Unreserved @NEAL AUCTION - June 3, 2021

UNRESERVED @Neal Auction Featuring Items from the Mobile Museum of Art & the Louisiana State Museum

ONLINE-ONLY AUCTION

Available Through June 3, 2021

Neal Auction is pleased to present

UNRESERVED @Neal Featuring an eclectic mix of over 400 lots of antique to modern furniture, paintings, prints, photography, porcelain, glass, and other decorative objects and collectibles from various estate, institution and private consignors, including:

Deaccessions from the Mobile Museum of Art,

Sold to Benefit their Collections, Care and Acquisitions Fund

Property from the Louisiana State Museum,

Sold

for acquisitions or the direct care of existing collections

The auction is available exclusively on LiveAuctioneers.com for advance bidding, with live bids commencing June 3, 2021 at 10 AM CST. All lots will be available for preview in our gallery at 3923 Carondelet Street, New Orleans on June 1 and 2 from 10 AM to 4 PM.

Available through June 3, 2021, on Liveauctioneers.com

2. Empire-Style Iron Gueridon, dished top, X supports, h. 24 1/2 in., dia.

14 in. [$300/500] 1. Wrought Iron and Glass Dining Table, rectangular glass top, octagonal base, beaded oval frieze, gilt bellflowers, h. 32 in., w. 65 in., d. 35 in. [$300/500]

3. American Carved Walnut LadderBack Armchair, 19th c., possibly South Carolina, bulbous finials, ring turned tapering stiles and arms, h. 38 1/2 in., w.

19 3/4 in., d. 15 1/2 in. [$250/350] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

4. American Southern Carved Walnut Convertible Day Bed/Bench, 19th c., Shenandoah Valley, Virginia, scrolled arms, mechanical pull out canvas, turned tapered legs, h. 34 1/2 in., w. 78 1/2 in., d. 22 3/4 in. [$300/500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

5. American Renaissance Carved Mahogany Side Chair, mid‑19th c., New York, pierced shell crest, round seat, trumpet legs, casters, h. 35 3/4 in., w. 17 in., d. 23 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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6. American Southern Painted Ladder-Back Side Chair, 19th c., possibly Alabama, rawhide seat, h.

34 in., w. 17 1/4 in., d. 14 in. [$100/150]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

7. American Queen Anne‑Style Carved Walnut Candlestand, 19th c., possibly North Carolina, vasiform standard, h. 27 in., w. 18 1/2 in., d. 18 1/2 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

9. American Southern Carved Maple Armchair, 19th c., tablet back, downswept arms, woven seat, ring‑turned tapered legs, h. 37 1/4 in., w. 23 in., d. 20 in. [$100/150]

8. American Southern Carved Walnut Child’s Commode Chair, downswept arms, h. 22 1/2 in., w. 14 in., d. 9 in. [$50/75] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

10. American Southern Painted Ladder-Back Rocker, 19th c., onion finials, rush seat, h. 34 1/2 in., w. 19 in., d. 27 1/2 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

11. American Carved Cherrywood Candlestand, early 19th c., circular top, single drawer, ring‑turned standard, stool form base, cabriole legs, h. 28 1/4 in., w. 15 1/4 in., d. 12 in. [$75/125] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

12. American Late Classical Carved Mahogany Gentleman’s Dresser, 19th c., probably New York, cyma-curved mirror supports, three small drawers, three long drawers, pineapple stiles, paw feet, h. 64 1/2 in., w. 35 1/2 in., d. 21 in. [$300/500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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13. American Late Classical Carved Mahogany Settee, early‑to‑mid 19th c., possibly Philadelphia, scroll tablet, flared armrests, winged paw feet, h. 34 1/2 in., w. 72 in., d. 20 3/4 in. [$300/500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

15. American Renaissance Carved Walnut Mechanical High Chair, 19th c., shield back, cane seat and back, turned stretchers, casters, h. 36 3/4 in., w. 14 in., d. 22 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

14. American Renaissance Carved Walnut Center Table, mid‑19th c., molded shaped marble top, floral scroll frieze, acanthine scroll supports, finialed stretcher, casters, h. 29 1/2 in., w. 39 in., d. 23 in. [$250/350] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

16. American Southern Walnut Ladder-Back Armchair, 19th c., possibly Georgia, rush seat, h. 41 3/4 in., w. 19 1/2 in., d. 17 in. [$250/350] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

17. American Walnut Side Chair, 19th c, tablet crest, plank seat, h. 31 in., w. 16 1/2 in., d. 16 in. [$50/75]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

18. American Victorian Carved Cypress Four Poster Bed, 19th c., pediment crest, spindles, turned posts, paint remnants, h. 85 in., w.

72 in., d. 42 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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19. American Late Classical Mahogany Center Table, 19th c., New York possibly Meeks, shaped top, square standard, ring and baluster corners, stepped base, bracket feet, h. 30 in., w. 33 3/4 in., d. 33 in. [$250/350]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

20. American Southern Shaker Wool Spinning Wheel, 19th c., h. 60 in., w. 60 in., d. 23 in. [$150/250]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

22. American Aesthetic Walnut Nightstand, mid‑19th c., marble top, single drawer, cabinet door, incised brackets, casters, h. 32 3/4 in., w. 18 1/2 in., d. 16 3/4 in. [$300/500]

21. American Classical Mahogany Footstool, early 19th c., upholstered seat, shaped rail, scrolled base, bulbous turned stretcher, h. 16 in., w. 21 in., d. 15 in. [$50/100]

23. T&E Walker Merchandising Bin, two bay bin with metal handles, name plates on each drawer. [$50/75]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

24. American Arts and Crafts Oak Library Table, c. 1910, stenciled labels “Crescentline Furniture Company”, single drawer, tenoned stretcher shelf, h. 29 in., w. 36 in., d. 24 in. [$200/300]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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25. American Arts and Crafts Oak Side Table, c. 1910, labeled “New Orleans Furniture Mfg. Co.”, lower shelf, slat sides, h. 29 1/2 in., w. 28 in., d. 16 1/4 in. [$150/250]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

27. Southern Walnut Accounting Desk, mid‑19th c., flat top, pigeon holes, scrolled sides, slant center, lift for storage, two small drawers, ring‑turned legs, h. 37 1/2 in., w. 59 3/4 in., d.32 1/2 in. [$200/300] Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

29. American Renaissance Carved Walnut Breakfront Cabinet, mid‑19th c., superstructure with two glazed side cabinets, central doors with cabochon decorated shield panels, base with four drawers, four lower doors, incised spandrel decoration, relief carved fruit center doors, blocked base, note: lacking cornice, h. 84 1/2 in., w. 92 in., d. 23 in. [$500/700]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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26. Tester Bed Posts, mid‑19th c., C. Lee. four posts only, no other elements.

Condition: Damaged in the Cabildo fire. [$300/500]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

28. American Renaissance Carved Walnut Upholstered Armchair, mid‑to‑late 19th c., architectonic crest, shield back, padded arms, incised frame, trumpet feet, h. 41 3/4 in., w. 26 in., d. 24 in. [$100/200]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

30. American Late Classical Mahogany Drop‑Leaf Table, early‑to‑mid 19th c., cyma frieze, flared molded standard, casters, h. 28 7/8 in., w. 40 in., d. 24 1/2 in. [$300/500]

31. Pair of Contemporary Cerused Bedside Tables, molded top, single drawer, open cabinet, fluted tapered feet, h. 28 1/2 in., w. 24 in., d. 19 in. [$300/500]

32. Mid‑Century Modern Bentwood and Glass Low Table, circular top, splayed legs, h. 27 7/8 in., dia. 48 1/2 in. [$50/100]

34. Antique George III Carved Mahogany Bedside Commode, pierced gallery, tambour door, pull out stand, spurred apron, h. 30 1/2 in., w. 20 1/2 in., d. 17 in. [$300/500]

33. Monumental American Carved and Polished Cypress Bowl, 20th c., probably Louisiana, biomorphic free‑form carved from a single cypress knee, h.

20 1/2 in., w. 55 1/4 in., d. 45 1/2 in. [$500/700]

35. Chippendale‑Style Wing Chair, carved knees, ball and claw feet, h. 39 1/2 in., w. 28 in., d. 25 1/2 in. [$100/200]

36. Fluted Pedestal with Acanthus, h. 30 in. [$500/700]

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37. Regency Brass Inlaid Mahogany Open Bookcase, early 19th c., galleried top, turned feet, brass cuffs, casters, h. 36 1/2 in., w. 32 in., d. 17 1/2 in. [$500/750]

38. Antique Chippendale‑Style Carved Elm Armchair, 19th c., shaped crest, vasiform splat, shaped arms, square tapered legs, stretchers, h. 34 1/2 in., w. 23 in., d. 19 in. [$20/40] Condition: Structurally sound overall. Loose at joints and proper left arm. Several repairs and reinforcements. Old dark finish.

Scattered imperfections, marks, nicks, and other wear consistent with age and use. AS IS.

39. Georgian Carved Mahogany Armchair, 19th c., padded back and seat, scrolled reeded arms, square tapered legs, brass cuffs, h. 37 1/4 in., w. 22 1/2 in., d. 21 1/2 in. [$100/200]

41. Antique English Regency Carved Oak Stool, tapered turned legs, X stretcher, h. 15 in., w. 17 in., d. 13 in. [$50/100]

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40. Antique Windsor Side Chair, shaped bronze‑mounted crest, spindled back, ring‑turned stretchers, outswept legs, h. 39 1/2 in., w. 18 in., d. 24 in. [$50/100]

42. Pair of George III‑Style Mahogany Armchairs, pierced splat, padded arms, saddle seat, block legs, h. 36 1/2 in., w. 22 in., d. 20 in.; Note: AS IS. [$200/300]

43. Set of Six Continental Renaissance Revival Carved Oak Dining Chairs, shaped back, foliate scroll support, paw feet, h. 41 in., w. 18 in., d. 19 in. [$200/400]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans

45. Regence‑Style Needlepoint Chair, shaped padded back and seat, nailhead trim, h. 35 in., w. 25 in., d. 17 in. [$200/400]

47. Provincial Carved Walnut Armchair, 19th c., shell crest, rush seat, bulbous ring‑turned stretchers, h. 41 in., w. 22 in., d. 20 1/2 in. [$150/250]

44. Louis XV‑Style Carved Fruitwood Needlepoint Chair, figural cartouche back, outswept arms, bouquet seat, h. 40 in., w. 26 in., d. 20 in. [$300/500]

46. Antique Provincial Carved Fruitwood Commode, shaped top, two long drawers, shaped apron, scrolled toes, h. 33 1/2 in., w. 35 1/2 in., d. 19 in. [$400/600]

48. Antique Provincial Carved Fruitwood Cabinet, shaped molded top, single drawer, single door (lacking glass), scrolled toes, h. 39 3/4 in., w. 27 1/2 in., d. 17 in. [$200/300]

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50. Louis XVI‑Style Carved Mahogany Commode, top drawer pulling out and converting to a table, h. 32 in., w. 43 1/2 in., d. 21 1/2 in. [$100/200] 49. Pair of Continental Bentwood Side Chairs, late 19th c., hoop back, plank seat, h. 35 1/4 in., w. 12 1/2 in., d. 16 1/2 in. [$150/250] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

51. Zella Funck (American/Louisiana, 1917‑2009), “Servants of the Holy Eucharist: Cities of the Dead Series”, 1975, ink on Japanese paper mounted to board, signed, dated and inscribed lower right, pencil‑signed, titled, dated, inscribed and “Friends of the Cabildo” label on mounting board, 16 in. x 34 15/16 in., framed. [$400/600]

52. Matteo Nivert (American/ Louisiana, 20th c.), “Surrealist Landscape”, 2006, mixed media on paper, signed and dated lower left, 5 1/2 in. x 4 1/4 in.; and “Horse Head”, 2007, ink on thank you card, signed and dated lower center, 7 in. x 4 3/4 in., framed together with 2 handwritten letters on backing paper. [$200/300] Condition: Each has light creasing and light waffling; white tape hinge on upper edge en verso; stains and surface dirt.

Condition: Not removed from frame; scattered creases and light folds.

Provenance: Sold to benefit Save Our Cemeteries, New Orleans, LA.

53. Matteo Neivert (American/Louisiana, 20th c.), “The Horse”, 2002, acrylic on paper, signed and dated lower left, 8 in. x 6 in., framed. [$150/250] Condition: Overall good condition; light surface dirt; scattered light surface marks.

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54. Marshall D. Smith (American/Louisiana, 1874‑1973), “Fez”, oil on canvas mounted to board, signed and titled lower right, 12 in. x 10 in., framed. [$100/200]

Condition: Canvas loose from backing board; surface dirt; edges unevenly cut; craquelure with active flaking on seated figure.

55. Terry Blake Edwards (American/Mississippi, 20th c.), “Flower”, pastel on paper, signed lower left, 5 7/8 in. x 4 1/8 in., framed. [$50/100]

56. Anne Low (American/ Alabama, b. 1944), “Untitled”, acrylic on canvas, unsigned, 48 in. x 42 in., unframed. [$200/400]

Condition: Unevenly trimmed edges; 7 pinholes scattered throughout edges; mounted to cardboard.

Condition: Scattered marks and accretions; scattered scuffs and light stains; light scattered scratches in heavy impasto areas.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

57. Barbara Osthoff Collins (American, 1926‑2008), “Sno‑Kone Cart in Potato Harvest Field, Foley, Alabama”, 1970, acrylic on masonite, signed and dated lower right, signed, titled, dated and printed label with date en verso, 30 in. x 24 in., framed. [$200/400]

58. Henry Mortikar Rosenberg (American, 1858‑1947), “Keepsakes”, 1938, oil on canvas, signed, dated and inscribed lower left, 34 in. x 24 in., unframed. [$100/200] Condition: Scratches and small areas of paint loss along all edges; light buckling throughout; scattered areas of paint loss throughout; 3 in. x 3 in. area of black stains upper right corner; 1 in. area of paint loss upper right (by sitter’s head); scattered stains throughout; surface dirt.

