June 22 & 23, 2019 Summer Estates Auction by Neal Auction

Neal Auction

Summer Estates Auction June 22 & 23, 2019

Summer Estates Auction June 22 & 23, 2019 ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street

Featuring: Estate of Noted Collector Caroline P. Ireland Important Examples from a Prestigious New York Collection of 19th c. American Furniture Part II, Important Fine Art from the Natchez Art Association, Natchez, MS Fine American Classical Furniture from a Charleston Antiquarian Property from the Collection of Dr. and Mrs. Frederick J. Schwitz, Franklin, LA Property from the Esteemed Collection of Stanley Weiss, Providence, RI Part II, Collection of Linda and Thomas Windham, Oxford, MS Collection of Norris Garrison and the Late William Friedle, New Orleans Chinese Objects Descended in the Family of American Missionary Whitefield Walton Brockman (1875-1939) Soochow University Professor, Suzhou, China Art Glass from an Uptown New Orleans Collection Property of Others EXHIBITION EXHIBITION both galleries beginning Monday, June 10, 10 a.m. to 5 p.m. Special Saturday Preview, June 15, 10 a.m. to 5 p.m. Evening Preview Reception Thursday, June 20, 5 to 7 p.m. AUCTION SCHEDULE Saturday, June 22, 10 a.m., 4038 Magazine Street Sunday, June 23, 11 a.m., 3923 Carondelet Street

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THE ESTATE OF CAROLINE PATTERSON IRELAND Neal Auction Company is honored to present property from the Estate of Caroline Patterson Ireland, noted collector and philanthropist. A larger than life personality, she modeled for Christian Dior, was painted by Andy Warhol, and was both a gourmet cook and an accomplished deep sea fisherman. Appropriately, her favorite expression was “shoot for the moon, even if you miss you will land among the stars.” Although her early life was beset by tragedy: she was widowed twice by her mid-thirties, she bravely picked up the pieces and took on the world. She found happiness again when she married Charles Ireland, Director and Chairman of the Board of Vulcan Materials Company, Birmingham. She had lived in New Orleans in the 1950s when she was married to Captain Mike O’Leary, manager of the St. Charles Hotel, and would maintain friendships in New Orleans throughout her life. Nationally known for her philanthropic activities, Mrs. Ireland’s focus was educational institutions and museums. She was President of the Caroline P. and Charles W. Ireland Foundation, which established the Caroline P. and Charles W. Ireland Endowment for Scholarly Distinction, Distinguished Visiting Scholar Award and International Students Fund at the University of Alabama. She served on the boards of the Birmingham Museum of Art and the New Orleans Museum of Art. In 2006, she donated her collection of Faberge miniature eggs to NOMA.

Session One Saturday, June 22, 10 a.m. 4038 Magazine

3. Diminutive Louis XV Inlaid Cherrywood Encoignure, 18th c., tiered superstructure, serpentine case, compass star inlaid doors and top, chamfered stiles, conforming skirt, h. 60 1/2 in., w. 22 1/2 in., d. 16 in. $600/900

1. Pair of Ochre Faux Marbre Pedestals, molded top and stepped base, h. 41 in. $500/800 Provenance: The Friedle‑Garrison Collection, New Orleans.

2. French Art Deco Kingwood and Rosewood Chest of Drawers, c. 1930, inset glass top, fitted with 9 drawers, trestle supports, flared legs, h. 38 1/2 in., w. 60 in., d. 18 in. $800/1200

4. Victor Vasarely (Hungarian/French, 1906‑1997), “Gray Abstract Composition”, serigraph on board, signed lower center, 27 13/16 in. x 27 3/4 in., framed. $500/700

6. Gilt Bronze‑Mounted Sevres Polychrome Porcelain Center Bowl, 19th c., marked, bleu celeste with garland and floral reserves, mask mounted handles and feet, h. 10 3/8 in., w. 19 in., d. 9 1/4 in. $500/700

5. Victor Vasarely (Hungarian/ French, 1906‑1997), “Green and Purple Abstract Composition”, serigraph on paper, pencil‑signed, numbered “28/50” and “Denise Rene Editeur” blind stamp lower margin, 26 1/2 in. x 33 1/8 in., framed. $400/600

7. Good Antique French Bronze and Sienna Marble Three‑Piece Desk Set, 19th c., all inscribed “A. Marionette”, encrier and letter holder stamped “A. MARIONETTE/ BRONZES/ PARIS”, encrier h. 11 in., w. 17 in., d. 9 in. $800/1200

8. Pair of Neoclassical‑Style Faux Marbre Pedestals, 19th c. and later, centered by carved relief of an urn, h. 34 in., w. 18 in., d. 12 1/2 in. $500/800

10. Regency Gilt Bronze‑Mounted Leather Sewing Box, early 19th c., lift top with inset mirror, fitted interior, elaborate mounts, ball feet, h. 6 3/4 in., w. 11 3/8 in., d. 8 in. Note: Condition of leather. $400/600 Provenance: The Estate of Caroline P. Ireland.

9. Italian Carved Alabaster Figure of a Beautiful Maiden Amongst Sheaths of Wheat, early 20th c., h. 32 in., w. 11 in., d. 12 in.n. $800/1200

11. Pair of Continental .750 Silver Candlesticks, probably Prussian, 19th c., removable bobêches, bulbous standard with scalloped collar, stepped base, h. 10 7/8 in., wt. 17.30 troy ozs. $500/700

12. French 1st Standard Silver Coffee Pot, 19th c., probably Louis Philippe, marks rubbed, pear‑form body, domed cover with bud cluster finial, scroll spout and ebonized handle, scroll feet, h. 8 1/2 in., wt. 12.75 troy ozs. $250/350

Additional information at www.nealauction.com

13. Pair of Georgian Sheffield Plate Wine Coolers, early 19th c., campagna form fitted with liner and removable collar, loop handles with lion’s masks, gadroon borders, retains original tinned interior, h. 7 3/4 in., w. 9 in. $600/900 14. Good English Sterling Silver Café au Lait Set in the Early Georgian Taste, S.J. Shrubsole, London, 1967, act. 1959‑1990; comprised of a coffee pot and a hot milk pot, each h. 10 1/4 in., total wt. 43 troy ozs. $800/1200 Provenance: The Estate of Caroline P. Ireland.

15. Pair of Louis Philippe Bronze and Sienna Marble Six‑Light Candelabra, c. 1840, columnar standard, scroll and anthemion base, h. 26 in., dia 10 in. $1000/1500 Provenance: The Friedle‑Garrison Collection, New Orleans.

16. Pair of Diminutive Italian Painted and Parcel Gilt Two‑Light Mirrored Sconces. 19th c., scrolled frame, pricket candle holders, h. 12 in., w. 9 1/2 in., d. 5 1/2 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

17. Louis XVI‑Style Porcelain‑Mounted Gilt Bronze Four‑Light Lantern, cage‑form with foliate finials, entwined floral encrustation overall, h. 48 in., w. 20 in., d. 20 in. $1200/1800

18. Louis XVI‑Style Carved Walnut Bouillotte Table, 20th c., rouge marble top, frieze drawer, stop‑fluted tapered legs, h. 29 in., dia. 24 1/2 in. $500/800 Provenance: The Estate of Caroline P. Ireland.

19. Sevres‑Style Bronze and Porcelain Plateau, Wong Lee mark, Hong Kong, floral gilt cartouches, scenic landscape with reserve carved courting couple, paw feet, h. 4 1/4 in., w. 35 1/2 in., d. 20 7/8 in. $800/1200

21. Portuguese Rococo Carved Walnut Petite Commode, 18th c., serpentine blocked front, cabriole legs, hoof feet, h. 32 in., w. 33 1/2 in., d. 18 in. $1000/1500

22. Pair of Moorish Bone and Mother‑of‑Pearl Tabouret Tables, octagonal top, paneled case, shaped brackets, chamfered legs, conforming feet, h. 29 in., w. 18 1/2 in., d. 18 1/2 in. $1200/1800

20. Pair of Continental Carved and Patinated Giltwood Putti, on faux marbre square plinths, h. 18 1/2 in., base 5 1/2 in. x 5 1/2 in. $300/500

Provenance: The Estate of Caroline P. Ireland.

23. Pair of Antique Spanish Renaissance‑Style Carved Walnut and Tooled Leather Side Chairs, late 19th c., finialed stiles, backs embossed with armorial crests, square seats, turned and blocked legs, conforming stretchers, h. 45 in., w. 17 in., d. 16 1/2 in. $400/600

24. Eleven Royal Copenhagen “Flora Danica” Porcelain Dinner Plates, No. 3549, dated 1965‑1966, with dentil border and central botanical paintings of various flowers, the bases with green Royal Copenhagen logos, underglaze blue wave marks, pattern no. 20, shape no. 3549 and initials, dia. 10 in. $4500/6500

25. Eight Royal Copenhagen “Flora Danica” Porcelain Luncheon Plates, Nos. 3554 and 429/3554, dated 1969‑1973, with reticulated dentil border and central botanical paintings of various flowers or fruit, the bases with green Royal Copenhagen logos, underglaze blue wave marks, pattern no. 20, shape nos. 3554 and 429/3554, and initials, dia. 9 in. $3000/5000

26. Eight Royal Copenhagen “Flora Danica” Porcelain Coffee Cups and Saucers, No. 3597, dated 1963‑1973, the round cups with branch handles, the circular saucers with dentil borders, with botanical paintings of various flowers, the bases with green Royal Copenhagen logos, underglaze blue wave marks, pattern no. 20, shape no. 3597 and initials, cup h. 2 5/8 in., saucer dia. 5 1/2 in. $3000/5000

27. Eight Royal Copenhagen “Flora Danica” Porcelain Coffee Cups and Saucers, No. 3597, dated 1963‑1973, the round cups with branch handles, the circular saucers with dentil borders, with botanical paintings of various flowers, the bases with green Royal Copenhagen logos, underglaze blue wave marks, pattern no. 20, shape no. 3597 and initials, cup h. 2 5/8 in., saucer dia. 5 1/2 in. $3000/5000

Additional information at www.nealauction.com

27A. Royal Copenhagen “Flora Danica” Porcelain Cake Plate, No. 3526, dated 1969‑1973, with serpentine reticulated dentil border and central botanical painting of “Caltha palustris L”, the base with green Royal Copenhagen logo, underglaze blue wave mark, pattern no. 20, shape no. 3526, and initials, dia. 10 5/8 in. $700/1000

28. Berlin Polychrome Porcelain KPM Plaque, 19th c., impressed KPM beneath scepter mark, and impressed “195” and “255”, script titled on reverse “At the Embrasure/ after Ralph Collins” and “Painted expressly for/ Mermod & Jaccard Jewelry Company/ St. Louis Mo.”, sight 9 1/2 in. x 7 in., elaborate Rococo giltwood frame within shadowbox frame, 19 1/4 in. x 15 1/2 in., d. 3 in. $2000/3000

29. Pair of Renaissance‑Style Silvered Bronze Jardinières, probably early 20th c., circular basins with scrollwork frieze, scrolled legs with Bacchic masks, h. 31 in., dia. 23 in. $2500/3500

30. Neo Grec‑Style Silverplate and Parcel Gilt Epergne, spurious hallmarks, fitted with glass trumpet vase and bowl, h. 21 in. $800/1200

33. Antique Cast Iron Figure of a Classical Maiden Dancing, h. 48 in., w. 20 in., d. 10 in. $1000/1500

34. Napoleon III Bronze‑Mounted Sienna Marble Mantel Clock, 19th c., silk‑thread movement marked “HEMON A PARIS”, ram’s head and fruit garland mounts, h. 19 3/4 in., w. 10 1/4 in., d. 7 3/4 in. $1000/1500

31. English Gilt Bronze and Brass Sinumbra Lamp, c. 1850, cluster column standard, tripartite base with dolphins, paw feet, cut‑glass shade, h. 30 in., d. 10 1/4 in. $700/1000

32. English Gilt and Patinated Bronze Sinumbra Lamp, 19th c., standard with stiff‑leaf decoration, palmette collar, cut‑glass shade, h. 32 in., dia. 10 1/2 in. $700/1000

Provenance: The Friedle‑Garrison Collection, New Orleans.

35. French Gilt Bronze Cartel Clock, 19th c., flaming urn finial suspending husk garland, cartouche case set with circular dial with Roman hours and Arabic minutes, h. 25 in., w. 11 in., d. 4 in. $700/900

36. Pair of Chinese Famille Verte Porcelain Square Bottle Vases, decorated with dragon and phoenix roundels, bases with apocryphal Daoguang marks, h. 13 1/2 in., w. 5 in., d. 5 in. $800/1200

37. Pair of Chinese Cloisonné Over Porcelain Double Gourd Vases, relief‑molded with qilin in pursuit of flaming pearls on a cloud‑scroll ground, h. 18 in. $1200/1800

41. Large French Cloisonné Enamel, Patinated Metal and Glass Shelf Clock, finialed dome, rectangular case with columns flanking glass paneled sides, floral painted circular dial, stepped rectangular base on four feet, h. 26 in., w. 11 in., d. 9 in.$700/900

38. Pair of Chinese Polychrome Porcelain Jardinières, decorated with historical characters and inscriptions, h. 14 1/2 in., dia. 18 1/2 in. $1200/2000

39. Pair of Baccarat Gilt and Enameled Opaline Glass Vases, 19th c., attr. to Jean Francois‑Roberts, painted with exotic birds and vines, h. 13 3/4 in., dia. 5 in. $2000/3000

40. Baccarat “Harcourt” Crystal Champagne Cooler, marked, silverplate handles, sleeve and holder, h. 9 1/2 in., w. 10 3/4 in., d. 7 1/2 in.. $1000/1500

42. George III Inlaid Figured Mahogany Sideboard, late 18th/early 19th c., serpentine top, conforming case with three drawers, tapered legs, h. 36 in., w. 62 in., d. 26 3/4 in. $2000/3000 Provenance: The Stanley Weiss Collection, Providence, RI.

43. Georgian‑Style Chinoiserie‑Decorated Breakfront, 20th c., Schmieg and Kotzian, New York, broken arch crest, four glazed arched paneled doors, base with four drawers over four doors, blocked molded base, h. 88 in., w. 71 1/2 in., d. 17 in. $2500/3500

44. English Carved Rosewood Center Table, mid‑19th c., molded circular top, bulbous standard, tripod base, foliate scrolled feet, h. 29 in., dia. 53 in. $1200/1800

46. Sheraton Four Tier Mahogany Étagère, early 19th c., ring turned uprights, low drawer, turned feet, casters, h. 47 in., w. 18 in., d. 15 in. $800/1200

45. Fine Pair of Edwardian Inlaid Satinwood Armchairs in the Adams Taste, late 19th c., London, possibly Wright and Mansfield, shaped crest rail, carved splat with paterae, shaped arms, tapered legs, h. 38 in., w. 21 1/2 in., d. 22 in. $500/700

47. Edwardian‑Style Painted‑Decorated Satinwood Drinks Cabinet, mid‑20thc., molded cornice, upper cabinet door with lattice overlay and glass shelf interior, divided hinged top opens to glass cabinet doors fitted with bottle holders, tapered legs, spade feet, h. 67 1/2 in., w. 30 in., d. 17 1/2 in. $1200/1800 48. Hepplewhite Diminutive Mahogany Server, 19th c., serpentine top, conforming frieze drawer, urn decorated pressed brass pulls, tapered legs, h. 29 in., w. 30 in., d. 19 in. $800/1200 Additional information at www.nealauction.com

49. Fine Louis XVI‑Style Parquetry Bonheur du Jour, 19th c., superstructure fitted with a clock, antique book spines, and three small drawers, inset leather writing surface, frieze drawer, cabriole legs, sabots, h. 44 in., w. 39 in., d. 24 in. $800/1200

50. Antique Louis XV‑Style Carved Giltwood Canapé, 19th c., serpentine floral‑carved crest rail, conforming arms, uprights and seat rail, cabriole legs, scrolled toes, h. 44 1/4 in., w. 83 in., d. 30 1/2 in. $2500/3500 Provenance: The Estate of Caroline P. Ireland.

51. Regence‑Style Carved Fruitwood Fauteuil à Oreilles, 20th c., arched back and wings, shaped foliate‑carved open arms, rocaille‑carved serpentine seat rail, cabriole legs, scrolled toes, h. 43 in., w. 30 in., d. 23 1/2 in. $1000/1500 Provenance: The Estate of Caroline P. Ireland.

53. Six Antique Continental Carved Walnut Side Chairs, foliate crest, pierced shaped splat, floral‑carved knees, cabriole legs, turned stretchers, leather seats, h. 41 in., w. 20 in., d. 19 in. $1500/2000

52. Louis XV Carved Walnut Serpentine Commode, 18th c., molded top, three cartouche‑paneled drawers, acanthus‑carved reticulated apron, heavily scrolled legs, h. 38 in., w. 48 in., d. 25 in. $3000/5000

54. Amstel Polychrome and Gilt Porcelain Coffee Service, c. 1810, marked, gilt rims, bird on branch decoration, incl. 9 demitasse cups, h. 2 3/8 in., dia. 2 3/8 in.; 12 saucers, dia. 5 in.; coffee pot, h. 6 1/4 in.; cream pitcher, h. 7 1/2 in.; covered sugar, h. 5 1/4 in.; footed fruit bowl, dia. 8 in. (25 pcs.) Note: Repair to teapot lid. $700/1000 Provenance: The Estate of Caroline P. Ireland.

57. Pair of Chinese Export Famille Verte Porcelain Octagonal Dishes, probably Kangxi (1662‑1722), painted with a lady playing the qin in a garden setting, pie‑crust rim with fish and butterfly cartouches on a stippled floral ground, h. 1 3/4 in., w. 13 3/4 in. Note: Restorations. $200/400 Provenance: Henry Stern Antiques, New Orleans.

55. Pirkenhammer Polychrome and Gilt Porcelain Vase, early 20th c., marked, pierced neck, lion masks, overall floral design with central exotic bird and enamel accents, drilled base, h. 16 1/4 in., w. 7 3/4 in., d. 6 1/2 in. $600/900

56. Pair of Neoclassical‑Style Bronze‑Mounted Sevres‑Style Rose Pompadour and Gilt Porcelain Covered Urns, 20th c., spurious marks, spiral fluted bodies decorated with floral sprays, h. 29 in., w. 14 in. $1000/1500

60. Pair of Venetian Bronze Figural Door Stops, in the form of gondola hippocampi, moveable crossties, oval plinth base, h. 12 in., w. 12 3/4 in., d. 2 3/4 in. $400/600 58. Chinese Export Blue and White Porcelain Dragon‑Fish Plate, Kangxi Period (1662‑1722), base with double ring mark and “Jan‑Erik Nilsson Collection / KX26” label, dia. 8 1/8 in. $500/700

59. Four Italian Pietra Dura Plaques, black ground, depicting birds in flowering branches, 9 1/2 in. x 17 3/4 in., framed. $1000/1500

Provenance: The Estate of Caroline P. Ireland.

63. Louis XVI Highly Carved Walnut Armoire, late 18th/early 19th c., leaf carved molded cornice above arched rosette frieze, two foliate carved doors, stile incised “1803”, fiche hinges, rope and floral carved rounded corners, dentil molded base, block feet, h. 112 in., w. 52 in., d. 39 in. $4000/6000 Provenance: The Estate of Caroline P. Ireland.

61. Pair of Italian Grand Tour Specimen Marble Obelisks, 20th c., of typical form, h. 21 in., w. 6 in., d. 6 in. $1000/1500

62. Antique Provincial Louis XV Petite Commode, probably late 18th c., marble top, shaped gallery, frieze drawer, lozenge cut outs, shaped skirt, slender tapered legs, h. 28 1/2 in., w. 16 in., d. 11 1/2 in. $500/1000 Provenance: The Estate of Caroline P. Ireland.

64. Twelve Custom Scalamandre Upholstered Side Chairs, button tufted back, shaped seat, passementerie and bullion fringe, h. 38 1/2 in., w. 23 in., d. 28 in. $5000/7000

65. Pair of Empire‑Style Carved, Ebonized and Gilded Mahogany Pier Tables, black marble top, griffin figural supports, mirrored back, shaped plinth, h. 36 in., w. 51 in., d. 17 1/2 in. $2000/3000 Provenance: Schwitz Collection, Franklin, LA.

67. Fine Suite of Four Antique Louis XV‑Style Crème Peinte Fauteuils, padded back, arms, and seat, cabriole legs, floral Aubusson upholstery, h. 37 in., w. 25 in., d. 23 in. $700/1000

66. Egyptianesque Carved, Parcel‑Ebonized, Polychromed and Giltwood Settee, winged crest, seat back with hieroglyphic reserve, figural supports, lion‑carved legs, winged apron, h. 56 1/2 in., w. 72 in., d. 28 in. $4000/6000

68. Pair of Monumental Continental Tôle and Bronze Cranes, plinth bases, h. 90 in. $2500/3500

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

69. Pair of Neoclassical Malachite and Gilt Bronze Jardinières, 20th c., lion mask handles, paw feet, h. 11 in., dia. 14 in. $3000/5000

70. Pair of Neoclassical‑Style Carved Marble Jardinières, 19th c., mounted with ram’s heads and foliate swags, foliate scrolled stands, h. 27 in., w. 32 in., d. 13 in. $2500/3500

Additional information at www.nealauction.com

73. American Renaissance Inlaid, Bronze‑Mounted, Gilt and Parcel Ebonized Rosewood Hall Mirror, mid‑to‑late 19th c., New York, arched cornice with palmette decoration, cove‑molded stiles, mirror plate flanked by demilune bracket shelves, shaped base, h. 106 in., w. 72 in., d. 19 in. $5000/8000

71. Pair of Chinese Blue and White Porcelain Jars Mounted with Gilt Bronze and Polychrome Porcelain Eight‑Light Candelabra, porcelain jars decorated with figural cartouches, mounts inset with 8 scrolled or curved candle arms with leaves and flowers, bases with scrolled acanthus feet on footed hexagonal plinths, h. 43 in., w. 14 in., d. 14 in. $5000/7000

72. French Empire Bronze Mantel Clock, 19th c., porcelain dial marked “Gille Laine”, urn case, flanked by centaurs holding flaming urns, later movement, h. 17 in., w. 10 in., d. 5 1/2 in. $800/1200

74. Suite of Four Carved White Marble Putti Playing Instruments, faux bronze bases, h. 25 1/2 in. $3000/5000

75. After Antonio Canova (Italian, 1757‑1822), “Venus”, marble, unsigned, h. 68 in., w. 20 in., d. 19 in. $2000/3000 Provenance: The Friedle‑Garrison Collection, New Orleans.

Note: The impressive sculpture offered here is after of one of the prototypes of the “Venus Italica” by celebrated sculptor, Antonio Canova (Italian, 1757‑1822). The earliest iteration of the piece, completed in 1811, featured additional drapery which provided more coverage to the disconcerted Venus who is depicted tousled and undressed, as if startled by an intruder. The marble in this lot is after the later version of the “Venus Italica,” which Canova revisited almost ten years subsequent to his 1811 masterwork. Unlike its predecessor, the fabric in the second version is shown hanging loose in Venus’s proper right hand, and her expression and posture appear more relaxed and casual. Ref.: Finn, David and Fred Licht. Canova. New York: Abbeville Press, 1983.; Pavanello, Giuseppe and Giandomenico Romanelli. Canova. Venice: Marsalio Editori, 1992.

78. Pair of Italian Carved, Gilt and Verte Peinte Lanterns, foliate decoration, h. 36 in., w. 18 in. $1000/1500

77. French Rock Crystal and Gilt Bronze Four‑Light Chandelier, foliate decoration. $1000/1500 Provenance: The Estate of Caroline P. Ireland.

79. Edwardian Sterling Silver Monteith, Pairpoint Brothers (John and Frank Pairpoint), London, 1904, mark reg. 1879, boldly modeled rim, lion mask and drop handles, stop‑fluted body, h. 9 1/8 in., w. 13 1/2 in., wt. 74.30 troy ozs. $1500/2500

76. Pair of Pompeian‑Style Patinated Bronze Four‑Light Candelabra, faux bamboo stems with circular candle cups, zoomorphic tripod base with palmettes, paw feet, h. 53 in. $2000/3000

80. William IV Sterling Silver Dessert Flatware, London, 1836, forks by Mary Chawner, act. 1834‑1840, knives by Susanna Peppin, act. 1834‑1839; incl. 6 dessert forks and 5 dessert knives, elaborately chased, engraved with crest and motto “Devant si je puis” (Forward if I am able), fork l. 6 3/4 in, knife l. 8 5/8 in., total wt.(weighable) 14 troy ozs. $400/600

81. Pair of Monumental Silverplate Five‑Light Candelabra, foliate decoration, removable bobêches, h. 27 in. $1400/1800

82. Mexican Sterling Silver Stemware Service for Twelve, Conquistador, c. 1940s, incl. 12 each: water goblets, h. 7 1/4 in.; wine goblets, h. 5 5/8 in.; champagne coupes, h. 4 1/4 in.; and dessert coupes, h. 4 1/4 in., total wt. 239.55 troy ozs. (48 pcs.) $2000/3000

83. Set of Twelve French First Standard Silver Cocktail Forks, 19th c., l. 6 in. $300/400

84. Danish Sterling Silver Flatware Service for Eight, Frigast “Princess Fuschia” pattern, incl. 8 each: dinner forks, l. 7 5/8 in., dinner knives, l. 9 3/4 in., dessert forks, l. 6 5/8 in., dessert knives, l. 8 1/8 in., salad forks, cream soup spoons, oval soup/dessert spoons, teaspoons, butter knives (hh) and cocktail forks; pair of serving spoons, l. 8 1/4 in., pair of serving spoons, l. 7 1/2 in. and pie server (hh), l. 11 1/4 in.; together with Frank M. Whiting “Princess Ingrid” carving knife (hh), l. 10 1/2 in., total wt. (weighable) 96.15 troy ozs. (86 pcs.) $1200/1800 Provenance: The Estate of Caroline P. Ireland.

85. Cased Set of Four Cartier Sterling Silver Baskets, each h. 3 3/8 in., w. 2 1/2 in., d. 2 1/4 in., total wt. 6 troy ozs. $200/400

86. Three Antique Sterling Silver‑Mounted Brilliant Cut Glass Scent Flasks, late 19th c., incl. oval with mounts by Sampson Mordan & Co., London, 1889, l. 4 1/2 in.; cylindrical with mounts by Whiting, l. 6 1/2 in.; and tapered with mounts by Gorham, l. 7 1/4 in. $300/500

87. Scottish George III Sterling Silver Soup Ladle, Alexander Henderson, Edinburgh, 1801, act. 1795‑1812, l. 14 7/8 in.; together with a Victorian fiddle handle stuffing spoon, William Robert Smily, London, 1850, l. 11 7/8 in.; total wt. 10.55 troy ozs. $200/400

88. Two Georgian Silver and Carved Baleen Toddy Ladles, 18th c., apparently unmarked, one inset with George II coin, l. 13 1/8 in. and 14 in.; together with Edwardian sterling silver reticulated link sash, presented on a black velvet ribbon; and a silver wirework scroll motif sugar tongs, unmarked, l. 5 1/2 in. $200/400

89. Victorian Sterling Silver Sandwich or Asparagus Tongs, John Aldwinckle & Thomas Slater, London, 1890, mark reg. 1884, engraved reticulated blades, l. 8 1/4 in., wt. 3.50 troy ozs. $250/350

90. Pair of Regency Sterling Silver Candlesticks, John and Thomas Settle, Sheffield, 1817, mark reg. 1815, gadroon borders, removable bobêches, engraved with castle crest and monogram, h. 11 3/8 in. $1200/1800

91. Old Sheffield Plate Monteith or Verriere, 19th c., reeded banded body, lion’s mask and ring handles, h. 5 3/4 in., w. 13 1/2 in., d. 8 3/8 in. $1000/1500

92. George III Sterling Silver Teapot, Alice & George Burrows II, London, 1801, bright‑cut decoration, engraved crest and monogram, fruitwood finial and handle, h. 6 7/8 in., w. 10 1/4 in., wt. 14.85 troy ozs. $500/750

93. Victorian Sterling Silver Soup Plate, Robert Hennell IV, London, 1872, also marked “HUNT & ROSKELL/LATE/STORR & MORTIMER/6199”, serpentine rim, guilloche border, engraved crest, dia. 10 1/8 in., wt. 18.80 troy ozs. $400/600

94. George V Sterling Silver Covered Butter Dish, Harrods Ltd. (Richard Woodman Burbridge), Birmingham, 1932 & 1934, with removable interior liner/lid, h. 5 3/4 in., dia. 7 3/8 in., wt. 24.15 troy ozs. $400/600

95. George III Sterling Silver Sugar Basket, John Denzilow, London, 1784, mark reg. 1774, footed navette form with beaded borders and brightwork, h. (to top of handle) 7 1/4 in., w. 6 1/8 in., d. 4 3/8 in., wt. 7.80 troy ozs. $500/700

96. George III Sterling Silver Snuffer Tray, Robert Hennell I, London, 1784, navette form, beaded border, reticulated cavetto with brightwork, l. 8 7/8 in., wt. 3.20 troy ozs. $150/250

Provenance: The Estate of Caroline P. Ireland.

Provenance: David Stockwell, Wilmington, Delaware.

Additional information at www.nealauction.com

97. George III Sterling Silver Teapot Stand, John Emes, London, 1798, oval with reeded border and feet, engraved crest, h. 3/4 in., w. 7 1/4 in., d. 5 3/8 in., wt. 4.55 troy ozs. $200/300

98. George III Sterling Silver Teapot Stand, London, 1803, maker’s mark rubbed, oval with Greek key border and engraved script monogram, h. 1 1/8 in., w. 6 3/4 in., d. 5 1/8 in., wt. 4.65 troy ozs. $150/250

99. Old Sheffield Plate Hot Water Urn, early 19th c., spiral reeded domed cover, squat urn form, suppressed ball feet, h. 16 1/4 in. $400/600

100. Fine Pair of George III Sterling Silver Sauce Tureens, Rebecca Emes and Edward Barnard, London, 1812, act. 1808‑1827, oblong with stepped domed cover and eagle’s head finial, gadroon border, acanthus scroll handles, foliate bracketed paw feet, engraved armorial crest, h. 6 in., w. 8 1/2 in., wt. 30.35 troy ozs. $2000/4000

102. George III Sterling Silver Brandy Warmer, Peter & Ann Bateman, London, 1795, mark reg. 1791, squat form with engraved armorial, turned wood handle, l. 8 in., wt. 3.55 troy ozs. $300/500

101. Antique English Silverplate Soup Tureen in the Rococo Taste, 19th c., crossed keys marks of Creswick & co., domed cover with pomegranate finial, shell, flower and scroll border, scroll feet, original removable liner, h. 10 7/8 in., w. 14 3/4 in., d. 11 1/8 in. $400/600

103. Pair of Silverplate Campagna‑Form Wine Coolers, foliate handles, removable liner with collar. $300/500

104. Six Antique English Silverplate Service Plates, gadrooned border, applied shield with engraved winged griffin, crossed keys and leopard’s head marks, dia. 10 5/8 in. $300/500

105. Elkington & Co. Silverplate Breakfast Tureen, date mark for 1884, and with English Registry mark for April 16, revolving cover, fluted legs with ram’s heads and hoof feet, drop‑loop handles, retains both interior liners, h. 8 3/4 in., w. 13 1/8 in., d. 9 7/8 in. $200/300

107. American Renaissance Parcel Ebonized, Inlaid Walnut and Burl Library Table, mid‑to‑late 19th c., inset leather top, two frieze drawers, tapered legs, shaped stretcher, disc feet, h. 28 1/2 in., w. 42 in., d. 28 in. $1000/1500

106. English Modern Gothic Carved and Parcel Ebonized Oak Sideboard, mid‑to‑late 19th c., labeled “R. Garnett & Sons...117”, mirrored back, chamfered, finialed uprights, medial shelf, top with lozenge checkerboard ebonization, incised drawer flanked by a pair of paneled floral doors, blocked base, original brasses, h. 78 in., w. 86 in., d. 28 in. $2000/3000

108. Rare Antique American Steer Horn Armchair, late 19th c., attr. to Wenzel Friedrich, San Antonio, Texas, back, arms and legs comprised of tipped steer horns, hide back and seat, L.C. Tiffany glass and brass feet, h. 38 in., w. 30 1/2 in., d. 28 in.; together with a hide upholstered footstool, h. 15 in., w. 15 in., d. 12 1/2 in. $4000/6000

109. American Renaissance Carved and Inlaid Rosewood Parlor Suite, late 19th c., attr. to Herter Brothers, New York, incl. settee and 2 slipper chairs, bellflower motif inlay, tapered legs, casters, settee h. 34 1/2 in., w. 57 in., d. 27 in.; chair h. 32 in., w. 23 in., d. 21 in. $3000/5000

110. American Belle Epoque Highly Carved Oak Buffet in the French Renaissance Taste, c. 1900, labeled “Geo. C. Flint Co. West 23rd St. N.Y.”, molded top, two drawers above cabinet doors, blocked lion’s masks above caryatid figural supports, conforming base, h. 36 1/2 in., w. 70 in., d. 28 1/2 in. $1500/2500

111. Italian Carved Walnut Hall Table, 19th c., top with scalloped border and frieze, robustly carved scrolled supports decorated with masks and paw feet, shaped foliate stretcher, scrolled feet, h. 31 in., w. 87 in., d. 35 in. $4000/6000

112. Antique Louis XV‑Style Carved Fruitwood Invalid’s Chair, probably 18th c., shaped wingback, padded arms with ratchet mechanism, rounded seat rail, stretcher base, blocked legs, h. 52 in., w. 29 in., d. 19 in. $1000/1500 Provenance: The Estate of Caroline P. Ireland.

113. Louis XV‑Style Carved and Painted Stool, volute upright supports, reeded arms, serpentine seat rail, cabriole legs, scrolled toes, h. 24 in., w. 23 in., d. 18 in. $300/500

Provenance: The Estate of Caroline P. Ireland.

114. Antique Federal‑Style Carved and Inlaid Mahogany “Apprentice” Bureau à Cylindre, 19th c., retracting cylinder lid enclosing finely fitted interior, pull out writing surface, above three drawers, molded base, h. 14 in., w. 14 in., d. 8 1/2 in. $800/1200

115. Antique Louis XV‑Style Carved Mahogany “Apprentice” Bombé Commode, 19th c., serpentine top, three bronze‑mounted drawers, scalloped base, flared feet, h. 11 in., w. 15 in., d. 8 in. $500/700

Additional information at www.nealauction.com

116. Continental Carved and Inlaid Rosewood Méridienne, 19th c., possibly Russian, serpentine crest rail, scrolled end arm, leaf and winged griffin upright support, shaped rail, cove‑ molded block feet, h. 33 1/2 in., w. 72 in., d. 24 1/2 in. $1200/1800

118. Continental Neoclassical‑Style Parcel Gilt and Burl Wood Sécrétaire à Abattant, arched fan‑carved top fitted with a conforming drawer, fall front door opening to elaborately fitted interior, two lower drawers, paw feet, h. 64 in., w. 44 in., d. 18 in. $1000/1500

117. Pair of Moorish Bone Inlaid Hardwood Tabourets, molded top, spindled frieze, shaped brackets, turned disc feet, h. 26 1/2 in., w. 24 in., d. 24 in. $1000/1500

119. Rare Pair of Venetian Rococo Painted and Parcel Gilt Console Tables, 18th c., each with serpentine rouge faux marbre top, shell carved frieze, four carved cabriole legs, leaf and scroll stretcher, paw feet, antique gilt and paint surface, h. 37 in., w. 72 in., d. 27 in. $15000/25000

121. Near Pair of Régence‑ Style Carved Walnut Fauteuils à la Reine, high square back, floral‑carved scrolled arms, rocaille‑carved apron, cabriole legs, taller h. 49 in., w. 29 in., d. 22 in., shorter h. 47 1/4 in., w. 28 in., d. 22 in. $2000/3000

(8) 120. Rare Suite of Eight Portuguese Rococo‑Style Carved Rosewood Arm Chairs, 19th c., acanthine crest, scrolled ears, reticulated splat, scrolled arms, serpentine seat rail, cabriole legs, ball and claw feet, molded stretcher, h. 44 in., w. 25 in., d. 20 in. $5000/7000

122. Fine Pair of Italian Parcel Gilt Miniature Vitrine Cabinets of Rococo Inspiration, 19th c., pedimented cornice with mirrored frieze, bellflower carved molded door, silk interior, floral‑carved cartouche base, hinged back, h. 34 in., w. 22 in., d. 7 in. $1500/2000

123. Antique Russian Neoclassical‑Style Bronze‑Mounted Mahogany Commode, stepped demilune top, three graduated drawers, fluted stiles, tapered legs, h. 33 in., w. 37 1/2 in., d. 20 in. $4000/6000

124. Venetian Rococo Painted Console Table, 18th c., molded serpentine faux marbre top, frieze drawer, serpentine base, cabriole legs, ball and claw feet, h. 27 1/2 in., w. 37 in., d. 21 in. $2000/3000

125. Louis XV Carved, Inlaid and Brass‑Mounted Armoire, 18th c., elaborately carved foliate crest, double‑arched cornice, cartouche‑paneled doors, cabriole legs, scrolled toes, h. 98 in., w. 55 in., d. 22 1/2 in. $5000/7000

126. Rosa Marie Bonheur (French, 1822‑1899), “Two Brahmin Bulls Fighting with Locked Horns”, c. 1868‑1875, oil on canvas, monogrammed lower right, label with artist on stretcher, 9 1/2 in. x 14 1/2 in., framed. $4000/6000

Exh.: “The Forest of Fontainebleau: Refuge of Reality ‑ French Landscape 1800 to 1870”, Shepherd Gallery, New York, NY, 1972 and illustrated in the accompanying catalogue, no. 100.

127 Joseph Honoré Maxime Pellegrin (French, 1793‑1869), “Barque Zephyr, Capt. Ernest Lane Leaving Marseilles for Palermo, Dec. 22 1856”, watercolor on paper, unsigned, labels with title and artist attribution on backing, sight 17 1/2 in. x 26 1/2 in., frame with title plaque. $2500/3500 Provenance: Marine Arts Gallery, Salem, MA, 1981.

Note: Along with his fellow artists Nicolas Cammillieri and various members of the Roux family, Pellegrin helped make the bustling seaport of Marseilles a center of marine painting. An extremely successful painter, Pellegrin was admired for his technical accuracy and his clear, soft color palette. Adhering to the preferred style of the time and region, he concentrated on the characteristics of the particular vessel, only briefly detailing the background. As with all accomplished ship portraitists, he had a true understanding of the workings of a ship and the sea, and his precise depictions made him popular with ship owners and mariners. Ernest Lane, Captain of the ship depicted, was from the small fishing village of Annisquam, MA. He was a member of a prominent sea‑faring family; his brother and nephews were all captains of ships working out of nearby Gloucester Harbor. Lane later served in the Navy during the Civil War. Works by Pellegrin are in numerous museums and collections including the Peabody Essex Museum in MA, Mariners Museum in Newport News, Mystic Seaport Museum in CT, Augustin‑Norman Collection in Marseilles, and the Museo Maritimo in Barcelona.

Ref.: Archibald. Dictionary of Sea Painters. Antique Collector’s Club Ltd., Suffolk, 1980. Smith. “American Ship Portraits and Marine Painting, Introduction”. Resource Library, Jan. 8, 2009.

128. Pierre‑Auguste Renoir (French, 1841‑1919), “Le Chapeau Épinglé”, c. 1894, drypoint etching, stamped signature lower right margin, indistinct watermark visible, handwritten label indicating a first state print on backing, sheet 12 3/8 in. x 7 15/16 in., framed. $1000/1500

129. Jean Dubuffet (French, 1901‑1985), “Immeuble”, 1976, screenprint, pencil‑initialed and dated lower right, numbered “7/50” lower left, sheet 27 1/2 in. x 34 5/8 in., framed. $3000/5000

Provenance: The Estate of Caroline P. Ireland.

130. Salvador Dalí (Spanish, 1904‑1989), “Petits Nus Ronsard”, 1968, hand‑colored etching with drypoint on Japan paper, pencil‑signed, dated and “Dalí” blind stamp lower right margin, edition of 50 printed by Brewster Gallery, New York, NY, sheet 15 5/16 in. x 11 3/16 in., framed; accompanied by copy of certificate of authenticity from the Brewster Gallery, INC., New York, NY. $600/800

131. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Perch”, watercolor on paper, unsigned, 8 1/8 in. x 11 in., framed; accompanied by copy of certificate of authenticity from the estate of the artist. $10000/15000

132. Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “Painted Terrapin”, watercolor on paper, unsigned, 8 1/2 in. x 11 in., framed; accompanied by copy of certificate of authenticity from the estate of the artist. $10000/15000 133. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Sleeping Flamingoes”, watercolor on board, signed lower right, signed, titled and inscribed en verso, 20 in. x 16 in., framed. $7000/10000 Provenance: Natchez Art Association.

Additional information at www.nealauction.com

134. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Twilight on the Bayou”, 1906, oil on burlap, signed, titled and dated en verso, 19 1/4 in. x 23 1/4 in., framed; accompanied by copy of certificate of authenticity. (2 pcs.) $10000/15000 Provenance: Jean Bragg Gallery of Southern Art, New Orleans, LA, 2007.

135. George Louis Viavant (American/Louisiana, 1872‑1925), “Nature Morte: Pintail Drake”, 1913, watercolor on paperboard, signed, dated and inscribed “N.O.” lower left, 28 3/4 in. x 21 1/4 in., framed. $20000/30000 Provenance: Acquired from the artist; thence by descent.

Note: Descended in an important New Orleans family, this meticulously detailed watercolor by George Louis Viavant of a pintail drake was acquired directly from the artist and has been maintained in pristine condition. A lifelong New Orleanian, Viavant’s paintings of fresh game from his hunts along the swamps and bayous surrounding the city were his particular forte. Only two artists in Louisiana, Viavant and Achille Perelli, worked predominantly in the nature morte genre, an historic and nationally popular subject matter which seemed a perfect fit given Louisiana’s reputation as a hunter’s paradise with a wide variety of wildlife species. During his career, Viavant successfully invented a tool for modifying a camel‑hair brush that allowed him to scrumble the gouache and watercolor until he achieved the exact hues and texture needed in the brief time allowed by the medium. He often spent three to four days on one painting, and his attention to detail accomplished “a completely accurate image in line, texture, and color of the fish and fowl he and his friends hunted throughout his lifetime.” According to Viavant biographer and expert George E. Jordan, the pintail drake offered here: “This is Viavant at his finest! Every piece is detailed to perfection! Such a beauty!” Ref.: Jordan, George E. George L. Viavant: Artist of the Hunt. New Orleans: The Historic New Orleans Collection, 2003. Neal Auction Company would like to thank George E. Jordan for his assistance with this note.

136. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Floral Composition”, watercolor and graphite on paper, unsigned, “Jean Bragg Gallery of Southern Art, New Orleans, LA” label with artist and title on backing, 25 in. x 19 in., framed. $15000/25000 Provenance: Jean Bragg Gallery of Southern Art, New Orleans, LA, 2005.

137. Paul Ninas (American/New Orleans, 1903‑1964), “Love and Kisses”, graphite on paper, pencil‑signed and titled lower right, 11 7/8 in. x 17 1/2 in., framed. $750/1000 138. José‑Mariá Cundín (Spanish/New Orleans, b. 1938), “La Oratoria de Don Luis Azcorra” and “Lady in Pink Dress”, 1970, 2 oils on board, each signed and dated lower right, “Bienville Gallery, New Orleans, LA” label with artist and title on backing of former, 10 1/2 in. x 8 in. and 9 in. x 5 3/4 in., framed alike. (2 pcs.) $1000/1500 Provenance: Bienville Gallery, New Orleans, LA; The Estate of Caroline P. Ireland.

