Louisiana Purchase Auction 2015

Neal Auction Company

Neal Auction Company Louisiana Purchase Auction™ November 21 & 22, 2015

November 21 & 22, 2015

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Consignments & Evaluations

Claire Thriffiley Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan

AUCTION SERVICES

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations

Charles Lee Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

LOUISIANA PURCHASE AUCTION ™ November 21 & 22, 2015 On Our Premises 4038 Magazine Street & 3923 Carondelet Street FEATURING: 18th and 19th c. American, French and English antiques, important paintings, historical material and decorative arts especially consigned by discerning collectors, estates and institutions including: Masterworks from the D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA Important Property from the Vieux Carre Residence of a Distinguished French Gentleman Property Descended in the Turnbull/Bowman/Fort Family of Rosedown and Catalpa Plantations, St. Francisville, LA Important Art from the Historic Collection of a New Orleans Lady Period Furniture and Decorative Arts from the Estates of William and Sarah McGehee, the Historic Dr. Dubs House, Natchez, MS Philadelphia Empire Furniture from the Collection of Barbara Boor Cassidy, Philadelphia, PA Property from Temple Heights, Columbus, MS Important Furniture, Period Lighting and Decorative Objects from the Service Collection, Estate of Grant A. Oakes, Warren, OH Southern Fine Art from an Important Savannah, GA Collection And Property of Others

EXHIBITION both galleries beginning Monday, November 9, 10 a.m. to 5 p.m.

Special Saturday Preview, November 14, 10 a.m. to 5 p.m.

Evening Preview Reception, Thursday, November 19, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, November 21, 10 a.m., 4038 Magazine Street Sunday, November 22, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

TEMPLE HEIGHTS

The handsome Columbus, Mississippi townhouse, Temple Heights, was built

by General Richard T. Brownrigg in 1837. Brownrigg had moved his family from Edenton, North Carolina to Mississippi a few years earlier and bought a 2,000 acre cotton plantation several miles outside of Columbus. The design of the house was inspired by Brownrigg’s wife’s family home in Edenton, Mulberry Hill. The Brownriggs sold Temple Heights in 1847. It would change hands several times over the next 120 years.

In 1967 Dixie Butler and her late husband, Carl, bought the then dilapidated property. The Butlers, both educators recently out of graduate school, undertook to restore the house, doing much of the work themselves.

Not long after moving in, the Butlers opened the home for a candlelight tour for Columbus Pilgrimage. In a recent interview in the Columbus Dispatch, Mrs. Butler described that tour: “You can’t imagine what it looked like that first year. Fortunately everything and everybody looked better by candlelight”.

The Butlers’ restoration of Temple Heights would be a labor of love spanning decades, during which they were advised by consultants John Webster Keefe, H. Parrott Bacot, James Del Prince and V.A. Patterson. They chose to preserve the 1830s character of the house, furnishing it with objects appropriate to the Brownrigg years, many collected in Mississippi and Alabama.

Temple Heights is a Mississippi Historic Landmark, and is recorded in the Historic Buildings Survey and the National Register of Historic Places. Recognized as leading preservationists in Mississippi, Carl and Dixie Butler were instrumental in the creation of the Columbus Decorative Arts and Preservation Forum.

In his 2002 article on Temple Heights for The Magazine Antiques, H. Parrott Bacot writes of the Butlers: “Their work should be an inspiration to others of modest means, showing that a restoration project need not be the exclusive bailiwick of millionaires”.

Ref. Bacot. H. Parrott. “Living with antiques: Temple Heights, Columbus, Mississippi”, The Magazine Antiques, July 2002, pp. 96-105; “The Last Pilgrimage”, The Columbus Dispatch, April 5, 2015.

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ROSEDOWN PLANTATION

“It is one of the most admired country estates in America and stands forth as a testament to its builders and the era which inspired it.”

The Barrow Family of Old Louisiana, William Barrow Floyd

Rosedown Plantation was built by Daniel Turnbull (1796-1861) and Martha Hilliard Barrow Turnbull (1809-1896) in 1834.

Well-educated and well-traveled, the Turnbulls collected throughout Europe and America. The house and its splendid collection would remain in their family through the Civil War, Reconstruction and two World Wars, passing to their daughter, Sarah Turnbull Bowman (1831-1914) and son-in-law, James Pirrie Frances Benjamin Johnston (1864-1952). Photo Courtesy of the Collections of the Louisiana State Museum.

Bowman (1832-1927), then to their unmarried Bowman granddaughters.

After the death of the last granddaughter, Rosina, the property was put on the market.

The group of Rosedown objects presented in this catalogue was inherited by the Turnbulls’ great-great-grandson, William Johnston Fort IV. It encompasses fine furnishings and decorations as well as period household objects.

Highlights are the octagonal center table and two chairs from the famous “Henry Clay” suite of bedroom furniture purchased from Crawford Riddell of Philadelphia in 1845. By tradition the suite had been commissioned by supporters of 1844 Presidential candidate Henry Clay to be presented to him after his election; when Clay was defeated by James K. Polk, it was sold to the Turnbulls instead. The “Henry Clay” suite was comprised of an armoire, bed, dressing bureau, cheval mirror, two washstands, six chairs and an octagonal table. The existence of the octagonal table was, for many years, known only to the Turnbull/Bowman/Fort family and a few scholars.

It is a truly exciting decorative arts discovery.

Neal Auction Company is honored to be entrusted to present this important group of furnishings, decorations and artifacts from Rosedown, which has descended in the Turnbull/Bowman/Fort family to the present day.

Ref. Floyd, William Barrow. The Barrow Family of Old Louisiana;

www.dma.org/collection/artwork/crawford-

riddell/bed

Additional information at www.nealauction.com

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MASTERWORKS FROM THE COLLECTION OF D. BENJAMIN KLEINPETER, SR.

D. Benjamin Kleinpeter is descended from early settlers of Louisiana. The first Kleinpeters arrived in 1774 at Bayou Manchac . They moved to higher ground not long after, receiving in 1787 a Spanish land grant for four hundred arpents in what is today East Baton Rouge Parish.

Mr. Kleinpeter ‘s interest in antiques began with Louisiana-made duck decoys and grew to include Louisiana paintings, furniture and related decorative arts, notably Newcomb pottery. Objects from the collection have been published in Furnishing Louisiana, Newcomb Pottery & Crafts, Collecting Passions and The Magazine Antiques.

Neal Auction Company is pleased to offer select objects from the D. Benjamin Kleinpeter collection.

Ref. Bacot,H. Parrott et al. Furnishing Louisiana; Poesch, Jessie. Newcomb Pottery & Crafts. McLear, Donna. Collecting Passions: Highlights from the LSU Museum of Art Collection; and Bacot, H. Parrott.

“Living with Antiques: The Sebastian Louis Kleinpeter House in Baton Rouge, Louisiana”, The Magazine Antiques, April, 1991.

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Neal Auction Company is pleased to present property from the collection of a distinguished French gentleman who maintained a residence in the Vieux Carre for many years. The collection focuses primarily on Louisiana art of the 18th, 19th and 20th centuries, including paintings, photography and Newcomb pottery, all selected with a connoisseur’s eye.

Additional information at www.nealauction.com

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Neal Auction Company

Louisiana Purchase Auction™ November 21 & 22, 2015

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Session One Saturday, November 21, 10 am 4038 Magazine

Additional information at www.nealauction.com

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1. George II‑Style Carved Giltwood Mirror, scrolled foliate crest centered by a shell, molded surround, h.53 in., w.28 in. $1200/2000

3. Twelve Royal Bavarian Hutschenreuther Porcelain Chargers, 20th c., cobalt and raised gilt rims, dia. 10 3/4 in.; together with 12 Wedgwood blue and white cream soups, h. 2 3/4 in., w. 6 3/8 in., and matching underplates, dia. 6 3/8 in., (36 pcs.) $400/600

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2. Pair of Louis XVI‑Style Gilt Bronze and Cut Glass Lanterns, pineapple filigree form, fluted crown, garland swags and bowknots, electrified, h. 21 in., dia. 13 in. $500/700

4. Pair of Delft Manganese and White Pottery Covered Garniture Vases, 18th/19th c., faceted baluster bodies molded with leafy vines enclosing bird, rock and flower scenes, faceted domed covers with “foo” dog finials, h. 13 1/2 in. $1000/1500 Provenance: Whitehall Antiques, Chapel Hill, NC.

5. Delft Manganese Decorated Pottery Spaniel, 18th/19th c., modeled seated on its haunches wearing a yellow collar suspending a yellow and red ball, h. 8 3/4 in. $800/1200

6. Maison Christofle Gilt and Patinated Bronze Vase, early 20th c., marked “Christofle / 1002”, ribbed ovoid body with flared neck and splayed foot, h. 9 3/4 in. $2000/3000

7. Chinese Export Famille Rose Porcelain “Mandarin Palette” Vase, 18th c., splayed cylindrical body with large reserve of elegant figures in a garden setting on an iron red diaper ground with bird‑and‑rock, landscape, and floral cartouches, h. 7 1/4 in., now mounted as a lamp. $400/600

8. Antique Continental Patinated Bronze Figure of a Lion, paw resting on sphere, h. 4 3/4 in., w. 5 1/2 in., d. 2 1/2 in. $200/300

9. Antique Renaissance‑Style Bronze Door Knocker, with symbolic figure of Venice in chariot drawn by hippocampi, presented on custom wood stand, h. 11 in. $500/700

10. Regency Tôle Peinte Sewing Box, early 19th c., neoclassical gilt and polychrome decoration, gilt cartouche mount, shell and ring handles, ball and claw feet, fitted interior, h. 3 3/4 in., w. 9 in., d. 6 in. $400/600

11. Regency Penwork Dressing Box, c. 1810, lid with sepia landscape, classical penwork motif, gilt winged paw feet, rosette and ring handles, h. 5 3/4 in., w. 10 3/4 in., d. 8 1/4 in. $1000/2000

13. Pair of Italian .800 Silver Three‑Light Candelabra, c. 1969‑1970, by Lo Meo Antonino of Palermo, h. 14 3/4 in. $700/900

12. Italian Sterling Silver and Cobalt Glass Trumpet Vase, Florence, , maker untraced, grape and grapeleaf decoration, h. 10 3/4 in., wt. 38.30 troy ozs. $800/1200

14. Continental Silver‑Mounted Blue Agate Box, 19th c., applied lapis lazuli ball feet, h. 1 1/8 in., w. 3 5/8 in., d. 2 1/4 in. $300/500

16. Jacques‑Edouard Gatteaux (French, 1788‑1881), “Napoleon et le Soleil d’Austerlitz”, bronze wall plaque, inscribed “Jacques‑Édouard” lower middle, dia. 17 1/4 in. $800/1200 15. Pair of English Brass and Glass Sconces, 19th c., hand-forged back plates, blown glass shades with rolled lips, h. 14 1/4 in. $500/1000 Additional information at www.nealauction.com

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17. Bronze Bust of Napoleon, after Émile Pinèdo (French, 1840‑1916), inscribed “Pinèdo”, stamped “Bronze Garanti au Titre / Paris” on rear truncation, gilt bronze‑mounted green serpentine plinth, overall h. 9 in. $800/1200

18. Pair of Neoclassical-Style Porcelain Cabinet Plates, each with pseudo-Chelsea mark, avian and landscape reserves on cobalt grounds with raised gilt highlights, dia. 9 1/2 in. $400/600

19. Two Chinese Export Reverse Glass Paintings, 20th c., first painted with a lady seated at a desk toying with a cat, second painted with a lady seated on a tiger, sight 25 1/2 in. x 17 1/4 in., framed alike. $500/700

21. Antique Italian Verte Peinte and Gilt Mirror, late 18thc./early19th c. with baldachin crest and old mirror plate, h. 7 1/2 in., w. 40 1/4 in. $1000/1500

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20. Bronze Figure of Cupid Playing with a Butterfly, probably 19th c., after Antoine‑Denis Chaudet (French, 1763‑1810), inscribed “Chaudet” on base, h. 8 5/8 in., w. 7 3/4 in., d. 4 in. $700/1000

22. George III Chinoiserie Tall Case Clock, late 18th c., dial signed Thomas Horlock, Hammersmith, domed crest flanked by finials, astragal glazed door enclosing silvered dial with brass scrollwork spandrels, flanked by columns, waisted case, paneled base, h. 92 in., w. 18 3/4 in., d. 10 in. $1200/1800

23. Rare American Federal Carved Mahogany Bookcase and Collector’s Cabinet, 1807, Philadelphia, upper case with molded cornice, rectangular mullions, original glazing, lower case with standing writing desk, 2 doors with oval inlay opening to specimen drawers, shaped apron, “French” feet, inscribed, h. 98 in., w. 52 1/2 in., d. 25 in.; accompanied by original bill of sale from English & Jones to Charles Wister dated 1807. $4000/6000 Note: According to the surviving bill of sale, this cabinet was sold by the Philadelphia firm of English and Jones, (located at 118 Chestnut Street, listed in Philadelphia city directories for the first time in 1807.) to Charles Wister (1781-1865), a Philadelphia merchant and principal in the counting house of Wister, Price & Wister, located at 143 High Street.

In 1800 Wister inherited the family’s country 1744 residence “Grumblethorpe” in Germantown, PA, believed to be the first example of a residence constructed as a summer home for a Philadelphia merchant and included eight acres of land comprising gardens, orchards and crops.

An avid gardener with a passion for the natural sciences, Wister began to rigorously develop the garden and farm in 1806, exploiting new developments in horticulture. By 1811, Wister retired to Grumblethorpe as his permanent residence, devoting time entirely to his interests in agriculture, botany, mineralogy, and astronomy. He was a founding member of the Twilight Club, which was responsible for developing the Philadelphia Academy of Natural Sciences.

The multiple “specimen” drawers in the cabinet featured here are most certainly to meet Wister’s specifications for his extensive natural history collection.

Ref.: Susanin, Jay Davidson. Grumblethorpe: An Historic Landscape Report, master’s thesis written for the in Historic Preservation, University of Pennsylvania (1990), pp. 26-38; Moss, Roger W. Historic Houses of Philadelphia. Philadelphia: Barra Foundation, 1998, pp. 140142; Garvan, Beatrice B. Federal Philadelphia, 1785-1825: The Athens of the Western World. Philadelphia: University of Pennsylvania Press, 1987, p. 48; Philadelphia City Directories, 1797-1810.

24. Important American Gothic Carved Rosewood Octagonal Center Table, c. 1844, labeled Crawford Riddell, Philadelphia, original white marble top, carved and paneled frieze fitted with four opposing drawers; faceted paneled columnar support, stepped plinth, outset octagonal blocked feet, h. 31 1/2 in., w. 38 3/4 in., d. 38 3/4 in. $30000/50000 Provenance: Rosedown Plantation, St. Francisville, LA, descended in the Turnbull/Bowman/Fort family to the present day.

Note: The emergence of this very important Crawford Riddell center table directly from Turnbull family descendants illuminates further the known body of work from Riddell and the extent of the Gothic Revival furnishings at Rosedown.

Among the furnishings from Riddell in the reknowned “Henry Clay” bedroom, the armoire, now held by the Louisiana State Museum, has stenciled labels of Riddell in two drawers. The monumental bed is collected at the Dallas Museum of Art (Acc. No. 2000.324); the dressing bureau is at the Minneapolis Institute of Art (Acc. No. 200.165); a rosewood table with columnar support and base nearly identical to that seen here is at the Brooklyn Museum of Art (Acc. No. 79.80); and two chairs are at the Bayou Bend Collection (MFA, Houston), (Acc. No. B. 200.5.2).

Thanks to curator Barry Harwood for his assistance.

Additional information at www.nealauction.com

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25. Pair of American Gothic Carved Rosewood Side Chairs, mid‑19th c., attr. to Crawford Riddell, Philadelphia, arched backs, rounded seat rail, quatrefoil corners, ring turned tapered legs. $5000/7000 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

Note: Two chairs from the “Henry Clay” suite are at the Bayou Bend Collection (MFA Houston), Acc. No. B.2000.5.2.

27. American Rococo Rosewood Side Chair, mid‑19th c., Baltimore, shaped molded back, foliate scroll crest, serpentine seat rail, cabriole legs, casters. $300/500 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

29. Antique French Provincial Terracotta Olive Jar, h. 31 in, dia. 25 in. $500/800 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

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26. American Rococo Carved Mahogany and Marble Encoignure, mid‑19th c., pierced gallery, conforming base with two doors, h. 38 in., w. 31 1/2 in., d. 24 3/4 in. $500/800 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

28. Fine English Bisque Figure of Venus with Kissing Doves, mid‑19th c., h. 19 1/2 in., on a blue and white porcelain pedestal, also English, mid-19th c., h. 49 7/8 in. $700/1000 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/ Bowman/Fort Family.

30. Antique Green Mold‑Blown Glass Demi‑John, molded mark “1?87”, h. 20 1/2 in. $500/800 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

31. American Classical Carved Mahogany Pier Table, early 19th c., marble top, ogee frieze, canted acanthus‑scrolled supports, mirrored back, flanked by colonnettes, serpentine plinth, massive paw feet, h. 41 3/8 in., w. 51 1/4 in., d. 25 3/8 in. $1500/2500

33. Rare Acadian Oak or Ash Slat‑Back Child’s Chair, late 18th/early 19th c., Lower Mississippi Valley, tapered stiles, elongated acorn finials, arched slats, shaped arms, rawhide seat, turned box stretcher, tapered feet, h. 24 3/4 in., w. 13 1/2 in., d. 12 in. $400/600

32. Four American Classical Tiger Maple Side Chairs, 19th c., shaped crest, vasiform splat, caned seat, sabre legs, stretchers, h. 33 in., w. 17 3/4 in., d. 15 7/8 in. $300/500 Provenance: Christie’s East, NY, Oct. 10, 2000, lot 341.

34. American Federal Gilt and Painted Window Bench, 19th c., woven rush seat, ring‑turned legs and stretcher, turned feet, h. 18 in., w. 54 3/4 in., d. 18 in. $500/800

35. Good Pair of American Windsor Side Chairs, early 19th c., shaped seat, turned legs, H‑form stretcher, old paint surface, h. 34 in., w. 20 1/2 in., d. 17 in. $300/500 Additional information at www.nealauction.com

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36. American Federal Cherrywood, Birdseye Maple and Mahogany Stand, mid‑19th c., outset drawer over mahogany banded drawer, pineapple carved and spiral-turned legs, ball feet, h. 29 1/4 in., w. 19 3/4 in., d. 17 1/2 in. $1000/1500

37. Suite of Six Carved Elm or Oak Windsor Armchairs; together with two smaller antique related armchairs; each with hoop back, pierced splats, rounded arms, saddle seats, cabriole legs, shaped stretchers, pad feet. $800/1200

39. McKenney & Hall/Publishers, “Mar‑Ko‑Me‑Te a Menomene Brave”, hand‑colored lithograph, from A History of the Indian Tribes of North America, 1837‑1844, sheet 20 in. x 14 in., unframed. $500/700 38. French Restauration Inlaid Rosewood Pier Table, c. 1825, white marble top, cove‑molded frieze, S‑scroll supports, mirrored back, incurvate plinth, paw feet, h. 35 1/2 in., w. 45 in., d. 17 1/2 in. $1200/1800

40. Alfred Heber Hutty (American/Charleston, 1877‑1954), “Deep South”, 1937, drypoint on paper, pencil‑signed and snail symbol lower margin, sight 9 1/2 in. x 10 3/4 in., framed. $1200/1800 Ill.: Arnold, Sara and Stephen Hoffius, eds. The Life and Art of Alfred Hutty: Woodstock to Charleston. Columbia: The

University of South Carolina Press, 2012, no. 152, p. 150; Saunders, Boyd and Ann McAden. Alfred Hutty and the Charleston Renaissance. Orangeburg:

Sandlapper Publishing Co., Inc., 1990, p. 102.

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41. Elizabeth O’Neill Verner (American/Charleston, 1883‑1979), “Negro Cabin”, etching on paper, pencil‑signed, titled and numbered “3/50” lower margin, second state, “C. Duncan Connelly Fine Art, Atlanta, GA” label en verso, sight 10 1/2 in. x 10 1/2 in., antique wood frame. $500/700

42. Antique French Map of Mississippi, “Carte Geographique, Statistique et Historique du Mississipi”, 1825, hand‑colored engraved map from the French edition of Cary & Lea’s American Atlas, sheet 21 in. x 26 3/4 in., framed. $500/700

43. Antique English Brass and Leather Telescope, marked “Brackenreg, London”, three draw, sliding sun shade, extended l. 36 1/2 in. $500/700

45. American Federal Inlaid Mahogany Dressing Mirror, c. 1800, turned uprights, rectangular mirror plate, bowfront case with drawers, ogee bracket feet, h. 21 in., w. 21 in. $300/500 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

44. Pair of George III Brass Two‑Light Adjustable Candelabra, late 18th c., twisted shaft, scrolled feet, h. 16 1/2 in., w. 10 3/4 in., d. 6 1/2 in. $300/500

47. American Cherrywood and Tiger Maple Tall Case Clock, c. 1832, copper dial signed “Jacob Custer/Norristown, and engraved with an Indian Warrior, flowers and arrowhead spandrels, movement with wooden plates, tiger maple door, turned feet, h. 90 1/2 in., w. 19 3/4 in., d. 13 1/2 in. $5000/7000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 552, figs. 380, 380a.

46. Rare American Classical Mahogany Teapoy, 19th c., octagonal case, fitted interior, faceted baluster support, acanthus carved saber legs, brass ferrules and casters, h. 27 3/4 in., w. 17 in., d. 12 1/2 in. $1000/1500 Additional information at www.nealauction.com

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48. Set of Eight American Classical Paint‑Decorated “Fancy” Chairs, early 19th c., probably New York, each with tablet crest centering a beehive, reticulated slats, rush seat, reeded legs, stretchers, turned feet. $2000/3000

49. Fine American Chippendale Carved Mahogany High Chest of Drawers, c. 1770, New York, molded cornice, three short and three graduated long drawers, deeply fluted chamfered corners; lower case with conforming molding, long drawer over short drawer, cyma curved apron, bold shell‑carved cabriole legs, claw and ball feet; poplar secondary wood, h. 75 1/2 in., w. 47 in., d. 24 in. $12000/18000 Provenance: Ginsburg and Levy, New York.

50. American Classical Carved Mahogany Work Table, c. 1820, labeled Anthony Quervelle, Philadelphia, segmented fold open top with tooled leather inset and baize‑covered storage well, bolection drawers above gadrooning; foliate carved cyma‑curved supports, shaped platform, acanthus carved paw feet, casters, h. 30 in., w. 21 1/2 in., d. 16 3/4 in. $4000/6000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. pp. 262‑263, figs. 129, 129a; Smith, Robert C. “The Furniture of Anthony G. Quervelle Part III: The Worktables”, The Magazine Antiques 104 (1973): 261‑268, fig. 4; Smith, Robert C. “Philadelphia Empire Furniture by Antoine Gabriel Quervelle”, The Magazine Antiques 86 (1964): 305‑309, fig. 3.

51. American Classical Carved Mahogany Three Pedestal Dining Table, 19th c., top with reeded edges, distinctive acanthus carved lyre supports with foliate panels, sabre legs, brass casters, with two leaves, h. 28 in., l. 134 1/2 in., w. 45 in. $4000/6000

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53. American Classical Carved Mahogany and Satinwood Work Table, early 19th c., graduated drawers, pineapple‑carved legs, stretcher shelf, brass ferules, casters, h. 30 1/2 in., w. 22 3/4 in., d. 16 1/2 in. $1200/1800 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 282, fig. 142.

52. American Classical Carved Mahogany Sideboard, early 19th c., attr. to Anthony Quervelle, Philadelphia, pedimented mirror back flanked by colonnettes and cornucopia brackets, small drawers above paneled doors with lozenge panels, flanked by drawers over shaped doors, plinth base, paw feet, h. 57 in., w. 73 in., d. 23 1/2 in. $2000/3000 Provenance: Boor Collection, Philadelphia.

54. American Classical Carved Mahogany Linen Press, c. 1820‑1830, attr. to Henry Banta, Bergen County, New Jersey, broken scroll pediment, pair of figured and paneled doors enclosing shelves; base with outset frieze drawer, three graduated drawers, pineapple and foliate columns, hairy paw feet, h. 94 1/2 in., w. 48 1/2 in., d. 21 in. $4000/6000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 483, fig. 321.

55. American Classical Gilt, Bronze‑Mounted, Stenciled and Ebonized Carved Mahogany Pier Table, early 19th c., New York, original marble top, fruit and nut stenciled frieze with a basket of flowers at each corner, gilded Doric columns to the front, mirrored back flanked by pilasters, incurvate banded plinth, bracketed acanthine paw feet, h. 37 3/4 in., w. 42 in., d. 18 1/8 in. Note: Marble inscribed with a name and “Pokepsie, NY” (sic.) $4000/6000

Additional information at www.nealauction.com

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56. American Federal Inlaid Satinwood and Figured Mahogany Bowfront Chest of Drawers, c. 1790-1810, string‑inlaid graduated drawers, shaped apron, distinctive “French” feet, h. 38 in., w. 40 3/4 in., d. 23 1/4 in. $1500/2500

57. George II Carved Mahogany Armchair, mid‑18th c., shaped crest and stiles, vasiform splat, serpentine arms, trapezoidal slip seat with shaped rail, cabriole legs, pad feet. $500/1000

58. Fine English or German Carved and Gilded Center Table, probably early 18th c., good Griotte de Campan Rouge marble top, diaper-patterned frieze with pierced acanthus, central female mask, rosette corners, canted s-scroll carved legs ending in hoof feet, h. 33 in., w. 49 in., d. 31 in. $8000/10000 Note: The design of this sculptural console dates from the transitional period between the Régence and Rococo styles of the early to middle 18th century. Designers and carvers throughout Europe were influenced by the early French Rococo forms found in Nicolas Pineau’s Nouveaux Dessins de Pieds de Tables, 1734.

In England, Pineau’s designs were introduced in B. Langley’s The City and Country Builder’s Workman’s Treasury of Design, 1740 and Matthias Lock’s Six Tables, 1756. In Germany, French designer François Cuvilliés was instrumental in developing the German Rococo style.

59. Antique Portuguese Carved Walnut Four Poster Bed, early 19th c., pleated fabric canopy, barley‑twist posts, carved shield crest, barley‑twist stiles interspersed by turned pendants, molded rails, conforming foot board, h. 92 in., l. 76 7/8 in., w. 46 7/8 in. $2000/3000

60. Pair of Matthew Boulton Sheffield Plate Three-Light Candelabra, c. 1810, twisting candlearms, tapering shafts, gadrooned borders throughout, double sunburst marks, h. 17 in. $1200/1800

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62. English Patinated Bronze Figural Sinumbra Lamp, early 19th c., figure of Nike on a flared pedestal, cut‑glass mushroom shade, h. 33 in., dia., 10 1/2 in. $2000/3000 Provenance: “The Service Collection”, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 182.

61. American Tôle and Églomisé Hall Lantern, 19th c., hexagonal with acanthus and compass star decoration, h. 24 in., dia. 9 1/2 in. $1000/1500

63. William IV Gilt Bronze Rhyton‑Form Argand Lamp, c.

1835, attr. to Thomas Messenger, electrified, associated shade, h. 10 1/2 in., w. 10 1/2 in., d. 4 1/2 in. $700/1000

64. Seven Naples (Giustiniani) Redware Etruscan Plates, 19th c., impressed G marks, with Classical figures after the Antique, geometric borders, dia. 9 1/2 in. $2500/3500

65. Fine Set of Ten Feuillet Paris Porcelain Dinner Plates, early 19th c., gilt and green Boyer St. de Feuillet and Feuillet marks, central floral bouquets, barbed rims with floral sprays on green grounds with raised gilt highlights, dia. 9 1/2 in. $1200/1800 Ref. Guillebon. Paris Porcelain, pp. 244 & 335.

Additional information at www.nealauction.com

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66. Fine Set of Twelve Royal Worcester Porcelain Dessert Plates, crowned puce marks, ret. Davis Collamore & Co., NY, 6 signed “R. Sebright” and 6 signed “W. Bee”, each finely painted with an arrangement of fruit on a woodland floor, wide foliate rims with gilt and raised gilt swags on cobalt grounds, dia. 8 3/4 in. $4000/6000

67. Restauration Gilt Bronze Mirrored Plateau, 19th c., guilloché and egg and dart surround, mask feet, h. 2 1/8 in., w. 21 1/4 in., d. 14 in. $400/600

68. Three French Gilt Brass‑Mounted Black Opaline Glass Boxes, 19th/20th c., acorn‑form with foliate bases, h. 5 in. and 8 1/2 in. $500/700 Provenance: Sallea Antiques, New Canaan, CT.

69. Pair of Continental Tôle Peinte Lidded Urns in the Neoclassical Taste, 19th c., ochre ground with landscape vignettes, h. 10 1/4 in. $300/500

70. Continental Tôle Peinte Octagonal Tray, 19th c., painted with war ships on a black ground, gilt foliate surround, h.

1 3/4 in., l. 29 5/8 in., w. 19 5/8 in. $500/1000

71. Late Regency Sheffield Plate Hot Water Urn, 19th c., original tinned back, lacks interior fittings, h. 18 3/4 in. $500/700

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72. George VI Gentleman’s Nécessaire de Voyage, Pittway Brothers, London, c. 1927, leather case extensively fitted with sterling silver gilt toilet articles, hallmarked A.P, London, 1927, including hand mirror, button hook, shoehorn, comb, pr. of hairbrushes, pr. of clothes brushes, pin cushion, toothbrush holder, and various cut and etched glass bottles and jars, all monogrammed “JM”, retains dust cover, also monogrammed “JM” h. 5 1/2 in., w. 20 1/4 in., d. 15 1/4 in. $700/1000

73. Fine Pair of Anglo-Colonial Raj Ebony Petite Stools of Regency Inspiration, c. 1840, carved and turned ends, saber legs, period upholstery, h. 11 in., w. 15 1/2 in., d. 11 in. $1200/1800

75. George III Inlaid Mahogany and Satinwood Pembroke Table, late 18th c., the top and leaves centering inlaid satinwood ovals, frieze drawer, square tapering legs, h. 27 1/2 in., w. 33 in., d. 18 in. $600/800

74. George III‑Style Faux Bois Library Steps, acorn finials, columnar balusters, three turned blocked supports, rectangular base, casters, h. 97 in., l. 90 in., w. 32 in. $4000/6000

76. Regency Inlaid Rosewood Writing Table, early 19th c., frieze with 2 drawers, trestle supports, turned stretcher, sabre legs, cuff casters, h. 30 in., w. 50 in., d. 27 in. $1200/1800

77. Antique French Louis XV/XVI‑Style Painted and Caned Canapé en Corbeille, 19th c., laurel‑carved serpentine crest rail with central bouquet, reeded seat rail, scrolled feet, h. 40 in., w. 68 1/2 in., d. 29 1/2 in. $1000/1500

Additional information at www.nealauction.com

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78. Napoleon III Gilt Bronze Mounted Polychrome Porcelain Jewelry Box, late 19th c., marked “Tahan á Paris”, with vignette of Marie Antoinette and figural landscapes, h. 4 7/8 in.; together with a enameled and gilt bronze‑mounted hardwood tea casket, h. 5 in. $300/500

79. “Grand Tour” Gilt Bronze Model of the Vendôme Column, 19th c., on a marble base, h. 23 in., w. 7 in., d. 7 in. $700/1000

80. A Louis XIV‑Style Ebonized and Repoussé Brass Cushion Mirror, 19th c., segmented mirror plate, foliate surround, height 44 1/2 in., width 36 in. $1000/1500

81. Pair of Venetian Painted and Parcel Gilt Girandole Mirrors, probably early 19th c., scroll and foliate‑carved frame, h. 38 in., w. 24 in. $1200/2000

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82. Art Deco‑Style Marble Figure of Cleopatra Standing before a Sphinx, 20th c., h. 47 in., sienna marble base, overall height 63 1/4 in. $4000/6000

84. Victorian Sterling Silver Trumpet Vase, William Frederick Williams, London, 1880, h. 12 1/2 in., wt.

9.90 troy ozs. Note: Separation to one loop handle. $500/700

83. Italian .800 Silver Centerpiece in the Neoclassical Taste, navette form with swan’s neck handles and dolphin feet, h. 8 1/4 in., l. 20 3/8 in., w. 5 7/8 in., wt. 52.85 troy ozs. $1000/1500

85. Spanish Sterling Silver and Silver Gilt Cased Chess Set, Pedro Duran, Madrid, silver marked throughout, parquetry case on winged paw feet, cover with silver cartouche and helmet mounts, reversing to gameboard, fitted interior, h. 4 5/8 in., 18 5/8 in. square. $1800/2500

86. Fine Bindings, Anderson, Rasmus B., ed. Norroena: Anglo‑Saxon Classics, London, Norroena Society, 1906, 15 volumes, Vinland Edition, this being marked with a star out of 100, full gilt leather, gilt Viking ship on boards and spine, full leather doublu res. $600/900

87. Tristram, W. Outram. Coaching Days and Coaching Ways, London, Macmillan and Co., 1888, octavo, three‑quarter leather binding with pictorial spine by Bayntun, with numerous illustrations by Herbert Railton and Hugh Thomson. $500/700

88. Fine Bindings, Forsyth, William. History of The Captivity of Napoleon at St. Helena..., London, John Murray, 1853, octavo, 3 vols., full blue diced calf by Sangorski & Sutcliffe, extra‑illustrated with inserted portraits and views, fold‑out 1816 map of St. Helena, with slipcase. $800/1200

89. Thomas Bewick (English, 1753‑1828), The Fables of Aesop. and others, with Designs on Wood by Thomas Bewick, Newcastle, for T. Bewick and Son,

1818, octavo, full calf and vellum, with 374 woodcuts. $500/700

Additional information at www.nealauction.com

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90. Joyce, James and Henri Matisse. Ulysses, New York, The Limited Editions Club, 1935, number 1202 of 1500 numbered copies signed by Matissse, with 6 soft‑ground etchings and reproductions of preliminary drawings, brown buckram with gilt embossed design, original slipcase. $1800/2500

91. Blake, William, Illustrations to the Bible, compiled by Geoffrey Keynes, Clairvaux, London, New York, Trianon Press, 1957, folio (22 in. x 16 in.), one of only 20 limited de luxe copies in full black morocco, clamshell box with leather spine, with numerous color plates and other illustrations. $700/1000

92. Fine Bindings, Gardiner, Samuel Rawson.

Oliver Cromwell, London, Goupil & Co., 1899, folio (13 in. x 10 in.), 2 volumes, extended from one; with 108 extra illustrations, #1049 of 1575 copies on fine paper, with elaborate inlaid floral boards and spine, leather and silk moiré doublure. $700/1000

93. Signed Ralph Waldo Emerson Books, Emerson, Ralph Waldo. The Complete Works of Ralph Waldo Emerson, Cambridge, Riverside Press, 1903, 12 volumes, #503 of 600 total copies of the Autograph Centenary edition, with an Emerson manuscript leaf and a signed check bound into the first volume, full gilt leather, fine leather doublures, silk endpapers. $1500/2500

94. Fine Bindings, Ovid.

The Metamorphoses, London, The Golden Cockerel Press, 1958, large octavo, number 28 of 75 specially bound copies with 14 extra illustrations, full tan morocco, with tooled red onlays, original slipcase. $600/900

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95. Signed H.G. Wells Books, Wells, H.G. The Works of H.G. Wells, New York, Charles Scribner’s Sons, 1924‑1927, 28 volumes, The Atlantic Edition, this being #307 of 1050 sets, signed by Wells on the limitation page of the first volume, 3/4 red leather, the paper watermarked “HGW”. $1000/1500

96. Color‑Plate Book, Jacob, William. Travels in the South of Spain, in Letters Written A.D. 1809 and 1810, London, J.

Johnson and Co., 1811, quarto, full calf, fold‑out map of Cadiz, 11 hand‑colored aquatints (one fold‑out), 1 engraving. $700/1000

97. Fine Binding/Color‑Plate Book, Whitefield, Edwin. Homes of Our Forefathers in Boston, Old England and Boston, New England, Boston, E. Whitefield, 1889, quarto, full gilt morocco, elaborate doublures, silk moiré free endpapers, with 64 chromolithographs and 1 heliochrome of buildings and homes. $600/900

98. Fine Binding, Flaubert, Gustave. The Temptation of Saint Antony, London, H.S. Nichols, 1895, nine illustrations, satin binding, original chemise and 1/4 leather slipcase. $300/500

101. Early English Law, Coke, Edward. The First Part of the Institutes of the Laws of England..., London, Company of the Stationers,

1656, fifth ed., large octavo, full leather, 395 two‑sided pages, with table and fold‑out plate of lineage. $400/600

99. Female Impersonators, Bulliet, C.J. Venus Castina, Famous Female Impersonators Celestial and Human, New York, Covici, Friede, 1928, signed by the illustrator, Alexander King, on the frontispiece, three‑quarter leather, with gilt and inlaid spine. $600/900

102. Hemingway, Ernest, The Old Man and the Sea, New York, Charles Scribner’s Sons, 1952, first edition, with dust jacket. $700/1000

100. Fine Binding, Nelson’s Letters from the Leeward Islands..., London, The Golden Cockerel Press, 1953, engravings by Geoffrey Wales, large octavo (12 1/2 in. x 8 3/4 in.), full tri‑color morocco with gilt device, original slipcase. $500/700

103. Thomas Bewick (English, 1753‑1828), The Fables of Aesop. and others, with Designs on Wood by Thomas Bewick, Newcastle, for T. Bewick and Son, 1818, octavo, full calf and vellum, with 374 woodcuts. $500/700

Additional information at www.nealauction.com

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104. Fine Bindings, Dickens, Charles. The Posthumous Papers of the Pickwick Club, London, Chapman & Hall/Lawrence & Jellicoe, 1910, illustrated

by Cecil Aldin, 2 volumes, octavo, full red morocco, gilt tooling, with 24 color and numerous other illustrations. $600/900

105. Thomas Bewick (English, 1753‑1828), The Fables of Aesop. and others, with Designs on Wood by Thomas Bewick, Newcastle, for T. Bewick and Son, 1818, octavo, full calf and vellum, with 374 woodcuts. $500/700

106. Herbert Hoover Signed Book, Hoover, Herbert. The Ordeal of Woodrow Wilson, New York, McGraw‑Hill Book Company, Inc., 1958, first edition, special presentation edition, #169 of 500 signed by Hoover. $500/700

107A. Louis Vuitton “President Classeur” Monogram Canvas Briefcase, marked, date code 1079524, lock no. 1298437; h. 15 1/4 in., w. 17 1/4 in., d. 4 1/2 in.; together with a Fred Paris brown leather jewelry case, h. 10 in., w. 13 1/4 in., 6 in. $600/900

107. Louis Vuitton Orange “Vuittonite” Canvas Trunk, early 20th c., labeled, date code “151027” and lock no. “022160”, brass hardware, leather handles, fitted with one removable tray; h. 21 in., w. 37 in., d. 20 1/2 in. $3000/5000 Provenance: Hermitage Antiques, Dallas, TX, 2006.

108. Italian 14 kt. Yellow Gold Anchor Link Chain Necklace, set with classical coin. $800/1200

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109. David Webb 18 kt. Yellow Gold Rope Motif Money Clip, inset with antique coin, approx. wt. 31 dwt. $800/1200

111. Three 14 kt. White Gold and Diamond Gentleman’s Dress Studs, set with 33 small diamonds totaling approx. 2 cts., VS1‑VS2. $2000/3000 110. Pair 18 kt. Yellow Gold, Enamel, Diamond, Ruby, Emerald and Sapphire Pheasant Motif Cufflinks, signed “BH#1809”. $800/1200 113. Pair of White Gold, Sapphire, Diamond and South Sea Pearl Earrings, unmarked, probably 18 kt., set with 2 oval faceted sapphires, 62 baguette sapphires, numerous small full cut diamonds and 12 mm. South Sea pearl pendants. $2000/3000

112. Cartier 18 kt. White Gold and Diamond Band Ring, wt. 15.5 dwt. $700/1000

114. Tiffany & Co. Yellow Gold Model #4355 Multifunction Watch, Swiss hallmarks, manual movement, with Italian 18 kt. yellow gold bracelet. $4000/6000

115. 18 kt. White Gold, Diamond and Yellow Sapphire Gentleman’s Dress Set, comprised of pair of cufflinks and 4 vest studs. $3000/4000

117. Quadruple Strand Cultured Pearl Necklace with 14 kt. Yellow and White Gold and Pavé Diamond Clasp, 6 1/2 ‑ 7 mm. pearls. $2000/3000

116. American 14 kt. Yellow Gold Belt‑Form Bangle Bracelet, wt. 54 dwts. $2000/3000 Provenance: Cole Porter Estate, Sotheby’s, New York.

Additional information at www.nealauction.com

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119. Tiffany & Co. Schlumberger 18 kt. Yellow Gold, Lapis Lazuli and Diamond Flower Brooch, h. 1 7/8 in., w. 7/8 in. $1500/2500

118. Pair 18 kt. White Gold and Pavé Diamond “Paisley” Earrings. $800/1200

120. Italian 18 Kt. Yellow Gold Anchor Link Chain Necklace, marked Mancadori, set with octagonal citrine, 2 square light blue sapphires, 2 square rubelite tourmalines and 10 small diamonds, weight 24 dwts. $1500/2500

121. Tiffany & Co. 18 kt. White Gold and Diamond Wristwatch, leather Tiffany & Co. bracelet. $3000/5000

122. Hermes Sterling Silver Curb Link Buckle Bracelet, l. 9 in., wt. 7.65 troy ozs. $1000/1500

123. Corum Stainless Steel and 14 kt. Yellow Gold Admiral’s Cup Wristwatch. $2000/3000

124. Georgian Silver Top, Gold Back Turtle Motif Stickpin, set with oval cabochon sapphire, 12 old mine cut diamonds and cabochon ruby eyes. $300/500

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125. An Antique American 14 kt. Yellow Gold Watch Chain with Intaglio Fob, wt. 76 dwts. $1500/2500

126. Double Strand Cultured Pearl Necklace with 14 kt. White Gold, Diamond and Cultured Pearl Clasp, the pearls of light rosé color, ranging from 8.5 to 9.5 mm., l. 20 1/2 in. $1000/1500 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL. 127. Antique English Yellow and Rose Gold Watch, Chester, 1838, monogrammed “EB” for Eliza Bowman (1805-1851), accompanied by an invoice dated February 14, 1859 from A. Romand to Mr. D. Turnbull of Bayou Sara for making a key for the watch. $1000/2000 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/Fort Family.

128. Victorian‑Style 14 kt. Yellow Gold and Colored Stone Slide Bracelet, comprised of 8 slides, wt. 29 dwt. $1000/2000 Provenance: Descended in the Turnbull/Bowman/Fort Family of Rosedown and Catapla Plantations.

129. Antique American 14 kt. Yellow Gold and Carved Stone Cameo Brooch and Earring Set, c. 1870‑1880, earrings with later backs, brooch with replaced catch. $600/800 Provenance: Rosedown Plantation, St. Francisville, LA; descended in the Turnbull/Bowman/ Fort Family.

131. Very Rare Antique Colonial Hand‑Hammered 12 kt. Yellow Gold Ring, early 19th c., mounted with 3 cannons, evocative of the famous cannons of Henri Christophe (1767‑1820), King of Haiti, at Citadelle Laferriere. $800/1200 130. Victorian‑Style 14 kt. Yellow Gold and Garnet Bangle Bracelet, with Etruscan decoration, wt. 18.5 dwt. $800/1200 Provenance: Descended in the Turnbull/Bowman/Fort Family of Rosedown and Catapla Plantations.

132. Fine West Indies Carved Mahogany Server, 19th c., exuberantly scrolled backsplash, distinctive reeded frieze and figured central panel, side frieze drawer, ring‑turned legs, h. 55 3/4 in., w. 57 1/4 in., d. 24 1/2 in. $2500/3500 Note: A uniquely West Indian development is the ‘wagonette’, a two-tiered server with a serpentine backsplash, drawers, and carved and turned legs.

The distinctive carved backsplash, reeded front with central decorative panel, turned legs, and fitted drawers on this server closely relate to four documented Jamaican examples: one in the Annadale Great House on Jamaica’s north shore, a large server and two smaller wagonettes, all documented by Michael Connors.

Ref: Connors, Michael. Caribbean Elegance New York: Abrams, 2002, figs.

19, 94, 95; Connors. British West Indies Style. New York: Rizzoli, 2010, pp 120-121.

Additional information at www.nealauction.com

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134. Southern Maple and Pine Side Chair, c. 1830‑1835, shaped crest, palmetto‑carved splat, rush seat, square tapered legs, h. 33 1/4 in., w. 17 3/4 in., d. 14 1/4 in. $300/500 133. American Late Federal Carved Mahogany Sideboard, c. 1830‑1845, paneled frieze drawers, recessed central paneled doors, side cupboards with laurel appliqués flanked by scrolled supports with acanthus molding, brass ball front feet, scrolled back feet, poplar secondary wood, h. 44 3/4 in., w. 61 7/8 in., d. 24 in. $4000/6000

Ill.: Boor, Allison, et al.

Philadelphia Empire Furniture.

p.349, fig. 207.

Provenance: Girod‑Napoleon House, New Orleans; The Hon. Richard Avery, Marion, AL; Collection of Carl and Dixie Butler, Temple Heights, Columbus, MS. Exh.: “Jefferson’s America and Napoleon’s France”, New Orleans Museum of Art, Apr. 12, 2003 to Aug. 31, 2003.

Ill.: Holden, Bacot et al. Furnishing Louisiana: Creole and Acadian Furniture, 1735‑1835, New Orleans, LA: The Historic New Orleans Collection, 2010, p. 277; Cooke, Victoria and Gail Feigenbaum, Jefferson’s America and Napoleon’s France, New Orleans, LA: New Orleans Museum of Art, 2003, p. 277; The Magazine Antiques, July 2002, p. 100..

135. American Classical Carved Mahogany Miniature Chest of Drawers, mid‑19th c., Pennsylvania, bolection drawer above three drawers, scrolled supports and feet, h. 14 in., w. 13 in., d. 10 in. $500/700 Ill.: Boor, Allison, et al.

Philadelphia Empire Furniture.

p. 555, fig. 383.

136. American Classical Carved Mahogany Sideboard, early 19th c., attr. to John Needles, Baltimore, gallery with scroll terminals, indented top, conforming case, frieze with drawers and quatrefoil blocks over paneled cupboard doors, Corinthian columns, acanthus paw feet, h. 50 in., w. 73 1/2 in., d. 24 in. $3000/5000 Note: A mahogany sideboard for the household of John Needles (Baltimore, fl. 1810-1852) and bearing his label now in the Maryland Historical Society (acc. 1992.38) has reeded and scrolled-end splashboard, quatrefoil-blocks, and shaped center cabinet very similar to those seen here.

Ref.: Weidman, Gregory. Classical Maryland 1815-1845, Fine and Decorative Arts from the Golden Age, Baltimore: Maryland Historical Society, p. 118, fig. 143.

137. American Federal Mahogany Bookcase, early 19th c, molded cornice, four glazed doors enclosing shelves; lower case with central pair of paneled doors, flanked by drawers, molded plinth base, h. 103 1/2 in., w. 95 in., d. 17 in. $5000/7000

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138. American Sheraton Cherrywood Sugar Chest, 19th c., hinged lid, beaded molding, single drawer, tapering turned legs, h. 35 3/4 in., w. 37 1/2 in., d. 18 3/4 in. $1200/1800

139. American Classical Mahogany Mixing Table, mid‑19th c., with Egyptian marble top, ogee‑molded frieze, scrolled supports, turned stretcher, scrolled feet, h. 33 1/4 in., w. 25 1/4 in., d. 17 in. $1000/1500

140. Pair of American Federal Gilded and Painted Maple Landscape Chairs, c. 1815, attr. to Thomas Renshaw and John Barnhart, Baltimore, MD, paneled crest centered by pastoral scenes, X‑shaped splat, turned tapered columnar stiles, shaped stretcher, h. 33 1/2 in., w. 19 in., d. 20 1/4 in. $1200/1800

141. Two Antique American Pressed Zinc Portrait Medallions, 19th c., one depicting George Washington, dia. 21 in., d. 1 1/2 in. $1000/1500

142. American Cast Iron Swan‑Form Architectural Element, 19th c., now mounted on rectangular base, h. 20 1/2 in., w. 30 1/4 in. $1200/1800

144. American Beaux‑Arts Patinated Copper Architectural Element, 20th c., Aztec‑style mask design; originally displayed on the Commodore Hotel, New York City, h. 34 1/2 in., w. 33 in., d. 24 in. $2500/3500 Ref.: Blum, Evan and Leslie.

Irreplaceable Artifacts. New York:

C. Potter, 1997, p. 42.

143. Rare American Cast‑Iron Fish Tank, 19th c., marked “J.W. Fiske/41/Park Place”, octagonal basin centered by floral fountain, frame with lily pad‑form candle holders, base with three addorsed egrets, h. 53 in., d. 38 in. Note: Lacking glass panels. $3000/5000 Provenance: Descended in the family of Francisco A. Chapa.

Note: Francisco A. Chapa (1870-1924) immigrated to the United States from Matamoros, Tamaulipas. Chapa studied pharmacy at Tulane University and later moved to San Antonio, where he established La Botica del León (the Lion Drugstore), later known as Chapa Drug Store. An outspoken Texas-Mexican Republican, Chapa published El Imparcial de Texas, a conservative newspaper, and served as a lieutenant colonel under Governor Oscar B. Colquitt. Chapa was intimately involved in U.S. relations with Mexico during the Mexican Revolution, a time of great political and economic upheaval.

145. American Cast Bronze Plantation Bell, mid‑19th c., marked “Meneely’s Foundry, West Troy, New York, 1850”, complete with clapper and cast iron yoke supports, base dia. 17 in. $1200/2000

Additional information at www.nealauction.com

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146. Polychrome Plaster Bust of Henry Wadsworth Longfellow (1807‑1882), 19th/20th c., after the 1884 marble bust by Sir Thomas Brock (British, 1847‑1922) in the Poets’ Corner, Westminster Abbey, h. 32 in., w. 25 in. $800/1200

147. American Classical Mahogany Pier Mirror, c. 1825‑1835, New York, stenciled maker’s mark reading “…Miller, looking glass maker, 84 Mark Street, New York”, molded and stepped cornice above oil on board painting of a sailing ship by a lighthouse, rectangular mirror plate, flanked by spiral and acanthus carved columns with gilt brass medallions, h. 43 1/2 in., w. 19 1/2 in. $800/1200 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 522 fig. 353.

148. American Mahogany Eight‑Day Banjo Clock, c. 1825, the dial inscribed “Warrented by Wm. Cummens” (William Cummens, Roxbury, MA.), the mahogany frame fitted with glass tablets, the lower depicting “The Constitution’s Escape”, h. 34 in., w. 10 in., d. 3 3/4 in. $1000/1500

149. American “House of Representatives” Carved Oak Armchair, c.

1856, attr. to Bembe & Kimbel, New York, after a design by Thomas U. Walter, three‑star Federal crest flanked by oak branches, outswept husk‑carved arms with pads, bowed seat with guilloche rail, turned lotus‑carved legs, brass casters, retains attractive reddish patina, original “Summer” seat; stamped “119”, h. 42 in., w. 25 in., d. 21 in. $6000/8000 Note: The designer of this chair, Thomas Ustick Walter (1804‑1887), architect of the U.S. Capitol, was responsible for the interiors of the House of Representative wing. The chairs were in use from 1857 to 1873, when remodeling resulted in the sale of Walter’s furnishings.

Other chairs from this group have been sold in these rooms, as lot 496 on Oct. 4, 2003, lot 553 on Feb. 18, 2005, and lot 262 Feb. 23, 2008.

Ref.: High Museum of Art, Art and Enterprise, pp. 366‑367.

Interestingly, one of the most iconic and poignant photographs of President Abraham Lincoln (Library of Congress, Brady-Handy Collection) shows him sitting in an identical “House of Representatives” armchair with his son Tad in the studio of famed American photographer Mathew Brady. The chair, believed to be a gift to Brady from Lincoln, was used in the portraits of many prominent nineteenth-century American historical figures.

