Mid-Century, Modern, Contemporary Art & Design Live Auction - July 18, 2024

Mid-Century, Modern and Contemporary Art & Design Auction

THURSDAY, JULY 18, 2024

Mid-Century, Modern and Contemporary Art & Design

LIVE AUCTION ~ JULY 18, 2024

Featuring over 300 lots of mid-century and modern furniture, contemporary paintings, prints, photography, silver, glass, sculpture, and designer objects from estates and private collections.

EXHIBITION

Beginning Monday, July 15

Exhibition will be available July 15 through July 18, 2023, 10 a.m. to 5 p.m. at our 4038 Magazine Street Gallery

Live Bidding starts July 18 at 1 p.m. on these platforms:

1. Andrew Bascle (American/ Louisiana, b. 1952), “Busch Roach”, wire, mixed media and found objects, unsigned, h. 14 in., w. 9 1/4 in., d. 17 in. [$300/500]

Provenance: Taylor Bercier Fine Art, New Orleans, LA.

4. Jules Buck Jones (American/ Texas, 20th c.), “Abstract Compositions”, 3 watercolors on paper, each signed en verso, each 12 in. x 8 3/4 in., framed alike, each overall 13 1/4 in. x 10 1/4 in. x 1 3/8 in. (3 pcs.) [$200/300]

Provenance: Women and Their Work, Austin, TX.

2. Jules Buck Jones (American/Texas, 20th c.), “Mountain Crocodile”, 2008, watercolor and mixed media on paper, signed and dated lower right, label with artist and title on backing paper, 19 1/4 in. x 25 1/2 in., framed, overall 24 1/4 in. x 31 1/4 in. x 1 1/4 in. [$400/600]

3. Jules Buck Jones (American/Texas, 20th c.), “Frogs”, 2 watercolor and inks on paper, each pencil-signed and dated lower right, “Davis Gallery and Framing, Austin, TX” label on backing board, each 8 7/8 in. x 12 in., framed alike, each overall 13 1/4 in. x 16 1/4 in. x 1 1/8 in. (2 pcs.) [$200/300]

5. Nathan Green (American/Texas, b. 1961), “Pond”, 2012, acrylic on canvas, signed, titled, dated and inscribed en verso, 20 in. x 16 in., framed, overall 21 in. x 17 in. x 1 in. [$1500/2500]

Provenance: Art Palace, Houston, TX.

6. Gary Komarin (American/New York, b. 1951), “The French Wig with Pleats”, c. 1996, encaustic and collage on canvas, signed, titled and inscribed on stretcher, 2 “Marguerite Oestreicher Fine Arts, New Orleans, LA” invitation mailers en verso, “Gallery of Southern Photographers, New Orleans, LA” label on reverse of frame, 24 in. x 18 in., framed, overall 30 in. x 24 in. x 2 in. [$400/600]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA, 1997.

7. Jeffrey Jennings (American/Texas, b. 1953, active New Orleans, 1989-2007), “Tchoupitoulas St. (Boarded Up)”, 1994, enamel and mixed media on wood assemblage, signed, titled and dated on reverse, h. 48 3/4 in., w. 31 in., d. 5 1/4 in. [$400/600]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA.

8. Sonya Berg (American/Texas, 20th c.), “Blue Cathedral”, 2009, “Mountain View”, 2010 and “Open”, 2013, 2 oils on paper and one oil on photograph, each mounted to panel, each signed, titled and dated en verso, 5 3/8 in. x 9 3/8 in. to 6 in. x 6 in., unframed. (3 pcs.) [$300/500]

Provenance: Champion Contemporary, Austin, TX.

9. Laurie Frick (American/Texas, b. 1955), “Manic Time Trending 2”, 2011, found wood assemblage, signed, titled, dated, artist card and “Women and Their Work, Austin, TX” label with artist, title and date on reverse, h. 6 1/2 in., w. 9 1/4 in., d. 1 1/4 in.

[$400/600]

10. Jeffrey Jennings (American/Texas, b. 1953, active New Orleans, 19892007), “River City”, 1995, collage and mixed media on paper, signed and dated lower right, titled lower left, 22 1/4 in. x 30 in., framed, overall 27 1/4 in. x 34 7/8 in. x 1 in.

[$250/350]

11. Andrew “Drew” Galloway (American/Alabama, 1964-2018), “Storm”, 1999, oil on metal laid on foamcore laid on board, signed, titled, dated and “Blue Horse Studio, New Orleans, LA” label on backing paper, 7 3/8 in. x 10 5/8 in., framed, overall 11 1/2 in. x 14 3/4 in. x 1 1/4 in. AND “Dance of Light II”, 2003, oil on metal, signed, titled and dated en verso, 13 7/8 in. x 15 3/8 in., unframed. (2 pcs.) [$400/600]

12. Jeffrey Jennings (American/Texas, b. 1953, active New Orleans, 1989-2007), “Chittagong #5”, 2008, watercolor, acrylic and pastel on paper, signed and dated lower right, titled lower left, “Gallery SOCO, Austin, TX” label on backing board, 19 5/8 in. x 25 7/8 in., framed, overall 23 1/2 in. x 30 in. x 3/4 in.

[$300/500]

13. Kevin Green (American/Texas, b. 1977), “At the Edge of Everything”, mixed media on panel, signed and titled en verso, 24 in. x 24 in., framed, overall 25 1/4 in. x 25 1/4 in. x 1 1/2 in.

[$300/500]

Provenance: Gallery Soco, Austin, TX, 2006.

14. Jeffrey Jennings (American/ Texas, b. 1953, active New Orleans, 1989-2007), “Mexican Tile #1”, c. 1994, tile, acrylic, plaster and wood, unsigned, h. 24 1/8 in., w. 24 1/8 in., d. 2 in.

[$300/500]

15. Oscar d’Empaire (Venezuelan, 1930-2016), “No. 313 Tiempo a la Medida”, 1988, mixed media, found objects and wood assemblage, signed and artist label with signature, title and date on reverse, h. 15 7/8 in., w. 15 3/4 in., d. 3 1/2 in.

[$400/600]

Provenance: Brownwen White, New Orleans, LA.

17. Mitchell Gaudet (American/ Louisiana, b. 1962), “Abstract Composition”, glass and steel sculpture, unsigned, h. 23 1/2 in., w. 8 2/4 in., d. 9 in. [$500/700]

Provenance: Arthur Roger Gallery, New Orleans, LA.

16. Wendy White (American/New York, b. 1971), “Open House with Gardenia”, metal, nails, wood, glass and mixed media assemblage, signed and label with artist and title on reverse, h. 7 1/2 in., w. 9 1/2 in., d. 8 in. (2 pcs.)

[$300/500]

Provenance: Art from the Ashes, Austin, TX.

18. Sara Madandar (Iranian/Louisiana, 20th c.), “Something Lost”, 2013, acrylic and canvas strands on wood in 2 panels, unsigned, from the series “Something Left Behind”, h. 63 in., w. 34 in., d. 2 in. [$400/600]

Provenance: Co Lab Projects, Austin, TX, 2013.

19. Sara Madandar (Iranian/ Louisiana, 20th c.), “Beauty” and “Curtains”, 2014, one thread and hair on paper, one thread and paint on unstretched canvas, each unsigned, sights 13 3/4 in. x 13 3/4 in. and 22 in. x 17 1/2 in., each framed, overall 20 1/8 in. x 23 in. x 3 in. and 23 in. x 20 in. x 3 in. (2 pcs.) [$600/800]

21. Joe Peña (American/Texas, b. 1971), “Early Visit, Humid Summer”, 2017, oil on masonite, signed lower right, signed twice, titled, dated and inscribed en verso, 7 15/16 in. x 7 15/16 in., unframed. [$300/500]

20. Shawn Camp (American/Texas, 20th c.), “The Strength of False Memories”, oil and mixed media on back lit plexiglass panel, unsigned, 12 in. x 12 in., unframed. [$400/600]

Provenance: Gallery Shoal Creek, Austin, TX.

22. Joe Peña (American/Texas, b. 1971), “Blue Neon, June”, 2015, oil on panel, signed lower right, signed twice, titled, dated and inscribed en verso, 8 7/8 in. x 9 7/8 in., unframed. [$300/500]

23. Jules Buck Jones (American/ Texas, 20th c.), “Hamadryad 26” and “Hamadryad 28”, 2012, 2 watercolors on paper mounted to board, each signed, titled and dated en verso, each 30 in. x 20 in., framed alike, each overall 36 in. x 28 in. x 1 5/8 in. (2 pcs.)

[$500/700]

24. Alexander Stolin (Ukrainian/ Louisiana, b. 1963), “God and Lion”, 1996, oil on canvas, signed and dated lower right, “Bassetti Fine Art Photographs, New Orleans, LA” label on backing paper, 35 7/8 in. x 35 7/8 in., framed, overall 37 in. x 37 in. x 1 1/2 in.

[$700/1000]

26. Balthasar “Balthus” Klossowski de Rola (French, 1908-2001), “Jeune Fille à la Fenêtre”, 1994, lithograph, pencil-signed and numbered “135/150” lower margin, from Dessins portfolio, published by Atelier de Jobert, Paris, “Marguerite Oestreicher Fine Arts, New Orleans, LA” exhibition invitation on backing paper, sheet 22 in. x 30 in., framed, overall 32 3/4 in. x 40 in. x 1 in. [$500/700]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA.

25. Thomas Woodruff (American/New York, b. 1957), “Ta-Da”, watercolor on paper, initialed lower left, titled upper center, “Petrik Frames, New York, NY” label on backing board, sight 23 1/2 in. x 17 1/2 in., framed, overall 30 3/4 in. x 24 1/2 in. x 1 1/8 in.

[$1200/1800]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA.

27. Tony Fitzpatrick (American/Illinois, b. 1958), “Radio Swan”, “Mr. Chooch”, “Lunch Meat”, “Return”, “Angel of the Lost City” and “Stag”, 6 aquatint etchings, each pencil-signed, titled, numbered and inscribed lower margin, 2 7/8 in. x 2 in. to 2 7/8 in. x 2 7/8 in., each framed, overall 19 1/2 in. x 16 1/4 in. x 1 1/8 in. to 18 in. x 15 in. x 3/4 in. (6 pcs.)

[$1200/1800]

28. Duncan Clarke (British, b. 1958), “Still Life”, 1992, oil on board, initialed and dated lower left, “Bronwen White Gallery, New Orleans, LA” exhibition invitation mailer on backing paper, 30 in. x 21 1/2 in., framed, overall 33 3/4 in. x 25 1/4 in. x 1 in.

[$400/600]

Provenance: Bronwen White, New Orleans, LA.

29. Mark Bercier (American/ Louisiana, b. 1950), “Wean Wein”, oil on canvas, signed en verso, 24 in. x 18 in., framed, overall 26 1/2 in. x 20 3/4 in. x 1 in.

[$300/500]

30. Mark Bercier (American/ Louisiana, b. 1950), “Wonder and The Healin’ Wall”, 2003, oil on canvas, signed and dated lower right, signed, titled, dated twice and inscribed en verso, 31 1/2 in. x 31 1/2 in., framed, overall 36 1/2 in. x 36 1/2 in. x 2 1/2 in.

[$400/600]

32. Mark Bercier (American/ Louisiana, b. 1950), “Family”, oil on fan, unsigned, titled en verso, 38 in. x 60 in., unframed.

[$500/700]

31. Mark Bercier (American/Louisiana, b. 1950), “Baby & Uphold Your Soul”, 2003, oil on canvas, signed, titled, dated and localized en verso, signed and dated on stretcher, 15 1/4 in. x 15 1/4 in., unframed. [$250/350]

33. Mark Bercier (American/Louisiana, b. 1950) and Alexander Stolin (Ukrainian/Louisiana, b. 1963), “Uphold Your Soul, Buddha Baby”, 1990, mixed media on gallery-wrapped canvas diptych, one canvas signed “Bercier” and titled lower center, one canvas signed “Stolin” and dated lower right, each canvas 24 in. x 24 in., unframed. (2 pcs.)

