Unreserved @NEAL - March 4, 2021

UNRESERVED @Neal Auction Featuring Items from the Estate of Julia Reed and the Mobile Museum of Art

ONLINE-ONLY AUCTION

Available Through March 4, 2021

Neal Auction is pleased to present

UNRESERVED @Neal Featuring an eclectic mix of over 450 lots of antique to modern furniture, paintings, prints, photography, porcelain, glass, and other decorative objects and collectibles from various estate, institution and private consignors, including;

Property from the Estate of Julia Evans Reed,

Sold for the Benefit of the Julia Evans Reed Charitable Trust

Deaccessions from the Mobile Museum of Art,

Sold to Benefit their Collections, Care and Acquisitions Fund

Property from the Louisiana State Museum,

Sold for acquisitions or the direct care of existing collections

The auction is available exclusively on LiveAuctioneers.com for advance bidding, with live bids commencing March 4, 2021 at 10 AM CST. All lots are available for preview in our gallery at 3923 Carondelet Street, New Orleans on March 1, 2, & 3 from 10 AM to 4 PM.

Available through March 4, 2021, on Liveauctioneers.com

1. Antique French Walnut

Armoire, flared cornice, stiles with half-round ornaments, two doors, shelf interior, blocked apron, compressed flat round feet, h. 102 1/2 in., w. 67 1/2 in., d. 27 1/2 in. [$600/900] Provenance: Estate of Julia Evans Reed.

2. American Aesthetic Carved

and Ebonized Side Table, late 19th c., square velvet covered top, Greek key carved frieze, fluted and spiral turned supports, medial shelf, flared legs, h. 33 3/8 in., w. 19 1/4 in., d. 19 1/4 in. Note: Later surface and period appropriate fabric covering. [$200/400]

4. American Late Classical Mahogany

Dressing Bureau, c. 1830, Philadelphia, the blocked mirror between well-turned columnar supports, three drawer superstructure, marble top, bolection molded drawers, raised on turned tapered legs, scalloped shelf, h. 79 in., w. 34 in., d 19 1/2. [$200/400] 3. Art Deco Burlwood Side

Chair, early 20th c., rectilinear back, caned seat, molded tapered legs, h. 36 1/4 in., w. 18 1/2 in. [$50/100]

5. Acadian Cypress Ladder

Back Chair, finials, broken runner, one stile extends up past the seat, hide seat, h. 33 in., w. 16 3/4 in., d. 15 in. [$20/40]

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6. American Late Classical

Mahogany Dressing Table, mid‑19th c., replaced wood top, frieze drawer, foliate cabriole supports, shaped stretcher shelf, spherule fee, lacking mirror, h. 30 in., w. 48 in., d. 19 1/2 in. [$10/20]

7. American Renaissance

Carved and Burled Walnut Washstand, late 19th c., rouge marble top, frieze drawer over a paneled cabinet and two drawers, blocked base, h. 27 in., w. 32 in., d. 17 1/2 in. [$50/100] 8. Inlaid Walnut Side Table Group, Bombay Co., square

table with spandrel top, reeded stretcher legs, two small drop leaf tables store inside, square h. 24 1/2 in., w. 16 in., d. 16 in.; round h. 22 3/4 in., dia. (open) 14 in. [$50/100]

9. American Classical‑Style

Mahogany Games Table, late 19th c., serpentine top, yoke support, incurvate plinth, on scroll feet, h. 27 in., w. 34 in., d. 18 3/4 in. Note: top damaged. [$100/200]

11. American Rosewood Settee, mid‑18th c., foliate floral

crest, serpentine seat rail, cabriole legs, h. 38 1/2 in., w. 64 in., d. 27 in. [$50/100]

10. Vintage Rustic Painted

Armchair, early 20th c., probably American, tablet crest rail, carved spindles, plank seat, splayed legs, h. 37 in., w. 22 3/4 in., d. 15 1/2 in. [$50/100]

12. American Pine Open Cupboard, three shelves,

arched feet, h. 36 in., w. 33 3/4 in., d. 11 in. [$50/100]

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13. American Late Classical

Mahogany Commode, c. 1840, serpentine top with conforming long drawer, ribbon molding, gothic doors, shaped apron, lacking marble or stone top, h. 28 in., w. 29 1/4 in., d. 14 3/4 in. [$50/75]

Condition: Structurally sound. One door detached. Spanning shrinkages; scattered chips, nicks, marks, abrasions and imperfections expected with age and use. AS IS.

14. American Rococo Carved Mahogany Dresser, mid‑19th c., arched

mirror, pierced crest centered by fruit and nut cluster, scrolled upright supports, serpentine base, marble top, foliate carved drawers, canted fruit‑carved stiles, scalloped base, h. 90 1/2 in., w. 47 1/2 in., d. 24 1/4 in. [$300/500] Provenance: A Natchez, Mississippi Collection.

16. Mexican Carved Pine Refectory Table, stamped “Hecho en Mexico”, plank top 15. Pair of American Rococo Carved Walnut Armchairs, 19th c., crest mounted

back, serpentine seats, cabriole legs, casters, h. 45 in., w. 25 1/4 in., d. 26 in. [$150/250]

with wrought iron roundels, shaped trestle base, h. 33 in., w. 79 in., d. 41 3/4 in. [$200/300]

Condition: Structurally sound. Losses to carved elements. Scattered chips, marks, nicks, abrasions and imperfections expected with age and use. AS IS.

18. Contemporary Brass

Umbrella Stand, basket weave design, h. 22 in., dia. 11 1/4 in. [$100/150]

17. American Chippendale‑Style Carved Mahogany Camelback Sofa, c. 1876, scrolled

arms, foliate ball and claw cabriole legs, h. 37 in., 85 in., d. 30 in. [$200/400]

Provenance: Barrett‑Blaine Antiques, Houston, TX, 1984; Selma Plantation, Washington, MS. 6

19. Contemporary Chest of Drawers, mahogany

finish, three shaped drawers, blocked feet, h. 30 in., w. 43 in., d. 15 3/4 in. [$50/100]

20. Pair of Aesthetic Movement Mahogany Side Chairs, hipped crest, caned seats,

tapered legs, h. 38 in., w. 16 in., d. 17 in.; together with Victorian side chair, shaped crest, spindled back, caned seat, h. 34 in., w. 17 in., d. 18 in. Note: Condition of each. [$50/100]

21. American Mahogany Rocker, mid‑19th

c., shaped back, scroll supports, shaped apron, h.

34 1/2 in., w. 24 in., d. 38 in. Note: lacking seat, runner reattached proper right side. [$10/20]

22. George III Mahogany Pembroke Table, c. 1800, oval top, string inlaid

frieze drawer and faux drawer, on square tapered legs, h. 29 in., w. 22 in., d. 35 in. [$100/200]

23. Edwardian Mahogany

Sunderland Table, late 19th/ early 20th c., deep drop leaves, turned tapered supports, medial stretcher, arched trestle base, h.

27 in., w. (open) 25 in., d. 26 in. [$200/400]

24. Antique Louis XV‑Style Carved Giltwood Stool, cushion top,

nailhead trim, feathered ball and claw cabriole legs, h. 20 1/2 in., w. 31 1/2 in., d. 21 1/2 in. [$100/150]

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25. George III Mahogany

Wingchair, molded tapered legs, stretchers, h. 43 1/2 in., w. 32 in., d. 24 1/2 in. [$200/400]

26. Georgian Carved Walnut

Side Chair, 18th c. and later, arched carved crest, pierced splat, stretcher base, square legs, h. 37 1/2 in., w. 20 3/4 in., d. 19 in. [$100/200]

28. Antique Louis XVI‑Style Carved

Mahogany Ballroom Chair, laurel wreath crest, fluted stiles, beaded chair rail, tapered fluted legs, h. 34 1/4 in., w. 16 3/4 in., d. 17 1/2 in. [$150/250] Provenance: Estates of Joyce and Donald Laidlaw, Bluffton, SC

27. Antique English Abalone Inlaid Papier‑Mache

Tray on Later Stand, 19th c., h. 19 3/4 in., w. 31 1/2 in., d. 24 1/2 in; Note: AS IS. [$100/200]

29. Continental

Chinoiserie Tilt‑Top Tea Table, 19th c., black lacquer ground with gilt court scene and dragon border, turned support, arched sabre legs, paw feet, h. 28 3/4 in., dia. 25 in. [$200/400]

30. Regency-Style Walnut and Mahogany Center Table,, labeled

“Beacon Hill Collection”, molded top, blocked frieze, faceted standard, incurvate triangular base, turned urn feet, h. 28 in., dia. 47 3/4 in. [$300/500] 8

31. French Restauration Carved Fruitwood

Fauteuil, early 19th c., arched crest rail, scrolled arm supports, shaped seat rail, sabre legs, h. 35 in., w. 23 in., d. 19 1/2 in. [$100/200]

32. Louis XV‑Style Painted and

30A. Pair of George III-Style Mahogany Side Chairs,

shaped crest rail, pierced splats over upholstered seats, stretchered legs, h. 39 1/4 in., w. 23 in., d. 21 1/2 in. [$200/300]

Bronze‑Mounted Vitrine Table, 20th c., shaped glazed top and case with velvet‑lined base, cabriole legs, stretcher shelf, sabots, h. 29 1/2 in., w. 21 3/4 in., d. 21 1/4 in. [$100/200]

34. Louis XVI‑Style Floral

33. Biedermeier Carved Figured Maple Settee, 19th c., shaped crest rail, flared

and Ribbon‑Carved Walnut Fauteuil ‘a Orielles, early 20th c., crest with rosettes, rectangular back, arms with rosette carved terminals, fluted supports and legs, h. 35 in., w. 22 in., d. 14 1/2 in. [$100/200]

arms fronted by cornucopia, molded seat rail, flared legs, scrolled toes, h. 40 in., w. 85 in., d. 27 1/2 in. [$200/400]

36. French Provincial Carved

Walnut Side Chair, 19th c., arched reticulated splat, rush seat, turned legs, h. 33 in., w. 16 3/4 in., d. 15 in. [$150/250] Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

35. Pair of Louis XVI‑Style Carved Faux Bois Fauteuils, oval back, outswept scroll

arms, ring turned tapered legs, h. 37 in., w. 29 in., d. 23 in. [$100/150]

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37. Empire‑Style

38. Italian Rococo Carved

Gilt‑Decorated Mahogany Gueridon, 21st c., composite marble top, decorated frieze and uprights, medial shelf, plinth base, h. 43 1/2 in., dia. 15 in. [$100/200]

Fruitwood Fall‑Front Desk, 19th c., fitted interior, leather writing surface, small false drawer flanked by two drawers, over one long drawer, scalloped apron, raised cabriole legs, h. 37 in., w. 38 in., d. (open) 30 in., d. (closed) 17 in. [$200/400]

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

39. Louisiana School,

20th c., “French Quarter Scene”, pastel on paper, monogrammed lower right, 14 3/4 in. x 10 3/4 in., framed. [$100/200]

Condition: Foxing; toning; scattered marks; surface dirt.

Frame: Scattered marks, nicks, abrasions and loss; separations in corners

40. Edward Bradfield (American/Mississippi, 1902‑1966), “Factory”, pastel on paper,

unsigned, separate piece of paper with signature on matting, 9 in. x 12 in., framed. [$100/200] Condition: Repaired upper corners with stabilizing corners added; pinholes in all corners and scattered along edges; scattered marks, light foxing and light buckling throughout; 2 white tape hinges along upper edge; 2 white tape hinges upper edge en verso. Frame: Marks, nicks, scrapes and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

41. Edna Wagner Piersol (American/Florida, 20th c.),

“Destin Concerto Triptych”, 1985, ink on paper triptych, signed and dated in each panel, each 30 in. x 22 1/2 in., each framed. (3 pcs.) [$100/200]

Condition: Light discoloration along edges; slightly ragged edges inherent to paper; light buckling; very light scattered marks and creases. Frame: marks, nicks, scuffs and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

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42. Francis Palmer Ward (American/Alabama, 1906‑1967), “Three

Maskers”, 1953, oil on board, signed and dated lower left, partial “Metropolitan Restaurant Prize Competition” label with artist and title on backing paper, 22 in. x 30 in., framed. [$100/200] Condition: Possible areas of inpainting approximately 1 in. x 1/2 in. at center; scattered areas of active flaking primarily lower half; light scattered marks.

Frame: Scattered marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

44. Ron Raymer (American/ Missouri, 1943‑2018), “Yellow Boy (Souix) [sic]”, 1981, acrylic on masonite, signed and dated lower right, signed on reverse of frame, titled and dated en verso, 11 3/4 in. x 8 7/8 in., framed. [$100/200]

43. After Elizabeth O’Neill Verner (American/South Carolina,

1883‑1979), “Standing Flower Seller” and “Seated Flower Seller”, 2 reproduction prints, sights 7 in. x 4 in., framed alike. (2 pcs.) [$50/100]

Condition: Slightly unevenly trimmed edges; very light scattered marks and accretions; light scratches along edges from contact with frame.

Frame: Marks, nicks, scratches, abrasions and losses

Condition: Toning and fading of paper; mat burn; tape hinges at upper edges. Frames: Scattered marks, nicks and abrasions; separations in corners.

Provenance: Estates of Joyce and Donald Laidlaw, Bluffton, SC

45. Mary Anderson (American/Kentucky, 19th/20th c.), “Figures Waiting at Shore”,

46. American School, 20th c., “People Fleeing a City”, mixed media on paper,

Condition: Losses along all edges; active flaking throughout, particularly along edges; scratches, marks and stains; surface dirt; 1/2 in. x 1 1/2 in. area of inpainting upper left corner; 1/4 in. dia. loss lower right; scattered areas of craquelure throughout; tape along all edges en verso; remnants of adhesive en verso. Frame: Marks, nicks, abrasions and losses; surface dirt; cracks; areas of repair with glue build‑up

Condition Report: Very light toning of paper and scattered marks; adhesive in center of work attaching work to backing board.

gouache on board, signed lower right, 10 1/2 in. x 18 in., framed. [$200/400]

unsigned, 12 in. x 17 5/8 in., unframed. [$5/10]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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48. American School, 20th c., “Wooded Landscape”, 1928, oil on canvas, illegibly

signed and dated lower right, 27 1/2 in. x 35 1/2 in., framed. [$100/200]

47. American School, 20th c., “City Scene”, gouache on board, unsigned, 22 1/2 in.

x 21 1/4 in., framed. [$100/200]

Condition: Losses; scratches; scrapes; accretions; yellow tape in lower corners; 4 in. tear with associated losses and creases upper left with corresponding patch en verso; 3 in. fold lower left corner; tape in lower edges en verso. Frame: Marks, nicks and abrasions.

Condition: Relined; new stretcher bars; inpainting in lower half of work; difficult to penetrate varnish layer with UV light; surface dirt; uneven varnish layer; marks and accretions; craquelure throughout sky. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

49. American School,

20th c., “Untitled (Landscape)”, oil on masonite, unsigned, 19 in. x 14 1/2 in., framed. [$100/200] Condition: Surface dirt; scattered marks and accretions; light scattered losses; areas of varnish build up. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

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50. Catherine Una Gilmer Hollands (Irish/American, 1891‑1968), “Still Life”,

oil on canvas, signed lower left, 32 in. x 34 in., framed. [$100/200]

Condition: 4 patches en verso; scattered craquelure; light surface dirt; scattered accretions and light paint loss; stretcher bar marks visible; scattered inpainting; difficult to penetrate varnish layer with UV light. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

51. American School, 20th c., “Mountain Landscape”, oil on canvas, signed “J. Hansen” lower right,

24 in. x 30 in., framed. [$100/200]

52. American School, 20th c., “Still Life with Wine and Fruit”, oil on

Condition: Light surface dirt; light scratches upper right corner; 3 in. scratch upper left corner; scattered marks and accretions. Frame: Marks, nicks and abrasions; light separations in corners.

canvas, illegibly signed lower right, 28 in. x 20 in., framed. [$100/200] Condition: Craquelure; scratches and paint loss along edges; scattered marks and accretions; difficult to penetrate varnish layer with UV light.

Frame: Surface dirt; marks, nicks and abrasions; scattered losses; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

53. Key Elizabeth Wenrick (American/Ohio, 1891‑1962), “Landscape”, oil on

canvas, signed lower right, inscribed with artist and title and “The Canton Art Institute, Canton, Ohio” label with artist and title on frame, 26 1/4 in. x 30 1/4 in., framed. [$100/200]

Condition: Light buckling lower right corner; light surface dirt; scattered marks and accretions; stretcher bar marks visible. Frame: Marks, nicks and abrasions; surface dirt; separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

54. Otto Koch (American/Illinois, 1883‑1965), “Mayan Temple”, 1933, oil on

panel, signed and dated lower right, titled en verso, “Authentification [sic] Groh Associates For The Committee” stamp en verso, 24 in. x 30 in., framed. [$100/200]

Condition: Surface dirt; marks and accretions; paint loss along edges; scattered scratches. Frame: Marks, nicks, abrasions and losses; separation in corners; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

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55. Elbert Granville Drew

(American/Illinois, 1866‑1934), “Still Life”, oil on canvas board, signed lower right, pencil‑signed, titled and inscribed en verso, 19 3/4 in. x 15 3/16 in., framed. [$100/200] Condition: Light buckling; scratches and light marks; scattered accretions; surface dirt. Frame: Marks, nicks, and abrasions; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

56. American School, 20th c., “Abstract Composition”, 1962, oil

on canvas, illegibly signed and dated lower left, 24 in. x 18 1/8 in., framed. [$100/200]

Condition: Buckling of canvas; scattered marks and accretions; difficult to penetrate varnish layer with UV light. Frame: Marks, nicks, abrasions and light losses.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

58. American School, 1934,

“Portrait of a Woman”, oil on canvas, signed “Meyer” and dated lower right, 24 1/8 in. x 18 in., framed. [$100/200]

57. Robert Burkitt Sprague (American/Ohio, b. 1904),

“Nauticana V”, 1944, oil on canvas, signed and dated lower left, label with artist and title on stretcher, 25 in. x 15 3/4 in., framed. [$100/200]

Condition: Repair lower right with 1 3/4 in. x 1 3/4 in. patch en verso; scattered surface marks; small dots of loss upper right (sail), mid‑right and lower center; light surface dirt. Frame: Scattered marks, nicks and abrasions; separation in lower right corner.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

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Condition: Surface dirt; scattered abrasions, surface marks and small losses; light buckling of canvas; craquelure throughout; stretcher bar marks visible at all sides.

