Spring Estates Auction - Auction 13 & 14, 2019

Neal Auction

Spring Estates Auction April 13 & 14, 2019

Spring Estates Auction April 13 & 14, 2019 ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street

Featuring: Select Property from the Estate of Noted Antiquarian David A. Wojciechowski, New Orleans Important Fine Art from the Natchez Art Association, Natchez, MS Collection of Linda and Thomas Windham, Oxford, MS Part II, Property from the Esteemed Collection of Stanley Weiss, Providence, RI Part II, Collection of Norris Garrison and the late William Friedle, New Orleans Property from the Estate of Eve Godchaux Hirsch, New Orleans Property from Historic Lombard Plantation, c. 1825, New Orleans Important Decorative Arts from a Natchez Estate Collection Property of Others

EXHIBITION Exhibition at both galleries beginning Monday, April 1, 10 a.m. to 5 p.m.

Special Saturday Preview, Saturday April 6, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, April 11, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, April 13, 10 a.m., 4038 Magazine Street Sunday, April 14, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

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Neal Auction Company is pleased to present

NATCHEZ

ART ASSOCIATION

Founded in 1952, the Natchez Art Association, a 501(c)(3) non-profit, has long been a vibrant and dedicated group of volunteers. Working to stimulate visual arts appreciation in Natchez and the surrounding communities, the Association provides public outreach programs, artist workshops, exhibits and art demonstrations throughout the year. Members, often practicing artists themselves, encourage and support regional artists of all ages. The Association produces an annual High School Art Exhibit to allow local students the opportunity to participate in a juried exhibition with monetary awards and display their work during the spring pilgrimage. Other programs have included the Empty Storefronts Project, which brightened downtown Natchez with colorful artwork by members, and after-school and summer art classes for children.

Throughout the past sixty years, the Natchez Art Association has acquired artwork which has been conserved into a wide-ranging and significant collection representing a number of important Mississippi and American artists. The proceeds from the sale of this collection will be used to benefit the Association as it focuses on new goals to further promote the arts in Mississippi.

PROPERTY FROM THE ESTATE OF ANTIQUARIAN

DAVID A. WOJCIECHOWSKI In 1970, Milwaukee native David Wojciechowski came New Orleans where he and business partner, Don Didier, restored the historic Marchand House at 830 Royal Street, for which they received the Vieux Carre Commission award for historic preservation. On the ground floor of the Marchand House they opened Didier Inc., a gallery specializing in American art and antiques.

In the late 1970s the gallery moved uptown to the corner of Magazine and Delachaise, where it bore a discreet brass plaque next to the doorbell, “DIDIER INC./OPEN BY APPOINTMENT/OR BY CHANCE”. They were distinguished exhibitors at New York’s Winter Antiques Show and Pier Antique Show.

For more than four decades Didier Inc. purveyed fine examples of American Federal and Classical furnishings, art and decorations, as well as Southern material culture. Their clientele included museums, historic houses and the most discriminating private collectors.

Neal Auction is pleased to present select objects from the estate of noted antiquarian David Wojciechowski.

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Session One

Saturday, April 13, 10 a.m.

4038 Magazine

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3. Herend Porcelain “Chinese Bouquet‑Rust” Dinner Service, c.

1970, incl. 12 dinner plates, dia. 10 3/8 in.; 12 bread and butter plates, dia. 6 1/4 in.; 8 salad plates, dia. 7 in.; and 4 salad plates, dia. 7 1/2 in. (36 pcs.) $1000/1500

Provenance: Acquired Budapest, 1971.

1. Paris Porcelain Personnage-Veilleuese, 19th c., lacking cover and godet, h. 12 1/2 in. $400/600

2. Jacob Petit Paris Porcelain Armorial Decorated Scent Bottle, 19th c., marked “JP” in underglaze blue and with incised marks, h. 11 1/4 in. Note: Small Loss. $200/400

5. Pair of Paris Porcelain Rhyton Vases, mid-19th c., old label on underside, h. 8 in. $400/600

9. Napoleon III Bronze‑Mounted Parquetry Jardinière, 19th c., serpentine oblong form, removable tin liner, h. 6 1/4 in., w.

16 3/4 in., d. 10 1/2 in. $500/800

Provenance: Gasson Antiques & Interiors, Tadley, Hampshire, England; Windham Collection, Oxford, MS.

4. Pair of Meissen “Blue Onion” Porcelain Two-Tier Dessert Stands, 19th c., each surmounted by figural finial, tiers with reticulated basketweave borders, blue underglaze crossed swords mark and “23”, h. 15 1/2 in., dia. 9 3/8 in. $1000/2000

Provenance: Keil’s Antiques, New Orleans, 1994.

6. Art Nouveau Zsolnay Ceramic Handled Bowl, c. 1900, marked, date code “5850”, overall multicolored iridescent glaze, h. 6 1/8 in., w. 11 in., d. 5 3/4 in. $700/1000

8. Pair of French Bronze and Black Marble Four‑Light Candelabra the Neo‑Grec Taste, late 19th c., urn‑form standard with portrait medallion, on paw feet, h. 25 1/4 in., dia. 11 in.

Note: Old solder repair. $700/1000

7. Pair of Continental “Blanc de Chine” Figural Tazzas, unmarked, stand with trio of cherubs, impressed trellis motif on oblong top and pedestal base, h. 6 in., w. 9 in. $300/500

10. Fine Baccarat Gilt Bronze‑Mounted Cave à Liqueur, c. 1920, decanters with etched mark, 16 cordials with floral design, case with beveled glass, mirrored floor, mounted with griffins and masks, h. 11 in., w. 13 1/2 in., d. 10 1/2 in. $1500/2500

11. George III Tortoiseshell Tea Caddy, early 19th c., serpentine form, interior with lidded compartments, h. 5 in., w. 7 1/2 in., d. 4 1/2 in. $1000/1500

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

12. George III Tortoiseshell Tea Caddy, early 19th c., unusual beveled glass lid, lidded interior compartments, h. 4 in., w. 6 1/2 in., d. 3 3/4 in. $1000/1500

Provenance: Windham Collection, Oxford, MS. 13. Georg Jensen “Acorn” Pattern Sterling Silver Carving Knife and Fork, Denmark, designed 1915 by Johan Rohde, l. 13 1/2 in. and 12 1/4 in. $600/900 Ref.: Drucker, Janet. Georg Jensen: A Tradition of Splendid Silver, p. 271.

14. Tiffany “Clinton” Pattern Sterling Silver Pea Serving Spoon, pat. 1912, l.

8 7/8 in.; together with 6 Tiffany “Faneuil” tablespoons, l. 8 1/2 in.; Simpson, Hall & Miller “Brandon” serving spoon, l. 8 5/8 in.; and Gorham “Plymouth” serving spoon, l. 7 3/8 in; total wt. 22 troy ozs. $400/600

15. Pair of Tiffany & Co. Makers Sterling Silver Repoussé Tazzas, 1869‑1871, h. 5 3/4 in., dia. 8 7/8 in., wt. 33.95 troy ozs. $1000/2000 Provenance: Estate of Eve Godchaux Hirsch.

16. Gorham “Chantilly” Pattern Sterling Silver Flatware Service, pat. 1895, designed by William C. Codman, incl. 12 each: dinner forks (l. 7 3/8 in.), dinner knives (l. 9 1/2 in.), salad forks, butter knives (hh) and ice teaspoons; 24 teaspoons, 18 demitasse spoons, infant feeding spoon, 2 tablespoons, 2 slotted tablespoons, cold meat fork, tomato server, gravy ladle, cream ladle, master butter knife (fh), jelly server, sugar shell, 2 pc. carving set (l. 8 7/8 in. and 11 1/4 in.) 2 pc. salad serving set (wood bowl), cake knife (hh), cake comb (hh), cheese knife (hh), sugar tongs, lemon fork, pickle/olive fork and bonbon spoon; together with a Gorham sterling master salt cellar and an associated demitasse spoon, in fitted storage case, (127 pcs.), total wt. (weighable) 102.25 troy ozs. $2500/3500 Additional information at www.nealauction.com

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17. Sterling Silver‑Mounted American Brilliant Cut Glass Punchbowl, mount hallmarked Gorham, “D215” and with date mark for 1899, reticulated floral and scroll everted rim, hobstar motif cut glass bowl, h. 6 1/2 in., dia. 14 3/8 in.; together with a Reed & Barton “Francis I” pattern sterling silver punch ladle, l. 15 1/4 in. $1200/1800

18. Italian .800 Silver Coffee and Tea Service in the Neoclassical Taste, Ricci & C. S.p.A., Alessandria, act. 1935‑1971, incl. coffee pot, teapot, covered sugar, creamer, waste bowl and tray, oval bodies with pod finials, dolphin spouts, bone handles, stiff leaf and beaded borders, coffee pot h. 8 3/8 in., tray 21 1/2 in. x 13 3/4 in., total wt. 86 troy ozs. $1500/2500

20. Georgian Walnut Lap Desk, early 19th c., hinged top centered by a brass cartouche, fitted interior, h. 6 3/4 in., w.

15 3/4 in., d. 9 1/4 in. $200/400

21. Small Regency Mahogany Tilt‑Top Table, early 19th c., shaped top, vasiform standard, reeded sabre legs, h. 29 1/2 in., w. 27 in., d. 19 in. $300/500

24. Regency Carved Rosewood Crocus Table, early 19th c., galleried top, removable center over zinc‑lined interior, carved and rosette blocked swivel standard, incurvate triangular plinth, lobed feet, h. 30 in., dia. 16 in. $1000/1500 Provenance: Wyndhams Antiques, Stow‑on‑the‑Wold, Gloucestershire, England, 2001; Windham Collection, Oxford, MS. 23. George III Brass‑Banded Mahogany Octagonal Cellarette on Stand, c. 1765, retains lead liner, original stand with pierced brackets and flared reeded legs, h. 27 3/4 in., w. 18 1/4 in., d. 18 1/4 in. $800/1200 Provenance: Wm. Blair, Bethesda, MD.

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22. George III Mahogany Tambour Canterbury, 19th c., tambour door over drawer, turned tapered legs, cuff casters, h. 32 in., w. 19 in., d. 19 1/2 in. $1000/1500

Provenance: Wyndhams, Stow‑on‑the‑Wold, England, 2001; Windham Collection, Oxford, MS.

25. Pair of George III Mahogany Armorial Hall Chairs, early 19th c., scrolled volute fan‑shaped back, ram’s head painted cartouche, shaped plank seat, sabre legs, h. 34 1/2in., w. 17 1/2 in., d. 18 1/2 in. $1000/1500

Provenance: Hallidays Fine Antiques, Ltd., Wallingford, Oxfordshire, England, 2002; Windham Collection, Oxford, MS.

27. Dutch Carved Walnut Vitrine on Stand, 18th c., arched cornice, conforming glazed door, two frieze drawers, shaped apron, tapered supports, shaped stretcher, disc feet, h. 86 1/2 in., w. 55 in., d. 10 1/2 in. $1000/2000

Provenance: Moxham’s Antiques, Bradford‑on‑Avon, Wiltshire, England, 2002; Windham Collection, Oxford, MS

26. French Provincial Inlaid Walnut Petite Commode, late 18th/ early 19th c., serpentine top, conforming case, paneled cabinet door and sides, spade feet, h. 28 in., w. 24 in., d. 20 1/2 in. $500/1000

19. German Art Deco .800 Silver Footed Centerbowl, c.

1930, Wilhelm Binder, Schwabisch Gmund, founded 1869, scalloped rim and body, carved hardwood handles, h. 8 in., w. 19 1/4 in., d. 9 7/8 in., wt. 48.5 troy ozs. $1200/1800

28. Pair of Jacob Petit Paris Porcelain Sultan and Sultana Figures, mid‑19th c., marked “JP” underside, h. 7 1/2 in. $800/1200 29. Pair of Paris Porcelain Amphora Vases, early 19th c., signed “Lefebvre Rue Amelot”, h. 11 in., w. (incl. handles) 6 1/2 in. $700/1000

30. Large Sevres‑Style Biscuit and Guilt Porcelain Sphinx, late 19th c., marked and lettered “F”, cobalt glazed pedestal base, h. 15 in., w 19 1/2 in., d 19 in. $500/700

31. Pair of Antique Nymphenburg Porcelain Commedia dell’Arte Figures of Capitano and Leda, impressed shield marks, after designs by Franz Anton Bustelli, impressed “272” and “0”, marked “L” and “16”, h. 7 1/2 in., w. 4 1/4 in., d. 4 1/2 in.; and impressed “85” and “3”, h. 7 1/2 in., w.

4 in., d. 4 1/2 in., respectively. $1000/1500

34. Two Antique Nymphenburg Figures of “Ceres als Sommer” and “Bacchus als Herbst”, impressed shield marks, after designs by Dominikus Auliczeck, impressed “3” and incised “40”, h. 11 1/2 in., w. 8 in., d. 6 in.; and impressed “11/1” and “1”, h. 11 1/2 in., w. 8 in., d. 6 1/2 in. $1000/2000

35. Pair of Paris Porcelain Polychrome and Gilt Scent Bottles, mid-19th c., with portrait medallion, h. 9 1/2 in. $300/500

32. Pair of Antique Nymphenburg Porcelain Commedia dell’Arte Figures of Julia and Pantalone, impressed shield marks, after designs by Franz Anton Bustelli, impressed “11” and “0”, h. 8 1/4 in., w. 4 1/2 in., d. 4 1/2 in.; and “57” and “0”, h. 7 in., w.

3 in., d. 4 in., respectively. $1000/2000

36. Paris Porcelain Veilleuese, 19th c., decorated with sepia landscape on gilt ground, retains godet, h. 8 3/4 in. (3 pcs.) $400/600

33. Pair of Antique Nymphenburg Porcelain Commedia dell’Arte Figures of Mezzetino and Lalagé as Arlecchino, impressed shield marks, after designs by France Anton, impressed “68” and “0”, h. 7 1/2 in., w. 4 1/4 in., d. 4 1/2 in., and “1” and “0”, h. 8 in., w. 4 in., d. 4 1/4 in., respectively. $1000/1500

37. George III Tortoiseshell Tea Caddy, 19th c., domed lid, interior with two lidded compartments, pad feet, h. 5 1/4 in., w. 7 1/4 in., d. 4 1/4 in. $1000/1500

Ref. Ziffer, Alfred. Nymphenburger Porzellan: Bauml Collection, pp. 94-95, pl. 164 & 165.

38. George III Mother‑of‑Pearl Inlaid Tortoiseshell Tea Caddy, 19th c., sarcophagus form, interior with two lidded compartments, ball feet, h. 5 3/8 in., w. 7 1/4 in., d. 4 in. $1000/1500

39. French 1st Standard (.950) Silver Table Service, Maison Cardeilhac (Ernest Cardeilhac, 1851‑1904), 24 place vendome, Paris, incl. 24 table forks (l. 8 1/4 in.) and 24 table spoons (l. 8 1/2 in.), each with bowknot decor, wt. 134 troy ozs. (48 pcs.) $2000/4000

40. Irish George III Sterling Silver Hot Water Jug, Joseph Jackson, Dublin, 1782, hinged cover with acorn finial, chased floral scrollwork, drapery swags, engraved crest, h. 12 1/2 in., wt. 24.90 troy ozs. $1000/2000 Provenance: Lake Forest Antiquarians, Lake Forest, IL, 1989.

43. French Patinated Bronze Figural Sinumbra Lamp, c. 1850, figure of a woman holding a book and pen, octagonal base, cut glass shade, h. 31 3/4 in., dia. 11 in. $1000/1500

42. Good American Gilt and Patinated Bronze Three‑Piece Argand Lamp Garniture, 19th c., burners marked “B. GARDINER/ N. YORK”, foliate and scroll design, plinth base with rosettes, now electrified, central lamp h. 26 in., w. 16 1/2 in., d. 8 in. $300/500

Provenance: The Friedle‑Garrison Collection, New Orleans.

41. Victorian Brass‑Mounted Rosewood Necessaire de Toilette, mid‑19th c., fitted interior with sterling silver topped cut crystal toiletry boxes and bottles, hallmarked Frances Douglas, London, 1852, mark reg. 1838, case h. 6 in., w. 12 1/4 in., d. 9 7/8 in. $500/1000

44. English Gilt and Patinated Sinumbra Lamp, c. 1840, acanthine collar, floral‑cut shade, electrified, h. 24 in., dia. 10 1/2 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Estate of Jane and Stewart Maunsell.

Additional information at www.nealauction.com

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46. American Classical Giltwood Pier Mirror, early 19th c., cornice with pendant acorns, floral‑decorated frieze centered by a fruit basket, divided mirror plate, split baluster and spiral-turned surround, blocked corners, h. 48 in., w. 28 3/4 in. $1200/1800 Provenance: The Stanley Weiss Collection, Providence, RI.

47. Rare American Late Classical Carved Mahogany Center Table, c. 1830‑1840, attr. to Amariah T. Prouty, Albany, New York, circular top, foliate‑carved bulbous standard, foliate‑carved arched legs terminating in eagle heads, casters, h. 28 3/8 in., dia. 36 in. $1500/2500

45. Napoleon III Bronze and Verde Antico Marble Figural Mantel Clock, 19th c., dial marked “SUSSE FRERES/ A PARIS”, after the design by Thomire, striking bell movement, case flanked by Psyche and Cupid, h. 23 in., w. 18 5/8 in., d. 6 5/8 in. $1500/2500

Provenance: Collection of George Alfred Cluett, Williamstown, MA; The Stanley Weiss Collection, Providence, RI. 48. Fine American Classical Bronze‑Mounted and Stenciled Mahogany Pier Table, early 19th c., New York, possibly Deming & Bulkley, later marble top, original stenciled frieze, marble columnar supports, marble pilasters flanking mirror back, incurvate plinth, lobed melon feet in verte antique, h. 39 1/2 in., w. 43 in., d. 18 in. $4000/6000

Provenance: The Friedle‑Garrison Collection, New Orleans.

Note: The New York City firm of Deming and Bulkley, established by cousins Brazilia Deming and Erastus Bulkley, manufactured high-style Empire furniture that was sought after by the wealthiest of New Yorkers. The firm later expanded to Charleston, South Carolina by opening a retail shop on the affluent King Street, which sold its lavish New York-made furniture alongside interior luxury imports. In 1852, Bulkley went on to partner with Gustav Herter, of the famed Herter Brothers firm.

Featuring extravagant gilt stenciling, a shaped lower plinth, and lobed feet, and the same overall proportions, the pier table offered here relates closely to a Deming and Bulkley example documented by Cynthia Moyer in the article “Finish Conservation on a Deming and Bulkley, circa 1825 New York Classical pier table: An evolution.”

Ref.: Cynthia Moyer. “Finish Conservation on a Deming and Bulkley, circa 1825 New York Classical pier table: An evolution.” American Institute for Conservation. www.wag-aic. org/2003/moyer_03.pdf. Accessed 3/14/2019.

50. American Classical Bronze‑Mounted and Carved Mahogany Sécrétaire à Abattant, early 19th c., Philadelphia, pedimented cornice with egg and dart molding over a drawer, frieze of bolection drawers, fall‑front door opens to a fitted interior, lower cabinet doors open to a shelf interior with four small drawers, columnar stiles, acanthine paw feet, h. 76 1/2 in., w. 38 in., d. 23 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The elegantly proportioned sécrétaire à abattant shown here is closely related to a distinctive group of Philadelphia desk forms, each surmounted by a small rectangular box and a sloped top. These desks, often attributed to the workshop of Anthony G. Quervelle, also commonly feature columnar stiles and paw feet, as seen on a similar example held in the Philadelphia Museum of Art.

For a discussion on this group of secretaries, see Robert C. Smith, “The Furniture of Anthony G. Quervelle,” The Magazine Antiques, January 1974 and Allison Boor, et. al., Philadelphia Empire Furniture, 2006 (present lot illustrated on p. 447).

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49. American Classical Bronze‑Mounted and Carved Mahogany Games Table, early 19th c., banded foldover swivel top, conforming frieze, columnar supports and stretcher, foliate‑carved saber legs, bronze cuffs, casters, h. 29 in., w. 36 in., d. (closed) 18 in., d. (open) 36 in. $1500/2500 Provenance: The Friedle‑Garrison Collection, New Orleans.

Ref.: Otto, Celia. American Furniture of the Nineteenth Century.

102, no. 225.

51. George III Inlaid Mahogany Writing Table, early 19th c., tooled leather top, three drawers, tapered legs, h 30 in., w. 35 1/2 in., d. 17 7/8 in. $500/800 Provenance: Windham Collection, Oxford, MS.

52. Pair of American Chippendale Carved Mahogany Side Chairs, late 18th c., serpentine crest rail, pierced splat, cabriole legs, ball and claw feet, h.

37 1/4 in., w. 22 1/2 in., d. 19 1/2 in. $1000/2000

54. Fine American Classical Carved Mahogany Sofa, c.1820, Baltimore, back-scrolled crest rail, outscrolled arms, saber legs, brass paw feet, casters, distinctive reeding throughout, h. 35 1/2 in., w. 91 1/2 in., d. 25 in. $2000/3000

53. American Queen Anne Carved Walnut Side Chair, mid‑18th c., New England, shaped crest rail, chamfered stiles, vasiform splat, cabriole legs, turned and blocked stretcher, pad feet, h. 39 1/2 in., w. 23 1/2 in., d. 17 1/2 in. $800/1200 Provenance: Acquired from Marguerite Riordan, Stonington, CT, 1982.

55. George III Inlaid Mahogany Sideboard, late 18th/early 19th c., banded bowfront top, frieze drawer flanked by two deep drawers, tambour curtain compartment, tapered legs, h. 34 1/4 in., w. 48 in., d. 20 1/2 in. $1500/2500

Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: Didier, Inc., Estate of David A. Wojciechowski.

57. Pair of Chinese Blue and White Porcelain Octagonal Jardinières, wide foliate rims with Buddhist emblems, bodies with bird and flower panels, pierced splayed feet, h. 12 1/2 in., w. 21 1/2 in. $1200/1800

56. Fine Antique English Lacquered Papier‑Mâché and Mother‑of‑Pearl Inlaid Tray, 19th c., scalloped rim with wisteria and scrolling leaves, on custom bambooturned ebonized and gilt stand, h. 21 in., w. 31 3/4 in., d. 25 in. $500/800 Provenance: Windham Collection, Oxford, MS. 58. Pair of Carved and Gessoed Giltwood Spreadwing Eagle Brackets, 19th c., h. 21 in., w. 17 in. Note: Losses to gilt. $1000/1500 59. Large Carved Giltwood Bracket in the Classical Taste, 19th c., urnform support, acanthus borders, h. 17 1/2 in., w. 18 in. $500/700

60. Pair of Empire‑Style Bronze‑Mounted Rouge Marble Lamps, lion and ring handles, tripartite base, h. (to socket) 32 in. $1000/1500

61. Pair of Antique French Bronze Figural Chenets, 19th c., each rococo scroll with putto, h. 19 1/2 in., w. 14 in., d 21 in. $300/500

62. Pair of American Sterling Silver Two‑Light Candelabra, Shreve & Co., San Francisco, pattern 11239, in the style of Georg Jensen, h. 11 1/2 in., w. 15 1/8 in., total wt. 69 troy ozs. $2000/3000 63. Regency Sterling Silver Inkstand, Joseph Craddock and William Ker Reid, London, 1817, oblong stand with gadroon, flower and shell border, and acanthus bracketed paw feet, fitted with removable taperstick with snuffer, wafer box, diamond‑point cut glass inkpot and pounce pot, all with gadroon and shell borders, l. 13 in., w. 9 1/8 in., wt. (weighable) 48.15 troy ozs. $1500/2500 Provenance: Lake Forest Antiquarians, Lake Forest, IL, 1980.

64. English Gilt and Patinated Bronze Sinumbra Lamp, c. 1830, beaded and floral mounts, frosted and cut glass shade, electrified, h. 25 in., dia. 10 1/2 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

Additional information at www.nealauction.com

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65. Pair of English Carved Gritstone Figures of Ratcatchers, 18th c., one as the Pied Piper playing the pipes, the other holding cage and cat, largest h. 29 in., w. 13 in., d. 11 in. $1000/1500 Provenance: Sotheby’s, Amsterdam, April 22, 2002, lot 71; Windham Collection, Oxford, MS.

66. Pair of English Carved Bath‑Stone Figures of Dwarves, 19th c., largest h. 23 1/2 in., w. 12 in., d.

14 in. $800/1200 Provenance: Sotheby’s, Billingshurst, May 22, 2007, lot 277; Windham Collection, Oxford, MS.

67. Pair of Georgian‑Style Giltwood Mirrors, peacock crest, h. 44 1/2 in., w. 25 in. $1500/2500 Provenance: Windham Collection, Oxford, MS.

68. Fine Regency Brass Inlaid Rosewood Games Table, early 19th c., attr. to Thomas Hope, London, tooled leather sliding top opening to a velvet‑lined backgammon board, reverse top with inlaid chessboard, boullework frieze with three drawers, trestle base, turned stretcher, paw feet, casters, h. 29 1/2 in., w. 47 in., d. 27 in. $4000/6000 Note: The extraordinary Regency cabinetry of the table offered here and especially the boullework, which may be of earlier date and incorporated within the frieze and the supports here, indicates a possible attribution to Thomas Hope. The Classical antique design is in the French style of Percier and Fontaine’s Recuil de Décorations Intérieures, 1802, promoted by the connoisseur Thomas Hope (17691831) in the furnishings of his Duchess Street mansion.

69. Vintage Tufted Leather Armchair and Ottoman, brass nailhead decoration, tapered legs, chair h. 33 1/2 in., w. 39 in., d. 41 1/2 in.; ottoman h. 14 in., w. 29 in., d. 22 in. $500/800

70. Regency‑Style Brass‑Mounted Tôle Peinte Jardinière on Stand, reticulated brass gallery, chinoiserie scenes, stand with X‑stretchers, paw feet, h. 28 1/2 in., w. 18 in., d. 13 in. $800/1200

71. Edwardian Chinoiserie Red Lacquer and Parcel Gilt Tray, c. 1910, with pagoda and trees, later bamboo motif stand, h. 18 3/4 in., w. 25 in., d. 19 in. $800/1200 Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

72. English Burl Walnut Writing Table, late 19th c., stamped “GILLOW”, inset tooled leather top with inset pen tray, frieze drawers, reeded turned legs, cuff casters, h. 29 1/4 in., w. 42 in., d. 21 7/8 in. $3000/5000 Provenance: S & S Timms Antiques, Shefford, Bedfordshire, England, 2006; Windham Collection, Oxford, MS.

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73. English Pine Hanging Shelf, late 19th c., molded cornice, arched spindled uprights, h.

41 1/2 in., w. 46 1/2 in., d. 7 1/2 in. $200/300 Provenance: Windham Collection, Oxford, MS

74. Fine George III Tunbridge Ware Rosewood Table Cabinet, 19th c., hinged lid opening to fitted sewing compartments, over two doors, four drawers, original paper lining, bracketed paw feet, h. 12 1/4 in., w.

14 1/2 in., d. 7 3/4 in. $1500/2500

Provenance: Wyndhams Antiques, Stow‑on‑the‑Wold, Gloucestershire, England, 2001; Windham Collection, Oxford, MS.

76. American Late Classical Carved and Gilded Pier Mirror, c.

1830‑1840, ogee frame with divided mirror plate, foliatecarved corners, old mirror plate, h. 59 1/2 in., w. 34 in. $1000/1500 75. Pair of Regency Inlaid Mahogany Armchairs, 19th c., tablet crest with Greek key, reeded arms, padded seat, turned tapered legs, old repairs, h. 32 in., w. 23 in., d. 22 in. $500/800

Provenance: J. Collins & Son Fine Art, Bideford, Devon, England, 2005; Windham Collection, Oxford, MS.

Provenance: The Friedle‑Garrison Collection, New Orleans.

77. Monumental Empire‑Style Gilt and Patinated Bronze Three‑Piece Clock Garniture, 19th c., enameled dial signed “Leroy a Paris”, eagle finial, flanked by figures of Nike, raised plinth mounted with Classical relief, h. 44 1/2 in., w. 23 in., d. 9 in., with conforming candlesticks, h. 30 1/2 in., w. 7 in., d. 7 in. $3000/5000

78. Steinway “Model A” Art‑Case Grand Piano and Bench, 1893, serial number 79804, ebony satin finish, 88 keys, fallboard marked “Steinway & Sons/Patent Grand/New York/London/ Hamburg”, carved music stand and legs, length 6 ft. 1 in., w. 59 in., the piano bench with storage compartment, h. 10 3/4 in., w.

40 in., d. 16 1/8 in. $4000/6000 Provenance: Windham Collection, Oxford, MS.

80. Three Charles (1907‑1978) and Ray (1912‑1988) Eames for Herman Miller Molded Plywood and Wood ‘LCW’ Chairs, mid-20th c., Zeeland, MI, one with metal label, natural rubber shock mounts, slightly articulating backs, h. 26 1/4 in., w. 22 in., d. 25 1/4 in. $800/1200

82. Antique AngloColonial Coromandel and Ebonized Side Table, shaped top, spiral‑turned standard, heavily scrolled legs, h. 27 3/4 in., w. 12 1/2 in., d. 15 1/2 in. $300/500

79. Very Fine American Renaissance Bronze‑Mounted and Gilt‑Incised Walnut and Burled Parlor Cabinet, c. 1870, labeled “Moore, York & Howell...Philadelphia”, arched crest centered by a figural medallion, two‑tier cornice, case with fluted columnar stiles, cabinet door with large figural medallion, conforming base, h. 62 1/4 in., w. 61 in., d. 21 1/2 in. $8000/12000

Note: A closely related cabinet featuring the same overall proportions, decorative elements, and a Moore, York & Howell paper label, sold in these rooms for $18,000 on October 6, 2007. Moore, York & Howell are listed as exhibitors of a parlor suite at the 1876 Philadelphia Centennial Exposition.

Ref.: International Exhibition 1876 Reports and Awards. Washington, 1880, p. 51.

81. Chromed Metal and Glass Rod Sixteen‑Light Sputnik Chandelier, 20th c., chromed ball with 48 glass rods interspersed with 16 sockets, rod dia. 1 in., label “120V 60HZ AC only / 40 watt type b lamp”, h. (as configured to canopy) 35 1/2 in., dia. 28 in.; together with 3 extra hanging rods of varying lengths totaling 42 in. $1000/1500

83. Regency Carved Mahogany Hall Bench, c. 1825, attr. to Gillows of Lancaster, molded seat with cylindrical terminals, reeded tapered legs, toupie feet, h. 20 1/2 in., w. 60 in., d. 12 in. $1500/2500 Provenance: Freshfords Fine Art, Bradford‑on‑Avon, England, 2005; Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

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86. Empire Bronze‑Mounted Mahogany Fauteuil, early 19th c., paneled crest rail, padded back, scrolled reeded acanthus‑carved arms, rounded seat rail, flared tapered legs, h. 38 1/2 in., w. 25 in., d. 18 in. $800/1200

85. Pair of English Painted and Parcel Gilt Side Tables, inset glass top, chamfered corners, frieze drawer, cabochon‑carved cabriole legs, scrolled toes, h. 28 1/2 in., w. 20 in., d. 20 in. $1000/1500 Provenance: Windham Collection, Oxford, MS.

84. Fine English Inlaid Satinwood Hanging Cabinet, c. 1870, stamped “Gillows”, arched backsplash, turned fluted uprights, two door cabinet, shaped base, turned pendants, h. 31 in., w. 21 in., d. 7 in. $1200/1800

Provenance: Anno Domini Antiques, London, England; Windham Collection, Oxford, MS. 87. Napoleon III Bronze‑Mounted Marquetry Jardinière, 19th c., removable tin liner, h. 6 3/8 in., w. 14 in., d. 9 1/4 in. $500/800

Provenance: Gasson Antiques & Interiors, Tadley, Hampshire, England; Windham Collection, Oxford, MS.

88. Pair of Empire-Style Gilt and Patinated Bronze Figural Chenets, 19th c., lions on plinth base, h. 10 1/4 in., w. 12 in., d. 3 1/2 in. $500/700

90. Rare American Classical Carved Mahogany Sideboard, early 19th c., Baltimore, mirrored backsplash flanked by foliate scrolled brackets, marble top over one drawer flanked by pedestal cabinets, plinth base, ball feet, h. 62 in., w.

77 1/2 in., d. 23 3/4 in. $4000/6000

Provenance: The Stanley Weiss Collection, Providence, RI.

89. American Classical Carved Mahogany Center Table, early‑to‑mid 19th c., probably Boston, circular marble top, conforming frieze, faceted vasiform standard, shaped triangular base, turned feet, h. 28 1/2 in., dia. 35 in. $1500/2500

Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The highly figured Baltimore sideboard offered here features architectural pedestals and paw feet of Egyptian inspiration. A closely related Baltimore sideboard featuring nearly identical pedestals is conserved in the collection of The Art Institute of Chicago. The overall form of this sideboard was illustrated in the 1822 edition of Ackerman’s Repository with the description, “suitable for the mansions of the great and opulent.”

Ref.: The Art Institute of Chicago. artic.edu/ artworks/46365/sideboard?q=sideboard. Accessed 3/14/2019; The Stanley Weiss Collection, stanleyweiss. com/item/sw00372. Accessed 3/14/2019.

91. Pair of American Classical Carved Mahogany Pier Tables, early 19th c., labeled “Anthony Quervelle, Philadelphia”, original white marble top, bolection frieze drawer, Ionic columnar supports, dished oval marble plinth, half columns flanking mirrored back, gadrooned paw feet, h. 36 in., w. 45 in., d. 21 1/4 in. $5000/7000

Note: The rare pair of pier tables offered here features distinctive Philadelphia aspects including the realistic paw feet, gadrooned detailing, and an overall dimensional quality compared to New York or Boston examples. Each table is labeled by cabinetmaker Anthony G. Quervelle and has a unique marble insert on the lower plinth, probably to hold a ewer or other Classical decorative object.

For similar examples, see Allison Boor, et. al. Philadelphia Empire Furniture. Pennsylvania: 2006, pp. 228-247.

92. American Classical Carved Rosewood Extension Dining Table, c. 1830‑40, stamped “C. Briggs/ 163/ PATENT” for Cornelius Briggs, Boston, two demilune ends, scissor extension mechanism, four leaves, cluster column base, casters, h. 29 1/2 in., l. (fully extended) 111 1/2 in., d. 54 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: Cornelius Briggs was the proprietor of the largest furniture shop in Boston during the first half of the 19th century, but perhaps is best-known for his revolutionary extension dining table patent in 1843.

Featuring a cluster-column base which conceals the center leg when the table is closed and hand-crank accordion extension mechanism, the Briggs extension dining table could be swiftly closed or extended to suit the needs of the entertaining space with ease. A nearly identical table to the present lot is held in the collection of the Museum of Fine Arts, Boston.

Ref.: Dennis Carr and Derin Bray, “The Ingenious Patent Extension Tables of Cornelius Briggs.” Antiques and Fine Arts Magazine. 10th Anniversary Edition, 2010, pp. 122-125.

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93. Fine French Restauration Mahogany and Bronze‑Mounted Desserte, gris de Ste. Anne marble top, concealed mechanical shelf back, frieze drawer, columnar supports, h. 35 5/8 in., w. 51 1/8 in., d. 21 in. $1500/2500

96. Good Group of French Silver Flatware Serving Pieces, incl. 1st Standard silver gilt serving spoon, with French export mark and import marks of Lewis Lewis, London, 1893, l. 7 1/2 in.; 1st Standard sugar sifter spoon, Louis Coignet, act. 1889‑1893, 14 rue Barbette, Paris, l. 7 7/8 in.; 1st Standard silver and bone pastry trowel, 19th c., maker G&N untraced, l. 12 1/4 in.; and a silverplate manche a gigot, Alfenide (division of Christofle), late 19th c., l. 8 3/8 in. $400/600

100. Kirk Sterling Silver Repoussé Circular Bowl, marked “S. KIRK & SON Co.”, 1896‑1924, pattern 179, dia. 11 1/4 in., wt.

16.85 troy ozs. $400/600 Provenance: Estate of Eve Godchaux Hirsch.

94. Extensive Reed & Barton “Francis I” Sterling Silver Flatware Service, pat. 1907, incl. 29 dinner forks (l. 7 7/8 in.), 31 dinner knives (l. 9 3/5 in.), 30 salad forks, 13 cocktail forks, 20 butter knives (fh), 25 teaspoons, 19 ice teaspoons, 7 cream soup spoons, 5 fish knives (fh), 4 steak knives, 1 luncheon fork, dressing spoon, 7 tablespoons, 3 slotted tablespoons, salad serving fork and spoon, 2 cold meat forks, cake/pie knife, poultry shears, fried chicken tongs, gravy ladle, master butter knife (fh), 2 jelly spoons, condiment spoon, sugar spoon and bottle opener, total wt. (weighable) 274 troy ozs. (207 pcs.) $6000/8000

97. Victorian Sterling Silver Covered Sauce Tureen, John Tapley, London, 1838, with reeded C‑scroll handle, quadrilobed body, gadrooned borders, integral undertray, fully marked, h. 5 1/2 in., w. 8 1/4 in., d. 6 1/2 in., wt.

29.30 troy ozs.; together with a Stieff “Williamsburg Queen Anne” sterling ladle, l. 7 in. $800/1200

98. Art Deco Reed & Barton Sterling Silver Footed Centerbowl, date mark for 1929, pattern 1000, hammered surface, weighted base, h. 5 7/8 in., w. 11 7/8 in., d. 9 1/2 in. $400/600

101. French Neoclassical Silver Covered Tureen, Paris, 1809-1819, makers mark JFI untraced, oblong, domed cover with entwined serpent handle, body with gadrooned rim, lion mask and drop handles, ball feet, h. 9 1/2 in., w. 9 in., d. 11 1/4 in., wt. 81.20 troy ozs. $3000/5000 Provenance: Christie’s, New York, Apr. 29, 1986, lot 203A.

104. Group of Antique English and American Spoons, incl. some 18th c. examples, various makers, primarily teaspoons and coffee spoons, wt. 30 troy ozs. (59 pcs.) $400/600

95. French First Standard (.950) Silver Gilt Dessert Service, Martial Gauthier, act. 1888‑1902, 39 rue Rambuteau, Paris, incl. 6 forks, 6 spoons and 6 knives, fiddle, thread and shell pattern, engraved crest with coronet, fork l. 7 1/8 in., spoon l. 7 1/4 in., knife l. 8 1/4 in., total wt. (weighable) 20 troy ozs. $400/600

99. Baltimore Sterling Silver Repoussé Oblong Dish, early 20th c., A.G. Schultz & Co., act. 1899‑1950, grape, grapeleaf and vine decor, h. 2 1/2 in., w. 15 3/4 in., d. 10 7/8 in., wt. 30.20 troy ozs. $600/900 Provenance: Estate of Eve Godchaux Hirsch.

102. Group of Tiffany Sterling Silver Flatware, various patterns, incl. “Persian”, pat.

1872, designed by Edward Moore: 10 luncheon forks, l. 7 1/8 in., and 4 dessert spoons, l. 7 1/4 in.; “St. James”, pat. 1892, designed by Paulding Farnham: salad serving fork, l. 10 in., vegetable serving fork, l. 9 3/8 in., gravy ladle, l.

7 1/8 in. and pastry fork, l. 6 1/2 in.; and “Winthrop”, pat. 1909, designed by Albert A. Southwick: 2 three‑tine salad forks, l. 7 in., total wt. 40 troy ozs. (19 pcs.) $600/900

103. Set of Twelve Gorham “Buttercup” Pattern Sterling Silver Dinner Forks and Knives, pat. 1899, fork l. 7 1/2 in., knife l. 9 5/8 in., total wt. (weighable) 24.50 troy ozs. $500/750

105. Whiting Sterling Silver Tea and Coffee Service, New York, late 19th/early 20th c., pattern 515, incl. kettle‑on‑stand with burner, teapot, coffee pot, covered sugar, creamer, waste bowl, oblong reeded bodies with paw feet, kettle‑on‑stand h. 11 3/4 in. total wt. 140 troy ozs., together with associated unmarked sugar tongs. $2500/3500 Additional information at www.nealauction.com

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106. Gorham “Plymouth” Pattern Sterling Silver Coffee and Tea Service, incl. coffee pot, teapot, covered sugar, creamer and waste bowl, coffee pot h. 10 in. Note: Teapot handle detached but retained. $1000/1500

107. Set of Twelve Gorham Sterling Silver Leaf and Flower Motif Bouillon Frames, h. 1 7/8 in., w. 4 7/8 in.; together with 12 Meriden Britannia sterling reticulated ramekin frames, pattern 174, h. 1 1/4 in. w. 5 1/2 in.; with 11 Lenox porcelain ramekin liners; total silver wt. 43.50 troy ozs. $500/700 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

108. Two American Coin Silver Repoussé Goblets, c. 1850, unmarked, one with applied reeded and rope borders, engraved Gothic monogram “G”, h. 7 1/2 in.; the other engraved with script monogram “ABN jr.”, on reverse replaced oval plaque with Nov. 1, 1900 inscription, h. 7 in.; total wt. 17.80 troy ozs. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

111. American Coin Silver “Olive Variant” Pattern Flatware Service, (maker’s/ patent marks rubbed), Cooper & Fisher, NY, NY, wc. 1854‑1862, incl. 9 forks (l. 7 7/8 in.), 9 forks (l. 7 in.), 9 tablespoons, 8 dessert spoons, 11 teaspoons, 6 knives (hh, l. 8 1/8 in.), flat server, sauce ladle, master butter knife (fh), mustard ladle and 2 master salt spoons, 57 pcs., total wt. (weighable) 74.80 troy ozs. $1500/2500

110. Two Asa Blanchard Coin Silver Tablespoons, act. Lexington, KY, 1808-1838, l.

8 5/8 in., wt. 2.90 troy ozs. $300/500 Ref.: Boultinghouse, Marquis. Silversmiths of Kentucky: 1785-1900, pp. 69-74, mark illustrated p. 209.

109. Rare Warren County, Mississippi Coin Silver Agricultural Premium Cup, c. 1860, engraved “Awarded/ by the Warren Co./ Agricultural So.”, made by Wood & Hughes, New York, wc. 1845‑1899, applied classical band at rim, flat foot, angular handle with rosettes, h. 2 1/2 in., wt. 2.95 troy ozs. $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Note: The first fair of the Warren County Agricultural Society was held in Vicksburg from October 18 through 23, 1860. Premiums were awarded for entries ranging from Best Bale of Cotton and Best Brahmin Bull to Handsomest Bouquet of Flowers. Premiums of $5 and more were to be paid in “silver plate”, under that amount in gold coin.

The Warren County Agricultural Society fair would not be repeated. On April 12, 1861 General P.G.T Beauregard fired on Fort Sumter, beginning the Civil War.

113. Spanish Colonial Silver Incensario, probably 18th c., apparently unmarked, body h. 9 1/4 in., overall h. 33 in. $1200/1800

Ref.: “List of Premiums to be Awarded at the First Fair of the Warren County Agricultural Society.”

Vicksburg, MS: Whig Book and Job Office, 1860.

Neal Auction Company would like to thank Field Ladd for his valuable assistance with this entry.

112. Rare Virginia Coin Silver Cruet Frame, Mitchell & Tyler, Richmond, act.

1845‑1866, marked “MITCHELL & TYLER” in rectangle, central handle, rope and tassel decoration, foliate scroll feet, h. 11 3/ 4in., w. 7 1/8 in., wt. 12.75 troy ozs.; fitted with antique panel cut cruets with replacement pewter mounts. $1200/1800 Provenance: Ann Woods Ltd., Charlottesville, VA, 1988.

Ref.: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, pp.

533‑536, mark ill. p. 536, fig. a.

116. Fine Gorham Cherry Motif Sterling Silver Serving Spoon, date mark for 1905, l.

9 3/8 in.; together with 2 sterling serving spoons in the “Gibney” pattern, pat. 1862, marked (overstruck) Vanderslice & Co., San Francisco, act. 1860‑1906, l. 8 5/8 in.; and 2 Whiting “Bead” pattern serving spoons, l. 8 1/4 in. and 7 1/8 in.; total wt. 13 troy ozs. $400/600

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117. Whiting Sterling Silver Footed Centerbowl, late 19th c., applied Aesthetic rim and foot rim, retains traces of gilt wash interior, h. 7 1/4 in., dia. 9 3/8 in., wt. 22 troy ozs. $700/1000 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

114. English Inlaid Mahogany and Brass Tantalus, 19th c., three cut crystal decanters, lockable guard, h. 12 in., w. 14 1/4 in., d. 5 1/8 in. $500/700 Provenance: Windham Collection, Oxford, MS.

115. Fine Set of Twelve American Coin Silver Luncheon Knives Tifft & Whiting, North Attleboro, MA, 1840‑1853, silver blades engraved with scenic reserves, flat handles engraved “Julia”, l.

