Louisiana Purchase Auction - November 16-18, 2018 by Neal Auction

Neal Auction

Louisiana Purchase Auction TM

November 16, 17 & 18, 2018

Louisiana Purchase AuctionTM November 16, 17 & 18, 2018 ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street Featuring: Williamson-LeBlanc Collection from the Iconic “Cornstalk Fence” House, New Orleans Rare American Rococo Furniture from the Estate of Gordon and Vera Noakes, Detroit Exceptional Collection of Paintings and Furniture from a Baton Rouge Couple Fine American Classical Furniture from a New Orleans Antiquarian Important American Furniture from a Distinguished New York City Collection Impressive Collection of Chinese Export Porcelain from an A. Hays Town Residence, Baton Rouge China Trade Painting Descended in the Mobile, AL Family of American China Trade Merchants Elias Hasket Derby and Joseph Peabody American and Chinese Furniture and Decorative Arts from a Gentleman’s Collection, Las Vegas Important Chinese and Indonesian Paintings Collected by U.S. Marine Corps Lt. General Edward J. Miller (1922-1993) Louisiana Art and Pottery from the Estates of Webb Douglas and Kathleen Cascio Wink, Baton Rouge Part II, Exceptional Newcomb Pottery from an Esteemed Breaux Bridge Collection And Property of Others. EXHIBITION Exhibition at both galleries begins Monday, November 5, 10 a.m. to 5 p.m. Special Saturday Preview, November 10, 10 a.m. to 5 p.m. Evening Preview Reception, Wednesday, November 14, 5 to 8 p.m. AUCTION SCHEDULE Friday, November 16, 2 p.m., 4038 Magazine Street Saturday, November 17, 10 a.m., 4038 Magazine Street Sunday, November 18, 11 a.m., 3923 Carondelet Street

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Neal Auction Company is pleased to present

THE COLLECTION OF HAROLD L. WILLIAMSON AND DR. R. DALE LEBLANC FROM THE ICONIC CORNSTALK FENCE HOUSE The Cornstalk Fence House is one of the grandest of New Orleans’ grand dame houses. Designed by renowned architect Henry Howard, and built 1859-1860 for “Blue Grass Colonel” Robert Henry Short, a prominent cotton commission merchant, it is now on the National Register of Historic Places. Its name comes from the distinctive cornstalk and morning glory motif cast iron fence furnished by Wood & Miltenberger, the New Orleans branch of the Philadelphia foundry Wood & Perot. This grand house has a storied past. It was seized by federal forces in 1863 and commandeered by Major General Nathaniel P. Banks, U.S. Commander, the Department of the Gulf in 1864. A host of dignitaries have dined in the house including Gens. Ulysses S. Grant and William T. Sherman. Julia Child has cooked in the kitchen and cellist Pablo Casals has performed in the music room. The tradition of vibrant hospitality would continue under the stewardship of Williamson and LeBlanc. Williamson, an interior designer, and LeBlanc, a physician, acquired the Cornstalk Fence House in 1994, and began a meticulous restoration of the property. Both gentlemen are committed preservationists and avid collectors. With Williamson’s design aesthetic and expertise as a decorator, and LeBlanc’s refined eye, the interior and exterior spaces and the garden became an elegant tout ensemble. The well curated Williamson-LeBlanc Collection encompasses fine French antiques, Louisiana paintings and historical material related to the house, as well as the accoutrements of entertaining and fine dining. As Patrick Dunne, the esteemed Vieux Carre antiquarian, observed “What a great place for a party! Parties there would be, and as they discovered while learning the tangled history of the place, parties there had been.” The Cornstalk Fence House has been featured in numerous publications, including Great Houses of America, Garden District of New Orleans, New Orleans Style: Past & Present, Landmarks of New Orleans, House Beautiful, Southern Accents, Romantic Homes and At Home in New Orleans. Ref. Dunne, Patrick. “Creole Carol,” House Beautiful, December 2002:84-93; Read, Mimi. “Mending Fences,” Southern Accents, September-October 2001: 184-193.

Session One Friday, November 16, 2 p.m. 4038 Magazine

2. Baker Mahogany Metamorphic “Party Butler” Tray, removable center tray, h. 27 1/2 in., l. (open) 89 in., w. 21 in. $400/600 1. American Aesthetic Carved Walnut Stand, late 19th c., stepped top, reticulated apron, medial shelf, griffin‑mounted cabriole legs, paw feet, h. 41 in., w. 18 in., d. 18 1/2 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

5. Queen Anne‑Style Carved Walnut Side Table, 20th c., labeled “Baker Furniture”, round case with small drawer, shaped apron, cabriole legs, h. 28 in., w. 21 1/2 in., d. 21 1/2 in. $300/500

3. American Renaissance Carved Walnut Portfolio Stand, 19th c., adjustable leaves, shaped supports, turned stretchers, outswept scrolled feet, casters, h. 39 in., w. 25 in., d. 20 1/4 in. $400/600

6. Antique English Tôle Peinte Gallery Tray, yellow ground with foliate motif, h. 1 1/4 in., w. 30 in., d. 23 in., now mounted as a table with a later bamboo‑carved stand, h. 16 in., w. 30 in., d. 23 in. $300/500

4. George II Carved Walnut Stool, probably 18th c., slip seat, shell‑carved cabriole legs, ball and claw feet, h. 19 in., w. 24 in., d. 19 1/4 in. $300/500

7. George I‑Style Mahogany Side Table, molded top, fitted with a drawer on each end, shell‑carved apron, cabriole legs, pad feet, h. 28 1/2 in., w. 35 1/2 in., d. 23 in. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

8. Regency‑Style Carved and Inlaid Mahogany Canterbury, 20th c., divided interior, turned baluster legs, casters, h. 23 in., w. 20 1/2 in., d. 14 in. $700/900

9. Egyptianesque Parcel Gilt, Polychromed Wood and Iron Coffee Table, glass top, resting on cornucopia shaped curule supports, iron stretchers, paw feet, h. 17 in., w. 64 in., d. 34 in. $500/750

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

10. Empire Bronze‑Mounted Mahogany Fire Screen, 19th c., surmounted by an eagle, columnar standard, turned base, h. 39 in., w. 24 in. $500/700

11. Pair of Egyptianesque Gilt and Polychromed Figures, Classical pose holding glass trays, plinth bases, h. h. 44 1/2 in., w. 11 in., d. 16 in. $800/1200

12. French Patinated Bronze Figure of “Venus de Milo”, after the Antique, inscribed “F. Barbedienne.Fondeur” on rear truncation with “A. Collas Réduction Mécanique” seal on base reverse, h. 33 3/4 in., w. 10 1/4 in., d. 8 1/4 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

14. Mosaic of St. Basil’s Cathedral, probably Russian, 13 3/4 in. x 12 3/4 in., framed. $500/700

15. Italian Renaissance Carved Oak Table, late 18th/early 19th c., octagonal top, conforming frieze, scrolled acanthus supports with paw feet, conforming molded plinth base, h. 28 1/4 in., w. 33 1/4 in., d. 29 in. $700/1000

13. French Carved Giltwood and Wrought Iron Four‑Light Sconce, 20th c., sheaf of wheat standard, scrolled backplate and candlearms, h. 25 in., w. 35 in., d. 7 1/2 in. $200/400

16. Circle of Nicolaes Maes (Dutch, 1634‑1693), “Portrait of a Lady”, oil on canvas, unsigned, 22 1/4 in. x 18 in., framed. $1000/1500

17. Manner of John Constable (British, 1776‑1837), “Evening Scene ‑ Hampstead”, oil on canvas, unsigned, label inscribed “J. Constable, R.A./ Evening Scene ‑ Hampstead” and titled on stretcher, 13 1/2 in. x 17 in., framed. $1500/2500

18. John James Audubon (American, 1785‑1851), “Wood Duck, Summer Duck”, “Common Buzzard”, “Common Osprey”, “American Robin or Migratory Thrush”, “Clapper Rail or Saltwater Marsh Hen” and “American Flamingo”, 6 hand‑colored lithographs, from The Birds of America, 6 1/4 in. x 9 1/4 in. to 9 1/4 in. x 5 3/4 in., all framed. (6 pcs.) $700/1000 22. John James Audubon (American, 1785‑1851), “Passenger Pigeon”, Plate 62, from The Birds of America, later edition, sheet 29 1/2 in. x 23 3/4 in., framed. $300/500

19. John Gould (British, 1804‑1881), “Ionolaima Schreibersi” and “Lafresnaya Flavicaudata”, 2 hand‑colored lithographs, from Hummingbirds, sights 20 1/2 in. x 13 1/2 in., framed alike. (2 pcs.) $600/900 Provenance: Cascio Wink Collection, Baton Rouge, LA.

20. John Gould (British, 1804‑1881), “Cyclopsitta Diophthalma” and “Cyclopsitta Coxeni”, 2 hand‑colored lithographs, from Birds of New Guinea and from Birds of Australia, sights 20 in. x 12 in., framed alike. (2 pcs.) $500/700

21. John Gould (British, 1884‑1881), “Palaeornis Malaccensis” and “Palaeornis Columboide”, 2 hand‑colored lithographs, from Birds of Asia, sights 20 in. x 13 1/2 in., framed alike. $600/900

24. Antique Italian Pottery Punchbowl, frolicking putti with vintage border, dolphin motif base, crazing, h. 8 3/8 in., dia. 16 in. $500/1000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

23. French School, 18th/19th c., “Lady in a Feathered Hat”, watercolor miniature, unsigned, 2 1/2 in. x 2 in., framed. $300/500

25. Pair of Paris Porcelain Campagna Urns, mid‑19th c., with Italianate landscape reserves, gilt embellishments, h. 9 3/4 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

26. Eight Limoges Porcelain “Balloon” Plates, 20th c., incl. pairs of “bonnin‑Mazet”, “Fr. Robert”, “Lunardi” and “von Luttendorff”, dia. 7 1/2 in., together with pair Freret Moustiers faience dishes, h. 10 1/2 in., w. 10 1/4 in. (10 pcs.) $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

27. Pair of Russian Polychrome and Gilt Porcelain Tazzas and Dessert Plates, after the Russian Imperial Factory design for the Kremlin Service, tazza h. 3 5/8 in., dia. 8 3/4 in., plate dia. 8 3/4 in.; together with 10 plates, Mottahedeh Hillwood Collection reproduction of the Russian Imperial Porcelain Factory design for the Yacht Service of Alexander II, dia. 10 in. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

28. Fine Antique English Lacquered, Gilt‑Decorated and Mother‑of‑Pearl Inlaid Papier‑Mâché Tray, mid‑19th c., shaped filigree stenciled rim, center with chinoiserie domed building in rockwork landscape, on later custom bamboo‑turned base, X stretcher, h. 21 in., w. 31 in., d. 24 in. $500/700

29. English Chinoiserie Lacquered Nest of Five Tables, 19th c., shaped incurvate tops, pierced lyre shaped supports, outswept arched legs, h. 28 in., w. 21 in., d. 12 1/2 in. $600/800

32. Pair of Italian Neoclassical Carved Walnut, Parcel Gilt and Ebonized Stools, early 19th c., foliate‑carved molding, faux leopard upholstery, acanthus‑carved paw feet ending in blocks, h. 17 in., w. 21 in., d. 18 in. $1500/2500

30. Regency Rosewood Étagère, early 19th c., galleried top above tiers, turned supports, lower drawer, turned feet, casters, h. 49 1/4 in., w. 17 in., d. 17 in. $500/700

31. Empire‑Style Carved Mahogany and Parcel Gilt Metamorphic Library Ladder Chair, pierced crest and slat, acanthus scrolled arms terminating in dolphins, molded hinged seat rail, sabre legs, stretchers, h. 37 in., w. 22 in., d. 20 1/2 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

33. Pair of Louis XV‑Style Bronze‑Mounted Marquetry Bombé Pedestals, inset marble top, floral inlaid reserves, sabot‑mounted feet, h. 46 in., w. 14 in., d. 14 in. $1000/1500

34. Pair of Louis XV‑Style Gilt and Patinated Bronze Chenets, 19h c., depicting putti sculpting a bust and reading, h. 18 in., w. 17 in., d. 10 in. $2000/3000 Additional information at www.nealauction.com

35. Pair of Egyptianesque Carved, Gilt and Polychromed Throne Chairs after the Antique, shaped back with “Ra” crest, figural back, winged arms, diamond carved seat mounted by lion’s masks stretcher, paw feet, h. 44 1/2 in., w. 26 in., d. 27 in. $4000/6000

36. Antique Louis XVI‑Style Cherrywood Dining Table, 19th c., drop‑leaf top, tapered legs, brass caps, casters, 8 later leaves, h. 30 3/4 in., l. (closed) 59 in., l. (extended) 175 in., w. 51 1/2 in. $3000/5000 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

37. Eight Louis XVI‑Style Crème Peinte Side Chairs, molded back, conforming seat rail, stop‑fluted tapered legs, velvet upholstery, h. 36 in., w. 18 3/8 in., d. 17 5/8 in. $2000/3000 Provenance: Lucullus Antiques, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

38. Four Louis XVI‑Style Crème Peinte Side Chairs, molded back, conforming seat rail, fluted tapered legs, velvet upholstery, h. 36 in., w. 18 3/8 in., d. 17 5/8 in. $1000/1500 Provenance: Lucullus Antiques, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

39. Louis XVI Gilt Bronze Oval Plateau, late 18th c., reticulated gallery with swag and tassel motif, well with sand painting, fluted feet, h. 3 in., l. 26 in., w. 19 1/4 in. $1200/1800 Provenance: Lucullus Antiques, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

42. Pair of Baccarat‑Style Bronze and Lapis Lazuli‑Mounted Cut Crystal Urns, h. 18 in., w. 9 in., d. 8 in. $1000/1500

41. Handsome Silverplate Gallery Tray, octagonal with reticulated gallery, flat‑chased well and bracketed scroll feet, h. 3 3/4 in., l. 24 in., d. 17 7/8 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

40. Continental Bronze‑Mounted Three‑Tier Alabaster Stand, late 19th c., columnar supports with foliate collars, scroll feet, h. 34 in., dia. 17 1/2 in. $700/1000 Provenance: Belle Alliance Mansion, Donaldsonville, LA.

43. Pair Italian Grand Tour‑Style Specimen Marble Obelisks, 20th c., typical form, h. 21 1/2 in., w. 6 in., d. 6 in. $1000/1500 44. Pair of Antique Italian Giltwood Figural Brackets, shaped shelf, figures of Pan and a mermaid, with acorns and oak leaves, h. 15 in., w. 13 3/4 in., d. 8 in. $700/900

45. Louis Philippe Bronze Four‑Light Figural Torchère, 19th c, winged figure holding cornucopia, issuing foliate candle arms, tall plinth base, h. 34 3/4 in., w. 5 1/2 in. $1400/1800

46. French Giltwood Overmantel Mirror, mid‑19th c., shell and scroll crest, h. 86 in., w. 64 1/2 in. $1500/2500 Provenance: Purchased Savannah, GA; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

47. Empire‑Style Bronze‑Mounted Mahogany and Painted Pier Mirror, 20th c., egg and dart molded cornice, tympanum painted with mythological scene, columnar stiles, h. 75 in., w. 46 in. $2500/3500 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 49. Antique American Satinwood and Gilt Harp, Lyon & Healz, Chicago, serial #940, 43 strings, 7 pedals; together with a soft case, h. 65 1/2 in., w. 18 in., d. 33 in. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

48. French Empire Gilt Bronze Figural Mantel Clock, early 19th c., silk‑thread movement, dial marked “Monney a Paris”, flanked by a figure of Bacchus toasting, a Roman military standard, and ewer, the frieze with grapevines and bacchantes, h. 17 3/4 in., w. 13 in., d. 4 3/4 in. $2500/3500 Provenance: Lucullus Antiques, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

50. Antique American Satinwood Art Case Grand Piano, c. 1900, Gildemeester & Kroeger & Son, New York, Vernis Martin classical scenes, also painted with a continuous gilt and floral band with composer’s names, now fitted with a Kurzweil Model SP88 Stage Piano, and a pair of Bose Lifestyle speakers, with en suite adjustable bench, h. (closed) 40 1/2 in., l. 74 in., w. 58 in. $4000/6000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

51. Georgian Boullework Bracket Clock, 18th c., Stephen Rimbault (1744‑1788), cartouche under dial engraved “Ste. Rimbault/ London”, brass dial surround painted with flowers and figures, four‑pillar, single fusée movement, on griffin feet, conforming bracket, total h. 30 in., w. 11 1/2 in., d. 6 1/4 in. $1000/1500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

52. Very Fine English Marquetry and Carved Walnut Center Table, mid‑to‑late 19th c., elaborately floral‑inlaid circular tilt top, bulbous turned standard, foliate scrolled cabriole legs, casters, h. 29 1/2 in., dia. 53 1/2 in. $1500/2500

Additional information at www.nealauction.com

54. Victorian Lacquered, Gilt and Mother‑of‑Pearl Inlaid Tray, mid‑19th c., decorated with spaniels, now fitted as a low table with later custom bamboo‑turned stand, h. 21 in., w. 25 in., d. 20 in. $300/500 53. Edwardian‑Style Painted Satinwood Tricoteuse Table, Maitland Smith, tray top, lyre supports, stretcher shelf, trestle base, h. 31 in., w. 27 3/4 in., d. 15 3/4 in. $500/750

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

55. William IV Carved Walnut Side Table, 19th c., turned standard, incurvate triangular plinth base, turned disc feet, h. 23 3/4 in., dia. 20 3/4 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

56. English Mahogany Writing Table, mid‑19th c., inset tooled leather top, gothicized paneled frieze with two drawers, turned legs, h. 31 in., w. 60 in., d. 33 in. $700/1000

57. Pair of Chesterfield Leather Club Chairs, button tufted back and arms, brass nailhead trim, turned feet, h. 28 1/2 in., w. 29 1/2 in., d. 34 in. $800/1200

58. Edwardian Satinwood Painted Carlton House Desk with Armchair, early 20th c., superstructure of drawers, cabinets and cubbyholes, writing surface above five drawers, kneehole center, turned tapered legs, desk h. 41 in., w. 47 in., d. 25 in.; chair h. 37 1/2 in., w. 23 1/2 in., d. 18 1/2 in. $2000/3000

59. Antique Empire‑Style Bronze‑Mounted Mahogany Bibliothèque, pedimented crest, eagle finials, two doors with bronze grille enclosing shelves, paneled base, ornate paw feet, h. 96 in., w. 43 in., d. 16 1/2 in. $3000/5000 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

60. George III Figured Mahogany Concertina‑Action Games Table, early 19th c., serpentine foldover top, inset leather playing surface, conforming frieze, elegantly carved cabriole legs, h. 29 in., w. 36 5/8 in., d. (closed) 18 1/2 in., d. (opened) 37 in. $1200/1800

61. French Bronze‑Mounted and Inlaid Mahogany Boulliotte Table, 19th c., Brêche d’Alps marble top, reticulated brass gallery, marquetry frieze, tapered legs with brass caps, h. 29 in., dia. 36 in. $1500/2500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

62. Régence Carved Walnut Serpentine Front Commode, 18th c., bronze urn and Comus mask pulls, urn escutcheons, carved chamfered corners, modified hoof feet, h. 40 in., w. 53 in., d. 26 1/4 in. $4000/6000

63. Pair of French Bronze‑Mounted Fluted Marble Pedestals, h. 40 in., w. 16 in., d. 16 in. $2500/3500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

65. Vasily Zasipkin (Russian/Indonesia, 19th/20th c.), “Boat in the Harbor” and “Houses on the Water”, 1929, 2 oils on canvas, former signed and latter signed and dated lower right, 15 3/4 in. x 28 in. and 17 1/2 in. x 24 1/2 in., framed. (2 pcs.) $1200/1800 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL. 64. Continental School, mid‑18th c., “Portrait of a Woman with Needlework”, oil on canvas, unsigned, 30 in. x 25 in., framed. $1000/1500 Provenance: Henry Stern, New Orleans, Aug. 1981, per receipt.

66. Pair of Egyptian Revival Silvered Metal and Ebonized Columnar Stands, probably French, circular top, incised flared standard, sphinx mounts, trapezoidal plinth bases, paw feet, h. 48 in., dia. 10 in. $1200/1800

68. Louis XVI‑Style Three‑Part Crème Peinte Duchesse, incl. armchair, recliner armchair and ottoman, shaped backs, scrolled arms, rounded seat rail, fluted legs, h. 40 in., w. 27 in., d. 24 in.; ottoman h. 16 in., w. 28 in., d. 24 in. $800/1200

67. Pair of Louis XVI‑Style Inlaid Mahogany Chiffonniers, superstructure cabinet, inset leather top, two drawers over cabinet doors, tapered legs, brass cuffs. $1000/1500

69. Louis Philippe Fruitwood Refraîchissoir, early 19th c., galleried marble top with bottle wells, two tiers, turned uprights, brass caps, h. 30 in., w. 18 in., d. 18 in. $400/600

70. Pair of Antique French Bronze‑Mounted Porcelain Urns, late 19th c., reserves painted with Cupid and Psyche amidst a chateau landscape, signed “J. Pascault”, h. 22 1/4 in., dia. 7 3/4 in. $1500/2500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

72. Pair of Antique Bronze‑Mounted Cut Crystal Two‑Light Girandoles, late 19th c., hung with faceted beads and pendeloque prisms, h. 18 in., w. 12 in., d. 5 in. $400/600 71. Berlin Porcelain Figure of a Young Lordly Boy in a Hat, marked KPM, h. 16 in., w. 8 1/2 in., d. 5 1/4 in. $500/750

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

73. Pair of French Bronze Candlesticks, 18th c., acanthus and turned standards, scroll feet embellished with putto masks, h. 13 3/4 in. $700/1000

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

77. Italian .800 Silver Coffee and Tea Service in the Neo‑Classical Taste, Ricci & C. S.p.A., Alessandria, act. 1935‑1971, incl. coffee pot, teapot, covered sugar, creamer and tray, oval bodies with pod finials, dolphin spouts and stiff leaf and beaded borders, bone handles, coffee pot h. 8 3/8 in., tray 21 1/2 in. x 13 3/4 in., total wt. 86 troy ozs. $1500/2500

79. Napoleon III .800 Silver Ewer and Basin, Emile Hugo, Paris, act. 1853‑1880, export hallmarks, ewer with hollowcast C‑scroll handle, both with engine‑turned decoration, foliate cartouches and handsome period monograms, ewer h. 12 1/2 in., basin h. 4 1/2 in., dia. 14 7/8 in., total wt. 56.75 troy ozs. $1500/2500

80. Pair of French Silverplate Wine Coolers in the Classical Taste, urn form with scroll handles and molded banding, engraved crest, h. 10 5/8. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

81. French First Standard Silver and Molded Glass Claret Jug, Leon Lapar, Paris, act. 1878‑1897 at 16 rue de Choiseul, finely chased mounts, h. 11 3/4 in. $800/1200

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

76. Restauration Gilt Bronze Mirrored Plateau, circular, reticulated gallery, h. 2 in., dia. 11 1/4 in. $200/400

75. Antique Tôle Peinte Oval Tray, with French Colonial stencil vignettes, 15 1/2 in. x 19 1/4 in. $125/175

78. French First Standard Silver Partial Flatware Service, Henri Soufflot, Paris, wc. 1884‑1910, incl. 12 table forks, 12 tablespoons and 11 dessert spoons, total wt. 82.70 troy ozs. $1200/1800

74. Continental Gilt Metal and Bleu Opaline Glass Four‑Light Candelabrum, 19th c., foliate candlecups and arms, flared standard, marble base, h. 21 1/4 in., dia. 17 in. $800/1200

82. Tiffany & Co. Sterling Silver‑Mounted Cut Glass Claret Jug, c. 1880, chased vintage motif collar, h. 9 1/2 in. $700/1000

83. Rare Antique English Silverplate Jeroboam Wine Coaster, molded foliate scroll rims, reticulated gallery with molded husk garland, removable base liner, h. 4 3/8 in., dia. 10 in.; together with a neoclassical‑style silverplate wine bucket with bound reed borders, h. 12 1/4 in., dia. 10 in. $400/600 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

84. Late Victorian Sterling Silver Jeroboam Cover, Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), London, 1899, mark reg. 1886, gothic monogram “C.C.B.”, gilt wash interior, h. 11 1/4 in., wt. 14.10 troy ozs. $700/900

85. Pair of Louis Philippe Gilt and Patinated Bronze and White Marble Five‑Light Candelabra, 19th c., scrolled arms, cluster column standard, shaped triangular base with addorsed cherub terms, h. 28 1/4 in., dia. 10 3/4 in. $500/700

87. Restauration‑Style Bronze‑Mounted Mahogany Bureau Plat, 20th c., tooled leather inset top, three frieze drawers, scrolled legs, baluster‑turned stretcher, ball feet, h. 30 in., w. 66 in., d. 28 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

86. Pair Georgian‑Style Gilt Bronze Lanterns, scrolled case, foliate finials, with four‑socket fixture, h. 35 in., w. 14 in., d. 14 in. $1200/1800

88. Napoleon III Bronze‑Mounted, Ebonized and Tortoiseshell‑Inlaid Boullework Center Table, late 19th c., turtle top, serpentine apron centered by mythological masks, cabriole legs with figural mounts, sabots, h. 30 1/2 in., w. 58 in., d. 35 in. $1200/1800 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

89. Northern European Bronze‑Mounted Parquetry Bombé Commode, 18th c., serpentine marble top, three drawers, shaped base, flared feet, h. 32 in., w. 40 in., d. 21 1/2 in. Note: Restorations. $2000/3000

90. Continental Carved Giltwood Center Table, 18th c. and later, later antique faux marbre top, carved foliate scrolled supports, with ball and claw feet, later shaped faux porphyry base, h. 37 in., w. 40 3/4 in. $1000/1500

91. KPM Porcelain Plaque, late 19th c., impressed monogram and scepter mark, depicting “Dice Players” after Bartolome Murillo (Spanish, 1617‑1682), unsigned, inscribed en verso, 12 1/2 in. x 10 1/4 in., gilt carved frame. $1500/2500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.636 Fifth Avenue.

92. KPM Porcelain Plaque, late 19th c., impressed monogram and scepter mark, depicting “Portrait of Woman as Vestal Virgin” after Angelica Kauffman (Swiss, 1741‑1807), 10 1/2 in. x 8 1/4 in., framed. $1000/2000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

93. Porcelain Portrait Plaque, late 19th c., “Boy in Blue Suit”, Josef Zasche (Austrian, 1821‑1881), signed and inscribed “Vienna” lower right, 13 in. x 7 1/2 in. framed. $400/600 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

97. Four Italian Pietra Dura Plaques, black ground, depicting birds in flowering branches, sight 9 1/2 in. x 17 3/4 in., carved and silvered frames. $1000/1500

94. Royal Vienna Porcelain Plaque, late 19th c., “Psyche am Meer” after Wilhelm Kray (German, 1828‑1889), signed “Human” lower right, title and maker’s mark en verso, 12 1/2 in. x 9 1/4 in., unframed. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

98. Pair of French Neoclassical‑Style Painted Iron and Brass Jardinières on Stands, oval basket on arrow‑form stands, removable liners, h. 56 in., w. 13 1/2 in., d. 12 in. $700/900

95. Continental Porcelain Plaque, early 20th c., depicting “The Harp of Tara” after Ernest Hébert (French, 1817‑1908), signed “Ende” at lower left and right, 7 in. x 5 1/4 in., framed. $400/600

96. Antique French Singing Bird Automaton, c. 1920, bird tweets and moves, h. 11 in., dia. 5 1/2 in. $600/900

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

99. Brown Leather Chesterfield Sofa, 20th c., by Ralph Lauren, h. 35 in., w. 86 1/2 in., d. 39 1/2 in. $2500/3500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans

101. Empire Bronze‑Mounted Walnut Firescreen, early 19th c., rectangular frame, later needlepoint with griffin and urn motif, trestle base, h. 34 1/4 in., w. 22 3/4 in., d. 12 in. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

100. Button‑Tufted Brown Leather Club Chair and Ottoman, 20th c., by Ralph Lauren, h. 35 in., w. 39 1/2 in., d. 42 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

103. Neoclassical‑Style Parcel Gilt and Ebonized Curule Bench, scrolled uprights, turned supports, caned seat, conforming scrolled legs, stretchers, h. 25 1/2 in., w. 43 in., d. 15 3/4 in. $400/600

102. Continental Carved Giltwood Guéridon, probably 19th c., associated lapis lazuli veneered top, tripartite winged figural supports, hairy paw feet, h. 30 in., dia. 26 1/2 in. $2000/3000

104. Antique Italian Marquetry and Mahogany Center Table in the Renaissance Taste, 19th c., segmented top inlaid with satyrs, filigree scrolls, birds and fountains, scalloped frieze, lobed bulbous standard, hexagonal plinth, conforming feet, h. 32 in., dia. 54 1/2 in. $4000/6000

105. French Provincial Carved Walnut Commode, 18th c., molded serpentine top, three raised panel drawers, shaped base, block feet, h. 33 in., w. 49 in., d. 25 in. $1500/2000 106. Fine Louis XV/XVI‑Style Bronze‑Mounted Parquetry Petite Commode, 19th c., serpentine rouge marble top, four conforming drawers, shaped apron, flared legs, brass sabots, h. 33 1/2 in., w. 25 in., d. 17 1/2 in. $1000/1500

108. George III Mahogany Wingchair, late 18th c., tall back, scrolled arms, chamfered square tapered legs, stretchers, h. 44 in. $400/600

109. Pair of Battersea Enamel Candlesticks, 19th c., vasiform standard, brass mounts, petal base, h. 11 1/2 in., dia. 5 1/4 in. $800/1200

107. Antique William and Mary‑Style Compass Star Inlaid Walnut Cabinet on Stand, probably Dutch or German, two doors opening to interior drawers, over one long drawer, barley‑twist supports, shaped stretcher, bun feet, h. 51 1/2 in., w. 32 in., d. 16 in. $2000/3000

110. George III Mother‑of‑Pearl Inlaid Tortoiseshell Tea Caddy, early 19th c., serpentine form, interior with two lidded compartments, h. 5 1/2 in., w. 7 1/4 in., d. 4 1/2 in. $1000/1500 114. Antique French Steel Wall‑Mounted Wine Opener, late 19th c., l. 15 in. $200/400 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

111. George III Tortoiseshell Tea Caddy, early 19th c., serpentine form, single lidded compartment, translucent lid, h. 3 1/4 in., w. 4 1/2 in., d. 3 in. $500/700

112. Hermes .900 Silver Cigarette Case, Vienna hallmarks for 1872‑1922, marked “HERMES” and “GES.GESCH”, with gilt wash interior, 5 in. x 3 1/2 in., wt. 5 troy ozs. 1 dwt.; together with an English cigarette case, marked “Ligu of London”. $150/250

115. French Silver and Ivorine Caviar Spoon, hallmarks rubbed, l. 6 1/2 in., in fitted case marked Fiogere Orfevres, Tours; together with Ercuis “Saint Hilaire” wine thermometer, l. 6 5/ 8 in. $100/200

116. Associated Set of Antique French Panel Cut Crystal Stemware, all with Mirabeau stems, incl. 12 water goblets, 12 wine goblets, and 12 port glasses, h. 5 5/8 in., 4 5/8 in., and 3 7/8 in. respectively. (40 pcs.) $700/1000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

113. German .800 Silver Caster, late 19th c., h. 4 1/2 in. $150/250

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

117. Set of Twelve Charles X‑Style Panel Cut Champagne Flutes, with Mirabeau stems, h. 6 7/8 in. $500/750 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

118. Lalique “Lys” Glass Bowl, marked “R. LALIQUE/FRANCE”, h. 5 in., dia. 9 3/8 in. $400/600

119. French Bronze‑Mounted Engraved Glass Dresser Box, 20th c., putto‑form legs, h. 3 1/4 in., w. 8 1/4 in., d. 5 in. $400/600 120. Lalique “Chardons” Glass Vase, marked “R. Lalique France”, h. 7 3/8 in., dia. 6 1/2 in. $500/700

121. Lalique “Honfleur” Ice Cream Service, marked “Lalique/France”, incl. 11 coupes, 11 saucers, and a lidded bowl, saucer dia. 6 in. $300/500

122. Lalique “Bacchantes” Glass Vase, engraved “Lalique ® France” on side of base, h. 9 1/2 in., dia. 8 1/2 in. $1000/1500

123. Art Deco Carved Carrara Marble and Onyx Figural Group of a Woman Reading, h. 8 1/2 in., w. 11 in., d. 7 1/2 in. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

124. Carved Rock Crystal Torso, h. 5 1/2 in., w. 2 3/4 in., d. 1 3/4 in., painted wood and metal base, overall h. 7 3/4 in. $500/700

125. Carved Ruby Zoisite Bust of a Maiden, h. 14 3/4 in., w. 8 1/2 in., d. 4 3/4 in. $800/1200

128. French or Canadian Louis XV Carved Walnut Fauteuil, 18th c., arched crest, scrolled arms, serpentine volute and shell carved seat rail, molded cabriole legs, hoof feet, h. 43 in., w. 24 in., d. 28 in. $1000/1500

126. Napoleon III Gilt Bronze Figural Mantel Clock, 19th c., silk‑thread striking bell movement, allegorical figure of Knowledge, mounted with wreaths, a globe, and le coq gaulois, h. 17 in., w. 11 in., d. 4 1/2 in. $700/1000

129. Baltic Bronze‑Mounted Mahogany Commode, 19th c., marble top, turreted corners, fluted stiles, three long drawers, cuffed turned feet, h. 33 1/2 in., w. 48 in., d. 23 in. $1000/1500

127. George III‑Style Leather Wing Chair, brass nailhead trim, molded legs, H‑stretcher, h. 42 1/2 in., w. 28 in., d. 33 1/2 in. $600/900

130. Circle of Baron Antoine Jean Gros (French, 1771‑1835), “Portrait of French Nobleman and His Wife”, oil on canvas, unsigned, sight 52 1/4 in. x 42 in., framed. $3000/5000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

131. Continental School, 19th c., “Landscape with Distant Village”, oil on canvas, unsigned, 28 1/2 in. x 35 3/4 in., framed. $1000/1500

132. Pair of French Bronze and Marble Portrait Plaques of a Nymph and Satyr, c. 1900, one signed “Clodion” with mounting rings, h. 10 in., w. 7 1/2 in., d. 5 1/2 in. $700/900

133. Pair of Continental Cameo‑Mounted Malachite Jardinières, hexagonal form, Classical maiden cameos, h. 6 1/2 in., w. 13 3/8 in., d. 11 1/2 in. $2000/3000

135. Large Antique Agra Carpet, beige and taupe ground, stylized floral motif, 10 ft. x 19 ft. $1000/2000

136. Fine Antique Persian Sarouk Fereghan Carpet, centered by a floral medallion, red ground, midnight blue rosette and vine border, later fringe, 18 ft. x 12 ft. 5 in. $7000/10000

134. Pair of Large Celtic‑Style Carved Stone Jardinieres, with interlocking, stylized design, h. 16 1/2 in., dia. 25 in. $1200/2000

137. Fine Antique Persian Tabriz Carpet, centered by a floral medallion flanked by complementary spandrels, dark blue and rose ground, palmette and vine border, 19 ft. 10 in. x 12 ft. 8 in. $8000/12000

138. Fine Persian Sarouk Carpet, early 20th c., floral medallion motif, red ground, indigo palmette and vine border, later fringe, 16 ft. 9 in. x 12 ft. $3000/5000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

139. Persian Carpet, teal and mustard ground, overall floral and vase design, 14 ft. 10 in. x 14 ft. 10 in. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

140. Persian Tabriz Carpet, dark blue and rose ground, central medallion, 4 ft. 2 in. x 6 ft. 9 in. $1400/1800

141. Fine Persian Kashan Carpet, cream and light ground, overall floral design, 4 ft. 2 in. x 6 ft. 8 in. $1600/1800

142. Persian Carpet, central cartouche with birds, overall flowering and animal designs, 10 ft. x 13 ft. 6 in. $1200/1800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

143. Pair of French Neoclassical Bronze and Crystal Ten‑Light Chandeliers, 20th c., the circlet mounted with urns, swags, and floral motifs, h. 44 in., dia. 33 in. $6000/8000

144. Louis XV‑Style Gilt Metal, Rock Crystal and Rose Quartz Eighteen‑Light Chandelier, with bead‑hung scrolls, electrified, h. 53 in., dia. 39 in. $4000/6000

145. Pair of Murano Venetian Glass Table Garnitures, 20th c., probably Signoretti, on stepped bases, h. 19 in., dia. 5 3/4 in. $600/900

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

147. Patinated Iron Garden Figure After Mathurin Moreau, cast signature, h. 52 in. $1200/1800 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

148. Continental “Bronzed” Metal Head of a Bearded Warrior, after the Antique, h. 17 in., w. 11 in., d. 13 in., later stand, overall h. 22 1/2 in. $1000/1500

146. Louis XV‑Style Carved Marble Mantel, probably late 19th/early 20th c., serpentine shelf, conforming shell‑carved apron, canted and scrolled uprights, h. 42 1/2 in., w. 55 1/4 in., d. 12 in. $1500/2500

149. Pair of Orientalist Onyx and Marble Busts of a Man and Woman, hts. 28 1/2 in. and 30 1/2 in., on neoclassical parcel gilt mahogany pedestals, overall hts. 75 1/2 in. and 77 1/2 in. $5000/7000

Provenance: Stair Galleries, Hudson, NY, 2018; The Collection of Keith & Chippy Irvine, Pawling, NY, Stair Galleries, 2012; John Rosselli, New York.

150. French Giltwood Overmantel Mirror, c. 1830, wreath and bowknot crest, rosette corner blocks, beaded surround, original mirror plate, h. 90 in., w. 54 in. $4000/6000 Provenance: Royal Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

151. Chippendale Mahogany and Parcel‑Gilt Mirror, 18th c. and later, shaped scrolled crest and base, gilt pendant garland, h. 41 in., w. 22 in. $1000/1500

152. William and Mary‑Style Carved Oak Side Table, frieze drawer, bulbous‑turned legs, square stretchers, blocked feet, h. 25 1/2 in., w. 30 1/2 in., d. 20 1/2 in. $200/400

153. William and Mary Walnut and Burled Chest of Drawers, c. 1700 and later, two drawers over three long drawers, later bulbous‑turned feet, h. 35 3/4 in., w. 37 3/4 in., d. 22 1/2 in. $1200/1800 Provenance: Henry Stern, New Orleans. 155. Antique Continental Carved Oak Chest in the 17th c. Taste, paneled decoration, molded base, bulbous‑turned feet, h. 28 in., w. 45 in., d. 22 in. $500/750

154. George II Carved Walnut Wingchair, 18th c. and later, scrolled arms, cabriole legs, ball and claw feet, h. 44 in. $1200/1800

156. Provincial Carved Oak Console Table, probably 18th c., later marble top above acanthus carved frieze, volute cabriole legs, h. 34 1/2 in., w. 45 1/2 in., d. 26 1/2 in. $1000/1500

157. Attributed to Henry Eldridge (British, 1769‑1821), “Sir John Thomas Coghill, Second Baronet (1766‑1817)”, watercolor, unsigned, “Frost & Reed, Bristol and London” label and remnant of “Alphonse Giroux / 7, rue du Coq‑Saint‑Honoré, Paris” label en verso, 23 1/2 in. x 18 in., framed. $10000/15000

Note: Henry Eldridge, whose work in miniature portraits was much admired by Sir Joshua Reynolds, began his artistic career with an apprenticeship to engraver William Pether, followed by studies at the Royal Academy in the late 1780s. Eldridge developed his distinctive style, which combined miniature painting depicting the likeness of his sitter with elegant draftsmanship portraying the background and personal effects of the subject. This portrait of Sir John Thomas Coghill impeccably displays Eldridge’s characteristic technique, with strong lines in ink defining the architecture and delicate shading of the figure and his surroundings created through multiple washes of watercolor. Eldridge’s meticulousness is apparent in the fine details throughout the picture, particularly the maps – one rolled and held in Coghill’s hand and one unrolled on the table beside him – which show areas of land that Coghill had recently purchased from the Marquis de Lafayette. The lands included 4000 acres in Point Coupée, as indicated at the bottom of the rolled map, and a small tract of land north of New Orleans near Lake Pontchartrain, to which Coghill is pointing.

Coghill, along with Alexander Baring and Henry Seymour, had purchased these lands from Lafayette in March of 1812 for 60 francs per acre. Lafayette, who was gifted the property by the United States government in gratitude for his assistance during the Revolutionary War, required funds to settle his substantial debts, and he decided to part with his Louisiana property in order to do so. Coghill must have been enthusiastic about his recent purchase when he commissioned such a skilled artist as Eldridge to commemorate the occasion with this superb watercolor.

Ref.: Abbey, Kathryn T. “The Land Ventures of General Lafayette in the Territory of Orleans and State of Louisiana.” La. Historical Quarterly, 16 [1933]: 359–73; Paul V. Lutz. “Lafayette’s Louisiana Estate: The Unusual Dealings between the Marquis and Three Wealthy Englishmen.” La. Studies, 6 [1967]: 333–60; “Madison and Lafayette’s Louisiana Lands, 26 Oct., 1809 (Editorial Note).” Founders Online. Mar. 2, 2002. https://founders.archives.gov/documents/Madison/03‑02‑02‑0046. Accessed Oct. 16, 2018. 158. William Shayer (British, 1787‑1879), “Goat Farmers”, 1834, oil on canvas, signed and dated lower right, 28 in. x 36 in., framed. $2000/3000

159. Chinese Export Famille Rose Porcelain Covered Tureen and Stand, Qianlong Period, 18th c., cover with pomegranate finial, body with rabbit head handles, decorated overall with court scenes with musicians, dancers and entertainers, tureen h. 8 in., w. 14 1/2 in., underplate l. 15 1/2 in., w. 11 1/8 in. $2000/3000 Additional information at www.nealauction.com

161. Chinese Famille Verte Porcelain Bowl, Qianlong Period, 18th c., painted with flowering branches and floral sprays, base with “Henry Stern, New Orleans” label and inventory no. “A7755”, h. 3 7/8 in., dia. 8 3/4 in., stand, overall h. 5 1/8 in. $500/700

162. Pair of Antique English Porcelain Covered Fruit Coolers, eraly 19thc., unmarked, probably Coalport, gilt and polychrome decoration, retain liners, h. 10 in., dia. 8 1/2 in. $500/700

Provenance: Henry Stern, New Orleans, Nov. 1982, per receipt. 160. Chinese Export Kakiemon‑Style Porcelain Charger, Kangxi/ Yongzheng Period, 18th c., decorated with quail and millet, h. 1 1/2 in., dia. 12 3/4 in. $2000/3000

163. Antique China Trade Brass Bound Camphorwood Campaign Trunk, 19th c., hinged lid, open interior, ball feet, h. 21 1/2 in., w. 40 in., d. 19 in. $300/500

Provenance: Henry Stern, New Orleans, Nov. 1981, per receipt.

164. Ralph Lauren Mahogany and Button Tufted Ottoman, 20th c., hinged top enclosing storage compartment, turned feet, casters, h. 21 in., w. 49 1/2 in., d. 31 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

165. Fine Pair of Regence‑Style Carved Giltwood Fauteuils à la Reine, 19th c., padded back and seat, foliate‑carved scrolled arms, cabriole legs, scrolled toes, shell‑carved seat rail, stretchers, h. 44 in., w. 27 in., d. 21 in. $1500/2500

166. Pair of Venetian Green Faux Marbre and Parcel Gilt Pedestals, octagonal top, swag and shell carved standard, h. 31 in., w. 18 in., d. 18 in. $800/1000

167. Pair of Art Moderne‑Style Black Marble Face Chairs, barrel‑form seats, h. 27 in., w. 25 in., d. 26 in. $5000/7000

169. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Two Faces)”, oil on gallery‑wrapped canvas, signed lower right, 36 in. x 48 in., unframed. $3000/5000

168. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Multiple Faces)”, oil on gallery‑wrapped canvas, signed lower left, 48 in. x 48 in., unframed. $5000/8000

172. Raphael DiLuzio (American/ Louisiana, b. 1960), “Dinner with Andy”, 1992, oil on canvas, signed and dated lower right, “Tilden‑Foley Gallery, New Orleans, LA” label with artist, title and date en verso, 60 1/4 in. x 44 1/4 in., framed. $1200/1800

170. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Trees)”, oil on gallery‑wrapped canvas diptych, one signed lower left and one signed en verso, 60 in. x 72 in., unframed. (2 pcs.) $2000/3000

173. Hunt Slonem (American/Louisiana, b. 1951), “The Best President”, oil on wood panel, signed and titled en verso, 16 in. x 20 in., framed. $2000/3000

171. Ashley Longshore (American/ Louisiana, 20th c.), “Veuve”, 2003, acrylic on wood, signed lower left, signed, titled and dated en verso, 24 in. x 12 in., unframed. $10000/15000

174. Jeanette Pasin‑Sloan (American, b. 1946), “Untitled (Stripes)”, 1993, oil on canvas, signed and dated en verso, 34 in. x 28 in., unframed. $2500/3500

Provenance: Tilden‑Foley Gallery, New Orleans.

175. Pablo Picasso (Spanish, 1881‑1973), “Le Vieux Roi”, 1963, linocut in colors on Arches paper, pencil‑signed lower right, pencil‑numbered “139/160” lower left, dated in plate upper right, published by La Patriote, Nice, sheet 29 1/2 in. x 23 1/2 in., unframed. $12000/18000

Ill.: Baer, Brigitte. Picasso: Peintre‑graveur, Tome V 1959‑1965. Berne: Editions Kornfeld, 1989, no. 1338; Bloch, Georges. Picasso: Tome I, Catalogue de l’oeuvre gravé et lithographié 1904‑1967. Berne: Editions Kornfeld et Cie, 1986, no. 1152 Additional information at www.nealauction.com

176. Large Silver‑Mounted Rock‑Crystal Bowl, incised and repoussé rim and base, h. 10 in., dia. 13 1/2 in. $3000/5000 177. Pair of Bronze‑Mounted Baccarat‑Style Cut Crystal Jardinières, ram’s head handles, h. 10 1/2 in., dia. 13 1/2 in. $2500/3500

178. Georg Jensen Sterling Silver Vegetable Tureen with Cover, 408D, designed 1925, h. 7 3/8 in., l. 12 3/8 in., wt. 60.95 troy ozs. $6000/8000 Ill.: Taylor & Laskey. Georg Jensen Holloware: The Silver Fund Collection, p. 166.

179. Rare Pair of Georg Jensen Sterling Silver “Acorn” Pattern Two‑Light Candelabra, early‑to‑mid 20th c., Copenhagen, design by Harold Nielson (1892‑1977), marked “HN” and “619”, urn‑form candle holders, reeded scroll branches linked by crossed floral scroll branches, stepped circular bases with acorn finials, h. 6 1/2 in., w. 6 13/16 in. $6000/8000

180. Pair of Georg Jensen Sterling Silver Sugar Baskets, 235B, designed 1917, h. 3 5/8 in., w. 5 in., wt. 12.85 troy ozs. $1200/1800 Ill.: Taylor & Laskey. Georg Jensen Silver Holloware: The Silver Fund Collection. p. 112.

181. Pair of Georg Jensen Sterling Silver Compotes, 6, designed 1917 by Johan Rohde, h. 5 3/8 in., dia. 6 1/8 in., wt. 24.15 troy ozs. $2500/3500 Ill.: Taylor & Laskey. Georg Jensen Holloware: The Silver Fund Collection. p. 59.

182. Georg Jensen Sterling Silver Footed Bowl, 856A, designed 1938 by Sigvard Bernadotte, h. 2 7/8 in., dia. 8 3/4 in., wt. 14.90 troy ozs. $600/800 Ill.: Taylor & Laskey. Georg Jensen Holloware: The Silver Fund Collection. p. 278.

183. Bulgari Sterling Silver Column Desk Clock, h. 3 7/8 in. $400/600

184. Pair of Louis XVI‑Style Bronze Doré Twelve‑Light Girandoles, 19th c., crystal prisms and swags, , h. 34 in., dia. 15 in. $2000/3000

Provenance: Lucullus Antiques, New Orleans; invoice indicates “Collection of Duc d’Orleans”, Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

185. Fine Pair of Art Deco Gilt and Silvered Bronze Appliqués, c. 1920, etched glass, stylized borders, mounted with dancers, mounting plate fitted with six lights, h. 30 1/2 in., w. 16 in., d. 3 1/4 in. $4000/6000

189. Pair of Charles X Giltwood Mirrors, 19th c., molded borders, ivy and berry relief decoration, h. 21 in., w. 24 in. $800/1200

187. Large Rock Crystal Sphere, on silvered, paw‑footed base, dia. 8 1/2 in. $800/1200 186. Pair of Neoclassical‑Style Malachite Obelisks, 20th c., typical form, h. 28 3/4 in., w. 5 3/4 in., d. 5 3/4 in. $2000/3000

188. Chinese Chippendale‑Style Gilt and Painted Mirror, geometric configuration of panels in antiqued surface, h. 52 in., w. 30 in. $300/500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

190. British School, 19th c., “Girl with Tambourine”, oil on canvas, unsigned, canvas stamp en verso, 20 in. x 16 in., framed. $800/1200 191. Ben Shahn (Lithuanian/New York, 1898‑1969), “Many Men” and “The Light, White, Sleeping Woman in Childbed”, 1968, 2 lithographs, each signed in plate lower right, from Rilke Portfolio: For the Sake of a Single Verse, each with individual folio as backing, sheets 22 1/2 in. x 17 1/2 in., framed alike. (2 pcs.) $400/600

192. Hunt Slonem (American/Louisiana, b. 1951), “White Bird of Paradise”, 1991, oil on canvas, signed and dated en verso, signed, dated and titled on stretcher bar, 36 in. x 60 1/4 in., unframed. $3000/5000

193. Hunt Slonem (American/Louisiana, b. 1951), “Rabbits & Siddah’s”, 2002, oil on canvas, signed, titled and dated en verso, 48 in. x 48 in., unframed. $3000/5000

194. George Warren Rickey (American, 1907‑2002), “Bill”, c. 1950s, oil on masonite, signed lower right, 20 in. x 15 3/4 in., framed. $2500/3500

Note: Famed kinetic sculptor George Rickey started his artistic career as a painter, studying at both L’Académie Moderne and L’Académie Lhote in Paris. After teaching at a series of colleges, Rickey arrived in New Orleans in 1955 where he became the chairman of the art department and professor of art at Tulane University, a post he retained until 1961. The painting offered here reputedly originates from this time period and depicts “Bill.” Bill prepared meals for Rickey while he was at Tulane, and the portrait was purportedly presented to him as a token of Rickey’s appreciation. Bill is depicted against a expressionistic backdrop, making the portrait a moving example of Rickey’s early painting style ‑ a warm and dignified rendering of a friend. Ref.: Kephart, Shannon. Passages of Light and Time: George Rickey’s Life in Motion. Notre Dame: Snite Museum of Art, 2009.

Additional information at www.nealauction.com

195. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Syntax 89‑1”, 1989, mixed media on canvas, signed and dated lower center, “Arthur Roger Gallery, New Orleans” label with artist, title and date on stretcher, 68 in. x 96 in., framed. $30000/50000 Provenance: Arthur Roger Gallery, New Orleans, LA.