139. Elizabeth “Eli” Halpin (American/ Texas, b. 1977), “Deer”, 2011, mixed media on panel, signed and dated en verso, 19 in. x 24 in., unframed. $1000/1500 140. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Tropical Oasis with Palm Trees”, oil on masonite, unsigned, 28 in. x 37 3/4 in., framed. $5000/7000 Provenance: Natchez Art Association.

141. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Pirogue on the Bayou”, oil on burlap laid on board, signed lower right, “Jean Bragg Gallery of Southern Art, New Orleans, LA” label on backing, 12 1/8 in. x 18 1/2 in., framed; accompanied by copy of certificate of authenticity. (2 pcs.) $6000/8000 Provenance: Jean Bragg Gallery of Southern Art, New Orleans, LA, 2008.

142A. Frederic Sackrider Remington (American, 1861‑1909), “Landscape from The Song of Hiawatha”, pen and ink on paper, signed lower left, inscribed “349/Landscape” upper left and “IV Image 83” en verso, 12 1/2 in. x 15 3/4 in., framed. $3000/5000

142. Frederic Sackrider Remington (American, 1861‑1909), “Key West, Florida”, 1898, pen and ink on paper, signed and inscribed “Key West” lower left, 14 1/2 in. x 19 1/2 in., framed. $15000/25000

Provenance: Collection of Houghton, Mifflin and Company, Boston, MA; Kennedy Galleries, Inc., New York, NY, Dec. 12, 1973. Ill.: Longfellow, Henry Wadsworth. The Song of Hiawatha. Boston, MA: Houghton, Mifflin and Company, 1890, p. 83.

Provenance: Private Collection, New York; Dr. Sheldon Tucker, Houston, TX; Mr. Harry A. Lockwood, Cincinnati, OH; Kennedy Galleries, Inc., New York, NY, Dec. 12, 1973. Ill.: Allen, Douglas. Frederic Remington and the Spanish‑American War. New York: Crown Publishers, Inc., 1971, p. 54.

143. George Ohr Art Pottery Vase, c. 1898‑1910, script mark “G E Ohr”, yellow and pink ground with green speckled glazed, ruffled rim, h. 3 3/4 in., dia. 3 1/2 in. $2500/3500

146. George Ohr Art Pottery Vase, c. 1898‑1910, script mark “G E Ohr”, green speckled glaze, collapsed form, h. 3 1/4 in., w. 4 1/4 in., d. 3 7/8 in. $2500/3500

144.George Ohr Art Pottery Vase, c. 1895‑6, marked “GEO. E. OHR/ BILOXI, MISS”, mustard with dark spattering on upper rim, twisting to the midsection, h. 3 1/4 in., dia. 4 in. $2500/3500

145. George Ohr Art Pottery Vase, c. 1897‑1900, marked “G. E. OHR/ Biloxi, Miss”, dark green metallic glaze, rim folds, h. 3 3/8 in., dia. 3 3/8 in. $2500/3500

147. George Ohr Art Pottery Vase, c.1885‑1906, script mark “Biloxi”, red, purple and green glaze, twisted and ruffled form with pinched body, h. 2 7/8 in., dia. 3 1/2 in. $2500/3500

148. Newcomb College Art Pottery Candlestick, 1918, decorated by Sadie Irvine with relief‑carved daffodil motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. JVI, and shape no. 232, h. 7 1/4 in., dia. 4 1/4 in. $1000/2500

Additional information at www.nealauction.com

149. Newcomb College Art Pottery Tile/ Trivet, 1922, decorated by Henrietta Bailey with relief‑carved pinecone motif, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. ML1, dia. 5 3/4 in., Retains original paper label. $2000/3000

150. Arts and Crafts Wood and Brass Frame, llate 19th/early 20th c., unmarked, manner of Newcomb College, rectangular with applied and hammered brass, cast with berry branch and spider web motif, h. 7 in., w. 4 3/4 in. Note: Lacking easel back. $700/1000

151. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine in the “Moon and Moss” landscape design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. KE26 and shape no. 49, h. 6 1/8 in., dia. 8 1/4 in. $2000/4000

152. Newcomb College Art Pottery High Glaze Low Vase, 1912, decorated by Marie de Hoa LeBlanc with incised lines and iris motif, blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FF51 and “Q” for buff clay body, h. 2 1/2 in., dia. 4 in. $1200/1800

153. Newcomb College Art Pottery Vase, 1920, decorated by Anna Frances Simpson with relief‑carved daffodil motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, faint Joseph Meyer’s potter’s mark, reg. no. KT56, and shape no. 223, h. 8 1/4 in., dia. 3 1/4 in.; together with art pottery triangular ashtray from Connie Weiner Estate, c. 1940s, gunmetal glaze over red clay body, base marked “RR/ W”, l. 3 1/8 in. (2 pcs.) $1000/1500

154. George Rodrigue (American/Louisiana, 1944‑2013), “Louisiana Bayou with Oak”, 1970, oil on canvas, signed and dated lower left, signed on stretcher, 25 in. x 30 in., original frame. $25000/35000 Provenance: Acquired from the artist.

Note: Returning to Louisiana from studies at the Art Center College of Design in Los Angeles in 1967, George Rodrigue dedicated himself to capturing his heritage and the landscape of Acadiana in his paintings. Rodrigue determined to depict Louisiana differently from those who had preceded him, and his focus became the oak trees and their relationship to the sky, land and Cajun people. In the stunning work offered here from 1970, the oak tree dominates the composition, and its unique shape against the glowing sky makes this canvas truly stand out among Rodrigue’s earliest landscapes.

155. George Rodrigue (American/Louisiana, 1944‑2013), “Louisiana Bayou with Bridge” and “Louisiana Bayou with Cabin”, 1970, 2 oils on canvas, each signed lower left, signed, dated and artist stamps en verso, both 8 in. x 10 in., framed alike in original artist frames. (2 pcs.) $15000/25000 Provenance: Commissioned from the artist, 1970.

Note: George Rodrigue’s earliest landscapes in the late 1960s often included additional elements such as cabins and small figures. As he worked to refine his unique vision of Louisiana, he most often abandoned these components in favor of the oak tree alone. The silhouetted oak tree in the background, cropped at the top, and a rich, dark foreground dominated his compositions. As he began to develop local supporters, Rodrigue was introduced to the famous Louisiana architect, A. Hays Town, in the late 1960s, and his advice to the young artist transformed Rodrigue’s approach. Town told him to “treat each painting like a jewel, because if it is precious to you, it will be precious to others as well.” Commissioned in 1970, this rare, early pair of landscapes featuring a cabin and bridge exemplifies Rodrigue’s care and ever‑increasing success following this sage advice. At the same time, Rodrigue began to receive critical acclaim for his work. The Louisiana State Art Commission sponsored a Rodrigue exhibition at the Louisiana State Museum in the Old State Capitol in Baton Rouge in 1970, featuring seventy oak tree paintings. His work was also featured in an exhibition at the Beaumont Art Museum, now the Museum of Southeast Texas, which opened to glowing reviews in August of 1971. Ref.: Rodrigue, Wendy. “Remembering Lafayette’s Advocates for the Arts, Circa 1969.” Musings of an Artist’s Wife. June 22, 2010. www.wendyrodrigue.com. Accessed May 19, 2019.

158. William Hemmerling (American/Louisiana, 1943‑2009), “Waiting in Line”, oil on panel, signed lower right, 40 in. x 48 1/4 in., original frame. $6000/8000

156. George Rodrigue (American/Louisiana, 1944‑2013), “A Warm Glow on a Dark Night”, 1992, oil on linen, signed lower left, signed and dated en verso, 40 in. x 30 in., framed. $50000/80000

157 Theora Hamblett (American/Mississippi, 1895‑1977), “Tree Jumping”, 1976, oil on linen, signed and dated lower right, 20 in. x 16 in., framed; together with framed notes from artist. (2 pcs.) $15000/25000

159. William Hemmerling (American/ Louisiana, 1943‑2009), “Sweet Oliver”, 2005, mixed media on panel, signed lower right, titled on frame, signed, dated and inscribed en verso, 30 in. x 16 in., original frame. $3000/5000

160. William Hemmerling (American/ Louisiana, 1943‑2009), “Sweet Olive”, oil on panel, signed twice lower right, titled upper and lower center, 36 1/2 in. x 17 in., unframed. $3000/5000

Note: Friend and fellow artist, George Rodrigue, described Hemmerling as such: “He paints from his heart, from his soul, he really paints what he feels... He has no boundaries. I think he’s a free spirit. He’s real sincere about himself. And the paintings are honest and straightforward. It’s beautiful art.” This open sincerity and wholesomeness is well reflected in the important painting offered here. School children waiting in line are depicted with sensitive grace, and the innocence of the artist and his intent are mirrored in the style and subject matter, resulting in a touching portrayal of the purity of childhood. Ref.: Rose, Chris. “Louisiana folk artist Bill Hemmerling dies at home in Ponchatoula.” The Times‑Picayune. June 16, 2009. www.nola.com. Accessed: May 20, 2019.

161. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Mississippi River Scene”, oil on canvas, signed lower left, inscribed “Landscape M. Hull” on stretcher, 26 in. x 36 in., framed. $7000/9000 Provenance: Natchez Art Association.

162. George Rodrigue (American/Louisiana, 1944‑2013), “My Moon My Life”, 1990, oil on canvas, signed lower left, signed, titled and dated en verso, 30 in. x 24 in., original frame. $50000/80000 Provenance: Acquired from the artist, New Orleans, LA, 1991.

Ill.: Rodrigue, George. Blue Dog. New York: Viking Studio Books, 1994, ch. 9.

Note: In 1990, George Rodrigue filled his New Orleans gallery with Blue Dog paintings for Super Bowl XXIV, attracting the attention of both collectors and the national media. These early paintings in the series originated from and still bore striking similarity to their loup‑garou predecessors, with textured fur and a light blue‑grey color. The Blue Dog remained within the Louisiana landscape of Rodrigue’s Cajun series, however, he began for the first time to think of them as something outside of the bayous and swamps. A phenomenon had begun, and the early Blue Dogs very soon shifted into a number of different series as the artist explored new directions. “My Moon My Life” offered here represents the brief, but highly important, transitional moment for Rodrigue, bridging the Cajun series and Blue Dog series.

“My Moon My Life” also served as the album cover of “Dans Le Creux Du Bois (In the Deep of the Woods)” by John “The Cajun Balladeer” DuBois. Born in Vermillion Parish, DuBois is credited with preserving many forgotten classic Cajun and French tunes, passed on to him by his grandparents and childhood music teacher. He recorded Cajun ballads for the Folk Music Archives in the Library of Congress and was a popular festival performer. A friend of Rodrigue, DuBois provided the music for the opening party of Galerie Blue Dog in Carmel‑by‑the‑Sea, California in 1991 while Chef Paul Prudhomme catered for the crowds. Ref.: Rodrigue, Wendy. “Blue Dog: The Ghost of Tiffany, 1990‑1992.” Musings of an Artist’s Wife. Nov. 1, 2009. www.wendyrodrigue.com. Accessed May 19, 2019. Neal Auction Company would like to thank Wendy Rodrigue for her assistance with this note.

John DuBois and George Rodrigue, Carmel, CA, 1991. Photograph courtesy of Wendy Rodrigue. Additional information at www.nealauction.com

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163. George Rodrigue (American/Louisiana, 1944‑2013), “In My Secret Garden”, 1997‑1998, acrylic on canvas, signed lower left, 24 in. x 30 in., framed. $20000/30000 Ill.: Rodrigue, George. Blue Dog Man. New York: Stewart, Tabori & Chang, 1999, pp. 106‑107.

164. Theora Hamblett (American/ Mississippi, 1895‑1977), “Brother and Sister”, 1976, oil on canvas, signed and dated lower right, inscribed en verso, 16 in. x 12 in., framed; accompanied by copy of letter from the artist. $8000/12000 165. William Robinson Leigh (American, 1866‑1955), “The Water Girl of Walpi”, gouache on paper, signed lower left, 7 7/8 in. x 5 3/4 in., framed; together with a first edition signed copy of Leigh, W.R. Frontiers of Enchantment: An Artist’s Adventures in Africa. New York: Simon and Schuster, 1938. (2 pcs.) $5000/8000

Note: Trained at the Royal Academy in Munich, William Robinson Leigh returned to the United States and began working as a magazine illustrator. Although he lived in New York primarily, Leigh often traveled, particularly to the American West to sketch scenes for his illustrations and paintings. He also visited Africa in 1926 and wrote a book based on his experiences there titled Frontiers of Enchantment: An Artist’s Adventures in Africa. Leigh enjoyed writing about and painting western scenes, including the Grand Canyon, cowboys, and Native Americans; he was particularly interested in the Hopi and Navajo nations. In the painting presented here, Leigh portrays a young woman carrying a water vessel in a cloth carrier slung over her back. The Hopi people of Walpi, Arizona have lived in that area since 900 AD, and they have maintained their traditions, such as carrying water in this manner—”Hopi women preferred this method to balancing pottery jars on their heads as the women at Acoma and Zuni did.” Many of the villages on the mesa tops are still without running water today, and Leigh’s portrayal of an important cultural tradition helps to teach others about the Hopi nation. The beautiful brushwork of the cliffs, woman’s clothing, and reflection on the surface of the water are well executed and exhibit Leigh’s skill.

166. C. Ford Riley (American/Florida, b. 1952), “Pathway through the Trees”, oil on board, signed lower left, 14 in. x 11 in., framed. $3000/5000

168. Alexander John Drysdale (American/New Orleans, 1870‑ 1934), “City Park”, oil wash on board, signed lower right, “Jean Bragg Gallery of Southern Art, New Orleans, LA” label with artist and title on backing, 11 in. x 32 in., framed; accompanied by copy of certificate of authenticity. (2 pcs.). $2000/3000 Provenance: Jean Bragg Gallery of Southern Art, New Orleans, LA, 2008.

167. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), , “Caranac [sic] July 21st”, 1929, watercolor on paper, unsigned, pencil‑titled and dated lower right, 17 1/16 in. x 13 3/8 in., framed. $1200/1800 Provenance: Natchez Art Association.

169. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), , “Old Houses in France (Scene at Cenca [sic])”, 1929, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 26 in. x 30 in., framed. $3000/5000

Provenance: Natchez Art Association. Ill. (closely related): Levingston, Bruce. Bright Fields: The Mastery of Marie Hull. Jackson: The University Press of Mississippi, 2015, p. 81.

170. George Rodrigue (American/Louisiana, 1944‑2013), “Louisiana Oak (Oak Before The Rain)”, 1989, oil on canvas board, signed lower left, signed, titled and dated en verso, 8 in. x 10 in., original frame. $8000/12000 Provenance: Acquired from the artist, New Orleans, LA, 1991.

171. Hunt Slonem (American/Louisiana, b. 1951), “Ocelots”, 1988, oil on canvas, signed and dated en verso, 40 1/8 in. x 30 in., unframed. $6000/9000

172. Ashley Longshore (American/New Orleans, 20th c.), “Ashley Self‑Portrait with Flowers and Butterflies”, acrylic and mixed media on gallery‑wrapped canvas with heavy resin, unsigned, 24 in. x 24 in., unframed; accompanied by copy of certificate of authenticity. $6000/8000

174. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Vase with Flowers”, 1987, mixed media on wood, signed and dated on underside, h. 30 in. $5000/8000

173. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Green Abstract”, oil on board, signed lower right, 19 in. x 27 in., framed. $12000/18000 Provenance: Acquired from the artist, c. 1960s.

175. Jennifer Smith Rogers (American/South Carolina, b. 1973), “St. Michael’s Glory”, 2007, oil on linen, signed lower left, signed, titled, dated and inscribed en verso, 34 in. x 24 in., framed. $2500/3500

Note: This delightful painted wood sculpture by Ida Kohlmeyer is part of the same series as the monumental public work entitled “Box of Artificial Flowers #6” that was recently installed at the intersection of Poydras Street and Loyola Avenue in New Orleans. Kohlmeyer’s playful style and mastery of color is well displayed in this intricate design. True to her other sculptural masterpieces, this particular work explores perspective and dimension as each angle reveals a new and exciting composition. As Michael Plante noted: “Because a single color scheme or decorative element seldom exists on more than one plane, the colors, patterns, and even the profile of the given piece change depending upon the angle from which it is viewed.” Ref.: Plante, Michael. Ida Kohlmeyer – Systems of Color. New Orleans: Newcomb Art Gallery, 2004, p. 29. Neal Auction Company would like to thank Jane Lowentritt for her assistance with this note.

176. William Dunlap (American/Mississippi, b. 1944), , “Off the Interstate ‑ Brown Sage ‑ Middle South”, 1978, mixed media on paper diptych, signed, titled and dated lower margin, each 24 in. x 36 in., overall 24 in. x 72 1/2 in., framed alike. (2 pcs.) $3000/5000

Additional information at www.nealauction.com

177. George Rodrigue (American/Louisiana, 1944‑2013), “It’s Good to be the King”, 1994, acrylic on canvas, signed lower left, 30 in. x 24 in., framed. $30000/50000 Ill.: Rodrigue, George and Lawrence S. Freundlich. Blue Dog. New York: Viking Studio Books, 1994, epilogue.

Note: George Rodrigue had a long history with Mardi Gras, first as a child entering costume competitions in his hometown of New Iberia, Louisiana and later in the 1970s declaring himself the tongue‑in‑cheek King of Mardi Gras in Lafayette. Outfitted in full regalia, Rodrigue hosted an annual and infamous social gathering for the passing of the parades and built a viewing platform in front of his house on Jefferson Street. “I displayed a huge banner that said ‘The Real King.’ Two parades passed my house on Mardi Gras Day. The party started small – just me and Tiffany [the original model for the Blue Dog] on the platform. Within three years we had 500 people, all throwing custom‑designed Rodrigue doubloons.” ‑ George Rodrigue

In 1994, Rodrigue ruled as the official king of Washington Mardi Gras. The Mystick Krewe of Louisianians is comprised of Louisiana’s congressional delegation and each year hosts a private Mardi Gras celebration for 5,000 guests in Washington, D.C. The three‑day event features Louisiana food, music, festival queens, parades, and an annual royal court. Rodrigue is still remembered as one of the greatest kings in the over seventy year history of the celebration. “It’s Good to be the King” from 1994 commemorates Rodrigue’s reign of Washington Mardi Gras, while drawing inspiration from his lifetime of celebrating the holiday. This colorful self‑portrait of the artist includes a disco‑inspired regalia, gold medallion harkening to his celebrations in Lafayette and the iconic Blue Dog so associated with the artist, situated within the Louisiana landscape Rodrigue always called home. Ref.: Rodrigue, Wendy. “All Hail King George.” Musings of an Artist’s Wife. Feb. 19, 2012. www.wendyrodrigue.com. Accessed May 19, 2019. Rodrigue, Wendy. “Who Dat!...Plus Voodoo, Cow Heads, and DC Mardi Gras.” Musings of an Artist’s Wife. Jan. 25, 2010. www.wendyrodrigue.com. Accessed May 19, 2019.

Neal Auction Company would like to thank Wendy Rodrigue for her assistance with this note.

179. Lisa Di Stefano (American/Louisiana, b. 1959), ”Untitled (Landscape)”, oil on gallery‑ wrapped canvas, signed, 96 in. x 72 in., unframed. $5000/8000 Provenance: Ann Connelly Fine Art, Baton Rouge, LA.

180. Mark Kelvin Horton (American/South Carolina, b. 1960), , “Golden/Silent Marsh”, oil on canvas, signed lower right, 40 in. x 30 in., framed. $1800/2500

Exh.: “Louisiana Landscapes”, The Gallery at Manship Theatre, Baton Rouge, LA, 2012.

178. George Rodrigue (American/Louisiana, 1944‑2013), , “It’s Been a Very Long Day”, 1997, oil on canvas, signed lower right, signed, dated and inscribed en verso, artist label with title and artist stamp on stretcher, 24 in. x 20 in., framed. $30000/50000

182. Lisa Di Stefano (American/Louisiana, b. 1959), “Untitled (Color Lilies on White Background)”, oil on gallery‑wrapped canvas, signed on left edge and en verso, 36 in. x 36 in., unframed. $2000/3000 Provenance: Ann Connelly Fine Art, Baton Rouge, LA.

181. Walter Inglis Anderson (American/Mississippi, 1903‑1965), , “Pelican Soaring”, linocut on paper mounted on board, unsigned, sheet 20 3/16 in. x 60 3/4 in., framed. $1200/1800 Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson, MS: Jackson University Press of Mississippi, 2007, p. 70

183. Lisa Di Stefano (American/Louisiana, b. 1959), “Untitled (Landscape)”, oil on gallery‑ wrapped canvas, initialed and titled en verso, 30 in. x 40 in., unframed.. $2000/3000 Provenance: Ann Connelly Fine Art, Baton Rouge, LA.

184. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Untitled (Abstract Composition)”, oil on masonite, signed lower right, 42 in. x 48 in., framed. $12000/18000

Note: This significant Ida Kohlmeyer painting is remarkable for having been painted most likely just before Kohlmeyer met and studied with Hans Hoffman in 1956, making it one of her earliest ventures into abstraction. The neutral palette and expressionistic brushstrokes act as a precursor to her later explorations in color blocks and formations as influenced by her friend and mentor, Mark Rothko, and also demonstrate an artistic kinship to her sister and fellow beloved artist, Mildred Wohl, whose works often explored a similar color palette and aesthetic. Neal Auction Company would like to thank Jane Lowentritt for her assistance with this note.

185. Darrel Austin (American/ Connecticut, 1907‑1994), “Redhead”, 1963, oil on canvas, signed upper left, dated upper right, partial “Perls Galleries, New York, NY” label with artist, title and date on stretcher, 10 in. x 8 in., framed. $2000/3000 Provenance: Perls Galleries, New York, NY; The Estate of Caroline P. Ireland.

186. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Untitled (Still Life with Ceramics and Oranges)”, 1980, oil on canvas, signed and dated lower right, 49 in. x 49 in., framed. $15000/25000 Provenance: The Estate of Caroline P. Ireland.

Note: “Weak representational art is art tyrannized by nature. Weak abstract art squanders itself formlessly in its own emotionalism… a painted apple, no matter how much magic realism is brought to bear upon it, is abstraction if only because of the transposition it undergoes in being made of another substance.” – Ida Kohlmeyer In the late 1970s and early 1980s, Ida Kohlmeyer reached an artistic impasse. In order to overcome this hurdle, she created a small group of paintings revisiting various themes both traditional and innovative. The painting offered here, an abstracted still life featuring oranges and ceramics, is one of a handful of canvases created in that time period and represents a fascinating and nostalgic return to representational painting long after Kohlmeyer had abandoned it in favor abstraction. Her abstract symbolism, well‑developed by this point, is carried into the classic subject matter in a way that makes the canvas instantly familiar as part of Kohlmeyer’s unique visual language despite the inclusion of recognizable objects. Ref.: Marion Koogler McNay Art Institute and Fort Wayne Museum of Art. “Paintings by Ida Kohlmeyer.” San Antonio, TX: Press of Ozzie Baum, 1968. Neal Auction Company would like to thank Jane Lowentritt for her assistance with this note. 187. George Bauer Dunbar (American/New Orleans, b. 1927), “Coin du Lestin”, gold leaf over red and black clay on board, signed lower right, 48 in. x 42 in., framed. $18000/25000

188. George Bauer Dunbar (American/New Orleans, b. 1927), “Triangular Composition”, 1971, silver leaf on board, signed and dated mid‑left, inscribed “No 25” en verso, 11 1/4 in. x 15 1/8 in., framed. $2500/3500 Provenance: The Estate of Caroline P. Ireland.

Additional information at www.nealauction.com

190. Attributed to George Bauer Dunbar (American/New Orleans, b. 1927), “Dancers”, 1950, double‑sided oil on board, signed and dated lower right, signed on frame, 9 1/4 in. x 12 7/8 in., framed. $300/500 Provenance: The Estate of Caroline P. Ireland. 189. George Valentine Dureau (American/ New Orleans, 1930‑2014), “Portrait of Man with Arms Crossed”, mixed media on paper, signed lower center, sight 39 in. x 29 in., framed. $2500/3500 Provenance: The Estate of Caroline P. Ireland.

191. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Recumbent Nude”, 1987, charcoal and graphite on paper, signed, dated and inscribed lower right, 28 3/4 in. x 39 1/2 in., unframed. $2000/3000 193. Lower Mississippi Valley Cherrywood Armoire, early 19th c., cove‑molded cornice, paneled doors, shelf interior, medial belt of drawers, urn‑form legs, ball feet, h. 71 in., w. 46 3/4 in., d. 20 in. $2500/3500 Provenance: Schwitz Collection, Franklin, LA.

192. Tony Bass (American/Texas, b. 1943), “Figurative Abstraction on Black Ground”, 2010, acrylic and mixed media on canvas, signed and dated en verso, 60 in. x 48 in., unframed. $400/800 Provenance: Acquired from the artist.

194. Fine American Federal Mahogany and Birdseye Maple Bowfront Chest of Drawers in the Hepplewhite Taste, c. 1800, top with inlaid edge above four graduated drawers, original brasses, shaped, flared “French” feet, h. 37 in., w. 41 1/2 in., d. 23 in. $800/1200 Provenance: Labeled “Warfield family of Fall River, Mass”.

195. American Classical Carved Mahogany Méridienne, early 19th c., Philadelphia, scrolled back with blocked lozenge upright, oval arm rest, circular low arm with lozenge panel on lobed legs, disc feet, on casters, h. 34 in., w. 78 in., d. 21 in. $1000/1500 Provenance: Inglewood, Natchez, Mississippi.

196. American Late Federal Carved Mahogany Sideboard, early 19th c., possibly Duncan Phyfe, New York, arched backsplash, bowfront top flanked by raised plinths with drawers, figured paneled doors below, flanking small drawers, bottle drawers, long drawer above recessed cabinet doors, reeded tapered legs, brass ball feet, h. 50 1/2 in., w. 76 1/2 in., d. 26 1/2 in. $2500/3500

Note: A nearly identical Duncan Phyfe sideboard dated to 1807 was illustrated in The Antiquarian, March 1930. Ref.: Kenny, Peter M. et al. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, p. 78, fig. 78.

198. Regency Brass‑ Inlaid Rosewood Sofa Table, early 19th c., drop‑leaf top, frieze drawer, columnar standard, turned plinth, hipped sabre legs, foliate cuffs, casters, h. 28 1/4 in., w. 36 3/4 in., d. 26 in. $1000/1500

197. George III Satinwood‑Inlaid Mahogany Camelback Settee, late 18th/early 19th c., serpentine crest rail, scrolled arms, tapered legs, spade feet, h. 38 in., l. 71 in., d. 25 1/2 in. $1500/2500

Provenance: The Stanley Weiss Collection, Providence, RI.

200. French Provincial Carved Walnut Commode, late 18th/early 19th c., serpentine top, three cartouche paneled drawers, above two conforming long drawers, shaped base, cabriole legs, pied de biche feet, h. 34 in., w. 51 in., d. 21 in. $3000/5000 Provenance: The Estate of Caroline P. Ireland.

199. Pair of Louis XV‑Style Bronze‑Mounted and “Zebra” Lacquered Petite Commodes, , serpentine top, conforming case with drawers, cabriole legs, sabots, h. 29 in., w. 19 in., d. 13 in $800/1200

201. Louis XVI‑Style Bronze‑Mounted Inlaid Fruitwood Bouillotte Table, , inset marble top, frieze with candleslide and two drawers, tapered legs, cuff casters, h. 28 1/2 in., dia. 24 in $700/900

202. Antique Charles X‑Style Inlaid, Painted and Parcel Gilded Mahogany Bureau Plat, inset embossed leather top, two frieze drawers, swan carved fluted tapered legs, h. 32 in., w. 72 1/2 in., d. 35 in. $2500/3500

204. Pair of Louis XV‑Style Gilt Metal, Rock and Cut Crystal Twelve‑Light Chandeliers, 20th c., beaded, scrolled arms, hung with pendants, electrified, h. 46 in., dia. 32 in. $8000/12000

203. Continental Patinated Bronze Figural Torchère, 20th c., draped figure, holding slag glass and brass shade, electrified, h. 58 in., w. 25 in., d. 26 in. $1200/1800

205. English Gilt Brass Figural Sinumbra Lamp, 19th c., Classical maiden, stepped base, floral cut shade, h. 32 1/2 in., dia. 12 1/2 in. $700/1000

Provenance: The Friedle‑Garrison Collection, New Orleans.

Additional information at www.nealauction.com

206. Fine Pair of American Rococo Carved and Gilded Mirrors, mid‑19th c., rocaille crest, extensively carved foliate surround, beveled mirror plate, h. 72 1/2 in., w. 46 in. $4000/6000

209. Auguste Moreau (French, 1834‑1917), “Young Maiden Reading”, carved marble, signed “Aug. Moreau” on naturalistic base, h. 33 in., w. 15 in., d. 14 1/2 in. $2500/3500

207. Napoleon III Gilt and Patinated Bronze and Rouge Marble Figural Mantel Clock, late 19th c., dial marked by retailer “TIFFANY & Co.”, figures of Amor and Psyche with butterfly, lower bronze mount depicting Juno in a chariot being drawn by peacocks, h. 30 1/4 in., w. 20 1/4 in., d. 12 in. $3000/5000

210. English Cast Stone Figure of a Girl Holding a Basket of Fish, , round base, h. 31 1/2 in., w. 14 in., d. 11 in $300/500

211. Large Antique English Cast Iron Garden Ornament, modeled as a floral urn, shaped base, h. 51 in., w. 28 1/2 in., d. 15 in. $800/1200

208. Raoul François Larche (Italian, 1860‑1920), “Frolicking Maiden”, 1890, signed and dated on self‑base, h. 40 3/4 in., w. 21 in., d. 15 in., marble base, overall h. 47 1/2 in. Note: Condition. $2500/3500

212. Carved White Marble Bust of a Roman Emperor, , likely Caesar, h. 19 in., w. 13 1/2 in., d. 7 1/2 in $800/1200

213. Patinated Metal Figure of the Farnese Hercules, after the antique by Lysippos, indistinctly inscribed and cast foundry stamp on self‑base, h. 27 in. $1200/1800

215. Paul Marie Ducuing (French, 1867‑1949), “Winged Victory”, gilt bronze, signature, “F. Barbedienne Fondeur” and dedication inscribed on self‑base, h. 25 in., w. 13 1/2 in., d. 10 in., green marble base, overall h. 27 in. $1000/1500

214. Francesco de Matteis (Italian, 1852‑1917), “Nel Circo”, gilt bronze, signature inscribed on self‑base, h. 12 1/2 in., w. 36 in., d. 8 3/4 in., rouge marble base, overall h. 15 in. $1500/2500

217. American Classical Carved Mahogany Sofa, early 19th c., probably New York, School of Duncan Phyfe, incurvate crest rail surmounted by carved eagles, reeded arms and seat rail, winged hairy paw feet, h. 36 in., l. 89.5 in., d. 25 in. $5000/7000

216. Restauration Bronze‑Mounted Burl Walnut Sécrétaire à Abattant, frieze drawer, columnar stiles, fall front door, three drawers, plinth base, h. 58 in., w. 38 1/2 in., d. 20 1/2 in. $1200/2000

Provenance: The Stanley Weiss Collection, Providence, RI.

218. American Federal Carved Mahogany Pembroke Table, c. 1800, New York, shaped drop‑leaf top, frieze drawer, tapered reeded legs, brass paw feet, h. 28 in., w. 35 1/2 in., d. 24 in. $800/1200

Note: The stunning and exceptionally rare sofa offered here is a unique example of both Classical design and patriotic symbolism. The intricately carved eagle heads surmounting the crest rail are both an ancient Classical motif and a symbol of the establishment of the new American Republic on the world stage during the early 19th century. The sofa’s base is nearly identical in its overall form as Duncan Phyfe’s landmark “Grecian” sofa and features the same proportions, reeded seat rail, scrolled arms, and Phyfe’s distinctively carved winged paw feet. Ref.: Kenny, Peter M. et al. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, p. 185. For a similar example, see Christies, New York, Property from the Westervelt Company, Sept. 25, 2013, lot 109.

Provenance: The Friedle‑Garrison Collection, New Orleans.

219. Suite of Six American Classical Mahogany Side Chairs, c. 1815, possibly Joseph Barry, Philadelphia, each with shaped Prince of Wales plume crest, reeded stiles and front legs, toupie feet, h. 35 in., w. 18 1/2 in., d. 15 1/2 in. $1200/1800 Provenance: Freeman’s, Philadelphia, Apr. 20, 2001, lot 203; Boor‑Cassidy Collection. Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 296, fig. 153.

220. Antique Regence‑Style Carved Walnut Fauteuil, , shell‑carved crest rail, scroll arms, serpentine seat rail, cabriole legs, shaped stretcher, h. 41 1/2 in., w. 26 in., d. 20 in $600/800

221. American Classical Carved Mahogany “Concave” Breakfront, early 19th c., probably Baltimore, projecting cornice, four glazed doors enclosing shelves and drawers, center secretary drawer above three drawers, flanked by drawers and cabinet doors, molded base, figured woods throughout, h. 93 1/2 in., w. 75 in., d. 20 in. $2500/3500

222. Fine Pair of French Tôle Peinte Jardinières, probably late 19th c., rectangular form, winged lion bronze feet, h. 11 1/2 in., w. 25 in., d. 13 in. $1200/1800

Additional information at www.nealauction.com

223. American Classical Carved Mahogany Center Table, c. 1840, attr. to J. & J.W. Meeks, New York, partial label, associated circular marble top, stepped paneled octagonal frieze, incurvate standard with turned columns and stepped molding, serpentine plinth, scroll feet, h. 30 in., dia. 36 in. $6000/8000

224. Fine Pair of American Gilt Brass and Patinated Metal Figural Three‑Light Gasoliers, mid‑19th c., attributed to Cornelius & Baker, Philadelphia, anthemion canopy, rope‑twist supports terminating in serpents, central crane mount, fluted arms, original crane motif etched glass shades, h. 44 1/2 in., dia. 20 in. $5000/7000

Note: The table offered here is identical in form, decoration, and proportions to a center table labeled by New York cabinetmakers John and Joseph W. Meeks, sold in these rooms on July 16, 2016. The printed paper label on the latter sold table bears the addresses of the company’s wareroom and manufactory at 43 & 45 Broad Street in New York City and at 23 Chartres Street in New Orleans. In 1821, Joseph W. Meeks opened a warehouse in New Orleans and city directories listed the Meeks branch at 29 Chartres Street in 1830, 29 Chartres Street and 39 Royal Street in 1834, and 23 Chartres Street in 1838. While center tables in a variety of designs are illustrated in the famous Meeks broadside of 1833, none exhibit the bold architectural quality of the present lot, distinguished by the complexly molded frieze and concave‑sided standard. The collection of the New York State Museum in Albany includes a similar center table with a Meeks paper label bearing the addresses of No. 14 Vesey Street, New York, and 23 Chartres Street, New Orleans. Ref.: Scherer, John L. New York Furniture at the New York State Museum, p. 75, fig. 74; Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840‑1880, pp. 44‑45.

225. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Scene with Live Oak”, oil wash on board, signed lower left, 10 in. x 19 7/8 in., oak frame. $3000/5000 Provenance: Jean Bragg Gallery of Southern Art, New Orleans, LA, 2007.

226. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Market”, oil on canvas laid on board, signed lower right, 11 1/4 in. x 14 1/8 in., framed. $1200/1800

229. Tiffany & Co. Makers Sterling Silver Dresser Set, pattern introduced 1908, inc. hand mirror, hairbrush, comb, clothes brush, powder jar with silver‑mounted powder puff, hand mirror l. 10 3/4 in., total wt. (weighable) 11.25 troy ozs. $500/750 Provenance: The Estate of Caroline P. Ireland.

227. Fine American Classical Coin Silver Coffee Pot, Thomas Fletcher (1787‑1866), Philadelphia, c. 1827‑1842, marked “T.FLETCHER” and “PHILAD.” in raised oval, domed cover with pod finial and acanthus, urn‑shaped body with stiff leaf banding, foliate scroll spout, acanthus scroll handle, h. 10 3/4 in., wt. 43.20 troy ozs. $1000/1500

228. Three American Sterling Silver Julep Cups, Hunt Silver Co., “Patric Henry” pattern, mid‑20th c., incl. 2 with engraved crest with motto “Bonitas e Probitare” and with applied steeplechase medallion, each h. 4 5/8 in., total wt. 18.85 troy ozs. $300/500 Provenance: The Estate of Caroline P. Ireland.

Ref.: Hollan, Catherine B., Philadelphia Silversmiths, p. 73.

230. Set of Eight Asian Gem Embellished Silvered Filigree Libation Cups, applied with lapis, turquoise and coral gems, h. 3 1/2 in., dia. 4 in. $1000/1500

231. Fine Tane “Burbujas” Sterling Silver Ice Bucket, Mexico City, wc. 1950 to present, tapered form with collar of cast bubbles, marked “TANE/ME‑32/MEXICO/925”, h. 7 3/4 in., dia. 9 1/2 in., wt. 67.05 troy ozs.; together with original Tane dust cover, polishing cloth, box and invoice. $3000/4000

232. Fine Tane “Burbujas” Sterling Silver Ice Bucket, Mexico City, wc. 1950 to present, en suite with preceding lot, marked “TANE/ME‑32/ MEXICO/925”, h. 7 3/4 in., dia. 9 1/2 in., wt. 65.05 troy ozs.; together with original Tane dust cover, polishing cloth, box and invoice. $3000/4000

233. Fine Pair of Edwardian Elkington & Co. Sterling Silver Gilt Figural Tazzas, Birmingham, 1907, mark registered 1906, each with faun support and grape, grapeleaf and cornucopia decoration, removable lobed engraved glass bowls, h. 9 1/2 in., dia. 8 3/4 in., wt. 70.10 troy ozs. $2500/5000

Note: The prestigious Tane firm was founded by French émigrés and is known for the quality of their work. Morrill & Berk. Mexican Silver. pp. 252‑255.

234. Pair of Art Moderne‑Style Rock Crystal Table Lamps, graduated ball standards, square malachite veneered bases, bun feet, h. 20 in., w. 5 in., d. 5 in. $1500/2500

235. William IV Carved Rosewood Canterbury, galleried tray top, reticulated supports, h. 36 in., w. 23 in., d. 15 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

237. Fine Irish Chippendale‑Style Carved Mahogany Games Table, foldover top, baize playing surface, blind fretwork frieze, cabriole legs, acanthine knees, ball and claw feet, h. 30 in., w. 36 in., d. (closed) 19 in., d. (open) 35 in. $800/1200

239. George III Inlaid Mahogany Sideboard, early 19th c., shaped top with marquetry border, frieze drawer above blind drawer, pair of deep drawers, turned and inlaid legs, h. 36 in., w. 72 in., d. 27 in. $1500/2500

236. Antique English Lacquered and Parcel Gilt Papier‑Mâché Tray, on later bamboo turned stand, h. 19 in., w. 30 in., d. 22 in. $400/600

238. Antique George I Carved Oak Welsh Dresser Base, early 18th c., molded top above three paneled drawers, ring and vasiform turned legs, block and ball feet, h. 33 in., l. 86 in., d. 21 in. $800/1200

240. Regency Inlaid Rosewood Games Table, early 19th c., satinwood banded foldover top, baize‑lined playing surface, molded frieze, spiral‑turned supports, plinth base, sabre legs, brass paw feet, casters, h. 28 in., w. 36 in., d. 17 1/2 in. $600/800 Additional information at www.nealauction.com

241. Louis XV Polychrome‑Painted Folding Screen, probably 18th c., arched panels, sanguine pastoral reserves, paneled base, painted reverse, h. 82 in., w. 100 in. $1500/2500 Provenance: The Estate of Caroline P. Ireland.

242. Pair of French Provincial Carved Walnut Petite Commodes, shaped backsplash, pierced case, floral apron, cabriole legs, scrolled toes, h. 29 in., w. 16 1/2 in., d. 12 in. $400/600 Provenance: The Estate of Caroline P. Ireland.

243. Regency Faux Bois and Parcel Gilt Armchair, early 19th c., incurvate crest rail, arms terminating in ram’s heads, tapered legs, brass cuffs, h. 30 1/2 in., w. 23 in., d. 19 in. $400/600 Provenance: The Estate of Caroline P. Ireland.

244. Antique Continental Polychrome and Parcel Gilt Dressing Table, kidney‑shaped rouge marble top, conforming case with 5 drawers, tapered fluted legs, decorated with floral sprays, h. 30 in., w. 47 1/4 in., d. 19 1/2 in. $800/1200

245. Empire‑Style Carved, Ebonized and Gilded Mahogany Settee, 20th c., Egyptianesque figural uprights, scrolled back, rosette accented arms and seat rail, tapered legs, paw feet, h. 36 in., w. 47 in., d. 23 1/2 in. $800/1200

Provenance: Schwitz Collection, Franklin, LA. 246. Italian Rococo Carved and Painted Canapé, mid‑18th c., serpentine volute molded back, center lyre shaped support, serpentine scrolled arms terminating in volutes, scalloped seat rail, four cabriole legs to the front, paneled back, trifed scrolled feet, h. 32 1/2 in., w. 78 in., d. 21 in. $700/1000 247. Pair of Napoleon III‑Style Bronze‑Mounted Carved Mahogany Fauteuils, late 19th c., cartouche mounted crest, acanthus‑carved arm supports, carved tapered legs, casters, h. 40 in., w. 24 1/2 in., d. 23 in. $800/1200

248. Antique Russian Neoclassical‑Style Brass‑Mounted Mahogany Writing Table, pegged rectangular top, fall front drawer with leather writing surface, shaped galleried shelf, chamfered tapered legs, brass cuffs with casters, h. 30 in., w. 32 in., d. 19 in. $1500/2000

249. Italian Painted Slant Front Secretary, 19th c, h. 90 in., w. 42 in., d. 21 1/2 in. $2000/3000

250. French Provincial Chinoiserie Painted and Parcel Gilt Armoire, 18th c. and later, molded stepped cornice, raised cartouche panel doors, shelf interior, iron fiche hinges, escutcheons and lock, conforming base, octagonal bun feet, h. 89 in., w. 67 in., d. 28 in. $4000/6000

251. Pair of Neoclassical‑Style Bronze‑Mounted Polychrome Porcelain and Lacquer Side Tables, octagonal top, armorial motifs, vasiform standard, shaped base, acanthus feet, h. 31 1/2 in., dia. 24 1/2 in. $3000/5000

252. Giuseppe Uva (Italian, 1874‑1937), “Still Life with Flowers”, oil on canvas, signed lower right, 26 1/2 in. x 18 1/2 in., framed. $1500/2500

254. Attributed to George Lance (British, 1802‑1864), “Still Life of Fruit”, 1854, oil on canvas, signed and dated lower left, 10 in. x 14 in., framed. $500/700

255. Alfred Edward Chalon (British, 1780‑1860), “Young Lady Working at Watercolor”, 1840, watercolor on paper, signed and dated lower right, 13 1/2 in. x 10 3/4 in., framed. $400/600

253. Israel Abramofsky (Russian, 1888‑1975), “Brittany Boats”, oil on masonite, signed lower left, 19 3/4 in. x 23 1/2 in.; “Self‑Portrait”, charcoal on paper, signed lower right, 22 7/8 in. x 14 1/2 in.; and “Self‑Portrait”, oil on board, signed lower right, 9 3/8 in. x 8 1/2 in., all framed. (3 pcs.) $1800/2500

256. François‑Nicolas Martinet (French, 1731‑1804), 33 hand‑colored engravings, from Histoire Naturelle des Oiseaux, 6 with pencil or ink inscriptions in margins, 9 7/8 in. x 8 1/4 in. to 12 1/8 in. x 9 1/2 in., unframed. (33 pcs.) $1200/1800

Provenance: The Drawing Shop and Galerie Osten‑Kaschey, Ltd., New York, NY, Apr. 6, 1971.