Condition: Very light marks and scratches; light scattered accretions; very light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

59. Doris Alexander Thompson (American/Alabama, 1906‑1995), “Seated Female Nude”, 1946, oil on canvas, signed and dated lower right, 22 in. x 18 in., unframed. [$100/200]

60. Tim “Mr. Hooper” Hooper (American/Tennessee, b.

1969), “Micky Menace”, 2002, acrylic on panel, signed and dated lower right and en verso, 29 15/16 in. x 23 15/16 in., unframed. [$300/500]

Condition: Relined with new stretcher; cleaned; colors fluoresce under UV light; craquelure throughout; stretcher bar marks visible; scratches and losses along all edges; scattered marks, accretions and light losses throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Scattered scratches; small areas of paint loss along edges; light surface dirt; scattered accretions; difficult to penetrate varnish layer with UV light; some colors fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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61. Henry Mortikar Rosenberg (American, 1858‑1947), “In Contemplative Mood”, 1932, oil on canvas, signed and dated lower left, pencil‑inscribed with title on stretcher, “Mobile Museum of Art” stamp on backing board, 18 in. x 24 in., framed. [$100/200]

Condition: 2 repaired tears middle of work with corresponding patches en verso; surface dirt; marks, stains and smudges throughout; accretions; inpainting visible throughout work under UV light; signature fluoresces under UV light; light separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

62. Henry Mortikar Rosenberg (American, 1858‑1947), “The Passing Day”, 1931, oil on canvas, signed and dated lower left, pencil‑inscribed with title on stretcher, 16 in. x 20 in., framed. [$100/200] Condition: Surface dirt; buckling; craquelure in darker colors; scattered accretions and areas of varnish build up; stretcher bar marks visible; scattered scratches and light paint loss throughout; inpainting visible under UV light throughout foliage and landscape, particularly lower edge; light separations in frame corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

64. Henry Mortikar Rosenberg (American, 1858‑1947), “Woodland”, 1919, oil on canvas, signed, dated and inscribed lower right, illegibly inscribed on stretcher, 32 in. x 22 in., framed. [$100/200]

63. Henry Mortikar Rosenberg (American, 1858‑1947), “The Lake Builders”, 1936, watercolor on paper, signed and dated lower left, titled and inscribed en verso, 22 3/8 in. x 15 3/8 in., framed. [$200/300]

Condition: Pinholes along edges and corners appear to be hand of artist; edges of paper unevenly cut; waffling of paper; scattered light creases; toning of paper; 2 white tape hinges at upper edge.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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Condition: 2 repaired tears, one mid‑left (above foliage), the other mid‑right (in tree line), both with corresponding patches en verso; craquelure throughout sky; surface dirt; light buckling; scattered small paint losses; scattered marks and stains; inpainting throughout visible under UV light, scattered scratches along edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

65. Henry Mortikar Rosenberg (American, 1858‑1947), “The Barrons, Nova Scotia”, 1926, oil on canvas, signed and dated lower right, handwritten label with title on stretcher, printed label with artist, title and date on reverse of frame, 12 in. x 18 5/8 in., framed. [$100/200]

Condition: Surface dirt; toning of varnish; stretcher bar marks visible; craquelure throughout; unable to penetrate varnish layer with UV light; separation in frame corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

66. Henry Mortikar Rosenberg (American, 1858‑1947), “The Fox”, 1938, oil on canvas, partial signature and dated “193..” lower left, partial signature and dated “..38” lower right, “Salmagundi Club, Summer Exhibition” label with artist and title on reverse of frame, 20 in. x 16 in., framed. [$50/100] Condition: Surface dirt; toning of varnish; buckling of canvas; stretcher bar marks visible; marks and accretions; brush bristles throughout; difficult to penetrate varnish layer with UV light; Separation in frame corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

67. Henry Mortikar Rosenberg (American, 1858‑1947), “Citronella, Alabama”, oil on canvas, signed, titled and illegibly dated lower left, 20 in. x 16 in., framed. [$100/200] Condition: Surface dirt; stretcher bar marks visible; light buckling of canvas; some colors and signature fluoresce under UV light; separation in frame corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

68. Henry Mortikar Rosenberg (American, 1858‑1947), “Alabama”, 1929, watercolor on paper, signed, titled and dated lower left, 14 1/2 in. x 10 1/2 in., framed. [$50/100]

Condition: Unevenly trimmed edges; scattered creases; pinholes in each corner; 4 pinholes scattered along edges; toning; 2 white tape hinges along top edge en verso.

Provenance: Property of the Mobile AL, sold to benefit their Collections, Care and Acquisitions Fund

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69. Henry Mortikar Rosenberg (American, 1858‑1947), “Heat of the Day”, 1918, oil on canvas, signed and dated mid‑right, 31 3/4 in. x 21 3/4 in., unframed. [$50/100]

Condition: Work is in generally poor condition; creases and folds throughout; extensive paint loss; active flaking; canvas has been cut down and folded around board, held in place with yellow tape along all edges en verso; surface dirt; extensive inpainting visible under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

70. Henry Mortikar Rosenberg (American, 1858‑1947), “The Lantern”, 1941, oil on canvas, signed twice and dated lower left, handwritten label with artist and title on stretcher, 30 in. x 25 1/4 in., unframed. [$100/200]

Condition: Surface dirt; toning of varnish; stretcher bar marks visible; buckling; scattered marks and accretions; scattered areas of paint loss and scratches along all edges; extensive inpainting visible under UV light; one signature fluoresces under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

71. Henry Mortikar Rosenberg (American, 1858‑1947), “The Trio”, 1928, oil on canvas, signed and dated lower right, pencil‑titled on stretcher, 18 in. x 20 in., unframed. [$100/200]

Condition: Surface dirt; toning of varnish; 2 in. dia. repair upper center with corresponding patch en verso; paint loss and scratches along all edges; scattered marks and accretions; scattered paint loss along left half of work; inpainting visible throughout under UV light; signature and date fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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72. Henry Mortikar Rosenberg (American, 1858‑1947), “Amid the Grapes”, 1929, oil on canvas, signed and dated lower left, 16 in. x 20 in., unframed. [$100/200] Condition: Surface dirt; stretcher bar marks visible; scattered paint loss; scattered accretions; scratches and light paint loss along all edges; buckling; difficult to penetrate varnish layer with UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

73. Henry Mortikar Rosenberg (American, 1858‑1947), “The Forest”, 1943, oil on canvas, signed and dated lower left, 16 in. x 20 in., unframed. [$100/200] Condition: Scattered craquelure; areas of varnish build up; light buckling; surface dirt; scattered marks and accretions; large areas of inpainting visible under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

74. Henry Mortikar Rosenberg (American, 1858‑1947), “Five Female Figures”, oil on canvas, signed lower left, partial label en verso, 16 in. x 22 1/4 in., unframed. [$100/200] Condition: Surface dirt; scratches and paint loss along edges; light scattered accretions; stretcher bar marks visible; light buckling; scattered areas of varnish build up; scattered areas of inpainting visible under UV light, mainly in background foliage.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

75. Henry Mortikar Rosenberg (American, 1858‑1947), “Untitled (Nude)”, 1942/43, oil on canvas, signed and dated lower left, 20 in. x 16 in., unframed. [$100/200]

76. Henry Mortikar Rosenberg (American, 1858‑1947), “Nude Figure in a Forest”, oil on canvas, initialed lower left, 16 in. x 14 in., framed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Light buckling; scattered craquelure; light scattered accretions; scratches and light paint loss along edges; light scattered paint loss throughout; yellow tape along all edges; some colors fluoresce under UV light including signature.

Condition: Surface dirt; scattered white accretions; buckling; scattered scratches and paint loss, particularly on edges; extensive inpainting visible under UV light; separation in frame corners.

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77. Henry Mortikar Rosenberg (American, 1858‑1947), “Two Figures in a Forest”, 1927, oil on canvas, signed and dated lower left, 12 in. x 14 in., unframed. [$50/100]

Condition: Surface dirt; toning of varnish; scratches and light paint loss along edges; scattered marks and accretions; very light buckling; inpainting visible throughout under UV light; difficult to penetrate varnish layer with UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

78. Anne Low (American/Alabama, b. 1944), “Breath of Joy II”, 2004, mixed media on canvas, signed, titled and dated en verso, 84 in. x 108 in., unframed. [$200/300] Condition: Panel support en verso; not examined under UV light; scattered surface marks; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

79. Anne Low (American/Alabama, b.

1944), “Ethereal (Pink)”, 1995, mixed media on canvas, signed and dated en verso, inscribed on stretcher, 108 in. x 84 in., unframed. [$200/300] Condition: Not examined under UV light; scattered surface marks; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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80. Anne Low (American/Alabama, b. 1944), “Ethereal (Copper)”, 1995, mixed media on canvas, signed and dated en verso, 108 in. x 84 in., unframed. [$200/300]

Condition: Not examined under UV light; scattered light surface marks; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

81. Anne Low (American/Alabama, b. 1944), “Ethereal (Silver)”, 1995, mixed media on canvas, signed and dated en verso, 108 in. x 84 in., unframed. [$200/300]

Condition: Not examined under UV light; scattered light surface marks; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

82. Henry Mortikar Rosenberg (American, 1858‑1947), “Resting”, 1926, oil on canvas, signed and dated lower left, 14 in. x 22 in., unframed. [$100/200] Condition: Surface dirt; stretcher bar marks visible; light buckling; scratches and losses; colors fluoresce under UV light including signature; difficult to penetrate varnish layer with UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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83. Henry Mortikar Rosenberg (American, 1858‑1947), “A Summer Haze”, oil on canvas, signed lower left, printed label with title en verso, 18 in. x 22 in., unframed. [$100/200] Condition: Surface dirt; marks, scratches and paint loss; stretcher bar marks visible; inpainting visible under UV light in figures and foliage; difficult to penetrate varnish layer with UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

84. Henry Mortikar Rosenberg (American, 1858‑1947), “The Red Maple”, 1939/1940, oil on canvas, signed and dated lower left, pencil‑signed and titled on stretcher, 18 in. x 20 in., unframed. [$100/200]

Condition: Craquelure; surface dirt; scratches and losses; stretcher bar marks visible; light buckling; colors fluoresce under UV light including signature.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

85. Henry Mortikar Rosenberg (American, 1858‑1947), “Shadow Heights”, 1930, oil on canvas, signed and dated lower left, handwritten label with title on stretcher, 12 in. x 22 1/4 in., unframed. [$100/200] Condition: Scratches and paint loss throughout; marks and accretions; stretcher bar marks visible; surface dirt; extensive inpainting visible under UV light; yellow tape along all edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

86. Henry Mortikar Rosenberg (American, 1858‑1947), “Three Figures in a Landscape”, 1939, oil on canvas, signed and dated lower left, 16 1/4 in. x 20 in., framed. [$100/200] Condition: Surface dirt; light buckling; stretcher bar marks visible; scattered areas of paint loss; scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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88. Henry Mortikar Rosenberg (American, 1858‑1947), “Femininity”, oil on canvas, pencil‑signed and titled on stretcher, 16 in. x 12 in., unframed. [$100/200] Condition: Surface dirt; scattered scratches and light paint loss; light buckling; yellow tape on all edges; extensive inpainting under UV light.

87. Henry Mortikar Rosenberg (American, 1858‑1947), “Fruit of the Vine”, oil on canvas, signed lower left, pencil‑signed and label with title on stretcher, 16 1/8 in. x 20 1/8 in., unframed. [$100/200]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Small scattered dots of inpainting; scattered loss and flaking upper left, lower center and lower right; lightly buckling; loss and wear at edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

89. Henry Mortikar Rosenberg (American, 1858‑1947), “The Jewel Tree”, 1932, oil on canvas, signed and dated lower left, “Salmagundi Club” label with artist and title on stretcher, 16 1/4 in. x 20 in., unframed. [$100/200] Condition: Surface dirt; scattered craquelure; scattered areas of light paint loss and scratches; areas of thick varnish build up; extensive inpainting under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

90. Henry Mortikar Rosenberg (American, 1858‑1947), “In the Shade”, 1942, oil on canvas, signed and dated lower left, 20 in. x 16 in., unframed. [$100/200]

Condition: Possible scattered dots of inpainting with larger area upper right; 2 patches approx. 2 in. x 1 in. en verso; scattered surface marks; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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91. Henry Mortikar Rosenberg (American, 1858‑1947), “Portrait of a Young Woman”, 1915, oil on canvas, initialed and dated upper right, pencil‑signed on stretcher, 16 1/4 in. x 12 1/4 in., unframed. [$10/20] Condition: Work is in generally poor condition; relined; repaired holes and tears; craquelure; surface dirt; scratches and paint loss; inpainting; yellow tape along all edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

93. Anne Low (American/ Alabama, b. 1944), “Questions”, acrylic on gallery‑wrapped canvas, signed and titled en verso, 84 in. x 60 1/4 in., unframed. [$100/200]

Condition: Not examined under UV light; surface dirt; scattered light surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

92. Doris Alexander Thompson (American/Alabama, 1906‑1995), “Female Nude”, 1947, oil on canvas, signed and dated lower right, 20 in. x 16 in., unframed. [$100/200] Condition: Relined; scattered areas of inpainting approx. 1 1/2 in. x 1 in. and smaller; area of inpainting approx. 4 in. x 3 in. lower right (above signature); craquelure throughout; surface dirt; stretcher bar marks visible at all sides; scattered surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

94. Anne Low (American/ Alabama, b. 1944), “Inside Out”, 1999, acrylic on gallery‑wrapped canvas, signed, titled and dated en verso, exhibition label with artist, title and date on stretcher, 84 1/4 in. x 60 1/2 in., unframed. [$100/200] Condition: Not examined under UV light; surface dirt; scattered surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

96. Henry Mortikar Rosenberg (American, 1858‑1947), “Nudes in a Landscape”, oil on canvas, unsigned, 20 in. x 16 in., unframed. [$100/200] 95. Henry Mortikar Rosenberg (American, 1858‑1947), “Beauty and the Beast”, oil on canvas, signed lower right, 13 7/8 in. x 12 in., unframed. [$100/200]

Condition: Scattered inpainting; scattered loss and flaking throughout; surface dirt; scattered surface marks; uneven varnish layer.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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Condition: Surface dirt; marks, stains and scratches; colors fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

97. Henry Mortikar Rosenberg (American, 1858‑1947), “Halifax”, 1924, oil on canvas, signed, titled and dated lower left, 16 in. x 20 in., unframed. [$100/200] Condition: Surface dirt; scratches, losses and flaking along edges; stretcher bar marks visible; light buckling; areas of varnish build up; difficult to penetrate varnish layer with UV light; extensive inpainting under UV light; 2 in. x 2 in. area of repair lower center en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

98. Henry Mortikar Rosenberg (American, 1858‑1947), “Sea Shells”, oil on canvas, signed lower left, illegibly inscribed on stretcher, 16 in. x 20 1/4 in., unframed. [$100/200] Condition: Possible scattered inpainting; some areas of craquelure; wear at edges; light surface marks; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

100. Selt Max Weyl (American/District of Columbia, 1837‑1914), “Self‑portrait”, oil on canvas, signed on reverse of frame, 18 in. x 12 3/4 in., framed. [$50/100]

99. Henry Mortikar Rosenberg (American, 1858‑1947), “The Storm and the Hill”, oil on canvas, signed lower left, pencil‑titled on stretcher, 20 in. x 16 1/4 in., unframed. [$100/200] Condition: Surface dirt; marks, scratches, paint loss and flaking; buckling; areas of varnish build up; extensive inpainting under UV light; difficult to penetrate varnish layer.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition; multiple campaigns of restoration; holes and tears; multiple patches en verso; extensive inpainting under UV light; craquelure; flaking; scratches; paint loss; surface dirt; frame has marks, nicks, abrasions; stains; losses; cracks; separation in corners; surface dirt.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

23

101. E. B. Foster (American, 20th c.), “Still Life with Peonies”, watercolor on paper mounted to board, signed lower right, 13 in. x 19 in., framed. [$50/100] Condition: Edges slightly peeling away from mount; toning; discoloration from previous mattings; scattered marks; 2 in. x 1/4 in. loss upper edge; remnants of brown tape along full upper edge.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

102. Valery Kosorukov (Russian/American, b. 1937), “Rose Variation”, 1970, pastel on paper, signed and dated lower left, signed, titled and dated in Russian and English en verso, Russian stamp en verso, 24 in. x 34 in., framed. [$400/800]

Condition: 2 white tape hinges in upper corners en verso; very light losses and tears scattered along all edges; 2 in. fold upper right corner; very small light folds in lower corners; light creases and folds scattered throughout; very light marks; surface dirt.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans

103. Thomas Richard Cavanaugh (American/Illinois, 1923‑2019), “Roman Market”, charcoal and ink on paper mounted to board, pencil‑signed lower right, pencil‑signed and titled on mounting board, 15 3/4 in. x 19 1/4 in., framed. [$400/600]

Condition: Light burn; marks and smudges; 1/2 in. tear upper center edge; scattered stains; scattered creases; yellow tape on all edges adhering work to mount; frame has separation in corners.

