Summer Estates Auction - June 25 & 26, 2021 by Neal Auction

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Summer Estates Auction June 25 & 26, 2021

FEATURING: Collection of Rare and Important Works by Clementine Hunter from the Estate of Esther Bondio Prattini (1932-2017), New Orleans Important Louisiana Paintings from the Estates of Louis and Georgia Woodson, Lafayette, LA Property from the Estate of Suzanne Levy Ormond (1926-2004), New Orleans Property from the Mobile Museum of Art, Sold to Benefit their Collections, Care and Acquisitions Fund Estate of Arley D. Cathey II, El Dorado, AR, Sold to Benefit the University of Chicago Gentleman Collectors: Property from Whisnant Galleries, New Orleans, Part II And Property of Others

EXHIBITION

Both galleries beginning Monday, June 14, 10 a.m. to 5 p.m. Special Saturday Preview, June 19, 10 a.m. to 5 p.m.

AUCTION

Friday, June 25, beginning at 11:00 a.m., Lots 1-488 Saturday, June 26, beginning at 11:00 a.m., Lots 489-1010

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Leckert #1514, Carroll #1874, Fagan #1935

COLLECTION OF RARE AND IMPORTANT WORKS BY CLEMENTINE HUNTER

FROM THE ESTATE OF ESTHER BONDIO PRATTINI (1932-2017) Esther Prattini’s interest in Clementine Hunter was initially sparked in the early 1970s. By the end of the decade, she had developed a friendship with the artist and made frequent trips from her home in New Orleans to Natchitoches to visit her. Prattini was often accompanied by her husband, Milton, who took his own carved wooden boxes to Hunter as gifts. For these trips, she brought blank canvases with her name inscribed on the back, often accompanied by hopeful written requests for certain subjects for Hunter to execute. Upon collecting the finished paintings, she received canvases which, true to Clementine Hunter form, rarely matched the requested scene. Nonetheless, the resulting works were always exemplars of their particular motif with Hunter often including additional intricacies and elements of complexness to each work. The time and care she took on completing the Prattinis’ commissions serves as a testament to the artist’s fondness for the couple. Eventually, Prattini would manage to amass all of her favorite scenes through her numerous ventures to Natchitoches. The resulting collection of works showcases a remarkable array of themes, colors and elaborate compositions. The scenes featured in the collection represent a wide range of both Hunter’s most celebrated and less often seen subjects. In some cases, scenes are assembled in uncommon combinations or further enhanced by additional figures and elements which fill the negative space of the canvas or board and imbue the works with all the energy and movement of the people of her beloved Cane River Country. The color palettes are vibrant and varied, from deep green to rich lavender with a rainbow of hues in between. The highlight of the collection, “A Day at Melrose,” is one of the artist’s masterworks, incredibly rare both in size and complexity. Combining a kaleidoscope of vignettes, the painting captures everyday life at Melrose Plantation as witnessed by Hunter. The main house, the heart of the plantation, is highlighted in the center of the composition within its own circle, and radiating outward is a tapestry of scenes depicting the work, traditions, and leisure of the residents. This elaborate, overarching view helps to place her frequently depicted subjects within their greater context, thus adeptly memorializing the day-to-day life of Melrose on a grand scale. Despite never having learned to read or write, Clementine Hunter developed her own way of understanding and depicting her world that creates a lasting impression and makes her works immensely desirable to collectors. Born near the end of 1886 on the notorious Hidden Hill Plantation in Marco, Louisiana, Hunter moved to nearby Melrose Plantation in 1902 and worked in a variety of positions from cotton picker to housekeeper and cook. Leftover paints from a visiting artist in the late 1930s inspired Hunter to begin painting. Like so many artists, she had an intense desire to create, and her subsequent oeuvre is one that continues to receive global recognition and accolades. Hunter was said to greatly enjoy encounters with collectors and people who appreciated her paintings. The Prattini Collection offered here is a lasting remembrance of a long friendship and also a rare opportunity to own an important work by this truly significant American artist.

PROPERTY FROM THE ESTATE OF

SUZANNE LEVY ORMOND (1926-2004) Neal Auction Company is pleased to present property from the Estate of Suzanne Levy Ormond (1926-2004). Mrs. Ormond was an artist and dedicated civic activist. She helped organize the Foundation for the Crafts of the Newcomb Style which was created to promote the recognition and significance of Newcomb Pottery and Crafts. She co-authored Louisiana’s Art Nouveau: The Crafts of the Newcomb Style in 1976. Her eponymous Uptown pottery began producing the stoneware housenumber tiles seen throughout the city in the 1970s. Suzanne Ormond Pottery is still owned and operated by her daughter. Mrs. Ormond’s civic interests ranged from being on the Louisiana State Museum Board to helping save St. Charles Avenue’s live oaks. She was an ardent supporter of the New Orleans Public Library for decades. As a member of the Vieux Carre Commission, she led the community in efforts to preserve the French Quarter. In the 1960s she helped lead the fights against a proposed riverfront expressway along the edge of the French Quarter and an Uptown bridge across the Mississippi River. The Estate’s collection of 19th and 20th century silver descended from various branches of Mrs. Ormond and her ex-husband’s families who arrived in America in the mid 1800s. These objects from preceding generations illustrate the evolving tastes of the times. The beautiful period monograms tie the objects to their previous owners, including Gumbel, Hechinger, Pokorny, Levy and Adler ancestors. The collection tells the story of a family who set a handsome table over several generations.

Photos courtesy the estate of Suzanne Levy Ormond

Session One Friday, June 25, 11 a.m.

1. American Federal Carved Mahogany Games Table, early 19th c., possibly Philadelphia, shaped foldover top, conforming frieze, ring‑turned tapered legs, toupie feet, h. 30 in., w. 36 in., d. (closed) 17 3/4 in., d. (open) 36 in. [$600/900] 2. American Late Classical Mahogany Extension Dining Table, labeled “Briggs Extension Dining Table Patented 1843.....504 Washington St. Boston”, circular top, four column standard concealing 2 center legs, extensions mechanics in frieze, five leaves, disc feet, casters, h. 29 1/4 in., w. (closed) 37 1/2 in., w. (open) 106 1/4 in., d. 45 in. [$1500/2400] Note: A labeled Briggs patent mahogany extension dining table is in the collection of the Museum of Fine Arts, Boston.

3. American Mahogany Swing Leg Games Table, 19th c, foldover top, single drawer, tapered ring‑turned legs, h. 29 in., w. 34 in., d. 16 in. [$300/500]

4. Pair of Wrought Iron Curule Armchairs in the Classical Taste, h. 40 in., w. 22 in., d. 23 in. [$800/1200]

6. American Classical Mahogany Library Armchair, early‑to‑mid 19th c., padded back and seat with green needlepoint medallion upholstery, scrolled arms, ring‑turned legs, casters, h. 36 1/4 in., w. 22 1/2 in., d. 27 in. [$1000/1500] 5. American Late Classical Bronze‑Mounted Carved Mahogany Corner Sideboard, early‑to‑mid 19th c., shaped top, blind frieze drawers, foliate capitals over reeded scroll pilasters, three central drawers flanked by cabinets, scroll feet, h. 39 1/2 in., w. 78 1/2 in., d. 57 1/4 in. [$1500/2500]

7. American Classical Mahogany Library Armchair, early‑to‑mid 19th c., en suite with preceding lot, green needlepoint medallion upholstery, scrolled arms, turned legs, casters, h. 36 1/4 in., w. 22 1/2 in., d. 27 in. [$1000/1500]

8. American Aesthetic Carved Mahogany Library Table, late 19th c., single board beaded top, frieze drawer, stretcher shelf with reticulated gallery, h. 30 in., w. 48 in., d. 28 1/2 in. [$400/600]

9. American Late Federal Giltwood Tabernacle Mirror, c. 1825, attr. to John Kidder and Joseph Carter, blocked crest mounted with spherules, eglomise nautical scene, rope twist surround, blocked base, corner rosettes, h. 33 1/2 in., w. 21 1/2 in. [$500/700] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. 10. American Late Classical Stenciled and Bronze‑Mounted Mahogany Secretary Bookcase, 19th c., probably J. & J.W. Meeks, New York, upper case with molded cornice, arched frieze, Gothic glazed doors, shelf interior, Corinthian colonnettes, three small drawers, lower case with Gothic paneled doors, extensively fitted desk interior with center mirrored and secret compartments, long drawer fitted with adjustable baize writing surface, over paneled Gothic cabinet flanked by Corinthian colonnettes, spreadwing eagle brackets, paw feet, h. 96 in., w. 56 3/4 in., d. 27 in., note: lacking toes. [$5000/7000] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

11. American Classical Mahogany Console Table, early‑to‑mid 19th c., probably Meeks, New York, “Egyptian” marble top, stepped cyma frieze, old mirror plate, concave supports, molded base, h. 37 1/4 in., w. 60 1/4 in., d. 22 in. [$1500/2500]

12. Late Classical Carved and Gilt Mirror, early‑to‑mid 19th c., cavetto mounted with spherules, ebonized rabbet, beveled mirror plate, dia. 28 in. [$600/900]

13. Monumental American Late Classical Carved Mahogany Extension Dining Table, early‑to‑mid 19th c., molded circular top, elaborately molded support with shaped pedestal and colonnettes, bullnose molded base, casters, h. 29 1/2 in., w. (closed) 65 1/2 in., w. (open) 137 1/2 in., d. 65 1/2 in. [$3000/5000] Provenance: Lumberton State Bank, Lumberton, MS.

14. American Federal Carved Satinwood Work Table, early 19th c., possibly Salem, outset corners with foliate carving flanking two drawers, tapered reeded legs, toupie feet with spherules, h. 29 in., w. 19 1/2 in., d. 16 3/4 in. [$500/700]

15. American Federal Mahogany Games Table, early 19th c., shaped reeded foldover top, conforming frieze, tapered legs, h. 29 3/4 in., w. 39 1/4 in., d. (closed) 19 1/2 in., d. (open) 39 in. [$600/900]

16. American Classical Carved Rosewood and Gilt Duet Music Stand, early 19th c., lyre-form music rests, fluted ring‑turned standard, incurvate triangular base, paw feet, h. 57 in., dia. 22 in. [$700/1000]

17. American Federal Inlaid Mahogany Dressing Mirror, early 19th c., labeled by Huntsville, AL retailer “Andrews & Brothers”, ring‑turned mirror supports, breakfront case with center drawer flanked by two drawers, spherule feet, h. 29 1/2 in., w. 24 3/4 in., d. 9 1/2 in. [$500/700] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

18. Anne Wells Munger (American/Mississippi, 1862‑1945), “Corner of Brulatour Courtyard”, oil on canvas board, signed lower left, titled en verso, “Portraits C. Bennette Moore, New Orleans, LA” label on frame, 10 in. x 8 in., framed. [$500/700]

19. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Scene with Live Oaks and Cypress Trees”, oil wash on board, pencil‑signed lower left, 20 in. x 30 in., framed. [$2000/3000]

20. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Scene with Lily Pads”, oil wash on board, pencil‑signed lower left, “Marx Art Store, New Orleans” label on backing board, 10 in. x 30 in., framed. [$1500/2500]

21. Charles Reinike, Jr. (American/Louisiana, 1906‑1983), “Bayou Cabin with Chickens and Rider” and “Bayou Cabin with Pirogue”, 2 watercolors on paper mounted to board, each signed lower left, both 11 1/4 in. x 15 1/2 in., framed alike. (2 pcs.) [$800/1200]

22. Knute Heldner (Swedish/Louisiana, 1877‑1952), “French Quarter Street Scene with Mule Drawn Cart”, oil on board, signed lower right, 12 in. x 12 3/4 in., framed. [$3000/5000]

23. Elizabeth O’Neill Verner (American/South Carolina, 1883‑1979), “St. Michael’s Steeple, Charleston” and “St. Philip’s Steeple, Charleston”, 2 etchings, both pencil‑signed and titled lower margin, each with “Cramp’s Art & Gift, New Jersey” label on backing paper, both 5 1/8 in. x 2 1/8 in., framed alike. (2 pcs.) [$1000/1500]

24. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Little Theatre, Old New Orleans”, oil on canvas board, signed lower left, artist card with title on backing, 6 in. x 8 in., framed. [$600/800] 25. Alberta Kinsey (American/New Orleans, 1875‑1952), “Blue Doorway, New Orleans”, oil on canvas laid on board, signed lower left, 10 3/4 in. x 7 7/8 in., framed. [$1200/1800] 26. Luis Graner y Arrufi (Spanish/ Louisiana, 1863‑1929), “Blue and Yellow Macaw, Grapevines and Flowers”, 1927, oil on board, signed and dated lower left, “Brann & Co., Boston” label on reverse of frame, 39 5/8 in. x 32 in., framed. [$1500/2500]

27. Alberta Kinsey (American/ New Orleans, 1875‑1952), “Brulatour Courtyard”, oil on canvas laid on board, signed lower left, 19 3/8 in. x 16 in., framed. [$1000/1500]

29. Marie de Hoa LeBlanc (American/New Orleans, 1874‑1954), “Bayou Liberty in Slidell, St. Tammany Parish”, watercolor and graphite on paper mounted to board, signed lower left, 20 1/8 in. x 16 in., framed. [$1000/1500]

28. New Orleans School, 20th c., “Portrait of either Emilie or Marie de Hoa LeBlanc”, charcoal and pastel on paper, unsigned, 21 1/8 in. x 17 1/8 in., framed. [$1000/1500] Provenance: By descent to the sitter’s niece, Anita de Hoa LeBlanc Breisacher.

Provenance: By descent to the artist’s niece, Anita de Hoa LeBlanc Breisacher.

30. Hattie Saussy (American/Georgia, 1890‑1978), “Twilight in the Swamp”, oil on board, signed lower right, 8 in. x 10 in., framed. [$1500/2500] Provenance: Neal Auction Company, Feb. 3, 2007, lot 351; Estates of Joyce and Donald Laidlaw, Bluffton, SC

31. Knute Heldner (Swedish/ Louisiana, 1877‑1952), “Minnesota Landscape with Cabin”, oil on canvas, signed lower right, 16 in. x 20 in., framed. [$1500/2500]

32. Art Deco Gorham Handwrought Sterling Silver Centerbowl, pattern E558, c. 1930, lobed form, scroll handles with foliage and pods, h. 5 1/4 in., w. 14 1/4 in., wt. 46.30 troy ozs. [$800/1200]

33. Pair of Art Deco Gorham Sterling Silver Two‑Light Candelabra, pattern E559, c. 1930, weighted bases, h. 7 1/4 in., w. 8 5/8 in. [$800/1200] 34. Two Tiffany “Wave” Pattern Sterling Silver Oval Platters, pattern introduced 1880, dim. 18 3/8 in. x 13 1/8 in. and 15 5/8 in. x 11 in.; together with 2 “Wave” individual salt cellars, gilt wash interiors, dia. 1 5/8 in., total wt. 86.80 troy ozs. [$2500/3500] Ref.: Carpenter, Charles. Tiffany Silver, p. 79.

35. Two Georg Jensen Sterling Silver Serving Spoons, Ornamental Pattern 21, designed by Georg Jensen, one with mark for 1904‑1908, other with mark for 1915‑1927, l. 9 1/8 in. and 5 1/4 in., total wt. 4.60 troy ozs. [$300/400] Ref.: Drucker, Janet. Georg Jensen: A Tradition of Splendid Silver, pp. 270 and 295.

37. Pair of Gorham Sterling Silver Tazzas, date mark for 1926, pattern X434, circular molded top with central rosette and floral border, spreading foot, h. 3 in., dia. 8 1/2 in., wt. 21.50 troy ozs. [$500/700]

36. Gorham Sterling Silver‑Mounted Lavender Salts Bottle, date mark for 1895, hinged cover with bezel‑set citrines and gilt wash interior, h. 3 7/8 in.; together with sterling silver, engine‑turned enamel and beveled glass inkwell, h. 3 3/4 in. (2 pcs.) [$300/500] 38. Hand‑Wrought American Sterling Silver Flatware Service, Erickson “Chino” pattern, introduced 1932, incl. 11 forks (l. 7 7/8 in.), 6 forks (l. 7 1/8 in), 8 salad forks, 8 cocktail forks, 12 knives (9 3/4 in.), 11 knives (l. 8 3/4 in.), 12 butter knives (fh), 6 tablespoons, 24 dessert/oval soup spoons, 9 teaspoons, 12 iced teaspoons, 23 demitasse spoons, and serving fork and spoon (l. 9 1/4 in.); total wt. (weighable) 156.25 troy ozs. (144 pcs.) [$3000/5000]

40. Modernist Sterling Silver Leaf Bowl, Alfredo Sciarrotta (b. Italy 1907, d. Newport, RI 1985), pattern 29, h. 4 in., l. 14 1/2 in., wt. 12.75 troy ozs. [$200/300]

39. Group of Hand‑Crafted American Sterling Silver Flatware, 20th c., Old Newbury Crafters (ONC), various patterns: 2 serving forks, l. 11 5/8 in. and 10 1/4 in., 2 serving spoons, l. 10 1/8 in. and 8 3/4 in., cheese scoop, l. 7 1/4 in.; 2 soup spoons and 3 teaspoons; total wt. 19.50 troy ozs. [$300/500]

42. Pair of Art Nouveau Mauser Sterling Silver Vases, pattern 11162, h. 5 in., wt. 4.55 troy ozs.; together with Reed & Barton sterling and cut crystal compote, no. G101, h. 6 1/2 in., dia. 8 1/2 in. [$300/500]

Note: Sciarrotta studied mechanical engineering in Naples and worked in munitions prior to World War II. He came to the U.S. in 1943 working with the OSS on projects utilizing his underseas weapons expertise. He later pursued his artistic interests, creating handmade silver objects which were sold by the most exclusive American retailers, including Georg Jensen, Cartier, Black, Starr & Frost, Bailey, Banks & Biddle, Shreve, Crump & Low and Gump’s. 41. Pair of Clemens Friedell (1872‑1963) Handwrought “Poppy” Sterling Silver Tazzas, act. Pasadena, CA, 1912‑1920 and 1928‑1963, marked “STERLING/ FRIEDELL/PASADENA/BASE FILLED”, h. 4 5/8 in., w. 5 3/8 in., wt. (gross) 13.80 troy ozs. [$300/500]

43. Good Group of Sterling Silver Baby and Youth Flatware, 20th c., incl. 2 William Spratling feeding spoons, l. 5 1/8 in.; International bunny motif baby spoon and fork; Reed & Barton “This little pig went to market” baby spoon with curved handle; Webster “The Man in the Moon” baby spoon with curved handle; Dominick & Haff “Charles II” food pusher; Towle “Lady Diana” youth fork, l. 6 1/8 in.; Webster youth fork, l. 5 5/8 in.; Reed & Barton “18th c.” youth fork, l 4 1/2 in.; and Gorham “Strasbourg” youth knife, l. 7 1/2 in., total wt. (weighable) 6.05 troy ozs. [$250/350]

45. Rare Newcomb College Art Pottery High Glaze Tyg, 1901, decorated by Katherine Louise Wood, copper‑reduction iridescent glaze, with stylized floral designs, marked with Newcomb cipher, decorator’s impressed and cojoined marks, “F’7” and dot in triangle date codes, and “U” for white‑clay body, h. 5 5/8 in., dia. 6 in. (without handles). [$4000/6000]

44. Newcomb College Art Pottery Vase, 1922, decorated by Anna Frances Simpson, with relief‑carved star jasmine, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. ME51, h. 3 5/8 in. [$300/500]

Note: Katherine Louise Wood was one of the nine members of the first pottery class at Newcomb College.

46. Rare Shearwater Art Pottery “Duck” Vase, 1930s, by Walter Inglis Anderson, thrown by Peter Anderson, antique blue‑green glaze, marked “Shearwater” in manuscript, h. 7 1/8 in., dia. 6 in. [$2000/3000] Ref.: Stewart, Dod. Shearwater Pottery, 2005, p. 63.

47. Two George Ohr Art Pottery Vessels, incl. a “Burnt Baby” vessel, stamped GEO. E. OHR/BILOXI”; and a small vase, stamped G.E. OHR/Biloxi”, taller 3 in. [$1000/1500]

48. Steele Burden (American/Louisiana, 1900‑1995), “Adam and Eve” and “Staring at the Sky”, 2 crackle glazed ceramics, unsigned, approx. h. 3 in. each. (2 pcs.) [$600/800]

49. Mary Kirk Kelly (American/Alabama, 1918‑2013) Earthenware Pumpkin, signed under lid, h. 10 in., dia. 10 1/2 in. [$700/1000]

50. New Orleans Soup Plate, 19th c., with mulberry transfer of “Municipality No.‑One” displaying the cathedral and Cabildo at Jackson Square, dia. 9 in., Note: restored. [$500/800] Note: An identical plate sold in these salesrooms Oct. 2006, lot 1187.

51. Asian Bronze Bell, probably Bronze Age, (1495‑900 BCE), probably Thai, h. 3 3/4 in. [$200/300]

52. Chinese Bronze Dagger Axe, Ge, probably Western Zhou Dynasty (1122‑771 BCE), h. 4 in., w. 8 in. [$200/300]

Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

53. Chinese Bronze Tripod Vessel, Ding, probably Spring and Autumn Period (771‑476 BCE), upright loop handles, flat everted rim, globular body, cabriole legs, h. 4 1/8 in., dia. 4 3/4 in. [$600/800]

54. Chinese Bronze Tripod Vessel, Ding, probably Spring and Autumn Period (771‑476 BCE), upright loop handles, flat everted rim, globular body, cabriole legs, h. 4 1/8i n., dia. 4 7/8 in. [$600/800]

Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

55. Chinese Bronze Garlic‑Head Bottle Vase, probably Warring States Period (476‑221 BCE), h. 10 1/2 in. [$600/800]

56. Chinese Bronze Sword, probably Warring States Period (476‑221 BCE), tapering blade with medial ridge, hollow cylindrical hilt, knob shaped pommel, l. 13 5/8 in. [$300/500]

Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

57. Chinese Bronze Covered Wine Jar, Fanghu, probably Han Dynasty (202 BCE ‑ 220 CE), faceted pear‑shaped body with pair of taotie mask‑loose ring handles, h. 6 3/8 in. [$600/800] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

58. Two Chinese Bronze Mirrors, probably Ming Dynasty (1368‑1644) or earlier, dia. 2 7/8 in. and 4 1/4 in. [$200/300] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

59. Chinese Glazed Pottery Dog, probably Han Dynasty (206 BCE‑220 CE), modeled standing foursquare with raised head and pricked ears, wearing a harness and collar, degraded green iridescent glaze, h. 9 in., l. 11 1/2 in. [$300/500]

61. Chinese Painted Pottery Equestrian Group, probably Han Dynasty (206 BCE‑220 CE), rider and saddle blanket with painted details, horse with black slip, h. 11 1/2 in., d. 11 1/2 in. [$400/600]

62. Chinese Gray Pottery Horse and Rider, probably Han Dynasty (206 BCE‑220 CE), in 2 parts, trace pigment, h. 9 3/4 in., l. 10 1/2 in., wood stand, overall h. 11 3/4 in., w. 12 1/8 in., d. 6 5/8 in. [$700/900]

60. Two Chinese Glazed Pottery Birds, probably Han Dynasty (206 BCE‑220 CE), both with degraded green iridescent glaze, incl. rooster, h. 6 7/8 in. and duck, h. 6 3/4 in. [$400/600]

63. Chinese Han‑Style Pottery “Cocoon” Vase, melon‑form with incised concentric bands, h. 11 1/4 in., w. 12 in. [$200/300]

64. Chinese Straw Glazed Pottery Guardian Earth Spirit, probably Sui/Tang Dynasty (581‑907), modeled seated on haunches with anthropomorphic face, ribbed spine, curled horn, and cloven hooves, h. 12 1/4 in. [$300/500]

67. Chinese Painted Pottery Court Lady, probably Tang Dynasty (618‑907), modeled standing with hands enclosed in sleeves, h. 15 3/4 in. [$300/500] Provenance: Neal Auction, Feb. 11, 2017, lot 535

65. Chinese Painted Pottery Camel, probably Tang Dynasty (618‑907), modeled standing foursquare on rectangular plinth with neck raised and mouth agape, the back laden with heavy pack formed on either side as an Earth Spirit, h. 16 1/4 in., w. 16 in. [$500/700]

69. Chinese Painted Pottery Equestrian Group, probably Tang Dynasty (618‑907), horse and rider modeled wearing armor, h. 11 1/4 in., l. 9 in. [$200/300]

66. Chinese Painted Pottery Camel, probably Tang Dynasty (618‑907), modeled standing foursquare on rectangular plinth with neck slightly turned and raised wearing molded saddle blanket, h. 13 7/8 in., l. 11 1/2 in., wood plinth, overall h. 14 1/2 in. [$200/400]

70. Chinese Painted Pottery Horse, probably Tang Dynasty (618‑907), modeled wearing saddle standing foursquare on rectangular base, h. 12 1/2 in., w. 4 1/4 in., d. 11 3/4 in. [$150/250]

68. Chinese Painted Pottery Guardian Earth Spirit, probably Tang Dynasty (618‑907), modeled seated on haunches with anthropomorphic face, elephantine ears, curled horn, and cloven hooves, h. 21 ¼ in., custom fitted acrylic stand, overall h. 22 in. [$800/1200]

71. Chinese Straw Glazed Earthenware Amphora, probably Tang Dynasty (618‑907), double dragon handles, h. 16 1/4 in. [$500/700]

72. Chinese Glazed Pottery Attendant, probably Tang Dynasty (618‑907), helmeted male wearing long robes glazed in blue, amber and green, h. 11 1/4 in. [$500/700] Provenance: Rare Art, New York, Feb. 1977; New Orleans Estate collection; Neal Auction, June 2015, lot 258.

73. Chinese Sancai Glazed Pottery Equestrian Group, probably Tang Dynasty (618‑907), female rider with unglazed face and green glazed robe, horse with amber glaze, h. 15 7/8 in., w. 4 1/4 in., d. 13 1/2 in. [$600/800]

75. Two Chinese Sancai Glazed Pottery Attendants, Ming Dynasty (1368‑1644), male and female figures modeled standing on hexagonal plinths wearing green and amber glazed robes, h. 12 in. and 11 1/4 in. [$400/600]

74. Chinese Green and Sancai Glazed Pottery Group, Ming Dynasty (1368‑1644), incl. house façade, h. 16 1/8 in.; 2 chests, h. 5 1/2 in. and 5 in.; 2 horseshoe back armchairs, h. 7 1/2 in. and 6 1/2 in.; altar table, h. 5 1/4 in., w. 10 1/8 in.; miniature bucket, vase and censer, largest h. 3 in.; and 9 various offering dishes, incl. boar’s head, fowl, fish, fruit and vegetables. (17 pcs.) [$1000/1500]

76. Chinese Glazed Pottery “Foreigner”, Ming Dynasty (1368‑1644), male figure, probably Dutch, wearing short, belted robe standing on rectangular plinth, h. 12 1/2 in., w. 3 1/4 in., d. 3 1/4 in. [$300/500]

77. Four Antique System Canes, incl. two with measurement sticks and two with thermometers, tallest h. 35 1/2 in. [$700/900]

78. Three English Brass‑Mounted System Canes, incl. one top of the handle is a compass, concealing a telescope in upper shaft and two with “Royal Hussars” insignia, tallest h. 42 in. [$800/1200]

80. Three Antique Lady’s Canes, incl. one mother‑of‑pearl telescope handle, one with binocular handle, and one with porcelain laughing and crying child handle, tallest h. 36 1/4 in. [$400/600]

82. Two Spanish Colonial Cage Dolls, early 19th c., glass eyes, one holding a cross, h. 19 1/4 in., dia. 7 1/8 in. [$600/900]

83. Large Antique Polychromed Figure of a Saint, depicted writing in a book, on a throne, sitting with a calf, h. 24 in., w. 12 in., d. 12 in. [$500/700]

86. Two Antique Polychromed Figures of Saints, 19th c., both with metal wings, the smaller titled “Sn. Vicente Fareel”, taller 18 1/4 in. [$250/350]

81. Five Continental Gambler System Canes, incl. two with dice, one with chess set, one with hourglass and one with cue stick, tallest h. 37 1/2 in. [$800/1000]

84. Three Antique Polychromed Figures of Saints, incl. St. Vincent, with glass eyes; St. Anthony, holding small figure; and St. Augustine, tallest 18 1/2 in. [$500/700]

85. Three Antique Polychromed Santos, 19th c., Guatemala, incl. Madonna with child; figure of a saint, metal wings, paired with a smaller figure, each with glass eyes, tallest 14 in. [$300/500]

87. Four Antique Polychromed Madonna Figures, 19th c., tallest 7 1/2 in. [$150/250]

88. Three Antique Polychromed Santos Groupings, incl. the Holy Family, the Holy Trinity, and a king on horseback, tallest 10 3/4 in. [$400/600]

79. Three Continental System Canes, incl. one with miniature “Golden Cup” harmonica, and two with pointing sticks, tallest h. 36 in. [$600/800]

89. Two Antique Polychromed Figures of Saints, incl. St. Roch, grouped with a smaller figure, a pig; and a larger figure, taller 19 1/4 in. [$200/300]

90. Six Carved and Polychromed Figures of Incan Emperors and Queens, late 18th/early 19th c., carved wood, glass eyes, hands and faces painted gesso, on plinth bases, titled “Sincha Roca”, “Mama Rava Ocllo”, “Mama Cora Ocllo”, “Mama Chimbo Ocllo”, “Mama Chimbo Cahva”, one figure lacking label, tallest 131/4 in. (6 pcs.) [$700/1000]

91. Four Antique Polychromed Figures of Saints, 19th c. or earlier, incl. San Simon in a chair, St. Dagobert, St. Xavier, and the Virgin Mary, tallest 11 in. [$300/500]

93. Large American Carved and Polychromed Wood Cigar Store Indian, c. 1900, feathered headdress, his belt holding a knife and war club, standing on a fish, h. 84 in., w. 22 in., d. 15 in. [$2500/3500]

92. Three Antique Santo Figures, 19th c., Philippines, incl. St. Vincent Ferrer, with carved bone head and hand (one lacking), a kneeling figure, and a nino from Bohol Island, tallest 12 in. [$150/250] 94. American Federal Carved Mahogany Sarcophagus‑Form Teapoy, early 19th c., possibly Boston, hinged lid, fitted interior, reverse tapered standard, reeded hipped sabre legs, brass caps, casters, h. 32 in., w. 23 in., d. 19 in. [$1000/1500]

95. Reagan Danos (American/Larose, LA, b. 1958), “Buff‑Breasted Shore Bird”, c. 2015, acrylic on carved and textured tupelo gum, signed and titled on base, glass eyes, h. 6 in., w. 11 1/4 in., d. 8 3/4 in. [$600/900]

96. Pair of American Canada Geese Decoys, 1940s, attributed to Herter’s Co, MN, carved balsa, larger l. 18 1/2 in. [$500/700]

97. Pair of Louisiana Carved Duck Decoys, 1950s, pair of Dos Gris (bluebill), attributed to Sidney Duplessis, Phoenix, LA, each with remnants of lead weights, larger l. 14 in. [$350/500]

99. Pair of Louisiana Carved Duck Decoys, Barry Chauvin, Larose, LA, stamped, pair of mallards, in the style of Cadice Vizier, larger l. 11 1/4 in. [$300/500]

98. Pair of Louisiana Carved Duck Decoys, Barry Chauvin, Larose, LA, stamped, pintail drake and a black duck, both in preening position, large l. 12 1/2 in. [$500/700]

100. Southwest Polychrome Pottery Jar, possibly by Martina and Florentine Montoya, red ground with black and white glaze, h. 6 1/2 n., dia. 8 3/4 in. [$700/1000]

102. Dextra Quotskuyva Nampeyo (Hopi‑Teva, b. 1928), polychrome pottery jar, signed, and with corn device, sienna red and brown with star pattern, h. 2 5/8 in., dia. 4 7/8 in. [$700/1000]

101. Southwest Pottery Bowl, interior with black stylized birds and wheel pattern on cream ground, h. 3 1/4 in., dia. 8 1/2 in. [$500/700]

103. San Ildefonso Black Pottery Vase, c. 1935, signed “Marie + Julian”, globular form with scalloped decoration, h. 3 in., dia. 4 7/8 in. [$600/900]

104. San Ildefonso Black Pottery Plate, 1966, signed “Maria/Popovi/366”, with feather decoration, dia. 6 1/2 in. [$500/700]

105. San Ildefonso Black Pottery Bowl, c. 1935, signed “Marie + Julian”, stylized bird design, dia. 10 7/8 in. [$600/900]

106. Three Santa Clara Pueblo Black Pottery Vessels, 20th c., incl. small bowl, signed “Peggy Tafoya, Santa Clara”, h. 2 1/2 in., dia. 3 1/4 in.; engraved vase with inlaid turquoise, signed “Red Starr/Sioux/99N‑”, h. 5 3/8 in.; and a carved vase, signed “Vickie Martinez/Santa Clara/Pueblo”, h. 7 in. [$700/1000]

107. Southern Federal Inlaid Mahogany Sideboard, early 19th c., probably South Carolina, shaped top, conforming case, three frieze drawers, over four cabinet doors, h. 43 in., w. 73 in., d. 26 in. [$4000/6000] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

109. American Southern Painted Pine Blanket Chest, c. 1824, North Carolina, hinged molded top, candle box, molded base, bracket feet, h. 32 in., w. 50 in., d. 21 in. [$1000/1500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

110. Louisiana or West Indies Mahogany Armoire in the Federal Taste, early 19th c., flared cornice, paneled doors and sides, shelf interior, turned legs, h. 79 3/4 in., w. 56 in., d. 24 1/2 in. [$1000/1500]

111. Rare Louisiana Carved Mahogany Four Poster Bedstead, early 19th c., later tester of figured veneers, ring turned baluster posts, backscrolled headboard with boss terminals, chamfered blocked post base, toupie feet, h. 103 1/2 in., l. 74 in., w. 53 1/2 in. [$4000/6000] Note: This elegant example of the Louisiana Creole high-post bed made with robust posts in the French Caribbean tradition, interestingly relates to three documented examples. Ref.: Holden, Jack, et al. Furnishing Louisiana, Creole and

Acadian Furniture 1735-1835. New Orleans: The Historical

New Orleans Collection, 2010, pp. 384-386, figs. 10, 11, 13.

108. American Federal Inlaid Cherrywood Chest of Drawers, early 19th c., possibly Tennessee, deep drawer over three graduated drawers, vining foliate and floral stiles, ring‑turned tapered legs, h. 45 in., w. 42 in., d. 22 in. [$2000/3000]

112. American Federal Inlaid Pine Huntboard, early‑to‑mid 19th c., possibly Northeast, tiger maple and “barber pole” inlay, pegged construction, bottle drawer flanked by cabinets, tapered legs, h. 39 in., w. 50 1/2 in., d. 18 3/4 in. [$800/1200]

113. American Federal Inlaid Mahogany Sideboard, possibly Southern, arched backsplash, flanked by roll top cutlery boxes, case with frieze drawers over configuration of cupboards and cellarette drawers, tapered legs, Sandwich glass pulls, h. 54 3/4 in., w. 89 3/4 in., d. 31 in. [$4000/6000]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Whisnant Galleries Collection, New Orleans, LA.

