Winter Estates Auction Catalogue - January 27 & 28, 2018 by Neal Auction

Neal Auction Company

Neal Auction Company Important Winter Estates Auction January 27 & 28, 2018

January 27 & 28, 2018

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

ADMINISTRATION

AUCTIONEERS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Marc Fagan #1935

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

OPERATIONS Director of Operations Charles Lee Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Marvin Varnado

EXHIBITION STAFF

Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

CONSIGNMENTS Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

CATALOGUE CONSULTANTS Paintings & Fine Arts Claudia Kheel; Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes

Important Winter Estates Auction January 27 & 28, 2018 On Our Premises • 4038 Magazine Street & 3923 Carondelet Street

Featuring: Estate of Marian Mayer Berkett (1913-2017), New Orleans Fine Art and Maps from a Distinguished New Orleans Physician and Collector Modern Art and Sculpture from the Collection of Judy and the Late Morris (1939-2017) Massey, New Orleans Estate Collection, 1531 Exposition Blvd., New Orleans Antiquarian’s Collection of Important Aesthetic Movement Furniture and Decorative Objects Property from the Collection of E. John Bullard, New Orleans Property from a Texas Hill Country Ranch Estate Collection of Louisiana Art and Mardi Gras Memorabilia from the Golden Age Estate of Dr. Herman Walker, Houma, LA Additional Property from the Collection of the Sturm Family of Trinidad and St. Thomas

EXHIBITION beginning Monday, January 15, 10 a.m. to 5 p.m. Special Saturday Preview, January 20, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, January 25, 5 to 7 p.m. AUCTION SCHEDULE Saturday, January 27, 10 a.m., 4038 Magazine Street Sunday, January 28, 11 a.m., 3923 Carondelet Street

Neal Auction

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

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LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014, Fagan #1935

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Important Winter Estates Auction January 27 & 28, 2018

View Large Full Color Images Full Lot Descriptions by Category and Lot Number Order Request and View Condition Reports Submit Absentee and Telephone Bids W denotes the lot is illustrated at www.nealauction.com

Neal Auction Company is pleased to offer property from the Estate of Marian Mayer Berkett (1913-2017). When she died this past June at the age of 104, Ms. Berkett was Louisiana’s oldest attorney. She finished first in her Tulane Law School Class of 1937, and had the distinction of being the first woman attorney hired by a Louisiana law firm. Her career with the Deutsch Kerrigan firm would span seven decades. Ms. Berkett was named Tulane’s Outstanding Graduate in 1992, inducted into the inaugural class of the Tulane Law School Hall of Fame in 2013, and named Tulane’s Distinguished Alumna in 2016. She sat on numerous civic boards including the Community Chest and the National Conference of Christians and Jews. Berkett was believed to be the last surviving member of the People’s League, the anti-Huey Long organization which she helped to found in the 1930s with classmates Hale Boggs, Moise Steeg Jr. and James Coleman Sr.

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Living Life Colorfully: The Judy and Morris Massey Collection Neal Auction is pleased to present the modern art collection of Judy and the late Morris (1939-2017) Massey at auction.

Dr. Morris Massey moved to New Orleans with his wife Judy and twin boys in 1980, purchasing the residence built by architect Albert Ledner for Leonie Galatoire on Park Island near City Park. Morris quickly fell in love with the city’s arts community and became a supporter of the New Orleans Museum of Art, Young Aspirations Young Artists, and the galleries on Julia Street. Morris loved collecting and displaying art that moved him, including the famous leafy “Wonderwall” sculptures from the 1984 World’s Fair, which he installed “as a gift to the City” on his property overlooking Bayou St. John. Favoring local galleries, especially Arthur Roger Gallery, Morris spent many years acquiring pieces from Louisiana artists, such as John T. Scott and Ida Kohlmeyer. Additionally, Morris’s professional lecturing work took him around the world, where he purchased antiques and modern works from Europe, Asia, and Australia. Morris and Judy moved to Sedona, Arizona, in the early 2000s for several years before they ultimately returned to New Orleans, the city they called home. Like the bright, mixed-fabric Robert Graham shirts that would become Morris’s signature style, the couple lived life colorfully.

Session One Saturday, January 27, 10 am 4038 Magazine

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1. Pair of Art Deco Inspired Polychromed and Gilt Tables, attr. Louis Pistono, possibly Italian, glass tops, lotus bases, circular plinths, h. 23 3/4 in., w. 26 in., d. 26 in. $150/250

2. Alexei E. Kazantsev (Russian/New Orleans, b. 1966), “Weeping Torso”, Carrara marble, initialed “A.K.” lower right, h. 32 in., w. 15 in., d. 8 in. $600/800 Provenance: Carol Robinson Gallery, New Orleans; Koch Collection, Metairie, LA.

3. Constantine Kluge (Russian/Paris, 1912‑2003), “Le Quai Conti”, oil on canvas, signed lower right, 26 in. x 32 in., framed. $3000/5000 Provenance: Wally Findlay Galleries International, Paris, 1977.

7. Doulton & Co. Polychrome Faience “Indian” Octagonal Pedestal, late 19th c., removable top and side panels in an exotic relief, h. 26 1/2 in., dia. 13 in. $1000/1500 Ref.: Desmond Eyles and Louise Irvine, The Lambeth Doulton Wares, 2002, p. 196.

4. Bernard Buffet (French 1928‑1999), “Yellow Tulips”, color lithograph, signed and inscribed “E.A” lower margin, sight 17 in. x 12 1/2 in., framed. $300/500

5. Fritz Eichenberg (German/ American, 1901‑1990), Desiderius Erasmus In Praise of Folly, New York and Baltimore, Aquarius Press, 1972, portfolio of 10 original woodblock prints, each signed and editioned “78/150”, with Latin and English text, cloth covered folio, 19 in. x 12 in. $500/700

6. Fritz Eichenberg (German/ American, 1901‑1990), Fables with a Twist, Twenty Woodblocks and Twenty Twisted Tales, Peace Dale, RI, Fritz Eichenberg, 1976, portfolio of 20 woodblock prints, each signed, titled and editioned “27/100”, also signed on colophon, clamshell box, gilt‑titled leather spine and cover, 16 1/2 in. x 14 in. $500/700

8. Doulton & Co. Polychrome Faience “Indian” Urn, late 19th c., marked “Doulton Lambeth”, modeled in Hispano‑Moresque style with panels of flowers and foliage interspaced with elephant masks, h. 17 1/2 in., w. 20 1/2 in., d. 20 1/2 in. $1000/1500 Ref.: Eyles, Desmond and Louise Irvine. The Lambeth Doulton Wares. London: Barrie & Jenkins, 2002, p. 196

9. Pair of Chinese Export Famille Rose Porcelain Phoenix Birds, Qing Dynasty (1644‑1911), modeled standing on rockwork molded with peonies, h. 10 1/4 in. $500/700 Provenance: Sallea Antiques, New Canaan, CT, 2010.

11. Large Chinese Export Famille Rose Porcelain Punch Bowl, 18th/ early 19th c., decorated with floral and fruit sprays, base with “Henry Stern Antiques / New Orleans” label, h. 6 in., dia. 14 in. $400/600

10. Pair of Chinese Export Famille Rose Porcelain Phoenix Birds, Qing Dynasty (1644‑1911), modeled standing on rockwork molded with peonies, bases filled, h. 12 1/4 in., stands, overall h. 13 1/4 in. $300/500

12. Chinese Export Famille Rose Porcelain Charger, 18th c., decorated with a grasshopper amid colorful leaves and peonies, dia. 14 in. $400/600

13. Antique American Mixed Woods Folio Cabinet, early 20th c., molded top, six drawers, plinth base, h. 27 1/4 in., w. 42 1/2 in., d. 32 1/4 in. $250/350 14. Spanish Colonial/Cuzco School, mid‑17th/19th c., “Archangel Michael Defeating Satan”, oil on canvas, unsigned, 23 1/4 in. x 17 in., unframed. $600/800

15. Spanish Colonial School, mid‑17th/19th c., “John the Baptist”, oil on canvas, unsigned, 30 3/4 in. x 22 1/2 in., antique frame. $400/600

16. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Los Diplomaticos”, lithograph on paper, pencil‑signed and titled lower margin, artist label with title and pencil inscription “Edition of 10 prints” en verso of backing paper, 16 in. x 11 in., unframed. $700/1000 19. George Bellows (American, 1882‑1925), “Crucifixion of Christ (Mason 146)”, 1923, lithograph, pencil‑signed, titled and inscribed “Bolton Brown Imp.” lower margin, signed in plate lower left, edition of 65, 18 5/8 in. x 20 1/2 in., matted. $700/1000

17. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Queen of the Carnival”, lithograph on paper, pencil‑signed, titled and inscribed “printed by the artist ‑ 12 prints” lower margin, 13 3/4 in. x 9 3/4 in., unframed. $700/1000

20. Douglas Bourgeois (American/ Louisiana, b. 1951), “Torch”, 2009, linocut print on paper, pencil‑signed, titled, dated and numbered “3/63” lower margin, 10 in. x 8 in., framed. $500/800

18. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Spectators”, lithograph on paper, pencil‑signed and titled lower margin, 16 in. x 12 in., unframed. $700/1000

21. Douglas Bourgeois (American/ Louisiana, b. 1951), “Warrior”, 2012, linocut print on paper, pencil‑signed, titled, dated and numbered “99/100” lower margin, 5 3/4 in. x 4 in., framed. $500/800

23. Jim Dine (American, b. 1935), “White Robe on Black Paper”, 1977, lithograph on paper, pencil‑signed dated and numbered “29/100” lower, sheet 41 1/2 in. x 29 1/2 in., framed. $2000/3000

22. Louis Icart (French, 1888‑1950), “Miss America”, 1927, drypoint and aquatint with hand‑coloring on paper, pencil‑signed lower right, “Copyright 1927 by Les Graveurs Modernes ‑ 194 Rue de Rivoli ‑ Paris” printed upper left, oval 20 in. x 15 3/4 in., framed. $800/1200 25. Pair of Empire‑Style Patinated Bronze and Marble Figural Athéniennes, c. 1900, circular top, supported by bearded terms, shaped triangular base, hoof feet, h. 43 in., w. 19 in., d. 19 in., top dia. 12 1/2 in. $1000/1500

24. Pair of Antique Continental NeoclassicalStyle Verdigris Peinte Pedestals, each with rouge marble top, blocked frieze decorated with cast iron masks, stop-fluted tapered supports terminating in paw feet, stretcher shelf, incurvate triangular base, h. 39 in., dia. 17 in. $800/1200

26. Dutch Marquetry and Mixed Woods Side Table, possibly late 18th c., shaped top, small frieze drawer, turned standard, shaped sabre legs, h. 28 3/4 in., w. 23 1/2 in., d. 23 1/2 in. $500/700

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27. American Gothic Carved Birdseye Maple and Parcel Gilt Harp, c. 1875, Browne & Buckwell, New York, 45‑string double‑action pedal harp ornamented with carved tracery, gilt rosettes set in Gothic niches, lion’s paw feet, h. 69 1/4 in., w. 35 in., d. 18 in. $2500/3500

28. Grand Tour‑Style Molded Male Torso, 20th c., modeled after an Italian marble prototype, h. 20 1/2 in., w. 21 in., d. 7 in. $400/600

29. Bronze Bust of a Woman, unsigned, “Roman Bronze Works, Inc. NY” stamped on underside of proper left shoulder, h. 20 in., w. 17 in., d. 6 3/4 in., marble base, overall h. 24 in. $400/600

31. Vintage Philip and Kelvin LaVerne “Ming” Coffee Table, 1960s, rectangular top with etched and patinated bronze and pewter Chinese scene over wood, raised signature: “Phillip Kelvin LaVerne”, round legs, stretchers, underside with old shipping label: “1 ming #132 table” from “Gem Ston... / 204 E. 28th St. / New York City”, h. 17 1/8 in., w. 47 1/8 in., d. 24 1/8 in. $1500/2500

30. Bronze Figure of a Lady in Flowing Robes, after “The Spirit of Ecstasy” by Charles Sykes, inscribed signature on self‑base, h. 20 1/2 in., w. 14 1/2 in., d. 16 in., molded base with “Rolls Royce” insignia, overall h. 25 in. $800/1200

32. West Indies Bronze‑Mounted Mahogany Armchair in the Empire Taste, 19th c., incurvate crest rail, arm supports with bronze busts, square tapered legs, paw feet, h. 37 1/4 in., w. 23 1/2 in., d. 21 in. $500/700 Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture of the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, pp. 154, 177.

33. West Indies Carved Mahogany and Caned Meridienne, 19th c., Trinidad, attr. to French artisans, foliate-carved scrolled crest, conforming arm, molded seat rail, turned legs, casters, h. 35 in., l. 83 in., w. 21 3/4 in. $1200/1800 Provenance: The Sturm Collection. Note: The exaggerated foliate-scrolled crest rail on the West Indies méridienne offered here is an elegant example of the distinctive regional influence applied to European forms on Caribbean furniture. The dimensionality of the carving paired with the caned back and seat and bulbous-turned legs is closely related to nearly identical pieces illustrated in West Indian Antique Furniture of the Lesser Antilles by Philip Sturm. Starting around 1830, palm fronds, flowers, leaves, shells, and other local flora and fauna were used in carvings on all forms of furniture, such as the carving on the present lot. Ref.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740-1940. Antique Collectors’ Club: Suffolk, 2011, pp. 44, 151.

34. American Classical Parcel Gilt and Ormolu‑Mounted Rosewood Box Sofa, c. 1820, attr. to Duncan Phyfe, New York, die‑cut brass inlaid crest rail, columnar stiles, paneled seat rail, acanthus‑carved legs, casters, h. 32 1/2 in., l. 82 in., d. 25 in. $2000/3000 Note: The “Grecian” box sofa, a form first used by New York cabinetmaker Duncan Phyfe around 1820, is related to French Restauration and English Regency design. The form is a stylish example of what scholars consider to be the second phase of Phyfe’s work—a phase characterized by the revival of the ornamented Grecian style in French Empire design. The sofa offered as lot 35 is nearly identical to a “Grecian” box sofa in the collection of The Art Institute of Chicago, featuring a die-stamped brass border, columnar stiles, elegant rosewood veneer, bronze mounts, and foliate-carved giltwood legs. Ref.: Brown, Michael K., and Peter M. Kenny. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art and Yale University Press, 2011. pp. 79-82.

35. West Indies Carved Mahogany Armoire, 19th c., Trinidad, flared stepped cornice, paneled doors, fluted center stile, flanked by spiral turned colonnettes, shelf interior with belt of drawers, drum‑shaped feet, h. 75 7/8 in., w. 63 1/4 in., d. 29 3/8 in. $1500/2500

36. West Indies Carved Mahogany Tall Post Bedstead, acanthus-carved, reeded and spiral turned posts, melon finials, rope molded paneled headboard, tall turned feet, h. 97 in., l. 64 3/4 in., w. 51 3/4 in. $2000/3000

Provenance: The Sturm Collection. Ref.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, (related form) p. 164.

37. American Classical Carved Mahogany Dressing Table, early 19th c., Philadelphia, galleried two drawer superstructure, molded mirror on Ionic columnar supports, marble top, fitted frieze drawer with inset arch and gadrooning, column supports on incurvate plinth, acanthus carved paw feet, h. 84 in., w. 41 in., d. 21 1/2 in. $1000/1500

38. American Classical Carved Mahogany Poster Bed, c. 1820‑1840, probably Baltimore, extensively carved foliate and reeded posts, scrolled foliate crest, stick tester, paneled headboard, plain rails, conforming legs, turned feet, h. 97 in., l. 71 7/8 in., w. 54 1/4 in. $1500/2500

39. American Late Classical Figured Mahogany Armoire c. 1840, possibly Baltimore, cavetto cornice, paneled doors, later divided and shelf interior, plinth base, ball feet, h. 80 in., w. 52 1/2 in., d. 21 in. $1000/1500 Provenance: St. Delphine Plantation, West Baton Rouge Parish.

41. RegencyStyle Mahogany and LeatherBound Folding Library Ladder, brass nailhead trim, h. 102 3/8 in., w. 12 3/4 in. $600/900 42. English Carved Mahogany Library Steps, brass finial, turned standard, tooled leather treads, tapered feet, h. 60 1/2 in. $300/500

40. William IV Carved Walnut Folio Stand, 19th c., slatted supports, turned stretchers, trestle base, ball feet, h. 46 3/4 in., w. 31 1/2 in., d. 28 in. $800/1200

43. English Aesthetic Movement Carved and Ebonized Armchairs, c. 1868‑1885, after a design by E.W. Godwin, probably made by William Watt (active 1868‑1885), London, reticulated back, shaped arms, caned seat, X‑stretcher, tapered legs, h. 33 1/2 in., w. 20 1/2 in., d. 20 in. $1200/1800 Ref.: Soros, Susan, The Secular Furniture of E. W. Godwin. New York: Yale University Press, 1999, pp. 89‑91, plates 108‑110b (similar examples) and refer to the frontispiece illustration and plate 15 under “Old English or Jacobean Furniture” in Art Furniture Designed by Edward W. Godwin, F.S.A. and Manufactured by William Watt..., reprinted in Soros, pp. 363 and 271.

44. Vintage English Leather Trunk, probably late 19th c., hinged top with a silvered and enameled coronet, carrying handles, h. 12 3/4 in., w. 30 in., d. 19 in., on later mahogany stand, h. 18 1/2 in., w. 30 1/4 in., d. 19 1/4 in. $400/600

45. American Aesthetic Carved Walnut Etagere, late 19th c., galleried top, bobbin-turned beaded supports, serpentine shelves, base drawer, turned legs, casters, h. 56 in., w. 26 1/2 in., d. 15 in. $300/500

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46. American Egyptianesque Carved and Ebonized Armchair, c. 1875, possibly Pottier & Stymus, New York, New York, stylized falcon wing back panel, padded crest and arms on sphinx supports, reeded seat rail, turned and carved legs with lotus leaf detailing, h. 31 in., w. 27 in., d. 23 in. $1000/1500 Note: The Egyptian Revival of the late 19th century developed from a general cultural interest in the ancient world, which was rooted in the popularity of European Neoclassicism earlier in the century. By the 1870s, stylish New York cabinetmakers, such as the firm of Pottier & Stymus, incorporated Egyptian motifs in furniture, like those on the chair in the lot shown here. The chair’s distinctively Egyptian features, including the winged orb, lotus blossoms, and sphinx arms, and the chair’s overall angular design are nearly identical to three other documented examples in the collections of Atlanta’s High Museum of Art, the Museum of the Rhode Island School of Design, and the Philadelphia Museum of Art (accession no. 1975-126-1).

47. Three Modern Gothic Ebonized Chairs, late 19th c., after a design by E.W. Godwin (1833‑1886), incl. armchair and two side chairs, button tufted backs with reticulated rail, bracketed stiles, lion’s mask arm terminals, shaped seat rail, paw feet, armchair h. 36 1/2 in., w. 31 1/2 in., d. 30 1/4 in., side chair h. 31 3/4 in., w. 23 1/4 in., d. 22 in. $500/700

Ref.: Pierce, Donald C. Art & Enterprise: American Decorative Art, 1825-1917, The Virginia Carroll Crawford Collection. Atlanta: The High Museum of Art, 1999, pp. 142-145; Monkhouse, Christopher P., et. al. American Furniture in Pendleton House. Providence: Museum of Art, Rhode Island School of Design, 1986, pp. 136, 193-194.

48. Antique English Mahogany Folding Library Steps, 19th c., inset brass rivets, shaped steps, h. 35 in., w. 15 1/2 in., d. 30 in. $400/600

49. English Carved Rosewood Pole Screen, 19th c., needlepoint screen, turned standard, circular base, scrolled feet, h. 61 in., w. 18 in., d. 16 in. $300/500 52. Pair of English Carved Oak Collector’s Cabinets, early 20th c., possibly Heals & Co., London, molded tops, locking side panels, bank of drawers, each labeled with hand‑painted number, plinth base, h. 58 in., w. 29 1/2 in., d. 19 1/2 in. $800/1200

55. Thornton, Robert John. Temple of Flora, or Garden of the Botanist, Poet, Painter, and Philosopher, London, 1812, small folio (15 1/4 in. x 11 3/4 in.), engraved title over two leaves, hand‑colored plate (“Flora dispensing her Favours on the Earth”), 2 uncolored plates (“Cupid, Flora, Ceres, and Esculapius, Honouring the Bust of Linnaeus” and “Cupid inspiring Plants with Love”), with 28 stipple engravings with aquatint or mezzotint (inc. the Persian Cyclamen, not found in some copies), red straight‑grained morocco tooled in gilt and blind, gilt edges, with custom cloth‑covered clamshell box. $5000/7000

50. Continental Neoclassical-Style Carved and Painted Pedestal, shaped foliate‑carved top with guilloche frieze, ram’s heads, fluted standard, hoof feet, shaped plinth base, h. 39 1/4 in., w. 17 in., d. 17 in. $500/750

53. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Pines”, watercolor on paper, initialed lower left, later pen inscription en verso, 20 in. x 15 in., framed. $2500/3500

51. Continental Carved, Polychromed and Ebonized Walnut Figural Side Table, demilune glass top, foliate carved frieze, dolphin standard, shaped base, scrolled feet, h. 31 3/4 in., w. 23 1/2 in., d. 13 1/2 in. $300/500

54. William Woodward (American/New Orleans, 1859‑1939), “Feeding the Ducks by the Pier, New England”, 1890, watercolor on paper, signed and dated lower left, 16 in. x 22 in., framed. $2500/3500

56. [Rare Uncolored Proof] Dr. Robert John Thornton/Publisher, 2 examples of “The Superb Lily”, one hand-colored mezzotint with aquatint; and an uncolored proof plate, also without lettering, from The Temple of Flora, 1799, sight 29 in. x 15 in., matted and framed alike. $1500/2500

58. Pair of Antique North American Hand-Colored Engravings, “Quebec” and “A View of Philadelphia from Belmont”, 1873/1874, from Picturesque America, sights 7 ½ in. x 12 in., framed alike. $150/250

57. Dr. Robert John Thornton/ Publisher, “The White Lily with Variegated Leaves” and “The Blue Egyptian Water Lily”, 2 hand‑colored engravings with mezzotint, from Temple of Flora; or Garden of Nature, 1798‑1812, sights 19 1/2 in. x 14 1/2 in. and 19 1/2 in. x 15 1/2 in., framed. $800/1200

59. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Ursuline Convent (Boyer 95)”, “Clothing Store (Boyer 15)”, “707‑709 Rue Dumaine, Double Parapet House (Boyer 76, fig. 39)”, 1931, and “Grocery and Bar (Boyer 35, fig. 40)”, 4 etchings on paper, each initialed “E.W.” and one dated in plate, 7 1/2 in. x 9 1/2 in. to 8 1/4 in. x 9 1/2 in., unframed. (4 pcs.) $1000/1500

61. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Blue Jays”, watercolor on paper, unsigned, copy of estate certificate and “Bryant Galleries, Jackson” label en verso of backing paper, 8 1/2 in. x 11 in., framed. $8000/12000

63. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Monostitch”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100” lower edge, sheet 6 1/4 in. x 6 3/4 in., float‑mounted and framed. $600/900

67. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Encircled”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100”, sheet 7 1/2 in. x 7 1/2 in., float‑mounted and framed. $600/900

60. Ellsworth Woodward (American/New Orleans, 1861‑1939), “707‑709 Rue Dumaine, Parapet Double House (Boyer 77)”, “Tinsmith Shop I, 612 Royal St. (Boyer 90)”, “Corner Ursuline, 1040 Chartres (Boyer 16, fig. 14)”, 1931, and “Courtyard with Pigeons, Cabildo (Boyer 18)”, 4 etchings on paper, each initialed “E.W.” and one dated in plate, 9 3/4 in. x 8 in. to 8 in. x 9 1/2 in., unframed. (4 pcs.) $1000/1500

62. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “Landscape with Deer and Porcupine”, 1944, watercolor on paper, signed and dated lower left, inscribed lower right, 14 in. x 18 in., framed. $1000/1500

64. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Landscape with Four Xs”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100” lower edge, sheet 4 1/4 in. x 7 in., float‑mounted and framed. $600/900

68. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Landscape with Two Xs”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100” lower edge, sheet 5 1/2 in. x 4 5/8 in., float‑mounted and framed. $600/900

65. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Cupid’s Work”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100” lower edge, sheet 6 1/2 in. x 4 in., float‑mounted and framed. $600/900

66. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Quiet Boxes”, from the “Diminutive” series, 1979, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated, and numbered “75/100” lower edge, sheet 6 1/4 in. x 7 1/2 in., float‑mounted and framed. $600/900

69. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Blue Hummingbird on a Branch”, watercolor on paper, signed lower right, 17 in. x 12 in., framed. $1200/1800

Additional information at www.nealauction.com

70. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Tending the Garden, Vieux Carré Patio”, oil on canvas, signed lower left, stamped “Devoe” on stretcher bar, 18 in. x 14 in., period frame. $2000/3000 Provenance: Estate of the artist, Mandeville, LA; descended in the family.

71. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Sunrise in Fog, Bayou Barataria, Louisiana”, 1933, oil on canvas, signed and dated lower left, signed, titled, dated and inscribed en verso, 10 in. x 20 in., period frame. $3000/5000

73. David Harouni (American/New Orleans, b. 1962), “Untitled: Triptych”, oil on gallery‑wrapped canvas, one panel signed lower right, 2 panels signed en verso, overall 7 7/8 in. x 23 5/8 in., unframed. (3 pcs.) $2000/3000

72. Clarence Millet (American/New Orleans, 1897‑1959), “Cathedral After Rain ‑ New Orleans”, oil on canvas board, signed lower right, signed and titled en verso, 14 3/4 in. x 17 3/4 in., period frame. $8000/12000

74. Hunt Slonem (American/Louisiana, b. 1951), “3 Rabbits”, 2012, oil on board, signed, titled, dated and inscribed en verso, 23 1/6 in. x 15 1/2 in., framed. $2500/3500

75. Clyde Connell (American/Louisiana, 1901‑1998), “No. 2: Figures”, 1986, mixed media on handmade paper, initialed “C.C.” lower right, pencil‑signed, titled, dated “May 1986” and inscribed en verso, 17 in. x 12 in., framed. Provenance: Private Collection, Dallas, TX. $1000/1500

76. Clyde Connell (American/Louisiana, 1901‑1998), “Untitled: Figures”, 1986, mixed media on handmade paper, initialed “C.C.” and dated lower right, pencil‑signed and dated en verso, 21 1/4 in. x 17 in., framed. $1000/1500 Provenance: Private Collection, Dallas, TX.

77. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Study: Girl Reclining”, 1956, oil on masonite, signed lower right, 19 in. x 48 in., unframed. Ill.: Kohlmeyer, Ida. Introductory Essay for a Series of Paintings Concerning the Mood of Aloneness in Children. Tulane University Masters of Fine Arts Thesis, 1956. $8000/12000 Note: In the collection of paintings and drawings Ida Kohlmeyer presented for her Master’s Thesis in 1956, the artist focused on the mood of aloneness in children, which she portrayed through pencil, crayon, oil, and gouache. Kohlmeyer noted that to avoid “pathos and melodrama,” and to emphasize the “evasive quality of the mood,” she needed to paint quickly and directly from the models, resulting in fresh, powerful works. In the introductory essay she wrote for the thesis, Kohlmeyer observed: “vision and emotion are instantaneous and speed, at this point, seemed required to amalgamate the two.” In the seminal painting offered here, Kohlmeyer concentrates more on the figure of the child and less on the space around her than in previous works, such as “Study: Girl with Flower” (sold in these rooms September 9, 2017), in which the subject is smaller and the depiction of the room takes on more of an importance in the composition. Here Kohlmeyer deliberately attempted to unify the form and content by creating a pattern of dark and light throughout, that resulted in the figure and the background fusing into one continuous design. Additionally, references to classical reclining nudes may be observed in the pose of the model. A lovely early example of Kohlmeyer’s use of color, the palette complements the contemplative nature of the picture, as well as hinting at the artist’s abstract color block series to come. Ref.: Kohlmeyer, Ida. Introductory Essay for a Series of Paintings Concerning the Mood of Aloneness in Children. Tulane University Masters of Fine Arts Thesis, 1956. Neal Auction Company would like to thank Jane Kohlmeyer Lowentritt for her assistance with this entry. 78. Fritz Bultman (American/New Orleans, 1919‑1985), “Interior ‑ Game”, 1952, oil on canvas, monogrammed “FB” lower right, signed, dated “Aug 1952” and titled en verso, 30 in. x 38 in., framed. $30000/50000 Provenance: Gift of the Artist, c. 1950s; Private Collection, Uruguay. Exh.: Kootz Gallery, New York, Sept. 15‑ Oct. 4, 1952, no. 11. Note: Among the leading artists of the Abstract Expressionist generation, Fritz Bultman joined the “Irascibles” in 1950, signing a letter to the heads of the Metropolitan Museum of Art protesting the conservative nature of their exhibitions. However, Bultman missed the Life magazine famous photograph of the group in 1951, as he was studying sculpture in Italy at the time. By 1952, Bultman and his wife returned to New York City, where he became increasingly involved in the city’s vibrant art scene and taught at Pratt Institute until 1959. By the time of “Interior – Game” offered here from 1952, Bultman had transitioned from his earlier works based on mythological themes such as that of Actaeon, although hints of these myths may subtly remain in the aggressive nature of the elements vying within the composition. The bold color palette of reds and yellows are pitted against a network of black lines, hinting at the struggle between structure and chaos and the influences of gestural painting. Bultman’s upbringing in New Orleans remains within his works, with fire and heat represented by the color red a common element. The artist recalled the burning of the swamps in Louisiana as a boy: “What appears to be a sheet of water will be burning with very high flames against a blue sky – I don’t know anything else that seems to me as beautiful as that… It’s fire and water. You very seldom see them together in such close juxtaposition as you do when they are burning a swamp.” In addition to the use of color, a similar combination of circles and cruciform configurations to those seen in this painting appear throughout his work from the period, including one similarly titled “Interior Rain” of 1953. These meticulously crafted compositions bridge nature and personal narrative and set Bultman apart from his contemporaries. Bultman’s work was described by a critic in 1950 as having a “blood on the moon fierceness that strikes at the heart,” and the painting offered here is no exception. Ref.: Andrew, Jason. “Blood on the Moon Fierceness: Fritz Bultman’s Paintings and Collages.” Hyperallergic. Apr. 29, 2013. www.hyperallerigc.com. Accessed Dec. 17, 2017. Gruber, J. Richard. “Fritz Bultman.” Encyclopedia of Louisiana. Sept. 12, 2012. www.knowlouisiana.org. Accessed Dec. 17, 2017. Kingsley, April and Fritz Bultman. Fritz Bultman: A Retrospective. New Orleans: New Orleans Museum of Art, 1993. Additional information at www.nealauction.com

79. Pat Trivigno (American/New Orleans, 1922‑2013), “Untitled: Abstraction in Red, Brown and Black”, acrylic on canvas, signed lower right, inscribed “Lauria Canvas” en verso, 50 in. x 40 1/4 in., original frame. $2500/3500

82. Shearwater Art Pottery Vase, c. 1940, thrown by Peter Anderson, double alkaline blue and brown glaze in the “rain” design, impressed stamp on base, h. 6 1/4 in., dia. 5 in. $600/900

80. Shearwater Art Pottery Footed Bowl, c. 1955, decorated by Walter Inglis Anderson with stylized duck design, thrown by Peter Anderson, heavy slip in a variety of colors, impressed stamp on base, h. 3 1/8 in., dia. 8 1/4 in., similar design ill.: Stewart, Dod, et. al. Shearwater Pottery, Slidell: Bristol Publishing, 2005, p. 72. $1000/1500

83. Shearwater Art Pottery Jiggered Saucer, c. 1950, decorated by Walter Inglis Anderson with “Wood Duck” design, thrown by Peter Anderson, heavy slip in a variety of colors, impressed stamp on base, dia. 6 in., similar saucer ill.: Stewart, Dod, et. al. Shearwater Pottery, Slidell : Bristol Publishing, 2005, p. 271. $400/600

85. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Harriet Joor with incised lines and relief carved plumbago design, blue, green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, partial potter’s mark (prob. Joseph Meyer), reg. no. ZZ68, h. 5 in., dia. 6 1/2 in. $3000/5000

81. Shearwater Art Pottery Bowl or Flowerpot Saucer, c.1950‑1980, “Blue Jay” design, attr. to Walter Inglis Anderson, blue, black and ochre underglaze, impressed stamp on base, h. 1 1/2 in., dia. 7 3/8 in. $800/1200

86. Newcomb College Art Pottery Vase, 1928, decorated by Anna Frances Simpson with relief‑carved tall pine‑tree design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, faint decorator’s mark, reg. no. QR51 and shape no. 327, h. 5 5/8 in., accompanied by detached original paper label. $2500/3500

84. Shearwater Art Pottery Vase, 1992, low relief carved design by James McConnell “Mac” Anderson, thrown by James “Jim” Anderson, antique green glaze, base signed and dated by both artists, h. 8 in., dia. 5 in. $300/500

87. Newcomb College Art Pottery Vase, 1921, decorated by Sadie Irvine with relief‑carved Japanese plum design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. LN19 and shape no. 115, h. 12 1/2 in., dia. 5 in. $6000/9000

88. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Harriet Coulter Joor with incised design of clovers, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. VV92, and “W” for white clay body, h. 11 1/2 in. $8000/12000 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC. 89. Newcomb College Art Pottery Vase, 1928, decorated by Henrietta Bailey with relief‑carved jimsonweed design, matte glaze with blue, green, yellow and white underglaze, base marked with Newcomb cipher, decorator’s mark, partial potter’s mark (prob. Joseph Meyer ), reg. no. QX11 and shape no. 8, retains original paper label, h. 3 5/8 in., dia. 4 1/2 in. $1500/2500

90. Newcomb College Art Pottery Vase, 1928, decorated by Sadie Irvine with relief‑carved rain lily blossom and foliage design, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no. RG98, h. 6 3/4 in., dia. 5 in. $1500/2500

92. Shearwater Art Pottery Cast Vase, 2012, “Sea, Earth and Sky” design after Walter Inglis Anderson, heavy slip in a variety of colors, impressed stamp and date on base, h. 12 in., dia. 8 1/4 in. $500/700

93. Shearwater Art Pottery Cast Plantation Wine Bottle with Lid, 2012, design after Walter Inglis Anderson, heavy slip in a variety of colors, impressed stamp and date on base, h. 13 1/2 in., dia. 5 1/4 in. $300/500

96. Two Pairs of Shearwater Art Pottery Cups and Jiggered Saucers, c. 1950, cups in the “Wave” design and saucers in the “Wood Duck” design decorated by Walter Inglis Anderson, thrown by Peter Anderson, heavy slip in a variety of colors, impressed stamp on bases, cup h. 2 1/2 in., dia. (w/o handle) 3 1/8 in., saucer dia. 6 in. $800/1200

97. Two Shearwater Art Pottery Table Items, c. 1940‑1950, first: shaken or candy dish decorated by Walter Inglis Anderson with duck design, black and white underglaze, dia. 5 1/2 in.; second: jiggered saucer decorated by Walter Inglis Anderson with two stylized dolphins, navy and white underglaze, dia. 5 3/4 in., both thrown by Peter Anderson, both unmarked. $600/900

91. Newcomb College Art Pottery Vase, 1929, decorated by Sadie Irvine with landscape design of moss laden oak trees at sunset, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, faint Jonathan Hunt potter’s mark, reg. no. RT11 and shape no. 4, h. 3 1/4 in., dia. 3 in. $1000/1500

94. Pair of Shearwater Pottery Figural Pelican Bookends, 2009, impressed mark and date on both bases, shoal glaze, h. 10 1/4 in., w. 4 1/4 in. $500/700

95. San Ildefonso Pueblo Blackware “Avanyu” Dish by Maria Martinez (1887‑1980) and Popovi Da (1922‑1971), mid‑20th c., dia. 11 7/8 in. Note: Repair to rim. $300/500 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

98. Shearwater Art Pottery Cast Pitcher, c. 1940‑1950, decorated by Walter Inglis Anderson with snake design in stylized bands, thrown by Peter Anderson, heavy slip in a variety of colors, handwritten “Shearwater” on base, h. 5 1/2 in., w. (incl. handle) 5 3/4 in. $800/1200

99. Shearwater Art Pottery Mug, c. 1940, decorated by Walter Inglis Anderson in the “Ducks” design, thrown by Peter Anderson, black and white underglaze, impressed stamp on base, h. 4 3/4 in., dia. (w/o handle) 3 3/8 in. $500/700

Additional information at www.nealauction.com

Although the original square was destroyed during the Civil War, the new courthouse, which was constructed in 1872, and the buildings around it were quickly rebuilt. In the foreground of the painting offered here, “It’s a Big World - Oxford,” McCrady and his wife, Mary Basso McCrady, peruse a street vendor’s wares on the courthouse lawn while a small child pauses in his play. It was not uncommon for McCrady to paint self-portraits or place himself in a scene that he was creating. Self-portraiture was an important part of McCrady’s oeuvre; he felt that by including his own likeness, as well as those of the people around him, he was adding a psychological aspect to his work, as well as imbuing it with a part of his soul. McCrady painted many scenes of Oxford Square, including “Town Square, Oxford,” (which was destroyed in a fire), “Rural Symposium,” “The Square,” “The Courthouse,” “The Citadel,” (which features Lafayette Courthouse), “Political Rally,” (sold in these rooms October 11, 2008), and “Metamorphosis,” (sold in these rooms October 4, 2003). Additionally, in his 1964 work, “The Golden Rule,” McCrady featured a specific store from the Square, in this case a bargain store whose name is the title of the piece.

100. John McCrady (American/New Orleans, 1911‑1968), “It’s a Big World ‑ Oxford”, c. 1963‑65, carbon acrylic on board, signed lower right, titled lower left, artist label with title en verso, 22 in. x 30 in., original artist‑enhanced frame. $20000/30000 Provenance: Descended in the family of the artist. Note: Raised in Oxford, Mississippi, John McCrady had a profound connection with the city and often included its buildings in his paintings, particularly those around Historic Oxford Square, the location of Lafayette Courthouse.

Similarly, in the current lot, a crowd can be seen at 114 Courthouse Square - the location of Shaw and Sneed Hardware Store. This work can be dated to between the years 1963, when McCrady began his experimentation with the carbon acrylic method, and 1965, when the hardware store changed its name to Sneed’s Ace Hardware. Although the company, which is still run by descendants of the original owners, Parham Shaw and Payne Sneed, has since expanded into a larger building only a few blocks away, the original building at 114 Courthouse Square still exists. The three arched windows remain intact just as McCrady painted them. The space occupied by John and Mary McCrady, the child, and the vendor in the foreground, remains in use as a market on the first and third Saturday of every month. As such, McCrady has provided us with a slice of life in the 1960s that continues to resonate today. Ref.: Marshall, Keith. John McCrady: 1911-1968. New Orleans: Franklin Printing Co., 1975; Farris, Teresa Parker. City on a Hill: John McCrady’s Oxford, Mississippi. University of Mississippi Master of Arts Thesis, 2005.

101. Louis C. Girault (American/Louisiana, act. New Orleans, 1870‑1892), “Bay Jaune (Fishing Camp on Pilings)”, oil on artist board, signed lower right, partial “F.W. Devoe & Co., NY” label en verso, 11 3/4 in. x 18 1/4 in., period frame. $2000/3000 Provenance: Collection of Dagmar Foley, New Orleans, LA. Note: Louis Girault, a cooper and cigar and tobacco merchant, pursued a career as an artist in the New Orleans area, where he was known to have honed his craft by copying works by other artists, including the renowned Richard Clague. This painting of a fishing camp on Bay Jaune closely follows an earlier painting of the same subject by Clague (sold in these rooms November 18, 2017, lot 344), which was owned by Mr. and Mrs. Aristide Hopkins of New Orleans and Biloxi. The Hopkins family was known for hosting social events for local artists at their family homes, and it is likely that is where Girault saw the painting. From there, he could have done sketches based on the painting itself, or gone to visit the site of the fishing camp before completing his own version.

103. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Slave Quarters, 824 Rue Royale, New Orleans, LA”, 1928, oil on board, signed lower left, signed, titled and dated en verso, 15 3/4 in. x 11 3/4 in., framed with artist plaque. $3000/5000

102. William Woodward (American/New Orleans, 1859‑1939), “White Mt. Farm”, oil on canvas affixed to board, signed lower left, pencil‑titled and inscribed en verso, 14 in. x 19 7/8 in., framed. $2500/3500

104. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Old Creole Courtyard in Vieu [sic] Carré, New Orleans”, 1928, oil on board, signed, dated and inscribed “N.O.” lower left, signed, titled, dated and “Decrear’s, Duluth” label en verso, 20 in. x 16 in., period frame. $4000/6000

105. Alberta Kinsey (American/ New Orleans, 1875‑1952), “Figure on a Stairwell”, oil on canvas board, signed lower left, artist information en verso, 14 1/2 in. x 14 in., framed. $2000/3000

106. John James Audubon (American, 1785‑1851), “Great American Cock Male, Wild Turkey”, Plate 1, from The Birds of America, collotype, Leipzig Edition, printed in G.D.R., sheet 39 3/4 in. x 26 1/4 in., framed. $800/1200

109. Thomas Hart Benton (American, 1889‑1975), “Sunday Morning (Fath 26)”, 1939, lithograph, pencil‑signed lower right, signed in plate lower left, edition of 250, 9 1/2 in. x 12 1/2 in., framed. $1000/1500

110. Thomas Hart Benton (American, 1889‑1975), “The Meeting (Fath 47)”, 1941, lithograph, pencil‑signed and signed in plate lower right, edition of 250, 8 3/4 in. x 11 1/2 in., framed. $1000/1500

107. Dr. Robert John Thornton/ Publisher, “Gathering of Tea” and “Taching, or Firing, of Tea”, 2 hand‑colored engravings with mezzotint, London, 1808, after Sang‑so and Wo‑siong, framed. $500/700

111. John McCrady (American/New Orleans, 1911‑1968), “The Arrival of King Zulu”, lithograph, monogrammed in plate lower left, pencil‑signed and titled lower margin, 9 3/4 in. x 6 3/4 in., framed. $1000/1500

108. Currier and Ives/Publishers, “Midnight Race on the Mississippi”, 1875, hand‑colored lithograph, separately issued, “Given with The Home Companion, published by S.L. Thorpe & Co., showing the race between the Memphis and the James Howard, sight 11 1/2 in. x 15 1/2 in., framed. $500/700

112. John McCrady (American/New Orleans, 1911‑1968), “Carnival in New Orleans”, lithograph, monogrammed in plate lower right, pencil‑signed and titled lower margin, 8 1/2 in. x 12 in., framed. $500/700

113. George Bellows (American, 1882‑1925), “The Sawdust Trail (Mason 48)”, 1917, lithograph, pencil‑signed and inscribed “No 32” lower margin, signed in plate upper right, edition of 65, 26 3/4 in. x 19 7/8 in., framed. $2000/3000

114. George Bellows (American, 1882‑1925), “Benediction in Georgia (Mason 12)”, 1916, lithograph, pencil‑signed and inscribed “No 17” lower margin, signed in plate lower right, edition of 80, 16 in. x 19 3/4 in., framed. $1500/2500

115. George Bellows (American, 1882‑1925), “Prayer Meeting, No. 2 (Mason 14)”, 1916, lithograph, pencil‑signed and inscribed “No 29” lower margin, 18 1/4 in. x 22 in., framed. $1500/2500

116. John French Sloan (American, 1871‑1951), “The Little Bride (Morse 138)”, 1906, and “New Year’s Eve and Adam (Morse 190)”, 1918, 2 etchings, each signed and dated in plate, each pencil‑signed, titled and inscribed “100 proofs” lower margin, 5 1/4 in. x 7 in. and 4 in. x 3 in., framed. (2 pcs.) $1000/1500 Additional information at www.nealauction.com

117. John Steuart Curry (American, 1897‑1946), “Baptism in Big Stranger Creek (Cole 13)”, 1932, lithograph, pencil‑signed, titled, dated and inscribed “25 prints” lower margin, 9 3/4 in. x 13 1/2 in., framed. $700/1000

118. Arthur Clarence Pillsbury (American, 1870‑1946), “Yosemite Valley”, gold orotone photograph, label affixed en verso, 14 in. x 17 in., original period frame. $600/900

119. Carrie Hill (American/ Alabama, 1875‑1957), “Provincetown, Massachusetts”, oil on board, signed lower left, signed and titled en verso, 14 3/4 in. x 18 1/4 in., period frame. $1000/1500

121. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “French Quarter Jazz Club”, oil on canvas, unsigned, “Jean Bragg, Gallery of Southern Art, New Orleans” label and printed artist biography en verso, 24 in. x 30 in., framed with artist plaque. $4000/6000

123. John McCrady (American/New Orleans, 1911‑1968), “Wreck of the Old 97”, lithograph, monogrammed in plate lower right, pencil‑signed and titled lower margin, 10 1/2 in. x 14 1/2 in., framed. $1200/1800

127. Two Dutch Engraved Brass Tobacco Boxes, 18th c., one oval, with scenes of a soldier and two women next to tablets of the Ten Commandments; the other rectangular, with people engaged in maritime pursuits, longest 5 1/8 in. $500/700

124. Pair of Anglo‑Indian Horn Inlaid Picture Frames, 19th c., foliate design, 9 3/4 in. x 7 3/8 in., opening 7 5/8 in. x 5 1/4 in. $500/700

120. Carrie Hill (American/ Alabama, 1875‑1957), “Snowy Rooftops”, oil on canvas, signed lower right, 20 in. x 24 in., period frame. $1500/2500

122. John McCrady (American/New Orleans, 1911‑1968), “Wreck of the Old 97”, original charcoal preparatory drawing on paper, unsigned, partial “Julia St. New Orleans, LA” gallery label on backing paper, sight 10 1/4 in. x 17 7/8 in., framed. $2000/3000

125. Two Anglo‑Indian Sterling Silver‑Mounted Boars’ Tusk Picture Frames, one with mounts hallmarked William Summers, London, 1863, h. 6 7/8 in.; the other with mounts hallmarked Army & Navy Cooperative Society Ltd., London, wc. 1903‑1929, h. 4 1/2 in. $600/900

126. Anglo‑Indian Carved Bone and Tortoiseshell Dresser Box, 19th c., felt lined, paw feet, h. 2 3/8 in., w. 5 in. d. 4 in.; together with a Ceylonese silver‑mounted bone box, with elephant mount, h. 2 in., w. 5 in., d. 3 1/8 in. $600/900

129. French Bronze Alligator Inkwell, late 19th c., interior fitted for two ink pots, h. 2 1/2 in., l. 10 1/4 in., w. 4 3/8 in. $600/900

128. Pair of Antique Portuguese Gilt Decorated Cut‑Crystal Lidded Urns, 19th c., foliate design, h. 14 in., dia. 5 1/4 in. $600/900

130. English Bronze and Cast Iron Fire Dogs, in the style of Thomas Jeckyll (1827‑1881), London, low relief with sunflower terminals supported by a flat column with stylized floral roundels above a U‑shaped support, h. 17 1/4 in., w. 6 1/8 in., d. 10 1/4 in. $500/1000

131. English Aesthetic Brass Fire Tools, late 19th c., attr. to Dr. Christopher Dresser, fabricated by Benham & Froud, Ltd., London, twisted shafts with decorative brass turnings and knob finials, brass tool rests, shovel marked with the “Orb & Cross” symbol, all pieces h. 25 in.; tool rests h. 11 1/2 in., w. 7 1/2 in., d. 9 in. $800/1200 Provenance: Fine Art Society, Ltd. to a private collection, 1999. Ref.: Whiteway Michael, Ed., Shock of the Old: Christopher Dresser’s Design Revolution. New York: Harry N. Abrams, 2004, p. 174 134. Good American Aesthetic Hammered and Chased Sterling Silver Water Pitcher, Dominick and Haff, New York, 1881, spiral lobed body decorated with dragonfly, spider and spider web, and foliage and berries, h. 8 in., wt. 24.25 troy ozs. $1200/1800

132. Georgian Silver‑Mounted Bone Cup, 18th c., incised with continuous hunt scene of riders and hounds chasing a stag, h. 3 3/4 in., dia. in. $400/600

133. English Aesthetic Painted and Stained-Glass Panel, c. 1900, Kendrick Swaine Bourne, Birmingham, signed lower right “Swaine Bourne, Birmingham”, motifs of birds, flowers, leaves and branches flowing from a central urn, conserved in modern pine frame, 20 1/2 in. x 39 3/4 in. $1000/1500

135. Rare New Orleans Coin Silver Kiddush Cup, Bernard Terfloth & C. Christian Kuchler, wc. 1858‑1866, marked “TERFLOTH & KUCHLER” in arc over “NEW ORLEANS”, baluster shaped bowl with floral scroll cartouche, tapered standard, stepped domed foot, applied foot rim with band of acanthus, engraved “Presented to S. Schwerin Esq./by the Members of the Hebrew Association/of Those on the Right Path/as a token of their high regard and as a testimony/of the faithful discharge of his duties as/President/April 1859”, h. 9 3/8 in., wt. 11 troy ozs. $500/750 Accomplished New Orleans silversmiths Bernard Terfloth and Christian Kuchler were German immigrants; Kuchler first appearing in New Orleans City Directories in 1852, Terfloth in 1858. Their masterwork, the presentation coffee and tea service commissioned for F.H Hatch, the Collector of the Port of New Orleans, is now at the Historic New Orleans Collection. The Orthodox Congregation Tememe Derech (“The Right Way”) was organized in 1857/1858 by a group of Prussian and Polish Jews. It is now part of Congregation Beth Israel. S. Schwerin is likely Simon Schwerin, listed in the 1858 New Orleans City Directory as a grocer at 172 Poydras. His marriage to the widow Pauline Frank Regensburger appears in Justice of the Peace records for 1861. Ref. Crescent City Silver, pp. 35-40.

136. American Art Nouveau Sterling Silver‑Mounted Toiletry Set, c. 1900, Simons Brothers, Philadelphia, act. 1840 to present, ret. A.M. Hill, New Orleans, act. 1874‑1909, incl. nail buffer, two rouge pots, cut glass scent bottle, manicure scissors, toothbrush bottle, shoehorn, nail file, manicure tool and two handles, in fitted case marked “A.H. Hill/631‑635 Canal St./New Orleans”, case h. 2 1/2 in., w. 13 in., d. 10 5/8 in. $300/500

137. Gorham Hammered Copper and Mixed Metal Bowl, c. 1880, marked anchor/GORHAM CO/ Y50/O, with ruffled rim, decorated with applied oxidized silver butterfly, flowers and bird, h. 3 1/2 in., dia. 4 1/4 in.; together with a Gorham copper and mixed metal ashtray, marked anchor/ GORHAM CO/ E62/ O, decorated with butterfly, flowers and bull, 3 5/8 in. x 3 1/8 in. $400/600

138. Pair of American Aesthetic Sterling Silver and Mixed Metal Salt Cellars and Matching Pepperettes, Dominick & Haff, New York, 1880, salts retain gilt wash interior, salt dia. 2 3/8 in., pepperette h. 3 1/8 in., with associated Towle sterling silver salt spoons. $400/600

Provenance: Descended in a New Orleans family.

140. Fine American Art Nouveau Sterling Silver Dresser Set, Unger Brothers “Love’s Dream” pattern, pat. 1904, incl. 2 hand mirrors, l. 10 1/4 in. and 6 3/8 in., hairbrush, l. 9 in., 2 clothes brushes, l. 7 1/4 in. and 5 3/4 in., cut glass and silver powder jar, h. 2 7/8 in., and pen on stand, l. 4 1/8 in. $500/700

141. Art Nouveau Sterling Silver Centerbowl, c. 1900, Unger Brothers, Newark, NJ, act. 1872‑1914, hibiscus motif, h. 3 in., dia. 11 1/2 in.; together with a rose motif compote, Wallace, Wallingford, CT, 1871 to present, h. 3 1/4 in., dia. 5 7/8 in., combined wt. 19.20 troy ozs. $400/600

142. William Spratling Sterling Silver Cup, mid‑20th c., mark rubbed, h. 2 3/8 in., wt. 2.85 troy ozs. $200/300

139. William Spratling Sterling Silver and Carved Rosewood Tea Strainer on Stand, marks for 1931‑1945, w. 5 3/4 in.; together with a Spratling sterling silver and carved rosewood sugar bowl (as is), and 2 Maciel, Mexico City sterling sombrero ashtrays, marks for 1947‑1967, h. 2 3/8 in., dia. 3 5/8 in. (without handles); w. 4 1/4 in., total wt. 15.45 troy ozs. $400/600

143. Collection of Indian Trade Silver, 19th c. or earlier, incl. pair of cone and ball earrings, scalloped‑edge brooch, triangle ear or nose ring, a “kissing otters” pendant, and a cross marked “RC” for Robert Cruikshang, largest 2 3/4 in., presented in a pine shadowbox. $700/1000

Additional information at www.nealauction.com

144. Antique Continental Faux Marbre and Gilt Reliquary, molded cornice, tapered case, suppressed ball feet, h. 16 3/4 in., w. 18 1/4 in . $300/500 Provenance: Kevin Stone Antiques.

145. English Silverplate Café Brulot Bowl and Underplate, h. 6 1/4 in., bowl dia. 8 7/8 in.; together with a silverplate absinthe spoon, l. 6 1/2 in. $250/350

146. English or French Colonial Silver Salver, 18th c., probably Caribbean, maker “AM” triple struck, molded serpentine border, flat chased well, pad feet, h. 1 1/8 in., dia. 7 1/4 in., wt. 6.60 troy ozs. $200/300 Provenance: The Sturm Family Collection, St. Thomas and Trinidad.

148. George III Sterling Silver Wax Jack, William Tucker & Co., Sheffield, 1806, mark reg. 1796, h. 4 3/4 in.; together with a George III sterling silver pap boat, Joseph Biggs, London, 1819, mark reg. 1816, reeded border, l. 5 1/8 in.; and a Georgian Sheffield plate wine funnel with removable strainer, l. 5 1/8 in. (3 pcs.). $400/600

149. Antique English Silver Gorget, unmarked, decorated with Royal Seal, h. 4 5/8 in., w. 3 3/4 in. $500/700

153. American Pressed and Blown Glass Lamp, mid‑19th c., New England Glass Company or Sandwich, opalescent glass with bulbous font on pedestal with lion heads and flowers, h. 12 1/2 in. $500/700 152. Pair of American Two‑Light Brass Sconces, c. 1885, Bradley & Hubbard Manufacturing Co., Meriden, CT, beveled mirror plate inset within pierced and modeled brass frame, candle holders featuring colorful Longwy mounts, h. 23 1/2 in. $500/1000

150. Good Pair of American Silverplate Two‑Light Sconces, c. 1910, marked “C” in diamond, (E.F. Caldwell, New York), cartouche finial, vasiform standard, scrolled arms, electrified, h. 16 1/4 in., w. 10 1/2 in., d. 5 1/4 in. $800/1200 Ill.: Edward F. Caldwell Collection, Cooper‑Hewitt Museum Library, Smithsonian Institution Libraries, Large Binder 15, p. 19, # A063382.

147. George III Sterling Silver Shaped Oval Small Meat Dish, John Wakelin and Robert Garrard, London, 1793, act. 1793‑1801, mark reg. 1792, gadroon border, engraved crest with motto “NON SIBI SED PATRIAE” (“not for self, but country”), 12 1/2 in. x 9 in.; together with a George III sterling silver dinner plate, William Fountain, London, 1800, mark reg. 1798, gadroon border, engraved crest with motto “JOVIS OMNIA PLENA” (“all things are full of Jove”), dia. 9 3/4 in., combined wt. 42.70 troy ozs. $1200/1800

151. American Japonesque Gilt Brass Oil Lamp, c. 1880, Bradley & Hubbard Manufacturing Co., Meriden, CT, hammered brass urn with gilt and silvered decoration, mounted on cast brass pedestal with elephant head supports, original font marked “G. H. Covell, 1150 Broadway, New York”, etched globe with gilt birds, h. 23 in., dia. 6 1/2 in. $500/800

Provenance: William J. Elsholz Collection; The Service Collection, Estate of Grant A. Oakes, Warren, OH.

154. American Pressed and Blown Glass Lamp, mid‑19th c., New England Glass Company or Sandwich, opalescent glass with tall ovoid font on pedestal base with lion heads and flowers, h. 14 3/4 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

155. American Pressed and Blown Glass Camphene Lamp, mid‑19th c., New England Glass Company or Sandwich, opalescent glass with bulbous font on pedestal with lion heads and flowers, h. 15 1/2 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

156. American Aesthetic Carved Oak Breakfront, late 19th c., attr. to Herter Brothers, New York, flared cornice surmounted by a dentil‑molded border, carved frieze, upper inset beveled mirror panel flanked by two cabinets with naturalistic raised relief paneled doors and elaborately carved columnar supports, lower mirrored backsplash with turned supports, variegated marble top, three frieze drawers, conforming lower case with central fall‑front compartments and two side cabinets, spindled apron, plinth base with turned supports, h. 90 in., w. 80 in., d. 26 1/2 in. $7000/10000

157. Pair of American Aesthetic Carved Rosewood Slipper Chairs, c. 1865‑70, attr. to Herter Brothers, New York, padded back and seat, molded stiles, palmette‑carved cabriole legs, hairy cleft‑hoof feet, inset casters, h. 35 in., w. 19 in., d. 17 in. $1000/1500 158. American Aesthetic Brass Sewing Stand, c. 1885, The Charles Parker Company, Meriden, CT, hinged top with interior silvered mirror plate, applied floral mounts, lion’s head handles, foliate apron, flared legs, brass ball feet, h. 31 in., w. 11 1/2 in., d. 16 in. $1800/2200 Ref.: D’Ambrosio, Anna Tobin, A Brass Menagerie: Metalwork of the Aesthetic Movement. Utica: Munson‑Williams‑Proctor Arts Institute, 2005, pp. 46‑47 (fig. 18) for an illustration and discussion of a similar example. 159. American Aesthetic Carved, Ebonized and Inlaid Oak Dressing Chest, late 19th c., Herter Brothers, New York, rouge marble top, pedimented crest, mirror plate flanked by circular shelves, three graduated drawers, shaped apron, turned feet, casters, h. 43 in., w. 51 1/2 in., d. 21 1/2 in.; mirror h. 59 1/2 in., w. 51 in., d. 9 in. $8000/10000 Provenance: Letter and bill of sale indicate this piece came from “The Anchorage “ the Seal Harbor, Maine, summer home of Nelson A. Rockefeller.

162. Pair of Neoclassical‑Style Bronze and Marble‑Mounted Mahogany Pedestals, square molded top, tapered standard, conforming base, blocked feet, h. 30 1/2 in., w. 17 in., d. 17 in. $1000/2000

160. American or West Indies Carved Mahogany Table, 19th c., inset later pine top, two frieze drawers on opposing sides, bulbous turned legs, h. 31 1/2 in., w. 72 in., d. 35 in. $500/800 161. English Mahogany Folio Cabinet, late 19th c., hinged top, paneled fall front door with folding legs, interior fitted with dividers, lower cabinet with hinged door, h. 49 3/4 in., w. 51 in., d. 20 in. $1200/1800

163. Continental Marquetry, Ebonized and Gilt Center Table, scalloped frieze, scrolled acanthus carved legs, incurvate plinth, melon feet, h. 31 in., dia. 59 in.$2500/3500

165. American Late Classical Mahogany Box Sofa, 1834‑1847, attr. to Duncan Phyfe, New York, cylindrical crest rail, scrolled arm supports, ogee‑molded seat rail, convex‑molded legs, block feet, h. 31 in., w. 79 1/2 in., d. 28 in. $4000/6000 Note: The current lot is very similar to a box sofa made by Duncan Phyfe in 1834 for George and Maria Clark Fox of New York City. The sofa and other seat furniture produced for the young couple are regarded as the earliest documented examples of Phyfe’s work in the “Grecian Plain” style of the 1830s and 1840s.

164. American Bronze‑Mounted Carved Rosewood Canterbury, fretwork panels, three bays with shaped dividers over single drawer, cabriole legs, casters, h. 21 1/2 in., w. 20 1/2 in., d. 17 in. $1200/1800

166. Good Pair of George III Carved Mahogany Side Chairs, probably late 18th/early 19th c., molded back, lozenge carved splats, trapezoidal seat, tapered legs, H stretcher, h. 35 1/4 in., w. 20 1/2 in., d. 19 1/2 in. $500/700

Ref.: Kenny, Peter M. and Michael K. Brown. Duncan Phyfe: Master Cabinetmaker in New York, pp. 227-228, plate 43; pp. 236-237, plate 48; pp. 240-241, plate 51; pp. 250-252, plate 56; pp. 254-255, plate 58; and pp. 258-259, plate 60. Additional information at www.nealauction.com

167. American Classical Bronze‑Mounted Mahogany Sécrétaire à Abattant, early 19th c., attr. Emmons and Archibald, Boston, blind frieze drawer, fall front writing compartment flanked by columnar stiles, doors below, two interior drawers, paw feet, h. 50 in., w. 36 in., d. 17 3/4 in. $1000/1500 Note: The firm of Thomas Emmons and George Archibald, active between 1813 and 1825, was one of the leading cabinetmakers of Classical furniture in Boston. Made in the French Empire taste, the secrétaire à abattant offered as lot 167 is closely related to a stenciled Emmons & Archibald secrétaire in the collection of the Museum of Fine Arts Boston (accession no. 1985.335). Both desks share the same overall form, bronze-mounted columnar stiles, cabinetry, and most notably, the distinctive foliate-carved front paw feet paired with bulbous-turned rear feet. Ref.: Museum of Fine Arts Boston. www.mfa.org/ collections/object/fall-front-desk-secrC3A9taire-C3A0abbattant-44503. Accessed January 3, 2018.

169. American Gothic Carved Rosewood Dressing Chest, c. 1850, Charles A. Baudouine, New York, stenciled “FROM C.A. BAUDOUINE / ‑335‑ BROADWAY / NEW‑YORK”, mirror with elaborately carved and pierced crest and supports, molded white marble top, over two drawers and paneled doors, interior with linen drawers, arcaded apron, bracket feet, h. 84 1/2 in., w. 45 1/4 in., d. 21 1/4 in. Condition: Original finish, marble top and mirror. $5000/7000 Exh.: “In Pointed Style: The Gothic Revival in America, 1800‑1860”, Hirschl & Adler Galleries, Inc., New York, April 15‑June 9, 2006. Ref.: Feld, Elizabeth and Stuart P. Feld, In Pointed Style. New York: Hirschl & Adler Galleries, Inc., 2006, p. 112.

170. American Gothic Carved Walnut Library Armchair, mid‑19th c., high back surmounted by crocket finial, reticulated crest, cowhide leopard print padded back, seat, and arms, blocked seat rail, turned legs, h. 66 in., w. 25 3/4 in., d. 24 in. $1500/2500 Provenance: From the collection of Cher; accompanied by a Certificate of Authenticity.

171. Rare Pair of French Art Nouveau Mixed‑Earth Pichon Baluster Vases, c. 1880, “Pichon a Uzes” impressed mark, contrasting clay colors in blue, green, brown, red, and cream, h. 14 1/4 in. $500/700

175. French Aesthetic MLA Manufacture Polychrome Earthenware Jardinière, c. 1889, signed “J. Benard”, marked “MLA / Paris”, “Exposition Universelle 1889 Medaille D’or”, “40789”, “1086”, and “2”, molded foliate scrolls, h. 15 3/4 in., w. 20 in., d. 20 1/2 in. $500/800

172. American Brass Mounted Leather Clad Travel Trunk, 19th c., Foster and Barton, Boston, bale handle, interior lined with marbelized paper, partial manufacturer’s label, h. (excluding handle) 5 3/8 in., w. 12 1/8 in., d. 7 1/4 in. $400/600

173. American Aesthetic Brass Candelabrum Garniture, c. 1885, glass prisms, attenuated supports, spun brass bases and candle sockets with stylized floral panels on the central candelabrum and foliate prism supports on the flanking candlesticks, central piece h. 17 1/8 in. $300/500

176. Grand Tour Bronze Model of the Arc de Triomphe, late 19th c., detailed cast, black marble base, h. 7 3/4 in., w. 7 1/2 in., d. 5 in. $1000/1500

177. Grand Tour Onyx Model of the Baptistery at Pisa, late 19th c., carved and painted, turned wood base, h. 9 3/4 in., dia. 6 1/2 in. $1000/1500

Provenance: Angus Wilkie, New York.

168. American Classical Mahogany Armoire, c. 1820, probably Louisiana, cove‑molded cornice, Santo Domingo mahogany paneled doors with pressed brass escutcheons, fiche hinges, interior belt of drawers, shelves, reeded legs, brass ball feet, mahogany, poplar and pine secondary wood, h. 91 in., w. 60 in., d. 21 in. $4000/6000 Provenance: Houmas House Plantation, Burnside, LA; Neal Auction Company, April 5, 2003, lot 258, and Sept. 12, 2015, lot 331. Note: The proportions, use of finely figured veneers, poplar and pine secondary woods, fiche hinges, pressed brass escutcheons, restrained plinth with finely reeded legs and brass ball feet on this armoire are very similar to an armoire in the collection of Michael Hopping and an armoire from the collection of Nita D. Lide, sold by Neal Auction Company as lot 322, June 27, 2015. Interestingly the armoire offered here has a plain center stile and no side cabinet, unlike the aforementioned examples. Ref: Holden, Jack, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 17351835. New Orleans: The Historic New Orleans Collection, 2010, pp. 165-166, figs. 53-54.

174. Collection of Continental Intaglio Medallions, c. 1830, six original trays, each containing approximately forty plaster medallions, sand cast circular, rectangular, and oval intaglio imprints from a 1/2 in to 3 in., depicting scenes and figures of historical, literary, artistic, mythological, and religious importance, h. 17 1/4 in., w. 12 1/2 in., framed. $500/800

178. Edwardian Sterling Silver‑Mounted Tortoiseshell Cigarette Box, London, 1903, maker HA untraced, h. 2 1/2 in., w. 6 1/4 in., d. 3 3/4 in. $800/1200

179. Two Scottish Silver and Citrine‑Mounted Horn Snuff Mulls, 19th c., foliate lids, one mounted with monogrammed cartouche, tallest h. 3 3/4 in.; together with an 18th c. ram’s horn snuff box, h. 1 3/4 in. $1000/1500

180. English Silver‑Mounted Mother‑of‑Pearl Box, 19th c., illegible mark, oval form, hinged lid, h. 1 7/8 in., w. 4 1/2 in., d. 2 1/2 in. $1000/1500

181. Queen Anne Pressed Horn Snuff Box, c. 1712, arms and name of Sir Francis Drake and the ships of his voyage, bears Christie’s label 2/5/02, h. 1 1/4 in., w. 3 1/4 in., d. 4 in. $500/700

182. English Engraved Brass Tobacco Box, 18th c., oval form, two lidded compartments, engraved with hunter near a snake, underneath inscribed “Oh lord here’s a horrid thing it looks quite venomous”, length 5 3/4 in. $500/700

Ref.: Le Corbeiller, Clare, European and American Snuff Boxes, 1730‑1830, New York, The Viking Press, 1966, ill. 647.

183. Two George V Sterling Silver and Tortoiseshell‑Mounted Cut‑Crystal Perfume Bottles, one Adie Brothers, Birmingham, 1924, h. 4 5/8 in.; the other also early 20th c., h. 4 1/4 in. $500/700

184. Pair of Antique English Patinated Plaster Figures, 18th/19th c., maidens bearing fruit, plinth bases, tallest h. 14 1/8 in. $500/700

188. Two Davenport Pearlware “Oak Leaf” Plates, c. 1810, impressed mark, with molded oak leaves, dia. 8 1/4 in. $400/600 187. Pair of Georgian Carved Mahogany Basin Stands, 19th c., molded circular tops, turned supports, medial drawer, cabriole lower supports, shaped lower plinth, cabriole legs, slipper feet, h. 33 in., w. 17 in., d. 17 in. $200/300

191. Three Newport Sterling Silver Julep Cups, engraved “Tuscaloosa Horse Show 1967”, h. 3 3/4 in.; together with a near‑matching International sterling julep cup; total wt. 16 troy ozs. $400/600

192. Antique Gorham Sterling Silver Coffee and Tea Service in the Regency Taste, pattern 3180, incl. coffee pot, teapot, sugar, creamer and waste bowl, reeded decoration, carved wood handles and finials, most pieces with date mark for 1896, coffee pot h. 8 in., total wt. 51.25 troy ozs.; together with a Wallace silverplate tea tray, l. 26 5/8 in. $1000/1500

186. Antique English Carved Marble Figure of a Recumbent Lion, 18th c., h. 3 1/2 in., w. 5 3/4 in., d. 2 1/8 in. $500/700 185. Dr. Wall Worcester Gilt and Blue Decorated Porcelain Pitcher, c. 1785, crescent moon mark, mask spout, scroll handle, h. 9 in. $700/1000

189. American Aesthetic Sterling Silver Asparagus Fork, c. 1880, George W. Shiebler & Co., New York, act. 1876‑1907, marked with Shiebler trademark, “STERLING” and “1670”; hammered handle with applied pine branch, crab and lobster, tines retain some gilt wash, l. 9 1/8 in. $300/500

193. Gorham “Chantilly Countess” Pattern Sterling Silver Coffee and Tea Service, date mark for 1960, incl. coffee pot, teapot, sugar and creamer, coffee pot h. 10 3/4 in., combined wt. 83.20 troy ozs.; together with “Chantilly” silverplate tray, l. 27 in. and Web sterling silver sugar tongs. $2000/3000

190. American Aesthetic Hammered Sterling Silver and Mixed Metal Sauce Ladle, c. 1880, Whiting Mfg. Co., New York, wc. 1866‑1926, handle decorated with applied leaves and berries, bowl retains gilt wash, l. 7 1/8 in. $200/300

194. American Gilt Bronze Solar Lamp, c. 1850, marked “Hooper & Co., Boston”, foliate standard, scrolled floral base, frosted and cut shade, h. 27 in., dia. 8 3/4 in. $700/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, Schiffer. 19th Century Lighting. 2002, p. 90.

Additional information at www.nealauction.com

195. American Gothic Bronze Hall Lantern, c. 1900, foliate canopy, hexagonal form, red painted accents, electrified, h. 27 in., dia. 17 in. $600/900

196. American Gilt Bronze Solar Lamp, c. 1850, attr. to Dietz, baluster standard with foliate decoration and petal foot on tiered marble base, floral cut shade, h. 27 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

198. Pair of French Gothic Bronze Six‑Light Candelabra, c. 1880, buttress‑form arms, spire and niche tripartite standard, scrolled feet, h. 24 in., dia. 10 1/2 in. $1000/1500

202. Two Pairs of Antique Baccarat “Bambous” Pattern Pressed Glass Candlesticks, early 20th c., marked “Depose” and “Baccarat”, h. 8 7/8 in. and 9 1/8 in. $400/600

206. Beaux Arts Bronze‑Mounted Marble and Slate Three‑Piece Clock Garniture, c. 1900, dial marked “Pecherat‑Caillat”, clock surmounted by urn with heron finial, foliate columns, paw feet, conforming five‑light candelabra, clock h. 19 3/4 in., w. 11 3/4 in., d., 8 in., candelabra h. 22 3/4 in. $700/1000

197. Monumental Pair of Napoleon III Bronze and Cut Crystal Ten‑Light Gasolier Sconces, late 19th c., spear finial, over crown and vasiform standard, shield backplate, allover hung with beads, teardrop and faceted ball pendants, h. 45 in., w. 27 in., d. 18 in. $3000/5000 Provenance: Brown University, Providence, RI.

199. English Modern Gothic Brass Two‑Light Sconce, c. 1875, backplate inset with beveled mirror plate, decorated with an impressed pattern, elaborate, stylized foliate volutes, pivoting candle arms, h. 17 in., w. 10 in., d. 8 1/2 in. overall. $400/600

200. Group of Seven Antique English Brass Candlesticks, incl. one pair and five singles, tallest h. 11 1/8 in. $150/250

201. Three Art Glass Pieces by Charles Lotten (American/Illinois, b. 1935), each signed and dated, incl. gooseneck “Persian” vase, 1978, h. 14 1/4 in.; bulbous vase, 1977, h. 5 1/4 in.; and “King Tut” paperweight, dia. 3 in. $1200/1800

203. French Carved and Gilded Oval Mirror, probably mid‑19th c., large crest carved with mythical creatures, mask pendant, foliate surround, beveled mirror plate, h. 55 in., d. 36 in., d. 12 in. $1200/2000

204. Pair of Chippendale‑Style Carved Giltwood Mirrors, floral crests, scrolled architectural surround, h. 53 in., w. 30 in. $1000/1500

205. Napoleon III Bronze Mantel Clock, late 19th c., Japy Freres movement, surmounted by urn with portrait medallion, concave dial flanked by winged griffins, base with Classical bust mount, h. 19 in., w. 13 1/4 in., d. 6 3/4 in. $1200/1800

208. Chinese Carved Rosewood Armchair, 19th c., probably hongmu, seat back carved with central dragon beneath dragons pursuing a flaming pearl, dragon arms, shaped seat, phoenix and deer apron, Buddhist lion front legs, claw and ball feet, h. 43 1/2 in., w. 24 1/4 in., d. 21 3/4 in. $1000/1500 207. Chinese Mixed Hardwoods Table Cabinet, loop handle, two doors carved with dragons amid clouds, interior fitted with drawer, bracket feet, reverse with apocryphal Qianlong mark, h. (excluding handle) 15 3/4 in., w. 15 3/8 in., d. 9 1/2 in. $1000/1500

209. American Renaissance Carved, Gilded and Ebonized Pedestal, c. 1876, Charles Buschor, stepped circular top, urn‑form upper section with spherule‑and‑tassel carved swags, columnar base with acanthus‑and‑spherule decoration over a shaped plinth, paw feet with scrolled returns, h. 36 in., w. 24 in., d. 24 in. Condition: Gilding and finish restored. $2000/3000

210. American Aesthetic Argenté Brass Easel, c. 1885, scrolled finials, entwined foliate crest, floral stretcher with a classical reserve, flared foliate feet, h. 77 in., w. 28 1/2 in., d. 28 1/2 in. $1000/1500

Provenance/Exh.: Philadelphia Centennial Exposition. Ref.: See period photo depicting this pedestal at the Centennial Exhibition at the Free Library of Philadelphia website (libwww.library.phila.gov/CenCol/index. htm).

Ref.: A Brass Menagerie: Metalwork of the Aesthetic Movement by Anna Tobin D’Ambrosio; Utica, NY: Munson, Williams, Proctor Institute, 2005, p. 66, for a related example.

211. American Egyptianesque Faux Stone Pedestal, c. 1920, painted with various Egyptian hieroglyphic motifs, h. 35 in., w. 13 3/4 in., w. 13 3/4 in. $500/1000

213. American Renaissance Carved, Painted, Inlaid and Gilt Incised Rosewood Parlor Cabinet, c. 1870, attr. Herter Brothers, New York, molded slate top, pedimented cornice, later upholstered side panels, two frieze drawers, three paneled doors elegantly painted with classical reserves, fluted stiles, shaped base, turned and molded bracket feet, h. 51 in., w. 70 in., d. 21 3/4 in. $15000/25000

212. American Aesthetic Carved Mahogany Armchair, late 19th c., in the Egyptian taste, arched crest, pierced splat, spiral‑turned uprights, conforming stretchers, turned legs, casters, h. 45 1/2 in., w. 22 in., d. 19 in. $1000/1500

Ref.: Howe, Katherine S., Alice Cooney Frelinghuysen and Catherine Hoover Voorsanger, et al, Herter Brothers: Furniture and Interiors for a Gilded Age. New York: Harry N. Abrams, Inc. and The Museum of Fine Arts, Houston, 1994, see p. 154, for a cabinet with identical inlay. Note: The elaborately inlaid and painted parlor cabinet offered here is a stunning example of the tripartite cabinets made by Herter Brothers, a New York firm who created some of the most extravagant furniture of the late 19th century for prominent names such as Rockefeller and Vanderbilt. The colorful cabinet doors, elegantly painted with classical reserves, exemplify the Renaissance Revival style of the period and are possibly the work of Pierre-Victor Galland (1822-1892), a Parisian painter who was often commissioned by the firm to paint fanciful Renaissance-style scenes. The patterns used for the detailed inlay on the cabinet are found on documented Herter examples from this same period, such as a console table made for the William H. Vanderbilt residence and a similar tripartite cabinet made for a “Mrs. Cobby” of New York, which is documented by a bill of sale from the firm in the collection of The Currier Gallery of Art in Manchester, New Hampshire. Ref.: Howe, Katherine S., Alice Cooney Frelinghuysen and Catherine Hoover Voorsanger, et al. Herter Brothers: Furniture and Interiors for a Gilded Age. New York: Harry N. Abrams, Inc. and The Museum of Fine Arts, Houston, 1994, pp. 30-32, 92, 151, 154-155.

214. American Renaissance Ebonized, Gilt Incised and Ormolu‑Mounted Rosewood Center Table, c. 1870, attr. to Pottier & Stymus, New York, inset variegated marble top, floral motif border, scrolling supports, turned standard, circular base with applied animal mask mounts, downswept scrolled legs, h. 28 1/2 in., w. 37 1/2 in., d. 33 1/2 in. $3000/5000

215. American Renaissance Ebonized, Gilt‑Incised and Ormolu‑Mounted Rosewood Center Table, c. 1870, attr. to Pottier & Stymus, New York, inset rose marble top, floral marquetry border, scrolling supports, turned standard, circular base with animal mask mounts, downswept scrolled legs, h. 28 1/2 in., w. 37 1/2 in., d. 33 1/2 in. $3000/5000 Additional information at www.nealauction.com

216. American Aesthetic Carved Rosewood Slipper Chair, c. 1880, attr. to Frederick Krutina, New York, sunflower‑carved splat, incised stiles and legs, conforming pierced base, casters, h. 38 in., w. 19 in., d. 18 1/2 in. $1000/1500

218. American Arts and Crafts Carved Oak Bench, c. 1901‑1906, stamped “Rose Valley” for Rose Valley Shops, Pennsylvania, molded top centered by a pierced handle, shaped Gothicized legs, conforming stretcher, h. 22 1/2 in., w. 28 in., d. 15 in. $400/600

217. American Aesthetic Carved Maple Armchair, c. 1900, New York, marked “Neuman & Co./Furniture and Decorations, 263 Fifth Avenue, New York”, rectangular padded back, arms and seat, spindled arm supports, scrolled uprights, tapered legs, paw feet, casters, h. 38 1/2 in., w. 29 1/2 in., d. 27 in. $700/1000

Note: The workshops of Rose Valley, founded by architect William Lightfoot Price near Moylan, Pennsylvania, produced Gothicized Arts and Crafts furniture from 1901 to 1906. In line with the ideology of the Arts and Crafts Movement, Price’s Gothicized furniture designs were based on his idea of “structural theory,” where the style of a piece of furniture was based on its construction.

Provenance: Mrs. Charles Gardner Lathrop, Stanford, CA and Washington D.C.

Ref.: “Everything on the Table.” americandecorativeart.com/internalpages/chatter/table/index. html. Accessed January 4, 2018.

220. American Renaissance Carved Walnut Pedestal, late 19th c., rouge marble top, paneled sides and door, chamfered corners, interior fitted for sheet music, plinth base, h. 37 in., w. 20 in., d. 20 in. $400/600

221. American Aesthetic Carved Mahogany Partner’s Desk, late 19th c., molded top, foliate‑carved frieze, pedestals with four drawers on each side, disc feet, h. 30 in., w. 60 in., d. 42 in.; Note: lacking inset leather top. $1200/1800

219. Spanish Colonial Leather Chest, probably 18th c., embossed foliate motif, scalloped edges, carrying handles, decorative iron latch, h. 18 1/2 in., w. 34 1/2 in., d. 20 in. $400/600

222. Pair of Louis XV‑Style Bronze‑Mounted Kingwood Vitrines, molded shaped cornice, mirrored back, glazed door and side panels, shaped skirt, cabriole legs, h. 71 in., w. 43 1/4 in., d. 17 in. $7000/10000 223. Antique Italian Carved Fruitwood and Walnut Center Table, octagonal top, conforming frieze, scrolled supports, turned and fluted standard, circular plinth base, h. 33 1/4 in., w. 33 in., d. 34 in. Note: Old Italian shipping label on underside of top. $500/1000

224. Madoura Pottery Plate by Pablo Picasso (Spanish, 1881‑1973), “Taureau, marli aux feuilles (Bull, Rim with Leaves)”, A.R. 394, conceived 1957, terracotta with black engobe, stamped, marked and numbered “Edition / Picasso / 51/500 / Madoura” and “Edition / Picasso / Madoura / Plein Feu”, dia. 9 1/4 in. $2000/3000 Exh.: New Orleans Museum of Art, New Orleans, LA, 1998; Lauren Rogers Museum, Laurel, MS, 2013.

225. Pair of Bronze‑Mounted Sevres‑Style Porcelain Covered Urns, 20th c., spurious marks, painted with the infant Cupid with Psyche and landscapes, raised gilt decoration throughout, h. 16 in., w. 9 1/4 in. $400/600

226. French Art Deco Shagreen Table Clock, early 20th c., silvered dial marked “BULLE‑CLOCK/ BREVETE S.D.G.D/ PATENTED”, arched case, ivory bun feet, h. 7 3/4 in., w. 8 1/4 in. d. 3 3/8 in., $700/1000

227. French Gilt and Patinated Bronze Annular Clock, c. 1900, movement marked “P. Grenon, France”, driving two enamel chapter rings, time indicated by a coiled serpent, green marble base, h. 9 1/4 in. $700/900

228. Charles X Inlaid Mahogany Console, early 19th c., shaped black marble top, frieze drawer, beaded foliate urn pedestal, dolphin supports, shaped plinth, paw feet, h. 34 in., w. 58 in., d. 24 1/2 in. $1500/2500

231. Leon Jean Basile Perrault (French, 1832‑1908), “Child with Kittens”, 1886, oil on canvas, signed and dated lower right, 44 in. x 32 3/4 in., framed with artist and title plaque. $40000/60000 229. Louis XVI‑Style BronzeMounted Mahogany Bureau Plat, 20th c., stamped “Lampre, Paris”, top with outset corners, inset leather writing surface, frieze drawers, fluted and tapered legs, brass cuff feet, h. 28 3/4 in., w. 43 3/4 in., d. 24 in. $400/600

230. Continental Neoclassical Style Brass Mounted Mahogany Commode, Egyptian marble top, columnar stiles, three drawers, square tapered legs, h. 34 in., w. 44 1/2 in., d. 23 in. $800/1200

Note: A student of William-Adolphe Bouguereau and Francois-Edouard Picot, Leon Jean Basile Perrault honed his artistic skills at the Académie des Beaux-Arts and Académie Julien in Paris. While well-regarded for his military, religious and allegorical paintings, he is most celebrated for his genre scenes of beautiful children such as the one offered in the lot presented here. The young girl sits atop a stone ledge, on her lap are three kittens, and to her side is the mother cat tending to her brood. In rendering the figure of the girl, Perrault utilizes a classic triangular composition to capture an idealized vision of a peasant child in the countryside, popular in Salon paintings of France during the time period. His subject is dressed in simple clothes and barefoot, although has the flawless skin and coral necklace of a wealthier class. She bears a knowing smile while gazing directly at the viewer, the end result a touchingly intimate portrayal of simple French country life.

232. Fine Chinese Huanghuali and Hongmu Low Table, Kangzhuo, Qing Dynasty (1644‑1911), rectangular paneled top, pierced waist, bat and cloud carved apron, cabriole legs, scroll feet, gessoed and lacquered underside, h. 14 in., w. 37 1/2 in., d. 27 in. $30000/50000 Provenance: Florida Collection.

233. Pair of American Aesthetic Carved Mahogany Slipper Chairs, c. 1885, possibly Ohio, reticulated spiderweb motif back, incised seat rail, tapered legs, flared brass cuff feet, h. 31 in., w. 18 1/2 in., d. 17 in. $2500/3500 Note: A similar chair is in the collection of the Boston Museum of Fine Arts.

234. Continental Carved and Inlaid Oak Cabinet, 19th c., stepped cornice, paneled doors, spiral‑turned columnar stiles, shelf interior, base with six drawers, shaped apron and bracket feet, h. 78 1/4 in., w. 52 in., d. 21 in. $700/1000 Additional information at www.nealauction.com

235. Eugenio Amus (Italian, 1834‑1899), “Shipwreck on the Coast”, 1894, oil on canvas, signed and dated lower left “Reeves and Sons, London” canvas stencil en verso, 18 in. x 24 in., framed. $2500/3500

236. Alexandre Calame (Swiss, 1810‑1864), “Paysage de Montagne”, oil on canvas, signed lower right, 19 1/4 in. x 25 1/2 in., antique frame. $3000/5000 Provenance: Collection of Brazilian engineer Joaquim Eugenio de Lima. Note: Studying with landscape painter Francois Diday, Alexandre Calame began exhibiting his works in 1835. Calame was particularly known for his paintings of the Swiss Alps, which combined naturalistic details and the German Romantic style of the Dusseldorf school. The atmospheric effects in the background of the painting offered here are delicately rendered, creating a hazy mist covering the distant mountains. In the foreground, Calame employs his characteristic play of dark and light, highlighting the herd of cattle with a soft palette of naturalistic greens and browns.

237. Pair of Chinese Hardwood Waisted Corner‑Leg Stools, Fangdeng, Qing Dynasty (1644‑1911), square paneled top, high shaped stretchers, scroll feet, h. 19 in., w. 16 in., d. 16 1/4 in. $10000/20000

239. Ashley Longshore (American/Louisiana, 20th c.), “Eat Me”, 2007, oil and lacquer on canvas, signed lower left, 48 in. x 72 in., framed. $8000/12000 Note: In the painting offered here, the delightful array of edible treats with the tongue-incheek title “Eat Me” alludes, among other things, to Ashley Longshore’s celebration and criticism of modern consumerism. With a bold and colorful palette that mirrors the personality of the artist herself, Longshore enjoys exploring “American ambition from a female perspective.” Her canvases are packed to excess with vibrant, borderline brash imagery of pop culture often paired with eyebrow-raising phrases. Her resulting oeuvre is cheeky, whimsical, over the top and serves as an homage to American capitalism through the eyes of a female Pop Artist. 238. Pair of Chinese Hardwood Side Tables, Qing Dynasty (1644‑1911), square paneled top, openwork foliate frieze, medial shelf with cloud scroll apron, h. 31 1/2 in., w. 16 in., d. 16 in. $10000/20000

Ref.: Posner, Liz. “This New Orleans Pop Artist Pokes Fun At Trophy Wives And Tells Women To Get To Work: BUST Interview.” BUST. www.bust.com. Accessed Dec. 19, 2017. Studeman, Kristin Tice. “Meet Blake Lively’s Bestie and New Orleans’ Most Badass Artist, Ashley Longshore.” ELLE. Oct. 11, 2017. www.elle.com. Accessed Dec. 19, 2017.

240. Hunt Slonem (American/Louisiana, b. 1951), “Javas 6”, 1990, oil on canvas, signed, titled and dated en verso, 30 in. x 40 in., unframed. $4000/6000

241. Hunt Slonem (American/Louisiana, b. 1951), “Metallic Bunnies”, 2015, oil on wood panel, signed and dated en verso, 27 1/4 in. x 23 1/2 in., framed. $3000/5000

242. Jose‑Maria Cundin (Spanish/New Orleans, b. 1938), “El Escibalo”, 1970, oil on canvas board, signed, dated and inscribed upper left, 9 1/2 in. x 8 in., framed. $1800/2500 243. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Circus Series 83‑25”, 1983, mixed media on canvas, signed and dated lower right, “Arthur Roger Gallery, New Orleans” label with artist, title and date en verso, 36 in. x 49 in., framed. $20000/30000 Provenance: Arthur Roger Gallery, New Orleans; Corporate Collection, Dallas, TX.

