Estate of Curator William A. Fagaly Auction - March 9 & 10

Neal Auction presents

Art & Objects from the Nightcrawler King Collection: The

Estate of Curator William A. Fagaly

Offered Online: March 9 &10, 2022 Photo by Roman Alokhin

Photo by Christopher Alfieri

Neal Auction presents

Art & Objects from the Estate of Curator William A. Fagaly Featuring nearly 500 lots of art and objects from the collection of renowned curator and scholar and advocate of Southern outsider and contemporary art William “Bill” Fagaly (1938-2021), sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

The Fagaly collection includes outsider and contemporary art from the many artists he befriended and championed early on. It also includes “world folk art” (so termed

by Bill, himself, within his extensive card catalogue), baskets and crafts by Native American and other Indigenous Peoples, Pre-Columbian artifacts, and African art—a once under-represented category Bill pioneered and significantly expanded during his five-decade-long tenure at the New Orleans Museum of Art. Bill Fagaly was a curator of African art at NOMA, a founder of the Contemporary Arts Center in New Orleans, and a founder of Prospect New Orleans, the triennial exhibition that was the first large-scale international art event of its kind in the US.

Exhibition will be held at our 4038 Magazine Street Gallery, March 7 & 8, 2022, 10 a.m. to 4 p.m.

© 2022 Tina Freeman

© 2022 Tina Freeman

Auction begins March 9 at 11 a.m. on all three bidding platforms.

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA, 70115 504-899-5329 | clientservices@nealauction.com

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LA Auc. Lic., Neal Auction Co. #AB-107 LeBlanc #1514, Carroll #1874, Fagan #1935

Photo by Christopher Alfieri

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illiam “Bill” Fagaly was given the nickname “Intrepid” by Roy Sieber, his first professor of African Art history at Indiana University in the late 1950s. Sieber is universally recognized as the first formally trained African art historian in America, and Bill was one of his first students. In their many years as colleagues and friends, Sieber never divulged why he gave Bill this moniker. But anyone who knew Bill would agree that Sieber’s label is apt. Bill was a pioneering scholar and curator, a passionate collector, a committed activist, a curious world traveler, a loyal friend and dedicated mentor and an enthusiastic foodie to name just a few of his many qualities. Bill approached life and art as a fearless adventurer. In all things, he was Intrepid.

Bill was also generous, especially in the way he supported people and ideas. Bill cherished artists and venerated the culture bearers. He championed the fledgling, the underrepresented and the underdog because he was visionary; he knew he was ahead of the curve. On Bill’s 1977 show Five from Louisiana, an exhibition he curated at the New Orleans Museum of Art featuring new works by artists Lynda Benglis, Robert Rauschenberg, Tina Girouard, Richard Landry, and Keith Sonnier, Benglis told me: “Bill was very important. He put that show together very early.

This was a real mark for me. He was one of the earliest serious curators I worked with. Bill just kind of got it! He was so intuitive and cocksure of himself. He always knew what he was doing.”

Any attempt on my part to paint a complete picture here of the man who built the extraordinary collection of art presented in this catalogue will be inadequate. Instead, I recommend The Nightcrawler King, Memoirs of an Art Museum Curator, published by Bill shortly before his death at 83 on May 17, 2021. It documents a venturesome life marked by accomplishment, piloted by Bill’s tirelessly inquisitive nature.

Over the course of a distinguished 50-year career at the New Orleans Museum of Art, Bill held the positions of registrar, curator of contemporary and self-taught art, curator of collections, acting director, chief curator and assistant director before retiring in 2016. Bill contributed substantially to the understanding of African art and Southern Self-Taught art, bringing attention to important artists like David Butler and Sister Gertrude Morgan, whom he knew personally and whose work he understood and appreciated before others did. Bill is also credited with expanding the museum’s African art collection from a handful of works when he arrived to more than 600, fulfilling the dream of James Byrnes, the museum director who hired Bill as an assistant registrar in 1966:

“Registrar at the Delgado was the lowest paying job I had been offered anywhere, but I knew immediately New Orleans was the place for me. I realized there is much more to life than a job . . . Byrnes shared my desire to build an African art collection in an art museum in a major Southern city whose majority population was African American.” Memoirs, p. 36.

I ntroduction I

Photos © 2022 Tina Freeman

Bill arrived in the Crescent City less than a year after it had been devastated by the 1965 Hurricane Betsy, and the damage was still very much evident. But the scene that greeted him upon arrival in New Orleans didn’t daunt him, it seduced him.

“After moving into an apartment in Mother Cabrini’s former schoolhouse on Governor Nicholls in the Vieux Carré, I was immediately swept up and intoxicated by the spirit of the city and, eventually, south Cajun Louisiana. Those cultures were radically different from the environment and lifestyle of the Midwest, where I had been born and raised. I became caught up in the landscape, the food, the music, the architecture, the people, the weather, the ambience. I soon felt the laissez le bon temps rouler atmosphere.” Memoirs, p. 37.

In 2005, almost 40 years to the day after Bill’s arrival in New Orleans following Betsy, the city was again tested by Hurricane Katrina and massive flooding caused by the failure of the federal levee protection system. As the waters subsided, Bill and other leaders in the New Orleans art world gathered to assess Katrina’s effect on their community and to plot a way forward. Bill’s early discussions with Dan Cameron, art historian and curator at the New Museum of Contemporary Art in New York were central to Dan’s decision to found Prospect New Orleans, initially a biennial. Of the many countries around the world hosting biennials, there was none being undertaken at the time in the United States. The new biennial would continue the New Orleans Triennial series begun in 1887, the longest continuing, contemporary art exhibition series in the United States. Intrepid.

Prospect.1 debuted in 2008, as a citywide exhibition. Since then, Prospect New Orleans has presented the work of more than three hundred artists from around the globe, many underrepresented and identifying as BIPOC, selected by some of America’s most talented curators. For over a decade, Prospect has invited artists to be inspired by New Orleans and to reflect the intricate histories of this tricentennial port City in their work. I was fortunate to work with Bill over his distinguished 12-year tenure on the board of Prospect New Orleans on which he served as Chairman of the important Prospect Artistic Director Selection Committee.

Bill passed away unexpectedly in May 2021 and, in his planning, endowed Prospect with the proceeds from the sale of his entire art collection, an act of generosity so selfless and profound its effects will be felt by Prospect New Orleans and the city itself for many years to come. To ensure that the work most important to Bill continues, Prospect has established the William A. Fagaly Memorial Fund for Social Impact. This purpose driven fund honors Bill’s lifelong devotion to New Orleans, his appreciation of its rich cultural diversity and his strong commitment to racial equity, social justice and the environment. The Fund will promote the impact-driven work of New Orleans arts organizations and next-generation creative entrepreneurs in these areas. More information about the William A. Fagaly Memorial Fund for Social Impact and giving opportunities can be found at https://www.prospectneworleans.org/the-bill-fagaly-memorial-fund.

Introduction II

Photo by Christopher Alfieri

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ill lovingly assembled the collection of more than 450 individual artworks presented in this sale over a lifetime. “I collect art, and I cherish each piece. Those objects speak to me more than just aesthetically.” Memoirs, p. ix. Bill pushed conversations between the artworks themselves in his 18th century French Quarter home at 915 St. Philip Street, as Tina Freeman’s wonderful photos in this catalogue will attest. There was nothing random about Bill’s curation, yet the result felt natural and intriguing. Freeman told me about her friend Bill: “His sense of humor comes out in the house…” I’m immediately reminded of contemporary artist Skylar Fein’s portrait of a plump, coiffured beauty (Lot #116) presiding over Bill’s sitting room from in between works by Sister Gertrude Morgan, Lesley Dill and Charles Hutson. Bill collected across many genres of art African, Oceanic, Pre-Columbian, American & World Folk, Self-Taught, American Contemporary.

In Bill’s dining room, Clementine Hunter’s only known gourd sculpture shares space with Bill’s collection of Japanese ikebana baskets. Artist Aristides Logothetis said of his friend Bill: “He was unique in his approach to collecting in that he did not create hierarchies. Bill valued every piece and gave it equal devotion, scholarship and space . . . Bill forced connections between these works in a wonderful way.”

In his memoir, Bill recalls: “As a child, I collected ‘Indian relics’ and was what is derisively referred to as ‘a pot hunter.’ ” [Memoir. p. 29] Bill’s longtime friend and colleague and former Director of the New Orleans Museum of Art, John Bullard notes: “The collecting gene was strong in Bill . . . It began when he was a kid, stamps, coins . . . When he specialized in African art at Indiana University, he had a focus for his more serious collecting . . . Bill collected everything. He was ahead of the collecting curve in Self-Taught art. He had a way of seeing the value in things that others did not.

He loved being friends of artists. He helped them by acquiring their work, or they gave him pieces in appreciation. He had a wonderful sense of humor. He had total confidence in his own eye and his own expertise. He was endlessly curious. He’d buy small things, and one thing would lead to another, Pre-Columbian would lead to another associated area. Bill really appreciated aspects of an artist’s work that were not necessarily recognized by the market, or what was not considered indicative of the best of that artist’s work. He was looking for work that had not been recognized.

He was not buying for investment, but for preservation. He never conceived that some of these pieces would mature in the market.”

Miranda Lash, the Ellen Bruss Senior Curator of the Museum of Contemporary Art Denver put it this way: “Art and artists were William Fagaly’s abiding passions. They informed his over fifty-year career as museum curator and art historian, and they infused his French Quarter residence with a vibrant and distinct character. The artworks from Fagaly’s collection reflect the relationships he built with artists, as well as a lifetime of traveling internationally as one of America’s leading scholars in African Art. Fagaly was known for following artists’ careers over decades and developing close friendships with the artists he admired. He was an advocate for Louisiana artists,

Introduction III

Photos © 2022 Tina Freeman

Black artists, and artists who were self-taught or had never received any formal training. Fagaly did not hesitate to look in unexpected places for talent, including in folkways and vernacular culture, and amongst artists who were at the time young or untested in their careers. Because of these deep connections, many of the artworks in his collection came directly from artists’ studios either as purchases or gifts. Many of these artists’ works also entered into the collection of the New Orleans Museum of Art due to Fagaly’s advocacy efforts. Some of the artists in his collection are well established (George Dureau, Peter Halley, and Jim Richard to name a few), whereas others were acquired purely based on their aesthetic charm and intrigue, and their ability to convey a compelling story. Fagaly’s African baskets, cloths, and masks, as well as his other ethnographic materials, reflect the eye of a widely admired curator steeped in his field, who was perpetually on the lookout for something original and transcendent. Together these objects made his home one of the most enchanting and evocative places in New Orleans.”

Leslie Umberger is the curator of folk and self-taught art at the Smithsonian American Art Museum. About Bill, Leslie notes: “Bill Fagaly was an especially astute viewer. A sensitive understanding of people, and the meanings invested in the things they made, were central to his nature. Bill’s deep connection with the arts of Africa and its diaspora—especially in the American South—was driven by an understanding that each artwork was an extension of the person who made it, a vessel for carrying, and caring for, the beliefs of that person. In both the exhibitions Bill curated, and within the items he surrounded himself with at home, there is a vestigial presence of a life, as well as the cultural richness that surrounded and shaped that life.”

It is my honor to welcome you on behalf of the Prospect New Orleans Board of Trustees to participate in this special sale. Bid often and bid high!

www.prospectneworleans.org

Christopher J. Alfieri President & Board Chairman Prospect New Orleans

Use your cell phone camera on the QR Code to find more information about the William A. Fagaly Memorial Fund for Social Impact and giving opportunities

➠ Introduction IV

© 2022 Tina Freeman

Session One

Wednesday, March 9, 11 a.m.

1. Large Woven Egg Basket, 1961 or 1991, inscribed “18th (or 18”) Egg Basket #2282” and illegibly signed, possibly “by Lynn Christensen”, h. 18 in., w. 18 1/2 in., d. 20 1/2 in. [$100/200] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

2. Four American Quilts, various forms, 62 in. x 78 in., 64 in. x 64 in., 75 in. x 78 in., and 70 in. x 80 in. [$250/350] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

3. Antique American Quilt, green and cream ground, repeating “F” design, 76 in. x 78 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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4. Vintage Green-Painted Metal Music Stand, twisted standard, h. 42 1/2 in., w. 20 1/2 in., d. 18 in. [$200/300]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

5. American Mahogany Three-Part Barrister Bookcase, early 20th c., labeled “The Golbe-Wernicke Co., Made in Cincinnati”, hinged glass doors, square legs, h. 43 1/2 in., w. 25 1/2 in., d. 12 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

6. American Vernacular Baby Rattle, 19th c., straw, thread, iron, h. 6 in., dia. 2 1/2 in. [$50/75] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

7. American Vernacular Seed Embellished Cloth Wall Pocket, h. 8 1/2 in., w. 3 in., d. 2 1/2 in. [$50/75]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

8. Antique Wood Money Tray, divided, with concave coin trays, h. 2 in., w. 18 in., d. 11 1/2 in. [$75/100]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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9. Two Voudou Wax Figural Candles, male and female, h. 7 3/4 in. [$50/75] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

10. Four Decorative Painted Wood Buoys, 20th c., largest l. 14 in. [$75/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

11. Collection of Sea Life, incl. coral, starfish, barnacles, nautilus shell, and other shells, presented in a wedge-form basket, dia. 21 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

12. Painted Wood and Plaster Architectural Fragment, 19th c., h. 13 in., w. 21 in., d. 2 3/4 in. [$75/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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13. Six Vintage Baseball Catchers Masks, c. 1900-1950, three with leather, three with vinyl, one with horsehair padding. [$200/300]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

14. Paolo Soleri for Arcosanti Bronze Wind Bell, 20th c., h. 24 in., w. 4 in., d. 5 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

15. Seventeen Decorative Bird Figures, incl. metal, wood, papier mache, bead, etc., tallest h. 8 in.; together with a basket, h. 17 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

16. Seven American Cast Iron Decorative Objects, three with flower pot holders, largest h. 12 in., w. 30 in., d. 8 in. [$200/300]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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18. Adirondack-Style Twig Cabinet, arched galleried top, paneled door, h. 43 in., w. 20 in., d. 12 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

17. Group of Silver and Silverplate Flatware, incl. 8 iced beverage spoons, figured handles, marked “ITALY”, l. 7 3/4 in.; 4 sterling olive forks, cast from American Victorian floral examples, l. 4 1/8 in.; and ornate silverplate hors d’oeuvres fork, l. 5 1/8 in. (13 pcs.) [$50/100] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

19. Adirondack-Style Twig Side Table, x stretchers, slatted shelf, h. 25 1/2 in., w. 19 in., d. 15 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

20. Slab of Wood, h. 33 3/4 in., w. 9 1/2 in., d. 11 1/2 in [$100/200] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

21. Three Southern Mixed Woods Church Benches, plank back and seat, shaped arms and supports largest h. 30 in., w. 72 in., d. 22 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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22. Quinton J. Stephenson (American, 1920-1997), “Forest Critter”, dried fungi, grasses and plastic, unsigned, h. 6 5/8 in., w. 5 1/4 in., d. 6 1/4 in. [$300/500]

Provenance: Acquired from the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

23. Quinton J. Stephenson (American, 1920-1997), “Alligator in Landscape”, mixed media and found objects, unsigned, h. 7 in., w. 12 in., d. 7 1/2 in. [$300/500]

Provenance: Acquired from the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

24. Quinton J. Stephenson (American, 1920-1997), “Critter Leaping Out of Hole”, driftwood and mixed media, unsigned, h. 10 1/4 in., w. 6 1/4 in., d. 9 1/4 in. [$300/500]

Provenance: Gift of Phyllis Kind, 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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25. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Pines and Wild Flowers in the Marshes”, pastel on paper, initialed lower right, 8 5/8 in. x 11 3/4 in., framed. [$500/700]

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ext. Frame: 17 1/2 in. x 20 in. x 1 in.

26. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Light in the Forest”, pastel on sandpaper, initialed lower right, 10 5/8 in. x 8 5/8 in., framed. [$500/700]

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda.

Summer 1995: p. 199; Fagaly, William A. “The Gifted Amateur: The Art and Life of Charles Woodward Hutson”, Folk Art, Museum of American Folk Art, New York, Fall 1997, vol. 22, no. 3, p. 55.

Ext. Frame: 19 in. x 16 1/4 in. x 1 in.

27. Antique French Walnut Armoire, Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 19081936), “The Old Pine”, pastel on sandpaper mounted to board, unsigned, pencil-titled on reverse of mounting board, 10 1/2 in. x 8 5/8 in., framed. [$500/700] Provenance: Ethel Hutson, c. 1951; Arthur Granide, New Jersey, 1998; William Peltier Fine and Folk Art, New Orleans, 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Condition: Ext. Frame: 17 1/8 in.x 15 1/4 in. x 1 in.

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28. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Beach at Dawn”, pastel on board, initialed lower right, pencil-titled en verso, 8 5/8 in. x 5 5/8 in., framed. [$500/700] Provenance: Gift of Sunny Norman, 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 12 1/2 in. x 15 1/2 in. x 3/4 in

29. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Midday at the Beach”, pastel on board, initialed lower right, 11 3/4 in. x 10 in., framed. [$500/700]

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator andScholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 200.

Ext. Frame: 18 in. x 14 in. x 2 3/4 in.

30. Martin Green (American/New Orleans, 1923-1987), “Fantastic Landscape”, mixed media on paper, unsigned, 22 in. x 28 in., unframed. [$150/250]

Provenance: Acquired from the artist, 1977; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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31. Alyne Harris (American/Florida, b. 1943), “Landscape with Trees and Flowers”, oil on canvas board, signed lower right, 8 in. x 10 in., framed. [$300/500] Provenance: Gift of Sophie and Roy Sieber, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 8 1/2 in. x 10 1/2 in. x 3/4 in

32. Alyne Harris (American/Florida, b. 1943), “Boy Sticking Out His Tongue”, oil on board, signed lower right, 9 7/8 in. x 8 in., framed. [$300/500]

Provenance: Gift of Pat and Jack Nickelson, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 11 1/4 in. x 9 1/4 in. x 7/8 in.

33. Louisiana School, 20th c., “Man”, mixed media on paper, titled lower center, inscribed on backing board, 12 in. x 9 in., framed. [$200/300] Provenance: Gift of Tony Oursler and Jacqueline Humphries, 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 12 3/4 in. x 9 3/4 in. x 1/2 in.

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34. Willie White (American/Louisiana, 1908-2000), “Dinosaurs and Planet”, 1988, marker on paper, signed and dated en verso, 22 3/8 in. x 28 1/8 in., unframed. [$300/500]

Provenance: Gift of Sunny Norman, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

35. Willie White (American/Louisiana, 1908-2000), “Black Crows (Untitled)”, double-sided marker on paper, signed lower left, 22 in. x 28 in., unframed. [$300/500]

Provenance: Gift of Sunny Norman, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

36. Chuckie Williams (American/Louisiana, 1957-2000), “Elvis Presley (Jane Pauley)”, doublesided oil, ballpoint ink and glitter on Celotex, signed lower right, 27 in. x 11 1/4 in., unframed. [$300/500] Provenance: Gilley’s Gallery, Baton Rouge, LA, 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

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37. Mose Tolliver (American/Alabama, 1920-2006), “Duck”, oil on panel, signed lower left, 6 in. x 14 1/4 in., unframed. [$400/600]

Provenance: Gift of Jane Livingston and John Beardsley, New Orleans, 1981; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

39. Randy Sewell (American/Georgia, 20th c.), “Snake”, painted carved wood, incised initials on underside, h. 2 in., w. 16 1/2 in., d. 1/2 in. [$100/200]

Provenance: Gasperi Folk Art Gallery, New Orleans, LA, 1982; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

38. African Carved Wood Fetish Figure, Democratic Republic of Congo/Zaire, twine encircling neck and head, h. 3 3/4 in., dia. 3/4 in.; with fitted metal stand, overall h. 4 in. [$100/200] Provenance: Gift of Roy Sieber, Washington, D.C., Dec. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

41. Eddy Mumma (American/Florida, 1908-1986), “Figure with Hat”, doublesided oil on canvas board, signed mid-left, 20 in. x 16 in., unframed. [$700/1000] Provenance: Gift from Pat and Jack Nickelson, New Orleans, 1983; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

40. Randy Sewell (American/Georgia, 20th c.), “Snake”, painted carved wood, initialed on underside, h. 1 5/8 in., w. 25 in., d. 3/4 in. [$75/150] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

42. Continental Cast Iron Console Table, verdigris marble top, trestle base with molded pierced supports and beaded roundel stretchers, h. 32 1/2 in., w. 46 in., d. 16 in. [$200/300] 13

43. Joe M (American/Alabama, 20th c.), “Shrimps Com”, acrylic and graphite on panel, signed lower left, titled upper left, 13 1/2 in. x 47 in., unframed. [$200/300] Provenance: Gilley’s Gallery, Baton Rouge, LA, 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

44. Mark Anthony Mulligan (American/Kentucky, b. 1963), “Spooky at Zorn Avenue”, 1992, color pencil on paper, signed, titled and dated en verso, label with copy of signature, title and date on backing paper, 22 in. x 27 5/8 in., framed. [$200/300] Provenance: Swanson Cralle Gallery, Louisville, KY, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 25 in. x 31 in. x 1 3/4 in.