Frame: Scattered marks, nicks and abrasions; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

60. American School, 20th c., “Babylon”, 1960, oil on masonite, signed “Shattuck”

lower left, signed, titled and dated en verso, 29 in. x 18 in., framed. [$100/200]

59. American School, 20th c., “Still Life with Jugs”, 1965, oil on canvas, signed “E.

Holm” and dated lower right, 16 in. x 20 in., framed. [$100/200]

Condition: Surface dirt; marks and accretions; scattered brush fibers throughout; buckling of canvas; scattered craquelure; some colors fluoresce under UV light including signature.

Frame: Marks, nicks, light losses and abrasions; separation in corners.

Condition: Light surface dirt; uneven varnish layer; light scratches and abrasions; difficult to penetrate varnish layer with UV light. Frame: Marks, nicks, scrapes and abrasions; light scattered losses; crack right corner.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

61. American School, 20th c., “Market Scene with Fishmongers”, oil on canvas,

62. Della Otis Bushnell (American, 1877‑1971), “Nautical Still Life”, oil on

Condition: Scattered surface marks; light surface dirt. Frame: Scattered marks, nicks and abrasions; surface dirt; slight separations in corners.

Condition: Scattered light surface marks; light surface dirt; scratch approximately 1 1/2 in. mid‑right. Frame: Scattered marks, nicks and abrasions; surface dirt; separations in corners.

signed lower right, partial Pittsburgh, PA gallery label on backing board, 22 1/8 in. x 18 1/8 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, s old to benefit their Collections, Care and Acquisitions Funds.

canvas, signed lower right, 41 3/4 in. x 29 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, s old to benefit their Collections, Care and Acquisitions Funds 15

63. Frederick Gardner (American/New York, 1880‑1932), “Landscape with Houses”,

1912, oil on panel, signed and dated lower left, “Reeves & Sons, London” stamp en verso, 12 in. x 16 in., framed. [$100/200]

Condition: Light surface dirt; scattered losses; scattered marks and scratches; cleaned but not recently; 12 in. crack upper edge inherent to panel; scattered areas of inpainting along all edges and in trees. Frame: Marks, nicks, scrapes and abrasions; surface dirt; scattered cracks and paint loss.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

63A. Eugene Du Bois Gish (American, 19th/20th c.), “The Patio”, 1929, oil on board, unsigned, titled, dated AND label with artist en verso, 11 7/8 in. x 9 3/4 in., framed with artist and title plaque. [$100/200] Condition: Scattered surface marks and small losses; pinpoint holes lower center and mid‑left; unevenly trimmed at edges. Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

65. DeAlton Valentine

(American/Ohio, 1889‑1936), “Chopped Wood”, oil on canvas mounted to board, signed lower right, 12 in. x 9 in., framed. [$200/300] Condition: Light scratches and paint loss along all edges; light scattered accretions; some colors fluoresce under UV light. Frame: Marks, nicks, abrasions and light losses; surface dirt; separation in corners.

64. American School, 20th c., “Portrait of a Man”, oil on canvas,

unsigned, 30 1/4 in. x 24 in., framed. [$100/200]

Condition: Surface dirt; stretcher bar marks visible; scattered paint loss, marks, abrasions, scratches and accretions; 1 in. scratch lower left; scattered craquelure pattern. Frame: Marks, nicks, scrapes, abrasions and light losses; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

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Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

66. American School, 20th c., “River Landscape at Dusk”, oil on canvas, unsigned,

10 in. x 20 in., framed. [$100/200]

Condition: Relined, retained original stretcher bars; craquelure pattern throughout; cleaned; scattered accretions; light surface dirt; multiple campaigns of restoration; difficult to penetrate varnish layer, some colors fluoresce under UV light. Frame: Marks, nicks, abrasions and paint loss; separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

67. Shohei Komiyama

(Japanese/American, 1916‑1997), “Mother and Children”, gouache on paper, signed lower right, 28 1/2 in. x 22 5/8 in., framed. [$200/300] Condition: Very light buckling, scattered marks and accretions.

Frame: Marks, nicks, scrapes and scuffs; separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

68. S.G. Michael (American, 20th c.), “Shy”, 1929, oil on

canvas, signed and dated lower left, signed, titled and dated en verso, 30 in. x 25 in., framed. [$100/200] Condition: Scattered surface marks; slight buckling of canvas; craquelure throughout; stretcher bar marks visible; surface dirt.

Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

70. Jessie Lara Ulloa

(American, 1912‑1943), “Woman with Hand Raised to Forehead”, mixed media on board, signed lower right, 12 in. x 12 in., framed. [$100/200]

69. Greg Sellers (American, 1945‑2009), “Untitled”, 1969, acrylic on board,

signed and dated lower right, “Koch Galleries, Mobile” label on backing paper, 20 in. x 30 in., framed. [$100/200]

Condition: Scattered marks and accretions; very light toning; remnants of adhesive and scattered pencil marks along all edges; very light buckling; unable to remove from backing. Frame: Marks, nicks, abrasions, scuffs and light losses.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

Condition: Scattered surface marks, scratches and losses. Frame: Scattered marks, nicks and abrasions; surface dirt; slight separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

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71. Louis Weiner (Russian/American, 1867‑1967), “Untitled (Landscape)”,

watercolor on paper, signed lower right, 13 7/8 in. x 16 1/8 in., framed. [$200/300]

Condition: Light toning and buckling; ragged left edge; discoloration from previous matting; scattered foxing and marks; scattered small losses along edges; brown tape along all edges en verso; 2 white tape hinges along top edge en verso. Frame: Marks, nicks, scrapes and abrasions; losses and areas of discoloration; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

72. American School, 1942, “Train Crossing”, watercolor and graphite on paper,

signed “W.H. Murphy” and dated lower right, 15 in. x 18 in., framed. [$100/200]

Condition: Scattered foxing; discoloration at edges; adhesive remnants at upper corners; pinholes in corners likely hand of artist; three tape hinges at upper edge en verso. Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

73. Ann Kolb (American, 20th c.), “Two Figures”, charcoal on paper, pencil‑signed

74. Charles Hart Baumann (American, 1892‑1983), “Dock Scene”, 1932,

Condition: Light scattered losses and discoloration along edges; light scattered creases; scattered marks and smudges; 2 clear tape hinges upper edge recto and verso; slightly unevenly trimmed edges. Frame: Marks, nicks, scrapes and abrasions.

Condition: Toning; loss along edges; light matburn; stain upper center; beginning of foxing. Frame: Scattered marks, nicks and abrasions; light surface dirt.

lower left, inscribed en verso, 15 5/8 in. x 15 5/8 in., framed. [$75/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

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watercolor and graphite on board, signed and dated lower right, 17 7/8 in. x 16 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

75. Will Graven (American, 20th c.), “Couple in the Park”, 1931, watercolor

on Whatman watercolor board, signed and dated lower left, pencil‑signed and inscribed twice en verso, 19 in. x 15 7/8 in., framed. [$100/200]

Condition: Mat was attached directly to work; 3 in. of adhesive and remnants of matting around work; toning; light scattered marks and stains; discoloration from previous matting. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

76. John O’Hara Cosgrave II (American/California, 1908‑1968), “The American

August 22, 1851”, watercolor on paper, signed lower left, titled lower center, 6 5/8 in. x 6 5/8 in., framed. [$100/200] Condition: Toning; light buckling; discoloration along edges and from previous mattings; work has been trimmed down; 2 white tape hinges in upper corners recto and verso. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

77. American School, 19th/20th c., “Untitled (Landscape)”, watercolor on paper

78. Arthur S. Holman (American/Oklahoma, 1926‑2015), “Albuquerque”, 1949,

Condition: Toning; marks and stains; light foxing; losses upper right corner; scratches and marks throughout. Frame: Marks, nicks, scrapes, abrasions and small losses.

Condition: Slightly ragged edges inherent to paper; buckling throughout; brown tape hinge along upper edge en verso. Frame: Marks, nicks and abrasions.

mounted to board, signed “C. Dressel” lower right, “Kahn Galleries, Mobile” label on frame, 9 3/16 in. x 13 7/8 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

casein on paper, pencil‑signed, titled and dated en verso, signed, titled and dated on backing paper, 15 1/8 in. x 22 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

19

80. William H. Bradley (American,

1868‑1962), “Clown”, pastel and graphite on paper, signed lower right, 10 in. x 8 in., framed. [$100/200]

Condition: Scattered surface marks and abrasions; edges unevenly trimmed; remnants of tape hinges along edges en verso. Frame: Scattered marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

79. American School, 20th c., “Hunting”, watercolor on paper, illegibly

signed lower right, 15 in. x 19 in., framed. [$100/200]

Condition: Slightly ragged edges inherent to paper; very light scattered marks; remnant of clear tape hinge in upper left corner; yellow tape along all edges en verso; remnants of clear tape hinges along lower edge.

Frame: Marks, nicks and abrasions; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

81. Pauline Graff Little Ozmun (American/Illinois, 1902‑1993), “The Plaza”, watercolor on paper mounted to board, unsigned, 13 7/8 in. x 19 1/4 in., framed. [$100/200]

Condition: Scattered marks and stains; 8 in. mark upper right; scattered small losses along edges. Frame: Marks, nicks and abrasions; light separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

83. American School,

20th c., “Small Town”, watercolor on paper, signed “Tapling” and titled en verso, handwritten label with artist and title on backing paper, 12 in. x 18 in., framed. [$100/200]

82. E. B. Foster (American, 20th c.), “Still Life with Peonies”,

watercolor on paper mounted to board, signed lower right, 13 in. x 19 in., framed. [$100/200]

Condition: Edges slightly peeling away from mount; toning; discoloration from previous mattings; scattered marks; 2 in. x 1/4 in. loss upper edge; remnants of brown tape along full upper edge.

Frame: Marks, nicks and abrasions; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

20

Condition: Toning of paper; matburn; several tears at edges; several pinholes, 2 in upper corners (appear to be hand of artist); left deckle edge; slight buckling of paper; remnants of tape hinges along edges; 4 tape hinges along upper edge with two tape hinges en verso. Frame: Scattered marks, nicks, abrasions and loss; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

85. Helen M. Klug (American, 20th c.), “Still Life with Chrysanthemums”, watercolor on paper mounted to board, pencil‑signed twice lower right, 15 in. x 19 in., framed. [$100/200]

84. Pauline Graff Little Ozmun (American/Illinois, 1902‑1993), “Women on the Beach”, watercolor and graphite on paper, signed “Pauly” lower right, 14 in. x 20 in., framed. [$100/200]

Condition: Toning; corners slightly peeling away from mount; scattered losses along edges; 1 in. tear mid‑right edge; beginning signs of foxing; discoloration from previous matting; scattered marks. Frame: Marks, nicks, scratches, scuffs, separation in corners.

Condition: Light toning and light buckling; discoloration from previous matting; scattered marks and smudges; 2 clear tape hinges along upper edge en verso; remnant of adhesive along full page en verso. Frame: Marks, nicks and abrasions; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

86. Donald Stuart Bass (American, 20th c.), “Harbor”, watercolor on paper

mounted to board, signed lower right, 15 in. x 22 in., framed. [$100/200]

Condition: Light toning; discoloration along edges from previous matting; light scattered marks and stains. Frame: Marks, nicks and abrasions; separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

87. Arthur Ewart (American, 20th c.), “Telegraph Hill, San Francisco”, 1952, mixed

media on paper, signed lower right, typed label with title and date and “House of Heydenryk, New York” label on backing board, 18 3/4 in. x 24 in., framed. [$100/200] Condition: Light buckling; marks, stains and accretions; surface dirt; 10 pinholes scattered throughout corners and edges; scattered scratches and paint loss; remnants of 4 tape hinges along top edge en verso. Frame: Marks, nicks, losses, holes and surface dirt; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

21

89. Pauline Graff Little Ozmun (American/Illinois, 1902‑1993), “Tropical Village Market”, “Landscape” and “Mountains and Pines, View From Chouinard’s Cabin ‑ Running Springs”, 3 watercolors on paper or board, signed “Pauley” lower right or left, one titled lower left, each 15 in. x 20 in., framed alike. (3 pcs.) [$300/400]

88. Brenda Randolph (American, 20th c.), “Hidden Female Figure”, mixed

media on paper, unsigned, “Kahn Galleries, Mobile” label on backing board, 32 in. x 40 in., framed. [$100/200] Condition: Light buckling; light tears along edges; light surface dirt; white tape hinges along top edge en verso. Frame: Marks, nicks and abrasions.

Condition: Toning; discoloration; mat burn; scattered marks and stains; buckling of paper; brown tape along all edges en verso of paper; light warping of board; all have 2 clear tape hinges along top edge en verso. Frames: Marks, nicks, abrasions and light losses.

Provenance: Property of the Mobile Museumof Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

90. Roberto Benjamine

Rascovich (Croatian/American, 1857‑1905), “Gentleman Smoking a Pipe”, watercolor on board, signed lower left, 13 7/8 in. x 8 7/8 in., framed. [$300/500] 91. American School, 20th c., “Mountain

Landscape”, oil on canvas board, illegibly signed lower right, 14 in. x 18 in., framed. [$200/400]

Condition: Toning of varnish; loss and abrasions at edges; surface dirt; scattered surface marks; board slightly warped. Frame: Scattered marks, nicks, abrasions and loss; light separations in corners

92. Charles W. Patterson

(American, 1870‑1938), “Spring Forest”, 1927, oil on canvas, signed and dated lower right, 11 in. x 14 1/8 in., framed. [$100/200] Condition: Possible scattered dots of inpainting; scattered losses; active flaking; craquelure throughout; buckling of canvas; signature and date appear to be reinforced. Frame: Scattered marks, nicks and abrasions; light surface dirt 22

94. Ovanes Berberian (Armenian/American, b. 1951), “Boat at the Dock”, 1985, oil on board, signed and dated lower right, 12 in. x 16 in., framed. [$400/600]

Condition: Light wear and scattered loss at edges; scattered light surface marks; light surface dirt.

Frame: Scattered marks, nicks and abrasions 93. Stanley Grotevent Breneiser (American, 1890‑1953), “Approaching Storm”, 1943, watercolor on paper on board, signed and dated lower right, “Faulkner Frame Shop, Tulsa” label with artist and title and inscribed on backing paper, 14 3/4 in. x 19 1/8 in., framed. [$200/400] Condition: Brown tape along all edges en verso; remnants of adhesive along top edge; 12 pinholes scattered throughout edges; discoloration from previous matting. Frame: Marks, nicks and abrasion

96. Joseph Decker (American, 1853‑1924), “Men on a Boat”, oil on canvas,

signed lower right, handwritten label on stretcher, 18 in. x 24 in., framed. [$100/200]

Condition: Relined; active flaking and loss along left edge and lower left corner; craquelure throughout; toning of varnish; surface dirt; scattered surface marks. Frame: Scattered marks, nicks, abrasions and loss; surface dirt 95. American School, 20th c., “Ships in Harbor”, watercolor on paper, unsigned,

12 in. x 14 in., framed. [$200/400]

Condition: Discoloration; water damage; losses along all edges from insect damage; marks and smudges; mold, mainly along right side; 3 in. crease with associated small tears upper left corner; light buckling; scattered tears along edges. Frame: Marks, nicks, scrapes and surface dirt; stains; scattered green marks

97. Ron Raymer (American/

Missouri, 1943‑2018), “Has No Horse, Shoshone”, 1981, acrylic on masonite, signed and dated lower right, titled and dated en verso, inscribed “Raymer” and dated on frame, 12 in. x 9 in., framed. [$200/400]

Condition: Scattered light surface marks; light surface dirt; scattered accretions. Frame: Scattered marks, nicks and abrasions; surface dirt

98. American School, 20th c., “Mt. Hood”, oil on board, unsigned, pencil‑titled en verso,

9 in. x 15 7/8 in., framed. [$75/100]

Condition: Yellowing of varnish layer; scratches along edges from contact with frame; marks and accretions; scattered losses. Frame: Marks, nicks, abrasions, surface dirt and separations in corners 23

99. Tom Perkinson

(American/New Mexico, b. 1940), “Santa Fe Sunset Series #2”, pastel on paper, unsigned, pencil‑inscribed with artist and title and “The Howell Gallery, Oklahoma City” label on backing paper, 9 in. x 6 3/4 in., framed. [$200/400] Condition: Light buckling; very light scattered marks; remnants of yellow tape hinges in upper corners en verso. Frame: Marks, nicks and abrasions.

100. Ovanes Berberian (Armenian/American, b. 1951), “Peony”, oil

on masonite, signed lower left, “Philbrook Art Center” stamps and inscription on backing paper, 12 in. x 14 in., framed. [$200/400]

Condition: Unevenly trimmed edges; very light scattered marks. Frame: Marks, nicks, losses, abrasions and surface dirt.

101. Ovanes Berberian (Armenian/American, b. 1951), “La Jolla”, oil on board, signed

lower left, inscribed with artist name and titled en verso, 12 in. x 16 in., framed. [$200/400] Condition: Scattered light surface marks; pinholes along edges likely hand of artist; light surface dirt. Frame: Scattered marks, nicks and abrasions.