116. American Federal Mahogany Tilt-Top Table, late 18th/early 19th c., dished top, birdcage support, ring‑turned baluster standard, outswept legs, pad feet, h. 29 in., dia. 33 1/2 in. [$500/700]

114. Rare Louisiana Creole Cherrywood Armoire, early 19th c., probably River Parishes area, two doors with old fiche hinges, interior with original belt of three drawers with period oval brasses, restrained cabriole legs, h. 83 in., w. 47 1/2 in., d. 19 in. [$8000/12000]

115. Southern Federal Inlaid Cherrywood Commode, early 19th c., probably Tennessee, two short drawers over long drawer and cabinet door, inset panel sides, tapered legs, h. 36 in., w. 22 in., d. 18 in. [$1000/1500]

Provenance: Ex‑Collection of Antiquarian Thomas Wilmot “Twik” Klein (1946‑2014), St. Francisville, LA.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

117. Louisiana Mahogany Armoire, early 19th c., molded cornice, chamfered corners, two doors, interior with shelves and hanging space, two lower exposed drawers, spurred apron, cabriole legs, note: lacking proper left side cornice, h. 78 in., w. 56 in., d. 19 in. [$2500/3500] Provenance: Neal Auction Company.

118. Louisiana School, mid‑19th c., “Portrait of James Gallier, Jr. (1827‑1868)”, charcoal and chalk on paper mounted to board, unsigned, 24 in. x 19 1/2 in. (oval), original frame. [$1500/2500] Provenance: Descended in the family of the sitter; Estate of Dr. Kenneth McLeod.

119. Louisiana School, 1830, “Portrait Miniature of James Gallier, Jr., age 2 yrs., 9 mos.”, unsigned, partial sketch en verso, inscribed with sitter information on backing paper, 2 3/4 in. x 2 1/4 in., framed. [$1000/1500] Provenance: Descended in the family of the sitter; Estate of Dr. Kenneth McLeod.

120. After William Edward West (American/Kentucky, 1788‑1857), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, 1817, engraving, engraved by Joseph Yeager (American/Pennsylvania, 1792‑1859), published by McCarty and Davis, Philadelphia, 13 in. x 19 in., framed. [$700/1000]

121. Thomas Bangs Thorpe (American/Louisiana, 1815‑1878), “Portrait of a Gentleman from Jackson, Louisiana”, 1839, oil on canvas, signed, dated and inscribed “Jackson, LA” en verso, 30 in. x 25 in., framed. [$7000/10000] Note: Thomas Bangs Thorpe (also spelled “Thorp”) moved to Louisiana in 1837. Originally from Massachusetts, he attended Wesleyan University and exhibited promising artistic and literary talents, however health concerns would prevent him from graduating. He was advised to seek a warmer climate, thus spurring his move to the South where he eventually landed in Baton Rouge. Thorpe worked to establish himself as portrait and still life painter in New Orleans before heading upriver in 1839 to the towns of Jackson and St. Francisville in Louisiana. He befriended local planters, including Bennett H. Barrow (1811-1854) of Highland Plantation, and observed with a keen, analytical eye the daily life of those around him. While a northerner was generally looked upon with bemused skepticism, Thorpe’s easygoing and charming manners earned him invitation into local society, resulting in portrait commissions. In 1839, the same year as the date of the portrait offered here, Thorpe’s sketch story of a beloved local character “Tom Owen, The Bee Hunter” was published in the New York Spirit of the Times. The story was so well received that it was republished in many different markets both national and international and included in several mid-century anthologies of American literature such as Rufus Wilmot Griswold’s Prose Writers of America and George and Ever Duyckinck’s Cyclopaedia of American Literature. The publication of “Tom Owen” launched Thorpe’s career as a writer and subsequent works such as “The Big Bear of Arkansas” placed him in the same league as other southern humorists such as Mark Twain. According to his biographer, Milton Rickels, “[The Big Bear of Arkansas] became so well known that Bernard DeVoto has called the body of literature which followed it the Big Bear School of Southern humorists.” His tone, always warm, jovial and bitingly precise, accurately conveyed his admiration for his newfound home from the eyes of a frank, yet respectful, outsider. Thorpe’s body of oil paintings proves incredibly difficult to study. While he relied mostly on his painting income while living in St. Francisville, there are not many known examples of his portraiture remaining. Additionally, he shifted his creative focus from painting to writing and editing for the Concordia Intelligencer in Vidalia, Louisiana in 1843 and would later pursue politics. Notably, no portrait by Thorpe has come to auction in at least twenty years, and most which have been recorded in local art history and portraiture books have been listed as unsigned and “attributed to” as is the case with The National Society of Colonial Dames’ Louisiana Portraits and Martin and Margaret Wiesendanger’s Louisiana Painters and Painting from the Collection of W. E. Groves. The painting offered in this lot is rare in that it is signed, dated “1839” and located “Jackson, La” en verso. The focus is a distinguished gentleman, dressed in fashionable period garb, with a thick black cravat and suit and crisp white shirt reminiscent of the contemporaneous famed portrait of Valcour Aime by Jacques Amans. He casts a gaze on the viewer that is stern and discerning. Rickels recounts in his biography that Thorpe did paint the family members of his aforementioned friend, Bennet Barrow, but there are not many other mentions of other potential subjects. While there were a finite number of planters and eligible sitters in East and West Feliciana Parish at the time, the mysterious gentleman in this portrait remains unidentified. Ref.: Milton, Rickels. Thomas Bangs Thrope, Humorist of the Old Southwest. Baton Rouge: Louisiana State University Press, 1962; “Thomas B. Thorpe”. Britannica. www.britannica.com. Accessed May 25, 2021

122. Charles Henry Chapin (American, 1830‑1889, active New Orleans, 1882‑1885), “Bayou Landscape”, pastel and watercolor on paper mounted to canvas, signed lower right, 25 in. x 30 in., framed. [$2000/4000] Note: Charles Henry Chapin arrived in New Orleans from New York in the winter of 1882, and he advertised as a painter of portraits and landscapes as well as a teacher. A well-traveled artist, Chapin had earned critical acclaim for his earlier landscapes of the Adirondack Mountains and Grand Canyon, along with his noted portrait of Polish actress Helena Modjeska in her role as Mary Queen of Scots. While in New Orleans, Chapin established a studio on Dryades Street and exhibited at W.E. Seebold’s art gallery. He resided in New Orleans from 1882 to 1885 and took trips during this time period along the central and southern Gulf coast of Florida. As a landscape painter, Chapin was noted for his skill in oil as well as watercolor. In the painting offered here, he beautifully and adeptly captures the light reflected on the water as well as the luminosity of the distant horizon.

123. Marshall Joseph Smith, Jr. (American/Louisiana, 1854‑1923), “Bucolic Louisiana Farmstead with Moss‑Draped Live Oaks”, oil on canvas, signed lower left, 20 in. x 32 in., framed. [$50000/80000] Provenance: Estates of Louis and Georgia Woodson, Lafayette, LA Note: Marshall Joseph Smith, Jr. was among the most talented and preeminent painters of Louisiana bayou and swamp scenes of the late 19th century. While maintaining a studio in New Orleans, Smith traveled extensively throughout the rural isolated countryside of southern Louisiana, at the time accessible only by boat or horse. Smith’s paintings reveal his intimate knowledge of the particulars of life in the rural Acadian communities. By contemporary accounts, Smith was a favorite student of the dean of Louisiana landscape painting, Richard Clague. Upon finishing his studies in art at Virginia’s Washington College, Smith returned to New Orleans in 1869 and furthered his studies with Clague in his studio, and later during a Grand Tour of Europe. Smith’s sensitive and masterful brushwork, subtle and effective use of color, and his ability to interpret and respond to the landscape in his own personal style made him a highly respected, exhibited and collected artist of his day. Of the three masters of Louisiana landscape paintings, Richard Clague, William Henry Buck and Marshall J. Smith, Jr., Smith was the least prolific. To appease his parents, Smith worked as a clerk and as an agent in his father’s insurance company. Additionally, as a founding member of the Krewe of Proteus, he designed their annual Mardi Gras floats and tableaux. Smith’s personal time to devote to traveling and painting his alluring and evocative Louisiana landscapes was limited, making his paintings particularly rare on the market today.

In the large canvas offered here, Smith’s complex composition centers around an imposing moss-laden live oak tree which anchors a farmstead with barn and distant structures. The tree provides shade for the cows resting beneath it, while a companion cow is being tended by a girl in the foreground in a charming vignette with figure, trough and animal. The low horizon line provides space for an expansive sky with floating wispy clouds above the open fields. The combination of the rarity of Smith paintings, clear artistic expertise in brushwork, nostalgic historical quality of rural southern Louisiana life, as well as the magnitude in scale of “Bucolic Louisiana Farmstead with Moss-Draped Live Oaks” contribute to the importance and significance of this exceptional offering. Ref.: Poesch, Jessie. “Growth and Development of the Old South, 1830-1900.” Painting in the South: 1564-1980. Richmond: Virginia Museum, 1983; Bacot, H. Parrott. Louisiana Art from the Roger Houston Ogden Collection. Baton Rouge: Louisiana State University, 1992; Pennington, Estill Curtis. Look Away: Reality and Sentiment in Southern Art. Atlanta: Peachtree Publishers, 2000

124. Louisiana School, 19th c., “Bayou”, oil on canvas, signed “E. S. Cooper” lower right, 18 in. x 30 in., framed. [$8000/12000] Provenance: Estates of Louis and Georgia Woodson, Lafayette, LA. Ill.: Wiesendanger, Martin and Margaret. 19th Century Louisiana Paintings from the Collection of W.E. Groves. Gretna, LA: Pelican Publishing Company, 1971, p. 36.

125. Louisiana School, 19th c., “Ducks on the Bayou”, oil on canvas, unsigned, pencil‑inscribed on stretcher, 16 in. x 26 in., framed. [$6000/8000] Provenance: Estates of Louis and Georgia Woodson, Lafayette, LA. Ill.: Wiesendanger, Martin and Margaret. 19th Century Louisiana Paintings from the Collection of W.E. Groves. Gretna, LA: Pelican Publishing Company, 1971, p. 113.

126. After Martin Johnson Heade (American, 1819‑1904), “The Great Florida Marsh”, oil on board, unsigned, “Frost & Adams Company Boston, Mass.” academy board label en verso, 8 in. x 16 3/4 in., framed. [$1500/2500]

127 George David Coulon (French/New Orleans, 1822‑1904), “Louisiana Scenery, Bayou Castaing, Mandeville, Parish of St. Tammany, LA”, 1889, oil on academy board, signed, dated and inscribed “N.O.” lower right, titled and inscribed en verso, partial “William Pate & Co., New York” label on reverse of frame, 9 1/4 in. x 12 1/4 in., framed. [$8000/12000] Provenance: Private Collection, New York.

128. William Woodward (American/Louisiana, 1859‑1939), “Fishing Camps”, oil on canvas, unsigned, 9 7/8 in. x 13 1/2 in., unframed. [$2000/3000]

129. William Woodward (American/Louisiana, 1859‑1939), “Gulf Coast Beach Scene”, 1896, oil on canvas, initialed and dated lower center, 9 1/2 in. x 12 1/2 in., unframed. [$1500/2500]

130. William Woodward (American/Louisiana, 1859‑1939), “California State Building, World’s Columbian Exposition, Chicago, IL”, 1893, oil on canvas, initialed lower left, 9 3/4 in. x 13 1/2 in., unframed. [$4000/6000] Note: In 1892, William Woodward and a group of fellow Louisiana residents formed the World’s Columbian Association of Louisiana for the express purpose of representing the state at the World’s Columbian Exposition or World’s Fair in Chicago the following year. The group planned a building in the form of a Louisiana Colonial plantation house and filled it with products and artwork from around the state. Of particular note, Woodward included a large oil painting of himself and George Ohr throwing pots in New Orleans. In the work offered here, Woodward depicts the California State Building, the second largest state building after Illinois’, presumably on the opening day of the fair. The building’s Mission Revival Style with its red tile roof and domed bell towers reflects the Franciscan Missions of its home state. With the building festooned in American flag bunting, crowds of people gather in the lawn, and Woodward expertly captures the excitement and frenzy of the masses with his fast, rhythmic brushstrokes.

131. William Woodward (American/Louisiana, 1859‑1939), “Adirondack Mountains”, 1923, oil on canvas board, initialed and dated lower left, signed and titled en verso, 7 in. x 10 in., framed. [$1500/2500]

132. American Classical Coin Silver Hot Water Urn, Baldwin Gardiner, New York, act. 1827‑1847, marked “B. GARDINER” in serrated arc over “NEW. YORK” in complementary serrated arc, domed cover with pod finial, acanthus handles, spigot with floral and scroll decoration, acanthus bracketed scroll feet, h. 13 1/4 in., wt. 98.45 troy ozs. [$2500/3500] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794 1857) and Elizabeth Ware Cowles Harrison (1809 1895), Montgomery, AL. An early settler of Montgomery, Major Cowles was part of the entourage that accompanied General Lafayette on his visit in 1825. Cowles was a successful land speculator, planter and railroad developer. When President Millard Fillmore visited Montgomery in 1854, Cowles hosted a barbecue in his honor at the Cowles plantation outside Montgomery. His townhouse, referred to as “The Cowles Mansion” on the banks of the Alabama River, was one of the showplaces of its time.

133. American Classical Coin Silver Covered Sugar and Creamer, Baldwin Gardiner, New York, act. 1827‑1847, marked “B. GARDINER” in serrated arc over “NEW. YORK” in complementary serrated arc, inverted pyriform footed forms with molded bands and scroll handles, sugar with bud finial, h. 9 5/8 in. and 8 1/4 in., total wt. 45.35 troy ozs. [$1200/1800] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

134. Six American Coin Silver Julep Cups, William Adams, New York, act. 1829‑1861, marked “W.ADAMS” in serrated rectangle over “NEW.YORK” in serrated rectangle, note: one unmarked, each paneled octagonal form with applied molded rims, h. 3 1/2 in., total wt. 27.80 troy ozs. [$2000/3000] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

135. Ten American Coin Silver Julep Cups, nine by William Adams, New York, act. 1829‑1861, marked “W.ADAMS” in serrated rectangle and “NEW.YORK” in serrated rectangle, one by Albert Coles, New York, act. 1835‑1877, marked with Coles trademark (rubbed), each paneled octagonal form with applied molded rims, h. 3 5/8 in., total wt. 44.05 troy ozs. [$3000/5000]

137. Good Group of Alabama Coin Silver Flatware, Lewis Owen, Montgomery, act. 1831‑1856, marked variously “L.OWEN” in rectangle and L.OWEN&CO.” in rectangle, incl. 6 soup spoons (l. 8 1/4 in.), 6 dessert spoons (l. 7 1/8 in.) and 5 teaspoons in fiddlethread pattern, engraved on reverse “E.C.Cowles”; 10 upturned fiddletypt luncheon forks, engraved “Cowles” on reverse; 12 upturned fiddle typt teaspoons, monogrammed “CAW’; and downturned fiddle tablespoon; together with 6 forks, J.R. Poor, Selma, l. 7 1/2 in.; and other coin silver flatware incl. gravy ladle and 6 dessert spoons, W.I. Tenney, New York, NY, act. 1828‑1848; 2 Duhme, Cincinnati dessert spoons, 7 fiddle teaspoons marked “PURE COIN” and 1 Wood & Hughes teaspoon; total wt. 76.10 troy ozs. [$1500/2000]

136. Alabama Coin Silver Water Pitcher, Lewis Owen & Co., Montgomery, act. 1850‑1856, marked “L.OWEN & Co” in rectangle, paneled pyriform body with scroll handle, floral and scroll repousse, cartouche engraved “Elizabeth C. Cowles”, reticulated shell and scroll feet, h. 9 3/8 in., wt. 19.25 troy ozs. [$1000/1500] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

138. Group of Fiddlethread Coin Silver Flatware, John Campbell, act. Nashville 1836‑1855 and Montgomery, AL 1855‑1860, marked “JOHN CAMPBELL” in rectangle, marks rubbed, incl. 6 forks (l. 7 5/8 in.) and 5 spoons (l. 8 in.), all engraved on reverse script monogram “CAW”; total wt. (weighable) 20.30 troy ozs.; together with 9 fiddlethread dessert/ tea knives, Hall, Hewson & Co., Albany, NY, act. 1839‑1842, engraved “Cowles”, l. 7 5/8 in.; and unmarked fiddlethread condiment fork, engraved “EC Cowles”. [$700/900] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

140. American Coin Silver Cake Basket, William Gale & Son, New York, 1856, oval with ropetwist swing handle, everted rim with floral repousse and vacant cartouches, pedestal base with rocaille decoration and trefoil feet, h. (to top of handle) 9 in., w. 11 3/8 in., wt. 24.80 troy ozs. [$400/600]

139. Frederick Marquand Coin Silver Ladle, act. Savannah, GA 1820‑1826, New York, NY 1826‑1839, marked “F.MARQUAND” in rectangle and with pseudo marks, fiddle handle with downturned reverse typt, l. 13 3/8 in., wt. 5.35 troy ozs. [$200/300] Provenance: Descended in the Family of Major Thomas Meriweather Cowles (1794‑1857) and Elizabeth Ware Cowles Harrison (1809‑1895), Montgomery, AL.

141. Tennessee Coin Silver Soup Ladle, Thomas Gowdey (1795‑1863), act. Nashville 1825‑1863, marked “T. GOWDEY” incuse, handle engraved “Lewis”, l. 13 3/4 in.; together with a Kentucky coin silver tablespoon, Asa Blanchard, act. Lexington, 1806‑1838, marked “AB” in rectangle, double struck, script monogram “M”, l. 9 in., total wt. 7.55 troy ozs. [$300/500] Ref.: Caldwell, Benjamin, H. Tennessee Silversmiths, pp. 94‑95; Boultinghouse, Marquis. Silversmiths of Kentucky, 1785‑1900, pp. 69‑74, mark ill. p. 299, fig. 29A

142. Good Group of Southern Coin Silver Flatware, 19th c., incl. sugar tongs and 2 downturned fiddle typt tablespoons, Emile Profilet (1801-1868), act. New Orleans 1822, Natchez, MS 1823-1868, l. 6 1/4 in., 8 3/4 in. and 8 1/8 in.; fiddlethread teaspoon, George Macpherson, act. Natchez, MS 1843-1871; 2 upturned fiddle typt tablespoons, Henry Peat Buckley (1822-1903), act. New Orleans 1842-1903; fiddlethread mustard ladle, Hyde & Goodrich, act. New Orleans 1828-1861, l. 5 3/8 in.; fiddlethread fork, Louis Muh (18011822), act. New Orleans 1822-1870, rubbed pseudo hallmarks, l. 7 7/8 in.; master butter knife, E. Lilienthal, New Orleans, act. 1858-1888, in Wood & Hughes “Threaded Antique pattern; 3 forks, 2 demitasse spoons and fork, A.B. Griswold, act. New Orleans 1865-1906, in, respectively: John Polhamus “Oriental”, Wood & Hughes “Tipped” and Wood & Hughes “Threaded Antique” patterns; together with 5 assorted spoons of Northern manufacture; total wt. 29.15 troy ozs. (20 pcs.) [$700/1,000]

143. New Orleans Coin Silver Flatware Service in “Olive” Pattern, E.A. Tyler (1815‑1879), act. New Orleans 1838‑1879, incl. 6 forks (l. 7 3/4 in.), 8 forks (l. 7 1/4 in.), 6 tablespoons, 11 teaspoons, gravy ladle, sugar shell and master butter knife, total wt. 47.05 troy ozs. [$800/1200]

144. New Orleans Coin Silver Repousse Coffee and Tea Service, ret. Gregor & Wilson, New Orleans, act. 1856‑1858, incl. coffee pot (h. 12 1/2 in.), 2 teapots (h. 11 1/2 in.), covered sugar, creamer and waste bowl, all marked for maker Theo. Evans, New York, 1857, act. 1855‑1865, and for Gregor & Wilson, and footed tea tray (24 5/8 in. x 18 3/4 in.) marked “GREGOR & WILSON” and “NEW ORLEANS”, grape, grapevine and grapeleaf decoration throughout, tray with period script monogram “FGH”for Florence Gumbel Hechinger; total wt. 247.80 troy ozs. [$5000/7000] Ref.: Crescent City Silver, p. 104

145. American Sterling Silver Repousse Tazza in Vintage Motif, h. 4 1/4 in., dia. 9 7/8 in., wt. 20.80 troy ozs. [$300/500]

146. American Sterling Silver Repousse Sauceboat and Undertray in Vintage Motif, Peter L. Krider Co., Philadelphia, c. 1900, retains gilt wash to interior, h. 4 1/4 in., w. 8 in., wt. 15.20 troy ozs. [$300/500]

147. William Dunlap (American/Mississippi, b. 1944), “One Place Dreaming of Another”, 2000, mixed media on panel, signed lower right, titled lower center, signed and inscribed en verso, 24 in. x 80 in., unframed. [$10000/15000]

148. William Dunlap (American/ Mississippi, b. 1944), “Watauga River Falls”, mixed media on paper, pencil‑signed lower right, “Art Aspects, Charlotte” label on backing paper, 36 in. x 23 3/4 in., framed. [$3000/5000]

149. Steve Kline (American/New Orleans, 20th c.), “Untitled”, stainless steel, unsigned, h. 102 in., w. 21 in., d. 25 in. [$800/1200] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

150. Steve Martin (American/Louisiana, 20th c.), “Dancing Woman”, twisted and formed wire, unsigned, h. 52 1/2 in. [$400/600]

151. Karl Wolfe (American/Mississippi, 1904‑1984), “Rocks and Water: Cargills Creek”, c. 1938, watercolor on paper, signed lower left, pencil‑signed, titled and inscribed en verso, typed exhibition label with artist, title, date and “Collection of Mildred Nungester Wolfe, Jackson, Mississippi” and “Mississippi Museum of Art” label on backing paper, 11 1/2 in. x 20 in., framed. [$700/1000]

152. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Irises”, watercolor and graphite on paper, signed lower right, 14 7/8 in. x 12 in., framed. [$2000/3000]

153. Emmett Johnson Hull (American/Mississippi, 1882‑1957), “Rhythm In the Cotton Field”, gelatin silver print mounted to board, pencil‑signed and titled on label attached to mat, 11 in. x 14 in., framed. [$500/800]

154. Gerald Deloach (American/ Mississippi, b. 1948), “Building on Piers/ Late Morning”, oil on masonite, signed lower left, titled en verso, 26 in. x 29 3/4 in., framed. [$1200/1800]

155. Fredrick Guess (American/Louisiana, b. 1953), “Second Line”, oil on canvas, signed lower right, 24 in. x 30 in., framed. [$600/800]

156. Stanley Sporny (American, 1946‑2008), “Red Stick Sendup”, 1991, oil on linen, signed and dated lower right, titled and dated on stretcher, 43 in. x 70 1/4 in., framed. [$3000/5000]

157. Stanley Sporny (American, 1946‑2008), “Jesse (Helms) Covers the Queers”, 1991‑94, oil on linen, signed and dated lower left, signed, titled, dated and artist label with title and date on stretcher, 43 1/4 in. x 70 1/4 in., framed. [$3000/5000]

158. Myron Lechay (American/New Orleans, 1898‑1972), “St. Louis Cathedral and Jackson Square”, 1927, oil on canvas, signed and dated lower right, 25 in. x 30 in., framed. [$1500/2500] Provenance: Estate of the artist; Spanierman Gallery, New York.

159. Jimmie Lee Sudduth (American/Alabama, 1910‑2007), “Dogwood Blossoms in Bowl”, mud and mixed media on panel, signed lower center, 23 7/8 in. x 24 in., unframed. [$800/1200]

160. George Rodrigue (American/Louisiana, 1944‑2013), “Three Figures in the Bayou”, direct image transfer giclee on panel, signed lower right, signed in plate lower left, signed and inscribed en verso, 30 in. x 40 in., framed. [$5000/8000]

161. Attributed to Byron Browne (American, 1907‑1961), “Untitled”, 1954, oil on burlap on board, signed lower left, signed, dated, inscribed “N.Y.C.” and “ACA Galleries, NY” label en verso, 38 in. x 36 in., period frame. [$1000/2000]

162. Martin Laborde (American/New Orleans, b. 1943), “Yellow Man and Poxie”, 1970, acrylic and mixed media on canvas, signed lower right, signed, titled, dated and inscribed en verso, 36 7/8 in. x 49 3/4 in., framed. [$400/600]

163. Martin Laborde (American/New Orleans, b. 1943), “Running Leather”, 1974, acrylic and mixed media on canvas, signed lower right, signed, titled and dated en verso, 36 in. x 48 in., framed. [$400/600]

164. Martin LaBorde (American/New Orleans, b. 1943), “Bearded Lady”, 1973‑74, acrylic and mixed media on canvas, signed, titled and dated en verso, 36 in. x 42 in., framed. [$400/600]

165. James Whitbeck (American/Massachusetts, b. 1973), “Figs and Grapes Still Life” and “Banquet Still Life with Oysters”, 2 oils on canvas, signed lower right and monogrammed lower right respectively, one inscribed with artist and title on reverse of frame, one accompanied by invoice from “Whitbeck Studio” inscribed with title, each 30 in. x 40 in., both framed. (2 pcs.) [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

166. James Whitbeck (American/Massachusetts, b. 1973), “Still Life with Flowers and Butterfly”, “Strawberries and Wine” and “Lemons and Red Ginger Jar”, 3 oils on panel, 2 signed mid‑right, one monogrammed lower right, 2 with exhibit labels with title on reverse of frame, all with artist information attached en verso, 18 in. x 14 in. to 18 in. x 24 in., each framed. (3 pcs.) [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

167. New Orleans Photography Fellowship, Inc. (active 1980s), “New Orleans Portfolio I”, 1983, 12 gelatin silver prints, 3 c‑prints and title page, artists include Owen Murphy, Joshua Mann Pailet, Josephine Sacabo, Sandra Russell Clark, Luis Castrillo, Christopher R. Harris, Barry Kaiser, Ray Kutos, Tom McNease, John Monroe, Jack Pickett, David Richmond, Louis Sahuc, Mark J. Sindler and Ron Todd, title page pencil‑numbered “Artists Proof one of fifteen”, published by A Gallery for Fine Photography, New Orleans, 11 in. x 14 in. to 14 in. x 11 in., all matted, in later folio box. [$1800/2500] Note: In 1983, A Gallery of Fine Photography released this important, limited edition portfolio of photos taken by members of the New Orleans Photography Fellowship. This work showcases the immense talents of the city’s best photographers. The fifteen images range widely in subject and location, but together are harmonious in tone and ambiance. With a focus on the eccentric, lonely, forgotten and unique, this meaningful collection serves as a vestige of a different era while simultaneously remaining timeless. Unfortunately, “New Orleans Portfolio I” was never followed by a second collaboration; “Portfolio I” is the first and only lasting remembrance of the gifted group.

168. Charles J. Cook (American/Chicago, early 20th c.), “Flori Mai”, “Pattern in Light”, “Mezzotone”, “Cattails” and “Springtime”, 5 gelatin silver prints, 3 pencil‑signed lower left, 2 pencil‑signed lower right, each pencil‑signed on mat, 6 7/8 in. x 8 5/8 in. to 9 in. x 6 7/8 in., each matted; accompanied by a copy of a 1939 exhibition catalogue. (5 pcs.) [$500/700] Exh.: “Light and Life: A Photographic Exhibition of Nudes in Sunshine and Shadow by Charles J. Cook”, Chicago Galleries, Chicago, IL, 1939

169. Dawn Adair DeDeaux (American/New Orleans, b. 1952), A Book of Judgments, 1991, collective book featuring the works of Orleans Parish prison inmates produced in workshops conducted by New Orleans artists, signed and numbered “5/25”, h. 12 in., w. 19 1/4 in., d. 3 in., steel and mixed media binding. [$500/700] Note: To the Reader - This book explores the feelings and innermost thoughts of men, women and boys who are locked up – some fighting for their lives, others convicted, never to go home again. Some of the selections are poems. Some are stories or paintings about past experiences or about something that has changed us, while we were here. This book is serious and not play. A lot of hurt and pain is within these pages.Please understand. And think about what you read. -Wendell J. Profit (class participant) Dawn DeDeaux’s A Book of Judgment is a collaborative effort between local Louisiana artists and Orleans Parish prison inmates resulting in this incredible mixed media expression of the hopes, dreams, sadness, and anger of the local incarcerated population. Workshops were led by artists Dawn DeDeaux, Julie Ebel, Tina Girouard, Leonard Earl Johnson, Dale Milford, Owen Murphy, Georgia Ross, Josephine Sacabo, Charlie Smith, Dalt Wonk and Howard Jones, each teaching their trade to a group of eager-to-learn inmates. The collection is appropriately bound in a metal cage, mimicking prison bars and reminding the reader of the many ruined lives brimming with untapped potential left to suffer in confinement. It remains a haunting reflection of the state’s prison industrial complex.

170. Henri Cartier‑Bresson (French, 1908‑2004), “Rue Mouffetard, Paris”, negative creation date 1954, print date 1993, silver gelatin print, signed, “Henri Cartier Bresson” blindstamp and copyright lower margin, “A Gallery For Fine Photography, New Orleans” label on backing board, 17 3/8 in. x 11 5/8 in., framed; accompanied by a copy of the original Letter of Provenance. [$10000/15000] Provenance: The Artist; A Gallery For Fine Photography, New Orleans, LA, Sept. 16, 2003; Private Collection, Mandeville, LA; Present Owner. Ill.: Brenson, Michael and Henri Cartier‑Bresson. Henri Cartier‑Bresson. London: Thames and Hudson, 2007, cover illustration.

172. Two Provincial Carved Walnut Os de Mouton Fauteuils à la Reine, h. 45 1/2 in., w. 21 3/4 in., d. 23 1/2 in.; and h. 42 1/2 in., w. 22 in., d. 25 in. [$700/900]

171. Provincial Louis XV‑Style Oak Tea Table, molded top, shaped apron with single drawer, cabriole legs, h. 28 3/4 in., w. 38 in., d. 27 1/2 in. [$500/700]

173. French Provincial Carved Fruitwood Bombé Commode, mid‑to‑late 18th c. and later, molded top, three drawers, pierced apron, scroll toes, h. 35 1/2 in., w. 49 in., d. 25 1/2 in. [$2500/3500]

174. Antique Venetian Painted Bombé Commode in the Rococo Taste, 19th c., shaped molded top, two drawers, shell apron, cabriole legs, commode h. 35 in., w. 54 in., d. 22 in. [$1500/2500] 175. Antique Louis XV‑Style Carved Walnut and Caned Bergère à Oreilles, pierced crest, acanthus-carved arms, foot rest stretcher, acanthus scroll feet, h. 49 in., w. 28 1/2 in., d. 28 1/2 in. [$800/1200]

176. Group of Twelve Directoire‑Style Walnut Dining Chairs, incl. two armchairs and ten side chairs, scroll back, baluster arm supports, shaped seat, ring‑turned tapered legs, spherule feet, arm h. 36 1/2 in., w. 23 in., d. 21 in., side h. 36 1/2 in., w. 19 1/2 in., d. 21 in. [$1500/2500]

177. Louis XVI‑Style Bergère and Ottoman, arched back, padded arms, shaped seat rail, conforming ottoman, tapered fluted legs, toupie feet, yellow silk damask upholstery, chair h. 38 in., w. 33 in., d. 30 in., ottoman h. 18 in., w. 33 in., d. 21 in. [$1000/1500]

178. Antique Directoire‑Style Bronze‑Mounted Cherrywood Demilune Commode, 19th c., variegated marble top, single drawer, two cabinet doors, fluted stiles, turned tapered legs, brass caps, h. 36 in., w. 34 1/4 in., d. 18 1/4 in. [$1000/1500]

179. Louis XV‑Style Carved Walnut Salon Suite, mid‑to‑late 19th c., incl. canapé à oreilles and two armchairs, acanthus scroll and shell carving throughout, sofa h. 42 1/2 in., w. 72 in., d. 32 in., armchair h. 42 1/2 in., w. 27 in., d. 30 in. [$1000/1500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

180. Antique Louis XV‑Style Carved Mahogany Console Table, molded variegated marble top, shell apron, cabriole legs, shell knees, shell stretcher, scroll toes, h. 40 in., w. 52 in., d. 21 in. [$1000/1500]

181. Spanish Walnut Marquetry Chest, mid‑18th/early 19th c., molded single board top, one drawer, central cabinet door, molded base, h. 34 in., w. 39 in., d. 21 in. [$700/1000]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

182. Louis Philippe Gilt Overmantel Mirror, early‑to‑mid 19th c., pierced shell crest, molded surround, beaded liner, old mirror plate, h. 72 in., w. 52 in. [$1200/1800]

183. Limoges Porcelain Plaque of Napoleon, late 19th c., signed “CD”, raised gilt decoration, marked “Limoges/ France”, verso, dia. 5 1/8 in. [$100/150]

184. Group of Napoleonic Portrait Miniatures on Porcelain, late 19th c., incl. two of Napoleon and one of Josephine, elaborate giltwood frames, h. 8 1/2 in., w. 6 1/2 in., d. 2 1/2 in. (3 pcs.) [$250/500]

185. Nine Continental and English Porcelain Soldiers, late 19th /early 20th c., in various uniforms from the 18th and 19th centuries, tallest h. 11 in. [$700/1000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

187. Staffordshire Polychrome Pottery Figures of Peter and Paul, titled under base, h. 14 1/2 in. [$500/700] Provenance: Henry Stern, New Orleans.

186. Staffordshire Bust of Andrew Jackson, 19th c., titled “Genl. Jackson/President, U.S., h. 12 in., w. 6 in., d. 4 1/4 in., together with another bust, probably Lafayette, h. 8 1/4 in. [$250/350]

188. Group of Four Antique Staffordshire Figures, 18th c., incl. Ceres, h. 12 1/2 in.; and Faith, Hope & Charity, h. 7 in. [$300/500] Provenance: Henry Stern, New Orleans; and Thomas Sidney, New Orleans.

190. Three Malachite Dresser Boxes, probably Russian, incl. 1 rectangular, 1 circular, and 1 octagonal, largest h. 5 in., dia. 8 in. [$800/1200]

191. Large Italian Olive Jar, loop handles, decorative banding, h. 44 in., dia. 28 in. [$800/1200]

189. Pair of Napoleon III‑Style Polished Bronze Figural Candlestands, modeled in mirror images as cherubs, h. 9 in., w. 4 1/8 in., d. 4 1/8 in. [$300/500]

Provenance: Whisnant Galleries Collection, New Orleans, LA.

193. Continental Brass Bound Leather Coffer, 19th c., fleur‑de‑lis mounts, larger elements with inset mother‑of‑pearl, hinged lid and fall front, h. 12 1/2i n., w. 19 1/2 in., d. 10 in. [$200/300] 192. Monumental Antique Italian Gilt and Polychrome Architectural Model of a Facade, surmounted by railed balcony, accessed by double staircases, the arcade centered by door, flanked by triple niche facade, h. 43 in., w. 107 in., d. 26 in. [$1200/1800] Provenance: Whisnant Galleries Collection, New Orleans, LA.

