January 26 & 27, 2019 Important Winter Estates Auction by Neal Auction

Winter Estates Auction ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street

Featuring: Esteemed Collection of Stanley Weiss, Providence, RI Property of the Museum of Fine Arts, Houston, Bayou Bend Collection Collection of Norris Garrison and the late William Friedle, Historic Lower Garden District, New Orleans Property from the Estate of Nan Blasdel Shelton, Noted Fort Worth Antiquarian Estate of F. Clancy Dupépé, New Orleans Property from the Hancock County Historical Society, Waveland, MS American Rococo Furniture from the Estate of Gordon and Vera Noakes, Detroit Part II, the Williamson-LeBlanc Collection, from the Iconic “Cornstalk Fence” House, New Orleans, and the Historic William Harris House, Natchez Property of Others

EXHIBITION Exhibition at both galleries beginning Monday, January 14, 10 a.m. to 5 p.m. Special Saturday Preview, Saturday January 19, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, January 24, 5 to 7 p.m. AUCTION SCHEDULE Saturday, January 26, 10 a.m., 4038 Magazine Street Sunday, January 27, 11 a.m., 3923 Carondelet Street

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Neal Auction Company is pleased to present

THE STANLEY WEISS COLLECTION Stanley Weiss is a lifelong collector who was mentored by the legendary Albert Sack. For the past 25 years Mr. Weiss has offered a well-curated inventory of Colonial and Classical furniture (perhaps the largest in America) at his gallery in downtown Providence. Weiss is presently offering a selection of these objects in conjunction with the deaccessioning of his real estate holdings in the historic center of Providence. These include the Hotel Providence, a Four Diamond hotel, which Weiss redeveloped from a cluster of historic buildings, another group of properties which he developed for the use of the Rhode Island School of Design, and the landmark Tilden-Thurber Company building (Providence’s answer to Tiffany’s). The latter was used as Weiss’ office and housed his extensive collection of museum quality furniture from the 18th and 19th century. Stanley Weiss has known Neal Alford and the Neal Auction Company for over 30 years. His wife, Beth, is a seventh generation New Orleanian whose family was interwoven into the historic Royal St. antique boutiques. The Weisses’ visits to Neal Auction date back to their courtship. Neal Auction Company is pleased to present property from the Stanley Weiss Collection. These period objects are truly representative of the standards of Albert Sack. See also Solis-Cohen, Lita. “Tilden-Thurber and the Weiss Collection”, Maine Antiques Digest, Oct. 2010.

COLLECTION OF NORRIS GARRISON AND THE LATE WILLIAM FRIEDLE This scholarly collection encompasses classical furniture, period lighting, Americana, Grand Tour objects and period garden furniture and ornaments. It is clearly influenced by an artist’s sensibilities. The late William Friedle, a noted metal sculptor, opened his first showroom, Sculptsmith, in 1961 at 138 West Tenth St. in Greenwich Village. The August 19, 1961 New York Times describes Sculptsmith’s abstract brass and copper sculptures of sunbursts, trees and flowers; in fact, many consider Friedle to be the originator of the 1960s “mod” metal sunburst designs. Collectors included Malcolm Forbes, former President Richard Nixon and Senator Ted Kennedy. By the second decade of Friedle’s career his sculptures were installed in the International Arrivals Terminal at Kennedy Airport and other public spaces, as well as private residences. He also created Foil-Sculpt, an innovative do-it-yourself kit for assembling a metal foil sculpture which could be varied according to the aesthetic determination of the person doing the assembling. The kits, as well as his original works, were sold from the Sculptsmith showroom, which had relocated to 294 Fifth Ave., in addition to Lord & Taylor and other carriage trade department stores. In 1998 Norris Garrison and Bill Friedle moved to a historic property in New Orleans’ Lower Garden District. Neal Auction Company is pleased to present the Friedle-Garrison Collection.

NAN BLASDEL SHELTON (1933-2018) Neal Auction Company is pleased to present property from the estate of Fort Worth antiquarian and appraiser, Nan Shelton, who served as president of The International Society of Appraisers. Mrs. Shelton was an active Fort Worth volunteer whose favorite causes included the Jewel Charity Ball (benefitting Cook Children’s Medical Center) and Fort Worth Country Day School. It was while volunteering for Country Day’s Holiday Sale many years ago that her interest in the decorative arts was piqued. Given the task of pricing items on the “goodie table” (silver and porcelains), she was fascinated by the research required to identify and value the objects. This led to more study, and ultimately, a career as a respected appraiser.

Session One

Saturday, January 26, 10 a.m. 4038 Magazine

Additional information at www.nealauction.com

1. Vintage Green Leather Chesterfield Sofa, button tufted back, arms and seat, brass nailhead trim, turned feet, h. 29 1/2 in., w. 86 in., d. 37 in. $1000/1500 Provenance: The Friedle-Garrison Collection, New Orleans.

2. Six Regency‑Style Gilded Mahogany Side Chairs, caned back, fluted seat rail, foliate-carved flared legs, h. 35 in., w. 20 in., d. 21 in. $1000/1500

4. George III Brass‑Banded Mahogany Hexagonal Cellarette on Stand, late 18th c., retains key and original lead fitted interior, original stand with pierced brackets and flared reeded legs, h. 26 in., w. 18 1/2 in., d. 18 1/2 in. $800/1200 Provenance: Wm. Blair Ltd., Bethesda, MD. 3. English Carved Rosewood Canterbury, mid-19th c., turned finials, spindled supports and divider, lower drawer, turned legs, casters, h. 21 1/4 in., w. 19 1/2 in., d. 14 3/4 in. $500/700

6. Charles X Carved Mahogany Fauteuil, early 19th c., molded crest, incurvate back, lappet carved and reeded arms, anthemion carved saber legs, h. 36 in., w. 18 in., d. 17 in. $800/1200 Provenance: The Friedle-Garrison Collection, New Orleans.

5. Fine Antique Italian Specimen Marble Top, geometric design of various marbles with banded edge, dia. 20 1/2 in. $500/750

7. Neoclassical‑Style Gilt Bronze and Faux Granite Guéridon, molded inset top, X-form supports, molded legs, paw feet, h. 27 in., w. 17 in., d. 17 in. $400/600 Provenance: The Friedle-Garrison Collection, New Orleans.

8. After Giovanni Battista Passeri (Italian, 1610‑1679), 6 hand-colored engravings of Etruscan urns, c. 1768, from Picturae Etruscorum in Vasculis, Rome, sights 13 in. x 8 in., framed alike. (6 pcs.) $600/900 Provenance: The Friedle-Garrison Collection, New Orleans.

9. After Giovanni Battista Passeri (Italian, 1610‑1679), 6 hand-colored engravings of Etruscan urns, c. 1768, from Picturae Etruscorum in Vasculis, Rome, sights 13 in. x 8 in., framed alike. (6 pcs.) $600/900 Provenance: The FriedleGarrison Collection, New Orleans.

10. Extensive Paris Porcelain Crested Dinner Service, early-to-mid 19th c., marked Feuillet, Paris, with some associated near-matching pieces marked Boyer, Paris, with armorial crest and gilt embellishments, incl. 29 plates, dia. 9 1/2 in.; fruit cooler; 2 circular covered vegetable dishes; 2 sauce boats; 1 creamer; 14 soup plates; 6 footed bowls, dia. 5 1/2 in.; 3 plateaus with paw feet, dia. 8 1/3 in.; 2 serving plates, dia. 11 in.; 1 serving plate 13 in.; 1 compote; 2 tiered dessert stands with paw feet, h. 18 in.; and 2 covered sauciers. $2000/3000 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

12. Chinese Export Famille Verte Porcelain Platter, Qing Dynasty (1644-1911), well decorated with antiques enclosing figural and avian scenes, cavetto with bird-and-flower cartouches on a floral strewn stippled ground, h. 1 7/8 in., w. 16 5/8 in., d. 13 1/4 in. $200/400 11. Large Sèvres‑Style Gilt and Polychrome Porcelain Charger, decorated with bird and flower reserve encircled by gilt and blue bands, h. 1 1/2 in., dia. 19 7/8 in. $1000/1500

14. Pair of Italian Green Painted and Parcel Gilt Two‑Light Mirrored Sconces, shell and foliate carved backplate, h. 24 in., w. 14 in., d. 7 in. $400/600

13. Chinese Export Blue “Fitzhugh” Porcelain Covered Vegetable Dish, early 19th c., decorated with two pairs of floral groupings flanking roundels enclosing sepia deer, h. 5 1/4 in., w. 11 in. Note: Restoration. $250/350

Provenance: The Stanley Weiss Collection, Providence, RI.

15. Two Etruscan Terracotta Vessels, c. 1900, after the Antique, tallest h. 15 1/4 in. $400/600 Provenance: The Friedle-Garrison Collection, New Orleans.

16. Two Etruscan Terracotta Vessels, 20th c., each signed “L.F.K. Stancanelli”, painted with Classical figures, tallest h. 14 in. $400/600 Provenance: The Friedle-Garrison Collection, New Orleans.

18. Two Antique Continental Portrait Plaques, 19th c., one bronze, marked “S. Rossini, 1864 / H. Chevalier”; other copper; presented with painted metal wreaths, plaque dia. 7 3/4 in., wreath dia. 12 1/2 in. $500/700

17. Two Etruscan Terracotta Vessels, 20th c., pitcher painted with a centaur and warrior, ritual cup with fantastical beasts, tallest h. 12 in. $400/600

Provenance: The FriedleGarrison Collection, New Orleans.

Provenance: The Friedle-Garrison Collection, New Orleans.

19. George III Tortoiseshell Tea Caddy, early 19th c., interior with two lidded compartments, ball feet, h. 7 in. w. 6 3/4 in. d. 3 1/2 in. $1000/1500

20. George III Tortoiseshell Tea Caddy, 19th c., octagonal form, interior with two lidded compartments, h. 5 3/4 in., w. 6 1/8 in., d. 4 in. $1000/1500

21. Pair of Minton‑Style Gilt and Polychrome Porcelain Jardinières, 20th c., each flanked by male and female figures, scroll base, h. 12 3/4 in., w. 11 3/4 in., d. 9 in. $700/1000 Additional information at www.nealauction.com

22. Pair of George V Sterling Silver Gilt and Tortoiseshell‑Mounted Cut Glass Scent Bottles, London, 1923, maker’s mark rubbed, h. 6 in. $200/300

23. Pair of French Bronze Figural Chenets, 19th c., now mounted as table lamps, wood bases, h. (to socket) 26 in., w. 15 in., d. 9 in. $500/750

24. Pair of Late Regency Bronze Two‑Light Sconces, c. 1840, oil lamp form, cast with grapevines, handle incorporating a Bacchus mask, h. 8 1/2 in., w. 11 in., d. 11 1/2 in. $1000/2000 Provenance: The Friedle-Garrison Collection, New Orleans.

26. Fine American Twelve‑Inch Table Globe, cartouche reading “Loring’s Terrestrial Globe containing all the Late Discoveries and Geographical Improvements...Revised by Roswell Park, 1846, Manufactured by Gilman Joslin, Boston”, hand-colored engraved gores, with full brass meridian, horizon band with months and figural signs of the zodiac, raised on a turned cherrywood stand, h. 18 in., stand dia. 16 in. $1500/2500 Ref.: Dekker, Elly and Peter van der Krogt. Globes from the Western World, London, Zwemmer, 1993, pg. 126. 25. After Antonio Canova (Italian, 1757‑1822), “Venus”, marble, unsigned, h. 68 in., w. 20 in., d. 19 in. $3000/5000

Provenance: The Friedle-Garrison Collection, New Orleans.

Note: The impressive sculpture offered here is after of one of the prototypes of the “Venus Italica” by celebrated sculptor, Antonio Canova (Italian, 1757-1822). The earliest iteration of the piece, completed in 1811, featured additional drapery which provided more coverage to the disconcerted Venus who is depicted tousled and undressed, as if startled by an intruder. The marble in this lot is after the later version of the “Venus Italica,” which Canova revisited almost ten years subsequent to his 1811 masterwork. Unlike its predecessor, the fabric in the second version is shown hanging loose in Venus’s proper right hand, and her expression and posture appear more relaxed and casual.

27. American or English Giltwood Bullseye Mirror, early 19th c., surmounted by a carved spreadwing eagle and acanthus, molded surround decorated with spherules, ebonized rabbet, foliate pendant, h. 39 in., w. 22 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

Ref.: Finn, David and Fred Licht. Canova. New York: Abbeville Press, 1983.; Pavanello, Giuseppe and Giandomenico Romanelli. Canova. Venice: Marsalio Editori, 1992.

29. Napoleon III Gilt Bronze Figural Mantel Clock, c. 1850, Japy Freres, silk-thread movement, with figures of the Muse of Music and Cupid, over musical relief trophée, scroll feet, h. 20 in., w. 15 1/4 in., d. 5 1/2 in. $1200/1800 Provenance: The Friedle-Garrison Collection, New Orleans.

28. Fine American Classical Carved and Gilded Mirror, early 19th c., probably New York, blocked shell carved corners, split columnar surround, molded frame, h. 59 in., w. 36 in. $1500/2500 Provenance: The Friedle-Garrison Collection, New Orleans.

30. Large Pair of Chinese Powder Blue Porcelain Vases, ribbed bodies with crimped rims, exteriors with pale lavender glaze, h. 20 1/4 in. $900/1200

31. American Late Classical Mahogany and Scagliola Center Table, c. 1840, Boston, top centered by a polychrome pastoral reserve, fluted reverse-tapered standard, scrolled tripod base, casters, h. 28 in., dia. 31 1/4 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

32. American Classical Mahogany Mixing Table, c. 1820, attr. to Anthony Quervelle, Philadelphia, marble top, molded frieze, mirrored standard, scrolled base, demilune feet, h. 39 in., w. 36 in., d. 18 in. $1200/2000

Provenance: The Stanley Weiss Collection, Providence, RI.

33. Pair of American Gothic Rosewood Side Chairs, c. 1840-1850, New York, arched molded crest rail, Gothicized arches, trapezoidal upholstered and paneled seat rail, ring-turned tapered legs, h. 35 1/2 in., w. 18 in., d. 16 in. $500/700 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, 2000.

35. Louis XVI Carved, Painted and Parcel Gilt Canapé, 18th c., molded crest rail surmounted by a bowknot, scrolled arms, seat rail with blocked rosettes, Fortuny silk upholstery, h. 41 in., l. 75 in., w. 28 in. $3000/5000 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

34. Hepplewhite Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., four graduated drawers, molded base, flared “French” feet, h. 34 in., w. 42 in., d. 22 1/2 in. $700/1000

37. Italian Verdigris Bronze Jardinière, probably late 19th c., attr. to J. Chiurazzi & Fils, based on the Temple of Isis at Pompeii antiquity, winged figural supports, tripod base, h. 35 in., dia. 22 in. $500/800 36. Pair of Continental Louis XV‑Style Olive Wood Veneered Occasional Tables, shaped apron, cabriole legs, h. 22 in., w. 27 in., d. 21 1/2 in. $700/900

Provenance: The Stanley Weiss Collection, Providence, RI.

38. American Classical Mahogany Gondola Armchair, early 19th c., probably New York, rounded crest rail, pierced seat back, heavily scrolled arms, shaped legs, h. 38 in., w. 25 in., d. 29 1/2 in. $1200/1800 Provenance: The Stanley Weiss Collection, Providence, RI.

39. Rare American Classical Carved Mahogany Sideboard, c. 1830, likely Edward Priestley, Baltimore, shaped backsplash, five frieze drawers, Gothicized cabinet doors, reeded stiles surmounted by expressive “mummy” heads, conforming base, acanthine paw feet, h. 47 1/2 in., w. 78 1/2 in., d. 26 in. $12000/18000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The monumental and exuberantly carved sideboard shown here is among a rare group of furniture attributed to Baltimore cabinetmaker Edward Priestley. Priestley’s cabinet shop was in business from 1807-1837 and supplied stylish and elegant furniture to some of Maryland’s most prominent families.

Priestley’s finest pieces were made during the latter years of his career and exhibit a refined blend of Classical style and form, Gothicized embellishment, and his distinctively carved figural heads. These animated heads were inspired by design illustrations from Thomas Hope’s Household Furniture and Interior Decoration and are frequently surmounting Egyptian columns found on Priestley furniture, a popular design element of the late Neoclassical period. The present lot is nearly identical in overall form to a sideboard in the collection of the Baltimore Museum of Art, which is documented by Alexandra Kirtley in the article “A New Suspect: Baltimore Cabinetmaker Edward Priestley.” A sideboard previously owned by Dr. William H. Crim, also documented in Kirtley’s article, features the same overall form and similar hairy paw feet as the sideboard offered here. Both sideboards illustrated in Kirtley’s article display the unique “mummy” heads seen on the present lot, which distinguish Priestley’s most notable examples. Ref.: Kirtley, Alexandra Alevizatos, “A New Suspect: Baltimore Cabinetmaker Edward Priestley.” American Furniture (2000). chipstone.org/issue.php/22/ American-Furniture-2000. Accessed Dec. 27, 2018 Additional information at www.nealauction.com

41. Very Fine American Classical Carved Mahogany Box Sofa, early 19th c., New York, distinctive paneled crest rail, tubular arms, bronze-mounted uprights, foliate carved melon feet, h. 31 in., w. 80 in., d. 28 in. $3000/5000 40. American Classical Inlaid Mahogany Games Table, c. 1810, Philadelphia, banded foldover top, lyre support, scrolled legs, ball feet, h. 29 1/4 in., w. 36 1/4 in., d. 18 in. $1500/2500

Provenance: The Friedle-Garrison Collection, New Orleans.

Provenance: The Stanley Weiss Collection, Providence, RI.

42. Marble Bust of Antonio Sacchini, after Francesco Carradori, h. 26 in., w. 20 in., d. 11 in., green and white marble pedestal, overall h. 73 in. $2000/3000 Provenance: The FriedleGarrison Collection, New Orleans.

43. Fine Gilt Bronze Figure of a Maiden, after Etienne Henri Dumaige, signature inscribed on cushion, “Tiffany & Co.” stamp on side of seat, h. 11 3/4 in., w. 6 1/2 in., d. 5 3/4 in. $1000/1500

44. Rare French Carved and Gilded Trumeau Mirror, mid-19th c., reserve depicting a scene from Paul et Virginie, acanthine corner mounts, old mirror plate, h. 68 in., w. 36 in. $1500/2500 Provenance: The Friedle-Garrison Collection, New Orleans.

45. Napoleon III Gilt and Patinated Bronze Allegorical Mantel Clock, c. 1860, retailed by Camerden & Forster, New York, modeled as Chronos (Father Time) in a boat holding hourglass and scythe, being steered by Amour, base with water surface, mounted with shells, trident, and steering oar, winged paw feet, h. 20 1/2 in., w. 21 in., d. 6 1/2 in. $2500/3500

Provenance: The Stanley Weiss Collection, Providence, RI.

Ill.: A nearly identical clock is illustrated in Niehuser, Elke. French Bronze Clocks, Philadelphia, Schiffer, 1999, p. 43.

47. Empire Bronze‑Mounted Mahogany Guéridon, early-to-mid 19th c., round gray marble top, pillar and scroll plinth, casters, h. 29 in., dia. 32 1/2 in. $1200/2000 46. George III Painted Satinwood Dressing Mirror, late 18th / early 19th c., shaped mirror, scrolled supports, three drawer base, bracket feet, h. 36 in., w. 28 1/2 in., d. 11 in. $1200/2000 Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

48. Pair of Empire‑Style Bronze‑Mounted Mahogany Fauteuils, scrolled back, sphinx figural uprights, floral-decorated seat rail, legs surmounted by winged eagles, zoomorphic feet, h. 40 1/2 in., w. 28 in., d. 24 in. $1000/1500

50. Louis Philippe Carved Rosewood Fauteuil, early-to-mid 19th c., molded crest rail, reeded stiles, arms with shaped reeded uprights, rounded seat rail, lappet carved sabre legs, h. 37 1/2 in., w. 24 in., d. 27 in. $1000/1500 Provenance: The Friedle-Garrison Collection, New Orleans.

49. Pair of Louis XVI‑Style Bronze‑Mounted Marquetry and Kingwood Petite Commodes, mounted with animal masks, shaped apron, cabriole legs, sabots, h. 32 in., w. 23 in., d. 18 in. $1000/1500

51. French Restauration Carved Mahogany Fauteuil, early 19th c., shaped tablet crest, arm terminals ending in lion’s heads, padded back and seat with brass nailhead trim, square tapered legs, paw feet, h. 35 in., w. 24 in., d. 18 in. $800/1200 Provenance: The Friedle-Garrison Collection, New Orleans.

52. George III Satinwood‑Inlaid Figured Mahogany Linen Press, late 18th c., arched cornice, oval paneled doors enclosing linen drawers, lower case with two short over two long drawers, serpentine apron, flared feet, h. 84 1/4 in., w. 50 1/2 in., d. 22 3/4 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

53. George III Painted and Inlaid Satinwood Pembroke Table, late 18th/early 19th c., serpentine drop-leaf top, frieze drawer, tapered legs, brass cuffs, casters, h. 29 in., w. (closed) 17 in., w. (open) 34 in., d. 27 in. $1800/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

54. Edwardian Painted Satinwood Secretary Bookcase, c. 1900, molded cornice, glazed doors, glass shelf interior, fall front lid, fitted interior, tapered legs, spade feet, h. 82 1/2 in., w. 41 1/2 in., d. 20 in. $2500/3500

55. Six Antique Directoire‑Style Painted Side Chairs, scrolled crest rail, floral blocked seat rail, turned and tapered legs, silk upholstery, h. 34 1/4 in., w. 18 in., d. 19 in. $500/1000 Provenance: Lucullus Antiques, New Orleans; Williamson-LeBlanc Collection, William Harris House, Natchez.

Ill.: Sully, Susan. The Southern Cosmopolitan: Sophisticated Southern Style, pp. 42-43.

Provenance: The Stanley Weiss Collection, Providence, RI.

Additional information at www.nealauction.com

57. Antique Louis XVI‑Style Brass‑Mounted Mahogany Desserte, two tiers with reticulated galleries, tapered fluted standard, sabre legs, brass pad feet, h. 45 in., w. 28 1/2 in., d. 28 1/2 in. $700/900 58. Pair of Antique Painted Architectural Columns, turned capital, fluted body, molded base, h. 93 1/2 in., dia. 16 in. $500/700

Provenance: The Friedle-Garrison Collection, New Orleans. 56. Pair of Neoclassical‑Style Painted and Parcel Gilt Jardinières, fluted tops mounted with floral swags, flared supports with acanthus decoration, circular base, bun feet, h. 46 in., dia. 18 in. $1000/1500

61. American Chippendale Carved Walnut Lowboy, c. 1760-1790, shaped molded top, long drawer over three drawers, shell carved apron, fluted quarter columns, shell carved cabriole legs, ball and claw feet, h. 29 in., w. 36 in., d. 20 1/2 in. $2000/3000

Provenance: The Metropolitan Museum of Art, New York, NY, acc. #15.21.5, before 1947; Miss Ima Hogg, Houston, TX, Sept. 8, 1947; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of, 1969.

59. Fine American Classical Carved and Gilded Pier Mirror, early 19th c., boss corner blocks, foliate carved split columnar surround, ebonized reeded rabbet, h. 62 1/2 in., w. 36 1/2 in. $1500/2500 Provenance: The Friedle-Garrison Collection, New Orleans.

60. Important American Classical Carved Giltwood Mirror, c. 1810, attr. to Robert Welford, Philadelphia, beaded cornice, classical reserve, spiral-turned stiles, blocked and beaded base, h. 48 3/4 in., w. 31 in. $2000/3000

Provenance: The Stanley Weiss Collection, Providence, RI.

62. American Chippendale Carved Mahogany Armchair, late 18th c., arched crest, tapered rectangular back, serpentine arms, shaped uprights, square seat rail, cabriole legs, ball and claw feet, h. 44 1/2 in., w. 26 1/2 in., d. 30 in. $800/1200 Provenance: David Stockwell, Wilmington, DE, Mar. 8, 1960; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1960.

63. American Federal Inlaid Mahogany Secretary‑Bookcase, late 18th/early 19th c., pedimented cornice, arched, reeded glazed doors, blocked panels below, three drawers above foldover writing surface, three long drawers, tapered reeded legs, h. 37 1/2 in., w. 42 in., d. 20 in. $1200/1800

Provenance: Collings & Collings, New York, NY via William C. Hogg Collection, 1966; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

64. American Classical Mahogany Two‑Part Dining Table, c. 1830, attr. to Anthony Quervelle, Philadelphia, foliate paneled frieze, palmette-carved standard, shaped plinth, acanthine paw feet, casters, h. 29 3/4 in., l. 92 in. (extended), d. 46 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The superbly carved dining table in the present lot is closely related to pedestal tables by Philadelphia cabinetmaker Anthony G. Quervelle. According to Philadelphia furniture expert Robert C. Smith, Quervelle was likely the first cabinetmaker in Philadelphia to apply delicate leaf carving to pedestal tables. The lot offered here features intricately carved palmette pedestals and Quervelle’s signature foliate-paneled frieze, shaped lower plinths and acanthus paw feet. These features are nearly identical to several examples illustrated in Smith’s discussion of Quervelle tables in the article “The Furniture of Anthony G. Quervelle” published by The Magazine Antiques, July 1973. Ref.: Smith, Robert C., “The Furniture of Anthony G. Quervelle.” The Magazine Antiques, July 1973, pp. 90-97.

65. American Classical Figured Mahogany Bookcase on Stand, c. 1835, attr. to Anthony H. Jenkins, Baltimore, flared cornice, paneled doors mounted with pineapple decoration, shelf-interior, three drawers, lower case with frieze drawer, columnar supports, shaped plinth, paw feet, h. 82 in., w. 44 in., d. 26 1/2 in. $5000/7000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: A closely related bookcase, illustrated in Classical Maryland by Gregory R. Weidman, is signed by Baltimore cabinetmaker Anthony H. Jenkins and features a similar overall form and applied foliate decoration on the cabinet doors as the present lot. Ref.: Weidman, Gregory R., et al. Classical Maryland: 1815-1845, Fine Decorative Arts from the Golden Age. Maryland Historical Society, 1993, p. 136.

66. American Classical Carved Mahogany Wardrobe, c. 1830, probably John Needles, Baltimore, center cabinet with pedimented cornice, two cabinet doors with linen drawer interior over three graduated drawers, flanked by two tall cabinets, plinth base, ball feet, h. 79 3/4 in., w. 84 in., d. 22 1/2 in. $5000/7500 Provenance: The Stanley Weiss Collection, Providence, RI.

67. A Rare American Late Classical Carved Mahogany Tub Chair, mid-19th c., probably New York or Philadelphia, rounded seat back, scrolled arms, foliate uprights, flared legs, brass cuffs, casters, h. 36 in., w. 24 in., d. 17 1/2 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

68. American Late Classical Figured Mahogany Work Table, c. 1840, probably Boston, circular top with two frieze drawers, deep work basket, scrolled supports, tripod plinth base, casters, h. 29 in., dia. 23 3/4 in. $1000/1500 Provenance: The Stanley Weiss Collection, Providence, RI.

Additional information at www.nealauction.com

69. American Federal Carved Mahogany Bowfront Chest of Drawers, c. 1790-1810, Boston, turreted bead molded top, four drawers, flanked by foliate carved, reeded stiles, reeded feet, h. 40 in., w. 43 in., d. 23 1/2 in. $1500/2500 Provenance: The Friedle-Garrison Collection, New Orleans.

70. American Classical Bronze‑Mounted and Gilt Stenciled Mahogany Pier Table, 19th c., attr. to Anthony Quervelle, Philadelphia, original “King of Prussia” marble top, gadrooned frieze, blocked corners, bronze collared supports, stenciled mirrored back flanked by turned and reeded pilasters, gadrooned shelf, paw feet, h. 40 in., w. 42 1/2 in., d. 18 3/4 in. $2500/3500

71. American Federal Carved Mahogany Ribbonback Side Chair, c. 1790-1800, shaped crest rail, conforming slats, serpentine seat rail, molded tapered legs, stretchers, h. 38 in., w. 23 in., d. 19 1/4 in. $300/500 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, 1979.

Provenance: The Friedle-Garrison Collection, New Orleans.

72. Fine Edwardian Satinwood and Mahogany Inlaid Sideboard in the Adam Taste, late 19th c., bowfront center section with frieze drawer and backsplash, flanked by pedestals, each with a drawer and fitted cupboard, carved paw feet, h. 46 in., w. 88 1/4 in., d. 20 3/4 in. $2000/3000

73. Antique George III Carved Mahogany Tambour Desk, late 18th/early 19th c., molded top above tambour lid, fitted interior, tooled leather writing surface, two frieze drawers above kneehole configuration of drawers, tapered legs, cuff casters, h. 45 in., w. 46 in., d. 28 1/2 in. $1000/1500 Provenance: Williamson-LeBlanc Collection, William Harris House, Natchez.

74. Edwardian Painted Satinwood Armchair, c. 1900, shield-back centered by a maiden reserve, caned back and seat, shaped arms, tapered legs, h. 36 3/4 in., w. 21 1/4 in., d. 17 in. $800/1200 Provenance: The Stanley Weiss Collection, Providence, RI.

75. Edwardian Brass‑Mounted Painted Satinwood Stand, c. 1900, reticulated gallery, candle slide, vasiform turned and tapered legs, casters, h. 27 3/4 in., w. 14 1/2 in., d. 10 1/2 in. $500/1000 Provenance: The Stanley Weiss Collection, Providence, RI.

76. Fine English Bronze‑Mounted and Inlaid Mahogany Commode, late 19th c., in the Louis XVI taste, inset rouge marble top, brass gallery, frieze drawer with ornate foliate decoration, two lower drawers, stop-fluted columnar stiles, conforming base, toupie feet, h. 39 in., w. 49 in., d. 23 1/2 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

77. Regency Carved and Gilded Mahogany Armchair, early 19th c., scrolled crest, padded back, seat and arms, lappet-carved uprights, turned and reeded legs, ball feet, h. 39 3/4 in., w. 23 1/2 in., d. 20 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

78. Empire Bronze‑Mounted Mahogany Méridienne, 19th c., bronze banding and floral bronze mounts, feet with bronze roundels, green velvet upholstery, h. 37 in., w. 64 in., d. 24 in. $2000/3000

Provenance: Lucullus Antiques, New Orleans; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

80. Rare Pair of Portuguese Colonial Carved Tropical Hardwood Side Chairs in the Chippendale Taste, late 18th c., shaped crest rail, pierced splat, serpentine seat rail, cabriole legs, ball and claw feet, h. 41 in., w. 20 in., d. 15 in. ; accompanied by one chair’s original tooled leather seat. (3 pcs.) $2000/4000 Provenance: The Stanley Weiss Collection, Providence, RI.

79. William IV Carved Mahogany Etagere, 19th c., galleried top, vasiform uprights, medial shelf with two drawers, ball feet, h. 42 1/2 in., w. 46 in., d. 20 1/2 in. $1000/1500

81. Milne Ramsey (American/Pennsylvania, 1847‑1915), “Still Life with Roses”, 1873, oil on canvas, signed and dated “4.73” lower right, 24 in. x 20 1/4 in., framed. $700/1000

82. British School, mid‑19th c., “Portrait of a Lady”, oil on canvas, unsigned, “T. Brown” canvas stamp en verso, 30 in. x 25 1/4 in., framed. $1000/1500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

83. Twelve Views of European Cities, 12 handcolored engravings, late 18th/early 19th c., 10 of English locations, 2 of Italian locations, published by Bowles and Carver, London, sights 9 1/2 in. x 16 3/8 in., framed alike. (12 pcs.) $1000/1500

Provenance: The Friedle-Garrison Collection, New Orleans.

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85. Good Antique American Carved Pine Pilot House Eagle, 19th c., spread-winged eagle grasping a ball, later wood base, overall h. 20 1/2 in., w. 24 in., d. 14 1/2 in. $1000/1500 Provenance: South Street Seaport Museum Antique Shop, New York, NY, late 1960s; The Friedle-Garrison Collection, New Orleans 84. After Raffaello Sanzio da Urbina (Italian, 1483‑1520), 6 engravings, from Loggie di Raffaello nel Vaticano, 1772-1777, by Ottaviani, after Savorelli and Camporesi, sheets 36 1/4 in. x 26 3/4 in., unframed. $1000/1500

86. Four Italian Carved Marble Busts of Ladies, 20th c., marble socle, malachite veneered base, tallest h. 12 5/8 in. $1000/1500

88. Grand Tour Gilt and Patinated Bronze Portico, 19th c., previously a clock case, h. 16 in., w. 8 1/2 in., d. 5 in.; together with modern painted wood model of a temple, h. 17 in., dia. 15 in. $500/700 Provenance: The Friedle-Garrison Collection, New Orleans.

91. Continental Tôle Peinte Tray, c. 1900, harbor scene, cut-out handles, 21 1/2 in. x 29 in., with later folding stand, h. 22 in. $200/400

Provenance: The Friedle-Garrison Collection, New Orleans.

87. Pair of French Régence‑Style Gilt Bronze Three‑Light Mirrored Sconces, sun-mask crest, scrolled branches, electrified, h. 22 in., w. 16 in., d. 11 in. $1200/1800

89. Grand Tour Bronze Figural Tazza, 20th c., shell over addorsed dolphins, tripartite base, h. 13 in., w. 12 in., d. 12 in. $300/500 Provenance: The Friedle-Garrison Collection, New Orleans.

92. George III Mahogany Two‑Tier Dumbwaiter, late 18th/early 19th c., molded shelves, turned supports and standard, sabre legs, brass paw feet, casters, h. 34 1/2 in., d. 25 1/2 in. $1000/1500 Provenance: The Stanley Weiss Collection, Providence, RI.

90. Four Grand Tour Bronze Souvenirs, 19th c., incl. bronze bust of a Roman youth, tazza with serpent handles, bronze figure of Narcissus, and bronze cherub on marble base, tallest h. 9 in. $500/700 Provenance: The Friedle-Garrison Collection, New Orleans.

93. Queen Anne Burled Walnut Chest, c. 1700, herringbone inlay, two short over three long drawers, batwing pulls, suppressed ball feet, pine and oak secondary wood, h. 35 in., w. 38 1/4 in., d. 21 1/4 in. $1500/2500

95. Tiffany & Co. Makers Sterling Silver Tea and Coffee Service, “Hampton” pattern 18389, introduced 1934, incl. kettle‑on‑stand, h. (to top of handle) 12 in.; teapot; coffee pot; hot milk pitcher; sugar; creamer; waste bowl and tray, 24 7/8 in. x 17 3/4 in., all engraved “1916 W 1941”, total wt. 272.60 troy ozs. $6000/8000

94. Chinese Famille Noire Porcelain Charger, 19th/20th c., painted with pairs of phoenix birds on rockwork beneath tree with further pairs of birds, base with apocryphal Kangxi mark, h. 2 7/8 in., dia. 15 1/2 in. $300/500

96. Tiffany and Co. Sterling Silver Bowl, pattern introduced 1914, reticulated geometric border, h. 1 7/8 in., dia. 9 in., wt. 12.80 troy ozs. $300/500

98. Tiffany & Co. Makers Sterling Silver Footed Centerbowl, c. 1950, h. 3 3/8 in., dia. 11 7/8 in., wt. 28.30 troy ozs. $800/1200 97. Reed & Barton “Pilgrim” Pattern Sterling Silver Tea Tray, l. 24 1/2 in., w. 17 in., wt. 108.75 troy ozs. $2000/3000

99. Tiffany & Co. Makers Sterling Silver Bowl, 1st half 20th c., stylized floral and foliate handles, h. 2 5/8 in., w. 11 1/4 in., wt. 17.05 troy ozs. $500/750

100. Wood & Hughes “Medallion” Coin Silver Tea Service, New York, pre‑1871 mark, incl. teapot, covered sugar, covered creamer and waste bowl, with orb finials on domical lids, ovoid bodies with various classical bust medallions and beaded borders, teapot h. 10 1/2 in., combined wt. 76.50 troy ozs.; together with associated unmarked “Medallion” pattern silverplate tray, 17 3/8 in. x 13 3/4 in. (5 pcs.) $3000/5000

101. Fine Pair of George V Sterling Silver Table Candlesticks in the Adam Taste, Birmingham, 1915, maker RJG untraced, urn‑form candle nozzles with removable bobêches, tapered shaft, spreading foot, square base with chamfered corners, classical motifs throughout, weighted bases, h. 11 3/4 in. $500/750 Provenance: The Friedle‑Garrison Collection, New Orleans.

102. Group of Antique English Sterling Silver Apostle Spoons, incl. cased set by Josiah Williams & Co. (George Maudsley Jackson), London, 1892, fitted with sugar sifter ladle depicting Simon the Zealot and 2 serving spoons; cased set of 6 demitasse spoons by William Devenport, Birmingham, 1907; and 1 serving spoon with pear‑shaped bowl by William Hutton & Sons, London, 1896; total wt. 8.35 troy ozs. $300/500

103. Antique English Sterling Silver Monteith, William Hutton & Sons, London, 1897, mark reg. 1894, scalloped rim, stop‑fluted body with molded cartouches and lion head handles, reeded foot, gilt wash interior, h. 9 in., w. 11 in., wt. 66.70 troy ozs. $1500/2500 Additional information at www.nealauction.com

104. Tiffany & Co. Makers Sterling Silver Bowl, c. 1900, molded scroll border, lobed body, h. 2 3/4 in., dia. 8 5/8 in., wt. 17.90 troy ozs. $500/750

105. Gorham “Chantilly” Pattern Sterling Silver Sandwich Tray, dia. 10 1/2 in.; together with Frank M. Whiting “Silver Harvest” sterling bowl, dia. 10 1/4 in., combined wt. 22.15 troy ozs. (2 pcs.) $400/600

106. WMF (Wurttembergische Metallwarenfabrik) Silverplate Wine Coaster, early 20th c., reticulated gallery with oval cabochons and beaded swags, turned wood bottom, h. 2 1/2 in., dia. 4 3/4 in. $50/100 107. Tiffany “English King” Pattern Sterling Silver Flatware Service, pat. 1885, incl. 12 each: dinner knives, l. 10 1/8 in., luncheon forks, l. 6 7/8 in., salad forks, cocktail forks, soup spoons, dessert spoons, teaspoons, demitasse spoons, butter knives (fh), 2 cold meat forks, 3 tablespoons, salad serving fork and spoon, carving fork, master butter knife and cheese knife, 1 dinner fork, l. 7 1/2 in. and flat server, total wt. (weighable) 176.80 troy ozs. (130 pcs.) $4000/6000

Provenance: Purchased Adler’s, New Orleans, 1967. 108. Monumental Silverplate Plateau, inset mirror plate, beaded borders, foliate scroll collar, scroll feet, h 5 1/2 in., dia. 23 in. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

109. Shiebler “Medallion” Pattern Sterling Silver Flatware Service, c. 1880, incl. 12 dinner forks, 11 luncheon forks, 11 soup spoons, 8 dessert spoons, and 18 teaspoons (8 of which coin marked J. Polhamus, pat. 1865); together with 6 Gorham “Medallion” nut picks, 1 flat serving spoon and 2 individual salt cellars; and 2 Wood & Hughes salt spoons, featuring various classical medallions, total wt. 95.75 troy ozs. (71 pcs.) $2500/3500 Note: Shiebler used John Polhamus’ design for the basic shape of each piece. The medallion designs come from Polhamus and Albert Coles. Shiebler acquired the pattern dies of both. Ref.: Soeffling, D. Albert. Silver Medallion Flatware, pp. 72‑75.

110. Fine American Bronze‑Mounted Crystal Sinumbra Lamp, c. 1830, labeled “J. and I. Cox”, New York, foliate collar, faceted standard, marble base, foliate‑cut shade, h. 26 1/4 in., dia. 10 1/4 in. $1500/2500 Provenance: The Friedle‑ Garrison Collection, New Orleans.

111. Pair of American Gilt and Patinated Bronze Argand Lamps, c. 1830, J. and I. Cox, New York, double tiered, hung with prisms, paw feet, cut glass shades, h. 23 1/2 in., w. 13 in., d. 8 in. $2500/3500 Provenance: The Friedle‑ Garrison Collection, New Orleans.

112. Rare French Tôle Peinte and Parcel Gilt Figural Lamp, 19th c., wreath and hand finial, adjustable lamp, unusual Athena figure, with top portion of body a removable font, iron base, h. 20 1/2 in., w. 10 1/2 in., d. 5 1/2 in. $1000/1500 Provenance: The Friedle‑Garrison Collection, New Orleans.

113. French Patinated Metal Figural Lamp, 19th c., labeled “SOLDAT SPARTIATE”, after the sculpture by Jean Pierre Cortat (French, 1787‑1843), yellow glass shade with gilt decoration, electrified, h. 29 1/2 in., w. 16 1/2 in., d. 13 1/2 in. $600/900 Provenance: The Friedle‑Garrison Collection, New Orleans.

114. Gilt Bronze Bust of George Washington, h. 7 1/4 in., w. 6 1/2 in., d. 4 in., marble base with handwritten label with provenance, overall h. 10 1/2 in. $500/700

Provenance: Estate of Prince Joseph Bonaparte, Bordentown, NJ.; The Friedle‑Garrison Collection, New Orleans.

115. Rare Pair of American Terracotta Recumbent Shetland Sheepdogs, c. 1870, labeled “J.W. Fiske, 99 Chambers St. New York” on front of base, h. 15 1/2 in., w. 30 in., d. 11 1/2 in. $1500/2500 Provenance: The Friedle‑Garrison Collection, New Orleans.

116. American Federal Gilded Mahogany Mirror, late 18th c., probably New York, surmounted by a flower and urn finial, swan’s neck crest, foliate mounts, carved pendants, h. 50 in., w. 19 3/4 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

117. American Federal Inlaid Mahogany Tall Case Clock, early 19th c., case attr. to Jacob Taylor, New York and New Jersey, swan’s neck pediment, brass finial, painted dial, serpentine apron, flared feet, h. 88 in., w. 17 3/4 in., d. 9 in. $5000/10000 Provenance: The Stanley Weiss Collection, Providence, RI. Illus: Antiek, No. 2 Aug/Sept 1987, p. 95.

118. American Chippendale Carved Mahogany Wing Chair, late 18th c., arched crest rail, shaped canted wings, outscrolled arms, rounded seat rail, cabriole legs, pad feet, turned, blocked stretchers, h. 47 in., w. 37 1/4 in., d. 34 in. $1000/2000 Provenance: John S. Walton, New York, NY, Jan. 12, 1955; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

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119. American Federal Carved Mahogany Sofa, early 19th c., New York, paneled crest rail centered by a carved bowknot and wheat motif, scrolled arms, reeded tapered legs, casters, h. 37 1/2 in., l. 77 1/2 in., d. 21 1/2 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The Sheraton‑influenced scroll‑back sofa form can be traced to The London Chair‑Makers’ and Carvers’ Book of Prices for Workmanship published in 1802 and was subsequently implemented by prominent New York cabinetmakers such as Duncan Phyfe and his contemporary Michael Allison. The sofa offered here features a nearly identical overall form and carved crest rail decoration as a Phyfe sofa in the collection of The Metropolitan Museum of Art and an Allison sofa in the collection of The Art Institute of Chicago. Ref.: Kenny, Peter M., et al. Duncan Phyfe, Master Cabinetmaker in New York. The Metropolitan Museum of Art, 2011, pp. 71‑73; 166‑167.