8 1/8 in., total wt. 17.40 troy ozs. $400/600

118. Twelve American Sterling Silver Goblets, Frank Smith, pattern 3931, h. 6 1/8 in., total wt. approx. 30 troy ozs. $400/600 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

119. Set of Twelve American Art Nouveau Sterling Silver Bread Plates, Alvin, pattern 2865, c. 1900, pansy motif, dia. 6 1/8 in., wt.

42.80 troy ozs. $500/700 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

120. Five “Medallion” Silver Flatware Serving Pieces, incl. Wood & Hughes coin silver serving spoons, “Diana” medallion, pat.

1870, larger example ret. Benedict Brothers, l. 9 1/4 in. and 8 1/4 in.; Gorham sterling silver ladle with gilt washed bowl, pat. 1864, “Mars” medallion, l. 8 in.; and Gorham sterling silver serving fork and spoon, pat. 1864, ret. Tiffany & Co., classical maiden medallion, l. 10 1/4 in. and 10 1/2 in., total wt. 13.30 troy oz. $500/750

121. Group of Antique American Sterling Silver Flatware, various makers, incl. Alvin “Bridal Rose” vegetable fork; Simpson, Hall & Miller “Frontenac” trowel; Gorham “Virginiana” tablespoon; Schofield “Baltimore Rose” serving spoon; Dominick & Haff “Mazarin” ice spoon; Gorham “Cambridge” fish serving fork; Gorham “Henry II” fish fork; and Rococo Revival beef fork, total wt. 20 troy ozs. $400/600

Ref.: Soeffling, D. Albert. Silver Medallion Flatware.

122. Cased Set of Twelve Gorham “Medallion” Sterling Silver Nut Picks, pat.

1864, “Mars” medallion, l. 4 3/4 in., wt. 4.45 troy ozs. $300/400

124. New Orleans Sterling Silver Presentation Tyg, ret. T. Hausmann & Sons, maker’s mark rubbed, with engraved presentation “GRACE KING/Secretary Louisiana/Historical Society/ Presented by/ Louisiana Historical/Society/April Twenty‑seventh/1923/Scholar/Historian/ Essayist/Writer of Fiction”, h. 9 7/8 in., wt. 12.85 troy ozs. $300/500

123. Group of American Victorian Coin and Sterling Silver Flatware, 19th c., incl. John Polhamus “Diamond” pattern sugar shell, pat. 1874; Wood & Hughes “Grecian” pattern berry scoop, pat. 1864, l. 9 1/4 in.; Gorham “Lily of the Valley” pattern serving spoon and master butter knife; and 5 John Polhamus “Amor” pattern dessert knives, l. 7 7/8 in., total wt. 13.50 troy ozs. $300/500

127. George III Sheffield Plate Cruet Stand, late 18th c., oval stand with reeded handle, bottle supports and tapered feet, retains original tinned back, oval blown and cut glass bottles with polished pontils, overall h. 11 in., w. 9 5/8 in., d. 7 1/4 in. $300/500 125. Georg Jensen “Acanthus” Pattern Sterling Silver Serving Fork and Spoon, Denmark, designed 1917 by Johan Rohde, l. 9 3/8 in. $300/500 Ref.: Drucker, Janet. Georg Jensen: A Tradition of Splendid Silver, p. 271.

126. Group of Antique English Sterling Silver Flatware, incl. George III soup ladle, George Smith II, London, 1796, Old English typt with shell‑shaped bowl, l. 12 1/2 in.; 4 George III berry spoons, incl. 3 dated 1768; 2 George IV cream ladles, William Eley, William Fearn & William Chawner, London, 1829, fiddle shell handles with engraved crests; George III bright cut sugar tongs, marks rubbed; and Victorian master butter knife, London, 1857, marks rubbed; total wt. 18 troy ozs. $300/500

130. Pair of American Neo‑Grec Coin Silver Master Salt Cellars and “Medallion” Pattern Salt Spoon, c. 1870, Wood & Hughes, New York, act. 1845‑1899, salt spoon also marked for retailer E.A. Tyler, New Orleans, 1838‑1879, cellar h. 1 3/4 in., w. 3 7/8 in., total wt. 2.70 troy ozs. $150/250

128. English Lacquered Tea Caddy, 19th c., chinoiserie decoration, interior with engraved pewter lidded tea box, h. 3 3/8 in., w. 6 1/2 in., d. 4 1/2 in. $200/400 129. Good Sterling Silver‑Mounted Picture Frame, elaborately chased with gnomes, a fairy and a magical forest, easel back, h. 13 in., w. 9 in. $200/400

132. Pair of Neoclassical‑Style Wrought Iron and Argenté Andirons , h. 25 1/2 in. $600/900

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

133. Rare American “Benjamin Franklin” Patinated Metal Figural Gas Table Lamp, mid‑19th c., marble base, h. 16 1/4 in., w. 5 in., d. 5 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

131. Rococo Revival Sterling Silver Coffee Service and Tray, 20th c., incl. coffee pot, covered sugar and creamer, coffee pot h. 8 1/2 in., tray 18 7/8 in. x 12 3/8 in., total wt. 67.50 troy oz. $1200/1500

134. Antique French Tôle Peinte Carcel Lamp, 19th c., vasiform standard, lion feet, now electrified, hexagonal shade with Pompeii murals, h. 32 in., dia. 14 in. $500/700

Provenance: The Friedle‑Garrison Collection, New Orleans.

Additional information at www.nealauction.com

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135. Fitzgerald, F. Scott. The Great Gatsby, New York, Scribner’s, 1925, first edition, first issue, dark green cloth, blind‑stamped lettering on front cover, spine lettered in gilt, with all first issue points; together with a first edition, second state of Fitzgerald’s The Beautiful and Damned; no dust jackets. $1000/1500

136. Edgar Allan Poe Autograph, Phillips, Jonas. The Evil Eye: A Melo‑Drama, in Two Acts, New York, E.B. Clayton, 1831, paper boards, 27 pgs., 5 3/4 in. x 3 1/2 in., signed on the dedication page “Edgar A. Poe”. $2000/3000

137. Two King Louis XV Signed Documents, incl.; partially printed appointment document, on vellum, signed “Louis”, 14 1/2 in. x 17 in.; and a partially printed appointment, one page, dated October 15, 1752, from Fontainebleau, signed “Louis”, 14 1/4 in. x 9 3/4 in. $600/900

138. Edward Wells, “A New Map of North America Shewing its Principal Divisions, Chief Cities, Townes, Rivers, Mountains”, Oxford, 1700, hand‑colored map, dedicated to the Duke of Gloucester, notably showing California as an island, and the Mississippi in the wrong location, 14 3/4 in. x 19 in., unframed. $800/1200

139. Carved Sandstone Figure of a Gargoyle from the Palace of Westminster, 19th c., inscribed “A4”, h. 28 in., w. 11 in., d. 14 in. $500/700 Provenance: Sotheby’s, London, May 21, 2003, lot 513; Windham Collection, Oxford, MS.

140. Antique American or English “Twig” Pattern Cast Iron Garden Bench, 19th c., h. 29 in., w. 47 in., d. 16 in. $700/1000 Provenance: The Friedle‑Garrison Collection, New Orleans.

142. Carved Stone Caryatid, 17th c., bearded figure, holding fruit basket, tapered column with grotesque mask, h. 23 in., w. 7 1/2 in., d. 5 in. $500/700

143. American Cast Iron Terrarium, mid-19th c., attr. to J.W. Fiske, New York, spiral-turned finials, cabochon designs, h. 18 in., w. 24 1/2 in., d. 13 in $600/900

141. Antique American or English “Twig” Pattern Cast Iron Garden Bench, 19th c., h. 33 in., w. 34 in., d. 17 in. $700/1000

144. Aldo Bartelletti (Italian, 1898‑1976), “Children”, 1931, carved marble, signature and date inscribed on shoulder, h. 15 1/2 in., w. 15 1/4 in., d. 8 1/2 in. $1500/2000 145. Fine Italian Carved Limewood Figure of St. Joseph and the Christ Child, early 18th c., Tyrol, traces of polychrome, later base, h. 23 1/2 in., d.

12 1/2 in., d. 8 3/4 in. $2000/3000

Provenance: Robin Cox Antiques, Lincolnshire, England, 2005; Windham Collection, Oxford, MS.

146. Bronze Figure of a Woman with Shell, after “Metamorphosis” by Jakob Meller, “Tiffany & Co.” stamps on self‑base, h. 11 1/2 in., w. 20 in., d. 5 3/4 in. $500/700

Provenance: Sotheby’s, London, European Sculpture and Works of Art, July 7, 2006, lot 124; Windham Collection, Oxford, MS.

147. Giovanni Pinotti Cipriani (Italian, 19th/20th c.), “Bust of a Maiden with Flowers in her Hair”, carved alabaster, signature inscribed on reverse, h. 14 1/2 in., w. 17 1/2 in., d. 10 in. $700/1000

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148. Pair of Wander France 18 kt. Yellow Gold, Lapis Lazuli and Diamond Earrings, post and clip backs. $700/1000

150. Levian 14 kt. White Gold, Blue Topaz, Chocolate and Vanilla Diamond Ring, set with a cushion‑shape checkerboard faceted blue topaz, approx. 9 cts., 2 small pear‑shaped and 6 round faceted blue topazes, and 24 round brilliant cut chocolate and vanilla diamonds weighing approx. .25 ct., marked with Levian trademark. $700/1000

149. Yellow Gold and Lapis Lazuli Ring, unmarked, probably 18 kt. $700/1000

152. Three 14 kt. Gold and Diamond Bar Pins . $500/800

151. Jaeger Le Coultre Ladies Stainless Steel “Reverso” Watch, ref. 260.8.08, quartz movement, green and black alligator JLC bands, both with deployant clasps. $700/1000

155. 14 kt. Yellow Gold and Diamond Solitaire Ring, 1.2 ct. round brilliant cut diamond in a distinctive satin finish scroll motif mount. $1500/2500

156. Chinese Freshwater Cultured Pearl Necklace, 11.5 mm.‑12.5 mm., off‑white to white color, slightly off round. $600/800

153. Continental Rose Gold and Rose‑Cut Diamond Scroll Design Brooch, late 19th c., in period case, probably original, w. 3 in. $800/1200

157. Three Nepalese Nickel Silver Tribal Necklaces, on metal armatures. $700/1000

154. 18 kt. Gold Ladies Baume & Mercier “Hampton” Wristwatch, $700/1000

158. Contemporary Sterling Silver Biomorphic Cuff Bracelet, c. 1960s, marked, int. w. 2 3/8 in., int. d. 1 3/4 in., ext. w. 2 7/8 in., ext. d. 2 3/4 in., wt. 2.05 troy ozs. $150/250

159. Set of Antique French Ruby Cut‑to‑Clear Crystal Stemware, probably Val St. Lambert, incl. 2 pairs of decanters, h. 11 3/4 in. and 12 in.; decanter, h. 7 1/2 in.; 17 water goblets, h. 6 3/8 in.; 16 hollow champagnes, h. 6 5/8 in.; 15 reds, h. 5 in.; 11 whites, h. 4 1/2 in.; and 9 finger bowls, dia. 4 3/4 in., 73 pcs. $1000/1500 Provenance: Historic Blaffer-HassingerWoods House, 2834 St. Charles Ave., New Orleans.

160. Fine Pair of Regency Cut Glass and Gilt Brass Two‑Light Girandoles, early 19th c., ribbed finial and standard, foliate arms, h. 12 3/4 in., w. 13 in., d. 4 1/2 in. $800/1200

161. Baccarat Crystal “Chambolle” Stemware, acid etched marks, incl. 11 water goblets, h. 6 7/8 in.; and 9 red wines, h. 5 7/8 in. $300/500

162. French Carved, Painted and Parcel Gilt Folding Dressing Mirror, serpentine crest, polychrome fabric panels, trestle base, h. 73 in., w.

30 in., d. 27 1/2 in. $1000/1500 Provenance: Windham Collection, Oxford, MS.

163. Good Napoleon III Bronze and Chinese Porcelain Three-Piece Clock Garniture, marked “Henry Dasson à Paris”, case flanked by guardian lions, conforming two‑light candelabra, with porcelain flower mounts, clock h. 18 1/2 in., w. 14 in., d. 6 in. $1200/1800 Additional information at www.nealauction.com

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166. Pair of Louis XV/XVI‑Style Bronze‑Mounted, Ebonized and Inlaid Dessertes, shaped galleried top tier, conforming lower tier, serpentine apron, flared legs, sabots, h. 35 in., w. 29 in., d. 20 in. $1000/1500 164. Fine Pair of Regency Parcel Gilt and Rosewood Grained Armchairs, 19th c., caned back and seat, shaped arms, h. 32 in., w. 19 5/8 in., d. 18 1/2 in. $1000/1500

167. Pair of Egyptianesque Inlaid Hardwood “Tabouret” Tables, hexagonal tops, conforming body decorated with Egyptian scenes, shaped bracket feet, h. 33 in., w. 16 1/2 in., d. 19 in. $700/900

165. William IV Carved Rosewood Folio Stand, mid‑19th c., spindled slats, trestle base. $200/400

169. Four Louis Philippe Carved Mahogany Fauteuils, 19th c., arched crest rail, scrolled lappet‑carved arms, conforming legs, scrolled toes, h. 37 in., w. 23 in., d. 19 in. $1200/2000 Provenance: Windham Collection, Oxford, MS. 168. French Bronze‑Mounted Marble Pedestal, swivel top, bronze collar, square column, stepped base, h. 42 5/8 in., w. 11 1/2 in., d. 11 1/2 in. $700/1000

Provenance: Windham Collection, Oxford, MS.

173. French Provincial Carved Walnut “Pied de Biche” Table, early 19th c., frieze drawer, serpentine apron, cabriole legs, hoof feet, h. 24 in., w. 32 1/2 in., d. 16 in. $500/700 171. Art Moderne Sienna and Black Marble Center Table, probably mid‑20th c., radial inlaid top, columnar standard, scrolled legs, h. 32 1/2 in., dia. 46 in. $1500/2500

172. Pair of Antique Louis XVI‑Style Carved and Gilded Pedestals, foliate‑molded tops, tapered stand and carved with Neoclassical decoration, stepped base, reverse side with cabinet door, h. 47 in., w. 14 1/2 in., d. 14 3/4 in. $1200/1800

174. Lin Emery (American/New Orleans, b. 1926), “Leaf Play”, aluminum, magnets and motor, signed, painted stand, overall h. 42 1/2 in. 1500/2500 Provenance: Joel Weinstock Collection, New Orleans, LA

176. William Hemmerling (American/ Louisiana, 1943‑2009), “Love an Affection”, oil on panel, signed and titled lower center, 22 in. x 13 1/4 in., unframed. $3000/5000

175. David Davidovich Burliuk (Ukrainian/ American, 1882‑1967), “A Quiet Evening ‑ Florida”, oil on canvas board, signed and titled lower right, 9 in. x 12 in., framed; together with copy of letter of authentication from The Burliuk Foundation, BF identification number OP00142. (2 pcs.) $2000/3000

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170. French Tooled Leather Escritoire, gilt accents, fall front door, fitted interior, turned stretcher, shaped sabre legs, h. 50 1/4 in., w. 26 1/4 in., d. 20 in. $800/1200

177. Karl Wolfe (American/ Mississippi, 1904‑1985), “Spring”, 1970, oil on canvas, unsigned, inscribed with artist and date on stretcher, 24 1/4 in. x 18 in., framed. $1000/1500 Provenance: Natchez Art Association.

178. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Tenant Farmer”, oil on canvas, signed lower left, signed, titled and inscribed en verso, 36 in. x 30 in., framed. $15000/25000 Provenance: Natchez Art Association.

179. Francis Speight (American/North Carolina, 1896‑1989), “Red Clay Street, Statesville, N.C.”, 1938, oil on canvas, signed and dated lower left, “The Pennsylvania Academy of the Fine Art / One Hundred and Forty‑First Annual Exhibition of Painting and Sculpture / January 26 through March 3, 1946”, “Virginia Museum of Fine Arts / Second Biennial Exhibition of Contemporary American Paintings / 1940” and “Third Award Ribbon / Piedmont Festival of Music and Art / Winston‑Salem, N.C., 1944” exhibition labels on stretcher, 30 1/4 in. x 41 3/4 in., framed. $12000/18000 Provenance: Robert Cheek Fine Arts, Inc., Charlotte, NC, June 21, 1985.

180. William Tolliver (American/Louisiana, 1951‑2000), “Young Boy Carrying a Watermelon”, acrylic and mixed media on paper, signed lower right, 26 in. x 18 in., framed. $2000/3000 Provenance: Live Oak Gallery, Lafayette, LA, Jan. 20, 1986.

181. American School, 19th c., “Landscape with Farm, possibly Carolina Low Country”, oil on canvas, unsigned, 34 1/4 in. x 50 1/4 in., framed. $4000/6000 Provenance: Altmayer Collection, Mobile, AL.

182. Theora Hamblett (American/Mississippi, 1895‑1977), “Tree with Mushrooms”, 1975, oil on canvas board, signed and dated lower right, 7 in. x 5 in., framed. $6000/8000

Provenance: Windham Collection, Oxford, MS.

183. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Macaws”, 1925, oil on panel, signed lower right, signed, titled, dated and inscribed “St Peters burg [sic], Florida” en verso, 30 in. x 25 in., framed. $30000/50000 Provenance: Acquired from the artist, c. 1960s; descended in a Mississippi Private Collection.

Note: Marie Hull toured the country in 1925, and she enjoyed the city of St. Petersburg, Florida so much that she and her husband decided to settle in the area for about a year.

While there, Hull focused on painting the exotic plants and animals, specifically birds such as parrots, egrets, and flamingos. The paintings of birds that Hull produced during this time period are among her most vibrant and beautiful, juxtaposing the naturalistic poses of the birds in the foreground with a stylized, Art Nouveau background of either flowers or fruit. In the significant painting presented here, Hull depicts Blue and Gold Macaws with a background of oranges hanging from branches. The jewel tones of the feathers against the background of orange hues highlight the tropical nature of the painting and exhibit Hull’s sensitivity as a colorist.

Ref.: Norwood, Malcolm M., Virginia McGehee Elias and William S. Haynie. The Art of Marie Hull. Jackson: University Press of Mississippi, 1975.

Additional information at www.nealauction.com

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184. William Dunlap (American/Mississippi, b. 1944), “Hilltop Valley View”, oil wash and pastel on paper, signed lower right, titled lower left, 4 in. x 25 3/4 in., framed. $800/1200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

185. Clarence Millet (American/New Orleans, 1897‑1959), “The Red Barn”, oil on canvas laid on board, signed lower right, signed and titled en verso, 13 1/2 in. x 15 1/4 in., framed. $3000/5000

186. Clarence Millet (American/New Orleans, 1897‑1959), “The Archway”, oil on board, signed lower right, titled en verso, 9 1/4 in. x 10 1/4 in., framed. $2000/3000

188. Kathryn Cherry (American/Missouri, 1860‑1931), “New England Coast I”, oil on canvas laid on board, signed lower left, inscribed “Hull/ Kathryn Cherry” en verso, title and artist inscribed on backing paper, 22 in. x 20 in., framed. $2000/3000 Provenance: Natchez Art Association.

187. William R. Hollingsworth, Jr. (American/Mississippi, 1910‑1944), “Untitled: Two Figures”, 1939, pen and ink on paper, pencil‑signed and dated upper right, ink‑signed and dated lower left, inscribed on backing board, 16 in. x 14 in., framed. $3000/5000 Provenance: Natchez Art Association.

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189. Kathryn Cherry (American/ Missouri, 1860‑1931), “New England Coast (II)”, 1931, oil on canvas, unsigned, inscribed with artist, title and date en verso, inscribed “New Eng II” on frame, 22 in. x 19 in., framed. $2000/3000 Provenance: Natchez Art Association.

190. George Rodrigue (American/ Louisiana, 1944‑2013), “The Class of Marie Courregé”, 1971, oil on canvas, signed and dated lower left, artist stamp and inscribed “L’ecole de Louisiane / G. Rodrigue chez Serrier / 72 R. de Dunkerque / Paris 9 / Georges Rodrigue” on stretcher, 40 in. x 30 in., framed. $80000/120000 Provenance: Collection of Dr. Robert Trahan, Lafayette, LA; thence by descent.

Note: Among George Rodrigue’s most notable paintings, and the most significant to ever come to auction, “The Class of Marie Courregé” has a fascinating and rich international history. Inspired by a family photograph of his mother’s graduating class from Mount Carmel Academy in New Iberia, Louisiana in 1924, the composition contains the group of figures within the artist’s archetypal Louisiana landscape against the backdrop of a dark oak tree and foliage.

In The Cajuns of George Rodrigue Rodrigue writes:

“Marie Courregé is my mother. [bottom row, third from right] I show her with her school class to show the unity of the Cajuns, their determination to go forward, their desire to embrace the flag of America. It shows the unity a school class has, just as the Cajuns have unity. The class is a family, just as the Cajuns were a family who had the common bond of speaking French. Different shapes of a class show different things. This class has a very solid shape, a very sound and determined shape...”

Completed in 1971-72, “The Class of Marie Courregé” closely followed another seminal work by the artist and his first painting with the Cajun people, “The Aioli Dinner.” Both paintings reveal the fully-developed concept established by Rodrigue in which elements have equal weight within the composition; the group, rather than its members, is most important to the narrative; and the story of the Cajun people transplanted into a new home shines within the

darkness. Both paintings are singular and noteworthy moments in the artist’s career. “The Class of Marie Courregé” goes a step further however…or quite a few steps further, all the way to Paris.

Initially founded in 1667 at the behest of Louis XIV as an exhibition of work by members of the Royal Academy, the exhibition was later led by the Académie des Beaux-Arts in Paris. For three centuries, exhibition in the Salon, as it would come to be called, was crucial to the successful career of any artist. Beginning in 1793, prizes were awarded, and the first jury responsible for the selection of winners was developed in 1849 of forty members, including leading artists of the day. A system of medals was developed to award a handful of artists from the thousands of entries each year. The current Société des Artistes Français is the direct heir of this Salon. Since 1901, the Salon has been held annually (with few interruptions due to war and construction projects) at the Grand Palais on the Champs-Élysées in Paris.

Rodrigue’s good friend and artist, Jean Pierre Serrier, convinced him to submit a painting to the Salon in 1974. Serrier, a tremendous modernist in his own right, had entered his artwork for twenty years without any success. Rodrigue selected “The Class of Marie Courregé” to ship to Paris, where Serrier framed it and stood in line to have it judged for the exhibition. Rodrigue then became one of only a relatively small number of American artists to have been selected to exhibit at the prestigious Salon throughout the years and

joined an even more distinguished group when he won an Honorable Mention. Other Americans selected to exhibit in the Salon include important artists such as John Vanderlyn, Benjamin West, G.P.A. Healy, Mary Cassatt, and John Singer Sargent. As a result of his award, Rodrigue was defined by the French newspaper Le Figaro as “America’s Rousseau” and received press attention for the first time on an international level for his work. The French government shipped Rodrigue’s certificate to then Governor Edwin Edwards, who presented the award on their behalf.

“The Class of Marie Courregé” began a trajectory of recognition and success for Rodrigue that would continue throughout his career.

Through all the numerous accolades, museum exhibitions and media attention, no other painting would quite reach of the heights of prestige as this one – the first to cement Rodrigue not only as a Cajun or Louisiana artist, but as an American artist whose work could compete on the highest stages in the world.

Ref.: Rodrigue, George. The Cajuns of George Rodrigue.

Birmingham: Oxmoor House, Inc., 1976; Rodrigue, Wendy. “The Class.” Musings of an Artist’s Wife. June 15, 2010. www. wendyrodrigue.com. Accessed Mar. 12, 2019; Rodrigue, Wendy.

“American Artists in Paris.” Gambit. Feb. 2, 2011; Fink, Lois Marie.

American Art at the Nineteenth Century Paris Salons. Washington, D.C.: National Museum of American Art, 1990.

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191. George Rodrigue (American/ Louisiana, 1944‑2013), “I Hear the Blues, I See the Blues, I Sing the Blues”, 1992, acrylic on canvas, signed lower right, label with artist and title on frame, 48 in. x 84 in., framed. $80000/120000 Provenance: Sotheby’s New York, Mar. 10, 2009, lot 251.

Ill.: Rodrigue, George. Blue Dog Speaks.

New York: Sterling, 2008, pp. 182‑183.

192. Hunt Slonem (American/ Louisiana, b. 1951), “Lunas”, 2005, oil on canvas, signed, titled and dated en verso, 54 in. x 54 in., unframed. $6000/8000

194. Hunt Slonem (American/Louisiana, b. 1951), “Butterflies”, 1998, oil on canvas, signed, titled and dated en verso, 40 in. x 30 in., unframed. $3000/5000

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193. Hunt Slonem (American/Louisiana, b. 1951), “Picul”, 2003, oil on canvas, signed, titled and dated en verso, 48 in. x 36 in., unframed. $3000/5000

195. Andrew Bucci (American/Mississippi, 1922‑2014), “Desert Tree”, oil on canvas, signed lower right, label with artist and title on stretcher, “Miss. Art Assn. Travel Exhibition No. 2” label on stretcher, 34 1/4 in. x 32 in., framed. $2000/3000 Provenance: Natchez Art Association.

196. Andrew Bucci (American/Mississippi, 1922‑2014), “Dawn”, oil on canvas, signed lower left, label with artist and title on stretcher, 24 in. x 30 in., framed. $1500/2500 Provenance: Natchez Art Association.

198. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), “High Horizon”, 1959, oil on canvas, signed lower right, inscribed “Horizon” and partial exhibition label on stretcher, 36 in. x 30 in., framed. $15000/25000 Provenance: Natchez Art Association.

Ill.: Elias, Virginia McGehee, Haynie, William S., et al. The Art of Marie Hull. Jackson: University Press of Mississippi, 1975, p. 68.

“High Horizon” was painted in 1959 when Mrs. Hull was experimenting with abstract Expressionism. The subject matter is a building at the top of a snow-covered hill. The colors have become more intense than in her earlier works. Reds predominate, especially in the sky, to heighten the emotional impact of the painting. Texture has also gained importance as a means of expression. Both the thicker application of paint in some areas and the dripping effect of the paint are visually stimulating. The artist’s continued interest in both color relationships and the diffusion of light is apparent. She has boldly approached and handled the painting, and the result is a strong personal statement.” --Norwood, Malcolm M., Virginia McGehee Elias and William S. Haynie. The Art of Marie Hull. Jackson: University Press of Mississippi, 1975, p. 68.

197. Andrew Bucci (American/Mississippi, 1922‑2014), “Sun Dots”, oil on canvas, signed lower right, label inscribed with artist and title on stretcher, 24 in. x 20 in., framed. $1500/2500 Provenance: Natchez Art Association.

199. José‑Mariá Cundín (Spanish/ New Orleans, b. 1938), “Rosita Camargo Series”, 1969, oil on linen, signed and dated upper right, 35 1/4 in. x 28 1/2 in., unframed. $4000/6000

200. Peter Shire (American/ California, b. 1947), “Untitled”, polychromed metal sculpture, h. 20 1/4 in.; together with “Is This the Nadine Russell Carter Chair?”, 2013, mixed media on paper, pencil‑signed, dated and inscribed lower right, pencil‑titled upper right, 12 3/4 in. x 17 3/4 in., framed. $1000/1500 Provenance: Glassell Gallery, Louisiana State University, Baton Rouge, LA.

202. Arthur Silverman (American/New Orleans, 1923‑2018), “Untitled”, 1996, 2 aluminum and mixed media sculptures, both signed and dated on underside, each h. 2 in., w.

4 1/4 in., d. 3 1/4 in. (2 pcs.) $400/600 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

201. Arthur Silverman (American/New Orleans, 1923‑2018), “What If #7 / #217”, 1992, metal and mixed media, signed, titled and dated on underside, h. 10 1/2 in., w. 4 3/4 in., d. 3 3/4 in. $800/1200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

203. Arthur Silverman (American/ New Orleans, 1923‑2018), “Occasional Table”, welded and patinated CorTen steel, signed on top surface, hexagonal form, h. 19 1/2 in., w. 28 in., d. 28 in. $500/700

Additional information at www.nealauction.com

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204. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Striae”, 1967, mixed media on canvas, signed lower left, “Arthur Roger Gallery” label, “Marion Koogler McNay Art Museum, San Antonio, TX” exhibition label and additional handwritten label with artist, title and date on stretcher, 72 in. x 71 3/4 in., framed. $30000/50000 Provenance: Arthur Roger Gallery, “Ida Kohlmeyer, Works from the Estate: 1957‑1996”, New Orleans, LA, Feb. 5 ‑ Feb. 26, 2011.

Exh.: Marion Koogler McNay Art Museum, “Paintings by Ida Kohlmeyer”, San Antonio, TX, Aug. 11-Sept. 8, 1968; Fort Wayne Museum of Art, “Paintings by Ida Kohlmeyer”, Fort Wayne, IN, Oct. 26-Nov. 24, 1968, No. 15.

Note: In 1968, the Marion Koogler McNay Art Museum in San Antonio held a solo exhibition of Ida Kohlmeyer’s works. The McNay boasts an impressive permanent collection featuring works by the likes of Pablo Picasso, Henri Matisse, Georgia O’Keeffe and Edward Hopper. Being highlighted in such a prestigious institution is a significant achievement for any artist, even more so for a Southern female artist in the late 1960s.The painting offered here, one of the very few examples from Kohlmeyer’s rare Striae series, was included in that 1968 exhibition. Narrow stripes of cornflower blue, magenta, burnt orange and greens punctuate the work and challenge the surrounding hues resulting in a painting vibrating with vitality. As Whitney Engeran writes, “There is a fresh, seductive color-hook in these Straie, but once the viewer bathes in these colors, the tension begins to generate an aesthetic excitement that only increases with further involvement.” This important painting is a harmonious equilibrium of color and shape which foreshadows the future Clusters series.

Ref.: Ida Kohlmeyer: Thirty Years. Charlotte, NC: Mint Museum, 1983, p. 38.

205. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Circus Series 3D #4”, 1989, painted aluminum, signed and dated on self‑base, h. 72 in., w. 40 1/2 in., d. 17 in. $12000/18000

206. Leonard Brooks (Canadian/ Mexican, 1911‑2011), “Carnival”, 1960, oil on canvas, signed lower right, signed, titled and dated en verso, 29 5/8 in. x 23 11/16 in., framed. $800/1200

Provenance: Arthur Roger Gallery, “Ida Kohlmeyer”, New Orleans, LA, Jan. 6 ‑ Feb. 24, 2007.

207. Leonard Brooks (Canadian/Mexican, 1911‑2011), “Red Circle”, 1961, gouache on paper, signed and dated lower right, inscribed and artist studio label with title and date en verso, 7 in. x 10 in., framed. $300/500

209. Fletcher Benton (American/Ohio, b. 1931), “Abstract Composition #30”, 1988, graphite on paper, signed and dated lower right, sheet 10 in. x 11 1/2 in., framed. $800/1200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

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210. Mary Cassatt (American, 1844‑1926), “Denise Holding Her Child”, c. 1905, drypoint etching on paper, unsigned, information label with artist, title and date on backing, sheet 11 1/8 in. x 7 1/8 in., framed. $700/1000

208. Henry Gasser (American, 1909‑1981), “Drydock”, “Drydock Repairs” and “Harbourview”, 2 watercolor and mixed medias and one double‑sided watercolor on paper, all signed, one pencil‑signed and titled on backing board, 9 in. x 12 in. to 16 3/4 in. x 24 in., framed. $800/1200 Provenance: William H. Trayes, Jr. Collection, Rockport & Gloucester, MA; Kaminski, Oct. 27, 2018, lots 153, 152, 108.

211. Mary Cassatt (American, 1844‑1926), “The Manicure”, c.

1908, drypoint etching on paper, unsigned, information label with artist, title and date on backing, 11 1/4 in. x 7 5/8 in., framed. $700/1000

212. Mary Cassatt (American, 1844‑1926), “Looking in the Hand Mirror (No. 2)”, c. 1905, drypoint etching on paper, unsigned, information label with artist, title and date on backing, sheet 11 3/4 in. x 8 3/4 in., framed. $700/1000

213. Rare and Large Shearwater Art Pottery Jardinière, c. 1930, jiggered by Peter Anderson, decorated by Walter Inglis Anderson, impressed mark, slip and scraffito design of a continuous frieze of figures and a mule, h. 7 1/2 in., dia. 14 1/4 in. $8000/12000

Note: Following a period of intense study, artistic training and international travel, Walter Inglis Anderson returned home in 1929 to Ocean Springs, Mississippi, where his older brother, Peter, had begun a small art pottery. Anderson, a consummate student of the arts, applied his knowledge and observations to the various media in which he worked.

“Always a passionate student of art history he considered it his legacy to absorb and assimilate, to make the foundation upon which he would build his own work.”

The writings of Jay Hambridge and Adolpho Best-Maugard had a significant impact on Anderson’s artistic world view and philosophy. Best-Maugard’s notion that art consists of seven basic motifs (spiral, circle, half-circle, s-curve, wavy line, zigzag, and straight line) had a particular influence on Anderson, which is evident in the rare jardiniere offered here.

214. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with relief‑carved landscape in the “Moon and Tall Pines” design, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s decorator’s mark, reg. no. SX44, and shape no. 330, h. 9 1/8 in. $6000/9000

His appreciation for the stylistics of Classical Greek ceramics would have certainly informed the panoramic design of this pot. Reminiscent of his “Harvesting the Sea” bowl from the D’Iberville series, this vessel boasts a similar shape and was also jiggered by Peter. Like “Harvesting the Sea,” this work serves as a beautiful example of the early collaboration between Peter and Walter, and showcase Walter’s immense and burgeoning talent.

215. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine with relief‑carved landscape in the Moon and Washingtonia Palm tree design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. KJ70 and shape no. 268, h. 10 1/2 in. $8000/12000

Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 104, no. 155.

Ref.: Pickard, Mary Anderson and Patrcia Pinson, eds. Form and Fantasy: the Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2008, p. 3; Stewart, Dod. Shearwater Pottery. Slidell: Bristol Publishing, 2005

218. Newcomb College Art Pottery Vase, 1912, decorated by Sadie Irvine with relief‑carved jonquils motif, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FJ50, and “B” for buff clay body, h. 8 in. $3000/5000

216. Newcomb College Art Pottery High Glaze Plate, 1907, decorated by Maria de Hoa LeBlanc with incised band of roosters and grapevines on rim, blue, green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no.

RX89, and “Q” for buff clay body, dia. 8 7/8 in. $3000/5000

217. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine with relief‑carved Moon and Moss design, matte glaze with blue and green underglaze, base marked the Newcomb cipher, decorator’s mark, Kenneth Smith’s potter’s mark, and reg. no. UA44, h. 4 1/4 in. $2500/3500

219.Newcomb College Art Pottery Lidded Jar, 1919, decorated by Anna Frances Simpson with relief‑carved Cherokee roses motif, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and shape no.

100, both lid and base marked with reg. no.

KL73, h. 6 7/8 in. $8000/12000

220. Newcomb College Art Pottery Vase, 1927, decorated by Sadie Irvine in the “Moon and Moss” landscape design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no.

QP84 and shape no. 236, h. 6 1/2 in., dia. 4 1/4 in. $1000/1500 Additional information at www.nealauction.com

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221. George Rodrigue (American/Louisiana, 1944‑2013), “Going Home Again”, 2002, acrylic on linen, signed lower left, artist label with title on stretcher, 20 in. x 24 in., framed. $30000/50000

222. George Rodrigue (American/Louisiana, 1944‑2013), “Gold Dog”, 2006, oil on canvas, signed lower right, signed and dated en verso, 28 in. x 22 in., framed. $30000/50000

223. Bror Anders Wikstrom (Swedish/Louisiana, 1854‑1909), “Lighthouse, Biloxi, MS”, oil on canvas, signed lower right, 22 in. x 33 in., framed. $5000/8000

224. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Fog in the Swamp”, 1948, oil on canvas, signed lower right, dated on stretcher, 24 in. x 20 in., framed with artist and title plaque. $3000/5000

Provenance: Neal Auction Company, Mar. 4, 2006, lot 392.

225. Wilson Henry Irvine (American, 1869‑1936), “New Orleans Courtyard”, oil on canvas, signed lower right, “Campanile Galleries Inc., Chicago, IL” label en verso, 25 in. x 30 in., framed with artist and title plaque. $7000/9000

Note: Following the founding of the Southern Art Union in 1880, the artistic community of New Orleans flourished. With the arrival of William and Ellsworth Woodward and establishment of a historic art program at Tulane University, the New Orleans art scene continued to blossom into the early part of the twentieth-century. In the years following World War I, New Orleans attracted an eclectic and important assemblage of artists, writers and intellectuals who, in the 1920s, transformed the French Quarter into a vibrant bohemia. The group included William Faulkner, William Spratling, Oliver La Farge, Sherwood Anderson and many regional and visiting artists and writers.

Wilson Henry Irvine wintered in New Orleans in 1927-28, where he was noted for his praise of “the old grey places where the walls were decaying.” A key figure in twentieth-century American Impressionism, Irvine arrived at the height of the French Quarter Renaissance. Historic preservation and commercial revitalization had just begun to transform the neighborhood, and Irvine sought out historic courtyards, such as the colorful “antique” scene on the canvas offered here. Laundry, children and moss-covered stones reveal the intimate side of the French Quarter, capturing the quotidian life of its residents.

Ref.: Reed, John Shelton. Dixie Bohemia. Baton Rouge: Louisiana State University Press, 2012.

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227. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Chartres Street from Madison, Old New Orleans / Old Madison Street”, 1939, etching, pencil‑signed, titled and “Ed./300” lower margin, inscribed “Old New Orleans” and dated in plate, sheet 12 1/4 in. x 9 1/4 in., matted. $600/800

Ill.: Isbell, Reed W. Morris Henry Hobbs: A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee Street Publishing, 2017, p. 139.

226. Sydney Dale Shaw (American/New York, 1879‑1946), “The Pink Roof ‑ France”, oil on canvas, signed and dated lower left, artist estate stamp en verso, inscribed with artist and title on stretcher, 16 in. x 20 in., framed. $1000/1500

228. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Sweet Gum in Fall”, linocut on paper, pencil‑signed and titled lower margin, sheet 15 in. x 14 1/2 in.; and “Pigeons”, woodcut on paper, pencil‑signed and titled lower margin, sheet 22 1/2 in. x 18 1/4 in., framed. (2 pcs.) $300/500

Provenance: Natchez Art Association.

Provenance: Natchez Art Association.

229. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “St. Ann Street from Royal, Old New Orleans”, 1943, etching, pencil‑signed, titled and inscribed “ed. 300” lower margin, titled and dated in plate, sheet 9 in. x 8 1/8 in.; and “Royal from St. Peter Street, Old New Orleans”, etching, pencil‑signed, titled and inscribed “ed./300” lower margin, sheet 8 11/16 in. x 7 3/4 in., framed alike. (2 pcs.) $700/1000

Ill.: Isbell, Reed W. Morris Henry Hobbs ‑ A Catalogue Raisonné of Etchings, Engravings & Lithographs. Mclean, VA: Coffee Street Publishing, 2017, pp. 119, 132.

232. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Backyard, Franklin, Louisiana”, 1990, ed. 1/25, “Smokey Sky in Patoutville”, 1999, ed. 2/25 and “Smokey Swamp, Patoutville, Louisiana”, 2000, ed. 1/25, 3 silver gelatin photographs, each pencil‑signed, titled, dated and edition en verso, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $800/1200

230. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Lamentations for a Prince”, 1989, ed. 10/15; “Polly Snapping Her Fingers”, 1985, ed. 18/25; “Newspapers”, 1985, ed. 1/25; “Polly (Lace Dress #2), 1985, ed. 1/25, 4 silver gelatin photographs, each pencil‑signed, dated, titled and edition number en verso, from the series and book Polly, Twin Palms Publishers, Santa Fe, sheets 24 in. x 20 in., unframed.

(4 pcs.) $1000/1500

233. Jay Dearborn Edwards (American/New Hampshire, 1831‑1900, act. New Orleans, 1857‑1862), “American Hook and Ladder Company No. 2, Girod St., between St. Charles and Carondelet Street”, c. 1858, salted paper photo mounted on heavy paper, small paper label lower left on mount reads “VIEWS OF NEW ORLEANS No. 137, J.D. Edwards Gallery of Photographic Art, New Orleans, LA”, small paper label on reverse promoting Edwards’ business, image 5 3/4 in. x 8 in., mount 9 7/8 in. x 12 in. $2000/3000

235. Newcomb College Art Pottery Vase, 1922, decorated

by Sadie Irvine with low relief‑carved Cherokee roses motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no.

MW64 and shape no. 182, h. 5 3/4 in. $1500/2500

231. Debbie Fleming Caffery (American/Louisiana, b. 1948), “Gena”, 2005, ed. 2/10, “L”, 1999, ed. 12/25 and “Waiting”, 2005, 3 silver gelatin photographs, one pencil‑signed, dated, titled and edition en verso, one pencil‑signed, dated and edition en verso, one unsigned, from The Spirit & The Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

234. Newcomb College Art Pottery Vase, 1919, decorator unknown, trumpet form modeled with relief‑carved narcissus motif, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, Joseph Meyer’s potter’s mark, reg. no. KP69 and shape no. 170, h. 7 5/8 in., dia. 3 3/8 in. $1200/1800

234A. Newcomb College Hand-Wrought Sterling Silver Matchbox Holder, c. 192030, artist unknown, rectangular with a molded border and decorated with a cypress tree, h. 2 1/2 in., w. 1 3/4 in., d. 1/2 in. $700/1000 Provenance: Jean Bragg Gallery, New Orleans, LA, Jan. 2012; Collection of Walter Bob.

Provenance: Craftsman Auction, Lambertville, NJ, Mar. 11, 2006, lot 534.

235A. Newcomb College Riveted Copper Mail Box/Pocket, c.

1920-45, by Juanita Mauras (1880-1952), scalloped top, tapered sides, central panel with pierced design of moss-laden oak tree flanked by scrolls, h. 11 5/8 in., w. 9 1/8 in., d. 2 in. $1000/1500 Provenance: Jean Bragg Gallery, New Orleans, LA, Sept. 15, 2012.

Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 149, no. 220.

Additional information at www.nealauction.com

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236. Newcomb College Riveted Brass Mail Box/ Pocket, early 20th c., scalloped top, tapered sides, central panel with pierced design featuring circled “R” monogram flanked by scrolls, unmarked, h.

11 5/8 in., w. 9 1/8 in., d. 2 in. $600/900

237. Newcomb College Calendar 1902‑1903, designed by Mary Frances Baker (active 1897‑1906), published by The Art Department, color woodcuts, signed in block, with 11 plates (including cover) showing activities around the school, 11 in. x 8 in. $1000/1500

238. Newcomb College 1909 Louisiana Calendar, designed by Rosalie Urquhart (active 1897‑1917), with French Quarter scenes and Louisiana landscapes, interspersed with poetry and prose, 8 pgs. incl. cover, bound on top edge with cord, 12 1/2 in. x 9 in. $600/900

239. Knute Heldner (Swedish/ Louisiana, 1877‑1952), “Hazy Day in the Louisiana Bayou”, oil on canvas, signed lower left, 25 in. x 30 in., framed. $3000/5000

240. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Can‑Can”, oil on canvas, signed lower left, signed, titled and inscribed “Paris 1929‑1938” en verso, 34 1/4 in. x 40 in., framed. $4000/6000 241. Gideon Townsend Stanton (American/Louisiana, 1885‑1964), “Rainy Night on Canal Street”, oil on canvas, signed lower right, 25 in. x 30 in., framed. $4000/6000

242. George Rodrigue (American/Louisiana, 1944‑2013), “Headquarters on the Teche (Headwaters of the Teche)”, 1991, oil on linen, signed lower left, signed twice, titled, dated and original sketch with oak tree and Tiffany en verso, 20 in. x 16 in., framed. $18000/25000 Provenance: Galerie Blue Dog, Carmel, CA, 1991.

243. George Rodrigue (American/Louisiana, 1944‑2013), “With a Rose”, 1979, oil on canvas, signed lower left and en verso, titled, inscribed “7919” and artist stamps on stretcher, 24 in. x 18 in., framed. $15000/25000

244. James Michalopoulos (American/New Orleans, b. 1951), “Marginal”, 2003, oil on canvas, signed lower left, signed and dated en verso, 60 in. x 36 in., unframed; accompanied by copy of certificate of authenticity. (2 pcs.) $7000/10000

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245. James Michalopoulos (American/New Orleans, b.

1951), “You Figure It”, 2001, oil on canvas, signed lower right, signed, titled and dated en verso, artist label on reverse of frame, 20 in. x 34 in., framed; accompanied by copy of certificate of authenticity. (2 pcs.) $5000/8000

246. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Face with Crown)”, oil on gallery‑wrapped canvas, signed lower right, 60 in. x 47 3/4 in., unframed. $4000/6000

245A. James Michalopoulos (American/ New Orleans, b. 1951), “Up Standard”, 2002, oil on canvas, signed lower left, signed and dated en verso, 28 in. x 22 in., framed; accompanied by copy of certificate of appraisal. (2 pcs.) $5000/8000

247. David Harouni (Iranian/New Orleans, b.

1962), “Untitled (Triptych)”, 3 oils on gallery‑wrapped canvas, signed, each 12 in. x 12 in., overall 12 in. x 36 in., unframed.