194. Moroccan Presentation Grade Parade Saddle, leather, fiber and silver thread, incl. conforming harness, bridle and stirrups, wood stand. [$500/1000] Provenance: Whisnant Galleries Collection, New Orleans, LA.

195. Pair of Napoleon III Gilt and Patinated Bronze and Marble Figural Candlesticks, late 19th c., male and female figures, holding bird and cage, on tall fluted base, h. 10 3/4 in., dia. 3 5/8 in. [$400/600]

196. Pair of Neoclassical Bronze, Opaline Glass and Cut Crystal Six‑Light Girandole Candelabra, late 18th c., bud finials, pierced prism ring, faceted glass base, h. 23 in., dia. 12 in. [$1000/2000] Provenance: Barbara Clare, New York.

197. Five Antique Napoleon Desk Objects; incl. a bronze tomb encrier, bronze inkwell of his hat, epaulets, medal, and sword; a small bronze bust, a bronze figure on marble, and a porcelain figure, together with a modern brass bell and letter opener, tallest 5 1/2 in. (7 pcs.) [$400/600]

198. Sevres Biscuit Porcelain Portrait Medallion of Napoleon, inscribed Bertrand Andrieu (French, 1761‑1822), marked in script Sevres/M. Imp 1810” en verso, brass hanging frame marked “LE CHAUVE”, dia. 5 1/8 in. [$800/1200] Note: Bertrand Andrieu was one of the most celebrated medallists in France during the reign of Napoleon. After the Revolution he created some of the most popular images of Napoleon and found favor under the later Bourbon Restoration.

199. Continental Bronze Plaque of Napoleon, 19th c., after David d’Angers (1788‑1856), signed and dated 1835, h. 8 in. w. 6 5/8 in., d. 1 in. [$250/350]

200. Four Antique Napoleon Medallions, 19th c., incl. a pair of silvered copper cliches, dia. 2 1/2 in., in gutta percha frames marked “H.F.V. a Paris” (4 3/4 in. x 4 3/4 in.); an enamel on copper portrait, signed “GH”, with guilloche frame (2 1/2 in. x 2 1/2 in.; and a bronze or copper cliche in round frame, dia. 4 in. [$300/500]

201. Three Napoleonic Prints, Françoise Georgin (French, 1801‑1863), “La Famillie Impériale”, hand‑colored woodcut, signed in plate, published by Pellerin, Épinal, sight 25 in. x 16 in.; After Andrea Appiani (Italian, 1745‑1817), “Portrait de Napoléon en Grand Costume de Roi d’Italie”, lithograph, printed by Sentex, Paris, sight 9 in. x 6 1/2 in; and After Françoise Dumont (French, 1751‑1831), “Napoléon”, lithograph, sight 18 in. x 14 in., each framed. (3 pcs.) [$200/300]

203. Group of Four Napoleonic Portrait Miniatures, including “Empress Josephine”, signed “Gabriel”, “Napoleon Wearing Laurel Wreath”, signed “Vernet”, “Napoleon in Uniform”, signed “Verné” and 2 unsigned of Napoleon in uniform, 2 in. x 1 1/2 in. to 3 1/4 in. x 2 5/8 in., all in bone frames. (5 pcs.) [$1000/1500]

202. Collection of Thirteen Portraits of Napoleon, 6 portrait miniatures, 5 prints, one wax bust, one woven silk portrait, 3 in. x 2 1/2 in. to 6 1/4 in. x 4 1/4 in., 12 framed. (13 pcs.) [$600/800]

204. Bronze Figural Grouping of “Napoleon on Horseback in Jena”, after Alois Henrick, signature and “Jena/1866” inscribed on self‑base, h. 16 1/2 in., w. 25 in., d. 4 5/8 in., marble base, overall h. 18 1/2 in. Note: Tail is loose. [$700/1000]

205. Carved Marble Bust of Napoleon, h. 31 in., w. 21 in., d. 14 in. [$1000/1200]

206. Pair of Continental Bronze Figural Sconces, octagonal backplate, feathered “crown” candle cup, h. 11 in., w. 5 1/4 in., d. 6 in. [$400/600]

207. Austrian Cold Painted Bronze Figure on Donkey, c. 1900, Franz Xavier Bergman (1861‑1936), marked with amphora and “B”, and “GGESCHUTZT”, h. 5 1/2 in., w. 7 in., d. 2 in. [$500/700]

208. American School, 19th c., “Whaling in the Southern Sea’s Cape of Good Hope”, oil on canvas, illegibly signed and titled lower center, 20 1/4 in. x 24 1/4 in., framed. [$1500/2500]

209. American School, 1839, “The President and Endymion, June 15th, 1815” and “The Chesapeake and Shannon, June 1st, 1813”, 2 oils on canvas, both initialed “I.F.” and dated lower right, each titled on stretcher, titled and information about battles attached en verso, each 15 in. x 21 in., framed alike. (2 pcs.) [$1500/2500]

Note: Renowned naval commander Stephen Decatur (1779‑1820) was commodore of the U.S.S. President when it engaged in battle in January of 1815 with the British West Indies Squadron at the blockaded Port of New York. Decatur was later honored with an eponymous street in the French Quarter of New Orleans in 1870. 210. John Prentiss Benson (American, 1865‑1947), “In Penobscot Bay”, 1925, oil on canvas, signed lower left, signed, titled and dated en verso, titled and inscribed on stretcher, partial label with artist and title on reverse of frame, 30 in. x 36 in., Newcomb‑Macklin frame. [$1800/2500] Note: Massachusetts-born artist John Prentiss Benson spent most of his career as a successful architect before deciding to pursue painting full-time in 1922. His lifelong fascination with ships of all kinds, spurred by his childhood spent in Salem in close proximity to the seaport, served as his main creative inspiration and resulted in an impressive body of maritime works – many of which remain unlocated today. Benson had almost immediate success with a group of paintings he sent to the Kennedy Gallery in New York. Of the nine works, six sold within a three-month time frame, and in the fall of 1923, Benson was invited by the gallery to be the subject of a solo exhibition. He would continue to experience success with his artistic endeavors, developing a strong following in the Northeast, particularly New York, Boston and Maine. At the age of sixty, Benson and his wife moved to Willowbank, one of the oldest houses in Kittery, Maine. Benson established a studio on the property and would paint from photographic memory. He kept a logbook of his works, detailing each one with a small photograph and handwritten notes. In Benson’s notebook, “In Penobscot Bay” is accompanied by notes indicating it was “sold on Feb 3 1926.” While the black and white photograph illustrating the piece appears to be lacking some of the necessary finishing details (such as the flags on the mast), it is very likely the artist would have added these elements after the photo was taken. “In Penobscot Bay” is a stirring composition featuring a pristine white vessel with inflated sales. The viewer can almost feel the wind and smell the sea spray as Benson so expertly conveyed the rushing feeling of coasting on the sea under a canopy of billowy white clouds. Ref.: Baker, Nicholas J. The Artistic Legacy of John Prentiss Benson Volume II. USA: Sheridan Books, Inc., 2004,

pg. 115; Baker, Nicholas J. and Margaret M. Betts. John Prentiss Benson: American Marine Artist. Massachusetts: Baker Marine Publications, 2008

211. Lajos Kubányi (Hungarian, 1855‑1912), “The Carriage Ride”, 1910, oil on canvas, signed and dated lower left, 27 1/2 in. x 43 3/8 in., framed. [$800/1200] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

212. George Elmer Browne (American, 1871‑1946), “Montigny‑Sur‑Loing”, 1910, oil on panel, signed, dated and inscribed “To my friend Miss. Schiawack” lower left, pencil‑signed, titled and inscribed en verso, 9 3/8 in. x 13 3/4 in., framed. [$600/800]

213. Continental School, late 19th c., “Hazy Landscape with Pond”, oil on canvas, indistinctly signed lower right, 19 3/4 in. x 23 3/4 in., framed. [$400/600]

214. Albert Gosselin (French, 1862‑1931), “Paysage brumeux à l’aube”, oil on canvas, signed lower right, Paris canvas stamp en verso, 23 3/8 in. x 32 in., framed. [$800/1200]

215. Alois Arnegger (Austrian, 1879‑1963), “Amalfi”, oil on canvas, signed lower left, pencil‑titled and inscribed on stretcher, 22 15/16 in. x 31 1/4 in., framed. [$1200/1800]

216. Continental School, 19th c., “Pastoral Landscape with Town along a River”, oil on canvas, unsigned, 25 3/4 in. x 39 3/8 in., framed. [$1500/2500]

217. Lindsay Lockerby Field (American, 1915‑1998), “Gathering Sticks” and “City by the Sea”, 2 oil‑enhanced prints on panel, each signed lower left, both 56 in. x 36 in., framed alike. (2 pcs.) [$2000/4000]

218. Dutch School, 19th c., “Lady with Feast”, oil on canvas, unsigned, 53 1/8 in. x 61 1/4 in., framed. [$3000/5000]

219. R. Gourdan (French, 19th c.), “Grapes, Peaches and Pears with Cooper Pot”, oil on canvas, signed lower right, 21 1/4 in. x 31 7/8 in., framed. [$1000/1500]

220. Continental School, 19th c., “Red and Blue Macaw with Fruit and Floral Still Life”, oil on canvas, unsigned, 31 1/2 in. x 45 1/4 in., framed. [$1000/1500]

221. French School, 19th c., “Charles de Chabert (1703‑1788)” and “Dame Marie Degras de Preigne (1728‑1813)”, 2 oils on canvas, both unsigned, each inscribed with sitter information upper right, both 32 in. x 25 5/8 in., framed alike. (2 pcs.) [$1500/2500]

222. Italian School, 18th c., “The Holy Family with a Young St. John the Baptist”, oil on canvas, unsigned, 34 in. x 33 in., framed. [$1000/1500]

223. Francesco del Brina (Italian, 1540‑1585), “Madonna and Child with a Young St. John The Baptist”, tempera on panel, signed “Brina”, inscribed with numbers including “42 / D. 172 B” and remnant of old red wax collector seal en verso, 34 in. x 26 1/2 in., unframed. [$2000/3000] Provenance: Estate of James Gallier, Sr., thence by descent in the family.

224. After Bartolomé Esteban Murillo (Spanish, 1617‑1682), “Madonna and Child”, oil on canvas, unsigned, 30 in. x 22 in., framed. [$1000/1500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

225. After Bartolomé Esteban Murillo (Spanish, 1617‑1682), “Santa Rufina”, oil on canvas, unsigned, “Pflaster’s, Dallas” label on stretcher, 36 in. x 28 in., framed. [$1200/1800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

226. Continental School, 1917, “Monks in Prayer”, oil on canvas, illegibly signed and dated lower right, 23 5/8 in. x 28 3/4 in., framed. [$800/1200]

227. Pair of Italian Faux Marbre and Parcel Gilt Carved Wood Columns, 19th c., Corinthian capital, reverse tapered form, relief carved fluted lower section, socle base, h. 64 in., w. 10 in., d. 10 in. [$800/1200] 228. Charles X Inlaid Mahogany Fauteuil, early 19th c., scroll back, downswept arms, scroll toes, silk upholstery, h. 36 in., w. 23 1/2 in., d. 22 in. [$400/600]

229. Continental Gilt Bronze, Wrought Iron and Marble Console Table, top with canted corners, scrolled base, casters, h. 32 in., w. 56 in., d. 25 in. [$1000/1500]

231. Empire‑Style Bronze‑Mounted Mahogany Commode, variegated black marble top, outset frieze drawer over three drawers, caryatid stiles, tapered legs, paw feet, h. 34 1/2 in., w. 49 in., d. 21 in. [$800/1200]

230. Belle Epoque Giltwood Overmantel Mirror, 19th c., pierced scroll and griffin crest, carved and beaded surround, old mirror plate, h. 63 in., w. 33 in. [$600/900]

232. Pair of Louis XV‑Style Bronze‑Mounted Mahogany Gueridons, variegated marble top, pierced gallery stretcher shelf, cabriole legs, sabots, h. 30 in., dia. 22 in. [$2000/4000]

233. Pair of French Neoclassical Carved Walnut Fauteuils, 19th c., bellflower back and frame, tubular padded arms, cherub arm supports, tapered legs, h. 40 in., w. 24 in., d. 20 in. [$1000/1200]

234. Directoire‑Style Brass‑Mounted Mahogany Occasional Table, inset marble top, latticework frieze, tapered legs, cuffs, h. 30 3/4 in., dia. 36 in. [$1200/1800]

235. Large Chinese Blue and White Porcelain Barbed Rim Charger, 20th c., well decorated with flowers and antiques, rim with auspicious literati and ordinary emblems, base with Kangxi mark, dia. 17 3/4 in. [$150/250]

236. Large Chinese Blue and White Porcelain Charger, 20th c., decorated with warriors and antiques, dia. 17 1/4 in. [$150/250]

237. Chinese Blue and White Porcelain Charger, 20th c., decorated in Ming‑style with simulated heaping and piling and iron spots, with central roundel of birds in a waterscape with pine and rock, h. 3 1/8 in., dia. 18 1/2 in. [$600/800]

240. Pair of Modern Chinese Polychrome Porcelain Hexagonal Bottle Vases, decorated with bird‑and‑flower and flower cartouches on powder blue and red grounds densely decorated with foliage, bases with spurious Yongzheng marks, h. 11 1/2 in. [$300/500]

239. Decorative Pair of Chinese Oxblood Porcelain Amphora Vases, 20th c., overall copper red glaze, bases with double ring marks, h. 9 1/4 in. [$400/600]

242. Decorative Pair of Chinese Famille Rose Porcelain Vases, 20th c., decorated with flower heads, castanets, and scrolling foliage on pale green and pink grounds, bases with Qianlong marks, h. 17 5/8 in. [$800/1200]

244. Pair of Chinese Famille Rose Porcelain Hexagonal Vases, 20th c., decorated with nobles in landscapes on celadon grounds, bases with Jiaqing marks, h. 18 3/4 in. [$300/500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

238. Large and Decorative Pair of Chinese Flambe Porcelain Vases, 20th c., overall lavender streaked copper red glaze pooling toward foot, h. 21 1/4 in. [$800/1200]

241. Pair of Chinese Famille Rose Porcelain Moonflask or Pilgrim Jars, late 20th/early 21st c., finely enameled with cartouches enclosing pairs of ducks and songbirds in waterscapes with flowers, h. 11 1/2 in. [$700/900]

243. Pair of Large and Decorative Chinese Famille Verte Porcelain Square Vases, 20th c., Buddhist lion mask‑ring handles, decorated with birds and insects amid seasonal flowers, h. 21 1/2 in., w. 8 in., d. 7 in., wood stands, overall h. 23 1/4 in. [$500/700]

245. Monumental Pair of Chinese Famille Rose Decorated Celadon Porcelain Vases, stylized dragon handles, painted with Shoulao and other figures in a fenced garden, h. 22 1/4 in. [$1200/1800]

246. Large and Decorative Chinese Cloisonne‑Over‑Porcelain Hexagonal Vase, base with apocryphal Qianlong mark, h. 19 in., w. 11 in., d. 8 1/2 in. [$400/600]

247. Louis XV‑Style Bronze‑Mounted Malachite Clad Vitrine, pierced gallery, single glazed door, shelf interior, mirrored back, cabriole legs, sabots, h. 53 in., w. 26 1/2 in., d. 13 in. [$5000/7000]

248. Louis XVI‑Style Giltwood Torchere, inset verte marble top, guilloche frieze, leaf and berry rings, pineapple finial, fluted disc base, hoof feet, h. 43 1/2 in., dia. 18 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

249. Continental Carved Giltwood Overmantel Mirror, mid‑19th c., cyma surround, old mirror plate, h. 43 in., w. 35 in. [$300/500]

250. Pair of Louis XVI‑Style Carved Giltwood Consoles, inset marble top, pierced apron, beaded stretcher, fluted tapered legs, h. 31 in., w. 47 in., d. 15 in. [$2000/3000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR,

sold to benefit the University of Chicago.

251. Italian Bronze-Mounted, Ebonized, Parcel Gilt and Faux Tortoise Center Table, specimen marble top, pierced rocaille apron, vasiform standard, relief carved supports, incurvate triangular plinth, disc feet, h. 34 in., dia. 45 in. [$3000/5000] 252. Pair of Louis XV‑Style Oval Mirrors, exuberantly carved surround with figures, garlands and mask, beveled mirror plate, h. 84 in., w. 50 in., d. 8 in. [$6000/8000]

253. Pair of Louis XV‑Style Bronze‑Mounted Kingwood Vitrine Cabinets, marble tops, glazed shelves, with keys, h. 67 in., w. 44 1/2 in., d. 17 in. [$4000/6000]

254. Antique French Louis XVI‑Style Bronze‑Mounted Kingwood and Burled Wood Inlaid Bureau Plat, tooled leather inest top, three drawers, cabriole legs, paw feet, h. 32 in., w. 80 in., d. 40 in. [$2000/3000] Provenance: Whisnant Galleries Collection, New Orleans, LA.

255. Pair of Louis XV‑Style Bronze‑Mounted Marquetry and Parquetry Side Tables, gilt banded top, frieze fitted with writing slide and single drawer, cabriole legs, sabots, h. 29 1/2 in., w. 26 in., d. 17 1/2 in. [$500/700]

257. Pair of French Regence‑Style Bronze‑Mounted Marquetry and Parquetry Commodes, molded shaped marble tops, two doors, shaped apron, sabots, h. 36 1/2 in., w. 53 1/2 in., d. 22 in. [$4000/6000]

256. Continental Giltwood Overmantel Mirror, early‑to‑mid 19th c., frieze with acanthus and swags, diapered ground, molded surround, h. 75 1/2 in., w. 52 in. [$1000/1500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR,

258. Pair of Louis XIV‑Style Carved Giltwood Benches, tufted leather top, tapered legs, shell stretchers, tapered feet, h. 18 in., w. 45 in., d. 18 in. [$1200/1800]

old to benefit the University of Chicago.

259. Antique Italian Neoclassical‑Style Painted and Parcel Gilt Console Table, marble top, single drawer, swag panel, guilloche frieze, fluted tapered legs, spherule feet, h. 29 in., w. 35 in., d. 21 in. [$2000/4000]

261. Venetian Blown and Etched Glass Mirror, flower crest, etched cartouche and cushion surround, spiral trim, rosettes, h. 70 in., w. 30 in. [$600/900] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

260. Pair of Louis XV‑Style Bronze‑Mounted Marquetry and Parquetry Bombé Pedestals, inset shaped beveled marble tops, vining floral panels, h. 48 in., w. 15 in., d. 15 in. [$1000/1200]

262. Louis XV‑Style Bronze‑Mounted Marquetry Bombe Commode, molded shaped variegated marble top, single door, figural shoulders, sabots, h. 45 in., w. 42 in., d. 19 1/2 in. [$1400/1800]

263. Portuguese Palissy Faience Trompe l’Oeil Dish, Jose Francisco de Sousa, act. 1860‑1893, impressed mark “JFS”, decorated with octopus, shellfish and snakes, dia. 13 1/2 in. [$700/900]

264. Portuguese Palissy Faience Trompe l’Oeil Dish, Jose Francisco de Sousa, act. 1860‑1893, impressed mark “JFS”, decorated with lobster and shellfish, dia. 11 1/2 in. [$700/900]

Provenance: Passages, Magazine St., New Orleans.

267. Portuguese Palissy Faience Trompe l’Oeil Dish, Manuel Cipriano Gomes Mafra (1829‑1905), Caldas da Reina, impressed mark, decorated with crabs, clams and a snake on “grass”, dia. 9 1/8 in. [$500/700]

268. Portuguese Palissy Faience Trompe l’Oeil Dish, Manuel Cipriano Gomes Mafra (1829‑1905), Caldas da Reina, impressed mark, decorated with lizard, snakes and beetles, dia. 8 in. [$600/800]

265. Portuguese Palissy Faience Trompe l’Oeil Dish, Manuel Cipriano Gomes Mafra (1829‑1905), Caldas da Reina, impressed mark, decorated with crabs and clams on “grass”, dia. 8 in. [$600/800]

266. Portuguese Palissy Faience Trompe l’Oeil Dish, Manuel Cipriano Gomes Mafra (1829‑1905), Caldas da Reina, impressed mark, decorated with echinoderms and clams on “grass”, dia. 8 3/4 in. [$700/900]

Provenance: Animal Art, New Orleans, 2003.

Provenance: Passages, Magazine St., New Orleans.

269. Portuguese Palissy Faience Trompe l’Oeil Dish, Francisco Gomes de Avellar, Caldas da Reina, impressed mark, decorated with snake and lizard, dia. 6 1/4 in. [$600/800]

270. French Palissy Stoneware Trompe l’Oeil Dish, attr. Leon Brard (1830‑1902), act. 1865‑1895, decorated with fish, a snake and shells, remnant of old paper label, l. 11 in. [$700/900]

Provenance: Passages, Magazine St., New Orleans, 2003.

271. French Palissy Faience Trompe l’Oeil Dish, Thomas‑Victor Sargent, c. 1870, marked “T.S” underglaze, decorated with a fish, l. 14 in. [$700/900]

273. French Palissy Faience Trompe l’Oeil Dish, Alfred Renoleau, Angouleme, c. 1887, decorated with fish and a shell, impressed mark, l. 11 5/8 in. [$500/700]

Provenance: Passages, Magazine St., New Orleans, 2006.

272. French Palissy Faience Trompe l’Oeil Dish, Ecole de Paris, c. 1860‑1880, decorated with fish, l. 13 1/2 in.; together with a small majolica fish (Provenance: Nina Sloss, New Orleans), l. 8 5/8 in. [$700/900] Ref.: Brooke Hayward Duchin Collection Exhibition Catalogue.

274. French Palissy Trompe l’Oeil Dish, Charles Joseph Landais (1829‑1908), Tours, signed, c. 1850‑1880, decorated with morning glories and a lizard, l. 12 1/4 in.; together with a collection of 6 English and American majolica butter pats, incl. Griffen, Smith & Hill shell motif, English fisheye, pansy, leaf, daisy and wicker. [$500/700] Provenance: Passages, Magazine St., 2004.

275. Palissy Faience Vase in the Portuguese Style, with lizards, snakes and a caterpillar on “grass”, unmarked, h. 7 1/4 in.; together with a figural candlestick with a monkey on “grass”, unmarked, h. 6 1/2 in. [$400/600]

277. Group of Antique English Majolica, incl. Wedgwood shell dish, marked, l. 8 3/8 in.; Wedgwood fish sauceboat on associated underplate, marked, l. 9 in.; Ashbourne Derbyshire strawberry and leaf dish, dia. 8 3/4 in.; and begonia leaf dish, unmarked, l. 8 1/2 in. [$250/350]

276. Palissy Faience Trompe l’Oeil Dish, probably French, unmarked, decorated with fish, note restoration, l. 10 3/4 in.; together with Holdcroft majolica dish, c. 1880, with leaf on cobalt ground. [$150/250]

278. Group of Antique Faience Majolica, early 20th c., incl. Longchamps oyster plate, dia. 8 1/2 in.; fish plate with mermaid and shells, w. 8 1/2 in.; and Amieux Freres sardine plate, dia. 9 1/8 in. [$250/350] Provenance: Passages, Magazine St, New Orleans.

280. Group of Antique and Vintage Majolica, incl. Hornberg basket, impressed mark, c. 1870, dia. 7 3/4 in.; Griffen, Smith & Hill “Cosmos” pattern dish, c. 1880, dia. 6 in., and 2 lotus dishes, dias. 8 in. and 6 1/2 in. [$300/500]

279. Group of Antique English and French Majolica, incl. Longchamps escargot plate, impressed mark, dia. 8 5/8 in.; Wedgwood fisheye oyster plate, dia. 7 in.; unmarked fisheye oyster plate, dia. 9 in; large Gien oyster plate (note chips), dia. 12 5/8 in.; and unmarked sardine box, w. 8 3/8 in. [$400/600]

282. The Book of Common Prayer, And Administration of the Sacraments And other Rites and Ceremonies of the Church According to the use of The Protestant Episcopal Church In the United State of Amerca, New York, Printed for the Committee, De Vinne Press, 1893, folio (14 1/2 in. x 10 1/2 in.), printed in black and red, beveled parchment boards with gilt decoration, brass clasps, ornamental borders throughout. [$400/600]

281. Trompe l’Oeil Majolica Fish Dish, marked “MINTON”, l. 13 5/8 in., w. 6 1/2 in. [$200/300]

283. Crane, Hart, The Bridge: A Poem, Paris, The Black Sun Press, Paris, 4to, first edition, photographs by Walker Evans, cream wrappers, printed in black and red, limited edition, this numbered 228 of 283. [$1000/1500] Note: The Bridge marks the debut of Walker Evans as a photographer. Evans had only just started taking photographs around the time of his chance meeting with Crane in 1928 under the Brooklyn Bridge.

284. [Leather Bindings], c. 1900, 24 volumes on the subject of Napoleon, by Frederic Masson, published by Paul Ollendorff, octavo, 1/4 leather, gilt titles. [$500/700]

285. Jan Jansson Map of Britannia, “Britannis Prout Divisa fuit Temporibus Anglo‑Saxonum, Praesertim Durante Illorum Heptarchia”, Amsterdam, c. 1646, hand‑colored engraving, Anglo‑Saxon map, with vignettes of the kings of the 5th‑7th centuries. [$700/1000]

286. Jan Huygen van Linschoten (Dutch, 1563‑1610), “Delineation omnium orarum totius Australis partis Americae...”, Amsterdam, 1596, hand‑colored engraved map, 15 1/4 in. x 22 in. [$700/1000]

287. Eleven Antique Maps of Europe, 16th‑18th c., incl. Ptolemy from 1541 (4); a Blaeu map of “Regno di Napoli”, Hondius map of the Holy Land, de Wit map of Southern Spain, an undated manuscript map of Mezieres, France, and others, l argest 19 1/2 in. x 23 1/2 in. [$700/1000] 288. Three Antique Maps by John Speed, 17th c., hand‑colored engravings, incl. “Kent with Her Cities and Earles”, “A Newe Map of Tartary”, and “Bohemia”, sheets 16 in. x 21 in. [$400/600]

289. Regency Mahogany Barometer, early 19th c., signed “J. TAGLIABUE, 11 BROOK STREET, HOLBORN”, case incorporating hygrometer, thermometer, convex mirror, and level, h. 46 in., w. 14 in., d. 13 in. [$1000/1500]

290. Antique American 9‑Inch Terrestrial Table Globe, 19th c., Merriam & Moore, Troy, NY, showing current Alaska as Russian owned, on cast‑iron foliate stand, h. 14 in., dia. 13 1/2 in., Note: very worn in areas. [$400/600] Provenance: Ex-Collection of Mrs. Jean Sully West, New Orleans. Note: Mrs. Sully was the daughter of New Orleans architect Thomas Sully (1855-1939) and great, great niece of the Philadelphia portrait painter Thomas Sully (1783-1872).

291. Ottoman Sword (Yataghan), early 19th c., recurved single‑edge blade, “eared” grip, foliate embossed scabbard, the chape formed as a monster head, blade l. 26 in., presented in a shadowbox frame, 12 in. x 40 in. [$600/900]

292. American Cavalry Saber and Scabbard, early 19th c., leather grip (lacks wire), iron scabbard, blade l. 32 in., presented in a shadowbox frame, 15 1/2 in. x 43 in. [$300/400]

293. Important Large Collection of American Political Buttons, 19th/20th c., over 100 single and jugate ferrotypes, pinbacks, badges, ribbons, for various campaigns, inaugurations, and clubs, presented in a shadowbox frame, h. 30 3/4 in. x 25 in. [$12000/15000]

295. Large Group of American Political Campaign Buttons, over 100 buttons and other pins, for and against Roosevelt, Willkie, Eisenhower, and others, presented in a shadowbox frame, 25 in. x 16 in. [$1200/1800]

297. Three American Political Campaign Bandanas, framed, incl. Cleveland/Thurman; Grant/ Logan and Garfield/Arthur, matted and framed, largest frame 24 1/2 in. x 25 1/2 in. [$600/900]

299. Rare Pair of Silver‑Mounted Samson “Persian Ware” Bottle Vases, c. 1870‑90, marked “FRANCE” and with Iznik mark, decorated in 17th c. Iranian style with lions, deer, crane and foliage, on turquoise ground, French 1st standard silver mounted rim, h. 21 in. [$2000/3000]

294. Large Group of American Political Buttons, 1980‑1988, over 100 single and jugate pinback and badges/ribbons, for various campaigns and inaugurations, presented in a shadowbox frame, 30 1/2 in. x 24 3/4 in. [$800/1200]

296. Large Group of American Political Campaign Buttons, over 100 single and jugate buttons and pins, for and against Kennedy, LBJ, Nixon, Ford, Carter, Goldwater, and others, presented in a shadowbox frame, 25 in. x 16 in. [$1200/1800]

298. Large Group of Wendell Willkie Political Campaign Buttons, 137 buttons for the 1940 campaign against Roosevelt, arranged in flag formation, using cloth and colored mat board, presented in a shadowbox frame, 31 in. x 42 in. [$800/1200]

300. Pair of Paul Millet Sevres Blue Flambe Porcelain and Gilt Bronze Lidded Urns, early 20th c., marked “PM Sevres” and “made in France”, gilt bronze base and finial, h. 15 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

302. Pair of Continental Rock Crystal Obelisks, 20th c., typical form, h. 23 1/2 in., w. 3 3/8 in., d. 3 3/8 in. [$1200/1400]

301. Pair Continental Malachite and Onyx Tazzas, h. 3 1/2 in., dia. 3 5/8 in. [$300/500]

304. Pair of Louis XV‑Style Gilt Bronze Candlesticks, late 19th c., foliate swirl design, h. 11 in. [$700/900]

303. Pair of Napoleon III Bronze Figural Chenets, 19th c., surmounted by cherubs, cast with flaming urns and lion masks, on paw feet, h. 14 in., w. 17 in., d. 4 in. [$1200/1800]

306. Continental Patinated Bronze Vase, 20th c., cast with cavorting monkeys in relief, h. 25 in., dia. 9 in. [$800/1200]

305. Pair Grand Tour‑Style Rock Crystal Orbs on Bronze Figural Bases, bases late 19th c., verdigris patination, later rock crystal, h. 7 3/4 in., w. 6 1/4 in., d. 6 1/4 in. [$800/1000]

307. Pair of Monumental French Renaissance‑Style Patinated Bronze Chenets, late 19th c., cast with winged cherub busts, paw feet, h. 43 1/2 in., w. 15 in., d. 15 in. [$2000/4000]

308. Pair of Italian Carved Giltwood Figural Wall Prickets, 19th c., cherub and scroll design, h. 18 in., w. 17 in., d. 5 in. [$800/1000]

309. Tole Peinte Tray on Bamboo-Turned Stand, h. 19 in., w. 31 1/2 in., d. 23 1/2 in. [$600/900]

310. Pair of Continental Black Variegated Marble Obelisks, h. 18 in., w. 4 1/2 in., d. 4 1/2 in. [$300/500]

311. Antique French Ebonized and Brass Inlaid Cave a Liqueur, hinged lid and sides, interior with lift‑out tray with four decanters and sixteen cordials, h. 10 1/2 in., w. 13 in., d. 10 in. [$700/1000]

312. Decorative Tortoise Carapace, 19 in., w. 16 1/2 in. [$600/800]

313. Carved White Marble Bust of Cuirassed Man, after an Antique example, wearing Roman military cuirass with breastplate centered by a lion’s mask, socle base, h. 19 in., w. 14 in., d. 7 in. [$600/900]

314. Antique Continental Carved Birch Dough Bowl, h. 8 1/2 in., w. 46 in., d. 20 in. [$250/350]

315. French Chrome‑Plated Cast‑Iron Duck Press, 19th c., mechanical wheel press, mounted on old wood base, h. 23 in., w. 20 1/2 in., d. 11 1/2 in. [$1000/1500]

316. Regency Carved Birdseye Maple Library Table, early 19th c., two frieze drawers, acanthus carved ring‑turned standard, acanthus collar, shaped base, lobed finials and feet, casters, h. 30 in., w. 54 in., d. 27 in. [$2000/3000]

317. Assembled Set of Eight Antique Regency Carved Mahogany Dining Chairs, incl. 2 arms and 6 sides, tablet back, reeded stiles, shaped slats, ring‑turned tapered legs, armchair h. 34 1/2 in., w. 21 1/4 in., d. 20 in., side h. 32 1/2 in., w. 20 in., d. 20 in. [$700/900] 318. Regency Brass Inlaid Rosewood Tilt Top Center Table, early 19th c., banded top, reverse tapered paneled standard, ebonized and parcel gilt paw feet, h. 29 in., w. 49 1/2 in., d. 45 in. [$2000/4000] 319. William IV Carved Walnut Sarcophagus‑Form Cellarette, early‑to‑mid 19th c., sunburst molded panels, boss and acanthus frieze, gadrooned base, paw feet, casters, fitted interior, h. 21 in., w. 27 1/2 in., d. 21 1/2 in. [$1200/1800]

320. Antique Georgian Carved Mahogany Breakfront Cabinet, 19th c., upper case with dentilated cornice, glazed doors, shelf interior, lower case with four short drawers over long drawer flanked by side cabinets, blocked base, h. 83 in., w. 77 in., d. 23 in. [$3000/5000]

321. Antique English Mahogany Folio Stand, 19th c., adjustable rack, trestle base, turned stretcher and supports, scroll feet, casters, h. 39 1/2 in., w. 29 in., d. 25 in. [$800/1200] Provenance: Whisnant Galleries Collection, New Orleans, LA.

323. Regency Carved Mahogany What‑Not Stand, early 19th c., three shelves, ring‑turned spindles, lower drawer, toupie feet, casters, h. 48 1/4 in., w. 19 in., d. 16 in. [$500/700]

324. Regency Mahogany Waterfall Bookcase, early 19th c., arched back, reeded shelves, reeded sides, three tiers, two lower with sliding paneled doors, tapered legs, h. 47 in., w. 20 3/4 in., d. 11 3/4 in. [$600/900]

322. Regency Mahogany Work Table, 19th c., foldover top, red baize lining, single drawer, pull out work basket, acanthus-carved pedestal, incurvate base, paw feet, h. 29 in., w. 21 1/2 in., d. 16 in. [$400/600]

325. Georgian Carved Mahogany Secretary Bookcase, early‑to‑mid 19th c., possibly Gillows of Lancaster, upper case with beaded cornice, astragal molded glazed doors, shelf interior, lower case with fall-front secretary, fitted desk interior, foliate and reeded baluster stiles, two doors, conforming molded base, lobed vasiform beet, h. 101 1/2in., w. 57 in., d. 23 1/2 in. [$6000/8000]

326. Fine Pair of William IV‑Style Carved Mahogany Low Benches, 19th c., possibly Gillows, molded top, blocked corners, ring‑turned foliate tapered legs, h. 18 in., w. 49 in., d. 14 in. [$1500/2500]

327. Set of Six Regency Carved Mahogany Dining Chairs, early 19th c., incl. one arm and five sides, tablet crest, scroll slat, ring‑turned tapered legs, toupie feet, arm h. 33 1/2 in., w. 21 1/2 in., d. 21 in., side h. 33 1/2 in., w. 19 in., d. 19 1/2 in. [$600/900]

328. Regency Carved Satinwood Work Table, early 19th c., drop‑leaf top, two drawers, trestle base, padded stretcher, incised bun feet, h. 29 1/2 in., w. 23 in., d. 19 1/2 in. [$700/900]

329. Regency Inlaid Mahogany Breakfront-Bookcase in the Gothic Taste, early 19th c., triple arch crest with spire finials, glazed astragal molded doors, shelf interior, lower case with four doors, blocked base with quatrefoil inlay, h. 101 in., w. 96 1/2 in., d. 22 1/2 in. [$5000/7000] Provenance: Christie’s, New York, 1995.

