Morris Museum of Art, Morris Communications Corporation: Augusta, 1992, p. 134; “Gari Melchers”, The New Georgia Encyclopedia, www. georgiaencyclopedia.org, 2013. Reference: Gari Melchers, 1860-1932: American Painter exhibition catalogue (New York: Graham Gallery, 1978). A letter from Belmont curator Joanna D. Cantron dated June 22, 1993 and in the Morris Museum archives states, “The picture, a gouache on paper, was one of several executed in that medium by Melchers while visiting the West Indies in 1928. The subject was a favorite model and native, named Marie, also referred to as Ma Petite. We own a number of images of Marie alone and with babies...”

333

333. William Tolliver (American/Louisiana, 19512000), “Tilling the Fields”, pastel, signed lower left, “Crutchfield’s Live Oak Gallery, Lafayette” label and printed note “Great News for Tolliver and Tolliver Owners and Enthusiasts” by Bob Crutchfield en verso, sight 13 in. x 9 1/2 in., framed. $4000/6000 Provenance: Descended in a Louisiana family. 334. Dorothy Stanley Emmons (American, 18911960), “Balcony on South Battery, Charleston, South Carolina”, 1926, oil on canvas affixed to board, signed lower left, pencil dated and artist label with title en verso, 9 in. x 11 in., framed. $2500/3500 Note: The painter, etcher, illustrator and author Dorothy Emmons was the daughter and life long companion of photographer Chansonetta Stanley Emmons of the Stanley Steamer Motor Carriage Company family. Emmons studied art at Wellesley College and in Ogunquit, Maine, with American Impressionist Charles Woodbury. In 1926, Dorothy and her mother traveled to Charleston, South Carolina. While Chansonetta took photographs of the rural communities of the Lowcountry, Dorothy painted this charming impressionistic view of the South Battery. Reference: Severens, Martha R. The Charleston Renaissance, Saraland Press: Spartanburg, South Carolina., 1998.

335

335. Edward Stratton Holloway (American/Pennsylvania, 1859-1939), “A Young Man and a Child Beside an Atlantic Beach”, probably 1885, oil on canvas, signed lower right, remnant of paper label with date en verso of stretcher, 30 in. x 50 in., period doublemolded gilt frame. $15000/25000 Provenance: “Greenwood” broadly inscribed in pencil on lateral rail of stretcher. Note: The most diagnostic features of this atmospheric but unlocated scene are the relative frequency of houses along its beachfront; the large driftwood tree on which the child is sitting; and especially the small ship on the horizon at upper right. This last is clearly a coasting vessel, having only a single smokestack, as well as cargo derricks fore and aft: it is shown (nearby) as steaming east or southeast toward more open water, with a dense plume of smoke blown back toward its recent port by a strong onshore wind. By the very nature of the American east coast (and also considering that Holloway—by then established in Philadelphia— must evidently have executed this remarkable canvas relatively close by), the ship’s quite near entry into the Atlantic, on this trajectory, would probably have been from New York harbor or Atlantic City, in which case this must be the New Jersey shore; or (second) from Delaware Bay, in which case the scene is on the northerly Atlantic beaches of Delaware; or (third) from Hampton Roads, and this must represent Virginia Beach (a title under which indeed this painting has previously passed). But the first of these options seems out of the question, when we consider which 19th-century towns the artist might have visited: the only spot this close to Sandy Hook, on the Jersey shore, is the then intensely fashionable watering-place of Long Branch, which Winslow Homer had very memorably shown, already in 1869 (in his painting now in Boston) to possess very high dunes, which Homer indeed called ‘bluffs.’ Similarly our third option is hardly feasible, since Virginia Beach was so exiguously populated in 1885; it was, however, still surrounded in 1893 with pine forests, which might handily account for the fallen

tree (and it did at that date boast one hotel). On the chance that our ocean-going cargo ship might have put out from Delaware Bay, this scene might actually be an 1885 ‘portrait’ of the just-then-coming-into-fashion Rehoboth Beach, which in the 1880s was increasingly popular with patrons from Washington and Baltimore. But given the requisite proximity to Holloway’s base in Philadelphia, this scene almost certainly represents one of the smaller conglomerations of houses between Cape May and Atlantic City, both well within two hours of Philadelphia by the existing rail lines (running through the famous ‘pine barrens,’ thus once more accounting for the drifted tree). Our ship may then have put out from Great Egg Harbor or an even smaller inlet; and we would doubtless not be far off to see this sparsely but consistently populated shore as lying somewhere between Wildwood and Longport, that is far enough south on the Jersey shore to avoid the view of Atlantic City’s three long piers, which in 1893 averaged some thousand feet in length. Edward Stratton Holloway was born in upstate New York, though by age twentytwo he was already exhibiting regularly at the Pennsylvania Academy of Fine Arts, where he had also attended art classes. He showed pictures from 1888 at New York’s National Academy of Design, from 1897 at the Art Institute of Chicago, and in 1904 at the St. Louis World’s Fair, where he was awarded a medal. For forty-six years, however, he worked as an author and art director at the Philadelphia publishing house of J. B. Lippincott—which makes it all the more likely that his coastal excursions may have been limited to weekends. The unusually bold signature on this closely observed and beautifully painted scene, with its reminiscences of the Barbizon style that he would have mastered as a pupil, bespeaks both the energy and confidence of his age—apparently just twentysix—as well as a young man’s adventurousness in seeking out this unspoiled and tranquil prospect. References: James F. Carr, ed., Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers (original ed. 1926), New York, 1965, p. 173; Karl Baedeker, The United States: a Handbook for Travellers, Leipzig and New York, 1893 (reproductive reprint, New York, 1971), pp. 223-224, 225-226, 331.

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336

338

337

336. An American Classical Carved Mahogany Pembroke Table, early 19th c., drop leaf top, opposed frieze drawers, rope-twist vasiform standard, saber legs, brass paw feet, casters, height 29 in., closed width 25 in., depth 41 in. $800/1200 337. An American Late Classical Mahogany and Birdseye Maple Center Table, c. 1840, Baltimore, tilt top with radial veneers, baluster standard, incurvate plinth, scroll feet, casters, height 28 1/2 in., diameter 41 1/2 in. $1500/2000 338. An American Yellow Pine Huntboard, 19th c., Southern, rectangular top, case with three drawers, square legs, height 31 in., width 53 in., depth 17 1/2 in. Note: Legs probably reduced. $800/1200

339

339. An American Late Federal Secretary Bookcase, early 19th c., molded cornice, glazed doors, shelf interior; lower case with fall front, fitted interior, four drawers below, turned feet, found in red wash, poplar secondary wood, height 82 1/2 in., width 48 1/2 in., depth 21 in. $1500/2000

340. An American Federal Carved Mahogany Candlestand, early 19th c., clover-shaped tilttop, vasiform standard, spider legs, height 29 1/4 in., width 25 7/8 in., depth 17 1/4 in.

340

$400/600

341. An American Classical Carved Tester Bed, early 19th c., probably Birch, straight tester on acanthine and turned posts, paneled head board with scrolled crest, straight foot board, conforming rails, turned feet, height 96 in., interior length 72 in., interior width 56 in. $2500/3500 341

342

342. An American Classical Carved Mahogany Bedstep, early 19th c., probably Baltimore, two leatherlined treads, shaped rail, turned uprights, height 23 in., width 20 in., depth 20 in.

343

343. Gilbert Gaul (American/Tennessee, 1855-1919), “Autumn Scene, Pond and Boat”, 1915, oil on canvas, signed lower left, signed and dated en verso, 15 1/8 in. x 23 1/8 in., framed. $1500/2500

$600/900 Reference: Gregory R. Weidman, Furniture in Maryland, 1984, fig. 139, pp. 171-172.

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345

344

344. George Louis Viavant (American/Louisiana, 1872-1924), “Nature Morte: Green Wing Teal”, watercolor on paper, posthumously inscribed “G.L. Viavant, N.O.” lower left, sight 21 1/4 in. x 13 1/2 in., framed.

346

$12000/18000 Provenance: A Memphis, Tennessee, estate. Note: The inscription on this painting is identical to that on a nature morte of a snipe owned by the Viavant family and the final work resting on the easel in the artist’s studio inscribed, “Unfinished time of sudden death 1925, unsigned, G.L. Viavant”. Reference: George Jordan, George L. Viavant, Artist of the Hunt, New Orleans: Historic New Orleans Collection, 2003, pp. 86-87.

345. Robert Rucker (American/Louisiana, 1932-2001), “Fishing on the Bayou”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $3000/5000 346. Alexander John Drysdale (American/New Orleans, 1870-1934), “Early Morning in Lafourche Country”, 1911, oil on board, signed and dated lower left, titled, signed, dated and with “Farrish Art Store” label en verso, 12 in. x 17 in., framed.

347

$2000/3000 347. Alexander John Drysdale (American/New Orleans, 18701934), “Two Live Oak Trees”, 1915, oil wash on board, signed and dated lower right, 20 1/4 in. x 30 in., framed. $2500/3500

348. George Gay (American/Louisiana d. 1914), “Lake Pontchartrain Night Scenes”, 1891, pair of oils on canvas, each signed and dated lower right, each 12 in. x 15 in., original frames (2 pcs.) $4000/6000 Provenance: Discovered in a New Orleans residence. 349. George Schmidt (American/New Orleans, b. 1944), “New Orleans Street View with St. John the Baptist Church”, 2005, oil on canvas, signed and dated lower left, “Le Mieux Galleries, New Orleans” label en verso, 44 in. x 30 in., framed.

350

$4000/6000 Note: Built in 1868 and designed by architect Albert Diettel, St. John the Baptist Catholic Church is located at 1139 Oretha Castle Haley Boulevard (formerly Dryades Street).

348

350. Lyell E. Carr (American, 18571912), “A Man on Horseback Near El Caney, Santiago de Cuba”, July 1898, oil on wood panel, signed, inscribed and dated lower left, 13 in. x 9 3/8 in., framed. $1500/2500 351. Wayman Adams (American/New Orleans, 1883-1959), “Portrait of Juan Perez”, oil on canvas, signed lower left, “Coggins Collection”, “Morris Museum of Art” and “Berry-Hill Galleries, New York” labels en verso, 54 in. x 31 in., framed.

351

$3000/5000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

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353

355. Emil Eugen Holzhauer (American/ Georgia, 18871986), “Dockside in Niceville, Florida”, pastel on paper, unsigned, “Guarisco Gallery Ltd., Washington D.C.” label en verso, sight 23 1/2 in. x 18 1/2 in., framed.

352

$1000/2000 W 356. Emil

355

353. Emil Eugen Holzhauer (American/Georgia, 1887-1986), “Tarpon Springs, Florida”, 1949, oil on masonite, signed and dated lower right, 11 1/2 in. x 34 in., framed. 354

352. Wayman Adams (America/New Orleans, 1883-1959), “Portrait of a Mexican Woman”, oil on board, signed upper left, “Coggins Collection”, “Morris Museum of Art”, and “Berry-Hill Galleries, New York” labels en verso, sight 19 3/4 in. x 15 1/4 in., framed. $2000/3000 Note: Sold to benefit the Acquisition Fund of the Morris Museum, Augusta, GA.

$3000/4000 354. Alice Ravenel Huger Smith (American/ South Carolina, 1876-1958), “A Creek Near Charleston”, watercolor on paper, unsigned, 12 1/8 in. x 9 in., period frame. $2000/3000

Eugen Holzhauer (American/ Georgia, 18871986), “Street Scene in Manzanillo”, 1964, and “Street Scene in Mexico”, 1959, two watercolors on paper, signed and dated lower left and lower right respectively, both 22 in. x 30 in., unframed (2 pcs.) $700/900

357. Ernest Ciceri (France/New Orleans, 1817-1866), “Dawn on the Bayou”, pastel on parchment, unsigned, sight 4 in. x 5 1/4 in., framed. $700/900 358. John Emmett Fritz (American/ Florida, 1917-1995), “St. Augustine Street Views”, two oils on board, each signed lower left, “John Wanamaker Fine Art Pictures” label en verso, both 12 in. x 16 in., framed (2 pcs.)

357

$1500/2500 359. A French Provincial Carved Oak Armoire in the Louis XV Taste, 19th c., molded cornice, paneled frieze centering rosette, paneled doors, shelf interior, long drawer below, cabriole legs, scroll feet, height 91 in., width 65 5/8 in., depth 26 5/8 in. $1800/2500

359

358

360. A Louis XVI Carved and Gris Peinte Marquise, late 18th c., arched molded crest, padded arms, acanthus-carved arm supports, bow front seat rail, tapering stopfluted legs surmounted by rosette blocks, height 42 1/2 in., width 42 in., depth 25 1/2 in.

360

361. A Fine Italian Baroque Carved Walnut Armchair, early 18th c., Piedmont, square padded back, scrolled arms with pendant flowers, cabriole legs, hoof feet, needlework upholstery with brass nailhead trim.

$2000/3000

$2500/3500

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362

364

362. A Continental Gilt BronzeMounted Yewwood Sécrétaire à Abattant, early 19th c., marble top, frieze drawer, fall front with inset tooled leather writing surface, architectonic fitted interior, three graduated drawers, plinth base, square tapered feet, height 57 3/8 in., width 37 1/2 in., depth 14 1/2 in.

364. John Abbot (American/ Georgia, 17511840), “White or Red Bill Curlew”, 1791, watercolor on paper, 11 1/2 in. x 8 1/2 in., archival floating mat, unframed. $5000/7500

$1200/1800

363

363. A Louis XV Carved Fruitwood Commode, 18th c., molded top, case with three graduated drawers, acanthine hoof feet, height 32 1/2 in., width 52 in., depth 26 1/2 in. $4000/6000

367

365

368 366

365. John Abbot (American/Georgia, 1751-1840), “Purple Creeper”, c. 1791-1809, watercolor on paper, unsigned, 11 in. x 8 1/2 in., archival floating mat, unframed.

367. Follower of Nicolas de Largilliere (French, 16561746), “Portrait of a Noblewoman”, oil on canvas, unsigned, 28 1/2 in. x 24 in., period frame. $1000/2000 Provenance: Acquired by a New York family in 1920.

$3000/5000 366. French School, mid-19th c., “Expansive Lake Vista with a Steamship/Sailing Vessel Flying a French Flag”, oil on canvas, unsigned, 21 in. x 31 3/4 in., ornate period gilt frame.

368. Jessie MacLeod (British, active 1845-1875), “Two Young Ladies at the Seaside”, 1868, oil on canvas, signed and dated lower right, 26 x 22 in., framed. $2500/3500

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369. Adrien Wulffaert (Belgian, 1804-1873), “The Village Wedding”, 1833, oil on canvas, signed and dated on dog’s collar, label en verso from “Gebr. Koch Kunsthandel, (Koch Bros. Art Gallery), The Hague, Netherlands, Paris” canvas stamp, 25 3/4 in. x 32 in., framed. $8000/12000 370. John Fredrick Herring, Jr. (British, 1815-1907), “Barnyard with Cattle, Pigs, Chickens, Guineas, and Peafowl”, 1851, oil on canvas, signed and dated lower right, 26 in. x 40 in., framed. $6000/8000

369

370

371. Julius C. Ibbetson (British, 17591817), “Two Highland Travelers Contemplating the Ruins of Castle Campbell, Over the Burn at Dollar Glen”, 1799, oil on artists’ board, signed and dated lower right, pencil inscribed by the artist with the location en verso, “Castle Campbell, near Dollar”, and attributed on British dealer’s tag and “DuBose Gallery, Houston, Texas” label en verso, 12 in. x 17 in., framed.

371

$1200/1800 Provenance: Robert E. Canon, Natchez; Robert Fisher (London) Ltd., packers/shippers label en verso, annotated with typewritten name, and nos. 339/355. Note: This historically important picture is clearly influenced by a celebrated artist and writer of the preceding generation, the Reverend William Gilpin (b. near Carlisle, Cumberland, 1724—d. near Southampton, Hampshire, 1804). Gilpin’s several publications (of 1768, 1782, 1786, and 1791, with very many subsequent editions) were copiously illustrated with his own aquatints, prepared from sketches he made on travels to British scenery and monuments that he—for the first time—labeled as “Picturesque,” and recommended to other artists as a deliberate compositional choice, to extend Edmund Burke’s previous categories of “The Sublime and the Beautiful” (1756). Ibbetson lived in Scotland from c. 1798 to c. 1805, but he painted Scottish subjects both before and after that residence: his Loch Leven, for example—less than ten miles from Castle Campbell—at almost exactly the same size of this picture (11 in. x 16 in.), has the bold cloud formations, these same mountains, a parallel body of water before a castle, the same répoussoir trees and rocks, foreground bushes handled in a similar way, and even the same two small figures, seen from the back. Castle Campbell was destroyed during a siege in 1644, but its ruins were carefully maintained for their very “picturesqueness.” The ruins are centered in Ibbetson’s wild landscape here of rough foliage and rugged mountains. All the pictorial elements, including the highly characteristic small figures framing Ibbetson’s view, are handled with an exceptional dash and brio, as well as distinctive brilliant use of light. References: David A. Cross, “Rev. William Gilpin,” in Grove Dictionary of Art, Jane Turner, ed., 34 vols., London, 1996, vol. 12, p. 645; Susan Morris, “Ibbetson,” ibid., vol. 15, pp. 57-58; Helen Langdon, “Landscape Painting: 18th Century,” ibid., vol. 18, esp. pp. 713-714; John Dixon Hunt, “Picturesque”, ibid., vol. 24, pp. 740-743.

372. A George III Satinwood Inlaid Mahogany Linen Press, c. 1800, carved and molded cornice, oval inlaid paneled doors, open interior, six graduated drawers below, “French” feet, height 91 1/2 in., width 57 in., depth 26 in. $1200/1800 372

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373 (1 of 2) 375 373. An English Brass-Bound Mahogany Campaign Chest, c. 1840, in two parts, fitted with drawers, carrying handles, each now mounted on recessed plinth, height 21 1/2 in., width 39 in., depth 18 in. $1000/2000 374. A Regency Ebonized and Gilt-Stenciled Side Table, early 19th c., elongated molded octagonal top, lyre standard, incurvate plinth, scrolled legs, height 24 1/2 in., width 20 1/2 in., depth 16 1/2 in. $500/750

374

W 376. A William IV

Carved Mahogany Needlework Frame, c. 1835, standard carved with lotus leaves, round plinth, scrolled feet.

375. A Pair of RegencyStyle Black Painted, Gilt and Polychrome Decorated Armchairs, each with scrolled crest rail, rectangular back centering panel with griffins, reverse with Spencer family shield of arms, downswept arms, cane seat, bowed seat rail with Greek key, turned legs.

$200/400

$800/1200

378. A George IV Mahogany Canterbury, early 19th c., turned finials, divided compartments over drawer, turned legs, casters, height 18 3/4 in., width 19 in., depth 14 in.

Note: Inscribed on underside “OLTC Stock Prop” and “1 of 2 #1854” or “2 of 2 #1854”.

377

377. A George III Mahogany Architect’s Table, late 18th c., molded hinged top with ratchet mechanism, two candle slides, frieze drawer, square legs, height 30 3/4 in., width 36 in., depth 24 in. $1500/2500

$600/900 378

381

379. A George III Mahogany Bureau Bookcase, late 18th c., associated upper case with molded cornice, gothic arch glazed doors enclosing shelves; lower case with slant front, interior with inset red tooled leather writing surface, compartments and drawers, four graduated drawers, bracket feet, height 99 in., width 49 1/2 in., depth 23 in.

379

$1500/2500 380. An Italian Carrara Marble Figural Panel, late 18th/early 19th c., probably from an architectural interior installation, central roundel depicting a reclining Neptune emptying a vessel of water, foliate surround, height 17 1/2 in., width 12 in., depth 1 in. 380

$1000/1500 381. A Pair of Continental Silverplate Girandoles, scrolled arms, each hung with rock crystal and amethyst pendants, height 21 1/2 in., width 18 in., depth 12 in. $900/1200 382. A Fine Napoleon III Bronze Doré Mantel Clock in the Louis XVI Taste, 19th c., enameled dial marked “F. BARBEDIENNE” within a wreath, surmounted by an urn, scrolled brackets, elliptical paneled plinth, turned feet, height 20 in., width 14 1/2 in., depth 9 in. $3000/5000

382 W denotes the lot is illustrated at www.nealauction.com

383. A Louis XVI-Style Gilt Bronze-Mounted, Marquetry and Mahogany Commode, early 20th c., after a model by Jean-Henri Riesener, shaped marble top, three frieze drawers over two long drawers decorated with marquetry of fruit-filled basket and urn, outset canted corners, scroll feet raised on later blocks, height 37 1/2 in., width 54 in., depth 20 in. $2500/3500 384. A Dutch Rococo-Style Marquetry and Fruitwood Bureau Bookcase, 19th c., upper case with double-domed cornice, conforming paneled doors below; lower case with fall front, fitted interior with inset leather writing surface, shaped lower case with three graduated drawers, claw and ball feet, height 84 in., width 45 in., depth 24 in. $3000/5000

383

385. Spanish School, 18th or 19th c., “The Virgin Mary”, oil on canvas, unsigned, 15 1/8 in. x 12 in., framed. $500/700 386. Continen tal School, late 19th/early 20th c., “A Mountain Landscape, possibly in Switzerland or the Tyrol”, oil on canvas, unsigned, 44 in. x 60 in., framed. $2500/3500

385

384

100

386

387

389

388

387. An Italian NeoclassicalStyle Paint-Decorated Commode on Stand, 19th c., rouge faux marbre top, case in pale green ground fitted with two over one paneled drawers with floral and figural vignettes, waisted plinth, molded stand on cabriole legs, height 33 1/2 in., width 47 1/ 2in., depth 22 in. $4000/6000 388. An Italian NeoclassicalStyle Paint-Decorated Commode on Stand, 19th c., en suite with preceding lot, height 33 1/2 in., width 47 1/2 in., depth 22 in. $4000/6000

389. Pierre Roch Vigneron (French, 1789-1872), “Portrait of Paul Adam, Age Six, as a Drummer Boy”, 1843, oil on canvas, signed and dated right center, period ink inscription on central stretcher bar en verso “Paul Adam né le 29 Décembre 1837 / peint par Vigneron le courant du mois d’âout 1843”, with supplier’s stencil en verso of canvas, 25 3/4 in. x 18 1/4 in., original giltwood frame, with maker’s label of “L. Souty fils & P. Lescudier, Paris”, on reverse of right rail. $2000/3000

390

390. Aimé Nicolas Morot (French, 1850-1913), “Girl in a Library with a Dog”, 1903, oil on canvas, signed and dated lower left, with “Cezard-Dutocq, Paris” label en verso of frame, 35 3/4 in. x 19 3/4 in., elaborate giltwood frame. $3000/5000 W denotes the lot is illustrated at www.nealauction.com

101

391. A Pair of Charles X Patinated Bronze and Sienna Marble Tazzas, early 19th c., each with floral handles, raised on bronze mounted pedestal bases, height 11 1/2 in., width 7 3/4 in., depth 6 1/2 in. $800/1200 392. A Bronze Group of Laocoön, Priest of Troy, and His Sons Attacked by the Serpent Sent by Hera, 19th c., after the famous marble found in 1506 at S. M. Maggiore, Rome and since that date exhibited in the Cortile del Belvedere of the Vatican; the original marble group a 1st c. Roman reconstruction of a Hellenistic model from Pergamon, height 16 3/4 in., width 13 in., depth 6 in. $1200/1800 Provenance: Howard Hand Antiques, 1965. 391 393. An Italian School Bronze, 20th c., after Michelangelo’s colossal marble figure of “Day” (Il Giorno), from the Medici Chapel, San Lorenzo, Florence, on a voluteshaped walnut base, height 15 in., width 16 in., depth 5 1/2 in. $800/1200 394. A Bronze Figure of “The Dancing Faun “, 20th c., after the original Roman bronze of the same size in the National Archaeological Museum, Naples, discovered in 1830 in the House of the Faun, Pompeii, this cast by Alberto Viani (Italian, 1906-1989), signed on self-base, 20th c., height 31 1/2 in. $800/1200 392

394

395. A Fine Bronze Figure of the “Seated Mercury”, early 19th c., from the Villa dei Papiri at Herculaneum (the bronze original discovered 1758, now in the Naples Archaeological Museum), this Grand Tour cast of very good quality, height 18 1/2 in., associated stone base. $800/1200 Provenance: Gift from Winston Farber to Robert E. Canon, 1968.

393

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398. A Fine French Louis XVI-Style Gilt Bronze Centerpiece, marked “Bointaburet a Paris”, reed-and-ribbon edged reticulated basket with liner, laurel and berry swags hung from ram’s head mounts, raised on scrolled and fluted acanthine supports, serpentine plinth with flowers engraved in oval cartouches, height 9 3/4 in., width 20 in., depth 14 1/4 in. $1200/1800

396. A Charles X Gilt and PatinatedBronze Figural Mantel Clock, c. 1830, dial marked “Guyerdet, Aine/Rue Meslay, Paris”, silk thread movement also marked, water nymph dipping her foot in the water, an urn at her side, tall plinth centered by a cherub with swans, dolphin feet, height 23 3/4 in., width 17 1/2 in., depth 6 1/2 in. $800/1200 397. A Pair of Neoclassical-Style Patinated Bronze and Verde Marble Athéniennes each flared bowl atop stretcher base, accompanied by fourteen rock crystal spheres, height 37 in., diameter 18 in. $3000/5000

397

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400

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400. A Louis XVI-Style Gilt Bronze-Mounted Mahogany and Parquetry Library Table, late 19th c., in the manner of Adam Weisweiler, rectangular molded top with outset rounded corners, frieze centering plaque with cavorting putti, drawer to each end, tapering legs, interlaced stretcher, toupie feet, height 29 in., width 45 in., depth 27 1/2 in. $1200/1800 401. A Charles X-Style Burled Walnut and Ebonized Center Table, circular specimen marble top with black marble banding, molded frieze, faceted bulbous stem, plinth base with scrolled brackets, height 28 in., diameter 38 1/2 in. 401

399. A Continental Neoclassical Carved Giltwood Overmantel Mirror, 18th c., floral urn crest flanked by aquatic putti, swagged floral garlands, beaded surround, ribbon carved framework, height 75 in., width 43 in. Note: Traces of silver gilt. $2000/3000

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$2000/3000 402. A Louis XV Inlaid Rosewood Commode, 18th c. and later, serpentine rouge marble top, conforming case with two short over two long banded drawers, tapered feet, height 32 1/2 in., width 51 in., depth 25 in. $2000/3000

403. A Louis XVI-Style GiltBronze Mounted Kingwood and Tulipwood Bouillotte Table, c. 19101920, crossbanded top, conforming guillochedecorated frieze with drawer and writing slide, square tapered legs surmounted by blocks with swags, height 29 3/4 in., diameter 26 3/4 in.

403

$1200/1800 404. A Restauration Gilt BronzeMounted Burled Elm Torchère, 19th c., verde antico top, frieze with anthemia centering medallion, rectangular legs, stretcher shelf, height 34 1/2 in., diameter 13 5/8 in.

405

$400/600 405. A Pair of French EmpireStyle Gilt and Patinated Bronze Six-Light Candelabra, 19th c., each “Winged Victory” figure atop a globe holding aloft scrolled candlearms, engine-turned column on octagonal plinth, height 30 in., diameter 11 1/2 in.; together with a brass candle extinguisher, (3 pcs.) $2500/3500

404

406

406. Two Grand Tour Alabaster Heads of the Roman Emperors Nerva and Vespasian, 18th/19th c., on handsome cylindrical black and white marble bases, overall heights 10 in. $500/800 Provenance: Acquired Woods Wilson, London, England, 1972. 407. A Fine Pair of Paris Porcelain Bleu, Gilded and Bisque Corbeilles, early 19th c., flared basket with palmette decoration, held aloft by cherubs, on square plinth base, paw feet, height 12 in., diameter 9 in. $3000/5000 407 W denotes the lot is illustrated at www.nealauction.com

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408. A Pair of Continental Marble Figures of Pugilists Creugas and Damoxenos, probably mid-20th c., after Antonio Canova (Italian, 1757-1822) originals carved for the Museo Pio-Clementino in the Vatican, 1795-1801 and 1795-1806; former height 61 in., latter height 54 1/2 in., width 31 in., depth 15 5/8 in. and 15 5/8 in. respectively. $12000/18000 Provenance: Didier Rabes, Paris, France, 1987. Note: These models became well-known after the Roman firm of Nelli placed copies of them at the entrance to the Italian section of the Manufacturers’ Building of the Columbian World’s Exposition in Chicago in 1893.

408

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409. A Monumental Neoclassical-Style Carved Marble Center Table, intricate arabesque, geometric and floral inlaid specimen marble top, paired trestle supports, paw feet, plinth base, height 29 1/2 in., width 95 1/2 in., depth 48 in. $10000/15000

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410 412

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410. Giuseppe Barbaglia (Italian, 1841-1910), “Sposalizio Lombardo”, oil on canvas, signed lower left, 19 1/2 in. x 25 1/4 in., period frame. $3000/5000 411. Attributed to Giuseppe Barbaglia (Italian, 1841-1910), “A Shepherdess and Child with Goats, Before a Tent”, oil on canvas, unsigned, 19 1/2 in. x 25 1/2 in., period frame.

413

412. A Chinoiserie-Style Gilt Bronze and Porcelain Low Table, 20th c., porcelain top with floral and fish decoration, faux bamboo stand with circular stretcher, height 24 1/4 in., diameter 24 1/4 in. $2000/3000 Provenance: Estate of Brooke Astor.

$2000/3000 413. An Italian Ebonized and Ivory Inlaid Coffer, 19th c., of architectonic form, extensively reserved with neoclassical motifs, central centered door flanked by columns, on turned spherical feet, height 21 1/4 in., width 20 in., depth 17 1/2 in. $1200/1800

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415 (2 of 4)

414

414. An Antique Italian Carved and Polychrome Paint-Decorated Figure, of a Renaissance youth, possibly Venice, in colorful costume, presented on a paneled pedestal, height 72 in., width 16 1/2 in., depth 14 in. $2000/3000 415. A Fine Suite of Four Louis XVI-Style Gilt Bronze Two-Light Sconces, each backplate surmounted by swagged urns, foliate arms, height 28 1/2 in., width 19 in., depth 19 1/2 in. $5000/7000

416

416. A Fine Louis XVI-Style Gilt Bronze-Mounted Purplewood, Parquetry and Vernis Martin Commode, late 19th/early 20th c., Victor Raulin, Paris, labeled, inset marble top, frieze fitted with concealed drawer, paneled doors painted with putti and maidens on a dark green ground, fluted columns to the sides, fluted tapered legs with rosettes, height 39 1/2 in., width 49 1/2 in., depth 19 in. $5000/7500 Note: Victor Raulin took over his father’s business in 1878. He exhibited at the Paris Expositions Universelles of 1878 and 1889 where he was awarded medals for his entries. The lock plate on this commode is marked “209 Boulevard Saint-Germain” where the firm was located from 1882 to 1925.

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417. A Colorful Micromosaic View of Florence, probably Italian, bears signature in script “R Casini”, depicting a fountain with the Duomo in the background, framed, height 17 in., width 23 in., depth 2 in. $4000/6000 418. A Dutch Rococo Carved Walnut Side Chair, 18th c., yoked crest rail, vasiform splat, trapezoidal slip seat, cabriole legs, pad feet. $1000/2000 419. An Empire-Style Gilt Bronze-Mounted Mahogany Gueridon, inset verde antico marble top, vasiform standard with anthemia, incurvate plintth, giltwood paw feet, height 29 in., diameter 27 1/2 in.

418

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$1500/2500 420. An Antique Louis XV-Style Carved Beechwood Canapé, serpentine crest rail, padded arms, cabriole legs, height 37 in., width 76 in., depth 24 in. $1800/2500 421. Alfred Wheeler (British, 18521932), “Huntsman and Hounds”, oil on canvas, signed lower left, artist label en verso, 24 in. x 36 in., framed. $3000/5000

420

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422. Samuel Bough (Scottish, 1822-1878), “Landscape”, oil on canvas laid on board, signed lower left, 25 in. x 36 in., framed.

W 424. A Pair of Imari

Palette Porcelain Fruit Coolers, with liners, height 10 1/4 in. $800/1200

$1500/2500 W 425. A French Gilt and W 423. Robert Mitford

Polychrome Porcelain Urn, late 19th c., of baluster form, winged female handles, floral decoration, bronze plinth, paw feet, now mounted as a lamp, height 24 3/4 in., width 9 3/4 in., depth 7 in.

(English, 1781-1870), “Jer Falcon”, Plate 14, hand-colored engraving, from Illustrations of British Ornithology, 1821-1834, watermarked “1820/ J.Whatman/Turkey Mill”, sheet 24 3/4 in. x 20 1/2 in., framed. $500/700

$700/900 422 W 426. A

German Gilt and Polychrome Porcelain “Volute Krater”, early 20th c., Johann Seltman, Vohenstrauss, Bavaria, marked, frieze with Greek figures, height 14 in., width 8 3/4 in., depth 7 3/4 in. $400/600

427

428

427. A Pair of French Bronze CampagnaForm Urns, 19th c., frieze decoration of Roman procession, loop mask handles, raised on square pedestal bases, now mounted as lamps, height 12 in., diameter 6 1/4 in. $700/1000

428. A Pair of Napoleon III Patinated and Gilt Bronze Five Light Candelabra, 19th c., after the Antique, Eros and Thanatos each atop a chain hung oil lamp, supported on a vine entwined standard raised on a lion mask tripod with hoof feet, height 32 1/2 in, width 9 in., depth 9 in. $500/1000 429. A Pair of Neoclassical Patinated Bronze Urns, 19th c., each body with figural frieze, mask handles, pedestal base with inset plaque, bracket feet, height 19 in., width 7 1/4 in., depth 6 in. $1000/1500

429

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430. A Continental Champlevé Enamel and Damascene Brass Footed Tray, late 19th c., of Art Nouveau inspiration, foliate handles, height 3 3/4 in., width 21 in., depth 11 3/4 in.

433. A George I Carved Walnut Armchair, early 18th c., yoked crest rail with volutes, vasiform splat, trapezoidal slip seat, shaped arms, cabriole legs terminating in pad feet.

$700/1000

$1000/1500

431. A Pair of Neoclassical-Style Gilt Bronze and Malachite Jardinières, each of circular form, lion’s mask ring handles, molded base, paw feet, height 11 1/4 in., diameter 16 1/2 in.

