July 2018 Important Summer Estates Auction

Neal Auction Company Important Summer Estates Auction July 14 & 15, 2018

Summer Estates Auction July 14 & 15, 2018 ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street Featuring:

Property from the Estate of John Middleton, Wallisville, Texas Select Decorative Arts from a Dallas Collection Property from the Memphis Brooks Museum Property from the Old Governor’s Mansion, Baton Rouge, LA Estate of New Orleans Historian D. Clive Hardy The John and Pam Finley Collection of Outsider and Folk Art Important Mid-Century and Modern Design from the Lee Ledbetter-Designed Residence of Sidney D. Torres IV, 1011 Esplanade Avenue, New Orleans Property from a Texas Hill Country Ranch And Property of Others EXHIBITION Exhibition at both galleries begins Friday, July 6, 10 a.m. to 5 p.m.

Special Saturday Preview, July 7, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, July 12, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, July 14, 11 a.m., 4038 Magazine Street Sunday, July 15, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

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D. Clive Hardy (1929-2017)

Prominent New Orleans Historian

The first archivist at the University of New Orleans, Hardy was instrumental in building the collection of primary source historical material now known as the Louisiana and Special Collections of the Earl K. Long Library. For many years Hardy served as head of the Louisiana and Special Collections.

Hardy’s lifelong love of New Orleans history and culture speaks through the objects in his collection which encompasses New Orleans ironwork, stoneware, advertising broadsides and Mardi Gras memorabilia, as well as antique furnishings, period gasoliers, Paris porcelain, and New Orleans-made and retailed silver.

Neal Auction Company is pleased to offer this special estate collection of New Orleans material culture.

Session One Saturday, July 14, 11 am 4038 Magazine

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2. Two Davenport Polychrome Creamware “Oak Leaf� Plates, c. 1793-1810, impressed lowercase “Davenport� over anchor marks, molded with RYHUODSSLQJ OHDYHV GLD LQ b b b b b b b

3. Pair of Chinese Reverse Glass Paintings, 20th c., painted with nobles and DWWHQGDQWV LQ ODQGVFDSHV VLJKW LQ [ LQ IUDPHG DOLNH b b b b b b b

1. Early Staffordshire Bocage Figure of St. Cecilia, ODWH WK HDUO\ WK F K LQ b b b b b b b 4. Gilt Bronze-Mounted Chinese Export Famille Rose Porcelain Punch Bowl, 19th/20th c., exterior decorated with figures in a landscape, interior with peonies and floral meanders, bronze foliate surround and scroll handles, stem foot, plinth base, h. 11 3/4 LQ Z LQ b b b b b b b

6. Pair of Antique Ironstone Covered Apothecary Jars, late 19th c., “RAIZ JENGIBRE� and “PAST. ANACAH�, with retailer’s mark of “La Profesa�, the wellknown drugstore of Julio Labadie – Mexico &LW\ K LQ GLD LQ b b b b b b b

10. Antique French Rouge Marble and Bronze-Mounted Cassolette, foliate arms and collar, K LQ Z LQ G LQ b b b b b b b

5. Four Chinese Export Famille Rose Porcelain Dishes, 19th c., incl. near pair with emblem and shield border, wells with male or female figures, dia. 7 3/4 and 8 in.; and pair ZLWK IORUDO DQG LQVHFW ERUGHU ZHOOV ZLWK ODGLHV LQ D JDUGHQ GLD LQ b 3URYHQDQFH %ODFNDPRRU $QWLTXHV 1HZ 2UOHDQV b b b b b b b

7. Antique Continental Faux Marbre and Gilt Reliquary, molded cornice, tapered case, suppressed ball feet, K LQ Z LQ b

3URYHQDQFH .HYLQ 6WRQH $QWLTXHV b b b b b b b

11. Decorative Silverplate Carving Trolley, revolving domed cover, stand covered in faux alligator with gilt metal mounts of Empire inspiration, h. 46 in., dia.

LQ b b b b b b b

8. Rock Crystal Bird Figure, 20th c., on an amethyst geode, h. 12 3/4 in., Z LQ G LQ b b b b b b b

9. Pair of Italian Faux Malachite Porcelain Vases in the Neoclassical Taste, marked “Mangani�, winged term handles, K LQ Z LQ G LQ b b b b b b b

12. Antique Patinated and Gilt Bronze FifteenLight Colza Chandelier, 19th c., corona with goat’s head masks, arms with entwined snakes, h. 39 1/2 in., GLD LQ b b b b b b b 13. Bronze Figure of a Faun, after the original in the Capitoline Museum in Rome, Roman numerals and “F. Barbedienne Fondeur� inscribed and “A. Collas� foundry stamp on self-base, h. 28 LQ Z LQ G LQ b b b b b b b

Additional information at www.nealauction.com

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15. Antique Continental Ebonized and Tortoiseshell Mirror, 19th c., ULSSOH PROGLQJV UHFWDQJXODU PLUURU SODWH K LQ Z LQ b

14. Eugene-Antoine Aizelin (French, 1821-1902), “Bust of Diana�, 1870, bronze, inscribed “E. Aizelin� and dated with foundry “F. Barbedienne, founder� stamp, h. 22 in., with antique HERQL]HG SHGHVWDO RYHUDOO K LQ b

17. Large Pair of Chinese Gilt Bronze Guanyin Groups, 20th c., modeled in mirror image seated in lalitasana on a Buddhist lion or elephant with left or right arm raised wearing voluminous robes, bead necklaces and a WLDUD K LQ Z LQ b

20. Extensive Derby Porcelain Cornflower Motif Dinner Service, F UHG FURZQ DERYH FURVVHG EDWRQV PDUNV LQFO FRYHUHG WXUHHQ K LQ Z LQ RYDO SODWWHU O LQ RSHQ VHUYLQJ GLVK K LQ O LQ FRYHUHG YHJHWDEOH WXUHHQV O LQ FRYHUHG VDXFH tureens, l. 7 in.; 30 dinner plates, dia. 10 1/4 in.; 12 soups, dia. 10 1/4 in.; DQG VDODG SODWHV GLD LQ b

18. Pair of Paris Porcelain Amphora Vases, 19th c., with foliate scroll handles, figural and floral reserves on a gilt ground, one base with French inscription, K LQ b

16. Louis Philippe Gilt and Silvered Bronze Mantel Clock, c.

VLON WKUHDG PRYHPHQW DUFKHG case, porcelain dial, over a maiden standing in a niche, h. 16 in., w. 8 in., G LQ b

19. Paris Porcelain Partial Dinner Service, mid-19th c., incl. covered soup tureen, h. 12 in., w. 14 1/2 in.; fish platter, 24 in. x 9 1/4 in.; 2 graduated platters, 21 1/4 in. x 13 3/4 in. and 14 3/4 in. x 10 in.; and 12 soup plates, GLD LQ SFV b Provenance: Estate of D. Clive Hardy, New Orleans

21. Pair of Georgian-Style Carved Mahogany Cutlery Urns, 19th c., beaded finial, fluted and floral garland frieze, fitted interior, square plinth base, h. 28 1/4 LQ GLD LQ b b b b b b b

22. Pair of Italian Carved, Polychromed and Parcel Gilt Blackamoors, 19th c., in the Baroque style, each in kneeling position, dressed in richly gilt tunic, stepped base, h. 21 1/4 in., Z LQ G LQ b b

3URYHQDQFH 6RWKHE\Ĺ?V /RQGRQ -XO\ ORW b b b b b b b

25. Regency Cast Iron, Brass and Bronze Figural Fire Fender, surmounted by whippets, h. 7 1/2 in., w. 38 in., d. 3 3/4 in.; together with an antique brass and wirework ILUHVFUHHQ K LQ Z LQ G LQ b b

23. Pair of French Clodion-Style Patinated Bronze Urns, 19th c., grotesque mask handles, relief of cavorting cherubs, molded base, now mounted as lamps, electrified, K WR VRFNHW LQ Z LQ G LQ b b b b b b b

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24. Pair of Continental Patinated Bronze Figural Andirons of Classical Inspiration, surmounted with figures of Neptune and Amphitrite, tripartite base with cherubs DQG GROSKLQ IHHW K LQ Z LQ G LQ b b b b b b b

3URYHQDQFH +LVWRULF %DUQHV +RXVH 1DWFKH] 06 b 1RWH 7KLV whippet fire fender served as the inspiration for several objects made for the Historic Natchez Collection, which benefits the preservation and education projects of the Historic Natchez Foundation.

27. Continental NeoclassicalStyle Inlaid Figured Birch Library Table, 19th c., tooled leather inset top, frieze drawers, banded square tapered legs, brass cuffs, h. 30 1/2 in., w. 74 1/2 LQ G LQ b b 26. Antique English Brass Jardinière, lion mask handles, paw feet, h. 23 1/2 in., GLD LQ b b b b b b b

Provenance: Balzac Antiques, 1HZ 2UOHDQV b

Ill.: One King’s Lane, “Tour Author Julia 5HHGĹ?V 3DUW\ 5HDG\ 1HZ 2UOHDQV +RPHĹ? b b b b b b b

28. Louis Philippe Figured Mahogany Pier Table, probably mid-19th c., grey marble top, frieze drawer, scrolled supports with paw IHHW VKDSHG SOLQWK K LQ Z LQ G LQ b b b b b b b

31. Louis XV-Style Bronze, Cut Crystal and Amethyst Eight-Light Chandelier, vasiform standard, scrolled arms, hung with amethyst and cut crystal pendants, h.

LQ GLD LQ b b b b b b b

29. Monumental Chinese Export Canton Famille Rose Porcelain Bowl, 19th c., exterior decorated with a continues figural scene, interior with figural panels on a white ground with antiques, auspicious emblems, insects, butterflies, fruit, and flowers, K LQ GLD LQ b b b b b b

30. Large Carved Rock Crystal Bowl, together with rose quartz and agate grapes, h.

LQ GLD LQ b b b b b b b

32. Pair of Italian BaroqueStyle Painted and Parcel Gilt Torchères, 19th c., Ionic column capital, spiral-turned standard, FLUFXODU EDVH K LQ b b b b b b b 33. Amethyst, Rose Quartz and Rock Crystal Flamingo Group, each figure with tiger’s eye beak, modeled standing on a naturalistic amethyst rock surface, KDUGVWRQH EDVH K LQ Z LQ b b b b b b b

36. Pair of George I Carved Walnut Side Chairs, c. 1730, incised “VII� and “VIII� respectively, carved shell crest rail, shaped splat, shell-carved FDEULROH OHJV SDZ IHHW K LQ Z LQ G LQ b 34. Carved Marble Figural Group, after “Cupid and Psyche� by Antonio Canova in the Palais du Louvre, Paris, K LQ b b b b b b b 35. Pair of George III-Style Carved and Giltwood Mirrors in the Chinese Chippendale Taste, each with opposing ho-ho birds atop reverse-painted chinoiserie panels, shaped mirror plate within rocaille IUDPH K LQ Z LQ b b b b b b b

Note: The early Georgian chairs in the lot shown here are a sophisticated form often attributed to prominent London cabinetmakers such as Giles Grendey (1693-1780) and Samuel Bennett (1700-1741) during the reigns of George I and II. Featuring carved scallop shells, a scrolling splat, and cabriole legs, this stylish chair form displays elements of the Rococo style popular throughout Europe during the 18th century, while remaining streamlined and uncomplicated.

Ref.: Chicago Institute of Art. artic.edu/aic/collections/artwork/100712. Accessed June 14, 2018; “LAPADA Guide to Walnut in Early 18th Century Furniture Making.� The Associated of Art & Antiques Dealers. lapada.org/guides/walnut-early-18th-century-furniture-making.

Accessed June 14, 2018 Additional information at www.nealauction.com

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37. Fine Italian Marble Table, 19th c., inlaid circular top with gothic arches and quatrefoils centering a gameboard, stopIOXWHG VWDQGDUG RQ VTXDUH SOLQWK EDVH GLD LQ b

39. Pair of Portuguese Carved Oak Armchairs, 19th c., shaped foliate crest, padded back, arms and seat, scrolled arm supports, cabriole OHJV EDOO DQG FODZ IHHW K LQ Z LQ G LQ b

38. Pair of Italian Rococo-Style Painted and Parcel Gilt Consoles and Mirrors, 18th c., foliate and scrolled decoration, console h. 31 in., w. 32 in., G LQ PLUURU K LQ Z LQ b

40. Pair of Antique RĂŠgence-Style Carved Walnut Fauteuils Ă la Reine, padded back and seat, foliate-carved arms, shell-carved seat rail, scrolled legs with hoof feet, shaped cruciform VWUHWFKHU ILJXUDO QHHGOHSRLQW XSKROVWHU\ K LQ Z LQ G LQ Provenance: Uptowner Antiques, New Orleans.

41. Pair of Antique Italian Parquetry and Marquetry Petite Commodes, each with single door, square tapered legs and neoclassical GHFRUDWLRQ WKURXJKRXW K LQ Z LQ G LQ b Provenance: Karla Katz Antiques, New Orleans.

43. Italian Figural Terracotta Bench, paired griffin ends, ZRRG VODW EDFN DQG VHDW K LQ Z LQ G LQ b

45. Theodore Wendel (American/Ohio, 1859-1932), “View of Venice along the Rio Nuovo Canal�, oil on canvas, signed lower right, 21 in. [ LQ IUDPHG b b b

42. Antique Spanish “Seaweed� Marquetry and Walnut Papelera on Stand, stepped cornice over small drawers inlaid with fanciful swans, molded base, ring turned splayed legs EDVH DUFKHG LURQ VWUHWFKHU K LQ Z LQ G LQ b

44. Queen Anne-Style Chinoiserie Secretary, broken arch crest surmounted by a gilt finial, paneled mirrored doors enclosing shelves and compartments, fall front desk with fitted interior, four graduated drawers, h. 86 in., w. 36 in., d. 19 LQ b

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Note: Theodore Wendel was one of the most successful and respected Impressionist landscape painters of the late 19th and early 20th centuries.

A native of Ohio, Wendel studied with Thomas Noble at the McMicken School of Art at the University of Cincinnati. He traveled to Munich, Germany in 1878 with his good friend Joseph DeCamp to study with Frank Duveneck at the Munich Academy. Wendel and his friends became known as the “Duveneck Boys,� and the group included such noted artists as William Merritt Chase, James Abbott McNeill Whistler, and John Henry Twachtman. From 1878 to 1880, they painted landscapes and figural paintings in Polling outside Munich, as well as in Florence and Venice.

Most of Wendel’s paintings from this period are unlocated, making examples like the current lot very rare. The view offered here depicts the Rio Nuovo canal in Venice. Using soft shades of rose, pale blue and green, Wendel’s gestural brushwork produced an early work of Impressionism by an American artist.

Later in 1887-88, Wendel studied in France and became good friends with Claude Monet. He was one of the few American artists whose work Monet chose to praise. Wendel’s career was curtailed by illness in 1917 and despite being one of the most important American Impressionists, his reputation gradually faded, and he fell into obscurity. His work was all but forgotten until John I. Bauer organized an exhibition of his paintings in 1976 at the Whitney Museum of American Art in New York City, reelevating his career status to its original importance.

47. Antique French Patinated Bronze Urn, after Clodion, decorated with cavorting putti, foliate base, h.

LQ GLD LQ b b b b b b b

48. Pair of Post Modern Silvered Metal and Rock Crystal Candlesticks, 20th c., flared standard, h. 19 1/4 LQ Z LQ G LQ b $1200/1800

46. German Tessarolo (Italian/ Argentinian, b. 1945), “Busqueda�, “Venicia� and “Untitled�, 3 oils on artist board, signed lower right, upper left and upper right, 2 inscribed en verso, 10 in. x 8 in. to 11 1/8 in. [ LQ IUDPHG SFV b

49. Pair of Antique Continental Walnut and Bronze Figural Brackets, molded shelf, incised backplate, with bronze lion mask, h. 14 in., w. 10 in., d. 18 LQ b

50. Pair of Antique Portuguese Gilt and Cut Crystal Lidded Urns, 19th c., IDFHWHG OLG DQG YHVVHO K LQ GLD LQ b

51. German Porcelain Plaque of the Sistine Madonna, Theodor Lichtenberg, Dresden, after the painting

by Raphael, giltwood frame, sight 9 3/4 LQ [ LQ b

52. Pair of Regence-Style Carved and Crème Peinte Fauteuils à la Reine, arched crest rail, padded back and arms, foliate-carved seat rail, cabriole legs, h. 43 in., w. 27 in., d. 24 in. $800/1200

54. Pair of French Bronze Figural Chenets, 19th c., now mounted as table lamps, wood bases, h. to socket 26 LQ Z LQ G LQ b

53. Pair of Empire-Style Gilt and Patinated Bronze and Rouge Marble Six-Light Candelabra, after a design

by Thomire, foliate arms, above addorsed maidens, tall base ZLWK FDYRUWLQJ SXWWL K LQ GLD LQ b

56. Pair of French Renaissance Revival Bronze Six-Light Candelabra, 19th c., urn-form standard with relief of winged griffins astride a bull and horse, tripartite base, now mounted as lamps, h. 29 1/2 in., GLD LQ b

55. Good Pair of French Bronze-Mounted Parquetry Semainiers, 19th c., chamfered stiles, six drawers, shaped DSURQ K LQ Z LQ G LQ b

57. Empire-Style Gilt Bronze and Tole SixLight Chandelier, 20th c., trophÊe and garland frieze, floral arms with ram’s heads, electrified, h.

28 in., dia. 16 1/2 in. $700/1000

58. Pair of Antique Lead Garden Figures, one holding a bird nest, the other a butterfly, h. 41 in., Z LQ G LQ b $700/1000

59. Louis Philippe Giltwood Overmantel Mirror, 19th c., PROGHG DQG EHDGHG VXUURXQG K LQ Z LQ b Provenance: Estate of D. Clive Hardy, New Orleans

Additional information at www.nealauction.com

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60. Regency Carved Giltwood Bullseye Mirror, 19th c., surmounted by spreadwing eagle on rockwork base, cavetto mounted with spherules, ebonized rabbet, foliate pendant, h. 40 in., w.

LQ G LQ b $800/1200 61. Beaux Arts Bronze-Mounted Delft Three Piece Clock Garniture, c. 1900, urn-form case, Rococo mounts and base, conforming VL[ OLJKW FDQGHODEUD FORFN K LQ Z LQ G LQ FDQGHODEUD K LQ b

62. Colonial American Queen Anne Carved Walnut Corner Chair, c. 1730, scrolled crest rail surmounted by a shaped crest, pierced splats, turned stretchers and legs, h. 30 1/2 in., w. 27 in., G LQ b Exh.: Memphis Brooks Museum of Art, So Proudly :H +DLO $PHULFDQ )XUQLWXUH b

63. Fine English Carved and Inlaid Walnut Table, mid-19th c., circular top, baluster support, exuberant scrolled legs, casters, h. 29 LQ Z LQ G LQ b

65. Pair of Chinese Carved Huanghuali Horseshoe Back Armchairs and Side Table, chair with curving crest rail on turned supports and s-curved splat, SDQHOHG VHDW VKDSHG IULH]H WXUQHG OHJV VWUHWFKHUV K LQ Z LQ G in.; table with rectangular paneled top, shaped frieze, turned legs medial shelf, h. 29 LQ Z LQ G LQ SFV b

68. Georgian Oak and Banded Dresser Base, 18th c., short drawers flanked by a pair of paneled cupboard doors, shaped bracket feet, h. 34 LQ Z LQ G LQ b

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64. George II Inlaid Walnut Chest on Stand, 18th c., upper case with flared cornice, two short over three graduated long drawers, lower case with two short over one long drawer, cabriole legs, pad feet, h. 66 in., w. 40 1/2 in., G LQ b

66. Antique American Chippendale Carved Mahogany Lowboy,18th c. and later, long drawer over fan-carved drawer flanked by two short drawers, cabriole legs and pad feet, h. 36 in., w. 39 LQ G LQ b b 3URYHQDQFH 7H[DV +LOO &RXQWU\ 5DQFK b

69. Fine Queen Anne-Style Burl Walnut Partner’s Desk, serpentine top with inset leather writing surface, frieze drawers on opposing sides, cabriole legs, ball and claw feet, h.

31 in., w. 62 in., d. 38 LQ b

67. American Federal Carved and Tiger Maple Inlaid Cherrywood Bowfront Chest, early 19th c., New England, bead molded top with outset corners, four graduated drawers flanked by ring-turned and reeded stiles, turned and tapered legs, h. 36 1/4 in., w. 42 1/4 LQ G LQ

71. Pair of George III Carved Mahogany Bowfront Hanging Corner Cabinets, late 18th c., dentil-molded cornice, pair of doors opening to shaped VKHOYHV PROGHG EDVH K LQ Z LQ G LQ b b b b b b

70. George III Inlaid Mahogany Demilune Games Table, late 18th c., foldover top, blocked frieze, WDSHUHG OHJV EDL]H OLQHG SOD\LQJ VXUIDFH K LQ Z LQ G FORVHG LQ G RSHQ LQ b b b

72. Fine Antique Biedermeier Carved and Parcel Ebonized Fruitwood Vitrine, 19th c., molded cornice, pair of paneled glazed doors flanked by colonnettes, blocked molded EDVH EORFN IHHW K LQ Z LQ G LQ b b 73. Gilt Bronze and Enamel Standish, 19th c., galleried top with 2 inkwells, flanked by dragon scroll candle arms, elephant’s mask feet, K LQ Z LQ G LQ b b b b b b b

74. Pair of Art Nouveau Tiffany & Co. Makers Sterling Silver Vases, 1902-1907, pattern introduced 1903, stippled ground with raised decoration of scattered blossom, entwined monogram Ĺ?$/Ĺ? K LQ WRWDO ZW WUR\ R]V b

75. Extensive Tiffany “Faneuilâ€? Pattern Sterling Silver Flatware Service SDW LQFO IRUNV LQ IRUNV LQ NQLYHV O 9 1/8 in.), 12 salad forks, 12 oval soup/dessert spoons, 24 teaspoons, 12 iced teaspoons, 12 butter spreaders (fh), 8 demitasse spoons, sugar shell, 2 serving spoons, tablespoon, cold meat fork, gravy ladle, tomato server, master butter knife (hh), cheese knife (hh), large carving knife and fork and small carving knife and fork; together with Old Newbury Crafters “Panel Antiqueâ€? serving fork and 3 tablespoons in Dominick & Haff “Pattern No. Ĺ? SFV WRWDO ZW ZHLJKDEOH WUR\ R]V b

76. Antique English Sterling Silver Monteith, William Hutton & Sons, London, 1897, mark reg. 1894, scalloped rim, stop-fluted body with molded cartouches and lion head handles, reeded foot, gilt wash interior, h.

LQ Z LQ ZW WUR\ R]V b b b b b b b

77. Pair of Edwardian Sterling Silver Corinthian Columnar Candlesticks, James Dixon & Sons, Sheffield, 1904, mark reg. 1892, UHPRYDEOH EREÂŹFKHV K LQ b $800/1200

78. Hester Bateman Sterling Silver Hot Milk Jug, London, 1779, mark reg. 1771, inverted pear form on circular stepped foot, domed cover with urn finial, beaded decoration throughout, engraved with Clan Montgomery crest and motto “Garde Bien�

(Guard Well), scroll handle wrapped in woven UDIILD K LQ ZW WUR\ R]V

79. Edwardian Painted Satinwood Carlton House Desk, early 20th c., fitted superstructure, pull out leather writing surface, two frieze drawers, WDSHUHG OHJV FDVWHUV K LQ Z LQ G LQ

Additional information at www.nealauction.com

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80. Georgian-Style Chinoiserie-Decorated Breakfront, 20th c., Schmieg and Kotzian, New York, broken arch crest, four glazed arched paneled doors, base with four drawers over four cabinet doors, blocked molded EDVH K LQ Z LQ G LQ

83. Antique Empire-Style Parcel Gilt and Faux Malachite Console, white marble top, frieze centered by a foliate medallion, scrolled acanthus-mounted supports, mirrored back, shaped base, K LQ Z LQ G LQ b

81. George II Carved Walnut Corner Chair, F VFUROOHG FUHVW UDLO VXUPRXQWHG E\ D VKDSHG crest, vasiform splats, incurvate seat rail, cabriole legs, SDG IHHW K LQ Z LQ G LQ Exh.: Memphis Brooks Museum of Art, The Glory of Georgian England

82. George III Carved Mahogany Side Table, c. 1760, later molded marble top, shaped frieze, shell carved apron, foliate carved cabriole legs, ball and claw feet, h. 30 1/2 in., w. 38 in., d. 18 3/4 in. $2000/3000 Exh.: Memphis Brooks Museum of Art, The Glory of Georgian England,

84. Pair of Louis XIV-Style Fauteuils, c. 1780-1800, tall arched backs, serpentine volute arms, S scroll legs and stretcher on WDSHUHG VTXDUH IHHW

85. Continental Carved Giltwood Center Table, 18th c. and later, later antique faux marbre top, carved foliate scrolled supports, ball and claw feet, later shaped faux SRUSK\U\ EDVH K LQ Z LQ b

87. Fine Louis XV-Style Carved Walnut and Parcel Gilt Console, 19th c., serpentine marble top, foliate carved frieze, acanthine cabriole legs, shaped stretchers centered by an urn finial, K LQ Z LQ G LQ

86. Italian Late Rococo Fruitwood Inlaid and Burled Walnut Commode F serpentine top, conforming case with two short drawers over two long drawers, serpentine apron, FDEULROH OHJV K LQ Z LQ G LQ 1RWH 9HQHHU VKULQNDJHV DQG UHSDLUV Provenance: Sotheby’s New York, Apr. 1, 2010, lot 102.

Note: Although the bombÊ commode originated in France, the form quickly became popular in Italy as the French Rococo style spread throughout Europe during the 18th century. Italian cabinetmakers applied their own distinctive regional design to the commode, including the use of walnut veneers, natural wood inlay, and delicately attenuated legs—all recognizably Italian characteristics of the walnut commode in the present lot.

Ref.: Kenworthy-Browne, John. “The Line of Beauty: The Rococo Style,� The History of Furniture.

London: Orbis Publishing, 1982, pp. 113-114.

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88. French Carved Fruitwood Buffet, 19th c., molded top with backsplash, floral carved frieze, three paneled cabinet doors, shelf interior, scalloped apron, scrolled legs, h. 48 1/2 in., w 80 in., d. 21 in. $2000/3000

89. Pair of Neoclassical-Style Crème Peinte Bergères, brown leather XSKROVWHU\

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.� Architectural Digest.

September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

90. Pair of American Terracotta and Mosaic Pedestals, probably early 20th c., palmette capital, grapevine and bird motifs, blue mosaic ground, base mounted with WXUWOHV K LQ Z LQ G in. $6000/8000

91. Fine Pair of Regency-Style Sterling Silver-Gilt Six-Light Candelabra, Crichton & Co. Ltd., New York, early 20th c., foliate scroll candlearms with urn-shaped candle nozzles and gadrooned drip pans, tapered shaft with stiff leaf decoration, convertible to single candlesticks, K LQ WRWDO ZW DSSUR[ WUR\ R]V b 3URYHQDQFH 6RWKHE\Ĺ?V 1HZ <RUN 0DU ORW b

Note: The Crichton firm was established in London in 1890 by Lionel Alfred Crichton. In 1912 they opened a branch in New York at 636 Fifth Avenue.

92. Pair of Large Italian Baroque Carved Giltwood Consoles, 18th c., red velvet lined shaped WRS VFUROOHG DFDQWKXV FDUYHG EDVH FHQWHUHG E\ D PDVN VWHSSHG ORZHU SOLQWK K LQ Z LQ G 3/4 in. $7000/9000

94. Monumental Louis XVIStyle Polychrome Painted Six Panel Screen, probably 19th c., egg tempera on canvas, obverse painted with three pastoral scenes, reverse with foliate panels, acanthus borders, h. 96 in., each panel Z LQ b

93. French Empire-Style Gilt Bronze-Mounted Mahogany Bureau Ă Cylindre, late 19th c., black marble top, cylinder lid opens to fitted desk interior, slide out inset leather writing surface, kneehole configuration of drawers, tapered legs, brass cuffs, h.

LQ Z LQ G LQ 95. Pair of Sèvres-Style Porcelain Vases, probably early 20th c., lionâ&#x20AC;&#x2122;s mask scroll handles, landscape reserves in puce camaieu, with gilt and cobalt accents, bases with spurious interlaced â&#x20AC;&#x153;Lâ&#x20AC;? marks, h.

LQ b

96. Large Pair of Italian Carved and Gilt Torchères, c. 1910, rubbed surface showing red bole, fluted standard, tripartite scrolled base, h.

LQ GLD LQ b

97. French Zinc Bullâ&#x20AC;&#x2122;s Head Butcher Trade Sign, 19th c., h.

19 1/2 in., w. 21 1/2 in., d. 18 LQ b Provenance: Estate of D. Clive Hardy, New Orleans

Additional information at www.nealauction.com

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100. Pair of American or English Blown Glass Hurricane Shades, 19th c., baluster form, folded foot rim, h. 24 LQ GLD LQ b

Provenance: Estate of D. Clive Hardy, New Orleans 98. Pair of Cast Iron Jardinières, mid-19th c., SRVVLEO\ $PHULFDQ RI IROLDWH IRUP K LQ GLD 13 1/2 in.; together with an antique painted cast iron ERRW VFUDSHU K LQ Z LQ G LQ b

Provenance: Estate of D. Clive Hardy, New Orleans

99. American Cast Iron Garden Bench in the â&#x20AC;&#x153;Passion Flowerâ&#x20AC;? Pattern, 19th c., labeled â&#x20AC;&#x153;Mfg By The Kramer Bros., F.D.Y. Co., Dayton Oâ&#x20AC;?, pierced back and incurvate seat, scroll supports, cabriole legs, ball and claw IHHW K LQ Z LQ G LQ b 101. American Rococo Gilt Bronze Five-Light Gasolier, mid-19th c., ropetwist standard, mounted with three addorsed cherubs, fruit collars, the bell and arms with grapevines, h. 67 in., GLD LQ b Provenance: Estate of D. Clive Hardy, New Orleans

103. Good Colonial Revival Sterling Silver Tray, ret. J.E. Caldwell & Co., Philadelphia, act. 1848-2009, octagonal, stepped border ZLWK UHHGHG ULP LQ [ LQ ZW WUR\ R]V b Provenance: Estate of D. Clive Hardy, New Orleans

102. Hyde and Goodrich Coin Silver Soup Ladle, wc. 18281861, New Orleans, marked â&#x20AC;&#x153;HYDE & GOODRICHâ&#x20AC;? in rectangle, fiddle W\SW KDQGOH O LQ ZW WUR\ R]V b Provenance: Estate of D. Clive Hardy, New Orleans

5HI &UHVFHQW &LW\ 6LOYHU SS

104. Good Group of American Coin Silver Flatware, incl. bead pattern (possibly Polhemus) sauce ladle, ret. Hyde & Goodrich, New Orleans, wc. 1828-1861, l. 7 1/4 in.; variant bead pattern cold meat fork, Bigelow, Kennard & Co., Boston, wc. 1863-1923, l. 8 3/4 in.; ILGGOH SDWWHUQ ILVK VOLFH *DOH +D\GHQ 1HZ <RUN O 1/8 in.; fiddlethread sugar shell, Theodore Evans & Co., New York, wc.

O LQ DQG ILGGOH W\SW WHDVSRRQV & $ %XUU &R 5RFKHVWHU 1< ZF WRWDO ZW WUR\ R]V b Provenance: Estate of D. Clive Hardy, New Orleans

105. Group of New Orleans Coin Silver Flatware in the â&#x20AC;&#x153;Fiddlethreadâ&#x20AC;? Pattern, incl.

WDEOHVSRRQ O LQ DQG IRUNV (l. 6 1/4 in.), Hyde & Goodrich, wc.

1828 1861; and sugar shell (l. 6 1/4 in.) and tongs (l. 6 1/8 in.), A.B. *ULVZROG ZF WRWDO ZW WUR\ R]V

Provenance: Estate of D. Clive Hardy, New Orleans

106. New Orleans Carved Mahogany Campeche Chair, mid-20th c., Kohlmaier & Kohlmaier, signed and dated on underside of seat rail, of generous proportions, scroll crest, continuous back and seat, scroll arms with baluster supports, turned stretchers, leather seat with nailhead trim, h. 43 1/2 in., Z LQ G LQ b

Provenance: Acquired by William Simmons from Kohlmaier & .RKOPDLHU b Note: Best known for exquisitely crafted furniture after American Federal designs, the workshop of Ruppert Kohlmaier Sr. (1906-2002) and Ruppert Kohlmaier Jr. has made and continues to make select forms from Louisiana resources, notably the use of cypress veneer. The mahogany Campeche chair seen here is based on a well-known period SURWRW\SH ZKLFK GHVFHQGHG LQ D 1HZ 2UOHDQV IDPLO\ b Ref. Schmalz, Lydia and Evelyn Mitchell, â&#x20AC;&#x153;The Art of the Craftsman: Ruppert Kohlmaier, Sr., a Retrospective Exhibition.â&#x20AC;? New Orleans: Longue Vue House and Gardens, 1982, p. 72.