(3 pcs.) $2000/3000

249. James Michalopoulos (American/New Orleans, b.

1951), “Architectural Portrait”, 1991, oil on canvas, signed “Mitchell” lower left, signed and dated en verso, 19 3/4 in. x 24 in., framed. $2500/3500 248. Ashley Longshore (American/New Orleans, 20th c.), “Audrey with Peacock Headdress and Silver Leaf Background”, c. 2017, acrylic and mixed media on gallery‑wrapped canvas with resin, signed on right edge, 24 in. x 24 in., unframed. $15000/25000

250. Sister Gertrude Morgan (American/New Orleans, 1900‑1980), “Jesus is on the Main Line”, mixed media on paper mounted on burlap, signed “Missionary Morgan” lower right, inscribed upper right, 6 3/4 in. x 4 3/4 in.; and “Us Alright Repeat Jesus”, mixed media on paper mounted on canvas, inscribed upper and lower right, 6 1/2 in. x 4 3/4 in., framed. (2 pcs.) $1200/1800 Provenance: New Orleans Private Collection, acquired in the 1970s.

251. Clementine Hunter (American/ Louisiana, 1886‑1988), “Annunciation”, oil on canvas board, monogrammed lower right, partial sketch en verso, 18 in. x 24 in., framed. $3000/5000 252. Clementine Hunter (American/ Louisiana, 1886‑1988), “Uncle Tom’s Cabin”, oil on board, monogrammed mid‑right, inscribed en verso, 16 in. x 24 in., framed. $3000/5000 Additional information at www.nealauction.com

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254. Karl Wolfe (American/ Mississippi, 1904‑1985), “Fall Flowers”, 1974, oil on panel, signed and dated upper mid‑right, sight 26 3/8 in. x 18 1/4 in., framed. $800/1200 Provenance: Natchez Art Association.

253. Clementine Hunter (American/Louisiana, 1886‑1988), “Uncle Tom’s Cabin”, c. 1975, oil on canvas, monogrammed lower right, pencil sketch en verso, dated and inscribed on stretcher, 18 in. x 24 in., framed. $4000/6000

255. Karl Wolfe (American/Mississippi, 1904‑1985), “Andrew Jackson”, oil on unstretched canvas, unsigned, 15 1/2 in. x 9 3/4 in., framed. $2000/3000 Provenance: Natchez Art Association.

Provenance: Acquired from the artist.

256. Caroline Russell Compton (American/ Mississippi, 1907‑1987), “Bowmar Avenue, Vicksburg, Mississippi”, oil on canvas laid on board, signed lower left, signed, titled and inscribed on backing paper, 14 in. x 18 in., framed. $1000/1500 Provenance: Natchez Art Association.

257. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on canvas, signed lower right, 20 1/8 in. x 25 in., framed. $1500/2500

258. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Steamboat on the Mississippi River”, oil on canvas, signed lower left, “Gilley’s Gallery, Baton Rouge, LA” label en verso, 24 in. x 30 in., framed. $1000/2000

Provenance: Neal Auction Company, July 31, 2004, lot 469.

260. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Autumn Landscape”, oil on canvas, signed lower right, 25 3/4 in. x 32 in., framed. $1200/1800

259. American School, late 19th c., “Sunset on the River”, oil on canvas, bears signature “Wm. H. Buck” lower right, 24 in. x 40 in., ornate gilt frame. $5000/8000

261. Nicola Marschall (Prussian/Alabama, 1829‑1917), “Napoleon I (1769‑1821)”, 1869, oil on canvas, signed and dated lower left, 30 in. x 25 in., framed. $4000/6000

Note: Nicola Marschall immigrated from Germany to the United States in 1849, arriving first in New Orleans before settling in Marion, Alabama. Throughout the antebellum period, Marschall gained reputation as a premier portraitist, and he painted such notable figures as Abraham Lincoln, Jefferson Davis, and Otto von Bismarck. The portrait of Napoleon presented here was created in 1869, forty-eight years after the emperor’s death. Although Napoleon had died almost a half a century earlier in exile on the island of St. Helena, he was still a subject of fascination, especially since his nephew, Charles-Louis Napoleon Bonaparte, became first President and then Emperor Napoleon III of France.

The figure depicted here, which Marschall so delicately portrays, is based on a painting from 1838 by Paul Delaroche titled Napoleon I in his Study, which includes a red and gold background, desk, and chair. Marschall’s decision to exclude the background in his work allows the viewer to focus more clearly on the imposing figure of the sitter without distraction, calling attention to his pensive gaze.

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262. Marie Madeleine Seebold Molinary (American/New Orleans, 1866‑1948), “Still Life of Chrysanthemums in a Vase”, 1889, oil on canvas, signed and dated lower left, 20 in. x 26 in., framed. $2000/3000 Provenance: Neal Auction Company, Dec. 9, 1995, lot 561.

263. Anna Elizabeth Allen (American/Florida, 1881‑1959), “Fishing Boats, New Smyrna, Florida”, oil on board, signed lower right, 24 in. x 17 3/4 in., framed. $700/900

264. Melissa Bonin (American/Louisiana, b. 1960), “Watteau Series #6”, 2002, oil on canvas, signed lower right, signed and dated en verso, 20 in. x 16 in., framed. $2000/4000

266. Cordray Parker (American/Alabama, 1934‑2007), “Daphne”, bronze, driftwood and mixed media, h. 65 in., w. 45 in., d.

32 in. $3000/5000

265. Mildred Nungester Wolfe (American/ Mississippi, 1912‑2009), “Triptych (The Epiphany)”, ceramic and mixed media on masonite, inscribed with artist and title en verso, 14 in. x 16 in., framed. $400/600 Provenance: Natchez Art Association.

268. Nicola Simbari (Italian, 1927‑2012), “Green Harbor”, 1963, oil on canvas, signed and dated lower right, titled and inscribed on stretcher, inscribed and “Gallery Richelle” label with artist and title on backing board, 28 3/4 in. x 36 1/2 in., framed. $1000/1500 Provenance: Brunk Auctions, July 16, 2015, lot 375.

267. Elliot Offner (American, 1931‑2010), “Heron”, bronze, signed on self‑base, h. 18 1/4 in., w.

12 1/2 in., d. 13 3/4 in., wood base, overall h. 20 in. $800/1200

269. Angelo Pinto (Italian/ American, 1908‑1994), “Carousel”, woodcut on paper, pencil‑signed, dated and edition “50” lower margin, sheet 9 1/4 in. x 10 1/2 in., matted. $600/800

271. Norman Rockwell (American/New York, 1894‑1978), “After Christmas”, 1977, lithograph, pencil‑signed lower right, pencil‑numbered “82/200” lower left, printed by Eleanor Ettinger Gallery, sheet 31 in. x 23 3/4 in., framed. $600/900 270.Andrew Newell Wyeth (American/ Pennsylvania, 1917‑2009), “Jacklight”, 1982, color collotype, pencil‑signed and numbered “164/300” lower margin, signed in plate lower right, printed by Triton Press, NY, published by Chads Ford Publication, 33 1/4 in. x 36 3/8 in., framed. $700/1000

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

272. George Rodrigue (American/Louisiana, 1944‑2013), “Mardi Gras Dogs”, 1993, silkscreen, signed and numbered “113/190” lower right, 23 in. x 34 in., framed. $1500/2500 Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 88.

273. George Rodrigue (American/Louisiana, 1944‑2013), “Bear with Me: White”, 1997, silkscreen, signed lower left and numbered “20/50” lower right, sight 22 1/2 in. x 32 1/2 in., framed. $2000/3000 Ill.: Rodrigue, Wendy Wolfe.

George Rodrigue Prints: A Catalogue Raisonné 1970‑2007.

New York: Abrams, 2008, p. 109.

274. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Ocotlan”, 2002, ed.

4/10, “Bed of Calla Lilly’s”, ed. 1/10 and “Bernardo”, 1997, ed. 2/25, 3 silver gelatin photographs, 2 pencil‑signed, titled, dated and edition en verso, one pencil‑signed, titled and edition en verso, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

Additional information at www.nealauction.com

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275. Louisiana Creole Cherrywood and Cypress Armoire, early 19th c., stepped cornice, recessed panel doors, enclosing a medial belt of three drawers centered within shelf interior, scalloped apron, cabriole legs, h. 79 1/4 in., w. 54 1/4 in., d. 23 in. $4000/6000 Provenance: Private Collection, aquired in New Orleans.

276. Fine American Chippendale Carved Mahogany Side Chair, late 18th c., Philadelphia, shaped crest rail centered by a shell medallion, vasiform splat, cabriole legs, ball and claw feet, h. 39 in., w. 20 in., d. 16 1/2 in. $1000/1500

277. Fine American Chippendale Carved Mahogany Side Chair, late 18th c., Philadelphia, serpentine crest rail centered by a shell medallion, vasiform splat, shaped seat rail, acanthus‑carved ball and claw feet, h. 40 in., w. 21 in., d.

15 1/2 in. $1500/2500 Provenance: Kenneth E. Tuttle Antiques, Gardiner, ME, 1996.

278. American Classical Figured Mahogany Sideboard, early 19th c., New York, pedimented backsplash centered by a Prince of Wales plume, brass gallery, three frieze drawers, paneled cabinet doors, fluted columnar stiles, foliate paw feet, h. 55 1/2 in., w. 61 in., d. 25 3/4 in. $4000/6000 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The elegant and highly figured sideboard in the present lot is closely related to a sideboard from the Charles Pendleton House in Providence, now part of the Rhode Island School of Design Museum. The Pendleton example is considered by some scholars to be a rare example of Duncan Phyfe case furniture and was included in the well-known Girl Scout Loan Exhibition of decorative arts at the American Art Galleries in New York in 1929.

Featuring a similar pedimented backsplash centered by a carved finial, columnar stiles, finely carved paw feet, and the same overall proportions as the Pendleton example, the sideboard offered here is versatile due to its size in comparison to larger sideboards of the period.

Interestingly, the present lot features a Prince of Wales feather-carved finial, which was a common decorative theme at the Charles Pendleton House.

Ref.: Monkhouse, Christopher P., et al. American Furniture in the Pendleton House. Museum of Art, Rhode Island School of Design: 1986, pp. 115-116.

279. American Classical Carved Mahogany Chest of Drawers, early 19th c., probably New York or Boston, scrolled backsplash, pineapple finials, two frieze drawers over four drawers, foliate carved columnar stiles, acanthine paw feet, h. 64 1/2 in., w. 48 1/2 in., d. 24 1/4 in. $1200/1800 Provenance: The Stanley Weiss Collection, Providence, RI.

281. American Classical Carved Mahogany Sideboard, early 19th c., Philadelphia, possibly Anthony Quervelle or Charles White, mirror flanked by cornucopia brackets, marble top flanked by bolection drawers, conforming pedestal cabinets centered by a fan‑carved door, Ionic columnar supports, bulbous‑turned foliate feet, h. 69 in., w. 73 1/2 in., d. 22 1/2 in. $4000/6000

280. American Classical Bronze‑Mounted Mahogany Beau Brummel, c. 1810-1820, attr. to John Seymour, Boston, mirrored back, easel top, fitted side drawer, lower work basket, reeded legs, paw feet, h. 45 3/4 in., w. 19 1/2 in., d. 16 in. $1000/1500

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Note: The carved cornucopia accents and fancarved cabinet door are signature elements of Philadelphia sideboards by cabinetmakers such as Anthony G. Quervelle or Charles White. For related sideboards and other case pieces, see “The Furniture of Anthony G. Quervelle, Part IV” by Robert C. Smith, The Magazine Antiques, January 1974 and “Charles White of Philadelphia,” The Magazine Antiques, May 2000.

283. William IV Carved Mahogany Sofa, c. 1830, shaped crest rail surmounted by eagle heads, lyre‑form uprights, turned, tapered and reeded legs, casters, h. 35 1/2 in., l. 84 in., d. 24 in. $2000/3000

282. George III Inlaid Figured Mahogany Linen Press, early 19th c., broken arch cornice, paneled doors, linen drawer interior, lower case with four graduated drawers, flared legs, shaped apron, h. 97 1/4 in., w. 49 in., d. 22 in. $2500/3500

Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: The Stanley Weiss Collection, Providence, RI.

286. Montague Dawson (British, 1890‑1973), “Running Free”, watercolor on paper, signed lower left, 17 in. x 26 1/4 in., framed. $10000/15000

284. Set of Regency Rosewood Quartetto Tables, c. 1820, rectangular graduated tops, turned uprights, bowed stretchers, arched trestle legs, h. 29 3/4 in., w. 24 in., d. 11 3/4 in. $1000/1500

285. English Inlaid Mahogany Music Cabinet, early 20th c., labeled “Lidstone, Music Cabinet, London”, 7 innovative drawers, shaped apron, cabriole legs, pad feet, h. 44 3/4 in., w.

19 3/4 in., d. 14 3/4 in. $800/1200 Provenance: Windham Collection, Oxford, MS.

Provenance: Private Collection, Lafayette, LA.

Note: A self-taught artist who had been painting since the age of five, Montague Dawson joined the Royal Navy during World War I and continued to paint, as well as contributed illustrations of the war to magazines such as Sphere. Having a very detailed knowledge of maritime subject matter from his childhood near the harbor at Southampton Water and from his time in the Royal Navy, Dawson was naturally drawn to painting ship scenes. Dawson would first draw meticulous studies before creating the final version of his detailed watercolors, ensuring that the boats and ships he painted were accurate. The beautifully rendered sailing vessel amidst the crashing waves presented here is a testament to Dawson’s skills with composition and his technical ability.

Provenance: Reindeer Antiques Ltd., London, England; Windham Collection, Oxford, MS.

287. After David Roberts, R.A. (Scottish, 1796‑1864), “Egypt and the Near East”, 5 color lithographs, drawn by Louis Haghe (British, 1806‑1885), published by F.G. Moon, London, sights 11 3/4 in. x 9 3/4 in. to 19 in. x 12 7/8 in., framed alike. (5 pcs.) $1000/1500 Provenance: Didier, Inc., Estate of David A. Wojciechowski.

288. West Indies Carved Mahogany Armoire, c. 1830‑1840, reeded, molded and stepped cornice above flush panel doors, fluted false stile, shelf interior, turned legs, h. 83 in., w. 57 in., d. 23 in. $3000/5000 Provenance: Sir Arthur Norman Wolffsohn, Governor of British Honduras, 1946‑1947, and Lady Erica Wolffsohn, Mobile, AL.

289. West Indies Carved Mahogany Four Poster Bed, c. 1830‑1840, finely carved spiral‑turned posts, oval paneled headboard, turned legs, h. 93 1/2 in., l. 76 1/2 in., w. 54 1/2 in. $2500/4000 Provenance: Sir Arthur Norman Wolffsohn, Governor of British Honduras, 1946‑1947, and Lady Erica Wolffsohn, Mobile, AL.

Additional information at www.nealauction.com

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290. Pair of Anglo‑Indian Carved Ebonized Tropical Hardwood Armchairs in the Regency Taste, 19th c., tablet crest, pierced foliate back, reeded arms and uprights, reeded seat rail, turned tapered reeded legs, h. 34 in., w. 22 in., d. 17 5/8 in. $1000/1500 Provenance: Windham Collection, Oxford, MS.

294. Anglo‑Colonial Carved Hardwood Library Chair, early 20th c., pierced foliate crest, scrolled dolphin arms, serpentine apron, dolphin feet, h. 41 1/2 in., w. 31 in., d. 24 in. $300/500

291. American Classical Carved Mahogany Work Table, c. 1810, Philadelphia, fitted frieze drawer, work basket, columnar supports, rectangular plinth, saber legs, brass paw feet, casters. $800/1200 Provenance: Didier, Inc., Estate of David A. Wojciechowski.

295. Rare English Mahogany Multi‑Form Gentleman’s Basin Stand, probably early 19th c., hinged top, fitted interior, h. 31 in., w. 26 in., d. 18 in. $400/600

292. American Classical Carved Mahogany Work Table, c. 1820, Philadelphia, labeled “Philadelphia...

Isaac Pugh”, shaped top, two drawers, foliate‑carved saber legs, brass paw feet, casters, h. 30 in., w. 17 1/2 in., d.

14 in. $1000/1500

296. George III Figured Mahogany Concertina‑Action Games Table, early 19th c., serpentine foldover top, inset leather playing surface, conforming frieze, elegantly carved cabriole legs, h. 29 in., w. 36 5/8 in., d. (closed) 18 1/2 in., d. (opened) 37 in. $800/1200

297. Chippendale Carved Mahogany Games Table, late 18th c., shaped foldover top, baize playing surface, conforming frieze, game piece drawer, cabriole legs, ball and claw feet, h. 28 1/4 in., w. 32 1/2 in., d. (closed) 16 in., d. (open) 32 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

298. Chippendale Carved Mahogany Secretary Bureau, late 18th c., foliate and Greek key carved cornice, two drawers over a fall front door and fitted interior, three lower drawers, gadrooned ogee bracket feet, h. 63 1/4 in., w. 43 in., d. 21 3/4 in. $2500/4000

299. George III Carved Mahogany Chest‑on‑Chest, early 19th c., Greek key cornice, upper case with five drawers, chamfered blind fretwork stiles; lower case with dressing slide and three drawers, bracket feet, h. 70 3/4 in., w. 41 1/2 in., d. 22 in. $1500/2500

Provenance: The Stanley Weiss Collection, Providence, RI.

300. William IV Carved Mahogany Hall Bench, c. 1835, scrolled shield seatback, shaped seat, baluster‑turned legs, h.

33 3/4 in., w. 47 in., d.

18 in. $1200/1800 Provenance: Anthony Outred Antiques, Ltd., London, England; Windham Collection, Oxford, MS.

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293. American Late Classical Carved Mahogany Pedestal, mid‑19th c., gadrooned top, scrolled supports with lion’s heads paired with turned foliate‑carved supports, shaped plinth, paw feet. $1000/1500

301. George III‑Style Carved Mahogany Bookcase, Greek key cornice, glazed doors, shelf interior, plinth base, h. 78 1/2 in., w. 63 3/4 in., d. 14 1/2 in. $800/1200

302. French Provincial Fruitwood/Cherrywood Armoire, 18th c., domed top and Louis XV style undulating paneled doors, shaped apron with scroll motif, scroll feet, h.

104 in., w. 57 in., d. 24 in. $2500/3500

Provenance: Lucullus, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

303. Pair of Louis XIV‑Style Walnut Fauteuils à la Reine, 19th c., arched seat back, scrolled arms, shaped stretchers, scrolled legs, h. 46 1/2 in., w. 23 1/2 in., d. 24 1/2 in. $1500/2500 Provenance: Windham Collection, Oxford, MS.

304. Continental Carved Hardwood Figural Pedestal, 20th c., dished surface, above crouching figure with a feather headdress, h. 20 1/2 in., dia. 12 3/4 in. $600/900

305. George Renouard (American/New York, 1884‑1954), “Quarry Creek Houses”, oil on board, signed lower left, “D. Wigmore Fine Art” label with artist and title en verso, sight 17 3/4 in. x 21 1/2 in., framed. $1000/1500

Provenance: Estate of the artist, Rochester, NY; Clifford E. Rice, Rochester, NY; Michael Latranga, Rochester, NY; D. Wigmore Fine Art, Inc., New York, NY; Estate of Eve Godchaux Hirsch, New Orleans

306. Nicola Marschall (Prussian/Alabama, 1829‑1917), “Jacob Magee (18121883)” and “Mary Elizabeth Tisdale Magee (1813-1882)”, 1872, 2 oils on canvas, each signed and dated lower right, each 30 in. x 25 in., period frames. (2 pcs.) $4000/6000 Provenance: Magee Estate, c. 2014; Private Collection.

309. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, 20 in. x 30 in., framed. $1200/1800

307. Peter Schmidt (German/New Orleans, 1829‑1866), “Meyer Godchaux (1817‑1873)” and “Rosine Kahn Godchaux (1834‑1894)”, c. late 1860s, 2 oils on canvas, both signed lower right, each 36 in. x 29 in., framed alike. (2 pcs.) $3000/5000 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

308. George David Coulon (French/New Orleans, 1822‑1904), “Still Life of Flowers in Vase on a Wooden Table”, 1850, oil on canvas, spurious signature “Van Huysum” lower left, signed, dated and inscribed “after Daniel Seghers” on stretcher, 31 in. x 24 in., framed. $2500/3500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

311. Tony Green (American/New Orleans, b. 1954), “Vaporetto Stop, Venice”, 1986, oil on board, pencil‑signed upper right, signed and titled en verso, 7 7/8 in. x 12 1/8 in.; and “Sionese Priests, Venice”, 1986, watercolor on paper, pencil‑signed and dated lower right, signed and titled on backing, 5 5/8 in. x 7 1/2 in., framed. (2 pcs.) $1000/1500

310. George Henry Clements (American/ Louisiana, 1854‑1935), “Venice”, 1885, watercolor on paper, signed, titled and dated lower left, sight 12 in. x 20 in., framed. $400/600

312. Greg Mort (American/Maryland, b. 1952), “Proper Motion #2”, 1998, watercolor on paper, signed and dated lower right, “Somerville Manning Gallery, Greenville, DE” label on reverse of frame, 19 1/2 in. x 29 in., framed. $1500/2500

Provenance: Somerville Manning Gallery, Greenville, DE.

Additional information at www.nealauction.com

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314. Sigurd Skou (Norwegian/New York, 1875‑1929), “The Old Silver Set”, oil on canvas laid on board, signed lower right, labels with artist and title en verso, 34 in. x 34 in., framed. $1000/1500

315. Rupert Scott Lovejoy (American/Maine, 1885‑1975), “The Old Rain Barrel”, 1973, watercolor on paper, signed and dated lower left, sheet 20 in. x 14 in., framed. $700/900

Provenance: Natchez Art Association.

313. Gerald Brockhurst (American, 1890‑1978), “Portrait of a Woman”, 1943, charcoal on paper, signed twice and dated lower left, 19 in. x 12 1/2 in., framed. $1800/2500

316. Loui Michael (Danish, b. 1933), “Bird of Modern Paradise”, 1980, oil on panel, monogrammed lower right, signed and dated en verso, 48 in. x 48 in., framed. $1000/1500 Provenance: Windham Collection, Oxford, MS.

317. Louis Victor Gesta (French, 1828‑1914), “Still Life with Daisies, Poppies and Mums”, oil on panel, signed lower right, 21 in. x 14 in., framed. $800/1200

318. George Wilhelm Richard Hering (Dutch, 1884‑1936), “Evening Prayers”, 1915, oil on canvas, signed and dated upper left, 33 3/4 in. x 28 3/4 in., framed. $600/800

319. Continental School, 19th c., “Ceres”, oil on canvas, unsigned, 23 1/2 in. x 19 1/4 in., framed. $600/900

Provenance: Windham Collection, Oxford, MS.

320. Niek Van Der Plas (Dutch, b. 1954), “Kermis in Katwjik aan Zee”, oil on panel, signed lower left, 22 in. x 26 1/2 in., framed. $800/1200

321. John Gould (British, 1804‑1881), “Chaetorhynchus Papuensis” and “Paradisea Papuana”, 2 hand‑colored lithographs, from Birds of New Guinea, sights 20 in. x 13 in., framed alike. (2 pcs.) $600/900

Provenance: Windham Collection, Oxford, MS.

322. John Woodhouse Audubon (American, 1812‑1862), “Polar Bear” and “Little American Brown Weasel”, 2 hand‑colored lithographs, plates XCI and LXIV, No. 91 and 13 from Viviparous Quadrupeds of North America, Bowen edition, with original title page from volume 11 as backing of former, sheets 21 5/8 in. x 27 3/8 in. and 21 1/2 in. x 27 3/8 in., framed. (2 pcs.) $800/1200 Provenance: Natchez Art Association.

323. After John James Audubon (American, 1785‑1851), “Hawk Owls”, 1971‑72, photolithograph on wove paper, plate CCCLXXLIII, No. 76, from The Birds of America, “G. Shut & Zonen (JR) Audubon (OT)” watermark, sheet 39 1/4 in. x 25 3/4 in., framed. $500/700

326. John Gould (British, 1804‑1881), “Helianthea Osculans” and “Chrysobronchus Virescens”, 2 hand‑colored lithographs, from Family of Hummingbirds, sights 20 in. x 13 3/4 in., framed alike. (2 pcs.) $400/600

324. John Gould (British, 1804‑1881), “Thalurania Furcata” and “Chlorostilbon Caniveti”, 2 hand‑colored lithographs, heightened with gum arabic, from Family of Hummingbirds, sights 19 1/2 in. x 13 3/4 in., framed alike. (2 pcs.) $700/900

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325. John James Audubon (American, 1785‑1851), “Fork‑Tailed Petrel”, uncolored aquatint with engraving, plate CCLX, No. 52 from The Birds of America, Havell edition, watermark trimmed off, sheet 16 3/8 in. x 23 1/2 in., framed. $500/700

327. William Shayer I (British, 1787‑1879), “Goat Farmers”, 1834, oil on canvas, signed and dated lower right, 28 in. x 36 in., framed. $400/600

328. Six American Classical Mahogany Side Chairs, 19th c., tablet crest rail, carved slat, slip seat, saber legs, h. 33 in., w. 18 in., d. 17 in. $600/1000 329. American Federal Figured Mahogany Work Table, late 18th/early 19th c., drop-leaf reeded top, two drawers over basket frame, turned and reeded legs, button feet, h. 30 in., w. (closed) 19 in., w. (open) 34 in., d. 16 1/2 in. $1200/1800

330. Large American Late Classical Inlaid Rosewood Cabinet, mid‑19th c., later marble top, divided frieze drawer over two doors, linen drawer interior, plinth base, bracket feet, h. 42 in., w. 56 1/2 in., d. 23 in. $1200/1800

Provenance: The Friedle‑Garrison Collection, New Orleans.

331. American Late Classical Carved Mahogany Secretary Bookcase, early‑to‑mid 19th c., probably New York, molded cornice, glazed doors flanked by colonettes, foldover writing surface over ogee frieze drawer and cabinet doors, paw feet, h. 95 in., w. 48 1/2 in., d. 24 in. $1500/2500

334. Antique George III‑Style Mahogany and Brass‑Banded Wine Cooler, lion mask and ring handles, tapered leg stand, later copper liner, h. 22 in., w. 18 in., d. 18 in. $500/750

332. Set of Eight American Classical Painted and Parcel Gilt “Fancy” Chairs, early 19th c., Baltimore, incl. two arms and six sides, slatted spherule back, rush seat, tapered legs, h. 33 1/2 in., w.

20 in., d. 16 1/4 in. $1200/1800 Provenance: Didier, Inc., Estate of David A. Wojciechowski.

335. George III Inlaid Mahogany Games Table, early 19th c., shaped foldover top, conforming frieze, tapered reeded legs, h. 30 in., w. 35 1/2 in., d. 36/14 in. $500/700

338. English Carved and Inlaid Rosewood Games Table, shaped foldover top, tooled leather playing surface, interior compartment, cabriole legs, h. 30 in., w. 31 in., d. (closed) 16 3/4 in., d. (open) 33 1/4 in. $1200/1800 Provenance: Windham Collection, Oxford, MS.

336. English Gothic Carved Mahogany Console Table, probably late 19th c., black marble top, reticulated apron, octagonal columnar supports, conforming base, h. 38 1/4 in., w. 54 1/8 in., d. 19 3/4 in. $1000/1500

333. William IV Mahogany Bed Step/ Commode, early 19th c., tooled leather treads, top step with interior compartment, center step retains chamber pot, turned legs, h. 26 1/2 in., w.

26 3/4 in., d. 18 in. $500/700

337. Antique English Carved Walnut and Needlepoint Stool, 19th c., circular seat, S‑carved reeded legs, acanthus‑carved scrolled feet, incurvate stretchers. $500/700 Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

339. Ten George III‑Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 8 side chairs, shield‑shaped backs, carved splats, serpentine seat rails, molded tapered legs, spade feet, armchair h. 38 in., w. 22 in., d. 20 in.; side chair h. 38 in., w. 22 in., d. 20 in. $2000/3000 Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

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341. English Railway Station Bench, early 20th c., slatted back and seat, shaped arms, bulbous‑turned legs, turned feet, weathered green paint, h. 38 1/2 in., w. 73 1/2 in., d. 18 1/2 in. $700/1000 Provenance: Fireside Antiques, Baton Rouge, LA, 2001; Windham Collection, Oxford, MS. 340. George III Carved Oak Dresser Base, 18th c., molded top, ogee frieze, paneled cabinet door flanked by banks of banded drawers, ogee bracket feet, h. 36 in., w. 81 3/4 in., d. 22 in. $1500/2500 Provenance: Paul Hopewell Antiques, West Haddon, Northamptonshire, England, 2001; Windham Collection, Oxford, MS.

343. American Chippendale Mahogany Chest of Drawers, late 18th c., four graduated drawers, batwing pulls, ogee bracket feet, h. 32 1/2 in., w. 38 in., d. 23 in. $500/700

342. English Carved Oak Writing Table, late 19th c., inset leather top, three mask‑carved frieze drawers, foliate bulbous‑turned fluted legs, ball feet, h. 32 in., w. 74 in., d. 36 in. $1000/2000

344. American or English Mahogany Open Breakfront Bookcase, 19th c. and later, molded top, adjustable shelves, plinth base, h. 63 in., w. 91 1/2 in., d. 14 1/2 in. Note: alterations. $800/1200

345. American Queen Anne Carved Walnut Side Chair, mid‑18th c., scrolled crest rail, vasiform splat, cabriole legs, pad feet, h. 38 1/2 in., w. 20 in., d. 17 in. $700/900

348. Fine American Classical Mahogany Window Bench, c. 1830, Boston, school of Isaac Vose, padded arms, lotus carved reeded supports, paneled rosette block and lotus seat rail, bulbous lobed legs, acanthus carved ball feet, recessed casters, h. 29 in., w. 51 1/2 in., d. 19 in. $3000/5000

346. Fine American Chippendale Carved Mahogany Side Chair, late 18th c., Philadelphia, shaped crest rail centered by a shell medallion, cabriole legs, ball and claw feet, h. 40 in., w. 21 in., d. 15 in. $800/1200

347. American Classical Carved Mahogany Tilt‑Top Candlestand, 19th c., New York, shaped top, vasiform standard, reeded tripod base, h. 28 in., w. 26 in., d. 18 in. $600/900

349. Rare and Important Modern Gothic Maple and Woven Wire Daybed, c. 1876, George Hunzinger, New York, stamped with patent date, turned crest rail terminating in applied bosses, adjustable back, curved arms with cone finials, rectangular seat, retains original fabric‑wrapped metal wire webbing, spindle stretchers with ball finials, tapered legs with ball turnings, h. 35 in., w. 72 in., d. 24 in. $5000/7000 Exh.: Indianapolis Museum of Art at Newfields

Note: The daybed offered here was produced by George Jakob Hunzinger, a German immigrant craftsman who established a reputation for highly inventive furniture based on the several patents he secured for his groundbreaking furniture designs. In 1876, Hunzinger obtained a patent for weaving flat metal wire into a grid pattern and wrapping the wire entirely in woven fabric so that upholstery was not necessary.

Hunzinger’s frame designs were also innovative for the period and incorporated unique geometric patterns and stylized ornamental motifs, as evident in the present lot. The wire mesh daybed is especially rare among surviving Hunzinger examples and only a small number like the present lot still exist in both public and private collections.

Ref.: Harwood, Barry. The Furniture of George Hunzinger: Invention and Innovation in Nineteenth-Century America. Brooklyn: 1997, pp. 86-103.

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350. Julius Rolshoven (American, 1858‑1930), “Interior of the Basilica of St. Francis, Assisi, Italy”, pastel on paper, signed and inscribed “Assise” lower left, sight 18 1/4 in. x 24 1/4 in., framed. $600/900 351. Paul Biva (French, 1851‑1900), “Still Life of Wisteria”, oil on canvas, signed lower right, 19 3/4 in. x 27 in., framed. $2000/3000 Provenance: Windham Collection, Oxford, MS.

352. Spanish School, 17th c., “Equestrian Portrait of Cardinal Francisco Ximenes de Cisneros (1436‑1517)”, oil on canvas, unsigned, 94 1/2 in. x 76 1/2 in., unframed; together with Sotheby’s Old Master Paintings catalog, Apr. 8, 2003. (2 pcs.) $5000/7000 Provenance: Sotheby’s London, Apr. 8, 2003, lot 135; Windham Collection, Oxford, MS.

353. Continental School, 17th/18th c., “Still Life of Flowers”, oil on canvas, unsigned, inscribed “...surgun Montes Nemorosa Frondius, Arbo...ugh...v.ent Germine...ernat ag...” along lower edge, 33 3/4 in. x 24 1/2 in., framed. $1000/2000

354. Ludwig Bemelmans (American, 1898‑1962), “Auxerre & Belgian Barge, France”, watercolor on paper laid on board, signed lower right, signed and titled en verso, 22 in. x 30 in., framed. $2500/3500

355. René Chancrin (French, 1920‑1981), “Still Life with Cauliflower, Onions and a Lantern”, 1955, oil on canvas, signed and dated lower right, “Arthur Lenars & Cie” label on reverse of frame, 21 1/4 in. x 25 5/8 in., framed. $2000/3000 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

356. After Sir Peter Lely (British, 1618‑1680), “Elizabeth Hamilton, Countess of Gramont (1640‑1708)”, oil on canvas, unsigned, sitter identified upper left, 30 1/4 in. x 25 in., framed. $800/1200

357. After Jan van de Velde II (Dutch, c. 1593‑1641), “The Four Seasons”, c. 1617, 4 engravings, engraved by Claes Jansz Visscher (Dutch, 1586‑1652), published by Nicholas Visscher, each 11 1/2 in. x 16 1/2 in., framed alike. (4 pcs.) $800/1200

358. Pair of Continental Gilt Bronze Figural “Nike” Candlesticks, domical base, h. 16 1/2 in., dia. 5 1/2 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

359. Pair of Spanish Colonial Wrought Iron and Brass Andirons, tapered shaft, incised geometric decoration, figural brass finials, h. 31 in., w.

11 1/2 in., d. 22 in. $800/1200

360. Pair of Empire‑Style Bronze‑Mounted Faux Malachite Urns, 20th c., Bacchic masks, hoof feet, h. 24 1/2 in., dia. 10 in. $1200/1800 Additional information at www.nealauction.com

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362. Antique Continental Tapestry Fragment, 19th c., depicting bouquets and fruit, with later border, mounted in Plexiglas shadowbox frame, frame h. 19 1/2 in., w. 59 in., d. 3 in. $300/500

361. English Brass and Leather Club Fire Fender, c. 1900, leather seats, brass nailhead trim, h. 24 in., w. 78 in., d. 17 in. $700/1000 Provenance: 3 Audubon Place, New Orleans, LA.

363. Monumental Pair of Napoleon III Bronze and Cut Crystal Ten‑Light Gasolier Sconces, late 19th c., spear finial, over crown and vasiform standard, shield backplate, allover hung with beads, teardrop and faceted ball pendants, h. 45 in., w. 27 in., d. 18 in. $1000/2000 Provenance: Brown University, Providence, RI.

364. Pair of Large Continental Patinated Bronze Figural Torchères, 20th c., in the Egyptian taste, pedestal base with neoclassical decoration, h. 76 in., dia. 15 in. $1500/2500

365. Continental Giltwood Mirror, 20th c., reeded frame, flower bouquet flanked by pheasants, h. 40 in., w. 33 in. $800/1200 Provenance: Windham Collection, Oxford, MS.

366. Louis XV/XVI‑Style Giltwood and Crème Peinte Mirror, early 20th c., scroll and floral crest, h. 49 in., w. 33 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

368. Louis XV‑Style Bronze‑Mounted Boulle Bracket Clock, 19th c., “St. Martin à Paris”, surmounted by figure of Mercury, signed movement rings on three bells, h. 21 in., w. 9 1/2 in., d. 5 3/4 in. $800/1200 Provenance: Storyville Antiques, Natchez, MS, 1995.

367. Restauration Gilt Bronze Figural Mantel Clock, early 19th c., silk-thread movement, noble gentleman on a curule stool, remnant of a Napoleon staff resting on the desk, h. 19 in., w. 16 3/4 in., d. 6 in. $1500/2500

369. Bronze Figural Group of “The Lion Fighter”, after Albert Wolff, h. 18 3/4 in., w. 18 3/4 in., d. 6 3/4 in., marble base, overall h. 20 in. $600/900

Provenance: The Stanley Weiss Collection, Providence, RI.

Provenance: The Friedle‑Garrison Collection, New Orleans.

370. Bronze Figure of “ Rape of the Sabine Women”, after the marble by Giambologna, h. 12 3/4 in., w. 7 1/4 in., d. 4 3/4 in., marble base, overall h. 13 1/2 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

371. Bronze Figure of a Horse, “7/299” stamped and cast “Chiurazzi/Naples” foundry seal on self‑base, h. 17 1/2 in., w. 19 3/4 in., d. 7 3/4 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

372. Bronze Figure of “The Dancing Faun “, after the antique in the House of the Faun, Pompeii, h. 12 3/4 in., w. 5 1/2 in., d. 4 1/4 in., marble base, overall h. 13 1/2 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

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373. French Bronze Statuette of the Venus de Milo, after the antique in the Palais du Louvre, Paris, collection inscriptions on underside, h. 12 in. $200/400

374. American Classical Giltwood Mirror, early 19th c., rope‑molded cornice, floral reserve, spiral‑turned columnar stiles, beaded base, h. 37 1/2 in., w. 25 1/2 in. $400/600

Provenance: The Stanley Weiss Collection, Providence, RI.

375. American NeoGreco Giltwood Pier Mirror, c. 1880, cabochon, shell and anthemion crest, blocked cornice, conforming marble top base, on toupie feet, h. 112 in., w. 34 1/2 in. $1200/1800

376.

Pair of American Renaissance Carved and Burl Walnut Pedestals, c. 1875, marble top, frieze drawer, reverse tapering form with ornamental panel, h. 38 in., w. 16 in., d. 16 in. $1000/2000

Provenance: Neal Auction Company, New Orleans, July 12, 2008, lot 1150; Windham Collection, Oxford, MS.

377. Fine American Rococo Carved Rosewood Cabinet, c. 1845, New York, reticulated crest, two mirrored shelves with scrolled supports, marble top, frieze drawer above two mirrored doors, serpentine base, h. 63 in., w. 18 in., d. 40 in. $1800/2500 378. American Rococo Carved Rosewood Commode, mid‑19th c., labeled “J. & J.W. Meeks..New York”, green marble top, lappet‑carved frieze, reticulated cabinet doors, shelf interior, conforming base, embellished feet, casters, h. 41 1/4 in., w. 45 1/4 in., d. 22 1/2 in. $1200/1800 Provenance: The Stanley Weiss Collection, Providence, RI.

379. American Classical Brass Inlaid Mahogany Games Table, early 19th c., probably New York, foldover swivel top, reeded edge, reeded supports, vasiform and reeded stretcher, reeded saber legs, brass bosses and paw feet, casters, h. 29 1/2 in., w. 37 1/2 in., d. 19 1/2 in. $1000/2000 Provenance: The Friedle‑Garrison Collection, New Orleans.

380. Fine American Chippendale Carved Mahogany Side Chair, late 18th c., serpentine crest rail centering a shell, vasiform splat, cabriole legs, drake feet, h. 41 1/2 in., w. 20 1/2 in., d. 16 in. $400/600

381. American Carved and Figured Mahogany Cabinet, mid‑19th c., upper case with stepped cornice, glazed doors, shelf interior, frieze of small drawers; lower case with a bank of 18 drawers, scrolled bracket feet, h. 95 in., w. 50 in., d. 21 in. $1200/1800 384. English Carved Oak Hall Settle, 19th c., turned finials, back fitted with earlier carved panels, shaped arms, two‑board seat, square legs, h.

38 1/2 in., w. 53 in., d. 13 in. $1000/1500 Provenance: Animal Art Antiques, Chartres Street, New Orleans; Windham Collection, Oxford, MS.

382. Chippendale Carved Mahogany Side Chair, late 18th c., shaped crest rail, pierced splat, reeded stiles, egg and dart molded legs, h. 37 in., w. 23 in., d. 19 1/2 in. $1200/1800

383. Antique George III Walnut Blanket Chest, late 18th/early 19th c., open interior, molded base, bracket feet, brass carrying handles, h. 29 in., w. 48 1/2 in., d. 24 1/2 in. $700/900 Provenance: Windham Collection, Oxford, MS.

Provenance: The Stanley Weiss Collection, Providence, RI.

385. Antique English Inlaid Burl Walnut Chest of Drawers, 19th c., two drawers over three, concave panel with compass star, bun feet, h. 31 1/2 in., w. 38 in., d. 22 1/2 in. $1000/1500 Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

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386. English Bronze‑Mounted Mahogany Center Table, probably mid‑19th c., marble top, faceted vasiform standard, scrolled tripod base, paw feet, casters, h.

29 1/2 in., dia. 44 3/8 in. $1200/1800 387. American School, 19th c., “Enoch Train”, oil on canvas, partially effaced “Pollard” signature lower left, faintly signed “J.S. Wilder” lower right, obscured lettering along lower edge, “N.D. Cotton / 7 Tremont St. / Boston” canvas stencil en verso, 22 in. x 30 in., framed. $4000/6000 390. German School, early 19th c., “Mother” and “Daughter”, 2 pastels on board, unsigned, period Nuremberg, Germany labels en verso of backing paper, sights 15 3/4 in. x 12 1/2 in., framed alike. (2 pcs.) $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

388. Robert Atkinson Fox (American, 1860‑1935) and Frank Stick (American, 1884‑1966), “Landscape with Dog”, 1918, oil on panel, signed “R.A. Fox” and dated lower right, both artist names and date inscribed en verso, “Livingston Galleries, New York” label on stretcher, 6 5/8 in. x 4 3/4 in., framed. $800/1200

389. Robert Atkinson Fox (American, 1860‑1935), “Cow in the Woods”, oil on canvas laid on board, signed lower left, 8 in. x 6 1/2 in., framed. $500/700

391. Philip Reinagle (British, 1749‑1833), “The Original Design for a Picture for Lord Oxford (Animals Devouring Prey)”, 1786, oil on paper laid on canvas, signed lower left, inscribed with title and date en verso, heavily inscribed on stretcher, 13 3/8 in. x 12 3/4 in., framed. $600/800

392. Maurice Sarthou (French, 1911‑2000), “Soleil sue l’Etang”, 1962, oil on canvas, signed lower right, dated en verso, “Galerie Moderne at Brentano’s, New York” label with title and date on frame, 19 3/4 in. x 19 3/4 in., framed. $1500/2500

393. Fine Pair of Régence‑Style Carved Giltwood Fauteuils à la Reine, 19th c., padded back and seat, foliate‑carved scrolled arms, cabriole legs, scrolled toes, shell‑carved seat rail, stretchers, h. 44 in., w. 27 in., d. 21 in. $1000/1500 394. Louis XVI‑Style Carved Giltwood Guéridon, inset marble top, floral swag frieze, tapered fluted legs, incurvate stretcher, toupie feet, h. 30 in., w. 27 1/2 in., d. 20 1/2 in. $400/600

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395. Biedermeier Inlaid Walnut Side Chair, 19th c., fan‑shaped back, patera‑inlaid splat, shaped seat, tapered square legs, h. 37 in., w. 18 3/4 in., d. 17 1/2 in. $400/600 Provenance: Windham Collection, Oxford, MS.

396. Continental Marquetry and Mahogany Three Panel Folding Screen, inset Clarence House chinoiserie fabric panels, h. 81 in., w. 67 in. $400/600

400. American Classical Carved Rosewood Sofa Table, c. 1830, serpentine molded top, shell‑carved frieze with blind drawers, acanthus‑carved scrolled legs, shaped stretchers, shoe feet, h. 29 in., w. 42 in., d. 26 in. $700/900

397. Decorative Faux Marbre Pedestal, rotating capital, fluted standard, octagonal base, h. 35 in., w. 17 in. $150/250

398. Louis XVI‑Style Mahogany Demilune Commode, mid‑20th c., later blue granite top, stop-fluted frieze drawer, paneled cabinet doors, tapered legs, h. 37 1/2 in., w. 56 3/8 in., d. 24 1/4 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

399. Continental Carved Mahogany Fire Screen, bowknot crest, foliate finials, fluted columnar supports, fabric panels, scrolled acanthine legs, h. 41 in., w. 21 1/2 in., d. 15 in. $300/500 Provenance: Windham Collection, Oxford, MS.