434. A George I Carved Walnut Side Chair, 18th c., crest rail centered by shell with flanking volutes, vasiform splat, compass-shaped slip seat, cabriole legs with bellflower pendants, pad feet.

$3000/5000

$1000/1500

432. A French Restauration Mahogany Commode, 19th c., Gris de St. Anne marble top, molded frieze drawer, case with three graduated drawers, plinth drawer, bracket feet, height 37 in., width 44 in., depth 22 1/2 in. $1000/1500

434

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435. A George II Walnut and Crossbanded Bureau Bookcase, early 18th c., upper case with doubledome molded cornice and conforming glazed doors; lower case with slant front enclosing giltstamped leather writing surface and fitted interior over three graduated drawers, bracket feet, height 86 in., width 46 in., depth 23 1/2 in. $3000/5000

437

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436. An English Gilt and Japanned Chest of Drawers, 18th c. and later, rectangular molded top decorated with pagodas, pavilions and Oriental figures, conforming case fitted with two over three graduated drawers, bracket feet, height 36 5/8 in., width 39 5/8 in., depth 22 3/8 in. $1500/2500

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437. A George I Figured Walnut Chest on Stand, 18th c., case fitted with two short over one long drawer, molded stand on shell-carved cabriole legs, trifid feet, height 32 in., width 35 in., depth 19 3/4 in. $2500/3500 438. An English Oak Joint Stool, probably 17th c., molded seat, turned and blocked splayed legs, box stretcher, bun feet, height 20 in., width 16 in., depth 11 1/2 in. $400/600

439

441

439. A Fine Georgian Chinoiserie Cabinet on Chest, 18th c., doors with raised gilt and paint decoration, chased brass strapwork hinges, fitted interior, lower case with three drawers, molded base, bun feet, height 72 in., width 42 in., depth 21 1/2 in. $5000/7500 440. A Napoleon III Gilt Bronze Fire Fender, mid-19th c., in the Louis XVI taste, urn-form standards mounted with masks, draped with garlands, beaded central gallery, height 20 1/2 in., adjustable width 36 in. to 53 in., depth 6 1/2 in. $1200/1800 441. A Rare Patinated Cast Iron Architectonic Torchère, probably late 19th/early 20th c., of Neoclassical design, height 84 1/2 in., diameter 20 in. $2000/3000

440

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442. A Pair of Neoclassical-Style Gilt and Faux Marbre Pedestals, of architectural inspiration, “Sienna” and “verde antico” surface, shaped top, paneled frieze over arch, columnar stiles, molded plinth, height 31 1/2 in., width 25 in., depth 25 in. $1500/2500 443. A Pair of French Gilt Bronze Nine-Light Candelabra, late 19th/early 20th c., each base stamped “MS”, probably for Maxime Secrétant, Paris, foliate urn stem issuing foliate scroll arms atop scrolled acanthus brackets with paw feet, molded plinth with trophée panels, foliate reeded feet, overall height 31 1/2 in., diameter 15 3/4 in.

444

$2500/3500 444. A Pair of Neoclassical-Style Rock Crystal and Patinated Metal Three-Light Sconces, in the manner of Maison Bagues, each with flowering urn backplate and paired perched birds, height 30 1/2 in., width 23 in., depth 13 1/2 in. $2500/3500 445. An Antique NeoclassicalStyle Cast Stone Garden Urn, flared molded rim, continuous frieze of a procession of Classical figures below grapevines, socle base, square plinth; retains painted “terracotta” surface, height 38 in., diameter 25 in. $1500/2500 446

446. A Marble Bust of Hermes with the Hand of the Infant Dionysus on His Shoulder, 20th c., after the over-life-sized original by Praxiteles (Classical Greek, 400 - 330 B.C.), in the museum at Olympia, turned socle base, height 24 in., width 19 in., depth 9 in. 445

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$2000/3000

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448

447. A Curious French Patinated Bronze Figure of Louis Philippe, mid19th c., in two parts opening to reveal a small gilded figure of Napoleon within, height 3 1/4 in. $700/1000 448. Herman Moll (16541732), “To the Right Honourable John Lord 449 Sommers...this Map of North America according to ye newest and most exact observations...”, London, “Printed for I. Bowles... T. Bowles... P. Overton”, [circa 1724], copperengraved map, period hand-coloring in outline, inset view of a codfishery, ten inset maps of various harbours, sheet 25 3/8 in. x 38 3/4 in., attractively matted and framed. $3000/5000 Note: Herman Moll was, like many an emigré, a zealously patriotic Englishman and cartographical fighter in the globalization contest between the European nations conducted from the 15th century into the 20th. Here he fights with De L’Isle (the great French mapmaker of the period) about the respective territorial possessions of Britain and France. In contradistinction to De L’Isle’s 1718 map, Moll’s reduces French Louisiana to a region south of the Ohio River and gives Great Britain Labrador (as New Britain). Depicting one aspect of British success, Moll includes here a detailed depiction of the cod fishing industry, including the making of cod liver oil. Throughout the 17th century, the British had the greatest number of fishing boats in the Grand Banks. Dried codfish was a staple of the British Navy and a favourite throughout Europe.

449. Tobias Conrad Lotter (1717-77), “America Septentrionalis, Concinnata juxta Observationes Dñn Academae Regalis Scientiarum...”, 1760, Augsburg, hand-colored copper-engraved map, after De L’Isle’s landmark map, sheet 20 in. x 25 1/2 in., attractively framed. $800/1200

450

450. An Antique Carved and Polychrome Decorated Figure of a Bishop or Abbot, late 18th/early 19th c., mitre headdress centered by a diamond, depicted holding a staff and wearing gold cloak with green lining, height 55 in., width 25 in., depth 23 in. $3000/5000

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452. After JeanLouis Grégoire (French, 18401890), late 19th/ early 20th c., “Perseus and Andromeda”, patinated bronze, cast signature “L. Grégoire”, height 33 in., diameter 18 in., presented on a bronzemounted marble pedestal, overall height 62 in. $10000/15000 453. A Regency Brass-Mounted Mahogany, Satinwood and RosewoodBanded Games Table, early 19th c., leather-inset foldover top with later paint decoration, trestle supports joined by stretcher, bearing ivorine label for D. Sherratt & Co., 61 Bridge Street Row, Chester, height 26 in., width 26 1/4 in., depth 13 in.

451

$2500/3500 Note: The ivorine label indicates that this table was sold at a later date by D. Sherratt & Co., an antiques firm established in Chester, England in the late 19th century. Purportedly, the lead strips attached to the underside of the trestle supports and stretcher were added in order to adapt the table for use on a ship. 453

451. A Louis XV-Style Carved, Gilt and Crème Peinte Trumeau Mirror, 19th c., cartouche shaped oil on canvas depicting Cupid and Psyche, C scroll surround, mirror plate below with shell crest, height 7 1/1 2in., width 39 in. $1000/1500

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454. A George I-Style Carved Giltwood and Japanned Writing Table, 19th c., inset leather top, one side fitted with kneehole configuration of drawers, square cabriole legs surmounted by grotto masks with ram’s horns, blocked feet, height 29 in., width 55 1/2 in., depth 30 in. $3000/5000 455. A Pair of Louis XVI-Style Mahogany Petite Commodes, each with white marble top, reticulated brass gallery, case with three drawers flanked by fluted stiles, tapered fluted legs, height 29 in., width 17 1/2 in., depth 12 1/2 in. $700/900 454

455

457

456. A French Provincial Fruitwood Draw-Leaf Table, early 19th c., rectangular top, each end with scroll frieze, cabriole legs, hoof feet, height 29 1/2 in., width 78 in., depth 34 in. $1500/2500 457. A Pair of Louis XVI-Style Gilt Bronze-Mounted Granite Urns, each polished green granite body with swan form handles, height 22 1/2 in., width 11 1/2 in., depth 8 1/2 in. $1500/2500 456

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458

460

461

459. A William IV Mahogany Bookcase, 19th c., cove molded cornice, three arched glazed doors, three paneled doors below, plinth base, height 85 1/4 in., width 71 in., depth 17 1/2 in. $2000/3000

459

460. Donald Roller Wilson (American/Arkansas, b. 1938), “Helen, Sister of Larry, Saw the Pickle”, 1980, oil on canvas, signed, dated and inscribed lower right, titled on “Moody Gallery, Houston, Texas” label en verso, 20 in. x 24 in., framed. $8000/12000

458. A Georgian Sheffield Plate Meat Dish and Domed Cover, Matthew Boulton & Co., early 19th c., double sunburst mark, gadroon decoration throughout, cover with anthemion detail, loop handle with shell and acanthus, meat dish with hot water compartment, reeded loop handles and acanthus feet, height 15 1/2 in., width 23 3/4 in., depth 14 1/4 in. $4000/6000

Provenance: Moody Gallery, Houston, TX, 1980. 461. Donald Roller Wilson (American/Arkansas, b. 1938), “Naughty Betsy Dressed as a Boy; With a Pea over her Ear; Smoking and Thinking”, 1977, oil on canvas, signed and dated lower right, “Moody Gallery, Houston, Texas” and artist labels en verso, 10 1/2 in. x 15 in., framed. $4000/6000 Provenance: Moody Gallery, Houston, TX, 1980.

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462. Donald Roller Wilson (American/ Arkansas, b. 1938), “Little Betty’s Exterior Appearance was one of Mindless Amusement/But in her Heart She Realized the Departure of a Part from the Whole”, 1979, oil on panel, signed, dated and inscribed lower left, titled on “Moody Gallery, Houston, Texas” label en verso, 14 in. x 18 1/2 in. (oval), framed. $4000/6000 463. Donald Roller Wilson (American/ Arkansas, b. 1938), “Aunt White’s Large Dinner Frank; Not to be Confused with a Vienna Sausage”, 1977, oil on masonite, signed, titled and dated mid-right, “Moody Gallery, Houston, Texas” label en verso, 11 in. x 14 in. (oval), framed. $3000/5000 464. William Llewellyn Hoey (American/Texas, 1930-1994), “Yellow Field”, oil on canvas, signed lower right, 9 in. x 12 in., framed. $800/1200

463

465

464

465. William Llewellyn Hoey (American/Texas, 1930-1994), “Red Fish Kite”, oil on board, signed lower right, 8 in. x 10 in., framed. $700/900 466. William Llewellyn Hoey (American/Texas, 1930-1994), “Fish on the Beach”, oil on canvas, signed lower right, “DuBose Gallery, Houston, Texas” label en verso, 10 in. x 12 in., framed. $800/1200 Note: Known as a painter of “Magic 466 Realism” of the southwest, William Hoey was born in Abilene and earned a Master’s Degree in Art from The University of Texas in Austin. As an educator, Hoey taught and then became dean of the Houston Museum of Fine Art’s Glassel School. He then joined the faculty of his alma mater at The University of Texas in 1978. An acclaimed regional artist, he also owned two art galleries in Austin.

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467

467. J. Seward Johnson (American, b. 1930), “Out of Touch”, c. 1993, painted bronze, aluminum and mixed media, incised monogram and copyright date on heel of proper left shoe, life-size sculpture of a man holding a fishing reel (lacking rod) in his proper right hand seated in an aluminum flat bottom boat beside a bucket containing fish, a Thermos lunch pail, and a tackle box, fitted with a solar panel, overall height 48 in., length 176 in., width 56 in. $10000/15000 Provenance: Art Collectors, Inc., Tulsa, OK; to Texas Collector, 1995. Note: J. Seward Johnson is an American artist known for his life-size trompe l’oeil painted bronze statues. An heir to the Johnson & Johnson medical products company, Johnson became a sculptor in 1968. He creates work that can be seen in corporate and private collections as well as on city streets around the world. Approximately one hundred seventy of Johnson’s realistic bronze sculptures of figures engaged in the ordinary activities of the day are placed in country (fishing in a stream) and city street settings (sitting on a bench looking in a briefcase), as if part of the passing parade, causing double-takes by citizens wondering if they are real people and, if not, what they are doing there. He sculpts his life-size, 3-D creations, cast in bronze and painted with automobile paint, at his studio in the New Jersey countryside near Trenton. In September 2003, his work was featured at the Corcoran Gallery of Art in Washington D.C which included 18 works created for the exhibit.

467 (detail)

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468. Charles Cerny (Czech, 1892-1965), “Still Life, Butterflies”, 1960, oil on canvas, signed and dated lower right, 9 1/2 in. x 13 in., framed. $1000/1500 469. A Pair of NeoclassicalStyle Rouge and Noir Variegated Marble Urns, each with molded flared rim, fluted and lobed body, square plinth, height 19 1/2 in., diameter 14 in.

468

$1000/1500 470 470. A Large Antique Persian Carpet, blue, mustard and red ground, with overall vining floral design, 10 ft. 11 in. x 17 ft. 6 in.

469

$1500/2500 W 471. A Semi-

Antique Heriz Rug, red ground, central medallion, overall vining design, floral border, 8 ft. 11 in. x 12 ft. $1000/2000 W 472. A Semi-

Antique Persian Carpet, red and blue ground, central medallion with outstretched hands, spandrels and border with stylized floral motifs, 8 ft. 7 in. x 13 ft. 1 in. $1000/2000

474

473

473. David Alfaro Siqueiros (Mexican, 1896-1974), “Zapata”, 1930, lithograph, pencil-signed and dated lower right, numbered “2 EE/50”, (an Edicion Especial impression), sight 22 3/4 in. x 16 1/4 in., framed.

474. An American Renaissance Gilt-Incised, Ebonized and Carved Walnut Guéridon, late 19th c., molded top with inset marble, paneled frieze, central urn standard, scrolled brackets with masks, molded plinth, casters, height 29 in., diameter 25 1/4 in.

$2000/3000

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W 479. A Pair of

Staffordshire Pottery Recumbent Lion Figures, late 19th c., each with glass eyes, height 9 1/2 in., width 10 3/4 in., depth 5 in. $300/500 Provenance: Acquired Briggs Stewart, 1963. W 480. A

478 476 W 475. An English Aesthetic Movement

Beechwood Faux Bamboo Folding Table, late 19th c., velvet-lined top, X-form supports joined by stretchers, height 27 1/2 in., width 28 1/4 in., depth 18 1/4 in. $400/600 476. A Fine Louis XVI Mahogany Table de Salon, late 18th c., molded top with threequarter gallery, lyre supports, casters, height 30 in., width 25 in., depth 14 in. $1200/1800 Note: A table de salon with very similar lyre-form supports, stamped “J. Canabas” (for Joseph Gengenbach dit Canabas), sold at Christie’s, London, December 9, 2010, as lot 270.

477

477. George Lawrence Nelson, N.A. (American, 1887-1978), “Brookside, Flanders, Kent, Connecticut”, 1935, oil on board, signed and dated lower right, signed and titled en verso with “Robert Rice Gallery, Houston, Texas” label, 13 in. x 16 in., framed. $500/700 478. Ben Benn (Polish/New York, 1884-1983), “Peaches on Blue Platter”, 1965, oil on canvas, signed and dated lower right, title label and “(Meredith) Long & Company, Houston, Texas” label en verso, 24 in. x 18 in, framed. $500/700

482

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Continental Porcelain Figure of a God, 19th c., modeled as Aeolus, Keeper of the Winds, loosely draped, carried aloft by putti representing the four winds, height 15 in., width 7 in., depth 7 in. $500/750 W 481. A Pair of

White Marble Campagna Form Urns, fluted and lobed bodies, height 20 in., diameter 14 1/2 in. $700/1000 482. A Napoleon III Gilt Bronze Encrier, scrolled cartouche crest above gallery rail, flanking candleholders, urn form ink wells with pineapple finialed lids, plinth centering a mask, height 9 in., width 17 in., depth 7 1/2 in. $700/1000

483. An English Bronze Fire Guard in the Renaissance Taste, late 19th c., facing portrait medallions of Robin Hood and Maid Marian, urnform uprights, ringed lion masks, paw feet on shaped bases, joined by molded crossbar, height 21 3/4 in., width 51 in., depth 6 1/2 in.

483

$600/900 484. An Aubusson-Style Carpet, robin’s egg blue and pink ground, floral designs, 11 ft. 10 in. x 18 ft. $2000/3000 W 485. An Antique Persian

Carpet, teal and salmon ground, central medallion, allover vining floral designs, 4 ft. 7 in. x 5 ft. 8 in. $600/900 W 486. An Antique Malayer

Rug, navy and red ground, overall floral design, 7 ft. 10 in. x 11 ft. $500/700 487. An American Gilt Metal Figural Newel Post Lamp, 19th c., loosely draped female figure, etched glass shade, electrified, figure height 48 1/2 in., carved pedestal base, overall height 80 1/2 in. $5000/6000 484

W 488. A French Art-Deco Glass

Figural Candlestick, early 20th c., lacquered brass nozzle, over Egyptian figure, on molded clear glass base, now mounted as a lamp, height 17 in., diameter 5 3/4 in.

489. A Pair of Italian BaroqueStyle Carved Giltwood Sconces, paired scrolling arms, conforming backplates, height 20 in., width 17 in., depth 11 in.

$500/750

$800/1200

487

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491

492

W 495. A Pair of

Baccarat Molded Glass Two-Light Candelabra, 20th c., marked, hexagonal standard issuing scrolled candlearms, with swirl molded base, height 12 1/2 in., width 9 1/2 in., depth 4 3/4 in. $500/700

493

W 490. A Pair of English

494

Cut Crystal and PrismHung Candlesticks, mid19th c., with two tiers of saw-tooth bobêches, height 10 in., diameter 4 in.

492. A Pair of Continental Painted and Gilded Door Panels, probably 19th c, each height 55 1/2 in., width 26.

$500/800

$2000/3000

491. A Pair of Charles X-Style Gilt BronzeMounted Cut Crystal Urns, each campagna form urn raised on pedestal with rouge marble base, disk feet, height 18 in., width 10 1/4 in., depth 8 1/2 in.

493. An English Parian Figure of “Flora”, 19th c., attractively draped and holding a floral wreath in her left hand, oval base, height 21 3/4 in., width 10 in., depth 9 3/4 in.

$1000/2000

$400/600

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494. An English Parian Figure of the “Nymph Syrinx”, 19th c., “William Beattie, Bates, Brown-Westhead & Moore, Stoke on Trent” marked, loosely draped, and stepping through her namesake reeds, height 14 1/4 in., diameter 5 1/4 in. $300/500

496. A Pair of Large BaroqueStyle Cast Metal Garden Urns on Pedestals, each body with shell and acanthus handles, bud finial, socle base on square plinth; pedestal with scroll panels centering a shell, stepped canted bases, overall height 93 in., width 30 in., depth 22 1/2 in. $1500/2500

498

499

500. A Very Good French Patinated Bronze Group of a Female Bird and Her Chicks Attacked by a Weasel, after Alphonse Alexandre Arson (French, 18221882), signed “A. Arson”, on upper base, and inscribed “ADMIS aux BEAUX-ARTS., 1867” on lower base, height 12 1/2 in., width 14 in., depth 9 1/2 in.

497

$1200/1800 500

497. An American Renaissance Carved, Ebonized and Gilt Incised Rosewood Pedestal, rouge marble top, tapered faceted body, height 32 in., width 16 in., depth 16 in. $1000/1500 498. A Chinese Cloisonné Enameled Porcelain Baluster Vase, Qing Dynasty (16441911), decorated with a wide band of flowering plants, height 16 1/4 in., wood stand, overall height 18 in. $1000/1500

501

499. A Gilt Bronze Mounted Japanese Porcelain Ceremonial Stand, probably Meiji Period (1868-1912), seated Bodhisattva with foliate surround holding covered urns and bowls, beneath a pierced dome with vase finial, height 15 3/4 in., width 8 1/2 in.

501. A Louis XVI Carved and Gilded Crème Peinte Mirror, late 18th c., scrolled acanthine crest over floral swags, mirror plate within molded surround with shell and C-scrolls, height 83 3/4 in., width 56 1/2 in. $1200/1800

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

125

503. A Contemporary Blondewood and Ebonized Low Table, oval top, conforming stretcher shelf, height 18 in., width 46 1/2 in., depth 28 in. $500/750 504. An Antique Italian Baroque-Style Carved Walnut Armchair, arched scrolled crest rail centered by burled panel, conforming medial slat, zoomorphic finialed stiles, plank seat, conforming stretcher. 502

$500/700 505. Two Antique Italian Baroque-Style Carved Walnut Side Chairs, each with crest rail centered by burled panel, finialed stiles, plank seat, conforming stretcher. $400/600 506. A Pair of Italian NeoclassicalStyle Parquetry and Olivewood Bedside Commodes, 19th c., each with three drawers, tapered square legs, geometric inlays overall, height 32 in., width 21 1/2 in., depth 12 in.

503

$1200/1800

504

505

502. A Pair of Contemporary Rosewood and Burlwood Console Tables in the Art Deco Style, each with rectangular top, waisted frieze fitted with a drawer, curule support, height 33 in., width 47 1/2 in., depth 14 1/2 in. $1200/1800 506

126

511

W 510. A Pair of Cast Iron

Painted Whippets, square plinths, sitting upright.

509

$600/900 511. A Set of Four English Gothic Revival Carved Walnut Side Chairs, 19th c., each leather back and seat with brass nail head trim, lion’s mask terminals, curule legs, medial stretchers. $800/1200 Note: The lion’s head finials and curule base design relate to the designs of A. W. N. Pugin. This lion’s head finial appears on a set of chairs first conceived for the New Palace of Westminster in 1846.

512

512. A William IV Carved Mahogany Library Armchair and Ottoman, mid-19th c., arched crest, scroll arms, serpentine seat, bulbous reeded legs, leather upholstery, conforming ottoman.

514

W 507. Two Pairs of Contemporary

American Pedestals, first with square coved sides with conforming base found in ivory paint, height 44 in., width 14 1/2 in., depth 14 1/2 in.; second with cove edged decks in mahogany, height 44 in., width 15 in., depth 15 in.

$700/900 513. An Antique French Provincial Carved Oak Commode, shaped marble top, conforming case with two drawers, paneled sides, shaped skirt centered by a shell, cabriole legs, height 35 1/4 in., width 45 in., depth 20 3/4 in.

$300/500 W 508. Four Italian Polychrome

Terracotta Cherubs and Brackets, c. 1900, figures variously modeled standing on gilt plinths carrying flowers and fruit within the drapes of their clothes, height 8 in. to 8 1/4 in., raised on fluted gilt terracotta brackets terminating in tassels, height 8 in.; together with a pair of black and gilt painted terracotta brackets, height 5 1/2 in. (10 pcs.) $600/800

513

$1000/1500 509. A Pair of Large Italian Silverplate Repoussé Pricket Lamps. $800/1200

514. A Charles X Inlaid Rosewood Work Table, early 19th c., hinged sarcophagus top, fitted satinwood interior, scroll legs, stretcher shelf, height 29 1/4 in., width 19 1/2 in., depth 13 in. $500/750

Provenance: Estate of Margaret Winling Gulotta, New Orleans, LA. W denotes the lot is illustrated at www.nealauction.com

127

517. Bernhard Gutman (American, 1869-1936), “Elizabeth at her Desk”, red conte crayon on blue paper, unsigned, titled on label en verso from “Beacon Hill Fine Art”, sight 10 3/4 in. x 8 1/2 in., framed. $700/900 Provenance: Beacon Hill Fine Art, New York.

515

516

518. Louis Loeb, N.A. (American, 18661909), “Two Women”, 1907, oil on canvas, signed and dated lower left, 36 in. x 24 in., framed. $1200/1800 519. Gaston Durel (French, 1879-1954), “Hotel de Normandie”, two watercolors on one sheet, signed and titled lower right, both images 9 in. x 10 in., sheet 24 1/2 in. x 18 3/4 in., unframed. $700/900 W 520. Continental School,

Manner of Tiepolo, late 19th/20th c., “Studies of Heads”, two oils on wood panel, unsigned, “Louis Antoville, est. 1901, NYC” label en verso, both 5 5/8 in. x 4 1/4 in., framed (2 pcs.) $400/600 517 W 521. A Group of Eleven

518

515. A Pair of Louis XVI-Style Carved Walnut and Caned Fauteuils, each with shaped back, molded arms, cabriole legs. $1200/1800 516. Continental School, 20th c., “Afternoon Stroll”. oil on wood panel, signed “D...” lower left, “Schillay & Rehs, Inc., New York” label en verso, sight 11 1/2 in. x 9 1/4 in., framed. $700/900

American Woodblock Prints, including: Robert Blum, “The Musee”; Asa Cheffetz, “Cape Lighthouse”; Lawrence Barone, “Self Portrait”; Bruce Carter, “The Sketchbook”; Jack Coughlin, “Walt Whitman”; Frank Eckmair, “Abandoned for Years”; Harry Greaver, “Late Spring” and “Snowfall”; C.A. Seward, “Pinons”; Phillip M. Smith, “The Devil’s Triangle”; Lynd Ward, “Historic Christ Church at Middleton”; all pencil-signed, sights 4 in. x 6 1/2 in. to 11 1/4 in. x 14 1/2 in., unframed. $800/1200

519 (1 of 2)

128

522

522. A Chinese Reverse Glass Painting, Qing Dynasty (1644-1911), painted with four figures seated in a landscape, sight 16 7/8 in. x 24 5/8 in., framed. $1500/2500 523. An American Carved and Painted Wood Model of the Steam Tugboat Britton, c. 1875, carved and painted wood with some metal fittings, eagle pilot house ornament, height 13 3/4 in., length 25 in, width 5 1/4 in. $1200/1800 W 524. A Peshawar Ziegler

Mahal Carpet, rust colored ground with overall floral designs and beige border, 12 ft. x 9 ft. $500/700 W 525. A Persian Bijan Carpet,

central diamond medallion patterned primarily in reds, 8 ft. x 5 ft. 3 in. $500/700 W 526. Two Chinese Rugs, the first

with the Eight Immortals, Shoulao, and the Queen Mother of the West with their attributes; the second with chariots and archers on horseback, 3 ft. x 5 ft. and 3 ft. 3 in. x 4 ft. 6 in., respectively. $600/900

523

W 528. A Persian Mahal Carpet.

large leafy patterns on dark blue ground with red borders, 10 ft. x 6 ft. $700/900 W 529. Two Small Chinese Rugs,

one with navy ground depicting wildlife in a landscape, the other red ground, with geometric design, 6 ft. x 4 ft. 3 in. and 7 ft. 7 in. x 4 ft. $400/600 W 530. A Group of Antique

Aubusson Tapestry Covers for a Parlour Suite, 19th c., wool, red ground reserved with floral bouquets, including the seat for a settee, overall length 39 in., width 82 in.; three armchair seats, length 26 in., width 33 in.; an armchair back, length 25 in., width 21 in.; three chair seats, length 21 in., width 25 in.; three chair backs, length 14 1/2 in., width 13 in.; 12 arm covers, length 12 in., width 7 in.; two pairs of plain red wing covers; two pairs floral wings; and other fragments.

531

$500/700 531. A Set of Four Mirrored Giltwood TwoLight Wall Sconces, each shaped backplate with cut floral and shell decoration, height 28 in., width 11 in., depth 7 in.

534

W 533. An Interesting Continental Classical-Style

Painted Glass Urn, late 19th c., of “Grecian” design with figural reserve, height 18 in., diameter 7 in.

$800/1200 W 527. Three Small Antique

Persian Rugs, including a prayer rug with red ground, 3 ft. 5 in. x 4 ft. 10 in.; one with stylized architectural designs, 3 ft. 1 in. x 4 ft. 7 in.; and one with repeating designs, 2 ft. 5 in. x 4 ft. 2 in. $600/900

W 532. A Pair of Gilt Bronze Two-

Light Bouillotte Lamps, adjustable tôle shades, circular bases, height 23 in., width 14 in., depth 10 in. $600/800

$400/600 534. A Pair of Cast-Iron Jardinières, 19th c., each with shaped finials, body molded as paneled fence with ornate strapwork, shaped feet, height 16 in., width 11 1/2 in., depth 14 in. $800/1200

W denotes the lot is illustrated at www.nealauction.com

129

537

538. A Pair of Chinese Rose Quartz Figures of Phoenix Birds, each perched on a branch with further birds below, height 11 in., wood stands, overall height 12 1/2 in.

535

$1000/1500 W 539. A Pair of

538

Asian Cloisonné Urns, late 19th/ early 20th c., each baluster body with dragon handles, enameled with Westerners on horseback beneath trees, height 21 3/8 in., now mounted as lamps, overall height 28 3/4 in. $400/600

536

535. A Pair of Silvered Metal Figures of “La Musique” and “La Danse”, after Mathurin Moreau (French, 1822-1912), cast signature, height 29 1/2 in. and 29 1/4 in., respectively.

540

$2000/3000 536. An Italian Rococo Cast Stone Mirror, surround with sextet of putti amidst oak leaves, height 35 in., width 34 in. $1000/1500

130

537. A Pair of Chinese Blue and White Porcelain Planters, 20th c., each rectangular body with canted corners, on pierced splayed base, decorated with bird-andflower vignettes, height 12 in., width 19 1/2 in., depth 15 in. $1500/2000

540. A Pair of Japanese Satsuma Pottery Square Vases, Meiji Period (18681912), each decorated with figural landscapes, height 16 in., now mounted as lamps on wood bases, overall height 34 1/8 in. $1200/1800

W 541. A Chinese Gessoed and

Polychrome Painted Wood Figure of Zhu Rong, 19th c., red faced God of Fire carved standing with one arm raised in the air, height 14 5/8 in.

552. A Large Japanese Bronze Vase, Meiji Period (1868-1912), globular body with bulging ribbed sides, slightly flared mouth and waisted splayed foot, height 12 5/8 in., diameter 13 1/4 in.

$200/400

$500/700

Provenance: Acquired Matsumoto, San Francisco, CA, 1965.

W 553. A Pair of Japanese Imari

Porcelain Lobed Jars, Meiji Period (1868-1912), each decorated with bird-and-flower panels on a floral ground, height 9 3/4 in.

W 542. A Pair of Japanese Imari

Porcelain Ovoid Vases, Meiji Period (1868-1912), each decorated with floral, figural and architectural reserves on a brocade ground, height 10 1/4 in.

$400/600 545 (1 of 4)

W 554. A Large Japanese Imari

$400/600

Porcelain Fish-Shaped Dish, Meiji Period (1868-1912), decorated with hawk, pheasant and landscape panels on a red floral ground, height 3 1/2 in., width 15 3/4 in., depth 10 5/8 in.

W 543. A Japanese Arita Blue

and White Porcelain Charger, decorated with the “Seven Sages of the Bamboo Grove” and their attendants, height 2 1/2 in., diameter 18 in., wood stand.

$300/500

W 555. A Japanese Imari

Porcelain Vase, Meiji Period (18681912), tapering cylindrical body decorated with floral panels reserved on a floral and fan ground, height 10 in., now mounted as a lamp, overall height 30 1/4 in.

W 544. A Pair of Japanese Imari

Porcelain Vases, 19th/20th c., squat baluster bodies decorated with vertical reserves of flowers, birds and brocade patterns, bases with Fukugawa marks, height 11 1/2 in.

$300/500

$600/800 W 556. A Set of Fourteen

545. Japanese School, probably Meiji Period (1868-1912), “Encounters with Yokai”, four paintings, each ink and color on paper, each inscribed and sealed, sight 13 in. x 16 1/8 in., double matted and framed alike. $600/800 W 546. Kawase Hasui (Japanese, 1883-

1957), “Evening at Soemonchu, Osaka (Osaka Soemonchu no yu)”, woodblock print, sheet 15 1/4 in. x 10 1/4 in., double matted and framed. $400/600 W 547. Kawase Hasui (Japanese, 1883-

1957), “Honmonji Temple in Snow (Ikegami Honmonji)”, woodblock print, sheet 15 1/2 in. x 10 3/8 in., double matted and framed. $400/600 W 548. Kawase Hasui (Japanese, 1883-

1957), “Evening at Itako (Yoro no Itako)”, woodblock print, sheet 16 3/4 in. x 11 5/8 in., double matted and framed.

552

W 549. Paul Jacoulet (French, 1902-

1960), “The Nest, Korea (Le Nid, Coree)”, folded holiday card with mica highlights, image 5 1/4 in. x 3 1/2 in., matted and framed. $300/500 W 550. Japanese School, “Mountainous

Waterscape with Trees, a Winding Path, and a Hut”, ink and color on paper, sealed upper and lower left, 17 1/8 in. x 11 3/8 in., matted and framed. $300/500 W 551. A Japanese Imari Porcelain

Quatrefoil Vase, Meiji Period (1868-1912), decorated with alternating floral, dragon and phoenix panels on floral ground, height 12 1/4 in. $300/500

Japanese Imari Porcelain Dinner Plates, 20th c., each decorated with a central stylized floral medallion surrounded by alternating reserves of floral and garden scenes, diameter 10 1/2 in. $600/800 W 557. Two Japanese Imari Porcelain

Fish Form Dishes, Meiji Period (18681912), variously decorated with floral scenes, scales and fins, length 10 3/4 in. $200/400 W 558. A Pair of Japanese Bronze

Vases, Meiji Period (1868-1912), each baluster body relief decorated with birds and grasses, height 8 3/4 in., now mounted as lamps. $250/500 W 559. A Japanese Bronze Vase,

archaistic style with wide hexagonal body issuing a tall flared neck mounted with a pair of playful shi-shi lion-dogs, height 11 3/8 in. $150/250

$400/600 W denotes the lot is illustrated at www.nealauction.com

131

W 561A. A Group of

Textiles and Traditional Garments from Bahrain, collected c. 1940, including garments possibly worn by Mrs. Dean to State functions including a traditional mislah, a silk sirwal, a Kurtah, thwab and others. $1000/1500 562. An Indian Painted Wood Architectural Panel, arched frame painted on each side with Hindu vignettes, height 72 in., width 36 in. $1200/1800 563. An Indian Inlaid Carved Rosewood Elephant, 19th/20th c., standing figure modeled wearing festive trappings, height 12 1/4 in., width 15 1/4 in. $800/1200 W 564. A Collection of Ten

560

Chinese Silk Embroideries, 20th c., including five sleeve bands, length 17 1/2 in. to 25 in.; one roundel, diameter 11 in.; three squares, height 11 3/4 in. to 15 1/2 in.; and one runner, length 35 in., width 11 in.