108. New Orleans Painted Wood and Cast Iron Garden Bench, late 19th/early 20th c., foundry mark of Hindererâ&#x20AC;&#x2122;s Iron Works, New Orleans, K LQ Z LQ G LQ Provenance: Estate of D. Clive Hardy, New Orleans

107. Pair of Antique Anglo-Colonial Bone Inlaid Hardwood Console Tables WK F LQODLG WRS DQG IULH]H UHHGHG WDSHULQJ OHJV K LQ Z LQ G LQ b

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110. Large American Cast Iron Sugar Kettle, 19th c., flared rim, deep ERZO K LQ GLD LQ b

109. New Orleans Cast Iron â&#x20AC;&#x153;CHARTRES STâ&#x20AC;? Panel, 19th c., l. 73 1/2 in., Z LQ b

Provenance: Estate of D. Clive Hardy, New Orleans

Provenance: Estate of D. Clive Hardy, New Orleans

112. Antique American Giltwood Mirror, foliate molded surround, h. 27 in., w. 23 LQ b

111. American Cast Iron Sugar Kettle, 19th c., flared rim, deep bowl, K LQ GLD LQ

114. Spanish Pewter and Brass Overlay Cabinet, two frieze drawers over two paneled doors, tapered feet, h. 36 in., Z LQ G LQ

115. Japonesque Lacquered Wood Occasional Table, circular top painted with flower scrolls, splayed acanthine supports centered by urn, footed square base, h. 31 in., GLD LQ b

117. Pair of Fine Rotterdam â&#x20AC;&#x2DC;Commedia dellâ&#x20AC;&#x2122;Arteâ&#x20AC;&#x2122; Tile Pictures, late 18th c., each piece painted in shades of manganese and blue, with the figure of a performing Hans Worst within an interior, with text â&#x20AC;&#x153;Ik ben Hans Worstâ&#x20AC;? and â&#x20AC;&#x153;en ik zijn broerâ&#x20AC;?, each FRPSULVLQJ VL[ WLOHV ZLWKLQ D PHWDO IUDPH LQ [ LQ ZLWKRXW IUDPH b b

113. Antique Polychromed Iron Head K LQ b $600/900

Provenance: Estate of D. Clive Hardy, New Orleans

116. Suite of Fourteen Louis XVI-Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 12 side chairs, molded oval backs, serpentine seat rails with URVHWWH EORFNV IOXWHG WDSHUHG OHJV K LQ Z LQ G LQ b

118. Large Spanish Carved and Painted Wood Santos Figure, 19th c., depicted holding lilies, plinth base, h. 43 in., w. 17 LQ G LQ b $1200/2000

119. Continental Cut Crystal and Horn Encrier, 20th c., brass base mounted with horns, centered by large hexagonal inkwell, ball feet, h. 9 in., w. 12 in., d.

LQ b

3URYHQDQFH 6RWKHE\Ĺ?V $PVWHUGDP 6HSW ORW ,OOXV $QWLHN 1R $XJ 6HSW S

120. Pair of Neoclassical-Style Bronze Chenets, 19th c., flaming XUQ VWDQGDUG K LQ Z LQ G LQ b

121. Pair of Beaux Arts ArgentĂŠ, Rock Crystal and Amethyst ThreeLight Girandoles, c. 1900, scroll supports with bird terminals, tripartite EDVH HOHFWULILHG K LQ GLD LQ b Additional information at www.nealauction.com

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122. Large Viennese Cold Painted Bronze Figural Standish, c. 1900, stamped â&#x20AC;&#x153;AUSTRIAâ&#x20AC;?, depicting three parrots on a branch, onyx base with pen KROGHU WUD\ DQG OHWWHU RSHQHU K LQ Z LQ G LQ b

123. Antique English Silver-Mounted Tortoiseshell Cigarette Box, &RUQHOLXV 6DXQGHUVb )UDQFLV 6KHSKHUG &KHVWHU PDUN UHJ K LQ Z LQ G LQ b 124. Pair of Empire-Style Bronze-Mounted Rouge Marble Covered Urn, c. 1900, bud finials, UDPĹ?V KHDG KDQGOHV K LQ Z LQ G LQ b $600/900

125. Pair of Majolica Polychrome Jardinières, late 19th c., fern OHDI DQG IORZHU PRWLI K LQ Z LQ G LQ b Provenance: Estate of D. Clive Hardy, New Orleans

126. Four American Giltwood Cornices, mid-19th c., RSHQLQJ Z LQ G LQ b Provenance: Estate of D. Clive Hardy, New Orleans

128. Anton Michelsen Sterling Silver Candelabrum in â&#x20AC;&#x153;The Waveâ&#x20AC;? Design, &RSHQKDJHQ F GHVLJQHG E\ ,EL 7ULHU Morch (1910-1980), h. 6 1/2 in., w. 10 in., wt.

WUR\ R]V b b

Note: The Anton Michelsen firm of silversmiths was founded in 1841 and quickly began to enjoy royal patronage. Georg Jensen apprenticed with Anton Michelsen in the 1890s. A. Michelsen was sold to Royal Copenhagen in 1868, and was later merged into Georg Jensen after it too was acquired by Royal Copenhagen.

127. Two George V Sterling Silver and Tortoiseshell-Mounted Cut Crystal Perfume Bottles, one Adie Brothers, %LUPLQJKDP K LQ WKH RWKHU DOVR HDUO\ WK F K LQ b

130. Pair of Louis XVI-Style Gilt Bronze and Green Marble Seven-Light Candelabra, merboy figures, holding cornucopia, issuing foliate FDQGOHDUPV GRSKLQ IHHW K LQ GLD LQ b

131. Art Nouveau Patinated Bronze Five-Light Figural Lamp, base signed â&#x20AC;&#x153;Ant. Amorgasti/ 1924â&#x20AC;?, with crane on rocaille base, h. 22 3/4 LQ Z LQ G LQ b

132. Fine Louis XV/XVI BronzeMounted Parquetry Petite Commode, 19th c., serpentine rouge marble top, four conforming drawers, shaped apron, flared OHJV EUDVV VDERWV K LQ Z LQ G LQ b

129. French Porcelain-Mounted Bronze Hall Lantern, cage-form, foliate finials, allover mounted with polychrome porcelain flowers, fitted for electricity, h. 48 LQ Z LQ G LQ b

133. Pair of Rock Crystal and Gilt Metal Baluster Lamps, two light fixture, K WR ILQLDO LQ b

134. American Classical Fancy-Painted Grecian Sofa, early 19th c., New York, outscrolled arms centered by tablet splats, old rush seat, saber legs on spherule feet; the whole with a striated aquamarine ground, Classical motifs executed in yellow, red and black with gilt highlights, the legs in â&#x20AC;&#x153;fish scaleâ&#x20AC;? paint-decoration, curly maple secondary wood, h. 34 in., w. 73 1/2 in., d. 23 in. $2000/3000 Provenance: Ann Koerner Antiques, New Orleans.

,OO 2QH .LQJĹ?V /DQH Ĺ?7RXU $XWKRU -XOLD 5HHGĹ?V 3DUW\ 5HDG\ 1HZ 2UOHDQV +RPHĹ? b b

Note: A painted and rush seat sofa conserved by the Brooklyn Museum and attributed to New York makers P. and B.R. Thomas or John Cowperthwaite nearly identical to that seen here was included in Berry B. Tracyâ&#x20AC;&#x2122;s seminal Classical America 1815-1845 exhibition. A pair of painted sofas, also closely related to this lot, are part of the furnishings commissioned for William Croganâ&#x20AC;&#x2122;s â&#x20AC;&#x153;Picnic Houseâ&#x20AC;? in Pittsburgh and now in the Carnegie Museum.

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Ref.: Tracy Classical America 1815-1845, fig. 26; Cooper. Classical Taste in America, p. 140, pl 100.

135. Antique Italian Painted and Parcel Gilt Console, shaped marble top, conforming blocked frieze mounted with floral-carved swags, fluted tapered legs, molded stretcher surmounted by a floral urn, h. 36 in., w. 5 LQ G LQ b $2000/3000

136. Six Continental Baroque-Style Carved and Gilded Dining Chairs, arched scrolled crest rail, vasiform splat, scalloped seat rail, cabriole OHJV SDG IHHW VWUHWFKHUV K LQ Z LQ G LQ b 137. François Gall (French, 1912-1987), â&#x20AC;&#x153;Picnic in the Woodsâ&#x20AC;?, oil on canvas, signed lower left, 19 1/2 in. x 23 1/2 in., framed. $4000/6000

Provenance: Ross L. Peacock Madison Avenue Gallery, New York, 1986.

Note: Hungarian-born Francois Gall studied at both the Accademia de Belle Arti in Rome and the Ecole Nationale des Beaux-Arts in Paris before the commencement of World War II, which he spent in Hungary and Austria. Returning to Paris and becoming a naturalized citizen in 1949, Gall married and spent the remainder of his life in France. He greatly admired the work of the Impressionist painters, particularly Edgar Degas, and their influence is apparent in the painting offered here with its light palette, plein-air scenery, and careful brushwork. The woman seated on a picnic blanket appears lost in a reverie, and the dappled light is portrayed particularly well on her dress and the surrounding grass.

138. Antique Architectural Engraving of Rome, from In Rome by Giovanni Giacomo de Rossi, 3 engravings, overall sight 26 in. x 52 in., framed together. $400/600

139. Lady Victoria Patricia Helena Ramsay (British, 1886-1974), â&#x20AC;&#x153;Under-Sea Study, Bermudaâ&#x20AC;?, oil on board, monogrammed â&#x20AC;&#x153;V.P.R.â&#x20AC;? lower left, â&#x20AC;&#x153;Goupil Gallery, Londonâ&#x20AC;? May 1928 exhibition label en verso, 21 3/4 in. x 29 7/8 in., framed. $800/1200

140. Dutch School, 19th c., â&#x20AC;&#x153;Travelers within a Wooded Landscapeâ&#x20AC;?, oil on canvas, unsigned, 35 3/8 in. x 39 1/4 in., unframed. $1000/1500

142. Art Deco Royal Doulton Polychrome Porcelain Dinner Service, c. 1923-1927/1930, lion over Royal Doulton and entwined Ds mark, incl. 11 dinner plates, dia. 10 5/8 in.; 12 salad plates, dia. 8 7/8 in.; 9 bread plates, dia. 6 1/4 in.; 2 cups and 3 saucers; and 6 demitasse cups and 4 saucers (48 pcs.) $300/500

141. Continental Carved Walnut Table, 18th c., shaped molded top, frieze with two drawers on return ends, faux drawers on front and reverse sides, serpentine apron, cabriole legs, ball and claw feet, h. 31 in., w. 47 in., d.

30 1/4 in. $1500/2500

144. Three Decorative Rock Crystal Flower Sculptures, steel stems, white marble bases, tallest h. 27 in. $600/800 143. Patinated Bronze Group of a Maiden Astride a Goat, inscribed â&#x20AC;&#x153;Claude Michelâ&#x20AC;?, on marble base, h. 20 in., w. 12 in., d. 8 1/4 in. $500/750

145. Antique Venetian Carved and Polychromed Blackamoor on Pedestal, 19th c., the dancer posed on globe with zodiac banner, cushion and draped pedestal, h. 73 in., w. 18 in., d. 18 in. $1500/2500 Additional information at www.nealauction.com

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146. Pair of Italian Carved and Painted Pricket Candlesticks, 18th c., turned standard, distressed surface, h. 17 in., dia. 5 3/4 in. $500/700

148. “Grand Tour” Collection of Plaster Cast Intaglio Seals, presented on marbled paper ground in two oval frames, h. 19 in., w.

15 in. $500/700

147. Austrian Cold-Painted Bronze Figural Lamp, c. 1900, palm tree fitted with light, base with Arab horseman and vide poche, h. 11 1/4 in., w. 5 in., d. 5 3/4 in. $700/900

150. Continental Carvel and Patinated Panel, 18th c., three shields flanked by putti, h. 6 in., w. 24 in. $300/500

152. David Harouni (Iranian/New Orleans, b.

1962), “Untitled”, oil on gallery-wrapped canvas, signed lower left, 48 in. x 36 in., unframed. $3000/5000

153. David Harouni (Iranian/New Orleans, b. 1962), “Untitled”, oil on gallery-wrapped canvas, signed lower right, 48 in. x 48 in., unframed. $3000/5000

155. Donald Roller Wilson (American/Arkansas, b. 1938), “Beverly in the Woods with her Pencil !!! and Waiting and Thinking of Mr. Metzdorf”, 1982, oil on canvas, signed, dated and titled upper center, signed, dated and inscribed on stretcher bars, “Russeck Gallery” label en verso, 26 1/4 in. x 22 in., framed. $15000/25000

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149. Parian Figure of Undine, 19th c., marked “John Hancock”, h. 17 in., w. 5 1/2 in., d. 6 1/4 in. $100/200 151. Austrian Cold-Painted Metal Figural Group, with seated lady surrounded by vessels, h. 7 in., w. 8 1/4 in., d. 9 in. $600/800

154. Hunt Slonem (American/Louisiana, b.

1951), “Metallic Bunnies”, 2016, oil on board, signed and dated en verso, 29 in. x 20 1/2 in., framed. $3000/5000

156. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Untitled: Synthesis Series”, 1982, mixed media on canvas, signed and dated mid-left, 20 1/2 in. x 21 3/4 in., framed. $7000/10000

157. Rene Portocarrero (Cuban, 1912-1985), “Head with Leaves”, 1979, mixed media on paper, signed and dated lower left, 35 1/2 in. x 26 in., framed. $2000/3000

158. George Rodrigue (American/ Louisiana, 1944-2013), “Center Stage”, 1993, acrylic on linen, signed lower right, signed and titled on stretcher, 11 in. x 14 in., framed. $10000/15000 Provenance: Rodrigue Studio, Royal Street, New Orleans.

159. Clarence Millet, A.N.A. (American/New Orleans, 1897-1959), “Saturday Night, French Quarter Cafe”, oil on canvas, signed lower right, 25 in. x 30 in., original painted frame. $20000/30000

Note: The only New Orleans artist who became a National Academician, Clarence Millet had a wonderful understanding of composition and color, which is clearly demonstrated in the exceptional work offered here. Saturday Night, French Quarter Café, with its jewel-tone palette and chiaroscuro, depicts a rare twilight street scene. Having often painted plein air French Quarter scenes throughout his career, Millet’s adoption of American Realism and American Scene painting styles in the early to mid-20th century, which focused on portraying accurate representations of ordinary people in their everyday lives, elevated his work and enabled him to create this masterful painting. Depicting people from different walks of life, such as the café-goers, the vegetable vendor, and the men in discussion under the street lamp, Millet captures a slice of life not often seen by visitors in the city. The placement of the figures on the street, the balcony, and in the café all perfectly lead the eye around the canvas to tell the story of a typical locals night in the Vieux Carré, elevating the scene to an iconic level.

161. Theora Hamblett (American/ Mississippi, 1895-1977), “Green Glass Bowl”, initialed on rim, dia. 7 in. $1000/1500

Provenance: Acquired from the artist, c. 1960s.

162. Theora Hamblett (American/ Mississippi, 1895-1977), “Blue Glass Bowl”, dia. 7 in. $1000/1500

Provenance: Acquired from the artist, c. 1960s.

160. Enrique Alferez (American/New Orleans, 1901-1999), “Kneeling Nude”, terracotta, unsigned, height 27 in., wood base, overall h. 29 1/4 in. $10000/15000 Note: Enrique Alferez’ classic and iconic Art Deco style punctuates the scenery of New Orleans with his sculptures in parks and public spaces throughout the city he called home for over six decades. While elegant, stylized works such as “Repose” and “Gymnast”, located in the Enrique Alferez Sculpture Garden in City Park, epitomize Alferez’ technique in bronze, sculptures such as “Kneeling Nude” offered here display the artist’s skill with the textural, expressionistic shaping of terracotta. Alferez’ mastery in combining modern design components with Pre-Columbian elements and an emphasis on his Mexican roots is clearly seen in “Kneeling Nude.” The earth tones, as well as the texture of the woman’s skin call to mind traditional Mexican terracotta sculptures while the sensuous lines and curves of the woman’s pose exhibit the artist’s talent in depicting the female form.

163. Theora Hamblett (American/ Mississippi, 1895-1977), “Square Blue Glass Bowl”, initialed, 8 1/2 in. x 8 1/2 in. $1000/1500

Provenance: Acquired from the artist, c. 1960s.

164. Theora Hamblett (American/ Mississippi, 1895-1977), “Multicolored Blue Glass Dish”, dia. 9 in. $1000/1500

Provenance: Acquired from the artist, c. 1960s.

Additional information at www.nealauction.com

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166. Paul Ninas (American/New Orleans, 1903-1964), “Abstract Composition”, mixed media on paper, pencil-signed lower right, 11 in. x 8 1/2 in., framed. $800/1200 165. William Henry Buck (Norwegian/New Orleans, 1840-1888), “Live Oak with Moss”, oil on academy board, pencil-signed “Sketch by Wm. H. Buck” and provenance inscriptions en verso, 9 1/4 in. x 12 1/4 in., framed. $8000/12000

Provenance: Estate of D. Clive Hardy, New Orleans

Provenance: Estate of D. Clive Hardy, New Orleans

Provenance: Estate of Jane and Stewart Maunsell.

168. Gifford Beal (American, 1879-1956), “Street Scene, Bermuda”, watercolor and pencil on paper, signed lower right, titled and inscribed en verso, sight 9 1/2 in. x 13 1/2 in., framed. $800/1200

167. George Schmidt (American/New Orleans, b. 1944), “Mardi Gras Scene”, 2004, oil on canvas, signed and dated lower left, 21 1/2 in. x 16 in., framed. $1200/1800

169. Sara Stites (American, b. 1950), “Untitled #5”, 1984, mixed media on paper, artist, title and date on label en verso, sight 28 in. x 91 in., framed. $1000/1500 Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

170. Louise Guidry (American/Louisiana, b. 1930), “Remembering Dhramsala”, mixed media on canvas, signed lower right, 30 in. x 30 in., unframed. $1000/1500

173. Claude Schurr (French, 1921-2014), “Elysee Palace”, oil on panel, signed lower right, “Newman Galleries” and “Georges de Braux, Inc., Philadelphia” labels en verso, 8 5/8 in. x 10 3/4 in., framed. $600/800

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171. Reginald Marsh (American, 1898-1954), “Untitled (Woman in Red Dress)”, 1942 and “Untitled (Woman in Gray Dress)”, 1943, 2 oils on board, each signed and dated lower right, 6 1/4 in. x 5 in. and 6 in. x 4 1/2 in., framed alike. (2 pcs.) $1500/2500

174. Continental School, 19th c., “Still Life of Flowers in an Urn on a Stone Ledge”, oil on canvas, unsigned, 39 1/2 in. x 31 1/2 in., period frame. $500/700 Provenance: Estate of D. Clive Hardy, New Orleans

172. Gordon Snidow (American, b. 1936), “Appaloosas”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $1800/2500

175. Leinad Van der Bock (Dutch, 19th c.), “Woman at a Well”, oil on canvas, signed lower left, 24 1/4 in. x 16 in., framed. $1200/1800

176. French Art Nouveau Pewter Figural Vase, c. 1890, cast as a mermaid and waterspout, signed “J. Garnier” (French, 1820-1895), h. 14 3/4 in., w. 7 1/2 in., d.6 in. $700/900

177. Pair of Gilt Metal-Mounted Boullework and Ebonized Tazzas, 20th c., h. 8 1/2 in., dia. 6 in. $600/900

178. Fine English Camphorwood Tantalus, 19th c., marked “Braman, London”, satinwood interior, with cut crystal decanters, cordial glasses, cigar cutter, match holder with strike, silverplate ashtrays, and whist gaming pieces, h. 14 1/4 in., w. 14 1/4 in., d. 12 1/2 in. $700/1000 180. Gorham “King Edward” Pattern Sterling Silver Flatware Service for Eight, pat. 1936, incl. 8 each: forks (l. 7 1/8 in.), knives (l. 8 7/8 in.), salad forks, cream soup spoons, iced teaspoons, teaspoons (l. 6 in.) and teaspoons (l. 6 1/8 in.), total wt. (weighable) 57.15 troy ozs. $1000/1500

181. American Sterling Silver Coffee and Tea Service in the Colonial Revival Taste, Mauser Mfg. Co., New York, act. 1893-1913, pattern 17168, incl. coffee pot (h. 9 in.), teapot (h. 7 in.), covered sugar, creamer and waste bowl, total wt. 49.95 troy ozs. $700/1000

179. Gorham “Clermont” Pattern Sterling Silver Flatware Service, pat. 1915, incl. 19 dinner forks (l. 7 5/8 in.), 10 luncheon forks (l. 7 1/8 in.), 24 knives (l. 9 5/8 in.), 6 knives (l. 8 3/4 in.), 16 salad forks, 18 cocktail forks, 16 ice cream forks, 8 soup spoons, 16 bouillon spoons, 6 dessert spoons, 16 teaspoons (l. 5 7/8 in.), 12 teaspoons (l. 5 5/8 in.), 16 ice teaspoons, 6 citrus spoons, 23 demitasse spoons, 15 butter spreaders (fh), baby spoon, 18 tablespoons, steak carving fork and knife (hh), fish serving knife, pierced serving spoon (l. 7 1/4 in.), salad serving spoon and fork (hh), berry spoon (hh), sugar shell, 2 master butter knives, gravy ladle, cream ladle, small tomato server, pickle fork, lemon fork, sugar tongs and master salt spoon, (263 pcs.), total wt. (weighable) 197 troy ozs. $3000/5000

182. Elkington-Style Silverplate and Cut Glass Centerpiece, c. 1900, standard of entwined palm trees, rockwork base mounted with a deer, cut glass centerbowl probably associated, h. 20 in., bowl dia. 13 1/4 in. $700/1000

183. Twelve English Sterling Silver “Onslow” Pattern Knives, Worcester Silver Co., London, 1965, l. 9 1/2 in. $300/400 Provenance: Estate of D. Clive Hardy, New Orleans

185. George III Sterling Silver Dressing Spoon, William Eley & William Fearn, London, 1818, mark reg. 1797 and 1814, fiddle thread pattern with engraved owl crest, l. 12 in., wt. 5.05 troy ozs. $150/250 184. George V Sterling Silver Tea Service, Cooper Brothers & Sons, Sheffield, 1919, mark reg. 1902, incl. teapot, open sugar and creamer, each paneled bombé form on cabriole paw feet, teapot h. 6 5/8 in., w. 11 in., total wt. 39.45 troy ozs. $700/1000

186. Dutch .833 Silver Fish Set, J.M. van Kempen & Son, Voorschoten, early 20th c., incl. 11 fish forks and 12 fish knives, knife l. 7 1/4 in.; together with 4 Austrian .812 silver tablespoons, Vienna and Prague, early 19th c., l. 8 5/8 in.; total wt. 33.95 troy ozs. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans

187. Scottish George III Sterling Silver Dressing Spoon, Edinburgh, 1810, maker LB untraced, downturned fiddle typt handle, l. 12 1/2 in.; together with 9 Late Georgian silver teaspoons, maker WS untraced, beaded borders, l. 5 1/8 in., wt.

7.35 troy ozs. $200/300

Provenance: Estate of D. Clive Hardy, New Orleans

188. Two French 1st Standard Silver Sugar Tongs, one by Philippe Berthier, Paris, wc. 1841-1851, with “filet” decoration and paw terminals, l. 5 7/8 in.; the other maker “J.D.” untraced, also mid-19th c., “lover’s knot” pattern with paw terminals, l. 5 7/8 in.; together with a French 1st Standard sugar sifter spoon; total wt. 5.60 troy ozs. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans

Additional information at www.nealauction.com

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190. English Sterling Silver Fruit Set, London, 1887, James Wakely & Frank Clark Wheeler, mark reg. 1884, in fitted presentation case marked for retailer Manoah Rhodes & Sons Goldsmiths, Bradford, incl. two large berry spoons, 2 small berry spoons, sauce ladle, sugar sifter ladle and grape shears, with allover grapeleaf and vine decoration, large spoon l. 8 7/8 in., total wt. 11.15 troy ozs. $300/500

189. Antique English Silverplate Cake Basket, Boardman, Glossop & Co., Sheffield, wc.

1861-1927, h. (to top of handle) 9 1/2 in., w. 9 5/8 in; together with a silverplate and cut glass cruet stand, Walker & Hall, Sheffield, c. 1900, h. 10 in., w. 8 1/8 in.; and four German silverplate sauce bowls, Bruckmann, 20th c., h. 3 1/8 in., w. 5 1/8 in. $300/400

191.English Polychrome and Gilt Lacquered Papier-Mâché Tray, 19th c., decorated with hunting scene, h. 16 in., w. 22 in. $200/400

192. Antique English Papier-Mâché Tray, mid-19th c., marked Jennens & Bettridge, black ground with gilt highlights, mounted on later stand as a low table, h. 18 1/2 in., w. 32 in., d.

24 in. $200/300

193. Continental Bronze Figural Urn, c. 1900, winged mermaid handle, h. 18 1/2 in., w. 7 1/4 in., d. 4 1/4 in. $200/400 194. Pair of Continental Bronze Relief Plaques of Cupid, h. 10 in., w. 7 3/4 in. $300/500 195. Pair of Continental Bronze Cassolettes, 20th c., foliate decoration, tripodal legs, h. 12 3/4 in., dia. 6 in. $200/400 198. Ten New Orleans Sterling Silver Souvenir Spoons, incl. teaspoons and demitasse spoons, various themes, incl. M. and Mme. Begue, Masonic Temple, St. Roch Chapel, Lee Monument, Canal St., etc.; together with 9 Wood & Hughes “Luxembourg” pattern forks, ret. H.P. Buckley, New Orleans, late 19th c., total wt. 21.70 troy ozs. $200/300

196. Six American Sterling Silver Julep Cups, incl. 4 by Newport and 2 by Manchester, all with reeded rims, h. 3 3/4 in., total wt. 23.90 troy ozs. $600/800 Provenance: Estate of D. Clive Hardy, New Orleans

199. Group of Tiffany “Wave Edge” Pattern Sterling Silver Flatware, pat. 1884, incl. 4 forks, l. 8 in., and 6 teaspoons, l. 6 in.; total wt. 15.05 troy ozs. (10 pcs.) $300/500

Provenance: Estate of D. Clive Hardy, New Orleans

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197. Twelve Tiffany “Vine (Gourd)” Pattern Sterling Silver Teaspoons, pattern introduced 1872, l.

6 in., total wt. 10.75 troy ozs. $300/500

Provenance: Estate of D. Clive Hardy, New Orleans

Provenance: Estate of D. Clive Hardy, New Orleans

200. Vintage Georgian-Style Silverplate Tea Tray, molded scroll border, loop handles and feet, flat-chased scroll well, 30 1/4 in. x 20 5/8 in. $400/600

201. American Aesthetic Sterling Silver Ice Cream Set, c. 1865-1870, John Wendt, NY, act. 1859-1870, ret. Ball Black & Co., NY, act. 1851-1876, incl. ice cream slice and 12 ice cream spoons, retaining traces of gilt wash blade and bowls, slice l. 9 5/8 in., spoon l. 6 in., wt. 11.85 troy ozs.; in fitted presentation case labeled “BALL, BLACK & CO./565 7 567/BROADWAY/NEW YORK. $300/500

204. San Francisco Coin Silver Fish Serving Fork and Knife in the Aesthetic Taste, W.K. Vanderslice & Co., act. 1860-1906, knife l. 11 3/4 in., wt. 6.85 troy ozs. $200/300 202. Fine American Sterling Silver Oyster Ladle, c.

1860, N.E. Crittenden, Cleveland, OH, act. 1826-1872, with applied cast oyster shell on handle, l. 13 1/8 in. $300/500

205. Good Group of San Francisco Coin Silver Serving Pieces, Koehler & Ritter, act. 1867-1884, “Berkeley/Alhambra” pattern, incl. salad serving fork and spoon, vegetable serving spoon, berry spoon and cake knife, l. 8 5/8 in. to 10 1/4 in., total wt.

13.25 troy ozs. $400/600

208. Schofield “Baltimore Rose” Pattern Sterling Silver Repoussé Goblet, pat. 1905, h. 6 3/4 in., wt. 7.20 troy ozs. $250/350

203. American Coin Silver Fish Slice in the Aesthetic Taste, Albert Coles, NY, act. 1835-1875, l. 11 3/4 in., in fitted presentation case labeled “M.W. Galt & Bro., Washington, DC”, act. 1847-1871. $100/200

206. Wendt “Ribbon” Pattern Sterling Silver Ice Cream Hatchet and Fish Slice, John R. Wendt & Co., New York, act. 1855-1870, pat. 1870, designer Charles Witteck, l. 11 3/4 in. and 11 1/2 in., total wt.

9.25 troy ozs. $300/500

207. Good Group of California Coin Silver Serving Pieces in the “Gothic” or “Eureka” Pattern, incl. 2 serving spoons (one marked for retailer Anderson & Randolph, San Francisco), 2 gravy ladles (one marked for retailer Samuel Jelly, Sacramento), sauce ladle and sugar shell (faintly marked “...F CAL”), total wt. 10.95 troy ozs. $250/350 Note: This pattern was first introduced in 1862 in San Francisco, where it was made by W.K. Vanderslice & Co., wc. 1860-1906, and by Koehler & Ritter, wc. 1867-1884, both of whom marketed it as “Gothic” pattern; as well as by Schulz & Fischer, wc. 1873-1888, who marketed it as “Eureka” pattern. There are also known examples by Frederick Reichel, wc. 1856-1870

209. Reed & Barton “Francis I” Pattern Sterling Silver Flatware Service for Eight, pattern introduced 1907, incl. 8 each: forks (l. 7 3/4 in.), knives (l. 9 1/4 in.), salad forks, cream soup spoons, butter knives (hh) and iced teaspoons, 9 teaspoons, 3 tablespoons, sugar shell, bonbon spoon, youth fork, small urn and individual nut dish, total wt. (weighable) 78.70 ozs. (65 pcs.) $2000/3000

211. American Coin Silver Berry Scoop in the Aesthetic Taste, Francis A. Bunnell & Co., Syracuse, NY, act. 1866-1874, l. 8 3/4 in., in fitted presentation case labeled “A.J. Stark & Co., 924 16th St., Denver”. $100/200

212. Antique Continental “Lady and the Unicorn” Tapestry, after the original titled “A Mon Seul Desir”, the lady flanked by a unicorn and lion, 9 ft. 3 in. x 13 ft. 4 in. $800/1200

214. Six Antique French Architectural Engravings of Pompeii, after Guiseppe Chiantarelli (Italian, 18th c.), sights 11 in. x 13 in. to 16 1/2 in. x 20 1/2 in., framed. (6 pcs.) $600/900

210. American Coin Silver Punch Ladle, Wood & Hughes, New York, act. 1845-1899, “Humboldt” pattern, c.

1880, bowl retains traces of gilt wash, l. 14 1/8 in., in fitted presentation case. $200/300

213. Pair of Antique French Bronze Three-Light Bouillotte Lamps, 19th c., adjustable tôle shade, swan-form candlearms, dished base, electrified, h. 25 1/4 in., dia. 15 in. $1500/2500

215. Fine Antique Engraving, “Napoleon, On Board H.M.S. Bellerophon, July 23rd, 1815”, after Sir William Q. Orchardson, R.A. (1832-1910), etched by L. J. Steele, sight 27 1/4 in. x 37 in., framed. $600/800

Additional information at www.nealauction.com

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216. John James Audubon (American, 1785-1851), “Yellow Bird, or American Goldfinch”, plate No. 33, from Birds of North America, later edition, sight 32 in. x 24 in., framed. $500/700

217. John James Audubon (American, 1785-1851), “Blue-Winged Yellow Warbler”, plate No. 20, from Birds of North America, later edition, sight 32 in. x 24 in., framed. $500/700

218. John James Audubon (American, 1785-1851), “Purple Heron”, plate no. 52, from Birds of North America, later edition, sight 25 in. x 35 1/2 in., framed. $500/700

220. Clementine Hunter (American/ Louisiana, 1886-1988), “Pecan Picking”, oil on board, monogrammed mid-right, 16 in. x 24 in., framed. $3000/5000 219. John James Audubon (American, 1785-1851), “Louisiana Heron”, plate no. 44, from Birds of North America, later edition, sight 23 in. x 33 in., framed. $500/700

221. Arnold E. Turtle (British/New Orleans, 1892-1954), “French Quarter Street Scene”, watercolor on paper, unsigned, artist biography en verso, sight 9 1/4 in. x 10 1/4 in., framed. $700/1000

222. George Overbury “Pop” Hart (American/Illinois, 1868-1933), “A Cold Morning, Bayou St. John, New Orleans”, 1918, watercolor and graphite on paper, signed, dated and inscribed lower right, titled lower left, 13 1/2 in. x 21 3/4 in., framed. $400/600

223. Charles Oglesby Longabaugh (American/Illinois, 1885-1944), “High above the River, Vandalia, Illinois”, 1941, and “African American Family, Waukegan, Illinois”, 1937, 2 watercolors on paper, each signed, titled and dated lower left or right, one pencil-titled on matting and artist label with title and date en verso, 9 1/4 in. x 11 3/4 in. and 11 3/4 in. x 16 in., one framed. (2 pcs.) $400/600 Provenance: Descended in the family of the artist.

224. Thomas Willis (American, 1850-1925), “Three-Masted Ship Rachele”, oil on canvas with silk and embroidery, unsigned, 20 in. x 36 in., period frame. $2500/3500

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225. Attributed to John Haberle (American, 1856-1933), “Still Life of Apples with Basket”, oil on canvas, signed lower right, 10 in. x 15 1/2 in., framed. $400/600

226. American School, mid-19th c., “Gentleman’s Still Life”, oil on canvas, unsigned, 8 1/4 in. x 14 1/4 in., framed. $300/500

227. Marie Therese Bernard de Jaham (American/New Orleans, 1869-1916), “View of a Country Road by a Tranquil Stream”, oil on canvas, signed lower right, 10 in. x 20 in., framed. $600/800 229. Melissa A. Smith (American/ Louisiana, b. 1964), “Louisiana Landscape”, oil on canvas board, signed en verso, 6 in. x 22 3/4 in., mounted on fabric-covered board. $500/700 Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

228. George Frederick Castleden (British/New Orleans, 1861-1945), “The Log Cabin”, 1936, oil on canvas, signed and dated lower left, titled en verso, 18 in. x 22 in., framed. $1500/2500 Provenance: D.H. Holmes Department Store, Canal Street, New Orleans.

230. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou”, 1911, oil wash on board, signed and dated lower right, 12 in. x 18 in., framed. $1200/1800 231. James Michalopoulos (American/New Orleans, b. 1951), “Untitled (French Quarter)”, 2000, oil on canvas, signed lower left, signed and dated en verso, 48 in. x 36 in., unframed. $6000/8000 232. David Sinclair Nixon (American/New Orleans, 1904-1973), “3 Harlequins”, 1954, oil on canvas, signed, titled, dated and inscribed “Paris” en verso, 20 in. x 36 in., framed. $800/1200

233. Joachim Casell (Spanish/New Orleans, b. 1927), “Park A.K. New Orleans, LA”, 2006, and “Primrose Ocean Springs, MS”, 1993, 2 pastels on paper, each signed and dated lower left, each signed, dated and titled on backing, 14 1/2 in. X 10 in. and 10 in. X 13 in., framed. (2 pcs.) $600/800

234. Rolland Golden (American/New Orleans, b. 1931), “Variations on Beauty”, 1978, watercolor on paper, signed and dated lower right, titled and inscribed en verso, 22 in. x 30 in., framed. $1000/1500 Provenance: Estate of Al Hirt; Neal Auction Company, Apr. 8, 2000, lot 733.