257. Three Continental School Portrait Miniatures of Ladies, one signed “Mangardi” lower right, one with handwritten label identifying sitter “Egedie de St. AuLaire Decazes”, 2 1/2 in. x 1 7/8 in. to 2 in. x 1 1/2 in., framed; Together with enameled brass dresser box, dia. 3 in. (4 pcs.) $600/900 Provenance: The Estate of Caroline P. Ireland.

258. Assembled Paris Porcelain “Anneau d’Or” Tea and Dessert Service, 19th c., incl. covered teapot, h. 7 1/2 in.; covered sugar, h. 6 3/4 in.; 2 cake plates, dia. 9 3/8 in.; 8 dessert plates, dia. 7 1/4 in.; waste bowl, h. 2 1/2 in.; 6 berry bowls, dia. 4 1/2 in.; and 8 teacups with 8 saucers. (36 pcs.) $300/500

259. French Gilt Bronze‑Mounted Porcelain Bowl in the Chinese Export Style, possibly Samson, decorated in famille rose enamels with flower and branch sprays, acanthus scroll handles and feet, h. 11 in., w. 18 1/4 in., d. 12 3/8 in. $500/750 262. Niderviller Biscuit Porcelain Figural Group, 19th c., columnar base marked, modeled as maiden and boy in a basket held aloft by four men, h. 23 3/4 in., w. 9 in. $800/1200

260. Associated Paris Porcelain “Anneau d’Or” Dinner Service, mid‑19th c., incl. 17 dinner plates, dia. 9 1/2 in.; 16 dessert plates; 9 soup plates; 6 faceted cups with 9 saucers; 12 fruit bowls; 9 round cups with 9 saucers; lidded teapot, h. 6 1/2 in.; lidded sugar bowl with pod finial, h. 4 3/4 in.; egg cup; three platters, misc. small plates and more. (143 pcs.) $500/700 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

261. Two Antique Nymphenburg Porcelain Commedia dell’Arte Figures of Scaramuz and Corine, impressed shield marks, after designs by Franz Anton Bustelli, impressed “240” and “0”, and “205” and “3”, h. 8 in., w. 5 3/4 in., d. 3 3/4 in. and h. 8 in., w. 4 in., d. 4 in., respectively; Together with porcelain figure of a jester, stamped “Hutschenreuther, German, Kunstabteilung”, impressed “8104” and “K. Tutter”, h. 7 1/2 in., w. 3 1/2 in., d. 2 1/2 in. (3 pcs.) $700/900 Additional information at www.nealauction.com

265. Paris Porcelain Three‑Piece Scent Bottle Garniture, mid‑19th c., incised mark, each with alpine landscape reserves, largest h. 7 1/4 in., w. 5 in. $300/500

263. Paris Porcelain Partial Coffee Service, Stone Coquerel et Legros, early 19th c., incl. coffee pot, creamer, covered sugar, 3 plates, cup and saucer, decorated with Classical scenes. Note: Later lid on coffee pot. $500/700

Ref.: Guillebon, Regine. Paris Porcelain 1770-1850, pp. 262‑264.

266. Three Paris Porcelain Scent Bottles, c. 1830‑50, various forms with lavish cartouches, two with raised gilt decoration, largest h. 8 1/2 in., w. 4 1/2 in. $300/500

264. Two Jacob Petit Paris Porcelain Figural Scent Bottles, 19th c., both marked “JP”, one modeled as Sicilian male in traditional attire, h. 9 1/2 in., w. 4 1/4 in.; the other modeled as a Mandarin, h. 10 1/2 in., w. 4 in. Note: Lacking stopper. $200/300

267. Chinese Famille Rose Porcelain Faceted Vase, ram’s head handles, decorated with rooster and hen cartouche, on pale turquois blue ground with flower scrolls, base with Guangxu mark, h. 12 in., w. 5 1/2 in., d. 3 in., $500/700

268. Pair of Monginot Paris Porcelain Plates, c. 1835, marked “Monginot Boulevard/ des Italiens No. 20/ à Paris”, incised “S” and “UA” marks, central rosettes, rim painted with blue morning glories, dia. 9 1/8 in. $500/700 Note: Monginot was highly regarded as a flower painter.

269. Paris Porcelain Trinket Box and Encrier, late 19th c., box modeled as hand holding casket, molded with American eagle, h. 3 1/2 in., w. 4 1/2 in., d. 2 1/4 in.; encrier modeled as a shell with candle holder, inkpot and sander, incised no 9, h. 3 in., w. 8 in., d. 5 1/8 in. $300/500

Ref.: Guillebon, Regine. Paris Porcelain 1770-1850. London, Barrie & Jenkins, 1972, p. 276.

271. Two Paris Porcelain Amphora Vases, 19th c., both with scroll and mask handles, reserves with view of a chateau, taller h. 11 3/4 in. $600/900

272. Assembled Service of French Choisy and Creil Transfer Decorated Tableware, early‑to‑mid 19th c., incl. 27 luncheon plates, dia. 8 1/2 in. and 10 soup plates, dia. 9 1/4 in., impressed “P & H Choisy”, reserved with historical scenes; 10 dinner plates, stamped “Par Brevet D’invention”, impressed “Creil”, reserved with landmarks and historic scenes; associated covered tureen, h. 11 in., and lidded ewer, h. 11 1/4 in. (47 pcs.) $500/700 Provenance: The Estate of Caroline P. Ireland.

273. Mottahedeh “Tobacco Leaf” Porcelain Partial Dinner Service, Vista Alegre and Metropolitian Museum of Art marks, incl. covered tureen, h. 9 in., l. 13 1/2 in.; platter, w. 17 in., d. 13 7/8 in.; and 18 dinner plates, dia. 10 3/4 in (20 pcs.) $500/700 Provenance: The Estate of Caroline P. Ireland.

270. Paris Polychrome and Gilt Porcelain Vase, 19th c., incised mark, well painted with figures in Mandarin attire and with a fountain with flowers, h. 10 7/8 in.; wood stand, overall h. 12 5/8 in. Note: Base drilled. $500/700

274. Sevres‑Style Bronze‑Mounted Polychrome and Gilt Porcelain Dresser Box, spurious mark, reserves with putti and musical instruments, h. 7 1/2 in., w. 15 in., d. 8 in. $500/1000

275. Pair of English Neoclassical‑Style Polychrome and Gilt Porcelain Urns, spurious Minton marks, lion’s head handles, continuous frieze of putti on blue royale ground, pedestal base, paw feet, h. 16 1/2 in., w. 10 in., d. 8 1/2 in. $400/600 276. Six Samson Chinese Export‑Style “Famille Rose” Porcelain Armorial Dishes, 19th c., marked, reticulated rims molded with tassels, well with lions rampant flanking shield above motto “Ut Micnaturus Habita” encircled by raised slip scrollwork, dia. 9 3/8 in. $600/900

277. Pair of Napoleon III Bronze Figural Candlesticks, 19th c., cherub busts, over tapered shaft, h. 9 3/4 in., dia. 3 3/4 in. $700/900

280. Pair of Monumental French Gilt Bronze Wine Ewers in the Neoclassical Taste, late 19th c., unmarked, putto atop scroll handle with ram head terminal, figural Bacchanalian motif with grapeleaf and acanthus garland throughout, twist stoppers, h. 21 3/4 in., w. 10 in. $800/1200 278. Italian Carved and Painted Wood Figural Jardinière, probably Venetian, lobed basin supported on cherubic mounts, h. 36 in., w. 23 in., d. 21 in. $1200/1800

281. Grand Tour Bronze “Askos” Claret Jug, 19th c., unmarked, after Roman form, rim mounted by two rams, foliate handle above figural putto, h. 9 1/4 in., w. 9 1/2 in., d. 5 in. $400/600

279. Large Napoleon III Brass and Mother‑of‑Pearl Inlaid Black Lacquer Valuables Box, hinged top painted with foliate cartouches, rosewood interior, h. 9 in., w. 24 in., d. 16 in. $400/600

283. Pair of Antique French Gilt and Patinated Bronze Three‑Light Candelabra, urn‑ form candle cups, fluted standards, incurvate tripodial bases mounted with winged creatures, claw feet, h. 18 in., w. 8 1/2 in., d. 8 1/2 in. $1000/1500 282. Pair of Antique French Rock Crystal and Silverplate Candlestick Lamps, c. 1900, vasiform standard, with pierced collars, electrified, h. (to socket) 21 in., h. (to candlecup) 15 in. $700/1000 Provenance: The Estate of Caroline P. Ireland.

284. Italian Wrought Iron, Tôle and Crystal Six‑Light Chandelier, prism‑hung floral canopy, standard and scroll arms with overall floral decoration, h. 25 in., dia. 29 in. $1500/2500

285. Fine American Gothic Carved Walnut Library Table, mid‑19th c., inset leather top, molded edge, chamfered quatrefoil carved frieze, canted molded legs, foliate brackets, block feet, retains original finish, h. 30 in., w. 48 in., d. 36 in. $2000/3000 Additional information at www.nealauction.com

286. Eight American Gothic Carved Mahogany Dining Chairs, c. 1845, possibly Charles Baudouine (act. 1829‑c.1854), New York, incl. two armchairs and six side chairs, shaped pierced crest rail with lobed fans, splats surmounted by ogee arches, trapezoidal seat, shaped legs, retaining old attractive finish. $1500/2500

287. Fine American Classical Carved Rosewood, Alabaster and Brass Inlaid Work Table, Boston, 1820‑1830, drop‑leaf top with brass inlaid reserves, fitted drawer with drawer and work basket below, mounted columnar legs, incurvate plinth, dolphin‑carved ebonized feet; together with 19th c. oil on tin of a Spanish Colonial officer, identified on newspaper clipping en verso as the esteemed Antonio José de Sucre, table h. 30 in., w. 24 in., d. 18 in.; painting 18 in. x 14 in. $4000/6000 288. Pair of American Classical Carved Mahogany Settees, c. 1825, attr. to Charles White, Philadelphia, tablet crests with brass string inlay, cornucopia brackets, shell carved arms, gadrooned seat rail, foliate and reeded bulbous feet, casters, h. 35 1/2 in., w 84 in., d. 25 in. $5000/7000

Note: The pair of sofas in the present lot feature the same overall form, proportions, and distinctively modeled shell carvings as a sofa from the Arlington Mansion in Natchez, Mississippi made by Philadelphia cabinetmaker Charles H. White. Like many Philadelphia and New York cabinetmakers, White had a robust clientele in Southern cities such as New Orleans, Charleston, and Natchez, where the wealthy planter class sought out the finest Classical furnishings for their extravagant Greek Revival mansions. Northern cabinetmakers, including White, crafted pieces specifically for the Southern market—the sofas offered here, though made in Philadelphia, were likely made for the parlor of a grand Southern home. Ref.: Wiles, Kelly E. “Looking for Mr. White: Uncovering the Furniture, Business and Life of Philadelphia Cabinetmaker Charles Haight White.” University of Pennsylvania (Theses), Philadelphia, PA, pp. 97‑112, fig. 2.12. (1) of a pair. 289. American Late Classical Carved Mahogany Pier Table, c. 1840, New York, black marble top, shaped frieze, heavily scrolled supports, mirrored back, plinth base, scrolled feet, h. 36 3/4 in., w. 41 in., d. 16 1/2 in. $1000/1500

290. West Indies Carved Mahogany or Tropical Hardwood Tall Post Bedstead, 19th c., flat tester, tapered leaf carved and turned posts, shaped headboard, plain rails, reeded turned legs. $2500/3500

291. Pair of West Indies‑Style Carved Hardwood and Caned Armchairs, reeded crest rail and arms, vasiform uprights, reeded seat rail, tapered reeded legs, h. 39 in., w. 26 in., d. 31 in.; together with pair of foot stools, h. 9 1/2 in., w. 15 1/2 in., d. 15 1/2 in. $1200/1800

292. Anglo‑Colonial‑Style Coromandel Games Table, inlaid checker board sliding top, opposing game piece drawers, drop leaves, tapered legs, h. 28 in., w. 40 in., d. 24 1/2 in. $1000/1500

294. American Classical Carved Mahogany Center Table, c. 1825, New York, white marble top, molded frieze, chamfered triangular support, incurvate plinth, acanthus carved paw feet, h. 29 1/2 in., w. 36 in., d. 36 in. $1500/2500 Provenance: The Friedle‑Garrison Collection, New Orleans.

295. American Classical Carved Mahogany Sideboard, early 19th c., Baltimore, mirrored backsplash flanked by elaborately carved cornucopiae, marble top over serving slide and long drawer, flanked by pedestal cabinets, plinth base, ball feet, h. 61 1/4 in., w. 79 3/4 in., d. 24 1/4 in. $3000/5000 Provenance: The Stanley Weiss Collection, Providence, RI.

293. American Late Federal Mahogany Plantation Desk, early 19th c., leaf carved pediment above two glazed doors, foldover slanted writing surface, two drawer frieze, spiral turned legs, h. 75 in., w. 35 1/2 in., d. 21 1/2 in. $1200/1800

296. American Federal Mahogany Three‑Part Dining Table, early 19th c., Southern, probably Baltimore, demilune ends, blocked apron, tapered legs, h. 29 in., l. (fully extended) 161 in., w. 45 1/2 in. $4000/6000

Provenance: The Stanley Weiss Collection, Providence, RI.

297. American Classical Carved Rosewood Pier Table, early 19th c., Philadelphia, possibly Anthony Quervelle, marble top, bolection frieze, acanthine scrolled supports, mirrored back, shaped base, h. 38 1/2 in., w. 38 1/4 in., d. 17 3/4 in. $2500/3500 Provenance: The Stanley Weiss Collection, Providence, RI.

Note: The sophisticated pier table offered here is a rare rosewood example of Philadelphia pier tables that relate closely to cabinetmaker Anthony G. Quervelle. The table’s distinctively carved acanthine scrolled supports, overall proportions, and the uniquely shaped elliptical lower shelf are similar features to Quervelle pier tables illustrated in Robert C. Smith’s comprehensive multipart article on Quervelle furniture published by The Magazine Antiques.

298. American Classical Ebonized, Parcel Gilt and Burled Walnut Sécrétaire à Abattant, early 19th c., Boston, concealed frieze drawer, fall front door opens to fitted interior, columnar stiles, lower doors open to shelf interior, plinth base, bun feet, h. 58 in., w. 39 in., d. 20 1/2 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI.

299. American Sheraton Carved Mahogany Pembroke Table, early 19th c., shaped drop‑leaf top, frieze drawer, stiles with lightwood banding, reeded tapering turned legs, cuff casters, h. 29 in., w. 41 1/2 in., d. 32 in. $1000/1500

Ref.: Smith, Robert C. “The Furniture of Anthony G. Quervelle, Part I: The Pier Tables.” The Magazine Antiques, May 1973, p. 990, fig. 6 and fig. 8.

300. American Classical Carved Mahogany Candlestand, molded tilt top, acanthus carved baluster, arched reeded spider legs, h. 28 in., h. (tilted) 40 1/2 in., w. 18 in., d. 24 in. $400/600

301. Regency‑Style Bronze‑Mounted and Brass Inlaid Rosewood Sofa Table, 19th c., drop‑leaf top, two frieze drawers, scrolled trestle base, shaped stretcher, bronze paw feet, casters, h. 28 1/2 in., w. 39 in., d. 27 1/2 in. $1500/2500

Additional information at www.nealauction.com

302. Luis Graner y Arrufi (Spanish, 1863‑1929, active New Orleans, 1914‑1922), “Along the Riverbank”, 1927, oil on paperboard, signed and dated lower right, 11 7/8 in. x 17 3/4 in., framed. $1200/1800 303. Bror Anders Wikstrom (Swedish/Louisiana, 1854‑1909), “Fishing Boats”, oil on canvas, signed lower right, 12 in. x 17 in., framed. $1500/2500

Provenance: Henry Plauché Dart (1853‑1934), thence by descent; Estate of Jane and Stewart Maunsell. 305. William Hemmerling (American/Louisiana, 1943‑2009), “Sudan Club Downtown”, oil on masonite, signed lower right, 48 1/8 in. x 16 1/8 in., unframed. $3000/5000

306. Frederick J. Brown (American/Georgia, 1945‑2012), “John Coltrane”, 2005, serigraph on paper, signed, dated and numbered “1/5 P/P” lower left, 38 in. x 30 in., unframed. $600/800

307. Large Paris Polychrome and Gilt Porcelain Footed Vase, late 19th c., acanthus scroll handles, painted with classical couple and exotic landscape, céleste blue ground, h. 24 in., w. 14 in., d. 10 in. $700/900

304. Noel Rockmore (American/New Orleans, 1928‑1995), “Self‑Portrait of the Artist”, 1958, oil on canvas, signed, dated and inscribed “Painted in Brooklyn Heights” upper left, 50 in. x 28 in., framed. $5000/8000

Ill.: Marvin, Shirley, Rich Marvin and Tee Marvin. Noel Rockmore & Shirley Marvin: Our Journey to the Discovery of Rockmore. LaGrange, GA: Stephens Printing, 2013, cover photo. Note: Born the child of artists in New York City, Noel Rockmore was considered a prodigy at both the violin and art at a young age. At eighteen, Rockmore painted a self‑portrait which was “the first oil he considered successful.” This work would begin Rockmore’s lifelong experimentation and exploration of the self‑portrait, resulting in a series of paintings that document his location, appearance and artistic style throughout his life. At the time of the important self‑ portrait offered here, Rockmore was thirty years old and had already seen his work exhibited at the Metropolitan Museum of Art in New York and the Whitney Museum. The full‑length work displays Rockmore’s confidence as an artist, with realistic details of his own features and aspects of the studio while the scene outside the window appears decidedly surrealistic. These are aspects that can be found in many of Rockmore’s most successful works ‑ the blending of the fantastical and realistic within an urban landscape. Ref.: Marvin, Shirley, Rich Marvin and Tee Marvin. Noel Rockmore & Shirley Marvin: Our Journey to the Discovery of Rockmore. LaGrange, GA: Stephens Printing, 2013, p. 19.

309. Large Bejeweled Malachite Casket, domed lid, silvered mounts, inset with semi‑precious stones, h. 10 1/2 in., w. 12 1/2 in., d. 9 in. $1500/2500

308. Pair of Monumental Bronze‑Mounted Sevres‑Style Porcelain Vases, 19th c., transfer decorated reserves of courting couples, h. 51 in., w. 24 1/2 in., d. 17 in. $4000/6000

312. Antique Anglo‑Indian Highly Carved and Ebonized Dressing Box, divided hinged top, carved with foliate scrolls, bone inlaid interior fitted with mirror and removable compartments, h. 5 1/2 in., w. 12 1/2 in., d. 10 1/2 in. $500/750

310. Fine Pair of Louis XVI‑Style Gilt Bronze Chenets, 19th c., cast with central flaming urns with swags of fruiting vines, shaped fluted bases with relief scrollwork, acorn feet, h. 11 in., w. 11 in., d. 3 1/2 in. $600/800 311. Pair of Louis XVI‑Style Bronze‑Mounted Variegated White Marble Cassolettes, 19th c., pine cone finials, looped goose head handles with foliate swags, fluted stem feet, plinth bases, h. 19 in., w. 9 in., d. 7 in. $1000/1500

316. Antique American Chippendale‑Style Carved Mahogany “Apprentice” Three Tier Dumbwaiter, late 18th/early 19th c., graduated dished tops, vasiform supports, arched legs, pad feet, h. 22 in., dia. 10 in. $200/400 313. Pair of Gilt Bronze Figural Candlesticks, ram’s head mounts, foliate standard, on lion feet, h. 13 in., w. 5 in., d. 5 in. $500/700

315. American Federal Miniature Mahogany “Apprentice” Work Table, early 19th c., two drawers, tapered turned legs, cuff casters, h. 13 in., w. 12 1/2 in., d. 9 3/4 in. $700/900 314. Regency Diminutive Mahogany Tilt‑Top Table, mid‑19th c., circular top with molded edge, turned pedestal support, tripartite platform base, bun feet, h. (top down) 19 1/2 in., h. (top up) 13 3/8 in., dia. 11 7/8 in. $400/600

317. Antique Regency‑Style Mahogany and Caned Library Steps, 19th c., tooled leather treads, hinged top step, slide out mid‑step, turned legs, h. 29 in., w. 20 in., d. 30 in. $800/1200 Provenance: The Estate of Caroline P. Ireland.

319. Georgian‑Style Mahogany Revolving Bookcase, Mario Buatta design for Widdicomb label, tiered graduated and divided sections on stationary conforming base, bracket feet, h. 37 in., dia. 26 in. $600/800 318. English Mahogany “Campaign” Blanket Chest, 19th c., case with dovetailed corners with brass mounts and inset bale handles, h. 22 in., w. 44 in., d. 231/2 in. $300/500

321. Regency Tôle Peinte Tray, early 19th c., oval top with Classical scenes, on conforming later bamboo turned stand, h. 20 in., w. 29 1/2 in., d. 22 in. $600/800

320. Pair of English Ebonized, Parcel Gilt and Mother‑of‑Pearl Inlaid Ballroom Chairs, 19th c., caned seat, turned legs, h. 33 in., w. 15 in., d. 16 in.; together with polychrome and parcel gilt papier‑mâché tray on stand, h. 17 in., w. 27 in., d. 21 in. $600/800 Additional information at www.nealauction.com

322. Six Antique Régence‑Style Carved Oak Side Chairs, arched padded back and seat, serpentine seat rail, cabriole legs, scrolled toes, leather upholstery with brass nailhead trim, h. 39 1/2 in., w. 21 in., d. 18 1/2 in. $1500/2500 Provenance: The Estate of Caroline P. Ireland.

323. Antique Continental Bronze‑Mounted, Ebonized and Marquetry Parlour Cabinet, white marble top. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

325. Italian Carved and Giltwood Console and Mirror, 19th c., arched crest surmounted by shell cartouche flanked by foliate scrolls, rocaille “ears”, molded base; console with serpentine faux marbre top, floral frieze, volute floral‑carved cabriole legs centered by a cabochon cartouche stretcher, console h. 40 in., w. 67 in., d. 22 in.; mirror h. 79 in., w. 53 in. $1500/2000 324. Pair of Louis XV‑Style Bronze‑Mounted Kingwood Guéridons, shaped inset rouge marble tops, conforming frieze, cabriole legs, sabots, h. 30 in., dia. 27 1/2 in. $1200/2000

326. Pair of Regency‑Style Ebonized Armchairs, shaped back, scroll arms, rounded seat rail, ring‑turned legs, cuff casters, silk upholstery, h. 37 1/2 in., w. 28 in., d. 27 in. $800/1200

327. Pair of Neoclassical‑Style Malachite Obelisks, typical form, h. 28 3/4 in., w. 5 3/4 in., d. 5 3/4 in. $2000/3000 328. Good Group of Antique English and American Sterling Silver‑Mounted Crystal Dressing Table Articles, incl. Hamilton & Diesinger repoussé jar, h. 5 3/8 in.; London hallmarked jar, h. 4 3/8 in.; Birmingham perfume bottle, h. 4 in.; repoussé powder jar and rouge pot; and 2 panel cut urns, h. 3 3/8 in. $400/600

330. American Sterling Silver Oblong Vegetable Dish, International pattern H182, h. 1 3/8 in., w. 12 3/4 in., d. 9 7/8 in., wt. 20.55 troy ozs. $300/500

329. Imperial Russian 84 Zolotnik (.875) Silver Stuffing Spoon, Moscow, mid‑to‑late 19th c., maker IK untraced, l. 13 1/4 in., and Imperial Austrian .813 silver soup ladle, Vienna, early‑to‑mid 19th c., marks rubbed, l. 13 1/2 in., combined wt. 13.5 troy ozs; together with German Art Deco Alpacca shovel, 20th c., l. 6 5/8 in. $200/400

331. Gorham “Strasbourg” Pattern Sterling Silver Coffee and Tea Service, c. 1950, incl. coffee pot, teapot, covered sugar, creamer, waste bowl, and en suite sterling tray, coffee pot h. 9 1/2 in., tray 22 1/8 in. x 15 3/4 in., total wt. 131.95 troy ozs. $2000/3000

333. Group of American Aesthetic Movement Sterling Silver Flatware, incl. Gorham “Fleur de Lis” pattern crumber, designed 1865 by George Wilkinson, l. 12 7/8 in.; Gorham “Empress/Empress of India” pattern fish serving fork and knife, designed 1880 by George Wilkinson, l. 7 1/2 in. and 9 3/8 in.; and 12 Whiting “Square Twist No. 5” pattern seafood forks, l. 5 7/8 in; total wt. 14.10 troy oz. $300/500 334. Group of American Sterling Silver Floral Motif Serving Pieces, incl. Durgin “Chrysanthemum” pattern serving spoon, l. 9 3/8 in. and bonbon spoon, l. 5 1/8 in., pattern designed 1893 by George A. Miller; Stieff “Corsage” pattern berry spoon, l. 9 1/8 in., designed 1935 by Gideon N. Stieff and Ellis T. Baker; Stieff “Chrysanthemum” berry/ casserole spoon, l. 9 1/8 in.; Stieff hand‑chased cream ladle; Reed & Barton “Harlequin Tea Rose” bonbon spoon; flower and cabochon cream ladle; and cast lily motif pierced server, l. 8 1/4 in.; 8 pcs., total wt. 19.85 troy ozs. $400/600

332. Good Group of Gorham “Chantilly” Pattern Sterling Silver Serving Pieces, pat. 1895, incl. 2 cold meat forks, l. 8 3/8 in., 3 tablespoons, 2 gravy ladles, 2 sugar shells, lettuce fork, jelly server and olive fork, 12 pcs., total wt. 21.25 troy ozs. $400/600

335. Group of American Colonial Revival Sterling Silver Flatware Serving Pieces, various makers, incl. Reed & Barton “Hepplewhite” berry spoon, Watson “Colonial Antique” berry spoon, Dominick & Haff “Priscilla” flat server, unmarked serving spoons, Sterling Silver Manufacturing Co. scoop and sauce ladle, Randahl sauce ladle, die‑cut olive fork, pickle fork and nut scoop, novelty crab spoon and strawberry spoon, total wt. 16.45 troy ozs.; together with silverplate sugar tongs. $250/350

336. Group of Antique and Vintage American Sterling Silver Flatware Serving Pieces, various makers, incl. Whiting “Imperial Queen” salad serving fork, Dominick & Haff “Marie Antoinette” cake serving fork, Wendell “Pattern No. 1” vegetable serving fork, Wallace “Irving” berry spoon, Gorham “Buttercup” tomato server, Art Nouveau tomato server, Frank M. Whiting bacon fork, sardine fork, Blackinton cheese scoop, Gorham “Lancaster” master butter knife, 4 assorted sauce ladles, gravy ladle, 2 cream or mayonnaise ladles, sugar shell, master salt spoon, nut scoop, bonbon spoon, jelly server and 2 teaspoons, total wt. 30 troy ozs. $450/550

337. J.E. Caldwell & Co. “King’s” Pattern Sterling Silver Fish Serving Knife and Flat Server, l. 11 3/4 in. and 9 7/8 in., total wt. 10.15 troy ozs. $200/400

339. Two Philadelphia Coin Silver Ladles, incl. J.E. Caldwell & Co., act. 1848‑2009, with scroll decorated handle, l. 12 3/4 in.; and punch ladle, ret. Farr & Thompson, act. 1853‑1858, shell‑shaped bowl and vintage motif handle, l. 11 3/8 in., total wt. 10.30 troy ozs. $250/350

340. Cased Set of Twelve American Coin Silver Individual Salt Cellars, mid‑19th c., pedestal form with beaded border and gilt wash interior, each h. 3/4 in., dia. 1 3/8 in.; together with 12 English sterling individual salt cellars with gilt wash interiors, 12 sterling repoussé salt spoons and 2 .800 silver salt spoons, total wt. 10.65 troy ozs. $150/250

341. Antique Gorham Sterling Silver Overlay Lady’s Flask, floral and scroll decoration, cartouche engraved “Edith”, l. 5 7/8 in. $200/300

343. Reed & Barton “Francis I” Sterling Silver Tray, oval with scroll handles, l. 17 1/8 in., wt. 35.25 troy ozs. $800/1200

344. American Sterling Silver Water Pitcher in the Late Georgian Taste, Mueck & Carey Co., New York, c. 1940‑1950, h. 9 1/2 in., wt. 18 troy ozs. $400/600

338. Set of Four Sterling Silver Shot Glasses in a Leather Case, hallmarked Frank M. Whiting for Black, Starr & Frost, New York, h. 2 1/4 in.; together with 8 Gorham sterling café royale spoons, 4 Reed & Barton sterling café royale spoons and a Reed and Barton sterling jigger, total wt. 14.65 troy ozs. $200/400

342. Eleven Reed & Barton “Francis I” Sterling Silver Bread Plates, dia. 6 7/8 in., wt. 68.80 troy ozs. $1200/1800

345. Wood & Hughes “Medallion” Coin Silver Tea Service, New York, pre‑1871 mark, incl. teapot, covered sugar, covered creamer and waste bowl, with orb finials on domical lids, ovoid bodies with various classical bust medallions and beaded borders, teapot h. 10 1/2 in., combined wt. 76.50 troy ozs.; together with associated unmarked “Medallion” pattern silverplate tray, 17 3/8 in. x 13 3/4 in. (5 pcs.) $2000/4000

Additional information at www.nealauction.com

346. Pair of English Renaissance Revival Brass Andirons, 19th c., lion and shield finials, h. 29 1/2 in., w. 15 in., d. 26 1/ 2in. $500/750

347. Three Pairs of English Turned Brass Candlesticks, 19th c., h. range from 8 5/8 in. to 9 3/4 in.; together with one brass tulip chamberstick, h. 6 in. (7 pcs.) $400/600

349. American Classical Coin Silver Teapot, early 19th c., unmarked, probably Philadelphia or New York, squat squared form, eagle head spout, ebonized acanthus‑carved scroll handle with mask terminals, banded decoration, ball and claw feet, h. 7 in., wt. 34.55 troy ozs. $800/1200

352. Diminutive French Gilt Bronze and Cut Crystal Four‑Light Chandelier, early 20th c., beaded candlecups, scrolled lights, electrified h. 19 in., dia. 14 in. [$400/600] Provenance: The Estate of Caroline P. Ireland.

350. Two George III Sterling Silver Sugar Tongs, Peter and Ann Bateman, London, 1791 and 1798, bright‑cut decoration, l. 5 3/8 in., total wt. 2.15 troy ozs. $150/250

353. Pair of French Bronze and Cut Glass Six‑Light Girandoles, c. 1890, scrolled arms, hung with stars and pear‑form pendants, not electrified, h. 19 1/2 in., dia. 12 in. $700/1000 Provenance: The Estate of Caroline P. Ireland.

348. Regency Tortoiseshell Tea Caddy, 1820, monogrammed silver cartouche, interior with two lidded compartments, h. 4 1/2 in., w. 7 in., d. 3 3/4 in. $500/750

351. Two George III Sterling Silver Cream Pitchers, London, 1795 and 1804, makers marks rubbed, h. 5 1/8 in. and 4 1/4 in., combined wt. 8.25 troy ozs. $250/350

354. Pair of French Gilt and Patinated Bronze and Marble Five‑Light Candelabra, acanthus scroll arms, columnar standard with foliate capital and acanthus base, zoomorphic legs, paw feet, tripod base, h. 24 in., w. 10 in., d. 10 in. $1200/1800

356. Pair of Antique Georgian‑Style Carved Mahogany Consoles, 19th c., each with marble top, Greek key frieze, foliate cartouche, highly carved acanthine cabriole legs, hairy paw feet, h. 34 in., w. 52 in., d. 24 in. $1200/1800 355. Waterford Cut Crystal Six‑Light Girandole, hung with beads and pendeloque prisms, faceted candlecups, h. 24 in., dia. 15 in. $500/750

357. Pair of Victorian Mother‑of‑Pearl Inlaid Papier‑Mâché Side Chairs, mid‑19th c., reticulated spoon back, serpentine seat rail, cabriole legs, h. 35 in., w. 17 1/2 in., d. 17 in. $700/900

358. American Classical Carved Mahogany Server, early 19th c., Boston, galleried backsplash, scrolled fruit carved brackets, three drawer frieze, carved pilasters flanking three conforming doors, shelf interior, blocked base, suppressed ball feet, h. 50 1/2 in., w. 57 1/4 in., d. 23 3/4 in. $2500/3500

359. Extensive Hicks and Meigh Imari Palette Ironstone Dinner Service, c. 1806‑22, marked with Royal Arms and “Stone China/ No. 13”, incl. 18 dinner plates, dia. 10 in.; 10 salad plates, dia. 9 in.; 9 soup plates, dia. 10 3/8 in.; 2 large covered tureens, l. 12 7/8 in.; 2 small footed tureens, one with stand and lid, l. 8 1/2 in.; triangular sweetmeat dish, l. 6 1/4 in.; 5 serving platters, l. 10 in. to 14 1/2 in; and 2 open vegetable dishes, larger l. 11 1/2 in. (49 pcs.) $1200/1800

360. Ten English Polychrome and Gilt Porcelain Cabinet Plates, 19th c., numbered 772, cobalt ground, central butterfly and floral reserves, gilt Rococo scroll and swag borders, dia. 9 3/8 in. $300/500

361. Large Japanese Imari Porcelain Punch Bowl, Meiji Period (1868‑1912), decorated with central bird and turtle medallion encircled by flower and fruit cartouches on red bird and flower ground, base with apocryphal Chinese Qing Dynasty mark, h. 6 1/2 in., dia. 16 in. $500/750 Provenance: David Stockwell, Wilmington, DE.

362. Pair of French Bronze and Marble Portrait Plaques of a Nymph and Satyr, c. 1900, one marked “Clodion” with mounting rings, h. 10 in., w. 7 1/2 in., d. 5 1/2 in. $500/1000

363. Pair of Continental Patinated Bronze Figural Torchères, modeled as Classical maidens holding Aladdin lamps, frosted glass shades, h. 47 in., w. 10 in., d. 10 in. $4000/6000

365. Pair of Brass‑Mounted Tessellated Lapis Lazuli Vases, ruffled rims, long necks, stepped shoulder, globular bodies, stepped stem feet, h. 30 in. $1200/1800

364. Pair of Italian Pale Green Marble Urns, scroll handles, garland design, h. 21 in., w. 22 in., d. 18 in. $1200/1800

366. Tiffany Studios Table Lamp, c. 1900, geometric domed shade in butterscotch leaded‑glass, marked “TIFFANY STUDIOS NEW YORK 1436”, bronze converted oil‑lamp base in “Pine Needle” design, marked with the monogram “TGDCO” (Tiffany Glass and Decorating Company), over “TIFFANY STUDIOS/NEW YORK/D443/19”, fitted with three‑arm fixture, h. 21 3/4 in., shade dia. 16 in. $6000/9000

Additional information at www.nealauction.com

367. Pair of Louis XVI‑Style Cut Crystal and Gilt Bronze Ten‑Light Chandeliers, foliate canopy suspending faceted button swags and scroll arms over further swags and pinecone pendant, nine interior accent lights, h. 48 in., w. 34 in. $4000/6000

368. Pair of Baccarat‑Style Bronze‑Mounted Cut Crystal Urns, tall plinth base, paw feet, h. 21 in., dia. 10 in. $1200/1800

369. Pair of English or American Cast Iron Garden Benches, late 19th c., high crest, reticulated back, slatted seat, flared legs, h. 36 in., w. 46 1/2 in., d. 24 in. $1000/2000

370. Bronze Figural Fountain, Classical maiden and a duck seated atop a circular well head with oxidized surface, h. 53 in., w. 54 in., d. 43 1/2 in. $2000/3000

Provenance: Schwitz Collection, Franklin, LA.

371. Large Pair of Cast Iron Garden Urns, 19th c., on foliate decorated pedestals, overall h. 60 in., w. 21 in., d. 21 in. $3000/5000

372. Pair of Classical Cast Iron Garden Urns, campagna urn, reverse‑tapered base, square plinth, h. 84 in., dia. 34 in. $3000/5000

374. Carved White Marble Figure of Julius Caesar, after Ambrogio Parisi, h. 25 in., w. 10 in., d. 9 in. $1000/1500

373. French Gilt and Silvered Bronze Figure of a Woman Standing in an Oyster Shell after “La Perle” by Charles Maillard, signature and indistinct text inscribed on reverse, h. 7 1/2 in., w. 7 1/2 in., d. 5 1/4 in. $800/1200

375. Large Gilt Bronze Grand Tour Figure of a Roman Gladiator, h. 18 1/2 in., w. 18 1/2 in., d. 8 1/4 in. $800/1200

376. Large Grand Tour Patinated Bronze of “Seated Mercury”, after the Antique in the Museo Nazionale, Naples, “G. Tancredi/Napoli” inscribed on self‑base, h. 19 1/2 in., w. 16 in., d. 11 1/2 in. $800/1200

377. Carved White Marble Torso of a Roman Male, after the Antique, rectangular stone base, overall h. 56 in., w. 16 in., d. 9 in. $3000/5000

378. Venetian Carved, Painted and Parcel Gilt Mirror, 19th c., shaped crest, rocaille decoration, serpentine base, h. 44 in., w. 28 1/2 in. $600/900 Provenance: The Estate of Caroline P. Ireland.

379. Italian Carved Giltwood Mirror, 19th c., cartouche crest centered by a floral basket, scrolled surround, h. 41 in., w. 22 in. $600/900 Provenance: The Estate of Caroline P. Ireland.

381. Rare Chinese Pipal/Peepal Leaf Illustration and Sutra Text from a Buddhist Manuscript, Qing Dynasty (1644‑1911), comprised of two album leaves on royal blue paper, recto painted with ink and colors on veined peepal leaf, verso with gilt text on paper, each 8 1/2 in. x 6 in., silk mounted and framed. $500/700 Provenance: Collection of a New Orleans Antiquarian.

Note: For a nearly identical gouache peepal painting from the Sutra of the Heart of Trancensent Knowledge or The Diamond Sutra, see Sotheby’s, Paris, June 10, 2014, lot 255.

383. Pair of Chinese Famille Rose Porcelain Jardinières, decorated with figures in a landscape, h. 13 1/2 in., dia. 15 in. $1000/1500

380. Chinese “Blanc de Chine” Porcelain‑Mounted Gilt Bronze and Enamel Clock, central figure of Wenchang seated before flowering branches supporting circular dial, h. 32 in., w. 20 in., d. 9 in. $3000/5000

382. Chinese School, 20th c., “Mountainous Landscape with Figures and River”, ink and color on paper, inscribed and sealed upper left, sight 36 in. x 26 3/4 in., matted and framed. $600/800 Provenance: Shreveport, LA Estate.

384. Large Chinese Ming‑Style Celadon Porcelain Barbed Rim Dish, 20th c., shallow bowl‑form, well incised with a qilin, dia. 21 1/2 in. $500/1000

385. Chinese Blue and White Porcelain‑Inset Hardwood Four Panel Floor Screen, probably 20th c., decorated with mountainous landscapes, h. 74 in., w. 81 in. $1000/1500

386. Pair of Chinese Gilt‑Decorated Red Lacquer Double Gourd Vases on Gilt Metal Pedestals, vases decorated with dragons in pursuit of the flaming pearl, bases with apocryphal Qianlong marks, h. 23 1/2 in., tripod stands with inset portrait medallions, overall h. 52 3/4 in. $2500/3500

387. Chinese Celadon and Russet Jade Bi Disk, front surface carved in the rice‑grain pattern, dia. 3 1/4 in., float mounted and framed. $500/700 Provenance: Collection of a New Orleans Antiquarian. Additional information at www.nealauction.com

388. Chinese Red Lacquer Tray, molded with ladies and their attendants in a garden setting, base with apocryphal Xuande mark, w. 14 1/2 in., d. 14 1/2 in. $400/600

389. Chinese Jade Inset, Gem and Enamel Embellished Gilt Filigree Ruyi Scepter, curved shaft set and ruyi terminals set with reticulated white jade plaques, enamel lotus flowers and cabochon laps and agate gems, h. 3 3/8 in., l. 16 3/4 in., w. 4 in. $2000/3000

390. Pair of Chinese Cloisonné Enamel and Soapstone Embellished Orange and Red Lacquered Wall Panels, decorated in mirror image with “Antiques”, gilt dragon‑and‑pearl borders, hardwood frames with inverted scrollwork corners, h. (excluding hangers) 47 3/4 in., w. 28 in. $4000/6000

391. Pair of Chinese Cloisonné Embellished Patinated Bronze Urns, phoenix head loose ring handles flanking zoomorphic mask handles, mounted as lamps, overall h. 24 in. $1000/1500

394. Philippe Henri Noyer (French, 1917‑1985), “Fisherwoman with Bucket”, 1959, watercolor on paper, signed and dated lower left, partial sketch en verso, 25 1/4 in. x 19 1/4 in., framed. $500/700

392. Tibetan or Nepalese Gem Embellished Gilt Bronze and Rock Crystal Figure of a Shakamuni or Bhaisajyaguru Budda, modeled seated in dhyanasana with an alms bowl in his left hand with the other lowered in bhumisparsha mudra, h. 8 1/2 in. $800/1200

395. Jean Louis Marcel Cosson (French, 1878‑1956), “Dancers in Preparation”, oil on canvas, signed lower left, “Coe Kerr Gallery, New York, NY” label with artist and title on frame, 13 in. x 18 in., framed. $1000/1500 Provenance: The Estate of Caroline P. Ireland.

393. Antique Talavera Majolica Tazza, painted with flower heads and flower sprays, h. 3 7/8 in., dia. 14 3/8 in. $800/1200

396. James Montgomery Flagg (American/New York, 1877‑1960), “The Piano”, c. 1935, ink wash on paper, signed lower right, “Good Housekeeping Magazine” printing stamp en verso, 19 1/4 in. x 25 1/4 in., framed. $1000/1500 Exh.: Museum of Arts and Sciences, Daytona Beach, FL, Exhibition No. 72.

Provenance: The Estate of Caroline P. Ireland.

397. James Montgomery Flagg (American/New York, 1877‑1960), “Babes Out of the Woods”, c. 1935, charcoal and conté crayon on paper, signed lower right, pencil‑titled and printing instruction label en verso, 21 7/8 in. x 27 1/4 in., framed. $1000/1500 Exh.: Museum of Arts and Sciences, Daytona Beach, FL, Exhibition No. 102.

398. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Old Creole Courtyard on St. Peter Street ‑ Old French Quarter, New Orleans”, 1936, oil on board, signed, dated and localized lower left, signed, titled and dated en verso, 14 in. x 12 in., framed. $2000/3000

399. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou with Oak Trees”, 1913, oil on academy board, signed and dated lower left, 18 in. x 24 in., framed. $2500/3500

400. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Cypress Tree along a Louisiana Bayou”, 1914, oil on academy board, signed and dated lower left, 24 1/8 in. x 18 1/8 in., framed. $2500/3500

401. Clarence Millet (American/New Orleans, 1897‑1959), “Bayou Landscape”, oil on canvas laid on board, signed lower left, 14 7/8 in. x 17 3/4 in., framed. $1500/2500

404. George Valentine Dureau (American/ New Orleans, 1930‑2014), “Portrait of a Man”, graphite on paper, signed lower center, 25 in. x 23 in., framed. $700/1000 Provenance: Collection of Ti‑Rock Moore, New Orleans.