[$1200/1800]

34. Rontherin Ratliff (American/Louisiana, b. 1977), “YA-YA”, 1996, mixed media and found chair, signed, titled and dated on underside, h. 24 3/4 in., w. 14 1/2 in., d. 11 1/2 in.

[$200/300]

35. Steve Wiman (American/Texas, 20th c.), “Tranquility Base Chair”, found objects, unsigned, h. 19 3/4 in., w. 10 1/2 in., d. 10 1/2 in.

[$200/300]

Provenance: Women and Their Work, Austin, TX.

36. Damian Priour (American/Texas, 1949-2011), “Blue Chair Afloat”, glass, metal and mixed media, unsigned, h. 20 in., dia. 4 in. [ $400/600]

Provenance: Women and Their Work, Austin, TX.

37. Jeffrey Jennings (American/ Texas, b. 1953, active New Orleans, 1989-2007), “Black Ball”, acrylic, plaster and turned wood, signed, titled and dated on reverse, h. 31 1/2 in., w. 25 1/2 in., d. 3 1/2 in.

[$400/600]

38. Edward Hagedorn (American/California, 1902-1982), “Nude”, 1935, etching, unsigned, “Estate of Edward Hagedorn” stamp inscribed “#EH1726” en verso, “Marguerite Oestricher Fine Arts, New Orleans, LA” label with artist, title and date, “Marguerite Oestricher Fine Arts, New Orleans, LA” exhibition invitation, “Bassetti Fine Art Photographs, New Orleans, LA” label and printed label with artist, title and date on backing paper, sheet 6 3/4 in. x 3 1/2 in., framed, overall 15 3/16 in. x 12 1/16 in. x 1 1/4 in.

[$300/500]

Provenance: Taylor Bercier Fine Art, New Orleans, LA.

39. Edward Hagedorn (American/California, 1902-1982), “Nudes”, 4 woodblock prints, each with estate stamp and inscribed with estate number en verso, 3 in. x 2 in. to 2 in. x 3 in., framed alike, each overall 14 3/4 in. x 11 3/4 in. x 1 in. (4 pcs.)

[$800/1200]

Provenance: Taylor Bercier Fine Art, New Orleans, LA.

40. Milton Avery (American, 1885-1965), “Nursing Baby”, 1933, drypoint etching, signed in plate, estate stamp, pencil-dated and numbered “31/100” lower margin, sight 4 1/4 in. x 4 in., framed, overall 16 1/4 in. x 14 1/4 in. x 1 1/8 in.

[$400/600]

Provenance: Neal Auction, Dec. 4, 2016, lot 857.

41. Jack Spencer (American/Mississippi, b. 1951), “White Horses, Panola County, Mississippi”, 1997, gelatin silver print, pencil-signed lower right, numbered “18/50” lower left, pencil-signed, titled, dated and edition en verso, sight 18 in. x 18 in., framed, overall 28 1/4 in. x 28 1/4 in. x 1 in. [$600/800]

Provenance: Bassetti Gallery, New Orleans, LA, 1997.

42. Beili Liu (Chinese/Texas, b. 1974), “Self Portrait”, mixed media in lit shadowbox frame, unsigned, overall 24 3/4 in. x 16 7/8 in. x 3 in. [$1000/1500]

43. Beili Liu (Chinese/Texas, b. 1974), “Mute 7” and “Mute 5”, 2 sumi inks on vellum, unsigned, each 10 in. x 10 in., framed alike, each overall 14 3/4 in. x 14 3/4 in. x 2 in. (2 pcs.) [$800/1200]

44. Caitlin McCollom (American/Texas, 20th c.), “Tissues”, acrylic and varnish on synthetic paper, unsigned, titled on backing board, 14 1/4 in. x 11 1/4 in., framed, overall 15 1/8 in. x 12 1/8 in. x 2 3/4 in. [$300/500]

45. Mitchell Long (American/Louisiana, b. 1964), “New Orleans Street Scenes”, 2 oils on paper, one initialed lower right, one unsigned, “Blue Horse Studios, New Orleans, LA” labels on backing paper, sights 7 in. x 10 1/2 in., framed alike, each overall 11 in. x 14 1/2 in. x 1 1/8 in. (2 pcs.) [$400/600]

Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA, 2004.

46. Pair of Ludwig Mies van der Rohe for Knoll Barcelona Stools, chromed steel and leather, labeled, signed on legs “Knoll Studio mies van der Rohe”, h 15 1/2 in., w. 25 in., d. 23 in.

[$800/1200]

48. Three Contemporary Leather and Chrome Egg Chairs, swivel base, loose cushion, h. 46 in., w. 34 in., d. 31 in.

[$600/900]

47. Jeffrey Bernett for B & B Italia “Landscape” Chaise, c. 2001, labeled and stamped, leather and chromed steel, adjustable magnetic headrest cushion, h. 32 in., w. 24 in., d. 62 in.

[$800/1200]

49. French Mid-Century Modern Leather-Clad Low Table, c. 1960, segmented top, plinth base, h. 12 in., w. 47 1/2 in., d. 26 in. [$200/400]

Provenance: J.H. Design, Inc., New York

50. Custom Painted Iron and Glass Breakfast Table, h. 29 in., w. 58 in., d. 36 in.

[$200/400]

51. Pair of Modern Upholstered Lounge Chairs, made by Hancock and Moore, h. 38 in., w. 33 1/4 in., d. 31 in.

[$300/500]

54. Pair of Starck-Style “Ghost” Chairs, h. 36 1/2 in., w. 21 1/4 in., d. 21 1/2 in.

[$150/250]

52. Philippe Starck for Driade “Royalton” Sofa, Chair and Ottoman, c. 1991, upholstery, castaluminum, cherrywood, sofa h. 43 in., w. 81 in., d. 35 in.; chair h. 43 1/2 in., w. 38 in., d. 30 in.; ottoman h. 17 3/4 in., w. 24

in.

[$1000/1500]

53. Three Philippe Starck for Driade Leather and Pearwood “Paramount” Armchairs, rolled arms, loose cushion, stainless steel handle to backrest, h. 37 3/4 in., w. 26 1/4 in., d. 22 3/4 in.

[$800/1200]

55. French Art Deco Lacquered Dining Table, early 20th c., dark green lacquer and oak, columnar X-form base, h. 27 in., dia. 43 in.

[$700/1000]

57. Contemporary Gold-Plated Bar Cart, casters, h. 32 3/4 in., w. 33 in., d. 16 in. [$500/700]

56. Pair of Arthur Umanoff for Directional Lounge Chairs, c. 1970, chrome and Naugahyde, h. 28 in., w. 25 in., d. 28 1/2 in. [$600/900]

58. Henredon Hollywood Regency Extension Dining Table and Chairs, table with two leaves, two arm and four side chairs, table h. 29 1/2 in., w. 74 in., w. (extended) 114 in., d. 42 in., armchair h. 34 3/4 in., w. 22 1/2 in., d. 19 3/4 in., side chair h. 34 3/4 in., w. 20 in., d. 18 3/4 in.

[$800/1200]

59. Pair of Contemporary Chrome and Glass Shelves, each with five smoke glass shelves, h. 84 1/4 in., w. 48 in., d. 12 in. [$700/1000]

61. Kalo Hand-Wrought Sterling Silver Bowl, marked STERLING/ HAND WROUGHT/ AT/ THE KALO SHOP/ T890S”, hammered surface, molded rim, h. 2 1/4 in., dia. 6 in., wt. 7.05 troy ozs. [$200/300]

Provenance: Toomey, June 8, 2013, lot 74. Ref.: Darling, Sharon S. Chicago Silversmiths, pp. 48-54.

63. Los Costillo Taxco Silverplate and Malachite Mounted Sugar Bowl and Cover, impressed mark “LOSCASTILLO TAXCO/ TA-01/ PLATEADO”, h. 4 1/8 in. [$150/250]

Provenance: Toomey Treadway Auction, IL, March 4, 2012, lot 881

60. Maria Regnier (Hungarian/American, 1901-1994) Modernist

Sterling Silver Coffee Service, mid-20th c., incl. coffee pot (h. 9 in.), covered sugar (h. 3 1/8 in.), and creamer (h. 2 3/8 in.), each piece marked “MR”, and “HANDWROUGHT/STERLING”, total wt. 62.40 oz. (3 pcs.) [$5000/7000]

Note: Born in Budapest, Maria Regnier immigrated to St. Louis with her family in 1921. She graduated from Washington University with a degree in art education and studied at the Rhode Island School of Design and the William Dixon School in New York to learn silversmithing.

Regnier was active in Brentwood, MO from 1935 to 1957, Savannah, GA from 1957 to 1961 and Camden, AR from 1961 to the 1970s. Her work is represented in the collections of The St. Louis Art Museum, The Museum of Fine Arts Boston and The Museum of Fine Arts Houston.

Regnier’s handwrought silver objects are characterized by their geometric simplicity and fine finishing, as seen in the coffee service offered here, which features a rectilinear form with a hammered surface that positively shimmers. A similar coffee pot is shown in the background of the 1957 portrait of the silversmith by the artist Siegfried Reinhardt at The St. Louis Art Museum.

As her works rarely come to market. Neal Auction Company is honored to present this important coffee service in our Mid-Century Modern and Contemporary Auction.

62. Group of Kalo Handwrought Sterling Silver Objects, incl. “Ball and Scroll” pattern no. 6, spoon, l. 6 3/4 in.; individual butter knife (hh), l. 4 5/8 in.; spoon l. 6 3/4 in., sugar tongs, no. SG830, l. 4 in.; tie clip with ball ornament, l. 2 5/8 in.; bar pin with ball ornament, l. 2 1/4 in.; total wt. 4.70 troy ozs. (7 pcs.) [$200/300]

Ref.: Darling, Sharon S. Chicago Silversmiths, pp. 48-54.

64. Reed & Barton “Diamond” Pattern Sterling Silver Flatware Service, pat. 1958, designed by Gio Ponti, incl. 8 forks (l. 7 1/2 in.), 11 salad forks, 12 knives (hh, l. 9 in.), 17 teaspoons, 1 dessert spoon, 15 butter knives (hh), cake/pie server (hh) and cheese knife (hh); wt. 55.40 troy ozs. (66 pcs.) [$1800/2500]

65. Richard Hudson for Revere Silversmiths Inc. Walnut and Silver-Mounted Ice Bucket, mid-20th c., cover and foot rim marked “STERLING”, ice compartment marked “VACUUM INSULATED”, h. 9 3/4 in., w. 10 1/2 in., cover dia. 7 in., cover wt. 5.45 troy ozs. [$300/500]

66. Justin McCarthy (American, 1891-1977), “Hockey Players: Vic Hadfield and Doug Jarrett”, crayon and pencil on board, signed lower right, titled lower right and left, “The Strauser Collection of Works by Justin McCarthy” stamp with signature by “S. Strauser” en verso, 12 in. x 22 in., unframed. [$400/600]

Provenance: Strauser Collection, East Stroudsburg, PA; Private Collection of Outsider Art, Birmingham, AL.

68. Brother Benjamin Franklin “B.F.” Perkins (American/Alabama, 1904-1993), “Birds Churches to Sing Better, Home of the Brave”, painted gourd and mixed media, initialed upper center, h. 14 1/2 in., w. 7 in., d. 7 in. [$250/350]

67. Raymond Coins (American/North Carolina, 1904-1998), “Alligator”, carved stone, signed on underside, h. 5 1/2 in., w. 24 in., d. 3 1/2 in. [$1500/2500]

Provenance: Private Collection of Outsider Art, Birmingham, AL.

69. Shields Landon “S.L.” Jones (American/West Virginia, 1901-1997), “Squirrels in a Tree”, paint and carved wood on found branches, signed on underside, h. 14 in., w. 14 in., d. 10 in. [$1000/1500]

Provenance: Private Collection of Outsider Art, Birmingham, AL.

70. Jimmy Lee Sudduth (American/ Alabama, 1910-2007), “Cabin”, mud, paint and graphite on found panel, unsigned, 15 1/2 in. x 28 1/4 in., unframed. [$400/600]

71. Purvis Young (American/ Florida, 1943-2010), “Freedom Boats”, paint on canvas mounted to cedar wood panel with green astro turf border, signed twice, upper right and mid-right, 30 in. x 12 in., unframed.