Additional information at www.nealauction.com

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235. Joachim Casell (Spanish/New Orleans, b. 1927), “Roadside Flowers, New Orleans, LA”, 2009, and “Foggy Sea, Low Tide, New Orleans, LA”, 2008, 2 pastels on paper, signed and dated lower left, signed, dated and titled on backing, 6 in. x 8 in. and 8 in. x 12 in., framed. (2 pcs.) $600/800

237. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Green Heron”, 1984, oil on board, signed and dated lower right, 16 in. X 24 in., framed. $2000/3000

236. James McConnell “Mac” Anderson (American/Mississippi, 1907-1998), “Cat Tails”, 1983, oil on board, signed and dated lower right, 24 in. X 16 in., framed. $2000/3000 238. American School, late 19th/early 20th c., “Landscape with Figures and Dwelling along a Creek”, oil on canvas, signed “S. Clark” lower right, “Donaldson Art Department Minneapolis” label on reverse of frame, 15 in. x 24 in., framed. $300/500

240. Clara Weaver Parrish (American/ Alabama, 1861-1925), “Profile of a Woman, possibly Anne Goldthwaite”, oil on canvas laid down, signed lower right, 19 in. x 14 in., framed. $1200/1800

239. McKenney and Hall / Publishers, “ONG-PA-TON-GA” and “STUM-MA-NU”, 19th c., 2 hand-colored lithographs on paper, after Charles Bird King (American/Rhode Island, 1785-1862) from History of the Indian Tribes of North America, drawn and colored by J. T. Brown, sight 18 in. x 11 1/2 in., framed alike. $600/800

241. Emmitt Thames (American/Mississippi, b. 1933), “Ship Island”, 1984, watercolor on paper, signed lower right, titled, dated and artist stamp en verso, 22 in. x 30 in., framed. $1000/1500

242. Gretchen Van Sant Lansford (American/Louisiana, 1908-1978), “Seaside Holiday”, oil and tempera on masonite, signed lower right, label with title and artist en verso, 20 in. x 16 in., framed. $500/800

Note: Gretchen Lansford’s professional career as an artist and an art conservator coincided with her husband, Alonzo, serving as the first full-time director (1948-1957) of the Isaac Delgado Museum of Art, now the New Orleans Museum of Art. The couple was active in the New Orleans art community, and Lansford exhibited with fellow local artists such as John Clemmer, Robert Helmer, and Shearly Grode.

The Lansfords lived on Governor Nicholls Street and collected art throughout their lives. In the painting offered here, Lansford uses bright colors and expressionistic brushstrokes to portray a late 19th century family visiting the beach.

243. James “Mac” McConnell Anderson (American/Mississippi, 1907-1998), “Shrimp Boat”, 1982, oil on masonite, signed and dated lower right, 48 in. x 24 in., framed. $3000/5000

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245. Edward Von Siebold Dingle (American/South Carolina, 1893-1975), “Young Cardinals and White Magnolia”, watercolor on paperboard, signed lower right, sight 16 3/4 in. x 12 3/4 in., framed. $500/700

246. Edward Von Siebold Dingle (American/South Carolina, 1893-1975), “Nelson’s Sharp Tailed Sparrow and Acadian Sparrows”, watercolor on paperboard, signed lower left, 19 1/4 in. x 15 in., framed. $500/700

244. James “Mac” McConnell Anderson (American/Mississippi, 1907-1998), “Sea Gulls”, oil on masonite, signed and dated lower right, 24 in. x 16 in., framed. $2000/3000

248. Fine American Renaissance Burled, Inlaid, and Gilt-Decorated Walnut Center Table, c. 1870, New York, oblong marquetry top, stepped molded edge, paneled frieze centering rosettes, tapered fluted legs surmounted by scrolled capitals, shaped stretcher, tapered feet, casters, h. 29 1/2 in., w. 45 1/2 in., d. 32 in. $2000/3000

249. American Renaissance Gilt-Incised, Ebonized and Inlaid Walnut Parlor Cabinet, mid-19th c., attr. to Thomas Brooks, New York, shaped top with raised plinth, floral inlaid frieze, blocked incised columnar stiles, shaped door with beribboned floral cartouche, molded base, blocked feet, h. 45 3/4 in., w. 55 in., d. 20 in. $2000/3000

250. Antique American or English Carved Rosewood Curule Stool, early-to-mid 19th c., molded seat rail, boss detail, turned stretcher. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans

247. Edward Von Siebold Dingle (American/South Carolina, 1893-1975), “Tuft Titmouse and Purple Magnolia”, watercolor on paperboard, signed lower right, pencil-titled and inscribed en verso, 22 in. x 15 in., framed. $500/700

251. George Bridgman (Canadian/American, 1865-1943), “River View”, oil on canvas, signed lower right, 26 1/2 in. x 42 1/2 in., framed. $1000/1500

252. Hipolito Hidalgo Caviedes (Spanish, 1902-1994), “Angel with Cello”, mixed media on board, signed lower right, label with title and artist en verso, 22 3/4 in. x 18 3/4 in., framed. $500/800

Provenance: Mystic Fine Arts, Ltd., Mystic, CT, Jan. 15, 1998, lot 173; Estate of Faith K. Tiberio, St. Augustine, FL.

253. Pair of Antique Prints of Candlestands, published by L. & J. Taylor, London, 1787, 12 1/4 in. x 17 7/8 in., framed. $300/500

254. Joseph Bolden (American/Pennsylvania, 1902-1979), “The Old Woman’s Tale” and “The Slave’s Tale”, 2 watercolors on paper, one initialed lower right, one signed lower right, sight 11 1/4 in. x 8 1/2 in., framed. (2 pcs.) $400/600

255. Indian Gilt and Lacquered Wood Sipar or Shield, 19th c., iron hardware, depicting a tiger hunt, dia.

20 3/4 in., d. 2 1/2 in. $800/1200 Additional information at www.nealauction.com

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257. Spanish Colonial Carved Tropical Hardwood Table, 19th c., Cuba, rectangular inset plank top, dentil molded apron, bulbous turned and foliate carved legs, molded stretchers, h. 29 in., w. 60 in., d.

43 in. $800/1200 256. James Harrold (British, 19th c.), “Dwelling by a Stream”, oil on canvas, signed lower left, partial “Janetzky & Weber, 1125 Chestnut Street, Philadelphia” label on stretcher, 22 in. x 36 in., original frame. $400/600 Provenance: Estate of Jane and Stewart Maunsell

258. Four Spanish Colonial Carved Tropical Hardwood Side Chairs, 19th c., Cuba, scrolled finials, leather back and seat with brass nail head decoration, shaped front stretcher, h. 36 in., w. 15 1/2 in., d. 15 1/2 in. $500/1000

261. Roseville Nude Silhouette Vase, marked “Roseville/ U.S.A./ 763-8”, h. 8 1/2 in. $1200/1800

259. Spanish Colonial School, mid-17th/19th c., “La Lucha de Toros (The Bull Fight)”, oil on canvas, unsigned, 25 3/4 in. x 35 1/8 in., framed. $400/600

262. James Rogers Lamantia (American/Louisiana, 1923-2011), “Diptych”, 1997, lithograph, 2 images on one sheet, each signed, dated and numbered “1/20” lower margin, sheet 18 1/4 in. x 23 1/4 in., framed. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans

260. Roseville Pine Cone Bowl/Vase, marked “Roseville/ 632- /3”, h. 3 1/8 in. $300/500

263. George Rodrigue (American/Louisiana, 1944-2013), “I See You, You See Me: Split-font”, 1993, silkscreen, signed and numbered “23/35” lower right, sheet 16 in. x 23 in., unframed. $2000/3000 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné, 1970-2007. New York: Abrams, 2008, p.85.

266. Frederick J. Brown (American/ Georgia, 1945-2012), “Oscar Peterson”, 2005, serigraph, signed, dated and “A/P” lower left, 31 1/2 in. x 45 in., unframed. $800/1200

264. George Rodrigue (American/ Louisiana, 1944-2013), “Y-Moon: Black”, 1998, silkscreen, signed lower left, numbered “12/80” lower right, 34 in. x 21 in., unframed. $2000/3000 Ill.: Rodrigue, George and Wendy Wolfe.

George Rodrigue Prints: A Catalogue Raisonné, 1970-2007. New York: Abrams, 2008, p. 147.

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265. Frederick J. Brown (American/ Georgia, 1945-2012), “Louis Armstrong”, 2005, serigraph, pencil-signed, dated and numbered “5/5 P/P” upper left, 43 in. x 30 in., unframed. $800/1200

267. Frederick J. Brown (American/ Georgia, 1945-2012), “Johnny Hodges”, 2005, serigraph, signed, dated and numbered “1/5 P/P” lower left, 38 in. x 30 in., unframed. $800/1200

268. Mignon Faget (New Orleans, b. 1933), Newcomb College Centennial Commemorative Porcelain Plate, numbered “76/850”. $500/750

269. George Schmidt (American/New Orleans, b. 1944), “Edwin Edwards Trial Scene”, 1985, charcoal on paper, signed and dated lower right, 22 in. x 30 in., framed. $1000/1500

270. Robin Durand (American/New Orleans, 20th c.), “St. Claude, Sunset”, 2010, “St. Claude, Cloudy”, 2010 and “Machine Yard”, 2009, 3 oils on canvas, 2 signed lower right, one signed lower left, all signed, titled and dated en verso, 7 in. x 12 in. to 12 in. x 19 3/4 in., framed alike. (3 pcs.) $700/1000

273. Newcomb College Art Pottery Matte Glaze Vase, 1928, decorated by Anna Frances Simpson with relief-carved cypress tree design, base marked with Newcomb cipher, decorator’s mark, reg. no. QZ50, approx. h. 7 in. $1500/2500

271. Moorcroft Hibiscus Plate, impressed “MOORCROFT”, paper label “BY APPOINTMENT/ W. MOORCROFT/ POTTERS TO/ THE LATE/ QUEEN MARY”, dia. 10 1/4 in. $1000/1500

275. Polia Pillin (1909-1992) Art Pottery Vase, 20th c., Los Angeles, CA, painted with a female, horse and rooster, base signed, h. 4 in. $300/500

274. Shearwater Pottery Figure of a Lion, designed by Walter Anderson, shoal glaze, l. 13 1/4 in. $700/1000

272. Moorcroft Hibiscus Vase, impressed “MOORCROFT” and “MADE IN/ ENGLAND”, h .6 7/8 in. $1000/1500

277. Pair of George III-Style Satinwood and Paint-Decorated Consoles in the Adam Taste, demilune top with a putto reserve, conforming frieze with foliate swags, tapered legs, h. 31 in., w. 42 1/2 in., d. 22 in. $1500/2500 276. Fine American Federal Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., dentil inlaid top above graduated drawers, shaped skirt, “French” feet, h. 32 in., w. 31 in., d. 16 in. $400/600

Provenance: A Belle Meade residence by noted Nashville designer A. Herbert Rodgers.

278. Louis XIV-Style Pietra Dura and Argenté Salon Table, top inlaid with Classical urn reserve, elaborately carved base, frieze with pendant cartouches, acanthus carved legs, intertwined stretcher centered by a foliate medallion, h. 33 in., w. 74 in., d. 38 1/4 in. $7000/10000

279. Napoleon III Carved Rosewood and Kingwood Inlaid Stool, mid-to-late 19th c., padded seat serpentine apron, cabriole legs, brass ball feet, h. 19 in., w. 17 1/2 in., d. 15 in. $300/500

280. Antique Continental Burled Ash, Parcel Ebonized and Bronze-Mounted Sécrétaire à Abattant, early 19th c., probably Northern European or German, blind frieze drawer, fall-front opening to a series of small drawers, two drawers below, colonnettes to the sides, block feet, h. 55 in., w. 39 1/2 in., d. 20 in. $500/750 Additional information at www.nealauction.com

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282. American Late Classical Carved Rosewood Pedestal, mid-19th c., attr. to J. and J.W. Meeks, New York, molded marble top, pierced fretwork frieze, barley-twist supports, triangular plinth base, scroll brackets, tall bracket feet, h. 33 in., dia. 16 1/2 in. $300/500

281. Regency-Style Brass Inlaid Mahogany Writing Table, reeded top with inset tooled leather writing surface, frieze fitted with three drawers to one side, turned and reeded legs, brass cuffs, casters, h. 30 in., w. 72 in., d. 36 in. $3000/5000

283. Pair of Continental Patinated Metal Hall Lanterns, 20th c., fitted with four-light fixture, h. (without chain) 18 in., h. (with chain) 41 in., dia. 17 in. $1000/1500

284. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper, tapered fluted column on stepped marble base, frosted and cut glass shade, h. 21 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

285. American Rococo Gilt Bronze Astral Lamp, 19th c., labeled â&#x20AC;&#x153;Cornelius & Co., Philadelphiaâ&#x20AC;?, frosted and etched glass shade, faceted prisms, foliate base with C and S scrolls, electrified, h. 25 in., dia. 9 in. $600/900

286. Pair of Continental Mother-of-Pearl Inlaid, Burled and Ebonized Mirrors, early 19th c., possibly Spain or Portugal, molded scroll cornice, geometric motifs, shaped mirror plate, h. 41 1/2 in., w. 41 1/4 in., d. 3 in. $1500/2500

288. American Rococo Carved Rosewood Armoire, mid-19th c., attr. to J. & J.W. Meeks, New York, floral crest centered by a foliate cartouche, egg and dart molded cornice, mirrored door above a drawer, base with canted blocked feet, birdseye maple interior, h. 99 in., w. 44 in., d. 21 in. $8000/12000

Note: A labeled Meeks armoire with an arched top, waisted ovolo frieze corners, a shaped mirror, and canted plinth corners nearly identical to this armoire was sold in these salesrooms on September 30, 2006 as lot 140.

287. American Aesthetic Carved, Painted and Gilt Overmantel Mirror, h.

77 in., w. 51 in. $500/750 Provenance: Estate of D. Clive Hardy, New Orleans.

289. American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to J. & J.W. Meeks, New York, later inset marble top, extensively carved and reticulated apron with clusters of grapes and flowers, pierced cabriole legs, scrolled toes, casters, shaped stretcher surmounted by a fruit basket, h. 30 1/2 in., w. 45 in., d. 29 in. $10000/15000

Note: Several features of the high-style center table offered here are closely related to a center table by the New York firm J. & J.W. Meeks, illustrated in American Furniture of the 19th Century: 1840-1880 by Eileen and Richard Dubrow.

Featuring an inset marble top, an elaborately reticulated apron, gadrooned stretchers, and an abundant fruit basket, the table in the present lot is nearly identical to the Dubrow example and differs only by the carving detail of the cabriole legs.

Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century: 18401880. Pennsylvania: Schiffer, 1983, p. 130.

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290. Pair of American Rococo Carved and Laminated Rosewood Armchairs, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, padded serpentine arms, rounded seat rail, cabriole legs, casters, h. 45 1/2 in., w. 24 in., d. 24 1/2 in. $10000/15000

291. American Renaissance Carved and Burled Walnut Sideboard, mid-19th c., attr. to Alexander Roux, New York, superstructure crest centered by an elk’s head, over two shelves, fruit-carved supports, demilune rouge marble top, four drawers and four cabinet doors with game trophies and grape clusters, blocked base, h. 78 in., w.

81 1/2 in., d. 25 in. $20000/30000

Note: The elegant and exuberantly carved sideboard offered here shares many similar aspects with an Alexander Roux sideboard in the collection of the Metropolitan Museum of Art in New York, including the overall form, exaggerated crest centered by a horned deer, winding foliate scrolls, and the shape and proportions of the lower case. Among the New York Rococo-revival cabinetmakers, Roux was most known for incorporating animal figures in his elaborate pieces and often used themes of hunt and harvest, as evident in the Metropolitan Museum example and the sideboard in the present lot. Roux displayed a similar sideboard at the Crystal Palace Exhibition of 1853 in New York and was commissioned to make a pair of related sideboards for the Astor family.

Ref.: The Metropolitan Museum of Art. metmuseum.org/toah/works-of-art/1993.168. Accessed June 15, 2018.

292. American Rococo Carved and Laminated Rosewood Sofa, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, padded arms, serpentine seat rail, cabriole legs, casters, h. 48 1/2 in., w. 66 in., d. 30 in. $3000/5000

294. Four American Rococo Carved and Laminated Rosewood Side Chairs, mid-19th c., attr. to J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, elaborately carved and scrolled crest centered by a foliate medallion, reticulated crest rail decorated with clusters of grapes, h. 44 in., w. 20 1/4 in., d. 19 in. $4000/6000 296. Antique Continental Carved and Gilded Fruitwood Pedestal, shaped molded top, foliate carved brackets, paneled sides, conforming base, h. 31 1/8 in., w. 25 in., d. 24 in. $700/900

293. American Classical Carved Rosewood Sofa Table, c.

1830, serpentine molded top, shell-carved frieze with blind drawers, acanthus-carved scrolled legs, shaped stretchers, shoe feet, h. 29 in., w. 42 in., d. 26 in. $1000/1500

295. Napoleon III Bronze-Mounted, Ebonized and Inlaid Games Table, 19th c., shaped foldover swivel top with baize playing surface, conforming frieze, turned, fluted and tapered legs, h. 31 in., w. 34 1/4 in., d. (closed) 18 in., d. (open) 34 1/4 in. $1500/2000 297. Set of Edwardian Mahogany and Inlaid Maple Quartetto Tables, early 20th c., each graduated table with oval burled maple inlaid top, bamboo turned legs, trestle supports, h. 27 in., w. 19 1/2 in., d. 13 1/2 in. $300/500 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL. Additional information at www.nealauction.com

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298. Antique Louis XV-Style Carved Giltwood Console, c. 1900, molded shaped marble top, serpentine acanthus apron, cabriole legs, conforming stretcher, h. 31 in., w. 52 in., d. 17 in. $1200/1800

299. Renaissance-Style Carved Hall Chair, early 20th c., shell-carved back, relief-carved figural panel, putto-carved arms, lift seat, conforming paneled base, old dark surface, h. 47 in., w. 38 1/2 in., d. 24 in. $500/750

300. Continental Figured Birch Armoire, 19th c., molded stepped cornice, paneled doors with ebonized detail, base with two drawers, blocked feet, later shelves, h. 85 1/2 in., w. 65 in., d. 21 1/2 in. $1000/1500 Provenance: Karla Katz Antiques, New Orleans.

301. American Brass Mounted Leather Coffer, 19th c., Foster and Barton, Boston, bale handle, interior lined with marbleized paper, partial manufacturer’s label, h. (excluding handle) 5 3/8 in., w. 12 1/8 in., d. 7 1/4 in. $400/600

Provenance: Note on lid interior reading: “This trunk belonged to Lucretia Richardson sister of Asa Richardson who married Walter James - was mother of Margaret R. James who gave this trunk to Wm. C. Richardson.

Lucretia being his great-aunt It is to be handed down to son’s son Webster...

305. [Leather Bindings] The Complete Collection of The Easton Press One Hundred Greatest Books Ever Written, published by Easton Press, Norwalk, CT, 1970s, 101 volumes (one duplicate), all full leather, gilt lettering and board decorations, raised bands, silk end pages and ribbon markers, all gilt page edges. $800/1200

303. American Brilliant Cut Glass Lamp, c. 1900, silverplate shade holder, diamond and hobstar design, two light fixture, h.

22 1/2 in., dia. 11 in. $700/1000 304. Antique French Gilt and Patinated Bronze Six-Light Gasolier, fluted standard with addorsed female terms, foliate arms, h. 44 in., dia. 38 in. $700/1000 308. French Patinated Bronze Figure of “Venus de Milo”, after the Antique, inscribed “F. Barbedienne.Fondeur” on rear truncation with “A. Collas Réduction Mécanique” seal on base reverse, h. 33 3/4 in., w.

10 1/4 in., d. 8 1/4 in. $800/1200

306. Pair of Antique Leather and Iron-Bound Antiphonals, 1889 and 1890, massive leather-covered wood boards, with iron clasps, 17 3/4 in. x 13 3/4 in. $300/500

309. Carved Marble Figure of a Faun, after the antique in the Capitoline Museum in Rome, h. 24 in, w.

9 1/4 in., d. 6 1/4 in. $1000/1500

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302. American Gilt Brass Parlor Lamp, 19th c., blue cut-to-clear glass font, fluted standard, on tall plinth base, winged paw feet, electrified, h. 39 in., dia. 11 1/4 in. $700/1000

307. Large Antique English Brass Telescope, c. 1900, adjustable carved mahogany stand, original fitted case, tube l.

44 1/2 in., stand h. 64 in. to 74 in. $1500/2500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

311. Max “Mordechai” Farbmann (Lithuanian, 1886-1950), “Bust of a Maiden”, 1918, “M. Farbmann” and date inscribed on proper right side, h. 22 1/2 in. $2000/3000

310. Hugo Lederer (German, 1871-1940), “Centaurs”, polished bronze centerpiece, signed “H. LEDERER” and “HEINZE & CO., BERLIN”, on base, h. 11 1/8 in. w. 18 1/4 in., d. 7 1/4 in. $1200/1800

313. Antique Louis XVI-Style Giltwood Mirror, palmette crest, urn finials, acanthus mounts, beveled mirror plate, h. 68 in., w. 43 in. $800/1200

314. Large Antique Carved Giltwood Overmantel Mirror, probably French, ripple-molded frame, antique mirror plate, h. 65 in., w. 47 in. $500/700 Provenance: Estate of D. Clive Hardy, New Orleans

315. Antique Louis XVI-Style Bronze-Mounted Kingwood Parquetry and Marquetry Desserte, late 19th c., shaped top, tinted floral inlay, scrolled putto supports, cabriole legs, h. 38 in., w. 34 1/2 in., d. 15 1/2 in. $800/1200

312. Italian Rococo-Style Carved Giltwood Console and Mirror, rocaille crest, foliate frame, serpentine marble top, pierced foliate frieze, scroll legs, acanthus toes, incurvate stretcher, mirror h. 95 1/2 in., w. 51 1/2 in. $1500/2000

316. Carved Marble Figure of Putto with Cat, h. 29 1/2 in. $400/600

317. Antique Continental Elm or Oak Trestle Table, bread board top, weathered surface, stretchered trestle base, h. 29 in., w. 61 in., d. 27 1/2 in. $1500/2500

319. Jean-Pierre Serrier (French, 1934-1989), â&#x20AC;&#x153;Bastille Day Celebrationâ&#x20AC;?, oil on canvas, signed lower right, 9 1/2 in. x 5 1/2 in., framed. $400/600

320. Antique Russian Icon of Christ, tempera on panel, openwork repousse gilt riza, 10 1/2 in. x 9 in. $800/1200

318. Pair of Antique Louis XVI-Style Carved and Painted Chauffeuses, oval padded back and seat, attractive old paint surface, h. 28 in., w. 25 in., d. 20 in. $500/750 Provenance: Kevin Stone Antiques, New Orleans.

321. Antique Russian Icon of Christ, tempera on panel, gilt riza, 12 1/4 in. x 10 1/4 in. $700/900

322. Indian Reverse Glass Painting, 19th c., depicting soldier on horseback, sight 13 3/4 in. x 9 in., framed. $300/500 Provenance: Patout Antiques, New Orleans

323. Indian Reverse Glass Painting, 19th c., probably depicting Rustam killing the White Demon, sight 18 3/4 in. x 13 1/4 in., framed. $300/500 Provenance: Patout Antiques, New Orleans

324. Indian Reverse Glass Painting, 19th c., depicting Shah in ornate dress, sight 19 1/2 in. x 13 1/2 in., framed. $300/500 Provenance: Patout Antiques, New Orleans

325. Indian Reverse Glass Painting, 19th c., depicting bearded Shah holding a sword, sight 19 1/2 in. x 13 1/2 in., framed. $300/500 Provenance: Patout Antiques, New Orleans

Additional information at www.nealauction.com

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326. Collection of Twenty-Six Indian School Miniature Paintings, featuring architectural sites and 3 portraits, 3/4 in. x 1/2 in. to 4 in. x 6 1/2 in., mounted within 2 matching frames. (2 pcs.) $700/1000

329. Two Portuguese Sant’Anna Polychrome Faience Vases, mid-20th c., marked “Lisboa”, smaller dated 1972, h.

26 in. and 24 1/4 in. $250/350

332. Group of Vintage Sterling Silver Jewelry, incl. brooch set with moonstones, lava cameos and “ruby” paste jewels, h. 2 3/8 in., w. 2 1/4 in.; Mexican floriform brooch, h. 2 3/4 in., w. 2 5/8 in.; and a pair of ribbed clip earrings, l. 1 11/16 in. $250/350

335. 14 kt. Yellow Gold and Pearl Large Oyster Shell Pendant and Black Silk Cord with 14 kt. Yellow Gold Clasp, Mignon Faget. $800/1200

339. Victorian-Style 14 kt. Yellow Gold Slide Bracelet, set with various precious and semi-precious stones. $800/1200

327. Pair of Marc-Louis Solon-Style Bristol Glass Vases, late 19th c., decorated with Classical maidens amid foliage on taupe ground, gilt banded rims, stems and feet, h.

21 in., dia. 5 3/4 in. $500/700

328. Two Pairs of Continental Majolica Figural Vases, late 19th/early 20th c., each pair modeled with a male and female figure variously carrying baskets, fruit or jugs, h. 18 3/4 in. and 19 in. $1200/1800

330. Wedgwood Porcelain “Gold Florentine” Dinner Service, incl. 11 dinner plates, dia. 10 3/4 in.; 12 salad plates, dia. 8 1/8 in.; 7 bread plates, dia. 6 in.; and 13 demitasse cups and saucers; together with 12 vintage “Shelley Bone China” fluted cups and saucers (80 pcs.) $300/500

331. Mignon Faget Anodized Sterling Snail Pendant, Turquoise Nugget and Red Agate Necklace. $300/500

333. Pair of Mignon Faget Sterling Silver and Moonstone Floriform Clip Earrings, w. 1 3/16 in.; together with a Mignon Faget sterling broken column pin, h. 1 in. $200/300

336. 14 kt. Yellow Gold and Diamond Solitaire Ring, set with round full cut diamond, approx. 1.50 ct., approx. VS-2. $3000/5000

334. Sam Kramer (American, 1914-1964) Modernist Sterling Silver and Copper Brooch, h. 2 3/16 in. $800/1200

337. 14 kt. Yellow Gold and Diamond Flexible Bracelet, set with 38 round full cut diamonds totaling approx. 4 cts. $1200/1800

340. 14 kt.

White Gold and Diamond Eternity Band, set with 38 full cut round diamonds, totaling approx.

1 ct. $300/500

338. 18 kt. White Gold and Diamond Ring, channel set with 11 princess cut diamonds, totaling approx.

1.5 cts., signed. $1000/1500 341. Antique American Yellow Gold and Carved Coral Floriform Brooch/Pendant, late 19th c., unmarked, probably 14 kt., with drop earrings now missing tops but attachable to brooch. $300/500

Provenance: Descended in the family of Achille Perelli.

342. Group of Three 10 kt. Yellow Gold Ladies Rings, 2 set with small emeralds and diamonds, 1 set with sapphires and diamonds. $300/500

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345. American Carved Mahogany Nine Tube Tall Case Clock, c. 1905, Grand Rapids Clock & Mantel Co., reticulated brass and silvered dial, moon phase, movement plays Whittington and Westminster chimes, paneled case carved with palmettes and gadrooning, on paw feet, h. 104 in., w. 28 in., d. 19 in. $3000/5000

343. Louis XVI-Style Verte Peinte and Parcel Gilt Trumeau Mirror, 19th c., paneled frame with gilt foliage and urns, oil on canvas of a courting couple, beribboned mirror plate below, h. 75 in., w. 39 in. $1500/2500

344. Giltwood Mirror, molded crest, segmented mirror plate centering a shelf, h. 78 in., w. 39 in. $600/800

Ill.: Read, Mimi. “A Historic Greek Revival

Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.”

Architectural Digest. September 2012. www. architecturaldigest.com. Accessed May 30, 2018.

346. George II Carved Mahogany Triple Top Games Table, c. 1750, foldover top opening to polished surface then to later baize-lined playing surface with wells for gaming pieces, frieze drawer, cabriole legs, ball and claw feet, h. 30 1/4 in., w. 35 in., d. (closed) 16 1/2 in., d. (open) 33 in. Exh.: Memphis Brooks Museum of Art, The Glory of Georgian England, 1700-1840, 2004-2005. $1000/1500 349. English Mahogany Pier Table, mid-19th c., serpentine marble top, conforming frieze with blind drawer, boldly scrolled and foliate-carved supports, incurvate plinth base, h.

35 1/2 in., w. 49 1/2 in., d. 20 1/2 in. $800/1200

347. Late George III Mahogany BarrelBack Wing Chair, c. 1800, channeled back, scroll arms, loose seat cushion, tapered legs, h. 43 in., w. 30 in., d. 20 in. $300/500

348. Georgian-Style Carved Mahogany Cellarette, late 19th c., foliate carved hinged top, metal interior lining, case with neoclassical details, foliate blocked feet, h. 19 1/2 in., w. 22 1/2 in., d. 15 1/2 in. $800/1200

350. Georgian-Style Carved Mahogany Serpentine Cabinet, shaped top, foliate-decorated doors opening to a fitted interior with four drawers, scrolled stiles with mythological masks, conforming base, h. 38 in., w. 55 in., d. 23 1/2 in. $500/750

352. Antique Georgian-Style Mahogany Bookcase, ogee cornice, upper case with glazed doors, lower case with frieze drawer, paneled doors open to shelf interior, bracket feet, h. 83 3/4 in., w. 39 1/4 in., d. 13 in. $700/1000

351. Regency Mahogany Partner’s Desk, 19th c., with two frieze drawers on each side, upright supports, sabre legs with bosses, brass cuff casters, h. 30 1/2 in., w.

66 in., d. 35 1/2 in. $1200/1800

353. Two Empire-Style Carved Mahogany Fauteuils, each with a rounded crest rail and padded back and seat, taller with lappet-carved arms, h.

36 in., w. 23 1/2 in., d. 18 in.; shorter with scrolled foliate-carved arms, h. 35 1/2 in., w. 22 1/2 in., d. 18 in. $1200/1800 Additional information at www.nealauction.com

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355. Louis Philippe Mahogany Dressing Table, 19th c., oval mirror on swan’s neck supports, marble top, frieze drawer, scroll supports, incurvate plinth, paw feet, h. 55 1/2 in., w. 33 1/4 in., d. 17 in. $500/700 354. French Provincial Carved Fruitwood Occasional Table, 19th c., molded top, scalloped frieze, cabriole legs, hoof feet, h. 26 3/4 in., w. 29 1/2 in., d. 23 1/4 in. $500/700

Provenance: Estate of D. Clive Hardy, New Orleans.

356. Empire Carved Mahogany Pier Table, early 19th c., variegated marble top, ogee frieze fitted with a blind drawer, scrolled supports, acanthine paw feet, incurvate plinth base, h. 37 in., w. 43 1/2 in., d. 18 in. $1000/2000 357. Antique Biedermeier Inlaid Fruitwood Commode, 19th c., frieze drawer over diamond inlaid door, square tapered legs, h. 32 in., w. 15 1/2 in., d. 13 3/4 in. $300/500

360. Pair of Antique Biedermeier Carved Cherrywood Side Chairs, early 19th c., brass-mounted lyre backs, serpentine seat rails, outswept sabre legs, h. 35 1/2 in., w. 18 1/2 in., d. 17 1/2 in. $300/500

359. Antique French Cast Iron Bistro Table, figured marble top, shaped supports, arched hoof feet, X stretcher, h. 29 in., w. 48 in., d. 24 in. $400/600

358. Pair of Biedermeier-Style Figured Elm and Parcel Ebonized Armchairs, 20th c., arched shaped crests and slats, scroll arms, padded seats, sabre legs, h. 37 in., w. 22 in., d. 19 in. $300/500

361. Continental Painted Leather Four Panel Folding Screen, embossed foliate cartouche decoration, brass nailhead trim, h. 72 in., w. 60 in. $800/1200

363. Large Pair of Patinated Metal Jardinières, lion’s mask ring handles surmounted by putti, body with floral and fruit garlands, h. 37 in., w. 36 in., d. 22 in. $1200/1800

362. Pair of Antique Louis XV-Style Carved Fruitwood Bergères, floral carved crest rail, padded back and arms, serpentine seat rail, cabriole legs, h. 37 in., w. 27 in., d. 28 in. Note: Back brace needs repair. $1200/1800

364. French Glazed Terracotta Olive Jar, 19th c., rolled rim, small footed base, drainage hole, h. 27 in., dia.

19 in. $500/750 Provenance: Estate of D. Clive Hardy, New Orleans

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365. Small French Glazed Terracotta Olive Jar, 19th c., rolled rim, small footed base, drainage hole, h.

22 1/2 in., dia. 15 1/2 in., Note: restoration. $400/600 Provenance: Estate of D. Clive Hardy, New Orleans.

366. Pair of Continental Verdigris Patinated Bronze Figural Oil Lamps, after the Antique, cast with masks and floral motifs, h. 13 in., w. 15 1/2 in., d. 15 in. $1000/1500 367. Antique Bronze and Patinated Metal Four-Light Chandelier, bell mounted with spreadwing eagles and palmettes, female mask arms, h. 29 in., dia.

19 in. $700/1000

369. North Italian Patinated Walnut Long Case Clock, probably 18th c., verge escapement movement, two top-mounted graduated bells, polychrome painted dial, scroll paneled case, h.

117 1/2 in., w. 21 1/2 in., d.

14 1/4 in. $1000/2000

368. Neoclassical-Style Giltwood Six-Light Chandelier, 20th c., rope and tassel design, foliate arms, electrified, h. 27 in., dia. 25 in. $300/500

370. American Birdseye Maple Mirror, bolection surround, gilt inner liner, h. 30 in., w. 25 in. $150/250

Provenance: Christie’s London, Collection of Sandro & Lidia Orsi, Ca ‘Mera, Varese, and Property from the Villa of an Aristocratic Lombard Family, July 19, 2012, lot 398.