562

$100/200

565 W 561. A Large Collection of Royal Invitations

563

560. Korean School, probably 19th c., “Boys Playing”, ink and color on silk, 28 3/4 in. x 12 1/4 in., mounted as a hanging scroll. $600/800

and Photographs from Bahrain, 1932-1940, including 10 pieces of correspondence from the Sheikh Hamad bin Isa Al Khalifa who ruled Bahrain from 19321942 and his wife to Mr. J.T. Dean and his wife to attend dinners, teas and other social events during the period 1936-1939; and a group of photographs of the Sheikh taken at the opening of the Bahrain Petroleum Company, 1935; family photos of trips taken by the Dean family in the Middle East. Mr. Dean probably worked for either BAPCO or the Standard Oil Company of California. $1000/1500

132

565. A Decorative Pair of Chinese Flambé Glaze Vases, 20th c., tapering ovoid bodies with mottled copper red and blue streaked glaze, height 19 in., diameter 13 1/2 in. $1200/1800

566

568

570

567 569 566. A Chinese Famille Rose Porcelain Rouleau Vase, decorated overall with a scene of a royal procession in a mythical landscape, height 24 3/8 in. $1000/1500 567. A Pair of Chinese Famille Rose Porcelain Vases, baluster bodies with down-turned foliate rims, decorated with continuous scenes of Immortals in gardens, bases with Qianlong marks, height 18 5/8 in. $2000/3000

569. A Pair of Chinese Famille Rose Porcelain Covered Baluster Jars, with figural reserves on a gilt ground strewn with flower scrolls, covers with iron strapwork and hasps, height 26 in. $2500/3500 570. A Venetian Cut Glass and Chinoiserie-Decorated Mirror, 19th c., shaped crest, height 32 in., width 20 in. $600/800

568. A Large and Decorative Chinese Biscuit Porcelain Vase, baluster body, relief molded with a lakeside scene, height 41 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

133

571

571. Japanese School, Edo Period (1615-1868), “Cherry Blossoms at Yoshino”, six panel screen, ink, color, gold, and gold leaf on paper, height 64 7/8 in., width 136 1/2 in. $5000/7000

W 573. A Japanese

Polychrome and Gilt Painted Carved Wood Architectural Figure, probably 18th/19th c., carved in the form of a recumbent elephant grasping a long-life fungus in his trunk, top with notch cut-out, inscribed, height 9 1/2 in., width 21 in. $400/600 574. A Japanese Lacquered Wood Shrine on Cabinet, Meiji Period (1868-1912), upper case with stepped cornice above paneled bi-fold doors opening to conforming lattice doors with fitted architectonic interior containing a giltwood figure of a Kannon, two giltwood Bodhisattvas and votive accessories; lower case with storage drawers over sliding doors, height 57 in., width 30 in., depth 20 5/8 in.; presented on later stand, overall height 75 1/4 in.

572

572. A Japanese Carved and Painted Wood Figure, probably Edo Period (16151868), seated figure wearing court robes and a kanmuri, holding a sheathed sword, height 28 in., tiered wood stand, overall height 34 3/4 in. $1000/1500

134

$1000/1500

574

575

575. A Japanese Black Lacquer Portable Shrine, Zushi, Meiji Period (1868-1912), domed rectangular cabinet with two doors opening to a gilt interior, fitted with a spirit tablet shrine, a seated monk and two brass incense burners, height 11 in., width 8 5/8 in., depth 6 in. $300/500 577

578

580 579

W 576. A Japanese Gilt and Lacquered

Wood Figure of Buddha, Meiji Period (18681912), carved seated in dhyanasana on a doublelotus throne on a waisted hexagonal base before a flaming mandorla, height 19 3/4 in. $600/800 577. A Japanese Giltwood Figure of Buddha, Meiji Period (1868-1912), carved standing on a double lotus throne on a multitiered hexagonal base before a cloud mandorla, height 23 1/2 in. $800/1200

578. A Monumental Japanese Imari Porcelain Covered Baluster Jar, Meiji Period (18681912), decorated with alternating flower basket and peony panels, domed cover with shi-shi final, height 25 1/4 in. $1000/1500

580. A Pair of Japanese Lacquer Hibachi, Meiji Period (1868-1912), each of decagonal form, overall mottled orange-red speckled pattern, copper liners, height 10 7/8 in., diameter 12 1/4 in $800/1200 W 581. A Japanese Red and Black

579. A Japanese Blue and White Porcelain Foliate Rim Dish, Meiji Period (1868-1912), decorated with four reserves of children at play against a bamboo and brocade ground, base with apocryphal Chinese Qianlong mark, height 2 1/8 in., diameter 16 1/4 in.

Lacquer Rectangular Box, Meiji Period (1868-1912), relief carved with chrysanthemum leaves, buds and flowers in contrasting colors, height 2 3/8 in., length 5 1/8 in., width 3 7/8 in. $150/250

$800/1200

W denotes the lot is illustrated at www.nealauction.com

135

586

582

W 584. A Large Japanese

W 588. A Collection of Six Japanese

Imari Porcelain Charger, Meiji Period (1868-1912), decorated with a central floral vase medallion encircled by alternating flower and landscape panels, height 2 1/8 in., diameter 18 1/8 in.

Carved Ivory Netsuke, Meiji Period (1868-1912), comprising a sleeping spotted cat, signed, length 1 3/4 in.; two turtles with two smaller turtles on their backs, each signed, length 1 5/8 in.; a shi-shi with a loose ball in its mouth, length 1 5/8 in.; a peasant riding a turtle, signed, length 1 3/8 in.; and a bucket with a turtle, signed, diameter 1 3/8 in.

$400/600 W 585. A Japanese Wood

Figural Group, Meiji Period (1868-1912), standing male figure carved carrying a branch of flowers and a sack of peaches beside a mischievous monkey, height 14 1/2 in., wood stand, overall height 16 5/8 in.

$400/600 W 589. A Japanese Carved and

Lacquered Wood Low Table, 20th c., shaped rectangular top with phoenix roundels on a lotus and foliage ground, waisted frieze, scroll feet, height 17 in., width 53 7/8 in., depth 37 in. $800/1200

$500/700 W 590. A Tibetan Bronze Figural

591

582. A Japanese Inset Red Lacquer Writing Box, Suzuribako, rectangular top with dragon carved inset panel, interior with inkstone, water dropper, ink sticks, brush, and knife, height 2 in., width 8 3/4 in., depth 10 1/4 in. $300/500 W 583. A Large Japanese Imari Porcelain

Charger, Meiji Period (1868-1912), decorated with a central phoenix medallion banded by hawk panels reserved on a brocade ground, height 2 1/2 in., diameter 17 7/8 in. $400/600

136

586. A Japanese Bronze Turtle Group, Meiji Period (1868-1912), cast as a clutch of five entwined creatures variously climbing on one another, height 4 1/2 in., width 11 1/8 in.

Group of Yamantaka in Yab-Yum, 19th/early 20th c., multi-head deity modeled in yab-yum with his consort, copper lotus base, height 7 1/2 in.

$600/800

591. Senaka Senanyake (Sri Lankan, b. 1981), “Flowers”, 1967, oil on canvas, signed and dated lower left, 29 3/4 in. x 22 1/4 in., framed, accompanied by a pamphlet on the artist’s life and accomplishments (2 pcs.)

W 587. A Japanese Carved

Ivory Figural Okimono, Meiji Period (1868-1912), carved as a seated child in a brocade kimono holding a Noh mask, signed, height 3 in. $200/300

$400/600

$3000/5000 W 592. A Chinese Blue Glazed Vase,

Qing Dynasty (1644-1911), baluster body with stylized loop handles, overall Tang-style glaze terminating above the foot, height 4 3/4 in. $150/250

593

593. Two Chinese Qingbai Porcelain PetalRimmed Dishes, Song Dynasty (9601279), each of shallow bowl form similarly modeled with small ribs beneath the notched rim, diameter 4 1/4 in. and 4 3/8 in. $300/500 601

W 594. Two

Chinese Qingbai Porcelain Dishes, Song Dynasty (9601279), each of 595 shallow bowl form with twin fish molded centers, one with radiating ribs, height 1 1/2 in., diameter 6 1/4 in. $400/600 595. A Chinese Qingbai Porcelain Covered Wine Ewer, probably Song Dynasty (960-1279), lobed ovoid body issuing a tall waisted neck, strap handle and curving spout, with etched horizontal banding and stylized floral designs, incurvate cover, height 9 7/8 in. $1500/2500 W 596. A Chinese Creamy Celadon Glazed Petal Rimmed Dish,

Song Dynasty (960-1279), conical bowl form with everted notched rim, diameter 4 3/8 in.; together with another example with breaks and repairs, diameter 4 5/8 in. $400/600 W 597. A Chinese Celadon Bowl, Song Dynasty (960-1279), conical

body molded around the exterior sides with upright leaves radiating from a short foot ring, height 2 3/8 in., diameter 6 1/4 in.

W 598. A Group of Three Chinese Celadon Porcelain

Dishes, Song Dynasty (960-1279) and later, composed of a shallow chrysanthemum ribbed bowl, diameter 6 1/8 in.; a petal molded dish with brass rim, diameter 4 7/8 in.; and a bowl with foliate and key fret decoration, diameter 4 1/4 in. $400/600 W 599. A Chinese Celadon Censer, probably Song Dynasty

(960-1279), tapering cylindrical body carved with horizontal ribs, height 3 1/4 in., diameter 4 1/4 in. $300/500 W 600. Two Chinese Celadon Dishes, Ming Dynasty

(1368-1644), each of shallow bowl form with everted rolled rim, height 1 5/8 in., diameter 5 5/8 in., and height 1 1/2 in., diameter 4 3/8 in. $500/700 601. A Chinese Gilt Bronze Figure of an Official, probably Ming Dynasty (1368-1644), seated figure modeled wearing voluminous robes and an official’s cap holding a hu tablet before his chest, height 8 3/8 in., fitted wood stand, overall height 8 3/4 in., width 5 3/8 in., depth 3 3/4 in. $6000/8000

$600/800 W denotes the lot is illustrated at www.nealauction.com

137

602. A Chinese Celadon Tripod Censer, Ming Dynasty (13681644), low bowl-form body carved around the sides with the Eight Trigrams raised on three ogre head feet, height 4 1/4 in., diameter 11 3/4 in., fitted wood stand, overall height 6 7/8 in. $1200/1800 603. A Chinese Wucai Porcelain Wine Cup, Jiajing mark and probably Period (1522-1566), U-form body raised on a slightly tapering foot ring, enameled around the exterior walls with four red and green four-clawed dragons in pursuit of the flaming pearl, the interior with a central blue five-clawed dragon roundel, base with Jiajing mark, height 2 1/4 in., diameter 3 1/4 in. $12000/18000

602

604. A Chinese Blue and White Porcelain Double Gourd Vase, Wanli Period (1573-1620), molded lobed form, lower body decorated with pomegranate shaped panels alternately enclosing flying horses and floral sprays, upper body with antiques and flowers, height 11 1/8 in. $1500/2500 Provenance: Sotheby’s, New York, Sale 5080, June 18, 1983, lot 410. 605. A Large Chinese Blue and White Porcelain Dish, late Ming Dynasty (1368-1644), bowl-form body decorated with a central medallion of a long tailed bird amid peonies, enclosed around the sides by a border of alternating aster and prunus panels on a wan-fret ground, height 4 1/2 in., diameter 18 1/4 in. $3000/5000 Provenance: Sotheby’s, New York, Sale 5090, October 8, 1983, lot 215. W 606. A Chinese Blue and White Porcelain Dish,

603

probably Wanli Period (1573-1620), shallow bowl-form body decorated with a central garden scene enclosing a spotted deer and birds amid rocks, pine and foliage, the rounded sides encircled by a wide band of birds and reptiles amid rocks and foliage, height 2 7/8 in., diameter 13 3/4 in. $800/1200 W 607. Two Chinese

Blue and White Porcelain Dishes, late Ming Dynasty (13681644), each similarly decorated with a central phoenix bird encircled by floral and treasure banding around the rim, diameter 5 3/4 in. and 6 1/8 in. $300/500 Provenance: Sotheby’s, New York, Sale 5567, April 23-25, 1987, lot 306.

604

138

605

609

610

W 608. A Chinese Blue and

White Porcelain Bowl, late Ming/early Qing Dynasty, 17th c., bell form body decorated with a central character medallion, the exterior with asters, foliage and characters, height 2 7/8 in., diameter 6 3/4 in. $300/500 Provenance: Sotheby’s, New York, Sale 5567, April 23-25, 1987, lot 306. 609. A Chinese Blue and White Porcelain Barbed Rim Dish, probably late Ming Dynasty (1368-1644), bowl form body decorated with a deer in a landscape encircled by two floral bands, height 4 1/8 in., diameter 16 5/8 in. $500/700 610. A Chinese Carved Hardwood Altar Table, Qing Dynasty (1644-1911), inset paneled top, frieze of openwork scrolled vines with peaches, trestle base, square voluted feet, height 35 in., width 82 in., depth 17 3/8 in. $1500/2500 Provenance: Sotheby’s, New York, Sale 5158, March 16 and 17, 1984, lot 597. 611. A Chinese Scholar’s Rock, dark gray stone with white veining of naturalistic form, height 8 3/4 in., wood stand, overall height 11 in. $800/1200

611

W 612. A Chinese Scholar’s

Rock, light gray stone of naturalistic form with flattened vertical planes, height 12 1/4 in., wood stand, overall height 15 in. $800/1200 613 613. A Chinese Bamboo Figural Group, Qing Dynasty (1644-1911), carved as a bearded sage seated on a nesting crane holding a fly whisk, height 7 3/4 in. $7000/9000 614. A Chinese Cinnabar Lacquer Tiered Rectangular Box and Cover, Qing Dynasty (16441911), cover carved with sages and attendants in a rocky garden, sides with stylized floral scrolls, height 4 7/8 in., width 12 1/2 in., depth 9 in. $800/1200

614 W denotes the lot is illustrated at www.nealauction.com

139

W 615. A Chinese Cinnabar

Lacquer Circular Seal Paste Box, 19th/20th c., intricately carved overall with flowering prunus branches, height 1 1/2 in., diameter 2 1/4 in. $200/300 616. A Fine Chinese Carved Tortoiseshell Box Cover, Qing Dynasty (1644-1911), elaborately carved with figures and buildings in an idealized landscape, mounted to a wood base, height 1 1/2 in., diameter 5 1/4 in. $3000/5000 616

617. A Very Fine Chinese Greenish White Jade Ruyi Scepter, 18th/19th c., pale greenish white stone with russet inclusions, delicately and naturalistically carved as an undulating branch bearing entwined peach and lingzhi tendrils terminating in a ruyi head, length 5 1/2 in. $7000/9000 618. A Fine Chinese Yellow Jade Figure of a Mythical Beast, 19th c., pale yellow stone with russet inclusions, carved as a recumbent beast with its head turned to one side, height 2 1/2 in., width 2 3/8 in. $4000/6000 619. A Chinese Glazed Tileworks Figure of a Horse, Ming Dynasty (13681644), modeled standing atop a cloud scroll on a mounded base, height 8 1/2 in., width 11 in., fitted wood stand, overall height 10 1/2 in. $500/700

617

618

140

619

620. Three Chinese Glazed Biscuit Figures of Guanyin, Kangxi Period (16621722), each modeled seated in rajalilasana wearing a full robe and cowl draped over a tall coiffure, variously glazed in green, yellow, white and aubergine, height 7 3/8 in. to 7 7/8 in. $800/1200 Provenance: Estate of Blanche Swift Morris; Sotheby’s, New York, Sale 5158, March 16 and 17, 1984, lot 491.

620

621

622

621. A Chinese Blue and White Porcelain Sleeve Vase, Transitional Period (c. 1630-1650), decorated with a continuous scene of an official and a maiden in a garden setting, between bands of incised rock and wave patterns at the shoulder and base, height 10 1/2 in. $1500/2500 Provenance: Estate of Philip Kappel; Sotheby’s, New York, Sale 4781Y, January 21, 1982, lot 381.

624

622. A Chinese Blue and White Porcelain Yen Yen Vase, Kangxi Period (1662-1722), baluster body and wide trumpet neck decorated with figural panels, height 18 1/2 in. $4000/6000 Provenance: Sotheby’s, New York, Sale 5309, April, 19, 1985, lot 170. 623. A Chinese Blue and White Porcelain Yen Yen Vase, Qing Dynasty (1644-1911), decorated with alternating floral and landscape panels, base with leaf mark, height 16 3/4 in., Note: Restoration. $500/700

623

624. A Chinese Blue and White Porcelain Meiping Vase, Qing Dynasty (1644-1911), high shouldered tapering ovoid body with tall flared neck, decorated with a continuous scene of birds amid rocks and flowers between wide bands of qilong cartouches above and prunus and lingzhi sprays below, drilled base with PB (Parke Bernet), 12/4/58, Warren E. Cox Collection, New York, label, height 16 7/8 in. $2000/4000

W denotes the lot is illustrated at www.nealauction.com

141

626

627. A Chinese Bronze and Cloisonné Enamel Figure of a Rat, 19th c., whimsical recumbent figure modeled wearing a cloisonné embellished cape and halter, height 5 1/2 in., length 9 3/8 in., width 5 1/4 in. $2000/3000 W 628. A Pair of

Chinese Bronze Figures of Qilin, Qing Dynasty (1644-1911), each recumbent figure modeled with its head turned over its backside carrying a lingzhi spray in its mouth, length 2 in. 625

$400/600

627

629. A Good Chinese White Jade Bangle Bracelet, Qing Dynasty (1644-1911), carved overall with twisted rope design, diameter 3 1/2 in. $3000/5000 630. A Good Chinese White Jade Garment Hook, 18th/19th c., pale greenish white stone with russet inclusions, carved as a curving shaft surmounted by a qilong dragon crawling toward the dragon head hook, underside with circular button, length 4 3/4 in.

629

631

625. A Chinese Gilt Bronze and Cloisonné Enamel Meiping Vase, Qing Dynasty (16441911), enameled with five dragons in flight amid flames, cloud scrolls and flaming pearls above a band of cresting waves at the base, base with Qianlong mark, height 13 1/2 in. $4000/6000

630

626. A Chinese Hardstone Embellished Rosewood Rectangular Box, Qing Dynasty (1644-1911), applied with flowers, fruit, plants and antiques in various hardstones, jade, bone and mother-of-pearl, height 3 1/4 in., width 11 7/8 in., depth 8 1/4 in. $1000/1500

142

$5000/7000 631. A Large Chinese Blue and White Porcelain Covered Jar, early Kangxi Period (1662-1722), baluster body painted overall with alternating landscape and ‘antiques’ panels beneath a wide lotus scroll band at the neck, domed cover decorated with alternating floral and landscape panels radiating from a bud knop, height 23 1/2 in. $4000/6000 Provenance: Sotheby’s, New York, Sale 5158, March 16 and 17, 1984, lot 494.

633

632

636

632. A Chinese Blue and White Porcelain Mallet Form Vase, Chenghua mark but probably Kangxi Period (1662-1722), decorated with a continuous scene of the “Seven Sages of the Bamboo Grove”, base with Chenghua mark, height 10 in.

636. A Chinese Blue and White Porcelain Rouleau Vase, Qing Dynasty (1644-1911), decorated with a continuous lakeside scene with scholars and boatmen, base with leaf mark, Sotheby’s lot tag, height 17 1/2 in.

$1000/1500

$800/1200

633. A Chinese Blue and White Porcelain Jardinière, Kangxi Period (1662-1722), tapering globular body painted with four carp swimming amid water weeds, crabs, fish and shrimp, height 6 3/4 in., diameter 8 7/8 in.

637. A Near Pair of Chinese Blue and White Porcelain Bowls, Kangxi marks and Period (1662-1722), bell form bodies raised on short foot rings, respectively decorated in brilliant and bright underglaze blue with lotus blossoms on dense scrolling vines, bases with Kangxi marks, height 3 1/2 in., diameter 7 1/2 in. and 7 5/8 in. Note: Restoration to each rim.

634

$1000/1500 Provenance: Sotheby’s, New York, Sale 5567, April 23-25, 1987, lot 314.

$1000/1500 634. A Chinese Blue and White Porcelain Dish, Kangxi Period (1662-1722), shallow bowl form body decorated with a central floral head medallion encircled by stylized interlocking foliage and flowering plants, base with leaf mark, height 2 1/2 in., diameter 15 1/4 in. $1200/1800

Provenance: Sotheby Parke Bernet, New York, Sale 4397, June 18, 1980, lot 458.

637

W 635. A Chinese Blue and White Porcelain

Bowl, 17th c., bell form body decorated overall with peonies and scrolling foliage, interior well with a central medallion of water plants, height 2 3/4 in., diameter 5 3/4 in. $300/500 Provenance: Sotheby’s, New York, Sale 5567, April 23-25, 1987, lot 306.

W 638. A Pair of Chinese Blue Ground Kesi Dragon Roundels, Qing Dynasty (1644-1911), each woven in slit weave technique and couched metallic threads with a full-frontal five-clawed dragon writhing about a central flaming pearl between the constellation above and a terrestrial diagram below, diameter 12 1/8 in.

$1800/2200 W denotes the lot is illustrated at www.nealauction.com

143

639

641

639. A Chinese Embroidered Yellow Silk Brocade Five Dragon Throne Seat Cushion Cover, Qing Dynasty (1644-1911), embroidered in polychrome and couched gold threads with a central roundel enclosing a full-frontal fiveclawed dragon writhing around a flaming pearl amid bats, flames and cloud scrolls, surrounded by four further dragons, bats, flames and cloud scrolls, banded along the sides by waves and terrestrial diagrams, 58 in. x 57 3/4 in. $5000/7000 640. A Chinese Embroidered Yellow Silk Throne Seat Cover, Qing Dynasty (1644-1911), intricately worked in “French” knot stitch with flower heads, leafy foliage, bats and auspicious emblems, 43 in. x 63 in. $5000/7000 641. A Chinese Embroidered Yellow Silk Panel, Qing Dynasty (1644-1911), worked in “French” knot and satin stitch with the figure of Guanyu on a yellow ground, brocade border, 81 in. x 38 3/4 in. 640

144

$3000/5000

642. A Chinese Lacquered Wood Incense Stand, Qing Dynasty (1644-1911), shaped rectangular top, pierced waist, floral-carved apron, cabriole legs, on conforming base, height 15 in., width 11 1/2 in., depth 9 1/2 in. $1000/1500 643. A Chinese Bronze Qilin-Form Covered Censer, Qing Dynasty (16441911), modeled standing with its head twisting toward a lion dog seated atop its pierced domed cover, height 12 in., elaborately carved wood base, overall height 14 5/8 in. $1500/2500 643

642

646

645

648. A Chinese White Jade Pendant, 19th c., lock form carved as a leaping carp surmounted by the figure of a boy holding lingzhi sprays, height 1 7/8 in., width 2 in.

W 644. A Chinese

Coral Figure of a Scholar, carved standing in a slightly swayed stance holding his beard in one hand and a piece of bamboo in the other, height 3 1/8 in.

$800/1200

$400/600 645. A Chinese White Jade Peach-Form Brushwasher, 19th/20th c., white stone with area of green inclusion, carved as a large peach borne on leafy branches bearing peaches, pomegranates and lingzhi, height 2 1/4 in., width 7 1/4 in. $2000/3000

649

648

646. A Chinese White Jade Pendant, 19th c., carved in the form of a “Buddha’s Hand” finger citron with long curling tendrils borne on a leafy vine, height 2 1/2 in.

W 647. A Chinese White Jade

Figural Group of Two Men on an Elephant, 19th c., even white stone carved as two figures grooming the docile beast, height 2 in.

649. A Chinese Soapstone Buddhist Lion Group, probably 19th c., carved as three playful lions clambering on and around a ball, signed, height 2 3/8 in., width 2 1/2 in. $800/1200

$800/1200

$2000/3000

W denotes the lot is illustrated at www.nealauction.com

145

650 651

650. A Chinese Carved Wood Table, rectangular paneled top, reticulated frieze, cylindrical legs, shaped stretchers, height 32 in., width 46 in., depth 15 1/2 in. $1000/1500 651. A Pair of Chinese Hardwood Yoke Back Side Chairs, each shaped crest rail over turned stiles, curving splat, inset woven seat, shaped seat rail, turned legs, stretchers.

652

$5000/7000 652. A Chinese Wucai Porcelain Covered Jar, probably Kangxi Period (1662-1722), thick baluster body decorated with a continuous scene of figures in a garden setting, finialed domed cover with boys at play, height 15 1/2 in. $800/1200 W 653. A Chinese Wucai Porcelain Meiping Vase, Qing

Dynasty (1644-1911), boldly decorated with a scene of a scholar and attendants in a garden, height 6 5/8 in.

655

W 656. A Bronze-Mounted Chinese Famille Verte

Decorated Powder Blue Porcelain Covered Jar, probably 19th/20th c., U-form body and domed cover decorated with bird, insect and floral panels, base with ribboned book mark, bronze foot, rims and finial, height 7 7/8 in. $2000/3000 Provenance: Arthur Bennett Kouwenhoven, Savannah, Georgia.

$600/800 W 657. A Pair of Chinese Peachbloom Glazed Bottle Vases, W 654. A Chinese Wucai Porcelain Sleeve Vase, Qing Dynasty

(1644-1911), decorated with ladies in a garden, height 9 in. $600/800 655. A Pair of Chinese Powder Blue Porcelain Baluster Vases, Kangxi Period (1662-1722), exteriors covered overall in mottled blue glaze, bases with double circle marks, height 14 3/8 in. and 14 5/8 in., wood stands and covers, overall height 19 3/4 in. $3000/5000

146

Kangxi marks but probably 19th/20th c., ovoid bodies with tall flared necks, lightly molded with leaf tips radiating from the waisted foot rings, bases with Kangxi marks, height 9 in. $600/800 W 658. A Chinese Peachbloom Glazed Bottle Vase, Kangxi

mark but probably 19th c., ovoid body with tall flared neck molded above the waisted foot with upright petals, base with Kangxi mark, height 7 3/4 in. $200/300

659. A Fine Pair of Chinese Gilt Bronze and Cloisonné Enamel Figures of Elephants, Qing Dynasty (1644-1911), each caparisoned figure modeled in mirror image wearing a handled vase on its back and standing atop a separate rectangular double lotus base with incised Qianlong marks, height 10 in., width 5 7/8 in., depth 3 1/4 in., (4 pcs.) $12000/18000 660. A Pair of Chinese Iron Red and Gilt Porcelain Vases, 19th c., each of baluster form with flared rims and mock ring handles, decorated with figural panels reserved on a white grown strewn with flowers, butterflies and musical instruments, height 24 1/2 in., later gilt bronze stands, overall height 26 1/2 in. $2000/3000 W 661. A Pair of Chinese Iron

659

Red Porcelain Baluster Vases, late 19th/early 20th c., each decorated with a Buddhist lion and pups with calligraphy on reverse, height 24 in. $500/700 W 662. A

Chinese Iron Red and Gilt Porcelain Baluster Vase, 20th c., decorated with lotus, characters and scrolling foliage, height 17 3/8 in. Note: Restoration.

663

$200/400 660 663. A Large Chinese “Verte Imari” Porcelain Charger, Kangxi Period (1662-1722), decorated with a central scene of female equestrians beneath a pavilion set with female onlookers, the wide rim decorated with a dense floral head border, height 2 7/8 in., diameter 19 1/2 in. Note: Restoration to rim. $1000/1500

664. A Chinese Blue and White Porcelain “Prunus” Jar, Kangxi Period (1662-1722), tapering globular body decorated with flowering prunus on a “cracked ice” ground, jade inset reticulated wood cover, height 9 in. $800/1200 Provenance: Sotheby’s, New York, Sale 5569, April 23-25, 1989, lot 315. 664 W denotes the lot is illustrated at www.nealauction.com

147

669. A Chinese Molded Gourd Bottle Vase, Guangxu mark and Period (1875-1908), faceted hexagonal body relief decorated with peaches and “Buddha’s Hand” finger citron, ivory mounted rim, inset wood base with Guangxu mark, height 10 1/8 in. $1000/1500 670. A Chinese Pale Celadon Jade Brushwasher, 19th c., carved in the form of a ruyi head surrounded by rockwork, lingzhi and cavorting monkeys, height 2 1/8 in., length 6 in., width 3 3/8 in. $2000/3000 665 W 671. A Chinese Celadon Jade

Baluster Vase and Cover, flattened form carved with loose ring lion’s head handles, conforming cover with button finial, height 5 7/8 in.

669

$2000/3000 672. A Chinese Celadon Jade Garment Hook, curving shaft surmounted by a stylized dragon crawling toward the dragon head hook, underside with circular button, length 6 3/8 in.

667

$800/1200

670 665. A Chinese Blue and White Porcelain “Prunus” Jar and Cover, Kangxi Period (16621722), tapering globular body and flat cover decorated with prunus blossoms on a “cracked ice” ground, base with leaf mark, height 9 3/4 in. $800/1200 W 666. A Chinese Blue and White

Porcelain Vase, 19th c., baluster body with applied prunus branch and blossom handles, decorated overall with stylized lotus and scrolling foliage, base with etched brown mark, height 24 1/4 in. Note: Restoration to neck.

672

$800/1200 W 668. A Chinese Bamboo Figure of

667. A Chinese Blue and White Porcelain Charger, probably late 19th/early 20th c., decorated with two confronting dragons amid clouds and flames, base with Guangxu mark, height 2 1/4 in., diameter 13 1/4 in. $1500/2500

148

a Luohan, Qing Dynasty (1644-1911), carved seated beside a lion-dog wearing loose robes and holding a fly whisk in one hand, height 7 7/8 in. $800/1200

W 673. A Chinese Celadon Jade Garment Hook Mounted as a Letter Opener, Qing Dynasty (1644-1911), curving shaft surmounted by the figure of a qilong crawling toward the dragon head hook, underside with circular button, length 3 5/8 in., mounted with a gilt washed sterling silver blade, marked “BENSABOTT”, overall length 8 7/8 in.

$500/700

674. A Pair of Chinese Rock Crystal Figural Groups of Boys on Buffalo, 19th/20th c., each recumbent buffalo carved in mirror image with a boy climbing over its rump, height 1 3/4 in., length 2 7/8 in., fitted wood stands, one bearing Sotheby’s lot tag, overall height 2 1/2 in. $300/500 674 W 675. Chinese

School, 20th c., “Mountainous Landscape with Lake”, ink and color on silk, two seals lower right, 23 1/4 in. x 39 1/4 in., matted and framed. $800/1200 677

W 676. A

Chinese Kingfisher Blue Glazed Stoneware Jar, 19th c., tapering baluster body with applied dragon handles, overall bright turquoise glaze, height 12 in. Note: Losses to one handle.

678

$400/600 677. A Chinese Blue and White Porcelain Beaker Vase, Qing Dynasty (1644-1911), cylindrical body with flared rim and splayed foot, decorated overall with lotus and scrolling foliage, height 18 in. $1500/2000 678. A Pair of Chinese Hardstone Embellished Lacquered Wood Panels Set in Hardwood Stands as Table Screens, each rectangular panel embellished with long tailed birds and flowering trees in various hardstones, wood and mother-of-pearl on a yellow-gold lacquer ground, the reverse painted with landscapes, each set in a carved wood stand, possibly Zitan, height 27 in., width 18 1/4 in., depth 9 1/8 in.

680 679 679. A Monumental Chinese Bronze ‘Nine Dragon’ Bottle Vase, elaborately cast with nine fiveclawed horned dragons amid waves, base with apocryphal Yongzheng mark, height 26 in. $2500/3500

680. A Chinese Jadeite Figure of a Bull, green stone with russet inclusions, carved as a recumbent horned creature, height 4 in., width 7 in., wood stand, overall height 5 in. $3000/5000

$2500/3500

W denotes the lot is illustrated at www.nealauction.com

149

W 683. A Chinese

Greenish White Jade Figure of a Maiden, 19th c., elegant standing figure carved holding flowering branches, height 2 3/4 in., wood base, overall height 3 3/8 in. $500/700 684. A Chinese White Jade Pendant, 20th c., lock form carved as stylized leaf sprays surmounted by a pierced ball inset with an articulating inner ball, height 2 in., width 2 in. $700/900 685

681

685. A Miniature Chinese Rosewood Storage Cabinet, rectangular body, domed top, two doors intricately carved with dragons amid clouds, height 15 1/2 in., width 12 3/8 in., depth 9 1/4 in. $2000/3000

686

684

686. Chinese School, 20th c., “Pink Roses in a Blue Vase”, oil on board, bearing signature “Tchun” for Chen Baoyi upper left, 9 1/2 in. x 11 3/8 in., framed. $1000/1500

681. A Chinese Jadeite Vase and Cover, 19th/20th c., variegated apple green, lavender and russet stone carved as a flattened vase with birds and flowering branches in high relief, height 7 3/8 in. $3500/4500 W 682. A Chinese White Jade Boy and

Gourd Group, creamy white stone carved as a boy straddling a giant gourd borne on leafy branches, length 2 1/4 in. $200/400

687

687. Chinese School, 20th c., “Fishing”, gouache on paper, bearing signature of Guangzhong Wu lower left, 5 1/4 in. x 7 1/2 in., unframed; accompanied by a copy of a November 26, 1989 letter (2 pcs.) $1000/1500

150

688. Chinese School, 20th c., “Bamboo Stalk with Sprouts”, ink on paper, inscribed mid-left with two seals, 53 7/8 in. x 13 1/8 in. $400/600 W 689. A Chinese Famille

Rose Porcelain Vase, Qing Dynasty (1644-1911), faceted baluster body with elephant head handles decorated with figural and floral scenes, height 14 in., now mounted as a lamp, overall height 28 1/2 in. $600/800 W 690. A Pair of Chinese

Famille Rose Porcelain Vases, late Qing Dynasty (1644-1911), baluster bodies with openwork handles, decorated with figural panels on a floral ground, height 24 1/2 in., now mounted as lamps, overall height 34 3/8 in.

694

$500/700 691. A Chinese Bronze Incense Burner, 19th/20th c., rectangular body with stylized bamboo handles and feet, base with Ming mark, height 7 1/4 in., width 10 3/4 in., depth 7 5/8 in., pierced wood “bamboo” stand and cover, overall height 13 7/8 in. $700/900 697 W 692. A Pair of Chinese

Cloisonné Enamel LionForm Pricket Stands, early 20th c., each figure modeled seated on a tripod stand holding a pricket candleholder on its back, height 8 3/8 in.