102. American School, 19th/20th c., “Landscape”, oil on canvas, unsigned,

“Johns Brothers, Denver” label on frame, 14 in. x 10 in., framed. [$100/200]

Condition: Stretcher bar marks visible; marks, accretions and light losses throughout; surface dirt; canvas is slack on stretcher; scratches along edges from contact with frame. Frame: Losses; scattered scratches, marks, nicks and abrasions; surface dirt.

103. Ovanes Berberian (Armenian/American, b. 1951),

“San Pedro Harbor”, 1985, oil on panel, signed and dated lower left, signed and titled en verso, 12 in. x 16 in., framed. [$200/400]

Condition: Pinholes and loss at edges likely hand of artist; light surface marks; light surface dirt. Frame: Scattered marks, nicks and abrasions; light surface dirt.

24

104. George F. Schultz (American/Illinois, 1869‑1934), “Landscape with Pond”, oil on

board, signed lower right and en verso, 10 1/4 in. x 13 1/8 in., framed within additional shadowbox frame. [$200/300]

Condition: Surface dirt; marks and accretions; scratches and discoloration on edges from contact with frame; small pinhole upper right. Frames: Marks, nicks, scratches, abrasions, losses, surface dirt and paint loss; separation in corners.

105. American School, 20th c., “Home Interior”, oil on board, unsigned,

12 in. x 9 in., framed. [$100/300]

Condition: Possible inpainting lower left (door frame); scattered accretions; surface dirt; scattered loss at edges particularly upper right corner and lower left corner; nail hole and loss upper center; craquelure visible in upper half of work. Frame: Scattered marks, nicks and abrasions; surface dirt.

106. American School, late 19th c., “Moonlit Landscape”, oil on canvas, illegibly signed lower

left, heavily inscribed on backing board, 10 1/8 in. x 14 1/4 in., framed. [$200/400]

Condition: Some colors fluoresce under UV light; scattered accretions; surface dirt; toning of varnish. Frame: Scattered marks, nicks, abrasions and loss; surface dirt; separations in corners.

107. American School, 20th c., “Side Yard”, oil on

board, unsigned, 12 in. x 9 in., framed. [$100/300]

Condition: Loss and wear particularly in corners; 2 nail holes and loss at upper center; craquelure visible in upper half; light surface dirt. Frame: Scattered marks, nicks and abrasions; light surface dirt.

25

108. American School, 20th c., “Tree”, oil on canvas,

illegibly signed lower left, 17 in. x 13 1/4 in., framed. [$200/300]

Condition: Light surface dirt; light scattered marks and accretions; light inpainting. Frame: Marks, nicks and abrasions; surface dirt; light separation in corners.

109. Frank Knox Morton Rehn (American/Pennsylvania, 1848‑1914), “Late Summer Landscape”, oil on

canvas, signed lower right, partial label with artist and title on reverse of frame, 16 in. x 28 in., framed. [$200/300]

Condition: Relined; cleaned; multiple campaigns of restoration; paint loss, particularly along edges; scattered marks and accretions; surface dirt; work does not fit properly in frame. Frame: Marks, nicks, scrapes, losses and surface dirt; separation in corners.

110. American School, 20th c.,

“Landscape with House”, oil on canvas, illegibly signed lower right, 14 in. x 18 in., framed. [$100/200]

Condition: Scattered marks and abrasions; light surface dirt.

Frame: Marks, nicks and abrasions.

26

111. Joan Griswold (American, b. 1954), “Buono

Notte”, oil on panel, initialed lower right, signed, titled and inscribed en verso, 7 in. x 8 3/8 in., framed. [$100/150] Provenance: Estate of Julia Evans Reed.

112. Ronald Davis (American/California, b. 1937), “Half Cylinder”, 1980,

watercolor on paper, pencil‑signed, dated and dedicated lower margin, sight 10 1/2 in. x 14 1/2 in., framed. [$300/500]

Condition: Light buckling; light scattered marks. Frame: Marks, nicks and abrasions.

113. Carlos Cámara (Mexican, 20th c.), “Seated Women”, oil on canvas,

signed lower left, 30 in. x 35 1/2 in., framed. [$100/200]

Condition: Relined; new stretcher bars; light surface dirt; scattered accretions; uneven varnish layer; light craquelure; extensive inpainting. Frame: Marks, nicks, abrasions and losses; scattered pinholes.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

114. Pedro Paulo da Caoceiçao (Brazilian, 20th c.), “Children at Play”, 1974, oil on

canvas, signed and dated lower right, 7 3/4 in. x 9 1/2 in., framed. [$100/200]

Condition: Inpainting in lower center with repair en verso; inpainting lower left corner and mid‑right; flaking upper center (sky) and mid‑right (figure in yellow and red); scattered surface marks; light surface dirt. Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

27

115. Brazilian School, 1977, “Fisherman with Net”,

mixed media on copper, signed “Che Mariano” and dated lower left, signed, dated and inscribed “Gaurujá ‑ Sao Paulo, Brasil” on handwritten label en verso, 13 3/4 in. x 10 1/4 in., framed. [$100/200] Condition: Scattered scratches and light surface marks.

Frame: Scattered marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

116. Mexican School, 20th c., “Fiesta”, oil on canvas, signed “Estarr” lower right, 24 in. x 30 in., framed.

[$100/200]

Condition: Light scattered accretions; very light scratches; surfaced dirt. Frame: Marks, nicks and abrasions

118. Continental School, 19th c.,

“Woman in a White Shawl”, oil on canvas, signed “C. Godard” lower left, 23 5/8 in. x 15 3/16 in., framed. [$100/200]

117. Raoul Lemetz (Belgian, 1934‑2002), “Aurum

Pescae”, stainless steel and 12 kt. gold, signed and titled en verso, artist biography and certificate of authenticity for gold wire on backing, 16 in. x 20 in., unframed. [$100/200] Condition: Scattered accretions; surface marks and scratches; scratch approximately 2 1/2 in. lower left; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

28

Condition: Relined; new stretcher bars; craquelure; scattered marks and accretions; light surface dirt; extensive inpainting; multiple campaigns of restoration. Frame: Marks, nicks, abrasions, scratches, losses, stains and paint loss; cracks and separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

119. Jozsef Bresnay (Hungarian, 1916‑2012), “The Artist’s Daughter, Livia, Age

Twelve, With Her Best Friend Czazi”, oil on canvas, signed lower right, 25 3/4 in. x 31 3/4 in., framed. [$300/500]

Condition: Light scattered surface marks; surface dirt. Frame: Scattered marks, abrasions, cracks and repairs; separations in corners.

120. Jean Calogero (Italian, 1922‑2001), “En Masque”, oil on canvas mounted

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

to masonite, signed lower left, “Exhibition E791” inscribed on mount and backing board, 14 in. x 10 3/4 in., framed with artist and title plaque. [$300/400]

Condition: Light surface dirt; craquelure throughout; light scattered accretions. Frame: Marks, nicks and abrasions; scattered cracks; separations in corners; scattered losses.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

121. Breyten Breytenbach (South African/French, b. 1939), “Quinta del Sordo”,

122. Michele Capuano (Italian, 19th/20th c.), “Italian Fishermen”, watercolor on

Condition: Very light buckling; scattered light marks and accretions; scattered creases; 3 white tape hinges along top edge en verso. Frame: Marks, nicks and abrasions.

Condition: Toning; foxing; discoloration from previous mattings; scattered marks.

Frame: Marks, nicks, scrapes, abrasions, losses and separations in corners; surface dirt.

mixed media on paper, signed lower left, signed, titled and inscribed en verso, 25 7/8 in. x 29 3/4 in., framed. [$700/1000]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

paper mounted to board, signed lower right, “Marshall Field and Company Picture Galleries” label on backing paper, 9 1/4 in. x 14 5/8 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

29

123. Julian Ramos Martin de Vidales (Spanish, b. 1930), “Untitled”, 1966, mixed media on board,

signed and dated upper right, 28 1/4 in. x 19 3/4 in., framed. [$100/200]

Condition: Very light buckling; scratches and light losses along edges; scattered scratches and marks throughout; 2 clear tape hinges upper corners recto and en verso; remnants of brown tape and adhesive lower corners en verso. Frame: Marks, nicks and abrasions; small crack in glass lower right corner; work does not fit properly in mat.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

124. Continental

School, 20th c., “Sailboat and Steamship on the Water”, oil on panel, unsigned, inscribed en verso, 15 1/2 in. x 19 3/4 in., framed. [$75/100]

Condition: Uneven varnish layer; scattered marks; surface dirt. Frame: Scattered marks, nicks and abrasions; surface dirt.

125. Continental School, 19th c.,

“Apples in Basket”, oil on canvas, unsigned, 12 1/2 in. x 16 1/2 in., framed. [$100/200]

Condition: Stretcher bar marks visible; craquelure; scattered paint loss; canvas slack on stretcher; scratches along edges from contact with frame; accretions; areas of varnish build‑up; work does not fit properly in frame; unable to penetrate varnish layer with UV light. Frame: Marks, nicks, scratches, abrasions; losses and separation in corners.

126. Continental School, 20th c., “Woman with Flowers”, oil on

board, signed “Richter” lower right, 11 7/8 in. x 16 in., framed. [$100/200]

127. Continental School, 20th c.,

“Fall Landscape with House”, oil on canvas board, illegibly signed lower left, 14 in. x 11 in., framed. [$100/200]

Condition: Scattered light surface marks; surface dirt; canvas cut at upper left; scattered losses at edges; scattered accretions. Frame: Scattered marks, nicks and abrasions; surface dirt; separations in corners.

30

Condition: Uneven varnish layer; 3/4 in. loss upper right corner; abrasions and loss at edges; remnants of silver paint from frame at upper and mid‑left edges; small pinpoint loss upper center; scattered light surface marks. Frame: Scattered marks, nicks and abrasions; slight separations in corners.

128. After Pompeo Girolamo Batoni (Italian, 1708‑1787), “Penitent Magdalene”,

oil on canvas, unsigned, 12 in. x 14 3/4 in., framed. [$100/200]

Condition: Relined; multiple campaigns of restoration; inpainting visible to the naked eye; craquelure; marks and accretions; scattered paint loss; stretcher bars mark visible; remnants of gilding along edges from contact with frame; scattered areas of bloom along edges; surface dirt; unable to penetrate varnish layer with UV light. Frame: Marks, nicks, scrapes, abrasions, surface dirt; glass loose in frame; light separation in corners.

129. Continental School, 20th c., “Landscape”, oil on masonite, illegibly signed lower center, 15 5/8 in. x 11 7/8 in. (oval), framed. [$75/100]

Condition: Scattered accretions and surface marks; surface dirt.

Frame: Scattered marks, nicks and abrasions; surface dirt.

130. Jules Chadel (French, 1870‑1942), “Four Frogs”, watercolor on Japanese paper, artist

stamp mid‑left, artist name pencil‑inscribed en verso, 2 printed labels and “W.M. Brady & Co., Inc., New York” label with artist on backing paper, 9 in. x 9 1/2 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed Photo Lesley Unruh | www.unruhphoto.com 31

131. Continental School, 19th/20th c., “Study of a Donkey”,

graphite on paper, unsigned, 5 3/8 in. x 7 7/8 in., framed. [$100/200] Provenance: Estate of Julia Evans Reed

132. Continental School,

19th/20th c., “Study of Horse Hoof”, graphite on paper, unsigned, partial sketch en verso, 7 3/8 in. x 4 1/2 in., framed. [$100/200] Provenance: Estate of Julia Evans Reed Photo Lesley Unruh | www.unruhphoto.com

133. O. De Caluwé (French, 20th c.), “Sailboats at Sunset”, 1922, oil on canvas, signed and dated lower left, 10 in. x 8 in., unframed. [$100/200]

Condition: Scattered loss at edges, particularly upper and lower right corners; stretcher bar marks visible; scattered surface marks; light surface dirt.

32

135. Louie O’Gorman (Irish, 19th/20th c.), “The Lute Player”, oil on canvas, signed lower right, 134. Norman Westwood (British, 20th c.), “Street Scene with

Figures and Black Cat”, oil on canvas, signed lower right, London canvas stamp en verso, 12 1/8 in. x 10 in., framed. [$100/200] Condition: Possible small dots of inpainting upper right; scattered light surface marks; light surface dirt. Frame: Scattered marks, nicks, abrasions and loss; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

“Reeves & Sons, London” stamp en verso, 20 in. x 27 in., framed. [$200/300]

Condition: Stretcher bar marks visible; slack on stretcher; craquelure throughout; light surface dirt; cleaned but not recently; scattered scratches and accretions; light buckling; unable to penetrate heavy varnish layer with UV light. Frame: Losses throughout; marks, nicks, scratches, abrasions and cracks; separation and cracks in corners; work does not fit properly in frame.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

137. Alice M. Bryson (British, 19th/20th c.), “Hillside Path (Landscape)”,

136. Patrick Burke (British, 1932‑2010), “Ensemble”, 1962, oil on canvas, signed,

titled, dated and inscribed en verso, 17 3/4 in. x 21 1/2 in., framed. [$400/500]

Condition: Uneven varnish layer; light buckling of canvas; surface dirt; scattered marks and accretions. Frame: Marks, nicks and abrasions; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

double‑sided watercolor on paper, pencil‑signed lower left, “Certificate of Authenticity” label with artist and title and “Koch Galleries, Mobile” label on backing paper, 12 1/8 in. x 14 7/8 in., framed. [$100/200] Condition: Ragged edges inherent to paper; pinholes scattered throughout edges; discoloration from previous mattings; light scattered marks; light buckling; 4 white tape hinges en verso; remnants of adhesive throughout en verso. Frame: Marks, nicks, scrapes and abrasions; very light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

33

138. British School, 19th/20th c., “Hampstead, England”, “Highgate” and “Untitled (Landscape)”, 3 watercolors on paper

mounted to board, 2 illegibly pencil‑signed lower right and one lower left, 2 titled on mount, inscribed “Hampstead, Eng” and “Koch Galleries, Mobile” labels on backing papers, 5 1/4 in. x 4 3/4 in. to 5 in. x 7 3/4 in., framed together. [$100/200]

Condition: Toning; trimmed edges; light scattered marks, stains and foxing. Frame: Marks, nicks, scrapes and abrasions; light separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

139. Timothy B. Whitby (British, 19th/20th c.), “St. Amant”, oil on canvas, signed lower left, titled lower center, London canvas stamp en verso, handwritten label with biography of horse on stretcher, 10 1/8 in. x 14 in., framed. [$200/400]

Condition: Difficult to penetrate varnish layer with UV light; surface dirt and scattered accretions and surface marks; craquelure throughout; small pinpoint losses center (sky above horse). Frame: Scattered marks, nicks, loss, abrasions; surface dirt; separations in corners.

34

140. British School, 20th c., “Winter”, oil on canvas, signed “H. Pettitt” lower right,

10 1/4 in. x 14 1/4 in., framed with artist and title plaque. [$75/100]

Condition: Surface dirt; 1 in. tear center right; scattered marks and accretions; scattered losses. Frame: Surface dirt; stains; cracks; losses; marks; separation in corners.

141. Charles Edward Hannaford (British, 1863‑1955), “The Ogwen Valley Near

Capel Curig, North Wales”, watercolor on paper mounted to board, signed lower right, 2 typed labels with artist and title on backing paper, 10 in. x 14 in., framed with artist plaque. [$200/400]

Condition: Toning; mat burn; scattered marks and light stains; discoloration along edges; beginning signs of foxing; surface dirt. Frame: Marks, nicks, abrasions, scratches and losses; separation in corners.

143. Antique Print, “Basket of Plants and a Bird’s Nest”, chromolithograph on paper

mounted to board, unsigned, 13 1/2 in. x 17 1/2 in., framed. [$5/10]

Condition Report: Overall poor condition; discoloration, surface dirt, buckling, scratches and marks; 2 1/2 in. x 1 1/2 in. puncture with associated losses, tears and creases.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

142. British School, 19th c., “Girl with Doll and Bird in Cage”, watercolor on paper,

unsigned, illegible handwritten label en verso, 7 in. x 5 7/16 in., framed. [$100/200]

Condition: Light buckling; toning; losses throughout; large area of multiple losses with corresponding repairs en verso lower left; foxing, marks and stains; remnants of gilding from previous matting; discoloration from previous matting; remnants of adhesive en verso. Frame: Marks, nicks, abrasions, stains and surface dirt; light separation in corners.

35

144. After Paul Léon Jazet (French, 1848‑1918), “Battle of Trafalgar Death of

Nelson”, 1889, chromolithograph on canvas, signed in plate, 26 7/8 in. x 39 1/2 in., unframed. [$5/10]

Condition: Overall very poor condition; toning; discoloration; large tears and losses throughout; multiple large patches and areas of adhesive en verso; large folds, creases, marks and stains throughout.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

146. After Charles West

Cope (British, 1811‑1890), “First Trial by Jury”, 1849, hand‑colored steel engraving on paper, unsigned, sight 16 in. x 20 3/4 in., framed. [$10/20]

Condition: Overall poor condition; toning; discoloration; marks, stains, creases and buckling throughout.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

145. After William Ludwell Sheppard (American/Virginia, 1833‑1912),

“Virginia, 1864”, 1888, photogravure on paper, signed in plate, printed by Boston Photogravure Company, sheet 21 1/4 in. x 30 in., unframed. [$5/10]

Condition: Overall very poor condition; heavy stains throughout; heavy discoloration; foxing; marks, tears and losses throughout; large loss upper left corner.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

147. Embroidery Designs,

6 hand‑colored prints, published by Otto Beyer, Leipzing, artist names lower center, ordering instructions en verso, sheets 13 3/8 in. x 10 5/8 in. and 10 5/8 in. x 13 3/8 in., unframed. (6 pcs.) [$50/100]

Condition: Toning; discoloration; scattered stains; scattered loss and small tears at edges; plates 1 and 2 creased; plate 2 with 2 remnants of tape hinges at upper edge en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

148. Hamilton Greek Vase Print,

“The Departure, Woman with Warrior”, 1801‑1808, hand‑colored engraving on paper, from Antiquites Etrusques, Grecques et Romaines, Tirees du Cabinet de M. William Hamilton, sheet 10 1/16 in. x 11 7/16 in., framed. [$75/100] Condition: Toning; discoloration; marks and smudges; light buckling; 4 clear tape hinges along edges; foxing; scattered folds and creases; light scattered blue marks and scratches.