197. James Abbott McNeil Whistler (American, 1834‑1903), “Stephane Mallarme (Sprink, Stratis & Tedeschi, 60)”, 1892, lithograph, signed in plate lower right, blindstamp lower left, 4 5/8 in. x 3 in., framed. $500/800 196. Steele Burden (American/Louisiana, 1900‑1995), “The Hoss Peeper”, “Seated Lady with a Banquet” and “Pigs at the Trough”, 3 crackle glazed ceramics, each initialed on self‑base, h. 1 1/2 in., w. 6 in., d. 3 1/2 in. to h. 4 3/4 in., w. 6 in., d. 4 1/4 in. (3 pcs.) $1000/1500

198. Victor Vasarely (Hungarian/French, 1906‑1997), “Taller”, 1968, serigraph, pencil‑signed and numbered “127/150” lower margin, “Denise Rene Editeur” stamp lower left, sheet 26 3/4 in. x 26 3/4 in., framed. $600/900

199. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Adrift”, 1959, silkscreen, signed, titled, dated and numbered “15/45” lower margin, sheet 10 in. x 12 in., framed. $500/800

200. Pair of Italian Black Composite Marble and Carved Gilt Pedestals, square top, Corinthian column, foliate collar, stepped base, h. 34 in., w. 14 in., d. 14 in. $600/800

201. Art Moderne Yellow Gold and Diamond Brooch. $250/350

202. Yellow Gold and Lapis Lazuli Ring, unmarked, probably 18 kt. $1500/2500

204. Italian 18 kt. White Gold, Tourmaline, Iolite and Diamond Cuff Bracelet. $1000/1500

203. Pair of Wander France 18 kt. Yellow Gold, Lapis Lazuli and Diamond Earrings, post and clip backs. $1500/2500

205. Pair of 18 kt. White Gold and Diamond Hoop Earrings, 50 brilliant‑cut diamonds totaling 5.10 cts. $2500/3500

206. 18 kt. White Gold and Diamond Flexible Bracelet, 1 heart, 2 pear, 1 marquise, 2 trillion, 2 emerald and approx. 214 brilliant‑cut diamonds total approx. 7.25 cts. $4000/6000

208. Pair of 18 kt. Rose Gold and Diamond Triple Hoop Earrings, approx. 212 brilliant‑cut diamonds totaling approx. 4.90 cts. $2000/3000

207. 18 kt. Yellow Gold and Diamond Chain Necklace, set with 14 brilliant and 1 emerald‑cut diamonds totaling 2.88 cts. $1800/2500

209. 18 kt. White Gold, Ruby and Diamond Heart Shaped Cluster Ring, approx. 240 round cut diamonds totaling 1.08 cts., natural Burma (Myanmar) 1.79 ct. heart shaped ruby, ring size 6.75; accompanied by GIA certificate. $3000/5000

210. 18 kt. Yellow Gold, Ruby and Diamond Interlocking Heart Ring, 10 diamonds totaling approx. .60 ct., 19 rubies totaling approx. 1.45 cts., ring size 6.25. $400/600

211. 18 kt. Rose Gold and Diamond Double‑Headed Serpent Ring, diamonds totaling approx. 2.07 cts., ruby eyes, ring size 6.5. $2000/3000

212. 18 kt. Yellow Gold, White Gold, Blue Enamel and Diamond Flower Brooch. $1000/1500

213. 18 kt. Yellow Gold and Diamond “Owl” Ring, concealing baby owl inside, ring size 9.5. $600/800 Additional information at www.nealauction.com

216. 14 kt. Yellow Gold Horsehead Bangle Bracelet, unmarked but tested 14 kt., with ruby eyes and circlet of single cut diamonds. $400/600

214.Platinum, Emerald and Diamond Eternity Band Ring, 16 brilliant‑cut diamonds totaling 2.72 cts., ring size 5.25. $2000/3000

217. 18 kt. Tricolor Gold and Diamond Leaf Design Cluster Ring, ring size 7. $800/1200

215.Platinum, Kashmir Sapphire and Diamond Oval Cluster Ring, approx. 72 round‑cut, 14 marquise and 14 pear diamonds totaling approx. 6.30 cts., natural cushion‑cut blue Kashmir sapphire, 6.96 cts., ring size 7.25; accompanied by Gubelin certificate. $20000/25000

218. 18 kt. Yellow Gold and Diamond Spray Pin. $1500/2500

220. 18 kt. Yellow Gold, Fire Opal, Emerald and Diamond Band Ring, 1 natural oval opal totaling 2.92 cts., 24 tapered baguette diamonds, and 8 round cabochon emeralds. $1000/1500

221. 18 kt. White Gold, Tsavorite Garnet and Diamond Heart‑Shaped Cluster Ring, ring size 7. $1500/2500

223A. 18 kt. White and Yellow Gold and Plique á Jour Enamel Butterfly Brooch, set with cabochon ruby and numerous full cut diamonds, 1 3/8 in. x 1 3/8 in. $800/1200

224. Diamond Circle Pin, unmarked, probably platinum, set with 36 small diamonds totaling approx. 1 ct., handmade setting, dia. 1 1/8 in. $800/1200

219. 18 kt. White Gold and Diamond Straight Line Necklace, 136 brilliant‑cut diamonds totaling 12.39 cts., l. 17 in. $8000/10000

222. Pair of 18 kt. White Gold and Diamond Stud Earrings, 2 full‑cut diamonds, 1.06 cts. And 1.09 cts., I‑J color, “I” clarity. $4000/6000 223. 18 kt. Yellow Gold, Green and Red Enamel Serpent Ring, wt. 9.7 grams, ring size 6.75. $400/600

225. Platinum and Diamond Eternity Band Ring, 13 brilliant‑cut diamonds totaling 4.10 cts., size 7. $2500/3500

226. 18 kt. Yellow Gold, Emerald and Diamond Flexible Bracelet, 40 brilliant‑cut diamonds, l. 7 1/4 in. $800/1200

227. 18 kt. Yellow Gold, Emerald and Diamond Cluster Ring, 48 brilliant‑cut diamonds, ring size 6. $800/1200

231. 18 kt. White Gold and Diamond Bangle Bracelet, 19 brilliant‑cut diamonds totaling 4.82 cts. $3500/4500

234. Art Deco‑Style Platinum, Ruby and Diamond Cluster Ring, incl. 23 emerald‑cut, 16 baguette and 18 brilliant‑cut diamonds totaling approx. 4.37 cts., natural center cushion‑cut ruby totaling 2.53 cts., ring size 6.25; accompanied by GIA certificate. $4000/6000

237A. 18 kt. Yellow Gold, Ruby and Diamond Cluster Ring, oval faceted ruby approx. 2.50 cts., 66 baguette rubies, 74 round diamonds, size 7. Note: Ruby slightly abraded. $3000/5000

228. Platinum, Diamond and Emerald Ring, 40 brilliant‑cut diamonds, center diamond totaling 1 ct., 12 calibre‑cut emeralds, ring size 6.5. $2000/3000

229. 18 kt. White Gold, Emerald and Diamond Cluster Ring, approx. 45 round‑cut diamonds totaling .71 ct., pear‑shaped natural Columbian emerald totaling 4 cts., approx. ring size 7; accompanied by GIA certificate. $3500/4500

232. 18 kt. White Gold and Diamond Long Link Necklace, 24 diamonds totaling approx. 2.50 cts., l. 37 1/2 in. $2000/3000

235. Pair of 18 kt. Yellow Gold and Diamond “Hand Bag” Pendant Earrings. $1800/2500

230. 18 kt. Yellow and White Gold Pavé Diamond Panther Ring, emerald eyes, onyx nose, total diamond wt. 6.39 cts., ring size 6.5. $2500/3500

233. 18 kt. White Gold, Ruby and Diamond Twin Stone Ring, 2 pear‑shaped diamonds 1.81 cts. and 1.69 cts., H‑J colors, I1‑I2 clarity, ring size 6.25. $6000/8000

236. 18 kt. Yellow Gold and Enamel “Zebra” Ring. $500/750

237. Pair of Platinum, Ruby and Diamond Cluster Pendant Earrings, approx. 56 brilliant‑cut diamonds, 2 full‑cut diamonds totaling 1.96 cts., K‑L color, I1 clarity. $3000/5000

238. English Victorian 18 kt. Yellow Gold and Diamond Ring, c. 1880, set with three old mine cut diamonds, center stone approx. 1.55 cts., H. VSI1, side stone approx. .80 ct., H, VS1, and other side stone approx. .60 ct., H, VS2. $7000/10000

239. 18 kt. Yellow Gold and Diamond Brooch, foliate design with 23 small brilliant cut diamonds, totaling approx. 1 ct. $800/1200

Additional information at www.nealauction.com

241. Pair of 18 kt. White Gold and Diamond Floral Design Pendant Earrings, 4 brilliant‑cut and 18 marquise diamonds totaling approx. 5.46 cts. $3500/4500

240. 18 kt. White Gold, Emerald and Diamond Cluster Ring, emerald approx. 2.5 cts., diamonds approx. 6 cts. $20000/25000

243. Pair of 18 kt. White Gold and Diamond Cluster Stud Earrings, 22 diamonds totaling 1.66 cts. $1200/1800

244. White Gold, Diamond and Onyx Drop Earrings and Ring. $1000/1500

246. 18 kt. White Gold, Yellow Gold and Diamond Necklace, incl. 7 heart‑shaped natural fancy yellow diamonds, 5 marquise natural fancy yellow diamonds and 8 miscellaneous diamonds totaling 9.23 cts., l. 59 in.; accompanied by GIA certificates. $6000/8000

249. Pair of Art Deco‑Style 18 kt. Yellow Gold, Platinum, Emerald and Diamond Cluster Pendant Earrings, approx. 60 round‑cut diamonds and 4 emerald‑cut diamonds totaling 1.51 cts., 2 natural emerald‑cut emeralds 3.43 and 3.44 cts., l. 1 1/2 in.; accompanied by GIA certificate. $4000/6000

247. 18 kt. White Gold and Diamond Eternity Band Ring, 22 emerald‑cut diamonds totaling 5.58 cts., ring size 7.25. $4000/6000

249A. 18 kt. Middle Eastern Yellow Gold, Emerald and Diamond Ring, oval faceted emerald approx. 1.25 cts., 14 full cut diamonds approx. .50 ct. total, size 6. $2000/3000

242. Art Deco‑Style Platinum, Emerald and Diamond Cluster Ring, approx. 44 round‑cut diamonds totaling 1.17 cts., six emerald cut diamonds, natural Columbian cabochon emerald 5.72 cts., ring size 6.25; accompanied by GIA certificate. $3000/5000

245. Georgian 18 kt. Yellow Gold Poesie Ring, mid‑18th c., inscribed “In thee I find content of mind”. $600/900

248. Art Deco‑Style Platinum, Emerald and Diamond Ring, 10 baguette and 14 brilliant‑cut diamonds totaling approx. 1.50 cts., cushion‑cut emerald totaling 2.29 cts., ring size 6.5. $1000/2000

250. 18 kt. White Gold, Mabé Pearl and Diamond Cluster Ring, 31 brilliant‑cut diamonds totaling .86 ct., ring size 5.5. $700/900

251. 18 kt. Yellow Gold, Oval Moonstone, Colored Stone and Diamond Cluster Ring, ring size 6.25. $1000/1500

252. 18 kt. Yellow Gold, Pearl and Diamond Ring, two 13.5 mm. natural black Tahitian South Sea pearls and 22 round‑cut diamonds, ring size 4.5. $1000/2000

253. 14 kt. Yellow Gold and Diamond Cluster Ring, 41 brilliant‑cut diamonds totaling approx. 3 cts., ring size 6.75. $1500/2500

254. 18 kt. White Gold, Sapphire and Diamond Oval Cluster Ring, approx. 86 brilliant‑cut diamonds totaling 1.65 cts., center cabochon dark blue sapphire totaling 5.32 cts., ring size 5.5. $1000/1500

255. Platinum, Diamond and Emerald Cluster Ring, 16 brilliant‑cut diamonds totaling .76 cts., ring size 6.25. $2000/3000

256. 18 kt. Yellow Gold, Platinum, Yellow Sapphire and Diamond Triple Cluster Ring, 7 diamonds totaling approx. 1 ct., 10 sapphires totaling approx. 1.5 cts., ring size 6. $1000/1500

257. 18 kt. Yellow Gold and Diamond Multi‑Band Ring, diamonds totaling approx. 2.20 cts., ring size 7. $1000/1500

258. 18 kt. Yellow Gold and Enamel Serpent Ring, ring size 3.5. Note: Condition. $500/700

259. Pair of 18 kt. Rose Gold and Diamond Earrings, diamonds totaling 1.17 cts. $1000/1500

260. 18 kt. Yellow Gold, Coral, Turquoise and Diamond Ring, ring size 6. $600/800

261. Pair of 18 kt. White Gold and Pavé Diamond Pendant Earrings, diamonds totaling 6.24 cts. $2000/3000

Additional information at www.nealauction.com

Session Two Saturday, November 17, 10 a.m. 4038 Magazine

265. French Provincial Walnut and Needlework Table, 19th c., octagonal top, flared legs, hoof feet, h. 30 in., w. 38 in., d. 29 1/2 in. $400/600

263. American Brilliant Cut Glass and Sterling Silver‑Mounted Pitcher, the floral and scroll repoussé rim hallmarked Dominick & Haff, New York, act. 1868‑1928, h. 12 7/8 in. $300/500

262. French Gilt and Patinated Brass Cornstalk Table Lamp, marked “Charles of Paris”, h. (to socket) 24 in. $300/500

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

264. Empire‑Style Gilt‑Decorated Mahogany Guéridon, 21st c., composite marble top, decorated frieze and uprights, medial shelf, plinth base, h. 43 1/2 in., dia. 15 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

267. Pair of Napoleon III Enameled Porcelain Lamps, 19th c., bronze mounts, violet ground, medallion and swag decoration, h. (to socket) 21 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

268. Lalique “Felix” Glass Bowl, marked “R. LALIQUE/FRANCE”, fern design, h. 5 2/8 in., dia. 13 in. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

266. French Bronze and Cut Glass Four‑Light Chandelier, tassel form standard, h. 22 in., dia. 27 in. $800/1200

271. Associated Set of Antique French Panel Cut Crystal Stemware, all with Mirabeau stems, incl. 12 water goblets and 12 wine goblets, h. 5 5/8 in. and 4 5/8 in. respectively. $500/700 269. Pair of Bohemian Ruby and Gilt Glass Rhyton Vases, 19th c., gilt metal mounts, marble bases, h. 13 3/4 in., w. 14 in., d. 8 in.; together with small yellow glass rhyton vase. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

270. Pair of Sterling Silver‑Mounted American Brilliant Cut Glass Candlesticks, base marked “HAWKES/ 144 DWTS./ STERLING”, h. 15 in., dia. 6 in. $300/500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

273. Empire‑Style Gilt Bronze and Tôle Six‑Light Chandelier, 20th c., trophée and garland frieze, floral candlearms with ram’s heads, electrified, h. 28 in., dia. 16 1/2 in. $700/1000

272. Anglo‑Irish Cut Crystal Footed Punchbowl, with diamond quilted decoration, on square base, h. 12 1/2 in., dia. 11 3/4 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

274. Antique French Provincial Carved Fruitwood Side Table, inset tapestry top, opposing frieze drawers, serpentine frieze, tapered legs, h. 30 1/2 in., w. 29 1/2 in., d. 29 1/2 in. $300/500 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

Additional information at www.nealauction.com

275. Louis XVI Carved Beechwood Canapé, late 18th c., stamped “St. Georges Paris”, foliate crest rail centered by an acanthus medallion, scrolled and padded arms, conforming blocked seat rail, stop‑fluted and tapered legs, silk chinoiserie upholstery, h. 38 1/2 in., l. 72 1/2 in., w. 26 in. $3000/5000

Provenance: Lucullus Antiques, New Orleans; Williamson‑ LeBlanc Collection, Cornstalk Fence House, New Orleans. 276. Italian Giltwood Console Table, 18th c., rouge marble top, guilloche frieze, acanthus carved scrolled supports, serpentine plinth, mirrored back, h. 41 1/2 in., w. 52 in., d. 14 in. $2000/3000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

279. Rare English Mahogany Multi‑Form Gentleman’s Basin Stand, probably early 19th c., hinged top, fitted interior, h. 31 in., w. 26 in., d. 18 in. $800/1200

277. George III Satinwood Inlaid Mahogany Pembroke Table, late 18th/ early 19th c., drop‑leaf top, frieze drawer, tapered legs, h. 28 in., w. 27 in., d. 20 in. $1200/1800

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

278. Antique Chippendale‑Style Carved Mahogany Armchair, serpentine foliate‑carved crest rail, pierced splat, scrolled foliate arms, trapezoidal seat, foliate scroll apron, shell‑carved cabriole legs, scrolled toes, h. 38 1/4 in., w. 28 1/2 in., d. 24 1/2 in. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

280. Regency‑Style Three‑Tiered Brass What‑Not Stand, 20th c., tooled leather shelves, casters, h. 34 in., w. 22 in., d. 14 in. $300/500

281. Regency‑Style Inlaid Mahogany Two Pedestal Dining Table, mid‑20th c., banded top, turned standards, saber legs, cuff casters; together with one leaf, h. 29 1/2 in., l. (closed) 78 1/4 in., l. (extended) 96 1/2 in., d. 48 1/2 in. $700/1000

282. George I Burled Walnut Tall Chest, 18th c. and later, four short drawers over four long graduated drawers, chamfered corners, bracket foot base, h. 53 in., w. 41 in., d. 21 1/2 in. $700/900

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

283. George III Mahogany Library Armchair, 18th c. and later, arched crest, padded arms, square legs and stretchers, brass cuffs, casters, h. 39 in., w. 27 in., d. 21 in. $1000/1500

284. George III‑Style Mahogany Library Armchair, serpentine crest rail, padded arms, blind fretwork carved legs, stretchers, h. 36 1/2 in., w. 25 in., d. 28 in. $500/700

285. Empire Bronze‑Mounted Mahogany Commode, early 19th c., branded “J.T.”, black marble top, four drawers, columnar supports, plinth base, disc feet, h. 36 in., w. 50 in., d. 24 in. $2500/4000 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

286. French Empire‑Style Bronze‑Mounted Mahogany Bookcase, early 20th c., flared cornice, star‑decorated frieze, glass doors enclosing four glass shelves, paneled lower section, block plinth base, h. 94 1/2 in., w. 80 in., d. 16 in. $3000/5000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

287. Italian Carved Carrara Marble Statuary Pedestal, 19th c., octagonal top, egg and dart molding, plain standard, foliate‑carved base, h. 42 in., w. 29 in., d. 25 1/2 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

289. Moïse Kisling (Polish/France, 1891‑1953), “Black Dahlias”, 1936, oil on canvas, signed upper left, “Guy Stein, Paris Exposition” label inscribed with “No. 14” and remnant of additional period label on reverse of frame, 9 1/2 in. x 7 1/2 in., original frame. $20000/30000

288. Antique Empire‑Style Parcel Ebonized and Gilt Mahogany Lit de Repos, early 20th c., urn‑mounted uprights, Egyptian caryatid‑mounted stiles, blocked feet, fitted with cushion and pillows in chocolate velvet, h. 61 in., w. 81 in., d. 37 in. $1500/2000

Provenance: Guy Stein, Paris, c. 1937; descended in a New Orleans family.

Ill.: Kessel, Joseph and Jean Kisling. Kisling. New York: Harry N. Abrams, Inc., 1971, no. 53. p. 185.

290. Moïse Kisling (Polish/France, 1891‑1953), “Notre‑Dame”, 1936, oil on canvas, signed lower left, dated and inscribed “Paris” lower right, “Guy Stein, Paris Exposition” label inscribed with “Kisling/Mai‑Juin/1937” and “No. 3” and pencil‑inscribed on reverse of frame, 9 7/8 in. x 8 in., original frame. $30000/50000 Provenance: Guy Stein, Paris, c. 1937; descended in a New Orleans family.

Ill.: Kessel, Joseph and Jean Kisling. Kisling. New York: Harry N. Abrams, Inc., 1971, no. 73, p. 244. Note: “Kisling loved life and life loved him. He made others love life. The power of his paintings hold no other secret.” – Joseph Kessel, Member of the Académie Française Born 1891 in Krakow, Poland, Moïse Kisling displayed an early and impressive talent for painting and was encouraged by his instructor at the Warsaw Academy of Fine Arts, Joseph Pankiewecz, to move to Paris, where he insisted the only “good paintings” were produced. Thus at the age of nineteen, Kisling found himself arriving at the Gare de l’Est, where he was immediately besotted with Paris and thrived in a studio in Montmartre, then later in Montparnasse. Kisling was surrounded by the Bohemian influences of his fellow artists and neighboring writers and poets, who christened him the “King of Montparnassians.” In 1937, the Galerie Guy Stein hosted an exposition of Kisling’s paintings which “sparkle[d] like a fireworks display” according to André Warnod who reviewed the display for Le Figaro. Among this dazzling array were the two paintings offered here, each currently still with its exhibition label. In the winter landscape, Notre Dame peeks through the trees located in the park on the east and south sides of the building. This unique angle of the famous cathedral lends an air of intimacy to one of the most important monuments of Paris. The still life, a bouquet of dahlias, is painted with thick impasto perfectly mimicking the rich surface of the flowers. In each canvas, Kisling’s masterful execution of color and texture are on full display, and the passion of the artist is conveyed through every brushstroke. Ref.: Kessel, Joseph and Jean Kisling. Kisling. New York: Harry N. Abrams, Inc., 1971. Additional information at www.nealauction.com

291. Pair of French Provincial Carved Fruitwood Fauteuils, 18th c., arched molded crest rail, scrolled arms, serpentine seat rail, cabriole legs, scrolled toes, shaped stretcher, h. 36 in., w. 27 in., d. 21 in. $1000/1500

292. Large Spanish Carved and Painted Wood Santos Figure, 19th c., depicted holding lilies, plinth base, h. 43 in., w. 17 in., d. 14 in. $1000/1500

294. Pair of Empire‑Style Gilt and Patinated Bronze and Rouge Marble Six‑Light Candelabra, after a design by Thomire, foliate candlearms, standard of addorsed maidens, tall base with cavorting putti, h. 30 1/2 in., dia. 12 in. $2000/3000

293. Pair of Chinese Gilt Decorated Brown Lacquer Double Gourd Vases on Gilt Metal Tripod Stands, vases decorated with dragons pursuing the flaming pearl, bases with apocryphal Qianlong marks, h. 23 2/8 in., stands with reticulated friezes inset with portrait medallions, overall foliate decoration, paw feet, h. 29 1/4 in., w. 14 1/4 in., d. 14 1/4 in., overall h. 52 3/4 in. $2500/3500

295. Six Antique French Gilt Bronze Single‑Light Sconces, foliate and palmette decoration, with griffin heads, h. 12 in., w. 3 in., d. 7 in. $1000/1500

296. Empire‑Style Gilt and Patinated Bronze Seven‑Light Chandelier, acanthus canopy, vasiform standard mounted with classical busts, serpents and wreaths, h. 39 in., dia. 25 in. $2000/3000

298. Bronze Bust of Napoleon, after the carved marble by Antoine‑Denis Chaudet in the Victoria and Albert Museum in London, h. 8 in., w. 3 3/8 in., d. 3 1/2 in., painted wood base, overall h. 12 in. $400/600 297. Patinated Bronze Figural Group of Napoleon on Horseback, h. 9 1/4 in., w. 7 1/2 in., d. 3 3/4 in., marble and painted wood base, overall h. 13 1/4 in. $800/1200

299. Bronze Figure of Napoleon Standing, after Emile Coriolan Hippolyte Guillemin, h. 8 1/4 in., w. 2 1/2 in., d. 2 3/4 in., gilt bronze base, overall h. 13 in. $400/600

300. Louis XV Crème Peinte Trumeau Mirror, 18th c. and later, paneled back with gilt embellished shell and foliate scrolls, Watteau style painted panel, shaped mirror plate with gilt foliage, h. 73 1/2 in., w. 46 1/2 in. $3000/5000

301. Napoleon III Gilt and Patinated Bronze and Rouge Marble Figural Mantel Clock, late 19th c., dial marked by retailer “TIFFANY & Co.”, figures of Amor and Psyche with butterfly, lower bronze mount depicting Psyche in a chariot being drawn by peacocks, h. 30 1/4 in., w. 20 1/4 in., d. 12 in. $3500/4500

302. German Biedermeier Portico Clock, c. 1830, mother‑of‑pearl crown at crest, gilt dolphin cartouche enclosing a painting of Colossus with ships in a harbor, dial with inset porcelain numerals, flanked by alabaster columns with giltwood capital and bases, striking gong movement, reticulated pendulum with Maltese cross and lyre motif, paneled and ebonized case, on alabaster bun feet, h. 29 1/2 in., w. 14 1/2 in., d. 5 1/2 in. $1500/2500 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

303. Pair of Paris Porcelain Campagna Urns, mid‑19th c., gilt decorated vintage banding, and mascaron handles, h. 13 1/4 in. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

306. George III Green Tortoiseshell Tea Caddy, early 19th c., interior with two lidded compartments, on ball feet, h. 5 1/2 in., w. 7 3/4 in., d. 4 3/4 in. $1000/1500

304. Pair of Sèvres‑Style Polychrome Porcelain Rhyton Vases, boar’s head terminal, painted with chateau scenes, h. 11 in., w. 9 1/8 in., d. 7 1/8 in. $700/900

307. George III Tortoiseshell Tea Caddy, early 19th c., oxbow front, interior with two lidded compartments, compressed ball feet, h. 5 1/4 in., w. 7 3/4 in., d. 5 1/4 in. $1000/1500

309. Group of Seven Continental Silver Serving Spoons, incl. 3 large spoons (l. 14‑15 in.), with marks of Holland, Denmark and “K. Hagen”; pierced Danish tablespoon with strawberry and vine engraving; Danish tablespoon with bright‑cut engraving, c. 1827; Austrian double swell fiddle tablespoon; and a fiddle tablespoon; combined wt. 30.35 troy ozs. $400/600

305. George III Tortoiseshell Tea Caddy, early 19th c., octagonal sarcophagus form, interior with two lidded compartments, h. 6 1/8 in., w. 7 5/8 in., d. 4 3/4 in. $1000/1500

308. Late Georgian Tortoiseshell Tea Caddy, early 19th c., interior with two lidded compartments, ball feet, base bears partial illegible label, h. 4 1/4 in., w. 6 1/2 in., d. 4 in. Note: Condition. $1000/1500

310. Collection of Continental Silver Trowels and Serving Spoons, marked and decorated with symbols of various countries incl. the Netherlands, Germany, France, Spain and Italy; combined wt. 20.50 troy ozs. $200/400

Additional information at www.nealauction.com

312. Cased Set of French Silver Serving Pieces, 19th c., incl. carving knife and fork (knife l. 13 in.), manche a gigot, and salad serving fork and spoon, hallmarks rubbed, hollow handles. $150/250 311. Continental .800 Silver Coffee and Tea Service, Wilhelm Ludwig, Hanau, act. 1930s‑1972, ret. Ott‑Heydendahl, Weisbaden, incl. coffee pot, teapot, covered sugar, creamer and tray, pyriform bodies with rosebud finials, rosebud and leaf décor throughout, coffee pot h. 9 1/2 in., tray 20 7/8 in. x 13 7/8 in., total wt. 124.20 troy ozs. $1800/2500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

313. Group of Serving Pieces, incl. Continental silver fork and spoon with boat, fork and spoon with molded glass handles and silverplate and celluloid cake knife and trowel. (6 pcs.) $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

314. Pair of French First Standard Silver and Cut Glass Shell‑Shaped Nut Dishes, $300/500 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

315. Mexican Sterling Silver and Jeweled Madonna, MATL (Matilde Poulat and Ricardo Salas), 8 in. x 6 in. $600/800

Ref.: Morrill and Berk. Mexian Silver. Pp. 216‑221.

317. Antique Turkish Camel Bag, leather trim, handles and straps, h. 24 in., w. 47 in., d. 24 in. $500/1000 Provenance: Belle Alliance Mansion, Donaldsonville, LA.

318. Louis XVI‑Style Parcel Ebonized Walnut Tricoteuse Table, 20th c., shaped tray top, lyre‑form supports, stretcher shelf, trestle base, h. 33 1/2 in., w. 35 in., d. 15 in. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

316. Georgian Stumpwork Memento Mori, 18th c., sight 16 1/2 in. x 14 in., framed. $150/250

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

319. Pair of Provincial Louis XV Carved Walnut Fauteuils, 18th c., diapered shell and scroll crest, conforming rail, caned back and seat, acanthine cabriole legs, h. 39 1/2 in., w. 25 1/2 in., d. 19 1/4 in. $2500/3500 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

320. Antique Louis XVI‑Style Bronze‑Mounted and Inlaid Kingwood Bouillotte Table, Brêche d’Alps marble top, two candle slides with tooled leather tops, guilloche frieze, stop‑ fluted tapered legs, brass cuffs, h. 29 1/2 in., dia. 32 in. $3000/5000 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

321.French Provincial Carved Cherrywood Dining Table, 19th c., molded top, serpentine apron, frieze drawer, tapered flared legs, hoof feet, h. 31 1/2 in., l. 64 in., d. 31 1/2 in. $700/900

322. French Empire‑Style Bronze‑Mounted Mahogany Side Table, tooled leather top, h. 33 1/2 in., w. 28 in., d. 13 in. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

323. Régence Carved, Painted and Parcel Gilt Canapé, serpentine chrysanthemum‑carved crest rail, scrolled arms, conforming apron, cabriole legs, silk upholstery, h. 43 1/2 in., w. 79 in., d. 30 in. $4000/6000 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

324. Chinese Export Famille Rose Porcelain Charger, Qianlong Period, 18th c., brightly enameled with a central prunus, peony and chrysanthemum medallion, wide rim with leaf‑form band enclosing foliage on a scrollwork ground, h. 2 in., dia. 14 in. $1000/1500

327. Chinese Export Armorial Porcelain Wine Cooler, Qing Dynasty, 18th c., scalloped rim, slightly lobed body, enameled with a gilt crown over red shield with gilt crescent flanked by lions, h. 8 in., w. 9 5/8 in., d. 8 1/2 in. $300/500

325. Group of Chinese Export Armorial Porcelain, Qianlong Period, c. 1785, decorated with the Arms of Redman with horse’s head, coronet and shield between blue, red and gilt borders, pinecone finials and branch handles, incl. covered soup tureen, h. 9 1/2 in., w. 13 1/2 in.; oval platter, l. 13 1/4 in.; sauce tureen (lacking cover), w. 7 1/2 in.; and covered teapot, h. 5 1/2 in., w. 10 in. (4 pcs.) $600/800

328. Chinese Export Famille Rose Porcelain Charger, Qianlong Period, 18th c., well enameled with a song bird and butterflies amid flowering lotus, rim with prunus, peony, chrysanthemum and lotus sprays, h. 1 3/4 in., dia. 14 3/8 in. $600/800

326. Chinese Export Armorial Porcelain Chestnut Basket and Underplate, Qing Dynasty (1644‑1911), reticulated blue and white dishes heightened with gilt and centered by brightly enameled coat‑of‑arms, basket h. 5 1/4 in., w. 12 5/8 in., plate l. 11 1/8 in., w. 9 7/8 in. $400/600

329. Highly Decorative Pair of Iron‑Mounted Chinese Famille Verte Porcelain Tea Jars, shoulders with Buddhist lion mask handles, bodies with bird and flower decoration, h. (excl. keys) 18 3/4 in. $2000/3000

331. Pair of Chinese Blue and White Porcelain Octagonal Jardinières, wide foliate rims with Buddhist emblems, bodies with bird and flower panels, pierced splayed feet, h. 12 1/2 in., w. 21 1/2 in. $1200/1800 333. Pair of Chinese Export Famille Rose Porcelain Armorial Plates Made for the Service of Catherine the Great of Russia, Qianlong Period, c. 1785, center painted in brown and gilt with the Romanov coat of arms with the Imperial Russian double‑headed eagle holding the scepter and globus cruciger and bearing the escutcheon of the arms of Moscow depicting St. George defeating the dragon on its breast, rim banded with floral garland and purple ribbon, dia. 9 5/8 in. $2000/4000

330. Chinese Export Famille Rose Porcelain Covered Soup Tureen and Underplate, Qianlong Period, 18th c., decorated with the figure of a mahout astride an elephant and flower sprays, tureen h. 9 1/2 in., w. 12 1/2 in., d. 8 in., platter l. 14 3/4 in., d. 12 in. $1000/1500

Note: The theme of this lot indicates that it was probably made for the European colonial market in India, where East Indian ships would stop on their way to Europe from Canton. 332. Chinese Export Famille Rose Porcelain Charger, Qing Dynasty (1644‑1911), decorated in the Japanese style with a vignette of an architectural landscape and a vignette of rockwork with peonies and bamboo, h. 1 1/2 in., dia. 14 1/8 in. $600/800 Provenance: Ex‑collection Elinor Gordon.

334. Large Chinese Export Imari Porcelain Charger, Kangxi Period, 18th c., decorated with chrysanthemum and lotus sprays, base with “B.F. Edwards / 1 874 / Collection” label, h. 1 3/4 in., dia. 16 3/4 in. $500/700 Additional information at www.nealauction.com

335. Chinese Export Armorial Porcelain Covered Soup Tureen, Qianlong Period, late 18th c., decorated in famille rose enamels with floral sprays, sepia deer, and coat‑of arms, Christie’s tag, h. 10 in., w. 13 1/8 in. $200/400

336. Two Chinese Export Armorial Porcelain Coffee Pots, Qianlong Period, c. 1785, one with Elinor Gordon label, both with Christie’s labels, h. 9 1/2 in. and 10 in., w. 9 1/2 in. and 8 3/4 in. $200/400

338. Chinese Export Famille Rose Porcelain Punch Bowl, Qing Dynasty (1644‑1911), decorated with floral sprays, h. 5 3/8 in., dia. 13 in., stand, overall h. 6 7/8 in. $2000/3000

337. Pair of Chinese Export Armorial Porcelain Covered Tureens, Qianlong Period, late 18th c., decorated with coats‑of‑arms enclosing the monogram “TML”, Christie’s labels, h. 5 1/2 in., w. 9 1/2 in., d. 8 3/8 in. $200/400

339. Pair of George III Mahogany Serpentine Front Knife Boxes, c. 1800, slant lid, fitted interior with star inlay, h. 14 1/2 in., w. 9 in., d. 12 in. $1200/1800 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

341. Large Pair of Italian Neoclassical‑Style Yellow Glazed Earthenware Covered Urns, mid‑20th c., ram’s head handles, grapevine relief, h. 30 1/2 in., w. 16 1/2 in., d. 13 1/2 in. $800/1200

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

342. Neoclassical‑Style Argenté Bronze Encrier, 19th c., diamond point cut glass inkpot, oval stand cast with palmettes and rosettes, cherub mask, lion and ring handles, rectangular plinth, h. 3 1/8 in., w. 5 in., d. 4 1/8 in. $500/700

344. French First Standard Silver Coffee and Tea Service in the Louis XV/XVI Taste, late 19th/early 20th c., incl. kettle‑on‑stand (h. 14 1/8 in.) coffee pot, teapot, covered sugar and creamer, scroll decoration, each with cartouche with applied gilt monogram, total wt. 164.50 troy ozs. $3000/5000

346. Late Georgian Sheffield Plate Hot Water Urn, c. 1830, floral and scroll chasing, engraved crest, retains original tinned interior with removable heating element, h. 18 in., w. 15 in. $1200/1800

340. Pair of French Empire‑Style Bronze Campagna Urns, Roman chariot frieze, on black onyx bases, now mounted as lamps, h. (with shades) 23 1/2 in. $1000/1500

343. Pair of Italian Carved and Gilt Torchères, c. 1910, rubbed surface showing red bole, fluted standard, tripartite scrolled base, h. 48 in., dia. 14 in. $700/1000

345. Pair of Georgian Sheffield Plate Three‑Light Candelabra., c. 1800, “French” gadroon borders, hinged candlearms, convertible to single candlesticks, h. 20 1/4 in. $1200/1800

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 347. Four George V Sterling Silver Columnar Table Candlesticks, Crichton Brothers (Lionel Alfred Crichton), London, 1915, mark reg. 1895, each with Corinthian capital, spiral husks, base with bowknot and husk garland, removable bobêches, weighted bases, h. 12 1/4 in. $1500/2000

348. Edwardian Sterling Silver Tea Tray, William Comyns & Sons, London, 1910, mark reg. 1890, ret. Heitzman & Sons, Cardiff, oval, reticulated scrollwork gallery with putto medallions, h. 2 in., l. 24 1/2 in., d. 17 7/8 in., wt. 121.20 troy ozs. $4000/6000

349. Pair of French Neoclassical Gilt Bronze Three‑Light Candelabra, early 19th c., scroll candlearms, reeded standards, h. 20 in., w. 11 3/4 in., d. 6 in. $1500/2500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

353. Charles X Carved and Inlaid Burled Maple Sleigh Bed, early 19th c., scrolled head and foot board, volute floral carved uprights, scrolled bracket feet, h. 45 in., l. 74 in., w. 48 in. $1500/2500

351. Carved Carrara Marble and Mixed Media Sculpture of “Primavera “, title plaque on self‑base, h. 21 in., w. 27 1/2 in., d. 11 1/2 in. $500/1000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

354. Empire Bronze‑Mounted Mahogany Elliptical Work Table, early 19th c., tray top, four tiers with columnar supports, plinth base, h. 30 in., w. 19 in., d. 13 in. $800/1200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

350. Pair of Large French Patinated Metal Figures of Maidens, cast as allegories of Summer and Autumn, after Pierre‑Louis Detrier, “Detrier Sc” inscribed on each self‑base, h. 41 in. $1200/1800

352. Patinated Bronze Figure of an Eagle, after “L’Aigle” by Jules Moigniez, signature inscribed on self‑base, h. 29 in., w. 23 1/2 in., d. 16 in., marble base with artist and title plaque, overall h. 30 1/2 in. $400/600

355. George III‑Style Carved Mahogany Armchair, serpentine crest rail with scrolled “ears”, reticulated splat, scrolled volute arms, acanthine cabriole legs, ball and claw feet, h. 38 1/2 in., w. 25 in., d. 22 1/2 in. $500/700

356. George II Carved Walnut Armchair, possibly 18th c., shaped crest rail, vasiform splat, scrolled arms, cabriole legs, pad feet, h. 37 1/2 in., w. 23 in., d. 23 in. Note: Restorations. $300/500

357. Georgian‑Style Mahogany Wing Chair, 20th c., by Ralph Lauren, channeled back, scrolled arms, shaped seat rail, square tapered legs, casters, h. 41 in., w. 33 in., d. 34 1/2 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

359. Italian Marquetry and Walnut Commode, late 18th c., inset top with later rouge marble, three drawers, tapered legs, spade feet, h. 36 1/4 in., w. 50 in., d. 23 1/2 in. $4000/6000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 358. William IV‑Style Carved Mahogany Ottoman, seat with tufted leather, molded seat frame, reeded tapered legs, casters, h. 19 in., w. 45 in., d. 29 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

361. Directoire Carved, Painted and Parcel Gilt Chamber Suite, early 19th c., incl. recamier, pair of fauteuils and bergère, recamier with gondola‑form head and foot board, loose down cushions, tapered legs; bergère with rounded barrel‑back, loose cushion, tapered legs; fauteuils of conforming style, upholstered in burnished gold velvet, bergère h. 38 1/2 in., w. 27 in., d. 18 in.; fauteuils h. 36 1/2 in., w. 24 in., d. 22 in. $4000/6000 360. Empire‑Style Bronze‑Mounted Mahogany Vitrine, 20th c., flared cornice, columnar stiles, glazed door and side panels, glass shelf interior, plinth base, ball feet, h. 59 in., w. 29 in., d. 15 1/2 in. $1000/1500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

362. Italian Carved and Painted Console Table, 18th c. and later, faux marbre top, guilloche frieze, drawer centered by a mythological mask, tapered molded legs, block feet, h. 29 1/4 in., w. 45 3/4 in., d. 23 1/4 in. $2000/3000

Provenance: Michael Carbine; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

363. Four Antique Continental Neoclassical‑Style Carved Fruitwood Fauteuils, early 19th c., arched crest rail, shaped stiles, scrolled arms, serpentine seat rail, lappet‑carved cabriole legs, h. 36 1/2 in., w. 22 in., d. 18 in. $1000/1500 364. Massive Antique Continental Chinoiserie‑Decorated Red Lacquer and Brass Bound Chest on Giltwood Stand, 19th c., domed lid, fitted interior, relief carved base of eagles on rockwork, scroll feet to the read, h. 41 in., w. 55 1/2 in., d. 23 in. $4000/6000

366. Decorative Pair of Chinese Bronze‑Mounted Blue and White Porcelain Tea Jars, with blue floral decoration on a cream crackle ground, h. 15 1/8 in. $500/700

368. Two Chinese “Sancai” Glazed Porcelain Buddhist Lions, Qing Dynasty, 18th c., one modeled crouching on a plinth with a paw resting on a brocade ball, base with Henry Stern inventory no. “A9210”, h. 10 1/4 in.; other recumbent with a candle holder on its back, base with “Henry Stern, New Orleans” label and inventory no. “A8224”, h. 4 7/8 in., w. 5 5/8 in (2 pcs.) $600/800 Provenance: Henry Stern, New Orleans, Nov. 1983 and Nov. 1986, per receipts.

365. Pair of Chinese “Famille Noire” Porcelain Square Vases, decorated with birds and butterflies amid flowers, flowering branches and rock, bases with apocryphal Kangxi marks, h. 19 3/8 in. $700/900

367. Chinese Export Famille Rose Porcelain Punch Bowl, Qing Dynasty (1644‑1911), painted with a pair of song birds amid floral sprays and branches, h. 4 3/4 in., dia. 11 1/4 in., stand, overall h. 6 1/4 in. $800/1200

369. Chinese Famille Verte Porcelain Jar, probably 19th c., decorated with nobles in a fenced garden near a pavilion, h. (approx.) 9 1/2 in., now mounted as a lamp, probably not drilled, h. (incl. finial) 24 in. $500/700

370. Pair of Bronze‑Mounted Chinese Export Imari Porcelain Bowls, 19th c., decorated with rocks and flower sprays, bronze beaded rim, foliate scroll handles, garland‑hung base with splayed feet, h. 5 1/2 in., w. 10 1/4 in. $1000/1500

371. Chinese Famille Verte Porcelain Dish, Qing Dynasty, 18th/19th c., decorated with birds amid chrysanthemum, prunus and rock, base with Henry Stern inventory no. “A6935”, h. 1 1/2 in., dia. 8 7/8 in. $300/500

372. Three Chinese Famille Rose Porcelain Dishes, Qianlong Period, 18th c., first with central panel enclosing a flower bouquet and books, second with floral sprays within blue garland, third in the “Mandarin palette” with Magu and a deer, bases with “Henry Stern, New Orleans” labels, dia. 6 1/8 in., 5 1/4 in., and 5 3/8 in. $600/800

Provenance: Henry Stern, New Orleans, Aug. 1981, per receipt.

Provenance: Third, Henry Stern, New Orleans, Oct. 1979, per receipt.

373. Chinese Famille Rose Porcelain Cup and Saucer, Qianlong Period, 18th c., decorated with peonies and flowering prunus in a fenced garden, cup h. 1 7/8 in., saucer w. 5 in. $400/600

374. Chinese Famille Verte Porcelain Cachepot, 19th c., molded with bands of concentric rings, decorated with figures in a mountainous waterscape, base with double ring mark and Henry Stern inventory no. “A9983”, h. 4 5/8 in. $300/500

375. Antique Chinese Blue and White Porcelain Vessel, exterior decorated with flower scrolls, interior with a dragon, h. 3 3/4 in., dia. 5 in., stand, overall h. 5 1/4 in. $200/400

376. Pair of Chinese Famille Verte Porcelain Planters, decorated with figures in a continuous landscape with rocks, trees and clouds, h. 12 7/8 in., dia. 14 1/4 in. $1500/2000

378. Pair of Chinese Celadon Stoneware Vases, baluster bodies with fluted rims, carved with concentric birds, petal and floral motifs and auspicious symbols, h. 19 1/4 in. $600/800

379. Chinese Famille Noir‑Style Porcelain Vase, decorated with a wide central band of qilong, lingzhi and scrolling foliage, h. 4 3/8 in., dia. 6 in. $200/300

377. Pair of Chinese Export Blue and White Porcelain Platters, transfer decorated in a variation of the willow pattern, h. 2 1/2 in., w. 13 5/8 in., d. 10 5/8 in. $500/700

380. Pair of Chinese Polychrome Porcelain Cranes, 20th c., modeled in mirror image, perched atop a rock outcropping, bases with impressed marks, h. 17 1/8 in. $300/500

382. Tibetan Gem Embellished and Gilt Bronze‑Mounted Lapis Lazuli Figure of Tara, modeled standing in tribhanga on a separate double lotus base holding a lotus raised in her right hand, h. 18 1/8 in. $1000/1500

383. Pair of Tibetan or Nepalese Gem Embellished, Gilt Metal‑Mounted Rock Crystal Covered Ritual Bowls, h. 5 in. $600/800

381. Tibetan or Nepalese Gem Embellished, Polychrome and Gilt Metal‑Mounted Rock Crystal Figure of Tara, modeled seated in dhyanasana on a lotus base with her left hand raised in vitarka mudra, wearing an elaborate crown and celestial scarf ornamented with lotus flowers, h. 8 3/4 in., w. 6 3/4 in. $800/1000

384. Pair of Decorative Giltwood and Rock Crystal Lamps, knopped standard on incurvate plinth, h. (to socket) 22 in., dia. 9 1/2 in. $1500/2500 Additional information at www.nealauction.com

385. Set of Eight Chinese Sterling Silver‑Mounted Mother‑of‑Pearl Dishes, Qing Dynasty, 19th c., shell‑form, ball feet with butterfly attachments, h. (approx.) 1 1/4 in., w. (approx.) 9 in. to 9 3/4 in. $400/600

386. Chinese Export Famille Rose Porcelain Punch Bowl, Qing Dynasty, probably 18th c., decorated with citron, auspicious emblems, and fruit and flower sprays, base with “Henry Stern, New Orleans” label and inventory no. “A8213”, h. 4 1/2 in., dia. 11 1/8 in. $300/500

Provenance: Henry Stern, New Orleans, Nov. 1983, per receipt.

387. Chinese Export Armorial Porcelain Milk Jug, Qianlong Period, c. 1785, Buddhist lion finial, entwined branch handles, Christie’s label, h. 10 in. $150/250

388. French School, 1843, “Portrait of Nicolas Jacques Demarine” and “Portrait of Catherine Sophie Desvignes Demarine”, 2 oils on canvas, signed and dated lower left and right respectively, labels identifying sitters and period French framing labels on reverse of frames, each 20 1/2 in. x 16 1/2 in., framed alike. (2 pcs.) $3000/5000

389. Louis‑Michel Van Loo (French, 1707‑1771), “The Marquise de Marigny (1751‑1822)”, 1769, oil on canvas, signed and dated mid‑right, remnants of “Milton Park Gallery, Oklahoma” and “Wildenstein Arte, Buenos Aires” labels en verso, 36 in. x 28 1/2 in., framed. $10000/15000 Provenance: Wildenstein and Co., Buenos Aires.

Exh.: “Pinturas Fracesas del Siglo XVIII”, Wildenstein Arte, Buenos Aires, July 1948, no. 10.

Note: Louis‑Michel Van Loo, nephew of Carle Van Loo, studied in Turin and Rome before becoming a court painter for King Philip V of Spain. In 1753, Van Loo painted many court portraits in Paris under King Louis XV, including the lovely canvas presented here of the Marquise de Marigny. Marie Françoise Constance Julie Filleul was the illegitimate daughter of King Louis XV and his mistress in the early 1700s, Marie Irene Catherine du Buisson de Longpré. Filleul married Abel François Poisson de Vandières in 1767, and the king soon made the couple the Marquis and Marquise de Marigny. Poisson de Vandières was the brother of the king’s favorite mistress, Jeanne Antoinette Poisson, the famous Madame de Pompadour. In this portrait, Van Loo depicts the sitter in an elegant silk gown with a delicate stripe and flower pattern, covered by an ermine and velvet robe, while the styling of her hair and jewelry perfectly fits the court fashions of the mid‑18th century. 390. Emily Hart (British, 19th c.), “Le Matin”, 1896, oil on canvas, signed and dated lower left, “A. Robinot, Paris” shipping and “Exposition de Calais” label on reverse of frame, 36 1/2 in. x 25 3/8 in., framed. $2000/3000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

391. Empire Bronze‑Mounted Mahogany Center Table, early 19th c., dished grey marble top, columnar supports, incurvate triangular plinth, gilt bronze mounts, wood casters, h. 30 in., dia. 38 1/4 in. $2500/3500 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

392. Italian Neoclassical Inlaid Walnut Secretary Desk, 18th c. and later, arched cornice, mirrored cartouche, arched mirrored doors, later fitted interior, two small drawers below, slant front lid enclosing stepped fitted interior with well over three drawers, molded base, bun feet, h. 92 in., w. 47 in., d. 25 in. $5000/7000

393. Antique Continental Giltwood Settee, 19th c., laurel carved circular back supports centered by a lyre and wreath flanked by masks, arms terminate in spherules, caryatid legs, paw feet, h. 49 in., w. 77 in., d. 29 in. $4000/6000

394. Continental Neoclassical Walnut Parquetry Demilune Commode, 18th c., probably Italian, marble top, three paneled doors, shaped base, tall flared feet, h. 38 in., w. 52 in., d. 23 1/2 in. Note: Later marble. $2500/3500

396. Pair of Charles X Carved Mahogany Fauteuils, square backs, fluted arms, sabre legs, h. 39 in., w. 23 1/2 in., d. 20 in. $1500/2500 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 395. Antique Empire‑Style Bronze‑Mounted Mahogany Bibliothèque, mid‑19th c., molded cornice above an ormolu‑mounted frieze, glazed doors flanked by half columns; lower case with paneled doors, conforming columns, molded base, disc feet, h. 88 in., w. 49 in., d. 20 in. $2500/4000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

396A. Pair of Charles X Carved Mahogany Fauteuils, en suite with preceding lot, h. 39 in., w. 23 ½ in. d. 20 in. $1500/2500. Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

397. French Empire Gilt Bronze Figural Mantel Clock, early 19th c., silk thread movement, Apollo’s chariot drawn by winged raptors, porcelain dial, frieze with mythological scene of Apollo intoxicating Zeus, h. 20 1/2 in., w. 17 1/4 in., d. 5 3/4 in. $3000/5000 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

398. American Classical Carved Mahogany Sofa, c. 1820, New York, scrolled crest rail with inset figured panel, Grecian‑scrolled and reeded arms and seat rail, elaborately carved feather and scroll brackets, paw feet, poplar secondary wood, period‑appropriate upholstery in damask haircloth from John Boyd Textiles, London, reverse retains fragment of old label, casters, h. 34 in., w. 91 in., d. 26 in. $3000/5000

Note: The sofa offered here is a closely related form to Grecian sofas made by New York cabinetmaker Duncan Phyfe. Featuring the same proportions, scrolled crest rail and arms, reeded seat rail, and feathered lion’s paw feet, the sofa here is nearly identical to a sofa illustrated in The World of Duncan Phyfe by Elizabeth Feld and Stuart P. Feld, differing only by the carved decoration along the crest rail on the Feld example. Ref.: Feld, Elizabeth and Stuart P. Feld. The World of Duncan Phyfe: The Arts of New York, 1800-1847. New York: Hirschl & Adler Galleries, 2011, p. 20. Additional information at www.nealauction.com

399. Fine and Rare American Classical Carved, Gilded and Stenciled Rosewood Vitrine, c. 1830, New York, molded cornice, arched beveled glass door, shelf interior with mirrored back, pier table‑form base with triple mirror back, columnar supports, shaped lower plinth, elaborately carved feather mounted paw feet, poplar and pine secondary woods, h. 80 in., w. 36 1/2 in., d. 17 in. $10000/15000

400. Fine American Renaissance Carved Mahogany Pedestal, late 19th c., gadrooned top, lion‑carved scrolled supports, base with swag decoration, foliate plinth, melon feet, h. 38 in., w. 13 3/4 in., d. 13 3/4 in. $1000/1500

Provenance: Julie de Fazande Yokum van Calsem, Casa Hove, New Orleans; New Orleans Antiquarian Collection.