402. Louisiana Cherrywood Petite Armoire, early 19th c., later stepped cornice, paneled doors, fiche hinges, shelf interior fitted with a single drawer, cabriole legs, h. 74 in., w. 45 in., d. 21 1/2 in. $3000/5000

401. American Sheraton Carved Mahogany Basin Stand, early 19th c., possibly Southern, galleried top with cut out, vasiform supports, shelf with drawer, turned legs, ball feet, h. 34 3/4 in., w. 28 1/4 in., d. 20 in. $300/500

Provenance: Convent of the Sacred Heart, Grand Coteau, LA; Noted Antiquarian Carrie Wolford, Jeanerette, LA; Private Collection.

404. American Classical Carved Mahogany Dressing Table, early 19th c., Philadelphia, rectangular mirror, scroll supports, three glove drawers, bolection frieze drawer over a deep drawer, acanthus-carved standard, foliate paw feet, casters, h. 87 1/2 in., w. 36 1/2 in., d. 19 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

403. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, shaped foldover top, foliate lyre support, molded sabre legs, brass paw feet, casters, h. 29 in., w. 36 in., d. 17 in. $1500/2500

405. American Late Classical Mahogany Pier Table, c. 1840, New York, marble top, molded frieze, mirrored back, fluted columnar supports, incurvate plinth, h.

35 1/2 in., w. 40 in., d. 18 in. $800/1200

Provenance: The Stanley Weiss Collection, Providence, RI.

406. Two Antique English Copper and Brass‑Mounted Leather Trunks, hinged top, bail handles, larger h. 17 in., w. 36 in., d. 18 in., smaller h. 13 1/2 in., w. 30 1/2 in., d. 15 1/2 in. $400/600

407. Antique George III‑Style Carved Mahogany Drop‑Leaf Table, incised label “F. Fordham, London”, oval top, shell‑carved cabriole legs, two gate legs, ball and claw feet, h. 27 1/2 in., w. (closed) 17 1/2 in., w. (open) 53 in., d. 43 1/2 in. $700/1000

408. English or Scottish Arts and Crafts Carved Mahogany Armchair, late 19th c., shaped crest, vasiform splat, leather seat with brass nailhead trim, turned legs, stretchers, h. 39 in., w. 21 in., d. 18 in. $300/500

409. William IV Mahogany Window Bench, upholstered seat, turned legs, ball feet, h. 18 1/2 in., w. 53 1/2 in., d. 16 in. $500/700 Provenance: Fireside Antiques, Baton Rouge, LA, 2001; Windham Collection, Oxford, MS.

Provenance: Tudor House Antiques, Stow on the Wold, England; Windham Collection, Oxford, MS. Additional information at www.nealauction.com

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411. Large Spanish Carved and Ebonized Hardwood Trestle Table, 19th c., foliate molded edge top, splayed barley twist legs, scalloped stretcher, arched iron support, h. 31 in., w. 54 1/2 in., d. 35 in. $1000/2000

410. Antique English Inlaid Burl Walnut Chest of Drawers, two short drawers over three long, bottom drawer with concave panel of compass rays, bun feet, h.

39 1/2 in., w. 41 1/4 in., d. 18 in. $1500/2500 Provenance: Windham Collection, Oxford, MS.

412. Antique French Provincial Fruitwood and Walnut Vaisselier, 18th c. and later, upper section with plate rails, shoe feet, base with two drawers over cupboard doors, cabriole legs, h. 79 1/2 in., w. 52 5/8 in., d. 24 1/2 in. $800/1200

413. Napoleon III Marquetry and Brass Inlaid Rosewood Dressing Table, 19th c., floral inlaid hinged top, fitted interior with mirror, brass mounted stopfluted ebonized legs, incurvate stretcher, h. 28 7/8 in., w. 19 7/8 in., d. 13 7/8 in. $700/900 Provenance: Windham Collection, Oxford, MS.

415. John Korver (American/Louisiana, 1910‑1988), “Herding Cows”, 1968, oil on canvas, signed and dated lower right, 20 in. x 26 in., framed. $1500/2500

416. William Ousley (American/Louisiana, 1866‑1953), “West Fork of Calcasieu River, LA, No. 342, Moonlight”, 1929, oil on canvas, signed lower right, titled lower center, signed, titled, dated and inscribed en verso, 17 3/4 in. x 33 3/4 in., framed. $1000/1500

414. Frederick Milton Grant (American, 1886‑1959), “The Enchanted Garden”, oil on masonite, signed lower right, titled on label en verso, 30 in. x 30 in., framed. $2000/3000 Provenance: Windham Collection, Oxford, MS.

417. Alan Flattmann (American/Louisiana, b. 1946), “A Bright New Day in Oxford”, 1999, pastel on board, signed lower right, dated and inscribed en verso, artist label with title and “Bryant Galleries Inc., New Orleans” label en verso, 20 in. x 29 7/8 in., framed. $800/1200

418. John Genin (French/New Orleans, 1830‑1895), “Portrait of Laurent Uter, Jr. (1854‑1901)”, oil on canvas, signed lower right, 30 in. x 25 in., framed. $1500/2500 419. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Scene with Live Oak”, oil wash on board, signed lower right, sight 9 1/4 in. x 28 3/4 in., framed. $1200/1800

420. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Creole Entrance, Orleans St., Old New Orleans” and “The Red Door, Old New Orleans”, 2 watercolors on paper, each signed lower right and titled lower left, 8 3/16 in. x 6 7/16 in. and 10 3/16 in. x 7 1/2 in., matted.

(2 pcs.) $800/1200

Provenance: Descended in the family of the artist.

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421. Gerald DeLoach (American/ Mississippi, b. 1948), “Wiley’s Corner: Fall Afternoon”, 2007, oil on masonite, signed lower right, signed, titled, dated and “Cole Pratt Gallery, New Orleans” label with artist and title en verso, 23 in. x 24 7/8 in., framed. $2000/3000

424. Hans Frabel (German, b. 1941), “Rods”, glass and wood, unsigned, h.

16 1/4 in., w. 4 7/8 in., d. 4 in. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

422. Josephine Hutson Graham Josus (American/Arkansas, 1915‑1999), “Mechanical Cotton Picker 1”, oil on board, signed upper left, handwritten label with title en verso, inscribed on backing, 8 1/8 in. x 6 1/8 in., framed. $1000/1500

425. Steele Burden (American/Louisiana, 1900‑1995), “Hoo Hum”, white crackle glazed ceramic, initials and title incised on self‑base, h. 3 3/4 in., w. 6 1/2 in., d. 3/4 in. $400/600

423. Hans Frabel (German, b.

1941), “Ram”, glass, stone, wood and mixed media, unsigned, h. 11 1/4 in., w. 13 in., d. 8 1/2 in. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

428. John Coleman (American, b. 1949), “Stella by Starlight”, 1997, bronze, signature, title, date and edition number “6/35” inscribed on pillow, h. 9 in., w. 24 1/2 in., d.

14 1/2 in., rotating marble and wood base, overall h. 11 in. $800/1200

426. Woodrow Nash (American, 20th c.), “Bust of a Woman”, stoneware, metal and mixed media sculpture, unsigned, h. 27 in., w. 20 in., d. 11 1/2 in. $700/1000

429. Frederick Prescott (American/New Mexico, b. 1949), “Wall Street Boogie”, 1988, acrylic on steel kinetic sculpture, signature and date welded on self‑base, h. 65 in. $700/900

427. Richard MacDonald (American/ California, b. 1946), “The Flair”, bronze, after the prototype made for the 1996 Summer Olympics in Atlanta, partial signature inscribed on self‑base, height 42 3/4 in. $700/1000

431. George Rodrigue (American/Louisiana, 1944‑2013), “Bayou Baby”, 1992, silkscreen, signed, titled and numbered “10/90” lower margin, sight 10 1/2 in. x 15 3/8 in., framed. $1200/1800

432. Northern European Painted Copper and Tôle Full‑Bodied Rooster Weathervane, 19th c., in old yellow paint, h. 28 in., w. 35 1/4 in., d. 6 1/4 in., on later patinated metal stand, overall h. 46 1/2 in. $2000/3000

Ill.: Rodrigue, Wendy Wolf. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 62.

Provenance: Robert Young Antiques, 68 Battersea Bridge Road, London; Windham Collection, Oxford, MS.

433. Antique French Olive Jar, remnants of white and purple paint, h.

25 1/2 in., dia. 17 1/4 in. $300/500 Provenance: Windham Collection, Oxford, MS.

430. Jacques Gruber (French, 1870‑1936), “Ville de Nancy”, 1906, lithograph, publisher Louis Kreis, Nancy, France, sheet 33 in. x 24 in., framed. $600/800

434. Pair of French Giltwood and Tôle Peinte Twelve‑Light Torchères, c. 1920, floral painted bell, rope-twist shaft, acanthine collar, tripartite paw foot base, h.

79 in., dia. 20 in., electrified. $1200/1800

435. Pair of Georgian Sheffield Plate Campagna-Form Wine Coolers, c. 1800, removable liners with collars, robustly scrolled rim, anthemion petal scrolled handles, inset silver plate engraved with bishop’s mitre, retains original tinned interior, h. 9 1/4 in., w. 10 1/4 in. $800/1200

436. Pair of Neoclassical‑Style Gilt and Patinated Bronze Figural Lamps, 20th c., each with Grecian standard, molded plinth, scroll feet, black marble base, h. to finial 38 in., dia. 17 1/2 in. $1000/1500 Additional information at www.nealauction.com

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437. Louis Philippe Bronze Four‑Light Figural Torchère, 19th c, winged putto figure holding cornucopia, issuing foliate candle arms, tall plinth base, h. 34 3/4 in., w. 5 1/2 in. $1000/1500

439. Continental Carved, Ebonized and Gilt Mirror, 19th c., Silenus mask crest, grape and grapeleaf surround, h. 38 in., w. 19 in. $800/1200

440. English Rosewood Lap Desk, 19th c., tooled leather writing surface, h.

4 3/8 in., w. 13 7/8 in., d. 9 in., later mahogany stand, overall h. 21 in. $500/700

438. Continental Carved Wood Group of Saint Roch, 18th/19th c., retains old paint surface, h. 14 1/2 in., w. 7 3/4 in., d. 5 in. $600/900

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

441. George III Rosewood Tea Caddy, early 19th c., lion and ring handles, interior with two lidded compartments and mixing bowl, h. 6 1/2 in., w. 11 1/2 in., d. 5 1/2 in. $400/600

442. English Cold‑Painted Bronze Jockey Inkwell and Desk Clip, 19th c., the hinged horse’s head enclosing the ink pot, h. 6 1/8 in., dia. 6 1/2 in.; spring‑loaded clip with steeple chase, l. 8 1/8 in. $300/500

445. Regency Mahogany Sarcophagus‑Form Tea Caddy, 19th c., satinwood line inlay, brass ring handles, paw feet, interior lined with decorative paper, paw feet, h. 7 in., w. 14 in., d. 6 1/2 in. $250/350 Provenance: Royal Antiques, New Orleans.

446. Austrian Cold Painted Bronze Figural Group of a Bedouin on Camel, c. 1900, mounted on a variegated marble vide poche, h. 6 in., w. 6 1/4 in., d. 6 in. $400/600

443. Pair of English Gothic Patinated Bronze Adjustable Candlesticks, 19th c., cast with arch and window designs, h. 7 in. to 10 1/2 in. $500/700

444. Two Antique English Tortoiseshell Card Cases, 19th c., one with mother‑of‑pearl inlay; and a mother‑of‑pearl inlaid tortoiseshell case with albumen photo of a girl, also 19th c., largest 4 in. x 3 3/8 in. $200/300

447. Group of Antique Tortoiseshell Items, 19th c., 2 boxes, 2 mandolins and card case, longest l. 5 3/4 in.

(5 pcs.) $400/600

448. French Gilt Bronze‑Mounted Amber Glass Roemer, 19th c., etched with grape vines, h. 9 1/2 in., dia. 4 1/4 in. $300/500 Provenance: Windham Collection, Oxford, MS.

451. Large Chinese Export Famille Rose Porcelain Covered Vase, 19th/early 20th c., Buddhist lion finial, lions mask handles, decorated with alternating figural and floral panels on a gilt ground strewn with butterflies and foliage, h. 25 in. $500/700 449. Pair of French Carved and Paint‑Decorated Brackets, c. 1900, shaped shelf, scroll support, h. 8 1/2 in., w. 7 1/2 in., d. 7 in. $300/500

450. Monumental Carved Wood Spreadwing Eagle, h. 44 1/2 in., w. 66 in., d. 31 in., presented on a painted pedestal, overall h. 93 1/2 in. $700/1000

Provenance: Windham Collection, Oxford, MS.

452. Large Chinese Export Famille Rose Porcelain Basin, 19th c., central figural roundel encircled by alternating figural and floral medallions, wide rim with bird‑and‑flower panels, h. 4 5/8 in., dia. 16 in. Note: Restoration. $350/450 Provenance: Windham Collection, Oxford, MS.

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454. Alfred Arthur Brunel de Neuville (French, 1852‑1941), “Chicken Coop”, oil on canvas, signed lower right, 15 3/4 in. x 11 3/4 in., framed. $800/1200 Provenance: Windham Collection, Oxford, MS.

453. Pair Chinese Canton Enamel Double Gourd Vases, decorated with bird‑and‑flower panels and auspicious emblems on café‑au‑lait grounds strewn with floral vines, h. 9 1/2 in. $400/600

455. Alexander Marcks (German, 1864‑1909), “Father and Daughter”, oil on cradled panel, signed lower left, 19 1/2 in. x 16 in., framed. $1000/1500 Provenance: Windham Collection, Oxford, MS.

456. William IV Carved Mahogany Sideboard, mid‑19th c., serpentine acanthus‑carved backsplash, incurvate frieze with blind drawer, pedestal supports with gadrooned and lappet‑carved columnar decoration, linen drawer interior, plinth base, h. 51 1/2 in., w. 83 1/2 in., d. 26 in. $500/1000

459. A Rare American Late Federal Tiger Maple and Mahogany Chest, c. 1820, scrolled backsplash surmounted by brass eagle finial, bank of drawers and compartments over three graduated drawers, reeded columnar stiles, turned legs, h. 69 1/2 in., w. 50 1/2 in., d. 21 1/2 in. $1200/1800

457. Antique English Oyster Veneer Chest of Drawers, molded top, two over two drawers, molded base, bun feet, h. 31 in., w. 45 in., d. 23 1/4 in. $1200/1800

458. Pair of Antique Georgian‑Style Walnut Armchairs, shaped splat, scrolled arms, ball and claw feet, h. 42 in., w. 27 in., d. 21 in. $800/1200

Provenance: Windham Collection, Oxford, MS.

460. Pair of Chinese Famille Rose Porcelain Hexagonal Vases, 20th c., decorated with bird and flower panels on pink scraffito grounds, bases with apocryphal Qianlong marks, h. 24 1/2 in. $1000/1500

461. Impressive Chinese Patinated Bronze Covered Tripod Censer on Lotus Stand, coiled qilong dragon finial on pierced cloud and bat cover, sinuous qilong loop handles, compressed globular body relief‑cast with bats amid cloud scrolls, qilin mask and claw feet, base with apocryphal Xuande mark, h. 23 1/4 in., w.

18 in., d. 14 1/4 in., bronze footed lotus leaf stand, overall h. 27 1/4 in. $3000/5000

Provenance: Windham Collection, Oxford, MS.

Provenance: The Stanley Weiss Collection, Providence, RI.

462. William IV Mahogany Server, c. 1835, reticulated gallery, molded top, scroll supports, paneled doors enclosing a partially fitted interior, molded plinth, h. 54 in., w. 52 in., d. 19 1/2 in. $500/800

463. Fine Antique English Gilt‑Decorated, Mother‑of‑Pearl Inlaid and Lacquered Papier‑Mâché Tray, mid‑19th c., shaped filigree stenciled rim, center with chinoiserie domed building in rockwork landscape, on later custom bamboo‑turned base, X stretcher, h. 21 in., w. 31 in., d. 24 in. $300/500

Additional information at www.nealauction.com

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464. William and Mary‑Style Carved Walnut Writing Table, inset leather top, two drawers, turned legs, shaped stretcher, bun feet, h. 30 in., w. 45 in., d. 25 in. $500/800

465. French Provincial Carved Walnut Dining Table, early 19th c., four‑board top, two frieze drawers, cabriole legs, h. 29 1/4 in., w. 61 in., d. 32 in. $600/900 Provenance: Wirthmore Antiques, New Orleans, LA.

466. George IV-Style Mahogany Octagonal Wardian Case, with removable tin liner, on conforming pedestal stand, h. 60 1/2 in., dia. 25 in. $700/1000

468. Set of Twelve Mason’s Ironstone Dessert Plates in the Imari Palette, c. 1813‑1820, impressed marks, dia. 9 3/8 in. $300/500

467. Spode “The Hunt” Pattern Dinner and Coffee Service, incl. 2 covered tureens, h. 7 in., w. 11 1/4 in.; 3 platters, l. 12 1/2 in., 14 1/4 in., and 14 1/4 in.; 12 dinner plates, dia. 10 1/2 in.; 14 soups, dia. 9 in.; 12 salads, dia. 7 1/2 in.; 11 bread and butters, dia. 6 1/4 in.; 14 teacups and 12 saucers; 14 demitasse cups and saucers; 8 mugs; teapot, l. 10 in.; coffee pot h. 9 in.; creamer; covered sugar; and covered box, h. 1 1/2 in., w. 5 3/4 in., d. 4 3/4 in. (111 pcs.). $600/800

469. Pair of Chinese Export Famille Verte Porcelain Covered “Ginger” Jars, decorated with birds on prunus branches, h. 10 1/2 in., later stands, overall h. 12 1/2 in. $300/500 Provenance: Windham Collection, Oxford, MS.

Provenance: Henry Stern, New Orleans; Estate of Eve Godchaux Hirsch, New Orleans.

470. Pair of Chinese Export Polychrome Porcelain Ducks, h. 6 1/4 in., l. 9 1/4 in. $400/600

471. Chinese Export Porcelain Partial Tea Service, 19th c., decorated with gilt monogram within star, incl. 2 covered teapots, h. 5 1/2 in. and 6 in., w. 9 in. and 10 in.; sugar with associated cover, h. 5 1/4 in.; bowl, dia. 5 1/2 in.; 2 plates, dia. 7 3/4 in.; 4 demitasse cups; 2 teacups; and 9 fruit bowls/saucers, dia. 5 1/2 in. (21 pcs.) $400/600

473. Antique Iron Strong Box, 19th c., paneled sides, bail handles, with key, h. 12 1/2 in., w. 21 in., d. 14 in. $500/700 472. Pair of Chinese Polychrome Porcelain Vases, decorated with birds on branches and in flight, h. 13 1/4 in. $600/800

474. Antique English Pressed Brass Wardian Case in the Gothic Taste, 19th c., winged paw feet, h. 29 in., w. 26 in., d. 15 1/2 in. $600/800

Note: The Wardian case was invented in 1829 by Dr. Nathaniel Bagshaw Ward, after his collection of ferns was poisoned by London’s pollution. The cases were quickly adopted by plant explorers, prospecting the world for new plants. By midcentury, handsome examples, such as lot 474, were found in stylish drawing rooms.

475. American Federal Brass Andirons, c. 1790, New York, urn finial, spurred ball and claw feet, h. 29 1/2 in., w. 12 1/4 in., d. 20 in.; together with five fire tongs and three shovels. $400/600 Provenance: Didier, Inc., Estate of David A. Wojciechowski.

Ref. Lichten, Frances. Decorative Art of Victoria’s Era, p. 160.

476. Pair of Neoclassical‑Style Bronze Ewers, c.

1900, serpent handles, grotesque mask, relief of Classical figures, h. 19 in., w. 11 1/2 in., d. 6 1/2 in. $700/900

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477. Rare Craighead & Kintz Patinated Metal Figure of Eros, modeled with bow and torch, h. 24 1/2 in., w. 10 in., d. 9 1/2 in. $800/1200

478. French “Grand Tour” Bronze Thermometer, 19th c., column with figure, naturalistic base with a mare and foal, h. 8 in., w. 5 3/4 in., d. 3 1/2 in.; together with a Greek bronze clip, and a Victorian table screen. $200/400

479. Antique Pair of French Bronze and Variegated Marble Six-Light Candelabra, late 19th c., now electrified, tripartite base, h. (to socket) 33 in., dia. 11 in. $1000/1500

480. Pair of Tôle Peinte Columnar Lamps, classical motifs, stamped “E.F. Caldwell & Co., Inc., New York”, h. 23 1/2 in., w. 6 1/2 in. $800/1200

481. Fine Art Nouveau Gilt and Patinated Bronze Vasiform Lamp, 19th c., foliate handles and collar, h. (to socket) 24 in. $500/750

482. Venetian‑Style Rock Crystal and Crystal Six‑Light Chandelier, 20th c., with crystal beads, star rosettes and pendeloques, h. 31 in., dia. 27 in. $700/1000

484. Platinum, 18 kt.

Yellow Gold, Enamel, Diamond and Cabochon Emerald Frog Ring. $1800/2500

485. White Gold, Emerald and Diamond Pendant, set with pearshaped faceted emerald and numerous small diamonds, with chain, diamonds 1.52 cts., emerald 9.30 cts. $4000/6000

483. Pair of French Tôle Peinte Chestnut Urns, early 20th c., lion mask and ring handles, h. 10 3/4 in., w. 7 in., d. 4 1/2 in. $200/300

486. 18 kt. White Gold, Emerald and Diamond Flexible Bracelet, set with emerald cut emeralds, diamonds 2.84 cts., emeralds 12.84 cts. $4000/6000

487. 14 kt.

Yellow Gold Slide Bracelet. $1000/1500

488. Platinum, Sapphire and Diamond Ring, oval faceted sapphire surrounded by round and baguette diamonds, sapphire 3.57 cts., GIA certificate. $2000/3000

489. 18 kt. White Gold, Emerald and Diamond Cluster Ring, set with emerald cut emerald surrounded by faceted diamonds, emerald 3.98 cts., diamonds 2.74 cts., GIA certificate. $3000/5000

Additional information at www.nealauction.com

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493. Carved Alabaster Figure of a Reclining Maiden, after “Venus Victrix” by Antonio Canova, h. 12 in., w. 23 in., d. 7 in. $800/1200 490. Danish Terracotta Figural Group of a Man Stealing a Panther Cub, “P.Ipsen/ Eneret/ Kjobenhavn/ 290” stamp on self‑base, h. 20 in., w. 9 3/4 in., d. 4 3/4 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

491. Bronze Figure of Diana, h.

10 3/4 in., w. 3 /2 in., d. 3 in., marble base, overall h. 12 in. $250/350 Provenance: The Friedle‑Garrison Collection, New Orleans.

492. Bronze Figure of a Faun Playing the Pipes, after Ferdinando De Luca, h. 11 1/4 in., w. 4 1/2 in., d.

3 3/4 in. Note: Missing a pipe. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

494. Bronze Figure of Seated Mercury, after the antique in the National Archaeological Museum of Naples, h. 8 1/2 in., w. 6 3/4 in., d.

5 in. $200/400 Provenance: The Friedle‑Garrison Collection, New Orleans.

498. Napoleon III Gilt and Silvered Bronze‑Mounted Rouge Marble Figural Mantel Clock, 19th c., striking bell movement marked “Japy Freres”, dial with incised Roman numerals, flanked by mask handles, lion mask and paw feet, h. 18 1/2 in., w. 13 in., d. 6 1/4 in. $700/1000

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496. Patinated Bronze Figure of a Rooster, after Emile Desire Lienard, signature inscribed on self‑base, h. 7 1/2 in., w. 5 3/4 in., d. 2 3/4 in. $200/400 495. Bronze Figure of “Charles Atlas”, after Joseph Nicolosi, signature and title inscribed on self‑base, Roman Bronze Works, NY foundry mark, h. 33 1/2 in., w. 15 in., d. 7 3/4 in. $800/1200

499. French Bronze and Cut Crystal Regulator Clock, c. 1900, striking gong movement marked “S. Marti & Cie”, mercury pendulum, flanked by cut crystal columns, h. 15 in., w. 10 in., d. 5 in. $800/1200

497. Continental Patinated Bronze Figure of Bacchante, h. 22 in., w. 6 1/2 in., d.

5 in. $400/600

500. Chinese School, Qing Dynasty (1644‑1911), “The Three Star Gods: Fu, Lu and Shou”, ink and color enhanced with gold on paper, 68 in. x 43 3/4 in., silk mounted and framed. $1000/1500 Provenance: Windham Collection, Oxford, MS.

501. Chinese School, probably 19th c., “Portrait of Ming Dynasty Male and Female Couple”, ink and color enhanced with gold on paper, sight 43 1/2 in. x 30 in., matted and framed. $400/600 Provenance: Windham Collection, Oxford, MS.

503. Yang Xianmin (Chinese, 20th c.), “Three Elderly Gentlemen”, ink and color on paper, inscribed and sealed upper right, sight 25 in. x 18 7/8 in., double matted and framed. $200/400

502. Chinese School, 19th/20th c., “Portrait of a Male of Civil Rank” and “Portrait of a Female of Civil Rank”, each ink and color on paper, the male enhanced with gold, each 34 1/4 in. x 20 3/4 in., mounted as a hanging scrolls. (2 pcs.) $400/600

504. Chinese Ming‑Style Blue and White Porcelain Pilgrim or Moon Flask, 20th c., decorated with Arabic calligraphy roundels against a ground of scrolling foliage, h. 12 1/4 in. $600/800

Provenance: Windham Collection, Oxford, MS.

505. Pair of Chinese Jinzhuan‑Style Clay Bricks, probably late Qing Dynasty (1644‑1911), square bodies inscribed with Qianlong marks along edge, h. 3 1/2 in., w. 27 1/2 in., d. 27 1/2 in., mounted on Elmwood stands as side tables, overall h. 30 1/2 in. and 28 1/2 in. $1200/1800

507. Pair of Chinese Blue and White Porcelain Panels, decorated with boys playing within a fenced garden, sight 9 1/2 in. x 13 1/2 in., framed alike. $400/600

506. Near Pair of Chinese Iron Red and White Porcelain Vases, late Qing Dynasty (1644‑1911), Buddhist lion mask‑ring handles, decorated with Buddhist lions and calligraphy, h. 23 in. and 23 3/8 in. $400/600

509. Large Pair of Chinese Gilt Bronze Guanyin Groups, 20th c., each modeled in mirror image seated in lalitasana on a Buddhist lion or elephant wearing voluminous robes, bead necklaces and a tiara, h.

30 in., w. 24 in. $1000/1500

508. Pair Chinese Blue and White Porcelain Baluster Vases, decorated with noblemen in a garden setting, bases with spurious Kangxi marks, h. 15 1/8 in. $600/800

510. Chinese Hardwood Recessed‑Leg Table‑Form Stand, probably 19th c., rectangular plank top, openwork scrolled frieze with balls, rectangular sectioned legs with curved feet, floor stretchers, h. 9 3/4 in., w. 26 1/4 in., d. 14 1/8 in. $200/400 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

511. Chinese Marbled Xipi Lacquer Tiered Box, Qing Dynasty (1644‑1911), covered in an abstract marble design of red, ochre, green, and black, black interior with one fitted tray, h. 6 7/8 in., w. 12 1/2 in., d. 6 3/8 in. $300/500 Provenance: The Sturm Collection, St. Thomas, Virgin Island.

Note: Xipi, literally “rhinoceros hide”, lacquer is a technique that involves applying layers of different colored lacquer, which is then polished so that the varying colors appear in a marbled pattern over the surface of the object.

514. Chinese Pale Celadon Jade Cup, Qing Dynasty, probably 18th c., thin walled conical body, pair of scrollwork handles, h. 2 1/2 in., w. 5 1/2 in., d. 4 1/8 in., later stand, overall h. 3 1/2 in. $600/800

512. Chinese Hardwood Covered Square Box, probably zitan, pierced cover carved with two pairs of contesting dragons, stepped body and base with ruyi and foliage, base with apocryphal Qianlong mark, h. 2 7/8 in., w.

10 in., d. 10 in. $1000/1500

513. Chinese Patinated Bronze Gu‑Form Beaker Vase, 19th/20th c., cast with scrolling foliage and leaf tips, foot with Qianlong mark, h. 18 1/2 in., dia. 9 1/8 in. $1500/2500

515. Chinese Pale Celadon Jade Libation Cup, Qing Dynasty (1644‑1911), reticulated entwined prunus branch handles, bowl‑form body carved with branches and calligraphy, h. 1 1/4 in., w. 4 7/8 in., d. 2 7/8 in., coral inset hardwood cover and hardwood stand, overall h. 3 3/4 in. $600/800 Additional information at www.nealauction.com

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517. Chinese Shoushan Soapstone Figure of Guanyin, carved seated wearing a cowl and long robes with incised floral decoration, holding a scroll atop a raised knee, h. 5 1/8 in., fabric covered stand, overall h. 6 1/4 in. $700/900

516. Chinese Gilt and Polychrome Lacquered Wood Figure of Guandi/ Guan Yu, Qing Dynasty (1644‑1911), carved seated on a throne draped with a tiger skin upon a platform base, h. 10 in., w. 5 in., d. 5 in. $600/800

519. Two Chinese Hardstone Brush Rests, probably 20th c., each carved as a mountain range, each base with incised two‑character mark, incl. lapis lazuli, h. 1 7/8 in., w. 5 1/2 in.; and rock crystal/quartz, h. 1 7/8 in., w. 3 in., hardwood stand, overall h. 2 1/4 in. $300/500 520. Chinese Shoushan Soapstone Seal, probably Qing Dynasty (1644‑1911), squared body surmounted by coiled dragons contesting the flaming pearl, incised 4‑character mark, carved chop, h. 4 3/4 in., w. 2 3/8 in., d. 2 3/8 in. $400/600

523. Chinese Patinated Bronze Covered Hat Stand, pierced cover, globular top and mid‑section relief‑cast with bats amid cloud scrolls, standard with archaistic zoomorphic flanges, footed lobed base with apocryphal Qianlong mark and cast with lotus heads and foliate scrolls, h. 20 1/2 in. $800/1200

518. Chinese Patinated Bronze Bombe Censer, elephant mask loop handles, base with apocryphal Xuande mark, h. 2 3/4 in., w. 7 7/8 in., d. 6 1/2 in., prunus pierced hardwood cover with jade citron finial, overall h. 5 1/4 in. $800/1200

521. Chinese Bronze Seal, square base inscribed, h. 3 1/2 in., w. 2 3/4 in., d. 2 3/4 in. $300/500 522. Chinese Patinated Bronze Figure of a Qilin, modeled seated on its haunches on a blanket covered rectangular pedestal, h. 14 1/2 in., w. 14 3/4 in., d. 8 1/2 in. $1000/1500 525. Sei Koyanagui (Japanese, 1896‑1948), “Vase et Fleurs”, oil on canvas, signed lower right, old exhibition label on stretcher with registration no. “1055”, 28 3/4 in. x 23 5/8 in. $400/600

524. Kiso Yoshida (Japanese, 1919‑2005), “Irises”, ink on paper, signed lower right, pencil signed lower left, 12 1/2 in. x 17 1/8 in., unframed. $600/800

526. Toshi Yoshida (Japanese, 1911‑1995), “Opus No. 12”, woodblock print, 1953, pencil‑signed, dated and titled lower margin, sheet 16 in. x 10 1/2 in., framed. $250/350

528. Japanese Imari Porcelain Vase, Meiji Period (1868‑1912), fluted body decorated with phoenix birds and flowers, h. 9 3/4 in., mounted as a lamp, h. (to finial) 26 3/4 in. $300/400 527. Two Japanese Imari Porcelain Chargers, late 19th/early 20th c., first with phoenix roundel encircled by figural and shishi landscapes, dia. 15 1/2 in.; other with floral roundel and “black ships” with European/Dutch figures, dia. 16 in. $250/350

529. Pair of Japanese Kakiemon Porcelain Figures of an Elderly Couple, Meiji Period (1868‑1912), male modeled with a rake, female with a broom, h. 9 1/2 in. and 8 3/4 in., wood box. $200/400 Provenance: Acquired Sotheby’s, London, c. 1999.

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Provenance: Helena Rubinstein; her great niece, Patricia Delaura, West Palm Beach, FL; gift to current owner, Middleburg, FL.

530. Japanese Polished and Stippled Mixed Metal Vase, probably Meiji Period (1868‑1912), modeled in high relief with flowering iris stems and leaves, base marked, h.

12 1/8 in. $500/700

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

531. Japanese Bronze Lobster, Meiji Period (1868‑1912), h. 11 3/4 in., l. 14 1/2 in., w. 11 in. $600/800

532. Japanese Articulated Copper Jizai Okimono Model of a Lobster, 20th c., in the manner of Takase Torakichi (Kozan, 1869‑1934), body signed, possibly “Hiroshi” or “Hiromi”, l. (fully extended) 8 1/2 in. $400/600

533. South Asian Silver Repoussé Bowl, hallmarked with Chinese characters, decorated with figures, masks, and foliage, base with presentation inscription to Captain James N. Carter Jr. from the officers and men of various divisions of the Royal Thai Army, knob feet, h. 5 1/4 in., dia. 9 1/8 in. $300/500

534. Chinese Red Lacquered Chest of Drawers, 20th c., h. 32 in., w. 48 in., d. 18 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

535. Chinese Brass‑Mounted Carved Wood Apothecary or Tea Cabinet‑on‑Chest, upper case fitted with 34 drawers, lower case with frieze of drawers, cabinet doors, and further drawer frieze, h. 43 in., w. 32 3/4 in., d. 11 in. $500/700

537. Antique Elizabethan‑Style Carved Walnut High Chair, 19th c. or earlier, spindled linen fold carved back, lion’s mask and feather‑carved stiles, turned padded arms, tooled leather seat, turned legs, stretcher base. $500/700 Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS. 536. English Tôle Peinte Bedstead, shaped head board with floral sprays, serpentine foot board with conforming decor, turned legs, h. 68 in., l. 81 in., w. 60 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez, MS. 538. William IV Carved Mahogany Bedstep/Commode, mid‑19th c., upholstered treads, turned feet. Note: loss. $200/400

539. Group of Five Miniatures, one depicting John Langdon signed “Hailo”, one depicting woman in Renaissance dress, one depicting girl in plaid dress and 2 of man and woman signed “John Dempsey / miniature painter / Manchester / Liverpool, 1838” en verso, 2 in. x 1 3/4 in. to 4 1/4 in. x 2 3/4 in., each framed. (5 pcs.) $300/500

540. Turkish Kuba Carpet, brown and ivory ground, repeating design, 3 ft. 7 in. x 6 ft.

10 in. $200/400 Provenance: Kaskas Oriental Rugs, Inc., Austin, TX, 1983.

541. Semi‑Antique Persian Bidjar Carpet, red and dark blue ground, central double‑arrow medallion, 4 ft. x 6 ft. 2 in. $1000/1500

542. Two Kilim Rugs, allover floral design, pink, green, tan 5 ft. 4 in. x 7 ft.

4 in; together with rug with red ground, 8 ft. 7 in. x 4 ft. 8 in. $400/600

543. Semi‑Antique Khoton Carpet, light red and cream ground, central field with a pair of birds, 4 ft. 6 in. x 7 ft. 10 in. $1800/2200

544. Large Sarouk Carpet, teal ground, allover floral sprays, stylized border, 10 ft. 4 in. x 19 ft. 10 in. $1000/1500

Additional information at www.nealauction.com

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545. Persian Heriz Carpet, red and cream ground, blue border, central medallion, overall floral design, 4 ft. 1 in. x 5 ft. 1 in. $700/900

549. Pair of Cast Iron Figures of Hunting Dogs, early 20th c., after Henri‑Alfred Marie Jacquemart (French, 1824‑1896), each cast seated on its haunches with quail or a belt strap at its front feet , h. 37 in., w. 17 in., d. 49 3/4 in. $1500/2500

553. Persian Hamadan Carpet, red ground, blue border, allover floral design, 3 ft. 10 in. x 5 ft. 10 in. $1000/1500

546. Kirman Carpet, rust and cream ground, central medallion, stylized floral border, 6 ft. x 9 ft. $500/700

550. American Sterling Silver Revere Bowl, Revere Silversmiths, Brooklyn, act. 1914 to present, with glass liner, h. 4 7/8 in., dia. 9 7/8 in., wt. 25.75 troy ozs. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

547. Kirman Carpet, red ground, central medallion, floral border, 9 ft. 6 in. x 13 ft. 5 in. $500/700

551. Large French Glazed Pottery Olive Jar, 19th c., h. 41 in., dia. 32 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

554. Antique Persian Bidjar Carpet, blue central field, repeating borders, 4 ft. x 5 ft. 8 in. $800/1200

555. Persian Mahal Carpet, red ground, central medallion, allover floral design, 4 ft. 4 in. x 6 ft. 8 in. $800/1200

548. Oushak Carpet, light and dark brown ground, overall floral design, 9 ft. 11 in. x 13 ft.

10 in. $700/1000

552. Antique Cast‑Iron Rooster Mill Weight, 19th c., base and tail with mounting holes, h. 19 in., w. 18 1/2 in., d. 3 1/2 in. $500/700 Provenance: Windham Collection, Oxford, MS.

556. Persian Shiraz Carpet, blue and red ground, triple medallions, 4 ft. 10 in. x 6 ft. 6 in. $800/1200

558. Cast Stone Garden Term Figure of Pan, holding grapes and a flute, h. 58 1/2 in., w.

15 in., d. 12 in. $800/1200 557. American Cast Iron “Fern” Pattern Garden Bench and Chair, bench h. 33 in., w. 54 in., d. 18 in.; h. 32 in., w. 23 in., d. 20 in. $1200/1800

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Provenance: Windham Collection, Oxford, MS.

559. Chinese Polychrome and Gilt Lacquer Six Panel Floor Screen, decorated with figures at leisurely pursuits in an elaborate garden setting with pavilions, bridge and terrace, h. 72 in., w. 143 in. Note: Condition. $500/700

560. Persian Qashqai Carpet, ochre and dark blue ground, central corner medallions, overall animal and foliate designs, 4 ft. 6 in. x 6 ft. 8 in. $900/1200

561. Persian Hamadan Carpet, dark red ground, triple border, with floral design, 4 ft. x 6 ft. 4 in. $900/1200

562. Antique Persian Lilihan Carpet, dark red and blue ground, floral central medallion and spandrels, 4 ft. 5 in. x 6 ft. 9 in. $800/1200

563. Louis XV‑Style Boullework and Bronze‑Mounted Games Table, 19th c., serpentine foldover top, conforming frieze, baize-lined playing surface, cabriole legs, h. 30 1/2 in., w. 34 1/2 in., d. 18 in. $800/1200

564. Antique Empire‑Style Parcel Gilt and Faux Malachite Console, white marble top, frieze centered by a classical mount, scrolled acanthus‑mounted supports, mirrored back, shaped base, h.

32 5/8 in., w. 34 3/4 in., d. 16 in. $1000/1600

565. Napoleon III Bronze‑Mounted, Ebonized and Tortoiseshell‑Inlaid Boullework Center Table, late 19th c., turtle top, serpentine apron centered by mythological masks, cabriole legs with figural mounts, sabots, h. 30 1/2 in., w. 58 in., d. 35 in. $800/1200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

566. Louis Philippe Carved Mahogany Fauteuil de Bureau, 19th c., barrel back, scrolled arms, lappet‑carved flared legs, h. 31 in., w. 22 1/2 in., d. 19 in. $400/600 568. Regency‑Style Mahogany Pedestal Dining Table, vasiform standard, sabre legs, brass cuffs, casters, two leaves, h. 30 in., l. (closed) 68 in., l. (extended) 90 in., w. 46 in. $800/1200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

567. Eight Directoire‑Style Fruitwood Side Chairs, square backs, tapered legs, custom upholstery, brass nailhead trim, h. 37 in., w. 17 1/2 in., d. 17 in. $1000/1500

572. Group of Art Glass, 20th c., probably Italian, incl. 2 standing horses, h. 5 5/8 in. and 8 1/2 in.; rooster, h. 6 in.; rabbit, h. 4 1/4 in.; ribbon‑wrapped bag of fish, h. 6 1/4 in.; and horse head, labeled “Murano”, h. 5 in. (6 pcs.) $150/250

569. French Sevres‑Style Gilt Metal‑Mounted Eight‑Light Chandelier, 20th c., vasiform standard, scrolled arms, h. 38 in., dia. 26 in. $800/1200

570. “Grand Tour” Carrara Marble Lamp, giltwood base, marble h. 25 in., h. (to finial) 41 1/2 in., w. 11 in., d. 6 in. $400/600

571. Near Pair of American Gilt Bronze and Opaline Glass Flare Vases, mid‑19th c., with ruffled blue rims, cast holder with anthemion, mask and scrollwork, bronze‑mounted stepped marble bases, h. 10 1/4 in. and 10 3/4 in. $200/300

Additional information at www.nealauction.com

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573. Group of Miscellaneous Crystal Objects, 20th c., incl. a Tiffany & Co. apple paperweight, h. 4 1/4 in.; Baccarat frog, h. 2 1/2 in. and vase, h. 6 7/8 in.; and Lalique vase, h. 5 1/4 in. (4 pcs.) $250/350

574. Group of Baccarat Crystal Stemware, acid etched marks, incl. 5 “St. Remy” goblets, h. 8 1/2 in.; 8 “St. Remy” wine glasses, h. 7 1/4 in.; 2 “Dom Pérignon” champagne flutes, h. 9 1/4 in.; and “Dégustation Romanée Conti” glass, h. 9 in.; together with 6 Riedel glasses, h. 9 3/8 in. (22 pcs.) $300/500

577. Platinum and Diamond Eternity Ring, set with emerald-cut diamonds totaling 3.51 cts. $3000/5000

575. Group of French Cobalt Cut‑to‑Clear Crystal, incl. 2 decanters, h. 10 3/4 in.; 7 goblets, h. 4 5/8 in.; 2 goblets, h. 4 1/8 in.; 2 baluster vases, h. 5 1/2 in.; and flare vase, h. 6 1/4 in. (14 pcs.) $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

578. 18 kt. White Gold, Sapphire and Diamond Cluster Ring, faceted sapphire 4.18 cts., numerous round, marquise and pear-shaped diamonds 3.66 cts., with GIA certificate. $3000/5000

581. Fine and Rare Blown Glass Fish Bowl, 19th c., h. 15 3/4 in., dia. 16 in. $300/500 580. Antique Bohemian White Cut‑to‑Clear Glass Covered Punch Bowl, 19th c., gilt decoration, h. 15 in., dia. 9 3/8 in. $300/500

Provenance: Neal Alford Company, September 26, 1987, lot 446..

584. Antique Continental Gilt Basket‑Hilt Rapier, damascened blade, cloth covered scabbard, blade l. 41 in. Note: Condition; together with four other antique swords. (5 pcs.) $400/600

576. Pair of Steuben Glass “Spiral” Bowls, 20th c., etched marks, pattern 8060, designed in 1954 by Donald Pollard, h. 3 1/2 in., dia. 7 in., with original Steuben boxes. $300/500

579. Platinum, Ruby and Diamond Cluster Ring, faceted oval ruby 3.69 cts., GIA certificate. $2000/3000

582. French Brass and Cut Crystal Regulator Clock, c.

1900, striking gong movement marked “Samuel Marti”, dial marked with retailer “Ovington Brothers Co., New York”, mercury pendulum, flanked by cut glass columns, h. 12 1/2 in., w. 8 3/4 in., d. 5 1/2 in. $600/900 583. Lyon & Healy Mahogany Disc Console Music Box, c. 1905, serial #8453, double‑comb mechanism, fast/slow lever, with ten 18 1/2 discs, lower storage neck, h.

39 in., w. 31 in., d. 24 1/2 in. $1200/1800

585. Three Antique Spanish Swords, including a pair of long swords, marked “ARTILLERIA Fca. NATIONAL/TOLEDO”, with steel scabbards, blade length 35 in.; and a decorative sword marked “MADE IN SPAIN/TOLEDO”, blade length 24 in. $300/500 586. Hand-Colored Map of Mexico and New Spain, 1785, Antonio Zatta, Venice, 12 in. x 16 in., framed. $1000/1500

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587. Two Spanish Governor of Louisiana Esteban Miro Signed Documents, incl.; military discharge, New Orleans, one page, folded sheet, with remnants of wax seals, 11 3/4 in. x 8 in.; and a recommendation for Luis Deblanc de St. Denis, mentioning his involvement with Indians in Natchitoches; two pages, dated Nov. 27, 1792, Nueva Orleans, with wax seal, 12 in. x 8 1/4 in. $700/1000

588. [French Louisiana Manuscript Document on Vellum], dated 1719, signed by “Les Directeurs de la Compagnie d’Occident (the French Company of the Indies)”, appointing Mr. Le Blanc Captain in the “Colonie de la Louisianne”, retaining wax seal, 12 in. x 18 1/2 in. $300/500

590. Manuscript Document Signed by Future Spanish Louisiana Governor Antonio de Ulloa, one sheet, two sides, from Ciudad de Los Reyes [Lima], Dec. 5, 1743, a grant of 10 000 pesos to Lieut. Ulloa for his expenses in traveling to the City of Quito “to continue making his astronomical observations as ordered by his Majesty”, on the verso receipt signed by Ulloa, then on his famous trip of exploration in South America, 12 in. x 8 in. $150/250

589. President John Quincy Adams Signed Land Grant, partially printed vellum document, transaction for Charles Clement, for 172 acres on the west side of Bayou Gros Tete, signed “J. Q. Adams”, countersigned by Commissioner of the General Land Office George Graham, April 1, 1826, 9 1/2 in. x 15 1/2 in. $200/300

591. [Appointment Document Signed

by Louisiana Governor William C. C. Claiborne], dated March 26, 1813, appointing L. C. Deblanc as “Justice of the Peace of the Parish of St. Martin”, also signed

by Secretary of State Louis Macarty, retains paper seal, 13 in. x 15 1/2 in. $500/700

Provenance: Parke‑Bernet, New York, Mar. 12, 1968, The Distinguished Library of the Late Oscar Carbone, lot 39.