120. American Classical Bronze‑Mounted Carved and Stenciled Mahogany Bookcase, c. 1830, New York, flared cornice, arched frieze, glazed doors, shelf interior, columnar stiles, bolection frieze drawer over a deep drawer, lower cabinet with shelf interior, acanthine paw feet, h. 99 in., w. 45 1/2 in., d. 23 in. $4000/6000

121. American Classical Carved Mahogany Window Seat, c. 1830, school of Isaac Vose, Boston, padded arms, lotus‑carved reeded supports, paneled floral seat rail, bulbous lobed legs, acanthus carved feet, casters, h. 27 3/4 in., w. 51 in., 18 3/4 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: The Stanley Weiss Collection, Providence, RI.

122. Rare American Classical Mahogany Server, early 19th c., probably New York, three frieze drawers, lower arched bolection section with two drawers, lower plinth, fluted scrolled legs, h. 38 1/2 in., w. 52 in., d. 22 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

123. Pair of Neoclassical‑Style Faux Marbre Pedestals, rectangular top, conforming column, acanthus carved molded base, h. 36 in., w. 25 in., d. 18 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

124. American Aesthetic Carved Walnut Dining Table, late 19th c., attr. to Herter Brothers, New York, molded frieze, floral‑carved Ionic columnar supports, gadrooned pedestal base, with 6 leaves and storage case, h. 29 in., l. (extended) 108 in., l. (closed) 48 in., w. 48 in. $10000/15000 Note: The Herter Brothers firm of New York created some of the most extravagant furniture of the late 19th century for prominent names such as Rockefeller and Vanderbilt. Dining tables are very rare among known Herter Brothers examples. The elaborately carved dining table offered here is closely related in style and proportion to a Herter dining table in the collection of the Driehaus Museum in Chicago.

The present lot is also related to a Herter Brothers sideboard in the collection of the Art Institute of Chicago, which features a similar carved sunflower motif—a common pattern used in late 19th century Aesthetic design. Ref.: “From the Collection, Herter Brothers Dining Table, 1883.” The Driehaus Museum, Chicago. driehausmuseum.org/blog/view/from‑the‑collection‑herter‑brothers‑dining‑table‑1883. Accessed December 28, 2018; Howe, Katherine S., Alice Cooney Freling¬huysen and Catherine Hoover Voorsanger, et al. Herter Brothers: Furniture and Interiors for a Gilded Age. New York: Harry N. Abrams, Inc. and The Museum of Fine Arts, Houston, 1994, pp 50, 171.

125. American Renaissance Marquetry and Gilt‑Incised Walnut Center Table, likely Pottier and Stymus, New York, shaped top, conforming frieze, incurvate legs mounted with wolf masks, shaped stretcher surmounted by an urn finial, bun feet, h. 30 in., w. 47 in., d. 31 in. $5000/7500 Provenance: The Stanley Weiss Collection, Providence, RI

126. American Renaissance Marquetry, Gilt Incised and Parcel Ebonized Burled Walnut Parlor Cabinet, c. 1870, attrib. Pottier & Stymus, New York, metamorphic top converts to two music stands, two shallow drawers, paneled cabinet doors centered by winged putti, scrolled stiles, blocked base, molded feet, h. 48 in., w. 50 in., d. 50 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

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127. American Classical Ebonized, Parcel Gilt and Burled Walnut Sécrétaire à Abattant, early 19th c., Boston, hidden frieze drawer, fall front door opens to fitted interior, columnar stiles, lower doors open to shelf interior, plinth base, bun feet, h. 58 in., w. 39 in., d. 20 1/2 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

128. Regency Brass Inlaid Rosewood Sofa Table, early 19th c., drop leaf top, frieze drawer, columnar standard, turned plinth, flared legs, foliate cuffs, casters, h. 28 1/4 in., w. 36 3/4 in., d. 26 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

130. Regency Inlaid Mahogany Cellarette, early 19th c., shaped sarcophagus top, copper interior, brass paw feet, h. 22 in., w. 27 1/2 in., d. 17 3/4 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI. 129. Four Chippendale Carved Mahogany Side Chairs, 18th c., probably Irish, double‑arch crest rail centered by palmette, shaped splat, trapezoidal seat, cabriole legs, ball and claw feet, h. 37 1/2 in., w. 23 in., d. 18 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

131. Pair of Neoclassical‑Style Gilt Bronze Side Tables, inset marble top, double column supports, small lower tier, shaped plinth, bun feet, h. 27 1/2 in., w. 20 1/4 in., d. 20 1/4 in. $3000/4000

132. Continental Carved Mahogany Bombé Commode, early 18th c., molded serpentine top, conforming case with three drawers, scrolled stiles, serpentine apron, heavily scrolled legs, h. 37 1/4 in., w. 59 1/2 in., d. 28 in. $7000/10000 Provenance: The Stanley Weiss Collection, Providence, RI.

133. French Doré Bronze and Rock Crystal 8 Light Chandelier, $3000/5000

134. Fine Pair of Regency Gilt and Patinated Bronze Argand Lamps, c. 1840, each with shell font, dolphin finial, tall plinth base with mask and hippocampus, floral cut shades, h. 17 1/2 in., w. 13 in., d. 6 in. $3000/5000

Provenance: The Friedle‑ Garrison Collection, New Orleans.

135. Large American or English Giltwood Girandole Mirror, early 19th c., surmounted by a carved eagle, molded surround with rope‑carved detail, ebonized rabbet, convex mirror plate, four candlearms, foliate pendant, h. 52 1/2 in., w. 45 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

136. Fine John Sawin Mahogany Shelf Clock, c. 1828, Boston, concave dial and tablet marked “Sawin”, 8‑day, striking bell movement, acorn finial, reverse painted tablets, h. 33 in., w. 13 in., d. 6 in. $1200/1800 Provenance: The Stanley Weiss Collection, Providence, RI.

138. J.C. Brown “Acorn” Shelf Clock, c. 1850, laminated rosewood case, painted dial marked “Forestville Manufg. Co./ Bristol Ct., U.S.A.”, top tablet painted in green and yellow outline, lower in etched star pattern, interior retains original paper label and green paper background, double fusée, striking bell movement, h. 24 1/4 in., w. 14 1/4., d. 4 3/4 in. $1000/1500 Provenance: The Friedle‑Garrison Collection, New Orleans.

137. Joseph Ives Mahogany “Brooklyn” Shelf Clock, c. 1825, dial marked “JOSEPH IVES, NEW YORK”, 8‑day movement with unusual “wagon spring”; Duncan Phyfe‑style case with brass repoussé medallions, transfer decorated tablet, paw feet, h. 29 in., w. 15 1/2 in., d. 4 1/4 in. $1000/1500 Provenance: The Friedle‑Garrison Collection, New Orleans.

139. American Sterling Silver Flatware Service, International “Minuet” pattern, pat. 1925, incl. 8 dinner forks, 8 dinner knives, 8 luncheon forks, 7 luncheon knives (1 “as is”), 8 salad forks, 8 seafood forks, 8 cream soup spoons, 7 dessert spoons, 7 teaspoons, 8 ice teaspoons, 10 demitasse spoons, 7 butter spreaders (fh), 4 tablespoons, 2 medium cold meat forks, small cold meat fork, gravy ladle, sauce ladle, master butter knife, sugar shell, sugar tongs, jelly server, flat server, 2 relish servers, lemon fork, pickle fork, small carving fork and knife (hh) and cake knife, total wt. (weighable) 110 troy ozs. (115 pcs.) $1000/1500

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140. Tiffany & Co. Makers “Hamilton” Pattern Sterling Silver Bread Tray, 1st half 20th c., reeded border, l. 11 3/8 in., wt. 10.40 troy ozs. $300/500 141. Hyde & Goodrich Fiddlethread Coin Silver Partial Flatware Service in the French Taste, c. 1840‑1850, act. New Orleans, 1828‑1861, marked “HYDE & GOODRICH” in rectangle and with curious marks, all with engraved monograms on the reverse, incl. 8 table forks, l. 8 in., and 7 tablespoons, l. 8 1/2 in. with an associated French 1st Standard, tablespoons by Guillaume Clement, Paris, c. 1840, total wt. 37.45 troy ozs. $600/900 Ref.: Crescent City Silver. 143. Group of American Sterling Silver Hollowware, 20th c., various makers incl. International Art Deco sandwich tray, w. 11 1/4 in., Schofield Revere bowl, h. 3 3/8 in., dia. 6 1/2 in., Shreve & Co. bowl, h. 2 3/8 in., dia. 6 3/8 in., 2 Hamilton bowls, dia. 5 7/8 in., Birks bonbon, dia. 4 1/2 in. and Frank. M. Whiting footed bonbon, w. 5 1/8 in., total wt. 36 troy ozs. $400/600 144. American Coin Silver Coffee and Tea Service, Ben F. Crane & Co., St. Louis, wc. 1842‑1861, incl. coffee pot, 2 teapots, covered sugar, creamer, waste bowl, two‑handled urn and two master salt cellars, each vase form with urn‑shaped finial, beaded borders and square base, coffee pot h. 14 in., total wt. 180.85 troy ozs. $4000/6000 Provenance: Descended in a South Louisiana Family.

Ref.: Mack, Norman. Missouri’s Silver Age: Silversmiths of the 1800s, pp. 41‑43.

145. Antique English Lacquered Papier‑Mâché Tray, mid‑19th c., molded lip, coaching scene landscape decoration, 29 1/2 in. x 24 in. $400/600

146. Pair of Louis Philippe Gilt and Patinated Bronze Six‑Light Candelabra, 19th c., columnar shaft, lion legs, h 28 in., dia. 10 in. $800/1200

147. Pair of Empire Bronze‑Mounted Tôle Single Light Sconces, c. 1810, urn form font, swan handles, removable shades, h. 11 in., w. 8 in., d. 9 1/2 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

142. Group of Southern Coin and Sterling Silver Flatware, incl. 6 fiddle typt teaspoons, J.M. Cayce, Franklin, TN, act. 1850‑1870; 6 fiddlethread forks (l. 7 3/8 in.), Gale & Hughes, NY, 1846, for Gowdey & Peabody, Nashville, act. 1843‑1847; olive variant sauce ladle, William Kendrick, Louisville, act. 1830‑1880; olive variant master butter knife, John Kitts, Louisville; fiddle typt sugar shell, C.W. Wilcox, Smyrna, GA; 3 Gorham sterling fiddle typt teaspoons marked “BELL & BROS”, and unmarked variant olive sugar sifter spoon; total wt. 26 troy ozs. $400/600 Ref.: Caldwell, Benjamin H. Tennessee Silversmiths; Boultinghouse, Marquis. Silversmiths of Kentucky: 1785‑1900.

149. Steamboat Natchez Captain Thomas P. Leathers’ 18 kt. Gold Presentation Pocketwatch, c. 1875, engraved “Cha. H. Grosclaude/Fleurier, Switzerland/Eight Days Running/Ind.p.t. Full & Quarter Seconds/40 Ruby Jewels/ Ben Roach to T.P. Leathers” outer case engraved with trotter horse racing and duck hunting scenes; the crown set with mine‑cut diamond, dial set with dual‑time dials; the outer ring with sweep second hand, leather fob, case dia. 2 1/2 in. $3000/5000 Provenance: Descended in the Leathers family. The “Ben Roach” who presented this watch was almost certainly Benjamin Roach (1812‑1886), a wealthy planter and merchant in Carrollton, Mississippi.

Note: Thomas Paul Leathers (1816‑1896) was probably the most famous Mississippi steamboat captain of the golden age. The famous race between the Natchez and the Robert E. Lee in 1870 is immortalized in the iconic Currier & Ives print. 150. Antique Gun Cane and Stiletto Cane, 19th c., the gun cane with horn handle, marked “VAUGHAN’S PATENT 59 STRAND”, the stiletto cane with handle in the form of a hand, longest l. 38 1/2 in. $400/600

148. Regency Gilt and Patinated Bronze Sinumbra Lamp, c. 1840, vasiform standard, rosette medallions, cut‑glass shade, h. 31 1/2 in., dia. 11 1/2 in. $700/1000

Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: The Friedle‑Garrison Collection, New Orleans.was acquired by Royal Copenhagen.

151. American Silkwork of “Lady Liberty”, c. 1810, “Liberty in the Form of the Goddess of Youth”; Giving Support to the Bald Eagle, after Edward Savage (American, 1761‑1817), sight 22 in. x 15 1/2 in., period frame. $500/800 Provenance: The Friedle‑Garrison Collection, New Orleans.

152. American or English Carved Mahogany Candlestand, late 18th c., possibly New York, stamped initials “J.C.S.”, dished top, tapered standard with swirled ball, arched legs, ball and claw feet, h. 26 1/4 in., dia. 16 in. $1500/2500 Provenance: Teina Baumstone, New York, NY, Oct. 19, 1954; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

153. Louisiana Inlaid Mahogany Campeche Chair, early 19th c., distinctive arched crest, later crest rail extension, scrolled arms, turned stretcher, back with later reinforced brackets, found “as is”, h. 39 1/2 in., w. 29 in., d. 28 in. $1000/2000

Note: The overall form, including the melon‑shaped crest, inlaid heron motif, scrolled arms, curule base, and turned stretchers of the Campeche or “Boutaque” chair in the present lot is closely related to a similar chair in the collection of the Louisiana State Museum. Ref.: “Louisiana State Museum Collections, Decorative Arts, Furniture.” crt.state.la.us/louisiana‑state‑museum/collections/ decorative‑arts/furniture/index. Accessed December 28, 2018. Additional information at www.nealauction.com

154. Rare Creole or West Indies Mahogany Petite Armoire, early 19th c., cove‑molded cornice with reeded band, veneered frieze with reeded banding, flush paneled doors with reeded center stile, scalloped skirt on cabriole banded legs, interior retaining original shelves and belt of drawers, h. 54 1/2 in., w. 43 in., d. 15 1/2 in. $8000/12000 Note: The use of flush panels for the doors and the distinctive “hoof” feet of this armoire exhibit the influence of French cabinetmaking transmitted through the Caribbean into North America. A mahogany armoire and a buffet by Haitian / Philadelphia cabinetmakers Jean Baptiste Laurent and Charles Domballe in the Girard collection share these “island” features. An armoire for the Ursuline Convent with elements similar to those seen in this example is also illustrated in Poesch, Jessie. Early Furniture of Louisiana, Louisiana State Museum, p. 41, pl. 9.

155. Rare American Classical Bronze‑Mounted Carved Mahogany Library Desk, early 19th c., New York, molded top, three glazed doors, flanked by Ionic pilasters, above fold out writing surface, three drawers, Ionic pilaster carved legs, bead molded block feet, h. 59 1/2 in., w. 63 in., d. 20 in. $1500/2500 Provenance: The Friedle‑Garrison Collection, New Orleans.

Ref.: For Laurent Domballe examples see The Stephen Girard Collection, fig 33‑34. Another excellent resource is Holden. “Echoes of an Island Past: Flush Panel Armoires in Saint‑Domingue and Louisiana,” Southern Quarterly (Spring 2007).

156. American Classical Bronze‑Mounted Carved Mahogany Work Table, early 19th c., Philadelphia, two drawers, foliate‑carved turned stiles, double lyre support, scrolled reeded legs, brass paw feet, casters, h. 30 in., w. 20 in., d. 17 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

157. American Late Classical Stenciled Mahogany Gentleman’s Dressing Chest, c. 1840, attr. to Haines and Holmes, New York, rectangular mirror supported by scrolled foliate brackets, three glove drawers, bolection frieze drawer, two lower drawers, turned columnar stiles, turned legs, ball feet, h. 68 1/2 in., w. 37 in., d. 22 1/8 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

158. Fine American Federal Carved Mahogany Bowfront Games Table, c. 1800, probably New York or Philadelphia, foldover swivel top, rosette frieze, corner pendants, carved lyre support with gilt rosettes, reeded sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 37 in., d. 18 in. $1500/2500

Provenance: The Friedle‑Garrison Collection, New Orleans.

159. William IV Carved Rosewood Teapoy, mid‑19th c., sarcophagus‑form case with fitted interior, octagonal tapered standard, incurvate plinth, scrolled feet, casters, h. 32 in., w. 14 in., d. 11 in. $500/700

160. American Classical Ormolu‑Mounted Mahogany Box Sofa, early 19th c., New York, likely Duncan Phyfe, cylindrical crest rail, columnar uprights, turned acanthus‑carved legs, lobed feet, casters, h. 33 1/2 in., l. 78 in., d. 28 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

161. Very Fine American Classical Carved Mahogany Center Table, c. 1820‑30, New York, segmented top, conforming frieze, robustly carved acanthus and pineapple standard, circular plinth, foliate‑carved hairy paw feet, casters, h. 29 3/4 in., dia. 48 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

162. Very Fine American Classical Bronze‑Mounted, Gilded and Carved Mahogany Pier Table, New York, gris de Ste. Anne marble top, mounted frieze, bronze collared supports, mirrored back, incurvate plinth, ball feet, h. 35 in., w. 46 1/2 in., d. 20 in. $3000/5000 Provenance: The Friedle‑Garrison Collection, New Orleans. 163. Antique Georgian‑Style Inlaid Mahogany Writing Table, late 19th c., inset leather top, frieze with two drawers on each side, tapered legs, spade feet, h. 29 in., w. 43 in., d. 33 1/2 in. $700/1000

164. Fine Suite of Four Antique Louis XV‑Style Crème Peinte Fauteuils, padded back, arms and seat, cabriole legs, floral Aubusson upholstery, h. 37 in., w. 25 in., d. 23 in. $700/1000 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

165. Dutch Neoclassical Figured Mahogany Linen Press, early 19th c., flat cornice, two large paneled doors over two smaller doors, gilt bronze mounts, whole resting on block base, h. 94 in., w. 62 1/2 in., d. 25 in. $4000/6000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. Additional information at www.nealauction.com

166. Antique Empire‑Style Bronze‑Mounted Mahogany Commode and Mirror, commode with gray marble top, frieze drawer over three drawers, columnar stiles; mirror with molded cornice and columnar supports, commode h. 35 in., w. 51 in., d. 23 in., mirror h. 68 1/2 in., w. 52 1/2 in. $3000/5000 168. Louis XV‑Style Bronze‑Mounted Marquetry and Kingwood Bureau Plat, serpentine top, conforming frieze with three drawers, cabriole legs, sabots, h. 32 in., w. 57 in., d. 30 in. $1200/1800

167. Directoire‑Style Carved Mahogany Dining Table, 20th c., possibly Maison Jansen, molded oval top, molded frieze, fluted tapered legs, cuff casters, with three leaves, h. 29 in., l. 55 in., w. 44 in. $1500/2000

169. English Giltwood and Pietra Dura Stand, late 19th c., oval top with floral and bird motif, baluster‑turned standard with foliate decoration, sabre legs, scrolled toes, h. 30 in., w. 26 in., d. 20 in. $1200/1800

Provenance: The Stanley Weiss Collection, Providence, RI. 170. Empire Bronze‑Mounted Mahogany Commode, 19th c., black marble top, five drawers, columnar stiles, disc feet, h. 37 in., w. 49 in., d. 23 in. $2000/3000

Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

171. George III Carved Mahogany Mule Chest, late 18th/early 19th c., serpentine backsplash, hinged top, divided interior, bank of faux drawers and four lower drawers, columnar stiles, plinth base, shaped bracket feet, h. 39 1/2 in., w. 66 in., d. 22 1/2 in. $800/1200

172. Eight Régence‑Style Carved Walnut Dining Chairs, incl. two armchairs and six side chairs, serpentine shell‑carved crest rail, caned back and seat, carved apron, scrolled legs, X‑stretcher, armchair h. 38 1/2 in., w. 24 in., d. 19 in.; side chair h. 38 in., w. 19 in., d. 18 in. $1000/2000

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

173. George II Inlaid Burled Walnut Chest‑on‑Chest, mid‑18th c., flared cornice, upper case with two short drawers over three long, lower case with three drawers, bracket feet, original brasses, h. 71 3/4 in., w. 41 in., d. 21 3/4 in. $5000/7500 Provenance: The Stanley Weiss Collection, Providence, RI.

174. Antique Louis XVI‑Style Verte Peinte and Parcel Gilt Trumeau Mirror, 19th c., paneled frame with gilt foliage and urns, oil on canvas of a courting couple signed “E. Page”, beribboned mirror plate below, h. 75 in., w. 39 in. $1200/2000

175. Napoleon III Carved Giltwood Wall Clock, 19th c., architectonic case, the dial flanked by columns and urns, over a cloud and sunburst device, h 33 1/2 in., w. 18 in., d. 6 in. $1000/1500

176. Zhen‑Huan Lu (Chinese/New York, b. 1950), “Path to the Beach”, oil on canvas, signed lower left, 24 in. x 36 in., framed. $5000/8000

177. Large Pair of Chinese Cloisonné‑Over‑Porcelain Vases, decorated with large peony roundels on blue grounds strewn with scrolling foliage and flower heads, bases with apocryphal Qianlong marks, h. 18 7/8 in. $1200/1800

179. Large Pair of Chinese Sang‑de‑Boeuf Porcelain Baluster Vases, overall rich mottled copper red oxblood glaze, h. 21 1/8 in. $600/800

178. Pair of Chinese Export Famille Verte Porcelain Octagonal Dishes, probably Kangxi (1662‑1722), painted with a lady playing the qin in a garden setting, pie‑crust rim with fish and butterfly cartouches on a stippled floral ground, h. 1 3/4 in., w. 13 3/4 in. Note: Restorations. $800/1200 Provenance: Henry Stern Antiques, New Orleans.

Additional information at www.nealauction.com

180. American Classical Carved Giltwood Pier Mirror, c. 1825, foliate carved rosette corner blocks, split columnar surround with Regency inspired carvings, retains oxidized original gilt, h. 50 in., w. 31 in. $1500/2500

181. Gleb W. Derujinsky (Russian, 1888‑1975), “Torso of a Woman”, 1937, carved marble and mixed media, signature and date incised on self‑base, h. 14 1/2 in., w. 3 1/4 in., d. 3 1/8. $1200/1800

Provenance: The Friedle‑Garrison Collection, New Orleans.

182. Bronze Figure of a Faun Playing the Cymbals, after Massimiliano Soldani, h. 13 in., w. 5 3/4 in., d. 3 3/4 in., marble base, overall h. 17 1/4 in. $600/900

Provenance: The Friedle‑Garrison Collection, New Orleans.

184. Pair of Antique Carved Stone Corinthian Capitals, 19th c., carved on three sides, with volutes and acanthus leaves, h. 10 1/2 in., w. 13 in., d. 11 in.; together with a single abacus, h. 5 1/2 in., w. 15 in., d. 12 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

183. Patinated and Gilt Metal Bust of Caesar, h. 27 in., marble base, overall h. 33 in. $1000/1500 185. Rare Pair of Cast Iron Funerary Urns, early 19th c., winged hourglass decoration, plinth base, h. 28 in., w. 14 in., d. 12 in. $1000/1500 Provenance: The Friedle‑Garrison Collection, New Orleans.

186. Pair of Continental Marble Veneered and Parcel Gilt Jardinières, foliate decorated top, scrolled acanthus‑mounted supports, triangular plinth, disc feet, h. 41 in. $2000/3000

187. Large Pair of Cast Iron Garden Urns, egg and dart rim, lobed body, fluted stepped base, h. 30 in., dia. 38 in. $1000/2000

188. Antique Cast Iron “Fern” Pattern Garden Set, incl. bench and 2 armchairs, bench h. 33 in., w. 54 in., d. 21 in., and h. 32 1/2 in., w. 23 in., d. 16 in. $2500/3500

190. Grand Tour Bronze Oil Lamp, late 19th c., surmounted by winged maiden with amphora, anthemion ornamented font, paw feet, h. 10 in., w. 3 3/4 in., d. 9 1/4 in. $600/900

189. American Faux Bois Concrete Console, by Flat Earth Designs, top supported by rustic tree trunk, flared at the base, h. 32 1/2 in., w. 53 in., d. 15 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH;. The Friedle‑Garrison Collection, New Orleans.

191. Empire‑Style Tôle and Patinated Metal Torchère, tripartite standard, incurvate triangular plinth base, electrified, h. 70 1/2 in., dia. 20 in. $600/900 Provenance: The Friedle‑Garrison Collection, New Orleans.

192. Pair of Regency Gilt and Patinated Bronze Argand Lamps, c. 1810, after the designs of Thomas Hope, font and burner with trophée and mask mounts, raised on terms with panther masks, paw feet, h. 17 in., w. 10 in., d. 5 1/2 in. $2500/3500

Provenance: The Friedle‑Garrison Collection, New Orleans.

196. Regency Tortoiseshell Tea Caddy, 1820, monogrammed silver cartouche, interior with two lidded compartments, h. 4 1/2 in., w. 7 in., d. 3 3/4 in. $1000/1500

193. French Gilt and Patinated Metal Sinumbra Lamp, 19th c., fluted shaft, acanthine collar, tripartite lion leg base, electrified, h. 28 in., dia. 10 3/4 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

194. Napoleon III Gilt and Patinated Bronze Six‑Light Candelabrum, 19th c., dolphin candle arms, triangular shaft with goat masks, paw feet, h. 29 in., dia. 11 in. $500/700

Provenance: The Friedle‑Garrison Collection, New Orleans.

195. American Gilt Metal Figural Gas Table Lamp, c. 1880, burner marked “WELSBACH” with figure of George Washington, painted glass shade with Classical medallions, h. 24 1/2 in., dia. 9 3/4 in. $500/750 Provenance: The Friedle‑Garrison Collection, New Orleans.

197. Pair of Louis Philippe Gilt and Patinated Bronze Figural Four‑Light Candelabra, 19th c., putto standard, tripartite paw foot base, h. 19 3/4 in., dia. 7 in. $1000/2000 Additional information at www.nealauction.com

198. Large Carved Rock Crystal Bowl; together with rose quartz and agate grapes, h. 3 3/8 in., dia. 12 1/4 in. $1000/1400

199. Pair of Post‑Modern Silvered Metal and Rock Crystal Candlesticks, 20th c., flared standard, h. 19 1/4 in., w. 5 in., d. 5 in. $1000/1400

201. Large Sèvres‑Style Polychrome Porcelain Covered Urn, late 19th c., painted with Cupid and Amore, signed “A. Maglin”, h., 33 1/2 in., dia. 8 1/2 in.; formerly fitted as a lamp, cover now attached. $800/1200 Note: Maglin’s quality of painting was celebrated and exhibited at numerous exhibitions, incl. the 1894 Midwinter International Exposition, San Francisco, CA.

202. Two Anglo‑Indian Carved and Inlaid Hardwood Tabourets, 19th c., each leaf and vine carved top with central brass inlaid foliate center, octagonal paneled highly carved sides, shaped feet, h. 28 in., dia. 18 in.; second table with one inlay, h. 24 in., dia. 24 in. $600/800

203. Napoleon III Boullework and Ebonized Bureau Plat, c. 1860, top with brass inlay in foliate and scroll design, gadroon edge, frieze drawer, square tapered legs, incurvate X stretcher, spade feet, h. 31 in., w. 55 1/4 in., d. 35 1/4 in. $2500/4000

204. Directoire Brass‑Mounted Mahogany Demilune Games Table, 19th c., triple folding top, one interior top polished mahogany, the other baize‑lined, tapered stop‑fluted legs, cuff casters, h. 31 1/2 in., w. 43 1/2 in., d. (closed) 21 1/4 in., d. (open) 43 1/2 in. $800/1200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 205. Fine Louis XVI‑Style Parquetry Bonheur du Jour, 19th c., superstructure fitted with a clock, antique book spines, and three small drawers, inset leather writing surface, frieze drawer, cabriole legs, sabots, h. 44 in., w. 39 in., d. 24 in. $1200/2000

200. Pair of Art Nouveau Gilt Bronze‑Mounted Polychrome Porcelain Covered Vases, late 19th c., with “Sevres” and “Chateau des Tuileries” marks, reserves signed “Lheri”, raised gilt decoration, h. 19 in., dia. 7 3/4 in. $800/1200

206. Antique William and Mary‑Style Oyster Veneer Chest of Drawers, probably 19th c., molded top, three graduated drawers, molded base, bracket feet, h. 33 1/2 in., w. 37 in., d. 18 1/2 in. $1500/2500

207. Anglo-Colonial Ebonized and Inlaid Amboyna Campaign Secretary, early‑to‑mid 19th c., India, possibly Vizagapatum, pedimented cornice centered by a vasiform finial, paneled doors open to a fitted interior, lower case with sliding top, divided interior, six drawers, ring‑turned feet, h. 63 in., w. 41 1/2 in., d. 23 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The high‑style and rare campaign desk offered here is a superb example of British Colonial furniture crafted in India. In the Hepplewhite taste, the desk features exotically figured amboyna wood and inlaid and ebonized embellishment, which sets it apart from most British campaign examples. The overall proportions and versatility of the present lot relate closely to an example illustrated in British Campaign Furniture by Nicholas Brawer.

208. George III Satinwood-Inlaid Rosewood Pembroke Table, early 19th c., drop‑leaf top, frieze drawer, tapered legs, brass cuffs, casters, h. 29 in., w. (closed) 22 1/2 in., w. (open) 42 in., d. 32 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

Ref.: Brawer, Nicholas A. British Campaign Furniture: Elegance Under Canvas, 1740-1914. Abrams, 2001, fig. 52. 210. Italian Terracotta Figural Bench, paired sphinx ends on molded bases, associated wood slat back and seat, h. 40 1/2 in., w. 88 in., d. 32 in. $1500/2500

209. Pair of Faux Marbre Pedestals, molded top, conforming column, molded base, h. 41 in. $500/800 Provenance: The Friedle‑Garrison Collection, New Orleans.

211. Pair of Moorish Inlaid Hardwood Tabourets, octagonal top, conforming body decorated with geometric patterns and Arabic script, chamfered legs, h. 34 1/4 in., w. 17 in., d. 17 in. $1200/1800

212. Brass-Bound Mahogany Campaign Desk, 20th c., three frieze drawers on paired X form legs, h. 31 in., w. 48 in., d. 27 in. $400/600

213. French Bronze-Mounted, Inlaid and Parcel Ebonized Walnut Armoire, c. 1800‑1840, probably Alsatian, ogee cornice, inlay star motif on pediment, paneled doors flanked by pilasters, checkerboard and pinwheel motif apron, h. 94 1/2 in., w. 62 in., d. 24 1/2 in. $3000/5000 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

214. Greg Jordan for Scalamandre Velvet “Bel Air” Sofa, bullion fringe skirt, four matching back cushions, h. 30 in., w. 87 1/2 in., d. 42 in. $1500/2500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

215. Manner of Scipione Compagno (Italian, 1624-1685), “Architectural Amateurs Contemplating Ruins beside a Seashore”, oil on canvas laid on board, spuriously inscribed “Compano” mid‑left, 21 1/4 in. x 28 in., framed. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

216. Clementine Hunter (American/Louisiana, 1886-1988), “Haulin’ Cotton”, oil on canvas board, monogrammed lower right, 14 in. x 18 in., unframed. $3000/5000 217. Hunt Slonem (American/Louisiana, b. 1951), “Multiply”, 2016, oil on panel, signed, titled and dated en verso, 36 1/4 in. x 30 1/4 in., framed. $4000/6000

218. Hunt Slonem (American/Louisiana, b. 1951), “Luna”, 2013, oil on panel, signed, titled and dated en verso, 27 7/8 in. x 22 in., framed. $3000/5000

220. Modern Carved Marble Figural Sculpture, h. 41 in., w. 22 in., d. 9 3/4 in. $1500/2500

219. John Clemmer (American/New Orleans, 1921-2014), “Coup d’oeil”, oil on canvas board, signed lower right, 2 labels with artist and title en verso, 18 1/4 in. x 24 1/4 in., framed. $1200/1800 221. Robert Malcolm Rucker (American/Louisiana, 1932-2001), “French Quarter Jazz Club”, oil on canvas, signed lower right, 24 in. x 30 in., framed. $2000/3000

222. William Woodward (American/ Louisiana, 1859-1939), “New Orleans Courtyard”, oil on canvas, signed lower left, 20 in. x 16 in., framed. $3000/5000

223. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Synthesis #49‑2”, 1984, mixed media on canvas, signed and dated lower center, “Sotheby’s” and artist labels with title and date on stretcher, 57 in. x 70 1/4 in., framed. $20000/30000 Provenance: Gimpel & Weitzenhoffer Gallery, New York; Sotheby’s New York, Arcade, lot 469, Sept. 29, 1994; Collection of BNP Paribas.

Note: Among the leading artists of the Abstract Expressionist generation, Fritz Bultman joined the “Irascibles” in 1950, signing a letter to the heads of the Metropolitan Museum of Art protesting the conservative nature of their exhibitions. However, Bultman missed the Life magazine famous photograph of the group in 1951, as he was studying sculpture in Italy at the time. By 1952, Bultman and his wife returned to New York City, where he became increasingly involved in the city’s vibrant art scene and taught at Pratt Institute until 1959. By the time of “Interior – Game” offered here from 1952, Bultman had transitioned from his earlier works based on mythological themes such as that of Actaeon, although hints of these myths may subtly remain in the aggressive nature of the elements vying within the composition. The bold color palette of reds and yellows are pitted against a network of black lines, hinting at the struggle between structure and chaos and the influences of gestural painting. Bultman’s upbringing in New Orleans remains within his works, with fire and heat represented by the color red a common element. The artist recalled the burning of the swamps in Louisiana as a boy: “What appears to be a sheet of water will be burning with very high flames against a blue sky – I don’t know anything else that seems to me as beautiful as that…It’s fire and water. You very seldom see them together in such close juxtaposition as you do when they are burning a swamp.” In addition to the use of color, a combination of circles and cruciform configurations similar to those seen in this painting, appear throughout his work from the period, including one similarly titled “Interior Rain” of 1953. These meticulously crafted compositions bridge nature and personal narrative and set Bultman apart from his contemporaries. Bultman’s work was described by a critic in 1950 as having a “blood on the moon fierceness that strikes at the heart,” and the painting offered here is no exception. 224. Fritz Bultman (American/New Orleans, 1919-1985), “Interior ‑ Game”, 1952, oil on canvas, monogrammed “FB” lower right, signed, dated “Aug 1952” and titled en verso, 30 in. x 38 in., framed. $20000/30000 Provenance: Gift of the Artist, c. 1950s; Private Collection, Uruguay. Exh.: Kootz Gallery, New York, Sept. 15 ‑ Oct. 4, 1952, no. 11.

Ref.: Andrew, Jason. “Blood on the Moon Fierceness: Fritz Bultman’s Paintings and Collages.” Hyperallergic. Apr. 29, 2013. www.hyperallerigc.com. Accessed Dec. 17, 2017. Gruber, J. Richard. “Fritz Bultman.” Encyclopedia of Louisiana. Sept. 12, 2012. www.knowlouisiana.org. Accessed Dec. 17, 2017. Kingsley, April and Fritz Bultman. Fritz Bultman: A Retrospective. New Orleans: New Orleans Museum of Art, 1993

225. William Woodward (American/Louisiana, 1859-1939), “French Quarter Balcony Scene with Laundry”, 1935, graphite on paperboard, signed and dated lower right, 8 in. x 10 in., framed. $800/1200

226. William Woodward (American/Louisiana, 1859-1939), “French Market Scene”, 1933, graphite on paperboard, signed and dated lower left, 10 in. x 6 1/2 in., framed. $800/1200

227. George Rodrigue (American/ Louisiana, 1944-2013), “Jolie Blonde Holding a Rose”, oil on canvas, signed lower right, signed en verso, artist stamp and inscribed on stretcher, 24 in. x 18 in., framed. $15000/25000 Note: Local legend claims that a Cajun imprisoned in Port Arthur, Texas in the 1920s wrote a waltz pining for his lost love who had left him for another... Pretty blonde, look at what you’ve done You left me to go away To go away with another, instead of me What hope and what future am I going to have? The song eventually became a Cajun anthem of sorts, reminiscent of a modern day Evangeline story. The romantic myth of the song’s origins no doubt appealed to George Rodrigue, as he depicted Jolie Blonde, meaning “pretty blonde,” more than one hundred times during his career. Over the years, Rodrigue utilized numerous models, placing Jolie Blonde at first in his classic bayou landscapes and later in more contemporary settings.

228. Attributed to Steele Burden (American/ Louisiana, 1900-1995), “Sugar Mill and Cabins”, oil on canvas board, unsigned, 8 in. x 10 in., framed. $1000/1500

229. Attributed to Steele Burden (American/Louisiana, 1900-1995), “Steamboat at Baton Rouge Landing”, oil on canvas board, unsigned, 10 in. x 8 in., framed. $1000/1500

230. George Rodrigue (American/Louisiana, 1944-2013), “Totem Dogs”, 1991, acrylic on canvas, signed lower left, 105 in. x 47 in., framed. $100000/150000 Provenance: Rodrigue Studio, Carmel, CA. Ill.: Rodrigue, George. Blue Dog Speaks. New York: Sterling, 2008, pp. 240‑41.

Additional information at www.nealauction.com

231. George Rodrigue (American/ Louisiana, 1944-2013), “Seated Jolie Blonde with Hat”, oil on canvas, signed lower left, inscribed on stretcher bar, 24 in. x 18 in., framed. $15000/25000

232. Will Hinds (American/Louisiana, 1936-2015), “Cabbage Patch”, 1969, oil on canvas, signed and dated lower right, artist stamp en verso, 16 in. x 20 in., framed. $1200/1800

233. Will Hinds (American/Louisiana, 1936-2015), “Fishing Shack”, 1970, oil on canvas, signed and dated lower right, artist stamp en verso, 20 in. x 24 in., framed. $1500/2500

234. William Henry Buck (Norwegian/New Orleans, 1840-1888), “Louisiana Plantation along Lake Pontchartrain”, oil on canvas, unsigned, 10 in. x 16 in., framed. $25000/35000

Provenance: Private Estate Collection, Birmingham, AL. Descended in the family of William Henry Buck; Neal Auction Company, April 16, 2001, lot 365.

Note: A student of Richard Clague, William Henry Buck developed his skills on plein air sketching excursions with his mentor and artists such as Andres Molinary and Marshall Joseph Smith, Jr. These trips, many along the shores of Lake Pontchartrain, were undoubtedly influential on the development of Buck’s distinctive use of lighting effects and evocative atmosphere, as seen in the charming work offered here. Buck achieved a recognizable and engaging compositional style which makes his work clearly discernable from that of his contemporaries. This scene of Louisiana plantation life along Lake Pontchartrain was almost certainly inspired by his sketching trips and is an excellent example of Buck’s talent at depicting minute detail. The viewer gazes on the backland of a plantation with various pursuits on display. Cattle graze along the shore near a schooner anchored in the lake. Two figures sit in a pirogue on the bayou while others cross the bridge. In addition to the cabin in the foreground, other buildings related to the workings of the plantation are grouped together in the background. The stretcher bars of this painting indicate the size by paint script number inscriptions in an identical hand as the Buck painting sold from the same family collection at Neal Auction Company on Feb. 12, 2011 as lot 309. 235. Clementine Hunter (American/Louisiana, 1886-1988), “Pecan Picking”, oil on canvas board, monogrammed lower right, partial sketch and inscribed en verso, 18 in. x 24 in., framed. $3000/5000

236. Eugène Claude (French, 1841-1922), “Still Life of Grapes, Peaches and Wine”, oil on canvas, signed lower left, 25 1/2 in. x 19 1/4 in., framed. $1000/1500

237. Yolande Ardissone (French, b. 1927), “Goury (Cotentin)”, oil on canvas, signed lower left, titled on stretcher, 10 3/4 in. x 14 in., framed. $600/800 Additional information at www.nealauction.com

238. Clarence Millet (American/New Orleans, 1897-1959), “Bayou Landscape”, oil on canvas laid on board, signed lower left, 14 7/8 in. x 17 3/4 in., framed. $2500/3500

239. James McConnell “Mac” Anderson (American/ Mississippi, 1907-1998), “Pitcher Plant”, 1981, oil on masonite, signed and dated lower right, 24 in. x 16 in., framed. $2500/3500

240. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Landscape with Fisherman in Boat”, 1990, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $1200/1800

241. Roger Tory Peterson (American/New York, 1908-1996), “Roseate Spoonbills”, watercolor and gouache on paper mounted to board, signed upper right, “Pioneer‑Moss” label under matting, sight 18 3/4 in. x 13 1/2 in., matted. $3000/5000

242. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912-1997), “Menorah”, 1995, mixed media, signed and dated on underside, h. 24 in., w. 23 1/2 in., d. 6 in. $2000/3000

243. William Woodward (American/Louisiana, 1859-1939), “Toulouse from French Opera”, 1934, etching, signed and dated in plate lower left, pencil‑signed lower right, sheet 10 7/8 in. x 14 5/8 in., framed. $800/1200

244. Clementine Hunter (American/Louisiana, 1886-1988), “Funeral Procession”, oil on stretched window shade, monogrammed lower right, 28 3/4 in. x 32 in., framed. $4000/6000

246. George Valentine Dureau (American/New Orleans, 1930-2014), “Standing Bart”, 1993, mixed media on paper, signed and dated lower left, sight 49 in. x 37 in., framed. $2500/3500 Provenance: Estate of Bart Truxillo.

245. Jose-Maria Cundin (Spanish/New Orleans, b. 1938), “The Corrupt”, 1970, double‑sided oil on canvas, signed and dated upper left, sight 20 1/2 in. x 17 1/2 in., framed. $5000/7000 247. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Island Picnic”, 1992, oil on masonite, signed and dated lower right, titled and inscribed on label en verso, 24 in. x 16 in., framed. $1200/1800 248. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Woman)”, oil on canvas, signed lower right, 36 in. x 36 in., framed. $3000/5000

249. Bror Anders Wikstrom (Swedish/Louisiana, 1854-1909), “Fishing Boats”, oil on canvas, signed lower right, 12 in. x 17 in., framed. $3000/5000 Provenance: Henry Plauché Dart (1853‑1934), thence by descent; Estate of Jane and Stewart Maunsell

Note: Born in Sweden, Bror Anders Wikstrom’s first career was that of a sailor, making numerous trips between the Netherlands and the United States. The scenery from these voyages stayed with him when Wikstrom decided to become an artist. Wikstrom worked in many different media throughout his career; he was an illustrator, printmaker, painter, and cartoonist, as well as spending time designing Carnival pageant sets in New Orleans. Wikstrom taught art; he, along with Andres Molinary, Paul Poincy, and Achille Perrelli, founded the Artists’ Association of New Orleans, where young artists in the city could have lessons in drawing, oil painting, watercolor, and sculpting.

Many of Wikstrom’s oil paintings harken back to his past at sea; he often portrayed ships sailing or in the harbor, using his keen sense of color and atmospheric effects to highlight the maritime vessels. In the current lot, Wikstrom demonstrates his technical skills with a brush, depicting a hazy background and fine details for the rocks and boats with a neutral and mauve palette that suggests an early morning on the water. Additional information at www.nealauction.com

250. Wouterus Verschuur (Dutch, 1812-1874), “Preparing for the Hunt”, oil on canvas, signed lower right, 44 1/4 in. x 63 1/4 in., antique frame. $10000/15000 Provenance: Private Collection, Florida.

Note: Wouterus Verschuur, a Dutch artist born in Amsterdam to a jeweler father, became one of the premier animal painters of his time; he was particularly renowned for his depictions of horses. Studying under Pieter Gerardus Van Os, Verschuur was influential in the training of Anton Mauve, as well as his own son, Wouterus Verschuur, Jr. The Van Os School taught many generations of Dutch artists collectively known as the forerunners of the Hague School, and they were particularly well‑versed in the anatomy of sheep, cows, horses, dogs, and other animals. The monumental painting offered here displays Verschuur’s talent with the portrayal of horses in motion. The artist perfectly captures the movement of the rearing horse in the foreground, as well as creating a well‑composed and complex scene including dogs and hunters.