Frame: Marks, nicks, scratches, losses and scuffs; separation in corners 36

149. Charles Melchior Descourtis (French, 1753‑1820), “Vues des Environs de

Rome”, 2 color engravings, after Pierre‑Antoine Demachy (French, 1723‑1807), both with “Galerie Madame Marcel Guiot, Paris” labels and inscriptions on backing paper, sights 9 1/4 in. dia., each framed. (2 pcs.) [$200/400] Condition: Foxing, marks, smudges, scattered areas of bloom, surface dirt.

Frame: Scattered marks, nicks and abrasions; surface dirt

Photo Lesley Unruh | www.unruhphoto.com

150. Antique Prints of Bird Eggs, 6 lithographs, incl. 5 from Natural History of the Nests & Eggs of British Birds by Francis Orpen Morris, sights 8 1/2 in. x 5 1/2 in. to 9 5/8 in. x 6 in., all framed. (6 pcs.) [$600/800]

Provenance: Estate of Julia Evans Reed

37

152. Lodovico Caracciolo (Italian,

151. Italian School, 19th c., “Diacono Greco”,

hand‑colored engraving, sight 5 3/4 in. x 3 3/8 in., framed. [$150/250]

Provenance: Estate of Julia Evans Reed

Provenance: Estate of Julia Evans Reed

153. Two Natural History Prints, 18th/19th c., “Shells” and “Beetles”, 2

lithographs, sights 6 7/8 in. x 4 3/8 in., framed alike. (2 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

1761‑1842), “Pastoral Landscape, No. 121”, 1815, etching, after Claude Lorrain (French, 1600‑1682), from Liber Veritatis, sight 11 1/2 in. x 16 in.; together with “The Snow‑Leopard” etching, illegibly signed in plate, sight 7 1/2 in. x 6 1/2 in., both framed. (2 pcs.) [$300/500]

154. Richard H. Pease (American/Connecticut, 1813‑1869), “Moths” and “Butterflies”,

c. 1854, 2 hand‑colored lithographs, after Ebenezer Emmons (American/Massachusetts, 1799‑1863), from Natural History of New York, published by C. Van Benthysen, Albany, sights 9 1/2 in. x 7 5/8 in. and 10 3/4 in. x 7 1/2 in., framed. (2 pcs.) [$200/300] Provenance: Estate of Julia Evans Reed

155. François Nicholas Martinet (French, 1731‑1800), “Sarcelle Femelle,

de la Côte de Coromandel” and “Le Roi des Fourmilliers, de Cayenne”, 2 hand‑colored lithographs, from Histoire Naturelle de Oiseaux, sights 9 1/2 in. x 7 1/2 in., framed alike.

(2 pcs.) [$300/500]

Provenance: Estate of Julia Evans Reed 38

157. Antique Print of

Napoleon, “Bonaparte at St. Helena”, c. 1816, engraving, published by Thomas Kelly, London, sight 7 3/4 in. x 9 3/4 in., framed. [$100/200] Provenance: Estate of Julia Evans Reed

156. Antique Prints of Bird Eggs, 2 lithographs, one with “Lucullus, New Orleans”

label on backing paper, sights 13 1/4 in. x 9 3/4 in., framed alike. (2 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

158. Fredrick Polydore

Nodder (British, fl.

1770‑1800), “American Ostrich”, 1791, hand‑colored engraving, from The Naturalist’s Miscellany, published by George Shaw, London, sight 8 in. x 5 1/4 in., framed. [$100/200] Provenance: Estate of Julia Evans Reed

159. François Nicholas Martinet (French, 1725‑1804), “Crabier, de Cayenne”

and “Canard, de Miclon”, 2 hand‑colored engravings, from Historie Naturelle des Oiseaux, each approx. 8 in. x 7 in., framed alike. (2 pcs.) [$200/300] Provenance: Estate of Julia Evans Reed

160. Alexander Wilson (British/American, 1766‑1813), 6 hand‑colored engravings

of birds, from American Ornithology, each approx. 13 in. x 10 in., all framed alike.

(6 pcs.) [$300/500] Provenance: Estate of Julia Evans Reed

161. Henry J. Johnson (American, 19th c.), “Plate XXVII Cetacea”,

chromolithograph from Johnson’s Household Book of Nature: Mammalia, 7 in. x 9 1/8 in., framed. [$100/200] Provenance: Estate of Julia Evans Reed 39

162. Pair of Prints of Crabs, 2 lithographs, printed by Endicott Lithographic Company of New York,

sheets 11 3/8 in. x 8 7/8 in., both framed. (2 pcs.) [$200/300] Provenance: Estate of Julia Evans Reed

163. Richard Polydore

Nodder (British, fl.

1770‑1800), “New‑Holland Spatangus, Austrailian Heart‑Shaped Sea Urchin”, from Naturalists Miscellany by George Shaw, hand‑colored engraving, signed in plate, 5 5/8 in. x 3 7/8 in., framed. [$50/100] Provenance: Estate of Julia Evans Reed

164. Portrait Prints of Historical Figures, 18th/19th c., “Dante Alighieri”,

“Annibale Carracci”, “Michelangelo Buonaroti”, “Galileo Galilei”, “Marco Polo”, “Leonardo da Vinci”, “Cristoforo Colombo” and others, 20 etchings, 12 signed in plate by various artists, sights 8 1/2 in. x 7 1/2 in., framed alike. (20 pcs.) [$700/1000] Provenance: Estate of Julia Evans Reed

165. Jacques de Sève

(French, fl. 1742‑1788), “L’Ours de Mer”, lithograph, from Histoire Naturelle

by Comte de Buffon, sheet 6 3/8 in. x 3 3/4 in., framed. [$50/100] Provenance: Estate of Julia Evans Reed 166. Pair of Antique Prints, 19th/20th c., “Venus and Cupid”, 2 lithographs, sheets

dia. 4 3/4 in., both framed. (2 pcs.) [$50/100] Provenance: Estate of Julia Evans Reed 40

Photo Lesley Unruh | www.unruhphoto.com

167. Benjamin Cole (British, 1697‑1783), “A Perspective View of the Royal

Hospital at Greenwich”, c. 1740s, copper plate engraving, sheet 16 3/16 in. x 21 3/8 in., framed. [$75/100] Condition: Toning; discoloration from previous mattings; foxing, stains and marks throughout; deckle left edge; bearing original folds (two full length folds down center of print); scattered pencil marks in margins. Frame: Marks, nicks and abrasions

168. American Statesmen and Scholars, “Major General Thomas Sumter”, “Philip

Syng Physick, M.D.”, “Thomas Say”, “John W. Francis”, John McLane” and “Abraham Baldwin”, 6 engravings, sights 7 1/2 in. x 5 3/4 in., framed alike. (6 pcs.) [$200/300]

169. After Auguste Sandoz (French, 18th/19th c.), “Napoléon, 1815”, c. 1842,

engraving, published by F. Chardon, Paris, typed label with title and date on backing board, sheet 8 1/2 in. x 5 in., framed. [$75/150] Condition: Light toning; foxing; very light scattered stains; creasing. Frame: Marks, nicks and abrasions.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

170. David DuBose (American/Louisiana, b. 1956), “Piggyback Bridge”, 1992,

lithograph on paper, pencil‑signed and dated lower right, titled lower center, numbered “1/7” lower left, sheet 22 1/2 in. x 30 in., unframed. [$5/10]

Condition: Ragged lower edge inherent to paper; scattered creases and folds along lower edge; slight buckling throughout; remnants of white linen hinges in top corners en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

41

171. Jennifer Dickson (South African/

Canadian, b. 1936), “I Am the Rose of Sharon, The Lily of the Valley”, 1969, color aquatint on paper, pencil‑signed, titled, dated and inscribed lower margin, sheet 31 in. x 22 1/2 in., unframed. [$100/200] Condition: Ragged edges inherent to paper; light discoloration along edges; scattered smudges and marks throughout margins; 2 small red marks upper center edge; 1/8 in. white spot left center edge; very light buckling; beginning signs of foxing lower right corner and upper margin.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

172. John R. “Jack” Sanders (American, 1923‑2010), “York, AL, R.R. Crossing Altmon Corner”, etching on paper, unsigned, titled in plate, sheet 11 1/8 in. x 14 7/8 in., unframed. [$10/20]

Condition: Pinholes in each corner; scattered marks throughout margins; slight discoloration along left edge; slightly ragged edges inherent to paper.

173. A. G. Smith (American/North

Carolina, 20th c.), “As I Lay Dying 1”, 1971, intaglio on paper, pencil‑signed, titled, dated and inscribed “artist proof” lower margin, sheet 21 5/16 in. x 15 3/4 in., unframed. [$10/20]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Ragged right edge inherent to paper; unevenly trimmed edges; light scattered marks in margins; light discoloration in top left corner; light buckling throughout; 3 brown tape hinges along top edge en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

174. After Lawrence Alma‑Tadema

(Dutch, 1836‑1912), “The Sculpture Gallery”, c. 1877, steel engraving on paper affixed to stretcher, blind stamp lower left, 25 1/2 in. x 20 1/2 in., unframed. [$10/20] Condition: Overall poor condition; discoloration; large white stains upper edge; marks, stains, tears, losses and creases throughout; frass and insect damage en verso; heavy surface dirt.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

42

175. American School, 20th c., “Woman with a Mask”, silkscreen

on paper, illegibly pencil‑signed and numbered “18/35” lower margin, sheet 33 3/8 in. x 23 3/16 in., framed. [$100/200]

Condition: Light toning; very light buckling; remnants of white tape hinges in corners en verso; adhered to mat along all recto edges. Frame: Marks, nicks, abrasions and smudges; light separation in corners.

176. American/Continental

School, 20th c., “Man with Goat”, etching laid on board, unsigned, 7 3/4 in. x 6 1/2 in., framed. [$75/100] Condition: Toning; matburn; extensive adhesive and loss underneath mat; scattered foxing.

Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

177. Walter Wade Welch (American/Louisiana, 1951‑2010),

“Lives of Quiet Desperation”, 1985, lithograph on paper, pencil‑signed and dated lower right, titled upper left, numbered “1/60” lower left, 25 1/2 in. x 20 in., framed. [$100/200]

Condition: Light surface dirt; scattered light surface marks; scattered dots of ink in margins; light mat burn; 3 remnants of tape hinges upper edge en verso; 4 tape hinges upper edge en verso. Frame: Scattered marks, nicks and abrasions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

179. Anton E. K. Bakke (American,

178. American School, 20th c., “Three Women in Entry”,

lithograph on paper, pencil‑signed “Helenstolf” and inscribed “Artist Proof” lower margin, 17 1/2 in. x 13 in., framed. [$50/100] Condition: Toning of paper; scattered foxing in margins; discoloration at edges; adhesive remnants en verso upper and lower edges; waffling of paper upper and lower edges; ragged edges inherent to paper. Frame: Scattered marks, nicks, abrasions and loss; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

b. 1911), “Mutter Guten”, etching on paper, pencil‑signed, titled and numbered “40/40” lower margin, “Tacon Station and Art Gallery, Mobile, AL” label on backing paper, 8 1/4 in. x 6 1/4 in., framed. [$75/100] Condition: Ragged edges inherent to paper; creases and waffling of paper; 2 tape hinges at upper edge en verso.

Frame: Scattered marks, nicks and abrasions; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

43

181. British School,

180. Jean‑Claude Picot (French, b. 1931), “Buvette”, lithograph on paper,

pencil‑signed and numbered “218/275” lower margin, pencil‑signed and titled en verso, “Certificate of Authenticity, Park West Galleries, Michigan” label with artist and title on backing board, sheet 21 1/4 in. x 29 7/8 in., framed. [$75/100]

Condition: Slightly ragged edges inherent to paper; slight discoloration from previous matting; very light buckling; 2 white tape hinges upper edge en verso. Frame: Marks, nicks and abrasions; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

182. Martin Louis Linsey (American/Ohio, 1915‑2010), “Shaker Heights”,

lithograph on paper, pencil‑signed and titled lower margin, 10 1/2 in. x 15 in., framed. [$100/200] Condition: Toning; creases throughout; light buckling and light foxing; discoloration and scattered small losses along edges; 1/2 in. tear mid‑right edge; 2 in. fold mid‑left edge; scattered marks and stains. Frame: Marks, nicks, abrasions and light stains; separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

44

18th/19th c., “Tangier (On the Way to the Kasbah)”, etching on paper, initialed and titled in plate, illegibly pencil‑signed and titled lower margin, titled en verso, “Pretty & Co., Printsellers, High Street, Newmarket” label on backing board, 9 7/8 in. x 5 7/8 in., framed. [$50/75] Condition: Toning of paper; discoloration at edges; surface dirt and scattered marks; beginning signs of foxing; waffling of paper. Frame: Extensive marks, nicks and abrasions; separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

183. Reinhold Kalnins (Estonian, 1897‑1968), “Montarnasse”, etching on paper,

pencil‑signed and titled lower margin, “Philip Suval Art, New York” and “Koch Galleries, Mobile” labels on backing paper, 11 1/2 in. x 17 3/4 in., framed. [$75/100] Condition: Toning; discoloration from previous mattings; light buckling; slightly ragged lower edge; 3 white tape hinges along top edge en verso. Frame: Marks, nicks, scrapes and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

184. Louis Granata (Italian/

Algerian, 1904‑1964), “Matador”, 1955, woodcut on paper, pencil‑signed, titled and dated lower margin, “Koch Galleries, Mobile” label on backing board, 29 3/4 in. x 13 1/2 in., framed. [$75/100]

Condition: Toning; mat burn; foxing; marks and stains; buckling; remnants of adhesive throughout margins, heaviest in upper margin; adhered to mat in upper corners en verso. Frame: Marks, nicks, scrapes and abrasions; light separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

185. After Maurits Cornelis “M.C.” Escher (Dutch, 1898‑1972), “Fish”,

decorative reproduction, unsigned, 9 in. x 9 in., framed. [$5/10]

Condition: Small accretion upper right; light creasing; left deckle edge; 2 brown tape hinges en verso. Frame: Scattered marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

186. Gaston Gascard (French, 20th c.), “Rabbi Reading the Torah”, etching on

paper, pencil‑signed lower margin, “Printed in Austria” stamp en verso, handwritten label with artist and title on backing board, 9 1/4 in. x 11 1/2 in., framed. [$75/100]

Condition: Toning; adhered to board in all 4 corners en verso; light creases and folds throughout; slightly ragged edges. Frame: Marks, nicks and abrasions.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

187. Decorative Print of Two Women, reproduction print on canvas,

15 7/8 in. x 11 1/8 in., framed. [$10/20]

Condition: Toning; fading; scratches, marks and scuffs.

Frame: Marks, nicks and abrasions 45

188. David Bigelow (American, 20th c.), “Useless as a Hog with a Sidesaddle”,

etching, pencil‑signed and numbered “60/60” lower margin, 3 3/4 in. x 5 in., framed. [$75/100] Provenance: Estate of Julia Evans Reed

189. Lodovico Caracciolo (Italian, 1761‑1842), “Pastoral Landscape, No. 124”, 1815,

etching, after Claude Lorrain (French, 1600‑1682), from Liber Veritatis, sight 11 1/2 in. x 16 1/2 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed

191. Joel Beckwith (American/Massachusetts, b. 1949),

190. After Eugène Delacroix (French, 1798‑1863), “Young Tiger Playing with Its Mother”,

lithograph, signed in plate, sight 9 1/4 in. x 13 3/4 in., framed. [$200/300] Provenance: Estate of Julia Evans Reed

46

“Eudora Welty”, etching, pencil‑signed, titled and numbered “10/100” lower margin, 2 3/4 in. x 2 in.; together with, Budd Studios Photography, “William Faulkner and Eudora Welty, New York City, May 24, 1962”, digital reproduction photograph, unsigned, numbered “101/250” in plate, “Southside Gallery, Oxford” label with title on backing paper, 14 in. x 11 in., both framed. (2 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

192. Louis Pierre Henriquel‑Dupont (French, 1797‑1892),

“Cupid”, hand‑colored stipple engraving on vellum, pencil‑signed lower right, sheet 6 3/8 in. x 6 1/4 in., framed. [$50/100]

193. After Ange‑Louis Janet “Janet‑Lange” (French, 1815‑1872), “Key’s Kitchen”, modern

decorative reproduction print mounted to board, 5 in. x 7 in., framed. [$10/20]

Provenance: Estate of Julia Evans Reed

Provenance: Estate of Julia Evans Reed 194. After George Louis

195. Gerson Leiber

Condition: Buckling; marks and smudges; water stains along right side; light creases throughout; scattered small losses and discolorations along all edges

Condition: Light discoloration and buckling. Frame: Marks, nicks and abrasions.