45. Mark Anthony Mulligan (American/Kentucky, b. 1963), “Kentucky - Find - a - Word”, 1993, marker and ballpoint pen on paper, signed and dated upper left, titled upper center, 28 in. x 22 in., framed. [$200/300] Provenance: Swanson Cralle Gallery, Louisville, KY, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 31 in. x 25 in. x 1 3/4 in.

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46. Mark Anthony Mulligan (American/Kentucky, b. 1963), “God’s Undying Love Forever”, 1994, acrylic on foamcore, signed and dated en verso, 13 3/4 in. x 17 in., framed. [$200/300] Provenance: Swanson Cralle Gallery, Louisville, KY, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 15 1/2 in. x 19 in. x 1 3/4 in.

47. Mark Anthony Mulligan (American/Kentucky, b. 1963), “Southwest _ Louisville _ FIND”, 1993, marker and ballpoint pen on paper, signed and dated upper left, titled upper center, 17 in. x 14 in., unframed. [$150/250] Provenance: Swanson Cralle Gallery, Louisville, KY, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

48. Mark Anthony Mulligan (American/Kentucky, b. 1963), “Connect the Dots”, 1994, marker on paper, signed, titled and dated upper center, 28 in. x 22 in., framed. [$200/300] Provenance: Swanson Cralle Gallery, Louisville, KY, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 31 in. x 25 in. x 1 3/4 in.

15

49. Hawkins Bolden (American/Tennessee, 1914-2005), “Untitled”, mixed media assemblage, unsigned, h. 25 1/2 in., w. 22 in., d. 3 3/4 in. [$1000/1500]

Provenance: Acquired from the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

50. Hawkins Bolden (American/Tennessee, 1914-2005), “Head”, 1995, steel head of shovel, water hose and rubber wire assemblage, unsigned, h. 18 1/2 in., w. 8 1/2 in., d. 2 1/2 in. [$800/1200] Provenance: Acquired from the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

51. Sainte James Boudrot (American/ Louisiana, b. 1948), “Sister Gertrude Morgan”, 1980, mixed media on wood, signed and copy of article about subject en verso, 44 in. x 18 7/8 in., unframed. [$600/800] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

52. L. W. Crawford (American/Alabama, 20th c.), “Cross”, glitter and matchsticks on matchboxes, signed on reverse, h. 19 1/4 in., w. 12 3/8 in., d. 1 3/4 in. [$100/150]

Provenance: Gift of Kurt Gitter and Alice Yelen, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

16

53. Milton A. Fletcher (American/ Louisiana, 1906-1992), “Boys Choir”, 1984, oil on canvas, signed and dated lower right, titled and inscribed on stretcher, 12 in. x 16 in., framed. [$200/300]

Provenance: Alvina and Paul Haverkamp, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 12 5/8 in. x 16 7/8 in. x 1 1/2 in.

54. Bessie Harvey (American/Georgia, 1928-1994), “Bird Dog”, mixed media, signed and titled on self-base, h. 9 in., w. 7 5/8 in., d. 5 1/2 in. [$400/600]

Provenance: Gasperi Gallery, New Orleans, LA, 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 196.

© 2022 Tina Freeman

55. Oscar William “Pappy” Kitchens (American/ Mississippi, 1901-1986), “Time”, 1973, oil on canvas, signed, titled and dated lower right, exhibition label with artist and title on stretcher, 34 in. x 48 1/8 in., framed. [$1000/1500]

Provenance: Acquired from the artist, 1975; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “1975 Artists Biennial”, New Orleans Museum of Art, New Orleans, LA, June 20 - July 20, 1975, cat. no. 95; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ill.: Maresca, Frank and Roger Ricco. American Self-Taught: Paintings and Drawings by Outsider Artists. New York: Alfred Knopf, 1993, p. 118.

Ext. Frame: 37 1/2 in. x 52 in. x 2 in.

17

56. Oscar William “Pappy” Kitchens (American/Mississippi, 1901-1986), “Christmas or Watching for Santa Claus”, 1974, acrylic on masonite, signed and dated lower right, 14 in. x 27 in., framed. [$700/1000] Provenance: Acquired from the artist, 1975; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “1975 Artists Biennial Winners”, New Orleans Museum of Art, New Orleans, LA, July 24 - Sept. 5, 1976, no. 14; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 15 1/2 in. x 28 1/4 in. x 1 1/4 in.

57. Oscar William “Pappy” Kitchens (American/Mississippi, 1901-1986), “The World’s Most Famous Dance for which John Baptist Lost His Head”, 1974, acrylic on canvas, signed and dated mid-right, titled mid-left, exhibition label with artist and title en verso, 22 in. x 28 1/4 in., framed. [$600/800] Provenance: Acquired from the artist, 1979; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “1975 Artists Biennial Winners”, New Orleans Museum of Art, New Orleans, LA, July 24 - Sept. 5, 1976, no. 15; “Enisled Visions: The Southern Non-Traditional Folk Artist”, Fine Arts Museum of the South at Mobile, Mobile, AL, 1987, no. 40; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Wellfish, Janet. “Pappy Kitchens: The Prolific Artist Paints Primitives”. The Times-Picayune. Aug. 4, 1976, sec. 4, p. 4.

Ext. Frame: 23 1/2 in. x 29 1/2 in. x 2 in.

58. Oscar William “Pappy” Kitchens (American/ Mississippi, 1901-1986), “Green Pastures”, 1974, acrylic and graphite on paper, signed, titled and dated on frame, sight 14 1/2 in. x 21 5/8 in., framed. [$500/700] Provenance: Acquired from the artist, 1979; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 16 3/4 in. x 23 3/4 in. x 1 3/4 in.

18

59. Gregory Avilla (Cuban/American, 20th c.), “Four Goblets”, 4 cut and formed aluminum beer cans, unsigned, one with handwritten label inscribed with artist inside goblet, h. 4 1/8 in., dia. 2 7/8 in. to h. 5 1/4 in., dia. 3 1/4 in.

(4 pcs.). [$150/250]

Provenance: Gift of Herbert H. Hemhill, Jr., New York, 1983; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

60. Baltimore Glassman (American, 1925-2003), “Patrick Henry”, glass and mixed media on panel, unsigned, 8 1/2 in. x 15 in., unframed. [$200/300]

Provenance: Menil Foundation Museum Shop, Houston, TX, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

61. Baltimore Glassman (American, 1925-2003), “Finnegan’s Rainbow”, glass and mixed media on panel, unsigned, 18 1/2 in. x 40 in., unframed. [$200/300]

Provenance: Menil Foundation Museum Shop, Houston, TX, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

62. American School, 20th c., “Not Money, Not Art, Just for Fun, Good Luck Love Drag”, paper and pen on wood ball, unsigned, titled on side, dia. 3 in. [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Condition: Overall fair condition.

19

63. John B. Murray (American/Georgia, 1908-1988), “Untitled: Blue Vertical Abstract”, watercolor and ballpoint ink on paper, inscribed along upper and lower edges, 17 in. x 14 in., framed. [$1000/1500]

Provenance: Dr. William Rawlings, Jr., Sandersville, GA, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 21 in. x 18 in. x 2 in.

64. John B. Murray (American/Georgia, 1908-1988), “Untitled: Purple and Silver”, ink on paper, unsigned, 17 in. x 14 in., framed. [$1000/1500]

Provenance: Dr. William Rawlings, Jr., Sandersville, GA, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Condition: Discoloration along edges; light foxing; buckling of paper. Ext. Frame: 21 in. x 18 in. x 2 in.

65. John B. Murray (American/Georgia, 19081988), “Untitled: Horizontal Rows of Yellow”, c. 1986, watercolor on paper, unsigned, 12 in. x 18 in., framed. [$800/1200] Provenance: Dr. William Rawlings, Jr., Sandersville, GA, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ill.: “Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 199.

Ext. Frame: 18 3/8 in. x 24 7/8 in. x 1 3/4 in.

20

66. Sister Gertrude Morgan (American/New Orleans, 1900-1980), “Happy Birthday”, pastel, crayon and graphite on paper, mounted to cardstock handmade birthday card, unsigned, heavily inscribed and personalized en verso, 7 5/8 in. x 8 1/8 in., unframed. [$800/1200] Provenance: Gift of the artist; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

67. Sister Gertrude Morgan (American/New Orleans, 1900-1980), “Let’s Make a Record”, acrylic and mixed media on printed album sleeve with album, unsigned, inscribed lower left, 12 1/4 in. x 12 1/2 in., unframed; together with “Let’s Make a Record”, 1970, 8 vinyl LP records in sleeves with original shrink wrap, produced by True Believer Records.

(9 pcs.) [$600/800] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

68. Clementine Hunter (American/Louisiana, 1886-1988), “Head with Hat”, c. 1960s, mixed media and paint on gourd, monogrammed mid-left, h. 18 in., w. 13 in., d. 13 in. [$400/600]

Provenance: Melrose Plantation Auction, Melrose, LA, June 7, 1970, lot 725; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “A New Orleans Salute to Clementine Hunter’s Centennial”, New Orleans Museum of Art, New Orleans, LA, Feb. 23 - Apr. 28, 1985; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022; Wahlman, Maude Outhwell. Signs and Symbols: African Images in African-American Quilts. New York: Studio Books in Association with the Museum of American Folk Art, 1993, p. 106.

Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

69. Justin McCarthy (American/Pennsylvania, 1891-1977), “Bathing Beauty”, watercolor on paper, pencil- signed lower right, 11 7/8 in. x 9 1/2 in., framed. [$300/500]

Provenance: Galerie Bonheur, St. Louis, MO, 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 15 5/8 in. x 12 5/8 in. x 1 in.

21

70. Z. B. Armstrong (American, 20th c.), “Doomsday Clocks”, 1986, mixed media and painted wood, signed and dated on reverse, h. 16 1/2 in., w. 18 5/8 in., d. 5 7/8 in. [$300/500] Provenance: Gasperi Folk Art Gallery, New Orleans, LA, 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Passionate Visions of the American South: Self-Taught Artists from 1940 to the Present”, New Orleans Museum of Art, New Orleans, LA, Oct. 23, 1993 - Jan. 30, 1994 and other locations; listed in the accompanying catalogue, no. 4, pl. 118, p.193.

71. Larry Taylor (American/Alabama, 20th c.), “The Man That Let His Hair Grow Wild”, cut tin, unsigned, 12 1/2 in. x 15 3/8 in. [$50/100]

Provenance: Gift of the artist, 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

72. Purvis Young (American/Florida, 1943-2010), “Untitled: Horse and Rider over City”, oil on board, signed upper right, 29 1/2 in. x 31 in., framed. [$1200/1800]

Provenance: Tamara Hendershot, Vanity Novelty Garden, Miami Beach, FL, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 31 3/4 in. x 33 1/2 in. x 1 5/8 in.

22

73. Purvis Young (American/Florida, 1943-2010), “Untitled: Figures in Four Lines”, oil and mixed media on panel, signed upper right, 28 3/4 in. x 20 1/2 in., framed. [$1000/1500] Provenance: Bass Museum Shop, Miami Beach, FL, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 31 in. x 22 5/8 in. x 2 in.

74. Purvis Young (American/Florida, 1943-2010), “Untitled: Black and Red Figures”, mixed media on paper on panel, signed upper right, 13 in. x 6 3/4 in., artist handmade frame. [$800/1200] Provenance: Gift of the artist, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 13 in. x 6 3/4 in.

75. Purvis Young (American/Florida, 1943-2010), “Untitled: Red and Black Figures”, mixed media on paper on panel, signed upper center, 11 in. x 4 7/8 in., artist handmade frame. [$500/700] Provenance: Gift of the artist, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 11 in. x 4 7/8 in.

76. Albert “Kid” Mertz (American, 1906-1988), “I Yam a Square Head I Yam Hi Hi”, paint, wood and mixed media, unsigned, titled on face, “Carl Hammer Gallery” label with artist and title on reverse, h. 21 1/4 in., w. 19 5/8 in., d. 2 3/4 in. [$100/150]

Provenance: Carl Hammer Gallery, Chicago, IL, 1990; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

Ill.: Jensen, Dean. “The Picasso of Newaygo County.” Michigan: The Magazine of the Detroit News.

Mar. 25, 1984: p. 22. Exh.: “We Are Not Alone: Angels and Other Aliens”, American Visionary Art Museum, Baltimore, MD, Oct. 1999 - Sept. 2000 and listed in the accompanying catalogue, p. 22; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

23

77. Albert “Kid” Mertz (American, 1906-1988), “A Sharp Tongue and a Dull Mind are Usually Found in the Same Head (I’ll Cut if You Handle Me Right)”, painted axe, unsigned, titled lower center and on reverse, h. 36 1/4 in., w. 10 in., d. 1 1/2 in. [$100/150] Provenance: Carl Hammer Gallery, Chicago, IL, 1990; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

78. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Woman in an Interior”, pastel and watercolor on paper, initialed lower right, 13 7/8 in. x 10 in., framed. [$500/700]

Provenance: Barbara Lonviere, 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 16 1/2 in. x 12 1/2 in. x 1 3/4 in.

79. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Tall Pines at Water’s Edge”, pastel on paper, initialed lower right, 7 3/4 in. x 9 7/8 in., framed. [$500/700]

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 17 in. x 18 1/4 in. x 3/4 in.

24

80. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Crimson Sunset”, pastel on paper, initialed lower right, 13 7/8 in. x 9 7/8 in., framed. [$500/700]

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Fagaly, William A. “The Gifted Amateur: The Art and Life of Charles Woodward Hutson”. Folk Art. Museum of American Folk Art, New York, Fall 1997, vol. 22., no. 3, p.

54; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 22 1/2 in. x 17 3/4 in. x 1 in.

81. Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), “Four Pines at Water’s Edge”, pastel on paper, initialed lower right, 8 5/8 in. x 10 5/8 in., framed. [$500/700] Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

82. Charles Woodward Hutson (American/South Carolina, 18401936, active New Orleans, 1908-1936), “Figure Floating in a Landscape”, pastel on board, unsigned, 10 1/4 in. x 14 in., framed. [$500/700]

Ill.: Fagaly, William A. “The Gifted Amateur: The Art and Life of Charles Woodward Huston”. Folk Art. Museum of American Folk Art, New York, Fall 1997, vol. 22, no. 3, p.

56.; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 17 1/2 in. x 18 7/8 in. x 1 in.

Provenance: Estate of the artist (Mary Sue Roniger), 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 12, 2003. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 199.

Ext. Frame: 14 1/2 in. x 18 in. x 1 3/4 in.

25

83. James Harold Jennings (American/North Carolina, 1931-1999), “Sun, Moon and Stars”, oil on wood construction, unsigned, h. 12 1/4 in., w. 21 1/2 in., d. 4 1/2 in. [$400/600]

Provenance: Urban Artwork, Winston-Salem, NC, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

84. Joe the Welder (American/Indiana, 20th c.), “Praying Mantis”, painted iron railroad spike and iron rods, unsigned, h. 4 1/2 in., w. 8 in., d. 4 in. [$100/150] Provenance: Gift of Roger Brown, New Buffalo, Michigan, 1988. Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s Good Food and Glorious Houses.

New York: Clarkson Potter Publishers, 1993, p. 15.

85. Clyde Jones (American/North Carolina, b. 1938), “Alligator”, 1987, mixed media, signed twice, dated and inscribed lower left, h. 13 1/2 in., w. 18 in., d. 59 in. [$300/500]

Provenance: Tom Russo, Durham, NC, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

86. American School, 1994, “Caught Out in a Storm”, oil on canvas, signed “M. Mayer” and dated lower left, titled on stretcher, 28 in. x 44 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

87. Joseph C. Carreau (American/New Hampshire, 1917-1995), “Byond [sic] the Door”, 1987, ink and marker on paper mounted to board, initialed and dated lower right, artist label with title and date on reverse of mount, 7 7/8 in. x 10 7/8 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

26

88. American School, 20th c., “Red Figure”, oil and charcoal on board, unsigned, 8 in. x 7 1/2 in., unframed. [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

89. Lorraine Gendron (American/Louisiana, b. 1937), “Nutty Jazz Band”, pecans, plasticine and mixed media, signed on piano, h. 5 1/4 in., dia. 8 1/2 in.; and “Bill Fagaly as Alexander the Great”, plasticine and paint, signed on base, h. 6 in., dia. 5 3/4 in. (2 pcs.). [$200/300]

Provenance: Gifts of the artist, 1982; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

.

90. Lorraine Gendron (American/Louisiana, b. 1937), “Second Line Dancer”, wood and paint, signed on side, h. 15 1/4 in., w. 6 5/8 in., d. 3 3/4 in.; and “Mardi Gras Indian”, wood, modeling clay and mixed media, signed on reverse, artist label under base, h. 14 1/2 in., w. 8 7/8 in., d. 2 3/4 in.

(2 pcs.) [$200/300] Provenance: Gifts of the artist, 1997 and 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

91. American Late Classical Carved Mahogany Side Table, early-to-mid 19th c., shaped backsplash, frieze drawer, ballturned supports, stretcher shelf, ball feet, h. 33 in., w. 36 in., d. 17 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

92. Southern Cherrywood Plantation Desk, early-to-mid 19th c., fall-front door, fitted interior, frieze drawer, ball turned legs and feet, h. 57 1/2 in., w. 38 in., d. 22 1/2 in. [$600/900] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

27

93. Southern Walnut Server, 19th c., plank top, ring-turned legs and feet, h. 30 1/2 in., w. 70 in., d. 26 1/2 in. [$300/500]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

94. Southern Cherrywood Poster Bed, 19th c., shaped headboard and foot board, baluster turned posts surmounted by finials, turned legs, h. 85 1/2 in., w. 49 1/2 in., d. 77 1/2 in. [$500/900]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

95. Robert Gordy (American/New Orleans, 1933-1986), “Female Head”, c. 1980, prismacolor pencil on paper, unsigned, “Arthur Roger Gallery, New Orleans, LA” label with artist and title on backing paper, 5 15/16 in. x 5 7/8 in., framed. [$500/700]

Provenance: Arthur Roger Gallery, New Orleans, LA, 1989; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses. New York: Potter Publishing, 1993, p. 15.

Ext. Frame: 16 3/4 in. x 13 3/4 in. x 3/4 in.

© 2022 Tina Freeman

28

96. Robert Gordy (American/New Orleans, 1933-1986), “Female Head”, c. 1980, acrylic on board, unsigned, “Arthur Roger Gallery, New Orleans, LA” label with artist and title and exhibition label on backing paper, 6 in. x 4 7/8 in., framed. [$500/700] Provenance: Arthur Roger Gallery, New Orleans, 1989; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003; “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - Jun. 30, 2007.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses. New York: Potter Publishing, 1993, p. 15; Bookhardt, D. Eric. “Paper Trails”. Gambit Weekly.

May 1, 2007, p. 95; Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: pp. 198-199.

Ext. Frame: 11 7/8 in. x 9 1/8 in. x 5/8 in.

97. Noel Rockmore (American/New Orleans, 19281995), “Untitled”, 1992, mixed media collage on paper, signed and dated lower left, exhibition label on backing board, 20 in. x 26 in., framed. [$800/1200] Provenance: Gift of Kelly Edmondson, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003; “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - Jun. 30, 2007.

Ext. Frame: 25 1/2 in. x 30 3/8 in. x 1 1/4 in.

29

98. Noel Rockmore (American/New Orleans, 1928-1995), “Sister Gertrude Morgan”, 1990, acrylic on masonite, signed, titled and dated upper right, 6 3/4 in. x 4 5/8 in., framed. [$1000/1500] Provenance: Collection of Mike Stark; Gift of Judy Trapp, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 15 3/8 in. x 13 1/2 in. x 1 3/4 in.