371. Pair of Continental Rouge Marble Pedestals, square top, ring-turned bands, h. 37 in., dia. 14 1/4 in. $1200/1800

372. Louis XV-Style Ormolu-Mounted Kingwood Bureau Plat, 19th c., shaped top with inset leather writing surface, two frieze drawers, cabriole legs, sabots, h. 31 in., w. 48 in., d. 25 in. $1500/2500

375. Pair of Empire-Style Gilt and Patinated Bronze and Rouge Marble Six-Light Candelabra, foliate arms, fluted standard with acanthine collar and lion legs on incurvate triangular base, h. 29 1/2 in., dia. 11 in. $800/1200 374. Louis Philippe Carved Mahogany Bergère, 19th c., scrolled stiles, dolphin-carved arms, sabre legs, paw feet, h. 36 1/2 in., w. 29 in., d. 28 1/2 in. $1200/1800

373. German Carved and Inlaid Walnut Writing Desk, late 19th c., foliate-carved superstructure with two shelves, bracket supports carved with dragons, egg and dart carved top, frieze drawer flanked by drop-down doors fitted with cartonnier drawers, elaborately carved legs, cylindrical feet, h. 56 in., w. 47 in., d. 25 1/2 in. $2000/3000

376. French Gilt Bronze-Mounted Cobalt Porcelain Jardinière, oval form, scroll handles, paw feet, h. 7 1/4 in., w. 21 in., d. 11 1/4 in. $300/500

377. Antique French Carved Walnut Fauteuil, lion’s head arm terminals, turned stretchers, hairy paw feet. $300/500 Additional information at www.nealauction.com

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378. Ottoman Syrian Carved and Mother-of-Pearl Inlaid Blanket Chest, 19th c., hinged top, dove-tailed case, stylized decoration, bracket feet, h. 29 in., w. 43 in., d. 17 in. $1000/1500

381. Louis XV-Style Bronze-Mounted and Inlaid Bombé Commode, variegated marble top, three drawers, shaped apron, flared legs, sabots, h. 34 in., w. 36 in., d. 18 in. $2000/3000

379. Antique Continental Carved Walnut Mantel, 19th c., granite shelf, stepped blocked surround with grotesques, fruit and bellflower pendants, h. 51 in., l. 80 in., d. 19 in. $500/1000

382. Antique Continental Burl Walnut Bombé Desk, in the 18th c. taste, fall-front desk with fitted interior, over three graduated drawers, ball and claw feet, h. 41 1/4 in., w. 50 in., d. 28 1/2 in. $1000/1500

380. Louis XV/XVI-Style Inlaid Kingwood Lady’s Writing Desk, galleried marble top superstructure with two drawers, scrolled back and sides, pull out writing surface, serpentine drawer, cabriole legs, sabots, h. 38 in., w. 18 in., d. 22 in. $500/700

383. Francisque Rebour (French, 1800-1900), “Les Joueurs de Polo”, color lithograph, signed in plate, pencil-signed lower right, numbered “21” lower left, sheet 22 in. x 30 in., unframed. $500/700 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

384. Louis XV-Style Carved and Gilt Nine-Light Chandelier, in the style of Caffieri, electrified, h. 36 in., dia. 34 in. $1500/2500 385. Louis XV-Style Bronze, Rock Crystal, Rose Quartz and Amethyst Twelve-Light Chandelier, vasiform standard, scroll arms, pendeloque pendants, h.

36 in., dia. 29 in. $3000/5000

387. Antique Kashan Carpet, allover design of flowers and palms in red and blue on an ivory ground, within a blue border of stylized flowerheads, signed in border, 9 ft. x 13 ft. 3 in. $700/1000

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388. Fine Persian Qashqai Carpet, red ground, repeating floral blossoms, 4 ft. 6 in. x 6 ft. 6 in. $900/1200

386. French Bronze, Rock Crystal and Rose Quartz Three-Light Sconces, 20th c., scrolled arms, beaded backplate, electrified, h.

31 in., w. 16 in., d. 8 in. $2000/3000

389. Small Antique Kirman Carpet, late 19th/early 20th c., allover floral design, 3 ft. 10 in. x 6 ft. 11 in. $300/500

390. Sarouk Carpet, red ground, central medallion and spandrels, flowering vase design, 6 ft. 9 in. x 10 ft. 3 in. $500/750

392. Persian Serapi Carpet, rust ground, tan border, overall stylized floral design, 12 ft. 9 in. x 15 ft. 4 in. $7000/9000

393. Antique Persian Runner, red ground with overall paisley pattern and white ground border, 16 ft. 4 in. x 3 ft. 9 in. $400/600

391. Antique Persian Tabriz Carpet, dark blue ground, overall floral design, 7 ft. 1 in. x 10 ft. 7 in. $900/1200

395. Monumental Pair of Napoleon III Bronze and Cut Crystal Ten-Light Gasolier Sconces, late 19th c., spear finial, over crown and vasiform standard, shield backplate, allover hung with beads, teardrop and faceted ball pendants, h. 45 in., w. 27 in., d. 18 in. $3000/5000

396. George III Carved and Figured Walnut Concertina Action Games Table, probably late 18th c., shaped foldover top with tooled leather playing surface, conforming frieze, shell-carved cabriole legs, ball and claw feet, h. 28 1/2 in., w. 36 in., d. 18 1/2 in. $2500/3500

394. Antique Turkish Esparta Carpet, rose ground, purple border, repeating gul design, 8 ft. 8 in. x 11 ft. 2 in. $2400/2800

397. Georgian Inlaid Mahogany Bowfront Hunt Board, late 18th/early 19th c., serpentine top, conforming frieze, molded square tapered legs, spade feet, h. 35 1/8 in., w. 47 1/2 in., d. 26 1/8 in. $1200/1800

Provenance: Brown University, Providence, RI.

399. George III Mahogany Wingchair, molded tapered legs, stretchers, h.

43 1/2 in., w. 32 in., d. 24 1/2 in. $400/600

398. Large Pair of George III-Style Mahogany Commodes, 19th c., trapezoidal top, conforming case with frieze drawers and paneled doors, flared feet, h. 35 in., w. 47 in., d.

18 in. $2500/3500

400. British School, 19th c., “Portrait of Mrs. William Brandt”, oil on canvas, unsigned, titled on hand written label en verso, 30 in. x 25 in., gilt frame. $400/600 Provenance: Descended in a Mississippi Family, found in a New Orleans Garden District home.

401. Five Continental Portrait Miniatures, 19th/20th c., each signed “Laroy”, “F. Shmitz”, “Le...” or “D. Parado” lower or midright, one unsigned, 2 1/4 in. x 2 in. to 3 1/2 in. x 2 3/4 in., period frames mounted within modern frames. (5 pcs.) $300/500

402. Rare Pair of French Art Nouveau Mixed-Earth Pichon Baluster Vases, c.

1880, “Pichon a Uzes” impressed mark, contrasting clay colors in blue, green, brown, red, and cream, h. 14 1/4 in. $300/500

Additional information at www.nealauction.com

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403. Large Limoges Polychrome and Gilt Porcelain Dresser Box, c. 1920s, B.S. star mark, painted with an amorous couple in a pastoral setting and decorated throughout with raised gilt floral meanders on a green ground, h. 5 1/2 in., w 10 1/2 in., d. 8 1/4 in. $400/600

404. Royal Worcester Creamware Frog, Monkey and Tortoise Vase, pattern no. 572, impressed mark, h. 8 1/4 in.; together with pair of Continental porcelain figural menu cards, h. 7 3/8 in. (4 pcs.) $200/400

Provenance: Estate of D. Clive Hardy, New Orleans

406. Pair of Continental Gilt Bronze Footed Urns, 19th c., each baluster form with shell and rocaille decoration, foliate scroll feet, h. 4 1/2 in., dia. 4 1/8 in. $300/500 405. Two Continental Majolica Goose Neck Vases, floral design, tallest h. 22 1/4 in., dia. 7 1/4 in. $500/750 409. Parian Bust of Professor John Wilson, 19th c., unmarked, socle base, h. 11 1/4 in., w. 7 in., d.

5 3/4 in. $150/250

408. Pair of Antique Continental Carved Walnut Figural Brackets, late 18th/early 19th c., with figures of angels and animals, h. 5 1/4 in., w. 14 3/4 in. and 17 in., d. 2 in. $150/200

407. Pair of Italian Polychrome and Parcel Gilt Pricket Candlesticks, 19th c., floral decoration, h. 19 in. $600/800 410. Georgian-Style Ebonized and Gilt Canterbury, 20th c., Greek key decoration, single drawer, brass casters, h. 22 in., w. 25 1/2 in., d. 18 in. $300/500

411. Antique Gilt Bronze Dolphin Sconce, early 20th c., with pendant Quezal shade, h. 17 1/2 in., w. 4 3/4 in., d. 7 in. $700/900

412. Small Antique French EmpireStyle Bronze Candlestick Lamp, black tole shade, electrified, h. 23 1/2 in., dia. 12 in. $600/800

413. French Bronze-Mounted Ruby Flashed Glass Rhyton Vase, c. 1850, marble base, h. 9 1/2 in., w. 5 1/2 in., d. 8 1/2 in. $200/300

Provenance: Estate of D. Clive Hardy, New Orleans.

Provenance: Estate of D. Clive Hardy, New Orleans.

415. Decorative Antique Glass Window, late 19th c., slag glass panes, flanked by maidens, metal frame, 25 1/2 in. x 47 1/2 in. $200/300

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414. Pair of Continental Cranberry Glass Lustres, with etched decoration and faceted prisms, h. 11 1/2 in.; together with near pair of Paris porcelain vases, h. 10 1/2 in. $200/400

416. Fine Gilt Bronze Figural Group of Two Clowns, inscribed â&#x20AC;&#x153;Ehlederâ&#x20AC;? on self-base, h. 4 1/4 in., alabaster base, overall h. 7 1/4 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

417. American Rococo Carved and Painted Mirror, 19th c., reticulated rocaille surround, oval mirror plate, h. 41 in., w. 35 in. $200/300

418. George II Inlaid Figured Walnut Dressing Mirror, 18th c., reticulated crest, shaped surround, old beveled mirror plate, shaped case with three short drawers, h. 29 in., w. 15 in., d. 9 in. $150/250

419. Queen Anne-Style Chinoiserie Decorated Mirror, shaped surround with raised decoration, beveled mirror plate, h. 47 in., w. 21 in. $200/300

420. Antique English Mahogany Tall Case Clock, c. 1900, dial marked “Wm. Bell/ Lancaster”, broken scroll pediment, painted dial flanked by columns, fluted pilasters, h.

90 in., w. 21 1/4 in., d. 9 in. $700/1000

421. Louis XIV-Style Bronze-Mounted Kingwood Bracket Clock on Pedestal, 20th c., movement strikes on five gongs, tapered pedestal with floral inlay, h. 74 1/2 in., w. 17 1/2 in., d. 9 3/4 in. $700/1000

423. Pair of Chinese Marble Buddhist Lions, carved squatting on rectangular plinths with one paw resting on a pup or brocade ball, h. 26 in., w. 10 1/2 in. d. 14 1/8 in. and d. 15 1/8 in. $1000/1500 424. Pair of Chinese Cloisonné Enamel Horses, 20th c., modeled standing with removable saddles on their backs, h. 9 1/8 in., w. 10 in. $600/800

422. Chinese Hardstone Embellished Panel, decorated with flower vases and antiques, h.

52 in., w. 24 1/2 in. $700/1000

426. Chinese Brass Guanyin, 20th c., modeled seated on a double lotus base holding a vase in one hand and a pearl in the other, wearing a long cowl and a tiara centered by Amitabha, h. 12 1/2 in. $700/900

425. Chinese Stone Figure of Guanyin, carved seated on a double lotus base holding the vase of Immortality, h. 25 in., w. 16 in., d.

11 in. $1000/2000

427. Tibetan or Nepalese Jewel Embellished and Gilt Metal-Mounted Rock Crystal Bowl, 20th c., leaf-form body mounted with dragons and floral garlands, h. 3 1/8 in., w. 6 in., d. 10 1/8 in. $700/900 428. Tibetan or Nepalese Gem Embellished and Gilt Filigree-Mounted Rock Crystal Bowl, 20th c., oval body with splayed stem foot mounted with turquoise, coral and lapis lazuli, h. 3 1/8 in., w. 5 3/4 in., d. 3 7/8 in. $700/900

429. Chinese Hardwood Three-Part Pedestal Desk, early 20th c., rectangular paneled top above frieze of three drawers supported on two drawer pedestals framed by square molded legs, h. 31 in., w.

65 1/2 in., d. 26 in. $1000/1500

430. Chinese Carved Hardwood “Faux Bamboo” Bench, outswept arms, paneled seat, shaped legs, stretchers, h.

29 in., w. 32 in., d. 12 in. $300/500 Additional information at www.nealauction.com

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432. Large Articulated Wood and Mixed Media Figure of San Pascualito, early 20th c., possibly Latin American, h. 55 in. $700/1000

433. Antique Persian Lilihan Carpet, rose and blue ground, allover vining floral design, 5 ft. in. x 6 ft. $900/1200

434. Antique Persian Mahal Carpet, teal ground, red border, stylized floral design, 9 ft. 1 in. x 11 ft. 9 in. $3500/4500

431. French Bronze Statuette of the Venus de Milo, after the antique in the Palais du Louvre, Paris, collection inscriptions underside, h. 12 in. $400/600

436. Antique Persian Mahal Carpet, red ground, dark blue border, overall vining floral design, 8 ft. 7 in. x 11 ft. 4 in. $2200/2800

437. Antique Kirman Carpet, ivory ground with an allover design of flowers with red spandrels enclosed within a main border of ivory with flowers and two minor borders, 8 ft. 6 in. x 10 ft. 3 in. $500/700

440. Asian Abalone Inlaid Black Lacquer Tray Table, 20th c., waisted rectangular top with characters, shaped apron, scroll feet, h. 5 1/4 in., w. 17 3/4 in., d. 10 3/4 in. $150/250

435. Persian Serapi Carpet, central medallion in rust, blue and yellow, yellow border, floral design, 9 ft. 9 in. x 12 ft. 5 in. $3500/4500

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908-1988), Shreveport, LA.

439. Decorative Japanese Silk Four-Panel Floor Screen 20th c., depicting peacocks amid rocks and flowers, overall h.

59 1/2 in., w. 73 in. $100/150

441. Chinese Pale Celadon Jade Geese Group, Qing Dynasty (1644-19911), carved as a goose and gosling grasping a peach branch within their beaks, h. 2 1/8 in., w. 3 5/8 in. $800/1200

443. Archaic or Archaistic Chinese Partly Calcified Jade “Moth” Ornament, possibly Han Dynasty (206 BCE-220 CE), body further incised with moths, h. 1 1/2 in., w. 1 3/4 in. $600/800

442. Antique Chinese Turquoise Sword Slide, l. 4 1/8 in., w.

15/16 in. $800/1200

444. Chinese Patinated Bronze Tripod Censer, upright mask loop handles, relief-cast with stylized endless knots encircling body, Buddhist lion mask feet, base with apocryphal Xuande mark, h. 8 3/4 in., w. 9 1/4 in., rosewood stand with incised Qianlong mark, overall h. 11 in. $1200/1800

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438. Chinese Carved Hardwood Side Table, c. 1930s, beaded floriform top inset with marble, pierced prunus carved apron, cabriole legs, X-stretcher carved with bamboo leaves, h. 20 in., dia. 16 in. $400/600

445. Pair of Chinese Han or Han-Style Painted Pottery Figures of Legless Horses and Riders, each in two parts, combined h. 10 1/4 in., w.

13 1/4 in. $1000/1500 Provenance: Blackamoor Antiques, New Orleans.

446. Pair of Chinese Blue and White Porcelain Baluster Vases, Qing Dynasty (1644-1911), flattened body with inturned canted corners decorated with rocks issuing fruiting pomegranate branches, h. 10 3/8 in., now mounted as lamps, h. (incl. finial) 22 1/2 in. $600/800

449. Large Chinese Famille Verte Porcelain “Eight Immortals” Rouleau Vase, probably late 19th/early 20th c., neck and shoulder with floral and landscape decoration, body with the Immortals and their attributes, base with double ring mark, h. 23 1/2 in. Note: Restoration. $600/800

448. Chinese Blue and White Porcelain “Eighteen Luohan” Lantern Vase, early 20th c., decorated with luohans beneath a band of Buddhist emblems, base with Kangxi mark, h.

7 in., wood base and cover, overall h. 11 in. $400/600

447. Antique Chinese Blue and White Porcelain Vessel, exterior decorated with flower scrolls, interior with a dragon, h. 3 3/4 in., dia. 5 in., stand, overall h. 5 1/4 in. $400/600

Provenance: Blackamoor Antiques, New Orleans.

450. Pair of Chinese Blue and White Porcelain Bottle Vases, 20th c., pierced handles, relief-molded with dragons pursuing flaming pearls amid clouds, bases with Yongzheng marks, h. 13 1/2 in. $400/600

Provenance: Blackamoor Antiques, New Orleans.

451. Near Pair of Chinese Famille Rose Porcelain Sleeve Vases, late 19th/early 20th c., similarly decorated with five boys amid plants and antiques in a garden setting, bases marked, h.

11 1/2 in. and 11 1/4 in. $300/500

452. Group of Davenport “Levant” Pattern Pottery Serving Pieces, c. 1840-1875, impressed “21 / DAVENPORT” over anchor and “Opaque China” and printed “Levant / Davenport”, incl. covered soup tureen, h. 7 1/2 in., l. 15 in., and undertray, l. 16 in.; 2 covered vegetable dishes, h. 6 1/4 in., l. 12 3/4 in.; and cake stand, h. 3 1/8 in., dia. 11 7/8 in.; together with 2 Wedgwood transfer-decorated “Imari” platters, l. 14 3/4 in. (6 pcs.) $500/700 453. Continental Inlaid Burled Wood Cabinet, 19th c., inlaid compass star in ivory and ebony, h. 39 in., w. 27 in., d. 12 in. $1000/1500

454. Pair of Antique Louis XV-Style Walnut Bergères, serpentine crest rail, molded and padded arms, conforming seat rail, cabriole legs, scrolled toes, h. 35 in., w. 30 in., d. 35 in. $800/1200

455. Edwardian Inlaid Rosewood Envelope Games Table, c. 1910, baize-lined playing surface with inset pockets, frieze drawer, reeded supports, sabre legs, casters, h. 30 in., w. (open) 30 1/2 in., d. (open) 30 1/2 in. $700/1000 456. English Mahogany Library Armchair, mid-19th c., arched crest, padded back and seat, bobbin-turned arms and legs, casters, h. 40 in., w. 25 1/4 in. $700/900

457. John Stobart (British, b. 1929), “Hannibal, A View from Mark Twain’s Boyhood Home”, offset lithograph, pencil-signed and numbered “157/750” lower margin, pub. by Maritime Heritage Prints, Inc., “A.B. Closson, Jr., Cincinnati, OH” labels en verso, sight 22 in. x 29 1/4 in., framed. $300/500

458. John Stobart (British, b. 1929), “Savannah, River Street by Moonlight in 1842”, offset lithograph, pencil-signed and numbered “208/750” lower margin, pub. by Maritime Heritage Prints, Inc., printed artist biography and “A.B. Clossom Jr., Cincinnati, OH” labels en verso, sight 23 in. x 30 in., framed. $300/500

459. Pair of Antique North American Hand-Colored Engravings, “Quebec” and “A View of Philadelphia from Belmont”, 1873/1874, from Picturesque America, sights 7 1/2 in. x 12 in., framed alike. (2 pcs.) $150/250 Additional information at www.nealauction.com

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462. McKenney and Hall / Publishers, “CAA-TOU-SEE”, 1836, hand-colored lithograph, after Charles Bird King (American/Rhode Island, 1785-1862) from History of the Indian Tribes of North America, published by E.C. Biddle, Philadelphia, sight 19 in. x 13 in., framed. $300/500 460. Manner of Raoul Dufy (French, 1877-1953), “Paddock at Ascot”, oil on canvas, unsigned, pencil-titled en verso, 28 in. x 38 in., framed. $300/500

Provenance: Private Collection, Charleston, SC.

463. Large Antique Chinese Glazed Stoneware Martaban Jar, mask loop handles, ovoid body molded with a dragon amid clouds, h. 35 3/4 in., iron stand, overall h. 42 in. $800/1200

461. Four Antique Egg Prints, sight 5 3/4 in. x 8 1/2 in., framed alike. $200/300 Provenance: Lucullus Culinary Antiques, New Orleans.

464. Chinese Blue and White Porcelain Covered Baluster Jar, probably 19th/early 20th c., decorated with boys and birds amid a profusion of fruiting and flowering prunus branches, base with Kangxi mark, h. 11 1/2 in.

Note: Neck restored. $400/600

465. Pair of Chinese Ruby Red Overlay White Glass Vases, carved with birds on flowering prunus branches, h. 8 in. $1000/1500

Provenance: Blackamoor Antiques, New Orleans.

468. Chinese Green Overlay White Glass Bowl, carved with birds and insects amid chrysanthemum and prunus, h. 3 1/8 in., dia. 7 1/8 in. $800/1200

471. Chinese Lapis Lazuli, Crystal and Hardstone Court Necklace, probably early 20th c., 108 lapis beads, 4 hardstone fotou, tassel cord suspending carved glass and crystal pendants, 3 jinnian strands with crystal pendants. $600/800

466. Chinese Ruby Red Overlay White Glass Vase, 20th c., carved with a phoenix on a branch, h. 13 in. $800/1200

469. Pair of Chinese Pink Glass Dishes, early 20th c., foliate rims with lotus sprays, bases hand-etched “CHINA”, dia. 8 1/8 in. $800/1200

472. Pair of Chinese Marble Stands, relief-carved with petal tips and scrollwork, h. 19 7/8 in. $400/600

474. Chinese Hardstone Brush Washer, probably 19th c., carved as half an open peach encircled by prunus and a bat, h.

3/4 in., w. 4 1/2 in., d. 3 1/2 in., associated stand, overall h. 1 3/4 in. $100/200 Provenance: The Sturm Collection.

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467. Chinese Pink Glass Goblet and Foliate Dish, early 20th c., decorated with lotus, goblet h. 4 1/8 in., dish dia. 7 1/8 in. $500/700

470. Chinese Dry Lacquer Figure of Guanyin, modeled seated in royal ease upon a rockwork ledge, wearing a crown centered by Amitabha, a bead necklace with flower heads, and loose robes, h. 27 7/8 in. $400/600

473. Large Chinese Cloisonné Enamel Vase, 20th c., decorated with birds amid flowering branches and flowers, h. 30 in., stand, overall h. 35 3/4 in. $200/300

475. Large Japanese Imari Porcelain Charger, probably Meiji Period (1868-1912), decorated with birds on pine and gourd-form cartouches enclosing floral medallions, central leaf pinwheel, base with Fuku mark, h. 2 5/8 in., dia. 17 7/8 in. $150/250

476. Impressive Antique Syrian Carved, Mother-of-Pearl and Bone Inlaid Conversational Settee, foliate-carved crest, seat back inset with geometric and spindled panels, centered by a drop-down bracket shelf, two seats with bracketed skirts, turned legs, h. 60 in., w. 67 in., d. 21 1/4 in. $1500/2500

479. Pair of Beaux Arts PorcelainMounted Bronze Urns, each urn issuing a bouquet with applied porcelain flowers, h. 36 1/4 in., w. 15 in., d. 8 in. $600/800

477. Large Empire-Style Covered Urn, 20th c., faux amber veneer, gilt composition, ram’s head handles, twist-lobe form, h. 30 in., w. 26 in., d. 22 1/2 in. $800/1200

480. English Parian Figure of Omphale, 19th c., marked “J & T B”, depicted with Hercules’ lion pelt and club, h. 12 in., w. 8 in., d. 5 1/2 in. $100/150

481. Antique Silverplate and Satin Glass Centerpiece, leaf, berry and blossom motif stand, satin glass bowl with ruffled edge, h. 18 in., bowl dia. 11 in. $700/1000

478. Antique Patinated Metal and Marble Figural Tazza, c. 1900, the saucer with relief of Roman figures, bacchante standard, h. 14 1/2 in., dia. 13 1/4 in. $700/1000

482. Persian Heriz Carpet, rose and cream ground, central medallion, dark blue border, vining floral design, 8 ft. 7 in. x 11 ft. 9 in. $3000/3500

483. Antique Persian Tabriz Carpet, dark blue ground, red medallion and border, vining floral design, 9 ft. x 12 ft. 6 in. $2800/3400

484. Pair of American Brass Five-Light Torchères, c. 1910, foliate arms, adjustable standard, molded base, flame-form shades, electrified, h. 75 in., dia. 28 in. $800/1200 485. Continental Gilt Metal, Rock Crystal and Cut Crystal Eight-Light Chandelier, 20th c., electrified, h.

35 in., dia. 35 in. $2000/3000

486. Beaux Arts Bronze Seven-Light Candelabra, 19th c., vasiform standard issuing opaline glass flowers, h. 39 in., w. 15 1/2 in., d. 8 1/2 in. $600/900

487. English Rococo-Style Cast Iron Garden Chair, late 19th c., scrolled back centered by a mask, foliate apron and legs, old paint surface, h. 32 in., w. 25 in., d. 15 in. $300/500

Additional information at www.nealauction.com

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489. Chinese Famille Rose Porcelain Bowl, 19th c., interior decorated with a central medallion enclosing a crowned figure holding a child astride a qilin, walls with chrysanthemum, hydrangea and prunus sprays, wide rim with floral and fruit sprays, h. 3 1/2 in., dia. 11 1/2 in. $200/400 488. Antique French Gilt Bronze and Porcelain-Mounted Mantel Clock in the Louis XVI Taste, 19th c., scroll and garland case, mounted with Sevres-style plaques, now with modern movement, h. 14 1/2 in., w. 11 in., d. 5 1/4 in. $800/1000

490. Antique Chinese Glazed Stoneware Storage Jar, molded with symbols for good fortune and longevity, h. 13 1/2 in., now apparently undrilled and mounted as a lamp, h. (incl. finial) 33 in. $500/700

493. Antique French Brass and Wrought Iron Corner Baker’s Rack, early 20th c., scrolled crest, three shelves supported by scrolls, casters, h. 97 in., w. 21 in., d. 16 in. $600/800

491. American Birdseye Maple Faux Bamboo Envelope Table, late 19th c., possibly Horner, drop-leaf top, swing leg, stretcher, h. 28 1/2 in., w. 27 3/4 in., d. 27 7/8 in. $700/900

494. Pair of British Hand-Colored Engravings of Hunt Scenes, late 19th c., from Fore’s National Sports, “Fox Hunting - The Run”, plate no. 3, and “Fox Hunting - The Kill”, plate no. 4, each engraved by John Harris after John Frederick Herring, Sr. (British, 1795-1865), published in London, sheets 26 in. x 45 1/2 in., framed alike. (2 pcs.) $500/800

492. Four Antique Biedermeier Inlaid and Parcel Ebonized Maple Side Chairs, late 19th/early 20th c., crests with rampant lions, shaped splats, trapezoidal seats, square tapered legs, h. 35 in., w. 18 1/2 in., d. 17 in. $400/600

498. Collection of Twenty-One Semi-Precious and Hardstone Eggs, h. 2 3/4 in. $400/600

495. After Adam Buck (Irish, 1759-1833), “What’s that Mother” and “The Mother’s Hope”, 2 hand-colored lithographs, published by Freeman and Stadler, sights 11 3/4 in. x 9 in., framed alike. (2 pcs.) $500/800

496. American Cast Iron Figural Fire Back, c. 1865, depicting deer in a landscape, floral border, h. 28 1/2 in., w. 20 in. $400/600 Provenance: Acquired M.S. Rau, Inc., New Orleans, 1990.

497. Antique Articulated Artist Model, 19th c., glass eyes, modern metal stand, h. 19 in. $300/500

499. Cast Stone Bust of a Youth, 19th c., socle base, h. 14 in. $200/300

500. Antique Wool Petit Point Chair Cover, urn and flower motif on pale brown ground, 23 in. x 22 in. and 26 in. x 23 in. $200/300

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501. French Painted Wood and Tôle Twelve-Light Chandelier, 20th c., turned standard, foliate arms, h. 32 in., dia. 33 in. $150/250

502. Nine Amethyst Crystal Goblets, air twist stems, h. 9 1/4 in.; together with 12 amethyst and clear glass sherry glasses, h. 4 3/4 in. $150/250

503. Group of Lalique Glass Table Articles, incl. “Asters” bowl, base with reverse signature “R. Lalique / France”, dia 10 in.; “Poissons” plate, well with raised “R. Lalique”, dia. 10 3/4 in.; and salamander figurine, with “Lalique France”, l. 6 1/4 in. (3 pcs.) $400/600

504. Antique American Molded Cranberry Glass Covered Apothecary Jar, h. 21 in. $150/250

505. Eleven Steuben Champagne/Sherbet Coupes, with original fitted box marked “MARSHALL FIELD & COMPANY/ Steuben/ glass room”, h. 3 1/8 in. $300/500

506. Antique Venetian Etched Glass Mirror, segmented surround, beveled mirror plate, h. 45 1/2 in., w. 28 in. $700/900

507. Antique French Carved, Painted and Gilt Mirror, surmounted by a trophée crest, foliate corner mounts, beaded and molded surround, h. 57 1/2 in., w. 36 in. $600/900

508. Antique French Gilt and Patinated Metal Figural Mantel Clock, c. 1880, movement marked “Gardien a Chern/ Paris”, figure of an Arabian warrior on camelback, oval base, scrolled base, front cartouche with Arabic(?) title, h. 18 1/4 in., w. 17 1/2 in., d. 6 3/4 in., now mounted as a table lamp, total h. 20 in. $500/700

Additional information at www.nealauction.com

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Session Two Sunday, July 15, 11 am 3923 Carondelet

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The John and Pam Finley Collection of Outsider and Folk Art John and Pam Finley, who have collected Folk Art and Outsider Art for decades, have always had a fascination with its similarities to traditional crafts and artwork by African, Oceanic, and Native American people. The rough textures, bold colors, and dedication to portraying the world as seen through the unfiltered lens of the artist all contribute to the transgressive nature of Folk and Outsider Art, which is typically not influenced by the mainstream art world nor conventional art historical traditions. As Dr. Finley wrote in his foreword for the exhibit at the Ohr-O’Keefe Museum in Biloxi, “[We] developed a keen interest in traditional African, Oceanic, and American Indian art. Folk Art (and especially, in the context of this exhibit, Southern Black Folk Art) shares much in common with these diverse ethnographic arts. In my opinion the art objects which evolve from these environments share a strong bond of real strength and meaning. This art often seems more real and meaningful than contemporary Western art that frequently appears to be contrived as a currency to be bought and sold or as an academic exercise of one upmanship. Traditional tribal art was so central to the life of the group that its importance cannot be overemphasized. When there was no written language, the visual communicative arts were great for sharing all forms of information. This helped pass religion and tradition from one generation to the next. Interestingly, even though the art was crucial to society, the artist was often anonymous. The art seemed almost more important than the artist did, and this true strength of purpose can be felt in the presence of much of this great art. Many times Folk Art affects us as viewers in the same way. It is strong, real art. It was made to convey information or it was made by someone with an overwhelming need to create. It is often more evocative or powerful than an abstract intellectual commercial exercise. It is honest art.”

The styles of Folk Art and Outsider Art certainly overlap, as well as each relating to ethnographic art through the use of color, texture, and functionality. It is certainly not surprising that a group of artwork that began with works by indigenous groups on different continents grew into a comprehensive collection of interrelating works of art and objects. As the Finley Collection has grown, items from the collection have been exhibited at The Natchez Museum, the University of Wyoming Art Museum, and the Ohr-O’Keefe Museum.

510. Charlie Lucas (American/Alabama, b. 1951), “I Swim in Two Worlds”, oil on board, initialed lower left, 16 in. x 24 in., garden hose frame. $800/1200 Provenance: Acquired from the artist; Finley Collection.

511. Glenda George (American/Missouri, 20th c.), “Ball at Belmont”, pastel on paper, signed lower right, artist business card with title and medium and label with artist and title en verso, 22 in. x 26 in., framed. $200/300 Provenance: Finley Collection.

512. Milton A. Fletcher (American/ Louisiana, 1906-1992), “The Sowers”, 1982, oil on canvas, signed and dated lower right, titled and inscribed on stretcher, 20 in. x 24 in., framed. $200/300

509. Charlie Lucas (American/Alabama, b. 1951), “Climbing over the Fence to see the New World”, oil on wood, initialed lower left, titled en verso, 27 3/4 in. x 15 1/4 in., framed. $1000/1500

Provenance: Acquired from the artist; Finley Collection.

Provenance: Finley Collection.

513. Milton A. Fletcher (American/Louisiana, 1906-1992), “Farm Life”, 1988, oil on canvas, signed and dated lower right, signed, titled and inscribed on stretcher bar, 16 in. x 24 in., unframed. $200/300 Provenance: Acquired from the artist; Finley Collection.

516. Milton Fletcher (American/Louisiana, 1906-1992), “A Family Portrait”, 1988, oil on canvas, signed and dated lower right, titled, dated and inscribed on stretcher, 16 in. x 20 in., framed. $200/300 514. Bernice Sims (American/Alabama, 1926-2014), “Red Wagon”, oil on canvas, signed lower right, 24 in. x 36 in., framed. $500/700 Provenance: Acquired from the artist; Finley Collection.

515. Bernice Sims (American/ Alabama, 1926-2014), “Farm Life”, oil on canvas, signed lower left, 20 in. x 24 in. framed. $500/700

Provenance: Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

517. Merrill E. Jeffrey (American, 20th c.), “Red Church and School”, mixed media on paper, pencil-signed lower right, 21 in. x 28 in., framed. $200/300

518. Merrill E. Jeffrey (American, 20th c.), “Landscape with Church and Barn”, mixed media on paper, signed mid-right, sight 21 1/2 in. x 27 3/4 in., framed. $200/300

Provenance: Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

519. Merrill E. Jeffrey (American, 20th c.), “Landscape with Red Building”, mixed media on paper, signed lower right, 21 1/2 in. x 27 1/4 in., framed. $200/300 Provenance: Finley Collection.