402. Elizabeth “Eli” Halpin (American/Texas, b. 1977), “Pelicans”, 2013, mixed media on panel, signed and dated en verso, 40 in. x 36 in., unframed. $1500/2500

403. Elizabeth “Eli” Halpin (American/ Texas, b. 1977), “Pigs”, 2011, mixed media on panel, signed and dated en verso, 17 11/16 in. x 17 3/4 in., unframed. $1000/1500

406. Martha Wright Ambrose (American/New Orleans, 1914‑2000), “French Quarter Street Scene”, watercolor on paper, signed lower center, 18 in. x 24 in., framed. $1000/1500 405. Saliha Staib (American/Louisiana, 20th c.), “Untitled”, 2011, oil on gallery‑wrapped canvas, signed and dated lower right, 50 1/4 in. x 60 1/8 in., unframed. $1500/2500

Note: Studying at the Arts and Crafts Club of New Orleans and the Art Students League in New York, Martha Wright Ambrose had a distinct background in art, although she did not begin her art career in earnest until 1961 following the death of her husband. Throughout the rest of her life, Ambrose traveled in the United States, Mexico, Guatemala (where she was born), and Europe. She was a prolific artist and enjoyed painting a wide variety of subject matter. However, the care she took in documenting architecture, particularly that of New Orleans, displays her commitment to preserving scenes of the city. The painting offered here is a lovely French Quarter view and shows a quieter side of neighborhood life with couples out for a leisurely stroll and a woman walking her dog. Ref.: Toledano, Roulhac and Scott Veazey. Martha Wright Ambrose (19142000): the Rediscovery of a Southern Regional Artist. Lafayette, LA: University of Louisiana at Lafayette Press, 2016.

407. William Hemmerling (American/Louisiana, 1943‑2009), “Home Facade”, watercolor and graphite on board, pencil‑signed lower right, 20 3/4 in. x 17 3/4 in., framed. $700/1000

Provenance: Acquired from the artist.

408. Emilie de Hoa LeBlanc (American/New Orleans, 1870‑1941, active Newcomb College, 1897‑1921), “The Praline Seller”, watercolor on paper, unsigned, label and additional information on subject on backing, 19 1/2 in. x 13 3/8 in., framed. $1000/1500 Provenance: Anita de Hoa LeBlanc Breisacher.

Additional information at www.nealauction.com

409. Dorothy Jurisich Coleman (American/New Orleans, 1919‑2018), “Lush Landscape with Water Lilies”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $700/1000

Note: Noted artist and philanthropist Dorothy Coleman maintained a longstanding relationship with the New Orleans art community throughout her life. First studying art with Will Henry Stevens at Newcomb College and then raising a family, Coleman returned to painting with encouragement from Auseklis Ozols. Additionally, the two artists founded the New Orleans Academy of Fine Arts, which still operates from its Magazine Street location today. Whether admiring sunsets over the Mississippi River, the beaches of Hawaii, or the landscapes of Ireland, Coleman constantly noticed the beauty surrounding her and sought to capture it on canvas or paper. The beautiful landscape presented here includes an interesting foreshortened composition that draws the viewer’s eye across the pond and into the bushes and trees beyond. The sunbeams reflected off the lily pads and the dappled surface of the water create a lovely balance of light and shadow. Ref.: Marshall, Keith. “Dorothy Coleman, straight from the art.” May 14, 2012. https://www.nola.com/nolavie/2012/05/dorothy_coleman_ straight_from.html. Accessed May 16, 2019.

410. Charles Reinike, Jr. (American/Louisiana, 1906‑1983), “Live Oak Plantation, West Feliciana Parish”, 1950, watercolor on paper, signed and dated lower right, 22 1/4 in. x 30 in., framed. $1000/1500

411. Dorothy Jurisich Coleman (American/New Orleans, 1919‑2018), “Magnolias”, watercolor on paper, pencil‑signed lower right, 22 1/4 in. x 25 1/2 in., framed. $400/600

412. Alvin Batiste (American/Louisiana, b. 1962), “Busy Day on the Farm with Baptism, Boucherie and Hauling Sugar Cane”, 1997, oil on canvas, signed and dated lower right, 24 in. x 48 in., unframed. $800/1200

413. Don Wright (American/Louisiana, 1938‑2007), “Cypress Trees”, 1983, pastel on paper, signed and dated lower right, 27 3/4 in. x 21 13/16 in., framed. $700/1000

414. Xavier de Callatay (Belgian/New Orleans, 1932‑1990), “Still Life of Daisies”, 1967, oil on canvas, monogrammed lower right, signed and dated en verso, “The Gallery Centerville, Wilmington, DE” label on backing, 15 1/4 in. x 18 in., framed. $500/700

415. Mildred Wohl (American/New Orleans, 1906‑1977), “Mini”, 1970, oil on masonite, signed, dated and “Orleans Gallery, 527 Royal Street” label with artist and title en verso, 10 in. x 8 in., framed. $400/600 Provenance: Orleans Gallery, New Orleans; The Estate of Caroline P. Ireland.

416. Clarence John Laughlin (American/Louisiana, 1905‑1985), “Poem at Sunset (No. 1)”, 1938, dry mounted gelatin silver print, signed, titled and dated on mounting board, artist stamp and date en verso of mounting board, 13 3/8 in. x 9 3/4 in., matted. $500/700 417. Southern School, mid‑19th c., “Portrait of a Lady with Sheer Gloves and Flower”, oil on canvas, unsigned, 28 1/2 in. x 22 1/2 in., framed. $1000/1500

418. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower left, 20 in. x 29 3/4 in., framed. $1500/2500 419. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Swamp Magnolia”, 1991, oil on masonite, signed and dated lower right, label with title on backing, 16 in. x 24 in., framed. $2000/3000

421. Rare Bird’s‑Eye View of New Orleans, Currier & Ives/ Publishers, “The City of New Orleans, and the Mississippi River, Lake Pontchartrain in Distance”, 1885, Currier & Ives, 115 Nassau St., NY, lithograph, printed in colors, depicting the city during the World’s Industrial and Cotton Centennial Exposition, with a key showing the position of 35 prominent buildings and place names, image incl. nomenclature 24 in. x 35 1/8 in; sheet 27 in. x 39 3/8 in., framed. $3000/5000

420. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Herons on the Bayou”, 1989, oil on masonite, signed and dated lower right, “Ocean Springs Art Association 18th Annual Art Exhibit” information sheet with title on backing, 24 in. x 16 in., framed. $1200/1800 Exh.: 18th Annual Art Exhibit, Ocean Springs Art Association, Ocean Springs, MS, 1989, no. 127.

423. Empire‑Style Patinated Bronze Figural Lamp, c. 1900, figure of Athena, a serpent at her feet, electrified, h. 16 in., dia. 15 in. $400/600

422. Pair of Antique French Patinated Metal Figural Four‑Light Candelabra, 19th c., male and female Indian warriors, faux marbre bases, h. 22 in., dia. 7 in. $400/600

Provenance: The Friedle‑Garrison Collection, New Orleans.

424. French Gilt Bronze and Brass Sinumbra Lamp, 19th c., fluted standard, acanthine collar, tripartite lion leg base, cut glass shade, electrified, h. 31 3/4 in., dia. 13 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

425. Group of Three Documents Relating to the Bonaparte Family, incl.: ALS, 12/17/1823 by Elizabeth Patterson, first wife of Jerome Bonaparte, to her father, deploring her son’s excessive spending while attending Harvard; ALS, 4/2 1809, from Joachim Napoleon Murat, King of Naples, to monsieur Manzi, Secretary General, advising him to arrest a priest preaching revolution; and an ADS, voucher by Hortense Bonaparte, mother of Napoleon III, requesting Monsieur Macain pay Monsieur Rousseau two thousand florins, framed. $600/900

426. Two Antique Maps of Amsterdam, “Nette Aftekening van d’Oude en Nieuwe Roojingh der Stadt Amsterdam”, and “Amsterdam met d’uytlegging van Jaer 1613”, 17th c., copper engraved plans, published by Olfert Dapper, sights 10 1/2 in. x 14 in., matted and framed alike. $400/600

427. American Gothic Carved Giltwood Pier Mirror, c. 1850, grapevine frieze, gothicized arcade, ogee surround, h. 62 1/4 in., w. 34 1/4 in. $800/1200

428. American Classical Carved Giltwood Pier Mirror, c. 1825, foliate carved corner blocks, split columnar surround with neoclassical carvings, retains oxidized original gilt, h. 50 in., w. 31 in. $800/1200

429. American Classical Carved Mahogany Gentleman’s Dressing Table, early 19th c., mirror with turned supports on glove drawers, case with three drawers, beehive supports, stretcher shelf, paw feet, birch secondary wood, h. 62 1/2 in., w. 38 in., d. 21 1/2 in. $300/500 Additional information at www.nealauction.com

430. William IV‑Style Mahogany Three‑Pedestal Dining Table, columnar supports, shaped plinth bases, scrolled feet, casters, h. 29 in., l. (closed) 95 1/4 in., l. (open) 142 in., w. 51 in. $1500/2500 Provenance: Windham Collection, Oxford, MS.

431. American Renaissance Carved Walnut Sideboard, late 19th c., superstructure with scrolled crest surmounted by a stag’s head, two bracketed shelves, mirror backs, base with marble top above two drawers and fruit and nut cartouche paneled cabinet doors, molded base, h. 96 in., w. 74 in., d. 26 1/2 in. $2500/3500

432. Edwardian Mahogany Server, c. 1890, scrolled back splash carved with volutes distinguished by masks centered by a wreath, gadroon molded top, two frieze drawers, two cupboard doors displaying wreaths, ball and claw feet, h. 60 in., w. 53 in., d. 21 in. $800/1200

433. American Renaissance Inlaid Walnut Center Table, late 19th c., shaped molded top, marquetry reserve with urns and vines, conforming frieze, eagle mask and incised legs connected by urn finial, carved stretcher, shaped feet, casters, h. 29 1/2 in., w. 41 in., d. 28 in. $1000/1500

435. American Rococo Carved Rosewood Cylinder Desk, c. 1840, New York, pierced foliate crest, molded cornice, glazed doors, satinwood lined interior with adjustable shelves, desk with fitted interior, pull‑out leather lined writing surface, shaped paneled drawer, acanthus carved cabriole legs, h. 101 in., w. 48 in., d. 28 in. $3000/5000

436. American Mahogany and Cherrywood Four Poster Bed, c. 1840, likely lower Mississippi Valley, ogee molded tester, faceted posts, rolling pin headboard, plain rails, tapered turned legs, ball feet, h. 88 1/2 in., w. 51 in., d. 75 in. $1200/2000

434. American Late Federal Carved Mahogany Games Table, c. 1825, New York, foldover top with canted corners, ring‑turned acanthus carved supports, incurvate plinth, gilt enhanced pinecone finial, arched acanthus carved legs, hairy paw feet, casters, h. 29 1/2 in., w. 36 in., d. 18 in. $800/1200 Provenance: The Friedle‑Garrison Collection, New Orleans.

437. American Late Classical Carved Mahogany Bookcase, c. 1840, probably New Orleans, stepped ogee molded cornice above two glazed and paneled doors, molded base, ogee bracket feet, h. 90 in., w. 62 in., d. 20 1/2 in. $1500/2500

439. Pair of American Classical Parcel Gilt and Mahogany Pier Tables, c. 1830, New York, later marble top, conforming frieze, Ionic columnar supports, mirrored back, shaped plinth, lobed feet, h. 34 1/2 in., w. 42 in., d. 19 in. $5000/7000 Provenance: The Stanley Weiss Collection, Providence, RI.

438. American Federal Mahogany Tilt‑Top Table, early 19th c., New York, shaped top, baluster‑turned foliate‑carved standard, sabre legs, spherule feet, h. 29 in., w. 27 3/4 in., d. 24 in. $1000/1500 Provenance: The Stanley Weiss Collection, Providence, RI.

440. American Rococo Carved Rosewood Sunderland Table, c. 1840‑1850, New York, deep drop leaves, central cylinder with boss terminals, baluster turned supports, trestle base with foliate scrolled stretcher, later wood casters, h. 29 in., w. 38 in., d. (closed) 18 in., d. (open) 32 in. $500/750

442. American Late Federal Inlaid Walnut Tall Chest, c. 1800, probably Virginia, sawtooth molded edge top above three short over three long graduated drawers, string inlaid chamfered corners, short turned feet, poplar secondary wood, later brasses, h. 44 in., w. 39 in., d. 22 in. $1000/1500 441. American Aesthetic Birdseye Maple and Faux Bamboo Cabinet, late 19th/early 20th c., finialed superstructure with mirrored cabinet and shelves, base with drawer and incised door, shelf interior, conforming molded base, h. 60 1/2 in., w. 29 in., d. 21 in. $1000/2000

443. New Orleans Inlaid Mahogany Tilt‑ Top Tea Table, Kohlmaier & Kohlmaier, c. 1960, baluster‑turned standard, spider legs, h. 29 in., h. (tilted) 41 1/2 in., dia. 24 in. $500/700

444. Diminutive American Federal Mahogany Chest‑of‑Drawers, late 18th/early 19th c., Delaware Valley, molded top above four graduated molded drawers with old associated oval brasses, molded bracket feet, attractive old darkened finish, h. 39 1/2 in., w. 38 in., d. 19 1/4 in. $800/1200

446. Pair of Georgian‑Style Leather Wingchairs, tapered legs, H stretcher, brass nailhead trim, h. 42 in., w. 30 in., d. 25 in. $400/600

445. Pair of American Late Classical Carved Mahogany Games Tables, c. 1830‑40, attr. to Amariah T. Prouty, New York, shaped foldover top, bolection frieze, bulbous‑turned foliate‑carved standard, acanthus‑carved legs, foliate pad feet, h. 29 1/2 in., w. 36 1/2 in., d. 17 3/4 in. $2500/3500 Provenance: The Stanley Weiss Collection, Providence, RI.

447. George III‑Style Carved Mahogany Serving Table, serpentine top, blind frieze drawer with swagged bellflower tablet, molded tapered legs, Marlborough feet, h. 33 in., w. 54 in., d. 22 1/2 in. $500/750

448. George I‑Style Carved Walnut Armchair, scrolled crest rail, vasiform splat, cabriole legs, pad feet, h. 42 in., w. 23 in., d. 18 in. $400/600

Additional information at www.nealauction.com

449.Antique English Chinoiserie‑Decorated Black Lacquer Cabinet on Stand, molded cornice, fitted interior, stand with four drawers, cabriole legs, h. 67 1/2 in., w. 41 in., d. 22 in. $2000/3000

450. Large Brazilian Carved Jacaranda Credenza, early 19th c., shaped molded top, conforming case centered by two short drawers over two long drawers, flanked by side compartments, scrolled brackets, molded base, scrolled feet, h. 42 in., w. 97 1/2 in., d. 33 3/4 in. $4000/6000 451. Pair of Art Moderne‑Style Black Marble Face Chairs, barrel‑form seats, h. 27 in., w. 25 in., d. 26 in. $4000/6000

452. Continental Parcel Gilt Cast Iron Table, 20th c., rouge marble top, acanthine cabriole legs, shaped finialed stretchers, lobed feet, h. 30 in., w. 63 in., d. 35 in. $1200/1800 Provenance: The Estate of Caroline P. Ireland.

Provenance: The Estate of Caroline P. Ireland.

454. Pair of Moorish Mother‑of‑Pearl Inlaid Hardwood Window Benches, flared arms, spindled sides and apron, finialed brackets, square feet, h. 33 in., w. 48 in., d. 20 in. $1500/2500

456. Antique Continental Chinoiserie Red Lacquer and Giltwood Chest‑on‑ Stand, foliate strapwork hinges, elaborately fitted interior, rocaille‑carved base, cabriole legs, shaped stretcher, acanthine feet, h. 62 in., w. 48 in., d. 23 in. $3000/5000

453. Pair of Antique Louis XV‑Style Carved, Crème Peinte Bergères and Ottoman, molded rounded back, floral crest, scrolled arms, loose cushion, serpentine seat rail, cabriole legs, conforming serpentine frame, ottoman, h. 32 in., w. 25 in., d. 19 in. $1000/1500

455. French Carved Walnut Window Seat, early 19th c., each arm with relief carved splats, spindle supports, tapered legs, h. 35 1/2 in., w. 73 in., d. 27 1/2 in. $1000/1500

457. Pair of Louis XV‑Style Gilt Bronze‑Mounted Kingwood and Marquetry Pedestals, probably late 19th c., manner of Francois Linke, shaped marble top, bombé case with elaborate lion’s heads and foliate mounts, acanthus paw feet, h. 49 1/2 in., w. 18 1/2 in., d. 18 1/2 in. $10000/15000

459. Antique Louis XV‑Style Bronze and Porcelain‑Mounted Kingwood Parquetry Bonheur du Jour, upper case with two cartouche paneled doors over two drawers; lower case with galleried top, frieze drawer, cabriole legs, sabots, h. 51 in., w. 28 in., d. 17 in. $1000/1500

458. Continental Bronze‑Mounted Exotic Woods and Marquetry Commode, shaped marble top, conforming case, fitted with three frieze drawers and two deep drawers, scrolled foliate legs, h. 37 1/2 in., w. 69 in., d. 26 1/2 in. $2000/3000

460. Pair of Antique Empire‑Style Bronze‑Mounted Mahogany Bergères, late 19th c., swan’s neck mounted arms, cabriole legs, paw feet, h. 36 in., w. 28 1/2 in., d. 25 3/4 in. $2000/3000

461. Variegated Marble Dining Table, shaped top, ebonized straight legs, stretchers, h. 28 1/2 in., w. 80 in., d. 48 1/2 in. $800/1200

463. French Empire Mahogany Jardinière Stand, early 19th c., rouge marble inset top, tripod base with gilt bronze anthemion and roundel mounts, incurvate triangular stretcher with roundel and star motifs in gilt bronze, gilt bronze paw feet, h. 31 in., dia. 16 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 462. Directoire Carved Walnut Side Table, late 18th c., molded top, frieze drawer, turned tapered legs, peg feet. $500/700 Provenance: The Estate of Caroline P. Ireland.

465. Venetian‑Style Carved Giltwood Mirror, cartouche crest centered by fruit and foliage, decorated with grapevines, h. 44 in., w. 21 1/2 in. $800/1200

464. Pair of Empire‑Style Gilt Bronze Three‑Light Bouillotte Lamps, reticulated dished bases, adjustable candle arms, tôle shades, h. 25 1/2 in., dia. 16 1/2 in. $600/800

466. Pair of Hollywood Regency Gilded and Painted Three Panel Screens, each panel fitted with smokey mirror plates, h. 94 in., w. 84 in. $700/1000 467. Louis XVI‑Style Parcel Ebonized and Inlaid Walnut Tricoteuse Table, shaped tray top, lyre‑form supports, stretcher shelf, trestle base, h. 33 in., w 35 in., d. 16 in. $500/750

Provenance: Ex‑Collection Williamson‑LeBlanc, Cornstalk Fence House, New Orleans. Additional information at www.nealauction.com

468. Pair of Neoclassical‑Style Inlaid Satinwood Bergères, 19th c., probably Austrian, shaped back and arms, tapered legs, cuff casters, h. 37 1/2 in., w. 24 in., d. 23 in. $800/1200

470. Continental Mahogany, Parquetry and Marquetry Center Table, circular top, blocked frieze, scroll supports, incurvate plinth, h. 30 1/2 in., dia. 43 in. $1200/1800

469. Pair of Venetian‑Style Chinoiserie Painted and Parcel Gilt Consoles, shaped molded faux marbre top, bombe case, scrolled stiles and feet, h. 35 in., w. 51 in., d. 21 in. $6000/8000

471. Pair of Biedermeier‑ Style Inlaid, Ebonized and Parcel Gilded Mahogany Vitrine Cabinets, pedimented crest, flared cornice, columnar stiles, glazed panel doors, shelf interior, blocked feet, h. 76 in., w. 46 in., d. 18 1/2 in. $1500/2500 473. Venetian‑Style Paint‑Decorated Encoignure, early 20th c., broken arch shell carved crest, scrolled sides, arched mirrored door, conforming base with paneled door, shaped base, bracket feet, ochre paint with birds, figures and flowers, h. 86 in., w. 36 in., d. 24 in. $700/1000

472. Empire‑Style Carved Mahogany Chaise Longue, shaped back with swan’s neck scroll supports, molded seat rail, saber legs, h 35 in., l. 79 in., w. 30 in. $700/1000

474. Pair of Antique Louis XV‑Style Carved and Painted Bergères, early 20th c., shaped crest rail centered by a floral spray, padded back and arms, molded uprights, serpentine seat rail, cabriole legs, h. 35 in., w. 30 in., d. 20 1/2 in. $1200/1800 Provenance: The Estate of Caroline P. Ireland.

475. Louis XVI‑Style Bronze‑Mounted Carved Walnut Bureau Plat, late 19th c., inset leather writing surface, fluted frieze with three drawers, fluted tapered legs, h. 29 3/4 in., w. 56 1/4 in., d. 33 1/2 in. $800/1200 Provenance: The Estate of Caroline P. Ireland.

476. Pair of Louis XVI‑Style Giltwood and Caned Window Benches, bellflower and urn‑carved back, beribboned scrolled arms, padded seat, rope‑molded rail, stop‑fluted tapered legs, h. 32 in., w. 49 in., d. 20 in. $800/1200

477. Antique Louis XVI‑Style Carved Crème Peinte Vitrine Table, early 20th c., bead molded hinged top, velvet lined interior, foliate frieze, rosette corners, molded tapered legs, shaped stretcher, peg feet, h. 29 1/2 in., w. 25 in., d. 16 in. $800/1200

478. Napoleon III Bronze‑Mounted, Inlaid and Ebonized Salon Table, late 19th c., shaped top with marquetry trophée reserve, banded molded edge, frieze drawer, turned tapered legs, incurvate stretcher, urn finial, h. 30 in., w. 58 in., d. 32 in. $1500/2000

479. Pair of Napoleon III‑Style Bronze‑ Mounted Boullework and Ebonized Pedestals, molded marble top, reverse tapered standard, serpentine base, sabots, h. 49 in., w. 15 in., d. 15 in. $800/1200

Provenance: The Estate of Caroline P. Ireland.

480. Louis XVI‑Style Gilt Bronze and Onyx Pedestal, Corinthian columnar form with square top, stepped base, h. 42 1/2 in., w. 13 in., d. 13 in. $600/800

481. Chinese Export Gilt Decorated Elmwood Seven Panel Floor Screen, decorated with figural landscapes and bird‑and‑flower panels, h. 63 7/8 in., w. 77 in. $500/700

484. Three Carved and Polychromed Wood Santos Figures, incl. bust of Jesus on pedestal base, h. 5 1/2 in.; Madonna and Child, h. 10 3/4 in.; standing male figure, possibly St. Joseph, h. 17 1/2 in. $500/700

482. Pair of Cloisonné Enamel‑Mounted, Copper Red and Blue and White Porcelain Vases, bottle‑form bodies with dragon and wave decoration mounted with cloisonné rims, sinuous dragons encircling the bodies, and circular bases with three Buddhist lion mask and claw feet, h. 23 in. $2000/3000

485. Pair of Carved and Polychromed Wood Blackamoors, 19th c., male and female modeled in opposing stance holding torches, h. 38 in., w. 14 in., d. 9 in. $1000/1500

483. Continental Carved Walnut Figural Jardinière, caryatid supports, removable tin liner, h. 34 in., dia. 20 in., liner dia. 11 in. $600/800

486. Dutch Mahogany and Marquetry Dressing Mirror, 19th c., shaped mirror surround, turned supports, one drawer, ripple molding, h. 26 in., w. 20 1/2 in., d. 12 1/2 in. $400/600

Provenance: The Estate of Caroline P. Ireland.

488. Pair of Louis XVI‑Style Patinated Bronze and Champlevé Five‑Light Sconces, bowknot backplate, foliate design, cherub busts, h. 41 in., w. 25 in., d. 13 in. $1200/1800

487. Pair of Louis XIV‑Style Gilt Bronze Three‑Light Mirrored Sconces, sun‑mask crest, scrolled branches, electrified, h. 22 in., w. 16 in., d. 11 in. $1000/1500

489. Pair of Decorative Silverplate Three‑Light Bouillotte Lamps, 20th c., adjustable tôle peinte shades, two‑light fixtures, fluted bases, h. 27 1/2 in., dia. 12 1/4 in. $700/1000

Provenance: The Estate of Caroline P. Ireland. Additional information at www.nealauction.com

490. French Tôle Peinte Four‑Light Sinumbra Chandelier, 19th c., now electrified, h. 18 in., dia. 19 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

491. Pair of Louis XVI‑Style Gilt and Patinated Bronze Two‑Light Candelabra, modeled as a young Cupid and Satyr seated on naturalistic plinths grasping fruiting branch candlearms, fluted marble bases, h. 10 1/? in., w. 9 in., d. 6 in. $1000/1500

492. French Polychrome Porcelain‑Mounted Gilt Metal Eight‑Light Chandelier, twisted standard and scroll arms with applied flowers, electrified, h. 28 in., dia. 29 in. $2000/3000

493. Pair of Patinated Bronze Busts of Alexandre and Louise Brongniart, after Jean‑Antoine Houdon, sitter’s names inscribed on reverse, h. 17 1/2 in. and 17 in. respectively. $700/1000

495. Continental Giltwood Overmantel Mirror, 19th c., foliate‑carved surround, divided mirror plate, h. 30 1/2 in., w. 64 in. $500/700

496. Continental Ebonized and Brass Mounted Mirror, beveled mirror plate, ripple‑molded surround with mirror‑inset panels and egg‑and‑dart molding, h. 50 1/2 in., w. 43 in. $800/1200 494. Pair of Louis XV‑Style Gilt Bronze Mirrors, scrolled reticulated crest, shaped rocaille surround, h. 35 in., w. 22 in. $1000/1500

497. Austrian Carved Giltwood Mantel Clock, early 19th c., crest carved with putti and drapery, fluted column, stepped base, h. 22 in., w. 13 in., d. 6 in. $800/1200

500. Monumental Chinese Cloisonné Enamel Figure of a Seated Warrior, possibly Guandi, modeled seated on a throne wearing a finialed helmet and full suit of armor over a lion’s skin, h. 40 in., w. 26 1/2 in., d. 18 1/4 in. $1000/1500

498. Pair of Chinese Famille Rose Porcelain Vases, Buddhist lion mask‑ring handles, decorated with warriors in a fenced garden on a pale celadon green ground, h. 24 in. $1000/1500

501. American Hepplewhite Paint‑ Decorated Tilt‑Top Candlestand, early 19th c., top with chamfered corners, vasiform support, arched spider legs, decoration of later date, h. 30 in., h. (tilted) 40 3/4 in., w. 17 3/4 in., d. 20 in. $300/500

502. Antique Jacobean‑Style Carved Mahogany Armchair, 19th c., canted back, scrolled arms, scrolled feet, carved stretcher, needlepoint upholstery, h. 46 1/2 in., w. 24 1/2 in., d. 19 in. $400/600

499. Decorative Pair of Chinese Gilt Decorated Blue Ground Porcelain Vases, decorated with dragons amid foliage, h. 17 in. $900/1200

504. Pair of French Provincial Carved Fruitwood Fauteuils, 18th c., arched molded crest rail, scrolled arms, cabriole legs, scrolled toes, shaped stretcher, h. 36 in., w. 27 in., d. 21 in. $800/1200

503. George III‑Style Inlaid Mahogany and Yew Sideboard, shaped top, conforming case fitted with two drawers flanked by cabinets, tapered legs, h. 36 in., w. 72 in., d. 21 in. $800/1200

507. Venetian Carved and Polychrome Painted Table, molded top, blocked frieze, tapered legs, h. 20 in., w. 51 in., d. 51 in. $600/900

505. Louis XVI‑Style Kingwood and Parquetry Side Table, inset oval marble top with gallery, conforming frieze with drawer, stretcher shelf with brass gallery, cabriole legs, h. 27 3/4 in., w. 20 1/2 in., d. 15 3/8 in. $400/800

506. Louis XV‑Style Parquetry Commode, 19th c., serpentine rouge marble top, four drawers, foliate pulls, h. 31 1/2 in., w. 50 in., d. 23 1/2 in. $1200/1800

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL 508. Spanish Rococo‑Style Carved Walnut Hall Chair, 19th c., rectangular padded back and seat, scrolled volute arms, carved uprights, shaped stretcher to the front, turned blocked stretchers, volute scroll feet, h. 53 in., w. 32 in., d. 24 in. $1000/1500 509. Italian Rococo Carved Walnut Prie‑ Dieu, 18th c., shaped armrest, scrolled supports, molded, blocked base, h. 34 1/2 in., w. 26 in., d. 14 in. $500/700

510. Pair of Continental Wrought Iron Andirons, 19th c., basket finials, foliate standards, h. 26 in., w. 10 1/2 in., d. 27 in. $500/700

513. Continental Marble Mortar on Stand, h. 45 1/2 in., w. 28 1/2 in., d. 28 1/2 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

511. English Brass and Polished Steel Andirons, 20th c., incised decoration, scroll base, h. 25 1/2 in., w. 11 1/2 in., d. 22 1/2 in. $400/600

512. Pair of Spanish Wrought Iron and Tôle Torchères, wrapped standard, tripartite brackets, marble plinth base, electrified, h. 71 in. $1200/1800

514. Pair of Continental Molded Stone Garden Urns, decorated with fruit and foliate swags, square plinth base, h. 32 1/2 in., w. 27 in., d. 24 in. $500/700 Provenance: The Estate of Caroline P. Ireland.

Additional information at www.nealauction.com

515. Antique American Cast Iron “Gothic” Pattern Bench, 19th c., scrolled foliate crest, canted scroll arms, C and S scrolled pierced seat, foliate cabriole legs, h. 35 in., w. 45 in., d. 17 in. $800/1200

516. French Lead Figural Bird Feeder, cherub and bird, raised shell basin, h. 16 in., w. 15 in., d. 16 in. $300/500

Provenance: The Friedle‑Garrison Collection, New Orleans.

Note: The “Gothic” pattern was patented in England by the Carron Foundry in 1846 and was made in the U.S. by 1850. A bench and pair of chairs by Brown and Owen from the Crawford Collection of the High Museum is illustrated in Art & Enterprise. Similar “Gothic” pattern benches were made for the White House grounds in 1852, probably in New York.

517. Large Cast Iron Garden Sculpture of a Classical Maiden, h. 59 in., w. 15 in., d. 16 in.; matching cast iron plinth, overall h. 92 in., w. 24 in., d. 23 in. $2000/3000

Ref.: Peirce, Donald C. Art & Enterprise. p. 49.

518. Patinated Bronze Figural Garden Fountain, modeled as a water nymph, h. 50 1/2 in., w. 19 in., d. 12 in. $700/1000

Provenance: Schwitz Collection, Franklin, LA.

519. Antique American Bronze and Steel Bank Door, Neoclassical motifs, incised griffin on lockplate, h. 76 1/2 in., w. 30 1/2 in., d. 1 1/2 in. $800/1200

520. Antique Cast Iron “Fern” Pattern Garden Settee, elaborate foliate back, naturalistic legs, h. 33 in., w. 54 in., d. 21 in. $800/1200

522. English or American Cast Iron Garden Bench, high back with elaborate figural and phoenix motif, slatted seat, hoot feet, h. 41 in., w. 72 in., d. 26 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

524. Pair of American Cast Iron Whippets, on square plinths, h. 28 1/2 in., w. 9 in., d. 9 7/8 in. $800/1200

521. Antique Cast Iron “Fern” Pattern Chairs, elaborate foliate back, reticulated seat, naturalistic legs, h. 32 1/2 in., w. 23 in., d. 16 in. $800/1200

523. French Patinated Cast Iron Bust of a Maiden, h. 24 in., w. 25 in., d. 10 1/2 in. $400/600

525. Pair of American Cast Iron Figures of Flamingos, tallest h. 23 1/2 in. $600/900

526. Persian Carpet, crimson ground, blue border, overall floral design, 9 ft. 3 in. x 13 ft. 2 in. $800/1200

528. Chinese Nichols Wool Carpet, c. 1920, light brown ground, blue border, floral spray design, 10 ft. x 14 ft. 6 in. $600/900

Provenance: Feizy, Dallas.

529. Persian Rug, blue and red ground, overall floral design, 5 ft. 8 in. x 8 ft. 5 in. $500/700 Provenance: Feizy, Dallas.

527. Antique Malayer Carpet, c. 1900, red and cream ground, overall floral design, 7 ft. x 13 ft. 5 in. $1500/2500

530. Persian Carpet, red ground, overall floral design, 6 ft. 2 in. x 9 ft. 5 in. $500/700

532. Aubussonâ&#x20AC;&#x2018;Style Carpet, cream ground, central medallion, floral border, 8 ft. 11 in. x 12 ft. 4 in. $500/700

531. Four Antique Rugs, incl. Sarouk and 2 Hamadans, 2 ft. 2 in. x 4 ft.; 3 ft. 5 in. x 6 ft. 5 in.; 3 ft. 6 in. x 6 ft.; and 4 ft. 6 in. x 6 ft. 6 in. $500/700

533. Aubussonâ&#x20AC;&#x2018;Style Carpet, cream ground, floral medallion and borders, 8 ft. 10 in. x 12 ft. 4 in. $500/700

534. Antique Persian Serabon Carpet, red ground, repeating floral design, 4 ft. 4 in. x 6 ft. 4 in. $400/600

535. Contemporary Wool Carpet, green, blue, yellow and red, 8 ft. x 9 ft. 5 in. $500/700

Additional information at www.nealauction.com

538. Paris Porcelain Figural Candelabrum Base, mid‑19th c., attr. to Jacob Petit, polychrome and gilt decoration, h. 19 3/8 in. $800/1200

537. Chinese Export Reverse Glass Painting‑Inset Lacquered Wood “Assai” Tea Caddy, 19th c., Canton, removable front panel painted with warriors, interior set with glass‑sided paktong canister with label reading “Port Canton/ Port No. 356/ Exhibitor Mssrs. Deacon & Co.”, h. 9 1/2 in., w. 11 in., d. 8 1/2 in. $400/600

Note: A near identical candelabrum base (one of a pair) from the collection of Southern statesman Duncan Farrar Kenner at Ashland Plantation is now in the collection of the New Orleans Museum of Art.

Note: Deacon & Co. was an important Hong merchant of Canton that traded primarily in tea during the 19th century.

536. Pair of English Tôle Peinte Chinoiserie Table Lamps, columnar standards decorated with pavilions, birds and trees, h. 23 in., dia. 10 1/2 in. $400/600

539. Multi‑Strand Fresh Water “Rice” Pearl, Quartz and Yellow Gold Bead Necklace, large 14 kt. yellow gold clasp, l. 17 1/2 in. $300/500

542. 14 kt. Yellow Gold, South Sea Cultured Pearl and Diamond Ring, set with 13.50 mm. pearl, 36 full cut diamonds totaling approx. .36 ct., and 6 marquise cut diamonds totaling approx. .52 ct., VS clarity, H‑I color. $2000/3000

540. 14 kt. White Gold and Graduated Dark Gray Tahitian Pearl Necklace, 30 round cultured pearls, 12‑14 mm; set with 1 white gold and diamond cylindrical bead, 2 spacer beads, and 1 white gold tension lock scalloped bead clasp, total diamond wt. approx. 1.0 ct., l. 18 in.; accompanied by AIG gemological report. $1500/2500

543. Vintage 18 kt. Yellow Gold, South Sea Pearl and Diamond Ring, gold‑colored cultured pearl, 10 mm; set within diamond floret with 52 prong‑set round brilliant, baguette, and princess cut diamonds, total wt. approx. 1.75 ct., G‑J color, SI‑1 to I‑2 clarity; size 7; accompanied by AIG gemological report. $1200/1800

546. Vintage 14 kt. White Gold, Pink Tourmaline and Diamond Pendant with 14 kt. White Gold Chain, pendant with half bezel set triangle cut tourmaline, 8.00 x 8.00 x 4.80 mm, wt. approx. 2.50 ct.; suspended on bail with 3 channel‑set round brilliant cut diamonds, total wt. approx. 0.07 ct., F‑H color, SI‑2 to I‑2 clarity; pendant/bail, h. 7/8 in.; chain, l. 18 in.; accompanied by AIG gemological report. $600/800

541. 14 kt. Yellow Gold, Gray South Sea Pearl and Diamond Pendant Necklace, set with 13.49 mm. pearl and 15 single cut diamonds totaling approx. .30 ct., VS clarity, H‑I color. $1000/2000

544. Two Freshwater Pearl Necklaces, incl. white four strand example, faux pearl clasp, l. 24 1/4 in. and pink three strand example, faux pearl clasp, l. 21 in. $100/150

545. Platinum, Purplish Pink Sapphire and Diamond Ring, sapphire 2.54 cts., diamond .52 ct., size 6; accompanied by a GIA certificate. $2000/3000

547. Platinum, Pink Sapphire and Diamond Ring, prong‑set oval mixed cut pink sapphire, 6.36 x 5.74 x 3.33 mm, exact wt. 1.01 ct.; 38 prong and bezel‑set round brilliant cut diamonds, total wt. approx. 1.02 ct., F‑H color, SI‑1 to I‑1 color; size 7.25; accompanied by GIA report for sapphire and AIG gemological report for the ring. $1500/2500

548. Pair of Platinum, Emerald and Diamond “Chandelier” Earrings, 2 prong‑set rectangular step cut natural emeralds, each 8.00 x 6.00 x 3.80 mm, total wt. 2.98 ct.; diamond bezel with diamond ribbon fringe and diamond ribbon post comprised of 99 prong and bezel set round brilliant cut diamonds, total wt. 1.02 ct., F‑H color, SI‑2 to I‑2 clarity, l. 1 11/16 in.; accompanied by AIG gemological report. $2500/3500 549. 18 kt. White Gold, Emerald and Diamond Ring, round mixed cut emerald, approx. dia. 5.83 mm, wt. approx. 0.80 ct.; bezel and shoulders with 38 round brilliant cut diamonds, total wt. approx. 0.38 ct., F‑G color, VS2‑SI1 clarity; size 7; accompanied by AIGL gemological report. $800/1200

551. 14 kt. Yellow Gold, Emerald and Diamond Earrings. $300/500

553. 18 kt. White Gold, Paraiba Tourmaline and Diamond Ring, prong‑set cushion brilliant and modified brilliant cut natural tourmaline, 10.35 x 7.80 x 5.38 mm, wt. 2.84 ct.; diamond set scalloped should with 65 prong and channel‑set brilliant and baguette‑cut diamonds, total wt. approx. 0.73 ct., F‑G color, SI‑1 to I‑1 clarity; size 6.25, accompanied by GIA certificate for tourmaline and AIG gemological report for ring. $3000/5000

552. 18 kt. White Gold, Emerald and Diamond Ring, emerald 7.82 cts., diamonds 2.34 cts., size 7. $3000/5000

554. 18 kt. White Gold, Blue Sapphire and Diamond Ring, prong‑set cushion mixed cut natural sapphire, 7.84 x 7.20 x 4.04 mm, exact wt. 2.21 ct.; diamond bezel and diamond‑set split shoulders with 46 prong‑set round brilliant cut diamonds, total wt. approx. 0.81 ct., F‑H color, SI‑2 to I‑1 color; size 6.5, sapphire with GIA report; accompanied by AIG gemological report. $2500/3500

557. 14 kt. White Gold, Sapphire and Diamond Choker. $1500/2500

550. Platinum, Emerald and Diamond Ring, prong‑set rectangular step cut natural emerald, 10.10 x 8.00 x 5.20 mm, wt. approx. 3.49 ct.; tiered bezel supported by diamond set under gallery and ribbon shoulders comprised of 128 prong‑set round brilliant cut diamonds, total wt. approx. 0.99 ct., E‑G color, VS‑2 to SI‑2 clarity; size 6.75; accompanied by AIG gemological report. $3000/5000

555. 14 kt. White Gold, Sapphire and Diamond Bracelet, l. 7 in. $600/800

556. 18 kt. White Gold, Cabochon Sapphire and Diamond Bracelet, l. 7 in. $500/700

558. 14 kt. White Gold, Tanzanite and Diamond Ring, prong‑set square cushion cut natural tanzanite, 9.90 x 9.90 x 6.85 mm, wt. approx. 4.1 ct.; diamond set split shoulders with 28 prong‑set round brilliant cut diamonds, total wt. approx. 0.30 ct., F‑H color, I‑1 to I‑2 color; size 6.75; accompanied by AIG gemological report. $2000/3000

559. Pair of 14 kt. White Gold and Blue and White Diamond Stud Earrings, composed of 24 round brilliant cut blue diamonds and 8 round brilliant cut white diamonds, combined approx. wt. .50 ct. $500/800

Additional information at www.nealauction.com

561. 14 kt. White Gold and Diamond Unity Ring, prong‑set round brilliant cut diamond, wt. approx. 0.53 ct., H color, I‑1 clarity; shoulders with 24 tapering channel‑set baguette cut diamonds, total wt. approx. 0.30 ct., F‑H color, SI‑1 to I‑1 clarity; flanked by 28 prong‑set round brilliant cut diamonds, total wt. approx. 0.22 ct., F‑H color, I‑1 clarity; overall total diamond wt. approx. 1.05 ct., size 7; accompanied by AIG gemological report. $1200/1800

560. 14 kt. White Gold and Diamond Ring, size 5. $600/800

562. 14 kt. White Gold and Diamond Cluster Ring, set with 18 full cut diamonds, each .20 ct., and 1 full cut diamond at .30 ct., totaling approx. 4 cts., SI2‑I1 clarity, K‑L color. $2000/3000

565. 18 kt. White Gold and Diamond Necklace, diamonds totaling 10.84 cts., l. 16 in. $7000/9000

563. 18 kt. White Gold and Diamond Bracelet, diamonds totaling 9.68 cts., l. 7 in. $5000/7000

564. Platinum and Diamond Flower Earrings. $3000/5000

568. Vintage 14 kt. White and Yellow Gold and Diamond Lady’s or Man’s Ring, twin rows of 22 invisible‑set princess cut diamonds, total wt. approx. 0.50 ct., F‑H color, VS‑1 to SI‑1 clarity, size 7.25; accompanied by AIG gemological report. $1000/1500 566. 18 kt. White Gold and Diamond Long Necklace, diamonds 15.49 cts., l. 32 in. $8000/10000

569. 10 kt. Yellow, Rose and Green Gold and Diamond Ring, set with 1 European cut diamond, approx. .40 ct., SI1‑SI2 clarity. $300/500

573. Emerald‑Cut Golden Beryl Loose Gemstone, 28 cts. $1200/1500

567. 18 kt. White Gold and Diamond Ring, center diamond totaling 2.53 cts., size 7. $5000/7000

570. Vintage 14 kt. Yellow Gold and Diamond Cocktail Ring, c. 1960s, modeled as textured leaves and buds set with three full cut diamonds, size 7 1/2. $300/500

571. 14 kt. Yellow Gold and Natural Fancy Brown Diamond Ring, the band ring prong‑set with old mine cut diamond, approx. 1 ct., SI1‑SI2 clarity. $1000/2000

572. 14 kt. White Gold, Yellow Sapphire and Diamond Floral Earrings. $600/800

575. Antique American Art Nouveau Yellow Gold Bangle Bracelet, unmarked, probably 14 kt., set with 7 round faceted sapphires, wt. 16 dwts. $500/700 574. Antique American 14 kt. Yellow Gold Mesh Buckle Bracelet, wt. 24 dwt. $1500/2000

576. Antique Yellow Gold Buckle Brooch, unmarked, set with small faceted sapphires, wt. 11 dwts. Note: Loss of stone. $300/500

577. American 14 kt. Yellow Gold and Black Enamel Buckle Bangle Bracelet, c. 1860, unmarked, wt. 18.5 dwts. Note: Small area of damage to interior. $300/500

580. 14 kt. White Gold, Ruby and Diamond Pendant with 14 kt. White Gold Chain, pendant with open rectangular frame with 66 prong‑set round brilliant cut diamonds, total wt. approx. 0.88 ct., F‑H color, I‑1 to I‑2 color; 1 prong‑set mixed cut oval ruby and 1 prong‑set mixed cut round ruby, total wt. approx. 0.84 ct., pendant h. 1 3/8 in., w. 9/16 in.; chain with lobster clasp, l. 18 1/2 in.; accompanied by AIG gemological report. $800/1200

584. Yellow Gold and Opal Ring, set with 5 oval Australian opals, setting unmarked, probably 14 kt. $200/300

588. Yellow Gold, Lavender Jadeite and Angel Skin Coral Necklace, l. 24 1/2 in. $400/600

581. 10 kt. Yellow Gold and Reconstructed (Synthetic) Ruby Ring, set with oval faceted stone. $200/300

585. 14 kt. Yellow Gold and Precious Opal Channel Set “Saddle” Ring, unmarked, size 7, total wt. 4.0 dwt. $300/500

589. 14 kt. Yellow Gold, Red Coral Cabochon and Diamond Ring, size 8. $300/500

578. Lady’s 14 kt. Yellow Gold Charm Bracelet, rolo chain suspending 23 puffy heart charms, l. 8 in., wt. 10.9 dwt. $600/900

582. 18 kt. Yellow Gold and Synthetic Ruby Ring, Asian, probably Chinese. $150/250

586. 14 kt. Yellow Gold and Hawaiian Gold Opal “Saddle” Ring, marked .585, size 6, total wt. 2.0 dwt. $300/500

590. 14 kt. Yellow Gold and Carved Jadeite Brooch, floral‑carved apple green and white jadeite with seed pearl and polychrome enamel border. $300/500

579. 14 kt. Yellow Gold 6.3 mm. Bead Necklace, l. 15 in. $200/300

583. Vintage Yellow Gold and Cabochon Amethyst Ring, c. 1930s, size 6 1/2. $200/400

587. 18 kt. Yellow Gold and Chinese Jadeite “Saddle” Ring, marked, size 9, total wt. 3.5 dwt. $200/400

591. 18 kt. Yellow Gold, Lapis Lazuli and Diamond Ring, central ribbed melon‑shaped lapis lazuli cabochon flanked by 14 single cut diamond melees, total wt. approx. .10, set within tapered fluted mount, total wt. 5.1 dwt. $400/600

Additional information at www.nealauction.com

592. 14 kt. Yellow, Rose and Green Gold Wedding Band, set with 1 ruby (missing 5 stones). $100/200

593. Daum Pate de Verre Brooch, c. 1990, “Idilios”, designed by Alexandre Fassianos, set in gilt metal, 2 in. x 2 5/8 in. $100/150

594. Yellow Gold Cross and Shield Ring, unmarked, probably 18 kt., wt. 9 dwts. Note: Old repair. $300/400

596. Group of Yellow Gold Jewelry, incl. watch fob, unmarked probably 14 kt.; 10 kt. tie clip, unmarked tie clip, and antique 14 kt. ring mounting, total wt. 10 dwts. $250/350

597. Fine Pair of Victorian 15 kt. Yellow Gold and Oval Cabochon Garnet Pendant Earrings and Brooch, brooch with locket back and removable fringe pendant set with pear‑shaped cabochon garnet. $800/1200

598. Group of Jewelry in the Victorian Taste, incl. pair of Etruscan‑style 14 kt. yellow gold, black enamel and pearl earrings (reproduction), carved stone cameo mourning brooch, and bloodstone and sardonyx locket with gold‑filled mount. $200/300

600. 14 kt. Yellow Gold Cigarette Holder, mid‑20th c., with ejector mechanism and black plastic lip piece, l. 4 1/4 in. $300/500 601. Group of Silver Jewelry, incl. chatelaine with pencil, notepad and pillbox; and Native American silver and turquoise brooch. $150/250

603. Six Mignon Faget Sterling Silver Stacking and “Schema” Rings, 1992, signed and dated “’92”, incl. pair channeled, pair thin bands, 1 think band, and 1 dentilated, size 7.5, total wt. 1.05 ozs. $300/500

595. Group of Antique American Art Nouveau 14 kt. Yellow Gold Jewelry, incl. a comb, watch pin and 3 lingerie pins. $250/350

604. Gilt Metal and Moss Agate Irish Harp and Shamrock Bracelet and Brooch. $250/350

599. Two American Pocket Watches, one Waltham, the other by Dueber, both with hunter cases. $75/125

Provenance: The Friedle‑Garrison Collection, New Orleans.

