June 30th & July 1st Auction Catalogue by Neal Auction

Neal Auction Important Estates Auction June 30 & July 1, 2012

W denotes the lot is illustrated at www.nealauction.com

Front Cover: A Rare American Classical Inlaid Satinwood Astragal Work Table, c. 1815, attr. to Duncan Phyfe, NY, h. 31 in.

Back Cover: Marie Atkinson Hull (Mississippi, 1890-1980), “Rocky Shore,” oil and mixed media on canvas, signed, 36 x 30 in.

This Page: Auguste Edouart (French, 1789-1861), “Two Ladies in a Morning Room,” 1838, silhouette, graphite, and wash on paper, signed and dated, 12 in. x 14 1/2 in.

LOUISIANA SUMMER ESTATES PURCHASE AUCTION AUCTION October JUNE 30 &6JULY & 7,1,2007 2012 On Our Premises 4038 Magazine Street & 3923 Carondelet Street EATURING: F • Important Property from the Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS • Property from the Collection of David & Pamela Harmon, Remaining Contents of Everhope Plantation, Eutaw, AL • Additional Property, Estate of Renowned Architect and Artist, James R. Lamantia, Jr., FAAR, New Orleans and New York • A Gulf Coast Gentleman’s Collection of Shearwater Pottery • Chinese Porcelain from the Collection of a Princeton, NJ Gentleman • Asian Decorative Arts from the Estate of Margaret Winling Gulotta (1928-2007), Lake Marina Drive, New Orleans • Property Descended in the Family of Stanley Newbold Barbee (1893-1968), Beverly Hills, CA • And Property of Others

EXHIBITION beginning Monday, June 18, 10 a.m. to 5 p.m. Special Saturday Preview, June 23, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, June 28, 5 to 7 p.m. AUCTION SCHEDULE Saturday, June 30, 10 a.m., 4038 Magazine Street Sunday, July 1, 11 a.m., 3923 Carondelet Street

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Session One Saturday, June 30, 10 am 4038 Magazine Street

W denotes the lot is illustrated at www.nealauction.com

2. Augustus Welby Northmore Pugin (British, 1812-1852), “The Eschenheim Tower, City Gate of Frankfurt”, c. 1833/34, graphite on light cream-colored laid paper, very faintly signed “Aug. Pugin” (and possibly dated?) lower left, paper watermarked “[18]33” behind upper right, edge bordered in thin black ink, 9 7/8 in. x 7 in., in modern mount. $500/700 Provenance: James R. Lamantia, Jr., New Orleans and New York. 1

1. Alexander Runciman (Scottish, 17361785), “Sorrowing Mother with Two Children—A Babe and a Youth”, c. late 1760s/early 1770s, sepia ink and wash with white gouache on creamcolored wove paper without discernible watermark, signed with monogram “AR” at right center, with indecipherable 2-line inscription en verso, 4 5/8 x 5 1/4 in., in a modern mount. $500/700 Provenance: James R. Lamantia, Jr., New Orleans and New York. Note: This is an important and influential drawing by the underappreciated artist Alexander Runciman, who was a pioneer in the introduction of grand-manner history painting to Scotland. He and his brother John (17441768/69) traveled to Rome in the mid-1760s, and John died in Italy; this drawing seems likely to reflect Alexander’s study of Renaissance and Mannerist art, either during his years in Rome (1767-1771), or soon thereafter, when Runciman proposed a series of classical themes for the decoration of his masterwork, the interior of Penicuik House for Sir James Clerk, third Baronet of Penicuik (1709-1782). Those interiors—representing much of Runciman’s output—were destroyed by fire in 1899; but large numbers of his drawings still exist at the National Gallery of Scotland, by which his classicizing as well as his medievalizing style can be studied (the principal component at Penicuik had been the Hall of Ossian, whose decorations were based on the fantastical contemporary poetry of James Macpherson, 1736-1796). This powerful drawing probably depicts one of the heroines of classical antiquity, for on the right two large columns are lightly sketched; the familiar pyramidal configuration is strongly articulated by the bowed head and enveloping figure of the grieving mother, and brilliantly articulated by the pathos of the childrens’ bodies, arranged on a single diagonal. The composition was presumably painted or redrawn by Runciman, for it informs many of the parallel configurations of Henry Fuseli (1741-1825, who knew Runciman in Italy, and in 1771 called him “the best Painter of us in Rome”), as well as many others of their intimate circle. References: Duncan Macmillan, “Alexander Runciman,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 27, pp. 333-334; Frederick Cummings and Allen Staley, Romantic Art in Britain: Paintings and Drawings 1760-1860, Philadelphia, 1968, pp. 85-87, nos. 40-42; Sir Ellis Waterhouse, Painting in Britain, 1530-1790, Harmondsworth, 1969, pp. 202-203; Peter Tomory, The Life and Art of Henry Fuseli, New York, 1972.

Note: This is an early example of Pugin’s architectural—or more properly topographical—studies, being a view from the north of the famous old watchtower (1400-1428) on the northwest line of the former city walls at Frankfurt-am-Main, Germany. The Eschenheim Gate is now restored to its Medieval form, as Pugin 2 meticulously drew it; like all the monuments of Frankfurt, it was substantially reconstructed after World War II. The twin turrets a third of the way up now have new windows, roof spires, and machicolations; there are two more windows (distinguished by their more modern stonework) to light intermediate floors in the tower itself; and the machicolations, battlements, and spires of the crowning ring of turrets have all been rebuilt. Pugin probably owed his deep acquaintance with 5 (1 of 5) this tower to the constant series of travels that he undertook to study Medieval architecture on the Continent (principally in France, Belgium and Germany) beginning in May 1832, when his first wife died in childbirth; and his father, his mother, and his aunt—from whom he inherited financial independence—all followed her within a few months. The paper of this drawing is dated “[18]33” on what is almost certainly a remnant of a John Whatman watermark: there is no reason to assume that Pugin would have availed himself of such a prestigious paper in any later year than 1833/34, and we may confidently take that internal evidence as the date of this fine drawing. Pugin’s later career, as perhaps the finest Gothic Revival architect of the first half of the 19th c., is here given a very significant impetus. Reference: Alexandra Wedgwood, “A. W. N. Pugin,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 25, pp. 711-716; Baedeker’s Germany, New York, 1986, p. 126.

W 3. Attributed to William Etty, R.A. (English, 1787-1849), “Study of Cows”,

ink on paper, unsigned, 7 1/2 in. x 4 1/2 in. $200/300 W 4. Fannie F. MacPherson, Lady Holroyd (Australian, 1864/5-1924), a pair

of academic drawings of standing men, black chalk, one partial signature upper right, the other signed and dated lower left, both sheet approx. 24 in. x 9 1/2 in., matted. $200/400 5. J.H. Tatham (British, early 19th c.), five architectural and engineering renderings, 1803, watercolor and ink, two signed and dated, largest 20 1/4 in. x 25 in., unframed. $300/500

6. English School, 18th c., “Macaw and Peonies” and “Finch and Roses”, two watercolors on laid paper, sight 16 in. x 20 1/4 in., framed.

$1000/2000

9. An English Black Leather and Mahogany Metamorphic Ladder, hinged case, enclosing folding ladder, closed height 82 in.

7. Attributed to Harry Frier (English, c. 1849-1919), “James II”, oil on rounded arched panel, unsigned, old label en verso reading “Head of James II/ in National Gallery/ Harry Frier”, 15 1/2 in. x 11 in., original frame.

$1000/2000 10. A Pair of American Renaissance Gilt-Incised Rosewood Side Chairs in the Egyptian Revival Taste, late 19th c., arched crest rails, padded backs, lotus-carved turned stiles, shaped finials and leaf-carved rails, turned and blocked legs.