520. Mose Tolliver (American/Alabama, 1919-2006), “Man with Walking Canes”, oil on wood, signed lower left, 33 in. x 18 3/4 in., unframed. $400/800 Provenance: Finley Collection.

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521. Mose Tolliver (American/ Alabama, 1919-2006), “Red Watermelon”, paint on wood, signed lower left, 7 in. x 13 1/2 in., unframed. $300/500

Provenance: Acquired from the artist; Finley Collection.

522. Mose Tolliver (American / Alabama, 1919-2006), “Reclining Nude”, oil on board, signed lower center, 37 in. x 24 in., unframed. $300/500

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

523. Mose Tolliver (American / Alabama, 1919-2006), “Great Bear”, oil on panel, signed lower center, signed and titled en verso, 22 3/4 in. x 14 1/2 in., unframed. $200/400

524. Sister Gertrude Morgan (American/Louisiana, 1900-1980), “From the Book of Revelations”, double-sided mixed media on paper, unsigned, 3 in. x 12 1/2 in., mounted between glass with wood stand. $700/1000 Provenance: Finley Collection.

Provenance: Finley Collection.

527. Ronald Cooper (American/ Kentucky, 1931-2012), “Girl Devil”, 1988, mixed media, signed, titled and dated on base, h.

44 in. $200/300

525. Charlie Lucas (American/ Alabama, b. 1951), “Bike, Little Bronson”, salvaged metal and mixed media, unsigned, h. 44 1/2 in. $600/900 Provenance: Finley Collection.

526. American Folk Art School, 20th c., “Alligator”, carved painted wood, unsigned, h. 16 in., w. 19 in., d. 53 1/4 in. $300/500

Provenance: Finley Collection.

Provenance: Finley Collection.

528. Willie White (American/Louisiana, 1908-2000), “Watermelons, Dinosaurs, Planet and Trees”, 1996, marker on paper, signed lower center, pencil-dated en verso, 22 1/4 in. x 30 in., unframed. $300/500

529. Willie White (American/Louisiana, 1908-2000), “Tomatoes and Dinosaurs” and “Dinosaurs and Trees”, 2 markers on board, each signed lower left, and pencil inscribed en verso, each 11 in. x 15 in., unframed. (2 pcs.) $300/500

531. Henry Speller (American/ Tennessee, 1903-1997), “Three Generations”, graphite and crayon on paper, unsigned, 24 in. x 18 in., framed. $800/1200 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

530. Willie White (American/Louisiana, 1908-2000), “Landscape with Dinosaurs”, marker on board, signed lower right and en verso, 22 in. x 28 in., unframed. $300/500

532. BHenry Speller (American/ Tennessee, 1903-1997), “Show Off”, graphite and crayon on paper, unsigned, 23 1/2 in. x 18 in., unframed. $800/1200 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

533. Jimmie Lee Sudduth (American/Alabama, 1910-2007), “Portrait of a Native American”, oil on board, pencil-signed lower center, 23 1/2 in. x 17 1/4 in., framed. $300/500 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

Additional information at www.nealauction.com

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536. Raymond Coins (American/North Carolina, 1904-1998), “Angel”, carved stone, signature incised on reverse, h. 23 1/2 in. $1500/2500 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

534. Juanita Rogers (American/ Alabama, 1934-1985), “Trailer Park”, tempera and graphite on paper, pencil-signed and inscribed en verso, 9 in. x 12 in., framed. $200/400

535. Juanita Rogers (American/Alabama, 1934-1985), “Happy Pelicans”, tempera and graphite on paper, signed lower center, 12 1/2 in. x 19 in., framed. $200/300 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

Provenance: Finley Collection.

537. American Folk Art School, 20th c., “Untitled Figure”, metal, unsigned, h. 27 1/2 in., stone base, overall h. 31 in. $300/500

538. James “Son Ford” Thomas (American/Mississippi, 1926-1993), “Clay Head”, clay with paint, hair and marbles, signature incised on base, h. 9 1/4 in., w. 6 1/2 in., d. 6 in. $400/600

539. Charlie Lucas (American/Alabama, b. 1951), “Animal”, wire, unsigned, h. 13 1/2 in. $200/400 Provenance: Finley Collection.

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

540. Charlie Lucas (American/ Alabama, b. 1951), “Dinosaur”, wire and mixed media, unsigned, h. 21 1/4 in. $200/400

Provenance: Acquired from the artist; Finley Collection.

Provenance: Finley Collection.

541. Charlie Lucas (American/Alabama, b.

1951), “She Sawe[d] Her Body in Half Because She Wanted to be Two People”, oil on wood, initialed lower left, titled en verso, 19 1/4 in. x 20 in., garden hose frame. $700/1000 Provenance: Acquired from the artist; Finley Collection.

542. Charlie Lucas (American/Alabama, b. 1951), “Her Hole Body Was Changing Into a New World”, oil on canvas board, initialed lower left, titled en verso, 14 1/2 in. x 16 1/2 in., garden hose frame. $600/800 Provenance: Finley Collection.

543. Gerard Fortune (Haitian, b. 1930s), “Drawing Water from the Dog Tree”, oil on masonite, signed lower left, 24 in. x 24 in., framed. $200/300 Provenance: Finley Collection.

546. Bernice Sims (American/Alabama, 1926-2014), “Train Crossing River (Burnt Corn)”, 1989, oil on canvas, signed “Sim” lower left, 16 in. x 20 in., framed. $700/1000 Provenance: Finley Collection.

544. Willie White (American/ Louisiana, 1908-2000), “Blue Birds and Watermelon”, marker on paper, signed lower right, 22 in. x 28 in., framed. $200/300

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

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545. Willie White (American/ Louisiana, 1908-2000), “Round Tree with Crosses, Watermelon and Brown Bird (drawing en verso)”, marker on paper, unsigned, 31 in. x 37 1/2 in., framed. $200/300

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

548.

Mary Tillman Smith (American/ Mississippi, 1904-1994), “Black Figure on Pink Background”, oil on tin, unsigned, 39 1/2 in. x 26 in., unframed. $500/700 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

547. Bernice Sims (American/Alabama, 1926-2014), “Swimming Hole, Taylor Lake”, 1989, oil on canvas, signed mid-right, 16 in. x 20 in., framed. $400/600

549. Henry Speller (American/Tennessee, 1903-1997), “Beauty of the Night”, crayon and graphite on paper, unsigned, label with artist and title en verso, sight 11 1/2 in. x 17 1/2 in., framed. $700/1000

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

552. Herbert Singleton (American/New Orleans, 1945-2007), “Snake Totem”, painted carved wood, unsigned, h.

97 3/4 in. $800/1200

Provenance: Barrister’s Gallery, New Orleans, LA; Finley Collection.

550. Henry Speller (American/Tennessee, 1903-1997), “City Streets”, graphite and crayon on paper, unsigned, 17 3/4 in. x 24 in., unframed. $400/600 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

551. Jessie Cooper (American/Kentucky, 1932-2013), “How Well Do I Remember One Room School”, oil on wood box with painted sculptural figures, signed and dated, titled on lid, h. 7 1/2 in., w. 13 1/4 in., d.

10 1/4 in. $150/250 Provenance: Finley Collection.

555. Bernice Sims (American/Alabama, 1926-2014), “Bathtime”, 1989, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. $400/600

553. Herbert Singleton (American/New Orleans, 1945-2007), “Confusion”, bas-relief painted wood, unsigned, 33 3/4 in. x 7 1/4 in., unframed. $600/800

Provenance: Barrister’s Gallery, New Orleans, LA; Finley Collection.

Provenance: Finley Collection.

556. Bernice Sims (American/Alabama, 1926-2014), “City Folk”, 1987, oil on canvas, signed lower right, signed, titled and dated on stretcher, 16 in. x 20 in., framed. $400/600

557. Bernice Sims (American/Alabama, 1926-2014), “Railroad Yard Scene”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $400/600

558. Bernice Sims (American/Alabama, 1926-2014), “Christmas Morning”, oil on canvas, signed lower right, 16 in. x 20 in., unframed. $400/600

Provenance: Finley Collection.

554. Herbert Singleton (American/New Orleans, 1945-2007), “Extract Art”, painted carved wood and mixed media, unsigned, h. 19 1/4 in. $500/700 Provenance: Barrister’s Gallery, New Orleans, LA; Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

Additional information at www.nealauction.com

53

559. William Hemmerling (American/Louisiana, 1943-2009), “Sweet Olive Down by the River”, acrylic on panel, signed lower right and titled along bottom, 30 in. x 40 1/2 in., artist made frame. $5000/7000

560. Mose Tolliver (American/Alabama, 1919-2006), “Man with a Pipe”, oil on wood, signed lower left, 24 in. x 15 3/4 in., unframed. $300/500 Provenance: Acquired from the artist; Finley Collection.

561. Mose Tolliver (American/Alabama, 1919-2006), “Erotic Couple”, oil on board, signed lower center, 28 1/4 in. x 21 in., unframed. $300/500 Provenance: Finley Collection.

563. Mose Tolliver (American/Alabama, 1919-2006), “Painted Gourd”, signed on tapered end, l. 17 in. $50/100

562. Mose Tolliver (American/Alabama, 1919-2006), “Long Lizard”, oil on wood, signed mid-right, 6 1/2 in. x 38 1/4 in., unframed. $300/500 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

Provenance: Finley Collection.

565.

Mose Tolliver (American/Alabama, 1919-2006), “Dancing Lady”, oil on wood, signed lower right, label with artist and title en verso, 30 in. x 18 in., unframed. $300/500

564. Mose Tolliver (American/Alabama, 1919-2006), “Painted Gourd”, signed on reverse bulb, h.

13 1/2 in., dia. 14 in. $100/200

566.

Southern School, 20th c., “Jacob’s Ladder”, painted wood, unsigned, h.

12 3/4 in., w. 10 in., d. 6 1/4 in. $200/300 Provenance: Finley Collection.

Provenance: Acquired from the artist; Finley Collection.

Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

569. Herbert Singleton (American/New Orleans, 1945-2007) “Walking Stick”, painted carved wood, unsigned, h. 35 3/4 in. $150/250 Provenance: Barrister’s Gallery, New Orleans, LA; Finley Collection.

567. Bill Nichols (American/Missouri, 20th c.), “Man and Cow”, painted carved wood and mixed media, unsigned, h. 15 in. $200/300

568. American Prison Art, 20th c., “Matchstick Ship”, possibly Mississippi, unsigned, h. 24 1/4 in., w. 45 1/2 in, d. 7 1/2 in. $200/300 Provenance: Finley Collection.

Provenance: Finley Collection.

570. Three Folk Art Carved Wood Walking Sticks, one incised “D. Lee”, h. 36 1/2 in. to 48 1/2 in. $300/500

54

571. Luster Willis (American/ Mississippi, 1913-1994), “Walking Stick”, carved wood, signature incised on shoulder, h.

42 in. $100/200 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

574. African Carved and Painted Wood Elek or A-Tshol Shrine Figure, Baga Peoples, Western Guinea, 2 parts, overall h. 26 in., w. 36 1/4 in. $200/300

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

575. African Carved Wood Covered Box, Baoule Peoples, Guinea Coast or Ivory Coast, figural finial, mask carved body, h. 17 1/2 in. $100/150 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

573. African Carved Wood Nimba Shoulder Mask, Baga Peoples, Western Guinea, h. 51 in., w. 20 in. $600/800 572. Two African Carved Wood Chi Wara Headdresses, Bamana Peoples, Mali, h. 63 1/4 in. and 39 in. $200/300

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

576. Three African Carved Wood Masks, incl. Guro Peoples, Ivory Coast, h. 17 1/2 in.; unknown peoples, h. 13 3/8 in.; and Pende Peoples, Zaire, h. 9 in. $150/250 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

578. African Carved Wood Hornbill Figure, Senufu Peoples, Mali or Ivory Coast, h. 74 in. $400/600

577. Two African Carved Wood Hornbill Figures, Senufo Peoples, Mali or Ivory Coast, h. 53 1/8 in. and 21 1/4 in. $400/600

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

581. Two African Carved Wood Snake Headdresses, Baga Peoples, Western Guinea, h. 79 1/4 in. and 47 in. $400/600 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

582. African Carved Wood Chi Wara Headdress on Hemp Base, Bamana Peoples, Mali, h. 15 in., w. 26 3/4 in. $150/250 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

579. Two African Carved Wood Masks, Senufo Peoples, Mali or Ivory Coast, h. 13 1/8 in. and 71 in. $150/250 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

580. Two African Carved Wood Female and Male Rhythm Pounders, Senufo Peoples, Mali or Ivory Coast, h. 60 1/2 in. and 55 in. $600/800 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

583. African Clay and Mixed Media Boli Figure, Bamana Peoples, Mali, h. 21 in., w. 27 3/3 in. $200/300 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

Additional information at www.nealauction.com

55

584. Two African Carved Wood Chi Wara Headdresses, Bamana Peoples, Mali, h. (excluding hair) 50 1/2 in.; and h. 48 in., wood stand, overall h. 53 in. $400/600 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

585. Two African Metal-Mounted Carved Wood Masks, Mali, incl. Bamana example, h. 22 1/4 in.; and Marka example, h. 24 1/4 in. $200/300 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

586. Two African Carved Wood Mounted Figures, Dogon Peoples, Mali, larger mounted on a donkey, h. 38 in., w. 17 in., stand, overall h. 40 1/4 in.; smaller on a horse, h. 28 in., w. 18 in. $600/800

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

587. Two African Carved Wood Kanaga Masks, Dogon Peoples, Mali, h. 43 3/8 in., w. 23 1/2 in., and h. 40 1/4 in., w. 24 1/2 in. $500/700 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

589. African Carved Wood Nommo Figure and a House Post Fragment, Dogon Peoples, Mali, figure h. 36 in.; post h. 26 in., w. 41 in. (2 pcs.) $200/300 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

590. African Carved Wood Maternity Figure, Dogon Peoples, Mali, modeled as mother seated with a child on her back, h.

27 in. $200/300 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

588. Two African Carved Wood Doors, Dogon Peoples, Mali, h. 57 1/4 in., w. (latch extended) 31 1/2 in., and h. 25 7/8 in., w. (latch extended) 19 in. $400/600 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

591. African Metal and String-Enveloped Carved Wood Male Power Figure, Mossi Peoples, Burkina Faso, h. 33 1/2 in., stand, overall h. 34 1/2 in. $250/350 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

592. Two African Carved and Painted Wood Do Masks, Bobo or Bwa Peoples, Burkina Faso, h. 24 in., w. 94 1/4 in. and h. 91 1/4 in., w. 16 in. $600/800 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

593. Two African Carved Wood Figures, Nigeria, incl. Igbo, h.

54 1/2 in., stand, overall h. 56 in.; and Mumuye, h. 47 in. $600/800

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

56

595. African Bone, Feather and Reed Embellished Carved Wood Byeri (Ancestor) Figure with Reliquary, Fang Peoples, Gabon, male figure carved seated in a basketry reliquary filled with organic material, h. 27 in. $100/150

594. Two African Fiber and Shell Embellished Carved Wood Namji Dolls, Cameroon, h. 10 3/4 in. and 11 1/4 in. $150/250

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

597. Two African Metal-Mounted Carved Wood Reliquary Figures, Kota Peoples, Gabon, first h. 20 1/2 in.; second h. 23 7/8 in., stand, overall h. 24 in. $200/300

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

596. Two African Metal-Mounted Carved Wood Reliquary Figures, Kota Peoples, Gabon, h. 22 1/4 and 25 1/4 in. $300/500 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

598. Two African Carved Wood Masks, Democratic Republic of the Congo, incl. Kifwebe with fiber and feather, Songye Peoples, wood h. 13 1/2 in., overall h. 32 in.; and Kipoko, Pende Peoples, h. 18 in. $300/500 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

600. African Carved Wood Door, h. 57 1/2 in., w.

33 7/8 in. $300/500

Provenance: Memphis Brooks Museum of Art, Memphis, TN.

599. Two African Carved Wood Objects, incl. cow mask, h. 24 3/4 in.; and figural group, h. 37 1/2 in. $250/350 Provenance: Memphis Brooks Museum of Art, Memphis, TN.

601. Six Oceanic Wood Carvings, Sepik Province, Papua New Guinea, incl. figural basket hook, h. 50 1/2 in.; shield or gope board, h. 58 in.; architectural fragment, h. 59 1/4 in.; and 3 garra/gra hooks, h. 68 1/2 in., 35 1/2 in., and 33 in. $100/150 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

602. Pair of Danish Modern Rosewood Stools, â&#x20AC;&#x153;Danish Furniture Makers Controlâ&#x20AC;? label, black leather cushions, h. 14 in., w. 21 1/4 in., d. 21 1/4 in. $300/500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

603. Mid-Century Modern Rosewood and Chrome Coffee Table, 20th c., rectangular butcher-block top, chromed steel legs, h. 17 in., w. 60 in., d. 36 in. $300/500

Additional information at www.nealauction.com

57

604. Tony Bass (American/ Texas, b. 1943), “Figurative Abstraction on Black Ground”, 2010, acrylic and mixed media on canvas, signed and dated en verso, 60 in. x 48 in., unframed. $800/1200 Provenance: Acquired from the artist.

605. George Nelson (1908-1986) for Howard Miller Metal and Lucite Wall Clock, c. 1960, Zeeland, MI, brushed aluminum case, mirror back, Lucite face, chrome weights and pendulum, h. 28 in., w. 12 in., d. 6 1/2 in. $400/600

606. Mid-Century Modern Chromed Steel and Smoked Glass Table, 20th c., h. 15 1/2 in., w. 26 in., d. 26 in. $400/600

607. Charles Fritchie (American/New Orleans, 1936-2016), “Five Male and Female Nude Torso Wall Hangings”, 2000 and 2001, patinated bronze, signed and dated on neck truncation, reverse interiors with hooks for hanging, h. 15 5/8 in. to 15 3/4 in. (5 pcs.) $500/700

608. Alvar Aalto (1898-1976) Birch and Glass Occasional Table, mid-20th c., designed 1946, model Y805, steam-bent base, h. 18 in., w. 31 1/4 in., d. 31 1/4 in. $400/600

608A. Gunther Granget (German, b. 1932) for Lorenz Hutschenreuther Bisque Porcelain Dolphin Group, c. 1960s, fully marked on belly and fin, ed.

344/500, h. 13 in., l. 26 1/4 in. $250/350 609. Jacques Adnet (1900-1984) Stitched Leather and Brass Side Chair, c.

1955, leather legs and rails, naugahyde back and seat, h. 30 3/4 in., w. 15 1/2 in., d. 22 1/2 in. $300/500

609A. Jacques Adnet (1900-1984) Green Leather Coffer, early 20th c., nailhead trim, strap hinges, h. 15 in., w. 19 3/4 in., d. 14 1/2 in. $300/500

611. Franklin Adams (American/Louisiana, 1933-2008), “Window with Venetian Blind”, c. 1975, pine plywood, h. 96 in., w. 70 in., d. 4 1/2 in. $500/700

Provenance: Artist’s family; Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

Exh.: Franklin Adams Retrospective Exhibition, Carroll Gallery, Newcomb Art Department, Tulane University, New Orleans, Jan. 15-Feb. 20, 2009.

610. Vintage American 5-Cent Slot Machine, 20th c., “Rock-OLA’S SUPER TRIPLE”, polychrome metal and oak, h. 25 in., w. 15 3/4 in., d. 14 in. $1200/1800

58

612. David Sinclair Nixon (American/New Orleans, 1904-1973), “Triptych”, 1945, 3 mixed medias on paper, one signed, dated and inscribed “El dorado” lower edge, sights 7 in. x 15 1/4 in., framed together. $400/600

614. Contemporary Carved, Painted Wood and Mongolian Goat Hair Bench, 20th c., realistically carved “goat” legs, h. 17 in., w. 39 in., d. 24 in. $800/1200.

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

613. Enrique Alferez (American/New Orleans, 1901-1999), “Standing Female Nude”, pen and ink on paper, signed and flower monogram lower right, 12 3/4 in. x 9 1/2 in., unframed. $400/600

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

615. Fine Cast Glass and Parchment Coffee Table by Lee Ledbetter & Associates, 21st c., New Orleans, glass pebbled on underside and sides, U-form base veneered in goat skin, h. 16 in., w. 54 in., d. 27 in. $4000/6000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space”.

Architectural Digest. September 2012. www.architecturaldigest.com. Accessed May 30, 2018.

616. Fine Upholstered Curved Sofa by Lee Ledbetter & Associates, 21st c., New Orleans, Larson silk velvet in gunmetal, tufted cushions, h. 28 in., w. 164 1/2 in., d. 34 in. $4000/6000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

619. Hollywood Regency Enamel, Brass and Églomisé Table, early 20th c., h. 19 1/2 in., dia. 27 1/2 in. $500/700

617. Serge Roche-Style Limited Edition “Keyhole” Mirror by Jonathan Burden, c. 2000s, Long Island City, NY, h. 73 in., w. 52 in. $3000/5000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www. architecturaldigest.com. Accessed May 30, 2018.

618. Serge Roche-Style Limited Edition “Keyhole” Mirror by Jonathan Burden, c. 2000s, Long Island City, NY, h. 73 in., w. 52 in. $3000/5000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www. architecturaldigest.com. Accessed May 30, 2018.

620. James Mont-Style Patinated-Iron “Guanyin” Table Lamp, 20th c., octagonal wood base, “gilt” shade, figure h. 35 in., h. (to finial) 62 in., shade dia. 21 in. $400/600

Additional information at www.nealauction.com

59

623. David Harouni (Iranian/New Orleans, b.

1962), “Untitled”, c. 1998, oil on canvas, signed lower left, 114 in. x 114 in., unframed. $10000/15000 621. Herve Van der Straeten (b.

1956) for Maison Gerard Bronze Ceiling Lantern, c. 2000s, France, “HV” artist’s cypher plaque, cage-form, hammered and polished reflectors, crystal sphere pendant, h. 69 in., dia.

19 in. $4000/6000

622. Herve Van der Straeten (b.

1956) for Maison Gerard Bronze Hanging Lantern, c. 2000s, France, “HV” artist’s cypher plaque, cage-form, hammered and polished reflectors, crystal sphere pendant, h. 69 in., dia.

19 in. $4000/6000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest. com. Accessed May 30, 2018.

624. Vladimir Kagan (1927-2016) Cherrywood “Grosfeld House” Credenza, c. 1955, “Grosfeld House” foil label, incised top and sides, six drawers, sculpted legs, h. 31 3/4 in., w. 80 in., d. 19 in. $5000/7000

625. Art Deco-Style Highly Polished Macassar Wood Veneered Console Table by Lee Ledbetter & Associates, 21st c., New Orleans, flat plank top with shaped legs, h. 30 1/4 in., w. 88 in., d. 16 in. $4000/6000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

626. Charlotte Perriand (1903-1999) Lacquered Aluminum, Steel and Oak Wall-Mounted “Nuage” Bookshelf, c. 1956, Les Ateliers Jean Prouvé for Galerie Steph Simon, France, integral wall hangers, h. 16 1/2 in., w. 94 in., d. 12 in. $8000/12000 Provenance: Phillips, NY, Sept. 17, 2005, lot 14.

627. Highly Polished Black Granite and Brass Dining Table by Lee Ledbetter & Associates, 21st c., New Orleans, five V-form legs, molded top, h. 28 3/4 in., dia. 78 in. $5000/7000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

628. Twelve Carved Mahogany, Parcel Gilt and Horsehair Upholstered Side Chairs, c. 1930s, attributed to Maison Jansen, in the Louis XVI-style, tapered back, brass tack trim, fluted legs, h. 35 in. $6000/9000 Provenance: Florian Papp, NY.

60

631. Pair of Jan Ekselius (b. 1946) “Jan” or “Etcetera” Chairs, c. 1970, Sweden, reupholstered in Zimmer + Rohde fabric, h. 34 in., w. 24 1/2 in., d. 28 1/2 in. $1000/1500

629. Pair of Louis XV-Style Giltwood Mirrors, h. 79 in., w. 38 1/2 in. $1000/1500

630. Neoclassical-Style Patinated Metal and Crystal Twelve-Light Chandelier, h. 55 in., dia. 29 in. $3000/5000 632. Kipp Stewart (b. 1928) for Directional Chromed Steel and Upholstered Lounge Chair and Ottoman, c. 1970s, later white “suede” upholstery, chair h. 34 1/2 in., w. 27 3/4 in., d. 35 1/2 in.; ottoman h. 27 1/2 in., w. 27 3/4 in., d. 24 1/2 in. $1500/2500

634. Achille (1918-2002) and Pier Giacomo (1913-1968) Castiglione for Flos Carrara Marble, Stainless Steel and Spun Aluminum “Arco” Floor Lamp, late 20th/21st c., Italy, designed 1962, adjustable standard, “Flos” labels, h. 95 in., w. (extended) 80 in. $800/1200

633. T. H. Robsjohn-Gibbings (1905-1976) for Widdicomb Bleached Walnut and Brass Coffee Table (No. 1784), c. 1950s, Grand Rapids, MI, “Widdicomb” label, h.

15 1/2 in., dia. 42 in. $2000/4000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com.

Accessed May 30, 2018.

635. Pair of Paul McCobb (1917-1969) for Calvin “Irwin Collection” White Glass, Mahogany, Brass and Caned End Tables/Night Stands, c. 1950s, Grand Rapids, MI, model #8714, with metal tags, two drawers, stretcher shelf, h. 24 1/4 in., w.

20 in., d. 20 in. $1500/2500

637. Pair of Jens Risom (1916-2016) for Knoll Strap Lounge Chairs, mid-20th c., original parachute straps, h. 29 in., w. 20 in., d. 22 1/2 in. $500/700

636. Pair of Poul Kjaerholm (1929-1980) for Fritz Hansen Chrome-Plated Steel and Leather PK 22 Chairs, 2007, designed 1956, stamped and labeled, leather upholstery, h. 27 1/4 in. $3000/5000

638. Pair of Chromed Aluminum and Marble End Tables, c. 1960s, marble labeled “Made in Portugal”, h. 15 1/2 in., w. 24 in., d. 24 in. $1000/1500

Additional information at www.nealauction.com

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639. Large Pair of Peter Lane (b. 1958) Glazed Stoneware Table Lamps, 20th c., signed “PL99”, tapered and layered form, stoneware h. 27 1/2 in., dia. 12 1/4 in., custom square shades, overall h. 47 in., w. 22 in., d. 22 in. $2000/4000

640. Robert Gordy (American/New Orleans, 1933-1986), “Untitled - Male Head”, mixed media on canvas, unsigned, 40 in. x 36 in., framed. $2000/3000 641. Pair of Cedric Hartman (b. 1929) Brass and Steel Adjustable Floor Lamps, c. 1970s, Omaha, NE, stamped “Cedric Hartman” mark to bases, h. 36 in. to 50 in., w. 20 1/2 in., d. 19 in. $1500/2500

642. Pair of Italian Silvered and Ebonized Mirrors, 19th c., oval form, applied glass jewels and beads, h. 29 in., w. 23 in., d. 1 1/2 in. $1500/2500

643. Warren Platner (1919-2006) for Knoll Bronzed Steel and Glass Dining Table, late 20th/21st c., designed 1966, beveled top, h. 27 1/2 in., dia. 50 in. $1000/1500

644. Toni Zuccheri (1936-2018) for Venini Glass “Ninfee” Bowl, 20th c., signed “Venini”, wave form, rippled surface, h. 7 in., dia. 20 1/2 in. $600/900

646. Two-Piece Slip Covered L-Shaped Sofa and Swivel Chair by Lee Ledbetter & Associates, 21st c., New Orleans, Holly Hunt twill fabric, sofa h. 29 in., w. 115 in., d. 35 1/2 in. and w. 87 in., d. 36 in.; chair h. 28 in., w. 30 3/4 in., d. 31 1/2 in. $1500/2500 647. Pair of Modern Upholstered Club Chairs, 20th c., concave back, shaped arms, deep seat, tapered legs, wool upholstery, h. 28 in., w. 36 in., d. 29 in. $400/600

645. Attributed to Boris Lovet-Lorski (Lithuanian/American, 1894-1973), “Cranes”, enameled brass, h. 54 1/2 in., dia.

13 in. $2000/3000

648. Set of Five Black and White “Fur” Throw Pillows, 21st c., 18 in. x 18 in. $200/400

62

649. Set of Nine Throw Pillows, 21st c., incl.

7 “hair”, 14 in. x 14 in., and 2 “fur”, 20 in. x 20 in. $400/600

650. Set of Eight Fortuny Throw Pillows, 21st c., 17 in. x 17 in. $400/600

652. George Nelson (1906-1986) for Howard Miller “Kite” Clock, c. 1953, Zeeland, MI, model 2201-C, partial foil label, enameled metal, wood, later movement, h.

16 1/2 in., w. 21 3/4 in., d. 4 1/4 in. $500/700

653. Pair of Hollywood Regency-Style Gilt Metal and Glass Occasional Tables, 20th c., h. 20 in., dia. 16 1/2 in. $400/600

651. George Nelson (1908-1996) for Herman Miller Aluminum and Laminate Pedestal Side Table, 2000, Zeeland, MI, “Herman Miller” labels, h. 22 in., dia. 17 in. $400/600

654. Pair of Amethyst Geode Table Lamps, acrylic base, geode h. 9 1/2 in., h. (to finial) 24 1/2 in. $500/700

656. Eight Contemporary Leather and Chrome Armchairs, stamped “Arper, Italy”, curved back and arms, rubber foot caps, h. 29 1/2 in., w. 22 1/2 in., d. 19 in., stackable. $300/500

655. Painted Wood and Enameled Metal Coffee Table, 20th c., oval top, h. 15 in., w. 50 in., d. 25 1/2 in. $300/500

657. Contemporary Iron and Glass Coffee Table, custom made by Kelly Gale Amen, h. 20 1/2 in., w. 36 1/4 in., d. 48 in. $250/350 Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

659. Four Richard Schultz (b. 1926) for Knoll Powder-Coated Aluminum and Vinyl Coated Polyester Mesh “1966 Collection” Adjustable Chaises and One Table, 20th c., tagged, designed in 1966 as the “Leisure Line”, chaises with cast aluminum wheels, rubber tires; table with enameled top, chaise h. (flat) 14 1/2 in., l. 76 in., w. 26 3/4 in.; table h. 15 1/2 in., w. 18 in., d. 18 in. (5 pcs.) $800/1200

658. Metal and Ceramic “Bullet” Planter on Stand, hairpin legs, h. 26 1/4 in., dia. 13 in. $200/300

660. Four Mid-Century Ficks Reed Rattan Swivel Patio Chairs, c.

1960s, labeled, cane back, h. 32 1/4 in., w.

22 1/4 in., d. 23 in. $200/400

Additional information at www.nealauction.com

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661. Mid-Century Modern Rattan and Glass Patio Table , h. 27 7/8 in., dia. 48 1/2 in. $150/250

662. Thonet Bentwood Armchair, 20th c., stamped “Thonet Austria”, caned back, h. 38 1/2 in., w. 21 in., d. 22 1/2 in.; together with pair of antique bentwood armchairs, h. 35 1/2 in., w. 23 in., d. 18 in. $500/700 Provenance: Estate of D. Clive Hardy, New Orleans.

664. Italian Marquetry, Parquetry and Fruitwood Tilt-Top Table, 20th c., octagonal top, bulbous-turned standard, arched shaped legs, h. 29 5/8 in., dia. 25 1/2 in. $300/500

665. Pair of Louis XVI-Style Inlaid Rosewood Semainiers, 19th c., galleried serpentine marble tops, conforming case with short and long drawers, cabriole legs, sabots, h. 42 5/8 in., w. 20 1/2 in., d. 13 3/8 in. $1500/2000

667. Continental Carved Rosewood Table, 20th c., two frieze drawers, shaped trestle base, turned stretchers, h. 30 in., w. 41 1/2 in., d. 27 in. $800/1200

663. Continental Bentwood Table, early 20th c., antique circular marble top, flared base, h. 30 in., dia.

36 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

666. Six French Directoire-Style Lacquered Mahogany Dining Chairs, 20th c., tall shaped backs, shaped seat rail, tapered cabriole legs, h. 40 1/4 in., w. 19 1/2 in., d. 21 1/2 in. $1000/1500 Provenance: Lucullus Antiques, New Orleans, LA.

668. Italian Mahogany and Parcel Ebonized Lady’s Writing Desk, 19th c., frieze drawer fitted with writing surface, over kneehole configuration of drawers, sabre legs, h. 31 in., w. 27 1/8 in., d. 21 in. $500/700

669. Decorative Continental Plaster and Glass Center Table, circular glass top, scrolled dolphin supports, incurvate triangular base, h. 29 in., dia. 48 in. $500/700

670. Monumental Régence-Style Hardwood Armoire, 20th c., molded cornice, arched cartouche-paneled doors, fiche hinges, divided interior, base with two drawers, scrolled feet, h. 107 in., w. 71 1/2 in., d.

26 in. $800/1200 671. Good Continental Polychrome Ceramic Stove, flared and scrolled upper section, paneled lower section with patinated metal door, turned feet, fitted with a modern heating device, h. 64 in., w. 24 in., d. 18 in. $800/1200

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672. Louis XV-Style Boullework and Bronze-Mounted Games Table, 19th c., serpentine foldover top, baize lined playing surface, conforming frieze, cabriole legs, h. 30 1/2 in., w. 34 1/2 in., d. 18 in. $1000/1500

674. Antique Louis XVI-Style Bronze Chenets, lions rampant with shields, central cartouche, h. 15 in., w. 38 in. to 50 in., d. 6 in.

(3 pcs.) $400/600 675. Pair of Louis XV-Style Patinated Bronze and Cut Crystal Eight-Light Chandeliers, 20th c., tiered vasiform standard, foliate arms hung with spear and pendeloque prisms, electrified, h. 32 in., dia. 29 in. $1500/2000

673. Pair of Antique German Porcelain Figural Three-Light Candelabra, scrolled arms, mother and child standards, encrusted with roses, h. 20 in., dia. 10 in. $600/800

677. Large Belle Époque Carved Giltwood Mirror, early 20th c., acanthus and scroll frame, beveled mirror plate, beaded corners, h. 61 in., w. 57 1/2 in. $1000/1500 Provenance: Residence of Huey P. Long, Baton Rouge, LA.