602. Pair of Moroccan Engraved Silver Cuffs and Finials, set with oxblood cabochons; together with a pair of woven silver bracelets, all unmarked and untested. (6 pcs.) $200/300 Provenance: The Estate of Caroline P. Ireland.

605. Chinese Hardstone Jewelry, incl. jadeite bracelet, l. 7 in.; coral and jade bead necklace, approx. 10 mm., l. 23 in.; and 3 jadeite pendants, l. 1 3/8 in. to 1 3/4 in. (5 pcs.) $200/400

607. Three Antique Persian Illustrated and Illuminated Manuscript or Album Leaves, each painted with birds, ink and watercolor with black script highlighted in red and gold, sight 10 5/8 in. x 7 1/4 in., double matted and framed. $700/1000 Provenance: Collection of a New Orleans Antiquarian. 606. Indian Company School-Style Miniature Painting, 19th c., depicting the “Fort at Tughlakabad, near New Delhi”, watercolor on paper, 2 5/8 in. x 4 3/4 in., float mounted and framed. $500/700 Provenance: Collection of a New Orleans Antiquarian.

608. Antique Asian Bronze Buddhist Fragment, modeled as the right hand of a Buddhist figure raised in abhayamudra, h. 6 1/2 in., mounted to a wood plinth, overall h. 9 1/8 in. $200/300 Provenance: The Estate of Caroline P. Ireland.

609. Antique Chinese Hardwood Altar Table, Qing Dynasty (1644‑1911), rectangular top inset with three burled wood panels, scroll ends, pierced frieze with cash and ruyi heads, shaped legs, side stretchers, h. 33 in., w. 38 3/4 in., d. 15 1/2 in. $1000/1500

Provenance: With American missionary Whitefield Walton Brockman (1875‑1939), Professor at Soochow University (1904‑1908 and 1916‑c. 1920) and organizer of the Soochow Y.M.C.A. (1916‑c. 1920), Suzhou, China; thence by descent.

612. Large Chinese Ming-Style Blue and White Porcelain Dish, 20th c., well decorated with lotus bouquet, cavetto with lotus, peony and chrysanthemum scrolls, wide rim with waves, simulated heaping and piling throughout, h. 3 in., dia. 17 3/4 in. $200/300

613. Antique Chinese Celadon Stoneware Bottle Vase, neck and shoulder carved with concentric bands, body with grasses and foliage, h. 8 3/8 in. $100/200

610. Large Chinese Hardstone Embellished Red Lacquer Table Screen, decorated with birds in flight above lotus, h. 45 1/2 in., w. 31 in., d. 13 1/2 in. $2000/3000

614. Archaistic Chinese Patinated Metal Baluster Vase, late 19th/early 20th c., probably bronze and iron alloy, zoomorphic mask loose‑ring handles, h. 14 1/4 in. $200/300

611. Large Pair of Chinese Blue and White Porcelain Jardinières, decorated with dragons pursuing the flaming pearl, apocryphal Ming marks, h. 12 1/2 in., dia. 24 in. $2000/3000

615. Pair of Chinese Bronze Buddhist Lions, modeled seated on haunches wearing tassel‑hung collars, h. 15 1/2 in., w. 7 1/2 in., d. 15 1/2 in. $400/600

Provenance: American missionary Whitefield Walton Brockman (1875‑1939), Professor at Soochow University (1904‑1908 and 1916‑c. 1920) and organizer of the Soochow Y.M.C.A. (1916‑c. 1920), Suzhou, China; thence by descent.

617. Pair of Chinese Green Glazed Stoneware Pricket Stands, late 19th/early 20th c., modeled as Buddhist lions seated on plinths, h. 8 1/2 in., w. 2 1/34 in., d. 3 1/4 in.; together with a “blanc‑de‑chine” porcelain Buddhist lion, impressed mark, h. 6 1/4 in., w. 6 1/2 in. (3 pcs.) $250/350 616. Pair of Chinese Bronze Gu Vases, relief‑cast with stylized dragons and foliage, bases with apocryphal Qianlong marks, h. 11 3/4 in. $500/700

618. Chinese Qingbai Glazed Porcelain Water Dropper, late 19th/early 20th c., modeled as a pumpkin with leafy branch handle and zoomorphic head spout, h. 2 5/8 in., w. 2 3/4 in. $200/300

Additional information at www.nealauction.com

620. Large Chinese Cloisonné Enamel Charger, 20th c., decorated with the Eight Buddhist Emblems and lotus scrolls, h. 4 3/4 in., dia. 22 3/8 in. $300/500

619. Pair of Chinese Sang-de-Boeuf Glazed Porcelain Vases, overall rich oxblood red glaze, h. 21 in. $800/1200

621. Chinese Mother-of-Pearl Inlaid Hardwood Tray, 19th c., inlaid with Buddhist emblems, deer, fish, birds, and flowering branches, h. 3/4 in., w. 26 1/2 in., d. 18 in. $300/500 Provenance: American missionary Whitefield Walton Brockman (1875‑1939), Professor at Soochow University (1904‑1908 and 1916‑c. 1920) and organizer of the Soochow Y.M.C.A. (1916‑c. 1920), Suzhou, China; thence by descent.

622. Chinese Hardwood Brushwasher, 19th/early 20th c., carved as curled lotus leaf surmounted by a spider and lizard, h. 1 1/4 in., w. 9 in., d. 6 3/4 in. $200/400

623. Chinese Hardstone Embellished Lacquered Wood Panel, probably Qing Dynasty (1644‑1911), decorated with flower vases, antiques and scholarly accoutrements, 46 in. x 21 3/4 in., framed. $350/550

624. Chinese Dreamstone Marble Plaque on Stand, circular stone naturally included resembling a mountainous landscape, inscribed, framed and mounted on an elaborate openwork stand, h. 17 in., w. 14 1/2 in., d. 5 3/8 in. $400/600

627. Chinese Red Lacquer Covered Box, top molded with dragons pursuing the flaming pearl, sides with lotus and chrysanthemum scrolls, base with apocryphal Qianlong mark, h. 8 in., dia. 10 1/2 in. $800/1200

625. Large Chinese Soapstone-Embellished Red Lacquer Model of a Horse, 20th c., standing figure modeled wearing a saddle molded with dragons pursuing the flaming pearl, h. 41 in., w. 39 1/2 in., d. 11 in. $300/500

628. Pair of Chinese Red Lacquer Double Gourd Vases, molded with fruiting and flowering vines on a diaper ground, bases with apocryphal Qianlong marks, h. 19 1/2 in., dia. 10 in. $1200/1800

626. Three Chinese Red Lacquer Vases, brass rims, blue enamel interiors and bases, each with cartouches molded with flowers on a diaper ground surrounded by lotus scrolls, h. 7 in. and 9 1/4 in. $200/300

629. Chinese Red Lacquer Rectangular Box, hinged cover molded with a dragon amid cloud scrolls, h. 2 1/4 in., w. 6 in., d. 4 1/4 in. $150/250 Provenance: The Estate of Caroline P. Ireland.

630. Pair of Chinese Hardwood Child’s Chairs, Qing Dynasty (1644‑1911), slightly curving top rail, S‑scroll back slat, curving turned back posts, rectangular seat inset with woven cane, square legs, stretchers, foot rest, h. 28 1/4 in., w. 13 1/4 in., d. 11 3/4 in. $800/1200

Provenance: Neal Auction, May 4, 2013, lot 602.

631. Chinese Gourd Cricket Cage, 19th/20th c., waisted body with two mei (beauty) characters, reticulated bone‑inset wood cover carved with dragon pursuing flaming pearl, h. 3 3/4 in. $200/300

632. Two Chinese Rock Crystal Brush Washers, carved as halved open peaches born on leafy branches, h. 1 in. and 1/2 in., w. 4 1/2 in. and 4 1/4 in. $150/250

633. Chinese Mughal-Style Glass Bowl, 19th/early 20th c., carved with gently curving fluted sides, h. 2 1/4 in., dia. 6 in., wood stand, overall h. 6 1/8 in. $300/500

Provenance: R.J. Sutton Antiques, New Orleans. 634. Chinese Carved Coral Mythical Beast Head, Qing Dynasty (1644‑1911), d. 7/8 in., mounted as a pin, l. 3 in., suspended on silk brocade, framed. $250/350

635. Archaistic Chinese Mottled Brownish Red Soapstone Bi Disk, dia. 11 3/4 in. $100/150

636. Chinese Lapis Lazuli, Crystal and Hardstone Court Necklace, probably early 20th c., 108 lapis beads, 4 hardstone fotou, tassel cord suspending carved glass and crystal pendants, 3 jinnian strands with crystal pendants. $300/500

Provenance: Collection of a New Orleans Antiquarian.

637. Two Pairs of Chinese Hardstone Trees in Cloisonné Enamel Pots, first pair with single tree in each pot, h. 8 3/4 in.; second with two trees in each pot, h. 9 in. $200/300

638. Chinese Hardstone Tree in Cloisonné Enamel Jardinière, realistically modeled with fabric wrapped branches issuing quartz, agate and other hardstone flowers and fruit, h. 22 in. $400/600

639. Two Chinese Hardstone Trees in Cloisonné Enamel Pots, realistically modeled with fabric wrapped branches and colorful flowers and fruit, h. 17 1/4 in. and 12 in. $300/500

641. Pair of Chinese Cloisonné Enamel Candleholders, each modeled as a crouching animal grasping lingzhi sprays in its mouth and with a candle cup on its back, h. 4 1/2 in., w. 4 1/2 in. $300/500 Provenance: The Estate of Caroline P. Ireland. 640. Pair of Chinese Tessellated Bone Hexagonal Baluster Vases and Stands, carved with bird‑and‑flower panels beneath incised foliate scrolls, flower heads, and pendant leaf tips, stands with lion’s mask and claw feet, h. 24 3/4 in. $800/1000

644. Pair of Chinese Yellow Sgraffiato Glazed Blue and White Porcelain Bowls, 20th c., interiors decorated with bird and pine roundels, exteriors incised with dragons, bases with Guangxu marks, h. 2 1/4 in., dia. 5 3/8 in. $400/600

Provenance: Triple Pier Antiques Show, New York, c. 1988.

642. Chinese Peachbloom Glazed Porcelain Bottle Vase, base with apocryphal Yongzheng mark, h. 15 1/2 in. $500/700

643. Chinese Blue and White Porcelain Lantern-Form Table Lamp, Republic Period (1911‑1949), 2 parts, hexagonal cover with figural, floral and landscape roundels over pierced window panes on dense floral ground, electrified stem foot, h. 11 3/4 in. $600/800

645. Pair of Chinese Famille Rose Porcelain Hexagonal Vases, possibly Republic Period (1911‑1949), applied fruiting branch handles, decorated with birds on prunus branches and calligraphy, h. 17 1/2 in. $500/800

646. Chinese Famille Rose Porcelain Vase, molded with an iron red ribbon around neck, decorated with colorful butterflies in flight, base with apocryphal Duoguang mark, h. 14 in. $400/600

647. Pair of Chinese Iron Red and White Porcelain Bowls, decorated with dragons in pursuit of the flaming pearl, base with apocryphal Daoguang marks, h. 2 1/2 in., dia. 5 in. $400/600

Additional information at www.nealauction.com

650. Chinese Brass-Mounted Bamboo and Wicker Three-Tiered “Wedding” Basket, bamboo frame carved with scrollwork and flowers, basketry wove with two‑tone geometric designs, h. 27 1/2 in., w. 19 in., d. 17 1/2 in. $200/600 649. Two Vintage Chinese Cased Mahjong Sets, smaller case with applied wood carvings; larger with brass mounts, both with bone and wood tiles and bone counting sticks, h. (excl. handles) 6 1/2 in. and 8 3/8 in., w. 9 1/2 in. and 9 3/8 in., d. 6 1/4 in. and 7 1/8 in. $400/600 648. Chinese Mother-of-Pearl Inlaid Hardwood Drum-Form Garden Seat, circular top inlaid with birds amid flowering branches, shaped apron and bombe legs with fruiting and flowering branches, h. 18 in., dia. 16 in. $200/300

Provenance: The Estate of Caroline P. Ireland.

651. Chinese Inscribed Yixing Pottery Tea Set, Republic Period (1911‑1949), incl. covered teapot, base marked, h. 6 3/4 in., w. 8 3/4 in.; covered sugar, h. 4 1/2 in., w. 6 in.; creamer; 6 cups and 6 saucers, bases marked, saucer dia. 5 3/8 in., except teapot, all interiors glazed. $400/600

652. Large Chinese Polychrome Porcelain Figure of Guanyin, 20th c., modeled seated on a rockwork ledge holding a scroll, base marked, h. 25 in. $600/800

653. Three Chinese Snuff Bottles, incl. red overlay “snowflake” glass, base with apocryphal Qianlong mark, h. 3 in.; and 2 molded gourd, one bottle form, other square, h. 3 3/4 in. and 2 7/8 in. $300/500

656. Two Pairs of Japanese Ginbari Cloisonné Vases, larger with prunus branches in yusen on a red foil ground embossed with birds and bamboo, h. 9 1/2 in., stands, overall h. 11 1/4 in.; smaller with a mountainous landscape and Fuji in yusen on a red foil ground embossed with birds and bamboo, base rims stamped “Japan Cloisonné”, h. 7 1/4 in., stands, overall h. 8 3/4 in. $300/500

654. Three Chinese Snowflake Glass Snuff Bottles, 19th c., incl. amber overlay carved with monkeys and peach branches, h. 3 1/4 in.; green carved with lotus and peach, h. 2 3/4 in.; and brown carved with deer and pine and He He twins and phoenix, h. 3 3/8 in. $300/500

657. Japanese Iron Tea Kettle, dragon head spout, dragon form swivel handle, lizard knop, body with applied foliage and fish, paw feet, h. (incl. handle) 9 3/8 in., w. 9 1/2 in. $100/150

660. Pair of Gilt Bronze-Mounted Imari Porcelain Bottle Vases, decorated with peony, bamboo and chrysanthemum, mounted as lamps, h. (to socket) 16 in. $1000/1500

655. Nine Chinese Snuff Bottles, 20th c., incl. white overlay goldstone flecked amber glass; brown overlay blue glass; red, blue, green and yellow overlay white glass; purple overlay snowflake glass; 2 inside painted; red soapstone; banded agate; and silvered; h. 2 1/2 in. to 3 3/8 in. $200/300

658. Two Japanese Bronze Mirrors, Meiji Period (1868‑1912), larger with mixed‑metal flower head on diaper ground, raised inscription, h. 12 1/2 in., dia. 8 3/8 in.; smaller with mon above prunus, peony and rocks, raised inscription, h. 8 1/2 in., dia. 5 1/8 in. $200/300

659. Japanese Imari Porcelain Rose Water Sprinkler, Meiji Period (1868‑1912), bottle‑form body decorated with floral cartouches, h. 7 1/8 in. $150/250

Provenance: The Estate of Caroline P. Ireland.

661. Japanese Blue and White Porcelain Double Gourd Vase, decorated with bird‑and‑flower cartouches on a stippled ground strewn with lotus, neck and lower body banded with bamboo, h. 34 1/2 in. $1000/1500 662. Pair of Asian Rock Crystal, Ruby and Emerald Embellished Silvered Filigree Covered Ritual Alms Bowls, vajra finials, overall scrollwork filigree set with oval and tear‑shaped gems, splayed feet, h. 6 5/8 in., and 6 1/2 in. $1000/1500

Session Two Sunday, June 23, 11 a.m. 3923 Carondelet

Additional information at www.nealauction.com

663. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou”, oil wash on board, signed lower right, 10 1/8 in. x 20 in., framed. $1200/1800 666. Peyton Hamilton Carmichael (American/ Alabama, b. 1940), “White Lilies with Wallpaper Background and Greek Bust”, 1996 and “White Cattleya Orchids with Red Patterned Wallpaper”, 1987, 2 watercolors on board, each pencil‑signed and dated lower right, both 40 in. x 30 in., framed. (2 pcs.) $600/800 Provenance: The Estate of Caroline P. Ireland.

668. Theodore Demerest Coe (American/Florida, 1866-1958), “Spring Landscape”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $700/1000

671. Charles Whitfield Richards (American/Louisiana, 1906-1992), “Oyster Tongmen”, oil on canvas laid on masonite, signed lower right, 10 in. x 12 in., framed. $600/800

664. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 40 in., framed. $1200/1800

665. Donny Finley (American/Alabama, b. 1951), “Wading in the Waters”, oil on canvas, signed lower right, “Finley Gallery, Mountain Brook, AL” label on backing, 6 in. x 4 3/8 in., framed. $600/800 Provenance: The Estate of Caroline P. Ireland.

667. Southern School, late 19th/early 20th c., “Hazy Lagoon Landscape”, oil on canvas, unsigned, 21 3/4 in. x 36 in., framed. $800/1200

669. Theodore Demerest Coe (American/Florida, 1866-1958), “Autumn Landscape”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $700/1000

672. John James Audubon (American, 1785-1851), “Brown Titlark”, Plate 10, hand‑colored engraving with aquatint, from The Birds of America, Havell edition, “J. Whatman 1832” watermark, sheet 25 1/2 in. x 37 7/8 in., framed. $500/750

675. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Rosie”, 2005, ed. 2/10, “Fabiola”, 2005 and “Angelica”, 2007, ed. 4/10, 3 gelatin silver photographs, 2 pencil‑signed, dated, titled and edition en verso, one pencil‑signed en verso, from The Spirit & The Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

670. Roma Burris Quartana (American/ Louisiana, 1918-2009), “Restaurant Patio” and “Key West, Florida”, 2 watercolors on paper, each signed lower right, latter titled en verso, 15 1/4 in. x 22 1/4 in., framed alike. (2 pcs.) $400/600

673. After John James Audubon (American, 1785-1851), “American Scoter Duck”, 1971‑72, Plate CCCCVIII, No. 2, photolithograph on wove paper, from The Birds of America, Amsterdam edition, “G. Shut & Zonen” watermark, sheet 25 7/8 in. x 39 1/4 in., framed. $300/500

674. John Gould (British, 1804-1881), “Heliomaster Mesoleuctus” and “Sporadinus Elegans”, 2 hand‑colored lithographs, from Family of Hummingbirds, sheets 21 1/4 in. x 14 3/8 in., framed alike. (2 pcs). $400/600

676. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Kisses”, 2005, ed. 4/10, “Peacock and Pigeon”, 1996, ed. 3/25 and “Encencio”, 2004, ed. 1/10, 3 gelatin silver photographs, each pencil‑signed, dated, titled and edition en verso, from The Spirit & the Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

677. Debbie Fleming Caffery (American/Louisiana, b. 1948), “Homer with Shovel”, 1987, artist proof, “Homer Foggy Morning, Patoutville, Louisiana”, 1986, ed. 2/25, 2 gelatin silver photographs, both pencil‑signed, dated, titled and edition en verso, sheets 24 in. x 20 in., unframed. (2 pcs.) $600/800

679. George Valentine Dureau (American/ New Orleans, 1930-2014), “Jeffrey Cook”, gelatin silver print, signed lower right, titled lower left, 10 in. x 8 in., framed. $200/400

680. [Map of Alaskan Gold Rush], Map of Alaska Showing Known Gold‑Bearing Rocks with Descriptive Text Containing the Sketches of the Geography, Geology, and the Gold Deposits and Routes to the Fields, Washington, D.C., United States Geological Society, 1898, 44 pgs. of text, paper boards, with color‑lithograph folding map (23 1/2 in. x 28 3/4 in). $100/200

678. Roberta Jean Blair (American/North Carolina, 1913-2010), “Shattered Glass”, “Slanting Sunlight”, “Morning Light”, “Seawall”, “Grass” and “Illusion”, 6 dry mounted silver gelatin prints, 3 pencil‑signed lower right on matting, each titled and artist label on backing board, sheets 6 1/6 in. x 9 15/16 in. to 9 7/8 in. x 7 7/8 in., framed alike. (6 pcs.) $600/800

680A. [Confederate Railroad Map], “Map of the United States Military Rail Roads Showing the Rail Roads operated during the War from 1862‑1866, as Military Lines, under the direction of Bvt. Brig. Gen. D.C. McCallum, Director and General Manager”, 1866, hand‑colored lithograph map by Julius Bien, NY, 25 in. x 38 1/4 in., accompanied with text. $100/200

680B. Twenty Antique Stereo Views of New Orleans, 19th c., 20 stereo views by Theodore Lilienthal, from his series New Orleans & Vicinity, incl. bird’s‑eye‑views of the city, French Market, Fair Grounds, Mardi Gras, Jockey Club, and others, each 3 1/2 in. x 7 in. $500/700

681. Folk Art Green Glazed Pottery Figural Jardinière, molded with visage and stylized leaves, h. 11 in., dia. 9 1/2 in. $300/500

Provenance: The Estate of Caroline P. Ireland.

682. Pair of French Cast Iron Urns with and Tôle Peinte Floral Sprays, h. 58 in. $700/1000

685. Group of Sterling Silver Bar Accoutrements, incl. Georg Jensen “Acanthus” pattern bottle opener, 2 Kirk jiggers, Lunt jigger, diminutive German wedding cup and a French 1st standard jigger, total wt. (weighable) 10.25 troy ozs. $200/400 Provenance: The Estate of Caroline P. Ireland.

686. Austrian .813 Silver Flat Server, early‑to‑mid 19th c., probably Prague, marks rubbed, flat chased blade decorated with the Three Graces, hollow handle, l. 10 3/4 in., together with a neo‑classical style .925 silver covered urn, 20th c., h. 7 7/8 in. $150/250

683. Monumental Norwegian Hammered Copper Tea Kettle, mid‑20th c., marked “Gunnar Nilsen/ Trondheim”, domed cover, tin lined, h. (incl. handle) 17 1/4 in., w. 18 1/2 in., d. 13 1/2 in. $400/600

687. Pair of Antique Silver-Mounted Panel-Cut Crystal Covered Butter Dishes and Pepperettes, late 19th c., butter dish h. 4 in., w. 4 1/4 in., pepperette h. 7 in. $150/250

684. Pair of Silverplate Wine Coolers, footed baluster form with branch and oakleaf handles, h. 7 3/8 in., w. 11 1/2 in. $400/600

688. Continental .925 Silver Repoussé Tea Canister, h. 4 1/2 in., wt. 5.25 troy ozs.; together with a silverplate dish. $150/250

Additional information at www.nealauction.com

691. American Bronze Sinumbra Lamp, 19th c., attr. to Cornelius & Baker, standard with Washington and Jefferson portrait medallions, stepped marble base, now electrified, lacking font, foliate‑cut shade, h. 25 in., dia. 12 in. $800/1200

689. Spanish Colonial Silver Stirrup. $100/200

690. Group of Antique Late Georgian Sterling Silver Sugar Tongs, various makers incl. Thomas Northcote & George Bourne, London, 1794; London, 1813, possibly Thomas Dicks; Dublin, 1825, possibly James Brady; and Thomas Wheatley, Newcastle, 1832; together with unmarked silver and baleen toddy ladle, l. 7 5/8 in.; and Victorian caddy spoon, John and Henry Lias, London, 1842, later presentation inscription, l. 3 5/8 in.; total wt. (weighable) 5.60 troy ozs. $150/250

692. Pair of American Cast Iron Gas Lanterns in the Gothic Taste, late 19th c., hexagonal form, panes with Gothic tracery, scrolled bracket, (one lacking), h. (without bracket) 26 in., dia. 13 1/2 in. $800/1200 695. Continental Rock Crystal and Gilt Metal Lamp, vasiform standard, surmounted with faceted and polished pendants, hexagonal base, paw feet, h. 33 in., dia. 17 1/2 in. $600/900 Provenance: The Estate of Caroline P. Ireland.

693. Empire-Style Gilt and Patinated Bronze Chandelier, inverted bell form, fruit pendant, electrified, h. 29 in., dia. 17 1/2 in. $400/600

696. Monumental SilverplateMounted Cut Glass Claret Jug, figural mounts, scrolled handle, h. 15 1/2 in., w. 8 in., d. 6 3/4 in. $400/600

694. Pair of French Gilt Metal and Cut Crystal Sconces, c. 1920, central winged mask, foliate arms, electrified, h. 16 in., w. 11 in., d. 6 in. $800/1200 Provenance: The Estate of Caroline P. Ireland.

697. English Aesthetic Movement Carved Ash Wardrobe, late 19th c. and later, attr. to Lamb of Manchester, dentil‑molded cornice surmounted by finials, mirrored door flanked by paneled doors, shaped base, later interior, h. 87 1/2 in., w. 90 1/2 in., d. 12 in. $2500/3500 Provenance: By repute, originally made for the Duke of Marlborough.

699. Antique Spanish Wrought Iron Four Panel Screen, 19th c., quatrefoil motif, h. 65 in., w. 70 in. $400/600 698. Antique Chinoiserie Black Lacquer Chest on Stand, foliate strapwork hinges, fitted interior, reticulated brackets, square legs, h. 66 in., w. 40 in., d. 14 in. $1200/1800

702. Pair of Smoke Gray Cut Glass Two-Light Girandoles in the Georgian Taste, 20th c., Czechoslovakia, h. 21 1/4 in.,w. 13 in., d. 8 1/2 in. $600/800

700. Two Moroccan Carved, Inlaid and Ebonized Tabourets, extensively carved foliate tops, octagonal cases, chamfered corners, h. 18 1/2 in., dia. 19 in. $400/600 701. Pair of Nesle Gilt Brass and Cut Crystal Six-Light Chandeliers for Peter Marino, foliate arms, cut‑crystal dish, electrified, h. 31 in., dia. 24 in. $1000/1500

703. Pair of Italian Cut Crystal and Rose Quartz Two-Light Sconces, scroll‑form standards and arms hung with clear and rose crystal swags and rose quartz pendeloque pendants, h. 20 in., w. 16 in., d. 9 in. $700/900

706. Patinated Bronze Figure of Hermes, after Giambologna, h. 14 1/2 in., w. 6 1/4 in., d. 3 3/4 in., verde antico marble base, overall h. 21 in. $300/500

704. Group of Silver and Silverplate-Mounted Glass, incl. cologne atomizer with tortoiseshell inset cover, h. 7 1/2 in.; 2 sugar casters, one etched, other marked “Christofle”, h. 6 3/4 in. and 6 1/2 in.; pair of salt or peppers, marked “EPNS”, h. 6 1/8 in.; square covered cologne, h. 5 in.; covered ovoid jar, h. 5 1/4 in.; stoppered bottle, marked “JBC & SL”, h. 4 1/8 in.; and “LHM” overlay “NESTLE” jar, marked .925, h. 4 1/2 in. (9 pcs.) $400/600

705. Collection of Sixteen Antique and Vintage Glass Apothecary Jars and Bottles, incl. several with labels: “Maranta”, “P.Aloes.S.”, “Ess.Pepsin.Fairchild”, “Carbo”, and “Marsh & Company”, several partially filled with powders, leaves and liquids, h. 5 1/4 in. to 19 in. $300/500

707. Painted Terracotta Figural Group of Wrestlers, after “Hercules and Antaeus” by Stefano Maderno, h. 25 1/2 in. $500/700

709. Two Continental Carved Giltwood Mirrors, 19th c., foliate molded frames, later gilt surface, dia. 12 in. $250/350

710. Antique American Cast Iron Garden Table, tilt top, shaped standard and base, old paint surface, h. 27 in., dia. 28 in. $500/700

711. Antique American Cast Iron Bench, mid‑to‑late 19th c., entwined scrollwork back centered by a grape cluster, conforming seat rail, flared legs, stretchers, h. 31 1/2 in., w. 43 in., d. 14 in. $500/700 Provenance: The Friedle‑Garrison Collection, New Orleans.

708. Continental Rococo-Style Giltwood Overmantel Mirror, rocaille crest, rope‑turned surround, h. 83 in., w. 52 in. $500/1000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

713. Patinated Bronze Figure of “Diane de Gabies”, after Ron Liod Sauvage, h. 21 in, w. 6 in., d. 6 in. $800/1200 715. Antique Egyptian Revival Marble Bust of a Woman, h. 23 in., w. 14 in., d. 8/12 in. $600/900 712. Large Pair of Architectural Cast Iron Horse Heads, patinated surface, h. 22 in., w. 30 in., d. 14 in. $1000/1500

716. Modernist Carved Marble Figure of a Woman, h. 41 in., w. 22 in., d. 9 3/4 in. $800/1200

714. Carved White Marble Head of a Bacchic Youth, black marble plinth, overall h. 19 in., w. 8 in., d. 8 in. $600/800

717. Nag Arnoldi (Swiss, 1928-2017), “Venice Plaza”, 1968, “Fisherman in a Boat”, 1968, “Horse and Bull”, “Musical Woman” 1965 and “Two Horses”, 1968, 5 stone lithographs on paper, each signed and 4 dated lower right, each with edition lower left, sights 16 in. x 22 3/4 in. to 27 3/4 in. x 23 3/4 in., all framed. (5 pcs.) $500/700 Additional information at www.nealauction.com

718. Pair of Continental Mahogany and Burlwood Occasional Tables, reticulated tray top, fluted canted corners, two shelves, flared legs, h. 28 in., w. 19 1/2 in., d. 16 in. $600/800 719. Pair of Baltic Neoclassical-Style Inlaid Mahogany Commodes, three drawers, molded base, tapered feet, h. 33 in., w. 28 1/2 in., d. 18 in. $700/900

720. William Tillyer (British, b. 1938), “Untitled”, 1992, watercolor on paper, “Adelson Galleries, New York, NY” label with artist, title and date on backing board, 7 1/2 in. x 9 1/8 in., framed. $400/600 Provenance: The Estate of Caroline P. Ireland.

721. Kenneth Draper (British, b. 1944), “Enclosed Monolith”, 1991, pastel on paper, signed lower right, titled and dated lower left, “Adelson Galleries” label with artist, title and date on backing, sight 13 in. x 15 in., framed. $300/500 Provenance: The Estate of Caroline P. Ireland.

723. Michelle Valborg Kondos (American/New Orleans, 20th c.), “Opened Pepper”, 1997, oil on canvas, signed and dated upper left, signed, titled, dated and artist business card en verso, 16 in. x 20 in., framed. $400/600 722. Michelle Valborg Kondos (American/New Orleans, 20th c.), “Standing Nude”, 1995, oil on canvas, signed and dated lower left, 24 in. x 12 in., framed. $600/800

Provenance: The Estate of Caroline P. Ireland.

724. Raymond A. Thomas (American/Chicago, b. 1966), “Conversion of Mary Magdalene”, 2012, acrylic on gallery‑wrapped canvas, initialed and dated lower right, 68 in. x 125 in., unframed. $2000/3000 Provenance: Collection of Ti‑Rock Moore, New Orleans.

Exh.: “Son of Man Book II: A reVision of the Christ”, South Side Art Center, Chicago, IL, Oct. 2012.

726. Conrad Schwiering (American/Wyoming, 1916-1986), “Softly Comes the Winter”, oil on masonite, signed lower right, “Schwiering, Jackson Hole, Wyoming” label, additional typed artist label, artist stamps and inscribed en verso, 24 in. x 36 in., framed with brass artist and title plaque. $4000/6000

725. Joe Beeler (American/Arizona, b. 1931), “No Compromise”, oil on linen, signed lower right, titled en verso, “Trailside Americana Fine Art Galleries” label on reverse of frame, 16 in. x 12 in., framed. $3000/5000

727. Gary Carter (American/Montana, b. 1939), “Crow Study”, 1993, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, 12 in. x 9 in., framed. $800/1200

Provenance: Western Visions “93” Miniature Show, National Wildlife Art Museum, Jackson Hole, WY, Sept. 17, 1993, no. 20.

728. Jim Wilcox (American/Wyoming, b. 1941), “Teton Marsh”, oil on masonite, signed lower right, titled en verso, 9 in. x 12 in., framed. $600/800

Provenance: Western Visions “93” Miniature Show, National Wildlife Art Museum, Jackson Hole, WY, Sept. 17, 1993, no. 100.

729. Jimmy Dyer (American/Texas, b. 1956), “String Lake”, oil on masonite, signed lower left, signed and titled en verso, 9 in. x 12 in., framed. $400/600

Provenance: Western Visions “93” Miniature Show, National Wildlife Art Museum, Jackson Hole, WY, Sept. 17, 1993, no. 33.

730. Shawn Cameron (American/ Arizona, b. 1950), “Portrait of a Cowboy on Horseback”, oil on canvas laid on masonite, signed lower left, “The Legacy Gallery, Jackson, WY” label on frame, 12 in. x 9 in., framed. $700/1000 734. James “Jim” Ritchie (Canadian, b. 1929), “Cubist Woman”, 1992, pastel on paper, signed and dated lower left, “Adelson Galleries, New York, NY” label with artist, title and date en verso, 19 3/4 in. x 12 3/4 in., framed. $400/600 Provenance: The Estate of Caroline P. Ireland.

733. Fleur Cowles (American, 1908-2009), “Lilies”, 1959, watercolor and gouache on paper, signed and dated lower right, 24 in. x 15 in., framed. $400/600

732. Sam Yeates (American/Texas, b. 1951), “Study for Muse at Early Evening, Witching Hour Series”, oil on linen, signed lower right, titled en verso, 16 in. x 20 in., framed. $700/1000

735. Tom Judd (American/New Jersey, b. 1952), “Composition with Patterned Vase and Building”, 1984, watercolor and graphite on paper, pencil‑signed and dated lower center, “Coe Kerr Gallery, New York, NY” label on backing, 19 1/2 in. x 24 1/4 in., framed. $400/600

736. Robert Gordy (American/New Orleans, 1933-1986), “Red Sofa, No. 3”, silkscreen on paper, pencil‑signed and numbered “16/80” lower margin, sheet 26 3/16 in. x 36 7/8 in., framed. $400/600

Provenance: Coe Kerr Gallery, New York, NY; The Estate of Caroline P. Ireland.

Provenance: The Estate of Caroline P. Ireland.

737. George Rodrigue (American/Louisiana, 1944-2013), “I See You, You See Me: Split‑Font”, 1993, silkscreen, signed lower left, inscribed “artist proof” lower right, artist stamp en verso, edition of 35 plus artist proofs, sheet 17 9/16 in. x 25 1/16 in., unframed. $2000/3000 Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 85.

740. George Rodrigue (American/ Louisiana, 1944-2013), “Double Blue Dog Pin”, sterling silver vermeil, marked “©Rodrigue” and sterling, a rare early prototype, 1 5/8 in. x 1 7/8 in. $1200/1800

731. Diane Abt (American/ California, b. 1941), “Pinwheels (1)”, 2006, acrylic on canvas, signed lower right, signed, titled and dated on stretcher, 23 in. x 17 1/4 in., framed. $300/500

738. George Rodrigue (American/Louisiana, 1944-2013), “Oh Say Can You See: White”, 1993, silkscreen, signed lower right, inscribed “artist proof” lower left, artist stamp en verso, edition of 40 plus artist proofs, 25 1/16 in. x 32 1/2 in., unframed. $2000/3000

Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 84.

741. George Rodrigue (American/Louisiana, 1944-2013), “Blue Dog Pin ‑ Full Body”, sterling silver vermeil, marked “©Rodrigue” and sterling, a rare early prototype, 1 3/4 in. x 1 1/8 in. $1000/1500

742. George Rodrigue (American/Louisiana, 1944-2013) and Douglas Magnus (American/ New Mexico, b. 1946), “Blue Dog Pin: Full Body”, 1999, sterling silver with 14 kt. gold aura, signed on front, marked “©GR 1999”, sterling, 14k and Magnus hallmark, 1 3/4 in. x 1 1/5 in. $800/1200

739. George Rodrigue (American/Louisiana, 1944-2013), “I See You, You See Me”, 1993, silkscreen, signed lower right, inscribed “artist proof” lower left, artist stamp en verso, edition of 90 plus artist proofs, sheet 17 9/16 in. x 25 1/16 in., unframed. $1500/2500 Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 85.

743. George Rodrigue (American/ Louisiana, 1944-2013) and Douglas Magnus (American/New Mexico, b. 1946), “Mardi Gras Blue Dog Pin”, sterling silver, marked “©Rodrigue”, sterling and Magnus hallmark, 1 3/4 in. x 1 7/8 in. $600/800

744. George Rodrigue (American/ Louisiana, 1944-2013), “Blue Dog Pendants”, one sterling silver vermeil and one sterling silver, each marked “©Rodrigue” and sterling, 1 1/4 in. x 7/8 in. and 1 5/8 in. x 1 in. $500/700

Additional information at www.nealauction.com

745. George Rodrigue (American/Louisiana, 1944-2013), “Home on the Moon”, 1991, lithograph, edition of 1000 plus artist proofs, signed in plate lower left, ink‑signed and inscribed “Artist Proof” lower margin, sheet 15 3/16 in. x 25 in., framed. $1000/1500 Provenance: Acquired from the artist, New Orleans, LA, 1991.

Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 211.

746. Victor Vasarely (Hungarian/French, 1906-1997), “Orange Abstract Compositions”, 2 serigraphs on paper, pencil‑signed and numbered “175/250” and “227/250” lower margins, sights 26 1/2 in. x 26 1/2 in., framed alike. (2 pcs.) $800/1200 748. Frederick J. Brown (American/ Georgia, 1945-2012), “Oscar Peterson”, 2005, serigraph on paper, signed, dated and numbered “5/5 P/P” mid‑right, 30 in. x 43 in., unframed. $600/800

747. Ashley Longshore (American/New Orleans, 20th c.), “Drink Like a Fish”, mixed media diptych on panel, each panel signed upper left and signed and titled en verso, each 80 in. x 24 in., overall 80 in. x 48 in., unframed. (2 pcs.) $12000/18000

749. Frederick J. Brown (American/ Georgia, 1945-2012), “Sarah Vaughan”, 2005, serigraph on paper, signed, dated and numbered “5/5 P/P” mid‑left, 38 in. x 30 in., unframed. $600/800

751. Josephine Sacabo (American/Texas, b. 1944), “El Angel Salvaje”, 1995, silkscreen on paper, pencil‑signed and numbered “60/350” lower margin, from CAC Collectors Club, sight 20 in. x 17 in., framed. $400/600 750. Two Posters by Jean Tinguely (Swiss, 1925-1991), Montreux Detroit Jazz Festival, 1982, and Voliere Dromesko, 1995, sights 39 in. x 27 in. and 38 1/2 in. x 26 3/4 in., framed. (2 pcs.) $300/500

Provenance: The Estate of Caroline P. Ireland.