99. Keith Sonnier (American/Louisiana, 1941-2020), “Ubud Study”, 1983, marker on graph paper, initialed and dated lower right, 7 3/8 in. x 5 3/4 in., framed. [$500/700]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 19 7/8 in. x 17 5/8 in. x 1 in.

© 2022 Tina Freeman

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100. Paul Ninas (American/New Orleans, 1903-1964), “Untitled”, 1951, mixed media on paper, signed and dated lower right, 8 1/2 in. x 10 5/8 in., framed. [$800/1200]

Provenance: Gift of Sunny Norman, 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Paul Ninas 1903-1964”, Louisiana Arts and Science Museum, Baton Rouge, LA, Sept. 21 - Nov. 16, 1986; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec 14, 2003.

Ext. Frame: 15 1/2 in. x 10 5/8 in. x 1 in.

101. John Clemmer (American/New Orleans, 1921-2014), “Cat (Pahst)”, 1948, ink on paper, signed and dated lower right, label with artist, title and date on backing board, 10 in. x 14 in., framed. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 19 in. x 21 1/2 in. x 1 1/2 in.

102. John Geldersma (American/New Orleans, b. 1942), “Quail”, 1971, plaster, signed and dated on base, h. 6 in., w. 3 in., d. 4 1/2 in.; together with limited edition poster, “Discovering the Americas/ Festival International of Louisiana”, pencil-signed and numbered “19/200” mid-right, 24 in. x 18 in., unframed. (2 pcs.) [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

31

© 2022 Tina Freeman

103. Peter Roussel Norman (American/New Orleans, 1903-1975), “Flowers”, 1964, oil on canvas, signed and dated lower right, partial label with artist and title on backing paper, 24 in. x 18 in., framed. [$600/800] Provenance: Gift of Sunny Norman, 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 27 3/8 in. x 21 1/4 in. x 1 1/2 in.

104. Jacqueline Humphries (American/New Orleans, b. 1960), “Untitled: Black, Brown and Yellow”, 1994, watercolor and ink on paper, signed, dated and inscribed en verso, 10 1/2 in. x 10 1/2 in., framed. [$500/700]

Provenance: Gift of the artist, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 14 1/4 in. x 14 1/8 in. x 1 1/2 in.

32

105. Jacqueline Humphries (American/New Orleans, b. 1960), “Untitled: Horizontal Zigzag”, 1999, marker on paper, signed and dated lower right, 11 5/8 in. x 8 in., framed. [$500/700]

Provenance: Gift of the artist, 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 13 1/2 in. x 10 in. x 2 in.

106. Jacqueline Humphries (American/New Orleans, b. 1960), “Silver Square”, mixed media on panel, unsigned, h. 54 3/8 in., w. 19 in., d. 1 in. [$100/200]

Exh.: “Prospect.1”, Ideal Auto Repairs, New Orleans, LA, Nov. 1, 2008 – Jan. 18, 2009.

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

107. Jacqueline Humphries (American/New Orleans, b. 1960), “Untitled”, 1994, ink on paper, signed and dated en verso, 13 1/8 in. x 13 3/4 in., framed. [$500/700]

Provenance: Gift of the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

108. Jacqueline Humphries (American/New Orleans, b. 1960), “Untitled: Composition with Dots”, 1988, watercolor on paper, pencil-signed and dated lower left, 10 in. x 12 3/4 in., framed. [$100/200]

Ext. Frame: 16 3/4 in. x 17 1/4 in. x 1 1/2 in.

Ext. Frame: 12 1/4 in. x 15 1/2 in. x 1/2 in.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 199.

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

33

109. Wayne Amedee (American/New Orleans, b. 1946), “Home Dreams, Midnite I”, 1996, oil and pastel on paper, signed and dated lower right, artist label with title and date and exhibition label on backing paper, 12 in. x 12 in., framed. [$600/800]

Provenance: Gift of the artist, 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - June 30, 2007.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net.

Accessed Jan. 19, 2022.

Ext. Frame: 22 1/2 in. x 22 1/4 in. x 2 in.

110. Wayne Amedee (American/New Orleans, b. 1946), “Untitled: Consolation Series”, painted wood, unsigned, h. 16 1/2 in., w. 7 1/2 in., d. 7 1/2 in. [$800/1200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

111. Brian Borrello (American/New Orleans, b.

1958), “Happiness: How to Find It”, c. 1998, bound book, nut and bolt, signed and personalized on free end paper, signature stamped on reverse, h. 6 3/8 in., w. 4 1/4 in., d. 1 1/4 in. [$1000/1500]

Provenance: Art Against AIDS Benefit, c. 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

34

112. Michael Northuis (American/North Carolina, b. 1950), “Yaka Boy Snorts the Roach”, 2002, acrylic on panel, initialed upper left and en verso, dated upper right, 7 1/2 in. x 5 3/4 in., framed. [$300/500] Provenance: Gift of the artist, 2003; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.”

Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 11 in. x 8 5/8 in. x 1 3/4 in.

113. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Leaves”, ink on paper, estate stamp lower right, 10 7/8 in. x 8 3/8 in., framed. [$2500/3500]

Provenance: Tilden-Foley Gallery, New Orleans, 1989; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”.

Veranda. Summer 1995: p. 199.

Ext. Frame: 21 1/2 in. x 18 3/4 in. x 1 5/8 in.

114. Hunt Slonem (American/Louisiana, b. 1951), “Bunny”, 2009, oil on panel, signed, dated and inscribed en verso, 10 in. x 8 in., framed. [$2000/3000] Provenance: Gift of the artist, 2009; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 13 1/2 in. x 11 1/2 in. x 1 in.

35

115. Lynda Benglis (American/Louisiana, b. 1941), “Lion Paw”, 1983/2015, cast pigmented acrylic, unsigned, edition 2 of 12 with 4 artist proofs, h. 13 1/4 in., w. 17 1/2 in., d. 16 1/2 in. [$15,000/25,000]

Note: The form for “Lion Paw” derives from a maquette Benglis produced in preparation for her first fountain, “The Wave of the World”, currently installed in City Park, New Orleans.

“I first met Bill in 1976, the bicentennial year, in New York where he had come to research the exhibition Five from Louisiana and we remained close ever since. He was my friend.

Bill was very important. He put that show together very early. This was a real mark for me. He was one of the earliest serious curators I worked with. Bill just kind of got it! He was so intuitive and cocksure of himself. He always knew what he was doing. He was so natural in whatever he did – he was always learning. Bill was a lion! He was a force to be reckoned with because his knowledge was so broad.

It always felt like a celebration to be with Bill in New Orleans. He had a curator’s eye. His place in the French Quarter was like a shell of wonder! It was very homey. It was almost like being on the stage but behind the curtain. His collection had great breadth, but it magically came together. He had talent for putting things together. He had a curator’s eye; his home was a museum.

The Wave of the World in process with Palladium Wave, Modern Art Foundry, Long Island City, New York, 1983 Photo credit: Peter Bellamy

Caption: The form for Lion Paw derives from a maquette Benglis produced in preparation for her first fountain, The Wave of the World, currently installed in City Park, New Orleans.

Bill Fagaly with Lynda Benglis, 2019

While Bill’s operatic laugh will be heard no more, his accomplishments will live on. He achieved his dreams and helped many others see and realize their own.

I gave ‘Lion Paw’ to Bill when he retired from the Prospect New Orleans Board and went to emeritus status. I thought it would be a meaningful way to commemorate his contribution to the city of New Orleans. I initially made the form of ‘Lion Paw’ as a study for ‘The Wave of the World’ for the 1984 Louisiana World Exposition. More recently, when I was restoring ‘The Wave of the World,’ now installed in City Park in New Orleans, I found the form again and cast it in acrylic.” ~ Lynda Benglis 36

Bill Fagaly with “Lion’s Paw”

116. Skylar Fein (American/New Orleans, b. 1968), “Laughing Lady”, mixed media on shaped panel, signed, dated and artist’s wood doubloon en verso, 33 3/4 in. x 29 3/4 in., unframed. [$400/600] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net.

Accessed Jan. 19, 2022.

117. Bruce Davenport “Dapper Bruce Lafitte” (American/New Orleans, b. 1972), “The Game has Changed”, 2009 and “T.D.B.C. Presents Going to Church”, 2009, 2 markers on paper, one signed, titled and dated upper right, signed upper left and inscribed en verso, one signed and dated lower right and titled upper center, 5 in. x 7 in. and 14 in. x 17 3/4 in., both unframed. (2 pcs.). [$500/700]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

118. Bruce Davenport “Dapper Bruce Lafitte” (American/New Orleans, b. 1972), “T.D.B.C. Presents Bruce Jr You Something Special”, 2012, marker on paper, signed lower left and right, dated lower right, titled lower center, inscribed en verso, 18 1/4 in. x 24 1/2 in., unframed. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

37

119. Jeffrey Cook (American/New Orleans, 1961-2009), “Untitled: Wrapped Figure”, mixed media and wood, monogrammed on underside of self-base, h. 9 1/4 in., w. 2 1/4 in., d. 2 1/2 in. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

120. Francis Pavy (American/Louisiana, b. 1954), “Untitled: Coffee Mug”, 1988, paint on cut and shaped tin, signed and dated en verso, 10 3/4 in. x 12 5/8 in., unframed. [$1000/1500]

Provenance: Gift of E. John Bullard, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

121. Rolland Harve Golden (American/New Orleans, 1931-2019), “Sign Language”, graphite on paper, signed lower right, titled lower left, signed and titled en verso, artist and title inscribed on backing paper, 7 5/8 in. x 10 3/4 in., framed. [$400/600] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 13 1/8 in. x 15 3/8 in. x 1 in.

38

122. Michael Guidry (American/New Orleans, 20th c.), “Untitled #25 (Making Memories Series)”, 2000, acrylic on panel, signed, titled, dated and artist label with title and date en verso, 22 in. x 22 in., unframed. [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

123. Robert “Bob” Tannen (American/New Orleans, b. 1937), “Untitled: Black, Pink and White Spirals”, 1986, pastel on paper, initialed and dated lower left and upper right, 22 1/2 in. x 30 1/4 in., unframed. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

124. Paul Tarver (American/New Orleans, 20th c.), “Untitled”, 2001, tin can and mixed media, signed, dated and personalized on base, h. 5 in., w. 6 7/8 in., d. 5 1/2 in., wood base, overall h. 6 7/8 in. [$25/50]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

125. Bunny Matthews (American/Louisiana, 1951-2021), “Vic and Nat’ly’s Tour da Nawlins”, ink on paper triptych, signed and dated lower center on left panel, pencil-signed, dated and personalized lower center on right panel, each panel 17 in. x 14 in., framed separately in matching frames. (3 pcs.). [$300/500]

Provenance: Gift of the artist, 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Condition: Good to fair condition. Ext. Frames: 25 in. x 21 in. x 1 1/4 in.

126. Mark Bercier (American/Louisiana, b. 1950), “Pink Girl”, 2012, painted metal, signed and dated on reverse, h. 7 3/4 in., w. 4 1/4 in., d. 2 3/8 in. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

39

127. Ken Luce (American/Texas, b. 1950), “Mr. Blue”, 1985, mixed media on found wood, signed, titled and dated on reverse, h. 11 3/8 in., w. 5 3/4 in., d. 2 1/2 in. [$700/1000] Provenance: Gift of the artist, 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

129. Earl Staley (American/Texas, b. 1938), “Comet” and “Moon Dog Dance”, 1977, 2 watercolors on shaped paper, one pencil-signed, dated and personalized en verso, one illegibly inscribed en verso, 3 in. x 7 in. and 5 7/8 in. x 4 in., unframed.

(2 pcs.). [$50/100]

Provenance: Gift of the artist, 1981; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

128. Earl Staley (American/Texas, b. 1938), “The Death of Actaeon”, 1979, acrylic on canvas board, signed and dated mid-left, signed, titled and dated en verso, 14 in. x 10 in., framed. [$800/1200]

Provenance: Acquired from the artist, 1980; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 16 5/8 in. x 12 3/4 in. x 1 1/2 in.

130. Trenton Doyle Hancock (American/Texas, b. 1974), “You Deserve Less”, 2001, mixed media on notebook paper, unsigned, titled upper left and center, 10 1/2 in. x 7 3/4 in., framed. [$800/1200]

Provenance: Dunn and Brown Contemporary, Dallas, TX, 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003; “2001 New Orleans Triennial”, New Orleans Museum of Art, New Orleans, LA, Apr. 21 - June 10, 2001, cat. 3.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 12 1/4 in. x 9 1/2 in. x 2 in.

40

131. James Surls (American/Texas, b. 1943), “Beaded Gourd”, mixed media on gourd, unsigned, h. 4 1/2 in., dia. 3 in. [$500/800] Provenance: Gift of Arthur Roger, New Orleans, 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

132. Bill Davenport (American/Texas, b. 1963), “Lichen Logo”, oil on canvas, signed and titled en verso, 7 7/8 in. x 7 7/8 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

133. Melissa Miller (American/Texas, b. 1951), “Pelican”, 1988, tempera on shaped panel, signed and dated en verso, h. 6 in., w. 3 1/2 in., d. 1/16 in., unframed. [$100/200]

Provenance: Arts Against AIDS Auction, Arthur Roger Gallery, New Orleans, LA, 1988; Gift of E. John Bullard; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact. © 2022 Tina Freeman

134. Grover Mouton (American/Louisiana, b. 1946), “Bridge”, mixed media on paper, unsigned, personalized lower center, 11 in. x 16 1/4 in., framed [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 19 in. x 25 in. x 1 3/4 in.

41

135. Southern School, 1990, “Untitled”, acrylic and modeling paste on paper, pencilsigned “Johnston”, titled, dated and inscribed en verso, 29 7/8 in. x 22 1/4 in., unframed. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

136. Clifford Vanover (American, 20th c.), “Pass”, acrylic on panel, partially signed lower right, 18 5/8 in. x 11 3/8 in., unframed. [$200/300] Provenance: Acquired from the artist, 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

137. David Bradshaw (American/Louisiana, b. 1944), “Untitled”, 1994, metal, signed and dated on underside, h. 3 1/4 in., w. 6 1/8 in., d. 4 1/4 in. [$300/500]

Provenance: Gift of the artist, 2003; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

138. Dub Brock (American/New Orleans, b. 1950), “Garden Landscape”, magnolia leaf and paint, unsigned, h. 2 3/4 in., w. 10 3/8 in., d. 1 1/4 in. [$300/500]

Provenance: Gift of Robert Gordy Estate, 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda.

Summer 1995: p. 200.

139. Edward Whiteman (American/Louisiana, b. 1938), “Barge”, 1993, wood, iron, paint and canvas, signed, titled and dated on underside, h. 10 1/2 in., w. 17 5/8 in., d. 4 1/8 in. [$400/600] Provenance: Gift of the artist, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

42

140. Edward Whiteman (American/Louisiana, b. 1938), “Snowflake Christmas Ornament”, tin, initialed lower left, 8 in. x 8 1/2 in. [$150/250]

Provenance: Art Against AIDS Auction, New Orleans, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

141. Edward Whiteman (American/Louisiana, b. 1938), “Untitled”, found metal rods, unsigned, 13 3/4 in. x 21 3/8 in. [$100/200]

Provenance: Gift of the artist, 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Musuem at Home”. Veranda.

Summer 1995: p. 199.

142. Carlos de Villasante (American/Florida, b. 1971), “Self-Portrait”, pigment on theatre seat, unsigned, h. 17 in., w. 9 3/4 in., d. 7 in. [$100/200]

Provenance: Gift of the artist, 2005; Estate of Curator and Scholar and Advocate o f Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

143. Tina Girouard (American/Louisiana, 1946-2020), “Yu Du Vu Du”, sequins and beads on fabric, unsigned, 17 1/4 in. x 14 in., unframed. [$1000/1500]

Provenance: Gift of the artist, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

43

144. Mitchell Gaudet (American/New Orleans, b. 1962), “Gold Wing”, glass, unsigned, h. 7/8 in., 7 1/2 in., d. 3 3/8 in. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

146. Tim Hailey (American, 20th c.), “Sham: Horse Shit Award”, 1973, horse manure encased in colored acrylic with plaque, unsigned, h. 1 1/4 in., dia. 3 5/8 in. [$100/200] Provenance: Gift of the artist, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

145. Mitchell Gaudet (American/New Orleans, b. 1962), “Arts Council of New Orleans Mayor’s Arts Award”, 1997, glass, incised with artist’s initials, title and date, title plaque on self-base, h. 7 1/2 in., w. 13 in., d. 10 3/4 in. [$400/600]

Provenance: Arts Council of New Orleans Mayor’s Arts Awards, 1997; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

147. James Hill (American/California, 20th c.), “Double Face Mask”, 1982, mixed media, unsigned, h. 17 3/4 in., w. 10 in., d. 7 in. [$200/300]

Provenance: Galerie Simonne Stern, 1982; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 200.

148. Benjamin Jones (American, b. 1954), “Untitled”, 1994, mixed media collage on paint can, signed and dated on underside, h. 8 in., dia. 6 5/8 in. [$100/200]

Provenance: Gift of the artist, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

44

149. Noah Edmondson (American, b. 1953), “Jackson Pollock Whirligig”, 1984, mixed media, unsigned, h. 14 1/2 in., w. 19 1/2 in., d. 4 7/8 in. [$300/500]

Provenance: Sales and Rental Gallery, Contemporary Arts Museum, Houston, TX, 1984; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

150. Robert Schoen (American, 20th c.), “Mask”, 1983, carved marble, signed and dated on reverse, h. 12 in., w. 11 in., d. 2 3/4 in. [$200/300] Provenance: Gift of the artist, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses. New York: Potter Publishing, 1993, p. 15; Burda, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 1999.

152. Luc Lacroix (Haitian, 20th c.), “Voudun Flag of Ghede”, sequins and beads on fabric, signed in sequins lower left, 31 1/2 in. x 26 1/4 in., framed. [$1000/1500]

151. American School, 20th c., “Shoes”, folded cigarette packages, unsigned, each h. 2 1/4 in., w. 3 1/4 in., d. 1 1/2 in. [$50/75] Provenance: Gift of Arthur Roger, 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Acquired from Pierre Monosiet, 1979; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Mystery and Mastery: Art of Haiti”, Contemporary Arts Center, New Orleans, LA, Feb. 23 - Apr. 11, 1998; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 34 1/8 in. x 28 5/8 in. x 1 1/2 in.

45

153. John Waters (American/Maryland, b. 1946), “Idol #1 (Portraits of Glenn Gould)”, 2003, 5 chromogenic prints, signed, titled and numbered “3/8” on backing board, “Marianne Boeksy Gallery, New York, NY” label with artist, title, date and edition and “Arthur Roger Gallery, New Orleans, LA” label with artist, title, date and edition on backing board, overall 3 3/8 in. x 24 3/4 in., framed together. [$1200/1800]

Provenance: Arthur Roger Gallery, New Orleans, LA, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 7 1/4 in. x 28 3/4 in. x 1 in.

154. Dawn Dedeaux (American/New Orleans, b. 1952), “Baal”, 2002, 3 digital photographs on paper, each signed and personalized and one titled on backing board, from New Myths series, each 10 in. x 7 7/8 in., framed alike. (3 pcs.). [$600/800]

Provenance: Gift of the artist, 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frames: 11 1/8 in. x 9 1/8 in. x 5/8 in.

155. Dawn Dedeaux (American/New Orleans, b. 1952), “Photo of Elizabeth Shannon Mardi Gras & Birthday 2012, Brulatour Mansion Balcony”, 2012, c-print, pencil-signed, titled and dated en verso, 7 7/8 in. x 7 7/8 in., unframed. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

46

156. Carlos de Villasante (American/Florida, b. 1971), “Figure with Mask”, gelatin silver print, unsigned, inscribed en verso, sheet 14 in. x 11 in., unframed. [$100/200] Provenance: Gift of the artist, Dec. 2006; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

157. Harriet Blum (American/New Orleans, b. 1949), “Sister Gertrude Morgan at Jazz & Heritage Festival (#4)”, negative creation date 1973, silver gelatin print, signed, titled, dated and numbered “3/25” lower margin, 6 1/2 in. x 6 5/8 in., framed. [$300/500] Provenance: Acquired from the artist, 2006; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 19 1/4 in. x 15 1/4 in. x 1 in

158. George Valentine Dureau (American/New Orleans, 1930-2014), “Raymond Maxwell Harris”, gelatin silver print, pencil-signed, titled and personalized lower margin, sheet 20 in. x 16 in., framed. [$300/500]

Provenance: Gift of the artist, 1979; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14. 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 21 in. x 19 1/2 in. x 1 in.