676. Pair of Louis XV-Style Gilt and Patinated Bronze Nine-Light Figural Candelabra, opposing cherubs holding foliate candlearms, on scrolled bases, h. 32 in., dia. 17 in. $2000/3000

679. Napoleon III Bronze and Marble Figural Mantel Clock, 19th c., surmounted by figure of the Crouching Venus, fluted columnar case, toupie feet, h.

18 1/2 in., w. 8 3/4 in., d. 6 1/4 in. $1200/1800

680. Continental .925 Silver Coffee and Tea Service, Germany, mid-20th c., maker’s mark rubbed, incl. coffee pot, teapot, covered sugar and creamer, bulbous footed forms with scroll decoration, coffee pot h. 9 3/8 in., total wt. 57.20 troy ozs.; together with an Alpaca dish of similar design and a Reed & Barton silverplate covered sugar bowl. $1000/2000

681. American Rococo Carved Walnut and Rosewood Center Table, mid-19th c., New York, later molded oval top, serpentine frieze decorated with clusters of flowers, cabriole legs, shaped stretchers surmounted by a turned final, scrolled toes, h. 28 in., w. 40 in., d. 29 in. $1500/2500

678. Louis XVI-Style Painted and Parcel Gilt Trumeau Mirror, 19th c., frame decorated with cartouches, foliate carved panel surround, putti on canvas en grisaille, mirror below, h. 67 in., w. 41 in. $1200/1800

680A. Wallace “Grande Baroque” Pattern Sterling Silver Flatware Service, pat. 1941, incl. 12 forks (l. 7 1/2 in.), 12 knives (l. 8 7/8 in.), 25 salad forks, 19 teaspoons, tablespoon, pierced tablespoon, 3 cold meat forks, serving spoon, tomato server, gravy ladle, cream ladle, cake knife (hh) and carving knife and fork (hh), total wt. (weighable) 109.10 troy ozs. $2500/3500

682. American Rococo Carved Rosewood Half-Tester Bed, mid-19th c., attr. to the workshops of Prudent Mallard, New Orleans, serpentine beaded tester, arched foliate and fruit-carved crest flanked

by C scrolls, paneled headboard, tapered beaded posts, conforming foot board and posts, h. 103 1/2 in., l. 79 in., w. 62 1/2 in. $7000/10000

Additional information at www.nealauction.com

65

683. American Carved and Burled Walnut Four Piece Bedroom Suite, c. 1870, incl. half-tester bed, marble top dresser, armoire, and mirrored washstand, each having pedimented burled crest with fan elements, incised decoration, bed with paneled headboard, blocked legs and conforming foot board, matching dresser, bed h. 121 3/4 in., l. 75 in., w.

54 in.; dresser h. 100 in., w. 46 in., d.

20 1/2 in.; armoire h. 90 in., w. 54 in., d. 19 in.; washstand h. 35 1/2 in., w. 34 in., d. 18 in. $4000/6000

684. American Late Classical Carved Mahogany Pier Table, c. 1835, marble top, ogee molded frieze, opposing S scrolled supports, shaped shelf and mirrored back, scrolled feet, h. 37 in., w. 43 in., d. 19 1/4 in. $1200/1800

685. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, New York, fluted column on marble base, globe shade with floral reserves, h. 18 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 688. American Gilt Bronze Solar Lamp, c.

1850, marked â&#x20AC;&#x153;Dietz Brothers & Co., New Yorkâ&#x20AC;?, reeded Corinthian column on a tapered base, globe shade cut with floral designs, h. 27 in., dia. 9 1/2 in. $500/800

686. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, foliate baluster on stepped marble base, floral cut shade, h. 12 in. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

687. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper, Boston, foliate standard, floral cut shade, marble base, h. 21 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

689. American Brilliant Cut Glass Lamp, silverplate prism ring, hobstar motif, spear prisms, h. 18 in., dia. 9 3/4 in. $600/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p.

122.

66

690. American Brilliant Cut Glass Lamp, silverplate collar and prism ring, fan and hobstar motif, spear prisms, two light fixture, h.

20 1/4 in., dia. 11 1/2 in. $600/900 Additional information at www.nealauction.com

66

691. American Rococo Carved Rosewood Étagère Cabinet, mid-19th c., possibly New York, elaborately carved foliate crest, arched cornice, turned finials, triple mirror back with turned supports and incurvate shelves on each side, shaped marble top with a conforming case, frieze drawer, mirrored door, serpentine apron, h. 99 1/2 in., w. 47 1/2 in., d. 21 1/2 in. $5000/8000 692. American Renaissance Carved and Burled Walnut Bookcase, late 19th c., architectonic crest with incised decoration, glazed doors, shelf interior, base with two drawers, h. 100 in., w. 55 1/2 in., d. 23 1/4 in. $1000/1500

694. American Rococo Carved Rosewood Bedside Commode, mid-19th c., New York, later marble top, ogee drawer, arched paneled door, shaped base, acanthus-carved feet, h. 29 in., w. 16 in., d. 16 in. $800/1200

693. American Renaissance Carved Rosewood Bedside Commode, late 19th c., later marble top, frieze drawer, paneled doors, carved chamfered corners, conforming base, disc feet, h. 31 in., w. 21 in., d. 18 in. $500/1000

695. American Renaissance-Style Burled Walnut and Gilt-Incised Partner’s Desk, New York, probably after a 19th c. example, inset tooled leather top, frieze with two drawers on each side, rounded corners, vasiform cabochon-carved uprights, shaped supports, trestle base, scrolled feet, boss stretcher, casters, h. 31 in., w. 72 in., d. 35 in. $1500/2500

697. Antique American Renaissance-Style Carved Walnut Low Table, 20th c., molded, shaped top, paneled frieze drawer, carved apron and base, h. 19 in., w. 32 in., d. 19 1/2 in. $300/500

696. American Rococo Carved Rosewood Side Chair, mid-19th c., attr.

John Henry Belter, New York, in the pattern commonly referred to as “Rosalie with Grapes”, arched crest, shaped stiles, serpentine rose-carved seat rail, cabriole legs, casters, h. 37 1/4 in., w. 18 3/4 in., d.

23 1/4 in. $700/900

698. American Rococo Carved Rosewood Dressing Chest, mid-19th c., broken arch crest centered by a floral cluster, arched mirror plate, shaped marble top, three conforming graduated drawers, bracket feet, h. 96 1/2 in., w. 48 1/2 in., d. 25 1/4 in. $1500/2500

699. American Renaissance Carved and Burled Walnut Bedroom Suite, c. 1876, Philadelphia, incl. bedstead with arched cornice surmounted by scrolled palmette crest, paneled headboard with Ionic columnar stiles, arched paneled foot board; conforming dresser with a graduated shaped marble top; conforming nightstand with turned supports, bedstead h. 99 in., l. 77 1/2 in., w. 60 in.; dresser h. 119 in., w. 60 in., d. 25 1/2 in.; nightstand h. 35 1/2 in., w. 18 1/2 in., d. 18 1/2 in. $2000/3000 Additional information at www.nealauction.com

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700. Pair of American Renaissance Carved Walnut Armchairs, late 19th c., barley-twist supports, antique plush velvet upholstery and braided fringe, h. 51 in., w. 24 1/2 in., d.

20 1/4 in. $500/700

701. Four Antique American Renaissance Carved Walnut Side Chairs, late 19th c., barley-twist crest, stiles, and legs, antique plush velvet upholstery and braided fringe, en suite with the preceding lot, h. 44 1/2 in., w. 17 1/2 in., d. 17 in. $500/700

701A. American Renaissance Carved and Burled Walnut Bedside Commode, 19th c., rouge marble top, frieze drawer, paneled door, molded base, ball feet, h. 33 in., w. 19 3/4 in., d. 16 in. $400/600

703. American Late Classical Carved Mahogany Sofa, c. 1840, scrolled back and arms, lobed feet, h. 33 in., w. 77 in., d. 25 1/2 in. $500/700 702. American Classical Carved Mahogany Work Table, early 19th c., attr. to J. and J.W. Meeks, New York, foldover swivel top, well interior above a drawer, yoke support, stepped graduated base, outset ogee bracket feet, casters, h. 30 3/4 in., w. 23 1/2 in., d. 15 1/2 in. $300/500

705. Homer E. Turner (American/Louisiana, 1898-1981), “Wash Day”, 1936, oil on canvas board, signed and dated lower right, signed, titled and dated en verso, 9 in. x 13 in., framed. $500/800

704. Nicola Marschall (American/ Alabama, 1829-1917), “Mrs. Moses Waring, nee Sarah Ellen Smoot (1811-1870)”, c. 1850, oil on canvas, unsigned, 29 1/4 in. x 24 1/4 in., oval giltwood frame. $700/900

706. Colette Pope Heldner (American/New Orleans, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 36 in. x 48 in., framed. $1800/2500 707. William Ousley (American/ Louisiana, 1866-1953), “The Old Cypress Trees at Ousley’s Landing at Bagdad, LA”, 1934, oil on canvas board, signed lower right, signed, titled, dated and heavily inscribed en verso, 23 in. x 15 in., framed. $700/1000 708. William Ousley (American/Louisiana, 1866-1953), “Texas Blue Bonnetts[sic]” 1934, oil on canvas, signed lower right, signed, titled, dated and inscribed en verso, 16 in. x 32 in., framed. $1000/1500

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709. William Ousley (American/Louisiana, 1866-1953), “Sunset in the Marsh - Choupique LA”, oil on canvas, signed and titled lower right, 18 1/2 in. x 34 1/4 in., framed. $800/1200

710. Ellsworth Woodward (American/New Orleans, 1861-1939), “French Quarter Patio”, watercolor on paper, signed lower right, 11 3/4 in. x 8 3/4 in., framed. $500/800

711. L. Chadwick (American/Florida, 20th c.), “8:00 AM, Pensacola Harbor, Pensacola, Florida”, 1979, acrylic on wood panel, signed and dated lower left, signed, titled and dated en verso, 13 3/4 in. x 17 3/4 in., framed. $300/500

712. Colette Pope Heldner (American/New Orleans, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas board, signed lower left, signed and titled en verso, 20 in. x 24 in., framed. $800/1200

714. Jerome Pennington DeWitt (American, 1895-1940), “Bon Air Cottage, Mt. Pocono Av., Mt. Pocono, PN”, 1920, oil on board, signed lower right, dated lower left, signed, titled, dated and personalized en verso, 12 in. x 16 in., framed. $300/600

715. American Sterling Silver After-Dinner Coffee Service in the Neoclassical Taste, International Silver Co., pattern 2700C/10, incl. coffee pot (h. 10 3/8 in.), open sugar and creamer, total wt. 31.85 troy ozs. $300/500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

718. Group of Silverplate Table Objects, incl.

Regency-style kettle-on-stand with burner, h. 14 1/4 in., water pitcher, h. 9 in., scalloped dish, scalloped compote and scalloped undertray. $150/250 717. Gorham “Cinderella” Pattern Sterling Silver Water Pitcher, date mark for 1926, h. 12 1/4 in., wt. 29.65 troy ozs. $400/600

721. Bronze-Mounted Sevres-Style Porcelain Vase, the reserve painted with a dancing couple, now mounted as a lamp, h. (to socket) 23 in. $200/300

713. George Gillet Whitney (American, 1890-1979), “Westtown, PA”, oil on canvas board, pencil-signed and titled en verso, 12 in. x 16 in., framed. $250/350

Provenance: Robert L. Foster Auction Company, Newcastle, ME, July 24, 2005, lot 282; Estate of Faith K. Tiberio, St. Augustine, FL.

716. Eleven Kirk Sterling Silver Bread Plates, reeded edge, dia. 6 in.; together with 6 strawberry motif sterling butter pats, dia. 3 3/8 in., total wt. 38.70 troy ozs. $400/600

719. Georgian Sterling Silver Basting Spoon in the “Onslow” Pattern, London, maker RB untraced, marks rubbed, l. 12 1/4 in. $150/250

720. Pair of Antique Continental Enameled and Gilt-Decorated Green Glass Lustres, 19th c., prism hung, h. 13 in., dia. 6 3/4 in. $400/600

723. Antique French Hand-Painted and Gilt Mother-of-Pearl Fan, 19th c., painted reserves of courting couples and cherubs, in shadow box frame, h. 22 1/2 in., w. 26 3/4 in. $500/700

722. Continental Patinated Metal Crown-Form Chandelier, 20th c., eight floriform sockets, h. 29 in., dia. 18 in. $300/500

724. Pair of Neoclassical-Style Bronze and Marble Urns, c. 1900, female term handles, lion mounts, base with frieze of Classical figures, h. 15 in., w. 11 in., d. 7 3/4 in. $700/1000 Additional information at www.nealauction.com

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725. Richard Sloan (American/Illinois, 1935-2007), “Mockingbird”, 1971, color lithograph, signed in plate mid-right, signed lower right, published by J. L. Wade, 28 in. x 22 in., framed. $200/300

729. American School, mid-19th c., “Portrait of a Young Boy in the Countryside”, oil on canvas, unsigned, 48 1/2 in. x 36 in., framed. $1500/2500

728. Three Nautical Prints, 19th c., incl.

2 of “The Ville du Havre”, first by Currier & Ives, 1873, sight 10 1/4 in. x 13 1/4 in.; second possibly by Harper’s Weekly, sight 13 3/4 in. x 18 in.; and “The East Indiaman”, color lithograph, 8 in. x 13 in., each framed, second framed with a map and newspaper article. $200/300

726. Six Framed Furniture Renderings, pencil on paper, 2 signed “S. Marcus” lower right, sight 6 in. x 9 1/2 in. to 11 in. x 14 in., framed alike. (6 pcs.) $200/300 727. John Gould (British, 1804-1881), “Eurylaimus Javanicus”, hand-colored lithograph, from Birds of Asia, sheet 22 in. x 14 1/2 in., framed. $200/300

730. American School, 19th c., “Sounding the Alarm: Attack on the Village”, oil on canvas, unsigned, pencil-inscribed “Mr. Healy” en verso, 25 in. x 30 in., unframed. $300/500

735. Antique Georgian-Style Satinwood Inlaid Mahogany Desk, 19th c., slant front lid with quarter fans and patera, fitted interior, four graduated banded drawers, bracket feet, h. 38 1/2 in., w. 35 3/4 in., d. 20 1/4 in. $600/900

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731.

Anglo-Colonial Carved Walnut Cabinet, late 18th/ early 19th c., upper case with carved doors, wrought iron hardware, lower case with raised panel doors, shaped bracket feet, h. 64 in., w. 35 in., d. 21 1/2 in. $600/900

Provenance: Succession of Antiquarian Louis J. Healy, New Orleans.

733. Antique Regency-Style Mahogany Extension Dining Table, top with one wide leaf, baluster turned pedestals with reeded sabre legs, brass paw feet casters, h. 29 1/4 in., l. (extended) 97 5/8 in., w. 43 3/4 in. $700/1000 732. English Carved Mahogany Reading Chair, late 19th c., yoke crest rail, padded seat, shaped splat, turned and reeded legs, h. 31 in., w. 23 in., d. 18 1/2 in. $200/400

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

734. Antique English Mahogany Serving Table, marble top, two frieze drawers, tapered legs, pad feet, h. 30 1/2 in., w. 48 1/2 in., d. 23 in. $500/1000 Provenance: Estate of Janice Lane Young, Richmond, VA.

736. American Federal Cherrywood Chest, late 18th/early 19th c., four graduated drawers, shaped skirt, turned legs, h. 37 in., w. 40 1/2 in., d. 19 3/4 in. $600/800

739. Anglo-Indian Carved Tropical Hardwood Campaign Chair, 19th c., cabochon crest, spiral-turned uprights, padded back and seat, scrolled arms, incurvate legs, h. 36 1/2 in., w. 21 1/2 in., d. 32 1/4 in. $200/400 Provenance: The Sturm Collection, St. Thomas and Trinadad.

Ill.: Sturm, Philip. West Indies Antique Furniture of the Lesser Antilles, 1740-1940. Antique Collectors’ Club: Suffolk, 2011, p. 115.

737. American Late Federal Inlaid Mahogany Work Table, early 19th c., drawers with pressed brass pulls, square tapered legs, h. 28 in., w. 21 1/2 in., d. 19 in. $300/500

738. Good Louisiana Cypress Desk, 19th c., galleried hinged slant top, two drawers, scalloped apron, bracket feet, h. 32 1/2 in., w. 34 1/2 in., d. 18 in. $500/700

Provenance: Texas Hill Country Ranch.

741. Large Antique Albumen Photograph of Metairie Cemetery, 19th c., titled and inscribed “Compliments of C. N. Orleans”, lower margin, 16 1/2 in. x 13 in., framed. $400/600

740. Gustave A. Moses (American/New Orleans, 1836-1915), “Members of the New Orleans Cotton Exchange”, 1883, lithograph, signed and dated “J.A. Decuir/1883” and inscribed “copyright by G. Moses Sept. 1883” in plate, sight 22 in. x 15 3/4 in., framed. $700/1000

Provenance: Estate of D. Clive Hardy, New Orleans.

Provenance: Estate of D. Clive Hardy, New Orleans.

742. Group of New Orleans Coin Silver Fiddlethread Forks, incl. 4 Joseph Rafel, wc. 1852-1861, marked “J.RAFEL.N.O” in rectangle, l. 8 in.; and one H.P. Buckley, wc. 1842-1903, marked “HP BUCKLEY” and “N.ORL”, l. 7 5/8 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

743. Group of New Orleans Coin Silver Forks in the “Fiddle Typt” Pattern, incl. 4 Hyde & Goodrich, wc. 1828-1861, l.

8 in. and 6 7/8 in.; 7 H.E. Baldwin & Co., wc. 1842-1853, l. 7 5/8 in.; and 2 Gorham sterling, ret. A.B. Griswold & Co., wc. 1865-1906; total wt. 25.50 troy ozs. $400/600 Provenance: Estate of D. Clive Hardy, New Orleans.

744. Good Group of New Orleans Silver Soup Spoons in the “Fiddlethread” Pattern, incl. 6 Melville & Co. coin silver examples, wc. 1849-1858, l. 8 1/8 in.; and 4 sterling silver examples by Whiting, ret. A.M. Hill, act. New Orleans, 1874-1909, l. 8 3/8 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

745. Good Group of Fiddlethread Silver Flatware, 19th c., incl. 5 forks, J. Rudd & Co., NY, wc. 1834-1865, l. 6 3/4 in.; 6 dessert spoons, Wm. Wise, Brooklyn, wc.

1834-1903, l. 7 in.; and 6 Continental silver soup spoons, l. 8 in.; total wt.

23.75 troy ozs. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

746. Group of Wood and Hughes Sterling Silver Fiddlethread Flatware, 19th c., ret. F. Thoma, incl. 3 tablespoons, 5 soup spoons and 2 luncheon forks, total wt. 13.40 troy ozs. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

747. Set of Twelve American Sterling Silver “Fiddlethread” Pattern Knives, l. 9 1/4 in. $200/400 Provenance: Estate of D. Clive Hardy, New Orleans.

748. Group of American Sterling Silver Hollowware, incl. Whiting pin tray, shell and coral motif, l. 5 1/4 in.; Gorham “Chippendale” pattern brandy warmer, l. 8 7/8 in.; and 3 jiggers; total wt. 11.75 troy ozs. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

748A. Five Longchamp Majolica Oyster Plates, 19th c., impressed marks, dia. 9 1/2 in.; together with 2 E.B. Napoli majolica oyster plates, “E star B” marks, dia. 8 3/4 in. (7 pcs.) $250/500 Provenance: Estate of D. Clive Hardy, New Orleans.

Additional information at www.nealauction.com

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750. Good Louisiana Gros Rouge Armoire, early 19th c., flared cornice, plain frieze, two paneled doors, shelf interior, molded base, bulbous-turned feet, h. 93 in., w. 64 in., d. 26 in. $800/1200 Provenance: Estate of D. Clive Hardy, New Orleans.

749. New Orleans Slate Mantel Clock, 19th c., dial marked â&#x20AC;&#x153;S. Fournier/New Orleansâ&#x20AC;?, Japy Freres movement with striking bell, beveled dial glass, h. 14 3/4 in., w. 12 1/4 in., d. 6 1/2 in. $700/1000

751. Louisiana Gros Rouge Cabinet, 19th c., likely cypress, glazed doors enclosing shelves, paneled doors below, h.

102 1/2 in., w. 43 in., d.

18 1/2 in. $1000/1500

Provenance: Estate of D. Clive Hardy, New Orleans.

Provenance: Estate of D. Clive Hardy, New Orleans.

752. Antique American Wirework Plant Stand, 19th c., three tiers, h. 47 in., w. 48 1/2 in., d.

27 1/2 in. $400/600

753. Pair of Vintage Wirework Armchairs, h. 31 in., w. 21 1/2 in., d. 19 in.; together with a vintage wirework plant stand, h. 42 3/4 in., w. 33 in., d. 14 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

754. Two American Fluted Cypress Pedestals, h. 33 in., dia. 11 3/4 in. and h. 26 1/4 in., dia. 12 in. $150/250

Provenance: Estate of D. Clive Hardy, New Orleans.

Provenance: Estate of D. Clive Hardy, New Orleans.

756. Antique American Brass Fire Fender, floral and scroll reticulated design, h. 11 1/2 in., w. 45 in., d. 16 in. $150/250 Provenance: Estate of D. Clive Hardy, New Orleans.

758. American Flint Glass Pedestal Bowl, diamond point pattern, h. 8 7/8 in., dia. 9 1/2 in. $125/200 Provenance: Estate of D. Clive Hardy, New Orleans.

755. American Walnut Secretary Bookcase, 19th c., stepped cornice, glazed doors enclosing shelves, lower case with paneled doors opening to a hinged writing surface and fitted with drawers and cubby holes, molded plinth base, h.

85 in., w. 49 1/2 in., d. 16 in. $500/750

757. Six American Flint Glass Goblets, h. 7 1/8 in. $100/200

Provenance: Estate of D. Clive Hardy, New Orleans.

759. American Brilliant Cut Glass Carafe, h. 8 1/2 in.; together with a brilliant cut glass vase, h. 12 1/2 in. $150/250

Provenance: Estate of D. Clive Hardy, New Orleans.

760. American Brilliant Cut Glass Cheese Dome and Underplate, c. 1900, h. 6 3/4 in., d. 9 1/4 in. $125/200

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Provenance: Estate of D. Clive Hardy, New Orleans.

761. [Mardi Gras], Krewe of Proteus, Feb. 15, 1915, theme “Famous Lovers of the World”, parade bulletin, lithographer Walle & Co., sight 27 in. x 41 in., framed. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans.

762. [Mardi Gras], Krewe of Proteus, Feb. 11, 1901, theme “The Queen of the Serpents”, parade bulletin, lithographer T. Fitzwilliams and Co., sight 27 in. x 40 1/2 in., framed. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans.

763. [Mardi Gras], Knights of Momus, Feb. 19, 1903, theme “Myths of the Red Men”, parade bulletin, lithographer Walle & Co., sight 27 in. x 41 in., framed. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans.

765. [Mardi Gras], Perry Young, The Mistick Krewe, Chronicles of Comus and His Kin, New Orleans, Carnival Press, 1931, with 30 color plates; together with other New Orleans related books. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans.

764. [Mardi Gras], Knights of Momus, Feb. 11, 1915, theme “Just-So Stories, or Tales of the How and Why”, parade bulletin, lithographer Walle & Co., sight 27 in. x 41 in., framed. $300/500 Provenance: Estate of D. Clive Hardy, New Orleans.

766. New Orleans Cast Iron “BURGUNDY ST” Panel, 19th c., l. 73 1/2 in., w. 24 in. $500/1000 Provenance: Estate of D. Clive Hardy, New Orleans.

768. American Cast Iron Boiler Cover, probably late 19th/early 20th c., h. 18 in., dia. 28 1/2 in. $150/250

767. Small American Cast Iron Sugar Kettle, 19th c., flared rim, deep bowl, h. 17 in., dia. 36 in. $500/750 Provenance: Estate of D. Clive Hardy, New Orleans.

769. American Cast Stone Garden Figure of a Dog, rectangular plinth, h. 10 in., w. 23 in., d. 17 in. $250/350

Provenance: Estate of D. Clive Hardy, New Orleans.

770. Patinated Metal Garden Bench, 20th c., with scroll and fleur-de-lis design, h. 36 in., w. 59 in., d. 21 in. $200/300

773. Eight Antique New Orleans Cypress Shutters, h. 72 in., w. 17 1/2 in. $100/200

771. Antique English Painted Cast Iron Planter, flared basket on columnar supports, “X” stretcher surmounted by an urn, h. 27 in., w. 29 3/4 in., d. 17 1/2 in. $200/400

772. Vinatage Wrought Iron and Wirework Garden Bench, spiraled rail, diamond pattern back and seat, h. 39 in., w. 56 in., d. 20 in. $300/500

Provenance: Collection of Artist Charles Fritchie (b. 1936-2016), New Orleans, LA.

Additional information at www.nealauction.com

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775. Two New Orleans Railroad Broadsides, “Dollar Excursions” and “Be Patriotic - Take New Orleans RR”, sights 10 3/4 in. x 21 in. and 9 1/2 in. x 13 1/2 in., both framed. $500/700

776. Louisiana Brand Hams Broadside, 19th c., chromolithograph, sight 10 3/4 in. x 20 3/4 in., framed. Note: Trimmed right side. $500/700 Provenance: Estate of D. Clive Hardy, New Orleans.

Provenance: Estate of D. Clive Hardy, New Orleans.

774. Two New Orleans Advertising Broadsides, 19th c., “Boston Club Sour Mash Whiskey” and “Buy Your Laces...”, sights 12 in. x 3 1/2 in. and 11 in. x 21 in., both framed. $200/400

777. Pair of Georgian-Style Silverplate Five-Light Candelabra, Hartford Sterling Co., Philadelphia, act. 1900-1931, convertible to single candlesticks, gadroon borders, h. 19 1/4 in., w. 18 1/4 in. $300/500

778. Reed & Barton Sterling Silver Footed Centerbowl, pattern X962, date mark for 1940, h. 3 7/8 in., dia. 9 1/4 in.; together with a Wallace sterling silver sandwich tray, pattern 4292-9, dia. 10 1/4 in., total wt. 29.95 troy ozs. $300/500

Provenance: Estate of D. Clive Hardy, New Orleans.

779. American Coin Silver Master Butter Knife, John Polhemus, NY, act.

1833-1974, “Louis XIV” pattern, pat. 1847, ret. E.A. Tyler, New Orleans, act. 1838-1879, l.

7 in.; sterling silver and gilt wash berry spoon, Wood & Hughes, NY, act. 1845-1899, “Angelo” pattern, pat. 1875, ret. A.B. Griswold & Co., New Orleans, act. 1865-1906, l. 8 1/2 in.; George Jensen “Acorn” pattern sterling silver pickle/olive fork, l. 6 5/8 in.; together with 15 pcs. misc. sterling flatware and 4 silverplate serving pieces; total wt. (weighable) 15 troy ozs. (22 pcs.) $150/250

782. American Sterling Silver Tastevin, Ensko, New York, wc. 1878-1970, with serpent-form loop handle, the well inset with 1936 Delaware Tercentenary Half Dollar Coin, w. 4 1/4 in., wt. 3.95 troy ozs. $100/200

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780. Gorham “Chantilly” Pattern Sterling Silver Flatware Service, pat.

1895, incl. 10 each: dinner knives, l. 9 1/8 in.; dinner forks, l. 7 1/2 in.; salad forks, l. 6 1/2 in.; teaspoons, l. 5 3/4 in.; and 2 butter knives (fh), l. 5 7/8 in., total wt. (weighable) approx.. approx. 43 troy ozs. $600/800

781. Group of American Sterling Silver Tableware, 20th c., incl. shaped oval covered vegetable dish, Fisher Silversmiths, New Jersey, c. 1936-1970, l. 10 in., w. 7 1/8 in.; and 2 oblong bread trays, International Silver Co., “Lord Saybrook” pattern, l. 10 in., w. 6 in., combined wt. 39.10 troy ozs. $400/600

Provenance: The Old Governor’s Mansion, Baton Rouge, LA.

783. Good Group of English and American Silverplate Serving Pieces, incl. soup ladle, 2 dressing spoons, fish serving knife and flat server; together with a sterling repoussé cake knife (hh). $150/250

784. Set of Twelve Antique English Silver and Ivorine Luncheon Forks and Knives, sterling ferrules hallmarked Sheffield, 1899, maker J.S untraced, silverplate blades and tines hallmarked William Hutton & Sons, ferrules and handles molded in lotus leaf motif, forks l. 7 in., knives l. 8 1/2 in., in fitted mahogany case. $200/300

785. English Silverplate Covered Soup Tureen in the Late Georgian Taste, two handled circular form raised on four scroll supports, slightly domed cover with pomegranate finial, h. 12 3/4 in., w. 14 in. $100/200

786. Towle “Seville” Pattern Sterling Silver Oval Vegetable Dish, l. 11 5/8 in., wt. 12.95 troy ozs. $150/250

787. Good Group of Silverplate Table Objects, incl. a biscuit box, h.

6 1/2 in., tray with gadroon border, 10 1/4 in. x 7 7/8 in., and trivet, 10 3/8 in. x 8 3/4 in. $150/250 788. Victorian Silverplate Hot Water Urn, h. 19 in., now undrilled and mounted as a lamp. $150/250

789. American Patinated Metal-Mounted Oak Humidor, c. 1885, marked “C.N. SWIFT/ NEW YORK”, paw feet, h. 5 1/4 in., w. 11 1/2 in., d. 8 in. $150/200 790. Georgian-Style Mahogany Library Bookcase, blocked and pedimented cornice, glazed mullioned doors, adjustable shelves, two paneled doors below, h. 75 in., w. 37 in., d.

13 in. $700/900

791. American Classical Carved Mahogany Gentleman’s Dressing Table, early 19th c., mirror with turned beehive supports on glove drawers, case with three drawers, beehive supports, stretcher shelf, paw feet, birch secondary wood, h.

62 1/2 in., w. 38 in., d. 21 1/2 in. $700/900

793. West Indies Carved Mahogany Armoire, 19th c., Trinidad, flared stepped cornice, paneled doors, fluted center stile, flanked by spiral turned colonnettes, shelf interior with belt of drawers, drum-shaped feet, h. 75 7/8 in., w. 63 1/4 in., d. 29 3/8 in. $1000/1500

Provenance: The Sturm Collection, St. Thomas and Trinadad 792. Antique American Mahogany Camelback Sofa, scrolled arms, straight rail, square legs joined by stretchers, h. 37 1/2 in., w. 83 1/2 in., d. 30 in. $500/700

794. American Federal Inlaid Mahogany Sideboard, early 19th c., possibly Southern, three frieze drawers over two shell-motif inlaid doors, sides with deep drawers, tapered legs, spade feet, h. 38 1/2 in., w. 75 1/2 in., d. 27 1/4 in. $1500/2500

Ref.: Sturm, Philip. West Indies Antique Furniture or the Lesser Antilles, 1740-1940. Antique Collectors’ Club: Suffolk, 2011, (related form) p. 164.

795. American Classical Carved Mahogany Tester Bed, early 19th c., later molded tester, reeded acanthus carved posts, arched gadrooned headboard, pegged rails, h. 87 in., l. 75 in., w.

58 in. $800/1200

Additional information at www.nealauction.com

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797. Queen Anne Mahogany Drop-Leaf Table, 18th c., tapered legs, pad feet, h. 26 1/2 in., w. 33 in., d. 12 1/2 in. $300/500

796. George III-Style Inlaid Mahogany Secretary Bookcase, 20th c., broken scroll crest, glazed doors, fall front lid opens to a fitted desk interior, mechanized lopers, four graduated drawers, bracket feet, h. 88 1/2 in., w. 42 in., d. 18 in. $500/1000

798. Dutch Marquetry and Mixed Woods Side Table, possibly late 18th c., shaped top, small frieze drawer, turned standard, shaped sabre legs, h. 28 3/4 in., w.

23 1/2 in., d. 23 1/2 in. $300/500

801. Good Group of Twelve Southern Stoneware Jugs and Pickle Jars incl. examples from New Orleans (9), Natchez (2), and Vidalia (1); together with a New Orleans seltzer bottle, tallest 11 1/2 in., (13 pcs.) $700/1000 Provenance: Estate of D. Clive Hardy, New Orleans.

802. Antique American Carved Oak Armoire, late 19th/early 20th c., stepped molded cornice, two foliate-carved mirrored doors, serpentine base with two drawers, stylized paw feet, h.

87 in., w. 59 in., d. 23 in. $1500/2500

800. American Renaissance Paint-Decorated Mahogany and Maple Hall Mirror, c. 1875, attr. to Pottier and Stymus, New York, h. 85 1/2 in., w. 46 in. $600/800 Note: This mirror was originally part of the Knickerbocker bedroom suite sold in these rooms, Nov. 2010, lot 460.

804. American Renaissance Gilt-Incised Rosewood Cabinet, c. 1865, New York, breakfront top, conforming case, the door mounted with an incised cartouche, plinth base, h. 33 in., w. 37 in., d. 16 in. $800/1200

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799. American Classical Giltwood Mirror, c. 1825, trade label “A. Treat, Troy, NY, Oct. 1825”, turned pilasters, blocked rosette corners, divided mirror plate, h. 34 in., w. 19 in. $500/800

805. Chippendale-Style Carved Mahogany Partner’s Desk, late 19th c., gadrooned edge top, kneehole configuration of drawers, acanthus-carved cabriole legs, ball and claw feet, h. 30 in., w. 54 in., d. 32 in. $300/500 806. American Aesthetic Carved, Burled, Inlaid and Gilded Walnut Étagère, late 19th c., probably Pottier and Stymus, New York, triangular crest centered by a medallion of a maiden, floral carved panel, divided mirror plate, two small shelves, base with inset onyx top, carved brackets, molded plinth, h. 102 in., w. 50 1/2 in., d. 17 1/2 in. $1200/1800

803. Al Hirt’s Meerschaum Pipe, in the form of a horse’s head, signed “I. Bekler”, leather and wood stand. $300/500 Provenance: Estate of Al Hirt, Neal Auction Co., Apr. 8, 2000.