752. Corbusier-Style Chromed Steel and Leather Three Seat LC2-Style Sofa, 1970s, made in Italy, burnt orange leather, h. 27 in., w. 70 in., d. 27 1/2 in. $1500/2500 753. Corbusier-Style Chromed Steel and Leather Two Seat LC2-Style Sofa, 1970s, made in Italy, burnt orange leather, h. 26 in., w. 50 in., d. 27 1/2 in. $1000/1500

754. Pair of Ludwig Mies van der Rohe (1886-1969) Chromed Steel and Leather Barcelona Chairs, c. 1971, Knoll International, unmarked, burnt orange leather, h. 31 in., w. 30 in., d. 30 in. $1500/2500

755. Paul Frankl (1886-1958) for Johnson Furniture Co. Lacquered Cork and Mahogany “Ameoba/ Cloud” Coffee Table #5005, c. 1950s, Grand Rapids, MI, biomorphic top, four sculpted plank legs, stenciled “5005 231”, h. 14 3/4 in., w. 47 3/4 in., d. 36 in. $5000/7000

756. Three Ludwig Mies van der Rohe (1886-1969) Chromed Steel and Leather “Brno” Padded Armchairs, 1971, “Knoll International, 320 Park Ave., NY” label, and manufacture date “Oct. 3, 1971”, brown leather, h. 31 1/2 in., w. 23 in., d. 22 in. $600/900

757. Vico Magistretti (Italian) for Artemide Molded Fiberglass-Reinforced Plastic “Vicario” Armchair, c. 1970, Italy, fully marked, h. 26 1/2 in., w. 28 in., d. 23 in.; together with Pasca, Vanni. Vico Magistretti Designer. $300/500

760. Modern Marble and Gilt Iron Demilune Console Table, black marble top, scroll motif base, h. 37 1/2 in., w. 67 1/2 in., d. 14 1/8 in. $300/500

759. Mid-Century Modern Teak L-Shaped Cocktail Bar, mid‑1960s, black laminate and wood top, black vinyl accent wall and rubber inset footrest on front, storage, shelving and slide‑out cutting board on back, angled legs, h. 40 1/4 in., w. 59 1/4 in., d. 31 in.; together with 3 barstools, mid‑1960s, “Washington Wood Prod. Inc” label, black vinyl swivel seats, chromed hoop footrests, h. 30 1/4 in., dia. 15 in. (4 pcs.) $700/1000

758. Contemporary Leather “Window” Bench, nailhead decorated uprights, loose cushion, conforming base, h. 24 in., w. 36 1/2 in., d. 21 in. $200/400

761. Pair of Contemporary Glass Table Lamps, h. 21 1/2 in., dia. 7 in. $150/250

762. Robert Gordy (American/New Orleans, 1933-1986), “Untitled (Head)”, 1982, silkscreen on paper, pencil‑signed and numbered “187/300” lower margin, from CAC Collectors Club, sheet 18 in. x 15 in., framed. $200/300

Provenance: The Estate of Caroline P. Ireland.

765. Jacques Van Aalten (Belgian/New Orleans, 1907-1997), “Clown”, oil on masonite, signed lower right, 10 in. x 8 in., framed. $400/600

764. Robert Earle Wood (American/California, 1926-1999), “Ebb Tide II”, 1958, serigraph on paper, signed and dated in plate lower right, pencil‑signed, titled and dated lower margin, sight 12 in. x 43 1/4 in., framed. $300/500

767. Pair of Sawfish and Brass Bookends, rostrum mounted on pagoda‑form bases, h. 19 1/2 in., w. 4 1/2 in., d. 4 1/2 in. $300/500

763. George Valentine Dureau (American/New Orleans, 1930-2014), “Big Beach with Seven”, 1985, silkscreen on paper, pencil‑signed and numbered “247/500” lower margin, from CAC Collectors Club, sight 21 1/2 in. x 27 1/2 in., framed. $150/250

766. Newcomb College Art Pottery Flared Rim Bowl, 1920, decorated by Henrietta Bailey with relief‑carved jonquils, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. LA92 and shape no. 263, h. 3 5/8 in., dia. 7 7/8 in. $600/900

768. Walnut Campaign Chest on Chest, labeled Baker, upper case with center drawer and cabinet doors, lower case with four drawers and ball feet, h. 43 in., w. 38 in., d. 19 in. $800/1200

768A. Antique American Wirework Garden Bench, serpentine back, scrolled decoration, disc feet, h. 36 1/2 in., w. 39 in., d. 28 in. $400/600 Additional information at www.nealauction.com

769. Gordon Snidow (American/New Mexico, b. 1936), “Waiting for Cattle”, 1970, oil on canvas, signed and dated lower right, 24 in. x 30 in., framed. $6000/8000

770. Bill Nebeker (American, b. 1942), “I Ride the Wild Colts”, bronze, signed, numbered “16/25” and “CA” inscribed on self‑base, h. 21 1/4 in., w. 15 1/4 in., d. 6 1/2 in., wood base with title and artist plaque, overall h. 24 3/4 in. $2000/4000 Provenance: Trailside Galleries, Jackson, WY and Scottsdale, AZ, 1998.

772. Austrian Art Deco Walnut Clock, early 20th c., incised case, octagonal dial, leaded glass pendulum window, striking gong movement, h. 27 in., w. 13 1/2 in., d. 7 1/4 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

773. Two Chinese Reverse Glass Paintings of Beauties, sight 25 1/2 in. x 17 1/4 in., framed. $400/600

771. Bill Nebeker (American, b. 1942), “Feathers, Furs and Fiddlin’”, 1987, bronze, signed, dated, numbered “12/30” and “CA” inscribed on self base, h. 10 in., w. 4 1/2 in., d. 3 1/4 in., wood base with title and artist plaque, overall h. 12 in. $800/1200

774. Highly Decorative Pair of Chinese Gilt Metal-Mounted Greenish Blue Glazed Porcelain Covered Vases, mounted with pairs of peacocks perched on rockwork amid prunus, bamboo and peony, bases with spurious Qianlong marks, h. 15 1/2 in. $500/700

777. Asian Gem Embellished Silvered and Gilt Filigree Dresser Box, hinged cover and body set with turquoise, lapis and coral stones, void interior lined in red velvet, h. 5 1/4 in., w. 11 in., d. 7 1/8 in. $800/1200

775. Chinese Gilt and Patinated Bronze Censer, rectangular with dragon loop handles and four human feet, base with apocryphal Xuande mark, h. 6 1/8 in., w. 10 1/2 in., d. 8 1/8 in., rectangular leaf‑form stand, overall h. 8 5/8 in. $700/900

776. Chinese Gilt and Patinated Bronze Tripod Censer, bombé body with incised foliate decoration, base with apocryphal Xuande mark, h. 5 1/8 in., dia. 10 1/2 in. $500/750

778. Chinese Carved Lacquer Eight Panel Floor Screen, carved with elegant figures in a palace courtyard, reverse with birds and fish in a lotus pond scene, h. 96 in., w. 144 in. $400/600

779. Chinese Polychrome and Gilt Decorated Black Lacquer Shrine, Qing Dynasty (1644‑1911), modeled as an open cabinet fitted with drawers and sliding doors flanking central shrine painted with hanging scrolls, top mounted with later foliate frieze, h. 37 in., w. 39 1/4 in., d. 14 3/4 in.; later Continental base carved with foliate frieze, floral pendant, and acanthus scroll legs, overall h. 66 1/8 in. $800/1200

780. Chinese Marble Inset, Cane and Hardwood Louhan Couch-Bed, Chuang, Qing Dynasty (1644‑1911), stepped back rail inset with shaped marble (one lacking), inset wove seat and wove rotating pillow, pierced prunus carved frieze flanked by small drawers, shaped legs, stretchers, h. 28 1/2 in., w. 67 in., d. 29 1/2 in. $800/1200 Provenance: American missionary Whitefield Walton Brockman (1875‑1939), Professor at Soochow University (1904‑1908 and 1916‑c. 1920) and organizer of the Soochow Y.M.C.A. (1916‑c. 1920), Suzhou, China; thence by descent.

781. Antique Embroidered White Silk Ecclesiastical Vestment, probably 18th c., worked in satin stitch with a pair of birds amid flowering highlights, sight h. 41 1/2 in., w. 33 1/4 in., framed. $1000/1500

Provenance: Collection of a New Orleans Antiquarian.

782. Monumental American Renaissance Figured and Carved Walnut Bookcase, mid‑19th c., architectonic pediment above glazed doors, shelf interior, h. 156 in., w. 90 1/2 in., d. 23 in. $5000/10000 Provenance: A Garden District Mansion; Neal Alford Co., 1989; New Orleans Private Collection.

783. American Renaissance Carved Walnut Parlor Suite, late 19th c., attr. to John Jelliff, Newark, NJ, incl. sofa and two chairs, each crest with swagged portrait medallions and pendants, trumpet shaped legs, casters, sofa h. 41 in., w. 77 in., d. 33 in.; side chair h. 44 in., w. 29 in., d. 21 in. $2000/3000

785. Antique American Carved Mahogany Partner’s Desk in the Art Nouveau Taste, late 19th c., inset baize top, relief carved frieze with scrolls and floral buds, bracketed kneehole flanked by banks of four drawers on each side, suppressed ball feet, h. 30 in., w. 60 in., d. 42 in. $800/1200

787. American Button Tufted Leather Club Chair and Ottoman, labeled Hancock and Moore, brass nailhead trim, stop‑fluted legs, casters, chair h. 35 in., w. 31 in., d. 22 in.; ottoman h. 16 in., w. 27 1/2 in., d. 21 in. $500/700

784. Six American Rococo Carved and Laminated Rosewood Side Chairs, mid‑19th c., attr. to John Henry Belter, New York, rosette crest, reticulated back, serpentine seat, cabriole legs, needlepoint upholstery h. 37 1/2 in., w. 18 in., d. 18 in. $1000/1500 786. Pair of Bamboo Barrelback Armchairs, probably Ralph Lauren, with nautical motif, loose cushions, h. 34 1/2 in., w. 22 in., d. 19 in. $500/750

788. Brass-Mounted Walnut Campaign Writing Table, inset leather writing surface, frieze drawers, X‑form base, h. 29 1/2 in., w. 60 in., d. 29 in. $800/1200

Additional information at www.nealauction.com

790. Antique English Black Lacquered Papier-Mâché, Gilt and Mother-of-Pearl Inlaid TiltTop Table, mid‑19th c., scalloped top, asymmetrical standard, scrolled trifed base, h. 27 in., w. 27 in., d. 22 in. $500/700

789. American Renaissance Carved Walnut Armchair, late 19th c., foliate‑carved canted back, rosette uprights, shaped seat, outswept legs, incised feet, casters, h. 35 in., w. 24 in., d. 29 in. $600/800

792. Continental Carved and Inlaid Walnut Center Table, molded circular top centered by a yin‑yang symbol, bulbous‑turned standard, scrolled legs, h. 32 1/2 in., dia. 60 in. $800/1200

794. Italian Olivewood Console Table, rectangular top, conforming frieze, square legs, h. 29 in., w. 54 1/2 in., d. 20 in. $500/700

791. Pair of Tudor-Style Turned and Carved Oak Armchairs, 19th c., incised crest rail, winged upright, ring‑turned arms, triangular seat, turned legs and stretchers, h. 34 1/2 in., w. 24 in., d. 20 in. $700/900

793. Pair of Neoclassical-Style Carved Walnut Side Chairs, foliate‑carved crest rail, floral blocked stiles, acanthine legs, paw feet, needlepoint upholstery, h. 42 in., w. 22 in., d. 20 in. $600/800

795. Pair of Louis XVI Carved and Painted Fauteuils, 18th c., molded oval back, padded arms, rounded seat rail, fluted legs, traces of antique yellow paint remaining, h. 34 in., w. 23 in., d. 20 in. $800/1200

796. Pair of Antique Carved and Painted Fauteuils in the Louis XVI Taste, 18th/19th c., oval back, rounded arms, fluted uprights, shaped seat rail, stop‑fluted tapered legs, later silk upholstery, h. 34 1/2 in., w. 22 1/2 in., d. 19 in. $600/800

799. Patinated Bronze Erotic Figural Group, after Jef Lambeaux, signature inscribed on self‑base, h. 5 3/4 in., w. 13 3.7 in., d. 5 1/2 in., marble base, overall h. 7 1/2 in. $800/1200

797. Maceo Mitchell (American/Michigan, b. 1942), “Studies of Orchids”, 8 watercolors on paper, each pencil‑signed, sights 8 in. x 12 in., framed alike. (8 pcs.) $300/500 Provenance: The Estate of Caroline P. Ireland.

798. Alfred Henry Maurer (American/New York, 1868-1932), “Portrait of a Lady”, sanguine and mixed media on paper, signed lower right, “Coe Kerr Gallery, New York, NY” label on backing, sheet 15 13/16 in. x 11 1/2 in., framed. $500/700 Provenance: Coe Kerr Gallery, New York, NY; The Estate of Caroline P. Ireland.

800. Frances West (American/Rhode Island, 1881-1971), “An Old Algonquin Indian”, 1907, watercolor on cork, signed, dated and inscribed “Green Lake Post/H.B.C.” lower right, titled lower left, 9 1/4 in. x 12 in., framed. $300/500

801. French School, 20th c., “House with Green Shutters”, 1952, watercolor on paper laid on board, signed and dated lower left, 11 5/8 in. x 17 5/8 in., framed. $400/600 Provenance: The Estate of Caroline P. Ireland.

802. Vasily Zasipkin (Russian/Indonesia, 19th/20th c.), “Boat in the Harbor”, oil on canvas, signed lower right, 15 3/4 in. x 28 in., framed. $300/500 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL.

803. Manner of Sir Peter Lely (British, 1618‑1680), “Portrait of an English Jurist”, oil on canvas, unsigned, 30 in. x 25 in., framed. $800/1200 Provenance: David Campbell, 1965.

805. British School, late 18th c., “Portrait of a Lady”, oil on canvas, unsigned, 28 3/4 in. x 23 1/2 in., framed. $1000/1500

806. Pair of Neoclassical‑Style Carved and Ebonized Pedestals, each with square top, tapered and fluted standard, stepped base, h. 42 1/2 in., w. 11 1/2 in., d. 11 1/2 in. $300/500

804. William Kay Blacklock (British, 1872‑1922), “Seated Portrait of a Lady”, 1912, oil on canvas laid on panel, signed and dated lower left, 16 5/8 in. x 11 1/2 in., framed. $800/1200 807. Pair of Antique Directoire‑Style Brass‑Mounted Mahogany Demilune Consoles, each with inset marble top, frieze drawer, tapered supports, stretcher shelf, brass caps, h. 26 1/2 in., w. 17 in., d. 9 in. $600/800

Provenance: Schwitz Collection, Franklin, LA.

808. Louis XV‑Style Bronze‑Mounted Kingwood and Parquetry Diminutive Bureau Plat, shaped inset leather top, five drawers, cabriole legs, sabots, h. 30 in., w. 39 in., d. 22 in. $700/900

810. Louis XV Provincial Carved Walnut Blanket Chest, 18th c., molded hinged lift top, open interior, paneled shell and volute carved panels, serpentine skirt, volute short cabriole legs, peg feet, h. 26 1/2 in., w. 66 in., d. 24 1/2 in. $600/900

812. Bronze‑Mounted Mahogany Low Table in the Louis XVI Taste, variegated grey marble top, reticulated frieze, fluted tapered legs, h. 18 1/2 in., dia. 31 1/2 in. $500/700

809. Louis XV‑Style Carved Walnut Three‑Panel Screen, rocaille carved panels, inset with toile, cabriole legs, scrolled toes, h. 67 in., w. 54 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

811. Art Moderne‑Style Rosewood Console, slab top, rectangular standard, plinth base, h. 33 in., w. 43 in., d. 15 in. $400/600

813. Pair of Empire‑Style Bronze‑Mounted Mahogany Fauteuils, scrolled crest rail, padded back and arms, caned seat with loose cushion, tapered legs, silk upholstery, h. 37 in., w. 26 in., d. 27 in. $1000/1500

Additional information at www.nealauction.com

816. Louis XV‑Style Decoupage Semainier, decorated with Marvel X‑Men comic book print, cabriole legs, sabots, h. 48 in., w. 19 in., d. 14 in. $500/700

814. Pair of Empire‑Style Carved Mahogany Pedestals, early 20th c., cove‑molded top, gadrooned molding, tapered paneled standard, blocked base, ball feet, h. 47 in., w. 18 in., d. 11 1/2 in. $300/500

815. Pair of Art Moderne‑Style Burled Maple Side Tables, stepped drawer, open shelf, h. 30 1/2 in., w. 19 1/2 in., d. 16 in. $400/600

Provenance: Schwitz Collection, Franklin, LA.

817. Italian Carved Fruitwood Console Table, demilune marble top, foliate frieze, scrolled acanthus supports, h. 33 in., w. 31 1/2 in., d. 16 in. $600/900

818. Pair of Louis XV‑Style Bronze‑Mounted Mahogany and Parquetry Side Tables, marble top above three drawers, stretcher shelf, cabriole legs, h. 31 in., w. 14 in., d. 14 in. $700/900

820. Louis XVI‑Style Inlaid Low Table, oval mirror inset top, lozenge pattern inlaid frieze, square tapered legs, brass cuffs, h. 18 1/2 in., w. 20 in., d. 14 in. $200/300 Provenance: The Estate of Caroline P. Ireland.

821. Antique Directoire‑Style Carved and Painted Boudoir Chaise, scrolled volute back supports with acanthus leaves, low seat rail, cabriole legs, later paint, h. 30 1/2 in., w. 21 in., d. 19 in. $400/600

Provenance: The Estate of Caroline P. Ireland.

822. Biedermeier Burlwood Side Table, 19th c., circular top, conforming frieze, baluster‑turned standard, incurvate triangular base, h. 21 in., dia. 17 1/4 in. $500/700

819. Antique Louis XV‑Style Commode, 19th c., associated serpentine black marble top above three paneled drawers, two conforming drawers below, shaped base, cabriole legs, scrolled toes, h. 35 in., w. 47 in., d. 24 1/2 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

823. Pair of Regency‑Style Fruitwood and Caned Bergères, mid‑20th c., padded seat, shaped seat rail, fluted tapered legs. $100/200

Provenance: The Estate of Caroline P. Ireland

825. Antique Louis XVI‑Style Carved Fruitwood Commode, 19th c., top with outset corners above three paneled drawers, fluted stiles, toupie feet, h. 34 in., w. 49 in., d. 22 1/2 in. $1200/1800 Provenance: The Estate of Caroline P. Ireland. 824. French Provincial Carved Walnut Buffet, 18th c., molded top, frieze fitted with three drawers over paneled doors, plinth base, h. 36 in., w. 57 in., d. 25 in. $500/800

826. French Bronze‑Mounted Carved Walnut Guéridon, circular marble veneered top, guilloche frieze, fluted and reeded legs mounted with caryatid busts, shaped stretcher surmounted by a foliate finial, casters, h. 30 3/4 in., dia. 28 1/2 in. $500/700

827. Empire Bronze‑Mounted Mahogany Fire Screen, 19th c., surmounted by an eagle, columnar standard, turned base, h. 39 in., w. 24 in. $200/400

828. Directoire Fruitwood Side Table, oval top, small drawer, incurvate legs, medial stretcher shelf, h. 27 in., w. 23 1/2 in., d. 19 1/2 in. $400/600 Provenance: Au Vieux Paris Antiques, Breaux Bridge, LA.

829. Four Antique Continental Painted Side Chairs, floral motif slatted back, caned seat, turned legs and stretcher, h. 32 1/2 in., w. 17 1/4 in., d. 15 in. $100/200 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

831. Antique George III‑Style Carved Mahogany Breakfront, 19th c., dentil molded cornice, egg and dart glazed doors, molded lower case with paneled doors, blocked base, h. 87 1/4 in., w. 63 1/2 in., d. 14 1/4 in. $1000/1500

Provenance: Schwitz Collection, Franklin, LA.

830. Pair of Anglo‑Indian “Argenté” Throne Chairs, ornate crest carved with pair of lions rampant flanking finial, padded back and seat with foliate carved surround, arms with lion’s head terminals, lion’s paw cabriole legs, h. 56 in., w. 28 in., d. 22 in. $2500/3500 833. Antique Queen Anne‑Style Herringbone Inlaid Burled Walnut and Oak Chest‑on‑Stand, 19th c., upper case with molded cornice, three over three drawers, molded waist, stand with three drawers, scalloped molded skirt, bulbous turned legs, shaped stretcher, bun feet, h. 62 in., w. 39 in., d. 21 1/2 in. $800/1200

832. Antique George III‑Style Inlaid Mahogany Sideboard in the Hepplewhite Taste, shaped backsplash, serpentine top, three center drawers, sides with drawer over cupboard, urn inlay, square tapered legs, h. 46 in., w. 70 1/2 in., d. 25 in. $800/1200

834. Antique English Carved Mahogany Armchair, 19th c., padded back and seat, scrolled arms, cabriole legs, pad feet, h. 42 in., w. 30 in., d. 22 1/2 in. $300/500

835. Italian Rococo‑Style Carved Giltwood Console and Mirror, mirror with rocaille crest and surround, foliate frame, serpentine marble top, pierced foliate frieze, scroll legs, acanthus toes, incurvate stretcher, mirror h. 95 1/2 in., w. 51 1/2 in., d. 13 in. $1000/1400 Additional information at www.nealauction.com

838. Pair of Art Moderne‑Style Inlaid Mahogany Night Stands, dished tops, checker motif drawers, yoke support, shaped plinth, h. 29 1/2 in., w. 17 in., d. 16 in. $500/700

836. Antique Georgian Carved Mahogany Dumbwaiter,baluster‑turned standard, cabriole legs, pad feet, casters, h. 41 in., dia. 23 1/2 in. $500/700

837. Georgian‑Style Chinoiserie Lacquered Chest‑on‑Stand, shelf interior, faded mahogany stand with candle slide, shell‑carved knees, cabriole legs, pad feet, h. 36 in., w. 26 in., d. 19 1/2 in. $300/500

841. John Gould (British, 1804‑1881), “Ramphomicron Vulcani” and “Thalurania Waterton”, 2 hand‑colored lithographs, from Family of Hummingbirds, sights 19 11/16 in. x 13 1/4 in., framed alike. (2 pcs.) $400/600 839. Continental School, 19th c., “Madonna and Child”, oil on canvas, unsigned, 28 in. x 24 in., framed. $1000/1500

840. Eugène Claude (French, 1841‑1922), “Still Life of Grapes, Peaches and Wine”, oil on canvas, signed lower left, 25 1/2 in. x 19 1/4 in., framed. $500/700

842. Stow Wengenroth (American/New York, 1906‑1978), “First Congregational Church”, lithograph, pencil‑signed and numbered “Ed/50” lower margin, sight 11 1/4 in. x 16 3/8 in., framed. $250/350

Provenance: Schwitz Collection, Franklin, LA.

845. Continental Polychrome Painted Blackamoor Card Stand, modeled holding tasseled cushion, h. 43 in., w. 11 1/2 in., d. 17 in. $400/600

843. French Bronze‑Mounted Cut Glass Coffer, hinged lid, starburst base, h. 4 5/8 in., w. 5 7/8 in., d. 3 7/8 in. $400/600 Provenance: The Estate of Caroline P. Ireland.

847. Four Continental Carved Wood Figures, 19th c., incl. hunter with hare, explorer with staff, gentleman, and beggar, tallest h. 26 in. $800/1200

844. Two Continental Bronze‑Mounted Alabaster Dresser Boxes, hinged lids, h. 3 1/4 in, w. 4 in. and h. 3 5/8 in., w. 5 5/8 in. $300/500

846. Pair of Continental Wrought Iron Andirons, 19th c., foliate design, scrolled cross‑form base, h. 25 in., w. 12 in., d. 28 in. $500/700

Provenance: The Estate of Caroline P. Ireland.

848. Pair of Empire‑Style Bronze and Marble Three‑Light Figural Candelabra, Winged Victory standard on tall plinth base, electrified, h. 29 in., dia. 9 in. $700/1000

849. Amethyst, Rose Quartz and Rock Crystal Flamingo Group, each figure with tiger’s eye beak, modeled standing on a naturalistic amethyst rock surface, hardstone base, h. 18 in., w. 14 in. $800/1200

850. Large Art Deco Spelter Figural Group of Diana Hunting, after J. Dauvergne, h. 18 3/4 in., w. 31 3/4 in., d. 7 in., signature inscribed on stone base, overall h. 21 in. $500/800

851. Large Bronze Figural Group of a Lion Fighting a Snake, after “Lion au Serpent” by Antoine Louis Barye, signature inscribed on self‑base, h. 12 in., w. 16 in., d. 9 1/2 in., marble base, overall h. 13 1/2 in. $600/900

852. Gilt Bronze Figural Group of a Maiden with Putto, after Jules Salmson, signature inscribed on self‑base, h. 11 1/2 in., w. 10 in., d. 6 in. $400/600

853. Antique Louis XVI‑Style Verte Peinte and Parcel Gilt Trumeau Mirror, 19th c., paneled frame with gilt foliage and urns, oil on canvas of a courting couple signed “E. Page”, beribboned mirror plate below, h. 75 in., w. 39 in. $1000/1500

855. Pair of Chinese Famille Rose Porcelain Double‑Gourd Vases, 20th c., decorated with bird‑and‑flower cartouches on a pink ground incised with flower sprays, bases with Qianlong marks, h. 11 in. $600/800

856. Decorative Pair of Chinese Famille Verte Porcelain Vases, decorated in mirror image with nobles in a garden setting, bases with apocryphal Kangxi marks, h. 16 in. $600/800 857. Chinese Metal Household Objects, late 19th/early 20th c., incl. paktong/pewter bed warmer, h. (excl. handle) 4 1/2 in., w. 10 in.; and brass‑toned metal teapot, lid interior with hallmark, h. (excl. handles) 6 in., w. 8 3/4 in. $150/250

854. Louis XV‑Style Boullework Bracket Clock, archangel Michael finial, repoussé dial, inset with Roman numerals, sunburst pendulum, h. 32 in., w. 14 3/4 in., d. 6 in. $800/1200

858. Chinese Rose Quartz Covered Vessel, carved in the form of a teapot with stylized dragon finial and handles, h. 4 1/4 in., w. 6 1/4 in., stand, overall h. 5 3/8 in., storage box. Note: Spout not drilled. $200/300 Provenance: The Estate of Caroline P. Ireland.

859. Asian Gem Embellished Gilt Filigree Shrine with Rock Crystal Guardian Figure, figure carved seated on a lotus base before a flaming mandorla on a stepped plinth embellished with coral and turquoise gems before a further mandorla similarly embellished, h. 6 in., w. 4 in., d. 2 1/2 in. $600/800

860. Chinese Carved Lacquer Eight‑Panel Floor Screen, carved with a central scene of warriors flanked by landscape and bird‑and‑flower panels on top and bottom, reverse carved with scholars in a continuous landscape, h. 80 1/2 in., w. 126 in. $400/600

861. Chinese Elmwood Altar Table, rectangular top, everted flange ends, pierced dragon carved brackets, straight legs, side stretchers, h. 35 in., w. 54 in., d. 17 in. $250/350

863. Chinese Hardwood Hanging Display Case, 20th c., glass‑inset door carved with friezes of fruiting vines, mirror‑backed multi‑level shelves, h. 32 in., w. 20 in., d. 3 7/8 in. $300/500

862. Pair of Chinese Hardwood Tall Tables/Stands, inset circular top, apron with pierced frieze of bats and shou characters, curved faux bamboo legs, reticulated medial shelf carved with bats and shou, h. 36 1/4 in., dia. 12 in. $200/400

864. American Renaissance Carved Giltwood Overmantel Mirror, late 19th c., pedimented crest with rosette finials, blocked, rosette reeded sides, stepped base, h. 78 in., w. 63 in. $800/1200 Additional information at www.nealauction.com

865.American Classical Carved Mahogany Center Table, c. 1830, probably Boston, later white marble top, bead molded frieze, columnar support, incurvate beaded plinth, scrolled volute feet, casters, h. 28 in., dia. 27 1/2 in. $1200/1800

867. American Renaissance Carved Walnut Library Table, mid‑to‑late 19th c., oblong inset baize top, each side with one frieze drawer and one faux drawer, heavily scrolled supports, trestle base, shaped stretcher, casters, h. 30 in., w. 55 in., d. 29 1/2 in. $700/900

866. American Renaissance Carved Rosewood Sofa, late 19th c., attr. to Henkels, molded back surmounted by cartouche and foliate scrolls, cabochon studded arms, molded seat rail, turned legs, casters, h. 50 in., w. 71 in., d. 24 in. $1500/2000

Provenance: Hal Hunt Auctions, 2014.

Provenance: The Friedle‑Garrison Collection, New Orleans.

869. American Classical Carved Mahogany Sideboard, early 19th c., rectangular backsplash, bolection frieze drawers, Ionic columnar stiles, paneled doors, reeded feet, h. 50 1/2 in., w. 52 in., d. 24 in. $800/1200 870. American Federal Satinwood Inlaid Mahogany Sofa, early 19th c., arched crest, scroll arms, tapered vasiform reeded arm supports and conforming legs, h. 38 in., w. 71 1/2 in., d. 23 in. $600/800

868. American Renaissance Carved Mahogany Extension Dining Table, late 19th c., gadrooned top, four extension leaves, bulbous standard, acanthus carved paw feet. $1000/1500 Provenance: Baltimore President’s Club.

871. American Carved and Burled Walnut Four Piece Bedroom Suite, c. 1870, incl. half‑tester bed, marble top dresser, armoire, and mirrored washstand, each having pedimented burled crest with fan elements, incised decoration, bed with paneled headboard, blocked legs and conforming foot board, matching dresser, bed h. 121 3/4 in., l. 75 in., w. 54 in.; dresser h. 100 in., w. 46 in., d. 20 1/2 in.; armoire h. 90 in., w. 54 in., d. 19 in.; washstand h. 35 1/2 in., w. 34 in., d. 18 in. $2000/3000

873. American Modern Gothic Carved Walnut Bookcase, mid‑19th c., attr. to Daniel Pabst, Philadelphia, molded pediment, glazed doors with lappet molding, lower doors and returns decorated with stipple carving, molded plinth, h. 104 1/2 in., w. 72 1/4 in., d. 21 3/8 in. $3000/5000 Provenance: Civil War Society of Philadelphia.

Note: Several design elements on this bookcase are closely related to known case pieces from the workshop of Daniel Pabst. The finely rendered “coin” stiles are similar to examples from Pabst’s Renaissance Revival work including those on a sideboard and parlor cabinet, both conserved by the Philadelphia Museum of Art.

The incised and stippled panels on this bookcase resemble panels on pieces within Pabst’s Modern Gothic oeuvre related to the work of English designer Christopher Dresser. Pabst examples with similar carving include a bedroom suite in the Philadelphia Museum of Art and an armchair from a private collection illustrated in The Art that is Life by Wendy Kaplan.

Ref.: Kaplan, Wendy. The Art that is Life, The Arts and Crafts Movement in America 1875-1920. New York: Bulfinch Press, 1998, p. 73, fig. 13; Talbott, David and Page. “Daniel Pabst: Philadelphia Cabinet Maker,” Philadelphia Museum of Art Bulletin, (April 1977), p. 10, fig. 4; p. 12, fig. 6; p. 16, fig 11.

872. American Classical Carved Mahogany Work Table, early 19th c., New York, drop‑leaf top, graduated drawers, baluster standard, foliate legs, hairy paw feet, casters, h. 28 3/4 in., w. (closed) 17 1/2 in., w. (open) 34 1/2 in., d. 22 1/2 in. $800/1200

874. American Classical Painted and Stenciled Mahogany Dressing Chest, early 19th c., probably New York, rectangular mirror with scrolled supports above three drawer superstructure, torus molded frieze drawer over two drawers flanked by full columns, molded base, turned feet, h. 63 1/2 in., w. 36 in., d. 23 1/2 in. $800/1200

876. American Rococo Carved and Laminated Rosewood Parlor Suite, c. 1850‑1860, attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Stanton Hall”, incl. sofa and 3 side chairs, shaped reticulated crest rail centered by a robustly carved floral crest, molded arms and uprights, conforming seat rail, cabriole legs, casters, needlepoint upholstery, sofa h. 46 1/4 in., w. 64 in., d. 26 in.; side chair h. 40 in., w. 19 in., d. 17 in. $1500/2500

875. American Classical Carved Mahogany Breakfast Table, early 19th c., shaped drop‑leaf top, frieze drawer, acorn pendants, turned stretchers, sabre legs, brass paw feet, casters, w. 42 in., d 29 in. $700/900

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

878. Antique American Carved Giltwood Mirror, mid‑to‑late 19th c., cove molded frame, foliate corners, burnished gilt surface, h. 33 in., w. 39 in. $500/700

877. Federal Birdseye Maple Chest of Drawers, early 19th c., four graduated drawers, turned legs, ball feet, h. 39 in., w. 41 7/8 in., d. 21 in. $500/800

879. American Classical Giltwood Overmantel Mirror, 19th c., outset crest, acorn pendants, blocked rosette corners, split‑column and acanthus surround, tripartite mirror plate, h. 25 3/4 in., w. 64 in., d. 4 1/4 in. $600/900

881. American Rococo Carved and Laminated Rosewood Side Chair, mid‑19th c., attr. to J. & J.W. Meeks, New York, reticulated back, shaped seat, molded flared legs, h. 37 in., w. 16 in., d. 18 in. Note: Repairs. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

880. American Classical Carved Mahogany Work Table, early 19th c., attr. to J. and J.W. Meeks, New York, foldover swivel top, well interior above a drawer, yoke support, stepped graduated base, outset ogee bracket feet, casters, h. 30 3/4 in., w. 23 1/2 in., d. 15 1/2 in. $400/600 882. American Classical Bronze‑Mounted Cheval Mirror, mid‑19th c., pedimented crest, columnar supports, trestle base, casters, h.72 7/8 in., w. 37 1/2 in., d. 20 7/8 in. $700/900

883. American Renaissance Walnut and Burl Sideboard, mid‑to‑late 19th c., architectonic crest, shaped shelf, paneled superstructure, marble top, lower case with paneled doors, shelf interior, plinth base, h. 89 in., w. 54 in., d. 23 in. $600/900

885. Antique American Faux Bois Corner Cupboard, mid‑19th c., cove‑molded cornice, twelve pane glazed door, shelf interior, two raised panel doors below, shaped bracket feet, h. 87 in., w. 45 1/2 in., d. 21 1/2 in. $700/900 884. George I Carved Oak Hanging Cupboard, early 18th c., pedimented cornice, raised panel door, fitted interior, drawer in molded base, h. 31 in., w. 23 in., d. 11 in. Note: Hinges replaced; loose board; crest appliqué missing. $300/500

886. American Walnut Blanket Chest, hinged lift top, open interior, dovetailed case, molded base, bracket feet, h. 24 in., w. 48 in., d. 22 1/2 in. $400/600 Additional information at www.nealauction.com

889. Pair of Federal‑Style Carved Giltwood Overmantel Mirrors, each with broken scroll crest centering a spreadwing eagle, fluted frieze, reeded columnar sides, blocked base, h. 61 1/2 in., w. 39 in. $1000/1500

887. Small Federal Pine Chest, early 19th c., three drawers, bracket feet, h. 27 1/2 in., w. 20 in., d. 14 1/2 in. $200/300

888. Federal Carved and Inlaid Mahogany Pier Mirror, early 19th c., reeded columnar stiles, divided mirror plate, h. 42 1/4 in., w. 23 1/2 in. $300/500

890. Pair of American Classical Mahogany Footstools, c. 1830, beveled upholstered tops, stepped base, bracket feet, h. 16 in., w. 18 1/2 in., d. 18 1/2 in. $500/700

892. Federal‑Style Benchmade Inlaid Mahogany Serving Table, attr. Joseph Bruno, New Orleans, serpentine top, conforming frieze drawers, tapered legs, h. 30 1/4 in., w. 48 in., d. 14 1/4 in. $700/900 893. Georgian‑Style Carved Walnut Silver Table, serpentine tray top, acanthus‑carved cabriole legs, scrolled toes, h. 27 in., w. 27 in., d. 21 3/4 in. $200/400

891. American Classical Carved Mahogany Center Table, early 19th c., original marble top, molded frieze, chamfered standard, incurvate triangular plinth, scroll feet, casters, h. 32 in., dia. 31 1/2 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

894. Antique English Carved Walnut Child’s Chair, slatted back, turned legs, box stretcher, h. 29 3/4 in., w. 19 3/4 in., d. 10 1/4 in. $500/700

896. French Provincial Carved Walnut Bonnetière, molded cornice, frieze with scrolled foliate decoration, paneled doors, serpentine apron, cabriole legs, scrolled toes, h. 73 3/4 in., w. 33 1/4 in., d. 20 1/4 in. $500/700

Provenance: Windham Collection, Oxford, MS. 895. George III‑Style Carved Mahogany Armchair, probably 19th c., lattice back with pierced quatrefoils, square legs, stretchers, h. 41 in., w. 25 in., d. 19 in. $150/250

897. Restauration Mahogany Pier Table, 19th c., now reduced in size, heavily scrolled supports, shaped plinth, turned feet, h. 33 in., w. 26 1/2 in., d. 17 in. $300/500

898. American Renaissance Carved and Gilt‑Incised Walnut Pedestal, late 19th c., molded top, fluted and turned standard, circular base, scrolled feet, h. 36 1/2 in., w. 13 in., d. 13 in. $100/200

899. John Howard Iams (American/Pennsylvania, 1897‑1964), “Still Life with Pickled Fruit and Vegetables”, oil on canvas, signed lower left, 25 in. x 30 1/2 in., framed. $1000/1500

901. Acadian Gros Rouge Cypress Chest, 19th c., molded top, two short over long drawer, paneled sides, bracket foot base, h. 28 in., w. 49 in., d. 21 in. $300/500 Provenance: Estate of F. Clancy Dupepe, New Orleans.

902. Southern Late Federal Poplar and Yellow Pine Stand, early 19th c., Georgia, overhanging top, frieze drawer, tapered legs, with later black paint over rouge stain, h. 29 1/2 in., w. 23 in., d. 20 in. $500/800

900. American School, 19th c., “Civil War Battle Scene, possibly the First Battle of Memphis, 1862”, oil on canvas, unsigned,34 1/2 in. x 39 in., framed. $1000/1500 Provenance: Webb Family, New Orleans and Minden, LA.

903. Small American Cherrywood Side Table, 19th c., square top, tapered legs, h. 25 1/2 in., w. 15 in., d. 15 in. $200/300

904. Four Antique American Classical‑Style Painted “Fancy” Chairs, turned crest rail, pierced slat, rush seat, ring‑turned legs, h. 33 1/2 in., w. 17 1/2 in., d. 14 1/2 in. $200/400

905. William IV Carved Mahogany Armchair, mid‑19th c., paneled crest rail, shaped slat, molded arms, ring‑turned legs, h. 34 in., w. 23 in., d. 19 in. $500/750

906. American Federal Carved Mahogany Slant‑Front Desk, early 19th c., fitted interior, four drawers, shaped apron, turned feet, h. 43 in., w. 41 in., d. 20 in. $500/800

909. Antique Louis XVI‑Style Mahogany Three‑Part Dining Table, early 19th c., pair of demilunes with molded frieze, square tapered legs and one leaf, h. 29 in., w. (closed) 51 5/8 in., d. 48 in. $500/700 Provenance: Estate of F. Clancy Dupepe.

907. Southern Heart Pine Pie Safe, 19th c., punched tin paneled doors pierced with Masonic symbols, base drawer on shaped bracket feet, retains traces of old rouge wash, h. 49 1/2 in., w. 45 1/2 in., d. 19 in. $600/900

908. Pair of American Late Classical Mahogany and Cherrywood Cannonball Beds, c. 1830, scrolled head board, turned posts, h. 54 in., l. 80 in., w. 42 in. $400/600

910. Louisiana School, 1854., “Portrait of a Member of the Godchaux Family, Probably Michelette Lazard Godchaux (1790‑1878) Wearing Portrait Brooch”, c. 1860, oil on canvas, faintly signed “Moses pinxt” and dated lower right, 36 in. x 29 in., framed. $800/1200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

911. Richard Earl Thompson (American, 1914‑1991), “Smith’s Pond”, 1977, oil on canvas, signed lower right, artist stamp and inscribed en verso, “The R.W. Norton Art Gallery, Shreveport, LA” exhibition label with artist and title on reverse of frame, 24 in. x 36 in., framed with artist and title plaque. $800/1200 Exh.: “The Seasonal Transitions of Richard Earl Thompson”, The R.W. Norton Art Gallery, Shreveport, LA, 1982, no. 41.

Ill.: Pierce, Patricia Jobe. Richard Earl Thompson, American Impressionist: A Prophetic Odyssey in Paint. San Francisco, CA: Richard‑James Publication, 1982, pl. 128. Additional information at www.nealauction.com

913. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Arrowhead Country”, oil on canvas, signed lower left, titled on stretcher, 24 in. x 30 in., framed. $600/800

914. Emmitt Thames (American/Mississippi, b. 1933), “Clothesline”, 1971, watercolor on paper, signed and dated lower left, label with artist and title on backing, 22 in. x 30 in., framed. $700/1000

912. American School, 19th c., “Portrait of a Young Lady in a Lace Dress”, pastel on paper, unsigned, sketch en verso, 18 in. x 14 in., framed. $800/1200

915. Emmitt Thames (American/Mississippi, b. 1933), “Home Nestled in the Rolling Hills”, 1971, watercolor on paper, signed and dated lower right, 22 in. x 30 1/4 in., framed. $700/1000

916. Emmitt Thames (American/Mississippi, b. 1933), “Culvert”, 1976, watercolor on paper, signed and dated lower left, signed, titled, dated and artist stamp en verso, 22 in. x 30 in., framed. $700/1000

918. Don Wright (American/Louisiana, 1938‑2007), “Cypress Trees”, 1980, pastel and charcoal on paper, pencil‑signed and dated lower right, titled en verso, 20 3/16 in. x 15 7/8 in., framed. $500/700

917. Don Wright (American/Louisiana, 1938‑2007), “Louisiana Cabin with Live Oak and Bridge”, 1983, pastel and charcoal on paper, signed and dated lower left, 23 in. x 29 in., framed. $600/900

919. Chestee Harrington (American/ Louisiana, b. 1941), “Landscape with Cabin”, 1982, oil on carved wood panel, incised signature lower left, pencil sketch en verso, signed and dated on stretcher, 5 in. x 6 7/8 in., framed. $500/700 920. Knute Heldner (Swedish/Louisiana, 1877‑1952), “Clear Water Lake”, oil on canvas, signed lower right, signed and titled on label en verso, 12 in. x 14 in., framed. $600/800

921. New Orleans School, late 19th/early 20th c., “French Quarter Facade”, oil on canvas laid on board, unsigned, 12 3/4 in. x 12 1/2 in., framed. $600/900

922. Don Wright (American/ Louisiana, 1938‑2007), “Still Life with Wine and Fruit”, 2001, oil on canvas, signed and dated upper center, 20 in. x 16 in., framed. $500/700

923. Don Wright (American/ Louisiana, 1938‑2007), “Woman Napping”, 1981 and “Woman Reclining on Red Blanket”, 2001, 2 pastel and charcoals on paper, both signed and dated lower left, 18 in. x 24 in. and 19 1/8 in. x 25 1/2 in., both framed. (2 pcs.) $400/600

924. Don Wright (American/Louisiana, 1938‑2007), “Series IV”, 1983, mixed media on paper, signed and dated lower left, signed, titled, dated and inscribed en verso, 23 in. x 29 in., framed. $200/300

925. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Preliminary Design for Louisiana State Fair Premium List”, 1924, watercolor and pencil on paper, pencil‑initialed “E.W.” lower right, titled upper and lower center, dated lower center, 22 1/2 in. x 13 in., unframed. $200/400

926. Hope Herberger (American/Louisiana, 1906‑1950), “Fountain” and “The Garden”, 1954, 2 oils on canvas, signed and dated lower left and right respectively, each 16 in. x 20 in., unframed. (2 pcs.) $600/900

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

928. Rosalie Fulton (American/Texas, 20th c.), “Outrider Finding Stray, Big Horn Mountains, Wyoming”, 1984, oil on canvas, signed and dated lower right, signed and titled en verso, 16 in. x 20 in., framed with brass title plaque. $300/500

927. Southern School, 1935, “A Day at the Beach”, oil on canvas board, indistinctly signed and dated lower right, 12 in. x 16 in., framed. $200/300

929. Phil Sandusky (American/Louisiana, b. 1957), “Jax Beach Seagull”, oil on canvas, signed lower left, “Cole Pratt Gallery, New Orleans, LA” label with artist and title on backing, 16 in. x 20 in., framed. $600/900

931. Martin Arnold (American/Alabama, b. 1947), “Christina and Kim”, oil on masonite, signed en verso, 36 1/4 in. x 48 1/8 in., unframed. $800/1200

930. Tim Trapolin (American/Louisiana, b. 1945), “For My Wild Irish Rose With Love”, 1994, watercolor on paper, pencil‑signed, titled and dated lower left, ll in. x 9 in.; and “Nude”, 1992, watercolor on paper, pencil‑signed and dated upper center, 8 1/2 in. x 11 in., both framed. (2 pcs.) $300/500

932. Martin Delabano (American/Texas, b. 1957), “Some of Them Were Lifted Up, Others Saw Visions Come To Be”, acrylic on masonite, signed lower right, titled lower center, “Lori Yarotsky Fine Art, New Orleans” label en verso, 48 in. x 72 in., framed. $300/500 Provenance: Property of the New Orleans Museum of Art; Neal Auction, Sept. 25, 2016, lot 717

Provenance: Collection of Ti‑Rock Moore, New Orleans.