$500/700 8. An Antique George III-Style Carved Mahogany Library Chair, arched crest, padded arms, cabriole legs, pad feet.

$400/600

$300/500 Provenance: Estate of Laura Hayward Howard, New Orleans, LA. W denotes the lot is illustrated at www.nealauction.com

W 14. A French

Aesthetic Faux Bamboo and Faience Tile Sewing Stand, late 19th c., avian tiles marked “Montereau LM & Cie Creil”, original silk upholstered interior, height 32 1/2 in., width 17 in., depth 12 in. $300/500

15 (2 of 5 pieces)

11. A Pair of American Aesthetic Carved Mahogany Vitrine Cabinets, c. 1880-1890, brass galleried top, leaf and berry relief frieze on stippled ground, fluted stiles flanking beveled glass door, brass galleried beveled glass sides, adjustable shelves, mirrored back, ball feet, casters, height 58 in., width 57 in., depth 19 in. $2500/3500 12. An American Classical Mahogany Canterbury, early 19th c., Boston, lyre form, divided compartments, plinth base fitted with a drawer, block feet, casters, height 17 7/8 in., width 14 3/4 in., depth 18 3/4 in. $600/900

13. A George IV Carved Mahogany Bergère, c. 1825, casters stamped “Cope & Collinson Patent”, molded crest centered by bellflower panel, padded arms, fluted uprights, turned legs, casters. $500/750

15. An Antique Louis XVI-Style Carved Walnut and Caned Associated Parlour Suite, late 19th/early 20th c., comprised of a settee, two fauteuils, and two bergères, settee with guilloche back, acanthine arms, serpentine seat rail, fluted tapered legs; fauteuils with cartouche backs, scrolling arms, serpentine seats, cabochon cabriole legs; bergères with floral crests, serpentine seats, floral cabriole legs. $1000/1500

16. A Renaissance-Style Walnut Trestle Table, plank top, splayed scrolled supports, iron stretchers, scrolled toes, height 30 1/2 in., width 82 in., depth 25 in. $700/1000 17. Rolph Scarlett (Canadian/American, 1891-1984), “Still Life”, c. 1913, oil monoprint, unsigned, ACA Galleries, New York City label en verso, 24 in. x 18 5/8 in., framed. $1000/1500 16

19 20

19. Rolph Scarlett (Canadian/American, 1891-1984), “The Gossips”, oil monoprint, unsigned, ACA Galleries, New York City label en verso, sight 10 3/8 in. x 14 1/2 in., framed.

$700/900 20. Continental School, late 18th/early 19th c., two botanical watercolors; together with a hand-colored engraving of a parrot by Nodder, 1790, the largest sight 10 1/2 in. x 7 1/2 in., each matted and framed, (3 pcs.). $200/300

18. Rolph Scarlett (Canadian/American, 18911984), “Still Life with Plant and Bucket”, c. 1913, oil monoprint, unsigned, ACA Galleries, New York City label en verso, 15 1/2 in. x 11 1/4 in., framed.

21. Dutch School, 16th18th c., in the manner of Maarten van Heemskerck (Dutch, 1498-1574), “Virgin and Child with the Infant St. John in a Landscape”, oil on canvas, unsigned, 14 1/4 in. x 11 1/4 in., antique frame.

$700/900

$1000/2000

W denotes the lot is illustrated at www.nealauction.com

26. James Abbot McNeill Whistler (American, 18341903), “Drouet Sculpteur”, 1859, drypoint etching, on laid paper, partial watermark visible, sheet 11 1/2 in. x 8 1/2 in., attractively matted and framed. $1000/1500 27. Anders Leonard Zorn (Swedish, 1860-1920), “The Cabin”, 1917, drypoint etching, on laid Van Gelder Zonen watermarked paper, signed lower right, plate 11 3/4 in. x 7 3/4 in., sheet 18 1/2 in. x 14 1/4 in., attractively matted and framed. 26

$1000/1500 W 28. Joan Miró

(Spanish, 1893-1983), “Lithograph VIII”, 1972, lithograph, pencil-signed, sight 12 1/2 in. x 19 3/8 in.

$600/800

W 24. [Egyptian Views], a group of 13

22. Italian School, 18th c., “An Elaborate Arrangement of Summer Flowers in a Terracotta Vase”, oil on oval canvas, unsigned, 38 in. x 28 1/2 in., unframed. $1000/2000 W 23. Leon Esperance Broquet

(French, 1869-1936), “Reuves, Marne/10 Sept. 1914/prose de la ferme gibbart”, graphite on grey paper, signed below title inscription at lower left, 12 1/4 in. x 8 1/2 in., unframed. $300/500

engravings from the first and second editions of Descriptions de l’Egypte ou Recuiel des Observations et des Recherches... l’Expedition de l’Armee Française, Paris, 1815 & 1828, sheet sizes ranging from 18 in. x 24 1/2 in. to 27 1/2 in. x 21 in. $500/700 W 25. [Architectural Prints], Engravings

of Ancient Cathedrals, Hotels de Ville, and other Buildings of Celebrity, in France, Holland, Germany, and Italy, drawn and engraved by John Coney, descriptions in English and French by Charles Tatham, Esq., published by Moon, Boys and Graves, 18291831, London, 8 parts (complete), in original soft wraps, leather spines, each with four engravings (32 total), sheet 26 3/4 in. x 19 1/4 in. $800/1200

29. Augostino Veneziano (de Musi) (Italian, c. 14901540), “The Climbers”, engraving, after Michelangelo’s drawing for the Palazzo Vecchio, monogrammed and dated 1524, published c. 1773 by Carlo Losi, Rome, laid paper, with fleur-de-lis in double-circle watermark, collector’s stamp “VC”, and old inscription, verso, plate 13 in. x 17 1/8 in. $300/500 W 30. A Monumental

Photogravure of the Colosseum, Rome, Italy, sight 33 in. x 45 in., period oak frame. $600/900 W 31. A Monumental

Photogravure of the Parthenon, Rome, Italy, sight 33 in. x 45 in., in a period oak frame. $600/900

W 32. Salvador

Dali (Spanish, 1904-1989), “Caesar and Cleopatra”, 1973, drypoint engraving, pencilsigned and numbered, plate 11 in. x 15 1/2 in., framed. $400/600 Reference: Field. Albert. The Official Catalog of the Graphic Works of Salvador Dali, ill. 72-3F, p. 73

34 37 33. An English or Irish George III Four Panel Folding Screen, late 18th c., antique silk brocade, arched panels, brass nailhead trim, height 78 1/8 in., width 96 3/8 in. $700/1000 34. An English Carved Mahogany Reading Stand, mid19th c., adjustable top, vasiform shaft, four scrolled foliate legs, casters, height 29 in., width 24 in., depth 18 in. $1000/1500

36. A Georgian Mahogany Chest-on-Chest, c. 1800; upper case with dentilated cornice, two short over three long drawers; lower case with three graduated drawers, bracket feet, height 72 in., width 45 3/8 in., depth 20 3/4 in.

35. A William IV Carved Rosewood Server, c. 1840, scrolled backsplash, reticulated and scrolled supports joined by two shelves, incurvate plinth base, height 50 1/4 in., width 44 7/8 in., depth 18 1/2 in. $700/1000

$800/1200 37. An Antique George III-Style Inlaid Mahogany Child’s Chairon-Stand, 19th c., inlaid crest rail above pierced splat and tapered arms, caned seat, sabre legs, stretchers, conforming stand. $500/750

W denotes the lot is illustrated at www.nealauction.com

40. A Regency Carved Mahogany Desk, early 19th c., Holland & Sons, stamped, locks marked “Chubb’s Patent/57 St Paul’s CH YD/London/ Makers to Her Majesty”, case with Monarch stamp “G” and Prince of Wales Plumes, slant top opening to void interior, a single drawer below, lion’s masque ring pulls, each side with a drop leaf, turned and reeded uprights joined by a stretcher shelf, height 37 1/2 in., width 36 1/4 in., depth 25 in.