592. [Land Grant Signed

by Natchez District Governor Manuel Gayoso de Lemos and Spanish Governor of Louisiana Francisco de Carondelet], 1793, one sheet, folded, 12 1/2 in. x 8 in., granting Jaime Bolls 200 arpents, for having completed his service in the mounted volunteers in Natchez. $400/600

593. [Manuscript Document Signed by Spanish Governor of Louisiana Francisco de Carondelet and District Governor of the Natchez District Manuel Gayoso de Lemos], in Spanish, two pages, January, 1797, 13 in. x 8 in., relating to lands in the Natchez district, on the Homochitto River, also mentioning, in English, “Beaver Dams”, accompanied by a small print of Carondelet. $500/700

594. Louisiana School, 19th c., “Portrait of a Member of the Godchaux Family, Probably Michelette Lazard Godchaux (1790‑1878) Wearing Portrait Brooch”, c. 1860, oil on canvas, faintly signed “Moses Pinxt” and dated lower right, 36 in. x 29 in., framed. $2000/3000 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

597. Edward Jacobs (British/New Orleans, 1810‑1892), “New Orleans Gentleman”, quarter‑plate daguerreotype, embossed “Jacobs” and “N.O.” on brass mat lower left, plate 4 1/4 in. x 3 1/4 in. $400/600 595. William Henry Brown (American/South Carolina, 1808‑1883), “Silhouette Portrait of Andrew Jackson”, 1846, lithograph, from Portrait Gallery of Distinguished American Citizens, published E.B. and E.C. Kellogg of Hartford, CT, sight 13 1/4 in. x 10 in., framed. $200/400

596. [Charles Gayarré Inscribed Photo to Grace King], photo lithograph of Charles Gayarré, inscribed “Charles Gayarre to his very dear old friend Mrs. W.W. King, New Orleans, January 31 [1893], sight 9 1/4 in. x 7 1/2 in.; together with a cabinet photo of Gayarré writing at his desk, inscribed “Charles Gayarré (the last year of his life)”, and en verso “Grace King”, image 7 1/4 in. x 4 1/2 in. (2 pcs.) $300/500

596A. Group of Glass Photo Slides of the Construction of the Huey P. Long Bridge, incl. 20 slides of the Huey Long bridge, 13 pertaining to other bridges and a zeppelin hanger, and 9 other of misc. technical plans and instruments, 3 1/4 in. x 4 in. $200/300

598. Two Civil War Era Daguerreotypes, “Wife and Soldier”, 1860s, 2 ninth plate daguerreotypes, each 2 1/2 in. x 2 in., framed with brass mats in a thermoplastic case with Civil War scene on the front cover, wife accompanied by a lock of hair, overall case size 3 in. x 2 1/8 in. $300/500 Additional information at www.nealauction.com

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599. [Stereo Daguerreotype], portrait of a lady, stereo daguerreotype, fitted in a quarter‑plate case marked “Mascher’s Improved Stereoscope, Philada., Patent March 9th 1853”, with fold‑out lenses, overall case size 4 1/8 in. x 3 3/4 in. x 1/2 in. $300/500

602. Two New Orleans Tax Books 1863 & 1869, folios, manuscript tax assessment entries for the 7th District, 1863; and the 8th District, 1869, the column for “SLAVES” lacking in the latter folio. $300/500

601. [Revolutionary War Atlas], The Life of George Washington. Maps and Subscribers’ Names, Philadelphia, C.P. Wayne, 1807, with 10 engraved maps, 22 pgs. of subscribers’ names; this atlas volume is from the six volume The Life of George Washington, with maps of Revolutionary War cities, battlefields and troop movements, 9 in. x 11 in. $400/600

600. C. Bennette Moore (American/New Orleans, 1879‑1939), “Brulatour Courtyard”, “Le Petit Theatre” and “Spanish Court”, 3 hand‑colored photographs, 2 on glass, 2 signed lower right, 14 in. x 11 in. to 7 in. x 5 in.; together with Eugene Delcroix (American/New Orleans, 1891‑1967), “Brulatour Courtyard”, 2 enhanced photographs, both signed lower right, each 6 3/4 in. x 4 3/4 in., framed. (5 pcs.) $200/400

603. [Declaration of Independence]. facsimile copy of the first Dunlap broadside of the Declaration, R.R. Donnelly & Sons, Lakeside Press, 1970, after the original owned by Ira Corn and Joseph Driscoll, copyright, verso, 19 1/2 in. x 15 3/4 in., framed. $150/250

604. Two Original Manuscripts by George Washington Cable, How Louisiana Became a State and The Pirates of Barataria, c. 1883, 45 and 47 pgs., lined paper, loose, 8 in. x 5 in., apparently for The Century Magazine. $200/300 605. American Cast Iron “Fern” Pattern Settee, 19th c., foundry mark of James W. Carr, Richmond, VA, h. 28 in., w. 37 in., d. 13 1/2 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

608. American School, c.

1920, “General McPherson Marching from Vicksburg, October 15th, 1863”, crayon and pencil on paper, signed and dated “J. Richardson Jr. Aug. 1920”, lower right, sight 22 in. x 30 in., framed. $500/700 Provenance: Windham Collection, Oxford, MS. 607. Mississippi Confederate Veterans Camp Flag, late 19th c., linen, printed “SCOTT STATHAM CAMP/WINONA MISS.”, 31 in. x 64 in., framed. $1000/1500 Provenance: Windham Collection, Oxford, MS. 606. Small Spanish Baroque‑Style Carved Walnut Mirror, 19th c., arched crest centered by urn cartouche, scalloped sides, mirror plate flanked by spiral colonnettes, shaped base, h. 42 in., w.

25 in. $200/400

Note: Walter Scott Statham was born in Wilkes Co., Georgia in 1832, and raised in Grenada, MS. During the war he was elected captain of the Grenanda Rifles, and eventually colonel of the 15th Mississippi Infantry.

He died in Vicksburg on July 30, 1862. A possible origin of the flag is given in an article of the Confederate Veteran; “The outing given under the auspices of the Scott Staham Camp during the past summer at Stafford’s Wells was attended by eight hundred quests, the feature of the day being the presentation of a beautiful banner to the Camp, the gift of Mrs. P.S. Dudley of Grenada, Miss., the sister of Col. Scott Statham...”

Ref.: Confederate Veteran, Volume IX, Nashville, TN, Cunningham, 1901, pg. 391.

609. [Union Soldier Takes Jefferson Davis’ Book Given by John Calhoun], Williams, James. The Plan of the Union, and the Structure of its Government, Explained and Defended, Baltimore, Sherwood & Co., 1848, signed by Davis on first flyleaf, and inscribed “from Mr. Calhoun”, the pastedown inscribed “Taken fro m Jefferson Davis’s library near Jackson, Miss. in July 1863 by Sergt. John A. Tighe, Co. K, 29th Mass.

Vols., 9th Army Corps”, brown cloth, 7 in. x 4 1/2 in. $400/600

Note: Union Company “K” mustered into service May 22, 1861.

On or around July 9th, 1863 they were stationed near Jefferson Davis’ house during the siege of Jackson. Sergeant Tighe was killed in battle near Petersburg, VA on June 17, 1864 Ref.: Osborne, William. The History of the Twenty‑Ninth Regiment of Massachusetts Volunteer Infantry..., Boston, Albert Wright, 1877, pg. 244, https://www.gutenberg.org/files/50687/50687‑h/50687‑h. htm#CHAPTER_XXII

610. Judah P. Benjamin Autograph Letter Signed, two pages, dated from Washington, Feb. 5, 1861, to an unknown man, relaying, in part, “...I must go home this evening...” and “I will write you from N.O as I may be ordered to Montgomery”, 7 in. x 4 in., together with Butler, Pierce. Judah P. Benjamin, Philadelphia, George Jacobs & Company, 1906. $700/1000 Note: The date of the letter is significant; Feb. 5 is the day after Louisiana joined the Confederacy, and Benjamin was afraid of being arrested if he didn’t flee.

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611. Civil War Passport for Noted New Orleans Author Grace King, partially printed document, dated from New Orleans, October 1, 1862, granting “Mrs. Wm. King, seven children, and five servants, and personal baggage to go to the Parish of Iberville‑and take 2 bbls. Flour, Box soap, Box candles, Box wine, Box sundries”, under orders of Maj. Gen. Butler, 12 in. x 8 in.; together with a four page manuscript letter by Grace King, dated October 6, 1862, detailing the trials of packing up and leaving “this miserable beleaguered city”. $500/700

612. American “Prison Art” Carved Wood Wreath, possibly Civil War. $200/300

613. Civil War Era “Dixie” Sheet Music, two songs, incl. I Wish I was in Dixies Land, New Orleans, Werlein, 1860, for piano and guitar, actually a pirated version of the original song: and Dixie War Song, “To the Boys in Virginia”, Augusta and New Orleans, Blackmar & Bro., 1861, for piano. $150/250

614. Confederate John Slidell / Duncan Kenner Confiscation Papers, duplicate receipts of Union confiscated property for Duncan F. Kenner, “member of Rebel Congress, now a prisoner in Fort” (September 1, 1863); and John Slidell, “rebel”, (August 20th, 1863). $100/150

618. American Painted Horseshoe Trade Sign, 19th c., each side painted “W.L. Riley”, iron hanger, h.

32 in., w. 32 in., d. 1 3/4 in. $600/900

615. President Chester Arthur Signed Appointment for World’s Industrial and Cotton Centennial Exposition, manuscript document, signed by Chester Arthur, as President, and F.T. Frelinghuysen, as Secretary of State; dated from the City of Washington, June 8, 1883, appointing S.H. Buck a Commissioner of the Exposition, with eagle paper stamp, 13 1/2 in. x 17 1/2 in., period frame. $500/700

Note: Interestingly, cotton merchant Samuel Henry Buck (1841‑1929), commissioned well‑known New Orleans artist William Henry Buck (no relation), to paint one of his few sporting pictures, of Samuel Buck and his wife, Ann, on horseback.

619. Iron ‘Pig” Weathervane, h. 15 3/4 in., w. 25 3/4 in., mounted to a wood base, overall h. 18 1/4 in., w.

27 1/2 in., d. 4 in. $400/600

622. McKenney and Hall / Publishers, “Tish‑Co‑Han” and “Lap‑pa‑win‑soe”, c. 1837, 2 hand‑colored lithographs on paper, after Charles Bird King (American/Rhode Island, 1785‑1862), from History of the Indian Tribes of North America, drawn and printed by J.T. Bowen, sights 17 1/4 in. x 12 in., framed alike. (2 pcs.) $500/700

623. After John Gould (British, 1804‑1881), “Cephalepis Lalandi” and “Iondalena Frontalis”, 2 hand‑colored lithographs, from Hummingbirds, sheets 14 5/16 in. x 21 1/4 in., framed alike. (2 pcs.) $400/600

616. Hemingway, Ernest. A Moveable Feast, New York, Charles Scribner’s Sons, 1964, first edition, with “A‑3.64[H]” on copyright page, with dust jacket: together with first edition of Hemingway’s Islands in the Stream, 1970; Men at War, 1942, first edition, edited by Hemingway; and Hotchner, A.E. Papa Hemingway, New York, Random House, 1966; 4 books. $150/250

620. Cast Iron Fireback, 19th c., cast name “Thomas Potts”, h. 23 1/2 in., w. 22 1/2 in. $300/500 621. Rock Crystal Fish, 20th c., h. 8 1/4 in., w. 14 1/4 in., d. 4 in., custom armature and stand, overall h. 13 3/4 in. $1000/1500

624. Thirteen Newspaper Prints, incl. 6 Mardi Gras scenes, 4 New Orleans scenes, 2 New Orleans political cartoons and a portrait of Major General Nathaniel Banks, sights 15 1/4 in. x 10 1/4 in. to 14 1/2 in. x 20 1/2 in., 9 framed. (13 pcs.) $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans, William Harris House, Natchez, MS

626. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Louisiana Governor Richard W. Leche”, 1938, vintage silver gelatin print, signed and dated lower right, “Fonville Winans Estate Collection”, 1995, stamp en verso, 4 7/8 in. x 3 7/8 in., unframed; together with “Leche Enjoying a Cocktail with Fonville Winans”, 1939, silver gelatin print, unsigned, dated en verso, 14 in. x 11 in., framed. (2 pcs.) $300/500 629. [Leather Bindings], from the series The Easton Press One Hundred Greatest Books Ever Written, published by Easton Press, Norwalk, CT, 1970s, 69 volumes, all full leather, gilt lettering and board decorations, raised bands, silk end pages and ribbon markers, all gilt page edges. $200/400

617. William Woodward (American/ Louisiana, 1859‑1939), French Quarter Etchings, 1938, first printing, with 54 plates, 11 1/4 in. x 8 3/4 in.; together with Arnold Genthe (American, 1869‑1942), Impressions of Old New Orleans, 1926, 11 1/4 in. x 9 7/8 in. (2 pcs.) $400/600

625. Georges Lambert (French, 1919‑1998), “Coastal Scenes”, 2 lithographs on paper, each pencil‑signed and inscribed “artist proof” lower margin, sights 4 5/16 in. x 7 1/2 in., framed alike. (2 pcs.) $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

628. Harris, Joel Chandler, Daddy Jake, The Runaway and Short Stories Told after Dark, New York, The Century Co., 1889, octavo, first edition, rebound in full gilt‑tooled leather, inset into each pastedown is an original watercolor by George H. Norman. $600/900 627. Six Delano Studios Porcelain “Waterfowl” Dinner and Salad Plates, after original watercolors

by Denis Puleston, dia. 11 in. and 7 in. $300/500

Provenance: Windham Collection, Oxford, MS.

630. [Medical], Lizars, John. A System of Anatomical Plates of the Human Body, Accompanied with Descriptions, and Physiological, Pathological, and Surgical Observations..., Edinburgh, London, W.H. Lizars and others, [n.d.

1840, folio (17 in. x 11 in.), with both text and atlas volumes, with 101 hand‑colored and tinted plates. $800/1200 Provenance: Sotheby’s, London, 2/15/2001, lot 49UA; Windham Collection, Oxford, MS. Additional information at www.nealauction.com

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631. [Medical], Paaw, Petrus.

Succenturiatus Anatomicus..., Leiden, Jodocus a Colster, 1616, 4to, 2 parts in one volume, title engraved in black and red, portrait of author en verso, 2 folding engraved plates, 58 engravings in text, contemporary vellum. $700/1000 Provenance: Sotheby’s, London, 2/14/2001, lot 49U9; Windham Collection, Oxford, MS.

635. Liza Minnelli Autograph Album Page in Framed and Matted Tableau, incl. name plate, Cabaret 1972 black‑and‑white photograph and large clipped ink signature, 24 3/4 in. x 14 3/4 in. $100/150

638. Antique English Surgical Set, 1857, mahogany box, the cartouche engraved “A Thank Offering/from/T.T. to C.J.E./Feb. 4, 1857”, h. 2 3/4 in., w. 11 3/4 in., d. 4 3/8 in. $150/250 Provenance: Windham Collection, Oxford, MS.

632. [Medical], Scultetus, Johannes. Magazyn ofte Wapen Huys der Chirurgyns, Amsterdam, Brouwer, 1657, with 44 engraved plates of surgical instruments and surgical techniques, vellum, 8 in. x 4 1/2 in. $400/600 Provenance: Sotheby’s, London, Travel and History Books, 5/8/86, lot 558; Windham Collection, Oxford, MS.

633. [Medical], Sharp, Samuel. A Treatise on the Operations of Surgery..., London, J. and R. Tonson, 1758, seventh edition, full calf, 14 plates, 8 in. x 4 3/4 in. $150/250

Provenance: Windham Collection, Oxford, MS. 634. [French Revolution Sheet Music], “Vive La Republique, An Offering from the United States to the National Republic of France”, 1848, colored lithograph, sheet music cover, published

by W. Hall & Son, 13 in. x 9 in., framed. $150/250

636. [Siamese Twins, Chang & Eng], pictorial broadside, Siamese Twins, The United Brothers, Chang‑Eng..., New York, J.M. Elliot, c. 1838‑45, 12 3/4 in. x 8 in. $500/700 637. English Mahogany and Marble Balance Scale, late 19th c., marked “May Roberts/ London/ To Weight 4 lbs”, removable brass pans, h. 6 in., w. 17 in., d. 6 3/4 in. Note: Crack to marble. $100/200

639. Antique English Medical Aspiration Set, Krohne & Sesemann, London, mahogany box with void cartouche, h. 2 in., w. 11 1/2 in., d.

5 3/4 in. $150/250 Provenance: Windham Collection, Oxford, MS.

640. Antique English/American “Improved Magneto‑Electric Machine”, for “Nervous Diseases”, original paper label, h. 4 1/4 in., w. 9 3/4 in., d. 4 1/2 in. $150/250

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

641. Antique English Medical Aspiration Set, in mahogany box, the silver cartouche engraved “John Lewellyn”, h. 2 in., w. 11 3/4 in., d. 5 1/2 in.: together with a blood pressure cuff

by J. Woolley & Sons; an ophthalmoscope and odoscope kit by Keeler, England, 3 boxes. $150/250 Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

642. Energex Quack Medical Device, with Bakelite unit, glass attachments, original 16 page guise, cloth covered box, h. 3 in., w. 14 1/2 in., d.

9 in. $100/150 Provenance: Windham Collection, Oxford, MS.

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643. Antique English Post‑Mortem Instrument Set, mahogany box with void cartouche, marked “DOWN BROS. LONDON”, h. 3 in., w. 14 1/2 in., d. 10 1/2 in. $150/250 Provenance: Windham Collection, Oxford, MS.

645. Three Vintage Lithographed Tin Toys, incl.: Marx wind‑up Amos & Andy Fresh Air Taxicab, 1930s; Unique Art wind‑up Artie the Clown, 1940s; Hubley battery operated Mr. Magoo Car, 1961; together with Irwin plastic wind‑up Walt Disney’s Dancing Cinderella and Prince, 1950s. $400/600 644. Antique Mahogany and Brass Vacuum Demonstration Device, 19th c., h. 14 1/4 in., w. 12 in., d. 6 1/2 in. $200/300

Provenance: Windham Collection, Oxford, MS.

Session Two Sunday, April 14, 10 a.m.

3923 Carondelet

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647. Six Russian Lacquer Boxes, 20th c., largest h.

1 3/8 in., w. 4 in., d. 2 1/8 in.; together with 4 decorated eggs. (10 pcs.) $200/300

646.Group of 13 Antique Puppets in Old Suitcase. $400/600

650. Georgian Silk Embroidery Memento Mori, 18th c., sight 16 1/2 in. x 14 in., framed. $100/200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

651. French Brass Two‑Light Bouillotte Lamp, oval paper shade, electrified, h.

22 in., w. 10 in., d. 6 3/4 in. $200/300

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Provenance: The Friedle‑Garrison Collection, New Orleans.

656. Antique Carved Marble Allegorical Statue of Hope, h. 39 1/2 in., w. 15 in., d. 14 in. $150/250 655. Decorative Cast Iron Figural Garden Fountain, modeled as a turtle. $300/500

659. Scottish Oak Tall Case Clock, early 19th c., engraved brass dial with calendar aperture and sweep second hand, marked “Robt. Green/ Edinburgh”, flanked by fluted columns, h. 85 1/2 in., w. 20 in., d. 10 in. $800/1200

658. Chippendale Mahogany and Parcel‑Gilt Mirror, 18th c. and later, shaped scrolled crest and base, gilt pendant garland, h. 41 in., w. 22 in. $400/600

649. Edwardian Silverplate‑Mounted Oak Biscuit Barrel, h. 7 1/4 in.; together with a silverplate scimitar‑shaped crumb brush, l. 13 3/4 in. $150/250

653. English Figural Gas Table Lamp, 19th c., with silvered metal figure of a Roman warrior, reticulated base, paw feet, Greek key etched globe, h. 19 3/4 in., dia. 6 1/2 in. $600/900

652. Continental Gilt Metal Six‑Light Chandelier, 20th c., vasiform standard, scrolled arms, with ceiling crown, h. 29 in., w. 47 in. d. 6 in. $400/600

654. Antique French Cast Iron and Porcelain Bistro Table, base marked “SICRE JEUNE/ PLACE DUPHY/ TOULOUSE”, h. 29 in., w.

18 1/2 in., d. 18 1/8 in. $300/500 Provenance: Lucullus Antiques, New Orleans; Windham Collection, Oxford, MS.

648. Continental Brass Repoussé Fireplace Screen, 19th c., decorated with pub scene, iron frame and later base, h. 29 in., w. 37 in. $300/500

660. George III Inlaid Oak Tall Case Clock, 19th c., with modern Hermle striking gong movement, dial arch with a pheasant hunter and hounds, h. 82 in., w. 17 1/2 in., d. 9 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

657. Pair of Continental Giltwood Faux Bamboo Mirrors, h. 48 in., w. 31 1/2 in. $200/400 661. Chinese Famille Verte Porcelain Rouleau Vase, Kangxi Period, 17th/18th c., decorated with two shaped panels enclosing rocks, seasonal grasses, and flowering branches, h. 7 3/4 in. $400/600

662. Chinese Famille Verte Molded Porcelain Foliate Rim Dish, Kangxi Period, 17th/18th c., decorated with a central medallion enclosing a horseback warrior and attendant encircled by alternating figural and floral panels, base with “Henry Stern, New Orleans” label, h. 1 1/4 in., dia. 8 5/8 in. $300/500

664. Chinese “Imari” Porcelain Bottle Vase, probably 19th c., decorated with flower sprays, h. 10 in., mounted as lamp, h. (to socket) 16 1/4 in. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

663. Chinese Famille Rose Porcelain Stem Bowl, 20th c., well with iron red dragon pursuing the flaming pearl, exterior with five bats, splayed foot with pendant leaves, Qianlong mark, h. 4 in., dia. 6 3/4 in. $400/600 667. Antique English Mahogany Butler’s Desk, fall‑front fitted drawer flanked by cabinets fitted with drawers, lower doors enclose linen drawers, beehive feet, h. 46 1/4 in., w. 50 3/4 in., d. 23 in. $500/700

666. Adam‑Style Painted Satinwood Occasional Table, oval top, conforming frieze, tapered legs, shaped stretcher, h. 29 in., w. 18 in., d. 15 in. $150/250 665. Pair Chinese Blue and White Porcelain Covered “Ginger” Jars, decorated with scrolling pea vine and double happiness characters, h. 8 3/4 in. $300/500

668. Antique Georgian‑Style Inlaid Mahogany Bowfront Sideboard, shaped top, frieze drawer, flanked by cabinet doors, tapered legs, h. 35 1/2 in., w. 82 in., d. 27 1/2 in. $700/900

670. Antique George III‑Style Walnut Chest of Drawers, molded top above two short drawers, over two long drawers, bracket feet, later brasses, h.

34 in., w. 33 in., d. 17 7/8 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

672. Antique Georgian‑Style Mahogany Bookcase, late 19th c., with Greek key cornice, lancet glazed doors, base with two drawers on square tapered legs, spade feet, h. 80 1/2 in., w. 45 1/2 in., d. 16 in. $1200/1800

669. Vintage Tufted Leather Chesterfield Sofa, loose seat cushions, brass nailhead trim, h. 32 in., w. 73 in., d. 41 in. $1500/2000 671. Monumental George III‑Style Mahogany Four‑Part Breakfront Bookcase, early 20th c., molded cornice, glazed doors over paneled doors, brass astragals, conforming plinth base, h. 101 in., w.

179 1/2 in., d. 19 1/2 in. $3000/5000

673. American Tufted Leather Chesterfield Sofa, loose seat cushions, brass nailhead trim, h. 28 in., w. 85 in., d. 34 in. $1200/1800

676. Pair of George I Carved Walnut Side Chairs, c. 1730, incised “VII” and “VIII” respectively, carved shell crest rail, shaped splat, shell‑carved cabriole legs, paw feet, h. 41 in., w.

21 1/4 in., d. 18 1/8 in. $800/1200

674. American Federal Carved and Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., graduated drawers, later pressed brass pulls, bracket feet, h. 33 1/2 in., w. 40 1/2 in., d.

20 1/2 in. $500/700

675. Antique Mahogany Butler’s Tray, on custom‑made stand, h. 19 in., w.

35 in., d. 26 in. $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Note: The early Georgian chairs in the lot shown here are a sophisticated form often attributed to prominent London cabinetmakers such as Giles Grendey (1693-1780) and Samuel Bennett (1700-1741) during the reigns of George I and II. Featuring carved scallop shells, a scrolling splat, and cabriole legs, this stylish chair form displays elements of the Rococo style popular throughout Europe during the 18th century, while remaining streamlined and uncomplicated.

Ref.: Chicago Institute of Art. artic.edu/aic/collections/ artwork/100712. Accessed June 14, 2018; “LAPADA Guide to Walnut in Early 18th Century Furniture Making.” The Associated of Art & Antiques Dealers. lapada.org/guides/walnut-early-18thcentury-furniture-making. Accessed June 14, 2018.

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679. George III Carved Mahogany Side Chair, late 18th/early 19th c., pierced splat, square legs, H‑stretcher, h. 38 1/2 in., w. 19 1/2 in., d. 16 1/2 in. $400/600

677. Antique English Black Lacquered Papier‑Mâché Tilt‑Top Table, scalloped top with gilt chinoiserie decoration, turned standard, conforming base, h. 27 in., w. 23 1/4 in., d. 19 in. $200/300

680. George III Carved Walnut Secretary‑Bookcase, late 18th c. and later, pedimented dentil‑molded cornice, fall‑front desk, fitted interior, two drawers over three long drawers, ogee bracket feet, h. 91 in., w. 38 1/2 in., d. 21 1/2 in. $1500/2500

678. Pair of Antique English Mahogany Cylinder Commodes, inset marble top, single door, shelf interior, conforming plinth base, h. 29 in., w. 18 in., d. 18 in. $600/900

681. Six George III‑Style Carved Mahogany Dining Chairs in the Hepplewhite Taste, late 19th c., incl. two armchairs and four side chairs, oval backs, swagged splats, shaped arms, needlepoint seats, shaped seat rail, cabriole legs, armchair h. 39 1/2 in., w. 21 3/4 in., d. 20 3/4 in.; side chair h. 38 in., w. 17 5/8 in., d. 16 1/2 in. $700/1000

682. English Carved Oak Dumbwaiter, 19th c., floral‑carved molding, vasiform supports, three shelves, lobed feet, h. 46 3/4 in., w. 54 in., d. 20 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

684. Empire‑Style Bronze‑Mounted Mahogany Linen Press, Henredon for Ralph Lauren, molded cornice, upper cabinet flanked by columnar stiles over 3 drawers, block feet, h. 69 3/4 in., w. 39 1/2 in., d. 20 3/4 in. $800/1200

683. Louis XVI‑Style Bronze‑Mounted Walnut Bedside Commode, early 20th c., marble top, frieze drawer above cupboard door, fluted tapered legs, h. 30 in., w. 14 3/4 in., d. 14 in. $300/500 Provenance: Windham Collection, Oxford, MS.

686. Pair of Chinese Export Polychrome Porcelain Ducks, h. 6 1/8 in., l. 9 in. $200/300

685. Two Large and Decorative Chinese Blue and White Porcelain Vases, probably mid‑20th c., incl. bottle‑form, decorated with prunus, pine and bamboo, h. 23 1/4 in., and covered “Meiping” form, decorated with scrolling foliage, h. 26 1/4 in. $250/350

689. Limoges Porcelain Fish Service, late 19th c., Lazarus Straus & Sons of New York import mark, incl. fish platter, l. 24 in.; 12 scalloped fish plates, dia. 9 1/4 in.; and sauceboat, w. 7 1/2 in., with undertray, l. 9 3/4 in. $300/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

687. Pair of Chinese Canton Enamel Octagonal Bowls, faceted exteriors decorated with bird‑and‑flower panels on lime green grounds strewn with floral scrolls, h. 3 5/8 in., w. 10 3/8 in. $400/600

690. Paris Porcelain Polychrome and Gilt Decorated Coffee and Tea Service in the Neoclassical Taste, c. 1830‑1850, incl. coffee pot, teapot, covered sugar, creamer, and waste bowl. $400/600

692. George III Sterling Silver Punch Ladle, London, 1798, probably Stephen Adams I, shell shaped bowl with Old English typt handle, l. 13 3/8 in., wt. 5.30 troy ozs. $200/300 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

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688. Continental Gilt Metal and Bleu Opaline Glass Four‑Light Candelabrum, 19th c., foliate candlecups and arms, flared standard, marble base, hung with back-cut snowflake prisms, h. 21 1/4 in., dia. 17 in. $400/600

Provenance: Belle Alliance Mansion, Donaldsonville, LA. 691. American Sterling Silver Flatware Service, Watrous “Governor Bradford” pattern, pat. 1913, incl. 8 each: forks (l. 7 3/8 in.), knives, forks (l. 7 6/8 in.), knives, salad forks, cocktail forks, soup spoons and ice teaspoons; 11 teaspoons, 11 demitasse spoons, 6 butter spreaders (fh), cold meat fork, serving spoon, gravy ladle, cake knife (hh), cheese knife (hh) and sugar tongs; together with associated sterling flatware, incl.: 12 Coleman Adler soup spoons, 13 ice cream forks, 6 sipper/stirrers, 6 fruit knives (hh), 6 mother‑of‑pearl handled fruit knives, 5 assorted sauce and cream ladles and a lemon fork, total wt. (weighable) 98 troy ozs. (141 pcs.) $1200/1800 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

693. Antique English Silverplate Soup Tureen, Boardman & Glossop, Sheffield, late 19th c., Greek key decoration and beading, h. 12 1/2 in., w. 17 in. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

694. Victorian Sterling Silver Creamer, Robert Hennell III, London, 1847, pear‑form lobed body, scroll handle and feet, foliate decoration throughout, retains gilt wash interior, h. 4 in., wt. 6.05 troy ozs. $150/250

695. Victorian Silverplate Toast Rack, 19th c.; together with 3 pairs of German silverplate serving tongs. $100/200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

696. Antique English Silverplate and Ivorine Fish Service, John Sanderson, Sheffield, c.

1900, incl. 12 fish forks and 12 fish knives, each with sterling silver ferrule, fork l. 7 1/8 in., knife l. 8 3/8 in., original oak presentation case; together with an associated bone handled server. $200/400

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

698. Group of Silver Napkin Rings, incl. hunting scene, Birmingham, 1902, probably Charles Horner; cherub and trophée, Sutherland & Rhoden, Sheffield, date mark rubbed; scroll motif, Walker & Hall, Sheffield, 1913; sterling mounted example inset with Alfonso XIII 5 Peseta coin, Ferdin VII 8 Reales coin, bald eagle medallion and buffalo medallion; 2 unmarked chased examples and octagonal silverplate example. (7 pcs.) $250/350

701. Large Meissen Porcelain “Blue Onion” Platter, 19th c., canceled crossed swords mark with two incised slashes, impressed “297” and “7SV”, 16 in. x 16 in. $300/500

705. Four Large Meissen Porcelain “Blue Onion” Platters, 19th/20th c., crossed swords marks and various impressed numbers, incl. 2 oval fish platters, smaller with mazarine, 21 1/2 in. x 10 1/2 in. and 24 1/2 in. x 12 1/4 in.; and two meat dishes, one with remnant gilt on rim, 20 1/2 in. x in., and 20 1/2 in. x 14 3/4 in. $500/700

700. Meissen Porcelain Scent Bottle, elongated bottle form with applied leaves and flowers, underglaze blue swords and mark impressed “160”, h. 8 1/4 in. Note: restoration to cover. $500/750

699. Assembled Collection of Meissen Porcelain “Blue Onion” Dinnerware, late 19th/early 20th c., variously marked with crossed swords or Meissen in oval with star, incl. 14 dinner plates, dia. 9 3/4 in.; 8 luncheon plates, dia. 9 in.; 6 dessert plates, dia. 8 1/2 in.; 4 soups, dia. 9 1/4 in.; 8 demitasse cups and saucers (1 associated), h. 2 1/2 in., dia. 4 1/4 in.; 4 egg cups, h. 3/4 in. to 3 in.

(52 pcs.) $700/900

702. Pair of Meissen Porcelain “Blue Onion” Vegetable Tureens, 19th/20th c., marked with Carl Teichert “Meissen” in oval with star, impressed Meissen marked “German” and “601”, h. 5 1/2 in., dia. 9 1/2 in. $200/300

706. Two Meissen Porcelain “Blue Onion” Tazzas, 19th/20th c., pierced rim, both with crossed mark and various incised/impressed numbers, h. 8 1/2 in., dia. 9 in. $300/500

697. Good Group of English Sterling Silver Flatware Serving Pieces, incl. George IV fish slice, George Turner, Exeter, 1825, act. 1809‑1839, reverse typt fiddle handle, reticulated hatchet shaped blade, l. 11 3/8 in.; Victorian serving fork, Chawner & Co. (George William Adams), London, 1851, act. 1840‑1884, King’s pattern, reticulated tines, l. 10 3/8 in.; Georgian sauce ladle, Thomas and William Chawner, London, mid‑18th c., marks rubbed, crested feather edge handle, shell‑shaped bowl, l. 7 1/4 in.; total wt. 10.70 troy ozs. $300/500

Provenance: M.S. Rau Antiques, New Orleans, 1997.

703. Meissen Porcelain “Blue Onion” Covered Butter Dish, late 19th/early 20th c., marked with Carl Teichert “Meissen” in oval, impressed “A”, h. 3 in., dia. 7 1/2 in. $150/250

707. Group of Herend Porcelain, c. 1970, incl. ginger jar, h. 6 1/4 in., and vase, h. 6 1/4 in., in the “Chinese Bouquet‑Green” pattern; and covered lobed dish, h. 3 3/8 in., w. 5 1/8 in.; covered box, dia. 2 5/8 in.; cigarette stand, h. 2 3/8 in., w. 3 3/8 in.; and leaf‑form dish, w. 4 5/8 in., in the “Rothschild Bird” pattern. (6 pcs.) $250/350

704. Meissen Porcelain “Blue Onion” Covered Tureen and Underplate, late 19th c., crossed swords marks; overall h. 9 1/2 in., w. 12 in., d. 10 1/2 in. $300/500

708. English Transfer‑Painted Porcelain Plaques of Queen of Hearts and Jack of Diamonds, 19th c., enamel highlights, gilt rims, 5 in. x 4 in., mounted in wood frames. $400/600 Provenance: Windham Collection, Oxford, MS.

709. Copeland Spode Cup and Saucer, Greek key border, cup interior inscribed “We’ll Tak’ a Cup o’ Kindness”. $100/150

710. Wedgwood Jasperware and Silverplate-Mounted Biscuit Barrel. $100/150

711. Wedgwood “Constitution and Java December 29, 1812” Commemorative Platter. $100/150

712. Waterford Cut Crystal “Monteith” Centerpiece Bowl, marked and incised “35/100”, h. 8 in., dia. 12 1/4 in. $200/300

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714. Three Lalique Clear and Frosted Glass “Annual” Plates, etched Lalique France, incl. 1966 “Dream Rose”, 1970 “Peacock”, and 1974 “Silver Pennies”, dia. 8 1/2 in., 8 1/2 in., and 8 1/4 in. $150/250 713. Waterford Cut Crystal “Millennium” Ice Bucket, marked, h. 10 1/2 in., dia. 9 1/2 in. $200/400 715. Large Lalique Clear and Frosted Glass “Liberty” Eagle, etched Lalique France and labeled, h. 9 1/4 in., w. 4 in., d. 5 5/8 in. $500/700

718. Carved Ruby Zoisite Bust of a Maiden, h. 14 3/4 in., w. 8 1/2 in., d. 4 3/4 in. $400/600

717. Lalique Clear and Frosted Glass “Deux Fleurs” Perfume Bottle and “Jamaique” Lighter, etched Lalique France, h. 3 3/4 in. and 3 1/2 in. (2 pcs.) $150/250

720. Set of Six American Art Nouveau Silver Overlay Glasses, c. 1900, silver marked “999/1000 Fine”, h. 5 3/4 in. Note: Condition of 1 glass cracked. $250/350

724. Good Group of Mexican Sterling Silver and Turquoise Jewelry, incl. cuff bracelet, pendant, ring and pair of earrings, total wt. 3.35 troy ozs. $250/350

721. Mexican Modernist Sterling Silver Salad Serving Fork and Spoon, Sanborn’s, Mexico City, l. 8 3/4 in., wt. 10.45 troy ozs. $200/300 Ref.: Morrill & Berk. Mexican Silver, p. 246.

725. Good Group of Mexican Sterling Silver and Malachite Jewelry, incl. pendant signed “PC” with associated neck ring, hinged bangle bracelet and pair of earrings, total wt. 4.40 troy ozs. $250/350 728. Group of Art Moderne Jewelry, incl. two neck rings with pendants, bi‑color flexible link bracelet, bi‑color pendant and 5 individual earrings. $150/250

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716. Lalique Clear and Frosted Glass Bison/ Buffalo Paperweight, etched Lalique France and labeled “Made in France” and “Tezcucu Plantation”, h. 3 3/4 in., w. 5 in., d. 1 5/8 in. $200/300

719. Good Group of American Sterling Silver Napkin Rings, late 19th/early 20th c., various makers incl.

Tiffany & Co., Shreve & Co., San Francisco, 2 Gorham, Ludwig Redlich & Co., NY, and Pryor Mfg., Newark, total wt. 11.10 troy ozs.

(9 pcs.) $300/500

722. American Art Nouveau Sterling Silver Dresser Set, Unger Brothers, Newark, NJ, act.

1872‑1914, incl. hand mirror and hairbrush; together with associated unmarked hairbrush, mirror l. 9 3/4 in. $200/300

726. Good Group of Mexican Sterling Silver Jewelry, incl. silver and onyx link necklace, silver and onyx pendant and silver, and link bracelet set with various colored stones, total wt. 5.70 troy ozs. $250/350

729. White Gold Cartier “Love” Ring, size 8. $500/700

723. Decorative Silverplate Lighthouse Form Cocktail Shaker, h. 14 in. $200/400

727. Group of Sterling Silver Jewelry, incl. pair of earrings set with quartz by Eliza Bautista, Mexican bunch of grapes brooch/pendant signed “Carlo”, Mexican starfish brooch, Mexican scroll brooch with brass wire decoration, wheat neck chain, l. 20 in. and unmarked alligator brooch. $250/350 730. Pair of Japanese Patinated Bronze Vases, early 20th c., elephant mask handles, octagonal bodies with birds on branches, tripod bases, compressed round feet, h. 16 1/4 in., now mounted as lamps, h. (incl. socket) 27 1/8 in. $100/200

731. Pair of Japanese Cloisonné Vases, decorated with fish in a lotus pond, h. 7 1/4 in. $175/250

732. [Mardi Gras], 10 kt. Yellow Gold Rex Doubloon, 1966. $800/1200

733. [Mardi Gras], 14 kt. Yellow Gold Rex Doubloons, 1970 and 1971, unmarked but tested. $800/1200 734. [Mardi Gras], framed group of Golden Age ball invitations and admit cards. $200/300

735. [Mardi Gras], Mistick Krewe of Comus, 2 parade bulletins, March 4, 1924, theme “The Mirthful Monarch Greets Ye Once Again” and February 24, 1925, theme “The Realms of Phantasy”, lithographer Searcy & Pfaff, unframed, sheet 28 in. x 42 in. $200/400

739. [Mardi Gras], Knights of Momus, 2 parade bulletins, February 26, 1924, theme “The Jatakamala: Tales of Buddha’s Lives”, and February 16, 1928, “Wonder Tales of lithographer Searcy & Pfaff, unframed, sheet size 28 in. x 42 in. $200/400

736. [Mardi Gras], Mistick Krewe of Comus, 2 parade bulletins, March 1, 1927, theme “Arabesques”, and February 21, 1928, theme “The Travels of Marco Polo”, lithographer Searcy & Pfaff, unframed, sheet size 28 in. x 42 in. $200/400

737. [Mardi Gras], Mistick Krewe of Comus, 2 parade bulletins, February 21, 1928, theme “The Travels of Marco Polo”, and February 12, 1929, theme “Gleanings of the Past”, lithographer Searcy & Pfaff, unframed, sheet size 28 in. x 42 in. $200/400

741. Jacques Grange (b. 1944) for Widdicomb Carved Hardwood Coffee and Side Table, 20th c., Grand Rapids, hexagonal tops, ball frieze, coffee with inset glass top, side with medial shelf, each with pierced stretcher shelf, Chinese “hoof” feet, h. 18 in., w. 46 in., d. 46 in. and h. 29 in., w. 33 1/2 in., d. 33 1/2 in. $500/700

740. [Mardi Gras], Knights of Momus, 2 parade bulletins, February 12, 1931, theme “Broadcasting: OLD FAVORITES”, and February 4, 1932, theme “Snapshots from MOVIE LAND”, lithographer Searcy & Pfaff, unframed, sheet size 28 in. x 42 in. $200/400

742. Burke “Tulip” Dining Table and Eight “Propeller” Armchairs, c. 1960s, Dallas, raised makers mark, white powder coated aluminum bases, table with white laminate top, h. 29 in., dia. 60 in., chairs with fiberglass seats and loose blue cushions, h. 31 in., w. 24 3/4 in., d. 21 1/2 in. $800/1200

738. [Mardi Gras], Mistick Krewe of Comus, 3 parade bulletins, February 9, 1932, theme “Fairyland of Flowers”, February 21, 1939, theme “Animals of Fact and Fable”, and February 6, 1940, theme “Picturesque Passages from the Poets”, lithographer Searcy & Pfaff, unframed, sheet size 28 in. x 42 in. $250/350

743. Yngve Ekstrom (1913‑1988) Black Mica and Teak Serving Cart, c. 1950s, Sweden, sliding mica top with one drop leaf, medial shelf, casters, h. 24 1/2 in., w. (open) 39 1/2 in., d. 16 5/8 in. $400/600

744. Six Domitalia Chrome and Upholstered Dining Chairs, labeled, Italy, incl. four black and two red, h. 39 1/4 in., w. 16 3/4 in., d. 18 in. $150/250

745. Mid‑Century Modern Four‑Light Chandelier, c. 1960s, attr. to Fontana Arte, chromed metal standard, four arms, beveled oval amber glass over beveled oval clear glass sides, h. 14 3/8 in., w. 9 in., d. 9 in.; together with similar pair of Italian chrome and glass sconces, h. 7 1/4 in., w. 7 1/8 in., d. 4 1/4 in.

(3 pcs.) $350/450 746. Paolo Piva (1950‑2017) for B & B Italia Metal, Glass and Wood “Atavola” Extension Dining Table, 21st c., labeled, Italy, raised divided sliding glass top opening to reveal wood leaf, straight legs with optional wood inserts, h. 29 in., l. (closed) 94 1/2 in., l. (extended) 126 in., d. 35 1/2 in. $400/600 Ill.: Gist, Karen Taylor. “Natural Light Shows off Eclectic Interior Elements in Vista Park Mid‑Century Modern Home”. New Orleans Time‑Picayune posted May 5, 2010, www.nola.com. Accessed Sept. 11, 2018.

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747. Five Italian Mid‑Century Modern Chromed Steel Sconces, 20th c., in the form of wax candles with wooden hanging brackets, electrified, h. 14 in., w. 4 1/2 in., d. 3 1/2 in. $500/700

748. English Teak Garden Set in the Style of Sir Edward Lutyens, incl. 2 benches, 2 tables, and a chair, benches h. 41 in., w. 86 in., d. 22 in.; tables h. 20 in., w. 37 in., d. 20 1/2 in.; chair h. 41 in., w. 36 in., d. 22 3/4 in. $700/1000

749. Pair of Cast‑Stone Figures of Lions, 20th c., opposing figures with integral bases, h.

25 in., w. 12 in., d. 29 in. $500/700

750. Contemporary Chrome and Mongolian Goatskin Bench , h. 19 in., w. 25 in., d. 18 in. $400/600

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

751. Art Moderne Chrome and Glass Console Table, 20th c., glass top on burnished yoke supports connected to a stepped plinth base, h. 31 in., w. 79 in., d. 33 3/4 in. $300/500 Provenance: Collection of Nan Wier, New Orleans, LA.

