UNRESERVED @ Neal Auction - February 16 & 17

UNRESERVED @Neal Auction

ONLINE-ONLY February 16 & 17, 2022

Neal Auction is pleased to present

UNRESERVED @Neal Featuring more than 500 lots of antique, vintage and modern furniture, paintings, prints, photography, silver, porcelain, glass and collectibles from estates, private collectors and institutions, including a large group of property from the Mobile Museum of Art, sold to benefit their Collections, Care and Acquisition Fund.

Exhibition at our 4038 Magazine Street Gallery, February 14 & 15, 2022, 10 a.m. to 4 p.m.

Neal Auction Company

Unreserved @Neal Auction 4038 Magazine Street begins February 16 at 11 a.m.

New Orleans, LA 70121 on all three bidding platforms.

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA, 70115 504-899-5329 | clientservices@nealauction.com

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LA Auc. Lic., Neal Auction Co. #AB-107 LeBlanc #1514, Carroll #1874, Fagan #1935

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Session One

Wednesday, February 16, 11 a.m.

1. American Windsor Painted Walnut Schoolhouse Chair, 19th c., rectangular crest rail, spindled back, shaped writing surface and seat, incised legs and stretchers, h. 30 in., w. 23 in., d. 12 in. [$250/350]

2. Two Acadian Cypress Ladder-Back Chairs, finialed stiles, slatted back, one with hide seat, taller h. 35 1/4 in., w. 18 in., d. 15 in. [$100/200]

3. Antique American Cherrywood Bench, 19th c., plank top, trestle base, h. 15 1/2 in., w. 55 1/2 in., d. 12 in. [$200/400]

4. Antique Southern Carved Oak Hanging Cabinet, paneled doors, lower shelf, h. 54 1/2 in., w. 25 1/2 in., d. 7 1/4 in. [$200/300]

5. American Federal Inlaid Mahogany Card Table, 19th c., shaped foldover swivel top, conforming frieze, tapered legs, h. 30 in., w. 32 1/2 in., d. 16 1/2 in. [$400/600]

6. American Classical Mahogany Bidet Stand, 19th c., kidney-form case with inset basin cover and cabriole legs, h. 17 in., w. 21 1/2 in., d. 15 in. [$100/200]

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7. Antique Georgian-Style Mahogany Chest, two short drawers over three long drawers, shaped bracket feet, h. 40 1/2 in., w. 42 1/2 in., d. 20 1/2 in. [$300/500] 8. Pair of Antique Oak Steamboat Chairs, turned spindled back, rush seat, h. 33 in., w. 20 in., d. 18 1/2 in. [$150/250] Provenance: Collection of Ray Samuel.

9. Southern Federal Inlaid Cherrywood Chest, late 18th/early 19th c., four drawers, bracket feet, h. 36 3/4 in., w. 45 3/4 in., d. 20 3/4 in. [$600/900]

10. American Federal Mahogany Drop-Leaf Table, early 19th c., square top, tapered legs, h. 28 1/2 in., w. 47 1/2 in., d. 22 in. Note: repair to leg. [$500/700]

Provenance: Santo Domingo or Islands mahogany. Though to have originated in New Orleans and shipped to Bayou Goula Plantation, now known as Burnside Plantation.

11. American Inlaid Cherrywood and Burl Walnut Work Table, c.

1830, two drawers, spiral-turned legs, h. 29 1/2 in., w. 18 in., d. 18 in. [$500/700]

12. American Classical Carved Mahogany Work Table, early 19th c., possibly Baltimore, shaped top, ring-turned stiles, two drawers, spiral-turned legs, h. 28 1/2 in., w. 27 in., d. 20 in. [$300/500]

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13. American Elm Apothecary Chest, early-to-mid 19th c., bank of 10 drawers, bracket base, h. 42 in., w. 20 in., d 13 in. [$800/1200]

14. American Renaissance Gilt Decorated Walnut Pedestal, late 19th c., fluted tapered standard, socle plinth base, h. 41 3/8 in., w. 13 in., d. 13 in. [$300/500]

15. American Classical Carved Mahogany Games Table, c. 1825, New York, foldover swivel top, ringturned foliate standard, acanthus paw feet, h. 28 in., w. 36 in., d. 17 3/4 in. [$700/900]

16. Antique Southern Cypress Plank Top Bench, shaped supports, h. 18 in., w. 60 in., d. 17 1/2 in. [$200/300]

17. American Late Classical Mahogany Side Table, c. 1840, shaped marble top, conforming frieze with two drawers, scrolled legs, shaped stretcher shelf, h. 31 in., w. 43 1/2 in., d. 23 1/2 in. [$300/500]

18. Vintage “Adirondack” Painted Wood Plant Stand, crossed supports of naturalistic tree branches, h. 32 in., w. 15 in., d. 13 in. [$20/40]

Condition: Overall structurally sound, but rests unevenly. Top is not level.

Scattered paint loss throughout. AS IS. 5

19. .American Classical Carved Mahogany Armchair, early 19th c., Boston, elliptical crest rail with carved anthemion petals, scrolled volute arms, saber front legs, h. 38 in. [$500/700]

20. Pair of Neoclassical-Style Faux Marbre Pedestals, molded circular tops, fluted columnar, octagonal plinth, h. 31 1/2 in., w. 16 1/2 in., d. 16 1/2 in. [$500/700]

21. Michel Ferrand Louis XV-Style Cherrywood Extension Dining Table, 21st c., molded pegged top, shaped apron, cabriole legs, butterfly extension with one self-storing leaf, h. 30 1/4 in., w. (closed) 98 1/2 in., w. (open) 130 in., d. 48 in. [$600/800]

22. Michael J. Joerling (American/North Carolina) Mirror-Inset Lacewood and Figured Avodire Pier Table, 1997, signed and dated on tag affixed to underside, h. 77 1/2 in., w. 25 in., d. 13 1/2 in. [$300/500]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

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23. Five Attributed to Greta Magnusson Grossman Walnut Chairs, 1950s, chair h. 29 in. [$300/500]

24. George III Inlaid Mahogany Brandy Board, early 19th c., molded top, center drawer, two cabinet doors, spandrels, tapered legs, spade feet, h. 33 1/2 in., w. 49 1/2 in., d. 23 in. [$200/400]

25. William IV Carved Mahogany Writing Table, c. 1830, labeled “T & F Glasgow”, rectangular top, two frieze drawers, bulbous-turned legs, Note: lacking inset leather top, h. 31 in., w. 60 in., d. 35 in. [$300/500]

26. Edwardian Inlaid Satinwood Shield-Form Fire Screen, early 19th c., finialed standard, eglomise liner, glazed silk panel, tripod stand, h. 61 1/4 in., w. 16 1/2 in., d. 15 in. [$300/500]

27. Georgian Inlaid Mahogany Pembroke Table, 19th c., banded drop-leaf top, single frieze drawer, tapered legs, brass caps, casters, h. 27 1/4 in., w. 31 1/2 in., d. 20 1/2 in. [$200/400]

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28. Early Queen Anne Inlaid Walnut Lowboy, early-to-mid 18th c., molded canted corners, three drawers, cabriole legs, slipper feet, h. 28 1/4 in., w. 32 in., d. 19 in. [$500/700]

29. Antique English Giltwood Dressing Stand, surmounted by an oval mirror, two candlerms, circular shelf, ball feet, h. 51 in., w. 15 in., d. 9 in. [$150/350]

30. Pair of George III-Style Mahogany and Leather Library Chairs, 19th c., each with tall serpentine back, padded arms, generous trapezoidal seat, cabriole legs, ball and claw feet, brown leather upholstery and nailhead trim, (one chair later upholstery), h. 46 in., w. 28 in., d. 23 in. [$500/700]

31. Pair of Antique Regency-Style Chinoiserie Lacquered Side Chairs, rope-turned crest rail, caned slat, sabre legs, h. 33 1/2 in., w. 18 in., d. 17 in. [$500/700]

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32. Four Anglo-Colonial Brass and Abalone Inlaid Armchairs, late 19th c., arched crest, triangular finials, turned stiles, circular back cushion, square seat, turned legs, casters, h. 37 in., w. 22 in., d. 20 in. [$500/700]

33. George III Mahogany Cellarette, late 18th/early 19th c., molded lift-top, lined interior, dovetailed corners, bracket feet, h. 18 1/2 in., w. 17 in., d. 16 in. [$300/500] 34. Irish Chippendale-Style Mahogany Side Table, 20th c., top with gadrooned edge, carved frieze, cabriole legs and angel masque terms, ball and claw feet, h. 29 in., w. 41 1/2 in., d. 25 1/2 in. [$500/700] 35. Antique Georgian-Style Mahogany Cellarette on Stand, lift-top, bale handles, stretcher stand, h. 32 in., w. 16 in., d. 16 in. [$400/600]

36. Edwardian Satinwood Table with Inset Tole Peinte Tray, early 20th c., oval tray painted with a river landscape, table with frieze drawer, square tapering legs, h. 30 in., w. 34 in., d. 26 1/2 in. [$600/800] 9

38. George II Carved Mahogany Armchair, 18th c., scrolled crest rail, pierced splat, molded scrolled arms, square legs and stretcher, h. 39 1/2 in., w. 28 1/2 in., d. 18 1/2 in. [$400/600]

37. Regency-Style Inlaid Mahogany Games Table, demilune foldover top with leather playing surface, reeded tapered legs, toupie feet, h. 28 1/2 in., w. 36 in., d. 18 in. [$400/600]

39. George III Mahogany Commode, 19th c., lift top, divided interior, cachepot stand with bail pull, h. 32 1/2 in., w. 20 in., d. 18 in. [$400/600]

40. George III Walnut Console, 19th c., rectangular top, plain skirt, square tapering legs, block feet, h. 35 in., w. 49 in., d. 24 in. [$800/1200] Provenance: Dixon & Dixon, 1996.

41. Antique American Chippendale-Style Carved Mahogany Tilt-Top Tea Table, pie crust top, foliate standard, cabriole legs, paw feet, casters, h. 30 in., dia. 31 in. [$300/500]

42. George III Mahogany Bowfront Chest of Drawers, late 18th/early 19th c., three drawers, flared legs, h. 34 in., w. 39 in., d. 26 in. [$400/600]

43. English Aesthetic Bamboo and Lacquered Side Table, late 19th c., Japonisme decoration, frieze drawer, lidded lower compartment, flared legs, h. 28 1/2 in., w. 25 in., d. 17 in. [$300/500] 44. George III Inlaid Rosewood Two-Part Canterbury, early 19th c., removable spindled upper section, on stand with drawer, square molded legs, spade feet, h. 30 in., w. 18 1/2 in., d. 14 1/2 in. [$200/400]

45. Antique English Mahogany Tilt-Top Breakfast Table, late 19th c., molded oval top, bulbous-turned standard, arched scrolled legs, casters, h. 29 in., w. 55 in., d. 46 1/2 in. [$300/500]

46. Three Bavarian or Swiss Walnut Hall Chairs, reticulated narrow back, splayed turned legs, h. 35 1/2 in., w. 15 in., d. 14 in. [$100/200]

47. Pair of Louis XV-Style Carved Mahogany Fauteuils, padded back, arms and seat, cabriole legs, h. 36 in., w. 24 in., d. 25 1/2 in. [$400/600]

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48. German Art Deco Parcel Ebonized Oak Dining Table, c. 1930, circular top, deep frieze, bulbous hexagonal standard, conforming plinth, h. 30 in., dia. 47 in. [$400/600] Provenance: Hans Friedrich Grohs (1892-1981).

49. Antique Continental Art Nouveau Mahogany Three-Panel Dressing Screen, each panel with acanthus crest over beveled glass with fabric below, h. 69 1/4 in., l. 60 in. [$300/500] Provenance: Whisnant Galleries Collection, New Orleans, LA.

50. Antique Italian Rococo-Style Giltwood Armchair Frame, pierced crest, foliate scroll arms, cabriole legs, h. 38 1/2 in., w. 28 in., d. 22 1/2 in. [$200/400] Provenance: Whisnant Galleries Collection, New Orleans, LA.

51. Antique Continental Carved Mahogany Sofa, shaped back, shell carved apron, cabriole legs, scrolled toes, h. 37 in., w. 80 in., d. 26 in.[$200/400] Provenance: Whisnant Galleries Collection, New Orleans, LA.

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52. Dutch Carved Mahogany Serpentine Lowboy, 19th c., molded shaped top, conforming case, two drawers, cabriole legs, pad feet, h. 29 3/4 in., w. 30 1/4 in., d. 19 in. [$700/900]

53. Empire-Style Burled Wood and Parcel Gilt Grecian Couch, scrolled back, swan’s neck arms, paw feet with anthemion petal brackets, robin’s egg blue silk upholstery, h. 43 in., w. 94 in., d. 27 1/2 in. [$500/700]

54. Antique Gothic Revival Carved Walnut Vestry Cabinet, 19th c., with earlier elements, two short and four tall cabinet doors with reticulated and blind trefoil tracery, iron strap hinges, twist latches, shaped plinth, h. 69 5/8 in., w. 34 in., d. 13 1/4 in. [$700/1000] 55. Louis XVI-Style Carved Elm Side Table, early 20th c., square top, shaped apron with drawer and oakleaf appliques, modified cabriole legs, hoof feet, whole with stippled surface in the Black Forest mode, h. 28 1/2 in., w. 19 1/2 in., d. 19 1/2 in. [$400/600]

56. Spanish Renaissance Revival Carved Walnut Table, 19th c., rectangular top, carved and turned supports with tenoned medial stretcher, trestle base, h. 25 1/2 in., w. 30 in., d. 17 1/2 in [$400/600]

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57. Pair of Charles X-Style Parcel Ebonized and Burlwood Nightstands, black marble top, frieze drawer, columnar supports, cabinet door, conforming base, h. 31 in., w. 15 1/2 in., d. 14 1/2 in. [$500/700] 58. Antique Continental Diminutive Mahogany Swivel Chair, quatrefoil-pierced crest rail, foliate splat, mechanized seat, scrolled legs, h. 36 in., w. 16 in., d. 14 in. [$300/500]

59. Antique Continental Wrought Iron Bench, scrolled trestle form, upholstered seat, h. 19 in., w. 24 1/2 in., d. 13 in. [$300/500]

60. Dutch Marquetry and Mahogany Sutherland Table, 19th c., drop-leaf top, trestle base, h. 23 in., w. 21 1/2 in., d. (closed) 6 1/2 in., d. (open) 25 1/2 in. [$300/500]

61. Pair of Beaux Arts-Style Ebonized and Parcel Gilt Side Chairs, circular padded back with scroll crest, serpentine seat, cabriole legs, beige silk upholstery, h. 45 1/2 in., w. 19 in., d. 20 in. [$400/600]

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62. Italian Inlaid and Ebonized Armchair, 19th c., shaped crest rail, arms with mask carved terminals, X-form base, h. 24 1/2 in., w. 25 1/2 in., d. 24 1/2 in. [$400/600] 63. French Provincial Walnut Side Table, likely 18th c., frieze drawer, turned supports, stretcher base, h. 24 in., w. 33 in., d. 25 in. [$400/600]

64. Louis Philippe Walnut Bedstead, 19th c., headboard with arched molded crest, molded finials, rectangular posts, plinth feet, h. 47 in., l. 84 1/2 in., w. 62 in. [$500/1000] Provenance: Dixon & Dixon, 1996.

65. Pair of Louis XV-Style BronzeMounted Faux Marquetry and Kingwood Side Tables, gilt banded top, frieze fitted with writing slide and single drawer, cabriole legs, sabots, h. 29 1/2 in., w. 26 in., d. 17 1/2 in. [$700/900]

66. American Aesthetic Burl Walnut Armchair, late 19th c., scrolled back, highly carved returns, acanthine and tassel motif, scrolled trestle base, h. 36 1/2 in., w. 26 1/2 in., d. 32 in. [$500/700] Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

67. French Restauration Fruitwood Gueridon, c. 1840, Gris de Ste. Anne marble top, conforming frieze, vasiform standard, shaped scrolled legs, casters, h. 29 3/4 in., dia. 31 in. [$400/600]

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

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68. Italian Grotto-Style Carved Walnut Stool, scrolled shell-form seat, acanthine and paw supports, tripartite base, h. 25 in., w. 17 1/2 in., d. 18 1/2 in. [$500/700]

69. Biedermeier Parcel Gilt Mahogany Bureau a Cylindre, 19th c., retracting cylinder lid, fitted interior, pull-out writing surface, three lower drawers, bracket feet, h. 44 in., w. 38 in., d. 22 1/2 in. [$600/800]

70. Louis XVI-Style Carved Giltwood Vitrine, flat molded top, canted corners, bowknot floral crest, glazed surround, guilloche stiles, single door, glass shelves, fluted tapered legs, h. 66 in., w. 36 1/2 in., d. 18 1/2 in. [$500/700] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

71. Continental Chinoiserie Writing Table, tooled leather writing surface, three drawers, cabriole legs, h. 31 1/4 in., w. 52 3/4 in., d. 27 3/4 in. [$400/600]

72. Biedermeier Figured Mahogany Bureau a Cylindre, mid-19th c., molded top, retracting lid with fitted interior, pull out writing surface, three graduated drawers, block feet, h. 48 1/2 in., w. 47 in., d. 23 1/2 in. [$500/700] Provenance: Hans Friedrich Grohs (1892-1981).

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74. Continental Bronze-Mounted Onyx Side Table, oval top, foliatemounted supports, finialed stretcher, anthemion feet, h. 21 1/2 in., w. 21 in. [$400/600] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

73. Continental Carved and Parcel-Ebonized Walnut Low Table, hexagonal inset beveled glass top, shaped stretcher, foliate outswept feet, h. 16 1/2 in., dia. 40 in. [$200/400]

75. Antique Dutch Painted Armoire, 19th c., stepped molded cornice, urn and floral painted panels, single door over drawer, bun feet, h. 77 1/2 in., w. 45 in., d.