$2000/3000 Note: Originally founded in 1803, Holland & Sons was among the largest and most successful furniture making companies of its time. The firm’s primary client was the Royal Family. Holland & Sons were the lead supplier of furnishings for Osborne House, Sandringham, Balmoral and Windsor Castle.

38. An Edwardian Inlaid Mahogany Secretary Bookcase, c. 1900, in the Georgian Taste, broken pediment centered by a brass finial over astragal glazed doors enclosing adjustable shelves, slant front opening to a fitted desk interior, two short over three graduated drawers below, bracket feet; the whole extensively inlaid with cornucopia, urn, bellflower swags and banding, height 90 in., width 37 in., depth 20 in. $2000/3000 39. A Regency Carved Mahogany and Calamander Banded Games Table, early 19th c., foldover top with canted corners, baize-lined playing surface, vasiform stem on a circular plinth, hipped sabre legs with brass paw feet, casters, height 29 1/4 in., width 35 1/4 in., depth 17 3/4 in. $800/1200

41. An Edward ian Inlaid Mahogany Revolving Book Stand, late 19th/early 20th c., James Shoolbread and Company, London, labeled, banded inlaid top above divided shelves, each side with a decorative pierced panel, base with casters, height 33 in., width 20 in., depth 19 1/2 in. $700/1000

42. A Good George III EbonyInlaid Mahogany Library Table, c. 1800, red tooled leather top, frieze drawers, turned stem on arched legs, brass paw feet, casters, height 30 in., width 36 in., depth 22 in.

W 44. Misbach (French

School, late 18th/early 19th c.), “A Muscular Male Nude Positioned Frontally, His Raised Arms Grasping Posing Straps”, 1792, black chalk and stumping (a technique of blending chalk lines into tonal gradations) on off-white laid paper with watermark DFG, unsigned, verso inscribed with effaced words in pencil, overwritten with others in brown ink, “Nettoyer / figure de[?] Place[?] / ...d’un homme—12 Mars 1792”, 23 3/8 in. x 18 1/5 in., with 1 1/2 in. x 1 7/8 in. paper addition for the right hand (2 3/4 in., from left end of top edge), unmounted.

$800/1200 43. Venetian or Central Italian School, 19th c., “Angels Feeding Christ, after the Temptation by the Devil”, pen and blue-grey wash on cream-colored laid paper, inscribed “Piranesi” in sepia ink, and “n. 5” in black ink, bottom left, 8 1/2 in. x 6 1/2 in., in a modern mount numbered M5638 - 35.

$500/700

$800/1200 Provenance: Swann Galleries, New York; to James R. Lamantia, Jr., New Orleans and New York (by whom inscribed on mount: “Possibly related to the Sackler drawing, Columbia-”). Note: The several incidents depicted (which are rare among Italian drawings) are most fully related in Matthew 4, 1-11 (though also mentioned in Luke 4, 1-13, and summarized in Mark 1 12-13). They describe the Devil’s tempting Christ respectively in the desert, before a city, on the temple, and at the top of a high mountain, and then Christ being succored by angels after the ordeal. The drafting style is unusually uniform and unemphatic: it is presumably meant to suggest (if the attributional name is contemporaneous, which it seems from the ink color clearly to be) that Giovanni Battista Piranesi (1720-1778) may have had a very early graphic training under some figurative master. But this is not the case, since he was trained at Venice by uncle, Matteo Lucchesi (1705-1776), and—after quarreling with that “extravagant genius”—also with Giovanni Battista Scalfarotto (c.1690-1764); and both those tutors were engineers and architects, rather than figurative draftsmen. (Piranesi’s remarkably consistent figural style was learned only later, from such capriccioso masters as Carlo Zucchi, the Valeriano brothers, the Galli-Bibiena family, and Sebastiano and Marco Ricci.) The vestigial shield of arms sketched at small scale in the vault seems possibly to be that of the Mocenigo family of Venice, which might argue for a Venetian rather than a Central Italian origin for this sheet; but it must have been widely known that Piranesi signed his drawings with his surname (written, however, in a different and earlier script), so that any locality is open for the production of this sheet. There is some chance that the drawing itself is independent of the inscription, and that only the “signature” was added later; an attentive study of many Italian drafting styles of the 18th and 19th centuries has failed to turn up a recognized candidate for its author. References: John Wilton-Ely, “Piranesi,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 24, pp. 841-847; Douglas Lewis, “A Drawing, Some Dates, and an Architect [Matteo Lucchesi] Rediscovered,” Bollettino dei Musei Civici Veneziani, 12 (1967), pp. 1-51; Hylton Thomas, The Drawings of Giovanni Battista Piranesi, London and New York, 1954.

Provenance: James R. Lamantia, Jr., New Orleans and New York. Note: Shepherd Gallery of New York, as the lead entry in their summer catalogue for 1995, published the unmistakable twin to this very powerful drawing, a watermarked sheet of nearly identical size (24 x 17 in.) with precisely the same technique, stumping, abstract horizon line, and shading of the same darker diagonal segment behind the right calf. That sheet even has an exactly analogous model in a precisely similar position (though this subject appears slightly more muscular), and he too holds with both raised hands an identical posing strap descending from above. The Shepherd drawing is inscribed with the artist’s name of Misbach, plus the fact that it was executed in an “École de Modele [under] Prof. ____ [and dated Germinal, Floréal, or Prairi]al, An 7” (which, in the brief term of the French Revolutionary calendar, coincides with a date between 21 March and 18 June 1799). A number of Misbach’s topographical views of Paris are recorded; and he helped to train a son, Constant Misbach (1808-1850), who exhibited at the Salon as a history painter between 1831 and 43 1850, when he died at age 42. Nothing else is known of the senior Misbach; but these two “academy” studies certainly demonstrate his full mastery of anatomy and pose, even in his evidently early decade of the 1790s. (His son’s birth in 1808 means that the father was probably married c. 1800/05, and thus was born in approximately 1775; he would therefore have been only in his late teens and early twenties when these drawings were made.) The fact that this and the Shepherd sheet both received such circumstantial inscriptions apparently argues for Misbach’s contemporary renown, a status clearly borne out by this second—and substantially earlier—addition to his oeuvre. Reference: Elisabeth Kashey, French 19th C. Paintings, Drawings and Watercolors, summer exhibition of 9 May-23 June at Shepherd Gallery, New York, 1995, no. 1.

W 45. A Group of Six Continental Gouaches of Butterflies

and Flora, early 19th c., some with J. Whatman watermarks, sights from 6 1/2 in. x 5 1/2 in. to 10 1/4 in. x 8 1/4 in., attractively matted and framed. $300/500

W denotes the lot is illustrated at www.nealauction.com

47. A Louis XV Gilt Bronze-Mounted Boulle Bracket Clock, 18th c., silkthread movement signed “De Lorme, Paris”, striking on a single bell with outside count wheel, engraved gilt bronze dial with enamel cartouches and blue Roman numerals, the arched pediment with a figure of Fame, the door adorned with Apollo riding his sun chariot, on toupie feet, the whole supported on a shaped bracket, mounted with masks and rosettes, total height with bracket 53 in., width 19 1/4 in., 10 1/2 depth in. $4000/6000 Provenance: An Audubon Place Collection, New Orleans. 48. A Pair of Bagues-Style Argenté Rock Crystal and Rose Quartz Two-Light Sconces, height 27 1/2 in. width 17 in. 49

46. Boris Pastoukhoff (Russian, 18941974), “Lilies - A Floral Still Life”, oil on canvas, signed upper right, 24 in. x 20 in., antique frame. $2000/4000

$2000/3000 49. An Antique Patinated and Gilt Bronze FifteenLight Colza Chandelier, 19th c., corona with goat’s head masks, arms with entwined snakes, electrified, height 39 1/2 in., diameter 28 in. $2500/3500

52. Charles-André, called Carle, Van Loo (French, 1705-1765), “A Sleeping Shepherd”, probably c. early 1760s, red chalk (and graphite sketches of a left hand, and a head, at top right), inscribed in umber ink by a mid-18th c. hand “VanLoo Père” at bottom, on cream-colored laid paper with untranslated watermark in four lines (beneath right arm), and countermark of a symbol (above left knee), with punctures for stitching on right edge, 12 1/2 in. x 17 in., in a modern mount, extensively numbered and inscribed. $1500/2500 Provenance: Art Market, New York; James R. Lamantia, Jr., New Orleans and New York.