244. Clarence Millet (American/Louisiana, 1897‑1959), “Chartres St. at Toulouse St., French Quarter”, oil on canvas board, unsigned, chalk inscription “Bragg” and remnant of French frame label en verso, 16 in. x 18 in., framed with artist plaque. $6000/8000

246. Enrique Alferez (American/ Louisiana, 1901‑1999) , “Female Bust”, terracotta, unsigned, h. 17 3/4 in., w. 11 1/4 in., d. 7 in., wood base, overall h. 19 3/4 in. $1500/2500

245. Maurice Brazil Prendergast (American/Massachusetts, 1858‑1924), “Random Figures”, oil on paper, signed lower left, 4 1/2 in. x 6 1/2 in., framed. $6000/8000 Provenance: Cline-Owings Fine Art Auction Ltd., Santa Fe, NM, Sept., 1997.

247. Enrique Alferez (American/ New Orleans, 1901‑1999), “Standing Cloaked Woman”, terracotta, unsigned, h. 28 1/4 in., w. 9 1/2 in., d. 4 1/2 in., wood base, overall h. 30 1/4 in. $10000/15000

248. Clark Hulings (American/ New Mexico, 1922‑2011), “Rope Weavers of Belmonte”, 1987, oil on canvas, signed and dated lower left, partial “Fenn Galleries Ltd., Santa Fe” label and handwritten inscription on reverse of frame, 12 in. x 24 in., framed. $15000/25000 Provenance: Fenn Galleries, Santa Fe, NM.

Additional information at www.nealauction.com

249. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Frontispiece #1 ‑ Study for Outdoor Sculpture”, 1991, acrylic on wood, signed and dated on the bottom, h. 16 3/4 in., w. 12 1/4 in., d. 6 1/2 in., rotating Plexiglas case, h. 19 1/2 in. $4000/6000

250. Victor Vasarely (French/ Hungarian, 1906‑1997), “Iboya Series”, polystrene collage on wood sculpture, signed on lower gray and green square, “Editions Pyra AG Zumikon Switzerland/ Vasarely” label on base, edition of 50, h. 33 1/2 in., w. 5 7/8 in., d. 5 7/8 in.

251. Pedro Friedeberg (Mexican, b. 1936), “Airplane”, wooden rulers and mixed media papier-mâché assemblage, signed mid‑left on body of plane, h. 8 1/4 in., w. 20 1/2 in., d. 17 in. $2000/3000 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

$1200/1800 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

252. John T. Scott (American/New Orleans, 1940‑2007), “Abstract Kinetic Sculpture”, painted metal, unsigned, h. 46 1/2 in., w. 41 in., d. 12 in. $6000/8000 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans. Note: John Scott’s vibrantly colored, dynamic artwork spans many media, with his kinetic sculpture perhaps the best known and most beloved by collectors. In the work offered here, the bright hues, carefully choreographed movement and abstract forms capture the elusive feel of New Orleans, a city with whom the artist was intricately connected. Scott was born in New Orleans and raised in the Lower Ninth Ward, and after college, the artist served as a Professor of Fine Art at Xavier University for forty years. As Richard Powell states: “New Orleans embodies an influx, an improvisatory entity – not only people and portraits, but streets, structures, and urban planning that defy social regimentation or aesthetic comportment. As it turns out, the art of Scott is similarly errant.” Ref.: Powell, Richard J. Circle Dance: The Art of John T. Scott. New Orleans: New Orleans Museum of Art, 2005. “John T. Scott: His Legacy.” Arthur Roger Gallery. Aug. 8, 2017. www.arthurrogergallery.com. Accessed Dec. 19, 2017.

253. John T. Scott (American/ New Orleans, 1940‑2007), “Just Two (Street Dancer), Diddlie Bow Series”, painted brass kinetic sculpture, h. 33 in., w. 10 1/2 in., d. 11 in. $2000/3000 Provenance: Galerie Simonne Stern, New Orleans, 1984; Koch Collection, Metairie, LA. 255. Fletcher Benton (American/California, b. 1931), “Untitled #5”, 1989, varnished steel, signed and dated on inner curvature, h. 22 in., w. 51 1/2 in., d. 20 in., pedestal, overall h. 41 1/2 in. $4000/6000

254. John T. Scott (American/New Orleans, 1940‑2007), “Border Crossing I”, 1985, painted bronze kinetic sculpture, unsigned, h. 14 in., w. 35 in., d. 2 1/2 in. $2000/3000 Provenance: Galerie Simone Stern, New Orleans, 1985; Koch Collection, Metairie, LA.

256. Alex Beard (American/Louisiana, b. 1970), “Apples and Pears”, 1998, oil on canvas, signed lower right, 54 in. x 38 in., framed. $5000/8000 Note: A native of New York who has spent many years calling New Orleans home, Alex Beard has added to the New Orleans art world with his “Abstract Naturalism” painting style, which often includes elements of nature as the subject matter. Beard’s works, in both ink on paper and oil on canvas, can range from stylized, yet representational depictions of natural elements to almost fully abstracted representations with repetitive imagery that verge on tessellations, such as the current lot, “Apples and Pears.” With a great appreciation for the natural world and wildlife, particularly endangered animals, Beard often includes plants and animals in his paintings, examining the interconnections between culture and environment.

Provenance: Collection of Michael Brown and Linda Green, New Orleans. Ill.: Lucie‑Smith, Edward. Fletcher Benton. New York: Harry N. Abrams, Inc., 1990, p. 288.

257. Alex Beard (American/Louisiana, b. 1970), “Masai Warrior”, ink on paper, signed lower right, 14 1/2 in. x 11 in., framed. $2000/3000 Note: In addition to his interest in wildlife conservation and “Abstract Naturalism,” Alex Beard has shown a great interest in travel and the study of various cultures. Exploring the connections in the world between wildlife and culture, Beard uses his experiences in nature to develop his artistic style and complexity. Working in pen and ink here, “Masai Warrior” displays Beard’s technical skills in ink drawing, combining layers of abstract shapes that combine to form a lion-like face, proud and fierce.

259. Archie Held (American/ California, b. 1955), “Slim”, 1993, bronze and mixed media water sculpture, unsigned, h. 70 in., w. 31 in., d. 18 in. $4000/6000 258. Melissa A. Smith (American/Louisiana, 20th c.), “Louisiana Landscape”, oil on canvas board, signed en verso, 6 in. x 22 3/4 in., mounted on fabric‑covered board. $1000/1500 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

Provenance: Weinstein Gallery, San Francisco, 1993; Koch Collection, Metairie, LA. 260. Timo Arturi Solin (Finnish/ Sweden, b. 1947), “Staende Kvinna (Standing Woman)”, patinated and polished bronze, signed and inscribed “3/4 E.A.” lower right (rear foot), h. 22 1/2 in., w. 21 in., d. 11 in. $2000/3000 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

261. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Lady of the Night”, 1978, fabric and mixed media assemblage, signed and dated underneath, h. 12 1/2 in., w. 4 in., d. 4 in., custom Plexiglas case, overall h. 14 3/4 in. $800/1200 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

263. American Late Federal Carved Mahogany Poster Bed, early 19th c., foliate and acanthus-carved posts, scrolled headboard, plain rails, turned legs, brass ball feet, h. 96 in., l. (interior) 75 1/2 in., w. 54 in. $1500/2500

262. West Indies Carved Lemonwood Petite Armoire, 19th c., Trinidad, molded cornice, paneled doors, fluted stiles, later shelf interior, turned feet, h. 64 1/8 in., w. 48 in., d. 21 5/8 in. $1200/1800 Provenance: The Sturm Collection. Note: The lemonwood petite armoire offered here features beautifully figured paneled doors and a stylishly streamlined form indicative of the Louis XVI and Classical influences coming from Europe and the United States practiced by Caribbean cabinetmakers. This armoire is nearly identical to a circa 1850 armoire from Trinidad illustrated in West Indian Antique Furniture of the Lesser Antilles by Philip Sturm. Ref.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740-1940. Antique Collectors’ Club: Suffolk, 2011, p. 72.

264. American Federal Carved Cherrywood Desk, late 18th/early 19th c., slant‑front lid with fitted interior, four graduated drawers, shaped bracket feet, bat wing brasses, h. 41 in., w. 33 3/4 in., d. 17 in. $500/1000

266. Jean Joseph Vaudechamp (French, 1790‑1866, act. New Orleans, 1831‑1839), “Portrait of a Lady in a Fur Stole”, 1828, oil on canvas, signed and dated lower left, canvas stencil “Age. Ottoz, Eleve de Mr. Belot, Rue de la Michodiere, Paris, No. 2. A. Paris” and handwritten label “M. Gadon, 1 piece, 73 x 60, de vernis, rectoy (?) restauration vernis” en verso, 28 3/4 in. x 23 1/2 in., period frame. $8000/10000

265. American Federal Inlaid Mahogany Demilune Sideboard, late 18th/early 19th c., probably New York, fitted with drawers and cupboards, tapered legs, spade feet, h. 36 in., w. 75 1/2 in., d. 29 3/4 in. $1000/2000

Note: Before Jean Joseph Vaudechamp traveled to New Orleans, he studied at the Ecole des Beaux-Arts under Anne-Louis Girodet (1767-1824) and established himself as a portrait painter in Paris. Vaudechamp soon made a name for himself depicting wealthy, fashionable citizens of Paris, and in 1831, he traveled to New Orleans, where portraitists were highly sought within the Creole community. The lady depicted here wears a classic 1830s style dress with an off-the-shoulder neckline, gathered bodice, natural waist, and sheer, puffed sleeves. Her luxurious dress, fur stole, and gold jewelry indicate that she is a woman of the upper class. Vaudechamp applies his flawless technique to depict the woman’s porcelain skin, the various fabrics of the dress, and the short fur of the stole to create a sophisticated portrayal of a prominent French woman. Additional information at www.nealauction.com

267. Attributed to Charles Giroux (French/New Orleans, 1828‑1885), “Seated Native American Woman”, oil on board affixed to cradled wood panel, unsigned, typed label “Painted by C. Giroux ‑ c. 1850”, pencil‑inscribed “Altmayer” and “Chilton’s, Mobile, Ala” label en verso, 9 3/4 in. x 4 3/4 in., framed. $5000/7000 Provenance: The Jay P. Altmayer Family Collection, Mobile, AL. Note: Arriving in New Orleans around 1860, Charles Giroux quickly began painting his favorite subject, Louisiana landscapes. The majority of his works center around the local countryside, making use of Giroux’s romantic, luminous palette. In the rare and fascinating painting offered here, a Native American woman sits in front of a thatched hut, which would have been the preferred summer residence in Southern Louisiana, facilitating better air flow. The various tribes in the Louisiana/Mississippi area, including the Caddo, Atakapa, Tunica, Natchez, Chitimacha, and Choctaw, used the natural materials around them to build shelters and also to create beautiful works of functional art, including bead work and basket weaving. Here, Giroux illustrates a beautiful landscape and a unique window into 19th c. life in Louisiana.

268. Fine American Classical Silver Teapot, Anthony Rasch (1778/80‑1858), act. Philadelphia 1804‑1820, New Orleans, 1820‑1858, marked “ANTY RASCH/STERLING SILR”, squared form with mushroom finial, palmette borders and suppressed ball feet, h. 7 1/2 in., w. 10 5/8 in., wt. 28.25 troy ozs. $1500/2500 Ref.: Hollan, Catherine M. Philadelphia Silversmiths, p. 164; Crescent City Silver, pp. 76‑81; Keyser, “Fashionable Goods from a Credible Source: Anthony Rasch, Silversmith and Merchant”, University of Delaware, 2007.

269. American Coin Silver Fiddlethread Ladle, William Gale & Son, New York, 1851, ret. Gregg, Hayden & Co., Charleston, downcurved handle with French style shoulder with oval bowl, the upperface engraved in script “S. & V. Tupper” marked “GREGG HAYDEN & CO” in a rectangle, “G & S” in an oval above a circle above a lozenge dated 1851, l. 13 1/4 in., wt. 10.45 troy ozs. $800/1200 Provenance: Samuel Yeadon Tupper, Charleston.

270. Lieutenant John Ross, “Course of the Mississippi, from the Balise to Fort Chartres; Taken on an Expedition to the Illinois, in the latter end of the Year 1765...”, London, printed for Robert Sayer, 1775, copper‑plate engraved map with hand‑coloring in outline, 44 1/4 in. x 13 1/2 in., unframed. $1200/1800

271. Sebastian Munster, “TYPUS ORBIS UNIVERSALIS” and “ALTERA GENERALIS TAB. SECUNDUM PTOL”, Basel, 1550, two woodcut maps with later coloring, from the second edition of Cosmographia, the first with wood carver David Kandel’s initials, sea monsters and ships : each with 12 wind heads and Latin text, verso, 11 in. x 15 in. and 10 in. x 13 1/2 in., unframed. $1500/2500

272. Johann Baptiste Homann, “Amplissimae regionis Mississipi seu Provinciae Ludovicianae...”, c. 1707‑1724, Nuremberg, copper‑plate engraved map, 19 1/4 in. x 22 5/8 in., matted and framed. $1000/1500 Note: Known as the “Buffalo” map, and based on Delisle’s seminal work, this map features a title cartouche depicting a buffalo skin and colonial explorer Father Louis de Hennepin, a vignette of a beaver colony at Niagara Falls, and another cartouche with Indians flanking a stylized standing buffalo.

273. Guillaume De L’Isle, “Carte du Mexique et de la Floride...Cours et Environs de la Riviere de Mississipi”, Paris, 1703, first edition, third state (Quai de l’Horloge), 18 3/4 in. x 25 1/2 in., unframed. $700/1000

274. Jean Covens and Corneille Mortier, “Carte de la Louisiane et du Cours du Mississipi Dressee sur un grand nombre de Memoires...Par Guillme. de L’Isle”, Amsterdam, 1730, hand‑colored engraved map, after De L’Isle’s seminal map, the first to name Texas (Mission de los Teijas), 17 3/4 in. x 23 1/4 in., unframed. $800/1200

275. William Henry Buck (Norwegian/Louisiana, 1840‑1888, act. New Orleans, 1869‑1888), “Settlement along a Louisiana Bayou”, 1878, oil on canvas, signed and dated lower right, 11 7/8 in. x 24 in., period giltwood frame. $80000/120000 Provenance: Estate of Harry T. Howard III, New Orleans, LA. Note: Throughout his career William Henry Buck created the most expansive known body of work in the 19th century portraying the rivers, lakes, and bayous of New Orleans and its surrounding areas. Buck’s masterful skill in painting landscapes is quite evident in the work offered here in the exquisite and subtle luminosity, the effects of light and shadow, and the carefully structured composition. The scene is dominated by a live oak tree - a hallmark of Buck’s landscapes; the sky is also given special attention with shades of cerulean blue and scattered clouds. Buck’s use of fine brushwork and careful attention to detail is especially successful for his rendering of a settlement along the horizon line. The painting exemplifies Buck’s skill as a colorist and painter – creating an enchanting vision of a Louisiana bayou.

277. American Late Classical Carved and Gilded Mahogany Pier Table, early 19th c., attr. J. & J.W. Meeks, New York, marble top, molded frieze, scrolled supports, mirror back flanked by pilasters, exuberantly carved plinth, turned feet, h. 33 in., w. 43 1/2 in., d. 18 1/2 in. $1500/2500

276. Large American Federal Carved Mahogany Poster Bed, early 19th c., tester frame, spiral‑turned posts with floral‑carved blocks, shaped and paneled headboard, turned legs and feet, h. 98 1/2 in., l. 72 in., w. 60 in. $7000/10000

Note: Several features of the pier table offered here are notably similar to Late Classical furniture made by New York cabinetmaker Joseph Meeks, as illustrated by Wendy Cooper in Classical Taste in America: 1800-1840. The pier table’s exuberantly scrolled supports are a prominent feature of Meeks furniture, which is evident in several forms illustrated in a Joseph Meeks & Sons trade advertisement from 1833. Cooper notes that the elaborate curvature defines Meeks’ Late Classical furniture and marks it as “a distinctive American product.” (Cooper, 217). Ref.: Cooper, Wendy A. Classical Taste in America: 1800-1840. Abbeville Press: Baltimore, 1993, pp. 210-217.

278. Laurie and Whittle, “The United States of America with the British Possessions...divided with the French, also the Spanish Territories of Louisiana and Florida”, London, 1794, hand‑colored engraved map, the cartouche surmounted by the Stars & Stripes, to the left the text of Article III of the Treaty of Paris outlining the fishing rights of the U.S., 17 3/4 in. x 19 3/4 in., unframed. $700/1000

Additional information at www.nealauction.com

279. Alfred Gault (American/New Orleans, b. 1840), “Valley of Yumuri, Cuba”, oil on canvas, signed lower right, 34 in. x 51 in., period ebonized and gilt‑decorated cove frame with brass title plaque. $40000/60000 Note: Born in New Orleans in 1840, Alfred Gault had a career as an artist in New York as early as 1870. Though the artist’s biography is presently limited, his views of Cuba and Morocco, as well as his 1875 passport application and his mention in Lippincott’s Magazine as a participant in the 1880 Paris Salon tell us that he certainly traveled to various countries and captured scenes of a number of exotic locales. The highly detailed view of the Yumuri Valley that Gault has captured in the monumental painting offered here draws the viewer into the scene, where the vast expanse of land is dotted with palm trees and tiny details, such as the plantation building in the middle of the composition and the smoke stack near the horizon line. A man stands in the foreground with an oxen-drawn cart, waiting to be loaded with crops - perhaps tobacco or sugar cane. The history of Cuba during the 19th century is full of attempts at independence, which finally succeeded in 1898 with the conclusion of the War of Independence, when Spain and the United States reached an agreement to renounce any claims on Cuba. An earlier attempt at revolution, the Ten Years’ War, which took place from 1868-1878, was key in leading up to the ultimate fight for independence. The Yumuri Valley is near Matanzas, an important area sought after by the insurgents fighting Spanish control during the Ten Years’ War and afterward. While the Ten Years’ War was ultimately unsuccessful – the rebels were victorious in overtaking the eastern side of the island, but could not gain control of key areas such as Matanzas, Havana, and Pinar del Rio – this revolution led to further attempts later in the century. By January of 1896, the rebels had invaded these crucial provinces and reached the westernmost tip of the island, triumphing in gaining independence for Cuba. Other artists painting scenes of Cuba have used a similar format to the one here for depicting the vast landscape - a panoramic view with a low horizon line and details to wonderfully show off the beautiful rolling hills, white puffy clouded skies, and verdant foliage of the Cuban landscape. Artists such as Winslow Homer, Edmund Darch Lewis, Esteban Chartrand, and Miguel Arias painted in Cuba, and many of them recorded parallel scenes. The allure of the Cuban landscape has clearly always fascinated those who travel there looking for beauty to capture on canvas. Ref.: Bondil, Nathalie, ed. Cuba: Art and History from 1868 to Today. Montreal: Montreal Museum of Fine Arts, 2008; Libby, Gary R. Cuba: A History in Art. Gainesville: University Press of Florida, 1997.

280. Knute Heldner (Swedish/ New Orleans, 1877‑1952), “Fishing in the Bayou”, oil on canvas, signed lower left, “The Little Gallery, Newark, N.J.” label en verso, 20 in. x 27 in., framed. $5000/7000 Provenance: Purchased from the artist.

281. George Frederick Castleden (British/New Orleans, 1861‑1945), “The Galleries of the Cabildo Courtyard, New Orleans”, oil on canvas board, signed lower left, 14 in. x 9 3/4 in., framed. $2000/3000

282. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Trees on the Bayou”, oil wash on board, signed lower left, 15 1/2 in. x 25 1/2 in., framed. $2000/3000

286. George Rodrigue (American/ Louisiana, 1944‑2013), “53rd Presidential Inaugural, Featuring President Bill Clinton and Vice President Al Gore (Walking into the 21st Century)”, 1997, silkscreen, signed, stamped signature of Clinton and Gore, official inaugural seal, and pencil‑inscribed “Presidential Edition, 287/1000” lower margin, 38 in. x 24 in., framed. $800/1200 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 224.

290. William Gropper (American, 1897‑1977), “Swing Low, Sweet Chariot”, 1951, lithograph, pencil‑signed lower right, signed in plate lower left, edition of 250, 12 1/2 in. x 18 5/8 in., matted. $400/600

283. Howard Cook (American/ Massachusetts, 1901‑1980), “Alabama Negro Baptism”, c. 1920s, pastel and graphite on paper, signed, titled and partial date “192” lower right, sight 32 3/4 in. x 24 3/4 in., framed. $3000/5000

287. George Rodrigue (American/ Louisiana, 1944‑2013), “Pop Goes the Revel: Official Poster for the Red River Revel, Shreveport, LA”, 1998, silkscreen, pencil‑signed, numbered “195/1000” and remarqued lower margin, 32 in. x 24 in., framed. $1000/1500 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 214.

284. Walter Palmer (American/New York, 1854‑1932), “Lady Hanging Wash on a Line, Stately Manor House”, 1894, oil on canvas, monogrammed and dated lower right, 11 in. x 14 1/4 in., unframed. $1500/2500

285. George Rodrigue (American/ Louisiana, 1944‑2013), “Three’s a Crowd”, 1996, silkscreen, signed and numbered “97/100” lower left, 33 in. x 21 in., framed. $1200/1800 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 156.

288. George Rodrigue (American/ Louisiana, 1944‑2013), “Strato Lounger”, 1993, silkscreen, signed and numbered “53/90” lower right, 34 in. x 24 in., framed. $1500/2500 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 91.

291. Clementine Hunter (American/ Louisiana, 1886‑1988), “Still Life with Zinnias”, oil on board, monogrammed lower right, “Everest Gallery, Memphis, TN” label en verso, 23 in. x 16 in., framed. $2000/3000

289. George Rodrigue (American/ Louisiana, 1944‑2013), “Pick of the Litter: Black”, 1996, silkscreen, signed and numbered “12/75” lower left, edition of 75 plus artist proofs, 21 in. x 27 in., framed. $1500/2500

292. Clementine Hunter (American/Louisiana, 1886‑1988), “Cleaning Day at the African House, Melrose Plantation”, oil on board, monogrammed mid‑right, “Eleanor M. Worsley, M.D.” handwritten en verso, 16 in. x 24 in., framed. $4000/6000 Provenance: Estate of Dr. Eleanor M. Worsley, Natchitoches, LA; Neal Auction Co., Sept. 24, 2016, lot 243. Additional information at www.nealauction.com

293. Knute Heldner (Swedish/ New Orleans, 1877‑1952), “Sharecroppers”, 1943, oil on canvas, signed lower right, signed, monogrammed, titled and dated on label on reverse of frame, 31 in. x 25 in., original frame. $2500/3500 Provenance: Neal Auction Co., Oct. 6, 2007, lot 512.Auction Co., Sept. 24, 2016, lot 243.

296. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Revelations”, 1944, lithograph on paper, pencil‑signed, titled, dated and inscribed “printed by the artist ‑ 20 prints” lower margin, 15 x 12 1/4 in., unframed. $700/1000

300. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Timeless Stone”, 1954, vintage silver gelatin print on board, signed and titled on board, photographer’s stamp, notes and inscribed “To Gretchen + A.C. Lansford, with all good wishes for 1955‑C.J.L.” and dated en verso, image 7 3/4 in. x 9 3/4 in., unframed. $300/400 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

304. Ellsworth Woodward (American/New Orleans, 1861‑1939), “French Quarter” and “Apple Trees”, 2 drypoint etchings, each signed in plate lower right and one pencil‑signed and titled lower margin, 5 3/4 in. x 7 1/2 in. and 5 3/4 in. x 8 1/2 in., framed alike. (2 pcs.) $600/800

295. Ellsworth Woodward (American/ New Orleans, 1861‑1939), “Marie (Boyer 55)”, etching on paper, initialed “E.W.” in plate lower right, “Dr. J. W. Nelson, Gonzales, LA” label en verso, 9 3/4 x 8 in.; together with Morris Henry Hobbs (American/Louisiana, 1892‑1967), “St. Peter St., Orleans”, etching on paper, pencil‑signed and titled in margin, sight 6 1/4 in. x 4 3/4 in., both framed. (2 pcs.) $400/600

294. James Edward Allen (American/Louisiana, 1894‑1964), “Prayer for Rain (Ryan 33)”, 1938, lithograph, pencil‑signed lower right, inscribed and “Ed 40” lower left, 10 1/2 in. x 14 in., framed. $1000/1500

297. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Exit”, 1944, lithograph on paper, pencil‑signed, titled, dated and inscribed “printed by the artist ‑ 10 prints ‑” lower margin, 17 1/4 in. x 13 3/4 in., unframed. $700/1000

301. George Rodrigue (American/ Louisiana, 1944‑2013), “Rodrigue: A Man & His Dog”, 1993, silkscreen, signed lower right, inscribed “Artist Proof” lower left, ed. of 90, 23 in. x 16 in., unframed. $400/600 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonne, 1970‑2007. New York: Abrams, 2008, p. 90. 305. Aaronel deRoy Gruber (American/ Pennsylvania, 1918‑2011), “Untitled: Tower in Pink, Orange, Blue and Gray”, Plexiglas, unsigned, h. 74 in., w. 23 in., d. 23 1/2 in., black Plexiglas base, overall h. 86 1/4 in. $2500/3500 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

298. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “For the Grecian Gala”, 1981, offset chromolithograph, signed and dated “1980” in plate, pencil‑signed, titled, dated and numbered “1/350” lower margin, 16 in. x 15 1/2 in., framed. $500/700

299. Jacqueline Bishop (American/ Louisiana, b. 1955), “Field Guide 2”, 2011, linocut print on paper, pencil‑signed, titled, dated and numbered “16/20” lower margin, 7 3/4 in. x 5 3/4 in., framed. $400/600

302. Clare Leighton (American, 1898‑1989), “The Baptizing”, wood engraving, pencil‑signed, titled and numbered “65/150” lower margin, “AA Dealers Association of America” label en verso, 7 in. x 4 3/4 in., framed. $500/700

303. Palmer Schoppe (American/ California, 1912‑2001), “’Speriences Meetin’”, lithograph, pencil‑signed, titled and numbered “4/25” lower margin, 13 in. x 9 3/4 in., matted. $700/1000

306. Lin Emery (American/ New Orleans, b. 1926), “Leaf Play”, aluminum, magnets and motor, signed, painted stand, overall h. 42 1/2 in. $2000/3000 Provenance: Joel Weinstock Collection, New Orleans, LA. 307. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912‑1997), “Totem”, 1991, painted wood and paper sculpture, signed and dated on bottom of self‑base, h. 15 in., w. 5 1/2 in., d. 5 1/2 in. $1000/1500 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

308. Richard Jolley (American/Tennessee, b. 1952), “Fish Wall Plaque”, 1989, blown and sandblasted glass, signed and dated on reverse, h. 9 in., w. 11 1/2 in., d. 2 1/2 in. $1000/1500

309. Robert Wick (American/Arizona, 20th c.), “Golden Head”, cast bronze on stone base, unsigned, h. 16 in., w. 14 in., d. 11 in., pedestal, overall h. 56 1/2 in. $1000/1500

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

311. Continental Silverplate Campagna Urn, c. 1875, dragon handles, figural frieze with dragon, red marble base, h. 18 3/4 in., w. 14 3/4 in.; inner liner dia. 7 1/4 in.; base h. 1 3/4 in., w. 8 in., d. 8 in. $500/750

315. Pair of Gilt Bronze-Mounted “Blue de Roi” Porcelain Carcel Lamps, 19th/early 20th c., bottle‑form body with garlic mouth, bronze cast with Chinoiserie “ruyi” scrolls, h. 21 1/2 in., electrified and mounted with white globes and clear glass shades. $1000/1500

319. Two Louis Comfort Tiffany Blown and Tooled Favrile Glass Salts, c. 1902‑1919, one with ruffled rim, other footed, bases incised “L.C.T. / Q7474” and “L.C.T. / Q8972”, dia. 2 3/4 in. and h. 1 3/8 in., dia. 2 3/8 in. $200/300 Provenance: Collection of E. John Bullard, New Orleans.

312. Pair of Georgian‑Style Silverplate Three‑Light Candelabra, 20th c., gadroon borders, removable candlearms, h. 15 5/8 in. $400/600

316. Pair of Napoleon III Brass and Bronze Carcel Lamps, c. 1870, marked “F. Barbedienne”, relief cast with frieze of figures personifying the Arts, bases with lion’s paw feet, h. 18 1/8 in., electrified and mounted with period etched glass globes and later clear glass shades. $1000/1500

310. American Aesthetic Carved Rosewood and “Kirihame” Firescreen, c. 1880, probably New York, posts carved with foliage, twists, and beading, paw feet with brass and glass ball casters; the revolving panel foliate carved, inset with patchwork and silk textiles, h. 61 1/2 in., w. 30 1/2 in., d. 20 in. $1000/2000

313. Kirk “Repousse” Pattern Sterling Silver Flatware Service, pat. 1924, incl. 12 each: forks, l. 7 7/8 in., knives, l 9 5/8 in., salad forks, dessert spoons, cream soup spoons, teaspoons and butter spreaders (fh), 3 tablespoons, asparagus serving fork, sugar shell, master butter knife, berry spoon, tomato server and steak carving knife and fork, (94 pcs.), total wt. (weighable) 111.55 troy ozs.; presented in a mahogany Reed and Barton fitted case. $2500/3500

317. Louis Comfort Tiffany Blown and Tooled Favrile Glass Finger Bowl and Underplate, c. 1902‑1919, possibly Merovingian pattern, bases incised “L.C.T. / 8920”, bowl h. 2 1/2 in., dia. 4 3/8 in., plate dia. 6 in. $400/600

314. French Patinated Bronze Five‑Light Chandelier, c. 1900, winged maiden arms, frosted and star-cut globes, h. 36 in., dia. 23 in. $1000/1500

318. Pair of Leaded Glass Tazzas, c. 1850, Bohemian or Anglo‑Irish, petal‑lobed rims, h. 7 3/4 in., dia. 10 1/4 in. $400/600 Provenance: Collection of E. John Bullard, New Orleans, LA.

Provenance: Collection of E. John Bullard, New Orleans.

320. Pair of George Duncan & Sons Glass Rose Globes in Snail Pattern, c. 1891, unmarked, pattern no. 360, h. 4 1/4 in. and 4 3/8 in. $75/125 Ref.: Bill Jenks and Jerry Luna. Early American Pattern Glass 1850‑1910. p. 484‑486. 321. French Art Glass Vase, 20th c., marked “Galle”, cut from green to yellowish pink with rose decoration, h. 19 3/4 in. $500/700

322. Group of Glass Table Articles, incl. “Asters” bowl, base with reverse signature “R. Lalique / France”, dia 10 in.; “Poissons” plate, well with raised “R. Lalique”, dia. 10 3/4 in.; and salamander figurine, with “Lalique France”, l. 6 1/4 in. (3 pcs.) $600/800

Additional information at www.nealauction.com

323. American Renaissance Ebonized and Gilt‑Incised Walnut Portfolio Stand, c. 1870, architectonic crest, fall-front door centered by a medallion, shaped supports, trestle base, turned stretcher, h. 44 in., w. 27 in., d. 18 in. $500/750

325. Georgian Walnut and Figured Mahogany Cellarette on Stand, early 19th c., sarcophagus form with chamfered corners and lower drawer, conforming stand, h. 24 1/2 in., w. 15 in., d. 10 1/2 in. $700/1000

324. Georgian Carved Mahogany Silver Table, 18th c., galleried top, frieze drawer, cabriole legs, hoof feet, h. 30 1/2 in., w. 38 in., d. 23 5/8 in. $1000/1500 327. Georgian Carved Mahogany Concertina Action Games Table, late 18th c., foldover top with outset corners, baize‑lined playing surface, conforming frieze, tapered legs, pad feet, casters, h. 29 1/4 in., w. 32 3/4 in., d. (closed) 15 in., d. (open) 30 in. $700/1000

326. Antique Georgian‑Style Carved Mahogany Writing Table, inset leather top, two frieze drawers, reverse with faux drawers, turned and fluted legs, brass cuffs, casters, h. 29 1/2 in., w. 54 in., d. 29 1/2 in. $1500/2000 328. American or English Carved Mahogany Open Breakfront Bookcase, c. 1830‑1840 and later, molded top, adjustable shelf interior, plinth base, h. 63 in., w. 91 1/2 in., d. 14 1/2 in. $1000/1500 Provenance: Collection of Mrs. H. Lauer, Rhode Island.

329. George III Inlaid Mahogany Secretary Bookcase, late 18th/ early 19th c., stepped cornice, frieze with shell inlay, glazed doors, fall‑front desk with a fitted interior, over four graduated drawers, scalloped apron, “French” feet, h. 89 in., w. 42 1/4 in., d. 23 3/4 in. $1500/2500

330. Fine Queen Anne Carved Walnut Stool, late 18th/ early 19th c., acanthus-carved cabriole legs, pad feet, h. 18 in., w. 22 in., d. 18 in. $700/900

331. Georgian Carved Mahogany Sideboard, early 19th c., bowfront top with reeded edge, three frieze drawers, turned legs, h. 35 1/2 in., w. 68 1/4 in., d. 24 1/2 in. $700/1000

332. George III‑Style Satinwood-Inlaid Mahogany Breakfront, 19th c., swan’s neck crest with rosettes, dentilated cornice above glazed doors enclosing adjustable shelves, fall‑front secretary drawer with fitted interior, oval inlaid doors enclosing sliding trays, blocked base, h. 102 1/2 in., w. 92 1/2 in., d. 24 in. $7000/9000

333. Georgian Inlaid Mahogany Server, 19th c., frieze drawer, square tapered legs, h. 28 in., w. 41 in., d. 21 3/4 in. $400/600 334. Georgian Carved Mahogany Commode, 19th c., galleried top, carrying handles, pull‑out stand, scalloped apron, square legs, h. 29 in., w. 20 1/2 in., d. 19 in. $300/500

Provenance: Norman Adams Ltd., London.

335. George III Mahogany Cellarette, late 18th c., with alterations, in the form of a drop leaf table, rectangular top opening to a void interior, previously divided, square legs, brass casters, h. 28 in., w. 34 in., d. 21 in. $500/1000

336. West Indies Tropical Hardwood Armchair, probably early 19th c., Trinidad, serpentine crest rail, pierced splat, incurvate arms and arm supports, trapezoidal seat, square tapered legs, stretchers, h. 36 in., w. 22 3/4 in., d. 20 in. $200/400 Provenance: The Sturm Collection.

338. American Classical Carved Mahogany Sofa, c. 1815, incurvate crest rail with eagle’s head terminals, reeded arms and seat rail, foliate‑winged hairy paw feet, h. 35 in., w. 87 in., d. 26 in. $300/500 339. American Classical Painted, Carved and Gilded Mahogany Pier Table, early 19th c., New York, marble top, frieze centered by a cluster of fruit, columnar supports with foliate capitals, mirror back, incurvate plinth, acanthus‑carved paw feet, h. 36 in., w. 42 1/4 in., d. 17 3/4 in. $3000/5000 341. Pair of American Gothic Carved Walnut Side Chairs, mid‑19th c., high back surmounted by crocketed finial, pierced crest rail, padded back and seat in cowhide leopard print upholstery, blocked seat rail, turned legs, h. 50 in., w. 20 in., d. 22 in. $1500/2500 Provenance: From the Collection of Cher; accompanied by a Certificate of Authenticity.

337. American Federal Carved Mahogany Games Table, early 19th c., attr. to Thomas Seymour, Boston, fold‑over swivel top, spiral‑turned supports and stretcher, reeded saber legs, brass paw feet, casters, h. 28 1/2 in., w. 35 1/4 in., d. (open) 35 1/2 in., d. (closed) 17 3/4 in. $800/1200 340. American Gothic Carved Oak Armchair, 19th c., foliate finials, reticulated back, fluted arms, trefoil pierced returns, incurvate seat, curule base, h. 55 1/2 in., w. 28 in., d. 26 1/2 in. $1000/1500

342. American Gothic Carved Walnut Armchair, c. 1845‑1850, attr. to Thomas Brooks, New York, pointed crest surmounted by a foliate‑carved finial, quatrefoil and pointed arch‑pierced splat, lancet stiles, down‑scrolling arms terminating in carved clover leaves, conforming seat rail, ring‑turned and faceted tapered legs, double‑ball feet, h. 48 in., w. 22 3/4 in., d. 22 in. $1500/1800 Ref.: Home and Warren, The Gothic Revival Style in America, 1830‑1870, The Museum of Fine Arts, Houston, 1976, p. 19 20, & 32‑33 for image of a related suite at Roseland Cottage in Woodstock, CT. Additional information at www.nealauction.com

343. Good American Classical Carved Mahogany Work Table, early 19th c., probably New York, octagonal top, fitted interior compartment, conforming case with two drawers, acanthus‑carved standard, foliate‑carved hairy paw feet, casters, h. 30 3/4 in., w. 23 5/8 in., d. 16 3/4 in. $1000/1500

344. American Rococo Carved and Laminated Rosewood Center Table, c. 1850‑1860, attr. to John Henry Belter, turtleback marble top, pierced grapevine‑carved apron, cabriole legs, foliate stretcher centered by basket of flowers, casters, h. 28 1/2 in., w. 41 in., d. 29 in. $12000/18000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

345. Very Rare and Historic American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attr. to John Henry Belter, New York, incl. triple back sofa, pair of meridiennes and four side chairs, each with carved historical bust, scrolled and pierced back, shaped seat, foliate apron, turned stop-fluted legs, casters, later Napoleonic bee upholstery, sofa h. 44 in., w. 73 1/2 in., d. 30 in.; méridiennes h. 38 in., w. 42 in., d. 24 in. $75000/125000 Provenance: Noted collection of Richard and Gloria Manney; The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th c., 1840-1888. Atglen, PA: Schiffer, pp. 110-112; Schwartz, Marvin. Edward Stanek, and Douglas True. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, pp. 48, 49, 60, 66. Note: The suite offered here is an exceptionally rare group of furniture by the illustrious New York cabinetmaker John Henry Belter. The suite, which prominently features carved busts of American political and European literary luminaries, is reflective of a specific moment in mid-19th century U.S. history and pays homage to the identity and idealism of the young and expanding American republic. The busts surmounting the settee are identified as George Washington, Benjamin Franklin, and Thomas Jefferson, who have been historicized within American culture as the most influential Founding Fathers of the United States. The two méridiennes feature the busts of English poets William Shakespeare and John Milton, and the four side chairs feature busts of Chaucer, Dante, Virgil, and Homer. The grouping of prominent Americans with some of the most influential literary figures of English and European history may have been a statement representative of the growing power and importance of the United States on the world stage and establishing Washington, Franklin, and Jefferson as philosophical intellectuals on par with these literary figures—a notable commentary coming from Belter, who immigrated to the U.S. from Germany in 1833. The seven-piece suite is also stylistically rare among Belter’s work, featuring exaggerated scrolled backs and Louis XVI-style fluted legs, as opposed to the typical Louis XV-style cabriole leg more commonly seen on Belter furniture. The side chairs include round seats, in contrast to the signature serpentine-shaped Belter seat. Due to the political and literary decorative themes within this suite, it is possible Belter intended for this group to be completely distinctive from his more naturalistic Rococo style. Ill./Ref.: Dubrow, Eilieen and Richard. American Furniture of the 19th Century, 1840-1888. Atglen, PA: Schiffer, 1983, pp. 110-112; Schwartz, Marvin. Edward Stanek, and Douglas True. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, 1981, pp. 48, 49, 60, 66.

346. Three American Gothic Carved Mahogany Side Chairs, c. 1840, attr. to J. & J.W. Meeks, New York, trefoil pierced crest rail, serpentine back, serpentine seat rail, incurvate legs, h. 34 in., w. 19 1/2 in., d. 17 in. $1200/1800 Ref.: In Pointed Style: The Gothic Revival in America, 1800‑1860, Elizabeth Feld and Stuart P. Feld, Hirschl & Adler Galleries, NY, 2006, p. 96.

347. American Gothic Carved Mahogany Side Chair, mid‑19th c., high back surmounted by finials, pierced crest rail, padded back and seat, blocked seat rail, turned legs, h. 51 in., w. 19 3/4 in., d. 18 in. $1000/2000

348. Fine American Rococo Carved and Laminated Rosewood Sofa, attr. to John Henry Belter, in the pattern commonly referred to as “Rosalie”, triple back rose and fruit carved crests, serpentine arms, conforming serpentine seat rail, rose carved cabriole legs, h. 37 in., w. 61 1/2 in., d. 34 in. $4000/6000

349. Good Pair of American Gothic Carved Mahogany Side Chairs, c. 1840, possibly Crawford Riddell, Philadelphia, foliate‑carved finials, arched crest rail, pierced splat, blocked seat rail, square tapered legs, h. 34 in., w. 17 in., d. 19 in. $500/800 Note: The chairs offered here are closely related to a group of chairs from the dining room of Melrose Mansion in Natchez, Mississippi, which are attributed to Philadelphia Gothic Revival cabinetmaker Crawford Riddell. Ref.: Natchez National Historical Park. www.nps.gov/natc/index.htm. Accessed January 4, 2018.

351. Girolamo Ruscelli, “Nueva Hispania Tabula Nova”, Venice, c. 1561‑1573, copper‑engraved map, unrecorded state, Italian text and historiated initial on verso, 7 3/4 in. x 9 5/8 in. (with title), matted and framed. $600/900 Ref.: Martin & Martin, Maps of Texas and the Southwest, 1513‑1900, Austin, Texas State Historical Association, 1999, pg. 68.

355. [Satirical Map of the Mississippi Bubble], “Afbeeldinge... GEKS‑KOP...”, engraved map depicting the head of a fool, with vignette and text; commenting on the collapse of financier John Law’s Compagnie de la Louisiane d’Occident, 11 1/2 in. x 9 in. with text; together with “Louisiana by de Rivier Missisippi”, 7 1/8 in. x 6 1/8 in.; both from Het Groote Tafereel der Dwaasheid, Amsterdam, 1720, unframed. $500/700

350. Wooton Carved and Burled Walnut Standard Grade Secretary Cabinet, c. 1880, Wooton, Indianapolis, in the “Queen Anne” pattern, superstructure with a spindled gallery, carved frieze, doors open to a fall front writing surface and upright files, doors fitted with cartonnier boxes and shelves, molded feet, casters, h. 68 in., w. 42 1/2 in., d. 31 1/2 in. $2000/3000

352. Isaac Tirion, “Grondvlakte van Nieuw Orleans, de Hoosdstad van Louisiana. / De Uitloop van de Rivier Missisippi. / De Oostelyke ingang van de Missisippi, met een Plan van het Fort, ‘t welk het Kanaal beheerscht”, Amsterdam, 1767, three copper‑engraved maps on one sheet, 13 in. x 17 3/8 in., matted and framed. $500/700

353. Jean Janvier, “L’Amerique Septentrionale divisée en ses principaux etats”, Paris, Chez Lattre, 1762, copper‑engraved map, hand‑colored engraved map, 12 in. x 17 5/8 in., matted and framed. $500/700

356. Nicolas de Fer, “Les Costes aux Environs de la Riviere Misisipi...”, Paris, 1701, hand‑colored engraved map, with detailed nomenclature of Indian tribes, the cartouche depicting the assassination of La Salle, 8 1/2 in. x 13 in., unframed. $600/900

357. John Stobart (British, b. 1929), “Hannibal, A View from Mark Twain’s Boyhood Home”, offset lithograph, pencil‑signed and numbered “157/750” lower margin, published by Maritime Heritage Prints, Inc., “A.B. Closson, Jr., Cincinnati, OH” labels en verso, sight 22 in. x 29 1/4 in., framed. $300/500

Ref.: Martin, James, Maps of Texas and the Southwest, 1513‑1900, Austin, 1999, pg. 91.