252. Alexander John Drysdale (American/New Orleans, 1870-1934), “Bayou Scene with Live Oaks”, 1915, oil wash on board, signed and dated lower left, 20 in. x 29 3/4 in., framed. $2000/3000

251. Knute Heldner (Swedish/Louisiana, 1877-1952), “Still Life with Lemon and City Street in Background” and “Self‑Portrait of the Artist”, doubled‑sided oil on panel, signed en verso, 22 1/2 in. x 16 1/8 in., framed. $3000/5000 Note: After immigrating from Sweden to the United States, Knute Heldner settled in Minnesota, working as a cobbler, dishwasher, and cook for a lumber camp until he could afford to attend the Minneapolis School of Fine Arts. This rare, double‑sided painting may have been completed during this time period, making it a key early work in the artist’s career. Depicting a street scene with a lemon and daisy plant still life in the foreground, Heldner was likely painting the view from his apartment or studio window. On the reverse, a self‑portrait of the young artist before he grew his iconic beard regards the viewer with a pensive gaze. This fascinating work by Heldner demonstrates his early interest in street scenes, many of which he would later paint in New Orleans, and also provides an enigmatic glimpse of the young artist.

254. Bernard Buffet (French, 1928-1999), “Mon Cirque: L’Éléphant”, 1968, color lithograph, pencil‑signed lower right, pencil‑numbered “92/100” lower left, titled en verso, from the Mon Cirque Suite, 28 1/4 in. x 20 in., framed. $500/700

253. Alexander John Drysdale (American/New Orleans, 1870-1934), “Autumn Evening on a Bayou”, 1921, oil wash on board, signed and dated lower left, signed, titled, dated and inscribed en verso, 20 in. x 29 3/4 in., framed. $1500/2500

255. Joseph Jefferson IV (American/Louisiana, 1829-1905), “Landscape with Bayou Bridge and Girl with Ducks”, oil on board, signed lower right, 14 in. x 20 1/2 in., framed. $1000/1500

256. Julian Oliver Davidson (American/New York, 1853-1894), “Monitor and Merrimac: First Fight Between Ironclads”, 1885, oil on canvas, signed and dated lower right, titled, dated, inscribed and “F.W. Devoe & Co.” canvas stamp en verso, 15 in. x 21 1/2 in., framed; together with chromolithograph of same by L. Prang & Company, Boston, copyright 1886, sight 15 in. x 21 1/2 in., framed. (2 pcs.) $8000/12000 Note: Julian Davidson developed an interest in ships from a young age, traveling often to Cuba where his father’s engineering firm was constructing the Havana railroad. His earliest sketches of nautical subjects began during his apprenticeship with his father at the age of sixteen, and by age seventeen, Davidson joined the crew of the steamship Arizona. He later studied art in New York with Mauritz de Hass, expanding his repertoire to include historic battle scenes. Davidson quickly became known as one of America’s leading marine painters and Harper’s magazine printed many of his illustrations. Well‑known publishers, including Louis Prang, were aware of Davidson’s talent and appeal, and they commissioned him to

paint original works of which they produced popular limited editions lithographs. The two original oils offered here were part of this commission, each lot including the corresponding lithograph printed by Prang.

The two scenes are depictions of well‑known Civil War battles: one representing the capture of New Orleans by Admiral David Farragut’s fleet, and the other portraying the first naval battle between two ironclad warships, the Monitor and the Merrimack. Each painting is rendered in fine detail, displaying Davidson’s historical knowledge and technical skill at producing maritime battle paintings.

257. Julian Oliver Davidson (American/New York, 1853-1894), “Capture of New Orleans: Farragut Passing the Forts by Night”, 1886, oil on canvas, signed lower left, 15 in. x 21 1/2 in., framed; together with chromolithograph of the same by L. Prang & Company, Boston, copyright 1886, sight 15 in. x 21 1/2 in., framed. (2 pcs.) $8000/12000

259. [Mormon Emigration], Piercy, Frederick H., illustrator and James Linforth, editor. Route from Liverpool to Great Salt Lake Valley...Together with A Geographical and Historical Description of Utah, and a Map of the Overland Routes to that Territory from the Missouri River..., Liverpool & London, Franklin D. Richards & Latter‑Day Saints’ Book Depot, 1855, 4to (12 1/4 in. x 9 in.), frontispiece map (11 1/4 in. x 19 1/2 in., 30 steel engraved plates after Piercy, 9 wood engravings, marbled boards, later gilt‑lettered leather spine. $18000/25000 258. Guillaume Delisle, “Carte de la Louisiane et du Cours Du Mississipi”, Paris, 1718, first edition, second state, hand‑colored in outline, 19 1/4 in. x 25 1/2 in., unframed. $10000/15000 Provenance: The Philadelphia Print Shop, Phil., PA, 2003.

Note: Delisle’s seminal work was the first to name Texas (Mission de los Teijas) and New Orleans.

Provenance: Bonham’s, New York, December 2, 2010, lot 273: William Reese Company, New Haven, CT., 2001. Note: Frederick Piercy (1830‑1891, a Mormon convert, conceived this work to convince English Mormons to emigrate to Utah. The sketches he made were called by Streeter, “some of the best Western views of the period”, and include scenes of New Orleans, Baton Rouge, Natchez, Vicksburgh, St. Louis, Fort Laramie, Salt Lake City, as well as portraits of Brigham Young and other elders.

260. Laet, Jean de (Johannes de). L’Histoire du Nouveau Monde ou Description des Indes Occidentales..., Leiden, Chez Bonaventure & Abraham Elzevier, 1640, folio (13 3/4 in. x 8 3/4 in.), full leather, first French edition, title‑page printed in red and black, with woodcut vignette, 14 double‑page maps by Hessel Gerritsz, mounted on stubs, numerous woodcuts throughout text of flora and fauna. $16000/19000 Note: Johannes de Laet (1581‑1649), was a Dutch cartographer and Director of the Dutch West India Company. Historian Philip Burden has called the work, “... arguably the finest description of the Americas published in the 17th century”. The maps, done by Gerritsz, mapmaker for the Dutch West India Company, were groundbreaking, especially the map of New England. It was the first map to name N. Amsterdam, Manhattan (Manbattes), the Hudson River (Noordt Rivier) and Massachusetts.

261. Reinier and Joshua Ottens, “Untitled” [Gulf of Mexico], Amsterdam, 1741, hand‑colored sheet from the large map “Grand Theatre de la Guerre en Amerique...”, this sheet noted for its depiction of Texas, 17 5/8 in. x 22 1/8 in., unframed. $1500/2500

Provenance: Philadelphia Print Shop, Phil., PA, 2003.

262. Philippe Buache, “Carte d’Une Partie de l’Amerique pour la Navigation des Isles et du Golfe du Mexique avec l’interieur des Terres depuis Bermude jusqu’a Cayenne”, Paris, 1740, hand‑colored map, based on Popple’s well‑known large‑scale map, 19 3/4 in. x 36 1/2 in., unframed. $1500/2500 Provenance: Alexandre Antique Maps, Toronto, Ontario, Canada, 2003.

263. Nicholas Bellin, “Carte Reduite du Golphe du Mexique et des Isles de l’Amerique...Par Ordre de M. Le Comte de Maurepas”, Paris, 1749, outline color showing the various possessions of France, Spain, Great Britain, Holland, and Denmark, 21 in. x 32 1/4 in., unframed. $1500/2500

264 Robert Sayer, “A New General Chart of the West Indies from the Latest Marine Journals and Surveys...”, London, 1790, hand‑colored in outline, printed on two separate sheets, very detailed large‑format map, of note, present‑day Belize is shown as British Logwood Cutters, referring to the wood used in dyeing wool, 40 in. x 27 1/2 in. (if joined), unframed. $2000/3000 Provenance: Old World Auctions, Sedona, AZ, 2/20/2008, lot# 379. 266. English Satinwood Inlaid Mahogany Stick Barometer, 19th c., marked “F. Baserga & Co., Fecit”, scale also incorporating a thermometer, h. 37 in., w. 5 1/2 in., d. 2 1/4 in. $1200/1800

267. William and Mary Carved Beechwood and Caned Armchair, c. 1700, arched crest rail, scrolled ears, turned stiles, scrolled arms, turned legs and stretchers, “Spanish” feet, h. 48 1/2 in., w. 22 in., d. 20 in. $1000/1500 Provenance: The Stanley Weiss Collection, Providence, RI.

265. Russian Cyrillic Six-Inch Terrestrial Globe, 19th c., published by Alexey Ilyn, St. Petersburg, all in Cyrillic, brass half‑meridian, on turned, ebonized stand, h. 13 1/2 in. $800/1200

268. Pair of Continental Carved Pine Figural Pedestals, 19th c., each with circular top, cupids with quiver of arrows, foliate plinth, ogee molded hexagonal base, h. 32 in., w. 11 in., d. 11 in. $500/750 270. Pair of Neo-Grec Paris Porcelain Vases, early‑to‑mid 19th c., polychrome decorated with Attic‑style warriors and Classical nudes on a matte black ground, h. 16 1/2 in. $2000/3000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 269. American Chippendale Birch Low Chest, late 18th c., Southern, molded top, two drawers over three long drawers, bracket feet, h. 30 3/4 in., w. 35 in., d. 21 in. $2500/3500 Provenance: The Stanley Weiss Collection, Providence, RI.

Additional information at www.nealauction.com

271. Near Pair of Dutch Delft Polychrome Pottery Chargers, 18th c., “famille verte” style with green, iron red, and blue floral motifs, dia. 14 in. Note: One foot ring drilled for hanging. $500/700 Provenance: William Word Fine Antiques, Atlanta, GA, Mar. 2013.

272. French Gilt and Enamel Porcelain Fish Service, 19th c., marked “Gutherz, Limoges”, incl. platter, 9 1/2 in. x 24 in., and 10 plates, dia. 8 1/2 in. $700/1000

273. English Aesthetic Movement Bamboo Pattern Foot Basin with Matching Pitcher, late 19th c., Minton, basin h. 9 1/2 in., w. 15 in., d. 13 in.; pitcher h. 12 in. $700/1000 274. Sèvres Soft Paste Porcelain Basket, 1754 date‑letter, hand‑painted polychrome floral and garland motif, uppercase “A” enclosed within interlaced royal cipher mark, h. 2 3/4 in., dia. 9 in. $300/500

275. Pair of Rock Crystal Compotes, swirled gadrooned design, unmarked, h. 5 in., dia. 9 in. $1200/1800

277. Sèvres-Style Bronze-Mounted Porcelain Vase, 20th c., swan handles, cobalt ground, raised gilt decoration, eagle feet, h. 12 1/4 in., w. 9 3/8 in., d. 7 1/2 in. $600/800 276. Continental Carved Giltwood Archangel Pricket Candlestick, 18th c., tall plinth base, h. 34 1/2 in., w. 16 3/4 in., d. 10 in. $1000/1500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 279. Pair of Italian Carved and Polychromed Cherub Candlesticks, 19th c., traces of old red and white paint, h. 13 1/2 in., w. 7 1/2 in., d. 4 1/2 in. $400/600

278. Pair of Egyptianesque Inlaid Wall Panels, 20th c., with copper, brass, mother‑of‑pearl and bone inlays, h. 30 1/2 in., w. 53 3/4 in., d. 1 3/4 in. $1000/1500

280. Antique Empire-Style Gilt Bronze and Crystal Six-Light Chandelier, c. 1900, foliate mounts, diamond cut bowl, electrified, h. 23 in., dia. 21 in. $2000/3000 Provenance: Kevin Stone Antiques, New Orleans.

281. Pair of French Crystal and Bronze Six-Light Girandole Lamps, c. 1900, tree‑form standard, tripartite base, electrified, h. 29 in., dia. 19 in. $1200/1800

283. Paris Porcelain Luncheon Service, 19th c., decorated with green and gilt concentric bands and monograms, incl. soup tureen, h. 12 in., w. 12 1/2 in.; 2 covered vegetables, h. 6 1/2 in., w. 10 1/4 in.; 2 oval platters, l. 13 in.; 4 round platters, dia. 11 1/8 in. to 12 in.; gravy boat and underplate, l. 10 in.; shell‑form dish, l. 8 1/2 in.; 30 plates, dia. 8 3/4 in.; and 8 soups, dia. 8 3/4 in. (49 pcs.) $800/1200 282. Rare Pair of Chinese Export Paktong or Pewter Figural Pricket Candlesticks, 19th c., modeled as Dutchmen standing on square plinths, bases with rubbed marks, h. 11 7/8 in., w. 4 3/8 in., d. 4 3/8 in. $400/600

284. French School, 19th c., “Les Courses à Vincennes”, oil on canvas, signed “Barillon” lower right, 23 1/2 in. x 36 1/2 in., framed. $1000/1500

285. Paul Emile Lecomte (French, 1877-1950), “Harbor Scene”, oil on canvas, signed lower right, 25 1/4 in. x 31 3/4 in., framed. $1500/2500

286. British School, 19th c., “Women Listening to Lute Playing in a Garden”, oil on canvas, signed “L. Peres” lower right, 25 in. x 30 1/4 in., framed. $2000/3000

287. Lilian Stannard (British, 1877-1944), “Shady Walk in a Yorkshire Garden”, watercolor on paper, signed lower right, artist and title on label on backing board, 14 in. x 10 in., framed. $700/1000 Additional information at www.nealauction.com

288. Vincente de Garcia Paredes (Spanish, 1845-1903), “Gathering in the Parlor”, oil on canvas, signed lower right, 24 in. x 36 in., framed. $2500/3500

289. Colonial American William and Mary Carved Pine Desk, late 17th/early 18th c., probably Southern, slant front top, hinged door opens to interior fitted with two drawers, turned legs, plain stretchers, disc feet, h. 35 in., w. 33 in., d. 24 1/2 in. $1000/2000

Provenance: Williams College, Williamstown, MA; The Stanley Weiss Collection, Providence, RI. 292. American Federal or English Mahogany Tub Chair, early 19th c., tall channeled back, scroll arms, shaped seat rail, square tapered legs, cuff casters, h. 48 1/4 in., w. 26 1/2 in., d. 21 in. $800/1200

290. American Classical Figured Mahogany Bowfront Chest of Drawers, c. 1830, attr. to Anthony Quervelle, Philadelphia, two drawers over three long drawers, Ionic columnar stiles, acanthine paw feet, h. 46 1/2 in., w. 43 in., d. 22 1/4 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: Collings & Collings, New York, NY, Dec. 30, 1921; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969. 291. American Maple Ladderback Armchair, c. 1740‑1790, five arched splats, ball finialed turned stiles, shaped arms, ball and vasiform turned uprights, rush seat, conforming legs, bulbous‑turned medial stretcher, side stretchers, h. 47 1/4 in., w. 23 3/4 in., d. 17 1/2 in. $800/1200

Provenance: Katrina Kipper, Queen Anne Cottage Antiques, Accord, MA, after July 13, 1927; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1971. 293. Anglo-Indian Colonial Carved Rosewood Secretary, mid‑19th c., India, flared cornice, upper case carved with elaborate floral motifs, glazed doors, shelf interior; lower case with fitted secretary drawer over three drawers, carved sunburst motif, plinth base, turned feet, h. 77 1/4 in., w. 43 1/4 in., d. 18 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

294. George III Mahogany Library Chair, late 18th/early 19th c., serpentine crest rail, padded arms, molded shaped uprights, molded legs, plain stretchers, h. 38 1/2 in., w. 25 1/2 in., d. 24 in. $1200/2000 Provenance: The Stanley Weiss Collection, Providence, RI.

295. Pair of American or English Giltwood Bullseye Mirrors, early 19th c., surmounted by a carved eagle, molded surround, foliate pendant, h. 42 1/2 in., w. 26 in. $2500/3500 Provenance: Ginsburg & Levy Antiques, New York; The Stanley Weiss Collection, Providence, RI.

296. American or English Queen Anne Carved Mahogany Mirror, 18th c., elegantly carved tall crest, conforming pendant, h. 38 in., w. 19 in. $1500/2500

Provenance: The Stanley Weiss Collection, Providence, RI

297. American Late Federal Carved and Gilded Mirror, early 19th c., architectonic crest with acorn pendants, eagle and branchwork frieze, paired columnar sides, divided mirror plate, shell carved blocked base, h. 51 in., w. 27 in. $1200/1800 Provenance: The Friedle‑Garrison Collection, New Orleans.

298. American Gothic Carved Rosewood Corner Étagère, mid‑19th c., attributed to J. & J.W. Meeks, New York, surmounted by a foliate finial, quatrefoil and acorn reticulation throughout, five shaped tiers, pierced bracket feet, h. 80 1/4 in., w. 31 in., d. 22 in. $1000/2000

299. American Classical Bronze‑Mounted Marble, Gilded and Stenciled Rosewood Pier Table, early 19th c., New York, marble top and columnar supports, mirrored back panel, shaped plinth, foliate‑carved paw feet, h. 37 1/2 in., w. 42 1/2 in., d. 18 1/2 in. $2000/3000

Provenance: The Stanley Weiss Collection, Providence, RI.

300. American Classical Figured Mahogany Bowfront Chest of Drawers, c. 1830, attr. to Anthony Quervelle, Philadelphia, shaped top, four graduated drawers, columnar stiles, acanthine paw feet, h. 46 1/2 in., w. 43 in., d. 22 1/4 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

302. American Classical Inlaid Mahogany Games Table, early 19th c., School of Duncan Phyfe, New York, shaped foldover top, conforming frieze, tapering reeded legs, casters, h. 31 in., w. 36 3/4 in., d. (closed) 18 in., d. (open) 36 in. $1500/2500

301. American Classical Carved Mahogany Work Table, early 19th c., drop‑leaf top, three drawers, deep work basket, lyre supports, trestle base, casters, h. 28 in., w. 18 1/2 in., d. 17 3/4 in. $1000/1500 Provenance: The Stanley Weiss Collection, Providence, RI.

303. Two American Late Classical Carved Mahogany Armchairs, c. 1835, each with scroll carved crest, shaped back, scroll arms, trapezoidal slip seat, saber legs, h. 33 in., w. 21 in., d. 17 in. $500/800 Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: The Stanley Weiss Collection, Providence, RI.

Additional information at www.nealauction.com

305. Antique English Hall Lantern, 19th c., star‑cut crystal shade, h. 20 in., dia. 9 in. $400/600

306. English Brass Four‑Light Hall Lantern, scrolled arms, glass shade with brass columnar dividers, h. 28 in., dia. 16 1/2 in. $400/600

304. Pair of Antique French Patinated Metal Figural Four‑Light Candelabra, 19th c., male and female Indian warriors, faux marbre bases, h. 22 in., dia. 7 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

307. American Classical Carved Mahogany Center Table, c. 1825, New York, white marble top, molded frieze, chamfered triangular support, incurvate plinth, acanthus carved paw feet, h. 29 1/2 in., w. 36 in., d. 36 in. $2500/3500 Provenance: The Friedle‑Garrison Collection, New Orleans.

308. Bronze Figure of Mercury, after Giambologna, “Fonderio Sommer Napoli” inscribed on self‑base, h. 21 3/4 in., w. 4 1/2 in., d. 7 in., marble base, overall h. 27 1/2 in. $600/900

310. American Mahogany Pillar and Scroll Clock, c. 1825, Eli Terry & Sons, Plymouth, CT., original paper labels, reverse painted tablet of Mount Vernon, h. 31 in., w. 17 1/2 in., d. 4 3/4 in. $500/1000 Provenance: The Friedle‑Garrison Collection, New Orleans.

309. Patinated Metal Figure of George Washington, h. 20 3/4 in., w. 8 in., d. 6 1/4 in., painted wood base, overall h. 22 1/2 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

311. Late George III Inlaid Mahogany Desk on Stand, early 19th c., fall front door opens to fitted interior, frieze drawer, tapered legs, casters, h. 44 in., w. 31 1/4 in., d. 18 1/4 in. $500/750 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez.

312. Edmund Darch Lewis (American/Pennsylvania, 1835‑1910), “Coastal Landscape with House and Sailboats in the Distance”, watercolor on paper laid on board, signed lower right, 9 3/4 in. x 20 7/8 in., framed. $400/600

Provenance: The Friedle‑Garrison Collection, New Orleans.

313. American School, 1947, “Beaux and their Belles”, mixed media on masonite, illegibly signed and dated lower left, 55 1/4 in. x 75 in., framed. $400/600 Provenance: Tosca Café, San Francisco, CA, 2001.

314. Grace Drayton (American/Pennsylvania, 1877‑1936), “Child Fishing in a Pail”, oil on canvas laid on board, signed lower right, 30 3/4 in. x 22 3/4 in., framed. $400/600

315. Armin Alfred Scheler (German/Louisiana, 1901‑1987), “Abstract Form”, bronze, h. 18 in., w. 6 1/2 in., d. 7 1/2 in., wood base, overall h. 21 in. $400/600

316. Carel Lodewijk Dake II (Dutch, 1886‑1946), “Market Scene”, oil on board, signed lower right, artist name and dates inscribed en verso, 7 1/2 in. x 9 1/2 in., framed. $800/1200

Provenance: Acquired from George Scheler, 1991; Cascio Wink Collection, Baton Rouge, LA. 317. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Arrowhead Country”, oil on canvas, signed lower left, titled on stretcher, 24 in. x 30 in., framed. $1500/2500

318. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Island Scene with Man Carrying Basket on Beach”, 1989, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $1200/1800

319. Xavier de Callatay (Belgian/New Orleans, 1932‑1999), “Self‑Portrait of the Artist”, 1985, oil on canvas, signed, dated and inscribed “Mendham, NJ” en verso, 60 in. x 47 1/2 in., framed. $1000/1500

Note: Born in Brussels in 1932, Xavier de Callatay came to New Orleans in the 1950s, having previously studied at the University of Louvain, the Academy of Fine Arts in Brussels, and the University of Utah. Before beginning his career as an artist, de Callatay was a metallurgical engineer, although his true passion was painting. He worked in a realistic style with underlying elements of Romanticism, as can be seen in the painting offered here incorporating an idealized landscape in the background. Portraying himself with brushes in hand and a gaze that confronts the viewer, de Callatay makes a point of presenting his commitment to painting, while also displaying his fine technique and brushwork. Additional information at www.nealauction.com

320. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Sailboats on the Horizon”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $1000/1500

321. Ellsworth Woodward (American/Louisiana, 1861‑1939), “The Nave”, watercolor on paperboard, initialed lower right, titled en verso, 15 in. x 20 1/4 in., framed. $1000/1500 323. Attributed to Charles Giroux (French/New Orleans, 1828‑1885), “Seated Native American Woman”, oil on board affixed to cradled wood panel, unsigned, typed label “Painted by C. Giroux ‑ c. 1850”, pencil‑inscribed “Altmayer” and “Chilton’s, Mobile, Ala” label en verso, 9 3/4 in. x 4 3/4 in., framed. $2000/3000 Provenance: Jay P. Altmayer Collection, Mobile, AL.

322. William Henry Buck (Norwegian/New Orleans, 1840‑1888), “Live Oak with Moss”, oil on academy board, pencil‑signed “Sketch by Wm. H. Buck” and provenance inscriptions en verso, 9 1/4 in. x 12 1/4 in., framed. $5000/8000 Provenance: Estate of Jane and Stewart Maunsell.

324. American School, 1895, “Soldier with Bugle on Horse”, charcoal and crayon on paper, signed “M.C. Nobis” and dated “’95” lower right, 23 in. x 17 in., framed. $300/500

Note: Arriving in New Orleans around 1860, Charles Giroux quickly began painting his favorite subject, Louisiana landscapes. The majority of his works center around the local countryside, making use of Giroux’s romantic, luminous palette. In the rare and fascinating painting offered here, a Native American woman sits in front of a thatched hut, which would have been the preferred summer residence in Southern Louisiana, facilitating better air flow. The various tribes in the Louisiana/Mississippi area, including the Caddo, Atakapa, Tunica, Natchez, Chitimacha, and Choctaw, used the natural materials around them to build shelters and also to create beautiful works of functional art, including bead work and baskets. Here, Giroux illustrates a beautiful landscape and a unique window into 19th c. life in Louisiana.

Provenance: The Friedle‑Garrison Collection, New Orleans.

326. Newcomb College Art Pottery Flared Rim Bowl, 1920, decorated by Henrietta Bailey with relief‑carved jonquils motif, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. LA92 and shape no. 263, h. 3 5/8 in., dia. 7 7/8 in. $1200/1800 325. John James Audubon (American, 1785‑1851), “Snowy Owl”, Plate 121, from The Birds of America, Amsterdam edition, sight 37 1/4 in. x 24 1/2 in., framed. $700/1000

327. Newcomb College Art Pottery High Glaze Chamberstick, 1909, decorated by May Louise Dunn, candle cup and base incised with bands of foliage, blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. DG72 and “Q” for buff clay body, h. 4 1/4 in., dia. 5 in. $700/1000

327A. Newcomb College Art Pottery Four Loop Handled Baluster Vase, 1905, thrown by Joseph Fortune Meyer, dark red clay with copper‑reduction glaze, base marked with Newcomb cipher, Joseph Meyer’s mark, reg. no. AP83 and “FR” for red clay body with red glaze, h. 6 3/8 in. Note: The red color was achieved by kiln reduction. $800/1200

330. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine in the “Moon and Moss” landscape design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. KE26 and shape no. 49, h. 6 1/8 in., dia. 8 1/4 in. $3000/5000

328. Newcomb College Art Pottery High Glaze Vase, 1932, decorated by Aurelia Coralie Arbo with stylized elongated leaves, seafoam green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. TR80 and shape no. G9, h. 9 in., dia. 5 1/2 in. $1000/1500

329. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with stylized Art Deco lotus leaves motif, semi‑matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. TD15 and shape no. 95, retains partial original paper label, h. 5 7/8 in. $1200/1800

331. Rare Newcomb College Art Pottery High Glaze Bottle Vase, 1905, decorated by Roberta Beverly Kennon with incised lines and foliage motif, copper‑reduction high glaze with blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. AM4, and “W” for white clay body, h. 6 3/4 in. $4000/6000

Note: A number of red‑glazed pieces were shown in Newcomb’s display at the 1907 Jamestown Ter‑Centennial Exposition held at Norfolk where they were singled out for praise.

332. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Harriet Coulter Joor with incised clovers motif, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. VV92, and “W” for white clay body, h. 11 1/2 in. $6000/8000 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

333. Newcomb College Art Pottery Candlestick, 1917, decorated by Anna Frances Simpson with relief‑carved linear abstract motif, matte glaze with pink, green and blue underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. IQ41 and shape no. 282, h. 7 3/4 in., dia. 4 1/4 in. $700/1000

334. Newcomb College Art Pottery Pitcher, 1924, decorated by Anna Frances Simpson with relief‑carved band of Cherokee roses, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. OD14, and shape no. 230, h. 8 in. $1000/1500

335. Newcomb College Art Pottery Vase, 1928, decorated by Anna Frances Simpson in the “Moon and Moss” design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. OZ60 and shape no. 319, h. 8 in., dia. 3 3/8 in. Note: Condition. $1000/1500 Additional information at www.nealauction.com

336. Newcomb College Art Pottery Chocolate Cup and Saucer, 1911, decorated by Henrietta Bailey, cup with relief‑carved band of Confederate jasmine around rim, saucer with incised bands, matte glaze with blue, green and yellow underglaze, both marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark and reg. no. EM21, saucer dia. 5 1/4 in., cup h. 3 1/8 in. Note: Condition. $800/1200

337. Newcomb College Art Pottery Bowl, 1926, decorated by Anna Frances Simpson with relief‑carved jonquils motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. PF41 and shape no. 55, h. 2 1/4 in., dia. 6 3/4 in. $1000/1500

338A. Sadie Irvine (American/New Orleans, 1887‑1970), “Evening”, woodblock print on paper, pencil‑signed and titled in lower margin, sight 10 1/2 in. x 16 in., framed. $500/750 338. Newcomb College Pierced Brass Mailbox, c. 1915, hand‑wrought brass sheeting with cut out decoration of monogram “M” flanked by scrolls, h. 11 7/8 in., w. 10 1/8 in., d. 3 1/4 in. $1000/1500

340. Moorcroft Hibiscus Plate and Vase, plate impressed “MOORCROFT”, paper label “BY APPOINTMENT/ W. MOORCROFT/ POTTERS TO/ THE LATE/ QUEEN MARY”, dia. 10 1/4 in; vase impressed “MOORCROFT” and “MADE IN/ ENGLAND”, h. 6 7/8 in. (2 pcs.) $500/700

341. Newcomb College Art Pottery Low Vase, 1928, decorated by Sadie Irvine with low relief‑carved Cherokee roses motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, faint potter’s mark (probably Jonathan Hunt), reg. no. QS100 and shape no. 25, h. 4 3/4 in., dia. 3 5/8 in. $400/600

339. Newcomb College Art Pottery Low Bowl, 1922, decorated by Sadie Irvine with low relief‑carved daffodils motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MI38 and shape no. 212, h. 4 1/4 in., dia. 6 3/4 in. $800/1200

342. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Encircled”, 1979, color screenprint, from the “Diminutive” series, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “75/100” lower margin, sheet 7 1/2 in. x 7 1/2 in., float‑mounted and framed. $500/700

343. Peter Lobello (American/New Orleans, 1935‑2007), “Nudes”, 1991, mixed media on canvas, signed and dated lower right, label with artist and title on stretcher, 30 in. x 24 in., framed. $300/500

344. Peter Lobello (American/New Orleans, 1935‑2007), “Cirque Paradis XIV”, 1991, mixed media on canvas, pencil‑signed and dated lower right, label with title and artist en verso, 36 in. x 18 in., framed. $300/500

345. Peter Lobello (American/New Orleans, 1935‑2007), “Acrobats and Peacocks”, 1992, mixed media on canvas, pencil‑signed and dated lower right, 30 in. x 30 in., framed. $300/500

346. Peter Lobello (American/New Orleans, 1935‑2007), “Cirque Paradis VIII”, 1991, mixed media on canvas, pencil‑signed and dated lower right, label with title and artist on stretcher, 23 7/8 in. x 35 7/8 in., framed. $300/500

347. American Classical Mahogany Sideboard, early 19th c., New York, shaped backsplash, bank of drawers over center cabinet flanked by two deep drawers, side cabinets, two candle slides, tapered reeded legs, brass ball feet, h. 54 1/2 in., w. 77 in., d. 24 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

348. American Chippendale Carved Mahogany Blockfront Secretary Bookcase, late 18th c., flame finialed broken arch cornice, highly figured scalloped paneled doors flanked by fluted pilasters, slant front lid, finely fitted interior, four shaped drawers, molded base, ogee bracket feet, h. 96 in., w. 44 1/2 in., d. 24 1/4 in. $4000/6000 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976.

349. Venetian‑Style Paint‑Decorated Corner Cabinet, early 20th c., broken arch shell carved crest, scrolled sides, arched mirrored door, conforming base with paneled door, shaped base, bracket feet, ochre paint with birds, figures and flowers, h. 86 in., w. 36 in., d. 24 in. $700/1000

350. George III Inlaid Burled Walnut Slant‑ Front Desk, probably late 18th c., fitted interior, four graduated drawers, shaped bracket feet, h. 37 in., w. 30 3/8 in., d. 19 in. $800/1200

351. Directoire‑Style Carved Mahogany Chaise Longue, shaped back with swan’s neck scroll supports, molded seat rail, saber legs, h 35 in., l. 79 in., w. 30 in. $700/1000 Additional information at www.nealauction.com

352. François‑Adolphe Grison (French, 1845‑1914) and Gaston Gilbert Daniel Save (French, 1844‑1901), “The Tavern”, 1874, oil on canvas, signed and dated lower right, “Kurt E. Schon, Ltd., New Orleans” label with artist and title on stretcher, 111 1/4 in. x 62 7/8 in., framed. $7000/9000

Provenance: Private Collection; Kurt E. Schon, Ltd., New Orleans, LA.

Note: Gaston Save, who had attended the Ecole des Beaux‑Arts in Paris, exhibited in the Salon of 1870 and won a bronze medal. Passionate about history, politics, and theater, Save often created illustrations for magazines as well as collaborating on large‑scale wall decorations and theater sets. Adolphe Grison, who had exhibited at the Paris Salon in 1873, was a well‑known genre scene painter. The two artists collaborated to create the cheerful late 18th century tavern scene offered here. This immense canvas is a feast for the eyes. Splendor and frivolity abound as each square inch offers new details to be discovered. The foreground is framed with meticulously rendered flora and an abandoned game of lawn bowling. At the center of the canvas, a young child and man with a hurdy‑gurdy play for a group of sumptuously‑dressed and well‑ coiffed ladies and gentlemen, while the tavern owner and a comely maiden fetch mid‑day drinks. In the background, a teeming crowd enjoys a festival on a bright summer day, and one can almost hear the revelry. The impressive verticality of the canvas topped with a carved arch makes the work a dramatic architectural feat as well as an artistic one.

355. Pair of Middle Eastern Carved Marble Planters, cylindrical bodies, interior faux hieroglyphics, exterior relief carved with symbols and animal figures, h. 23 1/2 in., dia. 18 in. $1500/2500

353. Pair of Empire‑Style Bronze Two‑Light Figural Sconces, 20th c., foliate backplate, centered by eagle, electrified, h. 19 in., w. 9 1/4 in., d. 4 in. $600/800

354. Pair of Rock Crystal Lamps, vasiform standard, giltwood base, h. to finial 28 in., dia. 5 3/4 in. $2000/3000

356. Pair of Antique French Cast Iron Garden Urns, 19th c., stepped square plinth base, h. 38 in., dia. 22 in. $700/900 Provenance: The Friedle‑Garrison Collection, New Orleans.

357. Pair of Louis‑XVI Style Bronze Doré Cushion Mirrors, 19th c., Bacchus mask cartouche, bead and leaf framework, paneled beveled glass, foliate pendant base, h. 66 in., w. 29 in. $1800/2500

358. Louis XVI‑Style Gilt and Patinated Bronze Figural Mantel Clock, c. 1860, dial and movement marked “DENIERE/A PARIS”, the Classical maiden watching a bird defend its nest from a snake, shaped base with marble inserts, h. 15 1/4 in., w. 20 1/2 in., d. 9 in. $800/1200

359. Pair of Chinese Famille Rose Decorated Blue and White Porcelain Bottle Vases, lotus pod mouths, Buddhist lion mask‑ring handles, decorated with iron red and pink dragons pursuing the flaming pearl amid cloud scrolls and flames, bases with apocryphal Qianlong marks, h. 10 3/4 in. $700/900

362. Chinese Mughal‑Style Rock Crystal Bowl, 19th/ early 20th c., carved with gently curving fluted sides, h. 2 1/4 in., dia. 6 in., wood stand, overall h. 6 1/8 in. $800/1200 Provenance: R.J. Sutton Antiques, New Orleans. 360. Chinese Enameled Porcelain Vase, 20th c., decorated with phoenix amid peony on a yellow ground, base with jiajing mark, h. 19 7/8 in. $1000/1500 361. Chinese Blue and White Porcelain Inset Hardwood Floor Screen, porcelain tiles decorated with mountainous waterscape scenes, hardwood surround carved with landscape and bird‑and‑flower registers, h. 71 in., w. 73 in., d. 20 1/2 in. $2000/3000

363. Monumental Japanese Polished and Patinated Bronze Koro, Meiji Period (1868‑1912), cast as an eagle perched on a rockwork ledge, removable back‑piece and wings, h. 39 1/2 in., w. 42 1/2 in., d. 25 in. $1500/2500

364. Monumental Japanese Polished Bronze Vase, probably Meiji Period (1868‑1912), relief‑cast with magpies and persimmons, mounted to a wood base, h. 25 1/2 in. $1000/1500

366. Pair of Neoclassical‑Style Carved Mahogany Side Tables, granite top, foliate scroll supports, paw foot base, h. 32 in., w. 31 in., d. 18 7/8 in. $800/1200

365. Four American Renaissance Carved, Parcel Gilt and Ebonized Parlor Chairs, c. 1870, attr. to Pottier & Stymus, New York, incl. two armchairs and two side chairs, shaped foliate crest centered by a cherub medallion, armchairs with cherub appliques, scrolled legs, hoof feet, armchair h. 38 in., w. 31 1/2 in., d. 23 1/2 in., side chair h. 36 in., w. 22 1/2 in., d. 19 in. $3000/5000

Provenance: Stingray Hornsby, Watertown, CT; The Stanley Weiss Collection, Providence, RI.

367. Louis XV Carved Walnut or Fruitwood Canapé, late 18th c., serpentine shell‑carved crest, padded arms, conforming seat rail, cabriole legs, scrolled toes, h. 38 1/2 in., w. 80 in., d. 34 in. $700/1000

368. Antique Louis XVI‑Style Brass Inlaid Mahogany Commode, marble top, frieze drawer over two drawers, tapered legs, h. 38 in., w. 55 in., d. 25 1/2 in. $1200/1800 Additional information at www.nealauction.com

369. Continental Neoclassical‑Style Bronze‑Mounted Mahogany Commode, three long drawers, fluted stiles, tapered legs, h. 31 1/2 in., w. 45 in., d. 20 1/2 in. $700/1000

370. Empire‑Style Bronze‑Mounted Mahogany Semainier, h. 59 in., w. 32 3/4 in., d. 17 1/2 in. $800/1200

371. Antique Louis XIV‑Style Carved Walnut Fauteuil, arched canted back, scroll arms, scalloped seat rail, turned and blocked legs, turned stretchers, h. 46 1/2 in., w. 23 in., d. 18 in. $300/500

374. Raymond Klee (British, 1924‑2013), “Pont de Marie Issy”, oil on board, signed lower right, sight 19 3/8 in. x 28 1/4 in., framed. $500/700

372. Dréhan (French, 20th c.), “Temptation”, oil on canvas, signed lower right, titled on label on stretcher, 24 in. x 18 in., framed. $800/1200

Exh.: Marshall Field & Company, England, 1965.

373. Continental School, 19th c., “Woman with Lamb”, oil on linen, unsigned, 51 3/4 in. x 39 1/2 in., framed. $700/1000

Provenance: The Friedle‑Garrison Collection, New Orleans.

375. Continental School, 19th c., “Neptune with Putti”, oil on canvas, unsigned, 25 1/2 in. x 34 3/4 in., framed. $700/1000

378. French First Standard Silver and Cut Crystal Cruet Stand in the Empire Taste, early 19th c., dolphin and ring handle, figural bottle supports, paw feet with anthemion brackets, diamond faceted cruets and stoppers, h. 13 in., w. 8 1/2 in., d. 4 3/8 in., wt. (weighable) 21 troy ozs. $1000/1500

376. Carl Thieme Floral and Fruit Encrusted Polychrome Porcelain Covered Vase on Stand, marked, bird finial, courting couples in landscape reserves, h. 21 1/4 in. (3 pcs.) $500/700

377. Antique French Silverplate and Cut Crystal Centerpiece in the Neoclassical Taste, marked “P.B&C” in rectangle and “13” in rectangle, stand with griffin supports, husk and stiff leaf borders and bracketed paw feet, scalloped cut crystal centerbowl overall h. 8 in., dia. 8 in. $800/1200

379. Late Georgian Sheffield Plate Tea Tray, c. 1820, engraved armorial crest and motto “Vincit Posicula Virtus” (Virtue Conquers Danger), shell and scroll handles and border, shell feet, inset silver shield, rolled edges, 27 3/4 in. x 18 3/4 in. $600/900

381. Dresden Porcelain Tureen, 20th c., cover with figural finial, figural handles, pedestal base with paw feet, h. 23 in., dia. 15 in. $500/700

382. Set of Twelve Coalport Porcelain Soup Plates in the Regency Taste, pattern Z1082, ret. Davis Collamore & Co., Ltd., New York, dia. 10. $200/300

380. Set of Ten Paris Porcelain Fruit Plates, 19th c., 5 marked Rihouet, 5 marked G. Thierry, celeste bleu with fruit reserves and raised gilt decoration, dia. 8 3/4 in. $600/900 Ref. Guillebon. Paris Porcelain 1770-1850, pp. 294-295.

383. Pair of Napoleon III Bronze Figural Candlesticks, 19th c., cherub busts, over tapered shaft, h. 9 3/4 in., dia. 3 3/4 in. $700/900 384. Pair of Sevres‑Style Bronze‑Mounted Rose Pompadour Porcelain Cachepots, pierced rim, lion handles, h. 11 in., w. 10 1/2 in., d. 10 in. $800/1200

385. (Detail) Spanish or Portuguese Embroidered Yellow Silk Panel, 19th c., worked in shades of pink, lavender, gray and green with flower sprays and conch shells, fringe border, 71 1/4 in. x 62 in. $300/500

Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, 1979. 386. Large Brussels Tapestry of the Continence of Scipio, mid-17th c., from the Stories of Scipio and Hannibal, by the workshop of Franz Van Maelsaeck, depicting Scipio in the center releasing the maiden to her fiancée, border with fruit garlands interspersed with mythological and allegorical figures, and cartouches with landscapes, weaver’s mark lower right, “F.V MAELSAECK” center, and Brussels town mark to the left, 13 ft. 10 in. x 12 ft. 9 in. $7000/10000

Provenance: Sotheby’s, New York, Oct. 3, 2007, lot 31.

387. Max “Mordechai” Farbmann (Lithuanian, 1886‑1950), “Bust of a Maiden”, 1918, “M. Farbmann” and date inscribed on proper right side, h. 22 1/2 in. $1200/1800

388. Dale Chihuly (American, b. 1941), “Dandelion Macchia with Black Lip Wrap”, 2000, hand-blown glass, signed and dated, h. 16 in., dia. 33 in. $12000/18000

389. Pair of Louis XVI‑Style Gilt and Patinated Bronze Three‑Light Figural Candelabra, central light with removable finial, white marble base, h. 18 1/2 in., w. 8 1/2 in., d. 5 in. $700/1000

Additional information at www.nealauction.com

392. Egyptian Revival Patinated Metal and Marble Mantel Clock, mid‑19th c., French movement, case surmounted by a sphinx, mounted with masks and panther pelts, h. 16 3/4 in., w. 18 3/4 in., d. 9 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

390. Neo‑Classical Style Marquetry, Kingwood and Gilt Metal‑Mounted Guéridon, circular top, incurvate legs, gilt basket stretcher, incurvate triangular plinth with gilt paw feet, h. 30 in., w. 17 1/2 in., d. 17 1/2 in. $250/350

391. Italian Baroque‑Style Carved Walnut Figural Armchair, late 19th c., in manner of Andrea Brustalon, arched crest, putto carved arms, blackamoor uprights, shaped seat, cabriole legs, paw feet, shaped stretcher, h. 48 in., w. 33 1/4 in., d. 25 in. $800/1200

393. Pair Chinese Cloisonné Enameled Porcelain Bottle Vases, 20th c., each with pairs of zoomorphic mask handles, relief molded with fish in a lotus pond on a wire wave ground beneath clouds and flower heads, h. 18 7/8 in. $700/900

396. Chinese Famille Rose Porcelain Covered Jar, early to mid‑20th c., metal loop handles, finely enameled with a spotted deer and a red crested crane amid flowering branches and rock, base with rubbed mark, h. 6 7/8 in. $200/300

394. Chinese Blue and White Porcelain Garden Seat, 19th/20th c., barrel‑form with two openwork mask‑ring handles, decorated overall with flower sprays and branches, h. 18 1/2 in. $200/300

395. Pair of Chinese Blue and White Porcelain Covered Vases, Buddhist lion finials, baluster bodies relief‑molded with vases and decorated with flowers, antique, and auspicious emblems, h. 27 in. $800/1200

397. Pair Chinese Red Glass Bottle Vases, probably mid‑20th c., with applied glass plaques modeled as recumbent qilin, bases with Qianlong marks, h. 10 7/8 in. $600/800

Provenance: The Friedle‑Garrison Collection, New Orleans.