16 1/2 in. Condition: loose pieces. [$400/600]

76. Restauration Carved Mahogany Fauteuil, late 19th/ early 20th c., arched crest rail, scrolled arms, scrolled legs. [$400/600]

77. French Provincial Carved Fruitwood Hall Chair in the Louis XIV Taste, probably 19th c., serpentine crest, padded back and seat, turned and blocked legs and stretchers, disc feet, h. 42 1/2 in., w. 21 3/4 in., d. 20 in. [$200/400] Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

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78. Dell Weller (American/New Orleans, 1927-2017), “Self-Portrait”, 1991, oil on canvas, signed and dated lower right, labels with title and date en verso, 16 in. x 12 in., framed. [$150/250] Condition: Overall good condition. Ext. Frame: 17 1/2 in. x 13 1/2 in. x 2 in.

79. Keith Eccles (American/New Orleans, 20th c.), “Whirlwind”, acrylic on gallery-wrapped canvas, signed lower right, 30 in. x 24 in., unframed. [$700/1000] Condition: Overall good condition.

80. Keith Eccles (American/New Orleans, 20th c.), “Jester Royale”, acrylic on gallery-wrapped canvas, signed lower right, 36 in. x 36 in., unframed. [$1000/1500] Condition: Overall good condition

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81. Martin Laborde (American/New Orleans, b. 1943), “Running Leather”, 1974, acrylic and mixed media on canvas, signed lower right, signed, titled and dated en verso, 36 in. x 48 in., framed. [$200/400] Condition: Overall good condition. Ext. Frame: 38 in. x 50 in. x 2 in.

82. Martin LaBorde (American/New Orleans, b. 1943), “Bearded Lady”, 197374, acrylic and mixed media on canvas, signed, titled and dated en verso, 36 in. x 42 in., framed. [$200/400] Condition: Overall good condition. Ext. Frame: 38 in. x 44 in. x 2 in

19

83.

Milda Spindler (Lithuanian/New Orleans, 1927-2021), “Cypress Trees”, 1975, oil on masonite, signed and dated lower right, 24 1/8 in. x 19 7/8 in., framed. [$500/700] Condition: Overall good condition.

Ext. Frame: 31 1/8 in. x 27 1/8 in. x 1 1/2 in.

84.

Margaret Frances Robinson (American/New Orleans, 1908-1985), “Autumn Landscape”, oil on canvas, signed lower left, “WYES-TV/Channel 12 Art-2004” auction label inscribed “Donor Jean Bragg Gallery and Antiques” attached to hanging wire, partial label on stretcher, 16 in. x 20 in., framed. [$400/600] Condition: Overall fair condition.

Ext. Frame: 22 1/2 in. x 26 1/2 in. x 2 in.

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85.

George Robert Rushton (British, 1869-1947), “Evangeline, Pilgrim Father Departing”, c. 1900, watercolor on paper mounted to board, signed lower right, 20 in. x 30 in., framed; together with reproduction print of “Evangeline” after John David Kelly, 15 3/8 in. x 10 1/2 in., framed. (2 pcs.) [$500/700] Provenance: Private Collection, Covington, LA.

Ill.: LeBlanc, Ronnie-Gilles. Du Grand Dérangement à la Déportation Nouvelles Perspectives Historiques. Moncton: Université de Moncton, 2005, p. 455; Doucet, Clive. “Ethnic Cleansing the Canadian Way.” Globe and Mail. Feb. 26, 2005: D1.

Exh.: “L’Odysée d’Évangéline”, Musée Acadien de l’Université de Moncton, 1997.

Condition: Each in overall good condition. Ext. Frames: 29 1/2 in. x 39 1/2 in. x 1 3/4 in. and 22 3/4 in.

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86.

William Willard Roberts (American/Virginia, 1878-1957), “Pohick Church, Fairfax Co. VA., c. 1775, Where Washington, Mason, Fairfax and Others Attended”, 1956, watercolor and ink on paper mounted to board, signed and dated lower left, titled lower center, printed label on mount, inscribed on reverse of mount, 12 in. x 19 1/2 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition.

87.

Vernice Brown Lassiter (American/Alabama, b. 1927), “Xanadu”, watercolor on paper, signed lower left, titled en verso, 22 1/4 in. x 30 in., framed. [$200/400] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

Ext. Frame: 34 1/2 in. x 42 1/2 in. x 1 in

88.

Thomas Burger (American/New Orleans, 20th c.), “Calm of the Marsh”, 2008, oil on canvas screenscape, signed on screen lower left, signed, titled, dated and artist business card en verso, 19 1/8 in. x 33 1/2 in. [$500/700] Condition: overall good condition

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89.

Hazel Guggenheim McKinley (American/Louisiana, 1903-1995), “If You Eat...”, 1969, mixed media on paper, signed, titled and dated lower right, 13 in. x 18 3/4 in., framed. [$300/500] Condition: Overall fair condition.

Ext. Frame: 21 in. x 25 in. x 3/4 in.

90.

Hazel Guggenheim McKinley (American/Louisiana, 1903-1995), “Last Summer”, 1966, mixed media on paper mounted to panel, signed, titled and dated lower right, artist bio and “Dutch Art Gallery 46 Years” label on backing paper, 14 7/8 in. x 21 in., framed. [$600/800]

Condition: Overall fair condition.

Ext. Frame: 23 3/4 in. x 28 7/8 in. x 3/4 in.

91. Althea Dodson Tanner (American/New Orleans, 19192014), “Western Lounge #40”, 1993, mixed media collage on board, pencilsigned lower right, pencil-signed, titled, dated and inscribed en verso, handwritten label with title and artist label on backing board, 21 1/2 in. x 17 5/8 in., framed without glass.[$300/500] Condition: Overall fair condition. Ext. Frame: 24 1/4 in. x 20 1/8 in. x 1 in.

92. Althea Dodson Tanner (American/New Orleans, 1919-2014), “Circle in a Square (White) + Gray Border”, oil on canvas, signed lower left, pencil-signed, titled and artist label en verso, inscribed on stretcher, 20 in. x 18 in., unframed. [$300/500] Condition: Overall good condition.

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93. David Sinclair Nixon (American/New Orleans, 1904-1973), “Collage”, 1960, mixed media on board, signed and dated lower right, signed, titled and dated en verso, 19 7/8 in. x 29 7/8 in., framed. [$300/500] Condition: Overall poor condition. Ext. Frame: 24 1/2 in. x 34 1/2 in. x 1 1/4 in.

94. New Orleans School, mid-20th c., “Old Brulatour Patio, Old New Orleans”, oil on canvas, signed “Watson” lower left, signed and titled en verso, 24 1/8 in. x 30 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 28 1/2 in. x 34 1/4 in. x 2 3/4 in.

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95. Pati Bannister (American/Mississippi, 1929-2013), “Chrysanthemums”, 1986, acrylic on masonite, signed and dated lower right and en verso, 9 7/8 in. x 7 7/8 in., framed with artist and title plaque. [$300/500] Condition: Overall good condition.

Ext. Frame: 17 1/8 in. x 16 1/8 in. x 2 in.

96. Pati Bannister (American/Mississippi, 1929-2013), “Girl with Bow” and “Girl in a Hat”, 1990, 2 pastels on masonite, each pencil-signed and dated lower center, 10 in. x 8 in. and 12 in. x 9 in., framed alike. (2 pcs.) [$200/300] Condition: Each in overall good condition. Ext. Frames: 18 in. x 16 in. x 2 in. and 18 1/2 in. x 15 1/2 in. x 2 in.

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97. B. B. Saxon (American/Louisiana, 20th c.), “Moss Gatherer”, oil on canvas board, signed lower right, signed and titled en verso, 16 in. x 20 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 25 in. x 29 in. x 1 3/4 in.

98. Emil Eugen Holzhauer (American/Florida, 1887-1986), “Morning Lilacs”, oil on canvas mounted to masonite, signed lower right, signed and titled en verso, 20 in. x 16 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 27 1/4 in. x 23 1/8 in. x 1 3/4 in.

99.

M. A. Purdom (American/New Orleans, 20th c.), “Patio Royal, Rue Royale”, oil on board, pencil-signed lower right, pencil-inscribed with artist and title en verso, 12 1/8 in. x 9 1/8 in., framed. [$400/600] Condition: Overall fair condition.

Ext. Frame: 14 1/4 in. x 10 3/4 in. x 1 in.

100. After George F. Fuller (American/Massachusetts, 1822-1884), “Steamboat Race on the Mississippi Between the Baltic and the Diana”, oil on canvas, unsigned, 18 1/4 in. x 27 1/4 in., framed. [$500/700] Condition: Overall poor condition.

Ext. Frame: 21 1/4 in. x 20 1/2 in. x 2 in.

101. Arnold E. Turtle (British/New Orleans, 1892-1954), “Decatur and Gov. Nicholls”, 1944, graphite on board, pencil-signed and dated lower right, titled twice lower left (one under mat), 16 1/2 in. x 11 3/4 in., framed. [$150/250] Condition: Overall fair condition.

103. David Sinclair Nixon (American/New Orleans, 1904-1973), “Untitled (Geometric Abstract)”, 1959, oil on panel, signed and dated lower center, 24 in. x 12 5/8 in., framed. [$500/700]

Condition: Overall poor condition.

Ext. Frame: 25 1/2 in. x 14 in. x 1 1/4 in.

104. David Sinclair Nixon (American/New Orleans, 1904-1973), “Untitled (Interior Scene)”, 1965, watercolor and graphite on paper, pencil-signed and dated lower right, inscribed on backing board, 14 in. x 10 3/4 in., framed. [$200/300]

Condition: Overall fair condition. Ext. Frame: 19 in. x 14 7/8 in. x 1 1/2 in.

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102. Jeffrey Cook (American/New Orleans, 1961-2009), “Untitled”, 2003, mixed media paper collage, signed and dated lower left, signed and dated twice en verso, 10 3/4 in. x 13 5/8 in., framed with double-sided glass. [$300/500]

105. David Sinclair Nixon (American/New Orleans, 1904-1973), “Untitled (Two Figures)”, oil on panel, unsigned, inscribed with artist on backing board, 11 in. x 7 1/8 in., framed. [$250/350] Condition: Overall fair condition. Ext. Frame: 15 5/8 in. x 12 1/2 in. x 1 in.

Condition: Overall good condition. Ext. Frame: 13 3/4 in. x 14 7/8 in. x 1 in.

106. David Sinclair Nixon (American/ New Orleans, 1904-1973), “Untitled (Dancers)”, 1952, oil on board, pencil-signed and dated en verso, 7 3/4 in. x 5 1/4 in., framed. [$200/300]

Condition: Overall fair condition. Ext. Frame: 13 1/2 in. x 9 1/2 in. x 1/2 in.

107. Normah Louise Alcott Knight (American/Texas, 1910-2005), “South Padre Island Sand Dunes”, oil on copper panel mounted to masonite, signed lower left, artist biography and “Art Galleries at Bahia Mar, South Padre Island, TX” label en verso, 9 in. x 12 in., framed. [$10/20] Condition: Overall good condition. Ext. Frame: 14 1/2 in. x 17 1/2 in. x 1 in.

29

29

108. Charles Whitfield Richards (American/Louisiana, 1906-1992), “Portrait of a Woman”, charcoal on paper, signed upper right, partial sketch en verso, 22 in. x 19 in., matted. [$10/20] Condition: Overall good condition.

109. David Phillip Anderson (American/Florida, 1926-1996), “Baal Tekiyah”, oil on masonite, signed upper left, label with title and artist biography on backing paper, 22 in. x 28 in., framed. [$500/700] Condition: Overall good condition. Ext. Frame: 29 3/4 in. x 35 1/2 in. x 1 1/4 in.

110. Toby Hollinghead (American/Alabama, b. 1953), “The Beach”, 2007, acrylic on canvas, signed and dated lower right, titled lower left and on stretcher, 30 in. x 40 in., unframed. [$500/800] Provenance: The Doug and Cathy Gitter Collection.

Condition: Overall good condition.

111. Henry Mortikar Rosenberg (American, 1858-1947), “Nude in a Landscape”, 1935, oil on canvas, signed and dated lower left, signed on stretcher, 20 in. x 16 in., unframed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition.

112. Henry Mortikar Rosenberg (American, 1858-1947), “Alabama”, 1928, watercolor on paper, signed, titled and dated lower left, 13 7/8 in. x 10 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

113. Henry Mortikar Rosenberg (American, 1858-1947), “Evening Haze”, “Landscape”, 1928 and “On the Road”, 1933, 3 watercolors on paper, 2 signed and dated lower left, 9 3/4 in. x 12 in. to 15 1/4 in. x 11 in., unframed. (3 pcs.) [$50/100]

Condition: Overall fair condition

114. Greg Laatsch (American/Michigan, 20th c.), “Is This An Art Show?”, 1980, graphite and color pencil on paper, pencil-signed and dated lower right, titled lower center, 4 1/4 in. x 5 1/2 in., unframed. [$25/50]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

115. Malcolm “Bud” Tunnicliffe (American, 1911-1995), “Woman with Raised Arms”, pastel and graphite on paper, unsigned, 18 7/8 in. x 12 1/2 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition.

116. American School, 20th c., “Study of a Hand”, charcoal on paper, illegibly signed and dated upper right, 15 5/8 in. x 12 1/2 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition.

117. American School, 20th c., “Figure Study”, 1957, graphite and pastel on paper, pencil-signed “Burgess” and dated lower right, 17 in. x 13 7/8 in., matted. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

118. B. R. Harrison (American, 19th/20th c.), “Teddy in the Jungle”, 1919, ink on paper, titled lower center, label with artist and date en verso, 11 1/4 in. x 14 1/4 in.; and “The Last of the Rough Rider”, 1949, ink on paper, signed, titled and dated lower right, 8 in. x 9 7/8 in., unframed. (2 pcs.) [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: One in overall fair condition; one in overall poor condition.

31

119. American School, 20th c., “Oh! Uncle Please Don’t Take Him Away!”, ink on paper, unsigned, “The Adjunct General’s Office” stamp en verso, 10 3/8 in. x 7 3/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

120. Francis William Vreeland (American/California, 1879-1954), “Mother’s Darling”, watercolor on paper mounted to board, signed lower right, 18 1/8 in. x 20 1/4 in., framed with artist and title plaque. [$400/600] Condition: Overall fair condition. Ext. Frame: 25 in. x 26 3/4 in. x 1 1/2 in.

121.

Cornelius Zwaan (Dutch/American, 1882-1964), “The New Baby”, oil on canvas, signed lower right, titled on reverse of frame, 18 1/8 in. x 24 1/8 in., framed. [$800/1200] Condition: Overall fair condition. Ext. Frame: 26 3/4 in. x 32 3/4 in. x 2 1/2 in.

32

122.

Cornelius Zwaan (Dutch/American, 1882-1964), “Early Lessons”, oil on canvas, signed lower right, title inscribed on reverse of frame, 18 1/8 in. x 24 1/8 in., framed. [$800/1200] Condition: Overall poor condition. Ext. Frame: 26 1/2 in. x 32 3/4 in. x 2 1/2 in.

123. Gabriel Spat (Russian/American, 1890-1967), “Courses à Chantilly”, watercolor on paper, signed and titled lower left, label with artist and title on backing paper, 7 in. x 8 1/4 in.; and “Courese à Longchamp (au Temps de Marcel Proust)”, watercolor on paper mounted to board, signed and titled lower center, label with artist and title on backing paper, 6 1/4 in. x 8 1/4 in., framed alike with artist and title plaques. (2 pcs.) [$500/700] Condition: Each in overall fair condition. Ext. Frames: 10 1/2 in. x 11 1/2 in. x 1 1/4 in.

33

124. American School, 20th c., “Abstract Composition”, mixed media on board, signed “Holleran” lower right, label on reverse of mat, 18 3/4 in. x 29 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 34 1/4 in. x 44 1/4 in. x 1 1/2 in.

125. Paul Von Bothmer (American, 20th c.), “The Valley of the Unknown Kandath”, mixed media on paper, unsigned, partial sketch en verso, 21 1/4 in. x 17 5/8 in., unframed. [$50/100]

126. American School, 20th c., “Portrait of a Woman”, graphite on board, unsigned, 19 7/8 in. x 24 in., unframed. [$10/20]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

127. Daphne French Dunbar (Canadian/American, 1883-1986), “Ellis Memorial Thrift Shop, Boston (Study of a Seated Lady)”, c. 1930, watercolor and graphite on paper, unsigned, pencil-titled and dated en verso, 10 1/2 in. x 14 5/8 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition 34

128. Edith Lucile Howard (American/Vermont, 1885-1960), “Isle of Skye”, watercolor on board, signed lower center, pencil-signed and titled on mat, 14 3/4 in. x 22 in., framed. [$800/1200] Condition: Overall fair condition. Ext. Frame: 21 in. x 27 1/4 in. x 1 1/4 in.

129. Walter Steinhilber (American, 1897-1983), “Panorama from Windswept Cabin, Jackson, N.H.”, graphite and watercolor on paper, signed and inscribed “Jackson, N.H.” lower right, titled en verso, 13 1/2 in. x 22 1/8 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 18 7/8 in. x 27 3/4 in. x 1 in

130. Syd Browne (American/New York, 1907-1991), “Street Scene”, 1934, watercolor and graphite on board, signed and dated lower left, 14 7/8 in. x 19 1/4 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 25 1/8 in. x 31 1/2 in. x 1 3/4 in.

131. Ernst T. Fredericks (American/Kansas, 1877-1959), “Winter Landscape”, oil on canvas, signed lower left, 23 7/8 in. x 29 7/8 in., framed with artist plaque. [$200/300] Condition: Overall fair condition. Ext. Frame: 28 1/2 in. x 34 1/2 in. x 1 1/2 in.

