UNRESERVED @Neal Online Auction- July 20, 2023

UNRESERVED @Neal Auction

Featuring antique, vintage and modern furniture, paintings, prints, photography, silver, porcelain, glass and collectibles from estates, private collectors and institutions

ONLINE-ONLY JULY 20, 2023

ONLINE ONLY ~ JULY 20, 2023

EXHIBITION

Beginning Monday, July 17

Exhibition will be available July 17-20, 2023, 10 a.m. to 5 p.m. at our 4038 Magazine Street Gallery

Featuring more than 285 lots of antiques, furniture, paintings, prints, photography, silver, glass, porcelain, and collectibles from estates, private collectors and institutions. NealAuction.com

Provenance:

2. American Southern Mixed Woods Dry-Sink Cupboard, 19th c, molded cornice, two paneled doors, three drawers over basin, bracket feet, h. 72 1/2 in., w. 41 1/2 in., d. 18 in. [$500/700]

4. Set of Three Silvered Metal Nesting Tables, 21st c., mirrored tops, faux bamboo supports, largest h. 24 in., w. 19 in., d. 13 in. [$100/200]

6. Associated Set of Thirteen Antique Queen Anne-Style Mahogany Dining Chairs, incl. two armchairs and eleven side chairs, vasiform splat, turned stretchers, cabriole legs, pad feet, armchair h. 44 1/2 in., w. 21 3/4 in., d. 19 in., side h. 41 5/8 in., w. 19 1/2 in., d. 18 in. [$200/300]

Estate of Reuel Lacy “Sonny” and June Ann Anderson, Baton Rouge, LA.

1. American Classical Carved Mahogany Center Table, 19th c., probably Boston, fluted column, tripartite base, casters. Note: lacking top, h. 27 1/2 in., dia. 29 in. [$150/250]

3. Set of Three Mahogany Bar Stools, 21st c., leather seat, nailhead trim, turned supports, h. 30 in., w. 16 1/2 in., d. 16 1/2 in. [$50/75]

5. Pair of Ming-Style Chinese Softwood “Yokeback” Side Chairs, shaped top rails, curved S-shaped back splats, openwork aprons, slightly splayed turned legs, stretchers, h. 40 in., w. 19 3/4 in., d. 17 1/2 in. [$150/250]

8. Victorian-Style Painted and Parcel Gilt Table, malachite top, festooned apron, swan supports, stretcher surmounted by malachite finial, hoof feet, h. 29 1/2 in., dia. 23 1/2 in. [$600/700]

10. Large Federal-Style Mahogany Chest of Drawers, turreted corners, one drawer over three drawers, ring turned reeded stiles, toupie feet, h. 46 3/4 in., w. 46 1/2 in., d. 25 in. [$300/500]

12. Four Antique English Carved Elm Pub Chairs, barrel back, scrolled arms, molded seat, h. 33 in., w. 23 1/2 in., d. 24 1/2 in. [$300/500]

7. Two Antique Queen Anne-Style Mixed Woods Stools, one with upholstered seat, h. 20 in., w. 23 in., d. 14 1/4 in.; other with caned seat, h. 18 1/2 in., w. 19 in., d. 15 1/4 in. [$100/200]

9. Set of Four Queen Anne-Style Carved Walnut Side Chairs, 19th c., h. 40 1/4 in., w. 20 3/8 in., d. 18 1/4 in. Note: Condition [$300/500]

11. William IV Yew Wood Tilt-Top Center Table, 19th c., circular top, columnar support, incurvate triangular plinth base, paw feet, h. 30 in., dia. 52 3/4 in. [$500/700]

14. William and Mary Carved Beechwood and Caned Armchair, c. 1700, arched crest rail, scrolled ears, turned stiles, scrolled arms, turned legs and stretchers, “Spanish” feet, h. 48 1/2 in., w. 22 in., d. 20 in. [$500/700]

Provenance: The Stanley Weiss Collection, Providence, RI.

13. Antique Georgian-Style Mahogany Piecrust Tea Table, dished top, bird cage support, fluted standard, foliate tripod base, pad feet, h. 21 in., dia. 25 in. [$300/500]

15. Antique Louis XV-Style Bronze-Mounted Kingwood and Parquetry Occasional Table, shaped top, serpentine blind frieze drawer, cabriole legs, sabots, h. 29 in., w. 31 1/2 in., d. 21 in. [$300/500]

17. Antique French Provincial Oak Buffet, plank top, cartouche paneled doors, paneled stiles, h. 39 in., w. 54 in., d. 26 1/4 in. [$500/700]

16. Louis XV-Style FabricCovered Side Table, 19th c., needlepoint top, cabriole legs, h. 29 1/2 in., w. 27 in., d. 18 in. [$400/600]

Condition:

Condition:

Condition:

20. Richard Johnson (American/Louisiana, b. 1942), “Mao & Co”, 1987, acrylic and collage on paper mounted to board, pencil-signed, titled and dated on mount, “Eve Mannes Gallery, Atlanta” label with artist, title and date on backing paper, 23 7/8 in. x 31 7/8 in., framed, overall 33 1/4 in. x 41 1/4 in. x 1 1/4 in. [$600/800]

Overall fair condition.

18. Richard Johnson (American/Louisiana, b. 1942), “Abstract Composition with Blue Striations”, acrylic and mixed media on masonite, unsigned, 21 3/4 in. x 24 in., framed, overall 24 1/2 in. x 23 3/4 in. x 1 5/8 in. [$500/700]

Overall fair condition.

19. Richard Johnson (American/Louisiana, b. 1942), “Rising Blue”, 1996, acrylic and mixed media on canvas, signed and dated lower right, titled en verso, 30 in. x 36 in., unframed. [$600/800]

Overall good condition.

21. Jewel Alma Woodard Simon (American/Texas, 1911-1996), “Scene at Rocky Mountain National Estes Park, Colorado”, 1937, oil on canvas board, signed lower right, titled and dated en verso, 16 in. x 20 in., unframed. [$50/100] Condition: Overall poor condition.

24.

22.

Vetsch)

20th c., active Newcomb College, 1923-27), 52 works on paper consisting of 28 watercolors, 13 inks, 6 graphites, 3 crayons, one mixed media, one watercolor mounted to board, 9 signed, 4 initialed, 3 initialed and dated, 2 signed and dated, 2 monogrammed, one signed, initialed and titled, 3 inscribed en verso, 2 initialed en verso, one signed and dated en verso, one signed en verso, 6 with partial sketches en verso, 5 double sided, 4 in. x 7 in. to 17 in. x 11 in.,

(52 pcs.) [$75/100]

Condition: Fair to very poor condition.

each signed lower right, one with label with artist and title, one with label with title on reverse of mat, 11 1/2 in. x 8 in. and 13 1/2 in. x 10 3/4 in., both matted ; together with Arthur W. Turner (American/Florida, 20th c.), “St. Anthony’s Alley, New Orleans” and “Courtyard of The Cabildo, New Orleans”, 2 etchings on paper, both pencil-signed, titled and numbered lower margin, 9 7/8 in. x 7 7/8 in. and 10 in. x 7 7/8 in., both matted, overall 14 in. x 10 in. to 20 in. x 16 in. (4 pcs.)

[$100/200]

New Orleans”, 2 watercolors on

Condition: Overall good to poor condition.

23.

“Harlequin and Nudes (Floral Still Life)”, oil on panel, signed and inscribed “Paris” on one side, 21 5/8 in. x 12 1/8 in., unframed. [$200/400]

Condition: Overall fair condition.

25.

“J.

Jr., N.O.” and dated lower left, 32 in. x 18 in., framed, overall 33 1/2 in. x 19 1/2 in. x 2 3/8 in. [$50/100]

Condition: Overall poor condition.

Louisiana School, 1914, “Nature Morte: Two Water Hens”, pastel on paper, inscribed

Wendling,

Grace Spongberg (American/Illinois, 1906-1992), “French Quarter,

paper,

Edith Emily d’Hemecourt Hibbard (Mrs. W.C.

(American/Louisiana,

unframed.

David Sinclair Nixon (American/Louisiana, 1904-1973),

Provenance:

2 in. [$100/200]

Condition: Overall good condition.

overall 20 5/8 in. x 26 5/8 in. x 3/4 in.; and “Madonna and Child”, oil on tin, signed lower right, 8 1/2 in. x 8 1/2 in., unframed. (2 pcs.) [$50/100]

Condition: Overall fair condition.

Condition: Overall good condition.

26. Brock Loper (American/Mississippi, 1935-2009), “Bringing in the Beans”, 1991, oil on illustration board, signed and dated lower right, 24 in. x 36 in., framed, overall 28 5/8 in. x 40 3/4 in. x

28. Adolph Kronengold (American/ Louisiana, 1900-1986), “Country Road, Mississippi”, watercolor on paper, signed lower right, titled on backing board, 15 1/4 in. x 11 1/2 in., framed, overall 23 3/4 in. x 20 1/8 in. x 1 1/2 in. [$100/200]

Estate of Jane and Stewart Maunsell. Condition: Overall fair condition.

27. Vincent Zenone (American/Alabama, 1918-2004), “The Chessplayer: Bobby Fisher”, watercolor, graphite and ink on paper, signed twice lower right, artist label lower left, signed, inscribed “B’ham” and artist label en verso, 16 1/8 in. x 17 3/4 in., framed,

29. Roy Martell Mason (American/ New York, 1886-1972), “Patio on Royal St., New Orleans, Louisiana”, 1939, watercolor on paper, signed and dated lower right, titled en verso, 21 3/4 in. x 15 in., framed, overall 29 in. x 21 1/4 in. x 1 in. [$100/200]

Condition: Overall poor condition.

Condition: Overall good condition.

Condition: Overall fair condition.

Condition: Overall fair condition.

32. Louisiana School, 1939, “Louisiana State University Campus View”, ink wash on paper, indistinctly monogrammed and dated lower left, 20 3/4 in. x 15 1/8 in., framed, overall 32 3/4 in. x 26 3/4 in. x 1 3/4 in. [$50/100]

34. Alberta Kinsey (American/Louisiana, 1875-1952), “New Orleans Courtyard”, oil on canvas board, signed lower left, 15 in. x 12 3/4 in., framed, overall 18 5/8 in. x 16 1/2 in. x 1 1/2 in. [$200/400]

31. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Clowns”, 1977, mixed media on clichéverre, signed and dated lower left, label with signature and title on backing board, sheet 15 1/4 in. x 12 1/8 in., framed, overall 22 in. x 18 in. x 3/4 in. [$200/400]

33. Arnold E. Turtle (British/Louisiana, 1892-1954), “Boats in the Harbor”, 1941, gouache on board, signed and dated lower right, inscribed en verso, 9 7/8 in. x 11 3/4 in., framed, overall 14 3/4 in. x 16 5/8 in. x 1 3/4 in. [$300/500] Condition: Overall good condition.

30. Attributed to Emilie de Hoa LeBlanc (American/Louisiana, 1870-1941, active Newcomb College, 1897-1921), “European Landscape”, oil on canvas, illegibly signed lower left, inscribed “LeBlanc” en verso, 12 3/8 in. x 17 1/8 in., framed, overall 15 1/2 in. x 20 in. x 1 in. [$50/100]

Condition: Overall good condition.