159. Michael P. Smith (American/New Orleans, 1937-2008), “Rev. Mother Lydia Gilford”, 1973, gelatin silver print mounted to board, pencil-signed, titled and personalized on mount, 9 15/16 in. x 9 15/16 in., framed. [$300/500]

Provenance: Gift of the artist, 1974; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “The Camera”, New Orleans Museum of Art, New Orleans, LA, 1974; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 19 1/4 in. x 18 1/4 in. x 3/4 in.

47

160. Clarence John Laughlin (American/Louisiana, 1905-1985), “Goddess of the Butterflies”, negative creation and print date 1973, gelatin silver print mounted to board, signed and titled on mat, signed, dated, artist stamp and personalized on reverse of mount, 13 1/2 in. x 10 3/4 in., framed. [$800/1200] Provenance: Gift of the artist, 1973; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net.Accessed Jan. 19, 2022.

Ext. Frame: 18 5/8 in. x 15 1/2 in. x 1 1/4 in.

161. Carlos Betancourt (American/Puerto Rico, b. 1966), “Interventions with Aracoel Objects”, 2002-15, 3 chromogenic prints surface-mounted to plexiglass, unsigned, from Interventions with Aracoel Objects traveling installation, each 15 in. x 15 in., unframed. (3 pcs.). [$12000/18000]

Provenance: Gift of the artist, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

162. George Febres (American/New Orleans, 1943-1996), “Gaston Lovelace”, 1981, color polaroid, pencil-signed lower right, pencilsigned, titled and dated on mat, 4 1/4 in. x 3 1/2 in., framed. [$300/500] Provenance: Gift of the artist, 1981; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 11 1/4 in. x 9 1/4 in. x 3/4 in.

48

163. American School, 1963, “Pins and Shadows”, straight pins, gelatin silver print and mixed media with plexiglass cover, signed “P. Curry”, dated and inscribed “Bloomington” on reverse, h. 3 1/2 in., w. 9 7/8 in., d. 8 in. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

165. Leslie Addison (American/New Orleans, b. 1951) and George Yerger (American/New Orleans, b. 1941), “Portrait of Bill Fagaly”, c. 1993, photocollage mounted to board, unsigned, 30 in. x 25 1/2 in., framed. [$300/500]

Provenance: Gift of the artists, 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

164. Alex Traube (American/Kentucky, b. 1946), “Tom Seaver, Bradenton, FL”, 1978, gelatin silver print, pencil-signed, titled and dated en verso, signed, dated and personalized lower margin, 9 in. x 11 in., unframed. [$400/600]

Provenance: Gift of the artist, 1980; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

166. Deborah “Debbie” Luster (American/Louisiana, b. 1951), “Tooth for an Eye (2000 Block North Rocheblave St.) disarchive #04-04”, negative creation date 2006, print date 2008, gelatin silver print, pencil-signed, titled, dated and personalized en verso, from @Tooth For An Eye: A Chorography of Violence in Orleans Parish@, sheet 21 7/8 in. x 21 7/8 in., framed. [$600/800] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Luster, Deborah. Tooth For An Eye. Santa Fe: Twin Palms Publishers, 2011.

Ext. Frame: 26 1/2 in. x 26 1/2 in. x 1 1/2 in.

Ext. Frame: 31 1/2 in. x 27 in. x 1 1/2 in.

49

167. Jack Robinson (American/Mississippi, 1928-1997), “Leonard Parrish”, c. 1955, “Mardi Gras at Dixie’s”, 1954, “Ella Brennan”, c. 1950, each with posthumous print date of 2019, 3 gelatin silver prints, each titled, dated, inscribed with printer’s initials and “The Estate of Jack Robinson” embossed blind stamp lower margin, each pencil-inscribed with title, negative creation date, print date, printer’s initials and “Jack Robinson/Robinson Archives” stamp en verso, 9 7/8 in. x 12 in. to 10 in. x 10 in., unframed. (3 pcs.) [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

168. New Orleans School, 20th c., “Bill & Ernie (William A. Fagaly & Ernest Mickler)”, gelatin silver print, illegibly signed lower margin and en verso, 11 in. x 10 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

169. Robert Giard (American/New York, 1939-2002), “Nude with a Bicycle”, 1976-77, gelatin silver print, signed, titled, dated and inscribed “copy” lower margin, 10 1/8 in. x 10 1/8 in.; and “Untitled”, 1977-79, gelatin silver print, signed, dated and numbered “11/20” lower margin, 10 1/8 in. x 10 1/8 in., unframed. (2 pcs.). [$200/400] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

50

170. William A. “Bill” Fagaly (American/New Orleans, 1938-2021), “Abstract Lines”, 6 c-prints mounted to board, unsigned, 5 7/8 in. x 6 1/4 in. to 8 1/2 in. x 7 in.; and “Doorway”, 1962, gelatin silver print mounted to board, pencil-signed and dated on mount, signed on reverse of mount, 8 1/2 in. x 7 in., unframed. (7 pcs.). [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

171. Adam Jahiel (American/Wyoming, b. 1956), “TJ Brown #2 ZX Ranch, Oregon”, 1993, gelatin silver print, artist label with title and date lower margin, 5 1/4 in. x 5 1/4 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

172. Charles Muir Lovell (American/New Orleans, 20th c.), “Marcel Proust’s Cork-Lined Bedroom - Paris”, 2012, c-print, signed and titled lower margin, signed, dated and personalized en verso, 8 in. x 10 1/2 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

51

173. Attributed to Walter De Maria (American/New York, 1935-2013), “Woman with Swordfish”, gelatin silver print, unsigned, 11 7/8 in. x 8 3/4 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

174. Peter Halley (American/New York, b. 1953), “Figure”, 1979, color pencil and acrylic on paper, pencil-signed and dated lower right, inscribed and exhibition label en verso, exhibition label on reverse of frame, 32 5/8 in. x 27 in., framed. [$6000/8000]

Provenance: Gift of the artist, 1981; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - June 30, 2007. Ill.: Bookhardt, D. Eric. “Paper Trails”. Gambit Weekly. May 1, 2007, p. 95.

Ext. Frame: 39 in. x 33 in. x 1 1/2 in.

175. Leo Haspel (American, 1907-1988), “Floral Still Life”, 1982, acrylic on canvas, monogrammed lower right, 16 in. x 12 in., framed [$300/500]

Provenance: Gift of the artist, 1982; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 16 3/4 in. x 12 3/4 in. x 1 3/4 in.

52

176. Tony Oursler (American/New York, b. 1957), “Face”, 2004, acrylic on paper, pencil-signed and dated lower right, 5 1/2 in. x 6 3/8 in., framed [$800/1200]

Provenance: Gift of the artist, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 8 1/4 in. x 9 1/4 in. x 1 in.

177. Tony Oursler (American/New York, b. 1957), “Untitled: New Orleans Telephone Lines”, 2002, India ink on paper, signed, dated and inscribed lower right, 11 7/8 in. x 9 in., framed [$1000/1500]

Provenance: Gift of the artist, 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 13 5/8 in. x 10 3/4 in. x 3/4 in.

© 2022 Tina Freeman

178. Michael Scott (American, b. 1952), “Maples Outside the Studio”, 1990, acrylic on paper, pencil-signed, titled, dated and inscribed lower center, 11 1/8 in. x 8 1/2 in., framed. [$400/600]

Provenance: Gift of the artist, 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 20 1/2 in. x 17 1/2 in. x 1 1/4 in.

53

179. Bill Tobiasson (American/California, 1954-1996), “Bill’s Home at 915 St. Philip St.”, 1976, 3 graphites on paper, each pencil-signed and dated lower right, each 10 3/8 in. x 13 7/8 in., unframed. (3 pcs.). [$50/100] Provenance: Gift of the artist; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

180. Reginald K. Gee (American, b. 1964), “The Admirer”, wax crayon on brown paper bag, unsigned, 17 in. x 11 3/4 in., framed. [$100/150]

Provenance: Gilley’s Gallery, Baton Rouge, LA, 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 24 7/8 in. x 19 3/4 in. x 1 1/4 in.

181. Joe Zucker (American, b. 1941), “Final Rough Study for Model Yu An Early Whitney Cotton Gin”, 1979-92, marker on paper, initialed, dated and inscribed lower right, titled mid-right, exhibition label on backing paper, 18 in. x 23 3/4 in., framed. [$500/700] Provenance: Gift of the artist, 1992; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003. “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - Jun. 30, 2007.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda.

Summer 1995: p. 196.

Ext. Frame: 22 1/4 in. x 28 1/8 in. x 1 1/4 in.

54

182. Rob Wynne (American, b. 1950), “...People Were Talking About Him”, embroidered fabric, unsigned, 24 in. x 21 in., framed. [$2500/3500]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA, 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 25 3/8 in. x 22 3/8 in. x 3/4 in.

183. Lesley Dill (American/New York, b. 1950), “Flying Angel Paper Cutout”, 2010, paper, thread and ink, unsigned, “Arthur Roger Gallery” label with artist, title and date on backing board, 9 3/4 in. x 18 in., framed. [$1000/1500]

Provenance: Arthur Roger Gallery, New Orleans, LA; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans”. Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 16 7/8 in. x 20 7/8 in. x 1 1/2 in.

184. Lesley Dill (American/New York, b. 1950), “All Seeing Eye Paper Cutout”, 2010, paper, thread and ink, unsigned, “Arthur Roger Gallery” label with artist, title and date on backing board, 8 1/2 in. x 6 1/4 in., framed. [$1000/1500] Provenance: Arthur Roger Gallery, New Orleans, LA; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 14 7/8 in. x 11 7/8 in. x 1 3/8 in

55

185. Mark Bryan (American/California, b. 1950), “Revelation #25”, 1982, charcoal on paper, signed, titled and dated en verso, “Le Jeune’s Frame-Works, Lafayette, LA” label with signature and personalization on backing paper, 4 in. x 6 in., framed. [$100/200] Provenance: Gift of the artist; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

186. Peter Bodnar (Czeckoslovakian/American, 1928-2021), “Portrait of Two Women”, mixed media on paper, unsigned, partial sketch en verso, 4 7/8 in. x 9 1/2 in.; and “Peter Bodnar Smither Gallery May 18 June 8”, artist-enhanced exhibition poster, pencil-signed lower center, 12 in. x 9 in., unframed. (2 pcs.) [$100/200] Provenance: Smither Gallery, Dallas, TX, 1974; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 11 1/8 in. x 12 3/4 in. x 1 in.

187. Z. B. Armstrong (American, 20th c.), “Two-Sided Dooms Day Calendar”, 1986, marker on board, signed and dated en verso, dated upper right, 9 3/4 in. x 14 5/8 in., framed. [$200/300]

188. T. J. Coleman (American, 20th c.), “Untitled: Chair with Eye and City Skyline in Background”, oil on terracotta tile, signed lower center, 7 3/4 in. x 7 3/4 in., framed. [$300/500]

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Exh.: “Artport Seven: Out of This World”, The Philadelphia Center, Shreveport, LA, c. 1993.

Provenance: Gift of Kurt Gitter and Alice Yelen, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 13 1/4 in. x 18 in. x 1 in.

56

Provenance: Gift of Arthur Roger, 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 9 3/4 in. x 9 3/4 in. x 1 3/4 in.

189. Sergio Mayora (American/ Chicago, b. 1953), “Weeds! 17th Annual Sex Erotica Poetry Night”, mixed media on heavy paper, inscribed with artist en verso, 17 5/8 in. x 11 5/8 in., unframed. [$50/100]

Provenance: Gift of the artist, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

190. Ezequiel Suarez (Cuban, b. 1967), “Nuevo Arte Suizo (New Swiss Art) You Went to Venezuela...”, 1971, “Nuevo Arte Suizo (New Swiss Art) The Artist Arrived...”, “Nuevo Arte Suizo (New Swiss Art) You are Not Going to Die for Now, My Love...”, 3 embroidered sandpapers, each initialed and one dated en verso, 10 3/4 in. x 9 in. to 11 in. x 9 in., matching acrylic stands. (3 pcs.) [$600/800]

Provenance: Jonathan Ferrara Gallery, New Orleans, LA, 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

191. James McGarrell (American, 1930-2020), “Figure”, ink on paper, signed lower right, 11 in. x 17 in., unframed. [$200/400] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

192. American School, 1962, “Untitled”, charcoal on paper, pencil-signed “Jasinwoski” and dated lower right, partial sketch en verso, 13 3/8 in. x 14 in., unframed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

57

193. American School, 20th c., “Landscapes”, 2 pastel and graphites on paper, both unsigned, each 12 in. x 18 in., unframed. (2 pcs.). [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

194. Benjamin Levy (Israeli, b.

1940), “Two Faces”, 1998, ink on doily, signed and dated lower center, dia. 6 in., unframed. [$100/200]

195. Julio Blancas (Spanish, b.

1967), “Africa XX-XVIII”, 2018, mixed media on paper, signed twice, titled and personalized en verso, 29 7/8 in. x 20 in., unframed. [$200/400]

Provenance: Gift of the artist, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

196. Michel Nedjar (French, b. 1947), “Untitled: Abstract Brown and Black Figure”, 2000, mixed media on paper, signed, dated and inscribed en verso, exhibition label on backing paper, 25 5/8 in. x 19 3/4 in., framed. [$1000/1500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Drawn from New Orleans: 20th Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - Jun. 30, 2007.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

Ext. Frame: 32 1/2 in. x 26 in. x 1 1/4 in.

58

197. Michel Nedjar (French, b. 1947), “Untitled: Abstract Faces”, 1992, mixed media on Vitamin B12 box, pencil-signed and inscribed “Paris” upper left, dated lower right, 9 5/8 in. x 8 1/4 in., framed. [$500/700]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 13 1/4 in. x 11 7/8 in. x 1 in.

198. Italian School, 16th c., “Head of a Woman”, pen and ink on paper, unsigned, exhibition label with title on backing paper, 3 5/8 in. x 2 5/8 in., framed. [$700/1000] Provenance: Glade Gallery, New Orleans, LA, 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003; “A View to the Past: Old Masters Prints from New Orleans Museum of Art”, New Orleans Museum of Art, New Orleans, LA, Mar. 1 – 24, 2005.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses. New York: Potter Publishing, 1993; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net.

Accessed Jan. 19, 2022. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda. Summer 1995: p. 199.

Ext. Frame: 11 1/4 in. x 10 1/4 in. x 1 1/4 in.

199. Continental School, 18th c., “Head of a Woman”, sanguine on paper, unsigned, exhibition label with title on backing board, 5 1/2 in. x 4 1/2 in., framed. [$1000/1500]

Provenance: Glade Gallery, New Orleans, LA, 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “A View to the Past: Old Master Prints from New Orleans Museum of Art”, New Orleans Museum of Art, New Orleans, LA, Mar. 1 – 24, 2005.

Ill.: Bailey, Lee and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses. New York: Potter Publishing, 1993, p. 15; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy. net. Accessed Jan. 19, 2022. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: pp. 198-199.

Ext. Frame: 15 1/8 in. x 12 1/8 in. x 1 5/8 in.

Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

200. Bronze Figure of a Woman with Upraised Arms, after Jacque Dorval-Deglise, signature inscribed and Paris foundry stamp on self-base, h. 13 in., w. 6 3/8 in., d. 4 3/4 in., marble base, overall h. 13 7/8. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact. © 2022 Tina Freeman

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201. Pair of Patinated Bronze Figures of Boy and Girl, h. 5 1/4 in. to 5 3/8 in., marble bases, overall h. 6 1/8 in. to 6 5/8 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

202. Giuseppe Maria Mitelli (Italian, 1634-1718), “Gioco Della Cvcagna Che Mai Si Perde, e Sempre Si Gvadagne”, 1691, etching, signed and dated in plate, printed by Mitelli, Bologna, 2 “N Milano” watermarks visible, sheet 16 3/4 in. x 24 1/4 in., framed. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 16 3/4 in. x 24 1/4 in. x 1 in.

203. Japanese School, 20th c., “Snail”, ink and slight color on paper, inscribed and sealed lower right, 9 1/2 in. x 14 1/8 in., framed. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 16 in. x 19 7/8 in. x 1/2 in.

204. Dogon School, 20th c., “Sangha Ogol Leye”, 1988, mixed media on paper, signed, dated and titled center, letters and polaroid attached on backing paper, 5 in. x 8 in.; and “Masque Kanaga”, marker on notebook paper, titled upper left, inscribed “Dogon” upper right, 8 5/8 in. x 6 5/8 in., framed. (2 pcs.) [$100/200] Provenance: Acquired from the artist, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

“Sangha Ogal Leye” Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frames: 11 1/4 in. x 14 1/4 in. x 1 1/4 in. and 9 7/8 in. x 7 3/4 in. x 1/2 in.

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205. Douglas Bourgeois (American/Louisiana, b. 1951), “Bob”, 2003, woodcut, pencil-signed, titled, dated and numbered “13/45” lower margin, 6 7/8 in. x 3 7/8 in.; and “Texas Student, 1952”, 2003, woodcut, pencil-signed, titled and numbered “19/20” lower margin, 5 in. x 3 7/8 in., each unframed. (2 pcs.) [$200/300] Provenance: Gifts of the artist, 2003; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

206. Jacqueline Humphries (American/New Orleans, b. 1960), “Untitled”, woodcut on paper mounted to heavy paper, signed and inscribed on mount, 2 3/4 in. x 2 3/4 in., framed. [$150/250]

Provenance: Gift of the artist, 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 6 3/4 in. x 8 5/8 in. x 1 1/8 in.

207. Doug MacCash (American/New Orleans, 20th c.), “Gasoline”, 1997, linocut, pencil-signed, dated and numbered “72/100” lower margin, 3 3/4 in. x 2 3/4 in., unframed. [$75/100]

Provenance: Gift of the artist, Jan. 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

208. Doug MacCash (American/New Orleans, 20th c.), “Untitled”, 1998, 4 linocuts, each pencil-signed and dated lower margin, 2 5/8 in. x 4 in. to 3 1/8 in. x 2 3/4 in., unframed.

(4 pcs.). [$200/400] Provenance: Gifts of the artist, 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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209. Ernest Posey (American/New Orleans, 1937-2007), “Untitled”, 1993, enhanced color lithograph, pencil-signed, titled, dated, inscribed “A.P.” and personalized lower margin, 7 7/8 in. x 7 7/8 in., unframed. [$100/200]

Provenance: Gift of the artist, Oct. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

210. Four Prospect.5 NOLA Prints, 2020, 4 inkjet prints on archival paper, 2 pencil-signed en verso, one pencil-signed, titled, dated and numbered lower margin, one artist stamp en verso, each with “For P.5 NOLA” stamp with date and number en verso, printed by Bywater Fine Art Printing, published by Prospect New Orleans, 8 in. x 8 in. to 10 in. x 12 3/8 in., unframed. (4 pcs.). Note: Artists include: Filipe Baeza (Mexican/New York, b. 1987), Nari Ward (Jamaican/New York, b.

1963), Celeste Dupuy-Spencer (American/New York, b. 1979) and Willie Birch (American/New Orleans, b. 1962); special thanks to Nick Stillman, Executive Director Prospect New Orleans, for his assistance with the cataloguing this lot. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Photo © 2022 Tina Freeman

211. Josef Albers (German, 1900-1980), “Opalescent”, 1965, silkscreen, signed, titled, dated and numbered “39/120” lower margin, 11 in. x 11 in., framed. [$1200/1800] Provenance: Multiples, Inc., New York, NY, 1966; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 16 1/4 in. x 16 1/4 in. x 1 1/4 in.

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212. Joan Miró (Spanish, 1893-1983), “L’Oiseau”, 1952, lithograph, pencilsigned and dated lower right, numbered “22/30” lower left, published by Éditions Cahiers d’Art XXe Siècle, sheet 13 in. x 9 3/4 in., framed. [$600/800] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 21 1/8 in. x 17 1/8 in. x 1 in.