[$300/500]

72. Purvis Young (American/Florida, 1943-2010), “Untitled”, mixed media on board mounted to frame, signed upper right, handwritten label inscribed “PYG-FR-003” on reverse of frame, 16 in. x 36 3/4 in., framed, overall 18 5/8 in. x 39 1/4 in. x 1 3/4 in. Note: Featured in “Purvis of Overtown” documentary. [$600/800]

73. Charles Gillam, Sr. (American/Louisiana, b. 1945), “Let the Good Time Roll 1958 Chevy”, hubcap, found metal and pigment on panel, signed lower center, dia. 27 in., d. 3 1/2 in., unframed. [$300/500]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

74. Charles Gillam, Sr. (American/ Louisiana, b. 1945), “Bottlecap Table”, bottlecaps and paint on found table with glass top, unsigned, h. 29 1/2 in., dia. 45 in.

[$300/500]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

75. Charles Gillam, Sr. (American/Louisiana, b. 1945), “Great Seal of the United States”, oil on carved panel, signed lower right and en verso, 19 in. x 22 3/4 in., unframed. [$500/700]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

77. Theresa Gloster (American/North Carolina, 20th c.), “Saturday Night Bath”, oil on panel mounted to frame, signed lower right, titled lower left, 11 7/8 in. x 15 in., framed, overall 16 in. x 19 in. x 2 3/4 in. [$300/500]

76. Leonard Jones (American/ Georgia, b. 1955), “Three Figures”, paint on tin, signed lower right, 32 in. x 26 1/2 in., unframed. [$200/300]

78. Anthony Clark (American, 20th c.), “Gorilla and Dragonfly”, mixed media, pigment and found objects on styrofoam, signed lower right, 23 1/2 in. x 24 in., original artist-enhanced frame, overall 25 3/4 in. x 26 1/2 in. x 7 in. [$100/150]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

79. Sainte James Boudrot (American/Louisiana, 1948-2024), “Abraham Lincoln and Sam Doyle at the Chapel of Ease”, oil on panel, unsigned, 23 7/8 in. x 48 in., unframed. [$700/1000]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

80. W. Earl Robinson (American/ Mississippi, b. 1950), “Riding to Town”, oil on canvas, signed lower right, 11 in. x 14 in., framed, overall 11 5/8 in. x 15 in. x 1 1/8 in.

[$400/600]

W. Earl Robinson (American/ Mississippi, b. 1950), “Woman with Cotton Basket”, oil on canvas, signed lower right, 14 in. x 11 in., framed, overall 15 1/2 in. x 11 5/8 in. x 1 1/2 in.

[$300/500]

82. W. Earl Robinson (American/Mississippi, b. 1950), “Man with Cotton Basket”, oil on canvas, signed lower right, 9 3/4 in. x 6 7/8 in., framed, overall 11 in. x 7 5/8 in. x 1 in.

[$200/300]

84. Edward “Shaka” Butler Lanoux (American/Louisiana, b. 1941), “The Secret Covenant”, collage and mixed media on panel, signed, 20 5/8 in. x 23 3/4 in., original artist-enhanced frame, overall 24 3/4 in. x 26 3/8 in. x 3 in. [$75/100]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

81.

83. W. Earl Robinson (American/Mississippi, b. 1950), “Picking Cotton in the Field”, oil on canvas, signed lower right, 6 1/2 in. x 7 1/8 in., framed, overall 7 3/8 in. x 9 1/8 in. x 1 1/4 in.

[$200/300]

85. Ras Wayne Vicks (American/Louisiana, 1963-2023), “Pipe”, oil on carved panel, signed en verso, 7 5/8 in. x 28 1/4 in., unframed. [$150/250]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

87. Paul “Jawbone” Douroux (American/Louisiana, 20th c.), “Algiers Folk Art Zone Blues”, 2019, oil on panel, signed center and lower right, dated mid-right, artist card en verso, 20 in. x 30 in., original artistenhanced frame, overall 26 in. x 36 1/4 in. x 1 3/4 in. [$100/150]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

86. Ras Wayne Vicks (American/Louisiana, 19632023), “Mardi Gras Indian”, oil on carved panel, signed lower right, 24 1/2 in. x 10 15/16 in., unframed. [$100/150]

Provenance: Collection of Charles and Susan Gillam, New Orleans, LA.

89. Contemporary Folk Art School, 1990s, “Goblin’s Market”, oil on panel, signed “Josèphe” and dated “1999” lower right, label signed “Josef” and dated “1991” en verso, 80 1/4 in. x 48 in., unframed. [$700/1000]

88. Ruth Robinson (American/ Alabama, b. 1952), “The Catch”, oil on wood ironing board, signed lower right, 51 3/4 in. x 18 in., unframed. [$400/600]

Laurent Casimir (Haitian, 1928-1990), “Untitled”, 1969, oil on masonite, signed and dated lower right, “Roland Auctions, New York, NY” label attached to hanging wire, 24 in. x 31 7/8 in., framed, overall 24 1/4 in. x 32 1/4 in. x 3/4 in. [$200/300]

90.

91. Jacques-Richard Chéry (Haitian, b. 1928), “Le Grand Ananas”, oil on canvas, signed lower right, 10 in. x 8 in., unframed. [$150/250]

94. After Jeff Koons (American, b. 1955), “Puppy”, c. 1992, dried flowers, resin and mixed media, titled and marked “cTAMCB” on self-base, souvenir produced for the Guggenheim Bilbao, h. 2 in., w. 1 1/4 in., d. 2 in., with Guggenheim Bilbao plastic display box, overall h. 2 1/2 in. [$200/300]

92. Perry Policicchio (American/ Hawai’i, b. 1960), “Mosquitoes”, 3 carved wood sculptures, each signed on thorax, h. 15 in., w. 6 in., d. 4 5/8 in. to h. 23 in., w. 10 in., d. 4 3/4 in. (3 pcs.) [$400/600]

93. The Duke of Marlow (American/ Alabama, 20th c.), “I’m Alive”, 2023, mixed media collage with signed Purvis Young artwork on foamcore, signed and dated en verso, 10 1/8 in. x 20 1/8 in., framed, overall 14 3/4 in. x 20 1/8 in. x 2 1/4 in.

[$400/600]

95. Chris Doyle (American/New York, b. 1959), “Prophet”, 2013, watercolor on paper, unsigned, “Catherine Clark Gallery, San Francisco, CA” labels with artist, title and date on backing paper, 32 in. x 32 in., framed, overall 36 1/4 in. x 36 1/8 in. x 1 1/8 in. [$700/1000]

98. Stephen “Estéban” Whiteside (American/North Carolina, b. 1985), “Adam & Steve”, mixed media on paper mounted to board, signed and titled en verso, 10 in. x 7 3/4 in., framed, overall 12 in. x 9 3/4 in. x 7/8 in. [$100/200]

96. Josh Wingerter (American/ Louisiana, b. 1985), “Blue Runner”, 2018, spray paint and acrylic on canvas, signed and dated lower right, 20 in. x 16 in., unframed. [$300/500]

97. Jeremy Novy (American, b. 1979), “Lone Koi” and “Strength”, 2013, 2 hand-cut stencils and spray paint on plywood, each with artist label with signature, title and date and “Vertical Gallery, Chicago, IL” label with artist, title and date en verso, each 17 in. x 8 5/8 in., unframed. (2 pcs.)

[$300/500]

Provenance: Vertical Gallery, Chicago, IL.

99. Piki Mendizabal (Cuban/Louisiana, b. 1982), “1920”, oil on canvas, signed and titled lower right and en verso, 44 1/8 in. x 77 1/4 in., unframed. [$1000/1500]

100. Sam Ezell (American/North Carolina, b. 1953), “Hearts”, 2021, oil on canvas, signed and dated lower right, 41 in. x 52 in., framed, overall 42 7/16 in. x 53 1/2 in. x 1 1/2 in. [$800/1200]

102. Dirt Cobain (American/ California, b. 1981), “You Get Me So High”, mixed media and wheatpaste on found tin, signed lower center, 46 in. x 47 in., unframed. [$400/600]

101. Wizard Skull (American/New York, 20th c.), “15th Painting of 2022: The Simpsons”, 2022, acrylic on gallery-wrapped canvas, signed and dated on right edge, signed and titled en verso, 30 in. x 30 in., unframed. [$1000/1500]

103. Dirt Cobain (American/ California, b. 1981), “Addicted to the Game”, mixed media and wheatpaste on found tin, signed lower center, 46 in. x 26 1/2 in., unframed. [$400/600]

104. Dan Tague (American/Louisiana, b. 1974), “Love, Hate”, 2009, handenhanced archival pigment print, pencil-signed and dated lower right, numbered “1/5” lower left, sheet 22 3/4 in. x 54 1/4 in., framed, overall 23 3/4 in. x 55 1/4 in. x 1 1/4 in. [$2000/3000]

105. Herr Nilsson (Swedish, 20th c.), “Part of Your World”, 2021, stenciled spray paint on paper, signed and numbered “9/14” lower right, 22 1/4 in. x 30 1/4 in., framed, overall 28 in. x 35 1/2 in. x 2 1/4 in. Note: Published by Rena Martin to raise funds for the Clean Street Project. [$600/800]

106. After Tatsuhiko Akashi (Japanese, 20th c.), “Be@rbrick KITH Flock Style 1000%”, 2023, plastic and flock, stamped “Be@rbrick”, “Mediacom Toy” and “Mediacom Toy” hidden tag on underside of feet, published by Mediacom Toy Corporation, Tokyo, h. 28 3/8 in., w. 13 1/2 in., d. 9 in., with original packaging and accompanied by Mediacom Toy Corporation certificate of authenticity. (2 pcs.) [$300/400]

108. After Daniel Dale Johnston (American/Texas, 1961-2019), “Jeremiah the Innocent Frog”, 2021, vinyl, 2 printed signatures on reverse, stamped “Clutter” and “The Estate of Daniel Johnston” and dated on underside of figure and tree stump, published by the Daniel Johnston Trust, Austin, TX and Clutter Studios, Beacon, NY, h. 9 1/4 in., w. 10 1/2 in., d. 6 5/8 in., with original packaging. [$150/250]

107. Daniel Dale Johnston (American/Texas, 1961-2019), “So Eat it Raw”, 2010, marker on card stock, signed lower right, Daniel Johnston Estate certificate of authenticity with title and date en verso, 8 1/2 in. x 11 in., framed, overall 18 1/2 in. x 16 in. x 7/8 in. [$300/500]

109. Wizard Skull (American/New York, 20th c.), “Sexy Ronald Old Glory Edition”, 2021, vinyl, stamped “W$ Wizard Skull”, “UVD Toys” and dated on underside of feet, published by UVD Toys, sculpted by LK Wong, h. 10 in., w. 4 1/4 in., d. 3 in., with original packaging.

[$100/200]

110. Wizard Skull (American/ New York, 20th c.), “Burger Buddy”, 2023, resin, stamped “Hunt” on underside of hamburger, published by Hunt Tokyo, Tokyo, h. 7 in., w. 4 1/2 in., d. 3 1/2 in., with original packaging.

[$200/300]

111. Wizard Skull (American/New York, 20th c.), “Sexy Ronald 4 Foot Edition”, 2024, vinyl, stamped “W$ Wizard Skull” and “UVD Toys” on underside of feet, edition of 20, sculpted by LK Wong, published by UVD Toys, h. 48 in., w. 18 1/2 in., d. 12 in.; with original cardboard shipping box. (2 pcs.)

[$2500/3500]

112. Kayla Mahaffey (American/ Illinois, b. 1994), “Self Destruction”, 2022, polystone sculpture with acrylic visor, stamped signature, monogram, “THINKSPACE” and PIPSTUDIO” on underside of self-base, edition of 200, published and fabricated in collaboration with Thinkspace Editions, Los Angeles and Pretty In Plastic, Hollywood, h. 13 in., w. 7 in., d. 7 in.

[$150/250]

113. Mariko Mori (Japanese, b. 1967), “Birth of a Star”, 1995, Ilfochrome print, artist label with logo, title and date en verso, 23 9/16 in. x 17 11/16 in., matted, overall 30 1/4 in. x 26 1/4 in.

