UNRESERVED @ Neal Online-Only Auction - August 11

UNRESERVED @Neal Auction

FEATURING THE ESTATE OF LEGENDARY NEW ORLEANS PERFORMER CHRIS OWENS

ONLINE ~ AUGUST 11, 2022

Neal Auction is pleased to present

UNRESERVED @Neal Auction Featuring more than 350 lots of antique, vintage and modern furniture, paintings, prints, photography, silver, porcelain, glass and collectibles from estates, private collectors and institutions.

Exhibition will be available at our 4038 Magazine Street Gallery, August 8-11, 2022, 10 a.m. to 4 p.m.

Neal Auction Company

Unreserved @Neal Auction begins August 11 4038 Magazine Street at 11 a.m. on all three bidding platforms: New Orleans, LA 70121

NealAuction.com

absentee

leave bids online

live online

Neal Auction Company is pleased to present a selection of furniture, decorative objects, paintings, photographs, costumes, jewelry and more from the French Quarter home of Chris Owens.

Known by New Orleanians as the “Queen of the Vieux Carré,” iconic performer and entrepreneur Chris Owens passed away on April 5, 2022, at the age of 89. Beloved by both locals and tourists, Owens entertained thousands at her French Quarter club for more than six decades. Owens reigned each year as queen of the French Quarter Easter Parade, where swaths of fans gathered to view the celebrated performer’s fabulous custom-made Easter costumes, overflowing with floral embellishment.

Along with her energetic singing and dancing, Owens’ timeless glamour and extravagant signature costumes established her as an unparalleled New Orleans entertainer.

Born Christine Shaw in rural west Texas, Owens grew up on a cattle ranch. She initially attended nursing school at Texas Wesleyan College but decided to leave Texas to join her sister in New Orleans. The 20-year-old soon met automobile mogul Sol R. Owens and the two married in 1956.

The couple shared an affinity for nightlife and entertainment and opened Club 809 on St. Louis Street in the French Quarter that same year. Owens became the featured act of Club 809 and performed Latin song and dance numbers modeled after Havana’s Tropicana Club, where the couple traveled frequently at the height of the 1950s Latin dance craze. After Sol passed in 1979, Owens opened a nightclub with her namesake on the corner of Bourbon and St. Louis streets, where she continued to star as the glitzy main act.

For the next several decades, right up until she passed away, Chris Owens entertained visitors from all over the world at her iconic Bourbon Street nightclub and became one of the French Quarter’s most recognizable residents. As beloved as she was by New Orleanians, Owens equally adored the Crescent City. In a 2016 interview, she told Fox 8 News, “I love life and I love this place. People say, ‘Have you ever thought about moving?’ I said, ‘No way.’”

UNRESERVED @Neal Auction

FEATURING THE ESTATE OF LEGENDARY NEW ORLEANS PERFORMER CHRIS OWENS Thursday, August 11, 11 a.m.

Lots 1 through 65

1. Contemporary Lucite Bar and Barstools, formica top, stemware shelf, bottle holder stiles, stretched base, barstools with Art Deco-style backs, upholstered seats; together with low barstool, bar h. 40 1/2 in., w. 47 1/2in., d. 20 in., chair h. 44 1/2 in., w. 21 in., d. 16 in., stool h. 25 in., w. 17 in.

(4 pcs.) [$600/900] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

2. Gold Painted Elephant Figural Footstool, surmounted by a tufted cushion with tassel decoration, h. 16 1/2 in., w 19 in., d. 16 in. [$150/250] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

3. Three Contemporary Mirrored and Faux Alligator Nightstands, three drawers, bejeweled pulls, toupie feet, h. 30 in., w. 30 1/2 in., d. 18 in. [$500/700] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

4. Contemporary Mirrored and Faux Alligator Chest of Drawers, five drawers, bejeweled pulls, toupie feet, h. 54 1/4 in., w. 38 in., d. 17 3/4 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

5. Contemporary Painted and Mirrored Petite Commode, frieze drawer over cabinet door, tapered legs, h. 32 in., w. 19 in., d. 15 3/4 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

5

6. Art Moderne-Style Black Granite-Veneered Console Table, U-shaped base centered by a gilt sphere, stepped plinth, h. 29 in., w 49 in., d. 20 in. [$600/900] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

7. Contemporary Painted Side Chair, shaped crest rail, pierced splat, seat upholstered with after-Versace scarf, h. 32 in., w. 18 in., s. 16 in. [$50/100] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

8. Contemporary Mirrored and Faux Alligator Dresser and Mirror, with three drawers over six drawers, toupie feet, dresser h. 42 in., w. 66 in., d. 17 1/2 in., mirror h. 37 1/2 in., w. 50 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

9. Five Hollywood Regency-Style Painted Barstools, shell-form back, flared legs, silk upholstery, h. 48 in., w. 21 in., d. 17 in. [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

10. Pair of Arthur Court Patinated Metal “Floriform” Side Tables, glass top, lily-form base, h. 17 in., dai. 19 in. [$500/700] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

6

11. Group of Black Lacquer and Gilt Furniture, incl. Chinese cabinet and chinoiserie barstool and commode, chest h. 24 1/2 in., w. 23 1/2 in., d. 15 3/4 in.; stool h. 40 in., w. 20 in., d. 21 in., commode h. 31 in., w. 19 in., d. 14 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

12. Contemporary Blue Velour Upholstered Chair, in the style of the Knoll womb chair, en suite with pillow, h. 31 in., w. 29 in., d. 21 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

13. Chippendale-Style Carved and Painted Dining Room Suite, incl. dining table, two armchairs, six side chairs and console table, all with ball and claw feet, dining table h. 30 in., w. 85 3/4 in., d. 44 in.; console h. 37 1/2 in., w. 73 in., d. 19 in.; armchair h. 38 in., w. 27 in., d. 22 in. [$700/1000] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

14. Venetian-Style Carved, Painted and Parcel Gilt Console Table and Mirror, 20th c., marble top, acanthine apron, lion’s mask legs, heavily scrolled feet, protective glass top over marble, h. 33 in., w. 67 in., d. 24 in., en suite mirror h. 56 in., w. 33 in. [$700/1000] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

15. Pair of Directoire-Style Chrome Side Tables, glass top, horn supports, incurvate legs, hoof feet, h. 35 in., dia. 15 in. [$700/1000] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

7

16. New Orleans School, 20th c., “Chris Owens in Easter Hat”, pastel on paper, unsigned, 20 in. x 26 in., framed. [$100/150] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall fair condition. Ext. Frame: 31 in. x 37 in. x 2 in.

17. New Orleans School, 20th c., “Chris Owens with White Umbrella”, oil on canvas, unsigned, 24 in. x 18 in., framed. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall fair condition.

Ext. Frame: 30 3/8 in. x 24 1/2 in. x 2 1/4 in.

18. This item has been removed from the sale.

No further information is available.

8

19. Manner of George Rodrigue (American/Louisiana, 1944-2013), “Chris Owens in Oak Tree with Blue Dog in Box”, oil on canvas laid on masonite, unsigned, 18 in. x 24 in., framed. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall good condition.

Ext. Frame: 24 1/4 in. x 30 1/4 in. x 1 1/4 in.

20. Paul Samson (American/New Orleans, 20th c.), “Portrait of Chris Owens with Yellow Roses”, 1997, oil on canvas, signed and dated upper right, 30 in. x 40 in., framed. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall fair condition. Ext. Frame: 34 1/2 in. x 44 1/2 in. x 1 1/4 in.

9

21. Evelyn Brown (American/New Orleans, 20th c.), “Portrait of Chris Owens”, 1986, pastel on paper, pencil-signed and dated lower left, polaroid photo of sitter and artist business card on backing board, 19 7/8 in. x 15 7/8 in., framed with title plaque. [$100/200] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall poor condition.

Ext. Frame: 24 1/2 in. x 20 1/2 in. x 1 1/4 in.

22. Mexican Folk Art School, 20th c., “Hatching Egg”, painted ceramic, inscribed “Nalho Melia, Tonala, Jal. Mexico” on underside, h. 13 1/2 in., w. 16 in., d. 13 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall fair condition.

23. Jason Jeffery (American/New Orleans, 20th c.), “Chris Owens”, decorative canvas print, signed lower right, 33 in. x 25 in., unframed. [$50/100] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall poor condition.

10

24. New Orleans School, 20th c., “Chris Owens”, decorative print on foam core, unsigned, sheet 37 in. x 26 1/4 in., framed. [$50/100] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall poor condition. Ext. Frame: 49 1/2 in. x 34 1/2 in. x 2 in.

25. Southern School, c. late 1950s/early 1960s, “Chris Owens Performing”, c-print mounted to board, unsigned, “The Times-Picayune, Gil T. Webre, Dixie Magazine” business card and “Combel Picture Frames and Suppliers New Orleans, LA” label on backing paper, 15 in. x 19 1/4 in., framed. [$600/900] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall fair condition.

Ext. Frame: 18 1/2 in. x 22 1/2 in. x 2 in.

11

26. Group of Photographs of Chris Owens with Other Celebrities, 6 color photographs, one black and white photograph, unsigned, sights 7 3/8 in. x 8 1/2 in. to 10 1/2 in. x 13 1/2 in., framed; together with “Krewe of Tucks, Only in New Orleans 1991, King and Queen XXIII: Chris Owens and Frank Minyard”, laser print reproduction, unsigned, sight 7 1/2 in. x 8 1/2 in., framed.

(8 pcs.) [$50/100] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

Condition: Overall good to poor condition; Ext. Frames: 11 1/2 in. x 13 1/2 in. x 3/4 in. to 16 in. x 19 in. x 3/4 in.

Celebrities include: Elizabeth Taylor and John Warner, Drew Brees, John Goodman, Robert Goulet, Mohammed Ali, Tony Bennett and Liberace.

12

27. Group of Contemporary Barware, incl. swizzle sticks, napkin holder, two ice buckets and four Phoenician Resort shot glasses, tallest h. 7 1/2 in. [$150/250] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

28. Contemporary Betty Boop Figure, marked “2001, KFS/HEARST”, painted fiberglass, posed holding a tray, h. 36 1/2 in., w. 20 in., d. 14 1/2 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

29. Pair of LP Aspire Congas, wood, made in Thailand, h. 28 1/4 in., dia. 13 in. [$100/150] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

30. Ceramic Doll Modeled as Chris Owens, h. 19 in., note: poor condition, repairs; together with another doll with custom-made Owens-style dress, h. 11 in. [$100/150] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

31. Commander’s Palace Porcelain Dinner Plate, late 20th c., marked “Designed exclusively for Commander’s Palace by Paulette Purser”, with a palm frond design, dia. 12 in. [$100/150] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

13

32. Chris Owens’ Life-Size Figure of a Glittered Skeleton, dressed in lace taffeta corseted fish tail gown, matching hat, lace and faux fur scarf and orange glitter heels, h. 74 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

33. Chris Owens’ Flamenco-Themed Costume, fuchsia jacket embellished with lace and ribbon, fit and flare slit skirt with floral, lace and ribbon decoration, matching mesh hat decorated with lace and feathers, jacket shoulder w. 17 in., sleeve l. 24 in., skirt l. 44 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

34. Chris Owens’ Canary Yellow Easter Costume, jacket with feather cluster shoulders, lace decoration, matching skirt with rhinestone tassel at slit, abundantly floral and feather embellished hat, jacket shoulder w. 17 in., sleeve l. 23 in., skirt l. 45 1/4 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

14

35. Chris Owens’ Pink Easter Costume, corset top with black lace and pink ribbon, satin sleeves surmounted by burgundy and pink bows, slit skirt with black lace trim, matching Fleur de Paris New Orleans woven hat with feather and floral decoration and beaded hat pin, signed “Kimberly Gondrella”, sleeve l. 25 1/2 in., skirt l. 44 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

36. Chris Owens’ Lime Green and White Easter Costume, ruched top and sleeves with white bows, layered scalloped skirt with bow and bustle, matching Fleur de Paris New Orleans top hat decorated with pink feathers, rhinestone brooch, butterfly and foliate embellishment, draped with satin chiffon, signed “Kimberly Gondrella”, sleeve l. 25 in., skirt l. 42 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

37. Chris Owens’ Spring Flowers Embroidered Easter Costume, corset top with lace and satin bow decoration, matching trumpet skirt, detached sleeves with bouffante shoulders, Victorian-style hat with chiffon drapery, bird and floral decoration, sleeve l. 24 in., skirt l. 44 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

38. Chris Owens’ Blue Hydrangea Easter Costume, ruched taffeta trumpet slitted gown with floral decoration, matching detachable sleeves, woven hat with abundant floral, butterfly, feather and Easter egg embellishment, sleeve l. 18 1/2 in., gown l. 50 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

39. Chris Owens’ Lavender Easter Costume, satin corset top, sheer feather embellished sleeves, satin skirt with rosette decoration, matching mesh hat with feather, floral and chiffon decoration, sleeve l. 21 in., skirt l. 44 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

15

40. Two Chris Owens’ Custom Costume Gowns, one with white satin corset top, black lace and pick rosette decoration, matching detachable sleeves, sleeve l. 20 in., skirt l. 44 in.; other with bronze satin skirt with pink and black tufted flowers, black lace trim, black corset top, black lace sleeves, sleeve l. 21 1/2 in., skirt l. 46 in. [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