213. After Erté (Romain de Tirtoff) (Russian/French, 1892-1990), “Erté Downtown Gallery March 5-28”, exhibition poster, signed and personalized mid-right, printed by Curwen Press, London, 29 7/8 in. x 20 in., framed. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 30 1/2 in. x 20 1/2 in. x 1 3/4 in.

214. Robert C. Skelley (American/Florida, 1934-2021), “Sum-1250”, 1958, “Sun Bathers”, 1963, “Ewe”, 1968, “Untitled: Figure with Goats”, 1959 and “Untitled: Abstract”, 1959, 4 woodblock prints and one mixed media on paper, all signed and dated, 2 titled, 4 in. x 2 in. to 12 in. x 19 in., unframed.

(5 pcs.) [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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Photo © 2022 Tina Freeman

215. 1970 New Orleans Jazz & Heritage Festival – Sister Gertrude Morgan and Henry ‘Booker T’ Glass, “1970 New Orleans Jazz & Heritage Festival - Sister Gertrude Morgan and Chicken Henry”, 1970, rare offset lithograph poster on uncut board, signed in plate, published by Larry Borenstein, New Orleans, 22 in. x 28 in., framed. [$1000/1500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 26 1/2 in. x 31 1/2 in. x 1 3/4 in.

216. George Rodrigue (American/Louisiana, 1944-2013), “Rodrigue’s Louisiana: Cajuns, Blue Dogs and Beyond Katrina, New Orleans Museum of Art March 1 - June 8, 2008”, exhibition poster, signed lower right, personalized lower left, 24 in. x 18 in., unframed. [$200/300]

Provenance: Gift of the artist, 2008; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

218. Southern School, 1962, “Trees”, color woodblock, illegibly pencil-signed, dated and numbered “3-1” lower margin, 9 3/8 in. x 6 1/2 in., unframed. [$50/100] 217. After Sister Gertrude Morgan (American/New Orleans, 1900-1980), “Missionary”, decorative reproduction print, signed and titled in plate, 21 1/2 in. x 33 3/4 in., framed. [$10/20] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ext. Frame: 22 3/4 in. x 34 3/4 in. x 1 1/4 in.

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Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

219. Louisiana School, 20th c., “Cypress Swamp”, hand-colored lithograph, illegibly pencil-signed and titled lower margin, 25 1/8 in. x 11 5/8 in., unframed. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

220. American School, 20th c., “Steeple”, lithograph on silk, unsigned, 8 5/8 in. x 5 7/8 in., unframed. [$10/20] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

221. Glen Hoover (American, 20th c.), “Metamorphosis”, etching, signed and titled lower margin, 11 3/4 in. x 12 in., unframed; together with American School, 1962, “Still Life”, etching, illegibly signed, titled and inscribed “Proof #5 3/62” lower margin, 9 in. x 6 in., unframed.

(2 pcs.). [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

222. Rudy O. Pozzatti (American, 1925-2021), “Forum”, 1966, etching, pencil-signed, titled, dated and numbered “21/25” lower margin, 1 1/8 in. x 3 1/8 in., matted; together with Jeffrey Kronsnoble (American, b. 1939), “Delgado”, 1967, etching, signed, titled, dated and numbered “1/125” lower margin, 9 in. x 6 in., unframed. (2 pcs.). [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

223. Ernest Fiene (German/ American, 1894-1965), “Colonial Village”, 1935, lithograph, signed, titled, dated and inscribed “Ed. 100” lower margin, 8 3/4 in. x 12 1/4 in., unframed. [$25/75]

Provenance: Gift of Robert Laurent; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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224. Francisco José de Goya y Lucientes (Spanish, 1746-1828), “Farándula de Charlatones”, Plate 75, c. 1863, etching and aquatint, from Los Desastres de Guerra, 5 3/4 in. x 7 3/4 in., framed. [$400/600]

Provenance: Antiquedadeo, Abelando Linares, Madrid, Spain, 1962; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

225. Japanese Woodblock Print of a Golden Carp amid Water Reeds, sight 9 1/4 in. x 8 5/8 in., matted and framed [$40/80] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ext. Frame: 15 in. x 17 1/2 in. x 1 in.

226. John Hodge (American, 20th c.)

Glazed Pottery Lily Pad, signed on reverse, h. 1 in., w. 11 1/2 in., d. 13 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

227. John Hodge (American, 20th c.) Glazed Pottery Banana Leaf, signed on reverse, h. 6 1/2 in., w. 23 1/2 in., fitted with wall hanger. [$150/250]

Provenance: Acquired from the artist, 1982; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

228. John Hodge (American, 20th c.)

Art Pottery Raku Vase, impressed “H”, h. 9 1/4 in., dia. 6 1/4 in. [$200/300]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

229. Bradley Sabin (American/New Orleans, 20th c.)

Glazed Pottery “Ginger Root”, l. 6 in. [$200/300]

Provenance: Gift of the artist, 2003; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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230. American Glazed Ceramic “Cake” Mask, signed “RG”, h. 7 1/4 in., w. 9 in., d. 11 in.; with wax birthday candles, overall h. 9 in. [$100/150]

231. Lorraine Gendron (American/Louisiana, b. 1937) Glazed Mississippi River Mud and Cotton Figure of a Baby, h. 7 in., w. 2 1/2 in., d. 2 in. [$100/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

232. Two Shadyside Pottery Vases, 20th c., marked, unglazed, h. 7 3/4 in., dia. 9 in.; and h. 6 1/2 in., dia. 7 1/4 in. [$75/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

233. Russel Wright for Chase Chrome and Glass “Corn on the Cob” Butter Pitcher and Tray, c. 1935, pitcher h. 5 1/4 in., tray dia. 6 in [$100/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

234. Art Deco Chrome and Bakelite “Cavalier” Cocktail Shaker and Eight Cup Set, 1930s, marked “Revere/Rome/NY, shaker h. 12 1/4 in., cup h. 3 1/4 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

235. Art Deco-Style Brass Bed, arched headboard and foot board, scrolled motif, foliate and ball feet, h. 41 in., l. 73 in., w. 51 in. [$200/300]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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236. Art Deco Cast Iron Lamp, marked “Spanora/ 1931”, modeled as Diana the Huntress, h. 11 1/4 in., w. 13 1/4 in., d. 3 3/4 in. [$150/250]

236A. Attributed to Robert Sonneman Chrome Wall Sconces, mid-20th c., h. 17 in., d. 39 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

237. Two Stork Club Ceramic Ashtrays, one marked “HALL”, larger dia. 5 1/4 in. [$50/75] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

238. Japanese Satsuma-Type Pottery Sake Set and Covered Box, early 20th c. and Meiji Period, sake set decorated with flowering prunus, incl. bottle, h. 8 in., and 6 cups, h. 2 in.; box painted with ladies in a landscape, sides with textiles, h. 1 3/8 in., w. 4 1/4 in., d. 3 in. Note: Box condition.

(8 pcs.)[$50/100] Provenance: (Sake Set) House of Antiques, Cincinnati Antique Show, Spring 1962; (Box) Mrs. Weber Antiques, Cincinnati Antique Show, Mar. 1961; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

239. Art Deco-Style Stainless Steel Ice Bucket and Cocktail Shaker, 20th c., incl. West Bend “Ice Butler”, h. 9 1/2 in., dia. 7 in.; and polar bear-form shaker, h. 10 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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240. Boris Bally Polcyhrome Metal “Transit” Chair, 21st c., labeled, high back, trapezoidal seat, h. 48 in., w. 16 in., d. 20 1/2 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

241. Isamu Noguchi (1904-1988) for Akari Paper and Metal Table Lamp, artist stamp, Akari label, h. 19 in., w. 14 in., d. 14 in. [$150/250] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

242. Isamu Noguchi (1904-1988) for Akari Paper and Metal Table Lamp, artist stamp, Akari label, h. 20 in., w. 8 1/2 in., d. 8 1/2 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

243. Mid-Century Modern Red and White Glass Shade Converted into a Table Lamp, with loose light socket, h. 6 3/4 in., dia. 8 3/4 in., fitter dia. 4 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

244. Pair of Marcel Breuer for Knoll Wassily Chrome Armchairs, cloth arms and seat, h. 28 1/2 in., w. 31 in., d. 28 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

245. Art Deco Painted Metal and Glass Figural Table Lamp, early 20th c., marked “NO 87”, opposing eagles, linen-fold shade, h.

9 in., w. 11 in., d. 5 1/2 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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246. Art Deco White and Silver Glass “Skyscraper” Lamp Shade, early 20th c., fitter dia. 5 7/8 in., overall h. 16 1/4 in., d. 9 1/4 in. [$100/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Photo © 2022 Tina Freeman

247. Five American Oil Lamps, two marked, “DIETZ”, one with red glass, tallest h. 12 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

248. Autographed Copy of Mister Heartbreak Album

by Laurie Anderson, 1984, signed on front cover, verso with other autographs [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

249. Four Vinyl 45 Records, incl. Jack Mims; Jim Roche; George T. Green; and Robert Wade [$50/75] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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250. Antique American Cased Hydrometer Set, 19th c., incl. two glass bulbs, and a copper thermometer vessel, case h. 4 in., w. 10 1/4 in., d. 6 3/4 in [$75/100]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

251. Antique Silver-Mounted Bohemian Glass Tankard, lid engraved “H.M.” thumb-lever in the form of a rooster, h. 4 ¼ in., dia. 2 3/4 in. [$100/150]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

252. Sabino of France Opalescent Glass Ink Blotter, 1930s, brass hardware, h. 2 in., w. 6 in., d. 3 3/4 in. [$75/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

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Photo © 2022 Tina Freeman

Session Two

Thursday, March 10, 11 a.m.

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253.Miccosukee-Seminole Sifting Basket, h. 4 in., w. 12 1/4 in., d. 10 3/4 in.; together with an oval basketry tray, l. 11 3/4 in., w. 7 1/8 in. (2 pcs.) [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Latter) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. - Dec. 2003

254. Two Native American Baskets, incl. Choctaw, egg basket, by Birdie Steve, h. 6 in., w. 4 3/8 in., d. 4 3/8 in., and attr. to Choctaw, storage basket, h. 7 3/4 in., w. 10 1/8 in., d. 9 1/4 in. (2 pcs.) [$200/300]

Provenance: (Former) Lauren Rogers Museum and Library, Laurel, MS, Aug. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003

256. Clement Langley (Koasati, 20th c.), “Doll”, dyed Spanish moss, buttons, yarn, and glass beads, h. 7 3/4 in. [$50/100] 255. Two Coushatta Baskets, incl. vasiform, h. 10 1/4 in., and bowl-form, h. 3 5/8 in., dia. 9 1/4 in. [$250/350]

Provenance: (Former) Arthur Roger, New Orleans, Mar. 1993, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Explorer Shop, New Orleans, Dec. 1974; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003

257. Penobscot Covered Basket, h. 1 1/4 in., dia. 4 in.; together with lidded octagonal basket, h. 2 in., w. 4 1/4 in. (2 pcs.) [$75/125]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

258. Cheyenne Mesquite and Hide Saddle, h. 9 7/8 in., w. 18 1/2 in., d. 13 in. [$300/500]

Provenance: Santa Monica Antiques Market, Santa Monica, CA, Mar. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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259. Hopi Painted Wood Heheya Kachina Doll, sheepskin garment tied at waist with tin embellished twine belt, h. 7 1/2 in. [$100/200] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

260. Hopi Painted Wood Sikyaqoqo Kachina Doll, with yarn and feather hair, h. 6 3/4 in. [$100/200] Provenance: Joshua Baer & Co., Santa Fe, NM, May 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

261. Collection of Zumi Shell and or Coral Embellished Hardstone Fetishes, incl. fox or badger, beaver, bear, and frog, largest l. 2 1/2 in.; together with stone ram and other, possibly goat, larger h. 1 5/8 in. (6 pcs.) [$100/200] Provenance: Millicent Rogers Museum, Taos, July 1984; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

262. Two Acoma Painted Pottery Seed Pots, both signed “R. LUCARIO” on base, decorated in geometric fine-line motifs, larger dia. 4 3/4 in., smaller dia. 3 3/4 in. [$400/600]

263. Three Acoma Painted Pottery Pots, incl, globular, signed “D. LEWIS”, h.

2 1/2 in.; ovoid, signed “CARMEL LEWIS”, h. 3 in.; and compressed, signed “R. Concho”, dia. 2 1/2 in. [$300/500]

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

Provenance: Mildred Gould “Sunny” Norman, New Orleans, July 2001, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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Provenance: Mildred Gould “Sunny” Norman, New Orleans, July 2001, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

264. Acoma Painted Pottery Miniature Vase or Pot, signed “R. LUCARIO” on base, decorated with geometric fine-line motifs, h. 2 1/2 in. [$150/250]

Provenance: Mildred Gould “Sunny” Norman, New Orleans, July 2001, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

265. Acoma Painted Pottery Vase or Jar, signed “GARCIA” on base, h. 4 3/4 in. [$50/75]

Provenance: Mildred Gould “Sunny” Norman, New Orleans, July 2001, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

266. Two Acoma Painted Pottery Miniature Plates, signed “D. Reano”, dia. 1 1/2 in. [$20/30]

Provenance: Wheelwrite Museum Shop, Sante Fe, 2004; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

268. Two Ottawa or Ojibwe Birch Bark and Porcupine Quill Covered Boxes, larger h. 6 1/4 in., dia. 7 1/2 in.; smaller h. 1 1/2 in., dia. 3 1/4 in. [$150/250]

Provenance: (Larger) Santa Monica Antique Market, Mar. 1992; (Smaller) Jeff Bogan Antiques, Centreville Michigan Antique Fair, Aug. 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

267. Four Southwest “Blackware” Pottery Pieces, incl. twin handled vase, small bowl, and 2 small vases, tallest h. 5 3/8 in. [$100/150] Provenance Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

269. Tlingit Basketry Bottle and Cover, h. 3 1/2 in.; together with basketry covered jar, h. 4 5/8 in., dia. 4 1/2 in. (2 pcs.) [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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270. Three Tlingit Cylinder Baskets, h. 8 1/4 in., 6 in. and 4 1/2 in. [$500/700]

Provenance: (Largest) Arthur W. Erickson, Portland, OR, May 2000; (Smaller Two) Jimmy Allen, Roundtop, TX, Apr. 2006; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

271. Three Tlingit Baskets, c. 1900, slighly tapering bodies with polychrome geometric bands, h. 7 7/8 in., 6 3/4 in. and 3 3/8 in. [$500/700] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Largest) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 -Dec. 14, 2003.

© 2022 Tina Freeman

272. Three Makah Lidded Baskets, smallest h. 2 1/4 in., dia. 3 3 /4 in.; largest, with whaling scene, h. 3 1/2 in., dia. 6 3/4 in. [$300/500]

Provenance: (Smallest) Arthur W. Erickson, Portland, OR, June 1995; (Middle) Cooper Antiques, Roundtop Texas Antiques Fair, Mar. 1995; (Largest) Commodore Antiques, Key West, FL, May 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (All) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

273. Four Makah Lidded Baskets, incl. one (smallest) attr. to Isabell Ides, h. 1 3/4 in. to 2 1/2 in., dia. 2 in. to 3 3/4 in. [$250/350]

Provenance: (Smallest to largest) Gift from Louisiana artist Ida Kohlmeyer, New Orleans, Oct. 1992; Elliot Bay Antiques, Seattle, WA, May 2000; Jeff Bogan Antiques, Centreville Michigan Antique Fair, Aug. 1993; and Arthur W. Erickson, Portland, OR, Aug. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

274. Two Makah Lidded Baskets, smaller h. 3 1/4 in., dia. 4 3/8 in.; larger h. 4 in., dia. 6 in. [$250/350]

Provenance: (Smaller) Arthur W. Erickson, Portland, OR, June 1995; (Larger) The Legacy, Seattle, WA, Aug. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Both) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

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275. Two Makah and Quinault Baskets with Wavy Rope Edges, larger, Makah, h. 3 1/2 in., w. 5 3/4 in., d. 5 in.; smaller, Quinault, h. 3 in., w. 4 in., d. 3 3/4 in. [$150/250]

Provenance: (Larger) Otto Messier Antiques, Portland, OR, Apr. 2006; (smaller) Melrose Plantation, Melrose, LA, auction of June 1970; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

276. Two Makah or Nootka Lidded Baskets, larger, Makah, h. 2 1/4 in., dia.

4 1/4 in., smaller, Makah or Nootka, h. 1 3/4 in., dia. 3 in. [$150/250] Provenance: (Larger) Arthur W. Erickson, Portland, OR, June 1995; (Smaller) Antique Market of Michigan City, Michigan City, IN, July 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003

277. Two Nootka or Makah Lidded Baskets, larger, Nootka, h. 3 1/2 in., w. 5 1/4 in., d. 5 1/4 in.; smaller, Makah or Nootka, h. 1 3/4 in., w. 4 1/8 in., d. 2 3/4 in. [$150/250]

Provenance: (Larger) Tom R. Cavanaugh Antiques, New Orleans Fall Antiques Show, Oct. 1992; (Smaller) First Mesa, Antique Market, Michigan City, IN, Aug. 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Smaller) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003.

278. Three Pacific Northwest Coast Indigenous Peoples Covered Baskets, incl. Nootka, h. 2 in., dia. 2 3/4 in.; Tlingit, rattle top, h. 2 5/8 in., dia. 4 in.; and other, h. 2 1/8 in., dia. 4 in. [$250/350]

Provenance: (Nootka) First Mesa, Antique Market, Michigan City, IN, Aug. 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Nootka) “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003

279. Salish Berry Basket, tapering rectangular form with geometric meanders, h. 5 1/2 in., w. 8 1/2 in., d. 7 1/4 in. [$150/250]

Provenance: Arthur W. Erickson, Portland, OR, June 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans. Oct. 4 - Dec. 14, 2003

280. Two Pacific Northwest Coast Indigenous Peoples Hanging Baskets, incl. Chelhalis, bowl-form, h. (excl. handle) 3 in., dia. 4 1/4 in.; and other, covered jar-form, h. (excl. handle) 3 3/4 in. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

281. Two British Columbian Lidded Baskets, larger h. 3 3/4 in., dia. 5 1/2 in.; smaller h. 2 1/4 in., dia. 4 1/2 in. [$150/250]

Provenance: (Both) Kenneth D. Erwin, Portland, MI, Aug. 1993; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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282. British Columbian Open Mesh Coil Basket or Strainer, h. 3 1/8 in., dia. 7 3/8 in. [$50/100]

Provenance: Larry Lantz, Michigan Antique Mall, Niles, MI, July 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

283. Athabascan Berry Basket, h. 5 1/4 in., dia. 8 3/4 in. [$100/200]

Provenance: Larry A. Lantz, Antique Market of Michigan City, Michigan City, IN, July 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh. “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 -Dec. 14, 2003

284. Inuit or Yupik Tall Basket, with polychrome birds and foxes or wolves, h. 9 1/2 in., dia. 8 3/4 in. [$100/200]

Photo © 2022 Tina Freeman

285. Inuit or Yupik Basket, globular bowl-form, h. 5 3/8 in., dia. 8 3/4 in. [$100/150]

Provenance: Santa Monica Antique Market, Santa Monica, CA, Mar. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 14, 2003 78

Provenance: Arthur W. Erickson, Portland, OR, June 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

286. Inuit Embellished Seal Skin Game Ball, St. Lawrence Island, h. 3 1/4 in., w. 3 1/4 in. [$100/200] Provenance: Pierre Blaine, New Orleans, 1974, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

287. Inuit Carved Bone Figure, probably fossilized whale bone, carved standing with proper right arm raised, h. 8 1/8 in., w. 9 in. [$250/350]

288. Antique Mexican Vernacular Painted Wood Santos Figure, glass eyes, h. 12 1/2 in. [$50/75]

Provenance: Arthur Roger, New Orleans, Mar. 1993, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

290. Tarahumara Vasiform Basket, h. 3 1/4 in.; together with bowl-form basket, h. 1 5/8 in., dia. 2 3/4 in. (2 pcs.) [$50/100] 289. Mexican Vernacular Painted Wood Face Mask, Guerro, h. 11 in., w. 10 in., d. 6 in. [$50/75]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: (Former) Hariette von Breton, New Orleans, June 1992, as a gift; (Latter) Michigan Antique Mall, Niles, MI, July 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

291. Carved and Painted Carved Wood Figure of a Dog, shaped base, h. 14 1/2 in., w. 7 1/4 in., d. 7 1/2 in. [$40/60] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