[$200/300]

114. George Nelson Marshmallow Sofa, unmarked, leather and steel, originally designed in 1956, h. 31 1/2 in., w. 52 in., d. 32 in.

[$800/1200]

115. George Nelson-Style Coconut Chair, unmarked, stainless steel, polycarbonate, padded upholstery, h. 33 1/4 in., w. 41 in., d. 31 in.

[$600/900]

116. Eames-Style Upholstered Rocking Chair, h. 26 1/2 in., w. 24 1/2 in., d. 24 1/2 in. [$100/150]

117. Four Massimo Vignelli for Knoll Handkerchief Chairs, 1985, marked, h. 29 in., w. 23 in., d. 18 in. [$300/500]

118. Pair of Adrian Pearsall Side Tables with Travertine Tops, 1960s, h. 14 in., w. 16 in., d. 16 in. [$600/900]

119. Pair of Contemporary Chrome and Glass Side Tables, h. 16 in., w. 18 in., d. 18 in. [$400/600]

120. Contemporary Glass Dining Table, two half-cylinder supports, beveled top, h. 29 1/2 in., w. 96 in., d. 48 in. [$700/1000]

121. Eight Marcello Ziliani for Casprini Stacking Acrylic Chairs, made in Italy, marked, h. 32 1/2 in., w. 20 in., d. 17 in. [$500/700]

122. Three Burlwood and Chrome Side Tables, slide-out trays, h. 26 in., w. 22 in., d. 27 in. [$700/1000]

123. Pair of Contemporary “Issac” Armchairs, teal upholstery, h. 29 in., w. 50 in., d. 38 in. [$600/900]

124. Contemporary “Issac” Chair, pale yellow upholstery, h. 29 in., w. 50 in., d. 38 in. [$300/500]

125. Contemporary Leather and Chrome Low Table/Ottoman, h. 17 1/2 in., w. 53 in., d. 30 in. [$300/500]

126. Contemporary Chrome and Metal Side Table, beveled glass top, h. 23 in., w. 24 in., d. 22 in. [$300/500]

127. Contemporary Leather Sofa and Ottoman, L-form, h. 31 in., w. 107 in., d. 63 in.; ottoman h. 17 in., w. 30 in., d. 24 in. [$800/1200]

128. American School, 20th c.,

“Ballerina”, carved wood, signed “R.A. Mercier” on self-base, h. 55 in., w. 9 1/2 in., d. 11 3/8 in.

[$400/600]

129. Peggy Bacon (American/ Connecticut, 1895-1987), “Slovenliness”, 1930, etching, pencilsigned, titled and dated lower margin, 6 7/8 in. x 5 in., framed, overall 17 1/8 in. x 14 1/4 in. x 1 1/4 in.

[$200/300]

130. Emlen Pope Etting (American/ Pennsylvania, 1905-1993), “Nude on a Beach”, c. 1940, oil on board, signed lower right, handwritten label with title and date en verso, “Brunk Auctions, Asheville, NC” tag on hanging wire, 10 1/8 in. x 15 1/4 in., framed, overall 13 1/2 in. x 18 1/2 in. x 1 1/2 in.

[$300/500]

Provenance: Brunk Auctions, Asheville, NC, Jan. 14, 2012, lot 227.

131. Harry Shoulberg (American/ New York, 1903-1995), “Still Life of Flowers”, oil on canvas, signed upper left, “Lot 505 Butterscotch Auction Gallery, Pound Ridge, NY” tag with artist and title on hanging wire, 22 in. x 16 in., framed, overall 23 1/2 in. x 17 5/8 in. x 2 in.

[$300/500]

132. Harry Shoulberg (American/ New York, 1903-1995), “Plum Point”, oil on canvas, signed lower right, titled and artist information label on reverse of frame, 12 in. x 16 in., framed, overall 20 in. x 24 in. x 1 in.

[$200/300]

133. Harry Shoulberg (American/New York, 1903-1995), “Night”, oil on canvas, signed lower left, titled and artist stamp on reverse of frame, artist information label on stretcher, 24 1/8 in. x 30 1/16 in., framed, overall 32 in. x 38 in. x 1 1/2 in.

[$400/600]

134. Harry Shoulberg (American/New York, 19031995), “Still Life”, oil on canvas, signed lower right, “Lot 151 Maywood Antiques” label on reverse of frame, 36 in. x 24 in., framed, overall 41 3/4 in. x 29 3/4 in. x 1 1/8 in.

[$300/500]

135. William Hasler (American, 1865-1933), “Platt and Gold St., New York City”, oil on canvas board, signed lower right, “The Palette Art Company Artist and Draughtsmen’s Supply, New York, NY” manufacturers stamp en verso, 10 in. x 8 in., framed, overall 17 1/4 in. x 15 1/2 in. x 1 1/2 in.

[$400/600]

Provenance: Brunk Auctions, Asheville, NC, May 11, 2013, lot 534.

19 1/4 in. x 1 1/2 in. and 19 in. x 34 5/8 in. x 1 1/2 in. (2

[$500/700]

Provenance: Neal Auction, Sept. 13, 2015, lot 746.

136. Sandra Burshell (American/Louisiana, b. 1950), “Outdoor Café” and “Outdoor Market in Israel: Bedouin Series”, 1978, one oil on canvas board and one oil on canvas, signed lower right or lower left, 12 in. x 16 in. and 16 in. x 32 1/2 in., both framed, overall 15 1/4 in. x

pcs.)

137. Jehudith Sobel (Polish, 1924-2012), “Abstract Interior”, 1958, watercolor on paper mounted to board, signed and dated lower right, 24 in. x 19 in., unframed. [$2000/3000]

138. Heinrich “Henry” Hensche (German/American, 1899-1992, active Louisiana, 1985-1992), “Landscape”, oil on canvas, unsigned, 16 in. x 20 in., framed, overall 22 in. x 26 in. x 1 1/4 in. [$1500/2500]

Provenance: Collection of Martha Wright Ambrose (1914-2000).

Note: Henry Hensche founded the Cape Cod School of Art which focused on plein air painting. He first came to Louisiana to teach at the behest of artist Martha Wright Ambrose and continued his visits each winter, ultimately settling in Gray, Louisiana until his death.

139. After Pablo Picasso (Spanish, 1881-1973), “Jacqueline en Mariée, DixSeptième et Avant-Dernier État”, 1971, héliogravure, unsigned, dated “24_3_61” in reverse in plate, printed by Atelier LaCourière-Frélaut, Paris, published by Les Éditions Cercle d’Art, Paris, sheet 19 in. x 14 1/2 in., framed, overall 32 1/2 in. x 28 1/2 in. x 2 3/8 in. [$300/500]

140. Johnny Friedlaender (French/Polish, 1912-1992), “Aux Confit”, 1968, etching, pencil-signed and numbered “9/95” lower margin, sight 29 in. x 21 1/4 in., framed, overall 35 in. x 27 3/4 in. x 1 in. [$200/300]

141. John Mart Opie (American/Ohio, b. 1936, active Louisiana, 1965-1970), “Untitled”, 1966, mixed media on paper, signed and dated lower right, 13 in. x 19 7/8 in., framed, overall 24 1/2 in. x 26 1/4 in. x 1 1/8 in. [$400/600]

143. Alvar Suñol Munoz-Ramos (Spanish, b. 1935), “La Chapelle (Chapel in Catalonia)”, lithograph, pencil-signed and numbered “39/150 lower margin, titled en verso, sheet 22 1/4 in. x 30 in., framed, overall 30 in. x 38 5/8 in. x 1 in. [$200/300]

142. Ernest Tino Trova (American/Missouri, 1927-2009), “Falling Man”, 1969, brass relief, stamped “et” monogram and numbered “98/175” on reverse, dia. 9 1/8 in., d. 1/8 in., suspended upon an acrylic panel with acrylic stand, overall h. 12 1/2 in., w. 11 1/8 in., d. 3 in. [$400/600]

144. Gaston Orellana (Spanish/Chilean, b. 1933), “Untitled (Spanish Torque School)”, etching, pencil-signed and inscribed “A/P” lower margin, sight 10 1/4 in. x 8 1/4 in., framed, overall 27 1/4 in. x 21 in. x 1 3/8 in. [$400/600]

Provenance: Bienville Gallery, New Orleans, LA, c. 1972.

145. Renée Irene Prahar (American, 1880-1963), “Monkey”, bronze, signed on proper left of selfbase, h. 4 in., w. 1/2 in., d. 5/8 in.

[$300/500]

Provenance: “20th Century Art and Design”, Toomey & Co. Auctioneers, Oak Park, IL, Mar. 4, 2012, lot 300.

146. Francisco Benjamin Lopez Toledo (Mexican/Texas, 1940-2019), “El Gato”, lithograph, pencil-signed and numbered “5/25” lower left, sheet 21 1/4 in. x 28 1/2 in., framed, overall 31 in. x 36 3/4 in. x 1 1/2 in.

[$400/600]

Provenance: Carmen Llewellyn Gallery, New Orleans, LA, c. 1984.

147. Amado Maurillo Peña, Jr. (Pascua Yaqui Tribe/Texas, b. 1943), “Reclining Figure”, 1977, watercolor and ink on paper, signed and dated lower left, 10 1/4 in. x 14 1/8 in., framed, overall 14 1/4 in. x 20 1/8 in. x 3/4 in.

[$700/1000]

148. Kaiko Moti (Indian, 1921-1989), “Le Bisen”, 1972, color aquatint, signed and numbered “84/120” lower right, “The 927 Gallery, New Orleans, LA” label and certificate of authenticity, artist information label and typed label with artist, title, date and edition on backing paper, 22 1/2 in. x 30 in., framed, overall 32 7/8 in. x 39 1/2 in. x 1 1/8 in. [$250/350]

149. American School, 1968, “Homage to Eisenstein”, etching, pencil-signed, dated and inscribed “A/P” lower margin, 17 3/4 in. x 17 3/4 in., framed, overall 25 3/4 in. x 24 5/8 in. x 1 3/8 in.

[$300/500]

Provenance: Bienville Gallery, New Orleans, LA., c. 1970.

150. Dennis Thompson (American/Arkansas, b. 1948), “Dragon Tower”, ceramic, stained glass, glass, metal and gravel, unsigned, h. 37 5/8 in., w. 7 3/8 in., d. 7 in.

[$400/600]

151. Théo Tobiasse (Lithuanian/ French, 1927-2012), “La Petite Fille et la Vieil Homme”, 1975, lithograph, pencilsigned and numbered “59/175” lower margin, titled in plate, label with artist, title, date and edition and artist information on backing paper, 20 1/2 in. x 19 1/4 in., framed, overall 32 1/4 in. x 29 5/8 in. x 1 in.

[$200/300]

152. Kathe Kollwitz (German, 1867-1945), “Frauenkopf”, plate creation c. 1905, printed posthumously 1963, soft ground etching, drypoint and aquatint, unsigned, printed and published by Johana and Bernard Von der Becke, Munich, “A.v.D.Becke/Knstverlag/Berlin-Halensee” blind stamp visible, sheet 13 3/8 in. x 9 3/8 in., framed, overall 17 5/8 in. x 13 5/8 in. x 3/4 in.

[$300/500]

153. Marcy Hermansader (American, b. 1951), “Ribbon-Blender by Sword-Dancer out of PatternMaker”, c. 1975, mixed media on paper, unsigned, artist label with title and “Dechert, Price & Rhoads Property Tag” on backing board, signed on reverse of backing board, 25 1/2 in. x 19 3/4 i n., framed, overall 28 3/8 in. x 22 in. x 1 1/2 in.; with signed letter of authentication from the artist and “Inside Looking In: Marcy Hermansader’s Drawings” 1986 exhibition catalogue from Janet Fleisher Gallery, Philadelphia, PA and “Belief in the Underground: The Art of Marcy Hermansader”, 1990 exhibition catalogue from the DeCordova Museum and Sculpture Park, Lincoln, MA. (4 pcs.) [$1000/1500]

154. Polish School, 20th c., “Fantasy Woman”, oil on canvas, unsigned, 38 1/4 in. x 29 3/8 in., framed, overall 43 3/4 in. x 34 3/4 in. x 2 in.