Note: The stunning vitrine shown here is a superb example of the elegant Grecian style of New York cabinetmakers such as Duncan Phyfe, Michael Allison, and Charles‑Honoré Lannuier. The base of the vitrine shares many characteristics with New York pier tables, including the overall form and proportions, elaborate allegorical gilt stencil decoration, and winged hairy paw feet. A rare form among American Classical furniture, this vitrine shares a similar configuration with a bookcase made by Phyfe for North Carolina architect Robert Donaldson. Interestingly, an account of Donaldson’s furniture written by his daughter in 1928 describes his furniture as “all Duncan Phyfes” and describes “the cabinet pier table in parlor,” a reference to the pier table base of the related piece. Ref.: Brown, Michael K. and Peter M. Kenny. Duncan Phyfe: Master Cabinetmaker in New York. New York: Metropolitan Museum of Art, 2011, pp. 209‑210.

401. American Aesthetic Carved Mahogany and Polychrome‑Painted Three‑Panel Screen, c. 1880, attr. to Herter Brothers, New York, classical reserves, center floral and swag panels, lower panels with later velvet, embossed gilt back, h. 67 3/4 in., w. 72 in. $2000/3000

402. American Renaissance Carved, Ebonized, Gilt‑Incised and Inlaid Slipper Chair, c. 1865‑1875, attr. to Pottier & Stymus, New York, carved shell crest, turned finials, crest rail with mother‑of‑pearl stars and a polychrome porcelain plaque of a maiden, turned and fluted stiles, padded back and seat, conforming seat rail, tapered and fluted legs, casters, h. 29 in., w. 19 in., d. 20 in. $500/1000 Note: The mother‑of‑pearl star inlay and Louis XVI‑ influenced styling of the chair in the present lot are features common on Pottier & Stymus furniture designed by French artist Joseph Cremer, who worked closely with the prestigious New York firm. A Cremer‑ signed table conserved by the Saint Louis Art Museum displays a similar star inlay, ebonized fluted legs, and gilt incising. The chair shown here also has a related plaque of a Classical maiden and comparable overall proportions to a Pottier & Stymus chair in the collection of the Metropolitan Museum of Art. Ref.: Saint Louis Art Museum. “Center Table.” emuseum.slam.org/objects/59577. Accessed October 18, 2018. Metropolitan Museum of Art. “Side Chair.” metmuseum.org/art/collection/ search/1684. Accessed Oct. 18, 2018.

403. Very Rare American Rococo Carved and Laminated Rosewood Bedstead, c. 1850‑1860, attr. to John Henry Belter, New York, serpentine reticulated phoenix and foliate motif headboard centered by an acanthus medallion flanked by mermaids, conforming rails and foot board, crest of foot board is carved on the reverse with a diaper‑pattern medallion, cabochon‑decorated scrolled feet; together with custom box‑spring, h. 49 in., l. 78 in., w. 61 in. Note: Accommodates double mattress. $15000/25000

Provenance: Estate of M. Qvistgaard‑Petersen, Palmer Ave., New Orleans; Morton’s Auction, New Orleans, Oct. 1987; Estate of Gordon and Vera Noakes, Detroit, MI.

Note: The stunning and ornately carved bed offered here is directly related to a patent filed by John Henry Belter in 1856. The U.S. Patent No. 15552 features a bed design showing a serpentine two‑part bedstead with an elaborately scrolled headboard and footboard, nearly identical to the present lot. The patent illustration also shows Belter’s signature seven‑layer lamination and the corresponding patent specification text written by Belter explains his intricate design process. Interestingly, Belter states within the patent text that the bed was constructed to be easily taken apart without the use of tools, which are “an evil more particularly apparent when it becomes necessary to separate the parts very hurriedly in case of a fire.” A superb example of Belter’s figural carvings, the crests of this bed are surmounted by whimsical mermaids and fanciful phoenix heads are placed among the crest foliage. A close examination of the mermaid faces shows the same distinctive features found on other documented Belter figures, including the maiden and cupids on an etagere from the Service Collection of Grant Oakes and a well‑known parlor suite that features carved busts of Shakespeare, Chaucer, Dante, Virgil, George Washington, Thomas Jefferson, and Benjamin Franklin. Ref.: United States Patent and Trademark Office, Patent #US000015552. patft.uspto.gov. Accessed October 18, 2018; Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840-1880. Pennsylvania: Schiffer Publishing, 1983, pp. 110, 122, 148‑150, 155.

404. American Rococo Carved and Laminated Rosewood Dresser, c. 1850‑1860, attr. to John Henry Belter, New York, fruit and cornucopia‑carved crest centered by a pair of opposing doves, mirror flanked by small shelves, exaggerated serpentine marble top with conforming case, four graduated drawers, top drawer with shaped divided interior, conforming base, h. 89 in., w. 48 1/2 in., d. 23 3/4 in. $10000/15000

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Note: The finely carved dresser in the present lot is directly related to a dresser by John Henry Belter conserved by the Brooklyn Museum, featuring a similar foliate crest with distinctively carved birds, the same configuration of mirrors, and a serpentine case. The dresser here also features a uniquely shaped divider in the top drawer and a nearly identical serpentine case as a Belter dresser in the Dubrow Collection. Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840-1880. Pennsylvania: Schiffer Publishing, 1983, pp. 152‑154.

405. Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850‑1860, attr. to the “Bird Pattern” maker, New York, elaborately carved floral crest flanked by opposing birds, meandering foliate serpentine reticulated crest rail, molded arms and uprights, serpentine seat rail, cabriole legs, casters, h. 50 3/4 in., w. 87 1/4 in., d. 30 in. $8000/12000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Note: The dramatic reticulation of the crest rail, finely carved opposing birds centering the crest, use of sophisticated seven‑layer laminated construction, shape of the rear legs, and the molding of the arm supports, seat rail, and front legs of this sofa are indicative of the rare “Bird Pattern” examples of seated furniture made in New York City during the mid‑19th century. Ref.: “Bird Pattern” examples include an armchair illustrated in American Furniture of the 19th Century by Eileen and Richard Dubrow, p. 95, and a closely related parlor suite sold in these rooms, Oct. 6, 2007, as lot 274.

406. Rare American Rococo Carved and Laminated Rosewood Slipper Chair, c. 1850‑1860, attr. to John Henry Belter, New York, floral‑carved crest, scrolled crest rail, elaborately reticulated back carved with foliage, grapes, and acorns, serpentine seat, floral‑carved seat rail, cabriole legs, casters, h. 43 3/4 in., w. 18 in., d. 16 in. $1500/2500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 407. Rare American Rococo Carved Rosewood Center Table, mid‑19th c., New York, shaped marble top, egg and dart molded edge, reticulated frieze, robustly carved cabriole legs, stretchers centered by a spindled basket, foliate scrolled feet, casters, h. 30 1/2 in., w. 43 in., d. 32 1/2 in. $2000/3000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

408. Rare American Renaissance Carved, Parcel Ebonized, Gilt‑Incised and Porcelain‑Mounted Rosewood Cabinet, mid‑19th c., New York, architectonic crest with spindled gallery, center arched cabinet with marquetry trophée opens to maple interior, flanked by shelves with stop‑fluted supports, plinth base, h. 65 in., w. 61 in., d. 19 in. $5000/7000

Note: The lavishly decorated cabinet in the present lot is among the group of rare Napoleon III‑influenced furniture made by prestigious New York cabinetmakers such as Pottier & Stymus, Alexander Roux, and Leon Marcotte. This cabinet is closely related to a New York mirrored console from the renowned Virginia Carroll Crawford Collection conserved by the High Museum of Art, featuring ebonized embellishments, gilt incising, similar polychrome porcelain plaques, and nearly identical scrolled foliate carvings. Ref.: Pierce, Donald C. Art & Enterprise: American Decorative Art, 1825-1917, The Virginia Carroll Crawford Collection. Atlanta: High Museum of Art, 1999, pp.128‑129. Additional information at www.nealauction.com

410. Fine American Mahogany Benchmade Campeche Chair, 20th c., probably after Phyfe, reeded stiles and arms, tooled leather seat, curule base, bulbous stretchers, h. 40 in., w. 23 1/2 in., d. 30 in. $1500/2500

Provenance: Sumpter Priddy; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

409. Very Fine American Classical Carved Mahogany Sofa Table, c. 1820, Philadelphia, drop‑leaf top, two frieze drawers, reverse with two faux drawers, carved lyre supports, turned stretcher, brass paw feet, casters, pine and poplar secondary wood, h. 29 in., w. 63 in., d. 30 1/2 in. $4000/6000 Provenance: New Orleans Antiquarian Collection.

Note: While relatively common among English Regency furniture, sofa tables were a rarer form in the U.S. during the early 19th century. The finely carved lyre supports on the sofa table offered here are directly related to Philadelphia Classical furniture, such as a dining table featuring a nearly identical foliate panel and similar disk carvings, illustrated in the Boor publication Philadelphia Empire Furniture. Ref.: Boor, Allison, Jonathan Boor, et al. Philadelphia Empire Furniture. Pennsylvania: John William Boor, 2006, p. 158. For additional examples with related foliate carvings, see pp. 187 and 261 411. American Classical Carved Mahogany Chamber Table, c. 1820, attr. to Duncan Phyfe, New York, case with three drawers, reeded curule base, turned stretcher, paw feet, casters, h. 35 1/4 in., w. 36 in., d. 19 3/4 in. $2000/3000 Provenance: New Orleans Antiquarian Collection.

Note: The curule base on the table here is closely related to a large suite of furniture made by Duncan Phyfe for New York merchant Thomas Cornell Pearsall, most of which is now in the collection of the Metropolitan Museum of Art. Each piece of seated furniture in the Pearsall suite features a similarly styled base with a baluster‑turned stretcher and delicate paw feet, also seen on the table in the present lot. The overall form of this table is a near match to a dressing table made by Phyfe for the home of James Vanderpoel in Kinderhook, New York, illustrated in Nancy McClelland’s Duncan Phyfe and the English Regency, 1735-1830. Ref.: Brown, Michael K. and Peter M. Kenny. Duncan Phyfe: Master Cabinetmaker in New York. New York: Metropolitan Museum of Art, 2011, p. 178; McClelland, Nancy. Duncan Phyfe and the English Regency, 17351830. New York: Dover Publications, 1980 (org. 1939), p. 171 (also see pp. 289‑293).

412. American Gothic Carved Rosewood Side Chair, c. 1840, probably Alexander Roux, New York, crocketed crest, finialed, tapered and segmented stiles, trapezoidal seat, conforming tapered legs, casters, h. 50 in., w. 19 in., d. 18 1/2 in. $1200/1800

Ill.: Feld, Elizabeth and Stuart P. Feld. In Pointed Style: The Gothic Revival in America, 1800-1860. New York: Hirschl & Adler Galleries, 2006, pp. 114‑115.

413. Fine American Gothic Carved Walnut Octagonal Library Table, c. 1850, New York, inset baize top, molded beveled edge, blind fretwork frieze with four drawers, octagonal pedestal with quatrefoil and arched panels, buttress brackets, walnut and satinwood drawer blades, birdseye maple drawer linings, poplar and pine secondary woods, h. 30 in., w. 45 in., d. 45 in. $7000/10000 Provenance: Neal Auction Company, April 16, 2005, lot 562.

Ill.: Feld, Elizabeth and Stuart P. Feld. In Pointed Style: The Gothic Revival in America, 1800-1860. New York: Hirschl & Adler Galleries, 2006, pp. 98‑99.

Note: The octagonal library table was a popular form during the Gothic Revival period of the 19th century and an important fixture in grand homes such as Lyndhurst Mansion in Terrytown, New York. The table shown here is the same overall form and proportions as a New York Gothic table held in the collection of the Metropolitan Museum of Art and features nearly identical carved panels along the frieze. Ref.: Feld, Elizabeth and Stuart P. Feld. In Pointed Style: The Gothic Revival in America, 1800-1860. New York: Hirschl & Adler Galleries, 2006, p. 99; The Metropolitan Museum of Art. “Table.” metmuseum.org/art/ collection/8079. Accessed Oct. 19, 2018.

414. American Aesthetic Inlaid Rosewood Cabinet, c. 1880, labeled “Herter Bros.”, New York, red velvet‑lined backsplash and back panel, galleried sides, demilune top, conforming lower shelf, center cabinet mounted with Japonesque brass and mother‑of‑pearl butterfly plaques flanked by open shelving, molded feet, h. 51 1/2 in., w. 78 in., d. 21 1/2 in. $7000/10000

Note: The sleek and stylish sideboard shown here is an exquisite example of the influence of Japanese taste within Herter Brothers furniture made during the Aesthetic Movement of the late 19th century. An important element of the Aesthetic style, cabinetmakers like the Herter Brothers firm embraced Asian design for its prominent use of naturalistic motifs. A synthesis of both Continental and Eastern form and embellishment, the present lot is closely related to a rosewood cabinet which also displays delicate floral inlay and decorative natural panels made from exotic materials, illustrated in Herter Brothers: Furniture and Interiors for a Gilded Age. Ref.: Howe, Katherine S. et al. Herter Brothers: Furniture and Interiors for a Gilded Age. Houston: The Museum of Fine Arts, Houston, 1994, pp. 212‑213.

416. French School, 19th/20th c., “Charleston Viewing Fort Sumter Repulseing 9 Iornsides [sic]”, oil on canvas, titled and inscribed and French canvas stencil en verso, 24 3/4 in. x 40 in., framed. $5000/7000

Provenance: Estate of A. Leon Hebert; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

415. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Cornucopia”, floral‑carved reticulated crest, scrolled cornucopia stiles, round seat, floral apron, cabriole legs, acanthus feet, h. 37 in., w. 17 1/2 in., d. 20 in. $2500/4000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

417. Attributed to Abel Francois Lucas (French, b. 1813), “Gentleman” and “Lady”, 1857, 2 oils on canvas, each signed and dated lower left and right respectively, 36 1/4 in. x 28 3/4 in., framed alike. (2 pcs.) $2000/3000 Provenance: William Groves Estate, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Note: After the secession of South Carolina from the Union in 1860, the United States military held Fort Sumter, located off the shores of Charleston, until South Carolina forces led by General P.G.T. Beauregard took the fort on April 13, 1861. Two years later, Union forces unsuccessfully attempted to retake the fort, using the ironclad frigate New Ironsides, the tower ironclad Keokuk, and the monitors Weehawken, Pasiac, Montauk, Patapsco, Nantucket, Catskill, and Nahant. The ships fired on the fort on April 7, 1863 into the night, which the artist depicts in this skillfully rendered canvas. As an eye witness, the artist would have had a wealth of knowledge regarding the placement of the ships, as well as the large group of Charlestonians who gathered to watch the bombardment.

418. George III Sterling Silver Water Pitcher, John & Edward Edwards, London, 1811, mark reg. 1811, molded rims, scroll handle, ivory insulators, h. 7 7/8 in., wt. 30.20 troy ozs. $1000/1500

419. Victorian Sterling Silver Standish, Goldsmiths and Silversmiths Co. (William Gibson & John Lawrence Langman, London, 1889, mark reg. 1883, reticulated scrollwork gallery, fitted with two silver‑mounted molded glass ink pots, hallmarked en suite, h. 3 5/8 in., l. 10 in., d. 6 1/8 in., wt. (weighable) 21.50 troy ozs. $700/1000

420. Good American Coin Silver Tea Set, William R. Eaton, John Gordon and William Bogert for Ball, Black and Co. (1856‑1860, Newburgh, New York), dated June 24, 1858 and monogrammed “M.C.B” for Margaret Cyrilla (Brownson) Bisland (1839‑1906), mistress of Fairfax Plantation, St. Mary Parish, Louisiana, incl. hot water urn, approx. h. 16 in.; teapot, approx. h. 11 in.; cream jug, approx. h. 16 in.; covered sugar bowl, approx. h. 9 1/2 in.; and waste bowl, approx. h. 5 3/4 in., each of slightly concave paneled ovoid form decorated with engraved rococo scrolls below morning glories, the whole with milled anthemion banding, lidded elements with cast and applied floral finials and crested handles; together with an associated English silverplate tray, approx. l. 30 1/2 in., approx. w. 20 1/2 in. (6 pcs.) $5000/7000 Provenance: Descended in the Bisland family; to the Terrebonne Historical and Cultural Society; to New Orleans private collection.

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421. Gorham Coin Silver Coffee Service in the Neo‑Grec Taste, c. 1863‑1865, retailer’s mark rubbed, incl. 2 coffee pots, covered sugar and creamer, each with pineapple finial, Greek key borders and beading, coffee pot h. 11 5/8 in., total wt. 104.50 troy ozs. $2000/3000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

422. Important New Orleans Coin Silver Presentation Pitcher and Goblet, Adolphe Himmel (1825/6‑1877) for Hyde & Goodrich, wc. 1853‑1861, c. 1860, incised mark “H” between “Hyde & Goodrich” in arc and “New Orleans” in arc, the pitcher engraved in high relief with central cartouche surrounded by flowers; the goblet engraved in high relief with four shield‑shaped cartouches separated by high relief floral garlands, both inscribed “Presented to Maj. GenL. N.P. Banks, Com dg Dept of the Gulf, by the Teachers and Pupils of the Public Schools of New Orleans, Jefferson City, Gretna and Algiers” and “Commemorative of the Capture of Port Hudson, July 8, 1863”, pitcher h. 9 5/8 in., goblet h. 6 1/2 in., combined total wt. 34.8 ozs. $12000/18000 Provenance: Descended in the Family of Gen. Nathaniel P. Banks; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Note: General Nathaniel P. Banks succeeded the notorious General Benjamin F. “Spoons” Butler as Commander of the Department of the Gulf in late 1862 and would remain in that position until fall of 1864.

These presentation pieces honor Banks for his army’s capture of the Confederate garrison at Port Hudson on July 8, 1863, and were presented by the teachers and pupils of the public schools of the New Orleans area. That same month, Banks had ordered his Chief Quartermaster to turn over all books and engravings captured by the Army to the New Orleans Public School Libraries. Daily Picayune, August 1, 1863, p.1.

423. Art Nouveau Gorham Sterling Silver Ewer, c. 1900, ret. Spaulding & Co., Chicago, act. 1888‑1973, marked with Gorham trademark, “STERLING”, “NCM” and “SPAULDING & CO./CHICAGO”, decorated with iris and iris foliage, h. 16 1/8 in., wt. 45 troy ozs. $1200/1800

424. Good American Aesthetic Movement Sterling Silver Tyg, Theodore B. Starr, New York, wc. 1890‑ 1924, h. 6 1/2 in., wt. 16.95 troy ozs. $600/800

428. Six New Orleans Coin Silver Fiddle Typt Dessert Spoons, E.A. Tyler, wc. 1838‑1879, New Orleans, marked “E. A. TYLER.” In rectangle and “NEW ORLEANS.” in rectangle, l. 7 1/4 in.; together with 3 fiddle typt forks, Marquand & Co., New York, wc. 1833‑1839, l. 8 1/16 in.; combined wt. 13.10 troy ozs. $300/500

The Daily Picayune of August 16, 1863 reports an event honoring Banks which was hosted by the Union school teachers and school children at The Lyceum. The Hall is described as “richly draped with flags, garlands and evergreens, and the name of Gen. Banks, with the victories achieved by him, appeared in living green upon the walls.” The Daily Picayune also reports the presentation of “a silver salver, tankard and goblet.” Daily Picayune, August 16, 1863, p. 3. The presentation pitcher and goblet offered here are almost assuredly that “tankard and goblet.”

Notwithstanding the plaudits Banks received in New Orleans in the summer of 1863, the latter part of his career there would be overshadowed by the failure of the Red River Campaign and his army’s defeat by Major General Richard Taylor (son of President Zachary Taylor) at the Battle of Mansfield. Hallmarks on the Banks pitcher and goblet indicate manufacture in 1861 or prior: the Hyde & Goodrich partnership was dissolved in 1861, with the remaining partners forming a new partnership, Thomas, Griswold & Co. The pitcher and goblet could, like the books and engravings, have been “captured”. Crescent City Silver. The Historic New Orleans Collection, New Orleans, 1980. pp.4‑5.

425. Rare American Coin Silver Marrow Scoop, Teunis Denyse Dubois, New York, wc. 1794‑1820, l. 8 3/8 in.; together with a silver marrow scoop, probably late 18th/early 19th c., maker “IB” maker untraced, bright‑cut decoration, l. 8 1/2. $500/1000

429. Group of Anthony Rasch (c. 1780‑1858, act. Philadelphia c. 1801‑1820, New Orleans 1820‑1858) Coin Silver Spoons, incl. 3 fiddleback tablespoons, marked “A.RASCH” in rectangle and “N.ORLEANS” in rectangle, l. 8 5/8 in.; and fiddle typt soup spoon, marked “A.RASCH.” in rectangle, l. 8 1/8 in.; combined wt. 7.35 troy o. $200/400

426. New Orleans Coin Silver Fiddlethread Flatware, ret. A.B. Griswold & Co., New Orleans, wc. 1865‑1906, made by Wood & Hughes, New York, wc. 1845‑1899, incl. 7 table forks, l. 8 1/8 in., 5 tablespoons, l. 8 3/4 in. and teaspoon; together with 2 fiddlethread tablespoons (single faced) ), R. & W. Wilson, Philadelphia, wc. 1825‑1846, l. 8 1/2 in.; total wt. 26.85 troy ozs. $500/1000

427. Six New Orleans Coin Silver Fiddlethread Tablespoons, ret. E.A. Tyler, wc. 1838‑1879, New Orleans, made by Henry Hebbard, New York, wc. 1835‑1870, l. 8 3/8 in., wt. 11.80 troy o. $300/500

430. Group of James Conning, Mobile, Coin Silver Flatware, most marked “J.CONNING” in rectangle and “MOBILE” in rectangle, incl. 5 fiddle typt dessert forks, l. 6 3/4 in.; 8 fiddle typt dessert spoons, l. 6 1/8 in.; fiddle back soup spoon, l. 7 1/4 in.; fiddlethread tablespoon, l. 8 1/8 in., 2 teaspoons and demitasse spoon (Wood & Hughes, ret. Conning); combined wt. 19.90 troy ozs. $400/600

431. Two Tennessee Coin Silver Fiddlethread Tablespoons, F.H. Clark & Co., Memphis, c. 1860, l. 8 5/8 in. $200/400 Ref.: Caldwell, Benjamin Hubbell. Tennessee Silversmiths. pp. 62‑63, mark illus. p. 63.

434. Good American Sterling Silver Tea and Coffee Service, Durgin Division of Gorham, date marks for 1928‑1931, incl. kettle‑on‑stand, teapot, coffee pot, open sugar, creamer, waste bowl and tray, melon‑form bodies with flat chased decoration, woven raffia handles and period strapwork monograms, kettle h. 14 1/2 in.; tray 26 5/8 in. x 17 5/8 in., total wt. 265.65 troy ozs. $2500/3500

432. American Coin Silver Fiddle Back Soup Ladle, marked “W.&.B” and with pseudo hallmarks, reverse typt, engraved script monogram, l. 13 1/4 in., wt. 8.25 troy o. $250/350

435. Georgian Sheffield Plate Tea Tray, early 19th c., gadroon border and handles with scallop shells, inset silver shield with engraved crest, l. 26 1/4 in., w. 17 1/8 in. Note: Old solder repairs. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

436. Group of Five Georgian Sterling Silver “Old English” Pattern Stuffing Spoons, incl. late 1770s example, marks rubbed, possibly William Grundy, crested; Richard Crossley, 1793; Peter and Ann Bateman, 1794; Peter and Ann Bateman, 1797; and Richard Crossley, 1798, crested; lengths 11 in. to 12 1/2 in., combined wt. 16.25 troy ozs. $400/600

438. Charles X Carved Giltwood Convex Mirror, 19th c., deeply molded frame, convex mirror plates interspersed with Classical relief carved elements, h. 23 1/2 in., w. 22 in. $400/600

439. Louisiana Cherrywood Petite Armoire, early 19th c., later stepped cornice, paneled doors, fiche hinges, shelf interior fitted with a single drawer, cabriole legs, h. 74 in., w. 45 in., d. 21 1/2 in. $4000/6000

433. New Orleans Coin Silver Fiddlethread Soup Ladle, ret. A.B. Griswold, New Orleans, wc. 1865‑1906, made by Wood & Hughes, New York, wc. 1845‑1899, engraved shield with monogram, l. 11 1/8 in., wt. 6.70 troy ozs. $300/500

440. American Late Federal Mahogany Games Table in the Sheraton Taste, early 19th c., Philadelphia, shaped reeded edge top, highly figured frieze, turned, reeded tapered legs, button feet, h. 28 1/2 in., w. 38 1/2 in., d. (closed) 18 in., d. (open) 35 in. $700/900

437. Group of Late Georgian Sterling Silver Serving Pieces, most in “Downturned Fiddle” pattern, incl. stuffing spoon, possibly William Sumner II, London, 1826, l. 12 1/4 in.; gravy ladle with engraved script monogram, marks rubbed, l. 7 1/4 in.; gravy ladle with engraved crest, William Eley, William Fearn & William Chawner, London, 1809, l. 6 3/4 in.; gravy ladle with engraved script monogram, James Beebe, London, 1830, l. 6 3/4 in.; large serving fork with upturned fiddle handle, William Eaton, London, 1832, 9 1/2 in.; and berry spoon with Old English downturned handle, late 18th c. with later decoration, marks rubbed, l. 8 in.; combined wt. 14.10 troy ozs. $300/500

441. Mexican/Yucatan Inlaid Tropical Hardwood Butaquito, 19th c., arched crest with lozenge inlay, curule base, stretchers, original leather upholstery, h. 23 1/4 in., w. 18 in., d. 25 1/2 in. $500/1000

Provenance: Don Goudeau and Larry Souchon “The Golden Owl”, 1976.

442. American Federal Inlaid Mahogany Sideboard, c. 1810, shaped top, conforming case with three frieze drawers and two lower cabinet doors flanked by two deep side compartments, tapered legs, h. 39 in., w. 66 1/2 in., d. 26 in. $2500/3500

443. Fine American Late Federal Paint‑Decorated Writing Arm Windsor Chair, early 19th c., shaped crest rail, bamboo‑turned spindles, stiles and arms, large writing arm, plank seat, splayed legs, stretchers, h. 38 1/8 in., w. 35 1/4 in., d. 31 in. $200/300

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

444. Fine American Federal Inlaid Mahogany Games Table, c. 1820, possibly Thomas Seymour, Boston, shaped foldover top, conforming frieze, turned and reeded legs, one swing leg, turned feet, h. 29 1/4 in., w. 37 3/4 in., d. (closed) 18 1/2 in., d. (open) 37 in. $1500/2500

445. Louis XVI‑Style Carved Fruitwood Settee, 19th c., beribboned oval back, acanthus scrolled arms, serpentine, swagged seat rail, acanthus carved legs, h. 38 in., w. 46 in., d. 22 in. $1000/1500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

446. Antique French Provincial Fruitwood and Walnut Vaisselier, 18th c. and later, upper section with plate rails, shoe feet, base with two drawers over cupboard doors, cabriole legs, h. 79 1/2 in., w. 52 5/8 in., d. 24 1/2 in. $800/1200

447. Italian Neoclassical Walnut Dressing Table, 18th c., serpentine lift top, fitted interior well, one long drawer and two side drawers, cabriole legs, h. 33 in., w. 39 1/2 in., d. 25 1/4 in. $1200/1800 448. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Cypress Trees in the Bayou”, 1932, oil on canvas laid on board, signed and dated lower right, 15 in. x 9 1/4 in., framed. $4000/6000 450. John Genin (French, 1830‑1895), “Spirit of Louisiana”, 1884, oil on canvas, signed and dated lower right, “The Charleston Renaissance Gallery, Charleston” label with artist and title on backing, 44 1/4 in. x 22 1/4 in., framed. $15000/25000

Provenance: Jay P. Altmayer Collection, Mobile, AL; Neal Auction Company, Oct. 2, 2004, lot 749; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. Ill.: Pennington, Estill Curtis. Downriver: Currents of Style in Louisiana Painting 1800‑1950. Gretna, LA: Pelican Publishing Company, 1991, p. 132.

449. Knute Heldner (Swedish/New Orleans, 1877‑1952), “French Market, New Orleans”, oil on canvas, signed lower right, “Tweed Museum of Art” exhibition label en verso, 30 in. x 36 in., framed. $10000/15000

Note: Known primarily as a portraitist, John Genin developed his painting technique while under the tutelage of renowned Parisian portraitist Leon Bonnat. Genin’s skills at portraiture, as well as the stylistic evidence of Neoclassicism and Romanticism, are particularly evident in his allegorical paintings representing Louisiana. Genin painted at least three of these works, with the important painting offered here likely the penultimate version created in 1884. The artist utilized his adept portraiture skills to portray a goddess (modeled by his second wife) standing amidst a lush, bayou landscape while bare‑breasted and adorned with Spanish moss draped from her hair and waist.

Provenance: Tezcuco Plantation.

Exh.: “Knute Heldner: A Retrospective Exhibition”, Oct. 12‑Nov. 16, 1980, Tweed Museum of Art, University of Minnesota, Duluth, MN. Note: Among the largest and most complex of Knute Heldner’s canvases, this French Market scene was painted from Dumaine Street in the French Quarter, looking east toward the Faubourg Marigny. The fresh, white palette and brightly colored clothing of the shoppers create an ebullient atmosphere. The composition, combining the historic buildings and horse‑drawn cart with modern cars on the street, beautifully highlights the synthesis of old and new in quotidian French Quarter life. From the inclusion of the cupolas on top of the buildings, this painting is dated to after the Public Works Administration renovations in the late 1930s. The French Market, which has a long and vivid history, originally was comprised of a group of markets, each selling a certain type of food or dry goods. Although damaged or destroyed by storms or fires many times over the years, the markets were always immediately rebuilt, indicating the vital importance of these buildings in the New Orleans community. The renovation of the late 1930s demolished many of the nineteenth century structures, some of which had been badly damaged in a hurricane in 1915. A later renovation of the 1970s significantly changed the style of the French Market, as well as altering the footprint of the market complex.

Ref.: Dobie, Ann. “John Genin.” Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Sept. 12, 2012. https://64parishes.org. Accessed Oct. 17, 2018.

452. West Indies Carved Acajou Moucheté Mahogany Armoire, late 18th c., in the Louis XV taste, cove‑molded cornice, flush paneled doors, fiche hinges, mahogany interior with shelves and a medial belt of drawers, scalloped apron, cabriole legs, h. 87 in., w. 59 1/2 in., d. 21 1/2 in. $10000/15000 Provenance: Robert Smith, Au Vieux Paris Antiques, Breaux Bridge, LA, Sept. 2004.

Note: The elegant acajou moucheté or “plum pudding” mahogany armoire shown here is closely related to a West Indies armoire that belonged to Louisiana governor Jacques Villeré and was brought to Louisiana as early as 1782. In the Louis XV taste, the armoire here and the Villeré armoire both feature the distinctively figured acajou moucheté mahogany, a similar cove‑molded cornice, the same flush panel door construction, and cabriole legs. Ref.: Holden, Jack D. et al. Furnishing Louisiana: Creole and Acadian Furniture, 1735‑1835. New Orleans: The Historic New Orleans Collection, 2010, pp. 133‑134.

451. François Bernard (French/New Orleans, 1812‑1875), “Portrait of Madame Jules Arnaud Blanc, née Mary Inskeep Palfrey (1828‑1887)”, 1859, oil on canvas, signed and dated mid‑right, 41 1/2 in. x 32 in., framed. $2000/3000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Note: A second marriage for both the bride and groom, Mary Inskeep Palfrey and Jules Arnaud Blanc were married in New Orleans in 1856. Blanc, whose ancestors had intermarried with the Labatut family, spent his childhood in the familial home, the Evariste Blanc House, on Bayou St. John, now the parish rectory of Our Lady of the Rosary Parish. He owned a brickyard, as had his father, and was president of the State National Bank. The couple is buried in Lafayette Cemetery Number 1.

This beautifully rendered portrait of Madame Blanc bears a striking resemblance, with its deep red background, to Bernard’s portrait from only a year prior of Jeanne Roman de la Villebeuvre (sold in these rooms November 23, 2013). Both women wear classic antebellum dresses, and Madame Blanc’s sheer, black lace sleeves are accented by the gold of her jewelry and the black lacquered and gilt‑decorated side table included in the composition. Ref.: Heidari, Melissa Walker, ed. Grace King in Her Journals, 1886‑1910. Athens, GA: University of Georgia Press, 2004.

453. American Classical Figured Mahogany Tilt‑Top Table, c. 1820, attr. to John Needles, Baltimore, beehive‑turned standard, saber legs, brass paw feet, casters, h. 53 1/2 in. (tilted), h. 29 3/4 in., dia. 41 1/4 in. $3000/5000

454. José Francisco Xavier de Salazar y Mendoza (Mexican/ New Orleans, c. 1750‑1802), “Portrait of a New England Gentleman”, oil on canvas, unsigned, 40 1/4 in. x 31 1/4 in., framed. $12000/18000

Note: The canvas offered here by Jose Francisco Xavier de Salazar y Mendoza, reputedly acquired by a Maine collector from an estate in Newburyport, Massachusetts, features a handsome gentleman in a late 18th century‑style frock coat and cravat. The work typifies the archetypal portrait Salazar painted at the turn of the 18th century with its telling red ochre background as well the characteristic pose and composition often used by the artist. Salazar was known to have painted top military figures, sea captains, and wealthy merchants, many of whom had come to New Orleans from other locales for business and political purposes. The portraits were frequently sent back to the prominent families in the Northeast from which the sitters originated, likely the history of this work.

The standing portrait at waist‑length with one hand in the sitter’s coat had become an iconic pose by the late 1700s, and Salazar implemented it often for his prominent sitters. Three known paintings by Salazar, Colonel Thomas Butler, Jr., sold in these rooms in February 2017, Miguel Dragon, located at the Louisiana State Museum, and the Portrait of a Bristol, Rhode Island Gentleman, all have nearly identical poses, as well as the same trompe l’oeil painted oval seen in the painting offered here. Ref.: Gontar, Cybèle T. Salazar: Portraits of Influence in Spanish New Orleans, 1785‑1802. New Orleans: Ogden Museum of Southern Art, 2018.

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Note: Samuel Bannister Slocomb of Maryland started his business career at the Rogers Hardware store in Philadelphia in the early 1800s. After proving himself in the trade, he moved to New Orleans and help established a hardware store by the name of Rogers, Slocomb & Co., which in some years became Slocomb and Co.

Samuel died in 1834 when his son Cuthbert Harrison Slocomb was only three. Eventually, Cuthbert took control of the family hardware store. By 1861 he was a prominent citizen of the city with significant land ownership and an active businessman, serving as the director of the Bank of Louisiana and the New Orleans Water Works as well as First Vice President of the Mechanical & Agricultural Assoc. of LA. His hardware business was suspended during the Civil War when he joined the Confederate army in 1861, rising in rank from Assistant Quartermaster of the Second Company, Washington Artillery, to First Lieutenant of the 5th Company, the latter unit assigned to the Confederate Army of Tennessee and engaged in several major battles throughout the war. Wounded in April 1862 at Shiloh, Slocomb was promoted to captain and given the command of the company. On September 1, 1864, Captain Slocomb was seriously wounded at Jonesboro and was hospitalized in South Carolina. Slocomb returned to the regiment in December 1864 and remained with the regiment for the defenses of Mobile and Spanish Fort until the end of the war. After the war, Slocomb resumed his work at his hardware business C. H. Slocomb & Co., which a few years later became Slocomb, Baldwin & Co. with the addition of partner Albert Baldwin. And finally, in 1873, the firm became A. Baldwin & Co. Slocomb was a dealer in livestock, particularly horses and helped build a race course in New Orleans. He was active in Metairie Jockey Club, the Louisiana Jockey Club, the Pickwick Club, and served as Director of Equitable Life Insurance Company. He died in 1880. His daughter Cora was Queen of Carnival and married Count di Brazza‑Savorgnan of Italy.

455. Rare New Orleans Bronze Bell, marked “C.H. SLOCOMB & CO/NEW ORLEANS/1860”, original yoke and wheel, later standard, dia. 18 in.; accompanied by CDV of Capt. C.H. Slocomb. $30000/50000

This bronze bell was reported to be used at his store on 74 Canal St and was spared from being melted for use in Confederate cannons made at either Leeds or John Clark foundries. Considering Slocomb was a well‑respected businessman in the city, it is quite possible that this bell was made at one of these New Orleans foundries in 1860. Both were known to do work in both iron and bronze. 457. Set of Six Antique English Lead Planters, 19th c., shaped body with urns and arched side, h. 15 in., w. 15 in., d. 12 in. $500/1000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

456. Suite of Antique Cast Iron Garden Furniture, 19th c., after a model by Karl Friedrich Schinkel, incl. settee and 2 armchairs, cornucopia crest rail, ram’s head arm terminals and hoof feet, settee h. 29 1/2 in., w. 43 in., d. 16 in., armchair h. 30 in., w. 24 in., d. 16 in. $3000/5000

458. Pair of Antique American Cast Iron Planters, 19th c., rectangular with cast wreaths and anthemion feet, now in green paint, h. 14 in., w. 28 in., d. 14 in. $500/800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 459. New Orleans Mahogany Regulator Wall Clock, c. 1860, dial marked “TELL TALE CLOCK PATENDED BY Slas. FOURNIER/NEW ORLEANS” pinwheel escapement, lyre pendulum, h. 65 in., w. 24 in., d. 22 in. $8000/12000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Note: Clockmaker Stanislaus Fournier came to New Orleans from France in 1841 or 1842. His pre‑eminent shop at 60 Royal Street was a French Quarter landmark.

Fournier’s accomplishments include the three‑faced church clock installed at St. Louis Cathedral in 1851, the development of a four‑hand stopwatch for horse racing in 1855, and the invention of a “tell‑tale” register clock in 1857. Fournier died in 1853 and is buried in New Orleans’ St. Louis Cemetery No. 1, Vault 24. Ref.: Kinabrew, J.M. “Stanislaus Fournier, New Orleans Clock and Watch Maker”, National Association of Watch and Clock Collectors Bulletin, April 1997, pp. 189‑192.

460. Eugene Loving (American/Louisiana, 1907‑1971), “Plantations”, 16 ink drawings on paper, 13 signed lower right, 3 signed lower left, each with “Magnolia Engraving Co” printing order and instruction form, 4 with “Magnolia Engraving Co Received 1949” stamp and 13 with plantation names en verso, plantations include Dunleith, Versailles, Evergreen, Live Oak, Belle Chase, Oak Alley, Berthoud, Longfellow, Melrose, Oakley, Wakefield, Madewood, Rosebank, and 3 others, 5 3/4 in. x 6 in. to 7 in. x 10 1/4 in., all unframed in binder. (16 pcs.) $1200/1800

461. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Monumental Louisiana Bayou Lunette”, oil on canvas, signed lower right, 37 in. x 72 in., framed. $30000/50000 Provenance: D.H. Holmes Department Store, New Orleans.

Note: Alexander Drysdale’s large canvases were most often commissions, as in the case of the Shushan Airport and the Weiss Dining Room murals. The monumental and exceedingly rare lunette offered here was part of a group of paintings commissioned by the D.H. Holmes department store. In 1927, the president of D.H. Holmes, Frederick W. Evans, asked Drysdale to paint twenty‑two special canvases of mural size to display in the store. The paintings hung in the restaurant at the store for many years until Drysdale’s death, when they were put on exhibition in the store’s riverside window. This work, with its attractive half‑moon shape and iconic oak trees near the water, is a classic example of Drysdale at his very best. The reflections of the trees and sky on the water with a high horizon line and sizeable foreground are particularly well‑painted and make for an interesting composition. Ref.: Buechner, Howard A. Drysdale: Artist of Myth and Legend. Metairie, LA: Thunderbird Press, 1985.

463. Gifford Beal (American, 1879‑1956), “Street Scene, Bermuda”, watercolor and pencil on paper, signed lower right, titled and inscribed en verso, sight 9 1/2 in. x 13 1/2 in., framed. $800/1200

464. Laura Woodward (American/Florida, 1834‑1926), “Silver Springs”, watercolor on paper, signed lower left, 10 5/8 in. x 17 1/4 in., framed. $2000/3000

462. Ellsworth Woodward (American/New Orleans, 1861‑1939), “A Courtyard. Toulouse St., New Orleans, La.”, 1917, watercolor on board, signed and dated lower left, titled and heavily inscribed en verso, 15 3/8 in. x 20 5/8 in., framed. $3000/5000

Note: The iconic courtyard at the Governor Claiborne home at 628 Toulouse Street, with its notable arches, curved staircase, and fan window, has been depicted by many New Orleans artists, including Clarence Millet, Eugene Loving, and Alberta Kinsey. Kinsey, who rented an apartment and studio in the home, painted many varied scenes of the building; additionally, she hosted the first official meeting of the group that would become the Arts and Crafts Club. Ellsworth Woodward, whose drawings and paintings of French Quarter scenes have served to preserve the history of the neighborhood, certainly would have spent time sketching in the courtyard of the Governor Claiborne Home. In the watercolor offered here, Woodward’s light brushstrokes in primary colors blend together to create a colorful scene detailing the architecture of this historic courtyard.

465. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Springtime Landscape”, 1909, watercolor on paper, signed and dated lower left, 10 1/2 in. x 13 3/4 in., framed. $1500/2500 Provenance: Henry Plauché Dart (1853‑1934), thence by descent; Estate of Jane and Stewart Maunsell.

466. Dox Thrash (American, 1893‑1965), “Washwoman”, 1937, watercolor on paper, signed and dated lower left, 13 1/2 in. x 9 1/2 in., framed. $3000/5000

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468. Joseph Jefferson IV (American/Louisiana, 1829‑1905), “Landscape with Horse‑Drawn Cart”, oil on canvas, signed lower right, 20 in. x 30 in., framed. $2500/3500 467. William Henry Buck (Norwegian/New Orleans, 1840‑1888), “Live Oak on a Louisiana Bayou”, 1880, oil on canvas, signed and dated lower right, “W.E. Seebold” label on reverse of frame, 10 in. x 14 in., framed with artist plaque. $30000/50000

Note: Joseph Jefferson IV was known as an actor in a multi‑generational family of actors and was best known for portraying Rip Van Winkle in Dion Boucicault’s adaptation of Washington Irving’s short story. He, like his father and grandfather, painted in his spare time and collected the work of the nineteenth‑century Barbizon and Dutch School landscape painters. The painting offered here depicts a horse‑drawn wagon along a country path with pastures, fences and a barn in the distance.

An avid hunter, Jefferson visited Louisiana on several occasions. In 1896, he purchased Orange Island, a six hundred acre salt dome in Iberia Parish. There he built a retreat and enjoyed his favored pastime of painting the surrounding swamps and bayous. Jefferson developed a technique of layering the colors with brushes and then manipulating the surface with his fingers, palette knife, rags, feathers and/or blotting paper. Later in his life, Jefferson moved to Palm Beach, Florida where he continued to paint, focusing on the rural and undeveloped landscape of South Florida at the turn of the century.

469. Attributed to George David Coulon (French/New Orleans, 1822‑1904), “Louisiana Bayou Landscape”, oil on canvas, unsigned, 10 in. x 14 in., framed. $4000/6000

471. August Norieri (American/Louisiana, 1860‑1898), “Two Sharecroppers”, 1891, oil on academy board, signed and dated lower right, collector labels on previous backing paper, 12 1/4 in. x 9 3/8 in., framed. $5000/8000

Provenance: Dr. and Mrs. James W. Nelson Collection.

Exh.: “August Norieri, 1860‑1938”, Louisiana State Museum, New Orleans, Sept. 21‑Oct. 18, 1970, and listed in the accompanying catalogue, no. 40, p. 28.

Note: August Norieri spent his relatively short career painting primarily marine scenes and, most notably, the elaborate steamboats or “floating palaces” that were quickly becoming obsolete with the expansion of rail transportation. The rare painting offered here is a remarkable example of a departure from Norieri’s typical marine genre. This work, perhaps inspired by that of William Aiken Walker who lived and worked in New Orleans concurrently, sensitively portrays two figures at the forefront of a cotton field. Ref.: Dobie, Ann. “August Norieri.” Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Sept. 12, 2012. https://64parishes.org. Accessed Oct. 17, 2018.

470. Southern School, 19th c., “Evening in the Tropics”, oil on canvas, illegibly signed “G.All...d” lower left, 22 in. x 36 in., framed with title plaque. $3000/5000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

472. Will Henry Stevens (American/ Louisiana, 1881‑1949), “On the Old Basin”, oil on board, signed lower left, titled en verso, 15 3/4 in. x 11 3/4 in., framed. $2000/3000

Note: Will Henry Stevens had many seemingly contradictory influences on his work: traditional Southern landscape painting, Taoist Philosophy, Paul Klee and Wassily Kandinsky. He also worked in similarly contrasting styles of painting simultaneously, one that was based on the then current theories of abstraction and the other that was firmly rooted in lyric realism ‑ he was equally comfortable working in both. Unlike most modernists of his day, as Stevens moved toward a more spiritual abstraction, he never abandoned realism and drew constant inspiration from his surroundings. The waterways of New Orleans were one of his favorite subjects. The charming painting offered here depicts the Old Basin Canal (originally named the Carondelet Canal and built in 1794), before it was filled in 1927.

Ref.: Gruber, J. Richard. “Will Henry Stevens.” Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Sept. 11, 2012. www.64parishes.org. Accessed Oct. 16, 2018; Pico, Steve. “Carondelet Canal/Walk (Old Basin Canal).” New Orleans Historical www.neworleanshistorical.org. Accessed Oct. 16, 2018.

474. Hermann Ottomar Herzog (German/ American, 1832‑1932), “Girl Feeding Chickens along a Wooded Path”, oil on canvas, signed lower left, 29 in. x 44 in., framed. $12000/18000

Note: In his late twenties, the important artist Hermann Herzog immigrated to the United States where he would travel extensively, capturing the diverse landscapes from the mountains of Yosemite to the Florida marsh lands with his brush.

473. Alberta Kinsey (American/New Orleans, 1875‑1952), “Courtyard Scene (Flowers)”, double‑sided oil on canvas, signed lower right, 19 3/8 in. x 23 3/4 in., framed. $2500/3500

The painting offered here is a pastoral of a young girl feeding chickens on a path in the woods. In the shade of a tree, a traveler on a horse observing the view before him. Herzog displays his extraordinary ability to capture the variations in light and shadow filtering through the foliage as well as the individual leaves and blades of grass that surround the composition. The open, illuminated foreground focuses the viewer towards this delightful rustic moment. 475. Joseph Rusling Meeker (American, 1827‑1889), “Bayou Field with Campsite at Dusk under a Crescent Moon”, 1885, oil on canvas laid on masonite, signed and dated lower left, “Saint Louis Art Museum” label with title en verso, 13 5/8 in. x 23 5/8 in., framed. $15000/25000

Provenance: Ex‑collection of the Saint Louis Art Museum, St. Louis, MO. Note: Landscape painter Joseph Rusling Meeker is known for his panoramic views of Louisiana bayous and detailed depictions of moss‑laden cypress trees. The work offered here is a sublime example of a Meeker landscape, unique in the lexicon of the artist’s oeuvre. A group of hunters rests at the end of a ridge in the middle of a bayou, contemplating the sunset and fiery clouds ‑ indicative of Meeker’s finest work.

476. Alexander John Drysdale (American/ New Orleans, 1870‑1934), “Louisiana Oak”, 1914, oil on academy board, signed and dated lower left, “Avery Gallery” label on frame, 12 in. x 18 in., framed. $3000/5000

477. Marie Madeleine Seebold Molinary (American/ New Orleans, 1866‑1948), “Still Life of Chrysanthemums in a Vase”, 1889, oil on canvas, signed and dated lower left, 20 in. x 26 in., framed. $4000/6000 Provenance: Neal Auction, Dec. 9, 1995, lot 561.

478. George Frederick Castleden (British/ American, 1861‑1945), “The Cabin Row and Bell of Plantation Days, Louisiana”, 1926, watercolor on paper, signed and dated lower left, titled en verso, 11 in. x 14 in., matted. $1000/1500

479. George Frederick Castleden (British/ American, 1861‑1945), “San Juan Capistana, Texas”, 1925, watercolor on paper, signed and dated lower left, titled en verso, 11 7/8 in. x 15 in., matted. $1000/1500

480. Clarence Millet A.N.A. (American/Louisiana, 1897‑1959), “Plantation Home ‑ Moonlight”, oil on canvas, signed lower left, signed and titled en verso, 22 in. x 26 in., framed. $12000/18000

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481. Rare Mirrored Parlor Panel from New Orleans Madame Josie Arlington’s Storyville Brothel, 19th c., leaded framework, inset with beveled and textured mirrors, now in a modern wood frame, accompanied by a copy of a statement on how it was acquired, h. 25 1/2 in., w. 76 in., d. 3 1/2 in. $2500/3500

Note: Josie Arlington (1864‑1914), born Mary Deubler, ran the most famous and luxurious brothel in New Orleans’ famed Storyville. The mansion had several theme‑decorated parlors including Turkish, Vienna, and Japanese. The panel offered here came from the opulent Hall of Mirrors.

482. Louis Xavier Magny (French/New Orleans, 1800‑1855), “Ancienne Cathédrale de la Nouvelle Orléans”, c. 1849, lithograph, 9 1/2 in. x 12 3/4 in., framed. $1000/1500 Ref.: Poesch, Jessie J. Printmaking in New Orleans. Jackson, MS: University Press of Mississippi and The Historic New Orleans Collection, New Orleans, 2006, p. 131.

483. Historical Political Cartoon Depicting President Andrew Jackson and King Louis Philippe, c. 1836, hand‑colored lithograph, sight 15 in. x 18 3/4 in., framed. $500/700

486. Alfred Hutty (American/ Charleston, 1877‑1954), “On the Way Home”, etching, pencil‑signed lower right, sheet 6 3/4 in. x 6 7/8 in., framed. $800/1200

484. After John Andrew (American/ Boston, 1815‑1875), “Battle of New Orleans”, hand‑colored lithograph, signed in plate lower right, pages 8 and 9 from Ballou’s Pictorial Drawing‑Room Companion, Jan. 5, 1856 edition, published by M.M. Ballou, Boston, sheet 15 3/4 in. x 22 in., framed. $300/500

487 Marion Greenwood (American/New York, 1909‑1970), “Dancing”, lithograph, pencil‑signed lower right, 14 in. x 22 3/4 in.; and “Haitian Girl”, lithograph, pencil‑signed lower right, inscribed “Ed. 250” lower left, titled en verso, 17 7/8 in. x 13 in., one matted. (2 pcs.) $500/700

485. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “The Snowball Man, Gov. Nicholls St. (#FQ‑1)”, 1939, “Spinning Tops, Burgundy St. (#FQ‑11)”, 1940, “Napoleon House, Old New Orleans (#FQ‑2)”, 1939, “The Cabildo, Old New Orleans (#FQ‑3)”, 1939, “The Patio Royale, Old New Orleans (#FQ‑8)”, 1939, and “The Shotgun House, Old New Orleans (#FQ‑10)”, 1943, 6 etchings, each pencil‑signed and titled lower margin, 3 dated in plate, 2 1/2 in. x 2 3/4 in. to 3 in. x 3 in., framed alike. (6 pcs.) $1200/1800

Provenance: Descended in the family of the artist.

