Mid-Century, Modern and Contemporary Art & Design Online Auction - December 8

Mid-Century, Modern and Contemporary Art & Design ONLINE ONLY

featuring:

Mid-Century Modern Furniture from the Estate of Stella Reid Bowers and Dr. Cyril Yarling Bowers, Jr., New Orleans, LA.

Jugendstil through Mid-Century Modern Furniture and Decorative Arts from the Collection of Richard H. Kilbourne, Clinton, LA.

A diverse collection of Art Deco objects, mid-century furniture and decorative arts from the Estate of Dr. Jay Smith, Mandeville, LA And Property of Others

EXHIBITION

Beginning Monday, December 5, 10 a.m. to 5 p.m.

AUCTION

Thursday, December 8, beginning at 11:00 a.m., lots 1-425

Neal Auction Company Auctioneers of Antiques & Fine Art

4038 Magazine Street, New Orleans, Louisiana, 70115 | 504.899.5329

LA Auc. Lic., Neal Auction Co. #AB-107 | Leckert #1514 | Carroll #1874 | Fagan #1935 | Robinson #2155

www.nealauction.com

DIVERSE COLLECTION OF ART DECO OBJECTS, MID-CENTURY FURNITURE AND DECORATIVE ARTS

FROM THE ESTATE OF

DR. JAY SMITH

Neal Auction Company is pleased to present property from the Estate of Dr. Jay Smith.

Dr. Smith was born in Boston but spent most of his life in the New Orleans area. A well-respected physician, he served as medical director of North Oaks Hospital’s emergency department for more than twenty years.

Smith was passionate about the diverse culture of New Orleans: the people, the food, the music and the architecture. His broad interests are reflected in his eclectic collection which encompasses Art Deco objects, African tribal art and mid-century furniture and decorative arts.

3. Jugendstil Inlaid Oak Vitrine Cabinet, c. 1910, attr. to Bruno Paul for Vereinigte Werkstatten, inlaid with brass, mother-of-pearl, and pewter, tripart superstructure with roundel glass panels, trapezoidal case with seven drawers flanked by cabinet doors, conforming base, h. 72 in., w. 69 in., d. 24 in. [$1000/1500]

Provenance: Rago Auction, May 21, 2017, lot 2049; Quittenbaum’s, Germany, April 2006.

1. Jugendstil Inlaid Oak Vitrine Cabinet, c. 1910, attr. to Bruno Paul, ebony-inlay, double-trapezoidal case, upper case with beveled glass doors, paneled lower case, conforming base, h. 62 in., w. 39 1/2 in., d. 26 in. [$1000/1500]

Provenance: Toomey & Co., Chicago, June 9, 2019, lot 355

5. Richard Riemerschmid Bronze Floor Lamp, 1920s, for Vereinigte Werkstatten, Germany, adjustable height, organic design, cloth shade, h. 60 in. to 79 in. [$1000/1500]

Provenance: Rago Auction, Oct. 17, 2015, lot 923.

6. Andre Sornay Armchair, c. 1948, impressed mark “Brevete France Sornay Etranger”, with brass inlay, h. 35 3/4 in., w. 20 3/4 in., d. 21 in. [$700/1000]

2. Jugendstil Carved Beech and Pine Chair, c. 1905, attributed to Richard Riemerschmid for Werkstatten fur Handwerkskunst, Dresden, molded plank seat, h. 35 in., w. 17 1/2 in., d. 21 in. [$200/300]

Provenance: Wright Auction, Aug. 11, 2017, lot 543.

4. Jugendstil Carved Oak and Wrought-Iron Cabinet, c.1905, attr. to Richard Riemerschmid, shaped top and backsplash, five drawers, flanked by paneled cabinets, conforming base, h. 44 1/4 in., w. 46 3/4 in., d. 25 in. [$2000/3000]

Provenance: Rago Auction, May 20, 2017, lot 1613; Quittenbaum’s, Germany, Nov. 1999

7. Art Deco-Style Walnut Club Chair, upholstered clam shell back, slatted arms, h. 34 1/2 in., w. 31 in., d. 23 in. [$500/700]

8. Art Deco Wrought Iron and Onyx Low Table, early 20th c., cabriole legs, h. 18 1/2 in., w. 40 in., d. 22 in. [$500/700]

9. Art Deco-Style Burlwood Table, oval top, shaped trestle base, h. 18 1/2 in., w. 44 in., d. 23 in. [$400/600]

10. Pair of Art Moderne Ebonized and Birch Nightstands, manner of Jacques Adnet, glass top, shaped frieze drawer, tapered legs, h. 20 in., w. 17 1/2 in., d. 12 in. [$800/1200]

11. Pair of Continental Art Deco Walnut Club Chairs, recent linen upholstery, h. 34 in., w. 26 in., d. 23 in. [$1200/1800]

13. Pair of Art Deco-Style Side Tables, inlaid top, arched legs, h. 24 in., dia. 24 in. [$700/1000]

12. Pair of French Art Moderne Lacquered Wood and Gilt Metal Lamp Tables, c. 1950, manner of Eugene Printz and Jean Durand, plinth top, spherule and scroll apron, arched base, h. 32 3/4 in., w. 45 in., d. 25 in. [$3000/5000]

Provenance: Rago Auctions, June 15, 2014, lot. 713.

14. Art Deco-Style

, floating plinth top, four drawers, shaped supports and base, h. 35 1/2 in., w. 47 in., d. 16 in. [$700/1000]

16. Pair of Art Deco-Style Inlaid Square Tables, h. 24 in., w. 23 1/2 in., d. 23 1/2 in. [$800/1200]

15. Pair of Art Deco-Style Parcel Ebonized Tables, stepped top, single drawer, h. 26 1/2 in., dia. 20 in [$600/900]

18.French Art Deco Wrought Iron and Parquetry Console Table, early 20th c., demilune top, scrolled base, h. 36 1/2 in., w. 55 1/2 in., d. 14 1/2 in. [$600/900]

17.Pair of Art Deco-Style Birch and Partial Ebonized Tables, late 20th c., shaped top, single drawer, arched legs, h. 28 3/4 in., w. 17 1/2 in., d. 17 1/2 in. [$500/700]

19. André Desgranges Art Deco Bronze Table Lamp, c. 1925, signed “A. Desgranges”, patinated dinanderie bronze, blossom design, mica shade, h. 24 in., dia. 20 in. [$800/1200]

Provenance: Millea Bros. Ltd., Apr. 16, 2016, lot 3009.

Tropical Hardwood Console

20. Wolfgang Tumpel (German, 1903-1978) Four-Light Ceiling Light, 1920s, Germany, brass, nickel plated brass, opaque glass, h. 25 in., w. 14 in., d. 10 1/2 in. [$800/1200]

Provenance: Rago Auction, June 6, 2015, lot 918.

22. Christian Dell Double Dell Table Lamp, c. 1933, enameled steel, chrome plated brass, and Bakelite, Kaiser & Co., Germany, each shade marked “Kaiser Dell Original”, h. 12 in., fully extended dia. 36 in. [$1500/2500]

24. Jean Royere Floor Lamp, 1950s, France, wrought iron, adjustable ratchet arm, h. 63 in. - 72 in. [$700/1000]

Provenance: Rago Auction, June 9, 2013, lot 575.

21.Pair

of George Carwardine for Herbert Terry & Son

“Anglepoise” Table Lamps, 1930s, fully marked, extended h. 34 in., base 5 3/4 in. x 4 3/4 in. [$700/1000]

23. Otto Mueller Glass and Chrome Pendant Light, c. 1932, Germany, Sistrah Licht, GmbH, h. 23 in., dia. 16 in., Note: smaller white inner ring with some loss. [$300/500]

Provenance: Wright, Chicago, Sept. 2006, lot 318.

25. Jacques Adnet Floor Lamp, 1950s, France, brass, with green stitched leather, tripod base, h. 66 in. [$1000/1500]

26. Jean Royere Floor Lamp, 1950s, France, wrought iron, adjustable ratchet arm, h. 63 in. - 72 in. [$700/1000]

27. Jean Royere Floor Lamp, 1950s, France, wrought iron, adjustable ratchet arm, h. 63 in. - 72 in. [$700/1000]

28. Hoogervorst-Style Desk Lamp, c. 1950s, enameled and chrome metal, h. 19 in. [$150/250]

29. Art Deco “Skyscraper” Glass Ceiling Light Shade, early 20th c., enameled decoration, h. 16 1/4 in., dia. 9 in., fitter dia. 5 7/8 in. [$300/500]

31. Art Nouveau Gilt Copper Repousse and Carved Wood Mantel Clock, early 20th c., attributed to Bing, striking gong movement marked “Medaille d’Argent”, case with inset foliate designs, h. 15 1/4 in., w. 7 3/4 in., d. 3 3/4 in. [$800/1200]

30. Pair of French Glass Ceiling Light Shades, 1950s, marked “HOLOPHANE” and “MADE IN FRANCE”, h. 6 in., dia. 14 in. [$150/250]

35. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition in Blue, Red and Yellow”, acrylic on paper, unsigned, 24 in. x 18 in., unframed. [$700/900]

33. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition in Blue and Yellow”, acrylic on paper, unsigned, 27 in. x 20 in., unframed. [$700/900]

34. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition in Mauve and Taupe”, acrylic on paper, unsigned, 22 3/4 in. x 31 in., unframed. [$700/900]

32. Cora Kelley Ward (American/Louisiana, 1920-1989), “Abstract Composition in Blue, Orange and Green”, 1976, acrylic and oil crayon on paper, signed and dated lower left, signed, dated and inscribed en verso, 26 3/8 in. x 19 1/4 in., unframed. [$700/900]

35A. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Cluster Series”, 1974, mixed media on paper, pencil-signed and dated lower right, sight 23 3/4 in. x 15 5/8 in., framed. [$6000/8000]

36. Attributed to Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Male Figure” and “Female Figure”, 2 charcoals and raffaelli crayon on paper, each signed lower right, one with partial sketch en verso, 19 7/8 in. x 11 in. and 25 3/8 in. x 17 7/8 in., framed alike. (2 pcs.) [$1500/2500]

37. Paul Dufour (American/Louisiana, 1922-2008), “Wisteria Summer”, 1975, mixed media on paper, pencil-signed, titled and dated lower right, dated, inscribed and artist label en verso, 17 in. x 21 in., framed. [$300/500]

39. Gretchen

(American/Louisiana, b. 1940), “Blue Landscape”, watercolor and pastel on paper, signed lower right, 22 3/4 in. x 29 7/8 in., framed. [$400/600]

in. x 12 in., overall 12 in. x 36 in., unframed. (3

41.Erin Cone (American/Texas, b. 1976), “Couplet 1”, 2013, oil on canvas, initialed lower left, pencil-signed, titled and dated on stretcher, 24 in. x 18 in., unframed. [$700/1000]

42. Anastasia Pelias (American/ Louisiana, b. 1959), “Distorted Face”, 1985, charcoal on paper, signed, titled and dated lower right, 12 in. x 12 3/4 in., framed. [$400/600]

Rothschild

40. Erin Cone (American/Texas, b. 1976), “Fraction”, oil on canvas triptych, initialed lower left on third panel, each panel signed, titled, dated and panel number on stretcher, each 12

pcs.) [$1200/1800]

38. Gretchen Rothschild (American/Louisiana, b. 1940), “Abstract Tree”, mixed media on paper, signed lower right, 11 in. x 14 in., framed. [$400/600]

45. Danny DeLancey (American/Louisiana, b. 1974), “The Stroll”, acrylic on gallery-wrapped canvas, signed lower right, 60 in. x 48 in., unframed. [$800/1200]

43. Barbara Lion (American/ Louisiana, b. 1959), “She Wore a Blue Dress”, mixed media on paper, signed lower right, pencil-titled en verso, “New Orleans Art Framers Guild” label on backing paper, 29 7/8 in. x 22 1/4 in., framed. [$400/600]

44. Vernon Fisher (American/Texas, b. 1943), “Rules for Bending Circles”, 1993, lithograph, pencil-signed, dated and numbered “10/30” lower margin, 30 in. x 34 7/8 in., framed. [$300/500]

46. Robert Helmer (American/Louisiana, 1922-1990), “Horse and Sun”, 1958, color linocut, signed and dated lower right, 24 3/8 in. x 16 1/4 in., framed. [$200/300]

47. Harvey Sherman Harris (American/ Louisiana, 1915-1999), “Celestial Cat III”, acrylic on canvas, signed lower right, titled and label with artist and title on stretcher, 30 in. x 24 in., framed. [$800/1200]

48. Harvey Sherman Harris (American/Louisiana, 1915-1999), “Abstract Cat”, ink on paper, pencil-signed lower right, 11 7/8 in. x 8 7/8 in., framed. [$400/600]

49. Mitchell Gaudet (American/Louisiana, b. 1962), “Object du Verre”, 1997, glass and cast iron, signed and dated under base, h. 14 1/2 in., w. 7 in., d. 7 in. [$400/600]

50.

[$4000/6000]

52.

51.

Exh.:

53.

[$5000/8000]

Hunt Slonem (American/Louisiana, b. 1951), “Sky”, 2020, oil and resin on panel, signed, titled, dated and inscribed en verso, 10 in. x 8 in., framed.

Hunt Slonem (American/Louisiana, b. 1951), “Untitled: Black Bunny on Teal”, 2015, oil on panel, signed, dated, inscribed, “Galerie de Bellefeuille, Montreal, Quebec” label with artist and date and “Nassau County Museum of Art” exhibition label en verso, 10 in. x 8 in., framed. [$4000/6000]

Hunt Slonem: Eden Never Ends, Nassau County Museum of Art, Roslyn, New York, Nov. 17, 2018 - Mar. 3, 2019.