50. An Antique Aubusson Carpet, moss ground, violet accents with floral central medallion, cream ground floral corner spandrels, bordered with violet floral medallions, 12 ft. 4 in. x 16 ft. 4 in. $12000/18000 51. Carl Friedrich Wilhelm Trautschold (German, 18151877), “Portrait of an English Lady 51 at Mere Hall (Bolton, Manchester)” oil on canvas, signed and inscribed, 33 in. x 39 in., original frame.

Note: The most illustrious member of a famous five-generation dynasty of French draftsmen and painters originally from Flanders, Carle Van Loo is here contemporaneously labeled as “Père” to distinguish him from his son Jules-César-Denis Van Loo (1743-1821, then in his twenties), who emigrated to Turin—like his father—and painted at the Piedmontese court. Carle, born at Nice, was trained at Turin from 1712 and Rome from 1714, where he studied with the sculptor Pierre Legros II (1666-1719), who was particularly celebrated for his fine drawings. Upon moving to Paris in 1719, Carle himself won a first prize in drawing from the Académie Royale in 1723, and was awarded the coveted Prix de Rome in 1724. Another of his drawings took first prize at the Academia di San Luca in 1728, and he began to demonstrate the stylistic eclecticism which distinguished his career, varying from the refined classicism of Raphael and Carlo Maratta to the dramatic dynamism of his own best contemporaries, of whom François Boucher was his particular friend. After another highly creative stay in Turin (1732-34), Van Loo began a brilliant career in Paris in the following year, when his 1735 admission to the Académie Royale was immediately followed by a host of official, religious, and royal commissions. He was ennobled in 1751, and appointed First Painter to the King in 1762; Baron von Grimm called him “the greatest painter in Europe.” This very splendid sheet (despite its evidence of having been removed from an album) seems too regular and finished to be merely a preparatory sketch for a painting: rather it shows every evidence of being a presentation drawing in its own right, exemplifying the precise, technically perfect mastery which has made Van Loo’s drawings conspicuously rare on the market. References: Laurie G. Winters, “Carle Vanloo,” Grove Dictionary of Art, Jane Turner, ed., London, 1996, 34 vols., vol. 19, 645-647; Annamaria Petrioli Tofani et alia, Disegni dell’Europa Occidentale dall’Ermitage, Florence, 1982, p. 86, no. 99, fig. 95 (dynamic style, with inscription very similar to this); Pierre Rosenberg and François Bergot, French Master Drawings from the Rouen Museum, Washington, 1981, pp. 88-89, no. 114, pl. 74 (sculptural style: this technique).

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

W 53. Italian

School, 18th c., “Architectural Rendering”, ink and ink wash on laid paper, inscribed and dated en verso “as purchased in Rome in 1804 (Mez. Maggion/ compo a/ Roma/ nel/ 1804)”, two collectors’ stamps (“C.A.” and “P.G.B.”) recto, 18 1/8 in. x 10 1/8 in., matted and framed.

$400/600 W 54. Attributed to

Domenico Mazzoni (Italian, 1825-1923), “Portrait of a Lady”, c. 1881, ink on paper, unsigned, sheet 7 1/2 in. x 6 in., matted. $300/500 Note: Purchased in New York, 1960s. 55. Cornelis Springer (Dutch, 1817-1891), “Town Hall of Veere, Zeeland, The Netherlands”, oil on canvas, signed lower left, 23 3/4 in. x 15 3/4 in., framed.

$7000/9000 Provenance: Collection of Dr. Richard Bazin (New Orleans, d. 1967), descended in a Louisiana family. 57

56. Auguste Cornu (French, 1888-1891), “Wood Figure of a Seated Woman Warming Herself”, signed on seat at right “Aug. Cornu”, height 28 1/2 in., width 17 in., depth 26 1/2 in. $1000/1500 Note: The evident strong influence of the great German sculptor Ernst Barlach (18701938) helps to give this quiet but powerful figure a true monumentality. 57. After Stefano Ricci (Italian, 1765-1837), bichromatic bronze “Bust of Menelaus” from the Antique marble group restored by Ricci of Menelaus and Patroclus in the Loggia dei Lanzi, Florence, height 20 in. $1200/1800 58. A Fine KPM Porcelain Plaque of Queen Louise Descending a Stair, late 19th c., signed Wagner lower right, with impressed “KPM” and scepter, plaque 15 5/8 in. x 10 1/4 in., elaborate carved and gilt frame. $4000/6000 58

W 59. Four

Royal Copenhagen “Flora Danica” Porcelain Coffee Cups and Saucers, No. 3597, dated 1969-74, each round cup with branch handle, circular saucer with dentil border, botanical painting of various flowers, base with Royal Copenhagen logo, underglaze blue wave mark, pattern no. 20, shape no. 3597 and initials, cup height 2 3/4 in., saucer diameter 5 3/8 in.

$800/1200 W 60. A KPM

Gilt Porcelain Tazza, c. 1847, marked, molded rim, vasiform standard, flared base, height 6 3/8 in., diameter 10 in.

$300/500 W 61. A

Portuguese Palissy Type Majolica Charger, early 20th c., depicting a lobster amid sea life, marked “F. Mendes, LDA, Portugal” and with impressed “489”, diameter 11 1/2 in. $250/500 62. A Fine Louis Vuitton Steamer Trunk, c. 1930s, lockplate stamped 053395, with painted monogram “JSG”, complete with hangers and drawers, with original key, height 44 1/4 in., width 21 1/2 in., depth 22 in. $3000/5000 Provenance: Christie’s on-premises sale. The Contents of Gallison Hall, Farmington, Charlottesville, Virginia; The Property of Mrs. Julio-Sanchez Galban, October 11, 1983.

63. A Vintage Louis Vuitton Trunk, c. 1930s, serial number 140283, painted monogram “M.P.B.”, removable interior trays, padded lid, wheels, height 19 1/4 in., width 35 5/8 in., depth 20 1/8 in. $1500/2500 64. A Group of Five Antique Neapolitan Crèche Figures, 19th c., painted wood and cloth, heights 20 1/2 in. to 23 1/4 in. $1200/1800 Provenance: Estate of Jewell Younger Graeber, Marks, MS.

W 65. A Group of Lapis Objects, including a gilt

bronze mounted circular box, probably Italian, height 1 1/2 in.; and three Chinese snuff bottles, height 1 7/8 in., 2 in., and 3 in., (4 pcs.). $300/500 Provenance: Estate of Jewell Younger Graeber, Marks, MS. 66. A Pair of Italian Carved and Giltwood Angels, 19th c., figures depicted kneeling in supplication, one with arms crossed, the other with hands together in prayer, height 15 1/4 in. $800/1200 67. A Fine Set of Four Sheffield Plate Candlesticks, 19th c., oval candlecups with original bobêches, baluster-form shafts with delicate ring turnings, oval bases, height 9 7/8 in. $500/750 W denotes the lot is illustrated at www.nealauction.com

68 69 68. A Rare Antique English Silverplate Lemonade Press, William Hutton & Sons, Sheffield and London, c. 1880-1890, the lemonform press on a stand fitted to hold four beakers and three lemons, the tray base in the form of a lotus leaf, with handles and ball feet, height 14 1/2 in., width 14 in. $500/700 71 69. An Antique English Sterling SilverMounted Claret Jug, Horace Woodward and Co., London, 1896, mark reg. 1893, fully hallmarked, star pattern cut glass, the mounts with Bacchus mask and vintage decoration, the cover surmounted by lion rampant and shield with handsome strapwork monogram, height 11 3/4 in.