Condition: Overall good condition.

Condition: Overall fair condition.

36. Thelma Lynn Simmons (American/ Louisiana, 1934-2022), “Woman in Green Gown”, 2010/2011, oil on canvas, signed lower center, signed twice, titled and dated en verso, 30 in. x 24 in., unframed. [$200/300] Condition: Overall good condition.

35. Thelma Lynn Simmons (American/ Louisiana, 1934-2022), “Self Portrait”, 1999, oil on canvas, signed lower center, signed, titled and dated en verso, 20 in. x 16 in., framed, overall 20 7/8 in. x 17 in. x 1 in. [$200/300]

38. Thelma Lynn Simmons (American/Louisiana, 19342022), “Voodoo Priestess Marie Laveaux”, oil on canvas, signed and titled en verso, 30 in. x 24 in., unframed. [$200/300] Condition: Overall good condition.

37. Thelma Lynn Simmons (American/Louisiana, 1934-2022), “Woman in Chains”, gouache on paper, unsigned, 22 in. x 17 3/4 in., framed, overall 23 in. x 20 in. x 1 3/4 in. [$150/250]

39. Thelma Lynn Simmons (American/Louisiana, 1934-2022), “Give the Shrink a Hand”, oil on canvas, signed lower left, signed and titled en verso, 30 in. x 24 in., framed, overall 30 1/2 in. x 24 1/2 in. x 1 1/2 in. [$200/300]

Condition: Overall good condition.

1/2 in. x 7 1/2 in. to 11 1/2 in. x 11 1/2 in., unframed. (8 pcs.) [$25/50]

Condition: Overall fair to poor condition.

Condition: Overall good condition.

Condition: Overall fair condition.

44. Enrique Alferez (Mexican/ American, 1901-1999), “Nude”, 1956, red chalk and graphite on sheetrock, unsigned, dated and inscribed lower right, 24 in. x 18 in., framed, overall 27 1/4 in. x 21 1/2 in. x 1 in. [$250/350]

40. Xavier de Callatay (Belgian/Louisiana, 1932-1999), “Portraits of Women”, 1958/1959/1960, 7 pen and inks on paper, one charcoal on paper, each signed and dated lower right, 3 titled lower right, 8

42. Edward Bradfield (American/Mississippi, 1902-1966), “Factory”, pastel on paper, unsigned, separate piece of paper with signature on matting, 9 in. x 12 in., framed, overall 15 5/8 in. x 18 1/2 in. x 1 in. [$200/300]

43. Charles Whitfield Richards (American/Louisiana, 1906-1992), “Seated Female Nude”, 1969, charcoal and pastel on paper, signed and dated center right, sight 17 1/2 in. x 20 3/4 in., framed, overall 26 1/8 in. x 30 1/2 in. x 1 1/2 in. [$100/150]

41. John Mart Opie (American/Ohio, b. 1936, active Louisiana, 1965-1970), “On the Bayou”, 2014, acrylic on panel, signed lower left, signed and dated en verso, 12 1/8 in. x 16 in., framed, overall 17 3/4 in. x 21 3/4 in. x 2 1/2 in. [$400/600] Condition: Overall good condition.

Condition: Overall good condition.

Condition: Overall poor condition.

Condition: Overall fair condition.

46. Carrie Evelyn Armstrong (American/Louisiana, 20th c.), “Unloading Cotton from a Steamship”, oil on canvas board, signed lower left, 18 in. x 24 in., framed, overall 22 1/4 in. x 28 1/4 in. x 1 1/2 in. [$100/200]

48. George Riecke (American/Wisconsin, 1848-1930, act. Louisiana 1887-1902), “Cattle”, oil on canvas, signed lower right, 9 in. x 12 in., framed, overall 12 1/4 in. x 15 1/2 in. x 1 3/4 in. [$200/300]

45. Ruth Artle (American/Texas, 1902-1982), “El Capitan”, 1953/1955, oil on canvas board, signed lower right, signed and dated en verso, exhibition label with artist and title en verso, inscribed with artist and date on backing paper, 18 in. x 24 in., framed, overall 25 1/8 in. x 31 1/4 in. x 2 in. [$100/200] Condition: Overall fair condition.

47. Withdrawn, this item removed from the sale.

49. H. Reed (American/Louisiana, late 19th/ early 20th c.), “Live Oak”, 1927, oil on board, signed lower right, dated, inscribed, handwritten label and “W.E. Seebold” label on backing paper, 9 5/8 in. x 12 in., framed, overall 14 in. x 16 in. x 1 1/4 in. [$200/400]

50.

c.,

oil on canvas, signed “Hardie” lower right, remnant of exhibition label en verso, 34 in. x 24 in., framed, overall 34 7/8 in. x 25 5/8 in. x 1 1/2 in. [$300/500]

Provenance: Galerie Simonne Stern, New Orleans. Condition: Overall fair condition.

“French Quarter - New Orleans”, polymer on paper laid on board, signed lower right, signed and titled en verso, artist label with title on backing board, inscribed on reverse of frame, 26 in. x 20 3/4 in., framed, overall 33 3/8 in. x 28 1/4 in. x 1 3/4 in. [$300/500]

Condition: Overall fair condition.

and “Female”, 2 charcoals on paper, one signed and dated lower right, one signed upper right, each 24 1/2 in. x 16 1/2 in., unframed. (2 pcs.) [$200/400]

Condition: Overall poor condition.

Life

Roses”,

board, signed and personalized “To Alissa L. Crawfeld” lower right, sight 16 7/16 in. x 13 3/4 in., framed, overall 24 3/8 in. x 20 3/4 in. x 1 in. [$100/200]

Condition: Overall poor condition.

54.

c.,

on burlap, signed “Langwith” lower right, 58 in. x 36 3/4 in., framed, overall 58 1/2 in. x 37 1/2 in. x 1 1/4 in. [$50/100]

Condition: Overall poor condition.

Louisiana School, mid-20th

“Towers”,

52. Samuel Brecher (American, 1897-1982), “Male”, 1931,

American School, 20th

“Horse”, oil

51. Jeanet Dreskin (American/Louisiana, b. 1921),

53. Robert Bruce Crane (American/New York, 1857-1937), “Still

of

watercolor on

Condition:

Condition: Overall good condition.

Condition:

Condition: Overall good condition.

Condition: Overall good condition.

56. American School, 20th c., “Child with Strawberries”, oil on masonite, unsigned, 31 1/4 in. x 24 in., framed, overall 39 14 in. x 32 in. x 1/2 in. [$50/100]

Overall poor condition.

58. Florence Helena McGillvray (Canadian, 1864-1938), “Dahlias and Larkspurs in Vase”, oil on masonite, signed lower right, 14 in. x 10 in., framed, overall 17 in. x 12 7/8 in. x 1 3/4 in. [$50/100]

Overall fair condition.

55. Edgar Albert Whitney (American, 1891-1987), “Rural”, watercolor, signed lower left, signed and titled en verso, 14 in. x 20 in., framed, overall 20 1/4 in. x 26 1/4 in. x 7/8 in. [$100/200]

57. James McGarrell (American/Indiana, 1930-2020), “Study of a Woman”, 1986/1988, mixed media on paper, signed lower left, blindstamp lower right, initialed en verso, “Peregrine Press Inc., Dallas, TX” label with artist, title and date on backing board, 30 in. x 44 in., framed, overall 34 1/4 in. x 47 3/4 in. x 1 3/4 in. [$25/50]

59. Larry Zingale (American/New York, b. 1938), “Girl in a Cafe”, 1974, oil and acrylic on canvas board, signed and dated upper left, signed and titled en verso, 10 in. x 8 in., framed, overall 12 5/8 in. x 10 5/8 in. x 1 3/4 in. [$50/100]

Condition: Overall good condition.

Condition: Overall fair condition.

Provenance:

Overall good condition.

Condition: Overall good condition.

Condition: Overall good condition.

62. James D. Parks (American, 1907-1983), “Daydreaming”, oil on canvas board, signed lower right, “Aaron Galleries, Glenview, IL” label and handwritten label with title en verso, 28 in. x 21 7/8 in., framed with artist and title plaque, overall 31 3/4 in. x 25 5/8 in. x 2 1/8 in. [$500/700]

Treadway Toomey Auctions, Oak Park, IL, Dec. 6, 2014, lot 603. Condition:

64. Reginald K. Gee (American, b. 1964), “Interior Scene in Blue and Orange”, pastel on paper, signed lower left, sight 16 3/4 in. x 11 3/4 in., framed, overall 27 5/8 in. x 22 5/8 in. x 1 3/8 in. [$200/300]

61. Leon Bibel (Polish/American, 1913-1995), “Urban Turmoil”, 1936, pen and ink on paper, unsigned, artist estate stamp on reverse of mount, “Park Slope Gallery, Brooklyn, NY” label on backing paper, 10 1/2 in. x 8 in., framed, overall 19 in. x 16 3/4 in. x 1 in.; accompanied by a copy of a certificate of authenticity from the Estate of Leon Bibel and Park Slope Gallery, signed by Neysa Bibel with title and date. (2 pcs.) [$500/700]

63. Peggy Smith (American, 20th c.), “Landscape”, graphite and watercolor on handmade paper, signed lower left, 18 1/2 in. x 23 3/8 in., framed, overall 26 3/4 in. x 31 3/4 in. x 1 in. [$100/200]

60. John Leone (American/New York, 1929-2011), “Horse and Wagon near a Farm in Winter”, oil on board, signed lower right, 12 in. x 15 in., framed, overall 15 1/2 in. x 18 1/2 in. x 1 1/4 in. [$50/100]

24 in. x 18 in.,

overall 28 1/2 in. x 22 3/4 in. x 2 1/4 in. [$100/200]

Condition: Overall fair condition.

[$50/100]

Condition: Overall poor condition.

[$100/200]

Condition: Overall good condition.

[$100/200]

Condition: Overall fair condition.

Condition: Overall good condition.

68. American School, 20th c., “Landscape with Trees”, oil on board, signed “C.L. Butler” lower left, 20 in. x 16 in., framed, overall 26 in. x 22 in. x 1 1/4 in.

66. American School, 20th c., “Zinnias in a Blue Vase”, oil on canvas board, indistinctly signed lower left, 17 in. x 8 in., framed, overall 19 1/4 in. x 10 1/8 in. x 1 in.

67. American School, 1998, “Painting One”, oil on canvas, signed “R. Sikes”, titled and dated on stretcher, 36 in. x 24 in., framed, overall 29 1/4 in. x 40 1/8 in. x 1 3/4 in.

65. American School, 21st c., “Jeanne Jones”, 2010, charcoal and watercolor on paper mounted to foam core, signed “Avpry” lower right, titled and dated en verso,

framed,

69. E. Ponthier (American, 20th c.), “Ship at Sea”, oil on canvas, signed lower right, 24 in. x 36 in., framed, overall 32 1/2 in. x 44 3/4 in. x 3 1/2 in. [$200/300]

Condition: Overall poor condition.

70.