Hunt Slonem (American/Louisiana, b. 1951), “Peace”, 2020, oil and resin on panel, signed, titled, dated and inscribed en verso, 10 in. x 8 in., framed. [$4000/6000]

Hunt Slonem (American/Louisiana, b. 1951), “Mongolian Royalty”, 2018, oil on panel, signed, titled, dated and inscribed en verso, 13 3/4 in. x 10 5/8 in., framed.

54. Jimmy Descant (American/Louisiana, b. 1961), “Vacuum Rocket Cycle #3”, 2005, mixed media bicycle sculpture with karaoke 8-track player, speaker, microphone and 7 8-tracks, signed and inscribed “Earth 1-05” on fender under seat, h. 46 in., w. 84 in., d. 31 1/2 in. [$1500/2500]

56. Mario Villa (Nicaraguan/Louisiana, 1953-2021), “Blue Face”, watercolor on paper, signed lower left, 6 in. x 4 in., framed; and “Faces”, 2000, 2 etchings, each pencil-signed, dated and inscribed “AP” lower margin, both 3 1/8 in. x 2 1/4 in., framed alike. (3 pcs.) [$400/600]

Provenance: Estate of Highly Acclaimed New Orleans Artist, Furniture Maker, Designer and Collector Mario Villa (1953-2021).

Provenance:

55. Mario Villa (Nicaraguan/New Orleans, 1953-2021), “Nude Angel, Back”, 1995, gelatin silver print, pencil-signed and dated en verso, 21 7/8 in. x 18 1/2 in., framed. [$100/200]

Provenance: Estate of Highly Acclaimed New Orleans Artist, Furniture Maker, Designer and Collector Mario Villa (1953-2021).

57. Mario Villa (Nicaraguan/Louisiana, 1953-2021), “The Veil of Veronica”, mixed media on panel, signed lower center, partial mixed media collage en verso, 15 7/8 in. x 11 3/4 in., framed. [$300/500]

Provenance: Estate of Highly Acclaimed New Orleans Artist, Furniture Maker, Designer and Collector Mario Villa (1953-2021).

58. Noel Rockmore (American/Louisiana, 1928-1995), “Coriander”, 1976, photo collage on cardboard, partial signature and dated in photo lower center, title in photo lower left, 12 in. x 39 13/16 in., unframed. [$800/1200]

Collection of Sandra Zahn-Oreck (1940-2021).

59. Noel Rockmore (American/Louisiana, 1928-1995), “Cotton Picker”, 1981, grisaille on linen board, signed lower left, “Sandra Zahn-Oreck Gallery” label with artist, title and date on backing board, 5 1/8 in. x 4 in., framed. b [$700/1000]

Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

60. Noel Rockmore (American/Louisiana, 1928-1995), “Hazel Guggenheim McKinley and Sandra Zahn-Oreck”, marker on envelope, signed and titled lower right, 9 in. x 12 in., framed. [$200/300]

Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

61. Noel Rockmore (American/Louisiana, 1928-1995), “Sandra Zahn-Oreck”, 1981, pen and ink on paper, signed mid-right, dated lower right, 11 in. x 8 1/2 in., framed. [$200/300]

Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

62.Noel Rockmore (American/Louisiana, 1928-1995), “Lady with Hat”, 1981, marker and graphite on envelope, signed and dated lower center, 14 1/8 in. x 12 3/8 in., framed. [$200/300]

Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

63. Noel Rockmore (American/Louisiana, 1928-1995), “Face”, 1981, graphite and ink on paper, signed and dated mid-right, 11 in. x 8 3/4 in., framed. [$200/300]

Provenance: Collection of Sandra Zahn-Oreck (1940-2021).

64. Rudy Rowell (American/Louisiana, 1963-2009), “Faubourg Belle Reve”, 2009, oil on shaped panel, initialed lower right, signed, titled and dated en verso, 27 1/4 in. x 48 in., unframed. [$300/500]

69. Caroline

67. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Poseidon”, hand-enhanced clichéverre, signed lower right, titled lower left, inscribed “P” lower right under mat, 2 labels with artist and title and one handwritten label with artist on backing paper, 16 1/2 in. x 15 15/16 in., framed. [$400/600]

65. Thelma Lynn Simmons (American/Louisiana, 1934-2022), “Madonna”, 2020, oil on canvas, initialed and dated lower left, signed, titled, dated and inscribed en verso, 64 in. x 35 3/4 in., unframed. [$400/600]

66. Bruce Bordelon (American/ Louisiana, b. 1940), “Lake Bistineau, Louisiana”, 2010, oil on canvas board, signed and dated lower right, signed, titled and dated en verso, 16 in. x 20 in., framed. [$600/800]

(American/Louisiana, 1896-1989), “Liane”, 1949,

left, pencil-titled lower right, pencil-inscribed “edition of 20 prints - printed by the artist” lower center, handwritten label with artist and date on backing paper, “Durel-Harris, Ltd ., New Orleans” label on reverse of mat, 11 3/8 in. x 11 3/4 in., framed. [$300/500]

68.

70.

Wogan Durieux

lithograph, pencil-signed lower

Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Anguish”, cliché-verre, signed, titled and numbered “5/10” lower left, 3 labels, 2 with artist and title, one with title and one handwritten label with artist on backing paper, 19 7/8 in. x 16 in., framed. [$300/500]

Malaika Favorite (American/Louisiana, b. 1949), “Man Child”, woodcut on rice paper, pencil-signed, titled and numbered “12/15” lower margin, 11 3/8 in. x 11 1/8 in., framed. [$200/300]

71. Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), “For Jack and the Castle”, 2014, archival pigment print on paper, signed and inscribed “AP” lower margin, titled and dated lower margin under mat, 21 in. x 17 in., framed. [$400/600]

72.

“Dancers in Ruins”, archival pigment print on paper, pencil-signed, numbered “2/25” and blind stamp lower margin, 17 1/8 in. x 13 1/2 in., framed. [$400/600]

73.

[$700/1000]

74.

Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005),

Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), “Woman in Landscape”, archival pigment print on paper, signed and inscribed “AP” lower margin, signed en verso, blind stamps lower left and right, 27 1/2 in. x 22 in., framed.

Lee Crum (American/Arkansas, 20th c., active New Orleans, 1978-2005), “Woman on Rock”, 2004, archival pigment print on paper, pencil-initialed, dated and inscribed “AP” en verso, 40 in. x 30 1/4 in., framed. [$1000/1500]

75.Nine Hans Wegner for Johannes Hansen Round Chairs, designed 1949, model JH501, all with branded “JOHANNES HANSEN/COPENHAGEN/DENMARK” and logo to brace, one also retaining Knoll label, h. 30 in., w. 25 in., d. 21 in.

[$4000/6000]

Ref.: Olesen, Christian Holmsted. Wegner, just one good chair, Germany, Hatje Cantz, 2014, p. 131.

76. Hans Wegner for Carl Hansen Sideboard, 1960s, model CH 304, six drawers, sliding doors opening to six adjustable sliding trays and two adjustable shelves, on crossed saber legs, h. 49 in., w. 66 in., d. 17 1/2 in. [$3000/5000]

Ref: Olesen, Christian Holmsted. Wegner just one good chair, Germany, Hatje Cantz, 2014, pg. 231

77. Hans Wegner for Mikael Laursen ML-33

Teak Rocking Chair, designed 1940, h. 30 3/4 in., w. 24 1/2 in., d. 27 in. [$500/700]

Provenance: Wright, Chicago, May 7, 2015, lot 128.

Ref: Olesen, Christian Holmsted. Wegner just one good chair, Germany, Hatje Cantz, 2014, pg. 109

78. Hans Wegner for Getama Oak Lounge Chair and Ottoman, 1950s, Denmark, marked “GETAMA/GEDSTED/DENMARK/DESIGN HANS J. WEGNER”, oak, enameled steel, brass, adjustable back, highest position h. 35 1/2 in., w. 30 1/2 in., d. 48 in.; ottoman h. 13 1/2 in., w. 30 1/2 in., d. 23 1/2 in.

[$1500/2500]

Provenance: Rago Auction, Oct. 17, 2015, lot 962.

79. Hans Wegner Oak

“Peacock” Armchair, designed 1947, model JH550, marked “Johannes Hansen/Copenhagen/ Denmark”, and with logo, h. 41 3/4 in., w. 30 1/4 in., d. 30 in. [$1000/1500]

80. Pair of Mart Stam/Breuer Leather and Chrome Armchairs, 20th c., h. 31 1/2 in., w. 23 1/2 in., d. 20 in. [$400/600]

81. George Nelson Coconut Chair, designed 1955, fiberglass, black leather, chromed steel, unmarked, h. 33 1/2 in., w. 41 in., d. 31 1/2 in. [$1000/1500]

86. Two Alvar Aalto for Artek Lounge Chairs, 1950s, Finland, “Tank Model 37/44” and “Pamio Model 44”, “Tank” h. 25 in., w. 29 in., d. 38 in.; “Pamio” h. 27 in., w. 25 in., d. 35 in. [$2000/3000]

Provenance: Rago Auction, Aug. 28, 2015, lot 1170

82. Richard Schults Painted Metal Garden Furniture Suite, 1966, incl. 4 chairs and table, webbed seats, chair h. 29 in., w. 19 1/2 in., d. 21 1/2 in., table h. 26 in., w. 60 1/2 in., d. 38 in.; together with a related armchair, h. 27 1/2 in., w. 27 in., d. 26 in. (6 pcs.) [$1000/1500]

83. Pair of Harry Bertoia for Knoll “Diamond” Chair, 1970s, h. 30 1/2 in., w. 34 in., d. 30 in. [$500/700]

84. Harry Bertoia for Knoll “420” Side Chair, 1970s, h. 30 in., w. 21 in., d. 22 1/2 in. [$200/300]

85. Josef Frank for Svenskt Tenn Maple Coffee Table, 1950s, top with molded dip, tapered legs, pad feet, h. 19 in., w. 41 1/4 in., d. 41 1/4 in. [$1200/1800]

87.Plycraft Lounge Chair and Ottoman, 1960s, walnut veneer shell, cream leather, h. 38 in., w. 33 in., d. 32 in. [$600/900]

88. Eero Saarinen for Knoll Tulip Dining Set, 1960s-1970s, incl. marble top table, and 6 swivel chairs; the table and four chairs retain “Knoll 320 Park Ave, NY” labels, the other two chairs with Knoll “Made in Italy” labels, table. h. 28 1/2 in., dia. 42 in., chair h. 32 in., w. 18 1/2 in., d. 21 in. [$2000/3000]

89. Florence Knoll Convertible Sofa Bed, 1970s, black enameled steel and upholstery, the proper right arm slides forward, allowing the seat back to pivot back 6 inches, h. 31 in., w. 83 in., d. 32 in. [$800/1200]

90. Pair of Florence Knoll Green Marble and Chrome Occasional Tables, 1970s, model 2510T, with Knoll “Made in Italy K” labels, h. 17 in., w. 23 3/4 in., d. 23 3/4 in. [$700/1000]

91. Florence Knoll Wood and Chrome Occasional Table, 1970s. with “Knoll 575 Madison Ave, NY” label, h. 17 in., w. 27 in., d. 27 in. [$300/500]

92. Donald Knorr for Knoll 132U Chair, designed 1948, enameled steel, h. 28 1/2 in., w. 22 in., d. 20 1/2 in. [$700/1000]

94. Pair of Vintage Chromed Steel and Leather Butterfly Chairs, 20th c., h. 33 in., w. 34 in., d. 32 in. [$600/900]

Provenance: By repute from the collection of Ralph Lauren.

93. Ludwig Mies van der Rohe for Knoll Chrome and Glass Barcelona Table, designed 1928, model 252TS, beveled 3/4 in. glass top, h. 17 in., w. 39 7/8 in., d. 39 7/8 in. [$600/900]

95. Contemporary Bent Plywood Magazine Rack and Lap Tray, late 20th c., magazine rack, h. 14 in. (2 pcs.) [$200/300]

96.Shepard Fairey (American, b. 1970), “Art is for Everybody”, 2020, letterpress on paper, pencil-signed, dated, inscribed “AP” and Obey publishing chop lower margin, 15 1/2 in. x 12 in., framed. [$300/500]

97. SacSix (American/New York, 20th c.), “Amy, Back from Black”, 2020, mixed media, wheatpaste, acrylic and spray paint mounted on panel, stencil signature lower right, signed and dated en verso, 40 in. x 30 in., unframed; accompanied by a copy of a certificate of authenticity from Street Artisans Street Art Curation & Representation with artist signature, title and date. (2 pcs.) [$1200/1800]

101.

98.

“Seinfield

100. Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “Double Bubble Pink Tag”, acrylic and spray paint on unstretched canvas, tagged en verso, overall 32 1/2 in. x 42 1/2 in., unframed. [$800/1200]

99.

102. Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “Bronx King in Pink”, mixed media on metal sign,

lower center, titled lower right, 16 in. x 12 1/2 in., unframed. [$300/500]

Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “Bronx Icon”, mixed media on unstretched canvas, tagged twice upper left, lower right and en verso, titled upper right, overall 34 in. x 34 in., unframed. [$800/1200]

tagged

Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “Bubble Tag”, acrylic and spray paint on unstretched canvas, tagged en verso, overall 33 1/2 in. x 43 1/4 in., unframed. [$800/1200]

SacSix (American/New York, 20th c.),

Lennon”, 2022, spray paint and acrylic embellished giclee, pencil-signed, titled, dated and inscribed “AP 1” lower right, tagged lower left, 20 in. x 16 in., unframed; accompanied by a copy of a certificate of authenticity from Street Artisans. (2 pcs.) [$200/300]

105.

103. Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “True Icon”, mixed media on unstretched canvas, tagged twice upper right, lower left and en verso, titled upper left, overall 31 1/2 in. x 33 1/2 in., unframed. [$800/1200]

104.

(7 pcs.) [$800/1200]

Cope 2 (Fernando Carlo, Jr.) (American/New York, b. 1968), “Bubble Tag”, acrylic and spray paint on unstretched canvas, tagged en verso, overall 32 1/2 in. x 45 1/2 in., unframed. [$800/1200]

RYCA (Ryan Callanan) (British, b. 1981), “Acid Box”, 2022, portfolio of 6 silkscreens with original box, each print pencil-signed and numbered “4/50” lower margin, box signed, dated and numbered “4/50”, 11 3/4 in. x 11 3/4 in., framed alike.