42. Group of Three Chris Owens Custom Costume Hats, one woven yellow with green ribbon, white feathers, and yellow flowers, dia. 23 in.; one woven white, light blue and lavender ribbon, light blue feathers, and lavender roses, labeled “Fleur de Paris New Orleans”, dia. 22 in.; one flapper-style cloche hat with sage satin, white feathers, and silver beaded fringe, dia. 8 in [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

16

41. Two Chris Owens’ Custom Costume Gowns, one with fuchsia and white taffeta, peplum corset top, detachable sleeves, butterflydecorated skirt, sleeve l. 21 in., skirt l. 44 in.; other with silver sequins, top with flared sleeves surmounted by flowers and feathers, matching skirt with floral lace petticoat, sleeve l. 20 in., skirt l. 41 in. [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

43. Lily & Tyler Red Arctic Fox Fur Set, labeled “Lily and Tyler, New York, Paris”, incl. rhinestone embellished stole and headband, pair of cuffs, stole, l. 73 in.; together with additional red fur pouf. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

44. Two Chris Owens’ Long Fur Coats, one lynx with woven buttons, interior embroidered “Chris O.”, l. 53 in.; other ivory mink, interior embroidered with monogram “C.O.”, “Godchaux’s” label, l. 55 in. [$400/600] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

45. Two Chris Owens’ Short Fur Coats, one ivory mink, interior embroidered with “C.O.” monogram, l. 32 in.; other fox fur, l. 33 in. [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

46. Chris Owens’ Betty Boop Leather Jacket, front emblazoned with “Betty Boop” lettering, Betty Boop portrait back and sleeves, labeled “D’piel, Genuine Leather”, l. 17 in., sleeve l. 20 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

47. Chris Owens’ Leather Jacket and Pants Set, ivory with turquoise and black foliate motif, sleeve l. 24 in., pants l. 45 in. [$100/200] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

17

49. Pair of Brass and Rose Glass Boudoir Lamps, brass base, shades with beaded fringe, h. 23 in., dia. 6 in. [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

48. Pair of Brass and Rose Glass Two-Light Lamps, beaded fringe, outswept base, h. 22 1/2 in., w. 19 in., d. 5 1/2 in. [$500/700] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

50. Moroccan Painted Vellum Table Lamp, wirework frame, h. 29 1/2 in., w. 10 in., d. 7 1/2 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

52. Pair of Cut Glass Three-Light Candelabra, scroll arms, diamond pattern standard, h. 22 in., w. 18 in., d. 5 1/2 in. [$500/700] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

18

51. Cut Crystal and Brass Thirteen-Light Candelabrum, scroll arms, h. 39 in., dia. 19 1/2 in.

Note: one arm broken. [$500/700] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

53. Three Cut Crystal Decanters, incl. pair and a single with a sterling “BOURBON” tag, tallest h. 9 3/4 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

54. Pair of Cut Crystal Palm Tree Candlesticks, faceted base, h. 11 in., dia. 5 1/2 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

55. Lalique-Style Vase, flared form, floral base, h. 14 1/8 in., dia. 7 1/2 in. [$100/150] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

56. Pair of South Asian Erotic Paintings, mixed media on fabric, depicting amorous figures in village scenes, sight 18 1/2 in. x 94 1/2 in., framed, 22 1/2 in. x 98 1/2 in. [$700/1000] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

57. Chinese Carved and Painted Low Table, top carved with traditional scene, incised frieze, paw feet, h. 18 1/2 in., w. 47 in., d. 29 in., with protective glass top, w. 51 in., d. 34 in. [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

19

58. Group of Chris Owens’ Rings, incl.

14 kt. yellow gold and diamond ring, size 8; 10 kt. yellow gold, emerald and diamond ring, lacking one stone, size 5.75; 14 kt. white gold and diamond band, size 6.75; and 14 kt. yellow gold plated and garnet or ruby ring, size 7. (4 pcs.) [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

59. Three Gold Pocket Watches, incl. a Swiss 14 kt. gold hunter by Tavannes; a 14 kt. gold hunter by Elgin; and a gold plate hunter by Waltham.

(3 pcs.) [$300/500] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

60. Group of Chris Owens’ Costume Jewelry, incl. large crystal pendant with pearl bezel, dia. 2 3/4 in.; gold-tone choker chain, l. 16 in.; and matching pear-shaped crystal ring. (3 pcs.) [$150/250] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

61. Group of Chris Owens’ Costume Jewelry, incl. crystal pendant, l. 1 3/4 in.; and 2 crystal rings. (3 pcs.) [$100/200] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

20

62. Group of Chris Owens’ Costume Jewelry, incl. 3 crystal rings, 1 coral ring, 1 enamel ring and pair of earrings with matching pendant on chain.

(8 pcs.) [$100/200] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

63. Chris Owens’ 14 kt. Gold and Gemstone “Keep it Under Your Hat” Pendant, inscribed “I love you” under hat, dia. 1 1/4 in. [$100/200] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

64. Two Pairs of Chris Owens’ 14 kt. Yellow Gold Cufflinks, incl. one with diamonds and gemstones, possibly chrysoberyl, “MOD” monogram; other mounted with pearls [$200/300] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

65. Chris Owens’ 14 kt. Yellow Gold and Pearl Necklace with 14 kt. Yellow Gold, Amethyst and Diamond Enhancer Pendant, l. 19 1/2 in. [$200/400] Provenance: Estate of Legendary New Orleans Performer Chris Owens.

21

UNRESERVED @Neal Auction continues Lots 66 through 371

22

66. American Renaissance Carved Oak High Chair, late 19th c., foliate crest rail, caned back and seat, dished tray, trestle base with wheels, h.

39 in., w. 16 in., d. 20 in. Condition: Worn finish, caned seat not intact. [$100/150]

67. John Widdicomb Red Lacquer and Chinoiserie-Decorated Low Table, raised top, pierced frieze, rope molding, blocked feet, h. 16 1/2 in., w. 51 in., d. 24 in. [$400/600]

68. Federal-Style Carved Mahogany Tall Post Bed, 20th c., post carved with deep fluting and rice motifs, ending in tapering square legs, h. 78 1/2 in., w. 57 1/2 in., d. 28 in. [$300/500]

69. American Renaissance Gilt Incised Walnut Gueridon, late 19th c., probably Kilian Bros. Philadelphia, inset marble top, baluster-turned architectonic base, h. 28 in., w. 17 in., d. 17 1/2 in. [$300/500] 70. Pair of American Renaissance Walnut and Burl Walnut Side Chairs, c. 1855-1865, architectonic scrolled crest, tufted upholstered back, turned and tapered legs, casters, h. 41 in., w. 20 in., d. 19 1/2 in. [$100/200]

71. American Folk Art Carved Cypress Pedestal, stepped top with inset foliate decoration, reverse-tapered standard, plinth base, bracket feet, h. 33 1/2 in., w. 12 in., d. 12 in. [$100/200]

72. American Belle Epoque Walnut Cabinet, c. 1900, molded backsplash, trapezoidal top, guilloche frieze and stiles, lower cabinet doors, toupie feet, h. 38 1/2 in., w. 45 in., d. 18 in. [$100/200] 23

73. American Carved Mahogany Bedsteps, 20th c., two treads with molded edges, h. 14 1/2 in., w. 18 1/3 in., d. 14 1/4 in. [$150/250]

74. American Aesthetic Ebonized and Incised Hanging Cabinet, late 19th c., spindled gallery, glazed doors over mirrored shelf and drawer, h. 31 in., w. 21 5/8 in., d. 9 3/4 in [$100/200] 75. Antique American RococoStyle Giltwood Dressing Table, foliate mirror surround, beveled mirror plate, scrolled supports, shell-carved frieze drawer, cabriole legs, scrolled toes, h. 53 1/2 in., w. 28 in., d. 18 in. [$400/800]

76. Six American Federal Carved Mahogany Dining Chairs in the Sheraton Taste, early 19th c., probably New York, incl. 1 arm and 5 sides, shield back with entwined splat and Prince of Wales plume, serpentine seat, tapered legs, armchair h. 42 in., w. 22 in., d. 20 in., side chair h. 35 in., w. 21 in., d. 18 in. [$600/900]

77. Hardwood Extension Harvest Table, 19th c., with drawer, h. 30 1/2 in., w. (closed) 78 1/2 in., w. (open) 78 1/2 in., d. 34 1/2 in. [$500/700] 78. American Late Classical Carved Mahogany Banquet Table, c. 1840, associated circular faceted top, frieze scrolled supports on shaped base, paw feet, incl. rack of leaves, h. 30 in., dia. (closed) 60 1/2 in., with leaves w. 126 in. [$600/900] 24

79. American Rococo Mahogany Washstand, c. 1850, marble top and shaped backsplash, frieze drawer, paneled doors flanked by baluster stiles, shaped base [$400/600]

80. Regency Mahogany Basin Stand and Canterbury, 19th c., centerbury with divided superstructure, lower drawer, casters; basin stand with circular top, medial drawer, shaped stretcher shelf, cabriole legs, pad feet, stand h. 32 in., dia. 12 in., canterbury h. 18 in., w. 18 in., d. 12 in. [$400/600]

81. Charles Parker Brass and Mahogany Lectern, 19th c., adjustable stand, single candle holder [$300/500] 82. American Late Classical TwoDoor Server, c. 1840, molded back splash, bolection molded frieze drawer, paneled cabinet doors flanked by scrolled stiles, h. 42 in., w. 43 1/2 in., d. 20 in. [$500/700]

84. American Rococo Mahogany Gentleman’s Shaving Mirror, mid-19th c. arched mirror, finialed supports, shaped base, h. 30 in., w. 28 in., d. 10 in. [$250/400]

83. Pair of Decorative Enameled Metal and Wood Stools, reticulated seat, X-stretcher base, h. 19 in., dia.16 in. [$50/75] 25

85. American Rococo Carved Mahogany Armchair, mid-19th c., scrolled shell form crest, cabriole legs, h. 40 in., w. 28 in., d. 22 in. [$200/300]

86. Georgian-Style Inlaid Mahogany Sideboard, early 20th c., brass gallery, frieze drawer flanked by three drawers on each side, stopfluted stiles and legs, h. 51 in., w. 60 in., d. 23 in. [$800/1200]

87. Contemporary Painted Metal Chair, spherule finials, slatted back, leopard print upholstered seat, spherule feet, h. 39 in., w. 16 in., d. 16 in. [$100/200]

88. Art Modern-Style Furniture Painted Mirror and Dressing Chest Suite, late 20th c.,

by Peter Pierobon (Vancouver, b. 1959), signed and dated “Pierobon 1994”, rectangular mirror with fluted frame, chest with inverted molded rectangular top, twelve drawers faced with horizontal fluting, chevron bracket base, bronze “W” form pulls, h. 77 in., w. 50 1/2 in., d. 21 5/8 in. [$200/300]

89. Georgian-Style Oak Partner’s Desk, h. 30 1/2 in., w. 60 in., d. 47 in. [$700/1000]

90. Antique English Walnut Hanging Cabinet, broken arch pediment, fluted frieze, geometric glazed door, paneled stiles, h. 46 1/2 in., w. 26 in., d. 14 1/2 in. [$500/700] 26

91. Small Georgian-Style Mahogany Dumbwaiter, octagonal top with scalloped galleries, stop-fluted standards, sabre legs, h. 27 in., w. 18 in., d. 18 in. [$50/100]

92. English Aesthetic Carved and Ebonized Screen Stand, late 19th c., reeded surround, cartouche niches, reticulated frieze, flared legs, electrified, h. 62 in., w. 20 1/2 in., d. 15 in. [$100/200]

93. George III-Style Carved and Gessoed Broken Arch Pediment, 19th c., egg-and-dart borders and entwined wreath frieze, together with antique Italian carved giltwood architectural panel, h. 15 in., w. 15 in., d. 3 in. [$200/400]

94. English Paint-Decorated Armchair, 19th c., urn and swag back, tufted seat, tapered spade feet, casters, h. 35 in., w. 22 in., d. 21 in. [$100/200]

95. Queen Anne-Style Mahogany Armchair, scrolled and arched back, cabriole legs, pad feet. [$50/100]

96. George III Mahogany Slant-Front Desk, late 18th/ early 19th c., fall-front door opens to fitted interior, four graduated drawers, bracket feet, h. 41 in., w. 36 in., d. 19 1/2 in. [$600/900]

27

97. George III Mahogany Pedestal Desk, early 19th c., inset gilt-tooled leather top, one long drawer over pedestals of three drawers with beaded detail, bracket feet, h. 31 in., w. 43 in., d. 26 1/2 in. [$500/700]

98. George III Oak Slant-Front Desk, late 18th c., fall front door opens to well-fitted interior, two short over two long drawers, bracket feet, h. 45 in., w. 40 in., d. 22 in [$700/1000] 99. William IV Carved Mahogany Armchair, c. 18301840, padded back, arms and seat, scrolled arm terminals, reeded legs, casters, h. 42 in., w. 22 in., d. 23 in. [$600/900] 100. Regency Carved Mahogany Work Table, early 19th c., foldover top with baize work surface and fitted compartments over two drawers, reeded stiles, turned legs, h. 28 in., w. (closed) 15 1/2 in., w. (open) 31 in., d. 19 1/2 in. [$500/700]