331. Regency Parcel Ebonized Mahogany Carlton House Desk, early‑to‑mid 19th c., superstructure with bank of drawers, lifting leather writing surface, reeded tapered legs, caps, casters, h. 32 in., w. 54 1/2 in., d. 30 in. [$2000/4000]

330. Regency Sewing Spool Rack, early 19th c., shaped sides, five finialed spool rods, single drawer, turned feet, h. 12 1/2 in., w. 12 in., d. 8 in. [$600/900]

332. Pair of Chinese Export Famille Rose Porcelain Vases, 19th c., ovoid bodies encircled by gilt Chilong dragons, decorated with figural and bird‑and‑flower cartouches, h. 13 3/4 in. [$400/600]

333. Pair of Chinese Export Famille Rose Porcelain Vases, 19th c., decorated with alternating figural and bird‑and‑flower cartouches on gilt grounds with floral vines and butterflies, h. 14 in. [$500/700]

334. Gilt Bronze‑Mounted Chinese Export Famille Rose Porcelain Bowl, 19th c., porcelain with figural bird‑and‑flower cartouches; bronze pierced and beaded rim, square loop handles hung with loose rings, stem foot, pedestal base, h. 10 5/8 in., w. 14 7/8 in., d. 10 1/8 in. [$700/900]

337. Decorative Pair of Chinese Export Famille Rose Porcelain Lozenge‑Shape Serving Bowls, 20th c., decorated with a continuous landscape with figures, bases with Tongzhi marks, h. 4 in., w. 10 1/2 in., d. 7 3/4 in. [$400/600]

336. Pair of Chinese Export‑Style Famille Rose Porcelain Cranes, 20th c., modeled in mirror image perched on rockwork, bases with impressed mars, h. 16 1/4 in. and 16 1/2 in. [$400/600]

339. Gilt Bronze‑Mounted Chinese Export Famille Rose Porcelain Bowl, 18th c. and later, porcelain decorated in Mandarin palette with elegant figures on terraces, bronze pierced foliate scroll rim, handles, and stem foot, h. 11 1/2 in., w. 16 1/2 in., d. 12 1/2 in. [$800/1200]

338. Pair of Chinese Export Famille Rose Porcelain Covered Tureens, 20th c., decorated with figures in fenced garden landscapes, bases with Tongzhi marks, h. 9 1/4 in., w. 14 in., d. 10 in. [$800/1200]

340. Large Chinese Export Famille Rose Porcelain Vase, 19th c., gilt chilong, ovoid body with figural and bird‑and‑flower decoration, h. 24 1/4 in., stand, overall h. 27 5/8 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

335. Bronze‑Mounted Chinese Export Famille Rose Porcelain Covered Bough Pot, 18th c., pomegranate finial, decorated overall with flower sprays, bronze pierced rim and splayed base, bracket feet, h. 10 1/2 in., dia. 7 7/8 in, h. 8 in., dia. 8 in. [$500/700]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

341. Chinese Export Blue and White Porcelain “Nanking” Well and Tree Meat Platter, late 18th/early 19th c., h. 2 1/4 in., w. 14 1/2 in., d. 11 1/8 in. [$300/500] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

342. Chinese Export Blue and White “Nanking” Porcelain Platter, late 18th c., deep well decorated with houses in a waterscape, diaper and floral cavetto, wide octagonal rim with brocades and flower sprays, h. 2 1/2 in., w. 14 3/4 in., d. 11 1/4 in. [$300/500] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003.

343. Decorative Pair of Chinese Blue and White Porcelain Hexagonal Covered Tea Caddies, 20th c., decorated with continuous scene of figures in a landscape, bases with Kangxi marks, h. 11 1/4 in., w. 8 1/2 in. [$400/600]

345. Bronze‑Mounted French Porcelain Serving Bowl, probably 19th c., probably Samson, decorated in Chinese export Mandarin palette‑style with famille rose figural scenes, pierced bronze foliate mounts, h. 15 in., w. 22 1/4 in., d. 12 1/2 in. [$1500/2500]

344. Pair of Decorative Chinese Export Blue and White Porcelain Covered Tea Caddies, square bodies decorated with figures in scenic landscapes, one base with apocryphal Kangxi mark, h. 12 in., w. 7 in., d. 7 in. [$400/600]

346. Gilt Bronze‑Mounted Chinese Export Imari Porcelain Bowl, 19th c., porcelain with birds and foliage; bronze pierced floral rim, foliate scroll handles, foliate stem foot, h. 11 1/2 in., w. 15 1/2 in., d. 11 1/4 in. Note: restoration. [$400/600]

347. Pair of Gilt Bronze‑Mounted Chinese Export Imari Porcelain Vases, 19th c., porcelain decorated with floral sprays, bronze beaded and pierced rim, leaf and garland loose ring handles, circular base, rosette feet, h. 13 1/4 in. [$800/1200]

349. Chinese Export Gilt and Silver Decorated Black Lacquer Tea Caddy, 18th/19th c., faceted form decorated with figural scenes, dragon wing feet, h. 5 in., w. 8 1/2 in., d. 6 in. Note: retains key. [$400/600] 348. Pair of Gilt Bronze‑Mounted Chinese Imari Porcelain Small Bowls, 19th c., porcelain with floral decoration, beaded bronze rims, foliate handles and garland‑hung splayed feet, h. 5 1/2 in., w. 10 1/8 in., d. 7 1/2 in. [$800/1200]

350. English Ironstone “Imari” Table Service, 19th c., impressed marks, incl. 13 plates, dia. 10 1/2 in.; 6 plates, dia. 9 in.; 4 platters, l. 12 3/4 in. to 20 in.; and serving plate, dia. 13 3/4 in. (24 pcs.) [$700/1000]

352. Chippendale‑Style Carved Mahogany Partner’s Desk, late 19th c., shaped molded top inset with tooled leather, three frieze drawers to each side, chamfered blind fret corners, four drawers one side, two cabinets other side, cabriole legs with ball and claw feet. [$1200/1800]

351. Hicks, Meigh & Johnson Ironstone Table Service, c. 1820s, marked “Stone China”, polychrome “Imari” design, incl. platter, l. 13 3/4 in.; 8 plates, dia. 9 in.; and 2 covered tureens with underplates, l. 7 1/2 in. (13 pcs.) [$600/900]

353. George III Carved Mahogany Games Table, late 18th c., shaped foldover top, silk lined playing surface, outset corners carved with playing card suits, concertina extension, cabriole legs, pad feet, h. 29 in., w. 33 1/4 in., d. 16 1/2 in. [$1000/1500]

355. George III Inlaid Mahogany Slant-Front Desk, late 18th/early 19th c., medallion inlaid fall‑front, fitted interior, four graduated drawers, shaped bracket feet, h. 47 in., w. 48 in., d. 21 3/4 in. [$1500/2500]

354. Set of Eight Antique Irish Carved Mahogany Dining Chairs, incl. 2 arms and 6 sides, rocaille crest, bowknot and entwined ribbon splat, acanthus carved knees, ball and claw feet, arm h. 39 1/4 in., w. 23 in., d. 22 in., side h. 39 1/4 in., w. 23 in., d. 22 in. [$4000/6000] 356. Georgian‑Style Mahogany Library Chair, elaborately carved with eagle heads, gadrooning and guilloche, ball and claw feet, h. 38 in., w. 36 in., d. 29 in. [$800/1200]

356A. American Renaissance Carved and Burled Walnut Marquetry Sideboard, mid-to-late 19th c., pierced foliate scroll crests, arched center, blocked side mirrors, shaped molded marble top, conforming case, two center doors, two side cabinets, incised turned pilasters, blocked base, h. 107 in., w. 72 in., d. 20 3/4 in. [$1200/1500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

357. Pair of Antique Italian Carved Giltwood Two‑Light Girandole Mirrors, flowering urn finial, floral scroll surround, flower basket base, h. 33 in., w. 11 in., d. 6 in. [$800/1200]

357A. Rosewood Floor Lamp, George IV, fashioned from a pole screen base, h. 54 in., dia. 15 in. [$300/500]

358. Antique Georgian‑Style Chinoiserie Secretary Bookcase, flat molded top, mirrored doors, shelf interior, fall front, fitted interior, two small drawers, three graduated drawers, bracket feet, h. 79 in., w. 38 in., d. 21 in. [$2500/3500]

359. Antique George II‑Style Carved Walnut Armchair, shell crest, scroll splat, outswept eagle arms, shell apron, shell knees, ball and claw feet, h. 39 1/2 in., w. 30 1/2 in., d. 22 in. [$600/900] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

360. Fine Rare Queen Anne Inlaid Walnut Chest of Drawers, c. 1720, molded top, three short drawers over four graduated long drawers, molded base, shaped bracket feet, period brasses, h. 44 in., w. 40 in., d. 20 1/2 in. [$1000/1500] Provenance: Church Street Galleries Limited, London, 1969.

361. William and Mary Oyster-Veneered Walnut Side Table, c. 1690 molded top, frieze drawer, barley twist legs, shaped stretcher, spherule feet, h. 27 1/2 in., w. 31 in., d. 22 1/2 in. [$700/900] Provenance: Malcolm Franklin, Chicago.

363. Pair of Irish Mahogany and Parcel Gilt Armchairs, 19th c., shaped back, outswept arms, nailhead trim, acanthus knees, paw feet, h. 42 in., w. 31 1/2 in., d. 28 in. [$3000/5000]

362. Pair of Queen Anne Walnut Collector’s Cabinets, benchmade from antique and later elements, molded arched crest, glazed door and side panels, shelf interior, conforming lower case with door, spurred bracket feet, h. 80 in., w. 37 in., d. 14 in. [$2000/4000] Provenance: B. Manheim Galleries, New Orleans, Aug. 1963

364. Pair of Louis XVI‑Style Painted and Parcel Gilt Mirrors, urn and passion flower crest, molded surround, feathered plume base, h. 54 in., w. 28 in. [$1200/1800]

365A. American Late Classical Carved Mahogany Pedestal Sideboard, early-to-mid 19th c., foliate scroll backsplash, molded breakfront top, central single drawer, two arched beaded cabinets, shelf interior, blocked base, h. 52 in., w. 78 in., d. 28 in. [$1000/1500]

365. Antique Regency‑Style Parcel Gilt Mahogany Tilt Top Center Table, gadrooned top, ring‑turned reeded standard, incurvate triangular base, scroll feet, h. 29 1/2 in., dia. 53 in. [$800/1200]

368. Persian Kashan Rug, dark and light blue, repeating designs, 4 ft. 7 in. x 6 ft. 7 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

366. Persian Carpet, cream ground, central medallion and foliate design in reds and blues, 6 ft. 3 in. x 9 ft. [$400/600]

367. Antique French Aubusson Rug, green ground, rust border, central medallion, foliate decoration, 16 ft. 8 in. x 20 ft. 5 in. [$500/700]

369. Antique Caucasian Runner, stylized designs, 2 ft. 9 in. x 10 ft. 9 in. [$500/700]

372. Antique Tribal Rug, double medallion, 5 ft. 3 in. x 6 ft. 3 in. [$700/1000]

373. Persian Qashqai Carpet, red ground, repeating central medallions, 4 ft. x 8 ft. [$1000/1500] 370. Antique Persian Carpet, green central medallion, red border, repeating stylized designs, 9 ft. 7 in. x 11 ft. 2 in. [$800/1200]

371. Oushak Carpet, orange, rust and cream ground, overall stylized designs, 10 ft. 2 in. x 14 ft. 3 in. [$800/1200]

374. Persian Sultanbad Carpet, beige ground, light green border, stylized design, 8 ft. x 10 ft. [$2000/2500] 376. Persian Kerman Carpet, red ground, central medallion, floral border, 10 ft. x 13 ft. 10 in. [$3000/4000]

375. Sultanbad Carpet, khaki ground, pink border, stylized floral designs, 7 ft. 10 in. x 10 ft. 6 in. [$2000/2500]

377. Chinese Art Deco Carpet, purple ground, repeating floral elements, 8 ft. 10 in. x 11 ft. 5 in. [$1000/1500]

378. Antique Saraband Carpet, red ground, repeating designs, 6 ft. x 12 ft. 8 in. [$1500/2500]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

379. Good Pair of Japanese Satsuma Pottery Vases, Meiji Period (1868‑1912), decorated in mirror image with beautiful ladies in landscapes on gilt decorated cobalt blue grounds, bases marked “Hozan”, h. 9 5/8 in. [$800/1200]

381. Japanese Brass‑Mounted Black Lacquer Trunk, Meiji Period (1868‑1912), top with gilt chrysanthemum‑mon, brasses with ginkgo leaf decoration, inner tray, h. 14 in., w. 23 1/4 in., d. 15 1/2 in. [$400/600]

380. Good Pair of Japanese Satsuma Pottery Vases, probably Meiji Period (1868‑1912), enameled with elaborate figural and bird‑and‑flower panels on densely “jeweled” gilt ground strewn with birds, butterflies and various brocades, unmarked, h. 18 in. [$800/1200]

382. Chinese Sancai Glazed Porcelain Figure of a Monk, Kangxi Period, 17th c., modeled seated on a tall plinth holding a book, h. 5 in. [$200/300]

383. Chinese Peachbloom Glazed Porcelain Vase, Qing Dynasty (1644‑1911), diminutive Meiping‑form, base with Kangxi mark, h. 4 1/2 in. [$400/600] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

385. Chinese Blue and White Porcelain Bowl, probably Qing Dynasty (1644‑1911), decorated with scrolling foliage, interior with pinwheel roundel, base with Chenghua mark, h. 2 1/8 in., dia. 4 3/4 in. [$150/250] 384. Pair of Chinese Clair de Lune Porcelain Lotus or Garlic Mouth Bottle Vases, 19th/20th c., bases with Yongzheng marks, h. 9 in. Note: one with star hairline to neck. [$300/500]

386. Chinese School, Qing Dynasty (1644‑1911), “Portrait of a Nobleman”, ink, color and gold on paper, 53 3/4 in. x 29 7/8 in., mounted as a hanging scroll. [$800/1200]

387. Chinese Carved Hardwood Folding Yokeback Bench, 19th c., elongated crest rail, pierced splats, shaped frieze, rope seat, X‑form base, stretchers. [$700/1000] Provenance: Diane Genre, New Orleans.

389. Chinese School, Qing Dynasty (1644‑1911), “Diyu (Hell) and Five Yama Kings”, ink and color on paper, sight 565 7/8 in. x 32 in., framed. [$800/1200]

388. Chinese Carved Hardwood Daybed or Luohan Couch, 19th c., probably Huaimu, open gallery, woven matt seat, floral and scroll base, h. 29 1/2 in., w. 84 in., d. 37 in. [$2000/3000] Provenance: Whisnant Galleries Collection, New Orleans, LA.

390. Good Pair of Chinese Hardwood Relief Panels, rectangular frames carved with prunus, pine, bamboo, chrysanthemum, and peach panels, inset with high relief flower arrangements set in antique bowls atop stands, h. 54 7/8 in., w. 15 7/8 in., d. 2 1/4. [$1500/2500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

392. Pair of Chinese Hardstone Embellished Orange Lacquer Wall Panels, decorated with birds amid lotus and rock, h. 57 in., w. 27 in., brass hangers. [$3000/5000]

391. Chinese Embroidered Silk Panel, worked in couched threads and satin stitch with a male and female Immortal, probably Han Xiangzi and the Queen Mother of the West, astride a dragon and phoenix, h. 104 1/2 in., w. 62 in. [$1000/1500]

393. Chinese Cloisonne, Hardstone and Mother‑of‑Pearl Embellished Malachite and Hardwood Screen, recto decorated with antiques and auspicious objects, verso painted with pavilions in landscapes, h. 42 in., w. 38 1/2 in., d. 14 1/4 in. [$1000/1500]

394. Large Pair of Chinese Cloisonne Enamel Goats, h. 23 in., l. 26 in. [$1000/1500]

395. Pair of Chinese Cloisonne Enamel Partridge‑Form Covered Censers, 18th/19th c., modeled in mirror image, h. 5 3/4 in. [$600/800]

397. Chinese Patinated Bronze Figure of Guanyin, modeled standing on a toad carrying a lotus spray and the vase of immortality, h. 26i n. [$600/800] 396. Pair of Chinese Glazed Stoneware Buddhist Lions, Qing Dynasty (1644‑1911), modeled seated on haunches, h. 10 1/4 in. [$400/600] 398. Pair of Chinese Jadeite and Hardwood Table Screens, each rectangular panel relief‑carved with birds amid peony and rock or birds amid prunus, pine and rock, frames and stands with dragons, lingzhi, and peaches, h. 21 1/4 in., w. 12 in., d. 8 in. [$3000/5000]

399. Chinese Jadeite Butterfly and Lotus Group, carved as a clusters of lotus blossoms, pods and leaves, surmounted by three butterflies, h. 4 1//4 in., carved hardwood stand, overall h. 6 1/2 in., w. 4 3/4 in. [$400/600]

400. Chinese Gem‑Embellished White and Green Jade and Silver Hand Mirror, h. 9 1/2 in., w. 4 1/4 in. [$800/1200]

401. Monumental Pair of Chinese Famille Rose Porcelain Covered Jars, probably early 20th c., finely enameled with long vertical panels enclosing birds and butterflies amid hydrangea, chrysanthemum, prunus, iris and lotus flowers on green and pink diaper grounds, h. 27 in. [$3500/4500]

402. Chinese Jade and Hardstone‑Inset Silvered Bronze Covered Tripod Censer, Qing Dynasty (1644‑1911), Buddhist lion finial, foliate pierced lid, dragon handles, bombe body with foliage, lions mask feet, h. 10 1/2 in., w. 9 1/2 in., d. 7 in. [$600/800]

403. Chinese Brass Octagonal Box, “jeweled” finial, incised overall with foliage, bracket feet, h. 6 3/4 in., dia. 12 3/4 in. [$300/500]

404. Four Chinese Famille Rose Porcelain Erotic Wall Plaques, probably early 20th c., painted with amorous couples in landscapes, sight 12 1/2 in. x 7 1/2 in., framed, overall 15 in. x 10 in. [$2000/4000]

407. French Bronze Hall Lantern, early 20th c., fleur-de-lis corona, shell and flower accents, bud pendants, h. 27 in., dia. 10 in. [$800/1200]

405. Chinese Gold‑Flecked Amber Glass Brush Pot, 20th c., relief‑decorated with three scholars playing go in a landscape, base with Qianlong mark, h. 6 1/4 in., dia. 6 in. [$400/600]

406. Pair of Chinese Black Overlay Amber Glass Covered Tripod Censers, 20th c., relief decorated with dragons and lion masks, bases with Qianlong marks, h. 6 3/4 in., dia. 6 1/2 in. [$700/900]

409. Pair of Regence‑Style Champleve and Gilt Bronze Five‑Light Sconces, cast with portrait busts and swags, acanthus scroll arms, oak leaf pendants, h. 30 in., w. 25 in., d. 12 in. [$1000/1500]

408. Empire‑Style Bronze Thirty‑Light Chandelier, gadrooned and foliate standard, scroll arms, electrified, h. 38 in., dia. 41 in. [$2000/3000]

410. Louis XVI‑Style Gilt Bronze Rock and Cut Crystal Nine‑Light Chandelier, scroll and foliate design, electrified, h. 28 in., dia. 21 in. [$800/1200]

411. Pair of Louis XVI‑Style Bronze Mounted Onyx Urn Lamps, octagonal wood bases, h. (to socket) 24 in. [$1000/1500] 412. French Bronze and Colored Glass Chandelier, basket form with pavé glass flowers, interior fitted with six light sockets, h. 36 in., dia. 24 in. [$1000/1200]

413. Four French Bronze and Colored Glass Sconces, 20th c., with grape and flower pavé, h. 12 in., w. 7 in., d. 4 in. [$400/600]

414. Pair of Louis XV‑Style Gilt and Patinated Bronze Two‑Light Figural Sconces, foliate scroll arms, centered by male and female youths, h. 19 1/2 in., w. 13 1/2 in., d. 8 in. [$500/700]

416. Neoclassical‑Style Patinated Bronze Urn, oval form, figural relief frieze, handles with fauns and serpents, leaf and berry socle base, h. 14 in., w. 17 1/2 in., w. 13 1/2 in. [$1000/1200]

415. Pair of Louis XV‑Style Bronze and Rock Crystal Five‑Light Sconces, foliate design, electrified, h. 26 1/2 in., w. 20 in., d. 10 in. [$1000/1200]

417. Pair of Cast Concrete Garden Ornaments, reclining cherub on scroll, one with grape cluster, other with wheat bundles, reeded canted plinth, h. 30 in., w. 22 in., d. 12 in. [$300/500]

418. Italian Carved Marble Jardiniere on Pedestal, 19th c., relief carved figural frieze, lion masque ends, garland capital, reverse tapered standard, relief carved panel, molded plinth base., h. 49 in., w. 29 in., d. 12 1/2 in. [$3000/5000]

419. Patinated Bronze Figure of “Esperance”, after Emmanuel Villanis, titled and signature inscribed on self‑base, h. 31 in., w. 10 in., d. 7 1/2 in., unattached marble base, overall h. 35 in. [$1200/1800]

420. French Cast Iron Three‑Part Fountain, 19th c., marked “Salin Fondeur”, scalloped bowl on putto standard, lobed octagonal basin, acanthus baluster support, molded paneled base, h. 90 1/2 in., w. 44 in., d. 44 in. [$2000/4000]

422. Pair of Italian Pineapple‑Form Granite Finials, foliate center, socle base, h. 29 in., w. 10 3/4 in., d. 10 3/4 in. [$1200/1800]

421. Pair of Italian Cast‑Stone Garden Urns, 20th c., urn with egg-and-dart rim and lobed body, on tall plinth base cast with fruit garlands, h. 42 in., dia. 25 in. [$800/1200]

423. Louis XVI‑Style Patinated Bronze Wall Fountain, marked “George D Allen”, in two parts, cherub bust spigot, draped support, demilune acanthus basin, bound reeded standard, molded plinth, h. 65 1/2 in., w. 28 1/4 in., d. 16 in. [$1200/1800]

425. Good Italian Bronze Snail‑Form Garden Fountain, signed “G. Cappelletti”, h. 15 in., w. 11 1/2 in., d. 20 in. [$1000/1500]

426. Pair of Cast Iron Swan Jardinieres, h. 14 in., w. 19 in., d. 10 in. [$700/900]

Provenance: Peter Bazzanti & Son, Florence, Italy.

427. Cast Iron Garden Figure of Virgin Mary, oxidized surface, h. 22 1/2 in., w. 10 1/2 in., d. 6 in. [$300/500] 428. Pair of Patinated Bronze Garden Figures of Ducks, h. 16 in., w. 17 in., d. 7 in. [$600/900]

424. English Cast Lead Garden Figure of a Rabbit, standing on hind legs, h. 22 in., w. 7 in., d. 10 in. [$500/700]

429. Pair of Verdigris Patinated Bronze Garden Figures of Egrets, opposing stances, taller h. 43 in., w. 10 in., d. 21 in. [$1000/1500]

430. Exceptional Platinum and Diamond Ring, center prong and bezel set marquise brilliant cut diamond, wt. 7.46 cts., F color, SI2 clarity, 20.62 x 9.81 x 6.16 mm; shoulder set with 2 tapered baguette diamonds, total wt. approx..80 ct.; stamped with serial no. 300793, expandable shank; GIA (center diamond) report. [$100000/125000] Provenance: Oscar Heyman & Brothers, New York, July 1995

432. 18 kt. White and Yellow Gold and Diamond Hoop Earrings, comprised of 50 bezel set round brilliant cut diamonds, total wt. approx. 3.96 cts.; bezels with yellow gold prismatic banding and white gold beading. [$2000/3000]

435. Platinum, Tahitian Pearl and Diamond Ring, center round Very Dark Gray cultured pearl, 13 mm; double bezel with 82 round brilliant cut diamonds, total wt. approx. 0.43 ct., G‑I color, SI1 to SI2 clarity; size 7; AIGL report. [$1000/1500]

431. Oscar Heyman & Brothers Platinum and Diamond Bracelet, comprised of 34 square cut diamonds, total wt. approx. 7.72 cts, F‑G color, VVS2 to VS1 clarity; and 204 round cut diamonds, total wt. approx. 22.88 cts.; overall total diamond wt. approx. 30.60 cts.; stamped with OHB serial no. 82456; accompanied by Certificate of Authenticity dated Nov. 15, 1991 from Oscar Heyman & Brothers, New York. [$30000/50000]

433. 14 kt. White Gold and Diamond Bangle Bracelet, set with 28 round brilliant cut diamonds, total wt. approx. 1.93 cts., G‑I color, SI1 to I1 clarity; hinged clasp; dia. (interior) 7 in.; AIGL report. [$1800/2500]

436. 14 kt. White Gold, Tahitian Pearl and Diamond Ring, center round Dark Gray cultured pearl, 12 mm; floral bezel with 24 round brilliant cut diamonds, total wt. approx. 1.06 cts., F‑G color, VS2 to SI1 clarity; size 7.5; AIGL report. [$1500/2500]

439. 18 kt White Gold, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 2.55 cts., 9.44 x 7.23 x 4.95 mm; bezel and shoulders with 60 round brilliant cut diamonds, total wt. approx. 0.59 ct., G‑H color, VS2 clarity; size 6.25; GIA and SLG report. [$3000/5000]

437. 14 kt. White Gold and Tahitian Pearl Necklace, 35 round/off round graduated Dark Gray cultured pearls, 11‑14 mm; 14 kt. white gold plunger style clasp, l. (incl. clasp) 17 3/4 in.; AIGL report. [$800/1200]

434. Platinum, Black Diamond and Diamond Art‑Deco Style Ring, center prong set square modified brilliant cut Black diamond, wt. approx. 2.06 cts., 6.8 x 6.7 mm; bezel and shoulders with 74 round brilliant cut diamonds, total wt. approx. 0.50 cts., G‑H color, SI1 clarity; size 7; AIGL report. [$1000/1500]

438. 14 kt. White Gold, Tahitian Pearl and Diamond Necklace, 35 round Very Dark Gray cultured pearls, 11‑13 mm; finished with 4 14 kt. white gold and diamond spacers, w. 2 mm; 14 kt. white gold scalloped plunger style clasp; l. (incl. clasp) 17 1/2 in.; AIGL report. [$1200/1800]

440. Platinum, Emerald and Diamond Necklace, 13 Octagonal Step Cut Emeralds, total wt. approx. 30.19 cts., 8 x 6 ‑ 10 x 8 mm; bezels and links with 888 round brilliant cut diamonds, total wt. approx. 9.30 cts., F‑H color, VS2 to SI2; l. 17 1/4 in.; AIGL report. [$16000/18000]

441. 14 kt. Yellow Gold, Emerald and Diamond Bracelet, 13 prong set rectangular step cut emeralds, total wt. approx. 15.95 cts; bezels with 377 prong set round brilliant cut diamonds, total wt. approx. 5.33 cts., F‑H color, VVS‑2 to VS‑2 clarity; l. 7 in.; AIGL report. [$6000/8000]

445. Platinum, Emerald and Diamond Ring, center prong set emerald cut emerald, wt. approx. 1.68 cts., approx. 8.2 x 6.2 mm; bezel and shoulders with 26 round brilliant cut diamonds, total wt. approx. 0.66 ct., G color, VS to SI1 clarity; size 6.5; IAS report. [$1500/2500]

449. 14 kt. White Gold, Diamond and Sapphire Art‑Deco Ring, 35 round brilliant cut diamonds, total wt. approx. 0.32 ct., F‑G color, VS1 to SI1 clarity; 24 square and trapezoid shaped sapphires, total wt. approx. 0.61 ct.; size 6.5; AIGL report. [$600/800]

442. Pair of Platinum, Emerald and Diamond Dangle Earrings, 2 rectangular cut cornered step cut emeralds, total wt. approx. 5.21 cts., 9 x 7 mm; bezels and supports with 58 round brilliant cut diamonds, total wt. approx. 0.76 ct., H‑I color, SI1 to SI2 clarity; l. 1 1/4 in.; AIGL report. [$2500/3500]

446. 18 kt. White Gold, Sapphire and Diamond Ring and Earrings, 3 center prong set oval mixed cut sapphires, total wt. approx. 2.91 cts., 7 x 5 mm; bezels with 160 baguette and round brilliant cut diamonds, total wt. approx. 2.97 cts., F‑G color, VS2 to SI2; ring size 6.75; AIGL report. [$2500/3500]

444. Platinum, Emerald and Diamond Ring, center prong set oval cut emerald, wt. approx. 1.56 cts., approx. 8.9 x 6.8 mm; bezel and supports with numerous round brilliant cut diamonds, total wt. approx. 0.47 ct., G color, VS to SI clarity; size 6.75; IAS report. [$1000/1500]

448. 14 kt. White Gold, Sapphire and Diamond Bracelet, 24 graduated prong set oval mixed cut sapphires, total wt. approx. 12.35 cts., 5 x 4 ‑ 8 x 6 mm; bezels with 320 round diamonds, total wt. approx. 2.23 cts., H‑J color, I1 to I2 clarity; l. 7 in.; AIGL report. [$2000/3000]

447. Platinum, Diamond and Sapphire Ring, center bezel set round brilliant cut diamond, wt. 0.44 ct., 5.01‑4.93 x 2.92 mm, H color, SI‑3 clarity; inner bezel with 14 channel set rectangular and square cut sapphires, total wt. approx. 0.99 ct.; outer bezel with 24 prong set round brilliant cut diamonds, total wt. approx. 0.32 ct., F‑H color, SI‑1 to I‑1 clarity; size 7; AIGL and EGL report. [$1500/2500]

450. 18 kt. White Gold, Sapphire and Diamond Ring, center prong set pear shaped sapphire, wt. approx. 1.76 cts., 9.12 x 6.72 x 3.82 mm; double bezel and shoulders with 65 round brilliant cut diamonds, total wt. approx. 0.77 ct.; size 7.25; SGL and GIA report. [$1400/1600]

453. 18 kt. White Gold, Tanzanite, and Diamond Pendant with 18 kt. White Gold Chain, center prong set cushion shaped modified brilliant cut tanzanite, wt. 16.86 cts., 13.73 x 13.33 x 11.54 mm; bezel and link with 40 prong set round brilliant cut diamonds, total wt. approx. 0.58 ct., G‑H color, SI1 to SI2 clarity; chain l. 18 in.; SLG and GIA report. [$7000/9000]

443. 14 kt. White Gold, Emerald and Diamond Ring, center rectangular mixed cut emerald, total wt. approx. 2.79 cts., 10.6 x 7.5 mm; bezel and shoulders with 88 round brilliant cut diamonds, total wt. approx. 0.62 ct., F‑G color, SI1 to SI2 clarity; size 6.75; AIGL report. [$1800/2500]

451. Platinum, Tanzanite and Diamond Ring, center prong set oval cut tanzanite, wt. approx. 4.92 cts., approx. 12.6 x 9.5 mm; bezel and double supports with numerous round brilliant cut diamonds, total wt. approx. 0.69 cts., G‑H color, VS to SI clarity; size 7; IAS report. [$2000/3000]

452. 18 kt. White Gold, Tanzanite and Diamond Ring, center prong set oval shaped brilliant cut tanzanite, wt. 16.85 cts, 17.80 x 15.18 x 9.07 mm; bezel and shoulders with 128 prong set round brilliant cut diamonds, total wt. approx. 1.69 cts., H color, SI1 to I1 clarity; size 7.75; SGL and GIA report. [$8000/12000]

454. 18 kt. White Gold and Cushion‑Cut Aquamarine Ring, signed Favero, with small single cut diamonds. [$1500/2500]

455. 14 kt. White Gold, Aquamarine and Diamond Pendant with 14 kt. White Gold Chain, center pear shaped modified brilliant cut aquamarine, wt. approx. 3.27 cts., 18.7 x 6.8 mm; scalloped bezel and link with 97 round brilliant cut diamonds, total wt. approx. 0.92 ct., H‑I color, SI1 to I1 clarity; chain l. 18 in.; AIGL report. [$1000/1500]

456. 14 kt. White Gold, Blue Topaz and Diamond Ring, center prong set rectangular cut cornered step cut topaz, wt. approx. 17.10 cts., 16 x 12 x 9 mm; bezel and shoulder with 152 round brilliant cut diamonds, total wt. approx. 1.56 cts.; size 7; AIGL report. [$1000/1500]

457. 14 kt. Yellow Gold, Opal and Diamond Bracelet, 8 bezel set oval shaped opals, total wt. approx. 15.40 cts.; links with round brilliant cut diamonds, total wt. approx. 1.32 cts.; l. 7 in. [$1500/2500]

458. 14 kt. Yellow Gold, Opal and Diamond Ring, center bezel set oval shape opal, wt. approx. 3.20 cts., approx. 14 x 9 mm; shoulders with numerous round brilliant cut diamonds, total wt. approx. 0.39 ct.; size 7.5; IAS report. [$700/900]

461. 18 kt. Yellow Gold, Alexandrite and Diamond Ring, center prong set oval cut alexandrite, wt. 1.09 cts., 6.74 x 5.35 x 3.64 mm, halo and shoulders with 32 round brilliant cut diamonds, total wt. approx. 0.73 ct., G color, SI1 clarity; size 6.75; SLG and AIG report. [$1500/2500]

465. Platinum, Yellow Sapphire and Diamond Ring, center prong set oval cut sapphire, wt. approx. 2.43 cts., approx. 8.34 x 6.74 mm; bezel and shoulders with round brilliant cut diamonds, total wt. approx. 0.82 ct.; size 7; IAS report. [$1200/1600]

462. 14 kt. Yellow Gold, Multicolored Sapphire and Diamond Bracelet, 72 oval mixed cut Fancy Color sapphires, total wt. approx. 21.09 cts., 5 x 3 mm; bezels with 500 round brilliant cut diamonds, total wt. approx. 3.51 cts., H‑J color, I1 to I2 clarity; l. 7 in.; AIGL report. [$2500/3500]

466. 18 kt. Yellow Gold, Ruby and Diamond Ring, center oval shaped ruby, wt. 1.06 cts., 6.97 x 5.67 x 2.78 mm; halo and should with 24 round brilliant cut diamonds, total wt. approx. 0.40 ct., G‑H color, SI1 to SI2 clarity; size 6.75; SLG and AIG report. [$1200/1500]

459. 18 kt. Yellow Gold, Amethyst and Diamond Pendant/Pearl Enhancer, oval amethyst approx. 20 cts., 73 brilliant cut diamonds, approx. .75 ct. [$600/900]