132. Frank Beatty (Canadian/Chicago, 1899-1984), “Chicago Skyline”, mixed media on paper mounted to board, signed twice lower right, pencil-titled on backing paper, inscribed with artist on backing board, 19 3/8 in. x 14 7/8 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 21 1/8 in. x 17 in. x 1 3/4 in

35

133. Thomas Giles Pillsbury (American/Oklahoma, 19041990), “Autumn Landscape in the Mountains”, oil on masonite, signed lower right, 14 7/8 in. x 10 5/8 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 16 3/4 in. x 12 5/8 in. x 3/4 in.

134. William J. Forsyth (American, 1854-1935), “Man with Wagon Selling Poultry”, 1881, watercolor on paper mounted to board, signed and dated lower right, inscribed with artist on backing paper, 10 in. x 14 in., framed. [$400/600]

Condition: Overall poor condition. Ext. Frame: 15 5/8 in. x 19 1/2 in. x 1 in

135. William Verplanck Birney (American/Ohio, 1858-1909), “New England Cape Cottage”, watercolor on paper mounted to board, signed lower right, inscribed with artist and title on backing paper, 9 1/4 in. x 10 1/4 in., framed. [$800/1200] Condition: Overall fair condition. Ext. Frame: 18 in. x 20 in. x 1 1/2 in.

36

136. Reginald Bathurst Birch (British/ American, 1856-1943), “Grand Dame”, ink and graphite on paper, signed lower right, artist biography on backing paper, 11 in. x 13 1/2 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 17 1/4 in. x 20 1/4 in. x 1 in.

137. Jack Schneider (American, 20th c.), “Bridge and Barn”, 1950, double-sided watercolor on paper, pencil-signed and dated lower right, “Sanski Studio, Haddonfield, NJ” label and inscription on backing paper, 31 1/4 in. x 26 1/2 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 27 3/4 in. x 33 in. x 1 in.

138. James McBurney (American, 18681955), “The Frost King’s Trail”, 1945, oil on canvas, signed and dated lower left, label with artist and title on stretcher, 20 in. x 24 in., unframed. [$300/500] Condition: Overall fair condition

37

139. Charlotte Buell Coman (American/Iowa, 1833-1924), “White Roses”, watercolor on paper mounted to board, signed lower left, 3 artist biographies on backing paper, 17 3/8 in. x 11 1/4 in., framed. [$600/800]

Condition: Overall fair condition.

Ext. Frame: 26 in. x 19 3/4 in. x 1 in 140. Clara Maude Volkert (American/Ohio, 1883-1936), “Still Life of Flowers”, oil on canvas board, initialed lower right, handwritten label with artist information on backing paper, 12 in. x 9 in., framed. [$300/500]

Condition: Overall good condition.

Ext. Frame: 18 1/4 in. x 15 in. x 1 3/4 in.

141. Charles Jay Taylor (American/New York, 1855-1929), “The Poet at the Breakfast Table”, 1893, pen and ink on paper, signed lower left, 3 handwritten labels with artist and title and one dated and inscribed “Exhibited first.... Chicago” on backing paper, 11 3/8 in. x 17 1/8 in., framed. [$100/150] Condition: Overall fair condition.

Ext. Frame: 14 3/4 in. x 21 in. x 1 in.

142. James Calvert Smith (American, 1878-1962), “Autumn Landscape in Connecticut”, oil on canvas board, signed lower left, 15 in. x 19 3/4 in., framed. [$300/500] Condition: Overall fair condition.

Ext. Frame: 18 1/2 in. x 23 1/4 in. x 1 1/4 in.

38

143. George Howell Gay (American/New York, 1858-1931), “Sunrise Seascape”, 1928, oil on canvas laid on masonite, signed and dated lower right, “Enoch’s Framing & Gallery, New Orleans, LA” label and artist biography on backing paper, 16 in. x 19 3/4 in., framed. [$200/300]

144. American School, 19th c., “Travelers in a Landscape”, oil on canvas, unsigned, 32 in. x 42 in., framed. [$400/600]

Condition: Overall fair condition. Ext. Frame: 37 1/2 in. x 47 1/2 in. x 2 1/4 in

Condition: Overall poor condition. Ext. Frame: 21 1/2 in. x 25 1/2 in. x 2 3/4 in

145. American School, mid-20th c., “Pin-Up Girl on Yellow Phone”, oil on panel, unsigned, vintage newspaper pasted en verso, 16 in. x 12 in., framed. [$100/200]

146. George Bertrand Mitchell (American/Massachusetts, 1874-1966), “Hunter with Call and Shotgun”, pastel on paper, signed lower right, 24 in. x 20 in., framed. [$600/800] Condition: Overall poor condition. Ext. Frame: 30 3/4 in. x 26 5/8 in. x 1 1/2 in

Condition: Overall good condition. Ext. Frame: 19 3/8 in. x 15 3/8 in. x 1 in

39

147. Wilton Charles McCoy (American, 1902-1986), “Desert Landscape”, oil on canvas board, signed lower right, titled on backing board, 15 7/8 in. x 20 in., framed. [$700/1000] Condition: Overall good condition. 17 5/8 in. x 21 5/8 in. x 1 in.

148. Jan De Ruth (Czech/American, 1922-1991), “Untitled”, oil on canvas, signed lower left, “Shannon’s” label on reverse of frame, 30 in. x 24 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 34 1/4 in. x 28 1/4 in. x 1 1/4 in.

149. Attributed to Charles Dana Gibson (American/Massachusetts, 1867-1944), “Aesop”, c. 1884, gouache on paper, unsigned, information label with artist, title and date and inscribed “Royal Academy of Art, 6” on backing board, 15 7/8 in. x 19 1/2 in., framed. [$600/800] Condition: Overall fair condition.

Ext. Frame: 19 3/8 in. x 23 3/8 in. x 1 in.

150. Lania D’Agostino (American/Maryland, b. 1957), “Wanderer with Egg”, 2003, mixed media on paper, signed and dated lower right, pencil-signed, titled and dated en verso, 15 in. x 10 1/8 in., framed. [$150/250] Condition: Overall good condition.

Ext. Frame: 16 1/4 in. x 12 in. x 1 in.

151. Lania D’Agostino (American/Maryland, b. 1957), “The Artist and Muse”, 1996, mixed media on paper, signed, titled and dated en verso, pencil-signed, titled, dated and inscribed on reverse of mat, 11 1/4 in. x 8 in., framed. [$150/250] Condition: Overall good condition.

Ext. Frame: 18 3/4 in. x 15 1/8 in. x 1 in.

40

152. American School, 20th c., “Untitled”, mixed media collage on paper, illegibly signed lower right, 10 in. x 10 in., artist-enhanced frame. [$200/300] Condition: Overall good condition. Ext. Frame: 10 7/8 in. x 10 7/8 in. x 1 3/8 in.

153. Latin American School, 20th c., “Outdoor Market Scene”, oil on canvas laid on board, illegibly signed lower left, 14 in. x 10 1/8 in., framed. [$500/700]

Condition: Overall fair condition.

Ext. Frame: 16 1/2 in. x 12 3/4 in. x 1 1/4 in.

154. Raúl Esparza Sánchez (Mexican, 1923-2000), “Man in a Wagon”, 1954, oil on unstretched canvas, signed and dated lower right, 17 5/8 in. x 21 3/4 in., framed. [$200/300] Condition: Overall fair condition.

Ext. Frame: 22 1/2 in. x 26 1/2 in. x 2 in

156. Ralph Hurst (American/Florida, 1918-2003), “Girl and Gazelle”, 1970, alabaster, incised signature and date on reverse, h. 17 in., w. 10 in., d. 12 in., wood base, overall h. 21 in. [$600/800]

155. Steve Martin (American/Louisiana, 20th c.), “Dancing Woman”, twisted and formed wire, unsigned, h. 52 1/2 in. [$200/400]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

Condition: Overall good condition

41

157. Ralph Hurst (American/Florida, 1918-2003), “Mother and Child #2”, 1970, alabaster, incised signature and date lower right, h. 14 in., w. 17 in., d. 15 1/2 in., wood base with artist and title plaque, overall h. 17 in. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

158. Jeffrey Cook (American/New Orleans, 1961-2009), “Untitled”, 2000, mixed media assemblage, signed and dated on underside of self-base, h. 7 1/2 in., w. 9 in., d. 7 in. [$200/300] Condition: Overall fair condition

159. Jeffrey Cook (American/New Orleans, 1961-2009), “Wrapped Mother”, mixed media, unsigned, h. 8 1/2 in., w. 3 3/4 in., d. 3 5/8 in. [$200/300]

Condition: Overall good condition

160. Continental School, 19th c., “Red and Blue Macaw with Fruit and Floral Still Life”, oil on canvas, unsigned, 31 1/2 in. x 45 1/4 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 36 3/4 in. x 50 3/4 in. x 1 in

42

161. French School, mid-19th c., “Wooded Landscape with Figures and Cattle”, oil on canvas, unsigned, Paris canvas stamp en verso, 26 1/8 in. x 34 1/4 in., framed. [$500/700] Condition: Overall good condition. Ext. Frame: 34 1/8 in. x 46 1/4 in. x 2 1/2 in.

162. Albert Gosselin (French, 1862-1931), “Paysage brumeux à l’aube”, oil on canvas, signed lower right, Paris canvas stamp en verso, 23 3/8 in. x 32 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 27 1/2 in. x 36 in. x 2 in

43

163. Victoria Mörs (German, 1858-1957), “Standing Nude”, graphite on paper, unsigned, 22 1/4 in. x 11 1/4 in., unframed. [$50/100]

164. Victoria Mörs (German, 18581957), “Nude Studies”, charcoal on paper, unsigned, 19 in. x 12 3/4 in., unframed. [$50/100]

Condition: Overall fair condition

Condition: Overall fair condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

165. Victoria Mörs (German, 1858-1957), “Nude Study”, 1892, graphite on paper, unsigned, dated lower right, partial sketch en verso, 21 1/4 in. x 13 1/2 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

166. Victoria Mörs (German, 1858-1957), “Nude Study”, graphite on paper, unsigned, partial sketch en verso, 15 in. x 12 3/8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

167. Continental School, 20th c., “Nude Study”, oil on unstretched canvas, unsigned, 21 1/4 in. x 11 3/4 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

44

168. Julia Feiner-Wiederkehr (Swiss, 1908-1988), “The Lost Son” and “Winter Courtship”, 2 silhouettes, monogrammed lower center and lower right, both signed, titled, inscribed, “Marcel Heitzmann, Bettingen” framer label and stamp on backing boards, sights 13 1/2 in. x 28 1/2 in. and 19 in. x 26 in., framed alike. (2 pcs.) [$300/500] Ill.: Feiner-Wiederkehr, Emil. Lebensbild der Julia Feiner-Weiderkehr. Riehan E. Feiner-Wiederkehr, 1981, p. 98

Condition: Overall fair condition. Ext. Frames: 25 5/8 in. x 32 in. x 1 1/2 in. and 18 1/4 in. x 33 in. x 3/4 in.

169. Continental School, 20th c., “Roman Ruins”, oil-enhanced print on canvas, signed “Valentino” lower right, 30 in. x 40 in., framed. [$500/800] Condition: Overall good condition. Ext. Frame: 38 3/4 in. x 48 1/2 in. x 2 1/4 in.

45

170. Continental School, 1917, “Monks in Prayer”, oil on canvas, illegibly signed and dated lower right, 23 5/8 in. x 28 3/4 in., framed. [$400/600]

Condition: Overall fair condition. Ext. Frame: 28 1/8 in. x 33 1/8 in. x 1 in

46

47

171. Bertoldo “Berto” Taubert (Italian/French, 1915-1974), “Nature Morte de Fleurs”, oil on canvas, signed lower right, 21 in. x 18 1/8 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 26 1/2 in. x 23 5/8 in. x 1 1/2 in

172. Bertoldo “Berto” Taubert (Italian/French, 1915-1974), “Still Life with Vase of Flowers”, oil on canvas, signed lower right, signed en verso and on stretcher, 3 “Christie’s East” labels on frame, 2 partial labels on stretcher and on reverse of frame, 25 5/8 in. x 19 3/4 in., framed. [$300/500] Condition: Overall poor condition. Ext. Frame: 34 1/2 in. x 28 7/8 in. x 2 3/4 in

173. Bertoldo “Berto” Taubert (Italian/French, 1915-1974), “Les Enfants au Ballon”, 1962, oil on canvas, signed lower left, signed, titled and dated en verso, 21 1/4 in. x 29 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 27 1/2 in. x 35 3/8 in. x 1 1/4 in 48

174. Bertoldo “Berto” Taubert (Italian/French, 1915-1974), “Jeune Fille au Chat”, oil on canvas, signed lower right, signed and titled en verso, “M. Gadin, Paris” stamp on stretcher, 25 5/8 in. x 21 1/4 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 32 7/8 in. x 28 1/2 in. x 2 1/4 in

175. Attributed to Louis Franciscus Hendrik Apol (Dutch, 1850-1936), “Winter Landscape”, oil on panel, signed lower right, inscribed en verso, 12 1/8 in. x 9 in., unframed. [$700/1000] Condition: Overall poor condition

176. Adolphe Joseph Thomas Monticelli (French, 1824-1886), “Outdoor Gathering”, oil on canvas, signed lower left, 15 7/8 in. x 12 3/4 in., framed. [$700/1000] Condition: Overall fair condition. Ext. Frame: 22 7/8 in. x 19 5/8 in. x 3 in

178. Continental School, late 19th/early 20th c., “Study of Statue of Hermes”, charcoal on paper mounted to canvas, initialed “J.W.” lower right, 34 in. x 28 in., unframed. [$10/20]

177. Antal Péczely (Hungarian, 1891-1963), “The Blessing”, oil on canvas, signed lower right, partial label with artist and inscribed with artist and “H.L.Herman” on stretcher, “Kivitelre Engedélyezve O.Sz.M.” export stamp en verso, 20 in. x 24 in., framed. [$200/300]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

Condition: Overall fair condition. Ext. Frame: 24 1/2 in. x 28 1/2 in. x 2 1/2 in.

49

179. Manner of Nicolaes “Claes” Pietersz Berchem (Dutch, 1620-1683), “The Fountain”, oil on canvas, unsigned, partial “Lempertz, Söhne, Köln” label inscribed with artist in pocket on backing paper, 16 3/8 in. x 12 5/8 in., framed. [$400/600] Condition: Overall poor condition.

Ext. Frame: 26 in. x 22 1/2 in. x 2 1/2 in.

180. Carlo Cherubini (Italian, 1890-1978), “Sogni-Parigi”, 1958, oil on canvas, signed lower left, “Instituto Nazionale d’Arte” label with artist, title and date en verso, 19 7/8 in. x 27 7/8 in., framed with artist plaque. [$400/600]

Condition: Overall good condition.

Ext. Frame: 26 1/2 in. x 34 1/4 in. x 2 in

181. Continental School, 20th c., “Bickerseiland, A’Dam”, oil on canvas, indistinctly signed lower right, title and copyright stamp en verso, 20 1/8 in. x 24 1/8 in., framed. [$600/800] Condition: Overall good condition. Ext. Frame: 27 in. x 31 in. x 2 1/4 in.

50

182. Richard “Dickie” Doyle (British, 1824-1883), “Enter, an Elf in Search of A Fairy”, “He Finds Her, and this is the Consequence” and “She Runs Away, and this is His Condition”, c. 1870, 3 ink and watercolors on paper, each initialed lower left, 2 pencil-signed en verso, from In Fairyland: A Series of Pictures from the Elf-World, each 10 in. x 8 in., framed together.[$800/1200] Provenance: Estate of Eunice Bate Coleman, New Orleans, LA.

Condition: Overall fair condition. Ext. Frame: 18 3/4 in. x 32 1/4 in. x 1 in.

183. After Philip Reinagle (British, 1749-1833), “Springer Spaniel Flushing a Woodcock”, oil on canvas laid on board, unsigned, 17 in. x 20 1/2 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 27 1/2 in. x 31 1/2 in. x 2 1/2 in

184. Helen Brown (New Zealander, 1917-1986), “Mountain Landscape”, 1968, oil on canvas board, signed and dated lower right, signed, dated and inscribed en verso, “Van’s Art Center, Sacramento” label on backing paper, 15 in. x 30 in., framed. [$100/200]

Condition: Overall good condition. Ext. Frame: 20 3/8 in. x 35 1/4 in. x 2 3/4 in

185. British School, late 19th c., “Portrait of a Woman”, pastel on board, unsigned, “Percy Young, London” artist supply stamp en verso, 20 1/8 in. x 15 3/4 in., framed. [$400/600]

Condition: Overall good condition. Ext. Frame: 23 3/8 in. x 18 3/4 in. x 1 1/4 in. (oval)

186. David Cox the Elder (British, 1783-1859), “Storm in Wales”, 1850, oil on canvas, signed and dated lower right, 2 handwritten labels with artist and one with date and partial “E. Fox Manufacture, Old Compton Street, London” canvas stamp en verso, 12 in. x 16 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 19 1/2 in. x 23 1/2 in. x 3 1/4 in

51

187. British School, 19th c., “Harvesting Wheat”, oil on canvas, unsigned, “Windsor & Newton, London” canvas stamp en verso, 16 in. x 27 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 21 in. x 32 in. x 2 1/4 in

188. Ben Maile (British, 1922-2017), “Embankment Lights, Waterloo Bridge, London”, oil on canvas laid on masonite, signed lower right, label with artist and title and copyright stamp on reverse of mount, 21 3/4 in. x 37 1/4 in., framed with artist and title plaque. [$200/300] Condition: Overall poor condition. Ext. Frame: 30 in. x 46 3/4 in. x 1 3/4 in

189. British School, early 20th c., “The Queens Hotel and Arkwright St. Station, Nottingham”, oil on canvas, monogrammed “A.G.” lower left, “S. Cooke, Wollaton, Nottingham” canvas stamp en verso, 24 in. x 36 1/8 in., framed. [$600/800]

Condition: Overall good condition. Ext. Frame: 31 1/8 in. x 43 1/4 in. x 2 3/8 in

52

190. Charles Henri “Cham” Amédée de Noé (French, 1818-1879), “La Républic Démocratique et Social...”, lithograph, signed in plate, from Croquades Politiques series, printed by Aubert & Cie., Paris, sheet 10 3/4 in. x 14 1/8 in., matted. [$25/50]

191. James Gillray (British, 1756-1815), “Evacuation of Malta”, 1803, etching with aquatint, unsigned, inscribed with artist lower margin, published by Hannah Humphrey, London, sheet 10 3/4 in. x 15 in., matted. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall poor condition

192. Wenceslaus Hollar (Bohemian, 1607-1677), “Aeneas Leaving Troy”, c. 1654, etching, from Works of Virgil Containing his Pastorals, Georgics and Aeneis, after Franz Cleyn (German, 1582-1658), sheet 12 3/8 in. x 8 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

193. Continental School, mid-19th c., “Proportial Study of the Medici Venus”, etching, unsigned, sheet 14 1/2 in. x 9 1/2 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

Condition: Overall fair condition

194. Continental School, 1795, “A Laudable Partnership of Souls and Bodies Cured Without Lots of Time”, hand-colored etching, published by S. W. Forbes, London, sheet 9 7/8 in. x 14 3/4 in., matted. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

53

195. John Gould (British, 1804-1881), “Garrulus Taivanus”, “Merula Castanea” and “Gencius Tancolo”, 3 hand-colored lithographs, each with corresponding text, from The Birds of Asia, sheets 22 in. x 14 7/8 in., matted. (3 pcs.) [$400/600] Condition: Each in overall good condition

196. After John James Audubon (American, 1785-1851), “Great Horned Owl”, Plate LXI, 1971-72, lithograph, from Birds of America, Amsterdam edition, “G. Schut & Zonin” watermark visible, 2 “Teri Galleries, LTD., Metairie, LA” labels on backing paper, sheet 39 1/2 in. x 26 3/8 in., framed. [$400/600] Condition: Overall good condition.