Ref: Meredith, Roy. Lincoln’s Camera Man: Mathew Brady. 1946 pp.78-81

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150. American “House of Representatives” Carved Oak Desk, c. 1856, attr. to Bembe & Kimbel, New York, after a design by Thomas U. Walter, top rail centered with a three‑star Federal crest, lidded well, slanted writing surface with drawer; back intricately carved and reticulated, scroll brackets on modified trestle base, casters, h. 37 1/2 in., w. 29 1/2 in., d. 21 in. $5000/7000 Note: This desk was designed by Thomas Ustick Walter for the House of Representatives Chamber, in use after 1857. Desks in the chamber were of two forms, a two compartment desk to accommodate two sitters, likely installed in the center aisle of the chamber, and single seat desks such as the lot featured here.

152. Rare Louisiana Painted Slat‑Back Side Chair, early 19th c., River Parishes region, acorn finials, cylinder and sausage turned stiles with scribed rings, shaped slats, double box stretcher, later hide seat and paint. $600/900 Provenance: Buckholz Family Home, Napoleon Ave., New Orleans.

151. American Late Classical Carved Mahogany Pier Table, c. 1830, labeled Deming & Bulkley, New York, original marble top, cove‑molded frieze, concave supports, conforming plinth, scrolled feet with bosses, h. 35 3/4 in., w. 42 in., d. 19 1/4 in. $4000/6000 Provenance: Neal Auction Company, April 3, 2004, lot 506.

Note: Deming and Bulkley, a New York firm located at 56 Beekman Street, established a thriving retail business at 205 King Street in Charleston in the 1820s and became the most important supplier of fashionable furniture to the first families of Charleston for the next twenty years.

153. Lulu King Saxon (American/New Orleans, 1855‑1927), “Louisiana Cabin Scene”, oil on board, signed in red lower right, “Seebold Gallery, New Orleans” label en verso, 6 1/4 in. x 9 1/8 in., period frame. $1200/1800

155. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte: Passenger Pigeon”, watercolor on paper, signed and inscribed “N.O.” lower left, sheet 27 1/2 in. x 21 in., framed. $12000/18000 Provenance: William E. Groves Collection, New Orleans; D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

154. George Louis Viavant (American/Louisiana, 1872‑1925), “Nature Morte: Pintail Drake”, 1924, watercolor on paper, signed and dated lower left, “M.... Bros. Inc., 200‑206 So. Wabash Ave, Chicago” label en verso, 28 3/4 in. x 21 in., framed. $20000/30000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

156. George Louis Viavant (American/Louisiana, 1872‑1925), “Nature Morte: Large Mouth Bass”, 1920, watercolor on paper, signed and dated lower left, sight 27 in. x 15 1/2 in., framed. $10000/15000 Additional information at www.nealauction.com

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157. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Lone Live Oak Tree”, 1906, oil on canvas, signed and dated lower right, 20 in. x 40 in., framed. $20000/30000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

158. Rare American Rococo Carved and Ebonized Rosewood Bedstead, mid‑19th c., attr. to purveyor Prudent Mallard, New Orleans, scrolled pediment, crest with central urn and flowers above cabochon cartouche, paneled headboard, turned finials with gadrooned edge, reeded posts, shaped foot board, paneled foot and side rails with rounded corners, acanthus and shell carved skirt, acanthine bracket feet, casters, h. 74 5/8 in., l. 81 in., w. 64 in. $7000/10000 Provenance: A New Orleans Family; by descent.

Note: The distinctive urn form crest on this fine bed relates to that on the famous carved rosewood bed from Prudent Mallard (Sevres/New Orleans, 1809-1879) at Lansdowne Plantation in Natchez, Mississippi and is also found on an important bed descended in the Villere-ClarkAtkinson family of New Orleans sold in these rooms as lot 74, Nov. 20, 2010. The carved foot board on the bed here departs from the Lansdowne model by the continuous incurvate form very similar to that on the Villere-Clark-Atkinson bed. The fluted posts on this lot are nearly identical to those on the bed made by Mallard for the bedroom of Isabel Puig now at the Louisiana State Museum’s 1850 House and on a bed also from a New Orleans family sold by Neal Auction Company as lot 684, Jul 1, 2012.

Ref.: The Lansdowne and Puig beds are illustrated in Otto, Celia.

American Furniture of the 19th Century, New York: Viking, 1965, pl.

289 and 285.

159. Very Fine Monumental American Late Classical Mahogany Bookcase, c. 1840, scrolled and shell carved crest, ripple molded frieze, glazed doors over drawers, adjustable shelf interior, h. 112 1/2 in., w. 143 in., d. 20 in. $12000/18000

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160. American Classical Carved Mahogany Pembroke Table, c. 1790‑1810, signed “John Wilson, Charleston, SC” on drawer back, shaped drop‑leaf top, frieze drawer, acanthus carved and turned tapered legs, cuff casters, h. 28 5/8 in., w. 38 5/8 in., d. 25 in. $2000/3000

161. American Mahogany Tambour Lap Desk, c. 1800, manner of Thomas Seymour, fitted cylinder tambour opens with drawer and unlocking foldover lid, baize-lined writing surface. $700/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: William H. Bates III Antiques, NY. Note: John Wilson was a cabinetmaker working in Charleston, S.C. from 1790 to 1807. In 1790 he advertised as having elegant mahogany furniture.

Ref.: Bjerkoe, Ethel Hall. The Cabinetmakers of America. p.235.

162. American or West Indian Classical Carved Mahogany Campeche Armchair, mid‑19th c., tall molded crest, upholstered wings, scrolled arms, curule supports, stretcher. $2500/3500

163. American Classical Carved Mahogany Coat Rack, c. 1800‑1820, Philadelphia or Boston, ring‑turned post, acorn finial, turned pegs, tripod base, h. 69 1/4 in., w. 19 1/2 in. $1200/1800 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 542, fig. 369.

164. American Federal Pine “Brun Espagnõl” Huntboard, early 19th c., probably Piedmont Georgia or South Carolina, the single board top above pair of drawers retaining original brasses, tapered square legs; pegged construction, h. 46 1/4 in., w. 63 in., d. 19 1/2 in. $3000/5000 Provenance: A Charleston, S.C. collection; sold Neal Auction Company, Dec. 3, 2005, lot 198.

165. American Chippendale Carved Mahogany Tall Case Clock, c. 1825, George Baldwin, Sadsbury Township, Chester Co., Pennsylvania, clock with swan’s neck crest and urn shaped finials, face flanked by fully carved columns, painted dial with second and calendar dials and floral spandrels, below moon phase, case with arched door and chamfered corners, base with recessed panel, ball feet, h. 94 1/2 in., w. 20 1/2 in., d. 10 in. $3000/5000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 551, fig. 379.

Additional information at www.nealauction.com

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166. American Classical Bronze Mounted Rosewood Pier Table, early 19th c., New York, Egyptian marble top with rounded corners, conforming brass banded frieze, canted scrolled supports with classical mounts, tapered pilasters flanking mirror plate to the rear, incurvate plinth, cylindrical feet, h. 37 in., w. 46 5/8 in., d. 20 in. $4000/6000

167. Richard Clague (French/Louisiana, 1816‑1878), “Streetcar Tracks”, oil on canvas, signed lower left, canvas stencil en verso, 24 in. x 34 in., original gilt frame. $120000/180000 Provenance: Property of an Uptown New Orleans Lady.

Exh.: Tulane University President’s House, No. 2 Audubon Place, 2002‑2015.

Note: This important painting by French-born artist Richard Clague depicts his distinctive technique and painting style, which defined the Louisiana landscape school of painting, and portrays a unique glimpse into life in New Orleans at an exciting time when streetcars were becoming a prominent form of transportation. In 1860, New Orleans was home to the New Orleans and Carrollton Railroad Company, which ran horse or mule-drawn streetcars along four routes throughout the area in the “American” Quarter above Canal Street. Before the implementation of the street railway system, the people of New Orleans relied on the omnibus lines (a horse-drawn carriage system) to traverse the city. The population rise in the 1850s soon led to the need for a more efficient way to transport a growing community.

Between 1861 and 1873, the number of New Orleans and Carrollton Railroad Company street railways increased from four lines to nine lines; over one hundred street cars ran along these tracks. By the early 1870s, experimentation with steam power had begun in order to provide an even faster streetcar that did not rely upon horses and mules for power, and in 1890, the last remaining mule car line was shut down as the electrification of the streetcar lines began.

While Richard Clague is known for his Louisiana landscape scenes, particularly in the post-Civil War years, this significant painting, which can be dated to approximately 1870 due to the more rural location of the streetcar tracks and the mule-drawn streetcar far at the end of the tracks near the vanishing point of the composition, depicts a rare look into the everyday life of New Orleans. The addition of streetcar tracks in rural areas would have afforded people a more expedient way to get to the center of the city, providing them with opportunities for jobs and an efficient way to travel. Clague’s Barbizon-influenced painting style captures the beauty of the Louisiana landscape, including the traditional elements of oak trees with moss against a flawless blue sky, while adding more modern elements of houses, fences, and tracks, making this painting one of the most interesting and exceptional works in his oeuvre.

Ref.: Hennick, Louis C. and E. Harper Charlton. Louisiana: Its Street and Interurban Railways, Vol. I. Shreveport: Journal Printing Company, 1962. Hennick, Louis C. and E. Harper Charlton. The Streetcars of New Orleans. Gretna: Pelican Publishing Company, 1975.

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168. William Aiken Walker (American/ South Carolina, 1838‑1921), “House along the Gulf Coast”, 1870, oil on paper, signed and dated “Oct. 28(?), 1870” lower left, “Sotheby’s…, New York, Dec. 18, 1991, lot 63” labels en verso, 6 3/4 in. x 9 1/2 in., framed with artist plaque. $20000/30000 Provenance: Private Collection, Savannah, GA. Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

Note: William Aiken Walker kept only one journal or day-book throughout his long career, during the period of his two-month sojourn in Cuba beginning on December 15, 1869.

Following his last entry there, of February 13, 1870, he sailed shortly afterward for Charleston and New York; he also possibly made his only visit to Europe, presumably that spring. At the end of the year, an undated clipping from the Baltimore Sun recorded his European trip, and also that Walker “contributed two original pictures” to “the Exhibition.” Since a parallel clipping of December 1871 refers to another such show as the “second annual” exhibition of Baltimore artists, the presumption is that the earlier clipping may have been published in December 1870. An example of the two “small paintings” that Walker presented in that show is named by the newspaper as “One of the Attractions of the Sea Shore” (it represented a girl on a rock, gazing out to sea). Apart from these anchors of JanuaryFebruary and December, Walker’s life and works are undocumented for the entire remainder of 1870. Thus the fine and unique painting offered here affords both an important new date in Walker scholarship, and also the quite unexpected revelation that he was in fact enjoying the Gulf Coast on its inscribed date of October 28, 1870.

Ref.: August P. Trovaioli and Roulhac B. Toledano, William Aiken Walker, Southern Genre Painter, 1st ed., Baton Rouge, 1972, 2nd rev. ed., Gretna, 2000; Cynthia Seibels and Robert M. Hicklin Jr., The Sunny South: Life and Art of William Aiken Walker, Spartanburg, 1995; Ray L. Bellande, Hotels and Tourist Homes of Ocean Springs, Mississippi, Ocean Springs, 1994, pp. 31-35, and 67.

170. William Aiken Walker (American/South Carolina, 1838‑1921), “Male and Female Cotton Pickers in the Fields”, oil on academy board, signed lower left, partial “F.W. Devoe, Academy Board, N.Y.” label en verso, 11 1/2 in. x 9 in., antique frame. $8000/12000 Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

169. William Aiken Walker (American/South Carolina, 1838‑1921), “Levee, New Orleans”, oil on academy board, signed lower left, “Robert M. Hicklin, Jr., Inc., Spartanburg, South Carolina” and “Lauren Rogers Museum of Art, Laurel, Mississippi” labels with title en verso, 12 in. x 6 1/8 in., framed. $12000/18000 Provenance: Robert M. Hicklin, Jr., Inc.; An Uptown New Orleans Private Collection.

171. William Aiken Walker (American/South Carolina, 1838‑1921), “Common Blue Crab”, oil on paper laid down, signed lower left, “The Arden Collection, Lafayette College, Easton. PA, 1983” exhibition label and “Christie’s, New York, Sept. 22, 1993, lot # 33” labels en verso, 15 3/4 in. x 11 3/4 in., framed with artist plaque. $20000/30000 Provenance: Private Collection, Savannah, GA. Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

Additional information at www.nealauction.com

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173. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “Near Bayou Lafourche”, 1877, oil on canvas, monogrammed and dated lower left, monogrammed, titled and dated en verso, 20 in. x 9 in., original gilt acorn and oak leaf motif frame with brass artist plaque. $12000/18000 Provenance: William Albert Swasey, FAIA, (1863‑1940), St. Louis, MO; his son, Albert Swasey; Massachusetts Family, c.

1962.

172. George Louis Viavant (American/Louisiana, 1872‑1925), “Mallard Ducks in the Louisiana Bayou”, watercolor on paper, signed lower right, 6 1/2 in. x 4 1/2 in., framed. $3000/5000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

174. William Henry Buck (Norwegian/New Orleans, 1840‑1888), “Cattle Grazing beside a Cabin among Live Oak Trees”, oil on canvas, signed and inscribed “Wm. H. Buck, N.O.” lower right, 18 in. x 30 in., framed. $125000/175000 Note: William Henry Buck created the most expansive known body of work depicting the Louisiana landscape in the 19th century. There is a masterful quality to the best paintings: the subtle luminosity, exquisite brushwork, and keen attention to detail of place and landscape. The work offered here is one such example. An accomplished depiction of a rural Louisiana landscape, the composition is unusual for Buck with its use of a diagonal perspective where the road leads to a building barely perceptible on the horizon line. A dense and fulsome tree line of mossladen live oaks dominates the composition. An Acadian cabin sits in the center of the painting with an African-American figure seated in the doorway, overseeing the cows grazing in the idyllic pasture.

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175. William Aiken Walker (American/South Carolina, 1838‑1921), “Bringin’ in the Dory”, 1895, oil on academy board, signed and dated lower left, pencil inscribed “$5.00”, partial “F.W. Devoe & Co., Academy Board, New York”, “Robert M. Hicklin, Jr., Inc., Spartanburg, SC” label en verso, 6 1/8 in. x 12 1/4 in., framed with artist plaque. $40000/60000 Provenance: The Warner Collection of Gulf States Paper Corporation, Tuscaloosa, AL; Robert M. Hicklin, Jr., Inc., Spartanburg, SC; Private Collection, Savannah, GA. Ill.: Seibels Cynthia. The Sunny South: The Life and Art of William Aiken Walker. Spartanburg, SC: Saraland Press, 1995, fig. 81, p. 161.

Note: In this well-documented Florida scene of 1895, William Aiken Walker’s brilliant command of composition and meticulous attention to detail perfectly depict the bank of the Halifax River in Ponce Park. Setting it apart from Walker’s other Florida nature studies and coastal landscapes, “Bringin’ in the Dory” incorporates the figure of a fisherman and the architecture of the coast. The result is a captivating concentration on the subtle vertical accent of the figure at the center, offset by the upward diagonal of the sailboat to the left, artfully reflecting an answering curve in the twin palms on the right-hand side. The painting presents a masterful blue-gray harmony of water and sky, shirt and planking, sail and roofs, all held in a moment of visual balance. The structures in the middle distance are the buildings of the Pacetti House, built in 1886 and run by B. C. and Martha Pacetti and their children. Walker became such a seasonal fixture of the hostelry that he acted as its receptionist, using its front office as a painting studio, and becoming an intimate companion of the often quite prominent patrons who frequented Pacetti House. The work offered here, perhaps more than any other of his coastal paintings, establishes Walker as a preeminent artist of the American landscape.

Ref.: Seibels, Cynthia and Robert M. Hicklin Jr.. The Sunny South: The Life and Art of William Aiken Walker. Spartanburg, SC: Saraland Press, 1995, pp. 161-163.

Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

177. William Aiken Walker (American/South Carolina, 1838‑1921), “Cabin by the Cotton Fields”, oil on academy board, signed lower left, “The House of Heydenryk, NY” label en verso, 6 1/4 in. x 12 3/8 in., framed. $8000/10000 Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

176. William Aiken Walker (American/South Carolina, 1838‑1921), “Male Cotton Picker” and “Female Cotton Picker”, 2 oils on academy board, both signed lower left and pencil‑inscribed en verso, each 8 in. x 4 in., matching gilt frames. (2 pcs.) $7000/10000 Note: To be included in John Fowler’s forthcoming catalogue raisonné of William Aiken Walker.

Additional information at www.nealauction.com

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178. Marine Architectural Drawing Henry William Frackman (American, 1834‑1869), “The Iron Steamer Carrie of Savannah”, 1869, watercolor, pen and ink on paper, signed lower right of main view, 21 3/4 in. x 24 in., framed. $2000/3000

179. Southern School, 19th c., “Portrait of a Boy with his Dog, Possibly Abram David Reynolds (1847‑1925)”, c. 1855, oil on canvas, unsigned, 40 in. x 30 in., framed $3000/5000 Provenance: Abraham David Reynolds to his son Richard Samuel Reynolds; to his son Julian Louis Reynolds; Motley’s Auction, Richmond, VA, Apr. 1994.

180. Rare and Important Louisiana Inlaid Cherrywood and Cypress Armoire, c. 1810, molded cornice, inlaid frieze centered by a monogram “HR”, Heloise Aurora Roland (b. 1795), inlaid doors with pierced brass escutcheon, fiche hinges; the interior with shelves and medial belt of drawers; paneled sides, scrolled apron, cabriole legs, h. 79 7/8 in., w. 56 1/2 in., d. 27 in. $80000/120000 Provenance: Donna Heloise Aurora Roland (1795‑1850) and Edmond Landry Grammont Filhiol (1789‑1871); their son, Jean Baptiste Filhiol (1815‑1885) and Nancy St. Clair Ballew (1822‑1877); their son, Hardy Holmes Filhiol (1845‑1909) and Louise Filhiol (1789‑1871); their son, Jean Baptiste Filhiol (1815‑1885) and Nancy St. Florence Miller (1878‑1973); their daughter, Marie Adele Filhiol (1908‑1997); D. Benjamin Kleinpeter, Sr., Baton Rouge, c. 1980.

Ill. Holden, Bacot, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 1735‑1835. New Orleans: Historic New Orleans Collection, 2010, p. 177, fig. 67.

Note: The armoire was the most significant furniture form in the French colonies, from Canada through the Mississippi River Valley down to Louisiana and the French West Indies. In Louisiana beginning in the early nineteenth century, cabinetmakers were producing armoires in a distinctly Creole style, which was a rather unique integration of French and Anglo-American styles. This shift was a result of the sudden influx of émigré craftsmen as well as a growing demand for refined furniture by Louisiana’s increasingly wealthy population. The armoire offered here clearly demonstrates the new cultures that were essential in forming the Creole identity of New Orleans: the unmistakably French paneland-frame construction, the West Indian restrained surface decoration and mitered joints, and the finished interiors and incorporation of inlay most often used among Anglo-American cabinetmakers.

The use of cherry primary wood, inlay of stylized acanthus and a pinwheel rosette, scalloped-and-spurred skirt, and interior belt of drawers on this armoire closely relate to two other well-known examples. The distinctive group of Creole style armoires exhibit sophisticated design employing complex stringing, the aforementioned acanthus at the center stile terminals, and apron form.

Other related armoires in this group include an example from the Ellender family of Terrebonne Parish, also in the Kleinpeter collection, and an example descended in the Stauffer family of New Orleans and Avery Island. The armoire offered here has sophisticated chamfered corner stiles extending to the cornice and hoof terminals on the cabriole legs making it the most refined of the group.

Ref.: Holden, Jack, et al. Furnishing Louisiana, Creole and Acadian Furniture, 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, pgs.

175-177, figs. 65, 66, and 67.

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181. American Inlaid Mahogany Chest of Drawers, early 19th c., New York, deep drawer with figured oval flanked by lozenges, three graduated drawers, shaped apron, “French” feet, h. 44 in., w. 45 1/4 in., d. 22 7/8 in. $800/1200

182. Fine American Federal Inlaid Mahogany Bowfront Chest of Drawers, c.

1790‑1810, four graduated drawers, lion pulls, shaped apron, “French” feet, h. 38 1/2 in., w. 42 1/2 in., d. 24 1/4 in. $2500/3500

183. American Classical Carved Mahogany and Rosewood Games Table, c. 1815, attr. to James Woodward (1769‑1839), Norfolk, VA, foldover top with canted corners, conforming frieze, foliate and disc‑turned supports, incurvate plinth, hairy legs and paw feet, casters, h. 31 in., w. 35 1/2 in., d. 17 3/4 in. $4000/6000 Provenance: Aaron Firetag, Charleston, SC; his son, Israel Firetag (1923-1995), Charleston, SC; Sold at auction, Summer 2007, Mount Pleasant, SC. Note: Originally one of a pair of games tables attributed to James Woodward, the mate to the offered table is depicted on the cover of Newbern and Melchor’s Norfolk Classical Furniture. The rounded edges of the top, the solid core of wood used to construct the base, and the plinth panels on the skirt are related to two other games tables also attributed to Woodward, each having a Norfolk-area provenance. The handling of the legs, incurvate plinth, and hairy paw feet are directly related to the French Classical taste in America introduced by Charles-Honoré Lannuier and Duncan Phyfe.

184. Antique American Walnut Plantation Desk, mid‑19th c., Valley of Virginia, cove‑molded cornice, plain frieze, glazed doors, 2 drawers, table base with one drawer, square legs, turned feet, h. 48 1/2 in., w. 43 in., d. 14 in. $600/800

Ref: Newbern, Thomas. Classical Norfolk Furniture 1810-1840. 2004, pp. 24-25, figs. 3-29.

Additional information at www.nealauction.com

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186. Lower Mississippi Valley Cypress Chest, mid‑19th c., lift top, shaped apron, bracket feet, h. 16 1/4 in., w. 24 in., d. 13 1/2 in. $800/1200 Provenance: Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

185. Southern Paint-Decorated Cherrywood Pie Safe, 19th c., possibly Georgia, pair of paneled doors, shelf interior, tall square legs, h. 70 in., w. 41 1/4 in., d. 20 in. $1200/1800

188. American Late Federal Carved Mahogany Armoire, early 19th c., Louisiana, inscribed inside proper left door, cove‑molded cornice, plain frieze, paneled doors, interior with belt of drawers and a shelf, beehive legs and brass ball feet, h. 92 in., w. 59 in., d. 22 3/4 in. $8000/12000 Provenance: D. Benjamin Kleinpeter Sr. Collection, Baton Rouge, LA.

187. Lower Mississippi Valley Yellow Pine and Poplar Armoire, mid‑19th c., probably Lowndes County, MS, demilune carved doors, open interior, arched bracket feet, h. 75 7/8 in., w. 43 in., d. 16 in. $1500/2500

Note: The French inscription in two different hands inside the right door on this armoire reads: “This armoire belongs to Mrs. Gustave Miguez, neé Marcelite Romero, St. Martin Parish, LA, 1848c. 1875 Polestine Miguez is the legitimate daughter of Mr. G. M. / This armoire belongs to Marcelite / afterward it belongs to Polestine Miguez St. Martin Parish, b. 1867.” The 1880 census shows Polestine living with deRoen cousins and her siblings with Romero relatives.

Provenance: Neilson family, Belmont Plantation, Lowndes County, MS; Temple Heights, Columbus, MS.

The finely figured veneers, beehive turned legs, and brass ball feet on this armoire relate closely to a noted Houmas House armoire from the collection of Dr. George Crozat, sold by Neal Auction Company May 17, 2003 as lot 328.

Ill.: The Magazine Antiques, July 2002, p. 104.

Ref.: Poesch, Jessie. “Early Louisiana Armoires,” Magazine Antiques. (August, 1968) p. 205, fig. 12.

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189. Marie Adrien Persac (French, 1823‑1873, act.

Louisiana 1851‑1873), “Capriccio of a Louisiana Landscape with Bayou and Figures”, c. 1851‑1873, gouache on paper, signed “A. Persac” lower center, 5 1/8 in. x 6 7/8 in., framed. $25000/35000 Published presumably, as one of a group still remaining in France; see below: H. Parrott Bacot, et alia, Marie Adrien Persac, Louisiana Artist, Baton Rouge, LSU Press, 2000, pages 6-7.

On 15 July 1856 Persac advertised with his then partner William G. Vail, in the Baton Rouge Daily Advocate, announcing their recent opening of a Daguerreotype studio: “Their rooms are tastefully decorated by many charming views from the pencil and brush of Mr. Persac.” In his definitive monograph of 2000 on the artist, H. Parrott Bacot notes that “the ‘charming views’ cited in the advertisement were doubtless small watercolor, gouache, and pen-and-ink sketches…”

Bacot continues, “This group of paintings includes…two southern landscapes (as indicated by moss-draped trees) …

These watercolors appear to have been executed over a broad period …between 1856 in Baton Rouge and c. 1867…in New Orleans,” since two are labeled with an address at 130 Canal Street where Persac worked in the mid-1860s. (It might further be noted that Persac won prize competitions for exactly comparable works in New Orleans in 1867, 1869, 1870, and 1871, and that he presented at least one such work as well at an exhibition in France in 1868.) Bacot concludes his biographical essay with the observation that “a third-generation descendant of Adrien’s older brother, Marie-Amédée, has no less than seven Louisiana landscapes done by Adrien” (still in France): the present sheet is very possibly one from that group.

Persac’s few published works have concentrated on some two dozen large panoramic views of south Louisiana plantation houses and their grounds, all executed between c. 1852 (at the earliest) or (more probably) 1857, and 1861: almost all were dated by the artist, and all are larger than the present drawing. All, without exception, are painted as rectangles. Indeed, the conspicuous oval shape immediately distinguishes this composition: it is emphatically not the “portrait of a place” (like the artist’s precise rectangular renderings); but rather a more imaginative recombination of ‘Acadian’ motifs, suggestively brought together to evoke a familiar landscape. Of its elements that are repeated in the dated drawings, the most striking is the short Y-shaped tree exactly at the center: precisely the same tree is seen in Persac’s rendering of Bois de Flèche Plantation, dated “1861.” The pirogue is again present in Persac’s view of Albania Plantation, once more dated “1861;” the buildings are approximated in his early image of Daigre House (of the 1850s), while the chickens are repeated in some half-dozen of his topographical views, executed between 1857 and 1861. (On the other hand, the very prominent pigs, uniquely appropriate to this riparian landscape, are decisively distinguished from Persac’s many renderings of sheep on plantation lawns, as for example in his images of Manchac 1857, Hope 1859, or Magnolia 1861.)

Ref.: H. Parrott Bacot, et alia, Marie Adrien Persac, Louisiana Artist, Baton Rouge, LSU Press, 2000; Barbara SoRelle Bacot, “Marie Adrien Persac; Architect, Artist, and Engineer,” in The Magazine Antiques (November 1991), pp. 806-815; John A. Mahé II and Rosanne McCaffrey, Encyclopaedia of New Orleans Artists, 1718-1918, New Orleans, THNOC, 1987, pp. 299-301; John Wilton-Ely, “Capriccio,” in The Grove Dictionary of Art, Jane Turner, ed., 34 vols, London, 1996, vol. 5, pp. 685-688.

190. José Francisco Xavier de Salazar y Mendoza (Mexican/Louisiana, 1750‑1802), “Portrait of a Louisiana Gentleman”, 1801, oil on canvas, signed, dated and inscribed “J. M. Salazar, pinxit, Nova Aurelia, 1801” lower right, 36 1/4 in. x 27 in., antique gilt frame. $40000/60000 Note: Little is known concerning the early life of the artist José Francisco Xavier de Salazar y Mendoza.

What is clear is that by 1782, when Salazar had arrived in New Orleans from the Yucatán, he was already a mature artist – as evidenced by the portraiture he created during the next two decades featuring Louisiana’s most prominent civic, military and religious elite.

Of the fifty-three known works attributed to Salazar, only thirteen are signed and even fewer are additionally inscribed. From the “Portrait of Abraham Kortright Brasher,” signed, dated 1800, and inscribed “New Orleans,” and the “Portrait of James Mather, Mayor of New Orleans,” signed and dated 1802, it is clear that Salazar was actively painting in this city even during the year of his death; it is not surprising, therefore, to find this portrait of a New Orleans gentleman dated to 1801.

While the New Orleans gentleman in this painting remains unidentified, a relatively common occurrence among Salazar paintings, there are several prominent families living in or near New Orleans in 1801 with gentlemen of the approximate age of our sitter. Three candidates - based on age and prominence within the Louisiana community with connections to Salazar through family portraits should be examined as likely sitters for the portrait offered here: Andry, de la Vergne and Roman.

(1) Bernard Noel Manuel Andry (1758-1839), who was born in New Orleans, owned a plantation in what is now LaPlace, Louisiana, near the site of the ill-fated 1811 German Coast Slave Uprising. Andry lived on his plantation in St. John the Baptist Parish and was a frequent visitor to New Orleans, where he met and married his second wife, Josephine Trudeau, whose father, Carlos Laveau Trudeau, was a well-known surveyor in New Orleans who owned property in the French Quarter. The portraits of Carlos Trudeau and his wife, in the collection of Tulane University, are among the finest of the paintings attributed to Salazar. Salazar is also known to have painted portraits of two of Trudeau’s other sonsin-law, Thomas Urquhart and General James Wilkinson (sold Neal Auction Company, November 2013, lot 465).

(2) Count Pierre de la Vergne (1760-1813) was born in France and came to New Orleans as a member of the French Royal Military. Settling in Louisiana, he married Marie Elizabeth du Verjé (also spelled du Vergier) de Marie, the widow of Jacques Verret, in 1780. The couple had a son, Hugues de la Vergne, in 1792. Paintings illustrated in Louisiana Portraits depict both Countess Marie Elizabeth de la Vergne, attributed to Salazar circa 1792, and Hugues de la Vergne, painted by A.D. Lansot in 1838.

(3) Jacques Etienne Roman (1748-1811) lived in Opelousas, where he greatly profited from his sugar plantations and cattle ranches. He married Marie Louise Patin and had six sons and one daughter. Three of the six sons followed in their father’s footsteps and became prosperous plantation owners. The daughter, Josephine, married Valcour Aime, one of the greatest sugar planters of the time. Their sons also became leading sugar planters in Louisiana – the oldest, Andre Bienvenu Roman, later became the ninth governor of Louisiana, and the youngest, Jacques Telesphore Roman, built the famed plantation Oak Alley.

These three distinguished figures represent likely candidates for the identity of the sitter here, a man undoubtedly of prominence with the means necessary to procure a likeness by the most admired portraitist in colonial Louisiana.

Ref.: National Society of the Colonial Dames of America in the State of Louisiana. Louisiana Portraits. New Orleans: Wetzel Printing, Inc., 1975. Arthur, Stanley Clisby and de Kernion, George Campbell Huchet. Old Families of Louisiana. Gretna: Pelican Publishing Company, 1931.

Additional information at www.nealauction.com

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191. Andres Molinary (American/New Orleans, 1847‑1915), “Le Chemin des Chapitoulas”, oil on canvas, signed lower right, typewritten label reading “Mrs. Boullemet, 2625 St. Charles Ave” en verso, 18 in. x 30 in., period frame. $30000/50000 Note: Bayou Tchoupitoulas (derived from the Indian tribe “Chapitoulas”), located between the Mississippi River and Lake Pontchartrain, centered historic plantations and farms. Today it is the location of Metairie Ridge and Road in Old Metairie. Land closer to the lake inevitably took longer to develop since the swampy areas had to be carefully cleared and drained. In this beautifully rendered painting, Andres Molinary focuses on a dredger working to make the canal in Bayou Tchoupitoulas more navigable. On the shore, an African-American fisherman with his skiff at the ready and pole in hand meets with his wife. Molinary was known for traveling outside of New Orleans and exploring the surrounding bodies of water to find interesting compositions for his landscapes.

Ref.: Bezou, Monsignor Henry C., Metairie: A Tongue of Land to Pasture, Gretna: 1979. New Orleans City Guide: American Guide Series, Boston: 1952.

193. Fine and Rare New Orleans Coin Silver and Silver Gilt Exhibition Model of a Mule‑Drawn Streetcar, P. or C.H. Zimmerman, wc. 1865‑1870, the moveable “bobtail” streetcar with front panel “MANUFACTURED/ BY/ ZIMMERMAN’S/ SILVERWARE FACTORY/ 94/ 96/ CANAL STREET NEW ORLEANS”, side panels chased with scenes depicting steamboat and railroad, moveable louver windows, base mounted with plaque engraved “EACH & EVERY PART/ OF THIS/ HORSE CAR/ MANUFACTURED AT/ ZIMMERMAN’S/ 94 & 96 CANAL ST/ NEW ORLEANS”, h. 6 in., l. 15 1/2 in., d. 9 1/2 in., wt. 53.65 troy ozs. $3000/5000 Provenance: The Collection of Richard Mellon Scaife.

192. Walker Evans (American, 1903‑1975), “Belle Grove Plantation (with tree stump in foreground), White Chapel, Louisiana”, 1935, silver gelatin print, printed before 1955, 3 photographer’s stamps and pencil notations incl. “II 60”, “133f”, and “1800” en verso, 8 in. x 10 in., framed. $3000/5000

Note: The mule-drawn “bobtail” streetcar, made by the Johnson Car Company of St. Louis, was used in New Orleans from the late 1850s until the electrification of the streetcar line at the end of the nineteenth century.

P. Zimmerman and later C.H. Zimmerman were in business at 94-96 Canal St., New Orleans from 1865 to 1870. C.H. Zimmerman was associated with Major William C. Driver, an accomplished silversmith formerly at Hyde & Goodrich. A butter cooler by C.H. Zimmerman from the collection of the Anglo-American Art Museum (now the LSU Museum of Art) is illustrated in Crescent City Silver and in Marks of Achievement.

Ref. Historic New Orleans Collection, Crescent City Silver, pp.

105-107 and 127; Warren, David B. et al, 194. Good New Orleans Coin Silver Repoussé Covered Sugar Bowl, Adolphe Himmel (1825/6‑1877) for Hyde & Goodrich, c. 1853‑1861, marked “H”, “HYDE & GOODRICH” in arc, “MANUFACTURERS”, and “NEW ORLEANS” in arc; domed cover with Asian figural finial, pear‑shaped body chased with roses and convolvulus, one cartouche monogrammed “EVF”, other cartouche vacant, branchwork handles, h. 7 3/4 in., wt. 21.25 troy ozs. $2000/3000

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Marks of Achievement: Four Centuries of American Presentation Silver, p. 129.

195. Charleston Coin Silver Creamer, John Mood, 1792‑1864, wc. 1816‑1864, marked “J.MOOD” in serrated rectangle, urn form with scroll handle, faceted body and die rolled borders, h. 7 3/4 in., wt. 10.55 troy ozs. $1200/1800 Ref.: Burton, E. Milby, Charleston Silversmiths 1690‑1860, pp. 129‑132.

196. New Orleans Coin Silver Teapot, Christopf Christian Kuchler & Adolph Himmel for Hyde & Goodrich, 1852‑1853, pear form, stepped circular base, both sides engraved with large rococo cartouches and one side with the name “Ella”, domed cover chased with conforming rocaille band with apple form finial, faceted spout and capped scroll handle, marked on underside “K&H” in an oval, “HYDE & GOODRICH, MANUFACTURERS NEW ORLEANS”, and “WARRANTED PURE COIN” in a serrated punch, h. 8 5/8 in., wt. 24 ozs.

13 dwts. $1000/1500 Ref.: Crescent City Silver, pp. 30‑37

197. New Orleans Coin Silver Ladle, Jean‑Noel Delarue (b. France 1776, d. New Orleans 1842), act. New Orleans 1802‑1842, marked “De/Larue” in script letters in oval flanked by bees in octagonal cartouches, fiddle handle with script monogram, l. 14 1/2 in., wt. 7.35 troy ozs. $1500/2500 Ref.: Crescent City Silver, pp. 66‑67, mark illus. p. 125.

198. Fine Natchez Coin Silver Sweetmeat Basket, Emile Profilet (1801‑1868), act.

Natchez 1823‑1868, marked “E. PROFILET” in rectangle, footed navette form, trompe l’oeil basketweave with ropetwist borders and swing handle, h. (to top of handle) 6 7/8 in., w. 6 3/8 in, d. 4 1/8 in., wt. 8.65 troy ozs. $4000/6000 Ref.: Nineteenth Century Natchez‑Made Silver, pp. 20‑25.

199. New Orleans Coin Silver Repoussé Water Pitcher, c.

1852‑1853, marked “K & H” (Christopf Christian Kuchler and Adolphe Himmel) “HYDE AND GOODRICH”, “MANUFACTURER” and “WARRANTED PURE COIN”, twig‑form handle and border, cotton blossom repoussé, height 14 in., weight 39.70 troy ozs. $5000/7000 Note: The short-lived partnership of Christoph Christian Kuchler and Adolphe Himmel, active only 1852-1853, produced pieces bearing only their makers’ mark as well as manufactured for Hyde & Goodrich.

Reference: Crescent City Silver, pgs. 30-37.

200. Three Louis Philippe 1st Standard Silver Forks, c. 1840, Dominq Laporte, Paris, act. 1825-1863. $100/200 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

Additional information at www.nealauction.com

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202. Pair of Old Sheffield Plate Candlesticks, c. 1830, gadroon borders, h. 10 3/8 in. $150/250 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

201. Fine Louis Philippe Argenté Bronze Figural Corbeille, mid‑19th c., cherub and scroll base, h. 9 1/4 in., w. 10 1/2 in., d. 8 1/4 in. $500/800 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

203. New Orleans Coin Silver Soup Ladle in the French Taste, ret. Hyde & Goodrich, act. 1828-1861, marked “HYDE & GOODRICH” in rectangle and with pseudo French and journeyman’s marks, upturned fiddle handle, script monogram, l. 12 3/4 in., wt. 5.70 troy ozs. $500/800 Note: Hyde & Goodrich provided silverware in the popular French styles for their Creole clientele, some locally made and some from East Coast manufacturers, notably Wood & Hughes. The rectangular Hyde & Goodrich mark indicates manufacture prior to 1850.

204. Tiffany & Co. Sterling Silver Presentation Cup, c. 1870, engraved “Minnie Cord Hebert/ from her Grandfather/ Ex Gov. P.O. HEBERT/ of Louisiana”, Renaissance Revival chasing, vermicelli banding, Greek key and beaded borders, angular handle, h. 4 1/4 in., wt. 7.60 troy ozs. $1000/1500 Note: Paul Octave Hebert (1818-1880) was the 15th governor of Louisiana, serving from 1853 to 1856. A West Point-educated engineer, Hebert served in all major battles of the Mexican-American War. He later was a Brigadier General in the Confederate Army, placed in command of Louisiana.

Post-war he retired to Home Place Plantation near Bayou Goula, and was appointed to several engineering boards by President Ulysses S. Grant.

Ref. Crescent City Silver, pp. 4-5.

205. Pair of Mexican Sterling Silver and Vermeil Paperweights, Tane, Mexico City, act. early 1950s to present, dia. 2 1/2 in., wt. 18.40 troy ozs. $250/350 Note: The prestigious Tane firm was founded by French émigrés and is known for the high quality of their work. Morrill and Berk, Mexican Silver, pp. 252‑255.

206. Baltimore Sterling Silver Repoussé Coffee and Tea Service, A.G. Schultz & Co., wc. 1899‑1950, vintage motif, incl. coffee pot, teapot, sugar and creamer, coffee pot h. 13 in., combined wt. 102 troy ozs., (4 pcs.) $1000/1500

207. Hyde & Goodrich Coin Silver Repoussé Pitcher, c. 1850, New Orleans, wc. 1828‑1861, marked “HYDE & GOODRICH” in rectangle, lobed pear shape with alternating panels of Continental landscapes and floral scrolls, vacant cartouche, foliate scroll handle, reticulated shell and scroll feet, h. 10 3/4 in., wt. 28.05 troy ozs. $1200/1800 Note: Two Hyde & Goodrich pitchers with identical handles and feet are illustrated in Crescent City Silver, p. 14 and p. 17.

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208. Gorham “Florenz” Pattern Sterling Silver After‑Dinner Coffee Service, pat.

1901, date mark for 1927, comprised of coffee pot, sugar, creamer and tray, coffee pot h.

10 7/8 in., tray l. 16 3/4 in., w. 10 1/8 in., combined wt. 70.35 troy ozs. $1000/1500

210. Group of American Coin Silver “Fiddlethread” Pattern Flatware, all monogrammed “T”, incl. dessert spoon, Henry Harland (1787‑1841), act. New Orleans, 1815‑1832, marked “HARLAND” in rectangle; 2 tablespoons and 1 teaspoon, marked “H●H” in rectangle and with pseudo hallmarks; and 2 luncheon forks, child’s knife and pickle fork, ret.

Bailey & Kitchen, Philadelphia, act.

1833‑1847, marked “BAILEY&KITCHEN” in rectangle and with Taylor & Lawrie hallmarks. $300/400 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

212. Auguste Edouart (French/New Orleans, 1789‑1861), “Silhouette of Mrs. Adams and her Children Harriet, age 3 and Calvert, age 6 1/2”, 1844, silhouette and watercolor, signed, dated and inscribed “New Orleans” lower left, titled en verso, sight 11 in. x 7 1/2 in., period gilt frame. $500/700

209. American Classical Coin Silver Water Pitcher, Marquand & Brother, New York, wc. 1825‑1830, marked “MARQUAND & BROTHER” in arc and “NEW YORK” in arc, inverted pear‑form body, classical borders, acanthus and bellflower handle, h. 13 3/8 in., wt. 35.05 troy ozs. $2000/3000 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

211. American Coin Silver Serving Spoon, marked “GG” in rectangle, probably North Carolina or Virginia, mid-18th c., monogrammed “W+PB” for William and Priscilla Barrow or William (III) and Pheraby Barrow, l. 9 in. $100/200 Provenance: Descended from Martha Hilliard Barrow Turnbull, Rosedown Plantation.

213. Alberta Kinsey (American/New Orleans, 1875‑1952), “Grace Episcopal Church, St. Francisville”, oil on canvas, signed lower right, 20 in. x 18 in., framed. $4000/6000

214. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Autumn Landscape”, 1912, oil wash on board, signed and dated lower right, 18 in. x 24 in., original frame. $4000/6000

215. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Cabin on the Bayou”, oil on canvas, unsigned, 25 in. x 25 in., framed. $4000/6000 Provenance: Descended in the family of the artist.

216. Thomas Hart Benton (American/Missouri, 1889‑1975), “Huckster, New Orleans”, c. 1928, pen and ink with pencil on paper, signed lower left, pencil‑titled en verso, 7 in. x 8 3/4 in., framed. $7000/10000 Additional information at www.nealauction.com

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217. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Flamingos”, watercolor and graphite on illustration board, signed lower left, 20 in. x 16 in., original frame. $8000/12000

218. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “Morning in the Courtyard”, oil on canvas, signed lower right, signed and titled en verso, 26 in. x 22 in., framed. $15000/25000

Provenance: Mississippi Collector.

219. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Sharecropper”, c. 1935, oil on canvas, signed lower right, 30 in. x 25 in., framed. $50000/80000 Provenance: Mississippi Collector.

Note: Noted Mississippi artist Marie Hull painted a series of portraits of sharecroppers and tenant farmers during the mid to late 1930s. These were the years of the Depression and her society portrait commissions in Jackson had ebbed. Within this series of portraits, Hull depicts several men whom she painted repeatedly. The work offered here depicts the same sitter as in Tenant Farmer, c. 1935, in the Roger Houston Ogden Collection in New Orleans. Hull shows the man sitting on a porch, wearing a blue shirt that matches his piercing blue eyes, his arms crossed in his lap. As Hull often does in this series of portraits, she prominently depicts the rural landscape and the farmer’s home in the background.

With skill and sensitivity, Hull paints these men with empathy and respect while hiding nothing about the difficulty of their circumstances.

Ref: Delehanty, Randolph, Art in the American South: Works from the Ogden Collection, Baton Rouge: LSU Press, 1996. Levingston, Bruce, Bright Fields: The Mastery of Marie Hull, Oxford: University Press of Mississippi, 2015.

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220. Walter Launt Palmer (American, 1854‑1932), “Western Mountainous Landscape with Rainbow”, 1897, oil on canvas, monogrammed and dated “Sept. 2, 1897” lower right, 16 1/2 in. x 10 5/8 in., framed. $6000/8000

221. William Louis Sonntag, Sr. (American, 1822‑1900), “Figures Hunting and Fishing at Sunset”, 1846, oil on canvas, signed and dated lower left, 40 in. x 50 in., framed. $20000/30000 Provenance: Parke-Bernet Galleries, NY, Oct. 22, 1969, lot 28 and Oct. 16, 1974, lot 42 (as “Two Hunters in a Mountain Landscape”); A South Louisiana Estate; Collection of a well-known Louisiana Artist Exh. (most likely): American Art Union, NY, 1846, no. 62 (as “View on the Licking River, KY”) Pub.: Moure, Nancy Dustin Wall. William Louis Sonntag, Artist of the Ideal. Los Angeles: Goldfield Galleries, 1980; p. 143, cat. no.

I.327 Note: This splendid picture appears to be an astonishing discovery and is almost certainly one of the first dated paintings by the twenty-four year old Sonntag, one of the best-known and most celebrated artists of the Hudson River School. The artist’s signature, with its date of “1846,” is in the same position, handwriting, and paint color as appears on his 32 x 48 inch canvas “Scene on the Ohio River” of 1852 (Moure 1980, p. 126, no I.373, color plate 9).

The unusually large and dramatic composition of the work offered here exemplifies the unabashedly Romantic style which characterized the painter’s first independent decade. Sonntag derived much of his earliest manner from a devoted study of Thomas Cole (1801-1848), the celebrated American master. Over the course of his painterly beginnings, Sonntag found rugged landscapes fully as wild and evocative as those of Cole. His itinerant career first took him throughout famously picturesque regions of Ohio, Kentucky and West Virginia, into which his most natural access was the Licking River, likely depicted here, whose tortuous course winds directly southeast from Cincinnati to its source in the heart of the Cumberland range of the Allegheny Mountains. In 1846, after receiving a contract from the Baltimore and Ohio Railroad to record the landscape along the rail route, Sonntag opened a studio in Cincinnati, his home from 1823 to 1853.

222. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “Path through the Woods”, 1877, oil on canvas, monogrammed lower right, signed, titled and dated en verso, 20 in. x 9 in., original gilt frame with artist plaque. $4000/6000

This painting is all the more rare in that Sonntag’s subsequent paintings of the later 1840s—as is known from an American Art Union exhibition to which he contributed in 1850—are mostly quite small. The only known exceptions are two nearly comparably large pictures dated 1850, “Duck Hunters on the Ohio River” and “In the American Wilderness.” The present painting, lot 221, which pays homage to previous painters both living and already apotheosized, testifies to both Sonntag’s youthful talent and his inspired investigation of the sublime.

Ref.: Moure, Nancy Dustin Wall. William Louis Sonntag, Artist of the Ideal. Los Angeles: Goldfield Galleries, 1980; Bermingham, Peter and Jane Turner, ed.. “Sonntag.” Grove Dictionary of Art. London: Oxford University Press, 1996, vol. 29, pp. 73-74; Howat, John

223. Paul Sawyier (American/Kentucky, 1865‑1917), “Autumn Landscape, Franklin County, KY”, 1901, oil on board, signed and dated lower right, 18 in. x 24 in., period frame with artist plaque. $4000/6000

224. Hattie Saussy (American/Georgia, 1890‑1978), “Fountain in Forsyth Park, Savannah”, oil on canvas board, signed lower right, 18 in. x 24 in., framed. $4000/6000 Provenance: Private Collection, Savannah, GA. Additional information at www.nealauction.com

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225. Alice Ravenel Huger Smith (American/South Carolina, 1876‑1958), “Sunrise over the Field”, watercolor on paper, signed lower right, 12 in. x 7 in., framed. $2500/3500 Provenance: Private Collection, Savannah, GA.

227. William Aiken Walker (American/South Carolina, 1838‑1921), “Female Cotton Picker” and “Male Cotton Picker”, 2 oils on academy board, both signed lower left, one pencil‑inscribed en verso, each 8 1/4 in. x 4 in., framed alike. $7000/10000 Provenance: Property of an Uptown New Orleans Lady.

Exh.: Tulane University President’s House, No. 2 Audubon Place, New Orleans, 2002‑2015.

226. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “Southern Landscape with Moss‑Laden Oak Trees”, watercolor, monogrammed lower right, sight 5 1/2 in. x 7 1/2 in., giltwood frame. $3000/5000

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

229. Attributed to Rembrandt Peale (American, 1778‑1860), “Mary Davenport Kimball”, oil on canvas, inscribed labels en verso, 21 in. x 17 in., unframed. $5000/8000 Provenance: The collection of the sitter, Mary Campbell Davenport Kimball; to her daughter, Anna Harper Kimball Lex; to her daughter Frederica Lex Pearson Abbott; to her daughter Mary Frederica Pearson Monahan; to current owner.

228. Henri De Lattre (French, 1801‑1867, act. America 1850‑1855), “Prized Thoroughbreds and Cattle within an Extensive American Landscape”, 1854, oil on canvas, signed and dated lower right, 31 1/4 in. x 48 3/8 in., framed. $12000/18000 Provenance: A Southern Private Collection.

Note: A French artist well-known for his paintings of genre scenes and animals, Henri De Lattre made two extended trips to North America. On his first trip from 1836 to 1840, De Lattre is known to have traveled to Canada and Philadelphia, where he briefly studied with Edward Troye (Swiss/Kentucky, 1808-1874), the talented painter of American thoroughbred horses. Returning to the United States in 1849, De Lattre established himself in Philadelphia as an equestrian artist and completed a series of sensitive depictions of horses. The artist provided illustrations of horses for several sporting publications, including Horses of America in 1857 and volume one of Wallace’s American Stud Book. From 1849 to 1854, De Lattre exhibited at the National Academy of Design in New York City, the Pennsylvania Academy of Fine Arts in Philadelphia, the Maryland Historical Society in Baltimore and the Paris Salon in France.

In the work offered here from 1854 (one year prior to the artist’s return to France), De Lattre locates his animals and two figures in the foreground, framing them within a quintessential American landscape of grassy hills under an expansive sky. The horses and cattle display the sophisticated understanding of equine anatomy and graceful movement that characterized the artist.

Ref.: Reuter, F. Turner, Jr. Animal and Sporting Artists in America. Middleburg, VA: The National Sporting Library and Museum, 2009.

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230. John James Audubon (American, 1785‑1851), “Baltimore Oriole”, Plate 12, hand‑colored engraving with aquatint, from The Birds of America, Havell edition, the elephant folio paper watermarked “J.Whatman/ Turkey Mill/1837”, sheet size 38 1/2 in. x 25 1/2 in., unframed. $5000/7000

232. John James Audubon (American, 1785‑1851), “Great Cinerous Shrike or Butcher Bird”, Plate 192, hand‑colored engraving with aquatint, from The Birds of America, Havell edition, the elephant folio paper watermarked “J.Whatman/1838”, sheet size 38 in. x 25 1/2 in., framed. $1500/2500

231. John James Audubon (American, 1785‑1851), “Dusky Duck”, Plate 302, hand‑colored aquatint engraving with etching, from The Birds of America, Havell edition, “J.Whatman/1837” watermark, sheet 25 1/2 in. x 38 1/4 in., unframed. $3000/5000

233. John James Audubon (American, 1785‑1851), “Boat‑tailed Grackle “, Plate 187, hand‑colored engraving with aquatint, from The Birds of America, Havell edition, the elephant folio watermarked “J.Whatman/1838”, sheet size 38 in. x 25 1/2 in., framed. $1500/2500

234. John James Audubon (American, 1785‑1851), “Louisiana Hawk”, Plate 392, hand‑colored engraving with aquatint, from The Birds of America, Havell edition, elephant folio paper watermarked “J. Whatman/1837”, sheet 25 7/8 in. x 35 3/4 in.; accompanied by an inscribed and autographed copy of Simple Love and Occasional Pieces in Verse with a Notice of Audubon by F. Claiborne, 1906. (2 pcs.) $1200/1800

235. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Pelican on a Branch”, c. 1950, pen and ink on paper, unsigned, 11 in. x 8 1/2 in., framed. $5000/8000 Ill.: Pickard, Mary Anderson, Walter Anderson Birds. Jackson: University Press of Mississippi, 1990, p. xix.

236. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Two Pelicans on a Branch”, c. 1950, pen and ink on paper, unsigned, 11 in. x 8 1/2 in., framed. $5000/8000

Additional information at www.nealauction.com

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237. Christina Morton (American/Arkansas, 1891‑1957), “Fruit Sellers, Martinique”, oil on canvas, signed lower left, 32 in. x 42 in., framed. $1500/2500

238. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans 1916‑1917), “Late Afternoon ‑ in Jackson Square, N.O.L.A.”, oil on canvas board, signed lower left, pencil‑titled en verso, 10 in. x 14 in., framed. $18000/25000

240. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “The Creek”, oil on canvas board, signed lower left, label with title en verso, 15 in. x 17 1/2 in., framed. $8000/12000 239. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans 1916‑1917), “Luggers on the Old Basin Canal”, oil on canvas board, signed lower left, 10 in. x 12 in., framed. $12000/18000

241. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Bananas”, watercolor and graphite on paper, unsigned, pencil‑titled en verso, 8 1/2 in. x 11 in., framed. $8000/12000

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242. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Redwings in Flight”, watercolor on paper, unsigned, pencil‑titled en verso, 8 1/2 in. x 11 in., framed. $7000/10000

243. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Marie Medora Ross with an incised Aztec lily design in blue, blue‑green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. AB 98, retains partial original paper label, h. 10 1/4 in. $15000/25000

244. Three Newcomb College Art Pottery High Glaze Plates, 1907, each decorated by Marie Levering Benson with 3 incised crawfish in blue underglaze, marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. nos. BT 86, BT 88, and BT 91, dia. 7 1/2 in. $20000/30000

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA.

Ill.: Poesch, Jessie, and Sally Main. Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895‑1940. Atglen: Schiffer, 2003, p. 135, fig. 3‑154.

Ill.: Poesch, Jessie, and Sally Main. Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895‑1940. Atglen: Schiffer, 2003, p. 86, fig. 3‑47.

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA.

246. Shearwater Pottery Vase, c. 1930‑1940, decorated

by Walter Anderson with ducks and waves in blue, green and purple slip on a white ground, base with dime size ink stamp, h. 6 1/8 in.; accompanied by a copy of a letter of authenticity from the family of Walter Anderson, 2000. Note: Hairline at rim. $2000/3000 245. Shearwater Pottery Vase, c. 1950‑1955, decorated by Walter Anderson with stylized pelicans, waves and small birds in deep blue and white slip, quarter size impressed mark, h. 8 7/8 in., dia. 4 1/2 in. $4000/6000

247. Shearwater Pottery Vase, c. 1955, decorated by Walter Anderson with ducks and waves in black and white slip, quarter size impressed mark, h. 7 7/8 in.; accompanied by a copy of a letter of authenticity from the family of Walter Anderson, 2000. $1500/2500

Additional information at www.nealauction.com

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248. Pair of Newcomb College Art Pottery Candlesticks, 1925, decorated by Anna Frances Simpson with confederate jasmine, matte glaze with blue, green, white and yellow underglaze, bases marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. OL77 and OL78, and shape no. 232, h. 7 3/8 in., dia. 4 1/8 in. $2500/3500

250. Newcomb College Art Pottery High Glaze Handled Vase, 1906, decorated by Sara Bloom Levy with mahonia branches, dark blue and blue‑green underglaze, base marked with an effaced Newcomb cipher, decorator’s mark, reg. no. BF60, and “W” for white clay body, h. 8 7/8 in. $8000/12000

252. Newcomb College Art Pottery Vase, 1916, decorated by Henrietta Bailey with relief‑carved dogwood blossoms, matte glaze with blue, green, white, and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. IL30, and shape no. 150, h. 9 1/4 in. $5000/7000 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

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249. Newcomb College Art Pottery High Glaze Bowl, 1907, decorated by Marie Levering Benson with 3 incised crawfish in blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BT 85, and “Q” for buff clay body, dia. 9 1/4 in. $7000/10000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA. Ill.: Poesch, Jessie, and Sally Main. Newcomb Pottery & Crafts: An Educational Enterprise for Women, 1895‑1940. Schiffer, 2003, p. 86, fig. 3‑153.

251. Monumental Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Harriet Coulter Joor with incised and modeled irises, dark blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. S7 and “U” for buff clay body, h. 12 1/4 in., dia. 8 1/2 in. $30000/50000 Provenance: Neal Auction Co., Apr. 5, 2003, lot 320; Jean Bragg Gallery, New Orleans, LA.

254. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Butterflies”, c. 1947, wall hanging, linoleum block print on cotton cloth, printed in various color paints, 70 in. x 33 in. $30000/50000 Provenance: Collection of the Artist; Private Collection.

Note: This rare and important textile exhibits Walter Anderson’s sensitivity to the symmetries and variations of natural form, and it shows a playful modernity and trompe l’oeil effect with a grid arrangement for the unique specimens, as if in an entomologist’s cabinet.

253. Abbott Fuller Graves (American, 1859‑1936), “Courtyard at 726 St. Peter St., New Orleans”, c. 1927‑1928, oil on canvas, unsigned, extensively labeled en verso, 24 in. x 20 in., original Carrig‑Rohane Shop giltwood frame. $25000/35000 Provenance: Vose Galleries, Boston, MA; A. Everette James, Jr., Nashville, TN; Sessions Hootsell, Natchez, MS; Dr. James Nelson, Gonzales, LA; Private Collection, New Orleans, LA. Note: Abbott Fuller Graves (1859-1936) was an influential Boston painter known for his floral garden scenes painted in a colorful, Impressionistic style. Not fond of the cold New England winters, Graves traveled to different tropical locales during that time of year. He visited New Orleans during the winters of 1927 and 1928 and was inspired to paint the courtyards of the Vieux Carré. The work presented here is a lovely example of one such scene; a painterly view with the effects of sunlight and shadow rendered very skillfully.

Graves depicts the courtyard at 726 St. Peter Street, the present site of Preservation Hall and a very historic locale. Graves painted another view of this courtyard which is conserved in the Historic New Orleans Collection (accession no. 2014.0053.1) that includes many of the same compositional elements such as the olive jar, wine jug and colorful flowers but is rendered in a different perspective. The work offered here is a bit more sublime with the figure walking through the archway and the crumbling masonry of the façade rendered to romantic effect.

Anderson’s lifetime interest in the natural world is well known, through the thousands of watercolors and linocuts he made of specimens and landscapes from Cat Island and nearby retreats. Mary Anderson Pickard observed that images from the natural world, “affirmed his conviction of the inexhaustible beauties of nature, and encouraged the habit of close observation” for her father. The linocut prints, geometric and carefully planned by necessity of the medium, emphasize the rhythms and patterns of nature though Anderson’s close observation.

After their 1933 marriage, Walter and Sissy Anderson began collaboration on an illustrated book of poetry to be called Butterflies, with verse from Sissy accompanied by linocut prints from Walter. One surviving bit of text is as follows: Amongst the blossoms in and out \ One seldom sees the curious snout \ To a wise man one might compare \ The butterfly for he is rare. Though Butterflies was never completed as conceived, this textile was created soon

afterward and incorporates Anderson’s iconic linocuts into an unified masterwork.

Thanks to Leif Anderson and Mary Anderson Pickard for their assistance.

Ref: Pickard, Mary Anderson and Patricia Pinson. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007.

255. Walter Inglis Anderson (American/ Mississippi, 1903‑1965), “White Convolvulus on Dunes”, c. 1955‑60, diptych watercolors on paper, unsigned, 3 “Luise Ross Gallery, New York” gallery labels with title and date, each 8 1/2 in. x 11 in., framed. $18000/25000

256. Henry Casselli (American/New Orleans, b. 1946), “The Ballet Dancer”, watercolor on paper, pencil‑signed lower left, 29 in. x 21 1/4 in., framed. $4000/6000

257. William Woodward (American/ New Orleans, 1859‑1939), “Spanish Cabildo and Stocks, New Orleans”, Raffaelli oil crayon on board, signed lower right, titled lower left, pencil‑signed and inscribed on the original framing back en verso, sight 13 1/2 in. x 9 in., framed. $12000/18000 Provenance: Descended in the family of the artist; Private Collection, New Orleans, LA. Note: In 1895, the historic Cabildo was in a state of decay and was slated for demolition.

William Woodward, one of the early proponents of preservation efforts in the Vieux Carré, led a successful campaign to have the building preserved and restored. In 1911, the building became the home of the Louisiana State Museum. The stocks shown in this view of the Cabildo are no longer in existence.

Ref.: Hinckley, Robert. William Woodward: American Impressionist. New Orleans: MPress, 2009, p. 70.

Additional information at www.nealauction.com

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259. Childe Hassam (American, 1859‑1935), “French Quarter Courtyard, New Orleans 11:30 AM”, 1927, etching on paper, pencil‑monogrammed and inscribed “imp” lower right, signed, titled and dated in plate lower left, “Dr. James W. Nelson Collection, Gonzales, LA” label en verso, 10 3/4 in. x 13 3/4 in., framed. $800/1200

258. William Woodward (American/New Orleans, 1859‑1939), “Newcomb Chapel and Lotus Fountain”, 1916, oil on board, initialed “W.W.” and dated lower right, 18 in. x 14 in., period frame. $15000/25000 Provenance: Descended in the family of Gertrude Palfrey, Newcomb College graduate of the class of 1912.

Note: The Newcomb College Chapel and Lotus Fountain were a favored theme in William Woodward’s paintings. Several documented works by Woodward depict this graceful building that stood near the corner of Sixth and Chestnut Streets on the site of Newcomb College’s original campus on Washington Avenue. This painting, executed in 1916, while consistent with Woodward’s impressionistic style, is distinctive, and evocative of a New Orleans atmospheric rainy, humid day.

261. Newcomb College Art Pottery High Glaze Vase, 1907, decorated by May Sydnor Morel with an incised rose motif, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BU34, and “Q” for buff clay body, h. 5 1/4 in., dia. 5 3/4 in. $5000/7000

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260. Arnold Genthe (German/ American, 1869‑1942), “Wrought Iron Gate, New Orleans (or possibly Charleston, SC)”, c. 1920s, silver gelatin print on mount, unsigned, pencil‑inscribed en verso, image 13 1/4 in. x 9 1/2 in., mount 14 1/2 in. x 19 in., unframed. $800/1200

262. Newcomb College Art Pottery High Glaze Vase, 1906, decorated by Katherine Wraight with incised lemons, blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BD91 and “Q” for buff clay body, retains Jordan Volpe Gallery, NY paper label, h. 5 1/8 in. $4000/6000

265. Newcomb College Art Pottery Vase, c. 1910‑1912, decorated

by Alice Rosalie Urquhart with incised and modeled Cherokee rose design, unglazed bisque, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and “B” for buff clay body; h. 6 1/4 in., dia. 6 1/2 in. $1500/2500 263. Newcomb College Art Pottery High Glaze Vase, 1904, decorated by Ada Wilt Lonnegan with incised daffodils, blue, green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. TT63, and “Q” for buff clay body, h. 8 3/4 in., dia. 3 7/8 in. $6000/9000 Ill.: Conradsen, David, et al. The Arts & Crafts of Newcomb Pottery. New York: Skira Rizzoli, 2013, p. 156, fig. 8.

264. Newcomb College Art Pottery Vase, 1911, decorated by Mazie Teresa Ryan with relief‑carved Tall Pine design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. EU64 and “B” for buff clay body, retains partial original paper label obscuring the decorator’s mark, h. 7 1/4 in. $3000/5000

266. Newcomb College Art Pottery High Glaze Inkwell, c. 1906, decorated by Mazie Teresa Ryan with incised pattern of primroses and banding, blue, green and yellow underglaze, retaining the original liner, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BD58 and “Q” for buff clay body, h. 3 3/4 in., dia. 3 1/4 in. $4000/6000

267. Newcomb College Art Pottery Vase, 1920, decorated by Anna Frances Simpson with relief‑carved narcissus, matte glaze with blue, green, white, and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. KX59, and shape no. 83, retains original paper label, h. 10 1/2 in. $3000/5000 Provenance: Drs. Arnold and Helene Gerall New Orleans, LA and Chapel Hill, NC.

268. Newcomb College Art Pottery Candlestick, 1925, decorated by Sadie Irvine with relief‑carved leaves and morning glories, matte glaze with blue, green, and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. OM 64, and shape no. 232, h. 7 1/2 in. $1500/2500 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

269. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine with a relief‑carved Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Kenneth Smith’s potter’s mark, and reg. no. UB55, retains partial original paper label, h. 4 1/2 in. $2000/3000

Additional information at www.nealauction.com

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271. Shearwater Pottery Vase, c. 1988, decorated by James McConnell “Mac” Anderson with a street scene in colorful slip, thrown by Jim Anderson, fully marked, h. 9 1/4 in. Ill: Stewart, Dod. Shearwater Pottery, p. 116. $4000/6000

270. Newcomb College Art Pottery Bowl, 1921, decorated by Sadie Irvine with a relief‑carved Japanese plum design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. LY97 and shape no. 265, h. 3 1/4 in., dia. 11 in. $2000/3000

272. Newcomb College Art Pottery High Glaze Vase, 1904, decorated

by Harriet Coulter Joor with incised design of clovers, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. VV92, and “W” for white clay body, h. 11 1/2 in. $15000/20000 Provenance: Drs. Arnold and Helene Gerall, New Orleans, LA and Chapel Hill, NC.

273. Newcomb College Art Pottery Lidded Inkwell, 1927, decorated

by Anna Frances Simpson with narcissus in relief, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no.

Q096 and shape no. 225, h. 3 1/4 in. $1500/2500

274. Newcomb College Art Pottery Candlestick, c. 1917, decorated by Anna Frances Simpson with deco stylized foliage in low relief, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. IQ42, and shape no. 232, h. 7 3/8 in., dia. 4 1/4 in. $1200/1800

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275. Shearwater Pottery Ashtray, c. 1955, decorated by Walter Anderson with a duck in black and white slip, unmarked, dia. 5 1/2 in.; accompanied by a copy of a letter of authenticity from the family of Walter Anderson, 2000. $800/1200

276. Shearwater Pottery Vase, c. 1930‑1940s, geometric lotus design with sea green and gunmetal glaze, dime size impressed mark, h. 8 1/2 in. $1200/1800 Provenance: Dr. Robert L. Trahan (1933‑2010), Lafayette, LA; thence by descent.

278. Tiffany Favrile Pastel Glass Footed Bowl, marked “1839 L.C. Tiffany ‑ Favrile”, diamond pattern, onion skin finish, rippled base, h. 4 1/2 in., dia. 11 1/2 in. $1000/1500 Provenance: New Orleans Estate. Ill.: Steeg, Moise S. Tiffany Favrile Art Glass. Atglen: Schiffer, 1997, p. 168.

277. New Orleans Art Pottery Bowl, c. 1886‑1891, decorated with applied leaves with bronze glossy glaze on a matte blue ground, stamped “New Orleans Art Pottery/No. 249 Baronne Street “ h. 5 1/2 in., dia. 8 1/4 in. $1200/1800 Ill.: Bragg, Jean. Newcomb College Arts & Crafts Sales Exhibition. New Orleans: Jean Bragg Gallery, 1998, p. 19, no. 9.

280. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog Bowl”, 1994, cameo glass, produced in collaboration with the Pilgrim Glass Company, limited edition number “35/35”, date and Pilgrim Glass mark etched on base, h. 5 in., dia. 9 in. $7000/10000 Note: While best known for his vibrant canvases, George Rodrigue enjoyed working with a variety of unexpected media throughout his career. Between 1993 and 1995, Rodrigue collaborated with the renowned Kelsey Murphy and Pilgrim Glass in West Virginia to recreate his Blue Dog image in cameo glass. Cameo glass is produced by etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque figures and motifs on a dark-colored background. The layered pieces are then sandblasted to reveal, as in the case of the rare work offered here, the artist’s raised design. The nationally renowned expert, Kelsey Murphy has elevated both the technical and aesthetic elements of cameo glass in America over the last three decades.

Murphy’s work was featured in Artistry in Glass: Cameo Glass by Kelsey Murphy at the New Orleans Museum of Art in 1995, and a bowl from this series was included in NOMA’s Rodrigue’s Louisiana: Forty Years of Cajuns, Blue Dogs and Beyond Katrina in 2008. Rodrigue’s collaboration with Murphy resulted in three bowls and a vase, each in an edition of thirty-five, and as was the case with many of the unique Blue Dog creations, most of them remained in the artist’s private collection.

279. Dale Chihuly (American, b. 1941), “Yellow Two‑Tiered Piccolo Venetian “ 1996, signed and dated, blown glass, h. 13 1/2 in., dia. 10 in.

Ref.: Rodrigue, Wendy. “Blue Dog Glass and Other Unique Rodrigue Items.” Musings of an Artist’s Wife. July 9, 2011. www.wendyrodrigue.com. Accessed Oct. 9, 2015.

$1000/1500 Additional information at www.nealauction.com

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282. Enrique Alferez (American/New Orleans, 1901‑1995), “Fisherman Hauling Nets”, cast stone bas relief, signed en verso, h. 28 in., w. 48 1/2 in., d. 2 3/4 in. $6000/9000 281. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Portrait of a Woman”, pastel on paper, unsigned, sight 33 3/4 in. x 22 in., framed. $1500/2500

Provanance: A St. Tamany Parish, LA collection.

Provenance: Acquired from the artist; thence by descent.

283. Conrad Alfred Albrizio (American/Louisiana, 1894‑1973), “Modern Pieta”, oil on masonite, signed lower right, label with title en verso, 24 in. x 30 in., framed. $2000/3000

285. Stuart Davis (American, 1892‑1964), “Report from Rockport”, c. 1950, color screenprint, signed in plate lower right, edition of approx. 50, published by Esther Gentle, New York, sight 23 3/4 in. x 29 1/2 in., framed. $1500/2500

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284. Ralston Crawford (American, 1906‑1978), “New Orleans #8”, color lithograph, pencil‑signed, titled and numbered “17/25” lower margin, 22 1/4 in. x 14 3/4 in., framed. $1000/1500

286. Ralston Crawford (American, 1906‑1978), “S.S. De Grasse”, 1952, color lithograph, signed and numbered artist proof “V/XX”, sheet 15 in. x 22 1/4 in., unframed. $800/1200

287. Leónard Tsugouharu Foujita (Japanese/French, 1886‑1968), “Nu assis (l’Album Femmes)”, 1930, color etching and aquatint on paper affixed to mat board, pencil‑signed and numbered “HC 9/10” on mat board, 22 in. x 14 3/8 in., sheet 28 1/4 in. x 20 in., framed. $2500/3500 288. Enrique Alferez (American/New Orleans, 1901‑1995), “Moses”, 1962, carved wood, signed and dated on reverse of base, h. 45 1/2 in., w. 24 in., d. 9 3/4 in. $15000/25000 Provenance: Gift of the artist to his friend, sculptor and jewelry designer Jack Brown (1915‑2002); thence by descent.

289. Enrique Alferez (American/New Orleans, 1901‑1995), “Cloaked Woman”, terracotta, unsigned, h. 29 in., hardwood base. $10000/15000 Provenance: Acquired from the artist; thence by descent.

Note: Enrique Alferez was a prolific sculptor who worked in a variety of media, including bronze, terracotta, wood, and plaster.

A large body of his work depicts women in graceful poses such as the standing figure offered here. A seated, kneeling version of this same figure, titled Terracotta Widow, is in the collection of Dr. Tlaloc Alferez and illustrated online at www.knowla.org/ image/1965. That work is executed in the same manner as the terracotta sculpture offered here.

Ref.: Kemp, John R., “Enrique Alferez,” KnowLA Encyclopedia of Louisiana, 2012.

290. Paul Ninas (American/New Orleans, 1903‑1964), “Spanish Colonial Buildings, probably Havana, Cuba”, oil on mixed media on masonite, signed lower right, 24 in. x 36 in., framed. $8000/12000 Note: Paul Ninas was one of the pioneer modernists of the South, often described as the “Dean of Modern Art” in New Orleans. Active in New Orleans from 1932 until his death, Ninas was extensively well traveled, having spent time in Europe, Africa and the West Indies. The two years prior to his arrival in New Orleans were spent on a coconut and lime plantation that he owned on the island of Dominica. In December 1940, the Delgado Museum in New Orleans presented a major Picasso exhibition organized by the Museum of Modern of Art. The show certainly made an impact on Ninas, for his work becomes increasingly abstract from this point forward.

The painting offered here is a beautiful example of a Spanish Colonial streetscape, depicted in a bright primary Fauvist palette with rectangles of color under an anthropomorphic sky. In some of the abstract elements of the composition, Ninas has incorporated some mixed media, something he was continually experimenting with in his work of the 1940s and 50s. He also chose to delineate the details of the doors and balustrades which help identify the unique architecture and provide a sense of place and context to the painting.

Ref.: Kemp, John R., “Paul Ninas,” KnowLA Encyclopedia of Louisiana, 2012. Pennington, Estill Curtis, Downriver: Currents of Style in Louisiana Painting 1800-1950, Gretna: Pelican Publishing Co., 1991.

Additional information at www.nealauction.com

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292. José Jesús Francisco Zúñiga Chavarria (Costa Rican/Mexico, 1912‑1998), “Mujer Sentada”, 1974, watercolor with pastel on paper, signed and dated lower right, 19 in. x 26 in., framed. $7000/9000 291. James Lamantia (American/New Orleans, 1923‑2011), “Marsh Grasses”, 1975-1976, acrylic on canvas, signed, dated, titled and inscribed “Bienville Gallery” en verso, 32 in. x 40 in., framed. $2000/3000

Note: Francisco Zúñiga, a Costa Rican painter, engraver and sculptor, began his craft at a young age under the tutelage of his father, Manuel María Zúñiga, a gifted sculptor in his own right. The younger Zúñiga began his studies at the School of Fine Arts in San Jose and moved to a specialty program in stone carving at La Esmeralda in Mexico City, where he served as a faculty member until his retirement in 1970. Zúñiga is best known for his sensitive portrayals of the culture and regional life of Central America. His images of women and children often reflect both a deep admiration and respect for the people and his own heritage.

In “Mujer Sentada”, a young woman is seated with an expression of contemplation.

Zúñiga describes this “squatting” pose, a characteristic figural stance in his work, as “a very natural position, a physical pose close to the earth…it is a native position of the prehistoric cultures, and it interests me because this form of culture still has not been lost.” Zuniga received several highly regarded public and private commissions both in Central America and internationally. Today, Zúñiga’s works can be seen in the collections of the Museum of Modern Art, Mexico; the Phoenix Art Museum; Harvard University; Hirshhorn Museum and Sculpture Garden in Washington, D.C.; and the Metropolitan Museum of Art in New York.

Ref.: Reich, Sheldon, and Francisco Zuniga. Francisco Zúñiga, Sculptor: Conversations and Interpretations. Tucson: University of Arizona, 1980.

293. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Circus Series 22A”, 1978, mixed media on canvas, signed and dated lower right, “’Ida Kohlmeyer: Thirty Years’, The Mint Museum of Art, Charlotte, NC” exhibition label en verso, 70 1/2 in. x 74 in., original slat frame. $30000/50000

294. Frank Ashley (American, 1920‑2007), “The Birth of Jazz”, 1952, oil on canvas, signed and dated lower right, “Spanierman Gallery, NY” and “Cahoon Museum of American Art” labels en verso, 23 in. x 27 in., framed with artist plaque. $3000/5000

Provenance: Private Collection, New York, acquired from the artist.

Provenance: Spanierman Gallery, New York, NY.

Exh.: Ida Kohlmeyer: Thirty Years, The Mint Museum of Art, Charlotte, NC, 1984‑1985, and listed in the accompanying catalogue, no. 40, p. 81, no. 40, p. 81.

Note: By the mid-1970s, Ida Kohlmeyer had adopted the grid form that would dominate the paintings of her Clusters series. This series represents the first style that was solely identified with the artist and consists of a grid of variously colored rectangular elements, similar in shape and size, surrounded by a white border. The Clusters afforded Kohlmeyer the opportunity to experiment within her grid with automatic drawing, an element which would define the series and the artist as much as her characteristic use of color. The series drew critical acclaim for Kohlmeyer, and, in her words, embodied “my whole voyage through years of searching for a personal visual statement.” By the late 1970s, Kohlmeyer transitioned into a sequence of Clusters titled the Circus paintings. With the Circus paintings, Kohlmeyer multiplied the number of symbols exponentially, greatly increasing the color saturation and heightening the comparison of her canvases to a unique, pictorial language. The monumental Circus work offered here from 1978 is an example of how each rectangle reduced in size becomes a miniature painting unto itself that interacts with the others within the grid to create an overall composition which lends itself to contemplation rather than interpretation.

Ref.: Plante, Michael. Ida Kohlmeyer: Systems of Color. New York: Hudson Hills Press, 2004.

Kessler, Jane. Ida Kohlmeyer: Thirty Years. Charlotte, NC: The Mint Museum, 1983.

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295. William Tolliver (American/Louisiana, 1951‑2000), “Jazz Drummer”, oil on canvas, signed lower right, 30 in. x 40 in., unframed. $5000/8000 Provenance: Family of the artist.

296. George Rodrigue (American/Louisiana, 1944‑2013), “Between My Mentor”, 1998, oil and acrylic on canvas, signed lower left, 49 3/4 in. x 75 in., framed. $70000/100000 Provenance: Galerie Blue Dog, Carmel, CA.

297. Clementine Hunter (American/Louisiana, 1886‑1988), “The Wedding”, oil on board, monogrammed lower right, 18 in. x 24 in., framed. $4000/6000 Provenance: John Hampton “J. H.” Henry, Jr. (1897‑1969), Natchitoches, acquired from the artist; thence by descent.

299. Jere Hardy Allen (American/Mississippi, b.

1944), “Women with a Globe”, 2010, oil on linen, signed and dated lower right, 72 in. x 48 in., unframed. $2000/3000

298. Clementine Hunter (American/Louisiana, 1886‑1988), “Wash Day with Self Portrait”, c. 1950s, oil on artist board, monogrammed lower mid‑right, printed artist biography en verso, 18 in. x 24 in., framed. $7000/9000 Provenance: John Hampton “J. H.” Henry, Jr. (1897‑1969), Natchitoches, acquired from the artist; thence by descent.

300. George Schmidt (American/ New Orleans, b.

1944), “Estelle Degas Arranging Flowers (at the Degas Family Home on Esplanade Avenue)”, 1986, charcoal drawing on paper, signed and dated lower right, sheet with title and artist’s biography en verso, 16 in. x 20 in., framed. $1000/1500

Additional information at www.nealauction.com

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301. George Febres (Ecuadorian/Louisiana, 1943‑1996), “The Sunny Also Rises (New Orleans art patron Sunny Norman)”, 1987, graphite and ink on paper, signed and dated lower right, titled lower left, 11 3/4 in. x 11 1/2 in., framed. $600/800

302. James Michalopoulos (American/New Orleans, b. 1951), “Still from a Walk”, 1996, oil on canvas, signed lower left, signed and dated en verso, 30 in. x 24 in., framed. $3000/5000

303. Theora Hamblett (American/Mississippi, 1893‑1977), “Path and Pasture”, 1952, oil on masonite, signed and dated lower right, titled lower center, 18 in. x 30 in., framed. $18000/25000 Provenance: Acquired from the artist, Oxford, MS; thence by descent.

304. Jere Hardy Allen (American/Mississippi, b.

1944), “Figure”, 2001, oil on linen, incised signature and date along lower right edge, “Carol Robinson Gallery, New Orleans” labels with title en verso, 20 in. x 16 in., framed. $1000/1500 Provenance: A Noted New Orleans Collector.

305. George Rodrigue (American/Louisiana, 1944‑2013), “Catch a Fish Today”, 1981, oil on canvas, signed lower left, signed, titled and dated en verso, 18 in. x 24 in., framed. $20000/40000

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306. Paula Temple (American/Mississippi, Contemporary), “Ursula with Green Apple”, watercolor and mixed media on rag paper, signed mid‑right, 30 1/2 in. x 22 1/2 in., framed. $500/800

307. William Tolliver (American/Louisiana, 1951‑2000), “Sweet Dreams”, oil on paper, pencil‑signed and titled lower margin, 44 in. x 30 1/4 in., unframed. $2500/3500 Provenance: Family of the artist.

308. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Mountainous Landscape with Aircraft”, pastel and graphite on paper, unsigned, sight 25 1/4 in. x 35 1/4 in., framed. $2000/3000 Provenance: Acquired from the artist; thence by descent.

309. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Portrait of a Young Woman”, graphite on paper, unsigned, sight 17 in. x 12 1/2 in., framed. $1000/1500 Provenance: Acquired from the artist; thence by descent.

310. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Squared D‑80”, 1980, mixed media on canvas, signed and dated lower center, label with title and date en verso, 39 in. x 38 in., original frame. $20000/40000

311. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Horizontal Rectangles #8”, 1980, oil and mixed media on canvas, signed and dated lower left, titled on label en verso, 50 3/4 in. x 63 1/2 in., original frame; accompanied by a copy of original receipt from Galerie Simonne Stern, New Orleans, Aug. 4, 1980. $20000/30000 Provenance: Galerie Simonne Stern, New Orleans.

Additional information at www.nealauction.com

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312. Helmut Newton (German/Australian, 1920‑2004), “Gayle Olinekova, Marathon Champion”, 1981, 3 silver gelatin prints, smallest image pencil‑signed en verso and inscribed on image at right; each stamped with artist’s copyright, numbered and inscribed en verso; images 7 in. x. 9 1/4 in., 8 5/8 in. x 11 3/8 in. and 10 3/8 in. x 14 7/8 in., unframed. (3 pcs.) $4000/6000

314. Helmut Newton (German/Australian, 1920‑2004), “Hotel Nikko, Jerry Hall Spitting, Paris”, 1980, silver gelatin print, unsigned, “COPYRIGHT ART‑LIM EDITIONS” stamp with title, date, and numbers “10/30” and “11” inscribed in red crayon en verso, image 8 5/8 in. x 13 1/4 in., sheet 11 in. x 14 in., unframed. $2000/4000

316. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Bromeliad (Billbergia Pyramidalis ‑ vas concolor) and Lovely Cotinga (Cotinga Amabilis)”, watercolor on paper, signed lower center, titled en verso, sight 19 1/4 in. x 13 1/2 in., framed. $1500/2500 Provenance: Ex‑Collection Mary Freeman Wisdom, New Orleans, bromeliad enthusiast and friend of the artist.

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313. Helmut Newton (German/Australian, 1920‑2004), “Miss Livingstone Sitting, II”, 1981, silver gelatin print, signed, stamped with artist’s copyright, numbered and inscribed en verso, ink‑inscribed “plein format” upper left, image 9 in. x 8 5/8 in., sheet 12 in. x 9 3/8 in., unframed. $3000/5000

315. Ernest J. Bellocq (American/New Orleans, 1873‑1949), “Untitled (Storyville Girl)”, c. 1912, silver gelatin print, printed from glass plate negative by Dan Leyrer in the early 1960s, 8 in. x 10 in., matted. $1500/2500 Provenance: Estate of E. Larry Borenstein, New Orleans.

317. Alvyk Boyd Cruise (American/New Orleans, 1909‑1988), “Courtyard, 1226 Chartres Street, French Quarter, New Orleans”, 1937, watercolor on paper, signed and dated lower right, handwritten title and “Charles Gresham Gallery, Toulouse St., New Orleans” label en verso, 21 in. x 15 in., framed. $1500/2500

318. Angela Gregory (American/New Orleans, 1903‑1990), “Goose”, bronze, inscribed “1 copyright” and “Angela Gregory/ SC” on base, h. 7 in. $1200/1800 Provenance: New Orleans Estate.

319. Jean Cappadona Nichols (American/Florida, 1941‑2011), “Leaning toward Nonfunctional: What’s a Nice Girl Like You Series”, 1997, glazed ceramic sculpture, signed and dated on reverse, h. 37 1/4 in., w. 20 in., d. 17 in. $1000/1500

320. George Rodrigue (American/Louisiana, 1944‑2013), “Cajun Cooking with the Spirit of Tiffany”, 1991, oil on canvas, signed lower left, signed, titled and dated en verso, 24 in. x 36 in., framed. $40000/60000 Note: In “Cajun Cooking with the Spirit of Tiffany,” Rodrigue seamlessly blends his Cajun and Blue Dog series and styles, creating a seminal moment for the artist. The figures and the Blue Dog are painted equally in rendering and in scale, allowing the dog to become “something else” and foreshadowing its future in the Blue Dog series.

Throughout his career, Rodrigue used friends and family as models for his paintings, just as he used familiar oak trees and bayous for his landscapes. In the work offered here, the Cajun chef is represented by Dwight Stroud of Stroud’s Shady Oaks in Abbeville, and later, Stroud’s Steakhouse in Lafayette. Traditional Acadiana is embodied by the figure of Evangeline, and the universal Blue Dog, which has roots in the French-Cajun loup-garou and is based on photographs of the artist’s studio dog, Tiffany. All these elements combine to represent modern-day Cajun culture within a distinctive Rodrigue Louisiana landscape.

Ref.: Rodrigue, Wendy. Musings of an Artist’s Wife. www.wendyrodrigue.com.

322. Hunt Slonem (American/Louisiana, b. 1951), “Bayou Casino Lories”, 2014, oil on canvas, signed, dated and titled en verso, 48 in. x 48 in., unframed. $7000/10000

321. George Rodrigue (American/Louisiana, 1944‑2013), “Les Compositieurs en Acadiana (The Composers)”, 1985, oil on canvas, signed lower left, signed, titled, dated, inscribed and artist stamps en verso, 40 in. x 30 in., framed. $30000/50000 Additional information at www.nealauction.com

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324. George Dunbar (American/Louisiana, b.

1927), “Heart”, palladium leaf over black clay, signed lower center, 14 in. x 12 in., unframed. $2500/3500

323. George Dunbar (American/Louisiana, b. 1927), “Coin du Lestin”, gold leaf over black and beige clay, signed lower center, 54 in. x 48 in., framed. $20000/30000

325. George Dunbar (American/Louisiana, b.

1927), “Heart”, gold leaf over red and black clay, signed lower center, 13 7/8 in. x 12 in., unframed. $2500/3500

327. Arnold Newman (American, 1918‑2006), “Tree and Wall, Philadelphia”, 1941, printed 1993, silver gelatin print on mount, signed and titled on mount, photographer’s stamp verso of mount, 7 5/8 in. x 8 1/8 in., framed. $1000/1500 Provenance: A Gallery for Fine Photography, New Orleans, 1994.

326. Leonard Theobald Flettrich (American/New Orleans, 1916‑1970), “Abstraction”, oil on masonite, signed en verso, 30 1/4 in. x 30 in., original frame. $1200/1800 Note: A prominent New Orleans artist often compared to his contemporary, John McCrady, Leonard Flettrich studied at the Arts and Crafts Club School under Paul Ninas, prior to being accepted to the Art Students League in New York. Upon returning to New Orleans, Flettrich became an instructor at the Arts and Crafts Club School and also taught the fundamentals of drawing at Tulane University’s School of Architecture. Flettrich became well-known for his figurative works, which included sensitive portrayals of New Orleans society, and exhibited his work nationally during the late 1940s and 1950s. He earned mural commissions from the New Orleans Public Library and Jefferson Parish Courthouse and was actively involved in the community throughout his life. Following a national trend toward abstraction in art, Flettrich experimented with the style during his later years, resulting in paintings such as the work offered here. The vibrant and richly painted “Abstraction” is a wonderful example of Flettrich’s skill with composition, color and form.

328. Edward Sheriff Curtis (American, 1868‑1952), “Aphrodite”, c. 1922, blue‑toned silver gelatin print, Curtis’ signature in the negative lower right, studio stamp verso, 10 1/2 in. x 13 1/2 in., original studio frame. $1200/1800 Provenance: Uptown New Orleans Collection, acquired Santa Fe, NM, c. 2003.

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329. Jo Ellonga (American, 20th/21st c.), “Mauritia Flexuosa, Brazil”, “Astrocaryum Standleyamun, Columbia”, “Astrocaryum Gynacanthum, Columbia” and “Bactris Setulosa, Columbia”, 4 watercolor and graphite, each pencil‑initialed lower center, titled in center, pencil‑signed, titled and dated en verso, each 30 in. x 22 in., matted and framed alike. $600/900 330. Two Antique Engravings of Extinct Birds, “The Pigeon of Passage”, from Catesby’s Natural History of Carolina..., 1731‑1743; and “Ivory‑Billed Woodpecker”, c. 1829, probably second edition, from American Ornithology, 10 in. x 13 3/4 in. and 13 1/2 in. x 10 in., each framed. $600/900

331. Robert Frank (American, b.1924), The Americans, introduction by Jack Kerouac, New York, Grove Press, 1959, first American edition, oblong 8vo, gilt‑lettered black cloth, photo‑pictorial dust jacket. $800/1200

333. General Montgomery Signed Book, Montgomery, General Sir Bernard/ Introduction. Poems from the Desert, Verses by Members of the Eighth Army, London, George G. Harrap, 1944, navy morocco spine, leather onlay of the insignia of the Eighth Army, frontispiece signed by artist Stephen Gooden, limitation page (23 of 110) signed by Montgomery. $500/700 Provenance: Philip Duschnes Rare Books, NY.

332. Fine Bindings, Gabriel, Ralph Henry, ed. The Pageant of America, New Haven, Yale University Press, 1925‑1929, 15 volumes, quarto, full morocco gilt‑tooled leather, doublures with Liberty Bell motif, silk endpapers, #74 of 1500 Liberty Bell editions signed by Yale University Press president George Day. $700/1000 334. George I Red Japanned and Gilt Child’s Desk, c. 1725, fallfront writing surface with fitted interior, pulls, wrought iron locks, two short over two long drawers, bracket feet, h. 28 1/4 in., w. 23 1/4 in., d. 14 3/4 in. $2000/3000 Ill.: Schiffer & Schiffer.

Miniature Antique Furniture, Doll House and Children’s Furniture from the United States and Europe, Atglen,

PA, Schiffer Publishing, front cover and p. 199.

335. Antique Classical Tôle Peinte Stand, c. 1820, probably French, faux marbre decoration, single door, shelf interior, h. 28 1/2 in., w. 15 in., d. 12 in. $700/1000 Provenance: Hastings House Antiques, Essex, CT (Theta Charity Antiques Show, 1976); Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

336. Antique Continental Embroidered Tapestry, probably 18th c., possibly Flemish, with ladies in a garden, hung from a decorative iron rod, h. 81 in., w. 61 in. Note: Wear and losses. $800/1200 Additional information at www.nealauction.com

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337. Pair of English Patinated Bronze Figural Sinumbra Lamps, c. 1835, each base stamped “Published As The Act Directs Messenger & Sons London”, Atlas supporting globe, pedestal decorated with masks, cut and etched glass shade with doves and garlands, h. 33 1/2., dia. 12 1/4 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting,

Schiffer, 2002, p. 130.

338. Pair of English Gilt Bronze Argand Lamps, c. 1830, marked “Messenger and Sons, 20 Greville Street London & Birmingham”, urn fonts decorated with masks and garlands supported by eagles on a fluted foliate base, cut and etched glass shades, h. 18 in., w. 10 in., d. 5 3/4 in. $2500/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 129.

340. Italian Marble Relief of a Woman beside a Harp, 19th c., incised “G. Jochini”, carved with polychromed holly leaf hairpiece, h. 17 3/4 in., w. 15 1/4 in. $500/800

339. American Rococo Cast Iron Garden Bench, mid‑19th c., New York, scalloped crest, interlocking arched back, scrolled arms, reticulated seat, foliate skirt, cabriole legs, h. 35 3/4 in., w. 45 in., d. 20 1/4 in. $1200/1800 Note: The design for this bench was patented in England in 1846 by the Carron Company of Scotland. It was published in many American foundry catalogues, including J.L. Mott Iron Works of New York (1889, p.24, pl.28), J.W. Fiske Iron Works of New York (1868, p.30) and Stewart Iron Works of Cincinnati (p.95, no.367) and also produced by numerous foundries including Chase Bros. & Co. of Boston and The Vulcan Iron Works of Illinois.

Benches similar to the lot presented here are at the White House and the Metropolitan Museum of Art. Ref.: Tracy, 19th Century American Furniture and Other Decorative Arts, pl. 119; Israel, Antique Garden Ornament: Two Centuries of American Taste, p.170, pl.4.6.

341. Antique Plaster Bust of Hermes, h. 26 in., on faux marbre pedestal, overall h. 60 in., w. 18 in., d. 11 in. $800/1200 Provenance: Temple Heights, Columbus, MS.

342. Tiffany and Co. Sterling Silver After‑Dinner Coffee Pot in the Colonial Taste, c. 1943‑1945, h. 8 5/8 in., wt. 21.45 troy ozs. $800/1200

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343. Whiting “Alhambra” Pattern Sterling Silver Fish Serving Knife and Fork, c. 1880, ret. E. Lilienthal, New Orleans, act. 1858‑1888, l. 12 1/2 in. $300/500

344. New Orleans Coin Silver “Fiddlethread” Ladle, Melville and Co., wc. New Orleans, 1849‑1858, marked “MELVILLE&CO” in rectangle, script monogram “EB” on reverse, l. 13 5/8 in. $300/500

346. American Rococo Coin Silver Repoussé Tea Service, c. 1850‑1860, William Forbes, New York, wc. 1826‑1864, ret. Ball Black & Co, New York, wc. 1851‑1874; incl. teapot, sugar, covered creamer and waste bowl, floral scroll decoration, scroll feet, teapot h. 9 1/8 in., total wt. 81.95 troy ozs. $1500/2500

348. Set of Six Gorham Sterling Silver Goblets, mid‑20th c., “Puritan” pattern no. 272, h. 6 1/2 in., total wt.

35.85 troy ozs. $400/600

350. Jacob Petit Paris Porcelain Solitaire Tea Service, 19th c., J.P. marks, decorated in the Etruscan style with Classical figures and beige and black borders, incl. tray, w. 13 1/8 in., d. 12 1/2 in.; covered teapot, h. 5 3/8 in.; covered creamer, h. 4 1/4 in.; and covered cup and saucer. $600/900

345. Good Group of American Sterling Silver Strawberry Forks, late 19th c., incl.

11 Durgin strawberry motif, 1 Simpson, Hall & Miller “Frontenac”, 1 Frank M. Whiting “King’s Court”, 1 Watson & Newell, and 3 silverplate examples, each l. approx.

4 3/4 in. (17 pcs.) $400/600

347. Kirk Sterling Silver “Repoussé” Pattern Dinner and Luncheon Flatware Service for Twenty‑Four, mid‑20th c., S. Kirk & Son, Inc., pattern introduced 1828, incl.

24 dinner forks (l. 7 7/8 in.), 24 dinner knives (l. 9 3/4 in.), 16 steak knives, 12 luncheon forks (l. 7 1/4 in.), 12 luncheon knives (l. 8 7/8 in.), 21 salad forks (l. 6 1/4 in.), 30 cocktail forks (l. 5 1/4 in.), 6 two‑tine berry/canapé forks (l. 4 1/2 in.), 12 (hh) fruit knives, 12 (hh) butter spreaders, 17 (incl. 3 “as is”) teaspoons, 24 iced beverage spoons, 12 cream soup spoons (l. 6 1/8 in.), 24 dessert/soup spoons, 23 after‑dinner coffee spoons, 5 similar after‑dinner coffee spoons, Jenkins & Jenkins, Baltimore, 12 citrus spoons (l. 6 1/8 in.), 12 ice cream forks (l. 5 1/2 in.), 6 sugar shells, 1 lemon fork, 1 small sauce ladle (l. 4 7/8 in.), 1 butter knife (fh), 1 butter knife (hh), 1 cheese knife (hh), 1 pie server (hh), 1 ice cream knife, 1 dressing spoon (l. 10 3/4 in.), 2 tablespoons, 2 slotted tablespoons, 2 serving spoons (l. 9 1/8 in. and 8 1/4 in.), 1 slotted serving spoon (l. 8 1/4 in.), 2 meat forks (l. 8 1/2 in.), 1 large five‑tine serving fork, 9 1/2 in., 2 piece roast carving set, pair of silver‑handled wood salad servers (hh), approx. silver wt. (weighable) 292.95 troy ozs., (322 pcs.); together with 9 William Batt & Sons, Sheffield silverplate fish forks and knives, a silverplate pastry server, 6 misc. liqueurs, Georgian‑style burl walnut silver chest on stand with 4 drawers, h. 42 in., w. 24 1/2 in., d. 15 in., and a smaller walnut fitted lift-top chest with a single drawer. $8000/12000

349. Antique American Silverplate Soup Tureen, 19th c., floral repoussé, elephant head handles. $600/900

351. Pair of Paris Biscuit Porcelain Galants Figures, c. 1860, plinth bases, h. 18 1/2 in. and 19 in. $500/700 Provenance: Temple Heights, Columbus, MS.

352. Louis XV‑Style French Provincial Carved Walnut Armoire, stepped cornice, raised panel doors, shaped apron, scrolled feet, h. 87 1/2 in., w. 61 3/4 in., d. 25 5/8 in. $3000/5000 Provenance: Antique de Provence, 623 Royal St., New Orleans, LA. Additional information at www.nealauction.com

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353. Pair of Northern Italian Gilded Fauteuils à la Reine, 18th/19th c., arched backs, scrolled arms, shaped seat, cabriole legs, colorful antique needlepoint upholstery, h. 52 1/2 in., w. 30 1/2 in., d. 22 in. $1200/1800

354. American Federal Carved Mahogany Bowfront Chest of Drawers, late 18th/ early 19th c., probably John and Thomas Seymour, Boston, molded top above four graduated drawers, shaped base, molding, flared “French” feet, h. 35 1/2 in., w. 42 in., d. 23 1/2 in. $2000/3000 356. American Classical Carved Mahogany and Rosewood Work Table, c. 1825, attr. to Anthony Quervelle, Philadelphia, lift top with inset mirror, baize-lined work compartment, arched drawer with gadrooned molding, cornucopia supports, turned stretchers, acanthine paw feet, h. 30 1/4 in., w. 22 in., d. 17 in. $1500/2500 Ill.: Boor, Allison, et al.

Philadelphia Empire Furniture. pp. 264‑265,

figs. 130‑130b.

355. Fine American Classical Figured Mahogany Armoire, c. 1830, Baltimore, stepped flared cornice, paneled doors flanked by distinctively carved and reeded pilasters; fitted interior with linen shelves, drawers, and hanging space, ring‑turned ball feet, h. 88 1/2 in., w. 65 1/2 in., d. 28 in. $2000/3000 Note: The restrained and carefully executed pilasters, central “knife edge” molding, door stile proportions and the narrow plinth on this armoire are closely related to those on a maple armoire descended in the family of John Needles (Baltimore, active 1810-1852) and bearing his stencil, now conserved at the Baltimore Museum of Art (acc. 1961.45). The Needles armoire was part of a suite comprising a bureau, mirror and washstand for his house on Hanover Street in Baltimore. The pilasters and ball feet on this armoire also relate to those on a secretary bookcase from the Winchester family of Baltimore attributed to Needles and at the Maryland Historical Society (acc. 62.83.1) Reference: Weidman, Gregory and Jennifer Goldsboro. Classical Maryland, 1815-1845.

Baltimore: Maryland Historical Society, 1993 p. 123, fig. 148. Ibid. Furniture in Maryland, 1740-1940. Baltimore: Maryland Historical Society, 1984, p. 1420, fig. 102.

357. American Classical Carved Mahogany Poster Bed, c. 1830, Philadelphia, carved cornucopia and shell crest, paneled headboard, spiral‑turned posts with tobacco leaves, turned feet, brass cuffs, h. 87 in., l. 75 in., w. 59 in. $2500/3500 Provenance: Philip Bradley Antiques.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p.497, fig. 331.

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359. American Classical Carved Mahogany Lit en Bateau, c. 1830‑1840, scrolled head and foot board, straight paneled side rails, plinth feet, h. 44 in., l. 77 1/2 in., w. 60 in. $1500/2500

358. Fine American Classical Carved Mahogany Games Table, c. 1800‑1820, school of Henry Connelly, Philadelphia, shaped foldover top, conforming apron, dolphin‑carved pedestal, saber legs, brass paw feet, casters, h. 28 in., w. 36 in., d. 18 in. $3000/5000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 194, fig. 68.

360. American Federal Inlaid Walnut Chest of Drawers, early 19th c., graduated drawers, chamfered corners, shaped bracket feet, h. 35 3/4 in., w. 42 1/2 in., d. 18 in. $1500/2500

361. Pair of American Classical Carved Mahogany Bottle Cases, c. 1820, attr. to the school of Joseph Barry or Henry Fligler, Philadelphia, hinged top with blind drawer opening to storage, spiral-turned Corinthian columns, stepped plinth, cut glass and brass pulls retaining traces of silverplate, h. 17 3/4 in., w. 13 1/2 in., d. 13 3/4 in. $3000/5000

362. American Classical Carved Mahogany Sarcophagus Cellarette, c. 1825, attr. to Anthony Quervelle, Philadelphia, molded raised diamond paneled lid, acanthus and shell border, segmented fan front, anthemion corners, and gadrooned molding, h. 19 in., w. 28 1/8 in., d. 17 in. $4000/6000.

363. Suite of Six American Classical Carved Mahogany Side Chairs, c. 1815, possibly Joseph Barry, Philadelphia, shaped crest with Prince of Wales plume, upholstered back, reeded stiles, turned and reeded front legs, h. 35 in., w. 18 1/2 in., d. 15 1/2 in. $3000/5000

Provenance: Charles A. Whitaker Auction Co., Philadelphia, Deborah Norris Rush Estate sale, Apr. 21, 1991; John William and Barbara Boor Collection.

Provenance: Freeman’s, Philadelphia, Apr. 20, 2001, lot 203.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 296, fig. 153.

Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 533, fig. 360.

Additional information at www.nealauction.com

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364. American Rococo Carved and Laminated Rosewood Center Table, c. 1850‑1860, John Henry Belter, New York, in the “Rosalie” pattern, shaped top, conforming apron with carved flowers, S shaped legs with dolphin terminals, stretchers centering a vase of flowers, h. 29 3/8 in., w. 42 1/2 in., d. 33 in. $12000/18000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The shaped skirt with applied foliate decoration and the dolphin supports on this table are very similar to those on a well-known group of tables attributed to John Henry Belter, most notably a center table in the parlor at Rosalie, Natchez. Interestingly, the very fine table offered here has knees carved more elaborately with shield cartouches than those on the Rosalie example.

Other tables from this group include an example also from the Service Collection, sold in these rooms as lot 183, Jan. 31, 2015; Neal Auction Company lot 290, sold on Sept. 8, 2012; lot 116, sold on April 16, 2002; and lot 268 sold on Oct. 6, 2007 and center tables in the Hurst and Manney collections.

Ref.: Dubrow, Richard. American Furniture of the 19th c., Atglen, PA: Schiffer, 1983, pp. 131, 134.

Schwartz, Marvin, et. al. John Henry Belter and the Rococo Revival, New York: Dutton, 1981. p. 75, pl. 54b.

365. American Classical Carved Mahogany Sofa, early 19th c., attr. to Anthony Quervelle, Philadelphia, scrolled crest and arms, foliate bracketed acanthus paw feet, h. 34 1/2 in., w. 89 in., d. 22 in. $3000/5000 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p. 360, fig. 215.

366. Pair of American Rococo Laminated Rosewood Slipper Chairs, c. 1860, New York, keyhole backs with pierced scroll and vine shaped stiles, circular seat, delicate cabriole legs. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: (One) of pair; Dubrow, Richard. American Furniture of the 19th c.

Atglen, PA: Schiffer, p. 95.

367. American Rococo Carved Rosewood Cylinder Desk, c. 1860, attr. to Thomas Brooks, New York, arched crest centered by a volute acanthus cartouche, mirrored doors, fitted desk compartment in contrasting satinwood, shell carved drawer, acanthus and bellflower cabriole legs, casters, h. 86 in., w. 35 in., d. 25 in. $2500/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

368. American Sheraton Inlaid Mahogany and Satinwood Work Table, c. 1800, banded drawer, galleried shelf, reeded tapered legs, h. 29 1/4 in., w. 17 in. d. 16 3/4 in $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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369. Exceptional American Rococo Carved and Laminated Rosewood Étagère, mid‑19th c., attr. to John Henry Belter, New York, crest centered with a federal shield surrounded by floral cascades, arched mirrored back, shaped graduated mirrored shelves, lotus‑carved supports, serpentine marble top, leaf and floral carved base, acanthine turned feet, h. 90 1/2 in., w. 58 1/2 in., d. 16 1/2 in. $20000/30000 Provenance: Neal Auction Company, Oct. 11, 2008, lot 391.

Note: This étagère exhibits the overall form and specific ornament related to several well-known examples attributed to John Henry Belter. The shelves, carved supports, and shaped plinth are very similar to those of the “Rosalie” étagère in the Service Collection. The mirror moldings are identical to those on a console conserved by the New York State Historical Society. The broken pediment which is the underlying form for this uniquely carved crest is similar to that in a figure and bird carved étagère, also in the Service Collection, sold by Neal Auction Company as lot 175, Jan. 31, 2015.

The Federal shield and laurel wreath centering the crest on the étagère is a singular motif in Belter’s oeuvre, and recalls the “Founding Fathers” busts adorning an important ebony and ivory center table in the New York Crystal Palace Exhibition of 1853 and later in the Manney Collection. The exceptional proportions and subject matter incorporated into this lot suggest this étagère was a notable commissioned piece, either for a patriotic collection, a public building, or an international exhibition.

Ref.: Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, pp.

145-150; Schwartz, Marvin, et. al. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, 1981, p. 73, pl. 52, 52a.

370. American Rococo Carved Mahogany Full Tester Bed, mid‑19th c., marked “C.Lee” and numbered “281” on bottom of post, arched crest with central cabochon and shell, molded paneled headboard, turned tapered posts, molded tester with egg‑and‑dart edge, shaped rails and foot board, disc feet, h. 108 1/2 in., l. 77 in., w. 64 1/2 in. $5000/8000 Provenance: Brad Simonton, Natchez, MS Note: Beds stamped “C. Lee” appear in the inventories of New Orleans furniture purveyors Calvin Chandler Simpson, John Yetter, and William McCracken in the years leading to the Civil War. Research by scholar and curator Stephen Harrison has revealed Charles Lee (active 1856-1868) was a Manchester, Massachusetts, craftsman known as a “maker of bedsteads for the Southern market.”

Ref.: Harrison, Stephen. “’C. Lee’ Maker of Beds for the Southern Market”, Maine Antiques Digest, (April 1994). p. 30.

371. American Rococo Carved Rosewood Étagère, mid‑19th c., New York, crest centered by basket of flowers, arched mirror flanked by side mirrors and shelves, turned supports; shaped marble top, conforming case, two oval mirrored doors, half columns, serpentine open side cabinets, bracket feet, h. 101 in., w. 54 1/2 in., d. 20 in. $3000/5000

Additional information at www.nealauction.com

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372. American Gothic Carved Rosewood Center Table, c. 1840, New York, inset marble top, gadrooned edge, skirt with ripple molding, spiral turned supports, shaped plinth base, quatrefoil feet, castors, h. 28 1/2 in., w. 44 1/2 in., d. 31 1/2 in. $2500/3500

373. American Federal Cherrywood Chest of Drawers, early 19th c., Kentucky, graduated drawers, reeded stiles, ring and ball turned legs, h. 38 1/4 in., w. 39 5/8 in., d. 21 5/8 in. $1500/2500

374. American Gilt Brass Hanging Sinumbra Lamp, c. 1840, marked “Manufactured by H. N. Hooper & Co. Boston”, bulbous period shade cut with lyre motifs, in gilded mounts, suspended by chain below a smoke bell, h. 25 in., dia. 12 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 80.

376. Rare American Patinated Zinc Equestrian Group of Andrew Jackson, 19th c., Cornelius and Baker, Philadelphia, after the 1853 original in Washington, DC, by Clark Mills (American, 1810‑1883), stone shaped base marked “Patented, May 15, 1855”, h. 22 1/8 in., l. 19 in., w. 8 1/2 in. $15000/25000 Note: Mills is considered one of America’s first sculptors. Born in upstate New York, he ran away from home at the age of 13, eventually settling in Charleston where he began to work as an ornamental plasterer and sculptor. Initially he was hesitant to enter the contest for the Jackson Sculpture commission, fearing he was neither qualified nor experienced enough. Mills was awarded the Jackson commission based in part on the success of his bust of the revered South Carolina statesman John C. Calhoun (1782-1850). To prepare for the sculpture’s production, Mills practiced by casting large-scale bells. He eventually sold the design rights to the prominent Philadelphia firm of Cornelius and Baker (in partnership 1851-1861), a company known for its lighting fixtures and one of the pioneers in zinc casting. The company’s skills are readily evident in this rare patinated zinc reduction. The technique was so advanced and innovative that Cornelius and Baker had the process patented.

Examples of Cornelius and Baker Jackson sculptures are in the collections of the National Portrait Gallery in Washington D.C., the Tennessee State Museum, the Morris Museum in Georgia, the Virginia Museum of Art in Richmond, the New York Historical Society, the Andrew Jackson Historical Park Museum in South Carolina, and The White House.

Ref.: Barber, James. Andrew Jackson - A Portrait Study. National Portrait Gallery. 1991. pp.

212-216. ; Bénézit. Dictionnaire des Peintres, Librairie Grund, 1976, vol. 7, p. 424. ; Ward, John William. Andrew Jackson - Symbol for an Age. Oxford University Press, London, 1962.

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375. American Gilt Bronze Figural Solar Lamp, c. 1850, attributed to Hooper & Co., Boston, classical maiden on pedestal, marble base, cut‑glass shade, h. 29 1/4 in., dia. 8 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 88.

377. George Marsh Carved Mahogany Hollow Column Shelf Clock, c. 1832, interior paper label of George Marsh & Co., Bristol, MA, eagle crest, painted dial, the mirror lifting to reveal the escapement, painted tablet depicting an actress on stage, paw feet, h. 37 in., w. 17 1/4 in., d. 5 1/4 in. $2500/3500 Ill.: Boor, Allison, et al. Philadelphia Empire Furniture. p.554, figs. 382, 382a.

378. George III Ebonized Oak Bracket Clock, early 19th c., silvered dial, domed case with bale handle, carved with geometric and foliate motifs, h. 17 1/2 in., w. 8 1/2 in., d. 5 1/4 in. $1500/2500

379. Set of Eight Important French Restauration Brass Inlaid Rosewood Chaises, c. 1830, by George Alphonse Jacob‑Desmalter (1799‑1870), each stamped on underside “Jacob” with lozenge preceding the J. and with the capital letter “A” denoting The Chateau or Royal Commission; each with rectangular upholstered back, back‑scrolled stiles, square seat, saber legs. $8000/12000

380. American Classical Carved Mahogany Center Table, early 19th c., Boston, oval white marble top, molded frieze, lappet carved scrolled supports, incurvate stretcher shelf, foliate scroll feet, casters, retains original finish, h. 29 in., w. 49 in., d. 33 1/2 in. $1000/1500

381. American Classical Mahogany Secretary Bookcase, c. 1830, Baltimore, upper case with flared cove cornice, elliptical glazed doors flanked by pilasters, lower case frieze fitted with a writing drawer, paneled doors flanked by S scroll supports, scrolled feet, h. 88 1/2 in., w. 49 1/2 in., d. 25 in. $2000/3000 Note: The distinctive upper case and scroll supports on this secretary are identical to those seen on a Baltimore secretary from the James M. Goode collection and also on a desk sold in these rooms as lot 613 Dec. 3, 1992.

Reference: Fitzgerald, Oscar. Three Centuries of American Furniture. p. 130, fig. VI‑43.

382. American Classical Carved Mahogany Sofa, early 19th c., New York, cylindrical crest rail terminating in acanthine scrolls, scrolled dolphin arms, cornucopia bracketed hairy paw feet, casters, h. 34 in., w. 91 1/2 in., d. 25 in. $1000/1500

384. American Carved Rosewood Grained Étagère, mid‑19th c., attr. to Mitchell and Rammelsberg, Cincinnati, exuberantly carved and reticulated crest, mirror back flanked by graduated candle shelves; serpentine marble top, shaped apron centered by a strapwork cabochon, C and S scroll supports, conforming shelf, disc feet, casters, h. 104 1/2 in., w. 51 in., d. 21 1/2 in. $4000/6000

383. American Gothic Revival Carved Mahogany Specimen Cabinet, mid‑19th c., Philadelphia, now with a white marble top, cavetto‑molded frieze, two gothic arched doors flanked by tapering columns, square molded plinth, claw‑and‑ball feet, h. 33 1/2 in., w. 32 3/8 in., d. 17 3/8 in. $1200/1800

385. Rare American Gothic Carved Mahogany Hamstand, mid‑19th c., molded top, scrolled frieze, molded trapezoidal panel door, shelf interior, scrolled front feet, casters, old rich black finish, h. 44 1/4 in., w. 33 in., d. 19 in. $800/1200

Additional information at www.nealauction.com

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387. American Classical Rosewood Tilt‑Top Table, early 19th c., octagonal top, molded frieze with notched border, hexagonal pedestal with acanthus collar, incurvate triangular plinth, scrolled paw feet, casters, h. 29 1/2 in., w. 55 1/2 in., d. 56 1/2 in. $1000/1500 386. American Federal Carved Mahogany Bowfront Chest of Drawers, early 19th c., Philadelphia, graduated drawers, reeded stiles, turned feet, h. 38 1/2 in., w. 42 1/2 in., d. 22 1/2 in. $700/1000

388. American Federal Mahogany Pembroke Table, c. 1790‑1810, shaped drop leaves, frieze drawer, square tapered legs, h. 29 in., w. 31 1/2 in., d. 21 in. $800/1200

389. Directoire‑Style Inlaid Fruitwood Lit de Repos, 19th c., paneled head and foot board, paneled rails, Greek key border, square tapered legs, h. 38 1/4 in., l. 75 in., w. 38 in. $800/1200

390. American Renaissance Parcel Ebonized and Gilt-Incised Walnut Center Table, c. 1870, attr. to Pottier and Stymus, New York, original Breccia marble top with outset corners, tapered fluted legs, incurvate stretcher with urn finial, casters, h. 29 1/2 in., w. 56 3/4 in., d. 34 in. $1200/1800

391. American Classical Carved Mahogany and Gilt‑Stenciled Pier Table, early 19th c., Philadelphia, marble top, cove‑molded frieze, scroll supports, mirrored back, incurvate plinth, gadrooned verde antico paw feet, h. 38 in., w. 39 in., d. 20 1/2 in. $1200/1800 392. Pair of American Inlaid Mahogany Games Tables in the Hepplewhite Taste, late 18th c., probably North Shore of Massachusetts or New Hampshire (Portsmouth), shaped foldover top, inlaid edge and frieze, square tapered legs, h. 29 7/8 in., w. 35 1/4 in., d. 17 1/4 in. $800/1200 Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent.

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395. American Renaissance Carved Rosewood Bedstead, c. 1858, attr. to John Jelliff, Newark, headboard with foliate scrolled crest, oval panel with scrolled cartouche, conforming paneled foot board, h. 71 3/4 in., l. 75 in., w. 58 in. $2000/3000 393. American Classical Carved Mahogany Center Table, c. 1825, Philadelphia, circular tilt top, columnar support, incurvate triangular plinth, volute scrolled feet with rosettes, casters, h. 29 3/8 in., dia. 41 1/4 in. $300/500

394. Vintage American Leather Trunk, labeled “James Boyd & Sons, Boston and New Orleans”, top monogrammed “R.G.”, nailhead trim, h. 13 in., w. 36 in., d. 18 in. $300/500

Provenance: Edwin van Antwerp, 53 Washington Place, Newark, NY, 1858; Grace Robertson, granddaughter; Trinity Cathedral (Episcopal), Newark, 1989, by gift; The New Jersey Historical Society, Newark, by transfer; acquired by the current owner.

Ill.: Dietz, Ulysses G. “Edwin van Antwerp’s Jelliff Furniture”, Magazine Antiques. April 1990: p. 910, fig. 7.

396. American Aesthetic Ebonized Pedestal, mid‑19th c., square top, spiral‑turned standard, anthemion carved plinth, square base, bracket feet, h. 37 1/4 in., w. 17 in., d. 14 in. $800/1200

397. American Renaissance Carved Walnut Hallstand, mid‑19th c., possibly Mitchell and Rammelsberg, Cincinnati, anthemion crest with male bust, arched mirror plate flanked by reticulated grapevine panels, and serpentine shelves; serpentine marble top, conforming frieze centered by cabochon cartouche, scrolled legs, h. 108 in., w. 54 1/2 in., d. 17 1/2 in. $1500/2500

398. Regency Inlaid Rosewood Méridienne, early 19th c., shaped crest rail, scrolled arms, blocked and turned legs, extensive brass inlay, brass ferrules, casters, h. 34 1/4 in., w. 83 1/2 in., d. 29 in. $700/900

399. Regency Carved Mahogany Sarcophagus Cellarette, early 19th c., hinged top, applied molding, paw feet, h. 19 1/2 in., w. 25 1/4 in., d. 19 1/4 in. $1000/1500 Provenance: Temple Heights, Columbus, MS.

400. George III Inlaid Satinwood Pembroke Table, c. 1790, banded drop‑leaf top, frieze drawer, square tapered legs, cuff casters, h. 28 3/8 in., w. 33 in., d. 20 1/2 in. $500/1000

401. Antique George IV Inlaid and Carved Mahogany Sideboard, 19th c., shaped top surmounted by small drawers, frieze drawer above tambour drawer, cupboard to each side, one end cabinet, reeded legs, cuff casters, h. 40 in., w. 98 1/4 in., d. 30 1/2 in. $2500/3500

Additional information at www.nealauction.com

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402. Pair of English Black Japanned and Caned Armchairs, mid‑19th c., shaped crest rail, scrolled arms, upholstered trapezoidal seat with cushion, cabriole legs, hoof feet, gilt accents, h. 45 in., w. 24 1/4 in., d. 21 1/4 in. $1000/1500

404. Georgian‑Style Inlaid Walnut Bachelor’s Chest, benchmade by Arthur Brett & Son, Norwich, foldover top, herringbone inlay, batwing pulls, graduated drawers, bracket feet, h. 31 1/2 in., w. 30 1/2 in., d. 14 1/2 in. $300/500

403. George III‑Style Carved Mahogany Library Armchair, padded back, arms and seat, acanthus carved cabriole legs, volute toes, h. 39 1/2 in., w. 30 in., d. 27 1/2 in. $500/750

405. Dutch Mahogany and Marquetry Hanging Cabinet, 18th c., pedimented crest, 6 pane glazed door, canted side panels, molded base, h. 33 1/4 in., w. 39 in., d. 12 in. $300/500 Provenance: New Orleans Estate; accompanied by a copy of the Jon Antiques, New Orleans, invoice, dated Sept. 11, 1986.

406. Louis Philippe‑Style Gris Peinte Bookcase, cove‑molded cornice, pair of glazed doors, adjustable shelves, fluted stiles, conforming two door base, h. 93 1/2 in., w. 40 3/4 in., d. 16 1/2 in. $800/1200 407. Louis XV/XVI‑Style Rosewood and Parquetry Ormolu‑Mounted Petite Bureau Plat, 19th c., stamped “Fichet Paris”, serpentine top with gilt‑tooled leather inset, frieze drawer flanked by one double drawer with lock box and two small drawers, cabriole legs, sabots, h. 29 1/2 in., w. 61 1/4 in., d. 31 1/4 in. $800/1200

408. Louis XV/XVI‑Style Carved and Painted Canapé, 19th c., molded shaped back, padded scrolled arms, serpentine seat rail, cabriole legs, needlepoint upholstery, h. 35 in., w. 63 1/2 in., d. 22 in. $800/1200

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409. Venetian Rococo Crème Peinte Secretaire, 18th/19th c., shell‑carved crest, small drawers flanking central cupboard, slant front lid, fitted interior, serpentine base with three drawers, conforming bracket feet, h. 64 1/2 in., w. 45 1/2 in., d. 22 1/2 in. $2000/3000

410. Italian Neo‑Classical Carved and Inlaid Walnut Petite Commode, 18th c., molded top, two drawers, foliate carving, stop-fluted legs, h. 37 in., w. 18 in., d. 12 in. $800/1200

411. Pair of Dutch Marquetry Inlaid Side Tables, composed of antique elements, urn inlaid tops, foliate frieze, square legs, h. 26 1/2 in., w. 25 3/4 in., d. 17 1/2 in. $600/800

412. Manner of Daniel Seghers (Flemish, 1590‑1661), “Bust of Woman Surrounded by a Floral Cartouche”, 18th/19th c., oil on canvas, attribution labels en verso, 30 1/2 in. x 23 1/2 in., framed. $1500/2500

413. Angelo Campanella (Italian, 1746‑1811), “The Drunkenness of Hercules”, and “Bacchus and Ariadne”, 1778‑1802, 2 engravings with hand‑coloring on wove paper, after Anton van Maron (Austrian, 1733‑1808), Plates V and VII respectively from Manifesto, published by C. Buti, Rome, each sight 21 1/2 in. x 31 1/2 in., framed alike. $1000/1500

414. Emile Vernon (British, 1872‑1919), “Young Beauty with a Bouquet of Roses”, 1908, oil on canvas, signed and dated lower right, 30 in. x 13 in., original frame. $6000/9000

415. Hans Zatzka (Austrian, 1859‑1945), “A Look through the Keyhole (Un Regard par le Trou de la Serrure)”, oil on cradled wood panel, signed with pseudonym “J. Bernard” lower left, inscribed en verso, 18 3/4 in. x 12 3/8 in., period gilt frame with title plaque. $7000/10000 Additional information at www.nealauction.com

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416. Fine Continental Porcelain Plaque, c. 1900, after the “Epanouissement”

by Angelo Asti (Italian/French, 1847‑1903), oval 10 1/2 in. x 8 3/4 in., framed. $800/1200

417. George III Figured Mahogany Demilune Sideboard, 19th c., segmented banded top, frieze drawer flanked by deep drawer and cupboard on each side, square tapered legs, spade feet, h. 34 7/8 in., w. 54 in., d. 26 5/8 in. $1000/1500

418. French West Indies Carved Amaranth and Mahogany Grand Armoire, c. 1800 and later, probably Martinique, molded cornice above two shaped paneled doors, well‑articulated scalloped skirt, cabriole legs with scrolled toes, hoof feet, h. 84 3/4 in., w. 58 in., d. 23 3/4 in. $3000/5000

419. George III Mahogany Three Pedestal Dining Table, late 18th/ early 19th c., vasiform pedestals, reeded saber legs with brass cuffs and casters, h. 28 in., l. 114 in., w. 42 in. $2000/3000

420. George III Inlaid Mahogany Pembroke Table, c. 1790, drop‑leaf banded top, frieze drawer, square tapered legs, cuff casters, h. 28 3/4 in., w. 34 in., d. 22 in. $500/1000

421. George III Lead Downspout, late 18th c., with hound armorial, applied foliate moldings, fluted base, h. 25 in., w. 17 1/2 in., d. 7 in. $300/500

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422. Louis XV Carved Pine Buffet á Deux Corps, late 18th c., upper case with arched volute cornice, paneled frieze centered by a roundel, paneled doors with inset grillework; lower case with paneled doors, cabriole legs, scrolled toes, h. 92 1/2 in., w. 54 1/2 in., d. 20 1/2 in. $800/1200

423. French Provincial Carved Oak Bureau, 18th c., paneled fall front lid, fitted interior with stepped configuration of drawers, case with two over one drawer, molded stiles, cabriole legs, h. 41 1/8 in., w. 41 1/2 in., d. 20 5/8 in. $800/1200

424. Régence‑Style Gilt Bronze‑Mounted Kingwood and Parquetry Bombé Commode, rouge marble top, three short drawers and two long drawers, shaped apron, sabot feet, h. 36 in., w. 49 1/2 in., d. 23 in. $2000/3000

425. Pair of Monumental Bleu Celeste and Gilt Porcelain Tazzas, applied putto figures, acanthus feet, spurious Dresden mark, h. 30 1/2 in., dia. 19 1/2 in. $1500/2500

426. Fine Dutch Inlaid Satinwood and Rosewood Bombé Commode, late 18th/ early 19th c., shaped top, scrolled canted corners, four graduated drawers, shaped apron, claw and ball feet, h. 33 in., w. 42 1/2 in., d. 23 1/2 in. $1200/1800

427. Etienne Thien (Austrian, 1870‑1937), “Emperor Napoleon I with His Infant Son, the King of Rome”, pastel on paper, signed lower left, 23 1/2 in. x 19 in., framed. $600/800

428. André Dutertre (French, 1753‑1842), “Collection des Têtes du Célèbre Tableau de la Cêne, par Leonard de Vinci”, 1808, 13 plates drawn at life‑size, rendered by various engravers, printed by Gillé Fils, Paris, 27 in. x 21 in., remnants of original boards. $1000/1500

429. Antique English Silverplate and Crystal Centerpiece, James Deakin & Sons, Sheffield, 1871‑1898, stand mounted with winged hippocampi, fitted with crystal trumpet vase and dish etched with grapes and grape leaves, h. 22 3/8 in., dia. 9 1/4 in. $800/1200

Additional information at www.nealauction.com

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430. Monumental Empire‑Style Gilt Bronze Surtout de Table, reticulated gallery with fruit‑filled corbeilles, swans and rinceaux, h. 7 1/4 in., l. 61 in., w. 34 in. $6000/8000 Provenance: Marlsgate Plantation, Scott, AR. 432. English Silverplate Hot Water Urn, urn‑form with scrolled handles, ebonized handles, incurvate base, pad feet, cover marked “Warranted Best London Manufacture”, h. 16 1/4 in. $500/800 Ref.: For similar example see Thomas Bradbury, History of Sheffield Plate.

431. Late Regency Sheffield Plate Meat Dish and Cover, dish with gadroon and shell border and hot water compartment, domed cover, hand mark, prob. J. Watson & Sons, foliate handle, gadroon borders, rubbed-in shield with engraved armorial, h. 14 in., l. 24 5/8 in., d. 16 1/2 in. $1200/1800

433. Pair of Antique Sheffield Plate Two‑Light Candelabra, with reeded twisting candlearms and central urn‑form finial, on circular fluted foot, h. 22 1/2 in. $1200/1800

435. Good Pair of English Silverplate Candlesticks, Ellis Barker, Birmingham, early 20th c., each Corinthian column on stepped plinth, laurel swags, h. 14 1/2 in. $400/600

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434. George IV Sterling Silver Cruet Stand, London, 1828, maker TD, probably Thomas Death, mark reg. 1812, crested serpentine stand with central acanthus and scroll handle, gadrooned borders and shell and scroll feet, fitted with 6 bottles and 2 condiment jars, latter with mounts and mustard spoon by Charles Reily and George Storer, h. 9 1/2 in., w. 8 3/8 in., d. 5 7/8 in., wt. 21.15 troy ozs. $500/1000 436. Pair of French Neo‑Grec Bronze Seven‑Light Candelabra, late 19th/early 20th c., griffin‑scroll candlearms, columnar standards, tripartite anthemion and griffin bases, h. 43 in., w. 12 in., electrified. $800/1200

437. Empire‑Style Gilt Metal and Crystal Chandelier, early 20th c., h. 52 in., w. 31 in. $2000/3000

439. American 14 kt. Yellow Gold Mesh Evening Bag, c. 1920, cabochon sapphire clasp, mesh handle and tassel, 1921 presentation inscription. $800/1200

438. Pair of French Patinated Bronze Figural Wall Sconces, shield‑form backplate, Winged Victory standard, wheel‑cut glass shades, electrified, h. 24 in., w. 5 in., d. 5 1/2 in. $800/1200

440. 18 kt. Yellow Gold, Ruby and Diamond Dome‑Shaped Ring, set with 36 single cut diamonds and 51 rubies. $800/1200

441. 14 kt. Yellow Gold, Black Enamel and Diamond Pendant/ Brooch, set with 18 full cut diamonds totaling approx.

1 ct.; together with a 14 kt. yellow gold chain. $800/1200

442. Tiffany & Co. 18 kt. Yellow Gold Square Wristwatch, with Tiffany & Co. 18 kt. yellow gold and lizard bracelet. $2000/3000

443. 14 kt. White Gold and Diamond Heart‑Shaped Pin/ Pendant, set with 26 full cut diamonds totaling approx.

1.30 ct., HI, VS1‑2; together with 14 kt. white gold chain. $1000/1500

444. Tiffany 6 1/2 ‑ 7 mm. Cultured Pearl Necklace, with 18 kt. yellow gold clasp, marked Tiffany, l. 24 in., in original Tiffany folder and box. $800/1200

Additional information at www.nealauction.com

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445. Italian Bronze Figure of Apollo, 19th c., after 1572/76 original

by Giambologna in the Studiolo Francesco I de’ Medici, Palazzo Vecchio, inscribed “Giambologna” on self base, h. 19 1/2 in., bronze and marble plinth, overall h. 24 in. $800/1200

446. Baroque‑Style Carved Walnut Mirror, cherub playing mandolin in floral bocage, surrounded by winged dragons and birds, h. 56 in., w. 46 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

447. Good Napoleon III Gilt Bronze and Marble Clock, mid‑19th c., dial signed in script “Victor Raulin B., St. Germain Paris”, urn form, mounted with masks and entwined snakes, h. 20 1/2 in., w. 11 1/2 in., d. 8 in. $1000/1500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

448. Renaissance-Style White Marble Fireplace Surround, mid-19th c., h. 32 in., w. 57 in., d. 18 in. $2500/3500

450. Henry Salt (British, 1780‑1827), “The Pyramids at Cairo”, 1809, Plate 24, hand‑colored aquatint engraving by D. Havell after Henry Salt, from Twenty‑four Views in St. Helena...Abyssinia and Egypt, published by William Miller, London, 19 3/4 in. x 27 3/4 in., sheet 21 1/4 in. x 30 3/8 in. $800/1200

449. French Empire Gilt Bronze Twelve‑Light Chandelier, 19th c., canopy crest with shells and cartouches, bell with flame finial, foliate branches, h. 44 in., dia. 29 in. $4000/6000

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Property from the Vieux CarrĂŠ Townhouse of a Distinguished French Gentleman Lots 451 through 602

Additional information at www.nealauction.com

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452. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “At Dusk on the Bayou”, 1876, oil on canvas, signed and dated lower left, 12 in. x 24 in., antique gilt frame. $15000/25000 Provenance: Morton M. Goldberg Auction Galleries, New Orleans, Nov. 18, 1995, lot 906A.

453. José Silbert (French, 1862‑1939), “Portrait d’une Lydie, Negresse Mauresque”, oil on wood panel, signed upper left, titled en verso, 12 3/4 in. x 9 1/2 in., antique frame. $2000/3000

451. William Aiken Walker (American/South Carolina, 1838‑1921), “Cabin Scene with Children”, oil on academy board, signed lower left, pencil inscribed “Cabin...$20, pair $35”, “J. Gumbinger, Jeweler, Jacksonville, Fla.” and “Robert M. Hicklin, Jr., Inc., Spartanburg, SC” labels en verso, 12 1/4 in. x 9 1/4 in., framed. $12000/18000 Provenance: Robert M. Hicklin, Jr., Inc.; Morton M. Goldberg Galleries, Inc., Mar. 12, 1994, lot 744.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

454. Louis Antoine Collas (French, 1775‑1856, act.

New Orleans 1822‑1829), “Antoine Alcide Delpeuch (1799‑1845)” and “Mme. Antoine Alcide Delpeuch, née Marie Louise Chloé Grandchamps (1807‑1886)”, 2 watercolors on ivory, latter signed and dated 1827 lower left, sights 3 1/2 in. x 2 7/8 in., original ormolu within ebonized oval frames; together with a yellow gold bracelet, c. 1830, fleur‑de‑lis and floral decoration, belonged to Mme. Delpeuch, presented on a velvet‑lined stand under a circular glass dome, wood base.

(3 pcs.) $4000/6000 Provenance: Didier Inc., New Orleans, Nov. 2002.

Note: These beautifully depicted miniature portraits were most likely created shortly after the marriage of Chloé Grandchamps to Antoine Delpeuch, which occurred c. 1825-1827. The first of the couple’s children was born about two years later, and, sadly Antoine Delpeuch left his wife a widow in 1845. She never remarried and was called the Widow Delpeuch or Mrs. Delpeuch for the remainder of her life. Census records and City Directories show that Chloé Grandchamps Delpeuch lived with her sons and daughters until her death in 1886.

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455. Continental Gilt Bronze, Pressed Brass and Crystal Four‑Arm Chandelier, c. 1840, French or English, foliate standard and arms, h. 25 in., dia. 19 in. $2000/3000

456. Continental Giltwood Pier Mirror, 1800‑1825, gadrooned cornice above panel frieze, old mirror plate flanked by spiral and ribbon colonnettes, h. 74 1/4 in., w. 26 in. $2500/3500

Provenance: Didier, Inc., New Orleans, Nov. 12, 2003.

Provenance: Didier, Inc., New Orleans, Nov. 15, 2002.

457. Charles‑Jean‑Baptiste Colson (French, c. 1810‑1851, act. New Orleans 1836‑1837), “Pendant Portraits of an Elegant New Orleans Husband and Wife”, 1837, oil on canvas, each signed, dated and inscribed “New Orleans” upper right, artist supply stencil en verso of wife, 36 1/4 in. x 29 in., original frames. $12000/18000 Provenance: By descent in the family of Mrs. Charles D. Richardson; Didier, Inc., New Orleans, Nov. 9, 1996.

Note: After studying at the École des Beaux-Arts and in the studio of Baron Antoine-Jean Gros (1771-1835) in Paris, Charles Colson, like many French portraitists, decided to travel to New Orleans, where likenesses by French artists were in great demand. In November of 1836, Colson and his sister, Honorine Colson St. Clair, arrived in New Orleans from Le Havre on the Salem with a group of artists including the leading portraitist in New Orleans at the time, Jean-Joseph Vaudechamp (1790-1866).

Colson’s two other known portraits from his time in New Orleans, Creole Woman and M. Carti, are held at the Louisiana State Museum. These two works and the two rare paintings offered here from 1837 display Colson’s neo-classical painting technique, combined with the soft, smooth brushwork and romantic poses he had acquired from his training with Gros. In particular, the treatment of the silk, jewelry, and bonnet of the female portrait from this pair are extremely well rendered. Colson portrays the wife’s clothing, the height of c. 1835 European fashion, impeccably; her gigot sleeves that tighten at the wrists, hairstyle parted in the center with ringlets framing the face, and bonnet adorned with lace, flowers, and a large bow under the chin are all on par with the styles being worn in Paris and London in the mid-1830s.

458. American School, probably 19th c., “George and Martha Washington”, two oils on paper, each 10 in. x 8 in., original matching gilt frames. $800/1200 Provenance: Didier Inc., New Orleans, Oct. 28, 1999.

459. John McCrady (American, 1911‑1968), “The Robert E. Lee and the Natchez”, 1945, lithograph, pencil‑signed and titled lower margin, edition of 250, published by Associated American Artists, 10 in. x 14 in., framed. $1000/1500 Provenance: Stone + Press Gallery, New Orleans.

460. Continental School, early‑to‑mid 19th c., “Gentleman” and “Lady”, pair of miniature watercolors on paper, unsigned, each sight 7 in. x 5 1/2 in., period frames. $700/1000

461. George Washington Sully (American/Louisiana, 1816‑1890), “View of an American Canal and Towpath with Falls”, 1834, ink wash on paper, pencil‑dated upper right, label with title en verso, unsigned, 4 1/4 in. x 5 1/2 in., framed. $500/700 Provenance: Didier Inc., New Orleans.

Additional information at www.nealauction.com

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462. William Aiken Walker (American/South Carolina, 1838‑1921), “Cabin Scene”, oil on academy board, signed lower left, partial “F.W. Devoe” label and pencil inscribed “Cabin” en verso, 6 1/8 in. x 12 1/8 in., period giltwood foliage and berry motif frame. $10000/15000 Provenance: Morton M. Goldberg Auction Galleries, Inc., New Orleans, Mar. 12, 1994, lot 743.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

464. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “October”, graphite on paper, signed and titled upper left, sight 13 1/2 in. x 11 1/2 in., framed. $800/1200 Provenance: Stone + Press Gallery, New Orleans.

463. François Fleischbein (Bavarian/New Orleans, c. 1801‑1868), “Portrait of a Creole Woman”, 1850, oil on canvas, signed and dated lower right, 30 in. x 25 in., giltwood frame. $5000/8000 Provenance: Tilden‑Foley Gallery, New Orleans, Feb. 17, 1995.

Ill.: Wiesendanger, Martin and Margaret. Nineteenth Century Louisiana Painters and Paintings from the Collection of W.E. Groves. Gretna, LA: Pelican Publishing Co., 1971, p. 48.

465. John S. Miller (American, 19th c.), “Plantation ‑ Lebanon Springs”, 1838, pencil and ink on paper, signed and dated lower left, titled lower margin, sight 9 in. x 14 3/4 in., framed. $1000/1500 Provenance: Arader Galleries, NY, 1994.

466. Robert Gillam Scott (American/New Orleans, b. 1907), “Nocturnal City Park, New Orleans”, c. 1945‑1949, oil on canvas, signed lower right, signed and inscribed “N.O.” en verso, 9 in. x 12 in., framed. $1000/1500 Provenance: Didier Inc., New Orleans, 2002.

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467. Southern School, 19th c., “Life on the Bayou: Cabin Scene” and “Bayou Fisherman”, two watercolors, unsigned, each 5 1/2 in. x 7 in., framed alike. $250/350

468. Southern/American School, 19th c., “Pay Train Locomotive Louisville & Nashville Railroad”, watercolor and tempera on paper, inscribed lower margin “F. de FUNIAK/ CHF. ENG’R & SUP’T MACH’Y./ AUG. SCHAEFFER ASSIS’T / ENG’R”, sight 17 1/4 in. x 42 in., period giltwood frame. $1500/2500 Provenance: Didier Inc., New Orleans, Nov. 3, 1996.

470. John McCrady (American/New Orleans, 1911‑1968), “Ghost of the Evening”, multi‑stage on masonite, signed “John McCrady” lower right, titled on “Downtown Gallery New Orleans” label en verso, overall 16 3/4 in. x 16 3/4 in., original artist‑embellished frame. $8000/12000

469. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Three Distances: 1955”, silver gelatin print mounted on board, signed, titled and dated lower margin, 11 in. x 13 3/4 in., framed. $800/1200 Provenance: A Gallery for Fine Photography, New Orleans.

Note: John McCrady’s paintings of the South are often compared to those of other American Scene masters such as John Steuart Curry, Grant Wood, and Thomas Hart Benton.

McCrady depicted images of everyday life in America with serious iconic effect. In “Ghost of the Evening,” McCrady conveys religious sentiment through form and color, reaffirming the traditional spiritual values common to his later work through a compositional combination of an Arts and Crafts bungalow and a Gothic church. The juxtaposition of the buildings with McCrady’s characteristic storm clouds and anthropomorphic shadows create a dramatic and mysterious view of a New Orleans neighborhood.

Ref.: Marshall, Keith. John McCrady 1911-1968. New Orleans: New Orleans Museum of Art, 1975; Bonner, Judith H. “John McCrady.” KnowLA Encyclopedia of Louisiana. Feb. 4, 2011. www.knowla.org. Accessed Oct. 12, 2015.

471. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Magnificent Spiral (The Houmas House)”, silver gelatin print mounted on board, signed and titled lower margin, sight 14 1/4 in. x 11 in., framed. $800/1200 Provenance: A Gallery for Fine Photography, New Orleans.

472. Clarence John Laughlin (American/Louisiana, 1905‑1985), “Triumph Over Metal, The Automotion Landscape, The Landscape in the Machine”, silver gelatin print, unsigned, title and photographer’s notes incl. print date “3/29/62” en verso, 11 in. x 13 3/4 in.; and “Archway to the Sky #4 (The Tree as Architecture)”, silver gelatin print, unsigned, title and photographer’s notes incl. print date “11/12/53” en verso, 11 in. x 13 1/2 in., framed alike. (2 pcs.) $800/1200 Provenance: A Gallery for Fine Photography, New Orleans.

473. Clarence John Laughlin (American/ Louisiana, 1905‑1985), “Light on the Cylinders, No. 3”, 1937, silver gelatin print, unsigned, 40 in. x 20 in., framed. $500/700

474. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Unborn: 1941”, silver gelatin print, unsigned, handwritten photographer’s notes incl. print date “8/15/45” en verso, 5 in. x 4 in.; and “Receding Rectangles”, unsigned, handwritten photographer’s notes incl. print date “5/7/81” and “Photograph

by Clarence John Laughlin: The Historic New Orleans Collection” stamp en verso, 11 1/4 in. x 14 in., both framed. (2 pcs.) $600/900 Provenance: A Gallery of Fine Photography, New Orleans Additional information at www.nealauction.com

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475. Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Roberta B. Kennon with incised and modeled irises, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. N30, and “U” for white clay body, h. 12 1/4 in. $12000/18000

476. Newcomb College Art Pottery High Glaze Vase, 1902, decorated by Harriet Coulter Joor with daffodils, green and blue underglaze, based marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. N62 and “Q” for buff clay body, h. 12 in. $10000/15000

Provenance: Jean Bragg Gallery, New Orleans, 2002.

Provenance: Jean Bragg Gallery, New Orleans, 2002.

Ill.: Bragg, Jean and Dr. Susan Saward. The Newcomb Style, p. 88, no. 117.

477. Tiffany Studios Art Nouveau Green Opalescent Glass and Gilt Bronze Letter Holder, c. 1930, marked, with pine needle decoration, h. 6 1/4 in., w. 10 in., d. 2 1/2 in. $800/1200

478. Pair of South American .800 Silver and Silver Gilt Stirrups, marked “J. Fernandez” and “800”, h. 5 1/2 in., wt. 63.70 troy ozs.; together with 2 silver‑mounted bone bolas. $1200/1800

479. George Ohr Art Pottery Pitcher, c. 1883‑1898, impressed mark, squat body with pinched rim and spout, green glaze, h. 3 3/4 in., w. 6 3/8 in. $800/1200

480. George Ohr Art Pottery Bowl, c. 1883‑1898, impressed mark, folded rim with green and speckled brown glaze, h. 1 5/8 in., dia. 5 in. $800/1200

Provenance: Jean Bragg Gallery, New Orleans.

Provenance: Jean Bragg Gallery, New Orleans.

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481. Pablo Picasso (Spanish, 1881‑1973), “Ten Nude Figures of Men, Women and Children”, etching, printed signature lower right, pencil‑numbered “9/50” lower left, 13 1/2 in. x 11 1/2 in., giltwood frame. $700/1000

482. Pablo Picasso (Spanish, 1881‑1973), “60 Series (Female)”, aquatint and etching, signed in plate lower right, pencil‑signed lower right, pencil‑numbered “8/50” lower left, Bloch #1408, “Bellette Hofmann Fine Art Inc., New York” label en verso, 8 1/2 in. x 12 1/2 in., giltwood frame. $700/1000

483. Angela Gregory (American/New Orleans, 1903‑1990, act. Newcomb College 1921‑1925, 1935‑1942), ”A Floral Arrangement”, 1926, mixed media, signed, dated and inscribed “Paris” lower right, sight 15 1/2 in. x 12 3/8 in., framed. $1000/1500

484. Angela Gregory (American/New Orleans, 1903‑1990, act. Newcomb College 1921‑1925, 1935‑1942), “A Floral Arrangement”, 1926, mixed media, signed, dated and inscribed “Paris” lower right, sight 15 1/2 in. x 12 3/8 in., framed. $1000/1500

Provenance: Jean Bragg Gallery, New Orleans.

Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb

Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg

Gallery, 2002, no. 38, p. 34.

485. John McCrady (American/New Orleans, 1911‑1968), “Carnival in New Orleans”, 1947, lithograph on paper, pencil‑signed and titled lower margin, initialed “JMC” in plate lower right, edition of 250, published by Associated American Artists, NY, 8 1/2 in. x 12 in., framed. $800/1200 Provenance: Didier, Inc., New Orleans, Jan. 12, 1996.

487. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Portrait of Robert Woodward, Artist’s Brother”, watercolor and graphite on paper, initialed “E.W.” lower left, “Dr. and Mrs. James W. Nelson, Gonzales, LA” collector’s label en verso, sight 20 in. x 14 in., framed. $2000/3000 Provenance: Jean Bragg Gallery, New Orleans.

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition, Jean Bragg Gallery,

Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg

Gallery, 2002, no. 39, p. 34.

486. Marie de Hoa LeBlanc (American/New Orleans, 1874‑1954, act. Newcomb College 1895‑1914), “Live Oak Tree”, watercolor, signed lower right, sight 7 1/8 in. x 10 1/2 in., framed. $1000/1500 Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg Gallery, 2002, no. 160, p. 106.

488. Emilie Marie de Hoa LeBlanc (American/New Orleans, 1870‑1941, act.

Newcomb Art School 1894‑1905), “Magnolia”, watercolor on paper, signed lower left, sight 18 1/2 in. x 13 1/4 in., framed. $800/1200 Provenance: Jean Bragg Gallery, New Orleans.

New Orleans, Oct. 2001, and listed in the accompanying catalogue, no. 33, p. 15.

Additional information at www.nealauction.com

93

489. Paul Ninas (American/New Orleans, 1903‑1964), “Abstracted Female Nudes”, watercolor on paper, signed lower right, 13 3/4 in. x 17 in., framed. $1200/1800

490. Henrietta Davidson Bailey (American/New Orleans, 1874‑1950, act.

Newcomb College 1901‑1938), “Bayou St. John”, color woodblock on paper, pencil‑signed and titled lower margin, sight 6 1/2 in. x 8 1/2 in., framed. $700/1000 Provenance: Jean Bragg Gallery, New Orleans.

491. Henrietta Davidson Bailey (American/New Orleans, 1874‑1950, act.

Newcomb College 1901‑1938), “Mississippi River”, color woodblock on paper, pencil‑signed and titled lower margin, sight 6 in. x 5 1/4 in., framed. $700/1000

492. Ellsworth Woodward (American/ New Orleans, 1861‑1939), “Maria Carpenter Woodward”, pen and ink on paper, pencil‑initialed lower right, sight 14 in. x 8 3/4 in., framed with artist plaque. $800/1200

Provenance: Jean Bragg Gallery, New Orleans.

New Orleans, Oct. 2001, and listed in the accompanying catalogue, no. 27, p.13.

Provenance: Jean Bragg Gallery, New Orleans.

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition, Jean Bragg Gallery,

493. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Newcomb Art School Professors, possibly Mary Sheerer and Gertrude Roberts Smith”, 1901, two pencil works on paper, each initialed and dated lower left, loan labels from Angela Gregory to Tulane University dated 1983 en verso of each, sights 8 1/2 in. x 5 3/4 in., both framed. $500/800

494. Marie Jeanne Amelie Roman (American/New Orleans, 1893‑1955), “Fishing Skiffs ‑ Bayou St. John”, watercolor and ink, signed lower left, “From the Collection of Dr. & Mrs. James W. Nelson, Gonzales, LA” label en verso, sight 8 in. x 6 in., framed. $500/800

Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition,

Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg

Jean Bragg Gallery, New Orleans, Oct. 2001, and listed in the accompanying catalogue, nos. 31‑32, p. 15.

Provenance: Jean Bragg Gallery, New Orleans.

Gallery, 2002, no. 35, p. 32.

496. Ellsworth Woodward (American/New Orleans, 1861‑1939), “St. Tammany Pines”, watercolor, signed lower left, sight 14 1/4 in. x 10 in., framed. $1200/1800 Provenance: Jean Bragg Gallery, New Orleans.

495. Marie de Hoa LeBlanc (American/New Orleans, 1874‑1954, act. Newcomb College 1895‑1914), “Pond with Boat”, watercolor and pencil on paper, signed lower left, sight 7 in. x 10 1/2 in., framed. $800/1200 Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg Gallery, 2002, no. 33, p. 31.

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497. Grace Blethen Dunn (American/New Orleans, 1885‑1970, act. Newcomb College 1900‑1904, 1906‑1909), “Old Man”, pastel on paper, signed lower left, sight 13 1/2 in. x 10 1/2 in., framed. $1200/1800 Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg Gallery, 2002, no. 43, p. 37.

498. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Self Portrait”, 1892, pen and ink on paper, signed, dated and inscribed “Munchen ‘92” lower right, sight 19 3/4 in. x 9 in., framed with brass artist plaque. $1000/1500 Provenance: Jean Bragg Gallery, New Orleans.

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition, Jean Bragg Gallery, New Orleans, Oct. 2001, and listed in the accompanying catalogue, no. 26, p. 12, and front cover.

499. Frank Thayer Merrill (American, 1848‑1923), “The Lost Hero”, watercolor on paper, signed lower right, sight 14 in. x 10 in., framed. $400/600

500. Walter Rutkowski (American/ Louisiana, b. 1940), “Pontchartrain Suite: Bayou Scene”, colored pencil, graphite and mixed media on paper, unsigned, sight 27 3/4 in. x 38 in., framed. $2500/3500

501. John T. Scott (American/New Orleans, 1940‑2007), “Study for the New Orleans Museum of Art Spirit Gates’”, 1992, watercolor, marker and graphite on paper, signed and dated lower right, inscribed “Fragments” lower left, 18 in. x 24 in., framed. $800/1200

502. James McConnell “Mac” Anderson (Mississippi, 1907‑1998), “Shrimp Boat”, 1985, hand‑colored block print on handmade paper, signed, dated and inscribed lower center, 15 3/4 in. x 13 in., framed. $800/1200 Provenance: Jean Bragg Gallery, New Orleans.

503. James McConnell “Mac” Anderson (Mississippi, 1907‑1998), “Two Pelicans in Flight”, 1985, hand‑colored block print on handmade paper, signed, dated and inscribed lower center, sight 12 3/4 in. x 16 1/4 in., framed. $800/1200 Provenance: Jean Bragg Gallery, New Orleans.

504. Knute Heldner (Swedish/New Orleans, 1875‑1952), “Lafitte’s Blacksmith Shop”, etching on paper, pencil‑signed and titled lower margin, “Jean Bragg Gallery, New Orleans” label en verso, sight 6 in. x 8 in., framed. $500/700 Ill.: Saward, Susan. Knute Heldner and the Art Colony in Old New Orleans: Sales Exhibition.

New Orleans: Jean Bragg Gallery, 2000, p. 5.

Additional information at www.nealauction.com

95

504A. Knute Heldner (Swedish/New Orleans, 1875‑1952), “Turpentine Pines”, etching on paper, pencil‑signed and titled lower margin, “Jean Bragg Gallery, New Orleans” label en verso, sight 8 1/2 in. x 7 in., framed. $500/700 Ill.: Saward, Susan. Knute Heldner and the Art Colony in Old New Orleans: Sales Exhibition. New

Orleans: Jean Bragg Gallery, 2000, p. 36.

505. Knute Heldner (Swedish/ New Orleans, 1875‑1952), “Swamp”, etching on paper, pencil‑signed and titled lower margin, “Jean Bragg Gallery, New Orleans” label en verso, sight 8 in. x 6 in., framed. $500/700 Ill.: Saward, Susan. Knute Heldner and the Art Colony in Old New Orleans: Sales Exhibition. New Orleans: Jean Bragg Gallery, 2000, p. 36.

506. Knute Heldner (Swedish/ New Orleans, 1875‑1952), “Self‑Portrait”, etching on paper, pencil‑signed and titled lower margin, initialed “K.H.” in plate lower right, sight 7 3/4 in. x 5 1/2 in., framed. $500/700

507. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “Banc Parisien”, 1950, lithograph on paper, pencil‑signed and titled lower margin, numbered “12/25”, 25 in. x 20 in., framed. $800/1200

Ill.: Saward, Susan. Knute Heldner and the Art Colony in Old New Orleans: Sales Exhibition. New

Provenance: Stone + Press Gallery, New Orleans, Dec. 26, 1994.

Orleans: Jean Bragg Gallery, 2000, p. 29.

508. Caroline Durieux (American/New Orleans, 1896‑1989), “Indifference”, color lithograph on paper, pencil‑signed, titled and inscribed “artist’s copy” lower margin, sheet 22 1/2 in. x 17 3/4 in., framed. $700/1000

509. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Masks Grow to Us: 1947”, silver gelatin print mounted on board, signed, titled and dated lower margin, 14 in. x 11 in., framed. $800/1200

Provenance: Stone + Press Gallery, New Orleans, Dec. 26, 1994.

Provenance: A Gallery for Fine Photography, New Orleans.

510. Clarence John Laughlin (American/ Louisiana, 1905‑1985), “The Phantasmal Man from the Solitary House: 1960”, silver gelatin print mounted on board, signed, titled and dated lower margin, 14 in. x 10 1/2 in., framed. $800/1200

511. William Woodward (American/New Orleans, 1859‑1939), “Mary, Wife of Ellsworth Woodward”, pen and ink on paper, pencil‑signed lower right, sight 12 3/4 in. x 8 3/4 in., framed. $500/800

Provenance: A Gallery for Fine Photography, New Orleans.

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition, Jean Bragg Gallery,

Provenance: Jean Bragg Gallery, New Orleans.

New Orleans, Oct. 2001, and listed in the accompanying catalogue, no. 38, p.18.

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512. Grace Blethen Dunn (American/New Orleans, 1885‑1970, act. Newcomb College 1900‑1904, 1906‑1909), “Dueling Oak, City Park, N.O., from Delgado Museum of Art”, pencil on paper, unsigned, titled lower left, sight 7 in. x 11 1/2 in., framed. $800/1200 Provenance: Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg Gallery, 2002, no. 27, p. 27.

514. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Still Life with Books and Tools”, pen and ink on paper, signed lower left, 6 in. x 6 1/2 in., framed. $500/800 Provenance: Jean Bragg Gallery, New Orleans.

Exh.: The Newcomb Style of the Woodward Brothers: Sales Exhibition, Jean Bragg Gallery, New Orleans, Oct. 2001, and listed in the accompanying catalogue, no.

25, p.13.

513. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Grand Isle”, c. 1925, watercolor on paper, signed lower left, exhibition label with title, date and provenance en verso, 6 in. x 9 1/2 in., framed. $400/600 Provenance: Dr. and Mrs. James Nelson, Gonzales, LA; Jean Bragg Gallery, New Orleans.

515. Grace Blethen Dunn (American/New Orleans, 1885‑1970, act. Newcomb College 1900‑1904, 1906‑1909), “Africa House, Melrose Plantation, Nachitoches, Louisiana”, 1937, graphite on paper, signed and dated lower left, sight 6 in. x 7 3/4 in., framed. $500/700

516. Rosalie Mildred Roos Wiener (American/ New Orleans, 1899‑1982, act. Newcomb College 1923‑1935), “Floral Study: Daisies”, ink on parchment, unsigned, 4 in. x 4 in., framed. $200/300

Provenance: Jean Bragg Gallery, New Orleans.

Provenance: Estate of the Artist, New Orleans; Jean Bragg Gallery, New Orleans.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide.

New Orleans: Jean Bragg Gallery, 2002, no. 28. p. 27.

Ill.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery Collector’s Guide. New Orleans: Jean Bragg Gallery, 2002, no. 223, p. 154.

517. Edward Sheriff Curtis (American, 1868‑1952), “Canyon de Chelly”, 1904, orotone, signed in the negative, remnants of “Curtis Studio” labels en verso, 11 in. x 14 in., original studio frame. $8000/12000 Provenance: A Gallery of Fine Photography, New Orleans.

518. Edward Sheriff Curtis (American, 1868‑1952), “Chief of the Desert”, 1904, orotone, signed in the negative, “Curtis Studio” label en verso, 11 in. x 14 in., original studio frame. $12000/16000 Provenance: A Gallery for Fine Photography, New Orleans.

519. Clarence John Laughlin (American/ Louisiana, 1905‑1985), “’Mother’ Brown: 1945”, silver gelatin print mounted on board, signed, titled and dated lower margin, 13 3/4 in. x 10 3/4 in., framed. $800/1200 Provenance: A Gallery for Fine Photography, New Orleans.

520. White Studio, New York City, theatrical scene from Four Saints in Three Acts, 1934, silver gelatin print, photographer’s studio stamp lower right, pencil‑titled and inscribed en verso, 11 in. x 14 in., framed. $600/900

521. John Lawrence (American/New Orleans, b.

1953), “Nauvoo, Illinois”, 1986, silver gelatin print, pencil‑signed, titled and dated lower margin, 11 in. x 14 in., framed. $300/500

Additional information at www.nealauction.com

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522. Robert Gordy (American/ Louisiana, 1933‑1986), “Head (RGE‑120)”, c.

1982‑1986, mixed media on canvas, unsigned, inscribed “RGE‑120” lower edge, 49 1/2 in. x 38 in., framed. $6000/10000 Provenance: Arthur Roger Gallery, New Orleans, Nov. 15, 1995.

Note: Robert Gordy is best known for combination of both decorative and narrative elements in a flat pictorial space, which include a repetition of shapes in similarly-hued colors. Prior to 1981, the artist would occasionally paint a strong central figure, however these were not a dominant feature in his work at that juncture. Following his 1981 retrospective at the New Orleans Museum of Art, Gordy began to experiment with a looser, more direct style that featured the head as his main subject matter, ultimately completing an exciting new body of work. Realized in a variety of media, the heads have a three-dimensionality and painterly quality not previously seen in Gordy’s paintings, with a heightened sense of tension through careful cropping of the image. In the large-scale work offered here, the geometric planes of the face combined with the artist’s visible brushstrokes create a visual patterning in almost transparent washes of color that is particularly successful.

526. George Dureau (American/ New Orleans, 1930‑2014), “B.J. Robinson”, 1995, silver gelatin print, signed, titled, dated and numbered “1/10” lower margin, 20 in. x 16 in., framed. $1200/1800

525. George Dureau (American/New Orleans, 1930‑2014), “Clarence Williams”, “Glen Thompson” and 2 of “Earl Leavell”, 4 color photographs, all signed lower right and titled lower left, 15 in. x 14 1/2 in., framed alike. $2000/3000

528. Robert Gordy (American/Louisiana, 1933‑1986), “Female Head”, early 1960s, acrylic on paper mounted on painted wood panel, unsigned, 6 3/8 in. x 5 in., framed. $500/800

527. Robert Gordy (American/Louisiana, 1933‑1986), “Reclining Female Nudes”, c.

1960‑65, 4 acrylics on wood panel, unsigned, each 2 1/2 in. x 4 in., framed together. $500/800

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523. Robert Gordy (American/Louisiana, 1933‑1986), “Male Head”, 1984, monotype, pencil‑signed and dated lower right, sight 41 3/4 in. x 30 3/4 in., framed. $2000/3000 Provenance: Arthur Roger Gallery, New Orleans, Apr. 2005.

524. Robert Gordy (American/Louisiana, 1933‑1986), “Male Head”, 1985, sepia tone monotype, pencil‑signed and dated lower right, sight 42 in. x 30 3/4 in., framed. $2000/3000 Provenance: Arthur Roger Gallery, New Orleans, 2005.

530. Robert Gordy (American/ Louisiana, 1933‑1986), “Untitled: Male Head”, c. 1986, monotype on paper, unsigned, 9 3/4 in. x 8 3/4 in., sheet 25 3/4 in. x 19 5/8 in., framed. $800/1200

529. Robert Gordy (American/Louisiana, 1933‑1986), “Three Nudes”, 1968, acrylic on canvas, initialed and dated lower center, sight 37 1/2 in. x 44 1/2 in., framed. $2500/3500

532. Johnny Donnels (American/New Orleans, 1924‑2009), “For the Preservation of the Species and Improvement of the Breed (Preservation Hall)” and “Jazz on a Sunday Afternoon (Olympia Brass Band)”, 2 silver gelatin prints, both signed and titled lower margin, sights 10 1/4 in. x 14 1/4 in. and 10 1/4 in. x 12 3/4 in., framed, (2 pcs.) $200/400 533. Peter Apostolos (American/New Orleans, 20th c.), “837 Royal Street, French Quarter, New Orleans”, 1994, acrylic on canvas, signed and dated lower right, 31 in. x 24 in., framed. $800/1200

531. William P. Gottlieb (American, 1917‑2006), “Earl ‘Fatha’ Hines (1903‑1983)”, 1946, silver gelatin print, signed lower center, titled, dated and artist stamp en verso, 14 in. x 11 in., framed. $400/600 Provenance: A Gallery for Fine Art Photography, New Orleans.

534. After Thomas Clarke (Irish/American, act.

1797‑1801), “Sacred to the Memory of the Illustrious G. Washington”, 1801, stipple engraving on paper, sight 8 in. x 7 1/2 in., period frame. $500/800 Provenance: Estate of E. Grosvenor Paine, New Orleans; Didier, Inc., New Orleans, Jan. 1999.

Provenance: Apollon Art Gallery, New Orleans, Oct. 21, 1994.

536. English Burled Walnut Mirror in the George II Taste, serpentine frame, crest with applied carving, incised oak molding, beveled mirror plate, h. 35 in., w. 20 in. $300/500 Provenance: Royal Antiques, New Orleans, Mar. 14, 1994.

535. Pair of English Gilt Bronze Argand Lamps, c. 1830, labeled “Bright & Co./ Late/ Argand & Co./ Bruton St.”, matte and burnished surface, clear and frosted shades, electrified, h. 11 1/2 in., w. 9 in., d. 4 in. $1000/1500 Provenance: Didier Inc., New Orleans, Jan. 8, 1995.

Additional information at www.nealauction.com

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537. Louis XVI White Marble and Gilt Bronze Portico Clock, late 18th c., signed Ridel, Paris, white marble and gilt bronze case with circular enamel dial surmounted by an urn finial, marble piers with bronze floral mounts and blue and white jasperware medallions representing “Meekness” and “Strength”, bronze pendulum with Sun King mask, rectangular base, cast bronze toupie feet, h. 17 in., w. 10 1/4 in., d. 3 1/2 in. $4000/6000

538. French Tôle Peinte Wall Clock, c. 1840, ogee surround with painted and parcel gilt avian and foliate scroll decoration, enameled dial with Roman numerals, h. 16 in., w. 13 1/2 in., d. 4 1/4 in. $400/600 Provenance: Patout Antiques, New Orleans, Mar. 15, 1994.

539. American Mahogany and Églomisé Eight‑Day Shelf Clock, c. 1850, wooden movement, ogee case, the tablet with painted and transfer decoration depicting the “New Opera‑House New Orleans”, h. 27 in., w. 15 1/2 in., d. 4 1/4 in. $1200/1800 Provenance: Didier, Inc., New Orleans, Mar. 5, 1999.

540. English Mahogany Canterbury, 20th c., in the Sheraton taste, divided compartment over single beaded drawer, baluster legs, brass caps and casters, h. 21 in., w. 19 in., d. 14 1/2 in. $150/250 Provenance: Waldhorn Co., Inc., New Orleans, March 19, 1994.

541. Continental School, early 19th c., “Gentleman” and “Lady”, 2 pastels on paper, each sight 12 3/4 in. x 11 in., framed. $2000/3000

542. Continental School, mid‑19th c., “Portrait of a Lady”, pastel on parchment, inscribed “463 / Anna Carolina? / Geborn Lepeltah? / Vuef?” en verso, sight 14 in. x 11 in., original églomisé mat and period carved gilt frame. $400/600 Provenance: Didier Inc., New Orleans, Jan. 30, 2002.

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543. Lee Godie (American/Chicago, 1908‑1994), “Portrait of a Lady with Beauty Mark”, red and black ink on paper, signed mid‑left, sight 27 3/4 in. x 21 1/2 in., framed. $300/500

544. After William Edward West (American, 1788‑1853), “The Battle of New Orleans and the Death of Major General Packenham”, 1817, engraving, published by McCarty and Davis, Philadelphia, sight 15 1/2 in. x 19 3/4 in., framed. $800/1200 Provenance: Arader Galleries, NY, Mar. 7, 1994.

545. John Gould (British, 1804‑1881), “Thrush on a Branch”, 1866, graphite on paper, signed and dated “Jan. 1, 1866” lower right, sight 14 1/2 in. x 10 3/4 in., gilt frame. $1000/1500 Provenance: Didier Inc., New Orleans, Dec. 15, 2002.

546. Captain J.E. Alexander (Scottish, 1803‑1885), “Wreck of a Steamer (Union) ‑ Mississippi, Snag and Sunk the 19th, Sept. 1831”, ink and pencil on paper, signed lower right, titled lower left and right, 11 1/2 in. x 19 in., framed. $250/350 Note: The Scottish military officer, writer and adventurer J.E. Alexander wrote Transatlantic Sketches: Comprising Visits to the Most Interesting Scenes in North & South America and West Indies published by Robert Bentley, London, in 1833.

549. After John James Audubon (American, 1785‑1851), “Louisiana Heron”, offset color lithograph, from The Birds of America, Amsterdam edition, sheet 26 1/2 in. x 39 1/2 in., framed. $600/900

553. Johnson & Johnson Advertisement, “Red Cross Cotton, From Start to Finish”, 1894, chromolithograph, copyrighted by Johnson & Johnson, New Brunswick, NJ, sight 21 in. x 30 in., framed. $300/500

550. After John James Audubon (American, 1785‑1851), “American White Pelican”, offset color lithograph, from The Birds of America, Amsterdam edition, sheet 26 1/2 in. x 39 1/2 in., framed. $600/900

554. Jules Lion (French/New Orleans, 1810‑1866), “Portrait of Samuel M. D. Clark”, 1842, lithograph on paper, signed, dated and inscribed “New Orleans” in plate mid‑left and sitter’s name lower center, sight 9 in. x 6 3/8 in., framed. $300/500

547. Walter Rutkowski (American/ Louisiana, b. 1940), “Chevy on the Levee II”, 1977, graphite, ink and mixed media on paper, unsigned, New Orleans Museum of Art shipping receipt with title and date from the 1997 “Walter Rutkowski Drawings” exhibition en verso, 23 1/8 in. x 29 in., framed. $2500/3500 Exh.: Walter Rutkowski: Drawings, New Orleans Museum of Art, Dec. 6, 1997 Mar. 1, 1998, and listed in the accompanying catalogue, no. 2, p. 25

551. After John James Audubon (American, 1785‑1851), “Brown Pelican”, offset color lithograph, from The Birds of America, Amsterdam edition, sheet 26 1/2 in. x 39 1/2 in., framed. $600/900

555. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Clothes Pole Alley, New Orleans”, drypoint etching on paper, pencil‑signed and titled lower margin, inscribed “New Orleans” in plate lower left, edition of 100, sight 8 1/2 in. x 6 1/2 in., framed. $250/350

548. American School, c. 1830s, “Miss Mary F. Hunter, when 18 years old”, watercolor on paper, titled en verso, sight 7 in. x 5 1/2 in., original giltwood frame. $200/300

552. Two Historical Prints of New Orleans, “New Orleans”, 1873, hand‑colored engraving, after Alfred R. Waud (British/Georgia, 1828‑1891), engraved by D.G. Thompson, published by D. Appleton & Co., New York; and “The Mississippi at New Orleans”, hand‑colored woodblock print newspaper illustration, printed by P. Measom, Jr., sights 7 1/4 in. x 9 3/4 in. and 7 1/2 in. x 10 1/2 in., framed alike. (2 pcs.) $150/250

556. James Carl Hancock (American/ New Orleans, 1898-1966), “Little Theatre Patio, New Orleans, LA”, etching, pencil-signed and titled lower margin, sight 9 1/4 in. x 7 1/8 in., framed. $150/250

Additional information at www.nealauction.com

101

557. Eugene Delcroix (American/ New Orleans, 1891‑1967), “Cathedral Foggy Morning”, “Negro Plantation Home”, and “Little Theatre Courtyard”, 2 silver gelatin prints and one hand‑colored photograph, all pencil‑signed and titled lower margin, 11 in. x 8 1/2 in., sight 6 1/2 in. x 8 in., and 10 in. x 7 5/8 in., all framed. (3 pcs.) $250/450

558. Eugene Delcroix (American/ New Orleans, 1891‑1967), “Old Brulatour Patio” and “Interior, Patio Royal”, 2 hand‑colored silver gelatin prints, each pencil‑signed and titled lower margin, sights 15 1/2 in. x 11 1/2 in., framed alike. (2 pcs.) $150/350

559. Eugene Delcroix (American/ New Orleans, 1891‑1967), “Lacy Balconies, Royal St.”, “The Spanish Court”, “Old Spiral Stairway” and “Transoms and Stairway”, 4 silver gelatin prints, 3 pencil‑signed and titled lower margin, one unsigned, sights 8 1/2 in. x 6 1/2 in., framed alike. (4 pcs.) $350/550

560. Eugene Delcroix (American/ New Orleans, 1891‑1967), “Through Frame of Grille”, “Old Stairway, Toulouse St.”, “Cast Iron Gate” and “Morning in the Patio”, 4 silver gelatin prints, 2 pencil‑signed and titled lower margin, 2 unsigned, each 8 1/2 in. x 6 1/2 in., framed alike. (4 pcs.) $350/550

562. Pair of Anglo‑Irish or American Glass Photophores, 19th c., baluster‑form candleholders, hung with cut spearpoint prisms, baluster shades, h. 20 in., dia. 6 in. $700/900 Provenance: Didier, Inc., New Orleans, 2000.

561. C. Bennette Moore (American/ New Orleans, 1879‑1939), “Little Theater Courtyard” and “Iron Lace Balconies”, 2 hand‑painted photographs, signed lower right and left, sights 6 1/4 in. x 4 in., framed alike. $200/300

563. Pair of Antique Georgian Sheffield Plate Telescoping Candlesticks, c. 1830, acanthus motif, h. 11 in. $600/900 Provenance: Didier, Inc., New Orleans, Nov. 13, 1995.

564. American “Tree of Life” Gilt Bronze, Brass and Crystal Three‑Light Girandole, c. 1840‑1850, probably Boston, faceted prisms and buttons, square plinth, h. 14 1/2 in. $300/500 Provenance: Didier Inc., New Orleans, Nov. 12, 2003.

565. American Gilt and Patinated Bronze Sinumbra Lamp, c. 1820, labeled “J. & I. Cox, New York”, cluster column on tripartite base, applied Classical masks, paw feet, h. 22 in., dia. 8 3/4 in. $600/900 Provenance: Didier, Inc., New Orleans, October 30, 2000.

566. Pair of Antique American Brass Andirons, early 19th c., with ball finials, h. 13 1/2 in., w. 26 in. $700/900 Provenance: Didier, Inc., New Orleans, 1995.

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567. Pair of American Brass and Iron Andirons, early 19th c., neoclassical‑style urns on plinths, ball feet, h. 16 in., w. 23 in.; together with matching shovel and tongs. $700/900

568. Pair of American Gilt Bronze Three‑Light “Roman Centurion” Girandoles, c. 1850, foliate arms, on stepped bases, h. 15 1/2 in., w. 14 1/4 in., d. 5 1/2 in. $700/900 Provenance: Didier, Inc., New Orleans, Nov. 12, 2003.

569. Fine American Victorian Brass Wall Light, 19th c., adjustable arm, white frosted shade, faceted and cut prisms, h. 12 in. $700/900 Provenance: Didier, Inc., New Orleans.

570. American Gilt and Patinated Bronze Double Argand Lamp, c. 1830, marked “J. & I. Cox, New York”, gadrooned urn standard with acanthus collar, h. 18 in., w. 18 in., d. 8 in. $800/1200 Provenance: Didier, Inc. New Orleans, October 13, 1994.

571. Pair of American Gilt Bronze Argand Lamps, c. 1825, labeled “Lewis Veron & Co. Philadelphia”, avian motif on base and rim, faceted prism, frosted and etched glass shades, h. 17 1/2 in., w. 13 1/2 in., d. 9 in. $2000/3000 Provenance: Didier, Inc., New Orleans, January 8, 1995.

572. American School, late 19th/early 20th c., “McKenzie’s Mill”, watercolor on paper board, unsigned, titled lower margin, “Meadow” en verso, sight 10 in. x 8 in., antique frame. $500/800

576. John James Audubon (American, 1785‑1851), “Louisiana Heron”, Plate 373, Number 75, hand‑colored lithograph, from The Birds of America, octavo, printed by J.T. Bowen, Philadelphia, PA, 1836, sight 6 1/2 in. x 10 in., framed. $300/500

573. Witold Gordon (Polish/ New York, 1885‑1968), “Ace Bar”, gouache on board, signed lower right, 14 1/2 in. x 11 1/2 in., framed. $500/800

577. John James Audubon (American, 1785‑1851), “Frigate Pelican, Adult Male”, Plate 423, Number 85, hand‑colored lithograph, from The Birds of America, octavo, printed by J.T. Bowen, Philadelphia, PA, 1836, sight 6 1/2 in. x 10 in., framed. $300/500

574. Two Hand‑Colored 19th c.

Woodblock Newspaper Illustrations, Alfred R. Waud (British/New York, 1828‑1891), “The Levee at New Orleans”, 1869, signed in plate lower right, sight 9 in. x 27 in.; and E. Sears (American, 19th c.), “Canal St. ‑ New Orleans ‑ The ‘Seven Wise Men’ Preparing for a Parade”, signed in plate lower right, sight 12 in. x 18 1/2 in., both framed. $300/500

578. John James Audubon (American, 1785‑1851), “Louisiana Tanager”, Plate 210, Number 42, hand‑colored lithograph, from The Birds of America, octavo, printed by J.T. Bowen, Philadelphia, PA, 1836, sight 6 1/2 in. x 10 in., framed. $300/500

575. American School, 19th c., “Scene after the Battle of New Orleans”, hand‑colored engraving, signed in plate lower right and left, sight 5 in. x 7 in., framed. $200/300

579. Milda Spindler (Lithuanian/ New Orleans, late 20th c.), “Five Oaks, Mississippi”, aquatint etching, pencil‑signed, titled and inscribed “proof” lower margin, sight 12 1/4 in. x 18 1/2 in., framed. $100/200

Additional information at www.nealauction.com

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580. Spanish Colonial Hand‑Wrought Silver Tray, engraved and dated on underside, l. 10 3/4 in., wt. 12.60 troy ozs. $200/300

581. American Sterling Silver Cocktail Shaker, c. 1930, Frank M. Whiting Co., “Early American” pattern, tapering body, beaded banding, angular handle, circular stepped foot, h.

11 1/2 in., wt. 26.90 troy ozs. $300/500 Provenance: M.S. Rau, Inc., New Orleans, Oct. 15, 1994.

582. Fourteen Southern Art and Photography Books, incl: Encyclopaedia of New Orleans Artists, 1718‑1918; Louisiana Painters and Painters, Collection of W.E. Groves; Davis, Laughlin, Clarence, Visionary Photographer; E.J. Bellocq: Storyville Portraits; Caffery; and others. $300/500

583. Ten Southern Decorative Arts Books, incl: Poesch, Early Furniture of Louisiana; Poesch, Newcomb Pottery & Crafts...; Bragg & Saward, The Newcomb Style; Blasberg, The Unknown Ohr; Cederwall & Riney, Spratling Silver; and others. $300/500

584. Letter from Louisiana Governor Edward D. White, manuscript letter, dated May 25th, 1838, from Louisiana Governor Edward White to the Governor of Mississippi, demanding he release fugitives, signed by White and Secretary of State, W.C.C. Clairborne, Jr., with paper seal. $300/500

585. Slave Payment, partially printed “Mandat de Payement” in French, dated August 2, 1814, paying Mr. Victoire 6 piastres, 75 cents for the hire of his slave “Mirabeau”, 8 in. x 9 1/2 in. $200/300

586. Issue of the Blackguard Storyville Tabloid, “The Mascot”, New Orleans, April 6, 1889, Vol. 13, No. 373, unframed. $100/200

587. American Silverplate Desk Clock, with a Longines 8‑day movement, monogrammed “M.P.K”, h. 4 1/4 in. $150/250

588. Mardi Gras, pen and ink, “St. Valentine, Prince Carnival”, dated 1893, approx. 10 in. x 10 in., framed. $300/500

589.

American Gilt and Patinated Bronze Solar Lamp, c. 1835, vasiform standard, cut and frosted glass shade, h. 32 in., dia. 6 1/4 in. $700/900 Provenance: Didier, Inc., New Orleans, October 30, 2000.

Provenance: Whisnant Galleries, New Orleans, Nov. 14, 1995.

590. American Classical Gilt and Patinated Bronze Single‑Light Argand Lamp, c. 1835, labeled “John B. Jones, Boston”, frosted etched glass shade, h. 12 in., w. 10 in., d. 5 in. $400/600 Provenance: Didier, Inc., New Orleans, November 24, 1997.

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591. Pair of American Blown Glass Decanters, 19th c., ribbed bell‑form bodies, original stoppers, h. 13 in. $300/500 Provenance: Didier, Inc., New Orleans, 2001.

592. American Flint Glass Compote, 19th c., in the “Honeycomb” pattern, h. 5 1/2 in. $150/250 593. Japanese Hoya Crystal Vase, 20th c., stamped, with cut and frosted paneled sides, h. 10 in. $100/200

594. Jeffery Cook (American, 20th c.), “Hidden”, 1995, mixed media and wood sculpture, signed “JC95‑25”, h. 12 in., w. 4 in., d. 3 1/2 in. $500/800 Provenance: Galerie Simone Stern, New Orleans, Nov. 15, 1995.

596. Pair of Chinese Blue and White Porcelain Covered Tea Canisters, probably 20th c., cylindrical bodies with willow and architectural scenes, conforming covers, h. 11 7/8 in., now mounted as lamps, h. (to socket) 14 3/4 in. $400/600

597. Aubusson Carpet, tan ground, octagonal central medallion, polychrome floral motif, 7 ft. 1 in. x 4 ft. 9 in. $300/500

598. Contemporary Kilim Carpet, blue and red grid pattern ground with stylized medallions, 9 ft. 8 in. x 8 ft. 2 in. $600/900

595. Continental Gilt Bronze‑Mounted Cut Glass Trumpet Vase, 19th/20th c., figural standard, white marble base, h. 16 1/2 in. $200/300

599. Tiffany‑Style “Dragonfly” Table Lamp, 20th c., leaded glass shade and base, h. 16 in., dia. 15 1/2 in. $300/500 Provenance: M.S. Rau, Inc., New Orleans, October 24, 1994.

Provenance: Jacqueline Vance Rugs, New Orleans, 1997.

601. Eugene Delcroix (American/New Orleans, 1891‑1967), “The Spanish Court”, hand‑colored photograph on white glass, signed lower right, titled on reverse of frame, image 4 in. x 3 in., original free‑standing wood frame. $150/250 600. Antique American Helmet‑Form Brass Coal Scuttle, early 19th c., with brass and wood handles, h. 13 in.; together with matching brass and iron tongs, l. 25 in; and shovel, l. 27 1/2 in. $300/500 Provenance: Didier, Inc., New Orleans, 1995.

601A. Watling “Rol-ATop” Liberty Bell Nickel Slot Machine, c. 1930, serial# 72526, twin jackpot model, h. 27 in., w. 15 1/2 in., d. 15 in. $1200/1800

602. Fine Collection of Vargas Family (act. New Orleans, late 19th/mid‑20th c.) Wax Figures, eight vendors at various pursuits, each with glass domes and bases. $3000/4000 Additional information at www.nealauction.com

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603. American School, 19th c., “An Early American Country Home”, oil on canvas, unsigned, 2 “Kennedy Galleries, Inc., New York City” labels en verso, one with title, 18 in. x 30 in., framed; accompanied by a copy of a letter from Kennedy Galleries, Inc. dated Jan. 7, 1970. $500/800 Provenance: Kennedy Galleries, Inc., NY.

605. Three American Walnut and Pine Captain’s Chairs, mid‑19th c., horseshoe shaped backs, turned uprights, slightly scrolled arms, plank seats, splayed turned legs, stretchers. $500/1000 Provenance: Rosedown Plantation.

604. Pair of Louisiana Mulberry Ladder Back Side Chairs, turned uprights, acorn finials, arched slats, rush seats, turned legs, stretchers, peg feet, h. 32 in. $500/1000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

606. Antique Southern Carved Yellow Pine Side Table, 19th c., serpentine two‑board top, pinwheel carved frieze drawer, cabriole legs, h. 28 3/4 in., w. 28 in., d. 20 in. $500/750

607. American Classical Carved Mahogany Work Table, c. 1820, probably Boston, drop‑leaf top, torus‑molded drawers and work basket, columnar supports, trestle base, ball feet, casters, h. 28 1/2 in., w. 19 5/8 in., d. 18 in. $700/900 Provenance: Temple Heights, Columbus, MS.

608. Antique American “Brun Espagnõl” Tavern Table, 18th c. with later elements, circular pegged top, base with hinged compartment, shoe feet. h. 28 3/4 in., dia. 40 1/2 in. $300/500 Provenance: James Fenimore Cooper IV Collection; Neal Auction Company (Apr. 2014, lot 1005).

609. American Aesthetic Walnut Side Table, late 19th c., foliate frieze, scrolled legs, h. 29 1/2 in., w. 32 1/4 in., d. 24 in. $500/800

610. American Renaissance Ebonized and Carved Walnut Wall Bracket, mid‑19th c., in the manner of John Jelliff, finely carved male bust, demilune top with egg‑and‑dart motif, h. 10 1/2 in., w. 10 in., d. 8 in. $400/600 Note: Label reads “Collection of Mrs. Samuel Delgado, Presented by Mr. Isaac Delgado January 1912”.

Additional information at www.nealauction.com

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611. English Carved Rosewood Canterbury, mid-19th c., with reticulated lyre‑form dividers, ogee base, turned legs, h. 20 in., w. 20 3/4 in., d. 15 1/8 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

612. Antique English Model Library Ladder, c. 1900, h. 31 1/4 in., w. 8 1/2 in., d. 19 1/2 in. $300/500 Provenance: Susan Silver Antiques, Sheffield, MA.

613. Antique Irish Chippendale‑Style Carved Mahogany Side Cabinet, serpentine case, drawers, lion’s masque carved cabriole legs, ball and claw feet, h. 30 in., w. 48 in., d. 23 7/8 in. $500/800 615. Regency Inlaid Rosewood Games Table, early 19th c., sliding gameboard top with baize‑lined compartment, faceted baluster pedestal, incurvate plinth, acanthus scrolled feet, casters, h. 28 1/2 in., w. 22 3/4 in., d. 18 1/4 in. $1000/1500

614. Pair of Chesterfield Green Leather Armchairs, button tufted, brass nailhead trim, ball feet, h. 31 in., w. 46 1/4 in., d. 35 in. $800/1200

616. Anglo‑Indian School, 1809, “George Bridges Bellasis (1767‑1825), Captain of the Bombay Artillery”, watercolor, gouache and ink on paper, initialed “J.F.J.” and dated lower right, inscribed with sitter’s biographical information en verso, sight 6 1/4 in. x 5 1/2 in., framed. $200/400

617. James John Hill (British, 1811‑1882), “Children Foraging on the Sea Shore”, oil on board, unsigned, “Thos. Agnew & Sons, London” label en verso, sight 9 5/8 in. x 7 1/2 in., framed; accompanied by copy of receipt and correspondence from Thomas Agnew & Sons of London, 1971. $800/1200

618. After William Edward West (American, 1801‑1861), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, 1817, engraved by J. Yeager, 16 in. x 20 3/4 in., framed. $1000/1500

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619. Currier and Ives/Publishers, “A Midnight Race on the Mississippi”, large folio hand‑colored lithograph, 1869, by F.F. Palmer, after a sketch by H.D. Manning of the Natchez, sight 17 5/8 in. x 27 1/4 in., framed. $500/700

620. McKenney and Hall/Publishers, “Rant Che Wai Me, Female Flying Pigeon” and “Tustennuggee Emathla or Jim Boy, A Creek Chief”, 2 hand‑colored lithographs, from A History of the Indian Tribes of North America, 1837‑1844, sheets 20 1/2 in. x 14 1/2 in., unframed. $700/1000

621. McKenney and Hall/Publishers, “Naw‑Kaw, A Winnebago Chief” and “Mon‑Ka‑Ush‑Ka, A Sioux Chief”, 2 hand‑colored lithographs, from A History of the Indian Tribes of North America, 1837‑1844, sheets 19 1/2 in. x 14 in., unframed. $700/1000

622. McKenney and Hall/Publishers, “Tai‑O‑Mah, A Musquakee Brave” and “Shau‑Hau‑Napo‑Tinia, An Ioway Chief”, 2 hand‑colored lithographs from A History of the Indian Tribes of North America, 1837‑1844, sheets 20 in. x 14 in., unframed. $700/1000

623. John James Audubon (American, 1785‑1851), “Vigors Vireo”, Plate 30, engraving with hand‑colored aquatint, from The Birds of America, Havell edition, watermarked “J.Whatman/Turkey Mill/1827”, 37 1/2 in. x 24 1/2 in., unframed. $600/900

624. John James Audubon (American, 1785‑1851), “Golden‑winged Warbler and Cape May Warbler”, Plate 414, engraving with hand‑colored aquatint, from The Birds of America, Havell edition, “J.Whatman/1838” watermark, sheet 38 1/2 in. x 25 1/2 in., unframed. $800/1200

625. Prideaux John Selby (British, 1788‑1867), “Raven”, “Nutcracker”, “Jack‑claw & Magpie” and “Eared Grebe”, 4 hand‑colored engravings, from Illustrations of British Ornithology, 1821‑1834, “J.Whatman” watermarks, sheets 21 in. x 26 in., unframed. $700/1000

626. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “Queens of the Carnival”, 1946, lithograph on paper, pencil‑signed, titled and numbered “11/12” lower margin, printed artist biography en verso, sight 10 1/4 in. x 7 3/4 in., framed; together with Caroline Durieux: Exhibition brochure, The Historic New Orleans Collection, 1976. $400/600

Additional information at www.nealauction.com

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627. Six American Miniature Etchings of Louisiana, incl. Morris Henry Hobbs (Louisiana, 1892‑1967) “Paul Morphy House, New Orleans”, Arnold E. Turtle (Louisiana, 1892‑1954), “French Quarter Street Scene”; Margaret Hardon Wright (1869‑1936), “Pirate’s Alley, French Quarter”; Horace Devitt Welsh (1888‑1942), “The Black Bottom Dance”, titled on label; H.S. Farley (late 19th c.), “Riverboat on Bayou”, 1889, titled on label; and H.C. Welman (20th c.), “Courtyard”, four pencil‑signed, other signed in plate, sights 6 1/2 in. x 4 1/2 in. to 2 3/4 in. x 3 in., all framed, (6 pcs.) $400/600

628. John McCrady (American/Mississippi, 1911‑1968), “Carnival in New Orleans”, lithograph on paper, pencil‑signed and titled lower margin, initialed “JMC” in plate lower right, edition of 250, published by Associated American Artists, 8 3/4 in. x 11 1/2 in., sheet 11 1/2 in. x 16 in., matt ed. $800/1200

629. American Walnut Portfolio Stand, 19th c., adjustable slatted rack, turned supports, scrolled legs, stretcher shelf, casters, h. 45 1/2 in., w. 26 in., d. 27 in. $800/1200

630. George III Inlaid Mahogany Side Table, c. 1790, shaped D‑end top, frieze with lozenge inlay, square tapered legs, brass cuffs, h. 30 in., w. 47 7/8 in., d. 21 in. $500/750

631. Giovanni Battista Piranesi (Italian, 1720‑1778), “Altra Veduta del tempio della Sibilla in Tivoli”, 1761, etching, first Paris edition, sheet 20 1/2 in. x 29 in. $600/800

632. Regency Mahogany Sofa Table, c. 1815, drop‑leaf top, frieze drawers, opposing faux drawers, shaped uprights, saber legs, turned stretcher, brass cuffs and casters, h. 28 1/2 in., w. 33 1/2 in., d. 23 in. $500/1000 Provenance: Spurgeon‑Lewis Antiques, Alexandria, VA.

633. American Flint Glass Footed Bowl, mid‑19th c., strawberry diamond and fan pattern, h. 8 1/2 in. $300/500 Provenance: Rosedown Plantation, St. Francisville, LA. 634. Three Continental Green Glass Dresser Boxes, 19th/20th c., incl. a Bohemian silver‑mounted and enameled rectangular box, 4 1/2 in.; a gilt‑metal mounted sarcophagus‑form opaline box, h. 3 3/4 in.; and a silver‑mounted rectangular opaline box, h. 4 in. $500/700

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636. Edwardian Polychrome Floor Lamp, early 20th c., ivory ground baluster standard and circular foot painted with ducks, flowers, and landscape scene, h. 72 in., dia. 13 in. $250/350 Provenance: Whitehall, Chapel Hill, NC.

635. Three French Gilt Bronze‑Mounted White Opaline Glass Dresser Boxes, 19th/20th c., incl. a floral‑incised oval box, h. 4 1/4 in.; a reeded rectangular box with bird catch, h. 3 in.; and a rectangular box with studded straps, h. 3 1/4 in. $500/700

637. French Baccarat‑Style Gilt Bronze‑Mounted Emerald Green Glass Lamp, 19th c., ribbed standard, foliate mounts, scrolled feet, electrified, h. 35 1/4 in. $1000/1500

638. Pair of Napoleon III Gilt Bronze and Marble Three‑Light Candelabra, 19th c., tapered standards surmounted by urns with flame finials, C‑scroll arms with floral swags, hairy paw feet, marble plinth bases, h. 17 1/2 in. w. 10 1/4 in., previously electrified. $500/1000 Provenance: The Gotlib Collection.

639. Pair of American Cut‑Glass Photophores, 20th c., foliate and grapevine cut shades, faceted prisms, electrified, h. 18 3/4 in. $500/700

640. Fine Pair of American Topaz Cut Glass Lustres, mid‑19th c., baluster standards, star pattern feet, buluster shades, crystal prisms, h. 27 1/4 in. $400/600 Provenance: Sold in these rooms, Mar. 4, 2006, as lot 465.

641. American Silk Needlework Panel, 19th c., with floral bouquet, sight h. 15 in., w. 12 in.; in an églomisé frame, h. 20 3/4 in., w. 17 3/4 in. $250/350

642. Pair of American Silk Needlework Fragments, 19th c., with floral bouquets within foliate and vine borders, sight h. 7 1/2 in., w. 91/4 in.; in églomisé frames, h. 12 1/2 in., w. 14 1/2 in. $250/350

643. Elizabeth II Sterling Silver and Silver Gilt Goblet, Stuart Devlin, London, 1976, h. 6 3/4 in., wt. 7.90 troy ozs. $300/500 Note: Australian-born silversmith Stuart Devlin opened his London workshop in 1965. In 1982 he was granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Her Majesty the Queen.

He was Prime Warden of the Worshipful Company of Goldsmiths 1996-1997.

Additional information at www.nealauction.com

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644. Regency Sheffield Plate Hot Water Urn, 19th c., reeded cover and body, lion’s mask and ring handles, reeded support with lion’s paws, urn‑form burner, incurvate base, bun feet, h. 18 in. $400/600

645. Associated Set of 11 English Crested Silverplate Chargers, 20th c., gadroon border, dia. 11 1/4 in. $300/500

646. Irish Sterling Silver Strainer Spoon, Dublin, 1785, maker WW untraced, bright cut engraving to handle and top of applied strainer, engraved crest of a bird, l. 12 1/2 in., wt. 3.85 troy ozs. $300/500 Provenance: Private Estate, Hillsborough, NC.

647. Four Irish William IV Sterling Silver Master Salts, Dublin, 1835, marked “IF”, likely James Fray, each parcel gilt, exterior with floral repoussé, three paw feet with lion’s mask knees, engraved crest, h. 1 3/4 in., dia. 3 in. wt. 14.5 troy ozs. $500/800

648. Edwardian Sterling Silver Tea Caddy, George Nathan and Ridley Hayes, Chester, 1901, sinuous form, four paw feet, domed cover with flame finial, h. 6 in., wt. 8.15 troy ozs. $300/500 Provenance: John and Susan Eckblad Collection, Chapel Hill, NC. 649. Pair of Antique English Neoclassical‑Style Silverplate Candlesticks, 19th/20th c., floral swags and masks, h. 12 in. $300/500

650. Regency-Style Silverplate Decanter Stand, triangular base fitted with three cut glass decanters with starburst cut stoppers, brandy, silverplate bottle tags, h. 11 1/4 in. $300/500

651. Victorian Plaster Bas‑Relief Plaque of a Lady, 19th c., dia. 20 in.; in period gilt frame, dia. 27 in. $800/1200 Provenance: M.S. Rau Antiques, New Orleans; Temple Heights, Columbus, MS.

652. George III Inlaid Mahogany Hexagonal Tea Caddy, early 19th c., shell inlay and banding, fitted interior with two lidded compartments, h. 5 1/4 in., w. 9 1/2 in., d. 4 1/2 in. $400/600 Provenance: Whitehall Antiques, Chapel Hill, NC.

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653. Georgian Brass‑Banded Mahogany Peat Bucket, 19th c., hammered brass handle, h. 7 3/7 in., w. 16 in., d. 15 in. $300/500

654. William IV Rosewood Sarcophagus‑Form Tea Caddy, early 19th c., Neoclassical paint decoration, lion mask and ring handles, interior fitted with 2 lidded compartments and mixing bowl, ivory ball feet, h. 8 in., w. 13 in., d. 7 1/2 in. $400/600

655. Regency‑Style Carved Mahogany Two Pedestal Dining Table, reeded top, turned pedestals, reeded sabre legs; one leaf, h. 29 3/4 in., closed l. 77 7/8 in., open l. 101 3/4 in., w. 44 7/8 in. $1200/1800

656. Pair of Chinese Export Blue and White Porcelain “Hawk” Plates, mid‑18th c., central roundels enclosing birds on branches, brown‑banded wide rims with landscape and flower cartouches on dense floral grounds, dia.

10 3/8 in. $800/1200 Provenance: Sallea Antiques, New Canaan, CT, 2010.

657. Chinese Export Blue and White Porcelain “Maria Sibylla Merian” Botanical Plate, 18th c., central iris and peony sprays with caterpillars and a butterfly, cavetto and wide rim with floral bands, dia. 9 in. $500/700 Provenance: Sallea Antiques, New Canaan, CT, 2010.

658. Near Pair of Chinese Export Blue and White Porcelain Plates, early 18th c., central floral scroll roundels encircled by dense bands of flower heads and leaves, wide rims with floral sprays, bases with “fantasy” Kangxi marks, dia.

9 1/2 in. and 9 3/4 in. $1000/1500 Provenance: Sallea Antiques, New Canaan, CT, 2010.

Additional information at www.nealauction.com

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659. Chinese Export Blue and White Porcelain “Burghley House” Plate, 18th c., central view of a stately country house with trees and birds, cavetto and rim with scrollwork bands, dia. 8 7/8 in. $800/1200 Provenance: Sallea Antiques, New Canaan, CT, 2010.

Note: Based on English Delft prototypes, the view depicted on the Chinese export plate above has always been thought to be that of the famous Tudor house, Burghley. There are three known renderings of Burghley House on English Delftware: one currently in Burghley House; one in the Glaisher Collection at the Fitzwilliam Museum, Cambridge; and one formerly in the Harriet Carlton Goldweitz Collection, sold Sotheby’s, New York, January 20, 2006, lot 52.

Export examples can be found in Howard and Ayers. China for the West.

660. Pair of Chinese Export Famille Rose Porcelain Lotus‑Form Dishes, 18th c., central floral roundels, foliate cut rims banded with peony sprays on shaped diaper grounds, bases with “Antiguidades, Antonio Costa, Lisboa” labels, dia. 9 in. $1500/2500 Provenance: Sallea Antiques, New Canaan, CT, 2010.

662. Chinese Export Blue and White Porcelain Hexagonal Tea Caddy, early to mid 19th c., faceted body decorated with village waterscape scenes, circular cover, h. 5 1/2 in., w. 4 5/8 in., d. 3 1/8 in. $500/700 Provenance: Sallea Antiques, New Canaan, CT, 2010.

661. Chinese Export Famille Rose Porcelain Bowl, 18th c., decorated with phoenix birds in a rock and flower landscape, h. 4 1/4 in., dia. 10 1/8 in. $600/800 Provenance: Sallea Antiques, New Canaan, CT, 2011.

663. Chinese Export Blue and White Porcelain Tankard, late 18th/early 19th c., decorated with floral sprays between diaper and lingzhi borders, brown‑banded rim, h. 5 3/8 in. $400/600 Provenance: Sallea Antiques, New Canaan, CT, 2010.

664. Chinese Export Blue and White Porcelain Tankard, mid to late 18th c., decorated with elegant ladies and a bat within a raised cartouche on a diaper ground with raised incised slip flowers, bats and butterflies, h. 5 1/4 in. $600/800 Provenance: Sallea Antiques, New Canaan, CT, 2010.

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665. Pair of Chinese Export Iron Red Glazed Porcelain Hounds, probably early 19th c., each modeled on its haunches with spotted coats wearing green collars suspending gilt bells, h. 5 5/8 in. $1200/1800 Provenance: Sallea Antiques, New Canaan, CT, 2010.

666. Pair of Chinese Export Famille Rose Porcelain Octagonal Plates, 18th c., central scenes with geese on leaves surrounded by peony and chrysanthemum sprays, wide rims with stylized diaper banding, w. 9 in. $1000/1500 Provenance: Sallea Antiques, New Canaan, CT, 2010.

667. Pair of Chinese Export Famille Rose Porcelain Dishes, 18th/19th c., central chrysanthemum and peony sprays encircling floral pinwheels, wide rims with alternating polychrome and sepia landscapes and geometric designs, dia. 8 3/4 in. $600/800

668. Pair of Chinese Export Famille Rose Porcelain Plates, probably 18th c., each with two unfurled scrolls, one revealing a scene of two cockerels amid flowers, reserved on a rich ruby red ground with chrysanthemum heads, dia. 9 1/2 in. $600/800

Provenance: Sallea Antiques, New Canaan, CT, 2010.

Provenance: William Word Fine Antiques, Atlanta, GA, 2012.

669. Chinese Export Famille Rose Porcelain Octagonal Plate, 18th c., central peony spray cartouche, cavetto and rim with floral reserves on a dense diaper ground with branches and flower heads, w. 8 1/4 in. $300/500 Provenance: Sallea Antiques, New Canaan, CT.

670. Chinese Export Famille Rose Porcelain Wine Ewer, 19th c., modeled as a phoenix seated on a tree stump with branches forming the handle, spout and opening, leaf form cover, base with “Sallea Antiques� label, h. 9 3/4 in. $1000/1500 Provenance: Sallea Antiques, New Canaan, CT, 2010.

Additional information at www.nealauction.com

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672. Chinese Export Famille Rose Porcelain Rooster, 19th c., modeled perched on a rockwork and lingzhi base, h. 11 3/4 in. $600/800 Provenance: Sallea Antiques, New Canaan, CT.

671. Chinese Export Famille Rose Porcelain “Mandarin Palette” Bowl, late 18th c., exterior with figural scenes on a diaper ground, interior with central figural roundel and landscape and floral meanders banding the rim, h. 4 5/8 in., dia. 11 1/4 in. $600/800 Provenance: Manor House Antiques, Knoxville, TN, 2012.

674. Large Chinese Export Famille Rose Porcelain Phoenix, 19th c., modeled perched atop a tall tree stump with flowering branches and lingzhi, interior with “Sallea Antiques, New Canaan, CT” label, h. 19 3/4 in. $1200/1800

673. Pair of Chinese Export Porcelain “Pseudo Tobacco Leaf” Octagonal Bowls, 18th c., decorated with floral heads, sprays, leaves, and pinwheels, h. 1 5/8 in., dia. 8 3/4 in. $600/800 Provenance: William Word Fine Antiques, Atlanta, GA.

675. Chinese Export Famille Rose Porcelain Octagonal Platter, 18th c., oval well with an outdoor figural scene, upturned rim with iron red and sepia bird‑and‑flower reserves, w. 16 1/4 in., d. 12 7/8 in. $500/1000 676. Chinese Export Famille Rose Porcelain Dish, probably 18th c., bowl‑form body with reticulated “faux bois” sides, decorated with butterflies and flowers, h. 1 5/8 in., dia. 8 1/2 in. $500/1000

677. Three Chinese Export Green “Fitzhugh” Porcelain Dishes, 19th c., incl. pair, bases with “C. H. Whitney” labels, dia. 7 5/8 in.; and single, base with “Elinor Gordon” label, dia. 5 7/8 in. $300/500 Provenance: The pair acquired C. H. Whitney, Thomasville, GA, 2013.

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678. Pair of Chinese Imari Porcelain Plates, 18th c., central chrysanthemum sprays, foliate cavettos, upturned scrollwork rims, bases with “Alresford Hants, Artemesia” and “C.H. Whitney” labels, dia. 9 in. $300/500 Provenance: C. H. Whitney, Thomasville, GA, 2013.

679. Chinese Export Famille Rose Porcelain “Pomegranate” Plate, 18th c., central flowering pomegranate branch encircled around rim with floral sprays on a diaper ground, upturned edge, base with double ring mark and “Santos, London” label, dia. 9 in. $400/600 Provenance: Santos Collection, London; David Pownall Willis, Plainfield, NJ.

681. Regency Inlaid Rosewood Tea Caddy, early 19th c., with foliate motifs, fitted interior with two lidded compartments, bun feet, h. 6 1/4 in., w. 8 in., d. 4 7/8 in. $400/600 Provenance: Whitehall Antiques, Chapel Hill, NC.

680. Antique English Magnifying Glass, cobalt faceted crystal handle, l. 12 1/4 in. $200/300 Provenance: Sallea Antique, New Canaan, CT.

682. Persian Isfahan Carpet, beige central ground, diamond central medallion, polychrome floral border, 6 ft. 8 in. x 4 ft. 2 in. $800/1200 Provenance: Dana Kelly Oriental Rugs, Lexington, KY.

684.

Sultanabad‑Style Carpet, red ground, cream border, stylized flowering vine and foliate motif, 13 ft. 11 in. x 10 ft. 4 in. $2000/3000

683. Persian Serapi Carpet, cream and red ground, geometric central medallion, polychrome floral border, 9 ft. 7 in. x 13 ft. 7 in. $3000/5000 Additional information at www.nealauction.com

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685. Persian Mashad Carpet, signed, red ground, octagonal central medallion, navy blue border, stylized polychrome floral motif, 11 ft. 4 in. x 8 ft. 6 in. $3000/4000

686. Persian Heriz Carpet, blue ground, yellow gold border, stylized central medallion, overall floral motif, 7 ft. 7 in. x.

6 ft. 9 in. $2500/3000

688. Persian Tabriz Carpet, red ground, cream border, stylized flowering vine and foliate motif, 16 ft. 2 in. x 12 ft. 9 in. $6000/8000

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687. Persian Sultanabad Carpet, cream ground, stylized polychrome border, flowering vine and foliate motif, 12 ft. 8 in. x 9 ft. $4000/6000

689. Antique Persian Kashan Carpet, red ground, stylized diamond central medallion, navy blue border and corner brackets, polychrome floral and foliate motif, 15 ft. 9 in. x 10 ft. 2 in. $6000/8000

Session Two Sunday, November 22, 11 am 3923 Carondelet

Additional information at www.nealauction.com

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690. Five Prints of Napoleon III and Empress Eugenie, 19th c., incl. large hand‑colored lithograph of Eugenie and her ladies after the 1855 painting by Franz Xaver Winterhalter, sights 8 in. x 6 in. to 18 1/2 in. x 24 in., antique frames. $600/900

691. German School, early 20th c., “An Officer of the Imperial Guard, probably Count Wilhelm von Neumeyer”, oil on card, unsigned, sitter identified on typewritten label en verso, 6 3/4 in. x 4 1/2 in., framed. $200/400

Provenance: Temple Heights, Columbus, MS.

693. Attributed to John Johnson (British, 19th c.), “Portrait of King George IV”, oil on canvas, unsigned, artist and title on modern label en verso, 20 1/2 in. x 18 1/2 in., period frame. $250/500 Provenance: Temple Heights, Columbus, MS.

692. Antique Hand‑Painted Theatre Backdrop of an Italian Town, early 20th c., oil on canvas, various inscriptions “Bologna”, “Kook”, and “Hadley Falls, Extra Heavy Shirting/ 36 yds” canvas stamp en verso, 103 1/2 in. x 101 in. $800/1200

695. Vienna‑Style Franz Dörfl Polychrome Porcelain Covered Urn, late 19th/early 20th c., FD shield mark and beehive mark, painted with “Niederländische Gesellschaft” and “Die Würfler” genre scenes, signed F. Scholz, h. 30 in., marble pedestal, overall h. 65 1/2 in.

(2 pcs.) $800/1200

694. British School, 19th c., “Four‑Wheeled Carriage with Two Horses in Tandem”, oil on canvas, unsigned, 20 1/8 in. x 31 in., framed. $800/1200

696. Pair of Neo‑Grec Paris Polychrome and Bisque Porcelain Amphora Vases, 19th c., decorated with Warkworth and Kenilworth castles, upright loop handles terminating in enameled bisque satyr masks, h. 16 1/2 in. and 16 5/8 in. $400/600 Provenance: Temple Heights, Columbus, MS.

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697. Two Paris Porcelain Corbeilles, 19th c., one with biscuit and polychrome decoration, h. 7 3/8 in., dia. 9 3/4 in.; other with gilt exterior, h. 7 7/8 in., dia. 8 3/8 in. $400/600 Provenance: Temple Heights, Columbus, MS.

698.

Associated “Anneau d’Or” Porcelain Dinner Service, mostly 19th c., mostly Paris and Limoges, incl. 4 covered tureens, h. 4 to 7 1/4 in., w. 10 to 11 3/4 in.; tazza, dia. 9 in.; 2 large serving bowls, dia. 11 1/8 and 11 1/4 in.; 8 oval serving dishes, l. 11 1/2 to 14 1/4 in.; 2 small serving bowls, h. 3 and 3 5/8 in.; covered butter dish; sauceboat and undertray; 3 shaped dishes, l. 7 1/2 to 10 1/8 in.; 3 shaped plates, dia. 10 1/4 to 10 3/4 in.; 30 dinner plates, dia. 9 1/2 in.; 85 salad/dessert plates, dia. 7 to 8 5/8 in.; 10 bowls, dia. 7 1/2 to 9 1/2 in.; 55 small bowls, dia. 4 3/4 to 5 1/4 in.; 8 bread plates; 8 butter pats; covered teapot, h. 8 in.; coffee, h. 10 in.; covered sugar, h. 6 1/8 in.; creamer, h. 4 1/2 in.; 5 breakfast cups; 6 demitasse cups; 58 coffee/tea cups; 72 saucers; and 6 foliate saucers, dia. 6 1/2 in. $700/1000

699. Set of Eight Honoré Paris Salmon and Gilt Porcelain Plates, c. 1820, marked “Ancienne Maison Dagoty / Ed. HONORE / A PARIS/ No. 4 Boulevard Poissonniere”, dia. 8 3/4 in.; together with 9 plates, dia. 7 in.; oval covered vegetable tureen, l. 12 1/4 in.; and coquiform dish, l. 9 7/8 in. (19 pcs.) $500/700

700. Pair of Paris Porcelain Corbeilles, c. 1825, reticulated baskets, gilt exteriors, h. 7 in. and 7 1/8 in., dia. 7 1/2 in. $500/700

Provenance: Temple Heights, Columbus, MS. Ref.: De Guillebon, R. Paris Porcelain, pp. 226‑227 & 332.

701. Group of Dr. Wall Worcester Tableware, 18th c., incl. coffee pot with associated cover, h. 8 1/4 in.; tea bowl and saucer, dia. 4 5/8 in.; 3 small leaf‑form condiment pitchers, w. 2 7/8 in. to 3 1/8 in.; saucer; and molded dish, dia.

7 1/8 in. (9 pcs.) $400/600 Provenance: Accompanied by copies of invoices from Bardith, NY; Klabber & Klabber, London; Steppes Hill Farm Antiques, Kent, and Angela of London, Virginia; New Orleans Estate.

704. Good Group of Nine Antique and Vintage Photograph Frames, incl. 2 in fitted leather cases, 1 with beadwork mat and some with paste jewels. $300/500

702. Twelve Wedgwood Pottery “Belmar” Dinner Plates, ribbed rims, floral basket reserves, dia. 10 3/8 in. $150/250

705. Fine Continental Carved Walnut Fireplace Bellows, 19th c., lyre form body with Harpy handle and bronze zoomorphic terminal, central cartouche carved with “the marriage of Cupid and Psyche”, leather strapwork, h. 25 5/8 in., w. 12 3/4 in. $400/600

703. Continental Tôle Peinte Covered Urn, early 19th c., floral decoration on black ground, bone finial, original surface, h. 7 in. $200/300

706. Italian Tin Glazed Terracotta Figure of a Dalmatian, 20th c., h. 20 in., w. 8 in., d. 13 1/2 in. $500/700

707. Georgian Gilt Bronze‑Mounted Brown Agate Dresser Box, 18th/19th c., ovoid body on footed base, retains partial “HOBBART HOUSE/HADDAM CONN” paper label, h. 3 1/4 in. $300/500

708. Antique English Rosewood and Tunbridge Inlaid Tea Caddy, 19th c., top with crenellated castle, interior with 2 lidded compartments. $300/500 709. English Bronze Fire Guard in the Renaissance Taste, late 19th c., facing portrait medallions of Robin Hood and Maid Marian, urn‑form uprights, ringed lion masks, paw feet, h. 21 3/4 in., w. 51 in., d. 6 1/2 in. $200/400

710. Antique English Copper and Brass Coachman’s Horn, marked Distin & Co., London, wc.

1849‑1868, with original wicker case, l. 32 1/4 in. $200/300

Additional information at www.nealauction.com

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711. Pair of Georgian‑Style Silverplate Magnum Wine Coasters, marked “S”, each with gadrooned rim, reticulated body and turned hardwood base with silverplate button, h. 3 1/8 in., dia. 6 in. $100/150

712. Set of Eight English Silverplate Goblets, flat chased decoration, h. 8 1/4 in. $400/600

713. Group of Antique English and American Silver Flatware, incl.

George III sterling silver teaspoon, Peter & Ann Bateman, London, 1791; George III sterling silver master salt, Peter, Ann & William Bateman, London, 1803; coin silver sugar tongs, Alexander Gordon, NY, NY, wc. 1795‑1803; coin silver fiddle typt tablespoon, Freeman & Wallin, NY, NY, wc.

1842‑1850; and coin silver sugar tongs, marked JM and with pseudo hallmarks, (5 pcs.) $200/300

714. French Petitpoint Panel, 19th c., titled “The Vintagers”, sight 25 in. x 19 3/4 in., gilt molded frame. $600/900

715. French Art Nouveau Gilt Bronze and Porcelain Table Lamp, c. 1890, painted in muted enamels with Cupid and maidens before a Classical ruin, signed, shaped bronze base, h. (to finial) 39 3/4 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

716. Neoclassical‑Style Gilt Brass and Bronze Five‑Light Chandelier, late 19th/early 20th c., foliate canopy, baluster standard, scrolled arms, electrified h. 28 1/2 in., w. 22 1/2 in. $700/1000

717. Pair of Napoleon III Gilt and Patinated Bronze Eight‑Light Candelabra, late 19th c., seated cherub standard with scrolling foliate arms, h. 26 1/2 in., dia. 15 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

718. Group of Lady’s Jewelry, incl. 14 kt. white gold and diamond ring, small brooch, c. 1900, “emerald” bracelet and 2 pair of Chanel earrings. $300/500

719. Group of Early 20th c.

Jewelry, incl. two Art Deco 14 kt. white gold filigree and diamond bar pins, each set with one old mine cut diamond, each l. approx.

2 1/2 in.; and an Art Nouveau lavaliere set with a faceted green glass stone, metal unmarked. $400/600 Provenance: Descended in the Turnbull/Bowman/Fort Family, St. Francisville, LA.

720. 14 kt. Yellow Gold and Shell Cameo Bracelet, 20th c., probably American, set with 6 oval cameos. $200/300 Provenance: Descended in the Turnbull/ Bowman/Fort Family, St. Francisville, LA.

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721. Group of Antique Jewelry, late 19th c., unmarked, incl. a pair of cufflinks engraved in script “WJF”, child’s pin engraved “BMB”, 2 scarf toggles, 2 bar pins, and a pin with black circles. $100/200 Provenance: Descended in the Turnbull/ Bowman/Fort Family, St. Francisville, LA.

722. Continental Yellow Gold and Ruby Owl Pin, unmarked, probably 18 kt. $300/500

723. Group of Four Antique and Vintage Pins, incl. black onyx and seed pearl, c. 1880; shell cameo (worn); Art Nouveau enameled flower watch pin; and portrait miniature. $400/600

724. Antique French Art Nouveau 18 kt. Yellow Gold and Diamond Locket, with a lady’s profile, engraved “1906 Avril 1916 / NETKE”, reverse monogrammed, h. 1 1/4 in., w. 1 1/8 in., gold chain, l. 14 7/8 in. (2 pcs.) $400/600

725. 14 kt. Yellow Gold, Chinese Carved White Jade, and Diamond Pendant, jade 2 7/8 in. x 2 1/4 in.; diamonds, approx. .31 ctw, h. 3 5/8 in. $400/600

726. White Gold and Diamond Bar Pin, unmarked, probably 14 kt., set with 18 small diamonds totaling approx.

1.4 ct. $800/1200 727. East Indian 14 kt. Yellow Gold Backed, Silver Topped Diamond Bangle Bracelet, set with rose cut diamonds, foil backed. $1000/1500 728. American 14 kt. Yellow Gold, Black Enamel and Opal Cluster Ring, c. 1880. $200/300

729. 18 kt. Yellow Gold, Emerald and Diamond Octagonal Cluster Ring. $800/1200

730. 14 kt. Yellow Gold and Diamond Flexible Bracelet, set with 200 small round diamonds totalling approx. 2 cts. $700/900

732. White Cultured Pearl Double‑Strand Necklace, pearls graduated from 8 to 8.5 mm., 14 kt. gold slide clasp. $1000/1500

731. 22 kt. Yellow Gold and Diamond Bracelet, approx. 2 ct. diamonds, l. 7 in. $800/1200

Additional information at www.nealauction.com

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733. Portuguese 18 kt. Yellow Gold, Silver, Pearl, Garnet, Turquoise and Diamond Pendant/Brooch, rooster mark, unidentified maker’s mark, total garnet approx. .3 ctw., h. 2 1/4 in., w. 1 5/8 in. $700/900

734. Set of Louis Philippe Panel Cut Glass Goblets, 19th c., incl. 8 water, h. 5 7/8 in.; 8 white wine, h. 4 5/8 in.; and 8 sherry, h. 4 1/4 in. (24 pcs.) $500/750 Provenance: Aux Vieux Paris, Breaux Bridge, LA; Temple Heights, Columbus, MS.

736. Six Bohemian Enameled and Gilt Crystal Cordials, 20th c., possibly Moser, with quatrefoil decoration and applied ruby‑colored beads, h. 7 1/2 in. $200/300 735. Cobalt Glass Barrel‑Form Covered Punchbowl, 19th c., enameled vintage decoration, gilt highlights. $400/600

737. Pair of Louis XVI‑Style Gilt Bronze Six‑Light Candelabra, late 19th c., floral arms, putto on fluted marble base, h. 27 1/2 in., dia. 13 in. $700/1000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

738. Antique Carved Pine Torchère, converted to floor lamp, fluted standard with acanthus, h. (to socket) 58 in. $400/600

739. Two Vintage Louis Vuitton Monogram Canvas Suitcases, late 20th c., first, h. 22 in., w. 26 in., d. 9 1/4 in; second, h. 20 1/2 in., w. 23 1/2 in., d. 7 3/4 in. $400/600

740. Three Aubusson Tapestry Pillows, 19th/20th c., tassel and fringe trim, w. 16 1/2 to 22 1/2 in. $200/300

741. Spanish Colonial Needlework Panel, wool, silk and metallic threads, depicting Madonna and Child adored by two saints, sight 19 1/2 in. x 18 in., framed. $400/600

742. Pair of “Sèvres” Porcelain and Gilt Bronze Four‑Light Candelabra, 19th c., interlaced marks, floral branches, cobalt ground vases, reserves painted with Cupids and birds, scrollwork bases, h. 19 3/4 in., w. 9 in. $800/1200 Provenance: Rosedown Plantation, St. Francisville, LA.

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743. S. Kirk & Son Sterling Silver Flatware Service, “Old Maryland Engraved” pattern, pat. 1936, incl. 8 forks, 7 knives, 10 salad forks, 9 dessert spoons, 8 teaspoons, 8 demitasse spoons, 5 butter knives (fh) and 1 butter knife (hh); together with a Gorham “Old French” lettuce fork, 3 Gorham “Nocturne” tablespoons, coin silver dessert spoon and sugar shell, both ret. Anderson & Brown, Wilmington, NC, mid‑19th c., and silverplate gravy ladle, total wt. (weighable) 63.70 troy ozs. (62 pcs.) $1200/1800

745. Baltimore Sterling Silver Repoussé Sugar and Creamer, A.G. Schultz & Co., wc. 1899‑1950, fruit and flower motif, sugar h. 9 1/2 in., total wt. 35.95 troy ozs. $500/800

744. Four American Sterling Silver Bowls, late 19th to early 20th c., incl. Wood & Hughes, New York, Alvin, Providence, RI; and 2 Meriden Britannia, Meriden, CT; dia. from 8 3/8 in. to 12 1/2 in., combined wt. 47 troy ozs. $700/1000

747. Good Group of Sterling Silver Picture Frames, various makers incl.

Tiffany, Cartier and Gorham, h. from 2 7/8 in. to 5 1/4 in. $400/600 748. Set of Seven American Sterling Silver Beakers, mid‑20th c., marked “BBB”, h. 5 1/4 in.; together with a sterling silver double jigger, h. 4 1/8 in., total wt. 44.25 troy ozs. $500/700

746. Pair of Silverplate Campagna‑Form Wine Buckets, gadroon borders, h. 9 5/8 in., w. 10 in. $400/600

749. American Sterling Silver Centerbowl in the Neo‑Classical Taste, early 20th c., Graff, Washbourne & Dunn, New York, wc. 1899‑1961, successors to William Gale and Wood & Hughes, pattern 2912/46, pat. 5/18/1909, with removable plated gilt flower frog, diameter 14 in., and matching pair of sterling silver tazzas, h. 2 7/8 in., dia. 7 3/4 in., combined wt. (weighable) 50 troy ozs. $800/1200

750. American Sterling Silver After‑Dinner Coffee Service in the Neo‑Classical Taste, early 20th c., Graff, Washbourne & Dunn, New York, wc. 1899‑1961, en suite with the preceding lot, coffee pot h. 9 7/8 in., wt. 45.85 troy ozs. $500/750

752. Set of 12 American Sterling Silver Demitasse Cup Frames and Saucers, early 20th c., Graff, Washbourne & Dunn, New York, wc.

1899‑1961, en suite with preceding lots, retaining Lenox porcelain liners, combined wt. (weighable) 42.85 troy ozs. $300/500 751. Set of Eleven American Sterling Silver Goblets in the Neo‑Classical Taste, early 20th c., Graff, Washbourne & Dunn, New York, wc. 1899‑1961, en suite with preceding lots, h. 6 in., combined wt. 82.95 troy ozs. $1200/1800

753. Pair of American Sterling Silver Candlesticks in the Neo‑Classical Taste, early 20th c., Graff, Washbourne & Dunn, New York, wc.

1899-1961, en suite with preceding lots, weighted bases, h. 11 in. $300/500

Additional information at www.nealauction.com

125

754. Antique Gorham Sterling Silver Repoussé Bowl, date mark for 1892, floral garland decoration, h. 3 5/8 in., dia. 8 5/8 in., wt. 10.65 troy ozs. $150/250

755. American Sterling Silver Muffineer, Gorham, ret. Black, Starr and Frost, New York, h. 7 3/8 in., wt. 6.60 troy ozs.; together with a similar English silverplate example, Barker Brothers, Birmingham, h. 6 1/2 in. $150/250

758. Eleven Gorham Sterling Silver Citrus Knives, c. 1900, blades marked “St. Augustine Florida”, l. 8 1/2 in.; together with 12 Gorham “Cambridge” pattern ice cream forks, pat. 1899, l. 5 1/4 in. and a Continental silver sifter spoon, l. 6 5/8 in. $300/500

762. Georgian‑Style Silverplate Wine Cooler, 20th c., removable collared sleeve, lion mask and ring handles, h. 10 7/8 in. $150/250

759. Five American Sterling Silver Bowls, late 19th/early 20th c., dia. from 5 3/8 in. to 9 in., combined wt. 22.55 troy ozs. $500/800

760. Group of American Sterling Silver Flatware, late 19th c., incl. 2 Hamilton & Davis, Philadelphia, serving spoons, Gorham “Luxembourg” small cheese scoop, silver and enamel olive spoon, 4 Gorham “Jac Rose” teaspoons, oyster fork with rubbed mark, and 2 hollow handled cheese knives, wt. (weighable) 8.55 troy ozs. (11 pcs.) $200/300

763. Old Sheffield Plate Soup Tureen, 19th c., inset silver shield with engraved armorial and motto “VOLENS ET VALENS” (willing and able), foliate handles. $400/600

765. Four Antique Italian Neoclassical‑Style Inlaid Fruitwood Side Chairs, shaped backs with entwined ribbon inlay, blocked square tapered legs. $400/600

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756. Group of Silver Table Articles, most American, various makers, incl.

Cartier brandy warmer, Alvin bread tray, 2 small bowls (International and Frank Smith), Meriden Britannia small beaker, 2 Continental small beakers, Preisner War Bond goblet, and International goblet, combined wt. 31.20 troy ozs. $400/600

757. Group of Antique and Vintage Silver Serving Pieces, incl. pie server, cake knife, cheese knife and sardine fork, en suite, and pair of poultry shears, all with sterling silver weighted handles, stainless steel blades, sardine fork with plated tines, l. 6 1/4 in. to 11 1/4 in., (5 pcs.) $300/400

761. Group of American Sterling Silver Souvenir Flatware, late 19th/ early 20th c., incl. Towle “Pomona” pattern San Gabriel Mission teaspoon; Newburyport Silver Co. Old Powder House teaspoon; and Gorham citrus motif citrus knife, blade marked Greenleaf & Crosby/ Florida; together with Russian silver gilt and niello teaspoon, 84 zolotnik mark, assayed Veniamin Savinsky, 1865, Moscow, maker untraced. (4 pcs.) $200/300

764. Pair of Antique Silverplate Candlesticks in the Adam Taste, 19th c., original bobêche, h. 11 in., w. 15 1/4 in. d. 9 3/4 in. $300/500

766. Antique Venetian Rococo‑Style Polychromed Dressing Table, serpentine top, faux marbre reserve, kneehole configuration of drawers, cabriole legs, h. 30 in., w. 35 1/2 in., d. 16 in. $300/500

768. French Carved Fruitwood Vaisselier, early 19th c., possibly Brittany, floral carved double arch cornice, conforming frieze, spindled plate racks, base with 2 drawers over shaped raised panel doors, floral carved center stile inscribed “Armoire/ Fait Pour/ Jean/ Darriel...Fait Par/ Moi/ Louis Patj/ 1828”, star carved skirt, cabriole legs, h. 97 1/2 in., w. 63 1/2 in., d. 23 in. $1500/2500 Provenance: Whitehall, Chapel Hill, NC.

767. French Provincial Carved Oak Settee, 19th c., serpentine molded crest rail, serpentine arms, conforming seat rail, cabriole legs, h. 38 3/8 in., w. 53 1/4 in., d. 23 in. $600/900

769. Antique Louis XV‑Style Carved Walnut Commode, molded serpentine top, conforming drawers, foliate carved stiles, shaped base, cabriole legs. $1000/1500 Provenance: Acquired from Leda Decors, Saint‑Ouen, France.

770. Antique Directoire Carved and Painted Fruitwood Parlor Suite, early 19th c., incl. settee, 2 bergères, and 4 fauteuils, star and leaf carved shaped crests, shaped arms, baluster arm supports, turned tapered legs, original surface, cut velvet upholstery, (7 pcs.), settee h. 36 in., w. 63 in., d. 25 in. $1000/1500

771. Continental Marquetry and Kingwood‑Banded Mahogany Sedan Chair in the Louis XV Taste, 18th c., arched crest, inlaid panels featuring floral motifs, scrolling vines interspersed with urns, columns and arches, base with scrolled shoe feet, interior brocade upholstery, padded seat and arms, h. 65 3/4 in., w. 28 in., d. 29 1/2 in. $1000/2000

772. Art Moderne Amboyna Center Table, 20th c., verde antico marble top, faceted columnar supports, molded disc base, h. 27 in., dia. 38 in. $500/750 Provenance: Whitehall, Chapel Hill, NC. Additional information at www.nealauction.com

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773. Continental Art Deco Brass‑Mounted Vitrine, early 20th c., labeled “SIEGEL PARIS”, lighted, h. 35 1/2 in., w. 23 in., d. 13 in. $800/1200

775. Louis XV‑Style Marquetry, Kingwood and Bronze‑Mounted Bombé Commode, 20th c., serpentine marble top, two drawers, tapered legs, h. 38 in., w. 57 in., d. 24 in. $1000/1500

774. Suite of Antique Louis XV‑Style Carved Walnut Chairs, 19th c., incl. three armchairs and three side chairs, foliate‑carved crests, oval backs, padded scrolled arms, foliate carved skirts, cabriole legs with scrolled toes, casters, h. 40 in., w. 25 in., 21 1/2 in., and h. 40 in., w. 19 1/2 in., d. 19 in. $800/1200

776. Pair of Antique Régence‑Style Carved Fruitwood Fauteuils á la Reine, late 19th c., arched backs, padded leaf carved arms, serpentine shell carved seat rail, cabriole legs, scrolled toes. $800/1200 Provenance: Whitehall, Chapel Hill, NC.

777. Attributed to John Jackson (British, 1778‑1831), “Terence Sullivan”, c. 1820, artist and sitter inscribed on frame liner, 30 in. x 25 in., period frame. $1000/1500 Provenance: Brad Simonton, Natchez, MS; Temple Heights, Columbus, MS.

779. John Joseph Hughes (British, 1820‑1909), “Bridgnorth, Shropshire”, 1908, oil on canvas, signed and dated lower left, inscribed “Bridgnorth” en verso, “Scott & Son, Carlisle” label on reverse of frame, 28 in. x 37 in., original frame. $1500/2500

780. Alois Zabehlicky (Austrian, 1883‑1962), “Still Life with Fruits, Flowers, and Utensils”, oil on canvas, signed lower left, 27 3/4 in. x 39 1/2 in., framed. $1200/1800

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778. Attributed to Cecilia Margaret Campbell (Anglo‑Irish, 1791‑1857), “Portrait of a Lady”, early 19th c., unsigned, 22 in. x 18 in., framed. $500/700 Provenance: Temple Heights, Columbus, MS.

781. William IV Carved Mahogany Tall Case Clock, c.

1835, Davenport of Macclesfield, painted dial with allegorical figures of the Four Continents, broken arch crest, ropetwist columns, crenellated door, h. 91 in., w. 24 in., d. 9 3/4 in. $1500/2500

782. Regence‑Style Carved and Gilded Pier Mirror, arched foliate crest with central shell, segmented mirror plate, foliate border, h. 60 1/2 in., w. 30 in. $500/750

783. Chippendale‑Style Giltwood Mirror, 19th c., rocaille and C‑scroll crest, mirror with inner foliate border, h. 41 in., w. 21 in. $1000/1500

784. American Federal Mahogany Three‑Part Banquet Table, early 19th c., pair of D‑shaped ends and center drop leaf section, conforming frieze, ring and spiral turned tapered legs, button feet, h. 29 in., l. 120 in., w. 51 1/2 in. $2500/3500

785. Antique Georgian Burl Walnut Secretary‑Bookcase, probably 19th c., molded cornice, arched glazed doors, adjustable shelves, slant front desk, fitted interior, two over two drawers, bracket feet; later veneers, h. 78 1/4 in., w. 30 in., d. 19 3/8 in. $1000/1500

786. Edwardian Satinwood Bookcase in the George III Taste, c. 1900, swan’s‑neck pediment centered by an urn, molded cornice, astragal glazed doors below, the lower case fitted with four doors each inset with an oval panel, raised on bracket feet, h. 105 1/2 in., w. 87 1/2 in., d. 16 3/8 in. $2500/3500

Additional information at www.nealauction.com

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787. Edwardian Paint‑Decorated Satinwood Bowfront Cabinet in the Adam Taste, late 19th/early 20th c., shaped top, incurvate sides, frieze drawer above a pair of doors, molded base, blocked flared legs, h. 39 1/4 in., w. 42 in., d. 18 1/4 in. $1200/1800

788. Regency Mahogany Tilt‑Top Breakfast Table, early 19th c., oblong top, inlaid tapered support, reeded sabre legs, cuff casters, h. 28 1/2 in., l. 50 3/4 in., w. 42 7/8 in. $400/800

789. George III‑Style Inlaid Mahogany Secretary Bookcase, early 20th c., dentil‑molded cornice, pair of glazed doors, shelf interior, urn inlaid slant front, fitted interior, two over three drawers, bracket feet, h. 88 in., w. 42 1/4 in., d. 20 in. $1000/1500

790. Fine William IV Carved Mahogany Chest, early 19th c., Channel Islands, graduated drawers, lappet and rosette stiles, paw feet, h. 42 in., w. 44 in., d. 21 1/2 in. $800/1200

791. American Sheraton Inlaid Walnut Chest, early 19th c., probably Southern, outset drawer over graduated drawers flanked by colonettes, turned legs, h. 41 7/8 in., w. 39 1/2 in., d. 20 in. $700/900

792. Regency Figured Maple Fall-Front Escritoire, early 19th c., fitted interior, arched trestle base, stretcher, h. 45 5/8 in., w. 22 1/8 in., d. 19 3/8 in. $500/700 Provenance: New Orleans Estate.

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793. American Classical Carved Mahogany Center Table, c. 1830, circular marble top, conforming frieze, scrolled supports, incurvate triangular plinth, acanthus bracketed paw feet, h. 30 1/2 in., w. 36 1/4 in., d. 36 1/4 in. $1200/2000 Provenance: Collection of James A. Williams, Mercer House, Savannah; Sotheby’s, NY, Oct. 20, 2000, lot 377.

794. American Carved Mahogany “Triple Decker” Shelf Clock, 19th c., retains paper label of “Birge, Peck & Co. Bristol Conn.”, painted tin dial, etched and transfer decorated tablets, h. 32 in., w. 16 1/2 in., d. 6 in. $500/800

795. Late Regency Figured Mahogany Cheval Mirror, early 19th c., columnar supports, h. 71 3/4 in., w. 38 1/2 in. $500/800 Provenance: Temple Heights, Columbus, MS.

797. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, foldover swivel top with canted corners, carved pedestal, carved sabre legs, brass capped paw feet, casters, h. 30 in., w. 36 in., d. 18 3/4 in. $1200/1800

796. American Classical Carved Mahogany Tester Bed, c. 1840, possibly Baltimore, later tester, robust pineapple, reeded and acanthus‑carved posts, shaped headboard with acanthus‑carved scrolled crest, plain rails, h. 110 1/2 in., interior l. 90 in., interior w. 59 in. $2000/3000 Provenance: Judge Richard Avery, Marion, Alabama, 1988.

798. American Classical Carved Mahogany Two-Part Dining Table, early 19th c., probably Anthony Quervelle, Philadelphia, cross‑banded drop‑leaf top, rounded corners, conforming acanthus carved frieze, spiral turned legs, ball feet, h. 29 1/4 in., l. 84 in., w. 44 1/4 in. $1000/2000

799. Attributed to Nicola Marschall (American/Alabama, 1829‑1917), “Portrait of a Lady”, oil on canvas, unsigned, 22 1/4 in. x 17 1/2 in. (reduced to oval), framed. $800/1200 Provenance: Temple Heights, Columbus, MS. Additional information at www.nealauction.com

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800. John P. Walker (American/ Virginia, 1885‑1932), “Posthumous Portrait of Captain William A. Webb, Commander of CSS Teaser, the ironclad CSS Atlanta, and the CSS Richmond”, 1926, and “Elizabeth Ann Webb, his Wife”, 2 oils on canvas, former signed and dated lower right, 30 in. x 25 in., framed alike. $1500/2500

801. Frederick Rondel, Jr. (American, b. 1855), “A Flock of Wild Turkeys in the Woods”, 1885, oil on wood panel, signed and dated lower right, remnant of “French’s Artist Board, N.Y.” label en verso, 25 in. x 30 in., period gilt frame. $800/1200

802. Meyer Straus (American/California, 1835‑1905, act. New Orleans 1869‑1972), “Stream through the Mountains”, 1884, oil on canvas, signed and dated lower right, “Gump’s, San Francisco” label en verso, 14 in. x 23 3/4 in., period frame. $1200/1800

803. Meyer Straus (American/California, 1835‑1905, act. New Orleans 1869‑1972), “Cattle by the Shore”, 1887, and “Stream through the Mountains”, 1888, signed and dated lower left and right respectively, sights 10 1/4 in. x 6 3/4 in. and 7 in. x 10 in., matching frames. $500/700

804. John James Audubon (American, 1785‑1851), “American Crossbill”, Plate 197, hand-colored aquatint engraving, from The Birds of America, Havell edition, “J. Whatman/1834” watermark, sheet 30 in. x 24 1/2 in. $1200/1800

805. John James Audubon (American, 1785‑1851), “Selby’s Fly Catcher”, Plate 9, hand-colored aquatint engraving, from The Birds of America by W.H. Lizars, Edin., the elephant folio paper watermarked “J.Whatman/1837”, sheet size 38 in. x 25 1/4 in., framed. $1000/1500

806. John James Audubon (American, 1785‑1851), “Marsh Hare”, Plate 18, hand‑colored lithograph, by Bowen, 1843, folio, from The Viviparous Quadrupeds of North America, sight 21 in. x 26 1/2 in.,

framed. $600/900

807. John James Audubon (American, 1785‑1851), “Little Harvest Mouse”, Plate 65, hand‑colored lithograph, from The Viviparous Quadrupeds of North America, sheet

27 1/2 in. x 21 in. $700/1000

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808. Alexander Wilson (American, 1766‑1813), “Carolina Parrot”, “Mississippi Kite” and “Great Tern”, three hand‑colored engraving from American Ornithology, 1808‑1814, sheets 10 3/4 in. x 13 3/8 in. (2) and 11 1/2 in. x 14 1/2 in. $700/1000

809. Isaak Tirion, “Grondvlakte van Nieuw Orleans, de Hoofdstad van Louisiana”, Amsterdam, 1769, engraved map, 13 in. x 17 1/4 in., matted and framed. $700/1000

810. [Map of Lake Pontchartrain Harbor], “Sketch of the Pontchartrain Harbour & Breakwater exhibiting the plan & position of the work as finally approved by the Engr.

Department, New Orleans, October 30th. 1853”, lithograph with later coloring, by Wagner & Guigan, Phil., sheet 9 in. x 36 1/2 in. $400/600 811. American Civil War Era Manuscript Map, “Copy of a Map Sheet No.1 Military Reconnaissance Dept.

Va; Major Genl. Wool Comdg., drawn by Sergt. Ch. Worret...under the direction of Col: T.J. Cram, inscribed “For Capt. W.D. Whipple/ A.A. Genl. U.S.A/with the respects of T.J. Cram/ Corps. Top. Engrs.”, made by George Kaiser, 1862, pen, ink and watercolor, on tracing linen, 24 in. x 25 1/2 in., framed. $1800/2500 Note: Captain Whipple, Assistant Adjutant General, USA, to whom the map is inscribed, was attached to Colonel Hunter’s Division during the Manassas campaign and took part in the first battle of Bull Run. A similar copy map, also inscribed by Cram, is conserved by the Library of Congress.

812. Rudolph T. Lux Porcelain Cabinet Plate of Judah P. Benjamin, 1861, underside signed and inscribed: “Painted & Gilded / By / Rudolph T. Lux / N. Orleans La / April 1861”, and decorated with 8 stars representing the 8 states of the Confederacy; retains Earle D. Vandekar paper label, dia. 7 in. $1000/1500

813. [Civil War Broadside Map of Mississippi], “Panorama of the Mississippi Valley and its Fortifications”, c. 1863, by Charles Magnus, New York, hand‑colored map with vignettes of St. Louis, Memphis, Vicksburg and New Orleans, 23 1/2 in. x 25 in., framed. $700/1000

814. General P.G.T. Beauregard Autograph, clipped autograph, “Yours very truly / G.T. Beauregard / New Orleans, March 27, 1880”, framed together with a hand‑colored engraving, sight 5 in. x 4 in. $400/600

815. Seventeen Metal Military Emblems, 19th c. and later, incl. pair of American cast‑brass Naval shields, a belt buckle, shield; 10 pressed brass emblems with German mottos; and 3 British emblems, the largest 9 in. $500/700

816. A Victorian Carte de Visite Album of Notables, 19th c., tooled and gilt leather, all edges gilt, brass clasps, with more than 150 albumen photograph and lithograph CDVs, mostly notables incl: writers, royalty, Civil War officers, politicians, each numbered, with a manuscript index, 9 in. x 7 1/4 in. x 3 in. $500/700

817. Five Antique Color Lithographs of Civil War Naval Battle Scenes, published by Kelly, Piet & Co. lithographed by A. Hoen & Co., Baltimore, sight 5 1/2 in. x 8 3/4 in., framed alike. $400/600

Additional information at www.nealauction.com

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818. Cowles, Calvin/Editor, Plates 90, 106, 172‑175, from An Atlas to Accompany the Official Records of the Union and Confederate Armies,

Washington: Government Printing Office, 1891‑95, color lithographs by J. Bien, NY, with two maps, and four plates showing uniforms, armaments, flags, and transportation, sheet 18 1/4 in. x 29 1/4 in. $600/900

819. Collection of Books and Pamphlets on Confederate Medicine, incl: Wyeth. With Sabre and Scalpel, 1914; Daniel. Recollections of a Rebel Surgeon 1899; Regulations for The Medical Department of the Confederate States Army, Richmond, Ritchie & Dunnavant, 1861; Chisolm. A Manual of Military Surgery, for the use of Surgeons in the Confederate Army..., Richmond, West & Johnston, 1861; Warren. An Epitome of Practical Surgery, for Field and Hospital, Richmond, West & Johnson,

1863; and others. $600/900

822. [Two Antique Maps of California], incl: “Map of Oregon and Upper California From the Surveys of John Charles Fremont”, Washington City, 1848, small format; and “Sketch of General Riley’s Route through the Mining Districts, July and Aug. 1849”; 19 in. x 16 1/2 in. and 21 in. x 19 in. $700/1000

820. [Civil War Map], “Stanford’s Map of the Seat of War, Sheet No. 3”, 1861, London, Edward Stanford, hand‑colored in outline, dissected map, linen backed, bound to covers (front loose), scarce map from Stanford’s four sheet map of the Civil War, 25 1/2 in. x 21 1/2 in. $500/700 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

823. [Four Antique Maps of California], incl: “From San Francisco Bay to the Plains of Los Angeles”, 1854 & 1855; “...San Joaquin, Sacramento and Tulare Valleys...”, 1873; “...

Western Coast... San Francisco to San Diego”, 1852; “Chart of the Sacramento River from Suisun City to the American River California”, 1850; and others, largest 28 in. x 35 in. $700/1000

824. [Five Antique Maps of New Mexico], incl: “Sketch of Public Surveys of New Mexico”, 1862; “Archaeological Map of Pajarito Park”, 1900; “Sketch of Public Surveys...”, 1861; “Territory of New Mexico”, 1886, linen backed; “Territories of New Mexico and Utah”, Colton, 1855; “Map, No.4,...Fort Smith and Santa Fe Route”, Lieu. Simpson, 1849; and others, 29 in. x 24 in. to 10 3/4 in. x 19 1/2 in. $700/1000

826. Southern Folk Art, 20th c., “The Great Steamboat Race between the Robert E. Lee and the Natchez in the Summer of 1870”, watercolor on paper, unsigned, titled lower right, 22 in. x 28 in., framed. $200/400

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821. [Five Antique Maps of Texas], incl: “Map of the United States and Texas Boundary Line...”, 1857‑1860 (1902); “Map of a Tour from Independence...by A.Wislizenus, in 1846 and 1847”; “N.W. Corner & Pan‑Handle”, Hardesty & Co., 1885; “Map of the Black and Grand Prairies of Texas...”, Robert Hill, 1899; and a map, in Czech, showing Czech populations in Texas, 16 in. x 13 1/2 in. to 26 in. x 39 1/2 in. $600/900

825. [Antique Map of the Mississippi]. “U.S. Coast and Geodetic Survey, Progress of the Triangulation of the Mississippi River Delta to Memphis”, colored lithograph by J.Bien, NY, 1879, 26 1/4 in. x 22 1/2 in., framed. $700/1000

827. Everett B.D. Julio (British/ Louisiana, 1843‑1879, act.

New Orleans 1870‑1878), “Portrait of a Bearded Man in a Turban”, 1875, oil on canvas, signed and dated lower right, 24 in. x 19 3/4 in., original frame. $2000/3000 Provenance: Descended in a Louisiana and New England family.

828. American Theorem Painting, 19th c., “A Pair of Urns with Floral Bouquets and a Butterfly”, watercolor on velvet, unsigned, sight 20 1/2 in. x 31 1/4 in., framed. $1200/1800

829. Currier and Ives/Publishers, “Gold Mining in California” and “The Old Oaken Bucket”, 1871 and 1872, 2 hand‑colored lithographs, small folio, sights 13 1/2 in. x 14 1/2 in., framed alike. $800/1200

831. Two Antique American Swords, incl: Model 1860 cavalry saber with scabbard, and a Model 1862 staff and field officer’s sword, marked “Schnitzler, Solingen, A & A”, with scabbard, longest 42 in. $300/500

830. James Turnbull (American, 20th c.), “Cotton Pickers”, c. 1940, lithograph on paper, unsigned, sight 9 in. x 12 1/2 in., framed. $200/400 Provenance: Harco Gallery, Columbus, MO, 1998.

832. Model 1840 Cavalry Saber, imported, marked “R & C”, with scabbard, l. 40 1/2 in. $150/300 Provenance: Rosedown Plantation.

833. Confederate Potts‑Type Bowie Knife/ Bayonet, 19th c., clipped‑point blade, brass double‑looped quillon, length 17 1/4 in. $1200/1800

834. Frank Leslie’s Illustrated Newspaper, incl. “Louisiana ‑ The Carnival in New Orleans...”, Mar. 9, 1872, and “Louisiana ‑ Arrival and Reception of King of Carnival”, 15 3/4 in. x 21 in., framed alike. $500/700

835. [Civil War/ La Cause Perdue], Pollard, Edward. La Cause Perdue, Histoire de la Guerre des Confederes..., Nouvelle Orleans, La Renaissance Louisianaise, 1867, translation by Jules Noblom, 1/4 leather, with portrait plates and maps. $250/350

836. [Napoleon], De Norvins, Jacques Marquet. Histoire de Napoleon, Paris, Furne, Jouvet, 1868, octavo, 3/4 leather and marbled boards, with numerous illustrations, some hand‑colored. $300/500

837. [Ursuline Convent, New Orleans], L’Exposition Universelle de 1867 Illustree, Paris, 1867, folio, with 60 parts, 976 pages, numerous illustrations, 1/4 leather, bookplate of Ursuline Convent. $300/500

838. [Fur Trade], Morgan, Dale L./Editor. The West of William H. Ashley, The international struggle for the fur trade of the Missouri, the Rocky Mountains...1822‑1838, Denver, Old West Publishing, 1964, number 37 of 250 copies, signed by the author, three‑quarter leather, folio, with original slipcase. $600/900

839. [Fine Bindings], Laurence Sterne. The Life and Works of Laurence Sterne, New York, J.F. Taylor & Company, 1904, 12 volumes, octavo, three‑quarter leather, #101 of 150 sets of the Stonegate Edition. $600/900 Additional information at www.nealauction.com

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840. American Forty‑Six Star Flag, Signed by the Members of Second Regiment, Louisiana Volunteer Infantry, 1908, printed colors on silk, with manuscript signatures, in ink, of 27 members of the 2nd LA Volunteer Infantry, including Colonel Elmer E. Wood, 11 in. x 18 in., two‑sided glass frame. $1500/2500 841. Group of Twenty‑Six Antique French Maps, from Atlas National Illustre, hand‑colored in outline, showing the people, products and sights of various departments, image 11 in. x 15 3/4 in., matted. $600/900

842. Two Antique Child’s Dresses, probably Caribbean area, 19 in. x 27 in. and 22 1/2 in. x 24 1/2 in., each framed. $250/350

843. Edward Chalmers Leavitt (American, 1842‑1904), “Still Life of a Basket of Raspberries”, 1899, oil on canvas laid down on board, signed and dated lower right, 23 3/8 in. x 26 1/4 in., period frame. $500/700

845. Antique American Wool and Linen Jacquard Coverlet, beige ground with navy geometric motif, 90 x 74 in. $300/500

844. Rachel Hartley (American, 1884‑1959), “Florida Sunset”, c. 1935, oil on canvas, signed lower right, estate stamp on stretcher, 24 in. x 20 in., framed. $800/1200

846. Chitimacha Single Weave Bowl‑Shaped Basket, probably Ada Thomas (1924‑1992), red, yellow, black and natural cane, h. 5 in., w. 10 in., d. 9 in. $1000/1500 Provenance: Emily Cyr Bridges, Albania Plantation, Jeanerette, LA, 1987.

847. American (New Orleans) Commemorative Statuette of Andrew Jackson, late 19th c., cast zinc with cold‑painted face and hands, h. 13 3/4 in., w. 4 1/2 in., d. 4 1/2 in. $1000/1500

848. [Northwest Coast Masks], Gary Peterson (Canadian/Kwakwaka’wakw, 20th c.), “Ghost Mask”, “Wild Man Mask”, “Stump Mask” and “Gary Peterson, Jr. Mask”, late 20th c., carved and polychromed wood, cedar bark, hair, each signed and titled, largest 16 in. x 21 in.; together with George Matilpi (Canadian/Kwakiutl, b. 1950), “Seal”, carved wood plaque, signed 8 in. x 8 1/2 in., (5 pcs.) $800/1200

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849. Chitimacha Single Weave Bowl‑Shaped Basket, red. black and natural cane, “Broken Plaits” pattern, h. 4 in., dia. 7 1/2 in. $500/700 850. Collection of Six Riding Crops, incl. one with Tiffany sterling silver collar, one branch with entwined silver snake mount, and others, longest 29 1/2 in. $300/500

851. Rare Cut Copper “J.G. Kilbourne, No.” Cotton Stencil with Wood Handle, h. 12 1/4 in., w. 29 1/2 in. $800/1200 Provenance: “Bonnie Burn” House, Clinton, East Feliciana Parish, LA, owned by planter, jurist, Louisiana legislator and Confederate Captain James Gilliam Kilbourne (Mississippi/Louisiana, 1828‑1893); descended in the family; Nan Dennard Kilbourne, East Feliciana Parish, LA.

852. French Carved and Polychromed Wood Folk Art Figure, 1888, modeled with articulated arms, metal hat visor and brass‑tack buttons, base inscribed “Japonai. Par./ Franciere à Courcelles Epayelle 1888”, h. 25 1/2 in., w. 9 3/4 in., d. 7 1/2 in. $1000/1500 Provenance: Ex‑Florida Collection.

853. Edward Sheriff Curtis (American, 1868‑1952), “Chief Hector‑Assiniboin”, Plate 629, photogravure, from The North American Indian, Suffolk Engraving Co., Cambridge, MA, 1926, image 11 1/2 in. x 15 1/2 in., sheet 21 3/4 in. x 18 in., framed. $1000/1500

854. George Ohr Art Pottery Vase, c. 1883‑1898, impressed mark, squat baluster form with green and blue speckled glaze, h. 3 1/2 in., dia. 3 3/4 in. $1200/1800

856. Newcomb College Art Pottery Vase, c. 1940, decorated by Aurelia Arbo with an abstract swirl design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Francis Ford’s potter’s mark, and reg. no. Z73, h. 4 1/4 in. $600/900

857. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with relief‑carved Deco stylized foliage design, matte glaze with blue, green, and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no.

TB85, and shape no. 09, h. 5 1/2 in. $600/900

858. Newcomb College Pokerwork Brass Dresser Box and Lamp Shade, c. 1919, box with flowers and leaves, h. 2 5/8 in., w. 6 in., d. 6 in.; shade with mythical beasts, h. 3 3/4 in., w. 4 3/4 in., d. 4 3/4 in. $500/800 Provenance: Estate of Bernice Thrall Switzer (act. Newcomb, 1917‑1919); Private Collection.

855. George Ohr Art Pottery Vase, c. 1883‑1898, impressed mark, baluster form with ringed neck and pinched rim, plum and blue glaze, h. 4 1/4 in. $1000/1500

859. Near Pair of American Aquamarine Glazed Pottery Urns, c. 1925, attr. to Galloway Terracotta Co., Philadelphia, h. 25 in., w. 13 in., d. 10 1/2 in. $1200/1800 Provenance: Thomas K. Libby, Stamford, CT.

860. Alexander John Drysdale (American/New Orleans, 1872‑1934), “Winding Road, Louisiana”, 1922, oil wash on board, signed and dated lower right, “Farish Art Store, New Orleans” label en verso, 24 in. x 18 in., framed. $2000/3000 861. William Tolliver (American/Louisiana, 1951‑2000), “Resting along a Winding Road, Rural Mississippi”, c. 1983, oil on canvas, signed lower left, 24 in. x 36 in., framed. $3000/5000 Additional information at www.nealauction.com

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862. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Cypress Trees and Lone Live Oak Tree, Louisiana Bayou”, oil wash on board, signed lower left, “Marx Art Store, New Orleans” label en verso, sight 19 3/4 in. x 29 1/2 in., period frame. $2500/3500

863. Charles Oglesby Longabaugh (American/New Orleans, 1885‑1944), “Lafitte Smithy, Old New Orleans”, watercolor, signed and inscribed “New Orleans” lower left, signed and titled on mat board, sight 6 in. x 7 in., framed. $800/1200

Provenance: Descended in a Louisiana and New England family.

864. Clarence Millet, A.N.A. (American/ Louisiana, 1897‑1959), “Pirate’s Alley, French Quarter”, oil on canvas board, signed lower left, titled and “Holmes Art Gallery, New Orleans, LA” label en verso, 10 in. x 8 in., framed. $1200/1800

865. Clarence Millet, A.N.A. (American/ Louisiana, 1897‑1959), “Street Corner, French Quarter”, oil on canvas board, signed lower left, “Holmes Art Gallery, New Orleans, LA” label en verso, 10 in. x 8 in., framed. $1200/1800

866. Clyde E. Horton (American/ Charleston, mid‑20th c.), “Church Street, Charleston”, 1947, watercolor, signed and dated lower left, titled lower right on mat board, “Newman Galleries, Philadelphia” label en verso, sight 8 in. x 5 1/4 in., framed. $800/1200

867. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Patio, Little Theatre, French Quarter, New Orleans”, oil on canvas board, signed lower left, signed and titled en verso, 20 in. x 16 in., framed. $1000/1500 868. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Creole Courtyard in Vieux Carré, New Orleans, LA”, 1928, oil on board, signed and dated lower left, signed, titled and dated en verso, 19 3/4 in. x 16 in., period gilt frame. $3000/5000

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869. Charles Oglesby Longabaugh (American/New Orleans, 1855‑1954), “Bayou Fishermen, near New Orleans”, 1942, watercolor, initialed and dated lower right, pencil‑signed and titled on mat board, artist’s label with title en verso, sight 6 in. x 7 in., framed. $700/900

870. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Lone Oak, Louisiana Bayou”, 1933, oil wash on board, signed and dated lower right, sight 29 1/2 in. x 19 1/2 in., original frame. $2500/3500 Provenance: Crozat Family, New Orleans, LA.

872. James Lamantia (American/New Orleans, 1923‑2011), “Windy Landscape”, 1965, oil on canvas board, signed and dated en verso, 16 in. x 20 in., framed. $700/1000

871. Robert W. Wood (American/Texas, 1889‑1979), “In the Rockies”, oil on canvas, signed lower left, titled on frame plaque, 24 in. x 20 in., original frame. $3000/5000

873. George Dunbar (American/Louisiana, b. 1927), “Minimal Series”, gold leaf over red and black clay, signed lower right, 48 in. x 54 in., framed. $20000/30000

874. George Dunbar (American/Louisiana, b. 1927), “Minimal Series”, palladium leaf over black clay, signed lower right, 41 3/4 in. x 48 in., framed. $18000/25000 Additional information at www.nealauction.com

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875. Paul Caranicas (Greek/American, b. 1946), “Versey III”, 1981, oil on canvas, signed and dated lower right, “Fischbach Gallery, N.Y.” label with title en verso, 30 in. x 128 in., unframed, showing detail, $3000/5000

876. William Louis Sonntag, Jr. (American/New York, 1869‑1898), “Fifth Avenue, NYC, between 93rd and 94th Streets”, c.

1886, watercolor and gouache on paper, signed lower right, titled on typewritten labels en verso, 10 3/8 in. x 13 3/4 in., period frame. $1000/1500

878. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Pirogue by the Shore, Louisiana Bayou”, 1933, oil wash on board, signed and dated lower right, sight 5 1/2 in. x 19 1/2 in., framed. $2000/3000 Provenance: Ex-Collection William B. Wisdom, New Orleans.

877. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Still Life of Poppies in a Green Vase”, oil on canvas board, signed lower left, signed, titled and inscribed en verso with “Brown’s Fine Art, Jackson, Mississippi” backing paper, 20 in. x 24 in., framed. $2500/3500 Provenance: Acquired from the artist; thence by descent.

879. James Hussey (American/Louisiana, b. 1931), “Steamboat Natchez Traveling through the Bayou”, 1974, oil on canvas, signed and dated lower right, 22 in. x 28 in., framed. $800/1200

880. Clementine Hunter (American/Louisiana, 1886‑1988), “Wash Day”, oil on board, monogrammed lower right, 18 in. x 24 in., framed. $3000/5000

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881. Marie Therese Bernard de Jaham (American/New Orleans, 1869‑1976), “Peddler with Donkey and Cart”, oil on academy board, signed lower right, 8 in. x 11 in., period gilt frame. $800/1200

882. Clementine Hunter (American/Louisiana, 1886‑1988), “Gift of the Magi”, oil on board, monogrammed lower right, 18 in. x 23 5/8 in., framed. $3000/5000

883. Clementine Hunter (American/Louisiana, 1886‑1988), “I Saved the Ribbon from Christmas”, oil on black paper, signed “Clemance” lower left, pencil‑monogrammed lower right, titled en verso, 12 in. x 9 in., framed. $2500/3500 Provenance: Brooks Herrick, New Orleans; Mississippi Collector, 1971.

884. Harold Rudolph (American/New Orleans, c.

1850‑1884), “Young Creole Gentleman”, 1878, oil on canvas, signed and dated mid‑right, “F.W. Devoe” canvas stencil en verso, 30 in. x 25 in., framed. $1000/1500

885. Louisiana School, late 19th/ early 20th c., “Pirogue by the Shore”, oil on canvas, indistinctly signed lower left, “Buckingham & Moak, Utica, N.Y.” label en verso, 12 in. x 16 in., period frame. $800/1200

886. Julius Robert Hoening (German/Louisiana, 1835‑1904), “Agatha Emile Foret, second wife of Pierre Adolphe Ducros”, 1867, oil on board, signed and dated lower right, labels identifying sitter and provenance en verso, 14 in. x 11 in., framed. $700/900

887. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Louisiana Landscape with Live Oak, Figures and Cabin”, oil on canvas, signed lower left, 8 in. x 10 in., framed. $600/900

889. Clementine Hunter (American/Louisiana, 1886‑1988), “Fishing”, oil on board, monogrammed lower right, sight 14 3/4 in. x 22 7/8 in., framed. $2000/3000

888. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Louisiana Landscape with Live Oak, Bayou and Figures by a Bridge”, oil on canvas, signed lower right, 8 in. x 10 in., framed. $600/900

890. Clementine Hunter (American/Louisiana, 1886‑1988), “Giggin’ Frogs”, oil on canvas board, monogrammed lower right, pencil drawings and inscribed en verso, 14 in. x 18 in., framed. $1500/2500 Additional information at www.nealauction.com

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891. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Swamp Idyl”, 2 oils on canvas board, each signed lower left, each signed, titled and stamped “The Little Gallery, 622 Rue Royal, NOLA” en verso, each 24 in. x 10 in., framed alike. $1500/2500

892. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Swamp Idyl (Louisiana Swamp Bayou Country)”, 1955, oil on canvas, signed lower left, signed, titled, dated and inscribed “Painted on Good Friday” en verso, 30 in. x 24 in., period cypress frame. $500/800

894. Dr. Helena Maas (American/New Orleans, late 19th c.), “Uncle Rastus, New Orleans, La.”, oil on canvas, signed lower right, titled, “New Orleans” canvas stencil and “H.C.F. Kock & Co., Pictures, Picture Frames, New York” label en verso, 12 in. x 10 in., original gilt frame. $2000/3000 Provenance: Catchings Collection, Cary, NC; Private Collector.

893. Dr. Helena Maas (American/New Orleans, late 19th c.), “Woman with a Basket by the Old Barn and Live Oak Tree”, oil on canvas, signed lower right, “H.C.F. Kock & Co., Pictures and Picture Frames, New York” label en verso, 9 in. x 20 in., original gilt frame. $2000/3000 Provenance: Catchings Collection, Cary, NC; Private Collector.

895. Dr. Helena Maas (American/New Orleans, late 19th c.), “Male Cotton Picker on Path between a Cotton Field and Louisiana Bayou”, oil on canvas, signed and inscribed “New Orleans” lower right, “H.C.F. Kock & Co., Pictures, Picture Frames, New York” label en verso, 12 in. x 10 in., original gilt frame. $2500/3500 Provenance: Catchings Collection, Cary, NC; Private Collector.

897. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Jacksonville, Florida”, watercolor on paper, signed and titled lower left, 19 1/2 in. x 12 1/4 in., framed. $600/900

898. American Federal Inlaid Mahogany Games Table, early 19th c., foldover top, baize playing surface, plum pudding and patera inlay, fluted legs, casters, h. 28 1/2 in., w. 39 in., d. 19 3/4 in. $800/1200

142

896. Rolland Harve Golden (American/New Orleans, b. 1931), “Cabin in the Woods”, 1957, watercolor, signed and dated lower left, sight 18 1/2 in. x 13 in., framed. $1000/1500

900. American or French Restauration Mahogany Dressing Table, c. 1830, mirror with scroll supports, original dished white marble top, ogee frieze drawer, scrolled supports, stretcher shelf, h. 56 in., w. 32 7/8 in., d. 16 5/8 in. $500/800

899. American Classical Carved Mahogany Méridienne, c. 1830, Philadelphia, shaped back, scrolled arm, foot with secret compartment, carved seat rail, casters, h. 32 in., w. 70 in., d. 23 1/4 in. $800/1200 Provenance: By repute Harrisburg, PA Governor’s mansion; Temple Heights, Columbus, MS.

901. Monumental American Renaissance Carved Walnut Bookcase, 19th c., flared cornice, glazed doors, adjustable shelves, plinth base with drawers, h. 107 in., w. 197 in., d. 23 in. $3000/5000 Provenance: Ex‑Collection Judge John Minor Wisdom, sold to benefit Hermann‑Grima/Gallier Historic Houses.

902. American Rococo Carved and Grained Rosewood Armoire, c. 1850, probably by purveyor Prudent Mallard, New Orleans, shaped crest centering a cabochon cartouche, flared, beaded cornice, mirrored door with applied scrolls, carved pilasters, base with blind drawer, scrolled bracket feet, h. 113 1/2 in., w. 59 in., d. 24 7/8 in. $2500/3500 Provenance: Olivier/ Gardere Bedroom Suite, sold at Neal Auction Company, New Orleans, Louisiana, December 1995. By family repute purchased from Prudent Mallard by Cesaire Olivier for his Esplanade Avenue home, and later used at the Olivier‑Gardere family’s Solitude Plantation.

903. American Classical Carved and Inlaid Mahogany Sofa, c. 1830, New York, paneled and scrolled crest rail, scrolled arms, paneled seat rail, cornucopia bracketed paw feet, casters, h. 38 1/2 in., w. 87 in., d. 24 in. $1200/1800

904. American Classical Carved Mahogany Four Post Bed, early 19th c., shaped headboard, acanthus carved cylindrical crest, pineapple, acanthus and reeded posts, brass cuffs, straight rails, h. 90 in., l. 71 1/2 in., w. 49 1/2 in. $1000/1500

Additional information at www.nealauction.com

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905. Antique American Pine Stepback Cupboard, 19th c., Mid‑Atlantic, 2 doors over 2 doors, medial slide, in old red stain, h. 77 1/2 in., w. 35 5/8 in., d. 19 in. $400/600

906. American Gothic Carved Mahogany Secretary Bookcase, mid‑19th c., stepped cornice, Gothicized glazed doors; foldover writing surface, outset drawer over 2 drawers, flanked by half‑columns, turned legs, ball feet, h. 81 1/4 in., w. 49 in., d. 20 in. $1500/2500

907. American Rococo Carved and Grained Rosewood Center Table, mid‑19th c., shaped marble top, conforming skirt, turned supports, scrolled legs, casters, h. 29 3/4 in., w. 36 in., d. 26 3/4 in. $400/800

908. Thomas Hart Benton (American, 1889‑1975), “Back from the Fields (Louisiana)”, lithograph, signed in plate lower left, pencil‑signed lower right, edition of 250, published by Associated American Artists, sheet 11 7/8 in. x 15 3/4 in., unframed. $1500/2500

909. Thomas Hart Benton (American, 1889‑1975), “Loading Corn”, 1945, lithograph, pencil‑signed lower right, edition of 250, published by Association of American Artists, sight 10 in. x 13 1/4 in., framed. $1500/2500

910. Antique American Cast Iron Horse’s Head, 19th/20th c., h. 24 1/2 in., presented on a carved mahogany pedestal, overall h. 58 in., w. 15 1/4 in., d. 15 1/4 in. $500/800

911. Antique American Carved and Polychromed Wood Rooster, 19th/20th c., h. 22 in. $700/1000

912. Antique American Copper Cauldron, 19th c., with wrought iron handle, h. 21 1/2 in., dia. 28 1/2 in. $200/300

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913. Large Iron Ladle, 19th c., long handle impressed “10”, l. 42 in. $150/250

914. Antique Continental Tôle Peinte Kettle‑on‑Stand, 19th c., mustard ground with cottage vignettes, kettle h. 11 1/2 in.; stand, h. 5 1/2 in.; together with black tôle tea caddy, h. 5 3/4 in., (3 pcs.) $500/750 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

915. American Schoolgirl Needlework Sampler, “Rural Contemplation”, 19th c., scene with a seated lady in a landscape, period gilt frame; framed: 25 1/2 in. x 23 in. $400/600

916. Pair of American Gilt Brass and Glass Whale Oil Lamps, c. 1850, probably Sandwich, clambroth fonts cut in a waffle design, back-cut prisms, gilt standard with matte and burnished surfaces, marble base, h. 15 in., with engraved hurricane shades, h. 23 in., dia. 9 1/4 in. $700/1000

917. American Gilt Metal Figural Solar Lamp, c. 1850, marked “Cornelius & Baker/Philadelphia”, classical female figure on a stepped marble base, cut‑glass shade with waffle and pinwheel design, h. 28 in., dia. 8 1/2 in. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 166.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

919. American Gilt Bronze Figural Sinumbra Lamp, c. 1855, attr. to Cornelius & Baker, Philadelphia, caryatid standard, stepped marble base, h. 33 1/2 in., dia. 10 3/4 in. $1200/1800

918. Pair of American or English Gilt Bronze and Marble Two‑Light Gas Sconces, 19th c., vasiform standard, urn finial, foliate arms, etched shades, electrified, h. 22 in., w. 19 in., d. 15 in. $1500/2500

920. Pair of American Gilt Bronze Four‑Light Gasoliers, 19th c., foliate canopy, rope‑form supports with grapevines, extensively cast with reticulated foliate motifs, lion and grotesque masks; portrait busts, h. (to canopy) 55 in., dia. 37 in., with 36 in. extensions. $3000/5000 Provenance: This pair of gasoliers was part of the original furnishings of the Josie Arlington Mansion on Esplanade Avenue, now moved to 2863 Grand Route St. John. Josie Arlington (1864‑1914) owned the most opulent and notorious “sporting house” in New Orleans’ famed Storyville.

922. Antique American Gilt and Wrought Iron Jardinière, hanging basket on adjustable stand with pineapple finials, h. 45 in., w. 52 in., d. 21 in. $300/500

923. American Cast Iron Figural Hitching Post, late 19th c., attr. to Wood & Perot, Philadelphia, in the form of a youth on a cotton bale, h. 44 in., w. 16 in., d. 16 in. $500/800

921. American Brass Hall Lantern, early 20th c., scrolled supports, etched shade, and smoke bell, electrified, h. 67 in., dia. 16 in. $800/1200

924. American Cast Iron Figural Hitching Post, late 19th c., attr. to Wood & Perot, Philadelphia, in the form of a youth on a cotton bale, h. 44 in., w. 16 in., d. 16 in. $500/800 Provenance: Temple Heights, Columbus, MS. Additional information at www.nealauction.com

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926. American Classical Carved Giltwood Pier Mirror, molded pediment, églomisé panel depicting a house on a hill, possible an early view of Mt. Vernon, old mirror plate, flanked by fluted and carved columns, h. 31 in., w.

18 in. $500/800

925. A Set of Six Cast Iron Garden Chairs, each cartouche‑form back centered by an oval with scroll decoration, circular seat, cabriole legs. $1500/2500

927. American Classical Carved Mahogany Mirror, mid‑19th c., molded pediment over figured panel, old mirror plate flanked by reeded half‑columns, h. 44 in., w. 23 3/4 in. $400/600

928. Late Georgian Inlaid Mahogany and Oak Tall Case Clock, early 19th c., dial signed “Peter Booth, Dukenfield”, with a scene of a hunter and his dogs, broken arch bonnet top, pendulum door with bird inlay, h. 93 in., w. 23 in., d. 9 1/2 in. $1000/2000 Provenance: Whitehall, Chapel Hill, NC.

929. American Federal Inlaid Mahogany Piano Forte, early 19th c., John Geib & Son, New York, rectangular case, geometric inlaid banding, paneled maple interior, shaped stretcher shelf, square tapered legs, casters, h. 35 1/2 in., w. 66 in., d. 24 3/4 in. $2500/3500 Provenance: Israel Sack, Inc., NY; Northeast Auctions, Portsmouth, NH, Aug. 3, 2002, lot 737.

930. Two Tiffany Sterling Silver Repoussé Covered Vegetable Tureens, pattern introduced 1882, with reeding and bands of floral and scroll repoussé on stippled ground, h. 6 3/4 in., w. 10 3/4 in., and h. 4 3/4 in., w. 9 in., combined wt. 54.90 troy ozs. $2000/3000

931. American Classical Coin Silver Tea Service, Harvey Lewis, Philadelphia, wc.

1802-1830, anthemion border, Bacchus mask and vintage banding, teapot, covered sugar, creamer and waste bowl, teapot h. 8 1/2 in., total wt. 70.25 troy ozs. $4000/6000

146

932. American Classical Coin Silver Creamer, Garrett Eoff, New York, wc.

1801-1845, bun feet, monogrammed, urn-form, applied flower and pomegranate, h. 5 3/4 in., wt. 11.50 troy ozs. $400/600

933. American Aesthetic Silverplate Tea Service, Adelphi Silver Co., New York, act. c. 1890‑1910, incl. 2 teapots, jug and square tray, teapot h. 7 7/8 in. and 7 3/8 in., tray w. 16 3/4 in. $300/400 Provenance: Temple Heights, Columbus, MS.

934. Set of Four Silverplate Wine Coasters, each with turned hardwood base and silvered button, ornate scallop and shell borders. $250/350

935. George III Sterling Silver Toast Rack, Robert and Samuel Hennell, London, 1810, with double arches, loop handle, h. 4 in., w. 6 1/2 in., d. 4 1/5 in., wt. 6.55 troy ozs. $300/500

936. Pair of Georgian-Style Silverplate Serving Trays, Wallace, acanthus and shell engraved well with openwork carrying handles, l. 28 3/4 in. $600/900 937. Belle Époque Silver Overlay Wine Decanter, ornate vintage decoration and engraved monogram “MH”, associated stopper, h. 6 in. $300/500

938. Partial Set of Louis Philippe Silverplate Flatware, marked “M.D.UNIQUE” with star in rectangle, incl. 8 table forks and 8 table spoons, l. 8 1/4 in. and 8 1/2 in. $250/350 Provenance: Temple Heights, Columbus, MS.

939. American Federal Mahogany Games Table, late 18th/early 19th c., foldover top, frieze drawer, tapered square legs, h. 29 5/8 in., w. 36 in., d. 17 5/8 in. $800/1200

941. American Late Classical Mahogany Footstool, c. 1840, needlework seat decorated with a calico cat resting on a cushion, ogee molded seat frame, turned feet, h. 6 1/2 in., w. 14 1/2 in., d. 12 1/2 in. $200/300

940. American Classical Mahogany Work Table, drop‑leaf top, drawers, pleated silk work basket, turned legs, h. 29 in., w. 18 1/2 in., d. 16 1/2 in. $300/500

942. American Classical Mahogany Secretary‑Bookcase, early 19th c., probably New York, flared cornice, plain frieze, pair of glazed doors with columnar stiles, adjustable shelves, torus‑molded writing drawer, above 2 doors flanked by columns, bulbous disc feet, h. 81 in., w. 40 in., d. 22 in. $1200/1800

943. Large American Carved Walnut Hall Bench, late 19th c., scrolled pediment, reticulated crest, mirror back, scrolled arms, pair of drawers, turned legs, stretcher, h. 100 1/2 in., w. 62 1/4 in., d. 21 1/4 in. $800/1200 944. American Federal Inlaid Mahogany Settee, 19th c., padded back and seat, reeded baluster arm supports and legs, h. 38 in., w. 54 in., d. 22 in. $800/1200 Provenance: Armitage Plantation, Shriever, LA.

945. American Classical Cherrywood and Maple Chest, 19th c., outset drawer over graduated drawers flanked by colonnettes, tall turned feet, h. 47 1/2 in., w. 43 in., d. 22 3/4 in. $700/900 Additional information at www.nealauction.com

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946. Antique Southern or West Indies Cabinet, early 19th c., molded cornice, pair of paneled doors, shelf interior, molded base, blocked feet, h. 43 3/4 in., w. 27 1/4 in., d. 19 1/4 in. $500/750 Provenance: Noted Louisiana antiquarian Coerte Voorhies.

947. Pair of American Classical Carved Mahogany Tall Post Beds, early 19th c., probably New Orleans, each with scrolled paneled headboard centered by a fan, chamfered posts, conforming shaped rails, h. 91 1/2 in., l. 76 1/2 in., w. 43 1/2 in. $2000/3000

948. American Bronze‑Mounted Cut‑Glass Solar Lamp, c. 1860, red cut‑to‑opalescent standard in a keyhole design, with gilt motifs, stepped marble base, floral cut shade, prisms, h. 24 in., dia. 7 in. $700/1000

949. American Gilt Bronze Three‑Light Argand Chandelier, mid‑19th c., fluted urn font with flame finial and oak leaf band, suspended by cast chains from floral mounts, cut‑glass shades, h. 25 in., dia. 17 in. $1800/2500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 195.

950. Pair of American Silvered Tôle Carriage Lamps, 19th c., floral decoration, beveled glass panes, h. 30 in., w. 8 in., d. 8 in.; together with another carriage lamp with eagle finial. $1000/2000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

953. Victorian Cobalt Faceted Glass Scent Bottle, late 19th/early 20th c., with repoussé mounts, l. 4 in. $200/400

951. Pair of Antique Louis XV‑Style Gilt Bronze Four‑Light Candelabra, late 19th c., central candlecup with removable flame finial, h. 21 3/4 in., dia. 12 in. $500/750 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

148

952. Bohemian Amber and Ruby Flashed and Cut Glass Footed Vase, 19th c., with floral decorated panels, h.

14 1/8 in. $200/300 Provenance: Temple Heights, Columbus, MS.

955. American Federal Inlaid Mahogany Dressing Mirror, mid‑19th c., shield‑shape mirror, scrolled supports, serpentine base with three drawers, shaped bracket feet, h. 22 1/4 in., w. 18 in. $300/500 954. Six Anglo‑Irish Cut Glass Decanters, 19th/20th c., of various bell‑shape and faceted forms, tallest h. 10 3/4 in. $200/300 Provenance: Temple Heights, Columbus, MS.

957. Napoleon III Gilt Bronze Figural Mantel Clock, mid‑19th c., urn‑mounted case flanked by pair of opposing female busts, incurvate base centering a lion masque, h. 21 1/2 in., w. 17 1/4 in., d. 9 1/4 in. $700/1000

956. Dutch Neoclassical‑Style Marquetry Mirror, 19th c., molded cornice, overall flowering vine inlay, h. 41 in., w. 23 1/2 in. $500/1000

958. Beaux Arts Gilt Bronze Cartel Clock in the Louis XVI Taste, c. 1900, enameled dial with cobalt Roman numerals, h. 22 in., w. 11 in., d. 4 1/2 in. $800/1200

Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

959. Walter Launt Palmer (American, 1854‑1932), “View of the Lake with Dock and Row Boat”, 1889, oil on canvas, monogrammed and dated “Aug 31 1889” lower left, 13 1/2 in. x 10 in., framed. $3000/5000 Note: As the son of a well-known sculptor, Walter Launt Palmer was exposed to the arts from a young age. Among his father’s circle of friends was Frederic Church (18261900), one of the leading American landscape painters of the day, who took the young Palmer as a pupil.

Under Church’s tutelage, Palmer gained a keen understanding of the richness and beauty of nature and how to capture its splendor in oil and watercolor.

960. Alexander Robinson (American, 1867‑1952), “Venetian Canal Scene”, watercolor and gouache on paper, signed lower right, 25 1/4 in. x 19 1/4 in., framed. $800/1200

961. Emilio Sanchez‑Perrier (Spanish, 1855‑1907), “The Path by a Grove of Trees”, oil on canvas, signed lower right, 17 in. x 24 in., framed. $6000/8000 Provenance: Dr. Edward J. Gonczy, M.D., Hillside, NJ, acquired New York, c. 1955; thence by descent.

Note: Emilio Sánchez-Perrier studied at the School of Fine Art in Seville and the San Fernando School of Art in Madrid before moving to Paris in 1880, where his works were greatly influenced by the Barbizon School and subsequent Impressionists, while studying under the artists Félix Ziem and Auguste Boulard.

The influence of these styles is clearly visible in the majestic landscape offered here. The composition is distinctly Barbizon in its predilection of the plein air study of natural scenery over the Neoclassical tradition that painted indoors as backdrops for dramatic events. Here, the drama is nature; the focal point, much like in the work of Barbizon artist Rousseau, is a grove of craggy trees accentuated by a path “less traveled” along a mountain hollow. In lieu of Barbizon reverse lighting (darker foreground offset by a luminescent background), Sánchez-Perrier plays upon the airier palettes of the Impressionists, visible in the cerulean blue of the sky and the painterly rendering of the lavender flowers as purple dots in a field of Siena brush, to capture the same hazy atmospheric perspective as the Barbizon painters.

Additional information at www.nealauction.com

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963. Gustave Cimiotti (American, 1875‑1969), “Screen of Trees”, oil on canvas, signed lower left, signed and titled en verso, 30 in. x 40 in., framed. $1200/1800

962. Giuseppe Cadenasso (Italian/California, 1858‑1918), “Coming Storm”, oil on canvas, signed lower left, “Stix, Baer and Fuller, St. Louis, Art Galleries”, artist and title labels en verso, 20 1/4 in. x 32 3/4 in., period frame. $2000/3000

964. Theodore Tihansky (American/Maine, 20th c.), “Monhegan Island, Maine”, oil on canvas, signed lower right, 48 in. x 72 in., unframed. $4000/6000

965. Albert Lynch (Peruvian/French, 1851‑1902), “Femme á l’Éventail”, late 1890s‑1900, oil pastel on canvas, signed upper right, 40 in. x 32 in., original frame. $2500/3500

967. Dutch School, 19th c., “Gentlemen Playing Cards and Smoking Pipes”, oil on wood panel, unsigned, 9 7/8 in. x 13 1/8 in., framed. $2500/3500 966. Continental School, 19th c., “Crucifixion”, oil on wood panel, signed and dated “?? van Torley...” lower right, label with title and inscribed” en verso, 18 in. x 11 3/4 in., framed. $1000/1500

968. Dietz Edzard (German, 1893‑1963), “Tête d’une Danseuse”, 1961, oil on canvas, signed lower left, signed, dated, titled and stamped “The Paris American Art C[lub]” on stretcher, 16 1/4 in. x 13 in., framed. $1500/2500 Provenance: A Shreveport, LA Collector.

150

969. Albert Matignon (French, 1869‑1937), “Boats in a Harbor”, oil on panel, signed “A. Matignon” lower left, artist biography en verso, 7 3/8 in. x 10 1/4 in., period frame. $700/1000

971. Large Antique Carved Alabaster Portrait Plaque of a Young Girl, monogrammed “CG” and dated “1872”, sight (oval) 30 1/2 in. x 24 1/2 in., carved walnut frame, overall h. 38 in., w. 32 in., d. 3 1/2 in. $500/800

970. Paris Polychrome and Gilt Porcelain Amphora Vase, 19th c., with figural and landscape reserves, gilt scroll handles with mask medallions, h. 17 1/2 in., mounted as a lamp, h. (to top of finial) 32 1/2 in. $800/1200

972.

Continental Gilt Bronze‑Mounted Console in the Classical Taste, 19th c., black marble top, cove‑molded frieze with blind drawer, scrolled supports, incurvate plinth, bracket feet, h. 35 1/2 in., w. 40 in., d. 16 1/4 in. $700/900

973. Louis XVI Crème Peinte Fauteuil, late 18th c., oval back, padded arms, conforming oval seat, stop‑fluted square tapered legs. $700/1000 Provenance: Acquired from Bremermann Designs, New Orleans.

974. Pair of Neoclassical‑Style Bronze Doré Guéridons, inset marble top, reeded frieze, griffin-mounted cabriole legs, paw feet, X stretchers, h. 26 3/4 in., dia. 12 1/2 in. $3000/5000

975. Louis XVI‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Tric-Trac Table, 19th c., foldover swivel top, floral reserve, fitted drawer, shaped apron, cabriole legs, h. 28 1/2 in., w. 31 1/2 in., d. 23 in. $700/1000 Additional information at www.nealauction.com

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976. Antique Empire‑Style Mahogany and Bronze‑Mounted Sécrétaire à Abattant, blocked frieze, fall front lid, fitted desk interior, three drawers flanked by columns, blocked base, ball feet, h. 49 3/4 in., w. 41 3/8 in., d. 23 1/4 in. $700/1000

977. Pair of Faux Marbre Pedestals, 20th c., shaped tops, fluted Corinthian columns, square bases, h. 41 in. $400/600 Provenance: Robert James Walsh & Company, Windsor, VT.

978. Louis XV/XVI Pine and Oak Buffet á Deux Corps, late 18th c., Normandy, arched cornice, frieze with floral reserve and rope molded panels, arched floral carved doors now fitted with glass, lower case with conforming paneled doors, fluted center stile, sunflower carved skirt, leaf carved cabriole legs, h. 83 in., w. 52 1/2 in., d. 18 1/2 in. $1500/2500 Provenance: Whitehall, Chapel Hill, NC.

979. Louis XVI‑Style Parquetry and Gilt Bronze‑Mounted Side Table, probably early 20th c., frieze drawer, stop‑fluted legs, h. 29 3/8 in., w. 36 1/4 in., d. 22 1/4 in. $300/500

980. Hunt Slonem (American/Louisiana, b. 1951), “Witness”, 1998, oil on canvas, signed, titled and dated en verso, 60 in. x 72 in., unframed. $7000/10000

981. Robert Gordy (American/New Orleans, 1933‑1986), “Urns, Lemons and Females”, 1966, oil on canvas, unsigned, titled and dated en verso, dia. 32 1/2 in., unframed. $1000/1500 Exh.: New Orleans Museum of Art, Robert Gordy: Paintings & Drawings: 1960‑1980, 1981.

Ill.: Baro, Gene. Robert Gordy: Paintings & Drawings: 1960‑1980. New Orleans: New Orleans Museum of Art, 1981, p. 24.

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982. Karen Stastny (American/ New Orleans, 20th c.), “Warm, Some Sun”, 2003, acrylic and mixed media on canvas, signed, dated and “Cole Pratt Gallery, Ltd., New Orleans” label with title en verso, 48 in. x 48 in., unframed. $1000/1500

983. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Shapescape”, 1981, color lithograph, pencil‑signed, dated, titled and numbered “63/67” lower margin, sight 51 in. x 38 1/2 in., framed. $700/900

984. Guido Llinás (Cuban/French, 1919‑1999), “Abstraction”, 1959, oil on canvas, signed and dated lower right, signed and dedicated en verso, image 19 in. x 27 3/4 in., unstretched. $1500/2500

986. Sandra Russell Clark (American/New Orleans, b. 1949), “Villa Gamberaia, Italy: Gardens of Reflection Series”, c. 1980s, toned and hand‑colored silver gelatin print, unsigned, 40 in. x 27 in., framed. $2000/3000

985. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Markings”, 1988, color lithograph, pencil‑signed, dated, titled and numbered “75/100” lower margin, sight 26 1/4 in. x 36 1/4 in., framed. $700/900

987. Sandra Russell Clark (American/New Orleans, b. 1949), “Isola Bella, Italy: Gardens of Reflection Series”, c. 1980s, toned and hand‑colored photograph, pencil‑signed and titled en verso, 41 1/2 in. x 29 in., framed. $2000/3000

988. Sandra Russell Clark (American/New Orleans, b. 1949), “Avery Island, LA”, “Garzoni, Italy, 1987” and “The Huntington, CA”, c. 1980s, 3 toned and hand‑colored silver gelatin prints, from the Garden of Reflection series, all pencil‑signed, titled and dated en verso, 2 numbered “2/50” and one “1/25”, 20 in. x 15 1/2 in., 20 in. x 14 in., and 15 in. x 20 in., framed alike. (3 pcs.) $1200/1800 Additional information at www.nealauction.com

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989. Attributed to Mary Cassatt (American, 1844‑1926), “Untitled (Lady in White)”, pastel on paper, initialed “M.C.” lower right, “Adelson Galleries, Inc., New York” label en verso, 22 3/4 in. x 16 in., antique gilt frame. $3000/5000

990. Roy Lichtenstein (American, 1923‑1997), “Hommage à Picasso: Kestner‑Gesellschaft Hannover”, 1973, color offset lithograph, signed lower right, signed and dated in plate mid‑left, sight 3 2 1/2 in. x 22 1/2 in., framed. $700/1000

Provenance: Adelson Galleries Inc., NY, 2006.

991. William Woodward (American/New Orleans, 1859‑1939), “French Quarter Courtyard with a Cistern”, 1937, etching on paper, pencil‑signed lower margin, signed and dated in plate lower right, artist’s biography en verso, sight 10 1/4 in. x 7 1/4 in., framed. $400/600

993. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Study of a Tree”, c. 1890, graphite on sketchbook paper, unsigned, recent pencil‑inscription on mat board identifying artist and date, “Taylor Clark, Paintings, Fine Prints & Framing, Baton Rouge” label en verso, 7 in. x 11 in., framed with brass artist plaque. $500/750

995. Sol Marcus (American, early 20th c.), “Studies of American, English and French Antique Furniture”, 9 graphite on paper works, 2 enhanced with blue pencil, 4 with signatures, all labeled “Marcus Furniture Manufacturing Co., Philadelphia, PA” en verso; together with a vintage silver gelatin print of Chinese Chippendale chairs, 6 in. x 8 in. to 11 in. x 14 in., all framed (4 pcs.) $500/700 Note: Marcus is listed with a workshop for “Antique Reproductions” at 672 North 10th Street, Philadelphia, in the premier issue of Magazine Antiques, Vol. 1, (Feb. 1922), p. 94.

154

992. Clarence Millet, A.N.A. (American/ Louisiana, 1897‑1959), “Arts and Crafts” and “Claiborne Court”, 2 hand‑colored woodcuts on paper, each pencil‑signed and titled lower margin, initialed “C.M.” in plate lower right, sights 9 1/2 in. x 7 1/2 in., framed. $300/500

994. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Landscape Study”, c. 1890s, graphite on sketchbook paper, unsigned, recent pencil‑inscription on mat board identifying artist and date, “Taylor Clark, Paintings, Fine Prints & Framing, Baton Rouge” label en verso, 7 in. x 11 in., framed with brass artist plaque. $500/750

996. Rachel Hartley (American, 1884‑1959), “Still Life of Tulips and Irises”, 1952, oil on canvas, signed and dated lower right, 27 in. x 21 1/2 in., framed. $700/900

997. Thorwald A. Probst (American, 1886‑1948), “Iris in Studio Window”, oil on canvas, signed lower left, signed and titled en verso, 30 in. x 38 in., framed. $1000/1500

998. Harry Fenn (American, 1845‑1911), “Canal Street”, watercolor and gouache on paper, signed lower left, 8 in. x 10 in., framed. $400/600 Provenance: Collection of Dr. George Crozat, Neal Auction Co., Houmas House Auction, May 17, 2003, lot 651.

999. French School, 20th c., “Street Scene in the South of France”, watercolor on paper, signed “Levin” lower right, sight 42 in. x 32 in., framed. $700/900

1001. American School, late 19th/early 20th c., “Middle Eastern Landscape with Bedouins”, oil on canvas, indistinctly signed lower left, 12 in. x 20 in., framed. $500/700

1000. American School, mid‑20th c., “Girl #2”, 1954, oil on canvas board, signed “Maisem?”, titled and dated en verso, 12 in. x 9 in., framed. $200/300 Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent.

1002. Ronald Davis (American/California, b. 1937), “Moon and Lines”, 1983, cel‑vinyl acrylic copolymer and mixed media on canvas affixed to wood panel, signed, titled, dated, inscribed “PTG G94” and “Asher Faure, Los Angeles, LA” label en verso, 18 3/4 in. x 29 1/2 in., period frame. $1500/2500 Exh.: Ronald Davis, Small Paintings, Asher Faure Gallery, Los Angeles, 1983.

1003. Ronald Davis (American/California, b. 1937), “Half Cylinder”, 1980, watercolor on paper, pencil‑signed, dated and dedicated lower margin, sight 10 1/2 in. x 14 1/2 in., framed. $1500/2500

1004. Byron Levy (American/New Orleans, 1921‑2015), “City Park”, 1970, oil on masonite, signed and dated lower right, sight 25 1/2 in. x 39 1/2 in., framed. $800/1200

Additional information at www.nealauction.com

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1005. Colette Pope Heldner (American/New Orleans, 1902‑1990), “The Little Green Shutter Inn, St. Peter St. Entrance, French Quarter, New Orleans”, 1933, oil on board, signed and inscribed “New Orleans” lower left, signed, titled and dated en verso, sight 3 3/4 in. x 2 3/4 in., framed. $500/800

1006. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Negro Shacks, Marais St., French Quarter, New Orleans”, 1933, signed lower left, signed, titled and dated en verso, sight 2 3/4 in. x 3 3/4 in., framed. $500/800

1007. Rolland Harve Golden (American/New Orleans, b. 1931), “Portrait of Grandmother, French Quarter”, 1965, watercolor on paper, signed and dated lower right, sight 19 1/2 in. x 29 in., framed. $1000/1500

1010. Rene Haro (American/New Orleans, 1945‑2010), “Hibiscus”, 1977, oil on canvas, signed lower center, signed, titled, dated and inscribed en verso, 48 in. x 48 in., original frame. $400/600

1011. Edgar Albert Whitney (American/ Louisiana, 1891‑1987), “Dock and Boats”, watercolor on paper, signed lower right, 15 in. x 22 in., framed. $400/600

1013. Rolland Harve Golden (American/New Orleans, b.

1931), “French Quarter Storefronts”, watercolor on paper, signed lower right, sight 18 in. x 23 in., framed. $700/900

156

1008. Charles Henry Reinike (American/New Orleans, 1906‑1983), “Pirate’s Alley, French Quarter”, watercolor, signed lower right, sight 9 1/2 in. x 7 in., framed. $300/500

1009. William Woodward (American/New Orleans, 1859‑1939), “Man in a Hat”, 1883, pencil on paper, initialed “W.W.” lower right, “From the Collection of Dr. and Mrs. James W. Nelson, Gonzales, Louisiana” label with artist, date and inscribed “sketchbook” en verso, sight 5 in. x 4 in., framed. $500/800

1012. Mark Bercier (American/Louisiana, b. 1950), “Healin’ Symbols”, 1995, gouache and mixed media on paper, signed, titled and dated “11/95” lower right, sight 53 1/2 in. x 76 in., framed. $800/1200 1014. Clementine Hunter (American/Louisiana, 1886‑1988), “Hauling Cotton”, oil on artist board, monogrammed mid‑right and en verso, 18 in. x 24 in., framed; together with B.A. Cohen (American/Mississippi, 20th c.), “Clementine Cutting Okra”, 1977, color photograph, signed lower right monogrammed by Clementine Hunter upper right on mat board, titled and photographer’s sticker en verso, 14 in. x 11 in., framed; and 2 color snapshots of “Clementine Hunter with a Visitor”, 1973, each 3 1/2 in. x 3 1/2 in., unframed, (4 pcs.) $2000/3000 Provenance: Acquired from the artist; thence by descent.

1015. Louise Angelique Sarrazin (American/Louisiana, 1888‑1967), “Home Sweet Home, Cabin Scene”, watercolor on paper, signed lower right, pencil‑signed and titled on mat board, sight 7 1/2 in. x 9 1/2 in., framed. $700/1000

1017. Louise Angelique Sarrazin (American/Louisiana, 1888‑1967), “Catfish for Suppah?”, watercolor on paper, signed lower right, pencil‑signed and titled on mat board, sight 7 1/2 in. x 9 1/4 in., framed. $700/1000

1020. Southern School, mid‑20th c., “Courtyard”, oil on board, unsigned, “Farish Art Store, New Orleans” label en verso, 12 1/2 in. x 10 3/4 in., period frame. $300/500

1016. Louise Angelique Sarrazin (American/Louisiana, 1888‑1967), “Saturday Night, Bathtime”, watercolor on paper, signed lower right, pencil‑signed and titled on mat board, sight 7 1/2 in. x 9 1/2 in., framed. $700/1000

1018. John P. Couret (American/ Louisiana, 1881‑1967), “Nature Morte: Mocking Bird”, watercolor on paper, unsigned, title and artist biography labels en verso, sight 16 1/2 in. x 13 1/2 in., framed. $500/700

1019. John P. Couret (American/ Louisiana, 1881‑1967), “Nature Morte: Rail”, watercolor on paper, unsigned, title and artist biography labels en verso, sight 18 in. x 14 1/2 in., framed. $500/700

1021. Charles Gresham (American/ New Orleans, 20th c.), “Louisiana Bayou”, watercolor, signed, dated, and inscribed lower right, sight 10 1/2 in. x 14 1/2 in., framed. $300/500

1023. William Henry Buck (Norwegian/New Orleans, 1840‑1888), “A Romantic Night Landscape, possibly after John Constable”, 1878, pastel on paperboard, signed, dated and inscribed “Hanna from Buck” lower left, pencil‑inscription en verso of backing board, 10 1/2 in. x 16 3/8 in., original frame. $2000/3000 Provenance: Gift of the artist; thence by descent in a Louisiana and New England family.

1022. Xavier Gonzalez (Spanish/New Orleans, 1898‑1993), “Hong Kong”, 1959, gouache on paper, initialed “X.G.”, titled and dated lower right, “Milwaukee Art Center Collection” label with artist and title en verso, sight 26 1/2 in. x 40 in., framed. $800/1200

1024. After Martin Johnson Heade (American/Florida, 1819‑1904), “Orchid and Hummingbirds”, oil on canvas, signed “M. Morgan” lower center, 8 in. x 10 in., framed. $600/900 Additional information at www.nealauction.com

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1025. Attributed to William Henry Brown (American/ Charleston, 1808‑1883), “Andrew Jackson”, mixed media on paper, unsigned, sight 11 3/4 in. x 8 1/2 in., period frame. $600/800

1026. Johann Christian Klengel (German, 1751‑1824), “Mother with Four Children (drawing of a man’s head en verso)”, 1780, ink and wash on paper, signed and dated lower right, 5 1/2 in. x 9 3/8 in., framed. $400/600 Provenance: New Orleans Estate.

1027. Eleanore Kentner Kohler (American/California, 1887‑1967), “Under the Sycamore”, oil on canvas, signed lower left, 20 in. x 24 in., period frame. $800/1200

1028. Rolland Harve Golden (American/New Orleans, b. 1931), “French Quarter Street Scene”, 1964, watercolor on paper, signed and dated lower left, 22 in. x 30 in., framed. $700/900 Note: Sold to benefit the Big Easy Bicycle Festival.

1029. Adolfo Dumini (Italian, b.

1863), “Old Man and Boy Weighing Vegetables for Market”, 1932, oil on canvas, signed and dated lower left, 23 1/4 in. x 17 3/4 in., framed. $1000/2000

1030. Italian School, 1883, “Two Foresters in a Wood beside a Stream”, graphite on paper, signed “Silvio Painis(?)” and dated lower right, sight 33 in. x 23 in., framed. $700/900

1031. Italian School, late 19th c., “Leading Oxen before the Plow”, oil on canvas, signed “Sz. Markos L.” lower right, 27 1/4 in. x 39 1/4 in., period frame. $800/1200

1032. George III Carved Mahogany Tilt‑Top Tea Table, late 18th c., piecrust‑molded top, turned standard with a rope‑twist urn, cabriole legs, “snake” feet, h. 27 1/2 in., dia. 25 in. $600/800

158

1034. Edwardian Inlaid Mahogany Book Carousel, marquetry top, open fretwork shelves, casters, h. 32 1/2 in., w. 21 1/2 in., d. 21 1/2 in. $400/600

1033. Antique Queen Anne‑Style Burled Walnut Desk, 19th c., banded top, kneehole configuration of drawers, baluster-turned legs, shaped stretcher, bun feet, h. 30 1/2 in., w. 47 1/2 in., d. 23 in. $500/800

1035. American Late Federal Walnut and Burled Maple Work Table, 19th c., two drawers, turned tapered legs, h. 28 in., w. 19 3/4 in., d. 19 1/2 in. $300/500

1036. Louis XV‑Style Carved Fruitwood Bergère à Oreilles, foliate crest, scrolled wings, padded arms, serpentine seat rail, acanthine cabriole legs, scrolled toes. $400/600 Provenance: Whitehall, Chapel Hill, NC.

1037. Good Paris Porcelain Figural Corbeille, 19th c., biscuit caryatids in the Egyptian taste, triangular plinth with Napoleonic officer, gilt ram’s heads, and paw feet, h. 18 7/8 in., dia. 9 in. $500/700 Provenance: Temple Heights, Columbus, MS.

1038. Sevres “Rose du Barry” Porcelain Cachepot, 19th c., interlaces L’s mark, interlaced scrolls reserving various botanical specimens, h. 8 3/4 in., w. 11 3/8 in. $1000/1500 Provenance: Elise Abrams Antiques, Great Barrington, MA.

1040. Large Samson Chinese Export‑Style Famille Rose Porcelain Armorial Covered Jar, late 19th/ early 20th c., baluster body with facet enclosing lions rampant flanking shield above emblem “Sola Virtus Invicta [Virtue Alone is Invincible]”, other facets with floral designs, finialed cover, base with pseudo Chinese mark, h. 21 3/8 in. $500/700 1039. Five Piece Chinese Export‑Style Famille Rose Porcelain Mantel Garniture, late 19th/early 20th c., decorated with roosters amid rockwork and flowers, incl. 3 covered baluster jars, h. 6 1/8 in. and 2 flared “gu” vases, h. 4 3/4 in. $300/500

Provenance: Whitehall Antique, Chapel Hill, NC, 2013.

Provenance: William Word Fine Antiques, Atlanta, GA, 2013.

Additional information at www.nealauction.com

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1041. Pair of Paris Porcelain Campagna Urns, 19th c., reserved with courting couples and landscape scenes, h. 10 3/4 in., dia. 8 in. $400/600 Provenance: Temple Heights, Columbus, MS. 1042. Pair of Continental Bronze‑Mounted Marble Obelisks in the Egyptian Taste, c. 1900, with incised gilt and silvered hieroglyphics, h. 20 1/2 in., w. 7 3/4 in., d. 4 in. $1000/2000

1043. American Renaissance Carved Walnut, Gilt‑Incised and Parcel Ebonized Music Cabinet, late 19th c., Philadelphia, backsplash with anthemion crest and inset mirror, paneled door mounted with musical trophée, shelf interior, long drawer, blocked turned stiles, shaped stretcher shelf, turned legs, h. 62 in., w. 30 1/2 in., d. 19 1/4 in. $1200/1800

1044. Fine American Renaissance Carved and Burled Walnut Secretary Bookcase, mid‑19th c., attr. to Thomas Brooks, New York, molded cornice, paneled frieze, foliate‑carved glazed doors, shelf interior, paneled slant front lid, fitted interior; two drawers and paneled doors below, blocked base with molding, h. 97 in., w. 49 in., d. 25 in. $6000/8000

1046. American Rococo Carved Rosewood Settee, c. 1860, probably New York, serpentine crest rail carved with grapes and foliage, tufted back, shaped arms, serpentine seat rail, cabriole legs, casters, h. 42 in., w. 63 1/2 in., d. 30 in. $700/1000

1045. American Highly Carved Oak Partner’s Desk, c. 1880‑1900, probably R.J. Horner, New York, molded top, each side with kneehole configuration of drawers and doors, lion’s mask pulls, griffin carved legs, casters, h. 32 in., w. 56 1/2 in., d. 34 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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1047. English Lacquered Papier‑Mâché Tilting Tray on Stand, 19th c., polychrome decoration, floral border, h. 24 in., w. 26 in., d. 19 1/4 in. $600/900

1048. English Carved Mahogany Sideboard, shaped top, conforming case, frieze drawer above arched drawer flanked by deep drawers, scrolled legs ending in bosses, h. 35 in., w. 73 in., d. 26 in. $500/1000

1049. Antique Queen Anne‑Style Carved Oak and Walnut Dressing Table, incisecarved top and frieze drawers, acanthus carved cabriole legs, slipper feet, h. 29 in., w. 30 in., d. 18 3/4 in. $250/350

1050. George III‑Style Carved Mahogany “Wheel Back” Armchair, serpentine arms, reeded tapered legs, spade feet, h. 38 in., w. 24 3/4 in., d. 18 1/2 in. $250/350

1051. French Empire‑Style Bronze‑Mounted Mahogany Dressing Chest, late 19th/early 20th c., rectangular beveled mirror on tapered supports, outset frieze of short drawers over columns flanking 3 long drawers, ball feet, h. 65 1/2 in., w. 50 in., d. 22 in. $400/800

1052. Louis XV‑Style Carved Walnut and Needlepoint Fauteuil à Oreilles, 19th c., molded frame, scalloped floral seat rails, cabriole legs. $1200/1800

1053. Latin American School, 19th c., “Portrait of a Young Boy in a Rural Landscape with Hacienda”, oil on canvas, unsigned, 40 1/4 in. x 30 in., period frame. $1000/1500

1054. After Martinus De La Court (Flemish, 1640‑1710), “Lady” and “Gentleman”, each oil on canvas laid on masonite, typed attribution labels on stretchers, 28 in. x 22 1/2 in., antique frames. $1500/2500 Additional information at www.nealauction.com

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1055. Fine Georgian Revival Carved and Burled Walnut Dining Table, early 20th c., Berkey and Gay, Grand Rapids, Michigan, rectangular top opening to take 6 leaves, carved scroll legs, h. 30 1/2 in., extended l. 91 1/2 in. $4000/6000

1056. Fine Georgian Revival Carved and Burled Walnut Buffet, early 20th c., Berkey and Gay, Grand Rapids, Michigan, marble top, 2 paneled doors on broken scroll legs, h. 35 in., w. 48 in., d. 22 1/4 in. $1500/2500

1058. Antique English Chinoiserie Lacquered Dressing Table in the French Taste, early 20th c., shaped lift top with compartments and mirror, kneehole configuration of drawers, cabriole legs, sabots, h. 30 in., w. 37 in., d. 22 in. $400/600

162

1057. George III Carved Mahogany Chest‑on‑Chest, late 18th c., dentilated cornice, 5 graduated drawers, lower case with 3 drawers, shaped bracket feet, h. 74 1/2 in., w. 43 1/2 in., d. 22 in. $1200/1800

1059. Carved Mahogany Chaise Longue, late 19th c., canted back, acanthus carved legs, casters, h. 32 1/2 in., l. 73 in., w. 29 in. $400/600 Provenance: New Orleans Estate.

1060. Pair of Gilt Bronze‑Mounted Jacob Petit Schneeballen Porcelain Covered Bottle Vases, 19th c., JP mark, with applied bouquets on flower encrusted grounds, bronze scrollwork bases, h.

11 3/4 in. $700/1000

1061. Highly Decorative Sevres‑Style Porcelain Three‑Tier Dessert Stand, 20th c., spurious marks, bisque figural mounts, gilt accents, h. 22 in. $800/1200

1063. Pair of Continental Neoclassical‑Style Bronze “Water and Wine” Ewers, 19th/20th c., after the model by John Flaxman (British, 1755‑1826), one surmounted by the figure of Triton, the other by Bacchus, h. 18 in. $1000/1500 1062. Pair of Paris Porcelain Reticulated Corbeilles, 19th c., gilt and peach decoration, monogrammed, h. 7 1/2 in., dia. 8 3/4 in. $400/600

1064. Antique Italian Carved and Polychromed Putto, 18th/19th c., later giltwood socle base, h. 16 in., w. 11 in., d. 6 1/2 in. $500/700

1065. Imperial Austrian Chased Brass Wax Seal Emblem Box, 19th c., retaining remnants of wax seal, dia. 5 1/2 in. $300/500

1066. Dutch Painted Wood Pub Sign, 19th c., with a crown over an opened shield flanked by griffin and lion rampant, and “OBIIT/ 7 BRIS/ 25/ 1877”, h. 51 1/2 in., w. 51 1/2 in. $400/600

1067. William IV Mahogany Firescreen/Escritoire, 19th c., fall front with tooled leather writing surface, trestle base, scroll feet, h. 49 1/2 in., w. 26 1/2 in., d. 21 in. $500/800 Provenance: Temple Heights, Columbus, MS.

Additional information at www.nealauction.com

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1069. Three English Art Deco Colored Crystal Inkwells, early 20th c., 3 7/8 in. to 4 5/8 in. $400/600

1070. Pair of English Brass Knight Motif Stands, h. 5 in., dia. 3 1/4 in. $150/250

1068. Pair of Antique Pewter Covered Urns, early 19th c., probably English, mark rubbed, h. 12 1/4 in. $200/400

1071. Good Group of Six Antique Boxes, incl. satinwood, rosewood, mahogany and teak, most with inlay, largest h. 3 1/4 in., w. 9 in., d. 5 1/2 in. $300/500

1073. Arts and Crafts Sterling Silver Cup, William Spratling, Taxco, c.

1951‑1956, marked “WS” above “925”, scroll handle and applied beading, h. 2 1/4 in., wt. 2.85 troy ozs. $500/700 Provenance: Private Estate, Hillsborough, NC.

1074. Shakespeare, William, The Dramatic Works of William Shakespeare; with A Life of the Poet, and Notes, Boston, Hilliard, Gray and Company, 1836, 6 volumes, 4to, 3/4 leather, the spines inscribed “W.J. Fort/Catalpa, LA”. $300/500

1072. Tiffany & Co. Sterling Silver After‑Dinner Coffee Service in the Persian Taste, pattern introduced 1904, tray 1912, comprised of coffee pot, sugar, creamer and tray, flat chased decoration, coffee pot h. 11 in., tray l. 13 1/2 in., w. 11 1/8 in., combined wt. 63.80 troy ozs. $1500/2500

1075. [Decorative Leather Bindings], Dickens, Charles. Dicken’s Works, 15 volumes, New York, United States Book Co., c. 1890, 4to, 3/4 leather with marbled boards. $500/700

Provenance: Catalpa Plantation, St. Francisville, LA.

1077. Antique Prayer Book, The Book of Common Prayer..., New York, University Press, 1867, 4 in. x 2 3/4 in., signed on pastedown “Danl. T. Bowman, Grace Church, St. Francisville, LA.”, a small newspaper clipping notes the marriage, at Rosedown, Nov. 11, 1880, of Wm. Fort and Miss Martha Turnbull. $100/150 Provenance: Rosedown Plantation.

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1078. Bejeweled HOLY BIBLE, Old and New Testaments in the King James Version, covered in black bonded leather with patinated brass mounts, paste jewels and faux pearls by Jo Marz, 8 1/2 in. x 6 in. $150/250

1076. Antique Leather‑Bound Family Bible, The Illuminated Bible..., New York, Harper & Brothers, 1846, full tooled leather, inscribed from W.J. Fort to Sally J. Fort, with manuscript notations of marriages, births and deaths of the Fort family. $200/400 Provenance: Catalpa Plantation, St. Francisville, LA.

1079. Four Mardi Gras/Social Directory Books, incl: La Cour, Arthur Burton. New Orleans Masquerade, New Orleans, Pelican Publishing, 1957; The Sesquicentennial of Comus, 1857‑2006, c. 2006, #287 of 600; Hales, Stephen J. Rex An Illustrated History of the School of Design, Arthur Hardy Enterprises, 2010; and 1941 Directory of New Orleans Society, New Orleans, Social Directory of

N.O., c. 1940. $400/600

1080. [Signed Richard Nixon Book], Nixon, Richard. The Real War, New York, Warner Books, 1980, signed, with publisher’s slip case. $200/300

1081. World’s Industrial and Cotton Centennial Exhibition Ribbon, New Orleans, 1884‑1885, silk ribbon, h. 9 1/4 in., framed. $100/150

1082. Pair of 14 kt. Yellow Gold and Pale Celadon Jade Cufflinks and Tie Tack, marked, cufflinks 7/8 in. x 5/8 in., tack 1/2 in. x 3/8 in. (3 pcs.) Note: Tie tack is missing back. $700/900 1083. 14 kt. Yellow Gold and Faceted Ruby Ring, approx. 3.6 ct., approx. size 9; Accompanied by a copy of the Rama Jewelry, Bangkok, invoice, dated Nov. 21, 1971 and a GIA report. $2500/3500

1085. Two Anglo‑Irish Cut Glass Compotes, 19th c., foliate rims, h. 5 7/8 in. and 5 1/2 in.; together with a cut glass celery vase, h. 10 1/2 in.; and an American brilliant cut glass compote, h. 8 in. $200/300 Provenance: Temple Heights, Columbus, MS.

1084. Antique American Yellow Gold Pocket Watch, works by American Watch Company, Waltham, MA, serial no. 1091156, case by BWC Co., gold not marked; together with chain. $800/1200

1086. Andrew Jackson Peace Medal, designed by Moritz Furst (1782‑1840), inscribed “Andrew Jackson President of the United States, A.D. 1829”, verso features handshake under a tomahawk and peacepipe, and “Peace and Friendship”, dia. 2 3/8 in. $200/300

1087. American Late Federal Carved Mahogany Canopy Bed, carved and reeded posts, square tapering feet, shaped headboard with foliate terminals, h. 85 in., l. 75 1/2 in., w. 48 in. $800/1200 1088. American Classical Carved Mahogany Half‑Tester Bed, 19th c. and later, probably Alabama, ogee‑molded tester, headboard with tubular crest, square posts, turned foot posts with bulbous finials, h. 88 1/2 in., l.

77 in., w. 53 1/2 in. $1000/1500 Provenance: Temple Heights, Columbus, MS. Ill.: The Magazine Antique, July 2002, p. 102.

1089. Antique Southern “Gros Rouge” Yellow Pine Blanket Chest, early 19th c., molded lid, strap hinges, interior till, front with monogram “IB”, shoe feet, h. 22 3/ 4in., w.

47 1/4 in., d. 21 3/4 in. $300/500

1090. Louis XVI‑Style Gilt Bronze and White Marble Three‑Piece Clock Garniture, c. 1900, case with floral garland and putto, conforming three‑light candelabra, clock h. 12 1/2 in., w. 11 1/4 in., d. 4 1/4 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. Additional information at www.nealauction.com

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1091. Napoleon III Gilt Bronze Mantel Clock, mid‑19th c., exuberant Rococo case, dial with enamel inset numerals, h. 23 in., w. 14 in., d. 7 1/2 in. $800/1200

1092. Louis Philippe Carved and Gilded Trumeau Mirror, mid‑19th c., oil on canvas pastoral scene over rectangular mirror plate, all within a beaded frame, h. 63 3/8 in., w. 30 3/4 in. $2000/3000

Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1093. American Classical Carved Giltwood Overmantel Mirror, 19th c., split baluster frame with rosette corner blocks, divided mirror plate, h. 25 in., w. 63 in. $1000/1500 Provenance: Temple Heights, Columbus, MS.

1094. French Verde Antico Marble and Gilt Bronze Clock Garniture, late 19th c., clock with eagle surmount, tapering columns with flame finial, conforming five‑light candelabra, clock h. 18 1/2 in., w. 12 in., d. 4 3/4 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1095. George III‑Style Carved Mahogany and Brass Pier Mirror, 19th c., broken scroll pediment with urn, rectangular mirror within egg‑and‑dart border, trailing husks. $250/350

1096. Venetian Etched Glass Mirror, octagonal beveled plate with segmented surround, h. 47 1/2 in., w. 24 1/4 in. $500/700

1097. American Bronze Mounted Cut‑Glass Sinumbra Lamp, c. 1850, glass baluster shaft, cut blue to white to ruby, waffle pattern cut‑glass shade, faceted prisms, h. 33 in., dia. 12 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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1098. Louis XV‑Style Gilt Bronze and Porcelain Eight‑Light Chandelier, Sèvres‑style porcelain standard and candle cups, decorated with couples in 18th c. costume, bleu céleste ground, h. 32 3/4 in., dia. 26 in. $1000/1500

1099. Persian Heriz Carpet, red ground, green border, cream corner brackets, stylized floral motif, 9 ft. 10 in. x 6 ft. 9 in. $1800/2500

1100. Persian Hamadan Carpet, red ground, green border, stylized floral urn and bird pattern, 6 ft. 3 in. x 4 ft. 3 in. $800/1200

1102. Persian Mashad Carpet, signed, red ground, stylized octagonal central medallion, polychrome floral border, 12 ft. 10 in. x 10 ft. 1 in. $700/1000

1103. Nain窶全tyle Carpet, cream ground, blue diamond motif, 5 ft. 4 in. x 3 ft. 8 in. $800/1200

1101. Isfahan窶全tyle Carpet, navy blue ground, octagonal central medallion with floral surround, cream border, 5 ft. 10 in. x 4 ft. $800/1200

1104. Persian Hamadan Carpet, red ground, hexagonal central medallion, blue border, overall stylized geometric motif, 6 ft. 6 in x 5 ft. 6 in. $800/1200

1105. Persian Hamadan Runner, blue central ground, tan border, polychrome geometric and floral motif, 9 ft. x 2 ft. 6 in. $200/400

1106. Palace Size Kerman Carpet, cream ground, polychrome floral central medallion and border, 27 ft. 7 in. x 12 ft. 1 in. $1000/2000

1107. Persian Tabriz Carpet, red ground, gold border, stylized flowering vine and foliate motif, 12 ft. 7 in. x 10 ft. 1 in. $3000/4000

Additional information at www.nealauction.com

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1108. Set of Four Blown Glass Pendant Lanterns, early-to-mid 20th c., probably Italian, wire cages over bulbous amber glass, h. 13 in. $800/1200

1109. Adrian Pearsall “Crescent” Walnut Lounge Chair and Ottoman, c. 1955, for Craft Associates, lounge chair h. 29 in., w. 46 in., d. 26 in.; ottoman h. 13 in., w. 27 in., d. 12 7/8 in. $1000/1500

1110. Mid‑Century Modern Mirror, c. 1955, beveled border, chromed metal corner accents, h. 63 in., w. 38 3/4 in. $600/900

1111. Two Adrian Pearsall Walnut Lounge Chairs, c. 1955, for Craft Associates; together with 4 Hans Wegner‑Style side chairs, lounge chair h. 28 in., w. 28 in., d. 22 in.; side chair h. 30 in., w. 13 in., d. 18 5/8 in. $700/1000

1113. Mongolian Polychromed and Lacquered Pine Cabinet, early 20th c., 2 doors, pair of drawers and doors below, block feet, painted with lotus, lilies and peonies, h. 56 in., w. 26 1/2 in., d. 16 in. $400/600

1112. Adrian Pearsall Walnut and Glass Coffee Table, c. 1955, for Craft Associates, h. 15 1/4 in., dia. 36 in. $500/700

1114. Alice Dalton Brown (American, b. 1939), “The Abbott’s”, 1982, oil on canvas, signed lower right, 52 1/4 in. x 72 in., framed with artist and title plaque. $2000/3000

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1115. William Dunlap (American/Mississippi, b. 1944), “Spring Storm ‑ Water Works I”, 1986, two sheet color lithograph on Arches paper, edition of 40 plus 12 artist proofs, pencil‑signed and titled, published by Trillium Graphics, 29 3/4 in. x 79 1/2 in., unframed. $500/750

1116. Jules Pascin (Bulgarian/ American, 1885‑1930), “Seated Girl with Hat”, color lithograph, signed “Pascin” lower right, numbered “65/100” lower left, approx. 14 1/2 in. x 8 1/2 in., framed. $300/500

1117. Georges Braque (French, 1882‑1963), “Sketch of a Stained Glass Window: Heiliger”, color lithograph on Velin d’Arches paper, signed in plate, signed in ink and numbered “7/150” lower margin, published by Imprimerie Mourlot, 29 1/4 in. x 18 3/8 in., framed. $200/300 Provenance: Kennedy Graphics, NY; Robinson Galleries, Houston, 1973; Vincent Mann Gallery, New Orleans, 1973 (with accompanying letters); New Orleans Estate.