460. 14 kt. White Gold and Gemset Pave Band Ring, set with various gemstones, incl. emeralds, aquamarines and pink tourmalines. [$400/600]

463. 18 kt. Yellow Gold, Pink Sapphire and Diamond Ring, center prong set cushion cut sapphire, wt. 2.71 cts., 8.91 x 6.54 x 4.98 mm; bezel and shoulders with 39 round brilliant cut diamonds, G‑H color, SI1 to SI2 clarity; size 6.75; SLG and AIG report. [$2500/3500]

467. 18 kt. Yellow Gold, Ruby and Diamond Ring, set with oval faceted ruby, approx. 1.8 ct., 15 full cut diamonds, approx..80 ct., and 31 tapered baguette diamonds, approx. 1.5 ct., SI1‑SI2, J‑K color. [$300/500]

464. 18 kt. White and Yellow Gold, Citrine and Diamond Ring. [$400/600]

468. Pair of 14 kt. Yellow Gold, Diamond and Faceted Ruby Earrings; together with matching ring. [$100/200]

469. 14 kt. Yellow Gold, Sapphire, Diamond, Ruby and Emerald Ring, set with oval faceted sapphire (approx. .86 ct.), 26 small diamonds, 4 rubies and 10 emeralds, wt. 3.5 dwt. [$600/800]

470. Baume and Mercier 18 kt. Yellow Gold, Stainless and Diamond Ladies “Riviera” Wristwatch, quartz, case 22mm, No.5012286, mother‑of‑pearl PHI tapestry dial set with diamond hour markers, bezel set with 48 diamonds, sapphire crystal, two‑tone band with hidden deployant clasp, strap length with case 7 1/2 in. [$700/1000]

471. Cartier “Must de Cartier” Vermeil Lady’s Wristwatch, quartz, gold dial, reverse stamped “Cartier/ Paris” and “925/Argent”, serial #G22093A, case dia. 34 mm. [$250/350]

472. 1995 American Eagle Gold Bullion Coins Proof Set, 1.85 troy ounces, $50, $25, $10 and $5 coins, in original presentation case and box. [$2500/3500]

473. Pair of 14 kt. Yellow Gold Coin Earrings, each set with US $5 Liberty gold coin and semi‑precious cabochons, one coin detached but retained, one cabochon lacking, post and clip backs; together with a US $5 Liberty gold coin, total wt. 12.5 dwt. [$700/900]

475. Five Italian 14 kt. Yellow Gold Chain Link Bracelets, with magnetic ball clasps, each l. 8 in., total wt. 42.50 dwt. [$1000/1500] 474. Italian 14 kt. Yellow Gold Hollow Link Flexible Necklace, with spring ring clasp, l. 17 in., w. 1/2 in., wt. 35.5 dwt. [$1500/2000]

476. Italian 18 kt. Yellow Gold Hinged Bangle Bracelet, with magnetic lion’s head clasp, 2 3/4 in. x 2 1/2 in., wt. 12.50 dwt. [$600/900] 478. Group of 14 kt. Yellow Gold Jewelry, incl. angleskin coral ring, size 7 1/2 in.; pair of angelskin coral and seed pearl earrings, pair of large ribbed earrings (loss to clips of backs); and stylized heart pendant; total wt. 20 dwt. [$700/900]

481. Group of Yellow Gold and Pearl Jewelry, incl. Italian 18 kt. yellow gold, pearl and cabochon ruby pearl enhancer, signed Tagliamonte, 3/4 in. x 1 in.; 18 kt. yellow gold and mabe pearl ring, size 7 1/2 in.; and 14 kt. yellow gold, pearl and diamond ring, set with 9 1/2 mm. pearl and 14 small diamonds totalling.28 ct., total wt. 17 dwt. [$1000/1500]

479. 18 kt. Yellow Gold, Pearl and Diamond Bracelet, with 5 strands of white cultured pearls, each approx. 5.5 mm., gold box clasp set with 31 small brilliant cut diamonds totaling .57 ct., G‑H color, VS1‑VS2 clarity, total bracelet wt. 25 dwt., bracelet l. approx. 8 1 4/ in. [$600/900]

482. Pair of Elizabeth Locke 18 kt. Yellow Gold, Venetian Glass Intaglio and Pearl Earrings, signed, post and clip backs, 3/4 in. x 7/8 in., wt. 13.5 dwt. [$700/900]

477. Group of Ten Italian 14 kt. Yellow Gold Hinged Ribbed Bangle Bracelets, each 2 5/8 in. x 2 1/4 in., total wt. 31.5 dwt. [$1000/1500]

480. Pair of 18 kt. Yellow Gold Cushion‑Shaped Earrings, Florentine finish with polished swirl decoration, post and clip backs, 5/8 in. square, wt. 12.5 troy ozs. [$800/1200]

483. Yellow Gold Plate and Pearl Choker and Matching Bracelet, necklace with 10 strands of 4 mm. freshwater pearls, l. approx. 13 in., bracelet with 6 strands of 4.5‑5.0 mm. freshwater pearls, l. 7 ½ in. [$400/600]

484. Three Carved Cameo Pendants, l. 2 in., 2 1/4 in., and 1 3/4 in., with 2 chains, l. 20 in. and 21 3/4 in. (5 pcs.) [$400/600]

486. Judith Leiber Black Alligator Handbag, labeled “Judith Leiber New York”, gold tone hardware, interior pockets, incl. coin purse, comb mirror, h. 19 1/2 in., w. 9 3/4 in., d. 3 1/4 in.; original dust bag and box. [$400/600]

485. Judith Leiber Silver Crystal Bead Embellished Minaudiere, labeled “Judith Leiber New York”, silver tone hardware, removable chain strap, h. 2 1/4 in., w. 6 1/2 in., d. 2 1/8 in.; original dust bag and box. [$300/500]

487. Christian Dior Burgundy Leather Handbag, c. 1998, exterior stamped “Christian Dior”, interior tag stamped “Made in Italy” and “MA‑0948”, signature “D.I.O.R” charm, authenticity certificate card “No. 44 01 1 001278 835”, h. 19 1/2 in., w. 11 1/4 in., d. 2 1/2 in.; original dust bag and box. [$500/700]

488. Three Vintage Louis Vuitton “Alzer” Hard‑Shell Suitcases, brown LV monogram, leather trim, brass hardware, marked locks, incl. one with removable tray, h. 18 1/2 in., w. 27 1/2 in., d. 8 1/2 in.; others with brass plaques inscribed “J.P.”, h. 18 1/2 in., w. 27 1/2 in., d. 6 3/4 in. and h. 15 1/4 in., w. 25 3/4 in., d. 7 in. [$2000/4000]

Session Two Saturday, June 26, 11 a.m.

Collection of Rare and Important Works by Clementine Hunter from the Estate of Esther Bondio Prattini (1932-2017)

489. Clementine Hunter (American/Louisiana, 1886‑1988), “Good Angels and Bad Angels”, oil on canvas, monogrammed mid‑left, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

490. Clementine Hunter (American/Louisiana, 1886‑1988), “Cotton Picking with Geese”, oil on board, monogrammed lower right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

491. Clementine Hunter (American/Louisiana, 1886‑1988), “Courtroom”, oil on canvas board, monogrammed mid‑right, inscribed en verso, 12 in. x 16 in., framed. [$2500/3500] Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans. Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

492. Clementine Hunter (American/Louisiana, 1886‑1988), “Black Jesus with Angels and Zinnias”, oil on board, monogrammed lower right, inscribed en verso, 24 in. x 18 in., framed. [$4000/6000] Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans. Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

493. Clementine Hunter (American/Louisiana, 1886‑1988), “Pecan Pickers”, oil on board, monogrammed lower right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

494. Clementine Hunter (American/Louisiana, 1886‑1988), “Funeral”, oil on canvas board, monogrammed mid‑right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

496. Clementine Hunter (American/Louisiana, 1886‑1988), Six Painted Glass Bottles, with scenes including “Fishing”, “Zinnias” and “Christmas Tree”, all monogrammed, heights 6 5/8 in. to 14 1/4 in. (6 pcs.) [$1000/1500] Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

495. Clementine Hunter (American/Louisiana, 1886‑1988), “A Day at Melrose”, oil on canvas, monogrammed lower right, 36 in. x 48 in., framed. [$20000/30000]

Note: These items have been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans. Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

497. Clementine Hunter (American/Louisiana, 1886‑1988), “Flower Garden”, oil on board, monogrammed lower right, inscribed en verso, 16 in. x 20 in., framed. [$3000/5000]

498. Clementine Hunter (American/Louisiana, 1886‑1988), “Hunting and Fishing”, oil on canvas, monogrammed mid‑right, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

499. Clementine Hunter (American/Louisiana, 1886‑1988), “Card Players”, oil on canvas, monogrammed mid‑right, inscribed and partial sketch en verso, 18 in. x 24 in. framed. [$4000/6000] Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

500. Clementine Hunter (American/Louisiana, 1886‑1988), “Washday”, oil on board, monogrammed mid‑right, inscribed en verso, 16 in. x 20 in., framed. [$3000/5000] Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

501. Clementine Hunter (American/Louisiana, 1886‑1988), “Birthday Party”, oil on canvas, monogrammed mid‑right, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

502. Clementine Hunter (American/Louisiana, 1886‑1988), “Wake”, oil on canvas board, monogrammed lower right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

503. Clementine Hunter (American/Louisiana, 1886‑1988), “Hauling Cotton and Cotton Gin”, oil on canvas board, monogrammed mid‑right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

504. Clementine Hunter (American/Louisiana, 1886‑1988), “Cookout”, oil on canvas board, monogrammed mid‑right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

505. Clementine Hunter (American/Louisiana, 1886‑1988), “Saturday Night at the Juke Joint”, oil on canvas, monogrammed lower right, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

506. Clementine Hunter (American/Louisiana, 1886‑1988), “Hospital”, oil on canvas, monogrammed lower right, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

507. Clementine Hunter (American/Louisiana, 1886‑1988), “Nativity”, oil on board, monogrammed mid‑right, inscribed en verso, 16 in. x 20 in., framed. [$3000/5000]

508. Clementine Hunter (American/Louisiana, 1886‑1988), “Wedding”, oil on board, monogrammed lower right, inscribed and partial sketch en verso, 18 in. x 24 in., framed. [$4000/6000]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans. Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

509. Clementine Hunter (American/Louisiana, 1886‑1988), “Cotton Picking”, oil on canvas, monogrammed mid‑right, inscribed and partial sketch en verso, 12 in. x 16 in., framed. [$3000/5000]

510. Clementine Hunter (American/Louisiana, 1886‑1988), “Wash Day”, oil on canvas board, monogrammed lower right, inscribed en verso, 8 in. x 10 in., framed. [$2500/3500]

Provenance: Estate of Esther Bondio Prattini (1932‑2017), New Orleans.

Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

511. Clementine Hunter (American/Louisiana, 1886‑1988), “Hauling Cotton”, oil on board, monogrammed mid‑right, 18 in. x 24 in., framed. [$4000/6000] Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

513. Four Antique Classical‑Style Mahogany Dining Chairs, scroll back, swan carved rail, saber legs, h. 35 1/2 in., w. 17 1/2 in., d. 20 in. [$300/500]

512. Clementine Hunter (American/Louisiana, 1886‑1988), “Cotton Gin”, oil on canvas board, monogrammed lower right, inscribed en verso, 18 in. x 24 in., framed. [$4000/6000] Note: This painting has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

514. American Federal Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., three spandrel decorated drawers, shaped skirt, French feet, h. 36 in., w. 38 in., d. 19 in. [$800/1200] 515. Monumental American Federal‑Style Bookcase, late 19th c., possibly Southern, shaped cornice with brass finials, four glazed doors, shelf interior, paneled doors below, molded base, h. 115 in., w. 65 1/2 in., d. 17 1/2 in. [$2000/3000]

517. American Federal Mahogany and Inlaid Birch Games Table, early 19th c., shaped foldover top, conforming frieze, tapered legs, h. 28 5/8 in., w. 35 in., d. (closed) 17 in., d. (open) 34 in. [$600/900] 516. Antique Chippendale‑Style Carved Giltwood and Mahogany Mirror, spreadwing eagle mounted crest, pierced incised scroll surround, h. 51 1/2 in., w. 24 1/4 in. [$1000/1500]

518. American Late Classical Mahogany Tall Post Bed, early‑to‑mid 19th c., S scroll paneled headboard, onion top vasiform finials. reverse tapered octagonal column tops, socle square bases, bun feet. [$1500/2500]

519. American Late Classical Mahogany Sofa, mid‑19th c., downswept scroll arms, reeded legs, paw caps, casters, h. 32 1/2 in., w. 71 in., d. 27 in. [$500/1000]

520. American Late Classical Carved Mahogany Extension Dining Table, mid‑19th c., circular molded top, fluted molded standard, scroll legs, casters, h. 30 in., dia. 59 1/2 in. [$1200/1800] 521. Associated Set of Six American Late Classical Carved Mahogany Dining Chairs, mid‑19th c., shaped back, vasiform splat, saber legs, h. 32 1/2 in., w. 16 in., d. 22 in. [$1000/1500] 522. Antique Chippendale‑Style Carved Mahogany Mirror, shell crest, acanthus scroll surround, old mirror plate, h. 42 1/2 in., w. 22 in. [$800/1200]

523. American Late Classical Carved Mahogany Sideboard, c. 1825. New York, blocked backsplash, bolection frieze drawers over small drawers and deep drawer flanked by two doors, foliate pineapple stiles, acanthus paw feet, h. 52 in., w. 60 1/4 in., d. 23 in. [$600/900] 524. American Walnut Tall Chest, late 18th/early 19th c., cove molded crest, chamfered corners, three short drawers over five graduated drawers, molded skirt, French feet, h. 64 1/2 in., w. 44 1/2 in., d. 24 3/4 in. [$600/900]

525. American Federal Faux Bois Mahogany Daybed, early 19th c., possible Baltimore, scroll ends with X supports, cane seat, shaped stretchers, turned tapered legs, compressed disc feet, h. 30 in., w. 78 1/2 in., d. 27 in. [$800/1200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

526. American Classical Bronze‑Mounted Carved Mahogany Sideboard, c. 1825, Philadelphia, blocked backsplash with central mirror and Ionic colonnettes, over bolection drawers and doors, side cabinets with columnar stiles, acanthus paw feet, h. 61 1/2 in., w. 87 in., d. 24 1/4 in. [$1500/2500]

528. Set of Eight Federal‑Style Mahogany Dining Chairs, late 19th c., reeded crest rail, crotch veneered panel, X back, reeded legs, turned blocked stretchers, toupie feet, armchair h. 34 in., w. 22 1/2 in., d. 18 1/2., side h. 32 1/2 in., w. 20 in., d. 17 in. [$800/1200]

527. Paint‑Decorated Satinwood Extension Dining Table in the Adams Taste, stamped “New York”, oval banded top, tapered legs, shaped stretcher, three leaves, h. 30 1/4 in., w. (closed) 75 in., w. (open) 123 in., d. 44 in. [$1500/2500]

529. American Chippendale Cherrywood Chest of Drawers, early 19th c., beaded top, four graduated drawers, molded base, bracket feet, h. 35 in., w. 43 1/2 in., d. 20 1/4 in. [$1000/1500] 530. American Classical Mahogany Dressing Table, early‑to‑mid 19th c., New York, reverse tapered mirror supports, old mirror plate, three glove drawers, two short beveled drawers over one long drawer, columnar supports, shaped stretcher shelf, vasiform feet, h. 76 in., w. 36 3/4 in., d. 20 3/4 in. [$600/900]

531. American Late Classical Mahogany Secretary Bookcase, mid‑19th c., flared cornice with ogee frieze, upper case with glazed arched doors, lower case with three small drawers, fall‑front desk with fitted interior, leather writing surface, over two conforming cabinet doors, scrolled bracket feet, h. 100 in., w. 49 in., d. 23 in. [$1200/1800] Provenance: Goodwin‑Harrison House, Macon, MS, c. 1852

532. American Classical Mahogany Dodecagonal Center Table, early‑to‑mid 19th c., New York, probably Meeks, cyma apron, scroll supports, incurvate triangluar base, scroll feet, casters., h. 28 1/2 in., dia. 36 in. [$400/600]

533. West Indies Anglo‑Colonial Rosewood Chest of Drawers, early 19th c., molded top, two short drawers over two long drawers, tapered legs, h. 41 in., w. 50 in., d. 23 1/4 in. [$800/1200]

534. John James Audubon (American, 1785‑1851), “American Green Winged Teal”, Plate CCXXVIII, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman” watermark visible, sheet 24 in. x 38 in., framed. [$1200/1800] Provenance: Eliza Jane Nicholson (1843‑1896), the first woman publisher of a daily metropolitan newspaper (the New Orleans Picayune); descended in the family.

535. John James Audubon (American, 1785‑1851), “Mississippi Kite”, Plate CXVII, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman” watermark visible, sheet 39 3/8 in. x 26 7/8 in., framed. [$1500/2500]

536. John James Audubon (American, 1785‑1851), “Loggerhead Shrike”, Plate LVII, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman” watermark visible, sheet 39 1/4 in. x 26 5/8 in., framed. [$800/1200]

537. John James Audubon (American, 1785‑1851), “Eared Grebe”, Plate CCCCIV, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1837” watermark visible, sheet 25 1/2 in. x 38 in., framed. [$800/1200]

538. John James Audubon (American, 1785‑1851), “Ruby Crowned Wren”, Plate CXCV, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman Turkey Mill 1834” watermark visible, sheet 39 1/2 in. x 36 3/4 in., framed. [$700/1000]

Provenance: Eliza Jane Nicholson (1843‑1896), the first woman publisher of a daily metropolitan newspaper (the New Orleans Picayune); descended in the family.

539. John James Audubon (American, 1785‑1851), “Yellow‑breasted Rail”, Plate CCXXIX, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1836” watermark visible, sheet 26 1/2 in. x 39 1/2 in., framed. [$700/1000] 540. John James Audubon (American, 1785‑1851), “Kildeer Plover”, Plate CCXXV, hand‑colored aquatint with engraving, from The Birds of America, Havell Edition, “J.Whatman Turkey Mill” watermark visible, sheet 25 1/4 in. x 38 in., framed. [$800/1200] Provenance: Eliza Jane Nicholson (1843‑1896), the first woman publisher of a daily metropolitan newspaper (the New Orleans Picayune); descended in the family.

541. John James Audubon (American, 1785‑1851), “Cowpen Bird”, Plate XCIX, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1833” watermark visible, sheet 26 5/8 in. x 39 in., framed. [$600/900]

542. John James Audubon (American, 1785‑1851), “Marsh Wren”, Plate C, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman Turkey Mill 1835” watermark visible, sheet 39 1/4 in. x 26 3/4 in., framed. [$600/900]

543. John James Audubon (American, 1785‑1851), “Tengmalm’s Owl”, Plate CCCLXXX, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman Turkey Mill 1837” watermark visible, sheet 39 1/2 in. x 26 1/2 in., framed. [$600/900]

544. John James Audubon (American, 1785‑1851), “Red‑Cockaded Woodpecker”, Plate CCCLXXXIX, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1837” watermark visible, sheet 39 1/4 in. x 26 1/4 in., framed without glass. [$600/900]

545. John James Audubon (American, 1785‑1851), “Virginia Rail”, Plate CCV, hand‑colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1836” watermark visible, sheet 24 in. x 38 in., framed. [$600/800] Provenance: Eliza Jane Nicholson (1843‑1896), the first woman publisher of a daily metropolitan newspaper (the New Orleans Picayune); descended in the family.

546. John James Audubon (American, 1785‑1851), “The Jaguar”, “Texan Lynx” and “Ocelot”, Plates CL, XCII and LXXXVI, 1846, 3 hand‑colored lithographs, from The Viviparous Quadrupeds of North America, Bowen edition, sheets 22 in. x 27 3/4 in., 22 3/4 in. x 28 in. and 22 3/4 in. x 27 7 /8 in. respectively, framed alike. (3 pcs.) [$2000/3000]

547. John James Audubon (American, 1785‑1851), “Red‑Bellied Squirrel”, Plate XXXVIII, hand‑colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 28 in. x 22 in., framed. [$300/500]

548. John James Audubon (American, 1785‑1851), “Worm Wood Hare”, Plate LXXXVIII, hand‑colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 21 3/4 in. x 28 in., framed. [$400/600]

550. Mahogany Etagere, pierced diapered crest, glazed doors, cabriole legs, h. 78 in., w. 35 1/2 in., d. 16 1/2 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

549. John James Audubon (American, 1785‑1851), “Four‑Striped Ground Squirrel”, Plate XXIV, hand‑colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 21 5/8 in. x 27 5/8 in., framed. [$300/500]

551. Antique Continental Carved Walnut Refectory Table, mid‑18th/early 19th c., slab top, armorial supports, dolphin feet, h. 30 in., w. 80 3/8 in., d. 30 in. [$1500/2500]

552. Antique Louis XVI‑Style Carved Mahogany Parlor Group, late 19th c., incl. sofa and armchair, barrel form, dove of peace crest, ram head arms, scroll supports, acanthus knees, scroll toes, sofa h. 41 1/2 in., w. 79 in., d. 28 in., chair h. 38 in., w. 36 in., d. 27 in. [$700/1000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

553. American Renaissance Oak Writing Table, c. 1890, three frieze drawers, scrolled brackets, vasiform supports, molded stretcher, acanthus scroll feet, h. 29 1/2 in., w. 66 in., d. 32 in. [$1400/1600] 556. French Renaissance Revival Carved Oak Breakfront Bookcase, late 19th c., bracketed stepped cornice, center glazed door, shelf interior, fluted colonnettes, arched glazed side cabinets, conforming base, two drawers, four relief carved cabinet doors, bun feet, h. 105 1/2 in., w. 83 in., d. 22 3/4 in. [$2500/3500]

554. American Aesthetic Movement Brass and Copper Table, top with inset glazed pastoral painting, birds and bees stretcher, tubular copper legs, hoof feet, h. 32 1/2 in., w. 17 in., d. 17 in. [$800/1200]

555. Four American Rococo Carved and Laminated Rosewood Parlor Chairs, c. 1840‑1850, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, incl. one armchair and three side chairs; fruit and foliate carved crest rails, shaped backs with S scroll supports, serpentine seat rails, cabriole legs, casters, tapestry upholstery, armchair h. 43 in., w. 24 1/2 in., d. 29 in.; side chair h. 37 1/2 in., w. 18 in., d. 24 in. [$1500/2500]

557. American Renaissance Carved Walnut Extension Dining Table, mid‑19th c., molded circular top, strapwork decorated frieze, quadripartite base opens to accommodate 5 leaves, h. 29 1/2 in., w. (open) 132 in., w. (closed) 54 in., d. 54 in. [$1000/1500]

558. Kidney-Shaped Pouf, ruched surround, tassels, bullion fringe, h. 18 in., w. 25 in., d. 19 in. [$300/500]

Provenance: “Wedding Cake” House, 5809 St. Charles Ave., New Orleans.

559. American Aesthetic Spindle Turned Corner Chair, 19th c., finials, caned seat, stretchers, tapered legs, spherule feet, h. 30 in., w. 16 in., d. 16 in [$400/600].

560. American Gothic Carved Mahogany Partner’s Desk, molded top, inset writing surface (lacking), scroll and foliate frieze, spandrels flanking banks of four drawers, pilaster stiles, Gothicized side panels, bun feet, h. 30 1/2 in., w. 60 in., d. 42 in. [$800/1200]

562. Pair of Black Painted and Caned Armchairs, by Hancock & Moore, scrolled backs, padded scrolled arms, lobed toupie feet, striped upholstery, h 38 in., w.31 1/2 in., d. 42 in. [$800/1200]

561. American Giltwood Overmantel Mirror, shell crest, lobed and beaded border, h. 82 in., w. 49 in. [1000/1500] Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS.

563. Aesthetic Carved Mahogany Library Table, late 19th c., frieze with two drawers each short side, fan spandrels, reeded medial shelf, reeded and stop‑fluted legs, casters, h. 29 1/4 in., w. 42 1/4 in., d. 29 1/4 in. [$500/700]

564. American Inlaid and Painted Work Table, labeled “Imperial, Grand Rapids, MA”, lift top side compartments flanking three graduated drawers, reeded tapered legs, h. 29 in., w. 28 in., d. 14 in. [$800/1200]

565. Monumental Continental Rococo Carved Giltwood Frame, pierced rocaille surround, round filet, spandrels, h. 6 ft., w. 6 ft., sight dia. 5 ft. [$800/1200]

566. Don Wright (American/Louisiana, 1938‑2007), “On the Beach”, 1980, oil on canvas, signed and dated lower right, 24 in. x 30 in., unframed. [$1000/1500]

567. Don Wright (American/Louisiana, 1938‑2007), “Cabin on the Bayou”, 1982, oil on canvas, signed and dated lower right, 24 in. x 30 in., framed. [$1200/1800]

Provenance: Whisnant Galleries Collection, New Orleans, LA.

568. Milda Spindler (American/New Orleans, 1927‑2021), “Impression of a Louisiana Bayou”, oil on canvas, signed lower right, 24 in. x 30 1/4 in., framed. [$1000/1500] Note: “I think it is important to talk about a person’s individuality as a form of freedom of choice, which was so lacking during the war years. Creating art is my way of expressing individuality.” ~ Milda Spindler Note: Milda Bartnikas Spindler was born in Lithuania, and she developed an early appreciation for nature and art. Displaced by World War II, her family spent the war years travelling between Lithuania, Poland, Germany, Czechoslovakia, and Austria. Separated from her family in 1945, Spindler reunited with her mother and siblings in Austria following the war, and they settled in a United Nations displaced persons’ camp in Augsburg Germany. Fluent in Lithuanian, German and English with some knowledge of Russian and Czech, Spindler was hired by the United Nations as a translator for the refugee camps. In late 1947, Spindler met her future husband, Albert Spindler, a soldier in the United States Army. In 1948, the couple emigrated to Canada and eventually then to Upstate New York, where Spindler raised four boys and studied at the Munson-Williams-Proctor Arts Institute in Utica. In 1971, the family moved to suburban New Orleans, and Spindler completed her Bachelor of Fine Arts degree at The University of New Orleans in 1979. She studied under local luminaries such as Ida Kohlmeyer, Jim Richard, and Doyle Gertjejensen. Spindler was inspired by the landscape, flora and fauna of the Gulf Coast and often painted beneath live oak trees on her small acreage in southern Mississippi. She sketched, painted and developed a unique style of printmaking that perfectly captures the light, shadow and movement of the bayous and swamps of her adopted home. The oil painting offered here is reminiscent of the artist’s distinctive printmaking technique with fluid mark-making, strong lines and a verdant color palette utilized to convey the humid and light-filtering atmosphere of the bayou.

570. Enrique Alférez (Mexican/New Orleans, 1901‑1999), “Vaquero”, patinated bronze, unsigned, h. 16 in., w. 8 in., d. 4 1/4 in., wood base, overall h. 17 1/2 in. [$4000/8000]

569. Noel Rockmore (American/New Orleans, 1928‑1995), “Portrait of Artist and Model (Rita)”, 1981, oil and acrylic on canvas, signed and dated upper right, partial label en verso, dated, titled and inscribed “N.O.” on backing paper, 30 in. x 14 in., framed. [$2000/3000]

571. Enrique Alférez (Mexican/New Orleans, 1901‑1999), “El Pastor”, charcoal and graphite on paper, pencil‑signed lower left, 36 in. x 23 1/2 in., framed. [$600/800]

572. Jamini Roy (Indian, 1887‑1972), “Mother and Child”, gouache on paper, signed lower right, 24 in. x 18 in., framed. [$4000/6000] Provenance: Acquired c. 2003.

573. David Harouni (Iranian/New Orleans, b. 1962), “Untitled: Three Faces”, oil on gallery‑wrapped canvas, signed lower left, 48 in. x 47 5/8 in., unframed. [$3000/5000]

574. James Michalopoulos (American/New Orleans, b. 1951), “Moon for a Fourth”, 1999, oil on canvas, signed lower right, signed, dated and “Michalopoulos Gallery” label en verso, 28 in. x 22 in., framed. [$4000/6000]

575. James Michalopoulos (American/New Orleans, b. 1951), “Puffy”, 2005, oil on canvas, signed lower right, “Michalopoulos Gallery” label en verso, 30 in. x 40 in., framed. [$3000/5000] Provenance: Michalopoulos Gallery, New Orleans.

Provenance: Michalopoulos Gallery, New Orleans.

576. James Michalopoulos (American/New Orleans, b. 1951), “Calypso (Sho Bar Series)”, 1998, oil on panel, monogrammed lower left, 33 in. x 74 in., unframed. [$2500/3500] 577. William Hemmerling (American/Louisiana, 1943‑2009), “Gulf of Mexico”, 2003, oil on panel, signed lower right, titled lower center, signed and dated en verso, 35 5/8 in. x 43 5/8 in., unframed. [$4000/6000]

578. Hunt Slonem (American/Louisiana, b. 1951), “Untitled (Bird)”, 2000, oil on canvas, signed and dated en verso, inscribed on stretcher, 40 1/8 in. x 20 in., framed; accompanied by a copy of a certificate of authenticity from Hunt Slonem Studio. [$5000/7000]

579. Hunt Slonem (American/Louisiana, b. 1951), “Non‑Parells”, 2005, oil on panel, signed, titled and dated en verso, 15 in. x 12 in., framed. [$2500/3500]

580. Andrew LaMar Hopkins (American/New Orleans, b. 1977), “Louisiana Gentleman’s Chamber”, 2013, acrylic on canvas board, signed and dated lower right, inscribed with artist, title and date, artist business card, exhibition label with artist and title and handwritten note en verso, 11 in. x 14 in., framed. [$12000/15000] Note: Andrew LaMar Hopkins has been the subject of numerous articles and accolades over the last eighteen months, including in The New York Times, Artforum, Architectural Digest and The Wall Street Journal. The artist’s first New York solo exhibition took place at the Venus Over Manhattan gallery in October of 2020, and the art world has taken note. A self-taught artist, Hopkin’s inspirations are his own Creole heritage and his passion for antiques. The early 1800s he captures is both an imaginative fantasy and a history carefully researched and meticulously depicted. His subjects include the cities of New Orleans, Savannah and Mobile with distinctive antebellum architecture providing a framework for minute details and both free Creoles of color and white Creoles. Drawing on his knowledge as an antiquarian, Hopkin’s interiors contain accurate historical depictions of period appropriate furniture, decorative objects and costume combined with underlying complex concepts of race, class and southern American history. As noted by Alison M. Gingeras: “Hopkins layers this fastidious devotion to authentic historical representation with a frank acknowledgement of how Creole culture upset the binary distinctions inherent to racial hierarchies of the early 19th century.” In the work offered here of a “Louisiana Gentleman’s Chamber,” the gentleman plays a supporting role to the chamber itself. A Louisiana armoire with brass ball feet and beehive legs dominates the right side of the composition, while a dressing table with baluster-turned legs and quintessential 19th century Louisiana portrait in the style of Jean Joseph Vaudechamp or Jacques Amans balances the left. In the center, the painted blue mantel with red brick interior holds a pair of matching argand lamps and lighthouse clock beneath a giltwood overmantel mirror. The eponymous gentleman, enjoying a libation at a gueridon, is almost obscured by his surroundings and depicted on a mysteriously smaller scale, despite his proximity to the foreground. As in all of Hopkins’ work, the lines, textures and unique perspective combine to encourage visual exploration of the rich interior tableaux and to provoke thought on the complexity of identity in Creole cultures. With his newfound and well-deserved international acclaim, Hopkins acts as an ambassador of sorts to Louisiana and its intriguingly multifaceted and intersectional history. Ref.: Coleman, Charity. “Andrew LaMar Hopkins.” Artforum. Jan/Feb 2021. www.artforum.com. Accessed May 24, 2021. Crow, Kelly. “Rising Art Star Brings Fresh Lens to ‘Forgotten’ Life of 19th Century Creoles.” The Wall Street Journal. Oct. 7, 2020. www.wsj.com. Accessed May 24, 2021. Gingeras, Alison M. “Introductory Essay.” Créolité: Andrew LaMar Hopkins. Venus Over Manhattan. Oct. 7, 2020. www.venusovermanhattan. com. Accessed May 24, 2021; Pochoda, Elizabeth. “A Painter Resurrects Louisiana’s Vanished Creole Culture.” The New York Times. Jan. 16, 2020. www.nytimes.com. Accessed May 24, 2021

581. Theora Hamblett (American/Mississippi, 1895‑1977), “Schoolgirls at Recess”, 1966, oil on canvas, signed and dated lower center, 24 1/4 in. x 36 in., framed. [$18000/25000]

582. Melissa Bonin (American/Louisiana, b. 1960), “Impressions Moss Fairies II”, 2018, oil on gallery‑wrapped canvas, signed on right edge, signed, titled, dated and inscribed en verso, 36 in. x 48 in., unframed. [$3000/5000]

583. George Rodrigue (American/ Louisiana, 1944‑2013), “The Bayou in New Iberia”, 1989, oil on canvas board, signed lower right, signed, titled and dated en verso, 17 1/4 in. x 23 3/8 in., framed. [$15000/25000] Provenance: The Rodrigue Gallery, New Orleans, 1991.

584. George Rodrigue (American/Louisiana, 1944‑2013), “Terra Incognita”, 1992, oil on linen, signed lower left, artist label with title on reverse of frame, artist stamps and inscribed en verso, 14 in. x 11 in., framed. [$25000/35000] Provenance: The Rodrigue Gallery, New Orleans.

585. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Medusa Chair”, 1985, polychromed wooden chair, signed and dated on underside of seat, h. 39 in., w. 24 in., d. 24 in. [$8000/12000] Note: This work bears striking similarity to the example now conserved at the Morris Museum of Art in Augusta, GA.

587. Brad Robertson (American/Alabama, 20th c.), “Extreme Forces”, mixed media on gallery‑wrapped canvas, signed twice en verso, artist label with title on stretcher, 60 in. x 48 in., unframed. [$1200/1800]

586. José‑Mariá Cundín (Spanish/New Orleans, b. 1938), “Untitled Figure”, polyester resin, cloth and mixed media sculpture, h. 33 in., w. 25 in., d. 11 3/4 in., painted wood base, overall h. 33 1/2 in. [$1000/1500] Provenance: Purchased from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

Note: Born and raised in Mobile, Alabama, Brad Robertson has found lifelong inspiration in the surrounding landscape of the Gulf Coast. Robertson’s use of bold color, texture and a compositional technique he refers to as “portals” propel his viewers into the abstracted shorelines, waters and trees of the region. He has said of his work: “My aim is always more to express a feeling more than a physical object.” Robertson received a Bachelor of Fine Arts from Auburn University in 1999, and after a brief stint in Atlanta, he returned to Mobile to focus on his painting career. Since then, his work has been sold in galleries from California to Florida, and he was named one of the Top 50 Emerging Artists of 2014-15 by Art Business News. In “Extreme Forces” offered here, Robertson explores depth and distance, as the cool blue of the background explodes in the center of the composition into a bold burst of color that both invites and challenges the viewer. Ref.: “Bio.” Brad Robertson Art. www.bradrobertson.com. Accessed May 25, 2021; “Brad Robertson.” The Lily Pad. www.lilypadgallery.com. Accessed May 25, 2021; Matthews, Michelle. “From art to heart: How artist Brad Robertson met his muse.” Alabama. www.al.com. Accessed May 25, 2021

588. French Provincial Caned Commode Armchair, late 18th c., arched back, padded arms, leather seat, leather trim, cabriole legs, rear door, h. 36 in., w. 23 in., d. 20 in. [$600/800] 589. Renaissance‑Style Refectory Table, two drawers, baluster turned legs, stretcher, turned feet, h. 33 in., w. 83 1/2 in., d. 29 in. [$800/1200]

590. Nine Provincial Ladder‑Back Dining Chairs, two arms, seven sides, graduated slats, rush seats, ring‑turned stretchers, spherule feet, armchair h. 43 1/2 in., w. 22 1/2 in., d. 16 1/2 in., side chair h. 43 1/4 in., w. 21 1/2 in., d. 17 in. [$700/1000]

591. Pair of Provincial Louis XV‑Style Walnut Single Beds, arched foliate rose bud crest, tufted upholstery, decorated rails, conforming foot board, one an antique example, other a benchmade 1950s replica, h. 38 in., l. 75 in., w. 36 in. [$400/600] Provenance: Henry Stern, c. 1950.