354. Tommaso Porcacchi, “Mondo Nuovo”, Venice, 1576, engraved map from L’Isole piu Famose del Mondo, 4 in. x 5 5/8 in., matted and framed. $400/600

Note: The map features the “Sea of the West” above New Albion, linked by an equally mythical river system to Hudson Bay.

358. John Stobart (British, b. 1929), “Savannah, River Street by Moonlight in 1842”, offset lithograph, pencil‑signed and numbered “208/750” lower margin, published by Maritime Heritage Prints, Inc., printed artist biography and “A.B. Clossom Jr., Cincinnati, OH” labels en verso, sight 23 in. x 30 in., framed. $300/500

Additional information at www.nealauction.com

359. John Stobart (British, b. 1929), “Cincinnati The Queen City of the West in 1876”, offset lithograph, pencil‑signed and numbered “465/750” lower margin, published by Maritime Heritage Prints, Inc., printed artist biography and “A.B. Closson’s, Jr. Co., Cincinnati, OH” labels en verso, sight 23 1/4 in. x 33 in., framed. $300/500

362. American Walnut Harvest Table, 19th c., probably Southern, drop‑leaf top, turned legs, two swing legs, casters, h. 28 3/4 in., l. 72 1/4 in., d. 42 1/4 in. (open), d. 24 1/4 in. (closed). $700/1000

360. Antique American Carved Mahogany Extension Dining Table, mid‑19th c., probably Philadelphia, circular top with rope‑carved edge, plain frieze, bulbous and foliate‑carved standard, foliate‑scrolled legs, casters, opens to receive four leaves (each w. 15 in.), h. 30 1/2 in., dia. (closed) 54 in., dia. (open) 114 in. $800/1200

361. American Grain Painted Chest, mid‑19th c., two drawers over three graduated drawers, paneled sides, flared legs. Note: Found in original state. $500/750

363. American Southern Carved Walnut Cupboard, 19th c., stepped cornice, glazed doors, shelf interior, two frieze drawers, two lower paneled doors, scalloped apron, bracket feet, h. 83 in., w. 52 3/4 in., d. 19 in. $800/1200

365. Antique American Gothic Carved Mahogany Pedestal, tapered octagonal form, inset granite top, plaque inscribed “presented in honor of Evva M. and Robert P. Wetzel by their children”, h. 38 3/4 in., dia. 21. $200/400

366. American Chippendale Walnut Chest of Drawers with Linen Press, late 18th c., probably Pennsylvania, screw press superstructure, two drawers over three graduated drawers, shaped bracket feet, h. 66 in., w. 37 1/2 in., d. 20 in. $500/700

364. Antique American Painted Windsor Armchair, 19th c., scrolled crest rail, spindled back, saddle seat, turned legs and stretcher, h. 44 1/2 in., w. 25 1/2 in., d. 18 in. $150/250

367. Louis Elizabeth Andrews Fischer (American/ New Orleans, 1901‑1974, act. Newcomb College 1917‑1921), designs for book illustration and bookplate, graphite and ink on paper, one initialed lower right, other signed lower right, 14 in. x 19 in. and 14 in. x 9 3/4 in., unframed. (2 pcs.) $300/500 Provenance: Estate of Robert Stuart (Louis Fischer’s executor).

368. Louis Elizabeth Andrews Fischer (American/New Orleans, 1901‑1974, act. Newcomb College 1917‑1921), “Balcony Over Antique Shop ‑ Royal St., New Orleans”, c. 1925, graphite and ink on paper mounted on board, signed lower right, 13 3/4 in. x 10 in., unframed. $300/500 Provenance: Estate of Robert Stuart.

370. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Cabin and Pirogue in the Louisiana Bayou”, oil on canvas, signed lower left, 24 in. x 21 in., framed. $2500/3500

369. Lulu King Saxon (American/New Orleans, 1855‑1927), “Bayou Cabin”, oil on canvas, signed lower right, 15 in. x 18 in., framed. $3000/5000

371. Will Hinds (American/Louisiana, 1936‑2015), “Sunlight through the Trees”, oil on masonite, signed lower right, 12 in. x 17 3/4 in., framed. $1000/1500

372. Charles Oglesby Longabaugh (American/Louisiana, 1885‑1944), “The Batture” and “Fishing under the Live Oak Tree, Lafitte, Louisiana”, watercolor on canvas board and watercolor on paper, former initialed “C.O.L” lower left, both titled en verso, 12 in. x 16 in. and 12 in. x 18 in., unframed. (2 pcs.) $800/1200 Provenance: Descended in the family of the artist.

376. Morris Henry Hobbs (American/New Orleans, 18921967), “Guzmania Bromeliad and Rose‑throated Becard”, watercolor on paper, signed lower left, sight 20 in. x 14 1/4 in., framed. $1000/1500 Provenance: Descended in the family of the artist.

380. Alberta Kinsey (American/ Louisiana, 1875‑1952), “Royal Street, French Quarter”, oil on canvas board, signed lower left, handwritten inscription with provenance en verso, 17 in. x 15 in., framed. $1000/1500 Provenance: Acquired from the artist, New Orleans, 1951.

382. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Pirate’s Alley, French Quarter”, 1977, oil on canvas, signed lower right, titled, dated and “The Fortier Gallery, Chartres St.” label, en verso, 16 in. x 12 in., framed. $500/800

373. Charles Oglesby Longabaugh (American/Louisiana, 1885‑1944), “Raised Cabin with Goat, Washington, Louisiana”, 1943, and “Pakenham Oaks, St. Bernard Parish”, 2 watercolors on paper, former signed and dated lower center, both pencil‑titled en verso, each 9 1/4 in. x 12 in., unframed. (2 pcs.) $600/800 Provenance: Descended in the family of the artist.

377. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak on the Bayou”, oil wash on board, signed lower left, sight 14 1/4 in. x 19 1/2 in., framed. $1500/2500

374. Arnold E. Turtle (British/New Orleans, 1892‑1954), “The Tambourine”, oil on canvas, signed lower right, 30 in. x 24 in., unframed. $1000/1500 Provenance: Descended in the family of the artist.

378. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree with Lily Pads”, oil wash on board, signed lower left, 10 in. x 30 in., period frame. $1200/1800

375. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Study” and “The Red Skirt”, 2 oils on canvas board, each signed lower right, latter titled en verso, each 20 in. x 16 in., both framed. (2 pcs.) $1500/2500 Provenance: Descended in the family of the artist.

379. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou with Live Oak Tree and Lily Pads”, oil wash on board, signed lower left, 10 in. x 30 in., period frame. $800/1200

381. Valerie Jaudon (American/Mississippi, b. 1945), “Pascagoula”, 1974, oil on gallery‑wrapped canvas, signed, titled and dated en verso, 24 in. x 24 in., unframed. $2000/3000 Note: Valerie Jaudon is famously linked to the Pattern and Decoration movement of the 1970s, whose goal was to reject the established hierarchies of Western art as well as the prevailing praise for Conceptualism and Minimalism that was dominating the art world at the time. Jaudon and other members of the movement aimed to elevate the aesthetics of decorative patterns and arts traditionally considered “feminine” and “domestic” (including crafting, embroidery, knitting, etc…). They embraced the arts of the Middle East, Asia, Africa, and South and Central America and challenged the superiority of Western art historical traditions. The lot offered here showcases Jaudon’s adapt skill in using color and pattern to define her canvases. Her short, dense brushstrokes create an almost mosaic-like field of color with each shade carefully placed to balance the composition. Ref.: Jaudon, Valerie and Joyce Kozloff. “Art Hysterical Notions of Progress and Culture.” Heresies. 4 (1977-1978): 38-42.

383. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Farmer’s Market, French Market”, oil on canvas, signed lower right, titled and “The Fortier Gallery, Chartres St., New Orleans” label en verso, 12 in. x 16 in., framed. $500/800

384. William Anzalone (American/ Texas, b. 1935), “Frozen Day”, 1993, oil on canvas, signed lower left, signed, titled and dated en verso, 30 in. x 40 in., framed. $1000/1500

385. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Morning Call, French Quarter”, oil on canvas, signed lower right, 11 in. x 14 in., framed. $500/800

Additional information at www.nealauction.com

386. Noel Rockmore (American/New Orleans, 1928‑1995), “Sylvester Handy, bassist”, 1964, oil on canvas, signed and dated “Mar. 10, ‘64” upper right, 58 in. x 34 1/8 in., framed. $4000/6000

387. Noel Rockmore (American/New Orleans, 1928‑1995), “Nathan ‘Jim’ Robinson, Trombone Player (1892‑1975)”, 1970, oil on masonite, signed and dated lower right, titled en verso, 14 1/2 in. x 12 in., framed. $2500/3500

Note: Coming from a family of musicians, Sylvester Handy was the son of John and Eliza Handy, who played the violin and piano; his siblings also played instruments – his brother John “Captain” experimented with multiple instruments, particularly clarinet and saxophone, his brother Julius played guitar, and his sister Mary studied piano. While all four of the children were born in Pass Christian, Mississippi, John began playing in New Orleans and Baton Rouge in the 1920s with his band “The Shakers,” and Sylvester joined him in 1932. Sylvester Handy accompanied his older brother both on live shows and for many recordings. In the work offered here, Sylvester Handy’s notable contribution to the New Orleans music scene is recognized by his inclusion in the Preservation Hall Portrait series by Noel Rockmore. Commissioned by Larry Borenstein, the series was composed of paintings of the full band playing at Preservation Hall and also selected portraits of single musicians chosen for focused sessions. The composition depicts not only the likeness of Handy, but also captures the bond between the man and his craft. The instrument and figure are a single visual element, with a presence and dynamic quality indicative of jazz. Ref.: Borenstein, Larry and Bill Russell. Preservation Hall Portraits. Baton Rouge: Louisiana State University Press, 1968; Feather, Leonard and Ira Gitler. The Biographical Encyclopedia of Jazz. Oxford: Oxford University Press, 1999.

388. Mark T. Smith (American/ Florida, b. 1968), “New Orleans Elephant”, 2009, graphite on paper, signed, monogrammed “M”, titled and dated lower left, 22 1/2 in. x 30 1/4 in., unframed; accompanied by book Mark T. Smith, 2006. $1000/1500

389. Paulette Tokar Whiteman (American/Louisiana, b. 1950), “Anticipation and Reflection”, 1983, acrylic and collage on canvas, signed, titled and dated en verso, 36 1/2 in. x 32 1/2 in., framed. $1500/2500 Provenance: Koch Collection, Metairie, LA.

393. Barbara McKee (American/ Montana, 1952‑2002), “Along the Madison by the Palisades” and “Cottonwood Concerto”, 1997, 2 oils on masonite, each signed lower right, and signed, dated and titled en verso, each 4 in. x 12 in., framed. (2 pcs.) $600/800

390. Paulette Tokar Whiteman (American/Louisiana, b. 1950), “My House”, “A Lick”, and “724”, 1992, 3 acrylic, collage and mixed media on paper, each signed, titled and dated lower margin, sights 7 1/4 in. x 7 1/4 in. to 9 1/2 in. x 7 1/2 in., framed alike. (3 pcs.) $800/1200

391. Jim Bird (British/American, 1937‑2010), “Iberian Stone II”, 1990, acrylic on canvas, signed, titled and dated “90/May” en verso, 60 in. x 24 in., period frame. $700/1000

Provenance: Sylvia Schmidt Gallery, New Orleans, 1993; Koch Collection, Metairie, LA.

Provenance: Galerie Simonne Stern, New Orleans, 1993; Koch Collection, Metairie, LA.

392. American School, 20th c., “Abstract Pink House” and “Abstract Garden Gate”, 2 oils on canvas board, each signed “Freiler” lower right, each 19 in. x 20 in., framed. (2 pcs.) $1000/1500 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

394. Thor Carlson (American/ New Orleans, 20th c.), “Red Tower”, painted cast metal, unsigned, h. 82 in., w. 11 1/2 in., d. 12 1/2 in., stacked painted concrete base, overall h. 94 in. $1000/1500

395. Thor Carlson (American/ New Orleans, 20th c.), “Abstract Form”, painted cast metal, unsigned, h. 67 in., w. 23 in., d. 24 1/2 in. $1000/1500

396. Rookwood Pottery Vellum Glaze Landscape Vase, 1920, decorated with trees in a landscape by Ed Diers, impressed date and artist marks, h. 10 5/8 in., dia. 5 in. $700/1000

397. Rookwood “Limoges” Glazed Pottery Pillow Vase, 1882, impressed “Rookwood / 1882‑98”, incised decorator’s cipher “MR” for Martin Rettig followed by “II”, each side decorated with bamboo and a swallow or a duck in flight, h. 4 1/4 in., w. 4 in. $300/500

398. Pair of Aesthetic Cast Iron Andirons, c. 1880, illegible patent date, h. 15 1/4 in., w. 9 in., d. 17 in. $300/500

399. Antique Spanish Wrought Iron Andirons, 19th c., scroll and foliate design, with cross bar, h. 28 1/4 in., w. 16 1/2 in., d. 28 1/2 in., cross piece l. 43 in. $300/500

400. Edwardian Oak Silver Chest, c. 1905, hinged lid with elaborate bronze mount, bale handles, baized-lined interior with removable trays, h. 22 in., w. 22 1/2 in., d. 20 1/2 in. $400/600

401. West Indies Inlaid and Carved Mahogany Work Table, 19th c., drop‑leaf top, two drawers, upper drawer fitted with baize‑lined writing surface, reverse side with two faux drawers, turned and tapered legs, casters, h. 29 in., w. (closed) 17 in., w. (open) 31 1/2 in., d. 22 in. $500/700 Provenance: The Sturm Collection.

402. West Indies Carved Tropical Hardwood Console Table, 19th c., Trinidad, serpentine marble top, shaped floral carved frieze, rose‑carved cabriole legs, scrolled toes, h. 39 in., w. 62 1/2 in., d. 19 in. $500/1000 Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 157.

403. Antique French Painted Corner Cabinet, 19th c., applied cornice, paneled doors, base with small frieze drawer, conforming lower doors, plain feet, h. 105 in., w. 53 in., d. 25 in. $700/900

404. Continental Carved and Mother‑of‑Pearl Inlaid Walnut Savonarola Chair , h. 21 in., w. 23 3/4 in., d. 23 1/2 in. $500/700 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

405. American Hobnail Safe, c. 1835, iron over wood, single key entry, void interior, iron swivel wheels, h. 30 1/2 in., w. 23 1/2 in., d. 20 1/2 in. $500/1000 Provenance: Purportedly from the USS Constitution.

407. American Renaissance Carved and Gilded Overmantel Mirror, 19th c., architectonic crest, molded stepped cornice, beaded foliate and scrolled accents, molded base flanked by floral‑decorated pedestals, h. 65 in., w. 51 1/2 in., d. 8 1/2 in. $800/1200 408. American Carved and Gilded Mahogany Looking Glass, 19th c., surmounted by a Prince of Wales plume, gilt scrolled surround, pierced pendant, h. 43 3/4 in., w. 23 in. $500/700

406. Pair of Sevres‑Style Gilt Metal‑Mounted Lustre Porcelain Table Lamps, 20th c., ewer form, marble base, h. (to socket) 26 in. $500/800

409. Spanish Colonial School, mid‑17th/19th c., “San Jacinto (Saint Hyacinth)”, oil on canvas, unsigned, 31 1/4 in. x 24 1/2 in., antique frame. $500/700

Provenance: The Sturm Collection.

410. Spanish Colonial School, mid‑17th/19th c., “Nativity”, oil on canvas, unsigned, 32 in. x 32 3/4 in., framed. $600/800

411. Set of Twelve Jackson and Gosling Porcelain Dinner Plates, c. 1930s, marked “Grosvenor China / England”, blue border decorated with gilt foliate scrolls, dia. 10 1/2 in.; together with four Aynsley porcelain dinner plates in the “Pembroke” pattern, dia. 10 1/2 in. (16 pcs.) $200/300

412. Pair of Charles X Gilt Bronze Amphora Vases, c. 1825, handles with ram’s head terminals, bodies with ribbed and foliate bands, h. 8 1/2 in., w. 4 1/2 in., d. 3 in. $800/1200

Additional information at www.nealauction.com

413. Napoleon III Inlaid Burled Wood Cave à Liqueur, 19th c., shaped top inset with monogram plaque, interior fitted with removable tray fitted with 4 etched glass decanters and 16 cordials, h. 9 5/8 in., w. 14 7/8 in., d. 10 1/2 in. $800/1200

416. Two Italian Portrait‑Inset and “Gem” Embellished Gilt Metal and Enamel Boxes, 20th c., h. 1 1/8 in., w. 3 3/4 in., d. 2 1/2 in. and h. 3/8 in., w. 2 5/8 in., d. 2 3/8 in. $200/300

414. Napoleonic Prisoner of War Carved Bone Sewing Box, 19th c., hinged lid, reticulated carving of foliage, urns and mounted hunters chasing a stag, divided interior, h. 2 7/8 in., w. 8 3/8 in., d. 6 7/8 in. $1000/1500

417. Continental Patinated Bronze Figure of a Turtle, 20th c., l. 5 1/2 in; together with a pair of pressed gilt brass floral motif tiebacks, l. 9 3/4 in. $300/500

415. Pair of Louis XV‑Style Gilt Bronze Candlesticks, 19th c., overall scrollwork, shells and rocaille, h. 10 1/2 in. $500/700

419. Group of American Sterling Silver Hollow Ware, incl. Tiffany and Co. Makers reticulated tazza, pattern introduced 1912, h. 3 3/8 in., dia. 8 1/2 in.; Reed and Barton “Trajan” pattern square vegetable bowl, date mark for 1939, 4 1/2 in. square; 2 small bowls, dia. 6 1/4 in., and Watson footed bonbon bowl, w. 4 3/4 in., combined wt. 37.95 troy ozs. $600/900 423. Group of Antique and Vintage Silver Flatware, various makers and patterns, incl. Gorham “Imperial Chrysanthemum” ice spoon and 6 demitasse spoons, pat. 1894, ice spoon l. 8 5/8 in.; Gorham “New Empire” pea spoon, pat. 1895, l. 8 3/4 in.; 12 Reed & Barton “L’Elegante” pattern forks, pat. 1900, ret. Bigelow, Kennard & Co., Boston, l. 7 in.; Whiting “Berry” pattern tea caddy spoon, pat. 1880, l. 4 3/8 in.; Whiting bonbon scoop, l. 4 1/2 in.; child’s spoon and alphabet napkin ring, early 20th c.; 2 floral napkin rings; Wallace “Grande Baroque” salad fork; International cream ladle; 4 Mexican sipper/stirrers, l. 7 5/8 in.; and 5 mother‑of‑pearl handled fruit knives with sterling ferrules; together with Edward VII and Alexandra Coronation Commemorative gilt metal bonbon spoon; total wt. (weighable) 34.50 troy ozs. $400/600

418. Napoleon III Porcelain‑Inset Gilt Bronze Plaque, mid 19th c., bronze cast with floral vases and scrolls, porcelain painted with courting couples, dia. 13 3/4 in. $200/300

420. Good Group of Antique and Vintage Silverplate, incl. English Aesthetic Movement circular tray, dia. 8 in.; cased fish serving fork and knife, case l. 13 3/8 in.; American Aesthetic tea/sugar bowl, h. 4 1/4 in., w. 3 3/4 in.; four Tiffany & Co. Makers toiletry bottles, h. 3 1/8 in. to 6 3/4 in.; and Reed & Barton bowl, dia. 6 1/4 in. $300/500

424. Full Length Lady’s Mink Coat, silk‑lined with “D.H. Holmes / New Orleans” label, embroidered design and “CSS” monogram on interior, leather sash, 2 clasps, l. 43 1/2 in. $700/1000

421. Gorham Sterling Silver Salver, date mark for 1869, also marked for retailer C & M, circular with bright cut decoration and tapered feet, dia. 8 in., wt. 8.15 troy ozs. $250/350

425. Pair of French Brass and Wrought Iron Five‑Light Torchères, c. 1900, brass foliate mounts, scrolled tripartite base, h. 78 in., w. 18 1/2 in., d. 12 in. $400/600

422. Group of Vintage Sterling Silver, incl. Dominick & Haff circular bowl, dia. 9 in.; Gorham sterling reticulated bowl with mazarine, dia. 8 in.; tea strainer with rosewood handle, l. 6 5/8 in.; and sugar tongs; total wt. 14.60 troy ozs. $200/300

426. Diminutive Louis XV‑Style Cut Glass Five‑Light Chandelier, vasiform standard, h. 17 in., dia. 15 in. $150/250 Provenance: Estate of Stefanie C. Golden, Florence, Italy.

427. American Patinated and Etched Glass Four‑Light Chandelier, 20th c., petal‑form glass panels with floral decoration, h. 19 in., dia. 18 in. $100/150

428. Pair of French Gilt Metal Two‑Light Sconces, 20th c., wreath backplate, hunting horn candlearms, electrified, h. 26 in., w. 14 in., d. 7 in. $400/600

429. Antique Continental Bronze “Aladdin” Oil Lamp, 19th c., cover with mouse finial, tripod lion base, h. 8 in., w. 5 3/4 in., d. 5 in. $300/500

Provenance: Estate of Stefanie C. Golden, Florence, Italy.

431. American Classical Giltwood Pier Mirror, 19th c., blocked cornice mounted with spherules, diapered panel flanked by pairs of reeded colonettes, h. 48 in., w. 30 1/2 in. $600/900

435. Chinese Celadon Porcelain Jar, Guan, Ming Dynasty (1368‑1644), carved with chrysanthemum and leafy foliage between cloud scroll and leaf tip borders, h. 12 1/2 in. $1000/1500

432. Continental Carved Giltwood Mirror, 19th c., molded and foliate‑decorated surround, h. 65 in., w. 47 in. $400/600

436. Chinese Green, Yellow and Aubergine Glazed Porcelain Bull’s Head Rhyton, Kangxi Period (1662‑1722), l. 5 in. $600/900

437. Chinese Famille Verte Porcelain Dish, Qing Dynasty (1644‑1911), central peacock and chrysanthemum roundel, base with Artemisia leaf mark, h. 3 in., dia. 15 3/8 in. $800/1200

440. Pair of Chinese Cloisonné Enamel Baluster Vases, 20th c., decorated with birds on flowering branches, h. 12 1/8 in., stands, overall h. 14 in. $300/500

441. Pair of Antique Chinese Stone Buddhist Lions, carved crouching on rectangular plinths, the male with a ball, the female with a cub, h. 9 3/4 in. $800/1200

Provenance: Madeline M. Rorison (1919‑1987); thence by descent in the family.

439. Pair of Chinese Cloisonné Enamel “Mille Fleur” Double Gourd Vases, 20th c., decorated with a profusion of flower heads, h. 12 3/8 in., stands, overall h. 13 3/4 in. $300/500 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

433. Paris Porcelain Figural Mantel Clock, mid‑19th c., enameled dial marked “S. Fournier H.ger M.cien N.elle Orleans”, surmounted by flower‑filled urn, flanked by court figures, the plinth having floral reserves, on conforming base, with toupie feet, h. 16 in., w. 16 in., d. 5 in. $1500/2500

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

430. Pair of Napoleon III Gilt Brass Carcel Lamps on Gilt Bronze Stands, c. 1860, relief modeled in the Gothic taste with figures in niches, h. 22 1/2 in., electrified. $500/1000

434. Paris Porcelain and Bisque Figural Three‑Piece Clock Garniture, 19th c., clock surmounted by youth playing flute, conforming candlesticks, clock h. 15 1/2 in., w. 8 1/2 in., d. 3 1/2 in. $500/700

438. Large Chinese Famille Rose Porcelain Baluster Vase, late 19th/ early 20th c., confronting Buddhist lion handles, decorated with scenes from a Boy’s Day celebration, h. 24 1/4 in. $500/700

442. Chinese Lapis Lazuli, Crystal and Hardstone Court Necklace, late Qing Dynasty (1644‑1911), 108 lapis beads, 4 hardstone fotou, tassel cord suspending carved glass and crystal pendants, 3 jinnian strands with crystal pendants. $700/900

Additional information at www.nealauction.com

443. Chinese Painted Shoushan Soapstone Figure of the Immortal Li Tieguai, carved standing on a cloud base holding a staff and gourd, h. 7 1/4 in., brocade stand, overall h. 8 1/4 in. $700/900

444. Chinese Lapis Lazuli “Scholar’s Rock”, modeled in naturalistic form, h. 7 1/4 in., w. 7 1/4 in., hardwood and burlwood stand, overall h. 9 1/4 in., w. 12 1/4 in., d. 6 3/4 in. $300/500

445. Three Oceanic Carved and Painted Wood Masks, incl. Gara hook mask, h. 36 1/2 in.; mask with rope tassels, h. (excluding tassels) 17 in.; and mask with basketry surround, h. 17 1/2 in. $300/500

447. Fine Anglo‑Colonial Carved Rosewood Tilt‑Top Table, 19th c., circular top with egg and dart molding, scrolled acanthus frieze, foliate baluster standard, incurvate triangular plinth, disc feet, h. 30 1/2 in., dia. 22 1/2 in. $1500/2500

446. West Indies Carved Tropical Hardwood “Caquestoire” or “Gossip” Chair, 19th c., scrolled crest, tall back, fluted stiles, scrolled arms, trapezoidal seat, turned legs, stretchers, h. 52 in., w. 23 7/8 in., d. 16 7/8 in. $150/250 Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 67.

448. Italian Rococo Carved Giltwood Hall Bench, 19th c., floral and scroll reticulated crest, acanthus scroll arms, pierced sides, C scroll legs, padded back and seat, h. 50 in., w. 50 1/4 in., d. 16 1/2 in. $800/1200

450. Two Continental Carved Mahogany Pedestals, late 19th c., dentil frieze, Corinthian column supports, molded plinth base, h. 36 in., w. 24 in.; h. 36 in., w. 18 in. $600/900

449. Pair of Louis Philippe‑Style Carved Mahogany Bergères, barrel back, swan‑form arm supports, lappet‑carved sabre legs, h. 31 1/2 in., w. 22 1/2 in., d. 23 in. $800/1200

451. American Aesthetic Japonesque Ebonized and Carved Cherrywood Firescreen, c. 1880, reticulated crest, molded frame, fitted with silk embroidery, bracketed base with outset feet, h. 57 1/2 in., w. 34 1/4 in., d. 15 in. $300/500

452. American Classical Carved Mahogany Games Table, early 19th c., stenciled label “Chas. C. Crehore, Cabinet Maker, Milton”, Massachusetts, foldover swivel top, columnar standard, brass paw feet, casters, h. 29 1/4 in., w. (open) 36 in., w. (closed) 35 1/2 in., d. (open), 35 1/2 in. $800/1200 Ref.: “Charles Crane Crehore, American, 1793‑1879”, Museum of Fine Arts Boson. www.educators.mfa.org. Accessed June 2, 2017.

453. American Rococo Carved and Laminated Rosewood Library Chair, mid‑19th c., New York, serpentine shield‑shaped back, serpentine arms, floral‑carved serpentine seat rail, rose‑carved cabriole legs, scrolled toes, h. 34 3/4 in., w. 24 1/2 in., d. 24 1/2 in. $800/1200

454. American Cast Iron Reading Stand and Dictionary Holder, late 19th c., manufactured by the Holloway Company, Cuyahoga Falls, OH, rotating standard, wood book trays, foliate‑decorated plinth base, standard h. 29 1/2 in. $500/800

458. William IV Burled Walnut Oval Canterbury, 19th c., with three bays, turned and carved uprights, one drawer, turned legs, brass ferrules, casters, h. 20 3/4 in., w. 28 1/2 in., d. 18 1/2 in. $600/800

455. Pair of English Black Lacquered, Gilt and Mother‑of‑Pearl Inlaid Side Chairs, mid‑19th c., arched crest, spiral‑turned uprights, padded back, serpentine seat rail, cabriole legs, h. 38 in., w. 18 1/2 in., d. 15 in. $300/500

456. Edwardian Paint-Decorated and Inlaid Lady’s Writing Desk, c. 1905, arched superstructure with two drawers, inset leather top, frieze drawer, shaped stretcher shelf, square tapered legs, h. 37 in., w. 31 in., d. 20 in. $300/500

459. Louis XVI‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Tric‑Trac Table, 19th c., foldover swivel top, floral reserve, fitted drawer, shaped apron, cabriole legs, sabots, h. 28 1/2 in., w. 31 1/2 in., d. 23 in. $700/1000

457. American or English Arts and Crafts Carved Oak Stool, early 20th c., triangular form, incised supports, h. 18 1/4 in., w. 16 in., d. 16 in. $200/400

460. Pair of Louis XV‑Style Carved Fruitwood Bergères, molded crest rail centered by a floral carving, scrolled and padded arms, caned back and seat, cabriole legs, h. 34 in., w. 25 in., d. 25 in. $500/700

461. Antique French Provincial Carved Mahogany Writing Table, 19th c., later top with inset leather writing surface, frieze drawer, cabriole legs, h. 27 1/2 in., w. 42 in., d. 29 in. $700/1000

463. Continental Egyptianesque Polychrome and Inlaid Collector’s Cabinet on Stand, oval case, conforming door, fitted interior, rectangular plinth with two side frieze drawers, base with frieze drawer, bracket feet, h. 57 1/4 in., w 33 in., d. 15 in. $2500/3500

462. French Provincial‑Style Carved Walnut Buffet à Deux Corps, stamped “... Antonio’s San Francisco”, arched cove molded crest, leaf and roundel frieze, shaped raised panel doors, cabriole legs, scrolled toes, h. 96 in., w. 56 in., d. 20 in. $1500/2500

464. Pair of Neoclassical‑Style Gilt Bronze Guéridons, inset marble tops, banded frieze, shaped legs with lion’s masks, X supports, paw feet, h. 27 in., w. 14 1/2 in., d. 14 1/2 in. $2500/3500

Additional information at www.nealauction.com

466. Adam‑Style Paint‑Decorated Chairback Settee, with vasiform splats, carved arms, caned seat, square tapered legs, h. 34 1/2 in., w. 78 in., d. 24 in. $700/1000

465. Art Deco‑Style Marble Figure of Cleopatra Standing before a Sphinx, 20th c., height 47 in., siena marble base, overall height 63 1/4 in. $2000/4000

467. French Provincial Carved Walnut Table, 19th c. and later, two frieze drawers, reverse with a paneled frieze and scalloped apron, cabriole legs, h. 31 3/4 in., w. 65 1/2 in., d. 29 in. $1000/1500

468. Louis XV‑Style Carved and Painted Crème Peinte Bench, padded seat, foliate‑carved apron, shaped stretchers, cabriole legs, h. 18 in., l. 43 in., d. 16 in. $400/600

469. Hunt Slonem (American/ Louisiana, b. 1951), “3 Rabbits”, 2016, oil on board, signed, dated and titled en verso, 24 in. x 34 in., framed. $3000/5000

470. Suite of Four Venetian Giltwood Two‑Light Sconces, 20th c., each with scrolled frame, mirrored backplate etched with opera singers, electrified, h. 24 1/2 in., w. 13 in., d. 6 in. $1000/1500

471. Continental Carved Giltwood Mirror, surmounted by a flower basket crest, beaded floral surround, scrolling acanthus mounts, h. 68 1/2 in., w. 48 in. $700/1000

472. Pair of Italian Marble Plaques after the Antique, brass beaded surround, presented in Neoclassical giltwood frames, h. 55 in., w. 34 1/2 in., d. 5 in. $4000/6000

473. Pair of Antique Italian Carved, Verte Peinte and Parcel Gilt Girandole Mirrors, trophée crest with a pair of opposing doves, floral‑carved surround, beveled mirror plate, scrolling candlearms, acanthine candlecups, scrolling foliate pendant, h. 44 in., w. 31 in., d. 13 in. $1800/2500

474. Louis XV Provincial Fruitwood Commode, 18th c., serpentine top, two over two carved drawers, block feet, h. 33 1/2 in., w. 49 3/4 in., d. 24 in. $1000/1500

475. Venetian Polychromed Slant‑Front Desk, 19th c., of bombé form, fitted desk interior, three drawers, serpentine base, flared legs, h. 41 1/2 in., w. 46 in., d. 22 1/4 in. $1500/2500

476. Pair of American Federal Brass Andirons and Wirework Fire Fender, early 19th c., andirons with ball finials, spur feet, h. 13 in., w. 9 in., d. 16 in.; fire fender h. 12 1/2 in., w. 36 in., d. 12 in. $300/500

477. Large Continental Pottery Olive Jar, rolled rim, ovoid body, h. 32 3/4 in. $800/1200 Provenance: Estate of a Baton Rouge Lady. 478. Pair of Fine Empire‑Style Gilt Bronze and Breche Violette Marble Cassolettes, late 19th c., grape cluster collar, ram’s head mounts, hoof feet, incurvate triangular plinth, h. 18 in., dia. 8 in., now mounted as lamps, h. (to socket) 28 in. $2000/3000

480. Antique Continental Giltwood Mirror, rope‑molded border, acanthine corners, beveled mirror plate, h. 38 1/2 in., w. 33 in. $600/900

479. Napoleon III Giltwood Mirror, late 19th c., bowknot crest, branchwork and lattice frame, beveled mirror plate, h. 48 in., w. 38 in. $1000/1500

481. Chinese School, “Landscape with Rocks and Trees”, ink and color on paper, inscribed and sealed lower left, sealed lower right, 26 3/8 in. x 26 1/4 in., mounted. $300/500

482. Utagawa Kuniyoshi (Japanese, 1797‑1861), 5 woodblock prints, variously depicting Actors and Beauties, sight 13 1/2 in. x 9 3/8 in. To 14 1/4 in, x 9 5/8 in., variously matted and framed. $1000/1500

483. Kiyoshi Saito (Japanese, 1907‑1997), “Bunraku (c)”, 1959, woodblock print, signed lower left, pencil‑titled, dated and numbered 8/100 lower margin, sight 20 3/4 in. x 14 3/4 in., framed. $500/700

Additional information at www.nealauction.com

484. Kunisada (Japanese, 1786‑1865), “New Year’s Celebration”, woodblock triptych, 14 3/4 in. x 10 1/8 in., 14 5/8 in. x 10 in., 14 3/4 in. x 10 in., corner mounted together, matted and framed. $300/500

488. Large Japanese Imari Porcelain Covered Tripod Koro, Meiji Period (1868‑1912), shishi finial, upright handles, lion’s mask and claw feet, h. 17 1/4 in., w. 15 1/4 in. Note: Restoration. $300/500 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

492. Japanese Kyoto Pottery Caramel and Yellow Glazed Vase, early 20th c., relief‑decorated with birds amid wisteria branches, h. 12 in. $200/300 Provenance: Thomas K. Libby, Stamford, CT, 2013.

496. Chinese Export‑Style Polychrome Porcelain Vase, probably 19th c., probably Samson, molded with tree peonies and lychee, h. 11 1/2 in., apparently undrilled, now adhered to a wood base, and mounted as a lamp, h. (to top of finial) 23 1/4 in. $300/500 Provenance: Henry Stern Antiques, New Orleans, c. 1970.

485. Tsukioka Kogyo (Japanese, 1869‑1927), “Yamamba Holding a Fan”, woodblock print with mica highlights from the series Nogakuzue (illustrations of Noh), sight 9 1/2 in. X 14 3/8 in.; together with a shin hanga print depicting a girl beside a wish lantern, sight 8 in. X 11 1/2 in., each matted and framed. $200/300

489. Japanese Imari Porcelain Chrysanthemum‑Form Charger, Meiji Period (1868‑1912), decorated with figures pulling a flower cart, h. 2 1/8 in., dia. 14 5/8 in. $200/300 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

493. Japanese Mixed Metal and Sterling Silver‑Mounted Takamaki‑e Lacquer Jewelry Box, 20th c., Sempoh, decorated with herons, rocks and waves, reverse inscribed, base stamped “pat. No. 150085 SEMPOH” and “Sterling Silver”, h. 4 3/4 in., w. 6 in., d. 4 5/8 in. $300/500

497. Staffordshire Ironstone Partial Dinner Service, 19th c., marked “No. 26”, incl. footed tureen; 2 platters, 8 3/4 in. x 10 3/4 in.; 6 salad plates, dia. 9 1/4 in.; and 8 dinner plates, dia. 10 1/4 in. (15 pcs.) $300/500

486. Three Japanese Woodblock Prints, incl. attr. to Keisai Eisen (1790‑1848), depicting a beauty before fans, sight 13 7/8 in. X 9 3/8 in.; Toyohara Kunichika (1835‑1900), depicting an actor portraying a beauty, sight 13 3/8 in. X 9 in.; and after Torii Kiyonaga (1752‑1815), depicting 2 beauties watching a maid eat noodles, sight 14 1/4 x 9 3/4 in., each matted and framed. $200/300

487. Three Japanese Imari Porcelain Chrysanthemum‑Form Chargers, Meiji Period (1868‑1912), variously decorated with central phoenix, flower spray and flower basket reserves, dia. 13 1/4 in., 14 1/4 in. and 15 in. $500/700 Provenance: The Sturm Collection.

491. Pair of Japanese Nabeshima‑Style Porcelain Chargers, probably 19th c., decorated with peonies in a fenced garden, bases marked, possibly “Gan”, h. 1 7/8 in., w. 14 3/4 in., d. 13 3/4 in. $300/500 490. Japanese Brass Vase, probably Meiji Period (1868‑1912), relief‑cast with Raijin, the god of thunder, emerging from the clouds with a thunderbolt, h. 13 1/4 in. $200/300

494. Southeast Asian Bronze Buddha, probably early 20th c., modeled seated in meditation on a tiered platform, his right hand held in bhumisparsha mudra, his left in dhyana mudra, flame ushnisha, inscribed, h. 20 1/2 in., w. 11 1/2 in. $250/350 Provenance: Madeline M. Rorison (1919‑1987); thence by descent in the family.

498. Staffordshire Pottery Figural Group of “Darby & Joan”, early 19th c., h. 10 1/4 in., w. 6 in. $300/400 Provenance: Hampshire House, London.

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

495. Chinese Double‑Sided Embroidery Set within a Rosewood Frame as a Floor Screen, worked in satin stitch with a bronze bottle vase with multi‑colored lotus, millet and foliage, three seals, reticulated frame and stand, overall h. 80 in., w. 38 in., d. 19 in. $300/500

499. Pair of Staffordshire Pottery Leaping Stag Spill Vases, mid‑19th c., h. 11 1/4 in., w. 8 3/4 in. and 9 1/4 in. $300/500 Provenance: Hampshire House, London.

501. Two Staffordshire Pottery Hounds, mid‑19th c., one modeled standing with a rabbit in its mouth, h. 7 3/4 in., w. 7 1/4 in., other seated with a rabbit at its feet, h. 8 1/2 in. $300/500

502. Pair of Staffordshire Pottery Figural Inkwells, mid‑19th c., modeled as recumbent hounds, h. 4 5/8 in., l. 6 1/2 in. $300/500 Provenance: Hampshire House, London.

503. Este Ceramiche “Trompe L’Oeil Mushroom” Dish, 20th c., marked, barbed rim, dia. 8 1/2 in. $150/250

Provenance: Hampshire House, London. 500. Royal Copenhagen Porcelain Figure of a Snowy Owl, late 20th c., designed by Peter Herold, foliate base signed, base marked and numbered “1829”, h. 15 3/4 in. $300/500

504. Minton’s Porcelain Partial Dessert Service, 1891‑1902, marked, shaped rims with trailing gilt flowers, central floral reserves, incl. 8 plates, dia. 9 1/4 in., 2 oval cake dishes, l. 11 1/4 in., and 2 circular cake dishes, dia. 9 1/8 in.; together with six Aynsley coffee cups and saucers, saucer dia. 4 3/4 in. (24 pcs.) $300/500

505. Paris Porcelain Cachepot, 19th c., lion’s mask handles, decorated with a floral garland between ribbed bands, h. 6 1/2 in., w. 8 in.; together with two Continental examples, 20th c., h. 6 3/4 in. and 6 1/4 in. (3 pcs.) $300/500

506. Fine Paris Porcelain Coffee and Tea Service, 19th c., decorated with prunus blossoms and vignettes from the Fables de La Fontaine on peach ground, incl. coffee pot, tea pot, sugar, cream pitcher, and six cups and saucers, coffee h. 8 in. (16 pcs.) $1000/1500

507. Twelve Schwarzburg Porcelain Cabinet Plates, late 19th c., marked, each with a classical maiden personifying Music or the Arts, claret and beaded gilt borders, dia. 6 in. $500/700

508. Set of Twelve English Blown Green Glass Wine Glasses, 19th c., probably Bristol, h. 4 7/8 in. to 5 1/8 in. $200/300

509. Chinese Famille Rose Porcelain Vase, late 19th/early 20th c., decorated with warriors, base with Tongzhi mark, h. 11 in. $300/500

510. Chinese Blue and White Porcelain Vase, late 19th/early 20th c., confronting Buddhist lion handles, decorated with peacocks and peonies on a greenish white ground, h. 23 3/4 in. $200/300

511. Chinese Yellow Glazed Pottery Conical Bowl, interior molded with dragons and foliage, h. 2 3/4 in., dia. 7 7/8 in. $300/500

512. Chinese Famille Verte Porcelain Barbed Rim Dish, Qing Dynasty (1644‑1911), molded cavetto, central floral pinwheel banded by floral sprays, base with double ring mark, h. 1 3/8 in., dia. 8 1/2 in. Note: Base with restoration. $200/300

513. Chinese Blue and White Porcelain Beaker Vase, probably 19th c., decorated with a fisherman and nobleman beside a waterfall, h. 9 1/2 in. $200/300

514. Chinese Famille Rose Porcelain Covered Jar, 19th/early 20th c., Buddhist lion finial, 4 loop handles, decorated with floral sprays, base with factory or hall mark, h. 7 in., dia. 7 1/2 in. $150/250

Additional information at www.nealauction.com

515. Chinese Porcelain “Crouching Boy” Pillow, late 19th/20th c., blue highlights on a cream crackle ground, base inscribed, h. 9 1/4 in., w. 14 3/4 in. $100/150

516. Chinese Blue and White Porcelain Pillow, probably 19th c., oval surface over recumbent He He Erxian Twins, dragon base, h. 5 1/2 in., w. 7 in. $150/250

517. Chinese Famille Rose Porcelain Narcissus Pot, late 19th/ early 20th c., decorated with antiques, fruit, and flowers, small sides with inscriptions, base with Tongzhi mark, h. 2 1/4 in., w. 7 3/8 in., d. 5 in. $150/250

518. Chinese Embroidered White Silk Opera Robe, late Qing Dynasty (1644‑1911), worked in satin stitch and couched metallic threads with peacock and dragon designs, padded and feather highlights, h. 53 in., w. 60 in. Note: Condition. $400/600 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans, acquired Ritz‑Carlton Hotel, Singapore, 1980s.

519. Chinese Carved and Painted Wood Bust of Guanyin, early 20th c., h. 18 1/2 in., w. 14 1/2 in., mounted to wood platform base, overall h. 20 1/2 in., w. 15 in., d. 8 1/2 in. $200/300

520. Large Japanese Imari Porcelain Tripod Censer, early 20th c., decorated with bird‑and flower and butterfly‑and‑flower vignettes on mixed brocade grounds, h. 14 1/8 in., w. 18 1/2 in., stand, overall h. 17 3/4 in. $150/250

521. Pair of Japanese Patinated Bronze Covered Tripod Koros, probably early 20th c., pierced cloud covers with kirin finials, lion’s mask loop handles, kirin’s mask feet, relief cast with birds on branches, h. 18 1/8 in., w. 11 in. $400/600 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

522. Pair of Antique Japanese Emperor and Empress Hina Dolls, modeled seated on a fabric and woven mat surfaces set in a black lacquered stands wearing court attire, overall h. 13 1/2 in. and 14 in., w. 12 3/4 in., d. 8 3/8 in. $200/300

526. Regency Carved Mahogany Center Table, early 19th c., crossbanded top, turned standard, sabre legs, brass cuffs, casters, h. 28 1/2 in., dia. 41 1/4 in. $300/500

523. Collection of Nine Japanese Ikebana Baskets, 19th/20th c., karamono and wagumi styles, variously plaited and colored, base of one signed, tallest h. 19 1/2 in.; together with 3 fruit baskets and a rectangular storage basket, h. 17 in., w. 16 1/2 in., d. 9 1/8 in. (13 pcs.) $600/800

524. Thai Akha Tribe Feather, Yarn, Bead, Coin, and Shell Embellished Pressed Tin and Cotton Headdress, 20th c., custom stand, overall h. 22 3/4 in., w. 7 1/4 in., d. 7 7/8 in. $300/500

525. Charles Chikazunga (Zimbabwean, 20th c.), “Sleeping Child”, Shona serpentine stone, signed along base, h. 6 1/2 in., w. 6 in., d. 4 1/2 in. $150/250

Provenance: Acquired during the early to mid 1990s; estate of Thomas Greene Collins, Jr., Arabi, LA.