292. Carved and Painted Wood Figure of a Cow, h. 12 in., w. 11 in., d. 4 in. [$40/60]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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294. Mexican Carved and Painted Wood Character Mask, Michoacan state, wood, pigment, and hair, h. 11 in., w. 8 in., d. 5 1/4 in.; mounted on fitted metal stand, overall h. 14 in. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

293. Carved and Painted Wood Cat Mask, mounted with tusks and whiskers, leather tongue, h. 14 in., w. 10 in., d. 8 1/2 in. [$50/75] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

295. Haitian Carved Wood Figure of a Drummer, modeled with outstretched arms seated on a separate natural wood base, h. 10 3/4 in. [$50/100]

Provenance: Clifford C. Potts, South Bend, IN, acquired Haiti, 1955; Pat and Phil Potts, New Orleans, Christmas, 1983, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

296. Haitian Painted Gourd Bowl, exterior with “GUEDE - NIBO BRAVE”, interior with geometric rim, stars and crosses, h. 4 7/8 in., w. 14 3/8 in., d. 10 1/2 in. [$75/125]

Provenance: Artist Cynthia Marie “Tina” Girouard (1946-2020), New Orleans, Jan. 2001, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

297. Pierrot Barra (Haitian, 1942-1999), “Doll in Rhum Bottle”, c. 1990, mixed media, unsigned, label with title on underside, h. 12 3/4 in., dia. 4 in. [$150/250]

Provenance: New Orleans Museum of Art Museum Shop, New Orleans, LA, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Photo © 2022 Tina Freeman

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298. Attributed to Pierrot Barra (Haitian, 1942-1999), “Paket Kongo”, “Paket Kongo with Feather”, “Paket Congo with Doll” and “Large Paket Kongo with Doll”, c. 1990, 4 mixed media assemblages, each unsigned, one with “New Orleans Museum of Art” label on underside, h. 6 3/4 in., w. 2 7/8 in., d. 2 5/8 in. to h.15 1/2 in., w. 10 in., d. 10 in. [$200/300]

Provenance: Two from New Orleans Museum of Art Museum Shop, New Orleans, LA, 1998; One gift of Tina Girouard, New Orleans, LA, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

299. Pierrot Barra (Haitian, 1942-1999), “Untitled: Altarpiece”, plastic doll parts, sequins and mixed media, h. 53 in., w. 37 in., d. 5 1/2 in. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

300. Haitian School, 20th c., “Decorated Voudou Bottles”, 2 glass bottles with cloth and sequins, each unsigned, h. 11 in., dia. 3 3/8 in. and h. 12 1/8 in., dia. 3 1/4 in. [$50/100]

Provenance: One from New Orleans Museum of Art Museum Shop, New Orleans, LA, 1980; one from Bill Tobiasson, CA, 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

302. Indian School, 20th c., “Portrait of a Bollywood Movie Star”, paint on tin, h. 33 1/2 in., w. 33 in., d. 2 in. [$150/250] 301. Lucce d’Or (Haitian, 20th c.), “Voodoo Flag with Tree and Snakes”, sequins and beads on green cotton cloth, faintly inscribed on reverse, h. 33 in., w. 31 1/2 in., d. 1/2 in., plastic hanging rod. [$50/100] Provenance: Reputedly Ex-Collection Pierre Monosiet, Port au Prince, Haiti; New Orleans Museum of Art Museum Shop, Dec. 1981; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Acquired from a sign shop, Arangabad, India, c. 1984; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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304. Indian Folk Art School, 20th c., “Sita”, polychrome painted wood, proper right foot and arm with inventory numbers “398 ? D”, h. 10 7/8 in., w. 6 in., d. 5 in. [$100/150]

Provenance: Gift of Yasho and Sid Bhansali, New Orleans, LA, 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

303. Indian School, 20th c., “Profile of a Woman with Apple in Mouth”, paint on tin, signed “Shreeganesh” lower right, h. 20 1/4 in., w. 16 in., d. 1 in. [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

306. Indian School, 20th c., “Bollywood Movie Star with Handgun”, paint on shaped rubber, possibly a “mud flap”, inscribed lower right, h. 9 3/4 in., w. 9 1/2 in. [$100/200]

Provenance: Street Vendor, Ahmedabad, India, Feb. 1983; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

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305. Indian School, 20th c., “Bollywood Movie Star, Possibly Dev Anand in Film Gambler”, paint, tin and wood, unsigned, h. 23 3/4 in., w. 10 in., d. 3 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

307. Indian School, 20th c., “Bollywood Movie Stars in an Embrace”, paint on shaped rubber, possibly a “mud flap”, inscribed lower right, h. 15 1/4 in., w. 14 1/2 in. [$100/200] Provenance: Street Vendor, Ahmedabad, India, Feb. 1983; state of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

308. Mexican Folk Art School, 20th c., “Mask of Mustachioed Man Smoking Cigarette with Serpent”, painted wood, unsigned, h. 9 1/2 in., w. 8 in., d. 5 in. [$100/200] Provenance: Gift of Carlos de Villasante, 2004; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Photo © 2022 Tina Freeman

309. Mexican Folk Art School, 20th c., “Face”, painted carved wood, unsigned, h. 7 1/2 in., w. 5 1/2 in., d. 2 1/2 in., metal stand, overall h. 11 5/8 in. [$100/200]

Provenance: DuBose Gallery, Houston, TX, 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda. Summer 1995: p. 198. .

310. African School, 20th c., “I.K Hair Cut”, painted wood barber shop sign, h. 28 in., w. 22 1/8 in., d. 3/4 in. [$100/200]

Provenance: Museum of African Art Museum Shop, New York, NY, Apr. 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Socia Impact.

Condition: Overall poor condition.

311. African School, 20th c., “A1 Brunx U.B 40”, painted plywood barber shop sign, h. 24 in., w. 47 3/4 in., d. 3/4 in. [$150/250] Provenance: Museum of African Art Museum Shop, New York, NY, 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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312. Found Objects Sculpture, 20th c., “Bicycle”, mixed media, unsigned, h. 3 1/2 in., w. 7 in., d. 3 in. [$50/100]

Provenance: Museum for African Art Shop, New York, NY, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

313. Billie Malehebele (Swazi, 20th c.), “Toy Bicycle”, c. 1986, wire, unsigned, h. 3 7/8 in., w. 6 1/4 in., d. 2 in. [$50/100]

Provenance: South African National Art Gallery, Cape Town, South Africa, 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

314. Senegalese Folk School, 20th c., “Attaché Case”, recycled Yotox insecticide tin, brass, wood and mixed media, h. (incl. handle) 12 3/4 in., w. 14 in., d. 3 1/8 in. [$50/100] Provenance: Gift of E. John Bullard, New Orleans, LA, 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

315. Congolese Folk Art School, 20th c., “Motorcycle”, steel wire, copper wire and rubber, unsigned, h. 9 1/8 in., w. 13 3/4 in., d. 6 3/4 in. [$50/100]

Provenance: Gift of E. John Bullard, New Orleans, LA, 1997; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

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316. Brazilian Folk Art School, 20th c., “Policia Militar do Brazil Carro #7593”, mixed media on painted olive oil tin, unsigned, h. 10 1/2 in., w. 10 in., d. 20 in. [$100/200] Provenance: Gift of Arthur Roger, New Orleans, LA, 1997; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

317. Cuban Folk Art School, 21st c., “Collection of Nine Vehicles and One Elephant”, incl. 2 scooters and 7 cars, tin soda cans, metal wire, foam and plastic, unsigned, h. 3 in. to 1 in. (10 pcs.) [$100/150] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

318. Cuban Folk Art School, 21st c., “Toy Camera / Jill-in-the-Box”, tin CocaCola cans, metal wire, fabric and string, unsigned, h. 5 3/8 in., w. 5 3/8 in., d. 3 3/4 in. [$100/150] Provenance: Havana, Cuba, Nov. 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

319. Jimmie Lee Sudduth (American/Alabama, 1910-2007), “Serpent”, sugar, mud and paint on panel, pencil-signed upper left, 24 3/8 in. x 48 in., unframed. [$800/1000] Provenance: Acquired from the artist, 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

320. American Folk Art School, late 19th/early 20th c., “Odd Fellows Ritual Mask”, hand-painted mesh and mixed media, handwritten information label attached to mesh upper left, h. 19 in., w. 11 1/2 in., d. 5 in. [$100/200]

Provenance: Webb Gallery, Waxahachie, TX, 2006; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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321. American Folk Art School, 20th c., “Sawing Man Whirligig”, painted wood and metal, pencil-initialed “F.W.” on underside, h. 12 in., w.

14 1/4 in., d. 10 in. [$100/200]

Provenance: Estate Auction, South Bend, IN, 1982; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

323. American Folk Art School, 20th c., “Red Cross in a Bottle”, mixed media, unsigned, h. 9 1/2 in., dia. 3 1/4 in. [$75/150] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

325. Twelve Chinese Seals, incl. soapstone, bone, and wood, tallest h. 3 1/2 in.; together with cloisonne enamel cylinder box, h. 3 1/2 in. (13 pcs.) [$100/150] Provenance: (Seals) Acquired Kyoto, Aug. 1993; (Cloisonne) William Gozart Antiques, New Orleans Antiques Show, Nov. 1978; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

86

322. American Folk Art School, 20th c., “Washer Woman Whirligig”, painted wood and metal, unsigned, h. 13 in., w. 19 1/2 in., d. 13 in. [$50/100]

Provenance: Winterfield Antiques, Morgan City, LA, 1974; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

324. Asian Carved and Painted Wood and Cloth Doll or Puppet, h. 15 1/2 in. [$40/80]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

326. Indian Bronze Figure of Four-Armed Ganesh, h. 3 5/8 in. [$40/80]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

328. Indian School, 20th c., “Tantric Hand”, gouache on paper mounted to cloth, 6 3/4 in. x 4 in., unframed. [$100/150] Provenance: Phillips Antiques, Bombay, 1986; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Bailey, Lee and Brennan, Ella. Lee Bailey’s New Orleans. New York, 1993, p. 16.

327. Indian Incised Copper Triangular Yantra, recto with series of triangular shapes enclosing central figure atop a bull, verso inscribed, h. 3 7/8 in., w. 4 1/4 in. [$50/100]

Provenance: D. R. Pundole & Sons/Pundole Art Gallery, Bombay, Mar. 1 1983; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

329. Naga Glass Bead and Copper Disk Embellished Cotton Shawl or Mantle, 40 in. x 74 in., mounted to linen framework; together with an exhibition catalogue featuring similar textiles art of nagaland: the barbier-muller collection, geneva, LACMA, July 1984 - Feb. 1985 [$500/700]

Provenance: Reputedly, B.C. Holland, Chicago; and Irving Forman, Chicago or Santa Fe, NM; Economos Works of Art, Santa Fe, NM, May 2005; Estate of Curator, Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

330. Nine African Paint-Decorated Textiles, incl. cotton examples from Senufo Peoples, Cote d’Ivoire (7); and Bamana Peoples, Mali (1); and a pigment on bark cloth from Mbuti Peoples, Democratic Republic of Congo/ Zaire; 12 1/4 in. x 14 3/4 in. to 42 3/4 in. x 66 1/2 in. [$400/600] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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331. African Bushougo Embroidered Textile Panel, Democratic Republic of Congo/Zaire, raffia and thread, l. 26 in., w. 20 in.; framed, h. 30 1/2 in., w. 25 in., d. 1 1/2 in. [$400/600]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Jan. 1980; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial .

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda, Summer 1995: p. 196-201.

Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

332. African Yoruba Bead Embellished Cloth Eshu Shrine Textile Panel, h. 15 3/4 in., w. 9 in. [$100/200]

Provenance: Tunkaru (?), (Dakar, Senegal), New Orleans, Dec. 1970; Estate of Curator, Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Fund for Social Impact.

334. African Kuba “Shobwa” Textile Panel, Democratic Republic of Congo/Zaire, raffia and dye, l.

27 in., w. 20 1/2 in.; framed, h. 32 1/2 in., w. 25 1/2 in., d. 1 1/2 in. [$400/600]

333. African Textile, possibly Kuba, Democratic Republic of Congo, layers of black, red and yellow fabric, l. 22 1/2 in., w. 15 in.; affixed to cardboard [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Diane Daniel, Los Angeles, Feb. 1985; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

335. African Grassfields Kwifoyn Society Tunic, Cameroon, vegetable fibers and human hair, h. 45 in., w. 37 in. [$800/1200]

Provenance: Emic Etic, Santa Monica, CA, Apr. 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct.4-Dec. 1, 2003.

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336. African Ngoombe Embroidered Textile Panel, Democratic Republic of Congo/Zaire, raffia and dyes, l. 25, w. 14 1/2 in.; framed, h. 31 in., w. 19 3/4 in., d. 1 1/2 in. [$300/500] Provenance: Marc Leo Felix, New Orleans, Nov. 1988; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

337. African Kom or Bekom Carved Wood Helmet Mask, Grassfields Region, Cameroon, primate-form surmounted by animal, h. 17 in., w. 11 in., d. 9 in.; mounted on fitted metal stand, overall h. 15 in. [$200/400]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

338. African Bekom Carved Wood Stool, Cameroon, incised geometric designs, h. 11 1/2 in., dia. 15 3/4 in. [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 12, 2003.

Photo © 2022 Tina Freeman

339. African Grassfields Masquerade Leg Rattles, Cameroon, castor bean seed pods, cotton and glass beads, h. 11 3/4 in., w. 13 1/2 in., d. 4 1/2 in. [$200/300]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Oct. 1990; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “The Body Adorned”, Davis Gallery, New Orleans, Oct. 1990; “Roots of American Jazz: African Musical Instruments from New Orleans Collections”, New Orleans Museum of Art, Nov. 11 1995-Jan. 7, 1996, cat. No. 59; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collins C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006- Feb. 28, 2007.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201.

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340. African Bamileke Fly Whisk with AnimalForm Handle, Cameroon, animal hide and hair, glass beads, cloth, wood, and rawhide string, h. 31 in.; mounted on metal stand, overall h. 22 in. [$200/400] Provenance: Hampton Gallery, Santa Fe, NM, May 2006; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

342. African Bead and Coin Embellished Ritual Bone Doll, possibly Fali, Cameroon or Losso, Togo, h. 6 in.; mounted on wood stand, overall h. 6 1/2 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

341. African Fali-Kirdi Kapsiki Group “Ham Pilu” or Betrothal Doll, Northern Cameroon, corn cob, glass beads, twine, puca shell and resin, h. 8 1/2 in., dia. 2 1/4 in.; mounted on wood stand, overall h. 9 1/2 in. [$300/500] Provenance: Gift of Francoise B. Richardson, Dec. 1996; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. C, p. 67 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

343. African Bulu Carved Wood Figure of a Seated Monkey, h. 9 1/8 in., stand, overall h. 9 3/4 in. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

344. African Keaka Necklace with Ten Amulets, Southwestern Cameroon, iron, leather, copper wire, wood, seeds, animal horn, rawhide, cotton and string, h. 12 1/2 in., w. 9 in.; with fitted metal stand, overall h. 13 in. [$400/600] Provenance: Gift of Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, Dec. 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

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Photo © 2022 Tina Freeman

345. African Keaka Encrusted and Bound Magical Figure, Cameroon, wood, braided rope, human hair, feathers, leather, tin strips, European coins, caning, copper wire/thread, braided cloth and other organic substances, h. 12 1/2 in., w. 3 3/4 in., d.

3 1/4; mounted on wood base, overall h. 13 1/2 in. [$300/500]

346. African Keaka Encrusted Figure, Northern Cameroon, wood, sacrificial material, and feathers, h. 9 1/2 in. w. 3 1/4 in., d. 2 in.; on wood stand, overall h. 10 1/2 in. [$200/300] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Mar. 2007; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

347. African Keaka Crouching Female Protective Figure, Western Cameroon, wood, copper and red yarn, h. 3 1/8 in., w. 1 1/4 in., d. 1 in.; with fitted metal stand, overall h. 3 1/2 in. [$100/200] Provenance: Gift of Francoise B. Richards, New Orleans, Dec. 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

348. African Keaka Protective Figure, Southwestern Cameroon, wood, leather, aluminum wire, seeds, twine and thread, h. 2 3/4 in., w. 1 3/4 in. d. 1/2 in.; with fitted metal stand, overall h. 2 3/4 in. [$150/250]

Provenance: Gift of Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, Dec. 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

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349. African Keaka Protective Figure, Southwestern Cameroon, wood, seed pods, h. 3 in., w. 3/4 in., d. 5/8 in.; mounted on wood stand, overall h. 3 3/4 in. [$150/250] Provenance: Davis Gallery of Ethnographic Art, New Orleans, Jan. 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

350. Pair of African Keaka Protective Figures, Southwestern Cameroon, wood, raffia and seeds, h. 3 in.; mounted on metal stand, overall h. 3 1/4 in. [$200/300]

351. African Keaka Protective Figure, Southwestern Cameroon, wood, leather, seeds, thread, and pigment, h. 3 in., w. 1 3/8 in., d. 3/4 in.; with fitted metal stand, overall h. 3 1/4 in. [$150/250]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Aug. 2001.; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Provenance: Gift of Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, May 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

352. African Keaka Protective Figure, Southwestern Cameroon, wood, leather, thread, and seeds, h. 4 1/2 in., w. 1 3/8 in., d. 1 in.; with fitted metal stand, overall h. 5 in. [$150/250] Provenance: Davis Gallery of Ethnographic Art, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. B, p.

111 in exhibition catalogue; “What a Wonderful World”,Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

353. African Keaka Protective Figure, Southwestern Cameroon, wood, leather, thread, and seeds, h. 4 1/4 in., w. 1 in., d. 7/8 in.; mounted on wood stand, overall h. 5 1/2 in. [$100/200]

Provenance: Davis Gallery of Ethnographic Art, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

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354. African Keaka Protective Figure, Southwestern Cameroon, wood, leather, seeds, and twine, h. 3 1/2 in., w. 7/8 in., d. 3/4 in.; mounted on wood stand, overall h. 4 1/2 in. [$100/200] Provenance: Gift from Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, Dec. 1997; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

355. African Keaka Double Figure Amulet, Southwestern Cameroon, wood, leather, seed pods, cowrie shell, string and thread, h. 2 1/2 in., w. 2 1/4 in., d. 5/8 in.; with fitted metal stand, overall h. 3 3/4 in. [$150/250]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Aug. 2001; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Materials of Africa: African Art in New Orleans Collections”, Newcomb Art Gallery, Tulane University, New Orleans, Nov. 29, 2001-Feb. 17, 2002, illustrated as fig. B, p. 111 in exhibition catalogue; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

356. African Keaka Figural Group, Northern Cameroon, wood, leather, cloth, thread, and seeds, two figures flanked by four magic bundles, h. 3 in., w. 3 1/2 in., d. 7/8 in.; with fitted metal stand, overall h. 4 1/4 in. [$100/200] Provenance: Davis Gallery of Ethnographic Art, New Orleans, 2005; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

357. African Keaka Head, Cameroon near Nigerian border, wood, reptile hide, animal skin, fiber and iron nails, h. 8 1/2 in., w. 5 in., d. 5 in.; on metal stand, overall h. 12 3/4 in. [$200/300]

Provenance: Gift of Francoise B. Richardson, New Orleans, December 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Photo © 2022 Tina Freeman

Exh.: “What a Wonderful World,” Contemporary Arts Center, New Orleans, Oct. 4-Dec. 14, 2003.

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358. African Ejagham Keaka Group Head Crest Figure, Cross River, Cameroon, wood, hide, hair, wicker, and metal, h. 9 1/4 in., dia. 3 3/4 in. [$200/300]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

359. African Carved Wood, Hide, and Cowrie Shell Figure, possibly Keaka, Cameroon, h. 7 3/4 in., w. 2 3/8 in., d. 1 1/2 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

360. African Pende Carved Wood Masquette or “Ikhoko”, Bandundu Province, Democratic Republic of Congo/Zaire, h. 2 1/8 in., w. 1 1/4 in., d. 3/4 in.; with fitted metal stand, overall h. 3 1/2 in. [$300/500]

Provenance: Gift of Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, May 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

361. African Eastern Pende Carved Wood Bull Mask, Democratic Republic of Congo/Zaire, wood and pigment, h. 9 1/2 in., w. 19 in., d. 3 1/2 in.; with fitted metal stand, overall h. 14 1/4 in. [$400/600] Provenance: Davis Gallery of Ethnographic Art, New Orleans, Mar. 1985; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy. net. Accessed Jan. 30, 2022.

362. African Lega/Warega Bwami Society Head, Democratic Republic of Congo/Zaire, terracotta and kaolin, h. 3 3/4 in., w. 2 3/4 in., d. 2 in.; on metal stand, overall h. 5 1/4 in. [$500/700]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Feb. 2002, by repute J. Thomas Lewis Collection; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

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363. African Ngbaka Carved and Painted Wood Face Mask, Northwestern Democratic Republic of Congo/Zaire, wood, raffia, and natural pigments, h. 21 in., w. 10 1/2 in., d. 5 1/2 in.; with stand, overall h. 22 1/2 in. [$300/500] Provenance: Davis Gallery of Ethnographic Art, New Orleans, Oct. 1997; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net.

Accessed Jan. 30, 2022.

Photo © 2022 Tina Freeman

364. African Kasongo Carved Wood Bearded Male Half Figure, Democratic Republic of Congo/Zaire, collection label affixed to base, h. 6 1/2 in., w. 2 1/4 in., d. 2 1/2 in.; mounted on wood base, overall h. 7 in. [$1500/2500]

Provenance: Marc Leo Felix, New Orleans, Apr. 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

365. African Punu Carved and Painted Wood Head, with long neck or shaft with metal band and partial “Mathias Komor / New York” label, l. 17 1/2 in., inset in wood stand with Dec. 2007 New Orleans Auction lot label, overall h. 17 1/2 in. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

366. African Luba Wood and Gourd Figural Rattle, Democratic Republic of Congo/Zaire, shell decoration, h. 13 in., dia. 6 in., on stand. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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367. African Mangbetu Husk and Fiber Skirt Apron or Negbe, Democratic Republic of Congo/Zaire, applied rope and dyed husk decoration, reverse with handle, h. 9 in., w. 13 1/2 in., metal stand, overall h. 13 in. [$100/150]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

368. African Banza Throwing Knife, Democratic Republic of Congo/Zaire, steel and woven fiber, h. 17 in., w. 12 1/2 in. [$300/500]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

369. African Nsakara Throwing Knife, Democratic Republic of Congo/Zaire, steel, reptile hide, cloth, and leather, h. 17 1/2 in., w. 14 1/4 in. [$200/300] Provenance: Thomas L. Rosenzweig, New Orleans, Jan. 1972; Ex-Collection Albert Carriere, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Art from Zaire in the Victor K. Kiam Bequest and New Orleans Private Collections”, New Orleans Museum of Art, Apr. 23-June 4, 1978.

370. African Kuba Dog Bell, Kasai-Occidentale Province, Democratic Republic of Congo/Zaire, wood, stone, raffia fiber and resin, h. 3 1/2 in., dia. 5 in. [$300/500]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Dec. 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “The Hunt” Davis Gallery, New Orleans, Dec. 1991; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

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371. African Kuba Carved Wood Cosmetic Box, Democratic Republic of Congo/Zaire, carved geometric design, h. 1 1/2 in., w. 9 in., d. 2 1/4 in. [$300/500]

Provenance: Edward Stisken, New Orleans, Apr. 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Art from Zaire in the Victor K. Kiam Bequest and New Orleans Private Collections”, New Orleans Museum of Art, Apr. 23-June 4, 1978; “Inside the Congo: An Introduction to the Field Research Archives of Frère Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

Ill.: Fagaly, William A. New Orleans Collects: African Art, Isaac Delgado Museum of Art, Feb. 2-Mar. 31, 1968, cat. no. 102; McDowell, Peggy. Traditional Art of Africa, Art Department Gallery, Newcomb College, Tulane University New Orleans, Feb. 9-21, 1969, p.9, cat. no. 29; Greene, H. Bruce. Tribal Arts of West Africa II, travelling exhibition, 1971-72, cat. no. 117; Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.”

Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

372. African Kuba Flute, Democratic Republic of Congo/Zaire, animal horn, cowrie shells and glass beads; h. 15 in., w. 2 3/4 in., d. 2 1/2 in.; on metal stand, overall h. 15 in. [$200/300] Provenance: Davis Gallery Ethnographic Art, New Orleans, Sept. 1984; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World,” Contemporary Arts Center, New Orleans, Oct. 4-Dec. 14, 2003;

Ill.: Bailey, Lee, and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses, Clarkson Potter, New York, 1993, p. 16; Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201; Roots of American Jazz: African Musical Instruments from New Orleans Collections, New Orleans Museum of Art, Nov. 11, 1995-Jan. 7, 1996, cat. no. 71; Inside the Congo: An Introduction to the Field Research Archives of Frère Joseph Cornet, Part I, New Orleans Museum of Art, Mar. 3-Sept. 30, 2006.

373. African Lega/Warega Rattle, Kivu Province, Democratic Republic of Congo/Zaire, wicker, seeds, wood, string and resin, l. 10 1/2 in. [$200/400]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Apr. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Rhythms of the Bush: African Musical Instruments”, Davis Gallery, New Orleans, Apr. 1992; “Roots of American Jazz: African Musical Instruments from New Orleans Collections”, New Orleans Museum of Art, Nov. 11, 1995-Jan.11, 1996, cat. no. 56; “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 200.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

97

374. African Yaka Rattle or “Sakila”, Democratic Republic of Congo/Zaire, caning, wood, and abrus seeds, h. 8 1/4 in., w. 11 in., d. 2 1/2 in. [$400/600]

Provenance: Pierre Loos, Ambre-Congo Gallery, Brussels, Belgium, Apr. 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Roots of American Jazz: African Musical Instruments from New Orleans Collections”, New Orleans Museum of Art, Nov. 11, 1995-Jan. 7, 1996, cat. no. 58; “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

375. African Songye Basket Rattle, Democratic Republic of Congo/Zaire, wood stick, caning, broken nut shells and metal bits, h. 13 in., dia. 7 in. [$200/400]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, August 1990; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “The Body Adorned”, Davis Gallery, New Orleans, Oct. 1990; “Roots of American Jazz: African Musical Instruments from New Orleans Collections”, New Orleans Museum of Art, Nov. 11, 1995-Jan. 7, 1996, cat. no. 57; “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

376. African Songye “Kifwebe” Maskette and Magic Figure, Northern Shaba and Kasai Provinces, Democratic Republic of Congo/Zaire, carved wood maskette with organic pigments, h. 3 in.; carved wood figure, h. 3 1/4 in. (2 pcs.) [$200/400]

Provenance: (Kifwebe) Davis Gallery of Ethnographic Art, New Orleans, Mar. 1989, Ex-Collection New Orleans Artist Robert Gordy; (Figure) Davis Gallery of Ethnographic Art, New Orleans, Mar. 1989; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003.

Ill.: (Kifwebe) Burton, Marda. “Every Nook and Cranny: A Museum at Home”.

Veranda Summer 1995: p. 196-201.

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377. African Yaka “Mbwoolo” or Standing Medicinal Figure, Democratic Republic of Congo/ Zaire, wood, kaolin, tukula powder, h. 7 1/2 in.; on wood stand, overall h. 8 1/4 in. [$300/500]

Provenance: Gift of Francoise B. Richardson, New Orleans, December 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003; “Inside the Congo: An Introduction to the Field Research Archives of Frere Joseph Cornet, Part II”, Collin C. Diboll Gallery, Loyola University, New Orleans, Dec. 11, 2006-Feb. 28, 2007.

379. African Ndaaka Carved and Painted Wood Mask, Ituri Rain Forest, Democratioc Republic of Congo/Northern Zaire, wood, pigment, raffia, and earth ochres, h. 16 in., w. 9 1/2 in., d. 3 in.; with metal stand, overall h. 22 1/2 in. [$400/600]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Mar. 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

378. African Yaka “Ndemba” or “Nkanda” Face Mask, Kwilu Region, Kwango, Democratic Republic of Congo/Zaire, carved wood, fiber, and pigment, h. 23 in., w. 17 in., d. 15 in.; on metal stand, overall h. 26 1/2 in. [$600/800]

Provenance: Everett Rassiga Inc., New York, May 1973; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Art from Zaire in the Victor K. Kiam Bequest And New Orleans Private Collections”, New Orleans Museum of Art, Apr. 23 - June 4, 1978; “Shapes of Power, Belief and Celebration: African Art from New Orleans Collections”, New Orleans Museum of Art, Mar. 11 - Apr. 16, 1989; University Art Museum, University of Southwestern Louisiana, Lafayette, LA, June 3 - July 23, 1989; Meadows Museum of Art at Centenary College, Shreveport, LA, Sept. 10 - Nov. 12, 1989; Alexandria Museum of Art, Alexandria, LA, Dec. 16, 1989 - Feb. 17, 1990; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA Oct. 4 - Dec. 14, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

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© 2022 Tina Freeman

380. African Ndaaka Carved and Painted Wood Mask, Democratic Republic of Congo/Northern Zaire, wood, pigment, raffia, and rubber, h. 14 in., w. 10 1/2 in., d.

4 1/2 in.; with metal stand, overall h. 16 in. [$400/600] Provenance: Davis Gallery of Ethnographic Art, New Orleans, Oct. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.; Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

382. African Bobo Tere Mask, Burkina Faso, fibers, twine, dyes, and cloth, h. 66 in.; with metal stand [$400/600]

381. African Dogon Wrought Iron Hair Ornament and Brass Finger Ring, Burkina Faso/Mali, copulating snake-form hair ornament, l. 6 1/4 in., w. 1 1/2 in.; and ball or orb-form ring, h. 3 3/8 in. (2 pcs.) [$400/600]

Provenance: (Hair Ornament) Harouna Zonon Antiquaire, Bobo-Dioulasso, Burkino Faso, Mar. 1987; (Ring) Gift of Samir Borro, Abidjan, Cote d’Ivoire, Mar. 1987; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

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Provenance: René Braumann, Kokonowe Village, Bobo-Dioulasso, Burkino Faso, July 1973; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

383. African Carved Wood Stool, possibly Burkina Faso, figural head handle, incised geometric designs, h. 6 1/2 in., w. 12 1/2 in., d. 6 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

384. African Mossi Antelope Mask, Burkina Faso, carved wood and pigment, incised geometric designs, h. 6 1/2 in., w. 14 in., d. 6 in.; mounted on felt covered wood stand, overall h. 15 1/2 in. [$200/400]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003.

Ill.: McDowell, Peggy. Traditional Art of Africa, Art Department Gallery, Newcomb College, Tulane University, New Orleans, Feb. 9-21, 1969, p. 4, cat. no.

13; Greene, H. Bruce. Tribal Arts of West Africa II, travelling exhibition, 1971-72, cat. no. 25; Burton, Marda. “Every Nook and Cranny: A Museum at Home.”

Veranda Summer 1995: p. 196-201.

385. African Ila-Tonga or Lozi Antelope-Form Terracotta Pipe Bowl, Zambia or Zimbabwe, incised geometric designs, remnants of “Livingston 1905” label, h. 2 3/4 in., w. 3 1/4 in., d. 2 1/8 in. [$200/300]

Provenance: Tepaske and Hurst, Cambridge, MA; New Orleans Antique Show, November 1978; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

386. African Bamana Komo Society Crest Mask, Kontela Region, Mali, wood, guinea fowl blood, mud, mirror shards, feathers, and porcupine quills, h.

15 in., w. 32 in., d. 6 in.; mounted on metal stand, overall h. 23 in. [$400/600]

Provenance: René Braumann, Bobo-Dioulasso, Burkino Faso, July 1973; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 19, 2022.

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387. African Carved and Painted Wood Male Figure, possibly Dogon, Mali, raised arms with offering tray, h. 11 3/4 in., w. 3 in., d. 2 1/4 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

© 2022 Tina Freeman

388. African Bozo Bust of Marionette Puppet or “Jiné-Faro”, Mali, Guinea, painted wood, h. 16 in., w. 5 1/4 in., d. 5 1/2 in.; on metal stand, overall h. 18 in. [$200/300]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Dec. 1984; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World,” Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 14, 2003.

Ill.: Bailey, Lee, and Ella Brennan. Lee Bailey’s New Orleans: Good Food and Glorious Houses, Clarkson Potter, New York, 1993, p. 16; Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201.

389. African Stone Figure with Iron Necklaces, Mali, probably Dogon, h. 7 in. [$150/250]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

390. African Bamana/Bambara Calabash and Raffia Food Container, Mali, h. 12 in. [$100/200]

Provenance: Eclectics Gallery, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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391. Three Baskets, incl. conical bowl-form, African, h. 6 in., dia. 13 in.; low bowlform, unidentified, h. 3 7/8 in., dia. 13 in., and covered bowl-form, possibly Guatemalan or Mexican, h. 3 3/4 in., dia. 7 1/4 in. [$100/150] Provenance: (First) Arthur Roger, New Orleans, Mar. 1993, as a gift; (Second) Arthur Roger, New Orleans, Mar. 1993; (Third) Coachman Antique Mall, La Porte, IN, Aug. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

392. Two Sudanese or North African Covered Baskets, smaller h. 6 1/2 in., dia. 5 3/4 in.; larger h. 15 in., dia. 14 in. [$40/60]

© 2022 Tina Freeman

Provenance: (Smaller) Antique Mall & Village, Union Pier, MI, Aug. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

393. African Toro Glass Bead Embellished Basketry Lidded Coffee Bean Container, Uganda, h. 3 1/2 in. [$75/125]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

395. African Mumuye Carved Wood Female Ancestor Figure, Upper Benue River Valley Region, Nigeria, incised geometric designs with red and white paint, h. 18 1/2 in., w. 4 in. d. 4 in. [$500/700]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Oct. 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003.

394. African Gogo Carved Wood Food Platter, Tanzania, h. 4 in., w. 21 1/4 in., d. 18 1/4 in. [$200/300]

Provenance: Gift of Marc Felix, Brussels, Belgium, Apr. 1987; Ex-Collection of L’Impasse Saint Jacques Arts Primitifs; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

396. African Mumuye Carved Wood Ancestor Figure, Upper Benue River Region, Nigeria, h. 16 1/4 in.; mounted on wood stand, overall h. 18 1/4 in. [$600/800]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 14, 2003.

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397. African Mumuye Carved Wood Standing Ancestor Figure, Upper Benue River Region, Nigeria, incised geometric designs, h. 13 3/4 in., w. 4 in., d. 4 1/4 in.; mounted on wood stand, overall h. 15 in. [$600/800]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Oct. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4 - Dec. 1, 2003.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”.

Veranda Summer 1995: p. 196-201.

398. Two African Carved Wood Figures, one Mumuye, Benue River Valley, Nigeria, with twine necklace, h. 4 in.; other with hide necklace, h. 3 in. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

399. African Mumuye Carved Wood Figure, Nigeria, incised geometric designs, h. 18 3/4 in., w. 3 1/4 in., d. 3 in.; mounted on wood stand, overall h. 20 1/2 in. [$150/250]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

400. African Ejagham/Ekoi Ngbe Society Drinking Cup, Cross River State, Nigeria, gourd, animal mandible, dried grasses, and pitch, h. 4 1/2 in., w. 7 1/2 in., d. 4 1/2 in. [$300/500]

Provenance: Gift of Francoise B. Richardson, Davis Gallery of Ethnographic Art, New Orleans, Dec. 2000; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

402. African Mambila Hunter’s or Warrior’s Shield, Nigeria or Cameroon, tooled animal hide, mud, fiber, h. 19 in., w. 16 in.; with metal stand, overall h. 28 1/2 in. [$300/500] Provenance: Davis Gallery of Ethnographic Art, New Orleans, December 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial fund for Social Impact.

Exh.: “The Hunt” Davis Gallery, New Orleans, Dec. 1991; “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

Ill.: Adno, Michael. “At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

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401. African Ejagham Ekpe Society Emblem, Nigeria, parrot feathers, chimpanzee skull, cape buffalo skull, diamondback tortoise shell, two upper mandibles of a crocodile, three lower mandibles of an antelope, kudu horn, dik-dik horn, duiker antelope skull, castor bean rattle, round wood food bowl, two cane bows, drum, two wood rattle shakers, two crossed poles, mandible of baboon, caning mat, raffia and leaf paint, h. 36 in., w. 38 in., d. 12 in. [$8,000/12,000] Provenance: Davis Gallery of Ethnographic Art, New Orleans, July 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

403. African Tiv Anti-Witchcraft Shrine Figure, late 19th c., Benue State, Nigeria, wood, glass, beads, bone, and pitch, h. 6 1/2 in., w. 2 3/4 in., d. 2 1/4 in.; with wood stand, overall h. 8 in. [$600/800]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Mar. 2003; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

404. African Montol Carved Wood Standing Female Figure, Nigeria, wood, jute, iron, leather, and resin, h. 12 1/2 in., w. 3 1/4 in., d. 3 1/2 in.; mounted on wood stand, overall h. 14 3/4 in. [$400/600]

Provenance: Davis Gallery of Ethnographic Art, New Orleans, Dec. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

405. African Yoruba Textile Panel and Carved Wood Heddle Pulley, Nigeria, panel comprised of glass beads and cloth, l. 2 3/4 in., w. 2 1/2 in., framed l. 5 7/8 in., w. 5 1/4 in.; pulley with head form handle, h. 4 in., w. 1 1/2 in., d. 1 3/4 in. (2 pcs.) [$300/500] Provenance: (Textile Panel) Davis Gallery of Ethnographic Art, New Orleans, 1995; (Heddle Pulley) Gift of Roy Sieber, Washington, D.C., Dec. 1992; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, Oct. 4-Dec. 1, 2003.

105

406. African Yoruba Carved Wood Divination Tray or “Opon Ifa”, Nigeria, covered offering boxes with figural handle, h. 10 1/2 in., dia. 16 1/2 in. [$300/500] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

408. Four African Ashanti Brass Goldweights, Ghana, incl. fish-form, l. 2 1/4 in.; cannon-form, l. 1 7/8 in.; millet pod-form, l. 2 5/8 in.; and beetle-form, l. 1 3/4 in. [$200/300]

407. Four African Ashanti Brass Goldweights, Ghana, geometric forms, l. 1 5/8 in. to 1/2 in. [$200/300] Provenance: Explorer Shop, New Orleans, May 1969; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: (First) New Orleans, 1982; (Others) Gallery of Primitive Man, New Orleans, Nov. 1976; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p.

196-201.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

409. Five African Ashanti Brass Goldweights, Ghana, incl. golden stoolform, l. 2 1/4 in.; beetle-form, l. 1 3/8 in.; crab claw-form, l. 1 1/4 in.; pepperform, l. 1 in.; and okra-form, l. 2 in. [$400/600]

Provenance: (Stool) Gift of James B. Brynes, New Orleans, July 1967; (Beetle and Crab Claw) E. Lorenz “Larry” Borenstein, New Orleans, Nov. 1973; (Pepper and Okra) Davis Gallery of Ethnographic Art, New Orleans, Nov. 1981; Estate of Curator Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 196-201; (Stool) Fagaly, William A. New Orleans Collects: African Art, Isaac Delgado Museum of Art, Feb. 2-Mar. 31, 1968, cat. no. 68; McDowell, Peggy. Traditional Art of Africa, Art Department Gallery, Newcomb College, Tulane University, New Orleans, Feb. 9-21, 1969, p.7, cat. no. 29.

410. Collection of Eleven African Ashanti Brass Goldweights, Ghana, incl. various geometric forms and one bird-form, largest l. 2 1/2 in. [$500/700]

Provenance: Explorer Shop, New Orleans, June 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Peggy McDowell, Traditional Art of Africa, Art Department Gallery, Newcomb College, Tulane University, New Orleans, Feb. 9-21, 1969, p.7, cat. no. 29.

106

411. Two African Brass Goldweights, incl. Akam Asante Group, Ghana, man shaving tree-form, l. 2 1/2 in.; and Baule, Cote d’Ivoire, crocodile-form, l. 2 in.; together with Asian crested bird form opium weight, h. 2 in. (3 pcs.) [$100/200]

Provenance: (Akam) Gift of D. Allen, New Orleans, 1998; (Baule) Gift of Cindy Carr, New Orleans, Dec. 1975; (Asian) Gift of Pat and Phil Potts, South Bend, IN; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 196-201.