592. French Provincial Carved Walnut Commode, late 18th/early 19th c., molded top, three drawers, scroll toes, h. 43 in., w. 54 in., d. 24 1/2 in. [$800/1200]

593. Louis XV‑Style Mahogany Bergère, shaped back, padded arms, shaped apron, scroll toes, h. 42 in., w. 33 in., d. 36 in. [$400/600]

594. Paint-Decorated Swedish Corner Cupboard, 18th c., upper cabinet with one door, conforming lower cabinet, toupie feet, note: lacking upper section, h. 54 in., w. 34 in., d. 20 in. [$500/700]

595. Provincial Fruitwood Harvest Table, 19th c., slide out bread board, tapered legs, steel feet, h. 29 1/2 in., w. 75 in., d. 36 3/4 in. [$600/900]

597. Antique Wrought Iron Folding Campaign Bed, finialed arched ends, scrolled decoration, fluted legs, casters, h. 50 in., w. 75 in., d. 35 1/4 in. [$400/600] 596. Seven Provincial Ladder‑Back Chairs, incl. two arms and five sides, spurred graduated slats, rush seats, turned stretchers, pad feet, spherule, armchair h. 41 3/4 in., w. 21 in., d. 16 in., chair h. 37 in., w. 18 1/2 in., d. 15 1/2 in. [$400/600]

599. Antique Provincial Fruitwood Ladder‑Back Armchair, graduated slats, baluster turned uprights, rush seat, stretchers, h. 45 in., w. 23 1/4 in., d. 17 in. [$200/300] 600. Louis XVI‑Style Mahogany Refraichissoir, branded “De Bournay”, marble top, two bottle wells, frieze drawer, stretcher shelf, cabriole legs, casters, h. 28 1/2 in., w. 16 in., d. 22 in. [$700/1000]

598. Provincial Louis XV‑Style Carved Fruitwood Buffet, late 18th/early 19th c., molded top, two cabinet doors, Gothicized stile, shaped apron, scroll toes, h. 40 1/2 in., w. 50 1/2 in., d. 23 in. [$800/1200]

601. French Provincial Carved Fruitwood Panetiere, 19th c., finials, lyre door, scroll supports, covered urn decorated apron, scroll toes, h. 34 1/2 in., w. 40 in., d. 19 in. [$500/700]

603. Three French Glazed Terracotta Pottery Vessels, incl. mustard yellow glazed jardiniere, h. 12 1/2 in.; green glazed covered urn, h. 14 in.; and ochre glazed pitcher, h. 10 in. [$300/500]

602. Italian Polychrome Ceramic Rooster and Hen Figures, marked “Intrada Italy”, scrollwork bases, h. 23 in. and 16 3/4 in. [$300/500]

604. Continental Green and Amber Glazed Pottery Pitcher, wide strap handle terminating in Bacchic masks, h. 12 3/4 in. [$100/200]

605. Weller Art Pottery “Parrots” Jardinière on Pedestal, c. 1920, marked, decorated by Rudolph Lorber, polychrome parrots amongst chrysanthemum blossoms, h. 32 in., dia. 14 1/4 in. [$500/700]

606. Antique Empire‑Style Bronze‑Mounted Marble Centerpiece, handles with flame finials, foliate and ribbon mounts, h. 12 in., w. 15 in., d. 11 1/2 in. [$600/800]

607. Large Louis XV‑Style Bronze Lantern, foliate support, tapered form, interior fitted with six light sockets, h. 54 in., dia. 29 in. [$3000/5000]

609. Pair of Antique French Patinated Copper and Terracotta Figures of Cherubs, 19th c., later wood bases, h. 22 in., w. 18 in., d. 16 in. [$3000/5000]

608. Decorative Malachite Guitar Sculpture, h. 29 in., w. 10 in., d. 3 in. [$1000/1400]

611. Russian Silver‑Mounted Porcelain Egg, with hinged lid, h. 7 in., dia. 3 1/2 in. [$400/600]

610. Pair of Italian Carved Marble Compotes, in the form of bird baths, doves resting on raised bowls, plinth base, h. 10 1/2 in., dia. 11 in. [$400/600]

613. Two Continental Gilt-Tooled Leather Cutlery Boxes, 19th c., bale handles, slant-front lids, fitted interiors, taller h. 11 in., w. 7 1/2 in., d. 4 1/2 in. [$800/1200]

615. Pair of Large Continental Patinated Bronze Sphinxes, h. 25 in., w. 22 in., d. 48 in. [$3000/5000]

612. Large Continental Patinated Bronze Charger, 20th c., cast with a bird and foliage, dia. 23 in. [$400/800]

614. Iberian Inlaid Dome Top Chest, 20th c., inlaid with brass and mother‑of‑pearl, h. 17 in., w. 21 1/2 in., d. 13 1/2 in. [$1000/1500]

616. Twenty‑Four Bronze Figural Bells, modeled as women in various antique dress, tallest h. 4 1/2 in. [$400/600]

617. Four Italian Black and White Marble Campagna Urns, 20th c., h. 21 1/2 in., dia. 16 in. [$1000/1500]

618. Pair of Empire‑Style Bronze and Malachite‑Mounted Cut Crystal Urns, 20th c., loop handles with portrait busts, h. 20 1/2 in., w. 11 in., d. 9 in. [$1400/1800]

619. Art Nouveau‑Style Brass Fire Fender, h. 12 in., w. 52 in., d. 16 in.; together with pair of brass andirons in the Colonial taste, h. 23 1/2 in., w. 11 1/2 in., d. 22 in. [$400/600] 620. Pair of Louis XV‑Style Silvered Bronze Four‑Light Girandoles, rock crystal and colored glass pendants, h. 27 1/2 in., w. 15 1/2 in., d. 10 in. [$1000/1500]

621. Pair of Iberian Mother‑of‑Pearl Inlaid Vases, octagonal form, foliate medallions on diapered ground, h. 29 1/2 in., dia. 11 in. [$1000/1500]

622. Pair of French Empire Gilt and Patinated Bronze Three‑Light Figural Candelabra, 19th c., winged figure standard, tall engine‑turned base, h. 21 3/4 in., dia. 7 in. [$1200/1800]

623. Pair of French Bronze and Marble Portrait Busts, signed Clodion, h. 10 1/2 in., w. 7 3/4 in., d. 5 1/4 in. [$800/1200]

625. Three French Bouillotte Lamps, each with adjustable tole shade, electrified, tallest h. 24 in., dia. 16 in. [$600/800]

624. Antique Carved Wood Illuminated Model of a Church, c. 1900, fronted by a drawer, h. 30 in., w. 16 1/2 in., d. 8 1/2 in. [$600/800]

626. Pair of French Three‑Light Bouillotte Lamps, red tole shades, adjustable shades and lights, h. 25 in., dia. 17 in. [$500/700]

627. Pair of French Neoclassical‑Style Bronze and Crystal Ten‑Light Chandeliers, 20th c., urn finials, scrolled arms, electrified, h. 48 in., dia. 34 in. [$5000/7000]

628. French Empire‑Style Six‑Light Figural Chandelier, early 20th c., centered by figure of Cupid, electrified, h. 25 in., dia. 24 1/2 in. [$1000/1500]

629. Pair of French Iron and Rock Crystal Two‑Light Sconces, 20th c., electrified, h. 20 in., w. 14 1/2 in., d. 9 in. [$600/800] 630. Pair of Continental Giltwood Two‑Light Sconces, central medallion with Classical figure relief, electrified, h. 30 1/2 in., w. 18 in., d. 7 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

632. Pair of Neoclassical‑Style Patinated Metal Street Lights, 20th c., fluted column, base with rams’ heads, paw feet, composite shades, h. 95 in., w. 20 in., d. 20 in. [$700/1000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

634. Pair of Italian Urn‑Form Giltwood and Faux Marbre Lamps, 20th c., h. (to socket) 22 in., w. 11 in., d. 7 in. [$400/600]

631. Belle Epoque Bronze Twenty‑Four Light Chandelier, feathered corona, scrolled arms with eagle’s head terms, h. 42 in., d. 36. [$2000/3000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

633. Pair of Continental Gilt Metal and Crystal Four‑Light Sconces, 20th c., h. 27 in., w. 14 in., d. 15 in. [$400/600]

635. French Two‑Light Bouillotte Lamp, 18th c., adjustable tole shade, brass urn form finial, h. 21 in., w. 9 1/2 in., d. 8 in. [$600/900]

636. Cranberry and White Overlay Glass Oil Lamp, 19th c., now electrified, bronze‑mounted marble base, fluted brass column, h. (to socket) 24 in., dia. 6 in. [$250/350]

637. Pair of Louis XV‑Style Gilt Metal, Rock and Cut Crystal Twelve‑Light Chandeliers, beaded, scrolled arms, hung with pendants, electrified, h. 46 in., dia. 32 in. [$6000/8000]

638. Two Georgian Brass and Glass Hall Lanterns, early 19th c., taller h. 23 in. [$600/900] Provenance: Whisnant Galleries Collection, New Orleans, LA.

639. English Cast Iron Figural Lamp, 19th c., cherub holding torch, marble base, h. 32 in., w. 10 in., d. 18 in. [$900/1200]

640. Pair of French Bronze “Aladdin” Lamps, flame‑form shades, electrified, h. 13 3/4 in., w. 13 in., d. 6 in. [$1200/1800]

641. Pair of Napoleon III Bronze and Marble Oil Lamps, 19th c., now converted to electric, Classical relief figural frieze, rouge marble base, h. (to socket) 22 in., dia. 6 1/2 in. [$800/1200]

642. French Patinated Metal Figural Lamp, 19th c., depicting a centurion, holding a foliate four‑light fixture, h. 55 in., w. 16 in., d. 22 in. [$1000/1200]

643. Pair of French Gilt Bronze Figural Chenets Mounted as Lamps, 19th c., cherub and scroll design, wood bases, h. (to socket) 18 in., w. 15 in., d. 7 in. [$800/1200]

644. Pair of Patinated Bronze Figures of “Benvenuto Cellini” and “Bernard Palissy”, after Jean‑Jacques Feuchere, each with “Vittoz Bronzier” inscribed on self‑base, heights 20 1/2 in., black marble and gilt metal bases, overall heights 25 in. (2 pcs.) [$1500/2000]

645. Pair of Bronze Figures of Renaissance Artists, after Leon Pilet, each with signature inscribed on self‑base, heights 16 1/2 in. (2 pcs.) [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

646. Bronze Figural Group of “François Ier à Cheval”, after Louis Marie Moris, signature inscribed on self‑base, h. 32 1/2 in., w. 34 7/8 in., d. 14 1/2 in. [$1800/2500]

649. French Patinated Bronze Figure of “Diana of Gabii”, after the carved marble now conserved at the Musée du Louvre, Paris, “Réduction méchanique/A. Collas” foundry plug and “F. Barbedienne. Fondeur” inscribed on self‑base, “66” inscribed on underside, h. 17 in., w. 5 in., d. 4 1/2 in. [$600/800]

647. Bronze Figure of “Comte Camille de Montalivet, Ministere de l’Interieur 1838”, after Jean‑Auguste Barre, signature and “26 Janvier/1841” inscribed on self‑base, h. 19 1/2 in., w. 7 5/8 in., d 6 7/8 in. [$500/700]

650. Patinated Bronze Figural Group of a Satyr with Bacchante and Putti, manner of Clodion, signature inscribed on self‑base, h. 19 in., w. 13 1/2 in., d. 13 in., marble base, overall h. 21 1/2 in. [$1200/1800]

648. Bronze Figure of “Bartolomeo Colleoni”, after Andrea del Verrocchio, h. 13 1/2 in., w. 13 1/2 in., d. 7 in., marble base with ormolu mounts and artist a nd title plaque, overall h. 18 3/4 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

651. Bronze Figural Group of a Man Slaying Mountain Lion, after Hippolyte Moreau, signature inscribed and “6/1689/AL/A. Goldscheider./ED. Paris/Vrai Bronze” foundry stamp on self‑base, h. 31 1/2 in., w. 13 1/2 in., d. 12 in. [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

652. Bronze Figural Group of Athena Leaning on a Column, 20th c., h. 19 1/2 in., w. 11 1/4 in., d. 5 1/2 in., faux marbre base, overall h. 22 1/2 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

653. Bronze Bust of “Diana”, after Jean‑Antoine Houdon, signature inscribed and “Susses Frères” foundry stamp on truncation, h. 22 1/2 in., w. 14 in., d. 8 in. [$300/500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

654. Bronze Figure of “Satyr Playing the Flute”, after the antique now conserved in the Musée du Louvre, Paris, h. 21 1/4 in., w. 11 in., d. 5 in., ebonized and gilt metal base, overall h. 23 3/4 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

655. Bronze Figure of “Narcissus or Dionysus”, after the antique found in Pompeii in 1862, “P. Le Faguays” inscribed on self‑base, h. 25 1/2 in., w. 11 in., d. 9 1/2 in. [$400/600]

656. Bronze Figural Group of Diana and Cupid, partial signature inscribed on self‑base, h. 15 in., w. 11 in., d. 5 1/2 in., metal base, overall h. 17 in. [$500/700]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

658. Patinated Bronze Figure of a Knight Holding a Horn Cup, h. 7 in., w. 2 3/8 in., d. 2 3/4 in., rouge marble base, overall h. 10 in. [$300/500]

659. Patinated and Gilt Figural Group of “Gloria Victis”, after Marius‑Jean‑Antonin Mercie, marble base, overall h. 32 in. [$3000/5000]

657. Carved Alabaster Figural Group of “Psyche Revived by Cupid’s Kiss”, after Antonio Canova, h. 20 in., w. 20 in., d. 7 3/4 in. [$800/1200]

661. Bronze Figural Group of “Génie and Science”, after Mathurin Moreau, signature inscribed and title plaque on self‑base, h. 46 1/2 in. [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago. 660. Art Nouveau‑Style Patinated Bronze Figural Group of “Les Amis de Toujours”, after Chiparus, partial inscription on self‑base, h. 15 1/2 in., w. 15 in., d. 5 in. [$300/500]

663. Pair of Patinated and Silvered Bronze Figures Depicting “Le Depit Amoureux”, each inscribed “E. Greil”, stamped “L.M.” and with title plaques on self‑bases, heights 9 1/4 in. (2 pcs.) [$600/800]

664. Bronze Figural Group of “La Renommée chevauchant Pégase”, after Antoine Coysevox, original now conserved at the Musée du Louvre, Paris, signature and “1709” inscribed on self‑base, h. 24 1/2 in., w. 20 3/4 in., d. 7 3/4 in. [$3000/5000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

662. Patinated Bronze Figure of “Le Bretteur”, after Edouard Drouot, signature inscribed on self‑base, h. 31 in., w. 12 in., d. 10 in. Note: missing blade. [$1000/1500]

665. Bronze Figure of “Actaeon”, after Adrien‑Etienne Gaudez, signature inscribed and title plaque with artist on self‑base, h. 27 1/2 in., w. 14 in., d. 11 3/4 in. [$300/500]

666. Bronze Figure of “Fac et Spera”, after Henri Desire Gauquie, signature inscribed and titled on self‑base, h. 23 3/4 in., w. 12 in., d. 11 1/2 in. [$800/1200]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

669. Sevres‑Style Polychrome and Gilt Porcelain Dresser Box, 19th c., scroll mark, signed “E. Froger”, cobalt blue ground, lid with courting couple, body and interior with flowers, h. 6 in., w. 12 1/2 in., d. 8 5/8 in. [$600/900] 667. Aldo Bartelletti (Italian, 1898‑1976), “Children”, 1931, carved marble, signed and dated on shoulder, h. 15 1/2 in., w. 15 1/4 in., d. 8 1/2 in. [$500/800]

668. Pair of French Bronze‑Mounted Porcelain Covered Vases, 19th c., cobalt blue bodies, bronze paw feet, scroll handles, h. 25 1/2 in., dia. 11 in. [$700/900]

671. Louis XV‑Style Bronze-Mounted Sevres‑Style Bleu du Roi and Gilt Porcelain Covered Urn, marked, reserved with waterfall landscape, scrolled figural handles, bud finial, h. 31 in., w. 12 in., d. 10 in. [$800/1200] 672. Pair of Sevres‑Style Bronze‑Mounted Polychrome and Gilt Porcelain Lidded Urns, 19th/20th c., cobalt blue ground, reserved with lakeside landscape, winged bust of maiden handles, h. 29 in., w. 13 in. [$1000/1500]

670. Large Bronze‑Mounted Sevres‑Style Polychrome and Gilt Porcelain Box, marked, bleu celeste ground, reserved with courting couples, h. 11 3/4 in., w. 17 in., d. 11 1/2 in. [$600/900]

673. Bronze‑Mounted Capodimonte Polychrome and Gilt Porcelain Coffer, 19th c., marked, with Classical figures, ornate lock with key, velvet lined interior, h. 13 in., w. 14 in., d. 8 in. [$800/1200]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

675. Large Napoleon III Bronze‑Mounted Sevres‑Style Bleu Celeste Porcelain Centerpiece, 19th c., oval form, the reserves painted with a floral spray, and cherubs, scroll and Greek‑key handles, the reticulated rim and base cast with grapevines, removable tin liner with manuscript “Desbouttes/10940/Q”, h. 20 in., w. 22 3/4 in., d. 11 in. [$2500/3500]

674. Large Polychrome and Gilt Porcelain Dresser Box, B.S. Star mark, green body and ground, lid reserved with courting couple, h. 5 1/2 in., w. 10 1/2 in., d. 8 1/4 in. [$600/800]

676. Pair of United Wilson Louis XV‑Style Bronze‑Mounted Porcelain Vases, marked, figural and floral handles, h. 21 1/2 in., w. 10 in. [$800/1200]

677. Pair of German KPM‑Style Polychrome and Gilt Porcelain Vases, marked, gilt ground, floral reserves, figural handles, h. 23 3/4 in., w. 10 in., d. 7 1/2 in. [$800/1200]

678. Pair of Limoges Gilt Porcelain Candlesticks, B & Co mark, black bases with gilt floral overlay, h. 8 1/2 in. [$150/250]

679. Paris Porcelain Corbeille, mid‑19th c., with cobalt and gilt decoration, h. 8 3/4 in., dia. 9 1/8 in. [$150/250]

681. Paris Porcelain Well and Tree Meat Platter, 19th c., polychrome floral decoration, gilt rim, l. 22 3/8 in., w. 15 1/4 in. [$200/400]

682. Seven Boch Freres Creamware Napoleonic Plates, c. 1900, marked, transfer decoration, dia. 8 in. [$150/250]

680. Monumental Bronze‑Mounted Sevres‑Style Porcelain Center Bowl, 19th/20th c., blue crossed swords mark, polychrome floral decoration, blue ground, gilt accents, acanthus scroll handles, h. 10 3/4 in., dia. 23 1/2 in. [$600/900]

683. Herend “Rothschild Bird” Porcelain Coffee Service, marked, incl. coffee pot, h. 10 1/2 in.; covered sugar, dia. 3 1/2 in.; creamer, h. 3 3/4 in.; 12 cups, h. 2 1/2 in.; and 12 saucers, dia. 5 1/2 in. (27 pcs.) [$300/500]

684. Meissen‑Style Polychrome and Gilt Porcelain Foot Basin, blue crossed swords mark, rose Pompadour ground, celeste bleu rim, floral reserves, h. 8 1/4 in., w. 22 in., d. 15 in. [$300/500]

685. Jacob Petit Paris Porcelain Figural Scent Bottle, 19th c., marked “JP”, modeled as a Sicilian male in traditional attire, h. 9 1/2 in., w. 4 1/4 in.; Note: Lacking stopper. [$200/300]

686. Two Paris Polychrome and Gilt Porcelain Inkwells, mid‑19th c., incl. sarcophagus form with lyre finial, h. 4 3/4 in., w. 5 1/2 in., d. 3 3/8 in.; and tomb dedicated to the memory of Napoleon, marked, h. 3 in., w. 4 in., d. 3 in. [$200/300]

687. Pair of Paris Bisque, Polychrome and Gilt Porcelain Flare Vases, mid‑19th c., impressed “465” or “M”, molded with acanthus leaves and mounted with the figure of Cupid or Psyche, h. 14 in., w. 7 5/8 in., d. 5 1/4 in. [$500/700]

689. Bronze and Iron Mythological Throne Chair, possibly Oskar Bach, oval back, medallion crest, colonnettes with bud finials, flared feet, h. 51 1/4 in., w. 22 1/2 in., d. 18 in. [$600/800]

688. Antique Louis XV‑Style Upholstered Bench, shell carved apron, cabriole legs, foliate toe, h. 21 1/2 in., w. 36 in., d. 16 in. [$300/500]

690. Louis XV‑Style Mahogany Extension Dining Table, maker Michel Ferrand, molded pegged top, shaped apron, cabriole legs, butterfly extension with one self‑storing leaf, h. 30 1/4 in., w. (closed) 98 1/2 in., w. (open) 130 in., d. 48 in. [$1200/1800]

691. Set of Eight Louis XV‑Style Mahogany Dining Chairs, incl. 2 arms and 6 sides, leather upholstery, with nailhead trim, scroll back, cabriole legs, scroll toes, arm h. 40 in., w. 25 1/2 in., d. 21 in., side h. 40 in., w. 23 in., d. 21 in. [$1000/1500]

693. Pair of Baroque‑Style Silver Gilt Carved Wood Benches, raised tapered cushion, scrolled legs, stretchers, h. 19 in., w. 26 in., d. 19 in. [$800/1200] 694. Pair of Louis XVI‑Style Mahogany and Parquetry Semainiers, faux marbre tops with canted corners, seven drawers, sabots, h. 50 1/2 in., w. 14 in., d. 10 1/2 in. [$800/1200]

692. Empire‑Style Mahogany and Parcel Gilt Center Table, specimen marble game board top, reverse tapered ring‑turned standard, star base, disc feet, h. 28 1/4 in., dia. 36 in. [$1000/2000]

695. Pair of Louis XV‑Style Bronze‑Mounted, Marquetry and Parquetry Side Tables, pierced brass gallery, single drawer, stretcher shelf, sabots, h. 27 in., w. 18 in., d. 14 1/4 in. [$800/1200]

697. Louis XV‑Style Porcelain and Bronze‑Mounted Marquetry and Parquetry Low Table, banded shield top, oval floral plaques, cabriole legs, sabots, h. 18 1/2 in., w. 45 in., d. 28 in. [$1000/1500]

696. Pair of Moorish Mother-of-Pearl Inlaid Decagonal Tabourets, dished tops, arcade bases, h. 27 1/2 in., dia. 21 in. [$2000/3000]

698. Pair of Louis XV‑Style Bombe Petite Commodes, molded shaped marble top, two drawers, cabriole legs, sabots, h. 33 1/2 in., w. 32 1/4 in., d. 17 in. [$800/1200] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago. 699. Pair of Regence‑Style Pewter Inlaid Music Cabinets, molded shaped marble top, frieze drawer, bracketed canted corners, single door, shelf interior, h. 40 1/2 in., w. 32 in., d. 15 1/2 in. [$1000/1400]

700. Pair of Louis XV‑Style Fauteuils, late 18th/early 19th c., floral crest, padded arms, cabriole legs, h. 34 in., w. 25 in., d. 20 in. [$800/1200]

702. Italian Wrought Iron Console, specimen marble top, scrolled supports, turned stretcher bar, plinth base, h. 39 in., w. 70 1/2 in., d. 26 in. [$2000/4000]

701. French Bronze‑Mounted and Ebonized Boullework Salon Table, turtle top, single drawer, maiden mounted knees, cabriole legs, sabots, h. 29 1/2 in., w. 52 1/2 in., d. 33 1/4 in. [$2000/4000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

703. Louis XV‑Style Bronze‑Mounted Kingwood Parquetry Bureau Plat, 20th c., embossed leather top, three drawers, cabriole legs, sabots, h. 31 1/2 in., w. 55 in., d. 30 in. [$400/600]

704. Venetian-Style Paint-Decorated Armoire, scroll crest, two doors, sponge painted shelf interior, cabriole legs, h. 80 in., w. 46 1/2 in., d. 23 in. [$1000/1500]

705. Giltwood and Cane Three‑Piece Parlor Suite in the Belle Epoque Taste, incl. settee and two armchairs, barrel form, sofa with pierced back, relief carved roses, portrait cartouche, cane seats and backs, portrait and rose swag seat rail, cabriole legs, sofa h. 32 1/2 in., w. 48 in., d. 22 in., armchair h. 30 1/2 in., w. 30 in., d. 19 in. [$800/1200] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

707. Pair of Continental Louis XV‑Style Carved and Crème Peinte Consoles, faux marbre tops, pierced scroll apron, leaf and berry swag, urn finialed stretcher, scroll toes, h. 31 in., w. 36 in., d. 17 1/2 in. [$1200/1800] Provenance: Karl Katz Antiques, New Orleans 706. Louis XVI‑Style Ormolu‑Mounted Parquetry and Marquetry Commode, shaped molded marble top, conforming case with three drawers, two doors, central fruit and ewer panel, foliate scroll sabots, h. 38 1/4 in., w. 66 in., d. 24 1/2 in. [$3000/5000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

708. Pair of Louis XV‑Style Paint‑Decorated Fauteuils, 20th c., shell‑carved crest, padded back, arms and seat, acanthus carved cabriole legs, whorl foot, h. 39 3/4 in., w. 27 in., d. 26 in. [$700/1000]

709. Pair of Louis XIV‑Style Carved Giltwood Mirrors, eagle centered broken pediment, relief carved keyed surround, caryatid supports, pierced masque base, h. 65 in., w. 39 1/2 in., d. 6 in. [$3000/5000]

711. Nine‑Piece French Empire Carved Mahogany and Gilt Salon Suite, early‑to‑mid 19th c., incl. canape, 4 fauteuils, 4 chaises, scroll back, padded arms, rosette capped bound “arrow” quiver stiles, foliate spherule feet, settee h. 37 in., w. 43 1/2 in., d. 22 in., armchair h. 37 1/2 in., w. 23 1/2 in., d. 19 in., side chair h. 35 1/2 in., w. 19 in., d. 15 in. [$3000/5000] Provenance: Whisnant Galleries Collection, New Orleans, LA.

710. Belle Epoque Carved Giltwood Overmantel Mirror, 19th c., winged shield crest, griffin corners with bellflowers, beveled divided mirror plate, beaded inner surround, molded outer surround, cabochon mounts, rocaille base, h. 58 in., w. 40 in. [$1000/1500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

712. Pair of Antique Louis XV‑Style Creme Peinte Bergères, 19th c., shaped back, padded arms, cabriole legs, h. 36 1/2 in., w. 25 1/2 in., d. 19 in. [$1000/1500]

714. Bronze Dore Jewelry Box in the form of a Miniature Regence‑Style Commode, decorated à quatre faces with rocaille, three velvetlined drawers, base, bracket feet, h. 7 1/4 in., w. 9 1/2 in., d. 5 1/4 in. [$800/1200]

713. Neoclassical‑Style Mahogany, Marquetry and Parcel Gilt Center Table, circular top, reeded apron, foliate scroll supports, incurvate base, compressed lobed bun feet, h. 31 1/2 in., dia. 62 in. [$2000/4000]

715. Continental Silver‑Mounted Spinach Green Jade Page Turner, possibly Russian, engraved with monogram and with date “1883”, l. 9 in. [$400/600]

717. Carved Rock Crystal Skull, h. 6 in., w. 5 in., d. 8 in. [$500/700]

716. Continental BronzeMounted Blue John Urn, 19th c., scroll handles with Classical busts, tall plinth base inset with jasperware cameo, h. 15 in., w. 5 in., d. 5 in. [$600/800]

718. Empire‑Style Silvered Bronze Three‑Piece Garniture, with centerbowl and pair of six-light candelabra, h. 28 in., w. 8 1/2 in., d. 9 in., bowl h. 12 in., dia. 16 in. [$800/1200]

720. Large Continental Bronze Ceremonial Vessel, two handles, allover applied decorative mounts, h. 19 in., w. 17 in., d. 13 in. [$600/800]

719. Pair of Italian Carved Wood Figures of Cherubs, 19th c., with support hooks, h. 28 in., w. 23 in., d. 11 in. [$900/1200]

724. Venetian Carved and Polychromed Blackamoor Figural Card Stand, 19th c., h. 38 in., w. 17 in., d. 12 in. [$600/800] 722. Pair of Large Spanish Wrought Iron and Painted Wood Pricket Torcheres, 19th c., foliate standard and base, h. 61 in., w. 24 in., d. 24 in. [$1200/1800]

721. Patinated Bronze Figure of a Seated Monkey, holding a piece of fruit, h. 11 in., w. 8 in., d. 9 in. [$400/600]

725. Empire‑Style Gilt Bronze‑Mounted Marble Urn, c. 1900, Greek key and garland handles, h. 23 1/2 in., w. 9 in., d. 5 3/4 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

723. Fifteen Carved Meerschaum Pipes, variety of figures, eleven with cases, largest l. 10 in. [$1000/1500] 727. Baccarat‑Style Gilt Bronze and Crystal Tantalus, c. 1900, hinged lid with mirrored interior and bunch of grapes handle, back wall and floor with peacock cut glass decoration, three faceted decanters (one with Baccarat paper label), 15 mug‑form cordials, h. 15 in., w. 17 1/2 in., d. 11 1/2 in. [$1500/2500]

726. Pair of Renaissance‑Style Patinated Bronze Chenets, surmounted by figure of Mercury, over cherubs and sirens, h. 40 in., w. 22 in., d. 11 in. [$700/1000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

729. French Bronze‑Mounted Rouge Marble Encrier, c. 1900, central bronze figure after Michelangelo, flanked by ink pots, base with integral pen tray, h. 12 3/4 in., w. 18 3/4 in., d. 9 1/2 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

728. Eighteen Bohemian Cut‑to‑Clear Glass Goblets, variously blue, green, cranberry, amber and plum, h. 9 1/2 in., dia. 2 1/2 in. [$400/600]

731. Pair of Monumental French Carved and Polychromed Single‑Light Sconces, 18th c., convex form, painted with cherubs and scrolls, opening now fitted with fabric decoration, single pricket, h. 87 in., w. 28 in., d. 18 in. [$2000/4000]

733. Continental Marquetry Panel, 19th c., depicting a castle on a lake, giltwood frame, h. 30 in., w. 38 1/2 in., d. 3 12 in. [$400/600]

732. Pair of Italian Giltwood Three‑Light Candelabra, late 19th c., scroll and foliate design, h. 22 3/4 in., w. 20 in., d. 6 1/2 in. [$700/1000]

734. Pair of Louis XVI‑Style Bronze‑Mounted Marble Cassolettes, floral finials, ram’s head handles, h. 21 in., w. 10 1/2 in., d. 8 in. [$1000/1500]

730. Aesthetic Bronze Fire Screen, central Buddhist lion with prunus and brocade bale, pierced shaped frame, sinuous dragon feet, h. 32 in., w. 33 1/4 in., d. 13 1/4 in, h. 32 in., w. 32 in., d. 14 in. [$400/600]

736. Continental Renaissance‑Style Brass Pedestal, shaped standard, scroll base, h. 43 in., w. 14 in., d. 14 in., top surface 9 1/4 in. x 9 1/4 in. [$400/600]

735. Antique Continental Bronze‑Mounted Rosewood, Ebonized and Boullework Bibliothèque, upper case with stepped arched crest, canted blocked corners, two glazed doors, shelf interior, fitted secretary drawer, lower case with doors, caryatid stiles, exuberant apron, rosettes, block feet, h. 90 in., w. 53 in., d. 23 in. [$3000/5000]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

738. French Boullework, Ebonized and Gilt Bronze Poudreuse, lift top with inset mirror, upholstered interior, two lower shelves, cabriole legs, sabot, h. 31 in., w. 20 in., d. 15 in. [$400/600]

740. Pair of Louis XV‑Style Carved Giltwood Mirrors, pierced rocaille crest, scroll surround, foliate scroll base, h. 33 in., w. 36 1/2 in. [$1200/1800]

742. Decorative Egyptianesque Verdigris Patinated Bronze Table, faux porphyry top, three standing pharaohs, tripartite base, h. 28 in., dia. 22 in. [$600/800]

744. Pair of Venetian‑Style Painted and Parcel Gilt Jardinieres, beaded rim, guilloche frieze, carved garland, acanthus carved standards, disc feet, metal liners, h. 46 1/2 in., dia. 18 in. [$800/1200]

737. Pair of Gilt Metal and Sevres‑Style Porcelain Gueridons, anthemion scroll gallery, top and stretcher shelf with inset porcelain plaques of courting couples, beaded legs, foliate toes, h. 32 1/4 in., dia. 20 in. [$1500/2500]

739. Louis XV‑Style Boullework Jardiniere, twin liner, pierced gallery, molded surround, figural knees, sabots, h. 32 1/2 in., w. 29 3/4 in., d. 19 in. [$600/900] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

741. Two Regency Ebonized and Painted Vitrines, early‑to‑mid 19th c., single door, glazed top and case, single drawer, h. 25 in., w. 14 in., d. 14 in. [$500/700]

743. Antique Continental Parquetry Occasional Table, starburst top, turned standard, outswept feet, h. 29 1/2 in., dia. 27 1/2 in. [$200/300]

745. Belle Epoque Carved Maple Two-Part Bookcase, 19th c., molded double domed upper case with glazed doors, shelf interior, relief carved capitals, masque mullions, lower case with two strapwork drawers, two doors, cabochon shield panels, blocked base, h. 95 in., w. 59 1/4 in., d. 24 in. [$2500/3500]

746. Italian Neoclassical‑Style Carved Giltwood Jardiniere, octagonal form, scroll finials, lobed body, molded conforming base, bracket feet, h. 31 in., dia. 33 in. [$1200/1800]

747. Pair of Siena Bronze‑Mounted Fluted Marble Pedestals, variegated rouge and white, h. 39 1/2 in., w. 16 in., d. 16 in. [$1800/2400]

748. Antique Continental Ebonized and Tortoiseshell Mirror, 19th c., ripple moldings, rectangular mirror plate, h. 34 1/2 in., w. 40 in. [$400/600]

750. Francesco Beda (Italian, 1840‑1900), “Un Incroyable”, 1880, oil on panel, signed and dated lower left, label with artist and title en verso, 15 3/4 in. x 12 1/2 in., framed. [$2500/3500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

751. Continental School, 19th c., “Portrait of a Seated Girl Reading a Book”, oil on canvas, unsigned, 53 1/2 in. x 40 1/2 in., framed. [$1500/2500]

749. Adolfo Aguila y Acosta (Spanish, c. 1858‑1912), “Woman in a Lace Mantilla”, oil on panel, signed lower left, 17 1/4 in. x 13 1/2 in., framed. [$400/600]

754. Continental School, 20th c., “Roman Ruins”, oil‑enhanced print on canvas, signed “Valentino” lower right, 30 in. x 40 in., framed. [$1200/1800]

752. Nathaniel Sichel (German, 1843‑1907), “Portrait of a Young Woman”, oil on canvas, signed upper right, 31 3/4 in. x 23 in., ornate frame. [$1000/1500]

755. Hellenistic‑Style Marble Bust of a Child, after the antique now conserved at the Metropolitan Museum of Art, New York, h. 7 1/2 in., w. 6 1/2 in., d. 7 1/2 in., cast iron base, overall h. 12 in. [$400/600]

753. Continental School, late 19th c., “Harem Scene”, oil on canvas, indistinctly signed lower right, 14 in. x 16 in., framed. [$900/1200]

756. Egyptianesque Carved Soft Stone Head of a Woman, after the prototypical antiques now conserved in the Metropolitan Museum of Art, New York and other institutions, h. 5 in., w. 6 in., d. 5 1/2 in., wood base, overall h. 9 in. [$300/500]

757. Carved Marble Figure of “Venus Vitrix”, after Antonio Canova, signed “M. Passini”, on chaise longue, h. 15 in., w. 20 in., d. 9 in., wood base, overall h. 20 3/4 in. [$600/800]

758. Life Size Carved Italian Marble Sculpture of Dionysus, h. 72 in., w. 25 in., d. 22 in. [$5000/7500] Provenance: Purchased in Italy; Private Collection.