[$300/500]

155. Ellen Steinfeld (American/New York, b. 1945), “Primeval Garden”, 1984, acrylic on wood, signed and dated lower right, signed, titled, dated and artist label on reverse, h. 66 in., w. 56 in., d. 6 in. [$800/1200]

156. Lucas Samaras (Greek/ American, 1936-2024), “Ribbon”, 1972, lithograph in colors, pencilsigned, dated and numbered “89/150” lower margin, sheet 36 1/4 in. x 25 3/4 in., unframed. [$300/500]

Provenance: Pace Gallery, New York, NY, c. 1972.

157. Igor Ivanovich Gubskiy (Ukrainian, 1954-2022), “Man in Blue Beret”, 1987, oil on canvas, signed lower left, inscribed in Cyrillic with artist, title and date en verso, 50 5/16 in. x 25 5/16 in., framed with paper artist and title plaque, overall 55 1/8 in. x 30 1/4 in. x 1 5/8 in.

[$800/1200]

158. José Luis Cuevas (Mexican, 1934-2017), “Autorretrato en Café Figaro”, 1982, lithograph, pencil-signed and numbered “2/100” lower margin, signed, titled, dated and localized in plate, “BFK Rives” watermark and blind stamp visible, sheet 13 1/2 in. x 10 3/4 in., framed, overall 18 1/4 in. x 15 1/4 in. x 1 1/4 in.; accompanied by a copy of “Carmen Llewellyn Gallery, New Orleans, LA” invoice. (2 pcs.) [$200/300]

Provenance: Carmen Llewellyn Gallery, New Orleans, LA, 1985.

159. Joel-Peter Witkin (American/New Mexico, b. 1939), “The Guernica Variations: Pathological Reproductions”, 1986, gelatin silver print, signed, titled, dated and numbered “2/15” en verso, 15 7/8 in. x 15 7/8 in., unframed; accompanied by a copy of a “Pace/MacGill, New York, NY” invoice with “New Gallery, New York, NY” label on original backing paper. (2 pcs.)

[$1000/1500]

160. Michelangelo Marchi (Italian, b. 1948), “#64 Sphere”, 1991, majolica with lustre glaze, signed and dated on underside, h. 10 1/2 in., dia. 10 in., acrylic base, overall h. 14 1/2 in.; accompanied by a copy of “Bingham Kurts Gallery, Memphis, TN” invoice, artist information and exhibition card. (3 pcs.) [$200/300]

162. Cundo Bermúdez (Cuban, 1914-2008), “Untitled: Two Figures”, 1991, gouache on paper, signed and dated lower right, 22 in. x 28 in., framed, overall 29 3/4 in. x 35 5/8 in. x 1 in. [$1000/1500]

161. Cundo Bermúdez (Cuban, 1914-2008), “Untitled: Single Figure”, 1991, oil on canvas, signed and dated lower left, 20 in. x 16 in., framed, overall 27 3/4 in. x 23 3/4 in. x 1 1/4 in. [$600/800]

163. Gustavo Novoa (Chilean, b. 1941), “Abstract Landscape in Blue”, oil on canvas, signed lower right, 15 in. x 18 1/2 in., framed, overall 20 3/4 in. x 23 3/4 in. x 1 5/8 in.

[$400/600]

164. Richard MacDonald (American/California, b. 1946), “Eurydice”, 1989, cast acrylic, signed, dated and numbered “13/250” on reverse of self-base, h. 26 1/2 in., w. 13 1/2 in., d. 10 in.

[$2000/3000]

165. Alexei Antonov (Azerbaijani, b. 1957), “Pink Jugs”, oil on canvas, signed lower right, titled in Cyrillic en verso, 36 1/4 in. x 38 1/8 in., framed, overall 38 1/4 in. x 40 in. x 1 3/4 in.

[$300/500]

166. Mark Singer (American, 20th c.), “Flipping Fish”, oil on canvas, signed lower left, signed and titled en verso, 11 in. x 14 in., framed, overall 14 in. x 17 1/2 in. x 1 1/4 in.

[$400/600]

167. Peter Cox (American, 1942-2017), “Monti”, oil on canvas, signed lower right, 38 in. x 30 in., framed, overall 39 3/8 in. x 31 1/2 in. x 2 1/4 in.

[$600/800]

Provenance: Carolyn Hill Gallery, New York, Apr. 11, 1991.

168. Tom Judd (American/ Pennsylvania, b. 1952), “Rose”, 1997, oil, metal and nails on wood, signed, dated and inscribed en verso, 11 in. x 11 in., unframed.

[$300/500]

169. Richard Osterweil (American/New York, b. 1953), “Monet - The Studio Boat”, oil on canvas, initialed lower right, inscribed “Monet” en verso, 24 in. x 20 1/2 in., framed, overall 25 3/4 in. x 21 15/16 in. x 1 1/4 in.

[$1000/1500]

170. Richard Osterweil (American/New York, b. 1953), “Monet Screen”, oil on 2 hinged panels, initialed lower right, overall 72 in. x 12 in. [$700/1000]

171. Richard Osterweil (American/New York, b. 1953), “Monet’s Studio with Early Waterlily Paintings”, oil on canvas, initialed lower right, “The House of Heydenryk, New York, NY” label on reverse of frame, 32 1/8 in. x 40 in., framed, overall 39 1/4 in. x 47 1/4 in. x 1 3/4 in.

[$1200/1800]

172. Dan Ostermiller (American, b. 1956), “Frogs”, 1994, 2 bronzes, both initialed and dated on rear, each h. 1 3/4 in., w. 2 1/4 in., d. 2 1/4 in. (2 pcs.) [$300/500]

173. Dale Joseph Evers (American/California, b. 1955), “Sea Turtles”, bronze, signed and numbered “8/250” on self-base, h. 11 in., w. 6 in., d. 7 in., black marble base, overall h. 12 in. [$300/500]

174. William Verdult (Dutch/ American, 1939-2016), “Dazzling”, oil on canvas, signed, titled and inscribed en verso, 14 in. x 11 in., framed, overall 17 5/8 in. x 14 5/8 in. x 7/8 in.

[$200/300]

175. Carlene Danart (American, 20th c.), “Cobras”, carved translucent orange alabaster, signed on proper lower left, artist and title plaque lower center, h. 36 in., w. 5 in., d. 6 1/4 in., wood pedestal, overall h. 68 1/2 in. [$200/300]

176. Francine Turk (American/Illinois, 20th c.), “Annabel”, “Stella” and “Figurative I”, 2011, 2 charcoal and mixed medias on paper, one on linen, each signed lower right, one with label with artist and title on backing board, 13 1/4 in. x 10 1/2 in. to 26 1/2 in. x 23 in., framed, overall 19 in. x 13 in. x 1 in. to 30 1/8 in. x 26 1/8 in. x 1 in.; accompanied by copies of 3 certificates of authenticity and artist information from Gallery KH, Chicago. (7 pcs.)

[$700/1000]

Provenance: Gallery KH, Chicago, IL.

177. Richard Jolley (American/Tennessee, b. 1952), “Reclining Nude”, 1987, glass, signed, titled and dated on underside, h. 5 3/4 in., w. 9 in., d. 13 1/8 in.; accompanied by a copy of a receipt from Authur Roger Gallery. (2 pcs.) [$800/1200]

Provenance: Arthur Roger Gallery, New Orleans, LA, 1995; Estate of Caroline P. Ireland.

178. Richard Jolley (American/ Tennessee, b. 1952), “Swaying Figure”, 1990, glass, signed, titled and dated on underside, h. 15 3/4 in., w. 6 in., d. 7 in.; accompanied by a copy of a receipt from Arthur Roger Gallery. (2 pcs.) [$800/1200]

Provenance: Arthur Roger Gallery, New Orleans, LA, 1995; Estate of Caroline P. Ireland.

179. Rick Stevens (American/Michigan, b. 1958), “Far Away Lights”, 2011, oil on linen, signed and dated lower right, signed, dated and label with artist, title and date on backing panel, 40 in. x 36 in., framed, overall 41 7/8 in. x 37 7/8 in. x 2 in.

[$1000/1500]

Provenance: Gallery KH, Chicago, IL.

180. Ron Pippin (American/ California, b. 1943), “Angel of the Noon Day Wind”, mixed media assemblage, unsigned, h. 47 in., w. 17 in., d. 7 in. [$700/1000]

181. Six Salvador Dali (Spanish, 1904-1989) “La Suite Catalane” Ceramic Tiles, 1970s, by Erotas, NY, reproductions of the 1950s originals, each 8 in. x 8 in.

[$100/150]

182. After Damien Hirst (British, b. 1965), “Rape Of Persephone (Butterflies) Wallpaper”, 2013, 2 five-color gravure prints, published by Other Criteria, London, each roll unopened with “Hirst/Hirst” label, each roll 27 in. x 360 in. (2 pcs.) [$300/500]

183. Two Rolls of Fornasetti “Frutta Proibito” Wallpaper, published by Cole & Son, one unopened, w. 20 1/2 in. [$300/500]

185. American School, “Figure Study”, 2005, pigment and terracotta, indistinctly signed, dated and numbered “42/150”, h. 21 in., w. 16 in., d. 6 1/2 in. [$600/800]

184. Four Keith Haring Limited Edition Swatch Watches, c. 1986, plastic, 34mm, quartz movement, l. 9 in. [$700/1000]

186. Pair of

Vintage Ceramic Harlequin Figures, by Shelesta, Salem, MO, h. 16 1/2 in. [$100/150]

187. Gio Ponti for Ceramic Joo Ceramic and Brass Pen Tray, 1969, made from a tile designed by Ponti and used for a building in Eindhoven, h. 1 in., w. 7 3/4 in., d. 2 1/2 in. [$100/150]

188. Four Ronald Van Ruyckevelt for Royal Worcester Porcelain Fish, incl. Blue Angel, Red Hind, Four Eyed, and Yellow Grunt, tallest h. 6 in. [$100/150]

189. Pair of Modern Steel Taper Candle Holders, S-form, h. 8 3/4 in., w. 8 in., d. 4 in. [$100/200]

190. Donald Duck’s 60th Birthday Limited Edition Figure, 1994, Walt Disney, edition 18/60, gold leaf on composite, plaque reads “In Celebration of Donald Duck’s 60th Birthday 1934-1994”, figure h. 20 in., in a plexiglass case, overall h. 25 in., w. 20 in., d. 20 in. [$500/700]

Note: Sold to benefit the Ronald McDonald House Charities of South Louisiana. Only 60 of these commemorative figures were made and were offered exclusively at Disney theme parks and approved galleries.

191. Three New Orleans World’s Fair Wonderwall Aluminum Tree Elements, designed by Kent Bloomer, part of the “Tree Domes”, constructed for the 1984 Louisiana World Exposition, largest 30 in. x 56 in. [$300/500]

Carved

192. Three Karl Hagenauer Bronze and Wood Figures of Christ, 1950s, stamped “HAGENAUER/ WIEN”, “Handmade”, and “MADE IN AUSTRIA”, h. 9 1/4 in. [$600/900]

194. Contemporary Sisal Carpet, 9 ft. 10 in. x 12 ft. [$300/500]

196. Concept 16.5 Receiver, c. 1977, retailed by Pacific Stereo, 165 watts per channel, dual power supplies, two Dower transformers, four 10,000uF electrolytic capacitors, wt. 67 lbs., h. 6 in., w. 21 in., d. 19 1/2 in. [$1500/2500]

193.

Marble Bust of a Bearded Man, h. 9 1/2 in., w. 15 in., d. 6 in. [$200/300]

195. Elgin Watches Electric Wall Clock, 20th c., brass and painted glass, h. 15 1/4 in., w. 15 1/4 in., 3 in. [$200/300]

198. Charles and Ray Eames for Evans Products/Herman Miller LCW Chair, 1947-1950, label “Evans Products Company Molded Plywood Division/ Herman Miller Furniture Company, Distributor/ Designed by Charles Eames” analine-dyed ash, h. 27 in., w. 22 in., 24 in. [$700/1000]

199. Charles and Ray Eames for Herman Miller DAR Upholstered Eiffel Armchair, marked, h. 31 1/4 in., w. 25 1/2 in., d. 24 in.