398. Pair of Chinese Cloisonné Enamel Buddhist Lions, modeled standing on rectangular plinths, bases with apocryphal Qianlong marks, h. 9 in., w. 3 3/4 in., d. 7 1/4 in. $600/800

399. Tibetan Thangka of Avalokitesvara, probably 19th c., colors and gilt on cloth, depicting the four‑armed deity seated in vajraparyankasana wearing a billowing celestial scarf and an animal skin over the left shoulder, flanked by four Bodhisattvas, including Amitaba and Vajrapani, sight 34 3/4 in. x 26 3/8 in., framed. $800/1200

402. African Carved Figural Chair, Chokwe People, Angola. $700/1000

400. Antique Chinese Porcelain‑Inset Carved Rosewood Desk, top inset with two famille rose plaques, flanked by two upright drawers, floral carved frieze with drawer, molded legs, disc feet, h. 40 3/4 in., w. 48 1/4 in., d. 17 3/4 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

401. Asian Ebonized Pedestal, stepped dished top, elephant head supports, scalloped plinth base, h. 34 1/2 in. $1000/1500 404. Antique Diminutive English Inlaid Mahogany Side Table, shaped banded top, conforming blocked frieze, square tapered legs, h. 29 in., w. 27 7/8 in., d. 15 7/8 in. $400/600

403. Two African Beaded Wood Male Fertility Figures, early 20th c., Cameroon, Bamileke Tribe, life‑size figures carved standing with slightly bent legs, h. 72 in. and 67 1/2 in., mounted to wood planks, overall h. 74 in. and 69 1/2 in.. $1000/1500

405. William IV Carved Mahogany Sofa, mid‑19th c., acanthine crest, scrolled arms, molded seat rail, lobed feet, porcelain casters, faux snakeskin upholstery, h. 49 in., w. 86 in., d. 26 in. $1200/1800

Provenance: Charles Woolsey Lyon, New York, NY, June 28, 1922; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

406. Queen Anne Oak Lowboy, c. 1700, molded notched top, kneehole configuration of drawers, scalloped skirt, cabriole legs, pad feet, h. 29 1/2 in., w. 32 1/4 in., d. 21 1/4 in. $800/1200

407. Georgian Mahogany Dresser Base, c. 1820‑1830, three frieze drawers over a bank of short drawers flanked by paneled cupboard doors, batwing brasses, bracket feet, h. 35 1/2 in., w. 61 5/8 in., d. 18 7/8 in. $700/1000

Additional information at www.nealauction.com

408. Louis XVI‑Style Carved Fruitwood Canapé, foliate‑carved crest rail, scrolled padded arms, beaded seat rail, spiral turned foliate legs, silk upholstery, h. 40 in., w. 74 1/2 in., d. 26 1/2 in. $300/500

Provenance: French Antique Shop, New Orleans

409. Régence Carved Beechwood Fauteuil, 18th c., serpentine shell‑carved crest rail, foliate scrolled arms, caned back and seat, cabriole legs, shaped stretcher, h.38 1/2 in., w. 25 3/4 in., d. 20 in. $400/600 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

410. Near Pair of Empire Mahogany Consoles, early 19th c., later granite tops, scrolled supports, paw feet, shaped plinth base, h. 34 1/2 in., w. 39 in., d. 15 in. $2500/3500 Provenance: French Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

411. Louis XVI‑Style Carved and Gilded Salon Table, inset molded marble top, carved frieze with center medallion, blocked tapered legs, shaped stretchers, centered by an urn, foliate blocked feet, h. 33 in., w. 64 in., d. 32 in. $2000/3000

412. Pair of Continental Carved and Painted Armchairs, serpentine crest, acanthus‑scrolled fluted arms, foliate legs, shaped stretcher, lobed feet, h. 46 1/2 in., w. 28 in., d. 30 in. $1000/1500

414. French Provincial Carved Walnut Buffet, 18th c., molded top, frieze fitted with three drawers over paneled doors, plinth base, h. 36 in., w. 57 in., d. 25 in. $1000/1500

413. Pair of Directoire‑Style Patinated Metal Side Tables, marble top, plain frieze, curule base with gilt accents, tapered feet, h. 32 in., w. 36 1/4 in., d. 17 1/2 in. $800/1200

415. Biedermeier‑Style Inlaid Exotic Woods, Mahogany and Ebonized Guéridon, brass molded pinwheel inlaid top, lyre support, incurvate plinth, block feet, h. 29 in., dia. 23 in. $700/1000

417. English Burled Walnut Canterbury, 19th c., barley‑twist supports, turned dividers, blind drawer at base, turned feet, h. 31 1/2 in., w. 15 in., d. 22 1/2 in. $400/600

418. Directoire Fruitwood Side Table, oval top, small drawer, incurvate legs, medial stretcher shelf, h. 27 in., w. 23 1/2 in., d. 19 1/2 in. $400/600 Provenance: Au Vieux Paris Antiques, Breaux Bridge, LA.

420. James Louis Steg (American/Louisiana, 1922‑2001), “Masked Rex Riders”, 1968, mixed media on shaped wood panel, signed and dated lower right, 44 1/4 in. x 33 1/2 in., unframed. $600/800 416. Antique Georgian‑Style Inlaid Mahogany Secretary Bookcase, dentil‑molded cornice, glazed doors, glass shelf interior, secretary drawer with fitted interior, reeded columnar stiles, three graduated drawers, shaped base, h. 93 in., w. 48 in., d. 23 1/2 in. $2000/3000

Note: James “Jim” Steg, now considered the most influential New Orleans printmaker of the twentieth century, only recently received this prestigious designation. A posthumous solo retrospective at the New Orleans Museum of Art in 2017 titled “Jim Steg: New Work” sparked a renewed interest in his oeuvre, focusing not only on printmaking, but also on his innovative forays into the fields of photography, collage, and sculpted wood.

Steg spent much of his life as the head of the graphics department at Newcomb College teaching methods of printmaking, some of which he himself had pioneered. Before his tenure at Newcomb, Steg studied at the Art Institute of Chicago and served in the Army during WWII as part of a division known as the Ghost Army, a group of approximately 1000 artists who used subterfuge to deceive the enemy with inflatable tanks and theater props.

419. Louis XVI Provincial Carved Oak Tea Table, probably 18th c., molded top, carved floral garland frieze, herringbone carved square tapered legs, spade feet, h. 27 1/2 in., w. 34 in., d. 26 in. $600/800

421. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Steamboat in the Harbor”, oil on canvas, signed lower right, 24 in. x 30 in., framed. $1200/1800

Although he was best known for his prints, Steg’s imaginative spirit led him to experiment in new media, resulting in works such as the collage on a rough wood panel offered here. The figures, members of the Rex organization, are formed of stiff material, sculpted into the shape of masked men. The piece seems to allude to a darkness behind the masks in an unpolished, intimidating rendering of the figures. Ref.: Steg, J.L. “About the Artist”. J L Steg. www.jimsteg. com. Accessed Aug. 16, 2018; Lord, Russell. “Restlessly Inventive.” Louisiana Cultural Vistas. New Orleans Museum of Art, 2017. http://www.knowlouisiana.org/restlessly‑ inventive. Accessed Aug. 21, 2018.

422. William Woodward (American/Louisiana, 1859‑1939), “Sweden”, 1893, oil on board, initials, title and date incised upper right, 8 1/4 in. x 13 3/8 in., framed. $1000/1500

Additional information at www.nealauction.com

423. [Mardi Gras], Mistick Krewe of Comus Cup, 1912, theme “Cathay”, set with “paste” jewels , h. 6 in., dia. 5 1/2 in. $7000/9000 Note: From the first ball in 1857, Comus has closed Mardi Gras with his golden cup. As Henri Schindler writes, “This enchanter’s chalice, gleaming and bejeweled, became a potent symbol of the magic and transformation that are the lifeblood of the festival, of continuity, and of the power and the glory that Carnival holds in the New Orleans imagination.” Schindler, Henri. Mardi Gras Treasures: Jewelry of the Golden Age, pp. 14‑15, ill. p. 44 and back cover.

424. [Mardi Gras], probably the High Priests of Mithras, Crown and Scepter, 1914, theme “The Evolution of Music”. Crown h. 5 in., dia. 7 1/2 in., Scepter l. 25 in. $800‑1200

425. [Mardi Gras], unknown krewe, probably one of the tableau societies, King’s Crown, c. 1930. $500‑700 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

426. [Mardi Gras], unknown krewe, probably one of the tableau societies, King’s Scepter, c. 1930. l. 23 3/4 in. $400‑600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

428. Pair of Antique Faux Bamboo Armchairs, 19th c., spindled back, shaped spindled arms, rush seat, conforming legs, stretchers, h. 34 in., w. 21 in., d. 16 in. $250/350

429. Contemporary Mahogany Architect’s Desk, 20th c., inset top, h. 34 in., w. 48 3/8 in., d. 33 1/2 in. $700/1000

427. American Aesthetic Brass Easel, late 19th c., finialed crest rail, adjustable frame, square uprights, disc feet, h. 60 in., w. 25 in., d. 24 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

430. Antique Regency Brass-Banded Mahogany Wine Cooler on Stand, 19th c., zinc liner, ring handles, conforming stand, brass legs, disc feet, h. 19 1/2 in., w. 28 in., d. 19 in. $500/700

432. Fine Louis XV-Style Carved Walnut and Parcel Gilt Console, 19th c., serpentine marble top, foliate‑carved frieze, acanthine cabriole legs, shaped stretchers centered by an urn finial, h. 39 in., w. 51 1/2 in., d. 19 1/2 in. $1000/1500

431. Louis XVI-Style Parquetry and Gilt-Mounted Music Cabinet, brass galleried superstructure, frieze drawer, shaped dividers, lower doors, shelf interior, turned fluted and tapered legs, h. 51 1/2 in., w. 22 in., d. 14 in. $800/1200 433. Louis XVI Mahogany Demilune Games Table, foldover top, tapered legs ending in wooden ball feet, h. 30 in., dia. 41 1/4 in. $500/1000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

435. Gallé-Style Inlaid Rosewood Cabinet, shaped top, floral‑carved stiles, two drawers, spiral reeded legs, pierced stretcher, foliate feet, h. 35 5/8 in., w. 38 5/8 in., d. 22 3/4 in. $400/600

434. Louis XV-Style Doré Bronze-Mounted Marquetry Bureau Plat, top with basket of flowers among vines and foliage, shaped frieze with kneehole configuration of drawers, cabriole legs, h. 32 in., w. 52 1/4 in., d. 29 in. $1000/1500

436. Dutch School, 19th c., “Barnyard Scene with Pigs and Chickens”, oil on canvas, unsigned, inscribed and collector labels en verso, 12 in. x 13 3/4 in., framed. $300/500

437. Albert Bligny (French, 1849-1908), “Soldier with Drum”, 1850, oil on canvas, signed and dated lower right, “Marguerite Viel Antiquités, Paris, France” label en verso, 8 in. x 6 in., framed. $400/600

439. Three Hand-Embellished Miniature Prints of Napoleon, late 19th c., unsigned, sights 3 1/4 in. x 2 1/2 in., framed alike. (3 pcs.) $400/600 438. Lilian May Miller (American, 1895-1943), “Hong Kong Junk”, woodblock print, signed lower left, sheet 14 3/4 in. x 10 1/4 in., framed. $300/500 Additional information at www.nealauction.com

440. Louis Philippe Paris Porcelain Dessert Service, 19th c., decorated with floral sprays, incl. 16 plates, 4 tazzas and 3 cake stands, plate dia. 7 7/8 in. (23 pcs.) $700/900 441. Set of Eight Royal Worcester Porcelain Dessert Plates in the Imari Palette, pattern B661, ret. Gilman Collamore & Co., New York, dia. 9. $150/250 442. Continental Silverplate and Tortoiseshell Footed Dresser Box, 19th c., inlaid lid, padded interior, h. 2 3/4 in., w. 5 1/2 in., d. 4 1/2 in. $500/800 443. French Oil on Canvas Three Panel Folding Screen, 19th c. $1000/1500

444. Pair of Neoclassical-Style Patinated Bronze Urns, 20th c., scrolled handles, incised marble base, h. 16 1/2 in., w. 9 in., d. 5 1/2 in. $400/600

445. Pair of Regency Bronze Spreadwing Eagle Chenets, possibly Matthew Boulton, tapering plinth, paw feet. $1500/2500

446. French West Indies Carved Mahogany Petite Table, 19th c., inset top, serpentine apron, cabriole legs, h. 30 1/2 in., w. 22 in., d. 17 in. $800/1200

447. French Provincial or West Indies Carved Mahogany Garde Manger, probably late 18th/early 19th c., ogee cornice, glazed door, small lower drawers, serpentine apron, cabriole legs, scrolled toes, h. 42 1/2 in., w. 31 in., d. 13 in. $700/900

448. American Gilt Metal Figural Gas Table Lamp, 19th c., depicting Joan of Arc, frosted glass globe, h. 22 in., dia. 7 in. $700/1000

Provenance: The Friedleâ&#x20AC;&#x2018;Garrison Collection, New Orleans.

450. Abraham Ortelius, “La Florida/ Peruviae Auriferae Regionis Typus/ Guastecan”, Antwerp, 1598, three maps on one sheet, the earliest map illustrating the present southern states region, 13 1/2 in. x 18 1/4 in., unframed. $1000/1500

451. Pieter Covens and Corneliu Mortier, “L’Amerique Septentrionale.../America Septentrionali...”, Amsterdam, c. 1740, hand‑colored engraved map, after Delisle’s seminal map of 1700, 18 1/2 in. x 23 in. $1000/1500

449. Bronze Bust of a Maiden, after “Beatrix” by Paul Duboy, signature inscribed on self‑base, h. 17 3/4 in.; w. 11 1/2 in., d. 6 1/4 in., marble base with title, overall h. 23 3/4 in. $800/1200

452. Jean Baptiste Bourguignon D’Anville, “Amerique Septentrionale Publiee Sous les Auspices De Monsiegneur Le Duc d’Orleans Premier Prince du Sang”, Paris, 1746, 4 sheet map, unjoined, hand‑colored in outline, 32 1/2 in. x 33 3/4 in., unframed. $1000/1500

453. Bertius/Tavernier, “Carte de L’Amerique Corrigee, et augmentee, dessus toutes les aultres cy devant faictes par P. Bertius”, 1627, hand‑colored map, first state, based on Hondius’ map of 1618, richly decorated with ships and sea monsters, 15 in. x 19 3/4 in., framed. $1200/1800 455. Patinated Metal Figure of Demosthenes, after the antique in the Vatican Museum, Rome, h. 24 1/4 in., w. 9 3/4 in., d. 6 1/4 in., painted wood base, overall h. 25 1/4 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

454. Matthaus Seutter, “Mappa Geographica Regionem Mexicanam et Floridam...”, Augsburg, c. 1740, hand‑colored, with inset maps of Havana, Portobell, Cartagena and Vera Cruz, with vignettes of a sea battle and tradesmen on shore, 19 1/4 in. x 22 1/2 in., unframed. $800/1200

456. Chinese School, probably Qing Dynasty (1644‑1911), “Winter Landscape with Man on Ox”, ink and color on paper, inscribed and sealed lower right, 13 in. x 25 7/8 in., mounted and framed. $400/600

457. Pair Chinese Green and Iron Red Enameled Porcelain Square Vases, Buddhist lion mask handles, faceted sides decorated with dragons and phoenix pursuing flaming pearls, bases with apocryphal Daoguang marks, h. 15 1/4 in. $600/800

458. Chinese Qingbai Pottery Meiping Vase, relief carved with scrolling lotus, h. 9 in. $400/600

Additional information at www.nealauction.com

461. Chinese Scholar’s Rock, modeled arch form with numerous crevices, mounted within wood stand, overall h. 14 1/2 in., w. 13 3/8 in., d. 5 1/2 in. $1000/1500

460. Pair of Chinese Goldstone Flecked Amber Glass Garlic Mouth Bottle Vases, lions mask handles, relief‑carved with fish and crane in lotus ponds on incised wave grounds, bases with apocryphal Qianlong marks, h. 10 3/4 in. $600/800

459. Large Antique South Asian Carved Stone or Stucco Head of Buddha, rounded face with tight spiraling curls beneath a domed ushnisha, distinct widow’s peak, arched slender brows, downcast eyes, patrician nose, slender lips in part smile, long distended earlobes, h. 19 3/4 in., mounted to a wood block base, overall h. 23 in., w. 11 in., d. 11 in. $1000/1500

462. Antique South Asian Carved Stone or Stucco Head of Buddha, stylized plaited curls extending over a high ushnisha, low straight hairline, arched eyebrows joined at center, downcast eyes, aquiline nose, plump lips in part smile, long pendulous earlobes, h. 13 1/2 in., raised on wood stand, overall h. 22 3/4 in., w. 6 1/2 in., w. 6 1/2 in. $800/1200

464. Chinese Gilt and Patinated Bronze Figure of Guanyin, modeled seated in rajalilasana with the right arm resting on the bent right knee wearing long robes decorated with Buddhist emblems on a ground of clouds and foliage, hair tied in a chignon partially covered by a long cowl centered by a tiara bearing the figure of Buddha, reverse with apocryphal Yongle mark, h. 19 3/4 in., w. 17 1/2 in. $3000/5000

463. Pair of Chinese Hardstone Trees in Cloisonné Enamel Jardinières, realistically modeled as peony branches with rose quartz flowers and spinach jade leaves, approx. h. 16 in., approx. w. 17 1/2 in. $400/600

465. Large Chinese Hardwood Recessed Leg Table, rectangular top with everted flanges, shaped apron, cloud‑form brackets, rectangular sectioned legs, trestle feet, h. 40 in., w. 102 in., d. 20 in. $600/800

466. Asian Carved and Parcel Giltwood Low Table, 19th c., inset rectangular top, foliate scroll apron on three sides, shaped apron on one, zoomorphic mask claw and compressed ball feet, h. 8 in., w. 24 in., d. 18 3/4 in. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

467. Four Chinese Carved Hardwood Armchairs, scrolled crest, reticulated back and arms, shaped apron, stretchers, scroll block feet, h. 39 1/2 in., w. 23 1/2 in., d. 19 in. $600/800

468. Chinese Hardwood Stool, Qing Dynasty (1644‑1911), inset panel covered with woven matting, contoured reeded legs, floor stretchers, blocked feet, h. 16 1/2 in., w. 18 in., d. 18 in. $800/1200 Provenance: Neal Auction, May 4, 2013, lot 603; Gulfport, MS Collection.

469. Pair of Chinese Hardwood Child’s Chairs, Qing Dynasty (1644‑1911), slightly curving top rail, S‑scroll back slat, curving turned back posts, rectangular seat inset with woven cane, square legs, stretchers, foot rest, h. 28 1/4 in., w. 13 1/4 in., d. 11 3/4 in. $1500/2500

470. Persian Sarouk Carpet, navy and beige, central floral medallion, vine border, 7 ft. x 4 ft. 5 in. $1000/1500

471. Heriz Carpet, red, blue, and rose ground, central medallion, floral border, 10 ft. x 15 ft. 3 in. $600/900

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Neal Auction, May 4, 2013, lot 602; Gulfport, MS Collection.

472. Antique Persian Bidjar Carpet, navy and rose, central medallion, floral vine border, 6 ft. 7 in. x 4 ft. $600/800

476. Persian Turkaman Carpet, allover red ground, repeating stylized design, 6 ft. 3 in. x 4 ft. 4 in. $500/700

473. Antique Persian Lilihan Carpet, coral ground with nay and tan design, vine border, 7 ft. 6 in. x 3 ft. 11 in. $700/900

477. Antique Persian Mahal Carpet, with beige, red and blue, border, 7 ft. x 4 ft. 4 in. $500/700

474. Antique Persian Hamadan Carpet, navy ground, central medallion, 6 ft. 6 in. x 3 ft. 10 in. $700/900

478. Antique Persian Lilihan Carpet, beige and tan, indigo central medallion, floral border, 6 ft. 5 in. x 3 ft. 11 in. $500/700

475. Antique Persian Hamadan Carpet, navy and coral, allover stylized design, floral border, 7 ft. 1 in. x 4 ft. 3 in. $600/800

479. Large Persian Carpet, central floral medallion, surrounded by floral design, red ground, floral border, 18 ft. 10 in. x 11 ft. 8 in. $800/1200

Additional information at www.nealauction.com

480. Antique Caucasian Carpet; beige ground, repeated stylized design, floral border, 5 ft. 3 in. x 4 ft. 1 in. together with antique Sarouk carpet with allover floral design, vine border, 6 ft. 4 in. x 4 ft. 1 in. $400/600.

481. Persian Hamadan Carpet, with blue, tan, rust and pink, 7 ft. 3 in. x 4 ft. 5 in. $600/800

Provenance: The Friedle‑Garrison Collection, New Orleans.

482. Pair of French Clodion-Style Patinated Bronze Urns, 19th c., grotesque mask handles, relief of cavorting cherubs, molded base, now mounted as lamps, electrified, h. (to socket) 27 1/2 in., w. 8 in., d. 8 1/2 in. $1000/1500

483. Pair of Italian Faux Malachite Porcelain Vases in the Neoclassical Taste, marked “Mangani”, winged term handles, h. 17 3/4 in., w. 7 in., d. 5 1/2 in. $600/900

484. Pair of Rare Aesthetic Owl Andirons, late 19th c., branch base, fitted with glass eyes, h. 21 in., w. 11 in., d. 20 in. $800/1200

485. Continental Carved and Inlaid Walnut Center Table, molded circular top centered by a yin‑yang symbol, bulbous‑turned standard, scrolled legs, h. 32 1/2 in., dia. 60 in. $1000/1500

486. Giant Clam Shell, Tridacna Giga, probably South Pacific, h. 15 in., w. 36 in., d. 21 in. $1000/1500

487. Giant Clam Shell, Tridacna Giga, probably South Pacific, h. 13 3/4 in., w. 33 in., d. 22 in. $800/1200

488. 14 kt. Yellow Gold Flexible Hollow Link Bracelet, l. 7 1/2 in., wt. 24 dwts. $1000/1500

489. Pair of 18 kt. White Gold, Diamond and Mabé Pearl Clip Earrings, with pear‑shaped mabé pearl pendants, 40 full cut diamonds totaling approx. 1 ct. $800/1200

490. Double Strand 7.5 mm. Cultured Pearl Bracelet, with 18 kt. yellow gold barrel clasp. $400/600

492. David Webb 14 kt. White Gold, Cultured Pearl and Diamond Ring, high dome form with rope‑twist sides, set with a 13‑13.5 mm. white mabé pearl (probably a replacement) encircled by 26 round brilliant cut diamonds, color F‑G, clarity SI1, approx. total wt. 2.34 ct., stamped “WEBB”, size 6. $2000/3000

Provenance: By descent in the Family of Ethel Lob Loeb Laib (1898‑1973) and Henry Loeb III (1920‑1992, Mayor of Memphis, TN, 1960‑1963 and 1968‑1971).

491. South Sea Pearl Necklace, pearls graduated from 9.5 to 10.5 mm., slightly off‑round, 14 kt. yellow gold clasp, l. 16 in. $1500/2500

493. 14 kt. Yellow and White Gold and Round-Cut Diamond and Triple Strand Pearl Bracelet, pearls measure 7.5 mm., filigree clasp, diamond total wt. approx. 0.97 ct. $1000/1500

494. Pair of Platinum and Diamond Clips with Brooch Attachment, 158 single‑cut diamonds, 6 straight baguette‑cut diamonds, 32 round‑cut diamonds, 2 round‑cut diamonds and 18 round transitional round‑cut diamonds, diamond total wt. approx. 8.17 cts. $5000/7500

495. 14 kt. Yellow and White Gold and Diamond Bee Pin, ruby eyes, diamond total wt. approx. 1.25 cts. $1500/2500

496. 14 kt. Yellow and White Gold and Diamond Bee Pin, ruby eyes, diamond total wt. approx. 1.25 cts. $1500/2500

Additional information at www.nealauction.com

497. Platinum and Diamond Vintage Leaf Design Clip Earrings, European cut and brilliant cut, diamond total wt. approx. 10 cts. $5000/7000 498. 14 kt. Yellow Gold, Emerald and Diamond Brooch, two bees attached to disc. $600/800

500. 10 kt. White and Yellow Gold and Diamond Champagne Bracelet, prong‑set 2 mm. brilliant‑cut diamonds, I‑1 clarity, concealed clasp, gold safety chain, l. 7 in., approx. 6.36 cts. total diamond wt., overall wt. 29.4 grams; accompanied with a copy of a recent appraisal. $2500/3500

501. 14 kt. Yellow and Rose Gold Full-Cut and Single-Cut Diamond Leaf Design Ring, total diamond wt. approx. 1.16 cts. $1500/2500

503. 14 kt. Yellow Gold and Full-Cut Diamond Herringbone Necklace, total diamond wt. approx. 1.04 cts, F color, SI clarity. $3000/5000

505. 14 kt. Yellow Gold, Freshwater Pearl and Round-Cut Ruby Ring, $300/500

499. 14 kt. Yellow Gold and Diamond Solitaire Ring, center brilliant cut diamond approx. 3.13 cts., VS2 clarity, M‑N color, 42 baguette‑cut diamonds and 2 round‑cut diamonds in shank, total approx. wt. 2.40 cts. $12000/15000

502. 18 kt. Yellow Gold Full-Cut and Baguette-Cut Diamond Ring, total diamond wt. 3.19 cts. $2500/3500

504. Single Strand Cultured Pearl Necklace, l. 46 in., pearls measure 8.5 to 8 mm., can be worn as three separate strands with hidden clasp, l. 15 in., 16 in., 17 in. $4000/6000

506. 14 kt. Yellow Gold and Diamond Square Pavé Earrings, diamond total wt. approx 4.50 total cts. $2000/4000

507. 18 kt. White Gold and Diamond Solitaire Ring, full cut diamond, exactly 3.03 cts, I‑J color, I1 ‑ I2 clarity. $6500/7500 508. Pair of 14 kt. White Gold, Pearl and Diamond Earrings, clip backs. $400/600

510. Platinum and Diamond Eternity Ring, total diamond wt. approx. 1.85 cts. $1000/1500

511. 18 kt. Yellow Gold, Diamond and Pearl Ring. $800/1200

509. Pair of 18 kt. White Gold and Diamond Heart Shaped Pendant Earrings, total diamond wt. .65 ct. $800/1200

513. Pair of 18 kt. White Gold and Diamond Pendant Earrings, 2 brilliant cut diamonds, 2.01 cts. total, (1.00 and 1.01), I clarity, I‑J color, smaller diamonds approx. 1.19 cts. total. $2500/3500 514. Pair of 18 kt. White Gold and Diamond Cluster Stud Earrings, 2 brilliant cut diamonds, 3.22 cts. total, smaller diamonds .36 cts. total, K‑l, SI3. $5500/6500 512. Art Deco-Style Platinum and Diamond Ring, center diamond 1.07 cts., J color, I2 clarity. $2000/3000

515. 18 kt. White Gold and Diamond Hinged Bangle Bracelet, 1.4 cts. total diamond wt. $1200/1500

516. Lady’s Retro Design Platinum and Diamond Covered Wristwatch with Diamond Bracelet Attachment, Hamilton movement. $6000/8000

519. Antique Silver Top and Gold Back Diamond Brooch, set with old mine cut diamonds. $1000/1500

517. Pair of 18 kt. White Gold and Diamond Pendant Earrings, total diamond wt. 6.24 cts. $2500/3500 518. Pair of 18 kt. White Gold and Diamond Chandelier Earrings, total diamond wt. approx. 5.46 cts. $3000/5000

Additional information at www.nealauction.com

520. Pair of 18 kt. White Gold and Princess Cut Diamond Pendant Earrings, total diamond wt. 2.27 cts. $1800/2200

521. 18 kt. White Gold and Diamond Necklace, total diamond wt 3.31 cts. $1600/1800

522. 18 kt. White Gold, Opal and Diamond Ring, opal wt. 2.35 cts., diamond approx. total wt. 1.0 ct. $400/600

523. 18 kt. Rose Gold and Diamond Chain, diamond 2.12 cts. total, l. 60 in. $1500/1800

524. 18 kt. White Gold and Diamond Cluster Ring, center diamond 1.59 cts., Hâ&#x20AC;&#x2018;I color, I1 clarity. $2500/3500

526. Pair of East Indian 22 kt. Yellow Gold and Rose Cut Diamond Pendant Earrings. $2000/3000

527. 18 kt. Yellow Gold and Diamond Swirl Ring, total diamond wt. 5.96 cts. $2500/3500

525. 18 kt. Yellow Gold and Diamond Quadruple Band Ring, total diamond wt. 1.55 cts. $1200/1500

528. 18 kt. White Gold Diamond Ring, princess cut diamond approx. 4.2 cts., flanked by 10 princess cut and 5 baguette diamonds, approx. 6 cts. total wt. $25000/35000

529. Retro Platinum and Diamond Brooch, c. 1950, convertible to 2 clips, set with 6 marquises, 10 baguettes and 102 round brilliant cut diamonds, approx. 4 cts. total. $1500/2500 Provenance: Adlerâ&#x20AC;&#x2122;s, New Orleans.

530. 12.63 ct. Cushion Shape Sapphire, unset, 13.05 x 11.15 x 8.82 mm., accompanied by GIA Report 2173885523. $15000/25000

533. Platinum, Diamond and Sapphire Cluster Ring, diamonds 2.20 cts., natural, not heated sapphire 3.57 cts., sapphire has color range from violet to purple, GIA certificate. $2500/3500

531. Platinum, Cabochon Star Sapphire and Diamond Ring, set with approx. 4.9 cts. star sapphire and diamonds totaling approx. 1.50 cts. $6000/9000

534. Pair of Platinum, Sapphire and Diamond Earrings, 2 brilliant cut diamonds, 2.01 cts., L‑M color, SI2‑SI3. $3500/4500

532. Pair of 18 kt. White Gold, Diamond and Ceylon Sapphire Pendant Earrings, diamonds 1.22 cts., sapphires 4.82 and 5.87 cts, GIA certificate stating no heating, natural sapphire, Sri Lanka origin. $4000/6000

535. 18 kt. White Gold, Emerald and Diamond Cluster Ring, emerald approx. 2.5 cts., diamonds approx. 6 cts. $10000/15000

536. Platinum, Emerald, Sapphire and Diamond Hexagonal Cluster Ring, center diamond 1.06 cts., J‑K ‑ “I” clarity. $2000/3000 537. Platinum, Diamond and Emerald Flexible Buckle Design Bracelet, diamond 8.22 cts., emeralds 7.70 cts. $10000/12000

538. 18 kt. White Gold, Diamond and Emerald Cluster Ring, diamond 1.09 cts., emerald 7.93 cts, GIA certificate. $3000/5000

539. Platinum, Emerald and Diamond Triple Band Eternity Ring, emeralds 4.67 cts., diamonds 3.00 cts. $3000/5000

540. Pair of 18 kt. White Gold, Platinum, Emerald and Diamond Pendant Earrings, 2 emerald cut emeralds 4.56 and 3.61 cts, with GIA certificate. $6000/8000 Additional information at www.nealauction.com

541. Platinum, Diamond and Emerald Oval Cluster Ring, oval emerald 4.58 cts, GIA certificate. $1800/2200

542. Platinum and 18 kt. Yellow Gold Triple Band Ring, set with 1 marquise cut ruby, 2 marquise cut emeralds, 2 brilliant cut diamonds and 4 baguette diamonds. $1000/1500

543. 18 kt. White Gold, Ruby and Diamond Large Cluster Ring, 5 oval rubies, brilliant cut and marquise cut diamonds. $4000/6000

546. 18 kt. Yellow Gold, Ruby and Diamond Chain Necklace, with diamonds totaling 1.07 cts., rubies totaling 7.46 cts. $2000/3000 544. 18 kt. White Gold, Diamond, Ruby and Onyx Hinged Bangle Bracelet, double panther head design. $13000/16000

547. 18 kt. White Gold, Ruby and Diamond Double Cluster Ring, diamond 0.48 ct., rubies 3.41 cts. approx. total wt. $1000/1500

545. 18 kt. Gold, Opal, Sapphire and Ruby Owl Pendant/Brooch. $300/500

548. 18 kt. White Gold, Ruby and Diamond Triple Band Ring, rubies 7.42 cts., diamonds 1.85 cts. $2200/2500

549. 18 kt. Yellow Gold, Diamond and Pink Sapphire Ring, diamond 4.10 cts., sapphire 4.70 cts. $2500/3500

550. 18 kt. Yellow Gold, Carved Pink Coral, Pearl and Diamond Ring. $1600/2000

551. Oval Faceted Golden Citrine and Round-Cut Diamond Oval Pendant on 14 kt. Yellow Gold Chain, citrine total wt. approx. 44.58 cts. $1000/1500

552. 18 kt. Yellow Gold, Diamond and Golden Sapphire Serpent Ring, with emerald eyes. $2000/2500

553. Rolex 18 kt. Gold Cellini Watch, ref. 6623, 36mm, serial no. N378071, Champagne Jubilee dial, Rolex leather band, gold deployment clasp, with original box, booklet, leather organizer, and free battery certificate. $2500/3500 Provenance: Waldhorn & Adler, New Orleans, 2001.

554. Cartier Stainless Steel Pasha Chronograph, ref. 2113, 38mm, serial no. 769493CC, automatic, transparent back, 37 jewels, leather Cartier band, deployment clasp, with original box, booklet, and copy of invoice. $1500/2500

555. Carlo Ferrara Stainless Steel Regulatore Watch, ref. CF 1997, 39mm, automatic, black two‑part dial, transparent back, Carlo Ferrara crocodile band, with box, and copy of “Certificat d’Origine”. $1000/1500

Provenance: Adler’s, New Orleans.

556. Harry Winston 18 kt. Premier Excenter Retrograde Gold Watch, ref. 200/MAB137R, case no. 8905, No.90, automatic, transparent back, day and date, Harry Winston alligator band, gold deployment clasp, with original box and papers. $4000/6000

559. Italian Gilt Bronze Figural Watch Holder, early 19th c., shell frame, entwined dolphin standard, base marked “R.RETTIE”, h. 8 3/4 in., w. 4 1/4 in., d. 1 3/4 in.; together with a French silverplate pocket watch. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

557. Hublot Big Bang All Black Carat 44 mm. Limited Edition Chronograph Watch, ref. 301.CD.134.RX190, case no. 678522, edition 96/250, ceramic and kevlar case, black baguette diamond bezel, automatic, natural rubber band, deployment clasp, with original box, papers, and certificate of authenticity. $30000/50000

558. Jacob & Co. ACM‑3 Stainless Steel Chronograph, No. 0019, 40mm, yellow crocodile Jacob & Co. band with deployment clasp; together with extra red and blue alligator Jacob & Co. bands with deployment clasp, with copy of original invoice. $800/1200 Provenance: Jacob & Co., New York, 2005.

Provenance: Adler’s, New Orleans, 2007.

560. Two Pocket Watches, one Waltham, other Duebler. $300/500

561. Group of Jewelry in the Victorian Taste, incl. pair of Etruscan‑style 14 kt. yellow gold, black enamel and pearl earrings (reproduction), carved stone cameo mourning brooch, and bloodstone and sardonyx locket with gold‑filled mount. $400/600

rovenance: The Friedle‑Garrison Collection, New Orleans.

563. [Mardi Gras], 1984 Rex doubloon, set in gold bezel with bale; together with 9 mm. amethyst and 5 mm. yellow gold bead necklace, 14 kt. yellow gold clasp, l. 22 in. $300/500

562. 14 kt. Yellow Gold and Shell Cameo Pendant Brooch. $500/700

564. 14 kt. Yellow Gold, Cabochon-Cut Lavender Jade, Amethyst and Diamond Oval Cluster Ring, amethyst total wt. 0.70 ct., diamond total wt. 0.80 ct. $1000/1500 Additional information at www.nealauction.com

566. 14 kt. Yellow Gold, Carved Lavender Jade and Diamond Pendant, diamond total wt. approx. 0.69 ct. $1500/2500

565. Pair of Chinese 18 kt. Yellow Gold, Oval Cabochon Lavender Jade, Diamond and Ruby Clip Earrings. $800/1200

568. 14 kt. Yellow Gold and Cabochon-Cut Lavender Jade Earrings. $100/200

567. 14 kt. Yellow Gold, Cabochon-Cut Lavender Jade, Ruby and Diamond Pendant on Chain. $1000/1500

569. 14 kt. Yellow Gold and 8-8.5 mm. Lavender Bead Jade Bracelet. $100/200

570. 14 kt. Yellow Gold and Lavender Jade Bracelet, 14 kt. yellow gold clasp. $300/500

572. 14 kt. Yellow Gold, Round-Cut Diamond and Carved Jade Figural Pendant on 18 kt. Yellow Gold Chain, light white lavender and dark green jade. $1500/2500

571. 14 kt. Yellow Gold and Cabochon Cut Pink Quartz Chinese Design Bracelet. $300/500

574. Custom White Mink with Fox Collar and Cuffs, Tucker Furs, Inc., Chicago, white silk lining, monogrammed, on seam pockets, together with white leather belt, l. 46 in. $800/1200

575. Full Length Ranch Mink Coat, Tucker Furs, Chicago loose label, black silk lining, monogrammed, on seam pockets, together with matching mink hat, l. 54 in. $1000/1500

573. Off White Fox Coat, grey lining, monogrammed, on seam pockets, l. 49 in. $800/1200

576. Coyote Full Length Hooded Coat, Nilsson of Copenhagen Fur Fashion, tan silk lining, monogrammed, on seam pockets, back slit opening, l. 53 in. $600/800

577. Vintage Halston Beaded Evening Jacket and Vintage Oleg Cassini Dress, c. 1980s and 1950s, labeled, jacket l. 22 in., approx. size 2â&#x20AC;&#x2018;4; dress l. 38 in., approx. size 0â&#x20AC;&#x2018;2. $400/600

580. Korean Inlaid Celadon Stoneware Wine Cup and Cup Stand, probably Goryeo/Koryo Dynasty (918‑1392), each molded with chrysanthemum petals and inlaid in black and white slip with chrysanthemum sprays, cup h. 2 1/4 in., dia. 3 in.; stand h. 2 in., dia. 4 1/2 in., together h. 4 1/4 in. $500/700

578. Moroccan Brocaded Black Satin Robe, Djellaba, 20th c., overall gold, black, and ivory scrollwork, edged and trimmed in rope braid, l. 57 in. $300/500

582. Korean Blue and White Porcelain Octagonal Bottle Vase, probably Joseon/Choson Dynasty (1392‑1910), faceted body decorated with bamboo sprays, h. 9 7/8 in. $400/600

581. Korean Blue and White Porcelain Bottle Vase, probably late Joseon/Choson Dynasty (1392‑1910), decorated with bamboo sprays, base inscribed, h. 12 1/4 in. $700/900

579. Korean School, probably 19th c., “Boys Playing”, ink and color on silk, 28 3/4 in. x 12 1/4 in., mounted as a hanging scroll. $200/400

583. Japanese School, “Hawk on a Branch”, ink and color on paper, inscribed and sealed lower right, 20 5/8 in. x 26 1/4 in., mounted as a hanging scroll. $400/600

584. Japanese School, “Beauty Gazing up at Birds”, ink and color on paper, inscribed and sealed upper right, 38 in. x 20 in., mounted as a hanging scroll. $300/500

585. Japanese School, “Hotei with a Sack and Beads”, ink on paper, inscribed and sealed upper middle right, 43 7/8 in. x 19 1/8 in. $300/500

586. Large Japanese Polychrome Porcelain Charger, probably Meiji Period (1868‑1912), decorated with a shaped cartouche enclosing nobles on horseback and seated before a screen in a landscape on a bird, flower, and fruit ground, dia. 22 in. $600/800

587. Large Japanese Polychrome Porcelain Charger, probably Meiji Period (1868‑1912), decorated with a shaped panel enclosing an Arhat seated on a river bank on a textile ground with flower cartouches, dia. 21 3/4 in. $600/800 Additional information at www.nealauction.com

588. Japanese Patinated Bronze Koro, Meiji Period (1868‑1912), upright handles, relief‑cast with phoenix and kirin panels on a stylized diaper ground, h. 11 1/4 in., w. 18 1/2 in. $500/700 589. Antique Asian Bronze Bowl or Brazier on Stand, conical bowl relief cast with archaistic band around the rim above trilobed panels, foliate stand with scroll feet, base inscribed, h. 10 1/2 in., dia. 9 in. $500/700

592. Large Antique South Asian Terracotta Head of Buddha, modeled with plaited curls extending over ushnisha in spirals, low straight hairline, arched eyebrows joined at center, downcast eyes, distinct nose, plump bow‑shaped lips, h. 27 1/2 in., raised on a wood base, overall h. 33 in., w. 16 in., d. 15 1/2 in. $1000/1500 590. Asian School, “Birds and Flowering Prunus”, ink and color on paper, inscribed and sealed upper left, sealed lower right, 43 5/8 in. x 18 1/8 in., mounted as a hanging scroll. $300/500

591. Asian School, “Eagle with Pine”, ink and color on paper, inscribed and sealed upper right, 33 in. x 13 1/4 in., mounted as a hanging scroll. $300/500

594. Antique Chinese Glazed Stoneware Storage Jar, molded with symbols for good fortune and longevity, h. 13 1/2 in., now apparently undrilled and mounted as a lamp, h. (incl. finial) 33 in. $250/350

595. Chinese Qingbai Pottery Covered Box, molded in melon form with lobed sides and stem finial, dia. 5 in. $500/700 593. Chinese Han-Style Glazed Pottery Grain Jar, three mask feet, h. 11 3/4 in. Note: Restoration. $100/150

596. Three Antique Chinese Pottery Jarlets, incl. guan‑type with gold wire crackle, h. 1 3/4 in.; celadon with olive green crackle glaze, h. 2 3/8 in.; and black glazed, h. 2 1/2 in. $400/600 Provenance: Reputedly from the collection of John Allen Tabor (1917‑1991), a U.S. Foreign Service Officer.

598. Chinese “Henan” Black Glazed Stoneware Bottle Vase, overall russet streaked mottled brownish black glaze, h. 16 in. $400/600 Provenance: Asiantiques, Winter Park, FL, Apr. 2013.