688

694. A Pair of Chinese Cloisonné Enamel Covered Tripod Censers, bowl form bodies with wide everted rims raised on elephant-head feet, stepped domed covers with pierced sides surmounted by elephants, height 32 in., diameter 20 1/2 in. $4000/6000

$300/500

W 695. A Chinese Cloisonné Enamel Galleried Tray,

rectangular form decorated with scholarly accoutrements and floral sprays, width 8 in., depth 11 1/4 in.

W 693. A Pair of

$150/200

Chinese Cloisonné Enamel Figures of Mythical Lions, 20th c., each standing figure modeled with an oil offering bowl in its mouth, height 4 1/4 in., width 7 1/4 in., fitted wood stands, overall height 5 1/8 in.

W 696. A Chinese Cloisonné Enamel Covered Jar, late 19th/

early 20th c., decorated with crane and pine, height 13 in. $200/300 697. A Large Pair of Chinese Cloisonné Enamel Hu Vases, 20th c., each of pear form with deer head handles, enameled with deer in a wooded landscape, height 14 1/2 in.

$200/300

$3000/4000 691 W denotes the lot is illustrated at www.nealauction.com

151

699

W 703. A Collection of

Four Chinese Soapstone Seals, three of rose colored stone surmounted by mythical beasts, forth of pale green stone, each with carved chop, height 1 1/4 in. to 2 1/2 in.

698

$600/800 W 704. Two Chinese

Soapstone Seals, columnar bodies similarly carved around the sides with dragons pursuing the flaming pearl, height 4 3/4 in. $200/400

705

W 700. Two Chinese Archer

Rings, Qing Dynasty (1644-1911), the first ivory, the second agate, height 7/8 in., diameter 1 in.

$400/600

Famille Rose Porcelain Fan-Shaped Plaques, each painted with a scene of an onlooker peeking at a couple in the act of making love, signed, width 8 5/8 in.

707 W 701. A Chinese Pale Celadon

698. A Chinese Translucent Yellow Glass Seal Paste Circular Box, Qing Dynasty (1644-1911), domed cover carved with quail and millet, body with fish amid lotus, base with Qianlong mark, height 2 1/2 in., diameter 4 in. $3500/4500 699. Two Chinese “Chicken Fat” Yellow Glass Figures of Lions, slightly translucent glass carved as a Buddhist lion and a winged lion, height 1 1/2 in. to 2 1/8 in., fitted wood stands, overall height 3 3/8 in., storage box. $1000/1500

Jade Plaque, late 19th c., carved as a butterfly with outspread wings feeding on a lotus blossom, height 3 in., width 2 in.

W 706. A Pair of Chinese

$2000/4000

$400/600 W 702. Two Chinese Celadon

Jade Oval Plaques, the first carved and pierced with the figure of Shoulao and a deer amid foliage, the other with the He He Erxian twins, height 3 1/8 in., width 2 3/8 in. $500/700

152

705. A Chinese Flambé Glazed Porcelain Yen Yen Vase, 19th/20th c., overall red and blue streaked glaze thining to mushroom beneath the rim, height 17 7/8 in.

707. A Pair of Chinese Porcelain Baluster Vases, probably Republican Period (1912-1949), finely enameled with perch and shrimp amid water weeds, bearing signature of “Zhang Peixuan”, height 12 3/8 in. $1500/2500

708. A Chinese Famille Rose Porcelain Circular Tile, probably late 19th/early 20th c., enameled in the Qianjiang style with scholars in a garden landscape, inscribed, diameter 15 3/4 in. $1000/1500 W 709. A Pair of Chinese

Famille Rose Cultural Revolution Porcelain Vases, mid-20th c., tear form bodies decorated with sailors playing with children, inscribed, bases marked product of Jingdezhen art ceramic factory, height 10 1/4 in. $1500/2500

708

710. A Chinese Jadeite Snuff Bottle, 19th/20th c., mottled dark green stone carved in pear form with mask and faux ring handles, height 2 1/2 in. 710

$3000/5000 711. A Chinese Jadeite Snuff Bottle, 19th/20th c., mottled green stone carved in globular shield form with a slightly convex foot, height 2 1/4 in. $1000/1500

713

W 712. A Chinese Jadeite Snuff

Bottle, 20th c., mottled green and white ‘moss in melting snow’ stone carved in flattened octagonal form with “bamboo” sides, height 2 1/4 in. $600/800 713. A Chinese “Chicken Fat” Yellow Glass Snuff Bottle, carved as a “Buddha’s Hand” finger citron with peaches and pomegranate, coral stopper, length 3 3/4 in.

711

$1000/1500 W 717. A Chinese Hardstone

Embellished Black Lacquer Panel, late Qing Dynasty (1644-1911), rectangular form applied with a vase of magnolia blossoms, a statue of Buddha, fruit, and a musical instrument, the reverse with gilt floral decoration, sight 24 5/8 in. x 16 1/2 in., framed, overall 27 in. x 18 7/8 in.

W 714. A Group of Three Chinese Glass

Snuff Bottles, first of goldstone flecked green glass, height 2 1/8 in.; second of goldstone glass, height 2 3/8 in.; third of red overlay bubble suffused clear glass, height 3 in. $150/250

$300/500

715 715. A Chinese Famille Rose Porcelain Snuff Bottle, baluster body delicately enameled with two spotted deer and a monkey hunting honey in a tree, height 3 1/8 in. $150/250

W 716. Two Chinese Hardstone

Snuff Bottles, including a jadeite vasiform bottle, height 2 1/4 in., and a mottled brown agate bottle, height 2 3/4 in. $150/250

W 718. A Decorative Pair of Chinese

Famille Noir Porcelain Baluster Vases, 20th c., decorated with a continuous scene of beauties in a garden, height 22 in. $600/800

W denotes the lot is illustrated at www.nealauction.com

153

W 719. A Chinese Famille Noir Porcelain Ovoid Jar, 20th c.,

W 725. A Chinese Famille Rose and Brown Fired Porcelain

decorated with long tailed birds amid flowering prunus, height 9 3/4 in., now mounted as a lamp on wood stands, overall height 27 in.

Vase, 20th c., baluster body applied with pairs of dragons and lion dogs and decorated with battle scenes, now mounted as a lamp, overall height 15 in.

$200/400

$150/250

W 720. A Chinese Famille Noir Porcelain Ovoid Jar,

W 726. An Asian Cloisonné Embellished Bronze Figure of a

19th/20th c., decorated with birds and prunus, height 9 1/4 in., now mounted as a lamp on a metal base, overall height 24 3/4 in.

Bodhisattva, late 19th/20th c., cast seated in dhyanasana wearing brocade style open robes, height 15 3/8 in.

$300/500

$200/400

W 721. A Chinese Famille

Jaune Porcelain Ovoid Jar, late 19th/early 20th c., decorated with Double Happiness panels on a floral ground, wood cover, height 9 in.

727. A Chinese Hardstone Tree, 20th c., naturalistic branches issuing serpentine, agate, spinach jade, rose quartz, and sodalite leaves and flowers, approx. height 10 1/4 in.

$100/150

$200/300

W 722. A Group of Three

W 728. A Chinese

Chinese “Blanc-de-Chine” Porcelain Figures of Guanyin, 19th/20th c., two modeled standing and one seated, variously holding a lotus spray, a scroll and an overturned bottle vase, height 8 3/4 in. and 12 1/4 in.

Serpentine Vase and Cover, early 20th c., carved with birds amid peonies, height 8 3/8 in., mounted to a wood base on a lamp platform, overall height 17 in.

$300/500

$200/300 727 W 729. A Decorative Pair

Sgraffito Ground Dishes, late 19th/early 20th c., each decorated with flowering branches on a floral incised ground, diameter 7 1/2 in.

of Chinese Glazed Figural Pottery Vases, 20th c., each modeled as a double gourd vase fronted by a Bodhisattva seated on a double lotus base flanked by incense holders, height 8 in.

$200/400

W 724. A Chinese Famille Noire Porcelain Jardinière, 20th

W 730. A Decorative Pair of Chinese Glazed Pottery

c., decorated with continuous scene of birds amid flowering plants, height 16 1/4 in., diameter 17 1/2 in.

Figural Groups, 20th c., each modeled as a rearing saddled horse beside an attendant groom, height 7 3/4 in., length 8 in.

$300/500

$200/400

W 723. A Pair of Chinese Famille Rose Lime Green

154

Session Two Sunday, September 15, 11 am 3923 Carondelet Street

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155

731

733

734

733. An American SixteenInch Terrestrial Globe, c. 1948, Weber Costello Co., Chicago, with lithographed gores, on a decorative cast-iron base with copper patination, height 24 3/4 in. $400/600 734. An Antique English Carved Mahogany Barometer, 19th c., the case fitted with hygrometer, butler’s mirror, weather dial and thermometer, height 41 1/2 in., width 12 in., depth 2 in. 732

731. An Antique English Blown and Etched Glass Three-Light Hall Lantern, early 19th c., grape and willow etched design, globe suspended by chains, smoke bell, height 22 in., bell diameter 10 1/2 in. $800/1200

$400/600 W 735. A Pair of Large

736 (1 of 2)

732. [Leather Bindings], Anatole France (French, 1844-1924), The Novels and Short Stories of Anatole France, New York, the Versailles Edition, in 19 volumes, pictorial red morocco cover, interior with an Art Nouveau floral design on a moss green levant doublure onlays, moiré end sheets. $600/900

English Glass Urns, each blown glass body supported by blue and silver tôle peinte base, height 34 3/4 in., diameter 13 1/4 in. $600/800 736. Two Continental Carved and Giltwood Mirrors, each with foliate carved molded frame. $600/900

156

737. An English “Campaign” Mahogany and Brass Bound Partner’s Desk, 20th c., tooled leather top, double pedestal base of three drawers on each side, blocked base, height 29 1/2 in., width 72 in., depth 54 1/2 in. $1000/2000 738. Everhardus Koster (Dutch, 18171892), “Sailing Ships and Row Boat by Rocky Coast”, oil on wood panel, signed lower left, 7 1/2 in. x 11 in., framed. $400/600 737

738

743

746

745

W 741. A Grand Tour

W 744. A Bronze Figure of “The

Ceramic Plaque, mid-to-late 19th c., depicting the “Tempio della Concordia” in the Roman Forum, executed in high relief and painted in beige and grisaille within a gilt border, diameter 12 1/2 in.

Dancing Faun”, late 19th c., after the Roman prototype discovered in 1830 in Pompeii (now in the Naples Archaeological Museum), height 16 in.; together with a Neapolitan bronze reduction of the Classical Youth known as the “Adorante”, height 12 1/4 in.

$200/400

$400/600

W 742. A German Bronze-

745. A Georgian Inlaid Mahogany Knife Box, interior now fitted for letters, height 15 1/2 in., width 9 in., depth 12 in.

Oyster Plates, varied shapes and decoration, each with compartments for oysters and sauce, width 8 1/4 in. to 9 1/2 in.; together with a German porcelain oyster plate, diameter 8 1/4 in. (7 pcs.)

Patinated Plaster Plaque, Musterschutz, mid-to-late 19th c., relief moulded with the “Fontana de Trevi dall Alto”, diameter 12 3/4 in.

$400/600

$200/400

W 740. A Pair of Staffordshire Blue and White

743. A Pair of NeoclassicalStyle Gilt Bronze Pricket Candlesticks, each fluted shaft over tripod pedestal with saints and sacre cour depicted in recessed reserves, height 31 in., width 8 in., depth 8 in.

746. A George III Sterling Silver Sugar Basket and Cream Pitcher, the basket maker PP, London, 1795, the pitcher Henry Chawner, London, 1790; each paneled form with grape and grapeleaf border and stepped foot, engraved “Providentia” above crest with coat of arms en verso; basket height (to top of handle ) 6 1/2 in., pitcher height 5 in., combined weight 12 ozs.

$500/700

$500/750

W 739. A Group of Six Antique French Porcelain

Pottery Platters, 19th c., marked in underglaze blue “Guaranteed Staffordshire”, the wells decorated with Chinese landscapes, bordered with pinwheel and ruyi decoration, height 14 in., width 18 in., depth 2 in. $200/400

$250/350

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157

W 747. A Set of

12 Victorian Silver Gilt Teaspoons, maker AH, London, 1875, each handle surmounted by the coronet of a marquess, combined weight 8.30 troy ozs. $200/400 Provenance: Grace Ballam, LaJolla, CA. W 748. An

Aesthetic Movement Silverplate Tea Tray, Meriden Britannia Co., founded 1852; bamboo form handles, 28 1/2 in. x 19 1/4 in. $400/600 749. An American Rococo Carved Mahogany Tester Bed, mid19th c., probably William McCracken (New Orleans, 18081872), molded tester, faceted posts, arched scrolled headboard, shaped scrolled foot board, conforming rails, ogee feet, height 114 in., length 77 in., width 57 1/2 in. 749

158

$4000/6000

750

751

750. An American Rococo Mahogany Armoire, mid-19th c., en suite with previous lot, New Orleans, stepped cornice, paneled doors, scrolled acanthine feet, height 93 in., width 69 in., depth 29 1/2 in. $4000/6000 751. An American Rococo Carved Mahogany Dressing Chest, mid-19th c., en suite with previous lot, New Orleans, molded mirror on scrolled supports, marble top, outset frieze drawer, three graduated drawers below, acanthine feet, height 77 1/4 in., width 45 1/2 in., depth 21 in. $1500/2500

752

753

752. An American Rococo Carved Mahogany Washstand, mid-19th c., en suite with previous lot, New Orleans, serpentine marble top with shaped gallery, conforming frieze drawer, corners with turned pendants, beaded molded paneled doors below, acanthine feet, height 38 in., width 36 in., depth 20 in. $1500/2500

753. An American Rococo Carved Mahogany Bedside Commode, mid-19th c., en suite with previous lot, New Orleans, serpentine marble top, conforming frieze drawer, corners with turned pendants, molded beaded paneled door below, acanthine feet, height 31 1/2 in., width 20 in., depth 18 1/2 in. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

159

757

755. A Suite of Eight Antique American Late Classical Mahogany “Gondola” Chairs, early 19th c., in the manner of Francois Seignouret, comprising two later associated armchairs and six period side chairs, each with arched crest, continuous stiles, vasiform splat, bowfront seat rail, saber legs. $1200/1800 W 756. A William IV Carved Rosewood Work Table, c. 1835,

rectangular top, frieze drawer, work basket below, trestle base with shaped supports decorated with rosettes. $300/500

754

755 (6 of 8)

754. An American Late Classical Carved Mahogany Bibliothèque, mid-19th c., flared cornice, three glazed doors, stiles surmounted by acorn finials, laurel wreath paneled doors below, plinth base, adjustable shelves, height 94 in., width 62 in., depth 18 in. $4000/6000

160

757. Victor Dubreuil (American, 1846-1946), “Cracking the Whip”, oil on canvas, signed lower left, 16 in. x 20 in., framed. $3000/5000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

760

758

759

758. Albert Pels (American, 1910-1998), “American Tragedy”, 1936, oil on board, signed and dated lower right, “Morris Museum of Art” label en verso, 19 7/8 in. x 23 7/8 in., framed. $2000/3000 Provenance: Gift of the Robert Powell Coggins Art Trust to the Morris Museum of Art, Augusta, Georgia. Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. 759. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou at Dusk”, 1922, oil wash on board, signed and dated lower left, sight 19 in. x 28 3/4 in., framed. $2500/3500

761

760. Eliot Candee Clark (American/Virginia, 1883-1980), “Virginia Valley”, oil on canvas, signed lower left, “Atwell’s Art and Frame, Savannah” label en verso, 18 in. x 24 in., framed. $2500/3500 Provenance: Auslew Gallery, Norfolk, Virginia. 761. Eliot Candee Clark (American/Virginia, 1883-1980), “By the Shore”, oil on canvas, signed lower left, preliminary painting en verso, 18 in. x 24 in., framed. $2000/3000 Provenance: Auslew Gallery, Norfolk, Virginia.

W denotes the lot is illustrated at www.nealauction.com

161

762. Alton S. Tobey (American, 1914-2005), “Wright Brothers Plane Flies at Kitty Hawk, 1903”, oil on canvas board, signed lower right, pencil inscribed “G. Press, Vol. 7, p. 588-589” en verso, 18 in. x 26 in., framed.

W 767. A “Sevres”-Style

Gilt Bronze-Mounted Porcelain Compote, cobalt ground bowl and standard, the well with painted floral garland, height 8 in., diameter 6 3/4 in. $300/500

$2000/3000 Note: Alton S. Tobey’s painting “Wright Brothers Plane Flies at Kitty Hawk, 1903” was reproduced as a keepsake two page fold-out illustration in The Golden Book History of the United States: The Age of Steel, Volume 7, illustrated by Alton S. Tobey, Earl Schenck Miers, and Richard P. Kluga, Golden Press: New York, 1959.

W 768. Two Cobalt and

Gilt Porcelain Cabinet Plates, early 20th c., the first with scalloped edge depicting ‘wishing bridge’ at Gap of Dunloe, Ireland, diameter 9 1/4 in.; the second with a classical scene depicting a musical goddess and cherubs, “Das Gehör” on reverse with beehive mark possibly Ackermann and Fritze, diameter 9 1/2 in.

762

763. John McCrady (American/Mississippi, 19111968), “The Robert E. Lee and the Natchez”, 1945, lithograph on paper, pencil-signed and titled lower left, published by Associated American Artists, NY, plate 9 1/2 in. x 14 3/8 in., framed.

$200/300 W 769. An Extensive

Collection of Painted Lead Military Figures, 20th c., including 86 figures and 8 cannon, soldiers from the 19th c. through World War I, most on metal bases, a few on wooden bases, height of tallest 4 1/2 in.

$500/700 W 764. Four English

Engravings from John and $700/1000 Josiah Boydell’s Shakespeare, published at the 763 W 770. An English Painted Shakespeare Gallery Hall, London, Lead Soldier Tableau, 20th c., including “Merry Wives of wood base signed “Wilson”, Windsor, Act II, Scene I”, after Rev. depicting the “Retreat from Corunna”, height 3 1/2 in., width 6 William Peters (1742-1814), engraved by Robert Thew (1758-1802), 1/4 in., depth 5 in. published on Dec. 24, 1793; “All’s Wells That Ends Well, Act V, Scene III”, after F. Wheatly, R.A. (1747-1801), engraved by G.S. & J.G. $500/700 Facius, published on June 4, 1794; “Titus Andronicus, Act IV, Scene I” after Thomas Kirk (1765-1797), published on Dec. 24, 1793; and W 771. A Group of Five Painted Lead Figures of French “Her Most Gracious Majesty, Queen Charlotte”, after Sir William and British Cavalry Officers, 20th c., depicting four French in Beechey, R.A.(1753-1839), engraved by Thomas Ryder (1746-1820) & the style of 1812 and one British Hussar, height of tallest 4 in. Thomas Ryder, Jun., published on Dec. 1, 1804; sights 25 1/2 in. x 18 1/2 in.; 19 3/4 in. x 25 in.; 22 3/4 in. x 17 in.; and 23 3/4 in. x 16 $300/500 3/4 in. respectively, all matted and framed. $600/900

W 772. An Extensive Collection of Painted Lead Figures of

Siebert & Rice, height 12 in., width 12 in., depth 10 in.; together with a pair of porcelain topiaries, raised on white pedestals, height 15 1/2 in., width 3 1/2 in., depth 3 1/2 in. (3 pcs.)

British Military Musicians and a Terracotta Model of a Portico, figures marked “Made in Wales”, including 11 musicians, 1 conductor, 11 music stands, and 1 conductor’s stand, displayed in an Italian hanging portico, figure heights 2 1/2 in., portico height 9 in., width 15 3/4 in., depth 3 3/4 in.

$200/300

$600/900

W 766. A Pair of Paris Porcelain Figural Flare Vases, applied

W 773. A Group of Six Halcyon Days Enamel Boxes of

with bisque figure of a maiden and musician, vase decorated with gilt flowers, reserves painted with mountainous landscapes, height 17 1/2 in., width 13 in., depth 8 in.

$300/500

W 765. An Italian Terracotta Fruit Basket, 20th c., marked

$400/600

162

British Military History, 20th c., each of drum-form, depicting various famous battles, height 1 3/4 in., diameter 2 1/4 in.

774. A Regency Brass Inlaid Burled Walnut Lap Desk, early 19th c., interior with inset tooled leather writing surface and compartments, height 7 in., width 17 3/4 in., depth 10 in., presented on an associated carved walnut stand, height 15 in. $300/500

774

779

777. A Hyde & Goodrich Coin Silver Tea Service, c. 1845-1850, wc. New Orleans 1828-1861, comprised of a teapot, covered sugar and creamer, each of tapered octagonal form with flat chasing, teapot and sugar marked “HYDE & GOODRICH” in rectangle, creamer marked “STERLING 925/1000 Fine”, teapot height 8 3/4 in., combined weight 60.50 troy ozs.

776

$3000/5000 W 778. A Good Group of American

Sterling Silver Flatware Serving Pieces, including a fish serving knife and fork, Wood & Hughes, “Angelo” pattern, pat. 1878; a stilton scoop, Whiting, twist handle; a bonbon spoon, Tiffany “VineRaspberry” pattern, pat. 1872; a tea caddy spoon, Whiting “Hyperion” pattern, pat. 1888; and a lemon fork, Whiting “Oval Twist” pattern, pat. 1880; combined weight 10.20 troy ozs. 777

W 775. A George III Mahogany

Tea Caddy, inlaid with paterae and stringing, lacking interior fitting and lock, small losses, height 4 1/2 in., width 7 5/8 in., depth 4 1/8 in. $150/250 Provenance: Wellesley House Antiques, Lake Forest, IL.

$250/350

776. Four American Silver Cups, including a Boston coin silver grape repoussé cup, marked “JONES, SHREVE BROWN & CO’ incuse, 18571860, cylindrical with molded rim and foot bands; together with three sterling silver cups, late 19th/ early 20th c., one by Wm. B. Kerr & Co., ret. Black, Starr & Frost and engraved “Emie/1909”, (4 pcs.), height 4 in. to 2 1/2 in., combined weight 12.80 troy ozs.

779. An Empire-Style Tôle, Gilt Metal and Crystal Nine-Light Chandelier, acanthine corona over swags of graduated faceted crystals with a foliate circlet issuing curved candle arms, electrified, height 42 in., diameter 33 in. $1200/1800

$500/700 W denotes the lot is illustrated at www.nealauction.com

163

783. Louis Eugene Lambert (French, 1825-1900), “The Best of Friends”, oil on panel, signed lower left, 6 7/8 in. x 10 in., framed. $1000/1500 Provenance: Acquired in London. 784. Continental School, 18th/19th c., “Young Boy in Early Costume Standing by a Window with a View of a Harbor Fortress”, oil on canvas, unsigned, 21 1/2 in. x 18 3/4 in., antique frame.

782

$500/700

780

783

785. A French Louis XV-Style Gilt BronzeMounted Kingwood and Purplewood Commode, 20th c., branded A. Meussignac, Paris, 42 F.6. St. Antoine, molded marble top, bombé form case fitted with two drawers, cabriole legs, sabots, height 35 1/2 in., width 47 in., depth 19 1/2 in.

784

$700/900

780. A Pair of French Patinated Bronze Five-Light Candelabra, late 19th/early 20th c., each with draped classical caryatid holding aloft floral candle arms and trumpet flower branches, raised on shaped pedestals, height 24 1/2 in. $1000/1500 W 781. A Continental Chinoiserie Carriage Clock, c.

1900, pagoda-form, porcelain dial, movement marked “Galmor Watch Co., Swiss, Six Jewels, Two Adjustments “, height 6 3/4 in., width 4 3/4 in., depth 2 3/4 in. $400/600 782. A Napoleon III Gilt-Bronze Mantel Clock, mid19th c., porcelain dial, striking bell movement marked “Berger a Paris”, shaped case surmounted by a putto with bow and arrow reclining amongst game birds, boars and a rabbit, on scrolled floral feet, height 16 3/4 in., width 19 1/2 in., depth 6 1/2 in. $700/1000 785

164

786. A Pair of Napoleon III Gilt BronzeMounted Boulle Marquetry and Ebonized Cabinets in the Louis XIV Taste, mid-19th c., each with inset marble top, doors with shaped panels centering medallions, toupie feet, height 43 in., width 49 1/2 in., depth 14 in. $2000/3000 786

787 788

787. A Pair of Louis XV-Style Carved Giltwood Fauteuils, late 19th/early 20th c., each with cartouche-form padded back, crest rail decorated with rocaille, scrolling leaves and flowers, padded arms on leaf-carved supports, serpentine front seat rail, cabriole legs. $1200/1800 788. A Louis XVI-Style Gilt Bronze-Mounted Fruitwood and Vernis Martin Demilune Commode, molded white marble top, frieze drawers above short drawers flanked by cupboard doors with scenes of figures in a Classical landscape, tapered fluted legs, height 36 in., width 46 in., depth 21 1/2 in. $800/1200

789

789. A French Provincial Carved Oak Commode, 19th c., molded top, case with three short drawers above two long drawers, cabriole legs, scrolled toes, height 33 1/2 in., width 49 in., depth 23 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

165

790 791

793

790. A Pair of Antique Neoclassical-Style Fruitwood Side Tables, each with rectangular top, frieze drawer, turned legs, stretcher base, turned feet, height 28 in., width 23 in., depth 15 in. $800/1200 791. An American Classical Gilt Bronze-Mounted Mahogany Pier Table, c. 1830, inset white marble top, straight frieze, marble columnar supports, mirrored back, incurvate stretcher shelf, acanthine feet, height 34 in., width 38 in., depth 19 in. $1200/1800 792 792. A George III Mahogany Secretary Bookcase, early 19th c., molded cornice, glazed doors enclosing adjustable shelves, fitted escritoire drawer over shaped paneled doors, ogee bracket feet, height 87 1/2 in., width 49 in., depth 24 in. $1000/1500

793. A Late Regency Carved Mahogany Sideboard, 19th c., shaped pedimented gallery, molded top, frieze with three drawers over paneled doors, turned and reeded legs, height 48 in., width 74 in., depth 24 1/2 in. $1000/2000

166

794. An Antique RegencyStyle Mahogany Two Pedestal Dining Table, banded top, turned standards, saber legs, cuff casters, with two leaves, each 23 1/2 in, height 29 1/2 in., extended length 117 1/2 in., width 45 in. $1000/1500 794

795

797

795. An Antique Chippendale-Style Carved Mahogany Wingchair, of typical form, outscrolled arms, shell and bellflower cabriole legs, ball and claw feet. $1000/2000 796. An Antique George I-Style Carved Mahogany Wingchair, of typical form, scroll arms, shell and bellflower cabriole legs, hoof feet. $1000/2000 797. A Set of Twelve George III-Style Carved Mahogany Dining Chairs in the Hepplewhite Taste, comprising two arms and ten sides, each with shield back, swagged splats, shaped seats, square tapered legs, spade feet. $1500/2500

796 W denotes the lot is illustrated at www.nealauction.com

167

798

799

801

800. Six Louis XV-Style Carved Walnut and Parcel-Gilt Chairs, early 20th c., comprising two arm and four side chairs, arched floral and shell crests, serpentine seats, cabriole legs, gilt accented carved elements. 800

$1200/1800

798. An English Walnut Games Table, early 18th c. and later, leather-inset turreted foldover top, conforming frieze fitted with drawer, cabriole legs terminating in pad feet, height 28 7/8 in., width 29 1/2 in., depth 15 in.

799. A French Provincial Carved Oak Bureau, 18th c., shaped paneled fall front opening to stepped configuration of drawers, case with two over one drawers, molded stiles, cabriole legs, height 41 1/8 in., width 41 1/2 in., depth 20 5/8 in.

801. An Empire-Style Gilt BronzeMounted Mahogany Guéridon, Gris de St. Anne marble top, plain frieze, columnar legs, incurvate triangular plinth, ball feet, height 27 1/2 in., diameter 23 11/16 in.

$500/750

$1500/2500

$400/600

168

802. R. Bernard (French, 19th c.) “Still Life with fruit”, oil on canvas, signed lower right, 24 in. x 24 in., framed. $600/800 803. Italian School, 19th c., “A Gleaner with a Basket of Wheat”, oil on canvas, unsigned, 47 1/4 in. x 34 1/2 in., period frame. $1200/1800

802

W 804. Emma Cooper

(English, 1837-1893), “Landscapes with Stream”, two oils on board, unsigned, each inscribed by artist en verso, sight 11 in. x 6 1/4 in. for both, framed alike (2 pcs.)

803

$800/1200 W 805. Georges

Rouault (France, 1871-1958), “Le Cirque et Etoile Filante”, 1938, sugar aquatint on paper, signed lower right in plate, marked “ed.250/300” en verso, sight 5 1/2 in. x 9 in., framed.

809

$300/500 811 W 806. Raphael Soyer

(Russian/American, 1899-1987), “Model Looking into the Distance”, etching on paper, pencil signed lower right, sheet 14 5/8 in. x 11 in., unframed.

W 810. Salvador Dali (Spanish, 1904-1989),

“Edades de la Vida: Juventud”, c. 1973, lithograph on paper, pencil signed lower right, marked ed. of “259/300” in pencil lower left, sight 28 in. x 20 1/4 in., framed. $150/250

$150/250

811. An English Silverplate Epergne in the Regency Taste, with glass bowls, stand height 10 3/4 in.

812 W 807. Maurice

Utrillo (French, 18831955), “Le Moulin de la Galette”, 1955, lithograph on paper, hand signed lower right, marked “no.1/175” en verso, sight 12 in. x 15 1/2 in., framed. $300/500

W 808. Andre Baudin (France, b. 1895), “Regards

sur Paris”, 1962, lithograph on paper, marked “ed. of 180” en verso, sight 15 in. x 11 1/2 in., framed. $150/250 809. Raoul Dufy (French, 1877-1953), “Le Havre”, lithograph on paper, with the artist’s red ink stamp lower right, pencil-numbered “36/200” lower left, sight 20 1/4 in. x 27 5/8 in., framed.

$500/750 812. A Pair of Louis XVI-Style Gilt BronzeMounted Porcelain Vases, acanthine handles with drapery swags, cobalt ground, plinth base, height 20 in. $800/1200

$800/1200 W denotes the lot is illustrated at www.nealauction.com

169

822

817

W 813. A French Gilt Bronze

“Bacchanal” Tazza, 20th c., the well elaborately cast with a processional, centered by a group crushing grapes, the underside with portrait medallions and cartouches of celebratory words of excess, height 9 in., diameter 9 in. $400/600 W 814. A Victorian Silverplate Butter

Dish, with English registry marks for November 4, 1870, oval with revolving cover decorated with ferns, turned ivory handle, branchwork frame, the interior with removable pierced drain plate, height 4 1/2 in., length 8 1/2 in., depth 5 1/2 in. $200/400 W 815. A Pair of English Silverplate

Five-Light Candelabra, each in two sections, scrolled branches, removable bobêches, stamped foliate scroll and bead borders, on circular bases, height 18 1/4 in., width 16 3/4 in. $200/300

170

823

W 816. A Louis XVI-Style Gilt Bronze

W 820. Two Cased English Silverplate

Chandelier, central bowl with pineapple pendant and ram’s heads issuing four scrolled arms, height 26 in., diameter 21 in.

and Ivorine Fish Sets, each comprised of 6 fish forks and 6 fish knives, one case of oak, the other of leather, (24 pcs.)

$300/500

$250/350

817. An American Renaissance Carved Oak Aneroid Barometer, late 19th c., with carved and incised decoration, fitted with weather dial and thermometer, height 40 in., width 13 1/2 in., depth 2 3/4 in.

W 821. A Good Group of English

$700/900

Silverplate Tableware, including a centerpiece with trumpet vase, height 18 1/4 in., diameter 11 in.; a lobed oval tray with reticulated gallery and ball and claw feet, ret. Gumps, San Francisco, 17 3/4 in. x 11 5/8 in.; and a two tier cake stand. $300/500

W 818. A Steuben Glass Vase, signed,

scroll stem, height 9 5/8 in., diameter 5 3/4 in.; together with a Baccarat glass pitcher, marked, faceted body, height 9 3/4 in.; and a Rosenthal crystal “Blossom” Bowl, marked, sawtooth rim, conforming body, height 5 7/8 in., diameter 9 7/8 in. (3 pcs.) $300/500 W 819. An American Brilliant Cut

Glass Pitcher, with starbursts and geometric patterns, associated faceted stopper, height 10 3/4 in., diameter 5 1/2 in.; together with a pair of American brilliant cut glass compotes, shaped bowl with saw tooth rim, faceted stem, starburst cut foot, height 7 in., width 7 1/2 in., depth 5 3/8 in. (3 pcs.) $300/500

822. An Antique Gilt Metal and Crystal Four-Light Girandole, early 20th c., four arms and central column draped with cut crystals, electrified, height 19 3/4 in. $500/700 823. A Pair of Gilt Lacquered Brass and Bronze Kerosene Lamps, 19th c., fonts with applied molded band, base with acanthus leaves, plinth with urn finials over paw feet, height 13 1/2 in. $500/750

824. An American Renaissance Carved Rosewood Parlor Suite, mid-19th c., probably retailed by Henry N. Siebrecht, New Orleans, comprising sofa, two armchairs and six side chairs; each with arched crest rail centering flowers, leaves and scrolling bands and terminating in volutes, padded back, bowfront seat rail suspending shaped apron, trumpet-form tapering legs surmounted by incised blocks, the sofa and armchairs with padded arms and incised shaped arm supports, each bearing painted inscription “H.N. Seibricht” (sic). $7000/10000 Note: Henry N. Siebrecht, a retailer active in New Orleans from 1834 to 1890, sold a broad range of household furnishings imported primarily from Europe. He immigrated to the United States from Hesse-Cassel, Germany, and in 1826 established an upholstery shop in New Orleans. Siebrecht gradually expanded the scope of his business to include the sale of furniture, curtain fabrics and trims, window cornices, wallpapers, and decorative accessories. Many of the furnishings offered in his store at 49 Royal Street were obtained from French and other European sources; however, surviving examples of furniture known to have been purchased from Siebrecht indicate that some of the furniture was supplied by furniture manufacturers in the northeastern United States. The parlor suite offered here is part of a growing body of documented furniture from the warerooms of Henry N. Siebrecht. Furniture associated with Siebrecht’s retail establishment on the basis of surviving bills of sale or painted inscriptions includes Gothic Revival hall furniture and Rococo Revival parlor furniture supplied about 1858 to Frederick Stanton for Stanton Hall in Natchez, Mississippi; a Rococo Revival rosewood dining table purchased in 1859 by Alphonse Miltenberger for his townhouse in the French Quarter, New Orleans, also a Renaissance Revival walnut bookcase sold at New Orleans Auction Galleries on May 20, 2012. A Renaissance Revival carved rosewood parlor suite that is virtually identical to the offered lot in both form and decoration sold at South Bay Auctions in East Moriches, New York, on January 26, 2008. The suite formerly belonged to the Townsend Society of Oyster Bay, New York. References: Dubrow, Eileen & Richard. American Furniture of the 19th Century, 1840-1880, pp. 51-52; Holden, Jack D., H. Parrott Bacot et al. Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835, p. 114. Busch, Jason T., Christopher Monkhouse et al. Currents of Change: Art and Life along the Mississippi River, 1850-1861, pp. 97-98.