[$200/300]

200. Pair of Charles and Ray Eames for Herman Miller DAX Armchairs, marked, h. 31 1/2 in., w. 25 in., d. 24 in.

[$500/700]

197. Charles and Ray Eames for Herman Miller 50th Anniversary Edition Lounge Chair and Ottoman, 2006, with label and special tag, leather, walnut, enamel and chrome steel, chair h. 31 in., w. 33 in., d. 35 in.

[$1800/2500]

201. Charles Pollock for Knoll Executive Armchair, Knoll International, Park Ave., NY, label, leather and chrome, with stationary base, h. 31 1/4 in., w. 26 1/2 in., d. 22 1/2 in. [$300/500]

202. John Wisner for Ficks Reed “Far Horizons” Set, 1950s, rattan, brass caps and ties, incl. two chairs, and a lounge chair with ottoman, lounge chair retains original tag, chairs h. 26 3/4 in., w. 26 in., d. 27 in., lounge chair h. 29 1/2 in., w. 27 in., d. 38 in., 4 pcs. [$700/1000]

203. John Wisner for Ficks Reed Side Table, 1950s, rattan, tile top, from the “Far Horizons” collection, h. 20 in., w. 31 in., d. 19 in. [$300/500]

204. John Wisner for Ficks Reed Coffee Table, 1950s, rattan, tile top, from the “Far Horizons” collection, h. 15 in., w. 38 in., d. 38 in. [$500/700]

205. Four Maison Jansen (Attributed) Folding Campaign Chairs, 1950s, patinated metal and brass, with Naugahyde upholstery, h. 32 in., w. 21 in., d. 19 in. [$2000/3000]

206. Contemporary Wicker and Glass Dining Table and Chairs, incl. four chairs and table with oval glass top, table h. 28 in., w. 46 in., d. 60 in., chair h. 32 1/4 in., w. 26 in., d. 23 1/2 in. [$800/1200]

208. Modern Glass and Lucite Coffee Table, kidney-form top, h. 31 in., w. 51 in., d. 31 in. [$500/700]

210. Pair of Contemporary Lacquered Wood and Chrome Tray Tables, with removable tray tops, h. 22 in., w. 16 in., d. 16 in. [$150/250]

207. Pair of Contemporary Rattan and Upholstery Sofas, h. 25 in., w. 76 1/2 in., l. 113 in., d. 34 1/2 in. [$600/900]

209. Pair of Williams Sonoma Wood and Chrome Side Tables, marked, zebrawood border, h. 22 in., w. 23 in., d. 16 in. [$400/600]

211. Modern Chrome Lamp, indistinctly signed and dated 1993, h. (to socket) 27 in. [$300/500]

212. Mid-Century Modern Chrome Offset Lamp, 1970s, probably by Laurel, shade fitted with ring-form fluorescent bulb, h. 15 1/2 in., dia. 12 1/2 in. [$300/500]

213. Pair of Modern Pottery Lamps, oval form, blue and green glaze, oval shades, overall h. 26 1/4 in., w. 16 in., d. 12 in. [$250/350]

215. Mid-Century Modern Chandelier, egg-form glass, h. 14 in., dia. 12 in., with enameled rod and ceiling cap, overall h. 32 in. [$300/500]

Provenance: Whitney Bank, New Orleans, LA.

214. Two Robert Abbey Chrome “Anemone” Wall or Ceiling Lights, polished nickel, larger five-light fixture h. 12 in., dia. 24 in.; smaller h. 6 in., dia. 12 in. [$300/500]

216. Large Art Deco-Style Patinated Bronze and Stained Glass Floor Lamp, tree-form standard, with figures, h. 76 in., dia. 31 in. [$1000/1500]

217. Pair of Rich Brilliant Willing LED Floor Lamps, with “RBW” logo, walnut, steel, enameled steel base, h. 50 in. Note: One LED light needs replacement. [$100/150]

219. George Nelson-Style Flying Saucer Floor Lamp, brass and lacquered metal, parchment shade, h. 55 in., dia. 17 in. [$600/900]

218. Marco Zotta for Eleusi Table Lamp, enameled metal, h. 8 in., w. 4 in., d. 13 1/2 in. [$200/300]

220. George Nelson-Style Pendant Light, by Modernica, h. 7 in., dia. 17 in. [$250/350]

222. Fine Italian Mid-Century Modern Murano Glass Fifty-Light Chandelier, 1960s, “Sputnik” form, patinated brass central sphere, issuing brass rods, ending in gold-flecked glass flower shades and discs, dia. 42 in., hanging rod l. 36 in. [$2000/3000]

Provenance: Michael W. Murphy, El Dorado, AR.

221. Vintage Painted Plaster Harlequin Lamp, 1950s, Marbro Co., figure h. 28 in. [$300/500]

223. Mario Fortuny Pallucco Floor Lamp, adjustable black and white fabric shade, chrome deflector, tripod base, adjustable h. 72 to 100 in., dia. 34 in. [$700/1000]

224. Wolfgang Trumpel (German, 1903-1978) Four-Light Ceiling Light, 1920s, Germany, brass, nickel plated brass, opaque glass, h. 25 in., w. 14 in., d. 10 1/2 in. [$400/600]

Provenance: Rago Auctions, June 6, 2015, lot 918.

225. After Frank Lloyd Wright Taliesin Table Lamp, c. 1994, Yamagiwa, US, with metal tag, five lights, h. 12 3/4 in.

[$400/600]

227. Ilse Crawford for Studiolise Wo84 Table Lamp, Sweden, wood arms, cast iron base, extended h. 35 in. [$600/900]

226. Jean-Louis Domecq for Jielde Six-Arm Industrial Floor Lamp, 1950s, Lyon, France, metal tag, fully extended h. 8 ft. [$700/1000]

228. Mid-Century Modern Hanging Light Fixture, c. 1965, by Thomas Industries, Louisville, Kentucky, saucer-form, blue and green acrylic shade, brass mounts, white opaque glass underside, adjustable cord, h. 10 in., dia. 21 1/2 in. [$50/100]

Provenance: 1531 Exposition Blvd., New Orleans, LA

229. Pair of Chromcraft Sculpta Lounge Chairs, c. 1965, vinyl, cast aluminum, h. 38 1/2 in., w. 22 1/2 in., d. 26 in. [$400/600]

230. Pair of Pagholz Laminated Chairs, backrest with cut out handle, h. 31 in., w. 14 1/4 in., d. 15 1/2 in. [$200/300]

231. Pair of Gideon Kramer “Ion” Chairs, c. 1962, with Ion Corporation, Auburn, Wash. labels, h. 34 in., w. 18 1/2 in., d. 23 in. [$600/900]

232. Florence Knoll “Hairpin” Stacking Table, 2021, designed in 1947, with original box, h. 18 in., dia. 13 in. [$200/300]

233. Jasper Morrison for Vitra Cork Stool, h. 12 3/4 in., dia. 12 in. [$250/350]

234. Ernst Rockhausen Mahogany and Brass Bar Cart, early 20th c., glazed cabinet with fall-front door, h. 38 1/2 in., w. 39 in., d. 16 1/4 in.

[$600/900]

236. Restoration Hardware “Oviedo” Lounge Chair, brown leather over a chrome base, inspired by Mies van der Rohe (German, 1886-1969), h. 33 in., w. 24 in., d. 62 in. [$600/900]

235. Lane Coffee Table, dovetail design, h. 13 in., w. 18 in., d. 70 in.

[$200/300]

237. Pair of American Contemporary Leather and Metal Side Chairs, Elite Modern, California, concave tapered back, chrome support, shaped seat, iron tapered legs, h. 37 1/2 in., w. 20 1/2 in., d. 21 1/2 in.

[$500/700]

Provenance: Collection of Wendy and the late George (1944-2013) Rodrigue.

238. Pair of Contemporary End Tables, chrome and laminate, h. 24 in., w. 22 in., d. 22 in.

[$150/250]

239. Pair of Contemporary Leather and Walnut Tub Chairs, upholstered seat, h. 31 1/2 in., w. 25 in., d. 24 in. [$500/700]

241. Pair of Modern Contemporary Upholstered Chairs, by Hancock and Moore, silvered scroll work, h. 40 in., w. 24 in., d. 21 1/2 in. [$150/250]

240. Modern Contemporary Mirrored Parcel Gilt and Painted Bar, by Monarch, h. 34 in., w. 33 1/2 in., d. 18 in. [$700/1000]

243. Set of Six Contemporary Upholstered Roundabout Chairs, bamboo-style legs, h. 35 1/2 in., w. 23 in., d. 22 in. [$500/700]

242. Modern Parcel Gilt and Painted Credenza, by E. J. Victor, marble top, h. 37 in., w. 65 1/4 in., d. 26 in. [$1000/1500]

244. Contemporary Painted Side Table, single drawer, brass pull, h. 34 in., w. 34 in., d. 19 in.

[$100/150]

245. Pair of Contemporary Chrome Armchairs, h. 28 1/2 in., w. 29 in., d. 30 in.

[$400/600]

Provenance: Michael W. Murphy, El Dorado, AR.

247. Modern Contemporary Steel and Wood Credenza, ten drawers, h. 38 in., w. 48 in., d. 12 in. [$300/500]

246. Pair of Contemporary Upholstered Club Chairs, stylized Art Deco inspired design, h. 27 1/2 in., w. 39 in., d. 33 in.

[$300/500]

Provenance: Michael W. Murphy, El Dorado, AR.

248. Pair of Contemporary Upholstered Club Chairs, h. 36 in., w. 33 in., d. 36 in.

[$300/500]

250. Paul Stankard (American, b. 1943) Glass Botanical Paperweight, 1983, signed and dated, and numbered “52”, h. 3 3/4 in., w. 2 1/4 in., d. 2 1/4 in.

[$1000/1500]

Provenance: Brunk Auction, NC, Sept. 12, 2014, lot 48

249. Marvin Lipofsky (American, b. 1938), “Stockholm Series #11”, 1989-1992, signed, titled, numbered and dated in etch; “Stockholm Series/ #11 1989-92”, cut and sandblasted moldblown glass, h. 14 in., w. 16 in., d. 12 in. [$3000/5000]

251. Paul Stankard (American, b. 1943) and Jim D’Onofrio (American, b. 1951) Glass Botanical Paperweight, 1981, signed and dated, and numbered “25”, h. 4 1/2 in., w. 2 3/8 in., d. 2 3/8 in.

[$700/1000]

252. Paul Stankard (American, b. 1943) Glass Botanical Paperweight, 1996, signed and dated, and numbered “F11”, featuring a dragonfly, flowers, and a group of “root people”, h. 4 3/8 in., w. 2 3/4 in., d. 2 1/2 in.

[$1800/2500]

253. Paul Stankard (American, b. 1943), Glass Paperweight, 1993, signed and dated, also with “PS” cane monogram, h. 1 5/8 in., dia. 2 3/8 in. [$400/600]

254. Michael and Frances Higgins Fused Glass “Owl” Plaque, by Higgins Studio, etched signature “higgins”, original Studio metal-clad wood frame, glass 7 1/2 in. x 8 1/2 in., framed, overall 12 1/4 in. x 13 1/4 in. [$300/500]

256. Lalique “Memphis” Clear Glass Center Bowl, engraved “Lalique France” and numbered “225/299”, h. 7 3/4 in., w. 18 1/4 in., d. 7 3/4 in. [$200/300]

Provenance: Dr. Roger Hatchette, New Orleans, LA.