71. An Antique Neoclassical Gilt Bronze Six-Light Candelabrum, acanthine arms, fluted standard, paw feet, now mounted as a lamp, candelabrum height 28 in., overall height with shade 44 in.

$1000/1500 70 70. A “Milton Shield”, after the example created by Leonard Morel-Ladeuil (Fr. c. 1820-1888) for Elkington, patinated metal electrotype, cast signature “Morel Ladueil Fecit 1866” and “Elkington”, modeled with scenes from Paradise Lost centered by a medallion depicting Adam and Eve with the Angel in the Garden of Eden, height 33 1/2 in., width 25 1/2 in.

72. A Pair of American Aesthetic Carved Mahogany Armchairs, 19th c., New York, reeded stiles, sunflower-carved back, shaped padded arms, reeded rail, turned legs, anthropomorphic feet. Note: retaining original stuffing and covering.

$600/900 Note: The prototype was created for the International Exhibition of Paris, 1867.

$700/1000

$600/900

73. An American Rococo Carved Mahogany Games Table, mid-19th c., serpentine foldover top with circular baize playing surface, frieze centered by scrolled acanthus, cabriole legs, height 31 5/8 in., width 33 1/4 in., depth 16 1/2 in. $600/800 74. A Fine American Carved Rosewood Armoire, mid19th c., probably New Orleans, ogee cornice over paneled doors, shelf interior with a medial belt of drawers, plinth base, molded feet, the whole with distinctive beaded molding, height 99 in., width 62 in., depth 26 3/4 in.

$3000/5000 Note: The fixed case construction and the use of luxurious details such as the brass door stile and maple interior of this armoire recall the furniture of New Orleans purveyor Prudent Mallard. Moreover, the beaded molding framing the doors and the distinctive bracket feet on this example relate closely to an armoire also linked to the Mallard warerooms from a home at 1333 4th Street, New Orleans and sold by Neal Auction Company as lot 894 October 11, 2008.

75. A Fine American Rococo Carved Rosewood Dressing Table, mid-19th c., probably New Orleans, shaped mirror, scrolled acanthus supports on serpentine variegated marble top, conforming frieze fitted with a drawer, scrolled brackets, incurvate stretcher shelf, molded feet, casters, height 73 in., width 44 in., depth 21 1/2 in. $2000/3000 Note: The mirror frame and supports on this dressing table are nearly identical to those on a rosewood dressing table descended in the Villere-Clark-Atkinson family of New Orleans and sold by Neal Auction Company as lot 75, November 20, 2010. 76. An American Federal Mahogany Two-Part Dining Table, early 19th c., each D-end with drop leaf, ring-turned legs, original brass ferrules and casters, height 30 in., length 92 1/2 in., width 53 1/2 in.

$1000/2000

76 W denotes the lot is illustrated at www.nealauction.com

77. An American Late Classical Carved Mahogany Tester Bed, c. 1840-1850, probably New Orleans, stepped ogee tester, scrolled headboard centered by a shell cartouche, tapered posts with gothicized panels, conforming shaped rails, height 116 in., interior length 78 in., interior width 61 in. $5000/7500 Note: The bed offered here is very similar in proportion and ornament to a tester bed at Rosalie, Natchez. The finely executed taffeta insert adorning this bed is an ideal juxtaposition to the rich mahogany veneers. Reference: Otto. American Furniture of the 19th c. fig. 365, p. 169.

78. An American Federal Birdseye and Tiger Maple Chest of Drawers, c. 1830, two outset drawers over three graduated drawers, shaped skirt, turned legs, height 42 in., width 40 1/2 in., depth 20 1/2 in. $1200/1800 79. An American Classical Carved Mahogany Games Table, c. 1820, foldover top, lyre support, incurvate plinth, reeded saber legs ending in brass paw feet, casters, height 28 1/2 in., width 36 in., depth 18 1/4 in. 77

$1000/1500

80. American School, mid19th c., “Portrait of A Young Woman in a Fancy Red Dress, Holding a Periodical, a Landscape Beyond”, oil on canvas, unsigned, 30 in. x 25 in., original giltwood frame. $1500/2500 81. American School, 19th c., “David Alexander Bokee (18051860)”, oil on canvas, unsigned, script label en verso identifying the sitter, 30 1/4 in. x 25 in., original frame.

$1200/1800 Note: Born in New York in 1805, Bokee moved to Georgetown, South Carolina, in the early 1820s to expand his burgeoning mercantile career. There, he married and had six children before returning to New York in 1834. He served as New York State Senator and was elected to the US Congress representing New York as a Whig in 1848. Through his Whig ties President Millard Fillmore appointed him the Naval Officer of Customs for the Port of New York in 1851. Reference: American Whig Review, Vol. VIII, Wiley and Putnam, New York. 1851.

W 82. John Faulkner

(American/Mississippi, 1901-1963), “Sorghum Mill at Night”, oil on canvas board, signed lower right, Curl Galleries, Washington, DC label and typed description of scene en verso, 18 in. x 24 in., framed. $800/1200 Note: Younger brother of William Faulkner, the artist and author John Faulkner most probably painted this work as part of his “Vanishing South” series.

83. William Aiken Walker (American/South Carolina, 1838-1921), “Wash Day at the Cabin”, oil on academy board, signed lower left, Presbytere Exhibition label en verso, 9 in. x 12 in., framed. $15000/20000 Exhibited: “The World of William Aiken Walker”, Presbytere, Louisiana State Museum, December 1972-January 1973. Note: To be included in John Fowler’s upcoming catalogue raisonné on the artist.

W denotes the lot is illustrated at www.nealauction.com

84. William Aiken Walker (American, 1838-1921), “River Landscape with Fisherman in Skiff and Paddle Wheeler”, oil on canvas, signed lower right, 6 in. x 8 in., period giltwood frame. $8000/12000 Note: This rare canvas relates closely in style and subject matter to Walker’s work along the Ocklawaha River as seen in figures 78 and 103 of The Sunny South: The Life and Art of William Aiken Walker. At Walker’s first arrival in St. Augustine, several artists had already made the trip south from New York, many opting to stay and set up studios to record the lush and varied Florida landscape. Steam powered vessels such as the one pictured here were common along Florida waterways. In this canvas Walker takes a step back from the agrarian roots of his cotton field portraits and cabin scenes, choosing instead to frame the industrial steamship chugging its way upriver pass the skiff with its fishermen folding their sails after a long day. To be included in John Fowler’s upcoming catalogue raisonné on the artist. 85

85. Alexander John Drysdale (American/New Orleans, 1870-1934), “Live Oaks, Louisiana”, 1922, oil wash on board, signed and dated lower left, sight 19 1/2 in. x 29 1/4 in., period frame. $3000/5000 86. Alexander John Drysdale (American/New Orleans, 1870-1934), “Bayou Scene with Lily Pads”, 1922, oil wash on board, pencil-signed and dated lower left, sight 19 1/2 in. x 29 1/2 in., framed. $2000/3000 87. John James Audubon (American, 1785-1851), “Red Tailed Hawk”, Plate 51, hand-colored aquatint with engraving, from Birds of America, the elephant-folio paper watermarked “J.Whatman/Turkey Mill/1838”, sheet 39 3/4 in. x 26 1/2 in., framed. $3000/5000