824

W denotes the lot is illustrated at www.nealauction.com

171

826. A Monumental Gilt Pier Mirror, 19th c., molded surround with scrolled foliate band and rosette blocks, height 94 in., width 33 3/4 in. Note: With old inscription “B.Uhle” and “1884” en verso. $600/800 827. Richard Hamilton Park (American, 18321890), “Bust of a Girl”, white marble on an elaborate base in the form of a Byzantine capital, signed on rear truncation, overall height 20 1/2 in.

825

$1000/1500 828. A Continental Renaissance-Style Carved Oak Extension Dining Table, 19th c., molded top, plain frieze, acanthine stem atop a drum with rosettes, legs with C scrolls, massive paw feet, recessed casters, with four leaves (two conforming) each 14 in. $1000/1500 826

827

825. An American Classical Giltwood Pier Mirror, early 19th c., ring-turned pilasters, rosette blocked corners, divided mirror plate, height 31 3/4 in., width 16 1/4 in. $700/900 828

172

829 (stamp) 829. An American Aesthetic Movement Carved Cherrywood and Walnut Sideboard, late 19th c., attributed to Herter Bros., dentilated cornice above carved and glazed doors, raised panel back, vasiform supports; three dentil molded drawers above three carved paneled doors, conforming molded base, height 86 in., width 77 in., depth 25 in. $3000/5000 Note: Several elements on this cabinet relate to those from other known Herter examples from 1875-1885. The lozenge escutcheon on the lower cabinet, “Herter Bro’s” incised stamp and three digit inscription on the back relate closely to those on a cherry, maple, walnut and satinwood cabinet at the Art Institute of Chicago (1986.26). Reference: Howe, et. al. Herter Brothers, Furniture and Interiors for a Gilded Age, p. 192, fig. 32.

830. A Belle Époque Giltwood and Vernis Martin Vitrine, in the Louis XVI Taste, late 19th c., of breakfront form, molded cornice, glazed doors and shelves, polychrome decoration on lower doors, toupie feet, height 60 3/8 in., width 47 1/2 in., depth 15 1/2 in. $1000/1500 829

831

830

831. A Set of Eight Continental Renaissance-Style Carved Oak Dining Chairs, 19th c., comprising two arms and six side chairs, each with mask and grape crest, barley-twist stiles blocked with rosettes, straight seat rail, turned and blocked legs, stretchers; armchairs with shaped arms terminating in lion’s masks. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

173

833. A Continental Renaissance-Style Highly Carved Oak Cabinet, 19th c., upper case with cartouche crest, blocked corners, mask frieze, arched glazed door, shelf interior, barley twist stiles; base with shaped top, gadrooned molding, long drawer above a paneled relief door, shelf interior, stepped molded base, bun feet, height 92 in., width 35 in., depth 22 in. $1200/1800 834. A Continental Renaissance-Style Highly Carved Oak Sideboard, 19th c., broken arch fruit and vine backsplash, molded top, two frieze drawers with masks, barley twist stiles flanking a pair of fruit-carved paneled cupboard doors, gadrooned base, bun feet, casters, height 54 1/2 in., width 74 in., depth 26 in.

832

$1000/1500 835. A Pair of Italian Polychrome PaintDecorated Figural Consoles, each with shaped top, standard in the form of a blackamoor holding a woven basket, rockwork base, height 34 in., width 25 in., depth 13 in. $2000/3000

833

835 (1 of a pair)

832. A Louis XVI-Style Gilt BronzeMounted Mahogany and Parquetry TwoTiered Server, late 19th/early 20th c., galleried tray top, shaped supports, conforming shelf, round tapering fluted legs, height 34 in., width 29 1/2 in., depth 20 1/2 in. Note: Loose construction, previous repairs. $400/600

834

174

836. An American Carved Oak Hall Bench, late 19th c., New York, manner of R.J. Horner, pierced crest centered by mask, shaped panel with griffins, hinged seat, void interior, monopodia supports with paw feet, height 45 1/2 in., width 53 1/2 in., depth 20 1/2 in. $2000/3000 837. An English Figured and Burl Walnut Canterbury, mid-19th c., turned finials, divided interior, reticulated sides, base fitted with a drawer, turned legs, casters, height 20 in., width 22 in., depth 14 in.

836

839

$600/800 838. A Napoleon III Gilt Bronze-Mounted Inlaid Mahogany Cabinet, 19th c., molded top, inlaid frieze and stiles, glazed door, shelf interior, shaped apron, height 36 1/2 in., width 29 in., depth 11 1/2 in.

837

838

$600/900

840. A Near Pair of Antique Majolica Baluster Urns, each in three parts, the first with relief decoration of grapevine garland in greens and browns, domed lid with bust finial, on socle base, height 32 in.; the second, with relief decoration of foliage and grapevine garland, glazed with green and brown on a mustard ground, domed lid with cone finial, on socle base, height 32 in.

839. A Continental Carved Mahogany Prie-Dieu, 19th c., upholstered crest over pierced scrolled acanthus back centered by a cross, shaped kneeler, cabriole legs. $500/700

$1500/2500 W 841. An Aubusson-Style Carpet, cream

and pink ground, floral design, 11 ft. 8 in. x 13 ft. $1000/1500 840

W denotes the lot is illustrated at www.nealauction.com

175

W 842. A French Brocaded Silk Lampas Table Cover, late 19th c.,

square field with leafy vine and birds centering a floral medallion, border with festoon-draped oval portrait medallions and urns, 61 1/2 in. x 61 in., trimmed with bullion fringe. $400/600 843. An American Patinated Bronze Solar Chandelier, mid-19th c., attributed to H. N. Hooper & Co., Boston, acanthus and grape cluster standard, four scrolled arms fitted with fonts, foliate pendant, period shades, height 29 in., diameter 21 in. $500/1000 Note: The body of this chandelier relates to Nos. 360-362 in the 1850s Hooper catalogue. Much in the same way elements of lamp standards appear in varying configurations, the standard of this chandelier can be viewed on a series of other illustrated models, indicating the custom aspects of the lighting industry. Reference: Gowitt, 19th Century Elegant Lighting, pp. 46, 48-49, 51-52.

843 844. An American Gilt and BronzePatinated Brass Two-Light Gasolier, mid19th c., branches cast with masks, leaves, berries, and rosettes, standard with quatrefoil diaperwork and applied lambrequins, cut and etched glass shades, overall height 42 in., width 27 in. $1000/1500

844

846

845. A Group of Four Louis XIVStyle Gilt and Patinated Bronze ThreeLight Wall Sconces, backplate centered by goddess and lion masks, flanked by female terms, foliate supports, height 13 in., width 14 in., depth 8 in. $1000/1500 846. Eutrope Bouret (France, 1833-1906), “Diana” and “Virbius”, pair of bronzes, each signed, each height 22 in., width 8 1/2 in., depth 6 in. $600/900

845

176

850

847. A Louis XVI-Style Carved, Gilt and Verte Peinte Trumeau Mirror, lamb’s tongue molded cornice above oil on board of flowering urn and mirror plate with molded surround, flanking panels with beribboned florals and urns, height 68 5/8 in., width 45 7/8 in. $800/1200 847 848. A Beaux-Arts Carved and Giltwood Mirror, 19th c., foliate beribboned crest centering a trophée, molded surround, height 39 1/2 in., width 34 1/2 in. $700/1000 849. An English or Dutch Marquetry and Burl Walnut Tallcase Clock, late 18th/early 19th c., brass and steel dial, bonnet with molded cornice and gilded columns, waisted case on plinth base, bracket feet, height 88 in., width 23 1/2 in., depth 12 1/2 in. $2000/3000 850. Anthony Andreas de Meyier (Dutch, 18061867), “Winter Scene”, oil on panel, signed lower left, 17 1/2 in. x 26 1/4 in., framed. $2000/3000 848 849 W denotes the lot is illustrated at www.nealauction.com

177

851

852

853

853. Wlodzimierz Zakrzewski (Polish, 1916-1992), “Snowy Field”, 1976, oil on canvas, signed and dated lower right, 18 1/4 in. x 24 in., framed. $2000/3000

854 (7 of 8)

851. Georges Philibert Charles Maroniez (French, 1865-1933), “Cottage by a Seashore: Workman Approaching, Under a Full Moon”, oil on canvas, signed lower right, 18 1/4 in. x 24 in., original ornate gilded frame. $2000/4000

178

852. Faustin Besson (French, 1821-1882), “Young Woman Holding a Spool”, 1847, oil on canvas laid on masonite, signed and dated lower left, 49 x 35 in., framed. $2000/3000

854. An American Rococo Carved Rosewood Parlor Suite, mid-19th c., comprised of a triple-back sofa, six side chairs and one armchair; sofa with beribboned floral crest, stiles with pendant garlands, scroll arms, serpentine seat rail, cabriole legs, conforming chairs, sofa height 46 in., width 83 in., depth 38 1/2 in. Note: “Estate” condition. $1500/2500

855

859

860

855. A Good American Gothic Carved Mahogany Chair, c. 1830, Philadelphia, arched crest, finialed stiles, back with open arch, trapezoidal seat, paneled front seat rail, molded paneled square tapered legs. $400/800 Provenance: Ex-collection of noted antiquarian Lee B. Anderson, New York. W 856. Pierre-

Auguste Renoir 858 (French, 18411919), “Femme nue Couche’”, (Delteil 14), etching on buff laid paper, later impression, sight 9 5/8 in. x 12 5/8 in., framed. $300/500

861

859. A Carved Walnut Umbrella Stand, in the form of an umbrella with brass hoof handle, parcel gilt tripod stand, bun feet, height 46 in., diameter 13 in. $800/1200 860. A Pair of American Gothic Revival Cast-Iron Andirons, mid-19th c., Savery & Co., Philadelphia, marked, arched crocketed form, height 17 1/2 in., width 8 3/4 in., depth 17 1/2 in. $500/700

W 857. Pierre-Auguste Renoir (French, 1841-1919),

“Baigneuse debout a mi-jambes”, (Delteil 23), etching on cream laid paper, later impression, sight 12 3/4 in. x 9 1/2 in., framed. $300/500 858. Pierre-Auguste Renoir (French, 1841-1919), “Sur la Plage a Bernaval”, (Delteil 5), etching on cream laid paper, signed in plate lower right, later impression, sight 12 1/2 in. x 9 1/2 in., framed.

861. A Pair of Neoclassical Gilt Bronze Chenets, plumed mask centered above paw foot with acanthine decorative elements, gallery punctuated with swag draped urn, 17 1/4 in., width 11 1/2 in., depth 5 in. $500/700

$200/300 W denotes the lot is illustrated at www.nealauction.com

179

862. A Pair of Continental Polychrome Porcelain and Gilt Metal Urns, c. 1900, in the Greek Revival taste, with bands of Greek keys and palmettes, continuous frieze of allegorical figures, height 17 in., diameter 10 in. $800/1200 862

864

863

863. A Pair of Continental Bisque and Gilt Bronze-Mounted FiveLight Candelabra, 19th c., bisque urns modeled with floating putti, issuing central standard and scrolling foliate candle arms, swag and tassel band, Classical mask loop handles, prism hung, height 28 in., width 14 in., depth 14 in. $1500/2500 864. A Louis XV-Style Gilt Bronze Six-Light Chandelier, molded foliate corona, scrolled acanthus standard, conforming arms, foliate pendant, height 31 in., diameter 18 in. $1500/2500 865. After Jean-Jacques Caffieri (French, 1725-1792), “Jean de Rotrou”, patinated bronze bust, plinth inscribed “Jean de Rotrou ne a Dreaux/ en 1609, notre dams la mime ville en 1650/ fait par 3. en 1783”, height 36 in., width 26 1/2 in., depth 16 in. $3000/5000

180

865

869

866

870 867

866. A Pair of Napoleon III Rouge Marble and Bronze Doré Candelabra, 19th c., each urn-form standard issuing foliate candlearms, plinth base, height 30 1/2 in., width 20 in., depth 13 in. $3000/5000

869. A French Gilt Bronze Mantel Clock, 19th c., Japy Freres & Co., marked, seated figure of Sir Walter Scott surmounting porcelain dial with Roman numerals, base decorated with harp and laurel branches, height 18 in., width 13 3/4 in., depth 5 in.

867. A Monumental Louis-Philippe Carved Giltwood Overmantel Mirror, mid19th c., molded leaf and bead frame, height 54 in., width 86 4/8 in.

$700/1000

$1200/1800

870. A Napoleon III Ebonized and Gilt Bronze-Mounted Portico Clock, c. 1865, porcelain dial with floral bezel, flanked by spiral columns, case mounted allover with beaded borders, height 20 1/2 in., width 10 in., depth 6 in.

W 868. An Antique Continental Carved and Gilt Mirror, molded acanthus and scroll

surround, height 39 in., width 47 in. $600/900

$600/900

W denotes the lot is illustrated at www.nealauction.com

181

871. An Antique Regency-Style Carved Mahogany Sofa, reeded crest, conforming arms, molded seat rail, “bamboo” turned legs, casters, height 35 in., width 76 in., depth 25 7/8 in. $800/1200 872. An American Federal Carved Mahogany Games Table, early 19th c., Philadelphia, shaped foldover reeded edge top, conforming frieze, rope-turned tapering legs, ball feet, height 29 1/2 in., width 36 in., depth 19 in. $700/1000 871

872

873

873. An American Federal Carved Mahogany Chest of Drawers, early 19th c., reeded edge top with turreted corners over reeded stiles, two short over three graduated long drawers, tapered reeded vasiform feet, height 40 1/2 in., width 46 in., depth 22 in. $1200/1800 874. An American Late Classical Mahogany Pier Table, c. 1835, Philadelphia, marble top, molded frieze, S-scroll supports, mirrored back, shaped shelf, scrolled feet, casters, height 38 1/8 in., width 41 in., depth 20 1/4 in. $1000/1500

874

182

875. An American Late Classical Carved Mahogany Secretary Bookcase, c. 1840, flared cornice, glazed doors, shelf interior, columnar stiles; lower case with foldover writing surface, bolection frieze drawer, paneled doors below flanked by columns, scroll feet, height 90 in., width 48 in., depth 21 1/2 in. $1200/1800 876. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1855, Cornelius and Baker Philadelphia, font labeled, standard incorporating gothic and rococo motifs, shaped plinth base, prism hung, cut and etched glass shade, overall height 23 1/2 in.

877

$1200/1800 Note: The standard found on this lamp also appears in the 1860 Dietz & Company catalog as item No. 199 and is illustrated in Gerald Gowitt’s 19th Century Elegant Lighting, p. 121.

875

877. An American Late Classical Rosewood Piano Stool, early 19th c., octagonal swivel seat, fluted standard, shaped plinth, turned feet, height 20 in. 878

$300/500 878. An American Late Classical Mahogany Work Table, early 19th c., drop-leaf top, case fitted with two drawers, octagonal pedestal, incurvate plinth, disc feet, height 26 1/2in., width 20 1/2 in., depth 19 in. $500/750 879. Aaron Bohrod (American, 19071992), “Milkmaids and Crabapples”, oil on board, signed lower left, titled and with “Galleries of Frank J. Oehlschlaeger” label en verso, 12 in. x 9 1/4 in., framed. $1500/2500

876

879

W denotes the lot is illustrated at www.nealauction.com

183

W 880. George Shellbase

W 882. Benjamin Stone

(American/Connecticut, 20th c.), “Ox Ridge Hunt Club”, watercolor on paper, signed and titled lower right, sight 12 3/8 in. x 18 3/4 in., matted and framed.

(American/New York, 1829-1906), “Durman Hotel”, 1856, pencil and wash heightened with gouache on paper, signed “B.G. Stone” and dated lower right, sight 11 3/4 in. x 17 1/4 in., framed.

$300/500 W 881. George Shellbase

(American/Connecticut, 20th c.), “Hialeah, Florida”, pencil and watercolor on paper, signed and inscribed lower right, sight 8 3/4 in. x 11 1/2 in.; and “Still Life - Fish”, pastel on paper, signed lower left, sight 10 in. x 12 in., both matted and framed. (2 pcs.)

883 (1 of 2)

$400/600

$300/500 883. Martha Watson Sauer (American/Florida, early 20th c.), “Shadows on the Teche”, watercolor, signed lower right, 14 in. x 19 1/2 in.; together with another watercolor 15 in. x 22 1/2 in., unframed. (2 pcs.) $700/900 884. A Rare American Carved and Burl Walnut Cabinet Desk, late 19th c., Moore Combination Desk Co., Indianapolis, labeled, “Patent...1878”, leather-inset slant top with molded gallery rail over two paneled doors enclosing compartments and drawers, hinged paneled back enclosing pigeon holes, compartments, cardboard drawers and leather-inset sliding writing surface, molded plinth base, height 48 in., width 49 in., depth 43 in. $5000/7500 Note: Joseph A. Moore was William Wooten’s general manager in 1876. In 1878 Moore took out a patent for a “Cabinet desk of two wings”, by 1879 he had filed Articles of Association for the Moore Combination Desk Company and by 1882 he held two other desk patents which were related to Wooten’s desk. An 1883 account of Moore’s company notes that its ingenuity in the construction of desks sought “economy of space, convenience of arrangement,…orderly classification of the books, papers, [etc.]…”

884

184

Reference: Walters, Betty Lawson, The King of Desks: Wooton’s Patent Secretary, Smithsonian Inst. Press, 1969, p.13-14; Manufacturing and Mercantile Resources of Indianapolis Indiana, 1883, p. 454.

885

885. An American Classical Brass-Inlaid Carved Mahogany Center Table, early 19th c., New York, top with geometric starburst medallion, frieze with inlaid panels, bold acanthus standard and arched legs, paw feet, casters, height 28 7/8 in., diameter 36 1/2 in. $1200/1800

886

886. A Fine American Classical Gilt BronzeMounted Mahogany Dressing Bureau, early 19th c., New York, acanthus scrolled mirror supports, superstructure of three drawers above blind frieze drawer, two drawers flanked by ebonized columns, acanthus paw feet, height 66 in., width 40 1/2 in., depth 20 in. $1200/1800 W 887. An American

Late Classical Carved Rosewood Side Table, mid-19th c., molded top, case fitted with two drawers, ring turned legs, shaped stretcher shelf, height 28 in., width 19 in., depth 12 in. Note: “Estate” condition.

888

888. An American Federal Mahogany Washstand, early 19th c., Philadelphia, threequarter gallery, rectangular top, frieze drawer, vasiform turned legs, stretcher shelf, height 35 1/2 in., width 34 in., depth 18 1/2 in. $400/600

$500/700 889. An American Federal Mahogany Corner Cupboard, 19th c. and later, upper case with molded cornice, frieze with stars alternating with fluting, glazed cupboard door, shelf interior; lower case with three graduated drawers, bracket feet, height 87 1/2 in., width 41 in., depth 20 1/2 in. 889

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

185

892. A William IV Mahogany Bedsteps, mid19th c., three inset leather treads, two hinged compartments, turned legs, height 25 in., width 28 in., depth 11 in. 892

$600/900 893. An American Rococo Carved Rosewood Armoire, mid19th c., New Orleans, in the manner of Prudent Mallard, scrolled pediment centering cartouche, incised tympanum, paneled mirrored door, chamfered pendant-carved stiles, base with drawer, bracket feet, height 93 1/2 in., width 45 1/2 in., depth 19 1/2 in. Note: Later shelves.

890

$1200/1800 W 894. An

891

890. An American Federal Inlaid Mahogany Secretary Bookcase, early 19th c., Massachusetts, pedimented crest with urn-form finials, paired glazed doors with Gothic arches, two drawers, foldover writing surface above two drawers, square tapered legs, height 79 1/2 in., width 36 1/4 in., depth 17 3/4 in. $1200/1800

186

893

891. An English Brass-Bound Rosewood Lap Desk, 19th c., fitted interior with tooled leather writing surface, height 6 in., width 14 in., depth 9 3/4 in. $400/600

American Late Classical Mahogany Sleigh Bed, 19th c. and later, paneled head and footboards, turned rails with cog mechanisms, custom canvas and rope mattress support, scrolled uprights, height 40 1/2 in., length 70 in., width 51 1/2 in. $700/1000

895

896

895. An American Classical Carved Walnut Tester Bed, mid19th c., molded tester, vasiform turned posts, headboard with arched crest and turned uprights, shaped foot board, conforming rails, height 97 in., length 75 in., width 58 in. $2000/3000 896. An American Classical Carved Mahogany Petite Linen Press, early 19th c., Baltimore, reeded cornice over paneled doors, interior fitted with medial belt of drawers and linen drawers, reeded plinth, turned feet, height 63 1/4 in., width 47 1/4 in., depth 20 1/2 in. $1000/2000

897

897. An American Federal Mahogany Demilune Games Table, c. 1815, Philadelphia, foldover top, molded tapered legs, height 29 1/2 in., width 36 in., depth 18 in. $500/800 898. An American Rococo Carved Rosewood Bureau, mid-19th c., probably New Orleans, in the manner of Prudent Mallard, the arched mirror in yoke support with reticulated crest and fruit and nut cartouche, bowfront marble top above three carved drawers, canted corners, shaped base, height 89 in., width 47 1/2 in., depth 24 in.

898

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

187

902. Attributed to Louis-Joseph Bahin (French/ Mississippi/ Louisiana, 1813-1857), “A Daughter of Rev. Miles Harper (1784-1957) and Samantha Ford Harper (17981867) of Mississippi”, oil on canvas, unsigned, 38 in. x 29 in., framed. $500/800

899

Provenance: Descended in the family of the sitter.

902

900. An American Rococo Rosewood Chest of Drawers, mid-19th c., serpentine marble top, four foliate drawers, pendant carved canted corners, conforming base, height 40 1/2 in., width 43 in., depth 21 1/2 in. Note: Lacking mirror. $500/750 900

Note: At Natchez in about 1839 a portrait recently attributed to Joseph Henry Bush (1794-1865) was painted of this sitter’s father, the itinerant Methodist preacher Rev. Miles D. Harper (1784-1843), who shortly before his death had bought a large tract of land just north of Natchez (although, through the cutting off of an oxbow on the Mississippi, “Harper’s Island” lay legally in Tensas Parish, Louisiana). Some two decades later, his widow Samantha Ford Harper—whom Miles had married at her father’s frontier dwelling at the Pearl River on 10 March 1813—became the subject of a portrait by the littleknown French artist Louis-Joseph Bahin, who painted at Natchez in the 1850s. That portrait, descending in the Harper and related families, was signed by Bahin in 1859. The present likeness of one of Miles’ and Samantha’s daughters, offered here, is so nearly identical with her mother’s portrait as to encourage its attribution to the same artist, in the same campaign of work. . References: Winter Estates Auction, 23-24 February 2013, Neal Auction Co., New Orleans, p. 66, lot 297, for the Portrait of Rev. Miles Harper attributed to J. H. Bush, with previous literature on the family; Colonial Dames of America, Louisiana Portraits, New Orleans, 1975, p. 283, repro., for Bahin’s 1859 Portrait of Samantha Ford Harper; G. C. Groce and D. H. Wallace, New-York Historical Society’s Dictionary of Artists in America, 1564-1860, New Haven, 1957, pp. 20 and 716, for notice of Bahin in Natchez.

901

899. An American Rococo Carved Mahogany Washstand, mid-19th c., shaped marble top, conforming drawer, pair of doors below, acanthus-carved canted stiles, blocked feet, height 29 1/2 in., width 39 in., depth 19 1/2 in. $500/700

901. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Landscape with Live Oak Trees”, oil wash on board, signed lower left, “Enoch’s Framing & Gallery, New Orleans” label en verso, sight 5 3/4 in. x 14 1/2 in., framed. $1500/2500

188

903. A Pair of American Rococo Gilt Bronze FiveLight Candelabra, mid-19th c., attributed to Cornelius & Co., Philadelphia, foliate scroll arms, scroll and acanthus standard, height 18 1/4 in., width 14 in. $800/1200 904. A Pair of American Gothic Brass and Patinated Metal Oil Lamps on Stands, mid-19th c., attributed to Dietz & Co., New York, each glass font in architectural surround of Gothic tracery windows, burner marked “M.L. Collins”, stand with molded rim on columnar standard, quatrefoil base with putto masks, etched glass shade, overall height 21 1/4 in., diameter 7 in. $800/1200 Note: Lamps of this type are illustrated in the Dietz & Co. catalogue of 1860. 903

W 905. An

American Blown Glass and Brass Hall Lantern, 19th c., candle socket and embossed brass frame, smoke bell, height 26 in., diameter 10 1/2 in. $200/400 W 906. A Pair of

American Gilt and Patinated Metal Carriage Lamps, fixtures fitted with arched, curved and beveled glass, volute decoration, modern bracket supports, height 25 in., width 8 in., depth 11 in.

909 904

$500/700 W 907. A Civil War Era Map of Vicksburg, c. 1862, probably from a

periodical, showing various battle sites, sight 9 1/2 in. x 7 in., framed. $200/300 W 908. [New Orleans Map], “Plan of New Orleans”, 1860, hand-

colored engraved map by Augustus Mitchell, sight 10 1/4 in. x 12 1/4 in., framed. $150/250 909. Knute Heldner (Swedish/New Orleans, 1875/77-1952), “Harbor”, oil on canvas, signed lower left, Chicago framers label and “Stowell Art Studio, Minneapolis, MN” label en verso, 10 1/4 in. x 12 in., framed. $800/1200 Provenance: Acquired from a Southern Collector.

910

910. Robert Rucker (American/Louisiana, 1932-2001), “Vieux Carré Courtyard and Vegetable Vendor Cart”, oil on canvas, signed lower right, 24 in. x 30 in., framed. $2500/3500 W denotes the lot is illustrated at www.nealauction.com

189

911

914

912

911. Alexander John Drysdale (American/New Orleans, 18701934), “Louisiana Live Oak”, oil wash on board, signed lower right, sight 19 1/2 in. x 29 3/4 in., period frame. $2000/3000 912. Alexander John Drysdale (American/New Orleans, 18701934), “Landscape with Live Oaks”, oil wash on board, signed lower left, sight 6 in. x 17 1/2 in., framed.

913. Gordon Hope Grant (American, 1875-1962), “Fishing Vessels”, watercolor on paper, signed lower right, sight 19 3/4 in. x 27 1/4 in., framed.

$1500/2500

$800/1200

915

913

914. Charles Richards (American/New Orleans, 1906-1992), “Louisiana Swamp at Dusk”, oil on canvas, signed lower right, sight 17 1/4 in. x 21 1/4 in., framed. $2000/3000

190

915. William Hemmerling (American/ Louisiana, 1943-2009), “Down by the River”, 2003, acrylic on wood, signed lower right, signed, dated and inscribed en verso, 49 in. x 25 in., unframed. $2500/3500

916. William Hemmerling (American/ Louisiana, 1943-2009), “Down by Yazoo City”, acrylic on corrugated metal, signed lower right, titled on plywood sign hanging from bottom, 26 1/2 in. x 47 1/4 in., sign 4 1/2 in. x 24 in., unframed. $4000/6000 916

918 917

917. Clementine Hunter (American/Louisiana, 1886-1988), “Saturday Night Juke Joint”, oil on canvas board, monogrammed lower right, 16 in. x 20 in., framed. $3500/5500 Provenance: Estate of Collector Marie A. Merkel, acquired from the artist. 918. Clementine Hunter (American/Louisiana, 1886-1988), “Picking Cotton”, oil on canvas, monogrammed lower right, preliminary drawing en verso, 18 in. x 24 in., framed. $3500/5500 Provenance: Estate of Collector Marie A. Merkel, acquired from the artist. 919. Clementine Hunter (American/Louisiana, 1886-1988), “The Funeral (preliminary drawing en verso) “ oil on canvas, monogrammed lower center, 14 in. x 18 in., framed. $3500/5500 Provenance: Estate of Collector Marie A. Merkel, acquired from the artist.

919 W denotes the lot is illustrated at www.nealauction.com

191

922. Colette Pope Heldner (American/New Orleans, 19021990), “Patio Old Creole Courtyard, French Quarter: Series ‘Old New Orleans’, Paris of America”, oil on canvas board, signed lower right, artist’s label with title en verso, 16 in. x 20 in., framed. $1500/2500 920

923

923. David Pryor Adickes (American, b. 1927), “Harlequin with Trumpet”, oil on canvas, signed lower middle, “Dubose Gallery, Houston, Texas” and title labels en verso, 48 1/4 in. x 36 in., framed. $1200/1800 W 924. David

Pryor Adickes (American/ Texas, b. 1927), “Still Life”, oil on canvas, signed lower right, 12 in. x 16 in., framed.

921

$500/750

925

920. Clementine Hunter (American/ Louisiana, 1886-1988), “Gift of the Magi”, oil on canvas board, monogrammed mid-right, preliminary drawing en verso, 16 in. x 20 in., framed. $3500/5500 Provenance: Estate of Collector Marie A. Merkel, acquired from the artist. 922 921. Colette Pope Heldner (American/New Orleans, 1902-1990), “Patio ‘del Beso’”, oil on canvas, signed lower left, signed and titled en verso, 25 in. x 30 in., framed. $1000/1500

192

925. David Pryor Adickes (American/ Texas, b. 1927), “Port with Two Steamboats”, oil on canvas, signed lower left, “James Bute Gallery, Houston, Texas” label en verso, 27 in. x 20 1/4 in., framed. $1000/1500

926. Sister Gertrude Morgan (Alabama/ Louisiana, 1900-1980), “The Third Angel’s Message”, acrylic on cardboard, signed mid-right, titled and with vintage photograph of the artist en verso, 3 in. x 7 in., framed.

926

$1000/1500 927. Larry Connatser (American/ Georgia, 19381996), “The Piano Player (Untitled: Man in a Pastoral Setting en verso)”, two sided acrylic on masonite affixed to wood, unsigned, 78 1/2 in. x 11 3/4 in., unframed. $300/500 Provenance: Gift of the Estate of the Artist. Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, Georgia. Note: An unconventional Southern self-taught 929 artist, Larry Connatser was raised in Atlanta and earned undergraduate degrees in literature and philosophy from Vanderbilt University. He was influenced by the Austrian expressionist painter Eugene Bel-Bienne who taught at Vanderbilt, and by his personal study of art history. Connatser pursued a career in Chicago working for a publisher of educational materials. In his spare time he began to create his colorful paintings populated by fantasy figures in vibrant imaginative settings. By 1963, he devoted himself full time to painting. He returned home to the South, maintaining residences in Savannah and Atlanta. Connaster avoided representation by art galleries, selling his art from his studio-home. His visionary paintings were well received and exhibited at the Chicago Art Institute, Newark Museum of Art and Columbia Museum of Art in South Carolina. Tragically, Connatser‘s life was cut short by AIDS at fifty eight. The Telfair Museum of Art in Savannah held a major retrospective exhibition in 2002. His estate gifted his paintings to the Morris Museum of Art in Augusta, Georgia.

930

W 928. Larry Connatser (American/

Georgia, 1938-1996), “Portrait of the Story Teller”, acrylic on wood, unsigned, titled en verso, 22 in. x 12 in., unframed. $300/500 Provenance: Gift of the Estate of the Artist. Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, Georgia. 929. Larry Connatser (American/ Georgia, 1938-1996), “Untitled: Swimmer by the Shore”, acrylic on plywood, unsigned, 48 in. x 24 in., original frame. $600/900 Provenance: Gift of the Estate of the Artist. Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, Georgia.

927 (recto)

930. David Pryor Adickes (American/Texas, b. 1927), “Gentleman in Profile”, oil on canvas, signed lower left, “DuBose Gallery, Houston, Texas” label en verso, 16 in. x 12 in., framed. $500/750

Reference: Medina, Angel and Chris Rodie, “Southern Melodies: A Larry Connatser Retrospective,” exhibition catalogue, Telfair Museum of Art: Savannah, 2002.

W denotes the lot is illustrated at www.nealauction.com

193

W 933. David

Sinclair Nixon (American/New Orleans, 19041967), “Harlequin” and “Still Life”, double sided oil on board, signed lower left, 35 in. x 20 in., framed. $400/600

931

934

932. David Sinclair Nixon (American/New Orleans, 19041967), “Picnic: Two Harlequins and a Bird”, c. 1945, oil on masonite, unsigned, titled, dated and inscribed “From the Estate of David Nixon” and “Brown’s Jackson, Mississippi” backing papers en verso, 24 in. x 48 in., framed. $800/1200

932

934. Ramon Kelley (American, b. 1939), “White Rabbit”, oil on canvas, signed upper left and en verso, 11 in. x 14 in., framed. $800/1200 935. Jose-Maria Cundin (Spain/ Louisiana, b. 1938), “Portrait of R.G.”, oil on wood, unsigned, titled lower right, 14 1/4 in. x 11 1/2 in., unframed. $800/1200 Provenance: Acquired from the artist. 936. William Tolliver (American/ Louisiana, 1951-2000), “Ready for Church”, oil on canvas, signed lower left, 25 in. x 22 in., framed. $2500/3500

935

931. William Llewellyn Hoey (American/Texas, 1930-1994), “Robed Figure and Banner”, oil on canvas, signed lower right, “DuBose Gallery, Houston, Texas” label en verso, 8 in. x 10 in., framed. $700/900

936

194

942

937

W 940. Don

Wright (American/ Louisiana, 1938-2007), “Girl in Pink Slippers”, 1983, oil on canvas, signed and dated lower left, 24 in. x 30 in., framed. $500/800

938

937. Roland Stewart Stebbins (American, 18831974), “Neighbors, New Orleans”, oil on canvas, signed lower left, titled on label en verso, 30 in. x 25 in., period frame.

