Unreserved @NEAL - March 5, 2020 by Neal Auction

UNRESERVED @Neal Auction

ONLINE-ONLY AUCTION

Available Through March 5, 2020

Neal Auction is pleased to present

UNRESERVED @Neal

a timed online-only unreserved auction The March edition of Unreserved @Neal features 129 lots of fine art, prints and sculpture deaccessioned from the Mobile Museum of Art, sold to benefit their Collections, Care and Acquisitions Fund. The auction also includes an eclectic mix of over 300 lots of antique furniture, paintings, prints, photography, porcelain, silver, sculpture, jewelry, and other decorative and collectible objects especially consigned to this exciting sale. The auction will be available exclusively on Liveauctioneers.com for advance bidding. On Thursday, March 5, 2020 at 9 am CT, the timed live auction will begin. All lots will be available for preview in our gallery at 3923 Carondelet Street from Monday, March 2 through Wednesday, March 4, from 10 AM to 4 PM. For more information, call 504-899-5329 or email clientservices@nealauction.com

Available through March 5, 2020, on Liveauctioneers.com

2. Antique Singer Sewing Machine with Oak and Cast Iron Sewing Table, c. 1880, oak case with a pair of three square drawers enclosing original Singer sewing machine, cast iron trestle base, h. 30 1/2 in., w. 35 1/2 in., d. 17 in. [$200/400]

1. American Eastlake Carved and Incised Mahogany Dresser, late 19th c., beveled plate flanked by pair of candle shelves, white marble top with molded edge, three long drawers with period brass pulls and escutcheons, h. 73 1/2 in., w. 42 in., d. 20 in. [$100/200]

Condition: Structurally sound. Cannot comment on functionality of sewing machine. Case with scattered abrasions, marks, wear and imperfections. Cast iron with oxidation and pitting. Drawers contain old sewing supplies, tools and buttons. AS IS.

Condition: Structurally sound. Mirror plate is somewhat loose. Marble top with scattered marks, abrasions and imperfections. Overall scattered chips, abrasions, and imperfections expected with age and use. AS IS.

4. American Mahogany Fall‑Front Desk, c. 1930, lid with decorative medallion, fitted interior, base with long drawer, turned legs, medial stretcher, h. 52 in., w. 31 in., d. 16 in. [$100/200] Condition: Structurally sound. Scattered spanning shrinkages. Scattered chips, nicks, marks abrasions and imperfections as expected with age and use. AS IS. 3. Vintage Painted Wood “Adirondack” Plant Stand, crossed supports of naturalistic tree branches, h. 32 in., w. 15 in., d. 13 in. [$20/40]

Condition: Overall structurally sound, but rests unevenly. Top is not level. Scattered paint loss throughout. AS IS. 5. Two Antique American Rocking Chairs, late 19th/ early 20th c., one pine, other oak, both with spindled back and sides, stretchered base, taller h. 35 1/2 in., w. 20 1/2 in., d. 29 in. [$50/75]

Condition: Structurally sound. Scattered chips, nicks, scratches, abrasions and imperfections expected with age and use. AS IS.

6. Late Classical Mahogany Side Chair, mid‑19th c., carved S scroll foliate crest, pierced splat, sabre legs, h. 34 in., w. 17 in., d. 19 1/4 in. [$50/75]

Condition: Structurally sound. Repair to proper front left leg. Scattered chips, nicks, marks, abrasions and imperfections as expected with age and use. AS IS.

7. Classical Revival‑Style Drop Leaf Side Table, late 19th c., twelve‑sided, hinged reeded legs, X stretcher centered by a roundel, h. 26 in., w. 34 in., d. (closed) 11 in. [$100/200]

Condition: Not structurally sound. Two legs completely unjoined at top, in need of repair, loose hinges. Scattered chips, nicks, marks, abrasions, and imperfections consistent with age and use. AS IS ‑ recommended view in person.

8. American Classical Mahogany Footstool, c. 1840, square upholstered top, ripple moldings, bracket feet, casters, h. 14 in., w. 16 in., 16 in. [$20/40] Condition: Structurally sound. Losses to trim elements. Overall chips, abrasions, marks and imperfections consistent with age and use. AS IS.

9. Two Colonial Revival Mahogany Side Chairs, early 20th c., in the Queen Anne taste, vasiform splats, rush seats, baluster turned and blocked legs, stretchers, paintbrush feet, h. 40 1/2 in., w. 19 in., d. 19 in. [$100/200] Condition: Structurally sound. Minor separations at joints in some areas. Scattered marks, nicks, abrasions, and other wear and imperfections expected with age and use. Rush seats mostly intact with some loose pieces. AS IS.

11. Pre‑Columbian‑Style Pottery Vessel, modeled in the form of a kneeling male figure wearing a jug on his head, h. 10 1/8 in. Note: losses and restoration. [$100/200]

10. Pair of Renaissance Revival Carved Oak Side Chairs, late 19th c., arched foliate‑carved crests centered by masks, scrolled ears, faceted and blocked foliate stiles, scroll‑carved seat rail, conforming legs, h. 45 in., w. 18 1/2 in., d. 18 in. [$50/100]

Condition: Structurally sound, casters are oxidized. Scattered marks abrasions, chips, nicks and other imperfections consistent with age and use. AS IS.

13. American Classical Carved Mahogany Games Table, mid‑19th c., Philadelphia, fold‑over swivel top, bolection frieze, turned standard, incurvate plinth, winged paw feet, casters, h. 29 in., w. 35 1/2 in., d. 17 1/2 in. [$200/400] 12. American Late Classical Carved Mahogany Sofa, 19th c., molded crest rail terminating in scrolled eagle heads, reeded seat rail, scrolled reeded arms, volute winged hairy paw feet, h. 34 1/2 in., w. 89 in., d. 23 in. [$300/500]

Condition: Structurally sound. Some carved elements are missing along base. Scattered abrasions, marks, imperfections, and other wear consistent with age and use. AS IS. Provenance: Descended in a New Orleans Family.

14. American Rococo Carved Walnut Armchair, mid‑to‑late 19th c., C scroll foliate pierced crest rail, padded arms, cabriole legs, casters, h. 41 in., w. 24 1/2 in., d. 24 in. [$50/100]

Condition: Structurally sound. Minor losses to carved elements. Scattered nicks, chips, marks, abrasions and imperfections consistent with age and use. AS IS.

15. American Oak Library Cabinet, c. 1900, molded top, tambour doors enclosing bank of small drawers, molded base, h. 16 1/2 in., w. 54 in. d. 15 5/8 in. [$100/200]

Condition: Structurally sound. Tambour doors do not close all the way. Scattered marks, nicks, abrasions, chips and other imperfections expected with age and use. AS IS.

16. Pair of American Eastlake Walnut Side Chairs, c. 1870, shaped crest rails, stick and ball fretwork, scrolled stiles, shaped seat rail, ring turned legs, casters, h. 36 1/2 in., w. 20 in., d. 19 in. [$100/200]

Condition: Structurally sound. Scattered wear, marks, abrasions and other imperfection expected with age and use. AS IS.

17. American Cast Iron Piano Stool, mid‑19th c., shaped swivel top, baluster standard, bust and lion mask legs, h. 18 in., l. 14 in., d. 14 in. [$50/75]

Condition: Structurally sound. Oxidation, patination to metal surface. Wood top frame with chips, nicks and imperfections all consistent with age and use. AS IS.

18. American Classical Mahogany Pembroke Table, early 19th c., probably Baltimore, shaped drop‑leaf top, frieze drawer, turned reeded tapered legs, button feet, h. 28 3/4 in., d. 36 in., open d. 51 1/2 in. [$800/1200]

Condition: Structurally sound. Worn finish. Scattered marks, nicks, abrasions and other imperfections as expected with age and use. AS IS.

20. American Classical Mahogany Candlestand, early 19th c., h. 27 in., w. 22 in., d. 15 3/8 in. [$50/100]

21. American Carved Mahogany Side Table, 19th c., serpentine marble top, turned trestle base, shaped feet, stretcher, h. 29 in., w. 29 in., d. 17 in. [$100/200]

19. American Late Classical Mahogany Footstool, c. 1840, serpentine rails, bracket feet, later casters, h. 16 1/2 in., w. 18 in., d. 18 in. [$50/100]

Condition: Structurally sound. Chips, nicks, marks, abrasions and imperfections consistent with age and use. AS IS.

23. Pair of American Late Classical Carved Mahogany Side Chairs, c. 1840‑1850, Baltimore, shaped back, pierced back splat, ring‑turned tapered legs, casters, h. 38 in., w. 18 in., d. 16 in. [$100/200]

Condition: Both chairs loose at joints, one chair with separation at crest rail, several old repairs and reinforcements. Scattered marks, losses, abrasions and other wear consistent with age and heavy use. AS IS. Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

22. Victorian Oak, Suede and Metal Strapwork Steamer Trunk, c. 1875, domed lid, fitted interior lined with green velvet, brass lockplate stamped “Patented Nov. 1st, 1864 & May 11th 1875”, h. 30 in., w. 34 1/2 in., d. 21 1/2 in. [$100/200] 24. American Renaissance Walnut Octagonal Jardiniere, painted tin liner, urn‑mounted stretcher, h. 43 in., w. 27 1/2 in., d. 27 1/2 in. [$75/150] Condition: Mostly structurally sound, slight movement of top. Loss to carved elements. Chips, nicks, abrasions, scratches and other imperfections as expected with age and use.

25. Decorative Pair of White Painted Wood Columns, molded tops, reverse‑tapered standard, taller h. 85 3/4 in. [$100/200] Condition: Structurally sound. One lacking dished base; other lacking square top. Scattered chips, nicks, marks, abrasions and other imperfections expected with age and use. AS IS.

26. Antique American Inlaid Burl Walnut Desk, kidney‑shaped top, conforming case with swing drawer, open shelves, reeded legs, h. 29 1/4 in., w. 46 1/2 in., d. 30 in. [$300/500]

Condition: Structurally sound. Previously had an inset top, probably leather, no longer present. Scattered marks, shrinkages, nicks, chips, minor losses, and other imperfections expected with age and frequent use. AS IS

27. American Late Classical Carved Mahogany Armchair and Rocker, c. 1840, heavily scrolled arms and legs, h. 41 in., w. 26 1/4 in., d. 25 in. [$150/250] Provenance: Williamson‑LeBlanc Collection, Natchez, MS.

29. Rococo‑Style Mahogany Dining Table, 20th c., in the Louis XV taste with serpentine top, shaped frieze, one leaf, cabriole legs, h. 30 1/2 in., w. 72 in., d. 41 1/2 in. [$500/750]

28. Belle Epoque Onyx and Bronze Gueridon, circular inset top, pierced apron with champlevé enamel cartouches, reeded legs, onyx stretcher shelf, acanthine sabots, h. 32 in., dia. 20 in. [$300/500]

Condition: Structurally sound. Minor losses to carved elements. Marks, nicks, abrasions, chips and imperfections as expected with age and use.

30. Chinese‑Style Hardwood Occasional Table, 20th c., waisted rectangular top, shaped frieze, squared legs, scroll feet, h. 21 1/2 in., w. 32 1/4 in., d. 19 in. [$100/150] Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

31. Art Moderne Chrome and Glass Console Table, 20th c., glass top on burnished yoke supports connected to a stepped plinth base, h. 31 in., w. 79 in., d. 33 3/4 in. [$300/500] Provenance: Collection of Nan Wier, New Orleans, LA.

32. English Regency Mahogany Side Chair, c. 1830, incised crest rail with a rolled back slat, reeded stiles, drop‑in seat, saber legs, h. 33 1/2 in., w. 18 1/2 in., 18 in. [$50/75] Condition: Structurally sound. Rear proper right stile with segmented repair. Scattered marks, abrasions, nicks, chips, and other imperfections consistent with age and use.

33. Six American or English Renaissance Revival Oak Hall Chairs, mid‑19th c., Gothicized backs centered by shield, finialed crests, trapezoidal plank seat, chamfered legs topped by rosettes, turned feet, h. 40 1/2 in., 17 in., d. 19 in. [$300/500] Condition: Overall chairs are structurally sound, some are loose at joints. Two chairs are missing flame finials. Scattered chips, small carving losses, abrasions, wear and other imperfections consistent with age and request use. AS IS.

35. Antique Chippendale‑Style Carved Elm Armchair, 19th c., shaped crest, vasiform splat, shaped arms, square tapered legs, stretchers, h. 34 1/2 in., w. 23 in., d. 19 in. [$150/250] Condition: Structurally sound overall. Loose at joints and proper left arm. Several repairs and reinforcements. Old dark finish. Scattered imperfections, marks, nicks, and other wear consistent with age and use. AS IS.

34. Georgian‑Style Mahogany Tea Table, circular top, vasiform standard, arched legs, h. 29 in., dia. 28 1/2 in. [$100/200] Condition: Structurally sound. Spanning shrinkages with separation. Loss to underneath of one leg. Scattered chips, nicks, marks abrasions and imperfections expected with age and use. AS IS.

36. English Carved Mahogany Shaving Mirror, 19th c., arched mirror, turned uprights, molded base, h. 20 in., w. 20 1/4 in., d. 6 in. [$50/75]

Condition: Structurally sound. Scattered nicks, chips, marks, abrasions and imperfections expected with age and use. AS IS.

38. Antique George III‑Style Carved Mahogany Washstand, square legs, medial shelf fitted with a drawer, stretcher shelf below, h. 31 1/2 in., w. 14 in., d. 14 in. [$50/75] Condition: Structurally sound. Scattered shrinkages chips, abrasions, and other imperfections. AS IS.

39. English Walnut Drop‑Leaf Dining Table, 19th c., chamfered legs, h. 28 1/2 in., w. (open) 56 1/2 in., d. 43 1/2 in. [$300/500]

37. English Inlaid Mahogany Games Table, demilune fold‑over top, conforming frieze, square tapered legs with bellflowers, h. 30 in., w. 36 in., d. 18 in. [$50/75]

41. Regency‑Style Carved Mahogany Two Pedestal Dining Table, reeded top, turned pedestals with reeded sabre legs, one leaf, h. 29 3/4 in., l. (closed) 77 7/8 in., l. (open) 101 3/4 in., w. 44 7/8 in [$200/400] 40. Antique Georgian‑Style Carved Mahogany Side Table, circular molded top, bracketed tapered legs, ball feet, h. 27 1/2 in., dia. 23 1/2 in. [$100/200]

Condition: Structurally sound. Repair to saber leg. Overall chips, nicks, abrasions, imperfections consistent with age and use. AS IS.

42. Georgian‑Style Mahogany Nest of Tables, molded top, plain skirt, cabriole legs, pad feet, h. 20 3/4 in., w. 20 in., d. 13 in. [$100/200]

43. Ten Queen Anne‑Style Mahogany Dining Chairs, 20th c., incl. nine side chairs and one armchair, shaped crest rails, vasiform splats, trapezoidal slip seat rails, cabriole legs, pad feet, armchair h. 37 1/2 in., w. 26 3/4 in., d. 19 1/2 in., side chair h. 37 1/2 in., w. 20 1/2 in., d. 19 1/2 in. [$300/500]

44. George III‑Style Mahogany Demilune Table, banded top, conforming frieze, molded tapered legs, spade feet, h. 28 1/2 in., w. 46 in., d. 19 in. [$200/400]

45. George III Mahogany Wingchair, molded tapered legs, stretchers, h. 43 1/2 in., w. 32 in., d. 24 1/2 in. [$200/400]

46. Antique Regency‑Style Gilt Metal‑Mounted and Inlaid Mahogany Dressing Mirror, two drawers, pedimented top, rosette‑mounted mirror, shaped case, spherule feet, h. 31 7/8 in., w. 17 in., d. 10 3/8 in. [$100/150]

Provenance: Schwitz Collection, Franklin, LA.

47. Antique Chippendale‑Style Gilded Mahogany Mirror, scroll work surround, h. 27 1/2 in., w. 15 1/2 in. [$200/300]

Condition: Structurally sound. Minor repairs. Scattered shrinkages. Chips, nicks, abrasions, and imperfections as expected with age and use.

48. American Pine Traveling Trunk, late 19th c., domed strapwork top, hinged closure, metal latches, bale handles, h. 15 1/2 in., d. 48 in., d. 20 1/4 in. [$100/200]

Condition: Structurally sound. Some strapwork hinges are loose. Several shrinkages. Metal parts are oxidized. Scattered wear, marks, and imperfections expected with age and use. AS IS.

Provenance: Reputedly with Magdelena Boehm, grandmother of New Orleans artist Marie Madeline Seebold (1866‑1948); descended through the Seebold family to present owner.

50. Louis XVI‑Style Gilt Bronze‑Mounted Fern Stand, c. 1860, galleried rouge marble top, turned legs, outswept feet, incurvate X‑stretcher, h. 37 in., w. 12 in. square.[$100/200]

Condition: Looseness in frame, not structurally sound. Loose metal elements. Minor losses to carved elements. Scattered chips, nicks, marks, abrasions and imperfections as expected with age and use. AS IS.

51. French Carved Ash Berceau, 19th c., pegged construction, trestle base, arched legs, upturned feet, h. 39 in., w. 41 3/4 in., d. 28 3/8 in. [$50/75]

49. Decorative Polychromed Occasional Table, tray top, turned legs, X stretcher with finialed disc, h. 19 in., dia. 14 3/4 in. [$200/300]

Condition: Structurally sound. Scattered wear, abrasions, marks, nicks, and imperfections, expected with age and use. AS IS.

52. Italian Mahogany and Parcel Ebonized Lady’s Writing Desk, 19th c., frieze drawer fitted with writing surface, over kneehole configuration of drawers, sabre legs, h. 31 in., w. 27 1/8 in., d. 21 in. [$100/200]

53. Napoleon III‑Style Gilt Bronze‑Mounted Marquetry Cabinet, rouge marble top with outset corners, paneled frieze, two doors flanked by fluted columns, conforming base, ball feet, h. 46 3/4 in., w. 59 in., d. 23 1/2 in. [$500/1000]

54. Austrian Neoclassical Inlaid Mahogany Bureau à Cylindre, 19th c., galleried top, cylinder lid, fitted interior with pull‑out baize writing surface, two graduated drawers, square tapered legs, h. 46 1/2 in., w. 45 1/2 in., d. 23 1/2 in. Note: Veneer losses throughout. [$100/200]

Provenance: The Sturm Collection, St. Thomas and Trinidad.