1120. Wayman Adams (American/ New Orleans, 1883‑1959), “The Offering”, 1929, lithograph on paper, pencil‑signed, titled and inscribed lower margin, printed artist’s biography en verso, sight 10 3/4 in. x 9 1/4 in., framed. $200/400

1121. Helen Hunt Bencker Hoie (American/New Orleans, 20th c.), “Recreation, New Orleans”, c. 1933, lithograph on paper, signed and titled on labels, pencil‑signed, titled, and “Department of Painting and Decorations, Judged, Feb. 3, 1933, Carnegie Institute of Technology” stamp en verso, 18 1/2 in. x 17 3/8 in., unframed. $300/500

1123. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Bayou Rigaud”, etching on paper, pencil‑signed, titled and numbered “#6, Ed. 50” lower margin, initialed “E.W.” in plate lower right, artist biography en verso, sight 8 1/2 in. x 5 1/4 in., framed. $150/250

1124. Elihu Carranza (American/ Mississippi, 20th c.), “The Feeding”, 1977, color woodblock on paper, pencil‑signed, titled, dated and inscribed “artist proof” lower margin, sight 12 3/4 in. x 12 1/2 in., framed; together with Susan Carranza (American/Mississippi, 20th c.), “Secrets of the Soul”, mixed media and handmade paper collage, signed and titled lower margin, 7 1/4 in. x 8 in., framed. $250/500

1126. Eleven Shearwater Pottery African‑American Figurines, c. 1990s, designed

by Walter Inglis Anderson and James Mc Connell “Mac” Anderson, modeled in various domestic and leisurely pursuits, marked, tallest h. 6 3/4 in. $300/500

1118. Matt Rinard (American/New Orleans, b. 1964), “Bourbon Street, French Quarter”, 1997, serigraph on paper, signed, dated, numbered “251/425”, and embossed seal “Official Gallery Edition, Mardi Gras, 1997” lower margin, sight 21 in. x 14 1/2 in., framed. $150/250

1119. Clarence Millet, A.N.A. (American/Louisiana, 1897‑1959), “The Bayou Bridge”, aquatint etching, pencil‑signed and titled lower margin, printed artist’s biography en verso, sight 8 1/2 in. x 10 1/4 in., framed. $300/500

1122. Prentiss Taylor (American/Washington D.C., 1907‑1991), “‑‑In Whom I am Well Pleased”, 1940, lithograph on paper, pencil‑signed, titled and dated lower margin, inscribed “P.T. LVIII” in plate lower left, edition 35, sight 11 1/4 in. x 15 1/4 in., framed. $800/1200 Provenance: Harco Gallery, American Art, Columbus, MO, 1989.

1125. Shearwater Pottery Cast “Fish” Bowl, c. 1980, designed by James “Mac” Anderson, cream slip glaze, quarter size impressed mark, signed “JMcCa” in ink, h. 5 3/4 in., dia. 6 3/4 in. $800/1200

1127. Nine Shearwater Pottery Pirate Figurines, c. 1970‑80s, incl. large dancing pirate with rifle, marked, h. 9 1/4 in.; and 8 smaller pirates, 7 marked, tallest h. 7 in. $300/500 Additional information at www.nealauction.com

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1128. Five Shearwater Pottery Animal Figurines, c. 1970‑80s, incl. panda, fox, dog, chicken and alligator, marked, tallest h. 3 3/4 in. $150/250

1130. Continental Carved and Polychromed Wood Pagoda‑Form Birdcage, 20th c., tiered form with wirework panels, h. 28 1/2 in., w. 22 1/2 in., d. 15 1/2 in. $300/500 Provenance: Reputedly from Colefax & Fowler; John Yaconetti Antiques, Tacoma, WA.

1129. Newcomb College Art Pottery Match Holder, 1928, decorated by Anna Frances Simpson with relief‑carved confederate jasmine, semi‑matte glaze with green, blue and white underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RC32 and shape no. 12, h. 2 1/8 in, dia. 3 in. $150/250 Provenance: Descended in the Bowman‑Turnbull Family, Rosedown Plantation, St. Francisville, LA.

1131. Antique Gorham Sterling Silver Crumber, ret. T. Hausmann & Con, New Orleans, wc. 1890‑1893, l. 12 3/8 in. $100/150

1133. Reed & Barton “Renaissance” Pattern Silverplate Tea Set, 20th c., incl. teapot, open sugar and creamer, teapot h. 8 5/8 in. $200/300

1132. Gorham Sterling Silver “Beaded” Pattern Soup Ladle, pat.

1861, l. 13 1/4 in., wt. 6.60 troy ozs. $200/300

1134. Twelve American Coin Silver Dessert Spoons, 1820, unknown maker; together with a Meriden Britannia silverplate covered pitcher, 1897, incised shield relief, hinged lid with floral finial, foliate scroll handle, h. 7 1/4 in. (13 pcs.) $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1136. Group of American Coin Silver Flatware, early‑to‑mid 19th c., incl. fiddle typt tablespoon, William Kendrick (1810‑1880), Louisville, KY, wc. 1831‑1880; fiddle typt tablespoon, W.H. Talbot & Co., Indianapolis, wc. 1855‑1865; fiddle typt tablespoon, Duhme, Cincinnati, wc. 1844‑1910; variant olive dinner fork, J. & R. Campbell, c. 1850; variant olive master butter knife, Arthur Rifenbergh, Hudson, NY, act. 1854‑1869; unmarked sugar tongs with acorn terminals; fiddle back mustard ladle, Benjamin C. Frobisher, Boston, wc.

1816‑1842; variant olive master salt, Shreve, Stanwood & Co., Boston, wc. 1862‑1869; and a threaded oval salt spoon, (9 pcs.) $250/350

1137. Pairpoint Silverplate Centerpiece, stand with putti and glass bubble ball on alabaster plinth, marked “PAIRPOINT/ C5540”, diamond point cut glass bowl, h. 9 1/4 in., dia. 11 7/8 in. $800/1200

1138. Pair of American Gilt Bronze Figural Gas Sconces, 19th c., with griffin arms, electrified, h. 7 in., w. 5 in., d. 12 in. $1000/1500

1139. Pair of American Gilt Bronze Figural Gas Sconces, 19th c., urn motif, cherub reclining on Greek key decorated arm, electrified, h. 12 in., w. 5 in., d. 16 in. $1200/1800

170

1135. Twelve Silverplate Vintage Motif Finger Bowls, Paul Revere Silver Co., Boston, 20th c., h. 2 1/2 in., dia. 4 1/2 in. $200/300

1140. American Rococo Gilt Bronze Six‑Light Chandelier, mid‑19th c., possibly Hooper, vasiform standard, with foliate arms and mounts, cut glass shades, h. 59 in., dia. 40 in. $1500/2500

1141. Beaux Art Gilt Brass Four‑Light Gasolier, c. 1900, crown‑form dish, cherub swags, electrified, h. 66 in., dia. 24 in. $700/1000

1142. Pair of Gothic Revival Gilt Bronze Sconces, 19th c., pierced foliate decoration. electrified, h. 16 in., w. 11 in., d. 16 in. $700/1000

1143. Antique Bronze Sinumbra Lamp, mid‑19th c., patinated nymph emerges from an ormolu‑mounted white marble column, domed frosted shade with floral garlands, h. 28 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1145.

American Wrought and Cast Iron Hall Stand, 20th c., with coat hooks and umbrella fitting, paw feet, h. 73 1/2 in., w. 22 in. $500/750

1144. American Federal‑Style Carved and Inlaid Mahogany Work Table, top with turreted corners, two drawers, tapered reeded legs, h. 29 in., w. 19 3/4 in., d. 17 1/4 in. $200/400

1146. Pair of Jacobean‑Style Carved Oak Bedside Commodes, late 19th c., white marble top, drawer; turned supports, cabinet door, molded base, turned feet, h. 34 in., w. 17 3/4 in., d. 17 in. $200/400

1147. Neo‑Grec Paris Porcelain Amphora Vase, mid‑19th c., portrait profile reserved on a gilt and matte black ground, loop handles with bisque female masks, h. 16 3/4 in. $300/500 Provenance: Temple Heights, Columbus, MS.

1148. Pair of Paris Porcelain Vases, 19th c., baluster bodies with panels of children playing, branch handles with Classical masks, h. 19 in. $700/1000

1149. Limoges Porcelain “Les Peches” Cabinet Plate, 20th c., central maritime scene after Ambroise‑Louis Garneray for Sevres, dia. 10 1/4 in. $100/200

1150. Six Meissen Porcelain Dessert Plates, probably 19th c., canceled crossed swords marks, decorated with various botanical specimens, shell molded foliate rims, dia. 8 5/8 in. $150/250

Additional information at www.nealauction.com

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1151. Parian Bust of Flora, 19th c., h. 10 1/2 in.; associated marble and porphyry plinth, overall h. 16 1/4 in. $400/600 Provenance: Temple Heights, Columbus, MS.

1152. Antique Continental Devotional Shrine, early 20th c., with Jesus and child, h. 8 3/4 in., w. 7 3/4 in., d. 2 1/2 in. $200/300

1153. English Blue and White Ironstone Foot Basin, Ridgway & Morley, c. 1840, marked “ARCHIPELAGO/IMPROVED GRANITE CHINA”, h. 8 5/8 in., w. 19 in., d. 13 1/4 in. $150/250 Provenance: Rosedown Plantation.

1155. American Neo‑Grec Gilt and Patinated Metal Four‑Light Slide Chandelier, late 19th c., attr. to Bradley & Hubbard, Meriden, CT, labeled with “Jan 31, 1871” and “Jan 30, 1877” patent dates, C‑scroll fretwork arms, reticulated canopy and bobêches, etched shades, h. 36 1/2 in., w. 30 in. $700/1000

1154. Three Antique Acadian Blankets, early 20th c., one natural and tan cotton stripe with colored rag cloth design, constructed in two panels, 79 in. x 76 1/2 in.; two rag cloth striped designs, multicolored stripe 134 in. x 36 in. and red stripe, constructed in 2 panels, 83 in. x 60 in. $700/1000

1156. American Gilt Lacquered Brass and Bronze Solar Lamp, c.

1850, attr. to Henry N. Hooper and Co., Boston, fluted columnar standard, stepped marble base with lamb’s tongue molding, crystal prisms, period etched and cut shade, h. 21 in., dia. 8 in. $400/600 Note: This lamp is identified as no. 620 in Henry N. Hooper and Co. 1850 catalogue, illustrated in Gowitt, Gerald. 19th Century Elegant Lighting. Atglen, PA: Schiffer, 2002, p.87.

Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1157. Pair of Napoleon III Gilt Bronze Three‑Light Candelabra, mid‑19th c., Classical maiden standards, marble bases, h. 20 1/2 in., dia. 9 in. $500/750 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 1158. French Gilt Bronze‑Mounted Porcelain Vase, late 19th c., ovoid body with scenes of Cupid, signed “E. Parot”, bronze mask handles, reticulated foliate base, vase h. 15 in., h. (to finial) 27 3/4 in. $100/200

1160. American Classical Gilt Overmantel Mirror, 19th c., cornice with applied spherules, split baluster frame, rosette corners, divided mirror plate, h. 26 1/2 in., w. 64 3/4 in. $800/1200 Provenance: Temple Heights, Columbus, MS.

1161. American Classical Figured Mahogany Looking Glass, 19th c., h. 30 3/4 in., w. 22 in. $250/350

1159. Five Steuben Glass Table Articles, all marked, incl. creamer; ribbed vase; champagne coupe with paper label; low bowl; and basket; basket, h. 8 1/4 in. $350/450 Provenance: New Orleans Estate.

1162. American Walnut Eight‑Day Shelf Clock, c. 1830, retains paper label of “Wm. L. Gilbert & Co., Winsted, Conn.”, painted dial, églomisé tablets of a sailor and eagle, h. 32 1/2 in., w. 16 1/2 in., d. 5 1/4 in. $300/500 Provenance: Temple Heights, Columbus, MS.

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1163. Chelsea “Yacht Wheel” Ship’s Bell Clock, c. 1925, Chelsea Clock Co., Boston, brass and mahogany, base stamped “216620” and “102”, h. 10 in., w. 8 1/4 in., d. 4 1/2 in. $700/1000

1164. Jacobean‑Style Carved Oak Table, late 19th c., paneled foldover top, foliate carved frieze, barley‑twist legs, stretcher, turned feet, h. 30 1/2 in., w. 35 in., d. 19 1/2 in. $150/250

1166. Near Pair of English Oak Side Chairs, 18th/19th c., turned stiles and stretcher rush seats. $150/250

1168. Antique English or American Tôle Peinte Coal Box, 19th c., stenciled hinged lid, Japanese figural decoration, brass paw feet, h. 26 1/2 in., w. 18 in., d. 16 in. $100/200

1165. English Mahogany Settee, comprised of antique elements, latticework back, vasiform legs joined by box stretchers, h. 32 in., w. 72 in., d. 24 in. $200/400

1167. Enoch Wood & Sons Blue and White Transferware Bowl Depicting Niagara Falls from the American Side, c. 1830‑1840, impressed mark, h. 2 3/8 in., w. 12 1/2 in., d. 3 4/ in. $700/1000

1169. Paris Porcelain Partial Dinner Service, mid-19th c., peach and gilt borders with pear blossoms, incl. 24 plates, dia. 9 in.; 8 soup plates, dia. 8 1/4 in.; 4 plates, dia. 7 3/4 in., 9 plates, dia. 6 1/2 in.; octagonal bowl, w. 8 1/2 in.; 4 saucers, dia. 6 in.; cup and saucer; sugar; and oblong dish, l. 10 1/8 in. (54 pcs.) $300/500

1170. Group of Paris “Anneau d’Or” Porcelain, 19th c., inc. 2 covered coffee pots, h. 8 3/4 in. and 6 covered pôts‑de‑crème, h. 4 1/2 in.; together with polychrome floral banded Paris porcelain bowl and pitcher, bowl dia. 7 7/8 in., pitcher h. 7 1/4 in. (10 pcs.) $100/200

Provenance: Temple Heights, Columbus, MS.

1171. Pair of American Classical Gilt Brass Figural Three‑Light Girandoles, 19th c., “Indian Warrior” pattern, faceted prisms, marble base, h.

18 1/2 in., w. 15 in., d. 4 in. $300/500

1172. American Classical Carved Mahogany Miniature Chest, c. 1830, bolection frieze drawer over 3 drawers, barley twist columns, ebonized pulls, h. 17 in., w. 15 in., d. 15 1/4 in. $250/500

1173. Antique American Cast Iron Group, incl. alligator match safe, l. 8 in.; “lady with a fruit basket” door stop, h. 8 3/4 in.; and female boot jack, l. 9 in. $150/250

Additional information at www.nealauction.com

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1174. Louis XV‑Style Brass Fireplace Garniture, incl. fan‑form screen with urn and serpents, h. 31 1/4 in., w. 47 in., d. 9 in.; and pair of foliate scroll chenets, h. 19 1/2 in., w. 10 in., d. 19 in. (3 pcs.) $400/600

1175. Pair of Louis XVI‑Style Gilt Bronze Chenets, late 19th c., flame finials, pilaster bases, h. 13 in., w. 13 in., d. 6 in. $200/300 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1176. Pair of French Gilt Bronze‑Mounted White Marble Garniture Urns, late 19th/early 20th c., classical gilt mounts and toupie feet, h. 19 1/2 in., w. 10 1/2 in. $300/500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1179. American Arts and Crafts Brass Four‑Light Chandelier, with gas and electric lights, h. 47 in., w. 15 in. $800/1200

1178. Pair of French Green Tôle Peinte Jardinières, 19th/20th c., notched rim, applied handles, ball feet, h. 9 3/4 in., w. 16 in., d. 10 3/4 in. $200/300

Provenance: Hincks Family, New Orleans.

1181. Patinated Metal Figure of a Schnauzer, signed “Jim Davidson”, h. 18 1/2 in. $200/300

1180. Victorian Polychromed Floor Lamp, black ground with gilt accents, h. 62 in. $300/500

1182. Nat Werner (American/New York, 1908‑1991), “Dancing Woman” and “Man Playing Ball”, pair of carved wood sculptures, each with incised signature, h. 16 1/2 in. $500/700 1183. Patinated Bronze Group of a Young Cossack, after Evgeny Alexandrovich Lanceray (Russian, 1848‑1886); base inscribed with cryllic signature and by founder “F. Chopin”, h. 7 1/4 in., w. 10 3/4 in., d. 5 1/8 in. $700/1000 1186. Chinoiserie Wallpaper Panel, possibly Gracie, pieced paper painted with figures at leisurely pursuits in a garden setting, 54 3/4 in. x 23 in., matted and framed. $75/100

1184.

Decorative Patinated Iron Pier Mirror, reticulated crest, h. 73 in., w. 36 in. $200/400

Provenance: Lucile Andrus, New Orleans, LA. 1185. Tiffany Brass Desk Clock, 20th c., Swiss quartz movement, h. 4 3/4 in., w. 4 in., d. 1 3/4 in. $125/175

174

1177. Handsome Patinated Terracotta Fruit Topiary, h. 48 in. $150/250

1187. Japanese School, probably 19th c., “Artist”, ink and color on paper, sight 22 1/2 in. x 14 1/4 in., framed. $400/600 Provenance: New Orleans Collection, acquired Paris, France.

1188. Monumental Japanese Polychrome Porcelain Punchbowl, Meiji Period (1868‑1912), decorated with “Persian” reserves of exotic birds and flowers on a blue ground with prunus branches, well with stylized flowerhead and song birds, h. 6 1/8 in., dia. 14 3/4 in. $1000/1500 Provenance: Whitehall Antiques, Chapel Hill, NC, 2014.

1189. Monumental Japanese Satsuma Pottery Vase, Meiji Period (1868‑1912), ovoid body with winged beast handles, banded flared neck, foliate rim, splayed foot, decorated with figural scenes with raised gilt and moriage highlights, base marked, h. 30 3/4 in. $1000/1500 1190. Pair of Japanese Arita Blue and White Porcelain Dishes, 19th c., each with bold central scene of rock, peonies, and butterflies, encircled around the rim by a key‑fret band, dia. 11 1/4 in. $800/1200 Provenance: Acquired Indonesia, c. 1975.

1191. Japanese Polychrome Porcelain Baluster Vase, Meiji Period (1868‑1912), decorated with butterflies and flowers between shishi and floral meanders at the neck and foot, base with “Dai Nippon...” mark, h. 14 1/8 in. Note: Restoration. $300/500 Provenance: William Word Fine Antiques, Atlanta, GA, 2012.

1192. Two Asian Glazed Clay Pots, drum‑form bodies with four loops (lacking metal handles), finialed domed covers with bosses around the rims, mottled blue‑green glaze, h. 8 5/8 in. and 5 3/4 in., w. 13 1/2 in. and 9 1/2 in. $400/600

1194. Chinese Carved Hardwood Low Table, waisted framed panel top, square legs, incurvate feet, labeled “Imported by / Royal Cathay Trading Co. / San Francisco / Made in Hong Kong”, h. 14 in., w. 58 in., d. 20 in. $250/500 1193. Chinese Cinnabar Decorated Console Table, probably early 20th c., top with peony and birds, centered by a landscape, shaped frieze, shaped bracketed legs, h. 33 in., w. 50 1/2 in., d. 18 in. $400/800 Additional information at www.nealauction.com

175

1195. Antique George IV Polychromed Child’s Dollhouse, 19th c., later stand with picket fence, square legs, X stretcher, h. 67 1/2 in., w. 25 1/2 in., d. 14 in. $700/900

1196. [Mardi Gras], Mystick (sic) Krewe of Comus, March 7, 1905, theme “The Lost Pleiad”, parade bulletin, float design

by Jennie Wilde, lithographer Walle & Co., sheet 28 in. x 42 in., unframed. $500/700

1197. [Mardi Gras], Knights of Momus, February 11, 1904, theme “Visions of the World’s Vanities”, parade bulletin, lithographer Walle & Co., sheet 28 in. x 42 in., unframed. $500/700

Ill.: Schindler, Henri. Mardi Gras Treasures, Float Designs of the Golden Age. New Orleans: Pelican Publishing Company, 2001, pp. 124‑25.

1198. West Indian Hardwood Planter’s Chair, early 20th c., shaped crest rail, outscrolled arms with extensions, caned back and seat, turned legs, h. 38 in., w. 29 1/4 in., d. 29 1/2 in. $200/400

1199. Vintage Rustic Painted Armchair, early 20th c., probably American, tablet crest rail, carved spindles, plank seat, splayed legs. $150/250

1200. Antique Queen Anne‑Style Mahogany Side Chair, vasiform splat, molded slip seat, volute cabriole legs, pad feet. $200/400

1201. Good English Walnut Drop‑Leaf Dining Table, 19th c., chamfered legs, h. 28 1/2 in., w. (open) 56 1/2 in., d. 43 1/2 in. $300/500

1204. Two Antique English Ships in Bottles, depicting the HMS Pantaloon and Bombay Lady, on wood stands, the largest l. 13 1/4 in. $200/300

1202. Susan Dysinger (American, 20th c.), “Procession”, color intaglio etching, pencil‑signed, titled and inscribed “Artist Proof” lower margin, sight 25 1/2 in. x 19 1/2 in., framed. $100/200 Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

176

1203. James King (American/ Louisiana, Contemporary), “Interior with Cat”, 1986, tempera on paper, signed and dated lower right, “Zimmerman Saturn Gallery, Nashville, Tennessee” label en verso, 11 in. x 15 in., framed. $300/500

1205. Six Vintage “La Lorraine” Green Glass Storage Jars, 20th c., with thistle embossed hinged covers and five tin placard labels, h. 9 in. $100/200

1207. French Gilt Bronze and Crystal Six‑Light Chandelier, 20th c., vasiform standard, foliate arms, h. 21 in., dia. 26 in. $500/700

1208. Two English or American Blown Glass Fly Catchers, mid‑19th c., one clear with stopper, h. 6 1/2 in.; the other aqua, h. 5 1/2 in. $200/300

1206. Inuit Carved Stone Walrus, 20th c., signed “PAOUTA”, h. 9 1/4 in., w.

6 3/4 in., d. 6 3/4 in; together with three Inuit carvings, 20th c., incl. two stone seals on Plexiglas® bases, and a bone walrus, largest l. 12 3/4 in. $200/400

1210. American Carved Walnut Bowfront Washstand, late 19th c., marble top and backsplash, frieze drawer, two arched paneled doors, bracket feet, casters, h. 38 in., w. 31 in., d. 19 in. $200/400

1211. Chippendale‑Style Mahogany Camelback Sofa, cabriole legs, ball and claw feet, claret damask upholstery, h. 36 in., w. 73 in., d. 31 in. $300/500

1209. American Carved Mahogany Rocking Chair, mid‑19th c., foliate‑carved crest rail, padded scrolled arms, serpentine seat rail, tufted upholstery, h. 42 in., w. 24 1/2 in., d. 34 1/2 in. $150/200

1212. American Federal Fireplace Accessories, early 19th c., incl. bell metal andirons with acorn finials, h. 20 in., w. 19 in., d. 10 in.; associated brass shovel, tongs and poker; and wirework screen, h. 30 in., w. 29 in., d. 9 1/2 in., (6 pcs.) $600/900 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

1214. Napoleon III Gilt Bronze Mantel Clock, mid‑19th c., “Japy Freres” movement, cavorting winged putto above Rococo case, h. 19 in., w. 12 1/2 in., d. 6 1/2 in. $700/1000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1213. Pair of American Patinated Pewter Lamps, late 19th c., wick adjuster labeled “Novelty”, fonts with frieze relief of dancing maenads, patera decorated circular bases, cut and etched shades, electrified, h. 22 in., w. 6 in. $600/900

1216. Pair of Paris Porcelain Candlesticks, mid‑19th c., impressed marks, with applied bisque figures of children, h. 9 1/4 in. $150/250 Provenance: Temple Heights, Columbus, MS.

1215. Napoleon III Bronze and Marble Mantel Clock, probably late 19th c., reclining Muses with terrestrial globe, h. 15 in., w. 22 1/2 in., d. 7 in. $500/800 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1218. Continental Porcelain Pôts‑de‑Crème Set, 19th c., gilt and polychrome floral decoration, incl. 6 covered pots, h. 3 1/4 in.; and tray, dia. 8 1/4 in.

(7 pcs.) $500/700

1217. Paris Porcelain Sultana Room Scenter, c. 1850, signed “MA”, probably Margaine, act. 1839‑1867, magnum size, h. 9 1/4 in. Note: Losses and restoration. $200/300 Provenance: Temple Heights, Columbus, MS.

1219. Paris Porcelain Center Bowl, 19th c., polychrome and gilt decoration, reserved with clipper ship, h. 5 in., dia. 11 in. $300/500

Ref.: De Guillebon, R. Paris Porcelain, p. 339.

Additional information at www.nealauction.com

177

1221. American Gilt Bronze and Brass Solar Lamp, c. 1850, attr. to Starr, Fellows and Company, New York, foliate cast standard, stepped marble plinth, crystal prisms, cut and etched glass shade, overall h. 18 1/2 in., electrified. $200/400

1220. Pair of American Gilt Brass Three‑Light Girandoles, 19th c., attr. to Cornelius and Baker, Philadelphia, figural standards cast as teacher and pupil in tropical setting, back-$cut crystal prisms, marble bases, h. 6 1/4 in., w. 18 in. $200/400

1222. Continental Bronze Figure of Mercury, 19th c., after Giovanni da Bologna (Flemish/Italian, 1529‑1608), h. 32 1/2 in. $500/800

Ref.: Gowitt, Gerald, 19th Century Elegant Lighting, 2002, p. 104.

1223. Charles Fritchie (American/ New Orleans, b. 1936), “Sleeping Nymph”, c. 2000, patinated bronze, w. 26 1/4 in. $150/250

1224. Charles Fritchie (American/ New Orleans, b. 1936), “Portrait Bust of a Girl”, 1991, patinated bronze, inscribed “Fritchie” and dated on rear truncation, h. 13 1/2 in., w. 8 in., d. 7 in. $300/500 Provenance: Collection of the Artist.

1227. Hayne E. Rudolf (American/ Mississippi, late 20th c.), “Standing Man with Feathers”, and “Bird in Flight”, papier‑mâché and mixed media, each monogrammed “H.E.R” upper right and signed “Hayne” in center, h. 16 1/2 in. and 1 1/2 in., respectively. (2 pcs.) $200/300

1231. Antique American Polychromed Cast‑Iron Robert E. Lee Door Stop, h. 7 1/2 in. $100/150

178

1228. Charles Fritchie (American/ New Orleans, b. 1936), “Man Wearing Shorts”, 2005, bronze, base dated and inscribed “Fritchie”, h. 27 in. $300/500 Provenance: Collection of the Artist.

1225. Patinated Metal Figure of an Athlete, 20th c., h. 26 1/2 in. $300/500

1229. Mario Villa (Nicaraguan/New Orleans, b. 1953), “Winged Victory”, 1988, patinated brass, signed, dated and numbered “23/50” on base, h. 8 3/4 in. $100/200

1226. Hayne E. Rudolf (American/ Mississippi, late 20th c.), “Emily in a Hat and Sunglasses”, papier‑mâché and mixed media, h. 42 in. $400/600 Provenance: Acquired from the artist.

1230. Three Del Prado Toy Soldiers on Horseback, labeled; together with Antique Wolverine Toy Co. Enameled Tin Wind‑Up Drum Major Toy, labeled and marked with Patent No. 1892456, h. 13 in. $300/500

1232. Extensive Group of Vintage Wicker, incl. daybed, ottoman, 8 chaises, 2 tables, 4 rocking armchairs; together with all pillows and tablecloths, (16 pcs.), daybed h. 33 in., w. 87 in., d. 39 in.; one table h. 29 in., w. 35 in., d. 34. $1500/2500

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder.

At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%.

2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online.

3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration.

5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company.

Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer.

Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana.

Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Additional information at www.nealauction.com

179

Artist Index ✹

November 21 & 22, 2015 180

A Wayman Adams, 1120 Conrad Alfred Albrizio, 283 Captain J.E. Alexander, 546 Enrique Alferez, 281, 282, 288, 289, 308, 309 Jere Hardy Allen, 299, 304 American School, 458, 548, 572, 575, 603, 692, 828, 847, 1000, 1001 James McConnell “Mac” Anderson, 502, 503 Walter Inglis Anderson, 235, 236, 241, 242, 254, 255 Anglo-Indian School, 616 Peter Apostolos, 533 Frank Ashley, 294 John James Audubon, 230234, (aft) 549-551, 576578, 623, 624, 804-807 B Henrietta Davidson Bailey, 490, 491 Ernest J. Bellocq, 315 Thomas Hart Benton, 216, 908, 909 Mark Bercier, 1012 Georges Braque, 1117 British School, 694 Sir Thomas Brock (aft), 146 Alice Dalton Brown, 1114 William Henry Brown (attr), 1025 William Henry Buck, 174, 1023 C Giuseppe Cadenasso, 962 Angelo Campanella, 413 Cecilia Margaret Campbell (attr), 778 Paul Caranicas, 875 Elihu Carranza, 1124 Susan Carranza, 1124 Mary Cassatt (attr), 989 Henry Casselli, 256 Antoine-Denis Chaudet, 20 Dale Chihuly, 279 Chinese School, 19 Gustave Cimiotti, 963 Richard Clague, 167 Sandra Russell Clark, 986988 Thomas Clarke (aft), 534 Louis Antoine Collas, 454 Charles-Jean-Baptiste Colson, 457 Continental School, 460, 541, 542, 966, 1222 Jeffery Cook, 594 John P. Couret, 1018, 1019 Ralston Crawford, 284, 286 Alvyk Boyd Cruise, 317 Edward Sheriff Curtis, 328, 517, 518, 853

D Ronald Davis, 1002, 1003 Stuart Davis, 285 Marie Therese Bernard de Jaham, 881 Martinus De La Court (aft), 1054 Henri De Lattre, 228 Eugene Delcroix, 557-560, 601 Johnny Donnels, 532 Alexander John Drysdale, 157, 214, 860, 862, 870, 878 Adolfo Dumini, 1029 George Dunbar, 323-325, 873, 874 William Dunlap, 1115 Grace Blethen Dunn, 497, 512, 515 George Dureau, 525, 526 Caroline Wogan Durieux, 464, 507, 508, 626, 627 Dutch School, 967, 1066 Susan Dysinger, 1202 E Auguste Edouart, 212 Dietz Edzard, 968 Jo Ellonga, 329 Walker Evans, 192 F George Febres, 301 Harry Fenn, 998 François Fleischbein, 463 Leonard Theobald Flettrich, 326 Leónard Tsugouharu Foujita, 287 Henry William Frackman, 178 French School, 852, 999 Charles Fritchie, 1223, 1224, 1228 G Jacques-Edouard Gatteaux, 16 Arnold Genthe, 260 German School, 691 Giambologna (aft), 445, 1222 Lee Godie, 543 Rolland Harve Golden, 896, 1007, 1013, 1028 Xavier Gonzalez, 1022 Witold Gordon, 573 Robert Gordy, 522-524, 527530, 981 William P. Gottlieb, 531 John Gould, 545 Abbott Fuller Graves, 253 Angela Gregory, 318, 483, 484 Charles Gresham, 1021 Louis Oscar Griffith, 238, 239

H Theora Hamblett, 303 James Carl Hancock, 556 Rene Haro, 1010 Rachel Hartley, 844, 996 Childe Hassam, 259 Martin Johnson Heade (aft), 1024 Colette Pope Heldner, 867, 868, 891, 892, 897, 1005, 1006 Knute Heldner, 504-506 James John Hill, 617 Morris Henry Hobbs, 215, 316, 555 Julius Robert Hoening, 886 Helen Hunt Bencker Hoie, 1121 Clyde E. Horton, 866 John Joseph Hughes, 779 Marie Atkinson Hull, 217, 219, 877 Clementine Hunter, 297, 298, 880, 882, 883, 889, 890, 1014 James Hussey, 879 Alfred Heber Hutty, 40 I Italian School, 445, 1030, 1031 J John Jackson (attr), 777 Japanese School, 1187 G. Jochini, 340 John Johnson (attr), 693 Everett B.D. Julio, 827 K James King, 1203 Alberta Kinsey, 213 Johann Christian Klengel, 1026 Eleanore Kentner Kohler, 1027 Ida Rittenberg Kohlmeyer, 293, 310, 311, 983, 985 L James Lamantia, 291, 872 Evgeny Alexandrovich Lanceray (aft), 1183 Latin American School, 1053 Clarence John Laughlin, 469, 471-474, 509, 510, 519 John Lawrence, 521 Edward Chalmers Leavitt, 843 Emilie Marie de Hoa LeBlanc, 488 Marie de Hoa LeBlanc, 486, 495 Byron Levy, 1004 Roy Lichtenstein, 990 Jules Lion, 554 Guido Llinás, 984 Charles Oglesby Longabaugh, 863, 869

Louisiana School, 885 Albert Lynch, 965 M Dr. Helena Maas, 893-895 Sol Marcus, 995 Nicola Marschall (attr), 799 Albert Matignon, 969 John McCrady, 459, 470, 485, 628 Joseph Rusling Meeker, 173, 222, 226, 452 Frank Thayer Merrill, 499 James Michalopoulos, 302 John S. Miller, 465 Clarence Millet, 218, 240, 864, 865, 992, 1119 Clark Mills (aft), 376 Andres Molinary, 191 C. Bennette Moore, 561 Christina Morton, 237 N Arnold Newman, 327 Helmut Newton, 312-315 Jean Cappadona Nichols, 319 Paul Ninas, 290, 489 P Walter Launt Palmer, 220, 959 Jules Pascin, 1116 Rembrandt Peale (attr), 229 Achille Perelli, 155 Emilio Sanchez-Perrier, 961 Marie Adrien Persac, 189 Pablo Picasso, 481, 482 Émile Pinèdo, 17 Giovanni Battista Piranesi, 631 Thorwald A. Probst, 997 R Charles Henry Reinike, 1008 Matt Rinard, 1118 Alexander Robinson, 960 George Rodrigue, 280, 296, 305, 320, 321 Marie Jeanne Amelie Roman, 494 Frederick Rondel, Jr., 801 Robert Malcolm Rucker, 887, 888 Harold Rudolph, 884 Hayne E. Rudolf, 1226, 1227 Walter Rutkowski, 500, 547 S José Francisco Xavier de Salazar y Mendoza, 190 Henry Salt, 450 Louise Angelique Sarrazin, 1015-1017 Hattie Saussy, 224 Paul Sawyier, 223 Lulu King Saxon, 153 George Schmidt, 300

John T. Scott, 501 Robert Gillam Scott, 466 Daniel Seghers (mnr), 412 Prideaux John Selby, 625 José Silbert, 453 Hunt Slonem, 322, 980 Alice Ravenel Huger Smith, 225 Milda Spindler, 579 William Louis Sonntag, Jr., 876 William Louis Sonntag, Sr., 221 Southern School, 179, 467, 826, 1020 Southern/American School, 468 Karen Stastny, 982 Meyer Straus, 802, 803 George Washington Sully, 461 T Prentiss Taylor, 1122 Paula Temple, 306 Etienne Thien, 427 Theodore Tihansky, 964 Isaak Tirion, 809 William Tolliver, 295, 307, 861 James Turnbull, 830 V Vargas Family, 602 Elizabeth O’Neill Verner, 41 Emile Vernon, 414 George Louis Viavant, 154, 156, 172 Mario Villa, 1229 W John P. Walker, 800 William Aiken Walker, 168171, 175-177, 227, 451, 462 Alfred R. Waud, (aft) 552, 574 Nat Werner, 1182 William Edward West (aft), 544, 618 White Studio, 520 Edgar Albert Whitney, 1011 Rosalie Mildred Roos Wiener, 516 Alexander Wilson, 808 Franz Xaver Winterhalter (aft), 690 Robert W. Wood, 871 Ellsworth Woodward, 487, 492, 493, 496, 498, 513, 514, 993, 994, 1123 William Woodward, 257, 258, 511, 991, 1009 Z Alois Zabehlicky, 780 Hans Zatzka, 415 José Jesús Francisco Zúñiga Chavarria, 292

0095-$1000 0096-$428 0097-$306 0098-$126 0099-$612 0100-$245 0101-$687 0102-$428 0104-$693 0105-$567 0106-$630 0107-$375 0109-$796 0110-$1163 0111-$367 0112-$3185 0113-$980 0114-$980 0115-$673 0116-$3675 0118-$183 0119-$2450 0121-$378 0122-$107187 0123-$33687 0124-$33687 0125-$22050 0126-$20825 0127-$7656 0128-$1837 0129-$3062 0130-$6737 0132-$20825 0134-$2375 0135-$504 0136-$819 0137-$2143 0138-$3437 0140-$735 0141-$1225 0142-$1592 0143-$3552 0145-$1000 0146-$2625 0147-$2205 0148-$19600 0149-$58187 0150-$1625 0151-$1008 0152-$1638 0154-$5512 0155-$2450 0156-$2772 0157-$2520 0158-$6125 0159-$7962 0160-$11025 0161-$2205 0162-$1960 0163-$3125 0164-$1225 0166-$15312 0167-$17762 0168-$1512 0170-$1960 0171-$9800 0172-$687 0176-$1260 0177-$2450 0179-$437 0180-$5512 0181-$1638 0182-$11340 0183-$367 0184-$245 0185-$283

0187-$918 0188-$980 0189-$756 0190-$1260 0191-$1347 0192-$2835 0193-$315 0194-$187 0196-$2940 0197-$1386 0198-$980 0199-$2016 0200-$630 0202-$1375 0204-$1197 0205-$1163 0207-$1347 0211-$980 0212-$3750 0214-$3062 0216-$2268 0219-$2394 0225-$6875 0226-$490 0228-$630 0230-$437 0231-$306 0232-$673 0233-$378 0235-$183 0239-$7656 0242-$3368 0245-$4687 0248-$796 0249-$1163 0250-$1837 0255-$10412 0257-$1625 0258-$819 0259-$3368 0260-$490 0262-$1041 0263-$2205 0264-$1875 0269-$4410 0271-$1470 0272-$2756 0273-$9187 0274-$1512 0275-$1225 0276-$980 0277-$882 0279-$1260 0283-$2812 0284-$612 0285-$1225 0286-$3125 0287-$562 0289-$2817 0290-$2520 0292-$490 0293-$2143 0295-$1750 0296-$3981 0299-$3675 0300-$630 0301-$612 0303-$3797 0306-$1375 0307-$1347 0311-$8881 0313-$612 0314-$1000 0315-$2817 0316-$735 0317-$7875

0318-$3981 0320-$4900 0321-$2143 0322-$1837 0323-$261500 0324-$12250 0325-$15925 0326-$14700 0327-$2125 0328-$1470 0329-$1470 0330-$31850 0331-$7962 0333-$2450 0334-$1837 0336-$10625 0337-$4593 0338-$8575 0339-$2572 0340-$490 0341-$1347 0342-$312 0343-$312 0344-$1062 0346-$490 0347-$1102 0348-$1470 0349-$567 0350-$107187 0351-$14700 0352-$15312 0353-$7500 0354-$11025 0355-$8750 0356-$9800 0357-$6300 0358-$3062 0359-$2500 0360-$2082 0361-$2327 0362-$735 0363-$9493 0364-$3062 0365-$28175 0366-$6737 0367-$4375 0368-$4900 0369-$9187 0370-$17150 0371-$110250 0372-$55125 0374-$3307 0375-$8750 0376-$110250 0377-$8575 0378-$4375 0379-$16537 0380-$1102 0381-$1347 0383-$3750 0384-$7350 0385-$1102 0386-$7350 0387-$562 0388-$44100 0389-$375 0390-$490 0391-$2450 0392-$2500 0393-$245 0394-$756 0396-$1625 0397-$183 0401-$472 0402-$6250 0403-$1625

0404-$2817 0405-$3750 0406-$857 0407-$14700 0409-$3368 0410-$9800 0411-$5355 0412-$490 0413-$945 0414-$367 0415-$306 0417-$490 0418-$750 0419-$693 0421-$630 0422-$980 0424-$312 0425-$875 0426-$245 0427-$187 0428-$367 0429-$126 0431-$1512 0432-$612 0433-$183 0436-$1225 0437-$1750 0440-$490 0441-$315 0443-$1008 0444-$2695 0445-$6125 0449-$980 0450-$1225 0453-$1960 0454-$1592 0455-$4287 0456-$2695 0457-$312 0459-$1102 0462-$882 0464-$630 0465-$1000 0471-$1102 0472-$2082 0474-$857 0476-$367 0478-$882 0479-$812 0481-$187 0482-$857 0484-$630 0488-$378 0490-$375 0495-$4900 0499-$250 0500-$500 0501-$315 0502-$945 0503-$378 0505-$156 0506-$409 0507-$428 0508-$490 0509-$567 0510-$1102 0511-$1071 0512-$4725 0513-$367 0514-$245 0515-$1225 0516-$6125 0518-$6737 0519-$1102 0523-$980 0524-$122

0525-$612 0526-$367 0528-$1225 0530-$1512 0533-$3437 0535-$1102 0540-$750 0543-$1225 0544-$612 0547-$189 0548-$1134 0549-$490 0550-$189 0552-$375 0553-$735 0554-$1512 0555-$735 0556-$756 0557-$183 0559-$2450 0560-$122 0561-$551 0562-$551 0563-$375 0564-$153 0565-$183 0566-$312 0567-$245 0568-$367 0569-$122 0570-$4287 0572-$882 0573-$1134 0574-$1386 0575-$1512 0576-$220 0578-$945 0580-$1134 0581-$375 0582-$3062 0583-$980 0584-$1134 0585-$126 0586-$2327 0587-$6125 0588-$504 0590-$367 0592-$12250 0595-$1638 0600-$9800 0601-$4410 0603-$4287 0605-$428 0606-$612 0607-$980 0610-$19600 0611-$567 0612-$756 0613-$157 0614-$1250 0616-$504 0617-$1837 0618-$980 0619-$5818 0621-$367 0622-$612 0624-$306 0625-$153 0626-$980 0629-$551 0630-$551 0631-$367 0633-$857 0635-$252 0637-$81 0638-$630

0640-$2205 0641-$1102 0642-$735 0643-$1225 0644-$1715 0645-$1008 0646-$218 0647-$535 0648-$819 0649-$857 0651-$1470 0654-$189 0655-$378 0656-$2016 0657-$1347 0658-$250 0659-$245 0660-$796 0661-$189 0663-$735 0664-$693 0665-$857 0667-$857 0668-$245 0669-$625 0671-$315 0673-$857 0674-$122 0675-$1197 0677-$612 0679-$428 0680-$9187 0682-$4287 0683-$490 0684-$1592 0685-$980 0686-$1837 0687-$3675 0688-$1225 0691-$918 0692-$750 0694-$441 0695-$612 0697-$2000 0699-$1225 0700-$306 0701-$1000 0702-$625 0703-$980 0704-$735 0705-$490 0706-$735 0707-$367 0708-$183 0709-$980 0710-$980 0711-$1715 0712-$39200 0713-$5355 0714-$500 0715-$812 0716-$428 0718-$5312 0719-$245 0720-$735 0721-$4287 0722-$1715 0723-$2572 0724-$1837 0725-$306 0726-$367 0727-$980 0728-$367 0733-$1592 0740-$245 0741-$5818

0742-$6431 0745-$306 0746-$612 0747-$312 0748-$1715 0749-$504 0750-$1225 0752-$918 0755-$1260 0756-$490 0757-$490 0758-$428 0759-$612 0760-$490 0761-$306 0762-$245 0763-$367 0764-$245 0765-$153 0766-$153 0767-$535 0768-$183 0769-$819 0770-$1386 0771-$1638 0772-$612 0775-$1260 0776-$428 0777-$245 0778-$306 0779-$183 0780-$312 0781-$980 0782-$1125 0783-$7656 0784-$7350 0785-$23275 0786-$4900 0787-$49000 0788-$1470 0789-$1715 0790-$735 0791-$315 0792-$520 0793-$183 0796-$275 0797-$630 0798-$980 0799-$490 0801-$183 0802-$5206 0803-$9800 0804-$6125 0805-$18375 0808-$5670 0809-$9800 0810-$4593 0811-$6615 0812-$11025 0813-$10412 0814-$1470 0815-$1592 0816-$490 0817-$750 0818-$857 0819-$490 0820-$490 0821-$16537 0822-$1250 0823-$4287 0824-$7350 0825-$3062 0825A-$11331 0826-$2205 0828-$3981 0829-$4725

0830-$1000 0831-$756 0832-$2756 0833-$1225 0834-$1890 0835-$1260 0836-$2450 0837-$6125 0838-$673 0841-$500 0842-$1008 0843-$1250 0844-$4287 0845-$857 0846-$625 0847-$1008 0848-$857 0849-$250 0850-$1470 0851-$1250 0852-$1041 0854-$750 0856-$122 0857-$2205 0859-$428 0860-$980 0861-$2142 0863-$693 0865-$857 0866-$1875 0867-$1260 0869-$490 0871-$252 0873-$735 0877-$857 0878-$367 0879-$245 0880-$2250 0882-$183 0884-$857 0886-$1102 0887-$2500 0888-$1470 0889-$735 0890-$535 0892-$1250 0893-$918 0894-$3062 0895-$2327 0897-$1102 0898-$735 0899-$490 0902-$245 0904-$687 0905-$490 0906-$3981 0907-$245 0908-$490 0911-$312 0912-$490 0913-$367 0914-$187 0915-$367 0916-$245 0917-$504 0919-$183 0920-$367 0921-$441 0923-$306 0924-$122 0925-$125 0926-$122 0927-$504 0928-$378 0929-$187 0931-$1225

0932-$245 0933-$3402 0934-$980 0936-$367 0937-$687 0938-$490 0940-$625 0942-$630 0943-$367 0944-$1750 0945-$1250 0946-$1347 0949-$1071 0950-$367 0951-$2125 0952-$6125 0953-$735 0954-$1041 0958-$980 0959-$819 0961-$1163 0962-$875 0963-$428 0964-$245 0966-$428 0967-$581 0968-$183 0969-$245 0970-$306 0971-$428 0972-$245 0974-$367 0976-$1470 0977-$157 0978-$490 0980-$980 0981-$612 0982-$245 0983-$315 0984-$375 0986-$183 0987-$459 0989-$490 0990-$490 0991-$490 0992-$312 0993-$375 0994-$245 0995-$490 0997-$612 0999-$1750 1000-$252 1001-$625 1002-$625 1003-$504 1004-$551 1005-$875 1006-$252 1007-$367 1008-$945 1009-$1008 1013-$504 1014-$245 1015-$437 1016-$250 1018-$945 1019-$187 1020-$1225 1022-$1470 1023-$490 1024-$980 1027-$122 1028-$1347 1029-$750 1031-$183 1032-$428

1034-$252 1035-$612 1037-$245 1039-$183 1040-$93 1041-$126 1042-$625 1043-$153 1044-$183 1046-$1187 1050-$367 1051-$245 1052-$625 1053-$819 1057-$153 1058-$375 1062-$157 1066-$1041 1067-$183 1068-$153 1069-$275 1071-$250 1073-$375 1074-$504 1076-$187 1077-$437 1078-$378 1079-$735 1080-$500 1081-$245 1082-$306 1083-$91 1086-$122 1087-$122 1089-$153 1090-$122 1091-$245 1092-$857 1094-$735 1095-$183 1096-$122 1097-$214 1099-$367 1101-$367 1102-$336 1103-$283 1104-$250 1106-$183 1107-$187 1108-$245 1109-$252 1111-$367 1113-$252 1114-$126 1116-$250 1124-$490 1126-$490 1127-$250 1129-$750 1130-$756 1131-$346 1132-$245 1133-$245 1135-$122 1137-$630 1138-$882 1144-$153 1145-$1225 1146-$250 1147-$980

Additional information at www.nealauction.com

Auction Results for September 12 & 13, 2015

0001-$625 0002-$673 0003-$612 0005-$367 0006-$490 0007-$857 0008-$312 0010-$122 0011-$367 0012-$551 0013-$1960 0014-$3062 0015-$1625 0016-$7350 0017-$22662 0018-$10718 0019-$10718 0020-$9493 0021-$2000 0022-$2205 0023-$1715 0024-$1000 0025-$2000 0026-$3675 0027-$4900 0028-$3750 0030-$1890 0031-$1286 0032-$630 0033-$819 0036-$1225 0037-$1225 0039-$245 0040-$812 0041-$612 0042-$1102 0043-$1470 0044-$551 0046-$367 0047-$378 0048-$245 0049-$214 0050-$183 0051-$367 0052-$428 0053-$4287 0054-$1134 0056-$1960 0057-$1102 0058-$4095 0059-$6125 0060-$8750 0061-$4687 0063-$1000 0064-$441 0065-$1890 0066-$3981 0068-$367 0070-$2756 0071-$5512 0072-$3750 0073-$4687 0074-$1250 0078-$378 0079-$1347 0080-$1592 0081-$612 0083-$2142 0084-$3368 0088-$980 0089-$1592 0090-$8268 0091-$1102 0092-$2940 0093-$882 0094-$275

181

Please join Neal Auction Company for a special gallery talk

Conscious Freedom: The Newcomb Pottery Enterprise Given by Sally Main, Newcomb Pottery Scholar and Author Saturday, November 14 | 11 AM 4038 Magazine Street | NOLA

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness -$ In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness -$ In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” -$ In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness -$ In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness -$ In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness -$ In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature“George Inness” -$ In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

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Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers; Sarah DeBoard Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Consignments & Evaluations

Claire Thriffiley Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan

AUCTION SERVICES

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

OPERATIONS Director of Operations

Charles Lee Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

CATALOGUE CONSULTANTS

EXHIBITION STAFF

Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

Neal Auction Company

Neal Auction Company Louisiana Purchase Auction™ November 21 & 22, 2015

November 21 & 22, 2015