School, 20th c., “Nude in White and Blue”, oil on

unsigned, partial painting en verso, 32 1/4 in. x 28 in., framed, overall 36 in. x 31 in. x 1 in. [$50/100]

Condition: Overall poor condition.

[$100/200]

Condition: Overall fair condition.

1/2 in. x 44 3/8 in. x 1 5/8 in. [$50/100]

Condition: Overall poor condition.

Condition: Overall poor condition.

American

canvas,

72. William Henry Chandler (American, 1854-1928), “Mountain Scene with Campers”, pastel on board, signed lower right, 18 in. x 40 in., framed, overall 22

71. American School, 20th c., “Taos, New Mexico”, oil on board, indistinctly signed lower left, titled en verso, 9 7/8 in. x 7 7/8 in., framed, overall 15 3/8 in. x 13 in. x 2 3/4 in.

73. American School, 20th c., “Portrait of a Young Girl”, oil on canvas, unsigned, 24 in. x 18 in., framed, overall 28 in. x 22 1/4 in. x 1 3/4 in. [$50/100]

74. American School, early 20th c., “Still Life of Watermelon”, oil on canvas, unsigned, inscribed “Brock Arms” on stretcher, 20 in. x 24 in., framed, overall 25 in. x 29 in. x 3/4 in. [$300/500]

Condition: Overall fair condition.

Condition:

Condition: Overall good condition.

Condition: Overall good condition.

Condition: Overall fair condition.

76. Kate White Newhall (American, 1840-1917), “Crashing Surf at Dawn”, 1916, oil on canvas, signed and dated lower right, “H.S. Swasey Art Dealer, Berkeley, CA” label on backing paper, 6 in. x 9 7/8 in., framed, overall 8 3/8 in. x 12 3/8 in. x 1 in. [$300/500]

Overall good condition.

78. Rodolfo A. Luis (Argentinian, b. 1934), “Sinfonia en Azul (La Boca)”, acrylic on board, signed lower left, titled on reverse of frame, 7 in., x 9 1/2 in, framed, overall 10 7/8 in. x 13 1/4 in. x 1 1/8 in. [$100/200]

75. Charles E. Waltensperger (American/Michigan, 1870-1931), “By the Lakeside”, 1919, oil on canvas, signed lower left, handwritten label with signature, title and date on stretcher, 8 in. x 14 in., framed, overall 24 in. x 19 3/4 in. x 2 3/4 in. [$400/600]

77. William Jean Beauley (American/Illinois, 1874-1941), “Street Scene”, oil on panel diptych, signed lower left and right, each 10 in. x 8 in., overall 10 in. x 16 in., unframed. (2 pcs.) [$500/700]

79. Rodolfo A. Luis (Argentinian, b. 1934), “Landscape”, oil on board, signed lower left, artist biography en verso, 11 3/4 in. x 15 5/8 in., framed, overall 18 1/4 in. x 22 1/4 in. x 2 in. [$100/200]

80. Latin American School, 19th c., “The Falconer”, oil on canvas, unsigned, “Chilton’s, Mobile, AL” label on backing paper, 30 in. x 24 3/4 in., framed, overall 37 3/4 in. x 32 1/4 in. x 1 3/8 in. [$200/400]

Condition: Overall poor condition.

81. Tapa Bark Cloth, patterned design on tree bark laid on cardboard, inscribed and “Accent Mounting Services” label on reverse of mount, 52 in. x 23 3/4 in., unframed. [$50/100]

Provenance: High Museum of Art, Atlanta, GA. Condition: Overall fair condition.

82. Eugene Gustavovitch Berman (Russian/America, 1899-1972), “Harpist”, 1961, ink and watercolor on paper, initialed twice and personalized lower center, dated lower right, inscribed “Rome” lower left, 10 1/4 in. x 7 1/4 in., unframed. [$200/400] Condition: Overall fair condition.

83. Steve Gianakos (American/ New York, b. 1938), “Lady”, 1990, mixed media diptych on paper, signed and dated lower left, overall 29 3/8 in. x 10 in., unframed. [$100/200]

Condition: Overall fair condition.

84. Casey Freeman (American, 20th c.), “Eye Don’t Know”, 2008, graphite on paper, signed lower right, signed, titled, dated and inscribed en verso, 8 1/2 in. x 11 in., matted, overall 11 in. x 14 in. [$10/20]

Condition: Overall good condition.

Condition: Overall fair condition.

Condition: Overall

Condition:

Condition: Overall good condition.

Condition: Overall fair condition.

86. Attributed to Karel Bondam (Dutch, 20th c.), “Peasant’s Cottage in North Brabant, Holland”, oil on canvas, with later added signature lower right, titled and inscribed on stretcher, 11 3/4 in. x 15 3/4 in., framed, overall 20 1/4 in. x 24 3/8 in. x 2 in. [$50/100]

Overall poor condition.

88. Oskar Brazda (Czech, 1888-1977), “Young Child”, 1934, oil on canvas, signed and dated lower left, dia. 16 5/8 in., framed, overall dia. 22 in. [$100/200]

85. Marinus Gidding (Dutch, 1863-1925), “A View of Leiden, the Netherlands”, oil on panel, signed lower right, “Leiden” inscribed en verso, inscribed on reverse of frame, 6 1/2 in. x 7 3/4 in, framed, overall 12 7/8 in. x 14 in. x 2 in. [$100/200]

87. Continental School, 19th c., “Portrait of a Woman”, charcoal on paper, unsigned, two Sotheby’s labels and “Austin Galleries, Austin, TX” label on backing paper, 18 1/2 in. x 12 in., framed, overall 25 3/4 in. x 21 1/4 in. x 1 in. [$25/50]

fair condition.

89. Group of Decorative Paintings of Venice, 4 oils on canvas, unsigned, each 20 in. x 24 in., framed alike, each overall 23 1/2 in. x 27 1/2 in. x 2 in. (4 pcs.) [$100/200]

Condition: Overall fair condition.

3/4

7/8

Condition: Overall fair condition.

Condition: Overall poor condition.

Condition: Overall good condition.

92. Continental School, 20th c., “Terrors of War”, oil on canvas, unsigned, 24 in. x 20 in., unframed. [$50/75]

94. Luigi Cagliani (Italian, 1910-1987), “Harbor Promenade”, oil on canvas, signed lower right, inscribed and indistinct stamp en verso, 12 in. x 15 3/4 in., framed, overall 15 1/4 in. x 19 1/4 in. x 2 1/4 in. [$200/300]

90. L.H. Westergren (Swedish, 20th c.), “Celtic Family Bible”, oil on canvas, initialed lower left, illegibly inscribed en verso, “Dominion Gallery, Montreal” label with artist and title on reverse of frame, 14 in. x 19 in., framed, overall 20 in. x 25 1/8 in. x 1 3/4 in. [$100/200]

91. French School, late 19th/ early 20th c., “Woman at her Desk”, oil on canvas, unsigned, handwritten French label attributing artist as “V. Blanche” en verso, 18 in. x 15 in., framed, overall 21 3/4 in. x 18

in. x 1

in. [$50/100]

93. Dino Paravano (Italian/South Africa, b. 1935), “Affectionate Zebra”, 1974, oil on canvas, signed and dated lower left, “Carl Battaglia Galleries, New York, NY” label with artist and title on stretcher, 27 in. x 40 in., unframed. [$200/300] Condition: Overall poor condition.

Condition: Overall poor condition.

Condition:

Condition: Overall good condition.

Condition: Overall

Condition: Good to poor condition.

96. Adelchi de Grossi (Italian, 1852-1892), “Cavaliers in a Tavern Courtyard”, 1887, watercolor on paper, signed, dated and inscribed “Roma” lower left, 21 3/4 in. x 30 1/2 in., framed, overall 33 in. x 41 7/8 in. x 1 1/2 in. [$300/500]

Overall fair condition.

95. Continental School, 19th c., “Portrait of a Woman”, oil on tin, unsigned, illegibly inscribed en verso, 10 in. x 7 3/8 in., framed, overall 11 3/4 in. x 9 1/8 in. x 1 in. [$25/50]

98. British School, 19th c., “Three Sisters”, oil on canvas, unsigned, 30 in. x 25 in., framed, overall 34 3/8 in. x 29 1/2 in. x 1 1/2 in. [$200/300]

fair condition.

97. Continental School, early 20th c., “Personification of Spring”, oil on canvas laid on masonite, unsigned, 48 in. x 24 in., framed, overall 55 1/4 in. x 31 in. x 1 3/4 in. [$500/700]

99. Louisiana Political Broadsides, “For Governor / A Business Man / Dudley J. LeBlanc / A Sure Winner”, 1932, 11 offset lithographs, printed by Allied Printing, New Orleans, LA, 22 in. x 14 in., unframed. (11 pcs.) [$50/100]

100. Group of American Printed Material, 19th c., “Review in Washington, Under General McClellen...” and “The Railroad Battery Built to Protect the Workmen...”, 2 lithographs with original text en verso from Frank Leslie’s Illustrated; together with one page from The Daily Georgian, 1940, 10 in. x 14 7/8 in. to 22 1/2 in. x 17 in., one framed, overall 11 5/8 in. x 21 5/8 in. x 3/4 in. (3 pcs.) [$50/100]

Condition: Fair to poor condition.

101. After Thomas Sully (American, 1783-1872), “Andrew Jackson”, 1852, engraving, “The Philadelphia Print Shop, LTD” label with artist and date on backing, 22 1/2 in. x 17 1/2 in., unframed. [$100/200]

Condition: Overall fair condition.

102. After Edward Detaille (French, 1848-1912), “Band Practice in London Tower”, photogravure, signed in plate, published by George Barrie, Philadelphia, PA, 7 in. x 10 in., framed, overall 17 in. x 19 1/2 in. x 1 in. [$25/50]

Condition: Overall fair condition.

103. John Gould (British, 1804-1881), “Colymbus Glacialis”, hand-colored lithograph, from The Birds of Great Britain, sight 13 1/2 in. x 19 1/2 in., framed; together with Decorative Batik Painting, late 20th c., “Mother and Child”, pigment on fabric mounted to panel, signed in characters lower right, sight 31 in. x 20 in., framed, overall 24 1/2 in. x 30 1/2 in x 1 in and 32 1/2 in. x 21 3/4 in. x 2 in. (2 pcs.) [$100/200]

Condition: Gould in overall fair condition; Batik work in overall poor condition.

104. John Gould (British, 1804-1881), “Smaragdochrysis Iridescens” and “Orthorhynchus Ornatus”, 2 hand-colored lithographs, from Monograph of the Trochilidae or Family of Hummingbirds, sights 19 1/4 in. x 10 1/4 in., framed alike, each overall 25 7/8 in. x 17 1/8 in. x 3/4 in. (2 pcs.) [$150/250]

Condition: Overall fair condition.

Condition:

Condition: Overall fair condition.

in. x 19 in. x 1 in.

Condition: Overall poor condition.

106. After Richard Barrett Davis (British, 1782-1854), “Water Fowl Shooting - January”, 1836, hand-colored lithograph laid on board, engraved by R.G. Reeve, published by Thomas McLean, London, 14 in. x 18 in., framed, overall 22 3/4 in. x 26 3/4 in. x 1 1/4 in. [$50/100] Condition: Overall poor condition.