55. Louis XVI‑Style Mahogany Demilune Console Desserte, 20th c., marble top, reticulated gallery, frieze with center drawer flanked by drawers, stretcher shelf, fluted tapered legs, h. 34 in., w. 42 in., d. 15 1/2 in. [$200/400]

56. Four Antique Continental Painted Side Chairs, floral motif slatted back, caned seat, turned legs and stretcher, h. 32 1/2 in., w. 17 1/4 in., d. 15 in. [$100/200]

57. Three French Provincial Walnut Side Chairs, c. 1900, shaped crest, spindled back, rush seat, turned legs, stretchers, h. 31 1/2 in., w. 20 in., d. 19 in. [$125/175]

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

Condition: Mostly structurally sound, metal gallery and stretcher shelf loose. Marble with pits, abrasions and imperfections. Veneer lifting, losses to carved elements. Scattered chips, nicks, marks, indentions and imperfections as expected with age and use. AS IS. Provenance: Estate of world championship bridge player, Betty Ann Kennedy (1930‑2016), Shreveport, LA

58. Louis XV‑Style Gilt Metal‑Mounted Fruitwood Bouillotte Table, mid‑20th c., circular galleried marble top, shaped skirt, frieze drawer, cabriole legs, sabots, h. 18 1/2 in., dia. 21 1/2 in. [$150/250]

Condition: Structurally sound overall, slightly loose at joints. Marble with spanning fissure. Scattered wear to metal parts. Sabots are loose and should be renailed. Scattered marks, nicks, abrasions, wear to finish, and other imperfections consistent with age and use. 60. Harold Bright (American, b. 1939), “Abstract Composition”, 1964, mixed media on paper, pencil‑signed and dated lower center, sheet 24 in. x 19 in., unframed. [$150/200] Condition: Light scattered marks and smudges; pinhole in lower left corner; creasing and folds in upper right corner; remnant of adhesive lower left corner en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

62. Louisiana School, 20th c., “Under Louisiana Skies”, oil on canvas board, initialed “S.W.K.” lower left, titled lower center, 16 in. x 12 in., framed. [$75/100] Condition: Toning of the varnish layer; warping of board; accretions and scattered small losses throughout; no signs of inpainting.

59. Pair of Empire‑Style Carved Mahogany Pedestals, early 20th c., cove‑molded top, gadrooned molding, tapered paneled standard, blocked base, ball feet, h. 47 in., w. 18 in., d. 11 1/2 in. [$100/150] Provenance: Schwitz Collection, Franklin, LA.

61. Norma Louise Alcott Knight (American/Texas, 1910‑2005), “South Padre Island Sand Dunes”, copper plate affixed to masonite, signed lower left, artist biography and “Art Galleries at Bahia Mar, South Padre Island, TX” label en verso, 9 in. x 12 in., framed. [$50/75] Condition: Surface dirt; some toning of lighter colors; scattered small marks and accretions

63. Charles Whitfield Richards (American/ Louisiana, 1906‑1992), “Kneeling Nude”, 1969, charcoal and pastel on paper, signed and dated lower right, sight 17 1/2 in. x 21 in., framed. [$100/150] Condition: Some toning of paper; light marks and surface dirt throughout.

64. Charles Whitfield Richards (American/ Louisiana, 1906‑1992), “Seated Indian Style”, 1969, charcoal and pastel on paper, signed and dated center right, sight 17 1/2 in. x 20 3/4 in., framed. [$100/150] Condition: Some toning of paper; light marks and surface dirt throughout, particularly upper right.

66. Noel Rockmore (American/New Orleans, 1928‑1995), “Dolly Adams (Marie Douroux b. Jan. 11, 1904 New Orleans)”, acrylic on masonite, signed upper right, 12 in. x 19 in., framed. [$200/300] Condition: Light surface dirt; scattered marks and surface imperfections, likely hand of the artist; small losses along edges from contact with frame.

65. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Pre‑Columbian Figures”, oil on canvas, signed lower right, titled and dated en verso, artist label with title and “Artist Showroom, New Orleans, LA” labels on stretcher bars, 16 in. x 20 in., framed. [$200/300] Condition: Overall good condition; slight toning of the varnish layer; scattered light accretions throughout; no signs of inpainting; some dark colors fluoresce under UV light, likely hand of artist.

67. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Figure Study”, pastel on paper, signed lower right, sight 25 in. x 14 in., unframed. [$100/200] Condition: Overall good condition; buckling and slight toning of the paper; scattered light accretions throughout.

68. Noel Rockmore (American/New Orleans, 1928‑1995), “Lou Nelson (1902‑1990)”, 1963, watercolor on paper, signed, titled and dated upper right, vintage newspaper clipping “Upbeat for Old Jazz” en verso, 14 1/2 in. x 11 1/4 in., framed. [$75/100] Condition: Dark toning of the paper and staining throughout. 69. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “The Downward Gaze”, oil on canvas, signed upper right, 16 in. x 12 in., framed. [$100/150]

Condition: Surface dirt; small losses, particularly along edges; small staining upper left; no signs of restoration.

70. Bound Sketchbook by Noel Rockmore (American/New Orleans, 1928‑1995), 1988, watercolor, ink and mixed media on paper, signed, 18 in. x 13 in. [$150/250]

Condition: Overall poor condition; heavy surface dirt; water damage throughout; some mold growth and pages adhered; scattered foxing and stains throughout; severe buckling of paper.

71. Charles Whitfield Richards (American/ Louisiana, 1906‑1992), “In Profile”, charcoal and pastel on paper, signed upper right, sight 15 3/4 in. x 11 3/4 in., matted. [$100/150]

Condition: Smudges and light staining throughout; light waffling and some toning of paper.

72. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Lady in Red”, oil on paper, signed lower right, sight 24 1/2 in. x 14 3/4 in., framed. [$200/300]

Condition: Toning of paper; creasing lower half; waffling of paper; light surface dirt; scattered small marks throughout.

73. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Self‑Portrait with Donna”, 1988, oil on canvas, signed lower left, inscribed on stretcher, 22 in. x 28 in., framed. [$200/300] Condition: Overall good condition; mold growth en verso; toning of the varnish layer; scattered small accretions and losses throughout; no signs of inpainting. Provenance: Collection of Alice Barry, New Orleans and Pass Christian, MS.

75. Bob Kevin (American/ Florida, b. 1928), “Abstract Composition in Blue”, 2010, acrylic on canvas, signed and dated lower right and en verso, 30 in. x 30 in., unframed. [$200/300] Condition: Overall good condition; light toning of the varnish layer.

77. Bob Kevin (American/Florida, b. 1928), “Abstract Composition in Brown and Yellow”, 2010, acrylic on canvas, signed and dated lower right and en verso, 30 in. x 24 in., unframed. [$200/300]

Condition: Overall good condition; light toning of the varnish layer; some small losses throughout; no signs of inpainting.

79. James Ralph Wilcox (American/Florida, 1866‑1915), “Florida Swampland”, print enhanced with watercolor on paper, signed lower right, “WcW” blind stamp lower left, “Copyright 1909, by Wilcox & Willson” stamp en verso, “James M. Fisk & Co., Boston” label on backing board and “C.F. Pollard” label on backing paper, 8 in. x 5 1/2 in., framed. [$75/100] Condition: Toning of paper; surface dirt; stain lower right. Provenance: Massachusetts Collection.

74. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Self‑Portrait”, 1985, oil on canvas, signed lower right, dated en verso, 18 in. x 14 in, framed. [$100/150] Condition: Light toning of the varnish layer; scattered dark accretions throughout; light craquelure and some small scattered losses throughout; no signs of inpainting; some colors fluoresce under UV light but appear to be hand of artist.

76. Bob Kevin (American/Florida, b. 1928), “Abstract Composition in Brown with Green Dot”, 2010, acrylic on canvas, signed and dated lower right and en verso, 29 7/8 in. x 24 in., unframed. [$200/300]

Condition: Overall good condition; light toning of the varnish layer; some small losses throughout; no signs of inpainting.

78. Bob Kevin (American/ Florida, b. 1928), “Abstract Composition in Orange, Brown and Yellow”, 2010, acrylic on canvas, signed and dated lower right and en verso, 30 in. x 30 in., unframed. [$200/300] Condition: Overall good condition; light toning of the varnish layer; no signs of inpainting.

80. Douglas Bourgeois (American/Louisiana, b. 1951), “Framed Study III”, 1988, spray paint on paper, initialed “D.B.” and dated lower right, “Galerie Simonne Stern, New Orleans” label with title and medium en verso, sight 11 1/2 in. x 8 1/2 in., framed. [$200/300] Condition: Overall good condition; light toning of the paper throughout.

81. James Hussey (American/ Louisiana, b. 1931), “Steamboat Natchez Traveling through the Bayou”, 1974, oil on canvas, signed and dated lower right, 22 in. x 28 in., framed. [$200/300] Condition: No signs of restoration; toning of varnish layer; surface dirt; scattered light marks and pinpoint accretions.

84. Ellsworth Woodward (American/ New Orleans, 1861‑1939), “Court of Lions, Alhambra”, “Alhambra”, 1905, “Court of Lions, Alhambra (Boyer 17)” and “Castle on the Hill”, 1891, 2 pen and inks on board, one etching on paper and one watercolor on paper, 3 signed or initialed “E.W.” lower left, 1 initialed “E.W.” in plate, 2 signed and dated, 9 3/4 in. x 12 1/2 in. to 15 1/4 in. x 11 in., unframed. (4 pcs.) [$200/400]

Condition: Heavy foxing throughout all but etching (light foxing); toning of papers and boards; loss and tears at edges; holes in some corners; “Alhambra” ‑ heavily stained through left half. Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

86. Robert Hausey (American/ Louisiana, 1949‑2009), “Harbor Lights”, 1983, encaustic on paperboard, signed lower left, “Galerie Simonne Stern, New Orleans” label with artist, title and date on backing, sight 8 1/4 in. x 9 1/2 in., framed. [$75/150]

Condition: Toning of encaustic; accretions and losses throughout; large loss under chin; inconsistencies in surface texture inherent to medium. 88. American School, 20th c., “Landscape with Barn”, oil on canvas, signed “Baker” lower left, 31 1/4 in. x 23 1/8 in., unframed. [$50/100]

Condition: Not cleaned or previously restored; surface dirt; scattered marks and accretions; yellowing of varnish; scratches, losses and stains along all edges; scattered losses throughout; difficult to penetrate varnish layer with UV light.

82. Mary Katharine Loyacano McCravey (American/Mississippi, 1910‑2009), “Still Life of Flowers in a Vase”, oil and mixed media on board, signed lower right, 12 5/8 in. x 11 in., framed. [$200/400] Condition: Overall good condition; light toning of the varnish layer; no signs of inpainting.

83. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Self‑Portrait” and “Self‑Portrait”, 2 graphites on board with drawings en verso, each unsigned, both 8 in. x 11 in., unframed. (2 pcs.) [$150/250] Condition: Toning of paper; smudges throughout; loss and wear at edges.

85. Orlando Schubert (American/ Florida, 1844‑1928), “Coastal Landscape”, watercolor on paper, signed and inscribed “Tampa” lower right, 8 1/8 in. x 11 3/8 in., matted. [$300/500] Condition: Toning of paper; unevenly trimmed edges; scattered marks and stains; light acid burn; remnants of adhesive and black paper en verso; two white tape hinges en verso.

87. American School, 20th c., “Path in the Woods”, oil on canvas, indistinctly signed lower right, 19 in. x 35 in., unframed. [$50/100]

Condition: Not cleaned or previously restored; marks, scratches, accretions, holes and stains throughout; all edges have losses and scratches from previous framing; surface dirt; stretcher bar marks visible; scattered areas of bloom. 89. Louis Raynaud (American/Louisiana, b. 1905), “Still Life” and “Still Life ‑ Flowers”, 2 oils on canvas, signed upper left and right respectively, both titled and inscribed en verso, each 40 in. x 30 in., both unframed. (2 pcs.) [$700/1000] Condition: On both scattered small areas of inpainting; light surface dirt; scattered surface scratches and marks.

90. Frances Hudson Storrs (American, 1860‑1945), “Still Life with Flowers in a Blue Vase”, oil on board, signed lower right, 24 1/2 in. x 29 1/2 in., framed. [$300/500]

Condition: Small areas of inpainting at upper left (background) and mid‑right (orange flower); 2 one in. surface scratches at center (purple flower) and lower center (vase).

91. William Abernathy Kendrick (American/Texas, 1889‑1969), “Old Road, Cedar Hill near Dallas, Texas”, oil on canvas, signed lower left, titled and inscribed on label en verso, 16 in. x 20 in., framed. [$400/600] Condition: Light surface dirt; no signs of past restoration.

92. Barbara Osthoff Collins (American, 1926‑2008), “Child Watching Workers” and “Boy with Bucket”, watercolor and ink on paper, both signed lower right, sheets 6 1/2 in. x 4 1/2 in. to 7 1/2 in. x 9 1/2 in., both unframed. (2 pcs.) [$75/100] Condition: Both have toning; foxing; mat burn; scattered marks, pencil marks and smudges; “Child Watching” has discoloration from tape along edges and corners; remnants of yellow tape hinges along edges and corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 93. Fritz Franz Engel (German/American, 1877‑1956), “Mount Desert Island”, 1928 and “Sunrise with Rough Sea”, 2 oils on canvas, former initialed lower left, titled and dated on stretcher, “The Fine Arts Museum of the South at Mobile” label on frame, latter signed lower left, label with title on stretcher, 20 in. x 26 in. and 25 3/4 in. x 31 1/2 in., each framed. (2 pcs.) [$200/300] Condition: “Mount Desert Island” ‑ Repair lower right with patch en verso; toning of varnish; surface dirt; gold painted wood frame with scattered marks, nicks and abrasions. “Sunrise with Rough Sea” ‑ Scattered surface marks; surface dirt; modern wood frame with scattered marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 94. Fritz Franz Engel (German/American, 1877‑1956), “Desert Mount Island”, 1931 and “Rocky Cliff with Trees”, 2 oils on canvas, each initialed lower left, former titled and dated on stretcher, 20 in. x 24 in. and 24 in. x 30 in., both framed. (2 pcs.) [$200/400] Condition: “Desert Mount” ‑ Toning of varnish; scattered marks and abrasions; surface dirt; 1/16 in. hole upper center edge; light buckling along lower edge. “Rocky Cliff” ‑ relined with original stretcher; toning of varnish; cleaned but not recently; buckling of canvas throughout; scattered marks and abrasions; surface dirt; scratches from contact with frame along left edge.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

95. Fritz Franz Engel (German/American, 1877‑1956), “Mount Desert Island”, 1926, oil on canvas, initialed lower right, pencil‑titled and dated on stretcher, handwritten label on stretcher, 24 in. x 30 in., framed; and “Ocean Drive Bar Harbor”, 1925, oil on canvas, initialed lower left, pencil‑titled and dated on stretcher, handwritten label on stretcher, 20 1/4 in. x 26 1/8 in., framed. (2 pcs.) [$200/300]

Condition: Overall toning of varnish; surface dirt; scattered marks and abrasions; “Desert Mount” ‑ very heavy varnish discoloration and brush bristles along full right side; small scattered losses along upper left; light craquelure; scattered areas of inpainting throughout foliage. “Bar Harbor” ‑ abrasions along edges from contact with frame; craquelure along upper 1/2 of painting (sky); scattered areas of inpainting throughout foliage and upper left corner (sky). Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

96. Fritz Franz Engel (German/American, 1877‑1956), “Triton with Nereids”, 1926, oil on panel, initialed and dated upper left (in sail), handwritten label on reverse of frame, 48 in. x 48 in., framed. [$600/800]

Condition: Surface dirt, scratches, abrasions and paint loss along all edges from contact with frame; light scattered marks and abrasions; areas of inpainting upper right, center and lower left; light scattered craquelure. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

97. Fritz Franz Engel (German/American, 1877‑1956), “Bar Harbor”, 1930, oil on canvas, initialed lower right, pencil‑titled and dated on stretcher, handwritten label on stretcher, 20 in. x 24 in., framed. [$100/150] Condition: Toning of varnish; surface dirt; scattered marks and abrasions; light buckling of canvas lower right; areas of inpainting scattered throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

98. Fritz Franz Engel (German/American, 1877‑1956), “Maine Landscape”, oil on canvas, initialed lower left, 21 in. x 27 in.; and “Ocean Drive View to Great Head & Scoodie Point”, oil on canvas, initialed lower left, 20 in. x 27 in., framed. (2 pcs.) [$200/300]

Condition: Toning of varnish; areas of thick varnish build up; scattered marks and accretions; surface dirt; difficult to penetrate varnish layer with UV light. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

99. Fritz Franz Engel (German/American, 1877‑1956), “Maine Landscape”, oil on masonite, initialed lower right, 16 in. x 20 in., framed; “Mount Desert Island”, 1930, oil on canvas, initialed lower right, pencil‑titled and dated on stretcher, handwritten label on stretcher, 20 in. x 24 in., framed AND “Bar Harbor”, 1929, oil on canvas, initialed lower right, pencil‑titled and dated on stretcher, handwritten label on stretcher, 20 in. x 24 in., framed. (3 pcs.) [$250/350] Condition: Craquelure pattern throughout; surface dirt; toning of varnish; scattered marks and accretions; difficult to penetrate varnish layer with UV. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

100. Fritz Franz Engel (German/American, 1877‑1956), “Maine Seascape”, oil on canvas, signed lower left, 16 in. x 20 in., framed; and “Hunter’s Point View to Cranberry Island”, oil on canvas board, initialed lower right, handwritten label en verso, 16 in. x 20 in., framed. (2 pcs.) [$150/250] Condition: “Maine Seascape” ‑ toning of varnish; scattered marks and accretions; light scattered craquelure; very light scratches and abrasions along all edges from contact with frame; difficult to penetrate varnish with UV light. “Hunter’s Point” ‑ warped canvas board; toned varnish; surface dirt; scattered black accretions upper half; scattered marks and scratches; work does not fit properly in frame; difficult to penetrate varnish layer with UV light; scattered inpainting throughout cliff face; scattered inpainting upper left corner (sky). Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

101. Fritz Franz Engel (German/American, 1877‑1956), “Maine Mountain View”, oil on canvas, signed lower right, initialed lower left, handwritten label on stretcher, 26 in. x 33 1/8 in., framed. [$200/400] Condition: Light warping of canvas; surface dirt; scattered marks and accretions; scratches and abrasions along left edge from contact with frame; work does not fit in frame properly.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

102. Fritz Franz Engel (German/American, 1877‑1956), “Ship at Sea”, 1930, oil on canvas, signed and dated lower left, 38 in. x 44 in., framed. [$200/300]

Condition: Craquelure pattern visible; losses and flaking lower left corner; scrapes and abrasions along all edges; light paint loss, marks and accretions scattered throughout; one inch tear lower right corner; multiple campaigns of restoration; extensive inpainting in upper half; stretcher bar marks visible on all edges; slight buckling of canvas along left edge; painted wood frame with marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

104. Fritz Franz Engel (German/American, 1877‑1956), “Ocean Drive Towards Great Head” and “Otter Cliff, Ocean Drive and Mountains”, 2 oils on board, former initialed lower left, latter signed lower right, both titled on handwritten labels en verso, 10 in. x 13 1/4 in. and 12 in. x 14 3/4 in., both unframed. (2 pcs.) [$75/100]

103. Fritz Franz Engel (German/American, 1877‑1956), “Sunlit Path”, oil on canvas, initialed lower right, handwritten label on stretcher, 24 in. x 20 in., framed. [$100/200]

Condition: Light surface dirt; light scattered white accretions; extensive inpainting throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: “Ocean Drive Towards Great Head” ‑ toning of varnish; surface dirt; nail holes along edges with some losses; scattered surface marks. “Otter Cliff Ocean Drive and Mountains” ‑ toning of varnish; surface dirt; nail holes at upper corners; scattered loss and wear along edges; scattered surface marks. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

105. Fritz Franz Engel (German/American, 1877‑1956), “Hunter’s Point”, 1931, oil on canvas, signed and dated lower left, titled on label on stretcher, partial sketch en verso, 16 in. x 20 in.; and “Lone Pine on Ocean Drive, View to Great Head”, oil on board, signed lower left, titled on label en verso, 12 in. x 16 in.; together with “Rocky Cliffs with Stag”, oil on canvas board, unsigned, 18 3/4 in. x 15 in., all framed. (3 pcs.) [$200/300]

Condition: “Hunter’s Point” ‑ Several areas fluoresce under UV light; heavy buckling of canvas; toning of varnish; surface dirt; scattered surface marks; pinpoint hole lower left; abrasions and loss. “Lone Pine” ‑ Difficult to penetrate varnish layer; 1/8 in. x 1/2 in. loss mid‑left (island in middle distance); scattered surface marks; surface dirt; toning of varnish. “Rocky Cliffs with Stag” ‑ Canvas nailed to board at all edges; toning of varnish; abrasions and loss at edges.