104. American School, 20th c., “Corn on the Cob”, oil on canvas board, unsigned, 8 in. x 20 in., framed. [$50/100] Condition: Surface dirt; light scattered marks and accretions.

24

105. Robert Crowder (American, 20th c.), “Birds on Flowering Prunus”, ink and colors on paper, signed lower left, mounted as four panel screen, overall 88 in. x 97 in. [$800/1200] Condition: Scattered holes and tears throughout; surface dirt; scattered marks; hinges loose with some missing screws.

106. Carl Paterson (American, 20th c.), “Landscape with Tree”, oil on canvas, signed lower right, label with artist and title on backing paper, 11 1/4 in. x 16 in., framed. [$50/100] Condition: Pinholes in corners and near edges appear to be hand of artist; surface dirt; light surface marks.

107. American School, 20th c., “Native American”, oil on canvas, unsigned, illegibly pencil‑inscribed en verso, 16 in. x 20 in., framed. [$50/100]

Condition: Light scattered marks and accretions; surface dirt; very light scattered scratches along edges from contact with frame; stretcher bar marks visible; scattered areas of paint loss; light surface dirt.

108. Virginia Rodecker (American/Kansas, 1930‑2007), “Krem Ladies and Pigeons”, 1985, oil on canvas, signed and dated lower right, artist label with title on backing paper, 12 in. x 16 in., framed. [$100/200] Condition: Light surface dirt; some colors fluoresce under UV light; light separations in frame corners.

109. Mike Smith (South African/ Canadian, b. 1942), “Big Sky”, oil on board, signed en verso, “Ziegler Art & Frame, Tulsa” label on backing paper, 12 in. x 16 in., framed. [$100/200]

Condition: Light scratches and remnants of gilding from contact with frame; light scattered marks and accretions; areas of varnish build up.

25

110. Grace Neville Carrothers (American/ Oklahoma, 1882‑1961), “Gloucester, Inner Harbor”, oil on board, signed lower left, handwritten label with title on backing paper, 8 1/8 in. x 11 in., framed. [$200/300] Condition: Unevenly trimmed edges; light scattered losses and paint loss along all edges; scattered scratches and accretions; toning of varnish; scattered marks; light surface dirt; some colors fluoresce under UV light.

112. Bettina Steinke (American/New Mexico, 1913‑1999), “Cowboy and Woman”, watercolor on paper, signed lower right, “Zeigler Art & Frame, Tulsa” label on backing paper, 10 1/2 in. x 9 in., framed. [$400/600]

111. American School, 19th c., “Landscape”, gouache on paper mounted to board, illegibly signed lower left, 10 1/8 in. x 18 in., framed. [$25/50]

Condition: 1/4 in. x 1/4 in. area of loss upper left corner; light creases and waffling throughout; discoloration from previous matting.

Condition: 2 in. tear mid‑left; 2 3/4 in. x 1/8 in. area of loss lower left; 1 in. x 3/4 in. area of loss upper right edge; 1 in. x 18 in. area of adhesive remnants upper edge under mat; unevenly trimmed edges; marks and smudges; scattered scratches and areas of partial loss along upper edge; scattered pencil marks; large separations in frame upper corners.

113. American School, late 19th/20th c., “Margie Jane Aged 3 1/2 Years”, oil on board, unsigned, pencil‑titled en verso, 9 in. x 8 in., framed. [$50/100]

Condition: Small areas of paint loss with associated active flaking in upper left and lower right corners; surface dirt; marks and accretions; areas of varnish build up; light scattered losses and scratches along all edges; difficult to penetrate varnish layer with UV light.

114. Judy Dy’Ans (American/California, 20th c.), “Desert Landscape”, oil on panel, signed lower left, 6 in. x 8 in., framed. [$50/100]

Condition: Light scattered accretions; clear tape along upper and lower edges en verso.

26

115. American School, 20th c., “Sailboat near Rocky Shore”, oil on masonite, illegibly signed lower right, 8 in. x 12 in., framed. [$50/100] Condition: Light surface dirt; scattered marks, accretions and scratches.

116. Judy Dy’Ans (American/California, 20th c.), “Southwestern Landscape”, oil on panel, signed lower left and en verso, 6 in. x 8 in., framed. [$50/100]

Condition: Light scattered accretions; yellow tape along all edges en verso.

117. Virginia Rodecker (American/ Kansas, 1930‑2007), “Women in a Garden”, oil on board, signed lower left, 8 1/2 in. x 5 1/2 in., framed. [$50/100] Condition: Very light buckling along edges; very light scattered marks; white tape hinge along upper edge en verso; difficult to penetrate varnish layer with UV light.

118. Alfonso T. Toran (Italian/American, 1896‑1965), “Cockatoo”, oil on masonite, signed lower right, 10 in. x 8 in., framed. [$50/100]

Condition: Light scattered accretions; very light scattered scratches; very light surface dirt; light separations in frame corners.

119. Bruce Eaton Dines (American/Colorado, b. 1927), “Winter” and “Land”, 2 watercolors on paper, both signed lower right, both titled, with printed artist bio and inscribed “Estate of Raymond Burr (Perry Mason)” on backing papers, 3 1/4 in. x 4 in. and 3 1/4 x 3 1/2 in., framed. (2 pcs.) [$25/50] Condition: Not removed from frames; both works are in generally good condition.

120. Robert Grace (American, 20th c.), “Still Life of Fruit”, oil on panel, unsigned, “Robert Grace” label on backing paper, 5 in. x 7 in., framed. [$50/100] Condition: Slightly unevenly trimmed edges; very light surface dirt; light separation in frame corners.

27

121. American School, 19th c., “Landscape with Trees by Stream”, oil on canvas board, unsigned, illegibly inscribed en verso, 7 3/4 in. x 6 in., framed. [$25/75] Condition: Pinpoint holes in corners; loss and abrasions along edges likely from contact with frame; surface dirt; scattered surface marks.

122. American School, 20th c., “Hilly Landscape”, oil on canvas board, indistinctly signed lower right, 6 1/8 in. x 10 in., framed. [$50/100]

Condition: Toning of varnish; scattered scratches and light paint loss along edges from contact with frame; very light surface dirt; scattered areas of small paint loss some with inpainting that fluoresces under UV light; light scattered marks.

123. American School, 19th c., “Landscape” and “Landscape with Tree”, double‑sided oil on board, unsigned, 7 in. x 9 in., framed. [$5/10] Condition: Light surface dirt; scattered surface marks.

124. Attributed to Norton Bush (American/California, 1834‑1894), “Landscape with Waterfall and Village in Background”, oil on canvas, inscribed “Norton Bush” en verso, 17 in. x 26 3/4 in., framed. [$200/300]

Condition: Active flaking near upper edge; scratches and loss lower left and mid‑right; scattered marks; surface dirt; stretcher bar marks visible at all sides; frame has some loss.

125. Tommy White (American, b. 1965), “Collecting Knowledge”, 1995, acrylic on canvas, signed and dated lower left, signed, titled, dated and museum label with artist and title en verso, 48 in. x 48 in., framed. [$300/500] Condition: Very light scattered scratches and marks; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

28

126. Romanos Rizk (American/Rhode Island, 1927‑2009), “One With the Tao #195”, acrylic polymer on canvas, signed lower left, signed and titled on stretcher, 36 in. x 24 in., framed. [$300/500]

Condition: Scattered marks and accretions; light surface dirt; light scattered scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

127. Gerry A. Hoover (American, 20th c.), “Objects of Destiny”, 1969, oil and acrylic on canvas, signed and dated lower right, printed label with artist and title on stretcher, 37 1/2 in. x 41 1/8 in., framed. [$200/300] Condition: Scattered marks and accretions; 4 1/2 in. x 15 in. area of light stains lower right corner; some colors fluoresce under UV light; light separation in frame corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

128. Charles Alberti (American/Illinois, b. 1945), “A Beginning”, 1988, acrylic on canvas, signed and dated lower right, signed, dated and printed label with artist and title en verso, 48 in. x 48 in., framed. [$200/300] Condition: Marks, accretions and light stains scattered throughout; scattered scratches along top edge; some colors fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

129. Jesús María del Rincón (Spanish/American, b. 1948), “The Awakening”, 1984, oil and acrylic on canvas, signed lower right, signed, titled, dated, inscribed and artist stamp en verso, “FAMOS, Mobile” label on stretcher, 40 in. x 30 in., framed. [$200/300]

Condition: Very light scattered scratches, marks and accretions; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

130. Sandor C. Klein (American/New York, 1912‑1995), “Rest Period ‑ 2”, oil on masonite, signed lower left, handwritten label with artist and title on stretcher, 30 in. x 40 in., framed. [$200/300]

Condition: Light scattered scratches along all edges; surface dirt; some colors fluoresce under UV light; frame has separation in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

29

131. Mario F. Fernandez (Cuban/American, 1946‑2012), “Spring Drumming”, 1982, oil on masonite, signed and dated lower right, 30 in. x 40 in., framed. [$600/800] Condition: Very light scattered marks and accretions; light surface dirt; some colors fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

132. Romanos Rizk (American/Rhode Island, 1927‑2009), “Marine #105”, acrylic polymer on canvas, signed lower left, signed, titled and printed label on stretcher, 37 in. x 48 in., framed. [$200/300] Condition: Light scattered marks and accretions; light surface dirt; some colors fluoresce under UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

133. Harriet Sherrill Munson (American, 1889‑1972), “California Coast”, oil on canvas laid on masonite, signed lower left, 19 in. x 21 in., framed. [$150/250] Condition: Light surface dirt; scattered light surface marks, scattered areas of craquelure.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

134. Manner of William Merritt Chase (American, 1849‑1916), “Portrait of a Woman”, oil on panel, unsigned, handwritten label with inscription en verso, 13 1/4 in. x 9 7/8 in., framed. [$100/200]

Condition: Scattered dots of inpainting on sitter’s face and along border; light surface dirt; panel slightly warped; light surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

30

136. After Gilbert Stuart (American, 1755‑1828), “George Washington”, oil on canvas, unsigned, illegible pencil‑inscription on reverse of frame, 24 in. x 20 in., framed. [$50/100] Condition: Overall poor condition; relined; impossible to penetrate varnish layer with UV light; stretcher bars visible; craquelure; scattered losses and scratches; buckling of canvas; toning of varnish layer; flaking; marks and accretions; frame has separation in corners.

135. John Francis Murphy (American/New York, 1853‑1921), “Evening Landscape”, oil on canvas, signed and inscribed “to H. M. Rosenberg” en verso, 7 in. x 9 in., unframed. [$50/100]

Condition: Surface dirt; craquelure; paint loss and flaking along edges; scattered stains and accretions; difficult to penetrate varnish layer with UV light.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

137. Manner of Gilbert Stuart (American, 1755‑1828), “Portrait of a Man”, oil on canvas, unsigned, 20 in. x 16 5/8 in., framed. [$25/50]

Condition: Relined; heavy surface dirt; heavy varnish layer; scattered inpainting; frame has scattered loss.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

138. Manner of John Trumbull (American, 1756‑1843), “George Washington”, oil on canvas, unsigned, illegibly pencil‑inscribed on stretcher, 30 in. x 24 in., framed; together with after Gilbert Stuart (American, 1755‑1828), “George Washington”, chromolithograph on paper laid on canvas. [$10/20] in., unframed. (2 pcs.)

Condition: Overall very poor condition; dirt; extensive marks, stains and tears; large areas of loss; impossible to penetrate varnish layer with UV light; After Trumbull has 6 in. x 10 in. area of loss with associated tears and flaking; After Stuart is coming unattached from mount; frame has marks, nicks, abrasions and stains; losses; dirt; separations in corners.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

139. Stefan Davidek (American/Michigan, 1924‑2016), “Untitled (Empty Chair)”, mixed media on paper, pencil‑signed lower right, 35 1/8 in. x 23 in., framed. [$100/200] Condition: Discoloration from previous matting; scattered surface marks; surface dirt

31

141. Brazilian School, 1977, “Fisherman with Net”, mixed media on copper, signed “Che Mariano” and dated lower left, signed, dated and inscribed “Gaurujá ‑ Sao Paulo, Brasil” on handwritten label en verso, 13 3/4 in. x 10 1/4 in., framed. [$50/100] Condition: Scattered scratches and light surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Funds.

140. American School, 20th c., “Still Life of Flowers in Vase”, oil on canvas, unsigned, 20 in. x 24 in., framed. [$100/200]

Condition: Some colors fluoresce under UV light; scattered light surface marks; light surface dirt; frame has dried glue visible at corners.

142. Attributed to Juan Rodriguez Juarez (Mexican, 1675‑1728), “Saint Augustine”, 1741, oil on canvas mounted on panel, inscribed with artist name and date en verso, 8 1/4 in. x 8 7/8 in., unframed. [$600/800]

Condition: Canvas laid on panel; difficult to penetrate varnish layer with UV light; multiple campaigns of restoration; toning of varnish; extensive losses; craquelure throughout; remnant of paper label lower right; surface marks; surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

144. Ralph Hurst (American, 1918‑2003), “Bird Form”, 1972, alabaster, signed and inscribed “5‑72”, h. 10 1/2 in., w. 13 in., d. 8 1/2 in., wood base, overall h. 11 1/4 in. [$200/400]

Condition: Surface dirt; scattered surface marks and scratches; area of varnish transferred from wood base to “form”; stains and discoloration throughout wood base.

143. Ilona Katonah (American, 20th c.), “Young Girl”, patinated bronze, unsigned, artist plaque on base, h. 13 1/2 in., wood and laminate rotating base, overall h. 15 3/4 in. [$100/200] Condition: Structurally sound; light surface marks; light surface dirt; base has marks and nicks and light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

145. Ralph Hurst (American, 1918‑2003), “Untitled Figure”, 1975, hard stone, signed and inscribed “16/75”, h.

15 1/4 in., w. 5 in., d. 5 in., wood base, overall h. 16 1/4 in. [$200/400]

Condition: Overall good condition; structurally sound; light surface dirt; scattered light surface marks and scratches.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

147. Michael Price (American/ Minnesota, 1940‑2001), “Sketch of Young Girl”, bronze, unsigned, h.

16 1/2 in., w. 11 7/8 in., d. 8 3/4 in., wood base, overall h. 19 5/8 in. [$200/400]

Condition: Structurally sound; light surface marks; light surface dirt; base has marks and nicks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

146. Attributed to Ralph Hurst (American, 1918‑2003), “Untitled (Female Figure)”, hard stone and metal, unsigned, h. 7 1/2 in., w. 16 1/2 in., d. 6 in., black hard stone base, overall h. 10 3/4 in. [$200/300] Condition: Pieces not secured to each other; scattered surface marks and scratches throughout; nicks and losses near receiving holes for metal rods.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

148. Arthur Eugene Matheny (American, 1933‑1988), “Bio Morphic Life”, alabaster, unsigned, handwritten label with artist and title on underside of base, h.

12 5/8 in., wood base, overall h. 14 1/2 in. [$200/400]

Condition: Structurally sound; light scattered surface marks; light surface dirt; base has marks and nicks; 3/4 in. x 1 1/2 in. area of adhesive remnant.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

150. Ralph Hurst (American, 1918‑2003), “Girl Combing Her Hair”, 1969, alabaster, signed and inscribed “21‑69”, h. 14 1/2 in., w. 14 1/2 in., d. 9 3/4 in., wood base, overall h. 16 1/2 in. [$200/400]

149. Ralph Hurst (American, 1918‑2003), “Rape of Europa”, 1971, hard stone, signed and inscribed “3‑71”, h.

11 in., w. 15 in., d. 11 in., wood base, overall h. 12 1/2 in. [$200/400] Condition: Overall good condition; structurally sound; scattered light surface marks; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition; structurally sound; scattered marks and scratches; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

151. Ralph Hurst (American, 1918‑2003), “The Wrestlers”, 1967, alabaster, signed and inscribed “21‑67”, h. 11 1/2 in., w. 11 1/2 in., d. 10 in., wood base, overall h. 15 1/2 in. [$200/400]

Condition: Overall good condition; structurally sound; scattered scratches and marks; slightly loose from wood base; scattered marks and n ail holes in wood base; light surface dirt.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

33

152. Pair of Decorative Paintings of Matadors, 20th c., 2 oils on canvas, each indistinctly signed lower left, 7 1/2 in. x 9 1/2 in. and 9 1/2 in. x 7 1/2 in., framed alike. (2 pcs.) [$25/50] Condition: Scattered surface marks; light surface dirt.