102. Regency Brass Inlaid Mahogany Side Chair, first quarter 19th c., scrolled crest, pierced slat, sabre legs, h. 32 in., w. 18 in., d. 15 in. [$300/500]

101. Regency Mahogany Canterbury, 19th c., incurvate slatted superstructure, turned supports, lower drawer, casters; together with English oak stool with chamfered legs, stool h. 16 1/2 in., w. 19 1/2 in., d. 16 in.; canterbury h. 18 1/2 in., w. 19 1/2 in., d. 15 in. [$300/500] 28

103. Antique Continental Oak Blanket Chest, molded top, paneled case, h. 28 in., w. 55 1/2 in., d. 22 1/2 in. [$600/900] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

104. Pair of French Provincial Carved Walnut Fauteuils, serpentine crest rail, turned supports and legs, rush seats, h. 41 in., w. 26 in., d. 23 1/2 in. [$600/900]

105. Provincial Regence-Style Carved Walnut Fauteuil à la Reine, serpentine crest centered by a shell medallion, caned back and seat, scrolled arms, cabriole legs, incurvate X stretcher, pied de biche feet, h. 46 in., w. 26 1/2 in., d. 23 in. [$600/900] 106. Continental Rococo-Style Carved Oak Pedestal, black marble top, bombe form with cartouche panels, h. 48 in., w. 13 in., d. 13 in. [$600/900]

107. Austrian Bentwood Coat Rack, six hat hooks, umbrella ring, h. 78 in., dia. 28 in [$400/600]

108. Biedermeier Carved Mahogany Secretaire à Abbatant, c. 1830, drop front enclosing a complex fitted interior centering a mirrored niche, h. 61 in., w. 43 1/2 in., d. 24 in. [$700/900]

29

109. Louis XVI-Style BronzeMounted Inlaid Kingwood Vitrine, 20th c., marble top, cartouche glass doors, lower cabinet doors, chamfered corners, sabots, h. 49 1/2 in., w. 24 in., d. 15 in. [$150/250]

110. Four Baroque-Style Carved Walnut Side Chairs, 19th c., white upholstery with brass nailhead trim, turned legs, stretchered base, h. 38 in., w. 16 1/2 in., d. 16 in. [$100/200]

111. Pair of Louis XVI-Style Painted and Parcel Gilt Fauteuils, folilate swag crest, finialed fluted stiles, scrolled arms, turned and fluted legs, h. 39 3/4 in., w. 23 1/2 in., d. 20 1/2 in. [$300/500]

112. Pair of Louis XVI-Style Bleu and Creme Peinte Side Chairs, rosette crest, oval back, floral apron, fluted tapered legs, h. 35 in., w. 20 1/2 in., d. 17 1/2 in. [$300/500] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA.

113. Antique Venetian Polychrome Painted Commode, serpentine top, two drawers, cabriole legs. h. 35 in., w. 42 in., d. 17 in. [$600/900]

114. Italian Neoclassical Fruitwood Armchair, 19th c., reticulated back, flared legs, h.

34 in., w. 18 in., d. 21 in. [$500/700]

30

115. French Provincial Fruitwood Slant-Front Desk, 19th c., removable upper case with fall-front door opens to fitted interior, over bank of nine leather-clad cartonnier drawers, cabriole legs [$400/800]

116. Italian Neoclassical Crème Peinte and Parcel Gilt Fauteuil, 19th c., scrolled back and arms, incurvate uprights, blocked seat rail, stop-fluted tapered legs, h. 33 in., w. 24 in., d. 19 in. [$400/600]

117. Italian Renaissance Carved Walnut Cabinet, 18th c., reeded cornice, paneled doors with portrait busts, medial drawer between cabinets, stepped base, bun feet. [$600/900]

118. Pair of Louis XV-Style Gris Peinte Fauteuils, 19th c., molded crest rail, scrolled arms, cabriole legs, h. 34 in., w. 34 in., d. 18 in.[$500/700]

119. George Valentine Dureau (American/New Orleans, 1930-2014), “Untitled”, charcoal on paper, signed lower center, handwritten artist label on plexiglass lower right, 23 in. x 15 1/2 in., framed. [$100/200] Condition: Overall poor condition.

Ext. Frame: 34 in. x 22 1/2 in. x 3/8 in., work is unmounted and loose in frame.

120. Hart McNee (American/New Orleans, 1943-2009), “Spain + Burgundy”, 1994, acrylic on panel, signed, titled and dated en verso, 48 in. x 72 in., unframed. [$400/600] Condition: Overall good condition.

31

121. Bernice Sims (American/Alabama, 1926-2014), “Making Cane Syrup”, oil on canvas, signed lower left and upper right, title and artist information attached en verso, 24 1/8 in. x 40 3/8 in., framed. [$250/350] Condition: Overall fair condition. Ext. Frame: 27 5/8 in. x 43 5/8 in. x 1 1/2 in.

122. Mose Tolliver (American/Alabama, 1920-2006), “Untitled”, oil on masonite, signed lower left, inscribed “H.W.H./54” en verso, 12 5/8 in. x 13 3/4 in., unframed. [$400/600] Condition: Overall fair condition.

123. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition”, 1979, watercolor on paper, signed lower right, signed, dated and inscribed en verso, 16 1/8 in. x 12 1/8 in., unframed. [$400/600] Ill.: Bradley, John Ed. “Unearthing the Art of Cora Kelly Ward”. Garden and Gun. Feb/March 2021. www.gardenandgun.com/feature/ unearthing-the-art-of-cora-kelley-ward/. Accessed June 24, 2022.

Condition: Overall good condition.

124. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition”, 1976, acrylic and oil crayon on paper, signed and dated lower right, 11 in. x 13 7/8 in., unframed. [$400/600] Condition: Overall good condition.

32

125. Jesselyn Benson Zurik (American/New Orleans, 19162012), “Untitled”, 1967, mixed media assemblage, signed and dated on reverse, 12 in. x 9 1/4 in. [$300/500] Condition: Overall good condition.

126. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 20 in. x 36 in., framed. [$700/1000] Condition: Overall good condition. Ext. Frame: 24 in. x 40 in. x 1 1/2 in.

127. Ruth Robinson (American/Alabama, b. 1952), “One Man Band Blues All Night Long”, mixed media on panel, signed mid-right, titled en verso, 35 1/4 in. x 22 3/8 in., unframed. [$250/350] Condition: Overall good condition.

128. Ruth Robinson (American/Alabama, b. 1952),”Figures in White”, oil on wood box, signed upper right on lid, h. 7 1/2 in. w. 24 1/4 in., d. 12 1/4 in. [$400/600] Condition: Overall fair condition.

129. Jeane Glorvig (American, 1921-1992), “Woman in Reflection with Pink Hat”, 1941, oil on canvas, signed and dated en verso and on stretcher, 40 in. x 31 7/8 in., framed. [$300/500] Condition: Overall poor condition.

Ext. Frame: 44 5/8 in. x 36 3/4 in. x 1 1/2 in.

33

130. Mark Bercier (American/Louisiana, b. 1950), “Healin’ Symbols”, 1995, gouache and mixed media on paper, signed, titled and dated lower right, sight 53 1/2 in. x 76 in., framed. [$800/1200] Condition: Overall fair condition. Ext. Frame: 55 1/2 in. x 78 1/2 in. x 2 in.

131. M. Tanner (American/New Orleans, 20th c.), “Pontalba Corner Restaurant”, watercolor and graphite on paper, signed lower center, sight 22 in. x 16 in., framed. [$100/200] Condition: Overall fair condition.

Ext. Frame: 28 1/4 in. x 20 1/4 in. x 1 in.

132. M. Tanner (American/New Orleans, 20th c.), “Untitled Composition”, watercolor and graphite on paper, signed lower left, sight 4 5/8 in. x 7 5/8 in., framed. [$50/100] Condition: Overall fair condition.

Ext. Frame: 12 1/2 in. x 15 1/2 in. x 1 1/2 in.

34

133. Tony Green (American/New Orleans, b. 1954), “Audubon Park Fountain”, watercolor on paper, monogrammed lower left, artist stamp en verso, 14 in. x 20 3/8 in., framed. [$250/350] Provenance: Acquired from the artist.

Condition: Overall good condition. Ext. Frame: 26 5/8 in. x 30 3/16 in. x 2 in.

134. Hermine Herodes (American/Florida, 1917-2002), “Florida Cracker House”, oil on canvas board, signed lower right, inscribed with artist en verso, 18 in. x 24 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 23 1/4 in. x 29 1/2 in. x 2 in.

135. New Orleans School, 19th c., “Horter, Peterson and Fenner Saddle Makers on Magazine Street”, graphite on board, unsigned, 3 1/8 in. x 4 7/16 in., framed. [$250/350] Condition: Overall good condition. Ext. Frame: 7 1/4 in. x 8 1/4 in. x 1 3/4 in.

136. Will Hinds (American/Louisiana, 1936-2015), “Lemon Peeler”, oil on masonite, signed lower left, titled en verso, 11 7/8 in. x 15 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 14 3/4 in. x 17 3/4 in. x 1 1/4 in.

35

137. Southern School, 19th c., “Cabin in a Field”, oil on canvas, unsigned, 9 in. x 17 3/4 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 14 3/4 in. x 23 3/4 in. x 2 7/8 in.

138. Paul Dufour (American/Louisiana, b. 1922), “River Mist”, 1997, mixed media on paper, signed and dated lower left, signed, titled and dated on backing paper, label with artist and title on reverse of frame, 12 1/4 in. x 16 in., framed. [$150/250] Condition: Overall good condition. Ext. Frame: 20 1/2 in. x 24 1/4 in. x 1 5/8 in.

139. Carole Ann Hardy Piggott (American/Texas, 1948-2019), “Blue Landscape”, watercolor and pastel on board, signed lower right, 17 3/4 in. x 12 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 28 1/8 in. x 22 in. x 3/4 in.

140. Carole Ann Hardy Piggott (American/Texas, 1948-2019), “Landscape with Distant House”, watercolor on board, signed lower right, label with artist on backing paper, 15 1/2 in. x 20 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 26 1/4 in. x 30 3/4 in. x 1 3/4 in.

141. Kate “Kitty” O’Meallie (American/New Orleans, 1916-2014), “Contours of Memory”, collage and mixed media on canvas, signed lower left, signed and titled on stretcher, signed and inscribed en verso, 22 in. x 28 in., framed. [$200/300] Condition: Overall good condition.

Ext. Frame: 22 3/4 in. x 28 3/4 in. x 1 1/4 in.

36

142. Louisiana School, early 20th c., “Street Scene with Vendors”, oil on canvas, signed “C. Pack” and inscribed on stretcher and en verso, 24 in. x 20 in., framed. [$300/500] Condition: Overall poor condition.

Ext. Frame: 30 in. x 26 in. x 2 3/4 in.

143. Emmitt Thames (American/Louisiana, b. 1933), “Harbor Entrance”, 1971, watercolor on paper, signed and dated lower right, 22 1/4 in. x 28 1/2 in., framed. [$700/1000] Condition: Overall good condition.

Ext. Frame: 29 1/4 in. x 35 1/4 in. x 1 5/8 in.

144. George Febres (Ecuadorian/New Orleans, 1943-1996), “Desire Under the Mangos”, color pencil on paper, signed lower right, titled lower left, 24 in. x 24 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 34 1/2 in. x 34 1/2 in. x 1 3/4 in.

145. George Febres (Ecuadorian/New Orleans, 1943-1996), “Why Doris Day Doesn’t Like Herbert Badeaux”, 1988, color pencil on paper, signed lower right, artist postcard with title and handwritten date en verso, “Arches France” watermark visible, 22 1/2 in. x 26 3/4 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 34 1/2 in. x 34 1/2 in. x 1 3/4 in.

37

146. Charles F. Bendzans (American/Louisiana, b. 1948), “The Fall of the Rebel Angels, Part II”, mixed media on board, signed and titled on backing board, 20 in. x 30 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 26 in. x 34 in. x 1 3/4 in.

147. Jesse Poimboeuf (American/Louisiana, b. 1948), “Nude Woman”, 1981, mixed media on paper, pencil-signed and dated lower left, 26 in. x 30 in., framed. [$700/1000] Condition: Overall fair condition. Ext. Frame: 30 in. x 33 3/4 in. x 1 in.

148. Miriam Hirsch (American/New Orleans, b. 1947), “Zebra Abstract”, 1980, acrylic and mixed media collage, pencil-signed and dated lower right, 12 1/2 in. x 13 1/8 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 17 1/4 in. x 17 1/4 in. x 1 in.

149. Charles F. Bendzans (American/Louisiana, b. 1948), “The Wicked Witch”, mixed media on board tetraptych, unsigned, partial sketches en verso of each panel, overall 9 3/4 in. x 23 7/8 in., framed together. [$200/300] Condition: Overall good condition.

Ext. Frame: 20 1/2 in. x 35 3/4 in. x 1 1/4 in.

38

150. George Febres (Ecuadorian/New Orleans, 1943-1996), “Frida”, color pencil on paper, pencil-signed lower right, 9 in. x 8 1/2 in., framed. [$250/350] Condition: Overall good condition. Ext. Frame: 20 1/2 in. x 16 3/4 in. x 1 in.

151. Zella Funck (American/ Louisiana, 1917-2009), “Klondike Kate”, 1982, collage and mixed media, signed and dated lower right, pencil-signed, titled and dated and “Estudio Gallery, New Orleans” label with artist and title on backing paper, sight 14 in. x 12 in., framed. [$500/700] Condition: Overall fair condition.

Ext. Frame: 17 in. x 14 1/2 in. x 2 in.

152. Adelle Badeaux (American/ Louisiana, 1939-2010), “It Looks Simple When You Are Doing It Right”, 1982, collage and mixed media on canvas, signed center, signed, titled and dated en verso, 24 in. x 30 in., framed. [$500/700] Condition: Overall fair condition.

Ext. Frame: 24 1/4 in. x 30 1/4 in. x 1 1/2 in.

153. Adelle Badeaux (American/ Louisiana, 1939-2010), “David”, 1981, mixed media and collage on board, signed lower right, titled and dated on backing paper, 6 in. x 4 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 10 3/4 in. x 8 3/4 in. x 3/4 in.

154. Adelle Badeaux (American/ Louisiana, 1939-2010), “Lost Dog”, 1981, acrylic and mixed media on board, signed, titled, dated and artist business card on backing paper, 9 3/8 in. x 7 3/4 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 13 in. x 9 3/4 in. x 3/4 in.

39

155. William Taylor (American/Louisiana, 20th c.), “Bayou Gauche”, 1958, oil on canvas board, initialed lower left, signed, titled, dated, and inscribed en verso, 12 in. x 16 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 15 7/8 in. x 20 in. x 1 3/4 in.

156. Robert Hausey (American/Louisiana, 1949-2009), “Standing Nude”, oil on canvas, signed lower right, 48 in. x 40 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 49 3/4 in. x 41 1/2 in. x 2 1/2 in.

157. Beata Beach Porter (American/Florida, 1911-2006), “Saturday Chores”, oil on canvas, signed lower left, artist label and handwritten label with artist and title on stretcher, 18 in. x 24 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 21 1/4 in. x 27 1/4 in. x 1 3/4 in.

158. Laurence “Larry” Christie Edwardson (American/Massachusetts, 1904-1995), “Great Falls Tavern, Great Falls, MD”, oil on masonite, signed lower right, signed, initialed, titled and inscribed en verso, 30 in. x 23 3/4 in., framed. [$300/500] Provenance: Collection of Allison Kendrick, The Carroll-Crawford House, New Orleans.

Condition: Overall good condition.

Ext. Frame: 34 5/8 in. x 28 1/2 in. x 1 1/2 in.

159. Andrew Chapman (American, 20th c.), “The Southern Heritage”, oil on masonite, signed lower right, label with artist and title on reverse of frame, 8 in. x 10 in., framed. [$600/800] Condition: Overall good condition.

Ext. Frame: 17 in. x 15 in. x 2 in.

40

160. American School, 1957, “Untitled: Trees”, watercolor on paper mounted to board, indistinctly signed lower right, 13 3/4 in. x 16 1/2 in., unframed. [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William Fagaly Memorial Fund for Social Impact.

Condition: Overall fair condition.

161. Richard Villegas (American, 20th c.), “Abstract Composition”, mixed media on canvas, signed lower left, sight 15 5/8 in. x 19 5/8 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 16 1/4 in. x 20 1/4 in. x 1 1/2 in.

162. Terry Roginson (American, 20th c.), “Jazz with Big Bird”, 2012, mixed media on canvas, initialed lower left, signed, titled and dated en verso, 24 in. x 18 in., unframed. [$300/500] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition.

163. Robin John Anderson (American/Arizona, b. 1951), “Single Angel”, “Two Angels with Dog” and “Angel with Violin”, 3 oils on canvas, one signed lower right, 2 with “Anderson-Mandette Gallery” labels on stretchers, 9 7/8 in. x 7 7/8 in. to 15 7/8 in. x 11 7/8 in., framed alike. (3 pcs.) [$300/500] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition. Ext. Frame: 10 1/2 in. x 8 3/8 in. x 1 3/4 in. to 16 1/2 in. x 12 1/2 in. x 1 3/4 in.

41

164. American School, 20th c., “Woman in Blue”, oil on canvas, signed “Jacob” lower right, 10 in. x 8 in., framed. [$400/600] Condition: Overall good condition.

Ext. Frame: 19 in. x 17 in. x 1 1/2 in.

165. Rockwell Kent (American/New York, 1882-1971), “Man Climbing Cliff”, 1935, pen and ink on paper, unsigned, artist stamp lower right, “EDCO” blind stamp upper left, 7 1/2 in. x 5 1/2 in., framed. [$100/200] Condition: Overall fair condition.

Ext. Frame: 13 1/4 in. x 10 1/4 in., x 1/2 in.

166. James Montgomery Flagg (American/New York, 1877-1960), “Welcoming Her Beau”, ink wash and graphite on board, signed lower left, “Columbus Museum of Arts & Crafts, Columbus, GA” exhibition label with artist and title and label with title on backing paper, 23 in. x 17 3/8 in., framed. [$600/800] Exh.: “Bicentennial Exhibition of James Montgomery Flagg”, Columbus Museum of Art, Columbus, GA, Mar. 7 - Apr. 18, 1976. Note: Special thanks to Rebecca Bush, Curator of History and Exhibitions Manager, at the Columbus Museum of Art for her assistance in the cataloguing of this lot.

Condition: Overall fair condition. Ext. Frame: 33 in. x 27 1/2 in. x 2 1/4 in.

42

167. Charles Burchfield (American/New York, 1893-1967), “Untitled Study”, graphite on paper, unsigned, partial sketch and inscription en verso, “Raydon Gallery, New York, NY” label with artist and title on backing glass, 3 1/2 in. x 4 1/4 in., double-sided frame. [$500/700] Condition: Overall fair condition. Ext. Frame: 8 5/8 in. x 10 1/2 in. x 1/2 in.

168. Frank Crawford Penfold (American/France, 1849-1921), “Rocky Coast of Brittany, France”, c. 1890, watercolor on paper, unsigned, pencil-inscribed “F.C.P.#32” and titled twice en verso, titled and inscribed “F.C.P.#32” on backing board, label with artist, title and date and handwritten label with artist, title and inscribed “F.C.P.#32” and 2 “The Minneapolis Institute of Arts” exhibition stamps on backing paper, 17 1/2 in. x 21 in.; AND “Fishing on the River Somme, France”, c. 1900, mixed media on paper, pencil-signed lower right, pencil-inscribed with title and “F.C.P.#33” en verso, inscribed with title and “F.C.P.” on backing board, inscribed with artist, title, date and “F.C.P.#33” on backing paper, 10 1/2 in. x 13 3/4 in., framed alike with artist plaque. (2 pcs.) [$400/600] Condition: “Rocky Coast” in overall good condition, “Fishing” in overall poor condition. Ext. Frames: 26 1/2 in. x 29 1/2 in. x 1 1/2 in. and 19 in. x 21 3/4 in. x 1 1/2 in.

169. Rupert Scott Lovejoy (American/Maine, 1885-1975), “Flatts Village, Bermuda”, c. 1929, oil on canvas, signed lower right, titled, label with artist, title and date and handwritten label with artist, title and date on stretcher, 14 1/8 in. x 16 1/8 in.; AND “Bermuda”, c. 1929, watercolor on paper, pencil-signed lower right, pencilinscribed en verso, inscribed with artist, title and date and label with artist, title and date on backing paper, 7 in. x 10 1/4 in., both framed with title plaque. (2 pcs.) [$250/350] Condition: Each in overall good condition. Ext. Frames: 20 1/2 in. x 22 1/2 in. x 2 in. and 14 1/2 in. x 16 in. x 1 in.

43

170. Charles W. Svensson (American, 1871-1927), “After the Bath”, 1924, oil on board, signed lower left, label with artist, title and date on reverse of frame, newspaper article about artist’s death on backing paper, 15 5/8 in. x 9 5/8 in., framed. [$250/350] Note: Charles W. Svensson was the uncle of famed actress Gloria Swanson.

Condition: Overall good condition. Ext. Frame: 18 1/8 in. x 12 3/16 in. x 3/4 in.

171. Attributed to Clarence E. Braley (American, 1854-1927), “Nature Morte: The Day’s Catch”, oil on panel, unsigned, inscribed en verso, 20 5/8 in. x 8 3/8 in., unframed. [$400/600] Condition: Overall fair condition.

172. George Howell Gay (American, 1858-1931), “River Landscape” and “View of....NY”, 2 watercolors on paper, one mounted to board, one pencil-titled en verso, each signed lower left, 10 1/8 in. x 20 in., matted. (2 pcs.) [$300/500] Condition: Each in overall fair condition.

173. Edward Whiteman (American/Louisiana, b. 1938), “The Twins”, 1972, acrylic and mixed media assemblage, signed, titled and dated en verso, h. 25 3/8 in., w. 23 3/4 in., d. 2 1/2 in. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Condition: Overall poor condition.

174. Loredano Rosin (Italian, 1936-1992), “Figura Femminile”, smoke glass, signature inscribed on base, h. 15 in., w. 7 1/8 in., d. 4 5/8 in., marble base, overall h. 16 1/2 in. [$300/500] Condition: Overall good condition.

44

175. John R. Miller (American, 20th c.), “Coke”, blown glass, signature and date incised near base, h. 16 3/8 in., dia. 10 3/8 in. [$400/600] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition.

176. Gabriele Mossa (Italian, 20th c.), “Untitled: Woman”, bronze with green patina, incised with signature, “Il Pitto” and numbered “1/9” on reverse, h. 24 in., w. 8 in., d. 7 in. [$400/600] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition.

177. Steve Sweet (American/ Louisiana, b. 1952), “TIVO”, 1985, mixed media assemblage, signed upper left, titled lower center, dated lower left, signed and dated en verso, 10 in. x 10 in., framed in plexiglass. [$500/700] Condition: Overall fair condition.

Ext. Frame: 10 1/4 in. x 10 1/4 in. x 2 in.

178. LJoe Adams (American/Texas, 20th c.), “After Before/Before After” and “Image”, 2 painted cast aluminum sculptures, former signed lower right, h. 11 in., w. 18 in., d. 2 in. and h. 24 3/4 in., w. 14 in., d. 4 in.

(2 pcs.) [$500/700] Condition: Overall good condition.

179. Jacqueline Bishop (American/ New Orleans, b. 1955), “Cross”, c. 1980s, nails and mixed media assemblage, signed on reverse (not visible while framed), h. 8 3/4 in., w. 7 in., d. 2 1/4 in., acrylic shadow box frame. [$300/500] Condition: Overall fair condition.

180. Robert Harold “Duke” Sundt (American/New Mexico, b. 1948), “Lunch Break”, 1992, bronze, signed, dated, edition number “6/25” and incised “Santa Fe Bronze” lower center, on original wood rotating base with artist and title plaque, overall h. 10 1/4 in., w. 12 in., d. 7 1/2 in. [$400/600] Condition: Overall good condition.

45

181. Karen Rieger (Canadian, b. 1960), “Woman with Oranges”, oil on canvas, monogrammed lower right, “Hollander York Gallery, Toronto, Canada” label with artist and title en verso, 60 in. x 30 in., framed. [$400/600] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition.

Ext. Frame: 62 3/4 in. x 32 3/4 in. x 1 3/4 in.

182. Gabriele Mossa (Italian, 20th c.), “Reclining Nude”, acrylic on canvas, signed lower right, 31 1/2 in. x 27 1/2 in., unframed. [$100/200] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue. Condition: Overall fair condition.

183. Carlos José Ledda (Argentinian, b. 1932), “Adagio II”, 2004, oil on canvas, signed and dated lower right, signed twice, titled, dated and inscribed en verso, 11 3/4 in. x 9 1/4 in., framed; and “El Pórtico”, 2004, oil on canvas, signed and dated lower left, signed twice, titled, dated and inscribed en verso, 15 3/4 in. x 11 7/8 in., framed. (2 pcs.) [$800/1200] Condition: Both in overall good condition.

Ext. Frames: 14 3/4 in. x 12 1/8 in. x 1 in. and 20 5/8 in. x 16 1/2 in. x 2 1/2 in.

46

184. Charles Chaplin (French, 1825-1891), “Jeune Femme à L’éventail”, oil on canvas, partial signature lower left, canvas stamp en verso and stretcher, partial label on stretcher, 36 1/4 in. x 28 3/4 in., unframed. [$400/600] Condition: Overall poor condition (canvas is coming detached from stretcher).

185. Manner of Melchoir de Hondecoeter (Dutch, 1636-1695), “Peacock at a Fountain”, decorative oil on canvas, illegibly signed lower left, 44 in. x 33 1/4 in., framed. [$800/1200] Condition: Overall poor condition. Ext. Frame: 49 in. x 38 1/4 in. x 3 in.

186. Jules Chéret (French, 1836-1932), “Dessin d’une Femme”, sanguine and white charcoal on paper, signed lower right, “Rosenberg & Stiebel, Inc., New York” label and “W.S. Budworth & Sons, Inc., New York” art shipper label with artist on backing board, 13 3/8 in. x 9 3/8 in., framed. [$100/200] Condition: Overall fair condition.

Ext. Frame: 19 1/2 in. x 15 in. x 1 in.

47

187. Desmond Heeley (British/American, 1931-2016), “Loves Labor’s Lost: Muscovite”, 1974, “Loves Labor’s Lost: Moth as Hercules”, 1974 and “The Miser: Harpagon”, 1988, 3 mixed medias on paper, each signed, titled, dated and inscribed, 2 with artist biography on backing papers, 11 in. x 8 1/2 in. to 14 3/4 in. x 11 in., framed. (3 pcs.) [$500/700] Condition: Overall good condition.

Ext. Frame: 17 5/8 in. x 14 5/8 in. x 1 1/8 in. to 20 1/4 in. x 16 1/4 in. x 1 1/2 in.

189. John James Audubon (American, 1785-1851), “Oregon Flying Squirrel”, Plate XV, hand-colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 27 1/2 in. x 21 3/5 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 37 1/8 in. x 31 in. x 2 1/4 in.

48

188. After John Hoppner (British, 1758-1810), “Horatio, First Viscount Nelson”, oil on canvas, unsigned, 29 7/8 in. x 25 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 34 3/4 in. x 29 3/4 in. x 2 7/8 in.

190. John James Audubon (American, 1785-1851), “Douglas Squirrel”, Plate XLVIII, hand-colored lithograph, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 27 1/2 in. x 21 3/5 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 37 1/8 in. x 31 in. x 2 1/8 in.

191. After George Severeyns (Belgian, 19th c.), “Paeonia Moutan”, lithograph, signed in plate, sight 13 in. x 9 in., framed. [$100/200] Condition: Overall fair condition.

Ext. Frame: 16 3/8 in. x 12 in. x 1 in.

192. John Gould (British, 1804-1881), “Petrocincla Saxatilis”, “Eutoxeres Condamini”, “ Grecinus Viridis” and “Melithreptus Gularis”, 4 reproduction lithographs, 2 from Birds of Great Britian, one from Hummingbirds and one from Birds of Australia, sights 12 7/8 in. x 18 3/8 in., framed alike. (4 pcs.) [$300/500] Condition: Overall good to fair condition.

Ext. Frames: each 20 1/4 in. x 20 1/8 in. x 1 in.

193. Noel James DeGaetano (American, 1943-2012), “A New View...”, 1992, offset lithograph, pencil-signed and inscribed lower right, sheet 28 in. x 22 in.; After Edward Matthew Ward (British, 1816-1879), “Goldsmith on His Travels”, 1872, lithograph, sheet 10 1/4 in. x 13 1/4 in.; 9 lithographs of miscellaneous European Scenes, one signed and dated in plate, one signed in plate, one pencil-signed lower margin, sheets 4 in. x 6 1/4 in. to 11 7/8 in. x 17 1/2 in.; Joseph Ives Pease (American, 1809-1883), “A Merry Christmas and a Happy New Year”, 1851, hand-colored engraving, published by Godey’s Lady’s Book, 10 in. x 6 in.; American School, 19th/20th c., “Logging Mill”, etching, illegibly pencilsigned lower margin, “Asten” blind stamp lower margin, 9 in. x 11 7/8 in.; antique print, “The Cottage Home”, hand-colored engraving, 8 in. x 6 in.; together with John Baptist Chatelain (British, 1710-1771), “Boy Leading a Reluctant Horse to Water”, engraving, after Dirk Stoop, 5 ½ in. x 7 3/8 in.; Peter Moran (British/American, 1841-1914), “The Dying Lioness”, 1877, etching, after Friedrich Wilhelm Wolff (German, 1816-1887), published by Gebbie & Barrie, Philadelphia, sheet 11 3/4 in. x 8 1/2 in., all unframed. (16 pcs.) [$50/100] Condition: Overall fair condition.

49

194. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Escape”, 1972, cliché-verre, pencil-signed, titled and inscribed “/10” and “artist proof” lower margin, sheet 11 3/8 in. x 12 1/8 in., unframed. [$300/500] Condition: Overall fair condition.

195. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “The Devil’s Garden - No. 1”, cliché-verre, pencil-signed, titled and numbered “7/7” lower margin, 14 3/8 in. x 10 1/2 in., unframed. [$400/600] Condition: Overall good condition.

196. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “The Devil’s Garden - No. 1”, cliché-verre, pencil-signed, titled and numbered “7/7” lower margin, 14 3/8 in. x 10 1/2 in., unframed. [$400/600] Condition: Overall good condition.

197. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Four for the CAC”, 1980, serigraph, pencil-signed, titled, dated and numbered “129/350” lower margin, “Arches 88 France” watermark visible, from CAC Collectors Club Edition, sheet 20 in. x 25 1/2 in., framed. [$500/700] Condition: Overall fair condition.

Ext. Frame: 21 1/8 in. x 26 1/2 in. x 2 3/4 in.

50

198. Leon Danchin (French, 1887-1939), “Two Reclining English Setters”, 1938, handcolored engraving, pencil-signed lower left, dated in plate upper left, 18 1/4 in. x 34 in., framed. [$50/75] Condition: Overall good condition.

Ext. Frame: 26 1/2 in. x 41 1/2 in. x 1 1/4 in.

199. Franco Alessandrini (Italian/New Orleans, b. 1944), “1979, Festa d’Italia, New Orleans”, 1979, chromolithograph, signed lower right, published by Cunningham Enterprises, Inc., New Orleans, sheet 26 in. x 20 in., unframed. [$10/20] Condition: Overall fair condition.

200. After Andre Lagarrigue (French, 1886-1980) “Griffons Bruxellois”, decorative reproduction digital print, signed in plate lower left, 4 1/2 in. x 6 1/8 in., framed. [$10/20] Condition: Overall fair condition.

Ext. Frame: 11 1/4 in. x 11 7/8 in. x 1 in.

201. Continental School, 20th c., “Pupet (De ou Du) Crête de Famille”, hand-colored lithograph, unsigned, sheet 11 in. x 9 7/8 in., framed. [$10/20] Condition: Overall fair condition.

Ext. Frame: 17 in. x 11 1/2 in. x 3/4 in.

202. After Jean-Antoine Watteau (French, 1684-1721), “Figures Following Pierrot”, engraving, unsigned, sheet 9 1/4 in. x 13 5/8 in.; after Jacques Louis Touzé (French, 1742-1816), “Marie Antoinette” and “Roi Louis XVI”, 2 hand-colored engravings, one with label on backing board, sights 9 3/8 in. x 6 in.; and After Nicolas Jean Baptiste Poilly (French, 17071780), “Floral Still Life”, 2 hand-colored restrikes, each with “A L’Art Ancien, Paris, France” label on backing board, 18 7/8 in. x 14 1/2 in.; together with “Vue Perspective de la Place Royal de Nancy 1760”, engraving, published by Mondhare, Paris, France, sight 9 in. x 15 1/2 in., all framed. (6 pcs.) [$50/100] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Good to poor condition.

Ext. Frames: 15 1/4 in. x 19 1/2 in. x 1 in. to 26 1/2 in. x 22 in. x 1 in.

51

203. After Fernando Botero (Colombian, b. 1932), “Madre Superiora” and “Man with a Guitar”, 2 reproductions on canvas, one signed “Remington” lower right and one signed “Remington” lower left, both 10 in. x 8 in., framed alike.

(2 pcs.) [$200/300] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good to fair condition. Ext. Frame: 19 in. x 17 in. x 2 3/8 in.

204. After Fernando Botero (Columbian, b. 1932), “President on Horse” and “President Seated with Bird”, 2 reproductions on canvas, both signed “Remington” lower right, each 16 in. x 12 in., both framed. (2 pcs.) [$200/300] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall good condition.

Ext. Frame: 25 in. x 21 in. x 3 in. to 26 in. x 21 7/8 in. x 3 in.

205. After Fernando Botero (Colombian, b. 1932), “Lefty and His Gang”, reproduction on canvas, unsigned, 49 in. x 59 in., unframed. [$100/200] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

Condition: Overall fair condition.

52

207. Frances Swigart-Steg (American/New Orleans, b. 1942), “Dancing on the Waves”, etching with embossing, pencil-signed, titled and inscribed “state II 13/200” lower margin, sheet 10 in. x 21 7/8 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 12 1/8 in. x 24 1/4 in. x 1 1/4 in.

206. After Salvador Dalí (Spanish, 1904-1989), “Pegasus”, 1968, etching with lithograph overlay, signed twice and dated in plate, “The Collector’s Guild, LTD., New York” information label on backing board, 6 7/8 in. x 5 3/4 in. framed. [$100/200] Condition: Overall fair condition. Ext. Frame: 16 1/4 in. x 13 1/4 in. x 2 in.

209. Leonard Baskin (American/New Jersey, 1922-2000), “Frightened Boy and His Dog”, 1954, woodcut, pencil-signed, titled, numbered “45/210” and artist stamp lower margin, 2 “Raydon Gallery, New York, NY” labels one with artist and title and artist information on backing board, sight 15 1/2 in. x 19 1/2 in., framed. [$300/500] Exh.: Arkansas Arts Center (now AMFA), Little Rock, AR, 1977; Mississippi Museum of Art, Jackson, MS, 1978-1979.

Condition: Overall fair condition. Ext. Frame: 16 1/4 in. x 20 1/4 in. x 1 in.

208. Robert Gordy (American/New Orleans, 1933-1986), “Mardi Gras 1980, New Orleans”, 1980, poster, signed lower left, artist stamp and numbered “64/850” lower right, sight 32 1/8 in. x 21 1/2 in., framed. [$200/300] Condition: Overall good condition. Ext. Frame: 34 in. x 23 3/8 in. x 1 1/8 in.

53

210. Francisco José de Goya y Lucientes (Spanish, 1746-1828), “Gatesca Pantomima”, Plate 73, etching, unsigned, from Los Desastres de la Guerra, 6 7/8 in. x 8 3/8 in., framed. [$200/300] Condition: Overall fair condition.

Ext. Frame: 21 1/2 in. x 23 1/8 in. x 1 1/2 in.

211. Hoi Lebadang (Vietnamese/French, 1921-2015), “Abstract Compositions”, 3 lithographs on paper, one with embossing, each pencil-signed and numbered lower margin, sights 15 in. x 19 in. to 26 3/4 in. x 20 1/2 in., framed. (3 pcs.) [$200/300] Condition: Each in overall fair condition.

Ext. Frames: 22 in. x 26 1/2 in. x 1 in. to 27 1/2 in. x 21 1/4 in. x 1 in.

212. Aiden Lassell Ripley (American/ Massachusetts, 1896-1969), “Duck Shooting”, etching, pencil-signed and titled lower margin, 8 7/8 in. x 13 3/4 in., framed. [$700/1000] Condition: Overall fair condition.

Ext. Frame: 15 7/8 in. x 20 1/8 in. x 1/2 in.

54

213. George Valentine Dureau (American/New Orleans, 19302014), “Big Beach with Seven”, 1985, silkscreen, pencil-signed, inscribed “artist’s proof 7/50” and personalized lower margin, from CAC Collectors Club, sight 21 in. x 27 in., framed. [$200/300] Condition: Overall good condition.

Ext. Frame: 28 1/4 in. x 33 3/4 in. x 1 1/2 in.

214. Martin LaBorde (American/New Orleans, b. 1943), “Black and White”, 1985, woodcut, pencil-signed, titled, dated and numbered “2/20” lower margin, 24 in. x 16 in., framed. [$300/500] Condition: Overall good condition.

Ext. Frame: 37 1/4 in. x 23 3/4 in. x 3/4 in.

215. Zella Funck (American/Louisiana, 1917-2009), “An Angel for Inside”, 1984, photoetching, pencil-signed, titled, dated and artist stamp lower margin, sheet 11 in. x 8 1/2 in., framed; and “The Dancer”, 1985, artist enhanced etching with pastel and embossing, pencilsigned, title d, dated and numbered “1/1” lower margin, watermark visible, 24 in. x 16 in., framed. (2 pcs.) [$200/300] Condition: Overall good condition.

Ext. Frame: 16 1/4 in. x 13 1/4 in. x 7/8 in. to 37 3/4 in. x 27 1/4 in. x 7/8 in.

55

216. Emmitt Thames (American/Mississippi, b. 1933), “Still Life with Basket of Peaches by a Window”, lithograph, signed and inscribed “21/50 AP” lower right, signed in plate, 18 in. x 24 in., framed. [$50/100] Condition: Overall good condition.

Ex. Frame: 21 in. x 27 in. x 1 1/2 in.

217. Darlene Hingle Olivo (American/Louisiana, 20th c.), “Elena the Spanish Dancer Storms Her Ritual of Passion Over the Gulf South”, 1985, mixed media photo collage, pencilsigned lower right, titled lower left, artist label with title and date on backing board, 23 1/2 in. x 20 1/2 in., framed. [$700/1000] Condition: Overall poor condition.

Ext. Frame: 24 1/4 in. x 21 1/4 x 1 1/2 in.

218. Adelle Badeaux (American/Louisiana, 1939-2010), “Ms. America”, 1998, collage on Kodak Professional Paper, signed, titled and dated en verso, “Percent for Art 2019” entry form with artist and title on backing board, 16 in. x 20 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 23 1/4 in. x 24 1/2 in. x 2 in.

56

219. Adelle Badeaux (American/Louisiana, 1939-2010), “Trouble in Nirvana”, 1989, c-print, signed, titled and dated en verso, 30 in. x 32 7/8 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 43 1/2 in. x 46 in. x 2 in.

220. Three Pieces of American Art Pottery, incl. matte blue glaze basket-form dish, dia. 8 1/2 in.; green glaze handled vase, h. 6 1/2 in.; and blue glaze vase, h. 7 in. [$50/75] Provenance: Collection of Allison Kendrick, The Carroll-Crawford House, New Orleans.

221. Newcomb College Decorated Bavarian Porcelain Plate, signed “W Bass ‘15”, and marked “MZ AUSTRIA”, dia. 9 3/4 in. [$200/300]

222. Contemporary Glazed Pottery Bowl, inscribed “Griffin”, h. 7 in., dia. 11 1/2 in. [$20/30]

223. George Rouard Limoges Partial Porcelain Dessert Service, c. 1920, signed “Rouard, Paris”, incl. milk pitcher (h. 4 3/4 in), two sugars, 4 coffee cups, with 5 saucers, 3 teacups, with 7 saucers, and 8 plates (dia. 6 1/4 in. [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA.

224. Pair of Gilt and Polychrome Paris Porcelain Urns, portrait reserves of Elizabethan royalty, h. 12 in., w. 8 in., d. 5 in. [$200/300]

57

225. Twenty-Two Limoges Porcelain Luncheon and Dinner Plates, incl. 12 plates with gilt and floral design, dia. 10 7/8 in.; 10 luncheon plates, gilt and floral design, dia. 8 5/8 in. [$400/600]

226. Paris Porcelain Compote, marked “Lahoche-Pannier/ Escalier de Cristal/Palais Royal”, c. 1850, scalloped rim and foot with lilac bands and gilt accents, h. 5 1/2 in., dia. 9 1/2 in. [$150/250] Ref.: Guillebon. Paris Porcelain, 1770-1850, pp. 243-244.

227. Group of Mottahedeh “Famille Verte” Porcelain Tableware, marked, incl. pair of pitchers, h. 7 in.; pair of cachepots, l. 8 1/2 in.; pair of porringers, dia. 5 in.; oblong dish, l. 7 5/8 in.; mug, h. 4in.; trivet, dia. 6 1/4 in.; covered Fu Dog jar, h. 6 1/2 in.; and covered dish, l. 5 1/2 in.

(11 pcs.) [$150/250]

228. Group of Fourteen Porcelain Boxes, various forms, largest h. 2 3/4 in.; together with a glass nautilus shell. [$100/150]

229. Set of Eleven Majolica Shell-Form Plates, dia. 9 in. [$200/300] 58

230. Group of Majolica Tableware, incl. 3 leaf-form plates, largest l. 9 in.; and 7 plates, largest dia. 9 1/4 in. (10 pcs.) [$150/250]

231. Group of Antique English Ironstone, incl. meat dish (mounted for hanging), l. 20 1/2 in.; oblong platter, l. 21 1/2 in.; Cauldon oval platter, l. 17 1/2 in.; and Britannicus Dresden China sauce tureen and underplate (restored), underplate l. 8 1/2 in. (4 pcs.) [$200/300]

232. Three Chinese Export Famille Rose Porcelain Lozenge-Shaped Tazzas, 19th c., h. 2 5/8 in. to 3 1/4 in., w. 10 1/2 in. to 11 1/4 in., d. 8 1/4 in. to 8 3/4 in. [$150/250]

233. Five Chinese Export Famille Rose Porcelain Cylinder Vases and Hat/Wig Stands, 19th/20th c., incl. pair, painted with Beauty, Guangxu marks, h. 11 3/8 in., and 3 singles painted with figures, one with pierced lozenges, h. 11 in. to 11 1/8 in. (5 pcs.) [$250/350]

234. Chinese Export Famille Rose Porcelain Punch Bowl, 18th c., painted with figures in landscapes and bird or insect and flower scenes, h. 4 1/4 in., dia. 10 1/4 in. Note: Restoration. [$100/200]

235. Three Chinese Export Famille Rose Porcelain Jars, 19th/20th c., one with porcelain cover, another with wood cover, all similarly decorated with varying figural scenes between pale blue, pink, and yellow borders, h. 8 3/4 in. to 9 1/4 in. [$200/400] 59

236. Chinese Export Famille Rose Porcelain Bowl, 19th c., interior well painted with lotus pond scene, encircled by a peony scroll and ruyi scepter, h. 3 3/4 in., dia. 11 1/2 in. [$200/300]

237. Group of Chinese Export Famille Rose Porcelain, incl. 11 celadon ground dishes, dia. (largest) 10 1/2 in.; 3 saucers, dia. 3 3/4 in.; 1 tazza, l. 8 5/8 in.; 1 dish, dia. 6 in.; and 1 covered box, h. 4 in. (17 pcs.) [$150/250]

238. Three Chinese Export Famille Rose Porcelain Dishes, 19th c., each decorated Rose Medallion pattern with figural and floral or landscape panels with central bird-and-flower roundel, dia. 8 1/2 in., 9 1/2 in., and 9 3/4 in. [$200/300]

239. Clobbered Chinese Export Famille Rose Porcelain Punch Bowl, 19th c., well with central bird-in-pond scene, wall with animal and butterfly cartouches on bright yellow ground, wide rim with floral scrolls, h. 4 1/2 in., dia. 115 1/4 in., wood stand, overall h. 5 3/4 in. [$500/700] 60

240. English Red Tole Tray, pierced handles, Classical reserve, 14 in. x 19 in. [$25/50]

241. American or English Aesthetic Brass Fire Fender, c. 1900, pierced grapevine design, fluted feet, h. 8 3/4 in., w. 45 in., d. 11 1/2 in. [$200/300]

242. Pair of American Wrought Iron Andirons, circular finial, arched legs, h. 17 1/2 in., w. 8 1/2 in., d. 14 in. [$100/150]

243. Pair of Antique American Wrought Iron Andirons, faceted finial and shaft, scroll legs, h. 26 1/2 in., w. 13 in., d. 26 in. [$200/300]

244. Pair of American Wrought Iron Andirons, with “basket” finial, h. 25 in., w. 10 in., d. 20 in. [$250/350] 61

246. Two Large Giltwood Frames, one 55 3/4 in. x 42 3/4 in., opening 33 in. x 46 in.; other 53 3/4 in. x 36 in., opening 24 3/8 in. x 42 3/8 in. [$300/500]

245. Late Victorian Shadowbox with Fish Scale Flower Arrangement, applied polychrome carved with putti, h. 22 in., w. 20 1/4 in., d. 4 in; together with arrangement, also in a shadow box, glitter accents, l. 15 3/4 in., w. 13 3/4 in., d. 5 1/4 in. (2 pcs.) [$200/300]

247. Pair of Aesthetic Giltwood Frames, 19th c., 19 3/4 in. x 34 1/4 in., opening 12 1/2 in. x 27 1/8 in. [$300/400]

248. Pair of American Brass and Amethyst Glass Candlesticks, 19th c., diamond pattern glass, standard cast with fairy busts, h. 12 in., dia. 4 1/2 in. [$300/500]

249. Iron-Bound Pine New Orleans German Immigrant Travel Chest, 19th c., the domed lid hand-painted “T.F. Schmid/uber Bremen/nach New Orleans”, void interior, h. 16 in., w. 33 in., d. 16 1/4 in. [$150/250]

250. Pair of American Blue Glass Insulator Lamps, 20th c., with Hemingway insulators, h. (incl. socket) 19 in. [$100/150]

62

251. Six Decorative Canes, incl. carved resin pelican, duck, and dolphins; hunting dog with duck in mouth; twist-carved bone; a “man in the mountain”, tallest 38 in. [$150/250] 252. Pair of Continental Majolica Vases, with portrait busts and foliate designs, wood base, mounted as lamps, h. (incl. socket) 21 in., dia. 7 1/2 in. [$300/500]

253. Antique Bronze Plaque After Fragonard, top cartouche titled “Les Bons Eleves”, marked “L.V.B. Graveur”, depicting children playing with dogs, hanging loop, h. 7 1/2 in., w. 7 1/2 in. [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA.

254. Tibetan Turquoise, Coral and Gem Inset Gilt and Silvered Metal Filigree Gau Box Pendant, further set with Buddhist figures, h. 2 3/4 in., w. 2 3/4 in. [$100/150]

63

255. [JUDAICA], brass covered, gemstone embellished book, leather boards, interior with blank pages, with bookmark, 10 1/2 in. x 8 in. [$150/250] 256. Antique French Bronze-Mounted Onyx Encrier, kidney form, lidded ink pot, h. 3 1/4 in., w. 7 in., d. 6 1/2 in.; together with bronzemounted Limoges dish, dia. 4 1/2 in. [$100/150]

257. Pair of Antique Continental Carved and Incised Onyx Urns, relief plaque of Classical figures, h. 8 in., w. 4 1/2 in., d. 3 1/2 in. [$50/100]

258. Figural Brass Planter with a Jester on Wishing Well, removeable brass liner, wood base, h. (planter) 7 1/2 in., h. (jester) 10 1/2 in. Note: Wood base, planter and jester are detached and decorative elements are missing. [$50/75]

259. English Tole Peinte Tray, 19th c., later wood stand, h. 20 3/4 in., w. 30 in., d. 23 in. [$100/200] 64

260. Group of Miscellaneous Silverplate Table Items, incl. Reed and Barton bowl, marked, dia. 5 1/4 in.; footed decanter stand, h. 16 1/2 in.; footed basket, dia. 12 in.; teapot with porcelain liner, h. 7 in.; egg poacher on stand, h.

12 1/2 in.; bottle holder, h. 6 in.; pitcher, h. 4 3/4 in.; coffee pot with wooden handle, h. 6 in.; and cup (lacking handle), h. 4 1/4 in. (9 pcs.) [$200/400]

262. Twelve American Coin Silver Forks, Farrington & Hunnewell, Boston, act. 1835-1885, oval thread pattern, l. 7 3/8 in., wt. 17.40 troy ozs. [$250/350]

261. Set of Twelve American Sterling Silver Demitasse Cup Frames and Saucers, Frank M. Whiting, with Lenox porcelain liners; together with 8 Barbour Silver Co., sherbet frames, h. 2 3/4 in., dia. 3 1/2 in.; and 6 Baker Manchester sherbet frames, h. 2 in., dia. 2 5/8 in., with 6 glass liners; 6 sterling liqueurs, h. 3 in., weighted bases; total wt. (weighable) 49.05 troy ozs. (approx. 38 pcs.) [$500/700]

263. Good Group of Durgin “Chrysanthemum” Pattern Sterling Silver Flatware Serving Pieces, pat. 1893, some ret. Bigelow, Kennard & Co., Boston, incl. large cold meat fork (l. 9 1/8 in.), lettuce fork, large jelly spoon, cream ladle and bonbon spoon; together with Dominick & Haff “Grape” pattern bonbon spoon, pat. 1895, l. 5 in.; total wt. 11.40 troy ozs. [$200/400]

264. Group of American Colonial Revival Sterling Silver Flatware, incl.

Gorham “Old London”, pat. 1916, 6 tablespoons, 12 demitasse spoons, 7 knives (l. 8 3/8 in.), 12 fruit knives and 7 butter knives (fh); Gorham “Clermont”, pat.

1915, 2 tablespoons and 6 dessert spoons; Watson “Mount Vernon”, pat. 1907, 12 teaspoons; Durgin “Fairfax” large berry spoon, Old Newbury Crafters serving spoon, 4 Towle bouillon spoons and 6 Lunt coffee spoons; total wt. (weighable) 57.50 ozs. [$500/700] 265. Vintage Abercrombie & Fitch Silverplate Cocktail Shaker, mid-20th c., h. 13 in. [$100/200]

65

66

266. Antique Silverplate Tea Tray, 19th c., oval with foliate loop handles, egg-and-dart border, flat chased well, l. 35 1/2 in., w. 23 in. [$400/600]

267. Two Vintage Silverplate Gallery Trays, incl. oval with reticulated gallery, cut-out handles, gadrooned borders and tapered feet, l. 24 in., w. 16 in.; and circular with reticulated and flat chased gallery and mahogany bottom, dia. 14 5/8 in. [$300/500]

268. Pair of American Renaissance Sterling Silver Master Salt Cellars, Krider & Biddle, Philadelphia, act. 1858 - c. 1870, footed form with lion’s mask terminals, h. 1 7/8 in., w. 3 in.; master salt spoons, also Krider & Biddle, monogrammed “D & SW” en suite, total wt. 4.50 troy ozs. [$150/250]

269. Silverplate Serving Tray, oval with foliate scroll loop handles, floral scroll rim, reticulated border, flat chased well, foliate scroll feet, l. 27 1/4 in., w. 17 in.; together with neoclassical silverplate covered urn, h. 15 1/4 in., w. 12 in.; Note: loss to silvering with areas exposed copper to both. [$200/300]

270. Sterling Silver Flatware Service, International “Wild Rose” pattern, pat. 1948, incl. 8 each: dinner forks (l. 7 3/4 in.), dinner knives (l. 9 5/8 in.), salad forks, cocktail forks and teaspoons; 7 ice teaspoons, gravy ladle and cream ladle; together with associated sugar shell, 3 teaspoons and cocktail fork, various makers and patterns, total wt. (weighable) 51.15 troy ozs.; with fitted wood storage case. (53 pcs.) [$500/700]

271. Group of American Sterling Silver Tableware, incl. International bowl with reticulated and chased border, dia. 10 in.: Gorham “Plymouth” pattern master salt dish, date mark for 1916, w. 3 1/2 in.; and sterling silver repousse salt caster, Hennegen, Bates Co., Baltimore, late 19th/ early 20th c., h. 3 1/2 in.; total wt. 11.70 troy ozs. (3 pcs.) [$150/250]

272. Group Lot of Antique and Vintage Silverplate Tableware, incl. Mappin & Webb Prince’s Plate oval tea tray, Gorham oval tea tray, Wallace oval meat dish, footed cake basket, water pitcher, reticulated footed bowl, Ellis Barker footed bowl, etc. (approx. 7 pcs.) [$50/100]

273. American Sterling Silver Partial Flatware Service, J.B. and S.M. Knowles “Rose” pattern, pat. 1881, ret. M. Scooler, New Orleans, act. 1842-1900, incl. 6 each: forks (l. 7 3/4 in.), tablespoons (l. 8 1/4 in.), and teaspoons (l. 6 in.), total wt. 25.25 troy ozs.; together with 6 mother-of-pearl handle knives (l. 9 5/8 in.), silverplate blades marked “Landers, Frary & Clark.” [$400/600]

274. Antique Chased Silver Vase, marks untraced, allover decoration of exotic animals, Mughal palace and trees, h. 6 5/8 in., wt. 13.70 troy ozs. [$100/200]

275. Georgian Sterling Silver “Bells and Whistle” Rattle with Coral Teether, probably William Weston, l. 5 in., total wt. 1.50 troy ozs., note: lacking 4 bells [$200/300]

276. Antique English SilverplateMounted “Staghorn” Carving Set, Walker & Hall, Sheffield, late 19th c., incl. carving knife, fork and sharpening steel, ebonized carved wood handles, well-cast silverplate mounts, knife l.15 1/2 in., fitted case “AS IS” [$100/200]

67

277. Two Chinese Rugs, 3 ft. x 5 ft. 2 in. and 3 ft. 3 in. x 5 ft. [$300/500] 278. This item has been removed from the sale. No further information is available.

279. This item has been removed from the sale. No further information is available.

280. Embroidered Tapestry of the Duomo di Milano, c. 1900, “M.L.S.” label en verso, framed, h. 22 1/2 in., w. 41 1/4 in. [$200/300]

281. American Embroidered Textile Panel, with eagle, flags, shield and plaque with ship, l. 20 1/2 in., w. 16 3/4 in. [$75/150] 68

282. American Embroidered Handkerchief, embroidered with flags of the United States and Aruba and “In Memory of My of Visit to Aruba”, l. 10 1/2 in., w. 10 3/4 in. [$25/50]

283. Antique Egyptian Textiles, incl. two quilted hanging temple wall panels, h. 69 in. and 18 in., w. 34 3/4 in. and 47 in.; Bedouin wedding veil, embroidered flower design, l. 115 in., w. 52 in.; h. 69 in., w. 34 3/4 in. [$200/300]

284. Two Bolivian Woven Blankets, hand woven and embroidered, l. 47 in. and 39 in., w. 49 in. and 45 in.; together with poncho, yarn fringe trim, l. 12 1/2 in., w. 22 1/2 in. (3 pcs.) [$200/400]

285. Group of Antique Accessories, incl. Siamese ceremonial woven horsehair headdress, dia. 12 in.; 2 woven caps with tassels, l. 16 in.; Bolivian woven cocoa bag, h. 6 in.; and woven raffia bag, h. 15 in. (5 pcs.) [$200/400]

286. Short Mink Fur Coat, labeled “The Fur Vault at Macy’s”, interior embroidered “Marian Petry”, dark brown, resin button, l. 21 in. [$200/300]

287. Short Mink Fur Coat, labeled “Saks Fifth Ave”, interior embroidered “Marian Petry”, light brown, l. 22 1/2 in. [$200/300]

288. Short Mink Fur Coat, dark brown with light brown collar, interior monogrammed “MPP”, l. 36 in. [$400/600]

69

289. Short Mink Coat, labeled “Jay Chester for Gus Mayer”, interior embroidered “Marian Petry”, ivory with belt holes (lacking belt), l. 32 in., [$400/600]

290. Mink Fur Vest, interior embroidered “Marian Petry”, light brown, zippered front, l. 25 in. [$150/250]

291. Short Denmark Mink Fur Coat, labeled “Belle Fare”, light brown, in woven pattern, l. 32 in. [$200/300]

292. Blackglama Mink Fur Coat, labeled “Saks Fifth Ave”, “Blackglama”, monogrammed “Marian Petry”, serial no. CE34548, resin button, l. 32 in. [$200/300]

70

293. Pair of Contemporary Oak and Patinated Iron Floor Lamps, with single shelf, oval lamp shades, h. 70 in., w. 16 in., d. 15 in. [$500/700] 294. Austrian Glass Hall Lantern, marked “R. DITMAR, WIEN”, h. 21 in., dia. 9 1/2 in. [$400/600]

295. Pair of Antique Bronze-Mounted Green Porcelain Three-Light Candelabra, 19th c., rococo mounts with putti and flowers, associated candlecups, h. 20 1/4 in., w. 9 in., d. 6 1/2 in [$200/300] Provenance: Estate of Grace King (New Orleans, 1852-1932).

296. Grant, Ulysses S. (1822-1885), Personal Memoirs of U.S. Grant.

New York: Charles L. Webster & Company, 1885-1886, 2 volumes, 8vos, full sheet, black and red leather spine labels gilt, all edges marbled, marbled endpapers. [$400/600] 71

297. Pair of Glass Hurricane Shades, h. 19 3/4 in., dia. 7 1/2 in. [$300/500]

298. Pair of Glass Hurricane Shades, h. 19 1/2 in., dia. 7 1/4 in. [$300/500]

299. Pair of Glass Hurricane Shades, h. 17 1/4 in., dia. 7 in. [$300/500]

300. Attributed to Loetz Art Glass Vase, basketware design in iridescent colors, h. 9 in., dia. 4 1/4 in. [$500/700]

301. Steuben Coraline Glass Bowl, marked “Steuben/Carder”, h. 5 3/4 in., dia. 13 3/4 in. [$200/300] 72

302. Pair of American Blue Cut Glass Candlesticks, hexagonal base, h. 10 1/2 in. [$150/250]

303. Seven Pieces of Blue Opaline Glass, incl. bowl, dia. 5 1/2 in.; 2 pairs of glasses, h. 3 in.; and pair of candlesticks, h. 9 1/2 in. [$100/150]

304. Three Art Glass Vases, early 20th c., tallest h. 14 in. [$50/75]

306.

Three American Cut Glass Tablewares, incl. green charger, dia. 16 1/4 in.; compote, h. 8 in., dia. 7 in.; and handled dish [$75/150]

305. Three American Cut Glass Tablewares, incl. low bowl, h. 3 in., dia. 14 in.; another bowl, dia. 8 in.; and footed bon-bon dish, h. 4 1/4 in. [$100/150]

307. Steuben Glass “Snail-Scroll” Sugar Bowl and Cream Pitcher, etched marks, models #7941 and #7942, designed 1947 by Irene Benton, h. 2 3/4 in., w. 5 1/8 in., d. 3 1/4 in. and h. 2 1/2 in., w. 5 1/8 in., d. 3 1/4 in. [$50/100]

308. Pair of Steuben Glass “Spiral” Bowls, etched marks, model #8060, designed 1954 by Donald Pollard, h. 3 1/2 in., dia. 7 in. [$200/300] 73

309. G.D. Furlan Studio Murano Glass Plate in Honor of Giuseppe Furlan (1928-1999), initialed “XHP”, etched “Omaggio a G. Furlan Mastro Vetraio”, signed, dia. 19 1/2 in. [$100/200]

310. Classical-Style Molded Stone Garden Bench, incurvate seat, heavily scrolled supports, h. 18 in., w. 45 1/2 in., d. 15 1/2 in. [$200/300] Provenance: Collection of Dr. Norbert and Mary Fahey, Sacramento, CA.

311. American Cast Iron Horse-Head Hitching Post, 19th c., fluted standard, pedestal base, h. 45 in., w. 6 1/4 in., d. 6 in. [$300/500]

312. Rima Padova (American, 20th c.), “Bust of Woman”, painted plaster, signature and “19-903” inscribed on reverse of self-base, h. 19 1/2 in., w. 6 in., d. 5 in. [$75/150] Condition: Overall good condition.

313. American School 20th c., “Woman”, patinated bronze on painted plaster base, indistinctly signed on left leg, incised “219” on right leg, h. 5 in., w. 5 in., d. 2 1/4 in., overall h. 5 7/8 in. [$400/600] Condition: Overall fair condition.

74

314. Antique American Carved and Painted Mirror, foliate surround, beveled mirror plate, h. 35 in., w. 27 in. [$300/500]

315. American Classical Giltwood Overmantel Mirror, early 19th c., cornice with applied spherules, rosette blocked corners, turned and foliate accented surround, divided mirror plate, h. 29 1/2 in., w. 89 in. [$600/900]

316. Antique Neoclassical-Style Parcel Gilded Pine Trumeau Mirror, molded ogee cornice, courting couple reserve, ribbon and bead surround, h. 59 in., w. 42 1/2 in. [$400/800] 317. Antique American Carved Giltwood Mirror, rectangular with acanthine corners and lappet surround, h. 33 1/2 in., w. 37 1/2 in. [$400/600]

318. Louis Philippe Carved Giltwood Mirror, 19th c., arched surround with foliate accents, h. 36 in., w. 22 1/2 in. [$400/600]

75

319. Four Vintage New Orleans Jazz Vinyl Records, incl. “Jazz of the Chosen Few” by George Finola; “Crescent City Music” by Armand Hug, Johnny Wiggs and Doc Souchon; “Sho-Time at the Colony Club” by Bill Coburn’s Dixieland Band; and “New Orleans Originals” by the Crawford-Ferguson Night Owls.

(4 pcs.) [$100/200]

320. Four Vintage New Orleans Jazz Vinyl Records, incl. “New Orleans Creole Jazz Band” featuring Thomas Jefferson; “Dixieland Down South”; “Crescent City Music” by Armand Hug, Johnny Wiggs and Doc Souchon; and “New Orleans Originals” by the Crawford-Ferguson Night Owls (4 pcs.) [$100/200] 76

321. Four Vintage New Orleans Jazz Vinyl Records, incl. “The Dukes of Dixieland” featuring Pete Fountain; “_ You have to hear it to believe it!” by the Dukes of Dixieland; “Sho-Time at the Colony Club” by Bill Coburn’s Dixieland Band; and “Crescent City Music” by Armand Hug, Johnny Wiggs and Doc Souchon (4 pcs.) [$100/200]

322. Chinese School, 20th c., “Beauty beneath Banana Palm”, woodblock print, unsigned, reverse stamped “Made in China”, 15 1/4 in. x 11 1/8 in., framed [$50/100]

323. Chinese Famille Verte or Wucai Porcelain Jar, decorated with warriors in a landscape, base with apocryphal Kangxi mark, h. 15 in. [$100/150]

324. Four Chinese Porcelain Miniature Brushwashers, 20th c., incl. compressed globular with “doucai” scrolling flower heads, Guangxu mark, h. 1 1/2 in., dia. 2 3/4 in.; beehive with mottled green and peachbloom, Tongzhi mark, h. 1 7/8 in., dia. 2 3/4 in.; bell-form with pink landscape, Tongzhi mark, h. 2 in.; and compressed globular with gilt decoration on coral red ground, Tongzhi mark, h. 1 1/2 in., dia. 2 1/2 in.

(4 pcs.) [$500/700]

326. Chinese Ding-Style Pottery Covered Ewer, carved with scrolling foliage and upright petal lappets, h. 9 1/4 in., dia. 6 in. [$200/300] 325. Chinese Blue and White Porcelain ‘Qilin’ Charger, decorated with central qilin, rock and lingzhi roundel, h. 1 5/8 in., dia. 14 1/2 in. [$200/300] 77

327. Tweleve Chinese Export Porcelain Tablewares, 19th and 20th c., incl. open tureen, footed bowl, 4 tazzas, teapot, 3 small bowls, plate and footed jar lacking cover [$400/600]

328. Group of Chinese Famille Rose Porcelain, early 20th c., including squat baluster vase decorated with a boy playing with a kitten beside a maiden, h. 4 3/4 in., associated cover; vase with bat-shaped handles decorated with a figure riding a qilin, h. 9 1/4 in.; and vase with gilt Buddhist lion handles and qilongs along shoulder, decorated with bats and flower sprays on a pale blue ground, h. 8 in. (3 pcs.) [$150/250]

329. Group of Three Chinese Porcelain Objects, incl. polychrome bottle vase, base with pseudo-Islamic mark, h. 8 in.; turquoise glazed vase, h. 9 in.; and turquoise and aubergene glazed duck, h. 2 1/2 in. (3 pcs.) [$300/500] 330. Vintage Chinese Yixing Pottery Teapot and Cover, modeled as bamboo stalk with faux bamboo finial, loop handle, scroll spout, cover with leaves in relief, lid marked, h. 3 3/8 in., w. 7 1/2 in., d. 4 3/4 in.; associated wood storage box. [$100/150]

331. Pair of Chinese Famille Rose Porcelain Lantern Lamps, 20th c., reticulated hexagonal body with figural and bird-and-flower panels, electrified, hexagonal stem foot, wood base, h. 14 in. [$400/600]

78

332. Chinese InsidePainted Glass Vase, decorated with mountainous village scenes with flowering trees, h. 8 in. Note: chip to rim [$100/150]

333. Pair of Archaistic Chinese Bronze Beaker Vases, each with four flange-form buttress handles, relief-cast with bands of tassels, mythical creatures, and foliage, h. 13 1/4 in., mounted as lamps with wiring on exterior, h. (incl. socket) 20 in. [$700/900] 334. Two Chinese Famille Rose Porcelain Vases, Buddhist lion mask or pierced stylized gilt handles, decorated with figural scenes and calligraphy, h. 22 3/8 in., mounted as lamps with wiring adhered to exteriors, h. (incl. socket) 30 1/4 in. [$600/900]

335. Four Chinese Cloisonne Enamel Table Wares, incl. 2 covered boxes, h. 3 5/8 in. and 4 in.; vase, h. 5 3/4 in.; and saucer, dia. 4 1/4 in. [$150/250]

337. Chinese Cloisonne Enamel Circular Box and Cover, Qing Dynasty (1644-1911), decorated overall with scrolling lotus flowers, h. 6 in., dia. 12 1/4 in. [$500/700]

336. Three Chinese Hard and Soft Stone Objects, c. 1930s, incl. green jasper bird, h. 5 1/2 in.; rose quartz covered vase on flourite base, h. 8 1/2 in.; and soapstone maiden, h. 10 1/8 in., all now mounted as lams, h. (incl. sockets) 17 1/4 in., 13 1/4 in., and 12 1/2 in. [$250/350]

338. Chinese Hardstone Horse, modeled recumbent with one leg forward, h. 6 1/2 in., l. 10 in., wood stand, overall h. 10 1/8 in., d. 3 3/4 in. Condition: Horse with small chips and abrasions. Stand lacking all but 1 foot. [$150/250] 79

339. Two Chinese Carved Wood Panels, one with flowering trees, birds and deer, h. 6 1/4 in., w. 14 1/2 in., d. 2 in.; other with figures in village or temple scene, h. 10 3/4 in., w. 8 3/4 in., d. 2 1/2 in.; together with carved giltwood wall pocket, h. 11 in. [$150/250]

341. Three Chinese Stone Snuff Bottles, incl. jadeite, relief-carved with lingzhi, h. 2 1/2 in.; rutilated quartz or “hair crystal,” carved with a duck in lotus pond, h. 2 1/4 in.; and mottled green hardstone, with basket-weave, h. 2 1/2 in. [$200/400]

343. Six Chinese Snuff Bottles, incl. mother-of-pearl, w. 2 1/8 in.; pottery imitating pudding stone, h. 2 1/2 in.; enameled silver, stamped “SILVER”, h. 2 3/8 in.; red and yellow lacquer, h. 3 in.; and 2 faux amber, h. 3 in. and 2 in.; together with Asian gem-inset metal double gourd-form example, probably Tibetan, h. 3 3/4 in. (7 pcs.) [$200/300]

345. Five Chinese Inside-Painted Glass Snuff Bottles, h. 2 1/4 in. to 3 1/2 in.; together with an inside-painted vase, h. 8 in. Note: Chip to rim of vase. (5 pcs.) [$300/500] 80

340. Two Chinese Snuff Bottles, incl. mottled black, red and yellow jasper, carved with the figure of a rhinoceros, h. 2 1/2 in.; and bone-inset horn, incised with figures and calligraphy, h. 2 3/8 in. [$200/400]

342. Three Chinese Glass Snuff Bottles, incl. in the forms of a bottle, h. 2 3/4 in.; lychee nut, l. 2 3/4 in.; and bok choy, l. 3 3/4 in. [$150/250]

344. Five Chinese Cloisonne Enamel Snuff Bottles, h. 2 3/8 in. to 2 3/4 in. [$150/250]

346. Five Chinese Hardstone Snuff Bottles, incl. zoisite, carved with a hare, h. 2 3/4 in.; lavender jadeite, carved with Budai, h. 2 3/4 in.; sodalite, carved with foliage, h. 2 1/4 in.; lapis, carved with lion pups, h. 2 1/4 in.; and malachite, carved as a double gourd, h. 2 3/8 in. [$300/500]

347. Francois Masami Nakayama (Japanese, 1898 - 1979), “Persimmon on Branch”, color aquatint etching with slight embossing, pencil-signed and inscribed “C-11-6” lower margin, pencil-inscribed “G73.13.01” on reverse, sheet 6 1/2 in. x 7 1/4 in., matted, framed and glazed. [$300/500]

348. Utagawa Toyoharu (Japanese, 1735-1814), “Temple Grounds with Strolling People”, woodblock print, sight 9 1/2 in. x 14 1/4 in. [$100/150] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

349. After Utagawa Toyokuni (Japanese, 1769-1825), 20th c., “Flower Drift or Flowers in the Wind”, woodblock print triptych, “Hurwitz-Mintz” and “Art Lover” labels on backing paper, each 14 1/2 in. x 9 3/4 in., matted and framed together. [$25/50] 350. Ikeda Shoen (Japanese, 1884-1917), “Beauty Playing Flute in Moonlight”, woodblock print mounted to paperboard, 8 1/4 in. x 12 1/8 in., framed Note: trimmed margins [$50/100]

351. Japanese Chirimen-game-e Crepe Paper Print, 20th c., depicting “Suma Beach at Night”, mounted to board, sheet 7 3/4 in. x 6 1/4 in., matted and framed [$50/100]

81

352. Pair of Japanese Bronze Bottle Vases, each with dragon handles, and bands of birds, flowers and mythical beasts, h. 19 in., mounted as lamps, h. (incl. socket) 26 1/4 in. [$300/500]

353. Pair of Antique Japanese Kutani Porcelain ‘Saru Kani Gassen’ Vases, probably Meiji Period (1868-1912), painted with large cartouches enclosing the famous Monkey-Crab Battle (one with the killing, other with the retaliation) and figures in a mountainous riverscape, h. 14 3/4 in., mounted as lamps with wiring on exterior, h. (incl. socket) 21 1/4 in [$600/900]

354. Decorative Asian Polychrome Porcelain Covered Hexagonal Jar, modern, decorated with a European hunt scene, base with Qianlong mark, h. 20 3/4 in. [$50/100]

355. Group of Japanese Satsuma and Satsuma-Type Pottery, 19th/20th c., incl. covered koro, marked, h. 6 1/4 in., w. 4 in., d. 3 3/4 in.; ovoid vase, marked, h. 6 in.; bowl, dia. 5 in.; and hexagonal neck vase, h. 10 1/8 in. [$400/600] 82

356. Japanese Imari Porcelain ‘Good Fortune and Long Life’ Punch Bowl, Meiji Period (1868-1912), decorated with flowers and foliage on an iron red and gilt ground, base with Fuki Choshun mark, h. 4 5/8 in., dia. 11 1/4 in. [$100/150]

357. Japanese Cloisonne Enamel Charger, decorated with cranes amid flowers on a pink ground, h. 1 7/8 in., dia. 14 1/8 in.; together with a painted black lacquer octagonal tea caddy, h. 6 3/4 in., w. 4 1/2 in., d. 3 5/8 in. (2 pcs.) [$100/150]

358. Three Japanese Imari Porcelain Chrysanthemum Form Platters, 19th/20th c., incl. single, h. 1 3/4 in., dia. 11 3/4 in.; and pair, h. 1 5/8 in., dia. 11 5/8 in. [$150/250]

359. Group of Japanese Imari Porcelain Tableware, incl. 6 plates, dia.

9 in.; 8 dishes, dia. (largest) 7 1/4 in.; bowl, dia. 6 in.; 2 saucers, dia. 5 1/4 in.; and 2 cups, dia. 3 1/4 in. (19 pcs.) [$200/300]

360. Assembled Collection of Fourteen Japanese Imari Porcelain Chrysanthemum Dishes, late 19th/early 20th c., foliate rims, variously decorated, dia. 8 1/4 in. to 8 1/2 in. (14 pcs.) [$500/700]

361. Assembled Collection of Japanese Imari Porcelain Tableware, late 19th/early 20th c., incl. 4 covered bowls, h. 3 1/8 in., dia. 4 1/4 in. to h. 3 3/4 in., dia. 5 1/4 in.; and 7 cups, h. 2 1/2 in. to 2 3/4 in. (11 pcs.) [$200/400]

362. Assembled Collection of Japanese Imari Porcelain Tableware, late 19th/early 20th c., incl. 4 bowls, largest h. 3 1/2 in., dia. 7 3/4 in.; and 3 shaped dishes, largest dia. 7 1/8 in. (7 pcs.) [$300/500]

83

363. Japanese Patinated Bronze Koro, Kirin finial, mounted reticulated cover, urnform body with dragon handles and birds and flowers in relief, raised on three mythical sea creature feet, stepped circular base, h. 15 3/4 in., w. 7 1/4 in., d. 5 3/8 in. [$300/500]

364. Antique Japanese Bronze Vase, “rope-twist” scroll handles, overall basketweave diaper design, h. 9 1/2 in. [$100/200]

365. Chinese/Tibetan Gilt Bronze Figure of Bhaisajyaguru, the Medicine Buddha modeled seated in vajraparyankasana on a lotus base, right hand resting on the knee, left holding an alms bowl, clad in robes and an antaravasaka tied at the waist, h. 25 in., w. 16 in., d. 11 3/4 in. [$800/1200]

366. Chinese Soft and Hardstone Embellished Carved Lacquer Six Panel Floor Screen, front embellished with scholarly objects, flower vases and antiques, reverse painted with flower sprays and brocade balls, h. 78 in., w. 107 in. [$400/600]

367. Bronze Occasional Table, comprised of assembled Asian and Continental components, h. 20 1/4 in., dia. 18 1/2 in. [$100/200]

84

368. Chinese Marble and Hardwood Low Table, waisted rectangular top inset with later rouge marble, carved apron with stylized taotie, incurvate hoof feet, h. 5 1/2 in., w. 48 in.,, d. 26 1/2 in. [$300/500]

369. Pair of Antique Asian Polychrome Painted Canvas on Panel Doors, painted with a green or orange haired dragon, h. 63 3/4 in. x 32 1/4 in. and 64 1/2 in. x 31 1/2 in. [$500/700] Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

370. Polynesian Siapo or Tapa Cloth, Samoan Peoples, with blue and red crayon drawing of a house, l. 54 in., w. 72 in. [$200/300]

371. Group of Polynesian Siapo or Tapa Cloth Clothing, Samoan Peoples, incl. 2 dresses, pigmented design, h. 52 5/8 in. and 50 in., w. 35 in. and 40 in.; and 2 vests, blue and red stitching, h. 25 1/2 in. and 25 in., w. 20 in. and 22 1/4 in. (4 pcs.) [$200/400]

85

UPCOMING AUCTION SCHEDULE August 11, 2022 UNRESERVED @ Neal Auction - Online-only September 9 & 10, 2022 Premier Collections: Art & Interiors October 12 & 13, 2022 UNRESERVED @ Neal Auction - Online-only November 18 & 19, 2022 Louisiana Purchase Auction™ December 8, 2022 Mid-Century, Modern & Contemporary Art & Design February 3 & 4, 2023 Premier Collections: Art & Interiors

Neal Auction 86

John R. Neal (1940-2018), Founder

Neal Auction Company

Michelle LeBlanc Leckert, CAI President

Katherine Hovas Senior Vice President

Marc Fagan Vice President Consignments

CONSIGNMENTS

ADMINISTRATION Director of Administration & Finance Michelle LeBlanc Leckert, CAI

Furniture & Decorative Arts Polly Rolman-Smith

Client Services / Accounts Receivables Rebekah Abernathy

Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote, Renee Longon

Database Management / Internet Auction Administrator Lisa Weisdorffer Bookkeeper Katie Lasher Marketing & Social Media Cameron McHarg General Manager Jason Leckert Administrative Assistant Claire Whitmore GRAPHICS Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis

Graphics Staff Stephanie Do Ouro Sarah Janko

Silver & Decorative Arts Katherine Hovas General Consignments Cameron McHarg Consignments Administrator Heather Munch AUCTION SERVICES Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan, Cameron McHarg CATALOGUE CONSULTANTS Asian Arts & Special Projects Bettine Field Carroll

OPERATIONS Charlie Clay Aubrey Cooper Chris Favalora

Books, Maps & Natural History Prints Marc Fagan

Scott Gann Adam Trepagnier Jerry Major

Decorative Arts Inventory Management Charlie Clay AUCTIONEERS Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935 Marney Robinson #2155

Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Jewelry Stephen A. Moses, GIA Graduate Gemologist

87

Neal Auction Company Auctioneers of Antiques & Fine Art

4038 Magazine St., New Orleans, LA, 70115 504.899.5329 | clientservices@nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107 LeBlanc 1# 514, aC rroll 1# 874, aF gan 1# 935, o R ib nson # 2155