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans, acquired c. 1983.

Provenance: Zimbabwe Shone Sculpture Gallery, Saint Helena, CA., 1993; Koch Collection, Metairie, LA.

528. Antique Georgian‑Style Carved Walnut Wingchair, scrolled back and arms, foliate carved apron, hairy paw feet, h. 48 in., w. 34 3/4 in., d. 29 in. $500/1000

529. Four Antique Rugs, incl. 3 prayer rugs, 3 ft. 10 in. x 4 ft. 10 in., 3 ft. 6 in. x 4 ft 9 in., 3 ft. 8 in. x 4 ft. 5 in., and 3 ft. x 4 ft. 7 in. $700/1000

527. Irish Queen Anne‑Style Carved Mahogany Concertina Action Games Table, shaped foldover top with inset leather playing surface, shell‑carved cabriole legs, ball and claw feet, h. 28 1/4 in., w. 33 in., d. 23 1/4 in. $400/600

530. Heriz Carpet, cream and red ground, central medallion, floral vase design, 5 ft. x 8 ft. $500/700

531. Contemporary Tibetan Wool and Silk Carpet, from Ralo Authentic Tibetan Rugs, model “Nyungma beige”, bamboo design, quality “Gyangtsee” (120 knots per inch), hand‑mixed Swiss dyes, 8 ft. x 9 ft. 8 in. $700/1000

532. Agra Carpet, Pakistan, overall vining design with muted yellows, purple and mauve, 8 ft. 1 in. x 10 ft. 9 in. $2800/3800

533. Antique Persian Sultanabad Carpet, red ground, diamond medallion, overall floral design, 8 ft. 9 in. x 12 ft. 3 in. $2500/3500

534. Persian Mahal Carpet, red ground, blue border, stylized floral motif, 10 ft. 10 in. x 13 ft. 8 in. $3500/4500

535. Antique Persian Mahal Carpet, red ground, blue border, repeating floral designs, 9 ft. x 11 ft. 8 in. $3000/4000

536. Bokhara Carpet, green and red ground, repeating motifs, 9 ft. x 11 ft. 7 in. $600/900

537. Semi‑Antique Persian Heriz Carpet, central medallion, serrated spandrels, overall vining design, 11 ft. x 15 ft. 9 in. $3000/4000

538. Persian Heriz Carpet, red ground, central medallion, serrated spandrels, stylized floral design, 10 ft. 2 in. x 13 ft. $3500/4500

539. Antique Persian Mahal Carpet, red ground, ivory border, overall floral design, 9 ft. 3 in. x 11 ft. 9 in. $2800/3800

540. Antique Persian Mahal Carpet, red ground, blue border, overall vining design, 9 ft. x 12 ft. $2500/3500

541. Persian Heriz Carpet, red and blue ground, central medallion, overall floral design, 7 ft. 9 in. x 12 ft. 9 in. $3500/4500

542. Persian Kerman Carpet, red and blue ground, central medallion, overall stylized floral design, 8 ft. 5 in. x 10 ft. 10 in. $2500/3500

Additional information at www.nealauction.com

543. Antique American Yacht Ensign and 45‑Star Naval Jack, 1896‑1908, ensign with 13‑stars, centered by fouled anchor, and 13 stripes, 31 in. x 46 in.; the jack, 19 in. x 25 1/2 in. $600/900

544. Set of Sixteen Ruby Crystal Goblets, with engraved armorial crests featuring wolves rampant, h. 8 1/4 in; together with English silverplate and mahogany tantalus, marked “The Tantalus” and “Betjemann’s Patent / London”, retains key, set with three decanters (as is), h. 11 1/4 in., w. 13 3/4 in., w. 5 1/4 in. $200/300

Provenance: Descended in the family of famed Texas cattleman “Shanghai” Pierce.

547. Continental School, 19th c., “Still Lifes with Flowers”, 2 oils on panel, both unsigned, with “G & W Gallery & Watercolors, N.O., LA” stamp on backing paper, each 15 7/8 in. x 11 3/4 in., framed alike. (2 pcs.) $800/1200

548. Two Antique Giltwood Frames, one floral‑carved, 43 in. x 33 in., fits 30 in. x 20 in; other cove‑molded, 45 in. x 36 in., fits 26 7/8 in. x 35 3/4 in. $200/300

552. Six Rock Crystal Spheres, dia. 2 1/2 in. to 5 1/4 in. $200/300

545. American Carved Giltwood Oval Mirror, late 19th c., surmounted by a floral crest, molded surround, beveled mirror plate, h. 52 in., w. 38 1/2 in. $300/500

546. Continental School, 19th c., “Putti with Flowers”, 2 oils on canvas, each signed “J. Sutzens” lower left, each 12 in. x 10 in., framed alike. (2 pcs.) $800/1200

549. Antique English Brass Club Fire Fender, and another brass fire fender, h. 17 in., w. 59 in., d. 15 in.; h. 8 1/2 in., w. 50 in., d. 10 in. $250/350

550. Antique Continental Brass Repoussé Log Bin, bale handles, slant lid, depicting a tavern, hunting trophies and St. Hubertus gazing at the stag, wood interior, h. 27 in., w. 33 in., d. 17 1/2 in. $300/500

553. DeLatte Blown Glass Fluted Vase, early 20th c., marked “DeLatte / Nancy”, orange and mottled blue design, h. 21 1/4 in., dia. 5 1/2 in. $400/600

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA. 551. Three Baccarat Crystal Vases, 20th c., all marked, incl.: “Grain de Riz” cylinder, h. 11 3/4 in; “Harmonie” cylinder, h. 8 in.; and “Club” baluster, h. 10 in. $200/300

554. American Aesthetic Carved Walnut Mirror, late 19th c., dentil and bead frame with foliate rosettes gilt inner border. $200/400

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

555. West Indies Carved Mahogany Dressing Mirror, late 19th/early 20th c., Trinidad, oval mirror in molded surround, yoke support, shaped marble top, conforming base, acanthus and disc feet, h. 27 3/4 in., w. 23 1/2 in., d. 10 3/4 in. $200/400 Provenance: The Sturm Collection.

556. West Indies Carved Mahogany Tilt‑Top Table, 19th c., Barbados, circular top, turned standard, molded saber legs, brass paw feet, h. 28 1/2 in., dia. 35 in. $400/600

557. Indian Camphorwood Metal‑Bound Storage Chest, early 20th c., hinged lid, open interior, carrying handles, h. 18 1/4 in., w. 33 1/4 in., d. 19 1/8 in. $200/400

Provenance: The Sturm Collection.

Ill.: Sturm, Philip. West Indies Antique Furniture of the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 115.

558. Eight Neoclassical‑Style Inlaid Fruitwood Side Chairs, crest rail surmounted by a turned stretcher, pierced palmette splat, square tapered legs, h. 35 in., w. 16 in., d. 19 in. $700/900

559. Georgian Mahogany Pembroke Table, early 19th c., drop‑leaf top, frieze drawer with bale pull, square tapered legs, h. 28 3/4 in., w. 31 in., d. 19 3/4 in. (closed), d. 37 1/4 in. (open). $300/500

560. Louis XVI‑Style Polychrome Porcelain and Brass Guéridon, 20th c., circular top with classical reserves, foliate border, beaded supports, foliate feet, h. 37 in., w. 30 3/4 in., d. 20 1/4 in. $200/300

561. Continental Carved Walnut Side Table, late 18th c., molded top, three frieze drawers, turned legs, blocked feet, old dark surface, h. 33 1/4 in., w. 84 1/2 in., d. 21 in. $400/600

563. Don Sawyer (American/Florida, b. 1948), “Mr. Hollywood”, 2017, acrylic on canvas, signed lower right, signed and titled en verso, 24 in. x 48 in., unframed. $1000/1500

562. Moroccan Hardwood and Brass Banded Trunk, lift top, open interior, brass nailhead trim and decorative pierced lock, carrying handles, h. 25 1/4 in., w. 50 in., d. 25 in. $800/1200

564. Don Sawyer (American/Florida, b. 1948), “The Four Horses”, 2017, acrylic on canvas, signed lower left, signed and titled en verso, 30 in. x 40 in., unframed. $1000/1500

567. Thirteen William Brownfield Ironstone Soup Plates, mid-19th c., impressed “WB” within Staffordshire knot, shaped rims with floral garlands, dia. 10 1/2 in.; together with six Italian ceramic artichoke plates, dia. 9 3/4 in. (19 pcs.) $150/250

568. Four Antique Crystal Decanters, incl. an early 19th c. Georgian decanter, English sherry decanter with spherical stopper, an Irish 19th c. brandy and another English decanter. $300/500

Note: A native of Alabama, Don Sawyer was always interested in art, but did not begin selling his paintings until 1994. After his return from the Vietnam War, Sawyer worked in the real estate business and began painting in earnest during a brief period of paralysis, brought on from Guillain Barré Syndrome. It was at this time that Sawyer created his first fish paintings, which eventually became what is known as “The Hollywood Fish.” Although Sawyer often creates different versions of his fish, the current lot represents the classic and most popular style, wearing a large, toothy grin, and sunglasses, which Sawyer added as a representation of Florida, where he currently resides.

565. Austrian Porcelain Fish Service, c. 1900, marked “Victoria Carlsbad”, incl. fish platter, sauceboat with integral underplate and 12 fish plates, platter l. 24 3/4 in., plate dia. 8 1/2 in. (14 pcs.) $300/500

566. Pair of Paris Porcelain Vases, decorated with parrots on flowering plum branches, pale blue ground, h. 13 3/4 in., now mounted as lamps, h. (to socket) 19 1/2 in. $300/500

569. Three Steuben Glass Table Items, 20th c., all marked, incl. compote, h. 6 in., dia. 13 in.; compote, h. 4 1/2 in., dia. 12 1/4 in.; and ashtray, w. 5 5/8 in. $300/500

570. Three Chinese Huxian Folk Paintings, 20th c., incl. “Festival”, “Ducks and Lotus on Blue” and “Ducks and Lotus on Black”, each gouache on paper, each signed, 31 in. x 21 3/4 in and 30 3/4 in. x 21 1/4 in. $300/500

Provenance: The Sturm Collection. Additional information at www.nealauction.com

572. After Xu Beihong (Chinese, 1895‑1953), “Horse Galloping”, c. 1970, print, with hand‑typed label dated July 1972 from Hale Boggs to his secretary Pat Mahony, 11 5/8 in. x 8 7/8 in., mounted and framed. $200/300 571. Five Chinese Huxian Folk Paintings, 20th c., incl. “Running Bulls”, “Ducks”, “Figures at Market”, “Child and Goats”, and “Fall Harvest”, each gouache on paper, each signed, 21 in. x 15 in. to 21 1/2 in. x 15 3/4 in. $250/350

573. Chinese Handscroll Print, 20th c., depicting an outing with three nobleman on horseback and a sage, colored ink on paper, 11 1/2 in. x 87 1/2 in., mounted beside a calligraphy panel on silk. $300/500

Provenance: U.S. Congressman Hale Boggs (1814‑1972), acquired during his visit to the People’s Republic of China, June 23‑July 7, 1972; as a gift to his secretary Patricia Mahony, New Orleans, July 1972; by descent to her brother Martin Mahony, New Orleans, 1993; thence by descent.

574. Chinese Mirror Black Glazed Porcelain Vase, probably early 20th c., base with stylized Qianlong mark, h. 9 1/4 in., stand, overall h. 10 in. N $200/300 Provenance: The Sturm Collection.

575. Chinese Polychrome Porcelain “Pagoda” Lamp, early 20th c., wood base, h. 23 in., w. 16 in., d. 13 in. $100/150

576. Chinese Blue Glazed Porcelain Cup Stand, Qing Dynasty (1644‑1911), openwork body modeled in the form of a bombe stool, h. 3 in., dia. 3 1/2 in. $100/150

577. Chinese Han‑Style Glazed Pottery Grain Jar, three mask feet, h. 11 3/4 in. $100/150 Provenance: The Sturm Collection.

578. Pair of Chinese Serpentine Buddhist Lions, 20th c., carved standing in opposing stance, h. 2 3/4 in., w. 3 3/4 in., wood stands, overall h. 3 5/8 in. $75/150

Provenance: The Sturm Collection.

Provenance: Bernard Caperton, Charlottesville, VA.

579. Group of Chinese Soapstone Carvings, incl. floral basket, h. 2 5/8 in., w. 4 3/4 in.; 3 brush pots, h. 3 3/8 in. to 3 7/8 in.; and rock, carved with figure beneath a tree, h. 4 1/8 in., w. 5 3/4 in. (5 pcs.) $150/250

580. Chinese Hardstone Brush Washer, probably 19th c., carved as half an open peach encircled by prunus and a bat, h. 3/4 in., w. 4 1/2 in., d. 3 1/2 in., associated stand, overall h. 1 3/4 in. $100/200

Provenance: The Sturm Collection.

583. Pair of Japanese Cloisonné Enamel Vases, probably Meiji Period (1868‑1912), decorated in mirror image with colorful dragons on a midnight blue ground, h. 9 5/8 in. $150/250 Provenance: The Sturm Collection.

581. Two Chinese Flambé Glazed Stoneware Snuff Bottles, incl. Jun‑style cylindrical, h. 3 in.; and meiping, h. 2 3/4 in. $200/300

582. Seven Chinese Snuff Bottles, incl. 2 red overlay glass, 1 green overlay glass, 1 Gu Yue Xuan‑style glass, and 3 cloisonné, tallest h. 3 in. $100/150

Provenance: The Sturm Collection.

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

584. Japanese Imari Porcelain Charger and Bowl, Meiji Period (1868‑1912), charger with central pine tree reserve, dia. 13 3/8 in.; bowl with lobed body, h. 4 in., dia. 8 1/2 in., stand, overall h. 7 1/8 in. $150/250

585. Japanese Satsuma Pottery Teapot, Cup and Saucer, early 20th c., decorated with Arhats and dragons, bases with Motoyo Sei Zo marks, teapot h. 4 3/4 in., w. 5 in., saucer dia. 5 1/2 in. $150/250

Provenance: The Sturm Collection.

586. Pair of East Asian Coral and Turquoise Embellished Silver Earrings, 19th/early 20th c., probably Mongolian or Tibetan, l. 3 3/4 in.; together with a Chinese glass bead‑hung coral and brass pin, h. 4 7/8 in. (2 pcs.) $100/150 Provenance: The Sturm Collection.

587. Louis XV‑Style Painted and Bronze‑Mounted Vitrine Table, 20th c., shaped glazed top and case with velvet‑lined base, cabriole legs, stretcher shelf, sabots, h. 29 1/2 in., w. 21 3/4 in., d. 21 1/4 in. $300/500

591. English Glazed Stoneware Tankard, 19th c., relief‑decorated with a hunting scene beneath figural and landscape vignettes, h. 5 1/2 in., w. 6 1/8 in. $100/200

588. Jules Pascin (Bulgarian, 1885‑1930), “Cinderella’s Foot Being Fitted”, 1929, etching on paper, signed in plate lower right, “The Collector’s Guild, Ltd., New York” label with artist and title en verso, 13 1/2 in. x 9 3/4 in., framed. $150/250

592. Pair of Bloor Derby Porcelain Teacups and Saucers, 19th c., marked, decorated with floral garlands, saucer dia. 5 5/8 in., cup h. 2 5/8 in.; together with a floral bead ware cup and saucer, early 20th c., crowned shield mark, saucer dia. 5 3/4 in. (6 pcs.) $100/150 Provenance: The Sturm Collection.

Provenance: The Geldermalsen, South China Sea, 1752; Christie’s Amsterdam, The Nanking Cargo, Apr. 28‑May 2, 1985, lots 5246 and 5062; The Sturm Collection.

599. Near Eastern Copper Brazier, petal rim, dia. 18 in.; together with copper coal bucket, twisted bail handle, dia. 14 1/2 in. $100/150 Provenance: Texas Hill Country Ranch.

593. Antique Polychrome and Gilt Porcelain Covered Sugar Bowl, late 18th c., rose finial, branch handles with molded leaves, decorated with floral sprays, h. 5 3/4 in., w. 5 5/8 in. $100/150

590. Doulton Lambeth Stoneware Bottle Vase, 1881, impressed mark, monogram “WP” for William Parker (act. 1879‑1892), incised brown, blue, green and yellow foliage, h. 8 3/4 in., dia. 5 1/2 in. $150/300 Provenance: The Sturm Collection.

594. Three English Ironstone Dishes, late 19th c., incl. Minton’s blue and white “Faison” bowl, dia. 9 5/8 in.; Pinder Bourne iron red “Garfield” dish, dia. 10 1/8 in.; and Beech Hancock polychrome “Pekin” platter, w. 14 in.; together with Edwin Bodley green and gilt turtle soup dish, dia. 8 in. (4 pcs.) $150/250

Provenance: Collection of E. John Bullard, New Orleans.

Provenance: The Sturm Collection.

595. Two Chinese Export Blue and White Decorated Porcelain Cups and Saucers, c. 1750, first Batavia ware decorated with bamboo, rocks, and peony, saucer dia. 4 3/4 in.; other with Western landscapes, saucer dia. 4 1/2 in. (4 pcs.) $200/400

589. Marc Chagall (French, 1887‑1985), “Villa de Marseille, Ecouter Voir Elsa Triolet, Bibliothèque Municipale, Marseille (Mourlot 642)”, 1972, color lithograph poster, pencil‑signed and numbered “113/200” lower margin, printed by Mourlot, Paris, sheet 25 1/2 in. x 19 3/4 in., framed. $500/800

596. Two Chinese Export Batavia Ware Bowls, Qing Dynasty (1644‑1911), larger with blue and white floral interior, h. 3 in., dia. 6 1/2 in; smaller with fish interior, h. 2 1/8 in., dia. 4 1/8 in. $150/250

597. Two Chinese Export Blue and White Porcelain Dishes, 19th c., one round, other foliate rimmed, decorated with village waterscapes, dia. 12 5/8 in.; together with blue and white dish, 18th c., with pinwheel and floral decoration, dia. 10 3/4 in. (3 pcs.) Note: Break to third dish. $150/250

Provenance: The larger: The Geldermalsen, South China Sea, 1752; Christie’s Amsterdam, The Nanking Cargo, Apr. 28‑May 2, 1985, lot 2550; The Sturm Collection.

Provenance: The Sturm Collection.

600. Five Antique Folk‑Art Walking Sticks, incl. a friar, carved bone bird; booted leg, shaft carved with animals and objects; horse head, shaft carved with place‑name “KEPKYPA”; and head with “googly” eyes, inset with a kaleidoscope, tallest h. 39 1/4 in. $500/700

601. Antique Mother‑of‑Pearl and Papier Peinte Fan, hand embellished figural scene, ornately carved, gilt and argenté stays, h. 10 1/4 in., w. 20 in., shadow box frame. $200/300

598. Two Chinese Export Famille Rose Porcelain Bowls, 19th and 20th c., first with figural and bird‑and‑flower panels; other with figural reserve, dia. 9 in. and 7 3/4 in. $100/200 Provenance: Garden District New Orleans Estate.

602. Persian Pictorial Rug, overall design of trees, birds and animals, 5 ft. x 7 ft. 7 in. $500/700

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605. Classical‑Style Plaster Bust, after “Asclepius of Milos” in the British Museum, h. 17 in., w. 8 3/4 in., d. 8 3/4 in., painted wood columnar pedestal, overall h. 59 in. $200/300

606. Peter Chinni (American, b. 1928), “Natural Extensa”, 1965, bronze, h. 42 in., w. 40 in., d. 44 in. $800/1200

603. Persian Pictorial Rug, allover design of architecture, figures and signs of the zodiac, 6 ft. 6 in. x 9 ft. 4 in. $600/900 Provenance: Harry Hovsepian, Philadelphia.

607. Pair of Faux Tortoiseshell and Polychrome Decorated Mirrors, 20th c., molded surround, mirror plate with flowers, h. 24 1/2 in., w. 14 3/8 in. $100/200

Provenance: Property of the New Orleans Museum of Art, sold to benefit the acquisitions fund.overall h. 59 in.

604. Persian Pictorial Rug, central panel of men on horseback engaged in hunting, bird and floral border, 7 ft. x 10 ft. 3 in. $600/900

608. Chinese Blue and White Porcelain Dish, Qing Dynasty (1644‑1911), decorated with a fenced garden scene encircled by floral and leaf sprays, base with label identifying it as formerly lot 138, Phillips, London, April 15, 1987, dia. 8 3/4 in. $150/250

609. Pair of Chinese Blue and White Porcelain Gu‑Form Beaker Vases, probably 20th c., decorated with landscape scenes and wind‑blown bamboo, bases with Kangxi marks, h. 10 1/8 in. $200/400 610. Chinese Pottery Earth Spirit, possibly Tang Dynasty (618‑907), modeled with feline body and human face seated on its haunches, h. 14 in. $200/300

611. Chinese Pottery Heavenly King, possibly Tang Dynasty (618‑907), modeled with a horned monster face framed in flames standing atop a kneeling bullock, h. 11 5/8 in. $200/300

612. Three Chinese Pottery Attendants, probably Tang Dynasty (618‑907), two modeled wearing servant’s robes, one as a court dancer, h. 9 1/2 in. to 10 1/8 in. $200/300

613. Chinese Painted Plaster Head of an Official, possibly Ming Dynasty (1368‑1644), with ribbed hat and painted details, h. 8 in. $200/300

614. Decorative Painting of Two Cranes, silkscreen and oil on canvas, signed “Lee Reynolds” lower right, from Vanguard Studios, sight 39 1/4 in. x 49 1/2 in., framed. $400/600

615. Robert Rivera (American/Santa Fe, 20th c.), “Anasazi Gourd Mask” and “Untitled (Gourd Mask)”, 1988, 2 feather and bead embellished carved and painted gourds, each signed and dated on reverse, former titled and inscribed “Santa Fe”, custom stands, overall h. 22 in. and 16 3/8 in., respectively. $200/300 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

616. Gregory Lomayesva (American/Santa Fe, b. 1971), “Untitled (Kachina Mask)”, 2001, carved and painted wood with feathers, signed and dated en verso, h. 14 1/2 in., w. 22 in., d. 7 in. $200/300 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

Session Two Sunday, January 28, 11 am 3923 Carondelet

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617. [Mardi Gras], Rex, ball invitation and envelope, Feb. 25th, 1879, theme “The History of the World (comic representation), framed with envelope separate. (2 pcs.) $400/600

618. [Mardi Gras], Rex, ball invitation envelope, 1883, theme “Atlantis, the Antediluvian World”, lithography by F. Appel, Paris. $200/400

619. [Mardi Gras], Rex, ball invitation, Feb. 14th, 1888, theme “The Realm of Flowers”, framed. $300/500

Ill.: Schindler, Henri. Treasures of Mardi Gras: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 53.

620. [Mardi Gras], Rex, ball invitation, Feb. 18th, 1890, theme “Rulers of Ancient Times”. $300/500 Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, pp. 60‑1.

621. [Mardi Gras], Rex, ball invitation, Feb. 10th, 1891, theme “Visions”, designed by Bror Anders Wikstrom, framed. $300/500

622. [Mardi Gras], Rex, ball invitation, Mar. 1st, 1892, theme “Symbolism of Colors”, designed by Bror Anders Wikstrom,. $300/500

Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 62.

Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 63.

623. [Mardi Gras], Rex, ball invitation, Feb. 14th, 1893, theme “Fantasies”, (2 pcs.), framed alike. $300/500

624. [Mardi Gras], Rex, ball invitation, Feb. 14th, 1893, theme “Fantasies”. $300/500

626. [Mardi Gras], Rex, ball invitation, Feb. 18th, 1896, theme “Heavenly Bodies”, designed by Bror Anders Wikstrom, framed. $300/500 Ill: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, pp. 66‑69.

627. [Mardi Gras], Rex, ball invitation, Mar. 2nd, 1897, theme “On the Water ‑ Red and Fanciful”, designed by Bror Anders Wikstrom, framed. $300/500 Ill.: Schindler, Henri, Mardi Gras Treasures: Initiations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 70.

625. [Mardi Gras], Rex, grand stand pass, issued by City Council of New Orleans and Mayor Behrman; Rex, admit card, theme “Chronicles of Fairy Land‑ Fantastic Tales for Young and Old”, Feb. 26th, 1895; Rex, partial ball invitation, theme “The Four Elements”, Feb. 19th, 1880; Rex, admit card, 1974; “The Carnival of New Orleans”, phamphlet by Col. George Soule, Rex, 1887; and photograph of a ball favor (6 pcs.) $200/400

628. [Mardi Gras], Rex, ball invitation, Feb. 22nd, 1898, 25th Anniversary, theme “Harvest Queens”, framed. $300/500

629. [Mardi Gras], Rex, Feb. 27th, 1900, silver dance card, ball program and ducal badge, theme “Terpsichore”, framed together. (3 pcs.) $300/500

630. [Mardi Gras], Rex, ball invitation, Feb. 19th, 1901, theme “Human Passions and Characteristics”, framed. $300/500

Ill.: Schindler, Henri, Mardi Gras Treasures: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006, p. 74.

631. [Mardi Gras], Rex, 3 admit cards, Feb. 23rd, 1909, Mar. 7th, 1916 and Mar. 5th, 1935; together with “Rex, Passing Up Camp Street, New Orleans, LA”, 1907, phostint postcard, Detroit Publishing Co. (4 pcs.) $50/75

633. [Mardi Gras], Rex, dance card, theme “Phases of Nature”, Feb. 12th 1912. $200/400

634. [Mardi Gras], Rex, dance card, Mar. 7th, 1916, theme “Visions from the Poets”, framed. $200/400 Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 71.

636. [Mardi Gras], a large collection of 20th century Rex ball invitations, envelopes, programs, admit cards and proclamations; together with 4 “The Song of Rex, If Ever I Cease to Love”, records. (approx. 50 pcs.) $500/700

639. [Mardi Gras], Krewe of Proteus, 2 Silver Anniversary ball programs and envelope, Feb. 26th, 1906, theme “The Inspiration of Proteus”, designed by Bror Anders Wikstrom. (3 pcs.) $300/500 Ill.: Schindler, Henri, Treasures of Mardi Gras: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 139.

637. [Mardi Gras], Krewe of Proteus, ball invitation, Feb. 18th, 1890, theme “Elfland”, lithography by F. Appel, Paris. $300/500 Ill.: Schindler, Henri, Treasures of Mardi Gras: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 129.

640. [Mardi Gras], Cowbellions, ball invitation, 1880, 50th Anniversary, framed. $200/400

632. [Mardi Gras], Rex, reception committee invitation, Feb. 15th, 1911; The Atlanteans, ball invitation, Jan. 13th, 1940; The Mystic Club, ball invitation, Feb. 6th, 1932; and Mystery program, Feb. 17th, 1971 (4 pcs.) $150/250

635. [Mardi Gras], Rex, 2 admit cards, Feb. 17th, 1931 and Feb. 28th, 1933; together with “Rex Float‑Mardi Gras, Greetings from New Orleans 1903, postcard; and “10 The Culprit Fay, Mardi Gras Carnival, New Orleans” and “14 Mother Goose’s Rhymes, Mardi Gras Carnival, New Orleans “ 1907, 2 postcards, designed by Thos. F. Gessner, published by Adolph Selige, St. Louis, MO. (5 pcs.) $50/75

638. [Mardi Gras], Krewe of Proteus, ball invitation and photograph (copy) of Proteus Queen Louise Anna Wiltz, Feb. 25th, 1895, theme “Asgard and the Gods”, framed together (2 pcs.) $300/500

641. [Mardi Gras], Phunny Phorty Phellows, ball invitation, Feb. 21st, 1882, theme “Visions of the Stage”, Feb. 6th, 1883, designed by Daniel Anton Buechner; 2 admit cards. (3 pcs.) $300/500 Ill.: Schindler, Henri, Mardi Gras Treasures: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, pp. 152‑3.

Additional information at www.nealauction.com

642. [Mardi Gras], Grand Masquerade, ball invitation, Alamo Hotel, Denison, TX, Feb. 9th, 1875. $150/250

645. [Mardi Gras], Louis Elizabeth Andrews Fischer (American/New Orleans, 1901-1974, act. Newcomb College, 1917-1921), 6 costume designs, watercolor on paper, unsigned, c. 1930, some with pencil inscriptions. $800/1200

643. [Mardi Gras], Rex, costume plate No. 1, 1890, Wikstrom; plate XXIIL No. 1, 1915, Ernest Lee Jahncke, King of Carnival design by Mrs. Alexander; Harper’s Weekly Vol. XXIX, No. 1472, John Durkin “The Carnival at New Orleans” and Scribner’s Monthly, 1873. (4 pcs.), 2 illustrations from Perry Young’s The Mistick Krewe: Chronicles of Comus and his Kin, Louisiana Heritage Press, New Orleans, 1969, 10 in. x 7 in. and 7 in. x 10 in., unframed. (4 pcs.) $300/500

646. [Mardi Gras], Attributed to Louis Elizabeth Andrews Fischer (American/New Orleans, 1901‑1974, act. Newcomb College, 1917‑1921), 2 costume designs, graphite and gouache on paper, unsigned, mid-20th c., both 12 in. x 9 in., unframed. $250/350 Provenance: Estate of Robert Stuart.

Provenance: Estate of Robert Stuart.

644. [Mardi Gras], Louis Elizabeth Andrews Fischer (American/New Orleans, 1901-1974, act. Newcomb College, 1917-1921), 6 costume designs, watercolor on paper, unsigned, c. 1930, some with pencil inscriptions. $800/1200 Provenance: Estate of Robert Stuart (Louis Fischer’s executor).

647. [Mardi Gras], Attributed to Louis Elizabeth Andrews Fischer (American/New Orleans, 1901‑1974, act. Newcomb College, 1917‑1921), 2 costume designs, gouache on paper, both unsigned, each sight 9 1/2 in. x 7 in., framed alike. $300/500 Provenance: Estate of Robert Stuart.

648. [Mardi Gras], three Rex ducal badges, incl. 1878, theme “The Gods Modernized”, 1891, “Visions” and 1899, “Reveries of Rex”; together with 1910 letter opener krewe favor, presented in a shadowbox frame 11 1/8 in. x 14 1/4 in. $800/1200

651. [Mardi Gras], Rex, 20 ducal badges, 1906, 1915‑16, 1921‑24, 1926‑34, 1936‑39, framed together: together with Rex, 18 ducal badge boxes. (38 pcs.) $800/1200 Ill.: Schindler, Henri, Mardi Gras Treasures: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006, pp. 89, 95‑6, and 100.

649. [Mardi Gras], Rex, ducal badge, 1887, theme “Music and Drama”, framed. $200/400 Ill: Schindler, Henri, Mardi Gras Treasures: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006. p. 64.

650. [Mardi Gras], Rex, ducal badge, Mar. 1st, 1892, theme “Symbolism of Colors”. $200/400 Ill.: Schindler, Henri, Treasures of Mardi Gras: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006, p. 67.

652. [Mardi Gras], Rex, ducal badge, Feb. 20th, 1912, theme “Phases of Nature”. $200/400 Ill.: Schindler, Henri, Mardi Gras Treasures: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006, p. 94.

653. [Mardi Gras], Rex, ducal badge, 1914, theme “The Drama of the Year”. $200/400

654. [Mardi Gras], Rex, 2 admit cards and ducal badge, Feb. 9th, 1932, theme “1872 Scrap Book”, framed together. (3 pcs.) $200/300

655. [Mardi Gras], Rex, 27 ducal badges with original boxes, 1938‑39, 1947‑50, 1952‑53, 1955‑56, (2) 1959, (2) 1960, 1961‑65, (2) 1966, 1967‑68, (2) 1971, 2005, and 2008. $1000/1200

657. [Mardi Gras], Rex, ball invitation, admit card and ducal badge, Mar. 1st, 1949, theme “Louisiana ‑ Utopia of the South”, framed together. (3 pcs.) $200/500 656. [Mardi Gras], Rex, 20 ducal badges, 1940‑42, 1947‑48, 1950, 1952‑64, and 2007, framed together; together with Rex, 14 ducal badge boxes. (34 pcs.) $800/1200

658. [Mardi Gras], Rex, 20 ducal badges, 1965‑1984, framed together; together with boxes. $800/1200

660. [Mardi Gras], Krewe of Proteus, ball favor pin, Feb. 10th, 1891, theme “Tales of the Genii”. $300/500

659. [Mardi Gras], Rex, 20 ducal badges, 1985‑2004, framed together; together with boxes. $800/1200

661. [Mardi Gras], Krewe of Hermes, ball favor pin, 1968; Maid’s Tiara, 1973; and Rex, ducal badge ribbon, 2000. (3 pcs.) $125/175

663. [Mardi Gras], Rex, 3 ball favors, hand mirror, 1899; candy dish, 1913; and green vase, 1916, with silver overlay; together with “Butterfly King”, commemorative pin, stamped “Adler”, and “Rex Invitation 1882”, commemorative plate, Classics of Carnival, Arthur Hardy Enterprises, Inc., New Orleans, 1990, plate no. 68. (5 pcs.) $250/350

Ill.: Schindler, Henri, Mardi Gras Treasures: Jewelry of the Golden Age, Gretna: Pelican Publishing Co., 2006, p. 139.

662. [Mardi Gras], Rex Proclamation: Samuel H. Buck (1841‑1928) proclaimed Duke of Albemarle on December 1, 1879, signed Bathurst, Lord High Chamberlain, sight 12 3/4 in. x 15 1/4 in., mahogany and giltwood shadowbox frame. $700/1000

661A. [Mardi Gras], Krewe of Cynthius, ball favor pin, 1947 and Krewe of Hermes, ball favor pin, 2000, each stamped “sterling” en verso. (2 pcs.) $150/250

Provenance: Descended in the family of Samuel H. Buck, Natchez, MS; Neal Auction Company, Oct. 6, 2007, lot 675.

664. [Mardi Gras], Rex, 4 ball favors, incl. postage stamp box, 1901; ashtray, 1908; hand mirror, 1912; and Adler’s parade float ornament. (4 pcs.) $250/300

665. [Mardi Gras], Rex, 2 ball favors, incl. 1902 saber letter opener and 1905 bud vase; together with Krewe of Hermes ornament, 2 1959 Athenians pill boxes, each inscribed “from the king”, and silverplate candy dish with crown handles, stamped “J.S.G. Silver Co”. (6 pcs.) $250/350

Additional information at www.nealauction.com

666. [Mardi Gras], Rex, 3 ball favors, incl. 1903 cup with handles, 1907 pin box and 1909 bud vase; together with Commemorative plate of Rex, 1875/1876 ball invitation, New Orleans, label en verso, and “Carnival Flag, Mardi Gras, New Orleans”, F.F. Hansell & Bros., Ltd., New Orleans, Raphael Tuck & Sons: Art Publishers to the Majesties the King and Queen, in a glass holder. (5 pcs.) $250/350

667. [Mardi Gras], Rex, 4 ball favors, incl. 1904 postage stamp box, 1906 pin cushion, 1914 loving cup and 1917 black vase with silver overlay; together with an antique brass and wood stamp of costumed dancing couple. (5 pcs.) $250/350

668. [Mardi Gras], Rex, 4 ball favors, incl. 1907 pin box, 1911 inkwell with original glass inkpot, 1915 brown vase with silver overlay, and demitasse spoon stamped “A.B. Griswold & Co.”; together with “The Jester”, ceramic figurine, designed by Cecil J. Noke, Royal Doulton, England. (5 pcs.) $300/500

672. [Mardi Gras], “New Orleans Mardi Gras Carnival, Official Souvenir of the Rex Parade”, 1907, postcard folder, theme “Classics of Childhood”, Thomas F. Gessner, Adolph Selige Pub. Co., St. Louis, Mo., published by Order and Consent of the Rex Carnival Court, framed. $50/75

670. [Mardi Gras], group of mid‑20th c. Mardi Gras ball programmes. (5 pcs.) $200/300

675. [Mardi Gras], Weary Pilgrims Dinner Menu, The Saint Charles Hotel, June 1st, 1911. $200/400

678. William Woodward (American/New Orleans, 1859‑1939), “Buck Sawyer ‑ Tile Roof ‑ St. Peter Street ‑ in 1904”, 1932, pencil on paper preliminary drawing and drypoint etching on paper, former pencil‑signed in margin and initialed “W.W.” in plate lower left, latter pencil‑signed and dated lower right, titled lower margin, sheets 9 in. x 11 1/4 in. and 10 in. x 9 3/4 in., unframed. (2 pcs.) $600/800 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. Ill.: Woodward, William. French Quarter Etchings of Old New Orleans. New Orleans: The Magnolia Press and The American Academy of History, 1938, pl. 44.

671. [Mardi Gras], “Reception of Rex, Feb. 16, ‘85: 1884 ‑ New Orleans ‑ 1885”, stereograph photograph, Edward L. Wilson, Centennial Photographic Co., Philadelphia; together with wood hand held stereograph viewer (2 pcs.) $250/350

676. Noel Rockmore (American/ New Orleans, 1928‑1995), “Mardi Gras Parade”, 1989, pastel on paper, signed and dated upper right, label with artist, title and date en verso, sight 14 1/4 in. x 17 in., framed. $1000/1500

679. American Half‑Plate Hand‑Colored Ambrotype Portrait of a Gentleman, in Union Case, c. 1860, photographer “W. L. Germon, Phila.” embossed on brass mat, Littlefield, Parsons & Co., case depicting Elizabethan knights escorting a lady riding an ox, case 6 1/4 in. x 5 in. $200/300

673. [Mardi Gras], Benevolent and Protective Order of Elks, metal dance card, Feb. 3rd, 1910; together with 3 ornaments, “The Butterfly King “ Rex, Adler’s first edition, #294, “Parade Float”, Krewe of Proteus, Adler’s second edition, # 687 and “Pierrot”, Twelfth Night Revelers, Adler’s third edition, all with cards (4 pcs.) $150/250 676A. Five Fine Art Prints of Louisiana, Morris Henry Hobbs (American, 1892‑1967), “Old Madison St., New Orleans”, 1939; Knute Heldner (Swedish/Louisiana, 1877‑1952), “The Crawfisher”; Eugene E. Loving (American/ New Orleans, 1907‑1971), “Toulouse St. Court, Old New Orleans” and “The Claiborne Court, Old New Orleans”; and Robert Malcolm Rucker (American/ Louisiana 1932‑2001), “Shooting Dice on the Levee”, 5 etchings on paper, 4 pencil‑signed and titled lower margin, 3 signed and one dated in plate, 9 3/4 in. x 7 in. to 7 3/4 in. x 6 1/2 in., 4 framed. (5 pcs.) $600/900

669. [Mardi Gras], 6 Mardi Gras Stamped Envelopes, sponsored by The Crescent City Stamp Club, cachet by Emil A. Thruman, 1933, 1934, 1936, 1938, 1939 and 1941. (6 pcs.) $75/125

674. [Mardi Gras], 2 Philip M. Walmsley (American/New Orleans, 20th c.), “King of Mardi Gras and His pages and His Float”, 1 tin lithographed and 1 ceramic (2 pcs.) $100/200

677. George Hand Wright (American, 1872‑1951), “Sieur George’s House, New Orleans” and “Pig Scraping”, 2 etchings on paper, both pencil‑signed and titled lower margin, sheets 16 in. x 11 1/2 in. and 11 in. x 15 1/4 in., unframed; together with “Pig Scraping”, copper plate, 9 in. x 12 in.; and “Illustration of Rothenburg”, watercolor, gouache and graphite on paper, pencil‑signed and titled lower right, 10 in. x 12 1/2 in., former framed. (4 pcs.) $200/300

681. Pair of Cast Iron Kettles, each fitted with flanges, handles, and three legs, h. 14 in., dia. 20 in. $300/500 Provenance: 1531 Exposition Blvd., New Orleans, LA. 680. Louisiana School, c. 1832, “Alfred G. Haley (1827‑1879) at Five Years”, miniature watercolor on paper, handwritten inscription identifying sitter and signed “Mr. Gerome” en verso, sight 3 1/4 in. x 2 1/4 in., period frame. $200/300

682. John James Audubon (American, 1785‑1851), “Great North Diver Loon”, No. 96, Plate 476, hand‑colored lithograph by J.T. Bowen, from The Birds of America, octavo edition, sight 6 1/2 in. x 10 in., framed. $150/250

683. Cushman, H. B., HISTORY OF THE CHOCTAW, CHICKASAW AND NATCHEZ INDIANS, Greenville, Texas: Headlight Printing House, 1899, first edition, 607 pp., frontispiece photographic portrait of the author, octavo, black embossed cloth and gilt, spine gilt. $75/150

684. [Civil War Map], “Map of the Seat of War to Accompany the American Conflict”, Hartford, O.D. Case & Co., 1866, hand‑colored map, showing towns, villages, battlefields, forts, military routes, canals and railroads, 25 3/4 in. x 36 1/2 in., unframed. $300/500

685. Louisiana Green Glass Seal Bottle, 19th c., with original label printed “Natichitoches[sic], Gegrundet, 1811, de la Manufacture de Tabac de Joseph Doms à Ratibor”, h. 9 1/2 in. $800/1200

686. Antique Painted Cast Iron Bench, 19th c., rustic vine pattern frame, h. 31 1/2 in., w. 38 3/4 in., d. 21 in. $800/1200 Provenance: 1531 Exposition Blvd., New Orleans, LA.

687. Antique Painted Cast Iron Bench, 19th c., rustic vine pattern frame, h. 33 1/2 in., w. 35 in., d. 18 in. $800/1200 Provenance: 1531 Exposition Blvd., New Orleans, LA.

688. Confederate Staff Officer’s Sword and Scabbard, marked “DUFILHO, N.O.” on drag, the guard with “C.S.” and pelican insignia, wire‑wrapped leather grip, steel and brass scabbard, blade l. 30 in. $1200/1800

689. U.S. Model 1850 Staff and Field Officer’s Sword and Scabbard, guard with “US” and foliate decoration, fish skin grip, blade etched with eagle, US, arms panoply and marked “P.D.L.” on ricasso, steel and brass scabbard, blade l. 32 in. $600/900

690. U.S. Model 1850 Foot Officer’s Sword and Scabbard, marked on scabbard mount “AMES MFG CO / CHICOPEE / MASS”, fish skin grip, etched blade with “US” and eagle, leather and brass scabbard, blade l. 30 1/2 in. $600/900

691. US Model 1840 Artillery Saber and Scabbard, marked banner style “Made by / AMES MFG. CO / CHICOPEE / MASS” and “U.S. / ADK / 1864”, leather grip, steel scabbard, blade l. 32 in. $600/900

692. Two American Model 1840 Non‑Commissioned Officer’s Swords and Scabbards, one marked ‘C. ROBY W. CHELMSFORD, MASS” “US 1865 AGM”, blade l. 32 in.; the other marked “MADE BY AMES MFG CO / CHICOPEE”, blade l. 28 in. $600/900

693. American Eagle Pommel Saber and Scabbard, 19th c., checkered grip, eagle lagnet, laurel wreath ring mounts, blade l. 32 1/2 in. $500/700

695. US Silverplate Eagle Pommel Officer’s Sword, mother‑of‑pearl grip, guard with Indian princess, anchor, eagle and cornucopia; eagle guillon, blade l. 31 3/4 in. $600/900

694. American Eagle Pommel Officer’s Sword and Scabbard, c. 1830, bone grip, eagle and shield guard, blade l. 29 in. $500/700

696. Ford Brothers Percussion Rifle, marked on lockplate “FORD BROTHERS”, rear sight, double set trigger, octagonal barrel, ramrod, barrel l. 33 in. $600/900

Additional information at www.nealauction.com

697. American Federal‑Style Carved Mahogany Tester Bed of Generous Proportion, c. 1970, benchmade by David Pruitt, Natchez, flat tester, reeded tapered acanthus‑carved foot posts, conforming plain head posts, paneled pedimented head board, plain rails, Scalmandre bed hangings, h. 101 in., l. 82 1/2 in., w. 81 3/4 in. Note: Accomodates a king mattress. $7000/10000 698. American Painted and Inlaid Chest, late 19th c., hinged top, floral and foliate decoration, h. 19 in., l. 36 in., d. 16 in. $150/250

699. American Carved Red Pine Sideboard, mid‑20th c., two drawers over two doors, shelf interior, h. 31 1/2 in., w. 42 1/4 in., d. 18 in. $300/500 Provenance: Texas Hill Country Ranch.