933. Wayne Amedee (American/New Orleans, b. 1946), “Bright Shards of the Future”, 2000, glass and silkscreen on paper, pencil‑signed and numbered “16/315” lower margin, from the CAC Collectors Club, sight 16 in. x 16 1/4 in., framed. $200/300 Provenance: The Estate of Caroline P. Ireland.

Exh.: “Martin Arnold: Empathetic Resonance”, Cullis Wade Depot Art Gallery, Mississippi State University, Starkville, MS, 2015.

934. Hasmig Vartanian (Israeli/New Orleans, b. 1946), “Abstract Composition”, mixed media on paper, signed lower right, 6 in. x 17 1/2 in., framed. $500/700 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

935. Hasmig Vartanian (Israeli/New Orleans, b. 1946), “Spatial Fragments #10”, 1995, mixed media and collage on paper, pencil‑signed lower center, “Galerie Simonne Stern” label with artist, title and date on backing, sight 12 1/2 in. x 14 1/2 in., framed. $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

936. Frank Von Der Lancken (American/ Oklahoma, 1872‑1950), “Street Musician”, oil on canvas laid on board, signed lower right, 16 in. x 12 in., framed. $700/1000 Additional information at www.nealauction.com

937. American Late Classical Carved Mahogany Sofa, c. 1840, scrolled back and arms, lobed feet, h. 33 in., w. 77 in., d. 25 1/2 in. $500/700

938. American Classical Inlaid Mahogany and Rosewood Banded Games Table, 19th c., foldover swivel top, ring‑turned columnar supports, shaped plinth, saber legs, brass cuffs, casters, h. 28 1/2 in., w. 35 1/2 in., d. (closed) 17 1/2 in., d. (open) 36 in. $300/500

939. Antique American Carved Walnut Wing Chair, possibly New England, serpentine crest, acanthine cabriole legs, ball and claw feet, casters, h. 43 in., w. 34 in., d. 25 in. $800/1200

940. Vintage Leather “Club” Sofa, rounded back, scroll arms, loose cushions, tapered feet, h. 32 in., w. 78 in., d. 34 1/2 in. $400/600

941. Antique Chippendale‑Style Carved Mahogany Games Table, foldover top, gate leg, frieze drawer, scalloped apron, blind fretwork legs, h. 29 1/2 in., w. 31 3/4 in., d. (closed) 15 1/2 in., d. (open) 31 1/2 in. $300/500

942. American Benchmade Mahogany Wing Chair, New Orleans, loose seat cushion, tapered cabriole legs, h. 45 1/2 in., w. 33 in., d. 25 in. $300/500

943. American Classical Carved Mahogany Settee, early 19th c., probably New York, tubular crest rail with acanthus carved terminals, out scrolled arms, paneled seat rail, cornucopia carved paw feet, h. 34 in., w. 68 in., d. 23 in. $800/1200 Provenance: Murfee/DeBardeleben Collection, Riverview, Columbus, MS.

944. Pair of Hollywood Regency‑Style Side Chairs, winged tufted backs, rounded seat rail, square slightly flared legs, h. 35 in., w. 21 1/2 in., d. 21 1/2 in. $150/250

945. Federal‑Style Mahogany Chest of Drawers, labeled Kittinger, three banded drawers, molded base, bracket feet, h. 34 in., w. 34 1/2 in., d. 20 in. $250/350

946. Sligh‑Lowry Walnut Roll‑Top Desk, c. 1950s, marked, Michigan, shelf top, slanted tambour front, frieze with short and long drawer, tapered legs, stretchers, h. 37 in., w. 36 in., d. 24 in. $600/900

947. Chinoiserie Mother‑of‑Pearl Inlaid Lacquer Cabinet, early 20th c., stepped cornice, door opening to fitted interior of narrow shelves, rococo carved hardwood base, cabriole legs, acanthine pad feet, h. 67 1/4 in., w. 32 in., d. 19 in. $500/800 948. Pair of Antique Louis XV‑Style Walnut Bergères, serpentine crest rail, molded and padded arms, conforming seat rail, cabriole legs, scrolled toes, h. 35 in., w. 30 in., d. 35 in. $500/1000

949. Louis XV‑Style Bronze‑Mounted Parquetry Bombé Commode, shaped variegated marble top, conforming case with three drawers, serpentine apron, flared legs, sabots, h. 34 1/4 in., w. 48 in., d. 22 in. $800/1200

951. French Provincial Walnut Side Table, 18th c., molded top, frieze drawer, square fluted tapered legs, h. 28 in., w. 38 in., d. 25 1/2 in. $300/500 Provenance: Estate of F. Clancy Dupepe, New Orleans.

952. Continental School, 19th c., “Monk Reading” and “Monk Cooking”, 2 oils on canvas, both indistinctly signed lower right, each 20 in. x 16 in., framed alike. (2 pcs.) $1000/1500

950. Dutch Marquetry Side Table, serpentine drop‑leaf top, two drawers, cabriole legs, shaped stretcher shelf, h. 34 1/2 in., w. 41 1/2 in., d. 18 in. $500/700

953. Marcel Vertes (Hungarian, 1895‑1961), “Le Vase Décolleté”, oil on canvas, signed lower left, “Cousin Frères, Paris” canvas stamp en verso and on stretcher, 21 1/2 in. x 15 in., framed; together with 2 copies of Vertes, Marcel, and Janet Flanner. The Stronger Sex as Seen by Vertes. New York: The Hyperion Press, 1941, editions 328 and 1236. (3 pcs.) $500/700

Provenance: The Estate of Caroline P. Ireland.

954. Continental School, 19th c., “Sailboats on the Shore”, oil on panel, initialed “NB” lower left, 8 1/2 in. x 13 7/8 in., framed. $400/600

955. Herman Koller (German, 1911‑1972), “Bridge beyond the Trees”, 1944, oil on canvas, signed and dated lower right, 11 in. x 15 in., framed. $300/500

Provenance: The Estate of Caroline P. Ireland.

956. Pair of Paris Porcelain Amphora Vases, 19th c., mask scroll handles, gilt decorated with pairs of cherubs and floral scrolls on brown ground, h. 12 1/8 in. $500/800

957. Jacob Petit Paris Porcelain Corbeille, mid‑19th c., marked “JP”, cobalt ground with floral cartouches, lion and paw feet, h. 8 3/4 in., dia. 9 7/8 in. $400/600

958. Pair of Paris Porcelain “Personnage” Room Scenters, 19th c., modeled as an Elizabethan couple, on rocaille plinths, h. 8 1/2 in., w. 6 in. Note: Lacking stoppers. $300/500

959. Three Paris Porcelain Spill Vases, mid‑19th c., claret ground with floral reserves and gilt accents, h. 4 in. to 4 1/2 in. $250/350

960. Parian Bisque Figure of a Classical Maiden, 19th c., draped beauty modeled standing on fluted plinth, h. 13 3/4 in. $200/300

961. Two Paris Polychrome and Gilt Porcelain Inkwells, mid‑19th c., incl. sarcophagus form with lyre finial, h. 4 3/4 in., w. 5 1/2 in., d. 3 3/8 in.; and tomb or altar form dedicated to the memory of Napoleon, marked, h. 3 in., w. 4 in., d. 3 in. $200/300

962. Glazed Ceramic Tazza and Seashell Centerpiece, marked “C.V.”, h. 18 in., dia. 12 in. $300/500

963. Italian Faience Recumbent Cow Butter Dish, retailed Tiffany & Co., decorated with floral sprays, h. 6 1/2 in., w. 11 in., d. 3 1/2 in. $200/300

Provenance: The Estate of Caroline P. Ireland.

Provenance: The Estate of Caroline P. Ireland. Additional information at www.nealauction.com

964. Capodimonte‑Style Polychrome and Gilt Porcelain Dresser Box, marked, cobalt ground with courting couple reserve, hinged lid with interior floral sprays, h. 3 5/8 in., w. 9 1/2 in., d. 6 3/4 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

965. Knud Kyhn (1880‑1969) for Royal Copenhagen Stoneware Figure of a Monkey, KK and 1951 above triple wave mark, h. 12 1/4 in., w. 9 3/4 in., d. 7 1/4 in. $200/300 Provenance: The Estate of Caroline P. Ireland.

968. Aesthetic Movement Staffordshire Pottery Tea Service, c. 1875‑92, inscribed “3752”, marked “E.J.D.B.” (Edwin James Drew Bodley), British Registry mark for Jan. 14, 1881, puce decoration with birds amid seasonal grasses and floral panels, “bamboo” handles, incl. teapot, h. 4 1/2 in.; creamer, h. 3 in.; sugar, h. 2 5/8 in.; tray, 16 in. x 15 in.; and 6 teacups with 6 saucers. (16 pcs.) $300/500

971. Pair of Neoclassical‑Style Patinated Bronze Urns, scrolled handles, incised marble base, h. 16 1/2 in., w. 9 in., d. 5 1/2 in. $200/400

966. Continental Polychrome Porcelain Figure of a Seated Monkey, crossed lines mark, probably German, h. 8 in. $300/500

Provenance: The Estate of Caroline P. Ireland.

Provenance: The Estate of Caroline P. Ireland

970. Large American Flint Glass Compote, c. 1840, attr. to New England Glass Co., h. 12 1/2 in., dia. 12 3/4 in. $250/350 969. Pair of Chelsea Polychrome and Gilt Porcelain Cabinet Plates, 19th c., marked, painted with exotic bird reserves, dia. 9 5/8 in. $250/350

972. Pair of French Silvered Bronze, Marble and Glass Trumpet Vases, mid‑19th c., green ruffled glass sleeves, h. 10 1/2 in., w. 4 in. $200/400

974. Two Silverplate Trays and Silverplate Buffet Dishes, 20th c., l. 25 1/2 in. to 28 1/2 in. $200/300

Provenance: Houmas House Plantation; St. Francisville Antiquarian Thomas Wilmot “Twik” Klein.

973. American Sterling Silver Flatware Service for Twelve, Towle, “Louis XIV” pattern, pat. 1924, incl. 12 each: dinner forks, dinner knives, luncheon forks, luncheon knives, salad forks, soup spoons, ice cream forks, citrus spoons and demitasse spoons; 11 each: teaspoons, ice teaspoons, cocktail forks, butter knives (fh); 6 tablespoons, cold meat fork, gravy ladle, punch ladle (hh), large carving set with steel (hh), small carving set (hh), cake knife (hh) and flat server (hh); total wt. (weighable) 137 troy ozs. (162 pcs.) $1500/2500

975. Three American Coin Silver Ladles, incl. soup ladle with fiddle typt handle, E. & D. Kinsey, Cincinnati, act. 1844‑1861, l. 12 1/8 in.; gravy ladle with upturned fiddle handle, Butler & McCarty, Philadelphia, act. 1850‑1868, l. 7 1/2 in.; and gravy ladle with downturned fiddle typt handle, maker T.W. untraced, l. 7 5/8 in.; total wt.8.35 troy ozs. $200/400

973A. Group of American Coin Silver Spoons, 18th and 19th c., various makers, primarily New York and New England, incl. 12 tablespoons, 2 soup spoons, 10 teaspoons, and 5 master salt spoons, wt. 29 troy ozs. $400/600

967. Ten English Armorial Creamware Plates, late 19th c., incl. 8 with coat of arms above “Quod Ero Spero” banner, dia. 8 3/8 in.; and 2 with coat of arms and red and black borders, dia. 9 3/4 in. $300/500

976. English Leather Hat Box with Two Hats, bowler hat by Dobbs; top hat by Scott & Co., h. 13 1/2 in., w. 13 1/2 in., d. 12 1/2 in. $100/150

977. American Gilt Bronze Solar Lamp, c. 1850, Starr Fellows or Hooper, Rococo standard with relief flowers and vintage motifs, trefoil base, cut shade with scrolling floral designs, h. 25 in., dia. 8 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 84.

980. American Gilt Bronze Solar Lamp, c. 1850, marked “H.N. Hooper & Co., Boston”, foliate baluster base, shade cut with flowers, h. 24 in., dia. 9 1/2 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

978. American Gilt Bronze Solar Lamp, c. 1850, attr. to Henry Hooper, Boston, baluster standard with acanthus and portrait on a stepped marble base, floral cut shade, h. 22 1/2 in., dia. 7 1/4 in. $600/900

979. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper, Boston, foliate font on domed base, floral cut shade, h. 15 1/2 in. $600/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

981. American Brass Solar Lamp, c. 1850, attr. to Hooper, baluster standard, floral cut shade, h. 20 in. $500/700

982. American Gilt Brass Solar Lamp, c. 1850, attr. to Hooper, Boston, inverted pear shaped font with floral shade, loop handle, h. 13 in. $400/600

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 77.

983. American Bronze Solar Lamp, c. 1850, attr. to Hooper, Boston, fluted tapered column on pedestal base, cut globe with arched windows, h. 22 in., dia. 8 1/2 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 89.

984. American Gilt Brass Solar Lamp, c. 1850, attr. to Hooper, Boston, inverted pear‑shaped font, cut globe shade, h. 12 in. $400/600

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 985. French Bronze‑Mounted Engraved Glass Dresser Box, putto‑form legs, h. 3 1/4 in., w. 8 1/4 in., d. 5 in. $400/600

987. Lalique “Plumes” Glass Vase, c. 1920, impressed mark “R. LALIQUE”, now mounted as a lamp, vase h. 8 1/2 in., dia. 8 in., fitted with vintage two‑light socket, modern shade, total h. 18 in., w. 14 1/2 in., d. 8 in. $700/1000 986. Group of Steuben Glass, incl. duck, caterpillar, pair of small footed bowls, dish, pair of cornucopia vases and small bird, duck h. 10 1/4 in., w. 10 1/2 in., d. 5 in. (8 pcs.) $600/900 Provenance: The Estate of Caroline P. Ireland.

988. French Silvered Bronze and Cut Crystal Center Bowl, 19th c., signed “H. Voisenet 61 Rue de Turrene Paris”, h. 9 in., dia. 9 1/2 in. $500/750 Additional information at www.nealauction.com

991. Bronzed Plaster and Mixed Media Sculpture of Prometheus, after Pierre Puget, signature inscribed and title and artist plaque on self‑base, h. 29 1/2 in. $500/700

989. Glenna Goodacre (American, b. 1939), “Bust of a Woman with her Hair in a Chignon”, bronze, signed and numbered “40/200” on truncation, h. 4 3/4 in., stone and wood base, overall h. 8 in.; together with Bronze Bust of “Rose Beuret”, after Auguste Rodin, h. 8 1/2 in., marble base, overall h. 10 3/4 in. $600/800

992. Bronzed Metal Figure of a Man, after Auguste Rodin, signature inscribed on self‑base, h. 21 in., marble base, overall h. 22 1/2 in. $600/800

990. Bronze Bust of “Carmela”, after Emmanuel Villanis, h. 7 3/4 in., marble base, overall h. 9 3/4 in. $400/600

994. Monumental American Aesthetic Carved Cherrywood Mirror, late 19th c., labeled “Allen & Bro./ Philadelphia”, shingled crest, cove‑molded frieze, rosette and reeded stiles, beveled mirrored panels above large mirror plate, h. 103 in., w. 58 in. $800/1200 993. Patinated Metal Bust of Frederick the Great of Prussia, h. 9 1/2 in., w. 5 3/4 in., d. 3 1/2 in. $200/300

995. Beaux Arts Tôle Peinte and Porcelain Six‑Light Chandelier, electrified, h. 23 in., dia. 20 in. $700/1000

Provenance: The Friedle‑Garrison Collection, New Orleans.

Provenance: The Estate of Caroline P. Ireland.

996. Martin LaBorde (American/ Louisiana, b. 1943), “Yellow Cat and I Floated Above the World and Troubles”, 1995, oil on canvas, signed and dated lower right, signed, titled, dated and inscribed en verso, 14 in. x 11 in., framed. $700/1000 999. Pair of Chinese Famille Rose Porcelain Oval Bowls, 19th/early 20th c., fluted sides decorated with figures in a continuous landscape, bases with Tongzhi marks, h. 3 1/8 in., w. 10 5/8 in., d. 8 1/8 in. $400/600

997. French School, 19th c., “Les Courses à Vincennes”, oil on canvas, signed “Barillon” lower right, 23 1/2 in. x 36 1/2 in., framed. $500/700

1000. Pair of Carved Fluorite and Blue Agate Navette‑Form Tazzas, probably 20th c., 4 1/2 in., w. 7 in., d. 3 3/4 in. $400/600

998. Pair of Decorative Chinese Famille Rose‑Style Covered Jars, fluted bodies decorated with figural panels on a floral strewn ground, h. 15 in., stands, overall h. 19 1/4 in. $500/1000

1003. Continental Cloisonné and Bronze Figural Encrier, dragon candle holders, elephant feet, h. 6 1/2 in., w. 12 1/2 in., d. 6 1/2 in. Note: Lacking glass liners. $150/250 1001. Pair of French Bronze‑Mounted Porcelain Covered Urns, flame finial, tripartite cherub base, h. 19 3/4 in., dia. 7 3/4 in. $700/900

1002. Pair of French Gilt Bronze and Glass Trumpet Vases, mid‑19th c., yellow ruffled glass sleeves, h. 10 1/4 in., w. 4 1/4 in. $300/500

1004. Pair of Tiffany & Co. Makers Sterling Silver Candlesticks, c. 1902‑1907, weighted bases, h. 5 1/4 in.; together with a sterling leaf, R. Blackinton Co., l. 6 in., and Reed & Barton sterling jigger. (4 pcs.) $250/350

1005. Good Group of American Sterling Silver Repoussé Dressing Table Items, incl. pair of S. Kirk & Son Co. brushes, unmarked hand mirror and Reed & Barton oval box, wt. 4.85 troy ozs. (4 pcs.) $400/600

1006. Gorham “Clermont” Pattern Sterling Silver Flatware Service, pat. 1915, incl. 19 dinner forks (l. 7 5/8 in.), 10 luncheon forks (l. 7 1/8 in.), 24 knives (l. 9 5/8 in.), 6 knives (l. 8 3/4 in.), 16 salad forks, 18 cocktail forks, 16 ice cream forks, 8 soup spoons, 16 bouillon spoons, 6 dessert spoons, 16 teaspoons (l. 5 7/8 in.), 12 teaspoons (l. 5 5/8 in.), 16 ice teaspoons, 6 citrus spoons, 23 demitasse spoons, 15 butter spreaders (fh), baby spoon, 18 tablespoons, steak carving fork and knife (hh), fish serving knife, pierced serving spoon (l. 7 1/4 in.), salad serving spoon and fork (hh), berry spoon (hh), sugar shell, 2 master butter knives, gravy ladle, cream ladle, small tomato server, pickle fork, lemon fork, sugar tongs and master salt spoon, (263 pcs.), total wt. (weighable) 197 troy ozs. $1500/2500

1009. French Gilt and Patinated Bronze Figural Lamp, winged putto standard, tall faux marbre base, marked “MUSEE LOUVRE”, h. (to socket) 24 in. $150/250

1013. Continental Crème Peinte and Parcel Gilt Trumeau Mirror, reserve depicting Abundance, flanked by bowknot with pendant husks, antique mirror plate, h. 64 1/2 in., w. 68 in. $200/300

1010. French Tôle Peinte Columnar Lamp, 19th c., gilt neoclassical decoration, electrified, h. (to socket) 29 in. $250/350

1014. Antique French Marble Mantel Clock, late 19th c., ret. by M. Scooler, dial marked “M. Scooler/ 105 Canal Str/ New Orleans”, incised case, Japy Freres movement, h. 9 in., w. 14 1/4 in., d. 6 1/2 in. $500/700

Note: New Orleans jeweler Maurice Scooler was active from 1842 to 1900. Ref.: Crescent City Silver, p. 123.

1007. Pair of Gorham Sterling Silver Three‑Light Candelabra, pattern 669, weighted, urn‑form candlecups, removable scrolled candlearms, baluster standard, h. 14 in. $300/500

1008. Pair of S. Kirk & Son Sterling Silver “Repoussé” Pattern Three‑Light Candelabra, weighted, removable scrolled candlearms, h. 7 5/8 in. $300/500 Provenance: The Estate of Caroline P. Ireland.

Provenance: The Estate of Caroline P. Ireland.

1011. Pair of Patinated Metal Figures of Maidens with Putti, after Etienne‑Henri Dumaige, signature inscribed on self‑bases, h. 16 1/2 in., w. 7 3/4 in., d. 6 1/4 in., painted wood base, overall h. 17 1/2 in. (2 pcs.) $500/800

1012. Three Carved White Marble Busts of Ladies, painted stone bases, h. 11 1/2 in. to 12 in. (3 pcs.) $800/1200

1015. Pair of Bronze‑Mounted Chinese Porcelain Tea Jars, painted in imitation of shagreen, h. 12 1/2 in. $600/800

1016. Pair of Chinese Famille Rose Porcelain Lobed Vases, decorated with peaches, bats and shou, bases with apocryphal Jiaqing marks, h. 14 in. $800/1200

1018. Chinese Glazed Stoneware Jar or Egg Crate, exterior relief‑carved and incised with dragons pursuing the flaming pearl, h. 19 1/4 in., dia. 19 3/4 in. $300/500

1019. Two Chinese Blue and White Porcelain Garden Seats, modern, one transfer‑decorated with bird and riverscape panels, other with dragon and phoenix, each with pierced cash top and sides, h. 18 in. $300/500

1017. Chinese Cloisonné Enamel Jardinière, 20th c., decorated with dragons pursuing the flaming pearl amid waves, h. 12 1/4 in., dia. 15 in. $200/300

1020. Pair of Chinese Copper Red and White Porcelain Jars, decorated with dragons pursuing the flaming pearl, h. 14 in. $500/700

1021. Large Pair of Chinese Blue and White Porcelain Jardinières, 20th c., bisque lion’s mask handles (lacking one), decorated with continuous landscapes, h. 16 in., dia. 23 1/8 in., hardwood stands, overall h. 36 1/4 in. $300/500

Additional information at www.nealauction.com

1022. Persian/Iranian School, 20th c., “Dancer and Musicians”, oil on canvas, unsigned, 34 5/8 in. x 45 in., framed. $300/500

1026. Antique English Mahogany Butler’s Tray, on later custom‑made stand, h. 18 3/4 in., w. 40 1/2 in., d. 30 1/4 in. $150/250

1023. Vietnamese School, 20th c., original study for a poster, titled “The State and People Work Together”, ink and color on paper, sight 29 in. x 20 3/4 in., framed. $200/300

1027. Antique Georgian‑Style Inlaid Mahogany Pedestal Desk, fitted fall‑front escritoire drawer, over kneehole configuration of drawers, bracket feet, h. 38 1/2 in., w. 50 in., d. 24 1/4 in. $500/750

1024. Pair of English Inlaid Mahogany Dressing Mirrors, scrolled bases, h. 22 1/4 in., w. 15 in. $150/250

1025. American Chippendale‑Style Carved and Inlaid Mahogany Low Boy, three drawers, cabriole legs, pad feet, h. 31 1/2 in., w. 39 1/2 in., d. 20 1/4 in. $200/400

1028. Two Antique Louis XV‑Style Carved Walnut Fauteuils, shield backs, old petit point upholstery. $100/200

Provenance: Bocage Plantation Onsite Auction, Neal Auction Co., Darrow, LA, Dec. 8, 2007, lot 66.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1030. Classical‑Style Onyx Pedestal, early 20th c., square swivel top, columnar standard, stepped base, square plinth, h. 39 in., w. 12 in., d. 12 in. Note: Repairs. $150/250

1031. Regency Inlaid Mahogany Games Table, early 19th c., foldover top, baize‑lined playing surface, turned supports, sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 36 in., d. (closed) 17 1/2 in., d. (open) 35 in. $300/500

1032. Georgian‑Style Mahogany Bedside Commode, two small drawers, cabinet door, square legs, casters, h. 34 3/4 in., w. 17 in., d. 16 in. $200/300

1033. American Aesthetic Carved Oak Slipper Chair, spindled back, spiral‑turned stretcher, reeded legs, h. 30 in., w. 20 1/4 in., d. 18 in. $75/150

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1038. Cast Iron Turtle Fountain, h. 8 in., w. 11 1/2 in., d. 19 1/2 in. $400/600 1035. American Cast Iron Hitching Post, 19th c., modeled as a tree trunk, h. 68 in. $600/900

1036. Antique French Cast Iron Hitching Post, “GILLET” foundry mark, fluted column, foliate collar, h. 46 in., dia. 7 1/2 in. $500/700

1037. American Cast Iron Horse Head Hitching Post, 19th c., fluted column, hexagonal base, h. 52 in. $300/500

1029. Antique Provincial Carved Walnut Side Table, one drawer, baluster‑turned legs, h. 25 in., w. 26 1/2 in., d. 15 1/2 in. $250/350

1039. Patinated Tin Rooster Weathervane, on wooden block with metal display rod, h. 39 in., w. 19 in. $400/600

1034. Vintage American Paint‑Decorated Blanket Chest, in the Pennsylvania Dutch style, hinged top, interior fitted with side compartment and three small drawers, turned feet, h. 22 1/2 in., w. 32 in., d. 20 in. $200/400

1040. Patinated Bronze Turtle Fountain. $200/300 Provenance: Schwitz Collection, Franklin, LA.

1041. American School, 20th c., “Still Life of Flowers”, oil on board, unsigned, 25 1/2 in. x 21 7/8 in., framed. $300/500 Provenance: The Estate of Caroline P. Ireland.

1044. Elijah Silverman (American/New York, 1910‑1994), “Abstract Still Life”, oil on canvas, signed lower right, 26 in. x 33 in. unframed. $200/400

1048. Phillip Anthony Sage (American/ Louisiana, b. 1942), “Southern Scenes”, 1973, 8 etchings, after William Aiken Walker (American/ South Carolina, 1838‑1921), each pencil‑signed, titled and inscribed “14/250” lower margin, sheets 14 3/4 in. x 9 3/4 in. to 15 in. x 22 1/4 in., unframed. (8 pcs.) $150/250

1045. Maurice Grosser (American/ New York, 1903‑1986), “Portrait of a Man”, 1945, oil on canvas, signed and dated lower right, 11 in. x 9 in., framed. $400/600

1049. Group of Royal Crown Derby “Old Imari” Porcelain, marked, incl. center bowl, h. 4 1/2 in., dia. 11 in.; 6 coffee cups with saucers; 6 demitasse cups with saucers; rectangular covered box, w. 4 1/4 in., d. 3 3/4 in.; 4 oblong ashtrays; small beaker, h. 2 1/2 in.; and scalloped dish, dia. 5 1/2 in. (19 pcs.) $300/500

1042. Fletcher Benton (American/Ohio, b. 1931), “Abstract Composition #30”, 1988, graphite on paper, signed and dated lower right, sheet 10 in. x 11 1/2 in., framed. $200/400

1043. American School, 20th c., “Storm on the Horizon”, 1988, watercolor on paper, unsigned, dated en verso, 9 in. x 12 in., framed. $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1046. Georges Lambert (French, 1919‑1998), “Coastal Scenes”, 2 lithographs on paper, each pencil‑signed and inscribed “artist proof” lower margin, sights 4 5/16 in. x 7 1/2 in., framed alike; together with Bernard Gantner (French, b. 1928), “Landscape”, lithograph on paper, pencil‑signed and inscribed “EA” lower margin, sheet 15 5/16 in. x 19 5/8 in., framed. $150/200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1047. Sherry Dole (American, b. 1951), “Jester’s Tabby”, color lithograph on paper, signed in plate lower right, pencil‑signed, titled and numbered “16/500” lower margin, 12 in. x 8 in., framed. $100/150

1051. Giant Clam Shell, Tridacna Giga, probably South Pacific, 5 vertical folds, h. 10 3/4 in., w. 31 1/2 in., d. 21 in. $500/700

1050. Carved Giltwood Eagle Wall Bracket, h. 22 1/2 in., w. 17 7/8 in., d. 15 3/8 in. Note: Condition. $300/500 1054. Tôle Peinte “Dog” Umbrella Stand, early 20th c., reverse with stand and basin, h. 25 in., w. 17 in. $250/350

1052. Bronze Figure of a Frog, 20th c., surmounted by a small frog attached to removable hatch on back, h. 11 in., w. 25 in., d. 16 in. $400/600

1056. American Walnut Bottle Case, 19th c., dovetailed case, fitted interior, h. 23 in., w. 17 3/ 4in., d. 11 3/4 in. $75/150

1053. Tôle Peinte Foot Basin, reserved with putti in a garden, h. 11 1/2 in., w. 28 in., d. 17 in. $200/300

1055. Tôle Peinte English Breakfast Tea Bin, 19th c., inset beveled mirror plate, h. 22 in., w. 13 1/2 in., d. 17 1/2 in. $200/400

1057. French Cast Iron Coal Hod, 19th c., marked “Corneau Freres a Charleville, Ardennes”, lid with mask of Zeus, shaped body, splayed legs, h. 12 in., w. 16 in., d. 22 in. $300/500 Additional information at www.nealauction.com

1058. American Art Glass Table Lamp, 19th c., Handel shade, marked with under water design, Bradley & Hubbard cloisonné base, electrified, h. 34 in., dia. 8 1/2 in. $700/1000

1059. Continental Wrought Iron and Tôle Eight‑Light Chandelier, scroll arms, h. 29 in., dia. 27 in. $200/300

1060. Vintage German Twelve‑Inch Terrestrial Globe, early 20th c., by Paul Oestergaard, Berlin, turned, ebonized base, h. 20 1/2 in. $300/500

1061. Antique Dutch Porcelain Mantel Clock, 19th c., floral decoration, striking gong movement, h. 17 1/2 in., w. 9 1/2 in., d. 4 1/2 in. $300/500

1062. American Brass Carriage Clock, c. 1905, Waterbury Clock Co, beveled glass, h. 5 3/4 in., w. 3 in., d. 2 1/2 in.; together with French brass carriage clock, c. 1910, beveled glass, visible escapement, h. 4 1/2 in., w. 3 in., d. 2 1/2 in. $150/200 Provenance: The Friedle‑Garrison Collection, New Orleans.

1064. American Classical Giltwood Overmantel Mirror, early 19th c., rope‑carved cornice, spiral‑turned floral columnar stiles, divided mirror plate, h. 20 in., w. 60 in. $700/900 1063. Art Deco Patinated Metal, Marble and Onyx Figural Mantel Clock, early 20th c., striking bell movement marked “EXACT”, case surmounted by a tiger, h. 15 1/4 in., w. 23 1/4 in., d. 7 1/4 in. $400/600

1065. Vintage Leather Club Chair and Ottoman, tufted back, brass nailhead trim, turned feet, chair h. 37 in., w. 38 in., d. 38 in.; ottoman h. 17 in., w. 25 in., d. 22 in. $300/500

1066. Pair of Cherner White Lacquer Side Chairs, Cherner Chair Company, white Edelman Vicenza leather seats, h. 31 1/2 in., w. 17 in., d. 18 in. $300/500 Provenance: Design Within Reach, 2015.

1069. Harper’s Weekly Civil War Illustration, “New Orleans in 1862 ‑ The Federal Fleet at Anchor in the River, April 25th ‑ Cotton and Shipping Burning Along the Levee”, sheet 16 7/8 in. x 23 7/8 in., framed. $150/250

1072. Two Antique English Hyde Park Painted Wood Signs, one warning ice skaters about the depth of the Serpentine, other warning to keep off the grass, 21 1/2 in. x 26 3/4 in. and 24 in. x 18 in. $150/250

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1067. William and Mary‑Style Carved Oak Miniature Blanket Chest, hinged lid, paneled and diaper‑pattern decoration, bulbous‑turned feet, h. 14 in., w. 19 in., d. 10 in. $200/300

1068. John Gould (British, 1804‑1881), “Ciconia Alba”, hand‑colored lithograph, from The Birds of Great Britain, sheet 21 1/2 in. x 14 3/4 in., framed. $200/300 Provenance: Blackamoor Antiques, New Orleans, LA.

1070. Bronze Portrait Plaque of a Boy, signed “Kendig ‘34” lower left, reverse stamped “NBW/ LA/ CAL.” in shield, 9 in. x 5 1/2 in. $200/300

1071. Classical‑Style Molded Brass Fire Fender, early‑to‑mid 20th c., h. 6 3/4 in., l. 39 1/4 in.; together with pair of contemporary turned brass andirons, h. 19 3/4 in. (3 pcs.) $200/400

1073. [New Orleans Illustrated], Jewell’s Crescent City Illustrated, The Commercial, Social, Political and General History of New Orleans, including Biographical Sketches of its Distinguished Citizens, 1874, edited and compiled by Edwin L. Jewell, small folio, cloth, 340 pages, with over 175 illustrations. $400/600

1074. [Huey Long Books], Everyman a King, The Autobiography of Huey P. Long, New Orleans, National Book Co., Inc., 1933, with dj; and Long, Huey Pierce, My First Days in the White House, Harrisburg, The Telegraph Press, 1935, with dj. $500/700

1075. Steinbeck, John, East of Eden, New York, The Viking Press, 1952, first edition, limited issue, one of 1500 copies signed by Steinbeck, 4to, gilt‑lettered green cloth. $800/1200

1076. Collection of Seven Lyle Saxon Books, incl.: Father Mississippi, The Friends of Joe Gilmore, Gumbo Ya‑Ya, Children of Strangers, Old Louisiana, Lafitte the Pirate, and Fabulous New Orleans, all with dust jackets. $500/700

1078. Group of Six American Carved and Polychromed Wood Sandpiper Decoys, 20th c., three marked, five with pegs on rustic stands, tallest h. 13 1/4 in., longest 1. 14 in. $600/900

1079. Two Wedgwood Caneware Covered Game Pie Dishes, c. 1850, marked, hare finials, relief‑molded with gamebirds suspended from grape and vine garlands, retain original glazed liners, h. 7 1/2 in., w. 11 1/2 in., d. 8 in. $200/400 1080. Wedgwood Caneware Covered Game Pie Dish, mid‑19th c., marked, hare finial, relief‑decorated with gamebirds and grape garlands, h. 5 1/2 in., w. 9 in., d. 6 3/4 in. $150/250

Provenance: The Estate of Caroline P. Ireland.

1077. Antique Surgical Instrument Grouping, 19th c., two marked “SCHULER”, with their wooden cases, presented in carved wood shadowbox, h. 31 1/2 in., w. 22 in., d. 3 1/2 in. $500/700

1082. Chippendale‑Style Inlaid and Gilded Mahogany Mirror, floral crest, églomisé panel, carved pendant, h. 61 1/2 in., w. 25 in. $400/600

1083. Brown Leather Sofa, loose back and seat cushions, rolled arms, base with nailhead trim, bun feet, h. 35 in., w. 83 in., d. 37 in. $600/900 1081. Patinated Bronze Figural Group of a Hunting Dog and Pheasant, h. 4 1/4 in., w. 7 in., d. 3 in. $100/200

1084. Brown Leather Sofa, en suite with the previous lot, h. 35 in., w. 83 in., d. 37 in. $600/900

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1085. American Sterling Silver Serving Dish in the Colonial Revival Taste, h. 1 1/4 in., dia. 12 7/8 in., wt. 18.50 troy ozs. $300/500

1086. Two Boston Coin Silver Presentation Cups, mid‑19th c., one by A.L. Dennison & Co., act. 1846‑1848, engraved “Remember/ Mary Dunlap “ h. 2 7/8 in.; the other by Lincoln & Reed, act. 1838‑1848, script monogram, h. 3 in.; both seamed construction with applied borders, total wt. 5.90 troy ozs. $200/400

1087. Miscellaneous Group of Antique and Vintage American Sterling Silver Flatware, incl. Tiffany dessert fork, knife and spoon with engraved decoration, 4 Gorham “Marguerite” tablespoons, Whiting “Hyperion” berry spoon, Wood & Hughes “Daisy No. 7” teaspoon, Harlequin sugar tongs, 2 relish spoons, 2 teaspoons and J.B. & S.M. Knowles sugar tongs, total wt. 18.35 troy ozs. $200/300

1088. Group of Antique and Vintage Sterling Silver Mounted Dressing Table Articles, various makers, incl. Gorham silver‑mounted cut glass perfume bottle, 2 silver overlay perfume bottles, and 3 silver‑mounted cut glass powder jars (incl. 1 Mauser and 1 Foster & Bailey). (6 pcs.) $300/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Additional information at www.nealauction.com

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1089. Kirk Sterling Silver Repoussé Circular Bowl, marked “S. KIRK & SON Co.”, 1896‑1924, pattern 179, dia. 11 1/4 in., wt. 16.85 troy ozs. $200/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1090. Good Group of Antique American Sterling Silver Repoussé Serving Pieces, c. 1900, incl. Whiting “Violet” pattern bowl, dia. 8 3/4 in.; Alvin carnation motif bread tray, l. 12 1/4 in.; and violet and scroll motif bread tray, l. 14 1/4 in.; total wt. 23.40 troy ozs. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1092. Six Cut Crystal Bowls, one marked “Waterford”, largest h. 4 in., dia. 6 1/4 in. $200/300

1091. Antique and Vintage American Sterling Silver Flatware, incl. Whiting “Arabesque” master butter knife; Towle “Plain Tipped” 6 luncheon forks; Towle “Canterbury” 6 dinner forks, teaspoon and demitasse spoon; Watson “Dorian” 6 luncheon forks, 6 luncheon knives, 5 teaspoons, 4 demitasse spoons, and sugar spoon; Gorham “Lancaster” 6 luncheon knives; Gorham “Regent”, ret. A.B. Griswold, 5 tablespoons (plus 1 “as is”); International “Spring Glory” gravy ladle; Gorham “Luxembourg” condiment fork and spoon; Gorham “Imperial Chrysanthemum” youth fork; Wallace “Wishing Star” 3 salad forks; 2 coin silver teaspoons; 4 sipper/stirrers; Towle sauce ladle, 3 baby spoons, 2 pc. carving set, horn‑handled carving set, and napkin ring; total wt. (weighable) 73 troy ozs.; together with an oak fitted cutlery chest labeled “Goldsmiths & Silversmiths, Ltd., London. $700/1000

1093. Set of Nine French Glass Bone Plates, 19th c., crescent‑form with gilt banded inner rim, fire polished pontils, h. 1 in., w. 7 1/4 in., d. 5 in. $300/500

1096. Lalique “Biches” Glass Vase, late 20th c., marked “Lalique Cristal France”, h. 6 1/2 in. dia. 5 in. $400/600

1094. Group of Cut Crystal Decanters, incl. 2 Waterford, 1 Royal Doulton, and 1 Stuart, all with stoppers, tallest 12 3/4 in. (4 pcs.) $300/500

1097. Daum Enamel and Glass Decanter, c. 1890, marked in gilt “Daum Nancy” with Croix de Lorraine, and etched “France”, faceted, foliate design, h. 8 in., dia. 3 1/2 in. $400/600

1095. French Art Deco Etched Glass Bowl, early 20th c., marked “Verame”, h. 6 3/4 in., dia. 12 in. $700/1000

1098. Group of Vintage Silver Boxes, incl. Gorham sterling cigarette humidor, cedar‑lined, h. 1 3/4 in., w. 3 5/8 in.; sterling example with calla lilies, h. 2 in., w. 5 1/8 in., d. 3 1/4 in.; and Continental .800 silver repoussé example, Germany, h. 3/4 in., w. 4 1/8 in. d. 2 7/8 in. $100/200

1099. Group of American Sterling Silver Serving Pieces, incl. Webster oval tray, l. 13 1/2 in.; Reed & Barton “Windsor” oval vegetable dish, l. 12 3/8 in.; Whiting reticulated bread tray, pattern 1041, date mark for 1907, l. 14 in.; and Hunt Silver Co. beaded bread tray, l. 12 1/2 in.; total wt. 46.55 troy ozs. $500/700

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1100. American Victorian Sterling Silver Baby Cup, Whiting, New York, act. 1866‑1927, engraved with script monogram and “Jan. 10/ 1897”, gilt wash interior, angular handle, h. 2 7/8 in., wt. 2.60 troy ozs. $150/250

1102. Dutch Delft Blue and White Porcelain Dish, 18th c., decorated in Chinese Export style, dia. 8 5/8 in. $150/250

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1101. Set of Eleven Vintage Silver “Spiderweb” Place Card Holders, unmarked, 2 7/8 in. x 2 7/8 in. $150/250 1103. Pair of Paris Polychrome and Gilt Porcelain Scent Bottles, 19th c., faceted bodies decorated with alternating Chinese and Western figures, h. 5 3/4 in., w. 3 3/4 in. $200/400

1104. Group of American Sterling Silver Flatware, various makers, incl. Gorham “Chantilly” ladle, with gilt wash bowl, l. 12 1/2 in.; Towle “Paul Revere” vegetable serving spoon, l. 9 1/4 in.; Old Newbury Crafters “Old Newbury” serving spoon, l. 10 1/8 in.; Colonial Revival serving spoon, l. 10 5/8 in.; Lunt “Modern Victorian” 3 piece youth set; hollow handle crumber and meat fork; together with a Danish silver sauce ladle, 1920, assayer’s mark of Christian F. Heise (1904‑1932); total wt. (weighable) 18.70 troy ozs. $300/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

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1105. Group of American Sterling Silver Serving Pieces, 20th c., incl. Reed & Barton floriform bonbon, date mark for 1947, l. 7 1/4 in.; Mauser footed sandwich tray with reticulated border, dia. 8 7/8 in.; and Wallace vintage motif sandwich tray, dia. 10 1/2 in.; total wt. 23.75 troy ozs. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1106. Group of Antique and Vintage American Sterling Silver, incl. Gorham reticulated scrollwork bread tray, date mark for 1897, l. 11 1/8 in.; Whiting “Louis XV” pattern oval dish, l. 8 7/8 in.; Codding Brothers & Heibron pin tray, l. 4 1/8 in.; 3 Reed & Barton foliate butter pats, date mark for 1948; Aesthetic butter pat; and square floral repoussé butter pat; total wt. 18.30 troy ozs. $250/350 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1107. Four Waterford Cut Crystal Decanters, marked, h. 10 1/2 in. (4 pcs.) $200/400