599. Archaistic Chinese Gilt Bronze Hanging Vase and Cover, shaped handle with zoomorphic mask terminals linked to domed cover with pair of horned dragons suspending further links joining the body at the shoulder, relief‑modeled with concentric bands of archaic designs and taotie masks, bottom with inscription, h. 12 in., wood base and surround, overall h. 16 1/2 in., w. 6 1/4 in., d. 4 1/2 in. $2500/3500

597. Chinese Ge‑Style Stoneware Footed Dish, splayed octagonal stem, overall gold wire crackle, h. 3 in., dia. 6 1/8 in. $100/150

600. Archaistic Chinese Glass Gem Embellished Gilt Bronze Belt Hook, modeled as a fish with a dragon protruding from its mouth, inlaid with soft stone or paste, l. 7 in., stand, overall h. 7 3/4 in. $700/900

601. Fine and Large Chinese Spinach Green Jade Brush Pot, carved in varying degrees of relief with single and groups of figures on horseback and at leisurely pursuits in a continuous landscape with pine, rock, and clouds, four bracket feet, base with “Louis Joseph” label, h. 7 1/8 in., dia. 7 1/4 in., wood stand, overall h. 9 3/4 in., dia. 9 3/4 in. $15000/25000

602. Chinese Spinach Green Jade Covered Vase, foliate scroll handles, cover and body relief‑carved with scrolling foliage, h. 11 1/2 in., wood stand, overall h. 12 5/8 in. $2500/3500

603. Chinese Spinach Green Jade Meiping Vase, relief‑carved overall in tight basket‑weave pattern between petal fluted bands at neck and foot, h. 9 3/8 in., wood stand, overall h. 10 3/4 in. $2000/3000

604. Pair of Chinese Tibetan‑Style Cloisonné Enamel “Monk’s Cap” Covered Ewers, Duomuhu, late 19th/20th c., qilin scroll handles, lions mask scroll spouts, overall lotus scroll decoration, bases with Qianlong marks, h. 9 1/8 in. $2000/3000 605. Antique Chinese Cloisonné Enamel Tripod “Lotus” Censer, compressed globular body on rounded feet with gilt waist and rim, upright loop handles, base with Qianlong mark, h. 4 1/4 in., dia. 6 on. $1000/1500

606. Fine Pair of Chinese Cloisonné Enamel Candlesticks, probably 18th/19th c., standards decorated with upright and pendant palm leaves, flared mouths, center sections and splayed feet with flower scrolls, h. 8 1/4 in. $6000/8000

Additional information at www.nealauction.com

607. Fine Chinese Horn “Three Friends of Winter” Libation Cup, Qing Dynasty (1644‑1911), sides carved in high relief with prunus, pine and bamboo emerging from a single branch, body with low relief cloud scrolls overall, l. 12 in., wood stand, overall h. 8 3/4 in., w. 12 in. $6000/8000 Provenance: According to the consignor and to a label affixed inside, Ex‑collection Pebble Hill Plantation, Thomasville, GA.

609. Chinese Horn Libation Cup, densely carved overall with scaly dragons amid stylized cloud scrolls, h. 4 in., w. 3 1/8 in. $200/300

611. Exceptional Chinese Intricately Reticulated Tortoiseshell and Hardwood Cricket Cage, Qing Dynasty (16144‑1911), cylindrical body carved with cranes amid a dense profusion of entwined clouds, wood cover and base, h. 9 3/4 in., dia. 2 in.; together with an identical example in poor condition (2 pcs.) $600/800

608. Chinese Horn Libation Cup, carved with boys amid palm, pine and gourds, h. 4 1/4 in., w. 5 1/4 in., d. 6 1/8 in. $1000/1500

610. Pair of Chinese Horn Vases, Qing Dynasty (1644‑1911), carved in mirror image as slightly swaying bamboo sections relief‑carved to the sides with new leafy bamboo shoots, h. 11 1/2 in. $800/1200

612. Chinese Carved Amber Covered Teapot, modeled as a tree stump with flowering prunus branch handle and spout, h. 2 3/8 in., w. 3 3/4 in. $200/400

613. Chinese Coral Figure of Dongfang Shuo, carved in a walking stance holding the stolen peach of immortality in his right hand with a bat clinging to his left leg, wearing a mischievous expression on his face, h. 8 3/8 in., mounted to a wood stand, overall h. 10 in., w. 6 1/4 in., d. 2 1/2 in. $2500/3500

614. Chinese Coral Figure of a Beauty, carved standing on a tall rockwork ledge holding a vase of peonies in her arms, wearing long robes and hair tied in a chignon surmounted by a phoenix, h. 11 1/2 in., mounted to a wood stand, overall h. 13 1/4 in. $2000/3000

616. Two Chinese Red Lacquer Boxes, first of waisted form, cover molded with two sages seated beneath a tree, base with apocryphal Qianlong mark, h. 4 1/8 in., dia. 7 in.; other with a building in a landscape with mountains, rocks, and trees, h. 3 1/2 in., dia. 7 5/8 in. $500/700

617. Chinese Red Lacquer “Three Friends of Winter” Box, domed cover relief‑molded with a pair of birds amid prunus, rocks and bamboo on a floral diaper ground, base with apocryphal Qianlong mark, h. 4 7/8 in., dia. 10 1/2 in. $800/1200 615. Pair of Chinese Red Lacquer Vases, probably early 20th c., molded with scenes of elegant ladies within fenced gardens, bases with Xuande marks, h. 17 3/4 in. $1200/1800 618. Two Chinese Tixi Lacquer Covered Boxes, each carved through multiple layers of black and cinnabar‑red lacquer in guri patterns, shorter with 5 ruyi pommels encircling a flower head, h. 1 in., dia. 3 in.; taller with brass rims and 4 ruyi pommels repeated on cover and base, h. 1 1/2 in., dia. 2 1/2 in. $400/600 619. Chinese or Tibetan Gilt Bronze Figure of Buddha, probably Qing Dynasty (1644‑1911), seated in dhyanasana on a double lotus base with hands held in dhyanamudra, wearing a long robe with foliate hems, the serene face with downcast eyes and a meditative expression, head and ushnisha covered in tight curls surmounted by an ovoid jewel, h. 6 1/2 in. $800/1200

620. Chinese or Tibetan Gilt Bronze Figure of Vaishravana, probably Qing Dynasty (1644‑1911), modeled seated in lalitasana on a recumbent lion raised on a lotus base, holding a mongoose in the left hand and the right raised originally holding a banner, wearing scale armor and a celestial scarf, h. 5 in., w. 5 in. $600/800 621. Pair of Chinese Sang de Boeuf Porcelain Vases, 20th c., overall rich copper oxblood glaze, bases with double ring marks, h. 9 3/8 in. $300/500

622. Large Pair of Chinese Flambé Glazed Porcelain Baluster Vases, overall mottled blue and cream streaked copper red glaze, h. 21 1/4 in. $800/1200

623. Pair Chinese Peachbloom Glazed Porcelain Bottle Vases, overall green speckled copper red glaze, bases with double ring marks, h. 11 in. $600/800

624. Near Pair of Chinese Peachbloom Glazed Porcelain Bottle Vases, 20th c., overall mottled green speckled copper red glaze, bases with double ring marks, h. 8 1/2 in. $400/600 Additional information at www.nealauction.com

626. Chinese Celadon Jade Covered Tripod Censer, chrysanthemum knop finial, upright curved flange handles, lions mask claw feet, overall mughal‑style foliate scroll decoration, h. 5 1/2 in., w. 7 7/8 in., wood stand, overall h. 7 5/8 in. $4000/6000

625. Chinese Celadon and Russet Jade Scholar’s Mountain, deeply carved in relief with three scholars on a bridge under an old pine before a pavilion with a further pavilion in the background partially hidden by clouds, the reverse with another pavilion beneath pine, h. 8 3/4 in., w. 7 3/4 in., wood stand, overall h. 9 7/8 in. $4000/6000

628. Chinese Pale Celadon Jade Cup, scroll handles, carved with taotie decoration, h. 2 1/4 in., w. 4 1/4 in., d. 3 1/4 in. $800/1200

627. Chinese Mughal‑Style Celadon Jade Covered Hexagonal Vase, foliate scroll handles, faceted body carved with scrollwork and foliage, h. 11 3/4 in. $1200/1800

629. Chinese Mughal‑Style Celadon Jade Handle, carved as the head and long arched neck of a bridled horse with foliate scroll decoration, h. 4 7/8 in., w. 2 1/4 in., mounted to a stand, overall h. 5 3/4 in. $300/500

632. Chinese Rock Crystal “Three Friends of Winter” Vase, 19th c., carved as a hollowed shoot of bamboo with further bamboo, prunus and pine emerging from rock and lingzhi around the sides, the pine with a monkey eating a peach perched high on a limb, h. 9 5/8 in. $1500/2500

630. Chinese Amethyst Quartz Covered Censer, domed cover carved with a qilin finial, globular body with zoomorphic mask‑loop handles, splayed stem foot with flanges, h. 7 1/4 in., w. 7 1/4 in., d. 4 3/4 in. $400/600

631. Chinese Rock Crystal Covered Vase, domed cover with recumbent bird finial, neck with lingzhi loop and loose ring handles, baluster body relief‑carved with birds on branches, h. 8 1/4 in. $400/600

633. Good Chinese Smokey Quartz Covered Vase, carved emerging from rockwork and surrounded by fruiting peach trees, with two boys flanking either side, the three legged lucky toad Jin Chan beneath, and a third boy recumbent on cover, h. 8 1/4 in., wood stand, overall h. 9 in. $600/800

634. Chinese Agate Vase and Cover, Buddhist lion finial, lions mask loose ring handles, flattened hu body carved with panels enclosing a phoenix and a deer and crane, h. 11 1/2 in. $1000/1500

636. Chinese Rose Quartz Guanyin, early 20th c., carved standing with a ruyi scepter in her arms, h. 12 1/8 in., mounted to a green adventurine quartz base, overall h. 13 1/2 in. $600/800

637. Chinese Dreamstone Marble Plaque on Stand, naturally included circular stone resembling a mountainous landscape, inscribed, framed and mounted on an elaborate openwork stand, overall h. 17 in., w. 14 1/2 in., d. 5 3/8 in. $400/600

635. Pair of Chinese Green Jade “Lotus Pond” Wall Plaques, relief carved with fish and lotus, 12 3/8 in. x 3 1/2 in., framed, overall 14 in. x 5 1/4 in. $1000/1500

638. Pair of Chinese “Dreamstone” Marble Inset Table‑Form Display Stands, waisted rectangular tops inset with 1 or 2 marble panels, shaped aprons, scroll legs, ball feet, h. 5 7/8 in., w. 15 1/4 in., d. 9 in. $100/150

639. Chinese Bamboo Trilobed Brushpot, 19th/early 20th c., shaped bentwood body relief‑carved with dwellings in a landscape with mountains, rocks and paulownia, bracket feet, h. 4 1/2 in., w. 4 1/4 in., d. 3 3/4 in. $200/400

640. Pair of Chinese Powder Blue Porcelain Bottle Vases, overall pale lavender blue glaze thinning to white around the rims, h. 9 in. $300/500

643. Chinese Iron Red and White Porcelain Covered Box, 20th c., domed cover painted with two dragons with gilt enhanced scales pursuing the flaming pearl amid cloud scrolls, base with Daoguang mark, h. 3 5/8 in., dia. 7 1/4 in. $300/500 641. Chinese Famille Rose Porcelain Vase, probably early 20th c., square faceted body molded with a large ribbon around the neck and decorated with numerous colorful butterflies, base with Daoquang mark, h. 13 5/8 in. $500/700

642. Chinese Famille Rose Decorated Blue and White Porcelain Covered Box, early 20th c., painted with beautiful ladies in a landscape with flowers and rocks, base with Guangxu mark, h. 2 1/8 in., dia. 5 in. $200/300

644. Pair Chinese Famille Rose Porcelain Double Gourd Vases, finely enameled with floral and rock roundels on a white ground strewn with fruit and flower sprays, bases with apocryphal Qianlong marks, h. 10 1/4 in. $800/1200

645. Chinese Famille Rose Porcelain Vase, probably Qing Dynasty (1644‑1944), decorated with fruiting pomegranate branches and chrysanthemums, h. 14 1/4 in., now mounted as a lamp, h. (incl. finial) 30 1/2 in. $300/500

Provenance: Casey & Casey, New Orleans, Nov. 15, 1979. Additional information at www.nealauction.com

646. Pair of Chinese Famille Rose Decorated Blue and White Porcelain Dishes, wells enameled with butterflies and peony, bases with apocryphal Xuantong marks, h. 1 3/8 in., dia. 7 1/2 in. $400/600

647. Pair of Chinese Famille Rose Porcelain Covered Jars, possibly Republic Period (1911‑1949), decorated with the Eight Immortals in a continuous landscape, bases with Qianlong marks, h. 7 1/2 in. $300/500

648. Pair Chinese Famille Rose “Wu Shuang Pu” Porcelain Bowls, each decorated with three figures, bases with apocryphal Daoguang marks, h. 2 1/4 in., dia. 4 1/2 in. $400/600

649. Chinese Polychrome Porcelain “Eight Immortals” Bowl, probably early 20th c., fluted body with notched rim, decorated with the eight Daoist Immortals on a yellow ground, base with Guangxu mark, h. 5 3/8 in., dia. 10 in. $400/600

650. Pair of Chinese Iron Red and White Porcelain Low Bowls, bombe bodies decorated with dragons pursuing the flaming pearl, bases with apocryphal Daoguang marks, h. 2 1/2 in., dia. 5 in. $500/700

651. Chinese Iron Red and White Porcelain Bottle Vase, 20th c., decorated with fish on an incised wave ground, base with hall mark, h. 16 1/4 in. $600/800

Session Two

Sunday, January 27, 11 am 3923 Carondelet

Additional information at www.nealauction.com

652. Eero Saarinen for Knoll Side Table, c. 2015, coated black Nero marble top, black pedestal base, h. 20 1/2 in., w. 16 in., d. 16 in. $500/700

Provenance: Design Within Reach, 2015.

653. Pair of Cherner White Lacquer Side Chairs, Cherner Chair Company, with white Edelman Vicenza leather seats, h. 31 1/2 in., w. 17 in., d. 18 in. $500/700

Provenance: Design Within Reach, 2015.

654. Pair of Cy Mann Lounge Chairs, padded backs and arms, chrome frame, h. 26 3/4 in., w. 29 1/4 in., d. 32 in. $600/800 655. White Upholstered Curved Sofa by Lee Ledbetter & Associates, 21st c., New Orleans, Holly Hunt fabric. $1500/2500

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com. Accessed May 30, 2018.

656. Upholstered L‑Shaped Sofa and Ottoman by Lee Ledbetter & Associates, 21st c., New Orleans, Designers Guild “ultrasuede” fabric. $1500/2500 Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest. com. Accessed May 30, 2018.

658. Steve Kline (American/New Orleans, 20th c.), “Dancing Daze”, 1992, polyurethane on brushed aluminum, signature and date stamped on self‑base, h. 24 in., w. 31 3/4 in., d. 21 in. $1000/1500 Provenance: Sylvia Schmidt Gallery, New Orleans, LA, 1993.

657. Upholstered L‑Shaped Sofa and Ottoman by Lee Ledbetter & Associates, 21st c., Designers Guild “ultrasuede” fabric. $1500/2500

659. Abstract Lacquered Wood Sculpture, inscribed symbol or monogram on reverse, h. 17 in., w. 14 in., d. 7 1/2 in, marble base, overall h. 21 3/4 in. $800/1200

661. Edward Lee Hendricks (American/ Birmingham, b. 1952), “Abstract Form”, stainless steel, paint and mixed media with wall mounting hardware, unsigned, l. 59 in., mounted for display on board. $400/600 660. Lonnie Holley (American/ Alabama, b. 1950), “Profile”, 1986, cast sand and polymer, initialed and dated on reverse, h. 9 1/2 in., w. 9 1/4 in., d. 2 1/4 in. $400/600 662. Norman Rockwell (American, 1894‑1978), “Boy with Dog”, lithograph, pencil‑signed and numbered “116/200” lower margin, sheet 29 1/2 in. x 24 in., framed. $600/800

664. Antique French Lithograph of “Bacchus”, published by Basset, Paris, sight 18 1/2 in. x 12 3/4 in., framed; together with reproduction print after Raphael of “Saturno”, sight 16 1/2 in. x 19 in., framed. $100/200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

665. Newcomb College Art Pottery Pitcher, 1927, decorated by Sadie Irvine with relief‑carved berry and leaf motif, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. QA34, and shape no. 230, h. 7 3/4 in. $700/1000

663. After Joseph Pennell (American/ Pennsylvania, 1857‑1926), “That Liberty Shall Not Perish from the Earth”, 1918, poster for World War I Liberty Bonds, printed by Alco‑Gravure, Inc., New York, sight 32 1/4 in. x 21 in., framed. $300/500

666. Newcomb College Art Pottery Trivet, 1919, decorated by Henrietta Bailey with relief‑carved wreath of oxalis foliage and blossoms, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, and reg. no. KP48, h. 1/2 in., dia. 5 3/4 in. $500/700

667. Shearwater Art Pottery Cast “Duck” Vase, 1989, after original c. 1930 design by Walter Anderson, antique green glaze, base dated and marked, h. 6 3/4 in., dia. 6 in. $400/600

668. Shearwater Art Pottery Cast “Gull” Vase, 1991, after original c. 1935 design by Walter Anderson, bronze and white enamel glaze, base dated and marked, h. 6 3/4 in., dia. 6 1/4 in. $400/600

668A. Shearwater Art Pottery Bowl, 2007, thrown by Jim Anderson, decorated by Patricia Anderson with polychrome stylized motif, base with date, decorator’s mark and quarter‑sized Shearwater stamp, h. 2 3/8 in., dia. 8 5/8 in. $200/300

Additional information at www.nealauction.com

669. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Steamboat Capitol”, 1938 and “Steamboat on Bayou Teche”, 2 silver gelatin prints, former signed and dated lower left, latter unsigned, 16 in. x 20 in. and 8 in. x 10 in., both framed. (2 pcs.) $700/900

670. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Baton Rouge Ferry Landing 1938”, silver gelatin print, artist estate stamp lower right, accompanying Southern Photographic Images information card, 5 in. x 7 in., framed; AND “Chighizola Family, Grand Isle 1933”, silver gelatin print mounted on board, titled and inscribed on board, accompanying Southern Photographic Images invoice, 7 3/4 in. x 9 5/8 in., framed. (2 pcs.) $400/600

672. [Mardi Gras], group of ball invitations after Golden Age examples, incl. Rex Grand Centennial Ball, Feb. 23, 1971; Krewe of Proteus, Feb. 18, 1980, theme “Harvest of the Sea”; Mistick Krewe of Comus, after 1901 invitation; and Krewe of Orpheus, Feb. 14, 1994. $100/200

671. Vintage Mardi Gras photograph, “Sixth District Carnival Club”, early 20th c., albumen print, from the studio of Anthony H. Hitchler, studio stamp on matting, 13 in. x 16 1/8 in., framed. $100/200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

674. Carved Giltwood Crown, 19th c., plinth base, h. 12 1/2 in., w. 6 in., d. 3 1/2 in. $300/500 673. [New Orleans], a group of New Orleans ephemera incl. Jefferson Davis Monument Association invitation to the unveiling of the Jefferson Davis Monument, Feb. 22, 1911; Louisiana State Commission invitation to “Louisiana Day” at the Louisiana Purchase Exposition, St. Louis, MO., Sept. 14, 1904; Archdiocese of New Orleans “Eighth National Eucharistic Congress” Program, Oct. 17‑20, 1938; and “New York Jockey Club” Inaugural Meeting Admit Card, inscribed “Mr. Rich Herrick”, Aug. 1889. (3 pcs.) $100/200

675. Pair of Decorative Cast Iron and Wood Cannons, 20th c., working wheels, tube length 16 in., h. 12 1/2 in., w. 22 in., d. 14 in. $600/900

678. Colette Gueden (1905‑2000) Atelier Primavera Glazed Art Pottery Vase, c. 1930, France, marked “Primavera”, decorated with applied concentric rings on an orange and brown banded ground, h. 6 in., dia, 6 in. $300/500

Provenance: Candau Antiques & Fine Art, Pont‑Aven, France, Sept. 2015 679. Charles Franklin Tuttle (American/New Orleans, 1841‑1893), “At Gigi’s Academy, Rome”, 1973, “Woman with a Black Lace Collar”, “Purple Boutonniere” and “In Profile”, 4 watercolors, all signed, 17 3/8 in. x 11 1/2 in. to 11 in. x 7 3/8 in., unframed. (4 pcs.) $300/500

676. Architectural Model of a Staircase, 20th c., h. 24 2/8 in., w. 22 in., d. 22 1/8 in.; together with a model of an early 20th c. wooden speed boat, metal fittings, on base, h. 7 1/2 in., w. 17 1/2 in., d. 6 1/2 in. $500/700

677. American Cast Iron Umbrella Stand, modeled as a youth clutching serpent, foliate drip pan, h. 33 in., w. 19 in., d. 11 in. $150/300

Provenance: The Friedle‑Garrison Collection, New Orleans.

680. Don Wright (American/Louisiana, 1938‑2007), “Series IV”, 1983, mixed media on paper, signed and dated lower left, signed, titled, dated and inscribed en verso, 23 in. x 29 in., framed. $300/500

682. American School, 20th c., “Cityscape at Twilight”, pastel on paper mounted on board, unsigned, 10 1/4 in. x 15 3/8 in., framed. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

684. Gerard Thomas Johnson II (American/ Mississippi, 20th c.), “Beach Sunrise (Coffee Pot)”, double‑sided watercolor on paper, signed lower left, signed and titled en verso, 9 in. x 11 1/4 in., framed. $300/500

681. American School, mid‑20th c., “Black Abstraction”, 1990, and “Geometric Study in Brown”, 2 mixed media works on paper, former illegibly signed and dated lower right, 8 in. x 11 3/4 in. and 14 1/4 in. x 14 1/4 in., both framed. (2 pcs.) $250/350

683. Gerard Thomas Johnson II (American/Mississippi, 20th c.), “Bubba’s Boots (Still Life of Candlestick, Pipe and Book)”, double‑sided watercolor on paper, signed lower left, signed and titled en verso, 15 1/4 in. x 11 1/2 in., framed. $600/800

685. Jo Sickbert (American/Missouri, b. 1931), “Country Store: Coffee, Flour and Crackers” and “Gone Fishing”, 2 mixed medias on canvas, both signed lower right, both inscribed en verso, 12 1/4 in. x 16 in. and 12 in. x 16 in., both framed. $800/1200

687. Dick Jemison (American/Alabama, b. 1942), “Cave Painting #4”, 1981, mixed media on canvas, signed, titled, dated and inscribed en verso, 62 3/4 in. x 61 1/2 in., unframed. $600/800 Provenance: The Sideshow Gallery, Birmingham, AL, 1982.

Note: Dick Jemison first decided to be an artist after visiting MOMA while on vacation in the 1950s and seeing the work of Abstract Expressionists. Greatly influenced by the painters Sam Francis and Ida Kohlmeyer, Jemison studied art in school, but it was travel that made a greater impact on his artistic works. He traveled to Europe, Africa, Cuba, India, and Australia, and while living in Santa Fe, Jemison began collecting African Tribal Art. In the current painting, the desert‑like palette of sandy tans with hues of orange and turquoise call to mind both Santa Fe and African landscapes. The gestural lines and shapes speak to Jemison’s background in action painting, particularly the influence of artists such as Kohlmeyer, Mark Rothko, and Hans Hofmann, while also referencing Tribal Art in the mask‑like composition of the painting.

686. Vince Zenone (American/Louisiana, 1918‑2004), “The Chessplayer: Bobby Fisher”, watercolor on paper, signed lower right, signed, inscribed “B’ham” and artist label en verso, 16 1/8 in. x 17 3/4 in.; and “Madonna and Child”, oil on board, signed lower right, 8 5/8 in. x 8 1/2 in.; together with “Duck Hunting in the Cattails” and “Man’s Best Friend”, 2 mixed medias on paper, signed lower right and left respectively, 15 3/4 in. x 17 7/8 in. and 16 in. x 21 7/8 in., 2 framed. (4 pcs.) $300/500 Provenance: Estate of the artist.

688. Richard Brough (American/ Mississippi, 1920‑1996), “Abstract Composition”, mixed media on paper, signed lower right, 18 in. x 24 3/4 in., matted. $800/1200

689. Luke Fontana (American/New Orleans, 20th c.), “Anderson Minor and Booker T. Glass at New Orleans Jazz and Heritage Festival, 1978” and “Roosevelt Sykes, King of Boogie‑Woogie”, 2 photographs and acrylic on canvas, former signed lower left and right, latter signed and titled upper edge, both signed and titled en verso, 20 in. x 13 1/4 in. and 16 in. x 11 in., unframed; together with “King of New Orleans Boogie, Roosevelt Sykes”, silver gelatin print, signed and titled, sight 10 in. x 13 1/2 in., framed. (3 pcs.) $500/700 Additional information at www.nealauction.com

690. Noel Rockmore (American/Louisiana, 1928‑1995), “Bourbon Street”, 1987, pastel on paper, signed and dated lower center, 12 1/2 in. x 28 1/2 in., framed. $200/400

691. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Cabin on the Bayou” and “Stormy Shore”, 2 watercolors on paper, both signed lower right, each 14 1/4 in. x 18 1/2 in., framed alike. (2 pcs.) $1200/1800 693. Richard Pendleton (American/New Orleans, 20th c.), “Diver”, 1985, oil on canvas, initialed and dated lower right, pencil‑signed and dated en verso, signed and titled on stretcher bar, 36 in. x 47 3/4 in., unframed. $300/500

692. John Lapsley (American/Alabama, 1915‑2005), “Off Shore Drilling Rig” and “Oil Drilling Rig”, 2 watercolor and gouaches on artist board, signed lower left and lower right respectively, 28 3/4 in. x 24 1/4 in. and 26 3/8 in. x 24 1/4 in., unframed. (2 pcs.) $600/800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Gates Corporation, Denver, CO.

697. Mose Tolliver (American/Alabama, 1920‑2006), “Lady on Excise Bicyle [sic]”, oil on panel, signed lower left, titled en verso, 22 3/4 in. x 19 1/2 in., unframed. $300/500

694. Mose Tolliver (American/ Alabama, 1920‑2006), “Man with Walking Canes, possibly Self‑Portrait”, oil on panel, signed lower right, 39 in. x 22 1/4 in., unframed. $400/600

695. Mose Tolliver (American/ Alabama, 1920‑2006), “Potrait [sic] of Mose T”, oil on panel, signed lower left, titled en verso, 33 in. x 19 1/8 in., unframed. $400/600 Provenance: Acquired from the artist.

696. Mose Tolliver (American/ Alabama, 1920‑2006), “Erotic Woman”, oil and mixed media on masonite, signed lower left, 23 5/8 in. x 13 3/4 in., unframed. $300/500

Provenance: Acquired from the artist.

698. Mose Tolliver (American/ Alabama, 1920‑2006), “Red Palm Trees”, oil on panel, signed lower left and lower right, 17 in. x 11 3/4 in., unframed. $300/500

Provenance: Acquired from the artist.

699. Mose Tolliver (American/ Alabama, 1920‑2006), “George Washington”, oil on panel, signed lower right, 24 in. x 24 in., unframed. $400/600 Provenance: Acquired from the artist.

700. Annie Tolliver (American/Alabama, b. 1950), “Monkey Dog”, oil on panel, signed lower center, titled en verso, 10 1/8 in. x 21 5/8 in., unframed. $200/300 Provenance: Acquired from the artist.

701. Mose Tolliver (American/ Alabama, 1920‑2006), “Floral”, oil on masonite, signed lower left, 8 in. x 7 3/4 in., unframed. $150/250 Provenance: Acquired from the artist.

702. Emmitt Thames (American/ Mississippi, b. 1933), “The Copper Kettle”, 1981, watercolor on paper, signed lower right, titled, dated and artist stamp en verso, 22 3/4 in. x 30 1/4 in., framed. $700/1000

703. Emmitt Thames (American/Mississippi, b. 1933), “Nesting Leghorn”, 1989, gouache on paper, signed lower right, pencil‑titled, dated and artist stamp en verso, 23 in. x 30 in., framed. $700/1000

704. Colette Pope Heldner (American/ Louisiana, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 34 in. x 30 in., framed. $1000/1500

705. Xavier de Callatay (Belgian/New Orleans, 1932‑1998), “Rooster”, 1957, watercolor on paper, pencil‑signed and dated lower left, 12 in. x 17 in., framed. $300/500

708. Three Czech Bentwood “Prague” Armchairs, Model 811, Stendig, Czechoslovakia, designed by Josef Hoffman, h. 31 1/2 in., w. 20 7/8 in., d. 16 in. $600/900 Provenance: Stendig Company, 1976.

706. Sara Dodge Kimbrough (American/Mississippi, 1901‑1990), “Two Alone”, oil on canvas, signed upper left, signed and titled en verso, 24 in. x 30 in., framed; together with framed photograph of painting being presented to the Phoenix Public Library. (2 pcs.) $300/500

Provenance: Phoenix Public Library, Phoenix, AZ; Hancock County Historical Society.

707. Italian Modernist Ebonized Side Chair, c. 1965, attr. to Gio Ponti, marked “GPC 2”, with woven cord seat, h. 44 in., w. 17 in., d. 15 3/8 in. $200/400 Provenance: Ventura Mid‑Century Furnishings, Palm Springs, CA, 2015.

710. John Bellany (Scottish, 1942‑2013), “Portrait of a Woman in Hat”, 1962, pencil on paper, signed and dated lower right, signed, dated and artist label en verso, 9 7/8 in. x 6 3/8 in., framed. $800/1200

709. John Knox Ferguson (Scottish, fl. 1880‑1891), “Still Life”, 1883, oil on canvas, signed and dated lower right, initialed and dated upper left, 16 in. x 24 in., framed. $150/250

711. Six Antique French Architectural Engravings of Pompeii, after Giuseppe Chiantarelli (Italian, 18th c.), sights 11 in. x 13 in. to 16 1/2 in. x 20 1/2 in., framed. (6 pcs.) $600/900

712. Antique Architectural Engravings of Rome, from In Rome by Giovanni Giacomo de Rossi, 3 engravings, overall sight 26 in. x 52 in., framed together. $400/600

Additional information at www.nealauction.com

713. American Federal‑Style Inlaid Mahogany Games Table, Baker Furniture, “Historic Charleston” collection, foldover top, tapered legs, h. 29 in., w. (closed) 16 in., w. (opened) 35 in., d. 36 1/2 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez.

716. Regency‑Style Bronze‑Mounted and Paint‑Decorated Black Lacquer Table, Baker Furniture, shaped top, chamfered corners, four drawers, four grillework cabinet doors, paw feet, h. 31 in., w. 30 in., d. 30 in. $800/1200

714. American Federal Mahogany Library Armchair, c. 1800, arched back, shaped arms, trapezoidal seat, square legs, stretchers, h. 42 1/2 in., w. 27 in., d. 29 in. $500/700

715. American Federal Mahogany Library Chair, probably late 18th c., rectangular back, padded arms, sloping uprights, conforming seat, molded square legs, H stretcher, h. 37 in., w. 27 in., d. 25 in. $600/900

717. Georgian‑Style Black Lacquer and Gilt Games Table, 20th c., Baker Furniture, shaped inset leather top, pull out candle holder at each corner, shell carved frieze with one drawer, acanthus carved cabriole legs, hoof feet, h. 29 in., w. 32 in., d. 32 in. $400/600

718. Pair of Antique Faux Bamboo Armchairs, 19th c., spindled back, shaped spindled arms, rush seat, conforming legs, stretchers, h. 34 in., w. 21 in., d. 16 in. $250/350

720. Modern White Leather Settee, box form with cushion back and seat, chrome frame and round legs, h. 24 1/2 in., w. 60 in., d. 36 in. $300/500

719. Contemporary Marble and Gilded Iron Console, demilune top, scroll motif base, h. 37 1/2 in., w. 67 1/2 in., d. 14 1/8 in. $700/1000

721. Antique George III‑ Style Inlaid Mahogany Sideboard, serpentine top, long drawer and tambour doors flanked by fitted bottle drawers, fluted tapered legs, brass cuff casters, h. 38 1/2 in., w. 74 in., d. 28 in. $1000/2000 Provenance: William Harris House, Natchez.

722. Six Régence‑Style Carved Fruitwood Side Chairs, 20th c., shell carved arched crest, caned back and seat, volute cabriole legs, stretchers, h. 37 3/4 in., w. 19 in., d. 20 in. $500/1000 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

723. French Provincial‑Style Oak Huntboard, 20th c., Henredon, two drawers, serpentine apron, cabriole legs, h. 29 1/2 in., w. 72 in., d. 16 1/4 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

725. Pair of Art Moderne‑Style Lacquered Burled Wood Settees, rectangular back and seat, shaped arms, conforming base, block feet, h. 35 in., w. 54 1/2 in., d. 26 in. $800/1200

724. French Provincial‑Style Fruitwood Bombé Commode, serpentine top, four drawers, scrolled toes, h. 33 1/2 in., w. 47 in., d. 25 1/2 in. $1500/2000

726. Six Directoire‑Style Painted Chairs, shaped crest rail, serpentine seat rail, fluted tapered legs, faux snakeskin upholstery, h. 38 1/2 in., w. 20 in., d. 23 in. $700/1000

727. Antique Spanish Wrought Iron Four Panel Screen, 19th c., reticulated quatrefoil motif, h. 65 in., w. 70 in. $500/700

728. Pair of Paris Porcelain Amphora Vases, 19th c., mask scroll handles, decorated in gilt with pairs of cherubs and floral scrolls on brown ground, h. 12 1/8 in. $800/1200

730. Pair of Louis Philippe Bronze and Sienna Marble Six‑Light Candelabra, c. 1840, columnar standard, scroll and anthemion base, h. 26 in., dia 10 in. $1200/1800 Provenance: The Friedle‑Garrison Collection, New Orleans.

729. Pair of Sèvres‑Style Porcelain Vases, probably early 20th c., lion’s mask scroll handles, landscape reserves in puce camaieu with gilt and cobalt accents, bases with spurious interlaced “L” marks, h. 15 3/4 in. $500/800

731. Patinated Bronze Figure of Napoleon, 19th c., h. 9 1/2 in., marble plinth, overall h. 13 in. $600/900

732. Gilt Metal Mirrored Plateau, marked “ALJAC LIGHT. FIXIT. CO. PAT. APPL’D”, mermaid and scroll design, h. 4 in., w. 17 1/2 in., d. 10 in. $500/700 Additional information at www.nealauction.com

734. French Aubusson Carpet, all over floral motif on green ground, red border, 8 ft. x 6 ft. 2 in. $800/1200

733. Pair of English Silverplate Corinthian Columnar Table Candlesticks, removable bobêches, engraved crest and motto “Fortitudine et Fide” (By Fortitude and Fidelity), h. 12 3/8 in. $300/500

735. Persian Mahal Carpet, red ground, central floral medallion, vine border, 6 ft. 6 in. x 3 ft. 6 in. $700/900 737. Large Contemporary Wool Carpet, octagonal central medallion, Empire motifs, 16 ft. x 15 ft. $1200/1800

736. Directoire‑Style Wool Carpet, after an important c. 1795 example, diaper pattern in beige and navy blue with stylized florals, scroll and griffin border, 9 ft. x 31 ft. 9 in. $1800/2500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

738. Baccarat Doré Bronze and Crystal Eight‑Light Chandelier, 19th c. $2000/3000

739. Louis XVI‑Style Painted and Parcel Gilt Trumeau Mirror, 19th c., upper cartouche with sanguine putti, foliate carved panel surround, mirror below, h. 67 in., w. 41 in. $1000/1500

740. French Burled Walnut Mirror, surmounted by gilt bronze spreadwing eagle, h. 56 1/2 in., w. 35 in., d. 7 in. $400/600

741. Beaux Arts Gilt Bronze Figural Mantel Clock, c. 1900, porcelain dial marked with retailer “TIFFANY & Co.”, striking bell movement marked by Tiffany and Samuel Marti, Paris; the centurion standing next to a bust of a philosopher, green marble base, h. 18 in., w. 13 in., d. 5 1/4 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

742. Pair Chinese Famille Verte Porcelain Cylindrical Vases, 20th c., Buddhist lion mask‑ring handles, decorated in mirror image with continuous scene of courtiers in a garden landscape, bases with Kangxi marks, h. 17 7/8 in. $800/1200

743. Large Pair of Chinese Famille Rose Porcelain Vases, 20th c., molded around the sides with figures of the Eighteen Luohan seated and standing with their attributes in a continuous landscape, rims with Guangxu marks, h. 24 1/4 in. $700/900

746. Japanese Imari Porcelain Charger, Meiji Period, (1868‑1912), decorated with central phoenix and dragon roundel encircled by floral, avian, and textile panels, h. 2 1/2 in., dia. 18 in. $500/700 745. Attributed to Léonard Tsuguharu Foujita (French/Japanese, 1886‑1968), “Male Nudes”, ink and ink wash on paper, signed middle right, 16 1/8 in. x 23 1/8 in., gilded oak frame. $400/600 747. Large Pair of Japanese Satsuma Pottery Octagonal Vases, Meiji Period (1868‑1912), folded ruffle rims, kirin mask loop and tassel handles, decorated around the faceted body with figural panels on a textile ground, gilt moriage highlights, h. 42 1/4 in., Note: restoration. $500/700

744. Set of Four Chinese Polychrome Porcelain Wall Plaques, probably 20th c., each decorated with a pair of horses, together representing the Eight Horses of Mu Wang, 31 1/2 in. x 17 1/2 in., framed alike. $600/800

748. Japanese Cast Iron Plaque of Guanyin, relief modeled with the Goddess of Mercy in profile wearing a long cowl, beaded earrings and necklace, sealed mid‑right, reverse with loops for hanging, dia. 13 1/2 in. $200/300 Provenance: The Friedle‑Garrison Collection, New Orleans.

749. Persian/Iranian School, 20th c., “Dancer and Musicians”, oil on canvas, unsigned, 34 5/8 in. x 45 in., framed. $500/700

750. Pair of Chinese Carved Armchairs, h. 37 in., w. 23 1/2 in., d. 18 in. $600/900

751. Chinese Hardwood Three Rail Hall Bench, back and side rails carved with flowering branches, rectangular seat with inset panel, shaped apron carved with rocks, lychee and peony flanked by chrysanthemum and peach sprays, straight legs, h. 28 1/2 in., w. 74 in., d. 23 in. $500/700 Provenance: Uptown New Orleans Collection, acquired c. 1995. 754. Napoleon III Gilt Bronze and Marble Figural Clock, c. 1870, surmounted by figure of Cupid, bronze signed “P.H. Mourey” Japy Freres movement, fluted marble base, h. 11 3/4 in., w. 16 1/2 in., d. 5 1/2 in. $500/700

752. Continental Rococo‑Style Giltwood Mirror, 20th c., cabochon and acanthus scrolled crest, ropework and beaded frame, conforming base, h. 83 in., w. 52 in. $500/1000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

753. Empire Bronze‑Mounted Mahogany Tall Case Clock. $1000/1500

755. Pair of Chinese Famille Jaune‑Style Porcelain Bottle Vases, probably 20th c., decorated with quail and millet and bird and peony panels on yellow diaperwork grounds, bases with Jiaqing marks, h. 14 3/8 in. $500/700

Additional information at www.nealauction.com

756. Pair of Chinese Hardstone Figures of Buddhist Lions, carved crouching on rectangular plinths, h. 12 3/4 in., w. 5 in., d. 8 in. $250/350

757. Pair of Chinese Polished and Patinated Metal Figural Groups, modeled in mirror image as a young boy and girl holding lotus flowers seated atop phoenix birds standing on foliate‑pierced pedestal bases, apocryphal Xuande marks, h. 28 1/2 in. and 28 3/4 in. $700/900

759. Japanese Satsuma Pottery Covered Tripod Koro, Meiji Period (1868‑1912), shishi finial and handles, body decorated with figures in snowy landscapes, gilt and polychrome moriage highlights, zoomorphic mask feet, base with dai Nippon marks, h. 24 in., w. 17 in. Note: restoration. $300/500

758. Gilt Bronze‑Mounted Japanese Imari Porcelain Tazza, early 20th c., well with birds amid peonies and rocks, foot with bird‑and‑flower panels; everted openwork rim, shishi mask feet, h. 9 3/4 in., dia. 10 1/4 in. $300/500

760. Chinese or Japanese Bronze Wall Mask, cast as the head of a guardian, h. 12 1/2 in., w. 11 3/8 in. $300/500 761. Chinese Carved and Painted Black Lacquer Screen, probably early 20th c., carved with Luohan and Immortals in a landscape, h. 71 7/8 in., w. 97 in. $400/600 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

763. Chinese Ming‑Style Hardwood Three Rail Couch‑Bed, Luohan Chuang, back and side rails carved with panels enclosing pairs of dragons pursuing the flaming pearl, inset soft mat seat, curved legs, high hoof feet, h. 35 7/8 in., w. 81 3/4 in., d. 40 in. $1000/1500 Provenance: Uptown New Orleans Collection, acquired Virginia, c. 1996.

764. Pair of Chinese Hardwood Plant Stands, inset circular top, openwork dragon frieze, scroll legs carved with dragons, low openwork shelf, h. 36 1/2 in. $300/500

762. Chinoiserie Mother‑of‑Pearl Inlaid Lacquer Cabinet, early 20th c., stepped cornice, door opening to fitted interior of narrow shelves, rococo carved hardwood base, cabriole legs, acanthine pad feet, h. 67 1/4 in., w. 32 in., d. 19 in. $800/1200

765. Cast Stone Torso of a Roman, h. 26 in., metal stand, overall h. 39 1/2 in. $800/1200

767. American Cast Iron “Gothic” Pattern Garden Set, incl. pair of chairs and settee. (3 pcs.), settee h. 35 in., w. 60 in., d. 18 in.; armchair h. 34 1/2 in., w. 27 1/2 in., d. 18 in. $2500/3500

766. Verdigris Patinated Bronze and Metal Figure of a Standing Fisherman, inscribed “Stockman” on self‑base, h. 47 1/2 in. $800/1200

768. Two Cast Stone Figures of Putti, reclining on scrolled brackets, h. 32 in., w. 24 in., d. 12 in. $1000/1500

769. Pair of American Cast Iron Garden Urns, 19th c., egg and dart rim, wreath‑decorated pedestal base. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

772. Group of French Wrought Iron Bistro Furniture, table base labeled, incl. three marble top tables, 10 chairs, table h. 27 3/4 in., dia. 25 1/2 in.; armchair h. 37 3/4 in., w. 21 1/2 in., d. 16 1/2 in.; side chair h. 37 3/4 in., w. 16 1/2 in., d. 16 1/2 in. $1000/1500

770. Antique American Cast Iron “Gothic” Pattern Bench, 19th c., h. 35 in., w. 45 in., d. 17 in. $800/1200

Note: The “Gothic” pattern was patented in England by the Carron Foundry in 1846 and was made in the U.S. by 1850. A bench and pair of chairs by Brown and Owen from the Crawford Collection of the High Museum is illustrated in Art & Enterprise. Similar “Gothic” pattern benches were made for the White House grounds in 1852, probably in New York. Ref. Peirce, Donald C. Art & Enterprise. p. 49.

Provenance: The Friedle‑Garrison Collection, New Orleans.