700. Spanish Colonial School, mid‑17th/19th c., “The Death of Christ”, oil on canvas, unsigned, 14 3/4 in. x 12 1/4 in., framed. $500/700

702. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, 10 1/4 in. x 15 1/4 in., period frame. $1000/1500

703. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Docked Shrimp Boats”, “Bennet’s Furniture”, “Going to Market” and “French Quarter Street Scene”, 4 pencil drawings on paper, each initialed “K.H.” lower right, each 9 in. x 12 in., unframed. (4 pcs.) $200/400

706. Southern School, mid‑19th c., “Mother” and “Son” (Smith Family, St. Francisville, LA), 2 oils on canvas, unsigned, each 30 in. x 25 in., framed alike. (2 pcs.) $2500/3500 Provenance: Didier, Inc., New Orleans, LA. Note: According to Grace Church Records in St. Francisville, there are numerous branches of the Smith family, including two connected to the Bowman family of Rosedown and Oakley plantations.

704. Charles Oglesby Longabaugh (American/Louisiana, 1885‑1944), “Oak Alley Plantation, Vacherie, LA”, watercolor on paper, unsigned, 9 1/2 in. x 11 3/4 in., framed. $500/700

701. Spanish Colonial School, mid‑17th/19th c., “Saint Cecilia Playing the Organ”, oil on canvas, unsigned, 28 1/2 in. x 25 1/2 in., unframed. $500/700

705. After Roy Cross (British, b. 1924), “Port of New Orleans”, oil on wood panel, unsigned, 12 in. x 16 in., framed. $600/800

Provenance: Descended in the family of the artist.

707. Frank Weston Benson (American/Massachusetts, 1862‑1951), “The River (Paff 90)”, 1916, etching, pencil‑signed lower left and pencil‑inscribed “ap” lower right, 9 3/4 in. x 8 in., framed. $300/500

708. Five British School Portrait Miniatures, 19th c., “George Warry (1795‑1883)”, “Elias Taylor Warry (d. 1866)”, “Portrait of a Lady” and “Portrait of a Gentleman”, 4 miniatures enhanced with watercolor, unsigned, 2 sitters identified and one “Correct Likeness Taken in this manner by the Patent Machine in one Minute” printed label en verso, 3 in. x 3 in. to 3 in. x 2 1/2 in., period matching frames with foliate motif brass hangers; together with “Portrait of Mother Reading a Book with her Daughter”, watercolor, unsigned, 2 7/8 in. x 2 7/8 in., period frame. (5 pcs.) $300/500

709. José Torres‑Tama (Ecuadorian/New Orleans, b. 1961), “Rose Nicaud, Free Woman of Color”, 2004, pastel on paper, signed and dated lower left, 22 in. x 14 in., framed. $400/600 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

710. Robert Wadsworth Grafton (American, 1876‑1936, act. New Orleans, 1916‑1920), “Vieux Carré Courtyard”, pencil on paper, unsigned, sight 7 1/2 in. x 9 1/2 in., framed. $150/250 Provenance: Descended in the family of the artist; sold in these rooms, Dec. 6, 2003, lot 944.

711. Thomas Waterman Wood (American/Kentucky, 1823‑1903), “Pendant Portraits of Husband and Wife”, 1866, 2 oils on canvas, each signed and dated lower right and left respectively, each 30 1/2 in. x 25 1/2 in., matching frames. (2 pcs.) $800/1200 Provenance: Neal Auction Company, Feb. 10, 1990, lots 393 and 394.

712. Emmitt Thames (American/Mississippi, b. 1933), “Bayou Portage”, watercolor on paper, signed lower left, titled en verso, sight 21 1/2 in. x 29 in., framed. $1000/1500

713. Emmitt Thames (American/Mississippi, b. 1933), “Evening in the Winter”, watercolor on paper, signed lower right, titled en verso, sight 21 in. x 28 3/4 in., framed. $1000/1500

714. Emmitt Thames (American/Mississippi, b. 1933), “Autumn Sunshine”, watercolor on paper, signed lower right, titled en verso, sight 21 1/2 in. x 29 in., framed. $1000/1500

715. Emmitt Thames (American/Mississippi, b. 1933), “Creek Bank”, watercolor on paper, signed lower right, “Brown’s Fine Art & Framing, Jackson, MS” label with artist and title en verso, sight 21 1/2 in. x 29 1/2 in., framed. $1000/1500

716. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak and Cypress Trees, Louisiana Bayou”, 1929, oil wash on board, signed and dated lower right, sight 19 1/4 in. x 29 1/4 in., framed. $1500/2500

717. Luis Graner y Arrufi (Spanish/ New Orleans, 1863‑1929), “Tree in a Landscape”, oil on board, signed lower left, handwritten label identifying artist en verso, 8 3/4 in. x 12 in., period frame. $400/600

Additional information at www.nealauction.com

719. Acadian Carved Cypress Petite Armoire, c. 1820‑1840, molded cornice, paneled doors, shelf interior, scalloped apron, cabriole legs, h, 57 1/4 in., w. 41 1/2 in., d. 19 1/2 in. $7000/10000 Provenance: Collection of Ginger Deshotels, Lafayette, LA. Ill.: Holden, Jack D., et. al. Furnishing Louisiana: Creole and Acadian Furniture, 1735‑1835. The Historic New Orleans Collection, 2010, p. 199.

718. Charles Oglesby Longabaugh (American/New Orleans, 1885‑1994), “Acapulco”, 1941, watercolor on paper, signed, titled and dated lower right, 18 in. x 21 1/2 in., framed. $300/500

719A. Antique Acadian Hand-Spun and Woven Catalogna Blanket, indigo and rouge stripe motife, in the French Canadian-style. $400/600

720. American Classical Carved Mahogany Secretary Desk, early 19th c., upper case with gothicized glazed doors, base with fitted secretary drawer flanked by carved panels, over doors flanked by acanthus and spiral carved colonnettes, acanthine hairy paw feet, h. 95 in., w. 47 1/2 in., d. 23 1/4 in. $1000/1500

719B. Antique Acadian Hand-Spun and Woven Catalogna Blanket, incl. two pieces in the French Canadian-style. $300/500

721. American Federal Inlaid Mahogany Pembroke Table, 19th c., shaped drop‑leaf top, frieze drawer, reverse with faux drawer, square tapered legs, casters, h. 27 1/4 in., w. 35 7/8 in., d. (closed) 21 1/2 in., d. (open) 42 in. $300/500 Provenance: The Sturm Collection; acquired The Plaza Art Galleries, NY, c. 1965.

725. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Market Scene with Watermelons”, 1991, oil on masonite, signed and dated lower right, 23 1/4 in. x 16 in., framed. $2000/3000

719C. Two Antique Acadian HandSpun and Woven Textiles, incl. a linen and cotton blend sheet and a French Canadian-style banded coverlet. $500/700

722. American Classical Giltwood Pier Mirror, c. 1840, molded surround, old mirror plate, h. 60 in., w. 35 1/2 in. $400/600

723. American Classical Giltwood Mirror, early 19th c., molded cornice with spherule pendants, silk sunburst panel, ring turned half columns, old mirror plate, blocked corners, h. 43 1/2 in., w. 26 in., d. 6 in. $400/600

726. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Street Scene with Fruit Cart”, 1991, oil on masonite, signed and dated lower right, 18 in. x 24 in., framed. $2000/3000

724. AngloIndian Carved Tropical Hardwood Campaign Chair, 19th c., cabochon crest, spiral-turned uprights, padded back and seat, scrolled arms, incurvate legs, h. 36 1/2 in., w. 21 1/2 in., d. 32 1/4 in. $200/400 Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture of the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 115.

727. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Conversation at the Market”, 1976, oil on masonite, signed and dated lower right, 18 in. x 13 in., framed. $2000/3000

729. Conrad Alfred Albrizio (American/Louisiana, 1894‑1973), “Seascape”, watercolor on paper, signed lower right, sight 8 in. x 10 1/2 in., framed. $500/700 728. Conrad Alfred Albrizio (American/Louisiana, 1894‑1973), “Standing Female Nude with Chair”, ink and wash on paper, initialed “c.a.a.” lower right, 23 3/4 in. x 17 3/4 in., matted. $400/600

732. Noel Rockmore (American/ New Orleans, 1928‑1995), “Corner Market: Geese for Sale”, 1964, oil on masonite, signed, dated and inscribed “New Orleans” upper left, 24 in. x 18 in., framed. $700/1000

736. Mimi Gross Grooms (American/Massachusetts, b. 1940), “After Photo by James Van Der Zee”, 1973, crayon and gouache on paper, signed, monogrammed and dated upper right, monogrammed, titled and dated lower right, signed, titled, inscribed and “Bienville Gallery” label with artist and title en verso of backing board, 23 in. x 29 in., unframed. $200/300 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

733. Shearly Grode (American/New Orleans, 1925‑2003), “Abstract Composition”, mixed media on paper, signed mid‑right, 12 in. x 13 in., framed. $300/500

737. Vintage Paul McCobb for Calvin Group Brass and Walnut “Irwin” Desk, c. 1959, white glass top, two fitted side compartments, h. 29 3/4 in., w. 59 3/4 in., d. 28 in. $700/1000

730. Michael Tracy (American/ Texas, b. 1943), “Untitled Collage”, mixed media on paper, unsigned, artist label with title en verso, sight 38 1/2 in. x 26 3/4 in., framed. $700/1000

731. Julian Alberto Touceda (Honduran/New Orleans, b. 1953), “Generacion, ArteAmerica: Manifest Destiny 2000”, 1998, acrylic and collage on masonite, signed and titled lower left, titled and dated lower right, label with artist, title and date en verso, sight 21 1/4 in. x 26 1/2 in., framed. $400/600

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

734. Peter G. Ray (Bulgarian/ Montreal, 20th c.), “Drop”, 2003, acrylic on canvas, signed lower right, signed, titled and dated en verso, 36 in. x 36 in., unframed. $600/800

735. Peter G. Ray (Bulgarian/ Montreal, 20th c.), “Flight”, 2003, acrylic on canvas, signed lower right, signed, titled and dated en verso, 36 in. x 36 in., unframed. $600/800

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

739. Eero Saarinen for Knoll “Womb” Lounge Chair, designed 1946, labeled, original wool upholstery, black enameled base, h. 36 1/2 in., w. 41 3/4 in., d. 35 in. $700/1000

738. George Nelson for Herman Miller Maple Slat “Platform” Bench, designed 1946, h. 14 in., w. 72 1/2 in., d. 18 3/4 in., with custom cushion, overall h. 17 in. $600/900

741. Eero Saarinen for Knoll “Womb” Lounge Chair and Ottoman, designed 1946, labeled, original wool upholstery, chromed steel base, chair h. 36 1/2 in., w. 41 3/4 in., d. 35 in.; ottoman h. 15 in., w. 25 in., d. 21 in. $1500/2500 740. Charles and Ray Eames for Herman Miller White Ash Lounge Chair and Ottoman, 2014, designed 1956, labeled, white leather, chair h. 32 in., w. 32 1/4 in., d. 37 in.; ottoman h. 16 1/2 in., w. 26 in., d. 20 in. $3000/5000 Additional information at www.nealauction.com

743. Pair of Milo Baughmann for Thayer Coggin Birdseye Maple and Brass Credenzas, labeled, one with two sets of 3 drawers, other with two cabinets fitted with shelves and 3 drawers, h. 26 in., w. 64 in., d. 18 in. $800/1200

742. Vintage Milo Baughmann‑Style Chrome and Glass Dining Table, 20th c., x‑form base, h. 28 1/2 in., w. 60 in., d. 36 in. Note: Glass chipped in corner. $200/300 Provenance: Estates of Maurice and Eunice Lion, Metairie, LA.

746. Contemporary Corbusier‑Style Glass and Chrome Extension Dining Table, mechanized 12 inch extension leaves on opposing ends, h. 30 in., l. (fully extended) 78 3/4 in., d. 31 1/2 in. $600/900

745. Pair of Milo Baughman for Thayer Coggin Lounge Chairs, padded backs and arms, chrome frame, h. 26 3/4 in., w. 29 1/4 in., d. 32 in. $800/1200

748. Contemporary Iron and Glass Coffee Table, custom made by Kelly Gale Amen, h. 20 1/2 in., w. 36 1/4 in., d. 48 in. $500/700 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

749. Contemporary Carved and Painted Wood Figural Table, c. 1990, made for the YaYa (Young Aspirations Young Artists) Foundation, h. 30 in., w. 53 3/4 in., d. 35 1/4 in. $400/600 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

750. Pair of Erik Worts for Henrik Worts Mobelfabrik Mixed Woods Chairs, designed 1957, incised mark “Worts/ Mobler/ Danmark”, caned back, blue leather seat, h. 30 1/2 in., w. 17 3/4 in., d. 16 in. $400/600

744. K.E.M. Weber for Lloyd Mfg. Co. Lounge Chair, c. 1934, labeled, upholstered seat and back, chrome plated steel frame with wood armrest, h. 34 in., w. 25 1/4 in., d. 32 in. $600/900

747. Six Contemporary Domitalia Dining Chairs, labeled “Domitalia Spa”, upholstered back and seat, chrome base, incl. four black and two red, h. 39 1/4 in., w. 16 3/4 in., d. 18 in. $600/900

751. Mid‑Century Modern Hanging Light Fixture, c. 1965, by Thomas Industries, Louisville, Kentucky, saucer‑form, blue and green acrylic shade, brass mounts, white opaque glass underside, adjustable cord, h. 10 in., dia. 21 1/2 in. $200/300 Provenance: 1531 Exposition Blvd., New Orleans.

752. Richard Sapper for Artemide “Tizio” Desk Lamp, designed 1972, marked, matte black aluminum with zinc alloy counter weights, h. (folded) 32 1/4 in., h. (fully extended) 47 in. $100/200

753. Contemporary Danish Convertible Sofa by Softline, labeled, charcoal and grey upholstery, chrome base, h. 33 in., w. 83 in., d. 42 in., d. (flat) 46 1/2 in. $500/700

754. Postmodern Contemporary Iron‑Mounted and Polychrome Painted Figural “Plant” Chair, 20th c, h. 52 1/2 in., w. 30 1/2 in., d. 20 in. $400/600 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

755. Contemporary Iron, Wood and Stone Coffee Table, Santa Fe, h. 17 1/2 in., w. 37 1/2 in., d. 20 3/4 in. $400/600 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

756. Contemporary Mirrored Nesting Tables and Pedestal, beveled mirror panels, pedestal h. 36 1/2 in., w. 14 in., d. 14 in., taller nesting table h. 23 3/4 in., w. 17 1/2 in., d. 12 in. $400/600 Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

760. Edmundo Aquino (Mexican, b. 1939), “El Rojo”, 1986, oil on paper, signed lower left, “Carmen Llewellyn, New Orleans” label with artist, title and date en verso, sight 21 1/2 in. x 29 in., framed. $500/800

764. Persian Carpet, blue ground, red border, overall floral design, 12 ft. x 15 ft. 4 in. $600/900

759. Vintage Austin Cox for Alcoa Aluminum Milled and Anodized Aluminum Chess Set, designed 1962, queen h. 4 7/8 in., original box with logo. $300/500 757. Vintage Italian Glass, Painted Wood and Brass Lamp, possibly Barvovier & Toso, Murano, white lattice‑work ribbon on gold‑flecked amber ground, h. (to socket) 23 1/4 in. $300/500

761. Pedro Friedeberg (Mexican, b. 1936), “Ciudad de un Millón con Veinticinco Huevos Duros”, 1972, silkscreen, signed, dated and numbered “33/50” lower margin, titled in plate, 19 3/4 in. x 19 3/4 in., framed. $300/500

765. Persian Heriz Carpet, central medallion, 5 ft. x 11 ft. $200/300

758. Vintage Walter Dorwin Teague and Frank Del Giudice Bakelite, Aluminum and Cellulose Acetate Polaroid Desk Lamp #114, 1939, 12 in. x 11 1/2 in. x 10 in. $300/500

762. Good Art Deco Mirrored and Glass Mantel Clock, c. 1930, by ATO, Paris, etched numerals, nickel plated case fitted with mirrors, on plate glass base, h. 7 in., w. 18 in., d. 6 in.; together with a German Art Deco walnut clock by Halder, h. 9 in., w. 10 1/2 in., d. 6 in.; accompanied by a copy of original receipt. $200/300 Provenance: Calderwood Gallery, Decorative Arts 1900‑1950, Phil., PA (ATO clock), Collection of Nan Wier, New Orleans, LA.

763. Large Bokhara Carpet, red ground, repeating motifs in blue and cream, 14 ft. 4 in. x 22 ft. 9 in. $1000/1500

766. Continental Neoclassical‑Style Burl Walnut Dining Table, oval top, conforming frieze with storage compartment, two extension leaves, scrolled supports, incurvate plinth base, h. 30 1/2 in., w. 99 in. (fully extended), d. 47 1/4 in. $1000/1500

768. Antique French Belle Époque Carved Giltwood Bedstead, serpentine headboard surmounted by a floral basket, foliate and swag mounts, conforming foot board and rails, custom silk upholstery, h. 57 in., l. 75 1/2 in., w. 56 1/2 in. $1500/2500 Provenance: Mme. Granet, French Antique Shop; 1531 Exposition Blvd., New Orleans. 767. Pair of Brass Guéridons, circular polychromed marble tops, scroll supports, incurvate triangular plinths, paw feet, h. 27 1/2 in., dia. 16 in. $300/500

Additional information at www.nealauction.com

769. EmpireStyle BronzeMounted Mahogany Mirrored Armoire, shaped crest, urn finials, blocked frieze, beveled mirror plate flanked by fluted columnar stiles, silk‑lined shelf interior, lower drawer, toupie feet, brass cuffs, h. 92 3/4 in., w. 37 in., d. 19 in. $1000/1500 Provenance: 1531 Exposition Blvd., New Orleans, LA.

773. Henry Pember Smith (American/Connecticut, 1854‑1907), “On the Flanders Road, East Lyme, New London, Connecticut”, oil on canvas, signed lower right, “Kulicke Frames, Inc., NYC” label en verso, 29 1/4 in. x 36 in., framed. $1200/1800

770. Napoleon III Bronze‑Mounted Marquetry and Rosewood, Parquetry Commode, late 19th c., serpentine rouge marble top, conforming case, shelf interior, stiles with mask mounts, shaped apron, bracket feet, sabots, h. 39 3/4 in., w. 45 1/2 in., d. 17 1/4 in. $700/1000

774. Italian School, 20th c., “Campo Pla., Italy”, oil on canvas board, unsigned, titled en verso, 22 3/4 in. x 17 in., period frame. $500/700 Provenance: Estate of Janice Lane Young, Richmond, VA.

771. Pair of Louis XV‑Style Crème Peinte Fauteuils, floral‑carved crest rail, padded back, arms, and seat, shaped apron, cabriole legs, scrolled toes, toile upholstery, h. 37 in., w. 26 1/2 in., d. 23 in. $500/750

775. Don Nice (American, b. 1932), “Tootsie Pops”, 1974, color lithograph on paper, pencil‑signed, titled and numbered “14/50” lower margin, 22 1/2 in. x 34 in., framed. $400/600

777. Terry Weldon (American/New Orleans, b. 1947), “Disc”, 1988, enamel on metal, unsigned, 46 in. x 44 1/2 in. $1500/2500

772. Biedermeier Fruitwood Box Sofa, 19th c., scrolled arms and legs, h. 36 in., w. 90 in., d. 23 3/4 in. $800/1200

776. Lowell Nesbitt (American, 1933‑1993), “Spotted Lilly”, 1973, serigraph, pencil‑signed, dated and numbered “55/100” lower margin, sheet 34 in. x 31 1/2 in., unframed. $200/300

778. Rick Brunner (American/Louisiana, b. 1954), “Bearing the Beauty”, 2002, wood, metal and pigment, signed, titled, dated and “Brunner Gallery” label en verso, h. 85 in., w. 32 in., d. 6 in. $1200/1800

Provenance: Arthur Roger Gallery, New Orleans, 1993; Koch Collection, Metairie, LA.

779. Jack Gates (American/Louisiana, b. 1946), “Paperclip Table”, mahogany and steel, unsigned, h. 16 1/2 in., w. 73 in., d. 23 in. $1500/2500 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

780. Gina Laguna (American/New Orleans, 20th c.), “Interlocking Rectangles”, welded steel, unsigned, h. 20 in., w. 25 in., d. 6 in. $400/600 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

781. Luis Colmenares (American/ New Orleans, 20th c.), “Untitled: Geometric Forms”, 1993, surface embellished stainless steel, metal stand, signed “Luis” and dated on self‑base, h. 43 1/2 in., w. 24 in., d. 18 in., metal pedestal, overall h. 70 in. $400/600 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

783. Joe Sorci (American/ Tennessee, b. 1956), “Untitled”, stone, signed on base, h. 14 in., w. 26 in., d. 17 in., pedestal, overall h. 51 in. $400/600 782. Scott de Montluzin (American/ New Orleans, 20th c.), “Suspended White Cubes”, painted wood, signed, h. 51 in., w. 14 in., d 14 in. $250/350

784. Babette Beaullieu (American/ Louisiana, 20th c.), “La Femme”, carved and stained wood with painted rock, unsigned, h. 83 in., w. 9 in., d. 3 in. $600/800 Provenance: Collection of Michael Brown and Linda Green, New Orleans. 785. Denice Bizot (American/New Orleans, 20th c.), “Nordic Chute”, 1999, found metal, signed and dated under base, h. 39 1/4 in., w. 28 in., d. 11 in., pedestal, overall h. 76 in. $400/600

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

786. Mary Louise Snowden (American, b. 1952), “Genesis: Sketch”, lithograph on paper, signed and numbered “89/1000” lower left, “Masterpiece, Laguna Beach, CA” labels with artist and title en verso, 9 1/2 in. x 12 in., framed. $150/250

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

787. Large American Painted Tin Merchant’s Hat, 19th c., h. 18 in., w. 25 in., d. 28 in. $600/900

788. Edward Field Sanford, Jr. (American, 1886‑1951), “Elk”, “Antelope”, “Lion”, “Bison”, and “Water Buffalo”, c. 1932, 5 carved hardwood models, for presentation to the committee for approval of the bas‑relief sculptures on the Central Park West facade of the Theodore Roosevelt Memorial of The Museum of Natural History, NY, bison h. 4 3/4 in., l. 7 7/8 in., together with 2 folio albums containing 74 photographs of Sanford’s work, including the five noted above. (7 pcs.) $800/1200

790. American Rococo Carved Mahogany Poster Bed, mid‑19th c., New Orleans, quatrefoil cluster columns, shaped headboard surmounted by a shell crest, shaped rails, conforming low foot board; incl. ogee tester, h. 96 1/2 in., l. 78 1/2 in., w. 58 1/2 in. $2500/3500 789. Carved Hardwood Head of a Man, reverse deeply incised “H A Palmer / 1852”, h. 12 in., w. 10 1/2 in., d. 12 in. $700/1000

792. American Federal Inlaid Mahogany Sideboard, 19th/20th c., serpentine top with brass gallery, conforming case with two drawers and cabinet doors, tapered cuffed legs, casters, h. 54 1/2 in., w. 85 1/2 in., d. 31 in. $800/1200

791. American Late Classical Mahogany Lady’s Writing Desk, c. 1840, superstructure fitted with glazed doors and four drawers, inset leather writing surface, frieze drawer, turned and fluted legs, ball feet, h. 55 3/4 in., w. 31 in., d. 19 in. $600/900

793. Federal‑Style Inlaid Mahogany Two Pedestal Extension Dining Table, 19th/20th c., banded top, lobed pedestals with hipped saber legs, paw feet, casters, 2 leaves, h. 29 3/4 in., l. (closed) 66 3/4 in., l. (extended) 99 in., w. 46 in. $1000/1500

794. American Carved Walnut Breakfront Bookcase, late 19th/early 20th c., molded cornice, carved frieze, arched glazed doors, shelf interior, three drawers, over paneled doors, plinth base, h. 99 1/4 in., w. 79 1/2 in. $800/1200

795. American Classical Carved Mahogany Armoire, early 19th c., flared cornice, paneled doors flanked by Corinthian colonettes, side doors, interior fitted with a bank of drawers, plinth base, hairy paw feet, h. 83 3/4 in., w. 62 1/2 in., d. 31 in. $700/1000

Additional information at www.nealauction.com

796. American Rococo Carved Mahogany Secretary Bookcase, mid‑19th c., possibly Mitchell & Rammelsburg, Cincinnati, cabochon crest, serpentine cornice, arched glazed doors, shelf interior, fall front desk with fitted interior, long drawer over paneled doors, molded bracket feet, h. 106 1/2 in., w. 44 1/4 in., d. 60 in. $2000/3000 Provenance: Collection of Dr. Albert Beisbarth, St. Louis, MO; thence by descent. 797. Rare American Rococo Carved and Laminated Rosewood Étagère Cabinet, c. 1850, attr. to John Henry Belter, New York, pierced gallery and bracket supports, mirrored back over frieze drawer, glazed doors, scrolled feet, h. 73 in., w. 46 1/2 in., d. 20 1/2 in. $4000/6000 Note: The seven-layer lamination used to create the extensively carved grape and vine panels on this étagère is indicative of John Henry Belter. A firescreen from the Manney Collection and an étagère from the Service Collection, both attributed to Belter, exhibit similar finely carved and laminated panels. The well-fitted interior of the drawer in the present lot is similar to the drawer interior of a dressing chest with the stencil of Springmeyer Bros., Belter’s heir, sold by Neal Auction Company as lot 628, October 4, 2003. Ref.: Schwartz, Stanek, True. John Henry Belter and the Rococo Revival. p. 59, fig. 31; Dubrow. American Furniture of the 19th Century. p. 146.

799. American Rococo Carved and Laminated Rosewood Side Chair, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, foliate and grape crest, padded back, circular seat, cabriole legs, casters. $800/1200

800. American Late Classical Mahogany Center Table, c. 1840, molded marble top, chamfered standard, incurvate triangular base, plinth and feet with carved bosses, casters, h. 30 in., w. 36 in., d. 36 in. $600/900

801. American Renaissance Walnut Canterbury, late 19th c., swan’s neck crest, divided interior, trestle base, h. 24 3/4 in., w. 26 1/2 in., d. 15 1/2 in. $400/600

798. American Federal Mahogany Drop‑Leaf Work Table, early 19th c., two drawers, turned legs, h. 28 1/2 in., w. (closed) 16 1/2 in., w. (open) 31 1/2 in., d. 16 1/2 in. $300/500

802. Antique American Mahogany Library Bookcase, late 19th c., molded cornice, grillework doors, adjustable shelf interior, paneled lower doors, plinth base, h. 101 3/4 in., w. 52 3/4 in., d. 14 3/4 in. $600/900

803. Fine American Renaissance Carved, Burled and Inlaid Walnut Bedroom Suite, c. 1870, probably Philadelphia, incl. bedstead, drop-center dresser, washstand, commode and armoire; armoire, dresser and bedstead with pedimented fleur‑de‑lis carved crests, molded inlaid frieze, blocked pilaster and urn columnar supports; armoire with well-fitted figured maple interior dresser, washstand and commode with Brescia marble tops, original brass pulls, drawers, blocked molded bases, block feet, bedstead h. 86 1/2 in., l. 79 in., w. 62 3/4 in.; commode h. 30 1/4 in., w. 20 3/4 in., d. 18 1/4 in.; washstand h. 30 1/2 in., w. 39 3/4 in., d. 18 1/2 in.; dresser h. 103 in., w. 58 1/4 in., d. 21 3/4 in.; armoire h. 109 in., w. 75 3/4 in., d. 29 in. $7000/10000 Provenance: Historic Coiron House, 2926 St. Charles Ave., New Orleans, LA.

804. Antique American or English Walnut Sunderland Table, mid‑19th c., banded drop leaves, turned supports and stretcher, arched legs, paw feet, h. 29 in., w. 35 3/4 in., d. 32 3/4 in. $300/500 Provenance: Estate Auction, New Orleans, LA.

808. Pair of Antique English Sterling Silver Table Candlesticks in the Adam Taste, Harrison Brothers & Howson, Sheffield, square tapered form, removable bobêches, filled, 1896, h. 10 1/8 in.; together with a sterling muffineer, Adie Brothers Ltd., Birmingham, 1929, h. 7 1/2 in. $200/300

812. Vintage English Silverplate Wine Cooler on Stand, removable bucket with bayonet fitting, h. 28 3/8 in. $500/700

805. American Late Classical Mahogany and Parcel Gilt Drop‑Leaf Breakfast Table, 19th c., scalloped leaves, frieze drawer, foliate carved standard, acanthus‑carved paw feet, casters, h. 29 1/4 in., w. 40 in., d. (closed) 25 1/2 in., d. (open) 53 3/4 in. $500/700

809. Group of Six George III Sterling Silver Teaspoons in Fiddle, Thread and Shell Pattern, most 1812, engraved armorial, l. 5 1/2 in., wt. 6 troy ozs. $150/250

813. Good Group of Vintage English Silverplate Serving Pieces, incl. a Regency‑style cake basket, footed form with gadroon and shell border, reticulated band and swing handle, h. (top of handle) 9 3/8 in., w. 11 7/8 in., d. 9 1/8 in.; together with a revolving breakfast tureen, with chased cover and hoof feet, retaining both liners, h. 8 in., w. 15 in., d. 9 1/2 in.; and triple coquiform biscuit box, branchwork feet, h. 10 1/8 in., w. 8 1/2 in. $400/600

806. Beaux Arts Bronze and Crystal Centerpiece, c. 1900, oval with Greek key handles, decorative band with cherubs riding a chariot, h. 7 1/4 in., w. 17 in., d. 8 1/4 in. $400/600

810. Good Set of Sixteen English Silverplate Punch Cups, Ellis Barker, Birmingham, menorah mark, 20th c., footed form with floral chased decoration, h. 3 1/4 in., w. 4 3/8 in. $200/300

814. Georgian‑Style Silverplate Epergne, gadroon borders, fitted with Anglo‑Irish‑style cut glass bowls, h. 12 3/4 in., w. 21 in. $500/1000

807. Good Group of Sterling Silver, incl. English goblet, London, 1864, maker’s mark rubbed, chased and repoussé decoration, h. 6 3/8 in.; 2 Reed & Barton “Francis I” pattern baby cups, #X569, h. 3 3/8 in.; and 3 Gorham wine goblets, #571, h. 4 5/8 in., total wt. 19.70 troy ozs. $500/700

811. English Silverplate Figural Epergne, 19th c., columnar supports with figural mounts, shaped triangular plinth base with foliate decoration, associated Anglo‑Irish‑style cut glass bowls, h. 26 3/8 in., w. 15 3/8 in. $700/1000

815. Pair of American Gilt Bronze Solar Lamps, c. 1850, attr. to Hooper, Boston, faceted standard on tiered marble base, baluster shades cut with vintage design, h. 19 1/2 in., dia. 6 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

816. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper and Co., standard with rococo shell and floral cluster motifs, globe shade with flowers, h. 29 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

817. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, New York, tripartite rococo base with fruit and foliage, frosted shade cut with floral roundels, h. 27 in., dia. 8 3/4 in. $800/1200

818. Vintage Sterling Silver and Silver Mesh Purse, Ernst Gideon Bek, Pforzheim, 1872‑1945, link chain, one side with reticulated floral work frame, other monogrammed JS, h. (excluding chain) 6 1/2 in., w. 8 1/2 in.; together with similar E.G. Bek silver change purse, h. 3 1/8 in., w. 2 1/8 in. $200/300

819. 14 kt. Yellow Gold, Emerald and Diamond Ring, set with .75 ct. emerald; together with 14 kt. yellow gold lovebirds pin. $500/700

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

821. Pearl Necklace with 14 kt. Yellow Gold, Ruby and Diamond Clasp. $300/500

820. Retro 14 kt. Yellow Gold and Aquamarine Brooch. $500/700

822. 18 kt. Yellow Gold and Quartz Cat Pendant; together with a 14 kt. yellow gold horse head watch fob. $300/400

823. 18 kt. Yellow Gold, Ruby and Diamond Ring, channel‑set square faceted rubies flanked by bands of round brilliant cut diamonds, total diamond wt. approx. .25 ct., size 6 1/4 in. $300/500 826. Bronze Figure of “Victoria”, after Émile‑Louis Picault, “E. Picault” inscribed on self‑base, “Fabrication Francaise / Made in France” cast seal, h. 11 1/4 in., w. 7 1/4 in., d. 4 3/4 in., verde antico base, overall h. 13 1/4 in. $200/400

824. Mexican Sterling Silver Flat Link Necklace and Bracelet, mid‑20th c., marked “REY”, weight 4.35 troy ozs. $300/500

828. Antique Continental Carved Giltwood Mirror, surmounted by pair of opposing birds, trophée crest, paneled surround, acanthus‑mounted corners, h. 70 in., w. 43 in. $400/600

825. Middle Eastern 18 kt. Yellow Gold Chain, handmade, l. 28 in., wt. 21.4 dwt. $500/750

829. English Regency Carved and Figured Mahogany Sideboard, early 19th c., paneled superstructure, shaped top, conforming case with drawers and doors, reeded tapered legs, paw feet, figured veneers throughout, h. 41 3/4 in., w. 96 in., d. 33 1/2 in. $1500/2500 Provenance: Acquired Rothchild’s Antiques, New Orleans, c. 1990.

831. Georgian‑Style Carved Mahogany Sofa, molded and beaded serpentine back, arms, and tapered legs, spade feet, h. 34 1/2 in., w. 82 1/2 in., d. 22 1/2 in. $700/1000

827. Regency Giltwood Overmantel Mirror, 19th c., molded cornice, paneled frieze centered with figural group, caryatid stiles, h. 21 1/2 in., w. 62 in. $600/900

Provenance: Acquired in Jordan, late 20th c.

830. George II‑Style Carved Mahogany Corner Chair, 19th c., scrolled acanthus‑carved crest rail, vasiform splats, cabriole legs, ball and claw feet, turned X stretcher, h. 30 3/4 in., w. 33 in., d. 22 in. $400/600

832. Good Georgian‑Style Carved Oak Partner’s Desk, probably mid‑19th c., inset tooled leather top, three frieze drawers on each side, pedestals of three drawers on shaped bracket feet, h. 32 in., w. 60 in., d. 41 1/2 in. $800/1200

833. George III‑Style Mahogany Breakfront Gentleman’s Wardrobe, 19th c., stepped cove‑molded cornice, central linen press over four drawers, flanked by side cabinets, plinth base, h. 86 1/4 in., w. 90 in., d. 25 in. $800/1200

834. Ten Antique English Oak Ladderback Dining Chairs, mid‑19th c., incl. 2 armchairs and 8 side chairs, serpentine crest rail, conforming slats, paw feet, armchair h. 39 3/4 in., w. 22 1/4 in., d. 21 in.; side chair h. 38 1/2 in., w. 18 1/2 in., d. 19 1/2 in. $800/1200 835. Georgian Inlaid Mahogany Linen Press, late 18th c., pedimented cornice, bellflower swagged frieze, paneled doors enclosing later shelves, base with short and long drawers on later bracket feet, h. 82 1/4 in., w. 50 in., d. 23 in. $1500/2500

836. Antique French Iron and Brass Baker’s Rack, early 20th c., marked “Perfit Fils Ltd, Paris, France”, scrolled crest, five shelves, heavily scrolled supports, molded base, h. 85 in., w. 61 in., d. 16 1/4 in. $700/1000

837. Queen Anne‑Style Carved Walnut Writing Desk, late 19th/early 20th c., fitted superstructure, inset leather writing surface, three frieze drawers, floral and shell carved cabriole legs, scrolled feet, h. 40 1/2 in., w. 47 1/4 in., d. 23 1/4 in. $500/1000

Provenance: 1531 Exposition Blvd. New Orleans, LA.

838. Pair of French Os de Mouton Walnut Armchairs, 19th c., tall raked backs, scroll arms, serpentine seat, oxbow stretchers, scroll feet, h. 43 in., w. 25 1/2 in., d. 33 in. $700/900

839. French Provincial Carved Fruitwood Tea Table, tray top, shaped frieze with four drawers, molded cabriole legs, h. 28 1/2 in., w. 41 1/2 in., d. 28 1/2 in. $1000/1500

840. Continental Baroque‑Style Carved Walnut Fauteuil, 19th c., serpentine padded back, scrolled arms, turned uprights, conforming legs and stretcher, ball feet, h. 50 in., w. 24 3/4 in., d. 26 in. $400/600

842. Antique Italian PaintDecorated Baldachin, serpentine form centered by a foliate crest, whole with old blue and green paint, modern fabric, h. 38 3/4 in., w. 51 in., d. 38 1/2 in. $500/700

841. Continental Carved Mahogany Columnar Commode, 19th c., inset marble top, fluted door and case, molded base, ball feet, h. 25 1/2 in., dia. 15 in. $400/600

843. George Blackie Sticks (British, 1843‑1938), “Loch Achray, Scotland”, 1891, oil on canvas, signed and dated lower left, label remnants en verso, 34 in. x 48 in., framed with artist and title plaque. $800/1200

Additional information at www.nealauction.com

844. Edmund John Niemann (British, 1813‑1876), “In the Pennines”, oil on canvas, signed lower left, 24 in. x 36 in., framed with artist and title plaque. $800/1200

848. Large Persian Carpet, ivory and red ground, oblong medallion, overall floral design, 11 ft. 9 in. x 25 ft. 3 in. $800/1200

845. British School, late 19th/early 20th c., “Portrait of a Gentleman on Horseback”, oil on canvas, unsigned, 20 in. x 24 in., framed. $1000/1500

846. Joel Owen (British, 19th c.), “Fishing on the Spey”, oil on canvas, signed lower left, 20 in. x 30 in., framed. $500/700

847. Large Aubusson‑Style Carpet, ivory ground, floral designs in muted reds, blues and greens, 13 ft. x 23 ft. 10 in. $800/1200

849. Pair of French Brass and Marble Carcel Lamps, now wired as table lamps, h. (to socket) 20 1/2 in. $500/750

850. Pair of Beaux Arts Patinated Bronze Five‑Light Candelabra, late 19th c., vasiform standard, paw feet, h. 23 1/2 in., w. 8 in. $400/600

Provenance: 1531 Exposition Blvd. New Orleans, LA.

Provenance: Estate of Janice Lane Young, Richmond, VA.

851. Louis XV‑Style Gilt and Crème Peinte Overmantel Mirror, rocaille and floral crest, reeded and floral surround, beveled mirror plate, h. 75 1/2 in., w. 39 1/2 in. $1000/2000 Provenance: Keil’s Antiques, New Orleans; 1531 Exposition Blvd. New Orleans, LA.

852. Antique Continental Carved Giltwood Pier Mirror, molded cornice, dentil frieze, foliate and swag mounts, chamfered corners, h. 70 1/2 in., w. 44 3/4 in. $500/800

853. English Aesthetic Carved Oak Side Table, c. 1900, shaped top, reeded frieze and stiles, three shelves, turned supports, flared brass feet, h. 30 1/2 in., w. 19 3/4 in., d. 14 1/4 in. $250/350 Provenance: 1531 Exposition Blvd. New Orleans, LA.

856. George III‑Style Inlaid Mahogany Center Table, by Baker Furniture Co., circular top, turned standard, three reeded outswept legs, brass cuffs, casters, h. 29 1/2 in., dia. 47 1/2 in. $800/1200

857. Napoleon III Carved Giltwood Canapé, c. 1880, arched C and S scroll pierced crest, scrolled arms, fluted legs, h. 46 in., w. 68 in., d. 24 in. $500/700

854. Regency‑Style Mahogany Extension Dining Table, reeded edge top, cylindrical pedestals with reeded sabre legs, brass paw feet, casters; together with one leaf, h. 28 3/4 in., l. 70 in., l.77 1/4 in. (extended), w. 47 in. $500/800

855. George III‑Style Mahogany Partner’s Desk, inset leather writing surface, three frieze drawers on opposing sides, pedestals with three drawers and cabinet doors on opposing sides, molded base, casters, h. 30 1/2 in., w. 60 1/2 in., d. 41 1/2 in. $500/700

858. Biedermeier Mahogany Vitrine Cabinet, c. 1835, stepped molded pediment, plain frieze, glazed doors enclosing five silk‑lined shelves, square molded base, pad feet, h. 55 in., w. 41 1/2 in., d. 11 1/2 in. $800/1200

859. Biedermeier Carved Figured Maple Settee, 19th c., shaped crest rail, flared arms fronted by cornucopiae, molded seat rail, flared legs, scrolled toes, h. 40 in., w. 85 in., d. 27 1/2 in. $600/900

860. Louis XVI‑Style Hardwood Bouillotte Table, late 19th c., inset rouge marble top, inlaid frieze drawers, square tapered legs, h. 29 in., dia. 24 in. $400/600

864. Continental Carved and Ebonized Rosewood Extension Dining Table, mid‑to‑late 19th c., possibly Austria, molded circular top, bulbous turned standard, exuberantly carved and scrolled legs, casters, with 10 extension leaves, h. 28 3/4 in., l. 50 1/2 in. (195 1/2 in. extended), w. 57 in. $1000/2000

861. Antique Louis XVI‑Style Bronze‑Mounted Mahogany Games Table, demilune foldover top, interior compartment, paneled frieze, fluted tapered legs, casters, h. 28 1/2 in., l. (closed) 23 1/2 in., l. (open) 46 3/4 in., w. 47 1/2 in. $300/500

863. Louis XV‑Style Carved Fruitwood Canapé, floral‑carved serpentine crest rail, scrolled arms, conforming seat rail, scrolled cabriole legs, h. 38 1/2 in., w. 47 in., d. 32 1/4 in. $400/600 Provenance: 1531 Exposition Blvd. New Orleans, LA.

Provenance: Ex-Collection Charles Faudree Estate, Tulsa, Ok.

865. Continental School, 19th c., “Ladies Feeding Fish”, oil on canvas, unsigned, 36 1/2 in. x 29 1/4 in., antique frame. $600/900

868. Paul Émile Lecomte (Belgian, 1877‑1950), “Village Market”, oil on canvas, “Paris, France” canvas stamp en verso, signed lower right, 18 in. x 21 1/2 in., framed. $500/700

871. Paris Porcelain Partial Dessert Service, late 19th c., decorated with various fruit reserves, foliate rims banded by floral garlands, incl. compote, 2 tazzas and 5 plates, compote h. 5 in., dia. 8 1/2 in., plate dia. 9 in. (8 pcs.) $300/500

862. French Carved Oak Bonnetière, probably late 19th c., surmounted by graduated turned finials, serpentine foliate‑carved crest, glazed door, floral stiles, shaped apron, foliate scrolled legs, h. 49 in., w. 23 1/2 in., d. 15 1/2 in. $300/500

866. Continental School, late 19th/ early 20th c, “Fish Sellers”, 2 oils on canvas, each signed “L. Ricci” lower right, remnant labels en verso, each 22 in. x 27 1/4 in., framed alike with brass artist plaques. (2 pcs.) $700/1000

Provenance: Estate of Janice Lane Young, Richmond, VA.