939 (1 of 2)

$1500/2500

941. Gerald Nailor (American/New Mexico, 19171952), “Native American Woman on Horseback”, tempera on paper, signed lower right, sheet 18 5/8 in. x 17 in., framed. $700/1000

938. Rhoda Brady Stokes (Louisiana/Mississippi, 1901-1988), “Weighing Cotton”, 1965, oil on masonite, signed and dated lower right, typewritten autobiography of the artist en verso, 14 in. x 18 in., period frame.

942. Robert Wadsworth Grafton (American, 18761936), “Harbor, Netherlands”, c. 19071908, oil on canvas board, signed, dated “1908” lower right and signed, dated and inscribed “Holland 1907” en verso, 14 in. x 18 in., framed.

$2000/3000 939. Ben Earl Looney (American, 1904-1981), “Still Life of Cotton Branches in a Teapot, Corn and Yams”, and “Still Life of Crawfish, Beer and Potato”, two watercolors on paper, both signed lower left, sight 17 1/4 in. x 18 3/4 in.; 15 1/4 in. x 26 1/4 in., matted and framed alike (2 pcs.) $700/900

$2000/3000 941 W denotes the lot is illustrated at www.nealauction.com

195

W 944. American School, late 19th c., “Still Life with Watermelon and

Oranges”, oil on canvas, remnant of signature lower right, 24 in. x 34 1/4 in., unframed. Note: Condition. $400/600 945. Alphonse J. Gamotis (American/Louisiana, 1842-1919), “Continental Landscape with Chalet”, 1898, oil on board, signed and dated lower right, 7 in. x 11 in., framed. $800/1200 946. An American Classical Carved Mahogany Sofa, early 19th c., probably Philadelphia, paneled crest rail flanked by dolphins, padded bolster-form arms with wreaths, paneled front seat rail, rosette blocks, ogee feet, height 37 1/2 in., width 84 in., depth 29 1/2 in.

945

$1500/2500 947. An American Late Federal Paint-Decorated Settee, c. 1835, Pennsylvania, turned crest rail, floral painted slat, spindle uprights, scroll arms, plank seat, turned legs, stretchers, height 34 in., width 78 in., depth 19 1/2 in. $1200/1800 Provenance: Rosedown Plantation, St. Francisville, LA.

946

947

W 943. James Palmer O’Neil Lyle (American, Contemporary), “Hillside of

Provence”, 1993, oil on canvas, signed, dated and inscribed lower right, “Morris Museum of Art” label en verso, 14 in. x 15 in., framed. $300/500 Provenance: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

948

948. An Antique American Gilt BronzeMounted Mahogany Pier Table, rectangular top, frieze fitted with two drawers, columnar supports, mirror plate flanked by pilasters, serpentine plinth, acanthine paw feet, height 37 in., width 39 in., depth 15 1/2 in. $800/1200

196

949. An American Classical Carved Mahogany Sofa, early 19th c., Philadelphia, scrolled crest rail centered by a gadrooned tablet, scrolled arms, molded rail, cornucopia bracketed paw feet, height 35 in., width 91 1/2 in., depth 24 in. $800/1200 950. An American Classical Carved Mahogany Four Poster Bed, early 19th c., acanthus leaf posts ending in flared reeded legs, scrolled headboard, straight foot board, conforming rails, height 106 in., length 73 1/2 in., width 60 in. Note: Poplar rails, pine head and foot rails.

949

$1200/1800 W 951. A

Georgian-Style Brass-Inlaid Rosewood Campaign Chest, rectangular top over conforming case fitted with secretary drawer above three long drawers, height 36 in., width 33 in., depth 16 in. $500/700 W 952. A

George III-Style Mahogany Two Pedestal Dining Table, 19th c., reeded edge tilttop, turned standard, saber legs, brass cup casters, height 27 1/2 in., closed length 77 in., width 47 1/2 in. $800/1200 W 953. An English Carved Mahogany

Four Post Bed, tapered faceted posts, arched headboard, straight foot board, conforming rails, molded feet, height 87 1/2 in., length 77 1/2 in., width 55 in.

950

955

W 954. A George III Carved

Mahogany Pembroke Table, early 19th c., drop-leaf top, frieze drawer, square tapered legs, height 28 in., width 15 1/2 in., depth 30 in. $400/600

955. A George III-Style Mahogany Secretary Bookcase, 19th c., upper case with molded cornice, astragal glazed doors, adjustable shelves; lower case with fall front escritoire drawer with fitted interior, over three graduated drawers, bracket feet, height 93 in., width 47 in., depth 22 in. $800/1200

$700/1000

W denotes the lot is illustrated at www.nealauction.com

197

956. A Set of Ten George III-Style Carved Mahogany Dining Chairs, comprising two armchairs and eight side chairs, each with serpentine crest rail, interlaced and pierced vasiform splat, molded legs, H-stretcher. $2500/3500 957. A George III-Style Mahogany Wing Chair, of typical form, arms ending in scrolled terms, molded legs, stretchers, found in vintage green leather. $1200/1800 958. A Regency Rosewood Sofa Table, c. 1815, banded drop-leaf top, frieze fitted with drawers, turned standard, incurvate plinth, casters, height 29 in., open width 59 1/2 in., depth 25 1/2 in.

956

$2000/3000 959. A Louis XVI-Style Fruitwood Bouillotte Table, grey marble top, reticulated brass gallery, frieze with opposing paired small drawers and recessed candleslides, square tapered legs, brass cuffs, height 30 in., diameter 35 1/2 in. $800/1200

958

957

960

960. A Pair of Louis XV-Style Crème Peinte Bergères, each with square back, padded arms, cabriole legs, scrolled feet. 959

198

$700/1000

962

961. A George I Burled Walnut and Walnut Bureau Bookcase, 18th c. and later, upper case with double-domed molded cornice surmounted by gilded finials, conforming mirrored doors, finely fitted interior; lower case with slant lid opening to stepped drawers, compartments and tooled leather writing surface, two over three drawers below, bun feet, height 86 1/2 in., width 38 in., depth 21 in. $3000/5000 962. A Pair of Dutch Rococo-Style Rosewood and Marquetry Side Chairs, early 20th c., each with shaped crest rail, vasiform splat with floral urn and bird, serpentine seat rail, cabriole legs, ball and claw feet. $700/1000 963. A Pair of French Carved Mahogany Méridiennes, each with scrolled back, outswept legs, height 29 in., width 51 in., depth 21 in. $800/1200

961

W 964. An Empire-Style Walnut

Bedside Commode and Mirror, mirror with molded cornice, tablet frieze, molded surround with rosette blocks; commode with gray marble top, two doors flanked by pilasters, plinth base, mirror height 46 1/2 in., width 22 1/4 in., commode height 33 in., width 17 in., depth 15 in. $500/700

963 W denotes the lot is illustrated at www.nealauction.com

199

W 966. A Louis

XVI-Style Crème Peinte Chaise Longue, early 20th c., shaped rounded back, conforming foot, cabriole legs, height 30 in., width 24 in., depth 56 in. $700/1000 967. A LouisPhilippe Carved Mahogany Console, 19th c., shaped marble top, conforming frieze, mirrored doors below, canted corners, shaped plinth, height 35 in., width 47 1/2 in., depth 16 in.

967

W 965. An Italian Neoclassical-Style Carved Giltwood

Console Table, 19th c., rouge marble top, paneled foliate frieze with rosette blocks, stop-fluted legs, tapered foliate feet, height 32 in., width 54 1/2 in., depth 28 in. Note: Later marble top, later gilt. $800/1200

970

$800/1200 968. A Pair of Italian NeoclassicalStyle Polychrome PaintDecorated Commodes, each with verde faux marbre top, paneled shaped doors, shelf interior, canted fluted stiles, square tapered fluted legs, height 39 3/8 in., width 46 in., depth 21 in.

968

$2000/3000 969. An Italian Carved Walnut Credenza, molded top three frieze drawers over paneled pierced foliate doors, plinth base, height 30 1/2 in., width 71 in., depth 17 1/2 in. $700/1000 970. A Chinese Export Black and Gilt Lacquer Tilt-Top Table, circular top, turned standard, incurvate plinth, paw feet, height 32 in., diameter 33 in. 969

200

$1000/1500

971

971. A Pair of Large Painted Terracotta Busts of Diana and Apollo, 20th c., height 37 1/2 in., on turned, ebonized wood bases; together with painted fluted pedestals, height 45 1/4 in.

974

$4000/6000 W 972. A Carved

Giltwood Mirror, molded and beaded surround, height 46 1/4 in., width 38 1/4 in. $800/1200 973. A Napoleon III Carved Giltwood 973 Mirror, mid-19th c., rocaille arched crest, guilloche frame, beaded inner border, beveled mirror plate, height 57 in., width 35 3/8 in. $1000/1500 974. A Queen Anne-Style Walnut and Burl Walnut Chest on Stand, 19th c., upper case with molded cornice, case with two over three graduated drawers; lower case with molded edge, frieze with three drawers, cabriole legs, pad feet, height 60 1/2 in., width 39 1/2 in., depth 22 in. $1800/2500

975

975. An English Carved Oak Welsh Dresser, c. 1840, in two parts, upper plate rack with dentillated cornice and blind fretwork frieze, breakfronted base with banks of drawers flanking a center door amid columnar stiles, bracket feet, height 90 in., width 73 in., depth 20 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

201

980. A Spanish Baroque-Style Carved Walnut Refectory Table, rectangular top, scrolled trestle supports, conforming stretcher, height 31 1/2 in., length 87 in., width 35 in.

976 (1 of 2)

$1200/1800

978

977

976. Continental School, early 20th c., “Groups of Putti, Birdcatching and Fishing”, pair of oils on canvas, unsigned, 29 in. x 39 1/2 in., framed. $2000/4000 977. Dutch/Flemish School, late 19th c., “Summer Flowers in a Large Vase”, oil on copper, unsigned, 32 in. x 32 in., period frame.

979

$2500/3500 978. Russian School, 19th c., “Icon of Two Standing Saints, Beneath Bust of Christ Pantocrator”, oil on wood, titled on scroll, 17 1/2 in. x 14 3/4 in., unframed. $3000/5000 979. An American Classical Mahogany Wardrobe, early 19th c., Baltimore, central section with triangular pediment, two over four graduated drawers; flanking cabinets with molded cornice, each paneled door opening to void hanging space; plinth base, turned beehive feet, height 70 1/4 in., width 80 1/4 in., depth 22 in. $2500/3500

202

980

981. An Antique French Louis XV-Style Carved Beechwood Bergère, tall molded back, padded arms, scrolled terms, cabriole legs. $1000/1500 982. Adrien Schulz (French, 1851-1931), “Pêcheur sur un Pont dans le Forêt de Fontainebleau”, c. 1890, oil on canvas, signed lower left, 39 1/2 in. x 15 in., framed. $800/1200 Note: Schulz was a member of the Societe des Artistes Française and in 1903 was one of the founders of the Autumn Salon in Paris. 983. Severin Grande (Norwegian, 1869-1934), “Spring Garden”, 1924, oil on canvas, signed and dated lower left, 23 1/4 in. x 27 in., framed.

981

$1500/2500 984. A Pair of French Neoclassical-Style Gilt Bronze Urns, each of baluster form with relief of Pegasus, ornate cartouche, band of bacchic masks, reeded foliate handles, signed “Leon Boucher”, fitted with cut and etched glass inserts, overall height 18 1/2 in., width 7 1/2 in., depth 6 in., glass diameter 7 in.

982

985. A Pair of Gilt Bronze Figural Chenets, in the Louis XV Taste, 19th c., each with cherub taking flight and grasping flames, scrolled base ending in flames, marked 4R/2609/Z, height 13 in., width 11 in., depth 6 1/2 in.

$1200/1800

$1000/1500 983

984

985 W denotes the lot is illustrated at www.nealauction.com

203

987

986

989

986. A Continental Carved and Inlaid Fruitwood Table Cabinet, early 19th c., paired doors enclosing drawers, centered by a niche, on toupie feet, height 17 in., width 15 in., depth 10 1/4 in. $400/600 987. A Pair of Renaissance-Style Brass Two-Light Wall Sconces, late 19th c., each shield-shaped ebonized oak plaque mounted with military trophée, branches cast with sea serpents, originally fitted for electricity, height 12 in., width 15 in., depth 11 1/2 in. Note: Traces of bronze patination. $600/900 988. A George III Carved Mahogany Secretary Bookcase, c. 1780 and later, upper case with molded dentil cornice, paneled frieze with bosses, astragal glazed doors, shelf interior; lower case with slant front opening to compartments and central cupboard, two short over three graduated long drawers, bracket feet, height 91 in., width 48 1/4 in., depth 24 1/2 in. $2000/3000 989. A George IV Carved Mahogany and Rosewood-Banded Sofa Table, c. 1825, D-shaped top with a drop leaf, conforming frieze with two drawers, trestle supports with bosses, turned stretcher, acanthine arched legs, cuff casters, height 29 in., width 47 in., depth 20 1/2 in. Note: Each lock marked “R. Cooper & Sons” and “R.C. & S.” within a crown. 988

204

$800/1200

990. A French Belle Époque Brass Guéridon, early 19th c., top with pierced foliate surround, spiral support with scrolled acanthus brackets, incurvate triangular plinth, foliate scroll feet, casters, height 28 in., diameter 20 3/8 in. $600/900 991. A Pair of Italian Rococo-Style PaintDecorated Side Chairs, 19th c., each with shaped crest rail, vasiform splat, molded slip seat, cabriole legs. $400/600

990

992

991

993

992. An Empire-Style Gilt Bronze-Mounted Mahogany Center Table, parquetry top centered by a roundel, frieze with appliqués, winged term legs, arched stretcher base, height 30 in., diameter 39 1/2 in. $700/1000 993. A Pair of Antique Louis XV-Style Carved and Verte Peinte Fauteuils, probably 18th c., each with molded crest rail, caned back, padded arms, molded serpentine seat rail, cabriole legs. $700/900 994. A Pair of Louis XVI-Style Gilt Bronze-Mounted Rock Crystal Lamps, cherub-term handles, laurel-leaf border, base cast with trophées, on scroll feet, vase height 18 1/2 in., overall height 28 in., width 8 1/4 in., depth 7 1/2 in. $1200/1800 994 W denotes the lot is illustrated at www.nealauction.com

205

995. A Pair of Antique Neoclassical-Style Patinated Bronze Urns, each with waisted neck, twist handles, reeded body with figural frieze, raised on turned mahogany plinth, now mounted as lamps, height 36 in., diameter 10 in. $2000/3000 996. A Pair of Neo-Grec Gilt Bronze and Argenté Guéridons, each with circular marble top, reticulated gallery, vasiform standard, bust mounts, scrolled legs, paw feet atop discs, stretcher, height 39 1/2 in., diameter 18 1/2 in. $4000/6000 995

998 997. A Continental Gilt Bronze Figure of a Dying Bull, late 19th/early 20th c., depicting one of the final stages of bullfighting: banderillas into the shoulders and neck of the bull, onyx base, height 8 1/2 in., width 10 1/4 in., depth 5 1/2 in. $300/500

996

999

998. A Louis XV-Style GiltBronze Mounted Vernis Martin Bracket Clock, late 19th c., striking bell movement marked “Marti Co.”, shaped case surmounted by a dove, reserves painted with floral decoration and courting couples in a forest, height 28 in., width 13 3/4 in., depth 7 in. $700/1000

999. An Antique French Rococo-Style Carved Giltwood Trumeau Mirror, the oil on panel depicting a courting couple beneath an arbor, scrolled foliate surround, mirror plate below, height 58 in., width 24 in. 997

206

$800/1200

1000. A Pair of Rococo-Style Carved Giltwood Mirrors, late 19th c., each with scrolled crest, foliate surround, divided mirror plate, height 56 1/4 in., width 27 in. $1200/1800 1001. A Chinese Carved Wood ‘Luohan’ Bed, stepped side and back rails with figural landscapes, inset panel seat, pierced frieze, paired cabriole legs, cloud scroll feet, stretchers, height 44 in., width 79 in., depth 47 in. $2000/3000 W 1002. A Burmese Embroidered and Appliqué

Padded Cotton Tapestry Panel, Kalaga, 19th/20th c., rectangular form worked in embroidery and appliqué with a central scene of a Royal Procession, bordered around the sides by multiple elephants, 52 1/4 in. x 87 1/4 in. $1000/1500 W 1003. A Decorative Chinese Blue and White

Porcelain Vase, decorated overall with a scene of an emperor and attendants in a garden pavilion, height 22 1/4 in.

1000

$800/1200 W 1004. A Chinese Blue and

White Porcelain Baluster Jar, 19th c., decorated with a continuous scene of phoenix birds and peonies against a fish scale ground, height 12 7/8 in., wood stand, overall height 13 1/4 in. $250/350 W 1005. A Chinese Celadon

Porcelain Vase, 20th c., squared archaic form, relief molded with dragons and plantain leaves, base with impressed Qianlong mark, height 13 1/4 in. $200/300 W 1006. An Asian Celadon

Porcelain Vase, 20th c., baluster body with loop handles and horizontal molded ribs, metal rim, height 12 1/4 in. $100/150

1001

W 1008. A Chinese Red Lacquered Low Table and Stool, table with

W 1007. An Antique Chinese Carved Wood Fern

square top, frieze drawer, molded square legs; rectangular stool with stretcher, square molded legs, hoof feet, height 17 1/2 in., width 16 1/4 in., depth 11 3/4 in., and height 16 in., width 14 1/2 in.

Stand, inset rouge marble waisted top, flowering prunus branch pierced frieze, elongated cabriole legs surmounted by dragon heads, hoof feet, height 35 1/4 in., diameter 14 3/4 in.

W 1009. An Antique Bokhara Tapestry, ecru woven ground with maroon,

$300/500

$400/600

dark blue and rust colored woven floral geometric patterns, mounted to modern canvas backing, height 119 in., width 46 in. $300/500 Provenance: Miodrag Blagojevich, Williamsburg, VA.

W denotes the lot is illustrated at www.nealauction.com

207

1010

1013

1014 1011 1011. An English Renaissance-Style Carved Beechwood Table, 19th c., circular top with border of scrolling leaves and eagles, pierced frieze with scrolling leaves and flowers, spiralturned legs surmounted by blocks with rosettes, spiralturned stretchers, height 30 in., diameter 42 1/2 in.

1013. An Empire-Style Ebonized, Gilt and Wrought Iron Conservatory Table, molded top centered by specimen marble plaque of song birds, lyre supports terminating in swan heads, arched legs and stretcher, height 28 in., width 54 in., depth 22 in.

$500/800

1014. A Pair of Cast Stone Figural Garden Statues, in the form of Egyptian sphinxes, bodies on rectangular plinth.

W 1012. An Antique French

1015

1010. An English Brass-Bound Burled Walnut Lap Desk, mid-19th c., fitted interior, carrying handles, height 8 1/4 in., width 18 in., depth 10 1/2 in., mounted on a later stand, overall height 18 1/2 in. $400/600

or English Carved Mahogany Méridienne, mid-19th c., serpentine foliatecarved back, low padded arm, conforming seat rail, cabriole legs, casters, height 36 in., width 63 in., depth 28 in. $600/800

$1200/1800

$3000/5000 1015. A Louis XVI-Style Carved, Gilt and Crème Peinte Window Bench, molded seat rail, rosette blocks, tapered stop fluted legs, height 20 in., width 42 in., depth 17 1/2 in. $300/500

208

1016. A Louis XV-Style Carved Giltwood Tabouret late 19th c., upholstered seat on curule supports centered by a cabochon, medial stretcher, height 19 in., width 18 in., depth 17 in. $350/450

1016

1021

1017

1017. A Louis XVI-Style Bronze-Mounted Kingwood Commode, c. 1900, serpentine marble top, conforming case with three floral inlaid drawers, chamfered stiles, cabriole legs, height 35 in., width 48 in., depth 21 1/4 in. $600/900 W 1018. A Pair of Louis XVI-Style Bronze-

Mounted Kingwood Parquetry Semainiers, c. 1900, marble top, six drawers, chamfered stiles, flared feet with sabots, height 48 in., width 21 1/4 in., depth 14 in. $700/1000 1019. An Anglo-Indian Brass and Copper Inlaid Rosewood Tray Table, 19th c., rectangular molded top with panel centering lozenge on ground of foliate carving, folding base with lobed arches and pierced scrolling leaf spandrels between supports, height 24 1/2 in., width 30 in., depth 20 in.

1019

W 1020. Continental

School, early 20th c., “Thomas Francis, Prince of Carignano”, after Sir Anthony Van Dyck, oil on canvas, pencil inscription along upper stretcher, 32 in. x 26 1/2 in., framed. $500/700 1021. Continental School, late 19th/ early 20th c., “ A Trio of Monks”, oil on canvas, signed “J. Bernstein” lower right, 20 in. x 24 in., period frame. $600/900

1022

1022. Edwin Ellis (English, 1841-1895), “Squall by the Shore”, oil on canvas, signed lower right, 9 1/8 in. x 12 in., giltwood frame. $1200/1800

$1000/1500

W denotes the lot is illustrated at www.nealauction.com

209

1023

1024

1023. A Monumental Pair of Neoclassical-Style Terracotta Urns, lobed and fluted bodies with bud finial, modeled with meandering grapevines, acanthine handles, on tall plinth base, height 94 in., width 26 in., depth 24 in. $3000/5000 1024. A Monumental Pair of Neoclassical-Style Carved Polychrome and Gilt Decorated Torchères, each with six scrolling arms, fluted supports, conforming quadripartite bases, height 98 in., diameter 37 1/2 in. $5000/7000 W 1025. A Louis XVI-Style Crème Peinte and Giltwood

Console Table, blocked sienna marble top, conforming plinth, square tapering legs with husk appliqués, conforming stretcher, tapering feet, height 35 in., width 48 in., depth 12 1/2 in. $400/600 1026. A Pair of Directoire-Style Gilt Bronze Demilune Console Tables, each with black granite top, stretcher base, paw feet, height 26 in., width 24 in., depth 12 in. $1500/2500

1026 (1 of a pair)

210

1027. A Louis XV-Style Gilt BronzeMounted Mahogany Side Table, serpentine top, conforming frieze fitted with drawer, cabriole legs, stretcher shelf, sabots, height 31 in., width 23 in., depth 15 in. $500/700 1028. A Pair of French Gilt Bronze FourLight Candelabra, 19th c., vasiform standard with lion’s mask and ring handles, scrolling candlearms, raised on ornate base with paw feet, height 25 in., width 10 in., depth 10 in.

1028

1027

$800/1200 1029. A French Tôle Peinte Four-Light Chandelier, urn-form font centered by four branches, glass oil catchers, shaped shade, now electrified, height 16 in., width 15 3/4 in., depth 15 3/4 in.

1030

$1000/1500 1030. A Pair of English Amber Cut and Pressed Glass Lidded Urns, 19th c., tapered bodies, square bases, overall diamond pattern, height 15 1/2 in., diameter 6 in. $500/750 W 1031. A

Continental Patinated Bronze Figure of a Monkey Carrying a Basket, 20th c., height 15 in., width 14 3/4 in., depth 7 in. $300/500

1029

1032. A French Brass Carriage Clock, 20th c., enameled dial marked “Thurlow/Paris”, fluted Corinthian columns at corners, fitted with beveled glass, with visible escapement, height 6 1/2 in., width 4 in., depth 3 1/2 in. $600/900 1032 W denotes the lot is illustrated at www.nealauction.com

211

1033. An Antique Georgian Carved Walnut Bookcase, upper case with molded cornice over glazed doors, shelf interior; lower case with two over two drawers, bracket feet, height 75 1/2 in., width 54 1/2 in., depth 18 in. $2000/3000 1034 1034. A Regency-Style Carved Mahogany Rent Table, 19th c., leather-inset top, four frieze drawers alternating with four false drawers, baluster standard, saber legs, casters, height 32 1/2 in., diameter 47 in. $1800/2500 1033

1036

1037

1035. A Scottish Carved and Inlaid Oak Tallcase Clock, 19th c., bonnet with broken arch crest centering a brass ball finial, dial within arched glazed door flanked by columns, waisted case on molded base, height 90 1/2 in., width 20 1/2 in., depth 9 1/2 in. $2000/3000 1036. An American Baleen-Mounted Sword Cane, 19th c., shaft made of cane wood, decorated with woven baleen, the triangular blade with gold inlay decoration, length 37 in. $800/1200 1037. An 1830 “Indian Princess” Sword, with Indian Princess pommel, mother-of-pearl grip, one langet with spread winged eagle, brass scabbard with engraved foliate design. 1035

212

$1500/2500

1038. A Model 1820 Eagle Head Officers Sword, with fluted bone handle, blued blade with gold, engraved decoration, leather scabbard (split). $1200/1800 1039. A Model 1850 Foot Officer’s Sword, shagreen grip, fully modeled eagle pommel, foliate hilt, scabbard with decorative brass fittings.

1038

$1000/1500 1040. A Pair of American Gothic Carved Rosewood Hall Chairs, mid19th c., crocketed cathedral back, square legs, casters. $600/900 1041. An American Federal Mahogany Chest of Drawers, early 19th c., Pennsylvania, molded top, four graduated cockbeaded drawers flanked by fluted corner columns, “French” feet; poplar and pine secondary woods, height 33 1/2 in., width 39 1/2 in., depth 21 1/2 in.

1039

$1200/1800

1041

1040

1042. A Pair of Gothic Revival Cast-Iron Benches, quatrefoil reticulated back, shaped arms, hexagonal lattice seat, conforming rail, straight legs, stretchers, height 34 in., width 55 in., depth 17 in. $3000/5000 Note: The pattern for these high-style benches appears in simultaneous production in 1842 by James Yates (Rotherham, England) and Israel P. Morris (Philadelphia), making this form one of the earliest made in the United States. A bench from the Morris foundry and bearing the 1842 date is installed in the garden at Richmond Plantation, Natchez, Mississippi, and is identical to those offered here. Reference: Israel. Antique Garden Ornament, Two Centuries of American Taste, p. 82, fig. 6.7.

1042 (1 of a pair) W denotes the lot is illustrated at www.nealauction.com

213

1043. A Regency Carved Mahogany Pedestal Sideboard, early 19th c., outset top with pedimented backsplash, bolection frieze drawers, each pedestal with pylon panel, one side fitted with drawers, the other with shelves, melon feet, height 45 in., width 78 1/2 in., depth 26 in. $1200/1800 1044. An American Renaissance Carved Walnut Center Table, late 19th c., white marble top, paneled frieze, bracket supports, arched legs, casters, height 30 in., width 32 1/2 in., depth 23 in. $500/700 W 1045. An American Classical-Style

Carved Walnut Armchair, tablet crest, paneled slat, arms with turned uprights, square legs, H stretcher.

1043

$500/700 1046. Robert Rucker (American/New Orleans, 19322001), “Path with Azaleas in Bloom”, oil on canvas, signed lower right, 19 in. x 24 in., framed. $1200/1800 1047

1044

1048

1047. William Llewellyn Hoey (American/Texas, 1930-1994), “Orange and Yellow Field at Dusk”, oil on canvas, signed lower left, signed en verso, 9 in. x 12 in., framed. $800/1200 1046 1048. Charles H. Chapin (American/New Orleans, 1830-1889), “Sunset on the Bayou”, oil on canvas board, signed lower right, “Russell’s Canvas Board, Pat’d Mar. 18th, 1879” stamp en verso, 5 in. x 10 in., framed. $700/900

214

W 1049. New

Orleans School, mid-20th c., “French Quarter Courtyard”, oil on board, unsigned, “Farish Art Store, New Orleans” label en verso, 12 7/8 in. x 11 in., period frame. $300/500 1050

1056

1051

1052

1050. Charles Henry Reinike (American/New Orleans, 1906-1983), “Courtyard of the Brulatour Residence, 520 Royal Street”, watercolor, signed lower right, handwritten title label en verso, sight 6 1/4 in. x 9 1/4 in., framed. $600/800 1051. Jim Richard (Texas/ New Orleans, b. 1943), “Big Splash”, 1973, oil on linen, signed and dated en verso, 43 1/4 in. x 72 in., period frame. $3000/5000

1053

W 1054. Bruce Hafley (Georgia,

b.1920), “Portrait of Carol Cohen”, 1975, tempera on panel, signed and dated upper right, 15 1/2 in. x 12 in., framed.

1052. Allison Stewart (American/New Orleans, b. 1941), “Untitled Abstract”, c. 1983, acrylic on canvas, signed en verso, 36 in. x 60 in., unframed.

$500/700

$800/1200

W 1055. Bruce Hafley (Georgia,

1053. Wayne Amedee (American/New Orleans, b. 1946), “Abstract Composition”, 1973, oil on canvas, signed and dated en verso, 24 in. x 72 in., unframed.

Provenance: A Mobile, Alabama, family.

b. 1920), “Portrait of a Lady”, 1975, tempera on panel, signed and dated upper right, 15 in. x 11 in., framed.

1056. Zulma (Parker) Steele (American, 1881-1979), “Red Bridge Landscape”, acrylic on canvas board, signed lower left, 12 in. x 16 in., framed. $700/900 W 1057. Valerie Blackwell Hird

(American, b. 1955), “Hilly Landscape”, watercolor on paper, pencil-signed lower right, image 3 3/4 in. x 3 1/4 in., sheet 4 1/2 in. x 6 1/2 in., matted and framed. $300/500

$500/700 Provenance: A Mobile, Alabama, family.

$500/800 W denotes the lot is illustrated at www.nealauction.com

215

1065. Continental School, late 19th/early 20th c., “Stormy Seas: Man Over Board”, oil on canvas, unsigned, 16 in. x 24 in., period frame. $700/900

1065

W 1058. Robyn Geddes (American, 20th/21st c.),

“Dove”, 1996, oil on canvas, signed, titled and dated en verso, 15 in. x 52 in., unframed. 1066

$400/600 Provenance: Collection of Molly Reily, New Orleans, LA. Note: Geddes was an assistant to Andy Warhol, 1978-1983. W 1059. James

Rogers Lamantia (American/New Orleans, 19232011), “Study in Earth Tones”, oil on canvas, signed en verso, 23 3/4 in. x 16 in., original frame. Note: Condition. $300/500 W 1060. John

Mooney (American/ Virginia, c. 1843-1918), “Portrait of a Young Woman with Blue Eyes” and “Portrait of a Woman with Pearls”, two oils on canvas, both signed, 13 1/2 in. x 10 1/2 in. and 14 in. x 11 1/2 in. respectively, framed. $600/800

1066. Otto Bauriedl (German, 18791956), “Pontresina, St. Moritz, Switzerland”, 1926, oil on canvas, signed “Bauriedl” lower left, signed “Otto Bauriedl München” and inscribed “Nahe der Bernin... Bellavista, Morderschlagl, Pontresina, 04.1926” en verso, 36 in. x 28 in., framed. $800/1200

1067

W 1061. Nell Choate Shute (American/Georgia, 1896-1966), “Clown”, oil on canvas,

signed upper right, partial labels en verso from “Coggins Collection” and “Museum of Art”, 24 1/8 in. x 18 in., unframed. $200/400

Note: Bauriedl studied under the acclaimed German art instructor Franz von Stuck (1893-1928). He was a member of the Munich Secession, the Austrian Art Federation, and the Union des Beaux Arts et de Lettres.

Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. W 1062. Napoleon King (Florida/Louisiana, b. 1940), “Bourbon Street, French

Quarter”, 1993, oil on canvas, signed lower left, 23 3/4 in. x 36 in., unframed. $500/700 W 1063. Julian Lamar (American, 1893-1967), “Portrait of a Young Girl”, oil on wood

panel, signed lower right, 20 in. x 16 in., framed. $200/400 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. W 1064. Linda Lesperance (American/Louisiana, 20th c.), “Cafe au Lait”, pastel, signed and dated lower right, sight 10 1/4 in. x 11 1/2 in., framed.

$200/300

1067. An American Classical Carved Giltwood Overmantel Mirror, early 19th c., molded cornice with spherules, tripartite divided mirror plate with ebonized surround flanked by engaged Corinthian columns, height 21 1/2 in., width 60 in. $400/600

216

1068. A Regency-Style Brass and Cut-Glass EightLight Chandelier, early 20th c., attenuated bell-form frame fitted with parallel cut glass prisms, circlet issuing foliate scroll candle arms fitted with black candles, height 32 in., diameter 33 in. $800/1200 1069. A Pair of Gilt and Patinated Bronze FourLight Candelabra, in the style of Barbedienne, crane finial, double handled, vasiform standard on tripartite base, with cherub term legs, height 27 1/2 in., diameter 9 in. 1068

$1500/2500

1070 (2 of 4)

1072. A George III-Style Carved Mahogany Bench, rectangular seat on acanthine cabriole legs ending in ball and claw feet, height 19 in., width 31 in., depth 16 in. $300/500

1071

1069

1070. A Suite of Four Rock Crystal Lamp Standards, shaped stems, stepped plinths, ball feet, height 14 3/4 in., diameter 4 3/4 in. $2000/3000 1071. A Pair of Régence-Style Gilt Bronze FourLight Wall Sconces, 19th c., bows and ribbons supporting shell-surmounted shield with radiant masks issuing foliate candle arms, height 43 1/2 in., width 19 1/4 in., depth 11 1/4 in. $1500/2500

1072 W denotes the lot is illustrated at www.nealauction.com

217

W 1077. An Antique

Georgian-Style Carved Mahogany Side Table, circular molded top, bracketed tapered legs, ball feet, height 27 1/2 in., diameter 23 1/2 in. $300/500 W 1078. Two Antique

English Carved Hardwood Armchairs, each with arched crest, ring and vasiform turnings, H stretchers. $300/500 W 1079. A Queen Anne-

1073 1084

1073. An English Carved and Inlaid Walnut Center Table, mid-19th c., oval top, turned supports, drum plinth, arched acanthus legs, scroll feet, height 27 in., width 46 in., depth 32 in. $800/1200 W 1074. A George III-

1081

Style Mahogany Camelback Sofa, early 20th c., arched back, scroll arms, square tapered legs, stretchers, height 37 1/4 in., width 78 in., depth 31 in. $500/1000 W 1075. An Antique

Georgian-Style Carved Mahogany Armchair, shaped crest, vasiform splat, volute scroll arms, cabriole legs, trifid feet. $300/500 W 1076. A Georgian-

1083

218

Style Mahogany Linen Press, 19th c. and later, cove-molded cornice, pair of paneled doors over two short and two long drawers, turned feet, height 77 1/4 in., width 49 3/4 in., depth 24 in. Note: Lacks linen trays. $500/750

Style Carved Mahogany Wing Chair, probably Kittinger, of typical form, C scrolled arms, serpentine seat rail, cabriole legs, pad feet. $150/250 W 1080. An Elizabethan-Style Carved

Oak Handkerchief Table, top with molded drop leaves, turned uprights, incurvate stretcher shelf, flared feet, height 27 1/2 in., diameter 26 1/2 in. $250/350 1081. A William and Mary Oak Blanket Chest, late 17th/early 18th c., paneled lift top, strap hinges, void interior, paneled sides, molded block feet, height 26 1/4 in., width 53 1/2 in., depth 24 in. $500/750 W 1082. A George III-Style Inlaid

Mahogany Fern Stand, molded top, square legs, conforming stretcher shelf, height 38 in., diameter 12 in. $200/400 1083. An Edwardian Inlaid Mahogany and Paint-Decorated Compactum in the Adam Taste, early 20th c., pair of doors over five graduated drawers flanked by a long door, molded base, floral swags, beribboned reserves overall, height 82 1/2 in., width 75 in., depth 23 in. $500/750 1084. A Continental Carved and Burl Walnut Cabinet, 19th c., marble top, frieze drawer and cupboard doors, shelf interior, fluted stiles, turned feet, height 54 in., width 33 1/2 in., depth 21 in. $700/1000

W 1085. Julian

Lamar (American, 1893-1967), “Portrait of Winston Churchill”, oil on board, signed lower right, 24 in. x 20 in., framed. $300/500 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA. 1086. English School, 20th c., “Pastoral Scene: Two Cows and a Pig”, oil on canvas, signed “Thomason” lower left, 24 in. x 36 in., framed.