Ext. Frame: 47 3/4 in. x 36 3/4 in. x 1 1/2 in

197. After Joseph Edwin Baker (American/Maine, 1837-1914), “Portrait of a Gentleman”, 1877, lithograph, printed by Armstrong & Co. Lithography, Boston and published by H. O. Houghton & Co., Boston, sheet 24 in. x 19 3/4 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition 54

198. Charles Hunt (British, 1803-1877), “This View of H.M. Steam Frigate ‘Geyser’, When off Mt. Edgecombe”, 1856, handcolored aquatint, after William Adolphus Knell (British, 1802-1872), published by Ackermann & Co., London, sheet 22 in. x 28 1/2 in., unframed. [$10/20]

199. Bernardo Sansone Sgrilli (Italian, fl. 1737-1755), “Veduta della Piazza SS. Nunziata...”, 1744, etching and engraving, from Scelta di XXIV Veduta della Principali Contrade, Piazze, Chiese e Pallazi della Citta di Firenze, after Giuseppe Zocchi (Italian, 1711-1767), sheet 17 1/2 in. x 25 1/2 in., unframed. [$25/50]

Condition: Overall poor condition

Condition: Overall fair condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

200. Marjorie Frances “Neysa” McMein (American/New York, 1888-1949), “All Together Now - For the Girl!”, 1919, lithograph on board, signed in plate, printed by Rode & Brand Lithographers, New York, published by the Y.W.C.A., New York, sheet 17 in. x 10 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

201. Antique Advertising Poster, “January Century New Year’s Number”, lithographic poster, published by The Century Magazine, sheet 17 1/2 in. x 11 3/4 in., unframed. [$10/20]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

202. After Gustave Jean Jacquet (French, 1846-1909), “Pandora’s Box”, photogravure, published by George Barrie, Philadelphia, sheet 17 in. x 11 3/4 in., unframed; accompanied by After Henri Léopold Lévy (French, 1804-1904), “Sarpedon Carried to Jupiter From the Plain of Troy by Sleep and Death”, c. 1876, photogravure, published by George Barrie, Philadelphia, sheet 17 in. x 11 5/8 in., unframed. (2 pcs.) [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Both overall fair condition

203. Georges-Henri Manesse (French, 1854-1940), “The Announcement to the Shepherds”, 1893, lithograph, “World Columbian Exposition Chicago Illinois 1893” blind stamp lower margin, after Fritz Von Uhde (German, 1848-1911), published by George Barrie, Philadelphia, sheet 17 in. x 11 3/4 in., unframed; accompanied by “The Madonna”, c. 1880, engraving on heavy paper, engraved by F. Joseph Bal (Belgian, fl. 1820-1867), published by Gebbie & Barrie, Philadelphia, sheet 13 1/2 in. x 9 in., unframed. (2 pcs.) [$25/50]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition and overall fair condition

204. After Joseph-Noël Sylvestre (French, 1847-1926), “Locusta in the Presence of Nero trying the Poison Prepared for Britannicus”, 1876, photogravure, published by George Barrie, Philadelphia, sheet 11 5/8 in. x 16 7/8 in., unframed; accompanied by After Henryk Hektor Siemiradzki (Polish / Italian, 1843-1902), “The Living Torches of Nero”, c. 1876, photogravure, published by George Barrie, Philadelphia, sheet 11 3/4 in. x 17 in., unframed.

(2 pcs.)[$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition and overall poor condition

205. After Juliaan Joseph De Vriendt (Belgian, 1842-1935), “Charles V at the Monastery of St. Just”, c. 1874 and “Baldwin of the Hatchet Administrating Justice in Flanders”, c. 1876, 2 photogravures, published by George Barrie, Philadelphia, sheets 11 5/8 in. x 16 7/8 in., unframed.

(2 pcs.) [$10/20]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: One in overall fair condition; one in overall poor condition

206. After Émile-Antoine Bayard (French, 1837-1891), “The Day After Watereloo”, c. 1875, photogravure, published by George Barrie, Philadelphia, sheet 11 3/4 in. x 17 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

56

207. After Henri Leys (Belgian, 1815-1869), “The Pallavincini Family Made Citizens of Antwerp”, c. 1876, photogravure, published by George Barrie, Philadelphia, sheet 11 3/4 in. x 17 in., unframed. [$10/20]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

208. After Albert Louis Aublet (French, 1851-1938), “The Duke de Guise”, c. 1878, photogravure, published by George Barrie, Philadelphia, sheet 11 3/4 in. x 17 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

209. Edward Mitchell (Scottish, fl. 1797-1845), “Petrvs de Iode, Ivnior”, “Petrus Brevgel”, “Carolvs de Mallery”, “Inigo Jones”, “Daniel Mytens”, “Joannes Snellincx”, “Palvs Pontivs” and “Hvbertvs Vanden Eynden”, 1815, 8 hand-colored engravings, each signed in plate, after Anthony van Dyck (Flemish, 1599-1641), from Sketches after Antonio Van Dyck, published by W. & A.K. Johnston, Edinburgh, sheets 9 7/8 in. x 7 7/8 in. to 10 3/8 in. x 7 7/8 in., unframed. (8 pcs.)[$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each varies from overall poor to very poor condition

57

210. Alexander Francis Lydon (British, 1836-1917), “Eider Duck Egg & King Duck Egg”, “Grey-Leg Goose Egg & Bean Goose Egg”, “Red Breasted Merganser Egg & Goosander Egg” and “Little Bittern Egg & Bittern Egg”, 1855/56, 4 color woodblock engravings, from Natural History of the Nests & Eggs of British Birds, published by Benjamin Fawcett, Driffield, each with handwritten label with title and date on backing paper, each 8 in. x 5 1/8 in., framed alike. (4 pcs.) [$300/500] Condition: Each in overall good condition.

Ext. Frames: 18 in. x 15 3/8 in. x 1 3/8 in

211. After Viktor Oliva (Czech, 1861-1928), “Topicuv Salon”, c. 1896, lithograph, signed in plate, number 100, from Les Maîtres de l’Affiche, published in Paris, sight 11 1/4 in. x 8 3/4 in., framed. [$75/150] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Condition: Overall good condition.

Ext. Frame: 23 in. x 21 in. x 3 1/4 in.

58

212. After Henryk Hektor Siemiradzki (Polish/Italian, 1843-1902), “Nero at the Circus”, color lithograph, signed in plate, artist and title printed on mat, 15 9/16 in. x 26 in., framed. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Condition: Overall good condition.

Ext. Frame: 28 in. x 38 1/4 in. x 1 1/2 in

213. Léopold Survage (French/Russian, 1879-1968), “Rythmes Colorés”, 1967-68/70, complete folio of 5 color lithographs on Vélin d’Arches paper, English language edition, each pencil-signed and numbered “AN 16/75”, artist atelier stamp and “Christopher Czwikitzer” blind stamp lower margin, pencil-numbered “AN 16/75” on colophon sheet, printed by Mourlot, Paris, published by Shorewood Publishing, New York, each 19 3/8 in. x 18 in., sheets 25 1/2 in. x 20 1/8 in., in original printed black folio cover.[$300/500] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Each work in overall good condition; folio cover in overall fair condition

59

215. Continental School, 19th/20th c., “Andromede”, engraving on paper mounted to board, unsigned, sheet 6 1/2 in. x 4 5/8 in., unframed. [$10/20]

214. After Anthony van Dyke (Flemish, 1599-1641), “Lucas Vorstermans (Flemish, c. 1595-1675)”, c.

1850, engraving, printed and published by the Chalcographie du Louvre, “Chalcographie de Louvre Musée Nationaux” blind stamp lower center margin, sheet 9 5/8 in. x 6 1/8 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

Condition: Overall fair condition

216. American School, 1967, “Pattern of Islands”, intaglio, illegibly pencil-signed, titled, dated and numbered “78/110” lower margin, 5 1/2 in. x 9 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

217. Issac Cruikshank (Scottish, 1764-1811), “The Rape of Helen”, 1792, etching, unsigned, published by S. W. Fores, London, sheet 11 1/2 in. x 16 1/8 in., matted. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

218. After Honoré Daumier (French, 1808-1879), “Monsieur Vu l’Absence...”, 1865, lithograph, initialed in plate, pencilinscribed “26 Septembre 65”, from Croquis d’Automne par Daumier series, published by Le Charivari, Paris, sheet 11 1/2 in. x 9 in., matted. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

60

219. Boris Riedel (American, 20th c.), “Colorado”, 1939, serigraph, pencil-signed, titled and dated lower margin, sheet 7 1/2 in. x 10 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

220. Daphne French Dunbar (Canadian/American, 1883-1986), “Van Gogh in Fashion”, lithograph, pencil-signed, titled and numbered “12/15” lower margin, initialed in plate, 7 7/8 in. x 9 3/4 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

221. Joseph Margulies (Austrian/ American, 1896-1984), “At Peace”, etching and aquatint, pencil-signed lower margin, 10 7/8 in. x 7 3/4 in., unframed. [$25/50]

222. Margery Austen Ryerson (American/New York, 18861989), “The Minuet”, etching, pencil-signed lower margin, 10 in. x 8 3/4 in., unframed. [$25/50]

Condition: Overall poor condition

Condition: Overall poor condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

223. American School, 20th c., “Two Dogs”, silkscreen, pencil-signed “Chichi” lower margin, sheet 8 1/2 in. x 12 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

61

224. After Thomas Faed (Scottish, 1826-1900), “The Offer”, 1867 and “Faults on Both Sides”, 1863, 2 engravings, published by Henry Graves & Co., London, sheets 36 in. x 25 5/8 in. and 36 in. x 27 1/4 in., unframed. (2 pcs.) [$25/50]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

225. After Edwin Henry Landseer (British, 1802-1873), “Hawking in the Olden Time”, 1842, engraving, published by Henry Graves & Co., London, sheet 29 in. x 34 1/4 in., unframed; together with After Sir John Everett Millais (British, 1829-1896), “Asleep”, 1869, engraving, published by Henry Graves & Co., London, sheet 34 3/8 in. x 25 3/8 in., unframed. (2 pcs.)[$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Both overall poor condition

226. After Lawrence Alma-Tadema (Dutch, 1836-1912), “Venus and Mars”, 1895, engraving, printed by J.S. Virtue & Co., London, published by The Art Journal, London, sheet 12 5/8 in. x 9 1/8 in., unframed. [$5/10]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

227. Mukul Dey (Indian, 1895-1989), “The Boy Jesus Give Life to Clay Birds”, drypoint etching, pencil-signed lower margin, 7 1/4 in. x 8 1/8 in., matted; and “Sir R. N. Tagore (1861-1941)”, drypoint etching, pencil-signed twice and titled lower margin, 6 7/8 in. x 5 2/8 in., matted. (2 pcs.)[$500/700] Condition: Overall good condition

228. Milda Spindler (Lithuanian/New Orleans, 1927-2021), “The Streetcar”, aquatint, pencil-signed, titled and numbered “14/25” lower margin, 8 3/4 in. x 11 7/8 in., framed. [$200/300] Condition: Overall good condition.

Ext. Frame: 16 3/8 in. x 18 1/2 in. x 1 in

62

229. Milda Spindler (Lithuanian/New Orleans, 1927-2021), “The Surfer”, 2001, aquatint, pencil-signed, titled, dated and numbered “4/25” lower margin, artist biography on backing board, 6 7/8 in. x 7 3/4 in., framed. [$200/300] Condition: Overall good condition.

Ext. Frame: 13 1/2 in. x 11 3/9 in. x 1 in

230. Milda Spindler (Lithuanian/New Orleans, 1927-2021), “Pitcher Plant”, “Bananas”, 1980 and “Philadendron”, 3 aquatints, each pencil-signed and titled, 2 inscribed “Proof”, one numbered “12/15” and one dated lower margin, each with artist biography on reverse of mat, 8 3/8 in. x 5 1/2 in. to 8 3/8 in. x 6 5/8 in., each matted. (3 pcs.) [$600/800] Condition: Each in overall good condition

231. George Overbury “Pop” Hart (American/Illinois, 1868-1933), “Landscape, Santo Domingo”, c. 1925, etching and drypoint, pencil-signed lower margin, 7 1/8 in. x 10 3/4 in., framed; AND “Springtime in New Orleans”, c. 1925, lithograph, pencilsigned lower margin, signed in plate, 9 1/2 in. x 12 1/2 in., framed. (2 pcs.) [$200/400] Condition: Each overall fair condition.

Ext. Frames: 16 1/4 in. x 18 3/4 in. x 1 in. and 18 in. x 20 3/4 in. x 1 in

63

232. After George Rouault (French, 1871-1958), “Les Visages”, 1968, lithograph restrike, printed by The Collector’s Guild, New York, “The Collector’s Guild, New York, NY” information label on backing board, 6 7/8 in. x 7 3/4 in., framed. [$50/100] Condition: Overall fair condition. Ext. Frame: 15 1/2 in. x 17 in. x 1 in

233. After Rudolf Frederick Tandler (American/Michigan, 1887-1940), “Elsah”, reproduction print, signed and titled in plate, sheet 11 1/2 in. x 15 1/2 in., matted. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

234. Roderick Dempster MacKenzie (British/Alabama, 1865-1941), “Street Scene, Lahore, Pakistan”, c. 1900, etching, signed in plate, 11 3/8 in. x 4 1/2 in., matted. [$25/50]

235. Noël James DeGaetano (American/New York, 1943-2012), “A New View...”, 1992, offset lithograph, pencil-signed and inscribed lower right, sheet 28 in. x 22 in., unframed. [$10/20]

Condition: Overall poor condition

Condition: Overall fair condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

236. Lisa Buloce (American, 20th c.), “Skylark”, etching, pencil-signed and titled lower margin, 7 in. x 4 7/8 in., unframed. [$5/10] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

237. Percival Leonard Rosseau (American/Louisiana, 18591937), “Cooling Off”, 1932, etching, signed and dated in plate, signed and titled lower margin, 10 in. x 8 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall poor condition

64

238. Barry A. Euren (American, b. 1948), “Calm Reflections”, 1975, etching, pencil-signed, titled, dated and numbered “152/175” lower margin, sheet 17 in. x 13 1/4 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

239.

Salvador Dalí (Spanish, 1904-1989), “Lady Blue - The High Priestess”, 1979, lithograph in colors on Arches paper, pencilsigned and numbered “H.C. 21/65” lower margin, “DALART N.V. Copyright 1979” blind stamp visible, pencil-inscribed “8-124 HC 21/65 HP” en verso, from “The Tarot Series”, published by Levine and Levine, New York, 22 7/8 in. x 17 in., framed. [$600/800] Ill.: Field, Albert. The Official Catalog of the Graphic Works of Salvador Dalí.

New York: The Salvador Dalí Archives, 1996, p. 185, no. 79-10.

Condition: Overall good condition.

Ext. Frame: 35 in. x 25 3/4 in. x 1 1/2 in

Condition: Overall fair condition

240. After Walter Inglis Anderson (American/Mississippi, 1903-1965), “Alphabet Series: C and G”, 2 linocuts on paper, unsigned, each 11 in. x 8 1/2 in., framed alike. (2 pcs.) [$300/500]

241. Morris Henry Hobbs (American/New Orleans, 1892-1967), “Becky”, 1946, drypoint etching, pencil-signed, titled and numbered “ed/50” lower margin, 9 3/4 in. x 6 7/8 in., framed. [$100/200]

Condition: Each in overall good condition. Ext. Frames: 16 3/8 in. x 14 1/8 in. x 1 in.

Condition: Overall fair condition. Ext. Frame: 20 5/8 in. x 16 5/8 in. x 3/4 in.

Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, pp. 124-125.

Ill.: Isbell, Reed W. Morris Henry Hobbs - A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee Street Publishers, 2017, p. 89.