869. Attributed to Thomas Murray (British, 1663‑1734), “Portrait of a Gentleman in a Brown Coat”, oil on canvas, unsigned, various labels en verso, 49 3/4 in. x 40 in., framed with artist plaque. $1000/1500

872. Two Diminutive Paris Porcelain Cabinet Vases, 19th c., each with character study in a landscape, h. 5 3/4 in. and 6 1/2 in. $150/250

867. Continental School, 19th c., “Nursery Scene: Sleeping Child, Mother and Spinning Wheel”, oil on panel, partial signature lower left, 10 in. x 8 in., framed. $300/500

870. Three Meissen Porcelain Chargers, 20th c., crossed swords marks, molded scrollwork or leaves, floral decoration, dia. 12 1/2 in., 11 5/8 in. and 11 1/8 in.; together with one L.R.L. artist‑signed Limoges charger with backstamp, dia. 13 in. (4 pcs.) $150/250

873. Louis XV‑Style Gilt Brass Four‑Light Candelabrum, hollow cast, maiden standard, rocaille base, h. 16 1/2 in., w. 9 1/4 in., d. 8 1/2 in. $200/400 Provenance: 1531 Exposition Blvd. New Orleans, LA.

874. Continental Carved Walnut and Copper Mirror, 19th c., octagonal frame with ray and ribbon designs, applied coat‑of‑arms and foliate mounts, h. 55 in., w. 44 in., d.2 1/2 in. $200/400

Additional information at www.nealauction.com

875. Continental Carved Argenté Mirror, 19th c., shaped crest, molded surround, gilt inner border, h. 69 1/2 in., w. 46 1/2 in. $800/1200

876. American Aesthetic Carved and Burled Walnut Bedroom Suite, late 19th c., Philadelphia, the bedstead with an architectonic lattice work crest and carved floral panels, conforming dressing chest and washstand with rouge marble tops, bed h. 93 in., l. 77 in., w. 57 1/2 in.; chest h. 96 in., w. 57 1/2 in., d. 25 1/2 in.; washstand h. 28 in., w. 39 1/2 in., d. 22 in. $2000/3000 877. Four American Rococo Carved and Laminated Rosewood Chairs, c. 1840‑1850, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, incl. 2 armchairs and 2 side chairs, floral‑carved crest, scrolled crest rail, serpentine seat rail, cabriole legs, casters, armchair h. 42 1/2 in., w. 24 in., d. 20 in.; side chair h. 38 in., w. 18 in., d. 19 in. Note: One armchair has break in one arm. $1200/1800 878. English Arts and Crafts Brass‑Mounted Walnut Fall‑Front Desk, early 20th c., trapezoidal case, fitted interior, frieze drawer and work drawer below, turned supports, pierced stretcher, arched legs, casters, h. 49 in., w. 26 1/2 in., d. 16 1/4 in. $300/500

879. Charles Henry Tenre (French, 1864‑1926), “Summer Afternoon”, oil on canvas, signed lower left, 23 1/2 in. x 28 3/4 in., framed. $200/400

880. Pair of Empire‑Style Gilt and Patinated Bronze Two‑Light Sconces, 20th c., torch and basket backplate surmounted by a maiden, foliate arms, electrified, h. 31 in., w. 12 in., d. 7 1/2 in. $500/700

881. Pair of Bronze‑Mounted Paris Porcelain Vases, cobalt ground, reserves with a young man playing the bagpipes and a woman admiring butterflies, vase h. 17 in., w. 10 in., d. 8 in., now mounted as lamps. $300/500

882. American Late Federal Carved Mahogany Side Table, early 19th c., probably Philadelphia, molded top, conforming frieze, spiral reeded standard, square plinth, molded sabre legs, brass paw feet, casters, h. 31 in., w. 39 in., d. 19 in. $300/500

883. American Chippendale Carved Mahogany Highboy, 18th c. and later, broken arch cornice, flame finials, shell‑carved frieze, two over four graduated drawers, fluted quarter columns; lower case with a long and three short drawers, shell‑carved cabriole legs, ball and claw feet, h. 94 1/4 in., w. 42 in., d. 22 7/8 in. $1500/2500 884. American Classical Figured Mahogany Armoire, 19th c., probably New York, cove molded cornice, pair of paneled doors, one with later mirror, divided interior with shelves and bank of drawers, shaped feet, h. 87 1/2 in., w. 66 1/2 in., d. 27 7/8 in. $800/1200

885. American Federal Carved Mahogany Sewing Table, early 19th c., lift top, divided interior, pleated work basket, turned and reeded legs, h. 28 1/2 in., w. 22 1/2 in., d. 13 in. $400/600

886. American Federal Maple Tall Chest of Drawers, early 19th c., two short over five long drawers, later bracket feet, h. 53 in., w. 39 1/2 in., d. 20 in. $300/500

887. Georgian Oak Slant Front Bureau, 18th c. and later, fitted interior, four drawers, molded base, bun feet, h. 40 3/4 in., w. 35 3/4 in., d. 23 1/4 in. $500/800

888. Pair of Louis XV‑Style Fauteuils, arched backs, acanthus carved arms, serpentine seat rail, shell carved cabriole legs, h. 36 in., w. 24 in., d. 20 1/2 in. $600/900

Provenance: Texas Hill Country Ranch.

890. American Carved Mahogany “Morris” Chair, late 19th c., probably Allen & Bro., Philadelphia, reeded crest, slat back, turned finials, padded arms, spindled supports, square legs, casters. $200/400

894. American Federal Mahogany Wing Chair, late 18th c., molded legs, stretchers, h. 44 in., w. 31 in., d. 32 in. $100/200

891. American Rococo Carved and Laminated Rosewood Side Chair, mid‑19th c., tall arched foliate and scroll carved back, rounded foliate carved seat rail, cabriole legs, casters, h. 42 in., w. 19 1/2 in., d. 19 1/2 in. $700/1000

895. American or English Carved Mahogany Drop-Leaf Table , h. 27 3/4 in., w. 41 in., d. (closed) 24 1/2 in., d. (open) 46 in. $400/600

892. American Renaissance Carved and Burled Walnut Armchair, late 19th c., shaped crest rail centered by a bronze portrait medallion, padded arms, shaped seat rail, tapered blocked legs, casters, h. 41 in., w. 26 1/2 in., d. 22 in. $200/300

896. Pair of George III Carved Mahogany Pole Screens, 19th c., turned standard with urn final, shield‑shaped frame, arched legs, slipper feet, h. 57 in., w. 16 1/2 in., d. 16 1/2 in. $300/500

898. Pair of Georgian Burled Wood and Tropical Hardwood Occasional Tables, serpentine top, shell and foliate frieze, cabriole legs, scrolled toes, h. 28 in., w. 22 1/2 in., d. 22 1/2 in. $200/300

889. American or English Aesthetic Carved Rosewood Armchair, late 19th c., shaped crest surmounted by ball finials, spindled back, conforming arms, ring‑turned legs joined by stretchers. $100/200

893. American Federal Mahogany Games Table, 19th c., serpentine fold over top, baize playing surface, conforming frieze, chamfered legs, one swing leg, h. 28 3/8 in., w. 35 3/4 in., d. (closed) 17 1/2 in., d. (opened) 34 3/4 in. $300/500

897. Georgian Mahogany Pembroke Table, 19th c., drop‑leaf top, frieze drawer, square tapered legs, h. 29 in., w. 26 3/4 in., d. 16 1/4 in. (closed), d. 29 1/4 in. (open). $300/500

901. Continental Carved Rosewood Table, 20th c., two frieze drawers, shaped trestle base, turned stretchers, h. 30 in., w. 41 1/2 in., d. 27 in. $800/1200 899. Antique English Oak Corner Cabinet on Stand, glazed door, shelf interior, stand with molded top, cabriole legs, pad feet, h. 67 1/4 in., w. 36 1/2 in., d. 20 1/4 in. $250/500

900. Restauration Carved Mahogany Fauteuil, early 19th c., molded crest, lappet‑carved scrolled arms and legs, scrolled toes, h. 37 in., w. 22 in., d. 19 in. $300/500

Additional information at www.nealauction.com

902. British School, late 18th c., “London Tavern Scene”, oil on canvas, unsigned, 25 in. x 30 in., framed. $800/1200

903. American Classical Giltwood Overmantel Mirror, c. 1820, split baluster surround, rosette corner blocks, divided mirror plate, h. 27 1/2 in., w. 62 in. $400/600

904. American Classical Mahogany Dressing Mirror, early 19th c., Baltimore, turned supports and finials, molded mirror frame, arched trestle legs, disc feet, h. 35 1/2 in., w. 36 in., d. 14 1/2 in. $300/500

905. Pair of Anchor Brass and Copper Ship’s Lanterns, 20th c., fitted with oil lamps and fresnel glass, h. 18 in., dia. 9 3/4 in. $200/300

906. American Patinated Metal Figural Solar Lamp, c. 1850, attr. to Cornelius and Baker, three addorsed female figures, marble base, floral cut shade, h. 22 in. $600/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 907. American Gilt Brass Solar Lamp, c. 1850, by F. Blake, Boston, on flared foot, globe shade, signed, h. 14 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

910. Italian School, late 19th/early 20th c., possibly by Giovanni Montelatici (Italian, 18641930), “The Crucifixion”, copper etching plate and corresponding etching on paper, unsigned, inscribed lower margin “Ritratto dell Portentosa Immagine de Gesu Cristo, Che si venera nell Chiesa di St. M. Novella di Mearti (Portrait of the Majestic Image of Jesus Christ), who is venerated in the Church St. N. Novel la of Mearti”, 13 3/4 in. x 9 in., unframed. (2 pcs.) $400/600

914. Warik Wheatley (American, 1928‑1996), “Sun on Garden Lots”, 1967, oil on canvas, signed and dated lower center, pencil‑signed, dated and titled en verso, 30 in. x 40 in. $400/600 Provenance: Sold Neal Auction, Sept. 11, 2010, lot 704.

908. American Classical Gilt and Patinated Bronze Single‑Light Argand Lamp, c. 1835, labeled “John B. Jones, Boston”, frosted etched glass shade, h. 12 in., w. 10 in., d. 5 in. $200/300

909. American School, 20th c., “Dock Scene”, oil on board, signed “H.B. Fuller” lower left, titled en verso, 9 1/2 in. x 12 3/4 in., framed. $1000/1500

Provenance: Didier, Inc., New Orleans, November 24, 1997.

911. Roger Holt (American/ Connecticut, 1905‑1979), “Snowy Street Scene”, oil on canvas board, signed lower right, 12 in. x 16 in., framed. $500/700

912. Ann Tanksley (American/New York, b. 1934), “Down to the Sea with Ships”, oil on board, signed lower right, artist stamp and title on backing paper, 9 in. x 11 3/4 in., framed. $800/1200

915. G.J. Taylor (American/ Pennsylvania, mid‑20th c.), “Life in Grafton”, 1941, oil on canvas, signed and dated lower right, pencil‑titled, “The Art Club of Erie” exhibition label with title and illegible handwritten label en verso, 43 in. x 25 in., period frame. $400/600

916. Sara Stites (American, b. 1950), “Untitled #5”, 1984, mixed media on paper, artist, title and date on label en verso, sight 28 in. x 91 in., framed. $2000/3000

913. Kenneth Adams (American/ New Mexico, 1897‑1966), “Untitled: Abstracted Torso (Standing Nude)”, charcoal drawing on paper, unsigned, signed and notarized certificate from artist’s widow en verso, sight 12 1/2 in. x 7 3/4 in., framed. $700/900

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

917. Robert Watson (American/ California, 1923‑2004), “Evening”, 1986, oil on canvas, signed and dated lower right, “Lahaina Galleries, Maui, Hawaii” label en verso, 36 in. x 24 in., framed. $800/1200

918. American School, 19th c., “Bull”, pastel on paper laid on board, unsigned, sight 18 5/8 in. x 24 3/4 in., framed. $500/750

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans.

920. Charles Paul Gruppe (Canadian/American, 1860‑1940), “The Hague”, watercolor on paper, signed and titled lower left, 9 3/4 in. x 18 1/2 in., framed. $300/500

924. Nestor Hippoyle Frugé (American/New Orleans, 1916‑2012), “Cabin on the Bayou”, 1952, watercolor on paper, signed and dated lower right, sight 18 3/4 in. x 24 in., framed. $400/600

921. Leonardo Nierman (Mexican, b. 1932), “Seascape”, 1967, oil on masonite, signed and dated lower right, 23 3/4 in. x 31 1/2 in., framed. $600/900

922. L. Chadwick (American/ Florida, 20th c.), “8:00 AM, Pensacola Harbor, Pensacola, Florida”, 1979, acrylic on wood panel, signed and dated lower left, signed, titled and dated en verso, 13 3/4 in. x 17 3/4 in., framed. $500/700

919. American School, early 20th., “Hay Harvest”, oil on canvas laid on masonite, signed “C. Morrison” lower right, 22 in. x 35 1/2 in., framed. $400/600

923. Charles Woodward Hutson (American/Louisiana, 1840‑1936), “Southern Landscape”, pastel on paperboard, initialed lower right, 7 1/4 in. x 9 1/4 in., framed. $800/1200

925. Will Ousley (American/ Louisiana, 1866‑1953), “Sunset on Barnes Creek, Louisiana”, 1934, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 23 in. x 14 1/2 in., period frame. $1000/1500 926. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas board, signed lower left, signed and titled en verso, 16 in. x 20 in., period frame. $1000/1500

928. Don Wright (American/ Louisiana, 1938‑2007), “Bayou Scene”, 2005, oil on canvas, signed and dated lower left, 24 in. x 30 in., framed. $800/1200 927. Don Wright (American/Louisiana, 1938‑2007), “Burning the Fields”, 2003, oil on canvas, inscribed “after J. Dillon 71” lower left, 18 in. x 24 in., framed. $700/1000

Additional information at www.nealauction.com

929. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Cabin in the Woods”, oil on canvas affixed to masonite, signed lower left, “Dr. James W. Nelson, Gonzales, LA” label en verso, 8 1/2 in. x 10 3/4 in., framed. $600/800

930. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Self‑Portrait”, oil on canvas affixed to board, signed lower right, signed, titled and “Dr. James W. Nelson, Gonzales, LA” label en verso, 13 in. x 10 3/4 in., framed. $1000/1500

933. Nura Woodson Ulreich (American/Missouri, 1899‑1950), “Beth, Bob and Rover”, watercolor on illustration board, signed lower right, signed, titled and inscribed “Vanity Fair 2358c” en verso, 17 1/4 in. x 15 in., framed. $500/800

934. Louise A. Cook Moore (American/New Orleans, 1854‑1941), “A Bouquet of Roses”, oil on canvas, signed “E. Cook Moore” lower right, typewritten artist biography en verso, 20 in. x 14 in., framed. $500/800

937. José Torres‑Tama (Ecuadorian/ New Orleans, b. 1961), “Louis Armstrong: In Memory of Satchmo”, 2004, pastel on paper, signed lower left, signed, titled, dated and inscribed en verso of backing board, 28 in. x 20 in., framed. $400/600

938. Robert Helmer (American/ New Orleans, 1922‑1990), “Sailboat”, oil and mixed media on board, signed lower right, 28 in. x 28 in., period frame. $300/500 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

932. Jerry Ruthven (American/ Texas, b. 1947), “Bluebonnets”, 1982, oil on canvas, signed and dated lower right, 12 in. x 16 in., framed. $500/700 931. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 40 in. x 34 in., framed. $1200/1800

935. Mary Katharine Loyacano McCravey (American/Mississippi, 1910‑2009), “Still Life of Flowers in a Vase”, oil and mixed media on board, signed lower right, 12 5/8 in. x 11 in., framed. $500/800

939. Colette Pope Heldner (American/New Orleans, 1902‑1990), “French Courtyard with Chickens”, 1932, oil on board, signed, dated and inscribed “France” lower right, 19 1/2 in. x 24 in., period frame. $700/1000

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

941. James Carl Hancock (American/New Orleans, 1890‑1966), “Court of Two Sisters”, pen and ink on paper, pencil‑signed and titled lower margin, 13 in. x 9 1/2 in.; together with “Pirate’s Alley, New Orleans”, etching on paper, pencil‑signed and titled lower margin, 7 in. x 5 1/2 in., both unframed. (2 pcs.) $200/300

942. George Drummond Mansfield (American/Louisiana, 20th c.), “Patio & Slave Quarter at 631 Rue Chartres, New Orleans”, 1961, oil on masonite, signed and dated lower right, signed, titled and inscribed en verso, 24 in. x 10 in., period frame. $150/250

Provenance: Collection of Nan Wier, New Orleans, LA.

936. William “Bill” Kidwell (American/Tennessee, 1934‑2015, act. New Orleans, 1960s), “Waiting in front of Peter’s”, watercolor on paper, unsigned, 22 1/4 in. x 15 in., framed. $400/600 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

940. Selina Elizabeth Bres‑Gregory (American/New Orleans, 1870‑1953), “Dutch Man Carrying a Basket and Jug with a Shoulder Pole”, 1895, watercolor on paper, signed and dated lower right, 15 in. x 10 1/2 in., framed. $300/500

943. Peter Dean (German/ American, 1934‑1993, act. New Orleans, 1970‑1991), “No Evil”, 1975, oil and mixed media on canvas, signed lower left, signed, titled, dated and inscribed “N.Y.C.” en verso, 36 in. x 30 in., period frame. $600/800

944. Peter Dean (German/ American, 1934‑1993, act. New Orleans, 1970‑1991), “Self‑Portrait”, 1977, watercolor and graphite on paper, signed and dated lower left, signed, dated and inscribed mid‑right, 12 1/2 in. x 9 1/2 in., framed. $400/600

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

945. Peter Dean (German/ American, 1934‑1993, act. New Orleans, 1970‑1991), “Catskill Eve”, 1978, acrylic on paper, signed lower right, signed, titled, dated, inscribed and “The Times Picayune, The World of Art” 1979 article on the artist en verso of backing board, 19 in. x 24 in., framed. $500/700 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

946. Jim Bird (British/American, 1937‑2010), “Imagination is Funny”, 1990, acrylic on canvas, signed, titled, and dated “90/May” en verso, 36 in. x 32 in., period frame. $500/700 Provenance: Galerie Simonne Stern, New Orleans, 1993; Koch Collection, Metairie, LA.

947. Sharon Richardson (American/ Mississippi, 20th c.), “Abandoned”, “November at Richland” and “Familiar Sight”, 3 pastels on paper, each signed lower right or left, each “Carol Robinson Gallery, New Orleans” stickers and labels with artist and titles en verso, sights 3 in. x 4 3/4 in. to 3 3/4 in. x 5 in., framed. (3 pcs.) $400/600

948. Charles Woodward Hutson (American/South Carolina, 1840‑1936), “High Ground Overlooking the Bay”, pastel on board, initialed “C.H.” lower right, label with artist, title and provenance en verso, 5 3/4 in. x 9 in., framed. $400/500

Provenance: Carol Robinson Gallery, New Orleans, 1993; Koch Collection, Metairie, LA.

949. William “Bill” Kidwell (American/Tennessee, 1934‑2015, act. New Orleans, 1960s), “Hanging Out in front of Wallace’s Upholstering”, 1969, watercolor on paper, signed and dated lower right, “Rechenbach’s Art Shop and Gallery, Knoxville, TN” label en verso, 23 in. x 30 1/4 in., framed. $400/600

950. Jason DuMouchel (American/New Orleans, b. 1970), “Portrait of Blake”, 2001, signed and dated lower right, signed, titled and dated en verso, 24 in. x 24 in., framed. $300/500

951. Jason DuMouchel (American/ New Orleans, b. 1970), “You didn’t hear this from me, but...”, 2001, oil on canvas, signed, titled and dated en verso, 22 in. x. 22 in., framed. $300/500

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

952. Mel Wiken (American/New Orleans, b. 1944), “Justice is Blind”, 1978, pastel on paper, signed and dated lower left, sight 18 1/2 in. x 12 1/4 in., framed. $150/250

956. Howard Finster (American/ Alabama, 1916‑2001), “Angel of the Lord”, mixed media on board, 23 in. x 40 1/2 in., unframed. $600/800

953. Alice Abraham Lazard (American/Louisiana, 1893‑1972), “Untitled”, gouache on magazine page, unsigned, “The Art Institute of Chicago” label with artist and medium en verso, sight 12 1/4 in. x 10 in., framed. $300/500

954. Martin Laborde (American/ New Orleans, b. 1943), “Bodo and Boogie, The Baby, Experienced the Magic of Painted Horse”, 1978, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, 48 in. x 36 in., framed. $400/600

955. Alvin Batiste (American/ Louisiana, b. 1962), “Beaulah Saye’s Watermelon Stand, French Quarters”, 2000, oil on canvas, signed and dated lower right, titled upper right, signed, titled and dated en verso, 24 in. x 18 in., framed. $300/500

960. Arts and Crafts Walnut Credenza, plank top above a pair of doors flanked by drawers, h. 31 1/2 in., w. 68 in., d. 22 in. $500/700 957. Joanna Zjawinska (Polish/ California, b. 1950), “Bella and Hugo”, oil on canvas, signed lower left, 36 in. x 36 in., unframed. $600/800

958. Peter G. Ray (Bulgarian/ Montreal, 20th c.), “Andante”, 2004, acrylic on canvas, signed lower left, signed, titled, dated, inscribed “Montreal” and 2 labels with artist and title en verso, 48 in. x 48 in., unframed. $350/500 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

959. Leonard Hillsdale (American, 20th c.), “Portrait of a Man (abstract pencil drawing en verso)”, watercolor on paper, unsigned, 36 in. x 29 1/2 in., framed. $200/300 Provenance: Collection of Michael Brown and Linda Green, New Orleans. Additional information at www.nealauction.com

963. American Carved Cypress Cabinet, Wilkerson Row, New Orleans, stepped cornice, paneled doors, conforming lower case, plinth base, h. 89 1/2 in., w. 26 in., d. 23 in. $800/1200

961. Italian Art Deco Parchment and Fruitwood Bar Cabinet, c. 1930, two side compartments, mirrored and glass shelf interior, flared legs, h. 38 1/2 in., w. 45 1/2 in., d. 19 in. $1000/1500

962. Five Dutch George III‑Style Carved Mahogany Dining Chairs, labeled “J. Pander, Harlem”, incl. 2 arms and 3 side chairs, floral crest rail, pierced anthemion splat, reeded stiles, trapezoidal seats, cabriole legs, claw and ball feet. $500/700

964. Monumental American Carved Oak Conference Table, molded top, two drawers on opposing ends, foliate‑carved frieze and bulbous turned legs, ball feet, h. 31 in., l. 144 in., w. 59 in. $700/900

965. American Belle Époque Carved “Tiger” Oak Dining Table, early 20th c., circular top with foliate-carved border, molded frieze, pedestal base, lion’s mask and acanthus carved legs, disc feet, casters, h. 29 3/4 in., dia. 54 in. $1500/2500

966. American Carved Oak Extension Dining Table , 19th c., circular gadrooned edge top opening to receive three leaves, massive foliate carved standard, arched scrolled legs surmounted with fruit and nut clusters, scrolled toes, casters, h. 28 in., l. 66 in., w. 56 in., leaves, w. 21 3/4 in., each. $1000/2000 967. West Indies Bronze-Mounted Mahogany Side Table, 19th c., Trinidad, circular top, blocked frieze, turned and tapered columnar supports, lower incurvate plinth, flared legs, h. 30 1/2 in., dia. 12 1/4 in. $150/250

968. Continental Carved Giltwood Mirror, foliate and beaded surround, h. 34 in., w. 28 in. $200/300

Provenance: The Sturm Collection.

970. American Classical Carved Mahogany Drop‑Leaf Table, 19th c., frieze drawer and faux drawer, spiral‑turned and foliate carved supports, incurvate plinth, acanthus carved paw feet, casters, h. 29 in., w. 40 in., d. (closed) 26 1/2 in., d. (open) 52 1/2 in. $700/1000

971. American Classical Carved Mahogany Center Table, 19th c., later wood top, ogee frieze, tapered standard, shaped plinth, turned feet, h. 29 1/4 in., w. 35 3/4 in., d. 35 in. $300/500

972. Pair of Rococo Revival Carved Rosewood Armchairs, mid‑19th c., probably French, floral carved crest, molded stiles, serpentine arms and seat rail, cabriole legs, casters, h. 40 1/4 in., w. 25 in., d. 21 in. $500/700

969. West Indies Carved Mahogany Dressing Mirror, 19th c., Barbados, molded surround, old mirror plate spiral‑turned supports, shaped marble top, conforming base, cabochon feet, h. 31 1/2 in., w. 27 in., d. 9 3/4 in. $150/250 Provenance: Acquired Estate of Claudette Colbert, Bellerive, Barbados; The Sturm Collection.

973. West Indies Carved Mahogany Tilt‑Top Table, 19th c., molded circular top, turned standard, shaped saber legs, brass paw feet, casters, h. 29 3/4 in., dia. 44 in. $1000/1500 Provenance: The Sturm Collection. Ill.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740‑1940. Antique Collectors’ Club: Suffolk, 2011, p. 133.

974. Southern Late Classical Mahogany Sideboard, mid‑19th c., possibly Thomas Day, North Carolina, serpentine backsplash, serpentine frieze drawers, ogee‑paneled doors, scrolled supports, h. 54 in., w. 55 1/4 in., d. 22 1/4 in. $1500/2500

975. American Rococo Carved Mahogany Four Post Bed, mid‑19th c., Mississippi Valley, shaped paneled headboard centered by a cabochon and foliate crest, beaded posts with inset Gothicized panels, shaped rails, conforming low foot board, labeled “Succession of Mrs. W. P. Foster, Franklin, LA”, h. 102 in., l. 78 1/2 in., w. 58 1/2 in. $800/1200

Note: Born a free person of color in antebellum southern Virginia, Thomas Day established a furniture-making business in Milton, North Carolina and became a master craftsman who sold his unique late Classical-style furniture to the wealthy planter class. By 1850, Day’s shop was the largest furniture business in the state of North Carolina and his distinctive scroll motif, dramatic in proportion compared to similar furniture of the period, became his signature design element. The sideboard offered here is closely related to a sideboard in the collection of the North Carolina Museum of History, featuring similarly scrolled supports, highly figured mahogany, and decorative scrolled brackets flanking the upper superstructure. Ref.: Marshall, Patricia Phillips and Jo Ramsay Leimenstoll. Thomas Day: Master Craftsman and Free Man of Color. North Carolina Museum of History: 2010, pp. 84, 112; Museum of Fine Arts Boston. www.mfa.org/collections/object/secretary-549493. Accessed January 8, 2018.

Provenance: Mrs. Fairfax Foster Bailey, Baton Rouge; The Foundation for Historical Louisiana, Baton Rouge, LA.

976. American Classical Mahogany Breakfast Table, early 19th c., shaped drop‑leaf top, frieze drawer, ring‑turned supports, incurvate plinth, acanthus carved hairy paw feet, casters, h. 28 3/4 in., w. 24 1/4 in., d. 39 in. $400/600 Provenance: Hyde Park Antiques, New York; Murfee/DeBardeleben Collection, Riverview, Columbus, MS. 978. American Paint‑Decorated Rocker, mid‑19th c., spindle back, foliate‑stenciled decoration, curved seat, turned legs, h. 41 1/2 in., w. 23 1/2 in., d. 28 in.; together with yellow painted side chair, bamboo turnings, h. 34 in., w. 17 1/4 in., d. 18 in. $200/300

977. American Pine Dining Table, 20th c., probably Southern, five board top, plain frieze, tapered legs, h. 31 in., l. 108 3/4 in., w. 59 3/4 in. $500/800

979. Antique ChinoiserieDecorated Bedsteps, early 20th c., tooled leather treads, open shelves, turned legs, h. 28 in., w. 26 in., d. 18 1/2 in. $150/250

Provenance: Texas Hill Country Ranch.

980. American Late Classical Mahogany Sleigh Bed, 19th c. and later, paneled head and foot boards, turned rails with cog mechanism, custom canvas and rope support, scrolled uprights, h. 40 1/2 in., l. 70 in., w. 51 1/2 in. $500/800

984. American Colonial‑Style Mahogany Secretary Bookcase, 20th c., manufactured Henkel‑Harris, cove molded cornice, arched glazed doors, shelves, slant front desk with fitted interior, four graduated drawers, ogee bracket feet, h. 81 1/4 in., w. 40 1/2 in., d. 20 1/2 in. $500/700

981. American Classical Mahogany Dressing Chest, mid‑19th c., superstructure with ogee mirror, scroll supports and three glove drawers, marble top, graduated drawers, shaped bracket feet, h. 80 1/2 in., w. 43 1/4 in., d. 22 3/8 in. $300/500

982. Antique American Inlaid Rosewood Chaise Voltaire and Ottoman, shaped crest rail, padded back, arms, and seat, scrolled uprights, tapered legs, casters, chair h. 39 1/2 in., w. 25 1/2 in., d. 29 in.; ottoman h. 17 in., w. 22 in., d. 22 in. $200/400

985. American Renaissance Carved Walnut and Ebonized Stand, late 19th c., possibly Killian Bros. $150/250

986. American or English Mahogany Miniature Chest of Drawers, 19th c., molded top, five drawers, bracketed turned feet, h. 14 3/4 in., w. 13 in., d. 6 1/2 in. $300/500

983. Rare American Aesthetic Figured Maple Faux Bamboo Youth Bed, c. 1870‑1880, attr. to R.J. Horner, New York, spindled head and foot board, posts with ball finials, conforming rails, h. 43 1/2 in., l. 54 in., w. 36 1/2 in. $300/500

987. American or English Carved Mahogany Miniature Chest of Drawers, 19th c., molded top, six drawers, molded base, bracket feet, h. 19 3/4 in., w. 19 1/4 in., d. 12 in. $300/500

Additional information at www.nealauction.com

988. American Late Classical Mahogany Work Table, c. 1830‑1840, fitted work drawer, two lower drawers flanked by scrolled supports, tapered standard, shaped plinth, scrolled feet, casters, h. 30 1/2 in., w. 23 1/2 in., d. 20 in. $300/500

992. American Renaissance Carved Walnut Settee, c. 1870, triple back, guilloche molding, shaped seat rail, fluted legs, toupie feet, casters, h. 45 in., w. 45 in., d. 21 in. $300/500

989. American Late Federal Maple Bed, c. 1820, pine cone finials, shaped headboard, turned posts, conforming foot board, h. 44 in., l. 75 in., w. 38 in. $300/500 Provenance: Texas Hill Country Ranch.

Provenance: Texas Hill Country Ranch.

993. Three American Rococo Balloon‑Back Mahogany Side Chairs, 19th c., shell carved crests and slats, shaped seats, cabriole legs, h. 35 1/4 in., w. 18 1/2 in.; together with an American Classical footstool, 19th c. $200/400 Provenance: Sold to Benefit the Hermann‑Grima and Gallier Historic Houses Collections Fund.

996. McKenney and Hall/Publishers, “Po‑ca‑hon‑tas” and “Oche‑Finceco”, 2 hand‑colored lithographs, by J.T. Bowen, from The History of the Indian Tribes of North America, octavo edition, sights 9 1/2 in. x 6 in., framed alike. (2 pcs.) $100/200

1000. Group of English Sterling Silver Flatware, 19th c., various makers, incl. a crested master butter knife, Elizabeth & John Eaton, London, 1860, l. 8 in.; 3 forks, l. 7 in., dessert spoon and 2 teaspoons, total wt. approx. 10 troy ozs.; together with 2 silverplate cold meat forks, Roberts and Belk, Sheffield, late 19th c., l. 8 in. $250/350

990. American Carved Walnut Chest of Drawers, late 19th c., Grand Rapids, MI, shaped backsplash, three paneled drawers with leaf‑carved pulls, conforming apron, bracket feet, h. 39 1/2 in., w. 38 1/4 in., d. 18 in. $300/500

997. Edward Lamson Henry (American/Charleston, 1841‑1919), “Examining Passes at a British Outpost in New York State during the American Revolution”, 1901, enhanced print, signed, dated and inscribed “To my Friend, Mrs. Charles Chamberlain” lower left, 12 3/4 in. x 20 1/4 in.; accompanied by “The Country Fair”, albumen photograph, signed and titled in plate lower left, signed and inscribed “To Charles Chamberlain, Esq. with the best wishes of E.L. Henry” lower right, 12 in. x 16 1/2 in., each framed. (2 pcs.) $100/200

1001. American Gilt Bronze Solar Lamp, 19th c., glass font, fluted column, stepped marble base, snowflake prisms, floral cut shade, h. 18 1/4 in., dia. 6 3/4 in. $400/600

994. American Restauration Mahogany Armoire, 19th c., arched and molded cornice, paneled door now lacking mirror plate, shelf interior, over blind drawer, plinth base, blocked feet, h. 88 1/2 in., w. 41 in., d. 19 in. $400/600

998. Eleodoro Marenco (Argentinean, 1914‑1996), 10 Argentinean Historical and Military Prints, 1966, all signed and dated in plate, sights 17 3/4 in. x 13 in., framed alike. (10 pcs.) $100/200 Provenance: H.R. Norsworthy, Sabinal, TX; The Zigler Art Museum, Jennings, LA.

1002. Pair of Napoleon III Gilt Bronze Two‑Light Candelabra, late 19th c., tiered finial, scrolled foliate arms, baluster‑form standard, marble plinth, paw feet, h. 17 in., w. 10 5/8 in. $100/200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

991. American Rococo Carved and Ebonized Armchair, mid‑19th c., Philadelphia, molded oval back, scrolled arms, serpentine seat rail with cabochon, cabriole legs, casters, period floral cut velvet upholstery. $200/400

995. American Late Classical Carved Mahogany Gentleman’s Dresser, c. 1830, paneled superstructure with two glove drawers, outset frieze drawer over three graduated drawers, exuberant foliate‑carved scrolled supports, paw feet, h. 56 in., w. 43 1/4 in., d. 24 in. $300/500

999. Antique English Sterling Silver Hot Milk Pot, Alexander Clark, Sheffield, 1897, wc. 1894‑1901, mark reg. 1894; pear‑shaped body, domed cover, molded foot, ebonized finial and handle, h. 9 1/2 in., wt. 12.75 troy ozs. $400/600

1003. Pair of Napoleon III Bronze and Marble Six‑Light Candelabra, late 19th c., scrolling fleur‑de‑lis arms, urn‑form standards, circular bases, stepped plinths, lion paw and bun feet, h. 25 1/2 in., w. 11 1/4 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1004. Patinated Metal Figure of a Cossack on Horseback, c. 1900, signed “Wagen”, now mounted as a lamp, h. 27 1/2 in., w. 21 in., d. 9 1/2 in. $200/400

1008. Louisiana School, early 19th c., “Reclining Female Nude”, carved mahogany, unsigned, typewritten label “Carving found in Louisiana / mahogany” on reverse, h. 2 in., w. 9 1/4 in., d. 3 1/4 in. .; TOGETHER WITH Louisiana Folk At School, 19th c., “Venus de Milo”, carved mahogany, unsigned, h. 12 in., w. 3 in., d. 2 1/2 in. $150/250

1005. French Gilt Bronze‑Mounted Porcelain Vase, late 19th c., ovoid body with scenes of Cupid, signed “E. Parot”, bronze mask handles, reticulated foliate base, now mounted as a lamp, vase h. 15 in., h. (to finial) 27 3/4 in; together with antique French brass‑mounted white opaline glass table lamp, elongated bottle form body, octagonal scrollwork base, h. 28 1/2 in. $200/400

1009. Antique American Carved Giltwood Mirror, foliate and scroll surround, h. 25 in., w. 22 in. $200/300

1007. Pair of Decorative Painted Dogs, 20th c., composition, on plinths, h. 25 in., w. 18 in., d. 29 in. $200/400

1006. Antique English Carved Mahogany Barometer, 19th c., the case fitted with hygrometer, butler’s mirror, weather dial and thermometer, h. 41 1/2 in., w. 12 in., d. 2 in. $150/250

1010. Antique American Miniature Carved and Burled Walnut Méridienne, 19th c., shaped back, incised decoration, carved bosses, shaped bracket feet, casters, h. 19 1/4 in., l. 31 in., d. 14 in. $200/400

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1012. Empire‑Style Bronze‑Mounted Mahogany Desk, inset green leather top, kneehole configuration of drawers, columnar legs, incurvate stretchers, ball feet, h. 32 in., w. 36 1/4 in., d. 33 1/2 in. $300/500

1013. Pair of American Brass Andirons, 19th c., h. 17 1/2 in., w. 10 in., d. 18 in., together with two pairs of tongs, poker and shovel, shovel h. 28 1/8 in. (6 pcs.) $300/500

1014. Carved Wood Palm and Bromeliad Branches, 20th c., 13 pieces, tallest h. 60 in., presented in plaster columnar vases, h. 23 in. $150/250

1011. Louis XIV‑Style Carved Walnut Armchair, 19th c., arched back, acanthus carved scrolled arms, scrolled stretchers, scrolled acanthine legs, h. 49 1/2 in., w. 26 1/4 in., d. 25 1/4 in. $200/400

1015. Antique Mother‑of‑Pearl Inlaid Opera Glasses, labeled “Mignon, Paris”, in fitted case; together with two Tiffany & Co. Makers sterling silver nut dishes, pattern introduced 1898, l. 1/8 in., and sterling silver “Moss Rose” hand mirror, as is, l. 10 3/8 in., total silver wt. 5.4 troy oz. $250/350

1018. Group of Conservatory Furnishings, 20th c., incl. small painted wicker settee, pair of jardinières, and brass and iron bar cart. $200/300

1016. Pair of American Cut Glass Photophores, floral shades, vasiform standard, spear prisms, electrified, h. 20 1/2 in., dia. 4 1/4 in. $200/400

1017. Brunswick “Heritage” Model Mahogany Billiards Table, c. 1975, three piece slate, set of balls, cue sticks and rack, h. 30 in., l. 110 in., w. 60 in. $700/1000 Provenance: 1531 Exposition Blvd., New Orleans, LA.

Additional information at www.nealauction.com

1019. American Planetarium, c. 1930, labeled “Ideal Planetarium, Distributed by The Vetter Co., Kansas City, MO.”, brass sun, 2 3/4 in. globe, gearing system showing the movements of Venus (lacking), Earth and the moon around the sun, turned wood stand, metal base h. 12 1/4 in., l. 20 in. $200/300

1023. American Classical Mahogany Sofa, c. 1820, serpentine back, conforming arms, scrolled feet, h. 36 in., w. 79 in., d. 23 in. $200/300

1020. Two American Table Globes, c. 1930, both retailed by Denoyer‑Geppert Co., Chicago, an 8‑inch globe with gores imported from C.W. Bacon & Co., London, on decorative cast‑iron stand; and a 4‑inch teaching globe with directions printed on the base, tallest h. 13 1/2 in. $200/300

1024. Victorian Hearth Items, incl. pair of American cast iron andirons, marked “Peerless”, model #3551, h. 16 in., w. 10 in., d. 19 in.; and an English carved walnut fire screen with needlepoint, h. 40 in., w. 29 in., d. 14 in. $150/250

1021. Two Small American Table Globes, both Hammond 6‑inch globes, c. 1925, one in an Art Deco patinated iron stand, the other with full meridian on walnut stand, h. 10 in. and 8 1/4 in. (2 pcs.) $150/250

1025. Group of American Sterling Silver Hollowware, mid‑20th c., incl. Dominick & Haff coffee pot, date mark for 1932, h. 4 1/2 in.; small Revere bowl, dia. 5 in.; sandwich tray, dia. 9 in.; and small bowl, dia. 6 3/8 in.; total wt. 44.4 troy ozs. $500/700

1022. American Classical Mahogany Games Table, 19th c., Boston, foldover swivel top, baize playing surface, bracketed apron with bosses and beaded molding, tapered columnar support, incurvate base, bracketed scrolled feet, h. 28 5/8 in., w. 36 in., d. 17 3/4 in. $150/250

1026. Miscellaneous Group of Antique and Vintage Sterling Silver Flatware, various makers and patterns, incl. Whiting “Louis XV”: 5 dessert spoons, 6 teaspoons, 5 oyster forks and pickle fork; Towle “Louis XIV”: 5 salad forks, 4 ice teaspoons, 5 demitasse spoons, pickle fork and relish spoon; 10 misc. mother‑of‑pearl handled knives (1 as is), 11 Whiting “Imperial Queen” strawberry forks; 6 Whiting floral enamel demitasse spoons and Continental sugar tongs; total wt. (weighable) approx. 33 troy ozs. $300/500

1027. Group of American Sterling Silver Objects, mid‑20th c., incl. Towle baby cup, Web baby cup, Kirk jigger, Wallace jigger, Simpson, Hall & Miller baby spoon and 2 baby cups with rubbed marks. $300/400

1028. Group of Antique and Vintage Silver Coin Purses and Pillboxes, approx. 8 examples, various makers; together with 6 silverplate examples. $250/350 1029. Meriden Brittania Co. Silverplate Decanter Stand, 19th c., fitted with 3 cut glass decanters, overall h. 16 7/8 in. $400/600

1031. Miscellaneous Group of Silver and Silverplate, incl. 5 Wallace sterling silver sipper/stirrers, 6 demitasse spoons with carved stone mounts, Asian spoon with lacquer handle, and silverplate grape shears. $200/300

1032. Miscellaneous Group of Silver Flatware, incl. American coin silver tablespoon, William Willard Wallace, Cazenovia and Syracuse, NY, wc. 1833‑1869; Mexican sterling silver and wood pastry server and two similar ladles, Mexican demitasse spoon and Reed & Barton silverplate child’s fork and spoon. $150/250

1033. Good Group of Vintage Silverplate, incl. a meat dome with acorn and oakleaf handle, 3 coquiform spoon holders, and a fiddlethread soup ladle, probably French, l. 12 1/2 in. $300/400

1030. Two Sets of American Silverplate Salad Serving Forks and Spoons, incl. Modernist set by Three Crowns Silversmiths, and “Old English” set by Gerity; together with 14 antique silver teaspoons, incl. English, Continental and American coin silver examples; and an American sterling silver medicine spoon. $200/400

1034. Good Group of Silverplate Trays, 20th c., various makers, incl. oval platter with gadroon border, Ellis‑Barker, 22 1/8 in. x 16 7/8 in.; tea tray with grape and grapeleaf border and reticulated band, Webster‑Wilcox, 28 1/8 in. x 17 1/4 in.; footed tea tray with ivy leaf, gadroon and scroll border, 30 1/8 in. x 19 1/8 in.; and narrow footed tray, 30 1/8 in. x 11 1/8 in. $200/300

1035. Antique Silverplate Tea Caddy and Vase. $100/200

1036. American Aesthetic Silverplate Tea Service, Adelphi Silver Co., New York, act. c. 1890‑1910, incl. 2 teapots, jug and square tray, teapot h. 7 7/8 in. and 7 3/8 in., tray w. 16 3/4 in. $150/250

1037. Seven Good Silverplate Trays, incl. large gallery tray, 18 1/4 in. x 12 in.; small tray, 14 1/4 in. x 7 1/2 in.; 3 circular trays, 11 1/2 in. x 15 in.; and 2 oblong trays, 10 in. x 13 3/4 in. $300/500 1038. American Art Glass, Brass and Gilt Metal Adjustable Desk Lamp, c. 1910, Quezal orange and pearl glass shade, h. 23 1/2 in., w. 11 in. $100/200

Provenance: Temple Heights, Columbus, MS.

1039. American Carved Mahogany Wingback Chair, arched serpentine seat back, padded arms, incurvate seat rail, cabriole legs, shaped feet, h. 46 in., w. 32 1/2 in., d. 25 1/2 in. $300/500

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1040. American School, mid‑to‑late 19th c., “Portrait of a Woman Holding a Book”, oil on canvas, unsigned, 28 3/4 in. x 23 1/4 in., period gilt frame. $700/1000

1041. Southern School, mid‑19th c., “Portrait of a Gentleman Holding a Book”, oil on canvas, unsigned, 29 in. x 25 in., unframed. $500/800

Exh.: Oak Alley Plantation, Vacherie, St. James Parish, LA.