752. Eleven American Rococo Carved and Laminated Rosewood Dining Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, incl. two armchairs and 9 side chairs, padded crest rail, pierced scrolled splat, serpentine seat, cabriole legs, armchair h.

34 1/2 in., w. 22 3/4 in., d. 20 in., side chair h. 34 1/2 in., w. 18 in., d. 18 in. $1000/2000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Note: The dining chairs shown here are closely related to a rocker descended in the Springmeier family.

Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840‑1880.

Pennsylvania: Schiffer Publishing, 1983, p. 106.

755. American Late Classical Carved and Ebonized Bookcase, mid 19th c., foliate cabochon crest, arched cornice, glazed doors, shelf interior, plinth base, disc feet, h. 106 1/2 in., w. 59 in., d. 20 in. $800/1200

753. American Classical Bronze‑Mounted Mahogany Bookkeeper’s Desk, c. 1825 1830, upper case with glazed doors flanked by columnar stiles, fitted interior; lower case with frieze drawer, columnar supports, stretcher shelf and acanthus paw feet with traces of verte antique, h. 68 in., w. 37 in., d. 22 in. $1200/1800 Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: Windham Collection, Oxford, MS.

754. Fine American Rococo Carved Rosewood Sofa, mid‑19th c., serpentine crest rail centered by a floral cabochon crest, padded arms, foliate‑carved seat rail, cabriole legs, casters, h. 42 1/4 in., w. 66 in., d. 24 in. $1000/1500

757. William IV Carved Walnut Armchair, mid‑19th c., tablet crest rail, scrolled acanthus slat, scrolled arms, turned and reeded legs, h. 33 1/4 in., w. 20 1/2 in., d. 20 in. $200/400

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758. Edwardian Figured Mahogany Sunderland Table, 19th c., shaped top, fretwork uprights, turned swing legs, cuff casters, h. 24 in., w. 23 3/4 in., d. (closed) 6 1/2 in., d. (open) 30 3/8 in. $500/700 Provenance: Stodgell Fine Art, Torquay, Devon, England, 2002; Windham Collection, Oxford, MS.

756. American Paint-Decorated Games Table, early 20th c., rosewood faux bois with gilt accents, foldover demilune top, polychrome floral frieze, baize playing surface, tapered legs, h. 29 1/2 in., w. 36 in., d. 35 in. $500/700

759. William IV Rosewood Breakfront Parlor Cabinet, mid‑19th c., later marble top, gothicized doors, plinth base, h. 36 7/8 in., w. 56 1/4 in., d. 17 1/2 in. $800/1200

Provenance: Reindeer Antiques Ltd., London, England, 2002; Windham Collection, Oxford, MS.

760. Pair of Directoire‑Style Gilded and Mirrored Curule Tables, raised beveled tops, reeded bases. $400/600

764. Six Antique Dutch Queen Anne‑Style Parcel Ebonized and Carved Oak Side Chairs, shaped crest rail, vasiform splat, cabriole legs, pad feet, h. 40 in., w. 18 1/2 in., d. 17 in. $800/1200

761. Antique Louis XVI‑Style Bronze‑Mounted Kingwood Bureau Plat, early 20th c., bookmatched top, kneehole configuration of drawers on one side, faux drawers opposite, stop-fluted tapered legs, h. 30 in., w. 48 1/4 in., d. 26 in. $700/1000

762. French Painted and Parcel Gilt Trumeau Mirror, molded cornice, relief panel of putti, over beveled mirror plate, h.

70 in., w. 38 3/4 in. $800/1200

763. Belle Époque Carved Walnut Vitrine, c. 1900, marble top, floralcarved stiles, beveled glass door, glass shelves, molded base, h. 60 3/4 in., w. 42 1/2 in., d. 17 in. $1000/1500 Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

765. Isaac C. Baker (American/New York, 19th c.), “William Berry” and “Louisa Gould Berry”, 1834, 2 oils on panel, each signed, dated and information on sitter en verso, both 27 in. x 22 in., framed alike. (2 pcs.) $1200/1800 Provenance: Didier, Inc., Estate of David A. Wojciechowski.

766. Elmer Boyd Smith (American, 1860‑1943), “Brittany Hayfield”, 1895, oil on canvas laid on masonite, signed lower right, dated lower left, inscribed with artist, title and date on backing paper, 15 5/8 in. x 12 1/8 in., framed. $1000/1500 Provenance: Natchez Art Association.

767. Elmer Boyd Smith (American, 1860‑1943), “Brittany Sunset”, c. 1892, oil on canvas laid on masonite, unsigned, inscribed with artist, title and date en verso, 13 3/4 in. x 10 3/4 in., framed. $1000/1500 Provenance: Natchez Art Association.

768. Harrison Cady (American/ Massachusetts, 1877‑1970), “Take the Advice of a Wise Old Owl”, “Big Chief Dew Drop”, “Betsy Skiddoodle”, “Man and Elephant” and “Anywhere Standing on Rhinoceros’ Head”, 6 ink and graphites on board, 4 signed, one monogrammed, 5 inscribed, 10 1/2 in. x 8 in. to 11 in. x 13 3/4 in., framed alike. (6 pcs.) $1000/1500

Provenance: Windham Collection, Oxford, MS.

769. Carl Harold Nordstrom (American/ Massachusetts, 1876‑1965), “Beach Cape Ann, North Shore, Mass.”, c. 1926, watercolor on paper, pencil‑signed lower left under mat, “Minneapolis Museum of Arts” exhibition label with artist, title and date on backing, sheet 10 3/4 in. x 14 7/8 in., framed. $200/400 Provenance: Natchez Art Association.

770. Jose Antonio Velasquez (Honduran, 1906‑c. 1983), “San Antonio de Oriente”, 1966, oil on canvas, signed, dated and inscribed lower right, 19 in. x 14 1/2 in., framed. $800/1200

771. Richard Davis (American, b.

1942), “Abstract Form”, stainless steel and mixed media, signed on left edge, signed on reverse, h.

44 in., w. 36 in., d. 9 1/2 in. $800/1200

772. Ivo Saliger (Austrian, 1894‑1987), “Der Arzt”, c. 1920, aquatint, pencil‑signed lower right, 31 1/4 in. x 23 3/8 in., framed. $500/700 Provenance: Windham Collection, Oxford, MS.

Provenance: Neal Auction Company, Feb. 20, 2016, lot 762.

773. Robert Gordy (American/New Orleans, 1933‑1986), “Hot Pursuit”, silkscreen on paper, pencil‑signed and numbered “IX/X” upper margin, sheet 22 1/4 in. x 30 in., framed. $400/600

774. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “Rainy Night on Dumaine Street, New Orleans”, color aquatint on paper, pencil‑signed and numbered “71” lower margin, 15 3/4 in. x 13 1/2 in., framed. $300/500 Additional information at www.nealauction.com

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776. Erté (Romain De Tirtoff) (Russian/ French, 1892‑1990), “Woman in Pink” and “Woman in Blue”, 2 gouaches on paper, signed lower right and mid‑right respectively, each inscribed and artist stamp en verso, 15 5/8 in. x 11 7/8 in. and 9 1/4 in. x 6 1/4 in., both framed.

(2 pcs.) $400/600

777. Pair of Gorham Sterling Silver Three‑Light Candelabra, “Strasbourg” pattern 1130, weighted bases, h. 14 in. $250/350

778. Pair of English Patinated Bronze Two‑Light Argand Lamps, 19th c., vasiform font, acanthine collar, frosted shades, electrified, h. 18 in., w. 16 3/4 in., d. 8 3/4 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

775. Robert Gordy (American/New Orleans, 1933‑1986), “Women with Fruit: Golden Days Suite”, 1970, silkscreen, pencil‑signed lower right, numbered “63/100” lower left, sheet 33 in. x 25 7/8 in., unframed. $300/500 779. Pair of Louis XVI‑Style Two‑Light Sconces, vase and cherub backplate, h. 21 in., w. 12 in., d. 6 in. $800/1200

782. Pair of Continental Rock Crystal Columnar Lamps, h. (to socket) 22 in., w. 6 in., d. 6 in. $1500/2000

780. Pair of Continental Mother‑of‑Pearl Inlaid, Burlwood and Ebonized Mirrors, 19th c., possibly Spain or Portugal, molded scroll cornice, geometric motifs, shaped mirror plate, h. 41 1/2 in., w. 41 1/4 in., d. 3 in. $500/800

781.

Georgian-Style Mahogany and Gilt Mirror, 20th c., spreadwing eagle crest, bellflower pendants, h. 44 in., w. 21 in. $400/600

783. Brass Skeleton Clock, 19th c., h. 12 in., w. 6 7/8 in., d. 3 3/8 in., glass dome with stepped oak plinth, overall h. 14 3/4 in., w. 12 1/2 in., d. 7 1/2 in. $600/900

784. Decorative Pair of Chinese Famille Verte Decorated Blue and White Porcelain Baluster Vases, 20th c., decorated with figural and floral panels, bases with Kangxi marks, h. 12 1/2 in. $600/800

787. Dutch Colonial Tropical Hardwood Garden Bench, 19th c., shaped crest rail, slatted back and seat, scrolled arms, turned legs, h. 34 1/2 in., w. 42 in., d. 19 1/2 in. $400/600 Provenance: Windham Collection, Oxford, MS.

785. Highly Decorative Chinese Famille Rose Decorated Blue and White Porcelain Pilgrim or Moon Flask, scroll handles, body with central raised roundels enclosing dragons and peaches, encircled by further dragons amid scrolling foliage and flower heads, base with spurious Qianlong mark, h. 14 in., dia. 10 1/8 in. $500/700

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786. Anglo‑Colonial Carved Tropical Hardwood Bedstead, molded tester, turned posts, floral‑carved reticulated head board, spindled foot board, bulbous‑turned legs, h. 88 1/2 in., l. 83 in., w. 67 in. $1500/2500

788. Pair of Tufted Leather Club Chairs, 20th c., Conover Chair Company, scrolled arms, brass nail head trim, h. 37 1/2 in., w. 39 in., d. 32 in. $1500/2500

789. Pair of Anglo‑Colonial Carved Teak Armchairs in the Georgian Taste, late 19th c., arched crest rail, pierced splat, scrolled arms, caned seat, foliate‑carved legs, caned seat, h. 41 3/4 in., w. 26 1/2 in., d. 21 in. $500/1000

790. Edwardian Satinwood Three-Tier Cake Stand, c. 1901, turned finial, galleried shelves, attenuated legs, h. 42 in., dia. 10 1/2 in. $500/800

791. George III Style Mahogany Breakfront Bookcase, 20th c., labeled “S. Hille & Co., London, England”, molded cornice, glazed doors, fitted secretary drawer, three drawers flanked by paneled cabinet doors, conforming plinth base, h. 80 5/8 in., w. 72 1/2 in., d. 18 in. $1500/2500

Provenance: Windham Collection, Oxford, MS.

793. Pair of Verde Antico Faux Marbre Fluted Columnar Pedestals, h. 47 in., w. 11 in., d. 11 in. $300/500 Provenance: The Friedle‑Garrison Collection, New Orleans.

794. Four Art Moderne‑Style Inlaid Barrel‑Back Armchairs, curved back and arms, rounded seat, shaped center leg, bracket support, h. 33 in., w. 24 in., d. 19 1/2 in. $600/800

795. Hazel Guggenheim McKinley King‑Farlow (American/Louisiana, 1903‑1995), “Street Scene”, watercolor on paper, signed lower right, sight 14 in. x 17 1/4 in., framed. $600/900

792. Regency Inlaid Rosewood Games Table, 19th c., checkerboard foldover swivel top, beaded molding, baize‑lined playing surface, fitted frieze drawer, turned supports, medial stretcher, arched legs, cuff casters, h.

29 1/2 in., w. 26 1/8 in., d. 16 in. $1000/1500 Provenance: Provenance: Wyndhams Antiques, Stow‑on‑the‑Wold, Gloucestershire, England, 2001; Windham Collection, Oxford, MS.

796. Karl Wolfe (American/ Mississippi, 1904‑1985), “Prometheus”, oil on panel, pencil‑signed lower left, “Mississippi Art Association” label with artist and title, 11 1/4 in. x 9 1/4 in., framed. $500/700

Provenance: Natchez Art Association.

797. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Beauty Shop”, oil on canvas, signed lower right, 16 in. x 14 in., framed. $800/1200 Provenance: Natchez Art Association.

798. Andrew Bucci (American/Mississippi, 1922‑2014), “Fallen Tree ‑ II”, 1979, watercolor and charcoal on paper, pencil‑signed lower right, dated en verso, artist label with title on backing board, “Marie Hull Gallery” exhibition label on backing board, sheet 17 5/16 in. x 22 1/4 in., framed. $700/1000 Provenance: Natchez Art Association.

799. John Korver (American/Louisiana, 1910‑1988), “Dilharee”, 1973, watercolor on paper, signed and dated lower right, titled lower left, 22 1/4 in. x 30 in., framed. $800/1200

800. James Michalopoulos (American/New Orleans, b. 1951), “Flogged Yellow”, 2002, oil on canvas, signed lower left, signed, titled, dated and artist label en verso, 31 in. x 39 in., unframed; accompanied by copy of certificate of authenticity. (2 pcs.) $2000/3000

801. William Dunlap (American/Mississippi, b. 1944), “Watershed Runoff”, 1989, mixed media on paper, signed and dated lower right, titled lower left, 30 1/4 in. x 79 1/4 in., framed. $2500/3500 Additional information at www.nealauction.com

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802. Noel Rockmore (American/New Orleans, 1928‑1995), “Trompe L’Oeil Collage”, 1971, oil on canvas, signed, dated and inscribed “Oct.‑Nov. / New York / New Orleans” lower left, 50 in. x 40 in., framed. $1500/2500 Provenance: Windham Collection, Oxford, MS.

803. Noel Rockmore (American/New Orleans, 1928‑1995), “French Quarter Characters in Moonlight”, 1980, oil on canvas, signed and dated lower right, 24 in. x 36 in., framed. $1500/2500 Provenance: Windham Collection, Oxford, MS.

804. David Harouni (Iranian/New Orleans, b.

1962), “Untitled (Face)”, oil on gallery‑wrapped canvas, signed lower left, 48 in. x 48 in., unframed. $3000/5000

805. David Harouni (Iranian/New Orleans, b.

1962), “Untitled (Triptych)”, 3 oils on gallery‑wrapped canvas, signed, each 12 in. x 12 in., overall 12 in. x 36 in., unframed.

(3 pcs.) $2000/3000

807. Noel Rockmore (American/New Orleans, 1928‑1995), “Harmonica Boy”, 1987, oil on canvas, signed and dated lower left, 55 1/4 in. x 31 in., framed. $2500/3500

806. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Face)”, oil on gallery‑wrapped canvas, signed lower right, 24 in. x 20 in., unframed. $1500/2500

Provenance: Windham Collection, Oxford, MS.

808. Alberta Kinsey (American/ New Orleans, 1875‑1952), “Still Life with Fruit”, oil on canvas laid on board, signed lower right, 18 3/4 in. x 25 in., framed. $700/1000

810. Clementine Hunter (American/ Louisiana, 1886‑1988), “Uncle Tom’s Cabin”, oil on canvas board, monogrammed lower right, 16 in. x 20 in., framed. $4000/6000

811. Clementine Hunter (American/Louisiana, 1886‑1988), “Haulin’ Cotton”, oil on board, monogrammed lower right, 16 in. x 24 in., framed. $2500/3500 812. Florence Kawa (American/Florida, 1912‑2008), “French Quarter, New Orleans”, oil on canvas, signed lower right, pencil‑titled, inscribed and “Nebraska Art Association’s 62nd Annual Exhibition, University of Nebraska Art Galleries, Lincoln, Nebraska” label on stretcher, 24 in. x 30 in., framed. $500/700

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809. Eleanora Gibson Houston (American/Virginia, 1883‑1942), “Cotton Pickers”, oil on canvas, unsigned, “Gallery Mayo, Richmond, VA” label with artist and title on backing board, “NHE‑26” inventory number inscribed on stretcher, 26 in. x 36 in., framed; together with copy of Gallery Mayo letter of authenticity listing full provenance. (2 pcs.) $800/1200

813. Emmitt Thames (American/Mississippi, b. 1933), “Left on the Doorstep”, 1981, watercolor on paper, signed lower right, artist stamp, inventory number, dated and pencil‑titled en verso, 23 in. x 30 in., framed. $700/1000

814. Emmitt Thames (American/ Mississippi, b. 1933), “Dutch Door”, 1979, watercolor on paper, signed lower right, signed, titled, dated and artist stamp en verso, 22 1/2 in. x 30 in., framed. $700/1000

815. Emmitt Thames (American/Mississippi, b. 1933), “South Florida”, 1972, watercolor on paper, signed and dated lower right, signed, titled, dated and inscribed “310/238” en verso, 15 in. x 22 1/4 in., framed. $600/800

816. Donny Finley (American/Alabama, b.

1951), “Hitch Hiker”, 1980, watercolor on paper, signed and dated lower left, artist, title and date inscribed en verso, 19 1/2 in. x 24 1/4 in., framed. $700/1000

818. Frances Swigart‑Steg (American/New Orleans, b. 1942), “Architectura”, etching, pencil‑signed, titled and numbered “93/150” lower margin, 29 3/4 in. x 11 1/8 in., framed. $150/250 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

817. Bernard Gantner (French, b. 1928), “Landscape”, lithograph on paper, pencil‑signed and inscribed “EA” lower margin, sheet 15 5/16 in. x 19 5/8 in., framed. $200/400

819. George Hand Wright (American/ Pennsylvania, 1872‑1951), “The Neighborhood”, etching, pencil‑signed lower right, sheet 11 5/8 in. x 13 7/16 in., framed. $200/300

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

820. After Knute Heldner (Swedish/New Orleans, 1877‑1952), “Banjo Annie”, “Fort McComb”, “Bread Line”, “Nude” and “The Family”, 5 etchings, each pencil‑signed and titled lower margin, printed by Whisnant Galleries from the original copper plates, sheets 11 in. x 14 5/8 in. to 15 in. x 11 1/16 in., unframed. (5 pcs.) $500/700

821. Vintage Austrian Advertisement Poster, “Abendkleider‑und Maskenleihanstalt”, sight 38 1/2 in. x 26 3/4 in., framed. $200/300

823. Wilson Bigaud (Haitian, 1931‑2010), “Traitement Chez le Docteur”, oil on masonite, signed and titled lower right, 23 3/4 in. x 29 3/4 in., framed. $300/500 822. Fritz St. Jean (Haitian, 1954‑2017), “All Fruit Tree”, oil on canvas, signed lower left, 20 in. x 16 in., framed. $300/500

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

825. American Renaissance Carved Walnut Pedestal, late 19th c., later black marble top, tapered form with egg and dart molding, swag and foliate decoration, h. 44 in., w. 20 in., d. 14 1/2 in. $500/700

826. American Aesthetic Carved Oak Slipper Chair, spindled back, spiral‑turned stretcher, reeded legs, h. 30 in., w. 20 1/4 in., d. 18 in. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

827. Continental Rococo Cast Iron Tilt‑Top Table, 19th c., octagonal mother‑of‑pearl inlaid top, foliate vasiform standard, arched legs, h. 29 1/2 in., dia. 19 1/2 in. $200/400

824. Prospere Pierre Louis (Haitian, 1947‑1996), “Seated Loa with Bird”, 1987, oil on masonite, signed and dated lower center, 24 in. x 18 in., framed. $200/400 Provenance: Windham Collection, Oxford, MS.

828. Rare Continental Carved and Inlaid Walnut Center Table, late 19th c., of Black Forest inspiration, top with Alpine wildlife vignettes, scrolled supports, stretcher surmounted by urn and scrolls, hoof feet, h. 28 in., dia. 29 in. $700/1000

829. German Black Forest Carved Walnut Cuckoo Clock, 20th c., stag and crossed rifles crest, dial with hunting horn surround, flanked by game, h. 36 in., w. 22 in., d. 17 in. $500/700

Additional information at www.nealauction.com

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831. Hasmig Vartanian (Israeli/New Orleans, b. 1946), “Spatial Fragments #1”, “Spatial Fragments #5”, “Spatial Fragments #6” and “Spatial Fragments #7”, 1994‑95, 4 mixed medias and collage on paper, each pencil‑signed lower left and “Galerie Simonne Stern” label with artist, title and date on backing, one with “McIntosh Gallery” label with artist, title and date on backing, sights 10 1/2 in. x 13 1/2 in. to 13 1/2 in. x 10 1/2 in., framed alike. (4 pcs.) $800/1200

830. Continental Carved and Parcel Gilt Mahogany Firescreen, needlepoint panel, h.

37 1/2 in., w. 25 1/2 in., d. 12 in.; together with an English brass fire fender and tools. $400/600

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Windham Collection, Oxford, MS.

833. Hasmig Vartanian (Israeli/New Orleans, b. 1946), “Spatial Fragments #10”, 1995, mixed media and collage on paper, pencil‑signed lower center, “Galerie Simonne Stern” label with artist, title and date on backing, sight 12 1/2 in. x 14 1/2 in., framed. $500/700 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

837. Susan Downing White (American/ New Orleans, b. 1960), “Along the Levee #2”, oil on canvas, initialed lower right, “Cole Pratt Gallery” label with artist and title en verso, 8 in. x 8 in., framed. $600/800

Provenance: Estate of Eve Godchaux Hirsch, New Orleans; Cole Pratt Gallery, New Orleans, LA.

832. Hasmig Vartanian (American/New Orleans, b. 1946), “Dome of Heaven”, 1992, mixed media, signed lower right, signed, titled and dated en verso, sight 30 in. x 40 in., framed. $1200/1800

834. Katie Rafferty (American/New Orleans, 20th c.), “Untitled #7”, “Charette Blues I” and “Armature #4”, 3 monotype and mixed medias on paper, one pencil‑signed lower right, one pencil‑signed lower left, one pencil‑signed and titled lower margin, each with “Cole Pratt Gallery, New Orleans” label with artist and title on backing, 9 3/4 in. x 11 1/8 in. to 14 in. x 14 in., framed. (3 pcs.) $600/900 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

838. M. Douglas Walton (American/ Louisiana, 20th c.), “Untitled: Cityscape”, 2011, watercolor and mixed media on paper, signed and dated lower right, sheet 30 in. x 22 1/2 in., framed. $400/600

835. Katie Rafferty (American/New Orleans, 20th c.), “Persistence of Pattern #4”, 2004 and “Persistence of Pattern #11”, 2004, 2 mixed medias on board, both pencil‑signed, dated and “Cole Pratt Gallery” labels with artist and title en verso, each 8 in. x 8 in., unframed. (2 pcs.) $300/500

836. Hasmig Vartanian (Israeli/New Orleans, b. 1946), “Organic/Inorganic #3”, 1994 and “Organic/Inorganic #4”, 1994, 2 mixed medias and collage on paper, both pencil‑signed lower right, “Galerie Simonne Stern” labels with artist, title and date on backings, sights 3 1/4 in. x 5 1/4 in., framed alike. (2 pcs.) $200/300 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

839. David Sinclair Nixon (American/New Orleans, 1904‑1973), “Four Scenes Around the Tree of Life”, 1954, mixed media on panel, signed and dated lower right, titled and inscribed en verso, 16 in. x 20 in., framed. $700/1000

840. Philip Geiger (American, b.

1956), “Megan”, 1997, oil on panel, signed lower right, signed, titled, dated and inscribed en verso, 16 in. x 12 in., framed. $400/600

Provenance: Natchez Art Association.

842. Pair of Antique French Bronze‑Mounted Porcelain Urns, late 19th c., reserves painted with Cupid and Psyche in a chateau landscape, signed “J. Pascault”, h. 22 1/4 in., dia. 7 3/4 in. $800/1200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

841. Vic Guhrs (German/Zambia, b.

1943), “Rhinoceros”, oil on canvas, signed lower left, 24 in. x 40 in., framed; together with “Lions”, lithograph, signed and inscribed lower right, sight 12 in. x 18 in., framed. (2 pcs.) $600/800 843. Pair of Bronze‑Mounted Chinese Export Imari Porcelain Bowls, 19th c., decorated with rocks and flower sprays, bronze beaded rim, foliate scroll handles, garland‑hung base with splayed feet, h. 5 1/2 in., w. 10 1/4 in. $500/1000

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844. Fine Large Rock Crystal Sphere, carved and silver‑leafed base, overall h.

11 1/4 in. $800/1200

846. Pair of Antique Italian Polychromed Blackamoor Torchères, modeled standing on boat, holding paddles, octagonal bases, h. 61 in., d. 26 in., d. 14 in., electrified. $1500/2500 Provenance: Windham Collection, Oxford, MS.

845. Large Silver‑Mounted Rock‑Crystal Bowl, incised and repoussé rim and base, h. 10 in., dia. 13 1/2 in. $1200/1800 848. Gorham Sterling Silver Flatware Service, “Old English Tipt” pattern with applied copper monogram “EGH”, incl. 12 each: forks (l. 7 3/4 in.), knives (l. 9 3/8 in.), forks (l. 7 1/8 in.), knives (l. 8 3/4 in.), salad forks, cocktail forks, soup spoons (l. 6 1/8 in.), dessert spoons, ice teaspoons, demitasse spoons and butter spreaders (fh); 24 teaspoons, 2 cold meat forks, 4 tablespoons, gravy ladle and jelly spoon, and associated soup spoon and ice teaspoon, total wt. (weighable) 196.75 troy ozs. (166 pcs.) $2000/3000

847. Rare Set of Four Regency Black Lacquered and Gilt Decorated Papier‑Mâché Trays, 19th c., floral decoration, graduated sizes 9 1/2 in. x 12 in. to 25 in. x 31 in., original dovetailed pine storage box with brass bail handles. $1500/2500 Provenance: Christopher Buck Antiques, Folkestone, Kent, England, 2005; Windham Collection, Oxford, MS.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

849. American Sterling Silver Flatware Service, International “Joan of Arc” pattern, pat.

1940, incl. 12 each: forks, l. 7 5/8 in., knives, l.

9 1/2 in., salad forks and butter spreaders (hh); 6 dessert spoons, 20 teaspoons, 8 ice tea spoons, 6 cocktail forks, 2 demitasse spoons, 2 tablespoons, slotted tablespoon, cold meat fork, tomato server, gravy ladle, sugar shell, and master butter knife, total wt. (weighable) 89.85 troy ozs. (98 pcs.) $1200/1800 852. Six Georgian‑Style Silverplate Service Plates, marked “Carrington & Co., 150 Regent St. W., London”, act. 1907‑1973, gadroon border, handsome strapwork monogram, dia. 10 3/8 in. $400/600

851. Pair of Georgian‑Style Silverplate Campagna‑Form Wine Coolers, spurious marks, removable liner with collar, beaded borders, gadrooned foot, h. 11 1/4 in. $400/600

850. American Sterling Silver Flatware Service, Wallace “Stradivari” pattern, pat. 1937, incl. 12 each: forks, l. 7 1/8 in, knives; salad forks, butter knives (fh), teaspoons, cream soup spoons, and cocktail forks; 10 ice tea spoons, 22 demitasse spoons, 13 salt spoons, sugar nips, cake comb, tablespoons, pierced tablespoon, cold meat fork, jelly server, pierced jelly server, gravy ladle, dessert spoon and lemon fork; together with Frank M. Whiting “Troubador” 2 piece carving set and 2 pairs of salad servers, total wt. (weighable) 100.50 troy ozs. $1000/1500 853. Fine French Brass Student’s Lamp, c. 1900, adjustable font, cast with foliate design, h.

20 1/2 in., w. 10 in., d.

6 1/4 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

854. French Porcelain “Owl” Oil Lamp, c. 1900, glass eyes, h.11 1/4 in., w. 3 3/4 in., d. 3 3/4 in. $400/600

Provenance: The Friedle‑Garrison Collection, New Orleans.

855. Pair of French Tôle Peinte and Porcelain Mounted Three‑Light Sconces, 20th c., electrified, h. 20 in., w. 11 in., d. 6 in. $300/500

856. French Glazed Pottery Olive Jar, 19th c., h. 37 in., dia. 25 in. $800/1200

Provenance: Windham Collection, Oxford, MS.

857. Pair of Continental Carved and Painted Fauteuils and Ottoman, scrolled arms, cabriole legs, pad feet, down cushions, fleur‑de‑lis upholstery, h. 39 3/4 in., w. 42 in., d. 28 1/2 in. ottoman h. 19 in., w. 33 in., d. 24 in. $800/1200

Provenance: Windham Collection, Oxford, MS. Additional information at www.nealauction.com

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858. Antique Louis XVI‑Style Carved Oak Bureau Plat, egg and dart‑molded top, frieze modified with later drawers, tapered fluted legs terminating in floral‑carved blocks, shaped stretcher surmounted by a foliate urn, ball feet, h. 31 5/8 in., w.

83 1/2 in., d. 42 5/8 in. $1000/1500 Provenance: Stan Levy.

859. Antique Italian Polychromed Chest of Drawers, serpentine top, three drawers, chamfered fluted stiles, bracket feet, h.

32 in., w. 44 in., d. 20 in. $1000/1500 861. French School, 19th c., “Putti at Play”, oil on canvas en grisaille, unsigned, 9 1/2 in. x 13 in., framed. $800/1200 Provenance: Windham Collection, Oxford, MS.

860. Antonelli Pergal (Italian, b. 1908), “Marine Scene”, oil on canvas, signed lower right, 14 in. x 21 3/4 in., framed. $300/500

862. Georg Arnold‑Grabone (German, 1896‑1982), “Ships at Sea”, oil on canvas, signature incised lower left, 23 3/4 in. x 31 3/4 in., framed. $500/700

Provenance: Estate of Eve Godchaux Hirsch, New Orleans; Nahan Galleries, New Orleans, LA, 1965.

864. Vasily Zasipkin (Russian/Indonesia, 19th/20th c.), “Houses on the Water”, 1929, oil on canvas, signed and dated lower right, 17 1/2 in. x 24 1/2 in., framed. $300/500

863. Continental School, 19th c., “Semiramis, the Warrior Queen of Babylon, Receiving the Oracle’s Prophecy”, oil on canvas, unsigned, 86 1/2 in. x 85 1/2 in., unframed. $1000/1500

867. John Gould (British, 1804‑1881), “Ramphomicron Microphyncha”, “Erioncnemis D’Orbigny” and “Chlorostilbon Osberti”, 3 hand‑colored lithographs, from The Family of Hummingbirds, sights 21 in. x 13 1/2 in., framed. (3 pcs.) $300/500

Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑1993) and his wife Patricia, Winter Springs, FL.

Provenance: Windham Collection, Oxford, MS.

868. Continental Polychrome Majolica Pedestal, late 19th/ early 20th c., pierced square top, composite capital with Ionic scrolls, tapered pedestal molded with eagles, torches and foliate meanders, tiered square base, h. 42 3/4 in., w. 11 1/2 in., d. 11 1/2 in. $300/500

871. Continental Patinated Bronze Wall Bracket, 20th c., molded wood shelf, over mask of Hera crowned in oak leaves, h. 11 in., w. 12 1/4 in., d. 9 in. $150/300 Provenance: The Friedle‑Garrison Collection, New Orleans.

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865. French School, 19th c., “Ice Skaters on the Lake”, oil on panel, unsigned, 8 3/8 in. x 6 1/4 in., framed. $300/500

869. Carved, Polychromed and Gilt Madonna with Child, 20th c., on bracket, h. 30 in., w. 11 in., d. 7 in. $500/700

872. Pair of French Renaissance Revival Bronze Six‑Light Candelabra, 19th c., urn‑form standard with relief of winged griffins astride a bull and horse, tripartite base, now mounted as lamps, h. 29 1/2 in., dia. 13 in. $400/600

866. Continental School, mid‑18th c., “Portrait of a Woman with Needlework”, oil on canvas, unsigned, 30 in. x 25 in., framed. $400/600 Provenance: Henry Stern, New Orleans, Aug. 1981.

870. Italian Carved Giltwood Cherub, 19th c., kneeling on cartouche‑form base, scrolled feet, h. 20 in., w. 16 in., d. 9 1/4 in. $500/700

873. Pair of Louis XVI‑Style Patinated Bronze Two‑Light Sconces, 20th c., mirrored bowknot and torch backplate, h. 17 in., w. 9 1/2 in., d. 4 in. $250/350

874. Monumental American Giltwood Overmantel Mirror, 19th c., oval mirror surround mounted with foliate decoration, h. 66 in., w. 60 in. $500/700 876. Chinese Hardwood Curio Stand, probably early 20th c., with asymmetrical arrangement of shelves connected by molded uprights, bracketed feet, h. 63 3/4 in., w. 35 1/4 in., d. 12 1/2 in. $700/1000

875. Monumental Louis XVI‑Style Gilt Trumeau Mirror, 19th c., molded cornice, Classical reserve with bowknot crest, mirror plate surmounted by acanthus and floral swags, rope‑molded surround, h. 105 in., w. 45 in. $1200/1800

879. English Carved Rosewood Center Table, 19th c., shaped top, lobed standard, arched acanthine legs, scrolled toes, casters, h. 27 in., w. 51 in., d. 32 in. $600/900 Provenance: Windham Collection, Oxford, MS.

880. Antique Georgian‑Style Inlaid Mahogany Pembroke Table, drop‑leaf top, tapered legs, h. 28 1/4 in., w. (closed) 19 1/2 in., w. (open) 39 1/4 in., d. 32 3/4 in. $500/700

878. Chinese Hardwood Tall Stand, waisted inset square plank top with three grooved edges, shaped medial stretchers, square legs, shaped stretchers, hoof feet, h. 48 in., w. 20 in., d. 20 in. $400/600

877. Chinese Mother‑of‑Pearl Inlaid Hardwood Tall Table, inset rectangular plank top inlaid with birds on flowering branches, upturned flange ends, slide‑out surface above two frieze drawers inlaid with peach branches, carved spandrels, straight open trestle legs, h. 51 in., w. 50 in., d. 18 1/2 in. $500/1000

881. Antique English Carved Mahogany Sécrétaire à Abattant, stepped top, fall‑front door, fitted interior with inlaid door, three lower drawers, reeded foliate‑carved stiles, lobed feet, h. 60 1/2 in., w. 40 1/2 in., d. 21 in. $1200/1800

883. German Carved and Inlaid Walnut Writing Desk, late 19th c., foliate‑carved superstructure with two shelves, bracket supports carved with dragons, egg and dart carved top, frieze drawer flanked by drop‑down doors fitted with cartonnier drawers, elaborately carved legs, cylindrical feet, h. 56 in., w. 47 in., d. 25 1/2 in. $1200/1800

882. Large Antique Louis XV‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Bureau Plat, shaped top with inset tooled leather writing surface, serpentine frieze with three drawers, cabriole legs, sabots, h. 31 in., w. 70 in., d. 35 in. $1500/2500

884. Pair of Louis XV‑Style Carved Walnut Fauteuils, molded crest rail, padded back and arms, floral‑carved seat rail, cabriole legs, h. 38 in., w. 21 1/2 in., d. 20 in. $500/1000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

885. French Provincial Paint-Decorated Armoire, 19th c, flared cornice, paneled doors, plinth base, disc feet, h. 79 in., w. 58 in., d. 23 in. $700/1000 Provenance: Henry Stern, New Orleans, LA.

886. Continental Patinated Wrought Iron Console Table, early 20th c., inset glass top above sections of antique cast iron fencing panels, leaf work cabriole legs, scroll toes, X‑stretcher, h. 31 1/2 in., w.

66 1/ 2in., d. 21 in. $500/700 Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

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889. Louis XVI‑Style Giltwood Side Table, late 19th c., inset marble top, rosette frieze, fluted legs, caned shelf, toupie feet, h. 29 1/2 in., w. 19 3/4 in., d. 14 1/2 in. $200/300 Provenance: Windham Collection, Oxford, MS.

890. Faux Stone Painted Pedestal, h. 42 in. $150/250

888. Directoire‑Style Painted Ottoman, tufted seat, brass nailhead trim, curule base, h. 17 1/2 in., w. 16 1/2 in., d. 26 in. $250/350

Provenance: The Friedle‑Garrison Collection, New Orleans.

887. Painted Country Pine Open Cupboard, 20th c., flared cornice, arched frieze, scalloped shelves, molded base, h. 73 5/8 in., w. 51 in., d. 16 in. $500/1000 Provenance: Windham Collection, Oxford, MS.

891. Pair of Louis XV‑Style Bronze‑Mounted and Inlaid Petite Commodes, 20th c., shaped galleried marble top, three drawers, cabriole legs, h.

30 1/2 in., w. 16 1/4 in., d. 10 1/2 in. $500/750

892. Moroccan Carved and Inlaid Mahogany Bench, shaped crest, spindled back, scrolled arms, conforming base, h. 41 in., w. 48 in., d. 19 1/2 in. $200/400

893. Louis XVI‑Style Giltwood Footstool, floral motif rail, acanthine fleur‑de‑lis apron, turned and tapered legs, h.

16 in., w. 19 in., d. 18 in. $300/500

894. After Antoine Louis François Sergent (French, 1751‑1847), “Galeries du Louvre, du Côté du Port St. Nicolas” and “Vue de la Place de Louis XV, et du Jardin des Thuilleries”, 2 hand‑colored engravings, engraved by Joseph‑Alexandre Le Campion (French, 18th/19th c.) and Laurent Guyot (French, 1756 ‑1808) respectively, from Vues Pittoresques de Principaux Édifices des Paris, published by Les Campions, Paris, sheets 9 1/2 in. x 7 in., framed alike. (2 pcs.) $400/600 Provenance: Windham Collection, Oxford, MS.

895. Pair of Louis XV‑Style Gilt and Patinated Bronze Nine‑Light Figural Candelabra, opposing cherubs holding foliate candlearms, on scrolled bases, h. 32 in., dia. 17 in. $700/900

896. Pair of Sèvres‑Style Polychrome and Gilt Porcelain Urns, late 19th/early 20th c., foliate scroll handles, decorated with amorous couples on a “rose pompadour” ground strewn with flower sprays, h. 11 1/2 in., mounted as lamps, h. (incl. finial) 27 in. $800/1200

897. Austrian Cold‑Painted Bronze Figural Lamp, c. 1900, palm tree fitted with light, base with Arab horseman and vide poche, h. 11 1/4 in., w. 5 in., d. 5 3/4 in. $500/600

900. Pair of French Porcelain‑Mounted Bronze Four‑Light Sconces, 20th c., bowknot backplate, courting couple plaques, h. 31 in., w. 13 in., d. 6 in. $600/900

898. Pair of Continental Carved Walnut Candlesticks, tripartite base, later feet, h. 21 1/2 in., dia. 6 in. $250/350

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899. Antique French Patinated Cast Iron Figure of a Cherub Holding a Torch, h. 36 in., w. 17 1/2 in., d. 14 1/2 in. $800/1200

901. American Rococo Carved Mahogany Half‑Tester Bed, 19th c., New Orleans, shaped beaded tester, paneled headboard surmounted by a foliate cabochon crest, cluster column posts, acanthus decorated shaped rails and foot board, h. 118 in., l. 79 in., w. 63 in. $8000/12000 902. Antique American Federal‑Style Mahogany Secretary Bookcase, broken arch cornice, flame finials, glazed doors, shelf interior, lower case with serpentine top, conforming case with butler’s desk, fitted interior, three lower drawers, ogee bracket feet, h. 94 1/2 in., w. 43 3/4 in., d. 25 in. $1200/1800

903. Antique Regency‑Style Carved Mahogany Chest of Drawers, shaped top, reeded stiles, four graduated drawers, turned feet, h. 42 1/4 in., w. 47 in., d. 22 1/4 in. $700/900

905. Antique American Hepplewhite‑Style Inlaid Mahogany Slant Front Desk, mid‑to‑late 19th c., fall front door with Federal eagle opening to a well‑fitted interior, four graduated drawers, shaped apron, flared feet, h. 41 1/2 in., w. 38 3/8 in., d. 20 1/2 in. $500/700

904. American Classical Carved Mahogany Voltaire Armchair, early 19th c., arched crest rail, shaped stiles, padded scrolled arms, rounded seat rail, cabriole legs, cuff casters, h. 38 3/4 in., w.

26 in., d. 28 1/2 in. $300/500 906. American Classical Mahogany Pier Table, early 19th c., marble top, foliate frieze, Corinthian columnar supports, mirror back flanked by pilasters, shaped acanthus feet, h. 38 in., w. 44 in., d. 22 3/8 in. $1000/1500

907. American Pine Long Table, plank top, plain frieze, tapered legs, h. 30 3/4 in., l. 72 in., w. 16 in. $100/150

Provenance: Didier, Inc., New Orleans.

908. American Late Federal Mahogany Games Table, early 19th c., Philadelphia, shaped reeded edge top, highly figured frieze, reeded tapered legs, button feet, h. 28 1/2 in., w. 38 1/2 in., d. (closed) 18 in., d. (open) 35 in. $400/600

909. Important Huntington‑Holladay American Renaissance Carved, Ebonized and Gilt‑Incised Figured Walnut Bedroom Suite, late 19th c., attr. to Thomas Brooks, New York, incl. bed, dressing chest, and commode; each piece with architectonic crest and elements, decorated with carved figures and masks, scrolled brackets, plinth base, bed h. 97 in., l. 78 in., w. 59 1/2 in.; chest h. 97 in., w. 52 1/2 in., d. 25 in.; commode h. 31 in., w. 23 in., d. 20 in. $8000/12000

Provenance: According to a document signed by Collis H. Holladay dated Feb. 5, 1968: with Railroad tycoon Collis Potter Huntington (1821‑1900), New York City; his sister‑in‑law, Mrs. Solon Huntington, Oneonta, NY, after 1883; her daughter, Mrs. Edmund Burke Holladay, San Marino, CA, 1919; her heirs, San Marino, CA, until 1968; Private Collector, Las Vegas, NV.

910. Pair of American Federal‑Style Inlaid Mahogany Bookcases on Stand, benchmade, labeled “Made by Roy E. Payne...Tenn...1976”, shaped cornice, glazed doors, two drawers, square legs, h. 86 1/2 in., w. 35 1/2 in., d. 14 1/2 in. $1000/1500

Additional information at www.nealauction.com

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912. American Aesthetic Carved Rosewood Music Cabinet, mid‑19th c., probably Daniel Pabst, Philadelphia, foliate carved crest centered by a Japonisme tablet, galleried top, case with canted corners, paneled door over carved and fluted supports, mirrored backplate, conforming plinth base, h. 54 in., w. 23 1/4 in., d. 14 1/4 in. $500/750

911. Antique American Federal‑Style Inlaid Mahogany Sofa, swag‑relief carved crest rail, scrolled arms, foliate vasiform uprights, tapered reeded legs, h.

35 in., w. 69 in., d. 26 in. $800/1200

914. American Carved Oak Podium Desk, spindled gallery, slant lid, fitted interior, caduceus carved supports, stretcher shelf, block feet, h. 47 1/2 in., w. 47 1/4 in., d. 28 in. $300/500

915. American Rococo Carved Walnut Bedroom Suite, incl. bedstead, dresser and dressing table, dresser with carved mirror support, arched cabochon carved crest, shaped mirror, glove boxes, four grape carved paneled doors, bracket feet; kneehole dressing table with mirror, long drawer and drawers on each side; bed with paneled headboard, circular roundel, conforming foot board, bracket feet, bed h. 65 in., l. 75 in., w. 55 1/2 in.; small dresser h. 88 1/4 in., w. 48 1/4 in., d. 22 1/4 in.; dresser h. 67 1/2 in., w. 45 1/2 in., d. 22 in. $1200/1800

916. Antique Continental Carved Walnut Table, shaped molded top, frieze with two drawers on return ends, faux drawers on front and reverse sides, serpentine apron, cabriole legs, ball and claw feet, h. 31 in., w. 47 in., d. 30 1/4 in. $1000/1500

920. Elmer Boyd Smith (American, 1860‑1943), “Brittany Farm Scene”, c. 1890, oil on canvas laid on masonite, unsigned, inscribed with artist, title, date and artist estate stamp on backing paper, 11 in. x 14 in., framed. $800/1200 Provenance: Natchez Art Association.

917. Continental Inlaid Burled Wood Cabinet, 19th c., inlaid compass star in ivory and ebony, h.

39 in., w. 27 in., d. 12 in. $700/1000

918. Pair of Italian Carved and Painted Ionic Columnar Pedestals, associated base, h. 64 3/4 in. $150/300

919. Pair of Antique Louis XV‑Style Crème Peinte and Polychrome‑Decorated Fauteuils, shaped crest, serpentine arms and seat rail, cabriole legs, trifed feet, h. 37 in., w. 23 1/2 in., d. 20 in. $500/700

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

921. Elmer Boyd Smith (American, 1860‑1943), “Auvers‑sur‑Oise (Mother and Child)”, 1897, oil on canvas, signed, titled and dated lower right, inscribed with artist, title, date, “The Minneapolis Institute of Arts / Minneapolis, Minn. / Exhibited / November 1975” exhibition stamp and artist estate stamp on backing board, 17 in. x 22 1/8 in., framed. $1000/1500 Provenance: Natchez Art Association.