773. Art Nouveau Gilt Metal Chandelier. $150/250

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 771. Patinated Metal Figural Garden Fountain, large frog catching a dragonfly, small frog at his feet, h. 30 in., w. 19 in., d. 16 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

774. Empire‑Style Gilt and Patinated Bronze Two‑Light Sconces, winged figure backplate, drilled for electricity, h. 14 1/4 in., w. 10 in., d. 3 1/2 in. $500/700

775. Pair of Spanish‑Style Painted Iron and Parcel Gilt Torchères, 20th c., marble veneered shade, electrified, h. 72 in., dia. 20 in. $600/800 Additional information at www.nealauction.com

777. Italian Painted Terracotta Figure of a Sphinx, plinth base, h. 18 1/4 in., w. 9 1/2 in., d. 30 in. $400/600

778. Pair of Turquoise Inlaid and Veneered Baluster Vase, faceted octagonal form, h. 21 1/4 in., w. 10 1/4 in. $1000/1500

776. Pair of Patinated Cast Stone Figural Lamps in the Style of Giacometti, 20th c., possibly by Attila Tivadar, indistinctly signed, plinth, h. (to socket) 37 in. $400/600

780. Pair of Elsa Peretti for Tiffany & Company “Bone” Candlesticks, c. 1975, Italy, with impressed stamp, glazed terracotta. $300/500

779. Pair of Beaux Arts Bronze‑Mounted Sevres‑Style Urns, scroll and wreath handles, centered by a cherub, tall marble base, h. 19 3/4 in., w. 8 1/2 in., d. 5 3/4 in. $1000/1500

781. Pair of Rock Crystal Candlesticks, faceted standards, stepped bases, h. 10 3/4 in., dia. 3 3/4 in. $700/900

100

782. Pair Chinese Famille Rose Porcelain Baluster Vases, gilt Buddhist lion mask handles, decorated with birds and butterflies amid fruit and flowers, h. 14 in. $600/800

783. Dutch School, 19th c., “Arrival in a Dutch Harbor”, oil on canvas, unsigned, 13 1/4 in. x 17 3/4 in., framed. $300/500

784. American Aesthetic Carved and Gilt‑Incised Walnut and Satinwood Parlor Suite late 19th c., Philadelphia, possibly Allen & Brother, incl. sofa and two pairs of armchairs, each carved with maiden masks, beaded crest rail, fluted stiles and legs, sofa h. 45 in., w. 72 in., d. 28 1/2 in.; tall chairs h. 43 in., w. 28 in., d. 25 in., short chair h. 39 in., w. 28 in., d. 25 in. (5 pcs.) $5000/8000

786. American or English Mahogany Apothecary Campaign Cabinet, mid‑19th c., upper ten drawers with labels, two doors below, molded base, h. 36 1/2 in., w. 39 1/2 in., d. 9 1/2 in. $800/1200 785. American Carved and Burled Walnut Four Piece Bedroom Suite, c. 1870, incl. half‑tester bed, marble top dresser, armoire, and mirrored washstand, each having pedimented burled crest with fan elements, incised decoration, bed with paneled headboard, blocked legs and conforming foot board, matching dresser, bed h. 121 3/4 in., l. 75 in., w. 54 in.; dresser h. 100 in., w. 46 in., d. 20 1/2 in.; armoire h. 90 in., w. 54 in., d. 19 in.; washstand h. 35 1/2 in., w. 34 in., d. 18 in. $3000/5000 787. American Aesthetic Walnut Extension Dining Table, late 19th c., molded top opening to receive two leaves, geometric carved frieze, pierced floral carved bracketed base, outswept scrolled feet, casters, h. 29 1/2 in., l. 93 in., w. 46 1/2 in. $1500/2500

789. American Renaissance Carved and Burled Walnut Bookcase, late 19th c., architectonic crest with incised decoration, glazed doors, shelf interior, base with two drawers, h. 100 in., w. 55 1/2 in., d. 23 1/4 in. $700/1000

788. American Classical Walnut Armoire, early 19th c., possibly New Orleans, stepped ogee cornice, two paneled doors, open interior, ogee molded base, ogee feet, h. 95 3/4 in., w. 72 in., d. 29 in. $500/1000

790. Pair of Monumental Antique Mahogany Doors, late 19th/early 20th c., probably New Orleans, two over four panels, original brass knobs, attached hinges. $400/600 791. Belle Epoque Onyx and Bronze Guéridon, circular inset top, pierced apron with champlevé enamel cartouches, reeded legs, onyx stretcher shelf, acanthine sabots, h. 32 in., dia. 20 in. $500/800 792. American Late Classical Carved Mahogany Library Table, early 20th c., molded top, shield carved frieze corners, Ionic columnar legs, incurvate stretcher shelf, bun feet, h. 30 in., w. 60 in., d. 36 in. $500/700

Additional information at www.nealauction.com

101

794. Pair of Napoleon III Gilt Bronze Classical Figures, marked “L.V.E. Robert”, after Louis Valentin Elias Robert (French, 1821‑1874), black marble socle bases, now mounted as lamps, h. (to socket) 24 in. $500/700

793. American Innovative Iron and Walnut Folding Invalid Chair, 19th c., arched crest rail, woven back and seat, pull‑out foot rest, stretcher base, casters, h. 46 in., w. 26 1/4 in., d. 25 1/2 in. $300/500

795. German Porcelain Plaque of the Sistine Madonna, Theodor Lichtenberg, Dresden, after the painting by Raphael, giltwood frame, sight 9 3/4 in. x 6 5/8 in. $400/600 797. Pair of French Porcelain Plaques, c. 1900, sights 6 1/2 in. x 5 in., gilt frames. $600/800 798. Pair of Continental Gilt and Polychrome Porcelain Amphora Vases, marked “KPM”, scrolled handles, reserves with painted genre scenes, matte and burnished gilt, h. 17 in., w. 9 1/2 in., d. 6 1/4 in. $500/700

796. Large Antique Carved Giltwood Frame, 18th/19th c., with green painted foliate details, interior 62 1/2 in. x 59 1/2 in., overall 72 1/2 in. x 69 1/2 in. $300/500 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

800. Antique Patinated Bronze Scallop Shell Box, 19th c., hinged lid, encrusted with smaller shells and coral branches, h.2 1/4 in., w. 6 in., d. 5 1/4 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans. 799. Louis XVI‑Style Gilt Bronze Fire Screen, centered by cherubs stoking a fire, h. 28 in., w. 29 1/2 in., d. 8 1/2 in.; together with three‑piece fire tool set. $500/700 802. KPM Porcelain Plaque of a Maiden, c. 1900, impressed sceptre mark, sight 6 3/4 in. x 5 in., gilt frame. $600/900

102

801. Continental Bronze Crab‑Form Inkwell, carapace as lid, glass ink pot, articulated front claws, h. 1 3/8 in., w. 6 1/2 in., d. 7 in. $200/300

Provenance: The Friedle‑Garrison Collection, New Orleans.

803. Pair of Empire‑Style Porcelain Portrait Vases on Stands, c. 1900, gilt metal mounts, hoof feet, h. 6 1/2 in., dia. 4 1/4 in. $400/600

804. American Sterling Silver Amphora Vase, Charter Co. (International Silver Co.), c. 1930‑1942, foliate scroll handles, stepped molded foot, weighted base, h. 17 1/8 in. $300/500

805. Pair of American Sterling Silver Three‑Light Candelabra, Frank M. Whiting, pattern 2069, removable candlearms, weighted, h. 17. $300/500

806. Antique Mexican Silver “Corona de Espinas” (Crown of Thorns), h. 5 3/8 in., w. 14 1/8 in. $200/300 Provenance: Sold to Benefit the Museum of Fine Arts, Houston.

807. H. Alvin Sharpe (American/ New Orleans, 1910‑1982), silver chalice with semi‑precious tumbled stones, 20th c., embossed “Jean Baptiste Le Moyne, Sieur de Bienville, (1680‑1768)”, stamped “Alvin Sharpe” in cup, stamped “H. Alvin Sharpe” with image of artist on reverse of base, h. 7 5/8 in., wt. 2 lbs. 7 ozs.; accompanied by Hardy, Arthur. New Orleans Mardi Gras Guide: The Complete Companion to the Parade Season, 1980. (2 pcs.) $500/750

808. H. Alvin Sharpe (American/ Louisiana, 1910‑1982), silver chalice with semi‑precious tumbled stones, 20th c., embossed “Homeward Course and Light Burdened” in cup, “God Bless and Keep You” on reverse of base, incised with the signature, dated “1972 “ and inscribed “Catoe Family Grail, Fine Silver, Drink in Good Health, but Drink” on reverse of cup, h. 8 in.; accompanied by Hardy, Arthur. New Orleans Mardi Gras Guide: The Complete Companion to the Parade Season, 1980. (2 pcs.) $400/600

810. Group of Late Georgian Sterling Silver Flatware, most London, incl. 2 bright‑cut sugar tongs, sauce ladle, 4 dessert spoons (incl. Peter and Ann Bateman and William Eaton, 6 teaspoons (Alice and George Burrows, 1801), 6 assorted teaspoons (incl. John, Henry and Charles Lias), 3 teaspoons (Matthew West, Dublin, 1823) and an egg spoon (Birmingham, 1836), total wt. 25.70 troy ozs. $400/600

809. French Provincial .950 Silver Tablespoon, mark of Marc Lalanne, town of Blaye in the Bordeaux region, 1780‑89, fiddle shell pattern, the reverse of handle engraved with inscription “Sarah Elliot / to the Church / in Federal Street / 1803”, marked on reverse, l. 7 7/8 in., wt. 2.85 troy ozs. $150/250 Provenance: Sarah Elliot (d. 1805), widow of Simon Elliot (d. 1793), tobacconist of Boston. Christie’s New York, Important Furniture, Silver and Folk Art, Jan. 19, 2002, lot 333. Ref.: See Tardy International Hallmarks on Silver, p. 146 Blaye, communautes mark.

813. Lalique “Champs Élysées” Crystal Centerpiece Bowl, marked, h. 7 1/2 in., w. 18 in., d. 10 in. $500/700

811. Regence‑Style Bronze Fifteen‑Light Chandelier, 20th c., foliate and scroll standard and arms, electrified, h. 37 in., dia. 29 in. $1000/1500

812. Pair of Spanish Wrought Iron and Tôle Torchères, wrapped standard, tripartite brackets, marble plinth base, electrified, h. 71 in. $1200/1800 814. Antique American Leaded Slag Glass Lamp Shade, c. 1900, with butterfly ornament, h. 7 1/4 in., dia. 18 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

815. American Brilliant Cut Glass Punchbowl on Stand, hobstar design, h. 12 in., dia. 12 1/2 in. $400/600

Additional information at www.nealauction.com

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816. Lalique “Borneo” Vase, stenciled mark “R. LALIQUE/FRANCE”, model introduced 1930, in clear and frosted glass with red enameled birds, small chips to foot rim, h. 9 3/8 in. $600/900

818. Austrian Cold‑Painted Bronze Orientalist Figural Group of a Child on a Rug, “3”, “Geschutzt” and Franz Bergman Foundry seal stamped on underside, h. 2 1/2 in., w. 5 3/4 in., d. 4 1/4 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

817. American Brilliant Cut Glass and Silverplate Five‑Light Candelabrum, early 20th c., removable flame finial, h.25 1/4 in.; together with a similar three‑light example, h. 13 5/8 in. $300/500

820. Bronze Figure of a Whippet, after Pierre‑Jules Mêne, signature inscribed on self‑base, h. 4 in., w. 5 1/2 in., d. 3 in., marble base, overall h. 5 in. $200/300 Provenance: The Friedle‑Garrison Collection, New Orleans. 819. Gilt Bronze Figure of “Artemis of Gabii”, after the Antique attr. to Praxiteles, “Reduction Sauvage” inscribed on self‑base, h. 13 1/2 in., w. 4 3/4 in., d. 4 3/4 in. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

821. Patinated Metal Bust of Frederick the Great, h. 9 1/2 in., w. 5 3/4 in., d. 3 1/2 in. $200/300 Provenance: The Friedle‑Garrison Collection, New Orleans.

822. Two Continental Carved Giltwood Mirrors, 19th c., foliate molded frames, later gilt surface, dia. 12 in. $250/350

823. Antique Continental Carved Oak Mirror, 19th c., beveled scrolled foliate frame and acanthus corners, h. 35 in., w. 46 in., d. 4 in. $500/800 824. Chinese Famille Rose Decorated Yellow and Blue Ground Porcelain Vase, 20th c., elephant mask handles, decorated with floral vase panels on a lemon yellow ground with cloud scrolls, base with Qianlong mark, h. 10 3/4 in. $500/700

826. Pair of Antique Continental Hardwood Consoles, 19th c., each with marble top, two drawer frieze, bulbous turned legs, bun feet, h. 37 in., w. 54 in., d. 22 in. $1200/1800

825. Pair of Art Deco Japanese Noritake Porcelain Vases, early 20th c., Maruki/Komaru/tree crest marks, raised gilt floral decoration on a royal blue painted pale blue ground, h. 9 7/8 in. $150/250 Note: Registered in London in 1908 and in Japan in 1911, the Maruki mark (formerly known as the Komaru mark) of Noritake is believed to be specific to items made for export to the United Kingdom.

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827. Continental Inlaid Fruitwood Writing Table, late 18th c., possibly Italian, shaped molded top, sawtooth carved apron, three drawers, fluted square tapered legs, h. 30 in., w. 38 in., d. 20 in. $500/700

830. Louis XVI‑Style Bronze‑Mounted Kingwood Marquetry and Tambour Music Cabinet, late 19th c., galleried marble top, two doors, upright divided interior, cabriole legs, sabots, h. 39 in., w. 33 in., d. 14 in. $500/800

828. Antique French Carved and Inlaid Fruitwood Table à Rognon, 19thc., shaped top, frieze drawer, lyre shaped supports, arched trestle legs, h. 28 1/2 in., w. 30 in., d. 15 in. $250/350

829. Biedermeier Carved Fruitwood Sofa, early 19th c., shaped crest rail, scrolled arms, paneled sides, molded seat rail, outswept scrolled legs, h. 39 1/2 in., w. 73 in., d. 27 in. $600/900

831. Louis Philippe Burlwood Commode, 19th c., marble top, frieze drawer over three graduated drawers, molded base, turned feet, h. 36 in., w. 52 in., d. 23 1/2 in. $800/1200

832. Pair of Empire‑Style Parcel Gilt Mahogany Corner Banquettes, upholstered seat, curule base, baluster‑turned stretcher, h. 20 in., w. 41 in., d. 18 in. $1000/2000

833. Louis XV‑Style Bronze‑Mounted Kingwood Escritoire, bombé top surmounted by figural two‑light sconces, fall front door opens to fitted interior, three small frieze drawers, cabriole legs, sabots, h. 43 in., w. 29 1/2 in., d. 20 1/2 in. $1000/1500

834. Pair of Louis XVI‑Style Bronze‑Mounted Marquetry Side Tables, each top with oval reserve, frieze drawer, incurvate stretcher shelf, tapered mounted legs, h. 30 1/2 in., w. 26 1/4 in., d. 18 1/4 in. $800/1200

835. Continental Rococo‑Style Fruitwood Writing Desk, probably Italian, serpentine top, kneehole configuration of drawers, flared cabriole legs, h. 31 1/2 in., w. 48 1/2 in., d. 25 in. $600/900 836. Pair of Louis XV‑Style Bronze‑Mounted Parquetry and Kingwood Bombé Commodes, shaped marble top, two drawers, flared legs, sabots, h. 33 1/4 in., w. 40 in., d. 18 in. $2000/3000 Additional information at www.nealauction.com

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837. Pair of Louis XV‑Style Carved Beechwood Fauteuils, foliate‑carved crest rail, caned back and seat, serpentine apron, cabriole legs, scrolled toes, h. 39 in., w. 25 in., d. 20 in. $1000/1500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

838. Empire‑Style Bronze‑Mounted Mahogany Parlor Suite, early 20th c., incl. 2 armchairs, 2 side chairs, and a settee, padded arms, tapered legs, paw feet, armchair h. 38 in., w. 25 in., d. 26 in.; side chair h. 36 in., w. 14 in., d. 20 in.; settee h. 39 in., w. 59 in., d. 25 in. $1000/2000

839. Four Giltwood Music Room Chairs, late 19th c., shaped crest rail, spindled back, shaped seat, turned legs, stretchers, silk brocade upholstery, h. 33 in., w. 16 1/2 in., d. 17 in. $500/800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

840. French Empire‑Style Bronze‑Mounted Mahogany Sécrétaire, 20th c., triangular pediment, fall front lid, fitted interior, frieze drawer over three long drawers flanked by colonettes, ball feet, casters, h. 46 1/4 in., w. 33 in., d. 17 1/2 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

841. Set of Eight Regence‑Style Walnut Side Chairs, 20th c., caned back and seats, h. 38 in., w. 19 in., d. 18 in. $1500/2500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans

842. Set of Eight Regence‑Style Walnut Side Chairs, 20th c., caned back and seats, h. 38 in., w. 19 in., d. 18 in. $1500/2500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

843. French Provincial Carved Mahogany and Crème Peinte Dining Table, two‑board top, serpentine apron, cabriole legs, shaped stretcher, h. 28 in., l. 59 in., w. 48 in. $400/600 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

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844. Empire‑Style Bronze‑Mounted and Inlaid Mahogany Guéridon, galleried top, rosette blocked frieze with one drawer, tapered legs, h. 29 1/2 in., dia. 23 5/8 in. $500/700 Provenance: Empire Antiques, New Orleans.

845. Edwardian Painted Satinwood Carlton House Desk, early 20th c., fitted superstructure, pull‑out leather writing surface, two frieze drawers, tapered legs, casters, h. 40 1/4 in., w. 51 1/4 in., d. 25 in. $1200/2000

847. Georgian‑Style Mahogany Breakfront, 20th c., Kittinger, dentil molded cornice, four glazed doors, four drawers flanked by cupboard doors, molded base, h. 86 3/4 in., w. 72 in., d. 17 in. $1000/1500

846. Edwardian Inlaid Mahogany Secretary Bookcase, early 20th c., stepped cornice, glazed doors, shelf interior, fall front desk with fitted interior, three drawers, bracket feet, h. 77 in., w. 31 1/4 in., d. 17 3/4 in. $800/1200

848. Antique William and Mary‑Style Compass Star Inlaid Walnut Cabinet on Stand, probably Dutch or German, two doors opening to interior drawers, over one long drawer, barley‑twist supports, shaped stretcher, bun feet, h. 51 1/2 in., w. 32 in., d. 16 in. $800/1200.

851. French Bronze‑Mounted Carved Walnut Guéridon, circular marble veneered top, guilloche frieze, fluted and reeded legs mounted with caryatid busts, shaped stretcher surmounted by a foliate finial, casters, h. 30 3/4 in., dia. 28 1/2 in. $700/900

849. French Provincial Carved Walnut Side Table, late 18th/ early 19th c., molded top, shaped apron fitted with a drawer, cabriole legs, scrolled toes, h. 28 in., w. 38 1/4 in., d. 28 3/4 in. $500/700

850. Antique Louis XV‑Style Bronze‑Mounted and Vernis Martin Cylinder Desk, brass galleried top, three cartonnier drawers, shaped frieze drawer, cabriole legs, sabots, h. 43 in., w. 31 in., d. 22 in. $800/1600

852. Louis XV‑Style Bronze‑Mounted Parquetry Bombé Commode, 20th c., shaped variegated marble top, conforming case with three drawers, serpentine apron, flared legs, sabots, h. 34 1/4 in., w. 48 in., d. 22 in. $1200/1800

853. Louis XVI‑Style Brass Inlaid Mahogany Occasional Table, 19th c., mirrored galleried top, outset fluted columnar supports, three drawers, conforming stretcher shelf, toupie feet. $800/1200

Additional information at www.nealauction.com

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854. Louis XV‑Style Carved Fruitwood Window Bench, h. 32 1/2 in., w. 44 in., d. 18 in. $300/500

855. Pair of Regence‑Style Carved Fruitwood Fauteuils, probably 19th c., shell‑carved crest rail, scrolled arms, conforming seat rail, cabriole legs, scrolled toes, h. 33 1/2 in., w. 25 1/2 in., d. 20 in. $500/800 Provenance: Royal Antiques, New Orleans.

856. Pair of Antique Continental Gilt Bronze Console Tables, molded demilune marble top, stop‑fluted frieze, foliate scrolled legs, h. 34 3/4 in., w. 44 3/4 in., d. 26 3/4 in. $700/1000

858. Pair of Antique Louis XIV‑Style Carved Walnut Fauteuils, serpentine crest, needlepoint upholstered back and seat with nailhead trim, scroll arms and legs, floral‑carved stretcher, gadrooned feet, h. 49 in., w. 26 1/2 in., d. 25 in. $1200/1800 857. French Provincial Carved Fruitwood Hall Chair in the Louis XIV Taste, probably 19th c., serpentine crest, padded back and seat, turned and blocked legs and stretchers, disc feet, h. 42 1/2 in., w. 21 3/4 in., d. 20 in. $200/400

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

860. French Provincial Walnut Side Table, 18th c., molded top, frieze drawer, fluted square tapered legs, h. 28 in., w. 38 in., d. 25 1/2 in. $500/700 Provenance: Estate of F. Clancy Dupepe, New Orleans.

859. French Provincial Pied de Biche Carved Walnut Table, late 18th c., shaped galleried top, scalloped frieze with two end drawers, cabriole legs, hoof feet, h. 28 3/4 in., w. 26 3/4 in., d. 18 1/2 in. $500/700 Provenance: Estate of F. Clancy Dupepe, New Orleans.

861. American Late Classical Carved and Gilded Mahogany Pier Table, c. 1830, later marble top, heavily scrolled supports, shaped plinth, acanthine feet, h. 37 in., w. 46 in., d. 21 1/4 in. $1200/1800 Provenance: The Friedle‑Garrison Collection, New Orleans.

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862. Antique Continental Carved Oak Brass Banded Blanket Chest, late 18th c., molded top, strap hinges, till interior, dove tailed sides, carrying handles, molded base, h. 23 in., w. 44 in., d. 22 in. $300/500 863. Continental School, 19th c., “Child in Blue with Dog”, oil on canvas laid on masonite, unsigned, sight 28 1/2 in. x 24 in., framed. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

864. Bronze Figural Group of a Young Couple, after “Le Baiser Donné” by Jean‑Antoine Houdon, signature inscribed on reverse of shoulder, h. 8 1/4 in., w. 6 1/4 in., d. 4 1/2 in., marble base, overall h. 9 1/2 in. $300/500

865. American Rococo Carved Mahogany Cheval Mirror, mid‑19th c., foliate scrolled crest, molded surround, floral‑carved trestle base, h. 86 in., w. 42 in., d. 21 in. $800/1200

867. Pair of Louis XVI‑Style Gilt Bronze‑Mounted Marble Three‑Light Candelabra, foliate arms, faun mask mounts, hoof feet, h. 25 1/2 in., w. 9 1/2 in. $800/1200 866. American Federal Giltwood Mirror, early 19th c., probably Boston, rope‑molded cornice, reserve decorated with a carved grape cluster, spiral‑turned stiles, blocked base, h. 46 in., w. 27 1/4 in. $800/1200

868. Antique English Girandole Mirror, 19th c., foliate and floral carving on a punch ground. $300/500

Provenance: The Stanley Weiss Collection, Providence, RI.

869. Set of Four Art Moderne Art Glass and Bronze Doré Sconces, decorated with colored glass, flowers and buds, h. 15 in., w. 10 in., d. 5 in. $600/800

871. American Rococo Carved Rosewood Demilune Console Table, mid‑19th c., molded marble top, reticulated apron, foliate‑carved cabriole legs, pierced stretcher surmounted by an urn, h. 30 in., w. 39 in., d. 19 1/2 in. $400/600

874. English Chippendale‑Style Carved Mahogany Dumbwaiter, early 20th c., dished graduated swivel tops, turned standards, arched legs, pad feet, casters, h. 33 in., dia. 22 1/2 in. $200/400 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

870. Brass Cased Rolling Drum Clock on Hardwood Stand, 20th c., probably Chinese, case with foliate garlands between cross bars, enamel dial, Arabic numbers, case dia. 5 1/8 in., stand h. 4 1/4 in., l. 21 1/8 in., w. 4 3/4 in. $600/800

872. Antique William and Mary‑Style Carved and Inlaid Walnut Side Table, molded top, frieze drawer, barley‑twist legs, shaped stretcher, bun feet, h. 27 in., w. 35 1/2 in., d. 22 in. $700/1000

873. English Chippendale‑Style Carved Mahogany Candlestand, 19th c., piecrust top, birdcage, fluted and carved baluster standard, arched acanthus carved legs, claw and ball feet, h. 25 1/4 in., dia. 18 1/2 in. $400/600

Provenance: Guy Warren Walker, Jr., Beverly, MA; Ginsburg + Levy, Inc., New York, NY, Oct. 14, 1958; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1958.

875. Regency‑Style Carved and Bronze‑Mounted Mahogany Pedestal Dining Table, molded top, serpentine apron, foliate‑carved vasiform standards over scalloped plinths, brass paw feet, two leaves, h. 30 in., l. (extended) 124 1/4 in., w. 44 in. $700/1000 Additional information at www.nealauction.com

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877. Antique Continental Parquetry Bouillotte Table, early 19th c., circular dished top, four frieze drawers, turned tapered legs, h. 29 in., dia. 23 in. $300/500

878. French Carved Walnut Panetière in the 17th c. Taste, reticulated doors open to shelf interior, incised decoration, h. 30 in., w. 27 in., d. 10 in. $300/500

876. French Provincial Fruitwood Console, 19th c., molded demilune rouge marble top, conforming frieze, scrolled legs, incurvate plinth, h. 30 in., w. 38 in., d. 19 1/4 in. $300/500 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

879. Pair of Louis XV‑Style Carved Walnut Fauteuils, 20th c., molded floral carved crest, padded scrolled arms, serpentine seat rail, cabriole legs, tan suede upholstery with nailhead trim, h. 38 in., w. 21 in., d. 19 in. $500/1000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 880. Six American Painted Windsor Side Chairs, c. 1810‑1840, associated shaped crest rail, spindled back, plank seat, splayed legs, stretchers., h. 33 1/4 in., w. 16 1/8 in., d. 16 3/4 in. $600/800

Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976 and 1977.

882. French Restauration Carved Mahogany Side Table, 19th c., rouge marble top, reeded legs, cane shelves, h. 28 in., w. 17 1/4 in., d. 15 1/2 in. $500/700 881. Biedermeier Burled Wood and Parcel Ebonized Gentleman’s Armoire, 19th c., flared cornice, cartouche paneled door, shaped feet, h. 66 in., w. 42 in., d. 20 1/2 in. $300/500

884. American or English Mixed Woods Gate Leg Table, early 18th c. and later, maple, oak and pine, deep drop leaves, blocked and turned legs and stretchers, ball feet, h. 27 in., w. 47 1/4 in., d. 59 in. $500/750

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

885. Pair of Biedermeier‑Style Burlwood Cabinets, floral embellishments, shelf interior, h. 59 in., w. 24 1/2 in., d. 15 1/2 in. $800/1200

Provenance: Estate of F. Clancy Dupepe, New Orleans.

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886. American Maple Ladderback Side Chair, late 18th c., arched slats, turned stiles, rush seat, turned legs and stretchers, h. 45 in., w. 18 1/4 in., d. 14 1/8 in. $300/500 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

Provenance: Collings & Collings, New York, NY, 1966; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1969.

888. Acadian Gros Rouge Cypress Chest, 19th c., molded top, two short over long drawer, paneled sides, bracket foot base, h. 28 in., w. 49 in., d. 21 in. $500/700

883. Pair of Biedermeier‑Style Burlwood Side Tables, shaped top, conforming frieze with drawer, entwined supports, shaped plinth, ball feet, h. 28 1/2 in., w. 17 1/2 in., d. 17 1/2 in. $600/800

889. Acadian‑Style Hardwood Ladderback Prie Dieu, early 20th c., shaped crest above slats, rush seat and kneeler, shaped legs, stretchers, h. 34 3/4 in., w. 15 1/4 in., d. 14 in. $400/600 Provenance: Estate of F. Clancy Dupepe, New Orleans.

890. Antique Acadian Carved Cypress Footstool, cabriole legs, h. 15 3/4 in., w. 11 1/2 in., d. 11 3/8 in. $150/250 Provenance: Estate of F. Clancy Dupepe, New Orleans.

887. Antique Acadian Gros Rouge Cypress Table, 19thc c., three board plank top, frieze drawer, turned tapered legs, disc feet, h. 29 in., w. 53 in., d. 30 7/8 in. $300/500 Provenance: Estate of F. Clancy Dupepe, New Orleans.

891. American Federal Carved White Pine Windsor Armchair, c. 1790‑1800, New England, shaped crest, spindle back, scrolled arms, elliptical saddle seat, turned splayed legs, bulbous stretchers, h. 40 1/4 in., w. 25 in., d. 16 1/4 in. $200/300 Provenance: American Art Association Auction, New York, NY, Feb. 25, 1921; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976.

892. Antique Louisiana Cypress Cradle, early 19th c., turned uprights, mounted on rockers, h. 30 in., w. 40 in., d. 27 in. $500/700

893. Antique American Cypress Table, three‑board top, frieze drawer, sliding door frieze compartment, tapered legs, h. 29 1/2 in., w. 59 in., d. 30 1/2 in. $500/700

894. American Classical Stenciled Mahogany Work Table, c. 1834‑1837, attr. to Roswell Hubbard, New York, fold out top with sliding writing surface, gilt‑decorated drawers, columnar stiles, turned standard, foliate‑carved flared legs, h. 30 1/2 in., w. (closed) 22 1/4 in., w. (opened) 44 1/2 in., d. 18 1/2 in. Note: Condition. $1000/1500

895. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Abandoned Field”, 1971, oil on canvas, signed and dated lower right, inscribed “Rucker 110‑91” en verso, “Nahan Galleries, New Orleans” information sheet and stamp en verso, 20 in. x 24 in., framed. $1000/1500

897. William Ousley (American/ Louisiana, 1866‑1953), “Red Buds of La.”, 1934, oil on canvas, signed and titled lower right, signed, titled, dated and inscribed en verso, 16 1/2 in. x 25 3/4 in., framed. $700/1000

898. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, pencil‑signed lower left, 6 in. x 20 in., framed. $1200/1800 Provenance: Cascio Wink Collection, Baton Rouge, LA.

900. Emmitt Thames (American/ Mississippi, b. 1933), “Study of Squash”, 1975, watercolor on paper, signed and dated lower right, signed, titled, dated and artist stamp en verso, 11 in. x 15 in., framed. $400/600

899. Nettie Kinney Seebold (American/ Louisiana, 1874‑1965), “Spring Day with Shepherd on Hillside”, oil on canvas, signed lower right, 19 3/4 in. x 16 in., framed. $800/1200

901. William Ousley (American/ Louisiana, 1866‑1953), “Moonlight Scene Houston River a Branch of the Calcasieu”, oil on board, signed lower right, signed, titled and inscribed en verso, 19 in. x 12 in., framed. $400/600

896. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower left, 20 in. x 30 in., framed. $1200/1800

902. William Ousley (American/ Louisiana, 1866‑1953), “Whispering Pines”, 1934, oil on canvas, signed and titled lower right, signed, titled, dated and heavily inscribed en verso, 24 in. x 16 1/2 in., framed. $500/700

903. Louisiana School, early 20th c., “Louisiana Bayou with Oak Trees”, oil on canvas, unsigned, label inscribed “A.J. Drysdale, 1928” on stretcher, 12 in. x 16 in., framed. $400/600 Additional information at www.nealauction.com

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904. Joachim Casell (Spanish/New Orleans, b. 1927), “Roadside Flowers, New Orleans, LA”, 2009, and “Foggy Sea, Low Tide, New Orleans, LA”, 2008, 2 pastels on paper, each signed and dated lower left, each signed, titled and dated on backing, 6 in. x 8 in. and 8 in. x 12 in., framed. (2 pcs.) $300/500

905. Louisiana School, 19th c., “A Louisiana Landscape”, oil on canvas, unsigned, titled en verso, partial label and inscribed en verso, modern inscription “Knute Heldner” on stretcher bar, 14 1/4 in. x 17 1/4 in., framed. $300/500

906. William Henry Brown (American/South Carolina, 1808‑1883), “Silhouette Portrait of John C. Calhoun”, 1846, lithograph, from Portrait Gallery of Distinguished American Citizens, published E.B. and E.C. Kellogg of Hartford, CT; sight 13 in. x 9 in., framed; accompanied by a reproduction of a thank‑you letter from Calhoun to Brown. $200/400 Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans

907. James W. Steel (American, 1799‑1879), “Battle of New Orleans, and Defeat of the British under the Command of Sir Edward Packenham by General Andrew Jackson”, 1815, color aquatint, after Samuel Seymour (British/American, c. 1775‑c. 1823), published by Wm. H. Morgan, Philadelphia, sheet 18 in. x 22 in., framed. $600/900

908. Michael McElroy (American/ Louisiana, 20th c.), “Through the Walkway”, watercolor on paper, signed twice lower left, sight 11 in. x 7 1/4 in., framed. $300/500

909. “Washington Crossing the Delaware”, 19th c., hand‑colored lithograph, published by D. W. Kellogg, Hartford, 16 1/4 in. x 13 1/4 in., framed. $100/150 Provenance: The Friedle‑Garrison Collection, New Orleans.

910. James Heath (British, 1757‑1834), “George Washington”, engraving, after Gilbert Stuart (1755‑1828), sight 21 1/4 in. x 14 in.; together with composite bust of George Washington, h. 7 1/2 in. and 2 lithographs, sights 13 1/2 in. x 9 1/2 in., framed. (4 pcs.) $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

913. After Gaspard Dughet (French, 1615‑1675), “Classical Landscape”, engraving, published by T. Major, London, sight 14 in. x 17 1/2 in., framed with églomisé mat. $100/150 Provenance: The Friedle‑Garrison Collection, New Orleans.

911. After Julian Oliver Davidson (American/New York, 1853‑1894), “Battle of Mobile Bay: Passing Fort Morgan and the Torpedoes”, 1886, “Battle of Port Hudson: Passing the River Batteries”, 1887, and “Capture of Fort Fisher: Charge of the Marines on the Treverse”, 1887, 3 chromolithographs, each signed and dated in plate, published L. Prang & Co., Boston, each 15 in. x 21 1/2 in., framed alike. (3 pcs.) $500/700

915. Fine American Gilt Bronze Seven‑Light Figural Candelabrum, mid‑19th c., attr. to Cornelius & Co., Philadelphia; together with a candelabrum, en suite, found in “as is” condition, h. 27 1/4 in., w. 12 in., d. 10 in. $500/700

912. After William Edward West (American, 1788‑1857), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, engraving, Philadelphia, 1817, second state, 16 in. x 22 1/4 in., unframed. $800/1200

914. After Edward Savage (American/Massachusetts, 1761‑1817), “The West Front of Mount Vernon”, hand‑colored stipple engraving, sheet 12 in. x 16 1/2 in., framed. $100/150 Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Swann Auction Galleries, New York, Oct. 2, 2012, lot 476.

916. Pair of American Classical Gilt Brass Five‑Light Figural Girandoles, 19th c., foliate branches, centered by figure of Athena, prism hung, h. 16 1/2 in., w. 20 in., d. 4 3/4 in. $400/600

917. Pair of Anglo‑Colonial‑Style Planter’s Chairs, 20th c., slatted backs and seats, flat arms or foot rests, reeded, turned tapered legs, peg feet, h. 33 in., l. 53 in., w. 24 1/2 in. $700/1000

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918. Antique American Painted Pine Blanket Box, early 19th c., molded strap hinge lid, interior with a portrait bust of young man flanked by swagged drapery, molded base, bracket feet, retains original blue paint and paperwork, h. 20 in., w. 47 in., d. 20 in. $800/1200

920. Pair of Benchmade Mahogany Candlestands in the Queen Anne Taste, 20th c., branded “Nathan Margolis Shop, Hartford, Conn”, shaped top, vasiform standard, arched legs, slipper feet, h. 27 in., w. 18 in., d. 18 in. $400/600 919. American Mahogany Jackson Press, 19th c., probably Southern, two drawers over doors, shelf interior, shaped bracket feet, h. 45 in., w. 41 1/2 in., d. 15 7/8 in. $400/600 922. American Rococo Carved Mahogany Half‑Tester Single Bed, mid‑19th c., possibly C. Lee, shaped tester, reverse‑tapered posts, paneled head board with cabochon crest, shaped foot board, molded feet, h. 110 in., w. 45 in. $1000/1500 Provenance: Mary Plantation, Braithwaite, LA.

921. American Late Classical Mahogany Tester Bed, 19th c., blocked and turned posts, paneled headboard, molded canopy, h. 110 in., inside w. 58 in., outside w. 71 in., inside w. 58 in., outside l. 86 in. $1000/1500

923. American Carved Mahogany Console Table, late 19th c., shaped top, foliate frieze, acanthus carved S scrolled supports, stretcher shelf, paw feet, h. 30 1/2 in., w. 49 in., d. 18 in. $400/600

924. American Rococo Carved Mahogany Center Table, mid‑19th c., marble turtle top, molded frieze, scrolled legs, h. 29 in., w. 39 1/2 in., d. 28 in. $500/700

926. Four American Painted Windsor Side Chairs, c. 1820‑1840, stepped crest rail, spindle back, plank seat, splayed legs, stretchers. (4 pcs.), h. 34 1/2 in., w. 15 1/2 in., d. 15 1/4 in. $400/600 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976 and 1977.

930. American Carved Maple Hoop Back Windsor Side Chair, early 19th c., shaped saddle seat, splayed turned legs, stretchers, h. 38 1/2 in., w. 15 7/8 in., d. 17 3/4 in. $200/300 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, 1979.

925. American Renaissance Carved Mahogany Armchair, late 19th c., lion’s mask finials, rectangular back, turned stretcher, ram’s head arm terminals, conforming seat, turned legs, shaped stretcher, ball feet, cowhide upholstery with nailhead trim, h. 40 in., w. 24 1/2 in., d. 23 1/2 in. $400/600

927. Pair of American Late Federal Painted and Stenciled Arrowback Side Chairs, c. 1820‑1840, tablet crest, arrow stiles, spindled uprights, shaped plank seat, turned splayed legs, stretchers, h. 32 1/2 in., w. 16 1/8 in., d. 16 1/4 in. $200/400

928. American Shaker Ebonized Hardwood Rocking Chair, c. 1880‑1910, Mount Lebanon Shaker Society, New Lebanon, NY (act. 1787‑1947), acorn finialed stiles, tape woven back and seat, turned legs, stretchers, knife rockers, h. 33 3/4 in., w. 19 in., d. 23 1/2 in. $200/300

929. American Maple or Cherrywood Tall Ladderback Side Chair, c. 1800‑1830, acorn finialed stiles, split oak seat, turned legs, stretchers, h. 45 1/2 in., w. 18 3/4 in., d. 14 in. $200/400

931. American Shaker Hardwood Rocking Chair, c. 1890‑1910, Pittsfield, MA, acorn finialed stiles, woven tape back and seat, shaped arms, turned legs, knife rockers, original finish, h. 33 7/8 in., 19 1/2 in., d. 14 in. $100/200

932. American Oak and Maple Table Top Candlestand, 19th c., tin candleholder on ring‑turned standard, mounted on oak block, splayed feet, h. 22 1/4 in., w. 14 1/4 in., d. 6 1/4 in. $100/150

933. Pair of Benchmade Federal‑Style Walnut Poster Beds, chamfered posts with urn finials, shaped head board, conforming rails, chamfered tapered legs, h. 86 in., l. 77 in., w. 39 in. $500/1000

Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976.

Provenance: Berkshire Feed & Garden Supply, Pittsfield, MA, Sept. 1, 1967; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976.

Provenance: Mrs. E. D. Pawling, Chatham, NY, Dec. 6, 1979; Museum of Fine Arts, Houston, Bayou Bend Collection, 1979.

Provenance: Pine House, Houston, TX, Sept. 25, 1962; Museum of Fine Arts, Houston, Bayou Bend Collection, gift of Miss Ima Hogg, 1962.

Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, 1977.

Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez.

Additional information at www.nealauction.com

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934. American Classical Inlaid Mahogany and Rosewood Banded Games Table, 19th c., foldover swivel top, ring‑turned columnar supports, shaped plinth, saber legs, brass cuffs, casters, h. 28 1/2 in., w. 35 1/2 in., d. (closed) 17 1/2 in., d. (open) 36 in. $500/700

935. American Rococo Carved and Laminated Rosewood Sofa, mid‑19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, padded arms, serpentine seat rail, cabriole legs, casters, h. 48 1/2 in., w. 66 in., d. 30 in. $1500/2500 937. Four American Rococo Carved and Laminated Rosewood Side Chairs, mid‑19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, h. 44 in., w. 20 1/4 in., d. 19 in. $2500/3500

938. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid‑19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins””, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, h. 42 1/2 in., w. 18 1/2 in., d. 18 in. $1200/1800

936. American Rococo Carved Rosewood Dressing Chest, mid‑19th c., crest centered by a cabochon, arched mirror plate flanked by candle shelves and glove boxes, shaped marble top, three graduated drawers, conforming base, h. 92 1/2 in., w. 43 1/2 in., d. 21 3/8 in. $1000/1500

939. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid‑19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, h. 41 1/2 in., w. 18 in., d. 19 1/2 in. $1200/1800

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940. American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Stanton Hall”, incl. sofa and 3 side chairs, shaped reticulated crest rail centered by a robustly carved floral crest, molded arms and uprights, conforming seat rail, cabriole legs, casters, needlepoint upholstery, sofa h. 46 1/4 in., w. 64 in., d. 26 in.; side chair h. 40 in., w. 19 in., d. 17 in. $4000/6000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

942. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, fruit and floral‑carved crest, scrolled crest rail and stiles, round seat, floral‑carved seat rail, foliate cabriole legs, casters, h. 37 in., w. 18 in., d. 20 in. $1000/1500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

941. American Rococo Carved Rosewood Dressing Chest, mid‑19th c., broken arch crest centered by a floral cluster, arched mirror plate, shaped marble top, three conforming graduated drawers, bracket feet, h. 96 1/2 in., w. 48 1/2 in., d. 25 1/4 in. $1000/1500

943. American Rococo Carved and Laminated Rosewood Side Chair, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, floral and fruit‑carved crest, scrolled crest rail and stiles, serpentine seat, floral‑carved seat rail, cabriole legs, casters, h. 36 1/2 in., w. 18 in., d. 18 in. $500/700

944. Chippendale‑Style Leather Wing Chair, 20th c., Baker Furniture Co., tufted back, canted wings, scroll arms, molded square legs, stretchers, h. 42 1/2 in., w. 31 in., d. 22 in. $500/750

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 945. Set of Eight Chippendale‑Style Dining Chairs, 20th c., incl. 2 armchairs and 6 side chairs, each with foliate crest rail, pierced splat, molded knuckle arms, trapezoidal slip seat, molded tapered legs, stretchers, h. 40 1/2 in., w. 21 in., d. 22 in. $700/1000

946. George III‑Style Mahogany Breakfront Secretary Bookcase, h. 91 in., w. 92 in., d. 22 1/2 in. $3500/5000

947. Chippendale‑Style Leather Wing Chair, early 20th c., button tufted back and seat, scroll arms, acanthus carved cabriole legs, ball and claw feet, h. 34 1/4 in., w. 30 1/4 in., d. 28 1/2 in. $500/800

948. William IV Mahogany Drop‑Leaf Table, mid‑19th c., two banded frieze drawers, reeded tapered legs, casters, h. 29 in., w. 36 1/2 in., d. 32 in. $600/800

Additional information at www.nealauction.com

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949. William IV Walnut Slipper Chair, 20th c., tufted back, shaped seat, turned legs, casters, velvet upholstery, h. 31 in., w. 23 in., d. 21 1/2 in. $400/600

950. Decorative Continental Oil on Canvas Four Panel Screen. $400/600 951. Louis XVI Carved Walnut Guéridon, 19th c., marble top, reticulated brass gallery, stop‑fluted legs, h. 18 1/4 in., dia. 13 1/2 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

952. Louis XVI‑Style Bronze‑Mounted Walnut Bouillotte Table, 20th c., galleried top, frieze drawer, stop‑fluted tapered legs, h. 26 in., dia. 23 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

953. Pair of French Provincial‑Style Carved Walnut Chests, “Pierre Deux French Country” by Henredon, molded tops, three drawers, chamfered stiles, shaped feet, h. 26 1/2 in., w. 28 1/2 in., d. 18 in. $500/700

955. Six Antique Louis XIV‑Style Carved Beechwood Side Chairs, serpentine crest, padded back and seat, shaped stretchers and legs, h. 46 in., w. 20 in., d. 18 in. $1000/1500

954. Antique Provincial Carved Walnut Side Table, 19th c., frieze drawer, tapered cabriole legs, h. 30 5/8 in., w. 48 in., d. 22 1/2 in. $700/900 Provenance: Estate of F. Clancy Dupepe, New Orleans.