1110. Steuben Gold “Aurene” Glass Trumpet Vase, c. 1910, designed by Frederick Carder, marked, h. 10 1/4 in., dia. 6 in. $500/700 1111. Loetz Etched Glass Vase, etched “Loetz Austria/ May 8, 1901”, interior surface with wave design, h. 7 1/4 in., dia. 7 2/8 in. $500/700

1109. Four Daum Pate de Verre Glass Composer Plates, marked, portrait medallions of Beethoven, Bach, Gershwin, and Wagner, dia. 9 1/2 in. $200/300 1108. Daum Art Deco Acid Etched Glass Vase, early 20th c., marked “Daum Nancy/ France”, with Croix de Lorraine, h. 9 1/4 in., dia. 7 in. $700/1000 1113. Viennese Cold Painted Bronze and Metal Figural Lamp, c. 1900, lantern over youth and donkey, h. 15 in., w. 5 in., d. 6 in. $400/600 1112. Continental Tortoiseshell Inset Silverplate Footed Dresser Box, 19th c., inlaid lid, padded interior, h. 2 3/4 in., w. 5 1/2 in., d. 4 1/2 in. $300/500

1116. Art Deco Daum “Aquarium” Glass Bowl, early 20th c., marked “Daum Nancy”, with Croix de Lorraine, h. 3 1/2 in., dia. 11 1/4 in. $500/700

1114. Louis XV‑Style Gilt Bronze and Rock Crystal Nine‑Light Chandelier, scroll and foliate design, h. 25 in., dia. 28 in. $700/900

1115. Art Deco Daum Acid Etched Glass Bowl, early 20th c., marked “Daum Nancy/ France”, with Croix de Lorraine, h. 2 1/8 in., dia. 13 3/4 in. $500/700

1117. Art Deco Daum Acid Etched Glass Vase, early 20th c., marked “Daum Nancy/ France”, with Croix de Lorraine, h. 10 1/4 in., dia. 8 1/4 in. $500/700 1118. Lorraine Art Glass Vase, early 20th c., marked “Lorraine Made in France”, h. 8 in., dia. 7 3/4 in. $500/700

1119. Art Deco Daum Glass Bowl, early 20th c., marked “Daum Nancy/ France”, with Croix de Lorraine, h. 3 in., dia. 15 1/4 in. $500/700

1122. Large Carved Rock Crystal Bowl, 20th c., h. 3 3/8 in., dia. 12 1/4 in.; together with two rose quartz or agate grape clusters, longer l. 6 in. (3 pcs.) $800/1200 1120. Daum Glass Bubble Vase, c. 1950, marked “Daum Nancy/France”, oblong form, with Croix de Lorraine, h. 7 1/4 in., w. 8 1/4 in., d. 5 1/2 in. $400/600

1121. Pair of Rock Crystal Candlesticks, faceted standards, stepped bases, h. 10 3/4 in., dia. 3 3/4 in. $500/700 Additional information at www.nealauction.com

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1125. Daum Glass “Orion” Centerpiece Bowl, marked “Daum France”, with Croix de Lorraine, h. 5 3/4 in., w. 16 1/4 in., d. 5 1/4 in. $250/350 1123. Neoclassical‑Style Argenté Bronze Encrier, 19th c., diamond point cut glass inkpot, oval stand cast with palmettes and rosettes, cherub mask, lion and ring handles, rectangular plinth, h. 3 1/8 in., w. 5 in., d. 4 1/8 in. $350/500

1124. Art Deco Daum Acid Etched Glass Vase, early 20th c., marked “Daum Nancy France”, with Croix de Lorraine, h. 6 5/8 in., dia. 5 1/2 in. $300/500

1126. Daum Pierre d’Avesn Glass Vase, 20th c., marked “P D’AVESN”, deep fluting, h. 6 3/8 in., dia. 5 5/8 in. $400/600

1127. French Art Deco Acid Etched Glass Vase, early 20th c., marked “Verame”, h. 8 1/2 in., dia. 5 3/8 in. $300/500

1128. Legras Cameo Glass Vase, early 20th c., marked, ovoid form, h. 8 in., w. 3 3/4 in., d. 2 3/4 in. $300/500

1131. Steuben Gold Aurene and Calcite Bowl, early 20th c., h. 3 1/8 in., dia. 10 1/4 in. $300/500

1132. Art Deco Daum Glass Vase, marked “Daum Nancy France”, with Croix de Lorraine, h. 6 1/4 in., w. 9 in., d. 5 1/2 in. $250/350

1130. Steuben “Grotesque” Glass Bowl, c. 1925, designed by Frederick Carder, h. 6 1/2 in., w. 11 1/4 in., d. 7 1/2 in. $300/500 1129. Steuben Glass Candlestick, c. 1925, marked, designed by Frederick Carder, h. 13 3/4 in., dia. 5 1/2 in. $400/600

1133. Lalique “Filicaria” Glass Bud Vase, h. 4 1/2 in., w. 4 3/4 in., d. 2 1/2 in., together with a Lalique “Reims” water goblet, h. 5 in. $250/350 1134. Verame Art Deco Acid Etched Glass Vase, early 20th c., marked, h. 7 3/4 in., 4 1/4 in. $300/500

1135. Lalique “Pinsons” Glass Bowl, marked “LALIQUE FRANCE”, h. 3 3/4 in., dia. 9 1/4 in. $200/300

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1136. Two Daum Glass Vases, both marked, faceted design, tallest h. 6 in. $400/600

1137. Art Deco Daum Glass Bowl, marked “Daum France”, enamel foliate decoration, h. 2 7/8 in., w. 12 in., d. 8 1/4 in. $150/250

1138. Vintage Steuben Glass “Snail‑Scroll” Sugar Bowl and Creamer, etched marks, models #7941 and #7942, designed in 1947 by Irene Benton, h. 3 1/4 in., w. 5 1/4 in. and h. 3 1/2 in., w. 5 in. (2 pcs.) $200/300

1139. Pair of Vintage Steuben Glass “Low Footed” Bowls, etched marks, model #7967, designed in 1942 by John Dreves, scroll feet, h. 3 1/8 in., dia. 8 in. (2 pcs.) $200/300 1140. Steuben Glass Vase, early 20th c., clear glass with bubbles, yellow thread decoration, h. 8 in., dia. 3 3/4 in. $150/250

1141. Group of American Sterling Silver Serving Pieces, mid‑20th c., various makers and forms, incl. 3 circular sandwich trays, dia. 8 7/8 in. to 9 7/8 in., and 3 bowls, dia. 9 3/8 in. to 10 in.; total wt. 40.50 troy ozs. $400/600

1142. Pair of American Neo‑Grec Coin Silver Master Salt Cellars and “Medallion” Pattern Salt Spoon, c. 1870, Wood & Hughes, New York, act. 1845‑1899, salt spoon also marked for retailer E.A. Tyler, New Orleans, 1838‑1879, cellar h. 1 3/4 in., w. 3 7/8 in., total wt. 2.70 troy ozs. $100/200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1143. Group of Antique American Coin Silver and Sterling Silver Flatware Serving Pieces, incl. Albert Coles “Jenny Lind” pattern coin soup ladle, pat. 1850, l. 11 1/2 in.; Gorham “Josephine” pattern coin silver, pat. 1855, designed by John Gorham, shell‑shaped serving spoon, sugar shell, master butter knife and sauce ladle; Whiting “Louis XV” pattern sterling, pat. 1891, designed by Charles Osborne, salad serving fork and spoon, l. 9 1/8 in. and olive spoon; and Simpson, Hall & Miller “Abbottsford” pattern sterling ladle, pat. 1907, designed by John Clulee, retains traces of gilt wash bowl, l. 9 3/8 in.; total wt. 19.15 troy ozs. $400/600

1145. Twelve Gilt Decorated Ruby Cut to Clear Glasses; together with two goblets, h. 5 1/4 in. $150/250

Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1144. Lalique Crystal Bowl, etched mark “LALIQUE FRANCE”, h. 2 6/8 in., dia. 14 in. $200/400 1146. Nason Moretti Murano Glass Vase illegibly signed, possibly “Young” and “Constanschi”, h. 13 5/8 in. $75/150

1147. Large Art Deco Daum Acid Etched Glass Bowl, early 20th c., marked “Daum Nancy France”, with Croix de Lorraine, h. 2 in., dia. 17 1/4 in. $500/700

1150. Decorative Mahogany Butler’s Tray on Stand, labeled “The Bombay Company”, h. 17 in., w. 35 in., d. 25 in. $100/200 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

1148. Art Deco Daum Glass Vase, early 20th c., marked “Daum Nancy France”, with Croix de Lorraine, h. 8 1/8 in., dia. 11 1/2 in. $600/900

1149. Two Art Deco Daum Glass Vases, early 20th c., both marked “Daum Nancy France”, with Croix de Lorraine, one with bubbles, other amber with swirls, tallest h. 6 1/2 in., dia. 6 in. $500/700

1151. Group of Vintage American Sterling Silver, incl. Revere Silversmiths trumpet vase, weighted, h. 12 3/4 in.; Whiting reticulated bowl, date mark for 1915, h. 3 1/4 in., dia. 7 in.; Frank Smith bonbon, dia. 6 1/4 in.; Fisher bonbon, dia. 6 3/8 in. and Webster bonbon, dia. 5 1/2 in.; total wt. (weighable) 15.95 troy ozs. $300/400 Provenance: Estate of Eve Godchaux Hirsch, New Orleans.

Additional information at www.nealauction.com

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Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

George Inness ‑ In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness ‑ In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” ‑ In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness ‑ In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness ‑ In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness ‑ In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” ‑ In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

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Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non‑pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. 7. Virtually all property offered has been subject to use over a considerable period of time. No mention of cracks, scratches, chips or any damages will be included in the catalogue description. Condition reports are available upon request.

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ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. Neal Auction is not liable for any failure of third party sites. In the event of a dispute, the Neal Auction sale record is conclusive. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 5. Payment in full must be made by the successful bidder in US Dollars within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. TERMS Neal Auction has discretion to admit a bidder to the auction premises or refuse participation in the auction. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. Your signature on this form gives Neal Auction permission to charge your credit card the full amount of your invoice if payment is not received within 15 days of the auction. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale. RIGHTS Neal Auction retains the rights to all photographs and all intellectual property in this catalogue. They may not be used without prior written permission. IMPORT/EXPORT Items made of or incorporating endangered or protected wildlife materials, irrespective of age or percentage of material included therein, may require a license or certificate authorizing export from the US as well as relevant authorizations from the country of import. It is the responsibility of the prospective purchaser to determine and be satisfied that the requirements of any applicable laws or regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and purchasers can be given no assurance that an export license or certificate can be obtained. Please check with a qualified shipping company to if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on its interstate transportation or exportation from the United States. MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

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Neal Auction Company Neal Auction Company Neal Auction Company Neal Auction Company

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Auctioneers Appraisers Antiques Fine ArtArtArt Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine Art Auctioneers && Appraisers of of Antiques && Fine 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form

15/06M 15/06M 16/08M 15/06M 16/08M 19/06M 15/06M 19/06M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash 0AYMENT Credit 0AYMENT Cash Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Saleâ&#x20AC;? asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the â&#x20AC;&#x153;Conditions ofof Saleâ&#x20AC;? as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated in the catalogue. III understand that a aabuyerâ&#x20AC;&#x2122;s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyerâ&#x20AC;&#x2122;s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyerâ&#x20AC;&#x2122;s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyerâ&#x20AC;&#x2122;s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyerâ&#x20AC;&#x2122;s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax Form Form on or on or before Friday,6/26/15 Friday, 9/23/16 Fax Fax or E-mail Form form on or on orbefore before Friday,6/26/15 Thursday, 6/20/19 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or504-617-9990 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 to 504-617-6431 504-617-9990 to to 504-617-6431 504-617-6431 oror bids@nealauction.com 504-617-9990

229 229 229 229

107

Fancy Footwork A u g u s t 1 – 4 , 2 0 19 • t h e F r e n c h Q u A r t e r

The 2019 New Orleans Antiques Forum will “take steps” to explore topics including the depiction of animals in the decorative arts, the stylized feet of furniture and silver, the conservation of Dorothy’s ruby slippers, and more.

registration opens June 10 at 9:30 a.m. (cDt) www.hnoc.org/antiques or (504) 598-7146

presented by

The Historic New Orleans Collection museum • research center • publisher

Shoes; ca. 1740; manufactured in London; worn in New England; brocaded silk; yellow silk binding; ivory silk faille with yellow satin stripe (tongue lining); leather (sole and bottom of shoe); linen (lining), paper (label); courtesy of the Colonial Williamsburg Foundation, purchase partially funded by Margie and Harold Gill, Kimberly Ivey, Linda Baumgarten and John Watson, and Liza and Wallace Gusler in memory of Mildred Lanier, 2008-139, 1 & 2

Topics and Speakers how Firm a Footing?: the soles and souls of heritage Tom Savage, moderator, Winterthur Museum, Garden and Library history Afoot: A new Orleans Walkabout John H. Lawrence, The Historic New Orleans Collection creating Your Interior World: Be Yourself, Be comfortable, have Fun—and collect! Johanna McBrien, Dedham Historical Society and Museum, Antiques and Fine Art magazine slither, crawl, and claw: creatures and ceramics Elizabeth A. Williams, RISD Museum Didsbury, gresham, and Davis: shoes for America! Neal Hurst, Colonial Williamsburg Foundation Wild in the country: sporting and Wildlife Art Patricia M. Tice, Genesee Country Village and Museum “In All Luxury of Indolence” Louis P. Nelson, University of Virginia Young scholar Presentation: Praising canes: American Folk Art Walking sticks sponsored by the Decorative Arts Trust Lea C. Lane, Cincinnati Art Museum “I cannot help copying nature”: John James Audubon’s Quadrupeds of north America Katie McKinney, Colonial Williamsburg Foundation Keeping them ruby: the Preservation of Dorothy’s ruby slippers Dawn MP Wallace, National Museum of American History, Smithsonian Institution taste and the trade: exploring Kentucky and Other southern silver Scott Erbes, Speed Art Museum From Ball-and-claws to hairy Paws: the Fabulous Feet of Furniture Gerard W. R. Ward, Museum of Fine Arts, Boston (emeritus)

This event is presented with support from

April 13 & 14, 2019 • Auction Results 110

0001 ‑ $192 0002 ‑ $187 0003 ‑ $2000 0004 ‑ $1220 0006 ‑ $704 0007 ‑ $183 0009 ‑ $305 0010 ‑ $1250 0011 ‑ $1098 0012 ‑ $2196 0013 ‑ $704 0015 ‑ $1024 0016 ‑ $3660 0017 ‑ $1220 0018 ‑ $1586 0019 ‑ $1664 0020 ‑ $320 0021 ‑ $183 0022 ‑ $1586 0023 ‑ $1464 0024 ‑ $1250 0025 ‑ $768 0026 ‑ $1342 0027 ‑ $1280 0028 ‑ $1220 0029 ‑ $2560 0030 ‑ $625 0033 ‑ $1220 0035 ‑ $976 0036 ‑ $960 0037 ‑ $2318 0038 ‑ $2500 0040 ‑ $1280 0041 ‑ $732 0042 ‑ $832 0043 ‑ $732 0044 ‑ $1952 0045 ‑ $1792 0046 ‑ $1220 0047 ‑ $1220 0048 ‑ $3200 0049 ‑ $1792 0050 ‑ $15860 0051 ‑ $976 0053 ‑ $976 0054 ‑ $7320 0055 ‑ $1586 0056 ‑ $854 0057 ‑ $1500 0058 ‑ $1952 0059 ‑ $750 0060 ‑ $1000 0061 ‑ $244 0063 ‑ $1920 0064 ‑ $2196 0066 ‑ $732 0067 ‑ $2684 0068 ‑ $8750 0069 ‑ $1625 0071 ‑ $1098 0072 ‑ $3250 0073 ‑ $125 0074 ‑ $1000 0075 ‑ $2562 0076 ‑ $1586 0077 ‑ $7360 0078 ‑ $9150 0080 ‑ $768 0082 ‑ $305 0083 ‑ $2816 0084 ‑ $1792 0085 ‑ $1220 0087 ‑ $250 0088 ‑ $576 0089 ‑ $1536 0090 ‑ $3660 0091 ‑ $11285 0092 ‑ $8235 0094 ‑ $7015 0095 ‑ $512 0097 ‑ $1152 0098 ‑ $854 0099 ‑ $512 0102 ‑ $1220

0103 ‑ $562 0104 ‑ $512 0105 ‑ $2745 0106 ‑ $854 0107 ‑ $1024 0108 ‑ $1220 0109 ‑ $915 0110 ‑ $375 0111 ‑ $1220 0112 ‑ $1875 0114 ‑ $488 0115 ‑ $427 0116 ‑ $384 0117 ‑ $640 0118 ‑ $549 0119 ‑ $854 0120 ‑ $1216 0121 ‑ $704 0122 ‑ $488 0123 ‑ $366 0124 ‑ $1952 0125 ‑ $312 0128 ‑ $448 0129 ‑ $512 0131 ‑ $1250 0133 ‑ $1220 0134 ‑ $812 0136 ‑ $2176 0137 ‑ $832 0138 ‑ $1220 0139 ‑ $2625 0140 ‑ $768 0141 ‑ $793 0142 ‑ $366 0143 ‑ $488 0145 ‑ $1250 0146 ‑ $1024 0148 ‑ $610 0150 ‑ $768 0151 ‑ $1187 0154 ‑ $732 0157 ‑ $1220 0158 ‑ $274 0159 ‑ $1408 0160 ‑ $2304 0161 ‑ $250 0162 ‑ $875 0163 ‑ $9600 0164 ‑ $1830 0165 ‑ $448 0167 ‑ $732 0168 ‑ $1098 0172 ‑ $1500 0173 ‑ $640 0174 ‑ $3328 0175 ‑ $2125 0176 ‑ $3660 0177 ‑ $1500 0178 ‑ $10980 0179 ‑ $40260 0180 ‑ $2745 0181 ‑ $4352 0182 ‑ $6720 0183 ‑ $36600 0184 ‑ $1708 0185 ‑ $2440 0186 ‑ $6000 0187 ‑ $2560 0188 ‑ $1562 0189 ‑ $1562 0190 ‑ $152500 0191 ‑ $103700 0192 ‑ $5937 0193 ‑ $11250 0194 ‑ $7812 0195 ‑ $6710 0196 ‑ $5000 0197 ‑ $5500 0198 ‑ $11875 0199 ‑ $4880 0201 ‑ $732 0202 ‑ $427 0203 ‑ $366 0204 ‑ $76250

0205 ‑ $8540 0207 ‑ $366 0208 ‑ $1098 0210 ‑ $732 0211 ‑ $1098 0212 ‑ $488 0213 ‑ $14030 0215 ‑ $8540 0216 ‑ $3660 0218 ‑ $3965 0220 ‑ $1408 0221 ‑ $61000 0222 ‑ $33550 0223 ‑ $11590 0224 ‑ $3660 0225 ‑ $18910 0226 ‑ $610 0227 ‑ $488 0228 ‑ $512 0229 ‑ $488 0230 ‑ $5185 0232 ‑ $610 0233 ‑ $2440 0234A ‑ $832 0235 ‑ $1708 0236 ‑ $488 0237 ‑ $854 0238 ‑ $488 0239 ‑ $3660 0240 ‑ $5625 0241 ‑ $17080 0242 ‑ $20740 0243 ‑ $21960 0244 ‑ $15250 0245 ‑ $8540 0245A ‑ $6400 0246 ‑ $6100 0247 ‑ $2440 0248 ‑ $9375 0249 ‑ $4880 0250 ‑ $1152 0251 ‑ $3200 0252 ‑ $4880 0253 ‑ $5000 0254 ‑ $687 0255 ‑ $1664 0256 ‑ $854 0257 ‑ $1250 0258 ‑ $2318 0259 ‑ $13125 0260 ‑ $610 0261 ‑ $20740 0262 ‑ $2440 0263 ‑ $366 0264 ‑ $2240 0265 ‑ $1280 0266 ‑ $3050 0267 ‑ $1408 0268 ‑ $1792 0269 ‑ $500 0270 ‑ $640 0271 ‑ $375 0272 ‑ $2074 0273 ‑ $2440 0274 ‑ $610 0275 ‑ $6710 0276 ‑ $1280 0277 ‑ $1920 0278 ‑ $4575 0279 ‑ $3875 0280 ‑ $2048 0281 ‑ $5734 0282 ‑ $2196 0283 ‑ $1664 0284 ‑ $875 0286 ‑ $12500 0287 ‑ $854 0289 ‑ $2440 0290 ‑ $625 0293 ‑ $768 0294 ‑ $488 0295 ‑ $366 0297 ‑ $1375 0298 ‑ $2928

0299 ‑ $1586 0300 ‑ $2440 0301 ‑ $976 0303 ‑ $1220 0304 ‑ $732 0305 ‑ $896 0306 ‑ $2806 0307 ‑ $3250 0308 ‑ $2013 0309 ‑ $1500 0310 ‑ $256 0312 ‑ $1830 0313 ‑ $16875 0314 ‑ $640 0316 ‑ $640 0317 ‑ $488 0318 ‑ $1088 0319 ‑ $854 0320 ‑ $488 0321 ‑ $812 0322 ‑ $2048 0324 ‑ $875 0325 ‑ $2304 0326 ‑ $427 0327 ‑ $500 0329 ‑ $2048 0331 ‑ $1708 0332 ‑ $2318 0333 ‑ $854 0334 ‑ $512 0335 ‑ $244 0336 ‑ $2318 0337 ‑ $512 0338 ‑ $976 0339 ‑ $2684 0340 ‑ $3840 0341 ‑ $976 0342 ‑ $1920 0343 ‑ $610 0344 ‑ $1000 0348 ‑ $5000 0349 ‑ $3125 0350 ‑ $732 0352 ‑ $3660 0353 ‑ $976 0354 ‑ $4375 0355 ‑ $1875 0357 ‑ $500 0358 ‑ $305 0360 ‑ $1220 0361 ‑ $2125 0362 ‑ $256 0363 ‑ $1830 0365 ‑ $704 0366 ‑ $750 0368 ‑ $976 0369 ‑ $832 0371 ‑ $448 0372 ‑ $750 0373 ‑ $125 0374 ‑ $244 0375 ‑ $1464 0376 ‑ $1280 0378 ‑ $3172 0380 ‑ $610 0381 ‑ $1098 0382 ‑ $732 0383 ‑ $427 0385 ‑ $732 0386 ‑ $1708 0387 ‑ $4880 0388 ‑ $1220 0389 ‑ $610 0391 ‑ $750 0392 ‑ $2318 0395 ‑ $732 0396 ‑ $610 0397 ‑ $366 0400 ‑ $437 0403 ‑ $1830 0404 ‑ $1586 0405 ‑ $976 0406 ‑ $427 0407 ‑ $610

0408 ‑ $320 0409 ‑ $1464 0410 ‑ $3172 0411 ‑ $2304 0412 ‑ $1586 0414 ‑ $1664 0415 ‑ $3200 0416 ‑ $2074 0419 ‑ $1098 0420 ‑ $671 0421 ‑ $2318 0423 ‑ $250 0424 ‑ $244 0425 ‑ $448 0426 ‑ $3416 0427 ‑ $1464 0428 ‑ $2048 0429 ‑ $1159 0430 ‑ $732 0431 ‑ $1464 0432 ‑ $3625 0433 ‑ $448 0435 ‑ $1830 0437 ‑ $1220 0441 ‑ $512 0442 ‑ $366 0443 ‑ $448 0444 ‑ $448 0445 ‑ $312 0446 ‑ $244 0447 ‑ $488 0450 ‑ $1464 0451 ‑ $448 0452 ‑ $320 0453 ‑ $427 0454 ‑ $1408 0455 ‑ $1098 0457 ‑ $1586 0458 ‑ $854 0459 ‑ $1952 0463 ‑ $384 0464 ‑ $488 0465 ‑ $1098 0466 ‑ $4625 0468 ‑ $320 0469 ‑ $122 0471 ‑ $366 0473 ‑ $625 0474 ‑ $2196 0475 ‑ $610 0478 ‑ $244 0480 ‑ $1220 0482 ‑ $640 0483 ‑ $122 0485 ‑ $4880 0486 ‑ $6710 0487 ‑ $3050 0488 ‑ $2196 0489 ‑ $4480 0490 ‑ $366 0491 ‑ $512 0492 ‑ $192 0493 ‑ $1250 0494 ‑ $256 0495 ‑ $4375 0496 ‑ $488 0500 ‑ $1952 0501 ‑ $250 0502 ‑ $384 0503 ‑ $366 0504 ‑ $448 0505 ‑ $5760 0506 ‑ $384 0507 ‑ $576 0510 ‑ $244 0511 ‑ $448 0514 ‑ $2048 0515 ‑ $3328 0517 ‑ $854 0518 ‑ $1536 0519 ‑ $610 0520 ‑ $305 0521 ‑ $915 0523 ‑ $1024

0525 ‑ $549 0526 ‑ $320 0527 ‑ $183 0528 ‑ $576 0529 ‑ $244 0530 ‑ $625 0531 ‑ $1098 0532 ‑ $187 0534 ‑ $448 0535 ‑ $488 0536 ‑ $640 0538 ‑ $250 0539 ‑ $183 0540 ‑ $125 0542 ‑ $183 0543 ‑ $1664 0544 ‑ $3538 0545 ‑ $610 0547 ‑ $500 0548 ‑ $640 0549 ‑ $3294 0550 ‑ $366 0551 ‑ $3965 0552 ‑ $671 0553 ‑ $1024 0555 ‑ $1024 0557 ‑ $2125 0558 ‑ $2000 0559 ‑ $875 0562 ‑ $812 0563 ‑ $1220 0565 ‑ $610 0568 ‑ $3660 0569 ‑ $610 0570 ‑ $896 0571 ‑ $244 0572 ‑ $244 0573 ‑ $187 0574 ‑ $375 0575 ‑ $427 0576 ‑ $427 0578 ‑ $3660 0579 ‑ $1952 0581 ‑ $1664 0583 ‑ $1625 0584 ‑ $384 0585 ‑ $192 0586 ‑ $976 0587 ‑ $1830 0588 ‑ $1280 0589 ‑ $384 0590 ‑ $488 0591 ‑ $1952 0592 ‑ $1464 0593 ‑ $1464 0596 ‑ $488 0596A ‑ $128 0597 ‑ $244 0598 ‑ $732 0599 ‑ $671 0600 ‑ $704 0601 ‑ $704 0602 ‑ $384 0603 ‑ $128 0604 ‑ $832 0605 ‑ $937 0606 ‑ $244 0607 ‑ $2048 0609 ‑ $1375 0610 ‑ $1792 0611 ‑ $384 0612 ‑ $448 0613 ‑ $448 0614 ‑ $343 0615 ‑ $384 0616 ‑ $793 0617 ‑ $427 0618 ‑ $366 0619 ‑ $832 0622 ‑ $1037 0624 ‑ $625 0627 ‑ $375 0628 ‑ $312 0629 ‑ $1375

0630 ‑ $544 0631 ‑ $576 0632 ‑ $352 0634 ‑ $128 0635 ‑ $93 0636 ‑ $384 0638 ‑ $352 0639 ‑ $256 0640 ‑ $192 0641 ‑ $224 0642 ‑ $96 0643 ‑ $384 0644 ‑ $396 0645 ‑ $256 0646 ‑ $549 0647 ‑ $152 0649 ‑ $122 0650 ‑ $244 0651 ‑ $427 0652 ‑ $156 0653 ‑ $427 0654 ‑ $427 0655 ‑ $793 0656 ‑ $427 0657 ‑ $687 0658 ‑ $488 0659 ‑ $854 0660 ‑ $896 0661 ‑ $366 0662 ‑ $312 0664 ‑ $549 0666 ‑ $366 0667 ‑ $549 0669 ‑ $5124 0670 ‑ $793 0671 ‑ $7187 0672 ‑ $976 0673 ‑ $1342 0674 ‑ $427 0675 ‑ $366 0676 ‑ $1342 0677 ‑ $250 0678 ‑ $610 0680 ‑ $2688 0681 ‑ $768 0682 ‑ $610 0684 ‑ $976 0685 ‑ $320 0688 ‑ $750 0689 ‑ $250 0690 ‑ $562 0691 ‑ $1586 0692 ‑ $288 0693 ‑ $518 0694 ‑ $281 0695 ‑ $224 0696 ‑ $512 0697 ‑ $448 0698 ‑ $305 0699 ‑ $2440 0701 ‑ $366 0702 ‑ $244 0703 ‑ $213 0704 ‑ $488 0705 ‑ $610 0706 ‑ $366 0707 ‑ $256 0709 ‑ $61 0710 ‑ $62 0711 ‑ $213 0712 ‑ $468 0715 ‑ $549 0716 ‑ $244 0717 ‑ $91 0718 ‑ $518 0719 ‑ $671 0720 ‑ $416 0721 ‑ $192 0722 ‑ $183 0724 ‑ $468 0725 ‑ $335 0725A ‑ $156 0726 ‑ $160 0727 ‑ $183

0728 ‑ $274 0729 ‑ $512 0730 ‑ $160 0733 ‑ $1000 0734 ‑ $416 0735 ‑ $244 0736 ‑ $152 0737 ‑ $152 0738 ‑ $335 0739 ‑ $244 0740 ‑ $244 0741 ‑ $437 0742 ‑ $625 0743 ‑ $244 0744 ‑ $91 0745 ‑ $137 0746 ‑ $500 0747 ‑ $375 0748 ‑ $5312 0749 ‑ $576 0750 ‑ $366 0752 ‑ $5490 0753 ‑ $3840 0754 ‑ $1000 0755 ‑ $1216 0756 ‑ $366 0757 ‑ $122 0758 ‑ $549 0759 ‑ $640 0761 ‑ $732 0762 ‑ $488 0765 ‑ $1875 0766 ‑ $625 0767 ‑ $1342 0768 ‑ $896 0769 ‑ $152 0771 ‑ $1000 0772 ‑ $320 0773 ‑ $854 0774 ‑ $320 0775 ‑ $610 0776 ‑ $2196 0777 ‑ $427 0778 ‑ $768 0780 ‑ $671 0781 ‑ $305 0782 ‑ $1500 0786 ‑ $1536 0787 ‑ $488 0788 ‑ $1952 0790 ‑ $384 0791 ‑ $2432 0792 ‑ $854 0793 ‑ $500 0794 ‑ $854 0795 ‑ $854 0796 ‑ $312 0797 ‑ $1586 0798 ‑ $1062 0799 ‑ $610 0800 ‑ $5795 0802 ‑ $1792 0803 ‑ $3750 0804 ‑ $4375 0805 ‑ $2560 0806 ‑ $1875 0807 ‑ $1830 0808 ‑ $1037 0809 ‑ $1792 0810 ‑ $2688 0811 ‑ $3660 0813 ‑ $375 0814 ‑ $375 0815 ‑ $832 0816 ‑ $671 0818 ‑ $187 0819 ‑ $128 0821 ‑ $250 0822 ‑ $437 0823 ‑ $437 0824 ‑ $937 0827 ‑ $187 0828 ‑ $1220 0829 ‑ $976

0830 ‑ $256 0831 ‑ $1125 0832 ‑ $1250 0834 ‑ $1500 0835 ‑ $437 0836 ‑ $500 0837 ‑ $1024 0839 ‑ $832 0840 ‑ $320 0841 ‑ $549 0842 ‑ $671 0844 ‑ $1375 0845 ‑ $3294 0846 ‑ $1708 0847 ‑ $1875 0848 ‑ $2684 0849 ‑ $1464 0850 ‑ $1464 0851 ‑ $579 0852 ‑ $448 0853 ‑ $576 0854 ‑ $396 0856 ‑ $3125 0858 ‑ $1037 0860 ‑ $750 0861 ‑ $512 0862 ‑ $875 0863 ‑ $832 0864 ‑ $448 0865 ‑ $488 0866 ‑ $250 0867 ‑ $305 0868 ‑ $366 0869 ‑ $625 0870 ‑ $366 0871 ‑ $488 0874 ‑ $1216 0877 ‑ $244 0878 ‑ $250 0880 ‑ $305 0882 ‑ $1920 0884 ‑ $500 0885 ‑ $793 0886 ‑ $366 0887 ‑ $384 0888 ‑ $125 0889 ‑ $122 0891 ‑ $500 0893 ‑ $437 0894 ‑ $256 0895 ‑ $976 0897 ‑ $366 0898 ‑ $160 0900 ‑ $427 0901 ‑ $9760 0903 ‑ $1062 0904 ‑ $375 0906 ‑ $1000 0907 ‑ $366 0909 ‑ $6100 0910 ‑ $1000 0911 ‑ $976 0912 ‑ $375 0915 ‑ $1024 0918 ‑ $384 0919 ‑ $512 0921 ‑ $2806 0923 ‑ $625 0924 ‑ $488 0925 ‑ $750 0926 ‑ $960 0927 ‑ $793 0928 ‑ $122 0929 ‑ $576 0930 ‑ $640 0933 ‑ $2745 0935 ‑ $1250 0936 ‑ $244 0937 ‑ $793 0940 ‑ $427 0944 ‑ $512 0945 ‑ $732 0948 ‑ $512 0949 ‑ $854

0951 ‑ $244 0952 ‑ $576 0953 ‑ $488 0954 ‑ $125 0955 ‑ $183 0956 ‑ $187 0957 ‑ $366 0958 ‑ $183 0961 ‑ $183 0962 ‑ $183 0963 ‑ $366 0964 ‑ $384 0965 ‑ $384 0966 ‑ $1098 0967 ‑ $384 0968 ‑ $256 0969 ‑ $488 0970 ‑ $366 0971 ‑ $366 0972 ‑ $244 0973 ‑ $244 0974 ‑ $2196 0975 ‑ $793 0976 ‑ $3172 0977 ‑ $1098 0979 ‑ $671 0980 ‑ $500 0981 ‑ $732 0982 ‑ $610 0983 ‑ $640 0984 ‑ $640 0985 ‑ $488 0986 ‑ $976 0987 ‑ $549 0988 ‑ $1408 0989 ‑ $671 0990 ‑ $976 0991 ‑ $610 0993 ‑ $640 0995 ‑ $366 0996 ‑ $812 0997 ‑ $854 0998 ‑ $625 0999 ‑ $122 1000 ‑ $320 1001 ‑ $448 1002 ‑ $610 1003 ‑ $488 1006 ‑ $366 1007 ‑ $366 1008 ‑ $1000 1009 ‑ $793 1010 ‑ $549 1011 ‑ $187 1012 ‑ $244 1015 ‑ $244 1016 ‑ $427 1019 ‑ $1830 1021 ‑ $244 1022 ‑ $274 1026 ‑ $183 1027 ‑ $250 1029 ‑ $366 1030 ‑ $375 1032 ‑ $2562 1036 ‑ $976 1037 ‑ $375 1038 ‑ $448 1039 ‑ $256 1040 ‑ $793 1041 ‑ $488 1042 ‑ $244 1043 ‑ $244 1044 ‑ $187 1046 ‑ $128 1047 ‑ $250 1048 ‑ $384 1049 ‑ $256 1050 ‑ $512 1053 ‑ $183 1054 ‑ $192 1056 ‑ $366 1057 ‑ $125 1058 ‑ $256

1059 ‑ $128 1060 ‑ $244 1061 ‑ $500 1062 ‑ $305 1063 ‑ $384 1064 ‑ $549 1065 ‑ $610 1066 ‑ $244 1067 ‑ $1024 1068 ‑ $256 1069 ‑ $1464 1074 ‑ $366 1075 ‑ $305 1078 ‑ $610 1079 ‑ $244 1080 ‑ $244 1081 ‑ $7686 1082 ‑ $384 1083 ‑ $448 1084 ‑ $488 1085 ‑ $93 1086 ‑ $750 1087 ‑ $1250 1088 ‑ $1000 1092 ‑ $305 1093 ‑ $640 1095 ‑ $312 1096 ‑ $183 1097 ‑ $244 1098 ‑ $1280 1099 ‑ $1952 1100 ‑ $625 1101 ‑ $1408 1103 ‑ $305 1105 ‑ $335 1106 ‑ $128 1107 ‑ $152 1109 ‑ $125 1110 ‑ $384 1111 ‑ $218 1112 ‑ $93 1113 ‑ $256 1117 ‑ $256 1118 ‑ $448 1119 ‑ $244 1120 ‑ $366 1123 ‑ $192 1124 ‑ $312 1126 ‑ $250 1127 ‑ $187 1130 ‑ $2816 1131 ‑ $448 1134 ‑ $152 1136 ‑ $93 1139 ‑ $305 1140 ‑ $183 1141 ‑ $183 1142 ‑ $512 1143A ‑ $427 1144 ‑ $305 1146 ‑ $448 1147 ‑ $93 1148 ‑ $366 1150 ‑ $500 1151 ‑ $687 1154 ‑ $125 1156 ‑ $183 1157 ‑ $122 1158 ‑ $366 1159 ‑ $256 1162 ‑ $256 1163 ‑ $62 1166 ‑ $500 1168 ‑ $250 1169 ‑ $384

A Israel Abramofsky, 253 Diane Abt, 731 Enrique Alferez, 191 Martha Wright Ambrose, 406 Wayne Amedee, 933 American School, 900, 912, 1041, 1043 James McConnell “Mac” Anderson, 419, 420 Walter Inglis Anderson, 131, 132, 136, 181 Martin Arnold, 931 Nag Arnoldi, 717 John James Audubon, 672, (aft) 673 Darrel Austin, 185

I John Howard Iams, 899 Iranian School, 1022

J Tom Judd, 735

K Alberta Kinsey, 226 Ida Rittenberg Kohlmeyer, 174, 184, 186 Herman Koller, 955 Michelle Valborg Kondos, 722, 723

L Martin LaBorde, 996 Jeff Lambeaux (aft), 799 Georges Lambert, 1046 George Lance (attr), 254 Raoul François Larche, 208 Clarence John Laughlin, 416 William Robinson Leigh, 165 Sir Peter Lely (mnr), 803 Ashley Longshore, 172, 747 Louisiana School, 910 Lysippos (aft), 213

P Ambrogio Parisi (aft), 374 Joseph Honoré Maxime Pellegrin, 127 Persian School, 1022 Pierre Puget (aft), 991

Q Roma Burris Quartana, 670

R Charles Reinike, Jr., 410 Frederic Sackrider Remington, 142, 142A Pierre‑Auguste Renoir, 128 Charles Whitfield Richards, 671 C. Ford Riley, 166 James “Jim” Ritchie, 734 Noel Rockmore, 304 Auguste Rodin (aft), 989, 992 George Rodrigue, 154‑156, 162, 163, 170, 177, 178, 737‑745 Jennifer Smith Rogers, 175

S Josephine Sacabo, 751 Phillip Anthony Sage, 1048 Jules Salmson (aft), 852 Phil Sandusky, 929 Ron Liod Sauvage (aft), 713 Conrad Schwiering, 726 Elijah Silverman, 1044 Hunt Slonem, 171 Gordon Snidow, 769 Southern School, 417, 667, 927 Spanish Colonial School, 287 Saliha Staib, 405

V Jacques Van Aalten, 765 Hasmig Vartanian, 934, 935 Victor Vasarely, 4, 5, 746 Marcel Vertes, 953 George Louis Viavant, 135 Vietnamese School, 1023 Emmanuel Villanis (aft), 990 Frank Von Der Lancken, 936

W William Aiken Walker (aft), 1048 Stow Wengenroth, 842 Frances West, 800 Bror Anders Wikstrom, 303 Jim Wilcox, 728 Mildred Wohl, 415 Robert Earle Wood, 764 Ellsworth Woodward, 925 Don Wright, 413, 917, 918, 922‑924

Y Sam Yeates, 732

Z Vasily Zasipkin, 802

Artist Index

D Salvador Dali, 130 J. Dauvergne (aft), 850 Martin Delabano, 932 Lisa Di Stefano, 179, 182, 183 Sherry Dole, 1047 Kenneth Draper, 721 Alexander John Drysdale, 134, 141, 168, 225, 399, 400, 418, 663 Jean Dubuffet, 129 Paul Marie Ducuing, 215 Etienne‑Henri Dumaige (aft), 1011 George Bauer Dunbar, 187, 188, 190 William Dunlap, 176 George Valentine Dureau, 189, 404, 679, 763 Jimmy Dyer, 729

H Elizabeth “Eli” Halpin, 139, 402, 403 Theora Hamblett, 157, 164 Chestee Harrington, 919 Colette Pope Heldner, 398, 664 Knute Heldner, 913, 920 William Hemmerling, 158‑160, 305, 407 Hope Herberger, 926 Emilie de Hoa LeBlanc, 408 Mark Kelvin Horton, 180 Jean‑Antoine Houdon (aft), 493 Marie Atkinson Hull, 133, 140, 161, 167, 169, 173

N Bill Nebeker, 770, 771 New Orleans School, 921 Paul Ninas, 137 Philippe Henri Noyer, 394

U Giuseppe Uva, 252

•

C Debbie Fleming Caffery, 675‑677 Xavier de Callatay, 414 Shawn Cameron, 730 Antonio Canova (aft), 75 Peyton Hamilton Carmichael, 666 Gary Carter, 727 Alfred Edward Chalon, 255 Chinese School, 382 Eugène Claude, 840 Theodore Demerest Coe, 668, 669 Dorothy Jurisich Coleman, 409, 411 Continental School, 257, 839, 952, 954 Jean Louis Marcel Cosson, 395 Fleur Cowles, 733 José‑Mariá Cundín, 138

G Giambologna (aft), 706 Glenna Goodacre, 989 Robert Gordy, 736, 762 John Gould, 674, 841, 1068 Luis Graner y Arrufi, 302 Maurice Grosser, 1045

M Stefano Maderno (aft), 707 Douglas Magnus, 742, 743 Charles Maillard (aft), 373 François‑Nicolas Martinet, 256 Francesco de Matteis, 214 Alfred Henry Maurer, 798 Clarence Millet, 401 Maceo Mitchell, 797 Auguste Moreau, 209

June 22 & 23, 2019

B Antoine Louis Barye (aft), 851 Tony Bass, 192 Alvin Batiste, 412 Joe Beeler, 725 Fletcher Benton, 1042 William Kay Blacklock, 804 Roberta Jean Blair, 678 Rosa Marie Bonheur, 126 British School, 805 Frederick J. Brown, 306, 748, 749

F Donny Finley, 665 James Montgomery Flagg, 396, 397 French School, 801, 997 Rosalie Fulton, 928

T Emmitt Thames, 914‑916 Raymond A. Thomas, 724 Richard Earl Thompson, 911 William Tillyer, 720 Jean Tinguely, 750 Tim Trapolin, 930

111

George Rodrigue (1944‑2013), “The Class of Marie Courregé,” 1971, o/c, 40 x 30 in. Sold for $152,500 on April 13, 2019 – a world record price for the artist’s Cajun series.

UPCOMING AUCTIONS Fall Estates Auction September 7 & 8, 2019

Louisiana Purchase Auction

November 23 & 24, 2019

Neal Auction AUCTIONEERS & APPRAISERS OF ANTIQUES & FINE ART

112

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112

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments

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Administration

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Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Graphics Assistant Muffin Bernstein Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

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Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

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