106. Fritz Franz Engel (German/American, 1877‑1956), “Maine Seascape”, 1930, oil on board, signed and dated lower left, 16 in. x 20 in.; and “On Shore Northeastern Storm”, oil on board, initialed lower right, handwritten label en verso, 16 in. x 20 in., both framed. (2 pcs.) [$200/400] Condition: Toning of varnish; areas of heavy varnish build up scattered throughout; scattered marks and accretions; varnish layer difficult to penetrate with UV light; areas of inpainting scattered throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

107. Fritz Franz Engel (German/American, 1877‑1956), “Path to Otter Creek”, oil on canvas, signed lower right, handwritten label on stretcher, 12 in. x 17 in.; and “Beach Scene with Trees”, oil on panel, unsigned, 14 in. x 18 in., both framed. (2 pcs.) [$200/400] Condition: Light craquelure scattered throughout; scattered marks, scratches and accretions; some colors fluoresce under UV light; light paint loss along top edge on “Beach Scene”.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

108. Fritz Franz Engel (German/American, 1877‑1956), “Rocky Coast with Trees”, oil on board, pencil‑signed en verso, 13 7/8 in. x 17 3/4 in.; and “Ocean Drive with Bee Hive Mountain”, oil on board, signed lower right, handwritten label en verso, 16 in. x 20 in., both framed. (2 pcs.) [$200/400] Condition: Both have toning of varnish; scattered marks, scratches and abrasions; some colors fluoresce under UV light. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

109. Fritz Franz Engel (German/American, 1877‑1956), “Portrait of a Woman Wearing a Hat”, 1908 and “Portrait of a Woman”, 2 oils on canvas, former signed and dated with interlocking gold rings lower left, latter unsigned, 27 in. x 23 in. and 20 in. x 18 in., each framed. (2 pcs.) [$100/200]

Condition: Difficult to penetrate varnish layers with UV light; surface dirt; craquelure; scattered surface marks; stretcher bar marks visible at all sides; buckling of canvas; abrasions along edges; some losses and flaking.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

110. Fritz Franz Engel (German/American, 1877‑1956), “Rocks and Ocean at Sunset”, 1930, oil on canvas, signed and dated lower right, 20 in. x 26 in.; and “Bay Inlet with Rocks and Trees”, oil on canvas board, signed lower left, 15 7/8 in. x 20 in., both framed. (2 pcs.) [$100/200]

Condition: Inpainting scattered throughout; surface dirt; toning of varnish layers; scattered marks and abrasions along edges likely from contact with frame; two pinholes at upper edge of “Bay Inlet”.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 111. Fritz Franz Engel (German/American, 1877‑1956), “Wooded Path to Otter Cliff”, 1929, oil on canvas, signed and dated lower right and left, label with artist and title on frame, handwritten label with title on stretcher, 24 in. x 20 in., framed; and “Otter Creek Point in Morning Sun, Mount Desert Island, Maine”, oil on canvas, unsigned, labels with title on stretcher, 20 in. x 24 in., unframed. (2 pcs.) [$100/200] Condition: Difficult to penetrate varnish layer with UV light; some scattered inpainting; signature appears to be reinforced; scattered surface marks; toning of varnish; surface dirt; nail holes in corners; buckling of canvas. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

112. Fritz Franz Engel (German/American, 1877‑1956), “Bar Harbor”, 1930 and “Ocean Drive Path and Cadillac Mountain in Afternoon Sun, Mount Desert Island, Maine”, 2 oils on canvas, each initialed lower right, former titled and dated on stretcher, latter with handwritten title labels on stretcher, 20 in. x 26 in. and 20 in. x 24 in., both framed. (2 pcs.) [$100/200] Condition: Surface dirt; craquelure throughout; scattered inpainting; buckling of canvas; loss and flaking.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

113. Fritz Franz Engel (German/ American, 1877‑1956), “Self‑Portrait”, oil on canvas, unsigned, 30 in. x 21 1/4 in., framed; together with archive of 18 photo reproductions of Engel’s portraiture. (19 pcs.) [$100/200]

Condition: Difficult to penetrate varnish layer with UV light; surface dirt; loss lower left; scattered marks and losses.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

114. Fritz Franz Engel (German/American, 1877‑1956), “Peasant Village” and “Landscapes”, 4 oils on board, one signed lower left, 3 unsigned, 2 with handwritten labels en verso, one with “Dr. Schonfield, Dusseldorf” label en verso, 8 3/4 in. x 10 3/4 in. to 13 in. x 17 1/4 in., all framed. ( 4 pcs.) [$75/100]

Condition: All have buckling of the board to various degrees; marks, accretions and stains; scattered scratches and paint loss; toned varnish; areas of thick varnish build‑up; surface dirt; difficult to penetrate varnish layer with UV light. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

115. Robert Cook (American, 1921‑2017), “Figure Studies”, 3 watercolor and graphites on paper, each pencil‑signed and dated lower right, one titled lower right, 9 3/8 in. x 13 in. to 13 1/2 in. x 9 1/2 in., framed alike. (3 pcs.) [$200/300] Condition: Jagged edges inherent to paper; pinholes in corners; scattered marks and smudges; toning; mat burn; light scattered tears in edges; scattered folds and creases. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

116. Robert Cook (American, 1921‑2017), “Six Figural Sudies”, 1960, 1962, 1968, 2 watercolor and graphites on paper, 4 watercolor and inks on paper, each pencil‑signed and dated lower right, 2 inscribed en verso, 13 in. x 9 in. to 13 1/2 in. x 9 1/2 in., all matted. (6 pcs.) [$300/600]

Condition: Toning of paper; scattered marks and smudges; light buckling; slightly ragged edges inherent to paper; each with two white tape hinges upper edge en verso; some have light acid burn. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

117. American School, 20th c., “River Landscape”, watercolor, signed “A. Stephani” lower right, sight 9 in. x 5 in., framed. [$100/200] Condition: Overall good condition; slight buckling and toning of the paper

119. American School, 19th c., “Cows in the Great American West”, oil on canvas, unsigned, 6 1/8 in. x 12 in., framed. [$50/75] 118. Lillian Augusta Howard (American/California, 1856‑1930), “Pink Columbine” and “White Pansies”, 2 watercolors on paper, each signed, inscribed and dated “Santa Cruz Cal., May 1893” lower right, sights 6 1/2 in. x 5 in. and 6 7/8 in. x 5 in. respectively, each matted and framed. (2 pcs.) [$100/200] Condition: Surface dirt; scattered foxing, toning of paper.

121. American School, 19th c., “Logging Camp”, oil on canvas, unsigned, 20 in. x 30 in., unframed. [$100/200] Condition: Toning of the varnish layer; dents in canvas; possible signs of inpainting throughout; small losses throughout; wearing of the edges, small patch en verso.

Condition: Significant buckling of canvas; patch repair lower right; creasing and losses throughout; surface dirt; toning of the varnish layer; large area of inpainting lower right and small areas scattered throughout.

120. J. Stein (American, early 20th c.), “Girl with a Blue Bow”, oil on beveled panel, inscribed “by J. Stein” and illegibly stamped en verso, 12 3/8 in. x 10 1/2 in., framed. [$200/400] Condition: Large areas of inpainting; surface dirt; toning of varnish; scattered surface scratches, marks and small losses

122. Palmer Schoppe (American/ California, 1912‑2001), “Black and Gold”, 1983, mixed media on paper, pencil signed and dated lower right, signed, titled and numbered “645” en verso, 12 1/2 in. x 9 1/2 in., unframed. [$100/200] Condition: Overall good condition; some toning of the paper; light accretions throughout; deckled upper and right edges.

124. Canadian School, 19th c., “The Village”, oil on canvas, unsigned, with partial “Art Association of Montreal/ Spring Exhibition and Chas. Edlington/ Montreal” label en verso, 6 in. x 10 in.; together with After Robert Auchmuty Sproule (Canadian, 1799‑1845), “Notre Dame Street Montreal/ as it appeared in the year 1830”, lithograph, titled in margin, sight 14 1/2 in. x 19 1/2 in., both framed. (2 pcs.) [$100/200]

Condition: Surface dirt; toning of varnish; scattered scratches; “The Village” ‑ 2 holes in canvas; “Notre Dame Street Montreal” ‑ heavy foxing and discoloration.

123. Jean MacLean (Canadian, 1879‑1952), “The Nivard Saint‑Dizier House, Verdun” and “Wooded Landscape”, 2 oils on canvas laid on board, signed lower right and left respectively, 12 1/2 in. x 9 1/4 in. and 9 1/4 in. x 11 1/2 in., framed alike. (2 pcs.) [$100/200]

Condition: Toning of the varnish layer; buckling in canvas; small losses, abrasions and accretions throughout; scattered areas of inpainting throughout; some dark colors fluoresce under UV light, likely hand of artist; signature appears to be reinforced.

125. American School, 19th c., “Portrait of a Woman”, oil on canvas laid down on masonite, unsigned, 30 in. x 24 in., unframed. [$50/100]

126. Augustus Weidenbach (German/ Maryland, 1825‑1869), “Cows in the Stream”, oil on canvas, signed lower right, 22 in. x 36 in., framed. [$50/75]

Condition: Losses throughout; scratches, marks, stains, accretions and smudges throughout; surface dirt; craquelure; light areas of scattered bloom.

Condition: Overall poor condition; significant loss and active flaking throughout; canvas loose on stretcher; surface dirt; toning of the varnish layer; staining en verso.

127. James McGarrell (American/Indiana, b. 1930), “Study of a Woman”, 1988, mixed media on paper, signed lower left, label with artist, title and date en verso, 30 in. x 44 in., framed. [$100/150] Condition: Float‑mounted with upper hinges showing; some waffling of paper; light surface dirt; scattered small accretions.

128. Attributed to Harold Reddicliffe (American, b. 1947), “Cypress”, 1986, gouache on paper, unsigned, artist name, title and date inscribed on backing paper, 8 1/4 in. x 5 7/8 in., framed. [$50/75]

Condition: Overall good condition; small scattered accretions throughout.

129. American School, 19th c., “Portrait of a Gentleman”, oil on canvas, unsigned, 30 in. x 25 1/3 in., framed.[$50/100]

Condition: Craquelure throughout; surface dirt; buckling; canvas loose on stretcher; accretions and marks throughout; scattered areas of inpainting.

130. American School, 20th c., “Nude with Flower”, pastel on paper, unsigned, sight 14 in. x 7 in., framed. [$200/300] Condition: Generally good condition; light surface dirt.

131. American School, mid‑19th c., “Portrait of a Woman”, oil on canvas, unsigned, 30 in. x 25 in., framed.[$400/600] Condition: Difficult for UV light to penetrate varnish layer; signs of inpainting on face, neck, hand, handkerchief, and background; surface dirt and craquelure throughout.

132. George Van Hook (American/New York, b. 1954), “Landscape with Sheep” and “Still Life with Flowers, Teapot and Fruit”, 2 oils on canvas, both signed lower right, 16 in. x 20 in. and 24 in. x 20 in. respectively, framed alike. (2 pcs.) [$800/1200] Condition: “Landscape” ‑ No signs of past restoration; light craquelure at upper center; “Still Life” ‑ No signs of past restoration; light surface dirt.

133. American School, 20th c., “Pink Althea”, oil on canvas, signed “C. Brusell” lower right, 25 1/2 in. x 21 in., framed. [$400/600]

Condition: One patch en verso at lower left; corresponding paint loss at lower right; light surface scratches at upper right and lower center.

134. Francis William Van Vreeland (American, 1879‑1954), “Still Life with Yellow Poppies on Purple Background”, gouache on paper, signed lower right, 21 in. x 27 in., framed. [$300/500] Condition: Generally good condition; light surface dirt.

135. Jim Warren (American, b. 1949), “Earth Love It or Lose It” oil on canvas, signed lower left, 30 in. x 24 in., framed. [$300/500] Condition: Good condition; light surface dirt and accretions.

138. Heinrich Drescher (Austrian/American, 19th c.), “Conscription”, oil on canvas laid on board, signed and inscribed “4/88?” lower left, 17 3/4 in. x 23 3/4 in., framed. [$200/300] 136. Otis Pierce Cook, Jr. (American/Massachusetts, 1900‑1980), “Ship in the Harbor”, oil on canvas, signed lower right, 10 in. x 12 in., framed. [$500/700] Condition: Surface dirt and toning of varnish; one small area of inpainting at upper left on building.

137. Continental School, 1892, “Young Boy with a Cigar”, pastel on paper, bears signature “Eugen von Blaas” and dated lower right, sight 12 1/2 in. x 9 in., framed. [$100/200]

Condition: Toning of the varnish layer; scattered accretions and signs of inpainting throughout; some irregularity in surface texture.

Condition: Overall good condition; toning and buckling of paper throughout.

140. Continental School, 20th c., “Blue Horse”, mixed media on canvas, illegibly signed and dated “’54” lower left, 14 in. x 18 in., framed. [$50/75]

Condition: 1‑inch square loss at mid‑left (tail); smaller losses at upper left (horse’s back and background); cracks throughout.

139. French School, 20th c., “Paysan de Burtenbach”, 1944, oil on canvas, illegibly signed and dated ‘44 upper right, pencil‑inscribed “7 Avril 1945” and “Paysan de Birtenbach[sic]” on stretcher, 16 1/4 in. x 13 in., unframed. [$20/40] Condition: Generally good condition; light surface dirt; one 3 inch surface scratch at upper left on face; abrasions on all four edges.

142. Italian School, 1883, “Two Foresters in a Wood beside a Stream”, graphite on paper, signed “Silvio Painis(?)” and dated lower right, sight 33 in. x 23 in., framed. [$150/250]

141. Four Antique Silhouettes of Women, 4 mixed medias on paper, one with “Torondo No. 10 Wells St. London” in typeface lower edge, one signed “Stephen Roman” lower center, sights 2 3/4 in. x 2 3/4 in. (oval) to 13 3/4 in. x 10 3/4 in., all framed. (4 pcs.) [$100/200] Condition: Toning of paper; marks, smudges and stains throughout; scattered foxing.

Condition: Toning of the paper; approx. 11 in. tear in center; various marks and accretions throughout.

143. Continental School, late 19th/early 20th c., “Feeding the Poor”, oil on panel, unsigned, 27 1/4 in. x 20 3/4 in., unframed. [$100/200]

Condition: Toning of the varnish layer; panel bowed; scattered losses, scratches and abrasions throughout; repaired crack down center; some small signs of inpainting throughout; difficult to penetrate varnish layer with UV light.

144. Religious Icon, 19th/20th c., oil on panel, unsigned, inscription en verso, 14 7/8 in. x 9 3/4 in., unframed. [$150/250] Condition: Heavy surface dirt; scattered cracks; loss particularly at edges.

145. Decorative Painting of “Ships at Sea”, decorative reproduction on canvas, 16 1/2 in. x 20 in., framed. [$50/100]

146. Decorative Painting of “Grand Canal in Venice”, decorative reproduction on canvas, 15 3/4 in. x 23 5/8 in., framed. [$50/100]

Condition: Surface dirt; scattered accretions and surface marks.

Condition: Surface dirt; toning of varnish.

147. Continental School, 20th c., “Nude Study”, graphite on paper, signed “Reneé Descroix” lower right, 24 11/16 in. x 18 7/8 in., framed. [$100/150] Condition: Significant horizontal lines and creases throughout; waffling and wrinkling along all edges; scattered small stains and marks throughout.

148. Italian School, 19th c., “Venetian Scene”, watercolor on paper, signed “G Longe” lower right, sight 7 1/2 in. x 14 1/2 in., framed. [$300/500] Condition: Generally good condition; light surface dirt.

149. British School, 19th c., “After Classes”, oil on canvas, unsigned, illegibly stamped en verso, 7 3/8 in. x 10 1/8 in., framed. [$50/75]

Condition: No signs of restoration; losses along inside of oval from contact with frame; surface dirt; toning of varnish; scattered small marks and accretions; losses to finish of frame.

150. British School, early 20th c., “Waiting for their Lady”, oil on canvas, unsigned, 14 in. x 22 in., framed. [$100/150] Condition: Surface dirt; craquelure and small losses throughout; significant staining and accretions en verso; canvas loose on stretcher; no signs of restoration.

151. British School, early 20th c., “Red Bird” and “Blue Bird”, 2 oils on velvet, each unsigned, 35 1/4 in. x 13 in., both framed. (2 pcs.) [$75/100]

Condition: Toning of velvet; scattered accretions; abrasions and marks throughout; staining and accretions en verso; not examined under UV light.