108. After Cassilly Adams (American/ Ohio, 1843-1921), “Custer’s Last Fight”, chromolithograph mounted to board, printed by Milwaukee Lithographic & Engraving Company, Milwaukee, published by Anheuser-Busch Companies, Inc., Milwaukee, 31 3/4 in. x 42 5/8 in., framed, overall 33 in. x 46 3/4 in. x 1 in. [$200/400]

105. Pair of 19th c. Italian Colored Prints, “Campanile e Cortile di Chiara in Napoli”, hand-colored etching, from “Atlante Illustrativo...”, 11 1/4 in. x 7 1/2 in.; and “Rovine di un’Antico Castello”, lithograph, published by Pietro Marietti, Torino, 10 3/4 in. x 8 1/2 in., framed alike, each overall 22 1/4

(2 pcs.) [$25/50]

107. John Gould (British, 1804-1881), “Calothorax Micrurus”, original lithograph with later hand-coloring, printed by Hullmandel & Walton, London, “Ellis-Gould Print” blindstamp lower margin, released by Ralph Nicholson Ellis, Berkeley, CA, c. 1940, sight 20 1/2 in. x 14 in., framed, overall 29 3/4 in. x 22 1/2 in. x 1 3/8 in. [$100/200]

Overall fair condition.

109. After William Fisher (British, 1817-1895), “Field Marshal John Colborne, 1st Baron Seaton”, c. 1864, mezzotint, engraved by James Scott (British, 1809-1889), published by Henry Graves, London, “Print Sellers Association SLB” blind stamp visible, sheet 32 in. x 20 1/4 in., framed, overall 36 1/2 in. x 27 1/2 in. x 1 3/4 in. [$25/50]

Condition: Overall fair condition.

111.

Condition: Overall fair condition.

“Paris, View

from under the Arch of Givry, Pont au Change, Les Tours du Palais where the Queen of France was kept Prisoner”, 1807, color aquatint, engraved by John Hill, published by W. Miller, London, “Lieutaud, Old Prints, New Orleans” label on backing paper, sight 11 1/4 in. x 14 3/4 in., framed, overall 19 3/4 in. x 23 in. x 3/4 in. [$50/100]

Condition: Overall good condition.

112. Goupil & Cie Prints, 17 photogravures after famous European artists, 4 dated 1881, 2 dated 1880 in plate, printed by Goupil & Cie, Paris, published by George Barrie, Philadelphia, sheets 9 1/4 in. x 12 3/4 in. to 13 3/8 in. x 10 in., unframed. (17 pcs.). [$50/100]

Condition: Overall fair condition.

113. After Victor Petit (French, 1817-1871), “Chateau de Saint-Agil”, color lithograph, signed in plate lower center, 14 in. x 9 1/4 in., framed, overall 28 1/8 in. x 23 1/8 in. x 7/8 in. [$25/50]

Condition: Overall good condition.

110. Charles Bird King (American/Rhode Island, 1785-1862), “John Ridge, a Cherokee”, hand-colored lithograph, from Indian Tribes of North America, printed by J.T. Bowen, Philadelphia, PA, published by F.W. Greenough, Philadelphia, PA, sight 18 in. x 12 in., framed, overall 26 1/2 in. x 20 1/2 in. x 1 5/8 in. [$100/200]

After John Claude Nattes (British, c. 1765-1839),

Drawn

114. After Victor Petit (French, 1817-1871), “Hôtel de Ville de Loches”, “Château des Réaux”, “Château de Valençay” and “Château de Saint-Agil”, 4 color lithographs, printed by Becquet Frères, each with “W. King Ambler, Inc.” label on backing paper, sights 17 1/4 in. x 11 in., all framed, each overall 28 1/4 in. x 21 3/4 in. x 1 1/4 in. (4 pcs.) [$100/150]

Condition: Overall fair to good condition.

115. Pair of Antique Prints of Candlestands, published by L. & J. Taylor, London, sheets 12 1/4 in. x 17 7/8 in., framed alike, each overall 21 3/8 in. x 24 3/4 in. x 1 1/8 in. (2 pcs.) [$50/100]

Condition: Overall good condition.

116. After Cornelius de Bruyn (Dutch, 1652-1727), “Les Ruines de Palmyre”, 1719, engraving from L’Antiquité Expliquée, et Repréesentée en Figures by Bernard de Montfaucon, sheet 15 1/2 in. x 18 3/4 in., unframed; and After Louis-François Cassas (French, 1756-1827), “Mausolée d’ Iamblichus”, engraving from Voyage Pittoresque de la Syrie..., sheet 13 1/2 in. x 20 1/2 in., matted, overall 14 in. x 20 3/4 in. (2 pcs.) [$100/200]

Note: Sold to benefit Friends of New Orleans Public Library. Condition: Overall fair condition.

x 11 3/4 in., framed, overall 20 3/8 in. x 26 in. x 3/4

Condition: Overall fair condition.

Condition: Overall fair condition.

Condition: Overall fair condition.

120. After George Edwards (British, 1694-1773), “The Long-tailed Green Hummingbird”, hand-colored engraving, engraved and published by Johann Michael Seligmann, from Collection of Various Foreign and Little Known Birds, 10 in. x 7 1/2 in., framed, overall 26 1/8 in. x 20 1/2 in. x 7/8 in. [$100/200]

119. After Mark Catesby (British, 1683-1749), “Red Bellied Woodpecker and Hairy Woodpecker and the Black Oak”, 1749, hand-colored engraving, engraved and published by Johann Michael Seligmann, from Collection of Various Foreign and Little Known Birds, after Mark Catesby’s Natural History of Carolina, Florida and the Bahamas, 8 5/8 in.

in. [$100/200]

118. John Gould (British, 1804-1881), “Trogon Bairdi”, hand-colored lithograph, from Monograph of the Trogonidae or Family of Trogons, sheet 21 3/4 in. x 15 in., framed, overall 26 5/8 in. x 21 1/4 in. x 1 in. [$100/200]

117. Group of Three Engravings, early 20th c., 2 from Monumenti Estruschi e di Altre Antiche Nazioni by Francesco Inghirami and one from Gli Stili Nella Forma e nel Colore by Giulio Ferrari, sights 4 1/4 in. x 5 1/4 in. to 6 1/8 in. x 5 in., each framed, overall 16 in. x 13 in. to 13 in. x 17 in. (3 pcs.) [$100/200] Condition: Overall fair condition.

Condition: Overall good condition.

Condition: Overall poor condition.

Condition: Overall fair condition.

122. Pompeian Massage Cream Advertising Poster, “Original Pompeian Beauty”, 1919, canvas backed lithograph on paper with original lithograph mat, initialed “W.H.C.” in plate, printed by American Lithograph Co., New York, published by the Pompeian Manufacturing Company, Cleveland, OH, 34 5/8 in. x 20 1/2 in., framed with printed company plaque, overall 42 in. x 28 in. x 3 in. [$50/100]

124. Antique Prints of Animals and Fish, incl. 6 by Johann Nussbiegel (German, 1750-1829), 9 1/2 in. x 8 in.; Black Bull finch by Eleazar Albin, 1737, 11 in. x 9 in.; Pied-billed Dobechick by Audubon, 10 1/2 in. x 6 1/2 in.; a small hummingbird and fish; 3 birds and an egg, 9 in. x 6 in.; and 3 chromolithographs of fish by Baldwin and Julius Bien, 7 3/4 in. x 10 1/2 in. (17 pcs.) [$50/75]

121. John Gould (British, 1804-1881), “Lamprolaima Rhami”, hand-colored lithograph laid on board, from Monograph of the Trochilidae or Family of Hummingbirds, sheet 21 5/8 in. x 14 5/8 in., framed, o verall 25 1/4 in. x 20 1/8 in. x 1 in. [$100/200]

123. After Basilius Besler (German, 1561-1629), “Narcissus, Crocus, Hyacinth”, decorative reproduction giclee on board, “Soicher-Marin Gallery” label on backing board, sheet 27 1/4 in. x 22 1/4 in., framed, overall 37 3/4 in. x 32 3/4 in. x 1 1/2 in. [$50/100]

Condition: Overall good condition.

1/4

History, Preparation, Chemistry, and Physiological Effects, New York & Philadelphia,

1884,

(11 3/4 in. x 9 in.), printed boards, with text and 180 chromolithographs by the author, including one large fold-out of cannabis sativa.

[$300/500]

Condition: Overall good condition.

128. After Marc Chagall (Russian/French, 1887-1985), “Le Couple Devant l’Abre”, 1960, lithograph, unsigned, pencil inscribed with artist on mat, sheet 12 5/8 in. x 9 1/4 in., framed, overall 19 3/4 in. x 15 1/2 in. x 1 in. [$100/200]

Condition: Overall fair condition.

126. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “The Devil’s Garden - No. 2”, cliché-verre, pencil-signed, titled and inscribed “Artist Proof” lower margin, 14 1/4 in. x 10 1/2 in., unframed. [$400/600]

127. After Charles N. Pruitt (American/Texas, b. 1941), “Plum Tree”, 1991, reproduction poster mounted to board, signed lower left, signed in plate, “Arts Assembly of Midland, TX” label with artist and date on backing board, 16 in. x 16 in., framed, overall 21 5/8 in. x 21 1/2 in. x 1

in. [$10/20]

125. [Antique American Medicinal Plant Prints], Millspaugh, MD, Charles, American Medicinal Plants; an Illustrated and Descriptive Guide to The American Plants Used as Homoeopathic Remedies; Their

Boericke & Tafel,

six folios

Condition: Overall fair condition.

Condition: Overall good condition.

Condition: Overall good condition.

Condition: Overall fair condition.

Ill.:

Condition:

130. American School, 20th c., “Studio Window”, etching, pencil-signed “Betty Ann Feineman” and titled lower margin, 6 7/8 in. x 5 in., unframed. [$25/50]

132. Jacques Hnizdovsky (Ukrainian/American, 1915-1985), “Great-Horned Owl”, 1973, woodcut on washi paper, pencil-signed, titled, dated, numbered “68/120” and inscribed lower center, blindstamp lower right, sheet 15 5/8 in. x 8 in., framed, overall 19 1/2 in. x 13 in. x 1/2 in. [$400/600]

Tahir, Abe M., Jr. Hnizdovsky: Woodcuts, 1944-1975, A Catalogue Raisonné. Gretna: Pelican Publishing Company, 1976, fig. 181.

Overall good condition.

129. Robert B. Nix (American, 20th c.), “Faces”, etching, pencil-signed lower margin, 8 7/8 in. x 5 3/8 in., unframed. [$25/50]

131. Adolf Jelinek Alex (Czech, 1890-1957), “Native American with Horse” and “Native American in a Forest”, 2 etchings, each pencil-signed lower margin, one with “AJA” blind stamp and inscribed lower margin, one inscribed on mat, 2 3/4 in. x 4 5/8 in. and 6 in. x 4 1/4 in., one matted, overall 12 7/8 in. x 9 3/4 in. (2 pcs.) [$50/100]

134. George Kenneth Hartwell (American, 1891-1949), “Burlesque Show”, 1932 and “Acrobats”, 1934, 2 lithographs, both pencil-signed and dated lower margin, one initialed and dated in plate lower right, 12 3/8 in. x 16 5/8 in. to 15 3/8 in. x 10 1/2 in., unframed. (2 pcs.) [$300/500]

133. Ferdinand Schmutzer (Austrian, 1833-1915), “Woman Mending”, etching, pencil-signed lower margin, 10 5/8 in. x 7 1/2 in., unframed. [$75/100]

Condition: Overall fair condition.