65

242. Ernst Fuchs (Austrian, 1930-2015), “Mythologische Szene”, 1976/77, etching, pencilsigned and numbered “286/3000” lower margin, from 8 Radierungen zur Vorsugsausgabe Ernst Fuchs Monographie, published by PiperHartmann, Munich, sheet 11 1/4 in. x 9 1/2 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 19 in. x 16 in. x 1 1/2 in

243. Ernst Fuchs (Austrian, 1930-2015), “8 Radierungen zur Vorzugsausgabe Ernst Fuchs Monographie”, 1976/77, 5 of 8 etchings, each pencil-signed and numbered “286/3000” lower margin, edition Richard P. Hartmann, published

by Piper-Hartman, Munich, sheets 11 1/14 in. x 9 1/2 in., in original paper folio pencil-numbered “286” on front cover. [$300/500]

Condition: Each print is in overall good condition, folio is in overall fair condition

244. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Charlatan”, 1976, electron print, pencilsigned, titled, dated and inscribed “Artist Proof 5” lower margin, sheet 18 3/16 in. x 15 7/8 in. unframed. [$200/300] Condition: Overall fair condition

245. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Clown”, lithograph, pencil-signed, titled and inscribed “edition of 10” lower margin, sheet 13 7/8 in. x 10 15/16 in., unframed. [$300/500] Condition: Overall good condition

66

246. Jonas Wood (American, b. 1977), “Large Shelf Still Life”, 2017, offset lithograph, artist, title, date and exhibit information printed en verso, published for the “Shio Kusaka and Jonas Wood” exhibition at Voorlinden Museum and Gardens, Wassaenaar, The Netherlands, 23 in. x 23 in., unframed. [$800/1200] Condition: Overall good condition

247. Morris Henry Hobbs (American/New Orleans, 1892-1967), “Rooftops of Old New Orleans”, 1943, drypoint etching, pencil-signed, titled and numbered “ed/50” lower margin, 9 7/8 in. x 8 3/4 in., framed. [$300/500] Ill.: Isbell, Reed W. Morris Henry Hobbs - A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee Street Publishing, 2017, p. 137.

Condition: Overall fair condition. Ext. Frame: 16 1/2 in. x 14 3/4 in. x 3/4 in

248. Three Contemporary Arts Center of New Orleans Collectors Club Prints, Douglas Bourgeois (American/Louisiana, b. 1951), “Nightflame”, 1987, silkscreen, pencil-signed and numbered “184/450” lower margin, 13 1/8 in. x 9 1/8 in.; George Dureau (American/New Orleans, 1930-2014), “Big Beach with Seven”, 1985, silkscreen, pencilsigned lower right and numbered “255/500” lower center, 23 in. x 29 in.; and Richard Johnson (American/New Orleans, b. 1942), “H.A. Hoop”, 1986, silkscreen, pencil-signed lower right and numbered “280/450” lower left, 13 7/8 in. x 29 in., all unframed.

(3 pcs.) [$500/700] Condition: 2 in overall fair condition, one in overall good condition

67

250. American School, 20th c., “Man with Mannequin”, gelatin silver print, unsigned, inscribed en verso, 9 3/4 in. x 8 in., unframed. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

249. Emmett Johnson Hull (American/Mississippi, 1882-1957), “Rhythm In the Cotton Field”, gelatin silver print mounted to board, pencil-signed and titled on label attached to mat, 11 in. x 14 in., framed. [$200/400]

Condition: Overall poor condition

Condition: Overall fair condition. Ext. Frame: 21 5/8 in. x 20 3/4 in. x 1 in.

251. Don Aters (American/Chicago, 20th c.), “Janis Joplin, The Filmore East, NYC”, negative creation date 1969, later print, c-print, signed, numbered “6/225” and inscribed on mat, artist information label on backing, sheet 11 5/8 in. x 16 1/2 in., matted. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall good condition

252. American School, 19th c., “Portrait of a Woman”, tintype with hand-coloring, unsigned, handwritten label on backing, 4 3/8 in. x 2 1/2 in., unframed. [$10/20] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

Condition: Overall fair condition

253. David Halliday (American/Louisiana, b. 1958), “Standing Nude”, 1996, “Reclining Woman”, 1997 and “Portrait of a Woman”, 1998, 3 gelatin silver prints, 2 pencil-signed and dated en verso, one pencil-signed, dated and artist blind stamp lower right, sheets 14 in. x 11 in. to 19 3/4 in. x 16 in., unframed. (3 pcs.)[$400/600] Condition: Each in overall good condition 68

254. David Halliday (American/Louisiana, b. 1958), “Seated Nude”, 1996, “Portrait of a Woman with Raised Hand” and “Portrait of a Woman”, 3 gelatin silver prints, one pencil-signed, dated and artist blind stamp lower right, one artist blind stamp lower right, 2 pencil-signed en verso, sheets 7 in. x 5 in. to 14 in. x 11 in., 2 matted. (3 pcs.) [$400/600] Condition: Each in overall good condition

255. R. D. Bailey (American/Minnesota, fl. 1890-1905), “Interior”, c. 1890, silver gelatin print mounted to board, unsigned, 7 1/2 in. x 9 3/4 in., unframed. [$50/100]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

256. Portrait Miniatures of Napoleon and Josephine, both incised “M. David” lower right, labels with titles on backing paper, each 3 1/2 in. x 2 5/8 in., both framed.

(2 pcs.) [$150/250] Condition: Overall fair condition. Ext. Frame: 5 1/2 in. x 4 7/8 in. x 1/2 in.

Condition: Overall fair condition

257. Miniature Portrait of Dr. Octavius Undecimus Trezevant (1810-1866) of Charleston, SC and New Orleans, LA, mid19th c., watercolor and gouache, unsigned, 4 1/2 in. x 3 1/2 in., case 6 in. x 5 in.; accompanied by 2 letters from Edith Booth dated September 1934 and August 1937 to “Madame” with a Hailsham Sussex address. [$500/700] Condition: Overall good condition

258. American School, 19th c., “Captain Samuel Beekman (17671850) and Helen Ten Broeck Beekman (1768-1855)”, silhouettes, unsigned, each embossed “MUSEUM” below bust, handwritten inscription identifying sitters en verso, sight 4 3/4 in. x 7 in., framed together; ACCOMPANIED BY handwritten letter and envelope, Jan. 19, 1986. (2 pcs.) [$150/250] Provenance: Descended in the Beekman family.

Condition: Overall poor condition. Ext. Frame: 7 3/8 in. x 9 3/4 in. x 1 1/2 in.

69

259. George Ohr-Style Pottery Vase, marked “G.E. OHR/ Biloxi, Miss”, dark green metallic glaze, rim folds, h. 3 3/8 in., dia. 3 3/8 in. [$200/300]

260. Two Rookwood Art Pottery Vases, one, 1891, decorated by Pabodie Stuntz, h. 8 1/2 in.; the second 1893, decorated by Josephine Zettel, h. 5 3/4 in., both with foliate decoration. [$200/300]

261. Royal Copenhagen “Flora Danica” Porcelain Platter, 1969-73, Royal Copenhagen logo above waves, pattern 20, shape 3518, reticulated dentil rim, central botanical painting of Mullein, base inscribed “Verbascum Cuspidatum Schrad” and initialed, l. 15 3/4 in., w. 12 1/4 in. [$600/800]

262. Louis XV-Style Bronze Mounted Sevres-Style Bleu du Roi and Gilt Porcelain Covered Urn, marked, reserved with waterfall landscape, scrolled figural handles, bud finial, h. 31 in., w. 12 in., d. 10 in. [$400/600]

263. Pair of German Polychrome Porcelain Bottle Vases, 19th c., reserved with courting couples, bodies with applied flowers, h. 11 1/2 in., now mounted as lamps, h. (incl. finial) 26 in. [$200/400]

70

264. Large Polychrome and Gilt Porcelain Dresser Box, B.S. Star mark, green body and ground, lid reserved with courting couple, h. 5 1/2 in., w. 10 1/2 in., d. 8 1/4 in. [$200/400]

265. Meissen-Style Gilt and Polychrome Porcelain Footed Tray, 20th c., blue ground, reserve color lithographed with Classical figures in a garden, l. 22 5/8 in., w. 13 3/4 in. [$200/400] Provenance: Estate of Arley D. Cathey II, El Dorado, AR, sold to benefit the University of Chicago.

266. Bronze-Mounted Sevres-Style Polychrome Porcelain Centerpiece, late 19th/early 20th c., oval body painted with beautiful maiden reclining in Classical landscape with ruins on rose Pompadour ground, foliate mounts with pierced rims, h. 5 1/8 in., w. 18 3/4 in., d. 10 3/8 in. [$400/600]

267. Large Spanish Majolica Vase, marked, body with lions and polychrome floral motif, h. 24 1/2 in. [$250/350]

268. Heinrich and Co. Cobalt Blue and Gilt Porcelain Coffee Service, c. 1930, marked, gilt floral motif, incl. coffee pot, h. 7 in.; covered sugar, h. 3 3/4 in.; c reamer, h. 4 in.; and six cups with saucers, dia. 4 1/2 in. (15 pcs.) [$300/500] 71

269. Continental Plaster Portrait of The Virgin Mary and Presentation of Christ, c. 1900, oval frames, h. 6 1/4 in., w. 5 1/4 in., d. 1 in. (2 pcs.) [$20/30]

270. Collection of Twelve Polychrome and Gilt Porcelain Teacups and Saucers, marked by various makers incl. Meissen, Nymphenburg, Oscar Schaller & Co., Schonwald, Mobensdorf and others; h. (tallest) 3 1/2 in. [$300/500]

271. German Meissen-Style Polychrome and Gilt Porcelain Gooseneck Vase on Porcelain Base, 19th c., crossed swords mark, inscribed “Germany”, applied porcelain flowers, reserved with courting couple and ladies in a garden, h. 24 in., dia. 10 in. [$500/700]

272. Pair of Paris Polychrome and Gilt Porcelain Vases, blue ground with Chinoiserie decoration, gilt handles, h. 18 in., w. 10 in., d. 7 1/2 in. [$400/600]

273. French Sevres-Style Bisque Porcelain Figure of Reclining Female Nude on Bronze Base, marked, h. 7 1/2 in., w. 10 1/2 in., d. 4 in. [$300/500] 72

274. Pair of Sevres-Style Bronze-Mounted Polychrome and Gilt Porcelain Covered Vases, bleu celeste ground, bodies reserved with interior and garden scenes, bronze ram’s head handles, bud finials, h. 11 1/2 in., w., 6 in. [$700/900]

275. Pair of Meissen-Style Polychrome and Gilt Porcelain Figural Sweetmeat Dishes, marked, reclining male and female holding bowls with turquoise ground and floral accents, h. 8 1/2 in., w. 14 in., d. 7 in. [$500/700]

276. Three Minton Majolica Tiles, 19th c., impressed marks, harvest bundle motif, two with maroon ground, one with turquoise ground, l. 8 in., w. 8 in. [$400/600]

277. Sevres “Chateau de St. Cloud” Covered Sauce Tureen, 19th c., marked, gilt fillets and frieze decoration on blue agathe ground, h. 5 3/4 in., l. 11 1/4 in., w. 7 in.; Condition: restoration to base. [$150/250]

278. Pair of Chelsea Porcelain Figural Two-Light Candelabra, marked, putti draped in flowers, scrollwork arms and base, h. 11 in.; Condition: one as is, other restored. [$300/500] 73

279. Royal Vienna Polychrome and Gilt Porcelain Covered Bottle, 19th c., marked, turquoise ground, body painted with battle scenes and floral accents, h. 6 1/4 in., w. 4 in., d. 4 1/8 in.; Condition: chip to lid. [$300/500]

280. Meissen Polychrome and Gilt Porcelain Flare Vase, 20th c., crossed swords mark, body with yellow rose, h. 7 1/2 in., dia. 6 5/8 in. [$150/250]

281. Meissen “Blue Onion/ Blau Zwiebelmuster” Porcelain Platter, early 20th c., marked, pierced scalloped rim, h. 2 1/4 in., dia. 10 3/4 in. [$75/100]

282. Wedgwood Blue Jasperware Tea Service, c. 1930s, incl. teapot, h. 5 in.; covered sugar, h. 4 1/4 in.; open creamer, h. 2 1/2 in.; and 4 cups and saucers, dia. 5 1/2 in.; together with three Wedgwood jasperware ashtrays, dia. 4 1/2 in. (14 pcs.) [$300/500]

283. Three Wedgwood Green Jasperware Porcelain Plaques, 19th c., impressed marks, depicting scenes with Classical maidens, l. (longest) 9 5/8 in. [$200/300]

74

284. Wedgwood Lavender Jasperware Syrup Jug, late 18th/ early 19th c., impressed marks, votive scene frieze, h. 4 1/2 in. [$200/300]

285. Wedgwood Blue Jasperware Covered Urn, late 18th/early 19th c., impressed mark, frieze of dancing women, figural head handles, h. 7 in. [$150/250]

286. Staffordshire Pottery Minstrel Jug, c. 1835, inscribed “SALLY IS THE GIRL FOR ME” and “I WISH I WAS IN DIXEY LAND I O”, h. 8 1/2 in., dia. 11 in. [$200/300]

288. Group of English and Chinese Porcelain Dishes, 19th c., incl. 2 Wedgwood, 1 Dr. Wall Worcester and 1 Export armorial; dia. (largest) 8 1/2 in. (4 pcs.) [$200/400]

287. Parianware Porcelain Figural Group after “Cupid and Psyche” by Antonio Canova (Italian, 1757-1822), 19th c., marked, impressed “2266”, h. 11 1/4 in., w. 14 in., d. 7 1/2 in.; Condition: wings can be detached. [$200/300]

75

289. Bronze-Mounted Chinese Export Famille Rose Porcelain Covered Bough Pot, 18th c., pomegranate finial, decorated overall with flower sprays, bronze pierced rim and splayed base, bracket feet, h. 10 1/2 in., dia. 7 7/8 in, h. 8 in., dia. 8 in. [$200/400]

290. Pair of Gilt Bronze-Mounted Chinese Imari Porcelain Small Bowls, 19th c., porcelain with floral decoration, beaded bronze rims, foliate handles and garland-hung splayed feet, h. 5 1/2 in., w. 10 1/8 in., d. 7 1/2 in. [$300/500]

291. Gilt Metal-Mounted Chinese Export Imari Porcelain Cup, probably 17th/18th c., h. 3 3/8 in., dia. 3 1/4 in. Condition: Porcelain with breaks, repairs, hairlines, one small surface chip, and small losses along rim. [$20/40]

292. Three Chinese Export Green Fitzhugh Porcelain Platters, 18th c., incl. pair, l. 10 5/8 in., w. 8 1/4 in.; and single, l. 11 1/2 in., w. 9 1/4 in. [$500/700]

76

293. Chinese Polychrome and Gilt Decorated Black Lacquer Tea Caddy, 19th c., hinged cover decorated with a figural scroll flanked by figures and foliage, interior fitted with 2 paktong cannisters, bale handles, h. 9 in., w. 13 1/2 in., d. 11 in. [$400/600]

294. Pair of Chinese ExportStyle Porcelain Ducks, h. 9 1/2 in., w. 8 in., d. 14 in. [$300/500]

295. Chinese Export Famille Rose Porcelain Basin, Qing Dynasty (1644-1911), interior with central roundel enclosing peony, chrysanthemum, bamboo, lingzhi and rock, wide rim with floral sprays, h. 3 3/8 in., dia. 15 in.

Condition: Significant restoration throughout.

Minor scattered chips to rim. Wear and abraisions indicative of age and use. [$200/300]

296. Pair of Chinese Export Famille Rose Porcelain Covered Tureens, 20th c., decorated with figures in fenced garden landscapes, bases with Tongzhi marks, h. 9 1/4 in., w. 14 in., d. 10 in. [$600/800]

297. Chinese Export Famille Rose Porcelain “Millefleurs” Dish, base with apocryphal Qianlong mark, dia. 6 7/8 in. [$50/100]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

77

Session Two

Thursday, February 17, 11 a.m.