956. Antique Louis XVI‑Style Mahogany Three‑Part Dining Table, early 19th c., pair of demilunes with molded frieze, square tapered legs, and one leaf, h. 29 in., w. (closed) 51 5/8 in., d. 48 in. $800/1200 Provenance: Estate of F. Clancy Dupepe, New Orleans.

958. John Martin Tracy (American/Ohio, 1843‑1893), “Meddlesome Mattie”, 1877, oil on canvas, signed lower left, titled and dated on stretcher, 16 in. x 12 1/2 in., framed. $2000/3000 Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

957. John Bellany (Scottish, 1942‑2013), “Religious Thought”, 1962, oil on masonite, signed lower right, signed, titled and dated en verso, 36 in. x 48 in., framed. $2000/3000

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959. Pair of Louis XV‑Style Brass Two‑Light Girandoles, hung with amethyst, amber and clear pendeloque prisms, h. 16 1/2 in., w. 10 in., d. 6 in. $150/250

960. Gorham “Medallion” Pattern Sterling Silver Macaroni Server, pat. 1864, designed by George Wilkinson, medallion depicting Mars, l. 9 1/8. $150/250

Provenance: New Orleans Estate.

Ref.: Carpenter, Charles H. Gorham Silver 1831‑1981, pp. 49‑50; Soeffling, D. Albert. Silver Medallion Flatware, pp. 50‑51.

961. Gorham Sterling Silver After‑Dinner Coffee Pot, Sugar and Creamer, nos. 461, 462 and 463, coffee pot h. 9 1/2 in., total wt. 22.45 troy ozs. $300/500

962. Good Group of Whiting “Louis XV” Pattern Sterling Silver Flatware, pat. 1891, marks of various retailers incl. Zadek, Mobile, act. 1862‑1908, incl. soup ladle, l. 12 in., dressing spoon, l. 12 1/16 in., Saratoga chips server, l. 8 3/4 in., berry spoon, l. 9 1/8 in., pie knife, l. 9 1/8 in., tablespoon, dessert spoon, 6 teaspoons, 4 cocktail forks, ice cream spoon and horseradish spoon, total wt. 27.65 troy ozs. (18 pcs.) $500/750

963. American Sterling Silver Flatware Service, Wallace “Antique” pattern, pat. 1926, incl. 8 each: dinner forks, dinner knives, salad forks, seafood forks and butter spreaders (fh), 12 teaspoons and 6 tablespoons; together with 12 Wallace “Tipped” pattern luncheon forks and associated Colonial Revival jelly server and cream ladle, total wt. (weighable) 73 troy ozs. (72 pcs.) $600/800

964. Good Group of American and Continental Sterling Silver Serving Pieces, incl. Galmar turkey carving set (hh), knife (l. 13 1/2 in.), fork (l. 12 1/4 in.); Tiffany “Winthrop” pattern pastry server, Tiffany “Colonial” tablespoon, Continental soup ladle, probably Spanish, (l. 11 3/4 in.), 3 Continental .925 silver bottle tags and an American sterling bottle tag, total wt. (weighable) 16.90 troy ozs. $500/750

965. Group of Gorham “Chantilly” Pattern Sterling Silver Flatware, pat. 1895, incl. 10 teaspoons, 8 ice teaspoons, master butter knife and sugar shell; together with 2 Gorham “Atlanta” teaspoons, total wt. 19.65 troy ozs. (22 pcs.) $300/500

966. Antique English Mahogany “Lazy Susan” Centerpiece, 19th c., circular with molded rim, centered with reticulated gilt bronze gallery for mustard pot, molded circular foot, h. 5 in., dia. 24 in (F364/007). $200/300

967. Set of Six Imperial Russian Silver and Enamel Coffee Spoons, Moscow, poss. Nikolay Strulev, act. 1883‑1908, 84 zolotnik mark (.875 pure), l. 5 in.; together with a French 1st Standard silver sugar sifter ladle, l. 8 1/4. $150/250

968. Large Assorted Group of Continental Silver and Silverplate Apostle Spoons, incl. a cased set of 4 William Hutton & Sons silverplate serving spoons, a cased pair of William Hutton & Sons silverplate serving spoons and numerous miscellaneous examples. (32 pcs.) $250/350

968A. American Sterling Silver Porringer in the Colonial Taste, R. Blackinton & Co., ret. Cartier, h. 2 3/8 in., w. 6 3/4 in., wt. 7.25 troy ozs. $150/250

968B. Group of American Victorian Sterling Silver Flatware, incl. pie server, Whiting tablespoon and 6 Gorham “Japanese” pattern teaspoon. $150/250

969. Cased Antique Silverplate and Ivorine Dessert Service, probably 20th c., incl. 12 dessert forks, l. 6 5/8 in., and 12 dessert knives, l. 8 in. $100/200

970. Pair of English Sterling Silver and Tinted Horn Candlesticks, 20th c., Birmingham, marks rubbed, weighted bases, h. 6 1/8 in. $200/300

971. Pair of Louis XVI‑Style Bronze and Marble Four‑Light Candelabra, early 20th c., foliate arms, urn form, tripartite base, h. 19 in., w. 11 in., d. 8 in. Note: Two arms missing. $400/600

972. Pair of Louis XV‑Style Gilt Bronze Three‑Light Sconces, foliate scroll design, now electrified, h. 20 in., w. 13 in., d. 8 in. $300/500

973. Persian Polychrome Kubachi Dish, Safavid, 17th c., well painted with bird nesting on eggs, dia. 10 3/4 in. $250/350

974. Pair of French Three‑Light Bouillotte Lamps, 20th c., adjustable tôle shade and candle arms, reticulated dished base, h. 25 1/2 in., dia. 16 1/4 in. $400/600

Provenance: Sold to Benefit the Museum of Fine Arts, Houston.

977. American Classical Giltwood Pier Mirror, early 19th c., floral blocked corners, cornucopia‑carved reserve, columnar surround, h. 42 1/2 in., w. 20 1/4 in. $300/500

978. Italian Carved and Gilt Walnut Figural Mirror, late 19th c., shaped beveled plate in a foliate‑carved harp frame, two putti at base, one playing the violin, h.29 in., w. 16 in., d. 7 in. $600/800

975. Pair of Antique Brass and Tôle Peinte Carriage Lanterns, 19th c., eagle finial, later brackets, electrified, h. 29 in., w. 7 in., d. 12 in. $400/600

976. English Silvered and Tôle Peinte Carriage Lantern, 19th c., electrified, h. 29 in., w. 7 in., d. 11 1/2 in. $150/250 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

979. Six Bleu Opaline Lidded Vessels, incl.: 2 bowls, 2 dresser boxes, and 2 bottles, tallest bottle h. 8 1/4 in. $300/500 Additional information at www.nealauction.com

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980. Elizabethan‑Style Painted and Parcel Gilt Cabinet on Stand, top depicting carvavelle The Great Harry, paneled doors with portraits of Sir Christopher Hatton and Elizabeth I, heavily scrolled supports, shaped stretcher, bun feet 151, h. 35 1/2 in., w. 32 in., d. 16 in. $600/800

981. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, applied floral crest centered by a cabochon medallion, incurvate scrolled crest rail, serpentine seat, floral carved seat rail, cabriole legs, casters, h. 36 in., w. 19 1/2 in., d. 19 in. $800/1200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

982. American Rococo Carved and Laminated Rosewood Side Chair, mid‑19th c., attr. to J. & J.W. Meeks, New York, reticulated back, shaped seat, molded flared legs, h. 37 in., w. 16 in., d. 18 in. Note: Repairs. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

985. Venetian Carved, Painted and Parcel Gilt Bed, shaped headboard surmounted by a shell, classical reserve, flanking bracket shelves, conforming foot board, cabriole legs, h. 61 in., l. 76 in., w. 40 in. $600/800

983. English Walnut Sewing Table, oval lift top, fitted removable tray and silk pleated work compartment, h. 28 1/2 in., w. 15 1/2 in., d. 12 in. $150/250

984. Antique Syrian Carved Hardwood Canterbury, late 19th c., bobbin‑turned uprights, swivel top, turned standard, conforming base, shaped feet, h. 29 3/4 in., w. 16 3/8 in., d. 13 1/8 in. $400/600

986. Antique Continental Carved Walnut Parlor Suite, incl. sofa and armchair, figural uprights of Brustalon inspiration, cabriole legs, sofa h. 33 1/2 in., w. 86 in., d. 34 in.; chair h. 33 1/2 in., w. 41 in., d. 30 in. $1000/2000

988. Pair of Bronzed Metal and Slag Glass Lamps, 20th c., vasiform standard, leaded slag glass shade, with palm tree overlay, h. 28 in., dia. 17 1/2 in. $700/1000

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987. Antique Louis XVI‑Style Carved Salon Table, late 19th c., inset marble top, reticulated foliate frieze, blocked corners, tapered trumpet shaped legs, incurvate stretchers, toupie feet, h. 31 1/2 in., w. 39 1/2 in., d. 26 in. $500/1000 989. Three Antique French Glass Wine Storage Bottles. $300/500

990. French Porcelain “Owl” Oil Lamp, c. 1900, glass eyes, floral etched globe, h. (without chimney) 11 1/4 in., w. 3 3/4 in., d. 3 3/4 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

991. Bradley & Hubbard Patinated Bronze Figural Table Lamp, 19th c., addorsed dolphin standard, three‑socket fixture, h. 27 in., dia. 9 1/2 in. $300/500

992. Art Deco Patinated Metal, Marble and Onyx Figural Mantel Clock, early 20th c., striking bell movement marked “EXACT”, case surmounted by a tiger, h. 15 1/4 in., w. 23 1/4 in., d. 7 1/4 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

993. Pair of Decorative Two‑Light Sconces, 20th c., each with chinoiserie backplate, h. 21 in., w. 10 1/2 in., d. 6 1/4 in. $300/500

994. Tiffany Cut Crystal Footed Vase, h. 11 7/8 in. $150/250

997. Jacques Lipchitz (1891‑1973) for Boehm Wall Plaque, “Our Tree of Life” after the 1978 original in Jerusalem, limited ed. from Judaic Collection, no. 32, sight 15 1/4 in. x 10 in., framed. $400/600

998. Three Continental Porcelain and Enameled Plaques; incl. “Reflection”, after Asti, signed “Gruney”, lower left, 6 3/4 in. x 5 in., framed; together with KPM porcelain portrait plaque of a lady with impressed monogram and scepter mark, 7 in. x 5 in., framed; and a convex enamel plaque “Palm Reader”, signed “Csengery” lower right, 4 3/4 in. x 6 1/4 in., framed. (3 pcs.) $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

995. Two Pairs of Neoclassical‑Style Gilt Decorated Campagna Urns, 20th c., incl. Reed & Barton Landmark Collection, decorated with sepia landscapes, h. 10 in., and Chelsea House, h. 12 in. $250/350

996. Pair of Neoclassical‑Style Gilt‑Decorated Porcelain Campagna Urns, 20th c., Chelsea House, h. 12 in.; together with a polychrome porcelain verriere, also Chelsea House, h. 5 1/2 in., l. 11 1/2 in. $200/300

999. American Federal‑Style Mahogany Silver Chest on Stand, Stickley, banded top, two drawers, stand with drawer, molded chamfered legs, h. 36 in., w. 24 in., d. 13 1/4 in. $150/250

1000. Four Spanish Colonial Carved Tropical Hardwood Side Chairs, 19th c., Cuba, scrolled finials, leather back and seat with brass nail head decoration, shaped front stretcher, h. 36 in., w. 15 1/2 in., d. 15 1/2 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez.

1001. Antique Tropical Hardwood Plantation Table, 19th c., probably West Indies, three board top, frieze drawers, boldly turned legs, h. 30 3/4 in., w. 85 1/2 in., d. 43 in. $700/1000

1002. Regency‑Style Ebonized and Gilt Decorated Armchair, Neoclassical decoration, caned seat, turned tapered legs. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1003. Antique Georgian‑Style Burled Walnut Bachelor’s Chest, banded top, dressing slide, four graduated drawers, molded base, bracket feet, h. 31 in., w. 30 in., d. 16 1/2 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1004. Louis XV‑Style Bronze‑Mounted Kingwood Petite Bureau Plat, serpentine inset tooled leather top, frieze drawer, cabriole legs, scrolled toes, h. 29 1/2 in., w. 39 1/2 in., d. 24 in. Note: Condition. $500/700

1005. French Provincial Carved Walnut Bonnetière, molded cornice, frieze with scrolled foliate decoration, paneled doors, serpentine apron, cabriole legs, scrolled toes, h. 73 3/4 in., w. 33 1/4 in., d. 20 1/4 in. $700/900 Additional information at www.nealauction.com

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1006. Pair of Louis XVI‑Style Carved Giltwood Canapés, shaped crest rail, foliate scrolled arms, foliate‑carved tapered legs, h. 37 1/2 in., w. 52 in., d. 20 in. $800/1200

1007. Antique Louis XV‑Style Carved Walnut Fauteuil, 19th c., foliate crest, padded arms, serpentine seat rail, cabriole legs, needlepoint upholstery, h. 33 1/2 in., w. 23 in., d. 16 in. $400/600

1008. Pair of Antique Louis XV‑Style Crème Peinte Side Chairs, 19th c., cartouche shaped floral carved backs, serpentine seat rail, molded cabriole legs, scroll toes, h. 34 in., w. 19 1/4 in., d. 18 1/2 in. $300/500 Provenance: Estate of F. Clancy Dupepe, New Orleans.

1009. Classical‑Style Onyx Pedestal, early 20th c., square swivel top, columnar standard, stepped base, square plinth, h. 39 in., w. 12 in., d. 12 in. Note: Repairs. $150/250

1010. Continental Carved Hardwood Elephant Stool, with tasseled cushion, h. 18 in., w. 13 in., d. 16 in. $150/250

1012. Pair of Decorative Glazed Ceramic Blackamoor Figures, h. 22 1/2 in., w. 8 in., d. 8 1/2 in. Note: Small loss. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1011. Decorative Leather Figure of a Rhinoceros, stitched leather body, h. 14 in., l. 31 in., w. 9 in. $300/500

1013. Russian Brass and Enamel Triptych Traveling Icon, mid‑to‑late 19th c., with cast Eastern Orthodox iconography with text above, h. 4 in., open l. 11 3/8 in., closed l. 4 in.; together with Gothic style bronze ecclesiastic jewelry casket, 20th c., arcaded panels with religious and secular scenes, strap lock, cedar lined interior, h. 3 in., w. 6 in., d. 3 1/2 in. $200/400

1014. Louis XVI‑Style Gilt Bronze and White Marble Four‑Light Candelabrum, late 19th/early 20th c., rose‑form candlecups, thorny branch candlearms, urn‑shaped body with Pan’s head and floral swag mounts, hoof feet, banded circular base, h. 18 in. $200/400

1016. Antique Georgian‑Style Mahogany Writing Table, 19th c., inset tooled leather top, each side with three drawers and pull‑out slide, turned legs, casters, h. 31 1/2 in., w. 57 3/4 in., d. 35 in. $700/1000

1015. Louis XVI‑Style Table à Rognon, early 20th c., galleried marble top, conforming frieze, fluted tapered legs, h. 20 in., w. 20 in., d. 11 1/2 in. $200/400

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1017. William IV‑Style Carved Walnut Armchair, rectangular back, padded arms, turned legs, leather upholstery with brass nailhead trim, h. 41 in., w. 22 in., d. 22 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1018. George III Mahogany and Needlework Pole Screen, c. 1800, surmounted by an urn final, floral motif screen, sabre legs, brass circular stretcher, h. 60 1/4 in., w. 18 1/2 in., d. 18 in. $150/250 Provenance: Estates of Shasta and Sue McCranie, Willacoochee, GA.

1019. English Mahogany and Caned Bergère, cabriole legs with shell‑carved knees, h. 35 in., w. 22 1/4 in., d. 21 1/2 in. $150/250

1020. Napoleon III Carved Rosewood and Kingwood Inlaid Stool, mid‑to‑late 19th c., padded seat, serpentine apron, cabriole legs, brass ball feet, h. 19 in., w. 17 1/2 in., d. 15 in. $150/300

1021. Gilt Bronze‑Mounted Sevres‑Style Porcelain Covered Centerbowl, c. 1900, fruit finial, reticulated collar, cherub and floral decoration, h. 12 1/2 in., dia. 10 in. $150/250

1022. Pair of Italian Carved Giltwood Brackets, demilune shelf, h. 12 in., w. 10 1/2 in., d. 5 1/2 in. $200/300

1023. George III Patera Inlaid Mahogany Hexagonal Tea Caddy, c. 1800, interior with two lidded compartments, h. 5 1/8 in., w. 8 1/2 in., d. 4 1/2 in. $250/350

1024. Two English Parian Figures of Dogs, h. 5 in. to 7 in.; together with carved stone figure of a wolf hound, marble base, overall h. 3 3/4 in. (3 pcs.) $150/250

1025. Pair of American Silverplate Corinthian Columnar Table Candlesticks, h. 10 1/8 in. $250/350

1026.Four Cartier Sterling Silver and Tri‑Color Gold Cordials, h. 2 1/2 in., combined wt. 3.55 troy ozs; together with 8 cut and etched glass coasters with gild bound reed borders, dia. 5 5/8 in. $250/350

1027. Georgian Mahogany Tilt‑Top Tea Table, probably late 19th c., molded dished top, turned standard, tripod cabriole legs, h. 39 in., dia. 21 1/2 in. $300/500

1028. Chippendale‑Style Crème Peinte Settee, padded back, arms and seat, blind fretwork legs, open fretwork brackets and stretchers, h. 39 in., w. 59 in., d. 30 in. $300/500

1029. Regency‑Style Mahogany Games Table, foldover swivel top, interior compartment, faux frieze drawer, vasiform standard, reeded sabre legs, brass paw feet, h. 30 in., w. 32 in., d. (closed) 16 in., d. (open) 32 in. $150/250

Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1032. Empire‑Style Brass‑Mounted Mahogany Bedstead, late 19th/early 20th c., headboard with arched crest, rosette mounted panel flanked by fluted columns, conforming foot board, toupie feet, h. 55 in., l. 76 1/2 in., w. 53 in. $700/900

1030. Pair of Louis XV‑Style Carved Fruitwood Footstools, tufted upholstered serpentine top, conforming seat rail, cabriole legs, h. 18 1/2 in., w. 20 1/2 in., d. 17 in. $300/500

1033. Dutch Marquetry Side Table, serpentine drop‑leaf top, two drawers, cabriole legs, shaped stretcher shelf, h. 34 1/2 in., w. 41 1/2 in., d. 18 in. $700/900

1031. Antique Carved, Incised and Bronze‑Mounted Walnut Smoking Table, late 19th/early 20th c., top fitted with cigar box, ash tray and accoutrements for the smoker, acanthus scrolled feet, h. 42 in., w. 24 1/2 in., d. 22 in. $500/700

1034. Louis XV‑Style Bronze‑Mounted Rosewood Poudreuse, probably early 20th c., serpentine hinged lid, mirrored fitted interior, drawer below, cabriole legs, sabots. $300/500

Provenance: Estates of Jane and Stewart Maunsell, New Orleans.

1035. Pair of Louis XVI‑Style Brass‑Mounted Mahogany Side Tables, reticulated gallery, inset marble top, frieze drawer, tapered legs, stretcher shelf, brass cuffs, h. 27 3/8 in., w. 14 in., d. 10 in. $600/800

1036. Large Limoges Polychrome and Gilt Porcelain Dresser Box, c. 1920s, B.S. star mark, painted with an amorous couple in a pastoral setting and decorated throughout with raised gilt floral meanders on a green ground, h. 5 1/2 in., w 10 1/2 in., d. 8 1/4 in. $300/500

1037. Bronze‑Mounted Faience Dresser Box, c. 1929, Sevres MNF France mark, hinged cover mounted with a portrait of da Vinci’s “La Gioconda”, bronze rims, clasp and floral swag, mottled green speckled blue glaze, h. 3 1/2 in., w. 6 3/4 in., d. 5 1/8 in. $300/500

1038. Ten Boch Freres Creamware Napoleonic Centennial Plates, c. 1900, transfer decoration, dia. 9 1/2 in. $200/300

1039. Ten French Porcelain Gilt‑Decorated Plates, 20th c., each with spreadwing eagle and laurel wreath, dia. 9 3/8 in. $250/350

1040. Continental Porcelain Plaque, late 19th c., depicting “St. John the Baptist with the Lamb” after Andrea del Sarto (Italian, 1486 ‑ c. 1530), 6 3/4 in. x 5 in., framed. $200/400

1041. German Porcelain Plaque, 19th c., attr. to Hutschenreuther, “Maiden Picking Fruit with Putti”, “324” impressed en verso, 8 3/4 in. x 5 3/4 in., framed. $200/400

1042. Pair of Meissen Polychrome and Gilt Porcelain Figural Sweetmeat Dishes, 19th c., crossed swords marks, impressed “147”, and incised “2858” or “2863”, reclining male and female with floral applied bowls, h. 8 1/2 in., w. 12 in. and h. 6 3/4 in., w. 12 5/8 in. $300/500

1043. Art Nouveau Lusterware Turn‑Teplitz Amphora Pitcher, c. 1890‑1914, impressed “Amphora” within oval, biomorphic form with applied grape and grapevine in relief, h. 6 1/2 in., dia. 5 in. $200/400

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

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1044. Large Antique French Glazed Pottery Cream Basin, 19th c., terracotta with interior green glaze, h. 9 in., dia. 31 in. $250/350

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1048. Pair of Chinese Famille Rose Porcelain Vases, probably 19th c., painted with Xi Wangmu beside a boy attendant riding a deer, reverse with calligraphy, h. 16 3/4 in., now mounted as lamps with wiring to the exterior, h. (to socket) 29 1/4 in. $200/400

1045. Pair of Neoclassical‑Style Porcelain Urns, 20th c., Chelsea House, ram’s head handles, decorated with bird and flower scenes, h. 13 7/8 in.; together with covered urn decorated in Japonesque style, h. 15 1/2 in. $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1049. Sèvres‑Style Gilt‑Decorated Porcelain Boat‑Form Desk Ornament, 19th c., marked, l. 10 1/2 in.; together with a porcelain shell‑form inkwell, l. 7 1/2 in., and a porcelain shell and dolphin bonbon dish, h. 3 3/4 in., both unmarked. (3 pcs.) $150/250

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Whitehall Antiques, Chapel Hill, NC, June 2012. 1050. Pair of Beaux Arts Bronze Urns, each issuing a bouquet with applied porcelain flowers, h. 36 1/4 in., w. 15 in., d. 8 in. $300/500

1051. Pair of Tôle Peinte Urns on Pedestals, 20th c., h. 12 1/4 in., w. 13 in., d. 5 1/2 in. $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1054. Two Pairs of French Brass Candlesticks, 18th/19th c., each with stepped octagonal base, h. 9 in. and 9 3/4 in. $300/500 1053. Pair of Antique English Mahogany Serpentine Front Knife Boxes, fitted interior with star inlay, h. 13 3/4 in., w. 9 in., d. 9 3/4 in. $500/750

1056. Large Sevres‑Style Polychrome and Gilt Porcelain Dresser Box, 20th c., decorated with courting couple and landscapes, hinged lid, h. 5 1/2 in., w. 11 3/4 in., d. 8 in. $400/600

1058. Pair of Bronze Figural Candlesticks, 20th c., shaft and candlecups cast with grapevines and goat heads, on lion legs, h. 12 1/4 in., dia. 5 in. $400/600

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1047. Wedgwood “Famille Verte” Porcelain Vase, late 19th c., decorated with figural and floral panels on a powder blue ground strewn with gilt flowers and antiques, h. 9 1/2 in., now mounted as a lamp, h. (incl. finial) 23 in. $200/400

Provenance: Lee B. Anderson Collection.

1052. Louis XVI‑Style Bronze Plateau, 20th c., reticulated gallery, paw feet, h. 2 1/2 in., w. 27 in., d. 17 1/2 in. $200/300

1055. Pair of Chinoiserie Decorated Eggs, on brass dolphin stands, h. 12 1/2 in., dia. 5 1/2 in. $500/700

1046. Pair of Chelsea‑Style Polychrome Porcelain Male and Female Figures, 19th c., gold anchor marks, dressed in 17th c. attire, rocaille bases, h. 10 in. and h. 9 1/4 in. $200/300

1057. Three Continental Malachite Boxes, largest h. 3 1/8 in., w. 8 in., d. 5 1/8 in. $500/800

1059. Antique English Brass‑Banded Burled Walnut Lap Desk, mid‑19th c., fitted interior with gilt tooled leather writing surface, pen tray and secret compartment with small drawers, on later custom‑made stand, h. 22 1/2 in., w. 18 1/2 in., d. 10 1/2 in. $200/400

1060. Pair of Louis XV‑Style Gilt Bronze Four‑Light Candelabra, vasiform standard, foliate arms, pendeloque crystal prisms, scrolled feet, h. 22 1/4 in., d. 14 1/2 in. $500/700

1062. [Napoleon], De Norvins, Jacques Marquet. Histoire de Napoleon, Paris, Furne, Jouvet, 1868, octavo, 3/4 leather and marbled boards, with numerous illustrations, some hand‑colored. $300/500

1061. Pair of Louis XV‑Style Patinated Bronze and Crystal Twelve‑Light Chandeliers, each with urn support, foliate arms, extensively hung with cartouche and spear prisms, spherule pendant, h. 36 in., dia. 26 in. $1500/2500

1063. Large French Terracotta Bust of Marie Antoinette, h. 29 in., w. 17 in., d. 10 in. $700/900

1064. Patinated Metal Figural Group of a Jockey on a Horse, after Antoine Bofill, signature inscribed on self‑base, h. 16 1/2 in., w. 15 3/4 in., d. 7 1/4 in., marble base, overall h. 18 in. $400/600

1065. Louis XVI‑Style Giltwood Oval Mirror, swagged urn and leaf scrolled crest, bellflower cascades, swagged base, beveled mirror plate, h. 49 in., w. 26 in. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1066. American Renaissance Paint‑Decorated Mahogany and Maple Hall Mirror, c. 1875, attr. to Pottier and Stymus, New York, h. 85 1/2 in., w. 46 in. $600/800 Note: This mirror was originally part of the Knickerbocker bedroom suite sold in these rooms, Nov. 2010, lot 460.

1067. Beaux Arts Bronze‑Mounted Delft Three Piece Clock Garniture, c. 1900, urn‑form case, Rococo mounts and base, conforming six‑light candelabra, clock h. 19 1/4 in., w. 15 in., d. 8 1/2 in., candelabra h. 24 1/2 in. $500/800 1068. George III Oak Tall Case Clock, late 18th c., cartouche signed “Rayment/ Huntingdon”, foliate engraved dial, striking bell movement, h. 81 1/2 in., w. 17 in., d. 9 in. $600/900

1069. Continental Crème Peinte and Parcel Gilt Trumeau Mirror, reserve depicting Abundance, flanked by bowknot with pendant husks, antique mirror plate, h. 64 1/2 in., w. 68 in. $300/500

1070. Terracotta Figural Group of Two Putti Playing, after Gustave Trouillard, signature inscribed on self‑base, h. 16 in., w. 15 3/4 in., d. 7 1/2 in. $400/600 Additional information at www.nealauction.com

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1071. Mahajaran Sarouk Persian Rug, red ground, allover floral stylized design, navy, red, indigo border, 10 ft. 11 in. x 8 ft. 10 in. $600/900 Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

1072. Two Mahajaran Sarouk Persian Rugs, one with red and navy with central floral medallion, vine border, one with deep red ground, floral design, vine border, 4 ft. 10 in. x 3 ft. 5 in., 4 ft. 10 in. x 3 ft. 4 in. $500/700 Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

1073. Pair of French Brass Andirons, columnar form, on paw feet, h. 29 1/2 in., w. 9 in., d. 8 in. $400/600

1075. Continental School, 19th c., “Young Beauty Seated within a Landscape”, reverse oil on mirrored glass, unsigned, 12 in. x 7 in., framed. $300/500 1074. Continental School, 19th c., “Riders at an Oasis”, oil on panel, unsigned, 9 3/4 in. x 16 3/4 in., framed. $500/700

1076. Louis XV‑Style Bronze‑Mounted Parquetry and Marquetry Lady’s Desk, early 20th c., galleried top, fall front, inset leather writing surface, fitted interior, serpentine apron, cabriole legs, h. 38 1/2 in., w. 32 in., d. 20 in. $400/600

1078. French Cherrywood Table, scalloped frieze drawer with lozenge escutcheon, scalloped skirt, cabriole legs, oak and balsam secondary woods, h. 27 in., w. 22 55/8 in., d. 28 in. $400/600 1077. Louis XV‑Style Bronze‑Mounted Parquetry Bombé Commode, variegated marble top, three drawers, shaped apron, flared legs, sabots, h. 34 in., w. 36 in., d. 18 in. $1200/1800

1079. American School, 20th c., “Mother and Child”, oil on canvas, illegibly signed lower right, “Weintraub Gallery, New York” label on stretcher, 40 1/4 in. x 32 3/4 in., framed. Note: Condition. $600/800

1080. Pair of Sevres‑Style Polychrome and Gilt Porcelain Urns, c. 1900, now mounted as lamps, h. (to finial) 34 1/2 in. $800/1200 1081. Large Dresden Porcelain Figural Table Lamp, domical shade inset with lithophane panels, two couples dancing around a tree, h. 26 in., dia. 13 1/2 in. $400/600

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Provenance: Reputedly from an I.M. Pei residence in Brewster, NY, c. 2007.

1082. Chinese Hardwood Stand, early 20th c., hexagonal top inset with rouge marble plaque, pierced neck, wide prunus carved curving legs with prunus brackets, low shelf, h. 31 1/2 in., w. 17 in., d. 17 in. $250/350

1083. Thai Tropical Teak Chaise Longue, shaped crest rail, slatted back and seat, outswept arms, S‑curved back legs, turned vasiform front legs, h. 35 in., w. 77 in., d. 24 1/4 in. $200/400 1084. Four Chinese Carved Wood “Official’s Hat” Side Chairs, shaped yoke back top rail, curved backsplat, inset panel seat, spindled shaped apron, straight turned stretchered legs, h. 40 in., w. 20 in., d. 17 1/4 in. $400/800 1085. Chinoiserie Decorated Black Lacquer Tray on Associated Chinese Hardwood Stand, overall h. 29 1/4 in., w. 19 1/2 in., d. 15 in. $100/200 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez.

1086. Giltwood Child’s Armchair, late 19th c., shaped crest, spindled back and arms, turned legs, stretchers, h. 25 3/4 in., w. 15 in., d. 15 in. $100/200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1087. Louis XVI‑Style Bronze‑Mounted Beechwood Occasional Table, late 19th c., serpentine marble top, conforming frieze, stretcher shelf, cabriole legs, h. 28 1/2 in., w. 17 1/2 in., d. 17 1/2 in. $200/300

1088. Louis XVI‑Style Carved Fruitwood Console, shaped onyx top, conforming frieze with three drawers, tapered fluted legs, h. 32 1/2 in., w. 41 in., d. 11 1/4 in. $300/500

1089. Pair of Louis XVI‑Style Painted and Parcel Gilt Fauteuils, 20th c., molded oval back, padded arms, blocked seat rail, fluted tapered legs, h. 39 in., w. 26 1/2 in., d. 25 in. $400/600

1090. Pair of Vintage Teak Deck Chairs, early 20th c., caned back and seat, scrolled arms, slatted foot rest, h 37 1/2 in., w. 23 in., d. 50 in. $600/900 1091. American School, 20th c., “Untitled”, 1986, mixed media on cut paper, signed “Stella” and dated lower center, 63 1/2 in. x 44 1/2 in., framed. $400/600

1093. G. Howard Hilder (American/ Florida, 1866‑1935), “Catedral de San Cristobal de la Havana, Cuba”, watercolor on board, signed lower right, inscribed “For the Misses Poppenheim/Havana Cathedral/by Howard Hilder of Newport/L.G.” on paper label en verso, 19 3/4 in. x 14 in., framed. $300/500

1092. Paul Tarver (American/New Orleans, 20th c.), “Terrace Ward”, oil on canvas, unsigned, 60 in. x 48 in., framed. $400/600 Provenance: Marguerite Oestreicher Fine Arts, New Orleans, LA, 1996.

1094. Milton A. Fletcher (American/Louisiana, 1906‑1992), “Farm Life”, 1988, oil on canvas, signed and dated lower right, signed, titled and inscribed on stretcher bar, 16 in. x 24 in., unframed. $100/200 Provenance: Acquired from the artist; Finley Collection.

Exh.: “Soul Providers: African‑American Art from the Finley Collection Original Paintings & Sculpture by Self‑Taught Artists”, The Ohr‑O’Keefe Museum of Art, Biloxi, MS, Jan. 11 ‑ Feb. 22, 2002; “Finley Collection”, Natchez Museum of African American History and Culture, Natchez, MS, May 2009 ‑ May 2013; “The John and Pam Finley Collection of African and Folk Art”, University of Wyoming Art Museum, Laramie, WY, June 8 ‑ Aug. 17, 2013. Additional information at www.nealauction.com

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1095. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Old Ursuline Convent, New Orleans” and “Lamplight”, 2 etchings on paper, each initialed in plate, 7 1/2 in. x 9 3/4 in. and 9 1/2 in. x 7 3/4 in., framed alike. (2 pcs.) $150/250

1096. Pair of Gilt Metal‑Mounted Boullework and Ebonized Tazzas, 20th c., h. 8 1/2 in., dia. 6 in. $300/600

1097. W. Warren Brown (Canadian, b. 1881), “Crash of Waves Against the Cliffs”, oil on canvas, signed lower left, 24 in. x 36 in., unframed. $300/500

1099. American School, 20th c., “Lady in Fur Stole and Hat”, oil on panel, unsigned, 47 1/4 in. x 35 1/2 in., framed. $300/500

1100. Mexican School, mid‑20th c., “Grief”, oil on canvas laid on board, illegibly signed lower right, 22 in. x 28 in., framed. $300/500

1101. Will Henry Stevens (American/Louisiana, 1881‑1949), “The Shore Tree”, color woodblock on paper, pencil‑signed, titled and numbered “9/15” in lower margin, sheet 12 1/4 in. x 32 3/8 in., framed. $400/600

1104. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Loading Hay”, 1936, etching, signed and dated in plate lower left, pencil‑signed and titled lower margin, 8 in. x 12 in., framed. $150/250

1105. Waldo Peirce (American/ Maine, 1884‑1970), “Green Shutter Patio”, “Beauregard House” and “Exchange Alley”, 3 etchings, sights 3 1/2 in. to 5 1/4 in. to 6 in. x 3 1/2 in., framed. (3 pcs.) $200/400

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1103. Fritz Eichenberg (German/ American, 1901‑1990), “The Diary of a Country Priest”, 1986, printed by The Limited Editions Club, New York, portfolio of 5 original woodblock prints, each pencil‑signed and numbered “8/50”, marbleized hardcover folio, 12 1/2 in. x 9 3/4 in. $200/300

1106. Adele Lemm (American/ Tennessee, 1897‑1977), “Still Life with Geranium”, oil on linen, signed lower left, 24 in. x 20 in., framed. $200/400

1107. Decorative Italian Tôle Peinte Two‑Light Table Lamp, adjustable shade, electrified, h. 21 in., w. 11 in., d. 8 1/2 in. $150/250

Provenance: Estate of the artist, Memphis, TN.

Provenance: The Friedle‑Garrison Collection, New Orleans.

1110. American Brilliant Cut Glass Ice Cream Dish, hobstar and chair bottom motif, h. 2 1/2 in., w. 14 in., d. 8 in. $125/175

1114. American Brilliant Cut Glass Fish Tail Ice Cream Boat, h. 1 7/8 in., w. 14 1/2 in., d. 8 in. $125/175

1098. American School, 20th c., “The Warehouse”, mixed media on board, unsigned, 9 3/4 in. x 10 in., framed. $300/500

1102. Francisque Rebour (French, 19th c.), “Les Joueurs de Polo”, color lithograph, signed in plate, pencil‑signed lower right, numbered “21” lower left, sheet 22 in. x 30 in., unframed. $250/350

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1118. Japanese Imari Porcelain Charger, Meiji Period (1868‑1912), central floral pinwheel, encircled by floral and avian panels, h. 2 1/2 in., dia. 17 7/8 in. $150/250

1108. American Brilliant Cut Glass Fruit Bowl, hobstar motif, h. 4 1/2 in., w. 11 3/4 in., d. 8 in. $150/250

1109. American Cut Glass Bowl, with rare “butterfly” and flower design, h. 3 3/8 in., dia. 8 in. $150/250

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1111. Two American Brilliant Cut Glass Bowls, late 19th/early 20th c., larger in heart and star pattern, h. 3 7/8 in., dia. 8 in.; smaller in 12‑point hobstar and fan pattern, h. 2 1/2 in., dia. 8 7/8 in. $400/600

1112. Large American Brilliant Cut Glass Vase, h. 18 in., dia. 7 1/2 in. $250/350

1113. Large American Brilliant Cut Glass Vase, h. 16 in., dia. 10 3/4 in. $200/300

1115. American Brilliant Cut Glass Water Pitcher, early 20th c., with applied handle in 5‑point hobstar, fan and block pattern; together with a vase in pinwheel pattern. (2 pcs.) $300/500

1116. Napoleon III Gilt Bronze Figural Clock, early 19th c., silk thread movement marked “S. Marti, Paris”, scroll encrusted case surmounted by a maiden, base with garland and scroll feet, h. 13 in., w. 9 in., d. 3 1/2 in. $150/250

1117. Paris Porcelain Figural Mantel Clock in the Manner of Jacob Petit, 19th c., apple green and gilt scrollwork base, h. 13 1/2 in, w. 8 1/4 in. $150/250 Provenance: Historic “Sally Mill”, Middleburg, VA.

1120. Antique French Gas Lantern, 19th c., with palmette corona, now converted to electricity, h. 38 in., w. 19 in., d. 43 in. Note: Lacking glass. $150/250

1121. American Brilliant Cut Glass Lamp, c. 1900, silverplate prism ring, diamond and hobstar design, two light fixture, h. 22 1/2 in., dia. 11 in. $400/600

1119. Chinese Hardwood Spindle‑Back Armchair, late Qing Dynasty (1644‑1911), shaped top rail, gently curving struts, shaped arms similarly supported, inset hard mat seat, straight stretchered legs, footrest, h. 35 7/8 in., w. 23 1/2 in., d. 18 in. $200/300 Provenance: Uptown New Orleans Collection, acquired c. 1995.

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Provenance: Estate of Jane and Stewart Maunsell.

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

1122. Pair of American Brass Five‑Light Torchères, c. 1910, foliate arms, adjustable standard, molded base, flame‑form shades, electrified, h. 75 in., dia. 28 in. $700/1000

1123. Alan Flattmann (American/Louisiana, b. 1946), “Cathedral Garden”, giclée print, pencil‑signed and numbered “54/100” lower margin, 20 in. x 15 in., framed. $100/150

1124. Pair of American Classical Brass Candlesticks, 19th c., foliate and anthemion design, h. 11 1/2 in., dia. 4 3/4 in. $250/350

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1125. Large Group of Antique Copper Cookware. (11 pcs.) $500/750 Provenance: Lucullus, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1129. Continental Wrought Iron and Copper Jardinière, removable liner, h. 9 1/2 in., dia. 22 in. $200/300

1126. Six American Pressed Brass Tiebacks, c. 1850, dia. 3 3/4 in., d. 5 in.; together with an antique iron door knocker, in the form of a hand holding a ball, h. 6 in., w. 2 3/4 in., d. 2 1/2 in. $200/300

1127. Neoclassical‑Style Tôle Peinte Verriere and Cachepot, with lion’s mask handles, h. 4 1/4 in. and 8 1/2 in., w. 10 3/4 in. and 6 1/4 in., d. 8 1/2 in. and 6 1/4 in. $150/250

Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1130. Large Enameled Metal Clock Dial, 20th c., iron hands, non‑functional, dia. 35 in. $100/200

1131. English Oak Candle Stand in the 17th c. Taste, now mounted as a lamp, h. 61 in.; together with an English brass candlestick, c. 1800, h. 8 in., now fitted as a lamp; and pair of Georgian brass candlesticks, 18th c., petal base, one retaining push‑up mechanism, h. 8 1/2 in. $300/500

1132. Group of Antique English Brass Hearth Equipment, 19th c., incl. pair of andirons, h. 20 in.; fire fender, w. 55 in.; and fire tools. $250/350

1135. American Federal Maple and Walnut Stand, early 19th c., one drawer, turned legs, h. 27 1/2 in., w. 18 3/8 in., d. 15 1/4 in. $200/300

1136. American Federal‑Style Cherrywood Tilt‑Top Tea Table, probably early 20th c., shaped molded top, vasiform standard, cabriole legs, pad feet, h. 27 7/8 in., w. 30 1/4 in., d. 30 1/4 in. $200/300

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

1133. English Tôle Peinte Coal Hod, 19th c., gilt decorated with Japonesque scene on black ground, h. 23 1/2 in., w. 18 in., d. (excluding handle) 16 1/2 in. $250/350

1137. Upholstered Club Chair, 20th c., made by Hickory Chair, turned and incised legs, h. 40 in., w. 29 1/2 in., d. 41 in. $300/500

1134. Regency Rosewood Sarcophagus Form Tea Caddy, early 19th c., interior fitted with mixing bowl and two lidded compartments, h. 7 3/4 in., w. 14 1/4 in., d. 6 3/4 in. $200/400

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Texas Hill Country Ranch.

Provenance: Estate of Jane and Stewart Maunsell.

1139. William IV Burled Walnut Sunderland Table, lyre‑form standard, shaped trefoil feet, h. 27 1/2 in., w. 39 1/2 in., d. (closed) 15 in., d. (open) 37 in. $250/350

1140. English Eastlake Carved Walnut Corner Cabinet, c. 1900, spindled galleried top, beveled glass door, bracketed mid section, conforming lower case, h. 84 in., w. 35 1/2 in., d. 21 in. $200/400

1141. French Provincial Beechwood Games Table, leather top, cabriole legs, h. 30 in., w. 32 in., d. 32 in. $200/300

1142. Louis XVI‑Style Crème Peinte Fauteuil, molded oval back, padded scrolled arms, blocked seat rail, fluted tapered legs, h. 39 1/2 in., w. 26 1/2 in., d. 26 in. $150/250

1143. E.J. Forrest (American/ Louisiana, 20th c.), “Louisiana Bayou”, 1955, oil on canvas board, signed and dated lower right, signed, titled and dated en verso, 16 in. x 20 in., framed. $200/300

1144. Louisiana School, 20th c., “Live Oaks with Spanish Moss”, oil on canvas, unsigned, 22 in. x 31 3/4 in., framed. $300/500

1145. Charles Kenneth Sibley (American/Virginia, 1921‑2005), “Ladies”, watercolor on paper, signed lower left, biography of artist from Olde Towne Gallery, Portsmouth, VA en verso, sight 21 3/8 in. x 14 3/8 in., framed. $200/400

1146. Louise Angelique Sarrazin (American/Louisiana, 1888‑1967), “Fishing in Autumn”, 1948, oil on canvas board, signed and dated lower right, 9 in. x 11 1/2 in., framed. $150/250

1147. Elizabeth Mack (American, late 19th/early 20th c.), “The Valley” and “The Cabin”, 2 watercolors on paper, former signed lower right, each 9 3/4 in. x 14 in., framed (2 pcs.) $200/400

1148. Louisiana School, 20th c., “Oak Trees along a Bayou”, oil on board, illegibly signed lower right, 11 1/2 in. x 15 1/2 in., framed. $150/250

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1138. Georgian‑Style Mahogany Butler’s Tray on Stand, molded legs, X stretcher, h. 23 1/2 in., w. 31 in., d. 21 1/2 in. $100/150

Provenance: Texas Hill Country Ranch.