Condition: Overall fair to poor condition.

[$100/200]

Condition: Overall good condition.

Condition: Overall good condition.

Condition: Overall fair condition.

Condition:

140. Wayne Ensrud (American, b. 1934), “Chateau La Louviere, France”, 1980, lithograph, pencil-signed, titled and inscribed “original artist proof” lower margin, edition of 300, sheet 20 3/4 in. x 29 5/8 in., unframed. [$100/200]

Overall fair condition.

136. Emile Bernard (French, 1868-1941), “Odyssée”, hand-tinted woodcut, unsigned, with text verso, “Ferdinand Roten Galleries, Baltimore, MD” label with artist on mat, 15 in. x 10 7/8 in., matted, overall 16 in. x 12 in. [$50/100]

138. Luigi Lucioni (Italian/American, 1900-1988), “Summer Shadows”, etching, pencil-signed lower margin, “Associated American Artists, New York, NY” label with artist and title on mat, 6 in. x 12 in. matted, overall 14 in. x 18 in. [$25/50]

139. John Martin (American, 1870-1953), “Coastal Landscape”, lithograph, signed and dated lower right, 17 1/2 in. x 23 in., unframed. [$25/50] Condition: Overall poor condition.

135. George Febres (Ecuadorian/Louisiana, 1943-1996), “George Febres, The First New Orleans Banana Festival, Contemporary Arts Center, Jan. 27Mar. 10, 1996”, 1995/1996, serigraph exhibition poster, signed, dated “1995”, and inscribed lower center, signed in plate, sheet 25 in. x 21 in., unframed.

137. Francis Gorton Churchill (American/Louisiana, 1876-1924), “Entrance Gate, Natchez, Mississippi” and “Old House of Royal Street”, 2 etchings, one pencil-signed and titled lower margin, one pencil-signed and titled en verso, 8 in. x 5 3/4 in. to 7 in. x 8 3/8 in., both unframed. (2 pcs.) [$200/400]

(American/Massachusetts 1836-1910), “Boy Fishing”, 1963, offset lithograph, signed twice in plate, printed by Frost & Reed Ltd., London, for the Angler’s Club of New York, edition of 300, 13 7/8 in. x 20 7/8 in., framed, overall 24 3/8 in. x 30 in. x 3/4 in.; and After Henry Raeburn (Scottish, 17561823), “Sir David Baird of Newbyth”, 1820, mezzotint, engraved by Thomas Hodgetts (British, 1781-1858), published by Alexander Hill, London, unsigned, label with title on backing paper, 23 1/2 in. x 14 1/2 in., framed, overall 31 1/2 in. x 21 3/4 in. x 1 in.; and German School, c. 1860, “Buonapartens Zug durch das Var-Departement”, handcolored lithograph, unsigned, 6 in. x 8 in., framed, overall 12 in. x 13 1/2 in. x 1/2 in. (3 pcs.) [$25/50]

Condition: Good to fair condition.

9 1/2 in., framed, overall 18 1/4 in. x 15 in. x 7/8 in. [$25/50]

Condition: Overall good condition.

Condition: Overall fair condition.

144. Hoi Lebadang (Vietnamese/French, 1922-2015), “Floral Still Life in Blue”, lithograph, signed lower right, numbered “32/375” lower left, “Societe de Verification de la Nouvelle Gravure Internationale” authentication label en verso, published by The Collector’s Guild, Inc., New York, NY, 25 5/8 in. x 21 5/8 in., framed, overall 26 in. x 22 in. x 1 in. [$25/50]

Condition: Overall fair condition.

142. Louisiana School, late 20th c., “Winter Boucherie”, lithograph, signed “Jody M. Robert”, titled and numbered “60/200” lower margin, monogrammed in plate lower right, 12 3/4 in. x

141. After Winslow Homer

143. Pair of Printed Linen Nursery Rhyme Panels, early 20th c., one depicting Bo-Peep and the other showing her sheep, sights 9 3/4 in. x 6 1/2 in., framed alike, overall 15 in. x 12 1/2 in. x 1 1/4 in. (2 pcs.) [$25/50]

Condition:

145. Hugo Gellert (Hungarian/American, 1892-1985), “Four Horsemen of the Apocalypse”, 1935, lithograph, signed in plate lower right, from the satirical portfolio Comrade Gulliver, “Stone and Press Gallery, New Orleans” label with artist, title and date and “Dr. James Nelson Collection, Gonzales, LA” label with artist and title on backing paper, 18 1/2 in. x 16 in., framed, overall 23 1/2 in. x 22 3/8 in. x 1 in. [$50/100]

Ill.: Gellert, Hugo. Comrad Gulliver: An Illustrated Account of Travel into that Strange Country, the United States of America. New York: G.P. Putnam’s Sons, 1935, p.

Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

Condition: Overall fair condition.

148. Caroline

titled and numbered “19/20” lower margin, “BFK Rives” watermark and blind stamp visible, sheet 29 7/8 in. x 20 1/4 in., unframed; and “Judith”, color lithograph, pencil-signed, titled and numbered “19/20” lower margin, “BFK Rives” watermark visible, sheet 22 1/4 in. x 18 in., framed, overall 30 1/4 in. x 24 1/4 in. x 1 1/2 in. (2 pcs.) [$25/50]

Condition: Overall fair condition.

Provenance:

146. After Frederic Sackrider Remington (American, 1861-1901), “Portrait of a Native American”, lithograph, signed in plate, 7 1/8 in. x 6 in., framed, overall 12 3/4 in. x 11 1/4 in. x 1/2 in. [$25/50]

Wogan Durieux (American/Louisiana, 1896-1989), “Young Sarai”, color lithograph, pencil-signed,

42. Condition: Overall good condition.

147. After Arturo Ricci (Italian, 1854-1919), “The Reception”, color lithograph on paper mounted to board, signed in plate, 21 1/4 in. x 29 3/8 in., framed, overall 30 in. x 38 in. x 2 1/8 in. [$25/50]

Overall poor condition.

149. Leslie Cope (British/American, 1913-1992), “The Country Road”, 1940, etching, pencil-signed, titled and numbered “24/100” lower margin, partial label with artist on backing paper, 6 3/8 in. x 7 1/2 in., framed, overall 11 5/8 in. x 14 5/8 in. x 5/8 in. [$50/100]

Estate of Aloyis Lee Sonneborn, Mobile, AL.

Condition: Overall good condition.

Provenance:

Condition: Overall poor condition.

Condition: Overall fair condition.

Condition: Overall good condition.

Condition: Overall poor condition.

152. George Rodrigue (American/Louisiana, 1944-2013), “Washington DC Mardi Gras 1994”, silkscreen, pencil-signed lower right, sight 27 1/2 in. x 21 in., framed, overall 32 1/4 in. x 26 1/4 in. x 1 in. [$100/150]

150. After Thomas Clarke (Irish/American, act. 1797-1801), “Sacred to the Memory of the Illustrious George Washington”, 1801, engraving, signed and dated in plate, 8 1/2 in. x 8 in., framed, overall 10 in. x 9 5/8 in. x 3/4 in. [$50/100]

Estate of E. Grosvenor Paine, New Orleans; Didier, Inc., New Orleans, Jan. 1999.

151. Print of The Holy Family and Trinity, offset lithograph, sheet 20 in. x 16 in., framed within shadowbox frame, overall 27 7/8 in. x 24 in. x 3 1/2 in. [$50/100]

153. George Rodrigue (American/Louisiana, 1944-2013), “Doctor on the Bayou”, lithograph, signed lower left, signed in plate, 20 1/2 in. x 15 in., framed, overall 28 1/8 in. x 22 1/4 in. x 3/4 in. [$300/500]

Condition: Overall good condition.

Condition: Overall good condition.

13 1/8 in. x 13 1/8 in. x 1 1/4 in. (7 pcs.) [$200/300]

Condition: Overall good condition.

Condition:

condition.

154. BustArt (Swiss, b. 1983), “Mr. Pop Mono”, 2022, letterpress and indigo digital print, pencil-signed and inscribed “AP 1/7” lower right, 15 3/4 in. x 11 3/4 in., framed, overall 20 in. x 16 in. x 1 in. [$50/100]

156. Kayla Mahaffey (American/Chicago, b. 1994), “Safe Haven”, 2021, 45-color screenprint, pencil-signed lower right, pencil-numbered “59/100” lower left, monogrammed in plate, 23 3/4 in. x 27 3/8 in., unframed. [$400/600]

155. RYCA (Ryan Callanan) (British, b. 1981), “Acid Box”, 2022, portfolio of 6 silkscreens with original box, each print pencil-signed and numbered “4/50” lower margin, box signed, dated and numbered “4/50”, 11 3/4 in. x 11 3/4 in., framed alike, each overall

157. Kayla Mahaffey (American/Chicago, b. 1994), “Home Is Where the Heart Is (Yellow)”, 23-color screenprint, pencil-signed lower right, inscribed “AP” lower left, monogrammed in plate upper left, 24 in. x 24 in., unframed. [$300/500]

Overall good

Note: Sold to benefit Friends of New Orleans

Library.

Condition: Overall fair condition.

Condition: Overall fair condition.

Condition: Overall good condition.

158. Franz Herbelot (French, 20th c.), “Paris, l’Arc de Triomphe”, “Paris, La Madeleine et le Marche aux Fleurs”, “Paris, Notre Dame et la Seine” and “Paris, le Partheon et le Quartier Latin”, 4 lithographs, each signed in plate, pencil-titled and numbered lower margin, sheets 12 1/2 in. x 14 1/2 in. to 14 1/2 in. x 12 1/2 in., unframed. (4 pcs.) [$200/300]

Public

160. Chakaia Booker (American/New Jersey, b. 1953), “Untitled”, 2021, lithograph and chine-collé on embossed paper, pencil-signed and dated lower right, pencil-numbered “89/100” lower left, printed with master printer Justin Sanz at Robert Blackburn’s printmaking workshop New York, published by Flint Institute of Arts, MI, 21 in. x 14 in., unframed; with Flint Print Club information sheet with artist, title, date and edition size. (2 pcs.). [$600/800]

159. Igor Medvedev (American/Russian, 1931-2015), “Hues of Silver”, serigraph on canvas, signed in pen and ink lower right, numbered “223/250” and inscribed en verso, 17 1/4 in. x 13 1/4 in., framed, 18 5/8 in. x 14 1/2 in. x 1 5/8 in. [$25/50]

161. Renee Stout (American/Washington, D.C., b. 1958), “What The Oracle Said”, 2020, archival pigment print, pencil-signed, titled, dated and numbered “10/18” lower margin, 14 in. x 11 in., unframed. [$400/600] Condition; Overall good condition.