106. Dillon Boy (James Dillon Wright) (American/Arizona, b. 1979), “Mona Lisa”, enhanced screenprint, pencil-signed, inscribed “1/1” and blind stamp lower margin, 14 in. x 10 1/4 in., framed. [$300/500]

107. Dillon Boy (James Dylan Wright)

(American/Arizona, b. 1979), “Young Graffiti Girl”, 2022, spray paint and acrylic on unstretched canvas, signed and inscribed with serial number “L801121” en verso, overall 54 in. x 42 1/8 in., unframed; accompanied by a copy of a certificate of authenticity from Wall & Street Urban Art Gallery with artist signature, title, date, edition 1/1 and serial number. (2 pcs.) [$1200/1500]

108. Dillon Boy (James Dillon Wright) (American/Arizona, b. 1979), “Vintage Graffiti Girl”, 2022, spray paint and acrylic on giclee, printed signature lower left, signed and inscribed with serial number “L801119” en verso, 48 in. x 36 in., unframed; accompanied by a copy of a certificate of authenticity from Wall & Street Urban Art Gallery with artist signa ture, title, date, edition 1/1 and serial number. (2 pcs.) [$1200/1800]

(American/Arizona, b. 1979), “Nude Wonder (Blue)”, 2002, spray paint and acrylic on giclee, printed signature lower right, signed and inscribed with serial number “L802000” en verso, 36 in. x 48 in., unframed; accompanied by a copy of a certificate of authenticity from Wall & Street Urban Art Gallery with artist signature, title, date, edition 1/1 and serial number. (2 pcs.) [$1200/1800]

109. Dillon Boy (James

110. Dillon Boy (James

(American/Arizona, b. 1979), “Nude Wonder (Blonde)”, 2022, spray paint and acrylic on giclee, printed signature lower right, signed and inscribed with serial number “L801999” en verso, 36 in. x 48 in., unframed; accompanied by a copy of a certificate of authenticity from Wall & Street Urban Art Gallery with artist signature, title, date, edition 1/1 and serial number. (2 pcs.) [$1200/1800]

111. Wizard Skull (American/ New York, 20th c.), “16th Painting of 2022: The Simpsons”, 2022, acrylic on canvas, signed and dated on right edge, signed and titled on stretcher, 30 in. x 30 in., unframed.

[$2000/3000]

112. Wizard Skull (American/ New York, 20th c.), “15th painting of 2022: The Simpsons”, 2022, acrylic on canvas, signed and dated on right edge, signed and titled on stretcher, 30 in. x 30 in., unframed. [$2000/3000]

Dillon Wright)

Dillon Wright)

113. Wizard Skull (American/ New York, 20th c.), “13th Painting of 2022: Mickey and Donald”, 2022, acrylic on unstretched canvas, signed and dated lower right, signed, titled and dated upper center and en verso, overall 59 in. x 58 1/2 in., unframed. [$1500/2500]

114. Wizard Skull (American/ New York, 20th c.), “11th Painting of 2022: Sesame Street”, 2022, acrylic on unstretched canvas, signed and dated lower right, signed, titled and dated upper center and en verso, overall 57 1/4 in. x 57 1/8 in., unframed. [$1500/2500]

115. Wizard Skull (American/ New York, 20th c.), “Sexy Ronald Vintage Edition”, 2021, vinyl, stamped “Wizard Skull” and “UVD Toys 2021” on underside, edition of 100, published by UVD Toys, sculpted by LK Wong, h. 10 in., w. 4 1/4 in., d. 3 in., with original packaging. [$100/200]

117.Jeff Koons (American, b. 1955), “Tulip (Bottle Topper)”, 2012, plastic and gold paint, h. 2 in., w. 2 in., d. 2 in., original pink manufacturer box. [$300/500]

Note: From a limited edition co-published by the artist and Kiehl’s, benefitting The Koons Family Institute, an initiative of the International Centre for Missing and Exploited Children.

116.

in. x 19 in., framed. [$300/500]

118. Lucas Beaufort (French, b. 1981), “Blawsome”, 2022, 7-color hand-pulled screenprint, pencil-signed and inscribed “PP” lower right, 19 3/4 in. x 19 3/4 in., framed. [$300/500]

Matt Gondek (American/California, b. 1982), “Deconstructed Homer (D’oh Nut Edition)”, 2021, giclee on paper, pencil-signed lower right, 12

119.

120.

121.

[$500/800]

122.

123.

LA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), “Orchard”, 2021, giclee print, pencil-signed by both artists and numbered “42/50” lower margin, 19 3/4 in. x 16 1/2 in., unframed. [$200/300]

LA II (Angel Ortiz) (American/New York, b. 1967), “Abstract”, oil on canvas, tagged center and en verso, 9 in. x 12 in., unframed.

LA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), “A Moment in Time”, 2009, acrylic and spray paint on unstretched canvas, signed “Paul Kostabi” and inscribed “1947 Leipziz” lower left, tagged “LA II” mid-right, tagged by LA II, thrice signed by Kostabi, titled and dated en verso, 35 5/8 in. x 44 in., unframed. [$1200/1800]

LA II (Angel Ortiz) (American/New York, b. 1967), “LA Rock”, mixed media and acrylic on panel, tagged lower right and upper left, 17 1/2 in. x 25 1/2 in., unframed. [$500/800]

LA II (Angel Ortiz) (American/New York, b. 1967), “LA2 Tags & Swirls”, 2011, oil on canvas, tagged center, signed, titled and dated en verso, 18 in. x 24 in., unframed. [$700/1000]

126. Mr Penfold (Tim Gresham) (British, b. 1987), “Liquor Soaked Sentient”, 2018, split fountain screenprint, pencil-signed, dated and numbered “26/30” lower left, 27 1/2 in. x 19 3/4 in., framed. [$500/700]

124. LA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), “Ludlow”, 2021, giclee print, pencil-signed by both artists and numbered “50/50” lower margin, 19 1/2 in. x 16 1/4 in., unframed. [$200/300]

125. Grafflex (South Korean, b. 1982), “Inner Conflict”, 2022, silkscreen on paper, pencil-signed, dated and inscribed “PP 06/08” lower margin, 21 7/8 in. x 22 in., framed. [$500/800]

128.

(2 pcs.) [$1200/1800]

127.

date en verso, 41 1/2 in. x 61 1/4 in., unframed. [$2000/3000]

1/2

129. Jérôme Masi (French, b. 1977), “Morning”, 2021, 7-color screenprint, pencil-signed and numbered “15/30” lower margin, 27 1/2 in. x 27 1/2 in., unframed. [$300/500]

Fred Stonehouse (American, b. 1960), “Hablo el Buey y Dijo Mu (When Fools Speak They Utter Nonsense)”, 1995, acrylic on panel, signed, titled and dated en verso, “Lisa Sette Gallery, Scottsdale, AZ” label with artist, title and

Aiiroh (French, b. 1987), “CC - Butterfly A522”, 2022, acrylic and mixed media on panel with resin, stencil-signed, dated and inscribed “1/1” en verso, 22 in. x 29

in., unframed; accompanied by a copy of a certificate of authenticity from Mind the Gap.

130. Daniel Johnston (American/California, 1961-2019), “You Shan’t”, 2005, marker on paper, signed lower right, 11 in. x 8 1/2 in., framed; accompanied by a copy of a letter of authenticity from The Museum of Love. (2 pcs.) [$300/500]

131.Daniel Johnston (American/ California, 1961-2019), “Say Hello to Sam”, marker on paper, signed lower right, titled upper center, 11 in. x 8 1/2 in., framed; accompanied by a copy of a certificate of authenticity from Worried Shoes. (2 pcs.) [$300/500]

132. Herr Nilsson (Swedish, 20th c.), “Part Of Your World”, 2021, stenciled spray paint on paper, signed and numbered “2/14” lower right, 22 1/2 in. x 30 1/4 in., framed. [$600/800]

Note: Published by Rena Malaren to raise funds for the Clean Street Project.

133. Herr Nilsson (Swedish, 20th c.), “Minnie Cocktail”, 2021, acrylic on panel, signed lower right, 28 1/4 in. x 28 1/4 in., unframed. [$700/1000]

134.

x 29 1/2 in., unframed. [$700/1000]

135. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “King of Rock, Elvis Presley (Gold)”, 2016, 9-color screenprint on archival paper, pencil-signed lower right margin, inscribed “pp 2/5” lower left, thumbprint and dated en verso, 46 in. x 34 in., framed. [$1200/1800]

Herr Nilsson (Swedish, 20th c.), “Street Fighter”, mixed media and acrylic on shaped panel with chain and glittered resin, signed lower left, 47 in.

136. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Live Life and Prosper (President’s Day)”, 2020, 5-color screenprint, pencil-signed mid-left margin, pencil-numbered “PP 2/8” lower margin, pencil-signed, thumbprint, dated and inscribed “Forever!!!” en verso, certificate of authenticity from The Great Dane Collection Purveyors of Fine Art, Philadelphia, PA with artist, title and date and label with artist and date attached on backing paper, 27 3/4 in. x 22 1/4 in., framed. [$1200/1500]

137. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Incognito”, 2019, silkscreen and mixed media with collage on paper, signed mid-right, signed, thumbprint, dated and inscribed “1/1” en verso, 50 1/4 in. x 38 1/4 in., unframed. [$6000/8000]

138. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “BasquiART”, 2021, 15-color screenprint on archival paper, pencil-signed lower right, signed, thumbprint, artist stamp, dated and inscribed “1/1” en verso, 30 in. x 22 1/2 in., unframed; accompanied by a copy of a certificate of authenticity from the artist with artist blind stamp, title and date. (2 pcs.) [$1200/1800]

139. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Golden Girl”, 2022, screenprint on archival paper, pencil-signed right margin, numbered “43/100” lower margin, thumbprint and dated en verso, 20 in. x 16 in., unframed; accompanied by a copy of a certificate of authenticity from artist. (2 pcs.) [$700/1000]

140. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Happy Birthday Champ (Muhammad Ali)”, 2020, screenprint, pencil-signed left margin, numbered “PP 2/5” lower right, dated and thumbprint en verso, 28 in. x 40 in., framed. [$1000/1500]

141. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Street Connoisseur - Keep it Real (Red)”, 2022, 5-color screenprint, signed mid-right, signed, dated, thumbprint and inscribed “1/1” en verso, certificate of authenticity from artist attached to backing paper, 20 in. x 16 in., framed. [$700/1000]

142. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Special Delivery”, 2022, 8-color screenprint on archival paper, pencil-signed midright, numbered “28/75” lower left, certificate of authenticity from artist attached to backing paper, 22 1/2 in. x 30 in., framed. [$700/1000]

143. Mr. Brainwash (Thierry Guetta) (French/American, b. 1966), “I’ll Be There for You”, 2021, screenprint on archival paper, pencil-signed right margin, numbered “67/94” and blind stamp lower margin, certificate of authenticity from artist on backing board, 22 1/2 in. x 22 1/2 in., framed. [$700/1000]

144. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Life is Beautiful (Pink)”, 2022, 5-color screenprint on archival paper, pencil-signed left margin and numbered “10/15” lower right, thumbprint and dated en verso, certificate of authenticity from artist attached to backing paper, 17 1/2 in. x 14 in., framed. [$700/1000]

145. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Monroe POPFolio - Fragile”, 2022, 11-color screenprint on archival paper, pencilsigned left margin, numbered “69/75” lower right, thumbprint and dated en verso, 24 in. x 24 in., unframed; accompanied by a copy of a certificate of authenticity from artist. (2 pcs.) [$700/1000]

146. Mr. Brainwash (Thierry Guetta) (French, b. 1966), “Monroe POPFolio -Photo Tear”, 2022, 11-color screenprint on archival paper, pencilsigned left margin, numbered “65/75” lower right, thumbprint and dated en verso, 24 in. x 24 in., unframed; accompanied by a copy of a certificate of authenticity from artist. (2 pcs.) [$700/1000]

149. Aaron Craig (Australian, 20th c.), “Pure Joy”, acrylic on panel, signed on edge, pencil-signed and titled en verso, dia. 15 3/4 in., unframed. [$2500/3500]

147. Mr Mint (British, 20th c.), “Batman vs Superman”, “Scrooge McDuck”, “Snoopy and Woodstock”, “Super Money-O”, “Mickey Shock” and “SpongeBob Rainbow”, 6 hand-finished prints with acrylic and ink on embossed metallic paper, each signed lower right, 5 inscribed “A.P.” lower left, 5 in. x 6 in. to 10 5/8 in. x 12 7/8 in., unframed. (6 pcs.) [$600/800]

148. Aaron Craig (Australian, 20th c.), “The Softer Side of Doctor Doom” and “The Softer Side of Hulk”, 2 7-color screenprints, each pencil-signed and blind stamp lower right, inscribed “AP” lower left, both 29 7/8 in. x 24 in., unframed. (2 pcs.) [$300/500]

150. Aaron Craig (Australian, 20th c.), “Kissing Booth”, acrylic on panel, signed on edge, pencil-signed and titled en verso, dia. 15 3/4 in., unframed. [$2500/3500]

151. Olivia Caballero González (Spanish, b. 1980), “Bodegones”, 2021, oil on canvas, signed lower right, signed, titled and dated en verso, 15 3/4 in. x 15 3/4 in., unframed. [$300/500]

153. Cassandra Gillens (American/South Carolina, b. 1962), “No Sugar”, 2016, oil on canvas, signed and dated lower left, titled on stretcher, 14 in. x 11 in., unframed. [$300/500]

152. Sarah Joncas (Canadian, b. 1986), “Cotton Candy”, 2019, oil and acrylic on panel, initialed and dated lower left, pencil-signed, titled and dated en verso, 13 15/16 in. x 10 15/16 in., framed. [$600/800]

154. Cassandra Gillens (American/South Carolina, b. 1962), “Shrimper”, 2016, oil on canvas, signed and dated lower left, titled en verso, 14 in. x 11 in., unframed. [$300/500]

156. Ben Frost (Australian, b. 1975), “Hotter, Juicier, Tastier (Pink and Blue Edition)”, 2019, 5-color aerosol stencil on paper McDonald’s bag, signed, titled, dated and numbered “7/20” en verso, 11 5/8 in. x 7 1/8 in., unframed. [$150/250]

155.