255. Michael and Frances Higgins Fused Glass “Flowers” Plaque, by Higgins Studio, etched signature “higgins”, original Studio metal-clad wood frame, glass 13 1/2 in. x 9 1/8 in., framed, overall 17 in. x 12 1/4 in. [$300/500]

257. Lalique “X’ian” Glass Vase, engraved “Lalique France”, molded with dragons and scales, h. 7 3/4 in., dia. 7 1/2 in. [$300/500]

258. Thirteen Val St. Lambert Crystal Candlesticks, marked, h. 11 in. [$500/700]

261. Carole Perry Fused Glass Bowl, h. 3 in., w. 5 in. d. 5 1/2 in. [$150/250]

259. Scott Gamble Glass Vase, 2013, signed and dated, h. 22 3/4 in., w. 10 in., d. 3 in. [$300/500]

260. Carole Perry (American/Contemporary), “Calypso”, fused glass strands, signed, h. 8 1/2 in., dia. 13 in. [$300/500]

262. Carole Perry Glass Bowl, fused glass strands, signed, h. 9 1/2 in., w. 17 in., d. 13 in. [$300/500]

263. Lino Tagliapietra (Italian, b. 1934) Glass Vase, 1982, signed and numbered 14/100, h. 8 3/8 in., dia. 8 1/2 in. [$100/150]

265. Luigi Onesto for Oggetti Murano Glass Vase, Oggetti label, and signed “L. Onesto/Murano”, h. 13 in., w. 11 in., d. 4 3/4 in. [$300/500]

264. Jamie Harris Glass Vase, 2001, signed, blown, cut, acid polished, from the “Heated Orb” series, h. 15 in., w. 11 in., d. 5 in. [$300/500]

266. Cenedese Scavo Murano Glass Vase, green glass with ribbed design, h. 10 in., dia. 8 in. [$200/300]

Provenance: Rigattieri, Venice, 1987; Toomey, September 15, 2013, lot 754

267. Austrian Art Nouveau Bronzed Pewter-Mounted Glass Vase, c. 1905, Rindskopf, green iridescent glaze with swirls of white, purple and orange, h. 6 3/4 in. [$300/500]

268. Danny Frolich (American/Louisiana, 20th c.), “Bayou Landscape”, 1970, oil on canvas, signed and dated lower right, 20 in. x 36 in., framed, overall 25 1/4 in. x 41 1/4 in. x 2 1/4 in. [$200/300]

Provenance: Neal Auction, May 25, 2023, lot 58.

269. Rise Delmar Ochsner (American/Louisiana, b. 1944), “Table and Chairs”, acrylic on gallery-wrapped canvas, signed lower right, 48 in. x 60 in., unframed. [$1000/1500]

270. Sylvaine Sancton (French/Louisiana, 20th c.), “Abstract Composition with Red and Orange Horizontal Stripes”, oil on canvas, signed en verso, 51 1/8 in. x 38 1/8 in., unframed. [$1000/1500]

271. Charles Fritchie (American/ Louisiana, 1936-2013), “Three Figures”, 1993, 3 bronzes, each signed and 2 dated on self-bases, h. 4 in., w. 27 1/2 in., d. 14 1/4 in. to h. 38 in., w. 12 in., d. 9 in. (3 pcs.). [$500/700]

Provenance: Neal Auction, Sept. 12, 2015, lot 778.

272. Charles Fritchie (American/Louisiana, 19362013), “Nude”, 1998, bronze, signed and dated on proper right leg, h. 18 in., w. 6 1/2 in., d. 4 in. [$700/1000]

273. Charles Fritchie (American/ Louisiana, 1936-2013), “Man Wearing Shorts”, 2005, bronze, signed and dated on self-base, h. 26 1/2 in., w. 8 1/4 in., d. 8 3/4 in. [$300/500]

Provenance: Collection of the Artist; Neal Auction, Nov. 22, 2015, lot 1228.

274. Edward Whiteman (American/Louisiana, b. 1938), “Quilted Snapshot”, mixed media on reconstructed paper stitched and mounted to board, initialed lower left, 53 3/4 in. x 46 in., framed, overall 57 7/8 in. x 50 3/4 in. x 1 3/8 in.; with letter of purchase/donation from Ogden Museum . (2 pcs.)

[$1000/1500]

Provenance: “O What a Night! Gala and Auction”, Ogden Museum of Southern Art, New Orleans, LA, 2017, lot 7.

275. Frank Fleming (American/Alabama, 1940-2018), “Christmas Ornaments”, 35 unglazed ceramics, wire and ribbon, 31 signed, h. 7 in., w. 1 1/4 in., d. 1/4 in. to h. 16 1/2 in., w. 1 1/4 in., d. 1/4 in. (35 pcs.)

[$3000/5000]

276. Frank Fleming (American/Alabama, 19402018), “Easter Basket”, 1977, 19 glazed ceramic eggs and one unglazed ceramic basket, signed and dated on basket, h. 14 in., w. 10 in., d. 9 3/4 in. (20 pcs.)

[$2000/3000]

278. Frank Fleming (American/Alabama, 1940-2018), “Banana Phallus”, bronze, unsigned, h. 10 1/2 in., w. 8 1/4 in., d. 3 in.

[$1500/2500]

277. Frank Fleming (American/Alabama, 1940-2018), “Lily and Vase”, 2000, glazed and unglazed ceramic, signed on lily stem, inscribed “Holder” and dated on underside of vase, h. 15 in., w. 7 1/2 in., d. 3 1/2 in. (2 pcs.) [$600/800]

Provenance: The Estate of Caroline P. Ireland.

279. Frank Fleming (American/Alabama, 19402018), “Spirit Sticks”, 3 telephone wire wrapped bamboo sticks, one signed, h. 59 in., dia. 2 3/4 in. to h. 72 in., dia. 3 1/8 in. (3 pcs.)

[$700/1000]

280. José-Maria Cundín (Spanish/Louisiana, b. 1938), “Vaca-Mundi”, 2002, mixed media on panel, signed and dated lower left, 12 5/8 in. x 15 1/4 in., unframed. [$400/600]

281. José-Maria Cundín (Spanish/ Louisiana, b. 1938), “Obelisco de Jade para un Jardín Mexicano (Homenaje a Jorge Palomino y Cañedo)”, 1997, painted plywood, signed, titled and dated on ledge, h. 100 3/4 in., w. 21 in., d. 20 3/4 in. [$600/800]

282. George Valentine Dureau (American/Louisiana, 1930-2014), “Man Standing beside a Tripod”, oil on gallery-wrapped canvas, signed lower right, 76 in. x 47 1/4 in., unframed. [$4000/6000]

Provenance: Joel N. Weinstock Collection, New Orleans, LA; Neal Auction, Sept. 12, 2015, lot 741.

283. George Valentine Dureau (American/Louisiana, 1930-2014), “Stanley K as Oedipus”, oil on gallery-wrapped canvas, signed lower right, 76 in. x 47 in., unframed; together with Sarah Benham (American/Louisiana, b. 1941), “George Dureau, Painter, Photographer, New Orleans”, negative creation date 1977, print date 1979, gelatin silver print, signed and dated lower right, titled lower left, 14 in. x 11 in., unframed. (2 pcs.) [$7000/10000]

284. Robert Helmer (American/ Louisiana, 1922-1990), “Horse and Sun”, 1958, color linocut, signed and dated lower right, sheet 26 in. x 18 in., unframed. [$400/600]

Provenance: Orleans Gallery, New Orleans, LA, c. 1959.

285. Jean Seidenberg (American/Louisiana, 1930-2022), “Kneeling Female Nude”, bronze relief mounted on wood plaque, unsigned, h. 9 1/4 in., w. 8 in., d. 1 1/8 in., overall h. 13 1/8 in., w. 13 1/8 in., d. 1 7/8 in. [$400/600]

Provenance: Neal Auction, Sept. 12, 2015, lot 725

286. James Louis “Jim” Steg (American/Louisiana, 1922-2001), “Picnic Scene”, 1964, collagraph, pencil-signed, titled, dated and numbered “20/25” lower margin, 23 1/2 in. x 34 3/8 in., framed, overall 32 in. x 12 in. x 1 1/4 in. [$150/250]

287. James Steg (American/Louisiana, 1922-2001), “Head B”, 1988, mixed media on paper laid on panel, signed and dated lower right, titled en verso, label with artist and title on backing paper, 15 15/16 in. x 11 in., framed, overall 18 in. x 13 in. x 1 1/2 in.

[$200/300]

288. James Steg (American/Louisiana, 1922-2001), “Lolita Head”, 1988, mixed media on paper laid on panel, signed and dated lower right, titled en verso, “Hall Barnett Gallery, Inc., New Orleans, LA” label with artist and title on backing paper, 16 3/4 in. x 10 7/8 in., framed, overall 18 7/8 in. x 12 7/8 in. x 1 1/2 in.

[$200/300]

289. James Steg (American/Louisiana, 1922-2001), “Blue Head (Like a China Doll)”, 1989, mixed media on paper laid on panel, signed and dated lower right, titled en verso, “Hall-Barnett Gallery, Inc., New Orleans, LA” label with artist and title on backing paper, 16 1/4 in. x 11 in., framed, overall 18 1/4 in. x 13 in. x 1 1/2 in.

[$200/300]

290. George Bauer Dunbar (American/Louisiana, 1927-2024), “Coin du Lestin”, palladium leaf on black clay, signed lower center, 48 in. x 42 in., framed, overall 49 in. x 43 in. x 2 in. [$20000/30000]

291. Roc Paul (Rhodesian/ Louisiana, b. 1958), “Male Torso”, glazed ceramic, unsigned, h. 18 1/2 in., w. 11 in., d. 9 in., wood base, overall h. 19 in.

[$400/600]

292. Ray Donley (American/Texas, b. 1950), “Spanish Gentleman”, 2002, oil on canvas, signed upper right, signed and dated en verso, 20 in. x 16 in., framed, overall 24 1/2 in. x 20 1/2 in. x 1 1/8 in.

[$600/800]

Provenance: F8 Gallery, Austin, TX, 2002

293. Jere Hardy Allen (American/Mississippi, b. 1944), “Portraits of Women”, 1988/1990/2003, 3 mixed medias on paper, 2 signed and dated mid-right, one signed and dated mid-left, each 30 in. x 22 1/4 in., framed, each overall 40 1/2 in. x 32 3/8 in. x 1/4 in. to 42 in. x 34 in. x 1 1/4 in. (3 pcs.) [$300/500]

294. Jere Hardy Allen (American/ Mississippi, b. 1944), “Female Figure”, 2005, oil on gallery-wrapped canvas, signed and dated lower right, 48 in. x 36 in., unframed. [$1200/1800]

Mitchell

295.

Gaudet (American/Louisiana, b. 1962), “Head”, glass, unsigned, h. 10 1/4 in., w. 6 in., d. 4 in. [$200/300]

296. Chris Roberts-Antieau (American/Louisiana, b. 1950), “Lifted”, embroidered fabric appliques mounted to board, signed and titled on frame, 38 in. x 20 3/4 in., original artist frame, overall 41 7/8 in. x 24 3/8 in. x 2 3/4 in.

[$600/800]

297. Billy Solitario (American/Louisiana, b. 1972), “Oysters”, 2013, oil on canvas, signed and dated lower right, 48 in. x 48 in., unframed. [$1800/2500]

298. George Rodrigue (American/Louisiana, 1944-2013), “We Will Rise Again”, 2005/2006, silkscreen, pencil-signed lower right, extensive remarque with Blue Dog, Oak Tree and Fleur de Lis, additional signature and “2006” lower margin, exhibition card attached to backing paper, 23 1/4 in. x 16 1/2 in., framed, overall 39 in. x 30 7/8 in. x 1 1/2 in. [$1500/2500]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970-2007 New York: Abrams, 2008, p. 232.

300. Hunt Slonem (American/ Louisiana, b. 1951), “Blue Diamond”, 2022, oil and diamond dust on panel, signed, titled, dated and inscribed “CX2129” en verso, 10 in. x 8 in., framed, overall 13 3/4 in. x 11 3/4 in. x 1 1/2 in.

[$4000/6000]

301. Hunt Slonem (American/ Louisiana, b. 1951), “Sonny”, 2020, oil and diamond dust on panel, signed, titled, dated and inscribed “CSR0955” en verso, 10 in. x 8 in., framed, overall 20 1/4 in. x 18 1/4 in. x 1 3/4 in.

[$4000/6000]

302. Hunt Slonem (American/ Louisiana, b. 1951), “Mix Leap”, 2023, oil on panel, signed, titled, dated and inscribed “CX2803” en verso, inscribed on reverse of frame, 10 in. x 8 in., framed, overall 13 1/8 in. x 11 1/8 in. x 1 in.