Condition:

1/2

30 1/2

x 1 1/4

[$25/50]

Condition: Overall fair condition with original centerfold.

163.

1/2 in. x 1 in. [$200/400]

Ill.: Marshall, Keith. John McCrady 1911-1968 - New Orleans Museum of Art New Orleans: Franklin Printing Co. Inc., 1975, p. 109.

Condition: Overall poor condition.

164. George Rodrigue (American/Louisiana, 1944-2013), “Uncle Earl” and “Huey Long: Commmemorative Edition”, 1985, 2 offset lithographs, both signed in plate and lower right margins, numbered “158/300” and “290/1000” lower left margins, sheets 30 in. x 22 in. and 20 in. x 17 in., both unframed. (2 pcs.) [$200/300]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonné 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 35.

Condition: Overall poor condition.

John McCrady (American/Mississippi, 1911-1968), “The Robert E. Lee and the Natchez”, lithograph, pencil-signed and titled lower margin, 9 3/4 in. x 14 1/2 in., framed, overall 17 1/2 in. x 21

165. Alexander Calder (American, 1898-1976), “Untitled”, 1976, double page lithograph, unsigned, original text and 2 lithographs en verso, from Derriere Le Miroir #221, published by Maeght, Paris, “Marson Graphics, INC.” label with artist and date on mat, sheet 15 in. x 22 in., framed, overall 24

in. x

in.

in.

162. American School, 19th c., “Uncommon Demigods”, etching, indistinctly signed, titled and numbered “5/5” lower margin, 11 1/4 in. x 14 1/2 in., framed, 25 5/8 in. x 31 1/2 in. x 2 in. [$25/50]

Overall good condition.

Provenance:

Condition: Overall poor condition.

11 1/2 in. x 12 1/4 in. x 3/4 in. [$25/50]

Condition: Overall fair condition.

Condition: Overall fair condition.

166. Nicholas Carl Hlobeczy (American/Ohio, 1927-2007), “Henry Mountains”, 1963, gelatin silver print, pencil-signed and dated lower margin, signed, titled and inscribed en verso, 9 in. x 11 5/8 in., unframed. [$100/200]

Estate of American Abstract Expressionist Cora Kelley Ward (1920-1989); thence by descent. Condition: Overall fair condition.

168. L. Gallo (American/Louisiana, 20th c.), “Wood Wonderland”, gelatin silver print mounted to board, pencil-signed and titled lower margin, signed, titled, inscribed and “Crescent City Camera Club, New Orleans, LA” exhibition label and “Greater New Orleans Camera Club, July 20, 1964” label on reverse of mount, 10 in. x 13 5/8 in., overall 16 in. x 20 in, unframed. [$50/100]

167. American School 20th c., “Three Naval Officers”, gelatin silver print mounted to board, unsigned, “Haley & Steel Art Dealers, Boston” label on backing paper, 7 3/4 in. x 8 in., framed, overall

170. Group of Three Reproduction Publicity Stills of Marilyn Monroe, all unsigned, each 14 in x 11 in., all unframed. (3 pcs.) [$50/100] Condition: Overall good condition.

169. American School, 20th c., “Iguanas”, 2 C-prints, unsigned, 11 in. x 14 in., unframed; with two negative strips of the prints. (4 pcs.) [$25/50]

Condition: Overall good condition.

171.

-

417

and “Spanish Court, 616 Royal Street”, 3 hand-colored photographs mounted to board, 2 signed lower left, one signed lower right, each with label with title and 2 with artist label on reverse of frame, each 10 in. x 8 in., framed, each overall 12 1/2 in. x 10 1/2 in. x 1 in. [$100/200]

Condition: Overall fair to poor condition.

Condition: Overall fair condition.

172. Antique Photographs of the Palace of Fontainebleau, Palais de Fontainebleau Vues Interieures et Exterieures, c. 1895, Berlin/New York, Bruno Hessling, with 30 phototypes by Berthaud, Paris, showing views of rooms, decorative arts, and gardens, loose as issued, cloth boards, 22 1/2 in. x 15 3/4 in. [$200/300]

174. Continental School, 19th c., “Charles Nicolas d’Anthouard de Vraincourt (1773-1852)”, color lithograph laid on board, inscribed “n.h. Jacob del 1793” mid-right, 4 1/4 in. x 3 1/2 in. (oval), framed, overall 7 in. x 6 1/8 in. x 1 in. [$25/50]

175. Group of Stoneware Kitchenware, incl. pig-form tureen or casserole, l. 12 3/4 in.; 2 partial glazed beer bottles, h. 8 3/8 in.; and jug, h. 7 1/2 in. [$100/150]

C. Bennette Moore (American/Louisiana, 1879-1939), “Spiral Stair

Toulouse Street Near Royal”, “The Patio Royale,

Royal Street”,

173. Continental School, 20th c., “Portrait of Napoleon Bonaparte”, enhanced lithograph on bone, illegibly signed midright, 3 3/8 in. x 2 5/8 in., framed, overall 6 3/8 in. x 5 5/8 in. x 7/8 in. [$200/400]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

176. Two Capodimonte Polychrome Porcelain Floral Baskets, marked, incl. one with pair of doves, h. 8 1/2 in., l. 12 in.; and other with 6 roses, h. 9 in. [$100/200]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

177. Five Hand-Painted Bird Plates by Marcel Guillot (French, 1914-1984), signed, incl. “Rouge Gorge”, “Pinson”, “MartinPecheur”, “Gitelle (?)”, and “Mesange”, dia. 7 7/8 in.; together with a broken “Rousserolle” example. (6 pcs.) [$150/250]

178. Limoges Gilt Rimmed Porcelain Coffee and Tea Set, marked “Theodore Haviland / Limoges / France” and “Haviland / France”, incl. coffee pot, h. 8 1/8 in.; teapot; 12 demitasse cups, h. 2 3/4 in.; and 10 saucers, dia. 5 in. (24 pcs.) [$150/250]

179. Royal Copenhagen “Giorgiana” White Fluted Dishes, incl. 13 plates (2 with chips, 1 with hairline), dia. 9 7/8 in.; 5 salad or dessert plates (1 chipped), dia. 7 5/8 in.; 6 soups, dia. 8 1/4 in.; 10 cups (1 chipped); 13 saucers, dia. 5 3/8 in.; 5 egg cups, h. 1 3/4 in.; and 5 saucers, dia. 3 3/4 in. (57 pcs.) [$200/300]

180. Pair of Decorative Chinese Export-Style ‘Rose Medallion’ Porcelain Garden Seats, 21st c., h. 18 in. [$150/250]

182. Six Decorative Chinese Polychrome Porcelain Covered Tea Caddies, rectangular bodies with rectangular or round covers, decorated with figural or floral panels, largest h. 6 1/2 in., w. 5 in., d. 3 in. [$400/600]

184. Art Deco Polychrome Plaster of a Hunter and Lion, early 20th c., h. 15 1/4 in., w. 38 in., d. 7 1/2 in. [$75/150]

186. Two Vintage Duck Decoys, incl. ringneck by Al Aucoin, Bourg, LA.; and a Canadian Goose by Herters Inc., MN, larger length 19 in. [$300/500]

181. Pair of Decorative Chinese Export-Style Famille Rose Porcelain Vases, painted with phoenix birds and flowers, h. 16 in., dia. 8 in. [$300/500]

183. Pair of Chinese Export-Style Polychrome Porcelain Cranes, h. 17 1/2 in., w. 9 in., d. 4 1/2 in. [$300/500]

185. Painted Ceramic Tile with Still Life Motif, 6 3/4 in. x 6 3/4 in., framed, overall 11 1/2 in. x 11 1/2 in. x 1 1/2 in. [$25/50]

188. Russian Icon of a Kneeling Figure before the Virgin and Child, 19th/20th c., encaustic on panel, openwork foliate repoussé cover bearing Cyrillic inscription, 14 in. x 12 in [$25/50]

192. Carved Wood Figure of a Crocodile, h. 7 1/2 in. w. 14 in., d. 39 in. [$400/800]

187. Two Vintage Louisiana Duck Decoys, 1940s, by Jack Edrington, New Orleans, LA, length 18 in. [$300/500]

189. Pair of French Bronze and Onyx Cassolettes, 19th c, h. 16 1/2 in., w. 7 1/2 in., d. 5 in. [$400/600]

191. Twenty-Four Continental Bronze Bells, various forms and sizes, tallest h. 7 1/2 in., dia. 3 1/2 in. [$600/800]

190. Pair of French Terracotta Figures of Farmers, signed “Graillon/1817”, h. 10 in., w. 5 in., d. 4 in. Condition: One broken from base. [$400/600]

194. Dutch Marquetry Shaving Stand, 19th c., foliate design, single drawer, h. 26 in., w. 20 in., d. 12 in. [$300/500]

196. Continental Painted and Inlaid Jewelry Box in the Egyptian Taste, hinged lid, h. 6 in., w. 5 1/2 in., d. 10 1/2 in. [$300/500]

198. Pair of Large French Wrought Iron Sign Brackets, h. 46 in., w. 3 in., d. 32 in. [$300/500]

193. Continental Inlaid Burlwood Humidor, metal lined interior, h. 12 in., w. 16 in., d. 13 in. [$500/700]

195. French Bronze and Colored Glass Lantern, multi-color flori-form glass shade, h. 28 in., dia. 17 in. [$300/500]

197. Pair of French Renaissance-Style Bronze Chenets, cast with mask and scroll designs, h. 27 in., w. 14 in., d. 21 in. [$500/700]

“SFD”

“1956”,

4

w. 9

200. Bronze Figure of a Boy Holding a Planter, after the Antique, h. 42 in., w. 20 in., d. 19 1/2 in. [$500/700]

202. Group of Silverplate, incl. F.B. Rogers silver on copper teapot, h. 10 1/2 in., covered sugar, h. 5 1/2 in., and cream pitcher, h. 5 3/8 in.; Reed & Barton EPNS fluted bowl, h. 2 in., dia. 8 1/8 in.; Sheffield EPNS sugar tongs, l. 7 ¼ in.; Art S Co. SPC bucket monogrammed

and dated

h.

1/2 in.,

in., d. 7 1/8 in.; and Lunt galleried round tray, dia. 13 in. [$100/150]

204. American or English Silk-on-Linen Cross-Stitch Sampler, dated 1823, with alphabets, religious verse and signature in geometric border, sight 18 in. x 13 1/2 in., framed [$50/100]

199. Fifteen Art Nouveau Metal Boxes, various designs, largest h. 4 1/2 in., w. 6 1/2 in., d. 4 in. [$300/500]

201. Three Large American Silverplate Trays in the Georgian Taste, mid-to-late 20th c., incl. Lunt oval with rose and scroll border and cut-out handles, 27 in. x 21 in.; F.B. Rogers tea tray with scroll border, loop handles and feet, 29 in. x 18 in.; and footed tea tray with rubbed marks, shell and scroll border and loop handles, 31 3/4 in. x 10 in. [$600/700]

203. Two Continental Silverplate Tablewares, both early 20th c., incl. a presentation chalice from WMF (Wurttembergische Metallwarenfabrik), engraved “Preis fur Eisschiessen gest.v. Werkschar 26 Loden-Frey”, h. 10 5/8 in., and a Swedish cocktail shaker marked “G.A.B-Alp. h. 8 1/2 in. [$200/300]

206. Rectangular Crochet Lace Tablecloth, ecru cotton worked in repeating “rosette” pattern, 83 in. x 164 in. [$25/50]

208. Wrought Iron Two-Light Chandelier, split standard, scroll arms, foliate bobeches, splayed base, electrified, h. (excl. chain) 23 in., w. 15 1/2 in., d. 6 in. [$50/100]

210. Pair of Neoclassical-Style Carved Giltwood Three-Light Sconces, h. 21 1/2 in., w. 18 1/2 in., d. 9 1/2 in. [$500/700]

205. Needlepoint of a Lancet Window with Castle in the Distance, 19th c., molded gilded frame, 21 3/4 in. x 8 3/4 in. [$25/50]

207. Art Deco Silvered Metal Torchere Floor Lamp, early 20th c., 4 lights, h. 64 in., top dia. 16 1/4 in. [$200/300]

209. Pair of French Bronze Bouillotte Lamps, with tole shades, h. 24 1/2 in., dia. 16 1/2 in. [$300/500]

212. Diminutive Louis XV-Style Bronze Five-Light Chandelier, 19th c., foliate arms, electrified, h. 12 in., dia. 16 in. [$500/700]

214. [Monumental Bible], The Self-Interpreting Bible...Illustrated and Explained by Over Four Hundred Photographs..., R. S. Peale and J. A. Hill, New York, 1896, in four volumes, also with numerous maps, BOUND WITH Pituresque Palestine, Sinai and Egypt, New York, Appleton & Co., 1881, with numerous illustrations and maps, massive cloth covered boards, with clasps and remnants of straps, h. 14 in., w. 11 1/2 in., d. 11 1/2 in. [$200/300]

216. [New Orleans Nightlife], Kinney, Robert, The Bachelor in New Orleans, A handbook for unattached gentlemen and ladies of spirit visiting or resident in the Paris of America, Bob Riley Studios, New Orleans, c. 1945, with hand-block prints by Eugenia and Bob Riley, 9 in. x 6 in. [$75/100]

211. Pair of Continental Gilt Metal Two-Light Sconces, lyre-form backplate, prism-hung, electrified, h. 11 in., w. 8 1.2 in., d. 4 1/2 in. [$200/300]

213. French Longwy-Style Ceramic and Gilt Metal NineLight Chandelier, scrolled arms, electrified, h. 31 in., dia. 19 in. [$400/600]

215. [Louisiana Architecture], A. Hays Town, The Architectural Style of A. Hayes Town, published by Amdulaine Publications, Baton Rouge, LA, 1985, first edition, with dust jacket, introduction by Blanche Town Gladney, featuring 106 sketches of Town’s Southern architecture, 11 3/8 in. x 15 7/8 in. [$300/500]

218. Eight Antique Maps of Texas, incl. “Map of the United States and Texas Boundary Line...”, 1857-1860 (1902); “Map of a Tour from Independence...by A. Wislizenus, in 1846 and 1847”; “N.W. Corner & Pan-Handle”, Hardesty & Co., 1885; “Map of the Black and Grand Prairies of Texas...”, Robert Hill, 1899; and a map, in Czech, showing Czech populations in Texas, 16 in. x 13 1/2 in. to 26 in. x 39 1/2 in. (8 pcs.) [$200/300]

217. Harper’s Pictorial History of the War with Spain, New York and London, Harper & Brothers, 1899, with and Introduction by Maj.Gen. Nelson Miles, folio (16 in. x 11 1/2 in.), 508 pp., with numerous illustrations and maps, many in color. [$50/75]

220. [Emanuel Bowen Map of North & South Carolina and Georgia], “A New & Accurate Map of the Provinces of North & South Carolina Georgia & c. Drawn from late Surveys and regulated by Astron Observat. By Eman. Bowen”, London, 1747, engraving, reduced version of Popple’s map, extends from Chesapeake Bay to St. Augustine, and west to just short of Mobile Bay, the area that would become Tennessee is a note of the “Charokee Indians, 13 5/8 in. x 16 3/4 in. [$500/700]

Provenance: The Philadelphia Print Shop, Ltd.

219. [Civil War Wallpaper Newspaper], front page (maybe the only page), of the Le Courrier du Teche, Sept. 3, 1864, in French, the “Official Newspaper of St. Martinville, presented in a twosided frame, 22 in. x 14 in. [$100/150]

221. Antique Antiphonal on Vellum, manuscript text and music, four pages on folded sheet, 21 in. x15 1/2 in.

[$50/100]

225. Valentino Garavani Black Silk and Patent Leather “Rosier” Tote Handbag, black-tone hardware, h. (incl. handle) 17 in., w. 15 in., d. 7 in.; with original dustbag. Condition: Like new. [$300/500]

227. Pair of American Cut Glass Lamps, brass bases, h. (to socket) 17 in., dia. 7 1/2 in. [$50/100]

223. Set of Sterling Silver and Tahitian Pearl Cufflinks and Shirt Studs, marked, incl. pair of cufflinks and 4 shirt studs. (6 pcs.) [$300/500]

224. Valentino Garavani Black and White Silk “Rosier” Tote Handbag, gold-tone hardware, black patent leather trim, h. 17 in., w. 15 in., d. 7 in.; with original dustbag and care instruction card. Condition: Like new. [$300/500]

226. American Cut Glass Bowl and Basket, bowl h. 4 1/2 in., dia. 9 in.; basket h. 16 1/2 in., w. 12 in., d. 6 1/2 in. (2 pcs.) [$25/50]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

222. Antique Map of Nova Zemla, 17th c., hand-colored engraved map, by Johannes Janssonius, Amsterdam, cartouches show hunters, walruses, arctic foxes, and polar bears, neat lines 16 in. x 20 in., laid down on board, unframed [$150/250]

Provenance: Treadway Toomey Auctions, Oak Park, IL, Mar. 5, 2016, lot 437.

Condition: Overall good condition.

229. Pair of French Green Painted Cast Iron Fluted Planters, 19th c., h. 17 1/2 in., dia. 19 in. [$300/500]

228. Decorative Painted Cast Iron Garden Low Table, reticulated circular top with winding scroll motif, scrolled legs, h. 19 in., dia. 31 in. [$100/200]

231. Neoclassical-Style Parcel Ebonized Bronze-Mounted Mirror, h. 57 in., w. 25 in. [$400/600]

230. Patinated Bronze Bust of “The Savage”, 1908, after Frederic Sackrider Remington, signature and date on reverse, “copyright 1908 / Frederic Remington” on right side, “Roman Bronze Works” on left side, h. 10 3/4 in., w. 5 3/4 in., d. 5 1/4 in., marble base, overall h. 12 in. [$400/600]

232. French Bronze Vernis Martin Mantel Clock, 19th c., Japy Freres striking gong movement, h. 13 1/4 in., w. 9 1/4 in., d. 5 in. [$150/200]

233. Austrian Onyx and Parcel Ebonized Portico Clock, 19th c., h. 26 1/2 in., w. 15 in., d. 6 in. [$500/700]

235. Antique French Bronze Three-Piece Clock Garniture, clock flanked by cherubs, h. 19 in., w. 20 in., d. 7 in., with conforming six-light figural candelabra, h. 25 3/4 in. [$500/700]

234. Polychromed Bronze Novelty Clock, modeled as a man carrying a barrel, h. 9 1/2 in., w. 7 in., d. 9 in. [$300/500]

236. French Art Deco Onyx and Marble Three-Piece Clock Garniture, early 20th c., brass mounted, striking bell movement, h. 10 3/4 in., w. 19 in., d. 4 1/2 in., with conforming marble obelisks, h. 15 1/2 in. [$300/500]

237. Massive, Yellow-Ground Embroidered Silk “Dragon” Altar Frontal, Late Qing dynasty, 48 1/2 in. x 123 1/2 in. [$800/1200]

239. Apartment Ru Gui, aka Le Sheng (Chinese, b. 1936), “The Tenacity of Winter Prunus”, ink and color on paper, inscribed, signed and sealed upper to lower left, 26 1/2 in. x 20 1/4 in., silk mounted and framed, overall 35 in. x 27 1/4 in. [$300/500]

238. Chinese School, probably 20th c., 3 paintings, each ink and color on wove silk, each inscribed and sealed, sight 43 in. x 11 1/4 in., matted and framed alike. [$300/500]

240. Wan Ding (Chinese, b. 1955), “Silent Autumn Moon”, ink and light color on paper, presented on five individual framed panels, signed, sealed and dated upper left, each panel 45 1/4 in. x 15 in. (5 pcs.) [$500/700]

241. Chinese or Japanese Blue and White Porcelain Brush Pot, painted with the Three Star Gods in a landscape, h. 4 in., dia. 4 3/4 in. [$50/100]

243. Chinese Blue and White Porcelain Brush Pot, probably 20th c., square faceted body painted with scenes of a scholar and attendant in a fenced garden, base with Daoguang mark, h. 7 3/4 in., w. 6 7/8 in., d.6 7/8 in. [$300/500]

242. Chinese Glazed Pottery Figural Group, modeled as two figures seated on a cloud-form base, h. 7 3/8 in., w. 5 1/2 in., d. 3 1/4 in. Note condition [$25/50]

245. Decorative Pair of Chinese Famille Rose Decorated Yellow Ground Porcelain Bottle Vases, lobed bodies with applied gilt qilong, painted with floral scrolls and baskets of peach, bases with spurious Qianlong marks, h. 10 in. [$300/500]

244. Large Chinese Blue, White and Celadon Porcelain Vase, late 19th/20th c., confronting Buddhist lion handles, painted with auspicious emblems, h. 22 1/4 in. [$300/500]

249. Four Chinese Porcelain Vases, 20th/21st c., incl. yellow ground decorated with blue and white birds and wisteria in Dayazhai-style, h. 9 7/8 in., dia. 10 in.; meiping with gilt qilin amid flaming pearls, h. 17 1/4 in.; blue, white and copper red prunus, h. 16 in.; and blue and white landscape with deer, h. 15 1/4 in. [$200/300]

247. Chinese Famille Jaune Molded Porcelain Vase, 19th c, h. 12 in., dia. 6 in. [$200/400]

248. Pair of Chinese Imari Porcelain Gooseneck Vases, h. 8 in., dia. 4 1/2 in. [$300/500]

250. Chinese Yixing Pottery Covered Teapot, painted with a continuous landscape scene, base marked, h. 5 3/4 in., w. 5 1/2in., d. 3 1/4 in. [$300/500]

246. Pair of Decorative Chinese Polychrome Porcelain Rouleau Vases, decorated in ‘famille verte’ palette with noble in a landscape, bases with spurious Kangxi marks, h. 18 in. [$500/700]

Provenance: Descended in the New Orleans Family of

William

(1913-2009).