488. Olive Leonhardt (American/New Orleans, 1895‑1963), “Calle Mañana”, c. 1935‑39, oil on canvas, signed lower right, 24 in. x 19 in., original frame. $8000/12000 Provenance: Descended in the family of the artist.

Exh.: Solo exhibition, Charles Morgan Gallery, New York, NY, Mar. 27‑Apr. 15, 1939; “Drawn and Quartered: Olive Leonardt, 1939 Revisited”, Hermitage Museum and Gardens, Norfolk, VA, Nov. 29, 2012‑Feb. 19, 2013; “Mexico in New Orleans: A Tale of Two Americas”, LSU Museum of Art, Baton Rouge, LA, May 5‑Aug. 30, 2015; “From New Orleans to Mexico and Back: Modernist Paintings by Olive Leonhardt”, Lauren Rogers Museum of Art, Laurel, MS, Apr. 23‑Aug. 27, 2017.

Ill.: Pfohl, Katie A. Mexico in New Orleans: A Tale of Two Americas. Baton Rouge: LSU Museum of Art, 2015, p. 63; Zohn, Kristen Miller. From New Orleans to Mexico and Back: Modernist Paintings by Olive Leonhardt. Laurel: Lauren Rogers Museum of Art, 2017, p. 8.

Note: New Orleans artist Olive Leonhardt studied art at Newcomb College in 1914‑15, and the following year attended the School of Fine and Applied Arts (later to become Parsons) in New York. She returned to New Orleans, getting a job at D.H. Holmes department store doing graphics. She shared a studio with Caroline Durieux in the French Quarter beginning in 1921 and was an active member of the Arts and Crafts Club. Leonhardt’s illustration art was all over New Orleans, appearing in periodicals, magazines, literary journals, on posters and stage sets. She hosted a salon at her Uptown home in the 1920s where artists and writers such as William Spratling, Natalie Scott, Weeks Hall and Lyle Saxon among others were guests.

Leonhardt first visited Mexico in 1930 and became enamored with the art and people of the country. She traveled there many summers during the 1930s and 1940s, visiting Taxco, Cuernavaca, Oaxaca, and Orizaba. Through her connection with William Spratling, she met artists Rufino Tamayo and Diego Rivera during her first trip there. Leonhardt developed a striking compositional style during her time in Mexico, informed by the Pre‑Columbian art‑historical references of the artists’ she had met and a representation of social concerns. She produced a group of paintings and drawings of Mexican subjects with simplified and distorted figures and a neutral color palette, which notably bear an aesthetic and stylistic influence from her cultural surroundings. In the painting offered here, Calle Mañana, or “Street of Tomorrow,” painted c. 1935‑39, her stylized figures stand on the sidewalks next to the street, which runs vertically through the middle of the composition. In 1939, the Charles Morgan Gallery in New York opened a solo exhibition of Leonhardt’s paintings, including the work offered here. In the foreword of the exhibition catalogue he wrote: “Satirical drawings, rendered with a wit as sharp as a surgeon’s knife, have place Olive Leonhardt as the artistic descendant of Hogarth and Swift. This heritage from the graphic arts is retained in her painting. In these she extends and elaborates the documentary with deliberate understatement, monotones, and a savage geometry. The result is a balanced unbalance of line and color. This combination presents a visual experience that is to be compared only to music, for it carries a definite feeling of counterpoint and almost of sound.”

Leonhardt’s work is in the collections of the New Orleans Museum of Art and The Historic New Orleans Collection. Her paintings rarely appear on the market, and this represents a rare opportunity to acquire a work of exceptional provenance and exhibition history. Ref.: “Olive Leonhardt,” Charles Morgan Gallery, New York, NY, 1939.Leonardt, Gay, ed., Shaking Up Prohibition in New Orleans: Authentic Vintage Cocktails from A to Z, Olive Leonhardt & Hilda Phelps Hammond, Baton Rouge, LSU Press, 2015. Pfohl, Katie A., Mexico in New Orleans: A Tale of Two Americas, LSU Museum of Art, Baton Rouge, LA, 2015.

Zohn, Kristen Miller, From New Orleans to Mexico and Back: Modernist Paintings by Olive Leonhardt, Lauren Rogers Museum of Art, Laurel, MS, 2017.

490. William Woodward (American/ New Orleans, 1859‑1939), “Rue Chartres, N.O. Vieux Carré”, 1930, Raffaelli crayon on board, signed and titled lower left, signed, titled, inscribed and “National Arts Club” label en verso, 20 in. x 14 in., framed. $40000/60000

Provenance: Descended in the family of the artist.

489. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Book Store”, oil on canvas, signed lower left, 17 1/4 in. x 20 in., framed. $15000/25000

Note: Upon her arrival to New Orleans in 1918, Alberta Kinsey quickly developed a deep fondness for the French Quarter, despite the fact that it was considered a less than desirable neighborhood for a woman living alone in the early twentieth century. Renting an apartment and studio in the Old Governor Claiborne Home at 628 Toulouse Street, Kinsey hosted the first meeting of the Arts and Crafts Club of New Orleans and found herself at the center of the burgeoning artistic community in the city. Her love of the historic buildings, cobblestone streets, and plant‑filled courtyards inspired her to depict many scenes of French Quarter daily life, such as the one of a French Quarter bookstore offered here.

Note: The painting presented here depicts 522 and 524 Chartres Street, the location of Ibos Brothers Print Shop, Tinsmith, and Plumbing Company, owned by Bertrand Firmin Ibos and Joseph Baptiste Ibos. Woodward, who often created multiple works of art portraying the same scene, included this location in his 1938 book, French Quarter Etchings of Old New Orleans. In the text, he noted: “This shop and residence at 524 Chartres Street no longer exists. It was probably built in the late 1790s as its site was directly in the path of the great fires of 1788 and 1794 which deprived New Orleans of 1068 houses of the older type of Creole construction.”

Another Raffaelli crayon version of this view exists from 1905; however, the picture offered here focuses more closely on the horse and carriage, as well as including additional details of the sky. Woodward used vibrant colors to depict a sunny day in the French Quarter and to highlight the architecture, which he was dedicated to preserving through his meticulous attention to detail. Ill.: Woodward, William. French Quarter Etchings of Old New Orleans. New Orleans: Franklin Printing Company, 1938, pl. 3.

491. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “French Quarter Courtyard”, oil on canvas board, signed lower right, “Brundo Art Supply Co., Chicago, IL” stamp en verso, 16 in. x 12 in., framed. $1200/1800

492. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Boat Dock”, oil on canvas board, signed lower right, signed and titled en verso, 16 in. x 20 in., framed. $1200/1800

493. Lulu King Saxon (American/ Louisiana, 1855‑1927), “Courtyard Scene”, oil on canvas board, signed lower right, “W.E. Seebold” stamp en verso, 24 in. x 18 in., framed. $1800/2500

494. William Woodward (American/New Orleans, 1859‑1939), “The Pali, Island of Oahu, Hawaii”, 1925, oil on canvas, signed and dated lower left, titled en verso, signed, titled, inscribed and period “Art Association of New Orleans” exhibition label on stretcher, “Montgomery Gallery, San Francisco” label with artist and title on backing board, 22 1/4 in. x 28 1/4 in., original frame. $6000/8000 Exh.: Laguna Beach Art Association, 1926; Art Association of New Orleans Annual Exhibition, 1927.

Note: The Pali, which is the Hawaiian word for cliff, is a particular section of the Ko’olau mountain range on the island of Oahu. This delightful view of the cliffs, which are located to the northeast of Honolulu, has long been a treasured one on the island of Oahu. From the composition created by William Woodward, with the Pali on the left and the northern Ko’olau range on the right, he would have been painting from the Kaneohe area of the island, near Kaneohe Bay.

Woodward traveled to Hawaii by sea as an extension of a trip throughout the western United States in the mid‑1920s, including Yellowstone National Park and southern California. As always with his oil paintings, Woodward’s characteristic brushwork and palette add to the charm and natural beauty of the scene. His portrayal of the lush landscape with the clouds just obscuring the peak of the Pali demonstrates Woodward’s clear mastery of the oil medium as well as his talent in crafting a graceful and balanced composition. Exhibited twice in the years following its completion, this important canvas must have been highly prized by the artist.

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495. Gaines Ruger Donoho (American/Mississippi, 1857‑1916), “Trees of Heaven No. 2”, oil on canvas, signed and initialed “M.A.D.” by the artist’s wife lower right, “Parrish Art Museum” and “Hirschl and Adler Galleries Inc.” labels en verso, 25 in. x 30 in., framed. $6000/8000

496. Theora Hamblett (American/Mississippi, 1895‑1977), “Girl with Horse and Dog”, 1973, oil on canvas, signed and dated lower right, 16 in. x 20 in., framed. $15000/18000

497. Louis “Harry” Freund (American/Arkansas, 1905‑1999), “Havana Roof‑top”, oil on canvas laid on panel, signed lower right, titled and inscribed en verso, 30 in. x 40 in., framed. $2500/3500

Provenance: Treadway/Toomey Auctions, St. Louis, June 2, 2001, lot 1329.

498. Noel Rockmore (American/New Orleans, 1928‑1995), “Bill Russell with Pretty Baby”, 1966, oil on canvas, signed, titled and dated upper and mid‑right, 40 in. x 30 in., framed. $4000/6000

Provenance: Estate of the Artist.

Exh.: “G. Ruger Donohoe (1857‑1916): A Retrospective Exhibition”, Parrish Art Museum and Hirschl and Adler Galleries, New York, 1977 and listed in accompanying catalogue as no. 15.

Note: In 1962, Noel Rockmore was commissioned by Larry Borenstein to paint portraits of Preservation Hall musicians, proprietors and close friends. He often sketched the musicians quickly in polymer on masonite while they performed on stage and later made appointments for formal sittings, taking sometimes two to three hours to depict them in oil on canvas.

Note: After studying at the Academie Julian in Paris, Ruger Donoho returned to the United States and worked in New York, exhibiting his paintings at the National Academy and the Society of American Artists. Having painted in the Barbizon and Impressionist styles in France, Donoho was accustomed to working in the outdoors and continued to do so near his home in East Hampton. In the painting offered here, “Trees of Heaven No. 2,” Donoho utilizes the plein air green and brown of the Barbizon school to realistically depict the sun‑dappled light under the trees in the forest, while employing the short brushstrokes and airy color palette of Impressionism.

One of Rockmore’s favorite sitters was Bill Russell (1905‑1992), a prominent jazz historian who ran a record store and violin repair shop near Preservation Hall. In the painting offered here, Rockmore depicts Russell with his pet parakeet, named Pretty Baby after the Tony Jackson tune. In Tom Sancton’s book “Song for My Fathers” he writes, “[Bill’s] real allegiance was to Pretty Baby, his talking parakeet, who did a perfect imitation of Bill’s Midwestern accent.” Ref.: Sancton, Tom. Song for My Fathers: A New Orleans Story in Black and White. New York: Other Press, 2006.

500. Noel Rockmore (American/New Orleans, 1928‑1995), “Homage to the Cafe des Artistes 2 (Chipp’s Pub)”, 1979, oil and mixed media on canvas, signed and dated upper left, signed and dated en verso, signed and dated on stretcher bar, 47 1/4 in. x 78 in., framed. $4000/6000 Ill.: Marvin, Shirley, Rich, & Tee. Noel Rockmore & Shirley Marvin: Our Journey to the Discovery of Rockmore. New Orleans: The Golden Era of the French Quarter Foundation, 2013, p. 65.

499. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Shrimp Boat in Louisiana Bayou”, oil on canvas, signed lower right, 26 in. x 30 in., framed. $3000/5000

501. Hunt Slonem (American/Louisiana, b. 1951), “Anemonies”, 2012, oil on canvas, signed, titled, dated and inscribed en verso, 40 in. x 30 in., unframed. $4000/6000

502. Hunt Slonem (American/Louisiana, b. 1951), “Metallic Bunnies”, 2016, oil on wood panel, signed and dated en verso, 29 in. x 24 in., framed. $3000/5000

503. Frank Hayden (American/Louisiana, 1934‑1988), “Sage”, 1989‑90, mixed media diptych on plywood, signed and titled on both panels en verso, dated on right panel en verso, overall 71 3/4 in. x 72 in., unframed. (2 pcs.) $5000/8000 Provenance: Arthur Roger Gallery, New Orleans.

504. George Rodrigue (American/Louisiana, 1944‑2013), “Angel on My Shoulder”, 1997, acrylic on canvas, signed lower right, titled on label on reverse of frame, 36 in. x 82 in., framed. $80000/120000 Provenance: Rodrigue Studio, Carmel, CA.

Ill.: Rodrigue, George. Blue Dog Speaks. New York: Sterling, 2008, pp. 384‑85; Rodrigue, George. Blue Dog Man. New York: Stewart, Tabori & Chang, 1999, pp. 90‑91.

“When I first decided to paint Cajun landscapes, I knew that light would play a unique role in my work. In Louisiana, the light is always distant, obscured by a low sky and the moss‑draped branches of the oak trees. In my recent paintings, however, I’ve manipulated my old “rules” in order to reflect new moods and new environments. My Louisiana is not dark these days. Indeed, it is full of color and light. In ‘Angel on My Shoulder,’ Blue Dog’s bad counterpart – always in red – sits off to one side; on the other side is the light of artistic freedom, emanating from the very same oak tree that once obscured it.” – George Rodrigue Ref.: Rodrigue, George. Blue Dog Man. New York: Stewart, Tabori & Chang, 1999, p. 90‑91.

505. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Translumined”, 1961, oil on canvas, signed lower right, titled on “Henri Gallery, Alexandria, VA” label en verso, 45 in. x 69 in., framed. $20000/30000

Note: In 1957, Newcomb College professor Pat Trivigno offered Mark Rothko a visiting artist position at the school. Rothko accepted and moved his family into the Metairie home of Ida Kohlmeyer’s late mother. The resulting friendship between Kohlmeyer and Rothko would have a profound influence on the trajectory of her work. The painting offered here, entitled “Translumined,” marks an early transition towards Kohlmeyer’s iconic cluster series and may be regarded as a quintessential milestone in the evolutionary arc of her oeuvre. In the painting, subtle delineations of rich, deep color float within a sea of white and clearly foreshadowing her later work. Interestingly, this canvas fits perfectly within the art historical framework of Kasimir Malevich’s earlier composition “White on White” and Rothko’s later creation “Black on Grey,” placing Kohlmeyer squarely within the upper echelons of the abstract expressionists.

506. Hunt Slonem (American/Louisiana, b. 1951), “Untitled (Orange Butterflies)”, oil on wood, unsigned, 2 “Phillips du Pury & Co.” labels with artist and title en verso, 24 in. x 18 in., framed. $4000/6000

507. Hunt Slonem (American/Louisiana, b. 1951), “White Bunny”, 2015, oil on wood panel, signed and dated en verso, 20 in. x 14 in., framed. $3000/5000

Additional information at www.nealauction.com

509. New Orleans Art Pottery Jardinière, c. 1886‑91, potted by George Ohr, glazed by Joseph Meyer, in “Rockingham” glaze, decorated with diagonal bands of phlox flower heads and floral sprigs, signed on the base in sgraffito “The Pottery Club/249 Baronne St./N.O./ La.”, h. 16 1/2 in., w. 18 in. $20000/30000

Provenance: Jean Bragg Gallery, New Orleans, LA, Jan. 27, 2012, $18,000; Neal Auction Company, Oct. 7, 2000, lot 433. Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 81, no. 101. Bragg, Jean and Dr. Susan Saward, Painting the Town: The Woodward Brothers Come to New Orleans, New Orleans, 2004, p. 76. Ref.: Bragg, Jean Moore and Dr. Susan Saward. The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery. New Orleans: Jean Bragg Gallery, 2002, pp. 76‑81. 508. William Dunlap (American/Mississippi, b. 1944), “Landscape with Farm”, mixed media on paper, signed lower right, 43 3/4 in. x 39 3/4 in., framed. $2000/3000

510. Justin Forbes (American/New Orleans, 1967‑2017), “The Three Ambers”, 1992, oil on canvas, signed and dated lower right, titled en verso, 56 1/2 in. x 66 in., framed. $4000/6000 Provenance: Acquired from the artist.

Note: Viewing a Justin Forbes painting is not dissimilar to looking at a clip from a vaguely autobiographical film. The viewer is invited to sit and watch the show, with characters that seem strangely familiar and backgrounds that appear like stage settings. The artist’s careful use of color and shadow are seen through an exaggerated perspective which appears to engulf the viewer in the visual narrative. Ref.: “Justin Forbes Bio Page.” SAATCHI ART. www.saatchiart.com. Accessed Oct. 18, 2018.

512. Alberta Kinsey (American/New Orleans, 1875‑1952), “Blue Door, French Quarter”, oil on canvas laid on board, signed lower right, “Farish Art Store” label en verso, 12 1/2 in. x 9 1/4 in., framed. $800/1200

511. Frederick Prescott (American/ New Mexico, b. 1949), “Wall Street Boogie”, 1988, acrylic on steel kinetic sculpture, signature and date welded on self‑base, h. 65 in. $1500/2500

513. Louis George Bouché (American, 1896‑1969), “Spanish Moss”, oil on canvas, signed lower left, “Kraushaar Galleries, New York” label with artist and title on stretcher, 26 in. x 20 in., framed. $1200/1800

514. George Rodrigue (American/Louisiana, 1944‑2013), “Sunshine Dog”, 2009, acrylic on canvas, signed lower right, signed, titled and dated en verso, 48 in. x 36 in., framed. $40000/60000

Note: George Rodrigue’s paintings are undeniably rooted in the Louisiana landscape, yet his frequent travels often inspired him as well. New Mexico, particularly Santa Fe, merited annual visits by the artist beginning in the 1980s, many times as a stop on his long drives to California. Much like with his oak trees and bayous, the geography of the American West became stylized on Rodrigue’s canvases, such as “Sunshine Dog” offered here. The graphic shapes and elements may have little connection to the real world, nevertheless Rodrigue successfully captures the feeling of wide open space, vibrant mountains and an enchanting sunset. Many of the distinctive Rodrigue compositional traits remain to make this late work an instant classic – the iconic shape of the Blue Dog with his feet melding into the landscape, the high horizon line and bright colors. 516. Clementine Hunter (American/ Louisiana, 1886‑1988), “Watermelon Picnic”, oil on board, monogrammed mid‑right, inscribed en verso, 12 1/4 in. x 14 in., unframed. $4000/6000

518. Rolland Harve Golden (American/New Orleans, b. 1931), “Bourbon Street, New Orleans”, 1963, watercolor on paper, signed and dated lower right, 22 in. x 29 3/4 in., framed. $1000/1500

519. Jack Jordan (American/ Louisiana, 1925‑1999), “Women in Robes”, 1985, oil on board, signed and dated lower right, 22 in. x 16 in., framed. $1200/1800

515. George Rodrigue (American/Louisiana, 1944‑2013), “Hells Kitchen”, 2011, acrylic on canvas, signed lower right, signed, titled and dated en verso, 40 in. x 30 in., framed. $40000/60000

Note: As George Rodrigue’s Blue Dog series progressed, the elements in the paintings often related less to his Cajun heritage and more to the people and objects that filled the artist’s day to day life. Rodrigue was friends with many chefs throughout his life – admiring whose who achieved a mastery of craft and unique style no matter the art form. Rodrigue’s original paintings, inspired by friends like Paul Prudhomme, located the chefs within the Acadiana landscape. Later, his Blue Dogs became the chefs with the addition of white coats, hats and aprons – gazing out from tables or as in the aptly‑titled work offered here, “Hell’s Kitchen.”

517. William Hemmerling (American/ Louisiana, 1943‑2009), “Untitled (Procession)”, house paint and wood varnish on found oil on canvas, signed lower right, inscribed en verso, 24 in. x 30 in., framed. $3000/5000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

520. Jim Blanchard (American/Louisiana, b. 1955), “Louisiana Statehouse”, watercolor on paper, signed lower right, 24 1/4 in. x 40 1/2 in., framed. $5000/8000 Additional information at www.nealauction.com

521. Don Reggio (American/Louisiana, b. 1950), “Sugar Barrels on the Levee”, 2004, oil on canvas, signed and dated lower right, 18 in. x 24 in., framed. $1500/2500

522. Signed Imperial Cabinet Card of Mark Twain and George Washington Cable, c. 1884, albumen photograph by Napoleon Sarony, on black mount, with Sarony’s New York imprint in gilt, signed by both sitters, image 11 3/4 in. x 7 1/8 in., card 13 in. x 7 1/2 in., framed. $1500/2500 Provenance: Collection of Ray Samuel, New Orleans.

Ref.: http://twain.lib.virginia. edu/huckfinn/hftourhp.html. Accessed Oct. 3, 2018.; http://www.twainquotes.com/ sarony/sarony.html. Accessed Oct. 3, 2018.

523. Clarence John Laughlin (American/Louisiana, 1905‑1985), “The Florid Dress (Black and White No. 3): 1941”, silver gelatin print mounted on illustration board, signed and titled lower margin, artist stamp, titled and inscribed “Print made by C.J.L. 1/12/79” en verso 13 3/8 in. x 10 7/8 in., framed. $800/1200

524. Juanita Louise Gonzales (American/New Orleans, 1903‑1935), “Rare Arts Decoratifs Ceramic Fireplace Mantel”, grey, blue and pink glaze, later wood base, h. 64 in., w. 38 1/2 in., d. 6 in.; together with 2 photographic reproductions, one of original watercolor study and one of mantel in situ, 11 in. x 8 1/2 in. and 9 1/2 in. x 7 3/4 in., framed alike. (3 pcs.) $8000/12000 Ill.: Cox, Paul Ernest. “Potteries of the Gulf Coast”. Ceramic Age. June 1935: 196‑197.

Note: Born in New Orleans to Juan Gonzales, who was Spanish‑born but raised in Cuba, and Louise Schwenck of Louisiana, Juanita Gonzales attended Newcomb College, graduating with a Bachelor of Design in 1925. Gonzales then moved to New York to study with the Russian avant‑garde artist Alexander Archipenko and worked there until 1931. Returning to New Orleans, Gonzales joined the faculty at Newcomb College, as well as teaching courses at the Arts and Crafts Club and retaining a studio on Governor Nicholls Street, where she created works in a variety of media. Gonzales was best known for her talent in ceramics and sculpture and was well noted for “her research work in the development of glazes and enamels.” Examples of her work, such as the vase with seahorse handles now conserved in the Louisiana State Museum, are scarce due to her untimely death in 1935 after a long illness, but her reputation as a master ceramicist remains. The fireplace surround offered here is a rare and stunning piece from her oeuvre and clearly demonstrates her skill as a designer and her talent at ceramics. The multi‑piece fluted mantle and surround is glazed in blue‑gray and pink, and incorporates stylized Art Deco designs so reminiscent of the time. Ref.: Cox, Paul E. “Potteries of the Gulf Coast.” Ceramic Age. June 1935: 196‑197.

526. Newcomb College Art Pottery Vase, 1910, decorated by Anna Frances Simpson with relief‑carved white prickly poppy motif, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. DY99 and “K” for white clay body, h. 6 1/8 in., dia. 3 in. Note: The letter “K” can also indicate use of a slightly different or experimental body or glaze. $3000/5000 525. Newcomb College Art Pottery High Glaze Chocolate Pot, 1907, decorated by Marie Levering Benson with incised pine tree motif and lines, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BQ96 and “Q” for buff clay body, h. 10 in., dia. 5 1/2 in. $5000/7000

527. Newcomb College Art Pottery High Glaze Wall Pocket, 1901, decorated by Katherine Wood with lotus blossoms motif, blue, green and yellow underglaze, interior marked with Newcomb cipher, decorator’s mark, reg. no. C70, and early Newcomb triangular date mark, h. 11 3/4 in., dia. 4 in. $10000/15000 Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 86, no. 112.

530. Newcomb College Art Pottery Vase, 1912, decorated by Sadie Irvine with relief‑carved jonquils motif, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FJ50, and “B” for buff clay body, h. 8 in. $5000/7000

528. Newcomb College Art Pottery Vase, 1916, decorated by Anna Frances Simpson with low relief‑carved landscape in the pine trees design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, and reg. no. HU27, h. 6 1/2 in. $4000/6000

531. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with relief‑carved landscape in the “Moon and Tall Pines” design, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s decorator’s mark, reg. no. SX44, and shape no. 330, h. 9 1/8 in. $8000/12000

529. Newcomb College Art Pottery High Glaze Plate, 1907, decorated by Maria de Hoa LeBlanc with incised band of roosters and grapevines on rim, blue, green and mustard yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. RX89, and “Q” for buff clay body, dia. 8 7/8 in. $5000/7000

532. Newcomb College Art Pottery Vase, 1917, decorated by Henrietta Bailey with relief‑carved arrowhead plants, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. JD65 and shape no. 232, h. 13 3/8 in. $15000/25000 Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 108, no.165.

533. Newcomb College Art Pottery Vase, 1919, decorated by Sadie Irvine with relief‑carved landscape in the Moon and Washingtonia Palm tree design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. KJ70 and shape no. 268, h. 10 1/2 in. $12000/18000

Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 104, no. 155.

Additional information at www.nealauction.com

534. Newcomb College Art Pottery High Glaze Lidded Creamer, 1903, decorated by Ada Wilt Lonnegan with incised irises motif, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. DD73, and “W” for white clay body, h. 3 3/4 in., w. 4 1/4 in. $3000/5000

535. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine with relief‑carved “Moon and Moss” design, matte glaze with blue and green underglaze, base marked the Newcomb cipher, decorator’s mark, Kenneth Smith’s potter’s mark, and reg. no. UA44, h. 4 1/4 in. $4000/6000

536. Newcomb College Pierced Brass Letter Holder, c. 1930, by Rosalie Roos Weiner (1899‑1982), cut with a moss‑laden live oak, h. 4 1/4 in., w. 3 3/4 in., d. 1 3/4 in. $1500/2500

Provenance: Jean Bragg Gallery, New Orleans, LA, May 16, 2013; Weiner Estate Auction, Hampshire House, Kenner, LA, June 2001. Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 149, no. 218.

537. Newcomb College Copper Mailbox, c. 1920‑45, by Juanita Mauras (1880‑1952), scalloped top, tapered sides, front cut with a moss‑laden live oak framed by tendrils, h. 11 1/2. in., w. 9 in., d. 2 in. $1500/2500 Provenance: Jean Bragg Gallery, New Orleans, LA, Sept. 15, 2012.

Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 149, no. 220.

538. Newcomb College Hand‑Wrought Sterling Silver Matchbox Holder, c. 1920‑30, artist unknown, rectangular with a molded border and decorated with a cypress tree, h. 2 1/2 in., w. 1 3/4 in., d. 1/2 in. $1000/1500

Provenance: Jean Bragg Gallery, New Orleans, LA, Jan. 2012; Collection of Walter Bob. Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 163, no. 247; Conradsen, David, et. al., The Arts & Crafts of Newcomb Pottery, New York: Skira Rizzoli Publications, Inc., 2013, p. 252, p. 252, pl. 173; Poesch, Jessie and Sally Main Newcomb Pottery: An Educational Enterprise for Women 1895‑1940, Atglen, PA: Schiffer Pub. Ltd., 2003, p. 233, fig. 5‑88.

539. Newcomb College Pierced Brass Doorbell, c. 1920‑45, by Juanita Mauras (1880‑1952), interlocking arches and circles centering a moss‑laden like oak tree, h. 3 1/2 in., w. 2 in. $500/750 Provenance: Jean Bragg Gallery, New Orleans, LA, Sept. 15, 2012.

Ill.: Bragg, Jean and Dr. Susan Saward, The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 149, no. 221.

Exh.: “Women, Art and Social Change: The Newcomb Pottery Enterprise”, Newcomb Art Gallery and Smithsonian Institution Traveling Exhibition Services, 2013‑2016.

542. Newcomb College Art Pottery Candlestick, 1919, decorated by Henrietta Bailey with relief‑carved maple wing motif, semi‑matte glaze with blue, green, and pink underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. KP7 and shape no. 232, retains original paper label, h. 7 in., dia. 4 1/4 in. $1500/2500

543. Newcomb College Art Pottery Pitcher, 1927, decorated by Anna Frances Simpson with relief‑carved band of Cherokee roses on shoulder, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. QF50 and shape no. 230, h. 7 3/4 in., dia. 5 1/4 in. $2500/3500 Provenance: Neal Auction Company, New Orleans, LA, Feb. 3, 2007, lot 306; Collection of Charles and Susan Murphy, New Orleans, LA.

540. Newcomb College Art Pottery Lidded Jar, 1919, decorated by Anna Frances Simpson with relief‑carved Cherokee roses motif, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and shape no. 100, both lid and base marked with reg. no. KL73, h. 6 7/8 in. $10000/15000

544. Newcomb College Art Pottery Vase, 1922, decorated by Sadie Irvine with low relief‑carved Cherokee roses motif, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MW64 and shape no. 182, h. 5 3/4 in. $2500/3500

541. Newcomb College Art Pottery High Glaze Tankard, 1907, decorated by May Louise Dunn with high relief‑carved pansies motif, dark blue, green and mustard yellow underglaze, base marked with an effaced Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. BT31, and “Q” for buff clay body, h. 5 3/8 in. $3000/5000

545. Newcomb College Art Pottery Vase, 1919, decorator unknown, trumpet form modeled with relief‑carved narcissus motif, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, Joseph Meyer’s potter’s mark, reg. no. KP69 and shape no. 170, h. 7 5/8 in., dia. 3 3/8 in. $2000/3000 Provenance: Craftsman Auction, Lambertville, NJ, Mar. 11, 2006, lot 534.

546. Newcomb College Art Pottery Teapot, 1928, decorated by Sadie Irvine with relief-carved “Moon and Moss” at twilight design, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RA and shape no. 191, h. 5 in., w. 8 1/8 in., d. 4 7/8 in. $1000/1500 Provenance: Descended in the family of Judge Albert Gallatin Brice and Mary Bella Prague Sherman Brice, New Orleans.

549. Newcomb College Art Pottery Vase, 1928, decorated by Anna Frances Simpson with high relief-carved moss and cypress tree landscape design at twilight, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, faint Joseph Meyer’s potter’s mark, reg. no. QZ69 and partially illegible shape no. (possible 33), h. 6 1/8 in., dia. 3 1/4 in. $3000/5000

547. Newcomb College Art Pottery Vase, 1931, decorated by Sadie Irvine with relief-carved band of Japanese loquat plum motif, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, and reg. no. SZ57, h. 6 1/2 in., dia. 4 in. $1000/1500

550. Newcomb College Art Pottery Vase, 1915, decorated by Ethel Canney Crumb with relief-carved white narcissus motif, matte glaze with blue and green underglaze, base marked with partial Newcomb cipher, faint decorator’s mark, Joseph Meyer’s potter’ mark, reg. no. HJ31, h. 8 1/4 in., dia. 3 1/8 in. $2500/3500

548. Newcomb College Art Pottery Low Bowl, 1921, decorated by Anna Frances Simpson with relief-carved band of gardenias, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. MC31, h. 2 3/8 in., dia. 7 in. $1000/1500

551. Newcomb College Art Pottery Vase, 1926, decorated by Anna Frances Simpson in the “Moon and Moss” landscape design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. PX75 and shape no. 77, h. 6 7/8 in., dia. 3 6/8 in. $2500/3500

552. Newcomb College Art Pottery Bottle Vase, 1923, decorated by Sadie Irvine with relief-carved irises motif with moderately scalloped rim, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. NP56 and shape no. 96, h. 7 1/8 in., dia. 4 1/2 in. $2500/3500

555. Henri Augustin Gambard (French, 1819-1882), “Portrait of a Lady in Black, possibly a member of the Gaudet family of St. James Parish”, 1856, oil on canvas, signed and dated mid-left, 39 1/2 in. x 32 in., framed. $2000/3000

553. Newcomb College Art Pottery Creamer with Lid, 1912, decorated by Sadie Irvine with relief-carved chinaberry motif with lines, semi-matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FA3 and circled “B” for buff clay body with semi-matte glaze, h. 4 7/8 in., w. (incl. handle and spout) 4 3/8 in. Note: Possible Alma Florence Mason decorator’s mark in sgraffito on base of lid. $1200/1800

554. Newcomb College Art Pottery TwoHandled Vase, 1917, decorated by Sadie Irvine with relief-carved flowering dogwood motif and lines, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. JE18 and shape no. 254, h. 4 1/4 in., w. (incl. both handles) 4 1/2 in. $1500/2500

Provenance: By repute, plantation in St. James Parish; Neal Auction Company, Dec. 9, 2000, lot 589; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

Note: French artist Henri Gambard was commissioned by the Gaudet family of St. James Parish to paint a series of portraits. Gambord captured likenesses of John Valery Gaudet (1799-1856), as well as his son and daughter-in-law, Amédée Michel Gaudet (18271867) and Louise Mary Ilsley Gaudet (1829-1869).

Additional information at www.nealauction.com

556. Alexander John Drysdale (American/New Orleans, 1870-1934), “Louisiana Bayou in Moonlight”, oil wash on board, signed lower left, inscribed en verso, 20 in. x 29 3/4 in., framed. $2500/3500

557. Knute Heldner (Swedish/ New Orleans, 1877-1952), “Marsh Landscape”, 1950, oil on canvas, signed lower right, pencil-inscribed and dated on stretcher, 14 in. x 16 in., framed. $1000/1500

558. Clementine Hunter (American/ Louisiana, 1886-1988), “Courtroom Scene”, oil on canvas board, monogrammed lower right, partial sketch and inscribed en verso, 22 in. x 30 in., framed. $4000/6000 Provenance: Acquired from the family of Cammie Henry, c. 1980.

559. Clementine Hunter (American/Louisiana, 1886-1988), “Baptism”, oil on canvas board, monogrammed lower right, 15 in. x 18 in., framed. $3000/5000

560. Clementine Hunter (American/Louisiana, 1886-1988), “Zinnias”, oil on board, monogrammed lower right, 24 in. x 15 3/4 in., framed. $3000/5000 561. Clementine Hunter (American/Louisiana, 1886-1988), “Gift of the Magi”, oil on board, monogrammed mid-right, 16 in. x 24 in., framed. $3000/5000 Provenance: Acquired from the artist.

562. Laura Woodward (American/ Florida, 1834-1926), “Dandelions”, 1885, watercolor on paper, signed lower right and dated on ribbon, 9 5/8 in. x 6 in., framed. $600/800 563. Anna Elizabeth Allen (American/Florida, 1881-1959), “Summer Day”, oil on board, signed lower right, 12 in. x 16 in., framed. $800/1200

564. Orlando Schubert (American/Florida, 1844-1928), “Coastal Landscape”, watercolor on paper, signed and inscribed “Tampa” lower right, 8 1/2 in. x 11 3/8 in., matted. $500/1000

565. Robert “Bruce” Crane (American, 1857-1937), “Twilight in the Country”, oil on canvas laid on board, signed lower right, 12 in. x 16 in., framed. $2000/3000

566. William Aiken Walker (American/South Carolina, 1838-1921), “Cotton Pickers”, oil on panel, signed lower left, inscribed en verso, 9 in. x 12 in., framed. $7000/10000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

567. William Aiken Walker (American/South Carolina, 1838-1921), “Scene near Arden, North Carolina”, 1908, oil on canvas laid on board, signed and dated lower left, titled and inscribed en verso, 7 1/4 in. x 14 1/2 in., framed. $10000/15000 Ill.: Trovaioli, August P. and Roulhac B. Toledano. William Aiken Walker: Southern Genre Painter. Gretna: Pelican Publishing Company, 2008, p. 126.

Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

Note: In the latter part of William Aiken Walker’s life, he spent most of his time in North Carolina. The artist was drawn to a series of resort areas near Asheville because of the temperate summers and bucolic scenery. There he executed landscapes of the surrounding area as well as idyllic pastoral scenes of the cabins and small farmhouses tucked away in the mountains. The painting offered here is an exceptional example of Walker’s later work. To the right, a wooden cabin is ensconced in verdant grass and trees while a path cuts through the arrangement giving the composition a sense of depth that is not often evident in his earlier plantation scenes. The palette is rich and the brushstrokes more visible and expressionist than usual for the artist, making this painting an impressive milestone in his long career. Ref.: Travaioli, August P. and Roulhac B. Toledano. William Aiken Walker: Southern Genre Painter. Gretna: Pelican Publishing Company, 2008.

568. William Aiken Walker (American/South Carolina, 1838-1921), “Cotton Pickers”, oil on academy board, signed lower right, pencil-inscribed “Field” in artist’s hand en verso, 9 1/4 in. x 12 1/8 in., framed. $10000/15000 Note: To be included in John Fowler’s forthcoming catalogue raisonné on William Aiken Walker.

569. Frederick Tanqueray Anderson (American/Arkansas, 1846-1926), “Steamboating on the Arkansas River, bound for New Orleans”, 1918, watercolor and pencil on board, signed and dated lower left, inscribed en verso, sight 6 1/2 in. x 15 1/2 in., period frame. $2500/3500

570. Frederick Tanqueray Anderson (American/Arkansas, 1846-1926), “Old Steamboat Days, The Robert E. Lee and The Grand Republic”, 1918, watercolor and pencil on board, signed and dated lower left, extensively inscribed en verso, sight 6 1/2 in. x 17 1/2 in., period frame. $2500/3500

571. Adolph Rinck (French/New Orleans, 1810-1871), “Madame Charles Auguste Barriere, née Elodie Antoinette Rigau (d. 1865)”, 1841, oil on canvas, signed and dated upper right, 43 1/2 in. x 33 in., framed. $4000/6000 Note: Elodie Antoinette Rigau was born in France around 1820 and immigrated to America shortly after. Married to Charles Auguste Barriere in the early 1840s, the couple had four children, Julia, Charles, Eugene, and Georgine. Elodie’s father, General Antoine Rigau, had fought in the Napoleonic Wars; he was a Cavalry General under Napoleon both before the Bourbon Restoration of 1814 and during the 100 days when Bonaparte returned to power in 1815. Rigau’s name is inscribed on the Arc de Triomphe in Paris on the north pillar. Seeking asylum from the throne for his Bonapartist politics, Rigau moved first to the Champ d’Asile, a settlement in Texas for those who had supported Napoleon, and then subsequently to New Orleans.

572. Michel Jacobs (American, 1877-1958), “Trompe l’Oeil of Five Dollar Silver Certificate featuring Ulysses S. Grant”, 1897, oil on canvas, signed and dated lower right, initialed and canvas stamp en verso, 8 in. x 10 in., framed. $1000/1500

Rinck’s delightful portrait of Elodie Rigau includes a beautiful landscape background seen through a window with a climbing vine of morning glories. Her tasteful and fashionable white dress and ringlets with a wedding ring prominently displayed on her left hand suggest that this could perhaps be a wedding portrait.

Ref.: Jensen, Nathan D. “General Antoine Rigau.” Napoleonic Biographies. https://www.frenchempire.net/biographies/rigau. Accessed Oct. 12, 2018. Additional information at www.nealauction.com

573. John Senex, “A Map of Louisiana and of the River Mississipi”, London, 1721, famously plagiarized from Delisle’s original 1718 map, mounted on board, framed, 19 in. x 23 in. $700/1000

575. Fine New Orleans Silver-Hilted Sword by James Nevins Hyde, c. 1816-1828, silver stirrup hilt with engraved borders, guard with vase and ring turnings, tapered green-hued horn grip; single fuller blade, with gilt-decorated Lady Liberty, a banner with “E PLURIBUS UNUM” above spread wing eagle and shield, and trophée; black leather scabbard adorned with pressed flowers, the thick silver mounts and drag with engraved borders, blade length 32 in. $6000/9000 Ill.: Hartzler, Daniel D. American Silver‑Hilted, Revolutionary and Early Federal Swords, Xlibris, 2015, pg. 640, fig. 578. An identical sword, hallmarked “HYDE”, is shown on pg. 639. The book will accompany the lot.

Note: James Nevins Hyde (1788-1838) of Norwich, CT., and his cousin Rufus Lewis Nevins were silversmiths working in New York City prior to relocating to New Orleans. Later, Hyde formed a partnership in New Orleans with his brother-in-law Charles Whiting Goodrich.

575C. Cased Presentation Colt Model 1848 Pocket Revolver of Confederate Captain Ricard Agar of the Louisiana First Heavy Artillery, 31 cal., six-shot cylinder with stamped stagecoach holdup scene, 5-inch barrel marked “ADDRESS COL.SAML. COLT NEW-YORK U.S. AMERICA”, frame marked “COLTS/ PATENT”, serial number 208423, mahogany case with silver cartouche, engraved “P.N.L to CAPT AGAR 1864”, interior with bullet mold, eagle and shield powder flask, Eley cap tin, and nipple wrench, case h. 2 in., w. 10 in., d. 5 6/8 in. $2000/3000

Note: Richard Agar, a native of Ireland, joined the 1st Louisiana Heavy Artillery as a lieutenant. He was at Fort Jackson during the attack by the Federal fleet, and was the bearer of the flag of truce from Gen. J.K. Duncan to Admiral Porter. Agar was commissioned Captain on November 7, 1864, and it is believed this is when he received this revolver. During the siege of Vicksburg Capt. Agar took a prominent role, commanding the Confederate guns, including “Whistling Dick” and a Blakely gun called “Graveyard Battery.” Ref.: findagrave.com/memorial/70465913/ richard-agar. Accessed Oct. 2, 2018.

574. [New Orleans Map], “Map of the City of New Orleans, and the Adjacent Towns”, 1861, hand-colored lithograph map, from Charles Gardner’s New Orleans Directory, lithographed by A. Hoen & Co., Baltimore, framed. $600/900

575A. Cased Tranters Double Action Revolver for Hyde & Goodrich New Orleans and a Dirk, serial no. 112323, 36 cal., 3 3/4 in. octagonal barrel marked “W. TRANTERS PATENT, MADE FOR HYDE & GOODRICH, NEW ORLEANS’, scroll engraving to barrel, lever, frame, guard, backstrap, and butt cap; mahogany case, the unmarked dirk with sheath and ivory grip, powder flask, bullet mold marked “TRANTERS PATD”, Eley cap tin, and nipple wrench, case h. 2 1/2 in., w. 14 in., d. 7 1/4 in. $3000/5000

574A. [Antique Map of Louisiana], “Map of Louisiana, from D’Anville’s Atlas”, London, John Harrison, 1788, English edition of d’Anville’s map, 11 3/4 in. x 19 1/4 in., matted and framed. $500/700

575B. Fine New Orleans Percussion Sharpshooter Rifle, c. 1860, heavy octagonal barrel marked “L. GERTEIS NEW ORLEANS”, lock plate marked “L.GERTEIS N. ORLEANS”, double set triggers, elaborate scrolled guard, walnut stock with checkered grip and cheek rest, Swiss style butt plate, folding rear sight with sliding disk, globe front sight, barrel with false muzzle, barrel length 31 in. $6000/9000

Note: German born gunmaker Louis Gerteis (b. 1831) was listed in city directories as early as 1855 at 75 Magazine Street. His son Louis was born in Louisiana in 1859, also became a gunsmith, as noted in the 1880 census.

576A. Large Collection of Antique New Orleans/Louisiana Postcards, over 400 cards, the majority early 20th c., some cards from other Gulf regions included. $600/900 Provenance: Collection of Ray Samuel, New Orleans. 576. [New Orleans and Louisiana Maps], “Charts and Plans Illustrating the Topography and Settlements of Louisiana, and the Progressive Development of New Orleans Collected & Classified from Original Works by Joseph Jones, M.D., New Orleans, January 1882”, New Orleans Lithograph Co., showing ten maps from 1718-1875, 24 1/2 in. x 18 in., framed. $500/700

577. Autograph Grouping Relating to the “Scopes Monkey Trial”, incl.: autograph of Clarence Darrow, autograph letter signed by William Jennings Bryan, a signed check by John Scopes, together with photographs and a description of the trial, frame 34 in. x 36 1/2 in. $500/700

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans. Note: In 1925, young science teacher John Thomas Scopes, was accused of the misdemeanor of teaching evolution, in violation of Tennessee law. Two of the most famous lawyers at the time, William Jennings Bryan, a Christian fundamentalist and agnostic Clarence Darrow, joined the trial. Although Scopes was found guilty and forced to pay a $100 fine, Darrow succeeded in ridiculing Bryan in front of hoards of people, and brought Darwin’s theory to the masses.

578. [Early Map of North America], Matthias Seutter, “Recens Edita Totius novi Belgii in America Septentrionali…”, Augsburg, 1740, hand-colored engraved map, showing the region from Maine to Virginia, with settlements, forts, Native American tribal lands, and having a decorative cartouche containing a view of Manhattan “Neu Jorck sive Neu Amsterdam”, above is a long procession of natives carrying American goods to the English monarch, presumably George II, who is being attended by Hermes, Athena, and Hera, 19 1/2 in. x 22 1/8 in. $1000/1500

579. William Aiken Walker (American/ South Carolina, 1838-1921), “Nature Morte: Red Snapper, Salmon and Mackerel”, oil on wood panel, signed en verso, 24 in. x 16 in. $8000/12000

Note: To be included in John Fowler’s forthcoming catalogue raisonné. 580. Don Wright (American/Louisiana, 1938-2007), 1985, oil on canvas, signed and dated lower left, “Gilley’s Gallery” label with artist and title en verso, 24 in. x 36 in., framed. $1000/1500 Provenance: Gilley’s Gallery.

581. Louisiana School, 19th c., “Settlement along a Bayou”, oil on canvas, unsigned, “From Alex Drysdale / successor to / R & J Smith, Carvers, Gilders and Picture-Frame Makers / North at Andrew Street / Edinburgh” label on reverse of frame, 18 in. x 30 1/4 in., framed. $5000/8000

582. Gean Smith (American/Texas, 1851-1928), “The Cavalry”, 1891, oil on canvas, signed and dated lower right, 30 1/4 in. x 60 1/4 in., framed. $3000/5000

583. Louise Guidry (American/Louisiana, b. 1930), “Homage to Klimt”, acrylic on masonite, signed lower right, label with title en verso, 14 in. x 14 in., unframed. $500/700

584. Southern School, 19th c., “Civil War Scene with Louisiana Confederate Soldiers”, oil on canvas, unsigned, 30 in. x 25 in., framed. $2500/3500

585. Nicola Marschall (American/ Alabama, 1829-1917), “Dr. Francis Asbury Bates (1819-1889)”, 1866, and “Julia Rachel Jones Bates (1831-1887)”, 1860, 2 oils on canvas, each signed and dated lower left, labels identifying artist and sitters on reverse of frames, each 24 in. x 20 in., framed alike. (2 pcs.) $2500/3500 Additional information at www.nealauction.com

586. Fine French Aubusson Tapestry from the Series Jeux d’Enfants, likely after Michel Corneille (c. 1601-1664), 18th c., depicting children frolicking in a Neoclassical garden, scrolling foliate border, 9 ft. x 13 ft. 10 in. $20000/30000 Provenance: Lucullus Antiques, New Orleans; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

587. Good Antique French Bronze and Sienna Marble Three-Piece Desk Set, 19th c., all pieces signed “A.Marionette”, encrier and letter holder stamped “A. MARIONETTE/ BRONZES/ PARIS”, encrier h. 11 in., w. 17 in., d. 9 in. $1000/1500 588. American Renaissance Carved Mahogany and Mosaic Table, c. 1880, possibly George A. Schastey, New York, elaborately tiled top with brass molded edge, frieze drawer with copper-lined interior, lion-carved supports with paw feet, incurvate pierced base, ball feet, h. 31 1/2 in., w. 33 1/2 in., d. 33 1/2 in. $5000/7000

Note: While figural carvings were a popular design element used by many Gilded Age cabinetmakers such as Herter Brothers and Pottier & Stymus, perhaps the most robustly carved and animated figural carvings from this period are found on pieces by the German-born New York cabinetmaker George A. Schastey. The lively lion faces surmounting the supports of the table offered here are closely related to similar figures on a massive sideboard designed by Schastey for the James C. Flood mansion in Menlo Park, California in 1878. A chimney breast from the entrance of the Worsham-Rockefeller House in New York City, where Schastey was commissioned to refurbish the entire interior in 1881, also features distinctive lion faces related to this table. Ref.: Frelinghuysen, Alice Cooney and Nicholas C. Vincent. Artistic Furniture of the Gilded Age. New York: The Metropolitan Museum of Art, 2016, pp. 19, 32-33.

590. Louisiana Carved Cherrywood and Inlaid Mahogany Armoire, early 19th c., stepped cavetto cornice with later elements, inlaid frieze paneled doors with inlaid shell cartouche interior with medial belt of drawers, later undulating apron, flared feet, h. 91 in., w. 64 in., d. 24 in. $10000/15000 Provenance: Ursuline Convent; NAC; Estate of Germaine Wells; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

591. Rare Herter Brothers Carved Walnut Tall Case Regulator Clock, c. 1874, stamped “HERTER BROS”, silvered dial, mercury pendulum case with aesthetic motifs and lion mask handles, paw feet, h. 85 1/2 in., w. 28 1/2 in., d. 14 1/2 in. $5000/7000 Exh.: “Herter Brothers: Furniture and Interiors for a Gilded Age” and illustrated in exhibition catalogue, p. 165.

592. Pair of Black, Starr & Frost Sterling Silver-Mounted Cut Glass Sugar Casters, New York, act. 1874 to present, foliate decoration, h. 8 1/4. $600/800

589. Elizabeth II Sterling Silver After-Dinner Coffee Service in the Colonial Taste, hallmarked James Robinson Inc., London, 1965 and 1967, also marked for New York retailer James Robinson Inc., incl. coffee pot (h. 9 7/8 in.), open sugar and creamer, all with reeded borders, total wt. 42.45 troy ozs. $700/1000

593. Albert Worcester (American, 1878-1935, act. New Orleans, 1918-1920), “Interior Genre Scene”, oil on canvas, inscribed “Painted by Albert Worcester” on stretcher, 24 in. x 20 in., framed. $400/600

594. American Federal Figured Mahogany Dining Table, early 19th c., in the Sheraton taste, probably mid-Atlantic, demilune drop-leaf top, banded frieze, turned tapered reeded legs, button feet, h. 29 in., l. 80 in., w. 46 in. $1200/1800

595. Japanese .950 Sterling Silver Coffee and Tea Service, Miyata, mid-20th c., incl. coffee pot, teapot, sugar and creamer, with matching nickel silver tray, floral scroll decoration throughout, coffee pot h. 10 1/8 in., tray 27 1/2 in. x 17 1/4 in., total wt. (weighable) 7 0.30 troy ozs. $1200/1800

596. Pair of American Aesthetic Carved Mahogany Side Chairs, c. 1880, attr. to Herter Brothers, New York, scrolled crest rail surmounted by foliate dolphins, pierced splat, trapezoidal seat, foliate blocked seat rail, turned and tapered legs, h. 38 1/2 in., w. 16 3/4 in., d. 17 in. $800/1200

598. American Aesthetic Carved Mahogany Desk, late 19th c., labeled “Herter Bro’s”, New York, upper cabinet with beveled glass panels, paneled fall-front door opens to fitted interior with tooled leather writing surface, flanked by fluted Ionic columns, two lower side compartments, lower plinth, turned feet, h. 80 1/2 in., w. 47 1/2 in., d. 18 1/2 in. $1000/2000

597. American Aesthetic Cherrywood and Satinwood Table, c. 1890, hexagonal top inset with 6 Tiffany glass tiles, baluster turned beaded standard, arched acanthus carved scrolled legs; together with five Tiffany glass tiles, h. 29 in., w. 30 in., d. 30 in. $1500/2500

599. American Aesthetic Carved Mahogany Side Table, late 19th c., square top, barley-twist supports, galleried stretcher shelf with brass mounts, brass hoof feet, h. 28 1/2 in., w. 26 in., d. 26 in. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

600. American Aesthetic Carved, Ebonized and Gilt-Incised Slipper Chair, c. 1865, attr. Herter Brothers, New York, scrolled finials, spindled back, Japanese brocade upholstered seat, incised stretcher, turned and tapered legs, h. 30 in., w. 22 in., d. 18 in. $800/1200

601. Rare American Carved and Brass-Mounted Mahogany Morris Chair, late 19th c., labeled “Allen & Bro.”, Philadelphia, scrolled finials, slatted back, scrolled and padded arms, turned supports, molded legs, casters, h. 38 1/2 in., w. 27 1/2 in., d. 32 1/2 in. $1500/2500 Provenance: Previously owned and upholstered by the esteemed scholar Robert Trent. Note: The mate of this chair is in an important private collection in Paris.