Viavant (American/New Orleans, 1872‑1924), “Nature Morte: Hare”, c. 1970, photolithograph, Viavant Family Print, printed by Upton Printing, sheet 32 1/8 in. x 16 3/4 in., unframed. [$50/100]

(American/New York, 1921‑2018), “On the Runway VII”, 1976, etching, pencil‑signed, titled, dated and numbered “1‑35” lower margin, handwritten label with artist and title on backing, sheet 19 11/16 in. x 14 13/16 in., framed. [$75/100]

196. Mihail Chemiakin (Russian/

New York, b. 1943), “Still Life with Rat”, color lithograph, signed and numbered “39/225” lower margin, titled en verso, sheet 21 1/4 in. x 29 7/8 in., framed. [$100/200] Condition: UV damage; fading and toning of paper; unevenly trimmed lower edge; tape hinges at upper and lower edges. Frame: Scattered marks, nicks and abrasions

197. Italian Patinated Plaster Wall Relief depicting

Roman Ruins, h. 40 in., w. 60 in., d. 4 in. [$100/200] 47

198. Paul Costello (American/New Orleans, b. 1971), “Burning Wheat Fields near Hollywood

Plantation, Benoit, Mississippi”, archival inkjet print on paper, unsigned, sheet 20 in. x 28 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed 199. Southern School, 20th c., “Palm Fronds”, gelatin silver print,

unsigned, sheet 20 in. x 16 in., framed. [$200/300] Provenance: Estate of Julia Evans Reed

200. Paul Costello (American/New Orleans, b. 1971),

“Brookside at Dawn with Falcon”, archival inkjet print on paper, unsigned, from Julia Reed’s South, sheet 20 in. x 28 in., framed. [$300/500] Ill.: Reed, Julia. Julia Reed’s South: Spirited Entertaining and High‑Style Fun All Year Long. New York: Rizzoli International Publications, Inc., 2016, p. 4.

Provenance: Estate of Julia Evans Reed 202. Benjamin J. Falk (American/New York, 1853‑1925),

“Thomas A. Edison”, c. 1880, albumen photograph portrait cabinet card, printed “Falk” and “949 Broadway, N.Y.” and titled lower margin, 6 1/2 in. x 4 1/8 in., unframed. [$50/100]

Condition: Toning; fading; marks, smudges and light stains; scattered losses along edges; light buckling.

48

201. Sally Mann (American/Virginia, b. 1951) , “Untitled

(Valentine Windsor)”, 1998, gelatin silver photograph on non-archival paper, pencil inscribed letter to Julia Reed signed by the artist en verso, from the Series Deep South, 7 3/4 in. x 9 7/8 in., framed. [$200/300] Condition: Very light scattered creases; very light scattered buckling; very light scattered marks; 2 white tape hinges along top edge; frame has marks, nicks and abrasions.

Provenance: Estate of Julia Evans Reed

203. Group of McCarty “Nutmeg” Pottery Tableware, Merigold, MS, marked, incl. 1 ; large

dish, l. 13 3/4 in., w. 11 in.; 1 pan, l. 15 1/2 in., w. 11 3/4 in.; 1 serving bowl, dia. 13 3/4 in.; 1 platter, l. 17 1/2 in., w. 11 in.; 1 shell form planter, h. 6 1/2 in.; 1 rimmed bowl with applied catfish, dia. 9 3/4 in.; 10 square plates, w. 8 1/2 in.; 5 shallow bowls, dia. 6 1/2 in.; 4 bowls, largest dia. 7 in.; 5 tall cups, h. 4 in., dia. 4 in.; 10 cups, h. 3 in., dia. 4 in.; 4 cups, h. 2 1/2 in., dia. 3 1/4 in.; 1 tazza, h. 4 in.; 1 saucer., dia. 5 3/4 in.; 5 rabbit figures, tallest h. 10 1/2 in.; 1 turtle figure, l. 5 in.

Together with rabbit sculpture by Tommy Glasgow (Mississippi, 20th c.), (52 pcs.) [$400/600] Provenance: Estate of Julia Evans Reed

204. Group of McCarty “Jade” Pottery Tableware, Merigold, MS, marked, incl. platter,

23 in. x 19 in.; dish, 7 1/2 in. x 7 1/2 in.; covered bowl, rabbit finial, dia. 5 3/4 in.; and 5 votive candleholders, dia. 3 1/4 in. (8 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

205. Shearwater Pottery Bowl,

by Jim Anderson, Peter Anderson’s son, c. 1960s, stamped on base, with mottled ochre, taupe and pink glazes, h. 5 in., dia. 8 1/4 in. [$100/200]

206. Roseville Pottery “Dahlrose” Vase, c. 1930, marked, h. 14 in. Note: Restoration at rim. [$50/100] Photo courtesy Paul Costello

49

207. Eight Loubat New Orleans “Café Brulot”

Pedestal Cups and Ten Saucers, 20th c., Diablo or Jester King pattern for Brennan’s Restaurant, cup h. 4 3/4 in., saucer dia. 4 3/4 in. [$100/200]

208. Johnson Brothers Polychrome Porcelain

“His Majesty” Partial Dinner Service, c. 1955‑83, incl. 8 dinner plates, dia. 10 3/4 in.; and 3 platters, l. 17 in. to 18 1/2 in.; together with reproduction brown peacock transferware cake stand, h. 6 1/2 in., dia. 12 1/4 in.

(12 pcs.) [$100/200]

211. Group of Paris Porcelain Table Items, mid‑19th c.,

comprising an oil lamp, an encrier and a perfume decanter, each floral decorated, tallest h. 10 in. (3 pcs.) [$50/100]

209. Pair of French Neo‑Grec Porcelain and

Bronze‑Mounted Vases, c. 1860, reserved with figures respectively of “Poesie Epique” and “Poesie Satyrique” on a black ground with gilt decoration, now mounted as lamps, h. 18 in. [$100/200]

210. Continental Polychrome

and Gilt Bisque Figure of a Dandy, rocaille base, h. 18 in., w. 5 in., d. 4 1/2 in. [$50/100]

212. Paris Porcelain Polychrome and

Gilt Presentation Cup and Saucer, c.

1820, magenta ground, cup h. 7 1/2 in., saucer dia. 7 in.; together with Paris porcelain cup and saucer, c. 1820, gilt on blue ground, cup h. 4 in., saucer dia. 5 in. [$50/100]

213. Group of Davenport Pottery “Levant” Serving Pieces, c. 1840, impressed “21 /

DAVENPORT” over anchor and “Opaque China” and printed “Levant / Davenport”, incl. covered soup tureen, h. 7 1/2 in., l. 15 in., and undertray, l. 16 in.; 2 covered vegetable dishes, h. 6 1/4 in., l. 12 3/4 in.; and cake stand, h. 3 1/8 in., dia. 11 7/8 in.; together with 2 Wedgwood transfer‑decorated “Imari” platters, l. 14 3/4 in. (6 pcs.) [$100/200] 50

214. Berlin Polychrome Porcelain KPM Teapot, c. 1790, blue scepter mark,

decorated with figures of Athena on white ground, h. 6 in., l. 8 in. Note: Handle condition; together with a large Continental porcelain teacup, h. 3 1/2 in., and saucer, dia. 6 3/4 in. [$100/200] Provenance: Lee B. Anderson Collection, New York.

215. Paris Polychrome Porcelain Demitasse Service, 19th c., incl. 4 cups; 4 saucers,

dia. 4 7/8 in.; and covered coffee pot, h. 8 1/8 in., w. 7 1/2 in. (9 pcs.) [$300/500]

216. Unterweissbach Lace

Porcelain Figural Group, c. 1958, marked, modeled as a lady with sedan chair and attendants, h. 9 1/2 in., w. 7 1/2 in., l. 11 1/2 in. [$200/400]

218. Associated Haviland Limoges Porcelain “Anneau d’Or” Tea Service, 217. Pair of Sitzendorf Polychrome and Gilt Porcelain Two‑Light Candelabra,

c. 1902‑18, crown over crossed S mark, applied cherub and floral sprays, h. 7 1/2 in., w. 7 3/4 in., d. 4 in. [$150/250]

c. 1865, H&C incised mark, pod finials, incl. lidded teapot, h. 9 in.; cream pitcher, h. 5 1/2 in.; lidded sugar bowl, h. 7 in.; and square tray with handles, w. 14 in.

(4 pcs.) [$200/400]

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

219. Group of Antique and

Vintage Corn Motif Majolica and Earthenware, incl. 10 pitchers, h. 4 in. to 11 1/2 in.; vegetable tureen and underplate, l. 11 in.; soup tureen, h. 8 in.; 4 platters, l. 11 1/4 in. to 13 1/2 in.; 2 plates, dia. 9 3/4 in.; pair of cups, h. 4 in.; tyg, h. 5 7/8 in.; ladle, l. 6 3/4 in.; and vase, h. 7 3/4 in.; together with bisque vase, h. 7 3/4 in. and 8 Mottahedeh ramekins, dia. 3 1/2 in. [$300/500] Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

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220. Paris Polychrome and Gilt Porcelain Flare Vase, 19th c., decorated with floral cartouche on peach ground, h. 11 in., w. 10 3/4 in. [$150/250]

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

221. Two Meissen Porcelain Figures,

19th c., crossed swords marks, incl. white glazed peasant girl with flower basket, h. 18 7/8 in., w. 7 7/8 in., d. 7 1/2 in.; and polychrome gardener, h. 20 1/4 in., w. 9 in., d. 7 1/2 in. [$125/200] Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

222. Assembled Paris Porcelain “Anneau D’or” Dessert and Tea Service, 19th c., incl. 2 teapots, h. 9 1/4 in and 6 1/4 in.; 2 covered sugars, h. 7 1/4 in. and 6 1/4 in.; creamer,

h. 6 in.; 14 cups, h. 2 5/8 in. to 2 1/4 in.; 15 saucers, dia. 5 7/8 in. to 5 1/4 in.; 4 cake plates, dia. 10 1/2 in. to 10 in.; 2 waste bowls, dia. 6 in. and 5 1/2 in.; 18 dessert plates, dia. 7 1/4 in. to 6 3/4 in.; and 11 berry/custard bowls, dia. 5 1/8 in. (69 pcs.) [$300/500]

223. Assembled Set of Paris Gilt Banded Porcelain, mid‑19th c., incl. lidded

teapot, h. 8 3/4 in.; lidded sugar, h. 6 3/8 in.; waste bowl, dia. 6 in.; 10 dessert plates, dia. 7 1/8 in.; 11 teacups and saucers; 12 luncheon plates; 2 cake plates; and 8 berry bowls (57 pcs.) Note: Chip on waste bowl rim. [$300/500] 52

224. Assembled Paris Gilt‑Banded Porcelain Tea and Dessert Service, 19th c.,

incl. covered teapot, h. 9 1/4 in.; covered sugar, h. 7 1/2 in., l. 6 in.; creamer, h. 5 3/4 in.; 2 cake plates, dia. 9 1/2 in.; 6 dessert plates, dia. 6 3/4 in.; 6 berry bowls, dia. 5 in.; and 6 teacups with 6 saucers. (29 pcs.) [$300/500]

225. Assembled Paris Gilt‑Banded Porcelain Dessert and Tea Service, 19th c.,

fluted/paneled design, incl. teapot, h. 6 1/8 in.; covered sugar, h. 6 1/8 in.; creamer, h.

6 in.; 8 cups, h. 2 1/2 in.; 8 saucers, dia. 5 1/2 in.; 2 cake plates, dia. 10 in.; 8 dessert plates, dia. 7 in. (29 pcs.) [$300/500]

227. Paris Polychrome and Gilt Porcelain Flare Vase, 19th c.,

reserved with gentleman and maiden in countryside, h. 8 7/8 in., w. 9 1/2 in., d. 5 in. [$100/200]

226. Assembled Paris Gilt‑Banded Porcelain Dessert and Tea Service, 19th c.,

incl. cake plate, dia. 9 3/4 in.; 12 dessert plates, dia. 6 3/8 in.; oval teapot, h. 6 3/4 in.; covered sugar, h. 6 in., w. 7 in., d. 4 1/4 in; 12 teacups, h. 2 5/8 in., 12 saucers, dia. 5 1/2 in. (39 pcs.) [$300/500]

228. Berlin Polychrome and Gilt KPM Porcelain Candy Dish, 19th c., blue scepter mark above “KPM”,

w. 10 in., d. 9 in. [$100/200]

229. Two Berlin Polychrome and Gilt KPM Porcelain Cabinet Cups and

Saucers, marked, cups with swan’s neck handles, beaded borders, paw feet, h. 5 in. and 5 1/4 in. [$75/150]

230. Two Meissen “Blue Onion/Blau Zwiebelmuster” Porcelain Platters,

c. 1885‑1934, marked, dia. 14 1/4 in. and 12 in. [$100/150]

53

232. Continental Polychrome and Gilt Porcelain Three‑Piece Jardiniere Garniture, 19th c., centerpiece with

relief medallions of Poseidon and Amphitrite on turquoise ground, h. 5 7/8 in., w. 12 in., d. 4 3/4 in., smaller two with inset hunting scenes, h. 3 1/4 in., w. 7 in., d. 2 7/8 in. (3 pcs.) [$100/200] Provenance: Schwitz Collection, Franklin, LA.

233. Pair of Dresden

Polychrome and Gilt Porcelain Urns, marked, cobalt ground, body with Classical figures in garden, h. 13 7/8 in. [$100/200]

231. Large German Blue and White Porcelain

Baluster Vase, marked “Echt Schumann Cobalt”, h. 15 1/4 in. [$100/200]

Provenance: Schwitz Collection, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

234. Five Bawo & Dotter Gilt

and Apple Green Porcelain Dishes, 1884‑1913, marked “Carlsbad / China / Austria”, dia.

8 1/2 in.; together with near matching plate illegibly marked, dia. 8 1/2 in. (6 pcs.) [$150/250]

235. Continental Polychrome Porcelain Jardiniere, continuous relief of children walking through woods, h. 9 3/4 in., dia. 11 in. [$200/300]

54

236. Pair of Paris Rose Pompadour

Porcelain Vases, 19th c., reserved with portraits and medallions, gilt accents, h.

11 in., with bronze oil lamp mounts, now electrified and mounted as table lamps, h. (to finial) 28 3/4 in. [$300/500]

237. Cream Glazed Pottery Bowl, exterior molded with upright lappets, h. 3 1/2 in., dia. 8 1/4 in. [$50/100]

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

238. Majolica Figural Covered Dish, inscribed

“1063”, cover with hatching chicks, basket weave body, h. 7 in., dia. 7 3/4 in. [$150/250] Provenance: Taylor B. Williams Antiques, Chicago, IL, 1982; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

239. Herend Polychrome Porcelain “Fruits & Flowers” Hors d’Oeuvre Dish, 20th c., marked, h. 2 in., l. 13 3/8 in., w. 9 1/4 in. [$100/200]

Photo courtesy Paul Costello

55

240. Associated Blue Willow Dinner Service, primarily Booth’s “Real Old Willow (Blue)”;

together with an antique “Blue Willow” soup tureen and cover, unmarked. [$200/300] Provenance: Estate of Julia Evans Reed

56

241. Three Antique English Ironstone Pudding Molds, together with 4 Creil

Montereau dessert plates. [$100/200] Provenance: Estate of Julia Evans Reed

242. Group of Antique English Porcelain, incl. square cake dish, circular dish,

small footed bowl, and Imari palette plate (restored). [$100/200] Provenance: Estate of Julia Evans Reed

242A. Antique English Ironstone Platter, 19th c., marked “PATENT IRONSTONE

CHINA”, 20 1/2 in. x 17 in.; together with a smaller ironstone platter, 14 1/2 in. x 11 3/4 in.; and an oyster shell-shaped pottery platter, 18 in. x 14 1/2 in. [$150/250] Provenance: Estate of Julia Evans Reed Photos courtesy Paul Costello

57

242B. Three Antique Stoneware and Porcelain Platters, each with floral or foliate

decoration, 18 1/2 in. x 14 1/4 in., 15 1/2 in. x 10 1/2 in., and 14 1/4 in. x 10 in. [$100/200] Provenance: Estate of Julia Evans Reed

243. Antique Wedgwood Majolica Shell‑Form Dish and Creamware

Serving Bowl, impressed “WEDGWOOD” and “W”, l. 12 1/2 in., and dia. 16 1/4 in.; together with 2 shell‑form footed bowls, l. 5 1/4 in., w. 5 in. (4 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

244. Antique

English Pottery Lidded Urn, 19th c., bud finial, foliate handles, h. 17 1/4 in., dia. 10 1/2 in. [$50/100]

245. English Parian Figure

of “Rebecca at the Well”, mid‑19th c., classically garbed figure holding amphora, attributed to Robinson and Leadbeater, Stoke‑on‑Trent, h.

14 1/4 in. [$200/300]

246. English Rococo Revival Molded

Pottery Pitcher, mid‑19th c., by Charles Meighs, decorated with Baccanalian scenes, gray glaze, marked with cartouche “No.16/M” on base, h. 8 1/4 in. [$100/200]

247. Five Staffordshire Pottery Floral Vine Encrusted Pastille Burners,

mid‑19th c., incl. three multi‑turreted castles, h. 4 3/4 in., 7 1/4 in., and 9 in.; toll house cottage, h. 3 1/2 in.; and church, h. 4 1/4 in. [$200/400] Provenance: Lee B. Anderson Collection, New York.

58

248. New Hall Black and White Pottery Tableware, early 19th c., transfer

decorated with figural landscapes, gilt rims, incl. 8 tea cups; 8 saucers, dia. 5 1/2 in.; and waste bowl, h. 2 3/4 in., dia. 5 1/4 in. (17 pcs.) [$200/300]

249. Rockingham Polychrome and Gilt Partial Tea and Dessert Service, early

19th c., decorated with floral sprays on peach ground, incl. footed creamer, h. 5 1/2 in.; waste bowl, h. 3 1/4 in.; 2 rectangular cake plates, 10 1/2 in. x 8 in.; 10 dessert plates, dia. 7 1/4 in.; 10 teacups with 12 saucers; and covered sugar, h. 6 in.

(37 pcs.) [$300/500]

250. Pair of Wedgwood Creamware Posy Holder Vases, 20th c., marked

“Williamsburg Restoration”, h. 7 3/4 in., w. 9 in., d. 2 1/2 in. [$50/100]

252. Delft‑Style Blue and

White Porcelain Lamp, 20th c., urn‑form body decorated with floral bands and sprays, brass fittings, h. (incl. finial) 33 1/2 in. [$100/200]

251. Polychrome and Gilt Porcelain Scalloped

Dish, blue floral reserves, l. 5 3/8 in., w. 6 in.; together with Dresden polychrome and gilt porcelain teaspoon, painted with lady in garden, l. 3 5/8 in.