14 in. x 11 in., unframed. [$300/500]

157. Ben Frost (Australian, b. 1975), “Happy Joy”, 2016, 6-color screenprint, pencil-signed and inscribed “AP” lower margin, sheet 20 in. x 16 in., framed. [$600/800]

Cassandra Gillens (American/South Carolina, b. 1962), “Fishing Man”, 2016, oil on canvas, signed and dated lower left, titled en verso,

158.

“Yogi

“37/50”

[$1200/1800]

“13/50”, “36/50”

x

161.

[$150/250]

159. Ben Frost (Australian, b. 1975), “Yogi on Xanax (Blue)”, 2022, 9-color screenprint, pencil-signed lower right, inscribed “1/1” lower left, 24 in. x 24 in., framed. [$400/600]

162.

163.

[$150/250]

[$150/250]

Ben Frost (Australian, b. 1975), “Xanax”, 2020, archival pigment print on hand-perforated fine art paper, signed and numbered “25/100” en verso, certificate of authenticity from 1xRUN attached to backing paper, 7 1/2 in. x 7 1/2 in., framed.

Ben Frost (Australian, b. 1975), “Know Your Product”, 2020, archival pigment print on hand-perforated fine art paper, signed and numbered “25/100” en verso, certificate of authenticity from 1xRUN attached to backing paper, 7 1/2 in. x 7 1/2 in., framed.

160. Ben Frost (Australian, b. 1975), “Word Games”, 2020, archival pigment print on hand-perforated fine art paper, signed and numbered “25/100” en verso, certificate of authenticity from 1xRUN attached to backing paper, 7 1/2 in. x 7 1/2 in., framed. [$150/250]

Ben Frost (Australian, b. 1975),

on Xanax”, 2022, 3 9-color screenprints, each pencil-signed lower right, numbered

and

lower left, each 24 in.

24 in., unframed; accompanied by a copy of a certificate of authenticity from Vertical Gallery for one print. (4 pcs.)

Ben Frost (Australian, b. 1975), “OxyCookie”, 2020, archival pigment print on hand-perforated fine art paper, signed and numbered “25/100” en verso, certificate of authenticity from 1xRUN attached to backing paper, 7 1/2 in. x 7 1/2 in., framed.

164.

Note:

166.

[$800/1200]

165.

167. Invader (French, b. 1969), “L’Invasion de Los Angeles”, 2004, offset lithograph, pencil-signed, dated, tagged and numbered “18/100” upper margin, sheet 23 in. x 29 in., unframed. [$200/300]

[$800/1200]

Alec Monopoly (Alec Andon) (American/New York, 20th c.), “Monopz Saves Small Biz (Barstool Fund)”, 2021, screenprint, stencil-signed and pencil-numbered “114/500” lower right, 24 in. x 36 in., framed. [$700/1000]

Print released in collaboration with The Bar Stool Fund to help small businesses.

Alec Monopoly (Alec Andon) (American/New York, 20th c.), “Ali #1”, 2022, giclee on paper, pencil-signed and numbered “85/150” lower margin, signed with artist tag in plate upper left, certificate of authenticity from artist attached to backing paper, 22 in. x 34 in., framed.

Alec Monopoly (Alec Andon) (American/New York, 20th c.), “Ali #3”, 2021, giclee on paper, pencil-signed and numbered “112/150” lower margin, certificate of authenticity from the artist attached on backing paper, 21 1/2 in. x 34 in., framed.

169. Kayla Mahaffey (American/Chicago, b. 1994), “Sweet Escape”, 2021, 19-color screenprint, pencil-signed lower right, numbered “46/125” lower left, monogrammed and dated in plate upper left, 24 in. x 24 in., unframed. [$400/600]

170. Kayla Mahaffey (American/Chicago, b. 1994), “Home Is Where the Heart Is (Yellow)”, 23-color screenprint, pencil-signed lower right, inscribed “AP” lower left, monogrammed in plate upper left, 24 in. x 24 in., unframed. [$400/600]

168. Kayla Mahaffey (American/Chicago, b. 1994), “Catch Me If You Can”, 2021, 27-color screenprint, pencil-signed lower right, numbered “84/100” lower left, monogrammed in plate upper left, 24 in. x 24 in., unframed; accompanied by a copy of a certificate of authenticity from Vertical Gallery. (2 pcs.)[$400/600]

(below) 173. Kayla Mahaffey (American/Chicago, b. 1994), “Safe Haven”, 2021, 45-color screenprint, pencil-signed and monogrammed in plate lower right, numbered “58/100” lower left, 24 in. x 27 1/2 in., unframed. [$400/600]

171. Kayla Mahaffey (American/Chicago, b. 1994), “Rock the Boat”, 2020, 27-color screenprint, pencil-signed lower center, numbered “50/100” lower left, monogrammed in plate upper left, 24 in. x 24 in., unframed. [$400/600]

172. Kayla Mahaffey (American/Chicago, b. 1994), “Head in the Clouds”, 2021, 27-color screenprint, pencil-signed lower right, numbered “193/250” lower left, monogrammed and dated in plate lower right, 20 in. x 24 in., unframed. [$400/600]

175. Dirt Cobain (American/ California, b. 1981), “Hard Times Purple”, 2021, giclee on paper, pencil-signed, inscribed “AP” and blind stamp lower margin, 18 3/8 in. x 13 3/8 in., framed. [$200/300]

174. Max Sansing (American/Chicago, b. 1981), “Rapture (Deluxe)”, 2021, archival pigment print, pencil-signed and numbered “34/50” lower right, signed in plate lower left, 38 in. x 36 in., unframed. [$300/500]

176. Dirt Cobain (American/ California, b. 1981), “Hard Times Blue”, giclee on paper, pencil-signed, inscribed “AP” and blind stamp lower margin, 18 3/8 in. x 13 3/8 in., framed. [$200/300]

177.Dirt Cobain (American/ California, b. 1981), “I’m Gonna Need a Xanax (Red)”, screenprint, pencil-signed lower right, inscribed “AP” and blind stamp lower left, sheet 22 in. x 17 in., framed. [$200/300]

178. Ben Frost (Australian, b. 1975), “Nineteen Eighty-Four George Orwell”, 2019, 7-color screenprint, pencil-signed and inscribed “A.P.” lower right, 24 in. x 18 in., framed. [$200/300]

179. Ben Frost (Australian, b. 1975), “Lolita Vladimir Nabokov”, 2019, 7-color screenprint, pencilsigned and inscribed “A.P.” lower right, 24 in. x 18 in., framed. [$200/300]

180. Ben Frost (Australian, b. 1975), “American Psycho Brett Easton Ellis”, 2019, 7-color screenprint, pencil-signed and inscribed “A.P.” lower right, 24 in. x 18 in., framed. [$200/300]

181. Ben Frost (Australian, b. 1975), “Brave New World Aldus Huxley”, 2019, 7-color screenprint, pencilsigned and inscribed “A.P.” lower right, 24 in. x 18 in., framed. [$200/300]

182. BustArt (Swiss, b. 1983), “Mr. Pop Classic”, 2022, letterpress and indigo digital print, pencil-signed and inscribed “AP 7/7” lower right, 15 3/4 in. x 11 3/4 in., framed. [$100/200]

183. BustArt (Swiss, b. 1983), “Mr. Pop Mono”, 2022, letterpress and indigo digital print, pencil-signed and inscribed “AP 1/7” lower right, 15 3/4 in. x 11 3/4 in., framed. [$100/200]

185. Jon Burgerman (British/ New York, b. 1979), “Fire”, 2022, spray paint on screenprint, pencilsigned and numbered “171/241” lower margin, 17 in. x 13 3/8 in., framed. [$500/700]

186. Jon Burgerman (British/New York, b. 1979), “Soft Tiger”, 2022, archival giclee on paper, printed signature and pencil-numbered “69/100” lower right, 24 in. x 24 in., framed. [$300/500]

184. BustArt (Swiss, b. 1983), “Mr. Pop Pink”, 2022, letterpress and indigo digital print, pencil-signed and inscribed “AP 2/7” lower right, 15 3/4 in. x 11 3/4 in., framed. [$100/200]

190.

188.

189. MuckRock (Jules Muck) (British/California, 20th c.), “Snoop Dogg”, 2020, giclee on paper, pencil-signed and inscribed “AP” lower margin, 13 1/2 in. x 13 3/4 in., framed. [$100/200]

Flabjacks (Ton Mak) (Chinese, 20th c.), “Flimpsons”, 2021, 14-color silkscreen, pencilsigned and inscribed “PP” lower left, 16 1/2 in. x 23 1/2 in., framed. [$200/300]

187. Ringo Starr (British, b. 1940), “No”, 2005, giclee on paper, signed, dated, numbered “90/100” and titled on artist stamp lower margin, 13 in. x 17 in., framed. [$600/800]

Ringo Starr (British, b. 1940), “Krazyee 101”, 2005, giclee on paper, signed, dated, numbered “90/100” and titled on artist stamp lower margin, 13 in. x 17 in., framed. [$600/800]

191. Bridge Ship House (Japanese, 20th c.), “Matthew”, 2018, screenprint, pencil-signed lower right, inscribed “PP” lower left, 19 in. x 19 1/2 in., framed. [$200/300]

192. Scott Listfield (American/Massachusetts, b. 1976), “Wall Drug”, archival pigment print on paper, pencil-signed, numbered “44/50” and “House of Roulx” blind stamp lower margin, “House of Roulx & Co. Authentic Edition” stamp en verso, 16 in. x 22 in., framed; accompanied by a copy of a certificate of authenticity from House of Roulx & Co. (2 pcs.) [$300/500]

193. Hebru Brantley (American/Chicago, b. 1981), “Into the Wild”, 2021, 30-color lithograph, pencil-signed lower right, numbered “109/150” and artist stamp lower left, 34 in. x 28 3/4 in., framed. [$800/1200]

195.

197. Ben Frost (Australian, b. 1975), “Sticky Fingers”, 2021, acrylic and spray paint on laser cut board, signed, titled, dated and numbered “7/10” en verso, 13 3/4 in. x 10 7/8 in., unframed; accompanied by a copy of a certificate of authenticity from the artist with signature, title and date. (2 pcs.) [$700/1000]

194.

196. Albert Reyes (American/California, b. 1971), “Vintage LA Sign”, 2022, oil on found wood sign, signed and inscribed en verso, 18 in. x 18 in., unframed. [$200/300]

198. Ben Frost (Australian, b. 1975), “Krispy Kreme (Pink)”, 2015, 7-color screenprint, pencil-signed and numbered “13/15” lower margin, 32 1/2 in. x 22 in., framed. [$600/800]

Blake Jones (American/Chicago, b. 1988), “Enjoy Your Worries”, 2021, 8-color screenprint, signed and inscribed “AP” lower center, dia. 16 in., unframed. [$200/300]

Charles Keating Linder (American/California, b. 1967), “Put a Tiger in Your Collection”, 2022, found metal sign with bullet holes, signed, titled and dated en verso, 24 3/8 in. x 36 1/2 in., unframed. [$500/700]

199. Ben Frost (Australian, b. 1975), “Krispy Kreme (Green)”, 2015, 7-color screenprint, pencilsigned and numbered “13/50” lower margin, 32 3/4 in. x 22 in., framed. [$600/800]

200. Ben Frost (Australian, b. 1975), “Krispy Kreme (Red)”, 2015, 7-color screenprint, pencil-signed and numbered “13/15” lower margin, 32 3/4 in. x 22 in., framed. [$600/800]

202. Ben Frost (Australian, b. 1975), “Krispy Kreme Girl and Ren & Stimpy Mash Up”, 6-color screenprint, pencil-signed and inscribed “1/1” lower right, 32 in. x 21 in., framed. [$700/1000]

201. Ben Frost (Australian, b. 1975), “Krispy Kreme (Purple Skirt)”, 2015, 7-color screenprint, pencil-signed and inscribed “1/1” lower margin, 32 3/4 in. x 22 1/4 in., framed. [$600/800]

203. Ben Frost (Australian, b. 1975), “Krispy Kreme Girl and Goofy Love Mash Up”, 6-color screenprint, pencil-signed and inscribed “1/1” lower right, 24 1/2 in. x 20 in., framed. [$700/1000]

204. Attributed to Fontana Arte Bronze, Brass and Etched Glass Ten-Light Chandelier, 1930-40s, metal with incised designs, central frieze of thick plate glass with etched designs of marine life, h. 45 in., w. 53 in., d. 11 in. [$3000/5000]

205. Mazzega Chrome and Glass Chandelier, 1970s, h. 34 in., dia. 19 in. [$500/700]

206. Aldo Londi for Bitossi

Ceramic Table Lamp, 1960s, repeating incised designs, h. to socket 22 1/2 in. [$300/500]

207. Rodolfo Dordoni for Fontana Arte Otero Table Lamp, c. 1986, Italy, model 2478, marked, cased glass, h. 21 in., dia. 17 1/2 in. [$800/1200]

208. Pair of Paolo Vernini Murano Glass Table Lamps, etched mark, one blue, one green, h. (to finial) 24 in. [$400/600]

209. Leucos Murano Glass Table Lamp, h. 10 3/4 in., dia. 7 3/4 in. [$300/500]

210. Murano Glass Table Lamp, 1950s, white ground, red spots, h. (to socket) 31 in. [$300/500]

211. Rodolfo Dordini for Artemide “MUSA” Pendant Light, c. 1994, Italy, hand-made cased glass, h. 23 in., dia. 22 in. [$600/900]

Provenance: Rago Auction, Aug. 29, 2015, lot 1838

212. Italian Three-Light Chandelier, 20th c., marked “Made in Italy”, wood stretchers, h. 38 in., dia. 15 in. [$400/600]

214. Pair of Murano Glass “Ladybug” Sconces, by Mazzega, Italy, black cut-to-clear glass, h. 10 in., w. 13 1/2 in., d. 4 3/4 in. [$500/700]

213. Murano Glass Table Lamp, 1950s, blue, green, and clear, flattened biomorphic form, h. (to socket) 23 in. [$300/500]

215. T.H. Robsjohn-Gibbings for Widdicomb Biomorphic Table Base, 1950s, h. 16 in., w. 43 in., d. 21 in. Note: lacking top. [$300/500]

216.T.H. Robsjohn-Gibbings for Widdicomb Ottoman, 1950s, h. 17 in., w. 26 1/4 in., d. 26 1/4 in. [$700/1000]

217. Pair of T.H. Robsjohn-Gibbings for Widdicomb Dining Chairs, 1950s, one retaining label, h. 32 3/4 in., w. 21 in., d. 23 in. [$500/700]

218. T.H. RobsjohnGibbings for Widdicomb Side Table, 1950s, labeled, h. 21 1/4 in., w. 30 in., d. 18 in. [$300/500]

219. T.H. RobsjohnGibbings for Widdicomb Side Table, 1950s, labeled, h. 20 in., w. 30 in., d. 18 in. [$300/500]

220. Six T.H. Robsjohn-Gibbings for Widdicomb Dining Chairs, 1960s, striped upholstery, h. 32 in., w. 21 in., d. 23 in. [$1000/1500]

222. Six T.H. Robsjohn-Gibbings for Widdicomb Dining Chairs, 1960s, stained wood, upholstery with silver tack borders, h. 34 in., w. 19 in., d. 23 in. [$1200/1800]

221. Two T.H. Robsjohn-Gibbings for Widdicomb Chairs, 1950s, two different finishes, h. 31 in., d. 25 1/2 in., d. 31 in. [$500/700]

223. T.H. Robsjohn-Gibbings for Widdicomb Club Chair, 1950s, h.29 1/2 in., w. 29 in., d. 32 in. [$500/700]

224. Three T.H. Robsjohn-Gibbings for Widdicomb Dining Chairs, 1950s, h. 32 1/2 in., w. 23 in., d. 25 in. [$600/900]

225. Pair of T.H. Robsjohn-Gibbings for Widdicomb Dining Chairs, 1950s, h. 34 1/2 in., w. 22 1/2 in., d. 23 1/2 in. [$400/600]

226. T.H. Robsjohn-Gibbings for Widdicomb Armchairs, 1950s, h. 32 1/2 in., w. 23 in., d. 25 1/2 in. [$300/500]

227. Danish Sterling Silver Coffee Pot, marked Hertz & Ballin, Copenhagen, c. 1908, wood handle, bud finial, h. 9 in., wt. 17.2 troy oz. [$400/600]

Provenance: Rago Auction, April 14, 2019, lot 1358; Collection of Jacqueline Fowler, CT.

228.

[$3000/5000]

229. Jugendstil Silverplate Tea Set, c. 1900, Wurttembergische Metallwarenfabrik, “WMF” mark, incl. teapot, coffee pot, creamer, sugar, and tray, h. of coffee pot 6 3/4 in., tray 14 1/2 in. x 18 1/2 in. (5 pcs.) [$500/700]

230.Austrian Art Deco

Coffee

Tea

Vienna, c. 1930, incl. coffee pot (h. 7 5/8 in.), teapot, milk pitcher, creamer and covered sugar bowl, fluted form with hammered surface, total wt. 114.90 troy ozs.; together with English silverplate tea tray, Roberts & Belk, Sheffield, early 20th c., 23 in. x 14 1/2 in. (6 pcs.) [$800/1200]

231. Reed & Barton Sterling Silver “Diamond” Pattern Flatware Service, pat. 1958, designed by Gio Ponti, marked “Reed & Barton” and “Sterling”, incl. 10 each: dinner forks, salad forks, dinner knives, soup spoons, teaspoons and butter knives, 1 fish knife, and 1 cocktail fork, total wt. (weighable) 104 troy ozs. (62 pcs.) [$1800/2500]

232.Pair of Mid-Century Modern Oneida “Sambonet” Silverplate Four-Light Candelabra, 20th c., marked, h. 17 1/2 in., w. 13 1/2 in. [$300/500]

.900 Silver

and

Service,

Art Nouveau Wilkens .800 Silver “Tulipan” Pattern Flatware Service, designed in 1899 by Heinrich Vogeler, incl. 12 dinner forks, 12 dinner knives, 12 cream soup spoons, 12 teaspoons, 6 fish forks, 6 fish knives, fish serving knife and fork, and serving spoon, total wt. (weighable) 87.80 troy ozs. (63 pcs.)

233. Baccarat/Stiffel Brass Crystal and Marble Table Lamp, 20th c., pewter pixie girl, looking out over a crystal “pond”, stepped Portoro marble base, h. (to finial) 31 in. [$300/500]

235. Mid-Century Modern Chrome Floor Lamp, adjustable support, acrylic shade, cast iron base, adjustable h. 62 in. to 85 in. [$700/1000]

234. Baccarat Polychrome Porcelain Table Lamp, c. 1950, France, foliage, birds, and moon design, h. (to finial) 29 1/2 in., dia. 8 in. [$300/500]

Provenance: Rago Auction, Aug. 27, 2015, lot 177.

236. Edgar Brandt-Style Wrought and Patinated Metal Six-Light Chandelier, 20th c., scrolled arms and supports, mounted with favrile glass shades, the two central signed “QUEZAL”, h. 40 in., dia. 30 in. [$700/1000]

237. Mid-Century Modern Brass Figural Table Lamp, brass sculpture on marble base, inset in a stepped wood lamp base, two-tiered mica shade, h. 28 1/2 in., w. 16 in., d. 16 in. [$300/500]

238. Contemporary Three-Light Floor Lamp, enameled and chromed steel, adjustable heights and positions, tallest h. 72 in. [$400/700]

239. Pair of John Rizzi & Brooks Rorke for Knoll Telescopic Table Lamps, marked, adjustable h. 15 in. to 20 in., dia. 11 1/4 in. [$150/250]

240.Mid-Century Modern Ceramic Table Lamp, probably Italian, with raised silver and gold medallion designs, h. (to top of shade) 29 in. [$200/300]

241. Pair of Modern Lucite Table Lamps, 1970s, h. to socket 11 1/2 in. [$500/700]

243. Two Robert Abbey Chrome “Anemone” Wall or Ceiling Lights, polished nickel, larger five-light fixture h. 12 in., dia. 24 in.; one light fixture h. 6 in., dia. 13 in. [$500/700]

242. Adrian Pearsall for Craft Associates “Brutalist” Lamp, 1960s, spherical shade rests on resin base, h. 30 in., dia. 11 in. [$300/500]

244. Pair of Italian Ziccagnini Asian Motif Mid-Century Ceramic Figures, 20th c., marked “EXPRESSLY FOR ANITA KOTT”, taller h. 25 in. [$250/350]

245. Pair of Bronze and Marble Elk Bookends, each h. 8 in., w. 4 1/4 in., d. 6 in. [$200/300]

247.

249. Contemporary Ceramic Compote and Bowl, 20th c., compote h. 10 in., dia. 14 in. [$400/600]

250.

251.

246.Pair of Edgard Brandt-Style Bookends, 20th c., cast iron, sphere a nd wing design, each h. 9 in., w. 4 in., d. 5 1/4 in. [$200/300]

248. Unusual Victorian Leather-Mounted Mirror, late 19th c. and later, octagonal surround with applied shell and sea creature decoration, h. 23 in., w. 18 1/2 in. [$1200/1800]

Provenance: Sotheby’s New York, The Bill Blass Collection, Oct. 2123, 2003; lot 667.

252.

h. 11 in. [$150/250]

Four Don Drumm Cast Aluminum Cooking Sculptures, 1960s, incl. a 5 qt., 3 1/2 qt., 1 1/4 qt., and another, largest dia. 13 1/2 in. [$400/600]

Pair of French Patinated Bronze Elephant Bookends, early 20th c., foundry mark “Fabrication Francaise/ Paris/ Made in France”, h. 5 3/4 in., w. 4 1/4 in., d. 6 3/4 in. [$300/500]

Set of Eight New Orleans Bali Hai Restaurant Polychrome Ceramic Tiki Glasses, 20th c., marked “Norleans/Japan” and “Bali Ha’I at the Beach/ N.O., LA.”, h. 8 1/2 in. [$100/200]

Mid-Century Modern Chrome and Glass Cocktail Shaker and Pitcher, shaker with etched penguin design, and a “Chiller Pitcher”, NY,

254.

253. After Pablo Picasso (Spanish, 1881-1973)

, c. 1965, dated “6.4.65.” upper left, embroidered “PICASSO”, lower right edge, verso, 76 1/2 in. x 87 in. [$2000/3000]

Provenance:

255. [Rare Posters], complete bound year for DAS PLAKAT, 1920, the official publication for the Verein der Plakat Freunde (The Society for Friends of the Poster), 11 1/4 in. x 9 in., with numerous fine color plates, many tipped-in, in German, 610 pages, not including plates. [$500/700]

256.

Jirayr Zorthian (Armenian/American, 1911-2004), “Italian Wine Drinkers”, mixed media on paper laid on heavy paper, 2 artist stamps on reverse of mount, “Trigg Ison Fine Art, West Hollywood, CA” label on backing paper, 13 1/4 in. x 9 1/4 in., framed; accompanied by a copy of a certificate of authenticity from Trigg Ison Fine Art, Inc. with artist and title.

[$500/700]

257. Philip Reisman (Polish/American, 1904-1992), “The Death of Sir Basil Zaharoff - Munitions King”, 1936, egg tempera on panel, initialed and dated lower center, signed, titled, dated, inscribed and “Doyle, New York, NY”, “Swann Galleries, New York, NY”, 2 “ACA Galleries, New York, NY” and “Nassau County Museum of Art, Roslyn Harbor, NY” labels en verso, 13 in. x 16 1/2 in., framed.

[$600/800]

Provenance: Swann Galleries, New York, NY, June 12, 2014, lot 104.

Exh.: American Realism Between the Wars: 1919-1941, Nassau County Museum of Art, Roslyn Harbor, NY, Apr. 10 - June 5, 1994, and listed in the accompanying catalogue, cat. 81, p. 38.

Wool Tapestry

Estate of Warren A. Goldstein, Esq., New Orleans

Sabartes, James, Picasso Toreros, New York, Braziller, 1961, first American edition, 153 pp., profusely illustrated, with four original Picasso lithographs (including one in color), executed especially for this book; “La Pique”, “Le Picador II”, “Jeu de la Cape”, and “Les Banderilles”, original red publisher’s cloth covered boards stamped with designs after Picasso in black and printed paper dust jacket after Picasso, 9 3/7 in. x 12 1/4 in. [$800/1200]

260. Leon Bibel (Polish/American, 1913-1995), “Urban Turmoil”, 1936, pen and ink on paper, unsigned, artist estate stamp on reverse of mount, “Park Slope Gallery, Brooklyn, NY” label on backing paper, 10 1/2 in. x 8 in., framed; accompanied by a copy of a certificate of authenticity from the Estate of Leon Bibel and Park Slope Gallery, signed by Neysa Bibel with title and date. (2 pcs.) [$2000/3000]

261. Leon Bibel (Polish/American, 1913-1995), “Migration”, oil on canvas, unsigned, 2 artist estate stamps en verso, 29 5/8 in. x 23 1/2 in., framed. [$3000/5000]

262.Leon Bibel (Polish/ American, 1913-1995), “Anguished Man in a Crowd”, ink on board, unsigned, artist estate stamp en verso, “Park Slope Gallery, Brooklyn, NY” label on backing board, 12 1/8 in. x 9 1/4 in., framed.

[$1200/1800]

263. Louis Goodman Ferstadt (American, 1900/1954), “Farm Tragedy”, mixed media on plaster on panel, unsigned, “New York Artists Equity Association, New York, NY” label en verso, 22 1/8 in. x 32 in., framed. [$2000/3000]

Provenance: Estate of the artist; by descent to the artist’s sister; by gift to the Artist Equity Association, New York, NY; Private Collector, New York; Barridoff Auctions, New York, NY, Aug. 5, 2011, lot 186; private collection

259. Leon Bibel (Polish/American, 1913-1995), “Dead End”, 1938, oil on canvas, signed and dated lower right, titled on stretcher, “Park Slope Gallery, Brooklyn, NY” label on reverse of frame, 30 in. x 36 in., framed. [$4000/6000]

Provenance: Wright Auction, Chicago, IL, June 1, 2003, lot 212

258. Leon Bibel (Polish/American, 1913-1995), “Flagbearers”, oil on canvas, unsigned, artist estate stamp and “Park Slope Gallery, Brooklyn, NY” label stretcher, 29 3/4 in. x 35 1/2 in., framed.[$4000/6000]

Provenance: Wright Auction, Chicago, IL, June 1, 2003, lot 211.

266.

Provenance:

264.

Provenance:

265. James D. Parks (American, 1907-1983), “Daydreaming”, oil on canvas board, signed lower right, “Aaron Galleries, Glenview, IL” label and handwritten label with title en verso, 28 in. x 21 7/8 in., framed with artist and title plaque. [$2000/3000]

Provenance: Treadway Toomey Auctions, Oak Park, IL, Dec. 6, 2014, lot 603.

267.

Robert Edmond Lee Jones (American, b. 1913), “Trabajo”, 1940, oil on masonite, unsigned, artist label with title and date en verso, 22 1/2 in. x 18 5/8 in., framed. [$1200/1800]

Treadway Toomey Auctions, Oak Park, IL, Mar. 2, 2003, lot 772.

Marguerite Hohenberg (Austrian/American, 1883-1972), “Chronological #219”, gouache on paper, monogrammed lower right, signed, titled and inscribed “Gallery #22” en verso, partial label with artist and title on backing board, 20 in. x 26 in., framed. [$600/800]

Louis K. Stone (American/New Jersey, 1902-1984), “Still Life (Still Life)”, double-sided oil on masonite, signed en verso, “Shannon’s Fine Art Auctioneers, Milford, CT” label on reverse of frame, sight 13 3/4 in. x 15 3/4 in., framed. [$2000/3000]

Shannon’s Fine Art Auctioneers, Milford, CT, Oct. 27, 2011, lot 149.

268. Harold “Hal” Poth (American, 1924-2017), “Family Praying”, 1944, watercolor on board, signed and dated lower right and en verso, 18 in. x 13 1/4 in., mounted behind glass. [$600/800]

Provenance: Link Auction Galleries, St. Louis, MO, Feb. 21, 2015, lot 204.

269. Marta Becket (American, 1924-2017), “The Station”, 1965, oil on masonite, signed and dated lower right, “Summerfield Gallery, Dobbs Ferry, NY” label on reverse of frame, 48 in. x 32 in., framed. [$500/700]

270. Charles Malcolm Campbell (American, 1905-1985), “After Guernica”, oil on canvas, unsigned, labels with artist and title on back ing board, 28 1/4 in. x 36 in., framed. [$1200/1800]

271. American School, 1977, “Abstract Composition”, puzzle bronze, each piece monogrammed “AB” and dated, 2 numbered “3/6”, h. 12 in., w. 14 3/4 in., d. 5 in. [$400/600]

272. Edgar Scauflaire (Belgian, 1893-1960), “L’Aventur”, 1928, graphite on board, signed and dated lower left, blind stamp upper left, sight 19 in. x 25 1/4 in., framed. [$800/1200]

273. Henri Perez (Moroccan/ French, b. 1931), “l’Equilibre”, 1960, graphite on paper, signed and dated lower right, label with artist and title on backing paper, 10 3/4 in. x 12 3/8 in., framed. [$400/600]

274. American School, 20th c., “Female Figure”, carved wood, unsigned, h. 26 1/2 in., w. 12 in., d. 11 in., wood base, overall h. 27 1/4 in. [$200/400]

275. Marcel Gromaire (French, 1892-1971), “L’Horloge”, 1925, watercolor and ink on paper, signed and dated upper left, “Los Angeles County Museum” label with artist and title and “Munn Picture Frames, Los Angeles, CA” label on backing board, 16 1/4 in. x 12 3/4 in., framed. [$2000/3000]

Provenance: IM Chait Gallery/Auctioneers, Beverly Hills, CA, Jan. 27, 2013, lot 316.

277. Vyacheslav Kalinin (Russian, b. 1939), “Seven Sinners”, 1988, color pencil and graphite on paper, signed, inscribed in Cyrillic and dated lower right, titled in Cyrillic lower left, 2 “Gene Shapiro Auctions, NY” labels and “Mark Humphrey Gallery, South Hampton, NY” label on backing paper, 22 1/8 in. x 30 in., framed. [$1000/1500]

Provenance: “Russian and International Fine Art”, Gene Shapiro Auctions, New York, NY, Nov. 16, 2013, lot 309.

276. Jacob El Hanani (Moroccan/Israeli, b. 1947), “Old Jaffo”, 1970, oil and ink on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, sight 35 3/4 in. x 33 3/4 in., framed. [$6000/8000]

278. Continental School, 20th c., “Terrors of War”, oil on canvas, unsigned, 24 in. x 20 in., unframed. [$400/600]

279. Georges L. Schreiber (Belgian/New York, 1904-1977), “Adam and Eve Cast Out of the Garden of Eden”, 1925, mixed media on paper, signed and dated lower left, 25 1/2 in. x 19 5/8 in., framed. [$200/300]

280.

Provenance:

283.

Exh.: 38th Annual Exhibition, Allied Artists of America, Inc., New York, NY, 1951.

282.

284. Pair of Paul McCobb for

Lounge Chairs, 1950s, molded arms, h. 33 in., w. 28 in., d. 32 in. [$1000/1500]

285. Four Edward Wormley for Dunbar “Antler” Chairs, 1950s, model 5580, with “Dunbar/ Berne Indiana” tags, bleached mahogany, caned seats, h. 37 1/2 in., w. 19 1/4 in., d. 20 in. [$1000/1200]

Provenance: Rago Auction, Feb. 28, 2012, lot 1215.

Directional

After Yves Tanguy (French, 1900-1955), “Feu à Éclat (Wittrock A)”, 1953, color lithograph, pencil-signed, dated “Mars 1953” and numbered “26/30” lower margin, edition of 50, signed and dated “1950” in plate lower left, “Arches” watermark visible, 17 3/4 in. x 15 5/8 in., matted. [$4000/6000]

Swann Galleries, New York, NY, Sept. 24, 2015, lot 607.

281. After Man Ray (American/French, 1890-1976), “Anatomy” and “Paul Éluard”, 1934, 2 photogravure reproductions, both unsigned, from Man Ray Photographies 1920-1934 , published by Cahiers d’Art, James Thrall Soby and Random House, each 11 1/8 in. x 8 5/8 in., matted. (2 pcs.) [$200/300]

Daniel Lessner (American/New York, 1927-2021), “Interior”, gelatin silver print mounted to board, signed on mount, 9 1/4 in. x 13 1/2 in., framed. [$100/200]

Urban Karl (Belgian, 20th c.), “I.N.R.I”, oil on masonite, signed lower center, titled upper center, “Allied Artists of America” label with artist and title on reverse of frame, sight 58 in. x 48 in., framed. [$500/700]

286.Two Paul McCobb for Directional Club Chairs, 1950s, model 1322, h. 32 in., w. 29 in., d. 30 in. [$800/1200]

287. Pair of Paul McCobb for Directional Club Chairs, 1954, model 1322, mahogany, upholstery, one torn, h. 32 1/2 in., w. 29 in., d. 32 in. [$700/1000]

Provenance: Wright Auction, June 29, 2017, lot 246.

288.Pair of Chivarine Chairs, 1920s, Italy, carved crest and splats, turned legs, h. 47 in., w. 16 in., d. 17 in. [$300/500]

290. Pair of Harvey Probber Gondola Chairs, 1950s, model 1053, h. 39 in., w. 26 in., d. 24 in. [$500/700]

289. Pair of Carlo di Carli “Ragno” Tables, 1950s, “spider” supports, h. 22 in., dia. 27 in. [$1000/1500]

292. Two Edward Wormley for Dunbar Lounge Chair, 1950s, one with “Dunbar Berne Indiana” tag, taller h. 28 1/2 in., w. 26 in., d. 28 in. [$600/900]

291. Two Poul Jensen for Selig “Z” Chairs, 1970s, Denmark, walnut, h. 26 1/2 in., w. 29 1/2 in., d. 29 in. [$700/900]

293. Pair of Edward Wormley for Dunbar Ottomans, 1950s, leather, ebonized X-base, h. 16 1/2 in., w. 22 in., d. 22 in. [$1200/1800]

294. Art Nouveau Pewter

Three-Handled Centerbowl, c. 1910, Friedrich Adler (1878-1942), stamped Orion 237, inlaid with glass cabochons, h. 6 in., dia. 9 in. [$500/700]

Provenance: Rago Auction, May 20, 2017, lot 1536.

296. Bertil Vallien (Swedish, b. 1938) for Kosta Boda Glass Vessel, marked, retailers label from Paris, h. 8 1/2 in., w. 7 1/8 in., d. 6 1/4 in. [$300/500]

298.Moser Art Glass Acid Etched Animor Vase, c. 1920, marked, raised gilt scene depicting elephants in the jungle, h. 8 in., dia. 5 7/8 in. [$500/700]

301. Ceramique de Cazaux Glazed Ceramic Allegorical Figure, early 20th c., impressed mark, h. 20 in., w. 6 1/4 in., d. 4 1/4 in. [$600/900]

Provenance: Millea Bros. Ltd., Nov. 6, 2015, lot 1106.

295. Pair of Secessionist

Polychrome Porcelain Vases, c. 1905, Eichwald, blue underglaze mark, and signed “1373/6/1900/72.4/3”, stylized floral design, h. 19 3/4 in., dia. 7 1/2 in. [$800/1200]

Provenance: Millea Bros. Ltd., Nov. 5, 2015, lot 1086; Christie’s, NY, Oct. 2, 1981, lot 111.

297. Austrian Amphora Ceramic Vase, 20th c., impressed marks, berry motif, h. 12 1/2 in., dia. 5 3/4 in. [$400/500]

299. Max Laeuger for Tonwerke Kandern Art Pottery Vase, c. 1910, incised mark, frond border, h. 7 in., dia. 4 1/2 in. [$400/600]

Provenance: Rago Auction, Aug. 26, 2016, lot 612.

300. Two German Art Nouveau Stoneware Vessels, c. 1910, Germany, both with impressed marks for Reinhold Merkelbach, one also marked by designer Paul Wynand, larger h. 11 1/2 in., dia. 10 in. [$500/700]

302. Jugendstil Polychrome Glazed Ceramic Figure, c. 1910, Wiener Kunstkeramische Werkstatte, after Michael Powolny, impressed mark, h. 29 in., dia. 11 1/2 in. [$500/700]

303. Large Jugendstil HandHammered Patinated and Silvered Copper Tureen, early 20th c., inset with cabochons, scrolled handles, reticulated base collar, lid with phoenix handle, interior with glass bowl, h. 16 1/2 in., w. 22 in., d. 14 1/4 in. [$500/700]

304. Set of Arne Jacobsen-Style Brass “SAS” Door Handles, seven pairs of handles, and various plates, unmarked. [$200/300]

Provenance: Rago Auction, Aug. 26, 2016

305. Albin Muller for Eduard

Hueck Copper and Brass Teapot, early 20th c., impressed mark, teapot with burner, three cups, teapot h. 15 in. (4 pcs.) [$300/500]

306. Pair of Just Andersen “Disko” Metal Three-Light Candelabra, c. 1930, Denmark, fully marked, h. 10 3/4 in., d. 9 3/4 in., d. 4 1/4 in. [$600/900]

309. Pair of Art Deco Enameled Metal Vases, early 20th c., tapered form with drapery, h. 7 in., w. 4 1/4 in., d. 4 1/4 in. [$300/500]

307. Set of Six Jens Quistaard (1919-2008) for Dansk Designs Brass Candlesticks, c. 1955, each with Four Ducks Mark, “Danmark” and “JHQ”, h. 9 3/8 in. [$800/1200]

308. Three Austrian/Continental Brass Table Objects, early 20th c., incl. a 1930 Wolfgang Tumpel footed bowl with wood feet, h. 2 in., dia. 11 1/2 in; an enameled tea caddy with a mark of “KB” in a leaf, h. 7 1/4 in.; and a footed bowl marked “GERMANY” and with an unknown mark, h. 4 1/4 in., dia. 11 1/4 in., 3 pcs. [$500/700]

310.

Jugendstil Majolica

Polychrome Centerpiece, c. 1900, impressed mark of Karlsruhe Majolika Manufaktur, Bacchic cherubs holding a ram, h. 14 in., w. 15 in., d. 12 in. [$400/600]

311. Bohemian Blue Cut-to-Clear Glass Vase, early 20th c., with central gilt reserve of phoenix, h. 12 in., dia. 5 1/4 in. [$200/300]

312. Three Bohemian Secessionist Enameled Glass Table Wares, early 20th c., tallest h. 10 3/4 in. [$500/700]

314.

319. Mid-Century Modern End Table, 1950s, Drexel, h. 28 in., w. 20 in., d. 19 3/4 in. [$150/250]

317.

315.

318. Mastercraft Glass and Brass Dining Table, molded glass top, shaped tripartite pedestal bases, h. 29 in., l. 83 in., d. 48 in. [$1500/2500]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

313. Four Bohemian Secessionist Glass Table Articles, early 20th c., incl. goblet, vase, covered urn, and another wide vase, enameled decoration with birds and foliate design, tallest h. 8 3/4 in. [$600/900]

320. Mid-Century Modern Upholstered Lounge Chair, James Inc., NC., h. 30 in., w. 27 in., d. 30 in. [$300/500]

Pierre Cardin Brass-Mounted Burl Wood Sideboard, signed, banded case, three cabinet doors with roundel pulls, h. 30 1/4 in., w. 55 1/2 in., d. 19 in. [$1000/1500]

Pierre Cardin Brass-Mounted Burl Wood Dining Table, signed, rectangular top, pedestal base, incl. one leaf, h. 29 1/2 in., l. (extended) 90 in., l. (closed) 72 in., w. 38 1/4 in. [$1200/1800]

316. Pierre Cardin Brass-Mounted Burl Wood Sideboard, signed, banded case, four cabinet doors with roundel pulls, h. 30 1/4 in., w. 74 in., d. 19 1/4 in. [$1200/1800]

Mastercraft Hollywood Regency-Style Parcel Ebonized and BronzeMounted Satinwood Cabinet, floating plinth top, frieze centered by a foliate medallion, four paneled doors, pilaster stiles, h. 32 1/2 in., w. 79 1/2 in., d. 20 1/2 in. [$800/1200]

322. Pair of Continental Mid-Century Modern Armchairs, 1960s, stamped “Made in Yugoslavia”, curved back, h. 28 in., w. 23 1/2 in., d. 22 in. [$300/500]

321. Carlo di Carli for Singer & Sons Dining Set, incl. extension dining table and six dining chairs, with four 16 1/4 in. leaves, table closed h. 29 1/4 in., dia. 38 in. [$800/1200]

Provenance: Rago Auction, Apr. 3, 2005, lot 814.

323. Mid-Century Modern Coffee Table, 1960s, rectangular trestle legs, h. 16 in., w. 46 in., d. 22 1/4 in. [$300/500]

324. Mid-Century Modern Walnut Spider Leg Dining Table, 1960s, oblong top, beveled edges, tapered legs, h. 27 1/2 in., w. 96 in., d. 40 in. [$800/1200]

325.

326. French Mid-Century Modern Leather-Clad Low Table, c. 1960, segmented top, plinth base, h. 12 in., w. 47 1/2 in., d. 26 in. [$1000/1500]

Provenance: J.H. Design, Inc., New York

Contemporary Walnut and Studded Blue Leather Daybed, manner of Jean-Michel Frank, en suite with pillows, h. 29 in., l. 72 in., w. 36 in. [$1000/1500]

327. Contemporary Wood and Enameled Metal “Boomerang” Desk, 20th c., molded edge, three legs, h. 28 1/2 in., w. 78 in., d. 46 in. [$600/800]

328. Pair of Danish Modern Teak End Tables, marked “Made in Denmark”, h. 20 1/2 in., w. 22 1/2 in., d. 14 in. [$300/500]

329. Pair of Mid-Century Modern Marble and Walnut End Tables, floating green variegated marble top, hinged long door, finished on three sides, h. 21 in., w. 29 in., d. 15 in. [$700/1000]

330. Danish Modern Walnut Extension Dining Table, mid-20th c., chamfered tapered legs, with 3 leaves, h. 29 1/2 in., l. (extended) 110 1/4 in., l. (closed) 51 in., d. 51 in. [$700/1000]

331. Danish Mid-Century Modern Teak Table, 1970s, curved cluster brackets, h. 28 3/4 in., w. 76 in., d. 36 in. [$700/1000]

332. American Mid-Century Modern Walnut Dining Suite, incl. dining table with extension leaf, eight side chairs, and cabinet, table h. 29 in., w. 59 in., d. 40 in., chair h. 38 in., w. 18 in., d. 20 1/2 in., cabinet h. 69 1/2 in., w. 48 in., d. 16 in. (10 pcs.) [$400/600]

333.Vintage Baker Furniture Lacquered Wood Drum Table, mid-20th c., possibly Michael Taylor, labeled, swivel drawers and shelf interior, h. 17 in., dia. 24 in. [$400/600]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

334. Modern Stone and Patinated Metal Coffee Table, rectangular top, spherule supports, double stretchers, tapered legs, h. 17 in., w. 50 in., d. 29 in. Note: repaired leg. [$400/600]

335. Pair of Paolo Buffa-Style Armchairs, iridescent upholstery, h. 38 1/2 in., w. 28 in., w. 29 in. [$700/900]

337.Contemporary Glass and Wood Coffee Table, oblong top, x-form base, h. 19 1/2 in., w. 24 1/2 in., d. 60 in. [$300/500]

336. Pair of Italian Modern Chairs, attributed to Abbondi, h. 37 1/2 in., w. 25 in., d. 28 in. [$700/1000]

338. Modern Metal Table Base, enameled steel, multiple pyramid form, h. 14 in., w. 34 1/2 in., d. 34 1/2 in. Note: lacking glass top. [$250/350]

339. Pair of Contemporary Red Lacquer Bamboo-Form Armchairs, h. 33 in., w. 27 in., d. 24 in. [$500/700]

340. Contemporary Leather and Birch Chaise Longue, manner of Peter Shire, sloped back, banded cushions, base with painted notches, h. 35 1/2 in., l. 78 in., d. 25 1/2 in. [$600/900]

341. Stephen H. Willard (American/California, 1894-1966), “Silent Interlude”, hand-painted photograph mounted to masonite, signed and titled lower right, “Gilley’s Gallery, Baton Rouge, LA” label on backing paper, 22 in. x 30 in., framed. [$500/700]

Note: This scene depicts Snow Creek and Mt. San Jacinto, west of Palm Springs, CA.

342. Sam Minot (American, b. 1962), “Mountain Cabin, New Mexico”, 1994, acrylic on canvas, signed lower left, signed, titled and dated en verso, 17 in. x 23 in., unframed. [$600/800]

343. Thomas Connolly (American, 20th c.), “Plains”, 1991, acrylic on paper, signed and dated lower right, titled lower left, label with artist, title and date on backing board, 9 in. x 8 3/4 in., framed. [$700/1000]

344. John Mart Opie (American/ Ohio, b. 1936, active Louisiana, 1965-1970), “Two in a Pool”, acrylic on paper, pencil-signed lower right, partial sketch under mat and en verso, artist label with title on backing board, 9 5/16 in. x 9 3/16 in., framed. [$300/500]

Provenance: Galerie Simonne Stern, New Orleans, LA.

345. Louise Nevelson (American, 1899-1988), “Untitled: Female Nude”, 1935, graphite on paper, signed lower right, “Fay Gold Gallery, Atlanta, GA” label with artist, date and inventory number “LN-60482” on backing paper, 15 1/8 in. x 10 3/4 in., framed. [$3000/5000]

346. Sue Tushingham McNary (American, 1937-2020), “Trees in Spring”, oil on canvas, signed lower right, holi day card from artist attached en verso, 32 in. x 32 in., framed. [$600/800]

347. Laurent Davidson (American/French, b. 1949), “Luna Hoops”, 2009, painted aluminum and steel, initialed and dated on large blue ring, h. 46 in., w. 55 in., d. 13 in., accompanied by an envelope containing a copy of a certificate of authenticity from Highlands Sculpture Gallery, original invoice and artist information. (2 pcs.) [$1500/2500]

349. Titti Garelli (Italian, b. 1948), “Borgogna”, 2012, acrylic and gold leaf on board, signed and titled en verso, from Le Regine Neogotiche series, certificate of authenticity from Little Nemo Art Galley, Torino, Italy with artist, title and date attached en verso, 15 5/8 in. x 11 3/4 in., framed. [$600/900]

348. John Waters (American/Maryland, b. 1946), “The Girls: Kim”, “The Girls: Tina” and “The Girls: Kathy”, 2003, set of 3 glazed porcelain plates, each signed and numbered “135/300” and marked “Adora Porcelain, New York, Limited Edition” with artist, title, date and copyright on reverse, each dia. 10 1/4 in.; accompanied by Adora Porcelain brochure on the artist and these plates. (2 pcs.) [$500/700]

350. Frank Faulkner (American/New York, 1946-2018), “Proof 46”, 1983, mixed media on embossed paper, signed and dated lower left, titled lower right, “Simpson Galleries, Houston, TX” label on stretcher, 42 in. x 47 1/2 in., framed. [$400/500]

351. Michel Dureuil (French, 1929-2011), “Dining on the River”, 1953, oil on canvas, signed and dated lower right, indistinctly inscribed on stretcher, 13 in. x 16 1/4 in., framed. [$200/300]

352.

353.

356.

357.

355.

Dino Paravano (Italian/South Africa, b. 1935), “Affectionate Zebra”, 1974, oil on canvas, signed and dated lower left, “Carl Battaglia Galleries, New York, NY” label with artist and title on stretcher, 27 in. x 40 in., unframed. [$800/1200]

354. Dino Paravano (Italian/South Africa, b. 1935), “Cheetahs in Mopani Bush”, 1975, oil on canvas, signed and dated lower left, titled and “Carl Battaglia Galleries, New York, NY” label with artist and title on stretcher, 20 in. x 30 1/4 in., framed. [$400/600]

Dino Paravano (Italian/South Africa, b. 1935), “Angry Cheetah”, 1975, oil on canvas, signed and dated lower left, 18 in. x 24 in., unframed. [$600/800]

Alexandra Nechita (Romanian/American, b. 1985), “Victorious Spirit”, 1996, lithograph, pencil-signed, dated, blind stamp and numbered “673/2500” lower margin, titled en verso, “Arches” watermark visible, 26 3/4 in. x 19 3/8 in., framed. [$500/700]

Alexandra Nechita (Romanian/American, b. 1985), “Cloverfields”, 1997, lithograph, pencil-signed, dated, blind stamp and numbered “84/199” lower margin, titled en verso, “Arches” watermark visible, 22 1/2 in. x 22 1/2 in., framed. [$800/1200]

Dino Paravano (Italian/South Africa, b. 1935), “Mating Time”, 1976, oil on canvas, signed and dated lower left, titled and inscribed “No. 33” on stretcher, 27 in. x 40 in., unframed. [$1000/1500]

363.

361. Ludwig Hohlwein (German, 1874-1949), “Nebelhornbahn Oberstdorf”, 1937, chromolithograph, titled upper center, artist stamp mid-right, dated en verso, 31 3/4 in. x 22 1/4 in., framed. [$400/600]

362. After Giuliano Nistri (Italian, b. 1929), “La Strada”, c. 1956, offset lithographic poster, signed in plate, printed by Graficas Vicent, Valencia, Spain, published by Produccion Ponti-DeLaurentiis, Rome, Italy and CIFESA, Valencia, Spain, sight 38 1/2 in. x 27 in., framed. [$300/500]

364. Nobuyoshi

b. 1940), “Women

Tadashi Nakayama (Japanese, 1927-2014), “Flying Birds”, 1969, woodblock on paper laid on board, pencil-signed, dated and numbered “55/65” lower margin, 23 5/8 in. x 22 1/2 in.; accompanied by “Woman”, 1957, woodblock on paper, pencil-signed and dated lower margin, artist stamp en verso, “The Artist Showroom, San Diego, CA” label on backing paper, 23 7/8 in. x 15 1/8 in., both framed. (2 pcs.) [$500/700]

Araki (Japanese,

in Bondage”, 2020/2021, 7 color polaroids and 2 gold tone polaroids, each signed, each 4 1/4 in. x 3 1/4 in., unframed; accompanied by 5 certificates of authenticity from the Norton Gallery, Tokyo and 2 certificates of authenticity signed by the artist, all in artist envelopes. (16 pcs.) [$3000/5000]

359. Ernest Trova (American/Missouri, 1927-2009), “Untitled”, screenprint, unsigned, from the Falling Man/ Manscapes series, 25 in. x 24 3/4 in., framed. [$200/300]

360. Ernest Trova (American/Missouri, 1927-2009), “Untitled”, screenprint, unsigned, from the Falling Man/ Manscapes series, 22 in. x 22 in., framed. [$200/300]

358. After Fritz Erler (German, 1868-1940), “Der 9te Pfeil, Zeichnet Kriegsanleihe”, c. 1918, color lithographic poster, signed in plate, 2 sheets, published by Hollerbaum und Schmidt, Berlin, sight 53 1/4 in. x 35 1/4 in., framed. [$300/500]

365. Eight Contemporary Biedermeier-Style Patinated Metal Side Chairs, scrolled seat back, tapered legs, custom upholstery, h. 36 1/2 in., w. 18 in., d. 18 in. [$800/1200]

366. Contemporary Empire-Style Metal and Marble Console, late 20th c., h. 36 in., w. 60 in., d. 9 in. [$500/700]

367. Contemporary Oak Parquetry and Iron Table, 20th c., h. 29 1/2 in., w. 66 in., d. 30 in. [$700/1000]

369. Contemporary Tropical Hardwood and Chinoiserie-Decorated Console Table, paneled top, cartouche-painted legs, h. 25 1/2 in., w. 60 in., d. 15 in. [$700/1000]

368. Contemporary Chinoiserie-Decorated Chest-on-Stand, upper case with craquelure finish, fitted for wiring, reticulated stand, h. 73 in., w. 43 1/2 in., d. 27 in. [$700/1000]

370. Philippine Bamboo Ladder, h. 8 ft., w. 15 1/2 in. [$300/500]

371.Mario Villa (Nicaraguan/ New Orleans, 1953-2021)

Patinated Metal Bed, pedimented headboard centered by a mask and cross medallion, columnar posts, entwined stretchers, h. 66 1/2 in., l. 78 in., w. 58 in. [$2000/3000]

372. Mario Villa (Nicaraguan/New Orleans, 1953-2021)

Patinated Metal and Marble Breakfast Table, verdigris round marble top, entwined stretchered base, h. 30 in., dia. 52 in. [$1500/2500]

373. Pair of Mario Villa (Nicaraguan/New Orleans, 1953-2021)

Patinated Metal Lyre-Back Side Chairs, h. 36 1/2 in., w. 19 in., d. 20 in. [$1000/1500]

374. Pair of Mario Villa (Nicaraguan/New Orleans, 1953-2021) Patinated Metal “Ionic” Side Chairs, h. 36 1/2 in., w. 17 in., d. 22 1/2 in. [$1000/1500]

375. Pair of Mario Villa (Nicaraguan/New Orleans, 1953-2021)

Patinated Metal Side Chairs, swagged seatback, h. 36 in., w. 16 1/2 in., d. 20 in. [$1000/1500]

376. Pair of Mario Villa (Nicaraguan/New Orleans, 1953-2021) Patinated Metal “Palm” Barstools, palm splat, arched stretcher, h. 39 1/2 in., w. 16 1/2 in., d. 20 in. [$1200/1800]

377. Contemporary Wrought Iron and Glass Coffee Table, 20th c., h. 18 1/4 in., w. 50 in., d. 50 in. [$400/600]

379. Pair of Contemporary Acrylic and Leather Armchairs, 20th c., padded blue leather, h. 31 1/2 in., w. 25 in., d. 28 in. [$1200/1800]

378. Jensen-Style Chrome and Glass Console Table, medial shelf, h. 27 in., w. 60 in., d. 13 in. [$300/500]

380. Contemporary Acrylic and Glass Coffee Table, 20thc., Greek key legs, h. 16 1/2 in., w. 47 in., d. 32 in. [$800/1200]

381. Harris Strong Tile-Inlaid Walnut Shelf, 1960s, h. 7 in., w. 18 1/4 in., d. 6 1/2 in. [$150/250]

383. Two Tormod Alnaes for Sorlie Mobler “Trega” Lounge Chairs, 1970s, canvas and leather slings, leather cushions, chromed steel bases, taller h. 35 1/4 in., w. 33 in., d. 32 in.; smaller h. 27 in., w. 33 in., 32 in. [$700/1000]

387. Pair of Louis XVI-Style Comic Book Veneered Three Drawer Nightstands, shaped top, three drawers, h. 29 in., w. 20 1/2 in., d. 13 in. [$700/900]

382. Five Shaw Walker Wood and Aluminum Armchairs, 1950s, molded seat, h. 32 in., w. 23 in., d. 21 in., together with another chair with compromised leg. [$500/700]

384. Contemporary “Light Box” Desk, late 20th c., Formica veneer, single drawer, frosted glass viewing surface, h. 30 in., w. 66 in., d. 30 in., viewing surface 25 in. x 44 in. [$600/900]

Provenance: Estate of artist Gene Rogas.