602. American Renaissance Carved, Ebonized and Gilt Incised Walnut and Burl Stand, late 19th c., circular top, turned standard, griffin-carved brackets, flared legs, hoof feet, h. 33 in., w. 19 in., d. 19 in. $400/600 Additional information at www.nealauction.com

603. Pair of Fine American Rococo Carved and Laminated Rosewood Armchairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, elaborately carved floral and grape crest, scrolled and reticulated crest rail and stiles, molded arms and uprights, serpentine seat rail centered by floral carving, cabriole legs, h. 44 1/2 in., w. 25 in., d. 29 in. Note: Casters missing, right arm repaired, and feet have been altered. $4000/6000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

605. Pair of Antique Italian Neoclassical Ebonized and Parcel Gilt Demilune Consoles, 19th c., Sienna marble top, molded frieze, Egyptianesque caryatid legs, paw feet, h. 36 1/2 in., w. 34 in., d. 17 in. $2000/3000

604. Napoleon III Carved and Polychrome-Painted Table, c. 1865, antique fabric inset top, finial-carved apron, bulbous-turned standard, turned supports, shaped stretcher, scrolled legs, molded pad feet, h. 28 1/2 in., top dia. 25 1/4 in. $800/1200 Provenance: Madeleine Castaing, Paris.

606. Joseph Urban (Austrian/ New York, 1872-1933), “Ziegfeld Theater Floral Mural”, oil on canvas laid on masonite folding three-panel screen, unsigned, 107 3/4 in. x 72 in. $1000/1500 Provenance: Doyle, New York, May 3, 2001, lot 1313.

607. Pair of Napoleon III Bronze-Mounted Rouge Marble Cassoulettes, late 19th c., swan handles, h. 19 1/2 in., w. 8 in., d. 7 3/4 in. $1000/1500

608. Pair of Monumental Sevres-Style Bronze-Mounted Porcelain Vases, with transfer decorated reserves of courting couples, h. 51 in., w. 24 1/2 in., d. 17 in. $4000/6000 609. Pair of Napoleon III Bronze-Mounted Onyx Oil Lamps, c. 1870, globes and font with gilt decoration, electrified, h. 36 in., dia. 8 in. $1200/1800 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

611. Antique English Tôle Peinte Gallery Tray, early 19th c., with farm scene, later conforming mahogany stand with tapered legs, stretchers, h. 20 in., w. 30 1/4 in., d. 23 in. $600/800 610. Pair of Antique Swedish Neoclassical Bronze Four-Light Candelabra, h. 25 in., dia. 12 1/2 in. $1200/1800 Provenance: Lucullus Antiques, New Orleans; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans

613. Louis XVI-Style Bronze-Mounted Kingwood and Parquetry Bureau Plat and Cartonnier, upper cabinet with reticulated gallery and five drawers; bureau plat with inset leather writing surface, frieze with jasperware mount and three drawers, tapered legs; fitted lower side cabinet, disc feet, h. 59 1/4 in., w. 80 1/4 in., d. 35 1/2 in. $2000/3000 612. Directoire-Style Mahogany Bureau Plat, 20th c., inset tooled leather writing surface, three frieze drawers, square tapered legs, brass cuffs, h. 29 in., w. 59 in., d. 30 in.; together with fauteuil, bronze line inlaid crest rail, round tapered legs, bronze cuff, h. 36 in., w. 23 1/2 in., d. 18 in. $1200/1800 614. Italian Neoclassical Inlaid Walnut Secretaire Commode, early 19th c., banded top above fitted fall front secretary drawer, two drawers below, molded base, bracket feet, h. 37 1/2 in., w. 56 in., d. 25 1/2 in. $2500/3500

616. Chinese Mother-of-Pearl Inlaid Hardwood Tall Table, inset rectangular plank top inlaid with birds on flowering branches, upturned flange ends, slide-out surface above two frieze drawers inlaid with peach branches, carved spandrels, straight open trestle legs, h. 51 in., w. 50 in., d. 18 1/2 in. $1000/1500

618. Vienna-Style Bronze and Porcelain Center Table, top centered by a porcelain roundel of putti and maiden, raised gilt frieze with cabochons, porcelain and bronze standard, volute bronze supports, shaped gadrooned base, flared feet, h. 30 1/2 in., dia. 33 in. $5000/7000

615. Louis XV-Style Bronze-Mounted, Vernis Martin and Kingwood Vitrine, probably early 20th c., acanthine crest, glazed door and side panels, bombé case painted with classical reserves, flared legs, brass sabots, h. 75 in., w. 49 1/2 in., d. 18 in. $1500/2500

617. Chinese Hardwood Tall Stand, waisted inset square plank top with three grooved edges, shaped medial stretchers, square legs, shaped stretchers, hoof feet, h. 48 in., w. 20 in., d. 20 in. $800/1200

619. Régence Inlaid Kingwood Bombé Commode, 18th c., serpentine marble top, three drawers, shaped base, flared feet, h. 36 in., w. 57 1/2 in., d. 26 in. $3000/5000 Additional information at www.nealauction.com

621. Pair of Venetian Carved and Gilt Figural Torchères, late 18th/early 19th c., figures on tall, canted, faux marbre pedestals, h. 66 1/2 in., w. 18 in., d. 14 in. $3000/5000

620. Antique Italian Rococo Carved and Gilt Console, 19th c., faux bois serpentine top, shell and scroll carved frieze, foliate cabriole legs, scrolled toes, h. 37 in., w. 57 in., d. 29 in. $2000/3000

623. Large Jeweled Malachite Casket, domed lid, silvered mounts, inset with semi-precious stones, h. 10 1/2 in., w. 12 1/2 in., d. 9 in. $1500/2500

624. Pair of Spanish Wrought Iron and Tôle Two-Light Wall Lanterns, with scroll and foliate decoration, not electrified, h. 50 in., w. 43 in., d. 14 in. $800/1200

622. Antique Venetian Carved and Polychromed Blackamoor, 19th c., the dancer posed on globe with zodiac banner, cushion and draped pedestal, h. 73 in., w. 18 in., d. 18 in. $1200/2000

625. Pair of Napoleon III Gilt and Patinated Bronze Figural Three-Light Candelabra, foliate standard flanked by cupid figure with quiver and bow, h. 21 in., w. 8 in., d. 3 3/4 in. $1000/1500 627. Chinese School, Qing Dynasty, early 19th c., “China Trade View of the Anchorage at Whampoa from Dane’s Island on the Pearl River near Canton”, oil on canvas, 18 in. x 23 3/4 in., framed. $6000/8000

Provenance: with Robert Ephraim Peabody (1887-1984), descendant of American China trade merchants, Elias Hasket Derby and Joseph Peabody; his niece, Katharine Peabody Brewster (1913-1999); her son, Henry Hodge Brewster, Jr.

626. Antique German Carved Sandalwood Figure of Christ Crucified, 18th c., h. 16 1/2 in., w. 9 1/4 in., d. 1 3/4 in., mounted on fabric-lined panel, framed. $1000/1500

Ill.: Peabody, Robert E. The Log of the Grand Turks. Haughton Mifflin Company, Boston, 1926, p. 76.

Note: Whampoa Island’s eastern bay was the chief anchorage for ships participating in Canton’s foreign trade. Here, Western traders were required to keep their ships for the entirety of the six-month trading season, while smaller craft would ferry their captains and supercargoes to and from the Thirteen Factories, or Hongs, in Canton. The painting illustrated here depicts eighteen ships flying the flags of the United States, Great Britain, the Netherlands, Spain, and Denmark. Dane’s Island with its Protestant burial ground sits in the foreground overlooking the Whampoa Anchorage and the island town of Whampoa with its nine-story pagoda. Similar versions of the Anchorage at Whampoa are illustrated in Carl Crossman, The China Trade, Export Paintings, Furniture, Silver and Other Objects, Pyne Press, Princeton, 1972, pl. 7, p. 255 and in Crossman, The Decorative Arts of the China Trade, Woodbridge, Suffolk, 1991, pl. 10, p. 413. A smaller, related example attributed to a follower of Spoilum is conserved by the Peabody Essex Museum, Salem, MA, and is illustrated in IBID, pl. 38, p. 114. A larger version of Whampoa Anchorage was sold Christie’s, London, Apr. 24, 2013, lot 128; another was sold Sotheby’s, NY, Sept. 16, 2008, lot 29.

628. Edwardian Inlaid Mahogany Cabinet, early 20th c., shaped backsplash terminating in bosses, banded top over two drawers, urn inlaid cabinet doors, reeded stiles, tapered feet, h. 49 1/2 in., w. 41 in., d. 19 1/2 in. $1000/1500 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

629. French School, 19th c., “Still Life”, oil on canvas, signed “A. Renault” lower right, 29 in. x 23 1/4 in., framed. $1500/2500

630. Richard Dey De Ribcowsky (Bulgarian/ American, 1880-1936), “Seascape”, oil on canvas, signed lower right, 40 in. x 64 in., framed. $2000/3000

633. After John James Audubon (American, 1785-1851), “Brown Pelican”, color lithograph, Plate CCLL, from Birds of America, Lipzig Edition, sight 35 in. x 22 1/2 in., framed. $500/700

631. British School, late 18th/early 19th c., “Card Players”, graphite and ink on paper, unsigned, 14 in. x 19 in., framed. $800/1200

634. Pair of Paris Porcelain Mantel Vases, mid-19th c., mauve ground with polychrome and gilt decoration, applied leaves and flowerheads, h. 13 3/4 in. $500/750 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

632. After Charles Parsons (British/New York, 1821-1910), “The Great Ocean Yacht Race”, 1867, lithograph, signed in plate lower left, printed and published by Currier and Ives, New York, sheet 11 in. x 15 1/4 in., framed. $500/700

635. Pair of Paris Porcelain Green and Gilt Apothecary Jars, 19th c., portrait reserves, labeled “Papaver” & “Semina Lini”, spurious marks in gilt, h. 9 1/2 in. $300/500

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans

637. Paris Porcelain Amphora Vase, 19th c., decorated with artist and subject, reverse with landscapes, now mounted as a lamp. $500/700

636. Paris Porcelain “Decor de la Reine” Tea Service, c. 1790-1798, crowned A marks, Rue Thiroux Queen’s Factory, incl. 16 cups, h. 2 in., 16 saucers dia. 5 1/4 in., shell-shaped dish, l. 9 in., w. 8 in., and oval dish, l. 10 7/8 in., w. 7 3/8 in. $600/900

638. Set of Twelve Haviland & Co. Limoges Gilt-Decorated Porcelain Oyster Plates, c. 1879-1889, all marked, dia. 9 in. $700/900

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

639. Set of Eight Limoges Gilt-Decorated Porcelain Oyster Plates, c. 1800-1884, Oscar Gutherz, scalloped rim, all marked, dia. 8 5/8 in. $600/800

640. French Gilt Bronze-Mounted Chinese Export-Style Porcelain Bowl, possibly Samson, decorated in famille rose enamels with flower and branch sprays, acanthus scroll handles and feet, h. 11 in., w. 18 1/4 in., d. 12 3/8 in. $800/1200

Additional information at www.nealauction.com

642. Four Antique Aubusson Pillows. $500/750

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

643. Four Needlepoint Pillows, and one patterned velvet example. $300/500

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

644. Pair of Italian Carved, Gilt and Vert Peinte Lanterns, foliate decoration, h. 36 in., w. 18 in. $1000/1500

641. Jacob Petit Paris Porcelain Tulipiere, 19th c., signed “J.P.” in underglaze blue, reserves painted with birds in flowering branches, h. 8 in., dia. 6 in. $400/600

645. Pair of Louis XVI-Style Patinated Bronze and Champlevé Five-Light Sconces, bowknot backplate, foliate design, cherub busts, h. 41 in., w. 25 in., d. 13 in. $1200/1800

646. Cricklite Figural Five-Light Fairy Lamp, c. 1885, Classical porcelain figure marked “Royal Worcester Made in England 2/125 Trade Mark Cricklite”; brass rings, pressed glass cups, and shade rings all marked “Clarke’s Trade Mark Cricklite”, h. 35 1/2 in., dia. 20 in. $700/1000

647. English Gilt and Patinated Bronze Argand Lamp, c. 1895, Messenger & Son, retailed Alfred Welles, Boston, with floral cut shade, electrified, h. 14 in., w. 10 in., d. 5 1/2 in. $500/700

648. Pair of Anglo-Irish Cut Glass Covered Sweetmeat Urns, h. 11 7/8 in. $300/500

Provenance: Lucullus Antiques, New Orleans; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 650. Pair of American Glass Apothecary Jars, marked “W.R. Warner & Co., Phila’d, Patd Sept 18, 1875”, h. 11 1/2 in., together with 2 pairs of pottery examples. $200/300

649. Large Antique Blown and Cut Glass Hurricane Shade, 19th c., baluster form with etched floral, wheat sheaf and vintage motif, folded foot rim, h. 23 3/4 in. $800/1200 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

652. Rare Large Libbey American Brilliant Cut Glass Vase, marked, squat form, h. 10 1/4 in., dia. 7 1/2 in. $1500/2500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

651. Rare American Brilliant Cut Glass Fruit Bowl, “Waldorf” pattern, by Clark, h. 4 in., dia. 10 1/8 in. $800/1200

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

653. American Brilliant Cut Glass and Sterling Silver-Mounted Punchbowl, swirl design, h. 7 in., dia. 15 in. $600/900 Provenance: Estate of Gordon and Vera, Noakes, Detroit, MI.

654. Baccarat-Style Gilt Bronze-Mounted Cut Crystal Centerpiece, oval panel cut bowl, Greek key and garland handles, reticulated base, h. 13 14/ in., w. 24 in., d. 12 1/2 in. $700/1000

655. American Brilliant Cut Glass and Sterling Silver-Mounted Punch Bowl, c. 1900, everted silver rim hall marked Reed & Barton, Art Nouveau iris motif decoration, glass cut in strawberry diamond, hobstar and fan motifs, h. 5 3/4 in., dia. 14 1/4 in. $2500/3500

659. English Cameo Glass Biscuit Jar, late 19th c., white shell and sea vegetation cut to red, silverplate lid and handle, h. (to knop) 5 1/2 in., dia. 6 1/4 in. $250/350

656. Pair of Anglo-Irish Diamond Point Cut Crystal Vases, on square plinth bases, h. 9 3/8 in., dia. 4 5/8 in. $400/600 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans

657. Near Pair of American Glass Hurricane Shades, baluster form with molded foot rims, h. 18 in. $300/500

658. A Lalique “Nemous” Glass Bowl, marked, “Lalique France”, h. 4 in, dia. 10 in. $400/600 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

660. Large Libbey American Brilliant Cut Glass Rose Vase, h. 9 in., dia. 14 in. $800/1200 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

661. Gallé Cameo Glass Vase, 1900, bottle-form, signed, with foliate decoration, h. 12 1/4 in. $800/1200

662. Two Gilt Decorated Moser Vases, unmarked, faceted, with raised gilt scroll design, one with a vignette of a boat in a harbor, tallest h. 9 3/8 in. $600/900

663. Charles X Walnut Vitrine, 19th c., dished top with wood gallery and glass cover, medial tier, incurvate triangular plinth, turned legs, flattened bun feet, h. 33 1/2 in., dia. 25 in. $1000/1500

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

664. Chinese Hardwood Altar Table, waisted inset rectangular plank top, scrollwork frieze centered by a ring, dragon spandrels, shaped legs, square feet carved with scrolls, h. 37 1/4 in., w. 53 3/4 in., d. 17 3/4 in. $500/700

665. Antique Anglo-Colonial Carved Tropical Hardwood Folding Chair, fruit and foliate crest, bobbin-turned stiles, slatted back and seat, scrolled arms, incised legs, h. 43 in., w. 29 in., d. 36 in. $200/300

668. Antique Louis XVI-Style Gilt MetalMounted Parquetry Sécrétaire à Abattant, 19th c., marble top, frieze drawer, fall front writing surface, fitted interior, cabinet doors below, chamfered sides, conforming feet, h. 56 in., w. 37 in., d. 15 in. $800/1200 666. Rare Continental Carved and Inlaid Walnut Center Table, late 19th c., of Black Forest inspiration, top with wildlife vignettes, scrolled supports, stretcher surmounted by urn and scrolls, hoof feet, h. 28 in., dia. 29 in. $1200/1800

667. Pair of Antique Louis XV-Style Crème Peinte and Polychrome-Decorated Fauteuils, shaped crest, serpentine arms and seat rail, cabriole legs, trifed feet, h. 37 in., w. 23 1/2 in., d. 20 in. $800/1200

Additional information at www.nealauction.com

669. Spanish Renaissance-Style Carved Walnut Side Table, plank top, three frieze drawers, square legs, shaped stretchers, scrolled iron support, h. 31 in., w. 57 in., d. 27 in. $700/900

671. Pair of Louis XVI-Style Bronze-Mounted Marble and Mahogany Pedestals, beveled top, tapered standard, plinth base, blocked feet, h. 30 1/2 in., w. 17 in., d. 17 in. $800/1200

670. Continental Neoclassical-Style Four-Panel Oil on Canvas Screen, late 19th c., decorated with urns of flowers, nailhead trim, h. 75 in., w. 92 in. $800/1200 673. Charles Olivier de Penne (French, 1831-1897), “Three Hounds at Rest”, watercolor on paper, signed lower right, “Deaccessioned Delgado Museum, 1965” stamp on frame, 20 3/4 in. x 15 3/8 in., framed. $700/1000 Provenance: New Orleans Museum of Art; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

672. Eastern European School, 18th/19th c., “The Holy Family with Saint Anne and John the Baptist”, oil on canvas, unsigned, 31 1/4 in. x 25 1/4 in., framed. $700/1000

674. French School, late 18th/early 19th c., “Street Scene”, watercolor on paper, unsigned, sight 12 1/2 in. x 17 1/4 in., framed. $800/1200 677. British School, 19th c., “Highland Laddie”, oil on canvas, unsigned, 46 1/4 in. x 30 in., framed. $1000/1500

675. Continental School, 1885, “Still Life of Fruit and Game”, oil on canvas, signed “G. T. Balle” and dated lower left, 28 in. x 36 in., framed. $1000/1500 Provenance: Neal Auction, Dec. 11, 1993, lot 287.

676. Charles Hunt (British, 1829-1900), “An Appreciative Audience”, 1875, oil on canvas, signed lower left, artist, title and date on frame liner, 24 in. x 36 1/4 in., framed. $1200/1800

Provenance: Neal Auction Company, Feb. 3, 2001, lot 167; Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

681. Six Niderviller “Décor de la Reine” Porcelain Plates, c. 1780-1800, Lorraine, all marked with blue crown and “C” intertwined with “C”, approx. dia. 9 1/2 in. $300/500

678. Large Paris Porcelain Covered Wine Jug, mid-19th c., polychrome and gilt floral decoration, broad aqua banding, tôle reinforced hinge, h. 15 1/2 in. $500/750 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

679. Napoleon III Paris Porcelain Veilleuese, marked Manoir de Mont Salvy, signed and dated, hot air balloon motif, retains oblong godet, h. 9 1/2 in. $300/500 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

680. Paris Porcelain Cylindrical Vase, mid-19th c., decorated en grisaille, with Cupid and Psyche on front, standing putto on reverse, blue base, cartouche and scroll feet, gilt highlights throughout, h. 13 1/2 in., dia. 7 in. $700/1000 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

684. Large Meissen Polychrome Porcelain Figure of a Gardener, 19th c., crossed swords mark, h. 20 1/4 in., w. 9 in., d. 7 1/2 in. $300/500

683. Meissen White Glazed Porcelain Peasant Girl with Flower Basket, 19th c., crossed swords mark, h. 18 7/8 in., w. 7 7/8 in., d. 7 1/2 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 682. Large Capodimonte Porcelain Group of Musicians, marked, scrolled plateau surmounted by a trio, with a dancing couple, h. 9 3/4 in., w. 18 1/2 in., d. 10 1/2 in. $500/750 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

685. Pair of Tiffany Bronze Candlesticks, early 20th c., marked “TIFFANY STUDIOS/ NEW YORK/ 1210”, h. 10 in., dia. 5 in. $500/700

686. Tiffany Desk Set, marked “TIFFANY STUDIOS/ NEW YORK”, grapevine pattern, incl. lidded box, h. 1 1/2 in., w. 4 1/2 in., d. 3 3/4 in., cardholder h. 3 3/4 in., l. 3 in. d. 1 3/4 in. (2 pcs.) $200/300 Provenance: Cascio Wink Collection, Baton Rouge, LA,

687. Kai Nielsen Bing and Grondahl Blanc de Chine Woman and Child Figurine, c. 1915-1947, engraved with designer name, marked B&G and Kjobenhavn Denmark, h. 9 1/2 in. $300/500

Provenance: Cascio Wink Collection, Baton Rouge, LA.

688. Antique Limoges Enamel Plaque, mid-to-late 19th c., probably on copper, oratory scene depicting The Coronation of the Virgin; rendered in vivid color and gilt detailing, inscribed on lower right, framed. $800/1200

Note: Purportedly, this is a partial replica of a 16th c. devotional triptych found in Catherine de Medici’s apartment at Hôtel de la Reine upon her death in 1589 (Musée de Cluny, cl. no. 1009).

689. Pair of Continental Tin-Glazed Vases, Related to Catherine de Medici’s 16th c. devotional triptych. (Musee de Cluny. cl. No. 1009), 19th c., faceted and lobed form, polychrome floral decoration, now mounted as lamps, h. (to socket) 21 1/2 in. $600/900

690. Pair of Unusual French Brass Convertible Candlesticks, 19th c., marked “AC/PARIS”, spring loaded, can be used in hand, on table, or as a sconce, h. 17 in., dia. 4 1/4 in. $500/700 691. Pair of Empire-Style Bronze-Mounted Rouge Marble Lamps, lion and ring handles, tripartite base, h. (to socket) 32 in. $1200/1800

693. Louis XVI-Style Gilt Bronze Fire Screen, quiver and torch crest, flanked by fairies, screen centered by musical trophée, h. 31 1/4 in., w. 9 1/2 in., d. 31 1/2 in.; together with four-piece fire tools set. $700/1000

692. Empire-Style Bronze Figural Jardiniere, now in créme peinte, basket-form, over three addorsed figures, paw feet, h. 36 1/2 in., dia. 20 1/4 in, h. 36 1/2 in., dia. 20 in. $700/900

694. Pair of Neoclassical-Style Bronze and Marble Chenets, bellflower garlands, on toupie feet, h. 16 in., w. 11 1/2 in., d. 6 in. $700/900 Additional information at www.nealauction.com

695. Pair of Continental Tôle Peinte and Parcel Gilt Five-Light Floor Lamps, 20th c., scroll and foliate design, h. 75 in., dia. 21 in. $500/700

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

696. Pair of French Empire-Style Candlestick Lamps, 20th c., swan standards on faux marbre bases, h. 29 1/2 in. $400/600

Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

698. Bronze Figure of a Traveler with Staff, after Edouard Drouot, signature inscribed and “BD” stamped on self-base, h. 17 in., w. 9 1/2 in., d. 5 1/2 in. $500/700

699. Bronze Figure of a Farmer with Scythe, after Hans Müller, signature inscribed on self-base, h. 15 1/4 in., w. 6 1/2 in., d. 8 3/4 in. $400/600

702. Austrian Biedermeier Calendar Clock, c. 1830, striking gong movement, surmounted by alabaster urn, over Hapsburg double-eagle mount, dial with engine-turned decoration and calendar subsidiary dial, flanked by griffins, alabaster columns fronting mirrored back and “stage”, flying fairy pendulum, on alabaster bun feet, h. 26 in., w. 16 in., d. 5 in. $1000/1500 Provenance: Williamson-LeBlanc Collection, Cornstalk Fence House, New Orleans.

704. Antique Irish Georgian Mahogany Games Table, 18th c., foldover top with outset corners, leather-lined playing surface, frieze drawers, cabriole legs, h. 28 in., w. 36 1/4 in., d. 34 5/8 in. $600/900

700. Henry Dexter (American, 1806-1876), “Bust of a Young Maiden”, marble, signature incised on truncation, h. 24 1/2 in. $1000/1500

697. Pair of Italian Carved Giltwood Two-Light Sconces, bowknot and eagle backplate, h. 27 in., w. 10 in., d. 4 1/2 in. $400/600

701. Napoleon III Bronze Mantel Clock, 19th c., dial marked “Raingo Frer. Paris”, striking bell movement, urn-form case, grotesque mask handles, bowknot and oak-leaf garland mounts, h. 18 1/2 in., w. 9 1/2 in., d. 6 1/2 in. $800/1200

703. Napoleon III Gilt Bronze-Mounted Onyx Figural Mantel Clock, c. 1870, movement marked “SUSSE FRES./ a PARIS”, surmounted by a knight in armor, case with a frieze of classical figures, on paw feet, h. 17 1/2 in., w. 17 in., d. 8 3/4 in. $600/900

705. English Chinoiserie Lacquered Papier-Mâché Tray, mid-19th c., foliate scalloped rim centered by a landscape scene, later conforming lacquered stand with turned legs, X stretcher, h. 19 in., w. 38 1/2 in., d. 33 3/4 in. $300/500

706. Regency Inlaid Mahogany Rent Table, 19th c., inset leather top, frieze with four drawers and faux drawers, turned standard, saber legs, brass cuffs, casters, Barron patent locks, h. 29 1/4 in., dia. 41 1/2 in. $1500/2000

707. Pair of Louis XVI‑Style Bronze‑Mounted Inlaid Kingwood Semainiers, 20th c., marble top, seven drawers, chamfered stiles, cabriole legs, h. 48 in., w. 16 1/2 in., d. 11 1/2 in. $1000/1500

708. Pair of Small Louis XV‑Style Doré Bronze‑Mounted Mahogany Guéridons, shaped inset marble top, conforming frieze, low shelf, cabriole legs, h. 30 in., w. 16 in., d. 16 in. $600/800

710. Guido Bach (German, 1828‑1905), “Young Woman with Reeds”, 1884, oil on panel, signed and dated lower left, remnant of old London gallery label en verso, 12 in. x 7 3/4 in., framed. $400/600 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 709. Italian Rococo‑Style Bronze‑Mounted Inlaid Burlwood Bombé Commode, 20th c., serpentine marble top, three conforming drawers, shaped base, flared feet, h. 37 1/2 in., w. 58 in., d. 24 1/2 in. $1500/2000

711. Russian Icon of Madonna and Child, tempera on panel, silver repoussé riza with cloisonné enamel, 14 1/4 in. x 12 1/8 in. $250/350 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

712. Attributed to Jean Francois Vallee (French, act. New Orleans, 1808‑1818), “Portrait of a Lady”, probably Martha Louise du Bose Winans (1797‑1862), watercolor miniature, unsigned, sight 2 1/8 in. x 1 5/8 in., rose gold frame. $300/500 Provenance: Estates of Jane and Stewart Maunsell, New Orleans.

Note: Martha Louise du Bose was born in South Carolina in 1797 to Daniel and Mary Nettles du Bose, and moved with her family to Centreville, MS. In 1815, she married Reverend William Winans (1788‑1857), a Methodist minister in Mississippi whose papers, sermons, and letters are now conserved in the State Historical Museum in Jackson. Based on the age of the sitter, the empire style dress, and the Grecian hair style, this portrait was most likely painted shortly after her marriage when Vallée was known to have been in New Orleans. The lovely brushwork, particularly depicting the hair and lace, is typical of Vallée’s oeuvre and clearly displays the artist’s great skill at miniature painting.

713. Pair of Neoclassical‑Style Porcelain Campagna Urns, Chelsea House, gilt palmette decoration, h. 10 in. $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

714. Paris “Anneau d’Or” Porcelain Sweetmeat Stand, 19th c., coquille molded tiers, h. 15 3/4 in., w. 9 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

716. Chinese Provincial Hardwood Low Table or Foot Stool, 20th c., likely Shandong, solid plank construction carved with block feet and triangular apron, h. 4 7/8 in., w. 23 1/2 in., d. 11 5/8 in. $200/300 Provenance: Pagoda Red, Chicago. 715. Seven Chinese Export Blue and White Porcelain Plates, Qing Dynasty, 18th c., wells decorated with flower sprays, rims with floral bands, dia. 9 1/4 in. $400/600 Additional information at www.nealauction.com

717. Lowestoft Porcelain Vase in Chinese Famille Rose Style, 18th c., now mounted as a lamp, h. (to socket) 20 in. $300/500

718. Pair of French Bronze‑Mounted Porcelain Covered Urns, flame finial, tripartite cherub base, h. 19 3/4 in., dia. 7 3/4 in. $700/900

719. Pair of Italian Painted and Parcel Gilt Pricket Candlesticks, vasiform standard, scroll legs, h. 27 in., w. 10 3/4 in., d. 10 3/4 in. $300/500

720. Pair of Italian Carrara Marble Feet after the Antique, in sandals, h. 9 in., l. 16 in., w. 15 in. $800/1200

722. Pair of American Brass and Glass Oil Lamps, c. 1880, frosted globes with Greek key motif, turquoise glass fonts with paint decoration, columnar standards, fitting marked Hinks & Son, electrified, h. 32 1/2 in., base dia. 5 3/4 in. $1000/1500 721. Moorish Mother‑of‑Pearl and Bone Inlaid Coffer, scroll and diamond design, void interior, h. 12 1/4 in., w. 20 in., d. 11 1/2 in. $800/1200

723. Antique Patinated and Gilt Bronze Fifteen‑Light Colza Chandelier, 19th c., corona with goat’s head masks, arms with entwined serpents, h. 39 1/2 in., dia. 28 in. $1200/1800 724. Pair of Antique Cut Crystal Covered Sweatmeat Urns, incised silverplate pedestal vases, h. 19 1/2 in., dia. 9 1/4 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

725. Pair of Antique Enameled Cranberry Glass Lustres, floral reserves, back‑cut spear prisms, h. 10 1/2 in., dia 5 in. $400/600 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

726. Carved Alabaster Figure of a Young Girl Reading a Book, “R. Coliviaki” and “Volterra” incised on rock, h. 20 in., w. 8 in., d. 10 1/2 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

727. Antique French Giltwood Mirror, 19th c., molded frame, beaded inner border, h. 36 in., w. 29 1/2 in. $300/500 728. Pair of Louis XV‑Style Gilt Bronze Mirrors, scrolled reticulated crest, shaped rocaille surround, h. 35 in., w. 22 in. $1000/1500

729. Set of Four Cast Iron Garden Armchairs, rosette crest, lyre back with foliate scrolls, flared legs, pad feet, h. 32 in., w. 20 1/2 in., d. 18 in. $1200/1800

730. George II Walnut Stool, 18th c. and later, cabriole legs, pad feet, h. 16 in., w. 20 in., d. 18 in. $150/250

731. George II‑Style Carved Mahogany Library Table, molded top, shell carved serpentine frieze, acanthus carved cabriole legs, paw feet, h. 31 in., w. 67 in., d. 29 1/4 in. $400/600

732. George III‑Style Carved Mahogany Secretary Bookcase, broken crest centering a spreadwing eagle, raised panel doors, shelf interior, slant front, fitted desk interior, four graduated drawers, shaped bracket feet, h. 89 in., w. 39 in., d. 23 1/2 in. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

734. William IV Mahogany Campaign Bed, early 19th c., two folding caned sections with foot boards, resting on a frame with carrying handles, turned legs, h. 23 1/4 in., l. 73 1/2 in., w. 26 1/4 in. $500/700

733. Georgian III Mahogany Chest‑on‑Chest, dentil molded cornice, two over three graduated drawers, chamfered fluted stiles, dressing slide above three drawers, tall shaped bracket feet, h. 78 1/2 in., w. 47 in., d. 22 in. $2000/3000 Provenance: NAC; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

735. Antique Italian Painted Tabernacle Cabinet, 18th/19th c., molded cornice, arched paneled door, reeded pilasters, traces of old grey paint and floral decoration, h. 19 3/4 in., w. 18 3/4 in., d. 14 1/2 in. $400/600

736. Pair of Dutch‑Style Marquetry Demilune Petite Consoles, decorated with flower basket, scrolling leaves and blossoms, small frieze drawer, tapered legs, incurvate shelf, h. 30 in., w. 23 1/4 in., d. 12 in. $600/800

Additional information at www.nealauction.com

737. British School, 18th c., “Portrait of a Gentleman with Groom and Horse”, oil on canvas, unsigned, 26 1/2 in. x 34 1/2 in., framed. $1000/1500

738. British School, 19th c., “Landscape with Castle”, oil on canvas, unsigned, 24 1/2 in. x 32 3/4 in., framed. $800/1200

739. After Adam Buck (Irish, 1759‑1833), “What’s that Mother” and “The Mother’s Hope”, 2 hand‑colored lithographs, published by Freeman and Stadler, sights 11 3/4 in. x 9 in., framed alike. (2 pcs.) $350/550

740. Auguste‑Claude‑Simon Legrand (French, 1765‑1815), “L’enfance de Paul et Virginie”, “Le Triomphe de la Vertu”, “L’Adolescence de Paul et Virginie” and “Virginie au Tombeau”, 4 stipple engravings with hand‑coloring, after Jean‑Frédéric Schall (French, 1752‑1825), from Paul et Virginie, published by Legrand, Paris, sights 16 1/2 in. x 19 in., framed alike. (4 pcs.) $600/800

741. Johann Lorenz Rugendas (German, 1730‑1799), “Englisher Bauer Zeit Vertreib”, hand‑colored engraving, printed by G.P. & Joh. Lorenzo Rugendas, Pater et Filius, Augsberg, sheet 14 1/4 in. x 10 in., framed. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

742. Antique Continental Earthenware Olive Jar , h. 32 in., dia. 20 in. $500/700

743. Four Italian Carved Marble Relief Plaques of Roman Emperors, rouge marble mount, iron frame and hanging loop, h. 18 in., w. 13 in., d. 2 in. $3000/5000

744. French Aubusson Carpet, floral motif, rose and beige field with burgundy border, 12 ft. x 13 ft. 6 in. $1000/1500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

745. French Aubusson Carpet, central floral cartouche, wave, key and leaf motif borders, primarily brown field, 12 ft. x 14 ft. $1000/1500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

746. Antique Turkish Carpet, teal and rose ground, red border, central medallion, 9 ft. 7 in. x 12 ft. 5 in. $800/1200

747. Antique Russian Soumak Center Hall Runner, red ground, repeating diagonal design, 6 ft. 5 in. x 11 ft. 5 in. $1500/2000

748. Persian Mahal Carpet, dark blue ground, red border, overall stylized floral design, 4 ft. 6 in. x 6 ft. 6 in. $1400/1800

749. Antique Persian Bidjar Carpet, red and blue ground, double medallion, 4 ft. 5 in. x 7 ft. $1400/1800

750. French Aubusson Carpet, 18th c., beige ground, floral motif in oval reserve, floral borders, rose banding, 15 ft. 6 in. x 22 ft. $1500/2500

751. Two Small Antique Persian Rugs, 3 ft. 3 in. x 4 ft. 7 in. and 4 ft. 7 in. x 6 ft. 7 in. $500/700

752. Persian Carpet, green and olive ground, overall floral design, 8 ft. x 11 ft. 2 in. $600/900 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

753. Persian Carpet, olive ground, scroll designs, 8 ft. 10 in. x 12 ft. 3 in. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

754. Persian Qashqai Carpet, taupe and dark blue ground, overall stylized repeating design, 5 ft. 2 in. x 7 ft. 10 in. $1500/1800

755. Persian Heriz Runner, red ground, repeating medallions, 3 ft. x 10 ft. 8 in. $1000/1500

756. Persian Hamadan Carpet, red ground, allover floral design, geometric border, 4 ft. 7 in. x 6 ft. 10 in. $1300/1500

760. Turkish Wool Kilim Rug, c. 1930, cream ground, light brown stripes, 9 ft. 9 in. x 6 ft. 5 in. $400/600

757. Semi‑Antique Persian Carpet, blue ground, brown border, stylized floral design, 6 ft. 10 in. x 10 ft. 2 in. $500/800

Provenance: Reza’s Rugs, Chicago, IL., 2015.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans 758. Persian Shiraz Carpet, red and dark blue ground, stylized design, 4 ft. 10 in. x 7 ft. 4 in. $1500/1800

759. Antique Persian Heriz Runner, red ground, repeating medallions, stylized floral border, 3 ft. 4 in. x 10 ft. 10 in. $1000/1500 Additional information at www.nealauction.com

762. Continental Carved Travertine Lion’s Head Wall Mount, h. 18 1/2 in., w. 14 in., d. 10 in. $400/600 763. Venetian Etched Glass Mirror, early 20th c., plume crest, segmented floral etched surround, beveled mirror plate, h. 37 in., w. 20 in. $500/700

761. Five Antique French Maps, 1854, hand‑colored in outline, from Lavesseur’s Atlas National Illustre, sight 17 1/2 in. x 12 in., framed. $400/600

Provenance: Cascio Wink Collection, Baton Rouge, LA.

764. Louis Philippe Carved Giltwood Overmantel Mirror, 19th c., floral cartouche crest with scrolling leaves, molded surround with beading and floral sprays, h. 59 in., w. 48 in. $700/1000

765. Antique Italian Neoclassical‑Style Paint‑Decorated Three Panel Screen, arched reeded foliate frame, floral canvas panels, silk backing, h. 68 in., w. 66 in. $1200/1800

766. Louis XVI‑Style Bronze‑Mounted Parquetry and Marquetry Commode, marble top, three frieze drawers over two long drawers, incurvate sides, shaped base, foliate blocked feet, h. 38 1/2 in., w. 68 in., d. 27 in. $2500/3500

769. Lim Wasim (Javanese, 1929‑2004), “Market Scene”, 1966, oil on canvas, signed and dated lower right, 17 3/4 in. x 38 1/4 in., framed. $3000/5000 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL.

767. Continental Rococo‑Style Carved Giltwood Vitrine, tall rocaille crest, cartouche etched glass door, shaped apron, cabriole legs, h. 76 3/4 in., w. 36 1/2 in., d. 17 in. $500/1000 Provenance: Belle Alliance Mansion, Donaldsonville, LA.

768. Pair of Indian Hardwood and Stone Columns, foliate capital, chain carved shaft, stone plinth base with foliate corners, h. 105 in., w. 16 in., d. 16 in. $2000/3000

770. Chinese Islamic‑Style Famille Verte Porcelain Dish, Kangxi Period, 17th/18th c., decorated with stylized flower heads, floral scrolls and auspicious emblems, base with Henry Stern inventory no. “A4859”, h. 1 3/4 in., dia. 11 in. $1000/1500

Provenance: Henry Stern, New Orleans, Dec. 1977, per receipt.

771. Lim Wasim (Javanese, 1929‑2004), “Balinese Dancer”, oil on canvas, signed lower left, reverse inscribed “Painted by L. Wasim / Painter at the Presidential Palace...” 37 3/8 in. x 20 5/8 in., painted wood mat and framed. $3000/5000 Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL.

Note: The mat and frame on this lot are nearly identical to those on the following lot, “Balinese Weaver” by Lee Man Fong. It is believed that the mat and frame surrounding this painting were created by Lee, an accomplished frame maker as well as friend to Lim Wasim.

773. Chinese Islamic‑Style Famille Verte Molded Porcelain Barbed Rim Dish, Kangxi Period, 17th/18th c., central floral‑form medallion enclosing floral sprays encircled by eight floral arrangements, base with double ring mark enclosing a lozenge and Henry Stern inventory no. “A6273”, h. 1 1/2 in., dia. 8 1/8 in. $800/1200 Provenance: Henry Stern, New Orleans, Apr. 1980, per receipt.

772. Lee Man Fong (Chinese/ Indonesia, 1913‑1988), “Balinese Weaver”, oil on masonite, inscribed and sealed lower left, 40 1/2 in. x 20 in., probably artist’s painted masonite mat and frame. $50000/75000

Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL.

774. Chinese Famille Verte Molded Porcelain Foliate Rim Dish, Kangxi Period, 17th/18th c., decorated with a central medallion enclosing a horseback warrior and attendant encircled by alternating figural and floral panels, base with “Henry Stern, New Orleans” label, h. 1 1/4 in., dia. 8 5/8 in. $700/900

775. Chinese Famille Verte Porcelain Dish, Kangxi Period, 17th/18th c., decorated with a galloping spotted horse beneath willow and plum, base with “Henry Stern, New Orleans” label, dia. 9 in. $800/1200

776. Chinese Famille Verte Porcelain Dish, Kangxi Period, 17th/18th c., decorated with butterflies amid rocks and tree peonies, base with double ring mark enclosing a double square and Henry Stern inventory no. “A6807”, h. 1 5/8 in., dia. 10 7/8 in. $1000/1500

777. Chinese Famille Verte Porcelain Rouleau Vase, Kangxi Period, 17th/18th c., decorated with two shaped panels enclosing rocks, seasonal grasses, and flowering branches, h. 7 3/4 in. $1200/1800

Provenance: Henry Stern, New Orleans, Apr. 1981, per receipt.

780. Chinese Peachbloom Glazed Porcelain “Cong” Vase, square body with green‑streaked copper red glaze, base with double ring mark, h. 7 3/4 in., w. 2 7/8 in., d. 2 7/8 in. $300/500

778. Rare Chinese Famille Verte Porcelain Dish, Kangxi Period, 17th/18th c., painted with a Beauty and her attendant in a fenced garden beside a rockwork table, base with “Henry Stern, New Orleans” label and inventory no. “A8257”, h. 1 1/4 in., dia. 9 1/8 in. Note: Older yellowing restoration. $800/1200 Provenance: Henry Stern, New Orleans, Nov. 1983, per receipt

779. Chinese Famille Verte Porcelain Shallow Bowl, Kangxi Period, 17th/18th c., painted with butterflies in flight above rockwork and tree peonies, h. 2 1/2 in., dia. 13 5/8 in. $1500/2500

781. Chinese Peachbloom Glazed Porcelain Water Coup, beehive‑form with green‑streaked copper red glaze, base with double ring mark, h. 3 1/4 in., dia. 4 1/2 in. $200/400 Additional information at www.nealauction.com

782. Chinese/Tibetan Gilt Bronze Figure of Buddha, Qing Dynasty (1644‑1911), likely Dipankara, cast seated in dhyanasana on a waisted lotus base with both hands raised in dharmachakra mudra, wearing loose robes with foliate hems and hair curled in tight knots surmounted by an ushnisha and citamani pearl, cast seven character Qianlong mark, h. 6 1/8 in., w. 4 1/2 in. $1500/2500

783. Chinese Spinach Green Jade Brush Pot, carved in varying degrees of relief with three scholars seated at a table beneath a stair leading to a pavilion within a continuous landscape with pine and paulownia trees, mountains and clouds, h. 7 in., dia. 5 1/8 in., stand, overall h. 9 1/4 in. $2000/3000

785. Chinese White Jade Bombé Censer, Buddhist lion’s mask loose ring handles, globular body carved with archaistic motifs, h. 3 1/8 in., w. 5 7/8 in. $500/700

786. Chinese Pale Celadon and Russet Jade Bangle Bracelet, carved as a curled dragon holding its tail within its mouth, int. dia. 2 1/4 in., ext. dia. 3 1/8 in. $600/800

787. Chinese White Jade Horse Group, carved in the round as two playful horses, h. 1 in., w. 1 1/2 in., d. 2 in. $500/700

Note: For a similar form, see Sotheby’s, Paris, June 22, 2017, lot 147.

792. Chinese Hardwood Altar Table, inset rectangular plank top, shaped frieze carved with antiques and foliage, open trestle legs carved with shou characters, medial stretchers, splayed feet, h. 33 1/2 in., w. 55 1/8 in., d. 17 1/4 in. $700/900

793. Pair of Chinese Hardwood Stools, waisted inset plank top, high shaped stretchers, square legs, hoof feet, h. 20 in., w. 16 in., d. 16 in. $400/600

788. Chinese Greyish‑White Jade Garment/Belt Hook, curved shaft carved with a dragon’s head terminal and surmounted by a qilong, h. 1 in., l. 4 in. $500/700

790. Chinese Gilt Bronze and Cloisonné Enamel Quadrilobed Censer, quatrefoil body with upright handles on four cylindrical supports, decorated with peony and lotus cartouches on a floral scrollwork ground, h. 3 5/8 in., w. 6 5/8 in., d. 5 3/8 in. $500/700

789. Chinese Red Lacquer Box, probably late 19th/20th c., cover decorated with figures within a terraced fenced garden with trees, pavilions, mountains, and clouds, sides with scrolling foliage, base with incised Qianlong mark, h. 4 3/4 in., dia. 12 in. $800/1200

791. Pair of Chinese Cloisonné Enamel Garden Seats, each with round top centered by a dragon with a flaming pearl, shaped apron, scroll legs and circular stretcher with scrolling foliage, each with one leg bearing apocryphal Qianlong mark, h. 16 1/8 in., dia. 15 in. $800/1200

784. Chinese Celadon and Russet Jade Scholar’s Mountain, carved in varying degrees of relief with two figures standing on a terrace before a pavilion and further terraces amid pine, paulownia, rocks, and mountains, h. 5 3/4 in., w. 6 1/2 in., stand, overall h. 6 3/4 in. $800/1200

794. Chinese Famille Verte Porcelain Sleeve Vase, Qing Dynasty, probably 18th c., decorated with a nobleman and his attendant in a fenced garden with a crane, banana palm, pine, and bamboo, h. 9 1/2 in., now mounted as a lamp, probably not drilled, h. (incl. finial) 22 1/2 in. $800/1200

796. Chinese Famille Verte Porcelain Vase, Qing Dynasty (1644‑1911), decorated with a large rock formation, chrysanthemums, and other foliage with insects and butterflies in flight above, base with Henry Stern inventory no. “A5035”, h. 10 1/2 in. $600/800

797. Chinese Famille Verte Porcelain Bowl, Qing Dynasty, 18th c., painted with birds and butterflies amid rocks, flowers and flowering branches, h. 2 5/8 in., dia. 6 in., stand, overall h. 3 3/4 in. $400/600

Provenance: Henry Stern, New Orleans, Oct. 1977, per receipt. 795. Chinese Famille Verte Porcelain Dish, Kangxi Period, 18th c., decorated with a phoenix perched on a rock amid flowers and clouds, base with “Henry Stern, New Orleans” label and inventory no. “A7770”, h. 1 1/8 in., dia. 8 3/8 in. $500/700 Provenance: Henry Stern, New Orleans, Dec. 1982, per receipt.

798. Chinese Famille Verte Porcelain Baluster Vase, Qing Dynasty, 18th c., decorated with tree peonies, rocks, and butterflies, h. 9 in., now mounted as a lamp, probably not drilled, h. (to finial) 21 in. $800/1200

799. Chinese Famille Verte Porcelain Bowl, Kangxi Period, 18th c., decorated with flowering prunus branches, base with double ring mark enclosing a ding and Henry Stern inventory no. “86808”, h. 3 1/2 in., dia. 7 3/4 in. $500/700 800. Chinese Famille Verte Porcelain Barbed Rim Dish, Kangxi Period, 18th c., molded with mythical beast and flower panels encircling central phoenix medallion, base with double ring mark enclosing a ribbon‑tied medallion and “Henry Stern, New Orleans” label, h. 1 3/4 in., dia. 10 7/8 in. $800/1200 Provenance: Henry Stern, New Orleans, Oct. 1979, per receipt.

802. Chinese Famille Verte Porcelain Bowl, Qing Dynasty (1644‑1911), probably 18th c., decorated with stylized lotus medallions and scrolling foliage, base with apocryphal Chenghua mark, h. 3 in., dia. 6 1/2 in., stand, overall h. 4 1/8 in. $500/700 801. Chinese Famille Verte Porcelain Dish, Kangxi Period, 18th c., vibrantly enameled with flowering prunus branches, base with double ring mark enclosing a ding and “Henry Stern, New Orleans” label, h. 1 3/4 in., dia. 10 7/8 in. $800/1200

805. Chinese Celadon and Russet Jade Garment/Belt Hook, curved shaft terminating in a dragon’s head and surmounted by a qilong, base with “Mathias Komor, NY” labels, h. 1 1/4 in., l. 5 1/4 in.; together with a hardstone boy and clam group, h. 1 1/8 in., and a soapstone cicada, h. 2 1/8 in. (3 pcs.) $500/700 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

806. Chinese Pale Celadon Jade Garment/Belt Hook, curved shaft carved surmounted by a qilong facing a dragon’s head terminal, h. 1 in., l. 4 1/2 in. $500/700

803. Chinese Famille Verte Porcelain Dish, Kangxi Period, 18th c., decorated with Kingfishers amid rocks, peonies and chrysanthemums, base with “Henry Stern, New Orleans” label, h. 1 1/2 in., dia. 8 5/8 in. $800/1200

807. Chinese Pale Celadon Jade “Bi” Disk, front carved with two dragons, underside worked in the “grain” pattern, dia. 2 1/8 in. $500/700

804. Chinese Gilt Bronze Figure of Guan Yu/Guandi, cast seated on a stepped throne wearing a long robe open at the chest and knee revealing a suit of armor beneath, h. 5 7/8 in., w. 3 3/8 in., d. 2 7/8 in. $500/700

808. Chinese White and Russet Jade Bird and Gourd Group/Pendant, carved as a double gourd borne on a leafy branch supporting smaller gourds and surmounted by a bird, h. 2 1/2 in., w. 1 1/2 in. $500/700

Additional information at www.nealauction.com

809. Chinese Celadon and Russet Jade Figure of the Lucky Three‑Legged Toad Jin Chan, carved crouching with a string of cash on its back, l. 2 in., w. 1 3/8 in. $400/600

810. Chinese Celadon Jade Figure of a Cat, carved crouching on a large leaf, l. 2 1/4 in., w. 1 3/4 in. $400/600

811. Two Chinese Pale Celadon Jade Archer’s Rings, h. 1 3/16 in. and 1 1/16 in., dia. 1 7/16 in. $700/900

812. Two Chinese Jade Archer’s Rings, incl. pale celadon, h. 1 3/8 in., dia. 1 7/16 in., and creamy white and russet incised with a male Buddhist lion on the saddle‑type top, h. 1 1/4 in., w. 1 1/4 in. $700/900

815. Chinese White Jade Inset Hardwood Rectangular Covered Box, set with an openwork plaque carved as a duck amid lotus leaves, h. 2 1/4 in., w. 5 1/2 in., d. 4 in. $500/700 813. Chinese White Jade “Longevity” Pendant, front carved with peaches, reverse with shou, h. 2 1/4 in., w. 1 1/2 in. $400/600

817. Monumental Chinese Black Decorated Green Ground Porcelain Bowl, decorated with bird and flower cartouches on a foliate scroll ground, base with apocryphal Yongzheng mark, h. 10 5/8 in., dia. 25 in., stand, overall h. 18 1/2 in. $2500/3500

821. Chinese Famille Rose Porcelain Teapot, Qing Dynasty, 18th c., decorated with roosters and peonies, h. 4 1/2 in., w. 6 1/2 in., stand, overall h. 5 3/4 in. $800/1200

814. Two Chinese Pale Celadon Jade Openwork Plaques, incl. rectangular, carved with the He He twins, h. 2 1/4 in., w. 2 1/2 in.; and ruyi‑form, carved with three sages, h. 2 1/4 in., w. 3 1/8 in. $50/100

818. Chinese Famille Verte Porcelain Brush Pot, Qing Dynasty, probably 18th c., painted with a scene enclosing the Immortals Zhongli Quan and Liu Hai in a garden, and another enclosing Budai seated in pavilion beside a table and an attendant, h. 7 5/8 in. $800/1200

816. Chinese Famille Verte Porcelain Vase, Qing Dynasty (1644‑1911), decorated with figural and floral vignettes on an iron red speckled ground, h. (approx.) 9 3/4 in., now mounted as a lamp, probably not drilled, h. (incl. finial) 21 3/4 in. $500/700

819. Pair of Chinese Famille Verte Porcelain Bowls, Qing Dynasty (1644‑1911), decorated with scholars and their attendants in landscapes, bases with apocryphal Chenghua marks and Henry Stern inventory nos. “A7951”, h. 2 3/8 in., dia. 5 1/8 in., stand, overall h. 3 1/2 in. $600/800 Provenance: Henry Stern, New Orleans, Jan. 1983, per receipt.