(2 pcs.) [$100/200] Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

253. Blue and White Porcelain Jar, 20th c.,

decorated in Chinese‑style with ruyi and rocks, h.

13 in. [$50/100] Provenance: Estate of Julia Evans Reed

255. Chinese Export Porcelain Covered Teapot, late 18th/early 19th c., berry finial, entwined

254. Eight Contemporary Chinese Export Dessert Plates,

branch handles, remnant gilt, h. 5 3/4 in., w. 9 1/2 in.; together with famille rose armorial porcelain cup and saucer, saucer dia. 5 1/2 in. (3 pcs.) [$50/100]

marked “Decorated in Hong Kong”, central reserve of boy riding a cow chasing a calf, dia. 8 in. [$10/20] 59

257. German Carved Wood Window Valence, c. 1845, branch‑form rod, mounted with central bow and

grape bunches, h. 14 in., w. 64 in., d. 5 in. Note: pieces detached. [$50/100]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

256. Chinese Export Famille Rose Porcelain

Reticulated “Rose Medallion” Plate, 19th c., decorated with alternating figural and bird‑and‑flower cartouches, base stamped “MADE IN CHINA”, h. 1 3/8 in., dia. 9 5/8 in. [$50/100]

Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

258. Bronze‑Mounted

Copper Lidded Vase. [$50/100]

260. Antique Stiletto Cane, bamboo shaft, concealing a 13 in. triangular stiletto, l.

35 1/2 in. [$100/150]

259. Four Vintage Canes, one with carved elephant handle,

one made of segmented antler, one with antler handle, one with antler handle and bamboo shaft, longest l. 33 1/4 in. [$100/150]

261. Six Canes, incl. one with brass eagle handle, one curly maple, one with

segmented antler shaft, one with carved antler handle, one mahogany and brass, and one pool stick form with screw top brass, longest. l. 35 in. [$100/150] 263. Collection of

262. Modern Gold Painted Ornate

Wood Frame, with glass, interior dimensions 14 3/4 in. x 18 in., overall 19 in. x 22 1/4 in. [$25/50] Condition: Marks, nicks, scrapes and abrasions

60

Contemporary Acadian Hand‑Carved Wooden Spoons and Rolling Pin, carved by Stephen Stirling, Franklin, LA., incl.

8 spoons, longest l. 12 in.; rolling pin, l. 19 1/2 in.; together with glass canister, dia. 4 3/4 in.

(10 pcs.) [$100/200] Provenance: Estate of Julia Evans Reed

264. Large Group of Polychromed Marketplace Table Garniture Figures.

[$100/200]

Provenance: Estate of Julia Evans Reed

265. Antique Black Lacquer Small Box; together with black lacquer cup.

[$50/100]

Provenance: Estate of Julia Evans Reed

266. Henry Dexter

(American, 1806‑1876), “Bust of a Distinguished Gentleman with Dueling Scar”, 1860, whitewashed plaster, artist’s name and date inscribed on plaque, h 23 3/4 in., w. 16 in.; Note: Condition. [$100/200]

268. Three American Cast‑Iron Decorative Objects,

19th c., incl. top hat with traces of red, black and white paint; reticulated urn; and pot, hat h. 7 1/8 in. [$100/200]

267. Inuit Carved Bone Figure of a “Running Eskimo”, 20th c., h. 21 1/2 in., w. 8 in., d. 10 in., wood base. [$10/20]

269. Art Deco Model

of a Biplane, c.1930, nickel‑plated model, mounted on a marble base, h. 7 1/2 in., wingspan 6 1/4 in. [$100/200] 61

270. Rare American Gilt Brass, Marble, and Glass

Girandole Garniture in the “Little Eva and Uncle Tom” Pattern, c. 1855, New York, stamped “Dietz...”, consisting of a three‑branch centerpiece with two flanking single shaft fixtures, stepped marble bases with grape and vine molding, pressed brass prism rings hung with snowflake and star prisms, bronze patination with gilt highlights, centerpiece h. 19 1/2 in., w. 17 in., flanking pieces h. 16 in., w. 6 1/2 in. [$500/700]

271. Figure of “Nipper”, the

RCA Advertising Dog, period, painted composition, posed in the familiar “His Master’s Voice” position, h. 14 in., w. 12 in., d. 6 1/2 in. [$200/400]

272. Pair of Marble Obelisks,

h. 16 1/2 in., dia. 3 1/2 in. [$200/300]

273. American Folk Art Model of a Steamboat, c. 1900, painted wood and metal,

details include barrels and bales of cotton, the banner with remnants of paint identifying the vessel as Buckeye State, on a carved walnut stand, h. 10 in., l. 20 in., w. 4 in. [$75/150] 62

274. Victorian Watchstand and Soapstone Box, carved walnut

stand, h. 10 1/2 in., w. 7 in., d. 3 1/2 in.; oval box with reticulated lid, h. 1 3/8in., w. 6 1/4 in., d. 4 1/4 in. [$75/150]

275. Three Carved Wood Kitchen Implements, incl. cutting board, l. 19 3/4 in., w.

13 in.; mold, l. 12 in.; and strainer, l. 19 1/8 in. [$100/200]

276. Two Large Antique Cooking Vessels, incl. hammered copper pot with

wrought iron handles, h. 12 1/2 in., dia. 19 in.; and brass kidney‑form lidded pot, tin lining, h. 12 1/2 in., w. 20 in., d. 13 in. [$75/150]

278. Pair of American Gilt 277. Group of Vintage Hartmann Diamond Jacquard Luggage,

from the Wings Collection, leather trim, brass hardware, incl. two pullman suitcases, 9 in. x 18 in. x 29 in., and garment bag.

(3 pcs.) [$50/100] Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

279. American Brass and

Bronze Solar Lamp, 19th c., blown, cut and etched glass shade, crystal prisms, fluted columnar standard, marble base, kerosene font, now electrified, h. 24 in., dia. 8 1/4 in. [$300/500]

Brass “Sultan” and “Sultana” Figural Girandoles, 19th c., faceted spear prisms, marble bases, h. 15 in., w. 5 1/2 in., d. 3 1/2 in. [$200/300]

280. Classical‑Style

Molded Brass Fire Fender, early‑to‑mid 20th c., h. 6 3/4 in., l. 39 1/4 in.; together with pair of contemporary turned brass andirons, h. 19 3/4 in.

(3 pcs.) [$200/400]

63

281. Pair of Continental

Brass and Wrought Iron Andirons, 19th c., vasiform standard, h. 17 in., w. 8 in., d. 10 1/2 in. [$100/200]

282. Cast Stone Figural Group

of The Three Graces, 20th c., oval molded self-base, h. 13 1/4 in., w. 8 1/4 in., d. 4 3/4 in. [$100/200]

282A. Antique French Bronze

Putto Figural Applique, scrolling floral decoration, h.14 1/2 in. [$50/100]

283. Pair of Gilt Metal Candlesticks in the Egyptian Revival Taste, late

19th c., standard decorated with a hand‑painted reserve showing Egyptian profiles on circular bases with anthemion feet, h. 8 1/4 in., w. 5 in. [$50/100]

284. Illuminated “Wishbone Grille” Sign, two parts, h. 18 1/2 in., w. 120 1/2 in., d. 13 1/2 in. [$100/200]

64

286. Kai Nielsen Bing 285. Decorative Group of Stands, incl. gilt‑composition example, Gothic Revival black glass

example, and French opaline and gilt‑bronze example, tallest h. 6 1/2 in. (3 pcs.) [$100/200] Provenance: Lee B. Anderson Collection.

287. French Gilt Bronze‑Mounted Amber

Glass Roemer, 19th c., etched with grape vines, h. 9 1/2 in., dia. 4 1/4 in. [$200/300] Provenance: Windham Collection, Oxford, MS.

and Grondahl “Blanc de Chine” Porcelain Mother and Child Figural Group, c. 1915‑47, engraved with designer name, marked B&G and Kjobenhavn Denmark, h. 9 1/2 in. [$50/100]

288. Seven Giltwood and

Painted Frames, 19th/20th c., some with later surfaces, 64 3/4 in. x 53 in. to 15 3/4 in. x 14 1/2 in. [$200/400]

289. Pair of Paint Decorated

Plaster Torchères, 20th c., h. 42 in. [$100/200]

290. Four Continental

Porcelain Plaques, gilt shadowbox frames, 11 1/4 in. x 11 1/4 in. [$150/250] Provenance: Schwitz Collection, Franklin, LA.

65

291. Two Continental Porcelain Plaques, dia. 5 1/2 in., shadowbox frames. [$75/150]

292. Pair of Paris Gilt and Polychrome Porcelain Vases, 19th c.,

h. 6 1/2 in., w. 7 1/2 in., d. 3 3/4 in. [$100/200]

Provenance: Schwitz Collection, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

294. Paris Porcelain Polychrome and

Gilt Covered Ewer, 19th c., landscape reserves, h. 12 in.; together with Paris gilt and bisque porcelain encrier, h. 4 1/4 in., w. 5 3/4 in., d. 3 1/4 in. [$150/250]

293. Four Antique Decorative Plaques, incl. 2 Nordic bisque, London retailer labels;

1 parcel gilt; and 1 bronze medallion of George Washington, largest dia. 8 1/2 in., framed. [$150/250] Provenance: Schwitz Collection, Franklin, LA.

295. Victorian Silverplate

and Oak Barrel‑Form Biscuit Box, late 19th c., with handle and cover, h. 7 in., w. 6 in. [$150/250]

296. English

Tole Peinte Tray, 19th c., later wood stand. [$300/500]

66

Provenance: Schwitz Collection, Franklin, LA.

297. American Gilt Bronze

and Opaline Glass Solar Lamp, mid-19th c., segmented font, scroll and cabochondecorated collar, faceted and tapered blue standard, incurvate triangular base, h. 32 1/2 in., dia.

8 in. [$200/400]

298. Gilt Bronze and

Opaline Glass Table Lamp, mid-19th c., cut glass font, over blue and white standard, floriform base, prism-hung, now electrified, h. 37 in., dia. 12 in. [$200/400]

299. Good Group of Silverplate Tableware, incl. pair of wine coolers, revolving tureen, hot

milk pot and covered sugar. [$200/300] Provenance: Estate of Julia Evans Reed

300. Group of Silver Dressing Table Articles, incl. Tiffany sterling

clothes brush, Wallace sterling hairbrush, English sterling dresser box, panel‑cut glass flask with Continental .800 silver mounts, and bleu de ciel scent bottle. [$150/250] Provenance: Estate of Julia Evans Reed 301A. Group of Antique and Vintage American

Sterling Silver Flatware, incl. salad serving fork, Durgin “Marechal Niel” pattern, pat. 1896, l. 9 1/8 in.; pastry fork, Wood & Hughes “Humboldt” pattern, pat.

1880; 3 demitasse spoons, Towle “Canterbury” pattern, pat. 1893; and 6 assorted pickle, olive and lemon forks, various makers and patterns. [$80/100] Provenance: Estate of Julia Evans Reed 301. English Sterling Silver Dog’s Head Vesta or

Matchsafe, David A. Bowles, London, 1992, l. 2 in., wt.

1.55 troy ozs. [$150/250] Provenance: Estate of Julia Evans Reed

301B. Pair of Reticulated

Sterling Silver and Green Glass Master Salts; together with pair of sterling salt and pepper castors. [$50/100] Provenance: Estate of Julia Evans Reed Photo courtesy Paul Costello

67

301C. Set of Nine American Sterling

Silver Dessert Coupes, neoclassical borders, weighted bases, h. 3 1/4 in., dia. 3 3/4 in. [$100/200] Provenance: Estate of Julia Evans Reed

302. Four English Pieces of Pewter, incl. bowl, porringer, lidded bowl, and lidded

vessel, tallest h. 7 in. [$20/40]

303. Group of Four Silent Butlers, incl. 2 silverplate lidded vessels, one metal

lidded vessel, and a table sweep (lacking handle), largest h. 3 in., w. 7 in., d. 12 1/2 in. [$10/20]

304. English Late Victorian

Silverplate Biscuit Box, c. 1890, flat chased fern motif encircling cylindrical body with a hinged cover, the rimmed base raised on claw and ball feet, h. 7 1/2 in., dia. 7 1/4 in. [$50/100]

305. Five American Sterling Silver Frames for Dessert Coupes, marked,

reticulated rim, h. 3 in., dia. 2 7/8 in. [$10/20]

307. Antique Pewter Spoon, l. 7 1/2 in., 2 3/4 in. [$10/15] 306. American Coin Silver Mustard Ladle, Johnson & Godley,

Albany, NY, wc. 1842‑1849, fiddle typt handle, script “BAN” monogram, l. 5 1/4 in. [$30/60] 68

308. Group of French Faience Tableware, incl. 3 bowls, largest dia. 12 1/4 in.;

and 2 green glazed jars, largest h. 10 1/4 in. [$200/300] Provenance: Estate of Julia Evans Reed

309. Pair of Silverplate Wall Pockets, made from antique English silverplate meat

dome, hallmarked Martin, Hall & Co., Sheffield, late 19th c., h. 8 3/8i n., w. 14 1/2 in. [$200/400]

310. Group of Good American and English Silverplate Items, incl. retro ice bucket,

sterling silver jigger, 2 wine coasters, cased set of 4 mother‑of‑pearl handled Sheffield cheese knives, biscuit barrel, three‑piece table suite 6 corn holders, grape shears, and sterling silver bud vase. (20 pcs). [$50/100]

311. Silverplate Dish Cross in the George III Taste, w. 12 1/4 in. [$10/20]

313. Electroformed

Silverplate English Presentation Cup, cast from the 1878 Garrard II form, London, wc. 1822‑1888, engine‑turned decoration, applied medallion with monogram, gilt wash interior, h. 3 in. [$20/40] 312. Two English Silverplate Toast Racks, center handles, one mounted on a paw foot

stand, h. 6 3/4 in., w. 7 3/4 in., d. 4 in.; other h. 5 1/2 in., w. 6 5/8 in., d. 3 1/2 in. Condition: Surface dirt and scratches; larger rack partially detached/loose from stand. [$50/100]

Provenance: The Sturm Collection.

314. Good Group of Vintage Silverplate Trays, incl. Ellis Barker, menorah mark,

footed tea tray, l. 28 3/4 in., w/ 7 3/4 in.; W. & S. Blackinton “Chippendale” pattern footed tea tray, l. 25 3/8 in., w. 16 1/2.; Crown Silver Co. Inc., marked, footed tea tray, l. 30 in., 18 1/2 in.; E.G. Webster & Son footed tray, marked, dia. 16 1/2 in.; and Championship gallery tray, engraved with “Miami Country Club 18th Annual Doherty Golf Tournament, 1950, Championship winner”, l. 18 in., w. 11 3/4 in. (5 pcs.) [$100/250] 69

315. Antique English Silverplate

Condiment Jar on Stand, domed cover with finial, reticulated body and stand, bracketed paw feet, cobalt glass liner, h. 6 1/8 in. Condition: overall good condition; light surface dirt and scratches; lacking serving spoon. [$100/200]

317. Tapestry of a Hunter

in a Landscape, in birdseye maple frame, framed size 27 in. x 27 in. [$75/150]

319. Fendi Orange Snakeskin Baguette Handbag, interior

labeled “Fendi Made in Italy”, snake embellished logo clasp, gold toned hardware, h. 6 in., l. 10 1/2 in., d. 2 1/2 in. [$300/500] Provenance: Estate of Julia Evans Reed

70

316. Antique Square

Lace Panel, altar front, descriptive tag attached lower right, 11 in. x 9 5/8 in., matted. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

318. Tapestry of a Lady,

lady in gown holding a fan, foliate decoration, framed, frame size 41 in. x 26 3/4 in. [$50/75]

320. Hermes “Faune et Flore

du Texas” Silk Scarf, designed

by Kermit Oliver (Texas, b.1943), l. 35 in., w. 35 in. [$200/300] Provenance: Estate of Julia Evans Reed

321. Yves Saint Laurent Wool

322. Chanel Black Wool Pencil

Skirt, c. 1990, silk‑lined, tag marked “Made in France”, “OF N°: 01089” and “Style/Modele: 255/ I11 60PA19229”, gold logo button, size 44. [$150/250]

and Silk Two Piece Skirt Suit, interior with embroidered YSL, made in Italy, size 44, with original tags. [$150/250] Provenance: Estate of Julia Evans Reed

Provenance: Estate of Julia Evans Reed

323. Yves Saint Laurent

Evening Coat, in black with puff sleeves. [$150/250] Provenance: Estate of Julia Evans Reed

324. Gucci Fur and

Wool Scarf. [$150/250]

Provenance: Estate of Julia Evans Reed

325. Yves Saint

Laurent 2 Piece Pants Suit in Houndstooth Pattern. [$150/250] Provenance: Estate of Julia Evans Reed

326. Four Pairs of Manolo Blahnik Heels, incl. crystal embellished bright pink satin sling back heels,

size 40; silver leather d’Orsay pumps, size 39; black linen and leather pointed toe heels, size 39 1/2; and brown leather heeled sandals, size 40. [$100/200] Provenance: Estate of Julia Evans Reed 71

327. Five Pairs of Manolo Blahnik Heels, incl. black tie front pointed toe

slingbacks, size 40; black crocodile pointed toe t‑strap kitten heels, size 40; black satin pointed toe t‑strap heels, size 40; black suede and leather pointed toe lace up heels, size 40; and black satin lace up pointed toe heels, size 39 1/2 in. [$100/200] Provenance: Estate of Julia Evans Reed

328. Five Pairs of Manolo Blahnik Heels, incl. pair of bead embellished black

suede heeled mules, size 40; black and white pointed toe slingbacks, size 40; light pink leather pointed toe slingbacks, size 39 1/2; red pointed toe slingbacks, size 40; red satin pointed toe heels, size 39. [$100/200] Provenance: Estate of Julia Evans Reed

330. Pair of Christian Louboutin

Heels, purple suede pointed toe heels with red bottoms, size 39 1/2. [$100/200] Provenance: Estate of Julia Evans Reed 329. Five Pairs of Manolo Blahnik Heels, incl. brown leather and fabric d’Orsay

pumps, size 39; mesh leopard print pointed toe slingback heels, size 39 1/2; black suede pointed toe pumps, size 39; black satin ankle strap pointed toe heels, size 40; black suede pointed toe slingbacks are lacking size. [$100/200] Provenance: Estate of Julia Evans Reed

331. Two Fur Hats, one labeled John Charles Brousseau for Bergdorf Goodman, other

Chinese Army‑Style. [$100/200] Provenance: Estate of Julia Evans Reed

332. Silk Prada Scarf, conquistador motif, l. 33 1/2 in., w. 33 1/2 in. [$100/200]

Provenance: Estate of Julia Evans Reed

72

333. Limited Edition Olympia Le Tan

“ Look Homeward, Angel” by Thomas Wolfe “Book” Clutch Handbag, 2018, from the Capitol 20th Anniversary Collection, embroidered “14/16” with original dust bag. [$300/500] Ill.: New York Times Style Magazine, “5 Things T Editors Like Right Now “ March 23, 2018.

Provenance: Estate of Julia Evans Reed

334. Stella McCartney Pleated Fabric Clutch Handbag, ombre green silk, gold‑tone hardware, satin lining and interior pocket, l., h. 7 in., l. 12 in. [$100/200]

Provenance: Estate of Julia Evans Reed

335. Vernon Bruce Hoeksema VBH

Limited Edition Python Skin “PM Clutch” Handbag, silver‑tone hardware, interior with hardware engraved “ PM Clutch First Edition 124/300 Hand Made in Italy VBH” h. 6 in., l. 12 1/2 in. [$100/200] Provenance: Estate of Julia Evans Reed

336. Prada Black Silk Handbag, gem embellished

337. Bottega Veneta

“Intrecciato” Handbag, silver and brown leather weave, embossed suede lined interior, pewter toned hardware, h. 6 in., l. 13 in., w. 7 in. [$100/200]

gold‑tone hardware, pink silk lining and interior side pocket, with black satin dust bag. [$100/200] Provenance: Estate of Julia Evans Reed

Provenance: Estate of Julia Evans Reed

338. Manolo Blahnik and Renaud Pellegrino

Handbags, incl. black satin Manolo Blahnik evening bag, h. 9 in., l. 8 in.; and black woven Renaud Pellegrino satchel, h. 10 in., l. 9 1/4 in. [$100/200] Provenance: Estate of Julia Evans Reed 73

339. Fourteen Orange Raw

Silk Circular Tablecloths, dia.

114 in., TOGETHER WITH 38 silk Chinese lanterns, l. 16 1/2 in. to 25 in. (closed). [$150/250] Provenance: Estate of Julia Evans Reed from her 2003 wedding.

74

340. White and Green

Linen Damask Tablecloth with 12 Matching Napkins, deer motif with “JCB” monogram, tablecloth 119 in. x 140 in. Note: small mend to edge of tablecloth. [$150/250] Provenance: Estate of Julia Evans Reed; inherited from her grandmother, Julia Clements Brooks

340A. Large Group of Linen Damask Dinner

Napkins, all monogrammed “JR”, incl. set of 11, set of 7, set of 5 and 1 miscellaneous. [$150/250] Provenance: Estate of Julia Evans Reed

340B. Large Group of Linen Hand Towels, incl. set of 11

monogrammed “JRB”, set of 3 matching, set of 4 matching, 1 dragonfly, 1 bumblebee and 4 miscellaneous: together with group of bed linens, incl. pair of Battenberg lace pillow shams), 3 linen bedsheets, 2 hemstitched linen pillow shams, hummingbird embroidered pillow sham, 4 pillowcases, pair of Matouk “Olivia” Egyptian cotton pillow shams and pair of Matouk “Lorelei Lagoon” Egyptian cotton pillow shams. [$150/250] Provenance: Estate of Julia Evans Reed

340C. Large Group of Table Linens, incl. linen damask

tablecloth monogrammed “J”, 84 in. x 70 in. (note small hole); 2 sets of 7 hemstitch napkins with associated table runner, set of 8 green hemstitch linen napkins and cocktail napkins, and miscellaneous group of approx. 35 assorted napkins, hand towels and bar towels. [$150/250] Provenance: Estate of Julia Evans Reed

Photos courtesy Paul Costello

75

340D. Collection of Postcards and Correspondence Cards, various themes, personally curated by Julia Reed. approx.

60 pcs. [$50/100] Provenance: Estate of Julia Evans Reed

341. Group of Vintage Table Linens, incl. peach linen tablecloth and 6

luncheon napkins with white applique oak leaves and acorns, tablecloth 66 1/2 in. x 49 in; 8 peach linen placemats with runner and 8 luncheon napkins with floral inserts and white embroidery; yellow and white linen tablecloth and 8 luncheon napkins with applique and embroidery, tablecloth 67 1/2 in. x 103 1/2 in.; white linen tablecloth and 6 tea napkins with applique and embroidery, tablecloth 51 1/2 in. x 70 in.; 10 ecru linen placemats and 12 luncheon napkin with applique deer; 8 white and gray linen applique placemats and matching runner; white, brown, and gold linen tablecloth and 12 luncheon napkins with floral applique, embroidery and cross‑stitch edging, tablecloth 70 in. x 102 in.; and 8 gray damask placemats and 8 napkins, 8 gray and white linen and applique luncheon napkins. [$100/200]

342. Chinese Needlepoint Carpet, overall foliate design, 12 ft. x 18 ft. [$600/900]

344. Antique

343. Vintage Mexican

Sombrero, early 20th c., decorated with painted donkeys, h. 6 3/4 in., dia.

17 in., on hat stand, total h. 13 1/2 in. [$50/100]

76

American Brass Eight‑Light Chandelier, scrolled candlearms, central oil lamp (electrified), milk glass shade, h. 31 in., dia. 28 in. [$200/300]

345. French Patinated Terracotta

and Bronze Figural Lamp, stamped “Made in France”, figure playing guitar, h. (to finial) 24 5/8 in., note: loss to handle of guitar. [$100/200] Provenance: Estate of Julia Evans Reed

345A. Two Table Lamps, incl. marble

columnar, h. 27 1/2 in. (to top of finial); and teal wood columnar, h. (30 in. (to top of finial). [$150/250] Provenance: Estate of Julia Evans Reed Photo courtesy of Jayne Design Studio 346. Antique Gilt Bronze and Brass

Four‑Light Chandelier, c. 1900, egg and dart ceiling mount, issuing support rods, conforming circlet, floriform lights with frosted shades, h. 32 in., dia. 35 in. [$200/400]

347. Pair of Antique Gilt Bronze Three‑Light Sconces in the Rococo Taste,

with foliate scroll backplates supporting large scroll arms, drilled, w. 17 in., dia. 14 in. [$300/500] 348. Antique American

Gilt Lacquered Bronze and Glass Kerosene Lamp, c. 1860, attr. to Dietz & Co., New York, gilt green glass standard, stepped marble plinth, period cut and etched shade, chimney and crystal prisms, h. 20 1/4 in. [$300/500]

349. Two Antique Cast Iron

Street Lights Labeled Pemco, four‑light fixtures set into a tapering chamfered shaft, faceted base, h. 12 ft. 8 in., base dia. 21 in. [$300/500] 350. Antique Gilt Brass and Marble Solar

Lamp, 19th c., fluted standard, electrified, h. 23 1/2 in., d. 9 1/2 in. Note: Lacking font. [$200/400] 77

351. American Cut Glass

352. Pair of

Lamp, silverplate prism ring, diamond and hobstar design, two light fixture, h.

22 1/2 in., dia. 11 in. [$200/400]

Continental Bronze‑Mounted Terrazzo Table Lamps, 20th c., h. (to socket) 26 1/2 in., w. 7 in., d. 7 in. [$100/150]

353. American Brilliant

Cut Glass Table Lamp, domed shade, trumpet base, with foliate decoration, h. 20 in., dia. 9 1/2 in. [$100/200]

354. Pair of American Brass Three‑Light Girandoles, 19th c., foliate branches, centered by

figure of Athena, h. 16 1/2 in., w. 16 in., d. 6 in. [$150/250] Provenance: The Friedle‑Garrison Collection, New Orleans.

356. Antique Brass Student

355. Open Lot

78

Lamp, marked “Cleveland Safety Library Lamp House Argand, Pat. Nov 18th 1871”, with opaline glass shade, adjustable, h. 20 3/4 in., w 13 in., d. 8 1/4 in. [$50/100]

357. Antique

Brass‑Mounted Opaline Glass Oil Lamp, 19th c., h. 22 in., dia. 6 3/4 in. [$50/100]

358. Pair of American Patinated Bronze and Cut Crystal Two‑Light Girandoles, 20th c.,

h. 15 1/2 in., w. 12 in., d. 4 3/4 in. [$200/300] Provenance: Schwitz Collection, Franklin, LA.

359. Two American Glass Lamp Shades, 19th c., incl. lyre‑cut

solar, h. 9 7/8 in., dia. 9 in.; fitter 6 1/8 in.; and floral‑cut sinumbra, h. 8 5/8 in., dia. 10 in., fitter 8 1/4 in. [$200/400]

360. American Gilt Brass Three‑Piece Girandole Garniture, 19th c., attr. to Starr, Fellows, NY,

“Girl and Deer” standard, h. 17 1/2 in., w. 17 in., d. 4 in. [$300/500]

361. Continental

Neoclassical‑Style Bronze Six Light Chandelier, pierced frieze with cherubs and palmettes, foliate candlearms, h. 36 in., dia. 48 in. [$200/400]

79

362. Venetian Blown and Molded

Glass Torchere, early 20th c., clear glass with applied rose and blue topaz flowers and crimped wavey bands, standard with alternating ovoid and disc‑forms below a large dish, flame finial, metal foot, note: sold “as is”, lacking parts, h. 85 in., dia. 16 in. [$50/75]

364. Two Louis

XVI‑Style Gilt Metal Candelabrum Lamps, late 19th c., electrified, taller h. 24 in. [$100/200]

366. Antique French Neo‑Grec

Bronze‑Mounted Porcelain Carcel Lamp, figural handles, matte black ground, electrified, h. (to socket) 24 in. [$200/400]

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

80

363. Native American

Woven Pine Straw Basket with Lid, possibly Coushatta, h. 5 in., dia. 6 in [$100/200]

365. Pair of Continental Gilt Brass

Single‑Light Figural Girandoles, 19th c., foliate standard, reclining dog, marble base, h. 11 3/4 in., w. 5 in., d. 3 1/4 in. [$150/250] Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

367. Pair of Louis XVI‑Style

Patinated Bronze Two‑Light Sconces, 20th c., mirrored ribbon and torch backplate, h. 17 in., w. 9 1/2 in., d. 4 in. [$150/250]

368. Pair of Large French

Painted Metal Figural Lamps, 20th c., with nymph and cherub riding a dolphin, h. (to socket) 38 in., dia. 11 1/2 in. [$250/350] Provenance: Schwitz Collection, Franklin, LA.

369. French Bronze Sinumbra

Lamp Base, c. 1850, electrified, lacking shade, h. 20 1/2 in., dia. 10 3/4 in.; together with a brass lamp standard, h. (to socket) 18 in. [$150/300]

370. Pair of Dutch Brass

Two‑Light Sconces, late 19th c., octagonal, repousse design, h. 14 in., w. 11 1/2 in., d. 5 in. [$100/150]

371. Pair of Continental

Capodimonte‑Style Porcelain and Metal Lamps, 20th c., vasiform standards, flanked by cherubs, reticulated metal base, h. (to socket) 12 1/2 in., w. 8 1/2 in., d. 8 3/4 in. [$300/500]

372. Pair of Continental

Gilt Metal and Meissen‑Style Porcelain Figural Table Lamps, 20th c., foliate bases, figures playing a lute, h. (to socket) 16 in., w. 6 1/2 in., d. 5 in. [$100/200]

81

373. [Antique Law Book], Novus Thesaurus

Juris Civilis et Canonici... vol. 6, 872 pages, in Latin, hardcover, 1753. [$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

375. Alden, John Richard, General Gage

in America, Being Principally a History of His Role in the American Revolution, Baton Rouge, Louisiana State University Press, 1948. [$5/10] Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

377. Chateaubriand,

Atala, New York, Cassell Publishing Co., 1884, illustrated by Gustave Dore. [$50/75] Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

379. [Leather Bindings],

25 volumes, 3/4 leather, gilt tooled, Waverley Novels, 1871. [$200/300] Provenance: The Friedle‑Garrison Collection, New Orleans.

82

374. Grand Album De L’Exposition

Universelle 1867, Michel Freres, 1868, folio, 124 pages, hardcover, in French, lacking title and several preliminary pages. [$40/60] Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

376. [Louisiana Historical

Society], Publication of the Louisiana Historical Society, 1895‑1917, volumes 1‑10 (lacking vol. 4); and The Louisiana Historical Quarterly, 1917‑1947, volumes 1‑47 (lacking vols. 2, 35‑37, and 41‑43), 49 volumes total, all uniformly bound in red cloth with gilt lettering. Note: Sold to benefit the Louisiana Historical Society. [$100/200]

378. [Leather Bindings], 15

volumes, gilt tooled full leather,

by John Heneage Jesse. [$150/200]

Provenance: The Friedle‑Garrison Collection, New Orleans.

380. [Medical], Sharp, Samuel.

A Treatise on the Operations of Surgery..., London, J. and R. Tonson, 1758, seventh edition, full calf, 14 plates, 8 in. x 4 3/4 in. [$75/150] Provenance: Windham Collection, Oxford, MS.

381. Rand McNally &

Co. Pocket Map of Newfoundland, 1927, 21 1/2 in. x 9 in. [$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

382. [Map] United States Department of Interior, “Plan and

Profile of Colorado River from Lees Ferry, Ariz, to Black Canyon, Ariz ‑ Nevada and Virgin River, Nevada”, 1923, 18 in. x 25 in (21pcs.) [$5/10]

383. Map of Gulf Coast for US Coast Survey, “U.S. Coast Survey....Section No. 8,

1845‑1851”, lithograph, with later hand‑coloring, sight 15 1/2 in. x 22 3/4 in., framed. [$75/150] Provenance: Estate of Julia Evans Reed

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

384. Antique US Coast Map of Louisiana, “U.S. Coast Survey, A.D. Superintendent”,

1860, lithograph, with later hand‑coloring, 20 1/2 in. x 34 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed

385. Antique Map of Gulf Coast, “Preliminary Chart No. 26 of the Sea Coast of the

United States from Mobile Bay Ala. to Lake Bogue La...”, 1857, electrotype, with later hand‑coloring, sheet 21 in. x 42 1/2 in., unframed. [$100/150] Provenance: Estate of Julia Evans Reed

386. [STOCK CERTIFICATE], New York Agency of Pennsylvania Fire Insurance

Company, engraving, no. 2014 for $5000, printed by American Bank Note Company, 5 1/2 in. x 9 1/2 in., unframed. [$75/150] 83

387. [Civil War Map], “Map of the Seat of War to Accompany the American

Conflict”, Hartford, O.D. Case & Co., 1866, hand‑colored map, showing towns, villages, battlefields, forts, military routes, canals and railroads, 25 3/4 in. x 36 1/2 in., unframed. [$75/150]

388. Giovanni Battista Piranesi (Italian, 1720‑1778), “Veduta del Castello dell’Acqua Felice”,

etching, sight 27 3/4 in. x 16 1/2 in. framed; together with 4 antique hand‑colored engravings of fish, sight 6 1/4 in. x 4 in., matted; 3 antique botanical lithographs, sight 15 in. x 10 in., matted; 2 antique engravings of building elevations, sight 11 in. x 16 in., matted. (10 pcs.) [$100/200]

389. Antique Iron Brace, 19th c.,

incomplete, h. 9 1/2 in., w. 5 in. [$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

390. Diamond Crystal Geode, h. 3 1/4 in., carrying pouch.

391. English Victorian 9 kt.

Yellow Gold, Black Onyx and Oriental Half Pearl Brooch, 19th c., marked “P. Bros.”, woven back, w. 1 5/8 in. [$10/20]

[$100/200]

Provenance: Estate of New Orleans antiquarian Richerson Rhodes.

393. Ten Bohemian

392. Five French Bronze Presidential Commemorative

Medals, incl. Franklin Roosevelt, Lyndon Johnson, Woodrow Wilson and 2 Warren Harding, largest dia. 3 in. [$50/100] 84

Etched Ruby Glass Finger Bowls, c. 1860, vintage decoration, h. 3 1/2 in., dia. 4 1/4 in. [$150/250]

394. Tall Cut Glass

395. Moser Enameled Green

Decanter, probably Bohemian, h. 15 5/8 in.; TOGETHER WITH cut glass biscuit barrel (lacking cover), h. 7 1/8 in. (2 pcs.) [$200/300]

396. Three Antique Blown Glass Hyacinth Vases, 19th c., incl. tall light green

one and 2 squat, bulbous ones in amber or teal, h. 7 1/2 in. and 6 in. [$50/100]

Glass Ewer, late 19th/early 20th c., horn of plenty form, shaped lip, body with applied scrolling vines and arabesques, stemmed foot, unsigned, h. 11 in. [$200/400]

397. Three Pieces of Antique Glass, incl. clear dish with red swirl, painted flowers,

dia. 8 in.; baluster case with painted winter landscape, h. 3 1/4 in.; and paneled, clear glass vase with blue painted decoration, h. 4 1/8 in. [$50/100]

398. Nine

Bohemian‑Style Enameled Yellow Glass Cordials, 20th c., possibly Moser, with gilt and white floral decoration, h. 7 1/2 in. [$200/300]

399. French Amethyst

Glass Cruet with Stopper, 19th c., “twist” surface, h. 9 1/8 in., d. 2 7/8 in. [$100/150]

400. Eleven Antique Glass Apothecary

Canisters, variously marked “NVPARE, Herm.