88. William R. Hollingsworth (American/Mississippi, 1910-1944), “Mississippi Landscape with Train Tracks and Telephone Poles” and “Mississippi Town with Shotgun Houses”, 1944, double-sided watercolor on paper, each initialed and dated lower right, 22 in. x 14 in. $5000/8000 Provenance: Acquired by a Virginia collector while visiting relatives in Jackson, MS, c. 1944; thence by descent. Note: Hollingsworth is best known for his watercolors of the countryside near Jackson and for his depictions of African Americans in their environs. The double-sided work offered here has a view from each of these favored themes, with one side showing a vast landscape with power lines and a train track, and the other side a black man within a group of shotgun houses. In 1937 Hollingsworth won the William Tuthill Prize at an international watercolor show at the Art Institute of Chicago. Unfortunately, his artistic output was limited to a mere ten years, as the artist took his life in the summer of 1944, the year the watercolors offered here were painted. 89. A Large Antique English Brass Telescope, c. 1900, on adjustable carved mahogany stand, complete with original fitted case, tube length 44 1/2 in., stand height from 64 in. to 74 in. $3000/5000

90. A George III Carved Mahogany and Inlaid Wheel Barometer, c. 1820, dial signed “C. Terelli” for Charles Terelli, London, inlaid with conch shells and pinwheels, dial with engraved compass wheel, height 38 in., width 10 in., depth 2 in.

91. An Antique English Twelve-Inch Terrestrial Globe, c. 1908, cartouche reads “12 inch Globe by W. & A.K. Johnston Limited Geographers: Engravers & Printers, Edinburgh and London”, on a cast iron tripodal stand, ending in paw feet, height 21 1/2 in. $500/700 92. An Antique American Twelve-Inch Terrestrial Globe, early 20th c., cartouche reads “Made by Weber Costello Co., Chicago Heights, Illinois”, on a turned wooden pedestal, height 20 in. $700/900

$500/700 W denotes the lot is illustrated at www.nealauction.com

W 96. Giovanni

Battista Piranesi (Italian, 1720-1778), eleven engravings including “Vedute de Roma”; “Pinna, o sia merlo angolare... tempio o sepolcro”; “Avanzi di antiche terme in Albano”; “Disegno di spoglie d’anchichi”; “Prospettiva della piscine delle mediseme”; “Sepolcro antico su la Via Appia” and “Stanza rinvenuta l’anno 1758”; “Rovine delle...Cora nel Lazio”; “Piedestallo, e base della Colonna Trajana”; “Dimonstrazioni in grande del Capitello della colonna Trajana”; “Dimonstrazioni in grande del Capitello della Colonna Trajana”; “Disegno di una Quarta Parte di una Volta”, (Wilton-Ely, 134, 641, 649, 651, 659, 668, 669, 674, 698, 705), sheet sizes from 21 in. x 14 1/2 in. to 43 in. x 30 in.

$800/1200 93. Gérard Jozef Portielje (Belgian, 1856-1929), “Le Quart d’Heure de Rabelais”, oil on canvas, signed and inscribed “Antwerp” lower left, signed, titled, and inscribed en verso, 15 1/2 in. x 18 1/2 in., framed.

W 97. Sir William Hamilton (English, 1730-1803), twelve

$12000/18000

$500/700

Provenance: Purchased from the Kansas City Art Institute, 1958; descended in the Yuska family, Kansas City, Missouri. W 94. Francesco Piranesi (Italian, 1756-1810), nineteen

engravings including 14 plates of chimney pieces in the Egyptian style, from Diverse Maniere... (Wilton-Ely 822, 825, 831, 842, 845, 859, 864, 866, 867, 869, 871, 872), 14 in. x 20 in. to 15 in. x 21 in.; and 5 plates from Vasi, Candelabri... (Wilton-Ely, 896, 899, 900A, 905, 917), 18 3/4 in. x 24 3/4 in.

antique hand-colored engravings after Johann Heinrich Wilhelm Tischbein (1751-1829), from Hamilton’s collection of antique vases, various sizes: 6 1/2 in. x 7 3/4 in. to 17 in. x 11 3/4 in.

W 98. A Group of Sixty Antique Continental Architectural

Etchings, including Giovanni Battista Piranesi (Italian, 1720-1778), “Pianta de ampio magnifico Collegio...” (Wilton-Ely 44); Francesco Piranesi (Italian, 1756-1811), “Teatro D’Ercolano”, “Dimostrazione in grande di alcune parti interiori del Panteon”; “Temple of Vesta”, “Temple of Sibyls”; works from Chateau de Campagne; and others, sheet sizes 10 1/4 in. x 15 1/2 in. and smaller. $800/1200

$700/1000 W 99. A Group of Twenty-Five Antique Continental W 95. Francesco Piranesi (Italian, 1756-1810), twenty-five

engravings including “View of Villa Medici”; “Demonstraton en grand des Gonds”; “La Grotta de Posilipo”; “Plan of Circus Caracalla”; “Fuoco artificiale detto la Girandola”; “Veduta del Pemio d’Iside... Citta de Pompei”; “Prospetto interiore del Tempio Vaticano”; “Casque et Jamieres en bronze pour les gladiateurs”; “Vue de del la Ville de Pompeia”; “Aspect du Tempe d’Isis”; “Pianta del Piano Duperiore della... de Cesari”; “Pianta del piano inferior... palazzo de Cesari”; “Bassirilievi cavati dalla Colonna Trajana”; 12 plates from the series Three Temples; and others, sheet sizes from 18 1/4 in. x 12 1/2 in. to 29 3/4 in. x 38 1/2 in. $600/900

Engravings, including Papal Tiara, 1509; Bramante’s Belvedere Garden, 1579; Interior Court Farnese Palace, 1560; “Temple en L’Honneur de la Desse Venus”, c. 1740; four pilasters, Vatican Loggia, 1776; “Amphitheatre de la Ville d’Herculanum”, 1749; “Villas of Varro”, (five); “Speculum Romandrum”, 1854; “Birth of Bacchus”; “Basilica of Maxentius”, 1561; “View of Palantine toward Valley of Circus Maximus”, 1561, and others, sheet sizes from 12 1/2 in. x 17 in. to 27 in. x 20 1/4 in. $700/1000

W 100. A Group

of 100 Antique Engravings of Views of Rome, including Claude Duchet, Castello S. Angelo di Roma, 1590-1591; Jean Laurent LeGeay (c. 1710-86), “Design for a Tomb”, 1768; Attributed to Pierre Moreau, “Temple at the Foot of the Capitoline”, c. 1745; Giovanni Sadeler, “Tiber Scene and Ruins in Rome”, 15501600; works from Nouveau Recueil de vues des plus Beaux Edifices..., 1787; and others, sheet sizes from 7 in. x 6 in. to 13 1/4 in. x 18 1/4 in.