1086 1089

W 1091. An American Schoolgirl

Needlework Sampler, 1845, “Beauty soon turns familiar....Mary Gowans aged 12, 1845”, sight 19 3/4 in. x 16 3/4 in., framed.

$1000/1500 W 1087. An Aesthetic

$500/800

Movement Brass Desk Stand and Letter Opener, stand with repeating floral and foliate repoussé pattern, three compartments; letter opener with handle modeled as a knotted rope, stand height 4 1/2 in., opener length 11 in.; together with an antique magnifying glass with carved ivory and silverplate handle, length 11 in. (3 pcs.) $500/700

W 1092. A Pair of Carriage Lanterns,

late 19th/early 20th c., Merts and Riddle, Ravenna, Ohio, labeled, height 22 in., width 8 in., depth 9 3/4 in., electrified. $400/600 Note: Merts and Riddle produced several varieties of hearses and coaches. The firm was established in 1831 as the Clark Bros. Carriage Company. In 1861, two employees, Charles M. Merts and H.W. Riddle, purchased the company and renamed it Merts and Riddle. As late as the 1920s, the firm continued to mount large coach lamps on their hearses.

1090

W 1088. A Group of Four

American Canes, including a corkscrew cane; one with a hand holding a pistol; one with carved ivory dog’s head; and one with carved bone handle with Orientalist landscape.

1093. A French Art Deco Wrought-Iron Four Light Chandelier, Muller Freres à Luneville, early 20th c., scrolled supports, with ruffled shades, bell form central shade also illuminated, allover applied foliate decoration, height 23 in., diameter 26 in.

$500/700 1089. An American or English Silk-on-Linen Cross-Stitch Sampler, 1831, with alphabet, religious verse and bucolic landscape, floral border, height 21 1/4 in., width 17 1/2 in., matted and framed. $400/600 1090. An American Schoolgirl Needlework Sampler, 1843, “Almighty Maker of My frame...”, by Sarah Greenwood, featuring a school house, sight 24 in. x 24 in., antique rosewood frame. $800/1200

$800/1200 W 1094. An American

Brass Encrier and a Pair of Candlesticks, 19th c., encrier of pierced and incised square 1093 form, hinged lid, glass liner, raised on paw feet; candlesticks with canted rectangular bases and turned standards, heights 5 in. and 10 1/4 in. respectively. $300/500

W denotes the lot is illustrated at www.nealauction.com

219

W 1100. A Louis-

Philippe Mahogany Semainier, early 19th c., molded cornice, ogee frieze drawer, case with five graduated drawers, plinth base, turned feet, height 64 in., width 44 in., depth 20 in.

1095

1095. A Pair of Contemporary Burlwood Side Tables in the Arts Decoratifs Style, each stepped top with a drawer, medial shelf, plinth base, height 30 in., width 19 1/2 in., depth 12 1/2 in.

$700/900 1096

$800/1200 1096. A Contemporary Rosewood Semainier, seven graduated bowfront drawers, incurvate plinth base, height 60 1/2 in., width 15 1/2 in., depth 20 in. $1000/1500

1097

1097. A Pair of Charles X-Style Gilt Bronze and Cut Glass Lamps, columnar form with diamond pattern standard and plinth, height 32 in., width 5 in., depth 5 in. $1000/1500 W 1098. A Turkish Brass Tray on Stand, late 19th/early 20th c.,

dished tray with geometric design, spindled folding stand. $400/600 1099. An Antique Continental Gilt Brass and Onyx Étagère, late 19th c., elaborate tiered, mirrored back, onyx and glass shelves, cast foliate brass framework, scroll feet, height 71 1/2 in., width 43 1/2 in., depth 12 in. $800/1200 1099

220

1101

1102

1106

1104

1101. An Antique Louis XVI-Style Carved Walnut Settee, straight molded crest rail, padded arms, scrolled terms, molded seat rail with blocks, turned tapered fluted legs, height 36 in., width 69 in., depth 20 in. $700/1000 1102. A Pair of Neoclassical-Style Gilt Bronze-Mounted Porcelain Lamps, cobalt ground, foliate handles, acanthine and leaf decorated base, vase height 16 in., diameter 6 in., overall height 31 in.

1105. An American Rococo Carved and Giltwood Mirror, mid-19th c., arched frame with outset crest, height 45 in., width 25 in.

1105

W 1103. A Rouge Griotte Marble

Mantel, molded top and surround, height 42 7/8 in., width 49 3/4 in., depth 13 7/8 in.

$300/500

1104. A Chippendale-Style Mahogany Looking Glass, arched scrolled crest, shaped base, height 38 1/2 in., width 19 1/4 in.

1106. An American Classical Carved Mahogany Work Table, c. 1825, crossbanded top with turreted corners, conforming case with two graduated drawers flanked by ring-turned columns, lyre base, outswept acanthine legs, brass paw feet, casters, height 31 in., width 21 in., depth 15 3/4 in.

$500/750

$800/1200

$300/500

$1000/1500

W denotes the lot is illustrated at www.nealauction.com

221

1107. An American Late Classical Carved Mahogany Center Table, early 19th c., New York, dodecagonal top, conforming ogee molded frieze, baluster standard, incurvate plinth, scroll feet, height 29 in., width 34 1/2 in., depth 34 1/2 in. $500/750 W 1108. R. L. Adams (British, 20th c.),

“Cottages by the Shore”, watercolor on paper, signed lower left, 12 in. x 7 1/2 in., framed. $300/500

W 1114. A Collection of Four Paris

W 1119. An Antique American Carved

Porcelain Gilt and Polychrome Flare Vases, mid-to-late 19th c., each with floral reserves, heights 9 in. to 17 1/2 in.

Mahogany Hanging Knife Box, the scrolled and pierced pediment over square tapered box with inlay of carving knife and fork, lid hinged with leather attached with flower headed nails, height 18 in., width 6 in., depth 5 1/2 in.

$150/250 W 1115. A Collection of Four Paris

Porcelain Gilt and Polychrome Decorated Vases, mid-19th c., heights 12 1/2 in. to 13 1/2 in.

W 1120. A Tunbridge Ware Tea Caddy,

$150/250

rose design in center of hinged lid, height 4 in., width 4 1/2 in., depth 4 in. Note: Condition.

W 1116. A Neoclassical-Style Gilt

$200/300

“Fisherman on a Stream”, oil on board, unsigned, sight 7 in. x 9 in., antique frame.

Bronze-Mounted Cobalt Porcelain Jardinière, 20th c., lion mask handles, reticulated olive branch border, height 13 in., width 15 in., depth 12 1/2 in.

$300/500

$400/600

W 1109. English School, 19th c.,

$100/200

W 1110. An Assembled

W 1121. An Antique French Baroque-

Style Patinated Metal Candlestick, fluted shaft raised on tripod pedestal with relief of the Sacre Coeur, now mounted as a lamp, height 22 in.

Group of Copper and Brass Items, including a pair of English copper wine coolers; a set of six copper plated chargers, diameter 14 in.; a nine piece set of measuring cups marked “Oriental Metal Pressing Works, Bombay”, largest height 7 in.; a pair of small planters with lion head handles and paw feet, height 4 in.

$100/200

$600/900

$200/400

W 1122. A Good American

Aesthetic Movement Gilt Brass Mirrored Sconce, c. 1885, attributed to Bradley & Hubbard, Meriden, CT, beveled mirror plate, pierced frame, scrolled candles arms, height 16 in., width 10 1/4 in., depth 3 in. Note: Nearly identical to plate 47 p. 68, A Brass Menagerie.

W 1111. A German

Porcelain Transfer Decorated Fish Service, 19th c., comprising a fish platter and nine plates, all marked C. Tielsch & Co., in green underglaze, with molded and scalloped rims decorated with ferns and floral garlands, reserved with naturalistic freshwater fish, platter length 21 3/4 in., plate diameter 8 1/2 in. $600/900 W 1112. A Paris Porcelain Soup

Service, 19th c., consisting of a lidded soup tureen, sauce tureen (lacking lid), 12 soup plates and a spoon, all with blue bands and gilt highlights. $300/500 W 1113. A Collection of Ten

Continental Polychrome Porcelain Figures, comprising three pairs of ladies and gentlemen and four figures in various costume, two now mounted as lamps, heights 9 1/2 in. to 18 in. $600/900

222

W 1123. An American

1107

W 1117. Two American Inlaid Tea

Caddies, one rosewood, divided interior, bone escutcheon, height 4 7/8 in., width 7 3/4 in., depth 4 5/8 in.; the other fruitwood, lacking divider, height 4 7/8 in., width 8 in., depth 4 in. $400/600 W 1118. An American Walnut Jewelry

Box, hinged lid, tufted blue satin interior with tray, fall front opening to a drawer, height 5 3/4 in., width 9 1/2 in., depth 7 in; together with an inlaid walnut box, void interior, height 5 1/4 in., width 11 5/8 in., depth 8 5/8 in. (2 pcs.) $400/600

Aesthetic Movement Gilt Brass Mirrored Sconce, c. 1885, Bradley & Hubbard, Meriden, CT, marked, designed by Albert Patitz, beveled mirror plate, pierced frame, scrolled candle arms, height 19 in., width 10 in., depth 4 in. $200/400 Note: Nearly identical to plate 3, p. 34, A Brass Menagerie. W 1124. A Pair of Continental Gilt

Bronze and Porcelain Five-Light Candelabra, 19th c., having porcelain urn-form standards and inset plaques decorated with pastoral scene, base and scrolling candlearms embellished with scrolling foliage, height 18 in., width 8 in., depth 8 in. $250/350

W 1125. An American Rococo

Carved Giltwood Mirror, mid19th c., floral crest, beaded molded frame, floral and foliate pendant, height 38 in., width 25 in. $200/400 1126. A Venetian Art Deco Mirror, 20th c., arched center mirror flanked by rectangular beveled mirrors; together with a contemporary square stepped beveled mirror in polished metal frame, height 30 in., width 42 in. and height 31 1/2 in., width 31 1/2 in., respectively. (2 pcs.) $600/900 1126 (1 of 2) 1127. A French Mont Joye Enameled Glass Vase, c. 1900, amethyst to clear glass, jack-in-the-pulpit shaped vase with hand painted flowers and central poppy, gilt rim, height 14 1/4 in.

1127

W 1136. A Group of

$300/500

Antique and Vintage Sterling Silver Flatware Serving Pieces, various makers, including a Gorham punch ladle with brightcut decoration, a berry spoon with windmill handle, 3 cold meat forks and 4 relish spoons, combined weight 14.25 troy ozs.

W 1128. A Steuben Glass Compote and an

Ashtray, each marked, height 5 in., diameter 6 3/4 in., and height 2 1/4 in., diameter 6 3/4 respectively; together with a large Steuben glass bowl, slightly oblong with petal form feet, height 4 3/4 in., width 11 1/2 in., depth 8 1/2 in. Note: Condition. (3 pcs.) $200/300

$250/350

W 1129. An American Art Glass Garniture,

comprising an iridescent blue baluster vase with intersecting lines design, and two iridescent goldorange tulip roses, all spuriously marked “L.C.Tiffany/Favrile”, height 9 in.,and 11 1/4 in. $300/500 W 1130. An Art Glass Covered Dish, c. 1940,

circular molded glass decorated with butterflies, bearing etched and molded signature “Verlys”, height 2 1/4 in., diameter 6 3/4 in. $200/300 W 1131. An American Brilliant Cut Glass

Punch Bowl and Stand, 20th c., cut and etched floral banding, height 10 in., diameter 10 in. $300/500 W 1132. A Group of Three Cut Glass

1138 W 1137. A Gorham W 1133. A Set of Eight Baccarat

Champagne Coupes, acid etched stamp, height 5 in. $100/200 W 1134. A Group of American

Sterling Silver Tableware, 20th c., various makers, including a small Revere bowl, Tiffany & Co., diameter 4 1/4 in.; a small tazza with neoclassical chasing, Towle, diameter 7 1/4 in.; a small footed bowl, Towle, length 5 3/4 in.; a small compote with reticulated floral border, Whiting Mfg. Co., diameter 5 1/2 in.; 6 reticulated ramekin frames, Gorham, length 5 1/2 in.; and a bread plate, maker’s mark rubbed, diameter 6 in.; 11 pcs, total weight 28.70 troy ozs.

Sterling Silver “Cinderella” Pattern Footed Bowl, 1926, with neoclassical decoration and script monogram, height 3 1/2 in., diameter 9 7/8 in., weight 14.45 troy ozs. $300/500

Sterling Silver Revere Bowl, with 1973 presentation inscription, height 4 in., diameter 7 5/8 in., weight 14.90 troy ozs.

1138. An American Sterling Silver Partial Flatware Service, Reed & Barton, Taunton, MA, 1840present, “Marlborough” pattern, pat. 1906; including 11 luncheon forks, 1 dinner fork, 12 salad forks, 12 cocktail forks, 5 luncheon knives, 8 dinner knives, 10 butter spreaders (fh), 9 soup spoons, 12 bouillon spoons, 12 teaspoons, 12 iced tea spoons, 8 demitasse spoons, steak carving knife and fork, cold meat fork, berry spoon, tablespoon, pierced tablespoon, gravy ladle, 2 sauce ladles, master butter knife (fh), sugar shell, jelly spoon and 2 cheeses knives (hh); approx. 125 pieces, total weight (weighable) approx. 125.70 troy ozs.

$300/500

$2000/3000

Bottles with Stoppers, consisting of one jar form, and a pair of flask decanters with star burst pattern, height 8 1/4 in. and 7 in., respectively.

$300/500

$200/300

W 1135. A Tiffany & Co. Makers

W denotes the lot is illustrated at www.nealauction.com

223

W 1139. A Group of Antique

W 1145. A Pair of Gorham

and Vintage Gorham Sterling Silver Objects, including a pin tray, 1888, another pin tray, a shaped tray and a nut dish; together with a Frank Smith shaped oval tray, lengths 3 3/4 in. to 9 1/4 in., combined weight 14.55 troy ozs.

Sterling Silver Three-Light Candelabra, mid-20th c., with scroll arms, trumpet form shaft and gadroon borders, height 16 1/4 in. Note: “Estate” condition. $500/700

$250/350

W 1146. A Mexican Sterling

Silver Water Pitcher, in the Spanish Colonial taste, Conquistador S.A., Mexico City, mid-20th c., height 12 3/4 in., weight 41.70 troy ozs.

W 1140. An Arts and Crafts

Sterling Silver Compote, Paul Greene, Asheville, NC, early 20th c., marked “ASHEVILLE”, “HANDWROUGHT”, “STERLING”, “PAUL GREENE” and with maker’s mark; hammered surface, height 2 in., diameter 6 in., weight 6.80 troy ozs. $200/300

$400/600 Reference: Hougart, Bille. The Little Book of Mexican Silver Trade and Hallmarks, pgs. 49-51.

W 1147. An American Sterling

Silver Flatware Service, Lunt, “Memory Lane” pattern, pat. 1949, including 12 luncheon forks, 12 luncheon knives, 12 salad forks, 12 teaspoons, 12 iced tea spoons, 12 demitasse spoons, 6 soup spoons, a two piece steak carving set and a master butter knife, (81 pcs.), total weight (weighable) 68.75 troy ozs.

1143

W 1141. An Arts and Crafts

Sterling Silver Sugar and Creamer, William Waldo Dodge (1895-1971), Asheville, NC, hand-wrought with hammered surface, footed form with molded rim, creamer height (to top of handle) 3 1/4 in., width 5 1/2 in., combined weight 9.30 troy ozs.

$1000/1500

$300/500

1148. An American Sterling Silver Centerpiece Bowl, hallmark rubbed, circular with everted reticulated rim, circular molded foot, with presentation inscription “MRS. JOSEPH E. FRIEND/ with love and appreciation/ of your Labor and Devotion in/ THE N.O. FEDERATION OF CLUBS/ November 27 - 1923”, height 3 in., diameter 12 in., weight 13.65 troy ozs.

W 1142. An Arts and Crafts

Sterling Silver Solitaire Sugar and Creamer, William Waldo Dodge (18951971), Asheville, NC, handwrought with hammered surface, creamer height (to top of handle) 2 1/4 in., width 4 in.; together with a hammered sterling silver saucer, also by William Waldo Dodge, diameter 5 1/4 in., combined weight 10.15 troy ozs. $300/500 1143. An American Sterling Silver Water Pitcher, Whiting Mfg. Co., New York, 1906, jug form with scroll handle, height 8 1/2 in., weight 17.95 troy ozs.

1144

$300/500 Note: The Federation of Women’s Clubs was one of many organizations of which civic leader Ida Weis Friend (1868-1963) served as president. She was also a founder of the New 1148 Orleans Symphony Orchestra, New Orleans Home for Incurables and Spring Fiesta. In 1946 she would receive the prestigious Times Picayune Loving Cup.

$250/350

Reference: A Dictionary of Louisiana Biography, p. 326.

1144. A Good Group of American Sterling Silver Repoussé, including a Gorham soap dish, 1888, with reticulated liner, length 7 1/2 in.; a Gorham pen tray, 1890, length 10 1/8 in.; and a Shiebler butter pat, diameter 3 1/4 in.; combined weight 14.10 troy ozs.

W 1149. An American Sterling Silver Circular Tray, Towle,

$250/350

$400/600

224

Newburyport, MA, wc. 1882 to present, with presentation inscription “1890F1915”, diameter 13 in.; together with a Kirk sterling silver bowl with script monogram, diameter 8 in., combined weight 20.20 troy ozs.

W 1150. A Group of American

W 1156. A Group of American

W 1162. An Antique American

Sterling Silver Tableware, 20th c., including a shaped oval covered vegetable dish, Fisher Silversmiths, New Jersey, c. 1936-1970, length 10 in., width 7 1/8 in.; and two oblong bread trays, International Silver Co., “Lord Saybrook” pattern, length 10 in., width 6 in., combined weight 39.10 troy ozs.

Sterling Silver Tableware, 20th c., various makers, including a bread tray, International Silver Co., length 11 1/2 in.; a bowl, Watrous Mfg. Co., diameter 8 3/4 in.; a bowl, Meriden Britannia Co., diameter 9 1/2 in.; and a circular tray, Dominick & Haff, diameter 9 1/2 in.; all with reticulated borders; combined weight 30.05 troy ozs. (4 pcs.)

Sterling Silver Telescoping “Gripper” Handle, the silverplate gripper marked “PAT.DEC.10.89”, extended length 10 1/4 in.; together with an American coin silver sugar tongs, marked “FG”, length.

$800/1200

$150/250 Provenance: Collection of Steven Cabot Barnes Harvey.

$350/450 W 1163. An Assorted Group of

W 1151. A Small Sterling Silver

Coffee Pot, S. A. Maqueen & Co., plain classical urn form on a square footed pedestal base, reeded borders and hinged cover, engraved script monogram, height 9 1/2 in., weight 15.55 troy ozs. $150/250

W 1157. A Group of American

Sterling Silver Trays, various makers including 2 Gorham, Frank Smith and International Silver Co., sizes from 8 1/2 in. to 12 in. diameter, combined weight 30.60 troy ozs.

Sterling Silver Flatware, including sets of teaspoons, iced tea spoons and serving spoons (approx. 50 pcs.); together with assorted silverplate flatware (approx. 10 pcs.), weight (weighable) 37.70 troy ozs. $300/500

$500/750 W 1164. An Assorted Group of

W 1152. A Group of American Coin

Sterling Silver Small Bowls, various makers including Gorham, Reed & Barton, Manchester Silver Co. and an Alvin example with floral border, widths from 4 1/4 in. to 7 in., combined weight 13.65 troy ozs.

American Silverplate Tea Ware, 19th c., including a five piece coffee and tea service by Webster & Co.; a creamer and a sugar by Meriden; covered creamer by Forbes Silver Plate Co.; teapot by Barbour Bros.; and matching sugar and creamer by American Silver Co. (11 pcs.)

$250/350

$300/500

W 1159. A Group of American

W 1165. A Group of Eight American

Silver Flatware, 19th c., including 4 teaspoons, Hebbard & Strong, New York, retailed by Hopkins & Co, upturned fiddle typt engraved in script “Lillie”; cheese knife and matching pickle fork, single faced bright-cut engraved, ret. Wriggins & Warden, twist handle teaspoon and an upturned fiddle typt fork, length 8 7/8 in., with two different touch marks, total weight 7.35 troy ozs. (8 pcs.)

W 1158. A Group of American

$200/300

Sterling Silver Flatware Serving Pieces, early 20th c., including Alvin “Raphael” serving spoon, pattern introduced c. 1902; Whiting “Lily” meat fork, pattern introduced 1902; Dominick & Haff, pattern introduced 1903, “Alexandra” serving spoon; together with a Mexican sterling silver and wood handle trowel, “HCL” Mexico City, c. 1940; and a pair of Spanish .915 silver servers by Matilda M. Espuñes, Madrid, approx. 16 pcs., weight (weighable) 25.95 troy ozs., (17 pcs. total).

Silverplate Cups, late 19th/early 20th c., by various manufacturers, some in the Aesthetic taste, height 3 3/4 in. to 2 1/4 in.

$250/350

W 1167. A Group of Silverplate Trays

W 1153. An Assorted Group of

American Sterling Silver Flatware, including 12 demitasse and 4 bouillon spoons, Durgin “Fairfax” pattern; Gorham “Chantilly” steak carving knife and fork, a set of 6 dinner knives, 2 souvenir spoons, sugar tongs and 6 sterling silver handled luncheon knives, embossed floral pattern, length 8 3/8 in., total (weighable) weight 10 troy ozs. (34 pcs.) $200/300

W 1160. Twelve Antique American W 1154. Two Cased Sets of American

Sterling Silver and Porcelain Demitasse Cups and Saucers, one with six cups and saucers, the other with eight.

Mother-of-Pearl and Silverplate Knives, J. Russell & Co., Greenfield, MA, wc. 1834-1865, length 8 in., together with four associated knives, length 9 in.

$400/600

$200/300

W 1155. A Good Group of American

W 1161. A Set of Gorham Silverplate

Sterling Silver Tableware, 20th c., various makers, including a reticulated stand, Whiting Mfg. Co., New York, 1912, height 4 1/2 in.; a square bowl, Frank Smith, Gardner, MA, wc. 1886-1958, width 4 1/2 in.; a sauceboat, Gorham, length 7 1/2 in.; and a creamer, mark rubbed, width 5 1/4 in.; combined weight 19.65 troy ozs. (4 pcs.)

Flatware, 29 pieces; together with 17 assorted silverplate spoons, master salt spoons, nut picks, and serving pieces, total 50 pcs.

$300/500

$100/200

$200/400 W 1166. A Large Group of Silverplate

Cups, late 19th/early 20th c., by various manufacturers. (approx. 25 pcs.) $200/300

and Assorted Tableware, including a rectangular two handled tea tray in the Aesthetic taste, 26 in. x 15 in.; a rectangular tray with gadroon borders, 27 1/2 in. x 16 1/2 in.; two circular trays, classical, one with reticulated gallery, 15 in. and 12 1/4 in.; shaped oval meat dish, 16 1/2 in.; wirework bread basket; oval two handle dish; and a candy dish. (8 pcs.) $150/250 W 1168. An American Sterling Silver

Partial Flatware Service, Gorham “Nocturne” pattern, introduced 1938, comprising four forks (7 1/4 in.), four knives (8 3/4 in.), four salad forks, five teaspoons, eight cream soup spoons, four butter spreaders(fh), weight 28.30 troy ozs. (29 pcs.) $300/500

W denotes the lot is illustrated at www.nealauction.com

225

W 1169. A Group of Nine American

W 1174. Ruth Starr Rose

Etchings, including: William Bicknell, “Afternoon Sun”, 1920; Ann Lea Merritt, “Portrait of the Artist Frank Duverneck”, 1879; Will Rowland Davis, “Untitled (Fisherman)”; George Taylor Plowman, “Untitled (Street Scene with Steeple)”; James Smillie, “Golden Gate from Telegraph Hill”, 1873; Marcel Vertes, “Nana (Emilie Zola)”; Melville Wire, “The West Shore”, 1948 and “The Deserted Barn”, 1947; Charles Woodbury, “Sea Pasture”, 1936; sight 6 in. x 9 in. to 9 in. x 11 in.; together with a signed copy of George T. Plowman, Manual of Etching.

(American, 1887-1965), “The Golden Slippers”, 1947, color lithograph on paper, pencil-signed, ed. 250, 9 3/4 in. x 12 1/2 in., unframed. $300/500 W 1175. Rowland Scherman

(American, b. 1939), “Walls of San Miguel”, two Giclée prints on paper, signed lower right, numbered “1/35” lower left, each sheet 22 in. x 30 in., framed. $400/600

$800/1200

W 1176. After Salvador Dali

(Spanish, 1904-1989), “The Ecumenical Council”, lithograph on paper, pencil-signed lower right, numbered “47/300” lower left, sight 25 in. x 20 1/4 in., framed.

W 1170. A Group of Nine American

Etchings, including: John Taylor Arms, “The Piazza, Venzone”, 1931, and “Untitled (Half Timber Building)”; Samuel Chamberlain “Cour du MarcheBruges”; Louis Conrad Rosenberg, “Dinkelsbuhl House”, 1928; Diane Thorne, “Pistache ans Munchen”, and “Even Money”; John C. Vondrous, “Bruges”, 1922, and “Malineo”, 1920; William Auerbach-Levy, “The Fur Cap”; together with an original pen and ink sketch for “The Fur Cap”, plate 7 in. x 5 in. to 11 in. x 9 in., unframed (10 pcs.)

1177

$200/300 1177. Joseph Woodsen “Pops” Whitesell (American/ Louisiana, 1876-1958), “So What ?!”, 1943, vintage silver gelatin print, signed and titled in lower margin, signed, titled and inscribed “Photographic Society of America 1943” exhibition label at “De Young Museum, San Francisco”, and exhibitions stamps from “Tri-State Salon, Amarillo, Texas”, “Wichita Salon of Photography”, “Hudson-Mohawk Salon”, and “Columbus Salon” en verso, photograph 13 1/4 in. x 16 1/2 in and mat 15 7/8 in. x 20 in. unframed.

$800/1200 W 1171. Morris Henry Hobbs

(American/New Orleans, 1892-1967), “Pirate’s Alley, Old New Orleans”, 1943, etching on paper, titled and dated in plate, pencil-signed, titled and numbered bottom left and right, sheet 12 5/8 in. x 9 1/2 in., plate 9 in. x 6 in., matted and framed.

$500/700

1178

Provenance: Acquired from the artist; descended in a Louisiana family.

$300/500 W 1172. Mildred Nungester Wolfe (American/Mississippi,

1912-2009), “Capital Street, Sunday”, 1980, linocut on paper, pencil-signed, titled and dated, image 10 1/2 in. x 13 1/4 in., sheet 12 in. x 18 in., matted and framed; together with Marie Atkinson Hull (American/Mississippi, 1890-1980), “Portrait of a Woman”, woodblock print, pencil-signed and numbered 1/15, sheet 18 1/2 in. x 14 1/2 in., unframed.

1178. Joseph Woodsen “Pops” Whitesell (American/New Orleans, 1876-1958), “Evening in Old New Orleans”, vintage silver gelatin print, pencil signed and titled in lower margin, signed, titled, and inscribed en verso with exhibition stamps from “Seattle International” and “Port Colborne Salon of Photography”, photograph 13 1/8 in. x 16 1/2 in., mat 15 3/4 in. x 20 in., unframed. $700/900 Provenance: Acquired from the artist; descended in a Louisiana family.

$400/600 Provenance: Descended in the family of Mississippi collector Bitsy Irby.

W 1179. Joseph Woodsen “Pops” Whitesell (American/New

W 1173. Corrine M. Luria (American/Louisiana, 1890-1975,

Orleans, 1876-1958), “Self Portrait”, vintage silver gelatin print, signed and titled in lower margin, photograph 16 1/2 in. x 13 1/2 in., mat 20 in. x 15 3/4 in., unframed.

active Newcomb College 1910-1916), “Old Live Oak of Louisiana with Spanish Moss”, woodcut on paper, pencil-signed and titled, image 5 1/4 in. x 7 1/4 in., sheet 6 3/4 in. x 7 1/4 in., framed. $300/500

226

$300/500 Provenance: Acquired from the artist; descended in a Louisiana Family.

1180. Joseph Woodsen “Pops” Whitesell (American/New Orleans, 18761958), “White Mule”, vintage silver gelatin print, signed and titled lower margin, signed, titled, and inscribed en verso with exhibition stamps from “The Gateway to the North Exhibition of Photography, Edmonton, Alberta, Canada”, “Second Pasade Salon of Photography” and “Omaha International Salon” labels en verso, photograph 13 1/4 in. x 19 in., mat 13 1/4 in. x 19 in., unframed.

1180 1184

1184. An American Carved Walnut Liqueur Case, 19th c., the divided interior with six gilt decorated stoppered bottles, with three associated cordial glasses, height 9 3/4 in., width 11 1/2 in., depth 7 3/4 in.

$800/1200 Provenance: Acquired from the artist; descended in a Louisiana family.

$600/800

1181. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Rice Girl, Rice Festival, Crowley, Louisiana”, 1938, silver gelatin print, signed and dated lower right, image 4 7/8 in. x 3 7/8 in., sheet 9 in. x 6 1/2 in., matted and unframed.

W 1185. Two English Copper and Brass

Planters, 19th c., with repoussé swags and lion’s head handles; one with hoof feet, height 6 1/2 in., diameter 12 in., and height 5 in., diameter 11 in., respectively. $200/300

$400/600

W 1186. An Antique English Silverplate

Navette-Form Covered Tureen, Martin, Hall & Co., Sheffield, 19th c., height 11 1/2 in., length 16 in.

W 1182. Theodore “Fonville

Winans (American/Louisiana, 1911-1992), “Dance Lesson”, “Shrine to Amputees”, “Young African Boy”, and two “Nude on a Log”, five silver gelatin prints, printed posthumously from original negatives, inscribed en verso, each 14 in. x 11 in., unframed. (5 pcs.)

1181

$200/300 W 1187. A Good Group of Antique Silver

and Silverplate, including an antique silverplate tussie mussie, a napkin ring, 2 mother-of-pearl knife rests and 6 Gorham sterling silver nut dishes. $300/500 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

$500/700

W 1188. An Antique Sheffield Plate Meat

Platter, oval with gadroon border, length 21 in. W 1183. J.E. Miller

$150/250

(American, 20th c.), “Dunleith, Natchez, 1189 MS”; “Rienzi, 1796”; “Houmas House, Burnside, La.”; and “Stanton Hall, Natchez, MS”, silver gelatin prints, pencil-signed lower right, localized lower left, sights 10 in. x 13 in., the latter 13 in. x 10 in., framed alike, (4 pcs.)

1189. A Victorian Silverplate Meat Dish and Cover, late 19th c., two handled oval welland-tree meat dish raised on cast scroll feet, beaded border and handles; the domed cover marked Walker & Hall, Sheffield, also with beaded border and a removable handle, overall height 16 in., 26 in. x 17 1/8 in.

$800/1200

$250/350 W denotes the lot is illustrated at www.nealauction.com

227

W 1196. An

American Carved Walnut Calendar Shelf Clock, c. 1890, Waterbury Clock Co., Ct., striking gong movement, height 24 in., width 14 1/4 in., depth 6 in. $500/700 W 1197. An

American Carved Walnut Calendar Shelf Clock, c. 1890, Waterbury Clock Co., Ct., striking gong movement, height 22 1/2 in., width 14 1/4 in., depth 6 in. $500/700 W 1198. A Seth

1193

1200

W 1192. An American Cut Glass

Celery Vase, 19th c., Pittsburgh, “Horn of Plenty” pattern with cut diaper decoration, height 9 1/4 in., diameter 5 1/4 in. $150/250 1193. A Cast Iron Garden Suite, late 19th/early 20th c., comprised of a settee and pair of armchairs, each crest centered by a masque, interlaced scrolled design, cabriole legs. Note: Chairs with cast mark “Betsy Ross Chair Back”. $1000/1500

1201

W 1194. A Large American W 1190. An Antique Sheffield Plate

Covered Vegetable Dish, lobed dome cover with inset shield (worn), retains original tinned back, the later dish with tripartite interior, height 10 1/4 in., diameter 13 in.