385. Modern Mixed Woods Coffee Table, rectangular top, trestle base, h. 18 in., w. 55 in., d. 31 in. [$300/500]

386. Contemporary Inlaid Wood and Glass Center Table, 20th c., colored wood, floating glass top, h. 29 3/4 in., dia. 48 in. [$400/600]

388. Large Glass Apothecary Display Bottle, faceted stopper, h. 32 1/2 in., dia. 9 in. [$700/1200]

389. Giles Bettison (Australian, b. 1966), “Vista NY #99”, 2003, fused, blown and wheel-cut murine glass, signed on base “Giles Bettison NY 03”, h. 8 3/8 in., w. 7 1/4 in., d. 1 5/8 in. [$2000/3000]

391. Pair of Baccarat Crystal Candlesticks, marked, lobed form, h. 6 3/4 in. [$150/250]

393. Contemporary Carved and Painted Convex Mirror, starburst surround, dia. 25 in. [$100/150]

392.

390. Pair of Baccarat Crystal Candlesticks, marked, h. 2 1/2 in. [$150/250]

395. Pair of Yasha Heifetz Ceramic Lamps, 20th c., impressed mark on wood base, h. (to finial) 24 in. [$500/700]

396. Pair of Attributed to Maison Jansen Eglomise Table Lamps, 20th c., rectangular bases and shade, h. (to top of shade) 28 in. [$600/900]

394. Pair of Heifetz Oak and Mahogany Figural Table Lamps, 1950s, impressed mark, male and female figures, h. (to top of shade) 37 in. [$700/1000]

Provenance: Rago Auction, March 4, 2014, lot 1249

Three Vintage Mystery Clocks, largest by Haddon, with light; other two by Jefferson, tallest h. 9 in. [$300/500]

397. Pair of Contemporary Glass and Chrome Table Lamps, by Orrefors, square shades, glass bases, h. 15 1/2i n., w. 7 1/4 in., d. 7 1/4 in. [$300/500]

398. Angelo Lelli for Arredoluce Floor Lamp, 1960s, painted and chromed metal, marble base, h. 79 in., dia. 13 in. [$250/350]

399. French Mid-Century Modern Alabaster Table Lamp, c. 1950, biomorphic form, h. (to socket) 20 in. [$150/250]

400. Art Deco-Style Patinated Metal Figural Lamp, figure holding shell-form glass shade, h. 15 in. [$150/250]

Provenance: Bocage Antebellum Home, Darrow, LA

401. Pair of Modern Pendant Lights, cone form, perforated metal, h. 18 in. [$300/500]

403. Pair of Italian MidCentury Ceramic Table Lamps, 1950s, marked “Base Made in Italy”, blue and black geometric designs, h. (to top of shade) 43 in. [$500/700]

404. Pair of Mid-Century Modern Ceramic Table Lamps, red and yellow geometric design, wood base, angular rectangular shades, h. (to top of shade) 44 in. [$500/700]

402. Mid-Century Modern Ceramic Table Lamp, white ground, green, yellow, and black design, h. (to socket) 27 in. [$300/500]

405. Modern “Rocketship” Table Lamp, 1950s, ebonized wood and brass, h. 17 in. [$300/500]

408. Pair of Maison Jansen-Style Mirrored Table Lamps, 20th c., light copper colored beveled mirrors, h. (to top of shade) 38 in. [$400/600]

412. Pair of Contemporary Cut Glass and Brass Table Lamps, cylinder form, wood base, h. (to finial) 33 in. [$300/500]

410. Contemporary Bronze and Wood “Frog” Table Lamp, late 20th c., green tole shade, h. 17 3/4 in., dia. 15 in. [$250/350]

406. Contemporary Chrome Desk Lamp, 20th c., arm and light swivels, h. 14 1/2 in. [$300/500]

407. KOCH & LOWY “OMI” Chrome Desk Lamp, 20th c., adjustable h. 14 in to 22 1/4 in. [$300/500]

409. Contemporary Blue and White Porcelain Table Lamp, bird and foliate design, h. (to socket) 19 in. [$150/250]

411. Pair of Contemporary Painted Leather Table Lamps, foliate designs, h. (to socket) 22 in. [$300/500]

413. Billy Haines White Glazed Porcelain Table Lamp, c. 1959, tapered form, painted wood base, h. (incl. socket) 25 in. [$500/700]

414. Billy Haines Chinese-Style Bisque Pottery Table Lamp, mid20th c., body with applied lotus relief decoration, wood cylinder base, h. (incl. socket) 22 in. [$500/700]

Provenance: Christie’s, New York, Property from the Estate of Armand & Harriet Deutsch, September 7, 2006, lot 1072

415. Collection of Vintage Athletic Supporter Store Displays, c. 1940, two painted plywood original store displays, showcasing various models of the “Bub” Duribilknit brand, J.B. Flaherty Co., NY, one of them “protects the energy zone”, displays 48 in. x 12 in., framed alike, 55 1/2 in. x 19 1/4 in. [$300/500]

418. Contemporary Rug, green ground with green and gold leaf motif, 4 ft. 3 in. x 6 ft. 3 in. [$500/700]

416. Sultanbad Carpet, beige ground with ivory and light blue medallions down center and either side, floral motif, 8 ft. 10 in. x 12 ft. 5 in. [$4000/6000]

417. Sultanbad Carpet, beige ground with light grey and blue floral motif, 8 ft. 11 in. x 11 ft. 11 in. [$4000/6000]

422. Sultanbad Carpet, light blue ground, beige border, contemporary designs, 2 ft. 8 in. x 11 ft. [$800/1000]

419. Contemporary Carpet, sage green ground, beige floral motif, 6 ft. x 8 ft. 10 in. [$900/1200]

423. Sultanbad Carpet, red ground with beige border, floral motif, 6 ft. 10 in. x 6 ft. 10 in. [$2000/2500]

420. Contemporary Rug, green and beige ground, circle and square alternating rows, 5 ft. 11 in. x 8 ft. 10 in. [$900/1200]

421. Sultanbad Carpet, red ground with beige borders, floral motif, 2 ft. 8 in. x 9 ft. 9 in. [$700/900]

424. Contemporary Carpet, beige, 5 ft. 9 in. x 7 ft. 6 in. [$900/1200]

425. Contemporary Carpet, black and yellow swirl design, 8 ft. x 10 ft. 2 in. [$2000/3000]

CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY

Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers.

1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees.

2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings:

ARTIST - In our qualified opinion, we believe the work is by the artist named.

Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist.

School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies:

Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.”

Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable.

Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate.

In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy,

if any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies.

AUCTION BIDDING AND SALE

1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs.

3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot.

4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot.

5. No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages.

7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion.

8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction.

10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process.

11. Interfering with the auction in any way is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected.

13. Canvassing or solicitating on the auction premises is prohibited.

14. The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller.

16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction.

18. Dealers must provide Neal Auction Company with proper documentation prior to bidding.

19. First time bidders are required to produce a valid state-issued identification card or passport.

20. Bids are required to be made in U.S. dollars.

21. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration.

24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor.

ABSENTEE/TELEPHONE/ONLINE BIDS

1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure.

4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom.

6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding.

7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made.

8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone).

9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder.

PAYMENT

1. The successful bidder (except a successful online bidder) shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer (except by online bidders) within 15 calendar days of the auction, the buyer’s premium will be discounted to 22%.

2. The successful online bidder shall pay a buyer’s premium in the amount of 28% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders.

3. In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate.

6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder.

7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer.

9. Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 15 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month.

PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month. All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees).

INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company.

Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot.

IMPORT/EXPORT

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations.

MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles.

MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein.

The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale.

All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein.

Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer.

In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein).

These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

Artist Index

•

8, 2022

A

H

Aiiroh, 128

American School, 271, 274

Nobuyashi Araki, 364

B

Lucas Beaufort, 118

Marta Becket, 269

Leon Bibel, 258-262

Bruce Bordelon, 66

Hebru Brantley, 193

Bridge Ship House, 191 Jon Burgerman, 185, 186 BustArt, 182-184

C

Charles Malcolm Campt, 270

Dirt Cobain, 175-177

Erin Cone, 40, 41

Thomas Connolly, 343 Continental School, 278 Cope 2, 99-104

Aaron Craig, 148-150 Lee Crum, 71-74

D Laurent Davidson, 347 Danny DeLancey, 45 Jimmy Descant, 54

Dillon Boy, 106-110

Paul Dufour, 37

Michel Dureuil, 351 Caroline Wogan Durieux, 67-69

E Fritz Erler (aft), 358

F

Frank Faulkner, 350

Malaika Favorite, 70

Shepard Fairey, 96

Louis Goodman Ferstadt, 263

Vernon Fisher, 44 Flabjacks, 190

Ben Frost, 156-163, 178-181, 197-203

G

Titti Garelli, 349

Mitchell Gaudet, 49

Cassandra Gillens, 153-155

Matt Gondek, 116

Olivia Caballero González, 151 Grafflex, 125

Marcel Gromaire, 275

Jacob El Hanani, 276

Harvey Sherman Harris, 47, 48

Robert Helmer, 46 Herr Nilsson, 132-134

Marguerite Hohenberg, 267 Ludwig Hohlwein, 361

I Invader, 167

J

Daniel Johnston, 130, 131

Sarah Joncas, 152 Blake Jones, 194 Robert Edmond Lee Jones, 266

K

Vyacheslav Kalinin, 277 Urban Karl, 283

Ida Rittenberg Kohlmeyer, 35A, 36 (attr) Jeff Koons, 117

L

LA II, 119-124

Daniel Lessner, 282

Charles Keating Linder, 195 Barbara Lion, 43 Scott Listfield, 192

M

Kayla Mahaffey, 168-173

Jérôme Masi, 129

Sue Tushingham McNary, 346 Sam Minot, 342

Alec Monopoly, 164-166 Mr. Brainwash, 135-146 Mr Mint, 147 Mr Penfold, 126 MuckRock, 189

N

Tadashi Nakayama, 363 Alexandra Nechita, 356, 357 Louise Nevelson, 345 Giuliano Nistri (aft), 362

O

John Mart Opie, 344

P

Dino Paravano, 352-355

James D. Parks, 265 Anastasia Pelias, 42

Henri Perez, 273 Pablo Picasso (aft), 253, 254 Harold “Hal” Poth, 268

R

Man Ray (aft), 281

Philip Reisman, 257 Albert Reyes, 196 Noel Rockmore, 58-63

Gretchen Rothschild, 38, 39 Rudy Rowell, 64 RYCA, 105

S

SacSix, 97, 98

Max Sansing, 174 Edgar Scauflaire, 272

Georges L. Schreiber, 279

Thelma Lynn Simmons, 65 Hunt Slonem, 50-53

Ringo Starr, 187, 188

Louis K. Stone, 264 Fred Stonehouse, 127

T

Yves Tanguy (aft), 280 Ernest Trova, 359, 360

V Mario Villa, 55-57, 371-376

W

Cora Kelley Ward, 32-35 John Waters, 348 Stephen H. Willard, 341 Wizard Skull, 111-115

Z Jirayr Zorthian, 256

John R. Neal (1940-2018), Founder

Michelle LeBlanc Leckert, CAI President

Marc Fagan

ADMINISTRATION

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI

Client Services / Accounts Receivables

Rebekah Abernathy

Database Management / Internet Auction Administrator

Lisa Weisdorffer

Bookkeeper

Katie Lasher

Marketing & Social Media

Cameron McHarg

General Manager

Jason Leckert

Administrative Assistant

Claire Whitmore

GRAPHICS

Graphics Director / Catalogue Design

David Roberts

Photography

Gerard Lewis

Jason Leckert

Graphics Staff

Stephanie Do Ouro

Sarah Rose Janko

OPERATIONS

Operations Staff

Charlie Clay

Jerry Major

Adam Trepagnier

Scott Gann

Decorative Arts Inventory Management

Charlie Clay

AUCTIONEERS

Michelle LeBlanc Leckert #1514

Bettine Field Carroll #1874

Marc Fagan #1935

Marney Robinson #2155

Katherine Hovas Senior Vice President

Vice President Consignments

CONSIGNMENTS

Furniture & Decorative Arts

Polly Rolman-Smith

Paintings, Prints & Photography

Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote; Renee Longon

Books, Maps & Natural History Prints

Marc Fagan

Silver & Decorative Arts

Katherine Hovas

General Consignments

Cameron McHarg

Consignments Administrator

Heather Munch

Fine Art Inventory Manager Casey Foote

AUCTION SERVICES

Trust & Estates Advisor Henry G. McCall

Appraisals

Marc Fagan, Cameron McHarg

CATALOGUE CONSULTANTS

Asian Arts & Special Projects

Bettine Field Carroll

Newcomb Pottery & Decorative Arts

Sally Main

Silver

Carey Mackie

Decorative Arts & Victoriana Ann M. Masson

JEWELRY

GIA Graduate Gemologist

Stephen A. Moses

GIA Graduate Gemologist

Ilana Picard