822. Pair of Chinese Famille Rose Porcelain Jars, Qing Dynasty (1644‑1911), decorated with figures celebrating the Dragon Boat Festival, h. (approx.) 7 1/2 in., now mounted as lamps, probably not drilled, h. (incl. finial) 23 1/8 in. $1200/1800

820. Chinese Famille Verte Porcelain Bowl, Qing Dynasty, 18th c., painted with rockwork and flowers, h. 4 in., dia. 9 in., stand, overall h. 5 1/4 in. $700/900

823. Pair of Chinese Famille Rose Porcelain Faceted Baluster Vases, Qing Dynasty, probably 18th c., decorated with a courtship story beginning with a Beauty in a walled garden being presented with a letter and ending with a man climbing the wall, h. (approx.) 10 1/4 in., now mounted as lamps, probably not drilled, h. (incl. finial) 23 1/4 in. $2000/3000

824. Chinese Polychrome Porcelain Dish, Qing Dynasty, probably 18th c., decorated with the amorous “dream sequence” of a figure seated in a garden amid prunus, pine and rock, base with Henry Stern inventory no. “A6626”, h. 1 1/4 in., dia. 8 in. $500/700

Provenance: Henry Stern, New Orleans, Jan. 1981, per receipt.

826. Two Chinese Blue and White Porcelain Shallow Bowls, Qing Dynasty (1644‑1911), decorated with peony sprays, h. 2 in. and 2 1/8 in., dia. 13 3/4 in. and 14 in. $400/600 825. Chinese Famille Rose Porcelain Brush Pot, Qing Dynasty (1644‑1911), decorated with four raised panels of Shoulao riding a spotted deer and crane, base with “Henry Stern, New Orleans” label and inventory no. “A5960”, h. 5 1/8 in., w. 3 1/8 in. $600/800

Provenance: Acquired in China between 1907 and 1921.

Provenance: Henry Stern, New Orleans, Oct. 1979, per receipt.

827. Chinese Famille Rose Porcelain Center Bowl, decorated with a bird and flower cartouche on a lime green ground with bats and foliage, base with apocryphal Qianlong mark, h. 8 1/8 in., dia. 16 1/4 in. $800/1200

828. Set of Four Chinese Famille Rose Porcelain Wall Panels, probably early 20th c., painted in muted enamels with waterscape scenes with figures, boats and dwellings within mountainous settings, each inscribed and sealed upper left, sight 28 3/4 in. x 8 1/8 in., framed alike. $700/900

829. Pair of Chinese Hardwood Horseshoe Back Armchairs, curving top rail, s‑curved backsplat, inset rectangular plank seat, shaped apron, turned stretchered legs, foot rest, h. 38 in., w. 25 3/4 in., d. 22 in. $1000/1500

830. Chinese Hardwood Stool, inset molded plank top, reticulated apron carved with double cloud scrolls, high shaped stretchers, turned legs, h. 19 in., w. 16 in., d. 16 in. $200/400

832. Chinese Hardwood Stand, waisted inset plank top, high shaped stretchers, square legs, scroll feet, h. 18 in., w. 16 in., d. 12 in. $200/400

831. Chinese Hardwood Low Table/Kang, inset rectangular plank top, reticulated apron carved with scrolls, beads and rings, shaped legs, h. 11 in., w. 30 in., d. 16 1/4 in. $200/400

834. Pair of Chinese Hardstone Trees in Cloisonné Enamel Cachepots, colorfully modeled with jade leaves and quartz, agate and soapstone flowers, approx. h. 17 in. $400/600

833. Chinese Hardstone Embellished Lacquered Wood Panel, probably Qing Dynasty (1644‑1911), decorated with flower vases, antiques and scholarly accoutrements, 46 in. x 21 3/4 in., framed. $500/700

835. Chinese Red and Black Lacquer Box, probably 20th c., cover decorated with figures in a terraced garden with trees, mountains and clouds, base with Qianlong mark, h. 4 7/8 in., dia. 12 in. $600/800

Additional information at www.nealauction.com

838. Pair of Chinese Celadon Stoneware Foliate Rim Dishes, carved with central floral medallions, h. 2 1/8 in., dia. 13 1/8 in. $700/900

836. Antique Chinese Glazed Stoneware Martaban Jar, mask loop handles, ovoid body molded with a dragon amid clouds, h. 35 3/4 in., iron stand, overall h. 42 in. $600/800

839. Pair of Chinese Wucai‑Style Porcelain Vases, decorated with pairs of phoenix birds in flight amid scrolling foliage and peony heads, h. 9 in. $800/1200

837. Chinese Celadon Porcelain Jar, Qing Dynasty (1644‑1911), carved with a dragon pursuing the flaming pearl, h. (approx.) 8 1/2 in., now mounted as a lamp, probably not drilled, h. (incl. finial) 22 1/2 in. $800/1200

840. Chinese Famille Rose Porcelain Vase, 19th/early 20th c., stylized handles, decorated with peony and prunus branches in antique vases and calligraphy, h. 22 1/4 in. $200/300

842. Pair of Chinese Yellow “Beijing” Glass Vases, h. 11 1/4 in. $500/700 841. Pair of Monumental Chinese Hardstone Covered Urns, carved with Buddhist lion finials and loose ring handles, circular body with dragons in relief, h. 32 in., w. 17 1/4 in., d. 2 3/4 in. $1000/1500 843. Chinese Gilt and Patinated Bronze Censer, rectangular with dragon loop handles and four human feet, base with apocryphal Xuande mark, h. 6 1/8 in., w. 10 1/2 in., d. 8 1/8 in., rectangular leaf‑form stand, overall h. 8 5/8 in. $800/1200

846. Chinese Silvered Metal Covered Censer, modeled as a covered tripod ding with three crane handles and feet supported on a double‑headed dragon turtle, ding with apocryphal Qing mark, h. 11 1/2 in., w. 8 1/4 in. $500/700

844. Chinese Gilt and Patinated Bronze Tripod Censer, bombé body with incised foliate decoration, base with apocryphal Xuande mark, h. 5 1/8 in., dia. 10 1/2 in. $700/900

845. Chinese Silvered Metal Horse, modeled recumbent wearing a harness and saddle, base with apocryphal Xuande mark, h. 4 1/2 in., w. 10 3/4 in. $600/800

847. Large Chinese Famille Rose Porcelain Bottle Vase, decorated with bird and flower roundels on a white ground strewn with flower sprays, base with apocryphal Qianlong mark, h. 23 1/4 in. $1200/1800 848. Pair of Chinese Famille Rose Decorated Blue and White Porcelain Double Gourd Vases, finely enameled with quail amid rocks and flowers, bases with apocryphal Qianlong marks, h. 13 3/4 in. $700/900

Session Three Sunday, November 18, 11 am 3923 Carondelet

850. Belle Époque Bronze Easel, late 19th c., probably French, rocaille crest rail and feet, h. 54 in., w. 16 in., d. 14 in. $200/300 851. Art Deco‑Style Burled Maple Console, rectangular top, bracketed column, arched plinth base, h. 31 5/8 in., w. 43 1/4 in., d. 15 3/8 in. $300/500 852. Six Régence‑Style Carved Walnut Side Chairs, arched caned backs and serpentine seats, cabriole legs, loose cushions, h. 37 in., w. 19 in., d. 20 1/4 in. $600/900

849. Antique Louis XV‑Style Bronze‑Mounted Red Chinoiserie Lacquer Writing Table, 19th c., galleried top, pull‑out leather writing surface, shaped apron with side drawer, cabriole legs, h. 28 in., w. 21 1/2 in., d. 14 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

854. Louis XV‑Style Bronze‑Mounted, Parquetry and Kingwood Lady’s Writing Desk, early 20th c., galleried marble top, two drawers, scrolled sides, pull out leather writing surface, long drawer, cabriole legs, h. 37 in., w. 28 in., d. 19 1/2 in. $500/700

853. Antique Louis XVI‑Style Bronze‑Mounted Kingwood Bureau Plat, early 20th c., bookmatched top, five drawers on one side, faux drawers opposite, fluted tapered legs, h. 30 in., w. 48 1/4 in., d. 26 in. $1500/2500

855. Louis XVI‑Style Carved Fruitwood Guéridon, early 20th c., inset marble top, gadrooned molding, rosette fluted legs, low shelf, h. 28 1/2 in., dia. 17 in. $200/300

856. David Harouni (Iranian/New Orleans, b. 1962), “Untitled”, c. 1998, oil on canvas, signed lower left, 114 in. x 114 in., unframed. $6000/8000

857. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Crux Series”, oil on canvas, signed lower center, 32 1/4 in. x 47 1/2 in., period frame. $3000/5000

858. David Sinclair Nixon (American/Louisiana, 1904‑1973), “Adam and Eve”, 1956, oil on board, signed and dated lower right, titled and inscribed en verso, 11 3/4 in. x 15 3/4 in., framed. $400/600

859. David Sinclair Nixon (American/Louisiana, 1904‑1973), “Bathers”, 1956, oil on board, signed, titled, dated and inscribed “Paris” en verso, “Canson & Montgolfier” label en verso, 10 in. x 13 1/2 in., framed. $300/500

861. David Harouni (Iranian/New Orleans, b. 1962), “Untitled (Landscape)”, oil on gallery‑wrapped canvas, signed lower right, 24 in. x 36 in., unframed. $800/1200

860. Andrew Bucci (American/ Mississippi, 1922‑2014), “Untitled Abstract”, oil on paper laid on board, pencil‑signed lower left, 22 1/2 in. x 16 1/4 in., framed. $500/800

862. Tony Green (American/New Orleans, b. 1954), “Venezia”, 1993, oil on canvas, pencil‑signed lower right, signed, titled and dated en verso, 23 1/4 in. x 30 in., framed. $800/1200 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

863. Tony Green (American/New Orleans, b. 1954), “Venezia (Standing on Campo San Vio Looking Across the Grand Canal)”, 1993, gouache on board, signed lower right, inscribed with artist, title and date en verso, 14 1/4 in. x 10 in., framed. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

864. Richard Johnson (American/New Orleans, b. 1942), “Black Dancer”, acrylic and mixed media on illustration board, signed mid‑right, titled lower left, 30 in. x 36 in., framed. $800/1200

865. Michael McGuire (American/Massachusetts, b. 1953), “Santa Fe Afternoon”, oil on panel, signed lower left, signed and titled en verso, 12 in. x 16 in., framed. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 866. Bassam Fellows for Geiger International/ Herman Miller Bronzed Steel and Upholstery “Tuxedo” Settee, c. 2015, New Canaan, CT, Place Textiles “Oasis Sand” fabric, h. 30 1/2 in., w. 60 in., d. 28 in. $1000/1500 Provenance: Design Within Reach, 2015.

867. Sligh‑Lowry Walnut Roll‑Top Desk, c. 1950s, marked, Michigan, shelf top, slanted tambour front, frieze with short and long drawer, tapered legs, stretchers, h. 37 in., w. 36 in., d. 24 in. $1000/1500

Additional information at www.nealauction.com

869. Set of Eight Michael Elkan (1942‑2014) Walnut and Quilted Maple “Natural Caverns” Dining Chairs, late 20th c., Silver Falls, OR, curved top rail, flat slats, curved arms, shaped seats, splayed legs, stretchers, h. 38 1/2 in., w. 24 1/4 in., d. 17 1/2 in. $2000/3000 868. Michael Elkan (1942‑2014) Walnut and Quilted Maple “Natural Caverns” Dining Table, late 20th c., unmarked, Silver Falls, OR, highly polished shaped top with divided “cavern” center, stylized trestle base, thick medial stretcher, h. 29 in., l. 80 1/4 in., w. 51 in. $3000/5000

870. Paul McCobb (1917‑1969) for Calvin Group Brass‑Mounted Walnut Extension Bar Cart, 1950s, labeled, Grand Rapids, MI, folded sliding top, one long over two short drawers, turned tapering legs, glass shelf, casters, h. 28 1/2 in., w. (closed) 40 in., w. (open) 80 1/4 in., d. 20 in. $400/600

871. T. H. Robsjohn Gibbings (1905‑1976) for Widdicomb Chrome Plated Brass‑Mounted Walnut Dresser and Mirror, 1950s, dresser unmarked, mirror with “Hart Mirror Plate” label, Grand Rapids, MI, dresser with 6 rounded drawers, fitted with dividers and trays, spearhead handles. Dresser h. 30 1/4 in., w. 67 1/4 in., d. 21 1/4 in., mirror h. 56 1/2 in., w. 32 1/2 in. (2 pcs.) $400/600

872. Art Deco‑Style Highly Polished Macassar Wood Veneered Console Table by Lee Ledbetter & Associates, 21st c., New Orleans, flat plank top with shaped legs, h. 30 1/4 in., w. 88 in., d. 16 in. $2000/3000

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. September 2012. www.architecturaldigest.com. Accessed May 30, 2018.

874. Chinese Hardwood Continuous Yoke‑Back Armchair, mid‑20th c., shaped top rail with ruyi spandrels, curved back splat, curving arms with ruyi supports, inset rectangular plank seat, rounded apron, turned stretchered legs, h. 30 1/2 in., w. 28 in., d. 23 1/2 in. $300/500

875. Pair of Art Moderne‑Style Lacquered Zebrawood Bookcases, rounded crest, four divided shelves, plinth base, h. 72 in., w. 48 in., d. 11 1/2 in. $1000/1500 877. Four Carved Walnut Adjustable Easels, pegged support, trestle base, h. 72 in., w. 17 in., d. 15 in. $1000/1500

873. Hollywood Regency Carved Mahogany Armchair, swagged crest rail, rosette reeded arms, shaped seat rail, reeded legs, button feet, h. 42 in., w. 29 in., d. 26 in. $500/700

876. Four Art Moderne‑Style Burled Wood Club Chairs, square back and seat, molded arms, conforming blocked feet, h. 35 in., w. 30 1/4 in., d. 26 1/2 in. $1000/1500

878. Two Poul Henningsen (1894‑1967) for Louis Poulsen Classic White Painted Aluminum Pendant Lamps, 21st c., fixture h. 10 1/2 in., dia. 19 1/2 in. $600/900 Provenance: Design Within Reach, 2015.

879. Pair of George Nelson (1908‑1986) for Herman Miller Walnut and Steel End Tables with Integral (Removable) Lamps, c. 1963, one labeled, Zeeland, MI, rectangular top, frieze drawer, low shelf, rotating steel lamp standard, linen drum shade, table h. 18 1/2 in., w. 24 in., overall h. 40 3/4 in., w. 24 1/2 in., d. 17 in. $1000/1500

880. Florence Knoll (b. 1917) for Knoll Associates Chromed Steel and Upholstery Three‑Seat Sofa, c. 1963, unmarked, New York, newer “Neal & Company, Houston” upholstery label, h. 31 1/2 in., w. 90 in., d. 26 in. $1000/1500 Provenance: Architect Nathaniel “Buster” Curtis, 6161 Marquette Pl., New Orleans, 1963; Architect and designer Lee Ledbetter, 6161 Marquette Pl., New Orleans.

Provenance: Architect Nathaniel “Buster” Curtis, 6161 Marquette Pl., New Orleans, 1963; Architect and designer Lee Ledbetter, 6161 Marquette Pl., New Orleans.

881. Monumental American Carved and Polished Cypress Bowl, 20th c., probably Louisiana, biomorphic free‑form carved from a single cypress knee, h. 20 1/2 in., w. 55 1/4 in., d. 45 1/2 in. $700/900

884. Joachim Casell (Spanish/New Orleans, b. 1927), “Park A.K. New Orleans, LA”, 2006, and “Primrose Ocean Springs, MS”, 1993, 2 pastels on paper, each signed and dated lower left, each signed, titled and dated on backing, 14 1/2 in. x 10 in. and 10 in. x 13 in., framed. (2 pcs.) $300/500

882. Art Deco‑Style Mahogany Console, rectangular top, bracketed column, arched plinth base, h. 32 1/2 in., w. 43 1/4 in., d. 15 1/2 in. $300/500

885. Kay “Kaja” Johnson (American/ Louisiana, d. 1971), “Woman”, charcoal on paper, unsigned, “Downtown Gallery, New Orleans” label with artist and title en verso, 10 1/2 in. x 8 1/2 in., unframed. $300/500

888. Camille Maher (American/New Orleans, 20th c.), “Cornstalk Mansion”, 3‑D mixed media collage on wood, signed lower right and inscribed en verso, 29 1/4 in. x 45 1/2 in., framed. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

883. Six Louis XIII‑Style Carved and Limed Side Chairs, 19th c., Belgium, arched crest, padded back and seat, turned and blocked legs and stretcher, linen upholstery with brass nailhead trim, h. 43 in., w. 17 3/4 in., d. 17 in. $1000/1500

886. Sam Minot (American/Maine, b. 1962), “A Side Crypt of Incurable Diseases, Lafayette Cem. #1”, 1991, graphite on paper, signed lower right, signed, titled and dated en verso, 14 in. x 11 in., framed. $400/600 887. Noel Rockmore (American/New Orleans, 1928‑1995), “Susan”, 1964, oil on masonite, signed, titled and dated lower left, 30 in. x 15 in., framed. $800/1200

889. Jabed Rashel (Bangladeshi/Baton Rouge, 20th c.), “Girl with an Orange Shirt”, 2015, oil on canvas, signed and dated lower left, 48 1/2 in. x 36 in., unframed. $800/1200

Additional information at www.nealauction.com

892. Randall Schmit (American/New York, b. 1955), “Ricorso”, 1988, mixed media on canvas, signed, titled, dated and “Lowe Gallery Atlanta” label with artist and title en verso, 45 1/4 in. x 35 in., unframed. $600/800 Provenance: Tilden‑Foley Gallery, New Orleans.

890. Raphael DiLuzio (American/New Orleans, b. 1960), “Betwixt and Between”, 1992, oil on canvas, signed and dated lower right, “Tilden‑Foley Gallery, New Orleans, LA” label with title and date en verso, 60 1/2 in. x 44 in., framed. $800/1200

891. Raphael DiLuzio (American/New Orleans, b. 1960), “Ritual”, 1991, oil on canvas, signed and dated lower right, 78 in. x 60 in., framed. $800/1200 Provenance: Tilden‑Foley Gallery, New Orleans.

893. Randall Schmit (American/New York, b. 1955), “Smiling Monk”, 1981, mixed media on canvas, signed, titled and dated en verso, 40 in. x 37 in., unframed. $600/800 Provenance: Tilden‑Foley Gallery, New Orleans.

Provenance: Tilden‑Foley Gallery, New Orleans.

894. William Dunlap (American/Mississippi, b. 1944), “Wm. Faulkner Barn”, c. 1975, paper plate lithograph, pencil‑signed, titled and numbered “9/25” lower margin, sheet 8 1/2 in. x 11 in., framed; and “Gulf South Gallery Exhibition Poster”, photolithograph, initialed lower right, made for Gulf South Gallery, McComb, MS, joint exhibition with O. W. “Pappy” Kitchens, 17 in. x 11 1/2 in., framed. (2 pcs.) $700/1000

895. Three Contemporary Arts Center of New Orleans Collectors Club Prints, Douglas Bourgeois (American/Louisiana, b. 1951), “Nightflame”, 1987, silkscreen, pencil‑signed and numbered “184/450” lower margin, sheet 19 1/2 in. x 14 1/2 in.; George Dureau (American/New Orleans, 1930‑2014), “Beach Scene with Seven”, 1985, silkscreen, pencil‑signed and numbered “255/500” lower margin, sheet 23 in. x 29 in.; and Richard Johnson (American/New Orleans, b. 1942), “H.A. Hoop”, 1986, silkscreen, pencil‑signed and numbered “280/450” lower margin, 15 in. x 30 in., all unframed. (3 pcs.) $500/700

896. Ben Shahn (Lithuanian/New York, 1898‑1969), “One Must Feel How the Birds Fly” and “One Must be able to Forget Them”, 1968, 2 lithographs, each signed in plate lower right, from Rilke Portfolio: For the Sake of a Single Verse, sheets 22 1/2 in. x 17 1/2 in., framed alike. (2 pcs.) $400/600 897. Pair of Continental Gilt Metal and Marble Two‑Light Girandoles, 20th c., cut glass shades, electrified, h. 19 1/2 in., w. 16 in., d. 7 in. $300/500

898. Neoclassical‑Style Patinated Metal and Crystal Twelve‑Light Chandelier, h. 55 in., dia. 29 in. $800/1200

Ill.: Read, Mimi. “A Historic Greek Revival Residence in New Orleans Is Refreshed to Embody a Sleek and Sophisticated Space.” Architectural Digest. Sept. 2012. www.architecturaldigest.com. Accessed May 30, 2018. Additional information at www.nealauction.com

901. Fine Continental Gilt and Engraved Compote, stylized floral design, h. 4 3/4 in., dia. 6 3/4 in. $300/500 899. American Brilliant Cut Glass Punchbowl on Stand, by Berger, in the “India” pattern, h. 15 in., dia. 14 in. $700/1000

898A. American Brass Solar Lamp, 19th c., white marble base, floral cut shade, h. 19 in., dia. 7 1/4 in. $400/600

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

900. De Vez Cameo Art Glass Vase, 20th c., lake side and fountain view, h. 13 7/8 in. $400/600

904. Paolo Piva (1950‑2017) for B & B Italia Metal, Glass and Wood “Atavola” Extension Dining Table, 21st c., labeled, Italy, raised divided sliding glass top opening to reveal wood leaf, straight legs with optional wood inserts, h. 29 in., l. (closed) 94 1/2 in., l. (extended) 126 in., w. 59 1/2 in. $800/1200 Ill.: Gist, Karen Taylor. “Natural Light Shows off Eclectic Interior Elements in Vista Park Mid‑Century Modern Home”. New Orleans Time‑Picayune posted May 5, 2010, www.nola.com. Accessed Sept. 11, 2018. 903. Pair of Moorish‑Style Mother‑of‑Pearl Inlaid Hardwood Mirrors, arched pierced crest centered by a geometric roundel, molded surround with lattice inlay, beveled mirror plate, h. 28 in., w. 17 1/2 in. $600/800 902. Amethyst, Rose Quartz and Rock Crystal Flamingo Group, each figure with tiger’s eye beak, modeled standing on a naturalistic amethyst rock surface, hardstone base, h. 18 in., w. 14 in. $1000/1400

905. Edwardian‑Style Sofa, labeled “Lee Newton, NC”, shaped back, low arms, loose cushions, turned legs, casters, h. 33 1/2 in., w. 73 in., d. 41 1/2 in. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

906. Contemporary Steel and Glass Guéridon, eagle head monopod supports, circular stretcher, h. 24 in., w. 22 in., d. 24 in. $300/500

907. Pair of Chinese Hardwood Continuous Round Back Armchairs, mid‑20th c., possibly George Zee and Co., curving top rail and backsplat, inset soft rectangular seat, shaped apron, turned stretchered legs, suede cushions, h. 27 3/4 in., w. 31 3/4 in., d. 26 in. $200/300

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

908. Pair of T. H. Robsjohn Gibbings (1905‑1976) for Widdicomb Chrome Plated Brass‑Mounted Walnut Nightstands and Pair of Twin Beds, 1950s, one table labeled, Grand Rapids, MI, tables with slightly curved shelf, tall drawer with spearhead handle, table h. 25 1/2 in., w. 19 in., d. 15 in., bed h. 34 1/2 in., w. 4 1/2 in. (4 pcs.) $400/600

909. T. H. Robsjohn Gibbings (1905‑1976) for Widdicomb Walnut or Birch Lounge Chair, c. 1960s, labeled “Widdicomb”, branded “Siena” and with “True Grand Rapids Cabinet Makers” brass label, Grand Rapids, MI, straight top rail, angled struts, open arms, splayed back legs, upholstered cushions, h. 28 1/2 in., w. 25 1/2 in., d. 29 1/2 in. $300/500

Additional information at www.nealauction.com

911. George III‑Style Painted Satinwood Demilune Cabinet, frieze drawer, floral motifs, conforming door, turned and tapered legs, h. 31 in., w. 26 in., d. 15 in. $400/600

912. Adam‑Style Painted Satinwood Occasional Table, oval top, conforming frieze, tapered legs, shaped stretcher, h. 29 in., w. 18 in., d. 15 in. $200/400

910. Six Domitalia Chrome and Upholstered Dining Chairs, labeled, Italy, incl. four black and two red, h. 39 1/4 in., w. 16 3/4 in., d. 18 in. $400/600

913. Pair of Crème Peinte Petite Commodes, gadrooned top, two drawers over door, carved stiles, turned legs, h. 33 1/2 in., w. 20 in., d. 16 in. $200/400 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

915. Moderne Ebonized and Parcel Gilt Coffee Table, rectangular top, incurvate legs, stretcher shelf, h. 20 in., w. 42 in., d. 30 in. $200/300

914. Set of Fifteen Werner Stoff for Gebrüder Nagel KG Brass‑Plated Interlocking Modular Candlesticks, c. 1970s, Wesseling/ Köln, West Germany, pat. Hans Nagel, h. 2 3/4 in., w. 4 in., d. 4 in.; together with 12 original boxes. $300/500

916. Contemporary Chrome and Mongolian Goatskin Bench, h. 19 in., w. 25 in., d. 18 in. $400/600

918. Louis XVI‑Style Carved Mahogany Window Bench, ribbon‑carved seat rail, fluted tapered legs, shaped stretchers, upholstered seat, h. 22 1/2 in., w. 41 in., d. 16 1/2 in. $300/500

917. Indian Carved Tropical Hardwood “Elephant” Tub Chair, h. 30 in., w. 22 in., d. 28 in. $200/400 921. Large Carved Rock Crystal Skull, h. 8 1/2 in., w. 7 in., d. 10 in., with a custom case. $1000/1500

919. Napoleon III Carved Mahogany Chaise Longue, scrolled canted back, volute acanthine arms, carved seat rail, fluted tapered legs, h. 35 in., l. 54 in., w. 24 in. $1000/1500

920. Louis XVI‑Style Giltwood Vitrine, late 19th c., shaped top, rounded glazed sides and door, glass shelf, leaf entwined columnar stiles, tapered feet, h. 54 in., w. 26 1/2 in., d. 11 1/2 in. $600/900

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922. Lalique Glass Dove, marked “Lalique France”, h. 3 1/8 in., w. 3 in., d. 6 1/2 in. $150/250

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

923. Tall Legras Cameo Glass Vase, 20th c., “Sunset Lake Landscape”, h. 20 3/4 in. $400/600

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

924. Tall Gallé Cameo Art Glass Vase, early 20th c., floral design in green and purple, h. 26 1/2, dia. 5 in. $700/1000

925. Hawkes American Brilliant Cut Glass “RYE” Whiskey Jug, marked, with deeply carved wheat design, h. 7 1/4 in., dia. 6 1/2 in. $200/400

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

927. Wavecrest Painted Opaline Glass Dresser Box, 19th c., marked in gilt “Collars and Cuffs”, brass mounts, h. 6 in., w. 6 1/2 in., d. 6 1/2 in. $150/250 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

931. Sei Koyanagui (Japanese, 1896‑1948), “Vase et Fleurs”, oil on canvas, signed lower right, old exhibition label on stretcher with registration no. “1055”, 28 3/4 in. x 23 5/8 in. $800/1200

926. Group of Lalique Glass Pieces, all marked, incl. 2 Honfleur plates, thistle plate, ashtray, large square bowl, small bowl, and wave‑form dish, square bowl h. 3 1/8 in., w. 9 5/8 in., d. 9 5/8 in. $700/1000

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

928. American Aesthetic Enameled Glass and Silverplate Biscuit Stand, 19th c., reticulated leaf design, h. 13 1/2 in., w. 13 1/8 in., d. 7 1/4 in. $150/250 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

929. Crown Milano Cased Glass Jardinière, late 19th c., raised gilt chrysanthemum and maple leaf decoration, h. 8 1/4 in., dia. 11 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

930. Highly Decorative Pair of Chinese Celadon Stoneware Ewers, dragon handles, chicken head spouts, molded with concentric bands and carved with auspicious emblems, h. 17 in. $700/900

932. Japanese Rinpa/Rimpa School, 19th c., “Rooster with Red, Yellow and White Chrysanthemums”, after Sakai Hoitsu, ink, color and gold on paper, inscribed lower right, sealed lower left, mounted as a six‑panel screen, h. 58 3/4 in., w. 126 in. Note: Condition. $600/800

Provenance: Helena Rubinstein; her great niece, Patricia Delaura, West Palm Beach, FL; gift to current owner, Middleburg, FL.

934. Japanese Mother‑of‑Pearl and Lacquer Kimono/Garment Box, Taisho/ Showa Period, 20th c., decorated in red, silver and gilt raised lacquer, takamaki‑e, and mother‑of‑pearl with a cat amid orchids on a cream lacquer ground, interior painted with flowers and butterfly on gilt ground, h. 7 1/4 in., w. 13 3/4 in., d. 17 in. $1500/2500

933. Monumental Japanese Tashiro Imari Porcelain Vase, Meiji Period, c. 1880, decorated with figural scenes on a white ground strewn with flower sprays, base with Hichozan Shinpo mark, side with a 1912 “Delgado Museum of Art” label, h. 41 1/2 in. $1200/1800

935. Large Chinese Mother‑of‑Pearl Inlaid Hardwood Table, inset rectangular top inlaid with birds on branches, ruyi carved waist and shaped frieze, square legs with scroll knees and feet, h. 33 3/4 in., w. 70 3/4 in., d. 31 1/4 in. $800/1200 Additional information at www.nealauction.com

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936. Chinese Polychrome Decorated Red Lacquer Horseshoe Back Armchair, 20th c., curving top rail terminating in dragon heads, curved backsplat incised and painted with figures in a pavilion, rectangular panel seat with dragon and pearl decoration, straight stretchered legs, h. 38 in., w. 28 1/2 in., d. 32 1/2 in. $200/400

937. Japanese Gilt Metal‑Mounted Giltwood and Black Lacquer Low Table, rectangular top with scroll ends, frieze drawer with inset carved chrysanthemum panels, chrysanthemum spandrels, scroll feet, carved with lotus, h. 12 in., w. 27 1/4 in., d. 11 3/4 in. $300/500

940. Japanese Giltwood and Polychrome Decorated Black Lacquer Butsudan, Meiji Period, (1868‑1912), two doors opening to tiered interior painted with lotus and set with 3 hanging scrolls, two drawers, platform base, h. 25 in., w. 15 in., d. 12 1/2 in. $100/200

938. Chinese Brass‑Mounted Hardwood Cabinet, rectangular top, two doors carved with phoenix birds suspending endless knots, low frieze carved with scrolling foliage, h. 36 1/4 in., w. 32 1/2 in., d. 18 1/2 in. $300/500

939. Chinese Hardwood Kang Table/ Foot Rest, inset rectangular plank top, square legs, hoof feet, h. 12 1/2 in., w. 25 in., d. 18 3/4 in. $100/200 941. Chinese Carved Hardwood Side Table, c. 1930s, beaded floriform top inset with marble, pierced prunus carved apron, cabriole legs, X‑stretcher carved with bamboo leaves, h. 20 in., dia. 16 in. $150/250

944. American Cast Iron Garden Suite, incl. table and four chairs, grape and grapeleaf motif, table h. 25 1/2 in., dia. 40 in.; chair h. 26 1/2 in., w. 21 3/4 in., d. 12 in. (5 pcs.) $1000/1500

942. Pair of Monumental Cast Iron Campagna‑Form Garden Urns, 19th c., fluted rim, foliate paneled body, flared standard, square plinth, h. 41 in., dia. 27 in. $800/1200

943. Figural Cast Stone and Iron Birdbath, putto figure holding a clam shell on square plinth, h. 42 in., w. 15 in., d. 15 1/2 in. $500/700

945. Antique English Cast Iron Garden Table, Greek key border, associated incurvate legs, h. 17 1/2 in., l. 48 1/2 in., d. 16 in. $500/700

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946. Two Pairs of Antique Neoclassical‑Style Cast Iron Garden Planters, 19th c., each centering a wreath, with deep rectangular well, flared lip, fluted sides, acanthus feet, h. 14 1/2 in., w. 28 1/2 in., d. 14 in. Note: Rust losses in bottoms of two. $500/700 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

947. Irish Chippendale‑Style Carved Mahogany Tester Bed, Baker “Stately Homes Collection”, plain headboard and head posts, bound reed foot posts, foliate‑carved feet, accommodates a king mattress, h. 108 1/2 in., l. 83 1/2 in., w. 79 in. $5000/7000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

948. William IV‑Style Mahogany Chest of Drawers, 20th c., Baker Furniture, molded top, blocked corners, colonettes flanking four molded drawers, blocked feet, h. 34 1/4 in., w. 40 in., d. 19 in. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

949. American Classical Figured Mahogany Armoire, early 19th c., probably Baltimore, molded cornice above arched inset frieze, Ionic columns flanking two paneled doors, one side fitted with trays and drawers, plinth base, scrolled feet, h. 85 in., w. 64 in., d. 28 in. $1000/1500

950. American Classical Mahogany Bookcase, early 19th c., molded pedimented crest, glazed sliding doors, shelf interior found in green paint, paneled doors below, bracket feet, h. 79 3/4 in., w. 49 1/2 in., d. 20 in. $1200/1800

951. Important Huntington‑Holladay American Renaissance Carved, Ebonized and Gilt‑Incised Figured Walnut Bedroom Suite, late 19th c., attr. to Thomas Brooks, New York, incl. bed, dressing chest, and commode; each piece with architectonic crest and elements, decorated with carved figures and masks, scrolled brackets, plinth base, bed h. 97 in., l. 78 in., w. 59 1/2 in.; chest h. 97 in., w. 52 1/2 in., d. 25 in.; commode h. 31 in., w. 23 in., d. 20 in. $12000/18000

Provenance: According to a document signed by Collis H. Holladay dated Feb. 5, 1968: with Railroad tycoon Collis Potter Huntington (1821‑1900), New York City; his sister‑in‑law, Mrs. Solon Huntington, Oneonta, NY, after 1883; her daughter, Mrs. Edmund Burke Holladay, San Marino, CA, 1919; her heirs, San Marino, CA, until 1968; Private Collector, Las Vegas, NV. Additional information at www.nealauction.com

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954. American Renaissance Carved Walnut Hall Bench, late 19th c., elaborately carved seat back, griffin‑form arms, lift seat with storage compartment, foliate plinth base, h. 48 in., w. 67 in., d. 22 1/2 in. $800/1200

952. American Renaissance Carved Walnut Étagère, mid‑to‑late 19th c., foliate reticulated crest, arched cornice, turned finials, maiden mask, the later mirror plate flanked by shelves on each side, turned supports, serpentine base with drawer and marble top, turned feet, h. 85 in., w. 48 in., d. 19 in. $1000/1500

953. Wooton Carved and Burled Walnut Standard Grade Secretary Cabinet, c. 1880, labeled “Wooton, Indianapolis”, superstructure with a foliate crest, paneled doors, fall front writing surface and elaborately fitted interior, scrolled feet, casters, h. 66 in., w. 38 in., d. 30 in. $2000/3000

955. American Rococo Carved and Laminated Rosewood Parlor Suite, mid 19th c., attr. to J. & J.W. Meeks, New York, in the “Hawkins” pattern, incl. a sofa, 2 side chairs and an armchair, each with high reticulated crest decorated with densely carved flowers and fruit, serpentine apron, cabriole legs, casters, sofa h. 50 in., w. 66 in., d. 34 in.; side chair h. 43 in., w. 20 in., d. 24 in.; armchair h. 48 in., w. 28 in., d. 30 in. (4 pcs.) Note: Sofa has brace repair. $5000/7000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

956. American Rococo Carved and Laminated Rosewood Sofa, mid 19th c., attr. to J. & J.W. Meeks, in the “Hawkins” pattern, en suite with preceding lot, h. 50 in., w. 66 in., d. 34 in. $2000/3000 957. American Rococo Carved and Grained Rosewood Dresser, mid‑19th c., labeled “Mitchell and Rammelsburg/Cincinnati”, arched cornice, floral‑carved mirror, reticulated brackets, shaped marble top; lower case with three graduated drawers, fluted stiles flanked by side compartments mounted with carved birds, h. 95 in., w. 60 in., d. 24 in. Note: Large carved crest not present. $2000/3000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

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958. American Rococo Carved and Grained Rosewood Half‑Tester Bed, mid‑19th c., stamped “C.Lee, 2273”, serpentine beaded tester with cabochon crest, turned finials, the headboard centered by a rocaille medallion, beaded posts, shaped rails, h. 116 in., l. 72 3/4 in., w. 60 in. $7000/10000

961. French Empire Mahogany Console, 19th c., gray marble top, carved giltwood gadrooned edge, reeded supports with volutes and paw feet, plinth base, h. 38 1/4 in., w. 51 3/4 in., d. 17 in. $2000/3000 960. American Rococo Carved Rosewood Corner Étagère, mid‑19th c., New York, reticulated crest, turned finials, serpentine shelves, barley‑twist supports, beveled mirror plates, conforming base, turned feet, h. 71 in., w. 30 in., d. 22 in. $700/1000

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

959. American Rococo Carved and Grained Rosewood Dressing Table, mid‑19th c., New Orleans, likely from Prudent Mallard, foliate scrolled crest centered by a floral medallion, original serpentine marble top with glove boxes, a conforming drawer, scrolled cabriole legs, shaped stretcher with a carved urn, h. 75 1/2 in., w. 43 1/2 in., d. 23 in. $3000/5000

Note: The dressing table here is closely related in its overall form to a dressing table attributed to New Orleans retailer and cabinetmaker Prudent Mallard, conserved by the Louisiana State Museum. The present lot and the Louisiana State Museum example both share a similar scrolled crest and mirror surround, the same configuration of glove boxes surmounting a dished marble top, and an exaggerated serpentine apron. Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840‑1880. Pennsylvania: Schiffer Publishing, 1983, p. 139.

964. Pair of Neoclassical‑Style Gilt and Patinated Bronze Lamps, 20th c., each with Grecian standard, molded plinth, scroll feet, black marble base, h. to finial 38 in., dia. 17 1/2 in. $1200/1800

963. Fine American Renaissance Carved, Burled and Ebonized Walnut Pier Mirror, c. 1870, New York, anthemion crest above a pedimented blocked frieze centered by a relief carved bust, arched mirror plate, incised burled stiles, the marble top base with outset turrets, h. 110 1/2 in., w. 44 1/4 in., d. 13 1/2 in. $2500/3500

962. Important and Monumental American Renaissance Inlaid, Gilt‑Incised, Ebonized and Burled Walnut Overmantel Mirror, late 19th c., New York, pedimented anthemion crest, blocked frieze centered by a relief carved bust, bracketed mirror plate, incised pilasters, h. 95 in., w. 70 1/2 in., d. 8 1/2 in. $2500/5000

965. Pair of French Renaissance Revival Bronze Six‑Light Candelabra, 19th c., urn‑form standard with relief of winged griffins astride a bull and horse, tripartite base, now mounted as lamps, h. 29 1/2 in., dia. 13 in. $700/1000

966. Edwardian Carved Mahogany Hall Stand, early 20th c., arched paneled crest, shield‑shaped mirror, spindled uprights, shelf and glove box, turned legs, low shelf with drip pans, h. 85 1/2 in., w. 36 1/4 in., d. 14 3/4 in. $500/700 Additional information at www.nealauction.com

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967. American or English Carved Walnut Chaise Longue, late 19th c., canted back, spindle arms terminating in lion’s masks, turned stretchers, conforming legs, disc feet, h. 37 in., l. 68 in, w. 29 in. $800/1200 968. Fine Pair of American Rococo Carved and Laminated Rosewood Side Chairs, mid‑19th c., attr. J. & J.W. Meeks, New York, in the pattern commonly referred to as “Hawkins”, reticulated crest centered by a robustly carved floral medallion, serpentine seat, foliate‑carved seat rail, cabriole legs, casters, h. 39 1/2 in., w. 18 1/2 in., d. 19 in. $1500/3000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

971. Pair of American Renaissance Carved Walnut Winged Heads, c. 1870, attr. to Gustav Herter, New York, probably decorative pieces from a chest or bed, h. 10 in., w. 25 1/2 in. $200/400

970. American Renaissance Carved, Inlaid and Gilt Incised Walnut Stand, late 19th c., circular marquetry top, turned standard, phoenix bracketed legs, h. 29 in., dia. 20 in. $200/400

969. American Rococo Carved and Laminated Rosewood Side Chair, c. 1850‑1860, attr. John Henry Belter, in the pattern commonly referred to as “Tuthill King”, applied carved crest, scrolled reticulated crest rail and stiles, serpentine seat, cabriole legs, scrolled toes, casters, h. 37 1/2 in., w. 18 1/2 in., d. 19 in. $500/800 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Ref.: For similar examples, see Howe, Katherine S. et al. Herter Brothers: Furniture and Interiors for a Gilded Age. Houston: The Museum of Fine Arts, Houston, 1994, p. 220. 972. Rare American Renaissance Carved, Ebonized, Gilt‑Incised and Marquetry Table, late 19th c., circular top, shaped apron, fluted and foliate‑carved standard, scrolled supports, hoof feet, h. 30 in., dia. 35 in. $1200/1800

973. Monumental American Renaissance Figured and Carved Walnut Bookcase, mid‑19th c., architectonic pediment above two glass doors, original fitted shelves, h. 156 in., w. 90 1/2 in., d. 23 in. $5000/10000

974. American Renaissance Carved Mahogany Partner’s Desk, late 19th c., gadrooned top, four frieze drawers, griffin supports, stretcher base, ball feet, h. 32 in., w. 56 1/4 in., d. 33 in. $1000/2000

975. Eleven American Rococo Carved and Laminated Rosewood Dining Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, incl. two armchairs and 9 side chairs, padded crest rail, pierced scrolled splat, serpentine seat, cabriole legs, armchair h. 34 1/2 in., w. 22 3/4 in., d. 20 in., side chair h. 34 1/2 in., w. 18 in., d. 18 in. $4000/6000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Note: The dining chairs shown44 here are closely related to a rocker descended in the Springmeier family.

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Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century, 1840‑1880. Pennsylvania: Schiffer Publishing, 1983, p. 106.

977. American Late Federal Mahogany Two‑Part Dining Table, early 19th c., probably Baltimore, drop‑leaf top, molded frieze, ring‑turned reeded legs, turned feet, h. 29 in., l. (closed) 20 1/2 in., l. (opened) 83 in., w. 48 1/2 in. $700/1000 Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

978. Pair of Italian Carved and Painted Ionic Columnar Pedestals, associated base, h. 64 3/4 in. $300/500 Provenance: Belle Alliance Mansion, Donaldsonville, LA.

976. American Rococo Carved Rosewood Étagère, c. 1850‑1860, New York, scrolled reticulated crest flanked by turned finials, domical cornice, mirrored back flanked by shaped shelves and turned supports, base with shaped top, elaborately carved frieze centered by a dove, scrolled and turned supports, the mirrored back flanked by two shelves, conforming base, h. 104 1/2 in., w. 63 1/2 in., d. 21 1/2 in. $5000/8000

979. Fine American Rococo Carved Rosewood Sofa, mid‑19th c., serpentine crest rail centered by a floral cabochon crest, padded arms, foliate‑carved seat rail, cabriole legs, casters, h. 42 1/4 in., w. 66 in., d. 24 in. $1200/1800

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

980. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, floral and fruit‑carved crest, scrolled crest rail and stiles, round seat, cabriole legs, casters, h. 37 1/2 in., w. 18 1/2 in., d. 20 in. $1200/2000 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

981. American Renaissance Carved and Gilt‑Incised Walnut Pedestal, late 19th c., molded top, fluted and turned standard, circular base, scrolled feet, h. 36 1/2 in., w. 13 in., d. 13 in. $200/300

984. Eight Antique Hepplewhite‑Style Carved Mahogany Shieldback Dining Chairs, probably late 19th c., incl. two armchairs and six side chairs, arched wheat sheaf carved crest rail, pierced bellflower carved splat, serpentine seat rail, molded tapered legs, stretchers, armchair h. 37 in., w. 22 1/4 in., d. 18 1/4 in., side chair h. 37 in., w. 20 in., d. 17 3/4 in. $1000/1500

982. American Renaissance Carved Walnut Stand, late 19th c., rope‑molded supports, brass ball and claw feet, h. 35 1/4 in., w. 16 in., d. 16 in. $200/400 983. Monumental American Renaissance Carved Walnut Bookcase, c. 1870, foliate scrolled crest over an arched cornice with cabochon medallion, paneled frieze; two glazed doors, shelf interior, turned stiles, base with two drawers, h. 117 in., w. 58 1/2 in., d. 18 3/4 in. $1200/1800 985. American Federal Inlaid Cherrywood Three‑Part Dining Table, early 19th c., demilune ends, drop‑leaf center section, flame veneered frieze, bellflower inlaid tapered legs, brass cuffs, h. 30 in., l. (closed) 43 in., l. (extended) 104 in., w. 42 in. $1500/2500 Provenance: Ann Koerner Antiques, New Orleans; Williamson‑LeBlanc Collection, William Harris House, Natchez, MS. Ill.: Sully, Susan. The Southern Cosmopolitan: Sophisticated Southern Style, pp. 42‑43.

986. Antique George III‑Style Mahogany Bookcase, arched cornice and conforming glazed doors, two over three graduated drawers, molded base, bracket feet, h. 88 in., w. 54 in., d. 15 1/2 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. Additional information at www.nealauction.com

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987. Frederick John Townsend (British, 19th c.), “The Frying Pan, Cadgewith Near the Lizard”, oil on canvas, signed lower left, label with artist and title on stretcher, 60 1/4 in. x 38 1/2 in., framed. $1500/2500

988. Continental School, 19th c., “Sailors at Rest”, oil on panel, indistinctly signed lower right, 12 in. x 16 in., framed. $700/1000 989. E. Ponthier (American, 20th c.), “Lakeside Landscape with Riders”, oil on canvas, signed lower right, 36 1/4 in. x 48 1/4 in., framed. $2000/3000

990. Paul Meltsner (American, 1905‑1966), “Boats at Dock”, oil on canvas laid on board, signed lower left, 16 in. x 20 in., framed. $1500/2500 992. American Federal‑Style Carved Mahogany Sofa, probably mid‑19th c., attr. to Ernest Hagan, New York, tassel and swag‑carved crest rail, reeded incurvate arms, padded back and seat, reeded seat rail, reeded baluster legs, h. 37 in., w. 73 in., d. 26 in. $1500/2500 Provenance: Northeast Auctions, April 1‑3, 2005, lot 1275.