1128. Antique French Copper Confit Pan, 19th c., brass handles, h. 9 1/2 in., dia. 25 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

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1149. Helen Hunt Beneker Hoie (American/Massachusetts, 20th c., act. New Orleans, 1930‑1940), c. 1930‑1933, incl. 5 watercolor holiday cards, ink and pencil drawings, watercolors of landscapes, a Geisha and portrait of a woman, assorted design projects and 2 lithographs; together with 2 lithographic plates, some signed, titled and/or inscribed, several stamped “Carnegie Institute of Technology, Department of Painting and Decoration, Judged”, 4 3/4 in. x 5 3/4 in. to 12 1/2 in. x 15 1/4 in., unframed. (approx. 33 pcs.) $200/400

1150. Jerome Pennington DeWitt (American, 1895‑1940), “Bon Air Cottage… Mt. Pocono, PN”, 1920, oil on board, signed lower right, dated lower left, titled and inscribed en verso, 12 in. x 16 in., framed; together with Leo Meissner (American, 1895‑1977), “Carriage Ride”, graphite on paper, artist stamp and inventory number en verso, 7 1/2 in. x 13 in., framed AND an etching by Stephen Parrish (American, 1846‑1938), signed in plate, 5 in. x 8 3/4 in., framed. (3 pcs.) $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

1151. Francois Nicolas Martinet (French, 1731‑1804), “Pigeon Romain”, “Poule du Japon” and “Martins‑pecheurs du Senegal”, 3 hand‑colored engravings, sights 9 1/2 in. x 8 in., framed alike. (3 pcs.) $150/250

1152. Five Russian Lacquered Boxes, red interior, largest h. 2 1/4 in., w. 3 3/4 in., d. 2 3/4 in. $150/250

1153. Five Russian Lacquered Boxes, red interiors, largest h. 1 3/4 in., w. 2 3/4 in., d. 9 1/8 in. $150/250

1154. Antique English Burlwood Sewing Box, 19th c., fitted interior, with removable tray, h. 5 1/2 in., w. 9 3/4 in., d. 7 in. $150/250

1155. Pair of Silverplate Candlestick Lamps, h. 6 1/2 in.; together with 2 cut glass dresser boxes, dia. 7 1/2 in. and 6 1/4 in. $100/150

1156. Rare Miniature Sterling Silver Chalice and Paten, c. 1900, marked “STERLING” and “25”, octagonal faceted form with beaded borders, paten engraved “Rev. A.W. Hardon/ Mar 25/ 02”, chalice h. 1 3/4 in. $75/150

1157. Group of Antique Silver Flatware, incl. American coin silver sugar shell by Joseph Seymour, Syracuse, NY, ret Geo. Holt, Albany, NY; sugar shell ret. Hitchcock & Flower; sterling sugar shell by William Moir, NY; 4 Continental .812 silver tablespoons, Heberlein, Nurnberg; and unmarked silver tablespoon; 8 pcs., combined wt. 9.85 troy ozs. $150/250

1158. American Sterling Silver Navette‑Form Compote, ret. Smith‑Patterson, Boston, act. 1895‑1956, h. 4 7/8 in., w. 8 3/4 in., wt. 5.25 troy ozs.; together with a diminutive silverplate hot water urn in the Neoclassical taste, h. 13 3/4 in. Note: Separation to handle. $100/200

Provenance: Estate of Jane and Stewart Maunsell.

1159. Antique French Silverplate Flatware Service in the Louis Philippe Taste, associated, various makers including Boulenger, Paris, various compatible patterns, incl. 12 table forks (l. 8 3/8 in.), 4 tablespoons (l. 8 3/8 in.), 18 dessert spoons (l. 7 1/4 in. ‑ 7 3/8 in.), 8 luncheon forks (l. 7 1/4 in.) and 9 teaspoons. $300/500

1160. Silverplate Group, caviar server, entree dish, oval platter and 4 trays. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1161. Group of Americana, 19th c., incl. homespun wool blanket, 75 1/2 in. x 60 in.; and glass “flip”, with basketweave and star banding, h. 6 3/4 in., dia. 5 1/4 in. $100/150 Provenance: Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976 and 1971 respectively.

Provenance: Historic “Sally Mill”, Middleburg, VA.

1162. Antique “High Box” Telephone, retrofitted to modern use, h. 11 in., w. 11 in., d. 6 1/2 in. $100/150 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1163. Five French Painted Cast Iron and Tôle Garden Chairs, h. 37 1/2 in., w. 16 in., d. 16 in.; together with a round center table with grey marble top, h. 27 3/8 in., dia. 25 1/2 in. $150/250

1164. Large Clam Shell, probably South Pacific, h. 11 3/4 in., w. 24 in., d. 16 in. $400/600

1165. Large Clam Shell, probably South Pacific, h. 11 in., w. 33 in., d. 17 in. $400/600

1166. Small Clam Shell, probably South Pacific, h. 7 in., w. 17 in., d. 10 in. $200/300

1168. Bronze Figure of a Discus Thrower, after “Discobolus” by Myron, h. 9 in., w. 9 in., d. 2 1/2 in., marble base, overall h. 9 3/4 in. $200/300

1169. Bronze Figure of a Shot Put Thrower, h. 11 1/2 in., w. 6 1/2 in., d. 4 in., marble base, overall h. 12 3/4 in. $200/300

1170. Chinese Carved and Lacquered Floor Lamp, polychrome decorated with bats amid clouds and fish above terrestrial diagrams, h. (to socket) 58 1/4 in., w. 20 1/2 in. $100/200

1172. Large George III Mahogany Hanging Candle Box, 19th c., rectangular tapered form with a pierced, curvilinear hanger and a hinged lid, h. 24 1/2 in., w. 7 in. $100/200

1173. Art Deco Bronze Urn, early 20th c., circular handles, relief mounts of a farmer sowing seeds and one with a scythe, h. 11 in., dia. 6 3/4 in. $100/150

1174. German Oval Porcelain Plaque, 19th c., impressed MR monogram en verso, after Élizabeth Louise Vigée Le Brun (French, 1755‑1842), pencil inscribed “Le brun” en verso, 5 in. x 4 in., framed. $100/200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1167. Antique American Gilt Brass Table Lamp, baluster standard, prism hung, ruffled and wheel‑cut shade, electrified, h. 24 in., dia. 7 1/2 in. $200/300

1171. African Carved Wood Nommo Figure and a House Post Fragment, Dogon Peoples, Mali, figure h. 36 in.; post h. 26 in., w. 41 in. (2 pcs.) $100/200 Provenance: Memphis Brooks Museum of Art, Memphis, TN. Both Exh.: Memphis Brooks Museum, “The Henry Easterwood Collection”, Feb. 1996‑Dec. 1997 and “Art of Africa”, Jan. 2004‑Nov. 2015.

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Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1175. Two Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, painted with Classical maidens personifying Music, dia. 10 1/4 in. $100/200

1176. Antique American Ship Model Diorama, late 19th c., mahogany shadow box, painted background and “waves”, fully rigged ship, h. 14 in., w. 24 in., d. 4 3/4 in. $200/300

1177. Pair of Large Mounted Elk Antlers, walnut and suede mount, largest h. 38 in., w. 41 in., d. 28 in. $200/300

1179. Three Vintage Faience Oyster Plates, dia. 8 1/2 in., 9 in. and 9 1/2 in. $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1182. Three American Folk Art Stoneware Figural Jugs by Albert Hodge, c. 2001, North Carolina, stamped signature, h. 9 1/2 in., 9 3/4 in., and 10 in. $200/300

1186. J. Cooper (American/New Orleans, 20th c.), “The Cornstalk Fence House”, 2002, hand‑colored photograph, pencil‑signed, titled and dated lower margin, sight 14 in. x 19 1/2 in., framed. $100/200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1178. Six Antique French Tole Peinte Kitchen Canisters, h. 5 1/2 in. to 8 1/2 in. $200/400 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1180. Eleven Pairs of Gilt Metal Tie Backs, incl. 3 matching with tulips, l. 6 3/8 in.; 2 matching with floral vines, l. 6 5/8 in.; single with flower vase, l. 6 1/4 in.; single with shield and flowers, l. 8 1/4 in.; single with wheat, l. 7 1/2 in.’ and 3 single with knobs, l. (excl. screws) 2 1/2 in., 2 3/8 in., and 3 5/8 in. (22 pcs.) $300/500

1181. Porcelain and Fabric Floral Diorama “A Breath of Paris”, attributed to Narcissa Niblack Thorne (1882‑1966), label en verso, gesso and gilt frame, 23 1/2 in. x 20 1/2 in. $200/300 Provenance: The home of Mrs. Jane Carson Myre, daughter of Luther F. Carson.

1183. Four Stoneware Figural Jugs, 1999‑2000, incl. Jesse Meaders flower jug, Linda Corn face jug, Bobby Ferguson face jug and Claude and Vicky Miller devil jug, tallest h. 9 3/4 in. $300/500

1184. Four Burlon Craig Stoneware Utilitarian Pieces, c. 1995, North Carolina, stamped, incl. milk jug, pitcher, small vase and water jug with cup, tallest h. 6 3/4 in. $300/500

1185. Jasper Gray Ewing (American/Louisiana, 1879‑1972), “Baton Rouge, Record High Water May 7, 1912, from the USS Nebraska”, 2 silver gelatin panorama prints, “Reproduced from the Library of Congress” stamp en verso, 11 1/8 in. x 27 1/8 in., framed together. $200/400

1187. After Mark Catesby (British, 1679‑1749), “The Pigeon of Passage”, “The White Heron” and “Brown Curlew with White Arrow Arum”, 3 photographic reproductions, 13 7/8 in. x 19 3/4 in. to 19 3/4 in. x 13 7/8 in., framed alike. (3 pcs.) $150/250

1188. American Folk Art School, early 20th c., “Portrait of Faithful, the St. Bernard Dog”, oil on academy board, initialed “BJB” and dated lower right, titled lower left, “DeVoe & Raynolds Co., New Orleans” and “McGough, Pictures and Frames, Grand Rapids, Mich” labels en verso, 18 1/4 in. x 24 1/4 in., period frame. $150/250

1189. Normah Louise Alcott Knight (American/Texas, 1910‑2005), “South Padre Island Sand Dunes”, copper plate affixed to masonite, signed lower left, artist biography and “Art Galleries at Bahia Mar, South Padre Island, TX” label en verso, 9 in. x 12 in., framed. $150/250

Note: Mrs. Thorne’s dioramas are found in several museum collections, including the Art Institute of Chicago.

Additional information at www.nealauction.com

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School of George Inness ‑ In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Manner of George Inness ‑ In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness ‑ In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” ‑ In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

George Inness ‑ In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness ‑ In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” ‑ In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS” and “WHERE IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non‑pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. 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Please check with a qualified shipping company to if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on its interstate transportation or exportation from the United States. MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

A African School, 403 American Folk Art School, 1188 American School, 313, 324, 681, 682, 1079, 1091, 1098, 1099 James McConnell “Mac” Anderson, 239, 240, 247, 318 Yolande Ardissone, 237 Asian School, 590, 591 John James Audubon, 325 Austrian School, 818

C Xavier de Callatay, 319, 705 Antonio Canova (aft), 25 Francesco Carradori (aft), 42 Joachim Casell, 904 Mark Catesby (aft), 1187 Giuseppe Chiantarelli (aft), 711 Dale Chihuly, 388 Chinese School, 456 Eugène Claude, 236 John Clemmer, 219 Scipione Compagno (mnr), 215 Continental School, 373, 375, 863, 1074, 1075 J. Cooper, 1186 Jose‑Maria Cundin, 245

F Max “Mordechai” Farbmann, 387 John Knox Ferguson, 709 Alan Flattmann, 1123 Milton A. Fletcher, 1094 Luke Fontana, 689 E.J. Forrest, 1143 Léonard Tsuguharu Foujita (attr), 745 French School, 284

J Japanese School, 363, 583‑585 Joseph Jefferson IV, 255 Dick Jemison, 687 Gerard Thomas Johnson II, 683, 684 K Sara Dodge Kimbrough, 706 Raymond Klee, 374 Steve Kline, 658 Normah Louise Alcott Knight, 1189 Ida Rittenberg Kohlmeyer, 223, 242, 342 Korean School, 579 L John Lapsley, 692 Paul Emile Lecomte, 285 Adele Lemm, 1106 Edmund Darch Lewis, 312 Peter Lobello, 343‑346 Louisiana School, 903, 905, 1144, 1148 Zhen‑Huan Lu, 176 M Elizabeth Mack, 1147 Francois Nicolas Martinet, 1151 Michael McElroy, 906 Leo Meissner, 1150 Pierre‑Jules Mêne, 820 Mexican School, 1100 Lilian May Miller, 438 Clarence Millet, 238 Myron (aft), 1168 N Larry Nevil, 1281 New Orleans School, 1242 David Sinclair Nixon, 858, 859 August Norieri, 471

S Louise Angelique Sarrazin, 1146 Edward Savage (aft), 914 Gaston Gilbert Daniel Save, 352 Armin Alfred Scheler, 315 Nettie Kinney Seebold, 899 Charles Kenneth Sibley, 1145 Jo Sickbert, 685 Hunt Slonem, 217, 218 Massimiliano Soldani (aft), 182 Lilian Stannard, 287 James W. Steel, 907 James Louis Steg, 420 Will Henry Stevens, 1101 T Paul Tarver, 1092 Emmitt Thames, 702, 703, 900 Annie Tolliver, 700 Mose Tolliver, 694‑699, 701 John Martin Tracy, 958 Gustave Trouillard (aft), 1070 Charles Franklin Tuttle, 67 V Wouterus Verschuur, 250 W William Edward West (aft), 912 Bror Anders Wikstrom, 249 Theodore “Fonville” Winans, 669, 670 Ellsworth Woodward, 321, 1095, 1104 William Woodward, 222, 225, 226, 243, 422 Don Wright, 680 Z Vince Zenone, 686

Artist Index

E Fritz Eichenberg, 1103 Jasper Gray Ewing, 1185

I Sadie Irvine, 338A

R Raffaello Sanzio da Urbina (aft), 84 Milne Ramsey, 81 Francisque Rebour, 1102 Noel Rockmore, 690 Norman Rockwell, 662 George Rodrigue, 227, 230, 231 Robert Malcolm Rucker, 221, 421, 691, 895

•

D Carel Lodewijk Dake II, 316 Julian Oliver Davidson, 256, 257 Julian Oliver Davidson (aft), 911 Gleb W. Derujinsky, 181 Jerome Pennington DeWitt, 1150 Grace Drayton, 314 Dréhan, 372 Alexander John Drysdale, 252, 253, 896, 898 Paul Duboy (aft), 449 Gaspard Dughet (aft), 913 Etienne Henri Dumaige (aft), 43 George Valentine Dureau, 246 Dutch School, 436, 783

H David Harouni, 248 James Heath, 910 Colette Pope Heldner, 704 Knute Heldner, 251, 317, 320 Edward Lee Hendricks, 661 G. Howard Hilder, 1093 Will Hinds, 232, 233 Helen Hunt Beneker Hoie, 1149 Lonnie Holley, 660 Jean‑Antoine Houdon (aft), 864 Clementine Hunter, 216, 235, 2441, 1079‑1081, 1083

P Stephen Parrish, 1150 Giovanni Battista Passeri (aft), 8, 9 Waldo Peirce, 1105 Richard Pendleton, 693 Joseph Pennell (aft), 663 Persian School, 749 Roger Tory Peterson, 241 Praxiteles (attr), 819

January 26 & 27, 2019

B John Bellany, 710, 957 Albert Bligny, 437 Antoine Bofill (aft), 1064 British School, 82, 286 Richard Brough, 688 W. Warren Brown, 1097 William Henry Brown, 906 William Henry Buck, 234, 322 Bernard Buffet, 254 Fritz Bultman, 224 Steele Burden (attr), 228, 229

G Vincente de Garcia Paredes, 288 Giambologna (aft), 308 Charles Giroux (attr), 323 François‑Adolphe Grison, 352

O William Ousley, 897, 901, 902

131

November 16, 17 & 18, 2018 • Auction Results 132

0001 ‑ $2,196 0002 ‑ $875 0003 ‑ $488 0004 ‑ $2,318 0005 ‑ $122 0006 ‑ $218 0007 ‑ $281 0008 ‑ $1,952 0009 ‑ $366 0011 ‑ $750 0012 ‑ $854 0016 ‑ $976 0017 ‑ $3,965 0018 ‑ $281 0019 ‑ $244 0021 ‑ $256 0022 ‑ $250 0023 ‑ $183 0025 ‑ $384 0026 ‑ $122 0027 ‑ $896 0029 ‑ $750 0030 ‑ $1,152 0033 ‑ $732 0034 ‑ $2,074 0036 ‑ $4,270 0037 ‑ $4,575 0038 ‑ $1250 0040 ‑ $488 0041 ‑ $1,500 0042 ‑ $896 0043 ‑ $2,074 0044 ‑ $915 0046 ‑ $2,928 0048 ‑ $2,048 0049 ‑ $4,880 0051 ‑ $1,152 0052 ‑ $1,586 0054 ‑ $732 0055 ‑ $384 0056 ‑ $750 0057 ‑ $1,536 0058 ‑ $3,840 0061 ‑ $1,098 0062 ‑ $3,050 0063 ‑ $2,240 0066 ‑ $1,280 0067 ‑ $732 0068 ‑ $1,220 0072 ‑ $610 0075 ‑ $125 0076 ‑ $250 0078 ‑ $1,250 0080 ‑ $1,098 0081 ‑ $488 0082 ‑ $625 0083 ‑ $640 0084 ‑ $640 0085 ‑ $768 0086 ‑ $1,408 0087 ‑ $640 0090 ‑ $1,952 0091 ‑ $2,440 0092 ‑ $854 0096 ‑ $640 0099 ‑ $4,375 0100 ‑ $2,928 0102 ‑ $2,074 0104 ‑ $3,660 0105 ‑ $1,280 0108 ‑ $610 0110 ‑ $976 0111 ‑ $366 0112 ‑ $125 0114 ‑ $244 0115 ‑ $125 0116 ‑ $1,750 0117 ‑ $750 0118 ‑ $437 0120 ‑ $875 0121 ‑ $549 0122 ‑ $1,500 0123 ‑ $488 0124 ‑ $384 0126 ‑ $768

0127 ‑ $976 0128 ‑ $896 0129 ‑ $1,125 0130 ‑ $2,500 0131 ‑ $625 0133 ‑ $1,250 0134 ‑ $976 0135 ‑ $3,328 0136 ‑ $5,120 0137 ‑ $8,845 0138 ‑ $3,660 0139 ‑ $1,342 0142 ‑ $6,720 0143 ‑ $8,845 0145 ‑ $625 0146 ‑ $4,148 0147 ‑ $2,806 0148 ‑ $875 0150 ‑ $3,355 0152 ‑ $500 0153 ‑ $3,050 0154 ‑ $1,830 0156 ‑ $854 0159 ‑ $1,464 0160 ‑ $1,342 0161 ‑ $274 0162 ‑ $832 0163 ‑ $305 0166 ‑ $640 0168 ‑ $3,750 0169 ‑ $1,875 0170 ‑ $4,575 0172 ‑ $732 0173 ‑ $5,490 0174 ‑ $3,660 0179 ‑ $7,320 0182 ‑ $896 0183 ‑ $960 0184 ‑ $3,965 0185 ‑ $3,750 0187 ‑ $732 0188 ‑ $250 0189 ‑ $1,875 0190 ‑ $2,074 0191 ‑ $187 0192 ‑ $2,806 0193 ‑ $8,845 0195 ‑ $36,600 0196 ‑ $1,280 0198 ‑ $562 0199 ‑ $366 0201 ‑ $183 0205 ‑ $2,750 0206 ‑ $4,575 0207 ‑ $2,000 0208 ‑ $2,074 0209 ‑ $2,500 0210 ‑ $437 0214 ‑ $2,318 0218 ‑ $1,280 0219 ‑ $9,760 0222 ‑ $4,880 0223A ‑ $610 0224 ‑ $732 0226 ‑ $732 0227 ‑ $610 0228 ‑ $4,375 0229 ‑ $3,660 0234 ‑ $3,125 0236 ‑ $610 0238 ‑ $4,880 0239 ‑ $625 0242 ‑ $3,750 0243 ‑ $1,830 0245 ‑ $488 0246 ‑ $7,187 0247 ‑ $5,440 0248 ‑ $1,250 0249 ‑ $4,270 0253 ‑ $1,664 0260 ‑ $732 0262 ‑ $915 0263 ‑ $500 0265 ‑ $244 0266 ‑ $488

0267 ‑ $732 0268 ‑ $375 0269 ‑ $687 0270 ‑ $427 0271 ‑ $2,625 0272 ‑ $640 0273 ‑ $625 0274 ‑ $488 0275 ‑ $3,200 0276 ‑ $1,830 0278 ‑ $2,562 0280 ‑ $854 0281 ‑ $976 0282 ‑ $1,952 0283 ‑ $896 0284 ‑ $281 0285 ‑ $2,318 0286 ‑ $2,560 0287 ‑ $4,270 0288 ‑ $1,536 0289 ‑ $24,400 0290 ‑ $36,600 0292 ‑ $1,342 0294 ‑ $2,048 0295 ‑ $1,952 0296 ‑ $5,490 0297 ‑ $488 0299 ‑ $366 0302 ‑ $1,342 0303 ‑ $976 0304 ‑ $915 0305 ‑ $3,750 0306 ‑ $4,062 0307 ‑ $2,074 0308 ‑ $1,220 0309 ‑ $549 0310 ‑ $549 0312 ‑ $671 0313 ‑ $244 0314 ‑ $549 0315 ‑ $512 0317 ‑ $384 0318 ‑ $256 0321 ‑ $427 0323 ‑ $4,062 0324 ‑ $1,220 0325 ‑ $915 0326 ‑ $244 0327 ‑ $896 0329 ‑ $1,280 0330 ‑ $1,220 0333 ‑ $2,560 0335 ‑ $976 0336 ‑ $549 0337 ‑ $183 0338 ‑ $1,464 0339 ‑ $976 0340 ‑ $896 0341 ‑ $610 0343 ‑ $640 0344 ‑ $3,840 0346 ‑ $976 0347 ‑ $1,952 0348 ‑ $4,880 0349 ‑ $1,280 0350 ‑ $1,220 0351 ‑ $1,708 0352 ‑ $2,684 0353 ‑ $1,220 0354 ‑ $640 0356 ‑ $384 0358 ‑ $896 0359 ‑ $2,806 0360 ‑ $1,342 0361 ‑ $4,575 0362 ‑ $1,586 0363 ‑ $1,159 0364 ‑ $3,660 0365 ‑ $610 0366 ‑ $488 0367 ‑ $640 0368 ‑ $732 0371 ‑ $224 0373 ‑ $244 0374 ‑ $274

0375 ‑ $305 0377 ‑ $500 0378 ‑ $732 0380 ‑ $244 0381 ‑ $1,000 0383 ‑ $366 0384 ‑ $1,220 0385 ‑ $500 0386 ‑ $175 0387 ‑ $152 0388 ‑ $1,250 0389 ‑ $18,910 0390 ‑ $1,586 0391 ‑ $2,562 0393 ‑ $5,185 0394 ‑ $2,432 0396 ‑ $2,440 0396A ‑ $2,562 0397 ‑ $5,185 0399 ‑ $10,000 0400 ‑ $4,514 0402 ‑ $896 0403 ‑ $50,020 0404 ‑ $34,160 0405 ‑ $23,180 0406 ‑ $2,125 0407 ‑ $10,065 0408 ‑ $6,100 0409 ‑ $5,625 0410 ‑ $2,432 0411 ‑ $5,937 0412 ‑ $2,250 0413 ‑ $7,500 0414 ‑ $7,320 0415 ‑ $4,480 0417 ‑ $1,625 0419 ‑ $854 0420 ‑ $5,490 0422 ‑ $14,640 0423 ‑ $5,120 0424 ‑ $427 0425 ‑ $384 0426 ‑ $320 0427 ‑ $183 0428 ‑ $152 0429 ‑ $183 0430 ‑ $256 0431 ‑ $250 0434 ‑ $3,050 0436 ‑ $500 0437 ‑ $375 0438 ‑ $427 0441 ‑ $610 0442 ‑ $2,196 0443 ‑ $427 0444 ‑ $1,342 0448 ‑ $3,355 0449 ‑ $11,590 0450 ‑ $28,060 0451 ‑ $2,684 0452 ‑ $12,200 0456 ‑ $1,920 0457 ‑ $2,250 0458 ‑ $1,708 0461 ‑ $35,380 0462 ‑ $5,185 0463 ‑ $2,000 0464 ‑ $19,840 0465 ‑ $1,830 0466 ‑ $1,875 0467 ‑ $36,600 0468 ‑ $4,880 0469 ‑ $3,965 0470 ‑ $3,520 0472 ‑ $4,687 0473 ‑ $3,050 0474 ‑ $14,080 0476 ‑ $7,015 0481 ‑ $2,187 0482 ‑ $1,220 0484 ‑ $366 0485 ‑ $1,220 0486 ‑ $1,708 0489 ‑ $18,300 0491 ‑ $1,220

0494 ‑ $6,100 0495 ‑ $8,000 0496 ‑ $26,840 0497 ‑ $2,176 0498 ‑ $10,675 0499 ‑ $3,660 0500 ‑ $6,875 0501 ‑ $4,160 0502 ‑ $10,000 0504 ‑ $137,250 0505 ‑ $45,750 0506 ‑ $6,250 0507 ‑ $8,125 0508 ‑ $5,000 0509 ‑ $24,400 0510 ‑ $2,500 0512 ‑ $1,750 0514 ‑ $45,750 0515 ‑ $57,950 0516 ‑ $5,185 0517 ‑ $10,000 0518 ‑ $2,135 0522 ‑ $3,172 0524 ‑ $18,910 0527 ‑ $9,760 0528 ‑ $4,160 0532 ‑ $18,300 0534 ‑ $5,490 0536 ‑ $2,928 0539 ‑ $1,024 0541 ‑ $7,930 0542 ‑ $1,408 0543 ‑ $1,875 0546 ‑ $2,562 0548 ‑ $1,220 0551 ‑ $2,440 0554 ‑ $1,536 0555 ‑ $1,708 0556 ‑ $2,806 0557 ‑ $1,464 0558 ‑ $11,875 0559 ‑ $4,270 0560 ‑ $7,625 0561 ‑ $4,270 0562 ‑ $832 0563 ‑ $1,220 0565 ‑ $1,708 0566 ‑ $8,540 0567 ‑ $13,125 0568 ‑ $9,150 0569 ‑ $2,196 0570 ‑ $2,074 0571 ‑ $7,625 0572 ‑ $976 0573 ‑ $437 0574 ‑ $812 0574A ‑ $250 0575A ‑ $2,944 0575C ‑ $5,185 0576 ‑ $250 0576A ‑ $549 0577 ‑ $610 0578 ‑ $1,159 0580 ‑ $1,830 0581 ‑ $3,416 0582 ‑ $2,806 0583 ‑ $312 0585 ‑ $5,795 0586 ‑ $15,860 0588 ‑ $6,720 0590 ‑ $7,930 0591 ‑ $9,150 0592 ‑ $732 0593 ‑ $2,562 0594 ‑ $1,220 0598 ‑ $915 0599 ‑ $576 0600 ‑ $750 0602 ‑ $488 0603 ‑ $7,625 0604 ‑ $1,920 0605 ‑ $1,664 0606 ‑ $1,342 0607 ‑ $1,250 0609 ‑ $976

0615 ‑ $1,830 0619 ‑ $4,800 0620 ‑ $3,050 0621 ‑ $5,795 0622 ‑ $2,440 0625 ‑ $1,536 0627 ‑ $23,790 0633 ‑ $488 0635 ‑ $610 0636 ‑ $1,024 0638 ‑ $1,037 0639 ‑ $549 0642 ‑ $448 0646 ‑ $960 0647 ‑ $610 0648 ‑ $250 0649 ‑ $1,024 0650 ‑ $488 0653 ‑ $687 0654 ‑ $976 0656 ‑ $549 0657 ‑ $427 0659 ‑ $213 0660 ‑ $2,500 0662 ‑ $91 0664 ‑ $1,750 0668 ‑ $976 0669 ‑ $750 0670 ‑ $976 0673 ‑ $1,125 0674 ‑ $976 0678 ‑ $812 0679 ‑ $671 0681 ‑ $427 0685 ‑ $976 0686 ‑ $305 0688 ‑ $576 0690 ‑ $305 0692 ‑ $1,464 0693 ‑ $915 0694 ‑ $732 0695 ‑ $488 0696 ‑ $562 0697 ‑ $732 0698 ‑ $384 0699 ‑ $3,538 0700 ‑ $2,074 0701 ‑ $1,024 0702 ‑ $896 0703 ‑ $500 0710 ‑ $384 0711 ‑ $500 0712 ‑ $732 0713 ‑ $256 0714 ‑ $366 0715 ‑ $500 0716 ‑ $122 0717 ‑ $192 0719 ‑ $384 0720 ‑ $1,250 0723 ‑ $1,152 0724 ‑ $244 0725 ‑ $671 0726 ‑ $384 0727 ‑ $192 0729 ‑ $1,500 0730 ‑ $610 0731 ‑ $671 0732 ‑ $1,708 0733 ‑ $1,875 0734 ‑ $512 0735 ‑ $366 0737 ‑ $1,408 0738 ‑ $1,830 0739 ‑ $312 0740 ‑ $854 0741 ‑ $488 0742 ‑ $549 0743 ‑ $4,687 0744 ‑ $6,250 0745 ‑ $2,048 0746 ‑ $1,152 0749 ‑ $1,464 0750 ‑ $7,930 0752 ‑ $1,952

0753 ‑ $2,176 0755 ‑ $1,875 0756 ‑ $1,342 0757 ‑ $732 0758 ‑ $1,464 0759 ‑ $1,220 0760 ‑ $244 0764 ‑ $1,586 0765 ‑ $976 0767 ‑ $610 0769 ‑ $1,875 0770 ‑ $610 0771 ‑ $2,000 0772 ‑ $94,550 0773 ‑ $480 0775 ‑ $427 0776 ‑ $1,098 0778 ‑ $2,440 0779 ‑ $2,562 0780 ‑ $244 0781 ‑ $579 0785 ‑ $375 0786 ‑ $183 0787 ‑ $187 0788 ‑ $183 0789 ‑ $854 0790 ‑ $274 0792 ‑ $704 0793 ‑ $976 0794 ‑ $2,806 0795 ‑ $610 0796 ‑ $579 0797 ‑ $274 0798 ‑ $457 0799 ‑ $288 0800 ‑ $488 0801 ‑ $512 0802 ‑ $671 0803 ‑ $896 0804 ‑ $375 0805 ‑ $3,172 0806 ‑ $183 0807 ‑ $183 0808 ‑ $183 0809 ‑ $183 0810 ‑ $183 0811 ‑ $366 0813 ‑ $384 0814 ‑ $109 0815 ‑ $732 0816 ‑ $288 0817 ‑ $1,830 0818 ‑ $8,320 0819 ‑ $1,037 0820 ‑ $448 0821 ‑ $793 0822 ‑ $1,037 0823 ‑ $1,220 0824 ‑ $244 0825 ‑ $448 0826 ‑ $256 0828 ‑ $768 0829 ‑ $2,562 0830 ‑ $1,037 0831 ‑ $704 0832 ‑ $244 0834 ‑ $610 0836 ‑ $488 0837 ‑ $375 0838 ‑ $488 0839 ‑ $732 0840 ‑ $192 0842 ‑ $488 0846 ‑ $250 0847 ‑ $976 0848 ‑ $7,320 0849 ‑ $915 0850 ‑ $1,000 0851 ‑ $396 0852 ‑ $512 0854 ‑ $274 0856 ‑ $6,100 0857 ‑ $2,500 0858 ‑ $244 0859 ‑ $671

0860 ‑ $437 0861 ‑ $2,625 0862 ‑ $732 0863 ‑ $549 0864 ‑ $2,196 0865 ‑ $854 0866 ‑ $875 0868 ‑ $2,745 0869 ‑ $3,660 0870 ‑ $244 0871 ‑ $832 0872 ‑ $2,688 0873 ‑ $91 0874 ‑ $244 0875 ‑ $1,220 0877 ‑ $1,375 0878 ‑ $512 0879 ‑ $2,560 0880 ‑ $1,536 0882 ‑ $579 0883 ‑ $875 0884 ‑ $416 0887 ‑ $732 0890 ‑ $512 0891 ‑ $488 0892 ‑ $812 0896 ‑ $244 0898 ‑ $2,440 0898A ‑ $671 0899 ‑ $610 0906 ‑ $448 0907 ‑ $305 0908 ‑ $244 0909 ‑ $640 0913 ‑ $610 0914 ‑ $312 0915 ‑ $244 0917 ‑ $335 0918 ‑ $183 0919 ‑ $854 0920 ‑ $384 0921 ‑ $768 0922 ‑ $224 0923 ‑ $244 0924 ‑ $1,280 0925 ‑ $437 0927 ‑ $305 0928 ‑ $625 0929 ‑ $183 0930 ‑ $1,098 0932 ‑ $384 0933 ‑ $1,220 0935 ‑ $3,200 0937 ‑ $448 0938 ‑ $256 0939 ‑ $122 0940 ‑ $128 0942 ‑ $1,216 0943 ‑ $488 0944 ‑ $3,000 0945 ‑ $366 0946 ‑ $3,050 0949 ‑ $896 0950 ‑ $1,024 0953 ‑ $4,800 0954 ‑ $640 0955 ‑ $4,880 0956 ‑ $2,560 0957 ‑ $5,795 0958 ‑ $15,860 0959 ‑ $3,840 0960 ‑ $768 0961 ‑ $1,586 0962 ‑ $2,745 0963 ‑ $2,440 0966 ‑ $320 0968 ‑ $2,440 0969 ‑ $854 0970 ‑ $256 0971 ‑ $320 0972 ‑ $1,586 0974 ‑ $1,586 0976 ‑ $3,840 0977 ‑ $1,586 0980 ‑ $1,952

0982 ‑ $305 0983 ‑ $1,875 0984 ‑ $1,408 0985 ‑ $2,196 0986 ‑ $854 0988 ‑ $488 0989 ‑ $10,675 0991 ‑ $640 0993 ‑ $549 0994 ‑ $244 0995 ‑ $1,830 0996 ‑ $256 0997 ‑ $610 0998 ‑ $250 0999 ‑ $1,250 1000 ‑ $1,098 1001 ‑ $1,024 1002 ‑ $244 1004 ‑ $3,072 1005 ‑ $375 1006 ‑ $1,875 1007 ‑ $488 1008 ‑ $244 1009 ‑ $244 1010 ‑ $244 1011 ‑ $244 1012 ‑ $122 1013 ‑ $549 1014 ‑ $125 1015 ‑ $305 1016 ‑ $427 1017 ‑ $250 1018 ‑ $122 1019 ‑ $793 1019A ‑ $488 1020 ‑ $125 1021 ‑ $366 1024 ‑ $500 1025 ‑ $1,220 1026 ‑ $1,216 1027 ‑ $976 1028 ‑ $549 1029 ‑ $875 1031 ‑ $320 1032 ‑ $671 1035 ‑ $375 1036 ‑ $305 1044 ‑ $91 1045 ‑ $976 1046 ‑ $3,050 1049 ‑ $732 1050 ‑ $1,664 1054 ‑ $549 1055 ‑ $256 1058 ‑ $366 1060 ‑ $320 1062 ‑ $384 1065 ‑ $793 1066 ‑ $183 1068 ‑ $305 1069 ‑ $1,250 1072 ‑ $1,250 1073 ‑ $1,024 1074 ‑ $640 1075 ‑ $2,196 1077 ‑ $305 1078 ‑ $625 1079 ‑ $3,965 1080 ‑ $3,200 1082 ‑ $732 1083 ‑ $1,250 1084 ‑ $1,500 1085 ‑ $1,000 1088 ‑ $488 1090 ‑ $366 1091 ‑ $1,464 1092 ‑ $625 1093 ‑ $732 1094 ‑ $732 1095 ‑ $1,830 1096 ‑ $976 1097 ‑ $244 1098 ‑ $1,586 1099 ‑ $854 1100 ‑ $732

1101 ‑ $793 1102 ‑ $488 1103 ‑ $244 1105 ‑ $256 1106 ‑ $183 1108 ‑ $244 1109 ‑ $427 1111 ‑ $610 1112 ‑ $732 1113 ‑ $976 1116 ‑ $671 1117 ‑ $732 1118 ‑ $384 1120 ‑ $218 1122 ‑ $549 1123 ‑ $1,625 1124 ‑ $875 1125 ‑ $562 1126 ‑ $437 1127 ‑ $125 1128 ‑ $488 1129 ‑ $512 1130 ‑ $500 1131 ‑ $512 1132 ‑ $375 1133 ‑ $427 1135 ‑ $976 1136 ‑ $427 1138 ‑ $854 1139 ‑ $3,050 1140 ‑ $3,416 1142 ‑ $2,062 1143 ‑ $1,750 1145 ‑ $875 1146 ‑ $1,408 1147 ‑ $1,586 1148 ‑ $854 1149 ‑ $610 1150 ‑ $512 1152 ‑ $549 1157 ‑ $256 1158 ‑ $793 1159 ‑ $1,536 1160 ‑ $1,098 1162 ‑ $2,125 1163 ‑ $610 1164 ‑ $4,160 1165 ‑ $896 1166 ‑ $768 1167 ‑ $244 1168 ‑ $366 1169 ‑ $671 1172 ‑ $244 1173 ‑ $244 1176 ‑ $250 1177 ‑ $671 1178 ‑ $854 1179 ‑ $488 1180 ‑ $384 1181 ‑ $500 1183 ‑ $1,342 1185 ‑ $448 1186 ‑ $384 1188 ‑ $1,280 1189 ‑ $250 1190 ‑ $250 1191 ‑ $244 1192 ‑ $937 1193 ‑ $250 1194 ‑ $218 1195 ‑ $1,342 1196 ‑ $812 1197 ‑ $192 1198 ‑ $256 1199 ‑ $593 1200 ‑ $256 1201 ‑ $576 1203 ‑ $183 1204 ‑ $305 1205 ‑ $549 1207 ‑ $366 1208 ‑ $366 1211 ‑ $610 1214 ‑ $576 1217 ‑ $366

1218 ‑ $854 1219 ‑ $1,220 1220 ‑ $250 1221 ‑ $610 1222 ‑ $305 1223 ‑ $183 1225 ‑ $488 1226 ‑ $183 1227 ‑ $305 1228 ‑ $437 1229 ‑ $305 1232 ‑ $250 1233 ‑ $549 1234 ‑ $640 1235 ‑ $576 1236 ‑ $500 1237 ‑ $512 1239 ‑ $244 1240 ‑ $183 1241 ‑ $305 1242 ‑ $192 1243 ‑ $640 1244 ‑ $976 1247 ‑ $793 1248 ‑ $610 1250 ‑ $610 1251 ‑ $1,586 1254 ‑ $500 1255 ‑ $1,250 1256 ‑ $187 1258 ‑ $512 1259 ‑ $768 1260 ‑ $960 1261 ‑ $671 1264 ‑ $183 1265 ‑ $915 1266 ‑ $1,098 1267 ‑ $488 1268 ‑ $305 1270 ‑ $305 1271 ‑ $250 1272 ‑ $312 1274 ‑ $112 1276 ‑ $704 1278 ‑ $256 1282 ‑ $256 1283 ‑ $437 1284 ‑ $187 1285 ‑ $244 1286 ‑ $915 1287 ‑ $366 1288 ‑ $1,220 1289 ‑ $192 1290 ‑ $2,125 1291 ‑ $610 1294 ‑ $244 1295 ‑ $187 1296 ‑ $320 1297 ‑ $375 1298 ‑ $375 1299 ‑ $128 1300 ‑ $122 1301 ‑ $396 1302 ‑ $488 1303 ‑ $854 1304 ‑ $305 1306 ‑ $576 1307 ‑ $488 1308 ‑ $610 1310A ‑ $244 1312 ‑ $427 1313 ‑ $915 1314 ‑ $610 1315 ‑ $1,464 1316 ‑ $187 1317 ‑ $576 1318 ‑ $2,500 1319 ‑ $488

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Auctioneers Appraisers Antiques Fine ArtArtArt Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine Art Auctioneers && Appraisers of of Antiques && Fine 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

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15/06M 15/06M 16/08M 15/06M 16/08M 18/12M 15/06M 19/02M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash 0AYMENT Credit 0AYMENT Cash Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Saleâ&#x20AC;? asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the â&#x20AC;&#x153;Conditions ofof Saleâ&#x20AC;? as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated in the catalogue. III understand that a aabuyerâ&#x20AC;&#x2122;s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyerâ&#x20AC;&#x2122;s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyerâ&#x20AC;&#x2122;s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyerâ&#x20AC;&#x2122;s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyerâ&#x20AC;&#x2122;s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or before Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax Form Form on on or or before Thursday, Friday,6/26/15 11/15/18 01/24/19 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 oror504-617-9990 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990

229 229 229 229

133

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: AuctionDate: Date: Auction Sept. 24 &Feb. 25, 2016 Jan. 3126 && 1, 2015 January 27, 2019 April 17-19, 2015

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior prior to tothe startof ofthe theauction. auction. 7EDNESDAY .thestart !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? : : (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

,/4

$%3#2)04)/.

30%#)!, 2%15%343

SELECT:

All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before 01/23/19 Fax this form before Wednesday, Wednesday,1/28/15. 1/15/15. 09/21/16 228

134

CONSIGNMENTS INVITED

Spring Estates Auction ~ March / April 2019 We are especially interested in Fine American, Continental and Contemporary Paintings, Drawings, Prints and Photography • Sculpture • Period Furniture & Decorative Objects • Asian Art • Lighting • Silver • Art Pottery • Historical Documents, Books, and Maps.

Neal Auction AUCTIONEERS & APPRAISERS OF ANTIQUES & FINE ART

135

4038 Magazine Street, New Orleans, LA • 504-899-5329 • www.nealauction.com • clientservices@nealauction.com Buyer’s Premium: 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000.

135

Notes:

136

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments Administration Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

General manager Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development Auctioneers Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes Jewelry Stephen A. Moses, GIA Graduate Gemologist

January 26 & 27, 2019 Important Winter Estates Auction

Articles inside

January 26 & 27, 2019 Winter Estates Auction