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913. American Aesthetic Carved Walnut Méridienne, late 19th c., spindled crest, serpentine back, incised arm and seat rail, bracket feet, casters, h.

39 3/4 in., w. 73 1/2 in., d. 25 in. $300/500

922. Edward Von Siebold Dingle (American/South Carolina, 1893‑1975), “Ducks in Flight”, watercolor and gouache on paperboard, signed lower right, 15 in. x 11 in., framed. $800/1200

923. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Mississippi River Front”, watercolor on paper, signed lower right, titled lower left, sheet 11 3/4 in. x 15 3/4 in., framed. $700/1000

924. Charles Reinike, Jr. (American/Louisiana, 1906‑1983), “Shrimp Boats”, watercolor on paper, signed lower left, 7 5/16 in. x 10 3/16 in., framed. $600/800

925. Louis George Bouché (American, 1896‑1969), “Spanish Moss”, oil on canvas, signed lower left, “Kraushaar Galleries, New York” label with artist and title on stretcher, 26 in. x 20 in., framed. $600/800

926. Emil Holzhauer (American/Florida, 1887‑1986), “Spence’s Boat Yard, Interior”, 1954, casein on paper, signed and dated lower right, titled and dated on backing paper, sight 21 in. x 29 1/2 in., framed. $800/1200

Provenance: Neal Auction Company, July 12, 2008, lot 522.

927. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “Sea Nymph”, “Siesta”, Louise”, “Alone” and “Hope”, 5 etchings, each pencil‑signed and titled lower margin, sheets 5 9/16 in. x 4 1/8 in. to 7 3/16 in. x 6 in., framed together. $500/700 Ill.: Isbell, Reed W. Morris Henry Hobbs: A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee Street Publishing, 2017, pp. 74, 83, 94, 97, 101.

930. American Aesthetic Maple Faux Bamboo Pier Mirror, late 19th c., plinth base, h. 82 in., w. 31 3/4 in., d. 13 in. $400/600

928. American Cast Iron Indigo Pot, 19th c., three short feet, h. 14 in., dia. 19 1/2 in. Note: Two holes. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

929. French Cast Stone Garden Urn, h. 23 3/4 in., dia. 15 3/4 in. $200/300 Provenance: The Friedle‑Garrison Collection, New Orleans.

931. American Federal Giltwood Pier Mirror, early 19th c., spherule‑mounted cornice, swag frieze, columnar stiles, divided mirror plate, h. 46 in., w.

26 in. $300/500

933. American Classical Carved Mahogany Sofa, c. 1820‑40, foliate‑carved high crest rail, scrolled arms, padded back and seat, beaded seat rail decorated with carved panels, foliate sabre legs, brass paw feet, casters, h. 36 in., w. 87 in., d. 26 in. $1000/1500

932. American Inlaid Mahogany Dressing Mirror, 19th c., labeled “Thomas Biggs...

Philadelphia”, turned supports, square frame, inset circular mirror, plinth base, h. 17 1/2 in., w. 20 in., d. 8 1/2 in. $200/400

936. American Chippendale‑Style Pine Desk, fall‑front door, fitted interior, four long drawers with batwing brasses, ogee bracket feet, h. 39 3/4 in., w. 34 in., d. 20 in. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

937. American Painted “Lazy Susan” Table, tapered legs, stretchers, h. 29 1/2 in., dia. 52 in. $700/900 934. Louisiana Bench‑Made Cypress Armoire, F. Paul Naquin, Baton Rouge, flared cornice, paneled doors, divided interior, scalloped apron, cabriole legs, h. 85 in., w. 57 in., d. 28 1/2 in. $1500/2500 Provenance: Lombard Plantation, New Orleans, LA.

935. Louisiana Bench‑Made Cypress Cupboard, F. Paul Naquin, Baton Rouge, stepped cornice, tri‑paneled doors, divided interior, plinth base, h. 82 in., w. 51 1/2 in., d. 25 in. $800/1200 Provenance: Lombard Plantation, New Orleans, LA. Additional information at www.nealauction.com

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939. American Pine and Poplar Cabinet, 19th c., shaped backsplash, three frieze drawers, paneled doors, shelf interior, turnip feet, h. 57 3/4 in., w. 47 1/2 in., d. 19 in. $300/500 Provenance: Barker’s Antiques, Baton Rouge, LA.

940. American Grain and Sponge Painted Blanket Chest, late 18th/early 19th c., probably Pennsylvania or New England, hinged top, divided interior, faux drawer front, turnip feet, h. 34 in., w. 52 in., d. 20 1/4 in. $300/500

938. Antique American Painted Windsor Bench, shaped crest rail, spindled back, scrolled arms, ring‑turned legs, stretchers, h. 36 in., w. 70 3/4 in., d. 21 1/2 in. $500/800

Provenance: Didier, Inc., New Orleans.

941. Antique Southern Hardwood Ladderback Child’s Chair, 19th c., Louisiana, chamfered stiles, graduated slats, rush seat, turned legs, peg feet, stretchers, h. 31 1/2 in., w. 17 1/2 in., d. 14 1/2 in. $200/300

942. Southern Painted Hanging Cupboard, 19th c., paneled doors, bracket runners, h.

61 1/2 in., w. 31 in., d. 9 in. $800/1200

943. American Federal Painted Side Table, early 19th c., tapered legs, h. 30 in., w. 20 1/2 in., d. 17 in. $400/600

Provenance: St. Francisville Antiquarian Thomas Wilmot “Twik” Klein.

944. American Federal Carved Mahogany Chest of Drawers, early 19th c., probably Southern, four drawers, shaped apron, “French” bracket feet, h. 37 1/2 in., w. 39 1/2 in., d. 19 1/2 in. $500/700 947. American Chippendale Carved Mahogany Fall‑Front Desk, early 19th c., fitted interior, serpentine case with four graduated drawers, ogee bracket feet, h. 42 1/2 in., w. 42 in., d. 21 1/2 in. $700/900

945. American Federal Walnut Chest of Drawers, late 18th/early 19th c., molded top, four graduated drawers, flared bracket feet, h. 36 in., w. 40 in., d. 22 in. $700/900

946. Pair of American Classical Faux Bois Side Chairs, early 19th c., scroll back crest rail, vasiform splat, turned stiles and legs, h. 31 in., w. 19 1/2 in., d. 19 in. $400/600

948. American Federal Carved Mahogany Two‑Part Dining Table, early 19th c., two demilune ends, blocked frieze, ring‑turned legs, h. 29 3/4 in., l. (open) 78 in., w. 42 in. $800/1200 949. American Federal‑Style Inlaid Mahogany Sideboard, 19th/20th c., serpentine top with brass gallery, conforming case with two drawers and cabinet doors, tapered cuffed legs, casters, h. 54 1/2 in., w. 85 1/2 in., d. 31 in. $1000/1500 950. American Federal Mahogany Work Table, early 19th c., hinged top, two compartments centered by a deep drawer, turned and tapered legs, h. 27 1/2 in., w. 26 3/4 in., d. 13 1/2 in. $300/500 951. American Late Classical Mahogany Armchair, mid‑19th c., shaped crest rail, padded back, arms and seat, serpentine seat rail, tapered legs, casters. $300/500

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952. American Federal‑Style Inlaid Mahogany Bowfront Console Table, shaped backsplash with eagle inlay, blocked frieze, reeded tapered legs, h. 35 1/2 in., w. 45 in., d. 20 1/2 in. $300/500

953. American Federal‑Style Carved and Inlaid Mahogany Lolling Armchair, serpentine crest rail, shaped arms, fluted baluster uprights and legs, turned feet, h. 44 1/4 in., w. 27 in., d. 26 in. $200/400 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez, MS.

954. Small American Classical Mahogany Commode, c. 1820‑30, lift top, faux drawers, turned legs, h. 18 in., w. 19 in., d. 16 in. $150/250

955. American Federal Maple and Cherrywood Side Table, early 19th c., frieze drawer, square tapering legs, h. 28 1/2 in., w. 19 1/4 in., d. 17 1/4 in. $200/400

956. American Federal Carved Mahogany Side Table, early 19th c., frieze drawer, turned legs, h. 34 1/2 in., w. 22 1/2 in., d. 17 1/2 in. $200/400

958. Louis XV‑Style Carved Fruitwood Fauteuil, probably 19th c., scrolled padded arms, cabriole legs, h. 34 in., w. 24 1/2 in., d.

18 in. $250/350

957. Cherrywood Blanket Chest, 19th c., bale handles, square legs, h. 23 in., w. 41 in., d. 22 in. $500/700

959. French Provincial‑Style Fruitwood Farm Table, plank top, plain frieze, cabriole legs, h. 29 in., l. 78 1/4 in., w. 33 in. $600/800

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Windham Collection, Oxford, MS.

961. French Provincial Carved Fruitwood Writing Table, probably early 19th c., inset leather top, frieze drawer, tapered turned legs, h. 27 1/4 in., w. 31 in., d. 25 1/2 in. $300/500 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

962. Antique Continental Carved Oak Chest in the 17th c. Taste, paneled decoration, molded base, bulbous‑turned feet, h. 28 in., w. 45 in., d. 22 in. $200/400

960. Pair of Louis XIV‑Style Carved Giltwood Fauteuils à la Reine, arched floral‑carved crest rail, scrolled floral bouquet uprights, fluted tapered legs, h. 44 1/2 in., w. 29 in., d. 24 in. $700/900

964. George IV Rosewood Games Table, 19th c., foldover top, faceted support, lotus carved collar, incurvate plinth, suppressed ball feet, h. 30 1/2 in., w. 36 1/2 in., d. 18 in. $300/500

963. Late Regency Carved Mahogany Child’s High Chair on Stand, early 19th c., caned barrel back, removable tray, turned legs, mounted on conforming stand, h. 37 in., w. 17 3/4 in., d. 22 1/2 in. $500/800

965. English Carved Walnut Armchair in the Jacobean Taste, 18th c., scrolled arms, turned legs and stretchers, h. 44 in., w. 26 in., d. 21 in. $600/900

Provenance: Reindeer Antiques Ltd., London, England, 2001; Windham Collection, Oxford, MS.

966. George III Satinwood Inlaid Mahogany Pembroke Table, late 18th/ early 19th c., drop‑leaf top, frieze drawer, tapered legs, h. 28 in., w. 27 in., d. 20 in. $500/700 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

967. English Oak Hall Stand, 19th c., with scrolled tiers of coat hooks over umbrella stand with zinc‑lined base, ball feet, h. 85 in., w. 26 5/8 in., d. 10 1/4 in. $500/700 Provenance: Mac Humble Antiques, Bradford‑on‑Avon, Wiltshire, England; Windham Collection, Oxford, MS.

968. Elizabethan‑Style Carved Walnut Hall Chair, late 19th c., mask carved crest, blind fretwork stiles, shaped seat rail, fretwork carved legs, block feet, h. 39 1/2 in., w. 18 1/2 in., d. 17 1/2 in. $200/300 Provenance: Windham Collection, Oxford, MS. Additional information at www.nealauction.com

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969. After Charles Bird King (American/Rhode Island, 1785‑1862), “Po‑Ca‑Hon‑Tas”, “Tshu Sick” and “A Chippeway Widow”, 3 hand‑colored lithographs, octavo edition, from History of the Indian Tribes of North America, published by McKenny and Hall, colored by J. T. Bowen, sights 8 3/4 in. x 6 1/4 in. to 9 3/4 in. x 6 in., framed. (3 pcs.) $600/900

970. Mata Ortiz Black Pottery Effigy Vessel by Manuel Quezada, probably mid‑20th c., base signed, h. 8 in. $300/500 974. American Gilt Brass Solar Lamp, 19th c., reticulated standard with ruby glass interior, marble base, h. 19 1/4 in., dia. 7 in. $600/900

971. English Stoneware Brandy Cask, 19th c., impressed mark “DOULTON & WATTS LAMBETH POTTERY LONDON”, decorated with polychrome relief of the Royal Arms, h. 20 1/4 in., w. 16 in., d. 11 1/2 in. $300/500

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

Provenance: The Friedle‑Garrison Collection, New Orleans.

973. Spanish .915 Silver Center Bowl, 20th c., beaded rim, scroll handles, chased decoration, swan supports, domed base, h. 7 7/8 in., w. 11 1/2 in., wt. 14.05 troy ozs. Note: Separation of beading approx. 3/4 in. $150/250

972. Two Antique French Olive and Yellow Glazed Stoneware Confit Pots, largest h. 12 1/4 in., dia. 9 in. $200/300

975. American Wrought Iron Garden Bench, slat back and seat, old paint surface. $300/500

976. Extensive Suite of Vintage Cast Metal Garden Furniture, incl. 2 settees, 9 armchairs and 2 tables, settee h. 31 1/2 in., w. 42 1/2 in., d. 17 in.; table h. 17 1/2 in., w. 32 3/8 in., d. 22 in., armchair h. 3 11/2 in., w. 22 1/4 in., d. 16 1/2 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

978. Small Antique Italian Rococo Crème Peinte and Gilt Mirror, h. 38 in., w. 17 1/2 in. $400/600

977. Pair of Vintage Polychrome Cast Iron Flamingo Garden Figures, tallest h. 23 1/2 in. $400/600

980. Antique French Brass‑Inlaid Rosewood Wall Clock, dial marked “Le Roy & Fils, Hers DU ROI/ PALAIS ROYAL Grie.

MONTPENSIER/13 & 15/A PARIS”, striking gong movement, h. 23 in., w. 23 in., d. 6 1/2 in. $300/500

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981. American Rococo‑Style Carved Mahogany Bedstead, 20th c., after known examples attributed to Prudent Mallard, made in the Philippines, arched head board centered by a foliate medallion, beaded posts, conforming foot board, h. 73 in., w. 64 in., l. 81 in. $1200/1800

979. French Patinated Bronze and Onyx Figural Mantel Clock, c. 1900, striking bell movement marked “S. Marti & Cie”, plough horse being fed by a farmer, h. 18 1/2 in., w. 15 in., d. 7 3/4 in. $300/500

982. W. Frederick Jarvis (American/Texas, 1868‑1944), “Winter Evening”, 1935, watercolor on paper, signed lower left, titled, dated and inscribed on backing paper, sight 21 in. x 29 1/4 in., framed. $600/800

983. Emil Holzhauer (American/Florida, 1887‑1986), “Mountainous Landscape with Fence”, 1965, gouache on paperboard, signed and dated lower right, 21 1/2 in. x 29 in., framed. $600/800

984. Emil Holzhauer (American/Florida, 1887‑1986), “Mountainous Landscape with Cabins”, 1958, double‑sided mixed media on paper, signed and dated lower left, 20 1/4 in. x 30 7/8 in., framed. $600/800 986. Don Wright (American/Louisiana, 1938‑2007), “The Prophet West”, 1998, oil on canvas, signed and dated lower left, inscribed on stretcher, 24 in. x 18 in., framed. $1000/1500

985. Henrietta Hughes Colley Joseph Yoder (American/ Louisiana, 1921‑2009), “The Tree”, “Autumn Creek”, “Landscape”, and “White Flowers”, 4 watercolors on paper, one laid on board, each signed lower right, 10 in. x 13 7/8 in. to 22 1/2 in. x 30 in., framed.

(4 pcs.) $800/1200

987. Don Wright (American/Louisiana, 1938‑2007), “Pink Cabins”, oil on unstretched canvas, unsigned, 22 in. x 27 3/4 in., unframed. $500/700

Provenance: Natchez Art Association.

988. Leo Meiersdorff (American/Louisiana, 1934‑1994), “The Jazz Dancers”, 1990, watercolor and ink on paper, signed, titled and dated upper left, 22 1/4 in. x 30 in., framed. $800/1200 Provenance: Neal Auction Company, Dec. 7, 2008, lot 1120.

991. Leo Meiersdorff (American/Louisiana, 1934‑1994), “Gumbo Master”, 1991, watercolor and ink on paper, signed and dated lower left, 22 in. x 30 in., framed. $800/1200 Provenance: Neal Auction Company, Dec. 7, 2008, lot 1121.

989. Leo Meiersdorff (American/Louisiana, 1934‑1994), “Jazz: Trio of Musicians”, 1991, watercolor and ink on paper, signed and dated upper left, 22 in. x 29 3/4 in., framed. $800/1200 Provenance: Neal Auction Company, July 12, 2008, lot 667.

992. Wayne Ditch (American/ Lafayette, 1954‑2011), “My Old Man”, 2008, charcoal and mixed media on paper, pencil‑signed and dated lower left, titled on backing paper, sight 39 3/4 in. x 31 1/2 in., framed. $500/700

990. Leo Meiersdorff (American/Louisiana, 1934‑1994), “Chef Paul”, 1991, watercolor on paper, signed and dated lower right, 22 in. x 30 in., framed. $800/1200 Provenance: Neal Auction Company, Feb. 7, 2009, lot 604.

993. Eugene Biel‑Bienne (Austrian/American, 1902‑1969), “Untitled”, 3 watercolors on paper, each monogrammed lower margin, each 24 in. x 18 in., framed alike. (3 pcs.) $600/800

994. American School, 20th c., “Storm on the Horizon”, 1988, watercolor on paper, unsigned, dated en verso, 9 in. x 12 in., framed. $400/600 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Natchez Art Association.

Additional information at www.nealauction.com

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997. Francis Luis Mora (Uruguayan/ American, 1874‑1940), “Seated Young Man” and “Meditating”, 2 graphites on paper, unsigned, copy of sheet from Weschler’s Auctioneers 1989 catalogue on backings, each sight 7 7/8 in. x 5 1/4 in., framed alike. (2 pcs.) $400/600

Provenance: Removed from an F. Luis Mora sketchbook; former purchased Irwin Goldbloom, July 9, 1990, lot 95; latter purchased Weschler’s Auctioneers, Rockville, MD, Oct. 14, 1989, lot 183.

995. Paul Burkle (American/Texas, 20th c.), “Landscape with Figures”, oil on canvas, signed lower left, 30 in. x 40 in., framed. $300/500

998. Frances M. Folse (American/ Louisiana, 1906‑1985), “Raceland Street Scene”, oil on canvas, signed lower right, remnant of label on stretcher, 22 in. x 30 in., framed. $500/700 Provenance: Neal Auction Company, Dec. 6, 1996, lot 402.

1002. Don Wright (American/ Louisiana, 1938‑2007), “Reclining Female Nude” and “Standing Male Nude with Ax”, 2 pastels on paper, both signed lower left, each 25 in. x 19 in.; together with “Nude Reclining beneath Oak Tree at Twilight”, 1973, oil on unstretched canvas, signed and dated lower left, 29 in. x 22 in., unframed. (3 pcs.) $700/1000

1006. Don Wright (American/Louisiana, 1938‑2007), “Tide Going Out” and “Fresh Catch”, 1977, 2 charcoals on paper, both signed and dated lower left, each 18 in. x 24 in., unframed. (2 pcs.) $400/600

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996. Benson Bond Moore (American/Washington D.C., 1882‑1974), “The Anacostia, D.C.”, oil on masonite, signed lower right, titled en verso, 19 7/8 in. x 23 7/8 in., framed. $700/1000

999. Jan Horton (American/ Louisiana, 20th c.), “Mississippi Scene”, watercolor on paper, signed lower right, artist label with title on backing paper, sheet 14 1/8 in. x 20 in., framed. $250/350 Provenance: Natchez Art Association

1000. Rolland Harve Golden (American/ Louisiana, b. 1931), “Footprints”, 1976, watercolor on paper, signed and dated lower left, 9 in. x 11 1/2 in., framed. $300/500 Provenance: Natchez Art Association.

1001. Henrietta Hughes Colley Joseph Yoder (American/Louisiana, 1921‑2009), “Old Barn” and “Autumn”, 2 watercolors on paper, each signed lower right, sheets 14 5/8 in. x 21 7/8 in. and 21 7/8 in. x 29 7/8 in.; together with “St. Catherine’s Creek “, oil on canvas mounted on board, signed lower right, 22 in. x 27 1/2 in., framed. (3 pcs.) $700/900 Provenance: Natchez Art Association.

1003. Don Wright (American/Louisiana, 1938‑2007), “Seated Man”, “Seated Woman” and “Seated Clown”, 3 pastels on paper, each signed, 19 in. x 25 in. to 25 in. x 19 in., all unframed. (3 pcs.) $600/800

1004. Marvin “Chico” Posey, Jr. (American/ Tennessee, 1964‑2003), “Horns and Clarinet”, “Bass Sax and Clarinet” and “Clarinet Solo”, 3 acrylics on canvas, each signed, 8 in. x 10 in. to 11 in. x 14 in., all framed. (3 pcs.) $800/1200

1005. Marvin “Chico” Posey, Jr. (American/Tennessee, 1964‑2003), “The Jazz Trio: Clarinet, Trumpet and Saxophone Players”, acrylic on canvas, signed lower right, 20 in. x 24 in., framed. $500/700 Provenance: Neal Auction Company, Aug. 4, 2007, lot 580.

Provenance: Neal Auction Company, Dec. 7, 2008, lot 1123.

1007. Don Wright (American/ Louisiana, 1938‑2007), “Still Life of Fruits and Vegetables”, 1982, pastel on sandpaper, signed and dated lower left, 11 in. x 14 in.; together with “Abstract”, pastel on paper, signed lower left, 22 in. x 32 in., unframed.

(2 pcs.) $400/600

1008. William Ousley (American/ Louisiana, 1866‑1953), “Barnes Creek, LA.”, 1931, oil on canvas, signed and titled lower right, signed, titled, dated and inscribed en verso, 24 in. x 14 3/4 in., framed. $500/700

1009. William Ousley (American/ Louisiana, 1866‑1953), “The Old Tree at Ousley’s Landing at Bagdad La”, 1934, oil on board, signed lower right, signed, titled, dated and heavily inscribed en verso, 15 3/4 in. x 10 1/2 in., framed. $400/600

1010. John Korver (American/Louisiana, 1910‑1988), “Ship at Sea”, oil on canvas, signed lower right, 30 in. x 40 in., framed. $800/1200

1014. George Overbury “Pop” Hart (American/Illinois, 1868‑1933), “Landscape with Footbridge across a Pond”, watercolor on paper, signed lower left, 15 1/2 in. x 22 in., framed. $600/800

1018. Southern School, 20th c., “Coastal Scene”, watercolor on paper, unsigned, “Olen Galleries, Mobile” label en verso, 17 1/8 in. x 23 7/8 in., framed. $300/500

1021. Luphelia Middlebrooks (American/ Texas, 1912‑2011), “Dogwood”, oil on canvas, signed lower right, title inscribed on stretcher, 20 in. x 24 in., framed. $300/500 Provenance: Natchez Art Association.

1011. Elizabeth Raymond (American/New Orleans, 1904‑1986, act. Newcomb College, 1922‑1948), “Brevard Street from Lanvale Street”, oil on canvas, signed lower right, label with artist, title and inscribed “Care of Women’s Club of Mt. Washington” en verso, 22 in. x 18 in., framed. $300/500

1015. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Tall Pine Tree and Grazing Cattle in the Mountains”, oil on canvas, unsigned, 24 in. x 30 in., unframed. $300/500

1012. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Stone Bridge in Le Puy, France”, watercolor, signed, dated and inscribed lower left, sight 10 in. x 14 3/4 in., framed. $300/500

1016. Ella Wood (American/Louisiana, 1888‑1976), “Southern Landscape”, oil on canvas laid on board, initialed lower right, 9 3/4 in. x 16 in., framed. $300/500

Provenance: Descended in the family of the artist.

1017. Gerard Thomas Johnson, II (American/ Mississippi, 20th c.), “Flowers for Mama”, 1999, watercolor on paper, signed lower right, signed, titled and dated en verso, 22 1/2 in. x 30 1/4 in., framed. $1000/1500

1020. Joseph Floyd Yoder, Jr. (American/Louisiana, 20th c.), “The Place”, acrylic on panel, signed lower right, label with title on reverse of frame, 36 in. x 23 in.; and “Japanese Magnolia”, 1976, watercolor on paper, signed and dated lower right, inscribed with artist, title and date on reverse of frame, 22 in. x 15 in., framed.

(2 pcs.) $400/600

1019. Alvin Batiste (American/Louisiana, b.

1962), “Bourbon St., New Orleans, LA”, 1999, acrylic on canvas, signed and dated lower right, signed, titled and dated on stretcher, 17 3/4 in. x 24 in., unframed; together with “Baptism”, acrylic on paperboard, signed and dated lower right, sight 11 in. x 14 in., framed. (2 pcs.) $500/800

1022. Luphelia Middlebrooks (American/Texas, 1912‑2011), “Woodland Scene”, oil on canvas, signed lower left, 23 3/4 in. x 30 in., framed. $300/500

1013. Sam Minot (American/ Maine, b. 1962), “A Side Crypt of Incurable Diseases, Lafayette Cem. #1”, 1991, graphite on paper, signed lower right, signed, titled and dated en verso, 14 in. x 11 in., unframed. $200/300

Provenance: Natchez Art Association.

1023. Raymond Scully (American/New Orleans, 20th c.), “French Quarter Courtyard”, oil on canvas board, signed lower right, artist label en verso, 20 in. x 16 in., framed. $200/400

1024. Louisiana School, 20th c., “Bayou Scene with Cypress Trees”, oil on canvas, signed “D Cranford” lower right, 17 3/4 in. x 24 in., framed. $200/400

Provenance: Natchez Art Association.

Additional information at www.nealauction.com

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1026. Merle Berry Tennyson (American/Mississippi, 1920‑2008), “Front Street Mercantile Co.”, oil on canvas, signed lower left, 50 in. x 45 3/4 in., framed. $200/300 Provenance: Natchez Art Association.

1025. Pete Watson (American/Louisiana, 20th c.), “Baskets in a Field”, oil on masonite, signed lower right, 16 in. x 20 in., framed. $400/600

1029. Sarah Albritton (American/ Louisiana, b. 1936), “Let Mama’s and Brats Fight, I am Going Fishing”, 2002, “Death in the Country”, 2000 and “The Storm is Passing Over”, 2001, 2 acrylics on board and one acrylic on canvas, each signed lower right and labels en verso, 8 in. x 10 in. to 14 in. x 18 in., framed.

(3 pcs.) $250/350 Provenance: Acquired from the artist, Ruston, LA, 2002; Collection of Nan Wier, New Orleans, LA.

1027. John Reed Campbell (American/New Orleans, 1925‑1997), “California Redwood Forest”, 1947, oil on canvas board, signed “E.T. Campbell” and dated lower right, signed, titled and dated en verso, 12 in. x 9 in., framed. $100/200

1028. Kay “Kaja” Johnson (American/Louisiana, d. 1971), “Woman”, charcoal on paper, unsigned, “Downtown Gallery, New Orleans” label with artist and title en verso, 10 1/2 in. x 8 1/2 in., unframed. $150/300

1031. Marvin “Chico” Posey, Jr. (American/Tennessee, 1964‑2003), “Jimmy on Keys” and “Saxophone Solo”, 2 acrylics on canvas, former signed lower right, 24 in. x 20 in. and 10 in. x 8 in., both framed. (2 pcs.) $400/600

1030. Eugene Loving (American/New Orleans, 1908‑1971), “Plantations”, 16 ink drawings on paper, 13 signed lower right, 3 signed lower left, each with “Magnolia Engraving Co” printing order and instruction form, 4 with “Magnolia Engraving Co Received 1949” stamp and 13 with plantation names en verso, plantations include Dunleith, Versailles, Evergreen, Live Oak, Belle Chase, Oak Alley, Berthoud, Longfellow, Melrose, Oakley, Wakefield, Madewood, Rosebank, and 3 others, 5 3/4 in. x 6 in. to 7 in. x 10 1/4 in., all unframed in one binder. (16 pcs.) $600/800

Provenance: Neal Auction Company, Feb. 8, 2009, lot 706.

1032. Bunny Matthews (American/New Orleans, b.

1951), “Vic and Nat’ly”, 1982‑85, 21 pen and inks on paper, 20 signed and dated lower margin, one signed lower margin, 16 with printing notes in margins, 9 3/8 in. x 13 3/4 in. to 14 in. x 17 in., unframed. (21 pcs.) $800/1200 Provenance: Neal Auction Company, Feb. 12, 2017, lot 1044

1035. Roger Deering (American, 1904‑1980), “Old Saw Mill on Royal River, North Yarmouth”, oil on canvas board, signed lower right, titled and artist stamp en verso, 18 in. x 24 in., framed. $600/800

1038. Walter Manly Hardy (American/Maine, 1877‑1933), “Spring ‑ New England”, c. 1905, oil on artist board, inscribed with artist, title and date en verso, 6 1/4 in. x 9 3/4 in., framed. $200/300 Provenance: Natchez Art Association.

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1033. Frederic Charles Knight (American/ Pennsylvania, 1898‑1979), “Arrangement for January”, 1969, oil on canvas, signed lower right, titled and dated en verso, inscribed on stretcher bar, 30 in. x 36 in., framed. $200/300

1036. Paul Meltsner (American, 1905‑1966), “Boats at Dock”, oil on canvas laid on board, signed lower left, 16 in. x 20 in., framed. $800/1200

1039. Thomas Buford Meteyard (American/ Illinois, 1865‑1928), “The Rocks, Calavaire”, watercolor on paper, signed lower left, pencil‑signed en verso, inscribed on backing board, 11 in. x 15 1/8 in., framed. $400/600 Provenance: Natchez Art Association.

1034. Charles Sarka (American, 1879‑1960), “Resting Soldier”, watercolor on paper, signed lower right, 22 1/2 in. x 15 in., framed. $500/700

1037. American School, 20th c., “Fishermen at Work”, oil on canvas laid on board, unsigned, 8 in. x 10 in., framed. $300/500 Provenance: Natchez Art Association.

1040. John Christian Rother (American/New York, 1845‑1899), “Landscape with Creek and Trees”, oil on artist board, signed lower right, 9 1/4 in. x 12 1/4 in., framed. $400/600

1041. George Frederick Bensell (American, 1837‑1879), “Portrait of a Child”, oil on canvas, signed lower right, 20 in. x 16 in., framed. $500/700

1045. Sigmund Abeles (American/New York, b. 1934), “Surrender of Baton Rouge ‑ 1779”, 1976, lithograph, pencil‑signed, titled and inscribed “Artist Proof III” lower margin, commissioned by Goudchaux’s for the Baton Rouge Bicentennial, 24 in. x 28 1/2 in., framed. $100/150

1042. Phillip Anthony Sage (American/ Louisiana, b. 1942), “Carter Country: An Original Suite of Etchings by Phillip Sage”, 1977, 11 etchings, each pencil‑signed, titled, dated and inscribed “Artist Proof” lower margin, sheets 19 3/4 in. x 22 1/2 in., unframed in original paper folio. (12 pcs.) $100/200

1046. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “The Eastern Sky at Sunset, Palatine, Illinois / Early Settlers”, 1944, aquatint, pencil‑signed, titled and dated lower margin, edition of 100, 9 7/8 in. x 11 7/8 in., framed. $150/250 Ill.: Isbell, Reed W. Morris Henry Hobbs: A Catalogue Raisonné of Etchings, Engravings & Lithographs. McLean, VA: Coffee Street Publishing, 2017, p. 22.

1043. Phillip Anthony Sage (American/ Louisiana, b. 1942), “Steamboat Delta Queen”, 1974, etching, pencil‑signed, titled, dated and inscribed “Artist Proof” lower margin, 22 1/4 in. x 27 3/4 in., unframed. $100/200

1047. Stow Wengenroth (American/ New York, 1906‑1978), “Bird of Freedom”, 1942, lithograph, pencil‑signed lower right, 15 3/4 in. x 11 3/4 in., framed. $200/300

1044. James Abbott McNeill Whistler (American, 1834‑1903), “Stephane Mallarme (Sprink, Stratis & Tedeschi, 60)”, 1892, lithograph, signed in plate lower right, blindstamp lower left, 4 5/8 in. x 3 in., framed. $200/300

1048. Four Etchings, 19th and 20th c., incl.

Paul‑Emile Leterrier (French, 19th c.), “Cattle by Stream”; Henry Alvin Sharpe (American/New Orleans, 1910‑1982), “Fan Window”; Willie Lucille Reed Rowe (American/New Orleans, 1914‑1986), “Le Petit Salon from Pirate’s Alley, New Orleans”; and Andrew Karoly (Hungarian/American, b. 1896), “The Great Clock of Rouen”, some pencil‑signed, titled and dated lower margin, 6 7/8 in. x 4 7/8 in. to 12 3/4 in. x 9 1/4 in., framed. (4 pcs.) $100/200 1052. Berlin Porcelain Figure of a Lordly Young Boy, marked KPM, h.

16 in., w. 8 1/2 in., d. 5 1/4 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1049. Ellsworth Woodward (American/ Louisiana, 1861‑1939), “Abishag the Shunamite (Standing Nude with Long Hair, Boyer 86)”, one watercolor and one etching on paper, watercolor unsigned, etching pencil‑signed, titled and numbered “Ed. 25 #1” lower margin and initialed “E.W.” in plate, 10 1/2 in. x 7 3/4 in. and 13 3/4 in. x 9 1/2 in., unframed. (2 pcs.) $400/600 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1050. Large Capodimonte Porcelain Figural Group of Musicians, marked, scrolled plateau surmounted by musical trio and dancing couple, h. 9 3/4 in., w. 18 1/2 in., d. 10 1/2 in. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1051. Continental Porcelain Portrait Plaque, late 19th/20th c., depicting a young boy, signed J. [for Josef] Zasche (Austrian, 1821‑1881) and inscribed “Vienna” lower right, 13 in. x 7 1/2 in. framed. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1053. Royal Vienna Porcelain Plaque, late 19th/early 20th c., marked, depicting “Psyche am Meer” after Wilhelm Kray (German, 1828‑1889), signed “Human” lower right, 12 1/2 in. x 9 1/4 in. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1054. Continental Porcelain Plaque, 20th c., depicting “The Harp of Tara”, after Ernest Hébert (French, 1817‑1908), signed “Ende” lower left and right, 7 in. x 5 1/4 in., framed. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

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1055. Diminutive Meissen Porcelain Solitaire Tea Service, early 19th c., blue crossed swords above asterisk mark, angular handles, bud finials, incl. lidded teapot, marked “B1”, h. 5 5/8 in.; and lidded cream pitcher, marked “B2”, h. 4 5/8 in.; together with associated lidded sugar bowl with maiden head finial, marked, h. 4 in.

(3 pcs.) $300/500

1056. Group of Royal Crown Derby “Olde Avesbury” Porcelain, marked, incl. pair of candlesticks, h. 10 1/4 in.; 2 faceted bowls, dia. 8 1/2 in. and 11 3/4 in.; cachepot, h. 4 3/4 in.; 3 saucers; teacup; demitasse cup; creamer; and plate, dia. 8 1/4 in.

(12 pcs.) $300/500

1057. Chinese Export Imari‑Style Porcelain Covered Tureen, 19th c., Buddhist lion finial, base with Jiajing mark, h. 8 1/2 in., w. 12 1/2 in., d. 9 in. $200/300 Provenance: Windham Collection, Oxford, MS.

1059. Two Neoclassical Bronze Plateaus, 19th c., one with gothic arch border, largest h. 2 in., dia. 11 1/2 in. $150/250

1058. Chinese Export Famille Verte Porcelain Oval Platter, Qing Dynasty (1644‑1911), well decorated with figures celebrating, rim with a procession, h. 2 in., w. 13 1/2 in., d. 10 3/4 in. $100/150 Provenance: Windham Collection, Oxford, MS.

1062. American Sterling Silver Footed Bowl, Frank M. Whiting “Irish” pattern 6760, h. 5 3/8 in., dia. 8 7/8 in., wt. 21.20 troy ozs. $300/500

1060. Pair of Continental Patinated Bronze Figural Three‑Light Candelabra, griffin feet, h. 22 1/2 in., dia. 7 in. $300/500

1063. Whiting “Lily” Pattern Sterling Silver Gravy Ladle, pat. 1902, l. 7 1/8 in.; 12 Gorham “Poppy” pattern cocktail forks, pat. 1902, l. 5 5/8 in.; 6 Baker & Manchester “Landers No. 2” ramekin forks, l. 5 in.; and 11 Hamilton & Diesenger butter spreaders (fh), l. 4 5/8 in.; total wt. 18.70 troy ozs. $400/600

1064. American Sterling Silver Luncheon Flatware Service Gorham, “English Gadroon” pattern, pat. 1939, incl. 8 each: luncheon forks, luncheon knives and salad forks, 9 teaspoons, 7 butter knives (fh) and sugar shell, total wt. (weighable) 37 troy ozs. (41 pcs.) $400/600

1061. Six Giltwood and Painted Frames, 19th/20th c., one in the French Rococo Revival Style, one with “W.E. Seebold” label, 41 in. x 34 in. to 20 in. x 23 in. $200/300

1065. American Sterling Silver Repoussé Water Pitcher, Frank M. Whiting “Lily” pattern, mid‑20th c., h. 10 7/8 in., wt. 25 troy ozs. $300/500 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1068. Two Antique English Burlwood Boxes, one with figural inlay, other with brass inlay, largest h. 3 3/8 in., w. 7 3/8 in., d. 5 1/2 in. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1066. Gorham Sterling Silver Shell Dish, date mark for 1946, 9 in. x 9 in., wt. 15.40 troy ozs. $300/500

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1067. Fourteen American Sterling Silver Bread Plates, mid‑20th c., incl. set of 12, Boardman, pattern 596, gadroon border; and 2 associated with reeded edge, dia. 6 1/8 in., total wt. 45.20 troy ozs. $500/700 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

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1069. Three Victorian Taxidermy Gamebird Dioramas, New Orleans, labeled “Carl Albert Schmidt successor to Iml Albert Schmidt/Naturalist, Taxidermist and Tanner/2509 Royal St bet Lafayette and St. Roch, New Orleans” and “MEDAILLE D’ARGENT/EXPOSITION UNIVERSELLE 1889”, molded oval frames, 22 1/2 in. x 17 in. $300/500

1070. American Renaissance Carved Walnut Étagère, mid‑to‑late 19th c., foliate reticulated crest, arched cornice, turned finials, maiden mask, later mirror plate flanked by shelves, turned supports, serpentine base with drawer and marble top, turned feet, h. 85 in., w. 48 in., d. 19 in. $800/1200 1071. American Carved Oak Writing Desk, early 20th c., brass gallery, slant‑front lid, fitted interior, two long drawers, cabriole legs, h. 41 1/2 in., w. 33 3/4 in., d. 18 in. $300/500 1073. American Rococo Carved and Laminated Rosewood Library Chair, mid‑19th c., New York, serpentine shield‑shaped back, serpentine arms, floral‑carved serpentine seat rail, rose‑carved cabriole legs, scrolled toes, h. 34 3/4 in., w. 24 1/2 in., d. 24 1/2 in. $300/500

1072. American Carved Oak Dressing Chest, late 19th/early 20th c., foliate crest, conforming yoke supports, oval mirror, serpentine top, five conforming drawers, molded base, cabriole legs, ball and claw feet, h. 82 in., w. 54 in., d. 24 in. $700/1000

1074. Antique Brass‑Mounted Mahogany Lap Desk, top with inscribed plate “Charles Ritchie, 4th July 1885”, fitted interior, h. 5 3/4 in., w. 14 in., d. 9 in. $150/250 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1075. Pair of Chippendale‑Style Mahogany Side Chairs, serpentine crest rail, foliate‑carved splat, blind fretwork legs, pierced stretchers, h. 36 in., w. 23 1/2 in., d. 20 1/2 in. $300/500

1076. Antique Georgian‑Style Inlaid Mahogany Pedestal Desk, fitted fall‑front escritoire drawer, over kneehole configuration of drawers, bracket feet, h. 38 1/2 in., w. 50 in., d. 24 1/4 in. $150/250 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1079. English Country Pine Side Table, late 19th c., two drawers, square legs, stretcher base, h. 31 in., w. 48 in., d. 17 7/8 in. $300/500 Provenance: Windham Collection, Oxford, MS.

1082. Antique Provincial Carved Walnut Work Table, 19th c., frieze drawer, square tapered legs, h. 27 1/2 in., w. 31 in., d. 23 in. $200/300

1080. Three Continental Carved Oak Chairs, c.

1900, probably German, incl. one armchair and two side chairs, armchair h. 38 in., w. 29 in., d. 24 in.; side chair h. 38 in., w. 18 1/2 in., d. 20 1/2 in. $200/400

1077. George III Mahogany Side Chair, pierced splat, saddle seat. $150/250

1078. Antique English Burl Walnut Table, banded foldover top, arched frieze with end drawer, turned gate legs, stretchers, bun feet, h. 29 in., w. 34 in., d. 11 1/2 in. $400/600 Provenance: Windham Collection, Oxford, MS.

1081. Pair of Vintage French Fruitwood Commodes, now fitted with marble top and sink, shaped apron, flared legs, h. 39 1/2 in., w. 42 1/2 in., d. 22 1/2 in. $700/1000

1083. Continental Rococo Carved Walnut Footstool, h. 14 in., w. 19 1/2 in., d. 13 5/8 in. $200/300

1084. Louis Philippe Mahogany Commode, 19th c., later black marble top, ogee frieze drawer over three long drawers, plinth base, shaped feet, h. 38 3/4 in., w. 49 1/2 in., d. 24 in. $400/600

1085. Antique Continental Art Nouveau Inlaid Mahogany Armchair, oval crest, shaped splat flanked by clover‑carved stiles, cabriole legs, h. 34 in., w. 23 in., d.

19 in. $200/300

Additional information at www.nealauction.com

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1086. Chippendale‑Style Carved Mahogany Chest of Drawers, labeled “Hickory Chair Co.”, shaped top, three graduated drawers, acanthus stiles, pierced apron, bracket feet, h. 35 in., w. 47 in., d. 21 in. $700/1000

1087. Four Leather Wingback Armchairs, labeled “North Hickory Furniture Company”, tufted seat cushion, brass nailhead trim, cabriole legs, pad feet, h. 37 1/2 in., w. 28 in., d. 23 1/2 in. $700/1000

1088. Four Leather Wingback Armchairs, en suite with preceding lot, h. 37 1/2 in., w. 28 in., d. 23 1/2 in. $700/1000

1090. German Porcelain Figure of Euterpe, 20th c., marked modeled holding a lyre, h. 16 in., w. 8 in., d. 6 1/4 in. $500/700

1089. American Mahogany and Glass Firescreen, 19th c., hinged panels, on brass trestle feet, h. 43 3/4 in., w. (closed) 24 in., w. (open) 48 in., d. 13 1/2 in. $500/700

1092. Continental Silver Sauceboat in the Neoclassical Taste, c. 1900, Germany, with integral underplate, chased decoration, h.

5 1/4 in., l. 10 1/4 in., wt. 17. 75 troy ozs. $250/350

1091. Group of Vintage Silver Boxes, incl.

Gorham sterling cigarette humidor, cedar‑lined, h. 1 3/4 in., w. 3 5/8 in.; sterling example with calla lilies, h. 2 in., w. 5 1/8 in., d. 3 1/4 in.; and Continental .800 silver repoussé example, Germany, h. 3/4 in., w. 4 1/8 in. d. 2 7/8 in. $250/350

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1096. Antique French Silverplate Dish Cover, oval with bound reed border, h. 4 in., l. 15 5/8 in., w. 9 7/8 in.; together with pair of silverplate‑mounted glass cylindrical vases, h. 15 3/8 in.; and a silverplate coffee pot. $250/350

1093. Set of Twelve Gorham Sterling Silver Vintage Motif Ramekin Frames, h. 2 1/4 in., w. 5 3/8 in., total wt. 42.35 troy ozs. $400/600 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1094. American Aesthetic Movement Silverplate Tilting Ice Water Pitcher on Stand, Reed & Barton, late 19th c., figural stand fitted with goblet, h. 24 in., w. 12 1/4 in., d. 11 1/2 in.; together with associated silverplate undertray, unmarked, 17 1/2 in. x 14 1/8 in. $600/900

1095. Decorative Silverplate Citrus Press, green variegated marble base, h. 11 3/4 in., w. 9 1/2 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1097. Antique German Silverplate Flatware Service, late 19th c., marked “SILBER 100”, blades marked “ROSTFREI/ SOLINGEN”; incl.

12 each: table forks, tablespoons, dinner knives, luncheon forks, luncheon knives, salad/fish forks, fish knives, soup/dessert spoons, pastry forks and teaspoons, soup ladle, 3 pie servers, 2 sugar shells, sugar tongs, master butter knife, sauce ladle, 4 misc. serving spoons, and 2 serving forks. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1098. Large Craighead & Kintz “Love’s Victory” Polychromed Metal Banquet Lamp, late 19th c., reticulated font, cast with cupids, over winged cherubs, cloud base, shade painted with roses, electrified, h. 44 1/2 in., w. 14 in., d. 23 in. $1200/1800

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1099. Craighead & Kintz Cockatoo and Turtle Lamp, c.