991. Continental School, 1862, “Nude in a Landscape”, oil on canvas, signed “V. Kraewel”, dated and inscribed “Napoli” lower right, 18 in. x 23 in., framed. $800/1200

993. American Maple Plantation Desk, mid‑19th c., hinged flared cornice opening to cubbyholes, fitted cabinets flanking two drawers and shelf, writing surface above three drawers, turned, faceted legs, Salisbury Knight of Pythias plaque, h. 63 1/2 in., w. 53 1/2 in., d. 34 in. $1000/1500 994. Antique American Sheraton‑Style Mahogany and Birdseye Maple Commode, shaped top, two drawers, reeded stiles, turned baluster legs, h. 28 5/8 in., w. 24 3/4 in., d. 19 1/2 in. $600/900

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995. American Late Federal Mahogany Work Table, early 19th c., Boston or Salem, turreted top, two drawers, turned and reeded tapered legs, h. 28 1/2 in., w. 17 3/4 in., d. 17 7/8 in. $500/700

996. George III Carved Mahogany Armchair, probably 19th c., shaped crest rail, vasiform splat, shaped arms, square legs, stretchers, h. 37 in., w. 25 1/2 in., d. 22 1/2 in. $400/600

997. Antique George III‑Style Inlaid Walnut Slant‑Front Desk, 19th c., fall front enclosing fitted interior, three over two drawers, bracket feet, h. 39 1/2 in., w. 39 in., d. 20 in. $600/900

999. American Sterling Silver Flatware Service, Lunt “Modern Classic” pattern, pat. 1934, incl. 12 each: forks (l. 7 5/8 in.), knives (l. 9 1/4 in.), salad forks, soup spoons and demitasse spoons, 16 teaspoons, 14 iced teaspoons, 2 butter knives (fh), cocktail fork, 2 tablespoons, cold meat fork, gravy ladle, cream ladle, sugar shell, lemon fork, cake knife (hh) and master butter knife (hh), 102 pcs., total wt. (weighable) 96.15 troy ozs. $1000/1500

1000. T welve American Sterling Silver Water Goblets, Frank M. Whiting, pattern 44, h. 6 1/2 in., total wt. 48.60 troy ozs. $800/1200

1001. Twelve Gorham Sterling Silver Wine Goblets, pattern 571, h. 4 1/2 in., total wt. 25.65 troy ozs. $400/600

1003. Gorham “Clermont” Pattern Sterling Silver Flatware Service, pat. 1915, incl. 19 dinner forks (l. 7 5/8 in.), 10 luncheon forks (l. 7 1/8 in.), 24 knives (l. 9 5/8 in.), 6 knives (l. 8 3/4 in.), 16 salad forks, 18 cocktail forks, 16 ice cream forks, 8 soup spoons, 16 bouillon spoons, 6 dessert spoons, 16 teaspoons (l. 5 7/8 in.), 12 teaspoons (l. 5 5/8 in.), 16 ice teaspoons, 6 citrus spoons, 23 demitasse spoons, 15 butter spreaders (fh), baby spoon, 18 tablespoons, steak carving fork and knife (hh), fish serving knife, pierced serving spoon (l. 7 1/4 in.), salad serving spoon and fork (hh), berry spoon (hh), sugar shell, 2 master butter knives, gravy ladle, cream ladle, small tomato server, pickle fork, lemon fork, sugar tongs and master salt spoon, (263 pcs.), total wt. (weighable) 197 troy ozs. $2500/3500

1005. American Sterling Silver Sugar and Creamer with Undertray, Watson Sterling Co., patterns F280 and T19, sugar h. 2 3/4 in., tray 11 3/4 in. x 6 5/8 in., total wt. 20.30 troy ozs. $300/500

998. George III Mahogany Library Armchair, late 18th c., arched back, padded arms, square legs and stretchers, h. 39 1/2 in., w. 27 1/2 in., d. 29 in. $400/600

1002. American Sterling Silver Water Pitcher, Wallace, pattern 201, h. 8 5/8 in., wt. 19.35 troy ozs. $300/500

1004. Gorham “Strasbourg” Pattern Sterling Silver Flatware Service, pat. 1897, incl. 9 forks (l. 7 5/8 in.), 9 knives (l. 9 3/4 in.), 8 salad forks, 18 cocktail forks, 2 soup spoons, 8 dessert spoons, 18 teaspoons, 13 iced tea spoons, 7 demitasse spoons, 11 butter knives (hh), 6 butter knives (fh), baby spoon, 3 tablespoons, pierced tablespoon, 3 cold meat forks, salad serving fork and spoon, 2 gravy ladles, cream ladle, 3 sugar shells, jelly server, master butter knife (fh), lemon fork, 2 pickle forks, and sterling handled stainless steel serving pieces incl. 2 cake knives, pie knife, 2 cheese knives, lasagna server, macaroni server, casserole spoon and salad serving fork and spoon; together with Wallace “Waltz of Spring” pierced tablespoon, cold meat fork and master butter knife, total wt. (weighable) 150.40 troy ozs. (approx. 140 pcs.) $2000/3000

1006. Reed & Barton “Francis I” Pattern Sterling Silver Flatware Service for Eight, pattern introduced 1907, incl. 8 each: forks (l. 7 3/4 in.), knives (l. 9 1/4 in.), salad forks, cream soup spoons, butter knives (hh) and iced teaspoons, 9 teaspoons, 3 tablespoons, sugar shell, bonbon spoon, youth fork, small urn and individual nut dish, total wt. (weighable) 78.70 ozs. (65 pcs.) $2000/3000

1007. Group of American Sterling Silver Holloware, mid‑20th c., various makers and patterns, incl. Gorham “Chantilly” sandwich tray and bread plate, Watson sandwich tray and 2 bonbon dishes, Alvin sandwich tray, International “Spring Glory” gravy underplate, Lunt baby cup and 2nd baby cup with rubbed marks, dias. 6 in. to 10 1/2 in., cup h. approx. 2 1/2 in., 9 pcs., total wt. 43 troy ozs. $500/700

Additional information at www.nealauction.com

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1009. Good Group of California Coin Silver Serving Pieces in the “Gothic” or “Eureka” Pattern, incl. 2 serving spoons (one marked for retailer Anderson & Randolph, San Francisco), 2 gravy ladles (one marked for retailer Samuel Jelly, Sacramento), sauce ladle and sugar shell (faintly marked “...F CAL”); together with San Francisco coin silver fish serving fork and knife in the Aesthetic taste, W.K. Vanderslice & Co., act. 1860‑1906, knife l. 11 3/4 in., and fiddlethread serving spoon, John Goodhue Jr., act. San Francisco, 1856‑1861 and Stockton, CA, 1867‑1870, total wt. approx. 19 troy ozs. $200/300

Note: This pattern was first introduced in 1862 in San Francisco, where it was made by W.K. Vanderslice & Co., wc. 1860‑1906, and by Koehler & Ritter, wc. 1867‑1884, both of whom marketed it as “Gothic” pattern; as well as by Schulz & Fischer, wc. 1873‑1888, who marketed it as “Eureka” pattern. There are also known examples by Frederick Reichel, wc. 1856‑1870.

1008. Group of American Coin and Sterling Silver Serving Pieces, late 19th c., incl. punch ladle with fluted bowl (as is), l. 13 1/2 in; Towle “Old Newbury” punch ladle, l. 10 in.; 2 coin serving spoons with twist stems, James Watts, Philadelphia; strawberry‑decorated berry spoon; slotted serving spoon, Farrington & Hunnewell, Boston, with 1873 presentation; and 2 other sterling serving spoons; 8 pcs., combined wt. 25.30 troy ozs. $300/500

1010. Group of Georgian Sterling Silver “Old English” Pattern Stuffing Spoons, incl. John Robertson II and John Walton, Newcastle, 1813, mark reg. 1811, engraved script monogram, l. 13 5/8 in.; William Eley I, London, 1801, engraved crest on upper face, l. 12 1/4 in.; George Wintle, London, 1802, l. 11 1/2 in.; and serving spoon, William Sumner, London, 1804, engraved monogram, l. 9 in.; combined wt. 12.55 troy ozs. $300/500

1011. Group of Antique English and American Sterling and Coin Silver Flatware, incl. 2 Victorian dessert spoons, George Angell, London, 1860; pair of English serving spoons, marks rubbed; berry spoon, Wendell Mfg. Co., Chicago, c. 1895; J.B. & S.M. Knowles “Lexington” serving fork and spoon; Gorham “Rosette” gravy ladle; Tiffany “Queen Anne” serving fork, pat. 1870, l. 8 5/8 in.; S. Kirk & Son 10.15 “Old Maryland” sauce ladle; coffin end tablespoon with bright‑cut engraving; downturned fiddle teaspoon, maker WP; and upturned fiddle tablespoon, Wm. L. Pitkin, Hartford, CT; 13 pcs., combined wt. 22.80 troy ozs. $300/500

1015. Pair of Antique English Silverplate Entrée Dishes, Thomas Bradbury & Sons, Sheffield, 19th c., shell and foliate scroll borders, associated warming stands with foliate scroll handles and feet, retain tinned interiors, overall h. 7 1/2 in., w. 12 1/4 in., d. 11 1/4. $250/350

1012. Cased English Sterling Silver Christening Set, fitted case ret. Simons and Co., Buenos Aires; together with cased set of English sterling silver serving spoons, ret. A.N. Guy, Buenos Aires. $250/350

1016. Six George III Sterling Silver Dessert Spoons, Hester Bateman, London, 1788 “Old English” pattern, script monogram “M”, l. 6 5/8 in., wt. 5.85 troy o. $250/350

1013. Georgian Sheffield Plate Meat Dome, foliate and scroll handle, lobed body, inset silver shield, retains original tinned back, h. 8 1/2 in., l. 15 7/8 in., w. 12 1/4 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1014. Georgian Sterling Silver Toddy Ladle, probably 18th c., baleen handle detached but retained, “as is”, l. approx. 15 1/2 in. $75/125

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1017. Hammered Silver Bread Dish, l. 13 1/8 in. $150/250

1019A. Antique and Vintage Linen Tablecloth, together with an antique linen towel. $500/750 Provenance: Lucullus Antiques, New Orleans; Williamson‑ LeBlanc Collection, Cornstalk Fence House, New Orleans.

1018. Sixteen American Sterling Silver Cordials, incl. 12 Randahl, pattern 14, and 4 Gorham, pattern 951; h. 3 in. and 2 3/4 in. respectively, total wt. 11.55 troy ozs. $150/250

1019. Set of Twenty‑Two Antique French Monogrammed Linen Napkins, 19th c. $500/750

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1020. Mink Hat, 20th c., int. circumference 23 in., original Maison Blanche box; together with another, int. circumference 20 3/4 in. $250/350

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1021. American School, 19th c., “Portrait of John Adamson, 2 1/2 years” and “Portrait of Margaret Adamson, 7 years”, 2 watercolors on paper, both unsigned, each 7 1/2 in. x 5 7/8 in., framed alike. (2 pcs.) $500/700 1022. Louis XVI‑Style Bronze‑Mounted Mahogany Bonheur du Jour, late 19th c., rouge marble top, reticulated brass gallery, cylinder lid, three small drawers, tooled leather writing surface, fluted tapered legs, toupie feet, h. 44 in., w. 32 in., d. 20 in. $1000/1500

1023. Louis XVI‑Style Brass‑Mounted Marquetry Encoignure, sienna marble top, ram’s head mounted stiles, hoof feet, h. 34 1/4 in., w. 28 in., d. 20 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1024. Pair of Louis XIV‑Style Carved Walnut Fauteuils a la Reine, late 19th c., tall needlepoint backs, shaped arms and seat rail, S carved legs, stretchers, h. 52 in., w. 28 in., d. 23 in. $800/1200

1025. Pair of Louis XVI‑Style Bronze‑Mounted Kingwood Vitrines, serpentine marble tops, floral swagged frieze, glass sides and doors, shaped base, cabriole legs, h. 51 in., w. 24 in., d. 17 in. $1200/1800

1026. Louis Philippe Figured Walnut Commode, 19th c., marble top, frieze drawer over three drawers, molded base, shaped feet, h. 36 in., w. 51 in., d. 24 in. $800/1200

1028. George III Inlaid Mahogany Demilune Games Table, late 18th c., foldover top, blocked frieze, tapered legs, baize‑lined playing surface, h. 29 in., w. 35 1/2 in., d. (closed) 17 in., d. (open) 34 in. $500/700

1027. Biedermeier Inlaid Walnut Work Table, early 19th c., serpentine lift‑top, fitted interior, shaped frieze, cabriole legs, medial shelf, hoof feet, h. 31 in., w. 31 in., d. 24 in. $600/800

1029.Pair of Antique Louis XVI‑Style Giltwood Fauteuils, 19th c., arched crest, foliate cartouche, foliate carved back and arms, acanthus terminals, shaped seat rail, fluted tapered legs, h. 41 in., w. 25 in., d. 21 in. $1000/1500

1030. Antique Italian Inlaid Walnut and Parcel Ebonized Side Table, 19th c., marquetry top, frieze drawer, turned standard, arched scrolled legs, h. 30 in., w. 25 in., d. 25 in. $500/700

Additional information at www.nealauction.com

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1032. After Eduard Willmann (German, 1820‑1877), “Paris 1860, Dédié à Napoléon III”, engraving, printed by Musée du Louvre, “Musée du Louvre Chalcographie” blind stamp lower margin, sheet 35 3/4 in. x 49 1/4 in., framed. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1034. Two Italian Crèche Figures, late 18th/19th c., wax head and hands, wood bases, tallest h. 16 1/4 in. $700/900

1033. Pair of Italian Neoclassical‑ Style Bronze Candlesticks, incurvate triangular bases with classical reliefs, h. 23 1/2 in., w. 8 1/4 in., d. 8 1/4 in. $600/800

1031. French Bronze‑Mounted Marble Pedestal, swivel top, bronze collar, square column, stepped base, h. 42 5/8 in., w. 11 1/2 in., d. 11 1/2 in. $700/1000

1037. Continental Painted Chinoiserie Six Part Screen, 20th c., with figures and a temple, h. 72 1/4 in., w. 117 in. $400/600

1035. Pair of Neoclassical‑Style Bronze and Marble Urns, c. 1900, female term handles, lion mounts, base with frieze of Classical figures, h. 15 in., w. 11 in., d. 7 3/4 in. $400/600

1036. French Carved and Parcel Gilt Architectural Panel, 19th c., molded crest, reserve with liturgical trophée, h. 85 in., w. 45 in., d. 5 in. $400/600

1039. Louis XV‑Style Gilt Bronze and Rock Crystal Nine‑Light Chandelier, scroll and foliate design, h. 25 in., dia. 28 in. $700/900 1038. Antique French Patinated Cast Iron Figure of a Cherub Holding a Torch, h. 36 in., w. 17 1/2 in., d. 14 1/2 in. $1500/2500

1042. Pair of Directoire‑Style Gilded and Mirrored Curule Tables, raised beveled tops, reeded bases. $1000/1500

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1040. Fine Art Nouveau Gilt and Patinated Bronze Urn Lamp, 19th c., foliate handles and collar, h. (to socket) 24 in. $800/1200 1041. Louis XVI Verte Peinte and Parcel Gilt Trumeau Mirror, late 18th c., oil on board depicting a couple in a bucolic landscape, divided mirror plate surmounted by shell cartouche, h. 80 1/2 in., w. 41 1/2 in. $800/1200

1043. Louis XV‑Style Bronze‑Mounted Parquetry Lady’s Writing Desk, superstructure surmounted by a bronze gallery over two cartonnier drawers, shaped rosewood backsplash, pull‑out inset leather writing surface, frieze drawer, serpentine apron, flared legs, sabots, h. 38 in., w. 30 in., d. 21 in. $1000/1500

1044. Pair of French Provincial Incised Fruitwood Fauteuils, 19th c., floral motif slatted back, reeded arms, rush seat, fluted seat rail, stretcher bars, flared legs, h. 32 3/4 in., w. 19 3/4 in., d. 20 in. $300/500 Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

1045. Antique Empire‑Style Mahogany and Gilt Bronze‑Mounted Demilune Foldover Games Table, late 19th c., tooled leather playing surface, pull‑out rear leg with drawer, tapered legs, brass cuffs, h. 29 in., w. 43 in., d. 21 1/2 in. $1200/1800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1047. Pair of Italian Painted and Parcel Gilt Work Tables, late 19th c., oval covered compartments, fabric lined interior, stretcher shelf, cabriole legs, h. 31 3/4 in., w. 21 in., d. 16 in. $1000/1500

1048. Louis XVI‑Style Bronze‑Mounted Mahogany Commode, late 19th c., marble top, three short over two long drawers, fluted stiles, tapered fluted legs, h. 33 3/4 in., w. 50 1/4 in., d. 23 in. $1000/1500

1046. Antique Empire‑Style Bronze‑Mounted Commode, 19th c., marble top, outset long drawer over colonnettes flanking three drawers, molded base, disc feet, h. 35 in., w. 51 in., d. 24 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1049. Louis XV‑Style Bronze‑Mounted Inlaid Burl Walnut Commode, rouge marble top, mythological mask mounts, three drawers, flared feet, h. 36 in., w. 53 in., d. 21 in. $1500/2500 1052. Antique French Brass‑Inlaid Rosewood Wall Clock, dial marked “Le Roy & Fils, Hers DU ROI/PALAIS ROYAL Grie. MONTPENSIER/13 & 15/A PARIS”, striking gong movement, h. 23 in., w. 23 in., d. 6 1/2 in. $500/700

1051. Antique Continental Ebonized and Tortoiseshell Mirror, 19th c., ripple moldings, rectangular mirror plate, h. 34 1/2 in., w. 40 in. $700/1000

1050. French Empire Mahogany Overmantel Mirror, early 19th c., architectonic pediment, female bust bronze supports, detachable mounts in the form of the winged Nike, divided mirror plate, h. 89 in., w. 47 in. $2000/3000

1054. Adolphe Féder (Ukrainian/French, 1886‑1943), “Haywagon”, oil on canvas, signed lower left, 23 3/4 in. x 28 3/4 in., framed. $800/1200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1053. After Sir Anthony van Dyck (Flemish, 1599‑1641), “Self‑Portrait of the Artist”, oil on canvas, unsigned, 23 1/2 in. x 18 3/4 in., framed. $2000/3000

Additional information at www.nealauction.com

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1055. Léon‑Maxime Faivre (French, 1856‑1914), “Fisherwoman on the Beach”, oil on board, unsigned, “Atelier Maxime Faivre” estate stamp en verso, 11 1/2 in. x 15 1/2 in., framed. $300/500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1058. Italian Carved Marble Bust, inscribed “Verona” on truncation, h. 19 1/2 in., w. 15 in., d. 9 in. $500/700

1056. French School, 19th c., “Dog after Hunt”, oil on canvas, unsigned, canvas stencil en verso, 23 in. x 38 3/4 in., framed. $300/400 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1059. Pair of Carved Fluorite and Blue Agate Navette‑Form Tazzas, h. 4 1/2 in., w. 7 in., d. 3 3/4 in. $600/800 1061. Spanish “Toledo” Steel, Brass and Gilt Inkwell, 18th c. or earlier, incised decoration, two wells, and a sander, h. 3 1/2 in., w. 7 1/4 in., d. 5 1/4 in. $150/250 Provenance: Henry Stern, New Orleans, Sept. 1979, per receipt.

1057. Patinated Bronze Figural Group of a Man on Horseback, h. 21 1/2 in., w. 18 3/4 in., d. 8 1/2 in., marble and onyx base, overall h. 23 in. $1000/1500

1060. Two Italian Plaster Relief Architectural Panels of Roman Warriors, 20th c., h. 27 1/2 in., w. 41 1/2 in., d. 4 in. $300/500 1062. French Polychrome and Gilt Mirror, late 19th c., floral decoration, h. 29 in., w. 35 in. $300/500

1065. American Late Classical Carved Rosewood Canterbury, 19th c., chamfered top, shaped upright dividers, plinth with drawer, h. 24 in., w. 23 in., d 15 1/4 in. $300/500 1063. Small Antique Italian Rococo Crème Peinte and Gilt Mirror, h. 38 in., w. 17 1/2 in. $800/1200

1064. Small Spanish Baroque‑Style Carved Walnut Mirror, 19th c., arched crest centered by urn cartouche, scalloped sides, mirror plate flanked by spiral colonnettes, shaped base, h. 42 in., w. 25 in. $500/1000 1067. William IV‑Style Mahogany Ottoman, tapestry upholstered seat, turned legs, cuff casters, h. 16 1/2 in., w. 42 in., d. 30 in. $500/800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

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1066. English Carved Walnut and Rosewood Piano Chair, mid‑19th c., balloon back, circular adjustable seat, turned support, arched legs, scrolled toes, h. 33 in., w. 17 in., d. 17 in. $150/250

1068. William IV‑Style Carved Mahogany Bedsteps, tooled leather inset treads, turned feet, h. 23 1/2 in., w. 20 1/2 in., d. 26 in. $150/250

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1070. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Stone Bridge in Le Puy, France”, watercolor, signed, dated and inscribed lower left, sight 10 in. x 14 3/4 in., framed. $700/1000

1071. Pair of Sheraton Painted Wheelback Chairs, 18th c, h. 36 1/2 in., w. 20 1/2 in., d. 18 1/2 in. Note: Paint losses. $600/900

1069. American Southern Late Classical Figured Mahogany Armoire, c. 1840, flared cornice, paneled doors, later shelf interior and medial belt of drawers, exuberantly scrolled feet, h. 83 1/2 in., w. 59 in., d. 24 in. $1500/2500 Provenance: Le Bourgeois family, South Louisiana.

1072. Adolph Rinck (French/ New Orleans, 1810‑1871), “Portrait of a Woman”, 1844, oil on canvas, signed and dated lower left, 36 1/2 in. x 29 in., framed. $1500/2500

1074. Louis C. Girault (American/New Orleans, act. 1870‑1892), “Boats on Lake Pontchartrain”, 1885, oil on academy board, signed lower right, signed, dated and dedicated en verso, 9 in. x 12 in., framed. $500/800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1077. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Sailboats”, oil on wood plate, initialed lower right, dia. 10 1/2 in. $400/600

1075. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower left, “W.E. Seebold” label en verso, 20 in. x 30 in., framed. $2000/3000

1078. Luis Graner y Arrufi (Spanish/Louisiana, 1863‑1929), “Still Life of Fruit with Parrot”, 1923, oil on canvas, signed and dated lower right, 26 in. x 33 in., framed. $800/1200

1073. American School, 19th c., “Portrait of a Girl with Dog”, oil on canvas, unsigned, 29 3/4 in. x 25 in., framed. $1200/1800

1076. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower left, 20 in. x 30 in., framed. $2000/3000

1079. Clementine Hunter (American/Louisiana, 1886‑1988), “Haulin’ Cotton”, oil on canvas board, monogrammed mid‑right, 12 in. x 16 in., unframed. $3000/5000 Additional information at www.nealauction.com

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1080. Clementine Hunter (American/Louisiana, 1886‑1988), “Emma‑Lee’s Boy Always Drinking Wine”, oil on paper, signed “Clemence” lower right, pencil‑monogrammed lower left, inscribed en verso and on original backing board, 11 in. x 14 in., framed. $3000/5000

1081. Clementine Hunter (American/Louisiana, 1886‑1988), “All the Folks Kept Bee Martin Houses”, oil on paperboard, signed “Clemence” lower right and monogrammed mid‑left, titled on backing board, inscribed “FM98” en verso, 11 in. x 15 in., framed. $3000/5000

1082. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on canvas laid on board, signed lower left, 11 1/2 in. x 9 in., framed. $800/1200

1083. Clementine Hunter (American/ Louisiana, 1886‑1988), “Man with Bird”, oil on board, monogrammed lower center, 23 3/4 in. x 9 1/4 in., unframed. $1000/1500

1084. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyll, Louisiana Bayou Country”, oil on canvas, signed lower left, signed and titled en verso, 30 in. x 36 in., framed. $1000/1500

1085. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Steamboat Natchez”, oil on canvas, signed lower left, 14 in. x 18 in., framed. $1200/1800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1086. George Overbury “Pop” Hart (American/Illinois, 1868‑1933), “Landscape with Footbridge across a Pond”, watercolor on paper, signed lower left, 15 1/2 in. x 22 in., framed. $1200/1800

1088. James Carl Hancock (American/New Orleans, 1890‑1966), “French Quarter Courtyard”, ink and mixed media on paper, signed on label lower right, inscribed lower and upper edges, partial portrait sketch en verso, 12 in. x 9 1/2 in., unframed; accompanied by “Roquette Mansion Patio”, etching, pencil‑signed lower center, signed and titled in plate, sheet 12 in. x 9 1/2 in., framed. (2 pcs.) $300/500

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1087. George Frederick Castleden (British/American, 1861‑1945), “Old Mill, on Semones Property on Clinch River Virginia” and “Carry Me Back to Ole Virginny”, 1941, 2 watercolors on paper, former signed and dated lower left, latter signed lower left and dated en verso, both titled and inscribed en verso, 13 1/4 in. x 10 1/4 in. and 10 in. x 14 in., unframed. (2 pcs.) $1200/1800

1089. John Korver (American/Louisiana, 1910‑1988), “Ship at Sea”, oil on canvas, signed lower right, 30 in. x 40 in., framed. $1500/2500

1090. Arnold Turtle (British/Louisiana, 1892‑1954), “Boats in the Harbor”, 1941, gouache on board, signed and dated lower right, 9 3/4 in. x 11 3/4 in., framed. $400/600

1091. Don Wright (American/Louisiana, 1938‑2007), “Courtyard Scene”, 1981, oil on canvas, signed and dated lower right, 20 in. x 30 in., framed. $1200/1800

1092. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Cottage”, oil on canvas board, signed lower right, 5 in. x 7 in., framed. $600/900

1093. Rolland Harve Golden (American/ New Orleans, b. 1931), “Park Bench”, 1967, watercolor on paper, signed and dated lower right, 22 in. x 30 in.; together with “Park Bench”, 1967, graphite on paper, signed and dated lower right, 7 in. x 9 5/8 in., both framed. $1200/1800

1094. Rolland Harve Golden (American/New Orleans, b. 1931), “Rag Weed”, 1969, watercolor on paper, signed and dated lower center, titled and inscribed en verso, 22 in. x 30 in., framed. $1000/1500

1095. George Rodrigue (American/Louisiana, 1944‑2013), “Moo‑Cow Blues: Special”, 1993, silkscreen, artist proof edition, signed lower right, inscribed “A.P.” lower left, 23 in. x 34 in., framed. $2000/3000 Ill.: Rodrigue, Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p. 74.

1096. Shearwater Art Pottery Cast “Goose” Vase, c. 1930, by Walter Inglis Anderson, thrown by Peter Anderson, brown and copper red glaze, h. 5 1/2 in., dia. 6 in. $1000/1500

Ref.: Stewart, Dod. Shearwater Pottery, Slidell, Bristol Publishing, 2005, pg. 64.

1097. Weller Louwelsa Polychrome Pottery Sleeve Vase, 1896‑early 1900s, half circle mark, decorated with grapes and grape leaves, monogrammed L.M. for Lillie Mitchell, h. 14 in. $300/500

1098. Newcomb College Art Pottery Low Bowl, 1915, decorated by Anna Frances Simpson with relief‑carved hollyhocks motif, semi‑matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. HM2, two shape nos. 201 in sgraffito and 267 impressed, and “C” for buff clay body with semi‑matte glaze, h. 3 1/4 in., dia. 11 1/2 in. $300/500

1099. Newcomb College Art Pottery Diminutive Bottle Vase, 1928, decorated by Anna Frances Simpson with relief‑carved narcissus motif, matte glaze with dark blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. RB60 and shape no. 245, h. 5 in., dia. 2 1/2 in. $500/700 Provenance: Cascio Wink Collection, Baton Rouge, LA.

1100. Newcomb College Art Pottery Low Vase, 1922, decorated by Anna Frances Simpson with incised rim and relief‑carved band of freesia on shoulder, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MR87 and shape no. 121, h. 5 in., dia. 5 1/2 in. $600/900 Provenance: Cascio Wink Collection, Baton Rouge, LA.

Additional information at www.nealauction.com

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1101. Newcomb College Art Pottery Vase, 1921, decorated by Corinne Marie Chalaron with stylized low relief‑carved Deco blossoms and foliage motif, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no LK81 and shape no. 182, h. 6 in., dia. 3 1/2 in. $500/700

1102. Newcomb College Art Pottery Fort Thieves “Ali Baba” Vase, c. 1905‑1925, by Joseph Meyer, mulberry glaze, base marked with Newcomb cipher and Joseph Meyer’s potter’s mark, h. 5 in. $300/500

1103. Newcomb College Art Pottery Forty Thieves “Ali Baba” Jar, c. 1920, glossy navy blue glaze, base marked with Newcomb cipher, h. 2 3/8 in. $150/250

1104. Group of Shearwater Art Pottery, c. 1960‑1980, Peter Anderson, all marked, incl. cream pitcher, cast no. 10, cobalt “blue rain” drip glaze, h. 5 in., w. (incl. handle) 5 3/4 in.; low bowl, trial blue and brown glaze, h. 3 1/2 in., dia. 6 in.; and a footed goblet, ridged body with brown glaze, h. 4 5/8 in., dia. 3 1/4 in. $150/250

1105. Group of Shearwater Art Pottery, incl. water pitcher, c. 1940, Peter Anderson, cast no. 30, shoal and brown glaze, sgraffito “SHEARWATER” on base, h. 10 3/8 in., w. (incl. handle) 7 3/4 in.; 4 water goblets, 1998, James (Jim) Anderson, ridged body glazed in brown with cobalt drip, all marked and dated, h. 6 1/4 in., dia. 3 1/2 in.; and pair of flared cups, c. 1950‑1980, Peter Anderson, brown with white enamel glaze, marked, h. 4 1/8 in., dia. 3 3/4 in. $150/250

1106. Keyes, Frances Parkinson, 16 titles, most in dust jackets, together with a title by Harnett Kane. $150/250

1107. [History of Women], Perrier, Edmond. La Femme dans La Nature, dans les Moeurs, dans la Legende..., Paris, Maison Bong, 1910, 4 vols., full gilt‑tooled leather, octavo. $150/250

Provenance: Cascio Wink Collection, Baton Rouge, LA.

1108. Double Strand of Bullet‑Shape 7‑9 mm. Cultured Pearls, sterling silver clasp set with pottery disc of frogs on lily pads, l. 30 in. $300/500

1109. Single Strand of 10‑11 mm. Baroque Cultured Pearls, toggle clasp, carved jadeite pendant. $500/750

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1110. Double Strand of 10‑12 mm. Baroque Cultured Pearls, toggle clasp. $300/500

1113. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Angola Hoers”, 1938, silver gelatin print mounted on board, signed and dated lower left, label with artist, title and date and inscribed “Copyright 1988” en verso, 16 in. x 20 in., framed. $800/1200

1112. After Louis Kurz (Austrian/American, 1834‑1921), “Battle of New Orleans, January 8th, 1815”, 1890, chromolithograph on paper, published by Kurz & Allison, Art Publishers, Chicago, 22 in. x 28 1/4 in., framed. $400/600

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1111. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Cat”, woodblock print, unsigned, from the Alphabet series, sheet 14 in. x 11 1/2 in., framed. $400/600

Ill.: Pickard, Mary Anderson, and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 66.

1114. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Country Estate”, 1938, silver gelatin print, signed and dated lower left, pencil‑inscribed “032A ‑ 12/50” en verso, 16 in. x 20 in., framed. $800/1200

1115. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Rainy Day Grand Isle” and “The Doctor Grand Isle”, 2 photographic prints, each with artist stamp lower right, “Southern Photographic Images” and “Copyright Fonville Winans Collection” stamps on reverse of both mats, each 8 in. x 10 in., framed alike. (2 pcs.) $600/800

1118. Vargas Family Wax Figure of a Second Line Parade Marcher, h. 6 1/2 in. $250/350 Provenance: Royal Street, New Orleans, c. 1935‑1937.

1116. Joseph August Decuir (American/Louisiana, 1852‑1928) and Eugen Simon (American/New Orleans, 19th/20th c.), “Portrait of Sophie B. Wright”, pastel over monochrome print, signed and inscribed lower right by both artists, 24 in. x 19 1/8 in., framed. $600/900

1117. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Belle Grove Plantation, White Castle, Louisiana”, c. 1939, silver gelatin print, artist stamp lower right, “Southern Photographic Images” label with artist, title and date en verso, sheet 8 in. x 10 in., framed. $200/400 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1120. Large Antique Pierced Brass Brazier, reticulated design, removable pan, on lion mask and paw feet, h. 32 in., dia. 33 in. $300/500 Provenance: Houmas House Plantation, Darrow, LA; Belle Alliance Mansion, Donaldsonville, LA. 1119. After Henry Mosler (American, 1841‑1920), “The Lost Cause”, oil on canvas, unsigned, 21 1/2 in. x 31 1/4 in. framed. $500/700 1121. Victorian Wirework Garden Bench and Plant Stand, late 19th c., bench with serpentine back, scroll arms and seat, X stretcher base; plant stand with well, arched frieze, shaped low shelf, bench h. 43 3/8 in., w. 53 1/4 in., d. 26 in., stand h. 31 in., w. 33 in., d. 13 in. $700/900 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1122. Pair of Verdigris Patinated Iron Plant Stands, circular baskets, tripod bound arrow legs, h. 33 in., dia. 12 1/2 in. $200/400

1123. Floyd Shaman (American/ Mississippi, 1936‑2005), “Rhett the Butler”, c. 1990, carved bass wood, northern cedar, spruce, holly, vermilion, Spanish cedar, and mahogany, tray with glass top; accompanied by notes, designs, photos, and correspondence from the artist to the couple who originally commissioned the piece, h. 72 1/2 in., w. 25 in., d. 24 in. $2000/3000

Additional information at www.nealauction.com

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1124. [Mardi Gras], Krewe of Proteus, Feb. 23, 1903, theme “Cleopatra”, parade bulletin, lithographer T. Fitzwilliam, 27 1/2 in. x 41 in., framed. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1125. [Mardi Gras], Mistick Krewe of Comus, Feb. 24, 1914, theme “Tales from Chaucer”, lithographer Walle & Co., 40 1/2 in. x 27 in., framed. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1128. Antique Polychrome Painted Carousel Panel, late 19th/early 20th c., painted metal, trompe l’oeil frame, lakeside scene, h. 30 in., w. 63 in. $300/500

1129. Model 1855 U.S. Percussion Musket,.58 caliber, 40 inch round barrel, marked on lockplate “U.S./HARPERS FERRY”, “1858” rear of lockplate, walnut stock, steel ramrod. Note: Tape primer compartment lid lacking. $400/600

1126. [Mardi Gras], Rex, ball invitation, 1883, theme “Atlantis, the Antediluvian World”, lithography by F. Appel, Paris, double sided frame; together with Mistick Krewe of Comus invitation, 1976, also in double sided frame. $300/500

1127. Group of Confederate and Slavery Related Books, 11 titles, incl.; Cooke. A Life of Gen. Robert E. Lee, 1871: Pollar. Life of Jefferson Davis with a Secret History of the Southern Confederacy..., 1869; Bradford. Confederate Portraits, 1914; Lee Jr. Recollections and Letters of General Lee..., 1926; Smith. Lectures on the Philosophy and Practice of Slavery..., 1856; and others. $200/300

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1130. New Orleans Double‑Barrel Shotgun, 19th c., marked “J.SAGET & SON NEW ORLEANS”, engraved lock plates and triggers, barrel l. 35 3/4 in. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1131. Remington New Model 1858 Army Revolver, octagonal 8‑inch barrel marked “ PATENTED SEPT. 14. 1858/E. REMINGTON & SONS, ILION, NEW YORK, U.S.A./NEW MODEL”, 44 cal., six‑shot, walnut grips. $400/600

1132. Antique Print of Confederate General Thomas “Stonewall” Jackson, c. 1864, chromolithograph, after the painting by J.W. King, sight 13 1/2 in. x 10 1/2 in., framed. $100/200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. 1133. Louisiana Benchmade Walnut “Pied de Biche” Table, scalloped frieze, cabriole legs, h. 30 in., w. 33 in., d. 18 in. $500/750 Provenance: St. Martinville, LA.

1135. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, 10 in. x 29 3/4 in., framed. $1200/1800

1134. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou Scene”, 1902, oil wash on board, signed and dated lower right, 20 in. x 30 in., framed. $2000/3000

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1136. Alberta Kinsey (American/New Orleans, 1875‑1952), “New Orleans Courtyard”, oil on canvas board, signed lower left, 15 in. x 12 3/4 in., framed. $700/1000

1139. Will Hinds (American/Louisiana, 1936‑2015), “Oak”, 1969, oil on canvas, signed and dated lower right, signed, titled and inscribed “#150” en verso, 20 in. x 24 in., framed. $1500/2500

1137. Attributed to Ella Wood (American/Louisiana, 1888‑1976), “Southern Landscape”, oil on canvas laid on board, initialed lower right, 9 3/4 in. x 16 in., framed. $500/700

1140. Will Hinds (American/Louisiana, 1936‑2015), “Wagan [sic] Tongue”, 1969, oil on canvas, signed and dated lower right, signed, titled, and inscribed “#153” en verso, 16 in. x 24 in., framed. $1200/1800

1142. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, pencil‑signed lower left, inscribed “Werlein” en verso, 20 in. x 30 3/8 in., framed. $2500/3500

1144. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, 20 in. x 30 in., framed. $2000/3000

1138. Amos Lee Armstrong (American/Louisiana, 1899‑1969), “Acadian House”, oil on canvas board, signed and inscribed “Artist Laureate of La” lower left, signed, titled, inscribed and artist stamp en verso, 22 in. x 30 in., framed. $500/700

1141. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyl (Louisiana)”, oil on canvas, signed lower left, signed and titled en verso, 18 in. x 22 in., framed. $1500/1800

1143. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, 1914, oil wash on board, pencil‑signed and dated lower right, 12 3/8 in. x 18 3/8 in., framed. $2000/3000

1145. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on board, signed lower left, signed and titled en verso, 16 in. x 20 in., framed. $500/750

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1146. William Ousley (American/Louisiana, 1866‑1953), “Water Hiacynths in Bloom on the Calcasieu River S.W. La”, [sic], 1934, oil on canvas, signed lower right, signed, titled, dated and heavily inscribed en verso, 16 in. x 28 1/2 in., framed. $800/1200

1148. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas board, signed lower left, signed and titled en verso, 8 in. x 10 in., framed. $700/1000

1147. William Ousley (American/Louisiana, 1866‑1953), “West Fork of the Calcasieu River, LA, No. 545 ‑ Autumn”, 1931, oil on canvas, signed and titled lower right, signed, titled, dated and inscribed en verso, 18 1/4 in. x 34 1/2 in., framed. $800/1200

1149. Southern School, 20th c., “Landscape with Cabin and Moss‑Laden Trees”, oil on canvas laid on panel, unsigned, 32 in. x 48 in., framed. $800/1200

1150. Ann Guillot (American/Texas, b. 1875), “Street Corner, New Orleans”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $400/600

1151. Elizabeth Raymond (American/New Orleans, 1904‑1986, act. Newcomb College, 1922‑1948), “Brevard Street from Lanvale Street”, oil on canvas, signed lower right, label with artist, title and inscribed “Care of Women’s Club of Mt. Washington” en verso, 22 in. x 18 in., framed. $500/700

1152. Adolph Kronengold (American/New Orleans, 1900‑1986), “Chartres Street, New Orleans”, watercolor on paper, signed lower left, 11 1/8 in. x 7 3/8 in., framed. $300/500

1154. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Early Settlers”, 1944, etching, pencil‑signed, titled and dated lower margin, edition of 100, 9 7/8 in. x 11 7/8 in., framed. $300/500

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1155. Louis Maurer (German/American, 1832‑1932), “The Pursuit”, 1856, hand‑colored lithograph, signed in plate lower right, after Arthur Fitzwilliam Tait (British/American, 1819‑1905), published by Nathaniel Currier, New York, 22 in. x 29 in., framed. $700/1000

1153. Stow Wegenroth (American/New York, 1906‑1978), “Bird of Freedom”, 1942, lithograph, pencil‑signed lower right, 15 3/4 in. x 11 3/4 in., framed. $500/800

1156. Sigmund Abeles (American/New York, b. 1934), “Surrender of Baton Rouge ‑ 1779”, 1976, lithograph, pencil‑signed, titled and inscribed “Artist Proof III” lower margin, commissioned by Goudchaux’s for the Baton Rouge Bicentennial, 24 in. x 28 1/2 in., framed. $200/300

1159. Philip Geiger (American, b. 1956), “Interior, Breakfast”, 1996, oil on panel, signed and dated lower right, “Tatistcheff Gallery” label with artist, title and date on reverse of frame, 31 3/4 in. x 23 7/8 in., framed. $1000/1500

1157. James Kendrick III (American/ Louisiana, 1946‑2013), “Brulatour Courtyard”, 1978, oil on canvas, signed and dated lower right, 14 in. x 11 in., framed. $400/600

1158. Philip Geiger (American, b. 1956), “The Lights”, 1994, oil on board, signed and dated lower left, “Tatistcheff Gallery” label with artist, title and date en verso, 28 in. x 28 in., framed. $1000/1500

1160. Philip Geiger (American, b. 1956), “Terrace, Noontime”, 1994, oil on panel, signed and dated lower right, “Tatistcheff Gallery” label with artist, title and date en verso, 24 in. x 18 in., framed. $800/1200

1161. Philip Geiger (American, b. 1956), “Megan”, 1997, oil on panel, signed lower right, signed, titled, dated and inscribed en verso, 16 in. x 12 in., framed. $800/1200

1163. Gordon Snidow (American/New Mexico, b. 1936), “Appaloosas”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $1000/1500

1165. American Carved Mahogany Bedstep, padded treads, scroll carved supports, h. 17 in., w. 17 in., d. 19 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1162. American School, 20th c., “Abstract Portrait”, oil on canvas, signed “Egam” lower right, 60 in. x 48 in., framed. $1200/1800

1164. American Rococo Carved and Grained Rosewood Bedstead, mid‑19th c., New Orleans, likely the workshop of Prudent Mallard, shaped headboard surmounted by a lobed finial, robustly carved foliate and floral decoration, conforming foot board and rail with incised Cabochon medallions, finialed posts, circular feet, h. 79 1/2 in., l. 81 in., w. 60 1/2 in. $1000/2000

1166. American Rococo Carved Rosewood Center Table, mid‑19th c., New York, later walnut top, serpentine frieze decorated with clusters of flowers, cabriole legs, shaped stretchers surmounted by a turned final, scrolled toes, h. 28 in., w. 40 in., d. 29 in. $1000/1500

1167. American Classical Mahogany Center Table, 19th c., radial inlaid top, chamfered triangular standard, incurvate plinth, scrolled feet, casters, h. 28 in., dia. 33 in. $300/500

Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

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1168. Rare American Wrought Iron and Wicker Double Pram, late 19th c., scrolled and spindled decoration, upholstered back and seat, h. 39 in., w. 32 in., d. 48 in.; together with antique toy cloth and wood umbrella. $500/700

1169. American Victorian Wicker Platform Rocker, late 19th/early 20th c., attr. to Heywood Wakefield, scrolled crest, pierced back and returns, base with arched supports, h. 40 1/2 in., w. 27 in., d. 28 in. $300/500

1170. Heywood Wakefield Wicker Floor Lamp, 20th c., paper label “Heywood Brothers, Wakefield Company/Wakefield, Mass., USA”, four socket fixture, h. 68 in., dia. 29 1/2 in. $300/500 1173. American Portrait Prints, mid‑19th c., “Louisiana Governor Michael Hahn” and “Nathaniel P. Banks”, 2 wood engravings, sights 6 in. x 4 1/2 in. and 6 in. x 4 in., framed alike. (2 pcs.) $100/200

1172. Antique American Cast Iron “Gypsy Pot”, marked “No. 9, 6 GALL/ SAVERY & CO/ PHILADELPHIA”, loop handles, three legs, h. 18 1/2 in., w. 16 in., d. 12 in. $200/400

1174. After Alonzo Chappel (American/ New York, 1828‑1887), “Nathaniel P. Banks”, hand‑colored lithograph, published by Johnson, Fry & Co., 1863, New York, 10 3/4 in. x 8 in., framed. $100/150 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1175. After Raimundo de Madrazo y Garreta (Spanish, 1841‑1920), “Leaving the Masked Ball”, c. 1878, hand‑colored photogravure, from 1878 L’Exposition Universalle Paris, printed by Goupil & Cie., published by Gebbie & Barrie, Philadelphia, sheet 11 in. x 15 3/4 in., framed. $50/100 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1177. Pair of Georgian‑Style Carved Mahogany Armchairs, arched crest, scrolled arms, serpentine seat rail, foliate cabriole legs, h. 39 in., w. 28 1/2 in., d. 24 1/2 in. $700/900

1178. William IV Carved Rosewood Games Table, 19th c., fold over swivel top, carved frieze, tapered cylindrical standard, incurvate plinth, foliate scroll feet, h. 29 in., w. 36 in., d. 18 in. $400/600 1179. Antique William and Mary‑Style Herringbone‑Inlaid Figured Walnut Chest‑on‑ Stand, late 19th c., molded cornice, two over three graduated drawers, the base with two drawers flanking arched apron with drawer, trumpet‑turned legs, shaped stretcher, ball feet pegged at the base, h. 66 in., w. 39 in., d. 20 1/2 in. $800/1200

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1171. American Wicker Table Lamp, 20th c., probably Heywood Wakefield, fitted with two socket fixture, h. 28 1/2 in., w. 20 1/2 in., d. 20 1/2 in. $300/500

1176. American Federal‑Style Mahogany Work Table, antique and later, octagonal lift top with eagle inlay and banding, later work basket, square tapered legs and incurvate stretchers, h. 31 in., w. 20 3/4 in., d. 15 in. $200/400

1180. George III‑Style Inlaid Oak Lowboy, one long drawer over a scrolled apron flanked by two short drawers, h. 29 in., w. 32 1/2 in., d. 18 in. $400/600

1181. Pair of Georgian Oak Side Chairs, 18th c., oxbow crest rail, vasiform splat, plank seat, cabriole legs, pad feet, h. 38 in., w. 19 in., d. 18 in. $800/1200

1183. Italian Neoclassical‑Style Inlaid Fruitwood Chest of Drawers, molded top, four long drawers, tapered feet, h. 39 1/2 in., w. 48 in., d. 23 1/2 in. $800/1200

1184. Pair of Louis XV‑Style Bronze‑Mounted and Inlaid Petite Commodes, 20th c., shaped galleried marble top, three drawers, cabriole legs, h. 30 1/2 in., w. 16 1/4 in., d. 10 1/2 in. $800/1200

1182. Pair of Georgian‑Style Carved Mahogany Armchairs, arched crest, intertwined splat, scrolled arms, trapezoidal slip seat, molded legs, H stretcher, h. 39 in., w. 22 1/2 in., d. 18 in. $300/500

1185. Louis XV‑Style Carved Fruitwood Bergère à Oreilles, 20th c., arched crest, foliate wings, serpentine padded arms, shell and foliate‑carved seat rail, shell‑carved cabriole legs, velvet upholstery, h. 44 in., w. 29 1/4 in., d. 26 1/2 in. $700/1000 1188. Pair of Beaux Arts Gilt Bronze and Rouge Marble Six‑Light Figural Candelabra, c. 1900, opposing cherubs, on fluted, bead mounted bases, now electrified, h. 24 in., dia. 12 in. $700/1000

1186. Louis XV‑Style Bronze‑Mounted Marquetry and Kingwood Commode, variegated serpentine marble top, three floral inlaid drawers, shaped stiles, flared feet, h. 34 1/2 in., w. 39 in., d. 19 in. $600/900

1187. Empire‑Style Gilt and Patinated Bronze Chandelier, inverted bell form, fruit pendant, electrified, h. 29 in., dia. 17 1/2 in. $400/600

1189. Pair of Napoleon III Gilt Bronze Two‑Light Figural Candelabra, late 19th c., foliate candlecups, grapevine and scroll base, electrified, h. (to candlecup) 18 1/2 in., w. 9 in., d. 6 1/2 in. $600/900

1190. Antique Continental Carved Walnut Mirror, carved foliate crest, beaded surround, divided mirror plate, h. 60 1/2 in., w. 62 in. $500/700

1191. Chippendale Carved Mahogany Mirror, 18th c. and later, shaped crest, molded frame, beveled mirror plate, h. 31 1/2 in., w. 17 1/2 in. $400/600

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1192. Winterhalder & Hofmeier Inlaid Mahogany Tall Case Clock, early 20th c., movement marked “W & H/ Sch./Germany”, Whittington and Westminster chimes striking on 5 gongs and 8 bells, “moon phase” dial, case inlaid with cornucopiae and urns, h. 90 in., w. 21 1/4 in., d. 14 1/4 in. $1500/2500

1193. Beaux Arts Bronze‑Mounted Marble Figural Mantel Clock, c. 1900, domed case, flanked by musicians, on disc feet, h. 14 1/2 in., w. 12 3/4 in., d. 5 1/4 in. $500/700

1194. George III Mahogany Tilt‑Top Tea Table, 18th c. and later, circular top, turned standard, cabriole legs, pad feet, h. 27 in., dia. 24 in. $400/600

1195. William and Mary Inlaid Walnut and Burled Chest of Drawers, c. 1700 and later, banded top above two drawers over three long drawers, later bun feet, h. 34 3/4 in., w. 37 1/2 in., d. 20 1/4 in. $500/1000

1196. Four English or Welsh Oak Ladderback Armchairs, 19th c., scrolled arms, turned legs and stretchers, rush seats, h. 44 in., w. 25 in., d. 27 in. $500/700

1199. Six Regency‑Style Carved and Painted Mahogany Side Chairs, paneled crest rail, spiral‑turned medial rail, sabre legs, h. 34 3/4 in., w. 19 in., d. 20 in. $600/900

1197. George I Walnut Side Chair, probably 18th c., shaped crest rail, vasiform splat, cabriole legs, pad feet, h. 40 in., w. 21 1/2 in., d. 20 1/2 in. $200/300

1198. Antique Georgian‑Style Inlaid Mahogany Candlestand, 19th c., geometric inlaid top, turned standard, arched legs, shaped feet, h. 27 in., w. 14 1/2 in. $200/400

1200. George I‑Style Inlaid Oak Lowboy, 19th c., three frieze drawers, cabriole legs, trifed feet, h. 28 1/2 in., w. 35 in., d. 20 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1201. Restauration‑Style Mahogany Bergere, shaped crest, scrolled arms, rounded seat rail, shaped legs, h. 39 in., w. 25 in., d. 22 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

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1202. Continental Inlaid Oak Pedestal Desk, early 20th c., probably German or Austrian., shaped top, frieze drawer flanked by two cabinets, lobed feet, h. 31 1/2 in., w. 63 in., d. 31 in. $500/1000

1205. Biedermeier‑Style Mahogany and Parcel Ebonized Occasional Table, circular top, conforming frieze, tapered legs, ebonized drum feet, h. 24 1/2 in., dia. 12 in. $300/500

1203. Continental Birdseye Maple and Rosewood Coffer, 19th c., two paneled doors, turned pilasters, h. 14 1/2 in., w. 18 in., d. 9 1/2 in. $250/350

1204. Pair of Louis XV‑Style Carved Fruitwood Fauteuils, probably early 19th c., floral‑carved crest rail, padded back and arms, serpentine seat rail, cabriole legs, scrolled toes, h. 36 in., w. 25 in., d. 22 in. $500/700

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Bremermann Designs, 3943 Magazine St., New Orleans.