251. Chinese Famille Rose Porcelain Covered Jar, 20th c., painted with historic figures and calligraphy, h. 10 1/2 in. [$200/300]

253. Pair of Chinese Famille Rose Porcelain Vases, 19th/20th c., elephant handles, painted with figural scenes on an iron red foliate ground, bases with Kangxi marks, h. 17 1/2 in. [$500/700]

252. Three Chinese Porcelain Vases, 20th c., incl. oxblood bottle, h. 6 in.; Famille rose, painted with birds amid foliage, h. 8 in.; and celadon, with slip decoration, h. 6 3/4 in. [$300/500]

254. Two Chinese Famille Rose Porcelain Wall Hangings, probably 20th c., rectangular wood frames inset with porcelain tiles decorated with cranes and rocks and birds in flowering branches, sealed upper left and upper right respectively, 19 5/8 in. x 14 1/2 in. [$800/1200]

Collector

Allan Manford

257. Two Pairs of Chinese Hardstone Trees or Plants in Cloisonne Enamel Pots, taller h. 17 in., dia. 12 in [$500/700]

259. Chinese Agate Figure of Budai, the “happy Buddha” carved standing holding a cup in one hand and a sack over his back in the other within a grotto-like surround, wood stand, overall h. 12 in., w. 7 1/2 in., d. 6 in. [$300/500]

260. Chinese Famille Jaune Porcelain Double Gourd Nine Spout Tulip Vase, h. 10 in., dia. 5 in. [$300/500]

256. Chinese Bronze Covered Tripod Censer, openwork domed cover with Buddhist lion finial, compressed globular body with sinuous dragon handles, lion’s feet, base with apocryphal Xuande mark, h. 13 in., w. 10 in., d. 8 in. [$400/600]

258. Five Pairs of Chinese Jade Hardstone Trees or Floral Arrangements in Cloisonne Enamel Pots, tallest h. 10 in., w. 8 in., d. 5 in. [$500/700]

255. Large Chinese Polychrome Painted Cast Iron Figure of Guanyin, modeled standing on a double lotus base holding the Vase of Immortality, h. 45 in. Note: Condition [$800/1200]

261. Chinese Copper Bust of Buddha, h. 18 in., w. 20 1/2 in., d. 11 1/4 in. [$100/150]

263. Chinese Gilt-Splashed Bronze Tripod Censer, bombe body with loop handles, base with apocryphal Xuande mark, h. 2 1/2 in., w. 6 1/2 in., d. 5 1/4 in., later reticulated wood cover with jade figural finial, overall h. 4 1/4 in. [$800/1200]

265. Chinese Jade and Hardwood Table Screen, probably 20th c., inset rectangular plaque carved with calligraphy, h. 4 1/2 in., w. 3 7/8 in., d. 1/4 in. [$500/700]

262. Chinese Carved Celadon and Russet Jade Figure of a Dragon, l. 4 1/4 in., w. 2 3/8 in. [$500/700]

264. Chinese Celadon Jade Belt Buckle, curved shaft carved with a dragon head terminal and surmounted by another dragon, underside with button knob, l. 4 7/8 in. [$300/500]

266. Nine Chinese Jade and Metal Hair Pins, l. 3 3/4 in. to 6 7/8 in. [$400/600]

267. Four Chinese Jade Pieces, incl. 2 pendants, bi disk, and cicada, h. 2 in. to 2 1/2 in. [$300/500]

269. Chinese Carved Celadon and Russet Jade Brushwasher, carved as small frog squatting within a slightly furling lotus leaf, h. 1/2 in., w. 3 3/4 in., d. 2 in., fitted wood stand, overall h. 1 in., w. 3 7/8 in., d. 2 1/8 in. [$300/500]

271. Chinese Celadon Jade Pendant, carved with a bird amid foliage, l. 3 in., w. 2 1/4 in. [$300/500]

272. Chinese Grayish Celadon Jade Figure of an Elephant, carved standing on a cloud scroll base, h. 2 1/2 in., w. 2 1/4 in., d. 1 in., gilt metal stand, overall h. 3 1/4 in., w. 3 1/2 in., d. 2 in. [$400/600]

268. Chinese Carved Creamy White Jade Pendant, carved with the figure of a rooster, h. 1 3/4 in., w. 1 1/2 in. [$300/500]

270. Chinese Celadon and Russet Jade Thumb Ring, h. 1 1/8 in., dia. 1 1/4 in. [$200/400]

273. Two Antique Gray Schist Buddhist Hand Fragments, probably Ghandara, each carved as the left hand and wrist of a Bodhisattva, one holding a lotus spray, other with rope for a whisk, h. 9 1/2 in. and 9 in., mounted to black plinths bearing Skinner lot tags, overall h. 11 1/2 in., w. 5 3/4 in., d. 5 1/4 in. [$500/700]

274. Two Japanese Woodblock Prints, late 18th/early 19th c., incl. single print depicting an actor by Utagawa Toyokuni (1769-1825), sheet 14 1/8 in. x 9 5/8 in.; and a triptych depicting a battle scene from the 1898 Sino-Japanese war by Kobayashi Kiyochika (1847-1915), joined sheets, overall 14 1/2 in. x 28 in. [$50/100] Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

275. Shogo Okamoto (Japanese, b. 1920), “Shadow”, 1972, etching, signed and dated lower right margin, numbered 15/80 lower left margin, sheet 18 in. x 15 in., unframed; together with group of American and European etchings. (8 pcs.) [$100/200]

no

Goto juttai no zu (Pregnant Women Playing in Summer Heat - 5 Heads with 10 Bodies)”, color woodblock diptych, joined, overall 13 3/4 in. x 18 1/2 in., and Yoshiki (Japanese, probably 19th c.), color woodblock hashika-e (measles print) depicting the treatment of measles, 14 in. x 9 3/4 in. Note: Condition; 19th c., comprising Utagawa Kuniyoshi (Japanese, 1798-1861), color woodblock depicting vendors and clients within a drug store storefront, 14 1/2 in. x 10 in; Utagawa Yoshitsuya (Japanese, 1822-1866), color woodblock depicting three elderly figures seated in a group, 14 in. x 9 3/4 in.; Utagawa Yoshitora(Japanese, active 1850-1870), color woodblock depicting a fierce battle between demons, goblins and ghouls, 13 3/4 in. x 9 1/2 in.; and a 20th c. print with mica highlights after Kitagawa Utamaro (1753-1806) from the series Kyokun oya no megane (a parent’s moralizing spectacles) depicting a young girl drinking from a glass, 15 1/4 in. x 10 1/4 in. Note: Condition. [$100/200]

277. Group of Early Japanese Ephemera, 1940s-50s, incl. two woodblock print holiday cards, two board games, Tokyo tourist guide, orphan aid society guide, Hotel Kairakuen brochures, Kyoto tourist guide, large map of Yokohama, some coloring pages, and another brochure showing people in various pursuits. [$75/100]

276. Japanese Woodblock Prints, 19th c., incl. Utagawa Kunitoshi (Japanese, fl. 1847-1899), “Mimochi on’na natsu

tawamure

279. Nguyen Thanh Le (Vietnamese, b. 1919), “Monument”, lacquer on panel with eggshells and gold, incised “Thanh Le” lower right, 28 1/4 in. x 25 in. [$100/200]

281. Decorative Terracotta Indian Figural Fragment, probably Parvarti and Nandi, iron stand, overall h. 28 1/2 in., w. 20 1/2 in., d. 6 in. [$400/600]

278. Japanese Nabeshima-Style Blue, White, and Celadon Glazed Large Dish or Shaku-zara, Meiji Period (1868-1912), interior painted with three horses encircling a central medallion on a floral scroll ground, base with pseudo-Qianlong mark, h. 2 7/8 in., dia. 15 7/8 in. [$150/250]

280. Asian School, 20th c., “Monkeys and Birds with Pine”, ink and color on paper, inscribed and sealed upper to lower right, sealed lower left, sight 16 1/8 in. x 25 7/8 in., matted and framed. [$50/100]

282. Chinese Mixed Woods Small Cabinet, bamboo handle, rattan-set double doors, sides and back, interior shelves, h. 25 in., w. 14 3/4 in., d. 14 3/4 in. [$150/300]

285. Arnold Palmer’s Indoor Golf Game, 1970s, Louis Marx & Co., Inc., Girard, PA, with mechanical figure of Palmer, clubs, sand traps, boundary markers, and clubs, in original box. [$75/100]

287. Two Native American Rubber Tree Fiber Blankets, Mesquite Peoples, l. 99 in., w. 36 in.; and l. 78 in., w. 42 in. [$75/150]

284. [Mardi Gras Krewes] La Cour, Arthur Burton, New Orleans Masquerade Chronicles of Carnival, New Orleans, Pelican Publishing, 1957, 2nd edition, 261 pages, with numerous photos and lists of participants [$50/75]

286. Two African Carved Wood Masks, c. 1960s, incl. antelope mask, h. 22 1/2 in.; and figural mask, h. 33 in. [$50/100]

283. [Mardi Gras] After Tony Green (American/Louisiana, b. 1954), “King of Carnival, Rex Proclaims Mardi Gras”, 1999, offset lithograph, initialed and signed by Rex and number “200/500” lower margin, initialed in plate, printed artist’s studio stamp lower right, printed and published by The School of Design, Planet Publishing, New Orleans, sheet 37 ½ in. x 24 1/4 in. [$50/100]

Katherine Hovas

Senior Vice President

Michelle LeBlanc Leckert, CAI

President

Marc Fagan Vice President Consignments

ADMINISTRATION

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI

Client Services / Accounts Receivables

Rebekah Abernathy

Database Management / Internet Auction Administrator

Lisa Weisdorffer

Bookkeeper

Katie Lasher

Marketing & Social Media

Cameron McHarg

General Manager

Jason Leckert

Administrative Assistant

Claire Whitmore

GRAPHICS

Graphics Director / Catalog Design

David Roberts

Photography

Gerard Lewis

Jason Leckert

Jorge Diaz

OPERATIONS

Operations Staff

Charlie Clay

Scott Gann

Graphics Staff

Stephanie Do Ouro

Melissa Guion

Amanda Torres

CONSIGNMENTS

Furniture & Decorative Arts

Marc Fagan

Paintings, Prints & Photography

Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote; Renee Longon

Books, Maps & Natural History Prints

Marc Fagan

Silver & Decorative Arts

Katherine Hovas

General Consignments, Jewelry

Cameron McHarg

Consignments Administrator

Heather Munch

Fine Art Inventory Manager

Casey Foote

AUCTION SERVICES

Trust & Estates Advisor

Henry G. McCall

Appraisals

Marc Fagan, Cameron McHarg

CATALOGUE CONSULTANTS

Asian Arts & Special Projects

Bettine Field Carroll

Jerry Major

Adam Trepagnier

Decorative Arts Inventory Management

Charlie Clay

AUCTIONEERS

Michelle LeBlanc Leckert #1514

Bettine Field Carroll #1874

Marc Fagan #1935

Marney Robinson #2155

Cameron McHarg #A-193

JEWELRY

Newcomb Pottery & Decorative Arts

Sally Main

Silver

Carey Mackie

Decorative Arts & Victoriana

Ann M. Masson

GIA Graduate Gemologists

Stephen A. Moses

Ilana Picard

John R. Neal (1940-2018), Founder