Eastlake Carved Overmantel Mirror, later white paint, molded blocked cornice with spindled frieze, paneled stiles carved with quatrefoil, beveled mirror plate, conforming plinth base, height 56 in., width 93 1/2 in. $200/400

$300/500 W 1195. An American Carved Walnut Eight-Day W 1191. An American Cut Glass

Decanter, 19th c., Pittsburgh, footed body, with original hollow blown stopper, faceted diaper decoration, height 11 1/4 in., diameter 5 1/2 in. $200/300

228

Shelf Clock, early 19th c., paper label printed “Birge, Peck & Co., Bristol, Conn.”, painted wood dial, over tablets of the “Battle of Mexico” and a floral motif, height 34 in., width 16 in., depth 5 in. $500/700

Thomas Ship’s Bell Clock, 20th c., striking bell movement, silvered dial, the backplate with mounting holes, diameter 7 1/2 in., depth 3 3/4 in. $300/500 W 1199. An American Late

Classical Carved Mahogany Secretary Bookcase, mid-to-late 19th c., flared cornice over glazed doors, fold-over writing surface over three drawers, bracket feet, height 61 5/8 in., width 41 in., depth 18 in. $400/600 1200. An Antique Stained Pine Cupboard, flat cornice, shelves over a single raised paneled door, plinth base, height 81 in., width 37 1/2 in., depth 15 in. $600/900 1201. A Pair of Queen Anne-Style Carved Mahogany Wing Chairs, late 19th/early 20th c., of typical form, scrolled arms, shell-carved cabriole legs, pad feet. $1000/1500

W 1202. An Antique Queen

Anne-Style Mahogany Side Chair, shaped volute crest, vasiform splat, molded slip seat rail, volute cabriole legs, pad feet. $300/500 1203. A Pair of American Classical Andirons, c. 1830, New York, with turned standards, spurred legs and ball feet, height 19 3/4 in., width 10 1/4 in., 19 1/2 in. $800/1200 1203

1206

1206. A Monumental Cast Composite Figure of “Sophocles”, after the marble “Lateran Sophocles”, found at Terracina in 1839, presented to Pope Gregory XVI, now in the Museio Gregoriano-Profano in the Vatican, itself after a Roman copy of the 4th c. BC Greek bronze, height 80 1/2 in., width 27 in., depth 20 in. $1000/1500 W 1207. Ken Payne (American, 1938-

1204

1204. A Monumental Continental Painted “Grotesque” Fictive Trellis, oil on canvas, centering a scroll and urn with birds and copious flowers, unsigned, 109 in. x 49 in. $800/1200 Provenance: Grove Oertling, The Eighteenth Century Shop, New Orleans, LA.

2012), “Surprise Meeting”, bronze, signed and numbered 162/750 on self base, height 21 in., width 12 in., depth 12 in.

1205

1205. A Plaster Figure of a Seated Bather, mid-20th c., seated on rockwork atop a columnar base, figure height 41 1/2 in., overall height 60 in. $800/1200

$500/750 W 1208. A Bronze Figure of a Bucking

Bronco, 20th c., after Fredric Sackrider Remington (1861-1909), on variegated marble base, bronze height 22 in., width 12 in., depth 7 in. $500/750

W denotes the lot is illustrated at www.nealauction.com

229

W 1212. A

French or Italian Carved Marble Bust of an Indian Maiden, 20th c., unsigned, height 8 in. $300/500 W 1213. An

American Aesthetic Ebonized and Incised Hanging Cabinet, late 19th c., spindled gallery, glazed doors over mirrored shelf and drawer, height 31 in., width 21 5/8 in., depth 9 3/4 in.

1209

$300/500 W 1214. An

American Aesthetic 1216 Carved Walnut Desk and Chair, late 19th c.; desk with molded top above a frieze drawer, incised corners, turned tapered blocked legs, stretchers; chair with pierced splats, circular seat, turned legs, stretchers. $300/500 W 1215. An American Carved Oak Merrick’s Spool Cabinet

Desk, late 19th c. and later, galleried rail, lift top with mirror, drawers below on conforming later stand, height 37 1/2 in., width 28 in., depth 20 in. $500/700

1210

1209. A Pair of Patinated Bronze Stags, on rockwork bases, height 63 in., width 20 in., depth 46 in. $2500/3500 1210. A Large Patinated Bronze Figure of a Striding Bull, modeled in the French animalier tradition, inspired by 18th and 19th c. “Boucherie” examples, height 45 in., width 62 in., depth 23 in. $2000/3000

1216. An American Inlaid Mahogany Cheval Mirror, late 19th c., R.J. Horner, New York, labeled, arched mirror, trestle base, height 67 1/2 in., width 26 in., depth 22 in. $400/800 W 1217. An American Brass Fireplace Set, associated,

comprising a pierced fan screen, height 34 in., open width 48 in.; a fireshield, height 26 in, width 25 in., depth 6 1/4 in., a pair of andirons with ball finials and spurred legs, height 18 1/2 in, width 12 in., depth 16 1/2 in., a pair of ball finialed tool rests, height 5 3/4 in., width 3 in., depth 8 1/2 in; and a poker, shovel and tongs length 26 in. $500/700

W 1211. A Patinated Bronze Figure of a Plains Indian, eagle

feather headdress and buffalo decorated shield, finely detailed on naturalistic bronze base with stepped marble plinth, height 22 in. $800/1200

W 1218. A Putnam Oak Telephone Ladder, early 20th c., with

right hand rail, steel track mounts, casters labeled “Manufactured by the Putnam Rolling Ladder Co.”, height 138 in. $300/500

230

1219. A William IV Carved Mahogany Commode, mid-19th c., inset marble top, fluted columnar body, octagonal plinth base, height 30 in., diameter 15 in. $400/600 W 1220. A Group of American Utilitarian

Items, comprised of a brass ship’s lantern, marked “Perkins Marine Lamp and Hardware Co., Brooklyn, NY”, height 15 in.; an Art Deco black marble and gilt bronze encrier, length 12 1/2 in.; and a gilt bronze and marble floor lamp, height 61 in. $300/500 W 1221. An American or English Steel

Trivet, 19th c., three legs joined by stretcher, with reticulated star top, height 13 1/2 in., diameter 8 3/4 in.

W 1228. Two Chinese Carved

W 1232. A Group of Antique

Wood Trunks, 20th c., each of rectangular form relief carved with landscape scenes, height 14 1/4 in., width 28 in., depth 13 1/2 in., and height 19 1/2 in., width 36 in., depth 18 3/4 in.

Copperware, including two handle kindling bucket; roasting pan with two handles riveted; and a pail with wrought iron handle, pan diameter 16 in., (3 pcs.)

$300/500

$300/500 W 1233. A Group of Antique

W 1229. A Paris Porcelain

Dessert Service, including 2 tall tazzas, 3 short tazzas and 9 plates, each with a central fruiting branch encircled by a gilt key fret band and a wide pink foliate rim, tazza height 5 1/4 in. and 2 1/4 in., plate diameter 9 in. $150/250

Copperware, including a baking pan, and three molds in the form of a shell, scorpion and swirl, pan diameter 15 1/2 in. $300/500 W 1234. A Royal Crown Derby “Olde

Avesbury” Coffee and Tea Service, comprising 8 teacups, 8 demitasse, coffee, tea, sugar and creamer, height of coffee 9 in., (20 pcs.) $200/400

$100/150 W 1235. A Group of Eleven Large W 1222. A Large Antique Copper Kettle,

Antique American Apothecary Jars with Stoppers, reverse painted glass labels with gilt edges; together with an IPECAC jar with painted label, height 7 in. to 12 1/2 in.

with folding wrought iron handle, copper height 16 in., diameter 25 in. $300/500

$600/900 W 1223. A Small Antique American

Painted Pine Chest, with domed lid, void interior, height 12 1/2 in., width 23 3/4 in., depth 13 in.

W 1236. A Group of Seventeen Antique

American Apothecary Jars with Stoppers, reverse painted glass labels with gilt edges, bottle height 4 1/2 in.

$200/300

$500/700 W 1224. A Small Wood Hanging Box, W 1237. A Group of Twenty-Two

carved half-barrel form with hinged lid, shaped hanging plate, height 10 1/2 in.

Antique and Vintage Bottles including New Orleans Retailers, Continental and American, New Orleans retailers including Katz & Bestoff, R. Turney, Huberwald and Parker Blake; heights 2 3/4 in. to 10 1/2 in.

$100/200 W 1225. A Continental Lacquered Brass

Repoussé Umbrella Stand, 20th c., modeled with fruit basket and scrolls centered by a mask, height 28 1/2 in., width 16 in., depth 14 in. $300/500 W 1226. Four Green Bubble Glass Bud

Vases, globular form with air bubble pattern within, height 3 3/4 in., diameter 4 in. $300/500 W 1227. A Pair of Chinese Hardwood

Console Tables, demilune waisted tops, carved aprons, serpentine legs terminating in ruyi scroll feet, height 34 3/4 in. and 35 in., width 46 3/4 in., depth 23 1/2 in. $300/500

$300/500

1219

W 1238. A Group of Fourteen Antique

W 1230. A Pair of Paris

Porcelain Double Arm Vases, 19th c., with floral and gilt trim on batavia ground, now mounted as lamps, electrified, vase height 14 in., overall height 24 1/2 in. $300/500 W 1231. A Limoges Porcelain

Coffee and Tea Set, Théodore Haviland, including coffee pot, tea pot, 12 demitasse cups, and 10 saucers, coffee pot height 8 1/8 in., cup height 2 3/4 in., saucer diameter 5 in. $300/500

American Apothecary Jars and Medicinal Bottles, colored glass, most with original paper label or cast label, manufacturers include Wyeth’s, Kemp’s, Sherrouse, Humphreys’, Antrol, Lancaster’s, Harper’s, Sharp & Dohme, Dodge & Olcott, Parke Davis, Dr. Pepper and others; with several misc. stoppers, heights from 2 1/2 in. to 8 3/4 in. $200/300 W 1239. A Group of Eighteen Antique

American Cobalt Blue Bottles and Medicine Jars, most with original paper label or cast label, manufacturers include Wyeth, Emerson, Phillips and others, heights from 2 1/4 in. to 8 1/2 in. $200/300

W denotes the lot is illustrated at www.nealauction.com

231

W 1240. Two American Victorian

W 1242. A Large Indian Wool Rug,

W 1246. Two Persian Runners, one with

Dried Flowers in Oval Walnut Shadowbox Frames, c. 1900, the dried wild flower arrangements mounted on velvet, height 20 1/2, width 17 1/2, depth 4 in., and height 22 in., width 19 1/2 in., depth 4 in.

blue ground, with floral design, 9 ft. 1 in. x 11 ft. $600/900

a floral design on red ground, the other in shades of olive and brown, 9 ft. x 2 ft., and 14 ft. x 2 ft. 6 in. respectively, together with a Persian carpet with red medallion, 7 ft. 4 in. x 3 ft.

W 1243. A Persian Carpet, cream

ground, central medallion with floral and vasiform design, 6 ft. x 9 ft.

$500/700

$300/500 W 1241. A Continental and a Chinese

Fan, 19th c., the first with highly reticulated mother-of-pearl and mixed metal sticks supporting paper leaves painted with a tavern scene, the second with gilt decorated black lacquer sticks between silk leaves embroidered with birds and flowers, each mounted within a hemispherical shadow box frame, each height 12 1/2 in., width 22 in.; together with an English ivory and silk fan, height 12 3/4 in. $400/600

W 1247. Four Chinese Carved Wood

$500/700

Boxes, 20th c., including two rectangular boxes, height 6 1/4 in., width 12 in., depth 7 1/2 in. and height 6 3/4 in., width 12 in., depth 8 in.; a carved wood ring box, height 2 in., width 2 1/2 in., depth 2 1/2 in.; and a serpentine inset jewelry box, height 12 1/2 in., width 8 1/4 in., depth 6 in.

W 1244. Two Small Afghan Throw or

Camel Rugs, wool construction, 6 ft. x 3 ft. and 5 ft. 8 in. x 2 ft. 11 in. $400/600

$200/300

W 1245. An Antique Persian Carpet,

red ground, with overall stylized repeating design, 5 ft. 3 in. x 10 ft. 1 in. $600/900

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Card number �� Expiration Date ________________ V-Code �� Signature X ��

John Bachmann, 276 Louis-Joseph Bahin (attr), 902 Giuseppe Barbaglia, 410 Giuseppe Barbaglia (attr), 411 Andre Baudin, 808 Otto Bauriedl, 1066 Ben Benn, 478 R. Bernard, 802 J. Bernstein, 1021 Faustin Besson, 852 George Biddle, 129 Karl Bodmer, 278 Aaron Bohrod, 879 Samuel Bough, 422 Eutrope Bouret, 846 British School, 17, 35-37 Henry William Bunbury (attr), 192

Paul Cadmus, 250 Jean-Jaques Caffieri (aft), 865 Alexander Calder, 229, 247 Antonio Canova (aft), 266, 408 Lyell E. Carr, 350 Mary Cassatt, 227 Charles Cerny, 468 Marc Chagall, 223 Charles H. Chapin, 1048 Chinese School, 92, 522, 628, 675, 686, 687, 688 William Ciccariello, 253 Ernest Ciceri, 357 Eliot Candee Clark, 760761 Charles Coleman, 31 Larry Connatser, 927-929 Continental School, 386, 516, 520, 784, 976, 997, 1020-1021, 1065 Emma Cooper, 804

Jose-Maria Cundin, 935

Salvador Dali, 810 Salvador Dali (aft), 1176 Lamar Dodd, 221-222 Alexander John Drysdale, 281, 283, 346-347, 759, 901, 911-912 Victor Dubreuil, 757 Raoul Dufy, 809 George Bauer Dunbar, 239 George Valentine Dureau, 249 Gaston Durel, 519 Caroline Durieux, 275 Dutch/Flemish School, 977

Edwin Ellis, 1022 English School, 764, 1086, 1109 Dorothy Stanley Emmons, 334

French School, 176, 366, 447 John Emmett Fritz, 358

Jean Garnier, 191 Alponse J. Gamotis, 945 Gilbert Gaul, 343 George Gay, 348 Robyn Geddes, 1058 J.L. Giles, 277 John Gould, 132 Vasilli Grachev (aft), 75 Robert Wadsworth Grafton, 942 Severin Grande, 983 Gordon Hope Grant, 913 Jean-Louis Gregoire, 452 Louis Oscar Griffith, 274 Berhard Gutman, 517

Bruce Hafley, 1054-1055 Sir William Hamilton, 33, 34 Kawase Hasui, 546-548 Colette Pope Heldner, 921-922 Knute Heldner, 909 William Hemmerling, 915-916 John Frederick Herring, Jr, 370 Valerie Blackwell Hird, 1057 Morris Henry Hobbs, 1171 William Llewllyn Hoey, 464-466, 931, 1047

Edward Stratton Holloway, 335 Emil Eugen Holzhauer, 353, 355, 356 Elbert Hubbard, 201 Marie Atkinson Hull, 220 Clementine Hunter, 244245, 917-920 Sidney Hutter, 207 Alfred Huber Hutty, 272

Sister Gertrude Morgan, 926 Aime Nicolas Morot, 390

Julius C. Ibbetson, 371 Italian School, 803

Gerald Nailor, 941 Patrick Nasmyth, 18 Carl Nebel (aft), 279 George Lawrence Nelson, 477 New Orleans School, 1049 David Sinclair Nixon, 932-933

George Bernard O’Neil, 82

Paul Jacoulet, 549 Japanese School, 545, 550, 571 Joseph Jefferson, 286 J. Seward Johnson, 467

Richard Hamilton Park, 827 Ken Payne, 1207 Albert Pels, 758 Achille Perelli, 284 Roger Tory Peterson, 136 Hobson Pittman, 246

Wolf Kahn, 134-135 Ramon Kelley, 934 Napoleon King, 1062 Ida Rittenburg Kohlmeyer, 228 Korean School, 560 Everhardus Koster, 738

James Rogers Lamantia, 1059 Julian Lamar, 1063, 1085 Louis Lambert, 783 Nicolas de Largilliere (foll), 367 Clarence John Laughlin, 273 Linda Lesperance, 1064 Louis Loeb, 518 Ben Early Looney, 939 Corrine M. Luria, 1173 James Palmer O’Neil Lyle, 943

Jessie MacLeod, 368 Georges Philibert Charles Maroniez, 851 Emil Manz, 213 John McCrady, 763 McKenney and Hall, 133 Joseph Rusling Meeker, 282 Julius Garibaldi Melchers, 332 Michelangelo Merisi (aft), 393 Anthony Andreas de Meyier, 850 J. E. Miller, 1183 Joan Miro, 224-225 Robert Mitford, 423 John Mooney, 1060

Charles Henry Reinike, 1050 Fredric Sackrider Remington, 1208 Pierre-Auguste Renoir, 856-858 Jim Richard, 1051 Charles Richards, 914 Agnes Millen Richmond, 128 George Rodrigue, 251252 Roman School, 66-67 Ruth Starr Rose, 1174 George Rouault, 805 Robert Rucker, 345, 910, 1046 Russian School, 978

Martha Watson Sauer, 883 Rowland Scherman, 1175 George Schmidt, 349 Adrien Schultz, 982 Senaka Senanyake, 591 George Shellbase, 880881 Nell Choate Shute, 1061 David Alfaro Siqueiros, 473 Alice Ravenel Huger Smith, 354 Raphael Soyer, 806 Spanish School, 6, 385 Roland Stewart Stebbins, 937

Zulma (Parker) Steele, 1056 Will Henry Stevens, 242 William Lester Stevens, 285 Allison Stewart, 1052 Rhoda Brady Stokes, 938 Benjamin Stone, 882 Justus Sustermans (attr), 81

Ludovicus Teseo Taurinensis, 190 Dr. Robert John Thorton, 5 Giovanni Battista Tiepolo (mann), 520 Alton S. Tobey, 762 William Tolliver, 333, 936

Maurice Utrillo, 807

Jean-Joseph Vaudechamp, 323 Claude-Joseph Vernet (foll), 32 Alberto Viani, 394 George Louis Viavant, 344 Pierre Roch Vigneron, 389 Johann Christoph Volckhamer, 7 Edouard Vuillard, 226

William Aiken Walker, 287 Edwin Lord Weeks, 248 Alfred Wheeler, 421 Joseph Woodsen “Pops” Whitesell, 1177-1180 Donald Roller Wilson, 460-463 Theodore “Fonville” Winans, 1181-1182 Mildred Wohl, 241 Mildred Nungester Wolfe, 1172 Ellsworth Woodward, 280 William Woodward, 243 Don Wright, 940 Adrien Wulffaert, 369

Wlodzimierz Zakrzewski, 853

W denotes the lot is illustrated at www.nealauction.com

✹

John Abbott, 364-365 R. L. Adams, 1108 Wayman Adams, 351352 David Pryor Adickes, 923925, 930 Wayne Amedee, 1053 American School, 215, 271, 521, 944, 11691170 Walter Inglis Anderson, 240 Alphonse Alexandre Arson (aft), 500 John James Audubon, 130-131

September 14 & 15, 2013 ✹ artist index ✹ artist index ✹ artist index

233

Important Bidding Information All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by Friday, September 13 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500. Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. 234

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-897-3808 • www.nealauction.com

Auction Date: September 14 & 15, 2013

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

1. Items must have a minimum low estimate of $500. 2. Condition Reports will not be given verbally. 3. The Condition Reports Department is available to take requests two weeks prior to every auction. 4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at www.nealauction.com. Detail photos provided upon discretion. 5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by Wednesday, 09/11/13. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

First Name: ______________________________________________ Last Name: __________________________________ Company: _____________________________ Address: ________________________________________________________ City: ___________________________________________ Prov/State__________________ Postal Code __________________ Home Ph.: (____)___________________ Work Ph.: (____)______________________ Fax:(____)_____________________ Email: ______________________________________________________

LOT #

DESCRIPTION

SPECIAL REQUESTS

SELECT:

All reports will be sent via Fax or email

❒ Fax

❒ Email

Fax this form to 504-897-3808 on or before Wednesday, 09/11/13. 235

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-897-3808 • www.nealauction.com

Confidential Absentee / Telephone Bid Form

13/08M

Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more. Absentee bids are gladly accepted for all items below $500. 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Friday prior to the auction. 3. In the event identical bids are submitted, the earliest bid received will take precedence. 4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids. 5. Auction addendum available prior to the auction on the website or via facsimile. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. 7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ City: _____________________________________________ Prov/State _______________________ Postal Code ________________ Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________ Dealer Resale# ________________________________State __________Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______ Credit Card V-code:________

☎

MUST PROVIDE: Cash Payment Check Method: Wire

Credit Card

IF SUCCESSFUL, please bill my card. Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

Lot#

Description

Bid Amount $ or Telephone No.

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required

Date

For Internal Use Only: Approved_ _____________Registered____________ Entered_ ____________ Clerks Initial________________ Account #_ _________________ Confirmed_______________________

236

Fax Form on or before Friday, 09/13/13 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. 2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 3. Documentation of tax exemption must be provided upon registration. 4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 25% of the hammer price. See www.liveauctioneers.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale. W denotes the lot is illustrated at www.nealauction.com 237

Important Estates Auction October 12, 2013

Inquiries • consignments@nealauction.com www.nealauction.com • 800-467-5329 238

Louisiana Purchase Auction™ November 23 & 24, 2013

1. West Indies Mahogany Serving Table, early 19th c., h. 57 1/2 in. 2. Important Newcomb Pottery High Glaze Vase, 1902, Mary Williams Butler, h. 11 1/4 in. 3. American Coin Silver Fireman’s Trumpet, mid-19th c., “Presented to John A. Vedder, Chief of S.F.D. by the S.W.C. and Friends,” 20 3/8 in.

4. Charles Giroux 1(828-1885), “The Bayou St. John,” o/c, sd., tltd., 14 x 24 in., Prov.: Augustin Family, New Orleans, LA. 5. J.B. Henri Durand-Brager (French, 1814-1879), “The Confederate Raider Alabama in Action with the U.S.S. Kearsarge, 19 June, 1864,” o/c, sd., 22 1/4 x 35 1/2 in. 6. American Federal Inlaid Mahogany Tall Case Clock, late 18th c., Ephraim Willard, Boston, h. 95 1/2 in. W denotes the lot is illustrated at www.nealauction.com

239

Auction Results for July 2013 0001-$3346 0002-$956 0003-$4612 0005-$430 0007-$1708 0009-$119 0010-$2151 0012-$717 0013-$246 0014-$298 0015-$123 0017-$1314 0018-$956 0019-$861 0020-$1195 0021-$2583 0022-$2868 0023-$1586 0025-$776 0026-$984 0027-$268 0028-$268 0029-$179 0030-$4541 0031-$861 0032-$597 0034-$358 0035-$1045 0036-$597 0037-$4541 0038-$2440 0039-$10455 0040-$3286 0041-$7687 0042-$1314 0043-$2767 0044-$1845 0045-$369 0046-$793 0047-$793 0048-$793 0049-$793 0050-$358 0053-$369 0054-$184 0055-$239 0056-$836 0057-$4270 0058-$2151 0059-$1195 0060-$2987 0063-$657 0064-$358 0065-$246 0066-$358 0067-$1314 0068-$1230 0069-$2706 0070-$1195 0071-$537 0072-$298 0073-$2270 0074-$1434 0075-$2151 0076-$1912 0078-$1353 0079-$537 0081-$836 0082-$537 0083-$2151 0084-$3075 0085-$1098 0086-$305 0087-$5377 0088-$307 0089-$3585 0090-$1230

240

0091-$6572 0092-$3997 0093-$2390 0094-$4182 0095-$34655 0096-$1075 0097-$1075 0098-$2091 0099-$2337 0100-$2151 0101-$8610 0102-$2767 0103-$1912 0104-$776 0105-$2629 0106-$8610 0107-$6457 0108-$2031 0109-$2390 0110-$1195 0111-$298 0112-$1107 0113-$657 0114-$358 0115-$537 0116-$2390 0117-$717 0119-$896 0120-$239 0121-$738 0122-$1254 0123-$553 0124-$537 0125-$1195 0126-$3107 0127-$3107 0128-$3690 0129-$861 0130-$478 0131-$478 0132-$3585 0133-$956 0134-$1075 0135-$31070 0136-$4780 0137-$3585 0138-$4780 0139-$3660 0140-$7468 0142-$2270 0143-$956 0145-$6100 0146-$3660 0147-$984 0148-$239 0150-$246 0151-$7170 0152-$8365 0154-$5490 0155-$3883 0156-$2829 0157-$2151 0158-$1722 0160-$418 0161-$3107 0162-$2829 0163-$1314 0164-$4481 0165-$3690 0166-$2509 0167-$1722 0168-$1342 0169-$492 0170-$3321 0173-$976 0176-$537 0179-$3321

0180-$119 0181-$119 0182-$4575 0184-$5676 0185-$5377 0188-$2270 0190-$671 0191-$478 0192-$358 0193-$1342 0194-$418 0195-$537 0196-$239 0197-$213 0198-$478 0199-$246 0200-$119 0201-$123 0203-$2270 0204-$246 0205-$307 0206-$1342 0207-$246 0212-$717 0213-$2390 0214-$3075 0215-$3883 0216-$2214 0217-$366 0218-$1045 0222-$2706 0223-$717 0224-$671 0225-$2031 0226-$3321 0227-$861 0228-$657 0229-$1314 0230-$956 0231-$1912 0232-$3585 0233-$2509 0234-$6765 0235-$1254 0236-$10456 0237-$2509 0238-$7468 0239-$6572 0240-$5975 0241-$8962 0242-$2390 0243-$1434 0244-$4780 0245-$1314 0246-$610 0247-$16730 0248-$1037 0249-$358 0250-$732 0251-$478 0252-$3346 0253-$5676 0254-$5736 0255-$836 0256-$1434 0257-$5975 0258-$478 0259-$2952 0260-$478 0263-$2629 0264-$1314 0265-$1230 0266-$597 0267-$1075 0268-$2074 0269-$597 0270-$11950

0271-$15535 0272-$418 0273-$676 0275-$922 0276-$307 0277-$2318 0278-$209 0279-$239 0280-$3346 0281-$537 0282-$492 0284-$615 0285-$610 0286-$776 0287-$298 0288-$149 0289-$836 0291-$239 0292-$615 0293-$1673 0294-$1075 0295-$11070 0296-$1553 0297-$73800 0298-$1195 0299-$1075 0300-$22705 0301-$28680 0302-$12915 0303-$492 0305-$836 0306-$4302 0307-$2091 0308-$1912 0309-$3585 0311-$717 0312-$3943 0313-$1434 0314-$5166 0315-$2151 0317-$956 0319-$1434 0320-$1845 0321-$732 0322-$10157 0323-$2031 0324-$1792 0325-$2152 0326-$5377 0327-$1792 0328-$3107 0329-$2928 0330-$2151 0331-$46605 0332-$95600 0333-$9560 0334-$3585 0335-$27485 0336-$1553 0337-$3883 0338-$1434 0339-$11651 0340-$861 0341-$615 0342-$956 0343-$3465 0344-$956 0345-$956 0347-$20315 0349-$369 0350-$836 0351-$358 0352-$1075 0353-$77675 0354-$418 0355-$1353 0356-$657

0357-$1037 0358-$956 0359-$1434 0360-$2031 0361-$1098 0362-$3286 0364-$1195 0365-$8663 0366-$1968 0367-$2509 0369-$657 0370-$4182 0372-$1159 0373-$1434 0374-$1314 0376-$4481 0379-$2748 0380-$4305 0381-$1792 0383-$1098 0384-$4182 0385-$4182 0386-$2031 0387-$1434 0388-$1314 0389-$2987 0390-$2390 0391-$1553 0393-$3883 0394-$5078 0395-$2688 0396-$5795 0398-$2091 0399-$1075 0400-$799 0401-$984 0402-$1015 0404-$492 0405-$7170 0406-$2074 0408-$488 0410-$2767 0412-$2987 0413-$976 0416-$22107 0417-$8845 0421-$1673 0424-$4182 0426-$1553 0427-$3355 0429-$717 0431-$1476 0432-$2987 0434-$1912 0435-$610 0436-$956 0438-$478 0439-$2151 0441-$1168 0443-$1476 0444-$1792 0447-$2091 0448-$4182 0449-$2091 0454-$358 0457-$738 0458-$1107 0459-$2318 0461-$2091 0462-$6710 0463-$1722 0464-$956 0466-$9560 0467-$4780 0468-$2270 0469-$1107 0470-$5535

0471-$2214 0473-$738 0474-$418 0475-$896 0476-$4880 0477-$1476 0478-$553 0479-$676 0481-$1830 0483-$2214 0484-$3690 0485-$3198 0486-$976 0487-$1195 0489-$492 0490-$478 0491-$1075 0492-$956 0493-$597 0495-$896 0496-$358 0497-$358 0499-$671 0500-$478 0501-$448 0502-$976 0503-$430 0504-$239 0505-$3321 0506-$3465 0507-$478 0508-$657 0510-$1912 0511-$358 0512-$717 0513-$246 0515-$2337 0516-$2829 0520-$244 0521-$1168 0522-$915 0523-$1525 0524-$2214 0526-$1586 0527-$976 0529-$369 0530-$1968 0531-$717 0532-$239 0534-$89 0535-$399 0536-$1434 0537-$956 0538-$13145 0539-$492 0540-$6572 0541-$8540 0542-$4182 0544-$1968 0548-$358 0549-$1230 0550-$922 0551-$152 0552A-$246 0553-$1553 0555-$861 0556-$2151 0556A-$358 0558-$2987 0559-$1673 0560-$1912 0561-$1599 0562-$537 0563-$738 0565-$1220 0566-$676 0569-$2509

0570-$717 0678-$461 0573-$984 0679-$4780 0574-$2460 0680-$1220 0575-$732 0682-$119 0577-$597 0684-$3538 0578-$1195 0686-$1968 0579-$537 0687-$1434 0581-$861 0690-$2196 0582-$492 0691-$1220 0584-$478 0692-$1464 0587-$358 0693-$976 0588-$610 0698-$492 0589-$418 0699-$244 0590-$615 0703-$195 0591-$369 0705-$246 0592-$246 0706-$1230 0593-$305 0707-$1135 0595-$244 0708-$427 0596-$307 0709-$369 0597-$149 0710-$657 0598-$338 0713-$518 0599-$276 0714-$488 0600-$152 0716-$448 0602-$184 0717-$358 0603-$183 0718-$657 0604-$854 0720-$597 0605-$984 0721-$861 0606-$537 0723-$2706 0607-$1195 0728-$854 0608-$2460 0730-$305 0609-$1952 0732-$122 0609A-$6100 0733-$1792 0609B-$3883 0735-$488 0609C-$1434 0737-$219 0611-$488 0739-$2562 0612-$492 0740-$2440 0613-$153 0742-$430 0614-$1599 0743-$671 0616-$119 0745-$732 0617-$298 0746-$584 0618-$244 0748-$1353 0620-$488 0751-$1220 0623-$8610 0752-$492 0624-$776 0753-$305 0625-$305 0757-$676 0626-$836 0758-$976 0631-$427 0759-$549 0632-$640 0763-$597 0633-$305 0770-$179 0634-$427 0771-$209 0636-$396 0772-$149 0637-$488 0773-$122 0638-$488 0774-$239 0639-$671 0778-$615 0643-$1553 0779-$1314 0644-$1792 0780-$2748 0645-$3585 0781-$836 0646-$3382 0782-$11352 0647-$4880 0786-$488 0648-$1708 0787-$799 0650-$92 0788-$149 0651-$3660 0789-$246 0653-$976 0790-$119 0654-$3198 0791-$123 0655-$307 0792-$518 0656-$2337 0793-$615 0657-$478 0794-$984 0658-$799 0795-$246 0659-$799 0796-$149 0662-$3355 0797-$149 0663-$4270 0798-$717 0664-$2196 0799-$717 0666-$5490 0800-$717 0670-$4270 0801-$717 0674-$244 0802-$149 0676-$358 0803-$149 0677-$219 0805-$149

0806-$123 0807-$358 0808-$122 0809-$122 0810-$122 0811-$776 0812-$1708 0813-$922 0814-$478 0815-$836 0816-$896 0817-$418 0819-$239 0820-$119 0821-$478 0822-$717 0823-$2440 0824-$657 0826-$179 0827-$418 0828-$358 0829-$358 0830-$418 0831-$244 0832-$1434 0833-$239 0834-$854 0835-$793 0836-$122 0837-$358 0838-$358 0839-$358 0840-$657 0841-$836 0842-$239 0843-$478 0844-$717 0845-$268 0846-$597 0847-$239 0848-$671 0849-$358 0850-$239 0851-$358 0852-$239 0853-$1792 0854-$239 0855-$179 0856-$119 0857-$732 0859-$122 0860-$2629 0861-$2091 0862-$1434 0863-$1434 0864-$1107 0865-$984 0866-$854 0867-$1195 0868-$956 0869-$597 0870-$2952 0871-$738 0874-$1195 0875-$1553 0876-$717 0877-$615 0878-$717 0879-$1434 0880-$239 0881-$179 0883-$7170 0884-$2688 0885-$717 0886-$836 0889-$956 0891-$1434

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Neal Auction Company John R. Neal Chairman

Neal Alford Katherine Hovas President Senior Vice President

Michelle LeBlanc Leckert, CAI Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager/Assistant to Director Jackie Hernandez Client Services Johanna Darilek Database/Administrative Assistant Lisa Weisdorffer

Director of Furniture & Decorative Arts Walter Ritchie; Steven G. Rutledge Director of Consignments Books, Maps & Natural History Prints Marc Fagan Director of Paintings, Prints & Photography Rachel Weathers; Reneé Gautreaux Associate Director of Consignments Leslee Garfield Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Sackey Inventory Coordinator Steven G. Rutledge

GENERAL MANAGER Jason Leckert

GRAPHICS Art Director Emory Nolan Catalogue Design Carolyn Finnell Photography Jason Leckert Tom Simpson Reneé Gautreaux

OPERATIONS Director of Operations Charles Lee Operations Staff Sol Carter Charlie Clay Kelvin Gibson Thomas Johnson Jerry Majors

EXHIBITION STAFF Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

AUCTION SERVICES Director of Business Development Bettine Field Sackey Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

CATALOGUE CONSULTANTS Paintings & Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Fine & Decorative Arts Linda Stubbs Asian Arts Richerson Rhodes

Neal Alford #797 Michelle LeBlanc Leckert #1514

W denotes the lot is illustrated at www.nealauction.com