807. Pair of American Colonial-Style Mahogany Armchairs, padded backs and seats, scrolled arms, carved stretcher, turned legs, later gilt decoration, h. 46 1/2 in., w. 24 1/2 in., d. 20 in. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

808. American Classical Figured Mahogany Work Table, early 19th c., shaped top above two drawers, acanthus-carved pedestal, pierced arched legs, h. 31 in., w. 21 in., d. 17 in. $300/500

809. William IV Mahogany Server, c. 1835, reticulated gallery, molded top, scroll supports, paneled doors enclosing a partially fitted interior, molded plinth, h. 54 in., w. 52 in., d. 19 1/2 in. $500/750

812. Antique George III-Style Inlaid Mahogany Serving Table, foldover top, two frieze drawers, on square tapering legs, h.

29 1/2 in., w. 39 3/4 in., d. (closed) 19 1/2 in., d. (open) 39 1/2 in. $300/500

810. Regency Inlaid Rosewood Slipper Chair, early 19th c., serpentine back, reeded legs, cuff casters, Sothebyâ&#x20AC;&#x2122;s, NY, lot tag, h. 34 in., w. 20 in., d. 20 in. $300/500 811. Antique Polychrome Painted Leather Three Panel Screen, Classical scenes with fruit and floral motifs, brass nailhead trim, h. 70 1/2 in., w. (extended) 80 in. $1000/1500

815. Queen Anne-Style Chinoiserie-Decorated Music Cabinet, frieze drawer with door below, shelf interior, blocked base, cabriole legs, pad feet, h. 44 in., w. 19 1/2 in., d. 18 1/2 in. $400/600

813. Antique George III-Style Carved Mahogany Pie Crust Tilt-Top Tea Table, 19th c., scalloped top, birdcage support, tapered fluted stem, foliate-carved arched legs, pad feet, h. 29 1/2 in., dia. 28 1/2 in. $600/800 814. Edwardian Carved Mahogany Hall Stand, early 20th c., arched paneled crest, shield-shaped mirror, spindled uprights, shelf and glove box, turned legs, low shelf with drip pans, h. 85 1/2 in., w. 36 1/4 in., d. 14 3/4 in. $800/1200

816. Pair of Antique French Bronze Bouillotte Two-Light Lamps, 19th c., oval tĂ´le peinte shade, vasiform standard, swan candle arms, electrified, h. 25 in., w. 15 in., d. 9 3/4 in. $1200/1800 Additional information at www.nealauction.com

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818. Pair of Baroque-Style Carved Oak Tabourets, early 20th c., trapezoidal upholstered seats with nailhead trim, vasiform blocked legs, shaped stretchers, h. 18 in., w. 18 in., d.

17 in. $250/350

817. Louis Philippe Flamed Mahogany Commode, 19th c., marble top, ogee molded drawer above three drawers, hidden drawer in base, blocked feet. $800/1200

821. Joseph Caraud (French, 1821-1905), “The Music Lesson”, oil on canvas, signed and inscribed “Repete’ par... chaque/J. Caraud” lower left, 32 in. x 26 in., unframed. $500/700

820. Antique Louis XV-Style Bronze-Mounted Boullework Center Table, 19th c., serpentine brass and tortoiseshell inlaid top, conforming frieze, cabriole legs, h.

31 in., w. 50 in., d. 29 in. $2000/3000

823. Jórgen Ejsing (Danish, 1889-1954), “Landscape”, 1925, oil on canvas, signed and dated lower right, 18 1/2 in. x 26 1/4 in., framed. $600/800

826. Franklin Square Lithographic Company, “Bird’s-Eye View of the Great Suspension Bridge, Connecting the Cities of New York and Brooklyn from New York Looking South-East”, 1883, color lithograph, sight 20 1/2 in. x 37 in., framed. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

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819. Antique Continental Polychrome Painted Cupboard, late 19th c., galleried top, diamond paneled cabinet doors open to a shelf interior fitted with two drawers, blocked feet, h. 45 in., w. 47 1/4 in., d. 19 1/2 in. $400/600

822. Continental School, late 19th c., “Forest with Stream”, oil on canvas, unsigned, 26 in. x 36 in., framed. $200/300

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Sotheby’s, NY, Feb. 10, 1998, lot 75.

824. Xavier Blanch (Spanish, 1918-1999), “Drying the Nets”, oil on canvas, signed lower right, inscribed en verso, 13 in. x 18 in., framed. $300/500 Provenance: According to the inscription en verso, previously in the collection of G.R. Bullard.

827. Staffordshire Pottery Figural Group, 19th c., modeled as young lovers seated in a bower, h. 9 3/4 in.; together with another, 19th c., modeled as a seated maiden with two sheep, h. 8 in. $150/250

828. Staffordshire Pottery Spill Vase, modeled as three figures reading before a hollowed tree stump, h. 6 in.; together with another, 19th c., modeled as a sheep beside a hollowed stump, h. 5 in. $100/150

825. Arthur Hogg (British, 20th c.), 2 colored mezzotints, after Robert John Thornton’s Temple of Flora, c. 1947, pub.

Thomas Ross & Son, sights 19 1/4 in. x 15 1/2 in., framed alike. $200/400

829. English Imari Pottery Barbed Rim Oval Platter and Similar Dish, floral decoration, platter l. 15 1/2 in., w. 12 1/4 in., dish dia. 10 1/8 in. $100/150

831. Group of Staffordshire Pottery, 19th c., incl. 2 blue and white “Willow” platters, l. 15 5/8 in. and 17 3/8 in.; A.J. Wilkinson “Pastoral Davenport” bowl, dia. 9 1/2 in.; together with a blue and white sauceboat and undertray, 20th c., tray l. 8 in. (5 pcs.) $100/200 830. Two Pairs of Staffordshire Pottery Spill Vases, 19th c., each modeled with swans beside a hollowed tree stump, h. 4 3/8 in. and 4 3/4 in. $150/250

833. Collection of Chinese Export Famille Rose “Rose Medallion” Porcelain, 19th/20th c., incl. vase, h. 17 1/4 in.; 2 oval serving dishes, l. 14 3/4 and 14 in.; covered chamber pot, w.

11 1/2 in.; covered teapot, h. 6 1/2 in.; 5 reticulated dishes, dia. 8 1/2 in. and another, dia. 9 3/4 in.; 2 bowls, dia. 5 3/4 and 4 3/4 in.; 4 cups, one covered; 4 saucers; 3 covers, and spoon; together with a wicker teapot carrier and 4 Japanese reproduction dishes and creamer, largest dia. 10 1/4 in. (28 pcs.) $400/600

832. English and Chinese Export Blue and White Porcelain Dish and Bowl, 19th and 18th c., first decorated in “Willow” pattern with gilt rim, l. 7 1/8 in., w. 5 1/2 in.; other in “Nanking” pattern, dia. 5 in. (2 pcs.) $100/150

834. Chinese Export Canton Blue and White Porcelain Platter, 19th c., decorated with a landscape scene, rain and cloud borders, l. 15 1/4 in., w. 12 1/4 in. $100/150

835. American or English Wrought Iron and Brass Bed Warmer, 19th c., hinged cover with incised decoration, l. 40 1/2 in. $150/250 Provenance: The Sturm Collection, St. Thomas and Trinadad

Provenance: The Old Governor’s Mansion, Baton Rouge, LA.

836. Antique Cast Iron Horsehead Hitching Post, h. 48 in. $200/400

837. Neoclassical-Style Bronze Jardinière, 20th c., Three Graces holding a basket, h. 36 in., dia. 20 in. $200/400

838. Antique Levantine Brass Censer, reticulated lid, paw feet, h. 29 in., dia. 16 in. $500/700

839. Antique Iron Ship’s Light, gimbaled light, presented as an “armillary sphere”, turned stand, h.

31 in., dia. 18 1/2 in. $600/900

Provenance: Chester County, PA.

840. Good Group of Small Silverplate Table Objects, incl. citrus press, Leopold Auzolle, Paris, h. 3 5/8 in.; pair of Ellis Barker salt cellars with cobalt glass liners and spoons, toast rack, handled bowl and pewter wine funnel (latter 2 are Metropolitan Museum reproductions). $150/250 841. Victorian Brass Columnar-Form Oil Lamp, clear crystal font, electrified, h. (to socket) 28 in. $100/200

842. American Cobalt Blue Pressed Glass Oil Lamp, late 19th c., front and base with lobed design, etched glass chimney, h.

18 3/4 in. $150/250

843. American Maple Rectangular Mirror, with bolection molding, h. 30 in., w. 25 in. $150/250

Additional information at www.nealauction.com

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845. American Gilt and Patinated Metal Figural Clock, 19th c., Ansonia, NY, dial with visible escapement, the cavalier figure flexing his sword, h.

21 1/4 in., w. 19 3/4 in., d. 8 3/4 in. $400/600

844. Art Nouveau-Style Gilt and Ă&#x2030;glomisĂŠ Mirror, shaped crest with scrolling foliate decoration, mirror plate flanked by polychrome floral panels, h. 55 in., w. 28 1/4 in. $200/300

846. German Ebonized Baby Grand Piano, Otto Marquardt, Berlin, 85 keys, slide out music stand, brass casters, conforming stool, h. (open) 71 in., l. 58 1/2 in., w. 53 1/4 in. $1800/2500

847. American Classical Carved Walnut Dining Table, early 19th c., deep drop leaves, plain apron, turned tapered legs, casters, h. 29 in., w. 24 in., d. 46 in. $200/400 848. Jacobean-Style Carved Oak Cupboard, canted top, paneled doors and stiles carved with Anglican vicar figures, fluted backboard, rectangular lower plinth, h. 57 in., w. 40 in., d. 20 in. $400/600

849. Antique English Mahogany Tilt-Top Breakfast Table, late 19th c., molded oval top, bulbous-turned stem, arched scrolled legs, casters, h. 29 in., w. 55 in., d. 46 1/2 in. $600/900

851. Two English Elm Chairs, early 19th c., one with shaped slats, the other with yoke crest, both with shaped arms, rush seats, turned legs. $300/500 Provenance: Henry Stern, New Orleans.

850. Antique English Mahogany and Needlepoint Firescreen, mid-19th c., framed pictorial needlepoint, barley-twist surround, arched trestle legs, h. 52 in., w. 36 in., d. 13 1/2 in. $200/300

852. English Eastlake Carved Mahogany Corner Cabinet, c. 1900, spindled galleried top, beveled glass door, shelf interior, middle section with decorative brackets and mirrored back over a conforming lower case, h. 84 in., w. 35 1/2 in., d. 21 in. $700/1000

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853. Louis XV-Style Kingwood Poudreuse, mid-19th c., serpentine outlined tripartite top opening to a mirrored toilette, configuration of drawers and pullout slide, cabriole legs, brass sabots, h.

29 in., w. 30 in., d. 18 in. $500/700

854. Continental Carved and Gilt Decorated Crème Peinte Cabinet, foliate crest, upper case with incurvate sides fitted with shelves flanking a paneled door, conforming lower case centered by a foliate door, bun feet, h.

97 in., w. 58 in., d. 21 in. $500/700 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

855. Antique Syrian Bone-Inlaid Tea Table, probably 19th c., top decorated with geometric and animal motifs, conforming frieze, flared legs, h. 20 1/2 in., w. 17 in., d., 16 3/4 in. $300/500

857. Antique Louis XV-Style Bronze-Mounted and Vernis Martin Cylinder Desk, brass galleried top, three cartonnier drawers, shaped frieze drawer, cabriole legs, sabots, h. 43 in., w. 31 in., d. 22 in. $1000/2000

859. Art Nouveau Pewter Vase, c.

1890, stamped “SIOT DECAUVILLE/ FONDEUR PARIS”, nude maiden handle, grotesque mask spout, h. 10 1/8 in., dia. 4 1/2 in. $500/700

856. Dutch Marquetry Games Table, 19th c., foldover top, fluted tapered legs, spade feet, h. 30 in., w. 42 in., d. (closed) 21 in., d. (open) 31 in. $600/800

858. Pair of French Crystal and Amethyst Crystal Three-Light Girandoles, tiered standard, marble base, electrified, h. 25 in., dia. 12 in. $700/900

861. Pair of Italian Carved Wood Cherub Lamps, opposing scrolled standards, molded base, h. (to socket) 26 in., w. 11 1/2 in., d. 7 in. $700/900 860. French Burled Wood Decanter Box, lockplate marked “Keller/Paris”, hinged lid, fall front, h. 10 1/2 in., w. 20 in., d. 6 3/4 in. $150/250

862. Pair of Gilt Bronze-Mounted German Polychrome Porcelain Lamps, c.

1900, reserves of flower bouquets and courting couples, h. (to socket) 23 in. $700/900

863. Viennese Cold Painted Bronze and Metal Figural Lamp, c. 1900, lantern over youth and donkey, h. 15 in., w. 5 in., d. 6 in. $600/800

864. Pair of Empire-Style Gilt and Patinated Bronze Two-Light Sconces, 20th c., torch and basket backplate surmounted by a maiden, foliate arms, electrified, h. 31 in., w.

12 in., d. 7 1/2 in. $300/500 Additional information at www.nealauction.com

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865. Henri Abraham Chatelain, “Nouvelle Carte de l’Amerique Septentrionale...”, Amsterdam, 1720, hand-colored engraved map from Atlas Historique, 18 3/4 in. x 23 1/8 in., unframed. $300/500

868. Heinrich Drescher (Austrian/American, 19th c.), “Conscription”, oil on board, signed and inscribed “4/88” lower left, 17 3/4 in. x 23 3/4 in., framed. $300/500

866. Pair of Spanish Carved Walnut Savonarola Chairs, 18th c., shaped crest rail, slat seat, conforming X-form base, paw feet, h. 39 in., w. 30 7/8 in., d. 21 in. $800/1200

867. E. Hein (German, 20th c.), “Figures on a Pond”, 1997, oil on canvas, signed and dated lower right, signed on stretcher bar, 15 5/8 in. x 22 3/4 in., giltwood frame. $300/500

869. German School, early-to-mid 20th c., “Autumnal Landscape”, oil on coarse woven canvas, signed “Brauer” lower left, 30 in. x 24 in., framed. $200/400 870. Kerr Eby (Canadian, 1889-1946), “The Last Supper”, 1937, “St. Ouen, Rouen” and “Barrage”, 3 etchings on paper, one signed and dated in plate lower right, each pencil-signed, titled and 2 inscribed “Trial Proof” lower margin, 14 1/4 in. x 6 1/4 in. to 11 5/8 in. x 16 in., 2 framed. (3 pcs.) $500/700

871. Fritz Eichenberg (German/ American, 1901-1990), “Rainbows are Made by Carl Sandberg”, 1982, proof set of 7 wood engravings, each pencil-signed, titled and numbered “AP 10/10”, 12 in. x 11 in., cloth covered folio. $300/500

875. John Cary, “A New Map of North America from the Latest Authorities”, London, 1806, hand-colored engraved map, showing the U.S. after the Louisiana Purchase and before the exploration by Lewis & Clark, 18 in. x 20 1/4 in., unframed. $250/350

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872. Patinated Metal Figure of a Cossack on Horseback, c. 1900, signed “Wangen”, now mounted as a lamp, h. 27 1/2 in., w. 21 in., d. 9 1/2 in. $200/400

873. [Plan of New York City], “Plan of the City of New York, Drawn from the Actual Survey by Casimir Goerck and Joseph Mangin, City Surveyor”, 1856, engraved from the original 1803 map for Valentine’s Manual of the Corporation of the City of New York, 16 in. x 20 in. $300/500

876. John James Audubon (American, 1785-1851), “Mallard Duck” and “Great American Cock Male”, 2 colored lithographs, pub. by the American Craft Print Guild, sights 19 in. x 13 in., each framed. $100/150

874. [Two American Railroad Wall Maps], “Kansas City Southern Railway”, linen backed, original rollers, marked “The Matthews-Northrup Works, Buffalo, NY”, 44 in. x 36 in.; and “Union Pacific Railroad”, 1950, copyright by Collins, published by Rand McNally & Co., 41 in. x 62 in. $400/600

877. Six French Hand-Colored Etchings of Characters from the Opera, early 20th c., incl. “Artechino”, “Dr. Balanzoni”, “Brighella”, and others, each 9 1/4 in. x 5 3/4 in., framed alike. (6 pcs.) $300/500

879. Ellsworth Woodward (American/ New Orleans, 1861-1939), “Oldest French Market (Boyer 58, fig.

3)”, “Poydras Market (Boyer 67, fig. 4)” and “Old French Market, Dumaine and St. Philip off Decatur (Boyer 59)”, 3 etchings on paper, each initialed “E.W.” in plate, 4 3/4 in. x 7 3/4 in. to 7 3/4 in. x 9 3/4 in., unframed. (3 pcs.) $400/600

880. Ellsworth Woodward (American/New Orleans, 1861-1939), “Two Story House with Picket Fence (Boyer 94)”, “Elms Shadows (Boyer 25, fig. 31)”, 1918, “Elms (Boyer 24, fig. 32)”, “Winding Road, Little Compton, R.I. (Boyer 98, fig.

27)”, 1931, and “Professor (Boyer 69)”, 5 etchings on paper, each initialed in plate, 6 in. x 8 1/2 in. to 8 3/4 in. x 10 3/4 in., unframed. (5 pcs.) $400/600

878. Ellsworth Woodward (American/ New Orleans, 1861-1939), “Tony (Boyer 92, fig. 42)”, “Mexican Irrigation I (Boyer 47)”, and “Tortillas (Boyer 93)”, 3 etchings on paper, each initialed “E.W.” in plate, 6 in. x 7 1/2 in. to 7 1/2 in. x 9 3/4 in., unframed. (3 pcs.) $300/500 878. Ellsworth Woodward (American/ New Orleans, 1861-1939), “Tony (Boyer 92, fig. 42)”, “Mexican Irrigation I (Boyer 47)”, and “Tortillas (Boyer 93)”, 3 etchings on paper, each initialed “E.W.” in plate, 6 in. x 7 1/2 in. to 7 1/2 in. x 9 3/4 in., unframed. (3 pcs.) $300/500

881. Peter Hurd (American/New Mexico, 1904-1984), “The Sheep Herders’ Christmas - New Mexico”, lithograph, pencil-signed and titled lower margin, 6 in. x 8 in., framed. $250/350

882. Ellsworth Woodward (American/ New Orleans, 1861-1939), “Old Ursuline Convent, New Orleans” and “Lamplight”, 2 etchings on paper, each initialed in plate, 7 1/2 in. x 9 3/4 in. and 9 1/2 in. x 7 3/4 in., framed alike. (2 pcs.) $300/500

885. American School, 20th c., “Portrait of a Native American”, 1907, photographic print, “Campbell Art Co. / Elizabeth, N.J.” stamp lower right, 11 7/8 in. x 9 1/4 in., framed. $500/700 Provenance: Throckmorton Fine Art, Inc., New York, NY.

883. John Taylor Arms (American, 1887-1953), “North Portal, Sens”, engraving, signed, titled and dated in plate lower edge, signed, dated and inscribed “Second State” lower margin, 15 in. x 9 in., matted. $300/500

884. Arizona American Indian Art Show Poster, 1977, Phoenix, AZ, designed

by R. C. Gorman (American/New Mexico, 1932-2005), signed lower right, 18 1/2 in. x 22 1/4 in., framed. $200/300

886. American Renaissance Carved and Ebonized Walnut Stand, late 19th c., possibly Kilian Brothers, New York, circular top, turned standard, shaped legs with beaded decoration, h. 31 in., dia. 13 7/8 in. $150/250

887. Georgian Mahogany Pembroke Table, early 19th c., drop-leaf top, frieze drawer with bale pull, square tapered legs, h.

28 3/4 in., w. 31 in., d. (closed) 19 3/4 in., d. (open) 37 1/4 in. $300/500

889. American Late Classical Mahogany Work Table, c.

1830-1840, fitted work drawer, two lower drawers flanked by scrolled supports, tapered standard, shaped plinth, scrolled feet, casters, h. 30 1/2 in., w. 23 1/2 in., d. 20 in. $300/500 888. George III-Style Mahogany Pedestal Desk, tooled leather top, kneehole configuration of drawers, h. 30 1/2 in., w. 66 in., d. 36 in. $800/1200 Additional information at www.nealauction.com

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890. American Federal-Style Figured Maple Chest of Drawers, two short over three graduated drawers, shaped skirt, “French” bracket feet, h.

31 3/4 in., w. 34 1/4 in., d. 21 3/4 in. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

893. Paul Lambert (France, b. 1910), “Paris Street Scene” and “Pont Neuf, Paris”, 2 oils on canvas, both signed lower left, 7 1/2 in. x 9 3/4 in and 7 1/2 in. and 9 1/2 in., both framed. (2 pcs.) $100/200 894. French School, late 19th c., “Mother and Child in a Flower Garden”, oil on canvas, monogrammed “FD” lower right, “F. Abrahamson No. 27” stencil on stretcher, 16 1/2 in. x 12 1/4 in., framed. $100/200

891. Arts and Crafts Carved Mahogany Cupboard, early 20th c., cove-molded cornice, pair of arched paneled doors, shelf interior, four graduated drawers, molded base, h. 70 in., w. 30 in., d. 18 in. $400/600

892. Antique Continental Tôle Peinte Bedside Commode, marble top, shaped gallery, frieze drawer over door, plinth base, h. 36 in., w. 21 in., d. 16 in. $100/200

895. Nunzio Vayana (Italian/American, 1878-1960, act. St. Augustine, FL, 1940s), “Seminole Indians Fishing”, oil on canvas, signed lower left, inscribed en verso, 30 in. x 36 in., framed. $600/800 Provenance: Blackwood March Auction, Essex, MA, Jan. 10, 2007, lot 546; Estate of Faith K. Tiberio, St. Augustine, FL.

896. French Carved Giltwood and Wrought Iron Four-Light Sconce, 20th c., sheaf of wheat standard, scrolled backplate and candlearms, h. 25 in., w. 35 in., d. 7 1/2 in. $200/400

899. Victorian Brass Columnar Solar Lamp, 19th c., etched glass globe with prisms, supported on a marble base, electrified, h. 22 1/4 in. $125/175

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897. American Classical Brass-Mounted, Painted and Parcel Gilt Mirror, blocked brass medallion corners, turned surround, h. 24 1/2 in., w. 16 1/4 in. $100/150

898. Pair of Chinese Famille Rose Porcelain Gu-Form Vases, 20th c., decorated with floral sprays, figural scenes, antiques, and calligraphy, h. 14 7/8 in. $200/300

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

900. Chinese Hardwood Display Stand, square top and low shelf, h. 15 ½ in., w. 7 5/8 in., d. 7 5/8 in. $200/300 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908-1988), Shreveport, LA.

901. Louis XVI-Style Gilt-Decorated, Verte and Crème Peinte Trumeau Mirror, 20th c., shell-carved frame with pastoral scene, mirror below, molded outer framework, h. 67 in., w. 39 in. $800/1200

904. Chinese Mirror Black Glazed Porcelain Vase, probably early 20th c., base with stylized Wanli mark, h. 9 1/4 in., stand, overall h. 10 in. $200/300 Provenance: The Sturm Collection, St. Thomas and Trinidad.

903. Continental Carved Giltwood Mirror, rocaille surround, oval mirror plate, h. 32 in., w. 37 in. $200/300 902. Continental Gilt Metal and Crystal Six-Light Chandelier, scrolled arms embellished with beads, h. 32 in., dia. 32 in. $800/1200 906. Japanese Satsuma Pottery Teapot, Cup and Saucer, early 20th c., decorated with Arhats and dragons, bases with Motoyo Sei Zo marks, teapot h. 4 3/4 in., w. 5 in., saucer dia. 5 1/2 in. $150/250 905. Two Chinese Carved Blue Glass Bowls, first with 2 registers enclosing a bird on prunus branches and flowering prunus and iris; second with 3 registers of birds on branches, h. 2 7/8 in., dia. 6 1/2 in. $500/700

907. American Elizabethan Carved Rosewood Reception Chair, mid-19th c., shaped crest rail with volutes centering palmette, arched padded back, rope turned stiles, trapezoidal seat, rope turned legs. $250/350

908. West Indies Carved Mahogany Ladyâ&#x20AC;&#x2122;s Chair, late 19th/early 20th c., Trinidad, incurvate crest rail, pierced splat, shaped uprights, round seat rail, flared, tapered legs, pad feet, h. 30 3/4 in., w. 21 in., d. 19 in. $150/250

Provenance: The Sturm Collection, St. Thomas and Trinidad.

909. Pair of American Federal-Style Carved Maple Single Beds, mid-19th c., Cupidâ&#x20AC;&#x2122;s bow headboard, turned and finialed low posts, turned legs, plain rails, h. 37 in., l. 74 1/2 in., w.

38 1/2 in. $600/900

Provenance: The Sturm Collection, St. Thomas and Trinidad.

910. Georgian Mahogany Pembroke Table, 19th c., drop-leaf top, frieze drawer, square tapered legs, h. 29 in., w.

26 3/4 in., d. 16 1/4 in. (closed), d. 29 1/4 in. (open). $300/500

911. Pair of George III Carved Mahogany Pole Screens, 19th c., turned standard with urn finial, shield-shaped frame, arched legs, slipper feet, h. 57 in., w.

16 1/2 in., d. 16 1/2 in. $150/250

912. Chinese Chippendale-Style Carved Mahogany Kettle Stand, 20th c., pierced tray top, molded tapered legs, incurvate shelf with stringing, h. 29 in., w. 14 in., d. 14 in. $150/250 Additional information at www.nealauction.com

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914. Chinoiserie Wallpaper Inset Carved and Ebonized Mahogany Two-Panel Folding Screen, c.

1890, probably French, with figural landscape scenes beneath a reticulated frieze, casters, h. 69 in., w. 61 in. $200/400

913. Louis XVI-Style Carved, Painted and Parcel Gilt Parlor Suite, incl. canapé and pair of bergères, floral carved crests, acanthine arms, rounded seat rails, fluted tapered legs, canapé h. 36 in., w. 50 1/2 in. $500/700

916. American School, early 20th c., “Gila Monster”, oil on wood panel, signed “Dusso” lower right, “Zacho Superb Gifts from Scandinavia, Los Angeles, California” label en verso, 11 7/8 in. x 19 3/4 in., framed. $150/250

915. Empire-Style Bronze-Mounted Mahogany Desk, inset green leather top, kneehole configuration of five drawers, columnar legs, incurvate stretchers, ball feet, h. 32 in., w. 36 1/4 in., d. 33 1/2 in. $300/500 918. Leo Meissner (American/ Michigan, 1895-1977), “Carriage Ride”, graphite on paper, artist stamp and inventory number en verso, 7 1/2 in. x 13 in., framed; together with Stephen Parrish (American/Pennsylvania, 1846-1938), “Row of Homes along River”, etching, signed in plate lower left, 5 in. x 8 3/4 in., framed. (2 pcs.) $250/350 Provenance: Child’s Gallery, Boston, 2004; Estate of Faith K. Tiberio, St. Augustine, FL.

917. William Staples Drown (American/ Massachusetts, 1856-1915), “Cottage Scene”, oil on canvas, signed lower left, 13 in. x 17 3/4 in., framed. $250/350 Provenance: Mystic Fine Arts, Ltd., Mystic, CT, May 23, 2004, lot 111; Estate of Faith K. Tiberio, St. Augustine, FL.

919. Catherine Warren (American/Oregon, b. 1946), “Untitled”, 1980, collage on paper, pencil-signed and dated lower right, “Acquavella Galleries, N.Y.” label with artist, title and date en verso, 22 in. x 30 in., framed. $400/600

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920. Regina DeLuise (American, b. 1959), “Nude on Wall, #60” and “Haleakala Crater, #68”, 1989, 2 platinum-palladium photographs, each pencil-signed and inscribed “2/20” and “89/90” lower margin, sheets 8 in. x 10 in., framed. (2 pcs.) $800/1200

921. Owen Murphy (American/New Orleans, b. 1948), “Morocco”, 1975, silver gelatin print, signed lower right, titled and dated lower left on mat board, 14 in. x 11 in., unframed. $150/250 Provenance: Collection of Artist Charles Fritchie (1936-2016), New Orleans, LA.

922. Harvey Glick (American/New Orleans, late 20th c.), “Torso #61”, “Torso #65” and “Torso #67”, 3 silver gelatin prints mounted on board, each ink-signed and titled on board, 13 1/2 in. x 7 1/2 in. to 13 1/2 in. x 10 1/2 in., unframed. (3 pcs.) $100/150

923. George Hand Wright (American, 1872-1951), “Royal St., New Orleans”, “Antiques, New Orleans”, “Old French Market, New Orleans”, “Sieur George’s, New Orleans” and “The Priest’s Garden, New Orleans”, 5 etchings on paper, each pencil-signed and titled lower margin, 15 3/4 in. x 11 1/2 in. or 11 1/2 in. x 15 3/4 in., unframed. (5 pcs.) $200/300

924. After Georges Braque (French, 1882-1963), “La Pivoine”, 1955-60, woodcut, inscribed from Le tir à l’arc, printed

by Fequet and Baudier, pub. By L. Brodeur, initialed “G.B.” in plate, “20/70”, 14 in. x 10 in., framed. $200/400

925. Continental School, 19th c., “Older Man and Child”, oil on canvas, unsigned, 33 in. x 26 in., framed. $400/600

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

926. Ellsworth Woodward (American/New Orleans, 1861-1939), “Ursuline + Chartres; Corner of Ursuline, 1040 Chartres (Boyer 16, fig. 14)”, 1931, etching on paper, pencil-signed and titled lower margin, initialed and dated in plate lower right, 8 in. x 10 in., unframed. $100/200

927. American Carved Mahogany “Morris” Chair, late 19th c., probably Allen & Bro., Philadelphia, reeded crest, slat back, turned finials, padded arms, spindled supports, square legs, casters, h. 38 ½ in., w.

28 in., d. 32 in. $100/200

928. American or English Aesthetic Carved Rosewood Armchair, late 19th c., shaped crest surmounted by ball finials, spindled back, conforming arms, ring-turned legs joined by stretchers. $100/200

930. Antique American or French Belle Époque Crème Peinte Tête-à-Tête, late 19th/early 20th c., shaped padded back and arms, foliate splats, rounded seats, turned spindled legs, h. 27 in., w. 35 1/2 in., d. 19 1/2 in. $100/150

929. Pair of American Aesthetic Faux Bamboo Mirrored Corner Shelves, late 19th c., beveled mirror plates, h. 32 1/2 in., w. 12 1/2 in., d.

8 in. $50/100

932. West Indies Carved Mahogany Sunderland Table, 19th c., Trinidad, drop-leaf top, turned supports and stretcher, trestle base, casters, h. 27 in., w. 36 in., d.

7 1/2 in. $250/350

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

929. Antique American Bobbin Turned Walnut Armchair, mid-19th c., Philadelphia, shaped crest, finialed turned stiles, padded back and arms terminating in spherules, conforming legs, h.

42 in., w. 25 in., d. 22 1/2 in. $300/500

Provenance: The Sturm Collection, St. Thomas and Trinidad.

Additional information at www.nealauction.com

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934. Antique French Carved Walnut Bedside Commode, sarcophagus top fitted with small drawer, cupboard below, cabriole legs. $200/400

935. Mary Monk (American/New Orleans, 20th c.), “Spanish Dancer”, mixed media on paper, unsigned, label with artist and title en verso, sight 25 in. x 18 3/4 in., framed. $400/600

933. Pair of William and Mary-Style Carved Walnut Side Chairs, 19th c., turned finials, foliate scrolled crest, turned stiles, carved back and seat, conforming legs and stretcher, h. 46 1/2 in., w. 17 5/8 in., d. 14 1/2 in. $100/150

938. Ellsworth Woodward (American/ New Orleans, 1861-1939), “Mexican Irrigation II (Boyer 48)”, “San Francisco de la Espada”, “Adobe Building with Ladders”, “Mountainous Landscape”, “Adobe Buildings”, “Two Vultures in the Desert”, “Thatched Roof Huts” and “Page of Notebook”, 8 works on paper, one initialed “E.W.” in plate, one pencil-signed and titled in margin, 2 initialed “E.W.” lower right or left, one initialed “W” lower right, 3 unsigned, 9 in. x 5 1/2 in. to 11 in. x 15 in., unframed. (8 pcs.) $600/800

936. Arnold E. Turtle (British/New Orleans, 1892-1954), “Dark-Haired Beauty”, oil on canvas, unsigned, 30 in. x 24 in., unframed. $500/800 Provenance: Descended in the family of the artist.

937. Attributed to William Woodward (American/New Orleans, 1859-1939), “Studies of Women”, 6 graphites on paper and one conté crayon on paper, 3 with partial studies en verso, all unsigned, 14 in. x 10 in. to 19 in. x 24 1/4 in., unframed. (7 pcs.) $300/500 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

939. David Sinclair Nixon (American/New Orleans, 1904-1973), “Tiger Lady and Flamingo”, 1956, oil on masonite, signed, titled, dated and inscribed “Carmel” en verso, 7 1/8 in. x 13 1/2 in., original frame. $400/600

941. Anne Cicero (American/Louisiana, 20th c.), “Dream Day”, acrylic on canvas, signed lower right, 20 in. x 20 in., unframed. $150/250

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942. Joel Dyer (American/New Orleans, late 20th c.), “Capriccio”, 1990, four-panel painted screen, signed and dated lower right, inscribed “MCMXC” upper right and “B.B.C.” upper left, 96 in. x 96 in. $300/500

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

940. Robin Durand (American/New Orleans, late 20th/ early 21st c.), “Grey Lawn”, oil on canvas board, signed lower right, 18 in. x 24 in.; and “New Orleans Cityscape”, oil on wood, unsigned, 17 3/4 in. x 24 in., both framed. (2 pcs.) $200/400

943. New Orleans School, 20th c., “French Quarter Second Line”, oil on canvas, signed “Meuge” lower right, 24 in. x 30 in., framed. $700/1000

945. Alvin Batiste (American/Louisiana, b. 1962), “Plantation”, 2009, oil on canvas, signed and dated lower right, signed, titled and dated on stretcher, 24 in. x 36 in., framed. $300/500

944. Joan Bridges (American/Louisiana, b.

1934), “Angel Wings”, 1997, oil on canvas, signed and dated lower center, 28 in. x 22 in., framed. $500/800

946. Julian Alberto Touceda (Honduran/New Orleans, b.

1953), “Generacion, ArteAmerica: Manifest Destiny 2000”, 1998, acrylic and collage on masonite, signed and titled lower left, titled and dated lower right, label with artist, title and date en verso, sight 21 1/4 in. x 26 1/2 in., framed. $200/300 Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

Provenance: Martha Ann and Ray Samuel Collection, New Orleans.