153. Tony Trencev (French, 20th c.), “Sacré‑Coeur”, “Notre Dame et la Tour Eiffel” and “la Seine”, 1990, 3 oils on canvas board, each signed lower left and signed, titled and dated en verso, each 4 in. x 5 in., framed alike. (3 pcs.) [$50/100] Condition: Some colors fluoresce under UV light but appear to be hand of artist; light surface marks; light surface dirt.

154. Continental School, 19th/20th c., “Landscape”, oil on canvas board, signed “Bowyer” lower right, 16 in. x 12 in., framed. [$50/100] Condition: Toning of varnish; scattered accretions; scattered light craquelure; surface dirt; frame has scattered losses.

155. Continental School, 19th c., “Woman with Children”, oil on canvas, unsigned, illegibly pencil‑inscribed on stretcher, 9 7/8 in. x 11 1/2 in., framed. [$50/75]

156. Continental School, 19th/20th c., “Cattle near Edge of Woods”, oil on canvas, unsigned, “Johns Brothers Framers, Denver, Co.” label on reverse of frame, 14 in. x 10 in., framed. [$100/200]

Condition: Surface dirt; scattered surface marks; discoloration and scattered loss near edges likely from contact with frame; stretcher bar marks visible at all sides.

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Condition: Light surface dirt; scattered light surface marks; stretcher bar marks visible at all sides

157. Continental School, 19th c., “Figures among Ruins”, oil on panel, unsigned, “Halaby Gallery, Dallas, TX” label with illegible artist name en verso, 9 1/2 in. x 7 1/8 in., framed. [$100/200] Condition: Panel slightly warped; scattered loss at edges likely from contact with frame; fine cracks visible near left side; surface dirt; scattered light surface marks.

159. Victoria Mörs (German, 1858‑1957), “Male Nude with Raised Arms”, red chalk and graphite on paper, unsigned, 25 7/8 in. x 14 1/2 in., unframed. [$50/100]

Condition: Repaired losses and stabilized tears; toning; losses and tears scattered throughout all edges; marks, stains and smudges throughout; foxing; repaired tears and losses with corresponding patches en verso in both lower corners; repaired tears and losses with corresponding patches and stabilizing strip in 4 in. area along upper right edge; scattered losses and tears along left edge with patches en verso; 22 pinholes scattered throughout edges; creases and folds throughout.

158. Continental School, late 18th c., “St. Luke”, tempera and gold leaf on panel, unsigned, dia. 10 3/8 in., unframed. [$200/300] Condition: 1 in. x 1/4 in. and smaller losses along edges; loss/ scratch approximately 1/4 in. x 1/4 in. at center; surface dirt; craquelure throughout; scratches and abrasions throughout; scattered flight holes en verso.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

161. Continental School, 19th/20th c., “St. Jacques”, enamel plaque, illegible monogram mid‑left, titled upper left, 5 1/2 in. x 3 in., framed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

160. Continental School, 20th c., “Study of Nude Woman”, conté crayon and graphite on paper, unsigned, 24 in. x 16 in., unframed. [$50/100] Condition: Toning; light waffling of paper; unevenly trimmed edges; marks and smudges particularly along left edge; scattered stains; scattered losses along edges; brown tape in upper center edge en verso; creases and folds throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Surface dirt; light surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

162. Continental School, 18th/19th c., “Roses” and “Portrait of Lady”, 2 oils on canvas, both unsigned, one with label upper left, 20 in. x 10 in. and 23 3/8 in. x 17 7/8 in. respectively, unframed. (2 pcs.) [$10/20] Condition: Overall very poor condition; surface dirt; scattered holes; toning of varnish.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

163. Continental School, 19th c., “Ruins of Castle beside River”, oil on canvas, unsigned, 18 1/2 in. x 24 in., unframed; together with American School, late 19th c., “Farm House and Barn”, oil on canvas, unsigned, 6 in. x 8 in., framed. (2 pcs.) [$10/20] Condition: Overall very poor condition; heavy surface dirt; scattered holes and tears.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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164. Continental School, 19th c., “Two Women in an Interior”, oil on canvas, unsigned, titled and “Trovaioli Painting Conservators” stamp on backing board, 33 3/8 in. x 23 3/8 in., unframed. [$25/50] Condition: Relined; heavy varnish layer; surface dirt.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

165. Continental School, late 19th c., “Venice”, oil on canvas, signed “A.J. Kram” lower right, 16 in. x 24 in., unframed. [$25/50] Condition: Relined, scattered inpainting, uneven varnish layer; craquelure throughout; surface dirt.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

166. Continental School 19th c., “Portrait of a Gentleman in Uniform”, oil on canvas, unsigned, titled on handwritten label on stretcher, 30 in. x 25 in., framed. [$20/50] Condition: Overall poor condition; not removed from frame; relined; buckling along right edge; multiple campaigns of restoration; multiple repaired tears and losses; paint loss; flaking; accretions; craquelure; large areas of inpainting visible under UV light; toning of varnish; frame has marks, nicks, abrasions, paint loss and stains; cracks; separation in corners.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

168. German School, 1891, “Portrait of a Woman”, oil on panel, inscribed “G. Büttner/Munch ‘91” lower right, German stamp en verso, 6 1/2 in. x 4 7/8 in., framed. [$100/200]

167. Continental School, 19th c., “Portrait of Man in Robes”, oil on board, unsigned, 14 in. x 11 in., framed; together with Continental School, 19th c., “Virgin Mary”, watercolor on paper, unsigned, 9 3/4 in. x 7 7/8 in. (oval), unframed. (2 pcs.) [$25/50]

Condition: Overall poor condition; heavy surface dirt; scratches and surface marks; “Man in Robes” frame has extensive loss; “Virgin Mary” has uneven varnish layer; losses along edge.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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Condition: pinholes along edges and in corners; scattered losses; board warped; cracks visible at lower edge; scattered areas of craquelure; toning of varnish; surface dirt.

169. German Tessarolo (Italian/ Argentinean, b. 1945), “Busqueda”, “Venicia” and “Untitled”, 3 oils on artist board, signed lower right, upper left and upper right, 2 inscribed en verso, 10 in. x 8 in. to 11 1/8 in. x 8 1/4 in., framed. (3 pcs.) [$200/400] Condition: Each work is in generally good condition

170. Decorative Reproduction on Canvas, “Monkey with Peaches”, signed “Harvey” lower right, 10 in. x 8 in., framed. [$100/200]

Condition: Surface dirt; light surface marks

171. Decorative Reproduction on Board, “Winter Scene in Paris”, signed “Chavet” lower right, 12 in. x 16 in., framed. [$50/100] Condition: Scattered accretions; surface dirt; uneven varnish layer

173. Thomas Kirkby (British/American, 1775‑1847), “Figures in a Valley Landscape” and “Cow”, double‑sided oil on copper, signed lower right, 8 3/4 in. x 12 1/8 in., framed. [$100/200] Condition: Possible scattered inpainting; surface dirt; loss scattered at edges; some loss lower left; toning of varnish; scattered accretions; unevenly cut upper edge; scattered dents; bent in corners

172. British School, 20th c., “Winter”, oil on canvas, signed “H. Pettitt” lower right, 10 1/4 in. x 14 1/4 in., framed with artist and title plaque. [$10/20] Condition: Surface dirt; 1 in. tear center right; scattered marks and accretions; scattered losses

174. William Glassen (British, 19th/20th c.), “Still Life of Fruit”, oil on panel, monogrammed lower right, partial “Frank H. Emdin, London” label en verso, 8 3/8 in. x 11 1/4 in., framed with artist plaque. [$100/200]

Condition: Surface dirt; marks and accretions throughout; scratches and light paint loss particularly along edges from contact with frame; difficult to penetrate varnish layer with UV light; large areas of loss of decorative elements along lower edge 37

176. Barry Hall (British, 1933‑1995), “Magic War (Triptych)”, 1961, oil on canvas, signed, titled, dated and panel number en verso of panel 1, pencil‑signed, titled and panel number en verso of panels 2 & 3, each panel 48 in. x 36 in., overall 36 in. x 109 in., framed together. [$400/600] 175. Richard Westall (British, 1765‑1836), “Village Scene with Inn”, oil on canvas, signed lower left, 20 1/2 in. x 26 3/4 in., unframed. [$200/300]

Condition: Scattered loss and active flaking throughout; toning of varnish; craquelure throughout; canvas slightly slack on stretcher; surface dirt.

Condition: Surface dirt; scattered craquelure throughout; scattered scratches and accretions; not examined under UV light; separation in frame corners with losses.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

177. Arthur Lismer (British/Canadian, 1885‑1969), “Halifax”, 1919, oil on board, signed lower left, pencil‑initialed, dated and inscribed “To M. Rosenberg” en verso, 9 in. x 12 in., framed. [$50/100] Condition: Surface dirt; toning of varnish; marks and scratches; unevenly trimmed edges; colors fluoresce under UV light; remnants of adhesive and yellow tape en verso; frame has separations in corners.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

178. John Thomas Peele (British, 1822‑1897), “Puck”, 1851, oil on canvas, signed and dated lower left, “Louisiana State Museum” label on frame, 40 in. x 30 in., framed. [$1000/1500]

Condition: Relined; light surface dirt; partially cleaned; scattered areas of inpainting particularly mid‑left behind figure; craquelure; some inpainting visible to the naked eye; scattered surface marks.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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179. Antique Print, “Basket of Plants and a Bird’s Nest”, chromolithograph on paper mounted to board, unsigned, 13 1/2 in. x 17 1/2 in., framed. [$5/10] Condition: Overall poor condition; discoloration; surface dirt; buckling; scratches and marks; 2 1/2 in. x 1 1/2 in. puncture with associated losses, tears and creases lower right.

180. Group of Antique Italian Military Weapon Instruction Prints, 4 hand‑colored engravings on paper, sights 12 in. x 8 1/2 in., framed alike. (4 pcs.) [$100/150]

Condition: Not removed from frame; each has to varying degrees; foxing; waffling; toning; marks and smudges; light scattered losses.

Provenance: Collection of Brooke and Maria Fox, Metairie, LA

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

181. Giovanni Battista Piranesi (Italian, 1720‑1778), “Tombs and Architectural Elements”, 8 engravings on paper, unsigned, sheets 20 3/4 in. x 15 in. to 21 3/4 in. x 60 1/2 in., unframed. (8 pcs.) [$1200/1800]

182. After Dom Bernard de Montfaucon (French, 1655‑1741), “Diane” and “Soldats Daces ou des Nations Voisines”, c. 1719, 2 copperplate engravings on paper, from L’Antiquité Expliquée et Representee en Figures, inscriptions on handmade folios, sheets 15 1/2 in. x 10 1/4 in. and 15 1/2 in. x 10 3/8 in., each in modern handmade folio; together with After James Gibbs (Scottish, 1682‑1754), “Architectural Engraving”, c. 1728, from A Book of Architecture Containing Designs of Buildings and Ornaments, engraved by Elisha Kirkhall (British, 1682‑1742), sheet 20 1/2 in. x 14 3/8 in., unframed. (3 pcs.) [$50/100]

Provenance: Sold to benefit Save Our Cemeteries, New Orleans, LA

Provenance: Sold to benefit Save Our Cemeteries, New Orleans, LA

Condition: All have toning; discoloration along edges; scattered losses and small tears along edges; foxing; marks and stains; rounded corners; scattered folds and creases; 4 have original centerfolds, one has 4 original center folds.

Condition: Each has to varying degree foxing; losses along edges; marks and smudges; light waffling; deckle left edge; discoloration along edges; 2 have tape hinges along top edge en verso.

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184. After Camellio Paderni (Italian, c.

1715‑1781), “Male Figure”, c.

1740, engraving, from George Turnbull’s A Treatise on Ancient Painting, engraved by James Mynde (British, 1702‑1771), sheet 8 1/2 in. x 6 1/2 in., framed. [$25/50] Condition: Not removed from frame; toning; scattered marks and stains; light waffling; scattered creases; light separation in frame corners 183. Eduard Gustav May/Publisher, 19th c., 2 chromolithographs of girls personifying “Fruits” and “Flowers”, each with foil embellishments, titled in German, French and English, sights 17 1/2 in. x 13 1/2 in., framed alike. (2 pcs.) [$150/200]

Condition: Not removed from frames; both have to varying degree: marks; stains; accretions; folds and creases; losses; waffling; areas of discoloration and surface dirt; separation in frame corners

185. Antique Insect Print of Moths, hand‑colored lithograph, unsigned, inscribed “Snodgrass Studio, Indianapolis” on backing paper, sheet 9 in. x 5 1/2 in., framed. [$10/20]

Condition: Not removed from frame; toning; discoloration from previous matting

186. Gerald Spencer Pryse (British, 1882‑1956), “Blake and the Wembley Pirates”, 1924, lithograph on paper mounted to linen, printed by Vincent Brooks Day & Sons, London, 40 in. x 25 in., unframed. [$50/100] Condition: Toning; marks and stains; foxing; creases and folds; scattered pinholes; scattered losses; 1 1/2 in. x 6 in. area of loss with associated tears lower center; small losses and creases along all edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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187. Strolbridge Lithography Company Poster, “In Old Kentucky”, 1894, lithograph, sheet 40 1/4 in. x 30 in., unframed. [$50/100]

Condition: Mounted to stabilizing sheet; toning; scattered marks, stains and smudges particularly along upper and lower edges; multiple full length vertical and horizontal folds from storage with associated tears and small losses where folds intersect; foxing; scattered folds and creases.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

188. After Joseph Pennell (American/Pennsylvania, 1857‑1926), “That Liberty Shall Not Perish from the Earth”, 1918, poster for World War I Liberty Bonds, printed by Alco‑Gravure, Inc., New York, sheet 40 7/8 in. x 30 in., unframed. [$50/100]

Condition: Mounted to stabilizing board; toning; losses and tears throughout; full length vertical and horizontal folds from storage with associated losses and tears; foxing; marks, stains and smudges; 1/2 in. x 7 in. area of loss with associated tears and creasing lower right corner.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

189. After Arthur Fitzwilliam Tait (British, 1819‑1905), “Group of Chickens” and “Group of Ducklings”, 1869, 2 chromolithographs on board, printed by L. Prang Co., one signed and dated in plate, artist, title and date listed on labels en verso, each 10 3/8 in. x 12 1/2 in., both unframed. (2 pcs.) [$25/75] Condition: Toning; surface dirt; pinholes and loss along edges; few scattered small losses; surface marks.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

190. Joseph Noel Paton (Scottish, 1821‑1901), 16 engravings from Rime of the Ancient Mariner by Samuel Taylor Coleridge, 163, lithographer, W. H. McFarlane, published by Art Union of London, plates 1‑4, 6‑10, 11‑12, 14‑15, 18‑20, monogrammed in plates, each 9 5/8 in. x 12 5/8 in., framed alike. (16 pcs.) [$300/400]

Condition: Not examined out of frame; scattered light creases; toning; some have scattered foxing and stains; light surface dirt; some have small tears scattered at edges; plate 3 has scattered white paint accretions throughout.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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191. Nine Stereoscopic Views of Lookout Mountain, TN and Harpers Ferry, WV, each 3 1/2 in. x 7 in. (9 pcs.) [$10/20]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

192. Knoell & Simon Printers, New Orleans, “Execution d’Orsini et de Pierri Memoire des Martyrs de la Liberte”, c. 1858, lithograph, sheet 13 in. x 17 1/2 in., matted. [$10/20] Condition: Overall very poor condition; losses, tears and repairs throughout.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

194. Three Lithographs of New York City, “The Bowery”, “Broadway South from St. Paul Building”, and “Broadway, Looking North from Ann Street”, 7 1/4 x 4 1/2 in. and 4 1/2 in. x 7 1/4 in., unframed. (3 pcs.) [$5/15]

Condition: Overall poor condition; each laid on board with adhesive; scattered loss and surface dirt.

193. After Frederic Montenard (French, 1849‑1929), “The Man of War Transport Ship Correze”, 1889, photogravure, printed by Gerbie & Husson, sheet 11 in. x 17 3/4 in., unframed. [$10/20]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

Condition: Overall poor condition.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

195. After Patrick MacDowell (Irish, 1799‑1870), “Statue of the Late Earl of Belfast”, 1885, engraving, sheet 13 3/4 in. x 8 1/2 in., matted. [$10/20] Condition: Overall poor condition. AS IS

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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196. Four Caricature Lithographs of Important Scientists, “Rudolph Virchow”, “Louis Pasteur”, “Sir William Crooks” and “Pierre Curie and Marie Skudowska Curie”, c. 1930, signed in plate by various artists, titled on mats, printed by Petrolager Laboratories, Inc., Chicago, IL. each 9 1/2 in. x 6 in., each with original mat. (4 pcs.) [$10/20] Condition: Overall fair condition; toning; foxing; mat burn.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

199. Isadore‑Laurent Deroy (French, 1797‑1886), “Chartres Facade de la Cathedrale”, c. 1840, hand‑colored lithograph, published by E. Morier, Paris, Printed by Lemercier, Paris, from France en Miniature, sheet 9 1/4 in. x 6 in., matted. [$10/20] Condition: Toning; unevenly trimmed edges; surface dirt; marks, smudges and stains; 2 white tape hinges upper edge en verso.

197. Six Engravings of Historic Figures, “Larrey”, “Ambroise Paré”, “Parmentier”, “D.F. Quesnay”, “Laurence Sterne” and “Broussais”, 5 1/2 in. x 4 in., all unframed. (6 pcs.) [$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

Condition: Overall very poor condition; each laid on board; losses; insect damage.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

198. Four P.F. Collier & Son, New York, War Prints, “French Infantry Storming Chateau of Mondement”, “Highlanders Holding to Stirrups of Scots Greys Charging at St. Quinten”, “German Uhlans’ Onrush Checked in Narrow Street of Landrecies” and “German Troops Fighting Their way out of Blazing Forest at Chantilly”, 1915, 4 lithographs, sheets 15 in. x 20 in., unframed. (4 pcs.) [$10/20] Condition: Overall generally poor condition.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

200. Johann Gabriel Frederich Poppel (German, 1807‑1882), “Der Haengende Thurm in Saragossa” and “Bellagio am Como See”, 2 lithographs, printed by W. Creuzbauer, Carlsruhe, sheets 7 3/4 in. x 11 in. and 11 in. x 7 3/4 in., matted. (2 pcs.) [$10/20]

Condition: Toning; marks, smudges and stains; foxing; white tape hinges along upper edges en verso of each.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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202. Claude‑Hilaire‑Alphonse Chamouin (French, b. 1808), “La Bourse” and “Eglise Saint Sulpice”, 2 lithographs mounted to board from Vues de Paris Pris au Daguerreotype Gravures en Taille Douce Sur, sheets 9 1/2 in. x 11 1/2 in. and 11 1/2 in. x 9 in., unframed. (2 pcs.) [$10/20] 201. Eigenthum D. Verleger (German, 19th c.), 10 engravings of international landscapes incl. “Rome”, “Orissa”, “Valencia”, “Amsterdam” and others, engravings, published by Aus. D. Kunstanst d. Biblio gr. Inst. in Hildbh, each 6 in. x 10 in., unframed. (10 pcs.) [$5/10]

Condition: Overall poor condition; toning; marks, smudges and stains; tears and creases.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

Condition: Overall poor condition; foxing; toning; surface dirt; stains; small tears; creasing.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

203. After Auguste Toulmouche (French, 1829‑1890), “Forbiden Fruit”, photogravure, published by Goupil & Cie, Paris, from Masterpieces of French Art, sheet 12 in. x 9 1/4 in., unframed. [$10/20] Condition: Overall poor condition; toning; foxing; marks, smudges and stains; losses and creases.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

204. Seven Landscape Prints, incl. “The Narrows from Staten Island”, “The Palisades ‑ Hudson River”, “Sing Prison and Tappan Sea” and others, many after William Henry Bartlett (British, 1809‑1854), each approx. 4 3/4 in. x 7 in., all matted. (7 pcs.) [$10/20] Condition: Overall poor condition; toning; foxing; discoloration; tears; creasing.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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205. Jean‑Francoise de Villain (French, 1790‑1852), “Mme. Lamarge”, “Mme. Charnier”, “Mme. Boivin”, “Mme. Boivin” and “Mme. Wittenbach”, 1833, 5 lithographs, each signed and dated in plate, 4 after Auguste Toussaint Lecler (French, 1789‑c. 1849), 1 after Auguste Foucauld (French 1786‑1864 ), from Biographie des Sages‑Femmes Célèbres Anciennes, Modernes et Contemporaines, sheets 10 in. x 9 1/2 in. to 11 1/4 in. x 9 1/2 in., matted. (5 pcs.) [$10/20] Condition: Overall poor condition; all have toning, foxing, stains, marks, smudges, losses, tears, creases and folds; tape hinges in upper corners en verso.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

206. Scenes from the Bible and Lives of the Saints, 9 lithographs, unsigned, 1 mounted to board, sheets 11 1/2 in. x 21 in. to 18 in. x 12 1/4 in., 6 unframed, 3 matted. (9 pcs.) [$10/20]

Condition: Overall poor condition; foxing; toning; losses; tears; one has a 3 in. x 2 1/2 in. loss; 3 have white tape hinges en verso; some have been trimmed with uneven edges.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

207. Continental School, 19th c., “Fisher Girl”, print, unsigned, 4 1/4 in. x 3 1/4 in., framed; together with Harry Elliot (British, 1882‑1959), “Post Office”, lithograph laid on board, signed in plate, sight 8 5/8 in. x 13 1/4 in., framed. (2 pcs.) [$5/10] Condition: Overall poor condition; surface dirt; discoloration; “Fisher Girl” frame has broken glass; “Post Office” has scattered loss.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

208. Group of Eleven Antique Portrait Prints, incl. Sir Christopher Wren, Beaconsfield, Dr. Recardo Batey, Gen. Alexander Macomb, Benjamin Franklin, George Washington, Dr. Adam Politser, Valasquez, Miss. Amy Sedgwick, Christopher Columbus and one other, 6 laid on board, various artists and publishers, sheets 6 in. x 4 1/2 in. to 12 in. x 9 1/2 in., 8 unframed, 3 matted. (11 pcs.) [$5/10]

Condition: Overall very poor condition: toning; fading; foxing; stains, marks and smudges; losses throughout; folds and creases; 3 have tape hinges en verso.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

209. Group of Fourteen Antique Prints, incl. scenes of literature, religion, nature and history, 11 mounted to board, various artists and publishers, sheets 5 in. x 5 3/4 in. x to 16 3/4 in. x 10 3/4 in., unframed. (14 pcs.) [$5/10]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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210. Two Antique Chromolithographs on Board, “George Washington”, and “Martha Washington”, both unsigned, “W.E. Seebold, New Orleans” label on reverse of frames, each 16 in. x 12 in. (oval), framed alike (oval). (2 pcs.) [$10/20] Condition: Overall poor condition; marks, smudges and scratches; toning; surface dirt; scuffs and light losses; toning.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

211. Thomas Doney (American, act. 1844‑1852), “United States Senate Chamber”, c. 1849, mezzotint on paper mounted to stretcher, printed by Edward Anthony, New York, 27 in. x 36 in., framed. [$10/20]

Condition: Overall poor condition; not removed from frame; large losses and tears; scratches; marks, stains and smudges; foxing; toning; frame has extensive losses; surface dirt; marks, nicks, abrasions and cracks; stains; separation corners; work and glass do not fit properly in frame.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

212. John Durkin (American/New York, 1868‑1903, active New Orleans, 1884‑1886), “New Orleans Exposition ‑ Planting Trees”, 1884, lithograph, from Harper’s Weekly Dec. 27, 1884, sight 15 1/2 in. x 11 1/2 in.; “New Orleans Exposition ‑ Scene on a Wharf and Unloading in the Main Hall”, 1884, lithograph, signed in plate, from Harper’s Weekly vol. XXVIII., No. 1461, sight 15 1/2 in. x 11 1/2 in.; and Harry Alexander Ogden (American/Pennsylvania, 1856‑1936), “Louisiana ‑ Arrival and Reception of King Carnival at New Orleans”, 1879, lithograph, from Frank Leslie’s Illustrated Newspaper March, 1879, sight 15 in. x 10 in.; each framed. (3 pcs.) [$100/150] Condition: Not removed from frames; each has varying degrees of light toning; marks, smudges and stains; scattered tears; very light waffling

213. Jennifer Dickson (South African/ Canadian, b. 1936), “I Am the Rose of Sharon, The Lily of the Valley”, 1969, color aquatint on paper, pencil‑signed, titled, dated and inscribed lower margin, sheet 31 in. x 22 1/2 in., unframed. [$50/100] Condition: Ragged edges inherent to paper; light discoloration along edges; scattered smudges and marks throughout margins; 2 small red marks upper center edge; 1/8 in. white spot left center edge; very light buckling; beginning signs of foxing lower right corner and upper margin.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

46

214. After Lawrence Alma‑Tadema (Dutch, 1836‑1912), “The Sculpture Gallery”, c. 1877, steel engraving on paper affixed to stretcher, blind stamp lower left, 25 1/2 in. x 20 1/2 in., unframed. [$10/20] Condition: Overall poor condition; discoloration; large white stains upper edge; marks, stains, tears, losses and creases throughout; frass and insect damage en verso; heavy surface dirt.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

215. Eugène Pontus Jazet (French, 1816‑1856), “Judith va Trouver Holopherne”, hand‑colored steel engraving, after Charles Auguste Guillaume Steuben (German, 1788‑1856), published by Goupil & Vibert, Paris, sight 35 1/2 in. x 28 1/2 in., framed. [$200/400]

Condition: Not removed from frame; surface dirt; waffling; stains; losses; marks and smudges; light toning; areas of discoloration; scratches; frame has repaired decorative elements

217. Continental School, 20th c., “Auschwitz Remembrance”, lithograph, illegibly pencil‑signed, titled and numbered “1/20” lower margin, 14 in. x 9 1/2 in., framed. [$200/300]

216. Continental School, 20th c., “Krakow Heart”, lithograph, illegibly pencil‑signed, titled and numbered “1/20” lower margin, 17 in. x 9 1/2 in., framed. [$200/300] Condition: Work is in generally good condition; light separation in frame corners

Condition: In generally good condition; 3 white tape hinges along upper edge en verso

218. David Alfaro Siqueiros (Mexican, 1896-1974)., “Self Portrait”, lithograph, pencil-signed and numbered “5/250” lower margin, 16 ½ in. x 12 ¼ in., framed [$150/250]

Condition: Not removed from frame; toning; buckling; scattered marks and stains in margins; scattered bits of fabric from mat

219. After Théophile Steinlen (Swiss/French, 1859‑1923), “Tournée du Chat Noir de Rodolphe Salis”, 2001, lithographic poster, printed by Portal Publications, Novato, 36 in. x 24 in., framed. [$25/50] Condition: Light waffling; light scattered losses; surface dirt

220. Francisco Bartolozzi (Italian, 1725‑1815), “Two Boys Playing with a Length of Cloth”, hand‑colored stipple engraving, after Giovanni Francesco Barbieri “Guercino” (Italian, 1591‑1666), printed label with artist on backing paper, 16 in. x 11 in., framed. [$50/100] Condition: Deckle left edge; discoloration along edges; toning; foxing; marks and smudges; waffling along upper and lower edges; 2 white tape hinges along upper edge en verso

47

221. After Ralph M. Pearson (American/Iowa, 1883‑1958), “Old Pear Tree, Bishop’s Lodge”, decorative reproduction on paper, signed twice, titled and dated in plate, sheet 5 in. x 3 3/4 in., framed. [$5/10]

Condition: Toning; scattered light marks 222. Continental School, late 19th/ early 20th c., “Woman in Archway”, etching, illegibly pencil‑signed, numbered “13/150” and “Bruxelles” blindstamp lower margin, 9 1/2 in. x 8 1/2 in., framed. [$150/250] Condition: Not removed from frame; toning; light waffling; light marks and smudges in margins.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR.

223. Jaroslav Skrbek (Czech, 1888‑1954), “View of a Village from under a Bridge”, 1920, etching, signed and dated upper right, pencil‑signed and dated lower margin, 9 in. x 12 in., framed. [$100/150] Condition: Not removed from frame; light scattered marks and smudges in margins.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR.

224. Continental School, early 20th c., “Ships at Harbor”, etching, unsigned, 9 7/8 in. x 6 7/8 in., framed. [$100/150]

Condition: Not removed from frame; mounted to board; float‑mounted with all edges visible; toning; discoloration along edges; scattered marks, smudges and stains in margins.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR. 48

225. After Edmond Charles Joseph Yon (French, 1836‑1897), “La Rafale”, 1883, etching, from L’Art printed by F. Lienard, 10 1/4 in. x 14 1/4 in., framed. [$100/150]

Condition: Not removed from frame; float‑mounted with all edges visible; slightly ragged edges; scattered losses, tears and discoloration along edges; marks and smudges in corners; light toning.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR.

227. Henri Ottevaere (Belgian, 1870‑1940), “Pour L’Art 2nd Expositon”, 1894, lithograph, signed in plate, 8 1/4 in. x 12 in., unframed. [$25/50]

Condition: Toning; discoloration along edges; scattered marks and smudges; light scattered foxing.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

226. Alecos Fassianos (Greek, b. 1935), “Odysseus”, etching, pencil‑signed and numbered “5/50” lower margin, 9 in. x 6 3/4 in., framed. [$150/250] Condition: Generally good condition; scattered surface marks; scattered light surface dirt.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR.

229. Trevor Southey (Rhodesian/ American, b. 1940), “Hope”, 1992, hand‑colored etching on paper, pencil‑signed, titled and numbered “100/150” lower margin, commissioned by the American Cancer Society, 14 3/4 in. x 8 3/4 in., matted. [$200/300]

228. After Henri de Toulouse‑Latrec (French, 1864‑1901), “Woman in Profile”, offset lithograph, initialed in plate, sheet 10 1/4 in. x 7 3/4 in., unframed. [$25/50]

Condition: Toning; discoloration along edges; remnants of adhesive en verso; scattered losses along edges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Ragged edges inherent to paper; very light scattered marks in margins.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

230. Vintage Print of Little Red Riding Hood, early 20th c., silkscreen, unsigned, 29 3/4 in. x 39 13/16 in., unframed. [$50/100]

Condition: Laid on stabilizing sheet; toning; creases, tears and light losses throughout; full length vertical and horizontal folds from storage; marks, stains and smudges.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

49

231. Robert Thew (British, 1758‑1802), “Shakespeare, King Henry the Eighth, Act IV. Scene II.”, 1798, stipple engraving, after Richard Westfall (British, 1765‑1836), published by J & J Boydell, London, sheet 19 7/8 in. x 25 in., unframed. [$50/100] Condition: Toning; marks, smudges and stains throughout; unevenly trimmed edges; losses and tears along edges; foxing; folds and creases throughout especially horizontal center of work; remnants of yellow tape upper right en verso.

232. Franz von Stuck (German, 1863‑1928), “Karten and Vignetten”, 1886, 6 lithographs, each signed or initialed in plate, printed by Gerlach & Schenk, Vienna, sheets 11 1/2 in. x 16 3/8 in. to 16 1/2 in. x 11 3/8 in., unframed. (6 pcs.) [$50/100]

Condition: 4 have toning; 1 has tears and losses in upper and lower edges; 1 has repaired tears along edges and repaired scattered holes; all have scattered marks, smudges, light losses, creases, folds and foxing to varying degrees.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

233. Group of Five Chromolithographs by R. Hill (American, 19th/20th c.), 1903/1904, each signed and dated in plate, titled lower center, 4 from Hobo Series of post cards, 1 from Lucky Dog Series of post cards, sheets 14 in. x 11 in., unframed.

(5 pcs.) [$5/10] Condition: Overall poor condition; surface dirt; marks, smudges and stains; tears; fold and creases; losses.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

50

234. Two Antique German Hand‑colored Lithographs, “Die Entdeckung” and “Der Liebhaber in der Tonne”, one signed “G. Bartsch” in plate, each titled in German, French and English, sheets 13 in. x 16 in. and 16 in. x 12 in., matted. (2 pcs.) [$10/20] Condition: Overall poor condition; surface dirt; toning; mat burn; marks, stains and smudges; creases and folds; losses and tears; tape hinges along edges en verso; foxing.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

235. Group of Four Antique Hand‑colored Lithographs, “Die Entdeckung”, “Der Liebhaber in der Tonne”, “Can’t Play” and “Untitled (Two Women)”, 1 signed “G. Bartsch” in plate, 2 titled in German, French and English, sheets 11 3/4 in. x 16 1/2 in. to 16 in. x 12 in., matted, 1 unframed. (4 pcs.) [$10/20] Condition: 3 in overall poor condition; toning; foxing; discoloration; losses; tears; marks, smudges and stains; tape hinges en verso; one in overall very poor condition; extensive losses and tears with repairs; tape throughout; dirt; marks and stains; discoloration.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

236. James S. King (American/New York, 1852‑1921), “Stepping Stones”, 1885, lithograph on paper mounted to stretcher, after Francis Coates Jones (American, 1857‑1932), published by Fishel, Adler & Schwartz, 20 in. x 32 in., framed. [$50/100] Condition: Overall poor condition; surface dirt; foxing; toning; areas of discoloration; separation in frame corners.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

237. After Eugene de Blaas (Italian, 1843‑1931), “Flirtation”, 1884, photogravure mounted to stretcher, printed by Groupil, London, published by Arthur Tooth & Sons, London, “Arthur Tooth” blind stamp lower left, sheet 33 in. x 22 1/2 in., unframed. [$5/10] Condition: Overall very poor condition; multiple large losses and large tears; marks, smudges and stains; toning; discoloration; dirt; foxing; scratches.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

239. Print of Family Crest, 20th c., “Louis Philippe d’Orleans Duc d’Orleans”, hand‑colored lithograph, unsigned, printed by Edizioni Ponte Vecchio, sight 10 1/2 in. x 8 1/2 in., framed. [$10/20]

Condition: Laid down on foam core; marks and smudges; matting is glued to print; mat is coming up on lower edge with associated losses on print; mat has water damage

238. William Woodward (American/Louisiana, 1859‑1939), “Capt.

Wooster Carpenter Place, Seekonk ‑ Over the Meadow ‑ 1884”, 1932, “Old Stone Fireplace Cellar Kitchen, Capt. Wooster Carpenter’s”, “Capt. Wooster Carpenter Place, Seekonk ‑ Yard ‑ 1884”, 1932, “Cat & Horse Cemetery at Old Home (Moonlit Glade)”, “Jim Walker’s Cider Mill, Seekonk ‑ 1883 (2nd state)”, 1932, and “At the Park”, 5 drypoint etchings and one pencil drawing on paper, each pencil‑signed lower margin, 5 titled lower margin, in plate or on matting, 4 signed and 3 dated in plate, 7 in. x 10 1/2 in. to 11 in. x 18 in., unframed.

(6 pcs.) [$500/800]

Condition: All have to varying degrees: toning; marks, smudges and stains; unevenly trimmed edges; remnants of adhesive en verso; scattered losses along edges; some have ragged edges inherent to paper; some have pinholes.

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans

51

241. After Henri de Toulouse‑Lautrec (French, 1864‑1901), “Au Cirque”, reproduction lithograph, signed in plate, 19 7/8 in. x 14 1/2 in., framed. [$100/200] Condition: Not removed from frame; light scattered marks and smudges; light separation in frame corners.

Provenance: Estate of James H. Stone, New Orleans, LA 240. Stow Wengenroth (American/New York, 1906‑1978), “First Congregational Church”, lithograph, pencil‑signed and inscribed “Ed/50” lower margin, sight 11 1/4 in. x 16 3/8 in., framed. [$100/200]

Condition: Toning; surface dirt; scattered surface marks; buckling of paper 242. Zangaki Brothers (Greek, fl.

1860‑1890), “Un Tribu des Abyssins” and “Two Women”, 2 albumen prints mounted to board, one signed “Langahi”, titled and inscribed in negative, 8 5/8 in. x 11 in. and 11 in. x 8 3/4 in., framed alike. (2 pcs.) [$50/75] Condition: Not removed from frame; toning; fading; discoloration along edges; scattered marks and scratches; scattered white stains

243. Antique Tintype Photograph of a Union Soldier, unsigned, 3 1/8 in. x 2 5/8 in., brass frame. [$10/20]

Condition: Losses; buckling; folds and creases; surface dirt; frame has brassing; marks, nicks and abrasions; surface dirt.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans

244. New Orleans School, 20th c., “Little Theatre, New Orleans, La.”, hand‑enhanced photograph, illegibly signed lower right, titled lower left, 7 in. x 5 in., framed. [$10/20] Condition: Toning; light scattered marks and stains; discoloration along edges; light waffling; separation in frame corners

245. Vintage Photographs of Athens, “Théâtre de Bacchus”, 1933, gelatin silver print, titled and dated lower right, 8 1/2 in. x 11 in.; “Views of Acropolis and Temple of Olympians”, 1937, gelatin silver print mounted to paper, dated lower right, titled on mount, 7 1/2 in. x 10 in.; and “Parthénon (Nord‑Ouést)”, gelatin silver print mounted to board, titled lower right, “H.L. Joubert & Cie L.J.D.E. & Cie” printed along right edge, 8 1/2 in. x 11 1/4 in., framed alike. (3 pcs.) [$75/100]

Condition: All have fading; toning; discoloration along edges; scattered marks and stains; “Bacchus” has 4 1/2 in. tear with corresponding patches en verso lower right corner; 5 in. fold lower left corner; “View” is coming loose from mount along upper right edge; frames have marks, nicks, abrasions and light surface dirt.

Provenance: Demetrius S. Spanos, MD Collection, Jonesboro, AR

52

246. After George Peter Alexander Healy (American/ Massachusetts, 1813‑1894), “John James Audubon”, photoreproduction, unsigned, 14 in. x 11 in.; together with after C.R. Parker (American/Connecticut, 1799‑1849), “John James Audubon”, photoreproduction, unsigned, sight 12 3/4 in. x 9 3/4 in., framed alike. (2 pcs.) [$10/20]

Condition: Both overall poor condition; toning; fading; waffling; marks, smudges and stains; discoloration; frames have marks, nicks and abrasions; losses; paint loss; cracks; large separations in corners; surface dirt; one is missing glass.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

247. American School, 19th c., “Portrait of a Young Man”, crayon enhanced photograph, unsigned, 23 3/4 in. x 18 in., framed. [$10/20] Condition: Overall very poor condition; dirt; toning; fading; foxing; marks, smudges and stains; discoloration; 19 in. horizontal tear; 13 in. vertical tear; frame has marks, nicks, abrasions and losses; cracks; stains; dirt; separation in corners.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

248. American Glazed Pottery Crescent‑Form Vase, 20th c., with carved slashes resembling grasses, h. 14 in., w. 38 in., d. 7 in. [$150/250] Provenance: TOJ Gallery, Annapolis, MD

249. Group of Gilt Decorated Porcelain Table Objects, incl. cockatoo, h. 12 in.; pinecone form covered box, h. 4 3/4 in.; cabbage form covered jar, marked, h. 5 in.; and leaf form dish, marked with crown and scrolls, dia. 4 in. (4 pcs.) [$100/200] 250. Two American Pottery Vases, incl. McCoy black glazed ceramic vase, marked, h. 8 1/2 in.; and green glazed ceramic vase with wicker holder, h. 8 in. (2 pcs.) Condition: losses to wicker holder. [$50/75]

53

251. Green Glazed Pottery Vase, illegibly marked, h. 12 1/4 in., dia. 7 in. [$50/75]

252. Pair of American Green and White Porcelain Covered Urns, 20th c., marked “Sadek”, scroll handles, overall applied flower heads and leafy vines, h. 14 1/2 in. [$50/100]

254. Jean Gerbino (1876‑1966) Vallauris Pottery “Mosaic” Vase, marked “Gerbino / Vallauris”, h. 5 3/4 in., Note chip to rim; together with Gerbino workshop bowl, marked, h. 4 5/8 in., dia. 9 in., and Gerbino workshop pewter‑rimmed plate, unmarked, dia. 9 1/4 in. (3 pcs.) [$100/200]

253. Large Madoura Pottery Ceramic Platter, c. 1960, marked “MADOURA PLEIN FEU”, w. 24 3/4 in., d. 2 1/4 in. [$100/200]

255. Two Antique French Glazed Pottery Covered Tureens, Normandy, swirl glaze, taller h. 9 3/4 in. [$100/200]

256. Three Antique Danish Bisque Porcelain Plaques, after Bertel Thorvaldsen (Danish, 1770‑1844), stamped “Copenhagen Porcelain B & G” and “Made in Denmark” en verso, in stained and molded giltwood frames, dia. 12 in. to 16 in. [$400/600]

257. Pair of French Faience Candleholders, illegibly signed, h. 9 3/4 in., w. 5 in. [$150/250]

258. Pair of Polychrome Earthenware Figures of a Man and Woman, woman stamped “83/43”, both holding urns, h. 9 1/4 in and 9 3/4 in. [$100/150] 54

259. Group of Majolica Porcelain Vegetables, incl. carrot, l. 7 in.; artichoke, l. 4 in.; corn, l. 5 in.; bean, l. 6 in.; garlic, h. 5 in.; red onion, h. 4 1/2 in.; corn pitcher, h. 4 1/2 in.; and flower basket, h. 5 in. (8 pcs.) [$20/30]

260. French Terracotta Figural Group of Musical Putti, inscribed “Paris” and illegibly signed, giltwood base, h. 11 1/4 in., w. 12 in., d. 6 in. [$150/250]

260. French Terracotta Figural Group of a Mother and Satyr, h. 11 1/2 in., w. 9 in., d. 7 1/2 in. [$150/250]

262. French Terracotta Figural Group of Satyress and Her Infants, signed “Levy”, h. 11 in., w. 9 in., d. 6 in.

Condition: Stable crack to one arm of satyress. [$200/300]

263. French Sevres‑Style Polychrome and Gilt Enamel Compact, lid with courting couple, blue ground, mirrored interior, fitted powder puff and filter, l. 3 in., w. 2 1/4 in. [$25/50]

264. Monumental Paris Porcelain Bronze‑Mounted Covered Urn, 19th c., body with Classical maidens and musician in a garden, laurel wreath handles, h. 29 in. [$300/500]

55

265. Two French Blue Glazed Faience Planters, one marked “Orchies” with windmill, vine covered barrel form, h. 4 1/4 in., dia. 4 1/4 in.; other wall mounted basket form, h. 6 1/4 in., w. 9 1/4 in., d. 3 1/2 in. [$75/150]

267. Paris Polychrome and Gilt Porcelain Jardiniere, black ground, floral body, gilt rims, h. 7 1/2 in., dia. 8 in. [$100/200]

268. Assembled Paris Gilt Banded Porcelain Tea and Dessert Service, 19th c., incl. covered teapot, h. 9 1/4 in.; covered sugar, h. 7 1/2 in., l. 6 in.; creamer, h. 5 3/4 in.; 2 cake plates, dia. 9 1/2 in.; 6 dessert plates, dia. 6 3/4 in.; 6 berry bowls, dia. 5 in.; and 6 teacups with 6 saucers. (29 pcs.) [$300/500]

269. Two Japanese‑Style Pottery Chawan, 20th c., incl. Nick Rees tenmoku‑style for Muchelny, impressed marks, h. 3 1/4 in.; and orange shino ware, h. 3 7/8 in., dia. 3 5/8 in. [$50/100] 56

266. Sevres‑Style Polychrome and Gilt Porcelain Cup and Saucer, scroll marks, floral design, h. 3 in., dia. 4 3/4 in.; together with polychrome and gilt porcelain round box, marked “JPT Chanele France”, flower finial, blue green ground, h. 5 3/4 in., dia. 5 in. (2 pcs.) [$100/200]

270. Black Basalt Stoneware Plaque, probably Wedgwood, depicting battle scene, velvet liner, molded giltwood frame, h. 6 1/2 in., w. 10 in. [$100/200]

271. Two Stone Figural Statues, incl. sphinx, scroll mark, signed “W”, h. 5 1/2 in., w. 7 1/4 in., d. 2 1/2 in.; and sleeping child, h. 2 1/2 in., w. 5 1/4 in., d. 2 3/4 in. [$100/200]

272. Four Chinese Export Famille Rose Porcelain Table Objects, incl. 3 jardinieres with 1 underplate, h. 4 1/2 in. to 5 3/4 in.; and 1 shrimp plate, l. 10 3/4 in., w. 10 in. [$200/400]

273. Anasazi Gourd Rattle, 20th c., decorated with eagle design and feathers, h. 10 in. [$50/75]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA

274. Group of Antique Desk Items, incl. bronze figure of a girl with umbrella, h. 7 in.; bronze‑mounted marble urn, h. 4 3/4 in.; Seth Thomas leather purse‑form travel clock, h. 5 in.; and carriage clock, h. 2 5/8 in. (4 pcs.) [$100/150]

275. Group of Cast Iron and Bronze Animal Figures, incl. bronze rooster on stone base, illegibly signed, h. 4 in.; bronze bulldog, marked “K. & O. Co.”, h. 1 3/4 in.; metal frog‑form letter clip, l. 5 1/2 in.; and cast iron figures of an elephant, goat and bird, h. 3 5/8 in. to 2 3/4 in. (6 pcs.) [$50/75]

276. Three Pairs of Carved Giltwood Wall Brackets, tallest h. 9 1/2 in. (6 pcs.) [$100/150]

57

278. Group of Eight Decorative Frames, one pair, two alligator, one silverplate, one brass, two wood, large oval h. 13 1/2 in., w. 11 1/2 in. [$75/150]

277. Vintage Alligator Traveling Case, with Parisian hotel labels, h. 12 in., w. 14 in., d. 4 1/2 in. Condition: locked. [$100/200]

279. American Doll Carriage, 1872‑1890 by Ludlow Toy & manufacturing Company, h. 29 in., w. 8 in., d. 19 in. [$75/125]

280. Small Antique American Painted Pine Chest, with domed lid, void interior, h. 13 in., w. 24 in., d. 10 in. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

281. Tularosa Black on White Pottery Pitcher, globular body with geometric designs, wide neck with concentric bands, h. 7 7/8 in.; ACCOMPANIED BY a “Certificate of Authenticity and Liability Release” from Mark Brady stating it was found in “Witches Well Ranch, Sanders, AZ”. [$100/200] Provenance: New Orleans Antiquarian.

282. Pacific Northwest Coast Haida or Tlingit Polychrome Painted Bentwood Box and Cover, kerfed construction with closure side tied with strings, stylized fish decoration, h. 2 7/8 in., w. 4 1/4 in., d. 2 1/8 in. [$100/200] Provenance: New Orleans Antiquarian.

58

283. Italian Enamel and Silver Gilt Pill Box Brooch, marked “Italy” and “800”, l. 1 7/8 in., w.

1 5/8 in. [$40/60]

284. Two Antique French Bronze Candlesticks, now mounted as lamps, h. (to socket) 20 in. and 21 in. [$200/300]

285. Pair of Patinated Bronze Portrait Busts a Young Girl and Boy, green marble bases, h. 11 1/4 in. and 11 in. [$250/350]

286. Pair of Gilt and Faux Marbre Brackets, 20th c., h. 9 1/2 in., w. 7 in., d. 5 1/2 in. [$300/500]

287. Vintage French Advertising Sign, for a Parisian plumber, h. 13 in., w. 15 1/4 in. [$100/150]

288. Continental Patinated Metal Figure of an Arab, c. 1900, marble and brass base, h. 15 1/2 in., w. 6 1/2 in., d. 6 1/2 in. [$50/75]

59

289. Pair of Green Glazed Ceramic Cherubs, 20th c., h. 27 in., w. 12 1/2 in., d. 8 1/2 in. [$200/300]

60

290. Continental Bronze Figure of a Fighting Bull; together with three cold painted bronze animals of a squirrel, bison and a horse by Bergman, bull h. 7 in., w. 8 1/2 in., d. 5 in. [$150/250]

291. Pair of Continental Bronze‑Mounted Marble Bookends, cherub reclining on drape‑carved base, h. 8 in., w. 8 1/2 in., d. 3 in. [$150/250]

292. Two Continental Giltwood Wall Brackets, one rectangular h. 5 1/2 in., w. 23 in., d. 9 in; other D‑form, h. 3 in., w. 23 in., d. 14 3/4 in. [$200/300]

293. Continental Tole Peinte Tray, reserved with lady and lion, l. 28 in., w. 22 1/2 in. [$200/300]

294. Continental Brass Trinket Box, hinged lid, impressed R mark, classical reliefs, h. 3 in., w. 6 3/4 in., d. 3 1/2 in. [$100/200]

296. Four Continental Blue Agate Boxes, incl. two oval, one bronze‑mounted box and one rectangular form, largest h. 1 3/4 in., w. 3 1/4 in. [$300/500] 295. Three Continental Table Objects, incl. lidded canister, reserved with maiden, lid with figural finial; and pair of reproduction jardinières, canister h. 10 3/4 in., dia. 6 in. [$50/75]

297. Three Continental Agate Boxes, ovate form, reticulated rims, largest h.

3/4 in., w. 2 1/2 in. [$200/300]

298. Six Continental Green Agate Boxes, incl. two rectangular, four square, largest h. 1/2 in., w. 3 1/8 in., d. 2 1/4 in. [$300/500]

299. Four Continental Red Agate Boxes, largest h. 2 in., w. 3 1/8 in. [$300/500]

300. Five Agate Boxes, 2 oval, 2 rectangular, 1 square. [$300/500]

301. Five Continental Red Agate Boxes, incl. four oval, one rectangular, largest h. 7/8 in., w. 2 in. [$300/500]

302. Five Continental Red Agate Boxes, incl. three oval, one square, one rectangular, largest h. 1/2 in., w. 1 7/8 in. [$250/350]

61

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303. Seven Continental Red Agate Boxes, incl. one oval form, two round, and three square, largest h. 3/4 in., w. 2 1/4 in.; together with agate and silver tortoise, h. 1/8 in., w. 1 1/2 in. (8 pcs.) [$300/500]

304. Five Continental Red Agate Boxes. incl. two rectangular and three square, largest h. 1/4 in., w. 3 1/4 in. [$300/500]

305. Three Continental Mother‑of‑Pearl Inlaid Boxes, largest h. 1 5/8 in., w. 4 in., d. 2 3/4 in. [$300/500]

306. Four Continental Black Agate Boxes, two rectangular, two square, largest h. 2 in., w. 3 3/4 in., d. 2 1/2. [$300/500]

307. Four Continental Silver‑Mounted Black Agate Boxes, incl. two rectangular, one round and one oval, largest h. 1 4/ in., w. 3 1/4 in., w. 2 1/4 in. [$300/500]

308. Five Continental Black Agate Boxes, incl. one rectangular and four oval boxes, largest h. 2 1/4 in., w. 4 1/4 in., d. 2 3/8 in. [$300/500]

309. Continental Agate Urn and Two Boxes, urn h. 3 7/8 in., w. 4 1/4 in. (3 pcs.) [$300/500]

310. Six Continental Mixed Color Agate Boxes, incl. three rectangular, two oval and one square, largest h. 3/4 in., w. 2 5/8 in.; together with agate bowl and underplate, h. 1 in. (8 pcs.) [$300/500]

312. Group of Five Continental Boxes, incl. blue opaline glass flower form box; 2 gem embellished boxes; enamel box; and reticulated metal box, largest h. 2 1/2 in., w. 4 in. [$300/500] 311. Large Group of Antique Keys, largest l. 5 in. (45 pcs.) [$50/75]

313. Bronze Two‑Light Candelabrum, cast with snake and foliage, h. 12 in., w. 12 in., d. 6 in. [$75/100]

314. Three Antique Continental Candleholders, incl. tole and cloisonne chamberstick, and brass candlestick mounted with hardstone, tallest h. 7 in. [$150/250]

316. French Cast Iron and Enameled Stove, 19th c, h. 41 in., w.

13 in. [$50/75]

315. Three Continental Porcelain Plaques, two black, one white of mythical scenes, 3 in. x 4 1/2 in. and 4 in. x 3 1/4 in., framed. (3 pcs.) [$25/50]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

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317. Eight Bilston & Battersea Brass‑Mounted “Halcyon Days” Enamel Boxes, incl. 4 Easter egg‑form, 1983, 1987, 1990 and 1995; 1 cylindrical, for the Metropolitan Opera’s, “Un Ballo in Maschera”; 1 oval for San Francisco Opera; 1 round for Royal Albert Hall of Arts & Sciences; and 1 oval; egg h. 2 1/8 in.; together with a Herend porcelain figure of a fish, h. 3 in. (9 pcs.) [$200/300] 318. Antique English Rosewood Necessaire de Toilette, 19th c., marked for retailer Promoli & Hausburg, Liverpool, fitted interior with removable tray, retains three lidded boxes, h. 5 in., w. 11 in., d. 8 in. [$200/300]

319. Three Antique Tortoiseshell Boxes, one 19th c., marked “Lund Maker 57 Cornhill London”, silk lined, h. 1 1/2 in., w. 4 in., d. 2 1/2 in.; one with metal mounts and keyhole, h. 3 in., w. 4 1/2 in., d. 3 in.; other with tortoiseshell lid, h. 1 1/4 in., w. 3 3/4 in., d. 1 3/4 in. [$300/500] 320. Antique English Tortoiseshell Triangular Box, h. 2 3/8 in., w. 7 7/8 in. [$100/200] Condition: overall good condition; minor chips to 2 corners; slight warping to tortoiseshell.

321. Large English Tole Peinte Tea Canister, octagonal, green ground with gilt decoration, h. 20 in., dia. 11 in. [$100/150]

322. Group of Vintage Toleware Items, incl. clock, tea canister, urn, wall pocket, clock dia. 9 1/4 in. [$50/75] 64

323. Four Tortoiseshell Boxes, two with mother‑of‑pearl inlay, one horn with tortoiseshell lid, largest h. 2 3/4 in., w. 5 in., d. 3 in. [$200/300]

324. J.C. Vickery Crocodile Case, embossed “J.C. Vickery, Regent Street, to their Majesties the King & Queen”, metal hardware, h. 6 in., w. 16, d. 13 in. [$100/200]

325. Empire‑Style Tole Peinte Jardiniere, mounted with torch and quiver, on toupie feet, h. 13 3/4 in., w. 15 3/8 in., d. 12 in. [$100/200]

326. Cold Painted Bronze Figure of a Hound and Grand Tour Basalt Coffer, coffer h. 2 1/4 in., w. 2 3/4 in., d. 1 3/4 in. [$50/75]

327. Antique Gorham Sterling Silver, Leather and Glass Flask, date mark for 1899, removable cup with gilt wash interior, engraved script monogram “GM” and “1903”, h. 6 1/8 in. [$150/250]

328. Chinese Needlepoint Carpet, overall foliate design, 12 ft. x 18 ft. [$100/200]

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329. Group of Five Decorative Pillows, incl. one embroidered silk, one Fortuny, three velvet, largest h. 18 in., w. 20 in. [$50/75]

330. Group of Seven Vintage Purses, incl. ivory lizard handbag by Lucille de Paris, h. 12 in.; ivory ostrich handbag by Saks Fifth Avenue and Deitsch, h. 14 in.; black ostrich handbag by Lexiapel, h. 9 in.; navy leather handbag by Koret, h. 11 in.; Italian yellow leather case for Rosenfeld Imports, l. 6 1/2 in.; navy leather shoulderbag; and brown leather clutch with lucite handle, l. 13 1/2 in.; together with 3 minks, incl. 2 mink collars, l. 42 in. and 34 in.; and mink stole with 4 full pelts, l. 29 in. [$300/500] 331. Group of Four Decorative Pillows, incl. embroidered pillow with tassels, l. 22 in., w. 22 in.; embroidered pillow with foliage and berries, l. 29 in., w. 18 in.; zebra print pillow, l. 11 in., w. 14 in.; and plaid silk bolster, l. 17 1/2 in., w. 6 in. [$100/200]

332. Washington Birth Bicentennial Ribbon, 1932, silk, designed by Butterworth, woven by Rockledge Mills Inc., 8 in. x 6 1/8 in., matted. [$50/75] Condition: Surface dirt; frayed at edges

333. Pair of Green and White Porcelain Lamps, marbleized decoration, h. (to socket) 10 in. [$150/250]

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334. Art Nouveau Spelter Figural Lamp, early 20th c., later glass shade, marble base, h. 23 1/2 in. [$100/200]

335. Pair of French Louis XVI‑Style Bronze and Marble Figural Candlesticks, now mounted as lamps, cherub, pedestal base, h. (to candlecup) 10 1/4 in., h. (to socket) 15 1/2 in. [$250/350]

336. Two European Urn‑Form Lamps, incl. bronze‑mounted marble, h. (to socket) 15 in., and tole peinte marked “Made in Sweden”, h. (to socket) 13 in. [$100/150]

337. Louis XVI‑Style Gilt Bronze Five‑Light Sconce, electrified, h. 24 1/2 in., w. 16 in., d. 9 in. [$250/350]

338. Pair of Japonesque Blue Ceramic and Bronze‑Mounted Lamps, foliate, bird and insect design, h. (to socket) 21 in. [$200/300]

339. Decorative Gilt Metal and Cut Glass Two‑Light Wall Sconce, electrified, h. 15 1/2 in., w. 10 in., d. 4 in. [$50/75] 340. Pair of Continental Capodimonte‑Style Porcelain and Metal Lamps, 20th c., vasiform standards, flanked by cherubs, reticulated metal base, h. (to socket) 12 1/2 in., w. 8 1/2 in., d. 8 3/4 in. [$50/100] 67

342. Pair of English Bronze Candlesticks Mounted as Lamps, h. (to top of silk shade) 17 in. [$100/200]

341. Two Tole Peinte Lamps, incl. two‑light bouillotte lamp, with adjustable shade, h. 19 in.; and three‑tiered, h. (to socket) 17 in. [$150/250]

343. 2001 Presidential Christmas Card Lithograph from George W. Bush, incl. color lithograph, with printed signatures, sight 15 in. x 10 1/2in., framed; together with the actual Christmas card. [$75/150]

345. Steamboat Natchez Receipt, 1896, for a “Package of Clothing”, 5 1/2 in. x 7 3/4 in. [$20/30] 68

344. Geo. B. Bains & Sons 1905 Catalogue of Bags and Trunks, paper wraps, 59 pgs., 7 in. x 9 3/4 in. [$40/50]

346. Antique Map of Louisiana, 1852, by R.W. Boyd, Donaldsonville, LA, 15 1/4 in. x 16 in. [$100/150]

347. Antique Bayou Teche, Louisiana Map, 1890, specifically, a survey of a portion of La Petite Fausse Pointe, that is the subject of a legal dispute between W.R. Archer and Adrien Gonsoulin, 39 in. x 25 1/4 in. [$150/250]

349. Two Antique Survey Maps of the Marigny, New Orleans, one dated 1901 by Hunter Stewart, civil engineer; other undated, larger sheet 30 3/4 in. x 46 in. [$100/150]

351. Group of Glass Table Articles, incl. Lalique frosted “’Deauville” vase, h. 6 in.; pair Baccarat open salts, w. 2 1/4 in.; vase, h. 5 1/2 in.; etched and frosted covered box, h. 2 1/4 in., w. 3 1/2 in.; and etched and frosted ash receiver, w. 3 3/4 in. (6 pcs.) [$200/400]

348. Two Antique Maps of New Orleans, incl. “Plan of the Property belonging to the Fischer Lumber & Mfg. Co., Ltd”, 1900, 34 in. x 25 in.; and “Plan of Fbg. (Faubourg) St. Joseph”, 10 1/4 in. x 55 in. [$100/150]

350. Two Antique Hand‑Colored Maps, incl. map of “La Hongrie...” by de Fer, 1717, 9 in. x 12 3/4 in., and “Romani Imperii/Mago”, ND, 7 in. x 9 in. [$40/60]

352. Collection of Molded and Cut Glass and Crystal, 20th c., incl.

Waterford: biscuit barrel (lacking lid), h. 6 in.; jug, h. 7 1/2 in.; 2 coasters, dia. 5 in.; pair candle stands, h. 3 1/2 in.; and others: cylinder vase, h. 10 in.; baluster vase, h. 9 in.; pear‑shaped vase, h. 7 in.; dome; short glass, coaster; and tazza, h.

4 1/2 in. (13 pcs.) [$300/500] 69

353. Antique American Cut Glass Tall Vase, 19th c., h. 14 in. [$300/500]

354. Group of Glass Table Objects, incl. pair of glass candleholders, h. 12 3/4 in.; and pair of glass goblets, h. 7 3/4 in. (4 pcs.) [$100/200]

355. Cut Glass Pitcher and Fifteen Associated Cut Glass Cups, pitcher, h.

7 in.; 5 panel cut goblets, h. 6 in.; 6 diamond point goblets, h. 5 1/4 in.; and 4 cut crystal tumblers, h. 3 3/4 in. (16 pcs.) [$200/300]

357. Pair of Vallarysthal Glass Candleholders, marked, h. 9 3/4 in.; together with associated bobeches, dia. 3 5/8 in. [$100/200]

356. Three Colored Glass Table Objects, incl. rose tiente perfume bottle, probably Baccarat, h. 4 3/4 in.; yellow etched glass vase, h. 4 1/2 in.; and cup, h.

3 3/4 in. [$100/200]

358. Val St. Lambert Crystal Vase, marked, h. 9 3/4 in.; Condition: chip to corner of base. [$100/200]

359. Five Anglo‑Irish Cut Glass Decanters, c. 1825, diamond and prism cut, three with original mushroom stoppers, tallest h. 8 3/4 in.; together with extra stopper. (6 pcs.) [$500/750]

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360. American Brilliant Cut Glass Punch Bowl on Stand, hobstar design, h. 9 1/4 in., dia. 10 1/2 in. Note: chip. [$100/200] Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

361. American Brilliant Cut Glass Punch Bowl on Stand, bowl decorated with sunflower sprays, associated pedestal, h. 13 5/8 in., dia. 12 in., small chip. [$100/200]

363. Two Italian Carved Alabaster Figures of Maidens, h. 13 1/4 in. to 13 1/2 in. (2 pcs.) [$300/600]

Condition: Discoloration throughout; surface dirt; one figure missing hand; one figure missing fingers; scattered marks, scratches, pitting, nicks and wear throughout

362. American Cast Iron Boiler Cover, probably late 19th/early 20th c., h. 18 in., dia. 28 1/2 in. [$50/100] Provenance: Estate of D. Clive Hardy, New Orleans.

364. Continental School, 19th c., “Hunting Scenes”, 2 cast metal reliefs, both unsigned, each 13 1/2 in. x 14 1/2 in., both framed. [$10/20]

Condition: Overall poor condition; one missing central figure; heavy surface dirt; discoloration; scattered losses.

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

365. Continental Cerused and Gilded Wood Mirror, 20th c., finialed draped crest and shoulders, conforming molded frame, h. 22 1/2 in., w. 17 1/2 in. [$250/350] 71

367. French Provincial Carved Walnut Tall Clock Case, note lacking the face, works and top/bonnet above, h. 67 in., w. 14 1/2 in., d. 10 1/2 in. [$50/100]

366. Ansonia Gilt Meal Figural Clock, late 19thc., figure with lute, h. 21 in., d. 20 1/4 in., d. 8 in. [$100/150]

368. American Mahogany and Stenciled Mantel Clock, 1828‑1964,

by Gilbert Clock Company, h. 31 3/4 in., w. 16 3/4 in., d. 4 3/4 in. [$250/350] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

369. French Rosewood Double Keyboard Upright Piano, c.

1820, “Ate Lesieur Rue Lepeletier”, h. 70 in., w. 52 in., d. 26 in. [$300/500]

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

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370. Chinese School, 20th c., “Flowering Branches”, ink and color on paper fan painting, h. 8 in., w. 22 in., matted and framed. [$100/150] 371. Four Chinese School Paintings, 19th c., watercolor on pith paper, sight 7 3/4 in. x 12 1/4 in., framed alike. [$300/500]

373. Four Chinese Porcelain Pillows, probably early 20th c., h. 2 1/2 in., w. 5 1/2 to 5 3/4 in., d. 4 1/2 to 5 1/8 in.; together with a cloisonne vase, h. 9 1/2 in.

(5 pcs.) [$100/150] 372. Chinese School Painting, 19th c., watercolor on pith paper, sight 7 in. x 11 in., double matted and framed. [$150/250]

375. Chinese Famille Rose Porcelain Baluster Vase, gilt handles, body lightly molded with foliage and petal tips, painted with figural cartouches on a pale green ground with insect and auspicious emblems, base drilled, h. 22 1/2 in. [$250/350]

374. Two Chinese Famille Rose Eggshell Porcelain Vases, mid‑20th c., each painted with the 18 Luohan in a continuous landscape, bases with Qianlong marks, h. 3 in., dia. 7 1/8 in. and (octagonal) h. 3 in., w. 6 1/2 in., d. 6 1/8 in. [$100/150]

376. Two Chinese Glazed Pottery Vases, probably early 20th c., incl. turquoise bottle shape, impressed mark, h. 9 7/8 in.; and creamy‑brown double gourd‑form, base marked, h. 6 in. [$100/150]

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377. Antique Chinese Blue and White Porcelain Moon Flask Vase, decorated with figural roundels on a blue ground with flower heads, h. 10 5/8 in., w. 7 3/4 in. [$200/300]

378. Group of Chinese, Japanese and Continental Porcelain Objects, incl. blue and white “prunus and cracked ice” vase, h. 10 in.; famille verte tea caddy, h. 6 in., w. 4 3/4 in., d. 3 1/2 in.; Imari lobed vase, h. 9 in.; and figural scent bottle, h. 9 1/2 in (4 pcs.) [$200/400]

379. Chinese Famille Verte Porcelain Baluster Vase, iron red handles, body decorated with figural scene, base with double ring mark, h.

12 in.; together with another decorated with warriors on brown crackle ground, base with Chenghua mark, h. 16 3/4 in. [$150/250]

381. Group of Chinese, Japanese and Continental Porcelain Objects, incl. 2 Chinese vases, one with famille rose bird‑on‑branch and antiques cartouches on powder blue ground, base with double ring mark, h. 12 in., other gu‑form with famille verte decoration of figures in landscapes, h. 7 7/8 in.; Continental vase with floral and insect decoration, base with leaf mark, h. 8 1/2 in.; and 2 Japanese Imari bowls, dia. 6 in. and 7 3/4 in (5 pcs.) [$400/600]

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380. Chinese Glazed Porcelain Figure of the Taoist Immortal Lu Dongbin, wearing long green robe with raised floral decoration, raised signature cartouche, h. 13 3/8 in.

Condition: losses to hand and sword. [$100/200]

382. Chinese White Glazed Model of a Recumbent Horse, base faintly marked “CHINA”, h. 6 1/4 in., w. 9 1/8 in. [$50/100]

383. Chinese Glazed Tileworks‑Style Pottery Figure of an Equestrian, h.

11 1/4 in., w. 13 3/4 in., stand, overall h. 13 in., w. 14 1/4 in. [$75/125]

385. Three Chinese Blue and White Porcelain Bowls, probably Ming Dynasty (1368‑1644), one with “Charlotte Horstmann & Gerald Godfrey” label, h.

2 3/4 in., 2 1/4 in., and 1 3/4 in. [$50/100] Provenance: New Orleans Estate.

384. Chinese White Glazed Anhua Porcelain Bottle Vase, probably 19th c., incised with peony and foliate decoration, base with four character mark, h. 5 3/4 in. Note: star cracks.

Provenance: New Orleans Estate. [$50/100]

386. Chinese Famille Rose Porcelain Covered Teapot, early 20th c., peach finial, decorated with peach, prunus, lychee, lotus, bats, and butterflies, h. 3 in., w.

5 1/8 in. [$75/150]

387. Chinese Sancai Glazed Pottery Altar Vase, probably Tang Dynasty (618‑907), mask‑loop handles, body molded with dragons, overall amber, blue and green glaze, h. 8 in. [$100/200] Provenance: New Orleans Antiquarian.

388. Two Chinese Partial Glazed Pottery Figures, incl. pale blue, green and amber Budai, h. 6 1/4 in.; and aubergine, amber and turquoise Guandi, h. 7 1/2 in. [$100/200] Provenance: New Orleans Antiquarian.

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389. Chinese Soapstone Seal, carved in low relief with a deer in landscape to one side, incised “by D.C.C.T. at Lu‑Hsien Si‑Chuan China” on another, carved chop, h. 3 1/4 in., w. 5/8 in., d. 5/8 in., fitted wood box. [$50/100]

390. Chinese Dark Red Lacquer Bowl, relief‑modeled with 6 of 12 zodiac animals on a cloud scroll ground, base with apocryphal Qianlong mark and “CHINA” in gilt, h. 3 3/8 in., dia. 6 1/2 in. [$100/150]

391. Pair of Chinese Soft and Hard Stone and Wood Wall Hangings, openwork circular frames set with fabric wrapped branches supporting stone leaves, dia. (excl. hanger) 10 1/4 in. [$20/40]

392. Large Group of Chinese Hardwood Stands, incl. two Burlwood root stands. [$25/50]

393. Chinese Hardstone Objects, early 20th c., incl. agate Guanyin, h. 7 3/4 in., mounted to wood base atop brass pedestal as a lamp, h. (incl. finial) 19 1/4 in.; fluorite lotus pod fitted with brass canister as ink stand, h. (incl. finial) 4 3/4 in., w. 4 3/4 in., mounted to plinth, overall h. 5 3/4 in., w. 7 1/4 in., d. 5 1/4 in.; and fluorite censer (lacking cover) mounted as a lamp, h. (incl. finial) 20 3/4 in.

(3 pcs.) [$300/500]

394. Chinese Green Overlay Milky White “Peking” Glass Box, relief‑decorated with prunus branches, h. 2 1/2 in., w. 5 1/4in., d. 3 3/4 in. [$50/100]

Condition: several chips and cracks to interior black lacquer revealing metal base material. Rim with bend and chip.

395. Chinese Red Lacquer Box and Bamboo Brush Pot, box cover with figures beside a pavilion beneath a pine, h. 3 1/8 in., w. 8 3/4 in., d. 6 1/4 in.; brush pot carved with figures in a bamboo grove, h. 5 1/2 in., dia. 3 3/4 in. [$100/200] Condition: Box with cracks and chips to lacquer revealing fabric subsurface.

Scattered abrasions.

396. Ten Painted Glass Snuff Bottles by Xisan Academy Artists, h. 2 3/4 in. to 3 3/4 in., each with storage box. [$200/300] Condition: Very good condition overall. Some stoppers with loose caps.

Provenance: Estate of New Orleans Antiquarian Richerson Rhodes

397. Ten Inside Painted Glass Snuff Bottles by Xisan Academy Artists, h. 2 3/4 in. to 3 1/4 in., each with storage box. Condition: very good condition overall. [$200/300] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes

398. Five Japanese Woodblock Prints, incl. after Utagawa Hiroshige (1797‑1858): “Night Rain at Musaki”, sight 7 3/4 in. x 12 3/8 in. and “View from Atogayama, Shiba”, sight 5 1/2 in. x 8 1/8 in.; after Utagawa Hiroshige III (1842‑1894), “Prince Genji, Suma Beach”, sight 14 in. x 9 1/4 in.; and “Pleasure Quarter, Tokyo”, sight 6 7/8 in. x 3 7/8 in.; and after Keisai Eisen (1797‑1848), “Todagawa Ferry”, sight 8 1/4 in. x 12 1/2 in.; variously matted and framed. [$400/600]

399. Japanese School, 19th/20th c., “Landscape”, ink and color on silk, sealed lower left, 45 1/2 in. x 11 1/2 in., mounted as a hanging scroll. [$50/100] Condition: overall toning, some creases, snags, small holes and small losses throughout. Large tear to upper mount, lower mount taped to roller.

400. Japanese Kano School, 19th/early 20th c., “Fukurokuji”, ink on silk, signed and sealed lower right, 32 3/4 in. x 12 1/4 in., mounted as a hanging scroll. [$50/100] Condition: foxing, creases and small losses. Mounts fragile.

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401. Japanese Yellow Glazed Porcelain Tea Service, gilt accents, most bearing “Nippon” marks, incl. teapot, w. 8 1/4 in.; sugar (lacking cover); creamer; 4 cups; 5 saucers, dia. 5 1/2 in.; and 6 plates, dia. 7 1/4 in. [$25/50]

403. Three Japanese Polychrome and Gilt Porcelain Cats, one marked Kutani, another “Made in Japan”, l. 6 1/4 in. to 10 in.; together with painted metal example, l. 6 1/4 in (4 pcs.) [$100/200]

405. Imari Porcelain Jardiniere, decorated with figural and floral cartouches, h. 14 in., dia.

19 in. [$200/300]

402. Japanese Satsuma Pottery, incl. 3 vases, two marked, h. 5 1/4 in. to 7 1/4 in., and lobed bowl, Koshida mark, dia. 5 1/8 in. (4 pcs.) [$100/150]

404. Group of Japanese Imari Porcelain Table Objects, incl. bowl, dia. 9 1/2 in.; jardiniere, h. 6 in., dia. 8 3/4 in.; vase, h. 5 in., dia. 6 3/4 in.; 2 cups and 2 saucers, dia. 3 3/4 in. (7 pcs.) [$200/300]

406. Japanese Satsuma Pottery Bowls, incl. cachepot decorated with Arhats, Satsuma mark and Shimazu crest, h. 5 1/2 in., dia. 7 3/4 in.; and lobed bowl decorated with chrysanthemum heads, Koshida mark, h. 2 in., dia. 5 in.

Condition: Good. [$100/200]

407. Japanese Polychrome Porcelain Ovoid Vase, 20th c., decorated with vertical bands of vining flowers and floral cartouches, h. 12 1/4 in., stand, h. 13 3/4 in. [$100/150] Provenance: Neal Auction, June 26, 2011, lot 1130.

408. Two Japanese Polychrome Pottery “Hasaka” Dolls, 20th c., incl. artisan painting a vase; and male and female couple, h. 7 1/2 in. and 9 3/4 in., “tatami” and wood plinths, overall h. 8 1/2 in. and 10 3/4 in. [$20/40] 78

409. Three Japanese Hardwood Netsuke and One Okimono, carved as rats or squirrels with nuts or fruit, each signed, largest h. 2 in. (4 pcs.) [$100/200]

411. Antique Javanese Terracotta Figural Fragment, modeled as a female with an elaborate side coiffure, h. 7 in., stand, overall h. 7 1/4 in. Note: Head restuck. [$100/200] Provenance: New Orleans Antiquarian.

410. Two Antique Asian Bronze Figures, incl. Japanese figure of Beauty or Gyoran Kannon holding a basket of fish, h. 7 in.; and Chinese figure of an official or Wenchang holding a hu tablet, h. 9 3/4 in. [$300/500]

412. Chinese Hardwood Cabinet on Stand, early 20th c., case with two doors carved with dragons, sides with birds‑on‑branches, brass hinges, handles and lock, shelf interior, stand with shaped apron carved with branches and scrollwork, hoof feet, h. 48 1/8 in., w.

46 1/2 in., d. 20 3/8 in. [$500/700]

414. Pre‑Columbian Carved Limestone Head, before 1500, Mesoamerica, h.

9 1/2 in., w. 7 1/2 in., d. 9 in. [$100/150] 413. Pre‑Columbian Polychrome Pottery Tripod Bowl, 250‑900 A.D., probably Maya, remnant red and black design, restored, h. 2 7/8 in., dia. 10 in.; together with painted pottery bowl fragment, h. 2 3/4 in., dia. 8 in. (2 pcs.) [$75/150]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

Provenance: Collection of Brooke and Maria Fox, Metairie, LA

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415. G. Sandia Jemez Native American Pottery Vase, h. 7 in. [$50/100]

416. Group of African Personal Accessories, incl. wool hat, Kenya; elephant hide eyeglass case, Uganda; snakeskin belt, Uganda; bead and hide apron, h. 21 3/4 in.; pair of antelope skin sandals; and ebony hair comb, Kenya, l. 8 in., w. 2 1/4 in. (7 pcs.) [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

417. Two 1868 Confederate Bonds, $500, July 1st, 1868, note: several clipped. [$30/50]

Available through June 3, 2021, on Liveauctioneers.com

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CONTACTS

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA, 70115 • 504-899-5329 • clientservices@nealauction.com • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935