1206. Biedermeier Oyster Veneered, Bronze‑Mounted and Parcel Ebonized Sécrétaire à Abattant, pedimented cornice, fall front, arcaded interior, ebonized mounted stiles, flanking three drawers, blocked base, h. 58 1/2 in., w. 33 in., d. 30 in. $700/1000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1207. Antique Italian Paint‑Decorated Console Table, late 19th c. and later, serpentine top, conforming frieze, cabriole legs, scrolled toes, h. 30 1/2 in., w. 45 1/2 in., d. 33 in. $600/900

1209. Four Moorish‑Style Carved, Inlaid and Parcel Ebonized Walnut Hall Chairs, finialed arched crest and back, shaped seat, turned legs, stretchers, h. 40 1/2 in., w. 15 in., d. 16 in. $700/900

1211. French Gilt Bronze and Bleu Opaline Glass Solar Lamp, mid‑19th c., marble base, spear prisms, electrified, h. 26 in., dia. 8 1/2 in. $300/500

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

1208. Louis XVI‑Style Carved Pine Cabinet, fluted frieze, pair of raised panel doors with urns and wreaths, shelf interior, spade feet, stained finish, h. 36 1/2 in., w. 47 in., d. 18 1/2 in. $600/900

1210. Antique French Neo‑ Grec Bronze‑Mounted Porcelain Carcel Lamp, figural handles, matte black ground, electrified, h. (to socket) 24 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1212. William and Mary‑Style Carved Oak Miniature Blanket Chest, hinged lid, paneled and diaper‑pattern decoration, bulbous‑turned feet, h. 14 in., w. 19 in., d. 10 in. $500/700 1213. Antique English Black Lacquered Papier‑Mâché Tilt‑Top Table, scalloped top with gilt chinoiserie decoration, turned standard, conforming base, h. 27 in., w. 23 1/4 in., d. 19 in. $300/400

1214. Edwardian Painted Satinwood Slant‑Front Desk, early 20th c., fitted interior, frieze drawer, tapered legs, spade feet. $700/1000

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1215. Louis XVI‑Style Marquetry and Gilt Bronze‑Mounted Side Table, 20th c., bronze molded top with musical trophée, swagged frieze, incurvate shelf, molded tapered legs, cuffs, h. 29 in., w. 19 in., d. 12 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1216. Neoclassical‑Style Inlaid Walnut Petite Commode, 20th c., tray top, three drawers on square tapered legs, h. 27 1/2 in., w. 19 in., d. 15 in. $200/400

1217. French Provincial Oak Farm Table, 18th/early 19th c., plank top, bread board ends, plain frieze with end drawer, chamfered legs, H stretcher, weathered surface, h. 27 7/8 in., w. 52 in., d. 30 5/8 in. $600/900

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1218. Napoleon III‑Style Ebonized and Bronze‑Mounted Cabinet, molded top above a paneled frieze, two doors below, chamfered corners, molded base, disc feet, h. 44 in., w. 52 in., d. 20 in. $1000/1500

1219. Louis XVI‑Style Bronze‑Mounted Mahogany Commode à Vantaux, after the Benneman example, molded marble top, incurvate sides, two frieze drawers above two cabinet doors, fluted stiles, ball and claw feet, h. 36 1/2 in., w. 59 in., d. 23 1/2 in. $1200/1800

1220. Continental Inlaid Rosewood Nesting Tables, 20th c., after earlier French examples, japonesque inlay, reticulated stretcher, trestle base, h. 29 in., w. 23 1/4 in., d. 15 in. $400/600 1221. Pair of Louis XV‑Style Crème Peinte Petite Commodes, tray top, paneled doors, cabriole legs, h. 29 1/2 in., w. 18 1/4 in., d. 14 in. $400/600

1223. Continental School, 17th/18th c., “Portrait of a Gentleman with Ruff Collar”, oil on wood panel, unsigned, 9 1/2 in. x 6 3/4 in., framed. $300/500

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1224. Continental School, late 19th/early 20th c., “Landscape with Mill, Cottages and Castle”, oil on canvas, unsigned, 30 in. x 25 in., framed. $300/500

1222. Continental School, 19th c., “Cottage in the Woods”, oil on canvas, unsigned, remnant of label en verso, 10 in. x 14 in., framed. $400/600

1225. Continental School, 19th c., “Country Lane”, oil on canvas, unsigned, inscribed “Sifin Lane” en verso, 16 in. x 25 in., framed. $500/700

1226. Salvador Dali (Spanish, 1904‑1989), “Autumn”, 1970, intaglio on paper, signed in plate lower center, published by Newman for Arts 260, 2nd strike in sanguine ink, edition of 1000, sheet 14 3/4 in. x 11 in., framed. $150/250

1227. Buell Whitehead (American/Florida, 1919‑1993), “Death Valley Sunset”, 1946, lithograph, pencil‑signed, titled and dated lower margin, sheet 17 1/2 in. x 22 1/2 in., unframed. $300/500 1228. John Noble Barlow (British/Rhode Island, 1861‑1917), “Harvest Time”, oil on canvas, signed lower left, label with artist and title en verso, 10 in. x 14 in., framed. $400/600 1229. Gino Hollander (American, 1924‑2015), “Portrait of a Young Lady”, 1999, oil on canvas, signed and dated lower right, 60 in. x 32 in., framed. $400/600

1230. Nestor Frugé (American/Louisiana, 1914‑2011), “French Quarter Courtyard with Lantern”, watercolor on paper, signed lower right, 15 1/2 in. x 11 1/4 in., framed. $300/500

1231. Nestor Frugé (American/ Louisiana, 1914‑2011), “French Quarter Courtyard with Figure in Archway”, watercolor on paper, signed lower right, 15 in. x 11 1/4 in., framed. $300/500

1232. Ella Wood (American/ Louisiana, 1888‑1976), “Landscape with Trees”, watercolor on board, initialed lower left, 13 3/4 in. x 9 in., framed. $400/600 Provenance: Cascio Wink Collection, Baton Rouge, LA.

1235. Joe Wrenn (American/Mississippi, 20th c.), “Tillatoba Mississippi”, acrylic on panel, initialed lower right, signed “Relious L. Wrenn”, titled and inscribed en verso, 24 3/4 in. x 42 in., artist enhanced frame. $500/800 1233. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Three Ants”, pencil on paper, signed lower right, 8 3/8 in. x 5 3/8 in., framed. $250/350 Provenance: Cascio Wink Collection, Baton Rouge, LA.

1234. Elsie Margaret Stones (Australian, b. 1920, act. Louisiana, 1976‑1991), “Catalpa bignonioides”, 1981, watercolor on paper, signed lower left, pencil‑inscribed, titled and dated lower center, 22 in. x 15 in., framed. $300/500

1236. Louise Guidry (American/Louisiana, b. 1930), “Remembering Dhramsala”, mixed media on canvas, signed lower right, label with title on stretcher, 30 in. x 30 in., unframed. $700/900

Additional information at www.nealauction.com

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1237. Henry Speller (American/Tennessee, 1903‑1997), “Beauty of the Night” and “City Streets”, 2 crayons and graphite on paper, each unsigned, former with label with artist and title en verso, sight 11 1/2 in. x 17 1/2 in. and 17 3/4 in. x 24 in., one framed. (2 pcs.) $500/700 Provenance: Gilley’s Gallery, Baton Rouge, LA; Finley Collection.

Exh.: “Soul Providers: African‑American Art from the Finley Collection Original Paintings & Sculpture by Self‑Taught Artists”, The Ohr‑O’Keefe Museum of Art, Biloxi, MS, Jan. 11 ‑ Feb. 22, 2002 and listed in the accompanying catalogue; “Finley Collection”, Natchez Museum of African American History and Culture, Natchez, MS, May 2009 ‑ May 2013; “The John and Pam Finley Collection of African and Folk Art”, University of Wyoming Art Museum, Laramie, WY, June 8 ‑ Aug. 17, 2013.

1239. Charles Reinike III (American/New Orleans, b. 1947), “Shrimp Boat at Dock”, 1972, watercolor on paper, signed and dated lower left, 11 1/4 in. x 15 in., framed. $200/400 Provenance: Estate of Jane and Stewart Maunsell.

1238. Merrill E. Jeffrey (American, 20th c.), “Landscape with Church and Barn” and “Landscape with Red Building”, 2 mixed medias on paper, each signed lower or mid‑right, sights 21 1/2 in. x 27 3/4 in., both framed. ( 2 pcs.) $200/300 Provenance: Acquired from the artist; Finley Collection.

Exh.: “Soul Providers: African‑American Art from the Finley Collection Original Paintings & Sculpture by Self‑Taught Artists”, The Ohr‑O’Keefe Museum of Art, Biloxi, MS, Jan. 11 ‑ Feb. 22, 2002; “Finley Collection”, Natchez Museum of African American History and Culture, Natchez, MS, May 2009 ‑ May 2013; “The John and Pam Finley Collection of African and Folk Art”, University of Wyoming Art Museum, Laramie, WY, June 8 ‑ Aug. 17, 2013.

1240. Adolph Kronengold (American/New Orleans, 1900‑1986), “Country Road, Mississippi”, watercolor on paper, signed lower right, 15 1/2 in. x 11 1/4 in., framed. $200/400 Provenance: Estate of Jane and Stewart Maunsell.

1241. Joan Bridges (American/ Louisiana, b. 1934), “Angel Wings”, 1997, oil on canvas, signed and dated lower center, 28 in. x 22 in., framed. $250/350 Provenance: Martha Ann and Ray Samuel Collection, New Orleans.

1242. New Orleans School, 20th c., “French Quarter Second Line”, oil on canvas, signed “Meuge” lower right, 24 in. x 30 in., framed. $300/500

1243. Continental Carved Mahogany Parlor Suite, mid‑19th c., incl. two settees, armchair, and two side chairs, settee h. 43 in., w. 54 1/2 in., d. 21 7/8 in.; armchair h. 42 1/2 in., w. 26 in., d. 21 1/2 in, side chair h. 38 1/2 in., w. 19 in., d. 19 in. $700/1000 Provenance: The Walter Anderson Museum of Art, Ocean Springs, MS, Sold to Benefit their Collections Fund.

1244. Antique Jacobean‑Style Carved Walnut Ottoman, late 19th c., upholstered seat, vasiform turned legs, “Spanish” feet, pierced scrolled stretchers, h. 18 in., w. 21 3/4 in., d. 19 in. $150/250

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1245. Antique Regency‑Style Mahogany Two Pedestal Dining Table, with one leaf, baluster turned pedestals, reeded sabre legs, brass paw feet, casters, h. 29 1/4 in., l. (extended) 97 5/8 in., w. 43 3/4 in. $600/900

1246. Regency Inlaid Mahogany Games Table, early 19th c., foldover top, baize‑lined playing surface, turned supports, sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 36 in., d. (closed) 17 1/2 in., d. (open) 35 in. $500/700

1247. After Bernard J. Dondorf (German, 1809‑1902), “View of New Orleans, taken from the Lower Cotton Press”, photo lithograph, originally published in 1852 by Louis Schwarz, New Orleans, sight 13 3/4 in. x 29 in., framed; together with After Ambroise Louis Garneray (French, 1783‑1857), “New Orleans”, reprint of the original aquatint, unsigned, sheet 19 1/2 in. x 25 1/2 in., framed. $250/350 1248. Pair of Decorative Bouillotte Lamps, tôle shade, two‑light fixture, h. 30 1/2 in., dia. 13 1/4 in. $200/300

1251. Pair of Continental Brass Six‑Light Chandeliers, vasiform standard, scrolled arms, electrified, h. 19 in., dia. 32 in. $700/900 1252. Patinated Bronze Figural Group of a Hunting Dog and Pheasant, h. 4 1/4 in., w. 7 in., d. 3 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI. 1249. Orientalist Cold‑Painted Metal Figural Lamp, c. 1910, marked “Germany”, seated figure against a backdrop of carpets, h. 14 1/2 in., w. 6 1/2 in., d. 5 3/4 in. $600/900

1250. French Bleu du Roi Porcelain and Bronze‑Mounted Urn‑Form Lamp, 20th c., ram’s head handles, h. (to socket) 27 in., w. 11 in., d. 7 3/4 in. $300/500

1253. French Patinated Cast Iron Bust of a Maiden, h. 24 in., w. 25 in., d. 10 1/2 in. $400/600

1254. Bronze Figure of a Putto, inscribed “J Dast” on self‑base, h. 30 3/4 in. $500/700

1255. Pair of Louis XVI‑Style Verte Peinte and Parcel Gilt Trumeau Mirrors, stepped cornice, musical trophee reserve, over mirror plate in molded surround, h. 64 in., w. 28 in. $800/1200

1256. Queen Anne‑Style Polychromed Mirror, 19th c., shaped crest, Japonesque relief, h. 34 in., w. 20 in. $300/500

1257. American Mahogany Tall Case Clock, c. 1920, Colonial Mfg., Zeeland, Michigan, movement striking on six gongs, engraved dial, h. 90 1/2 in., w. 26 in., d. 17 in. $800/1200

1258. Georgian Inlaid Mahogany Tallcase Clock, 19th c, h. 84 in., w. 18 in., d. 8 1/2 in. $800/1200

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

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1259. Chippendale‑Style Burled Wood Silver Chest, banded top, four drawers, blind fretwork carved legs, block feet, h. 42 in., w. 24 1/4 in., d. 15 in. $300/500 1260. Chippendale‑Style Carved Mahogany Console Table, 19th c., molded top, figured frieze, bracketed blind fretwork chamfered legs, block feet, h. 30 1/4 in., w. 36 in., d. 17 1/4 in. $700/900

1262. Pair of Paris Porcelain Amphora Vases, 19th c., scroll handles with Classical masks, reserves with romantic scenes and landscapes, gilt ground, h. 13 1/4 in. $800/1200

1261. Paris Porcelain Figural Corbeille, navette‑form reticulated basket, cupid supports, paw feet, h. 11 3/4 in., w. 12 in., d. 7 in. $600/900

1263. Twelve English Porcelain Fruit Plates, c. 1930s, marked “Copelands/ Grosvenor China”, dia. 8 in.; together with 8 Limoges porcelain dinner plates with raised gilt borders, early 20th c., marked “Bernardand Limoges Vauvenargues”, dia. 10 3/8 in. (20 pcs.) $250/350

1266. Giant Clam Shell, Tridacna Giga, probably South Pacific, l. 21 in. $400/600 1265. Italian Polychromed Architectural Element, 19th c., h. 53 in., w. 28 in., d. 2 in. $100/150

1268. Four Teakwood Folding Captain’s Chairs, canvas back and seat, h. 36 in., w. 28 in., d. 23 1/2 in. $400/600

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1264. Pair of Regency‑Style Porcelain Chestnut Urns, h. 12 3/8 in., Chelsea House; together with two pairs of tôle peinte palms in jardinières, h. 18 in. $150/250 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1267. Four Teakwood Folding Captain’s Chairs, canvas back and seat, h. 36 in., w. 28 in., d. 23 1/2 in. $400/500

1269. Cast Stone Figure of a Male Torso, h. 18 in., w. 7 in., d. 4 1/2 in. $200/400

1270. Patinated Bronze Figure of Stallion, after Pierre Jules Mène, signature inscribed on self‑base, h. 15 1/2 in., w. 18 in., d. 12 1/2 in., marble bas with artist and title plaque, overall 16 3/4 in. $400/600

1273. Carved Marble Roundel of Wild Bill Cody, pencil‑inscribed on reverse, dia. 14 3/4 in. $300/500 1271. Bronze Figural Group of a Cowboy on Horseback, after “The Rattlesnake” by Frederic Remington, signature inscribed on self‑base, h. 22 1/2 in., w. 13 1/2 in., d. 8 1/4 in., marble base, overall h. 23 1/2 in. $400/600

1272. Patinated Bronze Figure of Putto with Violin, after Auguste Moreau, signature inscribed and “Collection Française/Made in the USA” and “BB021” plaques on self‑base, h. 12 in., w. 5 1/2 in., d. 3 in. $200/300

1275. Pair of Japanese Cloisonné Vases, decorated with fish in a lotus pond, h. 7 1/4 in. $250/350

1274. Japanese Polished and Patinated Bronze Vase, 19th/20th c., relief cast with phoenix birds in flight above waves, h. 10 1/4 in., now mounted as a lamp, h. (incl. finial) 30 1/8 in. $200/300

1277. Sambodja (Indonesian, b. 1931), “Two Male Arja Performers”, oil on canvas, signed lower right, 24 3/8 in. x 37 3/8 in., framed. $300/500

Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL. 1276. Sambodja (Indonesian, b. 1931), “Man with Fighting Cock”, 1966, oil on canvas, signed and dated upper right, 31 1/2 in. x 23 5/8 in., framed. $300/500

Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL.

1278. I. Wayan Munut (Indonesia, b. 1941), “Two Ladies with Bowls of Flowers”, oil on canvas, 21 1/2 x 56 in., framed. $300/500

1280. Willie White (American/Louisiana, 1908‑2000), “Dinosaurs and Plants”, marker on canvas, signed lower left, 24 in. x 36 in., framed. $500/800

Provenance: Estates of U.S. Marine Corps Lt. General Edward J. Miller (1922‑ 1993) and his wife Patricia, Winter Springs, FL. 1279. Peruvian Blackware Vessel, purportedly Chimu (Pre Columbian), flared rim, long neck, loop handles, cherimoya body, h. 6 1/4 in., dia. 4 1/4 in. Note: Hole. $100/200 Provenance: Purchased in Lima, Peru.

1281. Larry Nevil (American/New Orleans, b. 1942), “Still Life of Flowers and Sculpture”, 2006, oil on canvas, signed and dated lower left, 41 3/4 in. x 33 in., framed. $500/700

Additional information at www.nealauction.com

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1282. Burlon Craig Stoneware Face Jug, c. 2000, North Carolina, stamped, h. 12 1/4 in. $400/600

1283. Melvin and Michael Crocker Stoneware “Snake” Jug, 2004, North Carolina, signed, h. 13 3/4 in. $400/600

1284. Chester Hewell Stoneware “Snake” Jug, c. 1995, signed, with applied snake and salamander, h. 14 1/2 in., d. 9 1/2 in. Note: Loss to handle. $300/500

1287. Large Steuben Footed Bowl; together with a Steuben vase, both marked, bowl h. 6 1/2 in., dia. 13 in. $250/350

1285. Early Primitive Carved Wood “Cart Wheel” on Stand, remnants of iron hardware, dia. 30 in., d. 5 1/4 in., modern stand, total h. 34 in. $200/300

1288. Pair of American “Strawberry Diamond and Fan” Cut Glass Celery Vases, h. 8 1/4 in., dia. 5 in. $300/500

1286. Decorative Painted Metal Garden Bench, acanthus and shell back and seat, scrolled arms, shaped stretcher, tapered legs, h. 33 in., w. 40 in., d. 22 1/2 in. $300/500

1290. Two American Brilliant Cut Glass Bowls, h. 4 in., 9 1/2 in., and 3 5/8 in., dia. 9 1/2 in. $400/600 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1291. American Brilliant Cut Glass Punch Bowl, h. 6 1/4 in., dia. 12 in. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1289. Antique English Cased Glass Biscuit Jar, late 19th c., violet to blue shading, raised gilt decoration, silverplate lid and handle, h. (to knop) 5 in., dia. 6 in. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1292. Three Sinclaire Cut and Engraved Crystal Serving Pieces, marked, incl. octagonal plate, dia. 10 in.; bread plate, l. 13 1/2 in.; and a celery tray, l. 11 1/4 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

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1293. American Brilliant Cut Glass Basket, signed Clark, h. 9 in., dia. 9 in. $200/400

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1294. American Cut Crystal Urn, h. 9 in., dia. 10 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1295. Hawkes Cut and Itaglio Glass Fruit Bowl, signed, with iris design, h. 4 1/4 in., dia. 9 in. $100/200

1296. Pair of Antique Bohemian Enameled and Gilt‑Decorated Green Glass Lustres, 19th c., back‑cut spear prisms, h. 13 in., dia. 6 3/4 in. $200/400

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1297. Pairpoint Patinated Metal Table Lamp, early 20th c., base marked “Pairpoint MFG. Co./ 3035”, scroll legs, h. 21 in., dia. 12 1/4 in. $500/700

1299. Wedgwood Black and White Jasperware Biscuit Jar, marked, with silverplate handle and lid, h. 6 1/2 in., dia. 5 1/2 in. $150/250

1298. Antique Silverplate and Satin Glass Centerpiece, leaf, berry and blossom motif stand, satin glass bowl with ruffled edge, h. 18 in., bowl dia. 11 in. $600/800

1300. Pairpoint American Brilliant Cut Glass and Silverplate Punch Ladle. $150/250

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1302. Fifteen American Sterling Silver Individual Nut Dishes, incl. 9 Gorham, pattern A4775, some with date marks for 1927, and 6 Webster, total wt. 9.80 troy ozs. $150/250

1301. Group of Miscellaneous American Sterling Silver Flatware, various makers and patterns, incl. Gorham “Fairfax”, approx. 36.90 troy ozs. $300/500

1303. Empire‑Style Gilt and Patinated Metal Six‑Light Chandelier, foliate canopy, mask arms, electrified, h. 30 in., dia. 27 in. $400/600

1306. American Brilliant Cut Glass Table Lamp, domical shade, back‑cut spear prisms, trumpet base, floral design, h. 24 1/2 in., dia. 9 1/2 in. $200/400 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1307. Antique Intaglio Cut Glass Tall Vase, floral design, h. 14 1/4 in., dia. 6 1/2 in. $200/400 1304. Daum Art Glass Vase, marked “Daum/ Nancy”, square, tapered form, with oak leaf and acorn design, h. 6 1/4 in., w. 2 3/8 in., d. 2 3/8 in. $400/600

1305. Royal Flemish Satin Glass Vase, with raised gilt decoration and beading, h. 7 in., dia. 7 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

Additional information at www.nealauction.com

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1308. Tall American Brilliant Cut Glass Vase, flared neck, hobstar and fan design, h. 16 1/2 in., dia. 8 1/2 in. $200/400

1309. Continental Porcelain Circular Tureen, mid‑19th c., polychrome floral décor with gilt accents; together with a Paris porcelain lidded saucier with integral underplate, mid‑19th c., also floral décor, tureen h. 9 in., dia. 8 1/4 in. $250/350

1310. Large Wavecrest Covered Dish, marked, brass lid, h. 6 3/4 in., dia. 7 3/4 in. $300/500

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1311. American Brilliant Cut Glass Punch Bowl on Stand, hobstar design, 9 1/4 in., 10 1/2 in. $200/400

1312. Two American Brilliant Cut Glass Salad Bowls, dia. 10 1/4 in. and 10 in. $200/300

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1313. Four American Renaissance Carved Oak Side Chairs, late 19th c., possibly R.J. Horner, New York, lion‑carved finials, rocaille crest, mythological mask pendant, trapezoidal seat, foliate cabriole legs, paw feet, found “in frame”. $700/900

1315. Antique American Nuts and Bolts Cabinet, late 19th c., porcelain knobs, ornate stenciled drawer labels, h. 39 in., w. 25 in., d. 25 in. $200/400 1314. Antique American Carved Oak Armoire, late 19th/early 20th c., stepped molded cornice, two foliate‑carved mirrored doors, serpentine base with two drawers, stylized paw feet, h. 87 in., w. 59 in., d. 23 in. $800/1200

1316. American Carved Mahogany Corner What‑Not Shelf, five galleried shelves, fluted tapered uprights, turned legs, h. 56 1/2 in., w. 20 in., d. 16 in. $200/300

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1310A. Libbey American Brilliant Cut Glass Trumpet Vase, h. 8 in., dia. 3 3/8 in. $100/200

Provenance: Belle Alliance Mansion, Donaldsonville, LA.

1317. American Renaissance Carved Rosewood Bedside Commode, late 19th c., later marble top, frieze drawer, paneled doors, carved chamfered corners, conforming base, disc feet, h. 31 in., w. 21 in., d. 18 in. $200/400

School of George Inness ‑ In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness ‑ In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness ‑ In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” ‑ In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS” and “WHERE IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non‑pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. 7. Virtually all property offered has been subject to use over a considerable period of time. No mention of cracks, scratches, chips or any damages will be included in the catalogue description. Condition reports are available upon request.

Manner of George Inness ‑ In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness ‑ In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” ‑ In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS.

ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. Neal Auction is not liable for any failure of third party sites. In the event of a dispute, the Neal Auction sale record is conclusive. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 5. Payment in full must be made by the successful bidder in US Dollars within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. TERMS Neal Auction has discretion to admit a bidder to the auction premises or refuse participation in the auction. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. Your signature on this form gives Neal Auction permission to charge your credit card the full amount of your invoice if payment is not received within 15 days of the auction. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale. RIGHTS Neal Auction retains the rights to all photographs and all intellectual property in this catalogue. They may not be used without prior written permission. IMPORT/EXPORT Items made of or incorporating endangered or protected wildlife materials, irrespective of age or percentage of material included therein, may require a license or certificate authorizing export from the US as well as relevant authorizations from the country of import. It is the responsibility of the prospective purchaser to determine and be satisfied that the requirements of any applicable laws or regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and purchasers can be given no assurance that an export license or certificate can be obtained. Please check with a qualified shipping company to if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on its interstate transportation or exportation from the United States. MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

137

November 16, 17 & 18, 2018

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Artist Index

A Sigmund Abeles, 1156 Anna Elizabeth Allen, 563 American School, 1021, 1073, 1162 Frederick Tanqueray Anderson, 569, 570 Walter Inglis Anderson, 1111 John Andrew (aft), 484 Amos Lee Armstrong, 1138 John James Audubon, 18, 22, (aft) 633 B Guido Bach, 710 John Noble Barlow, 1228 Gifford Beal, 463 François Bernard, 451 Jim Blanchard, 520 Louis George Bouché, 513 Douglas Bourgeois, 895 Joan Bridges, 1241 British School, 190, 631, 677, 737, 738 Andrew Bucci, 860 Adam Buck (aft), 739 William Henry Buck, 467 Steele Burden, 196 C Joachim Casell, 884 George Frederick Castleden, 478, 479, 1087 Alonzo Chappel (aft), 1174 Antoine‑Denis Chaudet (aft), 298 Chinese School, 627 John Constable (mnr), 17 Continental School, 64, 131, 675, 988, 991, 1222‑1225 George David Coulon (attr), 469 Robert “Bruce” Crane, 565 D Salvador Dali, 1226 Joseph August Decuir, 1116 Pierre‑Louis Detrier (aft), 350 Henry Dexter, 700 Raphael DiLuzio, 172, 890, 891 Bernard J. Dondorf (aft), 1247 Gaines Ruger Donoho, 495 Edouard Drouot (aft), 698 Alexander John Drysdale, 448, 461, 476, 556, 1075, 1076, 1134, 1135, 1142‑1144 William Dunlap, 508, 894 George Dureau, 895 Caroline Wogan Durieux, 1233 E Eastern European School, 672 Henry Eldridge (attr), 157 F Léon‑Maxime Faivre, 1055 Adolphe Féder, 1054 Lee Man Fong, 772 Justin Forbes, 510 French School, 12, 23, 388, 416, 629, 674, 1056 Louis “Harry” Freund, 497 Nestor Frugé, 1230, 1231 G Henri Augustin Gambard, 555 Philip Geiger, 1158‑1161 John Genin, 450 Louis C. Girault, 1074 Rolland Harve Golden, 518, 1093, 1094 Juanita Louise Gonzales, 524 John Gould, 19‑21 Luis Graner y Arrufi, 1078 Tony Green, 862, 863 Marion Greenwood, 487 Baron Antoine Jean Gros (circle), 130 Louise Guidry, 583, 1236 Emile Coriolan Hippolyte Guillemin (aft), 299

138

Ann Guillot, 1150 H Theora Hamblett, 496 James Carl Hancock, 1088 David Harouni, 168‑170, 856, 861 Emily Hart, 390 George Overbury “Pop” Hart, 1086 Frank Hayden, 503 Colette Pope Heldner, 1084, 1141, 1145, 1148 Knute Heldner, 449, 499, 557, 1077 William Hemmerling, 517 Hermann Ottomar Herzog, 474 Will Hinds, 1139, 1140 Morris Henry Hobbs, 485, 491, 1154 Gino Hollander, 1229 Charles Hunt, 676 Clementine Hunter, 516, 558‑561, 1079‑1081, 1083 Alfred Hutty, 486 J Michel Jacobs, 572 Japanese School, 932 Joseph Jefferson IV, 468 Merrill E. Jeffrey, 1238 Kay “Kaja” Johnson, 885 Richard Johnson, 864, 895 Jack Jordan, 519 K James Kendrick III, 1157 J.W. King (aft), 1132 Alberta Kinsey, 473, 489, 512, 1082, 1136 Moïse Kisling, 289, 290 Ida Rittenberg Kohlmeyer, 195, 199, 505, 857 John Korver, 1089 Sei Koyanagui, 931 Adolph Kronengold, 1152, 1240 Louis Kurz (aft), 1112 L Clarence John Laughlin, 523 Auguste‑Claude‑Simon Legrand, 740 Olive Leonhardt, 488 Ashley Longshore, 171 Louisiana School, 581 Eugene Loving, 460 Abel Francois Lucas (attr), 417 M Raimundo de Madrazo y Garreta (aft), 1175 Nicolaes Maes (circle), 16 Louis Xavier Magny, 482 Camille Maher, 888 Nicola Marschall, 585 Louis Maurer, 1155 Michael McGuire, 865 Joseph Rusling Meeker, 475 Paul Meltsner, 990 Pierre Jules Mène (aft), 1270 Clarence Millet, 480 Sam Minot, 886 Jules Moigniez (aft), 352 Auguste Moreau (aft), 1272 Henry Mosler (aft), 1119 Hans Müller (aft), 699 I. Wayan Munut, 1278 N Larry Nevil, 1281 New Orleans School, 1242 David Sinclair Nixon, 858, 859 August Norieri, 471 O William Ousley, 1146, 1147

P Charles Parsons (aft), 632 Jeanette Pasin‑Sloan, 174 Charles Olivier de Penne, 673 Pablo Picasso, 175 E. Ponthier, 989 Frederick Prescott, 511 R Jabed Rashel, 889 Elizabeth Raymond, 1151 Don Reggio, 521 Charles Reinike III, 1239 Frederic Remington (aft), 1271 Richard Dey De Ribcowsky, 630 Charles Whitfield Richards, 492 George Rickey, 194 Adolph Rinck, 571, 1072 Noel Rockmore, 498, 500, 887 George Rodrigue, 504, 514, 515, 1095 Robert Malcolm Rucker, 1085, 1092 Johann Lorenz Rugendas, 741 S José Francisco Xavier de Salazar y Mendoza, 454 Sambodja, 1276, 1277 Lulu King Saxon, 493 Randall Schmit, 892, 893 Orlando Schubert, 564 Marie Madeleine Seebold Molinary, 477 Ben Shahn, 191, 896 Floyd Shaman, 1123 William Shayer, 158 Hunt Slonem, 173, 192, 193, 501, 502, 506, 507 Gean Smith, 582 Gordon Snidow, 1163 Southern School, 470, 584, 1149 Henry Speller, 1237 Will Henry Stevens, 472 Elsie Margaret Stones, 1234 T Dox Thrash, 466 Frederick John Townsend, 987 Arnold Turtle, 1090 U Joseph Urban, 606 V Jean Francois Vallee (attr), 712 Sir Anthony van Dyck (aft), 1053 Louis‑Michel Van Loo, 389 Vargas Family, 1118 Victor Vasarely, 198 W William Aiken Walker, 566‑568, 579 Lim Wasim, 769, 771 Stow Wegenroth, 1153 James Abbott McNeil Whistler, 197 Willie White, 1280 Buell Whitehead, 1227 Eduard Willmann (aft), 1032 Theodore “Fonville” Winans, 1113‑1115, 1117 Ella Wood, (attr) 1137, 1232 Ellsworth Woodward, 462, 465, 1070 Laura Woodward, 464, 562 William Woodward, 490, 494 Albert Worcester, 593 Joe Wrenn, 1235 Don Wright, 580, 1091 Z Vasily Zasipkin, 65

0336 ‑ $610 0338 ‑ $9,760 0342 ‑ $976 0343 ‑ $1,220 0345 ‑ $1,024 0347 ‑ $244 0348 ‑ $448 0350 ‑ $1,792 0351 ‑ $2,560 0352 ‑ $375 0353 ‑ $976 0355 ‑ $366 0356 ‑ $732 0358 ‑ $1,830 0359 ‑ $1,664 0360 ‑ $2,318 0361 ‑ $28,060 0361A ‑ $610 0362 ‑ $976 0362A ‑ $427 0363 ‑ $549 0364 ‑ $704 0365 ‑ $1,098 0367 ‑ $183 0369 ‑ $187 0370 ‑ $1,000 0371 ‑ $4,880 0372 ‑ $1,280 0374 ‑ $2,625 0375 ‑ $1,024 0376 ‑ $625 0377 ‑ $1,464 0379 ‑ $625 0381 ‑ $6,875 0381A ‑ $8,235 0382 ‑ $1,500 0383 ‑ $1,664 0384 ‑ $1,000 0385 ‑ $610 0386 ‑ $854 0387 ‑ $896 0388 ‑ $448 0389 ‑ $1,664 0390 ‑ $732 0391 ‑ $832 0392 ‑ $640 0393 ‑ $625 0395 ‑ $832 0396 ‑ $448 0397 ‑ $1,280 0398 ‑ $512 0399 ‑ $1,250 0401 ‑ $640 0404 ‑ $793 0406 ‑ $976 0407 ‑ $366 0408 ‑ $244 0410 ‑ $312 0411 ‑ $976 0413 ‑ $1,098 0414 ‑ $2,684 0420 ‑ $1,586 0422 ‑ $416 0424 ‑ $750 0427 ‑ $976 0429 ‑ $1,024 0430 ‑ $1,920 0432 ‑ $366 0436 ‑ $10,980 0437 ‑ $1,830 0438 ‑ $1,280 0440 ‑ $2,875 0441 ‑ $1,187 0442 ‑ $1,220 0443 ‑ $256 0444 ‑ $1,464 0445 ‑ $122

0447 ‑ $384 0448 ‑ $320 0449 ‑ $183 0451 ‑ $160 0452 ‑ $416 0453 ‑ $288 0454 ‑ $500 0455 ‑ $122 0457 ‑ $192 0458 ‑ $122 0459 ‑ $143 0460 ‑ $128 0461 ‑ $366 0463 ‑ $768 0464 ‑ $832 0465 ‑ $192 0466 ‑ $224 0468 ‑ $128 0469 ‑ $375 0470 ‑ $1,464 0474 ‑ $305 0475 ‑ $1,000 0477 ‑ $1,920 0479 ‑ $3,355 0481 ‑ $1,920 0483 ‑ $687 0484 ‑ $2,684 0485 ‑ $2,684 0487 ‑ $1,342 0488 ‑ $562 0489 ‑ $192 0490 ‑ $305 0491 ‑ $224 0492 ‑ $3,965 0493 ‑ $305 0494 ‑ $1,408 0495 ‑ $305 0496 ‑ $3,584 0497 ‑ $427 0498 ‑ $250 0499 ‑ $1,708 0500 ‑ $1,037 0503 ‑ $6,720 0504 ‑ $5,440 0505 ‑ $3,125 0507 ‑ $6,080 0508 ‑ $3,660 0511 ‑ $2,684 0512 ‑ $3,660 0513 ‑ $2,318 0514 ‑ $1,098 0515 ‑ $4,270 0516 ‑ $1,408 0516A ‑ $3,050 0519 ‑ $671 0520 ‑ $832 0522 ‑ $366 0523 ‑ $244 0524 ‑ $2,560 0525 ‑ $3,437 0526 ‑ $793 0527 ‑ $1,250 0528 ‑ $2,500 0529 ‑ $976 0531 ‑ $3,250 0534 ‑ $3,250 0535 ‑ $1,098 0537 ‑ $2,562 0540 ‑ $1,159 0541 ‑ $732 0542 ‑ $1,037 0543 ‑ $2,074 0544 ‑ $1,952 0545 ‑ $1,220 0546 ‑ $1,342 0547 ‑ $2,375 0548 ‑ $1,830

0549 ‑ $1,586 0550 ‑ $976 0551 ‑ $854 0552 ‑ $1,952 0553 ‑ $1,220 0554 ‑ $1,586 0555 ‑ $2,318 0556 ‑ $854 0557 ‑ $976 0558 ‑ $488 0559 ‑ $1,464 0560 ‑ $1,098 0561 ‑ $1,708 0562 ‑ $2,196 0563 ‑ $427 0564 ‑ $183 0565 ‑ $256 0567 ‑ $244 0568 ‑ $576 0569 ‑ $183 0570 ‑ $427 0573 ‑ $915 0575 ‑ $366 0576 ‑ $244 0577 ‑ $732 0578 ‑ $244 0579 ‑ $427 0580 ‑ $312 0581 ‑ $305 0582 ‑ $793 0583 ‑ $549 0584 ‑ $488 0585 ‑ $427 0586 ‑ $305 0587 ‑ $549 0588 ‑ $732 0589 ‑ $488 0590 ‑ $366 0591 ‑ $427 0592 ‑ $305 0592A ‑ $610 0593 ‑ $244 0594 ‑ $244 0595 ‑ $549 0596 ‑ $187 0597 ‑ $576 0598 ‑ $488 0599 ‑ $793 0600 ‑ $250 0601 ‑ $244 0602 ‑ $122 0603 ‑ $96 0604 ‑ $128 0606 ‑ $192 0607 ‑ $109 0608 ‑ $213 0609 ‑ $48 0610 ‑ $93 0611 ‑ $73 0612 ‑ $152 0613 ‑ $64 0614 ‑ $183 0616 ‑ $85 0617 ‑ $61 0618 ‑ $128 0620 ‑ $244 0621 ‑ $457 0622 ‑ $396 0623 ‑ $213 0625 ‑ $183 0626 ‑ $274 0627 ‑ $122 0628 ‑ $122 0629 ‑ $366 0630 ‑ $122 0631 ‑ $91 0632 ‑ $2,806

0634 ‑ $305 0635 ‑ $375 0636 ‑ $305 0638 ‑ $610 0639 ‑ $2,196 0641 ‑ $366 0642 ‑ $183 0643 ‑ $93 0644 ‑ $625 0645 ‑ $305 0646 ‑ $750 0648 ‑ $375 0649 ‑ $976 0650 ‑ $854 0651 ‑ $250 0653 ‑ $625 0654 ‑ $512 0655 ‑ $1,000 0656 ‑ $375 0657 ‑ $488 0658 ‑ $218 0659 ‑ $244 0660 ‑ $687 0661 ‑ $671 0662 ‑ $128 0663 ‑ $640 0664 ‑ $610 0665 ‑ $832 0666 ‑ $1,088 0667 ‑ $384 0669 ‑ $640 0671 ‑ $793 0672 ‑ $1,375 0673 ‑ $488 0675 ‑ $244 0676 ‑ $4,375 0678 ‑ $2,500 0681 ‑ $1,464 0682 ‑ $183 0684 ‑ $187 0686 ‑ $2,196 0687 ‑ $1,088 0688 ‑ $160 0691 ‑ $250 0692 ‑ $256 0693 ‑ $976 0694 ‑ $488 0695 ‑ $976 0696 ‑ $366 0697 ‑ $448 0698 ‑ $187 0699 ‑ $2,074 0700 ‑ $1,830 0704 ‑ $1,024 0705 ‑ $1,464 0706 ‑ $1,408 0708 ‑ $610 0709 ‑ $500 0712 ‑ $183 0713 ‑ $793 0715 ‑ $976 0717 ‑ $2,318 0718 ‑ $976 0719 ‑ $2,074 0720 ‑ $500 0722 ‑ $3,520 0724 ‑ $6,710 0726 ‑ $2,500 0730 ‑ $2,500 0731 ‑ $976 0733 ‑ $6,710 0734 ‑ $1,708 0735 ‑ $1,098 0736 ‑ $1,464 0737 ‑ $1,792 0738 ‑ $854 0739 ‑ $375

0740 ‑ $625 0742 ‑ $4,880 0744 ‑ $1,037 0745 ‑ $2,048 0746 ‑ $1,792 0749 ‑ $1,000 0751 ‑ $7,500 0752 ‑ $5,490 0753 ‑ $1,187 0754 ‑ $896 0756 ‑ $793 0757 ‑ $1,408 0758 ‑ $2,432 0762 ‑ $625 0763 ‑ $875 0764 ‑ $625 0765 ‑ $750 0767 ‑ $2,688 0768 ‑ $2,176 0768A ‑ $832 0769 ‑ $1,664 0771 ‑ $250 0772 ‑ $854 0773 ‑ $625 0774 ‑ $2,196 0775 ‑ $976 0776 ‑ $915 0777 ‑ $562 0778 ‑ $384 0779 ‑ $732 0780 ‑ $1,159 0781 ‑ $1,098 0782 ‑ $437 0783 ‑ $312 0784 ‑ $305 0785 ‑ $125 0786 ‑ $1,037 0788 ‑ $488 0789 ‑ $427 0790 ‑ $427 0791 ‑ $437 0792 ‑ $1,152 0793 ‑ $832 0794 ‑ $122 0796 ‑ $488 0797 ‑ $500 0799 ‑ $160 0801 ‑ $488 0803 ‑ $305 0804 ‑ $384 0807 ‑ $384 0809 ‑ $187 0810 ‑ $2,375 0811 ‑ $671 0812 ‑ $768 0813 ‑ $320 0816 ‑ $305 0817 ‑ $3,416 0821 ‑ $1,152 0822 ‑ $576 0825 ‑ $732 0827 ‑ $1,088 0829 ‑ $384 0830 ‑ $183 0831 ‑ $416 0834 ‑ $512 0835 ‑ $416 0836 ‑ $2,196 0837 ‑ $610 0838 ‑ $288 0839 ‑ $396 0842 ‑ $457 0843 ‑ $305 0844 ‑ $122 0845 ‑ $244 0846 ‑ $305 0847 ‑ $384

0850 ‑ $610 0851 ‑ $152 0852 ‑ $960 0854 ‑ $384 0855 ‑ $768 0857 ‑ $488 0858 ‑ $1,216 0859 ‑ $2,560 0860 ‑ $384 0863 ‑ $384 0864 ‑ $2,560 0865 ‑ $1,920 0866 ‑ $793 0867 ‑ $488 0868 ‑ $128 0869 ‑ $244 0872 ‑ $625 0874 ‑ $416 0875 ‑ $274 0876 ‑ $406 0877 ‑ $250 0878 ‑ $732 0879 ‑ $488 0881 ‑ $122 0882 ‑ $750 0883 ‑ $1,952 0885 ‑ $854 0887 ‑ $437 0888 ‑ $732 0890 ‑ $625 0891 ‑ $375 0892 ‑ $384 0894 ‑ $437 0895 ‑ $625 0896 ‑ $312 0897 ‑ $488 0899 ‑ $244 0900 ‑ $6,100 0901 ‑ $366 0902 ‑ $1,536 0904 ‑ $500 0906 ‑ $320 0907 ‑ $549 0908 ‑ $156 0909 ‑ $687 0910 ‑ $256 0911 ‑ $256 0912 ‑ $122 0913 ‑ $366 0915 ‑ $576 0916 ‑ $152 0918 ‑ $183 0919 ‑ $384 0920 ‑ $250 0921 ‑ $183 0922 ‑ $384 0923 ‑ $183 0924 ‑ $224 0925 ‑ $192 0926 ‑ $488 0927 ‑ $244 0928 ‑ $366 0929 ‑ $125 0930 ‑ $576 0931 ‑ $960 0933 ‑ $976 0934 ‑ $1,098 0935 ‑ $366 0936 ‑ $305 0937 ‑ $1,830 0938 ‑ $366 0939 ‑ $896 0940 ‑ $488 0941 ‑ $406 0942 ‑ $488 0944 ‑ $125 0945 ‑ $152

0948 ‑ $192 0949 ‑ $213 0951 ‑ $640 0952 ‑ $488 0953 ‑ $366 0954 ‑ $250 0956 ‑ $832 0958 ‑ $274 0959 ‑ $122 0960 ‑ $625 0961 ‑ $4,160 0962 ‑ $579 0963 ‑ $625 0964 ‑ $416 0965 ‑ $610 0968 ‑ $305 0970 ‑ $224 0971 ‑ $671 0973 ‑ $183 0975 ‑ $183 0976 ‑ $488 0977 ‑ $366 0978 ‑ $375 0980 ‑ $128 0981 ‑ $128 0982 ‑ $156 0983 ‑ $608 0984 ‑ $187 0985 ‑ $384 0986 ‑ $512 0987 ‑ $320 0988 ‑ $732 0989 ‑ $732 0990 ‑ $610 0991 ‑ $187 0992 ‑ $183 0993 ‑ $1,952 0994 ‑ $187 0997 ‑ $125 0999 ‑ $375 1000 ‑ $500 1001 ‑ $250 1002 ‑ $732 1003 ‑ $549 1005 ‑ $375 1008 ‑ $457 1009 ‑ $183 1010 ‑ $183 1012 ‑ $1,220 1014 ‑ $156 1017 ‑ $2,196 1018 ‑ $1,098 1022 ‑ $218 1023 ‑ $384 1024 ‑ $250 1027 ‑ $366 1030 ‑ $187 1033 ‑ $832 1035 ‑ $125 1037 ‑ $768 1043 ‑ $125 1044 ‑ $128 1045 ‑ $97 1046 ‑ $128 1047 ‑ $89 1048 ‑ $192 1049 ‑ $915 1051 ‑ $224 1053 ‑ $128 1054 ‑ $192 1055 ‑ $128 1056 ‑ $480 1057 ‑ $156 1058 ‑ $305 1060 ‑ $128 1061 ‑ $187

September 15 & 16, 2018

0229 ‑ $549 0230 ‑ $976 0231 ‑ $768 0232 ‑ $1,159 0233 ‑ $1,159 0234 ‑ $1,280 0235 ‑ $366 0236 ‑ $384 0237 ‑ $305 0238 ‑ $366 0239 ‑ $732 0240 ‑ $256 0241 ‑ $244 0242 ‑ $1,280 0244 ‑ $366 0248 ‑ $24,400 0249 ‑ $3,904 0250 ‑ $12,200 0251 ‑ $13,420 0252 ‑ $20,130 0253 ‑ $2,806 0255 ‑ $33,550 0256 ‑ $7,625 0257 ‑ $3,125 0258 ‑ $3,000 0259 ‑ $7,320 0260 ‑ $9,455 0261 ‑ $12,200 0263 ‑ $4,062 0266 ‑ $5,120 0267 ‑ $8,750 0268 ‑ $7,930 0269 ‑ $10,000 0270 ‑ $23,750 0271 ‑ $8,540 0272 ‑ $6,100 0274 ‑ $512 0275 ‑ $6,250 0276 ‑ $8,125 0277 ‑ $9,455 0278 ‑ $24,400 0280 ‑ $640 0281 ‑ $812 0282 ‑ $1,586 0286 ‑ $366 0287 ‑ $500 0288 ‑ $976 0290 ‑ $93 0292 ‑ $437 0293 ‑ $671 0296 ‑ $2,440 0297 ‑ $1,342 0300 ‑ $11,520 0301 ‑ $6,405 0302 ‑ $256 0303 ‑ $4,270 0304 ‑ $43,920 0305A ‑ $7,320 0306 ‑ $3,172 0308 ‑ $26,840 0309 ‑ $6,875 0310 ‑ $45,750 0311 ‑ $854 0312 ‑ $4,575 0312A ‑ $768 0314 ‑ $2,560 0315 ‑ $3,125 0317 ‑ $1,220 0318 ‑ $1,098 0319 ‑ $5,120 0322 ‑ $2,176 0323 ‑ $1,280 0325 ‑ $6,400 0326 ‑ $1,464 0329 ‑ $732 0331 ‑ $1,000 0333 ‑ $1,830

•

0117 ‑ $305 0119 ‑ $854 0120 ‑ $512 0121 ‑ $256 0122 ‑ $875 0126 ‑ $448 0127 ‑ $305 0128 ‑ $320 0130 ‑ $1,536 0132 ‑ $1,464 0135 ‑ $671 0136 ‑ $187 0137 ‑ $5,795 0138 ‑ $610 0140 ‑ $1,408 0141 ‑ $2,562 0142 ‑ $610 0143 ‑ $1,625 0145 ‑ $1,152 0149 ‑ $4,375 0150 ‑ $3,200 0151 ‑ $960 0152 ‑ $1,408 0153 ‑ $1,024 0154 ‑ $366 0155 ‑ $1,062 0157 ‑ $750 0159 ‑ $488 0160 ‑ $427 0164 ‑ $427 0165 ‑ $335 0166 ‑ $704 0167 ‑ $122 0168 ‑ $8,540 0169 ‑ $3,355 0171 ‑ $937 0172 ‑ $976 0173 ‑ $732 0174 ‑ $976 0175 ‑ $976 0176 ‑ $1,830 0177 ‑ $2,440 0178 ‑ $488 0179 ‑ $427 0181 ‑ $1,220 0182 ‑ $976 0183 ‑ $976 0184 ‑ $2,562 0185 ‑ $1,708 0186 ‑ $576 0187 ‑ $1,037 0188 ‑ $3,840 0189 ‑ $3,200 0190 ‑ $732 0191 ‑ $8,437 0192 ‑ $6,875 0193 ‑ $488 0195 ‑ $732 0196 ‑ $9,150 0197 ‑ $7,625 0198 ‑ $976 0199 ‑ $7,320 0200 ‑ $12,200 0201 ‑ $6,710 0202 ‑ $2,432 0203 ‑ $1,220 0204 ‑ $3,050 0208 ‑ $26,840 0209 ‑ $1,342 0210 ‑ $14,640 0211 ‑ $1,464 0218 ‑ $2,013 0222 ‑ $1,464 0223 ‑ $976 0224 ‑ $793 0226 ‑ $732 0228 ‑ $1,408

Auction Results

0001 ‑ $384 0004 ‑ $512 0007 ‑ $4,575 0008 ‑ $2,806 0010 ‑ $1,375 0011 ‑ $1,920 0012 ‑ $750 0014 ‑ $2,745 0019 ‑ $812 0020 ‑ $640 0022 ‑ $1,024 0024 ‑ $512 0025 ‑ $256 0026 ‑ $250 0027 ‑ $187 0029 ‑ $375 0030 ‑ $1,250 0034 ‑ $2,196 0035 ‑ $256 0036 ‑ $1,125 0037 ‑ $1,500 0039 ‑ $3,172 0041 ‑ $5,185 0042 ‑ $4,224 0044 ‑ $1,750 0045 ‑ $854 0046 ‑ $2,432 0048 ‑ $488 0050 ‑ $896 0051 ‑ $1,664 0052 ‑ $1,152 0054 ‑ $896 0056 ‑ $976 0060 ‑ $976 0061 ‑ $1,464 0062 ‑ $2,440 0063 ‑ $1,280 0064 ‑ $6,222 0065 ‑ $14,030 0066 ‑ $6,100 0067 ‑ $1,152 0068 ‑ $2,684 0069 ‑ $3,050 0070 ‑ $1,500 0071 ‑ $1,250 0072 ‑ $1,952 0073 ‑ $4,375 0074 ‑ $3,750 0075 ‑ $1,024 0076 ‑ $1,500 0077 ‑ $1,342 0078 ‑ $5,000 0079 ‑ $1,098 0080 ‑ $1,000 0081 ‑ $375 0082 ‑ $625 0083 ‑ $1,024 0084 ‑ $610 0085 ‑ $1,625 0086 ‑ $1,000 0087 ‑ $1,792 0089 ‑ $640 0090 ‑ $7,625 0092 ‑ $4,270 0094 ‑ $244 0096 ‑ $1,875 0097 ‑ $1,792 0100 ‑ $15,860 0101 ‑ $21,760 0102 ‑ $768 0103 ‑ $2,440 0106 ‑ $610 0108 ‑ $4,575 0109 ‑ $19,520 0110 ‑ $10,980 0113 ‑ $3,660 0115 ‑ $2,074

139

Neal Auction Company Neal Auction Company Neal Auction Company Neal Auction Company

## ##

Auctioneers Appraisers Antiques Fine ArtArtArt Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine Art Auctioneers && Appraisers of of Antiques && Fine 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form

15/06M 15/06M 16/08M 15/06M 16/08M 18/12M 15/06M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash 0AYMENT Credit 0AYMENT Cash Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Saleâ&#x20AC;? asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the â&#x20AC;&#x153;Conditions ofof Saleâ&#x20AC;? as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated in the catalogue. III understand that a aabuyerâ&#x20AC;&#x2122;s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyerâ&#x20AC;&#x2122;s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyerâ&#x20AC;&#x2122;s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyerâ&#x20AC;&#x2122;s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyerâ&#x20AC;&#x2122;s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or before Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax Form Form on on or or before Thursday, Friday,6/26/15 11/15/18 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 oror504-617-9990 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990

229 229 229 229

140

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: AuctionDate: Date: Auction Sept. 24 &Feb. 25, 2016 Jan. 3117-19, &16, 1, 2015 November 172015 & 18, 2018 April

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior the start auction. prior priortoto tothe start ofof the ofthe the auction. auction. 7EDNESDAY .thestart !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? : : (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

,/4

$%3#2)04)/.

30%#)!, 2%15%343

SELECT:

All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before 11/14/18 Fax this form before Wednesday, Wednesday,1/28/15. 1/15/15. 09/21/16 228

141

UPCOMING AUCTIONS Winter Estates Auction January 26 & 27, 2019

Spring Estates Auction March 23 & 24, 2019

Featuring Distinguished Collections of Fine American, Continental and Contemporary Paintings, Drawings, Prints and Photography • Historical Documents, Books, and Maps. • Sculpture • Period Furniture and Decorative Objects • Jewelry • Asian Art • Lighting • Silver • Art Pottery

Neal Auction AUCTIONEERS & APPRAISERS OF ANTIQUES & FINE ART

142

4038 Magazine Street, New Orleans, LA • 504-899-5329 • www.nealauction.com • clientservices@nealauction.com Buyer’s Premium: 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000.

Notes:

143

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments Administration Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

General manager Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development Auctioneers Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes Jewelry Stephen A. Moses, GIA Graduate Gemologist