152. John Gould (British, 1804‑1881), “Hylopterpe Philippensis”, hand‑colored lithograph, from Birds of Asia, sheet 21 3/4 in. x 14 3/4 in.; and “Butalis Grisola”, hand‑colored lithograph, from Birds of Britain, sheet 21 1/2 in. x 14 1/2 in., both unframed. (2 pcs.) [$200/300] Condition: Mat burn; discoloration; scattered marks and smudges; slightly ragged edges; unevenly trimmed edges; remnants of tape adhesive en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

153. Benjamin Waterhouse Hawkins (British, 1807‑1894), “Goura Stersii”, lithotint on paper, sheet 14 3/4 in. x 10 3/4 in., unframed. [$150/200] Condition: Mat burn; toning; light losses in corners; scattered marks and smudges; scattered creasing.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

154. Jean‑Gabriel Pêtre (French, 1768‑1849), “Faison Soemmering”, c. 1921, hand‑colored lithograph, from Faune Française, ou Histoire Naturelle Générale et Particulière des Animaux Oue Se Trouvent en France, sheet 15 in. x 10 1/2 in., unframed. [$150/200] Condition: Mat burn; toning; light losses in corners; scattered marks, smudges and creases; discoloration; remnants of adhesive; ragged lower edge; 1/4 in. dia. stain below bird’s feet.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

155. Two Bird Prints, “Coccothraustes Melanoxanthus” and “Gamposnyx Swainsonii”, 2 lithotints, sheets 15 in. x 10 3/4 in., both unframed. (2 pcs.) [$150/200] Condition: Mat burn; toning; light losses in corners; scattered marks, smudges and creasing. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

156. Charles Joseph Hullmandel (British, 1789‑1850), “Parus Coeruleaus”, “Chloronerpes Rubyiginous” and “Thaumalea Amherstuae”, 3 hand‑colored lithotints, sheets 11 in. x 15 in. to 15 in. x 11 in., all unframed. (3 pcs.) [$200/400] Condition: Toning; scattered creases; light losses along edges; scattered marks and stains; remnants of adhesive.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

157. Charles Joseph Hullmandel (British, 1789‑1850), “Paradisea Rubra”, Athene Nana” and “Eos Cyanostriata”, 3 hand‑colored lithotints, sheets 15 in. x 10 3/4 in., all unframed. (3 pcs.) [$200/400] Condition: Toning; scattered creases; light losses along edges and corners; scattered marks and stains.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

158. Charles Joseph Hullmandel (British, 1789‑1850), “Buceros Nipalensis”, “Pitta Cyanea” and “Eurinoynchus Pygmoeus and Tringa Platyrhyara”, 3 hand‑colored lithotints, sheets 10 3/4 in. x 15 in. to 15 in. x 10 3/4 in., unframed. (3 pcs.) [$200/400] Condition: Toning; scattered creases; light losses in edges and corners; scattered marks and stains; remnants of adhesive.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

159. Currier & Ives Prints of Beauties, 16 hand‑colored lithographs, sheets 14 in. x 9 1/2 in. to 14 3/4 in. x 10 3/4 in., 2 framed. (16 pcs.) [$75/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

160. Currier & Ives Prints of Belles and Queens, 13 hand‑colored lithographs, sheets 14 1/8 in. x 10 1/4 in. to 17 3/4 in. x 13 1/2 in., 3 framed. (13 pcs.) [$75/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

161. Currier & Ives Prints of Children, 31 hand‑colored lithographs, sheets 12 in. x 10 in. to 19 3/4 in. x 16 in., 3 framed. (31 pcs.) [$75/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

162. Currier & Ives Prints of Religious Subjects, 8 hand‑colored lithographs, sheets 14 3/4 in. x 9 1/2 in., one matted.(8 pcs.) [$75/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

164. Currier & Ives Prints of Domestic Scenes and Landscapes, 6 hand‑colored lithographs, sheets 8 1/2 in. x 12 in. to 19 1/4 in. x 23 in., one matted. (6 pcs.) [$75/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

163. Currier & Ives Prints of Women, 60 hand‑colored lithographs, sheets 12 1/2 in. x 8 1/2 in. to 17 3/4 in. x 13 1/2 in., 8 framed. (60 pcs.) [$75/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

165. Currier & Ives Prints of Naval Battles, 3 hand‑colored lithographs, sights 8 3/4 in. x 12 1/2 in. to 9 3/4 in. x 13 in., 2 framed. (3 pcs.) [$75/100] Condition: Toning; scattered marks, stains and smudges; scattered foxing.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 166. Currier & Ives Publisher, “Retrieving”, “Flush’d”, “A Chance for Both Barrels” and “On a Point”, 1857, 4 hand‑colored lithographs, set printed as American Field Sports, after Arthur Fitzwilliam Tait (British/American, 1819‑1919), sights 21 in. x 28 in., framed alike. (4 pcs.) [$1000/1500] Condition: None removed from frame; all have light toning; scattered creasing; scattered marks and smudges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

168. John Gould (British, 1804‑1881), “Cyclopsitta Diophthalma” and “Cyclopsitta Coxeni”, 2 hand‑colored lithographs, from Birds of New Guinea and from Birds of Australia, sights 20 in. x 12 in., framed alike. (2 pcs.) [$200/300] Condition: Overall good condition; toning of the paper (mat burn); light foxing throughout.

167. Hand‑Colored Lithograph of Egrets, sight 9 in. x 11 1/2 in., framed. [$10/20] Condition: Toning of paper; scattered foxing and surface marks.

169. John James Audubon (American, 1785‑1851), “Texan Lynx”, hand‑colored lithograph, Plate 92, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 20 7/8 in. x 26 1/2 in., framed.[$100/150]

Condition: Overall good condition; small scattered accretions and light toning of the paper. Provenance: Schwitz Collection, Franklin, LA.

170. American School, 20th c., “From My Garden”, lithograph on paper, signed “Babella T. Groble...” lower right, pencil‑numbered “7/14” lower left, sheet 22 1/4 in. x 19 1/8 in., unframed. [$150/200]

Condition: Toning; scattered creases; light losses in edges and corners; scattered marks and stains. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

171. American School Prints, “Abstract Compositions”, 1970‑71, 9 color engravings on paper, each pencil‑signed “Lorenzo”, dated and inscribed “P/A” lower margins, sheets 7 1/2 in. x 5 1/2 in., unframed. (9 pcs.) [$150/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

172. Robert Lyn Nelson (American/California, b. 1955), “Family”, silkscreen on paper, pencil‑signed, titled and numbered “64/300” lower margin, artist blind stamps lower margin, sheet 19 3/4 in. x 40 in.; and “Sea Turtles”, silkscreen on paper, pencil‑signed and numbered “168/224” lower margin, artist blind stamps lower margin, sheet 30 1/8 in. x 38 1/8 in., both framed. (2 pcs.) [$500/700] Condition: Prints are in generally good condition.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

173. Harold Bright (American, b. 1939), “Anatomy Lesson”, Anatomy Lesson II” and “Anatomy Lesson”, 1964, 3 etchings on paper, each pencil‑signed, titled, dated and numbered lower margin, sheets 15 in. x 18 in. to 17 5/8 in. x 20 1/4 in., all unframed. (3 pcs.)[$150/200]

Condition: Each print has toning; light mat burn; unevenly trimmed edges; 2 remnants of brown tape in top corners; light scattered marks and smudges; light buckling; scattered creases and folds throughout. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

174. Harold Bright (American, b. 1939), “My Rose”, “The Sailor” and “The Dream of Balso Snell”, 1964, 3 etchings on paper, each pencil‑signed, titled, dated and numbered lower margin, sheets 12 1/2 in. x 11 in. to 16 1/4 in. x 15 in., all unframed.(3 pcs.) [$150/200]

Condition: Each has toning; light mat burn; unevenly trimmed edges; 2 remnants of brown tape in upper corners; light scattered marks; scattered folds and creases.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

175. Zora DuVall (Czech/American, b. 1927), “Winter Birds”, 1961, woodcut on paper, pencil‑signed, dated and inscribed “trial proof” lower margin, signed in plate lower right, sheet 17 3/16 in. x 11 1/2 in., matted. [$150/200] Condition: Toning; scattered marks and smudges; light scattered marks; scattered remnants of clear tape en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 177. Paul Hambleton Landacre (American/California, 1893‑1963), “Laguna Cove”, wood engraving on Japanese paper, pencil‑signed and titled lower margin, sheet 7 1/4 in. x 10 1/2 in., matted. [$1000/1500] Condition: Light toning of paper; ragged right edge inherent to paper; light mat burn; white tape hinge full length of work along top edge en verso; folds and creases scattered throughout. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 176. Stephen T. Moore (American, b. 1947), “Twister IV”, 1991, etching on paper, pencil‑signed, titled, dated and inscribed “A/P” lower margin, sheet 11 1/4 in. x 7 3/4 in., matted. [$150/200] Condition: Ragged edges inherent to paper; light scattered marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

178. Axel Johannes Salto (Danish, 1889‑1961), “Donkey”, woodcut on paper, pencil‑signed lower right, sheet 11 in. x 13 in., unframed. [$300/500]

Condition: Toning; light discoloration along left edge; light scattered marks; light scattered creases along top margin; remnants of adhesive in upper corners en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

179. Axel Johannes Salto (Danish, 1889‑1961), “Still Life with Fruit”, woodcut on paper, pencil‑signed lower right, sheet 11 in. x 13 7/8 in., unframed. [$300/500]

180. Axel Johannes Salto (Danish, 1889‑1961), “Palm Tree”, woodcut on paper, pencil‑signed lower right, sheet 11 in. x 13 7/8 in., unframed. [$300/500]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Toning; light discoloration along left edge; scattered marks and smudges throughout margins; remnants of adhesive in upper corners en verso.

Condition: Light toning; discoloration along top and right edge; light scattered marks and smudges; beginning signs of foxing; remnants of adhesive in upper corners en verso.

181. Axel Johannes Salto (Danish, 1889‑1961), “The Plant”, woodcut on paper, pencil‑signed lower right, sheet 11 in. x 13 7/8 in., unframed. [$300/500] Condition: Light toning; scattered marks and smudges; remnants of adhesive in top corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

182. Axel Johannes Salto (Danish, 1889‑1961), “Palm Tree”, woodcut on paper, pencil‑signed lower right, sheet 13 7/8 in. x 11 in., unframed. [$300/500]

Condition: Light toning; scattered marks and smudges throughout; area of discoloration along top edge; light buckling throughout; remnants of adhesive in upper corners en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

183. David DuBose (American/Louisiana, b. 1956), “Piggyback Bridge”, 1992, lithograph on paper, pencil‑signed and dated lower right, titled lower center, numbered “1/7” lower left, sheet 22 1/2 in. x 30 in., unframed. [$200/300] 184. Thomas P. Lewis (American, 1940‑2008), “The Seven Seals”, lithograph on paper, pencil‑signed, titled and inscribed “IMP” along right edge, sheet 42 3/4 in. x 32 1/8 in., unframed. [$200/300] Condition: Horizontal fold full length through center of work; light buckling throughout; light creases and folds scattered throughout; scattered marks and smudges. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Ragged bottom edge inherent to paper; scattered creases and folds along bottom edge; slight buckling throughout; remnants of white linen hinges in top corners en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

185. Nobou Sato (Japanese, 1926‑2005), “The Moth”, 1968, intaglio on paper, pencil‑signed, titled, dated and numbered “84/100” lower margin in both English and Japanese, sheet 22 1/4 in. x 15 in., unframed. [$300/500] Condition: Ragged edges inherent to paper; light toning; very light discoloration along edges; light scattered marks and smudges throughout margins. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

186. Jennifer Dickson (South African/ Canadian, b. 1936), “I Am the Rose of Sharon, The Lily of the Valley”, 1969, color aquatint on paper, pencil‑signed, titled, dated and inscribed lower margin, sheet 31 in. x 22 1/2 in., unframed. [$300/500]

Condition: Ragged edges inherent to paper; light discoloration along edges; scattered smudges and marks throughout margins; 2 small red marks upper center edge; 1/8 in. white spot left center edge; very light buckling; beginning signs of foxing lower right corner and upper margin. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

187. American School, 20th c., “Paper on the Paper, Paper under the Paper‑T‑I”, 1982, pencil‑signed “N.Nobejio”, titled, dated and numbered “2/10” lower margin, sheet 7 1/2 in. x 7 7/8 in., matted. [$75/100] Condition: Very light discoloration along edges; light scattered marks and abrasions in margins; remnants of tape and adhesive in all corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

188. Harry Engel (Romanian/American, 1901‑1968), “Music Makers”, lithograph on paper, pencil‑signed lower right, sheet 9 1/2 in. x 15 5/8 in., matted. [$150/250] Condition: Light toning, discoloration from previous mattings; marks and stains scattered throughout; very light foxing; brown tape along all edges en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

189. Trevor J. Southey (Zimbabwean/American, 1940‑2015), “Quickening”, intaglio on paper, pencil‑signed, titled and inscribed “18/150 ed” lower margin, sheet 28 1/2 in. x 20 1/2 in., matted. [$200/400]

Condition: Ragged edges inherent to paper; light creasing lower margin; very light scattered marks. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

190. Trevor J. Southey (Zimbabwean/American, 1940‑2015), “Flight”, intaglio on paper, pencil‑signed, titled and inscribed “5/100 EV” lower margin, sheet 39 in. x 26 1/8 in., matted. [$200/400] Condition: Ragged edges inherent to paper; scattered folds and creases; very light scattered marks and smudges in margins.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

191. Axel Johannes Salto (Danish, 1889‑1961), “Desert Plant”, woodcut on paper, pencil‑signed lower right, sheet 11 in. x 13 7/8 in., unframed. [$75/100] Condition: Vertical fold running full length down center of print with associated loss and creases; tears, creasing, hole, staining and discoloration lower left; marks and smudges; light buckling throughout; remnants of adhesive in upper corners en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

192. Lebadang (French, 1921‑2015), “Les Cheveaux”, 3 chine‑collé lithographs, each signed in plate, 2 numbered “114/250” lower right and one numbered “112/250” lower left, sheets 8 5/8 in. x 7 3/4 in. to 13 3/4 in. x 18 7/8 in., all matted. (3 pcs.) [$100/200] Condition: Toning; remnants of tape hinges en verso; scattered light surface marks. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

193. George D. Davidson III (American/ Georgia, b. 1952), “7th Sight”, linocut on paper, pencil‑signed, titled and numbered “26/40” lower margin, sheet 30 in. x 22 1/4 in., unframed. [$200/400]

Condition: Print is in generally very good condition. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

194. Georges Pierre Guinegault (French, 1893‑1982), “Le Marabout”, pochoir on paper, signed and titled lower margin, sheet 9 7/8 in. x 7 1/2 in., matted. [$150/250]

Condition: Light scattered marks and smudges throughout margins.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 195. Michael Pfleghaar (American/Michigan, b. 1965), “Wexler 5”, 2009, silkscreen on paper, pencil‑signed, titled, dated and numbered “4/6” lower margin, sheet 15 in. x 22 in., unframed. [$150/250] Condition: Ragged edges inherent to paper; light scattered marks and smudges throughout margins. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

197. John R. “Jack” Sanders (American, 1923‑2010), “York, AL, R.R. Crossing Altmon Corner”, etching on paper, unsigned, titled in plate, sheet 11 1/8 in. x 14 7/8 in., unframed. [$75/100] Condition: Pinholes in each corner; scattered marks throughout margins; slight discoloration along left edge; slightly ragged edges inherent to paper. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

196. Garo Zareh Antreasian (American/Indiana, b. 1922), “Abstract Composition”, 1980, lithograph on paper, pencil‑signed, dated and numbered “36/40” lower margin, sheet 18 in. x 14 1/2 in., matted. [$150/250]

Condition: Slightly ragged edges inherent to paper; toning; scattered marks and smudges throughout margins; mat burn from previous matting, heaviest in lower margin and upper margin.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

198. John R. “Jack” Sanders (American, 1923‑2010), “York, AL, R.R. Crossing Altmon Corner”, etching on paper, unsigned, titled in plate, sheet 11 1/8 in. x 14 7/8 in., unframed. [$75/100] Condition: Pinholes in each corner; slightly ragged edges inherent to paper; light scattered marks throughout margins.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

199. John R. “Jack” Sanders (American, 1923‑2010), “York, AL, R.R. Altmon Corner”, etching on paper, unsigned, titled in plate, sheet 11 1/8 in. x 14 7/8 in., unframed. [$75/100]

Condition: Pinholes in each corner; light discoloration; scattered marks strongest in lower right corner; scattered smudges strongest along left edge; slightly ragged edges inherent to paper; scattered folds and creases.

200. Käthe Kollwitz (German, 1867‑1945), “From Many Wounds You Bleed, Oh People”, later print of an 1896 etching and aquatint, unsigned, “AVBECKE MUENCHEN 22” blind stamp lower right of image, pencil‑inscribed “59”, “75‑223” and “K‑4” lower margin, sheet 12 in. x 17 3/4 in., unframed. [$250/350] Condition: Toning of paper; scattered creases; scattered marks and smudges; slightly ragged edges inherent to paper; 1 in. x 2 in. area of abrasion with associated smudges lower right corner.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

202. Wallace McElroy Kelly (American/Kentucky, 1910‑1988), “Tropical Invasion”, woodblock on paper, pencil‑signed and titled lower margin, sheet 12 in. x 9 1/2 in., unframed. [$250/350] Condition: Ragged upper and left edges inherent to paper; scattered marks and smudges; 1 1/4 in. mark upper right corner; light scattered creases mainly lower margin; 4 pinholes along upper margin; 4 pinholes along left margin; brown tape hinges upper edge.

201. Harold Altman (American/New York, 1924‑2003), “Sunlit Path”, lithograph on paper, pencil‑signed, titled and inscribed “artist proof” lower margin, “Ferdinand Roten Galleries, Baltimore, MD” label with artist and title on matting, sheet 14 1/2 in. x 10 1/2 in., matted. [$75/100] Condition: Toning; mat burn; scattered marks throughout margins; two white tape hinges upper edge en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

203. American School, 20th c., “Untitled Landscape”, 1930, lithograph on paper, pencil‑signed “Katherine W. Schaeleuer” and dated lower margin, sheet 11 1/4 in. x 15 3/4 in., unframed. [$75/100]

Condition: Toning; scattered foxing; scattered marks and stains; unevenly trimmed edges; pinholes in upper corners; pinhole in lower left margin.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

205. American School, 20th c., “People Fleeing a City”, mixed media on paper, unsigned, sheet 12 in. x 17 5/8 in., unframed. [$75/100] 204. American School, 20th c., “The Cigarette Woman”, lithograph on paper, unsigned, sheet 11 5/16 in. x 16 7/8 in., unframed. [$75/100] Condition: Toning; foxing, heaviest along lower margin; scattered marks and smudges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Very light toning of paper; very light scattered marks; verso with adhesive in center of print attaching print to board.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

207. Helen Siegl (Austrian/American, 1924‑2009), “Jack Rabbit”, woodblock on paper, pencil‑signed and titled lower margin, “Ferdinand Roten Galleries, Baltimore, MD” label with artist and title on mat, sheet 9 7/8 in. x 12 3/4 in., matted. [$75/100] Condition: Very light toning; scattered marks and stains; scattered folds and creases; adhesive in top corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

206. American School, 20th c., “Printing Press”, etching on paper, indistinctly signed lower right margin, sheet 12 in. x 16 in., unframed. [$75/100]

208. Raphael Soyer (Russian/ American, 1899‑1987), “Pedestrian”, etching on paper, pencil‑signed, titled and inscribed lower margin, sheet 14 3/4 in. x 11 1/8 in., unframed. [$200/400]

Condition: Toning; acid burn throughout, heaviest in lower half of print; scattered marks, smudges and creases; 2 1/2 in. crease lower right edge.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Toning; light mat burn; ragged edges inherent to paper; scattered marks and smudges; light discoloration along edges; white tape hinges in all corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

209. After Georges Braque (French, 1882‑1963), “L’Oiseau Traversant un Nuage”, 1956, lithograph on paper, initialed in plate, from Derriere Le Miroir (no. 85‑86) with text en verso as published, sheet 14 7/8 in. x 10 7/8 in., unframed. [$250/350]

Condition: Toning; areas of light discoloration scattered throughout; scattered marks; remnants of adhesive lower right corner; scattered creases strongest in upper right corner; light 1 1/2 in. mark upper left; remnants of tape hinges in all corners en verso. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

210. A. G. Smith (American/North Carolina, 20th c.), “As I Lay Dying 1”, 1971, intaglio on paper, pencil‑signed, titled, dated and inscribed “artist proof” lower margin, sheet 21 5/16 in. x 15 3/4 in., unframed. [$75/100] Condition: Ragged right edge inherent to paper; unevenly trimmed edges; light scattered marks in margins; light discoloration in top left corner; light buckling throughout; three brown tape hinges along top edge en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

211. American School, 20th c., “Portrait of a Woman”, lithograph on paper, unsigned, sheet 23 in. x 46 in., unframed. [$75/100] Condition: Toning; foxing; marks, smudges and light buckling scattered throughout; tears, losses, discoloration and creasing along all edges; one in. tear upper right corner; 3 1/2 in. area of folds and creasing with associated light losses upper right. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

212. Christopher Inglis Stebly (American/Mississippi, b. 1967), “Pelican on Post”, lithograph on paper, unsigned, sight 21 1/2 in. x 14 1/2 in., framed; AND Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Horn Island Landscape”, lithograph, unsigned, sight 14 3/4 in. x 19 1/2 in., framed. (2 pcs.) [$50/75] Condition: Prints are in generally good condition

213. Charles Whitfield Richards (American/Louisiana, 1906‑1992), “Woman in Repose”, drypoint on paper, pencil‑signed lower right, and numbered “2/100” lower left, 11 3/4 in. x 8 3/4 in., framed. [$50/75] Condition: Toning of paper; scattered light marks and surface dirt

214. After Edgar Leslie Bloomster (American, 1895‑1968), “Southern Cabin Scene: Washday”, hand‑colored lithograph, signed in plate, sheet 18 1/8 in. x 24 1/4 in., matted. [$100/200] Condition: Laid on board; toning of paper; unevenly trimmed edges; scattered marks and smudges.

215. Jack Bilander (Polish/American, 1919‑2008), “Persephone (Queen of the Underworld)”, 1968, etching on paper, pencil‑signed, titled, dated and inscribed “A/P” lower margin, sight 16 1/2 in. x 8 1/2 in.; together with Assadour (Lebanese, b. 1943), “Penelope”, etching on paper, pencil‑signed and numbered “93/100” lower margin, titled in plate lower right, sight 4 1/4 in. x 5 1/4 in., each framed. (2 pcs.) [$100/150] Condition: Light toning; scattered very light marks and strains throughout on both.

216. Four American Artworks on Paper, Thomas Browne Cornell (American, 1937‑2012), “Pig”, 1974, etching, pencil‑signed and numbered “16/75” lower margin, 5 3/4 in. x 7 3/4 in.; James Milton Meade (American/Mississippi, 20th c.), “Rocky Shore”, watercolor, pencil‑signed lower right, sight 10 1/2 in. x 7 in.; Jack Perlmutter (American/ Washington D.C., 1920‑2006), “Park”, reproduction print, pencil‑signed, titled and embossed “JP” stamp lower margin, sight 9 3/4 in. x 14 1/2 in.; Barbara Putnam (American, 20th c.), “Glyceria Striata”, 2002, woodcut on Japanese rice paper, pencil‑signed, titled, dated and numbered “2/14” lower margin, sight 12 1/2 in. x 12 in., all framed. [$100/150] Condition: Overall good condition; some light toning, foxing and creasing of the paper throughout. (4 pcs.)

217. Doyle Gertjejansen (American/New Orleans, b. 1948), “Rough Zones”, 1994, etching on paper, pencil‑signed, titled and dated lower margin, sight 10 in. x 11 in.; together with Ernest Noel Posey (American/New Orleans, 1937‑2007), “Scintillae”, 1994, hand‑colored etching, pencil‑signed, titled, dated and inscribed “A.P.” lower margin, 8 in. x 8 in., both framed. (2 pcs.) [$100/150] Condition: Good condition on Posey; light foxing and waffling on Gertjejansen.

218. Three Modern French Prints, Aristide Maillol (1861‑1944), “Market”, artist stamp and numbered “7/100” lower left, 5 in. x 4 1/2 in.; Georges Lambert (1919‑1998), “Paysage”, pencil‑signed, numbered “169/175” and inscribed lower margin, 25 in. x 18 in.; Raoul Dufy (1877‑1953), “Untitled”, lithographic bookplate, initialed in plate, 9 7/8 in. x 6 7/8 in., each framed. (3 pcs.) [$100/150]

Condition: Overall good condition; light toning on all three; light staining and scattered marks (Lambert); frame separating on top edge (Lambert).

219. James Louis Steg (American/New Orleans, 1922‑2001), “Urn Balicus”, 1969, silkscreen print, pencil‑signed, titled, dated and numbered “6/40” lower margin, 18 3/4 in. x 24 7/8 in., unframed. [$100/150]

220. George Sugarman (American/New York, 1912‑1999), “Untitled”, 1965, silkscreen, artist name inscribed on frame backing, 2 6 3/4 in. x 18 in., framed. [$100/150] Condition: Overall good condition.

Condition: Slight toning of the paper; some staining and light abrasions throughout.

221. Jacques Villon (French, 1875‑1963), “L’Abside de L’église de Beaugency”, 1939, etching and drypoint on paper, pencil‑signed lower right and numbered “68/50” lower left, “M. Knoedler & Co., N.Y.” label with artist, title and date on backing, sight 10 3/4 in. x 7 3/4 in., framed; and “Composition”, lithograph on paper, pencil‑signed lower right, sheet 15 in. x 22 in., framed. (2 pcs.)[$100/200] Condition: Scattered marks and stains; light buckling; scattered foxing. Provenance: Joel N. Weinstock Collection, New Orleans, LA.

222. After Alphonse Mucha (Czech, 1860‑1939), “Waterlily”, mechanically reproduced poster, sight 16 1/2 in. x 23 1/4 in., framed. [$10/20] Condition: Discoloration; buckling; foxing, marks and stains scattered throughout; strongest staining along bottom edge; 1/16 in. dia. black mark lower left corner. Provenance: The Sturm Collection.

223. Bernard Gantner (French, b. 1928), “Landscape”, lithograph, pencil‑signed lower right and inscribed “EA” lower left, sight 20 in. x 14 in., framed. [$100/200] Condition: Generally good condition; light surface dirt.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

224. After Gustave Klimt (Austrian, 1862‑1918), “18th Secessionist Exhibition”, reproduction poster, sheet 37 in. x 12 in., framed. [$75/150]

Condition: Overall good condition; slight buckling of paper.

225. Pair of American Silhouettes, 19th c., “Gentleman and Lady”, 1825, unsigned, each dated lower center, label en verso, 8 in. x 5 in., framed. [$50/75] Condition: Generally good condition, light toning of paper and foxing.

227. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Louisiana Governor Richard W. Leche”, 1938, vintage silver gelatin print, signed and dated lower right, “Fonville Winans Estate Collection”, 1995, stamp en verso, 4 7/8 in. x 3 7/8 in., matted; together with “Leche Enjoying a Cocktail with Fonville Winans”, 1939, silver gelatin print, unsigned, dated en verso, 14 in. x 11 in., framed. (2 pcs.) [$200/300] Condition: Creases and scattered marks throughout; surface dirt; mat board heavily stained. 226. American School, 20th c., “Lake St. John”, silver gelatin photograph, indistinctly pencil‑signed and titled on mat board, sheet 13 15/16 in. x 11 in., matted. [$75/100]

228. George Valentine Dureau (American/New Orleans, 1930‑2014), “B.J. Anderson”, 1983, silver gelatin photograph, unsigned, sheet 18 3/8 in. x 15 7/8 in., framed. [$200/400]

Condition: Fading; toning; discoloration along edges; remnants of tape in lower corners; scattered marks and abrasions; remnant of brown tape hinge along upper edge en verso; two white tape hinges along top edge en verso.

Condition: Scattered creases; very light scattered marks; clear tape hinges along full top and side edges en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

229. Twenty‑Six Antique Photographs of the New Orleans Charity Hospital Medical School, late 19th c., some inscribed and dated en verso, 6 1/2 in. x 4 1/4 in., unframed. (26 pcs.) [$100/200] Condition: Toning of the paper; foxing, creases, abrasions, accretions and some losses throughout.

230. Bert Myers (American/New Orleans, 20th c.), “Nautilus Shell”, x‑ray black and white photograph, unsigned, 11 in. x 14 in., framed. [$40/60] Condition: Overall good condition; surface dirt; scattered surface marks throughout; lifting at corners.

231. Format Films Animation Cel, “The Lone Ranger “, 1966‑69, production cel from The Lone Ranger, hand‑signed by Herbert Klynn (American/ Ohio. 1917‑1999) lower right, sight 9 in. x 12 in., framed. Condition: Buckling throughout; slight discoloration; light scratches and dust; cel not removed from frame. [$50/75]

232. Roberta Jean Blair (American/North Carolina, 1913‑2010), 7 silver gelatin prints, 2 with artist label on backing, one inscribed on mat, sights 7 1/2 in. x 9 in. to 10 in. x 8 in., 2 framed, 5 matted. (7 pcs.) [$200/300] Condition: Two laid on board; prints are in generally good condition.

234. Seven Sterling Silver Demitasse Cup Frames and Saucers, 20th c., silver marked for Webster & Co., porcelain liners with gilt rims, cup h. 1 1/2 in., w. 2 in., d. 1 1/2 in., saucer dia. 2 1/2 in. [$100/150]

235. Nine Shearwater Pottery Pieces, seven with impressed marks, various glazes and dates, incl. tall mug, h. 6 1/4 in.; unmarked goblet, h. 3 1/2 in.; three vases, tallest h. 6 1/2 in.; and four bowls, one signed, largest dia. 7 in.. [$100/200]

233. Pair of American Green and White Porcelain Covered Urns, 20th c., marked “Sadek”, scroll handles, overall applied flower heads and leafy vines, h. 14 1/2 in. [$100/200]

236. Two Boehm Porcelain Birds, 20thc., incl. “Black‑capped Chickadee”, h. 8 3/4 in., and “Fledgling Canada Warbler”, h. 8 3/4 in. [$150/250] Condition: Warbler with chip (retained). Butterfly has been re‑stuck to branch. Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

237. Pisgah Forest Art Pottery Vase, c. 1938, turquoise glaze, baluster form, h. 9 1/2 in. [$50/100]

238. Pisgah Forest Art Pottery Vase, c. 1950, turquoise and mauve glaze on bulbous form, h. 5 1/2 in. [$50/100]

238A. Antique Quimper Faïence Lavabo, late 19th c., decorated in the petit Breton motif, mounted on removable wood backing, basin and spigot marked “HENRIOT/QUIMPER/FRANCE/305”, ensemble h. 35 in. [$50/75]

240. Group of German Flower Encrusted Polychrome Porcelain, early 20th c., crossed lines marks, probably Sitzendorf, incl. cachepot flanked by cherubs, h. 6 in., w. 8 1/2 in., d. 5 in.; and 4 swan‑form coupes with cherubs, h. 3 1/4 in.; together with Chinese famille rose porcelain bowl, decorated with antiques and auspicious emblems, h. 2 1/2 in., dia. 6 5/8 in.; Japanese Imari porcelain bowl, h. 2 4/ in., dia. 7 in.; and pair of Japanese dishes, dia. 7 1/8 in. (9 pcs.) [$100/200]

239. Pair of Limoges Porcelain Cabinet Plates, c. 1890, in the Louis XVI Sevres‑style, overglaze blue cancellation marks, polychrome in “Rothschild Birds” decoration, dia. 8 1/4 in. [$100/200]

241. Pair of German Porcelain Male and Female Figures of Gardeners, probably early 20th c., crossed lines mark, probably Sitzendorf, molded bases, scattered floral encrustation, h. 13 1/4 in. and 13 in. [$250/350]

240A. Five Schwarzenhammer Polychrome Porcelain Fruit Plates, 20th c., marked Bavaria, reticulated rims, dia. 7 7/8 in. [$50/75]

242. Five Continental Salt Glazed Cobalt Stoneware Vessels, incl. 2 vases, 2 pitchers and a ewer, various marks, including Merkelbach & Wick, Simon Peter Gerz and Bayley Murray, tallest vase h. 9 in. [$75/100]

243. Seven Antique Tinted Parian Tableware Pieces, 19th c., incl. pair of ewers, pair of vases, pitcher, and vase, all with applied grapes, and a covered dish with wheat sheaves; ewer h. 10 1/4 in. [$100/200]

244. Paris Porcelain Polychrome and Gilt Pôts‑de‑Crème Stand, 2 tiers, pierced handle, monogrammed “W”, floral sprays, faceted foot, h. 15 1/2 in., dia. 14 in. [$50/100]

245. Meissen Polychrome and Gilt Porcelain Coffee and Tea Service, late 19th/early 20th c., marked, floral decoration, incl. coffee pot, teapot, covered sugar, and creamer; coffee pot h. 10 3/8 in.; together with antique Meissen gilt and polychrome porcelain teapot, marked, cornflower banded lid, floral finial, beribboned and floral spray decoration overall, h. 4 3/4 in., w. 7 5/8 in. (5 pcs.) [$50/100] 246. German Gilt and Polychrome Porcelain Figural Group, late 19th/early 20th c., underglaze blue crown mark, modeled as 2 ladies reading in a parlour, h. 7 1/2 in., w. 10 1/2 in., d. 6 1/4 in. [$50/100]

248. Continental Porcelain Decorative Objects, late 19th/early 20th c., incl. large tavern scene figural group, h. 21 1/2 in.; German vase, h. 14 1/2 in., now mounted as a lamp; pair of German spill vases, h. 11 in., and 2 floral encrusted lidded urns. (6pcs.) [$100/200]

247. Pair of Paris Porcelain Figures, 19th c., man with tricorn hat, woman with flowers in her apron, gilt decorated round base, h. 9 in., w. 4 in., d. 3 1/4 in. [$100/200]

249. Fourteen Continental Porcelain Figures and Figural Groups, incl. 2 Crown Devon Fieldings female figures, h. 9 1/2 in. and 10 in.; 3 Lladro figural groups, incl. boy and girl, h. 8 in., and boy and dog, h. 10 1/4 in.; Franklin Mint “Cecilia the Cornation Maiden”, signed by Lladro artist Fulgencio, h. 9 1/2 in.; Royal Dux owl, h. 7 in.; Carl Scheidig maiden and geese group, h. 8 in.; artist at easle, h. 9 in.; boy with fishing net, h. 10 1/2 in.; pair of male and female courtiers, h. 12 1/4 in.; lady with fan, h. 10 1/2 in.; and lady beside “basketry” cachepot, h. 9 1/8 in.; together with Murano glass clown, h. 11 3/4 in. (15 pcs.) [$100/200]

251. Eight English and American Porcelain Tea Cups and Saucers, 20th c., incl. 4 Colclough, 1 R&R, 1 Royal Malsey, 1 Salem China Co., and 1 other, largest cup h. 2 3/4 in., saucer dia. 5 1/2 in.; together with 3 saucers and bowl. (20 pcs.) [$10/20]

253. Pair of Minton Porcelain Soup Plates, early 20th c., marked, ret. Davis Collamore & Co., New York, cobalt and raised gilt border, dia. 10 in. [$150/250] Provenance: Murfee/DeBardeleben Collection, Riverview, Columbus, MS.

250. Two Sevres‑Style Polychrome, Gilt and “Jeweled” Porcelain Cups and Saucers, interlaced Ls marks with apocryphal date codes, blue ground, raised gilt design, reserves of portraits and a courting couple, cup h. 2 in., saucer dia. 5 in. (4 pcs.) [$50/75]

252. Two Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, painted with Classical maidens personifying Music, dia. 10 1/4 in. [$100/200]

254. Dutch Delft Blue and White Porcelain Dish, 18th c., decorated in Chinese Export style, dia. 8 5/8 in. [$150/250]

255. German Polychrome Porcelain Figure of a Cavalier, late 19th c., gentleman in elegant embroidered pink and gold attire, h. 22 5/8 in., dia. 12 1/4 in. [$100/200]

256. Pair of Paris Porcelain Portrait Vases, mid‑19th c., in the Etruscan taste, rouge de fer reserves with Classical busts, aquamarine ground with black and gilt banding, curved handles, ruffled rim, h. 14 in. [$100/200]

258. Nine Booths “Fresian” Demitasse Cups and Saucers, 20th c., floral decoration in Imari palette with gilt accents, cup h. 1 3/8 in., w. 2 1/4 in., saucer dia. 4 in. [$50/75]

261. Antique Hicks & Meigh Ironstone Scalloped Dinner Plate, Royal Arms’ mark, polychrome, transfer and gilt decoration, dia. 10 1/2 in.; together with ironstone covered tureen in the Imari palette, w. 6 1/2 in. (12 pcs.) [$100/200]

259. Two Pairs of Doulton Lambeth Stoneware Decorative Objects, c. 1915, incl. 2 small jugs and 2 vases, all decorated with applied floral designs in tan, green, white and blue against a brown ground, jug with tooled diapering, jug h. 5 1/2 in., vase h. 4 in. [$50/75]

262. English Cobalt and Gilt Porcelain Cake Plate, 19th c., dia. 9 3/4 in.; together with antique English porcelain bowl, raised gilt foliate decoration, dia. 5 1/2 in. (2 pcs.) [$50/75]

257. Mintons White Salt‑Glazed Earthenware Salad Set, c. 1970, molded in an allover cabbage leaf design, incl. 8 plates, dia. 9 in., and bowl, dia. 10 in. (9pcs.) [$50/75]

260. Wood & Sons Blue Transfer‑Decorated “Yuan” Pattern Partial Dinner Service, incl. teapot, 3 graduated oval serving platters, 6 fruit bowls, 2 teacups, 1 saucer and 3 dinner plates, largest platter w. 16 1/4 in. (16 pcs.) [$100/200]

263. Rockingham‑Glazed Pottery Figure of a Seated Spaniel, streaked brown glaze over yellow body, h, 10 1/2 in., w. 8 1/4 in., d. 5 1/4 in. [$250/350]

264. Collection of English Porcelain, 19th c., all marked, incl. pair of “Bloor Derby” soup plates, c. 1825‑48, dia. 8 5/8 in.; “Chamberlains Worcester / 155 New Bond Street” covered vegetable dish, c. 1830, h. 6 in., w. 12 in., d. 9 1/2 in.; and two each “New Hall” teacups, saucers, and dessert plates, c. 1805‑10, larger plate dia. 8 1/3 in. (9 pcs.) [$150/250] Provenance: Estate of Lee B. Anderson, New York, NY.

265. Staffordshire Black Transfer‑Decorated Ironstone Partial “Tuscan Rose” Dinner Service, c. 1818‑34, most marked, incl. tureen; ladle; 2 gravy boats; 5 serving trays, largest l. 9 in.; 2 bowls; 2 dinner plates; 3 soup plates, dia. 10 in.; 8 luncheon plates, dia. 9 in.; and 3 small plates; together with small teapot; pitcher, h. 10 1/2 in.; and basin, dia. 13 1/4 in. (30 pcs.) [$300/500] Provenance: Estate of Lee B. Anderson, New York, NY.

267. Three English Armorial Porcelain Dishes, 19th c., 2 with retailer’s mark “J. Allsup / 16 St. Paul’s Church Yard / London”, with dog and motto “vive ut vivas”, dia. 9 in. [$50/75]

268. Bloor Derby Armorial Porcelain Partial Dinner Service, c. 1820‑1840, with bishop’s mitre crest, incl. pair of covered vegetable tureens, h. 7 1/4 in., l. 13 1/4 in., d. 7 3/4 in., and 10 plates, dia. 9 7/8 in. [$200/400] Condition: Scattered wear to gilt, some crazing; minor abrasions/ shelf wear. 1 plate with rim chip.

266. Twelve Royal Crown Derby “Old Imari” Porcelain Plates, 20th c., marked, pattern #1128, incl. 8 dinner plates, dia. 10 5/8 in., and 4 salad plates, dia. 8 1/2 in. [$300/500]

269. Chinese Export Blue Fitzhugh Porcelain Covered Vegetable Dish, early 19th c., decorated with two pairs of floral groupings flanking sepia deer roundels, h. 5 1/4 in., w. 11 in. Note: Restoration. [$100/200]

Provenance: Schwitz Collection, Franklin, LA.

271. Four Chinese Blue Fitzhugh Porcelain Dinner and Serving Pieces, 18th and 19th c., incl. 2 dinner plates, dia. 9 3/4 in. and 10 in.; warming plate, dia. 9 3/4 in.; and shaped dish, l. 11 1/2 in.; together with a Fitzhugh soup, 20th c., dia. 10 in.; and an assembled blue and white coffee/tea service, 19th and 20th c., incl. covered coffee pot, h. 6 1/2 in.; covered sugar, h. 5 1/2 in., covered teapot, h. 4 in.; 3 teacups; 2 covered mugs; and 2 spoons (15 pcs.) [$200/300] Provenance: Estate of Noted Antiquarian James D. “Don” Didier, New Orleans.

270. Pair of Decorative Chinese Famille Rose‑Style Covered Jars, fluted bodies decorated with figural panels on a floral strewn ground, h. 15 in., stands, overall h. 19 1/4 in. [$300/500]

272. Chinese Export Mandarin Palette Porcelain Bowl, 18th c., Qianlong, decorated with large figural panels and sepia and grisaille cartouches, h. 4 in., dia. 9 in. Note: Restoration. [$100/200]

274. Pair of American Copper and Brass Circular Chafing Dishes, 20th c., incl. stands, burners and covered dishes, h. 11 1/2 in., d. 10 1/2 in. [$50/75]

275. American Southern Stained Wood Serving Tray, probably pine, rectangular with canted sides and oval cut handles, h. 2 3/4 in., w. 23 3/4 in., d. 14 3/8 in. [$100/200]

273. Eight‑Point Deer Rack, mounted on wood plaque, h. 14 in., w. 18 in. [$50/75]

276. Antique English Brass Coal Hod, 19th c., domed finialed lid, cylindrical base, lion’s mask handles, splayed feet, h. 17 1/2 in., dia. 11 in. [$20/40] 277. Group of Antique Pinback Buttons, over 100 buttons, most made by Whitehead & Hoag, c. 1895, incl.: 20 politicians, 10 war ships and America’s Cup winners, 50 flags, 20 flowers and animals, 4 Little Pinkies, one Yellow Kid, several Red Cross, Yellowstone Park Hotels, cyclist Eddied Bald, boxer Corbett and others. [$100/200]

278. Pair of Utah Pioneer Jubilee Porcelain on Tin Cups, c. 1897, depicting wagon trains, Indian wars, the state seal, and floral garlands with bees, h. 4 in. [$50/75]

Provenance: Descended in the family of noted antiquarian Carrie Wolford, Jeanerette, Louisiana.

280. Carved Panama Canal Souvenir in the Form of a Seed Pod, relief carved inscription “Panama Canal and I.C.C. Souvenier... E. Balboa Faye Allyn. Began 1904 and completed 1915, Veritas...He who laughs last laughs best...”, h. 1 3/4 in., w. 1 1/2 in., d. 1 1/2 in.[$100/200] Condition: One drilled hole. Scattered losses to carved elements. Overall scratches, abrasions, marks and imperfections expected with age and use. AS IS.

279. Heydenryk Carved Wood Frame, 20th c., labeled, with signs of gilding and a linen liner, rabbet 16 3/4 in. x 13 1/4 in., exterior 25 in. x 21 1/2 in.; together with carved and painted frame, rabbet 16 3/4 in. x 13 1/4 in., exterior 25 in. x 21 1/2 in.; molded stained wood frame, rabbet 24 1/4 in. x 28 1/4 in., exterior 28 1/2 in. x 32 1/2 in.; and molded gilt frame with linen liner, rabbet 17 in. x 13 1/4 in., exterior 24 in. x 20 3/4 in., (4 pcs.) [$75/100]

281. Victorian Hearth Items, incl. pair of American cast iron andirons, marked “Peerless”, model #3551, h. 16 in., w. 10 in., d. 19 in.; and English carved walnut fire screen with needlepoint, h. 40 in., w. 29 in., d. 14 in. [$100/200]

282. Eight Antique Victorian Hat Pins, 19th c., incl. 2 wax seal fobs, 3 enameled, and 2 brass, longest l. 11 in., presented in a polychrome porcelain stand, stand h. 6 in. [$50/75]

283. Seventeen Antique American Apothecary Jars with Stoppers, reverse painted glass labels with gilt edges, bottle h. 4 1/2 in. [$100/200]

284. Twenty‑Two Antique and Vintage Continental and American Glass Bottles, some with New Orleans retailers, Katz & Bestoff, R. Turney, and Huberwald and Parker Blake, h. 2 3/4 in. to 10 1/2 in. [$100/200]

285. Fourteen Antique American Colored Glass Apothecary Jars and Medicine Bottles, many with original paper or cast label, manufacturers incl. Wyeth’s, Kemp’s, Sherrouse, Humphreys’, Antrol, Lancaster’s, Harper’s, Sharp & Dohme, Dodge & Olcott, Parke Davis, and Dr. Pepper, h. 2 1/2 in. to 8 3/4 in.; together with several stoppers. [$100/200]

287. Hardwood Mortar, h. 16 1/2 in., dia. 16 1/2 in., custom iron stand, overall h. 34 1/2 in. [$75/150]

286. Pair of Antique French Rococo-Style Gilt Bronze Chenets, 19th c., h. 13 in., w. 9 in. [$25/50]

288. Four Antique American Pressed Brass Tie Backs, concave form, dia. 2 1/4 in., d. 4 1/4 in.; together with a rosette pair, dia. 3 3/4 in., d. 4 in. [$75/150] Provenance: Schwitz Collection, Franklin, LA.

289. Rococo‑Style Cast Iron Fire Fender, C‑scroll, floral and shell motif, h. 8 in., w. 40 3/4 in., d. 12 in.[$150/250] Condition: broken; split in front through entire piece.

290. Eight American Pressed Brass Pulls, foliate backplates, loose rings, h. 3 1/4 in. [$150/250]

Provenance: 511 St. Ann Collection, Historic Pontalba, New Orleans.

291. American Pierced Brass Encrier, 19th c., hinged lid, incised square body, glass liner, paw feet, h. 5 in. [$50/100]

292. Brass and Wood Magazine Rack, early 20th c., brass scroll work sides, shaped wood base, brass bun feet,. 14 1/4 in., w. 14 3/4 in., d. 7 in.; together with painted wood and brass bellows, l. 19 1/4 in.[$20/40]

Condition: Rack in fair condition. Center section with one brass cross‑section detached on one end. Overall wear, small bends, nicks, dings, and abrasions. Bellows in poor condition. AS IS.

294. French Bronze Sculpture of a Dancing Minstrel, marble plinth base, h. 6 in., w. 3 in. [$20/40]

295. Caribbean Coral Encrusted Box, 20th c., assorted white and blue varieties, polished shell handles, h. 14 in., w. 16 in., d. 13 in. [$50/75]

293. Classical‑Style Tole Peinte Jardiniere, 20th c., stamped “Michael Corzine, Italy”, with liner and lion mask handles, green painted plinth, h. 11 in., w. 13 in., d. 9 in. [$50/75]

297. Continental Pietra Dura Plaque of a Village Scene, late 19th/early 20th c., probably Italian, 20 1/4 in. x 30 1/4 in. [$100/200]

296. French Pewter Measuring Cups, 19th c., 7 graduated measurements, with handles, largest h. 7 1/4 in.; together with 7 pewter salt shakers, largest h. 5 in. (14 pcs.) [$100/200]

298. Vintage Israeli Maskit Hardstone Embellished Metal Canister, cylindrical body with gem embellished hinged foliate lid, base marked “Maskit/Israel”, h. 5 5/8 in., w. 4 5/8 in. [$50/75]

299. Mother‑of‑Pearl Tea Caddy, diapered inlay, glazed top, interior lid, h. 3 3/4 in., w. 4 1/2 in., d. 3 1/8 in. [$100/200] 300. Withdrawn

302. Silk Embroidery Panel, 19th c., worked in polychrome satin stitch with “Moses in the Bullrushes”, sight 14 1/4 in. x 18 1/2 in., framed with eglomise mat. [$400/600]

303. Pair of French Carved and Painted Brackets, c. 1900, shaped shelf, scroll support, h. 8 1/2 in., w. 7 1/2 in., d. 7 in. [$50/100]

301. Pair of Venetian‑Style Carved, Parcel Gilt and Ebonized Pricket Candlesticks, standard with acanthus and lobed urn, scrolled tripartite base with shells, paw feet, incurvate plinth, h. 40 3/4 in. [$500/700]

304. Pair of Dresden‑Style “Schneeballen” Porcelain Covered Urs, on self base with applied flowers and exotic birds, lid with large avian finial, h. 22 1/4 in. [$250/300]

305. English Brass Fireplace Fender, 20th c., h. 9 in., w. 58 in., d. 14 in. [$100/200]

307. Pair of Antique English Brass Andirons, finialed tapered shafts with scalloped shells, ball and claw feet, h. 21 in., w. 7 in., d. 19 1/2 in. [$100/200]

308. English Silverplate Cocktail Service, 19th c., incl. 6 cocktail cups, h. 3 1/2 in.; 6 cocktail picks, l. 3 1/4 in., and serving tray with ball feet, h. 1 3/4 in., w. 14 in., d. 8 1/4 in. (14 pcs.) [$40/60]

306. Pair of George III‑Style Brass Andirons, late 19th c., urn‑mounted columnar standards, tapered legs, claw and ball feet, tapered log stops, h. 27 1/2 in., w. 11 in., d. 23 1/2 in. [$100/200]

309. Antique English Brass and Glass Cachepot, stamped “L.Gottge”, body with pierced decorations and ring handles, paw feet, h. 4 in., dia. 5 in. [$100/150]

310. English Jasperware Plaque, 19th c., Classical frieze, 2 1/4 in. x 5 3/4 in., float‑mounted and framed, overall 13 in. x 16 1/4 in.[$75/150] Provenance: Schwitz Collection, Franklin, LA.

311. Antique English Brass and Cast Iron Stone Scale, 19th c., marked “BRISTOL PARNAU”, h. 33 1/2 in., w. 29 in., d. 11 in. [$100/150]

312. Pair of Large Antique English Steel and Brass Shears, 19th c., marked “Wilkinson & Son”, l. 15 in.; together with three brass and mahogany wig hangers, h. 15 1/4 in. (5 pcs.) [$20/40]

315. Seven Weighted Sterling Silver Low Candlesticks, incl. 3 pairs by Gorham, Wallace and Newport, and single by Frank M. Whiting, h. 4 1/4 in. to 3 5/8 in. (7 pcs.) [$200/300]

313. Group of New Orleans “Fiddle Thread” Silver Flatware, ret. A.B. Griswold, wc. 1865‑1906, by Wood & Hughes, New York, wc. 1845‑1899, incl. tablespoon, dessert spoon, and 4 teaspoons, combined wt. 5.95 troy ozs. (6 pcs.) [$100/200]

316. Group of Small Sterling Silver Objects, incl. 4 jiggers, tea strainer and 3 napkin rings; together with 4 silverplate café royale spoons, nest of 4 small shot beakers and one other, total wt. (weighable) 6.45 troy ozs. (17 pcs.) [$100/200]

314. Group of Antebellum Coin Silver Flatware, incl. 8 “Fiddle Thread” luncheon forks, ret. Gregor & Wilson, New Orleans, wc. 1856‑1858; by Theodore Evans & Co., New York, wc. 1855‑1865; and a “Josephine” berry spoon, Gorham patent 1855; combined wt. 12.20 troy ozs. (9 pcs.) [$100/200]

317. Reed & Barton “Renaissance” Pattern Silverplate Tea Set, 20th c., incl. teapot, open sugar and creamer, teapot h. 8 5/8 in. [$100/200]

319. Pair of Silverplate Candlestick Lamps, h. 6 1/2 in.; together with 2 cut glass dresser boxes, dia. 7 1/2 in. and 6 1/4 in. (4 pcs.) [$100/150]

Provenance: Estates of Jane and Stewart Maunsell.

321. French Silverplate Oval Fish Platter, marked “ALFANIDE”, plain with molded rim, 23 3/4 in. x 9 1/2 in. [$20/40] Condition: tarnished, surface scratches.

318. Pair of American Silverplate Three‑Light Candelabra, Simpson, Hall, Miller & Co., weighted bases, h. 10 in. Note: Repair to one, missing 3 bobêches. [$100/200]

320. Silverplate Miniature Baby Grand Piano Music Box, h. 2 1/4 in., d. 3 1/4 in. [$20/40]

322. Italian .800 Silver Cruet Stand, Forli‑Cesena, mid‑20th c., h. 7 1/2 in., l. 9 in., wt. 10.24 troy ozs., fitted with 2 glass cruets; together with American Aesthetic silverplate berry stand, Simpson, Hall & Miller, fitted with diamond point cut glass bowl, overall h. 10 1/4 in., w. 8 7/8 in; English silverplate toast rack, h. 9 5/8 in., l. 6 7/8 in; and American silverplate dinner bell, h. 2 3/4 in. [$75/150] Provenance: Schwitz Collection, Franklin, LA.

323. Near Pair of Antique English Silverplate Figural Oil Lamps, mid‑19th c., marked “HINKS & SONS/ PATENT”, lion standard, one with key marked “MAPLE/ HINKS/ PATENT/ LONDON”, with glass chimney and shade; other with key marked “HINKS & SONS/ PATENT/ BIRMINm.”, electrified, h. 15 1/4 in. [$200/300]

324. Six Antique English Bone Handled Silverplate Fish Forks and Knives, marked EPNS, fork l. 7 5/8 in., knife l. 8 1/4 in.., fitted case marked “Crawford’s/ (Late Linscott’s)/ The Centre/ Burnley”, h. 1 1/4 in., w. 10 1/8 in., d. 8 5/8 in.[$50/75] Condition: Flatware ‑ overall good condition. Tarnish, minor scattered abrasions, small nicks, and dings. Case with small losses and wear to leather.

326. French Needlepoint Valance, 19th c., blue, red, and gold scrolling acanthus leaves on black ground, wool with silk tassel fringe lower edge and rope braid upper edge, l. 14 ft., d. 12 in. [$100/200]

329. American Slag Glass and Bronze Chandelier, c. 1910, circular framework with floral designs and urns, original ceiling fixture, h. 8 in., dia. 18 in. [$100/200]

327. Louis XV Needlepoint Chair Seat and Back, 19th c., beige silk ground with wool foliate swags and floral branches in shades of green, professionally backed, overall seat l. 26 in., w. 29 in., back l. 19 in., w. 16 in. [$100/200]

330. Pair of Antique Cranberry Glass Lamps, c. 1900, silverplate bases, convert to candlesticks, h. 16 in. [$100/200]

325. Kirman Carpet, c. 1960, muted green, rose and blue scrolling foliate designs on cream ground, 5 ft. 10 in. x 9 ft. [$100/200]

328. Medieval‑Style Iron Two‑Light Chandelier, early 20th c., split standard, scroll arms, foliate bobeches, splayed base, electrified, h. (excl. chain) 23 in., w. 15 1/2 in., d. 6 in. [$50/75]

331. Antique American Glass Lamp Shade, 19th c., floral motif, h. 9 1/2 in., dia. 6 1/2 in., fitter 2 3/4 in. Note: Fitter cemented with iron band.[$100/150] Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

334. French Carved Giltwood and Wrought Iron Four‑Light Sconce, 20th c., wheat sheaf standard, scrolled backplate and candlearms, h. 25 in., w. 35 in., d. 7 1/2 in. [$100/200] 333. French Gilt Bronze‑Mounted Porcelain Vase, late 19th c., ovoid body with scenes of Cupid, signed “E. Parot”, bronze mask handles, reticulated foliate base, h. 15 in., now mounted as a lamp, h. (to finial) 27 3/4 in.; together with antique French brass‑mounted white opaline glass table lamp, elongated bottle form body, octagonal scrollwork base, h. 28 1/2 in. [$100/200] 332. Large Brass Twelve‑Light Candelabrum, round base, turned and fluted shaft, scroll arms, h. 68 in., dia. 22 in. [$100/200]

335. Patinated Metal Figure of a Cossack on Horseback, c. 1900, signed “Wangen”, now mounted as a lamp, h. 27 1/2 in., w. 21 in., d. 9 1/2 in. [$100/200]

337. Art Moderne Wire‑Mounted Cylindrical Lamp, made from a wallpaper printing roll, acrylic base, h. 35 in. [$100/200] Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

336. Pair of Louis Philippe Gilt and Patinated Bronze Six‑Light Candelabra, 19th c., fluted columns, lion legs, incurvate triangular plinths, h. 27 3/4 in., dia. 10 in. [$200/300] Condition: Two arms on each candelabrum are broken and detached, but retained.

338. American Furniture Reference Books, The American Chair: Three Centuries of Style, Robert Bishop, 1983; John Shaw: Cabinetmaker of Annapolis, William Elder and Lu Bastlett, 1983; Charleston Furniture, E. Milly Burton, 1970; The Best of Painted Furniture, Florence de Dampierre, 1987; Thonet Bentwood & Other Furniture: The 1904 Illustrated Catalogue, 1980; Herter Brothers: Furniture and Interiors of a Gilded Age, Katherine S. Howe, 1994 and others. [$100/200]

339. Les Must de Cartier, 2002, Assouline Publishing, New York, NY, red leather binding, original sleeve, h. 9 in., w. 6 1/2 in., d. 2 in. [$10/20]

340. Antique Hand‑Colored Engraved Map of Philadelphia, 1860, by Augustus Mitchell, sight 11 3/4 in. x 13 in., framed. [$40/80]

341. [Eccentric Preacher Lorenzo Dow], autographed letter, by Lorenzo Dow (1777‑1834), dated June 6, 1803, detailing his organization of a church “in or near Bogue Homa, near the town of Mobile in Spanish Florida...to be called Shiloh Church”, signed with 5 members of the congregation, one page, 9 in. x 7 1/2 in. [$100/200]

342. Le Sage’s Historical, Genealogical, Chronological, and Geographical Atlas, 1818, London, second edition, folio, with 38 hand‑colored charts (21) and maps within text (20). [$50/75]

343. Two Decorative New Orleans Prints, 20th c., incl. color reproduction of Bachman’s “Bird’s Eye View of New Orleans”, sight 16 in. x 20 1/2 in., framed; and New Orleans map after Jefferys, 13 1/2 in. x 19 1/2 in., framed. [$100/200] Provenance: Estate of Jane and Stewart Maunsell.

344. [Confederate Railroad Map], “Map of the United States Military Rail Roads Showing the Rail Roads operated during the War from 1862‑1866, as Military Lines, under the direction of Bvt. Brig. Gen. D.C. McCallum, Director and General Manager”, 1866, hand‑colored lithograph map by Julius Bien, NY, 25 in. x 38 1/4 in., accompanied with text. [$100/200]

345. Thomas Jefferys (English, c. 1710‑1771), “The Coast of West Florida and Louisiana”, 1775, copper‑plate engraved map, neat line 18 3/4 in. x 23 3/4 in., sheet 21 1/2 in. x 28 in., framed. [$200/400]

346. Decorative Brass “Brunton” Pocket Transit, modern, originally designed in 1894, dia. 3 in., with wood box, h. 2 1/4 in., w. 4 1/2 in., d. 4 in. [$75/125]

347. Robert Cook (American, 1921‑2017), “Silver Cuff Braclet”, hand wrought silver, unmarked, untested, unsigned, h. 1 3/4 in., w. 2 1/4 in. AND “Silver Hand Mirror”, hand wrought silver, unmarked, untested, unsigned, l. 11 3/4 in. (2 pcs.) [$150/250]

348. Hamilton 10 kt. White Gold and Diamond Lady’s Dinner Watch, case l. 1 1/4 in., w. (excl. crown) 1/2 in., rope strap white gold mounts, overall l. 6 1/2 in., wt. approx. 4.5 dwt. [$50/100] Condition: Overall wear, minor nicks and abrasions. Strap toned/discolored.

Condition: Tarnishing throughout; discoloration and scratches throughout. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

349. Mexican Sterling Silver Dolphin Pendant and Pair of Earrings, Taxco, pendant marked “TS‑31”, l. (incl. bail) 2 3/8 in., wt. .25 troy ozs.; one earring marked “TB‑115”, with silver gilt bands, l. (excl. hook) 1 1/2 in., wt. .40 troy ozs. [$100/150] Condition: Overall good. Minor scattered abrasions.

350. Mexican .980 Silver Cuff Bracelet, c. 1950, marked “Lopez/Taxco”, for Gerardo Lopez, hinged body with off‑set scroll ends, l. 3 3/4 in.; together with Taxco .980 silver necklace, “as is”, link chain, suspended scrollwork sides, and opposing C scroll pendant (now detached), l. (excl. pendant) 18 in., combined wt. approx. 5.1 troy ozs.[$300/500] Condition: Tarnish. Bracelet with some bending. Hinge pin, probably replaced. Necklace with some bending, scratches and abrasions. Pendant lacking pins for attachment to necklace.

Note: Morrill & Berk’s Mexican Silver refers to Lopez as among the best silver shops in Taxco in the 1950s, (p. 238).

351. Late Georgian/Early Victorian Pinchbeck and Banded Agate Pectoral Cross, early 19th c., with serpent motif bail, h. 7 1/4 in., w. 4 3/4 in.[$800/1200] Condition: Gilt metal with minor dents, particularly evident in back of lower circle. Minor tarnishing, rubbing and pitting.

Provenance: Collection of a New Orleans Lady, purchased Taxco, c. 1950.

352. 18 kt. Yellow Gold and Hematite Horseshoe and Polo Mallet Brooch, center gold‑inlaid hematite ornament, horseshoe set with twelve square cut diamonds, total wt. approx. .60 ct., horseshoe h. 1 1/8 in., w. 1 1/8 in., approx. 6.0 dwt.[$400/600] Condition: Overall good. Minor scattered abrasions.

353. 18 kt. Yellow Gold, Synthetic Ruby and Diamond Ring, signed “C & Co.”, “gypsy” mounted oval faceted synthetic ruby of good pigeon blood color, approx. 2 cts., flanked by 2 old mine cut diamonds (total wt. approx. .80 cts.), size 6.75, approx. 7.5 dwts.[$400/600] Condition: Overall good. Gold with minor scattered abrasions.

354. 9 kt. Yellow Gold and Opal Cluster Ring, central prong set oval cabochon surrounded by 12 prong set cabochons, size 7, approx. 2.0 dwt.[$75/125] Condition: Gold band with slight bend and small fracture at base of shoulder where it joins the gallery.

355. Charles X Gilt Brass Repousse’ Lady’s Belt Buckle, c. 1830, decorated with little flowers and leaves and palm fronds, good condition, h. 3 1/2 in., w. 1 3/4 in.; together with a lava cameo stickpin and 4 antique Italian shell and agate carved cameo pins, 2 set in gold mounts. [$150/250]

356. Diminutive Etched Glass Liqueur Set, late 19th c., floral garland decoration, incl. 2 small decanters with stoppers, 9 liqueurs (one broken) and oval tray with ruffled edge, decanter h. 8 in., tray l. 11 in. (12 pcs.) [$50/75]

358. Group of Cobalt Glass Tableware, incl. 10 goblets, h. 5 1/2 in.; 10 wine rinsers, h. 3 1/8 in., w. 6 in.; and 4 tumblers, h. 3 3/4 in.; together with clear glass swan‑form bon bon dish, h. 10 3/8 in., w. 10 3/8 in. (25 pcs.) [$50/75]

357. American Blown Glass Baluster Stem Water Goblet, 19th c., etched “Josephine” on the bowl, h. 6 in., dia. 3 1/4 in. [$10/20]

359. Five Antique American Mold Blown and Cut Glass Decanters, mid‑19th c., various forms, one stopper associated, h. 10 1/8 in. to 13 1/4 in. [$50/75]

Condition: Overall good. Only a few minor chips notes. Scattered abrasions and shelf wear.

360. Continental Gilt Decorated Green Glass Cup and Saucer, 19th c., raised gilt floral decoration, h. 2 1/2 in. Note: Small chip to saucer. [$50/75]

362. Three Baccarat Crystal Decanters, 20th c., etched marks, tapered panel‑cut bodies with original stoppers, h. 9 1/4 in., dia. 5 in. [$100/200]

361. Five Green Glass Goblets, various forms and sizes, h. 4 1/2 in. to 5 1/4 in. [$50/100]

363 Large Wave Crest Glass Covered Dish, marked, brass lid, h. 6 3/4 in., dia. 7 3/4 in. [$300/500]

365. Three Lalique Clear and Frosted Glass “Annual” Plates, etched “Lalique France”, incl. 1966 “Dream Rose”, 1970 “Peacock”, and 1974 “Silver Pennies”, dia. 8 1/2 in., 8 1/2 in., and 8 1/4 in. [$150/250]

364. Continental Art Glass Vase, attr. to Loetz, pebbled surface, h. 6 1/4 in., dia. 3 3/4 in. [$150/250]

367. Art Deco Daum Acid Etched Glass Bowl, early 20th c., marked “Daum Nancy/ France”, with Croix de Lorraine, h. 2 1/8 in., dia. 13 3/4 in. [$200/400]

370. Art Deco Verame Acid Etched Glass Vase, early 20th c., marked, h. 7 3/4 in., 4 1/4 in. [$150/250]

366. Antique American Blown Glass Fly Catcher, with stopper, three feet, h. 7 5/8 in. [$250/350]

368. French Art Deco Verame Acid Etched Glass Vase, early 20th c., marked, h. 8 1/2 in., dia. 5 3/8 in. [$150/250]

371. Daum Pierre d’Avesn Glass Vase, 20th c., marked “P D’AVESN”, deep fluting, h. 6 3/8 in., dia. 5 5/8 in. [$200/400]

369. Two Art Deco Daum Glass Vases, early 20th c., both marked “Daum Nancy France”, with Croix de Lorraine, incl. clear with bubbles and amber with swirls, taller h. 6 1/2 in., dia. 6 in. [$300/500]

372. Daum Glass “Orion” Centerpiece Bowl, marked “Daum France”, with Croix de Lorraine, h. 5 3/4 in., w. 16 1/4 in., d. 5 1/4 in. [$100/200]

375. Art Deco Daum Enameled Glass Bowl, marked “Daum France”, foliate decoration, h. 2 7/8 in., w. 12 in., d. 8 1/4 in. [$75/150]

373. Art Deco Daum Acid Etched Glass Vase, early 20th c., marked “Daum Nancy France”, with Croix de Lorraine, h. 6 5/8 in., dia. 5 1/2 in. [$150/250]

374. Daum Glass Bubble Vase, c. 1950, marked “Daum Nancy/France”, with Croix de Lorraine, h. 7 1/4 in., w. 8 1/4 in., d. 5 1/2 in. [$200/400]

378. Pair of Cut Crystal Candlesticks and Bowl, h. 12 1/2 in. and h. 5 in., dia. 10 in.[$100/150] Provenance: Schwitz Collection, Franklin, LA.

376. Daum Enameled Glass Decanter, c. 1890, marked in gilt “Daum Nancy” with Croix de Lorraine, and etched “France”, faceted, foliate design, h. 8 in., dia. 3 1/2 in. [$200/400]

377. Large Continental Gilt‑Decorated White Opaline Glass Vase, painted in the Etruscan style with sanguine neoclassical figures, h. 18 1/2 in. [$100/150] Provenance: Schwitz Collection, Franklin, LA.

380. Large Continental Bronze‑Mounted Amethyst Glass Vase, probably early 20th c., mounted with Neoclassical‑style frieze of warrior in procession, base with obscured incised mark, drilled, h. 13 1/2 in.[$100/150] 379. Pair of Italian Painted Blue Glass Vases, 19th c., reserve‑decorated with dancing nudes and centaur, h. 7 1/2 in., dia. 7 in.[$100/150] Provenance: Schwitz Collection, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

381. Mary Gregory Enameled and Gilt Decorated Pink Glass Vase, c. 1890, with white enamel gentleman and gilt borders, h. 7 in., dia. 4 1/2 in. [$50/100]

383. Fritz Franz Engel (German/American, 1877‑1956), “Mermaid Carrying Fish, Riding a Sea Serpent”, mixed media fountain, unsigned, overall h. 23 1/4 in., w. 9 1/2 in., d. 9 1/2 in. [$100/200] Condition: Surface dirt; scattered loss and marks.

382. Fritz Franz Engel (German/American, 1877‑1956), “Fawn Drinking from Woman’s Hands”, lead fountain, unsigned, in 2 pieces with individual self‑bases, fawn fitted as fountain, h. 27 1/2 in., w. 28 in., d. 9 1/2 in. (2 pcs.) [$800/1200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Surface dirt; scattered marks, scratches and losses; scattered fine cracks; missing piece of sundial.

Condition: Surface dirt; scattered marks and loss; white paint scattered on base; scattered fine lines.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

385. French Wrought Iron Garden Bench, early 20th c., back and seat of tubular rails, stretchered X‑form base, h. 35 in., w. 57 in., d. 12 in. [$400/500]

388. Cast “Cultured” Marble Mantle , h. 52 in., w. 44 in., d. 14 in. [$300/500]

384. Fritz Franz Engel (German/American, 1877‑1956), “Let Not This Day For Good Be Counted Lost When We Have Reached the End”, bronze painted plaster sundial, unsigned, h. 22 1/2 in., w. 22 1/2 in., d. 8 1/4 in. [$300/400]

386. Continental Carved Hardwood Corinthian Capital, 19th c., weathered surface, h. 12 in., w. 14 in., d. 16 in. [$100/200]

387. Group of Conservatory Furnishings, 20th c., incl. small painted wicker settee, pair of jardinieres, and brass and iron bar cart. [$200/400]

389. Carved and Polychromed Stone Garden Figure of Rebecca at the Well, c. 1920‑30, standing figure robed and carrying a vase, with a blue/ green surface, h. 32 3/4 in. [$50/100]

390. Art Deco Carved Onyx Pedestal, early 20th c., in red, brown, green and cream onyx, reeded column with carved capital, h. 37 1/2 in., molded plinth base, base 12 1/2 in. square. [$100/200]

391. Robert Cook (American, 1921‑2017), “Henry with Ball at Thirteen”, 1972, bronze, signed left foot, h. 32 1/2 in., w. 12 1/2 in., d. 9 in., stone base, overall h. 34 in. [$600/800] Condition: Scattered areas of corrosion; surface dirt; scattered pitting.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

392. Fritz Franz Engel (German/American, 1877‑1956), “Bust of a Woman”, painted plaster, unsigned, h. 17 in., w. 10 in., d. 8 in. [$100/200] Condition: Surface dirt; scattered marks and loss.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

393. Fritz Franz Engel (German/American, 1877‑1956), “Madonna and Child”, plaster relief, unsigned, h. 18 3/4 in., w. 10 3/4, d. 1 1/2 in. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

395. Fritz Franz Engel (German/ American, 1877‑1956), “Man Playing a Lyre”, painted plaster and wood, unsigned, h. 25 in., w. 7 1/2 in., d. 7 1/2 in. [$75/100] 394. Fritz Franz Engel (German/American, 1877‑1956), “Pan”, painted terracotta, unsigned, h. 12 in., w. 8 in., d. 5 in. [$75/100] Condition: Cracked and loose left forearm; missing index finger on right hand; scattered pitting; paint loss and scratches. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

397. Fritz Franz Engel (German/ American, 1877‑1956), “Bacchanalian Figure Pouring from a Cask”, painted plaster fountain, unsigned, h. 25 in., w. 5 1/2 in., d. 8 in. [$100/200] Condition: Surface dirt; scattered marks and losses; large vessel is loose at base, attached with copper wire to figure’s leg.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Top portion of lyre is broken and askew; scattered pitting, cracks and scattered paint loss.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. .

396. Fritz Franz Engel (German/ American, 1877‑1956), “Satyr with Child”, painted plaster, unsigned, h. 17 1/2 in., w. 14 in., d. 12 in. [$75/100]

Condition: Child has cracked right ear with loss; surface dirt; scattered pitting and scratches. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. .

398. Fritz Franz Engel (German/ American, 1877‑1956), “Muse holding the Thalia and Melpomene Masks”, painted mixed media fountain on self‑base, unsigned, h. 34 in., w. 15 in., d. 8 in. [$100/200] Condition: Scattered scratches and light scattered paint loss.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

399. Fritz Franz Engel (German/ American, 1877‑1956), “Le Penseur”, painted plaster, after Auguste Rodin, unsigned, h. 20 in., w. 9 in., d. 12 1/2 in. [$100/200]

400. Fritz Franz Engel (German/ American, 1877‑1956), “Portrait of a Lady”, painted plaster relief, artist mark lower right, h. 13 1/2 in., w. 12 in., d. 8 in.; and “Bust of a Woman”, painted plaster, unsigned, h. 14 in., w 8 in., d. 8 in. (2 pcs.) [$75/100]

Condition: Surface dirt; scattered marks; scattered loss, particularly at base.

Condition: Scratches; scattered losses; light scattered discolorations.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

401. Fritz Franz Engel (German/ American, 1877‑1956), “Orpheus”, plaster and mixed media relief, unsigned, handwritten label en verso, h. 66 1/4 in., w. 49 in., d. 1 in. [$300/500] Condition: Scattered cracks throughout particularly around figures and lower edge; scattered scratches and abrasions; surface dirt. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

403. Robert Cook (American, 1921‑2017), “Twisting on Knee”, “On Toes and Fingers”, “Jenny Touching Leg”, 1964 and “Jenny Arm Raised”, 1964, 4 bronzes, 2 signed and numbered “3/6”, 2 signed and dated, h. 4 7/8 in. to 8 3/4 in., each on wood base. [$800/1200]

Condition: Surface dirt; scattered pitting and surface marks; some small areas of loss and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

402. Robert Cook (American, 1921‑2017), “Jenny Looking”, 1957, “Jenny as Siva, No. 1”, “Jenny Elongated”, 1963, “Henry Modeling” and “Henry on One Knee (Model)”, 5 bronzes, 3 initialed, 1 signed, 2 dated, h. 3 in. to 9 1/2 in., each on wood base. [$1000/1500] Condition: Surface dirt; scattered pitting and surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

404. Robert Cook (American, 1921‑2017), “Alabaster Baby”, 1952, alabaster with wood base, unsigned, h. 8 in., w. 15 in., d 9 in., overall h. 10 in. (2 pcs.) [$600/800] Condition: Surface dirt; scattered marks, nicks and abrasions; wear on base; sculpture not attached to base.

Provenance: Property of the Mobile Museum of Art, AL, sold to benefit their Collections, Care and Acquisitions Fund.

405. Robert Cook (American, 1921‑2017), “Jenny Striding”, 1974, bronze, signed and numbered “1/6” on left foot, h. 34 in., w. 11 in., d 12 in., stone base, overall h. 35 in. [$600/800] Condition: Scattered areas of corrosion; surface dirt; scattered pitting; light discoloration.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

406. Robert Cook (American, 1921‑2017), “Jenny Arms Forward”, 1962, “Crab No.1”, 1962, “Strangler”, 1969, “Crab No. 2”, 1962 and “Henry Whirling”, all signed, 4 dated, one incised “Jenny”, h. 3 in. to 5 4/8 in., one on wood base, one on stone base. [$1000/1500] Condition: Scattered corrosion and discoloration; surface dirt; “Strangler” loose on stone base (missing screw). Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

407. Robert Cook (American, 1921‑2017), “Jenny as Parvati”, 1974, bronze, signed and numbered “1/6” on left foot, typed label with title on underside of base, h. 34 1/2 in., w 7 3/4 in., d. 5 1/2 in., stone base, overall h. 36 1/2 in. [$600/800]

Condition: Scattered areas of corrosion; surface dirt; scattered pitting; light discoloration. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

409. Robert Cook (American, 1921‑2017), “Henry Defiant”, 1974, bronze, signed on left foot, numbered “2/6” on right foot, typed label with title and handwritten label on underside of base, h. 25 1/2 in., w. 11 in., d. 4 in., wood base, overall h. 26 3/4 in. [$500/700]

410. Robert Cook (American, 1921‑2017), “Legs Out”, “Henry Stretching”, 1961, “Henry Leans Back”, 1962, “Henry Squeezing”, 4 bronzes, 2 initialed and dated, 2 unsigned, h. 3 in. to 6 1/4 in., 2 on wood bases. [$800/1200] Condition: Surface dirt, scattered pitting with some corrosion. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

412. Robert Cook (American, 1921‑2017), “Henry Standing No. 2”, bronze, signed and numbered “5/6” on right foot, h. 45 1/2 in., w. 18 in., d. 10 1/2 in., stone base, overall h. 48 in. [$1000/1500] Condition: Scattered areas of corrosion; discoloration; surface dirt; light scattered pitting; light scattered scratches. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Light scattered areas of corrosion; surface dirt; light scattered pitting; light discoloration.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

411. Robert Cook (American, 1921‑2017), “Jenny Adolescent”, 1964, bronze, signed and dated on self‑base, typed label with title and handwritten label with title on underside of base, h. 24 1/2 in., w. 5 1/4 in., d. 4 1/4 in., wood base, overall h. 26 in. [$500/700]

Condition: Light scattered areas of corrosion; surface dirt; light scattered pitting.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

408. Robert Cook (American, 1921‑2017), “Jenny at Fifteen and a Half”, 1962, bronze, signed and numbered “1/3” on left foot, typed label with title and two handwritten labels on bottom of base, h. 26 1/2 in., w. 6 3.4 in., d. 4 1/2 in., wood base, overall h. 27 1/2 in. [$500/700]

413. Robert Cook (American, 1921‑2017), “Flamingo Model”, 1968, “Jenny ‘E’”, 1968, “Jenny at Tennis”, 1962, “Jenny Dazzled”, 1963 and “Jenny as Siva”, 1963, 5 bronzes, 2 signed, dated and inscribed, one signed and dated, one initialed and dated, one dated, h. 4 3/4 in. to 9 1/4 in., 3 on wood bases and one on stone base. [$1000/1500] Condition: Surface dirt; scattered pitting and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Light scattered areas of corrosion; discoloration; surface dirt; light scattered pitting and scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

414. Robert Cook (American, 1921‑2017), “Henry Walking at Fourteen”, 1973, bronze, signed and numbered “2/6” on left foot, h. 20 1/4 in., w. 7 in., d. 4 1/2 in., stone base, overall h. 21 1/2 in. [$400/600] Condition: Surface dirt; light scattered pitting; light discoloration.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

416. Robert Cook (American, 1921‑2014) “Flamingo”, 1968, bronze with stone base, signed, dated, numbered “3/3” and inscribed “Jenny 15” on self‑base, typed label with title and handwritten label underneath base, h. 15 1/2 in., w. 4 in., d. 9 in., on stone base, overall h. 17 in. [$400/600] Condition: Scattered areas of corrosion; light discoloration; surface dirt; light scattered pitting. 415. Robert Cook (American, 1921‑2017), “Bow”, 1968, “Upward”, “Discobolus” and “Whip”, 4 bronzes, one signed, dated and numbered “2/6”, 3 signed and numbered “3/6”, one signed and titled under base, h. 8 3/4 in. to 12 in., each on stone base. [$800/1200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Surface dirt; scattered pitting and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

417. Robert Cook (American, 1921‑2017), “Jenny at Nine and a Half”, 1961, bronze, signed and dated left foot, h. 20 1/4 in., w. 7 1/2 in., d. 5 in., wood base, overall h. 22 in. [$400/600] Condition: Scattered areas of corrosion and pitting; light discoloration; surface dirt; light scattered scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

418. Robert Cook (American, 1921‑2017), “Jenny Aspiring”, 1954, bronze, unsigned, pencil‑titled, dated and typed label with title on underside of base, h. 15 in., w. 4 in., d. 3 in., wood base, overall h. 17 in. [$300/500] Condition: Scattered areas of light corrosion; light pitting; surface dirt; discoloration.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

419. Robert Cook (American, 1921‑2017), “Henry With Flute”, 1974, bronze, signed and numbered “3/6” on underside of right leg, h. 10 1/2 in., w. 11 in., d. 8 1/2 in. [$400/600]

Condition: Surface dirt; light pitting; very light discoloration; yellow tape on underside of right leg. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

420. Robert Cook (American, 1921‑2017), “Swan”, “Jenny Dancing”, 1974, “Jenny Balanced” and “Jenny Leg Outstretched”, 4 bronzes, all signed, one signed and dated, 2 signed and numbered “1/6” and “2/6”, h. 6 3/4 in. to 11 1/2 in., 2 on stone bases. (2 pcs.) [$800/1200] Condition: Surface dirt; scattered pitting and corrosion; “Swan” ‑ crack at upper wrist.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

422. Robert Cook (American, 1921‑2017), “Statuesque”, “Jenny ‘C’”, 1968 and “Triptique”, 1968, 3 bronzes, one unsigned, one signed, titled and dated, one signed, titled, inscribed “for Jenny” and “Canale”, h. 5 3/4 in. to 8 1/4 in., 2 on wood bases, one on stone base. (3 pcs.) [$600/800] Condition: Surface dirt, scattered pitting and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

421. Robert Cook (American, 1921‑2017), “Greek Dance”, 1962, bronze, signed on right foot, dated and numbered “3” on left foot, h. 16 1/4 in., w. 7 in., d. 3 1/2 in., wood base, overall h. 18 in.; and “Henry Lounging”, 1970, bronze with wood base, signed and numbered “3/6” on left foot, h. 17 1/2 in., w. 6 1/2 in., d. 3 in., overall h. 18 1/2 in. (2 pcs.) [$600/800] Condition: Very light areas of corrosion; discoloration; surface dirt; very light pitting.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

423. Robert Cook (American, 1921‑2017), “Jenny on the Rocks”, 1959, bronze, signed and dated left foot, h. 18 1/4 in., w 6 in., d. 4 in., wood base, overall h. 19 3/4 in.; and “Henry at Twelve and a Half, No. 2”, 1970, bronze, signed right foot and numbered “4/6” left foot, h. 15 1/2 in., w. 4 1/2 in., d. 3 in., wood base, overall h. 17 in. (2 pcs.) [$600/800] Condition: Very light pitting; light areas of corrosion; surface dirt; discoloration; very light scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

424. Robert Cook (American, 1921‑2017), “Henry Spearing”, “Jenny ‘A’”, 1968, “Jenny Kneeling”, 1960, “Jenny Bullfighter”, 1968 and “Jenny ‘B’”, 5 bronzes, one signed, one initialed, one signed and dated, one signed, titled and dated and one signed, dated and incised “for Jenny”, h. 2 3/4 in. to 9 1/8 in., 2 with wood bases, 2 with stone bases. [$1000/1500] Condition: Surface dirt; scattered corrosion and pitting.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

425. Robert Cook (American, 1921‑2017), “Head of Jenny, One Week Old”, 1952, plaster, unsigned, h. 5 1/4 in., w. 4 in., d. 5 1/2 in., wood base, overall h. 7 1/2 in.; together with wax model of “Head of Jenny”, plaster molds, four dowel sticks and a sculptor tool. ( 9 pcs.) [$200/200] Condition: Scratches; surface dirt; scattered marks and stains; remnants of adhesive on neck; not attached to base; remnants of adhesive and plaster on wood base.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

426. Robert Cook (American, 1921‑2017), “Gazing”, “Henry Scratching”, “Henry Picking Up”, “Henry Studying Shell” and “Henry Surprised”, 5 bronzes, 4 signed and numbered, one signed and illegibly incised, h. 5 1/8 in. to 13 in., 4 with stone bases and one with wood base. (5 pcs.) [$1000/1500] Condition: Surface dirt, scattered surface scratches, pitting and corrosion, “Henry Picking Up” ‑ loose on base. Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

427. Robert Cook (American, 1921‑2017), “Through the Legs”, “Standing Stretched” and “Squatting Jenny”, 1953, 3 terracotta sculptures, each signed and dated, one inscribed “Jenny”, h. 4 1/4 in., w. 3 1/2 in., d. 4 1/4 in. to h. 7 1/2 in., w. 2 1/4 in., d. 1 3/4 in. (3 pcs.) [$100/200] Condition: Scattered cracks; scattered marks and light stains; scattered areas of discoloration; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

428. Robert Cook (American, 1921‑2017), “Jenny Pulling Stick”, 1960, “Chopper”, 1968, “Henry Kneeling No. 1”, “The Watch” and “Jenny Stepping Down”, 5 bronzes, one signed, titled and dated, one signed and numbered “1/6”, one signed and dated, one initialed and numbered “1” and one signed, h. 4 5/8 in. to 11 3/4 in., 4 on wood bases and one on stone base. [$1000/1500] Condition: Surface dirt; scattered marks and scratches; scattered pitting and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

429. Robert Cook (American, 1921‑2017), “Flippers”, “Henry Hesitates”, 1967, “Henry Kneeling No. 2”, “Henry Bending” and “Henry Throwing”, 1971, 5 bronzes, 3 signed and numbered, one signed, dated and incised, one signed and dated, h. 6 in. to 13 in., 2 on wood base and one on stone base. [$1000/1500] Condition: Surface dirt, scattered marks, pitting and corrosion.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

431. Louis Philippe Carved and Gilded Trumeau Mirror, mid‑19th c., oil on canvas pastoral scene over rectangular mirror plate, beaded frame, h. 63 3/8 in., w. 30 3/4 in. [$300/500]

430. Pair of Continental Marble Figures of Dogs, deeply carved muzzles and curved tails, h. 24 in., w. 15 1/2 in., d. 9 3/8 in. [$100/200]

Condition: Surface dirt; various marks, nicks, abrasions and accretions throughout; some pitting and chips throughout.

432. Louis XVI‑Style Carved and Gilded Mirror, mid‑19th c., probably French, oval beaded frame surmounted by a C and S scrolled crest centered by a cabochon, base with pierced scrolled drop, h. 63 in., w. 24 in. [$200/400]

433. Continental Giltwood Overmantel Mirror, 19th c., foliate‑carved surround, divided mirror plate, h. 30 1/2 in., w. 64 in. [$200/400]

434. American Gilt Metal Figural Mantel Clock, c. 1885, Ansonia, NY, porcelain dial with visible escapement, allegorical figure leaning on harp, h. 21 1/2 in., w. 19 1/2 in., d. 8 1/2 in. Note: Wear to surface. [$100/200]

435. French Porcelain Figural Mantel Clock, late 19th c., works marked “Japy Freres”, group of figures in 18th century costume centering a brass and enamel circular dial, h. 12 in., w. 9 1/2 in., d. 6 1/2 in. [$100/200]

436. Chinese School, “Ancestor Portrait”, ink and color on silk, sight 19 1/2 in. x 11 1/2 in., matted and framed. [$50/75]

438. Chinese Polychrome Porcelain Figure of a Scholar, modeled standing on a cloud base carrying a staff, h. 8 3/4 in. [$75/100]

437. Asian Book Leaf, probably late 19th c., printed with multiple figures, 6 7/8 in. x 4 7/8 in., framed. [$20/40]

440. Chinese Enameled Porcelain Figure of Zhong Kui, probably early‑to‑mid 20th c., modeled standing on a rockwork base over a demon, h. 19 3/4 in. [$300/500]

439. Pair of Chinese Famille Rose Eggshell Porcelain Lanterns, probably 20th c., decorated with children playing, separate splayed bases, h. 9 7/8 in., note: small losses. [$100/200]

442. Chinese Ge‑Style Porcelain Lamp, 20th c., baluster body molded with lotus sprays, “iron wire” crackle throughout, h. (incl. hardstone finial) 30 1/2 in. [$100/200]

443. Chinese Shiwan Glazed and Biscuit Figure of a Farmer, 20th c., modeled standing on a rock grasping a hoe, h. 9 1/2 in., w. 6 in. [$20/40] Condition: Very good. Base with minor shelf wear.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

441. Chinese Famille Rose Porcelain Vase, probably 19th/early 20th c., Buddhist lion handles, decorated with “antiques”, vases and auspicious emblems, h. 23 1/2 in. [$200/400]

444. Chinese Famille Rose Eggshell Porcelain Cup, 20th c., painted with ladies and young boys in a garden setting playing with a dog, base with Qianlong mark, h. 3 1/4 in., dia. 3 1/4 in.[$25/50]

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

445. Antique Chinese Famille Rose Porcelain Lantern, late 19th/ early 20th c., faceted bombe body with pierced panels with butterfly and flower roundels, separate splayed base, h. 12 in., wood stand, overall h. 13 1/4 in.[$300/500] Condition: Good condition. Minor wear and rubbing to enamels consistent with age and use.

446. Chinese Famille Rose Porcelain “Eight Immortals” Oval Platter, early 20th c., enameled with a central bird‑and‑flower roundel encircled by the “Eight Immortals”, 4 depicted in figural form and 4 represented by their attributes, gilt highlights, h. 2 in., l. 17 in., w. 14 1/2 in. [$100/200]

447. Chinese Embroidered Silk Panel, Qing Dynasty (1644‑1911), worked in satin stitch with a central quatrefoil medallion enclosing two scholarly figures, sight 36 1/2 in. x 41 3/4 in., framed, overall 39 1/2 in. x 44 3/4 in. [$200/400]

449. Pair of Chinese Manchu Lady’s Shoes, late 19th/early 20th c., each with embroidered brocade tops above painted wood pedestal soles, h. 3 1/2 in., l. 9 1/2 in. [$50/75]

448. Chinese Cinnabar Lacquer Covered Box, Qing Dynasty (1644‑1911), cover with sages playing go in a landscape with pine and rocks, sides with swastika diaper, h. 1 5/8 in., dia. 3 1/4 in. [$100/200]

Provenance: The Sturm Collection, St. Thomas and Trinidad.

451. Chinese Turquoise Green Overlay Amber Glass Snuff Bottle, globular body and tall neck carved with figures in a garden setting, stopper, h. 2 1/2 in., wood stand, overall h. 3 1/8 in. [$100/200]

452. Four Chinese Glazed Pottery Miniature Vases or Snuff Bottles, probably 19th c., incl. 2 Ge‑style crackle vases, one with underglaze blue decoration, h. 2 3/4 in. and 2 7/8 in.; and 2 yellow crackle vases, h. 2 5/8 in. and 2 3/8 in.; together with a Japanese polychrome example, h. 2 1/2 in. (5 pcs.)[$100/200] Provenance: The Sturm Collection, St. Thomas and Trinidad.

450. Chinese Famille Verte Decorated Powder Blue Ground Rouleau Vase, Qing Dynasty (1644‑1911), inset with rectangular panels painted with figures, blue ground gilt‑decorated with auspicious emblems, h. 16 3/4 in. Note: restoration. [$200/400]

453. Chinese Famille Rose Enameled White Glass Snuff Bottle, probably early 20th c., stopper, decorated with boys in landscapes, base with Guyue Xuan mark, h. 3 1/8 in.[$100/200]

Provenance: The Sturm Collection, St. Thomas and Trinidad.

454. Three Chinese Snuff Bottles, stoppers, incl. two glass imitating agate, h. 1 7/8 in. and 2 3/8 in.; and mother‑of‑pearl, carved with a Buddhist lion, h. 2 7/8 in.[$50/75]

Provenance: The Sturm Collection, St. Thomas and Trinidad.

455. Ten Japanese Woodblock Prints of Animals, eight sealed, two unsealed, 15 in. x 10 1/2 in. and 10 1/2 in. x 15 in.[$50/75] Condition: Light toning overall. Minor scatter creases, scattered foxing, scattered discoloration.

456. Pair of Japanese Bronze Figural Candle Holders, each modeled in mirror image with the figure of a partially robed man holding a large bell in one hand and a lotus‑form candle holder in the other, h. 13 5/8 in., w. 5 3/8 in., d. 4 1/4 in.[$100/200] Provenance: Joel N. Weinstock Collection, New Orleans.

457. Five Japanese and Chinese Storage Boxes, various sizes, three with sliding tops and divided interiors, two with lift tops, largest h. 6 1/2 in., w. 12 1/2 in., d. 16 in.[$40/60]

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

458. Korean School, “Portrait of Confucian Scholar Sukhon Yi (1536‑1584)”, ink and color on paper, signed Yangu Jin, inscribed and sealed upper left, 26 3/4 in. x 18 1/2 in., silk‑mounted and framed. [$200/300]

460. [Mardi Gras], Prophets of Persia ball invitation, February 7, 1931; Krewe of Athenians lady’s admit card inscribed to “Mrs. Beale H. Richardson IV”, January 31, 1931; Twelfth Night Revelers “Opera House” ball invitation and program, January 6, 1960; and copy of Daily Picayune of January 7, 1870. (5 pcs.) [$100/200]

459. [Mardi Gras], ball pin favor, unidentified krewe and date. [$100/200]

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art

4038 Magazine St., New Orleans, LA, 70115 • 504-899-5329 • clientservices@nealauction.com • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935