412. African Carved Wood Head, possibly Baule or Dan, Cote d’Ivoire, h. 2 3/4 in., w. 2 1/2 in., d. 1 3/4 in.; fitted metal stand with Bonhams label, overall h. 5 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

413. Kofi Cole or Herbert “Skip” Cole (American, Contemporary), “Miniature Igbo Mask”, 2002, carved and painted wood, signed, dated and reverse inscribed “For Bill Kofi Cole 2002”, h. 2 1/2 in., w. 1 1/2 in.; with metal stand, overall h. 4 1/4 in. [$100/200] Provenance: Gift of the artist, New Orleans, Nov. 2002; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4-Dec. 1, 2003.

414. [African Slave Trade] Dutch Molded Verre Noir Case Glass Gin Bottle, 19th c., square tapered body, side molded “AFRICAN”, base with “.V”, h. 9 1/4 in.; together with note from “Philippe” to Bill [Fagaly] stating the bottle was found in Escravos and with an article about bottles found near the Bay of Guinea. [$40/60] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

415. Thirty African Phenolic Resin Faux-Amber Trade Beads, sometimes called “African amber” or “Copal amber”, largest dia. 1 5/8 in., strung together as a necklace [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

416. African Hausa or Fulaui Trade Beads, Northern Nigeria, incl. 8 strands of glass and terracotta beads strung on raffia, l. 26 1/2 in. to 35 1/2 in. [$100/200] Provenance: Saja Drammels, New Orleans, Mar. 1973; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

107

417. Four African Miniature Carved Heads, seeds, vegetable shells, and wood strung on twine, h. 1 in. to 3 /4 in. [$100/200]

Provenance: Gift of Kent Davis, New Orleans, Au. 1998; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

418. African Carved Wood Totem-Form Rattle, incised geometric designs, h. 11 1/4 in.; with wood stand, overall h. 13 in. [$50/100]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Adno, Michael.”At Home with the Man Who Helped Bring African Art to New Orleans.” Artsy. Mar. 15, 2019. www.artsy.net. Accessed Jan. 30, 2022.

419. Three African Carved Wood Figures and One Spirit Figural Group, h. 4 1/4 in. to 2 1/2 in. [$50/100] Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

420. “Koummya” or “Jambiya” Dagger, Tiznit, Sous Region, Southern Morocco, iron, wood, and brass, l. 15 1/2 in. [$200/300]

Provenance: Descended in the family of William A. Fagaly, acquired Morocco, c.

1942; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial for Social Impact.

421. Ancient Kusara Marble Abstract Schemtic Idol, Anatolia, Turkey, h. 5 1/4 in., w. 2 1/8 in., d. 1/2 in. [$200/300]

Provenance: Sotheby Parke Bernet, NY, Sale 426, June, 1979, lot 1035; Ex-Collection Benjamin Sourenberg, NY; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Photo Courtesy of Dawn DeDeaux

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Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

422. Ancient Beycesultan Marble Abstract Schematic Idol, Anatolia, Turkey, h. 3 1/2in., w. 2 1/4 in., d. 3/8 in. [$200/300]

Provenance: Estate of Louisiana Artist Ida Kohlmeyer, New Orleans, LA, 1999; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

423. Two Pre-Columbian Olmec Peoples Carved Hardstone or Jade Figures, Costa Rica, incl. alligator, l. 6 3/4 in., and inheritance pendant, l. 2 1/2 in. [$200/300] Provenance: (Alligator) Randolph von Breymann, San Jose, Costa Rica, 1977; (Inheritance Pendant) Ex-Collection Maximo Acosta, San Jose, Costa Rica; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

424. Pre-Columbian Hardstone or Jade Tool, l. 9 in., w. 2 in., on stand. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

425. Four Pre-Columbian Stone Tools, various shapes, largest l. 5 in.; together with petrified wood knot on stand, h. 2 in. (5 pcs.) [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

426. Pre-Columbia Terracotta Figural Whistle, h./ 2 1/2 in., w. 1 1/4 in., d. 1 1/4 in., on stand. [$50/75]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home.” Veranda Summer 1995: p. 200.

427. Two African Terracotta Figural Pipe Bowls, Cameroon, larger l. 4 in., on metal stands. (2 pcs.)

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

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428. African Djenne Terracotta Figure of Kneeling Woman, Mali, h. 9 1/4 in., w. 4 1/2 in., d. 5 3/4 in., wood base Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

429. Pre-Columbian Colima or Veracruz Terracotta Head, Mexico, h. 2 3/4 in., w. 2 1/2 in., d. 3 1/4 in. [$100/200]

Provenance: Estate of Justine Godchaux McCarthy, New Orleans, LA, 2004; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

430. Pre-Columbian Veracruz Peoples Terracotta Head, Panuco River area, Mexico, white slip, h. 3 1/2 in., d. 3 1/2 in., d. 1 7/8 in. [$100/200]

Provenance: George Jeurgens, NY, 1966; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Photo Courtesy of Dawn DeDeaux

431. Pre-Columbian Teotihuacan Peoples Terracotta Head, Mexico, h. 1 1/4 in., w. 1 in., d. 1 1/4 in. [$50/100]

Provenance: Dr. Roy Sieber, Bloomington, IN, 1966; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

110

432. Pre-Columbian Terracotta Head, possibly the Aztec god Xipe Totec, San Andras, possibly Southern Veracruz Mexico, h. 3 1/2 in., w. 4 in., d. 2 1/2 in. [$75/100]

Provenance: George Jeurgens, NY, 1966; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

Photo Courtesy of Dawn DeDeaux

432A. Two African Terracotta Figural Pipe Bowls, Cameroon, larger l. 5 in., metal stands. (2 pcs.) Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

433. Pre-Columbian Jalisco or Colima Peoples Terracotta Figure of a Standing Female, Mexico, h. 6 in., w. 2 3/4 in., d. 1 in. [$100/200]

Provenance: George Jeurgens, NY, 1966; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Centery, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

434. Pre-Columbian Nayarit Peoples Polychrome Terracotta Seated Figure, Tarascan, Mexico, h. 10 in. w. 8 1/2 in., d. 5 in.; Note: repairs [$200/300] Provenance: E. Lorenz Borenstein, New Orleans, LA, 1968; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”.

Veranda Summer 1995: p. 196.

435. Two Pre-Columbian Michoacan Peoples Pottery Figures, Mexico, larger h. 5 1/4 in., w. 4 1/2 in., d. 2 in.; smaller h. 3 1/4 in., w. 1 1/2 in., d. 3/4 in. [$200/300] Provenance: (Larger) E. Lorenz Borenstein, New Orleans, LA, 1967; (Smaller) Bernard Brown, Milwaukee, WI, 1967; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans William A. Fagaly Memorial Fund for Social Impact.

Exh.: (Larger) “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003; (Smaller)”Friends of Art Purchase Exhibition”, Indiana University Art Museum, Bloomington, IN. Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

111

437. Pre-Columbian Terracotta Tripod Pot, Mexico, h. 2 7/8 in., dia. 3 in. [$40/60]

Provenance: James B. Byrnes, New Orleans, 1967; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

436. Pre-Columbian Olmec Peoples Terracotta Roller Seal, Las Bocas, Valley of Puebla, Mexico, l. 2 1/8 in., dia. 1 7/8 in. [$75/100] Provenance: Robert Huber, Dixon, IL, 1983; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”.

Veranda Summer 1995: p. 200.

439. Seven Pre-Columbian Huari Peoples Wood, Cinnabar and Shell Earspools, Peru, tallest h. 1 3/4 in. [$75/100]

438. Five Pre-Columbian Peruvian Stone Animal Figures, incl. cow, ram, sheep, large sheep and alpaca; largest h. 1 7/8 in., w. 2 1/2 in., d. 1 in. [$100/200]

Provenance: Josefina Olivera & M.P.G., Cuzco, Peru, 1977; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Sr. Raul Apesleguia, Lima, Peru, 1977; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “Reflections of the Sun”, New Orleans Museum of Art, New Orleans, Jan. 15 - April 15, 1979.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

Ill.: Burton, Marda. “Every Nook and Cranny: A Museum at Home”. Veranda Summer 1995: p. 200.

440. Two Pre-Columbian Chancay Peoples Painted Wood Male and Female Figures, Peru, male h. 14 1/4 in., w. 3 1/4 in., d. 3 in.; female h. 15 1/4 in., w. 4 in., d. 2 1/2 in. [$100/200]

Provenance: Sr. Raul Apesleguia, Lima, Peru, 1977; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Exh.: “What a Wonderful World”, Contemporary Arts Center, New Orleans, LA, Oct. 4 - Dec. 14, 2003.

112

441. Nine Pre-Columbian Manteño Peoples Incised Clay Beads, Province of Manabi, Ecuador, on wire string, largest dia. 3/4 in. [$50/100] Provenance: Explorer Shop, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

442. Two Kunhanaamendaa Hair, Fiber, and String Embellished Carved and Painted Wood Figures, Mornington Island, Australia, incl. male, h. 16 3/4 in. and female, h. 14 3/4 in., both with stands, overall h. 17 in. and 15 in. [$200/300] Provenance: Matt Heffron, New Orleans, 1970s, thought to be by Elsie Roughsey, aka Labumore; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

443. Oceanic Aibom Village Polychrome Pottery Sago Storage Jar, Papua New Guinea, Middle Sepik River, Chambri Lake Area, relief-molded with ancestral faces, h. 9 1/8 in. [$100/200]

Provenance: Gene Willet, New Orleans, 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

444. Oceanic Shell and Cowrie Shell Embellished Woven Fiber Pendant Necklace, Papua New Guinea, pendant l. 10 1/4 in., w. 11 1/4 in., overall l. 24 3/4 in. [$100/200] Provenance: Lynn Harrington, New Orleans, 1994, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

445. Oceanic Batak Carved Bone Mask Pendant or Charm, Northern Sumatra, Indonesia, h. 2 3/8 in., stand, overall h. 3 3/8 in. [$200/300] Provenance: Abba Kastin, New Orleans, June 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

446. Oceanic Sasak Carved Wood, Brass and Iron Betel Nut Pestle, Lombok, Indonesia, carved with the figure of a seated man, h. 9 1/8 in., stand, overall h. 9 3/8 in. [$150/250]

Provenance: Abba Kastin, New Orleans, June 1994, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

113

447. Oceanic Dani Cowrie Shell Embellished Pectoral Armor or “Bib”, Irian Jaya, Indonesia, l. (exl. neck band) 19 in. [$50/750]

448. Oceanic Asmat Carved and Painted Wood Figural Fragment, Irian Jaya, Indonesia, carved as head flattened in profile, with headress and scars around cheeks, h. 6 1/2 in., w. 3 3/4 in., stand, overall h. 8 1/8 in. [$50/100]

Provenance: New Orleans Museum of Art Shop (via Indonesian trader), New Orleans, July 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Asmat tour group, New Orleans Museum of Art, New Orleans, July 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

449. Two Oceanic Asmat Boar’s Tusk Nose Pieces, Irian Jaya, Indonesia, w. 4 7/8 in. and 4 1/8 in. [$100/200]

450. Oceanic Asmat Carved and Painted Wood Openwork Panel Fragment, Irian Jaya, Indonesia, l. 42 in., w. 8 1/4 in., rope for hanging. [$75/125]

Provenance: Asmat Tour Group, New Orleans Museum of Art, New Orleans, July 1991; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

451. Oceanic Basket or Child’s Bassinet, Northern Sumatra, Indonesia, possibly Batak, h. 7 1/4 in., w. 21 in., d. 31 in. [$100/200]

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

114

Photo Courtesy of Dawn DeDeaux

Provenance: (One) John Geldersma, Henderson, LA, 1994, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

453. Oceanic Fijian Rootwood Ball Headed Throwing Club, ‘I Ula Drisia’, Polynesia, shaft grip carved with geometric rows, l. 15 3/4 in. [$200/300] 452. Seven Samoan Fans, various patterns, tallest h. 18 in.; together with two reference books and a Christie’s catalogue showing similar fans. [$300/500]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Provenance: Thomas L. Rosenzweig, New Orleans, Jan. 1972, reputedly Ex-Collection Albert E. Carriere, New Orleans; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

455. Japanese Ikebana Low Basket with Low Handle, base marked, h. 4 in., w. 17 3/4 in., d. 10 1/2 in. [$100/200]

454. Japanese Ikebana Basket, three loose ring handles, h. 9 3/4 in., dia. 16 1/2 in. [$100/200]

Provenance: Lynn Dabney, New Orleans, Dec. 1994, as a gift; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

456. Japanese Ikebana Basket with Two Side Handles, h. 11 1/4 in.; together with Japanese ikebana basket with tall split handle, h. 10 3/4 in. (Note: As is condition) and Filipino square basket, h. 4 1/2 in., w. 12 1/2 in., d. 12 1/2 in. [$150/250] Provenance: (First) Lynne Dabney, New Orleans, 1993, as a gift; (Second) Antique Mall and Village, Union Pier, MI, July 1992; (Third) Acquired Kyoto, Aug. 1993; E Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

457. Japanese Ikebana Low Basket with Handle, h. 14 3/4 in., dia. 14 1/2 in. [$150/250]

Provenance: Lynn Harrington, New Orleans, Apr. 1995; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

115

459. Japanese Ikebana Basket with Handle, h. 16 1/2 in. [$150/250]

458. Two Japanese Ikebana Baskets with Handles, h. 16 1/4 in. and 14 in. [$200/300]

Provenance: Acquired Kyoto, Aug. 1993 Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

Provenance: (Larger) Pacific Asia Museum, Pasadena, Apr. 1986; (Smaller) Pat and Phil Potts, New Orleans, Christmas 1986; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

460. Two Japanese Ikebana Baskets, incl. footed, h. 8 3/4 in., and boatshaped, h. 9 1/4 in., w. 18 1/2 in., d. 6 1/2 in. [$200/300]

Provenance: (Former) Lynn Harrington, New Orleans, July 1996; (Latter) The Third Eye, West Palm Beach, FL, Dec. 1989; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

461. Two Japanese Ikebana Baskets, incl. splayed with handle, h. 11 3/4 in., and compressed rounded square, h. in., w. 11 in., d. 11 in. [$200/400] Provenance: (First) Lynn Harrington, New Orleans, Dec. 1996, as a gift; (Second) Crane Gallery, Seattle, Aug. 1994; Estate of Curator and Scholar and Advocate of Outsider and Contemporary Art Bill Fagaly, sold to benefit Prospect New Orleans’ William A. Fagaly Memorial Fund for Social Impact.

462. RMS Queen Elizabeth First Class Teak Deck Chair, labeled “First Class Only”, slatted back and seat, splayed legs, h. 35 1/2 in., w. 23 in., d. 52 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

116

464. Turkish Kilim Runner, alternating bands of medallions, 2 ft. 6 in. x 13 ft. [$600/900] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

465. Two Turkish Kilim Rugs, 2 ft. 5 in. x 5 ft. 2 in. and 3 ft. 1 in. x 5 ft. 3 in. [$200/300] 463. Turkish Kilim Carpet, alternating bands of salmon, black, and cream, foliate design, 8 ft. x 11 ft. 6 in. [$700/1000]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

466. Three Turkish Kilim Rugs, serrated design 3 ft. x 4 ft. 6 in.; stylized floral 3 ft. 11 in. x 6 ft.; and horizontal color bands 3 ft. 11 in. x 6 ft. 2 in. [$500/700]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

467. Three Turkish Kilim Rugs, 2 ft. 8 in. x 7 ft. 6 in.; 3 ft. 8 in. x 6 ft.; and 5 ft. 3 in. x 7 ft. 8 in., Note: losses. [$150/250] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

117

468. Three Turkish Kilim Rugs, striped designs, 18 in. x 31 in.; 2 ft. x 5 ft. 6 in.; and 4 ft. 8 in. x 6 ft. 4 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

469. Two Kilim Rugs, incl. blue ground, 3 ft. 8 in. x 5 ft.; and red ground 3 ft. 5 in. x 6 ft. 4 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

471. Kilim Carpet and a Rug, 5 ft. 1 in. x 12 ft. 4 in.; and 4 ft. x 6 ft. 2 in. [$300/500] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

470. Kilim Carpet, alternating color bands, 5 ft. 2 in. x 8 ft. 3 in. [$400/700]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

118

472. Three Turkish Kilim Rugs, 6 ft. 8 in. x 7 ft. 8 in.; and 4 ft. x 7 ft. 3 in. [$200/300] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

473. Four Decorative Rugs, various forms, 45 in. x 59 in., 37 in. x 59 in., 34 in. x 67 in., and 46 in. x 96 in. [$250/350] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

474. Jugendstil Bronze Inkwell, c. 1900, marked “GESCHUTZT, REAL BRONZE, DEPOSEE”, lidded pot, pen well, stylized lion design, h. 1 7/8 in., w. 6 in., d. 5 1/2 in., with later brass wax seal. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

119

476. Carved and Painted Corinthian Column Capital, 19th c., three-sided, h.

13 in., w. 16 in., d. 7 1/2 in. [$150/250] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

475. Pair of Fossilized Marble Obelisks and Sphere, 20th c., made in Pakistan, h. 8 in., sphere dia. 2 3/4 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

477. Polychrome Pottery Model of a Lamb Being Roasted on an Open Fire, 20th c., h. 4 1/2 in., w. 5 1/2 in., d. 3 1/2 in. [$150/250]

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

478. Two Brazilian Wrought Iron Trident Fish Spear Heads, larger 8 1/2 in. x 2 1/2 in. [$75/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

479. Seven American Vernacular Woven Fiber Fans, various materials and forms, largest h. 17 in., w. 13 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans. © 2022 Tina Freeman

120

481. Mario Villa (Nicaraguan/New Orleans, 1953-2021) Steel and Brass Candlestick, with applied dragonfly, h. 14 1/2 in., w. 4 3/4 in., d. 4 3/4 in. [$100/150] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

480. Vintage Painted Canvas Carnival Knockdown Doll, straw filled, h. 11 in., together with two other homemade dolls, taller h. 9 in. [$75/100] Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

483. Three Painted Wood and Metal Decoys, incl. butterfly, mouse and rodent, h. 1 3/8 in., w. 2 1/2 in., d. 3 5/8 in. to h. 1 3/4 in., w. 3 in., d. 8 in. [$200/300] 482. American School, 20th c., “Cat Box”, wooden wine case, interior embellished with mixed media, h. (closed) 4 1/4 in., w. 13 in., d. 7 1/2 in. [$100/150]

Provenance: (Butterfly) Ingle Noole Antiques, Bethesda, MD / D.C. Armory Antique Show, 1992; (Mouse and Rodent) Anita’s Attic, Antique Mall, Mt. Pleasant, MI, 1991; Estate of Curator, Scholar and Collector William “Bill Fagaly, New Orleans.

Condition: All in Overall fair condition.

Provenance: Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

484. Two Painted Wood and Metal Decoys of a Catfish and Lobster, h. 3 in., w. 4 1/2 in., d. 7 1/4 in. and h. 1 3/8 in., w. 4 5/8 in., d. 9 1/8 in., custom metal stands. [$100/200]

Provenance: (Catfish) Ingle Noole Antiques, Bethesda, MD / D.C. Armory Antique Show, 1992; (Lobster) Anita’s Attic, Antique Mall, Mt. Pleasant, MI, 1991; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

485. Three Painted Wood and Metal Fish Decoys, h. 1 5/8 in., w. 10 3/8 in., d. 3 5/8 in. to h. 2 1/2 in., w. 13 3/8 in., d. 3 in., custom made stands. [$200/300] Provenance: Gift of Ernie Michler, 1975; Estate of Curator, Scholar and Collector William “Bill” Fagaly, New Orleans.

2022 AUCTION SCHEDULE February 16 & 17, 2022 UNRESERVED @ Neal Auction Online-only March 9 & 10, 2022 Estate of Bill Fagaly April 8 & 9, 2022 Spring Estates Auction May 12, 2022 Estate of Mario Villa Live Auction – Part 1 May 25 & 26, 2022 UNRESERVED @ Neal Auction Online-only June 24 & 25, 2022 Summer Estates Auction July 14, 2022 Estate of Mario Villa Online Auction – Part 2 August 10 & 11, 2022 UNRESERVED @ Neal Auction Online-only September 9 & 10, 2022 Fall Estates Auction October 12 & 13, 2022 UNRESERVED @ Neal Auction Online-only November 18 & 19, 2022 Louisiana Purchase Auction™ December 8, 2022 Mid-Century, Modern and Contempory Art & Design 122

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www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107 - LeBlanc #1514, Carroll #1874, Fagan #1935