1870, patinated metal, glass eyes, shade with gilt decoration, h. 27 in., dia. 11 in. $1000/1500

1100. Craighead & Kintz “Daylight” Lamp, 19th c., font marked “THE DAYLIGHT/C&K”, chipped‑ice jeweled shade, griffin handles, scroll base, electrified, h. 16 1/2 in., w. 9 in., d.

8 in. $800/1200

1101. American Gilt Metal Four‑Light “Joueur de Flute” Figural Lamp, c. 1900, floral branches, blossom‑form glass shades, h. 37 in., w. 12 in., d. 13 in. $1200/1800

1104. Large and Rare Libbey American Brilliant Cut Glass Vase, marked, h. 10 1/4 in., dia. 7 1/2 in. $800/1200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1102. American Gilt and Patinated Metal Parlor Oil Lamp, late 19th c., font marked “Parker”, gilt cranberry glass shade with winged mythical beasts, electrified, h. 19 1/2 in., dia. 10 in. $1200/1800

1103. American Brilliant Cut Glass Lamp, silverplate collar and prism ring, fan and hobstar motif, spear prisms, two‑light fixture, h. 20 1/4 in., dia.

11 1/2 in. $300/500

1106. Two American Brilliant Cut Glass Ice Buckets, tallest h. 5 3/4 in. $150/250 1105. Three American Brilliant Cut Glass Vases, two marked “Tuthill”, and one marked “Hawkes”, h. tallest 14 in. $250/350

1107. Three American Brilliant Cut Glass Table Articles, incl. basket marked “HAWKES”; dish; and compote, h. 9 1/4 in. $200/300

1108. American Brilliant Cut Glass Pedestal Punchbowl, in two parts, bowl decorated with sunflower sprays, h. 13 5/8 in., dia. 12 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1109. Three American Classical Églomisé Mirrors, mid‑19th c., various motifs, h. 19 in. to 22 1/2 in., w. 10 1/2 in. to 12 in. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

1110. Louis XVI‑Style Gris Peinte Trumeau Mirror, bowknot and swag, crest, molded surround, h. 59 in., w. 29 3/8 in. $500/800

1113. Chinese Cloisonné Enamel Vase, early 20th c., decorated with songbirds amid rocks, prunus and peony, h. 20 1/2 in. $400/600

1111. George III Oak Tall Case Clock, late 18th c., cartouche signed “Rayment/ Huntingdon”, foliate engraved dial, striking bell movement, h. 81 1/2 in., w. 17 in., d. 9 in. $400/600

1112. Chinese Embroidered Beige Silk Panel, early‑to‑mid 20th c., worked in satin stitch with a kingfisher amid bamboo, chrysanthemums and seasonal grasses, silk brocade border, sight 46 1/2 in. x 26 1/2 in., framed. $200/400 Provenance: Windham Collection, Oxford, MS.

1114. Asian Patinated Bronze and Cloisonné Enamel Baluster Vase, 20th c., zoomorphic mask loop handles, h. 11 1/2 in., mounted as a lamp, h. (to socket) 18 in. $150/250

1115. Chinese Patinated Bronze and Cloisonné Enamel “Arrow” Vase, probably early 20th c., tubular handles, taotie mask and spear head decoration, h. 12 in. $150/250

Provenance: Windham Collection, Oxford, MS.

Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

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1116. Collection Of Eight Decorative Items, incl.

Chinese provincial painted wicker box, h. 15 in., w. 13 3/4 in., and lacquered wood chest, h. 14 3/4 in., w. 20 1/2 in., d. 13 1/4 in.; and others. $150/250 Provenance: Leslie Hindman, Palm Beach, Feb. 2014, Property from the Estate of Lilly Pulitzer.

1117. Sambodja (Indonesian, b. 1931), “Two Male Arja Performers”, oil on canvas, signed lower right, 24 3/8 in. x 37 3/8 in., framed. $300/500 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑1993) and his wife Patricia, Winter Springs, FL.

1118. Sambodja (Indonesian, b. 1931), “A Palace Dancer”, 1965, oil on canvas, signed and dated lower right, titled “Tari Ardja” on stretcher, signed, dated, further titled, and inscribed on reverse, 24 in. x 31 1/2 in., framed. $300/500 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑1993) and his wife Patricia, Winter Springs, FL.

1121. Ten American Oak Ladderback Dining Chairs, early 20th c., shaped slats, scroll arms, slip seats, shaped legs, paw feet, armchair h. 39 1/2 in., w. 22 in., d. 18 1/2 in.; side chair h. 38 in., w. 18 1/2 in., d. 18 in. $500/700

1119. Antique Chinese Carved Hardwood Étagère Cabinet, molded top, shelf with sliding cabinet door, divided medial shelf, lower shelf with two doors, h. 47 1/4 in., w. 35 1/2 in., d. 13 1/4 in. $200/300

1120. African School, 20th c., mixed media on canvas, indistinctly signed lower center, 36 in. x 30 in., framed. $600/800

1122. Georgian‑Style Mahogany Conference Table, 20th c., benchmade by the London Shop, New Orleans, reticulated brackets, molded legs, shaped stretcher, block feet, h. 31 1/2 in., l. 92 in., w. 48 in. $500/700

1123. French Provincial Carved Oak Breakfast Table, probably early 19th c., foldover top, concertina support, blocked frieze, turned legs, casters, h. 29 1/2 in., w. 49 1/2 in., d. (closed) 24 in., d. (open) 48 1/2 in. $300/500

1124. Continental Faux Bois and Parcel Ebonized Sleigh Bed, scrolled paneled head and foot board, paw feet, h. 45 in., l. 82 1/2 in., w. 61 in. $400/600 Provenance: Williamson‑LeBlanc Collection, William Harris House, Natchez, MS.

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

1125.Pair of Dutch Porcelain Footed Vases, 19th c., floral motif with gilt highlights throughout, marked and numbered on bases, h.

13 in. $300/500

1126. Herend “Fortuna‑Rust” Porcelain Coffee Service, c. 1970, incl. coffee pot, h. 8 1/2 in.; covered sugar, h. 3 3/4 in., dia. 4 1/4 in.; creamer; and 12 demitasse cups and saucers, saucer dia. 4 1/2 in. (27 pcs.) $400/600

Provenance: Acquired Budapest, 1971.

Provenance: Acquired Budapest, 1971.

1128. Paris Porcelain “Anneau d’Or” Luncheon/ Dessert Service, mid‑19th c., incl. 2 cake plates, dia. 9 3/8 in.; 9 luncheon plates, dia. 7 1/4 in.; 13 teacups, h. 2 1/2 in.; 14 saucers, dia. 5 1/2 in.; waste bowl, dia. 6 in.; 8 dinner plates, dia. 8 7/8 in.; 8 berry bowls, dia. 4 1/4 in.; covered teapot, h. 9 in.; covered sugar, h. 7 3/4 in.; and shell shaped relish dish, l. 8 3/4 in. (58 pcs.) $300/500

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1127. Herend “Rothschild Bird” Porcelain Tea Set, c. 1970, incl. tea pot, h. 4 3/4 in., w. 7 3/4 in.; covered sugar; creamer; and 4 cups and saucers, saucer dia. 5 3/8 in. (11 pcs.) $250/350

1129. Paris Porcelain “Décor de la Reine” Two‑Tiered Dessert Stand, 19th c., h. 9 1/2 in., dia. 10 1/2 in., together with pair of Haviland lidded porcelain tureens, incised marks, h. 6 1/2 in., l. 11 in. (3 pcs.) $200/300

1131. Pair of Paris Porcelain Figures, 19th c., in the style of Jacob Petit, unmarked, depicting colorfully dressed couple on scrolled bases with gilt highlights, male h. 14 in., female h. 13 1/2 in. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1130. Pair of Paris Polychrome and Gilt Porcelain Campagna Urns, 19th c., decorated with bucolic landscapes, h. 9 in. $200/400

1132. Set of Bavarian Porcelain Plates, Germany, c. 1950, beehive marked, Joseph Kuba W. Decor Carlsbad label, incl. 12 luncheon plates, dia. 11 in.; 23 salad plates, dia. 8 in.; and 6 dessert plates, 6 1/2 in. (41 pcs.) $500/700

1134. Chinese Famille Verte Porcelain Jar, probably 19th c., decorated with nobles in a fenced garden near a pavilion, h. 9 1/2 in., now mounted as a lamp, probably not drilled, h. (incl. finial) 24 in. $200/300

1135. Spanish “Toledo” Steel, Brass and Gilt Inkwell, 18th c. or earlier, incised decoration, two wells, and a sander, h. 3 1/2 in., w. 7 1/4 in., d. 5 1/4 in. $100/150 Provenance: Henry Stern, New Orleans, Sept. 1979, per receipt.

1133. Bavarian Porcelain Serving Set, beehive marked, Joseph Kuba W. Decor Carlsbad label, incl. lidded vegetable tureen, h. 6 in., w. (incl. handles) 11 in.; and gravy boat with attached undertray, h. 4 1/2 in., l. 9 in. $300/500

1136. Decorative Pair of Metal Leaf‑Form Trays, 20th c., raised on turned feet, l. 20 in.; together with a pair of cowrie shell‑decorated coconut shell bowls, h. 3 in. $125/250

1138. French Carved Giltwood and Wrought Iron Four‑Light Sconce, 20th c., sheaf of wheat standard, scrolled backplate and candlearms, h. 25 in., w. 35 in., d. 7 1/2 in. $200/400

1137. Continental Brass Six‑Light Chandelier, 19th c., probably Dutch, h. 24 in., dia. 28 in., electrified. $300/500

Provenance: Leslie Hindman, Palm Beach, Feb. 2014, Property from the Estate of Lilly Pulitzer.

1139. Lalique “Nemours” Glass Bowl, marked, “Lalique France”, h. 4 in, dia. 10 in. $150/250 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1140. Three Lalique Clear and Frosted Glass “Bird” Ring Holders, etched “Lalique France”, incl. pair of swans, h. 3 1/2 in.; dove, h. 3 3/4 in.; and rooster, h. 3 in.; together with ashtray, decorated with a ship, dia. 6 3/4 in. $250/350

1141. Arts Decoratifs Painted Resin Figural Group of a Man and Dog, h. 15 in., w. 11 in., d. 4 1/2 in. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

1143. Napoleon III Bronze‑Mounted Kingwood Vitrine, mid‑19th c., shaped variegated marble top, frieze drawer, glazed doors, glass shelf interior, shaped apron, flared legs, h. 56 in., w. 38 in., d. 14 1/2 in. $700/900

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1143A. Four Antique Queen Anne‑Style Walnut and Burled Side Chairs, shaped crest rail, vasiform splat, cabriole legs, pad feet, h. 38 1/4 in., w. 20 in., d. 17 in. $500/700 Provenance: Acquired Whitehall Shop, Chapel Hill, NC, 1982.

1142. American Mahogany Tall Case Clock, c. 1920, Colonial Mfg., Zeeland, Michigan, movement striking on six gongs, engraved dial, h. 90 1/2 in., w. 26 in., d. 17 in. $400/800

1144. Antique Georgian‑Style Carved Oak Side Table, molded top, frieze drawer, shaped apron, trifed feet, h. 28 1/2 in., w. 33 1/2 in., d. 18 in. $300/500

Additional information at www.nealauction.com

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1146. French Provincial Carved Oak Table, 2 tiers, rosette‑carved apron, attenuated cabriole legs, h. 29 in., w. 19 in., d. 12 in. $300/500 Provenance: Henry Stern Antiques, New Orleans.

1145. Two Louis XV‑Style Carved Walnut Fauteuils, with floral crests, blue silk brocade upholstery, h. 39 1/2 in., w. 24 1/4 in., d. 18 1/2 in. $400/600

1149. Antique English Mahogany Tilt‑Top Breakfast Table, late 19th c., molded oval top, bulbous‑turned standard, arched scrolled legs, casters, h. 29 in., w. 55 in., d.

46 1/2 in. $300/500

1147. Louis XVI‑Style Carved Fruitwood Guéridon, early 20th c., inset marble top, gadrooned molding, rosette fluted legs, low shelf, h. 28 1/2 in., dia. 17 in. $200/300

1150. Louis XV‑Style Bronze‑Mounted Parquetry Lady’s Writing Desk, superstructure surmounted by a bronze gallery over two cartonnier drawers, shaped rosewood backsplash, pull‑out inset leather writing surface, frieze drawer, serpentine apron, flared legs, sabots, h. 38 in., w. 30 in., d. 21 in. $500/800

1151. Large Associated Collection of Apothecary Jars, comprised of 8 Paris porcelain lidded apothecary jars including 1 jar in yellow; together with 4 lidded glass jars with labels and 2 turned fruitwood apothecary jars, h. ranges from 6 1/2 in. to 11 3/4 in. (15 pcs.) $300/500

1153. Pair of Italian Neoclassical‑Style Patinated Metal Candlesticks, incurvate triangular bases with Classical relief, h. 23 1/2 in., w. 8 1/4 in., d. 8 1/4 in. $300/500 1152. Four Decorative Bronze Items, incl. Bradley & Hubbard thermometer, h. 10 in.; tazza on marble base; figural candlestick; and an unusual cherub‑form oil lamp. $250/350

1155. American Classical Giltwood Mirror, c. 1825, trade label “A. Treat, Troy, NY, Oct. 1825”, split baluster surround, blocked rosette corners, divided mirror plate, h. 34 in., w. 19 in. $500/800

1156. Carved Wood Figure of a Dog, 20th c., curled up with eyes open, h. 7 in., w. 18 in., d. 15 in. $200/300

Provenance: The Friedle‑Garrison Collection, New Orleans.

1154. Antique Royal Vienna-Style Gilt and Polychrome Porcelain Lamp, columnar standard, tripartite base, paw feet, electrified, h. (to socket) 28 in. $150/250 Provenance: Estate of Jane and Stewart Maunsell.

1157. Pair of Baroque‑Style Wrought Iron Andirons, 19th c., with scroll decoration and variable spit rod holders, h. 32 in., w. 15 1/2 in., d.

30 in. $100/200

1160. Pair of Framed Woven Hair Memento Mori, late 19th c., sight 3 3/4 in. x 6 in. $300/500

1158. Painted Metal Wall Hanging of a Salmon, 20th c., full bodied figure, h. 13 in., w.

43 in., d. 4 in. $200/300 1159. Antique Hawaiian Stone Poi Pestle/Pounder and Mortar, pestle h.

6 in., mortar h. 2 1/4 in., w. 8 1/4 in., d. 6 1/4 in., overall h. 8 1/4 in. $300/500

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1148. George III‑Style Painted Satinwood Demilune Cabinet, frieze drawer, floral motifs, conforming door, turned and tapered legs, h. 31 in., w. 26 in., d. 15 in. $300/500

1161. Antique American Carved and Polychrome Rocking Horse, 19th c., cloth saddle, h. 32 in., w. 39 in., d. 13 1/2 in. $250/350

1162. Two Continental Embroidered Red Velvet Panels, 53 in. x 10 in. and 20 1/2 in. x 48 in. $150/250

Provenance: Lee B. Anderson Collection

1163. Aesthetic Movement Ebonized Two‑Part Screen, late 19th c., bamboo‑turned frame, pierced decoration, fitted with floral panels, h.

45 1/2 in., w. 50 in., d. 2 in. $100/200 1164. American Renaissance Carved Walnut Center Table, late 19th c., molded top, paneled frieze, arched cabriole legs, casters. $100/200 Provenance: Dart Family, Kernan Grove, Clinton, LA.

1165. American Renaissance Carved and Burled Walnut Washstand, late 19th c., rouge marble top, frieze drawer over a paneled cabinet and two drawers, blocked base, h. 27 in., w. 32 in., d. 17 1/2 in. $100/200

1166. Good Continental Polychrome Ceramic Stove, flared and scrolled upper section, paneled lower section with patinated metal door, turned feet, fitted with a modern heating device, h. 64 in., w. 24 in., d. 18 in. $400/800

1167. Continental Inlaid Oak Pedestal Desk, early 20th c., probably German or Austrian., shaped top, frieze drawer flanked by two cabinets, lobed feet, h. 31 1/2 in., w. 63 in., d. 31 in. $200/300

1168. Kerman Runner, allover design of flowers in blue and gold in vases, on a mustard ground within a blue border with flowers, 11 ft. 4 in. x 2 ft. 2 in. $150/250

1169. Kerman Runner, with an allover design of flowers on a white field within a pink border of flowers, 2 ft. 9 in. x 11 ft. 4 in. $150/250

Additional information at www.nealauction.com

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Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere.

Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability.

Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS” and “WHERE IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer.

The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

7. Virtually all property offered has been subject to use over a considerable period of time. No mention of cracks, scratches, chips or any damages will be included in the catalogue description. Condition reports are available upon request.

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ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

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PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%.

2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. Neal Auction is not liable for any failure of third party sites. In the event of a dispute, the Neal Auction sale record is conclusive.

3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate.

5. Payment in full must be made by the successful bidder in US Dollars within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS Neal Auction has discretion to admit a bidder to the auction premises or refuse participation in the auction.

Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

Your signature on this form gives Neal Auction permission to charge your credit card the full amount of your invoice if payment is not received within 15 days of the auction.

SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs.

Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

RIGHTS Neal Auction retains the rights to all photographs and all intellectual property in this catalogue.

They may not be used without prior written permission.

IMPORT/EXPORT Items made of or incorporating endangered or protected wildlife materials, irrespective of age or percentage of material included therein, may require a license or certificate authorizing export from the US as well as relevant authorizations from the country of import. It is the responsibility of the prospective purchaser to determine and be satisfied that the requirements of any applicable laws or regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and purchasers can be given no assurance that an export license or certificate can be obtained. Please check with a qualified shipping company to if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on its interstate transportation or exportation from the United States.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

CONSIGNMENTS INVITED

Summer Estates Auction June 22 & 23, 2019 We are especially interested in Fine American, Continental and Contemporary Paintings, Drawings, Prints and Photography • Sculpture • Period Furniture & Decorative Objects • Asian Art • Lighting • Silver • Art Pottery • Historical Documents, Books, and Maps.

Neal Auction AUCTIONEERS & APPRAISERS OF ANTIQUES & FINE ART

99

4038 Magazine Street, New Orleans, LA • 504-899-5329 • www.nealauction.com • clientservices@nealauction.com 99

Buyer’s Premium: 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000.

99

99

January 26, 27 & 18, 2019 • Auction Results 100

0001 - $6,100 0002 - $640 0003 - $427 0004 - $1,250 0005 - $671 0006 - $976 0007 - $793 0008 - $1,000 0009 - $1,000 0010 - $2,562 0014 - $960 0015 - $512 0016 - $610 0017 - $610 0018 - $732 0019 - $3,538 0020 - $4,270 0021 - $640 0022 - $244 0023 - $750 0024 - $1,464 0026 - $1,500 0027 - $3,200 0028 - $1,708 0029 - $1,220 0031 - $976 0032 - $3,416 0033 - $3,125 0034 - $854 0036 - $812.50 0037 - $1,342 0038 - $5,000 0039 - $14,640 0040 - $1,220 0041 - $4,062 0042 - $3,965 0043 - $854 0044 - $2,500 0045 - $3,520 0047 - $1,125 0049 - $768 0050 - $1,220 0051 - $1,220 0052 - $1,830 0053 - $1,375 0054 - $3,625 0055 - $854 0058 - $500 0059 - $1,342 0060 - $3,660 0061 - $9,455 0062 - $2,135 0063 - $1,525 0064 - $3,355 0065 - $10,000 0066 - $6,405 0067 - $6,710 0068 - $750 0069 - $2,928 0070 - $3,355 0071 - $183 0073 - $854 0075 - $375 0076 - $3,840 0079 - $1,000 0081 - $448 0082 - $768 0083 - $1,125 0085 - $1,586 0086 - $1,152 0088 - $500 0089 - $500 0090 - $1,098 0091 - $500 0092 - $610 0093 - $1,408 0094 - $384 0095 - $6,720 0096 - $305 0097 - $2,135 0098 - $610

0099 - $366 0101 - $832 0102 - $427 0103 - $2,806 0104 - $976 0105 - $488 0106 - $288 0107 - $5,440 0108 - $448 0109 - $3,050 0110 - $3,965 0111 - $1,708 0112 - $2,560 0113 - $610 0114 - $854 0115 - $3,538 0116 - $2,240 0117 - $15,860 0118 - $3,456 0119 - $4,575 0120 - $2,440 0121 - $3,050 0123 - $854 0125 - $10,980 0126 - $5,795 0129 - $2,074 0130 - $1,830 0131 - $2,560 0132 - $5,490 0133 - $3,660 0134 - $2,560 0135 - $4,270 0136 - $3,538 0137 - $4,880 0138 - $2,745 0139 - $1,586 0141 - $1,098 0142 - $500 0143 - $366 0144 - $5,120 0145 - $500 0147 - $1,408 0148 - $2,074 0149 - $3,355 0150 - $1,159 0151 - $976 0152 - $8,540 0153 - $5,490 0154 - $9,600 0155 - $1,220 0156 - $2,440 0157 - $1,952 0158 - $1,562 0159 - $437.50 0160 - $2,880 0161 - $5,795 0162 - $4,575 0163 - $1,024 0164 - $610 0166 - $3,660 0167 - $2,074 0169 - $1,536 0170 - $2,684 0171 - $896 0172 - $1,375 0173 - $8,845 0175 - $976 0177 - $793 0179 - $488 0181 - $1,152 0182 - $1,062 0183 - $1,000 0184 - $576 0185 - $1,536 0186 - $1,536 0187 - $1,875 0189 - $732 0190 - $1,088 0191 - $500 0192 - $1,952 0193 - $896

0194 - $1,152 0195 - $1,920 0200 - $3,328 0202 - $750 0203 - $2,074 0204 - $875 0206 - $2,560 0207 - $4,800 0208 - $915 0210 - $960 0211 - $1,024 0212 - $512 0213 - $2,440 0214 - $2,812 0215 - $896 0216 - $3,660 0217 - $11,285 0218 - $9,150 0219 - $4,880 0221 - $4,480 0223 - $26,840 0224 - $30,500 0225 - $854 0226 - $976 0227 - $26,840 0228 - $896 0229 - $896 0230 - $106,140 0231 - $25,600 0232 - $976 0233 - $2,440 0234 - $45,140 0235 - $6,720 0237 - $704 0239 - $1,830 0240 - $2,176 0241 - $3,660 0242 - $6,875 0243 - $976 0244 - $5,760 0246 - $5,185 0247 - $1,952 0248 - $5,120 0251 - $1,875 0252 - $3,200 0253 - $2,176 0254 - $375 0255 - $2,500 0256 - $50,020 0257 - $28,060 0265 - $562.50 0266 - $875 0268 - $1,024 0269 - $1,708 0271 - $427 0272 - $1,220 0274 - $625 0275 - $1,750 0276 - $915 0277 - $512 0278 - $610 0279 - $576 0280 - $1,464 0282 - $2,125 0285 - $3,050 0287 - $512 0289 - $1,664 0290 - $4,270 0291 - $468.75 0292 - $3,416 0293 - $1,830 0294 - $768 0295 - $4,160 0297 - $1,098 0298 - $793 0299 - $2,806 0300 - $6,405 0301 - $854 0303 - $1,342 0305 - $1,220 0306 - $610

0308 - $488 0309 - $366 0310 - $732 0311 - $1,098 0312 - $244 0313 - $384 0314 - $512 0315 - $1,408 0316 - $488 0318 - $1,920 0319 - $1,464 0320 - $1,586 0321 - $4,880 0322 - $13,725 0323 - $5,185 0324 - $610 0325 - $625 0327 - $896 0327A - $640 0329 - $1,464 0331 - $4,880 0332 - $13,420 0333 - $640 0334 - $1,220 0335 - $1,220 0336 - $854 0337 - $750 0338 - $915 0338A - $384 0339 - $610 0340 - $305 0341 - $366 0342 - $671 0343 - $427 0344 - $250 0345 - $305 0346 - $366 0347 - $2,440 0348 - $15,250 0352 - $15,250 0353 - $2,074 0354 - $2,304 0355 - $1,037 0356 - $1,037 0358 - $1,464 0359 - $549 0361 - $1,952 0363 - $1,952 0364 - $854 0365 - $4,575 0367 - $576 0368 - $854 0369 - $732 0370 - $671 0371 - $488 0372 - $793 0373 - $1,062 0374 - $488 0375 - $448 0378 - $1,152 0380 - $732 0381 - $625 0382 - $312 0384 - $512 0385 - $183 0386 - $8,960 0387 - $1,024 0388 - $12,800 0389 - $512 0390 - $320 0391 - $1,664 0392 - $1,280 0393 - $488 0394 - $437.50 0395 - $793 0396 - $512 0398 - $488 0400 - $1,830 0401 - $1,024 0402 - $384 0403 - $1,952

0404 - $448 0405 - $1,952 0406 - $1,280 0407 - $576 0408 - $366 0409 - $512 0410 - $2,062 0411 - $2,048 0412 - $2,176 0413 - $1,664 0415 - $854 0417 - $512 0418 - $312 0419 - $640 0420 - $610 0421 - $793 0422 - $1,220 0423 - $14,030 0424 - $1,708 0425 - $1,159 0426 - $1,125 0427 - $671 0428 - $250 0429 - $1,098 0430 - $1,586 0431 - $768 0432 - $1,152 0433 - $488 0434 - $1,280 0436 - $1,408 0437 - $488 0438 - $549 0439 - $1,647 0440 - $732 0441 - $562 0443 - $1,708 0445 - $1,708 0446 - $3,328 0447 - $1,952 0449 - $875 0450 - $1,152 0451 - $1,024 0455 - $384 0458 - $366 0459 - $1,125 0461 - $1,000 0462 - $488 0463 - $366 0465 - $610 0466 - $640 0467 - $640 0468 - $1,342 0471 - $1,220 0472 - $625 0473 - $1,375 0474 - $732 0475 - $1,098 0476 - $549 0477 - $976 0478 - $875 0479 - $1,664 0480 - $2,318 0481 - $854 0482 - $896 0483 - $610 0484 - $3,050 0486 - $2,074 0487 - $1,342 0488 - $976 0489 - $1,062 0490 - $384 0492 - $2,250 0493 - $2,000 0495 - $1,250 0497 - $3,840 0498 - $512 0500 - $1,830 0503 - $2,432 0505 - $256 0508 - $812 0510 - $915

0512 - $3,538 0515 - $1,342 0517 - $3,200 0519 - $671 0522 - $768 0525 - $1,250 0529 - $1,625 0530 - $14,640 0533 - $2,560 0536 - $2,074 0538 - $7,320 0545 - $448 0548 - $3,250 0551 - $793 0553 - $2,196 0554 - $1,952 0555 - $854 0556 - $5,490 0558 - $640 0559 - $832 0562 - $366 0563 - $250 0568 - $122 0569 - $122 0570 - $244 0573 - $1,187 0574 - $1,586 0575 - $1,187 0576 - $793 0576A - $352 0577 - $437 0578 - $183 0579 - $128 0581 - $732 0582 - $366 0585 - $187 0586 - $396 0587 - $366 0588 - $854 0590 - $187 0591 - $183 0592 - $793 0595 - $457 0596 - $366 0598 - $312 0601 - $15,860 0608 - $1,125 0611 - $488 0612 - $250 0613 - $3,625 0614 - $2,440 0615 - $1,062 0616 - $488 0618 - $250 0619 - $875 0621 - $396 0622 - $732 0623 - $488 0624 - $366 0625 - $4,270 0627 - $976 0628 - $976 0630 - $281 0631 - $531 0633 - $500 0635 - $732 0636 - $610 0638 - $122 0639 - $305 0640 - $366 0643 - $213 0645 - $256 0647 - $366 0649 - $366 0651A - $366 0652 - $576 0654 - $488 0656 - $1,280 0657 - $1,280 0658 - $915 0659 - $610

0660 - $500 0662 - $500 0663 - $250 0664 - $122 0665 - $1,098 0666 - $625 0667 - $562 0668 - $288 0668A - $250 0669 - $832 0670 - $305 0671 - $187 0672 - $122 0674 - $375 0676 - $512 0677 - $366 0678 - $192 0681 - $183 0683 - $366 0684 - $244 0686 - $244 0687 - $512 0689 - $366 0690 - $576 0691 - $1,220 0692 - $750 0693 - $562 0694 - $625 0695 - $549 0696 - $274 0697 - $671 0698 - $256 0699 - $335 0700 - $125 0701 - $125 0702 - $625 0704 - $832 0705 - $1,342 0707 - $244 0708 - $375 0709 - $152 0710 - $1,000 0711 - $384 0714 - $375 0715 - $976 0716 - $875 0717 - $427 0718 - $320 0720 - $488 0721 - $732 0722 - $366 0723 - $244 0725 - $768 0726 - $610 0732 - $213 0733 - $488 0735 - $732 0736 - $1,342 0737 - $1,708 0738 - $1,220 0741 - $1,088 0742 - $732 0745 - $960 0748 - $122 0751 - $512 0752 - $2,048 0753 - $793 0754 - $549 0756 - $192 0757 - $512 0758 - $305 0759 - $375 0760 - $274 0761 - $244 0763 - $915 0764 - $305 0768 - $976 0769 - $793 0771 - $915 0772 - $896 0773 - $160

0774 - $312 0776 - $549 0778 - $768 0779 - $896 0780 - $305 0783 - $549 0784 - $7,320 0787 - $1,098 0788 - $1,024 0789 - $610 0792 - $448 0793 - $366 0794 - $2,562 0795 - $960 0796 - $375 0797 - $427 0798 - $625 0799 - $320 0800 - $1,037 0801 - $488 0803 - $256 0804 - $448 0805 - $320 0806 - $512 0807 - $549 0809 - $122 0810 - $366 0811 - $896 0813 - $1,000 0814 - $488 0815 - $625 0816 - $1,088 0817 - $960 0818 - $854 0819 - $320 0820 - $366 0825 - $183 0826 - $1,830 0827 - $1,000 0828 - $256 0829 - $1,024 0830 - $768 0831 - $832 0832 - $1,220 0833 - $1,152 0834 - $1,152 0835 - $512 0836 - $2,176 0837 - $896 0838 - $1,280 0839 - $366 0840 - $312 0841 - $1,250 0842 - $1,250 0843 - $732 0844 - $366 0845 - $2,560 0847 - $844 0848 - $1,250 0849 - $1,664 0850 - $1,024 0853 - $732 0854 - $448 0856 - $640 0858 - $2,440 0859 - $1,792 0861 - $1,280 0862 - $610 0863 - $896 0864 - $187 0865 - $3,050 0866 - $2,432 0869 - $896 0871 - $1,024 0872 - $640 0873 - $8,235 0874 - $640 0875 - $854 0876 - $384 0877 - $183 0878 - $305

0879 - $704 0880 - $356 0882 - $610 0883 - $1,250 0884 - $854 0885 - $732 0886 - $366 0887 - $384 0890 - $128 0891 - $320 0893 - $375 0895 - $1,220 0896 - $1,280 0897 - $1,187 0898 - $1,586 0900 - $427 0901 - $1,088 0902 - $1,280 0903 - $427 0904 - $256 0905 - $562.50 0906 - $256 0907 - $500 0909 - $122 0910 - $122 0911 - $671 0913 - $125 0914 - $128 0915 - $768 0916 - $793 0917 - $488 0918 - $1,586 0919 - $500 0920 - $366 0921 - $1,342 0922 - $1,536 0923 - $549 0924 - $384 0925 - $366 0926 - $231 0927 - $256 0929 - $250 0930 - $125 0932 - $128 0933 - $854 0935 - $2,500 0936 - $610 0937 - $3,050 0938 - $1,708 0939 - $2,318 0941 - $793 0942 - $832 0943 - $375 0945 - $610 0947 - $488 0951 - $244 0952 - $384 0953 - $1,536 0954 - $625 0955 - $671 0957 - $4,687 0959 - $288 0960 - $512 0961 - $274 0962 - $335 0963 - $793 0964 - $488 0965 - $244 0966 - $244 0967 - $1,500 0968 - $352 0968B - $128 0969 - $128 0970 - $122 0971 - $256 0972 - $244 0973 - $192 0974 - $1,408 0975 - $500 0976 - $122 0977 - $375

0978 - $384 0979 - $375 0980 - $812 0981 - $1,792 0983 - $288 0984 - $384 0985 - $576 0986 - $1,024 0987 - $1,408 0988 - $640 0989 - $244 0991 - $244 0994 - $305 0995 - $366 0996 - $244 0997 - $256 0998 - $1,088 0999 - $579 1000 - $366 1001 - $976 1002 - $384 1003 - $427 1004 - $732 1007 - $384 1008 - $244 1010 - $593 1011 - $488 1012 - $1,152 1013 - $187 1015 - $244 1016 - $1,342 1017 - $250 1019 - $183 1020 - $183 1021 - $122 1022 - $256 1023 - $224 1024 - $366 1025 - $427 1026 - $288 1027 - $320 1028 - $375 1030 - $192 1031 - $488 1034 - $305 1037 - $192 1038 - $448 1039 - $448 1040 - $256 1041 - $576 1042 - $832 1043 - $250 1044 - $320 1045 - $244 1048 - $610 1049 - $192 1050 - $427 1051 - $160 1053 - $610 1054 - $244 1057 - $1,250 1058 - $320 1059 - $625 1063 - $488 1064 - $640 1065 - $610 1066 - $366 1070 - $320 1071 - $1,952 1072 - $1,830 1073 - $500 1078 - $427 1079 - $1,664 1082 - $125 1083 - $125 1085 - $192 1086 - $152 1087 - $152 1088 - $437 1089 - $384 1090 - $704

1091 - $366 1092 - $375 1093 - $375 1094 - $122 1095 - $92 1096 - $427 1099 - $384 1100 - $183 1101 - $244 1102 - $61 1103 - $128 1104 - $128 1105 - $122 1106 - $512 1107 - $192 1108 - $122 1110 - $122 1112 - $610 1113 - $488 1116 - $92 1117 - $183 1118 - $156 1119 - $244 1120 - $187 1123 - $122 1124 - $256 1125 - $366 1126 - $192 1127 - $128 1128 - $244 1129 - $256 1130 - $192 1131 - $152 1132 - $224 1133 - $352 1134 - $366 1137 - $244 1138 - $128 1139 - $610 1140 - $125 1141 - $250 1143 - $122 1144 - $244 1145 - $576 1146 - $94 1149 - $125 1150 - $94 1151 - $288 1152 - $256 1153 - $512 1154 - $213 1156 - $122 1157 - $109 1158 - $122 1159 - $250 1160 - $320 1161 - $93 1162 - $192 1163 - $610 1164 - $671 1165 - $1,037 1166 - $512 1167 - $122 1168 - $122 1169 - $122 1170 - $320 1171 - $244 1172 - $122 1173 - $128 1174 - $250 1176 - $218 1177 - $244 1178 - $488 1179 - $192 1180 - $366 1182 - $183 1183 - $549 1186 - $122 1187 - $91 1188 - $61 1190 - $3,660

A Sigmund Abeles, 1045 African School, 1120 Sarah Albritton, 1029 Anna Elizabeth Allen, 263 American School, 181, 259, 387, 608, 994, 1037 Georg Arnold-Grabone, 862 John James Audubon, (aft) 323, 325 John Woodhouse Audubon, 322

I Wilson Henry Irvine, 225 J Edward Jacobs, 597 Henri-Alfred Marie Jacquemart, 549 W. Frederick Jarvis, 982 Gerard Thomas Johnson, II, 1017 Kay “Kaja” Johnson, 1028 Josephine Hutson Graham Josus, 422

N Woodrow Nash, 426 Joseph Nicolosi (aft), 495 David Sinclair Nixon, 839 Carl Harold Nordstrom, 769 O Elliot Offner, 267 William Ousley, 416, 1008, 1009 P Cordray Parker, 266 Antonelli Pergal, 860 Angelo Pinto, 269 Niek Van Der Plas, 320 Marvin “Chico” Posey, Jr., 1004, 1005, 1031 Frederick Prescott, 429

E Jay Dearborn Edwards, 233 Lin Emery, 174 Erté (Romain De Tirtoff), 776

K Andrew Karoly, 1048 Florence Kawa, 812 Charles Bird King (aft), 969 Hazel Guggenheim McKinley KingFarlow, 795 Alberta Kinsey, 257, 808 Frederic Charles Knight, 1033 Ida Rittenberg Kohlmeyer, 204, 205 John Korver, 415, 799, 1010 Sei Koyanagui, 525

R Katie Rafferty, 834, 835 Elizabeth Raymond, 1011 Philip Reinagle, 391 Charles Reinike, Jr., 924 George Renouard, 305 David Roberts (aft), 287 Noel Rockmore, 802, 803, 807 Norman Rockwell, 271 George Rodrigue, 190, 191, 221, 222, 242, 243, 272, 273, 431 Julius Rolshoven, 350 John Christian Rother, 1040 Willie Lucille Reed Rowe, 1048 Robert Malcolm Rucker, 258, 923

F Donny Finley, 816 Alan Flattmann, 417 Frances M. Folse, 998

L Georges Lambert, 625 Sir Peter Lely (aft), 356 Paul-Emile Leterrier, 1048

S Phillip Anthony Sage, 1042, 1043 Ivo Saliger, 772 Sambodja, 1117, 1118

D Richard Davis, 771 Montague Dawson, 286 Roger Deering, 1035 Eugene Delcroix, 600 Gerald DeLoach, 421 Wayne Ditch, 992 Alexander John Drysdsale, 309, 419 William Dunlap, 184, 801

T Merle Berry Tennyson, 1026 Emmitt Thames, 813-815 William Tolliver, 180 Arnold E. Turtle, 1015 V Hasmig Vartanian, 831-833, 836 Jose Antinio Velasquez, 770 Jan van de Velde II (aft), 357 W M. Douglas Walton, 838 Pete Watson, 1025 Stow Wengenroth, 1047 James Abbott McNeill Whistler, 1044 Susan Downing White, 837 Bror Anders Wikstrom, 223 Theodore “Fonville” Winans, 626 Karl Wolfe, 177, 254, 255, 796 Mildred Nungester Wolfe, 228, 265, 797 Albert Wolff (aft), 369 Ella Wood, 1016 Ellsworth Woodward, 1012, 1049 Don Wright, 986, 987, 1002, 1003, 1006, 1007 George Hand Wright, 819 Andrew Newell Wyeth, 270

Artist Index

H Theora Hamblett, 182 Walter Manly Hardy, 1038 David Harouni, 246, 247, 804-806 George Overbury “Pop” Hart, 1014 Colette Pope Heldner, 240 Knute Heldner, 224, 239, 260, (aft) 820 William Hemmerling. 176 George Wilhelm Richard Hering, 318 Morris Henry Hobbs, 227, 229, 420, 927, 1046 William R. Hollingsworth, Jr., 187 Emil Holzhauer, 926, 983, 984 Jan Horton, 999 Eleanora Gibson Houston, 809 Marie Atkinson Hull, 178, 183, 198 Clementine Hunter, 251-253, 810, 811

M Richard MacDonald, 427 Alexander Marcks, 455 Nicola Marschall, 261, 306 Bunny Matthews, 1032 Leo Meiersdorff, 988-991 Jakob Meller (aft), 146 Paul Meltsner, 1036 Thomas Buford Meteyard, 1039 Loui Michael, 316 James Michalopoulos, 244-245A, 249, 800 Luphelia Middlebrooks, 1021, 1022 Clarence Millet, 185, 186 Sam Minot, 1013 Marie Madeleine Seebold Molinary, 262 Benson Bond Moore, 996 C. Bennette Moore, 600 Francis Luis Mora, 997 Sister Gertrude Morgan, 250 Greg Mort, 312

Charles Sarka, 1034 Maurice Sarthou, 392 Peter Schmidt, 307 Raymond Scully, 1023 Antoine Louis François Sergent (aft), 894 Henry Alvin Sharpe, 1048 Sydney Dale Shaw, 226 William Shayer I, 327 Peter Shire, 200 Edward Von Siebold Dingle, 922 Arthur Silverman, 201-203 Nicola Simbari, 268 Sigurd Skou, 314 Hunt Slonem, 192-194 Elmer Boyd Smith, 766, 767, 920, 921 Southern School, 1018 Spanish School, 352 Francis Speight, 179 Fritz St. Jean, 822 Gideon Townsend Stanton, 241 Frank Stick, 388 Frances Swigart-Steg, 818

•

C Harrison Cady, 768 Debbie Fleming Caffery, 230-232, 274 John Reed Campbell, 1027 Antonio Canova (aft), 493 Mary Cassatt, 210-212 René Chancrin, 355 Kathryn Cherry, 188, 189 Chinese School, 500-502 Giovanni Pinotti Cipriani, 147 George Henry Clements, 310 John Coleman, 428 Caroline Russell Compton, 256 Continental School, 319, 353, 863, 866 George David Coulon, 308 José-Mariá Cundín, 199

G Bernard Gantner, 817 Henry Gasser, 208 Philip Geiger, 840 German School, 390 John Genin, 418 Louis Victor Gesta, 317 Giambologna (aft), 370 Rolland Harve Golden, 1000 Robert Gordy, 773, 775 John Gould, 321, 324, 326, (aft) 623, 867 Frederick Milton Grant, 414 Tony Green, 311 Louis Oscar Griffith, 774 Jacques Gruber, 430 Vic Guhrs, 841

Emile Desire Lienard (aft), 496 Ashley Longshore, 248 Prospere Pierre Louis, 824 Louisiana School, 594, 1024 Rupert Scott Lovejoy, 315 Eugene Loving, 1030 Ferdinando De Luca (aft), 492

April 13 & 14, 2019

B Isaac C. Baker, 765 Aldo Bartelletti, 144 Alvin Batiste, 1019 Ludwig Bemelmans, 354 George Frederick Bensell, 1041 Fletcher Benton, 209 Eugene Biel-Bienne, 993 Wilson Bigaud, 823 Paul Biva, 351 Melissa Bonin, 264 Louis George Bouché, 925 Gerald Brockhurst, 313 Leonard Brooks, 206, 207 William Henry Brown, 595 Alfred Arthur Brunel de Neuville, 454 Andrew Bucci, 195-197, 798 Steele Burden, 425 Paul Burkle, 995 David Davidovich Burliuk, 175

Robert Atkinson Fox, 388, 389 Hans Frabel, 423, 424 French School, 861, 865

X Yang Xianmin, 503 Y Henrietta Hughes Colley Joseph Yoder, 985, 1001 Joseph Floyd Yoder, Jr., 1020 Kiso Yoshida, 524 Toshi Yoshida, 526 Z Vasily Zasipkin, 864

101

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Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form

15/06M 15/06M 16/08M 15/06M 16/08M 19/04M 15/06M 19/04M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !

LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !

LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE

! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS

!UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE

!

LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !

LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ?????????????????????????????????????????????

0ROV 3TATE ???????????????????????

0OSTAL #ODE ???????????????? #ITY ?????????????????????????????????????????????

0ROV 3TATE ???????????????????????

0OSTAL #ODE ???????????????? #ITY ?????????????????????????????????????????????

0ROV 3TATE ???????????????????????

0OSTAL #ODE ???????????????? #ITY ?????????????????????????????????????????????

0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ????????????????

(OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ?????????????????????

(OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ?????????????????????

(OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ?????????????????????

(OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ?????????????????????

Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

Dealers must provide Neal Auction Company with proper documentation bidding.

Dealers must provide Neal Auction Company with proper documentation prior to prior bidding.

Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash 0AYMENT Credit 0AYMENT Cash Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ???????

6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ???????

6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ???????

6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ???????

Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID

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???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID

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,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the “Conditions Sale� as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids.

Iand have read and agree to the “Conditions Sale� in the catalogue.

I understand that to execute bids, or for any error in the of bids.

IIIhave read and agree toto the ofof Sale� asas stated instated the I understand to execute or for any error inexecution the execution of of bids.

I have read and agree to“Conditions the “Conditions of Sale� as stated incatalogue. the catalogue.

I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids.

I bids. have agree to the “Conditions of Sale� as of stated inas the catalogue.

I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the “Conditions ofof Sale� as stated in the catalogue. understand that any error in the execution of bids. have read and agree the “Conditions Sale� stated in the catalogue.

III understand that a aabuyer’s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000.

ForFor apremium buyer’s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000.

For buyer’s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000.

For abuyer’s buyer’s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyer’s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000.

For buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000.

For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000.

For purchase made by cash, check or wire transfer within 15 days of the auction, buyer’s premium shall be discounted of 22%.

No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyer’s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyer’s premium shall beshall discounted 2.5% ofthis this 22%.

No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 2.5% of this 22%.

No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3%2.5% of3% 25%.

No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% ofthis this 25%.

No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyer’s premium shall be discounted of this 25%.

No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax or E-mail Form form on or on orbefore before Friday,6/26/15 Thursday, 4/11/19 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or504-617-9990 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 to to 504-617-6431 504-617-6431 oror bids@nealauction.com 504-617-9990

229 229 229 229

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Notes:

Notes:

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments Administration Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

General manager Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Graphics Assistant Muffin Bernstein Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development Auctioneers Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes Jewelry Stephen A. Moses, GIA Graduate Gemologist