948. American School, 20th c., “Abstract Pink House” and “Abstract Garden Gate”, 2 oils on canvas board, each signed “Freiler” lower right, each 19 in. x 20 in., framed. (2 pcs.) $400/600

Provenance: Collection of Judy and the late Morris (1939-2017) Massey, New Orleans.

947. New Orleans School, 20th c., “Brulatour Courtyard, French Quarter”, oil on canvas, signed “N. Swinney” lower right, 14 3/4 in. x 22 1/2 in., framed. $200/300

949. David DeVary (American/New Mexico, 20th/21st c.), “Tim and Friends”, 1999, oil and gold leaf on canvas, initialed lower right, signed, titled and dated en verso, 58 in. x 48 in., unframed. $300/500

952. Mary B. Leisz (American/ Pennsylvania, 1879-1931), “Autumn Landscape”, oil on board, signed lower right, 8 in. x 10 1/4 in., framed. $300/500

951. After Stephen James Ferris (American, 1835-1915), “The Young Lovers”, print on textured paper, signed and dated “1893” in plate, sight 15 in. x 24 in., framed. $100/150

950. Stefano Sideris (Greek/New Jersey, 1921-1978), “Children in the Park”, oil on canvas, signed lower left, 12 in. x 20 in., framed. $200/400

953. Anne Wells Munger (American/ Mississippi, 1862-1945), “Fishing Camp and Boat”, pastel on board, unsigned, 16 in. x 18 in.; “Mardi Gras Window”, pastel on paper, signed lower left, titled en verso, 9 3/4 in. x 11 5/8 in., both unframed. (2 pcs.) $400/600 Provenance: Purchased from the current owners of the house in Worcester, MA, where Munger lived at the end of her life. The paintings were found in an outbuilding.

954. Billy Grout (American/Louisiana, 1921-1996), “Old Acadian Home”, mixed media on paper, signed and titled lower left, artist stamp en verso, sheet 20 in. x 24 in., unframed. $150/250 Provenance: Collection of Artist Charles Fritchie (1936-2016), New Orleans, LA.

955. Ted Ellis (American/New Orleans, b. 1963), “Our Road to Salvation”, oil on canvas board, signed lower left, printed artist biography en verso, 8 in. x 10 in., framed. $300/500

Additional information at www.nealauction.com

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956. Terry Weldon (American/ Louisiana, b. 1947), “Study for Stele Fragment”, 1977, paper construction mounted on linen canvas, signed lower left, signed, dated and titled on “Galerie Simonne Stern, New Orleans” label en verso, 23 in. x 24 in., framed. $100/200

957. Harold C. Kimball (American/Louisiana, b.

1929), “Three Figures”, 1965, oil on canvas, signed lower right, dated lower left, 13 in. x 16 in., framed. $200/400

958. Paris Polychrome and Gilt Porcelain Encrier with Watch Holder, 19th c., top with open watch holder, body with 2 inkwells, applied flowers, h. 6 in., w. 9 3/4 in. $150/250

959. Pair of Rock Crystal Cluster Lamps, stepped oval bases, rectangular shades, h. (to socket) 12 in., w. 7 1/2 in., d. 5 in., h. (to top of shade) 19 in. $600/800

Provenance: Collection of Artist Charles Fritchie (1936-2016), New Orleans, LA.

960. Pair of Chinese Porcelain Wall Vases, 20th c., modeled as halved ribbon-tied baluster vases, decorated with bird-and-flower reserves and calligraphy, h. 7 1/2 in. $50/100

961. Chinese Blue and White Porcelain Jar, 19th/early 20th c., decorated with a waterscape with boats and dwellings, base with teapot mark, h. 4 7/8 in. $100/200

962. German Blue and White Porcelain Oil Lamp, body with applied flowers, painted glass globe, h. 19 in. $150/250

963. Pair of Continental Bronze and Cut Crystal Candlesticks, 20th c., tapered standard, h. 17 in., dia. 5 1/2 in. $300/500

966. Bronze Figural Group of a Cowboy Riding a Horse, after “A Bronc Twister” by Charles Marion Russell, signature and “1912” inscribed on self-base, h. 22 1/2 in., marble base, overall h.

24 in. $400/600

964. Louis XV-Style Carved Walnut Bergère, 20th c., shaped crest rail, padded back and arms, serpentine seat rail, scrolled cabriole legs, h. 33 1/2 in., w. 33 1/2 in., d. 27 in. $100/200

965. Pair of Antique Paris Porcelain Carcel Lamps, 19th c., brass burners, floral reserves, brass and wood bases, electrified, h. 23 1/4 in., w. 6 in. $200/300

967. Pair of Chinese Doucai Porcelain ‘Lotus Pond’ Wine Cups, 20th c., delicately enameled with ducks swimming amid lotus and other aquatic plants, bases with Chenghua marks, h. 1 1/2 in., dia. 3 1/4 in. $150/250

968. Japanese Kyoto Pottery Caramel and Yellow Glazed Vase, early 20th c., relief-decorated with birds amid wisteria branches, h. 12 in. $100/200 Provenance: Thomas K. Libby, Stamford, CT, 2013.

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969. Two Antique Diminutive American Carved Hardwood Side Chairs, one Gothic, other with barley-twist carving. $200/400 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

971. American Carved Mahogany Settee in the Classical Taste, late 19th c., acanthus-carved crest rail, scrolled arms, serpentine molded seat rail, saber legs, h. 36 in., w.

44 in., d. 21 1/2 in. $150/250

970. American Renaissance Carved Oak Pedestal Dining Table, 19th c., in the manner of R.J. Horner, New York, molded top, split pedestal base, scrolled acanthus legs, casters, two leaves, h. 29 1/2 in., l. (closed) 51 in., w. 59 1/2 in. $400/600

972. American Late Classical Box Sofa, c. 1830, rectangular back and arms, back hinged to convert to a bed, bulbous turned feet, casters, h. 34 in., w. 85 in., d. 32 in. $400/600

973. Empire-Style Inlaid Mahogany Baby Bed, outscrolled head and foot board, curved rails, blocked feet, h. 38 3/8 in., w. 25 1/4 in., d. 40 3/4 in. $75/150

975. Francisco McBride (American/New Orleans, 20th c.), “Maggie and Smitty’s West End Park”, 1975; “NO: Loud Music After Ten, No Woman Allowed in the Room at Any Time and I Expect the Rent on Time...”, 1975; “Nosey Fellows Lose Their Noses”, 1974; and “N.O.A.C. Sweet, Sour, Hot, Cold”, 1975; 4 pen and inks on paper, all signed and dated lower right, largest 15 in. x 19 3/4 in., all unframed. $200/400 Provenance: Liberty Gallery, Royal Street.

974. Robert M. Broderson (American/ Virginia, 1920-1992), “Woman Scolding Man”, watercolor on paper, signed lower left, titled en verso, 14 in. x 12 in., matted. $200/400 Provenance: Liberty Gallery, Royal Street, New Orleans.

976. Francisco McBride (American/New Orleans, 20th c.), “Red Ball”, 1978, signed and dated center left, and “Violation”, 2 mixed medias, both unsigned, 15 in. x 23 1/2 in. and 18 3/4 in. x 23 3/4 in., unframed. (2 pcs.) $100/200

Provenance: Liberty Gallery, Royal Street, owned by Joan Liberty from the 1960s to 1995.

979.George Febres (Ecuadorian/New Orleans, 1943-1996), “Banana on the Cross (sketch of a bovine skull en verso)”, 1991, and “Bandanas”, 2 pencil drawings on paper, former signed upper center, inscribed “Happy Birthday Adelle” lower center and dated lower right, latter signed lower right, sheet 15 1/8 in. x 11 1/4 in. and sight 10 1/2 in. x 8 1/4 in., both framed. (2 pcs.) $100/200

977. Louisiana School, 20th c., “Under Louisiana Skies”, oil on canvas board, initialed “S.W.K.” lower left, titled lower center, 16 in. x 12 in., framed. $400/600

978. Craig Berthold (American/ Louisiana, b. 1955), “Tropical Hop”, oil on canvas, signed and titled en verso, 16 in. x 12 in., framed. $100/200

980. Matt Anderson (American/New Orleans, b. 1948), “New Orleans, LA”, 1975; “Central Park, NY”, 1974; “Guatemala City”, 1975; and “Austria”, 1973, all printed in 1976, 4 silver gelatin prints, all signed and dated lower left, pencil-signed, titled and dated en verso, each 8 in. x 10 in., unframed. (4 pcs.) $200/400 Provenance: Collection of Artist Charles Fritchie (1936-2016), New Orleans, LA. Additional information at www.nealauction.com

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981. Theodore Fonville Winans (American/ Louisiana, 1911-1992), “Carved Totem”, 1939, and “Vampiress”, 1945, 2 silver gelatin prints, both signed and dated lower right, 4 7/8 in. x 3 7/8 in., matted. (2 pcs.) $300/500

982. Theodore Fonville Winans (American/ Louisiana, 1911-1992), “Jig Dancers” and “Rice Girl, Rice Festival, Crowley, Louisiana”, 1936, 2 silver gelatin prints, both signed lower right, one dated, 4 5/8 in. x 3 5/8 in. and 4 7/8 in. x 3 7/8 in., both mounted. (2 pcs.) $300/500.

984. Paris Porcelain Pitcher, 19th c., decorated with floral sprays on a blue ground, gilt accents, h. 10 in., w.

8 1/2 in. $100/150

983. Austrian Victoria Carlsbad Porcelain Fish Service, c. 1900, marked, incl. fish platter, sauceboat with integral underplate, and 12 plates, platter l. 24 3/4 in., plate dia. 8 1/2 in. (14 pcs.) $200/400

985. Four Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, each with a Classical maiden personifying Music or the Arts, two signed Hagen, dia. 10 1/4 in. $300/500

986. Two Schwarzburg Polychrome and Gilt Porcelain Cabinet Plates, late 19th c., green shield marks, painted with Classical maidens personifying Music, dia. 10 1/4 in. $100/200

989. Four Stained Pine Architectural Pilasters, 20th c., tall urn finials, fluted column, flat backplate, h. 94 3/4 in., w. 5 1/4 in., d. 4 1/4 in. $200/300

987. Pair of Paris Porcelain Figural Candlesticks, 19th c., polychrome and gilt, each marked “62 14”, h. 9 in., w. 4 1/2 in., d. 4 1/2 in. $300/500

92

988. Antique Oak Handkerchief Box, 19th c., hinged lid, h. 3 in., w. 7 1/2 in., d.

7 1/2 in. $150/200

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability.

Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder.

At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a deposit.

PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%.

2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online.

3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration.

5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company.

Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer.

Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana.

Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

93

Neal Auction Company

#

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Confidential Absentee / Telephone Bid Form

16/08M 18/08M 15/06M

PLEASE REVIEW GUIDELINES FOR ABSENTEE & TELEPHONE BIDDING: 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday PRIOR TO THE AUCTION prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE : ??????????????????????? 0OSTAL #ODE : ????????????????

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-534 02/6)$%: -534 0ROVIDE: Cash 0AYMENT Credit Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card 7IRE Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

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understand that Neal Auction Company undertakes the execution ofofabsentee absentee bids as convenience for clients and is is not not responsible responsible for for inadvertent inadvertentfailfailure understandthat thatNeal NealAuction AuctionCompany Companyundertakes undertakesthe theexecution executionof absenteebids bidsas asaaaconvenience conveniencefor for clients clients and and is not responsible II Iunderstand inadvertent failure to execute forerror any error the execution of bids.

I have and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated in the catalogue.

I understand toure execute bids, bids, or for fororany any error in the theinexecution execution of bids. bids. have readread and agree agree to the the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;?

Saleâ&#x20AC;? as stated stated in the the catalogue. understand thatthat to execute bids, or in of II have read and to of as in catalogue.

II understand that buyerâ&#x20AC;&#x2122;spremium premiumwill willbe becharged chargedon oneach eachlot lotpurchased purchasedat at25% 22% up upto to and and including including $200,000 $200,000 plus plus 10% the hammer price buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% 10% of of the the hammer hammer price price greater greater than than $200,000. $200,000.For For aaabuyerâ&#x20AC;&#x2122;s of greater than $200,000.

For purchasemade madeby cash,check checkor orwire wiretransfer transferwithin within15 15days daysof ofthe theauction, auction,the thebuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium premium shall shall be be discounted discounted 3% 2.5% this 22%.No Noexceptions. exceptions. purchase made bybycash, cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% of ofof this 25%.

No exceptions. purchase this 25%.

Signature Required

Date

For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

Fax Form before Friday,9/23/16 1/31/15 Fax Form on or before Friday, Fax Fax Form Form onon on oror or before Thursday, Friday,6/26/15 7/12/18 to 504-617-6431 504-617-6431 or or 504-617-9990 504-617-9990 to 504-617-6431 504-617-9990 to 229

94

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: Auction Date: Sept.

24 25, 2016 Jan. 31 & 1, 2015 July 14 &&Feb. 15, 2018 April 17-19, 2015

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior prior to tothe startof ofthe theauction. auction.

7EDNESDAY

.thestart !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY

REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? : : (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

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All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before 07/11/18 Fax this form before Wednesday, Wednesday,1/28/15.

1/15/15.

09/21/16 228

Additional information at www.nealauction.com

95

Artist Index • July 14 & 15, 2018

A Franklin Adams, 611 Matt Anderson, 980 Eugene-Antoine Aizelin, 14 Enrique Alferez, 160, 613 American Folk Art School, 526, 537, 570 American Prison Art, 568 American School, 226, 238, 729, 730, 885, 916, 948 James McConnell “Mac” Anderson, 236, 237, 243, 244 John Taylor Arms, 883 John James Audubon, 216-219, 876

G François Gall, 137 Glenda George, 511 German School, 869 Harvey Glick, 922 Rolland Golden, 234 Robert Gordy, 640 R.C. Gorman, 884 John Gould, 727 Billy Grout, 954 Louise Guidry, 170

B Tony Bass, 604 Alvin Batiste, 945 Gifford Beal, 168 Craig Berthold, 978 Xavier Blanch, 824 Leinad Van der Bock, 175 Joseph Bolden, 254 George Braque (aft), 924 Joan Bridges, 944 George Bridgman, 251 British School, 400 Robert M. Broderson, 974 Frederick J. Brown, 265-267 Adam Buck (aft), 495 William Henry Buck, 165

H John Haberle (attr), 225 Theora Hamblett, 161-164 David Harouni, 152, 153, 623 James Harrold, 256 George Overbury “Pop” Hart, 222 E. Hein, 867 Colette Pope Heldner, 706, 712 William Hemmerling, 559 John Frederick Herring, Sr. (aft), 494 Arthur Hogg, 825 Clementine Hunter, 220 Peter Hurd, 881

C Antonio Canova (aft), 34 Joseph Caraud, 821 Joachim Casell, 233, 235 George Frederick Castleden, 228 Hipolito Hidalgo Caviedes, 252 L. Chadwick, 711 Guiseppe Chiantarelli (aft), 214 Chinese School, 3 Anne Cicero, 941 Raymond Coins, 536 Continental School, 174, 401, 822, 925 Jessie Cooper, 551 Ronald Cooper, 527

J Marie Therese Bernard de Jaham, 227 Japanese School, 439 Merrill E. Jeffrey, 517-519

D Regina DeLuise, 920 David DeVary, 949 Jerome Pennington DeWitt, 714 Heinrich Drescher, 868 William Staples Drown, 917 Alexander John Drysdale, 230 Raoul Dufy (mnr), 460 Robin Durand, 270, 940 Dutch School, 140 Joel Dyer, 942 E Kerr Eby, 870 Fritz Eichenberg, 871 Jórgen Ejsing, 823 Ted Ellis, 955 F Max “Mordechai” Farbmann, 311 George Febres, 979 Stephen James Ferris (aft), 951 Milton A. Fletcher, 512, 513, 516 Charles Fritchie, 607 Gerard Fortune, 543 French School, 308, 431, 894

I Indian School, 322-326

K Harold C. Kimball, 957 Charles Bird King (aft), 239, 462 Ida Rittenberg Kohlmeyer, 156 L James Rogers Lamantia, 262 Paul Lambert, 893 Gretchen Van Sant Lansford, 242 Mary B. Leisz, 952 Charles Oglesby Longabaugh, 223 Louisiana School, 977 Charlie Lucas, 509, 510, 525, 539-542 M Nicola Marschall, 704 Reginald Marsh, 171 Francisco McBride, 975, 976 Leo Meissner, 918 James Michalopoulos, 231 Clarence Millet, 159 Mary Monk, 935 Sister Gertrude Morgan, 524 Gustave A. Moses, 740 Anne Wells Munger, 953 Owen Murphy, 921 N New Orleans School, 943, 947 Bill Nichols, 567 Paul Ninas, 166 David Sinclair Nixon, 232, 612, 939 O Sir William Q. Orchardson (aft), 215 William Ousley, 707-709 P Clara Weaver Parrish, 240 Stephen Parrish, 918 Rene Portocarrero, 157

96

R Lady Victoria Patricia Helena Ramsay, 139 Francisque Rebour, 383 George Rodrigue, 158, 263, 264 Juanita Rogers, 534, 535 Charles Marion Russell (aft), 966 Russian School, 320, 321 S George Schmidt, 167, 269 Claude Schurr, 173 Jean-Pierre Serrier, 319 Stefano Sideris, 950 Edward Von Siebold Dingle, 245-247 Bernice Sims, 514, 515, 546, 547, 555-558 Herbert Singleton, 552-554, 569 Richard Sloan, 725 Hunt Slonem, 154 Mary Tillman Smith, 548 Melissa A. Smith, 229 Gordon Snidow, 172 Southern School, 566 Spanish Colonial School, 259 Spanish School, 118 Henry Speller, 531, 532, 549, 550 Sara Stites, 169 John Stobart, 457, 458 Jimmie Lee Sudduth, 533 T German Tessarolo, 46 Emmitt Thames, 241 James “Son Ford” Thomas, 538 Mose Tolliver, 520-523, 560-565 Julian Alberto Touceda, 946 Homer E. Turner, 705 Arnold E. Turtle, 221, 936 V Nunzio Vayana, 895 W Catherine Warren, 919 Terry Weldon, 956 Theodore Wendel, 45 Willie White, 528-530, 544, 545 George Gillet Whitney, 713 Luster Willis, 571 Thomas Willis, 224 Donald Roller Wilson, 155 Theodore Fonville Winans, 981, 982 Ellsworth Woodward, 710, 878-880, 882, 926, 938 William Woodward (attr), 937 George Hand Wright, 923

97

0355 - $1,664 0356 - $1,464 0361 - $1,024 0367 - $384 0368 - $366 0370 - $366 0371 - $305 0372 - $305 0373 - $244 0374 - $512 0375 - $976 0376 - $192 0378 - $1,664 0379 - $2,500 0382 - $875 0383 - $3,520 0385 - $1,500 0386 - $3,750 0389 - $427 0390 - $976 0392 - $2,440 0393 - $5,000 0395 - $1,536 0398 - $2,000 0404 - $1,875 0408 - $1,000 0409 - $1,098 0410 - $610 0411 - $1,464 0412 - $1,750 0413 - $640 0414 - $2,375 0416 - $549 0417 - $1,250 0418 - $1,000 0420 - $1,220 0421 - $1,708 0423 - $244 0424 - $1,708 0425 - $488 0426 - $610 0427 - $1,037 0428 - $366 0431 - $244 0432C - $937 0433 - $5,185 0434 - $1,952 0435 - $312 0436 - $1,098 0437 - $288 0438 - $2,074 0440 - $625 0443 - $128 0444 - $406 0445 - $704 0446 - $832 0447 - $274 0448 - $544 0449 - $218 0451 - $128 0453 - $366 0454 - $320 0455 - $128 0456 - $96 0457 - $488 0460 - $915 0461 - $1,037 0464 - $192 0465 - $305 0466 - $128 0468 - $4,270 0469 - $1,098 0471 - $244 0473 - $854 0475 - $125 0478 - $896

0480 - $224 0481 - $4,270 0483 - $854 0488 - $1,408 0489 - $732 0490 - $1,159 0491 - $2,440 0493 - $768 0495 - $854 0496 - $256 0497 - $2,000 0498 - $1,088 0499 - $1,088 0507 - $2,928 0510 - $896 0513 - $531 0514 - $937 0515 - $937 0516 - $854 0529 - $579 0530 - $579 0531 - $1,586 0532 - $2,684 0533 - $3,294 0535 - $1,088 0537 - $793 0538 - $1,408 0539 - $320 0542 - $704 0543 - $2,684 0546 - $244 0547 - $468 0549 - $610 0551 - $274 0553 - $793 0557 - $305 0563 - $396 0565 - $1,037 0567 - $305 0569 - $3,660 0570 - $854 0572 - $549 0574 - $305 0575 - $1,375 0576 - $1,250 0577 - $437 0578 - $1,125 0579 - $457 0583 - $122 0586 - $768 0587 - $468 0588 - $352 0593 - $687 0594 - $915 0597 - $518 0598 - $549 0601 - $122 0602 - $488 0605 - $488 0606 - $305 0608 - $1,159 0612 - $732 0613 - $488 0614 - $312 0616 - $1,037 0617 - $335 0619 - $335 0622 - $2,318 0634 - $187 0635 - $288 0637 - $1,037 0639 - $1,625 0640 - $250 0641 - $562 0642 - $183 0643 - $125

0644 - $160 0645 - $122 0646 - $375 0647 - $437 0648 - $125 0649 - $244 0650 - $312 0652 - $244 0654 - $562 0655 - $244 0657A - $125 0658 - $1,342 0659 - $1,708 0660 - $1,220 0661 - $4,160 0662 - $768

0663 - $375 0666 - $427 0667 - $750 0668 - $2,440 0669 - $6,080 0671 - $500 0672 - $625 0673 - $854 0674 - $366 0675 - $610 0676 - $250 0681 - $488 0682 - $1,342 0683 - $448 0689 - $1,586 0691 - $793 0692 - $1,250 0696 - $976 0697 - $1,586 0698 - $488 0699 - $1,098 0700 - $244 0701 - $610 0702 - $375 0708 - $375 0710 - $488 0711 - $610 0712 - $3,125 0713 - $1,464 0717 - $2,440 0719 - $854 0720 - $2,440 0724 - $1,024 0725 - $1,000 0727 - $384 0728 - $610 0729 - $366 0731 - $1,586 0735 - $875 0736 - $1,952 0737 - $1,408 0738 - $640 0740 - $625 0746 - $384 0749 - $915 0750 - $375 0753 - $1,280 0754 - $4,270 0755 - $750 0756 - $1,220 0761 - $3,125 0762 - $768 0763 - $1,220 0764 - $1,000 0765 - $256 0767 - $610 0768 - $732 0771 - $375 0773 - $366 0774 - $1,062

0775 - $256 0776 - $396 0777 - $122 0778 - $854 0779 - $274 0780 - $1,664 0781 - $915 0782 - $549 0783 - $518 0784 - $335 0785 - $854 0786 - $125 0787 - $732 0788 - $187 0789 - $610 0791 - $213 0792 - $128 0793 - $125 0795 - $183 0798 - $250 0799 - $610 0800 - $1,708 0801 - $610 0803 - $896 0805 - $448 0806 - $793 0807 - $244 0808 - $244 0810 - $579 0811 - $976 0812 - $500 0813 - $610 0814 - $562 0815 - $4,575 0816 - $512 0817 - $244 0818 - $437 0819 - $256 0820 - $416 0821 - $768 0823 - $244 0824 - $384 0825 - $768 0828 - $406 0829 - $375 0830 - $320 0831 - $562 0833 - $512 0834 - $488 0836 - $366 0840 - $1,342 0841 - $1,250 0844 - $2,806 0847 - $768 0848 - $1,062 0849 - $1,062 0850 - $1,125 0853 - $1,464 0854 - $915 0855 - $640 0856 - $500 0857 - $375 0858 - $250 0860 - $793 0862 - $250 0865 - $448 0867 - $244 0868 - $224 0869 - $250 0870 - $244 0871 - $579 0872 - $122 0873 - $375 0874 - $610 0875 - $250 0876 - $1,250

0877 - $256 0878 - $192 0879 - $488 0880 - $366 0882 - $488 0885 - $549 0886 - $160 0887 - $187 0888 - $305 0889 - $187 0891 - $732 0892 - $156 0893 - $160 0894 - $122 0896 - $976 0897 - $366 0899 - $750 0900 - $610 0901 - $2,196 0902 - $1,220 0903 - $2,440 0904 - $2,562 0905 - $2,440 0906 - $750 0907 - $4,608 0908 - $976 0909 - $375 0910 - $732 0911 - $1,098 0915 - $1,875 0919 - $687 0920 - $250 0921 - $500 0922 - $366 0923 - $187 0924 - $750 0927 - $384 0931 - $250 0932 - $384 0933 - $183 0934 - $312 0936 - $256 0938 - $187 0940 - $671 0946 - $152 0947 - $512 0950 - $915 0951 - $366 0953 - $437 0957 - $250 0958 - $192 0959 - $288 0962 - $335 0963 - $128 0965 - $183 0966 - $896 0967 - $384 0968 - $512 0969 - $427 0970 - $152 0971 - $437 0972 - $366 0973 - $152 0974 - $437 0975 - $281 0977 - $122 0978 - $427 0981 - $183 0982 - $192 0983 - $384 0984 - $125 0985 - $62 0986 - $62 0987 - $122 0989 - $375 0990 - $187

0991 - $1,062 0992 - $960 0994 - $384 0998 - $312 0999 - $244 1000 - $1,159 1002 - $488 1003 - $256 1004 - $384 1005 - $93 1007 - $187 1008 - $152 1009 - $256 1011 - $375 1013 - $384 1014 - $128 1016 - $457 1017 - $768 1018 - $375 1021 - $122 1022 - $244 1023 - $128 1025 - $62 1026 - $93 1027 - $244 1028 - $312 1030 - $244 1031 - $448 1034 - $488 1035 - $213 1037 - $62 1039 - $122 1040 - $244 1041 - $93 1042 - $122 1044 - $85 1045 - $128 1046 - $76 1047 - $128 1048 - $187 1050 - $192 1053 - $416 1054 - $125 1055 - $25 1056 - $576 1057 - $128 1058 - $224 1059 - $768 1060 - $427 1062 - $244 1064 - $125 1065 - $343 1067 - $125 1069 - $288 1071 - $93 1074 - $732 1075 - $312 1076 - $384 1080 - $187 1082 - $152 1086 - $93 1087 - $244 1088 - $150 1089 - $25 1090 - $976 1091 - $366 1092 - $384 1094 - $768 1095 - $187 1096 - $366 1098 - $183 1099 - $62 1101 - $50

Additional information at www.nealauction.com

May 19 & 20, 2018

0247 - $732 0248 - $1,159 0249 - $732 0250 - $1,342 0251 - $2,000 0252 - $896 0253 - $4,575 0254 - $5,120 0255 - $4,800 0257 - $1,342 0257A - $1,098 0258 - $2,318 0260 - $1,375 0261 - $671 0263 - $8,640 0264 - $19,520 0265 - $3,416 0266 - $2,562 0267 - $8,960 0268 - $31,720 0271 - $3,840 0272 - $8,125 0274 - $1,098 0276 - $437 0277 - $625 0278 - $17,280 0281 - $1,342 0282 - $704 0283 - $732 0284 - $512 0285 - $750 0287 - $1,037 0288 - $640 0291 - $793 0295 - $500 0296 - $437 0297 - $500 0298 - $250 0299 - $1,220 0300 - $2,196 0302 - $500 0303 - $384 0304 - $610 0305 - $187 0306 - $183 0307 - $750 0308 - $2,806 0309 - $1,830 0310 - $1,250 0311 - $1,792 0314 - $2,562 0316 - $854 0323 - $1,342 0324 - $896 0325 - $1,098 0327 - $3,660 0328 - $610 0329 - $4,575 0329A - $448 0330 - $3,965 0331 - $1,664 0332 - $976 0333 - $366 0335 - $6,100 0336 - $10,370 0337 - $1,830 0338 - $7,625 0341 - $1,750 0343 - $1,250 0344 - $500 0345 - $1,586 0346 - $2,500 0349 - $3,965 0350 - $1,125 0351 - $488 0353 - $2,928

â&#x20AC;¢

0125 - $2,196 0126 - $4,480 0127 - $244 0129 - $896 0130 - $768 0133 - $366 0136 - $6,405 0139 - $896 0140 - $1,792 0142 - $1,830 0143 - $3,437 0145 - $1,664 0146 - $2,074 0147 - $1,920 0148 - $976 0153 - $1,586 0154 - $2,684 0155 - $2,745 0156 - $576 0157 - $854 0158 - $8,540 0161 - $896 0162 - $3,050 0163 - $1,525 0164 - $6,405 0168 - $1,000 0169 - $1,708 0170 - $3,050 0171 - $500 0172 - $1,098 0174 - $1,830 0178 - $305 0179 - $488 0180 - $2,688 0181 - $1,220 0182 - $4,375 0183 - $4,575 0184 - $1,664 0187 - $500 0189 - $1,536 0190 - $1,664 0192 - $1,875 0193 - $11,590 0194 - $12,200 0196 - $488 0199 - $1,875 0200 - $2,000 0202 - $1,500 0203 - $1,220 0205 - $2,440 0206 - $48,543 0207 - $6,466 0208 - $7,930 0209 - $5,795 0210 - $26,250 0211 - $4,880 0216 - $1,220 0219 - $4,800 0220 - $427 0221 - $427 0224 - $1,220 0226 - $2,440 0229 - $3,965 0230 - $6,100 0232 - $812 0233 - $1,464 0234 - $4,270 0235 - $14,080 0238 - $6,720 0239 - $5,490 0240 - $3,000 0241 - $768 0243 - $9,150 0244 - $305 0245 - $488 0246 - $1,062

Auction Results

0001 - $3,072 0003 - $1,280 0005 - $305 0006 - $375 0007 - $152 0008 - $976 0009 - $128 0010 - $1,098 0012 - $4,575 0013 - $1,664 0015 - $854 0016 - $3,355 0018 - $3,660 0019 - $1,220 0020 - $437 0022 - $1,250 0024 - $366 0025 - $549 0026 - $427 0029 - $1,464 0030 - $305 0031 - $384 0033 - $1,792 0034 - $610 0035 - $1,220 0036 - $1,280 0038 - $3,072 0040 - $6,000 0042 - $3,840 0043 - $2,013 0044 - $2,500 0045 - $768 0046 - $3,965 0047 - $7,930 0049 - $5,490 0053 - $488 0054 - $1,088 0057 - $937 0058 - $183 0060 - $244 0061 - $1,220 0064 - $320 0066 - $732 0068 - $320 0069 - $320 0070 - $768 0073 - $1,250 0074 - $3,660 0075 - $7,015 0076 - $2,135 0077 - $1,586 0078 - $5,185 0079 - $1,875 0081 - $854 0082 - $6,405 0084 - $3,660 0086 - $4,300 0088 - $1,830 0097 - $1,024 0100 - $512 0101 - $610 0102 - $1,586 0106 - $875 0107 - $448 0109 - $1,408 0111 - $1,708 0112 - $610 0113 - $4,270 0115 - $1,952 0116 - $1,024 0117 - $305 0118 - $305 0119 - $4,270 0122 - $3,328 0123 - $3,328 0124 - $1,464

97

Neal Auction Company Major Fall Estates Auction September 15 & 16, 2018

Louisana Purchase AuctionTM November 16, 17 & 18, 2018

1. John James Audubon (1785-1851), “Louisiana Heron,” Havell, sheet 26 1/4 x 39 in. 2. Ida Kohlmeyer (1912-1997), “Translumined,” 1961, o/c, 45 x 69 in. 3. George Rodrigue (1944-2013), “In my Secret Garden,” 2000, a/c, 24 x 30 in. 4. Marie Hull (1890-1980), “After the Hurricane,” 1969, o/c, 34 x 27 3/4 in. 5. New Orleans Art Pottery Jardiniere, c. 1886-91, George Ohr and Joseph Meyer, h. 16 1/2 in. 6. Portuguese Rococo Revival Silver Table Garniture, late 19th c., Leitao & Irmao, Lisbon, candelabra h. 22 in. 7. American Gothic Carved Oak Footstool, c. 1880, NY, w. 29 in. 8. Wouterus Verschuur (1812-1874), “Preparing for the Hunt,” o/c, 44 x 63 in. 9. Joan Miro (1893-1983), “Wonders with Variations in Miro’s Garden, #18,” litho, 27 x 20 3/4 in. 10. German Carved, Polychromed and Parcel-Gilt Bombe Commode in the Louis XV Taste, c. 1750, attr. J. M. Hoppenhaupt, Berlin, w. 59 in. 11. Newcomb Art Pottery Vase, 1912, Alma Mason, h. 15 1/2 in. 12. West Indies Carved and Inlaid Mahogany Huntboard, early 19th c., h. 57 in.

We are always interested in Fine American, English, Continental, and Contemporary Paintings, Drawings, Prints, and Photography â&#x20AC;˘ Sculpture â&#x20AC;˘ Period Furniture and Decorative Objects â&#x20AC;˘ Asian Art â&#x20AC;˘ Lighting â&#x20AC;˘ Silver â&#x20AC;˘ Art Pottery â&#x20AC;˘ Historical Documents, Books, and Maps.

Marc Chagall (1887-1985), â&#x20AC;&#x153;Le Luxembourg,â&#x20AC;? 1953, o/paper on canvas, 25 3/4 x 20 in., authenticated, ComitĂŠ Marc Chagall.

Neal Auction Auctioneers & Appraisers of Antiques & Fine Art

4038 Magazine Street â&#x20AC;˘ New Orleans, Louisiana â&#x20AC;˘ 504-899-5329 â&#x20AC;˘ consignments@nealauction.com b%X\HUĹ?V 3UHPLXP RI WKH KDPPHU SULFH XS WR DQG LQFOXGLQJ SOXV DERYH 1HDO $XFWLRQ $%

99

Notes:

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Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments Administration Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

General manager Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development Auctioneers Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes