Winter Estates Auction - February 5, 6 & 7, 2021 by Neal Auction

Winter Estates Auction February 5, 6 & 7, 2021 FEATURING: The Estate of Julia Evans Reed, Sold for the Benefit of the Julia Evans Reed Charitable Trust Collection of Dr. Mark A. Geist, Providence, RI Estate of Dr. Kenneth McLeod, Jr., Direct Descendant of Legendary Architects James Gallier, and James Gallier, Jr., New Orleans Property Sold to Benefit the Collections and Preservation of the Hermann-Grima + Gallier Historic Houses Estate of Cornelia H. “Dolly” Jordan (1939-2020) and Property from the Collection of Thomas L. Jordan (1903-1993), New Orleans Property from the Godchaux Family, Abbeville, LA Part II, Collection of Dorian Bennett, New Orleans And Property of Others EXHIBITION Preview is available by appointment only. To schedule an appointment, please contact us at clientservices@nealauction.com AUCTION WILL BE VIRTUAL Bidding by telephone or absentee bid, or one of our online platforms. Friday, February 5, beginning at 1:00 p.m. Saturday, February 6, beginning at 11:00 a.m. Sunday, February 7, beginning at 11:00 a.m.

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COLLECTION OF

DR. MARK A. GEIST Neal Auction Company is pleased to present an exceptional selection of important silver, sculpture and bronzes, porcelain, period furniture, and fine art from the Collection of Dr. Mark A. Geist. The Geist Collection is comprised of nearly 150 lots that were lovingly amassed over a period of decades to furnish the doctor’s meticulously renovated 1876 Eastlake Victorian home in East Providence, Rhode Island. Geist’s earliest passion centered on Medallion silver with many fine examples, including John Wendt and Gorham, highlighting the sale. Exceptional sculpture and bronzes, which showcase the collector’s keen and discerning eye, is evidenced in lot 376, a rare 1878-1886 Avoiron et Cie copper-plated zinc reduction of Frederic Auguste Bartholdi’s “Statue of Liberty.” The doctor’s taste for the sublime is apparent in his porcelain, which features a Sevres ‘Service de la Table du Roi’ for King Louis Philippe’s Chateux de St. Cloud and Compiegne and a ‘Service Ordinaire’ for the Chateau de Fontainebleau. Period furniture is dominated by American Classical and Biedermeier examples which gracefully furnished the collector’s Eastlake home; while fine art includes a substantial group of Gustav Klimt prints, produced under the close supervision of the artist.

Photos courtesy of Residential Properties Ltd., Providence, RI

THE ESTATE OF JULIA EVANS REED Neal Auction Company is pleased to present the Estate of Julia Evans Reed, sold for the benefit of the Julia Evans Reed Charitable Trust. Julia Reed, celebrated author, legendary hostess and beloved daughter of the Mississippi Delta died at the age of 59 this past year. Whether the topic was haute couture or haute cuisine, Julia celebrated designers and artisans and introduced readers to their talents. Juliaâ&#x20AC;&#x2122;s work was dedicated to increasing the visibility of achievement and effort of those artists regardless of their medium. Her generosity of spirit was best displayed in her writings and - for those with the supreme good fortune to have a seat at her gracious dining tables - through her exceptional gifts as a hostess. Recognized throughout her career as a keen observer of the political scene, fashion, food, and design, Julia was also celebrated as a great taste-maker, hostess, cook, and arbiter of interior style. The Mississippi Delta is the place to which Julia always returned from her global travels as a journalist. Julia introduced colleagues and friends to the land she loved and introduced thousands more to her community through her writing. By seeing the region through her eyes, countless people developed an appreciation and fondness for the Delta in particular, and the South in general. During her lifetime, Julia also used her writing to improve the lives of the citizens of her native land. The Julia Evans Reed Charitable Trust (www.juliareedtrust.org), which is the sole beneficiary of the auction of her estate collection, will continue her work, as set out in their mission statement: The Julia Evans Reed Charitable Trust continues the philanthropic work that Julia began in her lifetime to help people in need. We do this by supporting organizations dedicated to providing the things in life that Julia deemed essential: a good home, nourishing food, a quality education, and opportunities for learning, literacy and engagement in the arts.

Julia Reed was also deeply involved in the community of New Orleans, where she lived for over thirty years. Julia served on the boards of the Ogden Museum of Southern Art and the LinkStryjewski Foundation, and as an ambassador for the city’s restaurants and talented chefs. The Trust will continue to support Julia’s legacy in New Orleans through its support of the LinkStryjewski Foundation. www.linkstryjewski.org. Julia’s passion for decorative arts and design was nurtured by her mother, Judy Brooks Reed, and influenced by her grandmother’s Nashville home, Watersmeet. Julia’s own homes in New York and New Orleans, as well as her beloved Mississippi Delta Folly, reflected her widely-admired style, incorporating objects collected in a lifetime of travel and adventure with traditional antiques and decorations. This auction includes Julia’s collection of fine and decorative arts and accoutrements of entertaining, much of which has been featured in books and magazines over the years. Neal Auction Company would like to thank Anne Flaherty Heekin and Keith Smythe Meacham for their contributions to this essay. Neal Auction would also like to thank Elizabeth McGee Cordes, Anne Heekin and Judy Brooks Reed for their invaluable assistance on behalf of the Estate, Paul Costello for photography, Thomas Jayne and Jayne Design Studio for photography and provenance information, Courtney Coleman and Bill Brockschmidt of Brockschmidt and Coleman, Patrick Dunne and Everett Bexley for background information, and Jessica Lange.

Photos courtesy of Paul Costello, the Estate of Julia Evans Reed, and Jayne Design Studio

Additional information at www.nealauction.com

Estate of Julia Reed

Session One Friday, February 5, 1 p.m.

1. Japanese Polychrome and Gilt‑Decorated Bone Embellished Black Lacquer Photo Album, early 20th c., interior with 9 silk covered double sided leaves painted with bird, flower, and landscape scenes, h. 10 3/4 in., w. 14 1/8 in., d. 2 1/4 in. [$150/250] Provenance: Estate of Julia Evans Reed.

2. Victorian Taxidermy Songbird Parlor Dome, 19th c., with hummingbirds and songbirds, rosewood base, h. 29 in., w. 14 1/2 in., d. 9 in. [$800/1200] Provenance: Hawker, London; Estate of Julia Evans Reed. 4. Three Antique Carved Coconuts, 19th c., incl. double flask, single flask and one half shell, carved with figures, animals, flags, cannons, and other designs, largest h. 6 1/2 in. [$400/600]

3. Georgian Sterling Silver‑Mounted Coconut Goblet, marks rubbed, h. 5 1/4 in. [$400/600]

Provenance: Lucullus, New Orleans; Estate of Julia Evans Reed.

5. English School, 1862, “Portrait of a Young Cricket Player”, oil on canvas, signed “S. West” and dated lower left, handwritten illegible label and “London” stamp on stretcher, 56 in. x 43 7/8 in., framed. [$2500/3500] Provenance: Watersmeet, Nashville; Estate of Julia Evans Reed. Note: A painting which took pride of place in a number of Julia Reed’s homes, this monumental English School portrait first hung in the Nashville home of Julia Reed’s great-grandmother for many years… “I don’t think anybody ever paid attention to it, and I was always lucky enough to have the highest ceilings, so it got passed to me. I can’t imagine what possessed her to buy that—it’s certainly not an ancestor—but I’m happy to have it. I don’t think anybody in my family even knew that was a cricket bat in the child’s hand until I made the mistake of going out with a cricket player, and so the mystery was solved.” ~ Julia Reed Ref.: Walsh, Julia Millay. “Tour Author Julia Reed’s New Orleans Home.” One Kings Lane. https://www.onekingslane.com/live-love-home/julia-reed-new-orleans-home-tour/. Accessed Dec. 28, 2020.

Photo courtesy of Jayne Design Studio

6. Antique Chinese Chippendale Mahogany Camelback Sofa, Note: Fretwork legs and stretchers extensively repaired, some losses, green damask upholstery. , h. 38 1/2 in., w. 71 in., d. 25 in. [$500/1000] Provenance: Watersmeet, Nashville; Estate of Julia Evans Reed.

7. Regency Mahogany Octagonal Wine Cooler, of generous size, carved paw feet, tole liner. [$500/1000] Provenance: Niall Smith, New York; Estate of Julia Evans Reed. Additional information at www.nealauction.com

8. Directoire Gris Peinte Bergère, 19th c., back scrolled stiles, ring-turned arm supports and legs, spherule feet, h. 37 in., w. 24 in., d. 24 in. [$500/700] Provenance: Karla Katz Antiques; Jayne Design Studio upholstery; Estate of Julia Evans Reed.

9. Yellow Tole Peinte Gallery Tray Table, h. 20 in., w. 36 in., d. 23 in. [$300/500] Provenance: Estate of Julia Evans Reed.

Photo courtesy of Jayne Design Studio

10. Antique Louis XV Carved Beechwood Fauteuil, likely 18th c., Claremont “Milton Damask” upholstery, h. 35 1/2 in., w. 26 in., d. 24 in. [$1000/1500]

11. Louis XVI Giltwood Barometer, late 18th c., surmounted by lyre and thermometer, dial signed “Lacoste, Opticien a Bourges”, h. 38 in. [$800/1200]

Provenance: Waterstreet, Nashville; likely from noted decorator A. Herbert Rodgers; Jayne Design Studio; Estate of Julia Evans Reed.

Provenance: Watersmeet, Nashville; Estate of Julia Evans Reed.

12. Directoire Mahogany Settee, 19th c., tablet crest, rounded arms with C scroll terminals and foot, upholstered in Brunshwig & Fils glazed linen, h. 39 in., w. 61 in., d. 24 in. [$700/1000] Provenance: Karla Katz Antiques; Estate of Julia Evans Reed.

13. Custom‑Made Low Table, black marble top, patinated metal base, h. 16 1/2 in., w. 41 in., d. 20 3/4 in. [$400/600] Provenance: Jayne Design Studio, sourced from Robert Altman; Estate of Julia Evans Reed.

14. Giacometti‑Style “Tete de Femme” Floor Lamp, bronze‑finished composite, h. (to socket) 67 in. [$300/500] Provenance: Estate of Julia Evans Reed. 15. Pair of Contemporary Upholstered Armchairs, cream upholstery, h. 32 in., w. 32 in., d. 30 in. [$400/600] Provenance: Thomas Jayne; Estate of Julia Evans Reed.

16. Chinese Glazed Stoneware Garden Seat, relief‑decorated with floral panels, bats, pierced mask‑ring handles, and bosses, h. 23 1/4 in. [$300/500] Provenance: Estate of Julia Evans Reed.

17. Pair of Asian Bronze Mounted Brown Glazed Porcelain Lamps, ovoid bodies incised with dragons in pursuit of the flaming pearl amid cloud scrolls, h. (incl. finials) 34 in. [$300/500] Provenance: Estate of Julia Evans Reed.

18. Asian Bronze and Cloisonne Enamel Lamp, 20th c., taotie mask loose ring handles, h. (to socket) 15 1/4 in. [$100/200] Provenance: Estate of Julia Evans Reed.

19. Neoclassical Mahogany, Parcel Ebonized and Gilt Center Table, early 19th c., carved support, incurvate triangular base, paw feet, top of later date, h. 30 in., dia. 39 1/2 in. [$1000/1500] Provenance: Estate of Julia Evans Reed.

20. Neoclassical Bronze‑Mounted Mahogany Demilune Games Table, 19th c., foldover top, baize‑lined playing surface, frieze with neoclassical mounts, tapered legs, capped paw feet, h. 29 1/2 in., w. 44 1/2 in., d. (closed) 22 in., d. (open) 44 1/2 in. [$800/1200]

21. Two Decorative Tortoise Carapaces, one lacking its scales, larger l. 18 in. [$150/250]

22. Giant Clam Shell, Tridacna Giga, probably South Pacific, h. 10 in., w. 26 1/2 in., d. 17 in. [$400/600]

Provenance: Estate of Julia Evans Reed.

23. Decorative Collection of Coral, six pieces, different species, one red, longest 12 1/2 in. [$150/250] Provenance: Estate of Julia Evans Reed.

24. Diminutive Restauration Mahogany Console Table, marble top, figured frieze, scroll supports, paw feet, incurvate plinth, h. 33 in., w. 26 in., d. 17 in. [$500/800] Provenance: Estate of Julia Evans Reed.

25. Antique French Trumeau Mirror, upper panel with extensive Italian landscape, beaded surround, old mirror plate, h. 70 1/4 in., w. 34 1/4 in. Condition: various small tears to canvas. [$1000/1500]

26. Italian Carved, Painted and Parcel Gilt Floor Lamp, standard with tassel and drapery decoration, velvet‑covered plinth base with brass nailhead trim, paw feet, h. 70 in. [$300/500] Provenance: Estate of Julia Evans Reed.

27. Pair of Charles X‑Style Gilt and Patinated Bronze Candle Standards, now converted to table lamps, h. (to top of finial) 26 1/2 in. [$500/700] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

Additional information at www.nealauction.com

28. George III Inlaid Mahogany Breakfront Bookcase, early 19th c. and later, upper case with cove molded cornice and glazed doors with Gothicized grillework, adjustable shelf interior, lower case with brass inlaid paneled doors, molded plinth base, brass astragals throughout, h. 96 1/2 in., w. 111 in., d. 24 1/2 in. [$4000/6000] Provenance: Karla Katz, New Orleans; Estate of Julia Evans Reed.

29. George II Carved Walnut Games Table, foldover shaped top with conforming frieze, inset period needlepoint playing surface, cabriole legs with foliate carved knees, ball and claw feet, h. 28 in., w. 27 1/4 in., d. (closed) 14 in., d. (open) 28 in. [$1000/1500] Provenance: Estate of Julia Evans Reed.

30. Pair of Queen Anne Walnut Side Chairs, likely 18th c., shaped backs with vasiform splats, inset needlepoint seats, cabriole legs with foliate knees, foliate feet, h. 42 1/2 in., w. 20 1/2 in., d. 20 in. [$1500/2000]

31. Paris Porcelain Campagna Urn with Continuous Landscape and Gilt Highlights, 19th c., h. 10 1/2 in.; together with Paris porcelain spill vase, similarly decorated, h. 4 1/2 in. [$300/500] Provenance: Estate of Julia Evans Reed.

Provenance: Watersmeet, Nashville; Estate of Julia Evans Reed.

32. Italian Carved Giltwood Table Lamp, vasiform with foliate collars, h. (to socket) 23 in. [$150/250]

33. Baccarat “Eye” Crystal Vase, h. 5 7/8 in. [$150/250] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

34. Good Pair of Crystal Campagna Urns, h. 12 1/2 in. [$250/350] Provenance: Estate of Julia Evans Reed. 35. Antique Silver‑Mounted Bamboo Magnifying Glass, silver handle with grape and grape leaf decoration on a stippled ground, later lens, l. 13 1/4 in.; together with brass inkstand, late 19th c., marked “H. Greaves New St Birmingham”, h. 2 3/8 in., l. 10 7/8 in. [$250/350]

36. Buccellati Sterling Silver Ivy Leaf and Geranium Leaf Dishes; together with Lunt sterling shell dish. [$400/600] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

37. English Regency Needlework of a Recumbent Tiger, c. 1820, sight 29 in. x 32 1/2 in., gilt frame. [$2000/3000] Provenance: Hawker, London; Estate of Julia Evans Reed.

38. Neoclassical Carved Pine Stand, late 18th c. and later, probably English, incurvate triangular top, frieze with lion masks, stretcher shelf, outswept legs terminating in rosette blocks, h. 44 in., w. 15 in., d. 15 in. [$200/300] Provenance: Estate of Julia Evans Reed.

39. George III Inlaid Mahogany Demilune Games Table, early 19th c., foldover top, baize‑lined playing surface, tapered legs, spade feet, h. 29 in., w. 35 3/4 in., d. (closed) 17 1/4 in., d. (open) 34 1/4 in. [$600/900] Provenance: Estate of Julia Evans Reed.

41. Patinated Metal Six‑Light Figural Candelabrum, late 19th c., putto standard with cornucopia issuing candlearms, marble fluted columnar base, h. 24 in. [$250/350]

40. Antique Bronze Figure of a Bear, French foundry marks, marble base, h. 5 in., w. 10 3/4 in., d. 4 in. [$200/300] Provenance: Watersmeet, Nashville; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

42. Antique Georgian-Style Mahogany Secretary Bookcase, cyma cornice, astragal glazed doors, shelf interior, lower case with fall front desk with fitted interior, two drawers over three graduated drawers, molded base with French feet, h. 88 1/4 in., w. 45 in., d. 22 in. [$1000/1500]

43. Regence Walnut Side Chair, mid‑to‑late 18th c., slip in back and seat cushion, foliate carved cabriole legs, mustard linen upholstery, h. 39 in., w. 22 in., d.21 in. [$250/350] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

44. Italian Fruitwood Parquetry Games Table, late 18th c., h. 30 1/2 in., w. 24 in., d. (closed) 16 in., d. (open) 31 1/2 in. [$300/500] Provenance: Estate of Julia Evans Reed.

45. Southern School, 20th c., “Abstract Composition in Blue”, watercolor on paper, monogrammed “A” lower right, 12 in. x 16 in., framed. [$800/1200] Provenance: Estate of Julia Evans Reed.

46. James Surls (American/Texas, b. 1943), “Five Flowers”, 2009, graphite on paper, pencil‑signed and dated lower right, titled lower left, 13 7/8 in. x 9 7/8 in., framed. [$1000/1500] Provenance: Estate of Julia Evans Reed.

47. Joan Griswold (American, b. 1954), “Papers and Books (Julia’s Office)”, oil on canvas, signed twice and titled on stretcher, 14 1/8 in. x 11 7/8 in., framed. [$800/1200] Provenance: Estate of Julia Evans Reed.

48. John Alexander (American/Texas, b. 1945), “Sleeping Finch”, 2001, pastel, watercolor and graphite on paper, pencil‑signed lower right, “Beadleston Gallery, New York” label with artist, title and date on backing paper, 6 3/4 in. x 6 1/4 in., framed. [$1000/1500] Provenance: Estate of Julia Evans Reed. Exh.: Beadleston Gallery, New York, “John Alexander, Works on Paper”, May 3‑25, 2001, and illustrated in the accompanying catalogue, p. 22.

49. David Bates (American/Texas, b. 1952), “Irises”, 2001, lithograph, pencil‑signed, titled, dated and numbered “20/40” lower margin, 9 1/4 in. x 6 1/4 in., framed. [$1800/2500] Provenance: Estate of Julia Evans Reed.

Additional information at www.nealauction.com

50. Ashley Pridmore (American/New York, 20th c.), “Guarding Nefertiti”, 2014, papier mâché and beeswax, unsigned, h. 5 1/4 in., w. 8 1/4 in., d. 4 1/4 in. [$1200/1800] Provenance: Estate of Julia Evans Reed. Ill.: Reed., Julia. “Sculptor Ashley Pridmore’s Wild Talent”. Garden and Gun. Aug/Sept 2018. Note: Ashley Pridmore is a mixed media artist from the Finger Lakes region of upstate New York who travels extensively throughout the Gulf Coast. Pridmore earned a BFA in Sculpture and Extended Media from Virginia Commonwealth University and apprenticed with Texas-born artist John Alexander, whose New York studio she managed for seven years. Pridmore’s childhood was filled with the natural world, a theme which now dominates her spiritual and haunting drawings and sculptures. As Julia Reed wrote in Garden & Gun: “Once in Pridmore’s hands, her ‘objects’ no longer exactly exist in nature. A papier-mâché and beeswax coyote skull called Guarding Nefertiti [offered here] for example, is adorned with incredibly lifelike but highly unlikely barnacles. Yet the piece looks as if it somehow evolved that way, as does a sea horse whose spine has sprouted porcupine quills and crab-apple thorns, or a piece of found pine with tiny brass brads climbing its crevices like an especially glossy fungus. The works, she says, ‘tell a new story’ when the contrasting components combine.” Ref.: Reed, Julia. “Sculptor Ashley Pridmore’s Wild Talent.” Garden & Gun. Aug./Sep. 2018. www.gardandgun.com Accessed Dec. 31, 2020

51. Linda Burgess (American/Mississippi, 20th c.), “Etude: Twilight Cantata”, oil on gessoed paper, signed lower right, titled and inscribed on backing paper, 8 1/2 in. x 13 in., framed. [$300/500] 52. William Dunlap (American/Mississippi, b. 1944), “Mississippi ‑ Father of Waters ‑ History of Mud”, 2006, polymer paint and gold and silver leaf on canvas, signed lower right, signed, titled and dated en verso, 40 in. x 82 in., unframed. [$12000/18000] Provenance: Acquired directly from the artist, 2006; Estate of Julia Evans Reed. Ill.: Dunlap, William Ralph. Dunlap. Jackson: University Press of Mississippi, 2006, p. 133. Note: Julia Reed wrote of William Dunlap “…that’s the thing about Dunlap. He’s an extraordinary painter, but he’s also a fully engaged citizen of the world.” In her article for Garden & Gun in 2010, Reed’s remarkable ability to illuminate her subjects shines when describing Dunlap – both their friendship and his celebrated career as an artist and fellow ambassador for the South. Dunlap is one of the most renowned artists creating in the South today, and his works explore the culture, literature, people, animals and landscape of the region. In this monumental work entitled “The History of Mud” from Reed’s collection (which includes a number of other paintings by the artist), a rich narrative of the South is revealed through, in Dunlap’s own words, “a post Katrina apocalyptic view of the Delta landscape with tornadoes and storm clouds hovering over the two buildings that mean the most in that part of the world, the cotton gin, now defunct and a little frame church, probably a Baptist, the sort that dot the landscape everywhere you go in our part of the world.” Often numbers or words appear in Dunlap’s compositions as if seeping from the ground and sky, and in this case, there could be no more appropriate word to tie together artist and collector than that of their common home state – Mississippi. Ref.: Reed, Julia. “The Art Ambassador.” Garden & Gun. April/May 2010. www.gardenandgun.com Accessed Dec. 17, 2020; “William Dunlap.” Greg Thompson Fine Art. www.gregthompsonfineart.com. Accessed Dec. 17, 2020

53. William Dunlap (American/Mississippi, b. 1944), “Jeffersonian Democracy: A Work In Progress”, polymer and oil on 100% cotton rag, pencil‑signed lower right, titled lower left, 39 in. x 52 1/4 in., framed. [$3000/5000] Provenance: Estate of Julia Evans Reed. Ill.: Dunlap, William Ralph. Dunlap. Jackson: University Press of Mississippi, Jackson, 2006, p. 125.

54. William Dunlap (American/ Mississippi, b. 1944), “Trout Rouge”, pigment painting on pulp paper, pencil‑signed lower right, titled lower left, 14 in. x 18 in., framed. [$1200/1800] Provenance: Estate of Julia Evans Reed.

55. William Dunlap (American/ Mississippi, b. 1944), “Jesus’s Own Grudge Ditch”, 2005, oil and dry pigment on rag paper, signed and dated lower right, inscribed “If Jesus had a Grudge Ditch it Might Look Like This” mid-right, 11 1/8 in. x 15 in., framed. [$500/700]

56. William Dunlap (American/ Mississippi, b. 1944), “Fish & Fern”, mixed media on paper, pencil‑signed lower right, titled lower left, 10 3/4 in. x 8 1/2 in., framed. [$600/800] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

57. David Everett (American/Texas, b. 1950), “Fishes and Pelicans”, 1993, woodcut, pencil‑signed, titled, dated and numbered “8/20” lower margin, sight 11 1/2 in. x 21 1/2 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed.

59. Continental School, late 19th/early 20th c., “Bird on a Branch”, watercolor on paper, unsigned, “Whatman” watermark, 16 3/4 in. x 11 in., framed. [$600/800] Provenance: Estate of Julia Evans Reed. 60. American School, 19th c., “Portrait of an Evans‑Brooks Lady of Nashville, oil on canvas, unsigned, 36 in. x 28 in., framed. [$800/1200] Provenance: Waterstreet, Nashville; Estate of Julia Evans Reed.

62. After John James Audubon (American, 1785‑1851), “Brown Pelican”, digital image transfer on paper, printed by New York Historical Society and Oppenheimer Editions, “New York Historical Society” blind stamp lower left, “Oppenheimer Editions” blind stamp lower right, “Joel Oppenheimer, Chicago” label on backing board, 23 1/4 in. x 37 in., framed. [$500/700] Provenance: Estate of Julia Evans Reed.

58. Fiona Waterstreet (British, 20th c.), “Bird”, glazed porcelain sculpture, unsigned, h. 7 1/2 in., w. 7 1/4 in., d. 3 1/2 in., carved rosewood stand, overall h. 10 1/4 in. [$400/600] Provenance: Estate of Julia Evans Reed.

61. After Peter Paillou The Elder (fl. 1720‑1790), “The Heron” and “Arctic Tern”, c. 1761, 2 hand‑colored etchings, from The British Zoology by Thomas Pennant, etched by Peter Mazell (Irish, fl. 1720‑1790), published by J. and J. March, London, sights 20 3/4 in. x 13 in. and 12 3/4 in. x 15 3/4 in., framed. (2 pcs.) [$700/1000] Provenance: Estate of Julia Evans Reed.

63. After John James Audubon (American, 1785‑1851), “Schniz’s Sandpiper”, digital image transfer on paper, printed by New York Historical Society and Oppenheimer Editions, “New York Historical Society” blind stamp lower left, “Oppenheimer Editions” blind stamp lower right, “Oppenheimer Editions, LLC” label with artist on backing board, sight 13 1/4 in. x 21 in., framed. [$200/300]

64. After John James Audubon (American, 1785‑1851), “White Ibis”, Plate 222, later reproduction mounted to board, from Birds of America, sheet 21 3/4 in. x 25 1/2 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed. Additional information at www.nealauction.com

65. Emile‑Allain Séguy (French, 1877‑1945), “Beetles”, c. 1920s, 4 color pochoirs, each signed in plate, from Insectes, published by Éditions Duchartre et Van Buggenhoudt, Paris, sights 17 1/4 in. x 12 1/4 in., framed alike. (4 pcs.) [$1500/2500] Provenance: Estate of Julia Evans Reed.

66. Antique Coast Survey Map of the Atchafalaya Bay, “Preliminary Chart of Atchafalaya Bay Louisiana... A.D. Bache, Superintendant”, 1858, lithograph, with later hand‑coloring, sight 24 1/2 in. x 31 1/4 in., framed. [$500/700] Provenance: Estate of Julia Evans Reed. 67. Antique Coast Survey Map of Coastal Louisiana, “U.S. Coast Survey, A.D. Bache Superintendant, Sketch II...”, 1856, lithograph printed by Julius Bien, NY, with later hand‑coloring, showing Vermillion Bay, LA to Mobile Bay, AL, sight 20 in. x 33 1/2 in., framed. [$500/700] Provenance: Estate of Julia Evans Reed.

68. Antique US Coast Survey Map of the Louisiana Coast, “U.S. Coast Survey, A.D. Bache, Superintendent”, 1855, lithograph, with later hand‑coloring, showing Vermillion Bay, LA to Mobile Bay, AL, sight 15 1/2 in. x 34 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed. Photo courtesy of Jayne Design Studio

69. Antique French Map of Mississippi, “Carte Geographique, Statistique et Historique du Mississipi”, Paris, Buchon, 1825, sight 21 in. x 27 1/2 in., framed. [$200/300] Provenance: Estate of Julia Evans Reed.

70. Antique Map of Louisiana, “Map of Louisiana, Representing the Several Land Districts”, Surveyor General’s Office, Donaldsonville, LA, Oct. 1st, 1855, Wm. J. McCulloh, Sur. Genl. La, lithograph, with later hand‑coloring, sight 16 in. x 17 in., framed. [$150/250] Provenance: Estate of Julia Evans Reed.

71. Antique Map of Mississippi and Louisiana, 19th c., published by A. & C. Black, Edinburgh, color lithograph, sight 15 1/2 in. x 12 in., framed. [$100/150] Provenance: Estate of Julia Evans Reed.

74. Antique Neoclassical Olivewood Pier Table, c. 1820 and later, faux marbre top, vert antique swan monopods, back with old mirror plate, incurvate plinth base, h. 32 in., w. 40 in., d. 19 in. [$1500/2500] Provenance: Hollyhock, Los Angeles; Estate of Julia Evans Reed.

72. Windsor Lantern, with lobed wood crest, four Gothicized glazed panels and tripartite candle fixture, h. 33 in. [$1500/2500] Provenance: Jamb, London; Estate of Julia Evans Reed.

73. Antique Continental Neoclassical Carved and Gilded Pier Mirror, early 19th c., spiral‑carved surround, old two‑part mirror plate, h. 76 1/2 in., w. 41 in. [$2000/3000] Provenance: Estate of Julia Evans Reed.

76. Antique English Rosewood Faux Bois and Gilt‑Stenciled Sideboard, 19th c., central shelves flanked by doors with inset Chinoiserie panels, probably from a lacquered screen, h. 37 in., w. 86 in., d. 17 3/4 in. [$3000/5000] Provenance: Hollyhock, Los Angeles; Estate of Julia Evans Reed. 75. Set of Eight Louis XVI‑Style Crème Peinte and Gilt‑Tooled Leather Dining Chairs, each with oval back cushion, serpentine seat rail with blocked rosettes, fluted tapered legs, three now with velvet seats, h. 36 1/2 in., w. 20 in., d. 21 in. [$1500/2500] Provenance: Karla Katz, New Orleans; Estate of Julia Evans Reed.

78. Pair of Neoclassical Inlaid Olivewood Commodes, early 19th c., three drawers, tapered legs, banded inlay throughout, h. 41 1/4 in., w. 49 1/2 in., d. 25 in. [$8000/12000] 77. American Southern Cherrywood Dining Table, early 19th c., in two parts, each with drop‑leaf, tapered legs, h. 30 in., w. (closed) 45 1/2 in., w. (open) 82 1/4 in., d. 21 1/2 in. [$1000/2000]

Provenance: Nashville Antiques and Garden Show; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

79. Antique French Gilt Bronze and Green Porcelain Eight‑Light Chandelier, foliate arms, electrified, h. 31 in., dia. 32 in. [$600/900] Provenance: Jayne Design Studios, sourced from J.F. Chen, Los Angeles; Estate of Julia Evans Reed.

80. Cauldon Bone China Luncheon Service, ret. C.A. Selzer, Cleveland, OH, early 20th c., pattern 2523, yellow bands with gilt accents, incl. 31 luncheon plates (dia. 9 3/8 in.), 16 soup plates, footed urn (h. 6 3/8 in., w. 9 in.), 15 salad/dessert plates, 14 bread plates, large platter (18 3/8 in. x 15 5/8 in.), circular dish (dia. 11 7/8 in.) and square cake dish. (78 pcs.) [$1200/1800] Provenance: Estate of Julia Evans Reed. Additional information at www.nealauction.com

81. Ten Herend “Chinese Bouquet (Raspberry)” Porcelain Dinner Plates, dia. 10 3/4 in. [$300/500] Provenance: Estate of Julia Evans Reed.

82. Herend Porcelain Partial Dinner Service, “Bouquet de Herend” pattern, incl. 16 dinner plates (dia. 10 1/2 in.), 7 demitasse cups and 8 saucers. (31 pcs.) [$600/900] Provenance: Estate of Julia Evans Reed.

83. Twelve Limoges Porcelain Plates, brown and gold; together with eleven German porcelain plates with raised gilt borders. [$150/250] Provenance: Estate of Julia Evans Reed.

83A. Group of Small Sterling Silver Objects, incl. 4 assorted scallop shells (w. 2 ½ in. to 4 7/8 in.), 3 clam shells (w. 3 ½ in.), pillbox (w. 2 ¼ in.), silver-mounted glass match striker (dia. 2 5/8 in.) and 3 ashtrays (dia. 2 5/8 in.); together with Sheffield silverplate clam shell (w. 12 ¼ in.) and silverplate scallop shell (w. 5 in.). $150-250

84. Antique English Porcelain Partial Dinner Service, 19th c., probably Minton, most with puce painted no. 130, decorated with leaves and flowers, polychrome with gilt accents, incl. 4 dinner plates (dia. 9 1/2 in.), 8 luncheon plates, 5 soup plates, 8 luncheon plates, dessert plate, oval dish and 2 stands; together with an assorted group of similar pieces decorated with birds, incl. tureen (h. 5 1/2 in., l. 14 in.), Minton plate, pair of oval dishes and luncheon plate. [$500/700]

85. Group of Ginori “Bianco” Pattern Porcelain, (Vecchio shape), incl. 11 dinner plates (dia. 10 1/4 in.), 2 salad plates (dia. 7 3/4 in.), and 4 egg cups. [$150/250] Provenance: Estate of Julia Evans Reed.

Provenance: Stair Galleries “Ceramics from the Collection of Mario Buatta”, April 16, 2020, lot 164; Estate of Julia Evans Reed. 86. Group of Paris and Limoges “Anneau d’Or” Porcelain Dinnerware, 19th c., incl. 6 plates (dia. 9 5/8 in.), 6 plates (dia. 7 3/8 in.), covered sugar and 8 associated pot de cremes (2 missing covers); together with a later corbeille. [$250/350] Provenance: Estate of Julia Evans Reed.

Photo by Paul Costello

90. Ten “Thumbprint” Cut Crystal Water Goblets, probably French, h. 9 in. [$150/250] Provenance: Estate of Julia Evans Reed.

87. Six Antique English Imari Soup Plates, early 19th c., dia. 9 5/8 in. [$200/300] Provenance: Estate of Julia Evans Reed.

91. Fifteen Antique Panel Cut Water Goblets, tallest h. 6 in. [$200/300] Provenance: Lucullus, New Orleans; Estate of Julia Evans Reed.

94. Antique Blown and Cut Flint Glass Footed Bowl; together with an antique blown and cut glass pitcher and 2 William Yeoward crystal syllabub glasses, h. 9 1/2 in. [$200/300] Provenance: Estate of Julia Evans Reed.

88. Seven Davenport Creamware Dessert Plates, 19th c., dia. 9 1/2 in.; together with 6 Derby soup plates, dia. 10 1/2 in. (13 pcs.) [$200/300]

89. Nine Antique French Panel Cut Crystal Champagne Flutes, h. 7 in. [$500/750]

Provenance: Estate of Julia Evans Reed.

Provenance: Lucullus, New Orleans, Estate of Julia Evans Reed.

92. Fifteen Antique French Blown Glass Goblets, rough pontil, tallest h. 6 1/4 in. [$150-250]

93. Group of Six Antique Panel Cut Crystal Wine Rinsers, largest dia. 6 in.; together with 1 fingerbowl, dia. 3 3/4 in. [$150/250]

Provenance: Lucullus Antiques, New Orleans; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

95. Group of Antique Green Blown Glass Tableware, incl. wine rinser, fingerbowl and 6 goblets; together with contemporary examples, incl. 9 tumblers, 6 goblets and ice pail. [$200/300] Provenance: Estate of Julia Evans Reed.

Photographs by Paul Costello

Additional information at www.nealauction.com

96. French First Standard Silver Partial Flatware Service in Fiddlethread (or Filet) Pattern, 19th c., various makers, incl. 6 table forks and 6 tablespoons, monogrammed en suite “PR”; together with 9 1st standard silver and bone cocktail forks, Philippe Berthier, Paris, act. 1841‑1851; total wt. (weighable) 28.15 troy ozs. [$800/1200] Provenance: Lucullus, New Orleans; Estate of Julia Evans Reed.

97. Good Group of Antique French Silverplate Flatware, incl. carving knife and fork, 6 ebony handle knives with steel blades marked “MEDAILLE 49/BATISSE DUMAS”, l. 9 3/4 in., marrow scoop and 7 cocktail forks. [$300/500] Provenance: Lucullus Antiques, New Orleans, Estate of Julia Evans Reed.

100. Pair of Old Sheffield Plate Three‑Light Candelabra, double sunburst mark of Matthew Boulton, late 18th/early 19th c., urn‑form candlecups, “French” gadroon borders throughout, h. 19 3/4 in., w. 16 1/2 in. [$800/1200]

98. Good Group of Georgian Sterling Silver Flatware, early 19th c., incl. basting spoon, Thomas & William Chawner, London, engraved with Matheson clan crest and motto “Fac et Spera/Do & Hope”, l. 11 7/8 in.; 2 crested tablespoons, James Scott, Dublin, 1823; 2 London sauce ladles, William Eaton, 1812 and Josiah & George Piercy, 1819; and master salt, 1812; together with Edwardian coffee spoon; total wt. 16.05 troy ozs. [$400/600]

99. Edwardian Sterling Silver Flatware Service in Trifid Pattern, Crichton & Co., London, c. 1910, incl. 12 each: dinner forks, dessert forks, dinner knives, dessert knives, fruit knives, tablespoons, dessert spoons and teaspoons, in fitted case. (96 pcs.) [$2000/3000] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

101. Pair of Old Sheffield Plate Meat Domes, double sunburst mark of Matthew Boulton, 19th c., h. 10 in. [$600/900] Provenance: Estate of Julia Evans Reed.

102. Set of Four Antique English Silverplate Candlesticks, 19th c., crested, each with urn‑form candlecup, tapered shaft, straight gadroon and reeded bands, h. 12 in. [$200/300] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed. 104. Antique English Silverplate Hot Water Urn, William Hutton & Sons, Sheffield, 2nd half 19th c., h. 18 1/2 in. [$300/500] Provenance: Estate of Julia Evans Reed.

103. Antique English Silverplate Circular Entrée Dish with Warming Stand, mark of Creswick, Sheffield, h. 10 in. [$300/500]

105. Antique Silverplate and Blue Opaline Glass Butter Dish, 19th c., reticulated cover and stand with cow finial and bull’s head and ring handles, blue opaline liner, retains removable drain plate, h. 6 3/4 in., w. 6 5/8 in. [$300/500] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

106. Two Antique French 1st Standard Silver Beakers, larger Pellerin & Lemoing, act. from 1866, 40 rue de Montmorency, Parish, h. 3 1/2 in., smaller maker untraced, h. 2 3/4 in., total wt. 4.45 troy ozs. [$300/500] Provenance: Estate of Julia Evans Reed.

107. Pair of Tennessee Coin Silver Goblets, Campbell & Donigan, Nashville, act. 1853‑1855, engraved “Enid”, h. 4 1/4 in., total wt. 6.45 troy ozs. [$400/600] Provenance: Estate of Julia Evans Reed. Ref. Caldwell, Benjamin H. Tennessee Silversmiths, pp. 56‑57, mark illustrated p. 56, fig. 49A

107A. Group of American Coin Silver Spoons, incl. tablespoon, E.A. Tyler, New Orleans, act. 1838-1879; tablespoon, James R. Reed, Pittsburgh, act. 1847-1850; tablespoon, marked “GRIFFEN” in rectangle, possibly George M. Griffin, Savannah, act. 1852-1857; and condiment spoon, C.G. Schoolfield, Columbia, MO, mid-19th c. [$75/125] Provenance: Estate of Julia Evans Reed.

108. Group of Antique and Vintage Barware, incl. English silverplate cocktail shaker, Walker & Hall, h. 8 3/8 in., French silverplate ice bowl, sterling julep cup and jigger, 2 crystal mixing beakers, 2 silverplate jiggers, silverplate goblet, and crystal and silver ashtray, presented on a silverplate gallery tray, 21 1/4 in. x 13 7/8 in. [$300/500]

109. Group of Twelve Antique English Horn Beakers, incl. 4 retaining English silver mounts, h. 2 3/8 in. to 5 1/2 in.; together with silver‑mounted bar spoon and 2 smaller horn spoons. [$300/500] Provenance: Lucullus, New Orleans; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

110. Pair of Old Sheffield Plate Wine Coasters, 19th c., turned wood bottoms, dia. 5 3/4 in. [$150/250] Provenance: Estate of Julia Evans Reed.

111.Pair of Regency Black and Gilt Japanned Papier Mache Wine Coasters, dia. 5 1/8 in.; together with a later blue and gilt pair, dia. 5 1/2 in. [$400/600] Provenance: Estate of Julia Evans Reed.

112. Whiting Sterling Silver Asparagus Server, Pattern No. 26, pat. 1902, peony motif, retains gilt wash to tines, l. 9 7/8 in.; together with Art Nouveau Wallace daffodil motif tea strainer, l. 7 1/8 in.; total wt. 5.25 troy ozs. [$150/250] Provenance: Estate of Julia Evans Reed.

114. Antique English Silverplate Fish Set for Eighteen, hollow handles, fitted rosewood case. [$250/350] Provenance: Estate of Julia Evans Reed.

118. Group of Three Antique English and French Silverplate Souffle Dishes, incl. Elkington and Mappin Bros., with 2 liners; together with an American sterling open vegetable dish, dia. 10 1/8 in. [$200/300] Provenance: Estate of Julia Evans Reed.

115. Antique French Silverplate Assembled Flatware Service in Fiddlethread (or Filet) Pattern, various makers, incl. 8 table forks, 22 table or soup spoons and 2 soup ladles. [$300/500] Provenance: Estate of Julia Evans Reed.

119. Group of Vintage Silver and Silverplate Accoutrements for Entertaining, incl. sterling stilton markers, cased set of Art Deco cocktail stirrers and cased Hotel Ritz caviar spoons. [$150/250] Provenance: Estate of Julia Evans Reed.

116. Good Group of Silver and Silverplate Serving Pieces, incl. dolphin motif silverplate fish serving knife and fork, scroll motif fish serving knife and fork, and silver and bone salad serving fork and spoon (hh). [$400/600]

113. Antique English Silverplate and Ivorine Fish Set for Twelve, fitted oak case. [$150/250] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

117. Antique English Ivorine, Silver and Silverplate Carving Set, late 19th c., incl. large and small carving knives and forks, sharpening steel and fish serving knife and forks, all with sterling ferrules marked Henry Greaves, Sheffield, 1894; together with large group of associated serving pieces. [$250/350]

120. Group of Six Creel & Gow Silvered Echinoderm Candleholders, incl. 2 starfish and 4 sea urchins, w. 2 3/4 in. to 9 3/8 in. [$300/500]

121. Group of Creel & Gow Silverplate Fruit, incl. pomegranate and 2 lemons; together with a Japanese lacquer bowl filled with painted stone fruit. [$150/250]

Provenance: Estate of Julia Evans Reed.

Additional information at www.nealauction.com

123. Directoire Gilt Mirror, late 18th/early 19th c., lamb’s tongue and beaded surround, divided old mirror plate, h. 48 in., w. 35 1/2 in. [$500/1000] Provenance: Karla Katz, New Orleans; Estate of Julia Evans Reed.

124. Italian Neoclassical Inlaid Fruitwood Commode, late 18th/early 19th c., molded top, two small short drawers over two long drawers, h. 35 in., w. 50 1/4 in., d. 22 1/4 in. [$1500/2500] Provenance: Estate of Julia Evans Reed.

122. John Roselli Tole Peinte Pagoda‑Form Chandelier, aqua ground with gilt decoration, h. 31 in., dia. 22 in. [$600/800] Provenance: Jayne Design Studio, sourced from John Roselli. 125. Antique French Blue Opaline and Gilt Table Lamp, h. 24 in.; together with a blue opaline dresser box, h. 3 1/4 in. [$500/700]

126.Pair of Diminutive Bronze Two‑Light Candelabra, with bleu celeste porcelain portrait medallions, h. 10 1/4 in., w. 6 in., d. 3 1/4 in. [$150/250]

Provenance: Estate of Julia Evans Reed.

127 Two Patinated Terracotta Figural Lamps, one with satyr and putti, h. 25 1/4 in.; other putto with cymbals, h. 20 in. [$400/600] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

128. Group of Antique English Peach and Gilt Porcelain, 19th c., incl. Coalport Feldspar porcelain covered sugar, unmarked oblong cake plate and sugar basin. [$300/500] Provenance: Estate of Julia Evans Reed.

129. Pair of Mint Green and Gilt Porcelain Vasiform Table Lamps, h. 23 1/2 in. [$300/400] Provenance: Estate of Julia Evans Reed.

130. Pair of Antique Louis XVI‑Style Gilt and Vert Peinte Side Chairs, handsome silk upholstery and trim, h. 34 1/4 in., w. 19 1/2 in., d. 22 in. [$400/600] Provenance: Estate of Julia Evans Reed.

132. Napoleon III‑Style Ottoman, covered in Claremont Empire damask, ring turned tapered legs, h. 13 in., w. 26 in., d. 26 in. [$300/500] Provenance: Jayne Design Studio; Estate of Julia Evans Reed.

131. French Satinwood Chiffonier, 19th c., with verde antico faux marbre top, pair of glazed doors lined in pleated silk, shelf interior, block base, h. 37 1/2 in., w. 42 in., d. 15 in. [$400/600] Provenance: Estate of Julia Evans Reed.

133. Pair of Edwardian‑Style Upholstered Slipper Chairs, olive velvet with bullion fringe, h. 29 in., w. 25 in., d. 29 in. [$300/500] Provenance: Estate of Julia Evans Reed.

134. Suzanne Allen Custom‑Made Sofa, upholstered in Fleurons de Helene “Eloise” silk, h. 38 in., w. 24 1/2 in., d. 29 in. [$300/500]

135. Antique Neoclassical Rosewood, Rosewood‑Grained and Gilt Gueridon, 19th c., turned standard, outswept supports, incurvate triangular stretcher, toupie feet, h. 22 1/4 in., dia. 17 1/4 in. [$300/500] Provenance: Watersmeet, Nashville, possibly from noted decorator A. Herbert Rodgers; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

136. English Black Lacquer Floor Lamp, with gilt chinoiserie decoration, h. 64 in. [$300/500] Provenance: Hollyhock, Los Angeles; Estate of Julia Evans Reed.

137. Continental Bronze‑Mounted Mahogany and Parquetry Bouillotte Table, 19th c., tapered legs, circular top with radial veneer, frieze drawer, stretcher shelf, brass caps, h. 33 in., dia. 29 1/2 in. [$500/800]

138. Edwardian Inlaid Mahogany Writing Table, inset leather top “as is”, two frieze drawers, square tapered legs with brass caps and casters, h. 29 1/2 in., w. 36 in., d. 20 in. [$300/500]

Provenance: Estate of Julia Evans Reed.

139. Continental Mahogany and Fruitwood Semainier, c. 1830‑1850, marble top, six drawers, 56 in., w. 38 in., d. 17 in. [$500/700] Provenance: Estate of Julia Evans Reed.

140. Glass and Patinated Metal Hall Lantern, with smoke bell, h. 25 in. [$300/500]

141. Green Bell‑Shaped Glass and Patinated Metal Hall Lantern, h. 23 in. [$300/500]

143. Chinese Polychrome and Gilt Decorated Red Lacquer Stool, open barrel‑form, lobed top decorated with pavilions in a landscape, h. 18 1/4 in., dia. 18 in.; together with a small square stool. [$150/250] Provenance: Estate of Julia Evans Reed.

142.Continental Walnut Lit en Bateau, 19th c., molded crest rails, foliate finials, reverse tapered fluted columnar supports, fluted tapered legs, upholstered in Jasper Fabrics “Eton Square” wool and linen, h. 48 1/2 in., w. 71 1/2 in., d. 48 in. [$800/1200] Provenance: Estate of Julia Evans Reed.

144.Continental Satinwood and Parcel Ebonized Poudreuse, 19th c., top with chamfered corners, conforming case, fitted interior with inset mirror, shaped stretcher shelf, tapered legs, h. 29 1/2 in., w. 21 in., d. 16 1/4 in. [$300/500] Provenance: Estate of Julia Evans Reed.

Additional information at www.nealauction.com

145. Antique Italian Neoclassical Inlaid Walnut Desk, top centered with foliate scroll panel, kneehole configuration of drawers, tapered legs, h. 31 1/2 in., PDF Proof w. 47 1/2 in., d. 26 1/2 in. [$400/600] Provenance: Karla Katz, New Orleans; Estate of Julia Evans Reed.

146.Charles X Fruitwood and Parcel Ebonized Commode, marble top, three drawers, blocked feet, h. 32 3/4 in., w. 47 1/2 in., d. 22 1/2 in. [$500/700] Provenance: Estate of Julia Evans Reed.

147. Antique William IV Oak Trolley, 19th c., three tiers with galleries, lobed finials, reeded supports, toupie feet, casters, h. 42 1/4 in., w. 41 in., d. 17 1/4 in. [$400/600] Provenance: Estate of Julia Evans Reed.

148. Antique Fereghan Rug, blue central ground, serrated spandrels, allover stylized floral designs, 3 ft. 4 in. x 5 ft. [$400/600] Provenance: Estate of Julia Evans Reed.

149. Antique Heriz Rug, red and salmon ground, central medallion, overall stylized designs, 10 ft. 5 in. x 14 ft. 2 in., Note: condition. [$300/500]

150. Antique Persian Prayer Rug, mihrab on a blue ground, 3 ft. 4 in. x 5 ft. [$150/250]

Provenance: Estate of Julia Evans Reed.

151. Jessica Lange (American/Minnesota, b. 1949), “Mississippi”, gelatin silver photograph, pencil‑signed and titled en verso, sheet 16 in. x 20 in., framed. [$700/1000] Provenance: Collection of the Artist; sold for the benefit of the Julia Evans Reed Charitable Trust.

153. Paul Costello (American/New Orleans, b. 1971), “Brookside at Dawn with Falcon”, archival inkjet print on paper, unsigned, from Julia Reed’s South, handwritten label with artist and title on backing, sheet 20 in. x 28 in., framed. [$300/500] Provenance: Estate of Julia Evans Reed. Ill.: Reed. Julia. Julia Reed’s South Spirited Entertaining and High‑Style Fun All Year Long. New York: Rizzoli International Publications, Inc., 2016, p. 4

Provenance: Estate of Julia Evans Reed.

152. Jessica Lange (American/Minnesota, b. 1949), “Mississippi”, gelatin silver photograph, pencil‑signed and titled en verso, sheet 16 in. x 20 in., framed. [$700/1000] Provenance: Collection of the Artist; sold for the benefit of the Julia Evans Reed Charitable Trust.

154. David Halliday (American/ Louisiana, b. 1958), “Cypress Grove”, 1998, silver gelatin print, pencil‑signed, numbered “11/25” and artist blind stamp lower margin, pencil‑signed, titled, dated, edition and artist label on backing board, sight 26 1/2 in. x 26 1/2 in., framed. [$800/1200] Provenance: Estate of Julia Evans Reed.

155. David Halliday (American/ Louisiana, b. 1958), “Shell and Oil Cans”, 2007, archival pigment print, pencil‑signed and dated lower right, pencil‑numbered “2/25” lower left, 14 in. x 18 in., framed. [$500/700]

156. Jane Rule Burdine (American/Mississippi, b. 1946), “Curtain, College Hill, Lafayette County, Mississippi”, 1971, Lightjet print, signed, titled, dated and numbered “5/21” en verso, sheet 20 in. x 16 in., framed. [$300/500]

Provenance: Estate of Julia Evans Reed.

157.Jack Spencer (American/ Mississippi, b. 1951), “Two Elks”, 2014, archival ink jet print on paper mounted to board, signed and numbered “1/1” lower margin, pencil‑signed, titled, numbered “1/1”, dated and inscribed on mounting board, sheet 34 in. x 39 in., framed. [$700/1000] Provenance: Estate of Julia Evans Reed.

158. Jack Spencer (American/Mississippi, b. 1951), “M & E Service Center, Greenville, Mississippi”, 2014, archival ink jet print on paper mounted to board, signed and numbered “1/10” lower margin, pencil‑signed, titled, dated and numbered “1/10” en verso, sheet 34 in. x 39 in., framed. [$500/800] Provenance: Estate of Julia Evans Reed.

159. Antique Continental Neoclassical‑Style Inlaid Figured Birch Library Table, inset tooled leather top, frieze drawers, square tapered legs, brass cuffs, h. 31 1/2 in., w. 74 in., d. 33 1/4 in. [$300/500] Provenance: Balzac Antiques, New Orleans; Estate of Julia Evans Reed.

160.Antique German Brass, Tole and Glass Terrarium, canted corners with finials, now filled with seashells and coral, h. 13 in., w. 27 in., d. 18 in. [$300/500] Provenance: Estate of Julia Evans Reed.

161. American Ebonized, Burled Wood and Gilt Mirror, mid‑19th c., h. 33 in., w. 27 in. [$400/600] Provenance: Estate of Julia Evans Reed.

162. Pair of Louis XVI‑Style Creme Peinte Bergères, molded back, padded arms, spiral supports, fluted tapered legs, h. 35 1/4 in., w. 24 in., d. 22 in. [$600/900] Provenance: Estate of Julia Evans Reed.

163. Antique William IV Stool, incurvate sides, ring turned tapered legs, casters, h. 16 in., w. 26 in., d. 26 in. [$200/400] Provenance: Estate of Julia Evans Reed.

164. Louis XVI‑Style Creme Peinte Fauteuil, upholstered in Peter Fasano “Rose Stripe”, h. 34 1/2 in., w. 23 1/2 in., d. 26 in. [$200/300] Provenance: Estate of Julia Evans Reed.

165. French Empire‑Style Creme Peinte Bergère, upholstered in Ian Mankin cotton ticking, h. 38 in., w. 23 1/2 in., d. 26 in. [$300/500] Provenance: Estate of Julia Evans Reed.

166. Contemporary Painted Daybed, with reticulated keyhole arches, mattress and bolsters upholstered in Jasper Fabrics “Eton Square” wool and linen, h. 36 1/2 in., w. 40 in., d. 76 in. [$400/600] Provenance: Estate of Julia Evans Reed.

Additional information at www.nealauction.com

168. Continental Figured Birch Armoire, 19th c., paneled doors with ebonized detail, base with two drawers, blocked feet, later shelves, now lacking cornice, h. 83 1/2 in., w. 65 in., d. 21 1/2 in. [$300/500]

167. Arched Upholstered Headboard, queen size, h. 57 1/2 in., w. 62 in. [$100/200]

Provenance: Karla Katz Antiques, New Orleans; Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

170. Vintage Five-Piece Painted Wicker Set, incl. settee, armchair and ottoman, occasional table, small desk, settee h. 39 in., w. 72 in., d. 34 in, small table h. 22 in., w. 23 in., armchair h. 39 in., w. 30 in., d. 36 in. [$400/600] Provenance: Estate of Julia Evans Reed.

169. American Gilt Mirror, early‑to‑mid 19th c., coved bolection surround, old mirror plate, h. 45 1/2 in., w. 23 1/2 in. [$400/600] Provenance: Estate of Julia Evans Reed.

171. French Walnut Draw‑Leaf Harvest Table, 19th c., with bread board ends, one frieze drawer, tapered legs, h. 29 in., w. (closed) 59 1/4 in., w. (open) 100 in., d. 33 in. [$600/900] Provenance: Estate of Julia Evans Reed.

172. French Provincial Tilt‑Top Wine Table, h. 27 in., w. 57 1/2 in., d. 49 1/4 in. [$300/500] Provenance: Estate of Julia Evans Reed.

173. Small Bronze‑Mounted Turned Wood Table Lamp, h. 18 3/4 in.; together with carved marble baluster‑form lamp, h. 18 in. [$200/300] Provenance: Estate of Julia Evans Reed.

174. Pair of Decorative Patinated Bronze “Turkey Leg” Table Lamps, 20th c., h. (to socket) 18 in. and 16 in. [$150/250] Provenance: Estate of Julia Evans Reed.

175. Group of Seventeen Shed Deer Antlers, in a leather‑bound basket, h. 11 in., w. 21 in., d. 13 in. [$100/200] Provenance: Estate of Julia Evans Reed. 176. Chinese Yellow Glazed Porcelain Bowl, 20th c., incised with confronting dragons amid flaming clouds, base with Chenghua mark, h. 3 1/4 in., dia. 6 1/2 in. [$100/150] Provenance: Estate of Julia Evans Reed.

177. Chinese Turquoise Glazed Porcelain Bottle Vase, overall slightly mottled blue glaze pooling to a darker shade around the neck, base with impressed mark, h. 9 1/2 in. [$100/150] Provenance: Estate of Julia Evans Reed.

178. Two Goyard Travel Bags, initialed “JR”. (2 pcs.) [$700/1000] Provenance: Estate of Julia Evans Reed.

181. Mish New York 18 kt. Yellow Gold Chrysanthemum Earrings, signed Mish NY©, clip and post backs. [$800/1200] 179. Vintage Chanel Black and White Fabric Flower Brooch. [$100/200] Provenance: Estate of Julia Evans Reed.

183. American Retro 14 kt. Rose Gold, Citrine, Ruby and Diamond Dinner Ring, attr. to Oscar Heyman, c. 1940, set with on emerald cut citrine flanked by 4 full‑cut diamonds and 6 calibre‑cut rubies, citrine 15 mm. x 22 mm. [$800/1200] Provenance: Estate of Julia Evans Reed.

180. Vintage Chanel Brooch and Bracelet, marked, gilt metal, pearl and gemstone embellished. [$200/300]

Provenance: Estate of Julia Evans Reed.

182. Mish New York 18 kt. Yellow Gold, Citrine and Garnet Earrings, signed Mish NY©, set with cushion‑cut dark citrines and cabochon garnets. [$800/1200] Provenance: Estate of Julia Evans Reed.

Provenance: Estate of Julia Evans Reed.

184. Period Art Deco Platinum and Diamond Clip/ Brooch, set with assorted round full cut, European cut and baguette diamonds, totaling approx. 8‑10 cts., VS1‑VS2 clarity, G color. [$6000/8000]

185. 14 kt. Yellow Gold, Amethyst, Diamond and Black Enamel Dinner Ring, set with cushion‑cut amethyst and 16 old mine cut diamonds, registration mark 3868. [$800/1200]

186. Pair of White Gold, Carved Jade and Diamond Earrings, contemporary unmarked white gold tops set with antique jade and diamonds. [$800/1200]

Provenance: Estate of Julia Evans Reed.

190. Group of Earrings, incl. a single 18 kt. yellow gold and diamond hoop earring, a single 18 kt. yellow gold hoop earring and a pair of antique Italian silver and glass earrings. [$100/200] Provenance: Estate of Julia Evans Reed. 187. Mish New York 18 kt. Yellow Gold and Coral Necklace, signed Mish NY©, comprised of antique coral beads and contemporary toggle clasp. [$1200/1800] Provenance: Estate of Julia Evans Reed.

188. Mish New York 18 kt. Yellow Gold and Coral Earclips, signed Mish NY©, set with oval coral cabochons. [$400/600] Provenance: Estate of Julia Evans Reed.

189. Collection of Georgian Fob Seals, set with various stones, some mounted in 9 kt. gold, some in pinchbeck, presented as a necklace on a goldtone chain; together with a Georgian fob seal ring set in gold shell. [$600/800] Provenance: Estate of Julia Evans Reed.

End of the Julia Reed Estate Collection Session One continues on next page Photograph by Paul Costello

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191. Two 14 kt. Yellow Gold Flexible Bracelets, one with interwoven textured and polished links, toggle clasp with onyx cabochons, l. 7 1/2 in.; other with split rings and jump clasp, l. 7 1/4 in., total wt. 18 dwt. [$800/1200] 192. Italian 14 kt. Yellow Gold Basketweave Flexible Bracelet, hidden box clasp, double safety clasp, l. 7 1/2 in., wt. 16 dwt. [$700/900] 193. 14 kt. Yellow Gold Double Curb Link Bracelet, hidden box clasp, l. 8 in., wt. 27.5 dwt. [$1000/2000]

194. Italian 14 kt. Yellow Gold Articulated Link Bracelet with Toggle Clasp, signed SAK”, l. 8 in., w. 1/2 in., wt. 17 dwt. [$700/900]

195. 14 kt. Yellow Gold Oval Link Bracelet, spring ring clasp, l. 7 1/2 in., wt. 22.32 dwt. [$800/1200]

196. 14 kt. Yellow Gold Ribbed Flexible Bracelet, hidden box clasp with safety catch, l. 7 1/2 in., wt. 31 dwt. [$1000/2000]

197. 14 kt. Yellow Gold Bangle Bracelet, w. approx. 14 mm., wt. 13 dwt. [$500/700]

198. Pair of 14 kt. Yellow Gold Hammered Cuff Bracelets, signed “Aucoin Hart”, w. 1 3/4 in., wt. 65.5 dwt. [$3000/5000]

199. 18 kt. Yellow Gold “Twist” Bangle Bracelet, wt. 11.5 dwt. [$600/900]

200. 18 kt. Yellow Gold Amulet Pendant, probably Indian, spade‑form with granulated ornament, approx. 3 1/8 in. x 2 5/8 in.; mounted on a necklace of 63 7.5‑8 mm. freshwater pearls, necklace l. 18 1/2 in., total wt. 37.5 dwt. [$3000/5000]

201. 14 kt. Yellow Gold Crown Pendant, signed “ADLERS”; together with gold and enamel Rex 1976 pin, set with paste jewels; total wt. 6.5 dwt. [$300/500]

202. Four 14 kt. Yellow Gold Rings, incl. emerald and diamond ring, set with approx..75 ct. emerald and 2 small diamonds (approx..12 ct. total); pair of guard rings with small diamond clusters (approx..24 ct. total); and ropetwist band; total wt. approx. 6.5 dwt. [$400/600]

203. Antique 14 kt. Rose Gold and Old Mine Diamond Crown Pin, late 19th c., unmarked but tested 14 kt., set with 7 belcher set old mine cut diamonds totaling approx..98 ct., L‑N color, VS1‑VS2 clarity, l. 1 1/4 in., overall wt. 2.5 dwt. [$700/900]

204. Pair of Peruvian 14 kt. Yellow Gold Knuckle Rings; together with an 18 kt. yellow gold electroformed alligator wrap ring, size 9 1/2, total wt. 7.5 dwt. [$300/500] 205. American Retro 14 kt. Yellow Gold Clover Clip/Brooch, wt. 8.5 dwt. [$300/500]

206. South African 18 kt. Yellow Gold and Diamond Necklace and Bracelet in the Etruscan Taste, signed “CBD”, each with lion’s head and pave diamonds, total wt. 67 dwt. [$3500/4500] 209. White Gold, Diamond and Emerald Phi Delta Theta Fraternity Pin, unmarked, probably 10 kt.; together with Chinese silver and molded glass brooch. [$150/250]

207. Antique 14 kt. Yellow Gold and Diamond Anchor Brooch, late 19th c., set with 9 old mine and rose cut diamonds, wt. 6 dwt. [$300/500]

210. Platinum, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 2.63 cts., 9.3 x 7 x 5.3 mm; double halo and shoulders with 124 round brilliant cut diamonds, total wt. approx. 0.58 ct., F‑G color, VS‑1 to SI‑1 clarity; size 6.25, AIGL report. [$2500/3500]

208. Yellow Gold and Diamond St. Christopher Medal, set with 8 full cut diamonds, wt. 13.5 dwt. [$400/600] 213. Pair of Platinum, Emerald and Diamond Dangle Earrings, center prong set rectangular cut cornered step cut emeralds, total wt. approx. 4.01 cts., 9 x 7 mm; bezels, supports and posts with 142 baguette and round brilliant cut diamonds, total wt. approx. 1.82 cts., F‑G color, VS‑1 to SI‑1 clarity; AIGL report [$3000/5000]

211. Platinum, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 5.92 cts., 11.9 x 9.8 x 6.9 mm; double halo and shoulders with 132 round brilliant cut diamonds, total wt. approx. 1.00 ct., F‑G color, VS‑1 to V‑S2 clarity; size 7; AIGL report. [$6000/8000]

213A. Pair of 18 kt. White Gold, Emerald and Diamond Stud Earrings, centers with 2 prong set heart shaped emeralds, total wt. approx. 2.34 cts.; bezels with 32 round brilliant cut diamonds, total wt. approx. 0.66 ct. [$1000/1500]

212. 14 kt. Yellow Gold, Emerald and Diamond Necklace, 49 prong set oval mixed cut emeralds, total wt. approx. 21.84 cts.; bezels set with 746 round brilliant cut diamonds, total wt. approx. 5.67 cts., H‑J color, SI‑2 to I‑2 clarity; l. 17 in.; AIGL report. [$5500/6500]

214. 14 kt. White Gold, Emerald and Diamond Ring, center prong set square step cut emerald, wt. approx. 0.45 ct., 4.7 x 4.3 mm; support with 34 round brilliant cut diamonds, total wt. approx. 0.50 cts, H‑J color, I‑1 to I‑2 clarity; size 6.75; AIGL report. [$500/700]

215. 14 kt. Yellow Gold, Emerald and Diamond Ring, center prong set oval mixed cut emerald, wt. approx. 4.10 cts.; support with 78 prong and bezel set round brilliant cut diamonds, total wt. approx. 2.38 cts., F‑G color, I‑1 to I‑2 clarity; size 6.75; AIG report. [$3500/4500]

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216. 18 kt. White Gold and Diamond Station Necklace, cable chain spaced with 53 bezel set diamonds variously cut and variously sized diamonds, total wt. approx. 13.36 cts., l. 59 1/2 in. [$3000/5000] 218. 14 kt. Yellow Gold and Diamond Line Bracelet, set with 47 bead‑set round brilliant diamonds totaling approx. 2.25 cts., color J‑K, clarity I1‑I2, hidden box clasp, bracelet l. 7 in., wt. 9.5 dwt. [$2000/3000]

217. 14 kt. White Gold and Pave Diamond Knot Cluster Ring, signed “SD”, set with numerous full cut diamonds. [$700/900] 219. Platinum and Diamond Eternity Ring, comprised of 16 bezel set round brilliant cut diamonds, total wt. approx. 2.56 cts.; size 7.5. [$1000/1500]

221. 14 kt. White Gold and Diamond Tennis Bracelet, set with 37 round brilliant cut diamonds, total wt. approx. 7.43 cts.; l. 7 in. [$3000/5000]

220. 18 kt. White Gold and Diamond Eternity Ring, comprised of 13 prong set princess cut diamonds with bezels of numerous round brilliant cut diamonds, total wt. approx. 4.39 cts.; size. [$4000/5000]

222. 18 kt. White and Yellow Gold and Diamond Bracelet, comprised of 23 bezel set round brilliant cut diamonds, total wt. approx. 7.15 cts.; bezels with yellow gold prismatic banding and white gold beading; l. 7 in. [$4000/6000] 225. 14 kt. White Gold and Diamond Necklace, comprised of 250 half bezel set round brilliant cut diamonds of varying size, total wt. approx. 13.36 cts.; l. 31 3/4 in. [$5000/7000]

223. 18 kt. White and Yellow Gold and Diamond Eternity Ring, comprised of 10 bezel set round brilliant cut diamonds, total wt. approx. 3.17 cts.; bezels with yellow gold prismatic banding and white gold beading; size 7. [$1800/2500]

224. 18 kt. White and Yellow Gold and Diamond Hoop Earrings, comprised of 50 bezel set round brilliant cut diamonds, total wt. approx. 3.96 cts.; bezels with yellow gold prismatic banding and white gold beading. [$2000/3000]

227. Platinum and Diamond Ring, center bezel set round brilliant cut diamond, wt. approx. 0.30 ct., G color, SI‑2 clarity; surround and support with numerous diamonds, total wt. approx. 0.31 ct., G color, SI‑2 clarity; size 5.75; IAS report. [$800/1200]

226. 18 kt. White Gold and Diamond Stud Earring s, 2 central prong set round faceted diamonds, wt. approx. 1.02 cts. and 1.05 cts.; circular surround with numerous round faceted diamonds. [$2000/3000]

228. Platinum and Diamond Tennis Bracelet, 50 prong set round brilliant cut diamonds, total wt. approx. 7.86 cts., 3.3‑3.5 mm, G‑H color, I‑1 to I‑2 clarity; l. 7.5 in.; AIGL report. [$5500/7500]

229. 14 kt. Yellow Gold and Diamond Solitaire Pendant with 14 kt. White and Yellow Gold Chain, center bezel set round brilliant cut diamond, wt. approx. 0.52 ct., G color, I‑2 clarity; link chain, l. 16 in.; IAS report. [$500/700]

230. 14 kt. Rose Gold and Diamond Bangle Bracelet, 61 round brilliant cut diamonds, total wt. approx. 2.80 cts., 2.3‑2.5 mm, G‑I color, SI‑2 to I‑1 clarity; circ. (ext.) 7 3/4 in.; AIGL report. [$1500/2500]

231. 14 kt. Rose Gold and Diamond Tennis Bracelet, 174 channel set princess cut diamonds, total wt. approx. 8.30 cts., G‑I color, SI‑1 to I‑2 clarity; l. 7 3/4 in.; AIG report. [$2500/3500]

233. White Gold, Sapphire and Diamond Necklace, 32 prong set oval mixed cut blue sapphires, total wt. approx. 18.07 cts., 6.00 x 4.00 x 2.60 mm; links with 192 prong set round brilliant cut diamonds, total wt. approx. 2.18 cts., G‑I color, I‑1 to I‑3 clarity; l. 17 1/4 in.; AIG report. [$1750/2500]

232. 18 kt. White Gold, Diamond and Sapphire Ring, center round brilliant cut diamond, wt. approx. 1.03 cts., 6.2 x 3.9 mm, I color, I2 clarity; support and bezel with 14 rectangular cut sapphires, total wt. approx. 0.80 ct.; and 14 round brilliant cut diamonds, total wt. approx. 0.23 ct., 1.5‑1.8 mm, G color, VS‑2 to SI‑1 clarity; size 6.5; AIGL report. [$2500/3500]

235. Platinum, Ruby and Diamond Ring, prong set pear‑shape brilliant cut ruby, wt. 1.29 cts., 6.81 x 5.42 x 4.47 mm; tiered bezel with 56 prong set round brilliant cut diamonds, total wt. approx. 0.66 ct., F‑H color, VS‑1 to VS‑2 clarity; size 6; AIG and GIA report. [$2000/3000]

234. French 18 kt. Yellow Gold, Ruby, Sapphire, Emerald and Diamond Brooch, set with pear‑shaped rubies and sapphires, round faceted emeralds and full cut diamonds. [$2500/3500]

237. 18 kt. White and Yellow Gold, Ruby and Diamond Ring, prong set marquise mixed cut ruby, wt. approx. 1.15 cts., 9.7 x 4.8 mm; bezel and support with 52 round cut diamonds, total wt. approx. 0.18 ct.; size 6.25; AIGL report. [$700/900]

238. Platinum, Diamond and Ruby Ring, center prong set round brilliant cut diamond, wt. approx. 0.95 ct., 6.00‑6.00 x 3.95 mm, J color, I‑1 clarity; bezel and supports with 46 bead set round brilliant cut diamonds, total wt. approx. 0.66 ct., E‑G color, SI‑1 to I‑1 clarity; and 20 channel set square cut rubies, total wt. approx. 0.66 ct., 1.50 x 1.50 x 1.00 mm; size 7; AIG report. [$1800/2500]

236. Platinum, Ruby and Diamond Bracelet, 21 prong set pear‑shape mixed cut rubies, total wt. approx. 8.43 cts., 5.00 x 4.00 x 2.30 mm; bezels with 273 round brilliant cut diamonds, total wt. approx. 2.51 cts., E‑G color, I‑1 to I‑2 clarity; l. 7 in.; AIG report. [$2000/3000]

239. Platinum, Diamond and Ruby Ring, center bezel set round brilliant cut diamond, wt. approx. 0.46 ct., 4.87‑4.80 x 2.07 mm, J color, SI‑3 clarity; bezel and support with 24 prong set round brilliant cut diamonds, total wt. approx. 0.32 ct., F‑H color, SI‑1 to I‑1 clarity; and 17 channel set square step cut rubies, total wt. approx. 0.98 ct.; size 6.75; AIG report and EGL USA report. [$1500/2500]

240. Platinum, Star Ruby and Diamond Ring, center with oval cabochon star ruby, wt. approx. 3.27 cts.; bezel with 16 marquise and round brilliant cut diamonds, total wt. approx. 0.45 ct., G‑I color, VS‑2 to SI‑2 clarity; size 7; AIGL report. [$1000/1500]

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241. 18 kt. Yellow Gold, Ruby and Diamond Ring, set with oval faceted ruby, approx. 1.8 ct., 15 full cut diamonds, approx..80 ct., and 31 tapered baguette diamonds, approx. 1.5 ct., SI1‑SI2, J‑K color. [$600/800]

243. 18 kt. White Gold, Garnet and Diamond Ring, center prong set rectangular cushion mixed cut garnet, total wt. approx. 6.25 cts., 11.90 x 9.80 x 5.20 mm; support with 8 prong set rectangular mixed cut garnets, total wt. approx. 1.88 cts.; and 34 prong set single cut diamonds, total wt. 0.15 ct., F‑H color, I‑1 to I‑2 clarity; size 6.5; AIG report. [$700/900]

242. Pair of 14 kt. Yellow Gold, Diamond and Faceted Ruby Earrings; together with matching ring. [$100/200]

244. Pair of 18 kt. Yellow Gold, Citrine and Resin Cushion‑Shaped Earrings, each with bezel‑set citrines and resin intaglio, post and omega clip backs, note: one earring “as is”, each approx. 1 in. x 7/8 in., wt. 13 dwt. [$500/700] 247. 14 kt. White and Yellow Gold and Diamond Ring, center prong set cushion cut Natural Fancy Honey diamond, wt. approx. 0.54 ct., approx. 4.6 x 4.3 mm, SI‑1 clarity; bezel with round cut Natural Fancy Yellow and colorless diamonds, total wt. approx. 0.72 ct., G‑H color, SI clarity; size 7; IAS report. [$1000/1500]

250. South Sea Pearl Necklace, 33 round Golden cultured pearls, 12‑15 mm; 14 kt. yellow gold plunger style tension lock bead clasp, l. (incl. clasp) 18 in.; AIGL report. [$1000/1500]

253. Pair of Platinum, Tahitian Pearl and Diamond Dangle Earrings, drops with 2 round Very Dark Gray cultured pearls, 13 mm; suspended on 102 round brilliant cut diamonds, total wt. approx. 1.46 cts., G‑H color, VS‑2 to SI‑2 clarity; AIGL report. [$1800/2500]

251. Tahitian Pearl Necklace, 35 round Dark Gray cultured pearls, 11‑13 mm; 14 kt. white gold plunger style bead clasp; l. (incl. clasp) 17.5 in. AIGL report. [$1000/1500]

254. 14 kt. Rose Gold, Morganite and Diamond Pendant with 14 kt. Rose Gold Chain, center prong set oval modified brilliant cut morganite, wt. approx. 11.04 cts., 17 x 13.1 mm; double halo and link with 78 round brilliant cut diamonds, total wt. approx. 0.99 cts., H‑I color, SI‑2 to I‑1 clarity; link chain, l. 18 in.; AIGL report. [$1500/2500]

245. 14 kt. White Gold, Topaz and Diamond Ring, set with pear‑shaped precious topaz and 24 full cut diamonds, each.02 ct. [$600/900]

246. 14 kt. White Gold, Yellow Sapphire and Diamond Ring, center prong set octagonal step cut yellow sapphire, wt. 1.39 cts., 6.35 x 4.97 x 4.25 mm; double halo and support with 66 square and round brilliant cut diamonds, total wt. approx. 0.95 ct., G‑I color, VS‑2 to SI‑2 clarity; size 7; AIGL and GIA report. [$1000/1500]

248. 14 kt. White and Yellow Gold and Diamond Pendant with 14 kt. Gold Chain, 7 prong set oval and pear modified brilliant cut diamonds, total wt. approx. 1.00 ct., Fancy Brownish Yellow color, SI‑2 clarity; bezels with 98 round brilliant cut diamonds, total wt. approx. 0.38 ct., Fancy Yellow color, VS‑2 to SI‑2 clarity, links with 53 round brilliant cut diamonds, total wt. approx. 0.21 ct., G‑I color, VS‑2 to SI‑2 clarity; link chain, l. 18 in.; IAS report. [$1500/2500] 249. 18 kt. White Gold, Sapphire and Diamond Ring, center prong set orangey brown sapphire, wt. approx. 3.02 cts., 9.50 x 7.70 x 4.65 mm; double halo and support with 76 prong set round brilliant cut diamonds, total wt. approx. 0.99 ct., F‑H color, I‑1 to I‑2 clarity; size 7; AIG report. [$1500/2500]

252.Platinum, Tahitian Pearl and Diamond Pendant with Platinum Chain, center with round Very Dark Gray cultured pearl, 14 mm; scalloped bezel and link with 41 round brilliant cut diamonds, total wt. approx. 0.99 ct., G‑H color, VS‑2 to SI‑2; rope chain, l. 18 in.; AIGL report. [$2000/3000]

255. 14 kt. Rose Gold, Morganite and Diamond Pendant with 14 kt. Rose Gold Chain, center prong set pear shaped brilliant and modified brilliant cut crown morganite, wt. approx. 12.44 cts., 19.3 x 12.1 mm; bezel and link with 34 round brilliant cut diamonds, total wt. approx. 0.85 ct., G‑H color, SI‑1 to SI‑2 clarity; link chain, l. 18 in.; AIGL report. [$1800/2500]

256. Platinum, Blue Zircon and Diamond Ring, center oval mixed cut zircon, total wt. approx. 4.09 cts.; bezel with 16 round brilliant cut diamonds, total wt. approx. 0.54 ct., G‑H color, SI‑1 to SI‑2 clarity; size 6.75; AIGL report. [$800/1200]

257. 14 kt. Yellow Gold, Aquamarine and Diamond Ring, large oval faceted aquamarine surrounded 20 full cut diamonds, 12 tapered baguettes, aquamarine approx. 20 cts. [$400/600] 258. 14 kt. Yellow Gold, Opal and Diamond Bracelet, 10 bezel set oval opals, total wt. approx. 18.15 cts.; linked with numerous round brilliant cut diamonds, total wt. approx. 1.41 cts., H color, SI‑3 to I‑1 clarity; l. 7 in.; IAS report. [$1500/2500]

259. 14 kt. Yellow Gold, Opal and Diamond Ring, center bezel set oval opal, total wt. approx. 2.06 cts.; support with numerous round brilliant cut diamonds, total wt. approx. 0.14 ct., G‑H color, SI‑1 to SI‑2 clarity; size 7.25; IAS report. [$500/700]

260. Pair of 14 kt. Yellow Gold, Opal and Diamond Dangle Earrings, 2 center bezel set oval opals, total wt. approx. 3.88 cts.; suspended on 8 round brilliant cut diamonds, total wt. approx. 0.12 ct., H color, I‑1 clarity; IAS report. [$500/700]

261. Patek Phillipe Stainless Steel “Nautilus” Lady’s Wristwatch, quartz, bluish‑gray dial, with white gold indices and hands, date aperture, case dia. 26 mm. [$1200/1800]

263. Baume & Mercier “Promesse” Lady’s Wristwatch, quartz, silver dial, with diamond indices, mother‑of‑pearl bezel, red alligator stamp, case dia. 34 mm. [$500/700]

262. Breitling Stainless Steel and 18 kt. Gold “Callistino” Lady’s Wristwatch, quartz, cream dial, date aperture, rotating bezel with 18 kt. gold rider tabs, case numbered B52345, case dia. 28 mm, note: 1 of 4 rider tabes on face missing. [$400/600] 264. Cartier “Must de Cartier” Vermeil Lady’s Wristwatch, quartz, gold dial, reverse stamped “Cartier/ Paris” and “925/Argent”, serial #G22093A, case dia. 34 mm. [$250/350]

267. Pan‑American Exposition Medal, 1901, bronze, by Hermon Atkins MacNeil, obverse with Liberty and a Buffalo, the reverse with South and North Native American Indians smoking a peace pipe, the edge marked “GORHAM CO.” and “BRONZE”, dia. 2 1/2 in. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

265. Vintage Waltham Platinum and Diamond Wristwatch, platinum case, 23 x 13 mm with 4 baguette cut diamonds, total wt. approx. 0.14 ct., G-H color, VS-2 to SI-2 clarity; 70 single cut diamonds, total wt. approx. 0.56 ct.; Waltham movement and ivory color Waltham signed dial; double black cord bracelet, l. 7 in. AIG report. [$500/700]

266. [Yacht Race Crew Medal], 1922, bronze, by Anthony de Francisci, the obverse reading “BRITISH AMERICAN CUP/CREW MEDAL”, centered by figures of Britannia, with lion; and Liberty, with bald eagle; the reverse reads “Donated by Ralph Ellis. Commodore. Seawanhaka Corinthian Yacht Club”, bordered by dolphins and scallop shells, dia. 3 in. [$100/150] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

268. French Legion d’Honneur Grouping, 1934, presented to Sidney Raymond Kent; incl. enameled medal in original leather box; an extra‑illustrated copy of La Legion d’Honneur by Jules Renault, full leather mounted with facsimile medal, and bound with a photo of Kent and a copy of his order, 13 in. x 10 1/2 in.; and also with Kent’s partially printed proclamation, 17 in. x 22 in., framed, 3 pieces. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Note: Sidney Raymond Kent was president of Fox Film when it merged with 20th Century Pictures to form 20th Century Fox in 1935.

269. Three Ancient Pheonician Shekels/ Tetradrachmas, c. 125 BCE ‑ 100 CE, Tyre, obverse with laureate profile facing right, reverse with left‑facing Ptolemaic‑type eagle and “TYPOY...”, dia. approx. 7/8 in. to 15/16 in., each wt. approx. 14.0 gm. or 0.46 ozt., olive wood presentation boxes. [$600/800]

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Session Two Saturday, February 6, 11 a.m.

270. English Oak Trestle Bench, 19th c., tenoned and pegged construction, stretcher, h. 18 in., w. 79 in., d. 14 in. [$500/700] Provenance: Collection of Brooke and Maria Fox, Metairie, LA. 271. Antique English Oak Dresser Base, shaped molded top, central small drawer over cabinet door, flanked by graduated drawers, bracket feet, h. 35 1/2 in., w. 83 1/2 in., d. 22 in. [$800/1200] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

274. English Satinwood Pedestal Cabinet, early‑to‑mid 19th c., top with segmented veneers, molded frieze, blocked supports centering hexagonal cupboard, conforming molded base and shaped feet, h. 25 in., dia. 28 in. [$600/900]

272.English Zinc‑Plated Sandcast Iron Mantel Surround, molded top, central panel with urn and Greek key frieze, acanthus scrolls, egg and dart border, h. 53 in., w. 52 3/4 in., d. 4 in. [$1000/1500]

273.Pair of Irish Rococo Mahogany Side Chairs, possibly 18th c., h. 42 in., w. 21 1/2 in., d. 18 in. [$1000/1500]

275. Antique Georgian Carved Mahogany Console Table, labelled brass plaque “BRUCE & CO... LONDON...”, serpentine top, conforming frieze, fluted tapered legs, spade feet, h. 32 1/4 in., w. 46 1/4 in., d. 22 1/2 in. [$400/600] 276. Chinoiserie Lacquered Table, eglomise top, h. 30 in., dia. 36 in. [$500/800]

278. Eugène Pontus Jazet (French, 1816‑1856), “Judith va Trouver Holopherne”, hand‑colored steel engraving, after Charles Auguste Guillaume Steuben (German, 1788‑1856), published by Goupil & Vibert, Paris, sight 35 1/2 in. x 28 1/2 in., framed. [$400/600]

279. Francesco Cecchini (Italian, 1711‑1811), “Six Prophets and Six Sibyls”, chromolithograph, after Pietro Perugino (Italian, 1446‑1523), sheet 22 1/4 in. x 26 1/2 in., framed. [$300/500]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

277. American Renaissance Carved Oak Bookcase, mid-tolate 19th c., molded blocked cornice, scrolled frieze, barley twist colonnettes, glazed tropheé paneled doors, shelf interior, molded plinth base with drawer, compressed bun feet, h. 97 in., w. 63 in., d. 21 1/4 in. [$1000/1500]

280. Bretby Green, Orange and Yellow Glazed Pottery Jardiniere, marked with sunburst, “824 M” and “Rd 179930”, molded with flower heads and stylized tulips, h. 11 in., dia. 14 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Additional information at www.nealauction.com

282. Louis XVI‑Style Gilt Bronze‑Mounted Chinese Export Famille Rose Porcelain Bowl, 19th c., enameled in the rose medallion pattern with figural and bird‑and‑flower cartouches; bronze bracketed stem plinth, upright Classical scroll handles with laurel and berry rings, beaded pierced rim, h. 13 5/8 in., w. 15 3/4 in., d. 11 1/4 in. Note: Restoration. [$500/700]

281. Chinese Gilt‑Decorated Brown Lacquer Tea Caddy, 19th c., shaped rectangular form decorated with figural scenes and birds in landscapes, Buddhist lion mask and wing feet, interior fitted with paktong cannisters, h. 4 1/2 in., w. 9 in., d. 7 in. [$700/1000]

284. Pair of Gilt Bronze‑Mounted Chinese Export Porcelain Four‑Light Candelabra, baluster vases decorated in the Mandarin palette with figural cartouches on stippled grounds with flowers and scrollwork, foliate mounts, h. 19 in., w. 9 in., d. 9 in. [$1500/2500]

283. Chinese Export Mandarin Palette Porcelain Punch Bowl, Qianlong, 18th c., decorated with figural cartouches on an iron red and gilt diaper ground, h. 6 3/8 in., dia. 15 in. Note: Restorations. [$400/600] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

285. Pair of Chinese Export Famille Rose Porcelain Covered Jars, Qing Dynasty (1644‑1911), decorated with exotic birds amid foliage, h. 25 in. [$2000/3000]

287. Louis XVI‑Style Bronze Mounted Gueridon, molded variegated rouge marble top, turned tapered legs, brass caps, h. 28 1/4 in., dia. 15 1/2 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 286. Large Spanish Colonial Carved Giltwood and Polychromed Altarpiece, 18th/19th c., Mexico, red‑orange ground, gilt scrolls and shell, centered by a bust of a putto, h. 46 in., w. 113 in., d. 2 in., d. (with bust) 5 3/4 in. [$1500/2500] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

288. Francisco José de Goya y Lucientes (Spanish, 1746‑1828), “Se Defiende Bien”, Plate 78, c. 1863, etching, unsigned, from Los Desastres de la Guerra, pencil‑inscribed “5th edition” lower margin, “Le Mieux Galleries, New Orleans” label on backing paper, 6 1/4 in. x 7 7/8 in., framed. [$700/1000] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

289. Duilio Cambellotti (Italian, 1876‑1960), “Rome 1911 International Exhibition Contemporary and Retrospective Art Mvsic and Dramatic Art, Archaeology, Italian Ethnography, Congress and Sport”, 1911, lithograph, signed in plate, sight 36 3/4 in. x 17 3/4 in., framed. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

290. Adriaen Van Ostade (Dutch, 1610‑1685), “The Spectacle Seller”, etching, signed in plate, pencil‑inscribed with artist and title en verso, handwritten label with artist and title and “Artique Shoppe, New Orleans” stamp on backing paper, 3 15/16 in. x 3 7/16 in., framed. [$1000/1500] Ref: Godefroy, Louis. The Complete Etchings of Adriaen Van Ostade. San Francisco: Alan Wofsy Fine Arts, 1990, fig. 29.

292. After Henryk Siemiradzki (Polish/Italian, 1843‑1902), “Nero at the Circus”, 19th c., color lithograph, signed in plate, artist and title printed on mat, 15 9/16 in. x 26 in., framed. [$300/500]

291. After Raphael Sanzio da Urbino (Italian, 1483‑1520), “Madonna della Sedia”, 19th c., color mezzotint engraving, sight dia. 29 in., framed. [$500/800]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

293. Frederich Goldscheider Ceramic Portrait Bust of “Elizabeth”, c. 1895, titled base with reliefs of reclining maidens, impressed marks “Friedrich Goldscheider/Wien”, “REPRODUCTION RESERVEE”, and numbers “22” over “26”, h. 19 in., w. 20 1/2 in., d. 10 3/4 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 294. Grand Tour‑Style Gilt Bronze Charger, 19th c., marked “Gesetzlich Geschutzt” and “J.A. THELOI, 1714”, continuous Bacchic relief, dia. 18 in. [$500/700]

296. Set of Six Baccarat Green Cut‑to‑Clear Crystal “Tsar” Red Wine Glasses, marked, pattern introduced c. 1906 for Nicholas II, (Nikolai II Alexandrovich Romanov), Tsar of Russia, tall slender stem, scalloped base, diamond and palm leaf decoration, h. 10 3/4 in. [$1800/2400]

297.Set of Fourteen Baccarat Blue and Green Cut‑to‑Clear Crystal “Tsar” Water Goblets, marked, pattern introduced c. 1906 for Nicholas II, Tsar of Russia, incl. 8 blue and 6 green examples, tall slender stem, scalloped base, diamond and palm leaf decoration, h. 14 1/4 in. [$6000/9000]

Provenance: Warren Leruth Family, New Orleans.

295. Pair of French Egyptianesque Bronze‑Mounted Marble Urns, mounted with gods, scarabs and vultures, granite base, h. 21 in., w. 9 1/2 in., d. 8 1/2 in. [$1800/2500]

298. Set of Eight Baccarat Yellow Cut‑to‑Clear Crystal “Tsar” Porto Glasses, marked, pattern introduced c. 1906 for Nicholas II, Tsar of Russia, slender stem, scalloped base, diamond and palm leaf decoration, h. 7 7/8 in. [$2000/3000] Provenance: Warren Leruth Family, New Orleans.

300. Henri Michel Antoine Chapu (French. 1833‑1891), “La Jeunesse”, patinated bronze, signed “Chapu”, the side marked “F. BARBEDIENNE, Fondeur, Paris”, “939”, and with “REDUCTION MECANIQUE A.COLLAS BREVETE” pastille, set within a “frame” of portoro marble, h. 23 in., w. 8 3/4 in., d. 8 1/8 in. [$1200/1800] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 299. Pair of Gilt Bronze‑Mounted Cut Glass Urns on Stands, campagna‑form bodies on square pedestals, claw feet, h. 21 in., dia. 10 in. [$800/1200]

301. Maurice Guiraud‑Rivière (French, 1881‑1967), “Racing Charioteer”, bronze and patinated bronze, signed “M. Guiraud‑Riviere” with illegible date [1928], h. 13 in., w. 31 in., d. 11 in. [$3000/5000]. Provenance: Roland Auctioneers, New York, Feb. 26, 2011, lot 206; Collection of Dr. Mark A. Geist, Providence, RI. Additional information at www.nealauction.com

302. Maurice Guiraud‑Rivière (French, 1881‑1947), “Allegory of Strength”, green‑brown patinated bronze, signed “Guiraud Riviere”, and with founder “ETLING Paris” to the side, h. 16 3/4 in., w. 35 1/2 in., d. 10 in. [$5000/7000] Provenance: Antiquers III 20th Century Decorative Arts, Brookline, MA, 1999; Collection of Dr. Mark A. Geist, Providence, RI. 303. Carved Marble Classical Figure of a Standing Woman, h. 47 1/2 in., w. 17 in., d. 12 in. [$2000/3000]

304. Regence‑Style Bronze Dore Mirror, 19th c., pierced foliate scroll surround with masks, h. 49 in. [$1500/2500]

305. Louis Philippe Gilt Bronze and Marble Mantel Clock, 19th c., silk thread movement, case surmounted with Classical figure flanked by attributes of war., h. 30 1/2 in., w. 21 1/2 in., d. 9 in. [$1800/2500] 306. English Gothic Carved Walnut Armchair, 19th c., architectonic crest with finials, reverse tapered stiles, padded arms on scrolled supports, incised toupie feet, h. 58 1/2 in., w. 26 in., d. 24 1/2 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

307. Pair of Regency Brass‑Mounted Rosewood Chiffoniers, 19th c., mirrorback superstructure with galleried shelves, grillework doors, plinth base, h. 54 1/2 in., w. 42 in., d. 16 in. [$2000/3000]

309. Gothic Carved Mahogany Hall Chair, mid‑19th c., triple finialed pierced back, lift top molded seat, tapered octagonal legs, toupie feet, h. 48 in., w. 20 in., d. 17 1/2 in. [$150/250]

310. Louis XVI‑Style Boullework, Inlaid and Bronze‑Mounted Gueridon, 19th c, h. 27 1/2 in., dia. 26 in. [$1000/1500]

308. William IV Mahogany Writing Table, mid‑19th c., tooled leather top, two frieze drawers, reeded legs, spherule feet, h. 28 3/4 in., w. 45 in., d. 25 3/4 in. [$600/800]

311. French Iron and Marble Table, with gilt bronze mounts, h. 32 in., w. 56 in., d. 25 in. [$1000/1500]

313. Louis XV‑Style Bronze‑Mounted, Chinoiserie Lacquered Bureau Plat, tooled leather top, three drawers, jasperware plaques, cabriole legs, bronze sabots, h. 33 in., w. 87 1/2 in., d. 44 in. [$2500/3500] 312. Italian Renaissance Carved Walnut Credenza, late 18th/early 19th c., h. 48 in., w. 89 in., d. 24 in. [$1800/2400]

314. Charles X Bookcase Cabinet, early 19th c, h. 97 in., w. 69 in., d. 19 in. [$2000/3000]

315. Continental Renaissance Carved Walnut Cabinet, probably late 18th/early 19th c., architectonic and dentilated pediment crest, superstructure with two doors and three drawers, conforming base, bun feet, h. 92 in., w. 54 in., d. 23 in. [$1200/1800]

317. Pair of Regence‑Style Carved Argenté and Giltwood Benches, tufted upholstery, scrolled shell stretcher, tapered feet, h. 19 in., w. 45 in., d. 18 in. [$1000/2000]

316. Pair of Large Louis XVI‑Style Carved and Gilt Mirrors, found en suite, attractively framed, beveled mirror plates, h. 77 in., w. 51 in. [$3000/4000]

318. Moorish Bone Inlaid Low Table, likely 19th c., complex inlaid top, h. 19 in., w. 48 in., d. 24 in. [$1500/2000]

319. After Jean‑Honoré Fragonard (French, 1732‑1806), “The Swing”, oil on canvas, illegibly signed lower left, 35 1/2 in. x 46 in., framed. [$3000/5000]

320. Italian School, 18th c., “The Holy Family with a Young St. John the Baptist”, oil on canvas, unsigned, 34 in. x 33 in., framed. [$2000/3000] Additional information at www.nealauction.com

321. Italian School, early 19th c., “Views of Pompeii, Grand Tour Souvenir Paintings”, 32 gouache on paper with original backing papers, 2 mounted, unsigned, 27 pencil‑inscribed with specific view on backing, 5 1/8 in. x 7 1/2 in. to 7 1/4 in. x 5 1/8 in., unframed. (32 pcs.) [$8000/12000] Provenance: Collected by James Gallier Sr. during a visit to Italy; thence by descent; Estate of Dr. Kenneth McLeod, Jr. Note: It is rare to find such a large intact collection of Grand Tour paintings of the same locale with many painted by the same hand.

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322. Italian School, early 19th c., “Views of Sicily, Grand Tour Souvenir Paintings”, 8 gouache on paper, unsigned, inscribed with locations en verso, 8 1/2 in. x 11 7/8 in. to 9 1/2 in. x 13 1/8 in., unframed. (8 pcs.) [$2000/3000] Provenance: Collected by James Gallier, Sr., during a visit to Italy; thence by descent Estate of Dr. Kenneth McLeod, Jr.

323. Italian School, early 19th c., “Views of Rome and Tivoli, Grand Tour Souvenir Paintings”, 7 gouache on paper, 6 mounted to original backing paper, unsigned, 6 pencil‑inscribed with specific location on mount lower right, 2 15/16 in. x 4 1/2 in. to 4 1/8 in. x 5 7/8 in., unframed. (7 pcs.) [$2000/3000] Provenance: Collected by James Gallier, Sr., during a visit to Italy; thence by descent; Estate of Dr. Kenneth McLeod, Jr.

324. Italian School, early 19th c., “Grand Tour Souvenir Prints Depicting Classical Figures and Beasts”, 9 hand‑colored mezzotint engravings on paper, 3 with original backing paper, unsigned, 6 1/4 in. x 8 in. to 8 11/16 in. x 8 13/16 in., unframed. (9 pcs.) [$600/900] Provenance: Collected by James Gallier, Sr., during a visit to Italy; thence by descent; Estate of Dr. Kenneth McLeod, Jr.

325. Continental School, 19th c., “Battle Scenes”, 2 oils on paper laid on panel, both unsigned, one pencil‑inscribed and wax seals en verso of each, 6 3/8 in. x 8 3/4 in., framed alike. (2 pcs.) [$500/1000]

326. American Classical Brass Inlaid and Bronze‑Mounted Mahogany Sideboard, early 19th c., School of Duncan Phyfe, New York, blocked, molded top, conforming case, central fall front compartment enclosing silver trays, over mirror‑back, flanked by revolving barrel form compartments each flanked by colonnettes, blocked base, brass hairy paw feet, h. 44 1/2 in., w. 85 1/2 in., d. 24 1/2 in. [$1500/2500] Note: Interestingly, of the well-known group of New York sideboards most often attributed to Duncan Phyfe, and referred to as a Modified “French Sideboard”, the lot offered here (# 039) has a number of similarities to the sideboard that descended in the Phyfe family, now conserved at the Museum of the City of New York; including: architectural scale, distinctive figured veneer and specific classical attributes. Ref.: Kenny, Peter M. et al. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, p. 195, plate 24.

327. American Classical Bronze‑Mounted Mahogany Bookcase, early‑to‑mid 19th c., probably New York, astragal molded frieze with blind drawer, columnar supports, grillework doors, shelf interior, molded plinth base, with two drawers, h. 54 1/2 in., w. 39 1/2 in., d. 16 1/2 in. [$3000/5000]

328. American Late Classical Mahogany Mixing Table, mid‑19th c., raised inset molded later Egyptian marble, pyramid molded frieze, Gothic paneled case with foliate colonnettes, blocked plinth base, h. 35 1/2 in., w. 37 1/2 in., d. 22 in. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

329. English Carved Mahogany Sarcophagus-Form Cellarette, early 19th c., gadrooned top, divided interior with lead lining, ring handles, molded blocked base, casters, h. 20 in., w. 28 1/2 in., d. 18 in. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

330. After Titian (Italian, 1485‑1576), “Portrait of Lavinia with a Bowl of Fruit”, 19th c., oil on canvas, unsigned, 46 1/2 in. x 37 3/4 in., framed. [$1500/2500]

331. After August Riedel (German, 1799‑1883), “Judith with the Head of Holofernes”, oil on canvas, unsigned, 54 1/4 in. x 39 in., framed. [$3000/5000] Note: This is a copy of the work painted by August Riedel in 1840, exhibited in Munich and acquired directly from the artist from King Ludwig I of Bavaria.

332. After Carlo Dolci (Italian, 1616‑1686), “Mary Magdalene”, 1852, oil on canvas, unsigned, inscribed “...Florence 1852” on stretcher, 29 3/8 in. x 22 7/8 in., framed. [$2500/3500]

333. French School, early 19th c., “Classical Landscapes”, 2 watercolors on paper mounted to board, unsigned, both inscribed “Par Moucheron” on backing boards, 10 3/4 in. x 9 in., framed alike. (2 pcs.) [$600/900]

334. Italian School, late 19th/early 20th c., “Venice Scenes”, 2 oils on panel, both signed “Romani” lower left, each 8 3/4 in. x 10 3/4 in., framed alike with artist plaques. (2 pcs.) [$1200/1800]

Additional information at www.nealauction.com

335. Gustav Klimt (Austrian, 1862‑1918), “Salome (Judith I)”, collotype in color, from Das Werk von Gustav Klimt, Vienna and Leipzig, published by Hugo Heller, 1918, first edition, with intaglio signet in lower margin, sheet 18 1/2 in. x 17 7/8 in., sight 13 1/4 in. x 6 3/4 in., framed. [$5000/7000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Note: The portfolio Das Werk was produced under Klimt’s close supervision between 1908 and 1918. A collaboration with his close friend and Viennese publisher, Hugo Heller, it was the only monograph produced during Klimt’s lifetime. 336. Gustav Klimt (Austrian, 1862‑1918), “Water Serpents I”, collotype in color, from Das Werk von Gustav Klimt, Vienna and Leipzig, published by Hugo Heller, 1918, first edition, with intaglio signet in lower margin, sheet 18 1/2 in. x 17 7/8 in., sight 13 1/4 in. x 5 1/2 in., framed. [$3000/5000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 337. Gustav Klimt (Austrian, 1862‑1918), “Fulfillment, Stoclet Frieze”, Plate 17, collotype in colors, heightened with metallic ink, from Eine Nachlese, Klimt and Eisler, Vienna, Austrian State Printing Office, 1931, sheet 18 1/2 in. x 17 7/8 in., sight 13 in. x 8 1/4 in., framed. [$2500/3500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

338. Gustav Klimt (Austrian, 1862‑1918), “Life and Death”, Plate 18, collotype in colors, from Eine Nachlese, Klimt and Eisler, Vienna, Austrian State Printing Office, 1931, sheet 18 1/2 in. x 17 7/8 in., sight 11 1/2 in. x 12 1/2 in., framed. [$2000/3000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

339. Gustav Klimt (Austrian, 1862‑1918), “Hygieia, Medicine Mural”, Plate 10, collotype in colors, heightened with metallic ink, from Eine Nachlese, Klimt and Eisler, Vienna, Austrian State Printing Office, 1931, sheet 18 1/2 in. x 17 7/8 in., sight 13 in. x 8 3/4 in., framed. [$1200/1800] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

340. Gustav Klimt (Austrian, 1862‑1918), “Nuda Veritas”, collotype, from Das Werk von Gustav Klimt, Vienna and Leipzig, published by Hugo Heller, 1918, first edition, with intaglio signet in lower margin, sheet 18 1/2 in. x 17 7/8 in., sight 13 in. x 3 1/4 in., framed. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

342. Abel Faivre (French, 1867‑1945), “Crédit Lyonnais. Souscrivesz au 4e Emprunt”, c. 1916, lithograph, sight 30 1/4 in. x 46 1/4 in., framed. [$600/900] 341. Gustav Klimt (Austrian, 1862‑1918), original portfolio cover from Das Werk, 1918, sight 10 1/2 in. x 7 3/4 in., framed. [$100/200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

343. Pierre Bonnard (French, 1867‑1947), “Le Graveur”, etching, unsigned, 7 3/4 in. x 4 11/16 in.; together with Jean‑Louis Forain (French, 1852‑1931), “Le Gommeur au Bouquet”, etching, unsigned, handwritten label with artist and title on backing paper, 11 in. x 7 3/4 in., both framed. (2 pcs.) [$500/700]

344. Paul Signac (French, 1863‑1935), “Bateaux sur la Seine”, etching, signed in plate, handwritten label with artist and title and “Artique Shoppe, New Orleans” stamp on backing paper, 5 in. x 7 1/2 in.; together with Edward Howard Suydam (American/New Jersey, 1885‑1940), “New Orleans”, 1930, lithograph, pencil‑signed, titled and dated lower right, pencil‑inscribed “To Lyle Saxon without apologies E.H. Suydam” lower center, “Artique Shoppe, New Orleans” stamp on backing paper, sight 8 in. x 11 1/4 in., both framed. (2 pcs.) [$500/700] Additional information at www.nealauction.com

345. Fine German Polychrome Enameled Porcelain Plaque, 19th c., depicting Joseph and Potiphar’s wife, signed and inscribed “G. Peetz Dresden” lower right, 9 3/4 in. x 9 3/4 in., giltwood frame. [$4000/6000]

346. Pair of Gilt Bronze‑Mounted Sevres‑Style Gilt and Polychrome Porcelain Jardinieres, 19th c., bleu celeste ground, reserved with courting couples and flowers, h. 13 in., w. 11 in., d. 11 in. [$3000/5000] 347. Antique French Painted Canvas Four‑Panel Screen, c. 1900, depicting the mistresses of Louis XV, musical trophee and foliate design, each panel 73 in. x 25 1/2 in., total w. 102 in. [$1200/1800]

348. Pair of Charles X Gilt Bronze Three‑Light Candelabra, 19th c., removable central flame finial, fluted shaft, paw feet, 24 1/2 in., dia. 7 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

349. French Patinated Bronze Four‑Piece Table Garniture, c. 1890, comprised of pair of candleholders and pair of tazzas, each marked “F. BARBEDIENNE”, each with snake encircling the stem, the tazzas also with coiled snake medallions, candlestick h. 10 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

350. Gilt Bronze‑Mounted Sevres‑Style Polychrome Porcelain Dresser Box, 19th c., marked “ L. Penil, Sevres”, reserves painted with maidens in nature, bun feet, h. 8 in., w. 11 in., d. 8 in. [$1500/2000]

352. Large Russian Malachite Coffer on Stand, lid with portrait miniature of a maiden, mounted with semi‑precious stone embellished filigree; ebonized wood stand with gemstone and metal mounts, h. 38 in., w. 18 in., d. 13 in. [$2500/3500]

353. Carved White Marble Torso of a Cuirassed Man, after a popular Antique example honoring Roman emperors, military heroes, and victorious generals, wearing ceremonial regalia carved with figures in relief, rectangular plinth base, h. 48 in., w. 22 in., d. 11 in. [$3500/5000]

351. Pair of French Neoclassical Bronze‑Mounted Tole Peinte Jardinieres, 19th c., flared rim with rope border, griffin feet, h. 12 in., w. 26 in., d. 14 1/2 in. [$900/1200]

354. French Silver Agricultural Trophy, Fanniere Freres, Paris, late 19th c., marks rubbed, urn‑form with figural handles depicting Demeter, frieze depicting harvest scenes, silver mounted rouge marble base, h. 11 3/4 in., w. 14 3/4 in. [$8000/12000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Note: Francois‑Auguste (1818‑1900) and Joseph‑Louis Fanniere (1820‑1897) were awarded gold medals at several Expositions Universelles: the 1862 International Exposition in London, Paris, 1867, Grand Prix Exposition of 1878 and the 1889 Exposition Universelle.

355. Continental Silver Wine Cooler, Georg Roth & Co., Hanau, c. 1895, after Juste‑Aurele, Meissonnier (1695‑1750), pseudo-French hallmarks, elaborate chasing and repousse overall, winged and crowned cartouches with coat‑of‑arms of Louis‑Henri de Bourbon, over scenes of Neptune in his chariot, figural handles depicting mermaids and sea serpents, h. 9 7/8 in., w. 12 in., wt. 70.90 troy ozs. [$3000/5000] Provenance: Heritage Auctions, Dallas, TX, lot 74226, 10/18/16; Collection of Dr. Mark A. Geist, Providence, RI.

357. Continental Gilt Bronze Twelve‑Light Chandelier, ribbon and vase form standard, foliate arms with female busts, electrified, h. 45 in., dia. 34. [$3000/5000] 356. Tiffany Bronze and Favrile Glass Aladdin Floor Lamp, c. 1900, damascene bronze base signed “TIFFANY STUDIOS/NEW YORK” and “567”, green favrile shade signed “LCT Favrile”, shade dia. 10 in., adjustable base h. 56‑60 in. [$5000/7000]

358. Pair of Art Moderne‑Style Rock Crystal and Malachite Lamps, stacked spheres, brass collars, bun feet, h. 20 in., w. 4 in., d. 5 in. [$1200/2000]

Provenance: DuMouchelles, Detroit, MI, lot 102087, 10/18/2015; Collection of Dr. Mark A. Geist, Providence, RI.

359. Pair of Regence‑Style Champleve and Gilt Bronze Five‑Light Sconces, cast with portrait busts and swags, acanthus scroll arms, oak leaf pendants, h. 30 in., w. 25 in., d. 12 in. [$1000/1500]

360. American Late Classical Inlaid Mahogany Extension Dining Table, early‑to‑mid 19th c., banded oval top opening to accommodate seven leaves, octagonal molded standard, incurvate plinth base, foliate paw feet, casters, h. 29 in., w. (open) 118 in., w. (closed) 54 in., d. 54 in. [$4000/6000]

361. American Renaissance Carved Walnut Sideboard, mid-19th c., elaborate pediment centering stag’s head, flanked by candle shelves, long shelf over inset mirror, shaped molded marble top, conforming case with frieze drawers over doors carved with nature mortes and fruit clusters, cabochon decorated strapwork stiles, molded base, casters, h. 104 in., w. 80 in., d. 25 in. [$3000/5000]

Provenance: Antiques at Hearthstone House, Seekonk, MA, 2002; Collection of Dr. Mark A. Geist, Providence, RI.

362. Good English Brass‑Mounted Mahogany Folding Library Ladder, benchmade by Restall, Brown & Clennell, Ltd., h. 38 in., w. 16 in., d. 30 in. [$400/600] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

363. Architectural Tudor/ Craftsman Quarter Sewn Oak Revolving Bookcase, Philadelphia, late 19th c., gabled faux shingled roof, numerous compartments, three enclosed cabinets, one glazed, heraldry and quotations throughout, shaped bracket base, casters, h. 84 in., w. 27 in., d. 27 in. [$2000/4000]

364. Georg Jensen “Old Danish” Pattern Sterling Silver Flatware Service, pattern #100, designed by Harald Nielsen, 1947, incl. 13 forks (l. 7 1/8 in.), 12 knives (l. 8 3/4 in.), 12 salad forks, 12 soup spoons, 8 dessert spoons, 8 butter spreaders, 5 demitasse spoons, vegetable serving fork and spoon, cake knife, sugar spoon, caddy spoon, 2 salt cellars and salt spoons, total wt. (weighable) 93.40 troy ozs. (79 pcs.) [$2500/3500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

Additional information at www.nealauction.com

366. Pair Continental Carved Giltwood Benches, leather upholstery, foliate S scroll legs, stretchered base, h. 19 in., w. 25 in., d. 19 in. [$700/1000] 365. Louis XIV-Style Carved and Gilt Center Table, likely 19th c., rectangular chinoiserie top, distinctive tapered legs, h. 30 1/2 in., w. 41 in., d. 23 in. [$2500/3500]

367. English or Continental Tole Peinte Tray on Stand, early 19th c., oval galleried tray painted with a hunter and dog in an idyllic landscape, later antique stand mahogany stand with tapering legs., h. 18 in., w. 30 in., d. 23 1/2 in. [$500/700]

369. Dutch School, 19th c., “Dutch Family in an Interior”, oil on canvas, unsigned, 21 3/8 in. x 28 7/8 in., framed. [$2000/3000]

368. Dutch School, 19th c., “Portrait of a Nobleman”, oil on panel, unsigned, 13 5/8 in. x 9 in., framed. [$2500/3500]

370. Charles‑Louis Baugniet (Belgian, 1814‑1886), “Admiring the Slippers”, 1873, oil on panel, signed, dated and inscribed “Sévres” lower left, 2 handwritten labels en verso, 27 in. x 21 1/2 in., framed with brass artist plaque. [$6000/8000]

371. Jane Austen First and Second Edition Collection. incl. Emma, London, Printed for John Murray, 1816, first edition, in three vols., 12mo, 1815 watermark, advertisement verso of last page in vol. III; with Northanger Abbey: and Persuasion, London, John Murray, 1818, first edition, in four volumes, 12mo, with Biographical Notice of the Author; and with Mansfield Park, London, printed for J. Murray, 1816, second edition, in three volumes, 12mo, facsimile title pages of first edition, all uniformly bound by Birdsall, Northampton & London, full leather, gilt ruled covers, spine gilt lettered in six compartments, with raised bands, inner gilt dentelles, marbled pastedowns and endpapers, 10 vols., see condition report online re: half‑titles and title pages. [$6000/9000] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

372. After Henricus Hondius II (Dutch, 1597‑1651), “Nova Totius Terrarum Orbis Geographica AC Hydrographica Tabula”, later printing, hand‑colored double‑hemisphere map, exuberantly decorated with representations of the elements fire, water, air, and earth; the corners with portraits of Caesar, Ptolemy, Mercator and the author’s father, Jodocus Hondius, 14 7/8 in. x 21 1/2 in., tipped onto a mat. [$300/500]

373. Johannes van Keulen (Dutch, 1654‑1715), “Pas kaart van de Noord Kust van Espaniola met d Eylanden daar Benoorden”, Amsterdam, 1684, hand‑colored engraved sea‑chart, with inset maps of Tortuga and Porto de Guanives; map shows the island of San Salvador/ Guanahami, the first land Columbus visited in 1492, 20 1/4 in. x 23 in., matted and framed. [$300/500]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

Provenance: Jonathan Potter Antique Maps, London, 1990; Collection of Brooke and Maria Fox, Metairie, LA.

374. French Egyptianesque Bronze Dore Table, variegated marble top, caryatid modeled legs, spherical feet, h. 31 in., w. 34 in., d. 23 in. [$5000/6500]

376. Rare French Copper‑Plated Zinc Figure of “La Liberté Eclairant Le Monde” or “The Statue of Liberty” after the Model by Frederic Auguste Bartholdi (French, 1834‑1904), 1878‑1886, inscribed “Bartholdi/1875 Registered in Washington 31 August 1876 No. 9939 G”, and with foundry marks “C 30 AVOIRON JC PARIS”, h. 22 1/4 in., on a rouge‑marble base, overall h. 28 3/4 in. [$10000/15000] Provenance: Christie’s, Amsterdam, December 14, 2010, lot 159; Collection of Dr. Mark A. Geist, Providence, RI. Note: As early as 1878, Avoiron et Cie was authorized by Bartholdi to make copper‑plated cast‑zinc statues based on his four‑foot high modele d’etude. Bartholdi earned ten percent on all models sold, but the purpose of the casts was to raise funds for the monumental statue in New York harbor. The casts were made in four sizes, identified by a letter from A to D for 4‑foot, 3‑foot, 2‑foot, and 16 inch high statues respectively. The present lot is indicated with the letter “C”. Each letter is followed by a number, assumed to represent the model’s sequence in casting. The present one is numbered 30. The Statue of Liberty Club notes only 12 worldwide examples of the model “C” in its census of Documented Avoiron Models

375. Egyptianesque Carved and Polychromed Wood Bed, after a model of the Pharaoh’s bed, h. 61 in., l. 99 in., w. 49 in. [$4000/6000]

377. Carl Hans Bernewitz (German, 1858‑1934), “Icarus”, patinated bronze, signed “C. BERNEWITZ”, and with the “MARTIN u PILTZING HOFBILDGEISSER BERLIN” foundry pastille, on a green‑variegated marble base, h. 24 1/4 in., w. 13 1/2 in., d. 9 1/2 in. [$3000/5000] Provenance: Quittenbaum Kunstauktionen, Munich, May 11, 2016, lot 399; Collection of Dr. Mark A. Geist, Providence, RI.

378. Arsene Matton (Belgian, 1873‑1953), “Stormy Seas”, patinated bronze, signed “Arsene Matton”, verso, depicting a young man at the tiller of a boat, with waves breaking over the sides, h. 22 3/4 in., w. 28 in., d. 12 1/2 in. [$3000/5000] Provenance: Antiquers III 20th Century Decorative Arts, Brookline, MA, 2003; Collection of Dr. Mark A. Geist, Providence, RI. Additional information at www.nealauction.com

379. Chinese Export Famille Rose Porcelain Punch Bowl, Qing Dynasty (1644‑1911), decorated with a continuous landscape with elegant ladies and young boys, h. 6 1/4 in., dia. 15 1/4 in. [$300/500]

380. Four French Tole Peinte Floral Sprays, c. 1900, h. (with stem) 36 in., w. 11 in., d. 6 1/2 in. [$500/700]

Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

381. Tiffany Studios Gilt Bronze “Zodiac” Desk Calendar, marked “TIFFANY STUDIOS/ NEW YORK/943”, easel stand, with original perpetual paper calendar, 7 in. x 8 in. [$300/500]

382. Regency Green‑Stained Tortoiseshell Tea Caddy, 19th c., interior with two lidded compartments, on ball feet, h. 5 in., w. 6 3/4 in., d. 3 1/4 in. [$1500/2500]

383. Regency Navette‑Form Tortoiseshell Tea Caddy, 19th c., bail handle finial, interior with lidded compartment, 5 1/2 in., w. 6 3/4 in., d. 2 3/4 in. [$1200/1800]

384. George V Silver-Mounted Tortoiseshell Tea Caddy, oval‑form, escutcheon with hallmark of Blackmore & Fletcher, interior with lidded compartment, h. 4 1/4 in., w. 4 3/4 in., d. 3 in. [$1000/1500]

386. Napoleonic Prisoner‑of‑War Carved Bone Box, c. 1805, the lid with a scene of hunters on horseback chasing a stag, h. 2 3/4 in., w. 8 3/8 in., d. 6 3/8 in. [$1000/2000] Provenance: MS Rau Antiques, New Orleans; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

385. George III Tortoiseshell Tea Caddy, early 19th c., domical lid, interior with two lidded compartments, on ball feet, h. 5 in., w. 7 in., d. 4 in. [$1000/1500]

388. Antique French Seven‑Piece Boullework Desk Set, 19th c., incl. two ink stands, two letter boxes, blotter, stamp box and stationery cover, largest h. 8 in., w. 11 in., d. 6 1/2 in. [$1000/1500]

390. Pair of Napoleon III Gilt Bronze Chenets, 19th c., floral urn form, flanked by torches, h. 17 1/2 in., w. 18 in., d. 5 in. [$500/700]

391. Austrian Art Nouveau Patinated Bronze Inkstand, c. 1900, sinuous form in reddish‑brown patination, central female bust, flanked by lidded inkwells, with glass liners, base marked “3655”, h. 3 in., w. 15 1/2 in., d. 7 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

387. Antique French Burled Wood Cave a Liqueur, late 19th c., serpentine front, hinged lid and sides, bronze‑mounted lift out tray, fitted with four crystal decanters and sixteen urn‑form cordials, h. 10 1/2 in., w. 12 in., d. 9 3/4 in. [$700/1000]

389. Large French Bronze and Cloisonne‑Mounted Alabaster Centerpiece, late 19th/early 20th c., urn flanked by dove handles, scroll feet, h. 15 1/2 in., w. 22 in., d. 15 in. [$700/1000]

392. French Restauration First Standard Silver Gilt Dessert Service, J. Boullin, c. 1820, fiddlethread or “filet” pattern, incl. 6 dessert forks (l. 7 1/4 in.), 6 dessert spoons (l. 7 5/8 in.) and 2 serving spoons, total wt. 35.50 troy ozs. [$800/1200]

393. Ten Royal Copenhagen “Flora Danica” Porcelain Luncheon Plates, 1969‑73, Royal Copenhagen logo above waves, pattern 20, shape 3554, shaped reticulated dentil rims with various central botanical paintings, bases inscribed and initialed, dia. 9 in. [$3000/5000]

394. Royal Copenhagen “Flora Danica” Porcelain Platter, 1969‑73, Royal Copenhagen logo above waves, pattern 20, shape 3518, reticulated dentil rim, central botanical painting of Mullein, base inscribed “Verbascum Cuspidatum Schrad” and initialed, l. 15 3/4 in., w. 12 1/4 in. [$1200/1800]

395. Royal Copenhagen “Flora Danica” Porcelain Covered Tureen, 1963‑73, Royal Copenhagen logo above waves, pattern 20, shape 3559, gilt rim, applied vine and flower handles, central botanical paintings, base inscribed “Chrysanthemum Leucanthemum L. Dianthus Armeria L.” and initialed, lid inscribed “Vicia Angustifolia Roth” and initialed, h. 9 in., l. 13 in., w. 9 in. [$3000/5000]

396. Tressemanes & Vogt Decorated Coiffe et Cie Limoges Porcelain Fish Service, 1891‑1907, “T.V” bell and “LIMOGES” star marks, decorated with various fish and water plant roundels, gradation of aqua blue to white borders with gilt foliage, molded scalloped rims, incl. platter, l. 24 in., w. 9 1/2 in.; sauce boat and undertray, tray l. 8 3/4 in.; and 10 plates, dia. 9 1/4 in. (13 pcs.) [$600/900] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

397. Six Tressamanes & Vogt Limoges Porcelain Oyster Plates, late 19th c., “T&V / FRANCE” and retailer’s marks of David Collamore & Co., New York, molded as 5 scallop shell wells encircling central star well, decorated with green and gilt foliage, dia. 8 1/4 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

398. Forty‑Six Piece French Polychrome and Gilt Porcelain “Hunt” Dining Service after Sevres’ ‘Service Ordinaire’ for Louis Philippe’s Chateau de Fontainebleau, 19th c., marked with “Sevres / 1846” flanking interlaced Ls, crowned sunburst with “Chateau de F. Bleau”, date codes “S.46” or SV. / 46” flanking addorsed “LP”, and some with script “France”, decorated with central stylized star, rim with hunt motifs, scrolling foliage, “LP” monogram, and trophee cartouches, incl. 11 dinner plates, dia. 10 1/2 in.: 12 soups, dia. 9 1/2 in., 12 salads, dia. 8 3/8 in., and 11 desserts, dia. 9 7/8 in. [$3000/5000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

399. Thirteen French Gilt and “Bleu Agate” Porcelain Dinner Plates after Sevres’ ‘Service de la Table du Roi’ for Louis Philippe’s Chateaux de St. Cloud and Compiegne, 19th c., marked with “Sevres / 1846” flanking interlaced Ls, crowned sunburst with “Chateau de St. Cloud”, date codes “S.46” (1), “S.69” (4), “S.72” (1), and “S.73” (7), and some with “Dore a Sevres / 81” flanking RF monogram, decorated with central anthemion rosette, rim with pendant palm leaves on blue agate ground, dia. 9 3/4 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

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401. Continental .800 Silver Wager Cup, Wilhelm Weinranck, Hanau, founded 1890, h. 9 1/2 in., dia. 4 in., weight 10.80 troy ozs. [$250/350]

400. Art Nouveau WMF Silverplate Figural Encrier, Wurtternbergische Metallwarenfabrik, Geislingen, Germany, c. 1900, with fitted ink pots, h. 9 1/2 in., w. 18 in., d. 12 in. [$250/350]

402. Continental .800 Silver Sauceboat in the Neoclassical Taste, Rutishauser, Germany, boat form with eagle’s head handle and integral underplate, stiff leaf borders, 1914 engraved presentation, h. 6 1/8 in., w. 8 5/8 in.; together with associated .800 silver sauce spoon, total wt. 16.45 troy ozs. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

404. Grand Tour Bronze Model of the “Fontana delle Tartarughe” (Turtle Fountain), 19th c., after the example in Rome’s Piazza Mattei by Giacomo della Porta and Taddeo Landini, upper basin over four addorsed ephebes holding turtles, over dolphin and shell‑form basins, central spout plumbed, h. 10 in., w. 9 1/4 in., d. 9 1/4 in. [$800/1200]

403. Continental .800 Silver Compote, early 20th c., Eugen Marcus, Berlin, act. late 19th/early 20th c., lobed bowl and pedestal foot decorated with repoussé flowers, leaves and fruit, h. 4 3/4 in., dia. 6 7/8 in., wt. 11.05 troy ozs. [$250/350]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

406. Fine American Carved Mahogany Bookcase, mid-19th c., likely Boston, pedimented crest, flared cornice, fluted Corinthian three quarter columnar supports, glazed doors, shelf interior, conforming base, h. 86 3/4 in., w. 52 in., d. 21 in. [$2500/3500]

405. Four Empire‑Style Patinated Bronze Candlesticks, urn-form candlecups on eagle monopods, incurvate triangular bases, h. 9 1/2 in., dia. 4 in. [$500/700]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

407. Fine George III Painted Satinwood Demilune Cabinet, 18th / 19th c., Classical reserves with maidens, floral garland and bellflower decoration, shaped apron, h. 38 in., w. 50 1/2 in., d. 25 1/2 in. [$5000/7000]

408. Antique Georgian Mahogany Breakfront Bookcase, lockplate marked “BARRONS”, reticulated crest with finialed fluted blocks, glazed astragal molded doors, shelf interior, lower case with four long graduated drawers flanked by cabinets, blocked base, h. 84 1/2 in., w. 83 in., d. 16 1/4 in. [$2500/3500]

409. Antique English Chinoiserie Lacquered Pembroke Table, single drawer, tapered legs, brass casters., h. 28 in., w. 19 in., d. 26 in. [$700/1000]

410. Scottish Figured Mahogany Chest of Drawers, mid 19th c., beveled top, blocked frieze with blind drawer, two short drawers over three graduated drawers flanked by pilasters, blocked plinth, disc feet, h. 51 in., w. 48 1/2 in., d. 22 in. [$1000/1500]

411. George III Oak Welsh Dresser, late 18th/early 19th c., pegged construction, three tier open plate rack, three lower cabinet doors, h. 71 1/2 in., w. 66 in., d. 21 in. [$700/1000]

Provenance: Leonards, Seekonk, MA, 2006; Collection of Dr. Mark A. Geist, Providence, RI.

412. George III Inlaid Mahogany Secretary Bookcase, early 19th c., upper case with molded cornice, tablet centered frieze, glazed doors, adjustable shelf interior, lower case with fitted secretary drawer over three graduated drawers, French feet, h. 90 1/2 in., w. 42 in., d. 19 3/4 in. [$1000/1500]

413. Carved ChippendaleStyle Mahogany Library Table, blind fretwork frieze with one long drawer, fluted legs, molded block feet, h. 31 1/2 in., w. 71 1/2 in., d. 36 1/4 in. [$800/1200]

414. Pair of George III Satinwood, Marquetry and Parcel Ebonized Demilune Games Tables in the Manner of Ince & Mayhew, late 18th/ early 19th c., London, foldover top decorated with bowknots and garlands, baize covered playing surface, frieze with swags and urns, bellflower embellished tapered legs, spade feet, h. 31 in., w. 34 1/2 in., d. 18 1/4 in. [$4000/6000]

415. Biedermeier Stenciled Fruitwood Lyre-Form Etagere, 19th c., stepped blocked base, h. 36 in., w. 36 5/8 in., d. 17 in. [$700/1000] Provenance: Euro Exports, Boston, MA, 2005; Collection of Dr. Mark A. Geist, Providence, RI.

416. Biedermeier Bronze‑Mounted Mahogany Secretaire a Abattant, stepped pediment, blind frieze drawer, columnar supports, long drawer over fall-front lid, fitted desk interior, over three lower drawers, blocked base, h. 67 in., w. 42 in., d. 23 in. [$1800/2500] Provenance: Doyle New York, lot 1489, 10/26/2005; Collection of Dr. Mark A. Geist, Providence, RI.

417. Four Italian Carved and Parcel Gilt Solmonic Columns, h. 106 in., w. 9 1/2 in., d. 9 1/2 in. [$1200/1800]

418. Fine Pair of Louis XV/XVI‑Style Bronze‑Mounted Parquetry and Marquetry Pedestals, white marble tops, h. 47 in., w. 15 in., d. 15 in. [$2500/3500]

419. Italian Neoclassical‑Style Painted and Parcel Gilt Console, rouge marble top, foliate decorated frieze, tapered legs, h. 33 in., w. 46 1/2 in., d. 18 1/2 in. [$1500/2500] Additional information at www.nealauction.com

421. Pair of French Provincial‑Style Consoles, rouge faux marbre tops, two drawers, restrained cabriole legs, hoof feet, h. 34 in., w. 51 in., d. 25 in. [$1500/2500]

420. Napoleon III Boullework Kingwood Table, mid‑19th c., drop-leaf top, fitted drawer, columnar legs, toupie feet., h. 30 in., w. 31 in., d. 23 in. [$1000/1500]

423. Pair of Gilt Bronze‑Mounted Sevres‑Style Gilt and Polychrome Porcelain Potpourri Urns, spurious marks, peach ground, h. 20 1/2 in., dia. 13 in. [$2500/3500]

422. Large Patinated and Gilt Bronze Bacchic Figural Group, cast as a cherubic child holding a ewer and offering a cup to a classically draped nymph‑like female with a tambourine, h. 32 in., w. 16 in., d. 9 in. [$1400/1800]

426. Pair of Carved and Polychromed Wood Figures on Pedestals, 19th c, h. 69 in., w. 31 in., d. 18 1/2 in. [$2500/3500] 424. Pair of Moorish Mother‑of‑Pearl Inlaid Wall Brackets, modeled as niches in a mosque, h. 24 in., w. 12 1/2 in., d. 7 1/2 in. [$800/1200]

425. Pair of Moorish Bone Inlaid Hardwood Side Tables, molded top, reticulated frieze, shaped brackets, turned disc feet, h. 30 in., w. 24 1/2 in., d. 24 1/2 in. [$700/1000] 428. William IV Bronze‑Mounted Rosewood Sarcophagus-Form Tea Caddy, 19th c., lockplate marked “J. Bramah/124 Piccadilly”, interior with two removable boxes, wreath‑form handles, lobed feet, h. 7 1/4 in., w. 15 1/2 in., d. 8 1/4 in. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

427. Pair of George III Inlaid Mahogany Cutlery Boxes, 19th c., slant lid breakfront form, retain fitted interior, tapered feet, h. 16 in., w. 10 in., d. 12 in. [$700/900]

430. Harold Hitchcock (British, 1914‑2009), “The Road to St. Michael’s Mount”, 1977, watercolor on board, initialed and dated lower right, pencil‑signed, titled and dated en verso, 29 3/8 in. x 42 7/8 in., framed. [$1200/1800]

429. English Brass‑Mounted Mahogany Octagonal Box, hinged cover, lined interior, loop handles, h. 20 1/2 in., dia. 19 in. [$400/600]

431. Dame Elisabeth Frink (British, 1930‑1993), “Wounded Horse”, 1987, gouache and charcoal on paper, signed and dated twice lower right, printed label with title and date and “John James LTD” label on backing, 39 7/16 in. x 27 13/16., framed. [$12000/18000] Note: Dame Elisabeth Frink had a lifelong fascination with horses stemming from her country childhood in Sussex, England. Her father was a skilled horseman and an amateur jockey, which augmented an enthusiasm that continued throughout her life as she explored the form of the horse in a variety of media. The painting, lot 431, offered here is one of the series of Wounded Horse drawings in gouache and charcoal created by Frink during the late 1980s and perhaps part of a solo exhibition on the artist held at Galerie Simonne Stern in New Orleans in 1991. The series began after a horse kept by the artist and her husband at their home was injured, and it led to her considering ideas for her monumental War Horse sculpture. These drawings reflect the development of Frink’s interest in color and rhythmic marks in her three-dimensional work. As Annette Ratuszniak writes: “Drawing was central to the way that Frink explored her feelings about human aggression, vulnerability and the impact we have on the world we share with other species. Her drawings are related to but never studies for a particular sculpture, unless for a commission.” Neal Auction Company would like to thank Annette Ratuszniak, former Curator of the Elisabeth Frink Estate and Archive, and the Frink Archive at the Dorset History Centre for their assistance with the cataloguing and research of this lot.

432. British School, mid‑19th c., “Portrait of a Young Woman in a Pink Gown”, oil on canvas, unsigned, partial period New York framing label on frame, 12 1/4 in. x 10 in., framed. [$1000/2000]

433. British School, mid‑19th c., “Portrait of a Young Woman in a Red Cape and Pearls”, oil on canvas, unsigned, “London” canvas stencil en verso, partial period New York framing label on frame, 12 in. x 10 1/8 in., framed. [$1000/2000]

434. Gorham Neo‑Grec Sterling Silver Soup Tureen, date mark for 1871, marked lion‑anchor‑G/30/ STERLING/ D, oval cover with rampant lion and shield finial, conforming footed body with Greek key borders, band of acorns and oak leaves and grapes and grape leaves centering crowned bearded masks on stippled ground, angular handles also with bearded masks, Gothic “G” monogram, h. 12 1/4 in., w. 15 3/8 in., d. 8 1/2 in., wt. 70.70 troy ozs. [$3000/5000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

435. S. Kirk & Son Sterling Silver Vermeil Repousse Tea and Coffee Service, Baltimore, 1868‑1890, pattern 474, hand decorated, incl. kettle‑on‑stand with burner, teapot, coffee pot, covered sugar, creamer, sugar tongs and tray, kettle h. 14 in., coffee pot h. 9 in., tray, total wt. 253.80 troy ozs. [$6000/9000]

436. American Medallion Sterling Silver Hot Water Urn, c. 1860, John R. Wendt for Ball, Black & Co., New York, wc. 1851‑1876, cover with Spartan helmet, pyriform body with monogram cartouche framed by Neo‑Grec chasing, oval medallion on reverse, Neo‑Grec spout, bracketed stand retaining burner, h. 15 3/8 in., wt. 75.45 troy ozs. [$3000/5000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Warren Leruth family, New Orleans

438. Pair of Gorham Sterling Silver Repousse Tazzas, date mark for 1901, each with everted rim with bowknots and clusters of fruit, foliate scroll base also with bowknots and clusters of fruit, h. 4 ½ in., dia. 11 in., total wt. 58.85 troy ozs. [$1000/1500]

437. John R. Wendt “Medallion” Sterling Silver Coffee and Tea Service, c. 1860, comprised of coffee pot (h. 10 1/2 in.), teapot, covered sugar and creamer, each cover with Spartan helmet finial, pyriform body with oval medallion framed by Neo‑Grec chasing, period monogram (rubbed) on reverse, and beaded handle surmounted by Renaissance bust, total wt. 91.05 troy ozs.; together with good English silverplate tea tray, I. Freeman & Son, Sheffield, 20th c., 28 1/2 in. x 18 3/4 in. [$4000/6000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Note: John R. Wendt is thought to be the originator of the die‑stamped “Medallion” pattern flatware. The 1862 US design patent 1580 was issued in his name. The Wendt flatware features variations in the Medallion portraits, as seen in the tea service. John R. Wendt & Co. was active in New York City from 1855‑1870.

439. Good Group of Six Medallion Coin Silver Napkin Rings, c. 1870, unmarked, various portrait medallions, wt. 5.35 troy ozs. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Additional information at www.nealauction.com

440. Gorham Medallion Sterling Silver Syrup Pitcher, date mark for 1870, marked “STERLING/ lion‑anchor‑G/190/C”, hinged cover with medallion thumbpiece, vasiform footed body with angular handle, h. 6 1/2 in., together with associated sterling underplate, dia. 4 3/8 in., total wt. 8.5 troy ozs. [$700/1000]

441. Gorham Medallion Coin Silver Covered Butter Dish, date mark for 1874, ret. Geo. W. Webb, Baltimore, domed cover with finial and Neo‑Grec chasing, base with portrait medallions, handles cast with putti, interior retains pierced liner, h. 4 1/2 in., w. 7 1/2 in., overall wt. 13.55 troy ozs. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

442. Wood & Hughes “Medallion” Sterling Silver Tazza, c. 1870, act. New York 1845‑1899, circular saucer with beaded border, standard with Neo‑Grec accents, knop with medallions and vacant reserve, tripartite base, h. 8 7/8 in., dia. 10 1/8 in., wt. 27.40 troy ozs. [$700/1000]

443. Gorham Medallion Coin Silver Double Salt Cruet, marked 10/lion‑anchor‑G, with 2 Gorham Medallion sterling master salt spoons, ret. J.E. Caldwell, stand h. 5 1/4 in., w. 5 1/8 in., total wt. 7.05 troy ozs. [$500/700]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

443A. Medallion Coin Silver Mustard Pot, John R. Wendt for Ball, Black & Co., New York, act. 1855-1870, cover with Spartan helmet, finial, handles surmounted by Renaissance bust, laurel leaf and beaded borders, h. 3 7/8 in., w. 4 1/4 in.; TOGETHER WITH Gorham Medallion Sterling mustard ladle; total wt. 5.75 troy ozs. [$500/700]

444.American Brilliant Cut Glass Pitcher with Sterling Silver Mounts, hallmarked Mauser, New York, late 19th c., h. 11 1/2 in. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 445. John R. Wendt “Moresque” Pattern Sterling Silver Flatware, pat. 1870, designed by Bernhard D. Biederhase, most marked for retailers Starr & Marcus or J.E. Caldwell, incl. 26 forks (l. 7 3/8 in.), 12 tablespoons, 19 dessert spoons, 25 teaspoons, sugar sifter spoon and serving scoop; together with 12 mother‑of‑pearl handle knives with sterling ferrules and silverplate blades, various makers, total wt. (weighable) 137.75 troy ozs. [$2500/3500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

448. George III Sheffield Plate Hot Water Urn, Daniel Holy, Parker & Co., c. 1804, pineapple mark, domed cover, leaf and berry banding, lion mask and ring handles, reeded supports ending in paws, urn‑form burner, incurvate plinth, ball feet, retains original tinned interior and underside, h. 17 1/2 in., w. 8 1/2 in. [$500/700] 447. Thirteen S. Kirk & Son Sterling Silver Bread Plates, pattern 127F, each border hand‑chased with floral repousse on stippled ground, well with script monogram, dia. 6 1/4 in., total wt. 53.55 troy ozs. [$1200/1800]

Provenance: William Walter Antiques Ltd., London Silver Vaults, 1960. Note: A similar example is illustrated in Seymour Wyler’s The Book of Sheffield Plate.

446. Twelve S. Kirk & Son Sterling Silver Repousse Chargers, pattern 30F, each border hand‑chased with floral repousse on stippled ground, well with script monogram, dia. 11 in., total wt. 228.20 troy ozs. [$6000/9000]

449. American Renaissance Sterling Silver Figural Trumpet Vase, late 19th c., Black, Starr & Frost, New York, act. 1874 ‑ present, base mounted with figures of hounds, h. 9 1/2 in., wt. 12.55 troy ozs. [$200/300] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

450. American Art Nouveau Hibiscus Motif Sterling Silver Center Bowl, Whiting, early 20th c., pattern 6072, h. 3 3/8 in., dia. 12 1/4 in., wt. 22.60 troy ozs. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

451. Large Rock Crystal Sphere on Bronze Spreadwing Eagle Base, h. 14 in., dia. 9 1/2 in. [$400/600]

452. Italian Marble Head After the Antique, iron base, h. 11 in., w. 8 in., d. 7 in. [$400/600]

453. Pair of French Neoclassical‑Style Bronze‑Mounted Marble Cassolettes, mounted with garlands and masks, rope‑form handles, h. 17 in., w. 5 1/2 in., d. 5 1/2 in. [$700/1000]

455. Louis XVI‑Style Giltwood Cushion Mirror, scrolled crest pediment, egg and dart surround, beaded liner, h. 70 in., w. 42 in. [$1000/1500]

456. Regency‑Style Painted and Parcel Gilt Convex Girandole Mirror, spreadwing eagle, spherule surround, h. 35 in., w. 29 in. [$500/700]

454. Antique French Malachite‑Inlaid Marble Regulator Clock, late 19th c., dial with visible escapement and marked “HAVARD”, the striking bell movement marked “S. Marti”, compensating pendulum, incised case, h. 19 in., w. 18 in., d. 6 in. [$700/1000]

457. Napoleon III Gilt and Patinated Bronze Mantel Clock, 19th c., cornucopia finial, enamel dial with Roman numerals, cylindrical body encircled by fruiting grape vines, h. 16 in., w. 6 in., d. 6 in. [$700/1000]

459. Hermann Hosaeus (German, 1875‑1958), “Nach dem Kampf (After the Battle)”, patinated bronze, signed “Hosaeus”, signed by the foundry to the side “Aktien: Gesellschaft Gladenbeck Friedrichshagen”, h. 17 1/8 in., w. 18 in., d. 8 in. [$1500/2500] Provenance: Christie’s, Twenty Rooms: The Private Collection of the late Mrs. Elias‑Vaes, Amsterdam, April 27, 2010, lot 1219; Collection of Dr. Mark A. Geist, Providence, RI.

458. Amedeo Gennarelli (Italian, 1881‑1943), “L’Education du Jeune Archer”, patinated bronze, signed “A. Gennarelli/1930”, also with Paris foundry mark, and “Made in France” to side, h. 24 1/4 in., w. 24 in., d. 9 in., Note: lacking bow. [$1500/2500] Provenance: Leslie Hindman, Chicago, Oct. 5, 2010, lot 1222; Collection of Dr. Mark A. Geist, Providence, RI.

460. Antique Patinated Bronze Grouping of a Youth Battling a Lion, c. 1890, signed “Frangipe”, stamped “BRONZE” and “FRANCE”, also marked with the foundry “Syndicate des Fabricateurs de Bronze Unis”, h. 16 3/4 in., w. 17 in., d. 13 in. [$1200/1800] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

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Photo Credit metmuseum.org

461. Pair of Important American Aesthetic Carved Oak Throne Chairs, c. 1881‑1882, Herter Brothers, New York, each with carved ogee crest over padded back and seat flanked by stiles carved with anthemia and bosses continuing to paneled sides with a carved trompe l’oeil drape, arabesques and ribbon garlands behind gryphon term stiles and over massive paw front feet and plinth base. [$150000/250000] Note: This remarkable pair of chairs were commissioned for the ground floor atrium of the William Vanderbilt Residence, an Italianate compound for Vanderbilt and his daughters taking a city block at 640 5th Avenue in New York City. The finest and largest house on Fifth Avenue of the 1880s, it was estimated to have employed 600 workmen for its construction, and Herter Brothers’ most important design commission. It was also one of the most well documented houses of “Vanderbilt Row” as a 160 page folio, Mr. Vanderbilt’s House and Collection, Volume I, complete with colored photographs, engravings, and elaborate descriptions by Edward Strahan, nom de plume for art critic Earl Shinn. The chairs offered here are illustrated in two plates and two different engraved illustrations in Mr. Vanderbilt’s House. The atrium where these chairs were placed was a two-story galleried space faced in rosso antico marble and lavishly hung with tapestries. Though the ground floor atrium was dubbed the “Egyptian Room,” Herter Brothers worked with a broad selection of historical forms for the furnishings. The chairs offered here are adapted from the ancient Egyptian Royal thrones and the ancient Roman Soliam form. The Herter designers were well aware that the Solium was an armed chair usually carved with gryphon terms from a single block of wood or stone to be used by a Roman master of the house when he received visitors in his atrium. Visitors to Vanderbilt’s atrium likely found it fitting that the Soliam was an easily recognized form of Sella Curulis (Roman State) chairs and Egyptian royal thrones. Also in the Vanderbilt atrium were a pair of large Herter Brothers carved console tables, one surviving in the collection of the Dallas Museum of Art (no. 1996-213 A-E). careful study indicates that while the table and chairs are not stridently en suite, they harmonize together with shared materials and motifs,

as did many of the other decorations in the house. Though the term supports on the tables differ (from gryphons on the chairs and human forms on the tables) various carved moldings, the ribboned garlands, and the playful tromp l’oeil carved wood tapestries are prominent in both tables and chairs. Completed in 1882, 640 5th Avenue served as William Vanderbilt’s residence for three years until his 1885 death in its library. Vanderbilt’s heirs leased the house to Henry Clay Frick among others until 1915 when Cornelius and Grace Vanderbilt moved in. By the early 20th century the elaborate furnishings were passe and the house was gutted and furnishings dispersed. The few surviving Herter examples from the William Vanderbilt commission are only known in museum collections (including the Metropolitan Museum of art, the Museum of Fine Arts Houston, and the High Museum, Atlanta) and complemented by the chairs offered here. Reference: Alice Cooney Frelinghuysen. “Artistic Furniture of the Gilded Age, Herter Brothers and the William H. Vanderbilt House.”

Antiques and Fine Art (Spring 2016). • Stephen Harrison, “Vanderbilt Console,” in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 237; • Katherine Howe. @Herter Brothers: Furniture and Interiors for a Gilded Age. New York: Harry N. Abrams in association with the Museum of Fine

Arts, Houston, 1994. p. 200-213 • George William Sheldon. @Artistic Houses: Being a Series of Interior Views of a

Number of the Most Beautiful and Celebrated Homes in the United States with a Description of the Art Treasures

Contained Therein@ (New York, Benjamin Blom, 1971), p. 111-127 • Edward Strahan. @Mr. Vanderbilt’s House and

Collection, Volume I@, Boston-New York-Philadelphia: George Barrie (1883-1884) p. 21, 24 (https://www.metmuseum. org/art/collection/search/704714)

463. Mary Cassatt (American, 1845‑1926), “Margot Resting Arms on Back of Armchair”, c. 1900, drypoint on paper, pencil‑signed lower margin, watermark of woman with spear and shield (Charles Ball) visible, “Taylor Clark, Baton Rouge” label and additional label on backing paper, 8 1/4 in. x 5 3/4 in., framed. [$4000/6000]

462. Mary Cassatt (American, 1845‑1926), “Mother Holding her Nude Baby”, c. 1900, drypoint on paper, pencil‑signed lower margin, “Van Der Ley” watermark visible, “Taylor Clark, Baton Rouge” label and additional label on backing paper, 8 1/2 in. x 5 3/4 in., framed. [$4000/6000] Ref: Breeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonne of the Graphic Work. City of Washington: Smithsonian Institution Press, 1979, p. 206.

Ref: Breeskin, Adelyn Dohme. Mary Cassatt: A Catalogue Raisonne of the Graphic Work. City of Washington: Smithsonian Institution Press, p. 189.

465. Pair of Italian Carved Marble Lions, after Antonio Canova, recumbent on rectangular plinths, h. 8 in., w. 4 1/4 in., d. 12 1/2 in. [$500/1000]

464. Patinated Bronze Figure of Aphrodite and Eros, 19th c., gilt base, h. 24 in., w. 8 1/4 in., d. 6 1/2 in. [$700/1000]

466. Napoleon III Gilt‑Bronze Mounted Marble Mantel Clock, c. 1850, striking bell, silk‑thread movement, porcelain dial marked “LEYSZ A NANCY”, surmounted by Classical urn, foliate castings, h. 16 1/2 in., w. 9 in., d. 4 1/4 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

467.French Bronze Bust of a Gentleman on Marble Base, after Alix Marquet, signature and “1929” inscribed on proper left shoulder, HOH Willer Fondeur mark on reverse of lower trunk, h. 30 in., w. 20 in., d. 13 in., marble pedestal, overall h. 65 in. [$1200/1800] 468. Two Italian Carved Alabaster Figures of Maidens, h. 13 1/4 in. to 13 1/2 in. (2 pcs.) [$600/900]

469. Italian Carved Alabaster Figural Group of “The Three Graces”, after Antonio Canova, h. 13 1/2 in., w. 7 1/2 in., d. 4 1/2 in. [$600/900] Provenance: Acquired in Italy by James Gallier, Sr. from dealer F. Leopold Pisani, Florence, Italy, March 31, 1852; thence by descent; Estate of Dr. Kenneth Mcleod, Jr., New Orleans

470. Dan Johnson (1918‑1979) Bronze and Cane “Gazelle” Chair, late 1950s, Italy, unmarked, model 20B, shaped tablet back, restrained arms, shaped seat and rails, tapered angles, h. 31 1/4 in., w, 18 1/2 in., d. 19 3/4 in. [$2000/3000]

471. Newcomb College Art Pottery Vase, 1922, decorated by Sadie Irvine, in the “Moon and Palm” design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark and Joseph Meyer’s potter’s mark, h. 13 1/2 in. [$15000/20000]

472. Newcomb College Art Pottery Vase, 1918, decorated by Anna Frances Simpson, in the “Moon and Cypress Tree” design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, and Joseph Meyer’s potter’s mark, h. 13 7/8 in. [$12000/18000]

473. Newcomb College Art Pottery Vase, 1930, decorated by Henrietta Davidson Bailey, with relief carved pinecone motif, matte glaze with blue, green and purple underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. SR7, h. 13 in., dia. 5 3/4 in. [$3000/5000]

474. Rare Newcomb College Art Pottery High‑Glaze Vase, 1902, decorated by Roberta Beverly Kennon, painted frieze of geckos and moths, blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. I77, and marked “Q” for buff clay body, h. 6 in. [$6000/10000]

Provenance: Jean Bragg Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

475. Charles (American, 1907-1978) and Ray (American, 1912-1988) Eames for Herman Miller Walnut Plywood, Brown Leather and Aluminum ‘Tall’ Lounge Chair and Ottoman, 1978, Zeeland, MI, model no. 670 and 671, each with Herman Miller decal logos and labels, patent labels with faint stamps “Sep 18 1978”, chair h. 33 in., w. 33 in.; ottoman h. 16 1/2 in., w. 26 in., d. 21 1/2 in. [$2000/3000]

476. Zsolnay Pottery Figural Pitcher, 1900‑02, Zsolnay Pecs mark, stamped “6405”, leaf and seed‑pod decoration in Eosin and maroon glazes, h. 9 1/8 in. [$3000/5000]

477. Austrian Art Nouveau Bronzed Pewter Mounted Glass Vase, c. 1905, Rindskopf, green iridescent glaze with swirls of white, purple and orange, h. 6 3/4 in. [$600/900]

478. Newcomb College Pierced Brass Mailbox, early 20th c., hand‑wrought brass sheeting with cut out monogram “G”, h. 11 1/2 in., w. 9 1/2 in., d. 2 in. [$500/700]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Additional information at www.nealauction.com

479. Antique French Marble Pedestal, grey and white variegated marble, octagonal base, h. 39 in., top dia. 9 in. [$500/700]

480. Three Decorative Carved Semi‑Precious Stone Skulls, incl. lapis, agate and red jasper, largest h. 6 1/2 in., w. 6 in., d. 8 in. [$1000/1500]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

481. Vintage Alfred Dunhill Leather Travel Bag Briefcase, c. 1999, apparently unused, with interior loose divider, brass hardware, keys, original storage bags, h. 13 1/2 in., w. 18 in., d. 6 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

482. American Bronze and Art Glass Desk Lamp, c. 1900, flared standard, foliate support, molded iridescent shade, h. 15 3/4 in., w. 7 in., d. 12 1/2 in. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

483. Sterling Silver‑Mounted Mahogany Table Lamp, c. 1965, designed or sourced by David Wider, the candlestick form faced with silver hallmarked William Comyns & Sons Ltd., London, 1959, electrified. [$200/300] Provenance: Collection of Dr. Isidore Cohn, Jr. (1921‑2015), New Orleans.

484. Lalique Clear and Frosted Glass “Igor” Caviar Server, marked, dolphin finial, gilt metal frame suspending caviar bowl over ice bowl, three fish‑form feet, h. 10 in., di. 7 3/4 in. [$500/700]

486. George Ohr Art Pottery Teapot, inverted lid, green glaze with speckles, mustard finish interior, stamped “G.E. Ohr/ Biloxi, Miss.”, h. 4 1/4 in., w. 5 in., d. 6 1/4 in. [$6000/8000] Provenance: Jean Bragg Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

485. Art Deco Patinated Bronze Figure of a Panther, early 20th c., signed “Rudens” on black marble base, h. 8 3/4 in., w. 28 in., d. 6 1/2 in. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

487. George Ohr Art Pottery Cream Pitcher, ribbon handle, glossy black glaze, base stamped “G.E. Ohr/ Biloxi, Miss.”, h. 4 3/8 in., w. 2 1/2 in., d. 3 in. [$2000/4000] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

488. George Ohr Art Pottery Lidded Vessel, scalloped rim, umber glaze with black spattering, base stamped “G.E. Ohr/ Biloxi, Miss.”, h. 4 1/4 in., dia. 4 3/4 in. [$1000/2000] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

489. George Ohr Humorous Teacup in the Form of a Chamber Pot, applied design to interior, base marked “G.E. Ohr, Biloxi, Miss”, h. 2 1/4 in., w. 4 in. [$500/700]

490. Paul Ludwig Kowalczewski (German, 1865‑1910), “Justice”, patinated bronze, signed “P. Kowalczewski”, the allegorical figure holding a sword and ledger, the rouge and green‑variegated marble base with applied bronze relief of a hand holding scales, h. 13 1/2 in., w. 5 in., d. 4 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 491. Clarence Millet (American/New Orleans, 1897‑1959), “Life on the Batture”, oil on canvas, signed lower left, 26 1/8 in. x 38 in., framed. [$15000/25000]

492. Yaacov Agam (Israeli, b. 1928), “Bubbles”, lenticular print (Agamograph), signed and numbered “XLIV/XC” in plate, printed label with artist and title en verso, sight 13 7/8 in. x 13 7/8 in., framed. [$700/1000] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

493. David Dalla Venezia (French/Italian, b. 1965), “Untitled”, 2005, oil on canvas board, signed, dated “MMV” and inscribed “447” lower center, 10 5/8 in. x 8 5/8 in., framed; together with Galleria L’Occhio, Venice exhibition catalogue. (2 pcs.). [$700/1000] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

494. Enrique Alferez (Mexican/ New Orleans, 1901‑1999), “Female Forms in Allegorical Landscapes”, 2 basrelief wood panels, both unsigned, each 45 1/2 in. x 12 1/2 in. [$15000/25000] Provenance: Acquired from the artist; thence by descent.

495. Gustav Klimt (Austrian, 1862‑1918), “Italian Landscape”, Plate 23, collotype, from Eine Nachlese, Klimt and Eisler, Vienna, Austrian State Printing Office, 1931, sheet 18 1/2 in. x 17 7/8 in., sight 18 in. x 16 3/4 in., custom silvered and carved frame. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Additional information at www.nealauction.com

496. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Field with Tall Grass”, oil on canvas, signed lower right, 32 1/4 in. x 42 1/4 in., framed. [$8000/12000] Provenance: Collection of Michael Wilkinson, New Orleans, LA. 497. Theora Hamblett (American/Mississippi, 1895‑1977), “Mother Goat and Kids”, 1971, oil on canvas, signed and dated lower right, handwritten label with artist and title on backing, 24 in. x 30 in., framed. [$18000/25000] Provenance: Descended in the family of the artist. Note: Theora Hamblett began her professional career late in life, eschewing the abstract style popular at the time in favor of subjects more personal. After an accident that broke her hip and required surgery in 1954, Hamblett began to paint her dreams and visions. The same year, New York gallery owner and famous collector, Betty Parsons, discovered Hamblett’s work and subsequently one of her paintings was included in a 1955 show of new acquisitions at the Museum of Modern Art. Many of Hamblett’s paintings concentrated on her early memories, especially of the chicken farm in Paris, Mississippi where she spent her childhood. In nearly all of her landscape paintings, she included animals or people, with the belief that these additions gave life to the scenes. A charming family of goats surrounded by Hamblett’s iconic trees take center stage in the rare and mature work offered here. Hamblett’s minimalist style is abstract, yet representational, with the highly patterned trees vibrating with tiny leaves, made all the more kinetic by being placed between the field of solid gold surrounding the goats and the bright blue Mississippi sky. Ref.: Wertkin, Gerard, ed. Encyclopedia of American Folk Art. New York, NY: Routledge, 2003, pp. 243-244. “Theora Hamblett.” Greg Thompson Fine Art. www. gregthompsonfineart.com. Accessed Dec. 19, 2020

498. George Rodrigue (American/Louisiana, 1944‑2013), “Swamp House #2”, 1969, oil on canvas, signed lower left, titled, artist stamp and inscribed “#9” en verso, artist stamps on stretcher, 8 in. x 12 in., framed. [$8000/12000]

499. George Rodrigue (American/Louisiana, 1944‑2013), “Bayou Moss #1”, 1969, oil on canvas, signed lower left, titled, dated, inscribed #6 and artist label en verso, artist stamps on stretcher, 8 in. x 12 in., framed. [$8000/12000]

Note: In March of 1967, George Rodrigue returned to his hometown of New Iberia, Louisiana from the Art Center College of Design in Los Angeles, where he had been studying traditional painting techniques, abstract expressionism, pop art and hard edge painting. As he explored his own path forward as an artist, Rodrigue’s earliest landscapes from 1967 to 1970 often included elements such as cabins and small figures. As his unique vision of Louisiana developed, he abandoned these additional components in favor of the oak tree alone – his symbol of his home state. The silhouetted oak tree in the background, cropped at the top, and a rich, dark foreground dominated his compositions. As he began to develop local supporters, Rodrigue was introduced to the famous Louisiana architect, A. Hays Town, and his advice to the young artist further transformed Rodrigue’s approach. Town told him to “treat each painting like a jewel, because if it is precious to you, it will be precious to others as well.” The two canvases from 1969 offered in these lots with their rich palettes and meticulous details are both jewels and windows into the early development of an artist that would come to define twentieth century Louisiana landscape painting. Ref.: Rodrigue, Wendy. “Early Oak Trees and a Regrettable Self-Portrait.” Life & Legacy Foundation & Tour. Oct. 14, 2009. www.legacyarttour.org. Accessed Dec. 30, 2020; Rodrigue, Wendy. “Remembering Lafayette’s Advocates for the Arts, Circa 1969.” Life & Legacy Foundation & Tour. June 22, 2010. www.legacyarttour.org. Accessed Dec. 30, 2020

500. Robert Joseph Warrens (American/Louisiana, b. 1933), “Space Station Apartment”, 1989, mixed media and acrylic on wood, initialed on underside, h. 107 in., w. 34 in., d. 43 in. [$4000/6000] Provenance: Acquired from the artist, 1989. Exh.: “Paintspitter: Paintings and Construction by Robert Warrens”, New Orleans Museum of Art, 1990 and illustrated in accompanying catalogue, p. 34.

501. Luis Cruz Azaceta (Cuban/American, b. 1942), “Road to Ricovery[sic]”, 2010, mixed media, signed, titled and dated in shoe, h. 72 in., w. 11 1/4 in., d. 4 in. [$3000/5000] Provenance: Commissioned from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

502. Henry Faulkner (American/Kentucky, 1924‑1981), “Flowers”, 1959, oil on masonite, signed lower right, “Collectors of American Art, Inc., New York” label with artist, title, date and inscription attached en verso, 10 1/8 in. x 8 1/4 in., framed. [$1000/1500]

503. Howard Chandler Christy (American, 1872‑1952), “Reputedly Marie Renoudet Detler”, oil on canvas, signed and illegibly dated lower right, 52 1/4 in. x 36 3/8 in., framed. [$5000/7000] Note: Howard Chandler Christy was one of America’s most distinguished illustrators. His career was established during the Spanish American War when he worked for Scribner’s and Leslie’s Weekly completing illustrations of American troops in Cuba. Later in his career, Christy was most sought after for his skill in portraiture. His sumptuous portraits of women, such as the one offered here, were among his most desired subjects. He also captured many famous figures such as Calvin Coolidge, Douglas McArthur, Eddie Rickenbacker, Amelia Earhart, Herbert Hoover and Benito Mussolini. Additional information at www.nealauction.com

504. Charles Henry Chapin (American/Massachusetts, 1830‑1889, act. New Orleans, 1882‑1885), “Bayou Landscape”, pastel and watercolor on paper mounted to canvas, signed lower right, 25 in. x 30 in., framed. [$4000/6000]

Note: Charles Henry Chapin arrived in New Orleans from New York in the winter of 1882, and he advertised as a painter of portraits and landscapes as well as a teacher. A well-traveled artist, Chapin had earned critical acclaim for his earlier landscapes of the Adirondack Mountains and Grand Canyon, along with his noted portrait of Polish actress Helena Modjeska in her role as Mary Queen of Scots. While in New Orleans, Chapin established a studio on Dryades Street and exhibited at W.E. Seebold’s art gallery. He resided in New Orleans from 1882 to 1885 and took trips during this time period along the central and southern Gulf coast of Florida. As a landscape painter, Chapin was noted for his skill in oil as well as watercolor. In the painting offered here, he beautifully and adeptly captures the light reflected on the water as well as the luminosity of the distant horizon.

505. Charles Henry Chapin (American/Massachusetts, 1830‑1889, active New Orleans, 1882‑1885), “New York”, pastel and watercolor on paper, signed and inscribed “N.Y.” lower left, 20 3/4 in. x 29 7/8 in., framed. [$1500/2500]

506. Clarence Millet (American/ New Orleans, 1897‑1959), “From His Studio Window”, oil on canvas board, signed lower right, pencil‑titled en verso, 18 in. x 15 in., framed. [$4000/6000]

507. Alberta Kinsey (American/New Orleans, 1875‑1952), “Courtyard, Governor Claiborne House, 628 Toulouse Street”, oil on masonite, signed lower right, 22 1/2 in. x 18 in., framed. [$1500/2500] 508. Newton Reeve Howard (American/ New Orleans, 1912‑1984), “Old Road at Lafitte/Friday Afternoon”, 1980, oil on canvas, signed and dated lower left, exhibition label with artist, title and date on stretcher, 18 in. x 24 in. framed. [$4000/6000] Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019. 509. Newton Reeve Howard (American/New Orleans, 1912‑1984), “Cypress Dugout Pirogue in Trenasse”, 1980, oil on canvas, signed and dated lower left, exhibition label with artist and title on stretcher, 14 in. x 18 in., framed. [$3000/5000] 510. Newton Reeve Howard (American/New Orleans, 1912‑1984), “Untitled (Bayou Camp)”, 1979, oil on canvas, signed and dated lower left, exhibition label with artist, title and date on frame, 16 in. x 20 in., framed. [$3000/5000] Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019.

Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019.

511. Newton Reeve Howard (American/New Orleans, 1912‑1984), “Untitled (Bayou St. John, Lafitte)”, 1979, oil on canvas, signed and dated lower left, exhibition label with artist, title and date on frame, 12 in. x 24 in., framed. [$4000/6000] Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019.

512. Andres Molinary (American/New Orleans, 1847‑1915), “City Park, Old Allard Plantation, New Orleans”, oil on canvas, signed lower right, 15 in. x 24 in., framed. [$15000/25000] Provenance: Mary Helen Washburn, student of Andres Molinary at Newcomb College, New Orleans, LA; thence by descent.

Note: As a young man in his twenties, Andres Molinary left his native Gibraltar for New Orleans with the intention of visiting his uncle, who was a partner in an importing business. After several years of traveling throughout Mexico and Central America, Molinary settled permanently in the Crescent City in 1876. With the encouragement of his uncle, Molinary pursued a career as an artist and eventually opened an art studio. He soon earned portrait commissions and furthered his interest in landscape and genre painting. Always engaging and popular, Molinary’s studio became a gathering place for the coterie of local artists and writers. As an active member of the local art community, Molinary was instrumental in the founding of the Cup and Saucer Club, Southern Art Union and Artists’ Association of New Orleans. The unique landscape of southern Louisiana fascinated the artist. As New Orleans began to expand its environs beyond the French Quarter and the surrounding areas near the Mississippi River, Molinary documented the growth of the city. Many of his landscape paintings depict the developing, but still clearly rural, communities on the outskirts of the growing city. In the work offered here, Molinary depicts a slightly different view of the same scene sold in these rooms on February 20, 2016. The Allard family had possession of the land along Bayou St. John from the late 1700s to 1845, when it was acquired by businessman John McDonogh. He willed the land to the cities of New Orleans and Baltimore upon his death in 1850, around the same time a movement within the country to construct urban parks was taking shape. In 1859, New Orleans resolved ownership with Baltimore and declared the land a public park. The space that would become City Park remained largely undeveloped until the late 1890s, providing the perfect subject for Molinary.

513. Andres Molinary (American/New Orleans, 1847‑1915), “Self‑Portrait”, 1896, oil on panel, signed and dated upper right, 10 in. x 8 in., framed. [$2500/3500] Provenance: Mary Helen Washburn, student of Andres Molinary at Newcomb College, New Orleans, LA; thence by descent. Additional information at www.nealauction.com

514. Jasper Francis Cropsey (American/New York, 1823‑1900), “October Morning”, 1888, oil on canvas, signed and dated lower left, “Thomas A. Wilmurt, New York” label on frame, 9 1/2 in. x 17 in., framed with artist and title plaque. [$10000/15000] Provenance: Estate of Houston H. and Carolyn H. Harte, San Antonio, TX.

Note: Jasper Francis Cropsey initially trained as an architect under Joseph Trench, who encouraged his talents in drawing and painting. Cropsey developed a keen interest in landscape. Throughout the 1840s, he supported himself with architectural commissions, among the most notable being New York’s Sixth Avenue Elevated Railway, while continuing his artistic pursuits. In 1847, he first traveled to Europe and settled in Thomas Cole’s old studio in Rome to further his studies. In 1849, he returned to New York and arrived upstate to devote himself to the landscape work that would bring him prominence as a Hudson River School painter. Cropsey’s landscapes reflect his interest in the influence of nature on man’s existence, a concept that was fundamental to the Hudson River School artists. In 1884, Cropsey moved to a house in Hastings-on-Hudson, New York to which he added a studio. Today that site, called Ever Rest, is maintained as a museum by the Newington-Cropsey Foundation. For fifteen years, he continued to paint in his home on the Hudson. The oil landscape of 1888 offered here displays Cropsey’s mature skill with a vivid autumnal palette and finely showcases his luminist technique. Neal Auction Company would like to thank Anthony Speiser, Director of the Newington-Cropsey Foundation, for his help in authenticating this lot. The work will be included in any future supplements to the catalogue raisonné on the artist.

515. Helen Maria Turner (American/Louisiana, 1858‑1958), “Mexican Washwoman”, oil on canvas, signed, titled, inscribed and “The National Arts Club, 1935” exhibition label en verso, 16 in. x 14 in., framed. Exh.: “Loan Exhibition of Works of Art owned by Artist Members”, The National Arts Club, New York, NY, Apr. 3 ‑ 27, 1935. [$7000/9000]

516. Louisiana School, mid‑19th c., “Portrait of James Gallier, Sr. (1798‑1866)”, oil‑enhanced photograph mounted to canvas, unsigned, 29 1/2 in. x 25 in., framed; accompanied by a photograph of the work pencil‑inscribed “Picture of James Gallier, Sr. at the house taken of 3/20/47” en verso. (2 pcs.). [$3000/5000] Provenance: Descended in the family of the sitter; Estate of Dr. Kenneth Mcleod.

518. Louisiana School, 1830, “Portrait Miniature of James Gallier, Jr., age 2 yrs., 9 mos.”, unsigned, partial sketch en verso, inscribed with sitter information on backing paper, 2 3/4 in. x 2 1/4 in., framed. [$2500/3500] Provenance: Descended in the family of the sitter; Estate of Dr. Kenneth Mcleod.

518A. Two Coats of Arms of the Gallier Family, 19th c., one the Coat of Arms of the Gallier Family in Ireland, 11 3/4 in. x 9 1/2 in.; one the Coat of Arms of James Gallier Sr., assigned when visiting London, 13 in. x 10 in. [$600/900] Provenance: Estate of Dr. Kenneth Mcleod.

517. Louisiana School, mid‑19th c., “Portrait of James Gallier, Jr. (1827‑1868)”, charcoal and chalk on paper mounted to board, unsigned, 24 in. x 19 1/2 in. (oval), original frame. [$3000/5000] Provenance: Descended in the family of the sitter; Estate of Dr. Kenneth Mcleod.

519. Miniature Portrait of Dr. Octavius Undecimus Trezevant (1810‑1866) of Charleston, SC and New Orleans, LA, mid‑19th c., watercolor and gouache, unsigned, 4 1/2 in. x 3 1/2 in., case 6 in. x 5 in.; ACCOMPANIED by 2 letters from Edith Booth dated September 1934 and August 1937 to “Madame” with a Hailsham Sussex address. [$1500/2500]

521. Joseph Jefferson (American/Louisiana, 1829‑1905), “Marsh Landscape”, oil on canvas, signed lower left, 12 1/2 in. x 20 3/4 in., framed with artist plaque. [$2500/3500]

520. French School, c. 1794, “Officier d’Infanterie en Redingote vers 1794”, oil miniature, unsigned, handwritten label with title, “Collection Militaire / Bernard Franck” and “448” labels on backing, 2 1/2 in. x 2 1/8 in. (oval), framed. [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

522. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Courtyard”, 1924, oil on canvas laid on panel, signed and dated lower left, “Artique Shoppe, Inc.” stamp on backing paper, 9 in. x 7 in., framed. [$2000/3000] 523. Newton Reeve Howard (American/New Orleans, 1912‑1984), “Untitled (Trapper’s Shack)”, 1981, oil on panel, signed and dated lower right, exhibition label with artist, title and date en verso, 11 in. x 14 in., framed. [$2500/3500] Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019. Additional information at www.nealauction.com

524. Clarence Millet (American/New Orleans, 1897‑1959), “Sculptor’s Holiday”, oil on canvas, signed lower right, “National Academy of Design 129th Annual Exhibition 1954” label with artist and title on stretcher, 28 in. x 22 in., period frame. [$4000/6000]. Provenance: Neal Auction Company, June 7, 2003, lot 395; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. 525. Thornton Oakley (American/Pennsylvania, 1881‑1953), “Stretched Out, Basking in the Torrid Glare (Cajun Cotton)”, oil on canvas, signed lower left, “Robert M. Hicklin, Jr. Inc.”, conservation and exhibition labels with artist and title on backing board, 22 1/4 in. x 16 1/4 in., framed. [$10000/15000] Provenance: Robert M. Hicklin, Charleston, SC. Ill.: Oakley, Thornton. “Mississippi Sketches”. Harper’s. June, 1905: 449.

526. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Untitled: Cluster Study”, oil and graphite on paper, pencil‑signed lower right, printed label from previous framing on backing paper, 8 3/16 in. x 11 11/16 in., framed. [$1000/1500]

Note: A professional illustrator, artist and writer, Thornton Oakley often wrote and illustrated content for many magazines, particularly relating to travel and industry. Oakley worked in graphite, pen and ink, and oil with a consistent clarity and attention to detail. His most accomplished works are paintings and drawings of city scenes that provide an emphasis on their industrial character, highlighting the urban landscapes’ massive size and strength of structures and materials. The work seen here displays the artist’s tendency to focus on a single figure centered in the foreground of a vertical scene of imposing structures and machinery in order to emphasize man’s relationship to industry. He once stated: “It is man, the workman, the tiny human being upon the street, who has conceived and wrought the giant frames of steel, the furnaces, the towering buildings. It is through his eyes that I have seen.” Published as part of an article in Harper’s Monthly Magazine written and illustrated by the artist in 1905, the setting of the rare oil painting offered here is perfectly described by Oakley: “It was New Orleans; it was the afternoon, and the hour was near for departure of the steamboat. The sun flamed down as though the sky were the open door of a furnace, and the levee quivered with the heat. To the right and to the left stretched a long vista of cotton bales, and beyond the rows of bales lay the packets, their smoke-stacks – tall and lean, ribbed with white and topped by bell-shaped grills of wrought iron – reaching up into the blue sky full of floating clouds.” Ref.: Oakley, Thornton. “Mississippi Sketches.” Harper’s. June, 1905: 447-455; Pfohl, Bailey. “Thornton Oakley.” Illustration History: Norman Rockwell Museum. www.illustrationhistory.org. Accessed Dec. 31, 2020

527. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Landscape with Trees and Houses”, oil on board, initialed lower left, 10 in. x 14 in., framed. [$6000/8000] Provenance: Mary Helen Washburn, student of Andres Molinary at Newcomb College, New Orleans, LA; thence by descent.

528. Douglas Bourgeois (American/Louisiana, b. 1951), “Untitled (Head & Moth)”, 1998, mixed media assemblage, artist, title, date, inscribed “(note inside) New Orleans” and “Bassetti Fine Art” label on backing paper, 9 3/4 in. x 6 in., shadow box frame. [$800/1200] Provenance: Bassetti Fine Art, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

529. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912‑1997), “Small Oil No. 1”, oil on canvas, signed lower right, signed and titled on artist label on stretcher, 13 1/2 in. x 15 7/8 in., framed. [$2000/3000] 530.Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Small Oil Painting No. 9”, oil on canvas panel, signed lower right, artist label with title en verso, 9 1/2 in. x 14 in., framed. [$2000/3000]

531. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Small Oil No. 8”, oil on canvas panel, signed lower left, artist label with title on backing paper, 8 in. x 9 1/4 in., framed. [$1800/2500]

533. Mildred Wohl (American/New Orleans, 1906‑1977), “Abstraction”, oil on masonite, unsigned, 60 in. x 48 in., framed. [$4000/6000]

532. Emery Ann Clark (American/Louisiana, b. 1950), “Site Study, View ‑ Colorful Beach”, 1982, pastel on paper mounted to board, pencil‑signed and dated lower right, 26 1/4 in. x 36 in., framed. [$1000/1500]

Note: A native New Orleanian, Mildred Wohl studied at the Newcomb Art School at Tulane University. She had her first solo exhibition at the Sky Club in 1959 followed by a show at the Downtown Gallery in 1961. Wohl joined the Orleans Gallery in 1966 and was an active member until the artist collective closed in early 1973. Wohl worked in the style of Abstract Expressionism with a unique palette different from that of her sister and the highly acclaimed artist, Ida Kohlmeyer. While Kohlmeyer’s work is most often grounded in a field of white, Wohl embraced the enigmatic colors of black and brown in her paintings. The occasional addition of a vivid hue such as red, seen in the work offered here, acts to accentuate the mystery of the surrounding composition. An exploration of the dynamic relationship between vertical and horizontal forms, expressive brushwork and characteristic palette defined Wohl’s career, resulting in a distinctive and important body of work.

534. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Fish”, watercolor and graphite diptych on paper, unsigned, each sheet 10 7/8 in. x 8 7/16 in., overall 21 3/4 in. x 8 7/16 in., framed. [$5000/7000] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

535. John Alexander (American/Texas, b. 1945), “Ogden Hummingbird”, watercolor and graphite on paper, pencil‑signed lower right, titled lower left, pencil‑signed and titled en verso, 11 in. x 8 1/2 in., framed. [$700/1000] Provenance: Acquired at the Ogden Museum of Southern Art Gala, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

536. New Orleans School, early 20th c., “In Vieux Carré, New Orleans”, oil on canvas, pencil‑signed “Mary Sneed” lower right, pencil‑titled on stretcher, illegibly inscribed on frame, 22 in. x 24 in., framed. [$2000/3000] Additional information at www.nealauction.com

538. Laura Woodward (American/Florida, 1834‑1926), “In the Everglades”, watercolor on paper mounted to board, signed lower left, 7 1/16 in. x 9 1/8 in., framed. [$1500/2500]

539. Alberta Kinsey (American/New Orleans, 1875‑1952), “Cabildo Arcade”, oil on board, signed lower right, 9 in. x 11 3/4 in., framed. [$800/1200] 537. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “Orleans Alley, New Orleans”, oil on canvas, signed lower right, 20 in. x 16 in., framed. [$1200/1800]

540. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou with Oak Tree”, oil wash on board, signed lower right, 11 in. x 14 in., framed. [$1500/2500]

541. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Sabbath (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 32 in. x 48 1/4 in., framed. [$2500/3500]

542. Monica Zeringue (American/New Orleans, b. 1964), “From the Inside”, 2004‑05, graphite on paper, pencil‑signed lower right, pencil‑signed, titled and dated “2005” en verso, pencil‑signed, titled and dated “2004” on backing, “Blue House Studio, New Orleans” label and “Louisiana Artworks” labels on backing board, 19 in. x 24 in., framed. [$1800/2500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

543. Jacqueline Bishop (American/New Orleans, b. 1955), “Metamorphosis”, 1987, mixed media on panel, pencil‑signed, titled and dated en verso, 4 1/2 in. x 6 1/2 in., shadow box frame hand‑painted by artist. [$600/800] Provenance: Acquired from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

544. Leonard Flettrich (American/ New Orleans, 1916‑1970), “Untitled (Flambeau)”, oil and mixed media on panel, signed lower left, 22 1/2 in. x 11 3/8 in., framed. [$400/600] Provenance: Gift of the artist’s wife; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

545. Blake Nelson Boyd (American/ Louisiana, b. 1970), “A Long Time Ago, in Some Hollywood Office, Far, Far Way”, mixed media diptych on paper, each sheet signed and artist blind stamp lower right, each 20 in. x 16 in., framed alike. (2 pcs.) [$600/800] Provenance: Arthur Roger Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

546. Ashley Longshore (American/New Orleans, b. 1975), “Marie Antoinette”, mixed media on fabric on stretcher, signed mid‑left, 36 in. x 24 in., unframed. [$2000/3000] 547. Ashley Longshore (American/New Orleans, b. 1975), “The Last Veuve”, 2007, mixed media on fabric on panel, signed upper right, signed, titled and dated en verso, 23 7/8 in. x 12 in., unframed. [$1500/2500]

548. Emilie de Hoa LeBlanc (American/ New Orleans, 1870‑1941, act. Newcomb College, 1897‑1921), “The Praline Seller”, graphite on paper, unsigned, 2 partial portraits en verso, sight 15 1/4 in. x 19 in., framed with double‑sided glass. [$1000/1500] Note: Pralinieres, women who sold pralines on the streets of New Orleans, were some of the first women of color – along with coffee sellers, callas sellers and laundresses – to work for themselves as opposed to being employed as domestic help. According to Newcomb College tradition, Mary Louise was the “praline lady” on Washington Avenue near the old campus of Newcomb College before it was moved to Broadway in 1918. Depicted by several of Newcomb’s art students, including Sadie Irvine and Selina Bres, Mary Louise was a well-known figure in the Newcomb community, as was her daughter, Azelie, who took over her mother’s business after Mary Louise’s death.

550. John Whorf (American/ Massachusetts, 1903‑1959), “Sail Boats (Fleet of Sail Boats)”, watercolor on paper, signed lower left, pencil‑titled en verso, “Milch Galleries, New York” label with artist and title, “Artique Shoppe, New Orleans” stamp and handwritten label with artist on backing paper, 19 1/16 in. x 22 in., framed. [$800/1200]

549. Marie de Hoa LeBlanc (American/ New Orleans, 1874‑1954, active Newcomb College, 1895‑1914), “Camp Salmen, Bayou Liberty, Slidell ‑ St. Tammany Parish”, watercolor and graphite on board, signed lower left, printed photo with title on backing paper, 11 in. x 13 7/8 in., framed. [$1000/1500]

551. John Whorf (American/Massachusetts, 1903‑1959), “Landscape”, 1926, watercolor on paper, signed and dated lower right, 13 15/16 in. x 20 in., framed. [$1200/1800]

552. LeRoy Neiman (American/New York, 1921‑2012), “Horse and Jockey”, 1960, oil on board, signed and dated lower right, 28 in. x 11 1/2 in., framed. [$8000/12000]

554. James Surls (American/ Texas, b. 1943), “I Am in the House”, carved wood sculpture, unsigned, h. 77 in., w. 39 in., d. 18 in. [$4000/8000] Provenance: Carpenter + Hochman Gallery, Dallas, TX; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

553. Adam Mysock (American, b. 1983), “Manifest Destiny: Discovering the Swingline”, 2008, oil on panel, signed, titled and dated en verso, 5 3/8 in. x 7 in., framed; together with “Magnitude SEVEN 2008” exhibition catalogue. (2 pcs.). [$1000/1500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. Exh.: “Magnitude SEVEN 2008”, Manifest Creative Research Gallery and Drawing Center, Cincinnati, OH, 2008 and illustrated in accompanying catalogue.

555. Angela Gregory (American/Louisiana, 1903‑1990), “Maquette for the Jean‑Baptiste Le Moyne de Bienville Monument”, plaster, pencil‑signed on self‑base, h. 12 in., w. 5 1/2 in., d. 5 in. [$1500/2500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

557. Luisa Adelfio (Italian, b. 1964), “Torso”, bas‑relief marble panel, unsigned, h. 28 in., w. 14 1/4 in., d. 2 in. [$1000/1500] 556. Andrew Bascle (American/Louisiana, 20th c.), “Ant”, “Flying Insect” and “Wasp”, 3 mixed media and found object metal sculptures, all unsigned, heights 9 1/4 in. to 11 in. (3 pcs.). [$1000/1500]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. Additional information at www.nealauction.com

558. José‑Mariá Cundín (Spanish/New Orleans, b. 1938), “The Dangerous Cow”, 2006, painted plastic and wood, signed, titled, dated, inscribed “Folsom” and “Gallery Bienvenu” label with artist, title and date under self‑base, h. 9 1/2 in., w. 9 1/2 in., d. 6 in. [$1000/2000] Provenance: Callan Contemporary, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

560. Gene Koss (American/ New Orleans, b. 1947), “Ridge”, 1988, glass, signed, titled and dated lower left, h. 15 1/4 in., w. 14 3/4 in., d. 4 in. [$1000/1500]

559. Bradley Sabin (American/New Orleans, 20th c.), “Untitled (Bowl of Fruits and Vegetables)”, ceramic, unsigned, h. 13 1/2 in., dia. 21 in. [$1000/2000]. Provenance: Acquired from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

561. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “The Back Door, The Court Tower, New Orleans”, 1938, gelatin silver print mounted to board, signed and dated lower left, printed label with title on mount, 19 7/8 in. x 16 in., framed. [$1000/1500]

Provenance: Arthur Roger Gallery, New Orleans, LA.

Ill.: Tassin, Myron. Nous Sommes Acadiens/We are Acadians. Gretna: Pelican Publishing Company, 1976, p. 27.

562. Antique Carved Marble Sculpture of Hebe, h. 31 in., w. 10 1/2 in., d. 10 in. [$1000/1500]

562A. Rococo Revival Marble Pedestal, 19th c., elaborately carved with foliage flowers, h. 40 1/2 in., dia. 19 in. [$400/600]

Provenance: Proceeds to benefit the collections and preservation of the Hermann‑Grima & Gallier Historic Houses.

Provenance: Proceeds to benefit the collections and preservation of the Hermann Grima & Gallier Historic Houses.

563. Pair of Art Moderne‑Style White Marble Face Chairs, barrel‑form body carved with classical male visage, h. 28 in., w. 27 in., d. 25 in. [$4000/6000]

564. Joseph Lambert Cain (American/ New Orleans, 1904‑2003), “Bathing Beauty”, oil on masonite, signed lower left, “The Charleston Renaissance Gallery” labels with artist and title en verso, 24 1/8 in. x 20 1/4 in., framed. [$2500/3500] Provenance: The Charleston Renaissance Gallery, Charleston, SC. Exh.: “New Orleans Revisited: The Paintings of Joseph L. Cain”, The Charleston Renaissance Gallery, Charleston, SC, 2003.

565. William IV Mahogany Collector’s Table, lift top, fitted interior, over banks of small paneled drawers , vasiform standard, incurvate plinth, disc feet, h. 32 in., w. 33 in., d. 21 in. [$500/800]

566. Pair of Continental Marble Pedestals, 19th c., circular top, foliate collar, reeded baluster standard, molded octagonal base, h. 36 in., dia. 12 in. [$700/1000] 567. French Restauration Mahogany and Gilt Center Table, specimen marble top, hexagonal standard, dolphin brackets, incurvate triangular plinth, h. 28 1/2 in., dia. 36 in. [$1000/1500]

568. Louis XV Mahogany Rafraichissoir, late 18th/ early 19th c., two copper lined wells, small drawer, cabriole legs., h. 26 in., w. 22 in., d. 16 1/2 in. [$800/1200]

571. Antique Louis XV‑Style Walnut Bench, attractive needlepoint cover, foliate cabriole legs, shaped stretcher, h. 18 in., w. 37 1/2 in., d. 18 in. [$300/500]

569. Pair of Antique Continental Mahogany Armchairs, possibly Russian, scrolled back and arms, saber legs, h. 34 in., w. 20 in., d. 18 in. [$800/1200] 570. French Provincial Armoire, of 18th c. form, erotic carved panels, h. 83 in., w. 56 in., d. 26 in. [$1000/1500]

573. Pair of Large Continental Gilt Bronze‑Mounted Cut Glass Urns, 20th c., diamond and lattice pattern, h. 30 in., dia. 18 1/2 in. [$1500/2500]

572. Pair of Charles X Gilt Bronze Three‑Light Candelabra, 19th c., foliate scroll arms, fluted shaft, base cast with palmettes, h. 20 in., w. 11 1/2 in., d. 6 1/2. [$800/1200]

574. Emile Louis Picault (French, 1833‑1915), “La Source du Pactole”, patinated bronze, inscribed with title to the front, “E. PICAULT/SALON des BEAUX ARTS” to the side, and stamped “FRANCE”, verso, the figure holding an anvil and calipers, the upturned urn spilling water and coins, a personification of the Pactolus river where Midas washed his hands, h. 19 in., w. 14 in., d. 9 1/2 in. [$1000/1500]. Provenance: Akiba Antiques, Dania Beach, FL, Aug. 27, 2014, lot 135; Collection of Dr. Mark A. Geist, Providence, RI.

575. Bronze Figural Group of Napoleon on Horseback, after Jules Edmond Masson, signature and “Susse Fres Edts Paris” inscribed on self‑base, h. 17 3/4 in., w. 5 3/4 in., d. 15 1/2 in. [$1500/2500]

577. Louis XIV‑Style Ebonized and Repoussé Brass Cushion Mirror, 19th c., ribbon molded trim, beveled mirror plates., h. 46 in., w. 37 in., d. 3 1/2 in. [$500/750]

578. Louisiana Federal Carved Mahogany Armoire, early 19th c., restrained molded cornice, inset panel doors, later fitted interior, beehive legs, spherules, h. 80 1/2 in., w. 54 in., d. 22 1/2 in. [$5000/7000]

576. Italian Neoclassical Painted and Parcel Gilt Overmantel Mirror, Classical eglomise panels, old mirror plate, foliate columns and bun feet, h. 35 in., w. 55 1/2 in. [$500/1000]

579. American Classical Mahogany Secretary Bookcase, early‑to‑mid 19th c., Boston, upper case with flared molded cornice, inset arched frieze, glazed Gothicized doors, flanked by colonnettes, two shelves, two small drawers, lower case with fold-out writing surface, bolection long drawer, over doors flanked by reverse tapered colonettes, turned feet, h. 90 in., w. 47 in., d. 24 in. [$1500/2500]

Note: The beehive-leg design of the armoire offered here most likely originated in New Orleans during the late Federal period. Most beehiveleg armoires follow a similar pattern of highly grained veneers and the unique leg, which often terminates in a spherule foot. An armoire very similar to this example is illustrated in Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835. Ref.: Holden, Jack, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 17351835. New Orleans: Historic New Orleans Collection. p. 212, fig. 115.

Additional information at www.nealauction.com

581. American Late Classical Mahogany Tall Chest of Drawers, early‑to‑mid 19th c., shaped top, blocked frieze with two drawers, fall front secretary drawer, over graduated drawers, blocked Ionic colonnettes, foliate paw feet, h. 87 1/2 in., w. 43 1/2 in., d. 27 1/2 in. [$1000/1500]

580. American Classical Bronze-Mounted Mahogany Box Sofa, early 19th c., attr. to Duncan Phyfe, New York, back-scroll crest rail, columnar arm supports, acanthine feet, cups and casters, now in gilt tooled leather, h. 33 in., w. 80 in., d. 27 1/2 in. [$8000/12000]

Provenance: Leonards, Seekonk, MA, 2001; Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Note: The sofa here is closely related to well-known examples: one included in the Newark Museum’s “Classical America” exhibition of 1963; the other was sold by Neal Auction Company as lot 378, February 23, 2008, realizing $32,900. Other New York sofas of similar form include a mahogany sofa in the Brooklyn Museum of Art (acc. 41.1181); another similar sofa descended in the Drayton Family of Charleston s old as lot 435 by Neal Auction Company, June 9, 2007; Reference: Tracy. Classical America 1815-1845. pl. 57 and Voorsanger and Howat. Art and the Empire City, New York 1825-1861, p. 516, pl. 224. 582. American Classical Mahogany Center Table, early‑to‑mid 19th c., New York, probably Meeks, circular top with radial inlay, tripartite base, shaped feet, casters, h. 29 1/2 in., dia. 35 1/2 in. [$1000/1500]

583. Federal Inlaid Mahogany Serpentine Chest of Drawers, early 19th c., graduated drawers, spurred apron, French feet, h. 37 1/2 in., w. 45 in., d. 21 3/4 in. [$2500/3500]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 584. American Classical Carved Mahogany Metamorphic Library Armchair, early‑to‑mid 19th c., possibly Boston, arched shaped back, padded arms, lappet carved supports and knees, telescoping footrest, brass caps and casters, h. 44 in., w. 25 1/2 in., d. 32 in. [$800/1200]

585. Rare Anglo‑Colonial Carved Mahogany Planter’s Chair, 19th c., anthemion carved crest, long arms on lappet supports, scrolled back frame, spiral turned legs, h. 38 in., w. 28 in., d. 43 in. [$500/750]

587. Continental Rococo Carved Giltwood Console Table, 19th c., shaped Breccia marble top, skirt with central shield flanked by dragons, cabriole legs with masque knees, scrolled stretcher and toes, elaborate rocaille throughout, h. 34 1/2 in., w. 57 in., d. 26 in. [$2000/3000]

586. Federal Mahogany Brandy Board, early 19th c., shaped top, conforming frieze drawers, tapered legs, h. 33 3/4 in., w. 41 in., d. 19 3/8 in. [$500/1000]

588. Biedermeier Burlwood and Marquetry Center Table, circular top, incurvate support on conforming plinth, molded feet, foliate vine decoration, reduced in height, h. 20 in., dia. 46 1/2 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

589. Pair of French Empire Bronze‑Mounted Mahogany Armchairs, likely 19th c., anthemion crest rail, padded arms, caned seats, tapered legs., h. 37 in., w. 27 in., d. 23 in. [$1000/1500]

590. Pair of Dutch Colonial Carved Mahogany Side Chairs, likely 18th c., rocaille crest, vasiform splat, needlepoint seats, cabriole legs, h. 41 1/2 in., w. 20 in., d. 17 in. [$500/700]

591. Petite Louis XV‑Style Bronze‑Mounted Parquetry Table, centered painted and inlaid top, h. 29 in., w. 22 in., d. 13 1/2. [$800/1200]

592. Francesco del Brina (Italian, 1540‑1585), “Madonna and Child with a Young St. John The Baptist”, tempera on panel, signed “Brina”, inscribed with numbers including “42 / D. 172 B” and remnant of old red wax collector seal en verso, 34 in. x 26 1/2 in., unframed. [$7000/10000] Provenance: Estate of James Gallier, Sr., thence by descent in the family. Note: After his apprenticeship with Michele Tosini, Francesco del Brina specialized in compositions intended for private devotion, particularly scenes of the Madonna and Child. The painting offered here is an excellent example of his Mannerist style. Mannerism as a response to naturalism marked by dramatically illuminated scenes, elaborate clothing, elongated proportion and exaggerated poses. During the late sixteenth century, when the style was spreading throughout Europe, developed in Italy in line with the demands of the Roman Catholic church, which at the time of the Reformation sought to connect believers to the church all the more urgently and called for an art that would convey the true content of faith. Brina is credited with painting an Adoration of the Shepherds for the altar of Santa Felicita and an Annunciation with Saints for a chapel in the church of San Gaggio, both in Florence.

593. Victor Leclaire (French, 1830‑1885), “Still Life with Flowers”, oil on panel, signed lower right, “Paris” stamp en verso, 28 3/4 in. x 23 in., framed. [$1500/2500]

594. Hans Grohs (German, 1892‑1981), “Jagged Peaks of Dolomites, Italy”, oil on canvas, signed lower right, artist stamps en verso and on stretcher, 28 5/8 in. x 34 1/8 in., framed. [$1800/2500] Provenance: Estate of the Artist, 1981; Hans Grohs and Elma Grohs‑Hansen Bequest to Frauken Grohs Collinson, 1996; Frauken Grohs Collinson‑Grohs Collection Trust, Birmingham, AL, 2018; Frauken Grohs Collinson Bequest to Rose Mary McKinney. 595. Hans Grohs (German, 1892‑1981), “Dunes by the Coast with Stormy Skies”, oil on canvas, signed lower right, artist stamp en verso and on stretcher, inscribed “H.G./12” en verso, 21 7/8 in. x 29 1/4 in., framed. [$1500/2500] 596. John MacWhirter (British, 1839‑1911), “Angler at the River”, oil on canvas, signed lower left, “Thomas Agnew & Sons, London” gallery labels on frame and stretcher, 18 in. x 20 in., framed. [$1200/1800]

Provenance: Estate of the Artist, 1981; Hans Grohs and Elma Grohs‑Hansen Bequest to Frauken Grohs Collinson, 1996; Frauken Grohs Collinson‑Grohs Collection Trust, Birmingham, AL, 2018; Frauken Grohs Collinson Bequest to Rose Mary McKinney.

597. Pierre‑Auguste Renoir (French, 1841‑1919), “Le Fleuve Scamandre”, etching, 1st state, stamp signed “Renoir” lower margin, pencil‑inscribed with artist, title and print information on mat, sheet 15 1/4 in. x 9 5/8 in., unframed. [$800/1200] Ref.: Delteil, Loys. Pierre‑Auguste Renoir: L’Oeuvre, Gravé et Lithograhié. Catalogue Raisonné. San Francisco: Alan Wofsy Fine Arts, 1999, pl. 24.

598. George Rodrigue (American/Louisiana, 1944‑2013), “Lunch at the Club: Black”, 1996, silkscreen, signed lower left and inscribed “Artist Proof” lower right, 28 in. x 21 in., framed. [$1000/1500]

599. George Rodrigue (American/Louisiana, 1944‑2013), “Sunshine on my Shoulders”, silkscreen on paper, signed lower right, numbered “154/190” lower left, 15 in. x 12 in., unframed. [$2000/3000]

Additional information at www.nealauction.com

602. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Pitcher Plant”, “Ducks Flying Up”, “Tall Pine Trees” and “Wind, Wave and Bird”, 4 linocuts on wallpaper, unsigned, each inscribed with title en verso, each with “Run No. 6 Straight Across Match” along edges, 21 in. x 41 3/4 in. to 151 in. x 21 in., unframed. (4 pcs.) [$600/900] Provenance: Collection of Brooke and Maria Fox, Metairie, LA. Ill.: Pickard, Mary Anderson and Patricia Pinson. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University of Mississippi Press, 2007, Pp. 26, 69, 72, 76 600. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Skies Shining on Me”, silkscreen on paper, signed lower right, numbered “106/190” lower left, 15 in. x 12 in., unframed. [$1000/1500]

601. George Rodrigue (American/Louisiana, 1944‑2013), “Purity of Soul”, silkscreen on paper, signed lower right, numbered “127/190” lower left, 15 in. x 12 in., unframed. [$1000/1500]

603. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Layered Landscape”, 1973, serigraph on paper, pencil‑signed, titled, dated and numbered “AP 2/6” lower right, printed label with artist on backing board, 44 in. x 29 11/16 in., framed. [$500/700] 604. Aaron Bohrod (American/Wisconsin, 1907‑1992), “Asian Arts”, 1980, oil on gesso panel, signed upper right, artist label with title and date en verso, 8 in. x 10 in., framed with artist and title plaque. [$800/1200]

605. Attributed to Milton Clark Avery (American, 1885‑1965), “Hartford Fields”, oil on board, unsigned, 11 1/4 in. x 15 in., framed with artist and title plaque. [$1200/1800]

606. Gorham “Medallion” Coin Silver Centerpiece, 1863‑1865, marked lion‑anchor‑G/132, navette form, angular handle surmounted by busts, body with Greek key border, frieze chased with anthemia and centered by medallions, pedestal standard also with medallions, h. 9 1/2 in., w. 12 1/4 in., d. 7 1/2 in., wt. 28.90 troy ozs. [$700/1000] Provenance: Michaan’s Auctions, Alameda, CA, lot 2372, 6/13/16; Collection of Dr. Mark A. Geist, Providence, RI.

608. Gorham “Medallion” Coin Silver Cruet Stand, 1863‑1865, ret. J.E. Caldwell & Co., Philadelphia, act. 1839‑2009, marked 5/ lion‑anchor‑G/492 and J.E. Caldwell & Co., 3 bottle stand with central handle, various portrait medallions, Greek key banding, trefoil base with tapered feet, h. 10 1/2 in., wt. 10.40 troy ozs., cut glass bottles. [$500/700]

609. Gorham “Old French” Pattern Sterling Silver Partial Flatware Service, pat. 1904, incl. 12 forks (l. 7 5/8 in.), and 12 knives (l. 9 5/8 in.), handsome engraved armorial, total wt. (weighable) 24.80 troy ozs. [$500/750]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

610. Good Group of American “Medallion” Coin and Sterling Silver, c. 1870, incl. Duhme & Co., Cincinnati, act. 1844‑1896, tea caddy spoon and 2 salt spoons; and Wood & Hughes Egyptian Revival master salt cellar, total wt. 3.85 troy ozs. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

607. Antique English Fiddlethread Pattern Sterling Silver Flatware Service, associated, primarily Mary Chawner and Chawner & Co. (George William Adams), London, 19th c., incl.: 12 each: table forks, (l. 8 1/4 in.), tablespoons (l. 8 7/8 in.), knives (l. 9 3/4 in.), dessert forks (l. 6 7/8 in.), dessert spoons (l. 7 1/4 in.), knives (l. 8 3/4 in.) and teaspoons, and 2 gravy ladles, total wt. (weighable) 127.15 troy ozs. (86 pcs.) [$2000/3000] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

611. Monumental American Sterling Silver Trumpet Vase, Brand Chatillon Co., New York, act. 1916‑1952, weighted base, h. 21 in. [$300/500]

612. Good American Leaded Glass Desk Lamp on Pairpoint Base, c. 1900, patinated base marked “PAIRPOINT/D3064”, three‑light fixture, h. 23 1/2 in., dia. 23 1/2 in. [$800/1200]

613. Pair of Napoleon III Gilt and Patinated Bronze Four‑Light Candelabra, 19th c., cherub standards on ball and columnar pedestals, acanthus scroll and pineapple arms, h. 23 in., w. 7 1/2 in., d. 8 in. [$800/1200]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

614. Pair of Italian Cut Crystal and Iron Seven‑Light Sconces. scroll arms, hung with crystal swags and pendeloque prisms, h. 32 in., w. 18 in., d. 11 in. [$800/1200]

615. Pair of Empire‑Style Bronze Two‑Light Figural Sconces, maiden backplate, winged term arms, electrified, h. 24 in., w. 12 1/2 in., d. 5 3/4 in. [$500/1000]

616. Pair of Antique Neoclassical‑Style Bronze‑Mounted Carved Faux Sodalite Urns, elaborate bronzemounted and carved handles modeled as winged mermaids, mounted as lamps, urn h. 16 1/4 in. [$800/1200]

618. Antique English Rosewood Barometer, case with hygrometer, thermometer, weather dial and butler mirror, h. 38 in., w. 10 in., d. 1 1/2 in. [$400/600]

617. English Brass Octant in Fitted Mahogany Case, c. 1845, signed “Marks & Son, Cardiff” 9 3/4 in. index arm with swing‑away magnifier and fine adjustment; four index shades, horizon glass, three horizon shades; silver vernier, two telescopes, ebony handle; mahogany case with paper label. of retailer “F. Wiggins & Sons...London”, case h. 5 in., w. 11 in, d. 10 1/2 in. [$400/600]

619. American Belle Epoque Sterling Silver Gilt and Cut Glass Centerpiece, late 19th/early 20th c., Dominick & Haff, New York, act. 18721928, ret. Spaulding & Co., Chicago, act. 1888-1973, cut glass bowl on silver ram’s head and swag stand, presented on a ram’s head mounted cut glass plateau, h. 9 5/8 in., dia. 16 1/2 in., wt. (weighable) 51.20 troy ozs. [$3000/5000]

620. Antique Regency‑Style Giltwood Bullseye Mirror, cove-molded surround, dia. 22 1/4 in. [$400/600]

621. China Trade/Chinese School, 19th c., “Ladies Playing Weiqi (Go)”, oil on canvas, 18 in. x 24 in., framed. [$1500/2500]

Additional information at www.nealauction.com

622. China Trade/Chinese School, 19th c., “Elegant Maiden with Fan Seated beside a Male Child”, manner of Spoilum, oil on canvas, 33 5/8 in. x 25 3/8 in., glazed in period frame. [$800/1200]

624. Nepalese Gem Encrusted Silvered Filigree Box, casket‑form, set with rubies and emeralds on scrollwork filigree, bracket feet, h. 6 1/2 in., w. 8 1/2 in., d. 6 1/2. [$700/900]

623. Chinese School, Qing Dynasty/19th c., “Portrait of a Civil Official (Ancestor Portrait)”, ink and color heightened with gold on paper, sight 34 3/4 in. x 20 1/4 in., matted, framed and glazed. [$300/500]

625. Chinese Hardwood Horseshoe Back Armchair, curved openwork backsplat carved with cash and bat roundel and figure and deer cartouche, h. 41 3/4 in., w. 27 1/2 in., d. 26 in. [$300/500]

627. American Aesthetic Carved Mahogany Hall Chair, mid‑19th c., back with pierced slats, ring-turned legs and stretchers, h. 41 in., w. 18 1/2 in., d. 19 in. [$150/250]

626. Chinese Carved and Painted Coromandel Lacquer Twelve Panel “Longevity” Screen, probably 1936, carved with figures at leisurely pursuits in an elegant setting, reverse with cranes in a landscape with prunus, pine, and bamboo (the Three Friends of Winter, symbolic of longevity) and lingzhi, inscribed and dated, h. 96 in., w. 192 in. [$1000/1500]

628. American Late Classical Rosewood Music Stand, mid‑19th c., scrolled gallery, ribbon molded glazed door, fitted interior, lyreform supports, pierced stretcher, scroll feet, casters, h. 41 in., w. 18 3/4 in., d. 12 3/4 in. [$300/500]

629. William IV Oak Library Table, inset red leather writing surface, beaded frieze with single drawer, ring turned legs, toupie feet, h. 30 in., w. 84 in., d. 35 in. [$700/1000]

630. Antique English Elm Windsor Chair, 19th c., pierced splat, saddle seat, ring turned legs, bow stretcher, h. 43 in., w. 22 3/8 in., d. 22 1/2 in. [$500/700]

631. Antique Rococo Painted Leather Three-Panel Screen, each panel with portraits surrounded by scroll and flowers, reverse with floral vines, h. 73 in., w. 84 in. [$1200/1800] 632. French Empire Mahogany Lit de Repos, 19th c., paneled head and foot board with carved swan supports and shaped rail, h. 38 in., w. 49 3/4 in., d. 16 in. [$700/900]

633. Antique Continental Gris Peinte Pier Mirror, 19th c., molded mirror surround, tenoned construction, old mirror plate, h. 64 in., w. 40 in. [$600/900]

634. Pair of Neoclassical‑Style Bronze Dore Gueridons, inset verde marble top, lion mask cabriole legs, X stretcher, h. 26 1/2 in., dia. 17 in. [$2000/3000]

635. Manner of Claude Lorrain (French, c. 1600‑1682), “Pastoral Landscape with Figures and Ruins”, oil on canvas, unsigned, 53 7/8 in. x 38 1/2 in., unframed. [$2000/3000]

637. Jean Baptiste Bertrand (French, 1823‑1887), “Reverence”, oil on canvas, signed lower right, “The de France Galleries, Houston, TX” label with artist and title on frame, 23 3/4 in. x 16 1/2 in., framed with artist plaque. [$1800/2500] 636. Continental School, 19th c., “Children Playing with Goat”, oil on canvas, unsigned, 43 1/4 in. x 40 in., framed. [$2000/3000]

638. Pair of Bronze‑Mounted Baccarat Crystal Three‑Light Sconces, early 20th c., marked “BACCARAT” on drip pans, shield backplate, scroll arms, h. 14 in., w. 12 in., d. 8 in. [$800/1200]

641. Aesthetic Carved Mahogany Library Table, late 19th c., frieze with two drawers each short side, fan spandrels, reeded medial shelf, reeded and stop-fluted legs, casters, h. 29 1/4 in., w. 42 1/4 in., d. 29 1/4 in. [$700/1000]

639. French Carved and Gilt Mirror, 19th c., heavy scrolled surround with later gilding, beveled mirror plate, h. 46 in., w. 40 1/2 in. [$700/900]

640. Large Napoleon III Patinated Bronze and Marble Figural Mantel Clock, 19th c., movement marked “Japy Freres” and “E. Gaillot/Fabi/Paris”, the figure after Michel Claude Clodion’s (French, 1738‑1814) “La Source”, depicting a nymph reclining on a lion pelt, on green variegated marble base, h. 16 in., w. 25 in., d. 11 3/4 in. [$700/1000] Provenance: James Julia, Rockland, ME, lot 1532, 8/24, 2006; Collection of Dr. Mark A. Geist, Providence, RI.

642. Federal Mahogany Work Table, early 19th c., drop-leaf top, two fitted drawers over work basket, ring and spiral turned legs, brass feet, h. 28 1/2 in., w. (closed) 19 5/8 in., w. (open) 36 1/2 in., d. 17 3/4 in. [$500/700]

643. Louis Philippe Bronze‑Mounted Mahogany Center Table, 19th c., dished gray marble top, hexagonal standard, tripartite scroll base, paw feet, h. 29 in., dia. 40 in. [$800/1200] Additional information at www.nealauction.com

645. Antique Peshawar Ziegler Carpet, central tan ground, pink border, allover floral design, signed at central field corner, 9 ft. 6 in. x 12 ft. 8 in. [$2500/3500]

646. Heriz Carpet, red ground, central medallion, spandrels in white, 9 ft. 4 in. x 12 ft. 6 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

644. Continental Painted Four‑Panel Screen, featuring a carriage in the countryside, each panel 83 in. x 22 in.; overall width 88 in, each panel h. 84 in., w. 22 in. [$2500/3500]

648. Antique Shirvan Runner, repeating stripes in multiple colors, with alternating hook design, 3 ft. 8 in. x 10 ft. 9 in. [$800/1200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 647. Antique Turkmen Carpet, red ground, repeating guls in red, light and dark blue, kilim ends, 8 ft. 3 in. x 10 ft. 7 in. [$1200/1800] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

649. Antique Serapi Carpet, red and pink ground, blue border, overall stylized floral design, 12 ft. 10 in. x 18 ft. [$3000/5000]

650. Heriz Carpet, red ground, central medallion, spandrels and border in blue, vining foliate design, 10 ft. 7 in. x 14 ft. 3 in. [$1000/1500]

652. Four Louis XVI‑Style Gilt Bronze Sconces, beribboned backplate, foliate arms, electrified, h. 23 in., w. 13 in., d. 8 in. [$1000/1500]

651. Swedish Brass and Art Glass Banquet Lamp, c. 1900, marked “C.M. Hammar, Goteborg”, brass frame, iridescent shade, hung with spear-cut prisms, mounted on stone base, h. 37 in., w. 21 in., d. 12 in., Note: designed using a Hammar chandelier. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

653. Neoclassical‑Style Patinated Bronze Fountain, cast with a cherub seated within lobed basin with anthemion rim, on swan supports and incurvate triangular plinth, h. 49 in., dia. 39 in. [$2000/3000]

654. Antique Cast Iron Garden Figure of a Classical Maiden, h. 55 in., w. 17 in., d. 22 in. [$1000/1200]

655. Bronze Figural Group of “Bacchanalia”, after Claude Michel Clodion, signature and inscribed “1762” on self‑base, h. 31 in., w. 15 in., d. 13 1/2 in. [$2000/3000]

656. Bronze Figural Group of Soldier with Drum, after “Avant le Combat Volontaire de 1792” by Etienne‑Henri Dumaige, signature inscribed and plaque on self‑base, h. 25 3/4 in., w. 11 3/4 in., d. 11 in. [$1200/1800]

658. Antique Adam‑Style Carved and Parcel Gilt Mahogany Mirror, swagged urn finial, egg and dart moldings, old mirror plate, h. 36 3/4 in., w. 19 in. [$300/500]

660. Federal Carved Mahogany Tilt-Top Candlestand, early 19th c., reeded top, acanthus carved baluster standard, arched incised legs, h. 27 3/4 in., w. 23 3/4 in., d. 18 in. [$400/600]

659. Very Fine Carved Mahogany Lit en Bateau in the French Taste, mid‑19th c., likely New Orleans, pilaster molded paneled stiles, pierced scrolled brackets, cabochon‑carved shaped skirt, egg and dart feet, h. 49 1/2 in., l. 70 in., w. 47 in. [$800/1200]

661. American Walnut Writing Desk, c. 1850, likely Southern, galleried back, lift top, leather-inset writing surface, ring turned baluster legs, h. 36 in., w. 30 in., d. 26 1/2 in. [$400/600]

663. Louis XV Walnut Side Table, 18th c., top with molded gallery, frieze drawer, shaped apron, cabriole legs, h. 25 3/4 in., w. 24 3/4 in., d. 17 in. [$700/900]

662. Mahogany Library Ladder, five steps, chamfered reverse tapered guidepost, stretcher base, h. 84 in., w. 18 in., d. 27 1/2 in. [$400/600]

664. Louis XVI‑Style Bronze‑Mounted Low Table, variegated marble top with outset corners, conforming blocked frieze, tapered fluted legs, h. 20 1/2 in., w. 52 in., d. 25 in. [$1000/1500]

Provenance: Jacqueline Adams, Atlanta

665. George Weissbort (British, 1928‑2013), “Playing Cards”, 1972, oil on canvas board, signed and dated lower right, label with artist and title on backing paper, 36 in. x 48 in., framed. [$500/1000]

657. Pair of Patinated Bronze Figures of “La Porteuse” and “Le Guerrier Arabe”, after Jean Jules Salmson, signature inscribed on self‑bases, h. 21 1/2 in. and 22 in. respectively, marble bases, overall h. 24 in. and 24 1/2 in. (2 pcs.) [$1200/1800]

666. After William Bygrave (American, mid‑19th c.), “American Clipper Bark Zephyr in Messina Harbor, Sicily”, oil on panel, unsigned, 35 3/8 in. x 58 3/4 in., unframed. [$1200/1800] Additional information at www.nealauction.com

667. Gaston Bonfils (French, 1855‑1946), “Cardinal Viewing a Painting of Madonna and Child”, oil on canvas, signed lower left, 26 in. x 32 in., framed with artist plaque. [$800/1200]

668. After William Edward West (American/ Kentucky, 1788‑1857), “Battle of New Orleans and Death of Major General Packenham”, 1817, engraving on paper, engraved by Joseph Yeager (American/Pennsylvania, 1792‑1859), published by McCarty and Davis, Philadelphia, sight 15 1/2 in. x 19 3/4 in., framed. [$500/700] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

669. Group of Antique Italian Military Weapon Instruction Prints, 4 hand‑colored engravings on paper, sights 12 in. x 8 1/2 in., framed alike. (4 pcs.) [$300/500]

670. Valery Kosorukov (Russian/New Orleans, b. 1937), “Guests, Nutcracker Ballet in the Bolshoi Theatre”, 1991, pastel on paper, signed and dated lower right, signed, titled, dated and inscribed en verso, 19 5/8 in. x 24 1/2 in., framed. [$400/800]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

Provenance: Acquired from the artist; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

671. Jane Whipple Green (American/Louisiana, 1910‑2007), “Leaves”, watercolor on paper, signed upper right, 14 in. x 9 7/8 in., framed. [$400/600]

672. Peter Solow (American/New York, b. 1952), “Figures on the Shore”, 1987, oil on canvas, signed and dated lower right, inscribed “G‑31028” on stretcher, 50 in. x 60 in., framed. [$1500/2500] Provenance: Estate of James H. Stone, New Orleans, LA.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

672A. Michael Manjarris (American, b. 1960), “Untitled”, stone sculpture on bronze plinth, unsigned, inscribed “Gus” in marker, h. 21 1/4 in., w. 22 3/4 in., d. 11 1/2 in. [$1200/1800] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

675. Continental Iridescent Glaze Ceramic Vase in the Style of Clement Messier, c. 1900, four sinuous handles, in a blue, green, and purple glaze, h. 7 1/4 in., dia. 4 1/2 in. [$500/700]

675A. Esther Shimazu (American, b. 1957), “Untitled (Recumbent Female Dog)”, 2005, painted bisque and glazed pottery, signed and dated on underside, h. 8 in., w. 11 in., d. 4 3/4 in., wood plinth, overall h. 10 in. [$800/1200]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Purchased Chicago, IL; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

676. Three Art Nouveau Glazed Ceramic Tiles, each with stylized floral design, h. 6 1/8 in., w. 6 1/8 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

673. Mary Kirk Kelly (American/Alabama, 1918‑2013) Earthenware Cabbage Bowl, signed on base, h. 5 in., dia. 10 1/2 in. [$700/1000]

674. Mary Kirk Kelly (Amercian/Alabama, 1918‑2013) Earthenware Tea Set, 1987, signed on bases, incl. covered teapot, h. 8 3/4 in., w. 9 in.; creamer, h. 4 in.; and sugar, h. 4 1/4 in. (3 pcs.) [$700/1000]

677. Four Faux Tortoiseshell Boxes, mounted with metal reliefs of peacocks, largest h. 1 1/2 in., w. 3 in., d. 2 1/4 in. [$150/250]

678. Pair of Antique French Bronze Candlesticks, fluted and foliate shaft, scrolled and gadrooned base, on paw feet, h. 10 1/2 in. [$250/350] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

680. Continental Brass Mounted Rosewood Necessaire de Toilette, 19th c., fitted interior, lift out tray, h. 6 3/4 in., w. 12 in., d. 9 in. [$300/500]

681. Pair of Continental Grand Tour‑Style Silvered Bronze Chargers, 19th c., intricate reliefs of Classical Figures, dia. 15 in. [$400/600]

679. Antique French Bronze Firewood Stand, incised top rail held by lions, paw feet, h. 16 in., w. 24 1/2 in., d. 20 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 683. Pair of Patinated Bronze Andirons, c. 1900, vasiform uprights, flanked by birds, ball and claw feet, h. 27 in., w. 10 3/4 in., d. 22 in. [$500/700]

682. Four Framed Pietra Dura Plaques, inlaid with birds on flowering branches, 17 in. x 25 in. [$700/1000]

684. Patinated Bronze Figure of “Thetis”, after Pierre Eugene Emile Hebert, signature and title inscribed on self‑base, h. 15 in., w. 6 1/2 in., d. 5 1/2 in. [$500/750]

687. American Late Classical Mahogany Armoire, early‑to‑mid 19th c., coved cornice, blocked frieze, molded doors, brass astragal, fitted interior, corbel topped pilasters, molded base, block feet, h. 85 in., w. 59 3/4 in., d. 24 in. [$1000/1500]

685. Gilt Bronze and Bronze Figural Group of “St. Michael Slaying the Dragon”, after Emmanuel Frémiet, signature inscribed on self‑base, h. 21 in., w. 12 1/2 in., d. 7 1/2 in., marble base, overall h. 22 in. [$600/900]

686. Antique Continental Neoclassical‑Style Carved Giltwood Mirror, foliate urn and swag crest, blocked corners with rosettes, tasseled swag pendant, h. 33 1/2 in., w. 16 1/2 i n. [$400/600]

688. American Aesthetic Carved Mahogany Library Table, late 19th c., single board beaded top, frieze drawer, reticulated stretchers with medial shelf, h. 30 in., w. 48 in., d. 28 1/2 in. [$500/700]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

689. Regency Brass‑Mounted Carved Mahogany Sideboard, early 19th c., finialed brass gallery, shaped top, conforming case, one long drawer, two deep drawers, tapered legs, spade feet, h. 24 in., w. 74 in., d. 55 in. [$1000/1500]

690. Provincial Fruitwood Writing Desk, 19th c., tooled leather top, three drawers, tapered legs, h. 30 in., w. 34 1/2 in., d. 49 in. [$500/700] Additional information at www.nealauction.com

692. Pair of Louis XVI‑Style Painted and Parcel Gilt Upholstered Fauteuils , h. 38 in., w. 25 1/2 in., d. 26 in. [$700/1000]

691. Pair of French Empire Bronze‑Mounted Mahogany Pedestals, 19th c., molded circular top, caryatid legs, tripartite base, h. 43 1/2 in., dia. 16 in. [$600/900]

693. Louis XVI‑Style Bronze‑Mounted Kingwood Vitrine, breakfront form, marble top, cabriole legs, h. 43 in., w. 49 in., d. 18 1/2 in. [$1500/2500]

694. Baltic Brass Inlaid Armchair, 19th c, h. 34 in., w. 24 in., d. 19 in. [$500/700]

695. Extensive Paris Polychrome and Gilt Porcelain Table Service, late 19th c., gilt rims, floral reserves and bodies, incl. 18 plates, dia. 9 1/4 in.; 18 dessert plates, dia. 6 3/4 in.; 13 salad plates, dia. 8 1/4 in.; 12 soups, dia. 9 1/4 in.; 9 rimmed fruit fruit bowls, dia. 6 3/4 in.; teapot, h. 8 in.; covered sugar, dia. 6 in.; creamer, h. 4 1/2 in.; 11 cups with 8 saucers, dia. 5 1/2 in.; 9 demitasse cups with 10 saucers, dia. 5 in.; 4 oval trays, largest l. 16 in.; 2 shell form dishes, l. 8 in.; 2 vegetable bowls, l. 9 in.; 2 tazzas, h. 7 in.; 2 covered vegetables, l. 12 in.; 2 covered tureens, dia. 10 in.; 2 shaped rim plates, dia. 10 in.; large covered tureen, h. 10 in.; covered tureen with undertray l. 10 in.; footed bowl, dia. 10 1/4 in.; waste bowl, dia. 6 1/2 in.; and gravy boat with undertray, l. 10 1/4 in. (132 pcs.) [$500/700] Provenance: Sold to benefit the collections and preservation of Hermann-Grima & Gallier Historic Houses.

697. German Jugendstil Enamel and Metal Dinanderie Vase, c. 1927, marked “WMF/IKORA”, h. 8 3/4 in., dia. 6 1/2 in. [$150/250] 696. Large Chinese Export Famille Rose Porcelain Punch Bowl, 19th c., decorated in the rose medallion pattern with figural and bird‑and‑flower cartouches, h. 6 1/2 in., dia. 15 3/4 in. Note: Restoration. [$400/600]

699. Continental Polychrome Carved Wood Figure of a Turk, 18th/19th c., depicted with turban, h. 16 in., w. 10 in., d. 7 3/4 in., wood stand, overall h. 19 3/4 in. [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

698. Ethiopian Coptic Nickel Silver Processional Cross, pierced and incised decoration, tapered hollow base accepts a shaft, h. 23 in. w. 17 1/2 in. [$300/500]

Provenance: Kelly Gallery, NY

700. Continental Bronze Raven Head Wall‑Mounted Paper Holder, 19th c., glass eyes, backplate with mounting hole, spring‑loaded, h. 7 3/4 in., w. 2 1/2 in., d. 2 1/2 in. [$400/600]

701. Pair of Framed Carved Wood Panels, 19th c, each with portrait of Classical warrior. [$500/1000]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 702. Pair of Austrian Cold Painted Pheasants, stamped Austria, h. 9 in., w. 4 in., d. 21 in. [$500/700]

703. Cold Painted Bronze Figure of a Bald Eagle, marble base, h. 41 in., w. 30 in., d. 24 in. [$1200/1600]

704. Pair of Carved White Marble Planters, fluted shell‑form, h. 15 1/2 in., w. 24 in., d. 18 1/2 in. [$800/1200]

705. Pair of Louis XIV‑Style Carved White Marble Busts of Noblemen on Wood Pedestals, probably Louis XIV and Louis Le Grand Dauphin, each wearing a cuirass with pauldrons and sash, socle base, fluted columnar wood pedestal, h. 73 in., w. 22 in., d. 18 in. [$4000/6000]

706. Pair of Stone Jardinieres, exteriors carved with interlaced Celtic knots, h. 14 in., dia. 18 in. [$500/750]

707. French Porcelain Mounted Carriage Clock, dial marked “Jas. Muirhead & Sons”, striking gong movement, porcelain plaques of courting couples, subsidiary dial shows alarm setting, beveled glass, h. 6 1/4 in., w. 4 in. d. 3 1/2 in. [$500/700]

708. French Brass Carriage Clock, movement marked “R & Co., Made in France”, beveled glass, h. 4 1/4 in., w. 3 in., d. 2 1/2 in. [$300/500]

710. Queen Anne Mahogany Demilune Table, early 19th c., foldover top, frieze drawer, tapered legs, pad feet, h. 29 in., w. 30 in., d. (closed) 15 in., d. (open) 30 in. [$600/900]

709. Pair of Art Deco‑Style Inlaid “Zebrawood” Stands, inset circular top, two drawers, U form supports, h. 30 in., w. 17 in., d. 15 in. [$500/750]

712. Pair of Biedermeier Armchairs, oval backs, padded arms, shaped seat rail, tapered legs, h. 41 in., w. 29 in., d. 26 in. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

711. Queen Anne Mahogany Demilune Table, early 19th c., foldover top, frieze drawer, tapered legs, pad feet, h. 29 in., w. 30 in., d. 15 in. [$600/900]

713. French Provincial Fruitwood Rafraichissoir, early 19th c., marble top, copper lined bottle reservoirs, single frieze drawer, ring turned colonnette legs, lower shelf, toupie feet, brass caps, h. 29 in., w. 19 1/2 in., d. 19 1/2 in. [$400/600]

714. Antique Continental Marquetry Armchair, shell crest, scrolled splat, arms and toes., h. 33 in., w. 23 in., d. 19 1/2 in. [$500/700]

Additional information at www.nealauction.com

715. José Martino (Argentinian, 20th c.), “Two Tugboats”, oil on masonite, signed and dated lower right, artist biography attached en verso, 12 in. x 9 3/4 in., framed. [$500/700]

717. Antique Meissen Porcelain Platter, basketweave cavetto, well decorated with chrysanthemums, 20 1/8 in. x 15 3/4 in. [$300/500]

720. Pair of French Tole Peinte Mirrored Lanterns, c. 1900, architectonic form, h. 16 in., w. 11 in., d. 4 in. [$400/600]

721. George III Tortoiseshell Tea Caddy, early 19th c., interior with two lidded compartments, bun feet, h. 6 in., w. 9 in., d. 5 in. [$1000/1500]

723. Chinese Famille Rose Porcelain Jardiniere and Associated Underplate, probably Republic Period (1911‑1949), jardiniere decorated with ducks in a lotus pond, base with Jurentang mark, h. 7 1/2 in., dia. 8 3/4 in.; underplate with flower sprays, base with Hongxian mark, dia. 8 3/8 in., Note: underplate with rim chip. (2 pcs.) [$300/500] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

725. Chinese Red Lacquer Octagonal Box, cover with a pavilion in a landscape with rocks and pine, sides with foliage and scrollwork, base with apocryphal Kangxi mark, h. 5 in., dia. 15 1/2 in. [$400/600]

716. Pair of Berlin KPM Polychrome and Gilt Porcelain Covered Jars, 19th c., one with scepter mark, other with “R” mark, eagle form finials, h. 15 in. [$500/700] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

718. Pair of Chinese Blue and White Porcelain Covered Tea Caddies, hexagonal bodies decorated with figures in landscapes, bases with apocryphal Kangxi marks, h. 11 in., w. 8 1/2 in. [$300/500]

719. Two Antique Dutch Tole Peinte Samovars, 18th/19th c., decorated with figural vignettes, brass spigots, cabriole legs, triangular warmer stands fitted with cups, h. 16 1/2 in., dia. 9 in. [$400/600]

722. Set of Eight Chinese Famille Verte Porcelain Figures of the Eight Immortals, late 19th/early 20th c., each modeled standing on a plinth holding an attribute, h. 11 3/4 in. to 12 3/4 in. [$1500/2500] Provenance: By family repute, aquired c. 1930s, Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

724. Set of Six Chinese Famille Rose Enamelled Celadon Porcelain “Erotic” Dishes, 19th/early 20th c., each painted with an amorous scene, bases marked, dia. 7 in. [$700/900]

727. Pair of Chinese Famille Noire Porcelain Bottle Vases, Qing Dynasty (1644‑1911), decorated with birds, butterflies, flowers and rocks on greenish black grounds, bases with double ring marks, h. 16 in. [$800/1200] 726. Chinese Embellished Red Lacquer “Sanxing” Wall Plaque, decorated with the Three Star Gods: Fu, Lu, and Shou beside extensive verse, framed, 28 in. x 39 in. [$500/700]

Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

728. Chinese Famille Verte Percelain Charger, Qing Dynasty (1644‑1911), decorated with figures on terraces playing go and the qin, border with scholarly objects and bird‑and‑flower cartouches, h. 2 1/8 in., dia. 14 5/8 in. [$600/800] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans. 729. Two Pairs of Chinese Hardstone Trees Set in Cloisonne Enamel Pots, larger h. 15 in., w. 10 in., d. 8 in. [$300/500] 730. Tibetan Gilt Copper Box, incised on either side with the figure of Vajrapani standing or seated on a male body, remnant pigment, w. 7 1/2 in., d. 9 in. [$400/600]

732. Pair of Japanese‑Style Parcel Gilt Carved Wood Pricket Stands, petal lobed candle holder, elongated fluted standard, inverted chrysanthemum base , h. 24 in., dia. 6 in. [$300/500]

731. Antique Tibetan or Nepalese Gilt Copper Repousse Fragment, likely from a Torana, featuring a female Bodhisattva, probably Tara, poised in abhanga, with two leogryphs, a small male acolyte, and an elephant to her right, h. 14 in., w. 9 3/4 in. [$400/600]

733. Japanese Mixed Metal Vase, Meiji Period (1868‑1912), relief‑decorated with concentric band of phoenix in flight and cartouches enclosing various birds and animals amid foliage, base inscribed, h. 12 1/2 in. [$500/750] 734. Japanese Sanju Saku High Relief Silver Center Bowl, Meiji Period (1868‑1912), Yokohama, turtle within triangle mark, signed Hasegawa or Hasekawa in gilt cartouche, decorated with irises, h. 7 in., dia. 13 in., wt. 80.4 troy ozs. [$3000/5000]

735. Set of Eight Japanese Nomura Soft Metal Inlaid Silver Dishes, Meiji Period (1868‑1912), Nagahama, Nomura and Jungin marks, variously inscribed and inlaid with birds, insects, fruits and vegetables, dia. 8 1/2 in. [$1500/2500]

736. Antique Mother‑of‑Pearl Inlaid and Paint-Decorated Work Table, mid‑18th c., hinged top, fitted interior, single drawer, cabriole legs, h. 26 in., w. 18 3/4 in., d. 13 3/4 in. [$250/350]

737. Chippendale‑Style Chinoiserie Table, tray form top, pierced stretcher, club feet, h. 29 in., dia. 30 in. [$800/1200]

738. Pair of Meissen Porcelain Figures of “Golden Orioles”, crossed swords marks, incised “280”, modeled as yellow and black birds perched on tree stumps, h. 10 in. [$300/500] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans. Additional information at www.nealauction.com

739. Antique Silk Bedspread, gold ground, floral designs in blue and maroon, 88 in. x 108 in. [$500/700]

740. Antique Ermine Carriage or Automobile Blanket, velvet backing, 46 in. x 70 in. [$500/700]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Cornelia Bonnell Greene King (1873‑1962), Philadelphia; descended in the family; Collection of Dr. Mark A. Geist, Providence, RI.

741. Vintage Cashmere Paisley Shawl, 66 in. x 68 in. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

742. [Art Reference Books] Collection of Four Reference Books on Chinese Snuff Bottles, incl. Hugh Moss, Victor Graham & Ka Bo Tsang, The Art of The Chinese Snuff Bottle, 2 Vols.; Helen White, Snuff Bottles from China; Xisan Wang [Ed.], Chinese Inside Paintining of the Modern Age, signed; and Mike Ma (pref.), Xisan Wang & Songnian Bo, Magic In Hand, Suo Zhenhai’s Inside‑painted Snuff Bottles, the Hong Yuan Collection; all in original sleeves (4 pcs.) [$400/600]

743. Thomas Jefferys (English, 1719‑1771), “The Isthmus of Panama with the Coast from Great River on the Moskito Shore to Cartagena”, London, Laurie & Whittle, 1794, from West India Atlas, 19 in. x 24 1/2 in., matted and framed. [$300/500]

744. [Leather Bindings] Cooper, James Fenimore, The Complete Works of James Fenimore Cooper, New York, G.P. Putnam’s Sons, [n.d., 1895], 32 vol., octavo, “Leather‑Stocking Edition, limited to 1000 copies, this being # 212, 3/4 leather, spine with gilt lettering and devices, five raised bands, frontispieces and vignette titles on mounted India paper, marbled boards and endpapers, 32 volumes, Note: some with detached boards. [$800/1200]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

745. Clavigero, Francesco Saverio (Trans. Charles Cullen), The History of Mexico. Collected from Spanish and Mexican Historians...Land, the Animals, and Inhabitants of Mexico, London, G.G. J. and J. Robinson, 1787, two volumes, octavo, half‑leather, marbled boards, gilt lettering, with 2 folding maps, 25 engraved plates. [$500/700] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

747. Rollin, Charles. The Ancient History of the Egyptians, Carthaginians..., London, 1828, fifteenth edition, 6 volumes, 4to, full leather, gilt tooling, illustrated with 17 fold‑out maps and city views after d’Anville, 6 vols. [$250/350]

746. Prescott, William, History of the Conquest of Mexico... and History of the Conquest of Peru..., New York, Harper & Brothers; Mexico, 1848, 3 vols.; Peru, 1847, 2 vols.; both 4to, half‑leather bound. [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

748. [Indian Art], Hendley, Thomas Holbein. Ulwar and its Art Treasures, London, W. Griggs, 1888, folio, (14 1/2 in. x 10 3/4 in.), 80 chromolithographs (some double‑page) and photographs, including additional title and portrait of Mangal Singh. [$600/900] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

749. Cuitt, George. Wanderings and Pencillings amongst the Ruins of the Olden Time, London, M.A. Nattali, 1848, folio (19 1/2 in. x 13 in.), quarter bound, marbled boards, all edges gilt, with 73 etchings. [$300/500] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

751. American Silver‑Mounted Naval Dirk Owned by Edwin Booth, early 19th c., grooved pommel, double‑edged diamond‑shaped blade, the scabbard with oval frog stud, engraved “Dagger of Edwin Booth”, and on the other side “George B. Penrose”, blade 4 3/8 in., overall 8 in. [$1000/1500] Provenance: Collection of Brooke and Maria Fox, Metairie, LA. 750. Gibbon, Edward. The History of the Decline and Fall of the Roman Empire, London, 1820, a “New Edition”, in 12 volumes, 4to, full calf, gilt lettering and decoration, marbled pastedowns and endpapers. [$500/700]

Note: Edwin Booth (1833‑1893) was the most famous Shakespearean actor in the 19th c., and brother of John Wilkes Booth, the assassin of Abraham Lincoln. It can be assumed that the George B. Penrose refers to George Bright Penrose (1857‑1903), a prominent cotton broker, who served on numerous boards, was captain of the Krewe of Comus, and served as treasurer for the city of New Orleans.

752. Fine Austrian Flintlock Double Barrel Rifle, 19th c., marked on top of barrels and lockplates “... in Stockerau”, with foliate and deer engraving, checkered stock with cheek rest, ramrod with extractor, barrel l. 26 3/4 in. [$700/1000] Provenance: Collection of Brooke and Maria Fox, Metairie, LA

753. Pre‑Columbian Carved‑Stone Head, before 1500, Mesoamerica, carved with rectangular head piece, h. 17 3/4 in., w. 9 1/2 in., d. 9 1/2 in. [$1000/1500]

754. Pre‑Columbian Carved Limestone Mask, 1‑600 A.D., Teotihuacan, Mexico, sides drilled for mounting wire, h. 9 1/2 in., w. 9 in., d. 5 1/4 in. [$600/900] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

755. Pre‑Columbian Carved Limestone Three‑Cornered Zemi, 1200‑1400 A.D., Greater Antilles, h. 4 1/4 in., w. 2 1/2 in., d. 4 1/2 in. [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA. 757. Pre‑Columbian Carved Limestone Head, before 1500, Mesoamerica, h. 9 1/2 in., w. 7 1/2 in., d. 9 in. [$150/250]

756. Pre‑Columbian Polychrome Pottery Tripod Bowl, 250‑900 A.D., probably Maya, remnant red and black design, restored, h. 2 7/8 in., dia. 10 in.; together with painted pottery bowl fragment, h. 2 3/4 in., dia. 8 in. (2 pcs.) [$200/300]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

758. Two Ancient Roman Glass Vessels, incl. pouring jug with trail handle, h. 6 1/8 in.; and bottle vase with ring neck, h. 2 5/8 in., stand, overall h. 3 1/2 in. [$300/500]

761. Antique Caucasian Runner, double central medallions, repeating design inner borders, khaki (possibly camel hair) outer border, 3 ft. 5 in. x 10 ft. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

759. Two Ancient Stoneware Oil Lamps, probably Roman, l. 3 1/4 in. and 3 1/2 in.. [$150/250]

762. Heriz Carpet, red ground, central medallion, spandrels in light brown, 10 ft. x 13 ft. 5 in. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

760. Two Pre‑Columbian Pottery Relics, incl. female bust figural fragment with large earrings, h. 3 1/4 in., acrylic stand, overall h. 5 3/4 in.; and bowl, slightly conical with incised wave‑like decoration around shoulder, h. 3 3/8 in., dia. 6 1/4 in. [$200/300]

763. Antique Quashqai Carpet, red ground, repeating diamond patterns, 10 ft. 6 in. x 12 ft. 8 in. [$800/1200]

764. Antique Persian Runner, red ground, repeating foliate design, 3 ft. x 11 ft. 2 in. [$800/1200]

765. Persian Kashan Carpet, red ground, blue border, central medallion, overall floral design, 10 ft. 2 in. x 13 ft. 9 in. [$2200/2800]

766. Antique Heriz Carpet, red ground, central medallion, allover foliate design, 7 ft. 9 in. x 11 ft. 7 in. [$1500/1800]

767. Persian Kerman Carpet, blue central ground, medallion and border with pink and blue florals, 9 ft. 8 in. x 14 ft. 2 in. [$2000/3000]

Additional information at www.nealauction.com

768. Japanese Lacquer Panel‑Inset Inlaid Hardwood Cabinet on Stand, Meiji Period (1868‑1912), hinged top opening to fitted interior, lacquer‑inset doors opening to six drawers, center case flanked by sets of “floating” drawers on shaped flanges over long drawer, stand with high shaped stretcher, hoof feet, overall h. 52 1/2 i n., w. 32 in., d. 12 1/2 in. [$500/800]

770. Japanese Polished Bronze Vase, Meiji Period (1868‑1912), relief‑decorated with flying fish above waves, wave peak handles, h. 7 3/4 in., dia. 11 1/2 in. [$300/500]

769. Chinese Polychrome and Gilt Decorated Black Lacquer Altar Table, 20th c., rectangular top painted with a rocky seascape, shaped apron, bracketed turned legs, h. 20 in., w. 40 in., d. 17 in. [$300/500]

771. Pair of Louis Vuitton Garment Bags, late 20th c., all hardware marked, soft‑sided, folded h. 19 in., w. 26 in., d. 9 in. Note: one lacking shoulder strap. [$800/1200]

Provenance: Skinner Auctioneers, Marlborough, MA, May 14, 2009, lot 418; Collection of Dr. Mark A. Geist, Providence, RI.

772. Pair of Chinese Famille Rose Porcelain “Chicken and Rooster” Covered Baluster Vases, Qing Dynasty (1644‑1911), vibrantly enameled with a chicken and rooster in a floral landscape with butterflies and rocks, h. 12 1/2 in., wood stand, overall h. 14 1/2 in., Note: Restoration. [$500/700]

775. Chinese Blue and White Porcelain Vase, Qing Dynasty, 18th c., decorated with butterflies amid flowering and fruiting plants, h. 3 3/4 in., wood stand, overall h. 5 in. [$200/300] 773. Chinese Temmoku Glazed Stoneware Tea Bowl, lustrous black glaze with russet splashes, unglazed gray stoneware foot, h. 2 1/2 in., dia. 4 3/4 in. [$400/600]

774. Chinese Peachbloom Glazed Porcelain Brushwasher, Qing Dynasty (1644‑1911), base with Kangxi mark, dia. 4 5/8 in., Note: Restoration. [$150/250]

776. Large Chinese Sancai Glazed Tilework Figural Group, modeled as a rider astride a qilin, side with wax “WEN” seal, h. 26 in., w. 9 in., d. 28 1/2 in. [$800/1200]

778. Large Chinese Blue and White Porcelain Vase, late 19th/20th c., overall lotus scroll decoration, h. 31 in. [$500/700]

Provenance: Adriaans, New Orleans, c. 1979.

777. Pair of Chinese Cloisonne Enameled Porcelain Vases, probably 20th c., decorated in mirror image with pairs of cranes standing on rocks with lingzhi, bamboo and other foliage, flowerhead and scrollwork grounds, bases with Qianlong marks, h. 22 in., dia. 10 in. [$800/1200]

779. Two Chinese Copper Red Porcelain Miniature Bottle Vases, Qing Dynasty (1644‑1911), incl. peachbloom glazed, base with Kangxi mark, h. 4 3/8 in.; and flambe glazed, h. 4 1/4 in. [$300/500]

780. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, modeled holding a lotus branch, seated on lotus base raised on crashing waves and further lotus, faint impressed mark, h. 13 1/4 in., stand, overall h. 15 1/4 in. [$400/600]

Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

781. Pair of Chinese Famille Noire Porcelain Vases, 20th c., squared bodies decorated with floral panels, h. 18 1/2 in., w. 5 1/2 in., d. 5 1/2 in. [$500/700]

782. Chinese Bronze Tripod Censer, round body relief‑decorated with a wide lotus band between bosses at the rim and base, base with 6 character “Precious Collection” family mark, h. 3 1/2 in., dia. 8 3/8 in. [$500/700]

784. Chinese Bronze Covered Censer, lobed cover modeled with openwork dragons, qilong handles, lobed bulbous body with confronting dragons in relief, bull’s head feet, base with apocryphal Qianlong mark, h. 8 1/2 in., w. 10 1/2 in., d. 7 1/2 in. [$500/700]

786. Pair of Chinese Famille Rose Porcelain Vases, probably 19th c., confronting Buddhist lion handles, decorated with exotic birds amid flowers beside a lotus pond, h. 17 in., now mounted as lamps, h. (incl. socket) 23 in. [$400/600]

788. Chinese Blue and white Porcelain Brush Pot, slightly waisted cylindrical body decorated with a continuous scene of figures in a landscape between incised cross hatched and scrollwork bands, h. 8 in., dia. 7 3/4 in. [$300/500]

783. Chinese Patinated Bronze Figure of a Recumbent Deer, modeled with a large lingzhi spray in its mouth, underside with apocryphal Qianlong mark, h. 14 in., w. 15 1/4 in. [$600/800]

785. Pair of Large Chinese Bronze and Mixed Metal Vases, relief‑cast with auspicious emblems and continuous scenes of figures in stepped landscapes, h. 47 in. [$2500/3500]

787. Chinese Yellow Glazed Porcelain Dish, center incised with the figure of a five‑clawed dragon amid flaming clouds, base with apocryphal Hongzhi mark, dia. 8 7/8 in. [$300/500]

789. Chinese Peachbloom Glazed Porcelain Vase, Qing Dynasty (1644‑1911), diminutive Meiping‑form, base with Kangxi mark, h. 4 1/2 in. [$800/1200] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

791. Pair of Chinese Famille Rose Porcelain Octagonal Jardinieres and Underplates, probably early 20th c., each facet alternately decorated with boy and young maiden panels, h. 5 3/4 in., conforming undertray on bracket feet, overall h. 6 in., w. 8 1/4 in. (4 pcs.) [$300/500] 790. Eight Chinese Famille Rose Porcelain Figures of the Eight Immortals, probably mid‑20th c., each modeled standing with its attribute, bases with impressed Fu Jin Hui Guan (Fujian Club) marks, largest h. 10 in. [$1000/1500]

Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans. Additional information at www.nealauction.com

792. Chinese Bronze Covered Censer, crouching Buddhist lion finial, domed square cover, square body, zoomorphic mask feet terminating in tall square loops, base with Qianlong mark, h. 11 5/8 in., w. 6 in., d. 4 7/8 in. [$400/600]

793. Chinese Famille Rose Porcelain Vase, 19th/ early 20th c., h. 11 3/4 in., now mounted as a lamp, h. (incl. socket) 17 1/2 in. [$200/300] 794. Chinese Ge‑Style Porcelain Tripod Censer, pale celadon glaze with gold wire crackle throughout, h. 5 in., dia. 6 1/2 in. [$400/600]

795. Chinese Green Glazed Porcelain Bottle Vase, Qing Dynasty (1644‑1911), overall apple green glaze with crackle throughout, h. 13 1/4 in. Note: restoration. [$300/500]

796. Pair of Chinese Famille Rose Porcelain Covered Jars, probably early 20th c., decorated with boys celebrating the dragon festival, h. 8 1/2 in. [$300/500]

Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

797. Pair of Chinese Famille Verte Porcelain Vases, decorated in mirror image with nobles and their guardsmen in a landscape, bases with apocryphal Kangxi marks, h. 16 1/2 in. [$600/800]

799. Chinese/Tibetan Bronze Figure of Amitayus, modeled seated in vajrasana on a double lotus base, wearing a five-prong crown, jewelry, and a celestial scarf, base with double vajra mark, h. 17 in. [$500/700]

798. Chinese Patinated Metal Buddhist Lion Censer, modeled seated on its haunches with its face turned upward, remnant paint, h. 13 1/2 in. [$500/700]

800. Chinese Celadon and Russet Jade Bowl, petal lobed rim, carved with stylized taotie masks and scrollwork, h. 8 in., dia. 8 in., wood stand. [$700/900]

801. Six Chinese Hardstone and Glass Snuff Bottles, incl. glass imitating white jade, h. 2 3/8 in.; green flourite, h. 2 5/8 in.; malachite, h/ 1 1/4 in.; rose quartz, h. 2 1/2 in.; mottled green serpentine, h. 2 1/2 in.; and glass imitating jadeite, h. 2 1/2 in.; together with 6 wood stands (12 pcs.) [$250/350]

802. Four Chinese Glass Snuff Bottles, 19th/20th c., incl. 2 imitating agate, h. 3 in. and l. 3 1/4 in; 1 imitating celadon jade, h. 2 7/8 in.; and 1 imitating shadow agate, h. 3 1/8 in. [$150/250] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

803. Chinese Cloisonne Enamel Covered Jar, 20th c., decorated with antiques, flowers and fruit on a pink ground, h. 10 in., now mounted as a lamp, h. (incl. socket) 16 1/4 in. [$200/300]

804. Chinese Bronze Brush Washer, oval body with flat rim surmounted by two qilong dragons grasping lingzhi sprays, 4 ruyi feet, base with apocryphal Xuande mark, h. 3 in., w. 7 5/8 in., d. 5 5/8 in. [$400/600]

805. Chinese Carved and Polychromed Stone Head of Guanyin, h. 20 in. [$500/700]

806. Japanese School, 19th/20th c., “Mountainous Landscapes with Dwellings”, 2 paintings, each ink on paper, 38 3/8 in. x 12 1/4 in. and 37 3/4 in. x 12 1/2 in., mounted as hanging scrolls (2 pcs.) [$300/500]

807. Japanese School, “Flowering Branch”, ink and color on silk, bearing inscription and seal lower left, 32 1/4 in. x 12 3/4 in., mounted as a hanging scroll; together with “Boy on Buffalo”, ink and color on silk, bearing inscription and seal lower left, 41 1/4 in. x 15 3/4 in., mounted as a hanging scroll (2 pcs.) [$200/300]

808. Japanese School, “Bird on a Plum Branch”, ink and color on silk, bearing signature and seal upper right, inscribed on reverse, image 43 in. x 16 7/8 in. [$100/200] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes.

809. Large Japanese Arita Blue and White Porcelain Scalloped Rim Charger, Meiji Period (1868‑1912), decorated with a shishi lion clutching a brocade ball amid flowers, grasses and butterflies, h. 2 3/4 in., dia. 18 5/8 in. [$400/600] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

810. Pair of Large Japanese Kutani Porcelain Sleeve Vases, probably 20th c., each decorated with 35 of the ‘36 Immortal Poets’ on a gilt ground, bases with Kutani marks, h. 18 in. Note: Bases drilled. [$300/500] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

811. Japanese Imari Porcelain Chrysanthemum‑Form Dish and Covered Jar, 19th and 20th c., dish h. 1 5/8 in., dia. 12 1/2 in.; jar h. 16 in.; together with lacquer box, h. 1 7/8 in., w. 9 5/8 in., d. 6 1/4 in. (3 pcs.) [$100/150]

Additional information at www.nealauction.com

Session Three Sunday, February 7, 11 a.m.

813. [Mardi Gras], Queen of Prophets of Persia Rhinestone Embellished White Ball Gown, c. 1965, “The Liberty Shop, New Orleans” label. [$200/300]

814. Steve Martin (American/ Louisiana, 20th c.), “Dancing Woman”, twisted and formed wire, unsigned, h. 52 1/2 in. [$600/900]

Provenance: Gay Jordan, New Orleans.

812. [MARDI GRAS] Knights of Momus, 14 kt. yellow gold and seed pearl pin, c. 1900, missing 3 seed pearls and pin back, w. approx. 1 1/8 in., wt. 3.5 dwt. [$150/250]

815. C Jere (Curtis Freiler and Jerry Fels) for Artisan House Polychrome Painted Metal Sculpture of an Oil Rig, 1966, inscribed “C. Jere” and dated lower right, reverse with “Artisan House” label, h. 19 1/4 in., w. 56 1/2 in. [$700/900] Provenance: Estate of James H. Stone, New Orleans, LA.

817. Ti‑Rock Moore (American/New Orleans, b. 1959), “Gazing”, archival pigment print, signed and numbered “2/10” lower right, “Jonathan Ferrara Gallery, New Orleans, LA” and “LeMieux Galleries, New Orleans, LA” labels on backing paper, 40 in. x 27 in., framed. [$300/500]

816. Skyler Fein (American/New Orleans, b. 1968), “Untitled (Eagle)”, mixed media on shaped panel, artist’s token on verso, 19 1/4 in. x 17 1/2 in., unframed. [$400/600] Provenance: Jonathan Ferrara Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

818. Attributed to Sergio Bustamante Brass‑Mounted Carved Wood Cabinet, h. 75 in., w. 39 in., d. 16 in. [$800/1200]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

819. Pair of Mastercraft Greek Key Lounge Chairs. [$700/1000] 820. Jansen‑Style Chrome and Glass Console Table, h. 27 in., w. 60 in., d. 13 in. [$500/700]

821. Mid‑Century Modern Sofa, gusseted back and seat cushion, inset walnut base, black leather upholstery. h. 27 in., w. 79 in., d. 31 1/2 in. [$800/1200] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

822. Contemporary Silvered Chest of Drawers, lozenge design, four drawers, tapered legs, h. 36 in., w. 36 in., d. 17 3/4 in. [$400/600] 823. Contemporary MirrorInset Chest of Drawers, cloudy mirror plates, three drawers, tapered legs, h. 34 3/4 in., w. 42 in., d. 19 in. [$300/500]

824. Pair of Milo Baughman Upholstered Armchairs, h. 30 in., w. 24 in., d. 22 in. [$400/600]

Additional information at www.nealauction.com

825. Blue Transitional Sofa, three cushions, rolled arms, rounded corners, tapered block feet, h. 39 in., w. 92 in., d. 38 in. [$300/500]

827. Pair of Contemporary Murano Glass Lamps, Swank Lighting, ribbed, tapered lucite standard, stepped base, h. (to socket) 22 in. [$300/500]

828. Larry Rivers (American, 1923‑2002), “Confederate Soldier”, 1970, screenprint and mixed media on paper, pencil‑signed lower right, edition of 100, 19 3/4 in. x 28 3/4 in., framed. [$300/500]

826. American Studio Oak Dining Table, designed by Peter McCarthy, Long Beach, MS, with inset “lazy Susan” center, canted pierced legs, stretchers, h. 30 in., dia. 74 1/2 in. [$600/900]

829. Francisco Zuniga (Mexican, 1912‑1998), “Nude”, 1969, lithograph, pencil‑signed and dated lower right, 19 5/8 in. x 25 5/8 in., framed. [$600/800]

830. Warrington Wickham Colescott, Jr. (American/Wisconsin, 1921‑2018), “Picasso at Mougins: the Etchings”, 2002, soft‑ground etching with aquatint, pencil‑signed, titled, dated and numbered “68/200” lower margin, “Ro Gallery, New York” label with artist, title and date on backing paper, sight 19 3/4 in. x 26 in., framed. [$200/300]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

832. Newton Reeve Howard (American/New Orleans, 1912‑1984), “Aerial View, South Pacific”, 1943 and “Jeep Carrier Pacific ‘42 TBM Torpedo Bombers”, 1942, 2 watercolors on paper, each signed and dated lower left, exhibition labels with artist, title and date on backing boards, 9 in. x 12 in. and 11 in. x 14 in., both framed. [$1000/1500] Provenance: Collection of Dr. and Mrs. Walter D. Cockerham. 831. Ruby Zahn White (American/ California, 1899‑1986), “The Circus”, oil on canvas board laid on foamcore, signed lower right, 18 in. x 23 1/2 in., framed. [$300/500]

Exh.: “Newton Howard: Painter of the Sportsman’s Paradise”, Ogden Museum of Southern Art, New Orleans, LA, Sept. 6 ‑ Jan. 13, 2019.

836. Antique Adam‑Style Paint‑Decorated Oak Demilune Console, shaped backsplash, molded top, tapered legs, spade feet, h. 40 in., w. 41 1/4 in., d. 21 in. [$400/600]

834. Antique Italian Carved and Painted Wood Vitrine Table, glazed lift top, lamb’s tongue surround, bellflower bordered frieze, egg and dart fluted trumpet feet, h. 20 1/4 in., w. 44 in., d. 24 3/4 in. [$700/1000] 835. Bergère with Robert Kime Fabric, shaped back, outswept arms, turned legs, h. 37 in., w. 31 in., d. 31 in. [$400/600]

833. Keith Eccles (American/New Orleans, 20th c.), “Mardi Gras Indonesia”, acrylic on gallery‑wrapped canvas, signed lower right, 30 in. x 40 in., unframed. [$1000/1500]

837. Hollywood Regency Ebonized Secretary Bookcase, c. 1940, Grosfeld House, New York, scrolled cornice, reeded stiles, grillework doors, fitted desk drawer, lucite pulls, base with three cabinet doors, h. 85 in., w. 60 in., d. 16 3/4 in. [$1500/2500]

839. Pair of Art Deco‑Style Mixed Wood Nightstands, one drawer, lower shelf, open back, h. 31 in., w. 20 in., d. 15 in. [$300/500]

838. Art Deco‑Style Inlaid Burlwood Chest, cello shape, four drawers, integrated base, h. 63 in., w. 22 in., d. 15. [$700/900]

840. Two American Aesthetic Spiral-Carved Hardwood Pedestals, late 19th c., molded base, taller h. 41 in., w. 14 in., d. 14 in. [$300/500] 842. Leroy Archuleta (American/New Mexico, b. 1949), “Coiled Black, Red and Yellow Snake”, 1992, bottle caps, paint and mixed media sculpture, signed and dated under head, h. 12 1/4 in. [$300/500]

841. Natalie McClaren (American, 20th c.), “Untitled”, mixed media, h. 52 in., w. 20 in., d. 12 in. [$500/800] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

843. African Beadwork Alligator Fetish, h. 1 in., w. 5 1/4 in., d. 6 in. [$150/250] Provenance: Heritage Auction, Dallas, TX; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

844. Twenty‑Five Brass‑Mounted Enamel Boxes, various marks incl. “Halcyon Days”, various motifs incl. floral and romance, largest h. 1 1/2 in., dia. 2 1/2 in. [$400/600]

847. Pair of Large Granite Garden Spheres, on stepped bases, h. 21 in., dia. 17 in. [$800/1200]

845. Egyptian Polychrome Gesso on Wood Mummy Mask, h. 19 in., w. 16 1/2 in., d. 6 1/2 in., mounted on rosewood slab, 18 in. x 23 in. [$300/500]

846. French Renaissance Revival Bronze‑Mounted Marble Mantel Clock, 19th c., dial and Japy Freres movement marked “A. Lemaire”, surmounted by urn, dial flanked by figural terms, h. 17 3/4 in., w. 13 1/4 in., h. 6 in. [$700/1000] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

848. Pair of Chinese Tang‑Style Sancai Glazed Pottery Bull‑Form Vessels Mounted Together as a Sculpture, each beast modeled standing foursquare wearing adorned harnesses, pronounced dewlaps, loop handles, h. 10 3/8 in., w. d. 12 in., strapped together flanking a wood cross centered by a chicken on a ladder suspending jars on a wood plinth, overall h. 14 3/4 in., w. 9 7/8 in., d. 10 1/2 in. [$400/600] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. Additional information at www.nealauction.com

849. Pair of Chinese White “Peking” Glass Bottle Vases, carved with characters and scrollwork, h. 14 1/2 in. [$600/800]

850. Chinese Ming‑Style Blue and White Porcelain Dish, well with “Arabic” calligraphy encircled by floral head and ruyi scroll band, dia. 11 in. [$300/500]

851. Pair of Iron Mounted Chinese Copper Red and White Porcelain Tea Jars, globular bodies decorated with dragons, iron covers with incised foliage, strap locks and keys, h. 14 1/2 in. [$800/1200]

853. Large and Decorative Chinese Celadon Stoneware Charger, barbed rim, incised decoration, h. 3 1/2 in., dia. 21 1/2 in. [$500/700]

855. George III Inlaid‑Mahogany Sideboard, 19th c., serpentine top, conforming case, central drawer over spandrels, flanked by deep drawers, tapered legs, spade feet, h. 37 1/2 in., w. 60 in., d. 24 3/4 in. [$1000/1500]

857. Antique French Inlaid and Burl Walnut Armoire, Bresse, molded stepped cornice, fluted stiles, doors with “star‑in‑oval” motif, shelf interior with double belt of drawers, lower drawer, scroll feet, h. 91 1/2 in., w. 65 in., d. 27 1/2 in. [$800/1200]

852. Pair of Chinese Famille Rose Porcelain Vases, 20th c., painted with mountainous landscapes on pink sgraffito grounds with flowerheads and scrollwork, bases with Qianlong marks, h. 16 in. [$300/500] 854. Pair of Chinese Red Lacquer Elephant Seats, h. 18 in., w. 14 1/2 in., d. 34 in. [$1000/2000]

856. Fine Antique George III‑Style Carved Mahogany Breakfront Bookcase, 19th c., broken arch crest, cove‑molded cornice, fluted frieze with rosettes, glazed doors with pendant bellflower carving, adjustable shelf interior, conforming base with raised panel doors, carved molded base, ogee bracket feet, h. 101 in., w. 83 in., d. 22 in. [$1500/2500]

858. Provincial Walnut Chest of Drawers, 19th c., molded shaped top, three foliate carved drawers, cabriole legs, scroll toes., h. 38 1/2 in., w. 53 in., d. 25 in. [$1000/1500]

Provenance: Whitehall Antiques, Chapel Hill.

859. French Neoclassical Walnut Lit de Repos, c. 1800, tubular rails, flaming cauldron cartouche, architectural cartouche, tapered legs, h. 35 1/2 in., w. 73 in., d. 27 1/2 in. [$800/1200]

860. Louis XVI‑Style Bronze‑Mounted Mahogany Center Table, 19th c., black marble top, beaded frieze, fluted cabriole legs, stretcher shelf, sabots, h. 30 in., dia. 40 in. [$800/1200]

862. Manner of Jean‑Baptiste‑Camille Corot (French, 1796‑1875), “Figures in a Forest”, oil on canvas, unsigned, 9 in. x 7 in., framed with artist plaque. [$500/700]

861. Leon Richet (French, 1847‑1907), “Landscape”, oil on canvas, signed lower right, label with title on reverse of frame, 17 1/4 in. x 26 in., framed with artist plaque. [$1000/1500]

863. Hans Grohs (German, 1892‑1981), “Weisse Kakteenblüte (White Christmas Cactus Blossoms)”, 1970, watercolor on paper, signed lower right, “Hans Grohs Bequest” blind stamp lower left, “Frauken Grohs Collinson” stamp en verso, 20 in. x 14 3/8 in., matted; accompanied by a certificate of authenticity from Frauken Grohs Collinson‑Grohs Collective Trust. [$400/600]

864. Hans Grohs (German, 1892‑1981), “Nach dem Sturm am Roten Kliff, Dithmarshcen Coast, Sylt”, 1957, watercolor on paper, signed lower right, “Hans Grohs Bequest” blind stamp lower left, “Frauken Grohs Collinson” stamp and inscribed en verso, 19 5/8 in. x 25 in., framed; accompanied by a certificate of authenticity from Frauken Grohs Collinson‑Grohs Collection Trust. [$400/600] Provenance: Estate of the Artist, 1981; Hans Grohs and Elma Grohs‑Hansen Bequest to Frauken Grohs Collinson, 1996; Frauken Grohs Collinson‑Grohs Collection Trust, Birmingham, AL, 2018; Frauken Grohs Collinson Bequest to Rose Mary McKinney

864A. Hans Grohs (German, 1892‑1981), “Blick auf Rotes Kliff von Dünen aus, Dithmarschen Coast, Sylt”, 1959, watercolor on paper, signed lower right, “Frauken Grohs Collinson” stamp en verso, printed label with title and date on backing board, 20 in. x 24 3/4 in., framed; accompanied by a certificate of authenticity from Frauken Grohs Collinson‑Grohs Collection Trust. [$400/600] Provenance: Estate of the Artist, 1981; Hans Grohs and Elma Grohs‑Hansen Bequest to Frauken Grohs Collinson, 1996; Frauken Grohs Collinson‑Grohs Collection Trust, Birmingham, AL, 2018; Frauken Grohs Collinson Bequest to Rose Mary McKinney 866. Eleven William Guerin & Co. Limoges Cobalt and Gold‑Encrusted Porcelain Service Plates, 1891‑1932, marked, ret. by J. Dolfinger & Co., Louisville, wide scalloped rim decorated with raised gilt arabesques, floral urns and pedestals, cavetto and well with gilt flowerhead band, dia. 10 7/8 in. [$400/600] 865. French Faience Jardiniere, scalloped rim, scroll handles, h. 6 1/8 in., w. 15 in., d. 10 in. [$500/700]

868. Large Paris Gilt and Polychrome Porcelain Footed Vase in the Style of Jacob Petit, 19th c., reserved with floral cartouches on celeste blue ground, foliate scroll handles, h. 24 in., w. 14 in., d. 10 in. [$500/800]

869. Carved White Marble Bust of a Cuirassed Man, after an Antique example, wearing Roman military cuirass with breastplate centered by a lion’s mask, socle base, h. 19 in., w. 14 in., d. 7 in. [$500/750]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

867. Pair of Paris Polychrome and Gilt Porcelain Flare Vases, 19th c., painted with profile portrait of a Classical male or female, peach grounds, sides with applied foliage, h. 11 1/8 in., w. 9 5/8 in. [$200/300]

870. Pair of Empire‑Style Bronze Seven‑Light Candelabra, 19th c., decorated with palmettes, acanthus and scrolls, electrified, h. 28 in., dia. 10 in. [$400/600]

Additional information at www.nealauction.com

872. Bronze Figural Group of “Le Cerf Victorieux”, after Pierre‑Albert Laplanche, signature inscribed on self‑base, h. 14 1/4 in., w. 21 in., d. 12 in. [$500/700] 873. Bronze Figural Group of “St Michael Slaying the Dragon”, after Emmanuel Frémiet, signature inscribed on self‑base, h. 23 1/4 in., w. 13 in., d. 7 in., marble base, overall h. 24 1/4 in. [$600/900]

871. Louis XV‑Style Carved Giltwood Fire Screen, 19th., fabric panels., h. 55 1/2 in., w. 32 in., d. 15 in. [$400/600]

875. Continental Carved Giltwood Overmantel Mirror, 19thc., shield, leaf and berry crest, foliate top corners, bead surround, aged mirror plate, h. 75 1/2 in., w. 47 in. [$800/1200]

880. Pair of Chinese Cloisonné Enamel Vases, decorated with prunus and camelia branches on a black ground with a diaper of wire swirls, h. 9 1/4 in., stand, overall h. 10 1/4 in. [$150/250]

876. Louis XVI‑Style Bronze-Mounted Parquetry and Marquetry Bracket Clock on Pedestal, 20th c., made in Italy, striking bell movement, h. 22 3/4 in., w. 12 1/2 in., d. 5 1/4 in., total h. 65 in. [$500/700]

874. Continental Carved Giltwood Overmantel Mirror, egg and dart surround, central foliate cartouche crest, beaded liner, aged mirror plate, h. 84 in., w. 47 in. [$1000/1500]

877. Louis Philippe Patinated Bronze and Marble Figural Mantel Clock, 19th c., case surmounted by figure of a gentleman writing, h. 19 in., w. 12 1/2 in., d. 5 in. [$500/700],

878. Antique French Bronze‑Mounted Marble Three‑Piece Clock Garniture, c. 1900, double striking gong movement, dial with visible escapement, surmounted by griffin‑handled urn, scroll feet, conforming garniture urns, clock h. 22 in., w. 13 in., d. 8 1/4 in. [$700/1000]

879. Chinese Brass‑Mounted Carved Fluorite Tripod Censer, c. 1930s, reticulated cover formed as a curled dragon, brass collar, body with Buddhist lion mask handles, h. 9 in., w. 7 1/2 in., drilled and mounted as a lamp with wood stand and bronze plinth, h. (to socket) 16 1/4 in. [$150/250]

881. Chinese Three‑Piece Hardwood Clock, white enamel dial with Roman numerals, embossed faceplate, wood surround set with reticulated and glass panels, set in hardwood stand with openwork carved gourd and vine frieze, set on low table stand, h. 25 1/4 in., w. 15 1/4 in., d. 11 1/4 in. [$500/700]

882. Massive Chinese Agate‑Inset Tessellated Bone Covered Censer on Stand, cylindrical finial, lion’s mask loose ring handles, globular body with raised dragon decoration, splayed shaped tripod feet, carved wood stand, h. 51 in., w. 37 in., d. 23 in. [$1000/1500]

883. Large and Decorative Pair of Chinese Gilt Bronze Guanyin Groups, 20th c., each modeled seated in lalitasana on a Buddhist lion or elephant wearing voluminous robes, bead necklaces and a tiara, h. 30 in., w. 24 in. [$500/700]

885. French Restauration Center Table, early 19th c., later marble top, molded frieze with drawer, scroll legs, shaped stretcher shelf, casters, h. 29 in., w. 46 in. [$1000/1500]

884. Biedermeier Fruitwood Chaise Longue, scroll end, blocked frieze, block legs, handsome upholstery, h. 33 in., w. 72 1/2 in., d. 29 in. [$1000/1500] Provenance: Antika Mobiliar, Wolsburg, Germany, 2004; Collection of Dr. Mark A. Geist, Providence, RI.

886. Antique Louis XV‑Style Carved Walnut Fauteuil, 19th c., floral carved crest rail, padded scrolled arms, serpentine seat, cabriole legs, original needlepoint upholstery, h. 26 in., w. 22 3/4 in., d. 20 in. [$500/800]

887. Pair of Neoclassical‑Style Bronze‑Mounted Gueridons, inset marble tops, turned legs, finialed and beaded stretcher and legs, h. 29 1/2 in., dia. 22 in. [$2500/4000]

888. Pair of Louis XV‑Style Bronze‑Mounted Mahogany and Marble Pedestals, h. 30 in., w. 17 in., d. 17 in. [$400/600]

889. Italian Gilt and Carved Wood Console, late 18th c., marble top, tapered body, cherubic busts with roses, h. 26 in., w. 33 in., d. 17 in. [$1000/1500]

890. French Provincial Carved Fruitwood Two Door Armoire, 19th c., molded cornice, cartouche paneled doors, shaped apron, cabriole legs, h. 90 in., w. 58 1/2 in., d. 25 in. [$500/800] 891. Dutch Marquetry Secretaire a Abattant, flat top, fan panel drawer, single long drawer, fall front with fitted interior, two lower drawers, paw feet, shelf base, outswept French legs, h. 70 1/2 in., w. 36 in., d. 24 in. [$800/1200]

893. Pair of French Louis XV‑Style Bronze‑Mounted Bombé Bedside Commodes, shaped molded top, leopard pattern decoration, sabots, h. 29 in., w. 20 in., d. 13 in. [$500/1000]

892. Pair of Charles X‑Style Parcel Ebonized Burlwood Pedestal Cabinets, oval form, single doors, shelf interior, molded base, h. 58 1/2 in., w. 24 in., d. 16 in. [$700/1000]

894. Louis XV‑Style Bronze‑Mounted, Marquetry and Parquetry Bureau Plat, banded top, three drawers, cabriole legs, sabots, h. 32 in., w. 56 in., d. 30 in. [$800/1200]

Additional information at www.nealauction.com

895. French Empire Bronze‑Mounted Mahogany Commode, early 19th c., gray marble top, outset frieze drawer over three drawers, columnar stiles, h. 34 in., w. 45 in., d. 22 in. [$700/900] 896. Continental School, 19th c., “Courting Couples”, 4 oils on panel, signed “E. Lejeune”, one with “John Linn & Sons, Scarborough, England” label en verso, each 27 in. x 16 1/2 in. (ovals), framed alike. (4 pcs.) [$2000/3000]

897. Continental School, 19th c., “Father and Child”, oil on canvas, unsigned, 30 in. x 24 in., framed. [$1000/1500]

899. Attributed to James Seymour (British, 1702‑1752), “The Hunt”, graphite and watercolor on paper, unsigned, inscribed with artist en verso and on backing, 9 3/4 in. x 14 5/16 in., framed. [$400/600]

898. François Brochet (French, 1925‑2001), “A Vézelay”, oil on canvas, signed and titled lower right, 13 1/8 in. x 16 1/4 in., framed. [$300/500]

900. Reginald Smith (British, 1855‑1925), “The Rocky Pembroke Coast”, watercolor on paper mounted to board, signed lower right, pencil‑titled en verso, 26 1/2 in. x 38 5/8 in., framed. [$500/700] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

901. Jan Christiaen Sepp (Dutch, 1739‑1811), “Lanius, Excubitor”, “Motacilla, Flava”, “Caprimulgus” and “Lanius Collyrio”, 4 hand‑colored engravings, unsigned, from Nederlandsche Volgelen, sights 17 in. x 11 3/4 in., framed alike. (4 pcs.) [$500/800]

903. Garniture of Three Derby Imari Porcelain Campagna Urns, 1806‑25, marked with red crown over crossed batons over “D”s, gilt serpent handles, decorated with floral panels on white or cobalt grounds, h. 8 1/8 in. and 6 1/2 in., w 7 1/8 in. and 5 3/4 in. [$300/500]

100

904. Eight French Art Nouveau Gilt Boxes, floral and scroll motifs, largest h. 5 in., w. 8 in., d. 3 1/2 in. [$400/600]

902. Pair of Large Continental Gilt and Polychrome Porcelain Amphora Vases, bearing scepter over “KPM” mark, scroll handles, floral reserves on a gilt ground, h. 22 1/2 in., w. 12 in., d. 9 in. [$700/900]

905. English Brass Bound Mahogany Lap Desk, 19th c., 1877 presentation cartouche, fitted interior with tooled leather writing surface, Bramah lock, h. 7 1/2 in., w. 17 1/2 in., d. 10 in. [$200/400]

906. Pair of Ellis‑Barker Silverplate Three‑Light Candelabra in the Regency Taste, shell mark, h. 15 in.; together with an Ellis‑Barker silverplate footed bowl with lion’s mask and ring drop handles, menorah mark, h. 6 3/4 in., w. 10 1/2 in.; and an Elkington & Co. Ltd. sterling silver single candlestick, London, 1896, weighted base, h. 8 5/8 in. [$400/600]

909. Victorian Silverplate Kettle‑on‑Stand, Mappin & Company, Sheffield, acanthus and floral decoration, bird finial, spout cast with mask and bird’s head terminal, ball‑and‑claw feet, h. 16 in. [$300/500]

912. Elkington & Co. Silverplate Fish Service for Twelve, 1852, incl. 12 each fish forks (l. 7 7/8 in.) and fish knives (l. 8 3/4 in.) engraved crests, in fitted mahogany case with “Elkington & Co. Liverpool” plaque. [$100/200]

916. Gorham Sterling Silver Serving Bowl, pattern 977, date, mark for 1951, lobed oval with reeded border, l. 13 1/4 in., wt. 23.85 troy ozs. [$500/700]

920. American Sterling Silver Presentation Box, mid‑20th c., cedar‑lined, h. 1 7/8 in., l. 6 3/8 in., d. 3 1/2 in.; together with Gorham repousse chamberstick, l. 4 1/4 in.; and Kirk repousse bowl, dia. 5 1/2 in.; total wt. (weighable) 5.8 troy ozs. [$200/300]

907. Victorian Silverplate Tea Tray, Mappin & Webb, London & Sheffield, c. 1897, oval with egg‑and‑dart rim, bellflower cavetto, well with engraved armorial and flat chased decoration, molded handles, 30 3/4 in. x 21 1/4 in. [$500/700]

908. English Sterling Silver Fish Service for Twelve, Mappin & Webb, Sheffield, 1986, incl. 12 each fish forks and fish knives with hollow handles, fork l. 7 1/2 in., knife l. 8 1/4 in., in two fitted cases. [$300/500]

911. George III Sterling Silver and Mother‑of‑Pearl Dessert Service for Eighteen, 1801, silver knife blades marked for John Orme II, mark reg. 1796, in fitted rosewood case, incl. 18 each dessert forks (l. 6 3/8 in.) and dessert knives (l. 8 in.) [$100/200]

910. Edwardian Sterling Silver Inkstand, Henry Matthews, Birmingham, 1908, navette form with gadroon border, fitted with silver‑mounted crystal inkpot, l. 7 3/4 in., wt. (weighable) 3.35 troy ozs. [$150/250]

913. Gorham Sterling Silver Coffee and Tea Service, pattern A3061, date mark for 1902, incl. coffee pot (h. 9 7/8 in.), teapot, covered sugar, creamer and waste bowl, each footed vase form with chased acanthus and flowers, total wt. 82.50 troy ozs. [$1500/2500]

917. Mexican Sterling Silver Serving Dish in the Spanish Colonial Taste, Salvador de la Serna, Mexico City, mid‑20th c., l. 13 7/8 in., wt. 27.75 troy ozs. [$300/400]

Provenance: Lucullus Antiques, New Orleans.

914. Group of American Sterling Silver Goblets, incl. 7 Gorham pattern 272, h. 6 5/8 in.; 1 Gorham pattern 533, h. 6 5/8 in.; 4 Revere Silversmiths, monogrammed “K”, h. 6 1/8 in.; 2 Wallace, h. 6 5/8 in.; and 1 International, h. 6 5/8 in., total wt. 75.35 troy ozs. (15 pcs.) [$1200/1800]

918. Pair of Silverplate Figures of Roosters, h. 10 1/2 in., w. 7 in., d. 6 1/2 in. [$300/500] 921. Group of American Sterling Silver Small Bowls, various makers, incl. Wallace with integral underplate, dia. 7 1/8 in.; Frank M. Whiting footed bowl, dia. 5 1/8 in.; 5 miscellaneous dia. from to 4 3/4 in. to 6 7/8 in.; 2 Revere Silversmiths saucepans with hollow handles, l. 7 1/8 in. and Amston with wood handle, l. 8 1/8 in.; 10 pcs., total wt. (weighable) 25.30 troy ozs. [$300/400]

915. American Sterling Silver Partial Flatware Service, Alvin “Maryland” pattern, pat. 1910, incl. 11 forks (l. 7 3/8 in.), 13 knives (l. 9 3/4 in.), 7 soup spoons (l. 6 7/8 in.), 8 ice teaspoons, 3 tablespoons, 3 salad forks, 6 cocktail forks and 1 teaspoon; together with 17 associated Colonial Revival pieces by various makers in various patterns; total wt. (weighable) 58.40 troy ozs. [$800/1200]

919. Galmer Sterling Silver Repousse Julep Cup, New York, of recent date, with gold wash interior, in original box, h. 4 1/2 in., wt. 5.95 troy ozs. [$200/300]

922. Galmer “Daisy” Sterling Silver Repousse Cuff Bracelet, New York, of recent date, with gold wash interior, in original box, h. 2 in., wt. 1.95 troy o. [$100/200]

923. Group of American Sterling Silver Butter Pats, incl. 12 Gorham, dia. 3 1/4 in., and 6 Frank M. Whiting, dia. 3 1/2 in., total wt. 17. 30 troy ozs. [$300/500] Additional information at www.nealauction.com

101

925. Good Group of Georgian and Georgian‑Style Sterling Silver Flatware Serving Pieces, incl. basting spoon, William & Patrick Cunningham, Edinburgh, 1790, l. 12 in.; crested basting spoon, marks rubbed, possibly Christopher Skinner, Dublin, mid‑18th c., l. 10 5/8 in. (note terminal “curled” under); and Dominick & Haff “Pointed Antique” pattern salad serving fork, pat. 1895, l. 9 1/4 in., total wt. 10.45 troy ozs.; together with an English silverplate fiddle handle fish serving knife, ret. N. Bloom & Son, London, l. 12 1/4 in. [$200/300]

924. New Orleans Silverplate Rowing Trophy, with engraved presentation “Presented to/ GEO A VILLERE/ By the/ Pelican Rowing Club/ April 7th, 1876”, h. 7 5/8 in.; together with pair of English silverplate wine coasters, turned wood bottoms, dia. 5 1/2 in. [$150/250]

927. Patinated Bronze Figure of an Old Man in Hat and Coat, illegibly marked on self-base, h. 14 1/4 in., w. 8 in., d. 5 1/2 in. [$400/600]

929. Bronze Figure of “Bacchante”, after Claude Michel Clodion, titled and artist plaque on self‑base, h. 15 in., w. 6 in., d. 6 3/8 in., marble base, overall h. 15 3/4 in. [$400/600] 928. Four Italian Carved Marble Busts, incl. a fisherman, a woman and 2 maidens, h. 12 in. to 12 3/4 in. (4 pcs.) [$500/1000]

931. Auseklis Ozols (Latvian/New Orleans, b. 1941), “Seated Nude on Draped Chair”, 1992, pastel on paper, pencil‑signed and dated lower right, 32 1/4 in. x 27 in., framed. [$250/350]

933. Stanley Sporny (American, 1946‑2008), “Ribbon Ruckus”, 1991‑94, oil on linen, signed and dated lower right, titled, dated and artist label on stretcher, 43 in. x 70 in., framed. [$3000/5000]

935. William Dunlap (American/Mississippi, b. 1944), “Watershed Runoff”, 1989, mixed media on paper, signed and dated lower right, titled lower left, 30 1/4 in. x 79 1/4 in., framed. [$1500/2500]

102

926. Pair of Antique English Silverplate Covered Entrée Dishes, each with gadroon borders and removable handle; now with later warming stand and burner. [$200/300]

932. Ashley Longshore (American/New Orleans, b.1975), “Crab”, oil on panel, signed upper left, 12 in. x 12 in., unframed. [$1000/1500]

930. Chinese Brass‑Mounted Carved Fluorite Tripod Censer, c. 1930s, reticulated cover formed as a curled dragon, brass collar, body with Buddhist lion mask handles, h. 9 3/4 in., w. 8 3/4 in., drilled and mounted as a lamp with wood stand and bronze plinth, h. (incl. finial) 26 in. [$250/350]

934. Stanley Sporny (American, 1946‑2008), “Boobsalot (Homage Bill de K)”, 1990, oil on linen, signed and dated lower left, signed, titled, dated and artist label on stretcher, 43 in. x 70 in., framed. [$3000/5000]

936. José‑Mariá Cundín (Spanish/New Orleans, b. 1938), “The Corrupt”, 1970, double‑sided oil on canvas, signed and dated upper left, sight 20 1/2 in. x 17 1/2 in., framed. [$3000/5000]

939. Gendron Jensen (American/New Mexico, 1939‑2019), “Nenda Watood”, 1983, graphite on paper, pencil‑monogrammed and dated lower right, titled lower left, 13 1/16 in. x 23 1/8 in., framed. [$2000/3000]

937. David Harouni (Iranian/New Orleans, b. 1962), “Untitled: Face”, oil on gallery‑wrapped canvas, signed lower left, 40 in. x 29 3/4 in., unframed. [$3000/5000]

938. Gendron Jensen (American/New Mexico, 1939‑2019), “Untitled”, 1976, graphite on paper, pencil‑monogrammed and dated lower right, 20 in. x 20 in., framed. [$1500/2500]

941. Hans Grohs (German, 1892‑1981), “Narzissen (Daffodils)”, 1970, watercolor on paper, signed lower right, pencil‑inscribed and “Frauken Grohs Collinson” stamp en verso, “Hans Grohs Bequest” blind stamp lower left, pencil‑inscribed en verso of matting, 19 7/8 in. x 14 3/8 in., matted; accompanied by a certificate of authenticity from Frauken Grohs Collinson‑Grohs Collection Trust. [$400/600]

942. William Woodward (American/Louisiana, 1859‑1939), “Capt. Wooster Carpenter Place, Seekonk ‑ Over the Meadow ‑ 1884”, 1932, “Old Stone Fireplace Cellar Kitchen, Capt. Wooster Carpenter’s”, “Capt. Wooster Carpenter Place, Seekonk ‑ Yard ‑ 1884”, 1932, “Cat & Horse Cemetery at Old Home (Moonlit Glade)”, “Jim Walker’s Cider Mill, Seekonk ‑ 1883 (2nd state)”, 1932, and “At the Park”, 5 drypoint etchings and one pencil drawing on paper, each pencil‑signed lower margin, 5 titled lower margin, in plate or on matting, 4 signed and 3 dated in plate, 7 in. x 10 1/2 in. to 11 in. x 18 in., unframed. (6 pcs.) [$1200/1800]

943. George Rodrigue (American/ Louisiana, 1944‑2013), “Union Station (Blue Dog for President)”, 1996, silkscreen, signed lower center, inscribed “Artist Proof” lower right, 18 in. x 30 in., framed. [$400/600]

940. Milford Zornes (American/ California, 1908‑2008), “Esquina Calles Aguascallientas, Reforma, Mazatlan [sic]”, 1983, watercolor on paper, signed and dated lower right, signed, titled and dated en verso, inscribed with artist and printed label with artist biography on backing board, 21 7/8 in. x 30 1/4 in., framed. [$600/800]

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

944. George Rodrigue (American/Louisiana, 1944‑2013), “Tobacco Art: Cigar and Cigarette Labels from Cuba and Florida, Cuban National Heritage, The Presbytere, Louisiana State Museum”, 1998, silkscreen, pencil‑signed lower left and numbered “44/100” lower right, sheet 32 1/2 in. x 23 3/8 in., framed. [$400/600]

945. George Rodrigue (American/Louisiana, 1944‑2013), “Rodrigue: A Man and His Dog”, 1993, silkscreen, signed lower right, inscribed “Artist Proof” lower left, 23 in. x 16 in., framed. [$400/600]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970‑2007. New York: Abrams, 2008, p. 129.

945A. After George Rodrigue (American/Louisiana, 1944‑2013), “Take Five”, 2014, silkscreen, signed in plate, “Estate of George Rodrigue” stamp and pencil‑numbered “865/950” lower margin, 22 in. x 27 in., unframed; accompanied by Estate of George Rodrigue certificate of authenticity with title and date. [$400/600]

946. Gregory Saunders (American/Florida, b. 1952), “Arrangement of Appalachian Objects No. 1”, graphite and powdered graphite on paper, unsigned, 60 3/8 in. x 125 in., framed. [$1500/2500] Additional information at www.nealauction.com

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947. Federal Mahogany Three‑Part Dining Table, early 19th c., drop‑leaf center section, h. 29 1/4 in., w. 48 1/4 in., l. 102 in. [$600/800]

950. Antique Georgian Side Table, shaped serpentine top, conforming molded frieze, fluted and stop‑fluted tapered les, h. 32 3/4 in., w. 77 in., d. 29 5/8 in. [$1000/1500]

948. English Inlaid Mahogany Secretary Bookcase in the Adam Taste, early 19th c., broken pediment crest, urn and scroll frieze, glazed doors, shelf interior, three small drawers, fall front secretary, two cabinet doors, shaped apron, French feet, h. 81 in., w. 35 in., d. 19 in. [$1500/2500] 949. George III Mahogany Bookcase, 18th c., Greek key cornice, fluted frieze, two glazed doors, adjustable shelves, lower case with fluted frieze, two paneled doors enclosing sliding trays, shaped bracket feet, h. 89 in., w. 48 in., d. 22 in. [$1000/2000] Provenance: Hyde Park Antiques, New York.

951. Pair of Spanish Renaissance‑Style Bronze‑Mounted Varguenoson-Stand, case with eagle finialed gallery, fitted interior, claw and ball feet, conforming base with frieze drawers over barley twist legs, h. 71 in., w. 55 in., d. 20 in. [$3000/5000]

953. George III Brass‑Mounted Mahogany Jewelry Casket, octagonal form, restored silk interior, lift out tray, h. 4 in., w. 13 in., d. 8 in. [$300/500]

954. Pair of Antique Georgian‑Style Brass Andirons, ball finial, snake feet, h. 17 1/4 in., w. 8 1/2 in., d. 18 1/2 in. [$300/500]

955. American Sterling Silver Oval Platter, 20th c., mark rubbed, cast border with gadrooning, flowers and scrolls, 16 1/4 in. x 12 in., wt. 28.25 troy ozs. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

957. Gorham Sterling Silver Oval Covered Vegetable Dish, mid‑20th c., pattern 13565, h. 3 1/8 in., w. 10 1/2 in., wt. 25.70 troy ozs. [$500/700]

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958. Gorham Sterling Silver After‑Dinner Coffee Service, date mark for 1915, retailed Coleman E. Adler, New Orleans, pattern no. A9891, incl. coffee pot, open sugar and creamer, coffee pot h. 10 1/2 in., wt. 25.55 troy ozs. [$400/600]

959. Antique English Silverplate Epergne, 19th c., foliate scroll arms, foliate baluster standard, lion’s head and paw feet, Anglo-Irish cut glass bowls, I arm “as is”. [$500/700]

952. Continental‑Style Ebonized and Gilt Games Table, malachite and marble inlaid gameboard top, with chess pieces en suite, h. 28 1/2 in., w. 27 1/2 in., d. 27 1/2 in. [$1000/1500]

956. Good American Sterling Silver Footed Serving Dish, Howard & Co., New York, act. 1866‑1937, lobed with gadroon borders, scroll handles and paw feet, h. 2 3/4 in., w. 12 5/8 in., wt. 31.05 troy ozs. [$600/900]

960. Antique English Silverplate Plateau, circular mirror inset in molded surround with scroll feet. [$400/600]

961. American Sterling Silver Footed Bowl, Wm. B. Durgin Co., Concord, NH, act. 1853‑1931, lobed with foliate scroll borders, h. 4 3/8 in., dia. 8 1/4 in., wt. 16.50 troy ozs. [$400/600]

962. American Medallion Coin Silver Trumpet Vase, unmarked, probably John R. Wendt, h. 8 1/4 in., wt. 4.95 troy ozs. [$200/300]

963. Gorham Coin Silver “Bust” Pattern Dessert Server, pat. 1860. ret. George W. Webb & Co., Baltimore, act. 1865‑1886, l. 9 1/4 in., wt. 32.20 troy ozs., in original fitted case. [$400/600]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Heritage Auctions, Dallas, TX, lot 68144, 11/5/13; Collection of Dr. Mark A. Geist, Providence, RI.

964. Gorham “Medallion” Pattern Sterling Silver Fish Server, pat. 1864, ret. Hart Bros., Brooklyn, act. 1865‑1883, l. 12 in., wt. 4 troy ozs. [$300/500]

965. Tiffany “Olympian” Pattern Sterling Silver Ladle, pat. 1878, l. 12 7/8 in., wt. 9.55 troy ozs. [$300/500]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

966. Group of Four Durgin “Iris” Pattern Sterling Silver Serving Pieces, pat. 1900, asparagus serving fork (l. 10 1/8 in.), salad serving fork (l. 9 3/8 in.), salad serving spoon (l. 9 3/4 in.) and salad serving spoon (l. 9 3/8 in.), wt. 23.90 troy ozs. [$500/700]

967. Two American Sterling Silver Reticulated Footed Bowls, early‑to‑mid 20th c., incl. Gorham, pattern 8089, h. 3 3/8 in., w. 10 1/4 in., d. 7 1/4 in.; and second example with rubbed marks, h. 2 7/8 in., w. 8 3/4 in., d. 7 1/4 in.; total wt. 27.65 troy ozs. [$400/600]

967A. Gorham “Old French” Sterling Silver Partial Flatware Service, pat. 1904, designed by William C. Codman, incl. 10 dinner/ place forks (l. 7 ½ in.), 12 dinner knives (l. 10 5/8 in.), 11 fish/salad forks, 9 cream soup spoons, 7 teaspoons, 6 cocktail forks, 3 butter knives (fh), 3 tablespoons, 1 sauce ladle, 5 demitasse spoons, small carving fork and sharpening steel, and 1 child’s spoon, total wt. (weighable) 67.90 troy ozs. (67 pcs.) [$700/1000]

968. . Kirk & Son Sterling Silver Repousse Sugar and Creamer with Tray, late 19th c., tray l. 9 5/8 in., total wt. 14.20 troy ozs. [$250/350]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

972. Reed & Barton “Love Disarmed” Pattern Sterling Silver Salad Serving Spoon, pat. 1899, l. 10 3/4 in., wt. 7.40 troy ozs. [$300/500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

969. American Neo‑Grec Sterling Silver Plate, W.K. Vanderslice, San Francisco, act. 1860‑1906, marked “W K VANDERSLICE/ 136/ SUTTER ST/ SF CAL/ STERLING/” and with double struck “W” and engraved presentation “From Grandma 1870”, dia. 7 1/2 in., wt. 7.85 troy ozs. [$100/200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

970. Four Gorham Sterling Silver “Zodiac” Teaspoons, incl. Aquarius (January), Leo (July), Virgo (August) and Libra (September), each l. 5 3/4 in., total wt. 4.45 troy ozs. [$100/200] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

974. Old Sheffield Plate Entree Dish with Warming Stand, 19th c., cover with engraved crest and motto “Dux Vitae Ratio (Reason is the guide of life)”, 2 removable entree dishes in fitted warming stand with original tinned back, gadroon borders throughout. [$200/300] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

971. American Silver Overlay Glass Vase, pale green glass, scalloped rim, floral overlay, h. 7 3/4 in., dia. 4 3/4 in. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 973. Good Group of Silverplate, incl. salver, Thomas Bradbury & Sons, Sheffield, dia. 12 in.; covered tureen, Elkington, 1921, w. 12 5/8 in.; and square covered vegetable dish, w. 10 1/4 in. [$150/250] 975. Good Set of Six Antique English Silverplate Napkin Rings, in original fitted case for retailer A & C Cairncross, Perth. [$150/250] Provenance: Collection of Brooke and Maria Fox, Metairie, LA. Note: Founded in 1869, Cairncross of Perth is still in business on St. John Street in Perth. Additional information at www.nealauction.com

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977. Pair of French Gilt‑Bronze Mounted Marble Five‑Light Candelabra, central urn, mounted with floral garland, h. 17 in., dia. 8 1/2 in. [$500/700]

978. Pair of Charles X‑Style Gilt and Patinated Bronze Four‑Light Candelabra, late 19th c., fluted shaft, foliate and scroll base, h. 22 in., dia. 8 in. [$400/600]

976. Renaissance Revival Iron Twelve‑Light Chandelier, flared corona, scroll arms, electrified, h. 41 in., dia. 33 in. [$500/700]

980. Steuben Glass “Low Bowl on Ball Foot”, etched mark, model #7864, designed 1940 by John Dreves, h. 5 in., dia. 15 in. [$400/600]

979. Two Baccarat Green Cut‑to‑Clear Crystal “Tsar” White Wine Glasses, marked, pattern introduced c. 1906 for Nicholas II, Tsar of Russia, slender stem, scalloped base, diamond and palm leaf decoration, h. 9 1/2 in. [$600/900]

983. Pair of Large Steuben Glass “Low‑Footed” Bowls, etched marks, model #7909, deigned 1942 by John Dreves, h. 3 3/4 in. and 4 in., dia. 10 3/8 in. and 10 5/8 in. [$400/600]

987. Three Steuben Glass “Floret” Bowls, etched marks, model #8059, designed 1954 by Donald Pollard, h. (two) 3 1/4 in. and (one) 3 1/2 in., dia. 7 5/8 in. [$250/350]

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Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

981. Art Glass “Millefiori” Paperweight, faceted domed body with concave circle pattern, interior with concentric flowerhead bands centered by a star, h. 4 1/4 in., w. 4 1/2 in. [$400/600] Provenance: Collection of Thomas L. Jordan (1903‑1993), New Orleans; Estate of Cornelia H. Jordan, New Orleans.

984. Set of Three Steuben Glass Tear‑Drop Decanters, etched marks, incl. model #7736, designed 1939 by Samuel Ayers, h. 10 1/4 in.; model #7956, designed 1947 by George Thompson, h. 9 1/4 in.; and model #8043, designed 1953 by Donald Pollard, h. 11 1/4 in. [$600/800]

988. Pair of Steuben Glass “Trillium” Bowls, etched marks, model #8089, designed 1958 by Donald Pollard, h. 5 1/4 in. and 4 7/8 in., w. 10 in., d. 10 in. [$300/500]

985. Pair of Steuben Glass “Pedestal” Bowls, etched marks, model #7884, designed 1940 by George Thompson, h. 4 5/8 in. and 4 3/4 in., dia. 10 in. [$250/350]

989. Pair of Steuben Glass “Snail‑Scroll” Olive Dishes, etched marks, #7857, designed 1939 by John Dreves, h. 3 1/2 in., w. 5 3/4 in. and 5 7/8 in., d. 5 in. and 5 1/8 in. [$300/500]

982. Italian Art Glass Table Lamp, late 20th c., shade labeled “Vetro Artistico Murano”, standard with interior fluting, h. 22 in., dia. 11 1/4 in. [$300/500]

986. Three Steuben Glass “Spiral” Bowls, etched marks, model #8060, designed 1954 by Donald Pollard, h. 3 1/2 in. to 4 in., dia. (two) 6 7/8 in. to 7 3/8 in. [$250/350]

990. Steuben Glass “Basket Shaped” Bowl, etched mark, #8079, designed 1957 by Donald Pollard, h. 4 1/2 in., w. 11 1/4 in., d. 9 3/4 in. [$200/300]

991. Pair of French Cut Crystal and Bronze Dore Compotes, laurel wreath and ribbon handles, h. 11 in., w. 14 1/2 in., d. 11 in. [$400/600]

992. Empire‑Style Gilt and Patinated Bronze and Cut Glass Center Bowl, flared bowl, stand with reticulated foliate rim, three Egyptianesque winged female supports, incurvate triangular base, h. 12 1/2 in., dia. 8 in. [$300/500] 993. Fabergé Blue Cut‑to‑Clear Crystal Bowl, 20th c., h. 5 1/4 in., dia. 9 3/4 in.; original velvet box, silk lined, h. 8 1/2 in. (2 pcs.) [$150/250]

994. Faux Tortoiseshell Mirror, beveled mirror plate, h. 40 in., w. 27 3/4 in. [$300/500]

995. Louis XVI‑Style Giltwood Mirror, floral wreath crest and cornucopia, centering eglomise panel, h. 61 1/4 in., w. 49 1/2 in. [$400/600]

996. Antique French Marble Clock Dial, painted Roman numerals, molded rim, verso engraved “JPA” and “3”, dia. 24 1/4 in., d. 3/4 in. [$600/900] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

997. Decorative Continental Automobile Clock, 21st c., patinated metal, fitted with clock dial and barometer, on marble base, h. 15 1/2 in., w. 21 in., d. 9 1.2 in. [$600/800]

998. Antique French Marble Three‑Piece Clock Garniture, late 19th c., striking gong movement marked “S. Marti”, the dial with visible escapement, marble clock and conforming tazzas with incised decoration, clock h. 11 in. w. 9 1/4 in., d. 5 3/4 in. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

999. American Federal Mahogany Secretary Bookcase, early 19th c., upper case with blocked cornice, glazed doors, fitted interior, lower case with foldover writing surface, four graduated drawers, shaped apron, French feet, h. 72 in., w. 42 in., d. 22 in. [$1500/2500]

1000. Antique Regency‑Style Inlaid Mahogany Dining Table, reeded top, reeded ring‑turned supports and stretchers, sabre legs, brass caps, casters, h. 30 in., w. 77 in., d. 46 in. [$1200/1800]

1001. Assembled Group of Nine George III Carved Mahogany Dining Chairs, 19th c., decorated crest rails, pierced splats, stretchered tapered legs, tallest armchair h. 38 in., w. 22 in., d. 22 in. [$800/1200]

1002. George III Inlaid Mahogany Side Table, rectangular banded top, frieze drawer, tapered legs, h. 27 in., w. 31 1/2 in., d. 18 1/2 in. [$400/600]

Additional information at www.nealauction.com

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1003. Pair of Louis XVI‑Style Bronze‑Mounted Parquetry Vitrine Cabinets, with shelves and keys, h. 59 1/2 in., w. 33 in., d. 17 in. [$1000/1500]

1004. Continental Neoclassical Parcel Gilt Mahogany Bureau à Cylindre, 19th c., retracting lid with fitted interior, pull out writing surface, three lower drawers, bracket feet, h. 44 in., w. 38 in., d. 22 1/2 in. [$700/1000]

1005. Pair of French Directoire Fruitwood Bergères, 19th c., molded crest rail, tapered legs, h. 38 1/2 in., w. 25 3/4 in., d. 27 in. [$600/900]

1007. Antique French Dog and Cat Engravings, Buffon, M. le Comte de. Histoire Naturelle, Generale et Particuliere, Paris, L’Imprimerie Royale, 1781, octavo, one volume (of two), covering the Quadrupeds, incl. 56 engravings of dogs (21), cats (5), deer (8), rabbits (6), fox, wolf, and others (14), rebound in leather, with original House of Commons Library gilt blindstamps applied to front and back. [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

1006. American School, 20th c., “Still Life with Wine Bottle and Fruit”, oil on canvas board, signed “V. Thompson” lower right, 20 in. x 24 in., framed. [$1000/1500]

1009. T.M. Nicholas (American/ Massachusetts, b. 1963), “Afternoon Light, Rowley”, oil on canvas, signed lower left, titled in accompanying letter, 24 in. x 30 in., framed; accompanied by letter from the artist. [$1200/1800]

1013. Bernard Wynne (American/ California, 1920‑2009), “Rocky Landscape”, 1978, oil on canvas, signed lower right, signed, dated and inscribed “778‑1” en verso, 30 in. x 40 in., framed. [$300/500]

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1010. James Avati (American/New York, 1912‑2005), “Oriental Romance”, oil on masonite, signed lower left, titled en verso, 30 in. x 30 in., framed in oval mat. [$800/1200]

1014. American School, 20th c., “Chrysanthemums”, 1889, oil on canvas, dated and inscribed lower right, pencil‑inscribed on stretcher, 14 in. x 18 1/8 in., framed. [$300/500]

1011. Charles W. Findley (American, 20th c.), “Gloucester, Inner Harbor”, oil on canvas board, unsigned, handwritten label with artist and title and “Elmer J. Tonsberg, Hatfield’s Color Shop, Boston, Rockport and E. Gloucester” label en verso, 15 7/8 in. x 20 in., framed. [$300/500]

1015. American School, early 19th c., “Trees by a Stream”, oil on canvas, illegibly signed and dated lower left, 19 in. x 15 in., framed. [$300/500]

1008. Rudolf Jacobi (German/American, 1889‑1972), “Red House”, gouache on paper, pencil‑signed lower right, handwritten label with artist and “Artique Shoppe, New Orleans” stamp on backing paper, 17 3/8 in. x 21 7/8 in., framed. [$700/1000]

1012. George Henry Bogert (American, 1864‑1944), “Landscape at Dusk”, oil on canvas, signed lower left, handwritten label with artist on frame, 20 in. x 30 in., framed. [$300/500]

1016. After G. Sturm (German 19th/20th c.), “Dekorative Anwendung der Farben eines Schmetterlings”, book plate, printed by Jul. Hoffmann, Stuttgart, sheet 13 1/2 in. x 9 7/8 in., framed. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1019. Ralph Moffett Arnold (American/ Illinois, 1928‑2006), “Storm”, acrylic and collage on canvas board, signed and titled en verso, 18 in. x 24 in., framed. [$1200/1800]

1017. Joe Gray II (American/Ohio, 20th c.), “Houses”, 1950, oil on canvas, signed lower right, signed and dated en verso, 22 1/4 in. x 27 1/8 in., framed. [$400/800]

1018. Cynthia Bissell (American/New Mexico, 1924‑2000), “Riding into the Sun”, 1971, oil on canvas, signed and dated lower left, 42 in. x 60 in., framed. [$500/900]

1020. George Randolph Barse, Jr. (American, 1861‑1938), “Portrait of a Roman Youth”, 1890, oil on canvas, signed and dated lower right, artist biography attached to reverse of frame, 10 in. x 8 in., framed. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1022. Pair of Wrought Iron and Tole Seven‑Light Torcheres, foliate candle cups, elongated standard, foliate scroll tripod feet, h. 78 in., dia. 26 in. [$500/1000]

1024. American Renaissance Carved and Burled Walnut Breakfront Bookcase, late 19th c., molded cornices, glazed doors and sides, shelf interior, conforming base with three drawers, h. 95 1/2 in., w. 80 1/2 in., d. 19 in. [$800/1200]

1021. John C. Barrett (American, late 19th/20th c.), “Mexican Girl”, 1903, oil on canvas laid on board, pencil‑inscribed with artist, title and date en verso, 7 7/8 in. x 5 7/8 in., framed. [$200/300] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1023. Large Rococo Giltwood Bracket; together with four smaller rococo giltwood brackets, larger h. 15 in., w. 23 1/4 in., d. 8 3/4 in., smaller h. 11 1/2 in., w. 11 in., d. 7 1/2 in. [$300/500]

1025. Antique Mahogany Glazed Bookcase, now with mirror back and glass shelves, molded cornice, astragal molded doors, shaped apron, French feet, h. 89 in., w. 54 1/2 in., d. 17 1/2 in. [$1000/2000]

1026. Very Fine Pair of American Rococo Carved Rosewood Settees, Mid-19th c., prob. Alexander Roux, h. 49 in., w. 74 in., d. 35 in. [$4000/6000]

Additional information at www.nealauction.com

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1027. Rare American Classical Mahogany Podium Stand, 19th c., finished à quatre faces, frieze drawer, reverse tapered octagonal columns, plinth base on conforming tapered feet, h. 38 in., w. 27 1/2 in., d. 19 1/4 in. [$500/750] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1028. American Figured Mahogany Bowfront Chest, early 19th c., graduated drawers, shaped apron, French feet, h. 37 1/2 in., w. 40 in., d. 21 1/2 in. [$1000/1500]

1029. American Rococo Carved Walnut Serving Table, mid‑19th c., backsplash with figural and fruit basket crest, scroll pediment, molded top, three paneled drawers, lappet carved cabriole legs, acanthus scrolled feet, h. 66 3/4 in., w. 70 1/4 in., d. 23 1/2 in. [$1200/1800]

1031. American Renaissance Carved Oak Library Bookcase, late 19th c., molded blocked frieze, Ionic capitals, barley twist colonnettes, four glazed doors, shelf interior, conforming base with four drawers, h. 76 in., w. 115 1/2 in., d. 20 1/2. [$1200/2000]

1030. American Late Classical Carved Mahogany Full Tester Bed, mid‑19th c., shaped tester with tufted upholstery, headboard with arched crest and oval inset panel, cluster columns, fan and scroll rails, h. 107 in., l. 77 1/2 in., w. 61 1/2 in. [$3000/5000]

1032. American Renaissance Carved and Burled Walnut Four‑Piece Bedroom Suite, mid‑to‑late 19th c., possibly Thomas Brooks, incl. bedstead, tall chest, mirror-back dresser and commode; bed with architectonic crest with pierced supports, scroll brackets, central putto bust, fluted pilasters with covered foliate urn finials, bracketed paneled rails, arched molded foot rail with central cabochon, fluted colonnettes, shaped apron, bed h. 82 in., l. 90 in., w. 62 1/2 in., tall chest h. 50 1/2 in., w. 39 1/2 in., d. 21 1/2 in., dresser h. 90 in., w. 54 in., d. 22 in., stand h. 30 1/2 in., w. 24 in., d. 21 in. [$2000/3000]

1033. American Carved Rosewood and Grained Secretary Bookcase, mid‑to‑late 19th c., pierced crest, glazed doors, shelf interior, fall front desk with fitted interior, three graduated drawers, strapwork escutcheons, foliate pulls, casters, h. 100 in., w. 40 in., d. 21 in. [$1000/1500]

1034. American Rococo Carved and Laminated Rosewood Armchair, mid‑19th c., attr. John Henry Belter, New York, scroll molded crest, inverted pear-shaped back, outswept arms, foliate floral seat rail and stiles, cabriole legs, scroll toes, casters, h. 39 in., w. 23 1/2 in., d. 22 1/2 in. [$800/1200]

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1035. Pair of American Rococo Carved Rosewood “Fancy” Chairs, mid‑19th c., New York, attr. to J. & J.W. Meeks, floral crest, pierced scrolled foliate back, centered by grapes and grapevines, shaped incised legs, h. 37 1/4 in., w. 15 1/2 in., d. 22 1/2 in. [$600/900]

1036. Federal Mahogany Chest of Drawers, early 19th c., possibly New York, fall front secretary drawer over three graduated drawers, shaped apron, tapered legs, h. 44 1/2 in., w. 46 1/2 in., d. 22 in. [$700/1000]

1038. Federal Carved Mahogany Bed, early 19th c., reeded vasiform turned posts, eared headboard, turned reeded legs with toupie feet, h. 93 in., l. 72 in., w. 50 in. [$600/1200]

1037. Louisiana Federal Cypress Box Mantel, early 19th c., paneled blocked frieze, reverse tapered ring turned colonnettes, blocked base, h. 53 1/4 in., w. 54 1/2 in., d. 18 1/4 in. [$600/900]

Provenance: Descended in a Louisiana Family.

1039. William Aiken Walker (American/ South Carolina, 1838‑1921), “Portrait of a Man”, oil on board, signed lower left, “Bowinkel’s Art Store and Gallery, Los Angeles, CA” label on frame, 8 in. x 4 1/8 in., framed. [$2500/3500]

1040. William Aiken Walker (American/ South Carolina, 1838‑1921), “Portrait of Woman”, oil on board, signed lower left, “Bowinkel’s Art Store and Gallery, Los Angeles, CA” label on frame, 8 1/4 in. x 4 1/8 in., framed. [$2500/3500]

Note: To be included in John Fowler’s forthcoming catalogue raisonné on the artist.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1041. Paul Parker (American/Illinois, 1905‑1987), “Back Alley, Charleston”, “St. Michael’s from Queen Street, Charleston” and “St. Phillip’s from Queen Street, Charleston”, 3 watercolors on paper, each signed lower right and dated and inscribed lower left, “Carolina Galleries, Johnson Hagood III, Charleston” labels with artist, title and date on backing papers, 11 7/8 in. x 16 in. to 14 in. x 17 in., framed alike. (3 pcs.) [$600/800]

1043. Southern School, mid‑19th c., “Henry Dickenson Blair (1825‑1855)”, oil on canvas, unsigned, handwritten labels with sitter information on reverse of frame, 36 1/8 in. x 29 in., framed. [$1000/1500]

1044. Southern School, mid‑19th c., “Mary Louise Saunders Blair (1832‑1859)”, oil on canvas, unsigned, handwritten labels with sitter information on stretcher and reverse of frame, 36 in. x 29 in., framed. [$800/1200]

Provenance: Descended in the family of the sitter. Proceeds to benefit the collections and preservation of the Hermann‑Grima & Gallier Historic Houses.

Provenance: Descended in the family of the sitter. Proceeds to benefit the collections and preservation of the Hermann‑Grima and Gallier Historic Houses.

1042. Paul Parker (American/Illinois, 1905‑1987), “Untitled (Doorway, Charleston)”, “Untitled (Courtyard Gate, Charleston)” and “Untitled (Houses, Charleston)”, 1971, 3 watercolors on paper, each signed lower right, and dated and inscribed lower left, “Carolina Fine Art Painting and Prints, Charleston, SC” labels on backing papers, 11 3/4 in. x 16 in. to 16 in. x 11 7/8 in., framed alike. (3 pcs.) [$600/800]

1045. George David Coulon (French/New Orleans, 1822‑1904), “Portrait of Alice (Alyse) Scott”, c. 1865‑1870, oil on paper laid on panel, signed mid‑left, sitter identified on handwritten label on frame, 16 in. x 13 in.; together with photograph of same sitter laid on glass, sitter identified on handwritten label on frame, 12 3/8 in. x 10 1/4 in., both framed. (2 pcs.) [$1200/1800]

1046. Attributed to William R. Hollingsworth, Jr. (American/Mississippi, 1910‑1944), “Birdhouse”, oil on board, unsigned, 10 in. x 8 in., framed. [$400/600]

Additional information at www.nealauction.com

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1047. Historic Églomisé Portrait, “Tens‑Kwau‑Ta‑Waw The Prophet”, églomisé, after Charles Bird King (American/ Rhode Island, 1785‑1862), from History of the Indian Tribes of North America, 20 in. x 11 5/8 in., framed. [$800/1200]

1048. Colette Pope Heldner (American/ Louisiana, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed, titled and inscribed en verso, 30 in. x 24 in., framed. [$800/1200]

1049. Edward Borein (American/California, 1872‑1945), “Blackfoot Woman Moving Camp No. 1”, etching and drypoint on paper, pencil‑signed lower margin, sheet 10 1/4 in. x 12 1/2 in., framed. [$400/600]

1051. Deborah Luster (American/ Louisiana, b. 1951), “62 ‑ East Carroll Parish Prison Farm, Transylvania, LA, Kenny Smith, Sentence 18 Months, DOC #111222, DOB 7‑20‑59”, silver gelatin print on aluminum, typed label with artist, title and edition number “2/25” on backing paper, 5 in. x 4 in., framed. [$400/800] Provenance: Arthur Roger Gallery, New Orleans, LA; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. 1050. Zangaki Brothers (Greek, fl. 1860‑1890), “Un Tribu des Abyssins” and “Two Women”, 2 albumen prints mounted to board, one signed “Langahi”, titled and inscribed in negative, 8 5/8 in. x 11 in. and 11 in. x 8 3/4 in., framed alike. (2 pcs.) [$75/150]

1059. Pair of Wrought Iron Foliate Scroll Sign Brackets, h. 30 in., w. 48 in. [$400/600]

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1056. Reagan Danos (American/Larose, LA, b. 1958), “Buff‑Breasted Shore Bird”, c. 2015, acrylic on carved and textured tupelo gum, signed and titled on base, glass eyes, h. 6 in., w. 11 1/4 in., d. 8 3/4 in. [$1000/1500]

1060. Antique English Rosewood Jewelry Box, 19th c., fitted interior, lift‑out tray, removeable mirror, “secret” drawer, paper label reads “From Pearce’s Fancy Repository, 77 Cornhill”, h. 7 1/2 in., w. 11 in. d. 7 3/4 in. [$200/300]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1054. Pair of American Carved and Polychromed Cigar Store Figures, early 20th c., allegorical figures of America, holding baskets, rock‑form base carved with the word “CIGARS”, taller h. 38 in., w. 17 in., d. 21 in. [$1200/2000]

1053. Pair of American Gilt Brass Three‑Light Girandoles, mid‑19th c., in the “Sultan” pattern, marked “S”, bright lemon gilt surface, hung with coffin prisms, rectangular white marble base, h. 18 7/8 in., w. 15 3/4 in., d. 3 3/4 in. [$300/500]

1055. Reagan Danos (American/Larose, LA, b. 1958), “Green Pygmy Goose Drake”, c. 2015, acrylic on carved and textured tupelo gum, signed and titled, and with remarque, glass eyes, l. 11 1/4 in. [$1000/1500]

1052. Southern School, 18th/19th c., “Portrait of a Gentleman”, charcoal and graphite on paper, unsigned, 3 1/8 in. x 2 5/8 in. (oval), framed. [$100/150]

1057. Three Chesapeake Bay Carved Duck Decoys, early 20th c., mallards, with lead weights, largest l. 16 in. [$250/350] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

1061. Pair of American Patinated Bronze Argand Lamps, mid‑19th c., bulbous ring‑turned standard, now electrified, with period frosted and cut glass shades with vintage decoration and ruffle rim, h. 12 in., w. 9 in., d. 4 1/2 in. [$500/750]

1058. Reagan Danos (American/Larose, LA, b. 1958), “Green‑Winged Teal Drake”, c. 2015, acrylic on carved and textured tupelo gum, signed, and with feather and portrait remarques, glass eyes, l. 9 3/4 in. [$1000/1500]

1062. Antique Continental Bronze Satyr Head Figural Oil Lamp, claw foot base, h. 8 3/8 in., w. 5 1/2 in., d. 4 in. [$400/600]

1064. Federal‑Style Inlaid Mahogany Server, reeded top, long drawer over spandrels flanked by deep drawers, reeded tapered legs, toupie feet, h. 34 1/2 in., w. 54 in., d. 18 1/2 in. [$200/400] 1063. Federal Mahogany Girandole Dressing Mirror, ring-turned mirror supports, shaped case with three drawers, h. 25 in., w. 22 1/2 in., d. 8 3/4 in. [$300/500]

1066. American Mahogany Nine Tube Tall Case Clock, c. 1920, Colonial MFG Co., bells ring either Whittington, Westminster or Canterburry chimes, brass and silvered dial, with moon phase, case fitted with beveled glass, h. 89 in., w. 27 in., d. 17 in. [$1000/1500]

1068. American Renaissance Carved Oak Cabinet, late 19th c., probably New Orleans, molded cornice, scroll and shield carved frieze, foliate stiles, two glazed doors, shelf interior, cabochon and fruit lower drawer, gadrooned base, h. 97 in., w. 64 1/2 in., d. 19 3/4 in. [$1000/1500] Provenance: Proceeds to benefit the collections and preservation of the Hermann-Grima + Gallier Historic Houses

1070. Antique Black Forest Elaborately Carved Smoking Stand, 19th c., h. 36 in., w. 21 in., d. 16 in. [$700/900]

1065. Rococo Revival Carved and Gilt Overmantel Mirror, late 19th c., pierced rocaille crest, floral and foliate decoration, molded mirror surround, h. 79 1/4 in., w. 58 in. [$700/900]

1067. Antique Mahogany and Inlaid Pianoforte, c. 1856, hinged molded top, reeded legs, casters, h. 37 1/2 in., w. 66 in., d. 24 1/2. [$400/600] Provenance: Previously part of the furnishings of Madame John’s Legacy; deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

1069. American Renaissance Carved Oak Bookcase, late 19th c., probably New Orleans, molded blocked lion mask cornice, figural stiles with soldier and fruit garland, arched glazed doors, shelf interior, base with two drawers, with mask pulls, two lion head shield panel doors, lion, fruit garland stiles, molded base, bun feet, h. 100 in., w. 65 in., d. 25 in. [$500/750] Provenance: Proceeds to benefit the collections and preservation of the Hermann-Grima + Gallier Historic Houses

1071. Antique Pine Bench, tablet back, turned supports, scrolled arms, plank seat, stretchered turned legs. h. 31 1/2 in., w. 75 1/2 in., d. 20 in. [$400/600]

1072. Pair of Green-Painted Captain’s Chairs, 1845, signed “B.F. Webster”, scrolled molded back, turned spindled supports, plank seat, h. 31 in., w. 24 in., d. 22 in. [$400/600]

Provenance: Collection of Brooke and Maria Fox, Metairie, LA. Additional information at www.nealauction.com

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1073. Federal Carved Mahogany Work Table, early 19th c., possibly Salem, top with turreted corners, two drawers, rope twist legs, toupie feet, h. 28 1/2 in., w. 21 in., d. 17 1/2 in. [$300/500] 1074. American Painted and Stenciled Fancy Chair, early 19th c., possibly Baltimore, tablet crest, seat rail with large bosses, cane seat, “as is”, h. 32 in., w. 19 1/2 in., d. 21 in. [$100/200]

1075. American Late Classical Mahogany Center Table, mid‑19th c., New York, bookmatched scalloped top, conforming frieze, chamfered triangular standard, tripartite scroll base, h. 27 1/2 in., dia. 35 1/4 in. [$300/500]

1076. Southern Walnut Corner Cupboard, early 19th c., stepped molded cornice, glazed doors, shelf interior, medial drawer; whole on tall bracket feet, h. 86 1/2 in., w. 50 in., d. 23 in. [$500/1000]

1077. Nestor Frugé (American/Louisiana, 1914‑2011), “View Through Archway”, oil on canvas, signed lower left, 24 in. x 20 in., framed. [$700/1000] 1077A. Nestor Frugé (American/Louisiana, 1914‑2011), “French Quarter Courtyard” and “Mexican Village”, 2 watercolors on paper, each signed lower left, sights 16 1/2 in. x 11 3/4 in. and 14 in. x 18 in., both framed. (2 pcs.) [$600/800]

1078. Zella Funck (American/Louisiana, 1917‑2009), “Spider Lillies [sic]”, oil on canvas, signed lower right, “Downtown Gallery, New Orleans” label with artist and title en verso, 36 in. x 18 in., framed. [$700/1000]

1079. McClelland Barclay (American/ Missouri, 1891‑1943), “Tennis Player”, gouache on paper, signed upper right, 18 1/4 in. x 14 3/4 in., framed. [$1000/1500]

1080. Auseklis Ozols (Latvian/New Orleans, b. 1941), “Ad Majorem Dei Gloriam, Per Aspera Ad Astra, Labor et Fidelitas”, 1995, acrylic on canvas, signed, dated and inscribed lower left, signed, dated, titled and inscribed on stretcher, 47 3/4 in. x 60 in., framed. [$1200/1800]

1081. Sarah Katherine Smith (American/ Mississippi, b. 1877), “On the Gulf Coast”, oil on board, signed lower left, “Southern States Art League” label with title en verso, 12 1/2 in. x 16 in., framed. [$800/1200]

1084. Emmitt Thames (American/Mississippi, b. 1933), “Hanging Lantern in Doorway”, 1972, watercolor on paper, signed and dated lower right, 30 in. x 22 in., framed. [$700/1000]

1082. Charles Reinike, Jr. (American/New Orleans, 1906‑1983), “New Orleans Courtyard”, watercolor on paper, signed lower right, 7 3/4 in. x 10 in., framed. [$500/700]

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1083. Emmitt Thames (American/Mississippi, b. 1933), “Culvert”, 1976, watercolor on paper, signed and dated lower left, signed, titled, dated and artist stamp en verso, 22 in. x 30 in., framed. [$300/500]

1085. Emmitt Thames (American/Mississippi, b. 1933), “Open Window with Watering Can”, 1974, watercolor on paper, signed and dated lower right, sight 21 1/4 in. x 14 1/2 in., framed. [$300/500]

1086. Emmitt Thames (American/ Mississippi, b. 1933), “Cotton House”, 1979, watercolor on paper, signed lower right, signed, titled, dated and artist stamp en verso, 30 in. x 22 1/2 in., framed. [$700/1000]

1088. George Yerger (American/New Orleans, b. 1941), “Abandoned Boat and Flying Pelicans, Delacroix, LA”, 2005, archival pigment print on paper, pencil‑signed, dated and numbered “4/75” lower margin, pencil‑signed, titled and dated en verso, from the series “Phantom Winds: A Mystic Hymn of Louisiana”, 17 1/8 in. x 18 in., framed. [$300/500]

1087. Ellsworth Woodward (American/ Louisiana, 1859‑1939), “The Weather Vane (Boyer 97)”, preliminary pencil drawing and 4 etchings of various states, one pencil‑signed and titled lower margin, 3 initialed “E.W.” in plate, 15 in. x 11 in., unframed. (5 pcs.) [$300/500]

Provenance: Ogden Museum of Southern Art “O What a Night” Auction, 2006.

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1089. Ellsworth Woodward (American/Louisiana, 1861‑1939), 16 works on paper, 9 prints, 3 signed in plate, 6 unsigned, one pencil‑dated, one dated in plate, 7 ink drawings, 6 on paper, one on paper mounted to board, unsigned, 9 3/4 in. x 8 3/4 in. to 12 in. x 15 1/2 in.; AND William Woodward (American/Louisiana, 1859‑1939), 3 charcoals on paper, one mounted to board, each signed and titled, 2 dated, 8 3/4 in. x 11 3/4 in. to 20 in. x 16 in., all unframed. (19 pcs). Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. [$700/1000]

1090. Louise Sarrazin (American/Louisiana, 1888‑1967), “Feeding Time”, watercolor on paper, signed lower right, pencil‑signed and titled on mat, 6 5/8 in. x 8 7/8 in., framed. [$400/600]

1093. Mose Tolliver (American/Alabama, 1920‑2006), “George Washington”, oil on panel, signed lower right, signed and titled en verso, 24 in. x 24 1/8 in., unframed. [$300/500] 1091. Willie White (American/Louisiana, 1908‑2000), “Black and Green Birds, Trees and Circles”, marker on paper, signed lower center, 22 in. x 28 in., unframed. [$300/500]

1094. Mary Tillman Smith (American/ Mississippi, 1904‑1994), “Composition in Primary Colors”, paint on found tin, unsigned, 51 1/4 in. x 26 5/8 in., unframed. [$800/1200]

1092. Willie White (American/Louisiana, 1908‑2000), “3 Birds, 2 Crosses and Yellow Circle”, marker on paper, signed lower left, 22 in. x 28 in., unframed. [$300/500]

1095. Willie White (American/Louisiana, 1908‑2000), “Three Blue Birds, One Black Bird and Circles”, marker on paper, signed lower center, 22 in. x 28 in., unframed. [$300/500] 1098. Willie White (American/ Louisiana, 1908‑2000), “Birds and Fish”, marker on paper, signed mid‑left, 24 in. x 30 in., framed. [$300/500]

1096. Chuckie Williams (American/ Louisiana, 1957‑2000), “Anteaters (Donkeys)”, double‑sided oil on masonite, signed upper left and mid‑right, 14 1/4 in. x 48 1/8 in., unframed. [$300/500]

1097. Willie White (American/Louisiana, 1908‑2000), “Three Green Birds, Trees and Circles”, marker on paper, signed lower center, 22 in. x 28 in., unframed. [$300/500]

1099. Ellsworth Woodward (American/ Louisiana, 1861‑1939), “Pysche”, graphite on paper, signed and titled lower left, second sketch en verso, 14 1/4 in. x 11 1/2 in.; together with “The Mirror (Kneeling Nude, Boyer 41)”, etching, initialed in plate, 8 1/8 in. x 8 1/4 in., both unframed. (2 pcs.) [$300/500] Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. Additional information at www.nealauction.com

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1102. Southern School, mid‑19th c., “Martha Shannon Blair (1831‑1918)”, oil on canvas, unsigned, handwritten labels with sitter information on stretcher and reverse of frame, 27 1/2 in. x 20 1/2 in., framed. [$800/1200] Provenance: Descended in the family of the sitter; proceeds to benefit the collections and preservation of the Hermann‑Grima & Gallier Houses.

1100. F.W. Meer (American, late 18th/ early 19th c.), “Portrait of Gertrude A. Meer”, 1909, signed and dated lower left, 1936 label inscribed with signature, sitter information and date on stretcher, 30 in. x 20 in., American giltwood pie crust frame. [$300/500]

1101. Clayton Braun (American, 1903‑1986), “Reputedly Legare Walker, Financier of Woolworth Building, New York City”, oil on canvas, signed lower left, 28 in. x 23 in., Newcomb Macklin frame. [$200/300] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1103. American Late Classical Carved Cherrywood Full Tester Bedstead, early‑to‑mid 19th c., possibly Alabama, several elements stamped “204”, later tester, reverse tapered ring turned posts, scrolled headboard, tubular rolling pin with “onion” turned ends, toupie feet, h. 98 in., l. 76 in., d. 56 in. [$1000/1500]

1105. American Carved Mahogany Hall Stand, late 19th c., turned finial, reverse tapered standard, tripartite base, acanthus scrolled feet, brass paw, casters, h. 82 in., w. 30 in. [$300/500] 1104. Seven American Late Classical Mahogany Side Chairs, mid‑19th c., shaped molded back, scrolled crest, vasiform splats, serpentine seat rail, saber legs, h. 32 in., w. 17 1/2 in., d. 18 in. [$500/750]

1106. American Late Classical Mahogany Center Table, mid‑19th c., New York, possibly Meeks, hexadecagonal top, cyma frieze, octagonal vasiform standard, conforming base, scroll feet, h. 29 in., dia. 35 1/2 in. [$300/500]

1107. Pair of Federal Inlaid Mahogany Corner Cabinets, 19th c., reticulated broken scroll crest, glazed astragal molded doors, shelf interior, paneled cabinet below, shaped apron, blocked feet, h. 83 1/2i n., w. 33 in., d. 14 in. [$800/1200]

1108. Pair of Louis XV‑Style Parquetry Bedside Tables, banded white marble tops, three drawers, cabriole legs, stretcher shelf, h. 31 in., w. 14 in., d. 14 in. [$400/600]

1109. Pair of Neoclassical‑Style Carved Giltwood Columnar Prickets, Corinthian capitals, fluted shafts, tall pedestal bases with fairy reserves, h. 34 in., w. 6 in., d. 6 in. [$500/800]

1111. Antique Caucasian Rug, central field with repeating stars, multiple star and rosette borders, 3 ft. 6 in. x 5 ft. 2 in. [$400/600] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 1110. Carved Variegated Black Marble Lion’s Head, h. 18 in., w. 14 in., d. 9 in. [$300/500]

1112. Small Turkmen Rug, red ground, panel design, allover rosette motifs, kilim ends, 3 ft. 4 in. x 5 ft. [$250/350] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

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1114. Continental Carved Giltwood and Crème Peinte Overmantel Mirror, crest with shell and foliage, old mirror plate, h. 75 1/4 in., w. 59 1/2 in. [$900/1200]

1115. Continental Carved Giltwood Mirror, beribboned surround, old mirror plate, h. 60 1/2 in., w. 43 in. [$700/1000]

1113. Pair of Neo-Grec Porcelain Table Lamps, black ground with gilt Greek key and charioteers, h. (to socket) 23 in. [$500/700]

1116. Group of Four Italian Large Cast Stone Campagna Urns on Plinths, leaf and berry frieze, anthemion and swags, h. 58 in., dia. 22 in. [$1500/2500] 1119. Don Wright (American/Louisiana, 1938‑2007), “Untitled (Transfiguration)”, 1978, plaster sculpture, signed and dated on reverse, h. 10 1/2 in., w. 4 1/4 in., d. 5 1/2 in. [$300/500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1117. Pair of Italian Cast Stone Balustrades, molded cap stone, arched panel pilasters, molded plinth base, h. 34 1/2 l. 103 in., w. 14 1/4 in. [$1500/2500] 1118. Cast Iron Campagna-Form Garden Urn, egg and dart rim, lobed body, plinth base, h. 17 in., dia. 15 in. [$150/250]

1120. Srdjan Loncar (Croatian, b. 1971), “Value”, 2008, digital prints, wood blocks and painted Winchester pistol case, unsigned, “Arthur Roger Gallery” luggage tag with artist, title and “edition 17/300”, h. 16 1/2 in., w. 18 in., d. 18 1/2 in. [$200/300] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. Exh.: Prospect 1, New Orleans, LA, 2008.

1121. “Saturday Night Special” Pistol, c. 1878, marked “CONQUEROR”, 5‑shot, spur trigger, nickel plating, walnut grip, bird’s head butt. [$200/300]

1122. Edmund Pramuk (American/ Louisiana, b. 1936), “Mephisto”, 1987, acrylic on linen, signed, titled and dated en verso, artist label on stretcher, 68 3/4 in. x 48 in., framed. [$800/1200]

1123. George Zafero (American, 20th c.), “St. George R‑BLK‑W‑4”, 1986, oil on canvas, signed, titled and dated lower right, 48 in. x 48 in., framed. [$500/700]

Additional information at www.nealauction.com

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1124. Rolph Scarlett (Canadian/American 1889‑1984), “Black and Red”, mixed media on paper, signed upper left and lower right, 19 1/4 in. x 25 1/2 in., framed. [$500/800]

1125. Collection of Seventeen Autographed Postcards and Photographs of Opera Stars, incl. Geraldine Farrar, Joan Sutherland, Mariano Stabile, Max Lorenz, Hans Hotter, Frida Leider, Hans‑Hermann Nissen, Gina Cigna, Lilli Lehmann, Christa Ludwig, Birgit Nilsson, Elisabeth Schumann, Paul Schoeffler, Otto Edelmann, Sena Jurinac, Ljuba Welitsch, and Svet Svanholm, 5 in. x 4 in. to 5 3/4 in. x 4 1/8 in. (17 pcs.) [$200/400]

1127. Pair of Art Moderne Comic Veneer Oval Tables, single drawer, “$” standard, circular base, h. 33 in., w. 26 in., d. 20 in. [$300/500] 1126. Ralph Lauren Mahogany and Button-Tufted Leather Settee, molded back, stop-fluted legs, casters, brass nailhead trim, h. 36 1/2 in., w. 65 in., d. 29 in. [$700/900]

1128. Provincial Fruitwood Tilt‑Top Wine Tasting Table, swivel support, shaped base, h. (open) 48 in., w. 40 7/8 in., h. (closed) 30 in., w. 40 7/8 in. [$300/500]

1129. Biedermeier Figured Mahogany Bureau à Cylindre, mid‑19th c., molded top, retracting lid with fitted interior, pull out writing surface, three graduated drawers, block feet, h. 48 1/2 in., w. 47 in., d. 23 1/2 in. [$600/900] Provenance: Hans Friedrich Grohs (1892‑1981)

1130. Allison Stewart (American/New Orleans, b. 1941), “Abstract Composition #74”, c. 1990, mixed media collage with handmade paper, unsigned, titled lower left, 48 in. x 18 in., framed. [$800/1200]

1131. Keith Eccles (American/New Orleans, 20th c.), “Whirlwind”, acrylic on gallery‑wrapped canvas, signed lower right, 30 in. x 24 in., unframed. [$1500/2500]

1033. Bruce Davenport “Dapper Bruce Lafitte” (American/New Orleans, b. 1972), Artist’s Sketchbook, 2013, marker and mixed media on paper, 15 sketches, all signed, titled, dated and inscribed, overall 13 in. x 9 in. [$200/300] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

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1132. Steele Burden (American/Louisiana, 1900‑1995), “Gossip”, oil on canvas, signed lower right, signed, dated and “Jean Bragg Gallery, New Orleans”, label with artist and title on backing board, inscribed on frame, 14 in. x 10 in., framed. [$1500/2500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1134. James Michalopoulos (American/New Orleans, b. 1951), “New Orleans Street Scene”, oil on canvas, signed “Mitchell” lower right, 23 3/4 in. x 30 in., framed. [$3000/5000]

1135. Randy Hayes (American/ Mississippi, b. 1944), “Woman in Kyoto”, oil on photograph, signed and inscribed “Kyoto” en verso, 19 15/16 in. x 14 in., framed. [$400/600]

1136. Randy Hayes (American/ Mississippi, b. 1944), “Two Women in Kimono”, oil on photograph, signed and inscribed “Kyoto” en verso, 19 15/16 in. x 15 13/16 in., framed. [$400/600]

Provenance: Acquired from t he artist, 2009.

Provenance: Acquired from the artist, 2009.

1137. Randy Hayes (American/Mississippi, b. 1944), “Zen Priest”, oil on photograph, signed and inscribed “Kyoto” en verso, 15 1/2 in. x 19 3/4 in., framed. [$400/600] Provenance: Acquired from the artist, 2009.

1139. Jimmie Lee Sudduth (American/ Alabama, 1910‑2007), “Bird in Green and Yellow”, oil on panel, signed in pencil mid‑right, 24 in. x 24 in., unframed. [$400/600]

1138. Mose Tolliver (American/Alabama, 1920‑2006), “Lost”, oil on panel, signed lower center, 12 in. x 35 7/8 in., unframed. [$500/700]

1140. Joe Light (American, 1934‑2005), “Cave”, oil on shaped panel, signed lower right, titled en verso, 25 1/2 in. x 53 in., unframed. [$300/500]

1142. Don Scott (American/Louisiana, 20th c.), “Horse and Jockey”, 1999, pastel on paper, signed and dated lower right, sight 18 in. x 24 in., framed. [$200/400]

1143. Steve Motyka (American/ Massachusetts, 20th c.), “Along the Bank of the Blackstone River”, 1988, oil on canvas board, signed and dated lower right, signed, titled and dated en verso, 16 in. x 20 in., framed. [$300/500]

Provenance: Estate of James H. Stone, New Orleans.

1144. Edwardian Inlaid Mahogany Side Cabinet, molded top, frieze drawer, two doors, ogee bracket feet, h. 41 1/2 in., w. 46 in., d. 18 in. [$300/500]

1141. Joe Light (American, 1934‑2005), “Pardon Me Sir”, 1992, oil on panel, signed lower right, dated lower left, titled en verso, 24 in. x 48 in., unframed. [$300/500]

Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1145. Regency Inlaid Mahogany Sewing Stand, early 19th c., octagonal case with lift top, fitted interior, saber legs, X stretcher, h. 28 1/2 in., w. 22 in., d. 15 in. [$700/1000]

1146. Georgian Mahogany Pembroke Table, 19th c., drop-leaf top, tapered legs, X stretcher, h. 28 in., w. 30 in., d. 20 in. [$500/700]

Additional information at www.nealauction.com

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1147. Pair of West Indies Mahogany Planter’s Chairs, 20th c., scroll back, swivel arm extensions, woven seat, turned legs, h. 35 in., w. 29 in., d. (closed) 34 in., d. (open) 60 in. [$500/700]

1148. Pair of Biedermeier Tambour Demilune Commodes, 19th c., single drawer, tambour, door outset saber legs, h. 32 1/2 in., w. 17 in., d. 12 5/8 in. [$500/700]

1149. Antique Georgian Mahogany Pembroke Table, 19th c., oval top, frieze drawer, beaded tapered legs, h. 28 1/2 in., w. (closed) 23 in., w. (open) 41 1/2 in., d. 31 1/2 in. [$400/600]

1150. William and Mary-Style Carved Walnut Sofa, 19th c., triple arched back, downswept arms, turned baluster uprights, nailhead trim, turned blocked stretchers, bun feet, h. 42 in., w. 87 in., d. 26 in. [$400/600]

1152. Provincial Louis Philippe-Style Buffet, 19th c., two drawers over two cabinets, h. 38 in., w. 54 1/2 in., d. 25 in. [$500/700]

1151. Antique Continental Walnut Tambour Demilune Cabinet, shaped marble top, opposing sliding doors, tapered legs, brass caps, h. 29 3/4 in., w. 30 1/4 in., d. 15 1/2 in. [$200/400]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1154. Don Sawyer (American/ Florida, b. 1948), “St. Etienne Bay”, 2006, acrylic on wood, signed lower right, signed, titled, dated and inscribed en verso, 27 in. x 24 in., unframed. [$700/1000]

1053. Rudolf Jacobi (German/American, 18891972), “Boat in Harbor”, gouache on paper, pencilsigned lower right, 9 5/16 in. x 12 in., framed. [$500/700]

1156. Don Sawyer (American/Florida, b. 1948), “Joe’s Fishing Shack”, 2006, acrylic on panel, signed lower left, signed, titled, dated and inscribed en verso, 24 in. x 36 in., artistenhanced frame. [$800/1200]

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1155. Don Sawyer (American/Florida, b. 1948), “Blue Hork”, 2006, acrylic on panel, signed lower left, signed, titled and dated en verso, 20 in. x 16 in., framed. [$700/1000]

1157. Benjamin Wigfall (American/Virginia, 19302017), “Two Boats”, oil on canvas, signed en verso, 24 1/4 in. x 33 in., framed. [$300/500]

1158. Rosalie Roos Wiener (American/ Louisiana, 18991982, act. Newcomb College 19231935), “Untitled (Still Life with Blue Vase)”, oil on canvas, signed lower left, “Jean Bragg Gallery, New Orleans” label and artist biography on backing paper, 22 1/8 in. x 18 1/8 in., framed. [$500/800] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1159. Louis St. Lewis (American, b. 1961), “Untitled (Angel)”, eglomisé and mixed media, unsigned, “LeMieux Galleries, New Orleans, LA” label on backing paper, 10 in. x 8 in., framed. [$400/600]

1161. Jillian BanksKong (American/ Louisiana, b. 1970), “The Inner Director”, ceramic, signed, titled and incised “1299H” on selfbase, h. 23 3/4 in., w. 10 3/4 in., d. 7 1/4 in. [$200/300]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. 1160. Cora V. Helmbold (American, late 19th/early 20th c.), “Selfportrait”, oil on canvas, signed lower right, inscribed with artist on stretcher, 26 1/8 in. x 22 in., framed. [$300/500]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1162. American School, 20th c., “Squeak”, porcelain sculpture on brushed steel base, unsigned, h. 6 in., w. 7 3/4 in., d. 7 1/8 in.; together with pedestal and acrylic case. (2 pcs.) [$100/150] Provenance: Garth Clark, New York; Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans. 1163. After Thomas Blinks (British, 18601912), “12th of August” and “Unity”, 2 handcolored lithographs, each signed in plate, 26 in. x 37 in. and 26 in. x 39 in., framed alike. (2 pcs.) [$200/300]

1165. Gilt BronzeMounted Sevres-Style Porcelain Lamp Fitted on Gilt Metal Torchere Stand, covered vase painted with cherubs, torchère with rams’ heads, acanthine finialed stretcher, furry hoof feet, h. (incl. finial) 71 in., dia. 19 in. [$700/900] 1164. Pair of Large Gilt Bronze-Mounted SevresStyle “Bleu Celeste” Covered Urns, scroll and ram’s head handles, reserves painted with courting couples and floral decoration, h. 24 1/2 in., w. 11 1/4 in., d. 7 1/2 in. [$1500/2500]

1166. Haviland Limoges Porcelain “Belfort” Table Service, marked, variously lined with blue or gilt, incl. 10 dinner plates, dia. 9 3/4 in.; 11 salads, dia. 7 1/2 in.; 11 bread and butters, dia. 6 1/2 in.; 8 soups, dia. 7 1/2 in.; 12 fruit/sauce bowls, dia. 5 in.; 7 cups; 11 saucers, dia. 5 3/4 in.; covered teapot, h. 3 1/2 in.; creamer, h. 2 1/4 in.; 2 sugars, h. 3 in.; covered butter, dia. 7 1/4 in.; nut dish, l. 6 3/4 in.; 3 platters, l. 16 in to 11 in.; covered vegetable, dia. 8 1/2 in.; covered tureen, l. 13 in., w. 8 in.; and gravy boat with attached underplate, dia. 7 in. (82 pcs.) [$600/800]

1167. Continental Polychrome and Gilt Porcelain Scalloped Rim Fish Service, marked (unidentified), painted with fish amid seascapes, incl. platter, impressed “L. S. & S.” (importer), l. 22 3/8 in.; and 12 plates, dia. 9 in. (13 pcs.) [$500/700]

1168. Three Decorative Silk and Velvet Pillows. [$200/400]

1169. Antique French Tole Peinte Fluid Lamp, floral decoration, adjustable height, h. 18 1/2 in., w. 11 in., d. 5 3/4 in. [$300/500] Additional information at www.nealauction.com

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1170. Three Mercury Glass Vases, 19th c., each with remnants of paint decoration, incl. pair, h. 9 1/8 in., and single, h. 14 1/8 in. [$300/500] Provenance: Estates of Joyce and Donald Laidlaw, Bluffton, SC.

1172. Five Simon Pearce Glass Table Ornaments, incl. 2 penguins, h. 4 1/2 in. and 3 1/2 in.; 2 polar bears, l. 4 1/4 in.; and egg, h. 2 3/4 in.; together with Schneider tree, h. 7 in.; and 2 toads, l. 3 in. (8 pcs). [$150/250]

1175. American Patinated Metal Figural Mantel Clock, late 19th c., Ansonia, striking gong movement, Classical maiden with peacock, in a “copper” patina, Rococo base, h. 24 in., w. 16 1/2 in., d. 10 1/2 in. [$500/750]

1174. Continental Giltwood Trumeau Mirror, 19th c., classical reserve, beaded surround, divided mirror plate, h. 63 7/8 in., w. 25 3/4 in. [$500/1000]

1073. Three Antique Glass Hurricane Shades, engraved foliate designs, tallest h. 22 in. [$500/700]

1176. Antique French Patinated Metal Figural Mantel Clock, late 19th c., striking bell movement marked “S. Marti”, figure of Cupid playing with a dog, h. 15 1/2 in., w. 15 in., d. 5 1/2 in. [$200/400]

1179. American Late Classical Carved Mahogany Vitrine Cabinet, 19th c., molded cornice, bolection frieze, gothic glazed door panels, glazed sides, shelf interior, Corinthian colonnettes, reeded legs, brass cuffs, h. 71 3/4 in., w. 56 1/2 in., d. 21 7/8 in. [$700/1000]

1181. Antique Chippendale Carved Mahogany Stool, acanthus knees, ball and claw feet, h. 17 in., w. 26 in., d. 20 1/2 in. [$200/400]

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1171. Six Clear or Clear and Frosted Glass Figurines, incl. Lalique bird, l. 4 3/4 in.; Daum stork, h. 3 1/2 in.; Orrefors stork, h. 4 1/2 in.; Baccarat pelican and dog, h. 6 1/2 in. and l. 4 in.; and Steuben “Puppy Love” hand cooler, l. 3 in. [$250/350]

1177. Black Forest Carved Walnut Cuckoo Clock, early 20th c., striking gong and cuckoo movement marked “KALIX HERRMANN/ GERMANY”, highly carved with stag, crossed rifles, hare, pheasant, and hunting horn, oak leaf pendulum, pineconeform weights, h. 33 in., w. 22 in., d. 12 in. [$600/900]

1178. American Federal Cherrywood Tilt-Top Candlestand, early 19th c., dished top, vasiform standard, saber legs, slipper feet, h. 24 in., dia. 18 3/4 in. [$250/350]

1180. Federal-Style Mahogany Sideboard, serpentine top, conforming case with drawers, h. 37 1/4 in., w. 68 in., d. 22 1/4 in. [$700/1000]

1182. Diminutive Continental Pine Encoignure, 19th c., shelves, over bowfront cabinet, fiche hinges, shelf interior, chamfered tapered legs, spherule feet, h. 34 in., w. 19 in., d. 11 1/2 in. [$300/500]

1183. Late Classical Mahogany Dressing Mirror, mid19th c., arched mirror on cluster columnar supports, single drawer, h. 23 1/4 in., w. 18 1/2 in., d. 8 5/8 in. [$200/300]

1185. Regency-Style Rent Table, now reduced in height, inset leather top, frieze drawer, saber legs, brass paw feet, casters, h. 17 1/2 in., w. 42 in. [$400/600]

1184. Federal-Style Mahogany Window Bench, outscrolled ends, ring turned tapered reeded legs, toupie feet, h. 31 1/2 in., w. 35 1/2 in., d. 17 3/8 in. [$300/500]

1186. Antique George III Mahogany Side Table, frieze drawer, tapered legs, h. 29 in., w. 37 in., d. 18 in. [$300/500]

1187. Antique Queen Anne Mahogany Wingchair, scroll arms, cabriole legs, pad feet, h. 46 3/4 in., w. 32 1/2 in., d. 29 in. [$300/500]

1188. Classical-Style Fireplace Surround, plaster composite, beaded breakfront cornice, anthemion frieze, central Classical maiden plaque, Corinthian capitals, shell and foliate pilasters, h. 50 in. w. 62 in., d. 8 1/2 in. [$300/500] Provenance: Estates of Joyce and Donald Laidlaw, Bluffton, SC.

1191. Pair of Antique Louis XV-Style Side Chairs, floral crest rail, shaped back and seat, cabriole legs, custom moiré silk upholstery, h. 34 in., w. 21 in., d. 21 in. [$150/250]

1192. Three Pieces of Swedish Art Deco Gustavsberg Luster Glazed Porcelain by Josef Ekberg (18771945), each with factory mark, date, and artist’s monogram, incl. vase, 1926, h. 14 3/4 in.; vase, 1927, h. 10 in.; and bowl, h. 3 1/4 in., dia. 8 1/2 in. [$300/500] Provenance: Bowl, Kerry Beauchemin, New York; and vases, B4 20th Century Design, New York

1195. Pair of French Tole Peinte Covered Chestnut Urns, by Mottahedeh Design, h. 13 in.; together with a tole verriere, h. 4 5/8 in., w. 12 1/2 in., d. 8 1/2 in. [$200/400]

1196. Pair of French Tole Peinte Scenic Jardinieres, c. 1900, reserves of Classical landscapes, h. 6 in., dia. 6 in. [$200/400]

1189. Irish Georgian-Style Mahogany Tea Table, piecrust top, acanthus carved baluster standard, cabriole legs with foliate knees, ball and claw feet, h. 30 in., dia. 31 1/2 in. [$400/600]

1193. Limoges Porcelain “Landmarks of Paris” Box, h. 3 1/2 in.; together with Murano glass heart box, l. 3 1/2 in., w. 2 1/2 in. [$100/200]

1190. Neoclassical-Style Bronze-Mounted Mahogany Games Table, late 19th/early 20th c., foldover swivel top, baize playing surface, tapered legs, brass cuffs, h. 32 in., w. 38 1/2 in., d. (closed) 19 in., d. (open) 38 1/2 in. [$300/500]

1194. Large Frame Glazed Art Pottery Vase, marked, painted with ravens on a cornstalk, h. 19 in., dia. 7 in. [$300/500]

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1197. Pair of Continental Tole Peinte Scenic Jardinieres, 19th c., tapered form, paw feet, painted with European landscapes, h. 10 in., w. 6 in., d. 6 in. [$200/400]

1198. Continental Tole Peinte Centerpiece with Swan Handles, 19th c., h. 7 1/2 in., w. 12 in., d. 5 1/2 in.; together with a pair of tole jardinieres, h. 9 in. [$150/250]

Additional information at www.nealauction.com

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1199. Pair of Chinoiserie Tole Peinte Jardinieres, 19th c., black ground, gilt decoration, h. 11 1/4 in., w. 7 1/4 in., d. 7 1/4 in. [$200/400]

1200. Two Antique Continental Tole Peinte Trays, with reserves of Classical ruins, larger h. 16 1/2 in., w. 22 1/2 in. [$150/250]

1201. Antique French Cast Iron and Brass Fire Fender, late 19th c., fluted bar, foliate collars, h. 7 in., w. 50 1/2 in., d. 15 1/2 in. [$250/350] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1202. Pair of Antique French Porcelain Carcel Lamps, robin’s egg blue ground, cartouche with Classical portrait, electrified, h. (to socket) 24 in., dia. 6 1/2 in. [$300/500] 1203. Pair of Italian Della Robbia-Style Glazed Ceramic Plaques, fruit borders, depicting Mary and the Christ Child, dia. 12 1/2 in., d. 2 in. [$100/200]

1204. Two Antique French Hand-Painted Fans, one with elaborate Orientalist scene; other with a musical genre scene, with silklined box, Parisian retailer logo, box h. 1 1/2 in., w. 16 1/2 in., d. 2 1/2 in. [$100/200] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1205. Eight BrassMounted and Carved Shell Seafood Bowls, likely 20th c., h. 3 1/4 in., w. 8 in., d. 6 in. [$300/500]

1206. Three Antique Tortoiseshell Boxes, incl. a trunkform with domical lid, an eyeglass case, and box with monogram “JM”, largest h. 3 1/8 in. w. 5 in., d. 2 1/2 in. [$200/300]

1207. Four Antique Tortoiseshell Boxes, incl. a rectangular bone and tortoiseshell lidded box, and three small circular lidded boxes, largest h. 1 in., w. 4 in., d. 1 3/4 in. [$100/150]

1208. Kirman Carpet, rust and cream ground, central medallion, stylized floral border, 6 ft. x 9 ft. [$300/500]

1209. Antique Caucasian Carpet, blue central ground, repeating stylized designs, 5 ft. 9 in. x 6 ft. 6 in. Note: numerous repairs. [$200/300]

1210. Antique Kilim Bag Face, green, blue, and red ground, 3 ft. x 3 ft. 2 in. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1211. Antique Bokhara Bag Face, red ground, repeating medallions, 2 ft. 8 in. x 4 ft. 6 in. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 1212. Antique Caucasian Runner and a Small Rug, repeating medallion runner, 3 ft. 6 in. x 8 ft. 2 in., and a small rug, 1 ft. 8 in. x 3 ft.; Note runner worn. [$150/250] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

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1213. Federal-Style Mahogany Chest of Drawers, turret corners, one drawer over three drawers, ring turned reeded stiles, toupie feet, h. 46 3/4 in., w. 46 1/2 in., d. 25 in. [$400/600]

1214. American Rococo Carved and Laminated Rosewood Parlour Chair, attr. to Charles Baudouine (1808-1895), New York, foliate scroll pierced crest, serpentine seat, acanthine cabriole legs, casters, h. 38 in., w. 20 in., d. 23 in. [$600/900]

1215. American Rococo Carved Mahogany Center Table, mid19th c., shaped white marble top, conforming apron, hexagonal standard, inset mirror panels, S scroll legs, h. 31 in., w. 42 in., d. 35 in. [$400/600]

1216. American Rococo Mahogany Console Table, 19th c., shaped marble top, frieze drawer, elaborate scrolled apron, foliate C scroll legs, shaped stretcher shelf, scrolled toes, h. 40 in., w. 63 in., d. 23 1/2 in. [$500/700]

1219. American Renaissance Walnut and Burl Bookcase, late 19th c., molded cornice, three glazed doors enclosing shelves, lower case with three paneled doors, plinth base, h. 90 in. w. 66 in., d. 18 in. [$800/1200]

1218. Pair of Biedermeier-Style Fruitwood Side Chairs, H splat, saber legs, h. 34 in., w. 21 in., d. 20 in. [$300/500] 1217. Antique Chippendale Carved Mahogany Back Stool, acanthine knees, cabriole legs, ball and claw feet, leather upholstery, h. 38 1/2 in., w. 23 in., d. 24 1/2 in. [$400/600]

1220. Six American Centennial Chippendale Carved Mahogany Dining Chairs, one arm, five side chairs, pierced splats, gadrooned seat rail, foliate knees, cabriole legs, ball and claw feet, armchair h. 40 in., w. 25 in., d. 20 in., side h. 39 in., w. 20 1/2 in., d. 18 in. [$1000/1500] Provenance: Collection of Dr. Mark A. Geist, Providence, RI.

1223. Antique English Inlaid Mahogany Lap Desk, mid19th c., lozenge inlay and escutcheon, now fitted on custom stand, h. 30 in., w. 38 in., d. 23 1/2 in. [$200/300]

1221. American Mahogany Bedside Commode, mid-19th c., marble top with outset corners, frieze drawer over paneled door, h. 29 1/2 in., w. 17 1/2 in., d. 19 in. [$150/250]

1222. American Mahogany Bedside Commode, mid-19th c., later marble top, case with bracketed turret corners, single drawer over paneled door, h. 31 in., w. 16 1/2 in., d. 14 1/2 in. [$150/250]

1224. Pair of Renaissance Carved Walnut Armchairs, c. 1880, each with round back with egg and dart surround, padded scrolled arms, incised vasiform supports, shaped pierced apron, spiral-carved legs, h. 40 3/4 in., w. 24 in., d. 22 in. [$300/500] Provenance: Proceeds to benefit the collections and preservation of Hermann-Grima + Gallier Historic Houses Additional information at www.nealauction.com

125

1225. Continental BronzeMounted Painted Satinwood Pedestal, reverse tapered standard, painted with beribboned floral bouquets, paw feet, h. 51 in., w. 11 in., d. 7 in. [$300/500]

1227. Two Antique Mahogany Queen Anne Stools, cabriole legs, pad feet, taller h. 19 in., w. 23 in., d. 17 1/2 in. [$300/500] 1226. Four Louis Philippe Fruitwood BalloonBack Chairs, 19th c., caned seats, turned front tapered legs, h. 34 in., w. 15 1/2 in., d. 16 in. [$200/400]

1228. Antique Biedermeier Maple and Ebonized Washstand, h. 30 1/2 in., w. 34 in., d. 17 in. [$300/500] 1229. Two Continental Rococo Rosewood and Grained Parlor Chairs, mid19th c. incl. one armchair and one side chair, acanthine crest, pierced crest rail, scrolled arms, serpentine apron, lobed tapered legs, casters, armchair apron, lobed tapered legs, casters, armchair h. 43 3/4 in., w. 27 3/4 in. d. 28 in.; side chair h. 43 3/4 in., w. 24 in., d. 26 in. [$200/400] Provenance: Schwitz Collection, Franklin, LA.

1230. Pair of Antique Louis XV-Style Fruitwood Fauteuils, floral carved crest, shield back, padded scroll arms, cabriole legs, h. 34 1/2 in., w. 24 in., d. 26 in. [$200/400] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1231. Marie Fernande Alaux (Belgian, 18831958, act. New Orleans, 19081949), “Woman with a Bundle of Wood”, oil on canvas, signed lower right, 14 in. x 11 in., framed. [$200/300]

1233. American Renaissance Carved Walnut Extension Dining Table, mid19th c., molded circular top, strapwork decorated frieze, quadripartite base opens to accommodate 5 leaves, h. 29 1/2 in., w. (open) 132 in., w. (closed) 54 in., d. 54 in. [$1500/2500] Provenance: “Wedding Cake” House, 5809 St. Charles Ave., New Orleans.

1232. Louis XVI Crème Peinte Bedstead. [$300/500] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1234. Ten American Renaissance Carved Oak and Burled Walnut Dining Chairs, mid19th c., incl. 2 arm and 6 side chairs, anthemion scrolled crest with fruit swag, caned back and seat, scrolled arm supports, incised decoration, stretchers, ring turned legs, armchair h. 46 in., w. 24 1/2 in., d. 21 1/2 in., side h. 40 in., w. 20 in., d. 17 1/2 in.; together with 2 other side chairs. [$1000/1500] Provenance: found en suite with previous lot.

1235. American Late Classical Mahogany Center Table c. 1840, New York, possibly Meeks, molded shaped marble top, conforming apron, lyre support, quadripartite base, lobed feet, casters, h. 30 in., w. 36 1/2 in., d. 20 3/4 in. [$200/400]

126

1236. American Rococo Carved Rosewood Armchair, mid19th c., scrolled crest rail with beaded accents, oval back, outswept padded arms, cabriole legs, casters, h. 39 in., w. 26 in., d. 25 in. [$100/200] Provenance: 511 St. Ann Collection, Historic Pontalba, New Orleans

1237. Antique Chippendale-Style Carved Mahogany Games Table, foldover top, gate leg, frieze drawer, scalloped apron, blind fretwork legs, h. 29 1/2 in., w. 31 3/4 in., d. (closed) 15 1/2 in., d. (open) 31 1/2 in. [$150/250]

1238. Two Louis XV-Style Carved Walnut Fauteuils, with floral crests, blue silk brocade upholstery, h. 39 1/2 in., w. 24 1/4 in., d. 18 1/2 in. [$200/400]

1239. After Viktor Oliva (Czech, 18611928), “Topicuv Salon”, c. 1896, lithograph, signed in plate, number 100, from Les Maîtres de l’Affiche, published in Paris, sight 11 1/4 in. x 8 3/4 in., framed. [$75/150]. Provenance: Collection of Dr. Mark A. Geist, Providence, RI

1240. Pair of Boehm Bisque Porcelain Swan Planters, black script mark on base, h. 6 1/2 in., w. 6 in., d. 8 in. [$150/200]

1241. Limoges Porcelain Gamebird Service, early 20th c., variously marked “VF” or “LS&S” (importer), polychrome and gilt decoration of various gamebirds, incl. platter, l. 18 in., and 13 plates, one unmarked, dia. 9 1/2 in. [$300/500]

1244. Collection of Brass and Hardwood Desk Items, 19th c., incl. postal scale, 2 levels and telescope; together with brass and cut glass inkwell. [$150/250]

1242. Assembled Paris Gilt-Banded Porcelain Tea Service, 19th c., incl. teapot, h. 9 1/2 in.; sugar, h. 7 1/2 in.; creamer, h. 5 in.; waste bowl, dia. 6 in.; 10 cups, h. 2 1/2 in.; 3 cups, h. 2 3/4 in.; 13 saucers, dia. 5 3/4 in.; and 10 dessert plates, dia. 7 1/2 in.; together with Paris porcelain reticulated corbeille, 19th c., h. 8 3/4 in., dia. 9 1/2 in. (41 pcs.) [$300/500]

1245. Three Decorative Silk Pillows, l. 23 in. and (two) 17 3/4 in., w. 12 in., 13 in. and 11 1/2 in. [$100/150] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1243. Pair of Large Brass Altar Candlesticks, 20th c., tripartite base, paw feet, h. 47 1/2 in., dia. 16 in. [$200/300] 1246. Pair of Contemporary Glass Urn-Form Table Lamps, h. (to socket) 20 in. [$200/400] 1247. Art Nouveau Patinated Bronze Figural Lamp, early 20th c., later glass shade, marble base, h. 23 1/2 in. [$250/350]

1249. Pair of Italian Cast Stone Urns, lobed body, socle base, drilled, h. 14 in., dia. 13 1/2 in. [$500/750]

1248. Two Tier Cast Stone Garden Urn. [$500/750]

1250. Group of Seven Concrete Campagna Form Garden Urns, h. 14 in., dia. 13 in. [$500/750] Additional information at www.nealauction.com

127

1251. American Renaissance Carved Oak Overmantel Mirror, 19th c., blocked molded cornice, arched beveled mirror plate, barely twist colonnettes, conforming base, h. 66 1/2 in., w. 54 1/2 in. [$700/1000]

1252. Federal-Style Giltwood Overmantel Mirror, split baluster surround with foliate and floral embellishments, h. 54 in., w. 45 1/2 in. [$200/300]

1253. Decorative Composite Circular Mirror, “leather” finish, beveled mirror plate, dia. 33 in. [$150/250]

1254. American Mahogany Dressing Mirror, 19th c., baluster turned mirror supports, case with fitted drawers, toupie feet, h. 25 3/4 in., w. 26 1/2 in., d. 8 3/4 in. [$200/400]

1257. Chinese Tang or Tang Dynasty-Style Painted Pottery Equestrian Group, modeled in two pieces, h. 14 1/4 in., w. 11 1/2 in., d. 3 1/2 in. [$200/400] 1255. Large Japanese Basket, baluster body with loose ring loop handles, concentric and vertical banding, metal insert, h. 19 1/2 in., w. 18 1/2 in. [$150/250]

1258. Chinese Famille Rose Porcelain and Hardstone Hand Mirror, 20th c., decorated with a beautiful maiden, prunus, rock and butterflies, l. 8 3/4 in., dia. (top) 4 1/8 in. [$50/100] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

128

1256. Two Japanese Bone Presentation Swords on Tessellated Bone Stand, incl. models of katakana and wakizashi, overall h. 12 in., w. 39 in., d. 5 in. [$200/400]

1259. Two Chinese Famille Rose Porcelain Figures, 20th c., each stamped “CHINA”, incl. Beauty or Daiyu holding an overturned basket of flowers, h. 14 in.; and Guanyin holding a lotus, removable proper left hand, h. 15 1/2 in. [$200/300]

1260. African Cowrie Shell Embellished Beaded Necklace or Collar, probably Maasai, dia. 11 1/2 in., custom stand, h. (as shown) 15 in. [$50/100] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1261. Bernice Sims (American/Alabama, 19262014), “Hickory Hill School”, acrylic on canvas, signed lower right, 20 in. x 16 in., framed. [$400/600]

1262. Pati Bannister (American/Mississippi, 19292013), “Young Lady in Hat”, oil on masonite, signed lower left, biography of artist attached en verso, 10 in. x 8 in., framed. [$300/500]

1263. Bernice Sims (American/ Alabama, 19262014), “Hunting Scene”, acrylic on canvas, signed lower right, 20 in. x 24 in., framed. [$400/800] Provenance: The Doug and Cathy Gitter Collection

1265. American Carved Mahogany Accounting Desk, c. 1870, slant top, three frieze drawers, base with tapered turned legs, blocked stretcher, h. 45 in., w. 74 in., d. 35 1/2 in. [$300/500]

1264. Antique Late Classical Carved Mahogany Corner Cabinet, 19th c., gadrooned blocked cornice, glazed doors flanked by colonnettes, shelf interior, gadrooned base, foliate paw feet, h. 78 1/2 in., w. 38 in., d. 26 in. [$500/1000]

Provenance: General Store, Mound, LA; Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

1266. American Carved Rosewood Parlor Chairs, 19th c., bowknot crest, oval back, padded arms, cabriole legs, casters, h. 39 in., w. 24 in., d. 22 in. [$200/400]

1267. Federal-Style Carved Mahogany Tester Bed, cyma molded tester, scrolled headboard, ring turned reeded lobed posts, reeded toupie feet, h. 92 in., l. 74 in., w. 55 in. [$600/900]

1268. Southern Figured Mahogany DropLeaf Work Table, earlytomid 19th c., long drawer over cyma molded drawer, ring turned tapered legs, compressed ball feet, h. 28 3/4 in., w. (closed) 21 in., w. (open) 37 1/2 in., d. 19 1/4 in. [$300/500]

1269. American Gilt Brass Solar Lamp, 19th c., attr. to Cornelius and Baker, Philadelphia, engraved shade, marble base, prisms, electrified, h. 18 1/2 in., dia. 6 1/2 in. [$400/600]

1271. Near Pair of Blown Glass Hurricane Shades, h. 17 5/8 in. [$250/350]

1270. Large Painted Tole Peinte Lantern, brass eagle finial, tapered form, h. 43 in., w. 17 in., d. 17 in. [$300/500] Additional information at www.nealauction.com

129

1272. Pair of American Molded Glass Celery Vases, late 19th c., petal molded rims, lobed bodies with elongated loops, h. 10 1/8 in. [$150/250]

1273. Continental Panel Cut Cranberry Crystal Compote, 19th c., h. 8 3/4 in., dia. 9 3/4 in. [$150/250]

1276. Vintage Sheet Music, box of approximately 50 pieces of sheet music, 20th century, mostly 19021940s. [$50/75]

1275. American Silverplated Sousaphone, marked â&#x20AC;&#x153;JW YORK & SONS/ GRAND RAPIDS/MICHâ&#x20AC;?, B flat, h. 31 in., bell dia. 19 1/2 in. [$300/500]

Provenance: Proceeds to benefit the collections and preservation of the Hermann-Grima + Gallier Historic Houses

Provenance: Property deaccessioned from the Louisiana State Museum, proceeds to be used for new acquisitions or the direct care of existing collections.

1277. Vieux Carre Historic District Demonstration Study, Bureau of Governmental Research, City of New Orleans, 1968, 8 volumes, soft cover, covering the planning and future of the French Quarter, incl. proposed highway. [$100/200] Provenance: Collection of Noted Preservationist and Aesthete Dorian M. Bennett, New Orleans.

1279. Copper Garden Seat, drum form, verdigris patinated bands, h. 21 in., w. 13 in., d. 13 in. [$150/250]

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1274. Mahogany Grand Piano, c. 18861887, h. 39 1/2 in., w. 56 in. [$800/1200]

1280. Copper Apple Butter Kettle, 19th c., rolled rim, triple rose head riveted handles, h. 12 3/4 in., w. 22 1/2 in., w. 21 1/2 in. [$250/350]

1278. Anasazi Gourd Rattle, 20th c., decorated with eagle design and feathers, h. 10 in. [$100/150] Provenance: Collection of Brooke and Maria Fox, Metairie, LA

Luisa Adelfio, 557 Yaacov Agam, 492 Marie Fernande Alaux, 1231 John Alexander, 48, 535 Enrique Alferez, 494 American School, 60, 1006, 1014, 1015, 1162 Walter Inglis Anderson, 534, 602 Leroy Archuleta, 842 Ralph Moffett Arnold, 1019 John James Audubon, 62-64 (aft) James Avati, 1010 Milton Clark Avery (attr), 605 Luis Cruz Azaceta, 501

Bruce Davenport “Dapper Bruce Lafitte”, 1033 Carlo Dolci (aft), 332 Alexander John Drysdale, 522, 540 Etienne-Henri Dumaige (aft), 656 William Dunlap, 52-56, 935 Dutch School, 368, 369

Alberta Kinsey, 507, 539 Gustav Klimt, 335-341, 491 Ida Rittenberg Kohlmeyer, 526, 529531, 603 Valery Kosorukov, 670 Gene Koss, 560 Paul Ludwig Kowalsczewski, 490

Bradley Sabin, 559 Jean Jules Salmson (aft), 657 Louise Sarrazin, 1090 Gregory Saunders, 946 Don Sawyer, 1154-1156 Rolph Scarlett, 1124 Don Scott, 1142 Emile-Allain Séguy, 65 Jan Christiaen Sepp, 901 James Seymour (attr), 899 Esther Shimazu, 675A Henryk Siemiradzki (aft), 292 Paul Signac, 344 Bernice Sims, 1261, 1263 Mary Tillman Smith, 1094 Reginald Smith, 900 Sarah Katherine Smith, 1081 Peter Solow, 672 Southern School, 45, 1043, 1044, 1052, 1102 Jack Spencer, 157, 158 Stanley Sporny, 933, 934 Louis St. Lewis, 1159 Allison Stewart, 1130 G. Sturm (aft), 1016 Jimmie Lee Sudduth, 1139 James Surls, 46, 554 Edward Howard Suydam, 344

Joseph Lambert Cain, 564 Duilio Cambellotti, 289 Antonio Canova (aft), 469 Mary Cassatt, 462, 463 Francesco Cecchini, 279 Charles Henry Chapin, 504, 505 Henri Michel Antoine Chapu, 300 China Trade School, 621, 622 Chinese School, 621-623 Howard Chandler Christy, 503 Emery Ann Clark, 532 Claude Michel Clodion (aft), 655, 929 Warrington Wickham Colescott, Jr., 830 Continental School, 59, 325, 636, 896, 897 Jean-Baptiste-Camille Corot (mnr), 862 Paul Costello, 151 George David Coulon, 1045 Jasper Francis Cropsey, 514 José-Mariá Cundín, 558, 936

Keith Eccles, 833, 1131 English School, 5 David Everett, 57 F Abel Faivre, 342 Henry Faulkner, 502 Skyler Fein, 816 Charles W. Findley, 1011 Leonard Flettrich, 544 Jean-Louis Forain, 343 Jean-Honoré Fragonard (aft), 319 Anthony de Francisci, 266 Emmanuel Frémiet (aft), 685, 873 French School, 333, 520 Dame Elisabeth Frink, 431 Nestor Frugé, 1077, 1077A Zella Funck, 1078 G Amedeo Gennarelli, 458 Francisco José de Goya y Lucientes, 288 Joe Gray II, 1017 Jane Whipple Green, 671 Angela Gregory, 555 Joan Griswold, 47 Hans Grohs, 594, 595, 863-864A, 941 Maurice Guiraud-Rivière, 301, 302 H David Halliday, 154, 155 Theora Hamblett, 497 David Harouni, 937 Randy Hayes, 1135-1137 Pierre Eugene Emile Hebert (aft), 684 Colette Pope Heldner, 541, 1048 Cora V. Helmbold, 1160 Harold Hitchcock, 430 Emilie de Hoa LeBlanc, 548 Marie de Hoa LeBlanc, 549 William R. Hollingsworth, Jr. (attr), 1046 Hermann Hosaeus, 459 Newton Reeve Howard, 508-511, 523, 832 Marie Atkinson Hull, 496

Jessica Lange, 152, 153 Pierre-Albert Laplanche (aft), 872 Victor Leclaire, 593 Joe Light, 1140, 1141 Srdjan Loncar, 1120 Ashley Longshore, 546, 547, 932 Claude Lorrain (mnr), 635 Louisiana School, 516-518 Deborah Luster, 1051

M Hermon Atkins MacNeil, 267 John MacWhirter, 596 Michael Manjarris, 672A Steve Martin, 814 José Martino, 715 Alix Marquet (aft), 467 Jules Edmond Masson (aft), 575 Arsene Matton, 378 Natalie McClaren, 841 F.W. Meer, 1100 James Michalopoulos, 1134 Clarence Millet, 495, 506, 524 Andres Molinary, 512, 513 Ti-Rock Moore, 817 Steve Motyka, 1143 Adam Mysock, 552 N LeRoy Neiman, 553 New Orleans School, 536 T.M. Nicholas, 1009 O Thornton Oakley, 525 Viktor Oliva (aft), 1239 Adriaen Van Ostade, 290 Auseklis Ozols, 931, 1080 P

Italian School, 320-324, 334

Peter Paillou The Elder (aft), 61 Paul Parker, 1041, 1042 Emile Louis Picault, 574 Edmund Pramuk, 1122 Ashley Pridmore, 50

Rudolf Jacobi, 1008, 1053 Japanese School, 806-808 Eugène Pontus Jazet, 278 Joseph Jefferson, 521 Gendron Jensen, 938, 939

Charles Reinike, Jr., 1082 Pierre-Auguste Renoir, 597 Leon Richet, 861 August Riedel (aft), 331 Larry Rivers, 828 George Rodrigue, 498, 499, 598601, 943-945A Robert Malcolm Rucker, 537

T Emmitt Thames, 1083-1086 Titian (aft), 330 Mose Tolliver, 1093, 1138 Helen Maria Turner, 515 U Raphael Sanzio da Urbino (aft), 291 V David Dalla Venezia, 493 W William Aiken Walker, 1039, 1040 Robert Joseph Warrens, 500 Fiona Waterstreet, 58 George Weissbort, 665 William Edward West (aft), 668 Ruby Zahn White, 831 Willie White, 1091, 1092, 1095, 1097, 1098 John Whorf, 550, 551 Benjamin Wigfall, 1157 Rosalie Roos Wiener, 1158 Chuckie Williams, 1096 Theodore “Fonville” Winans, 561 Mildred Wohl, 533 Ellsworth Woodward, 527, 1087, 1089, 1099 Laura Woodward, 538 William Woodward, 942, 1089 Don Wright, 1119 Bernard Wynne, 1013

Artist Index

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PJillian Banks-Kong, 1161 Pati Bannister, 1262 McClelland Barclay, 1079 John C. Barrett, 1021 George Randolph Barse, Jr., 1020 Frederic Auguste Bartholdi (aft), 376 Andrew Bascle, 556 David Bates, 49 Charles-Louis Baugniet, 370 Carl Hans Bernewitz, 377 Jean Baptiste Bertrand, 637 Jacqueline Bishop, 543 Cynthia Bissell, 1018 Thomas Blinks (aft), 1163 George Henry Bogert, 1012 Aaron Bohrod, 604 Gaston Bonfils, 667 Pierre Bonnard, 343 Edward Borein, 1049 Douglas Bourgeois, 528 Blake Nelson Boyd, 545 Clayton Braun, 1101 Francesco del Brina, 592 British School, 432, 433 François Brochet, 898 Steele Burden, 1132 Jane Rule Burdine, 156 Linda Burgess, 51 Sergio Bustamante (attr), 818 William Bygrave (aft), 666

February 5, 6 & 7, 2021

Y George Yerger, 1088 Z George Zafero, 1123 Zangaki Brothers, 1050 Monica Zeringue, 542 Milford Zornes, 940 Francisco Zuniga, 829 131

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers. 1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees. 2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings: ARTIST - In our qualified opinion, we believe the work is by the artist named.

Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist. School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist. 3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies: A. Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.” B. Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable. E. Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate. In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy, if

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any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies. AUCTION BIDDING AND SALE 1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. 3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot. 4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot. 5.

No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages.

7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion. 8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction. 10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process. 11.

Interfering with the auction in any way is prohibited.

13.

Canvassing or solicitating on the auction premises is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected. 14. The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller. 16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction. 18.

Dealers must provide Neal Auction Company with proper documentation prior to bidding.

20.

Bids are required to be made in U.S. dollars.

19.

First time bidders are required to produce a valid state-issued identification card or passport.

21. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration. 24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor. ABSENTEE/TELEPHONE/ONLINE BIDS 1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/ telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure. 4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month.

All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees). INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company. Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot. IMPORT/EXPORT

9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder.

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations.

PAYMENT

MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding.

7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made. 8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone).

1. The successful bidder (except a successful online bidder) shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer (except by online bidders) within 15 calendar days of the auction, the buyer’s premium will be discounted to 22%. 2. The successful online bidder shall pay a buyer’s premium in the amount of 28% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders. 3.

In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder. 7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer. 9. Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 15 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month. PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles. MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein. The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale. All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein. Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer. In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein). These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

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Neal Auction Company Neal Auction Company Neal Auction Company Neal Auction Company

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Auctioneers Appraisers Antiques Fine ArtArtArt Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine Art Auctioneers && Appraisers of of Antiques && Fine 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form

15/06M 15/06M 16/08M 15/06M 16/08M 19/10M 15/06M 21/02M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash Cash 0AYMENT Credit 0AYMENT Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

,OT ,OT ,OT ,OT

$ESCRIPTION $ESCRIPTION $ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Saleâ&#x20AC;? asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the â&#x20AC;&#x153;Conditions ofof Saleâ&#x20AC;? as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated in the catalogue. III understand that a aabuyerâ&#x20AC;&#x2122;s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyerâ&#x20AC;&#x2122;s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyerâ&#x20AC;&#x2122;s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyerâ&#x20AC;&#x2122;s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyerâ&#x20AC;&#x2122;s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or before Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax or E-mail Form form on or on or before Friday,6/26/15 Thursday, 2/6/20 2/04/21 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or504-617-9990 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 to to 504-617-6431 504-617-6431 oror bids@nealauction.com 504-617-9990

229 229 229 229

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November 20, 21 & 22, 2020

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Auction Results

0002 - 4270 0003 - 768 0004 - 793 0005 - 250 0006 - 960 0007 - 512 0008 - 1220 0009 - 549 0010 - 1586 0011 - 640 0012 - 1408 0013 - 562 0015 - 250 0016 - 610 0018 - 1088 0019 - 732 0020 - 832 0022 - 2560 0023 - 854 0024 - 488 0025 - 4687 0026 - 1920 0027 - 366 0028 - 640 0029 - 1464 0030 - 3437 0031 - 1664 0032 - 3965 0033 - 625 0034 - 1500 0035 - 6100 0036 - 5795 0037 - 2560 0038 - 2250 0041 - 12800 0043 - 2928 0044 - 2500 0046 - 7360 0047 - 8640 0048 - 36600 0049 - 4375 0050 - 976 0051 - 7930 0052 - 4575 0053 - 5120 0054 - 750 0055 - 3172 0056 - 3416 0057 - 16640 0058 - 11250 0059 - 7360 0060 - 1664 0061 - 1664 0063 - 1536 0064 - 1536 0065 - 15250 0066 - 8845 0069 - 437 0070 - 640 0071 - 8750 0073 - 10240 0074 - 1098 0077 - 2816 0078 - 2560 0079 - 366 0080 - 488 0081 - 1024 0082 - 1024 0083 - 1098 0084 - 610 0085 - 8235 0086 - 3355 0087 - 854 0089 - 2196 0090 - 2074 0091 - 3172 0092 - 2684 0093 - 732 0094 - 732 0095 - 1708 0096 - 732 0097 - 305 0098 - 305 0099 - 625 0101 - 384

135

Notes:

136

Neal Auction Company John R. Neal (1940-2018), Founder Neal Alford President

Katherine Hovas Senior Vice President

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

ADMINISTRATION

Director of Administration & Finance Michelle LeBlanc Leckert, CAI

CONSIGNMENTS

Furniture & Decorative Arts Neal Alford; Josh Broussard

Client Services / Accounts Receivables Rebekah Abernathy

Database Management / Internet Auction Administrator Lisa Weisdorffer

Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote

Books, Maps & Natural History Prints Marc Fagan

Silver & Decorative Arts Katherine Hovas

Asian Arts Bettine Field Carroll

Consignments Administrator / Condition Report Manager Matthew Cohn

Bookkeeper Rita LaGrange-Perez

Social Media Coordinator / Junior Cataloguer Cameron McHarg

General Manager Jason Leckert

AUCTION SERVICES

GRAPHICS

Graphics Director / Catalogue Design David Roberts

Photography Jason Leckert Gerard Lewis Owen Murphy

Graphics Staff Sonya Contino Stephanie Do Ouro

Director of Operations Jerry Major

Cammie Mayer Margo Phelps

AUCTIONEERS

Trust & Estates Advisor Henry G. McCall

Senior Appraiser Fine Arts Amanda Mantle Winstead

CATALOGUE CONSULTANTS

Operations Staff

EXHIBITION STAFF Cecile Ballard

Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R.

Appraisals Marc Fagan

OPERATIONS

Charlie Clay Kelvin Gibson

Benjamin Rhodes Tremaine Major

Yvette Semmes Carolyn Wogan Claire Whitmore

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Paintings & Fine Arts Amie Strickland

Newcomb Pottery & Decorative Arts Sally Main

Silver Carey Mackie

Decorative Arts & Victoriana Ann M. Masson

Jewelry Stephen A. Moses, GIA Graduate Gemologist