759. Carved Marble Torso of Hercules, after the antique now conserved at the Museo Archeologico Nazionale di Napoli, mounted on granite base, overall h. 45 1/2 in. [$4000/6000]

761. French School, 19th c., “Sunset in Autumn”, oil on canvas, signed “G. Spetz” lower right, “Marchand, Dorure & Encadrement, Paris” label on reverse of frame, 31 3/8 in. x 19 5/8 in., framed. [$1000/1500]

760. French School, 1925, “Jardin de la Fontaine, Nîmes”, oil on panel, signed “Ani... Vidal”, dated and inscribed “Nîmes” lower right, 21 1/2 in. x 18 in., framed. [$800/1200]

762. French School, mid‑19th c., “Wooded Landscape with Figures and Cattle”, oil on canvas, unsigned, Paris canvas stamp en verso, 26 1/8 in. x 34 1/4 in., framed. [$1000/1500]

763. Eight Antique Continental Snuff Boxes, incl. four carved bone, one horn, two wooden (one boat form), and a Scottish horn mull, boat length 4 in. [$600/900]

765. Six Antique Continental Boxes, 19th c., one tortoiseshell with portrait, one with soldiers on horseback, one carved wood titled “Bataille des 3 Empereur”, and others, largest length 4 in. [$250/350]

766. Eight Antique Needle Holders and Tape Measures, tape measures incl. mouse in a cage, a bicycle, and an acorn, bicycle h. 1 1/2 in. [$250/350]

768. Large Antique Hammered Brass Jug, late 19th c., lion‑form spout, h. 27 in., dia. 12 in. [$200/300] 767. Pair of Napoleon III Bronze Five‑Light Sconces, 19th c., cast with Classical busts, foliate arms, prism hung, electrified, h. 25 in., w. 24 in., d. 14 in. [$1000/1500]

771. Four Dutch Brass Candlesticks, 18th c., vasiform, tripartite base., h. 26 in., w. 6 1/2 in., d. 6 1/2 in. [$900/1200]

772. Pair of Italian Rococo‑Style Carved Giltwood Figural Prickets, cherub and scroll, h. 26 in., w. 10 in., d. 5 in. [$500/700]

764. Six Antique Continental Lacquered Boxes, incl. one Russian showing a woman with samovar, one soldier, 3 portraits, one of courting couple, longest 5 1/4 in. [$250/350]

770. Eight French Alabaster Busts, late 19th/early 20th c., tallest h. 9 7/8 in., w. 6 in., d. 4 in. [$400/600] 769. Continental Majolica Figures Holding Baskets, 20th c., h. 21 in., w. 10 in., d. 10 1/2 in. [$400/600]

773. French Champleve Seven‑Piece Desk Set, c. 1900, incl. two blotters, letter holder, ink pot, pen tray, candleholder, and box, ink pot h. 4 in. [$500/700]

774. Yellow Gold, Silver and Gemset Carved Rock Crystal Bird‑Form Cup and Cover, 20th c., in the style of Hermann Ratzendorfer of Vienna, set with sapphire and diamond eyes, the body and base with cabochon emeralds and rubies, and diamonds, h. 8 3/4 in., w. 5 in., d. 2 3/4 in. [$5000/7000]

775. Austrian Silver Gilt and Jeweled Enamel Ewer, scrolled handle, chased with foliate design, h. 9 in., w. 6 in., d. 4 1/2 in. [$1500/2000]

776. Pair of Large Grand Tour‑Style Specimen Marble Obelisks, of typical form, h. 40 1/2 in., w. 9 in., d. 9 in. [$2500/3500]

778. French Neoclassical‑Style Bronze Tazza, 19th c., well is cast with Bacchic cherubs, scroll handles, h. 10 in., w. 19 in., d. 12 in. [$300/500]

780. Pair of German Polychrome and Gilt Porcelain Figural Groups of Maiden with Putti, 19th c., one illegibly marked., h. 10 in., w. 6 in. [$300/500]

783. Pair of Meissen Porcelain Busts of Young Girls, 19th c., blue crossed swords marks, h. 5 1/2 in., w. 4 in. [$400/600]

787. Meissen‑Style Gilt and Polychrome Porcelain Footed Tray, 20th c., blue ground, reserve color lithographed with Classical figures in a garden, l. 22 5/8in., w. 13 3/4 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

781. Four Meissen Porcelain Figural Groups of Putti at Work, 19th c, blue crossed swords marks with incised numbers, largest h. 5 in., w. 3 in., d. 3 1/2 in. [$600/800]

784. Pair of Meissen‑Style Polychrome and Gilt Porcelain Four‑Light Candelabra, 20th c., blue crossed swords mark, figural and floral motif, paw feet, h. 20 1/4 in., w. 10 1/2 in. [$600/900]

785. Pair of Dresden Polychrome and Gilt Porcelain Figural Compotes, 19th c., “RK Dresden” and crossed swords marks, applied putti and roses, blue ground, h. 19 3/4 in., dia. 14 in. [$1000/1200]

788. Pair of German Meissen‑Style Polychrome and Gilt Porcelain Covered Vases, blue crossed swords marks, oval form, floral decoration, lion’s head handles, h. 19 in., w. 14 1/2 in., d. 8 1/2 in. [$1000/1500]

789. Pair of Meissen‑Style Figural Polychrome and Gilt Porcelain Pot-Pourri Urns, 19th/20th c., marked, decorated with putti and applied flowers, h. 12 in. [$600/900] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

777. Pair of Italian Grand Tour‑Style Carrara Marble Parcel Gilt Ruins, 20th c., conforming wood bases, taller h. 18 in., w. 15 1/2 in., d. 12 in. [$1200/1800]

779. Meissen Polychrome and Gilt Porcelain Figural Group of Silenus, Bacchus and Bacchante with Donkey, 19th c., blue crossed swords mark., h. 8 1/2 in., w. 8 1/2 in., d. 5 1/2 in. [$400/600]

782. Four Meissen Porcelain Figures of Putti from the Devisenkinder Series, 19th c., blue crossed swords marks and incised/impressed numbers, largest h. 5 1/2 in., w. 3 in., d. 2 1/2 in. [$600/800]

786. Pair of German Polychrome Porcelain Bottle Vases, 19th c., reserved with courting couples, bodies with applied flowers, h. 11 1/2 in., now mounted as lamps, h. (incl. finial) 26 in. [$500/700]

790. Pair of English Polychrome and Gilt Porcelain Covered Urns, 19th c., applied flowers, reserved with landscape, castle and cottages, reticulated floral lid, h. 17 1/4 in., w. 8 1/2 in. [$1000/1500]

791. Dutch Carved Mahogany Serpentine Lowboy, 19th c., molded shaped top, conforming case, two drawers, cabriole legs, pad feet, h. 29 3/4 in., w. 30 1/4 in., d. 19 in. [$700/900]

794. Antique Continental Marquetry Bedside Commode, frieze drawer, open shelf, lower cabinet, h. 29 1/4 in., w. 20 in., d. 19 3/4 in. [$400/600]

792. Antique Dutch Marquetry Armchair, 19th c., tulip inlaid scroll back, outswept arms, shaped seat, conforming apron, cabriole legs, ball and claw feet, h. 46 in., w. 29 1/2 in., d. 20 in. [$300/500]

793. Continental Marquetry Handkerchief Games Table, 19th c., fold‑over top, baize playing surface, tapered legs, h. 29 in., w. 34 in., d. (open) 34 in. [$400/600]

795. Dutch Marquetry Mahogany Tilt‑Top Table, 19th c., ring‑turned baluster standard, outswept legs, ball and claw feet, h. 29 in., dia. 29 in. [$500/700]

796. Dutch Marquetry Rocking Chair, 19th c., tablet back, scroll arms, rocker bars, h. 36 in., w. 21 in., d. 34 in. [$400/600]

798. Louis Philippe Mahogany and Marquetry Chest of Drawers, early‑to‑mid 19th c., cove molded top, frieze drawer, three long drawers, shaped bracket feet, h. 41 in., w. 53 in., d. 24 1/2 in. [$1000/1500]

799. Neoclassical‑Style Marquetry and Parquetry Games Table, foldover top with game board, frieze drawer, tapered standard, scroll legs, h. 32 in., w. 17 in., d. 14 1/2 in. [$400/600]

797. Dutch Marquetry Occasional Table, 19th c., drop‑leaf top, two drawers, stretcher shelf, tapered legs, metal feet, h. 30 in., w. 19 in., d. 17 in. [$400/600]

800. Antique Dutch Marquetry and Mahogany Fall‑Front Desk, fitted interior, storage well, baize writing surface, bombe front, two small drawers, three shaped drawers, cabriole legs, compressed disc feet, h. 44 in., w. 44 in., d. 21 in. [$1000/1200]

802. Empire‑Style Burled Wood and Parcel Gilt Grecian Couch, scrolled back, swan’s neck arms, paw feet with anthemion petal brackets, robin’s egg blue silk upholstery, h. 43 in., w. 94 in., d. 27 1/2 in. [$1000/1500]

801. Antique Spanish Baroque‑Style Carved Giltwood, Rosewood, Bronze and Mother‑of‑Pearl Marquetry Bedstead, pierced scroll crest, shield headboard, finialed posts, shaped rails, conforming foot board, spherule feet, h. 87 in., l. 72 in., w. 57 in. [$800/1200] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

803. Antique Repousse Silvered Metal Mirror, crown crest, figural hunters, exotic birds, boars, foliate scroll surround, oval beveled mirror plate, h. 56 in., w. 43 in. [$2000/3000] Provenance: Robert M. Pettus, Things Finer, Santa Fe

804. Chelsea Ship’s Bell and Barometer Desk Set, 20th c., dials marked “Chelsea” and “Baker Lyman & Co., Inc/New Orleans”, dial diameters 5 3/8 in., on mahogany base, h. 8 3/4 in., w. 27 1/4 in., d. 4 1/4 in. [$300/500]

805. Antique French Malachite‑Inlaid Marble Regulator Clock, late 19th c., dial with visible escapement and marked “HAVARD”, the striking bell movement marked “S. Marti”, compensating pendulum, incised case, h. 19 in., w. 18 in., d. 6 in. [$400/600]

808. Monumental Louis XVI‑Style Gilt Bronze and Cut Crystal Clock, 20th c., porcelain dial flanked by eagles, diamond‑pattern glass columns raised on sphinxes, h. 45 in., w. 32 in., d. 7 in. [$4000/6000]

806. Louis XVI‑Style Bronze Mantel Clock, c. 1900, striking bell movement by Mougin, urn finial, female winged term legs, h. 28 in., w. 14 1/2 in., d. 9 1/4 in. [$1500/2500]

807. Napoleon III Marble Mantel Clock, 19th c., striking bell movement marked “Japy Freres”, h. 12 in., w. 9 3/4 in., d. 5 1/4 in. [$250/350]

809. Louis Philippe Patinated Gilt and Patinated Bronze Figural Mantel Clock, 19th c., figure of Cupid in front of waterfall, flanked by cattails, over relief mount of oar, dolphin and trident, h. 17 1/2 in., w. 12 1/2 in., d. 5 in. [$1000/1500]

810. Louis XV‑Style Cartel Clock, 20th c., carved giltwood and composite, porcelain dial, h. 36 in., w. 19 in., d. 7 in. [$600/800]

812. Antique English Chinoiserie Tall Case Clock, 19th c., dial signed “Henry Cooley, London Fecit”, h. 92 1/2 in., w. 17 1/2 in., d. 9 1/2 in. [$3000/5000]

811. Scottish Carved Mahogany Tall Case Clock, 19th c., dial signed “McLeod”, convex pendulum door, French feet, h. 81 in., w. 18 in., d. 9 3/4 in. [$1200/1800]

Provenance: Chappell Jordan Clock Galleries, Natchez, Nov. 1996

813. Louis XV‑Style Bracket Clock, cherub finial, porcelain numerals, conforming bracket, striking bell movement, h. 41 1/2 in., w. 15 in., d. 7 in. [$1200/1800]

814. French Bronze Figural Cartel Clock, c. 1900, surmounted by cherubs, scroll and foliate design, h. 29 in., w. 19 in., d. 7 in. [$600/800]

815. Louis XV‑Style Gilt Bronze‑Mounted Porphyry and Lapis Lazuli Mantel Clock, late 19th c., striking bell movement marked “Paillard a Paris” and “Pons”, surmounted by urn with fruit garland, lions, and a snake, lapis dial flanked by cherub terms, scroll feet, h. 26 1/2 in., w. 15 3/4 in., d. 11 in. [$10000/12000]

818. Antique French Six‑Bell Twelve‑Air Cylinder Music Box, burl walnut case, movement with two combs (lacking 3 tines), h. 11 in., w. 29 in., d. 13 1/4 in. [$2000/3000]

816. Louis XVI‑Style Bronze and Cut Crystal Mantel Clock, c. 1900, dial signed “Le Sieur/ Paris”, striking bell movement stamped “A.D. Mougin”, surmounted by Cupid, sphinx feet, h. 25 in., w. 17 1/2 in., d. 7 3/4 in. [$4000/6000]

817. French Gilt Bronze and Marble Figural Mantel Clock, c. 1900, striking gong movement marked “S. Marti” and by retailer Black, Starr & Frost, allegorical figures with love birds, h. 16 1/2 in., w. 13 1/2i n., d. 7 in. [$1200/1800]

819. Fine George III Oak Welsh Dresser Base, c. 1790, molded top, four long drawers, four small drawers, arched openings, ring‑turned baluster standards, lower stretcher shelf, toupie feet, h. 36 1/2 in., w. 97 1/2 in., d. 18 in [$1500/2500] Provenance: Home Hook and Ladder Antiques, New Orleans, 2001; Windham Collection, Oxford, MS.

820. Pair of Louis XV‑Style Walnut Fauteuils, floral crest, padded arms, foliate floral spray with ribbon motif, needlepoint upholstery, nailhead trim, cabriole legs, h. 37 1/2 in., w. 25 1/2 in., d. 19 1/2 in. [$800/1200]

821. Antique Jacobean‑Style Fruitwood Dining Table, molded top, barley twist blocked legs, finialed X stretcher, toupie feet, h. 31 in., w. 77 in., d. 38 1/2 in. [$300/500]

824. Pair of English Rococo‑Style Carved Mahogany Armchairs, foliate crest, shaped back, scroll arms, foliate shell apron, paw feet, h. 45 1/2 in., w. 26 in., d. 28 in. [$1500/2500]

822. Antique Federal Inlaid Mahogany Slant-Front Desk, early 19th c., fall front, fitted interior with curly maple accents, four graduated drawers, mushroom pulls, shaped apron, French feet, h. 45 in., w. 40 in., d. 21 1/2 in. [$800/1000]

823. English Rococo Revival Carved Mahogany Teapoy, mid‑19th c., molded lift top, fitted interior, cabriole legs, scroll toes, h. 32 1/2 in., w. 21 in., d. 18 in. [$700/900]

825. Set of Four Louis XV‑Style Caned Side Chairs, shaped back, molded seat, cabriole legs, h. 37 in., w. 19 in., d. 17 in. [$300/500]

826. Extensive Tiffany “English King” Sterling Silver Flatware Service, pat. 1885, designed by Charles Grosjean, incl. 25 dinner forks, 26 dinner knives, 28 luncheon forks, 18 luncheon knives, 1 luncheon knife with “new French” blade, 2 butter knives (fh), 18 fish forks (l. 6 3/4 in.), 11 fish knives (l. 7 7/8 in.), 5 old‑style fish forks, 7 old‑style fish knives with sterling blades, 24 dessert/oval soup spoons, I round soup spoon, 12 salad forks, 12 oyster forks, 12 fruit forks (l. 7 1/8 in.), 11 fruit knives (l. 7 1/4 in.), 6 old‑style fruit knives with sterling blades, 18 dessert knives (l. 7 1/2 in.), 12 ice cream forks, 14 citrus spoons (incl. 3 with gilt wash bowls), 12 egg spoons, 4 serving forks, fish serving fork (l. 8 1/2 in.), 2 serving spoons (l. 8 7/8 and 9 7/8 in.), soup ladle (l. 11 3/4 in.), gravy ladle, gravy ladle with hemispherical bowl, gravy ladle with flat bottom bowl, tomato server, carving knife and 2 carving forks; total wt. (weighable) 492.20 troy ozs.; presented in a Tiffany & Co. mahogany fitted canteen and a Gorham silvercloth fitted storage tray. (344 pcs.) [$22000/24000]

827. George II Sterling Silver Coffee Pot, Richard Bayley, London, 1749, mark reg. 1739, domed cover, tapered body, foliate spout, fruitwood scroll handle, molded feet, h. 9 3/4 in., wt. 21.75 troy ozs. [$800/1200]

828. Irish George II Sterling Silver Lemon Strainer, Thomas Isaacs, Dublin, 1736, l. 9 7/8 in., wt. 4.20 troy ozs. [$1500/2500] Provenance: Danker Antiques, Dublin.

829. Georgian Sterling Silver “Bells and Whistle” Rattle with Coral Teether, Hester Bateman, l. 5 3/4 in., total wt. 1.70 troy ozs. [$600/800]

831. George III Sterling Silver Chamberstick, Henry Chawner, London, 1791, mark reg. 1786, urn‑form candlecup with removable bobeche, integral saucer with old engraved script monogram, thumbgrip fitted with snuffer, w. 6 1/4 in., wt. 6.65 troy ozs. [$200/300]

832. Antique English Sterling Silver Repousse Muffineer, Henry Wilkinson & Co., London, 1895, fully marked, mark registered 1892, h. 7 in., wt. 7.25 troy oz.; note: small dents to foot rim. [$200/300]

834. Pair of Early Victorian Sterling Silver Toast Racks, Charles Fox II, London, 1838, each with distinctive palmette handle and bracket feet. h. 5 1/8 in., w. 6 1/4 in., d. 4 3/8 in., wt. 20.60 troy ozs. [$600/800]

835. Scottish Victorian Sterling Silver Presentation Bowling Ball, Muirhead & Arthur, Glasgow, 1870, in original fitted leather case marked for retailer Hugh Lauder, Rothesay, Isle of Bute, Watchmaker & Jeweller, engraved presentation “PRESENTED TO/The Right Honourable The Earl of Glasgow/BY THE MEMBERS OF THE/ROTHESAY BOWLING CLUB/ on the occasion of his opening their new green/ AT/BALLOCHGOY ROTHESAY/10th JULY, 1884”, dia. 2 7/8 in., wt. 13.45 troy ozs. [$300/400]

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830. Georgian Sterling Silver “Bells and Whistle” Rattle with Coral Teether, probably William Weston, l. 5 in., total wt. 1.50 troy ozs., note: lacking 4 bells. [$300/500]

833. Victorian Sterling Silver Repousse Coffee and Tea Service, Susannah Brasted, London, 1888‑1889, mark reg. 1888, incl. coffee pot (h. 8 5/8 in.), teapot, covered hot milk jug, open sugar and large and small cream pitchers, total wt. 88.35 troy ozs.; in fitted oak presentation case with interior plaque inscribed “FROM LEOPOLD DE ROTHSCHILD 1889”. [$3000/5000]

836. Antique English Silverplate Meat Dish and Domed Cover, 19th c., the cover with engraved crest and ropetwist handle and borders, the associated well‑and‑tree meat dish with hot water compartment, beaded decoration and scroll feet, overall h. 15 1/2 in., w. 25 3/8 in., d. 17 3/8 in. [$400/600]

837. Antique James Dixon & Sons Silverplate Meat Platter with Well, Sheffield, egg and dart border, foliate scroll feet, 21 1/4 in. x 16 1/4 in. [$600/900]

838. Old Sheffield Plate Footed Soup Tureen, 19th c., acorn and oakleaf decoration, foliate scroll feet, retains rolled edges, h. 11 3/8 in., w. 15 in., d. 10 1/2 in. [$700/1000]

839. Georgian Sheffield Plate Footed Oval Serving Tray, 18th c., reeded border, inset engraved crest of crossed arrows, retains original tinned back, l. 20 1/8 in., w. 15 3/8 in. [$400/600]

840. Two Good English Silverplate Tea Trays, incl. Mappin Brothers, late 19th c., oval with egg and dart border, ivy chased well and molded handles, l. 28 1/2 in., w. 19 1/2 in.; and vintage Mappin & Webb, oval with gadroon border and handles, l. 23 3/4 in., w. 14 1/2 in. [$700/1000]

842. George III Sterling Silver Stuffing Spoon, Solomon Hougham, London, 1806, mark reg 1793, l. 11 1/8 in.; together with sterling meat fork, William Eley, William Fearn & William Chawner, London, 1812, mark reg. 1808, with engraved crest and motto “ASPIRE”, l. 7 7/8 in.; and sterling sauce ladle, Hester Bateman, London, 1790, mark reg. 1776, l. 7 1/4 in.; silver gilt meat fork with banded agate handle, Matthew Boulton, Birmingham, 1816, chased sterling berry spoon, Joseph & Albert Savory, London, 1834, l. 8 7/8 in.; soup spoon, London, probably William Turner, act. c. 17; and 6 silver gilt coffee spoons, I.S. Greenberg & Co., Birmingham, 1937; total wt. (weighable) 12.10 troy ozs. [$400/600]

841. Pair of English Rococo Sterling Silver Monteiths, with spurious hallmarks for 1776, London, dia.10 1/2 in; total wt. 80.70 troy ozs. [$2500/3500]

843. Antique George III Inlaid‑Mahogany Brandy Board, early 19th c., molded top, center drawer, two cabinet doors, spandrels, tapered legs, spade feet, h. 33 1/2 in., w. 49 1/2 in., d. 23 in. [$400/600]

844. George III Inlaid Mahogany Pembroke Table, late 18th/early 19th c., central foliate inlay, canted corners, single drawer, tapered legs, h. 27 in., w. 32 in., d. 19 in. [$700/900]

845. Pair of Georgian‑Style Upholstered Armchairs, shaped back, padded arms, reeded arms, stretchered reeded legs, h. 37 in., w. 23 in., d. 25 in. [$400/600]

846. Antique Georgian Burlwood Writing Desk, inset gilt tooled leather top, kneehole configuration of drawers, h. 30 in., w. 44 in., d. 23 in. [$1000/1400]

847. Pair of George II‑Style Parcel Gilt Armchairs, square back, acanthus carved arms, foliate cabriole legs, h. 41 in., w. 29 in., d. 24 in. [$1400/1800] 848. George III Carved Mahogany Beau Brummel Dressing Table, early 19th c., fold out top, adjustable mirror, faux drawers facing cabinet door, lower drawer, dished stretcher, tapered legs, h. 32 in., w. 16 in., d. 16 in. [$500/700]

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849. Georgian‑Style Mahogany Linen Press, upper case with dentilated cornice, two doors enclosing linen drawers, two fall front drawers over four long drawers, bracket feet, h. 94 in., w. 58 in., d.26 1/4 in, h. 93 in., w. 60 in., d. 27 5/8 in. [$1000/1500]

850. Antique Georgian Mahogany Partner’s Desk, embossed leather top, three drawers each side, tapered legs, spade feet, h. 30 in. l. 72 in., d. 35 in. [$1200/1800]

852. Antique Georgian Wing Chair, flame stitch upholstery, stretcher base, h. 43 1/2 in., w. 28 in., d. 26 in. [$500/700] 851. Antique Georgian Inlaid Mahogany Pembroke Table, 19th c., banded drop‑leaf top, single frieze drawer, tapered legs, caps, casters, h. 27 1/4 in., w. 31 1/2 in., d. 20 1/2 in. [$600/900]

853. Antique Georgian Inlaid Oak Chest of Drawers, 19th c., molded top, two short drawers, three graduated drawers, bracket feet, h. 38 in., w. 35 in., d. 19 in. [$800/1200]

854. Louis XIV-Style Ebonized and Repousse Brass Cushion Mirror, 19th c., ribbon molded trim, beveled mirror plates., h. 46 in., w. 37 in., d. 3 1/2 in. [$600/800]

855. Sherle Wagner Carved Marble “Scroll & Flourish” Toilet Casing, from the Heritage Collection, with giltwood lid, h. 21 in., w. 23 in., d. 28 in., Note: approx. 320 pounds. [$1500/2500]

856. Sherle Wagner Carved Marble “Shell” Counter Pedestal Sink, Heritage Collection, with “Cut‑Crystal Empire Lever Faucet Set” with “Ribbon and Reed” spout, h. 39 1/2 in., w. 36 1/2 in., d. 25 1/2 in. [$800/1200]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

857. George III Serpentine Front Tortoiseshell Tea Caddy, 19th c., interior with two lidded compartments, h. 5 3/4 in., w. 7 1/2 in., d. 4 1/2 in. [$700/1000]

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Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

858. Georgian Tortoiseshell Oval Tea Caddy, 19th c., small knop finial, interior with lidded compartment, h. 5 in., w. 5 1/4 in., d. 2 3/4 in. [$1000/1500]

859. George III Green Tortoiseshell Tea Caddy, early 19th c., lenticular form, interior with lidded compartment, h. 5 in., w. 7 1/4 in., d. 3 1/4 in. [$1000/1500]

860. George III Tortoiseshell PagodaForm Tea Caddy, 19th c., serpentine front, interior with two lidded compartments, h. 6 in., w. 8 1/4 in., d. 5 in. [$1000/1500]

861. George IV Tortoiseshell and Mother‑of‑Pearl Serpentine-Front Tea Caddy, 19th c., interior with two lidded compartments, h. 5 in., w. 8 in., d. 4 3/4 in. [$1000/1500]

862. Georgian Tortoiseshell Tea Caddy, 19th c., radial veneered lid, interior with two lidded compartments, h. 6 1/2 in., w. 6 in., d. 4 in. [$800/1200] Provenance: Blackamoor Antiques, New Orleans, 1976.

863. English Gilt Bronze and Eglomise Three‑Piece Girandole Garniture, 19th c., incl. three-light centerpiece, prism hung, marble bases, centerpiece h. 17 in., w. 15 1/2 in., d. 4 in. [$600/900]

864. Georgian Mahogany Decanter Case, bale handles, slant lid, interior with four canted‑cornered cut glass decanters, paw feet, h. 13 3/4 in., w. 9 1/2 in., d. 11 in., Note: condition of one decanter. [$500/700]

866. Pair of English Painted Papier Mache Portrait Plaques of a Marquess and Marchioness, 19th c., with gilt floral border, dia. 14 in. [$400/600]

868. Four Antique English Vesta Cases, 19th c., one pewter shoe, one leather covered leg and shoe, one brass “Puss‑n‑Boots” boot, and a Punch figure, longest 3 1/4 in. [$300/500]

865. Georgian Bilston‑Battersea Enamel Patch Box of “Victorious Nelson”, c. 1800, l. 2 in., note: restoration. [$300/500]

867. Antique English Tole Box, 19th c., domed top, bale handle, lever latch, interior with blue paint, h. 9 1/4 in., w. 11 1/2 in., d. 9 in. [$200/300]

869. Eight Antique English Treenware Boxes, incl. one portrait snuff box, one egg, one oval with drawing of men training bears, and others, one 20th c., longest length 5 1/4 in. [$300/500]

870. Three Pontypool Japanned Figures, c. 1800, incl. pair of figures of a woodman and his dog and a woman, painted in the manner of Barker of Bath; and a wounded soldier, tallest h. 11 3/4 in. [$250/350] Provenance: Asprey & Company, London, 1978.

871. English Inlaid Mahogany Humidor on Stand, early 20th c., humidor case with door enclosing fitted interior drawer, stand with frieze and stretcher shelf, h. 28 in., w. 13 1/2 in., d. 10 in. [$600/800]

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872. William IV Mahogany Tea Caddy, interior with mixing bowl and two lidded compartments, h. 7 1/2 in., w. 12 in., d. 6 in. [$300/500]

873. Pair of English Victorian Carved Oak Fire Screens, 19th c., scroll and shell carved, removable silk inserts, h. 31 in., w. 46 in., d. 13 in. [$600/800]

875. English Brass‑Banded Mahogany Lap Desk, early 19th c., h. 6 in., w. 18 in., d. 10 in. [$250/350]

874. Four Antique English Mahogany Tea Caddies, 19th c., fitted interiors, one with mixing bowl; compartments, largest h. 5 3/8 in., w. 9 2/8 in., d. 5 7/8 in. [$600/800]

876. George III Brass Bound Mahogany Peat Bucket, c. 1765, with removable liner, h. 17 in., dia. 14 in. [$700/900] Provenance: Malcolm Franklin, Inc., Chicago, 1974.

877. 1986 Rolls‑Royce Silver Spirit, original owner, 6.75L V8, VIN #SCAZS42AXGCX16001, engine #16001, claret over garnet paint, tan leather upholstery, Wilton wool carpet with lambskin overlays, back seats with fold‑down picnic tables and foot rests, odometer has stopped at 25.574, new fuel pump and battery. [$8000/12000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

878. Charles and Ray Eames Lounge Chair and Ottoman, Herman Miller tags, walnut, h. 31 in., w. 31 in., d. 30 in. [$2000/3000]

879. Vintage Ms. Pac‑Man Arcade Video Game, by Midway/Bally Co., glass top, h. 29 in., w. 22 in., d. 32 in. [$600/900]

880. Regency Mahogany Standing Library Table, early 19th c., banded top, three drawers one side, center drawer, opposite side two drawers, faux center drawer, reeded apron, square legs, h. 34 1/4 in., w. 54 3/4 in., d. 34 3/4 in. [$2000/3000]

104

881. Regency Inlaid Satinwood Sewing Table, early 19th c., banded octagonal lift top, fitted interior, silk work basket, X stretcher, casters, h. 27 1/2 in., w. 19 3/4 in., d. 15 1/2 in. [$300/500]

882. Regency Inlaid Mahogany Sideboard, early 19th c., banded shaped top, two drawers, side cabinets, ring‑turned tapered legs, toupie feet, h. 36 in., w. 72 in., d. 27 1/2 in. [$1200/1800]

883. Regency Inlaid Mahogany Cellarette, early 19th c., lift top, tapered octagonal body, tapered legs, brass caps, casters, h. 27 in., w. 18 1/2 in., d. 18 1/2 in. [$500/700]

884. Restauration-Style Inlaid Maple Extension Dining Table, 20th c., circular top opens to receive 3 leaves, reverse tapered standard, incurvate triangular base, paw feet, h. 30 in., w. 50 1/2 in., w. (with leaves) 90 1/2 in., d. 51 in. [$1000/2000]

885. Restauration-Style Bronze‑Mounted Inlaid Birdseye Maple Buffet, molded top, four drawers, five columnar supports, four doors, shelf interior, paw feet, h. 41 in., w. 99 1/2 in., d. 22 1/4 in. [$1000/1500]

886. Six Restauration-Style Inlaid Maple Gondola Chairs, vasiform splat, birdseye maple veneered back and inner stiles, lappet knee, saber legs, h. 32 in., w. 19 in., d. 17 in. [$500/800]

887. Empire Bronze‑Mounted Mahogany Mirror, 19th c., stepped crest, griffin mounts, arched mirror plate, beaded surround, h. 75 1/2 in., w. 55 in. [$1000/1400]

888. Regency Mahogany Rent Table, early 19th c., rotating circular top with inset tooled leather, four frieze drawers, vasiform standard, saber legs, brass caps, casters, h. 29 1/2 in., dia. 45 in. [$800/1200]

889. Regency Mahogany Etagere, 19th c., three galleried shelves, ring‑turned and baluster supports, brass caps, casters, h. 42 1/2 in., w. 16 in., d. 16 in. [$600/900]

890. Regency‑Style Mahogany Settee, shaped back, downswept arms, fluted tapered legs, Fortuny‑style fabric, h. 34 in., w. 59 in., d. 24 in. [$500/700]

891. Regency Mahogany Sarcophagus-Form Cellarette, early 19th c., brass bail handles, molded base, casters, h. 24 in., w. 33 1/4 in., d. 27 in. [$700/1000] Provenance: Whisnant Galleries Collection, New Orleans, LA.