78

298. Reagan Danos (American/Larose, LA, b. 1958), “Buff-Breasted Shore Bird”, c. 2015, acrylic on carved and textured tupelo gum, signed and titled on base, glass eyes, h. 6 in., w. 11 1/4 in., d. 8 3/4 in. [$300/500]

299. Antique Pressed Brass Framed Plaque of Joseph. [$15/25]

300. Louisiana Carved and Painted Grouping of a Cooper’s Hawk and Robin, Roy LeGaux, Meraux, LA, signed to underside of base and on foliage, life-size, on oval base, h. 10 in., w. 17 1/2 in., d. 13 3/4 in. [$500/700]

302. Pair of American Copper Lanterns, 19th c., hexagonal form, brass finial, pebbled glaze, fitted with electrified oil lamp, conforming wood base, h. 24 1/4 in., dia. 14 in. [$400/600]

301. Pair of Aesthetic Movement Andirons with Fender, c. 1900, stylized design, arched legs, h. 20 1/2 in., w. 9 3/4 in., d. 24 in.; conforming fender h. 10 in., w. 57 in., d. 12 in. [$300/500]

303. China Trade Black Leather Covered and Brass Bound Camphorwood Coffer, early 19th c., brass plaque engraved “No 2 Captain Black”, h. 18 in., w. 37 1/2 in., d. 19 1/2 in. [$300/500] 79

304. Antique American Paint-Decorated Pedestal, oval fluted column, h. 31 in., w. 24 in., d. 15 in. Note: AS IS, fair to poor condition. [$100/200]

305. Pair of American Canada Geese Decoys, 1940s, attr. to Herter’s Co, MN, carved balsa, larger l. 18 1/2 in. [$200/400]

306. Pair of Louis XV-Style Bronze Chenets, 19th c., scroll design, h. 15 in., w. 15 1/2 in., d. 6 in. [$150/250]

307. Art Deco Grouping of a Woman with Hounds, pewter and faux ivory, marble base, h. 19 in., w. 29 1/4 in., d. 5 3/4 in. [$300/500]

308. Pair of Italian Rococo-Style Carved Giltwood Figural Prickets, cherub and scroll, h. 26 in., w. 10 in., d. 5 in. [$200/400]

309. Pair of French Bronze and Marble Portrait Busts, signed Clodion, h. 10 1/2 in., w. 7 3/4 in., d. 5 1/4 in. [$300/500]

80

310. Italian Terracotta Wall Plaque of the Madonna and Child, 20th c., h. 22 1/2 in., w. 15 in., d. 3 in. [$400/600]

311. Pair of Napoleon III Bronze Two-Light Figural Sconces, 19th c., foliate arms, the backplates cast with a rabbit and a stork, h. 20 in., w. 13 in., d. 7 1/2 in. [$500/700]

312. Pair of Empire Bronze Figural Sconces, 19th c., female busts, over scroll and foliate backplate, drilled for electricity, h. 12 3/4 in., w. 3 1/2 in., d. 9 in. [$500/700]

313. Pair of Regency Bronze and Marble Figural Candlesticks, cherub holding cornucopia, tall pedestal, h. 12 in., w. 3 1/2 in., d. 3 1/2 in. [$500/700]

314. Four Russian Lacquered Portrait Boxes, 20th c., largest h. 2 1/14 in., dia. 5 1/4 in. [$500/700]

315. Antique French Carved Slate Clock Base, with Japy Freres, striking gong movement, h. 6 5/8 in., w. 18 1/2 in., d. 6 in.; note: several drill holes on top surface. [$75/150] 81

316. Antique French Gilt Metal Six-Light Girandole, foliate arms, with applied lilies, vasiform standard, electrified, h. 38 in., w. 14 in., d. 8 in. [$250/350]

317. Pair of Italian Giltwood Two-Light Prickets, 19th c., carved tassels, tripartite base, h.

18 in., w. 9 in., d. 5 1/2 in. [$600/800]

318. Pair of French Fluted Marble Shell-Form Basins, h. 6 1/2 in., w. 19 in., d. 16 1/2 in. [$400/600]

319. French Bronze-Mounted Amethyst Glass Bowl, oblong form, with neoclassical relief, h. 3 in., w. 7 1/2 in., d. 4 in. [$400/600]

320. Louis XVI-Style Bronze and Rouge Marble Figural Inkwell, 19th c., centered by putto writing in a book, h. 6 in., w. 8 in., d. 3 1/2 in. [$300/500] 82

321. Four French Bronze and Beaded Crystal Urn-Form Wall Sconces, h. 18 in., w. 9 in., d. 5 in. [$400/600]

323. Pair of Pompeian-Style Bronze Vases, ram handles, foliate decoration, h. 9 1/2 in., w. 10 1/2 in., d. 8 in. [$300/500]

325. Five Byzantine-Style Enameled Bronze Ecclesiastical Plaques, three folding, largest h. 5 3/4 in., w. (open) 15 1/2 in. [$400/600]

322. Pair of Italian Carved Granite Urns, 20th c., h. 17 in., dia. 12 in. [$600/800]

324. Regence-Style Silvered a nd Gilt Bronze Fender, with opposing recumbent lions, h. 9 1/2 in., w. 46 in., d. 4 1/2 in. [$400/600]

326. Pair of Black Marble and Bronze Four-Light Candelabra in the Bagues Style, 20th c., crystal fronds, raised base, electrified, h. 22 in., w. 15 1/2 in., d. 7 in. [$400/600] 83

327. Pair of Charles X Bronze and Crystal Candlesticks, tapered standard, paw feet, h. 9 1/2 in., dia. 4 1/2 in. [$400/600]

328. Collection of Twenty Halcyon Days Enamel Boxes, hinged lids, with two other boxes by Crummles & Co., tallest (egg) h. 2 1/2 in., h. 2 1/2 in. [$400/600]

329. Pair of French Neo-Grec Patinated Bronze Vases, c.

1900, portrait medallion handles, relief of dancing maidens, h. 15 in., w. 5 in., d. 4 1/2 in. [$300/500]

330. Italian Grand Tour Mother-of-Pearl Painted, Bronze and Red Glass Tazza, 19th c., rim with transfer images of monuments, h. 6 in., dia. 6 1/2 in. [$400/600]

331. Three French Enamel Plaques on Copper, depicting a European city view, dancers, and a shepherd, framed, 12 1/2 in. x 17 1/2 in. [$500/700]

332. French Bronze Table Casket, hinge lid, velvet interior, with reliefs of people in various pursuits, h. 7 1/2 in., w. 12 in., d. 8 1/2 in. [$800/1200]

84

333. French Art Deco CopperClad Plaster Figural Mirror, c. 1925, draped maiden, posing in front of beveled mirror plate, h. 32 1/2 in., w. 22 in., d. 13 in. [$400/600]

334. English Carved Wood and Iron Bound Basin, 19th c., molded rim, h. 8 1/2 in., dia. 32 in. [$150/250]

335. English Inlaid Mahogany Tea Caddy, 19th c., shell inlay, interior with removable lidded canisters, associated mixing bowl, h. 8 in., w. 17 in., d. 13 3/4 in. [$100/150]

337. Gorham Sterling Silver Reticulated Basket, no.

A8629, date mark for 1913, h. 13 1/4 in.; together with a pair of similar Gorham sterling reticulated baskets, no.

A8028, h. 7 1/2 in., combined wt. 25.30 troy ozs. [$400/600]

336. English Carved Mahogany Staircase Model, 20th c., turned balusters, scalloped aprons, h. 24 in., dia. 18 in. [$500/700]

338. Group of American Sterling Silver Baskets, incl. J.E. Caldwell, Philadelphia, act. 1839-2009, fine reticulated example, h. 12 3/8 in.; Unger Bros. with 1905 Philadelphia Cup presentation, h. 7 in., combined wt. 24.35 troy ozs.; and Rockwell Silver Co., h. 14 3/8 in., weighted base; together with silverplate example, h. 7 in. (4 pcs.) [$400/600] 85

339. Two American Sterling Silver Dresser Boxes, incl. Gorham powder box, pattern 100, dia. 4 1/2 in. and Howard example, Providence, RI, act. 1891-1901, dia.

3 1/2 in., combined wt. 10.65 troy ozs. Note: some small dents. [$150/250]

340. Peruvian Hand-Hammered Sterling Silver Covered Circular Box, marked “STERLING/PERU/ COLMENARES/925/A MANO”, h. 4 in., dia. 6 in., wt. 12.95 troy ozs. [$150/250]

341. American Art Nouveau Sterling Silver After-Dinner Coffee Pot, George W. Shiebler & Co., New York, act. 1876-1907, h. 9 in., wt. 12 troy ozs. [$300/500]

342. Arts and Crafts-Style Sterling Silver Five-Light Candelabrum, marks rubbed, probably early 20th c., h. 12 3/8 in., wt. 17.55 troy ozs.; together with a pair of sterling silver and enamel candlesticks, h. 10 1/4 in., weighted bases, removable bobeches. [$150/250]

343. American Sterling Silver Reticulated Bride’s Basket, Reed & Bardon, no. 240 A, early 20th c., h. 16 1/4 in., wt. 22.90 troy ozs. [$400/600]

344. American Sterling Silver Bride’s Basket, Whiting Mfg. Co., date mark for 1921, h. 15 in., wt. 22.45 troy ozs. [$400/600] 86

345. Two American Colonial Revival Sterling Silver Centerpiece Baskets, both early 20th c., larger by Woodside Sterling, h. 13 7/8 in., wt. 24.15 troy ozs.; smaller by Dominick & Haff, h. 12 1/4 in., weighted base. (2 pcs.) [$500/700]

346. Large Silverplate Gallery Tray, shaped oval reticulated gallery, flatchased well, and paw feet, h. 4 1/2 in., w. 25 1/2in., d. 18 in. [$150/250]

347. American Sterling Silver Liqueur Decanter, Fisher Silversmiths, act. 1936 to present, h. 10 1/8in., wt. 8.05 troy ozs.

Note: small dent lower body. [$150/250]

348. Pair of Monumental American Sterling Silver Candlesticks, ret. John Wanamaker, Philadelphia, early 20th c., octagonal paneled form, removable bobeches, h. 20 3/4 in. [$300/500]

349. Group of American Sterling Silver Hollow Ware, 20th c., incl. Elgin circular tray (Audubon Golf Club Trophy, 1929), dia. 14 in.; jigger (Krewe of Achaeans ball favor, 1954); Frank M. Whiting porringer in the Colonial taste, w. 8 1/41 in.; and 2 napkin rings with scroll border; total wt. 35.20 troy ozs. [$400/600] 350. American Sterling Silver After-Dinner Coffee Pot, after an 18th c. Paul Revere example, by Richard Dimes, South Boston, MA, act. 1908-1955, for Bigelow, Kennard & Co., Boston, act. 1867-1972, pyriform with domed cover, scroll handle and spout, molded foot, h. 8 3/4 in., wt. 17 troy ozs. [$300/500] 87

351. S. Kirk & Son Co. Sterling Silver Repousse Salad Serving Fork and Berry Spoon, 1896-1924, l. 9 1/4 in. and 9 in., wt. 7 troy ozs. (2 pcs.) [$200/300]

352. Group of American Sterling Silver Tea Ware, incl. Watson teapot in the Regency taste, ebonized handle, h. 5 in.; “Paul Revere” sugar and creamer, Richard Dimes for Bigelow, Kennard & Co., h. 3 1/4 in.; and paneled sugar and creamer with scroll rim and feet, ret. Bigelow, Kennard & Co., h. 3 1/2 in.; total wt. 26.60 troy ozs. [$400/600]

353. Sterling Silver After-Dinner Coffee Pot, Open Sugar and Creamer, Howard Sterling Co., Providence, RI, act. 1891-1901, ret. Bigelow & Kennard & Co., hexagonal paneled bodies, beaded borders, incl. coffee pot (h. 8 3/8 in.), open sugar and creamer, h. 8 1/4 in., wt. 25.80 troy ozs. [$400/600]

354. Gorham Arts and Crafts Sterling Silver Water Pitcher, no. A12783, date mark for 1923, baluster form with scroll handle and leaf and berry decoration, h. 8 7/8 in., wt. 21.45 troy ozs. [$300/500]

355. Gorham Sterling Silver Water Pitcher, pattern no. 1990, date mark for 1896, ret. Shreve, Crump & Low, Boston, act. 1869 to present, baluster form with reeding and molded foot, h. 8 5/8 in., wt. 21.70 troy ozs. [$400/600]

356. American Sterling Silver Water Pitcher, Amston, Meriden, CT, act. 1905-1960, baluster form with foliate scroll handle and molded foot, h. 9 3/8 in., wt. 19.30 troy ozs. [$400/600] 88

357. Four American Sterling Silver Porringers, various makers, incl. 2 Gorham, Richard Dimes, ret. Bigelow, Kennard & Co., Boston, and maker “K”, ret.

Bigelow, Kennard & Co., l. 5 in. to 7 3/8 in., total wt. 18.30 troy ozs. [$250/350]

359. Set of Ten Mother-of-Pearl Handled Dinner Knives, most with blades marked Landers and Frary, l. 9 in.; set of 6 mother-of-pearl handle butter knives, l. 6 1/4 in.; and 12 celluloid handled dinner knives, blades marked Dame Stoddard & Co., Boston, l. 9 1/4 in. (28 pcs.) [$150/250]

361. Gorham “Chantilly” Pattern Sterling Silver Gravy Bowl with Integral Underplate; together with 2 Gorham sterling napkin rings, total wt.

9.10 troy ozs. [$250/350]

358. Three American Sterling Silver Bread Trays, incl. rose motif, Redlich, pat. 96, ret. Bigelow, Kennard & Co., Boston, l. 6 1/2 in.; reeded example by Gorham, date mark for 1896, ret. Shreve, Crump & Low, Boston, l. 11 in.; and Wallace example, l. 12 3/4 in.; total wt. 32.30 troy ozs. [$300/500]

360. Collection of 24 Silverplate Bells, h. 5 in. [$400/600]

362. Cased Set of Antique French .800 Silver Coffee Spoons, late 19th c., each with gilt wash bowl, in fitted brass-inlaid rosewood case; together with antique French silver and ivorine salad serving fork and spoon, late 19th c., ferrules marked 1st standard, hollow handles, fitted case; French silver and gilt flat server, unmarked, fitted case marked “Manch argent controle Paris”; and Cambodian silver rice spoon, marked “HOA-1/900”, hollow handle, l.10 in., fitted case marked “Fin Kateur/Articles du Cambodge/106. Rue Catinet/ SAIGON”. [$200/400]

363. Pair of Polish Silverplate Candlesticks, marked “FRAGET N PLAQUE” [$300/500]

89

364. Decorative Silvered Bronze Mirrored Plateau, oval mirror plate, scroll feet with blossoms and putti, h. 2 1/4 in., w. 23 in., d. 15 in. [$300/500]

365. Decorative Silverplate Cake Stand, chased with flowers and foliage, reticulated scroll feet, h. 5 1/4 in., dia. 19 in. [$300/500] 366. Pair of English Rococo Revival Silverplate Five-Light Candelabra, floral and scroll decoration, removable bobeches, central removable finial, h. 14 1/2 in. [$300/500]

367. Mappin & Webb Prince’s Plate Silverplate Epergne, early 20th c., central trumpet vase, oval reticulated basket, conforming base with 2 scroll arms and rocaille feet, h. 22 in., w. 22 1/4in.

Note: lacking 2 small baskets. [$300/500] 368. English Silverplate Centerpiece Basket, early 20th c., fitted with removable tulip-shaped bud vases, overall h. (to top of handle) 18 1/2 in. [$300/400] 369. Irish Late Victorian Sterling Silver Footed Bowl, Dublin, 1890, maker J.S, probably John Smyth, act. 1871-1911, lion’s mask feet, body chased with village scene with figures, engraved 1992 presentation, h. 2 1/2 in., dia. 5 1/2 in., wt. 5.25 troy ozs. [$150/250]

370. Pair of George III Chased Sterling Silver Berry Spoons, George Smith (IV), London, 1800, mark reg. 1799, l. 9 in., wt. 4.5 troy ozs., in later silk-lined leather fitted case. [$100/200] 90

371. English Silverplate Presentation Desk Stand, c. 1900, with integral pen holder and pair of crystal inkpots, h. 5 1/2 in., w. 9 1/2 in., d. 7 in. [$300/500]

372. Small Persian Carpet, central medallion, 4 ft. 3 in. x 6 ft. 6 in. [$200/300]

373. Small Persian Carpet, taupe ground, repeating medallions, 5 ft. x 6 ft. 4 in. [$200/300]

374. Decorative Carpet, stylized floral pattern, 6 ft. 5 in. x 8 ft. [$200/300]

377. Churchill Bowler Hat, size 7 3/8 in., with box; together with two additional hats. [$25/50]

375. Small Persian Rug, blue and red ground, foliate design, 5 ft. 6 in. x 8 ft. [$300/500]

376. Kirman Carpet, c. 1960, muted green, rose and blue scrolling foliate designs on cream ground, 5 ft.

10 in. x 9 ft. [$100/200]

378. Four Contemporary Designer Pillows, incl. pair with tapestry panel, 21 in. x 13 in. x 6 in.; and a pair with needlepoint foliate design, 24 in. x 17 in. x 7 in., all with tasseled fringe. [$250/350]

379. Four Decorative Pillows, incl. 2 silk Asian inspired, 15 in. x 15 in. x 4 in. [$100/200]

380. Antique French Processional Banner of St. Francis of Assisi, red ground, embellished with metallic gold embroidery, supported on wood rod, h. 64 in., w. 32 in. [$400/600] 91

381. American Cut Crystal Four-Light Chandelier, vasiform standard, h. 46 in., dia. 33 in. [$1000/1500]

382. American Cut Crystal Four-Light Gasolier, vasiform standard,, h. 61 in., dia. 32 in. [$1000/1500]

383. Pair of American Cut Crystal and Brass Two-Light Sconces, spire finial, faceted scroll arms, electrified, h. 16 in., w. 16 in., d. 10 in. [$300/500]

384. Pair of American Cut Crystal and Brass Three-Light Sconces, spiral arms, foliate-etched shades, electrified, h. 22 in., w. 31 in., d. 16 in. [$400/600]

385. Patinated Metal and Leaded Glass Two-Light Figural Sconce, 20th c., cherub holding foliate branches, h. 17 in., w. 16 1/2 in., d. 13 1/2 in. [$150/250]

386. Near Pair of Chinoiserie Floor Lamps, with shades, h. 68 in., dia. 24 in. [$300/500] 92

387. American Brass Two-Light Argand Lamp, 19th c., vasiform standard, prism hung, electrified, h. 18 in., w. 18 in., d. 8 in. Note: one shade. [$400/600]

388. French Billiard Chandelier, tole shades, bell-form down light flanked by three-light fixtures, h. 26 in., w. 41 in., d. 13 in. [$500/700]

389. French Empire-Style Bronze Candlestick, converted to lamp, h. (incl. socket) 23 1/2 in., w. 7 in., d. 7 in. [$300/500]

390. Two Early American Satire Magazines, Americana, Vol. I, Number I, and Vol. I, Number 2; ND (1932), 9 in. x 12 1/4 in., each 32 pgs., with cartoons and contributions by George Grosz, E.E. Cummings, Gilbert Seldes, and others. ( 2 pcs.) [$50/75] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

391. Two Antique English Barometers, one mahogany, signed Bramwell, Alston, with thermometer and convex mirror; other an aneroid barometer, also with thermometer, larger h. 37 in., w. 9 1/2 in., d. 1 1/4 in. [$250/350]

93

392. 14 kt. Yellow Gold and Diamond Triple Cluster Ring, each cluster with champagne diamond (I-2 clarity) surrounded by small white diamonds, size 7.5. [$500/700]

393. Pair of 14 kt. Yellow Gold and Champagne Diamond Guard Rings, I-2 clarity, size 7. [$300/500]

394. Pair of Chinese Silver and Enamel Finger Guards, now set as earrings, l. 1 7/8 in. [$50/100]

395. Yellow Gold and Aquamarine Ring, unmarked, with bezel set aquamarine in panther link band. [$250/350]

396. 14 kt. Yellow Gold and Cabochon Synthetic Sapphire Ring, wt. 5 dwt. [$200/300] 397. Group of Forty-Seven Antique Coins, incl. Britain (16), European (18), American (4), and misc. (9), together with a NY subway token, held in a silk, zippered pouch. [$75/100] 94

398. Pair of Amethyst Drop Earrings, [$200/300]

399. Gold Thimble, Seed Pearl Necklace and Enamel Locket, [$200/300]

400. Portrait Pin and Miniature of Young Woman, 19th c., oil, unsigned, inscribed en verso, 2 1/2 in. x 2 in., framed. [$300/400]

401. Four American Glass Hurricane Shades, 20th c., incl. near pair with foliate decoration, h. 14 in. and 14 1/2 in.; and two others, tallest h. 15 3/4 in. [$500/700]

402. Three French Gilt MetalMounted Cut Crystal Boxes, incl. one oval, one round and one rectangular, tallest h. 5 in., w. 6 1/2 in., d. 4 1/2 in. [$500/700]

95

403. Two Daum Nancy Cameo Glass Table Articles, incl mistletoe tumbler and thistle vase [$100/200] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

404. Pair of Lalique-Style Molded Glass Horses, marked “Lalique France”, h. 7 3/4 in., w. 5 1/4 in., d. 3 in. [$100/200]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

405. Four Antique Demilune Leaded Glass Overdoors, banded scroll decoration, wood frames, h. 44 in., w. 74 1/2 in. [$400/600]

407. Set of Four Cast Iron Columns, with foliate collar, one lacking lower base, h. 85 in., 83 in., 80 in. and 78 in. [$200/300] Provenance: Prestigious St. Charles Avenue Residence

406. Pair of Painted Cast Stone Pedestals, signed “1991 Fischer Bros.”, ram’s head and foliate standard, circular base, h.

34 in., dia. 17 in. [$250/350] 96

408. Pair of Classical-Style Terracotta Planters, bust form, h. 12 1/2 in., w. 8 in., d. 7 in. [$200/300]

409. Two Antique Architectural Painted Wood and Metal Columns, taller h. 64 in., w. 16 in., d. 16 in.

Note: AS IS, poor condition. [$400/600]

410. Antique French Carved Stone Garden Ornament, urn-form, lobed body. [$500/700]

411. Pair of Antique American Mahogany Ship’s Cabin Doors, 19th c., fitted with bronze portholes and period hardware, h. 66 in., w.

26 1/4 in., d. 1 3/4 in. [$300/500]

412. Painted Iron Garden Trellis, 3 sections, gothicized arches with fleur-de-lis finials, each section h. 77 in., w. 60 in. [$400/600]

97

413. Patinated Bronze Figure of “Thetis”, after Pierre Eugene Emile Hebert, signature and title inscribed on self-base, h.

15 in., w. 6 1/2 in., d. 5 1/2 in. [$200/400]

414. George Guesnet (French, 19th/20th c.), “Le Coq”, gilt bronze, signed lower right, h. 9 in., w. 5 1/2 in., d. 4 1/2 in., green marble base, overall h. 10 1/4 in. [$200/300]

Condition: Overall fair condition.

415. Pair of Patinated and Silvered Bronze Figures Depicting “Le Depit Amoureux”, each inscribed “E. Greil”, stamped “L.M.” and with title plaques on self-bases, h. 9 1/4 in. (2 pcs.) [$200/400]

Condition: Overall good condition

416. Metal Sculpture of the Pompeian Silenus, after the antique found in Pompeii now conserved in the Museo Archeologico Nazionale di Napoli, h. 22 in., w. 10 in., d. 10 in. [$100/200] Condition: Overall good condition

417. Patinated Bronze Figure of “Whistling Boy”, after Auguste Moreau, signature inscribe on selfbase, h. 18 in., w. 6 3/4 in., d. 5 in. [$400/600] Condition: Overall good condition

98

418. Bronze Bust of “Hogarth”, after Jean-Jules-Bernard Salmson, signature inscribed on reverse, h. 14 1/2 in., w. 10 in., d. 6 1/2 in., titled “Hogarth” on base, overall h. 16 in. [$500/700]

419. Bronze Figure of an Elephant after Antoine-Louis Barye, signature inscribed on selfbase, h. 14 in., w. 16 in., d. 8 1/2 in., black marble base with artist plaque, overall h. 15 1/2 in. [$400/600]

Condition: Overall fair condition

Condition: Overall good condition

420. Patinated Bronze Figure of “Le Taureau”, after Isidore Jules Bonheur, h. 14 1/2 in., w. 14 in., d. 7 in., green marble base, overall h. 16 1/4 in. [$400/600] Condition: Overall good condition

421. Patinated Bronze Figure of “Faison Sur un Rocher”, after Jules Moigniez, signature inscribed on selfbase, h. 13 1/4 in., w. 14 in., d. 6 1/2 in. [$400/600] Condition: Overall fair condition

422. Carved Marble Bust of “Torquato Tasso”, titled lower center, h. 11 1/2 in., w. 7 1/2 in., d. 7 1/2 in., marble pedestal and base, overall h. 21 1/4 in. [$400/600] Condition: Overall fair condition

99

423. Bronze Figure of a Faun, marble base, h. 14 1/2 in., w. 5 1/2 in., d. 4 in. [$200/400]

424. French Patinated Bronze Plaque of “La Pensée”, after Henri Michel Antoine Chapu, h. 14 1/2 in., w. 10 in., d. 4 in [$500/700] Condition: Overall fair condition

425. Bronze Figural Group of “The Three Graces”, after Germain Pilon, h, 9 1/4 in. x 4 in. x 4 in. [$400/600] Condition: Overall good condition

426. Patinated Bronze Figural Group of Boy and Chicken, h. 10 1/4 in., w. 9 1/4 in., d. 6 in., marble base, overall h. 12 in. [$400/600] Condition: Overall good condition

427. Cast Iron Bust of a Young Girl, h. 11 1/4 in., w. 5 1/2 in., d. 5 in. [$300/500] Condition: Overall fair condition

428. Painted Metal Bust of Venus de Milo, after the antique now conserved in the Louvre, Paris, h. 10 in., w. 6 1/8 in., d. 8 in., marble veneered base, overall h. 15 in. [$100/200] Condition: Overall fair condition

100

429. Nine Display Stands and Plinths, incl. marble, stone, metal and wood, h. 4 3/4 in. to 35 1/4 in.; together with furniture fragments and drawer pulls. [$75/125] Provenance: Property of the New Orleans Museum of Art, sold to benefit the acquisitions fund.

430. American Mahogany Dressing Mirror, 19th c., baluster turned mirror supports, case fitted with drawers, toupie feet, h. 25 3/4 in., w. 26 1/2 in., d. 8 3/4 in. [$200/400]

431. American Renaissance Parcel Gilt and Burl Walnut Mirror, late 19th c., surround with incised decoration, later divided mirror plate and hand-painted tablet, h. 78 in., w. 38 1/2 in. [$300/500]

432. American Late Classical Rosewood Mirror, 19th c., flared surround, h 18 in., w. 29 in. [$200/400]

433. Louis XVI-Style Creme Peinte and Parcel Gilt Trumeau Mirror, crest with quiver and wreath trophee, h. 55 1/4 in., w. 39 in. [$500/700]

101

434. Louis XVI-Style Cold Painted Bronze Dore Mirror, bowknot crest, with trumpeting putti, floral blocked corners, pierced surround, h. 34 in., w. 21 in. [$400/600]

435. Louis XVI-Style Giltwood Mirror, early 19th c., floral basket over cartouche crest, Classical medallion and swag pendant, h. 57 1/4 in., w. 23 1/4 in. [$150/250]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

436. Continental Giltwood Mirror, rope-molded and ivy motif surround, h. 52 3/4 in., w. 34 1/4 in. [$300/500]

437. French Art Deco Wrought Iron Mirror, early 20th c., lozenge frame with naturalistic rose vines, beveled mirror plate, h. 19 1/2 in., w. 40 in. [$500/700]

439. Antique Georgian-Style Mahogany and Parcel Gilt Mirror, pierced crest, scrolled surround, h. 39 in., w. 22 in. [$500/700]

438. Antique Continental Ebonized and Tortoiseshell Mirror, 19th c., ripple moldings, rectangular mirror plate, h. 34 1/2 in., w. 40 in. [$200/400] 102

440. Louis Philippe Patinated Bronze and Marble Figural Mantel Clock, 19th c., case surmounted by figure of a gentleman writing, h. 19 in., w. 12 1/2 in., d. 5 in. [$300/500]

441. French Skeleton Clock, glass dome, wood base, associated hands and pendulum, h. 13 1/2 in., w. 10 in., d. 5 in. [$500/700]

443. Antique French Gilt Bronze Figural Mantel Clock, porcelain dial, striking bell movement, bell-form feet, h. 14 in., w. 11 1/2i n., d. 4 in. [$600/900] 442. Three Decorative Miniature Clocks, two spuriously marked OMEGA, one with thermometer, tallest h. 5 1/4 in., w. 3 1/2 in., d. 1 1/4 in. [$300/500]

444. Antique Italian Barrel Piano, ebonized wood, hand-cranked action, h. 34 in., w. 30 in., d. 17 1/2 in. (without crank) [$500/700] 103

445. Chinese School, 20th c., “Abstract Villagescape”, 1989, gouache on paper, inscribed and dated on reverse, 17 in. x 20 in., unframed. [$50/100] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

446. Chinese School, “Figure in a Landscape with Trees and Mountains”, ink and slight color on paper, inscribed and sealed lower right, sight 10 1/2 in. x 9 1/4 in., framed. [$200/300]

447. Wang Xiaojin (Chinese, b. 1968), “Beauty Surrounded by Flowers” and “Beauty with Fan and Flowers”, pair of oils on canvas, signed lower right, 27 3/4 in. x 27 3/4 in., framed. (2 pcs.) [$500/700] 104

449. Pair of Decorative Chinese Famille Verte Porcelain Vases, decorated in mirror image with nobles and their guardsmen in a landscape, bases with apocryphal Kangxi marks, h. 16 1/2 in. [$400/600]

448. Chinese Tenmoku Glazed Stoneware Tea Bowl, lustrous black glaze with russet splashes, unglazed gray stoneware foot, h. 2 1/2 in., dia. 4 3/4 in. [$200/400]

450. Decorative Chinese Ge-Style Stoneware Vase, 20th c., stylized-mask ring handles, overall gold crackle, base with Qianlong mark, h. 11 1/4 in. [$50/75]

451. Pair of Chinese Blue and White Porcelain Hexagonal Vases, confronting Budhist lion handles, each decorated with a continuous scene with boys at play in a garden, h. 14 1/4 in., now drilled and mounted as lamps, h. (incl. socket) 19 3/8 in. [$400/600]

452. Pair of Chinese Polychrome Porcelain Conjoined Twin Vases, modern, gilt stylized handles, decorated with bird and flower cartouches on dense foliate grounds, bases with spurious Yongzheng marks, h. 11 1/2 in., w. 6 1/2 in., d. 4 in. [$300/600]

453. Pair of Chinese PekingStyle Yellow Glass Baluster Vases, h. 10 3/4 in.

Condition: Very good. [$400/600]

105

454. Two Decorative Chinese “Blanc de Chine” Porcelain Figures of Guanyin, each modeled seated holding a ruyi scepter, backs with impressed marks, h. 9 in. and 9 3/4 in. Condition: Very good. [$400/600]

455. Six Chinese Song Dynasty-Style Qingbai Pottery Funerary Urns, necks with various applied decoration, h. 10 3/4 in. to 16 3/4 in. Condition: Scattered chips, dings, small losses, wear, and glaze degradation. [$300/500]

456. Pair of Chinese Blue and White Porcelain Covered Tea Caddies, square bodies and covers decorated with figures in waterscapes, h. 12 in., w. 7 in., d. 7 in. Condition: Minor wear to edges. [$500/700]

457. Decorative Pair of Chinese Famille Rose Decorated Yellow Ground Porcelain Bottle Vases, lobed bodies with applied peach branches and lingzhi, bases with apochryphal Yongzheng marks, h. 10 1/2 in. [$300/500]

458. Pair of Chinese Porcelain and Cloisonne-on-Porcelain Bottle Vases, doucai decorated bands with rooster and hens in landscape between cloisonne scrolling lotus motifs at tops and bottoms, bases with apochryphal Chenghua marks, h. 8 5/8 in., stands, overall h. 9 3/4 in. [$400/600] 106

459. Pair of Modern Chinese PekingStyle Glass Bottle Vases, red bodies with applied white glass ornaments, bases with spurious Qianlong marks, h. 11 in. [$300/500]

460. Chinese Famille Rose Porcelain Faceted Vase, Qing Dynasty (1644-1911), gilt stylized dragon handles, faceted baluster body decorated with figural scenes on bird, butterfly, insect, and flower ground, h. 12 in., mounted as a lamp, h. (incl. finial) 24 3/4 in. Condition: Good. Minor wear to surface enamels and gilt. [$400/600]

461. Chinese Purple-Splashed Junyao-Style Pottery Vase, probably early 20th c., ovoid body with qilong dragon encircling mouth, h. 4 3/8 in. [$400/600]

Provenance: TK Oriental Art & Antiques, Williamsburg, VA, May 1984; Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Good. Where glaze has pooled around base, there is some glaze loss and craquelure, consistent with medium

462. Chinese “Blanc de Chine” Figure of Guanyin, modeled seated on rockwork in the position of royal ease, wearing long voluminous robes and a bead necklace centered by a ruyi ornament, the hair worn high in a chignon tied with a ruyi pin, h. 11 1/2 in., associate stand, overall h. 13 1/4 in. [$300/500] Provenance: TK Oriental Art & Antiques, Williamsburg, VA, March 1978; Estate of Warren Paul Balovich (1926-1992), New Orleans.

463. Antique Chinese Bronze Figure of Buddha, modeled seated in dhyanasana on double lotus base wearing a five-pointed crown and loose robes exposing an unadorned bare chest, his proper right hand r aised in abhaya mudra, h. 18 3/4 in. [$800/1200] Provenance: TK Oriental Art & Antiques, Williamsburg, VA, May 1984; Estate of Warren Paul Balovich (1926-1992), New Orleans.

464. Chinese Gilt Decorated Ducai Porcelain “Lotus” Bowl, Guangxu mark and probably period (18751908), decorated with a band of lotus heads borne on undulating leafy tendrils, h. 2 1/8 in., dia. 4 1/4 in., stand, overall h. 3 1/4 in. [$200/300] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans

107

465. Antique Chinese Blue and White Porcelain Kendi, decorated with houses in a stylized landscape with clouds, h. 8 in. [$400/600]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Old, yellowing restoration evident on spout rim and foot ring. Small hairline to mid-section and one to base.

Firing flaws incl. areas of intense craquelure.

466. Chinese Wucai Porcelain Globular Jar, decorated with boys playing in a continuous landscape, base with apocryphal Kangxi mark, h. 5 in., wood cover and stand, overall h. 10 1/4 in. [$250/350] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Good. Overall wear to surface enamels

467. Three Chinese Yixing Pottery Teapots, 20th c., h. 4 in. to 5 in., w. 6 1/4 in. to 7 3/4 in. [$200/300] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Tri-colored pot with small loss to tip of mushroom finial

468. Chinese Glazed Pottery Duck-Form Water Dropper, probably Ming Dynasty (1368-1644), overall green glaze, h. 2 1/4 in., w. 3 1/8 in. [$100/200] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Overall degraded glaze.

Irregularities to edges

469. Chinese Wang Bing Rong-Style Bisque Porcelain Covered Box, relief modeled with dragons amid cloud scrolls above crashing waves, base with apocryphal Qianlong mark, h. 2 1/8 in., dia. 2 3/4 in. [$300/500] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Areas where rims meet appear to have a remnant adhesive which is has yellowed 108

470. Antique Chinese Blueish-Green Glazed Earthenware “Martaban” Jar and Cover, domed cover with Buddhist lion finial, shoulders with five loops above raised boss band, h. 29 in., stand, overall h. 37 1/2 in. [$400/600]

Provenance: TK Oriental Art & Antiques, Williamsburg, VA, Nov. 1983; Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Good overall condition, consistent with age and use. Scattered minor chips, glaze flakes, frits, glaze pops, and abraisions.

471. Chinese Bronze Covered Wine Jar, Fanghu, probably Han Dynasty (202 BCE - 220 CE), faceted pear-shaped body with pair of taotie mask-loose ring handles, h. 6 3/8 in. [$200/400] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003

472. Two Chinese Bronze Mirrors, probably Ming Dynasty (1368-1644) or earlier, dia. 2 7/8 in. and 4 1/4 in. [$100/200]

Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003

473. Chinese Cloisonne Enamel Censer on Integral Stand, 19th/20th c., Buddhist lion finial, pierced cover, elephant mask handles, footed base with lion’s mask feet, circular pedestal base, h. 18 in., w. 12 1/4 in., d. 9 1/4 in. [$100/150]

474. Chinese Gem-Embellished White and Green Jade and Silver Hand Mirror, h. 9 1/2 in., w. 4 1/4 in. [$400/600] 109

476. Chinese Cloisonne Enamel Vase, gilt bronze elephant mask handles and shoulder bosses, lobed body with pendant leaf tips, decorated with peaches, bats and foliage, base with apocryphal Qianlong mark, h. 13 1/4 in. [$500/700]

475. Decorative Chinese White Soft Stone Covered Censer, modern, reticulated body, numerous loop handles, h. 7 in., w. 6 3/4 in., d. 4 1/4 in. Condition: Several glue repairs. Finial lacking one loop handle. [$20/40]

477. Two Pairs of Chinese Hardstone Trees in Cloisonne Bases, smaller h. 11 1/2 in., larger h. 13 in., w. 9 in., d. 8 in. [$400/600]

478. Pair of Chinese Hardstone Embellished Soapstone Panels in Hardwood Stands, h. 9 in., w. 6 in., d. 3 in. [$300/500] 110

479. Chinese Jadeite Mythical Beast Group, carved as a rock outcropping emerging from crashing waves with dragon-turtle, phoenix, and other birds in high relief, h. 8 1/8 in., stand, overall h. 9 5/8 in. [$400/600]

480. Chinese Malachite Figural Group, carved as two Beauties with foliage and birds, h. 6 1/4 in., stand, overall h. 7 in. [$300/500]

481. Chinese Amethyst Figure of a Beauty, carved holding a vase standing beside birds and foliage, h. 8 in., stand, overall h. 8 1/2 in. [$300/500]

482. Chinese White and Russet Jade Brush Holder, carved as a hollowed tree stump with figures of boys at the base, one on a donkey flying a butterfly kite beneath branches, h. 6 3/4 in., stand, overall h. 7 1/2 in. [$400/600]

483. Chinese Archaistic Hardstone Covered Censer, carved in the form of a duck, h. 7 7/8 in., w. 6 3/4 in., stand, overall, h. 9 in., w. 8 in., d. 4 in. [$400/600]

484. Chinese Rock Crystal Figure of Guanyin, carved standing, wearing long robes and a cowl, holding a rectangular box,, h. 7 1/2 in., stand, overall h. 8 1/2 in. [$400/600]

111

485. Chinese Embroidered Silk Civil Rank Badge, Qing Dynasty (16441911), central left-facing bird woven in couched gold threads amid clouds facing sun over crashing waves and lishui stripes, 10 1/2 in. x 11 3/4 in., mounted and framed. Condition: Fair. Losses to borders, frayed edges, snags, dirt. [$200/300]

486. Chinese Red Lacquer Tray, 20th c., molded with dragons in pursuit of the flaming pearl amid clouds above crashing waves, sides with scrolling lotus, h.

1 7/8 in., w. 11 7/8 in., d. 7 1/4 in. [$200/300] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

487. Chinese Celadon Jade Figure of a Boy, carved seated beside a gourd, carrying lingzhi and peach sprays with bats, h. 3 5/8 in., stand, overall h. 4 1/2 in. [$300/500]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

488. Chinese Green Jade Bowl, h. 1 7/8 in., dia. 7 1/8 in., stand, overall h. 4 1/4 in. [$200/400]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

489. Three Chinese Soapstone Carvings, incl. vase, grape cluster, and horse group, vase h. 8 1/2 in. [$150/250] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

112

490. Pair of Chinese Embroidered Silk Sleeve Bands, worked in satin stitch with moths or butterflies amid flowers, sight 21 3/4 in. x 3 in., matted and framed. [$150/250] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

491. Chinese Silk Kesi Fragment, Qing Dynasty (1644-1911), worked in slit weave technique with colored and gold metallic threads with a front facing dragon, 18 1/8 in. x 13 in., matted and framed. [$500/700]

Provenance: TK Oriental Art & Antiques, Williamsburg, VA, Nov. 1983; Estate of Warren Paul Balovich (1926-1992), New Orleans.

492. Four Chinese Glass Snuff Bottles, incl. red overlay bubble suffused, h. 2 1/2 in.; red overlay clear, h. 2 1/4 in.; inside painted, h. 2 1/4 in.; and imitating agate, h. 2 in. [$500/700]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

494. Chinese White Jade Snuff Bottle, h. 2 5/8 in. [$300/500] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

493. Three Chinese Snuff Bottles, incl. lac burgaute, lacking stopper, h. 2 1/4 in.; faux cinnabar, h. 2 7/8 in.; and molded porcelain, lacking stopper, h. 3 in. [$150/250] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

495. Chinese Cloisonne Enamel Snuff Bottle, h. 3 1/2 in . [$100/200]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

113

496. Three Japanese Woodblock Prints, 20th c., incl. after Suzuki Harunobu (1724-1820), depicting a lady and her servant beneath a winter pine; after Kitagawa Utamaro (1753-1806), depicting 2 ladies in headscarves with candle; and after Kawase Hasui (1883-1957), depicting a sailboat with Mt. Fuji, each 7 1/2 in. x 5 in., unframed. [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

497. Five Reproductions of Famous Japanese Woodblock Prints, late 20th c., 8 1/2 in. x 10 3/4 in., 16 1/8 in. x 11 1/8 in., and 18 in. x 13 in. [$20/40]

Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

114

498. After Utagawa Hiroshige (Japanese, 1797-1858), “Tsukudajima from Eitai Bridge” and “Inasa Mountain of Nagasaki”, 2 woodblock prints, sheets 14 1/2 in. x 9 3/4 in. and 13 1/4 in. x 8 5/8 in., unframed. (2 pcs.) [$100/150] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

499. After Utagawa Kunisada/ Toyokuni III (Japanese, 1764-1864), “Woman Kneeling before a Mirror with Standing Male” and “Actor”, 2 woodblock prints, sheet 14 5/8 in. x 10 in. and 14 1/4 in. x 9 1/2 in., unframed. (2 pcs.) [$100/200] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

500. After Furuyama Moromasa (Japanese, 1712-1778), 20th c., “Game of Hand Sumo in the New Yoshiwara”, woodblock print, sheet 12 3/4 in. x 17 3/4 in. [$25/50] Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.

115

501. Kiyoshi Saito (Japanese, 1907-1997), “Winter in Aizu”, woodblock print, pencil-signed lower margin, 11 5/8 in. x 17 1/4 in., unframed. [$200/300]

502. Asian School, 20th c., 2 paintings, incl. “Dwellings by the Shore”, watercolor on paper, inscribed Tananchi or Taranchi lower left, sight 7 3/4 in. x 11 1/4 in.; and “Figure in Landscape with Trees and Mountains”, ink and color on paper, inscribed and sealed lower right, sight 10 1/2 in. x 9 1/4 in,; each matted and framed. [$200/400]

503. After Utagawa Hiroshige (Japanese, 1797-1858), 20th c., 2 woodblock prints incl. “Gion Shrine in Snow” from the series “Famous Views of Kyoto”; and “Snow at Akabane Bridge in Shiba” from the series “Famous Places in the Eastern Capital”, sight 8 1/8 in. x 13 in., matted, framed and glazed alike. (2 pcs.) [$300/500] 116

504. Collection of Six Woodblock Prints and Album Leaves, incl. designs and scenes from everyday life, various sizes, sight 6 1/2 in. x 4 3/4 in. to sight 7 in. x 10 1/4 in., similarly matted and framed alike. [$400/600] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

505. After Utagawa Hiroshige (Japanese, 1797-1858), “Inaba” and Higo”, two woodblock prints from the series “Views of Famous Places in the Sixty Odd Provinces”, sight 13 3/4 in. x 9 3/4 in., matted and framed alike. (2 pcs.) [$500/700]

Provenance: Inaba with TK Oriental Art & Antiques, Williamsburg, VA, Oct. 1983; both Estate of Warren Paul Balovich (1926-1992), New Orleans.

506. After Katsushika Hokusai (Japanese, 1760-1849), “Senju in Musashi Province”, woodblock print from the series “Thirty-six Views of Mount Fuji”, sight 9 in. x 14 1/4 in., framed. [$100/150] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

117

507. Two Japanese Woodblock Prints, incl. after Utagawa Kunisada/Toyokuni III (1786-1865), sight 12 3/4 in. x 8 1/2 in.; and after Yoshitaki (Osaka School, 19th c.), diptych, mounted together, each sight 9 1/2 in. x 6 3/4 in.; both matted and framed alike.

(2 pcs.) [$100/150] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

508. After Utagawa Hiroshige II (Japanese, 1826-1869) and Utagawa Kunisada/Toyokuni III (Japan, 1786-1865), “Hashiba Ferry in Snow”, woodblock print, sight 13 1/4 in. x 9 1/4 in., framed. [$100/150] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

509. Two Japanese Woodblock Prints, incl. after Katsukawa Shunsen/ Shunko II (1762-1830), depicting figures on shore with boats and Fuji in background, embossed highlights, sight 9 1/2 in. x 14 in. and after Utagawa Shunsen (Osaka, 18411899), depicting an actor in snow with umbrella, sight 9 1/4 in. x 6 3/4 in., similarly matted and framed alike. [$150/250] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

511. Japanese Kutani Porcelain Bowl, early 20th c., decorated with central bird-and-flower roundel, h. 2 3/4 in., dia. 14 in. [$100/200] 510. Pair of Japanese Kutani Porcelain Vases, early 20th c., decorated with figural, crane and floral cartouches, bases with Kutani marks, h. 13 1/4 in. [$100/200] 118

512. Japanese Polychrome and Biscuit Porcelain Hakata Doll, c.

1980, modeled as a Beauty standing with a fan and wearing elegant robes and accessories, h. 13 1/2 in., glass display case, h. 18 3/4 in., w. 12 3/4 in., d. 9 3/4 in., cotton furoshiki. [$100/200]

513. Japanese Bizen Pottery Beer Goblet by Konishi Toko (1927-2018), c. 1980, base inscribed, h. 5 in., storage box inscribed and sealed. [$75/125]

514. Japanese Polychrome Porcelain Bottle Vase, c. 1980, painted with a flowering branch, base inscribed, h. 7 3/4 in., storage box with various inscriptions and seal. [$75/125]

515. Japanese Bizen Pottery Vase, c. 1980, base signed, possibly “Keiji”, h. 8 in., storage box with inscriptions and seal. [$200/300]

517. Japanese Satsuma Pottery Vase, Meiji Period (1868-1912), decorated with 2 panels enclosing rooster, hen and chicks amid flowers and figures in a landscape, base marked, h. 5 1/8 in., stand, overall h. 6 1/8 in. [$500/700]

516. Japanese Totai Shippo Cloisonne-on-Porcelain Covered Box, Meiji Period (1868-1912), decorated with birds and flower scrolls, h. 3 7/8 in., dia. 5 1/4 in., stand, overall h. 5 in. [$200/300]

Provenance: TK Oriental Art & Antiques, Williamsburg, VA, March 1979; Estate of Warren Paul Balovich (1926-1992), New Orleans.

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

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518. Japanese Sumida Gawa Pottery Vase, early to mid-20th c., relief-decorated with a seated figure, signed Banni, h. 6 3/4 in. [$75/125]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

519. Japanese Art NouveauStyle Bronze Bottle Vase, early 20th c., slender elongated handles, relief decorated with carp amid water reeds, h. 11 3/4 in. [$100/150]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

520. Japanese Lacquer Three Case Inro, Meiji Period (1868-1912), h. (excl. cord) 2 3/4 in., w. 2 3/8 in. [$300/500] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

521. Six Japanese Cloisonne Enamel Vases, 20th c., incl. 2 oxblood with Ando marks, 1 yellow with triangle mark, and 3 unmarked, h. 3 3/4 in. to 12 in, [$300/500] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

522. Two Japanese Bronze and Mixed Metal Dishes, 19th c., signed and inscribed “Kyoto”, incl. one with notched rim, other circular, decorated with figures in landscapes, dia. 12 in. [$600/800]

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523. Japanese Patinated Bronze Figural Baku Censer, 18th/19th c., h. 7 in., w. 6 1/2 in., stand, overall h. 8 1/2 in. Note: lacking cover on back; tail detached. [$300/400] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

525. Japanese Cloisonne Enamel Bird and Flower Vase, decorated with birds amid flowers on a blue ground, h. 12 1/4 in. Condition: Some old, tight surface cracks and scattered pitting to enamels. [$75/125]

524. Two Japanese Carved Wood Netsuke, probably Meiji Period (1868-1912), one carved as a creature encircling a box, removable drawer/slide, l. 1 3/4 in.; other as a man with a rat on his back, h. 1 3/4 in. [$250/350]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Provenance: TK Oriental Arts & Antiques, Williamsburg, VA, Aug. 1978 and March 1979; Estate of Warren Paul Balovich (1926-1992), New Orleans

526. Abrahamic Brass and Copper Dish, 19th/20th c., chased and pierced overlay depicting sacrifice of Isaac, dia. 13 3/8 in. [$50/75] 527. Asian Bronze Bell, probably Bronze Age, (1495-900 BCE), probably Thai, h. 3 3/4 in. [$100/200] Provenance: Anthony J. Allen, Auckland, New Zealand, c. 2003

528. Thai Cast Iron Head of Buddha, h. 13 3/4 in., wood base, overall h. 21 1/2 in. [$200/400]

529. Pair of Asian Cloisonne Enamel Embellished Patinated Bronze Vases, elephant mask handles, cloisonne band and ruyi pendants, raised taotie mask band and relief dragons, h. 18 in. [$300/500] 121

530. Pair of Indonesian Carved Wood Figural Groups, each carved in mirror image as a female on the shoulder of a mythical male creature, possibly Sita and Hanuman, h. 23 1/2 in. and 25 1/4 in., one mounted on a lampstand as a lamp, h. (incl. socket) 38 in. Condition: Both lacking elements, incl. female arm (lamp), tiered headpieces (one retained).

Scattered smaller losses. [$200/400]

531. Indian School Mughal Miniature of a Prince, probably 19th c., gouache heightened with gold on paper, sight 11 7/8 in. x 9 1/4 in., matted and framed. [$300/500]

Provenance: TK Oriental Art & Antiques, Williamsburg, VA, Sept.

1978; Estate of Warren Paul Balovich (1926-1992), New Orleans.

532. Four Indian Metal Trays, incl. copper, l. 28 1/4 in., w. 23 1/4 in.; brass, l. 22 1/4 in., w. 18 in.; polychromed brass, dia. 23 1/4 in.; and Tanjore silver and brass, dia. 15 3/4 in.; together with brass repousse panel, framed, 13 1/2 in. x 11 3/4 in. (5 pcs.) [$400/600] Provenance: Estate of Warren Paul Balovich (19261992), New Orleans.

533. Antique Thai Gilt Bronze Bodhisattva, seated on a tiered triangular plinth richly adorned with tall headdress, jewelry, and robes, h. 13 3/4 in., w. 8 1/2 in. [$200/300]

Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

534. Polychrome Porcelain Portrait Dish for the Persian Market, unmarked, decorated with the bust of Naser al-Din Shah Qajar on a field of blue foliage highlighted in gilt with red accents, dia. 9 in. [$150/250] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

Condition: Good condition. Minor wear, abrasions and acretions.

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536. Pair of Chinese Carved Hardwood Dressing Mirrors, molded mirror frame, shaped upright supports flanking frieze panel with persimmons and blossoms, h. 30 in., w. 19 1/2 in., d. 9 in., and h. 28 1/2 in., w. 18 1/2 in., d. 9 in. [$200/300] 535. Decorative Chinese Black Lacquer Low Cabinet, waisted rectangular top, two pairs of doors, brass locks, straight legs, squared toes, h. 34 in., w. 59 in., d. 15 in. [$200/300]

537. Chinese Polychromed Alabaster-Inset Hardwood Coffee Table, waisted rectangular top with 8 painted panels, straight legs, hoof feet, h. 18 1/2 in., w. 52 in., d. 24 in. [$500/700] 538. Asian Mother-of-Pearl Inlaid Red Lacquer “Campaign” Table, shaped top with birds amid flowers, reticulated frieze, scroll feet, h. 13 1/2 in., dia. 36 in. [$300/500]

539. Vintage Indonesian Wood Cabinet, stepped cornice, slatted paneled doors and sides, 2 low drawers, straight legs, h. 71 in., w. 45 in., d. 24 in. [$400/600]

540. Chinese Marble Inset Hardwood Table, c. 1930s, shaped square top, openwork foliate carved apron, scroll legs, incurvate stretchers, claw and compressed ball feet, h. 17 3/4 in., w. 17 1/4 in., d. 17 1/4 in. [$300/500] 123

2022 AUCTION SCHEDULE January 28 & 29, 2022 Winter Estates Auction February 16 & 17, 2022 UNRESERVED @ Neal Auction Online-only April 8 & 9, 2022 Spring Estates Auction May 25 & 26, 2022 UNRESERVED @ Neal Auction Online-only June 24 & 25, 2022 Summer Estates Auction August 10 & 11, 2022 UNRESERVED @ Neal Auction Online-only September 9 & 10, 2022 Fall Estates Auction October 12 & 13, 2022 UNRESERVED @ Neal Auction Online-only November 18 & 19, 2022 Louisiana Purchase Auction™ December 8, 2022 Mid-Century, Modern and Contempory Art & Design 124

John R. Neal (1940-2018), Founder

Neal Auction Company

Michelle LeBlanc Leckert, CAI President

Katherine Hovas Senior Vice President

Marc Fagan Vice President Consignments

CONSIGNMENTS

ADMINISTRATION Director of Administration & Finance Michelle LeBlanc Leckert, CAI

Furniture & Decorative Arts Polly Rolman-Smith

Client Services / Accounts Receivables Rebekah Abernathy

Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote

Database Management / Internet Auction Administrator Lisa Weisdorffer Bookkeeper Katie Lasher Marketing & Social Media Cameron McHarg General Manager Jason Leckert Administrative Assistant Claire Whitmore GRAPHICS Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy

Graphics Staff Stephanie Do Ouro Olivia Celestine

Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas General Consignments Cameron McHarg Consignments Administrator Heather Munch AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan, Cameron McHarg CATALOGUE CONSULTANTS Asian Arts & Special Projects Bettine Field Carroll

OPERATIONS Director of Operations Jerry Major

Newcomb Pottery & Decorative Arts Sally Main

Operations Staff Charlie Clay Kelvin Gibson

Tremaine Major Donnell Ducre

AUCTIONEERS Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935 Marney Robinson #A-188

Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Jewelry Stephen A. Moses, GIA Graduate Gemologist

125

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www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107 - LeBlanc #1514, Carroll #1874, Fagan #1935