101

102

$800/1200 101. A Group of Antique Piranesi Engravings, including 38 prints by Giovanni Battista Piranesi (Italian, 17201778), including Il Campo Marzio 103 frontispiece (Wilton-Ely 560, 563, 564); main plate of Lapides Capitolini, 25 x 51 in., (WE 558); seven engravings from Trofei de Ottavivo Augusto, Rome, Bouchard, 1753 (WE 269-275); “Pianti de ampio Collegio” (WE44); “Catalogo Delle Opere Date Finora Alla Luce da Gio Battista Piranesi; Trofei de Daci de Sarmati”, 26 x 36 1/2 in., (WE 702); text and five plates from Osservazioni..., 32 x 23 in. (WE 809, 811-814); text and nine plates from Della Magnificenza... (WE 762, 769, 770, 773, 775, 782); “Raccolta de Alcuni Disegni del Barbieri da Cento”, 1764, 22 3/4 x 17 1/2 in. (WE 1015); portrait of Pope Clement XIII (WE 755); five prints by Francesco Piranesi (Italian, 1756-1810), including “Perspective d’Isis” (WE 702); “Descursio Equitum...” (WE 714); etching of memorial statue to Giovanni Battista Piranesi; “Colonna Antonina” (WE 710), Grand Frontispiece...Antiquities de Pompeia, 26 x 36 in.; also includes Laura Piranesi (Italian, 1755-1785), “Veduto dell’ Arco Tito”. $1200/1800 102. A Group of 50 Antique Engravings of Sculpture, including 40 engravings from Ancient Sculpture..., Society of Dilettanti, London, 1809; Francesco Piranesi (Italian, 1756-1810), and 14 engravings from Des Belles Statues de Rome, 1786.

105

103. A French Polychromed and “Bejeweled” Papier-Mâché Center Table early 20th c., Paris, probably for the “Théâtre de L’Opera”, circular top supported by spreadwing eagles, height 29 in., diameter 33 1/2 in. $1500/2500 W 104. A Small Antique Spanish Inlaid

Hardwood Cassone of Moorish Influence, early 19th c., hinged lid, open interior, dovetailed case, face and lid with geometric mother-of-pearl inlay, molded base, shaped bracket feet, height 16 1/2 in., width 26 in., depth 13 in. $400/600 105. An Italian Miniature Olivewood Marquetry Bombé Commode, shaped top above two drawers, cabriole legs, height 16 in., width 16 1/2 in., depth 10 in. $500/750

$1000/1500

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107

106. An Antique Italian Provincial Side Table, late 18th c., top with rounded corners, shaped frieze fitted with drawer, molded cabriole legs ending in hoof feet, height 30 in., width 30 1/2 in., depth 27 1/4 in. $1200/1800 107. Continental School, 18th c., In the Manner of Salvatore Rosa (Italian, 1615-1673), “Anglers by a Stream”, oil on panel, unsigned, 35 in. x 54 in., period frame. 108

$2000/3000

108. Italian School, late 18th/early 19th c., After Giacomo Borgognone, also known as Jacques Courtois (Italian/French 1621-1676), “Calvary Skirmish Below a Castle”, oil on canvas, unsigned, 23 1/8 in. x 32 in., antique Neapolitan carved and painted wood frame. $2000/3000 109. Flemish School, early 19th c., “Portrait of a Noblewoman in 16th Century Costume”, oil on canvas, unsigned, 24 in. x 19 1/2 in., framed. $1000/1500 110. A Louis Philippe Gilt Bronze Figural Mantel Clock, c. 1830, silk-thread movement by “Pons”, the porcelain dial marked with the retailer “Eug. Marchand Aime/à Bordeaux”, surmounted by a maiden holding a tambourine, tall plinth on scroll feet, presented on a wood base with glass dome, height 16 1/2 in., width 12 in., depth 4 in., height with dome 24 in. $1000/1500

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117

W 115. John Ruskin,

Examples of the Architecture of Venice..., 1851, published by Smith, Elder & Co., Cornhill and Colnaghi, London, in three parts, folio (21 in. x 15 in.), loose, in modern green cloth-covered folio, with 15 engravings, aquatints and mezzotints after Ruskin.

111

$500/700 112

112. A Pair of Classical-Style Bronze Figures, 19th c., each with “malachite” patina, modeled leaning on tripodal censers, height 18 1/2 in. $1500/2500

W 116. Richard

Worsley, The History of the Isle of Wight, 1781, by Hamilton, London, first ed., quarto (12 in. x 9 1/2 in.), full calf with gilt lettering, with fine folding map, numerous folding and single plates. $500/700

W 113. Two Miniature Grand Tour Bronze

Figures of Napoleon, after the monumental figure on the Place Vendôme column, one patinated and one gilt; together with a miniature patinated bronze bust of the Emperor, 19th c., height of tallest (including pedestal), 5 1/2 in. 114

$300/500

111. A Large Italian Neoclassical Carved and Gilded Mirror, 19th c., crest with lyre and griffins, rectangular beveled mirror plate with grey painted frame, sides with foliate pendants, height 73 in., width 39 in.

114. Giovanni Giuseppe Fontana (Italian, active in England and Australia, 18291893), “Bust of an Australian Schoolboy”, 1870s/1880s, marble bust on attached socle, inscribed en verso, “G. Fontana/ S.c”, height 25 in.

$2000/3000

$800/1200

117. A Louis XV Carved Walnut Bombé Commode, c. 1750, serpentine top over bombé case fitted with two short over two long drawers, cabriole legs, height 33 1/2 in., width 46 1/2 in., depth 25 in. $5000/7000 Provenance: Originally purchased by Algernon Kirtley Barbee, CA, c. 1936. Thence by descent to the present owner.

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118

121

123

118. An Empire BronzeMounted Mahogany Pedestal, 19th c., square scrolled capital, tapered body with applied beribboned wreath centered by a lyre, plinth base, height 47 in., width 11 1/2 in., depth 11 1/2 in.

122. A Fine Paris Porcelain Gilt and Polychrome Coffee and Tea Service, early-to-mid 19th c., marked with impressed initials (L,z) and ciphers (D,1), each painted with vignettes of domestic, barnyard and exotic animals, comprising 2 teapots, 1 coffeepot, 1 covered sugar, 1 creamer, large waste bowl, 12 dessert plates, 11 coffee cups, 12 demitasse cups, and 23 saucers, largest pot height 10 1/2 in., (64 pcs.)

$1000/1500

$3000/5000

119. A French Provincial Carved Fruitwood Side Table, 18th c., shaped gallery top, quatrefoil pierced sides, open interior, shaped base, cabriole legs, height 31 in., width 18 in., depth 13 in. $600/900

124

119

W 120. An Antique Louis XVI-Style

Carved and Gilded Child’s Chair, late 19th/early 20th c., ribbon-carved caned back, scrolled arms, caned seat, molded rail, turned tapered fluted legs. $600/900

121. A Pair of Antique Italian Faience Apothecary Jars, globular urn-form with bearded masque handles, lids with fruit finial and marked “Cons. Ros. Dam.” and “E. Alcherm”, height 8 in. $800/1200

123. A Paris Porcelain Corbeille, 19th c., in the Neoclassical Taste, reticulated bateau form with gilding, socle standard, rectangular plinth, cobalt ground with gilt classical motifs, height 8 1/8 in., length 10 1/4 in., width 5 3/8 in. $500/750 124. A Paris Porcelain Veilleuse, 19th c., of Gothic inspiration, lavender ground with gilt accents, height 8 1/4 in. $400/600

W 125. A Group of Chinese

Export Famille Rose Porcelain Tea Wares, 18th/19th c., polychrome and gilt decorated with figural scenes and floral designs, comprising a covered teapot, height 5 3/4 in.; creamer, height 4 3/4 in.; covered bowl, height 4 in., diameter 4 5/8 in.; 3 teacups, height 1 3/4 in.; and 3 saucers, diameter 4 7/8 in. $400/600 W 126. Two Mottahedeh

Chinese Export-Style Porcelain Covered Tureens and Underplates, 20th c., each in tobacco leaf pattern, pomegranate box and stand with floral motifs and molded pomegranates, base marked “Mottahedeh, Vista Alegre, Portugal”, box height 5 1/2 in., diameter 6 3/4 in., underplate diameter 9 3/8 in.; tureen, gilt and polychrome decorations, base marked “A Mottahedeh design, Lowestoft Reproduction by Mottahedeh”, tureen length 14 1/4 in., width 9 7/8 in., underplate 14 3/8 in. x 12 3/4 in.