1042. American School, mid‑19th c., “Portrait of a Gentleman with a Mustache”, oil on canvas, unsigned, “Au Vieux Paris Antiques, Breaux Bridge, LA” stamp en verso, 32 in. x 25 1/2 in., period frame. $400/600 Exh.: Oak Alley Plantations, Vacherie, St. James Parish, LA.

1043. American School, mid‑19th c., “Portrait of a Gentleman with Glasses”, oil on canvas, unsigned, 28 3/4 in. x 23 1/4 in., period frame. $400/600 Exh.: Oak Alley Plantation, Vacherie, St. James Parish, LA.

1047. Fred Binder Samuelson (American/Texas, 1925‑2015), “Southwest Desert Landscape”, oil on board, signed lower left, 12 in. x 14 in., framed. $200/400

1044. Large Collection of Fine Art Prints by William Hogarth (British, 1697‑1764), and various artists, size ranging from 3 3/8 in. x 3 3/8 in. to 30 in. x 23 1/2 in., unframed. (approx. 100 pcs.) $600/900

1048. Joel Dyer (American/New Orleans, late 20th c.), “Capriccio”, 1990, four‑panel painted screen, signed and dated lower right, inscribed “MCMXC” upper right and “B.B.C.” upper left, 96 in. x 96 in. $500/700

1045. William Summers (British, 19th c.) after Henry Alken (British, 1784‑1850), “Team of Horses Pulling a Carriage”, hand‑colored engraving with aquatint, pub. by G.P. McQueen, London, May 31, 1876, sight 16 1/4 in. x 14 1/4 in., framed. $100/200

1049. Martin Laborde (American/ Louisiana, b. 1943), “Triple Balance of Life”, 2009, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, 11 in. x 14 in., framed. $600/900

1046. [Two American Railroad Wall Maps], “Kansas City Southern Railway”, linen backed, original rollers, marked “The Matthews‑Northrup Works, Buffalo, NY”, 44 in. x 36 in.; and “Union Pacific Railroad”, 1950, copyright by Collins, published by Rand McNally & Co., 41 in. x 62 in. $400/600

1050. Patricia Hansen (American, 20th c.), “Girl on a Swing”, 1970‑71, oil on canvas on wood, numbered 1 to 5, 61 1/4 in. x 24 in., 70 in. x 24 3/4 in., 72 1/2 in. x 29 1/2 in., 52 in. x 43 in., and 45 in. x 53 1/4 in. (measurements not incl. “chains”). (5 pcs.) $300/500 Provenance: Anonymous gift through the Bienville Gallery; Property of the New Orleans Museum of Art, sold to benefit the Acquisitions Fund. Exh.: “The Wit of It”, New Orleans Museum of Art, Nov. 21, 1971 to May 15, 1972.

Additional information at www.nealauction.com

1051. American School, 20th c., “Under the Sea”, oil on canvas, unsigned, 34 in. x 42 1/4 in.; together with “Floral Still Life”, bearing signature “N. Baldwin” lower left, 36 in. x 24 in., both framed. (2 pcs.) $200/300

1055. Mary Shaw (American/ Louisiana, 20th c.), “Busy Street Scene”, watercolor, pencil‑signed lower right, sight 15 1/2 in. x 22 1/2 in.; together with Gwen Norsworthy (American/ Louisiana, 1929‑2003), “A Portrait of our Tree”, 1978, pencil on paper, pencil‑signed, titled and dated lower right, signed and inscribed en verso, sight 23 in. x 17 in., both framed. (2 pcs.) $150/250

1052. American Folk Art School, early 20th c., “Portrait of Faithful, the St. Bernard Dog”, oil on academy board, initialed “BJB” and dated lower right, titled lower left, “DeVoe & Raynolds Co., New Orleans” and “McGough, Pictures and Frames, Grand Rapids, Mich” labels en verso, 18 1/4 in. x 24 1/4 in., period frame. $150/250

1056. Patrick McCloskey Westfeldt (American/Louisiana, 1854‑1907), “Forest Landscape”, watercolor on paper, signed lower right, 10 in. x 7 in., framed. $150/250

1053. May Kugler (American/ Louisiana, 1916‑2005), “Hog Killing” and “The Wedding”, 1983, 2 oils on board, signed lower left and lower right respectively, each signed, titled and inscribed, and latter dated, en verso, 12 in. x 16 in. and 8 in. x 10 in., framed alike. (2 pcs.) $600/800

1054. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “New Orleans Skyline”, oil on canvas board, signed lower right, 12 in. x 16 in., framed. $300/500

1057. Bunny Matthews (American/ New Orleans, 20th c.), “Calendars and Promotional Drawings”, 1984‑86, 17 mixed media drawings on paper, many signed, titled and dated lower margin, 11 in. x 14 in. to 14 in. x 17 in., unframed. (17 pcs.) $500/800

1058. Byron Levy (American/New Orleans, 1921‑2015), “City Park”, 1970, oil on masonite, signed and dated lower right, sight 25 1/2 in. x 39 1/2 in., framed. $200/400

1061. Chippendale‑Style Carved Mahogany Side Chair, arched crest rail with Prince of Wales feather carving, pierced vasiform splat, molded uprights, serpentine needlepoint seat, square molded legs, stretchers. $100/200

1062. American Carved Mahogany Games Table, 19th c., foldover top, columnar standard, incurvate plinth, acanthus paw feet, casters, h. 29 1/2 in., w. 36 in., d. 17 1/2 in. $200/400

Provenance: Private Collection, Shreveport, LA.

1059. American Rococo Carved Mahogany Slipper Settee, mid‑19th c., serpentine crest rail centered by cartouche, conforming seat rail, bracket feet, h. 32 in., w. 42 3/8 in., d. 21 3/4 in. $200/400 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1060. Gladys Emerson Cook (American/Massachusetts, 1899‑1976), “Cocker Spaniel”, pastel on paper, signed lower right, sight 13 1/2 in. x 11 1/2 in., framed. $200/300

1064. Empire Carved Rosewood Pier Table, early 19th c., marble top, gothicized frieze, acanthus carved scroll supports, mirrored back, shaped plinth, lobed melon feet, h. 35 1/2 in., w. 36 in., d. 12 3/4 in. $800/1200

1063. American Renaissance Walnut Armchair and Matching Side Chair, late 19th c., spindled and incised crest, padded arms, shaped seat rail with burled panel, turned legs, casters. $200/400

1065. Monumental Pair of Japanese Kutani Porcelain Vases, probably Meiji Period (1868‑1912), decorated with figures on horseback amid moriage highlighted trees on a red diaper ground, h. 33 in., now mounted as lamps, h. (to base of finial) 48 in. $1000/2000

1066. Continental BronzePatinated Plaster Pig, after Pierre Jules Mêne, h. 9 in., w. 17 in.; together with carved stone bust of Dante, h. 10 1/2 in., w. 6 1/2 in. (2 pcs.) $300/500

1067. Jacques‑Enguerrand Gourgue (Haitian, 1930‑1996), “Fish among the Coral Reef”, oil on masonite, signed lower right, inscribed “Dr. Gross” en verso, 24 in. x 32 in., original wood frame. $600/800 Provenance: Collection of Angela Gross, Bernardsville, NJ.

1068. Jacques‑Enguerrand Gourgue (Haitian, 1930‑1996), “Vodou: Loa Spirits”, oil on masonite, signed lower right, inscribed “Dr. R.J. Gross” en verso, 30 in. x 35 1/2 in., framed. $300/500

1069. Seymour Etienne Bottex (Haitian, 1922‑2016), “Station of the Cross”, oil on masonite, signed and inscribed “Cap‑Haitian” lower right, inscribed “Dr. R.J. Gross” en verso, 31 3/4 in. x 24 in., framed. $200/300

Provenance: Collection of Angela Gross, Bernardsville, NJ.

1072. Large Shearwater Art Pottery Group, one 2005 plate, “Woman with Children” by Christopher Inglis Stelby (American/Mississippi, b. 1967), signed and dated, dia. 9 3/4 in.; five late 20th c. bowls, various glazes, marked, largest h. 3 1/4 in., dia. 12 1/8 in.; eleven late 20th c. animal figures, incl. 4 Canada goose wall hangings, dog, panda toothpick holder, fish pendant, chicken, rooster and guinea hen, marked, largest h. 5 in., w. 6 1/4 in., d. 1 1/4 in. (17 pcs.) $800/1200

1076. Five Faberge‑Style Enamel, Rhinestone and Gilt Metal Eggs on Stands, smaller with crowns, h. 2 1/2 in; larger, a music box, with Santa Claus, h. 5 1/4 in.; together with a glass egg on metal stand, h. 4 in. $300/500

1073. Eagle Pottery Company Niloak Mission‑Swirl Pottery Vase, c. 1910‑1940, Benton, Arkansas, impressed Niloak mark, marbled blue, brown and cream clay, h. 6 1/4 in. $300/500

1077. Six Faberge‑Style Enamel, Glass and Gilt Metal Flower Groups, from Joan Rivers “Imperial Flowers” series, h. 2 1/2 in. to 6 in. $250/350

1070. Jean‑Baptiste Bottex (Haitian, 1918‑1979), “Daniel in the Lion’s Den”, 1967, oil on masonite, signed and dated “4/67” lower right, 20 in. x 24 in., framed. $200/300

1071. Jean‑Baptiste Bottex (Haitian, 1918‑1979), “Suzanne (Suzonne)”, 1967, oil on masonite, signed and dated “4/67” lower right, titled en verso, 20 in. x 24 in., framed. $200/300

Provenance: Collection of Angela Gross, Bernardsville, NJ.

Provenance: Collection of Angela Gross, Bernardsville.

1074. Three Hohokam Slate or Schist Palettes, probably c. 750‑1125, Arizona, all with notched borders, one with incised geometric designs, largest h. 7 3/8 in., w. 4 1/4 in., smallest h. 4 1/8 in., w. 2 5/8 in. $200/300 Provenance: Sotheby’s, NY, Fine American Indian Art, June 22, 1986, lot 140; Tennants, North Yorkshire, The Collections of the Late Stanley Seeger, May 16, 2015, lot 48.

1075. Aesthetic Movement Carved and Painted Picture Frame, late 19th/early 20th c., with silver gelatin print affixed to board, 9 1/2 in. x 7 3/4 in. $150/250

1078. Six Italian Glass Fish Figures, tallest h. 5 in. $200/300

1079. Two Continental Lamps, incl. bronze Art Nouveau‑style lamp, marble base; brass and glass fluted lamp; tallest h. 17 in., each electrified. $150/250

Additional information at www.nealauction.com

1080. Eleven Decorative Glass Paperweights, late 20th c., various forms, tallest h. 7 in. $300/500

1081. Chinese Famille Rose “Mille Fleurs” Porcelain Ink Pot, probably 20th c., base with Qianlong mark, h. 2 3/8 in., together with miniature hat stand, base with Guangxu mark, h. 2 7/8 in. (2 pcs.) $100/150

1082. Chinese Famille Rose Porcelain Covered Teapot, early 20th c., peach finial, decorated with peach, prunus, lychee, lotus, bats, and butterflies, h. 3 in., w. 5 1/8 in. $150/250

Provenance: New Orleans Estate.

1084. Four Chinese Hardstone Carvings, incl. jadeite monkey group, h. 2 7/8 in.; soapstone finger citron and cat group, h. 2 1/4 in.; hardstone Liu Hai and Chan Chu pendant, h. 2 3/8 in.; and jadeite Budai, h. 1 7/8 in. $100/150

1085. Metal‑Mounted Japanese Gilt and Gilt Moriage Decorated Blue Glazed Pottery Jar, probably Meiji Period (1868‑1912), decorated with butterflies, foliage and bamboo, h. (to top of handle) 10 1/4 in., w. 6 3/4 in. $150/250

1083. Chinese Green and Yellow Glazed Porcelain Tea Bowl, late 19th/ early 20th c., exterior incised with dragons pursuing flaming pearls, interior with longevity symbol, base with Yongzheng mark, h. 2 1/4 in., dia. 4 in. $100/150 Provenance: Garden District New Orleans Estate.

1086. Japanese Blue and White Porcelain Foliate Rim Dish, Meiji Period (1868‑1912), decorated with children at play on a bamboo and brocade ground, base with Chinese Qianlong mark, h. 2 1/8 in., dia. 16 1/4 in. $100/200

1087. Three Oceanic Wood Carvings, Sepik Province, Papua New Guinea, incl. figural basket hook, h. 50 1/2 in.; shield or gope board, h. 58 in.; and architectural fragment, h. 59 1/4 in. $100/150 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1088. Three Oceanic Carved Wood Garra/Gra Hooks, Sepik Province, Papua New Guinea, h. 68 1/2 in., 33 in., and 35 1/2 in. $100/150 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1089. American Mid‑Century Modern Bamboo “Tiki Bar”, c. 1950; wall‑mounted superstructure, laminated top, reverse fitted with a bank of drawers, shelves, and cabinets, plinth base together with 4 bamboo barstools, bar h. 42 1/4 in., w. 100 3/4 in., d. 46 in.; barstool h. 40 1/4 in., w. 13 1/4 in., d. 14 1/4 in. $1000/1500

1090. Fernand Pierre (Haitian, 1919‑2002), “Gingerbread Houses”, oil on four‑panel wood screen with metal hinges, signed lower right, overall 30 1/2 in. x 33 1/2 in. $250/350 Provenance: Collection of Angela Gross, Bernardsville, NJ.

Provenance: McDermott Family, New Orleans.

1091. Florence Martinez (Haitian, 1942‑c. 1997), “The Last Supper”, oil on masonite, signed lower right, inscribed “Dr. R.J. Gross” en verso, 24 in. x 26 in., original wood frame. $150/250 Provenance: Collection of Angela Gross, Bernardsville, NJ.

1092. Jean‑Baptiste Bottex (Haitian, 1918‑1979), “Jericho”, 1967, oil on masonite, signed and dated lower right, titled en verso, 12 in. x 15 3/4 in., framed. $150/250 Provenance: Collection of Angela Gross, Bernardsville, NJ.

1094. Four Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, each with a Classical maiden personifying Music or the Arts, two signed Hagen, dia. 10 1/4 in. $300/500

1093. Alberoi Bazile (Haitian, 1920‑2005), “Sacred Procession”, oil on masonite, signed lower right, inscribed “Dr. R.J. Gross” en verso, 24 in. x 20 in., original wood frame. $150/250 Provenance: Collection of Angela Gross, Bernardsville, NJ.

1095. Four Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, each with a Classical maiden personifying Music or the Arts, two signed Hagen, dia. 10 1/4 in. $400/600

1096. Two Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, painted with Classical maidens personifying Music, dia. 10 1/4 in. $200/400

1097. Capodimonte‑Style Porcelain Table Ware, early 20th c., crown over “N” mark, incl. 5 luncheon plates, 11 salad plates, 16 bread & butter plates and 5 bowls with 9 underplates, luncheon plate dia. 9 1/2 in., (46 pcs.) $800/1200

1098. Pair of American Gilt Brass Girandoles, 19th c., maiden standards, foliate prism rings, faceted prisms, h. 13 in., w. 5 1/2 in., d. 3 1/2 in. $150/250

1099. Antique Continental Fruitwood Mold, carved with the letters of the alphabet, l. 20 1/8 in., w. 5 1/8 in. $150/250 Provenance: Collection of I. M. Dematteo, Spanish Custom House, New Orleans, LA.

1103. Three American Gothic Clocks, mid‑19th c., two with cast iron cases, one walnut with Ansonia label, largest h. 20 1/4 in., w. 13 1/4 in., d. 5 in. $300/500

1100. Cowhide Rug, 71 in. x 85 in. $50/75

1101. American Classical Mahogany Eight‑Day Shelf Clock, 19th c., Forestville Clock Co., Bristol, CT, painted dial, floral and landscape tablets, h. 34 1/4 in., w. 20 1/4 in., d. 6 1/4 in. $300/500

1102. American Late Classical Mantel Clock, late 19th c., labeled Davis Clock Co., Columbus, MS, with calendar, h. 25 in., w. 15 1/4 in., d. 4 1/2 in. $250/350

1104. Antique Mahogany Victor Victoria Victrola, early 20th c., with over 100 records in Victor albums, h. 48 in., w. 22 in., d. 24 in. $500/700

1105. American or English Wrought Iron and Brass Bed Warmer, 19th c., hinged cover with incised decoration, l. 40 1/2 in. $150/250

1106. Antique Waxwork Bridal Crown, 19th c., on elaborate stand under glass dome, circlet dia. 6 in., overall h. 20 1/2 in. $150/250

Provenance: Murfee/DeBardeleben Collection, Riverview, Columbus, MS.

Provenance: The Sturm Collection.

Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1107. Antique American Wrought Iron Fireplace Set, incl. crown‑shaped scrollwork wall mount, h. 23 1/2 in., w. 28 1/4 in.; and conforming pair of forks, h. 21 1/2 in. $150/250

1109. American Brass Ship’s Compass and Bell, Kelvin & Wilfrid compass, dia. 4 1/2 in., in gimbaled mount, bell dia. 6 in. $75/150

1110. Antique American Metal and Wood Pedal Powered Scrollsaw, marked “W.F. & J. Barnes, Rockford, IL., patent 1876”, h. 46 in., l. 60 in., d. 20 in. $100/200

1108. Chinoiserie Wallpaper Panel, possibly Gracie, pieced paper painted with figures at leisurely pursuits in a garden setting, 54 3/4 in. x 23 in., matted and framed. $75/125 Provenance: Lucile Andrus, New Orleans, LA.

Additional information at www.nealauction.com

GLOSSARY OF TERMS

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Kenneth Adams, 913 Conrad Alfred Albrizio, 728, 729 Enrique Alferez, 246, 247 Henry Alken (aft), 1045 James Edward Allen, 294 American Folk Art School, 1052 American School, 392, 909, 918, 919, 1040, 1042, 1043, 1051 Eugenio Amus, 235 James McConnell “Mac” Anderson, 725-727 Walter Inglis Anderson, 61 William Anzalone, 384 Edmundo Aquino, 760 John James Audubon, 106, 682

January 27 & 28, 2018

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Artist Index

Alvin Batiste, 955 Alberoi Bazile, 1093 Alex Beard, 256, 257 Babette Beaulieu, 784 Xu Beihong (aft), 572 George Bellows, 19, 113-115 Frank Weston Benson, 707 Fletcher Benton, 255 Thomas Hart Benton, 109, 110 Jim Bird, 391, 946 Jacqueline Bishop, 299 Denice Bizot, 785 Jean-Baptiste Bottex, 1070, 1071, 1092 Seymour Etienne Bottex, 1069 Douglas Bourgeois, 20, 21 Kendrick Swaine Bourne, 133 J.T. Bowen, 996 Selina Elizabeth Bres-Gregory, 940 British School, 708, 845, 902 Rick Brunner, 778 William Henry Buck, 275 Bernard Buffet, 4 Fritz Bultman, 78

Alexandre Calame, 236 Thor Carlson, 394, 395 George Frederick Castleden, 281 L. Chadwick, 922 Marc Chagall, 589 Charles Chikazunga, 525 Chinese School, 481 Peter Chinni, 606 Luis Colmenares, 781 Clyde Connell, 75, 76 Continental School, 546, 547, 865-867 Gladys Emerson Cook, 1060 Howard Cook, 283 Roy Cross (aft), 705 Jose-Maria Cundin, 242 Currier and Ives, 108 John Steuart Curry, 117 Cuzco School, 14

Peter Dean, 943-945 Jim Dine, 23 Alexander John Drysdale, 71, 282, 377-379, 702, 716 Jason DuMouchel, 950, 951 Caroline Wogan Durieux, 16-18, 296, 297 Joel Dyer, 1048

Fritz Eichenberg, 5, 6 Keisai Eisen, 486 Lin Emery, 306

Howard Finster, 956 Louis Elizabeth Andrews Fischer, 367, 368 Pedro Friedeberg, 251, 761 Nestor Hippoyle Frugé, 924

Jack Gates, 779 Alfred Gault, 279

Louis C. Girault, 101 Charles Giroux (attr), 267 Robert Wadsworth Grafton, 710 Luis Graner y Arrufi, 717 Shearly Grode, 733 Mimi Gross Grooms, 736 Jacques-Enguerrand Gourgue, 1067, 1068 William Gropper, 290 Aaronel deRoy Gruber, 305 Charles Paul Gruppe, 920

James Carl Hancock, 941 Patricia Hansen, 1050 David Harouni, 73 Archie Held, 259 Colette Pope Heldner, 103, 104, 926, 931, 939 Knute Heldner, 280, 293, 370, 676A, 703 Robert Helmer, 938 Edward Lamson Henry, 997 Carrie Hill, 119, 120 Leonard Hillsdale, 959 Will Hinds, 371 Morris Henry Hobbs, 62, 69, 70, 376, 676A William Hogarth, 1044 Roger Holt, 911 Clark Hulings, 248 Clementine Hunter, 291, 292 Charles Woodward Hutson, 923, 948

Louis Icart, 22 Italian School, 774, 910

Valerie Jaudon, 381 Richard Jolley, 308

Alexei E. Kazantsev, 2 William “Bill” Kidwell, 936, 949 Alberta Kinsey, 105, 380 Torii Kiyonaga (aft), 486 Constantine Kluge, 3 Tsukioka Kogyo, 485 Ida Rittenberg Kohlmeyer, 63-68, 77, 243, 249, 261, 298, 307 May Kugler, 1053 Toyohara Kunichika, 486 Kunisada, 484 Utagawa Kuniyoshi, 482

Martin Laborde, 954, 1049 Gina Laguna, 780 Clarence John Laughlin, 300 Alice Abraham Lazard, 953 Paul Émile Lecomte, 868 Claire Leighton, 302 Byron Levy, 1058 Charles Oglesby Longabaugh, 372, 373, 704, 718 Ashley Longshore, 239 Louisiana School, 680, 1008 Eugene E. Loving, 676A

George Drummond Mansfield, 942 Eleodoro Marenco, 998 Florence Martinez, 1091 Bunny Matthews, 1057 John McCrady, 100, 111, 112, 122, 123 Mary Katharine Loyacano McCravey, 935 Barbara McKee, 393 Pierre Jules Mêne, 1066 Clarence Millet, 72, 244 Scott de Montluzin, 782 Louise A. Cook Moore, 934 Thomas Murray (attr), 869

Don Nice, 775 Edmund John Niemann, 844 Leonardo Nierman, 921

Lowell Nesbitt, 776

Will Ousley, 925 Joel Owen, 846

Walter Palmer, 284 Jules Pascin, 588 Leon Jean Basile Perrault, 231 Émile-Louis Picault (aft), 826 Fernand Pierre, 1090 Arthur Clarence Pillsbury, 118 Maurice Brazil Prendergast, 245

Peter G. Ray, 734, 735, 958 Charles Whitfield Richards, 382, 383, 385, 929, 930, 1054 Sharon Richardson, 947 Noel Rockmore, 386, 387, 676, 732 George Rodrigue, 285-289, 301 Robert Malcolm Rucker, 121, 676A Jerry Ruthven, 932

Edward Field Sanford, Jr., 788 Kiyoshi Saito, 483 Fred Binder Samuelson, 1047 Lulu King Saxon, 369 Don Sawyer, 563, 564 Palmer Schoppe, 303 John T. Scott, 252-254 Mary Shaw, 1055 John French Sloan, 116 Hunt Slonem, 74, 240, 241, 469 Henry Pember Smith, 773 Mark T. Smith, 388 Melissa A. Smith, 258 Mary Louise Snowden, 786 Timo Arturi Solin, 260 Joe Sorci, 783 Southern School, 706, 1041 Spanish Colonial School, 14, 15, 409, 410, 700, 701 George Blackie Sticks, 843 Sara Stites, 916 John Stobart, 357-359 William Summers, 1045 Charles Sykes (aft), 30

Ann Tanksley, 912 G. J. Taylor, 915 Charles Henry Tenre, 879 Emmitt Thames, 712-715 Dr. Robert John Thornton, 55-57, 107 José Torres-Tama, 709, 937 Julian Alberto Touceda, 731 Michael Tracy, 730 Pat Trivigno, 79 Arnold E. Turtle, 374, 375

Nura Woodson Ulreich, 933

Victor Vasarely, 250 Jean Joseph Vaudechamp, 266

Robert Watson, 917 Terry Weldon, 777 Patrick McCloskey Westfeldt, 1056 Warik Wheatley, 914 Paulette Tokar Whiteman, 389, 390 Robert Wick, 309 Mel Wiken, 952 Thomas Waterman Wood, 711 Ellsworth Woodward, 53, 59, 60, 295, 304 William Woodward, 54, 102, 678 Don Wright, 927, 928 George Hand Wright, 677

Joanna Zjawinska, 957

0404-$448 0405-$250 0407-$384 0408-$625 0409-$1088 0410-$427 0411-$671 0413-$2560 0414-$512 0416-$2048 0420-$1220 0421-$43920 0422-$28160 0423-$640 0425-$1000 0426-$671 0427-$384 0428-$500 0429-$3660 0430-$640 0431-$1586 0432-$896 0433-$45140 0435-$7320 0436-$12200 0437-$6222 0439-$6710 0440-$8540 0441-$2440 0442-$750 0444-$12500 0446-$7625 0447-$14640 0448-$11895 0451-$1250 0452-$896 0453-$3125 0454-$2074 0455-$2318 0456-$1708 0457-$783000 0459-$1024 0462-$1098 0463-$18750 0467-$1152 0469-$1088 0472-$122 0473-$2500 0474-$625 0475-$3965 0476-$640 0477-$488 0478-$518 0479-$549 0480-$288 0481-$750 0482-$549 0483-$396 0484-$610 0485-$183 0486-$122 0487-$122 0488-$3328 0489-$122 0490-$213 0491-$320 0492-$244 0493-$488 0494-$579 0495-$244 0496-$213 0497-$732 0498-$152 0499-$256 0500-$704 0501-$224 0502-$152 0503-$152 0504-$320 0505-$427 0506-$1098 0507-$1708 0508-$305 0509-$1159 0510-$396 0511-$128 0513-$384 0514-$610 0515-$1037 0516-$1750 0517-$3782 0518-$793 0519-$625 0520-$488 0523-$610 0524-$187 0525-$2440 0526-$549 0527-$244 0529-$366 0530-$2816 0531-$427

0533-$4480 0535-$768 0536-$320 0537-$244 0538-$244 0540-$183 0541-$256 0542-$1280 0543-$1830 0544-$1830 0545-$854 0546-$1220 0547-$1830 0549-$17500 0550-$3200 0551-$4062 0552-$1830 0553-$1220 0554-$2196 0555-$1664 0556-$5000 0558-$2750 0559-$2318 0560-$512 0562-$854 0563-$1220 0564-$793 0565-$625 0566-$3904 0567-$1098 0568-$1220 0569-$625 0571-$24400 0574-$15860 0575-$8750 0576-$10980 0577-$7625 0578-$24400 0581-$5760 0582-$3965 0584-$1750 0585-$67100 0586-$5490 0587-$14640 0588-$1708 0590-$7930 0591-$39650 0595-$12200 0596-$12500 0597-$42700 0598-$3660 0600-$18560 0601-$89600 0602-$1830 0603-$1220 0604-$3500 0605-$448 0606-$549 0607-$2375 0608-$2806 0609-$3125 0611-$854 0612-$1830 0614-$4270 0615-$4270 0617-$1098 0618-$1098 0620-$610 0621-$6710 0622-$1464 0623-$256 0624-$832 0625-$671 0626-$3050 0627-$2318 0628-$1464 0631-$854 0632-$3660 0633-$5490 0634-$1098 0635-$366 0636-$244 0637-$576 0638-$2048 0639-$1220 0640-$750 0641-$1220 0642-$1088 0644-$437 0645-$579 0647-$3050 0649-$1152 0651-$1000 0652-$1220 0653-$2688 0654-$768 0655-$256 0656-$437 0657-$244 0659-$610 0660-$244 0661-$500

0663-$375 0664-$9455 0665-$1342 0666-$1152 0668-$1280 0670-$152 0671-$122 0673-$93 0674-$2500 0676-$183 0678-$320 0680-$416 0682-$4992 0684-$312 0685-$687 0687-$854 0688-$732 0689-$875 0690-$610 0692-$549 0693-$500 0695-$512 0696-$640 0700-$3172 0706-$427 0707-$305 0708-$187 0709-$427 0710-$875 0711-$244 0713-$1342 0714-$2074 0715-$1830 0716-$1464 0717-$512 0718-$854 0721-$122 0722-$384 0724-$375 0725-$375 0726-$1280 0728-$244 0729-$480 0730-$832 0731-$320 0733-$244 0734-$305 0735-$213 0736-$122 0737-$160 0739-$1280 0740-$488 0741-$640 0742-$896 0744-$8125 0748-$125 0749-$610 0751-$183 0752-$375 0753-$305 0754-$3538 0756-$312 0757-$320 0758-$384 0759-$512 0760-$256 0761-$128 0762-$256 0763-$256 0764-$610 0765-$384 0766-$224 0767-$244 0768-$384 0769-$396 0771-$109 0772-$192 0773-$384 0776-$125 0778-$457 0779-$128 0781-$128 0782-$192 0784-$416 0786-$128 0787-$122 0788-$183 0789-$250 0790-$122 0791-$128 0793-$128 0795-$122 0797-$128 0799-$224 0800-$152 0802-$125 0807-$156 0808-$274 0809-$274 0810-$500 0811-$312 0814-$305

0815-$976 0819-$562 0820-$366 0821-$366 0822-$244 0823-$384 0825-$183 0826-$224 0827-$732 0828-$457 0830-$366 0831-$305 0832-$183 0833-$406 0834-$427 0835-$288 0836-$343 0837-$152 0839-$213 0840-$281 0841-$396 0842-$250 0844-$152 0845-$125 0847-$1098 0848-$244 0849-$518 0850-$152 0852-$152 0853-$593 0854-$937 0855-$915 0856-$488 0857-$183 0859-$62 0860-$375 0861-$896 0864-$62 0865-$187 0866-$183 0869-$274 0871-$3660 0872-$125 0874-$562 0876-$213 0878-$244 0879-$1125 0880-$375 0881-$244 0884-$125 0885-$305 0886-$305 0887-$610 0890-$125 0893-$122 0895-$256 0900-$512 0906-$187 0907-$183 0908-$704 0909-$512 0910-$312 0911-$437 0914-$732 0915-$1708 0916-$1037 0917-$384 0918-$375 0919-$366 0920-$312 0921-$437 0922-$213 0924-$8235 0925-$7930 0926-$854 0927-$732 0930-$244 0933-$45750 0934-$2500 0936-$187 0937-$610 0939-$5490 0940-$1952 0941-$1464 0943-$1830 0945-$1408 0946-$610 0949-$625 0950-$6250 0951-$1586 0952-$1875 0953-$732 0954-$1250 0955-$1250 0957-$1342 0958-$2875 0959-$625 0961-$3328 0962-$8540 0963-$5000 0964-$1830 0965-$1464

0966-$1220 0967-$1220 0968-$640 0969-$437 0970-$750 0971-$1830 0973-$610 0975-$610 0976-$732 0977-$1220 0979-$366 0980-$488 0981-$1098 0982-$366 0984-$1625 0985-$1152 0986-$1408 0987-$1000 0989-$640 0990-$512 0991-$1098 0992-$896 0993-$854 0994-$1830 0996-$610 0997-$854 0998-$854 0999-$3875 1000-$610 1001-$375 1002-$1375 1003-$437 1004-$875 1007-$2196 1007A-$3965 1007B-$854 1007C-$854 1008-$854 1008B-$2440 1009-$488 1010-$976 1011-$732 1012-$640 1013-$625 1014-$384 1015-$625 1017-$305 1018-$366 1020-$1220 1023-$3328 1024-$183 1025-$976 1026-$732 1027-$610 1028-$2074 1029-$640 1030-$250 1031-$1098 1032-$488 1033-$125 1034-$18300 1035-$488 1036-$488 1037-$768 1038-$4575 1040-$1952 1041-$1024 1043-$3750 1044-$15860 1047-$1586 1048-$1536 1049-$1220 1051-$2812 1052-$625 1053-$854 1056-$488 1057-$183 1059-$183 1061-$305 1062-$183 1065-$1500 1068-$384 1070-$1875 1071-$2000 1072-$1920 1073-$1280 1074-$2250 1078-$3965 1079-$1536 1080-$8875 1081-$274 1082-$244 1083-$896 1084-$384 1085-$512 1086-$937 1087-$320 1088-$384 1089-$274 1090-$500 1091-$366 1092-$375

1093-$256 1094-$793 1095-$671 1096-$2560 1097-$640 1098-$610 1099-$732 1100-$320 1101-$1500 1103-$1536 1104-$3500 1105-$896 1107-$4880 1110-$384 1111-$671 1112-$244 1113-$1342 1115-$579 1118-$427 1120-$1920 1121-$937 1122-$1187 1123-$250 1124-$366 1125-$93 1126-$10625 1128-$125 1130-$1830 1131-$352 1132-$896 1133-$213 1134-$1152 1135-$1464 1138-$2440 1139-$5185 1142-$1220 1143-$640 1145-$250 1146-$366 1147-$1586 1150-$671 1151-$750 1153-$854 1154-$896 1155-$1536 1156-$732 1157-$488 1158-$1220 1159-$320 1160-$1342 1161-$6405 1162-$1220 1163-$125 1167-$375 1168-$1586 1169-$854 1171-$640 1174-$244 1175-$366 1176-$366 1177-$610 1178-$1464 1179-$244 1180-$244 1181-$244 1182-$823 1183-$384 1184-$1159 1185-$610 1186-$2684 1187-$671 1188-$244 1189-$427 1190-$1536 1191-$183 1192-$305 1192A-$61 1193-$244 1194-$366 1195-$366 1196-$183 1197-$187 1198-$610 1199-$448 1200-$305 1202-$244 1203-$244 1204-$305 1205-$183 1206-$1024 1207-$732 1208-$915 1209-$244 1210-$274 1211-$812 1212-$687 1213-$305 1214-$518 1215-$366 1216-$1220 1217-$1792 1218-$793

1219-$610 1220-$244 1221-$593 1222-$640 1223-$1375 1224-$281 1225-$335 1226-$312 1228-$366 1229-$488 1230-$625 1231-$335 1232-$1098 1233-$256 1234-$915 1235-$579 1236-$512 1237-$274 1238-$305 1239-$122 1240-$156 1241-$625 1243-$366 1244-$256 1245-$488 1249-$488 1250-$122 1251-$183 1252-$122 1253-$183 1254-$192 1256-$122 1258-$183 1260-$671 1261-$366 1262-$625 1263-$250 1265-$50 1266-$160 1268-$375 1269-$125 1270-$156 1273-$93 1274-$366 1275-$375 1276-$122 1277-$2176 1278-$192 1279-$610 1280-$610 1281-$320 1282-$512 1283-$256 1284-$384 1285-$125 1286-$625 1287-$518 1291-$4575 1292-$187 1294-$375 1296-$976 1297-$1664 1298-$250 1299-$244 1300-$192 1301-$1952 1302-$384 1303-$427 1303A-$352 1304-$366 1305-$183 1307-$366 1308-$500 1309-$500 1311-$244 1313-$488 1314-$915 1316-$244 1318-$183 1319-$183 1320-$305 1321-$125 1322-$437 1323-$1464 1324-$732 1325-$384 1326-$250 1327-$305 1328-$320 1329-$256 1330-$427 1331-$488 1332-$366 1334-$122

November 17, 18 & 19, 2017

0268-$2074 0269-$488 0271-$1062 0273-$5490 0275-$4480 0276-$4880 0277-$1152 0278-$7625 0279-$1220 0280-$2745 0281-$488 0282-$1220 0284-$1830 0285-$1152 0286-$2880 0288-$3660 0289-$7500 0290-$625 0291-$576 0293-$1500 0294-$1952 0295-$1830 0296-$512 0300-$5185 0301-$4480 0302-$3840 0304-$93940 0305-$2187 0306-$2560 0309-$1830 0311-$1952 0312-$4880 0313-$854 0314-$1098 0315-$1830 0316-$1342 0317-$2318 0318-$5612 0319-$976 0321-$1920 0322-$1952 0323-$1000 0324-$896 0326-$244 0327-$256 0328-$305 0329-$25620 0330-$3660 0332-$18300 0333-$3782 0334-$2928 0335-$244 0338-$7625 0340-$1586 0341-$854 0343-$183000 0344-$85400 0345-$7930 0346-$625 0347-$8540 0348-$2745 0351-$5490 0352-$5312 0353-$8845 0354-$4270 0355-$732 0357-$4270 0358-$1586 0360-$52460 0362-$16470 0363-$3965 0364-$20130 0365-$61000 0366-$3050 0368-$18300 0369-$122000 0370-$6080 0371-$896 0372-$5002 0373-$39650 0377-$1220 0379-$2176 0380-$488 0382-$437 0383-$488 0385-$1220 0386-$8750 0387-$43920 0388-$3875 0389-$24400 0390-$1750 0391-$1464 0392-$1220 0394-$12200 0396-$960 0397-$384 0398-$427 0399-$4800 0400-$1088 0401-$2880 0402-$875 0403-$244

â&#x20AC;¢

0140-$244 0141-$915 0142-$854 0144-$366 0145-$250 0146-$1625 0147-$183 0148-$187 0149-$244 0150-$1098 0153-$250 0154-$488 0155-$250 0156-$976 0157-$305 0160-$976 0161-$305 0162-$488 0163-$427 0164-$244 0165-$2560 0166-$1830 0167-$6100 0169-$3050 0170-$2440 0171-$1250 0172-$1500 0173-$1000 0174-$2125 0176-$1250 0177-$2048 0178-$14030 0179-$610 0180-$976 0181-$320 0182-$488 0183-$640 0184-$671 0185-$305 0186-$610 0188-$1280 0189-$366 0193-$2304 0194-$3660 0195-$3965 0196-$732 0197-$1708 0198-$610 0199-$3965 0200-$1625 0202-$3750 0203-$1000 0204-$6720 0205-$3125 0206-$9280 0208-$9760 0209-$1830 0210-$750 0211-$250 0212-$640 0213-$1098 0214-$610 0216-$625 0217-$125 0218-$562 0219-$610 0220-$384 0221-$976 0222-$312 0223-$312 0224-$1098 0226-$1000 0227-$671 0228-$704 0229-$1342 0231-$875 0232-$832 0234-$5490 0237-$488 0238-$187 0239-$610 0240-$480 0243-$305 0244-$12200 0245-$610 0246-$1408 0247-$457 0248-$704 0250-$732 0251-$579 0252-$274 0255-$640 0256-$610 0258-$366 0260-$488 0261-$312 0262-$384 0263-$183 0264-$1024 0265-$1830 0266-$896 0267-$500

Auction Results

0001-$256 0002-$2750 0004-$671 0005-$488 0006-$427 0007-$854 0008-$2304 0010-$244 0011-$427 0014-$2250 0015-$854 0016-$256 0018-$812 0019-$610 0022-$448 0023-$2500 0024-$549 0025-$1664 0027-$1625 0028-$1024 0029-$1024 0030-$1024 0031-$366 0032-$1342 0033-$3840 0034-$1280 0036-$244 0037-$183 0038-$183 0039-$976 0042-$976 0043-$1250 0045-$1586 0048-$1280 0049-$2500 0050-$24400 0051-$640 0054-$2440 0058-$1408 0059-$1024 0060-$625 0061-$2176 0062-$312 0063-$122 0064-$122 0065-$320 0066-$224 0067-$768 0068-$244 0069-$1408 0070-$366 0072-$160 0073-$875 0074-$384 0075-$1000 0076-$1464 0077-$8845 0081-$793 0082-$512 0083-$183 0084-$384 0086-$768 0087-$2440 0088-$11590 0089-$3660 0090-$6710 0091-$2135 0092-$9760 0093-$12810 0094-$896 0097-$3660 0098-$10675 0099-$1152 0100-$1250 0103-$640 0104-$488 0105-$768 0107-$1220 0112-$375 0113-$976 0114-$896 0116-$366 0118-$500 0119-$366 0120-$366 0121-$768 0122-$2806 0123-$384 0124-$500 0125-$187 0127-$375 0128-$610 0129-$187 0130-$512 0131-$512 0132-$512 0133-$488 0134-$500 0135-$256 0136-$875 0137-$192 0138-$183

NealAuction AuctionCompany Company Neal

Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine ArtArt 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

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PLEASE REVIEW GUIDELINES FOR ABSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR ABSENTEE && TELEPHONE BIDDING : : 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last Name:_________________________ _________________________Name: Name:____________________________________ ____________________________________Company: Company:__________________________ __________________________ Name: Address: ______________________________________________________________________________________________________ ______________________________________________________________________________________________________ Address: #ITY ????????????????????????????????????????????? ????????????????????????????????????????????? 0ROV 3TATE 0ROV 3TATE ??????????????????????? ??????????????????????? 0OSTAL 0OSTAL #ODE #ODE ???????????????? ???????????????? #ITY (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? DealerResale# Resale# ________________________________ State __________ Email: __________________________________________________ Dealer ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% : : -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: Cash Cash 0AYMENT 0AYMENT Check Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD

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.UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER

,OT ,OT

$ESCRIPTION $ESCRIPTION

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I understand that Neal Auction Company undertakes execution of absentee bids a convenience clients and is not responsible inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as for clients and is responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids asaas aconvenience convenience forfor clients and is not not responsible for inadvertent failure execute or any in execution bids. I have read and agree to â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated the catalogue. I understand that to to execute forfor any error thethe execution of of bids. I have read and agree to â&#x20AC;&#x153;Conditions thethe â&#x20AC;&#x153;Conditions of of Saleâ&#x20AC;? as as stated in in the catalogue. I understand toure execute bids, bids, orbids, fororany error inerror theinexecution of bids. I have read and agree to the of Saleâ&#x20AC;? as stated in the catalogue. I understand thatthat a buyerâ&#x20AC;&#x2122;s premium will be charged on each purchased at 22% to and including $200,000 plus 10% hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will charged oneach each lotlot purchased 22% upup to and and including $200,000 plus 10% of the hammer price greater than $200,000. For a abuyerâ&#x20AC;&#x2122;s premium will bebecharged on lot purchased atat25% up to including $200,000 plus 10% of of thethe hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of auction, buyerâ&#x20AC;&#x2122;s premium shall discounted 2.5% of this 22%. No exceptions. purchase made cash, check wire transfer within 15days days ofthe thethe auction, thethe buyerâ&#x20AC;&#x2122;s premium shall be be discounted 2.5% this 22%. exceptions. purchase made bybycash, check ororwire transfer within 15 of auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofof this 25%. NoNoexceptions.

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Fax Form on or before Friday, 1/31/15 Fax Form or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax Form Form onon on or or before Thursday, Friday,6/26/15 1/25/18 to 504-617-6431or 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 oror 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990

229 229

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: Auction Date: Sept. &Feb. 25, January &2015 28, 2018 Jan. 3124 &27 1,2016 2015 April 17-19,

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior to to the the start of of the the auction. auction. prior . start 7EDNESDAY ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

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SELECT:

All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before Fax this form before Wednesday, Wednesday,1/28/15. 1/15/15. 09/21/16 01/24/18 228

2018 Auction Schedule March 24 & 25, 2018 • Spring Estates Auction May 19 & 20, 2018 • Late Spring Estates Auction July 14 & 15, 2018 • Summer Estates Auction September 8 & 9, 2018 • Important Estates Auction November 16-18, 2018 • Louisiana Purchase Auction™

Notes

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

ADMINISTRATION

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Marc Fagan #1935

GENERAL MANAGER

Jason Leckert

GRAPHICS Graphics Director Dave Roberts Catalogue Design Emory Nolan Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

OPERATIONS Director of Operations Charles Lee Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Marvin Varnado

EXHIBITION STAFF

Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

AUCTION SERVICES Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Neal Auction Company

Neal Auction Company Important Winter Estates Auction January 27 & 28, 2018

January 27 & 28, 2018