[$4000/6000]

303. Julian Harr (American, 20th c.), “Reverse Mermaid Table”, carved wood, mixed media and glass, unsigned, h. 23 1/2 in., w. 74 1/4 in., d. 23 in. [$3000/5000]

Andrew LaMar Hopkins (American/Louisiana, b. 1977), “Desiree Josephine Duplantier”, 2022, oil on board, initialed and dated mid-right, signed, titled and dated en verso, 3 5/8 in. x 2 3/4 in., framed, overall 6 3/4 in. x 5 in. x 3/4 in. [$1000/1500]

2018,

Andrew

(American/Louisiana,

Birth of

on canvas, signed, dated and inscribed “AP 1/4” lower left, signed and dated in plate lower right, 11 5/8 in. x 14 3/8 in., framed, overall 13 1/2 in. x 16 1/4 in. x 1 1/4 in. [$800/1200]

305.

LaMar Hopkins

b. 1977), “The

Creole Venus”,

giclee

304.

306. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “T.D.B.L. Presents Tionne Franklin is a Chickenhead” and “T.D.B.L.

Presents Rip Redd Foxx”, 2014, 2 ink and markers on paper, each signed and initialed multiple times, one titled and dated lower left, one lower right, each signed and inscribed en verso, each 8 in. x 8 in., unframed. (2 pcs.) [$300/500]

307. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “Tyson Kickin’ Butt” and “Tyson Vs. Bonecrusher”, 2022, 2 markers on paper, each signed and dated lower right, both titled lower center, each initialed lower left, both signed and inscribed en verso, 8 in. x 10 in. and 10 in. x 8 in., unframed. (2 pcs.) [$300/500]

308. David Harouni (Iranian/Louisiana, b. 1962), “Untitled: Face”, oil on unstretched linen stitched to board, signed lower right, 25 1/2 in. x 23 1/2 in., framed, overall 31 in. x 28 in. x 1 1/8 in. [$1200/1800]

309. Setchie Sino (American/Louisiana, 20th c.), “Abstract Composition”, oil on canvas, signed lower left, 36 in. x 48 in., unframed. [$400/600]

310. Kennith Humphrey (American/Mississippi, 19642023), “Mother and Child”, 2001, acrylic and oil pastel on paper, signed and dated lower right, 22 1/4 in. x 15 1/4 in., framed, overall 24 3/4 in. x 17 5/8 in. x 1 in. [$600/800]

Provenance: Attic Gallery, Vicksburg, MS.

311. Lucy Mazzaferro (American/Mississippi, 20th c.), “Lemons”, oil on canvas, signed lower left, 5 1/8 in. x 7 1/8 in., framed, overall 13 in. x 15 in. x 2 in.

[$400/600]

312. Françoise Gilot (French, 1921-2023), “New Orleans, France-Louisiana Festival, 4-141975”, 1975, offset lithograph, signed in plate, “Aardvark Studios, Metairie, LA” stamp and “Robert F. Castro, Inc., Aardvark, New Orleans, LA” label on backing board, 24 3/4 in. x 16 3/4 in., framed, overall 29 in. x 20 1/2 in. x 3/4 in.

[$600/900]

313. Caroline Wogan Durieux (American/Louisiana, 18961989), “Untitled: Abstract”, clichéverre, pencil-signed and inscribed “artist proof” lower right, sheet 19 3/4 in. x 15 7/8 in., unframed.

[$300/500]

314. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Armageddon”, cliché-verre, pencilsigned and titled lower margin, sheet 19 3/4 in. x 15 3/4 in., unframed.

[$500/700]

315. George Valentine Dureau (American/Louisiana, 1930-2014), “A Carnival Bestiary, Mardi Gras New Orleans”, 1979, silkscreen, pencil-titled, numbered “1319/5000”, personalized and “PC” blind stamp lower margin, signed in plate, printed and published by Pro Creations Publishing, New Orleans, sheet 37 in. x 24 in., matted, overall 39 1/4 in. x 27 1/4 in.

[$300/500]

316. After Ernest J. Bellocq (American/Louisiana, 1873-1949), “Untitled: Seated Storyville Woman, White Background”, c. 1912 negative creation date, c. 1960 print date, gelatin silver print, printed from the original glass negative by Dan Leyrer (American/New Orleans, 1898-1978), “Al Rose, P.O. Box 613, Key Largo, Fla.” stamp and inscribed en verso, exhibition label with artist and print information on backing paper, 10 in. x 8 in., framed, overall 16 1/2 in. x 13 3/4 in. x 1 in.

[$800/1200]

Provenance: Estate of Al Rose from Larry Borenstein, New Orleans, LA; Neal Auction, Dec. 6, 2003, lot 73; Private Collection.

317. Richard Sexton (American/Louisiana, b. 1954), “The Highway of Temptation and Redemption: A Gothic Travelogue in Two Dimensions”, 2004, special edition book portfolio, pencil-signed, numbered “13/100” and “RS” blind stamp on title page, published by Capitola Art Press, New Orleans, in original clamshell folio with artist title plaque, overall h. 5/8 in., w. 10 3/4 in., d. 9 1/8 in. [$500/800]

318. William Eggleston (American/Mississippi, b. 1939), “Untitled (Street, Approaching Storm)”, negative creation date 1980, print date 2001, C-print on Fuji Crystal Archive paper, signed lower right, inscribed “EAT#015.210” and “The Eggleston Artistic Trust” stamp with artist, title, dates and numbered “1/2” en verso, 3 “Christie’s” labels, “SK Josefsberg Studio, Inc., Portland, OR” label and “Rose Gallery, Santa Monica, CA” label with artist, title, date and provenance on backing board, “Christie’s” label on backing paper, 16 in. x 20 in., framed, overall 24 in. x 28 3/4 in. x 3/4 in.

[$3000/5000]

Provenance: Collection of Eggleston Artistic Trust; Collection of Bruce and Nancy Berman, Los Angeles, CA; “Photographies”, Christie’s, Paris, France, Nov. 16, 2012, lot 8.

319. Beth Lambert (American/Louisiana, 20th c.), “#7 Pharrel Happy”, 2012-13, digital photograph on magnet on sheet metal, signed, titled and dated en verso, 20 1/4 in. x 26 1/4 in., unframed.

[$400/600]

320. Sandra Russell Clark (American/Louisiana, b. 1949), “Rosedown, La” and “Avery Island, La”, 2 hand-colored gelatin silver prints from infrared film, each signed lower right, signed, titled and numbered “4/50” and “2/50” en verso, sheets 16 in. x 20 in. and 20 in. x 16 in., unframed. (2 pcs.)

[$600/800]

321. Sandra Russell Clark (American/Louisiana, b. 1949), “Winterthur, Delaware”, hand-colored gelatin silver print from infrared film, signed lower right, signed, titled and numbered “1/50” en verso, sheet 16 in. x 20 in., unframed.

[$700/1000]

322. Johnny Donnels (American/Louisiana, 1924-2009), “Eye of the Storm”, “Desire” and “Spring Rain”, 3 gelatin silver prints mounted to board, each signed and 2 titled on mount, 8 7/8 in. x 12 5/8 in. to 11 in. x 9 3/4 in., unframed. (3 pcs.)

[$200/300]

323. David Halliday (American/ New York, b. 1958, active New Orleans, 1991-2016), “Seated Nude”, 1996, sepia-toned silver gelatin print, pencil-signed, dated and numbered “1/15” lower margin, “David C. Halliday Copyright” blind stamp visible, 15 5/8 in. x 15 5/8 in., framed, overall 20 1/2 in. x 20 1/4 in. x 5/8 in.

[$300/500]

324. George Valentine Dureau (American/Louisiana, 1930-2014), “David Kopay II”, negative creation date 1971, later print date, 120 mm color negative blow up laid on board, signed lower right, same image signed lower right laid on reverse of mount, 30 in. x 30 in., framed, overall 31 3/8 in. x 31 3/8 in. x 1 in. [$800/1200]

325. Pair of Regency-Style Bronze Mahogany Bar Carts, h. 26 1/2 in., w. 28 1/2 in., d. 15 in. [$1200/1800]

326. Hollywood Regency-Style Mirrored Chest of Drawers, h. 30 in., w. 25 1/4 in., d. 16 1/4 in. [$300/500]

OF BUILDING COLLECTIONS

Neal Auction Company was founded June 7, 1984 by the late John R. Neal, noted collector and authority on 19th century American decorative arts.

From the beginning, Neal Auction Company has had a core focus on the history and material culture of the Lower Mississippi River Valley, which has led to our discovery of rare examples of furniture, paintings and decorative arts of the region, many of which are now in important institutional and private collections.

Our history includes legendary onsite auctions of important historic collections, notably the Sisters of Mercy Convent, Vicksburg, MS in 1984, and Houmas House Plantation, Darrow, LA in 2003, as well as block-buster sales of private collections such as the estate of author and tastemaker Julia Evans Reed in 2021.

Over the past forty years, we have enjoyed a frontrow seat to the ever-evolving market trends in taste and collecting, as we assist in dispersing estates and introducing the objects to new collections.

Today’s savvy collectors particularly respond to the eco-conscious aspect of recycling objects via auction. They recognize that they are seeking out unique objects with a history, not “cookie-cutter” mass-produced “disposable” goods.

As we enter our 5th decade, Neal Auction Company continues to be family-owned and locally managed, serving our New Orleans and regional community. We are proud to be one of Magazine Street’s landmark businesses, having debuted at 4139 Magazine then subsequently relocating to our 4038 Magazine address in 1990.

Auctioneers of Antiques & Fine Art

Confidential Absentee / Telephone Bid Form

FIRST NAME: COMPANY: ADDRESS: CITY: PHONE: LAST NAME: EMAIL: STATE: ALT PHONE:

VISA / MC / AMEX / DISCOVER - REQUIRED FROM ALL BIDDERS

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. No exceptions.

PLEASE REVIEW THE GUIDELINES FOR BIDDING:

1. All absentee bids must be in our gallery by 5 P.M. CST the day prior to the auction.

2. In the event identical bids are submitted, the earliest bid received will take precedence.

3. A deposit must accompany all bids, A credit card number is required for securing bids.

4. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

5. In the event of discrepancies, lot number and not lot description will take precedence.

AUCTION SCHEDULE

John R. Neal (1940-2018), Founder

Michelle LeBlanc Leckert, CAI President

Katherine Hovas

Senior Vice President

Marc Fagan Vice President Consignments

ADMINISTRATION

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI

Client Services / Accounts Receivables

Rebekah Abernathy

Database Management / Internet Auction Administrator

Lisa Weisdorffer

Marketing & Social Media

Cameron McHarg

General Manager

Jason Leckert

Administrative Assistant

Claire Whitmore

GRAPHICS

Graphics Director / Catalogue Design

David Roberts

Photography

Gerard Lewis

Jorge Diaz

OPERATIONS

Operations Staff

Charlie Clay

Jerry Major

Richard McClain

Graphics Staff

Stephanie Do Ouro

Amanda Torres

CONSIGNMENTS

Paintings, Prints & Photography, Sculpture

Marney Robinson; Sophie Hirabayashi; Casey Foote; Renee Longon

Books, Maps & Natural History Prints, Modern Furniture

Marc Fagan

Antique Furniture & Decorative Arts

Jason Leckert

Silver & Decorative Arts

Katherine Hovas

Jewelry & Couture

Cameron McHarg

Fine Art Inventory Manager, Wine & Spirits

Casey Foote

Consignments Administrator

Heather Munch

AUCTION SERVICES

Trust & Estates Advisor

Henry G. McCall

Appraisals

Marc Fagan, Cameron McHarg

Madison Randolph

Adam Trepagnier

Decorative Arts Inventory Management

Charlie Clay

AUCTIONEERS

Michelle LeBlanc Leckert #1514

Bettine Field Carroll #1874

Marc Fagan #1935

Marney Robinson #2155

Cameron McHarg #2184

CATALOGUE CONSULTANTS

Asian Arts & Special Projects

Bettine Field Carroll

Decorative Arts & Victoriana

Ann M. Masson

Jewelry - GIA Graduate Gemologist

Stephen A. Moses