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892. Regency Mahogany Bedside Commode, early 19th c., reeded galleried top, single door, tapered reeded legs, toupie feet, h. 31 1/2 in., w. 15 3/4 in., d. 13 1/2 in. [$600/900]

893. Neoclassical‑Style Ebonized and Giltwood Mirror, urn and griffin crest, draped corners, divided mirror plates, guilloche inner liner, egg and dart out liner, h. 58 1/2 in., w. 39 1/4 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

894. Regency‑Style Mahogany Canterbury, dividers with garland and ribbon ends, single drawer, ring‑turned tapered legs, cuffs, casters, h. 25 in., w. 19 1/2 in., d. 14 in. [$400/600]

896. Arthur Fitzwilliam Tait (British, 1819‑1905), “Baby Chickens in a Landscape”, 1892, oil on panel, signed, dated and inscribed “N.Y.” lower right, signed, dated and “Godel & Co. Fine Art” label with artist, title and date en verso, 10 in. x 14 in., framed. [$4000/6000] Provenance: Godel & Co. Fine Art, New York, July 2, 2016; Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

895. After Philip Reinagle (British, 1749‑1833), “Springer Spaniel Flushing a Woodcock”, oil on canvas laid on board, unsigned, 17 in. x 20 1/2 in., framed. [$600/800]

899. Bronze Figure of a Falconer, after Georges Bareau, signature inscribed and “Alberto Vignes Buenos Aires” foundry stamp on self‑base, h. 25 1/2 in., w. 5 in., d. 13 in. [$400/600]

897. Patinated Bronze Figural Group of “Tigre Terrassant une Biche”, after Antoine‑Louis Barye, signature inscribed on rock, h. 10 in., w. 18 in., d. 6 in., red marble base, overall h. 12 in. [$700/900]

900. Thomas Sidney Cooper (British, 1803‑1902), “Cattle in Stream”, oil on panel, signed lower right, 14 in. x 18 in., framed. [$1000/1500]

106

898. French Patinated Bronze Figural Group of “Trois Chiens au Terrier, Chasse au Lapin”, after Pierre Jules Mene, signature inscribed on self‑base, h. 8 in., w. 14 in., d. 6 in., marble base, overall h. 9 in. [$800/1200]

901. Henry Thomas Dawson (British, fl. 1860‑1896), “Harbor Scene”, 1878‑80, oil on canvas, signed and dated lower right, London canvas stamp en verso, 32 1/4 in. x 48 3/8 in., framed. [$2000/3000]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

902. Henry John Yeend‑King (British, 1855‑1924), “Waiting for the Ferry”, c. 1890, oil on canvas, signed lower left, handwritten label with artist, title and date on stretcher, 18 in. x 24 in., framed. [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

903. William Hart (Scottish, 1823‑1894), “Bayou Landscape”, oil on canvas, signed lower right, canvas stamp en verso, “Goldfield Galleries, Los Angeles, CA” label with artist and title on stretcher, 12 5/8 in. x 17 1/4 in., framed. [$1500/2500]

904. Samuel Lawson Booth (British, 1836‑1928), “Landscape with Fisherman, Cattle and Ruins”, 1898, oil on canvas, signed and dated lower left, 23 3/4 in. x 36 in., framed. [$600/800] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

905. Mark William Fisher (American/British, 1841‑1923), “Landscape with Distant Castle”, oil on canvas, signed lower right, 30 in. x 50 in., framed. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago. 906. British School, c. 1721, “William, Third Baron of Craven (1700‑1739)”, oil on canvas, unsigned, “Randolph Fine Art” label with date and sitter information on stretcher, 46 1/2 in. x 38 1/4 in., framed. [$2500/3500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

907. George Derville Rowlandson (British, 1861‑1928), “Sisters”, 1904, oil on canvas, signed and dated lower left, 48 1/8 in. x 36 1/4 in., framed. [$600/800]

908. Polychrome Carved Alabaster Bust of a Maiden Wearing a Laurel Crown, h. 18 in., w. 10 1/2 in., d. 7 in. [$400/600]

Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

909. Carved Alabaster Portrait Bust of a Lady in Feathered Hat, manner of Adolfo Cipriani, marble base, h. 28 1/2 in., partial fluted marble pedestal, overall h. 68 1/2 in. [$1500/2500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

910. Adolfo Cipriani (Italian, 1880‑1930), “Portrait Bust of a Lady in Lace”, carved alabaster, signed on truncation, h. 25 1/2 in., w. 14 1/2 in., d. 10 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

911. Edmund Johann Niemann (British, 1813‑1876), “Severn Valley”, oil on canvas, signed lower right, handwritten label with artist on stretcher, 24 in. x 42 in., framed with artist plaque. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

912. Frederick William Hulme (British, 1816‑1884), “Shepherd and Sheep at Surrey”, 1870, oil on canvas, signed and dated lower right, handwritten label with artist, title and date, typed label with artist and title, artist information and partial label en verso, 30 in. x 50 in., framed. [$2000/3000] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

913. Jane Maria Bowkett (British, 1837‑1891), “Expectancy”, oil on canvas, monogrammed lower left, pencil‑titled twice, inscribed with artist and handwritten label with artist on stretcher, 30 1/8 in. x 25 1/8 in., framed. [$800/1200] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

914. British School, early 20th c., “Street View of the Queens Hotel and Arkwright St. Station, Great Central Railway, Nottingham, England”, oil on canvas, monogrammed “A.G.” lower left, “S. Cooke, Wollaton, Nottingham” canvas stencil en verso, 24 in. x 36 in., framed. [$1500/2500]

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915. Edwardian Mahogany Tambour Jewelry Box on Stand, 19th c., handpainted floral decoration, retracting domed lid, velvet lined interior, single drawer, molded stand with outswept tapered legs, h. 34 in., w. 14 3/4 in., d. 11 1/2 in. [$600/900]

916. Pair of William IV-Style Carved Mahogany Three‑Tier Etageres, labeled “Beacon Hill”, galleried top, three reeded shelves, baluster turned standards, tapered legs, cylinder feet, h. 39 1/2 in., w. 37 1/2 in., d. 19 1/2 in. [$2000/3000]

917. English Brass‑Bound Mahogany Campaign Chest, 19th c., upper case with two short drawers over long drawer, lower case with two long drawers, h. 37 3/4 in., w. 39 in., d. 17 3/4 in. [$1500/1800]

919. Scottish Mahogany Tall Chest of Drawers, mid‑19th c., ogee blind frieze drawer over three conforming deep drawers, barley twist colonnettes flanking three graduated drawers below, toupie feet, h. 56 in., w. 50 in., d. 23 3/4 in. [$900/1200]

918. Antique Late Georgian‑Style Mahogany Bench, late 19th c., in the manner of Gillows, tubular stops, molded top, ring‑turned tapered legs, toupie feet, h. 20 in., w. 45 1/2 in., d. 12 3/4 in. [$600/900]

921. Edwardian PaintDecorated Mahogany and Giltwood Four-Panel Screen, pierced anthemion crest, neoclassical decoration, portrait cartouches, upholstered panels, spandrel base, h. 74 1/2 in., w. 80 in. [$1000/1400]

920. English Adam‑Style Painted Mahogany Games Table, early 19th c., foldover top, tapered legs, h. 28 in., w. 36 in., d. 17 1/4 in. [$600/800]

922. Antique English Oval Papier Mache Tray, 19th c., winter scene cartouche, later stand, h. 19 1/2 in., w. 30 in., d. 24 in. [$300/500]

923. English Carved Oak Armchair, mid‑to‑late 19th c., shell crest, cartouche with Admiral Nelson quote “England Expects Everyman To Do His Duty, Oct. 21st 1805”, “TEMERAIRE”, “TRAFALGAR”, padded arms, scroll supports, tapered legs, caps, casters, leather upholstery, h. 45 in., w. 24 in., d. 26 in. [$600/800]

925. Antique Georgian Carved Mahogany Two Pedestal Dining Table, 19th c., reeded oval top, ring‑turned standard, reeded saber legs, brass paw feet, casters, with 3 leaves, h. 28 in., w. (closed) 60 in., w. (open) 121 1/2 in., d. 38 1/2 in. [$1000/1500]

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924. Edwardian Inlaid Satinwood Shield-Form Fire Screen, early 19th c., finialed standard, eglomise liner, glazed silk panel, tripod stand, h. 61 1/4 in., w. 16 1/2 in., d. 15 in. [$300/500]

926. Fine Scottish Carved Giltwood Mirror in the Louis XVI Taste, stamped John Taylor & Sons, Manufacturer, Edinburgh, oval bellflower swagged frame surmounted by a beaded cartouche, base with foliate shell, h. 78 in., w. 46 in. [$1000/1500]

929. Stieff “Corsage” Pattern Sterling Silver Flatware Service, pat 1935, incl. 8 each: forks (l. 7 1/8 in.), knives (l. 9 in.) and salad forks; 4 teaspoons (l. 5 7/8 in.), 12 “5 o’clock” teaspoons (l. 5 1/2 in.), tablespoon, serving spoon (l. 9 1/4 in.), serving spoon (l. 8 3/4 in.), small carving knife and fork, small cold meat fork, gravy ladle, master butter knife, sugar spoon and short pickle fork, 50 pcs., total wt. (weighable) 51.65 troy ozs. [$1200/1800]

927. Twelve International “Wedgwood” Pattern Sterling Silver Service Plates, dia. 10 5/8 in., wt. 153.70 troy ozs. [$3500/4500]

932. American Sterling Silver Picture Frame, I.N. Deitsch, New York, NY, act. 1904‑1914, flat‑chased floral decoration, engraved script monogram “LG”, 11 1/2 in. x 9 in. [$150/250]

928. Antique Neoclassical‑Style Silverplate Five‑Light Candelabrum, h. 18 1/2 in. [$400/600]

931. Group of American Sterling Silver Hollow Ware, Wood & Hughes, New York, act. 1845‑1899, c. 1880, incl. open vegetable dish and sugar and creamer, all with Aesthetic Movement borders and gilt wash interior, bowl h. 2 3/4 in., w. 10 1/4 in., total wt. 27.10 troy ozs. [$600/800]

933. Dominick & Haff Tray, New York, NY, 1893, act. 1872‑1928, ret. Bigelow, Kennard & Co., Boston, act. 1867‑1972, outcurved rim with shell border, 15 1/8 in. x 10 in., wt. 26.85 troy ozs. [$500/700]

930. Pair of Gorham Sterling Silver Tazzas, late 19th c., pattern A1234, reticulated floral border and foot rim, h. 2 3/4 in., dia. 6 7/8 in., wt. 23.05 troy ozs. [$500/700]

934. Continental .800 Silver Kettle‑on‑Stand, Simon Rosenau, Bad Kissengen, Germany, early 20th c., cover with convolvulus finial, fluted floral chased body, conforming stand retaining burner, cabriole legs with paw feet, h. (to top of swing handle) h. 14 1/2 in., w. 9 1/2 in., wt. 53 troy ozs. [$700/900]

935. Continental Silver Centerbowl/Candelabrum, Germany, late 19th/early 20th c., overall chased decoration, classical figures and scrolling candlearms, h. 10 1/4 in., w. 16 in, wt. 57.20 troy ozs. [$800/1200]

936. Good Group of Gorham “Luxembourg” Pattern Sterling Silver Serving Pieces, pat. 1893, incl. salad serving set (l. 10 1/8 in.), fried oyster server (l. 8 1/8 in.), preserve spoon (l. 8 5/8 in.), small sugar sifter (l. 5 5/8 in.), sugar spoon (l. 6 in.), mayonnaise ladle (l. 5 1/4 in.) and crumber (l. 11 1/2 in.) total wt. 18.10 troy ozs. (8 pcs.) [$400/600]

937. Gorham “Chantilly‑Grand” Sterling Silver Platter, date mark for 1899, no. A583, l. 18 3/8 in., w. 13 in., wt. 37.30 troy ozs. [$800/1200]

938. Gorham Sterling Silver Covered Entrée Dish, pattern A898, date mark for 1899, octagonal with gadrooned borders and removable loop handle, h. 5 3/4 in., w. 10 1/2 in., d. 8 in., wt. 35.70 troy ozs. [$500/700]

939. International “Falmouth” Pattern Sterling Silver Platter, l. 20 3/4 in., w. 13 7/8 in., wt. 72.75 troy ozs. [$800/1200]

940. Good Group of American Sterling Silver Serving Pieces, incl. Gorham bread tray, pattern A8047, date mark for 1910, l. 12 in.; Whiting open vegetable, pattern 1566, l. 11 3/8 in.; and Wallace covered vegetable dish, pattern 2544, l. 10 in.; total wt. 36.30 troy ozs. [$500/700]

109

942. Group of Small American Sterling Silver Hollow Ware, incl. Gorham paisley dish, late 19th c., dia. 5 1/2 in.; Gorham wine coaster, date mark for 1891, dia. 6 3/4 in.; hammered pocket flask, l. 5 3/8 in.; Sanborn’s footed dish, dia. 4 1/4 in.; Arts and Crafts dish, w. 5 5/8 in.; Mauser baluster cup, h. 2 3/4 in.; Whiting bowl, date mark for 1921., h. 2 1/8 in., dia. 4 3/8 in.; Dominick & Haff footed bowl, h. 2 1/2 in., w. 5 5/8 in.; Hartford Sterling Co. cup, h. 2 5/8 in.; and Wallace baby cup, h. 2 1/2 in.; total wt. 31.75 troy ozs. [$400/600]

941. Good Group of American Sterling Silver Serving Pieces, 20th c., incl. J. Wagner after‑dinner coffee pot (h. 9 5/8 in.), Frank M. Whiting footed sandwich tray (dia. 9 7/8 in.), Woodside footed sandwich tray (dia. 9 in.), Mauser sandwich tray (dia. 8 3/8 in.), and Tuttle sandwich tray (dia. 10 7/8 in.), total wt. 56 troy ozs. [$1000/1500]

943. American Sterling Silver Coffee Pot and Teapot in the George II Taste, Watson “Exemplar” pattern, no. B268, coffee pot h. 12 in., teapot h. 7 1/2 in., total wt. 83.20 troy ozs. [$1000/1500]

944. Good Group of American Sterling Silver Flatware, incl. Tuttle “Trianon”, pat. 1994: 5 forks (l. 7 3/4 in.), 6 salad forks, teaspoon and 1 olive spoon; Gorham “Newcastle”, pat. 1895: 12 dessert spoons and 1 youth fork; Durgin “Colfax”, pat. 1922: 5 teaspoons; Shreve & Co. “Napoleonic” tablespoon; Kirk “Calvert” cold meat fork, Towle “Lady Constance” serving spoon; Gorham “Rondo” tomato server, sugar shell and cream ladle; and approx. 6 miscellaneous pieces, total wt. 66 troy ozs. (43 pcs.) [$600/800]

945. American Sterling Silver Water Pitcher, by International, baluster form with foliate scroll handle and molded foot, h. 8 7/8 in., wt. 23.95 troy ozs. [$300/500]

948. Monumental Silverplate Tea Tray, 19th c., with vintage motif border and loop handles, l. 32 1/4 in., w. 22 in. [$300/500]

946. Six American Sterling Silver Julep Cups, 20th c., various makers, h. 3 5/8 in. to 3 3/4 in., total wt. 25.60 troy ozs. [$600/900]

947. Silverplate Lighthouse Form Cocktail Shaker, h. 14 1/4 in. [$400/600]

949. Towle “Candlelight” Pattern Sterling Silver Flatware Service for Eight, pat. 1934, incl. 8 each: forks (l. 7 3/8 in.), knives (l. 8 3/4 in.), salad forks; 9 each: teaspoons and iced teaspoons; 4 tablespoons, small carving knife, gravy ladle and cocktail fork, total wt. (weighable) 49.35 troy ozs., in a fitted case. (49 pcs.) [$500/700]

950. Wallace “Rose Point” Sterling Silver Coffee and Tea Service, incl. coffee pot (h. 11 3/4 in.), teapot, covered sugar, creamer and waste bowl, total wt. 85.40 troy ozs. [$1000/1500]

110

951. Patinated Bronze Camel Planter, vasiform jardiniere atop an extensively saddled camel, naturalistic socle base, h. 27 in., w. 10 in., d. 24 in. [$1000/1200] 952. Italian Carved Carrara Marble Lion Fountain Head, wide eyes, roaring, h. 14 in., w. 12 in., d. 9 in. [$600/800]

953. French Patinated Bronze Wall Fountain, central shell, cherub supports, h. 27 1/2 in., w.51 in., d. 13 1/2 in. [$1000/1200]

954. Four Antique Demilune Leaded Glass Overdoors, banded scroll decoration, wood frames, h. 44 in., w. 74 1/2 in. [$1200/1800]

955. Chinese Famille Verte Porcelain Planter, 20th c., decorated with nobles in an outdoor pavilion, h. 18 1/2 in., dia. 16 3/8 in. [$600/800]

957. Chinese Famille Verte Porcelain Fish Bowl, 20th c., decorated with panels enclosing elegant figures in garden pavilions, green ground strewn with foliage, h. 18 1/4 in., dia. 20 1/2 in., wood stand, overall h. 30 1/8 in. [$400/600] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

956. American Cast Aluminum Gothic Bench, style of Brown and Owen, scroll crest, horseshoe back, pierced seat, cabriole legs, h. 36 in., w. 60 in., d. 20 in. [$600/900] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

960. Pair of Painted Cast Iron Figural Planters, ruffled urn form jardiniere tops, bathing maiden with child standard, naturalistic socle base, h. 37 1/4 in., w. 12 in., d. 10 1/2 in. [$700/900]

958. Cast Concrete Garden Figure of Gryphon, h. 31 in., w. 16 in., d. 15 1/2 in. [$400/600]

959. Cast Concrete Garden Figure of a Gargoyle, h. 31 in., w. 8 1/4 in., d. 10 1/4 in. [$400/600]

961. Cast Concrete Columnar Pedestal and Lead Sundial, zodiac surround, fluted column, h. 29 1/2 in., dia. 20 1/4 in. [$700/900]

962. Large Earthenware Olive Jar, three loop handles, molded with concentric bands, tall feet, h. 44 in. [$800/1200]

111

965. Pair of Cast Iron Garden Flamingos, opposing stances, old pink and polychrome paint, taller h. 25 in., w. 8 in., d. 18 in. [$400/600]

964. Cast Iron Garden Figure of a Red Rooster, naturalistic base, h. 22 1/2 in. [$300/500] 963. Pair of Continental Stone Jardinieres, exteriors carved with Celtic knots, h. 14 in., dia. 18 in. [$400/600]

966. Pair of Cast Iron Planter Boxes, central urn, interlaced swag decoration, rectangular body, h. 6 1/2 in., w. 23 1/2 in., d. 8 1/4 in. [$400/600]

967. Cast‑Iron Garden Fountain Head, in the form of a Bacchic mask, h. 15 in., w. 11 in. [$300/500]

969. Two Indian Illustrated Manuscripts, 19th c., depicting Tantric teachings, each ink and gouache on paper, 33 1/2 in. x 11 1/8 in. and 33 3/4 in. x 8 7/8 in., matted and framed. [$600/800] 968. Pair of Cast Iron Architectural Elements, in the form of horseheads, h. 15 in., w. 7 in., d. 10 1/2 in. [$400/600]

970. Collection of Eight Indian Brass Hindu Temple “Toys”, 19th/early 20th c., variously modeled as elephants and horses, some with riders, h. 4 1/2 in. to 10 1/4 in. [$400/600] Provenance: Whisnant Galleries Collection, New Orleans, LA.

973. Japanese Patinated Bronze Basket‑Form Ikebana Vase, base with two character maker’s mark, h. 11 1/2 in., w. 4 3/8 in., d. 3 3/4 in. [$150/250]

112

971. Abrahamic Brass and Copper Dish, 19th/20th c., chased and pierced overlay depicting sacrifice of Isaac, dia. 13 3/8 in. [$100/200]

974. Pair of Japanese Kutani Porcelain Vases, early 20th c., decorated with figural, crane and floral cartouches, bases with Kutani marks, h. 13 1/4 in. [$300/500]

972. Japanese Cloisonne Enamel Covered Jar, 20th c., squared body with phoenix and moth cartouches on dark blue ground strewn with flowers and foliage, h. 11 3/4 in., w. 12 1/4 in., w. 9 1/4 in. [$500/700]

975. Japanese Kutani Porcelain Bowl, early 20th c., decorated with central bird‑and‑flower roundel, h. 2 3/4 in., dia. 14 in. [$250/350]

976. Large Japanese Imari Porcelain Vase, probably Meiji Period (1868‑1912), faceted bottle‑form decorated with landscapes and bird‑and‑flower panels, h. 18 3/4 in., mounted as a lamp, h. (incl. finial) 39 1/2 in. [$500/700]

977. Pair of Japanese Imari Porcelain Vases, Meiji Period (1868‑1912), ribbed bodies decorated with bird‑and‑flower cartouches, h. 11 3/4 in. [$400/600]

979. Pair of Japanese Totai Shippo Covered Jars, Meiji Period (1868‑1912), decorated with bird‑and‑flower and butterfly‑and‑flower cartouches, bases signed, h. 13 1/2 in. [$600/800]

980. Japanese Black Glazed Porcelain Water Dropper, octagonal body with white splashes, base with seal mark, h. 2 1/4 in., w. 2 3/8 in. [$100/150] Provenance: Whisnant Galleries Collection, New Orleans, LA.

978. Large Japanese Imari Porcelain Bowl, 20th c., interior with phoenix, dragon and floral cartouches, exterior with foliate sprays, h. 6 in., dia. 14 3/4 in. [$400/600] Provenance: Whisnant Galleries Collection, New Orleans, LA.

981. Antique Japanese Tenmoku Glazed Pottery Water Jar, loop handles, oil spot black glaze, h. 11 3/4 in. [$300/500] Provenance: Whisnant Galleries Collection, New Orleans, LA.

983. Three Japanese Lacquer Boxes, Meiji Period (1868‑1912), incl. 2 book‑form lap desks, with fitted interiors, h. 4 in., w. 15 in., d. 14 in. and h. 3 1/8 in., w. 14 1/2 in., d. 13 1/2 in.; and portable cabinet with drawers, h. 7 1/2 in., w. 6 in., d. 5 3/4 in. [$600/800]

982. Japanese Patinated Bronze Vase, zoomorphic mask handles, relief‑decorated with birds amid prunus, h. 23 3/4 in., mounted as a lamp, overall h. 47 1/2 in. [$300/500] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

984. Antique Chinese Painted Red Lacquer Secretary Desk, in five pieces, molded cornice, two door cabinet, roll top desk, fitted interior, each side with bank of three drawers, h. 84 1/2 in., w. 54 in., d. 30 1/2 in. [$1500/2500] Provenance: Whisnant Galleries Collection, New Orleans, LA.

987. Assembled Group of Four Chinese Hardwood and Hardstone Chairs, yoke crest, pierced splat with inset stone, shaped apron, tapered legs, h. 36 in., w. 16 in., d. 16 in. [$400/600]

985. Chinese Jun‑Style Pottery Jar, probably 20th c., small loop handles, ovoid body with lavender splashes, h. 6 1/4 in. [$200/300]

986. Decorative Chinese Ge‑Style Stoneware Vase, 20th c., stylized‑mask ring handles, overall gold crackle, base with Qianlong mark, h. 11 1/4 in. [$150/250]

988. Two Similar Chinese Hardstone Inset Carved Hardwood Side Chairs, yoke crest, pierced splat with inset stone, shaped apron, stretchered cabriole legs, h. 36 in., w. 16 in., d. 16 in. [$250/350]

113

990. Large and Decorative Chinese Molded Red Lacquer Box, lobed floral‑form with relief landscapes encircling central wave and prunus blossom roundel, base with apocryphal Qianlong mark, h 5 1/4 in., dia. 21 3/4 in. [$1200/1800]

991. Large Chinese Cloisonne Enamel Bowl, Qing Dynasty (1644‑1911), decorated with central stylized chrysanthemum roundel surrounded by floral sprays and foliage, h. 4 5/8 in., dia. 15 1/8 in. [$400/600]

989. Chinese Hardwood Table, 19th c., rectangular top, pierced waist with hidden drawer, prunus and dragon carved apron, “cracked ice” stretcher shelf, h. 31 in., w. 24 in., d. 18 in. [$400/600] 993. Chinese School, 20th c., “Portrait of a Gentleman, probably Qu Yuan”, ink and light color on paper, inscribed and sealed upper right, 49 3/4 in. x 24 1/2 in., mounted as a hanging scroll. [$400/600]

994. Chinese School, 20th c., “Avalokiteshvara, Water Moon Guanyin”, ink and light color on paper, inscribed and sealed upper left, 33 1/2 in. x 19 1/2 in., mounted as a hanging scroll. [$300/500]

992. Pair of Monumental Chinese Cloisonne Enamel Tripod Censers, 20th c., h. 21 in., dia. 28 in., carved wood stands, overall h. 40 3/4 in., dia. 33 in. [$5000/7000]

995. Collection of Three Chinese Lacquer Boxes, incl. gilt‑decorated red, h. 10 1/4 in., w. 17 in., d. 10 5/8 in.; carved and painted “Coromandel”, h. 7 in., w. 15 in., d. 10 in.; and gilt and silver decorated, h. 3 1/8 in., w. 11 7/8 in., d. 7 in. [$400/600]

996. Large Chinese Wood Storage Chest, bronze lock, escutcheon, and handles, h. 29 1/2 in., w. 62 1/2 in., d. 27 1/2 in. [$300/500]

999. Tibetan Gem‑Embellished Gilt Bronze‑Mounted Lapis Lazuli Figure of Tara, 20th c., standing in tribhanga on double lotus base holding a lotus spray, h. 18 1/2 in. [$800/1000]

998. Large Modern Pair of Chinese Gilt Decorated, Lapis Lazuli Veneered Covered Vases, h. 41 in., w. 18 in., d. 8 1/4 in. [$3000/5000]

114

997. Decorative Pair of Chinese Gilt‑Decorated Red Lacquer Vases, probably 20th c., decorated with boys at play in mountainous landscape, bases with Qianlong marks, h. 23 1/2 in. [$500/700]

1000. Nepalese Gemstone Embellished, Filigree‑Mounted Rock Crystal Covered Temple Jar, 20th c., vajra finial, h. 12 1/4 in., dia. 9 1/2 in. [$1200/1600]

1001. Persian Sarouk Carpet, cream ground, red border, overall stylized design, 9 ft. 4 in. x 13 ft. 7 in. [$3000/4000]

1002. Persian Serapi Carpet, salmon ground, blue border, stylized foliate design, 9 ft. 10 in. x 12 ft. 8 in. [$3000/4000]

1005. Persian Sultanbad Carpet, khaki ground, blue border, stylized floral designs, 11 ft. 9 in. x 16 ft. [$4000/5000]

1008. Persian Sarouk Carpet, red ground, overall floral designs, 12 ft. 3 in. x 14 ft. 6 in. [$3000/4000]

1003. Persian Mahal Carpet, red ground, central medallion, foliate designs, 8 ft. 9 in. x 12 ft. 9 in. [$2500/3500]

1006. Fine Tabriz Carpet, olive ground, overall repeating foliate designs, 12 ft. 2 in. x 17 ft. 7 in. [$5000/7000]

1009. Antique Saraband Carpet, red ground, repeating designs, 5 ft. 8 in. x 12 ft. 5 in. [$1500/2500]

1004. Antique Tribal Rug, red ground, repeating designs, 3 ft. 4 in. x 6 ft. 8 in. [$600/900]

1007. Turkish Carpet, central medallion, stylized floral design, 8 ft. x 10 ft. 5 in. [$700/1000]

1010. Antique Tribal Rug, red ground, repeating designs, 4 ft. 7 in. x 5 ft. 8 in. [$500/700]

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PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash Cash 0AYMENT Credit 0AYMENT Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the “Conditions Sale” as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the “Conditions Sale” in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Sale” asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree to“Conditions the “Conditions of Sale” as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the “Conditions of Sale” as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the “Conditions ofof Sale” as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the “Conditions Sale” stated in the catalogue. III understand that a aabuyer’s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyer’s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyer’s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyer’s buyer’s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyer’s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyer’s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyer’s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyer’s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyer’s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or before Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax or E-mail Form form on or on or before Friday,6/26/15 Thursday, 2/6/20 6/24/21 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or504-617-9990 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 to to 504-617-6431 504-617-6431 oror bids@nealauction.com 504-617-9990

229 229 229 229

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April 16, 17 & 18, 2021

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Auction Results

0001 - 4575 0002 - 6100 0003 - 5795 0004 - 5120 0005 - 4575 0006 - 6100 0007 - 1920 0008 - 1024 0009 - 16000 0010 - 2560 0011 - 8235 0012 - 8540 0013 - 9920 0014 - 10980 0015 - 7812 0016 - 8540 0017 - 2562 0018 - 1830 0019 - 1830 0020 - 1408 0021 - 2944 0022 - 1375 0023 - 1625 0024 - 1342 0025 - 2196 0026 - 3050 0027 - 1159 0028 - 8235 0029 - 1408 0030 - 2432 0031 - 9600 0032 - 1280 0033 - 832 0034 - 2816 0035 - 320 0036 - 448 0037 - 1708 0038 - 1664 0039 - 1024 0040 - 128 0041 - 125 0042 - 10240 0044 - 3072 0045 - 4375 0046 - 5490 0047 - 5440 0048 - 2560 0049 - 1024 0051 - 2440 0052 - 15250 0053 - 3840 0054 - 704 0055 - 1342 0057 - 1088 0058 - 1664 0059 - 976 0060 - 256 0061 - 1088 0063 - 320 0064 - 750 0065 - 2560 0066 - 3840 0067 - 128 0072 - 1024 0073 - 610 0074 - 2440 0075 - 854 0076 - 1408 0077 - 2196 0078 - 4270 0079 - 2684 0083 - 6100 0085 - 2318 0086 - 4160 0087 - 1664 0089 - 610 0090 - 1464 0091 - 1098 0094 - 671 0096 - 7320 0098 - 7765

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PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers. 1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees. 2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings: ARTIST - In our qualified opinion, we believe the work is by the artist named.

Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist. School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist. 3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies: A. Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.” B. Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable. E. Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate. In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy, if

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any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies. AUCTION BIDDING AND SALE 1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. 3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot. 4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot. 5.

No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages.

7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion. 8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction. 10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process. 11.

Interfering with the auction in any way is prohibited.

13.

Canvassing or solicitating on the auction premises is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected. 14. The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller. 16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction. 18.

Dealers must provide Neal Auction Company with proper documentation prior to bidding.

20.

Bids are required to be made in U.S. dollars.

19.

First time bidders are required to produce a valid state-issued identification card or passport.

21. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration. 24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor. ABSENTEE/TELEPHONE/ONLINE BIDS 1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/ telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure. 4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month.

All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees). INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company. Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot. IMPORT/EXPORT

9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder.

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations.

PAYMENT

MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding.

7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made. 8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone).

1. The successful bidder (except a successful online bidder) shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer (except by online bidders) within 15 calendar days of the auction, the buyer’s premium will be discounted to 22%. 2. The successful online bidder shall pay a buyer’s premium in the amount of 28% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders. 3.

In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder. 7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer. 9. Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 15 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month. PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles. MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein. The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale. All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein. Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer. In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein). These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

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2021

The Historic New Orleans Collection presents

A SPECIAL PLACE IN TIME Preserving Memories through Southern Decorative Arts August 6–8, 2021

This year’s forum will be a virtual event, with prerecorded sessions and live Q&A. Connect with noted experts as we celebrate the vessels of memory—silver, ceramics, engravings, furniture, textiles, and more—that give shape to our lives. For more information and to register, visit hnoc.org/noaf. This event is presented with support from

Coffeepot from coffee and tea service presented to Francis Hatch; between 1855 and 1861; coin silver; by Terfloth and Küchler (New Orleans); acquisition made possible by the Diana Helis Henry Fund of The Helis Foundation and the Laussat Society, 2008.0329.2

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A Adolfo Aguila y Acosta, 749 Enrique Alférez, 570, 571 American School, 208, 209 David d’Angers (aft), 199 Andrea Appiani (aft), 201 Alois Arnegger, 215 Luis Graner y Arrufi, 26 John James Audubon, 534-549

C Antonio Canova (aft), 657, 757 Henri Cartier-Bresson, 170 Charles Henry Chapin, 122 Chinese School, 386, 389, 993, 994 Adolfo Cipriani, (mnr) 909, 910 Continental School, 213, 216, 220, 226, 751, 753, 754 Charles J. Cook, 168 Thomas Sidney Cooper, 900 George David Coulon, 127 Antoine Coysevox (aft), 664 José-Mariá Cundin, 586

Jean-Jacques Feuchere (aft), 644 Lindsay Lockerby Field, 217 Mark William Fisher, 905 French School, 221, 760, 762 G Adrien-Etienne Gaudez (aft), 665 Henri Desire Gauquie (aft), 666 Françoise Georgin, 201 Albert Gosselin, 214 R. Gourdan, 219 Fredrick Guess, 155

K Mary Kirk Kelly, 49 Alberta Kinsey, 25, 27 Steve Kline, 149 Ida Rittenberg Kohlmeyer, 585 Lajos Kubányi, 211 L Martin Laborde, 162-164 Marie de Hoa LeBlanc, 29 Myron Lechay, 158 Louisiana School, 118, 119, 124, 125 M Steve Martin, 150 Pierre Jules Mene (aft), 898 Marius-Jean-Antonin Mercie (aft), 659 James Michalopoulos, 574-576 Hippolyte Moreau (aft), 651 Mathurin Moreau (aft), 661 Louis Marie Moris (aft), 646 Anne Wells Munger, 18 Bartolomé Esteban Murillo (aft), 224, 225 N New Orleans Photography Fellowship, Inc., 167 New Orleans School, 28 Edmund Johann Niemann, 911

T Arthur Fitzwilliam Tait, 896 Thomas Bangs Thorpe, 121 V Elizabeth O’Neill Verner, 23 Andrea del Verrocchio (aft), 648 W William Edward West (aft), 120 James Whitbeck, 165, 166 Karl Wolfe, 151 William Woodward, 128-131 Don Wright, 566, 567 Y Henry John Yeend-King, 902

Artist Index

J Amy Jackson, 396, 397 Japanese School, 234, 239 Joseph Jefferson, 430 Myrtle Jones, 882 M. C. “5 Cent” Jones, 889, 890

S Hattie Saussy, 30 Nathaniel Sichel, 752 Hunt Slonem, 578, 579 Marshall Joseph Smith, Jr., 123 Milda Spindler, 568 Stanley Sporny, 156, 157 Jimmie Lee Sudduth, 159

•

D Henry Thomas Dawson, 901 Dawn Adair DeDeaux, 169 Gerald Deloach, 154 Edouard Drouot (aft), 662 Alexander John Drysdale, 19, 20 Françoise Dumont (aft), 201 William Dunlap, 147, 148 Dutch School, 218

I Italian School, 222

R Philip Reinagle (aft), 895 Charles Reinike, Jr., 21 Brad Robertson, 587 Noel Rockmore, 569 George Rodrigue, 160, 583, 584 George Derville Rowlandson, 907 Jamini Roy, 572

June 25, 26 & 27, 2021

B Georges Bareau (aft), 899 Jean-Auguste Barre (aft), 647 Aldo Bartelletti, 667 Antoine-Louis Barye (aft), 897 Francesco Beda, 750 John Prentiss Benson, 210 Franz Xavier Bergman, 207 Melissa Bonin, 582 Samuel Lawson Booth, 904 Jane Maria Bowkett, 913 Francesco del Brina, 223 British School, 906, 914 Byron Browne (attr), 161 George Elmer Browne, 212

H Theora Hamblett, 581 David Harouni, 573 William Hart, 903 Martin Johnson Heade (aft), 126 Colette Pope Heldner, 24 Knute Heldner, 22, 31 William Hemmerling, 577 Alois Henrick (aft), 204 Andrew LaMar Hopkins, 580 Jean-Antoine Houdon (aft), 653 Emmett Johnson Hull, 153 Marie Atkinson Hull, 152 Frederick William Hulme, 912 Clementine Hunter, 489-512

P Leon Pilet (aft), 645 Q Clement Charles Henri Quinton, 310

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Notes:

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Notes:

123

Notes:

124

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