Hege. Hamburg. Fookheng. KwongHong Sing. and C.E. Gatchke Hamburg”, h. 7 1/4 in. to 16 3/4 in. [$100/150] 85

400A. Two French Glass Cider

Jugs, probably 19th c., probably Normandy, Provenance: Lucullus, h. 11 1/4 in.; together with a William Yeoward carafe, h. 9 1/2 in. [$100/200] Provenance: Estate of Julia Evans Reed

400B. Group of Three Crystal

Vases, incl. pale amber Moser, h. 7 in.; Baccarat, h. 8 in.; cut and etched example, unmarked, h. 10 in.; and trumpet vase attachment (missing base). [$100/200] Provenance: Estate of Julia Evans Reed

400C. Group of Miscellaneous Glassware, incl. panel cut and vintage decorated

goblet, cocktail mixing beaker, 7 teal tumblers, 5 green tumblers and 4 beakers (18 pcs.) [$100/150] Provenance: Estate of Julia Evans Reed

401. Victorian Opaline

Glass Epergne, 19th c., probably Stourbridge, ruffled bowl with four trumpet vases, h. 20 in., dia. 11 in. Note: Alteration. [$100/200] 86

402. Thirteen Pieces of Gilt‑Decorated Blue Opaline Glass, incl. platter, pair of

dresser boxes, pair of vases, and 7 bottles, tallest h. 7 1/4 in. [$100/200]

403. Eighteen Pieces of Blue Opaline Glass, incl. 4 plates, 5 bowls, compote,

4 trays, 2 vases, and 2 glasses, compote h. 5 in. [$300/500]

404. Royal Flemish Satin Glass

Vase, raised gilt decoration and beading, h. 7 in., dia. 7 in. [$100/200]

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 405. American Cut Glass Bowl,

rare butterfly and flower design, h. 3 3/8 in., dia. 8 in. [$100/200]

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

407. American Brilliant Cut Glass Fishtail Ice Cream Boat, h. 1 7/8 in.,

w. 14 1/2 in., d. 8 in. [$100/200]

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 406. Continental Cut Glass Bowl, floral decoration, h. 4 1/8 in., dia. 10 1/8 in.

[$100/200]

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

408. Four American Cut Crystal

Pitchers, 2 “Russian” pattern, 2 “Pinwheel”, h. 10 1/2 in., 8 1/2 in., 6 1/2 in., and 6 in. [$200/400] Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Photos courtesy Paul Costello

87

409. American Brilliant Cut

Glass Punch Bowl on Stand, hobstar design, h. 9 1/4 in., dia.

10 1/2 in. [$100/200] Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

410. Four American Brilliant Cut Glass Dishes, incl. canoe-form, three-handled,

two-handled, and celery, tallest h. 3 3/4 in. [$200/300]

411. American Brilliant

Cut Glass Basket, signed “Clark”, h. 9 in., dia. 9 in. [$100/200] Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

412. Continental Engraved

Glass and Raised Gilt Compote, stylized floral design, h. 4 3/4 in., dia. 6 3/4 in. [$100/150]

413. Large Heisey Glass

Centerpiece or Punch Bowl, marked, two-part, Greek key design, h. 12 3/4 in., dia. 18 1/4 in. [$100/200]

414. American Brilliant Cut Glass Pedestal Punchbowl, in two parts, bowl decorated with sunflower sprays, h. 13 5/8 in., dia. 12 in. [$200/300]

415. Pair of Waterford

Cut Crystal Candlesticks, h. 10 in. [$100/200]

416. American Cranberry Cut‑to‑Clear Glass Pitcher and Four Glasses, each with engraved “W”, h. 9 1/4 in and 5 3/8 in.

(5 pcs.) [$200/300]

Provenance: Schwitz Collection, Franklin, LA.

88

417. Pair of Continental Cut

Glass Decanters, 19th c., star and diamond pattern, h. 12 1/4 in. [$150/250] Provenance: Schwitz Collection, Franklin, LA.

418. New Orleans Fair

Grounds “Tenacious Handicap” Racing Trophy, 1998, crystal bowl marked “Design Guild”, h. 7 1/2 in., dia. 11 in. [$100/150] Provenance: Estate of James H. Stone, New Orleans, LA.

419. Lalique Frosted, Clear

and Colored Glass Turtle Dove on Pedestal, etched marks, h. 8 1/4 in. [$200/300]

Provenance: Estate of James H. Stone, New Orleans, LA.

420. Verdigris Patinated

Copper Architectural Fragment of a Fleur‑De‑Lis, 19th c., h. 24 in., w. 12 in. [$40/60]

421. Gilt Metal Figure of a

Putto, after Auguste Moreau, signature inscribed on self‑base, h. 15 3/4 in., w. 5 3/4 in., d. 5 1/2 in., marble base, overall h. 18 in. [$150/250]

420A. Bronze Allegorical

Figure of “Flora”, after John Michael Rysbrack, inscribed “Thenard EA” on tree stump, h. 17 1/2 in., w. 6 1/4 in., d. 5 in., painted wood base, overall h. 18 3/4 in. [$100/200]

Provenance: Schwitz Collection, Franklin, LA.

422. Bronze Figural Group of

an Eagle and Snake, inscribed “Chucho Fuentes” on self‑base, h. 19 in., wood base, overall h. 20 3/4 in. [$300/500]

Provenance: Schwitz Collection, Franklin, LA.

89

423. Resin Bust of

Marcus Vipsanius Agrippa, after the Antique, h. 20 in. [$50/100]

424. Resin Bust of

Roman Emperor Augustus, after the Antique, h. 20 in. [$150/250]

425. Decorative Metalwork Mirror, silver and

gold gilt finish, arched top, C scroll surround, beveled mirror plate, h. 57 in., w. 39 in. [$150/250]

427. Antique American

Walnut Mirror, scrolled pediment, arched mirror plate, h. 43 in., w. 32 1/2 in. [$300/500]

426. American Mahogany Bowfront Dressing

Mirror, c. 1820, in the Sheraton taste, rectangular mirror with turned supports, two drawers and raised on button feet, as-found “Estate” condition. [$200/400]

428. French Provincial Carved Walnut Tall Clock Case, note: lacking the face, works and top/bonnet above, h. 67 in., w. 14 1/2 in., d. 10 1/2 in. [$200/400]

429. Louis XVI-Style

Marble Figural Clock, h. 28 1/2 in., w. 11 in., d. 8 1/2 in. [$250/350]

430. Antique French Inlaid and Gilt‑Incised

Marble Three‑Piece Clock Garniture, late 19th c., dial marked “A LA JERBE D’OR/ A. CHAPUS/ PARIS”, gilt metal mounts, clock h. 12 1/4 in., w. 9 in., d. 5 in., vase h. 12 3/4 in. [$200/400] Provenance: Schwitz Collection, Franklin, LA. 90

431. Antique French Bronze

Bracket Clock, dial and movement marked “DEMIA A PARIS”, surmounted by a globe and book, h. 12 1/2 in., w. 9 in., d.

6 in., on carved mahogany bracket, total h. 22 in. [$200/400]

432. Aeolian Company Piano Player, 1906, h. 24 1/2 in., w. 39 3/4 in., d. 17 in.

[$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

433. Xiaoyang Yu (Chinese, 20th c.), “Street Scene, Beijing, China”

and “Luo Yang, China”, two gelatin silver prints on paper mounted to paper, pencil signed and dated 1985 and 1986 on paper mounts, image 9 1/2 in. x 7 in., overall 12 in. x 9 7/8 in. (2 pcs.) [$75/125]

434. Wu Qiangnian (Chinese, b. 1937), “Persimmons”, 1979, woodcut, signed

and sealed in plate, numbered 21/100, inscribed and dated lower margin, sight 15 in. x 11 in., matted and framed; together with another woodblock, signed (masadui?), inscribed and sealed lower margin, sight 6 1/2 in. x 4 1/2 in., matted and framed (2 pcs.) [$400/600]

436. Chinese School, probably

mid‑20th c., “Calligraphy”, 2 paintings, each ink on paper, one bearing signature and seal of Jiang Zhongzheng (Chiang Kai‑Shek), 40 7/8 in. x 13 1/8 in., mounted as hanging scrolls. (2 pcs.) [$100/200] 435. Chen Tai‑yu “C. Lewis” (Chinese, b. 1963), “Two Studies ‑ Luna Moth and

Butterfly”, 2 watercolors on paper mounted to board, signed “C. Lewis” on mount lower right, overall 6 3/4 in. x 12 in., framed together. [$100/200] Provenance: Estate of Julia Evans Reed 91

438. Chinese Yixing Pottery Teaware, 20th c., variously marked, incl. 3 teapots, 437. Five Chinese Yixing Pottery Teapots, 20th c., variously marked,

h. 3 1/8 in. to 4 3/4 in. Note: condition of footed one. [$200/300]

h. 4 1/4 in. to 7 1/8 in.; and 6 cups and saucers, saucer dia. 3 1/8 in. (15 pcs.) [$200/300]

439. Blue Ground Peony

Decorated Vase, h. 8 1/2 in. [$100/200]

440. Chinese Canton Porcelain Platter, 19th c., scalloped octagonal form,

with “Blue Willow” decor, l. 12 in., w. 9 1/4 in., note: restorations. [$50/100]

441. Chinese Famille Rose

Porcelain Moon Flask Vase, early‑to‑mid 20th c., circular body with dragon handles, decorated with bird and figural panels, h. 9 in. [$100/200]

442. Pair of Chinese Famille Verte‑Style Porcelain Vases, mid‑20th c.,

decorated with lotus pond scenes, bases with apocryphal Qianlong marks, h. 16 3/4 in., wood covers and stands, overall h. 20 in. [$150/250] 92

443. Chinese Polychrome

and Gilt Carved Wood Shrine Figure, h. 8 in. [$50/100]

Provenance: Estate of Julia Evans Reed

443A. Three Chinese Green

Glazed Porcelain Vases, 19th and 20th c., incl. bottle vase with dark emerald green crackle, h. 8 in.; and 2 baluster vases with apple green crackle, h. 13 3/4 in. and 19 in. [$400/600] Provenance: Estate of Julia Evans Reed

443B. Group of Miscellaneous

Small Tabletop Objects, incl.

Chinese enamel cigarette box, ashtray and matchbook cover, (9 pcs.) [$50/100] Provenance: Estate of Julia Evans Reed

444. Pair of Chinese

Archaistic Patinated Bronze Pricket Stands, cast with flange handles, taotie masks and petal tips, h. (to pricket) 20 3/4 in.

Note: One pricket lacking. [$100/200]

445. Chinese Polychrome

Painted ‘Wedding’ Basket, three-tiered barrel form with domed cover held by strap handle with circular finial, cover painted with auspicious bats, body with floral decoration, h. 27 in., w. 16 3/4 in. [$100/200] Provenance: Acquired Hong Kong, 1992.

446. Two Chinese

Polychrome Painted Wood Chests, each of rectangular form with hinged top and short feet, h. 13 in., w. 23 1/2 in., d. 11 1/2 in. and h. 13 3/4 in., w. 26 1/4 in., d. 11 7/8 in. [$50/100] 93

447. Large Chinese Kesi Panel, 19th c., woven in slit‑weave technique with

couched gold threads and enhanced with paint depicting a central court scene flanked by warriors battling, mounted to board, sight 17 7/8 in. x 66 3/4 in., framed. [$150/250]

448. Asian Abalone Inlaid Black Lacquer Tray Table, 20th c., waisted rectangular top

with characters, shaped apron, scroll feet, h. 5 1/4 in., w. 17 3/4 in., d. 10 3/4 in. [$50/100] Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

450. Yukio Fukazawa (Japanese,

449. Fumiko Matsuda (Japanese, 20th c.),

1924‑2017), “Mask and Evil God”, 1962, etching on paper, pencil‑signed, dated and numbered “3/20” lower margin, pencil‑inscribed lower left margin, pencil‑titled on reverse, “Tacon Station & Art Gallery, Mobile” label on backing paper, 18 1/2 in. x 14 1/4 in., framed. [$100/200]

“Clown on a Tight Rope”, mixed media on board, signed and sealed lower right, 37 1/2 in. x 9 3/4 in., framed. [$100/200] Condition: Scattered scratches and surface marks but appears to be hand of artist; light surface dirt.

Frame: Scattered marks, nicks, and abrasions; loose threads from linen liner.

Condition: Scattered marks and smudges; light scattered creases; unevenly trimmed and ragged edges inherent to paper; white tape hinges along full length of upper edge en verso.

Frame: Marks, nicks and abrasion; light separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds

451. Japanese School (20th c.),

“Mountainous Landscape with Figure and Dog”, “Mountainous Landscape with Pine”, and “Mountainous Landscape with Pine”, 3 watercolors on paper, each 7 x 5 in., mounted on matting board, overall 12 1/2 in. x 10 in. [$30/60] 452. Studio of Kimbei Kusakabe (Japan, 1841‑1934) and Other Yokohama Studios, “Celebrated

Views of Japan”, c. 1850‑1890, 37 hand‑colored albumen silver prints on paper, incl. 31 numbered and captioned examples: “E 54. Fuji from Hakone Lake”, “79. Shiwomi‑Saki, Mogi”, “??2. Chusenji Nikko”, “530.

Creek Yokohama”, “536. Interior of Honmura Temple”, “616. Temple Shiba”, “617. Temple Shiba”, “635. Asakusa Pagoda”, “689. Castle Moat at Tokio”, “680. Mikado Palace Bridge”, “772. Iyeyasu Temple”, “799. Kegon Waterfall”, “811. Interior of Iyemitsu Temple”, “813. Inside Carvings at Nikko Temple”, “814. Inside Carvings at Niko Temple”, “1164. Nagoya Castle”, “1168. Great Gate at Honganji Temple”, “1217. Awjishima Inland Sea”, “1307.

Images in Great Gate Chion‑in”, “1562. Daiya River & Chiusenji Road”, “1573. Carved Temple Wall at Nikko”, “1576. 2 Image in Great Gate Nikko”, “1580. Top Image Great Gate Nikko”, “1582. Top Image Great Gale Nikko, “1591. Top Image Great Gate”, “1594. Yomei Mon, Nikko”, “1600. Carved Cat”, “1598. Gilted Door Iyeyasu Temple”, “1614. Thunder Devil”, “1616. Inside Iyeyasu Temple”, “1630. Hannia Waterfall”, and 6 untitled examples, all unsigned, (36) 8 in. x 10 1/4 in. or 10 1/4 in. x 8 in., (1) 8 in. x 6 1/4 in., 6 tipped‑in mats, others loose (37 pcs.) [$400/600] 94

454. Tsukioka Kogyo (Japanese, 1869‑1927), three woodblock prints, sight 14 1/2 in. x 9 3/4 in., double matted and

framed alike. (3 pcs.) [$100/200] 453. Utagawa Yoshitora (Japanese, fl.

1836‑1880), woodblock print featuring a samurai and a courtesan, sight 14 in. x 9 3/4 in., double matted, framed and glazed. [$100/150]

455. Tsukioka Kogyo (Japanese, 1869‑1927), three woodblock prints, sight 14 in. x 10 in. and 14 1/2 in. x 9 3/4 in.,

each double matted and framed, two framed alike. (3 pcs.) [$100/200]

456. Tsukioka Kogyo (Japanese, 1869‑1927), two

woodblock print triptychs, overall sight 14 1/2 in. x 29 3/4 in., each double matted and framed. (2 pcs.) [$100/200]

458. Indian School, 19th c., “Warrior” and “Lady in Diaphanous Dress”, 457. Tsukioka Kogyo (Japanese, 1869‑1927), two woodblock print

diptychs, overall sight 14 12/2 in. x 19 3/4 in and 14 1/2 in. x 20 in.,each matted and framed (2 pcs.) [$100/200]

each gouache on paper, former heightened with gold, sight 7 5/8 in. x 5 1/4 in. and 5 7/8 in. x 3 3/4 in., matted and framed alike. [$300/500] Provenance: Estate of Julia Evans Reed

95

460. Indonesian Ceramic Shard‑Inset, Carved and Painted Wood Fish,

h. 11 1/2 in., l. 45 1/2 in., w. 16 in., mounted to a wood plinth, overall h. 16 in. [$100/150] 459. Two Thai Illuminated Manuscript Leaves, ink, color and gilt on paper,

each sight 13 in. x 10 in., matted and framed alike. [$50/100]

462. Group of African Personal Accessories, incl. wool hat, Kenya; elephant hide eyeglass 461. Three Peruvian Textiles. [$100/150]

case, Uganda; snakeskin belt, Uganda; bead and hide apron, h. 21 3/4 in.; pair of antelope skin sandals; and ebony hair comb, Kenya, l. 8 in., w. 2 1/4 in. (7 pcs.) [$10/20]

463. African Hunting Implements, incl. 2 bows, l. 64 1/4 in. and 47 1/2 in.;

2 arrows, l. 45 3/4 in. and 46 in.; spear, metal wrapped, bell opposite tip, l. 55 3/4 in.; six spears, longest l. 27 7/8 in.; wooden spear, l. 36 in.; and hatchet, l. 21 1/2 in.

(12 pcs.) [$20/40]

Condition: surface dirt; scattered surface marks, nicks and abrasions; one bow with loose string; other bow lacking string; shrinkage to shaft of arrows and losses to fletching; losses to metal wrapping on spear with bell; small nicks to. blade of hatchet; possible repairs to tips of six spears; small chip to tip of wooden spear.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

96

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

464. African Senufo Tribe

Bronze Sooth‑Sayer, 19th c., overall h. 2 1/8 in. [$100/200]

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art

4038 Magazine St., New Orleans, LA, 70115 • 504-899-5329 • clientservices@nealauction.com • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935