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129

$500/700 127. A Pair of French Pâte-sur-Pâte Vases on Stands, 19th c., square tapered body with vignette of a crane; floral sprays, stand with splayed feet, height 11 3/8 in. $1000/1500 128. A Pair of Mason’s Patent Ironstone China “Chinoiserie” Bowls, late 19th c., blue dragon and cloud design on gilt ground, base marked with crown, banner, and “England”, height 3 1/2 in., diameter 9 1/8 in. $500/700 129. A Set of Eight English Aesthetic Movement Lobed Rim Dessert Plates, c. 1875, pink ground, with raised gilt decoration, hand-painted with foliage and butterflies, marked “2470” verso, diameter 9 in. $800/1200 Provenance: Bernard M. Caperton Antiques, Charlottesville, VA, 1982.

128

W 131. A Good Aesthetic

Movement Carved and Painted Picture Frame, late 19th/early 20th c., presented with “Portrait of a Gentleman with a large Moustache”, vintage silver gelatin print affixed to board, 9 1/2 in. x 7 3/4 in., in a gilt mat. $150/250

$400/600

depicting “Spring”, “Summer”, and “Autumn”, unsigned, solid casts, height 9 in., on modern wood column pedestals, height 10 1/2 in. $500/700 W 135. A Group of Ten Antique

Continental Crèche Figures, 19th c., in elaborate costumes, height from 7 3/4 in. to 18 1/2 in.

W 132. A Regency Carved

$800/1200

Mahogany Cheval Mirror, c. 1810, ring-turned and blocked frame with ebonized decoration, lion’s head cast brass knobs, trestle base with brass cup casters, height 53 in., width 24 in., depth 20 1/2 in.

Provenance: Estate of Jewell Younger Graeber, Marks, MS. W 136. Two Continental School

$800/1200

Picture Frames, one brass over tortoiseshell with porcelain plaque of a baby, 16 3/4 in. x 14 in.; the other with brass over marquetry with a classical oil on tin, overall 15 in. x 17 in.

W 133. A Neoclassical-

$500/700

W 130. A French Marble and Silverplate Figural

Encrier, central cherub flanked by lidded cut crystal ink bottles, all atop verde marble base, bun feet, height 8 in., width 16 in., depth 7 in.

W 134. Three Bronze Putto Figures,

Style Marble and Iron Guéridon, circular verde antico top, three curved supports with bronze ring drops, medial ring, bronze button feet, height 27 in., diameter 30 in. $600/900

W 137. A Set of Four Sterling Silver

Master Salts, Tiffany & Co. maker, 1916, after a London example of 1749; each with circular bowl retaining gold wash interior, cabriole legs, height 1 3/4 in., diameter 3 1/4 in., weight 16.10 troy ozs. $500/750

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140. A Neoclassical-Style Argenté Surtout de Table, oval, in two sections with balustrade and mirror plate, height 3 in., width 24 1/2 in., length 34 1/2 in.

139

$1000/2000 138. An American Arts and Crafts Silver Tray, Porter Blanchard (1886-1973), wc. Gardner, MA, 1909-1923, California from c. 1923, marked “401/ HAND MADE/ (trademark)/ PORTER BLANCHARD”, oval cut out handles, segmented rim and hammered finish, length 22 in.

W 141. A German .800 Silver Goblet, c. 1890, with

fluted bowl and trumpet stem, height 12 in., weight 16.15 troy ozs. $200/400 W 142. A Continental .830 Silver “Roemer”

Chalice, c. 1850, circular bowl on tall reeded stem and spreading foot, height 8 3/8 in., weight 7.95 troy ozs.

$1000/1500 Note: Porter Blanchard was a seventh generation silversmith who worked with his father, Boston silversmith George Porter Blanchard, before moving to California in 1923. Keeping up the tradition, Blanchard’s sons-in-law, Lewis Wise and Allan Adler, later trained with him as silversmiths. Porter Blanchard was a founder of the Arts and Crafts Society of Southern California. 139. An Antique French First Standard Silver and Cut Crystal Claret Jug, neoclassical silver mounts, ribbed crystal body with starcut base, height 9 7/8 in. $700/1000

$150/250 143 143. An Edwardian Sterling Silver-Mounted Leather Tankard, import marks for Gorham Mfg. Co., Birmingham, 1905, with castellated rim and shield-shaped cartouche with handsome strapwork monogram, height 7 1/2 in. $400/600 144. A Maryland Jockey Club Sterling Silver Racing Trophy, inscribed “The Maryland Jockey Club/ Pimlico Race Course/ The Lady Baltimore Handicap... 1944...”, hallmarked Birmingham, 1938, maker W & S untraced, the footed bowl with stylized scroll handles and reeded banding, height 9 in., width 13 1/8 in., weight 31.85 troy ozs. $800/1200

145. A Newcomb College Brass Mailbox, c. 1915, hand wrought brass sheeting with cut out decoration of monogram “P” in a roundel flanked by scrolls, height 11 4/ in., width 9 1/8 in., depth 2 in. Note: Wear and oxidation to surface. $400/600 146. A Large Newcomb College Art Pottery High Glaze Pitcher, 1901, probably decorated by Marie de Hoa LeBlanc, decorated with sarracenia (pitcher plants) in cobalt blue and dark green underglaze, base marked with Newcomb cipher and reg. no. A36, height 14 1/2 in.

145 147

$6000/8000 Note: This monumental pitcher was exhibited at the Pan-American Exposition in Buffalo in 1901. Newcomb Pottery received a silver medal for their entries. A period photo of the Exposition display case is illustrated on page 31 of Jessie Poesch’s Newcomb Pottery (Schiffer, 1984). The pitcher offered here is shown within the left rear of the case standing above its matching tankards. These four tankards were decorated by Marie de Hoa LeBlanc and were sold in these salesrooms on August 2, 2003, lot 382. This remarkable pitcher and the four tankards descended within the estate collection of Marie de Hoa LeBlanc. 147. A Newcomb College Art Pottery Vase, 1929, decorated by Anna Frances Simpson with the “Moon and Moss” landscape design, well modeled, semimatte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RY8 and shape no. 500, h. 5 7/8 in., diameter 6 in. $3000/5000

148

149. A Newcomb College Art Pottery SemiMatte Glaze Vase, 1915, decorated by Anna Frances Simpson in a relief carved zephyr lily design, blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, “C” for buff clay body, shape no. 223 and reg. no. HL84, height 8 3/8 in.

146

148. A Newcomb College Art Pottery High Glaze Jardinière, 1909, decorated by Leona Nicholson with an incised band of persimmons, dark blue and blue-green underglaze base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no CU34, and Q for buff clay body, height 5 3., diameter 7 1/2 in. $2000/3000 Provenance: Succession of Harry T. Howard III (1931-2011), New Orleans, LA.

$3000/5000 149

W denotes the lot is illustrated at www.nealauction.com

150

152

150. A Newcomb College Art Pottery Lidded Jar, 1919, decorated by Anna Frances Simpson with Cherokee roses modeled in relief, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and shape no. 100, both lid and base marked with reg. no. KL73, height 6 7/8 in. $5000/7000

Note: This is a rare form in Newcomb pottery. A few examples are documented, including one decorated with Japanese plums by Sadie Irvine, which was sold in these rooms Dec. 2, 2006, as lot 182. The lidded jar offered here displays exceptional modeling and wonderful condition. 151. A Newcomb College Art Pottery High Glaze Jardinière, 1908, decorated by Leona Nicholson with a band of budding flowers, dark blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. CG56 and “W” for white clay body, height 7 in., diameter 7 in. $2500/3500 Provenance: Succession of Harry T. Howard III (1931-2011), New Orleans, LA. 151

152. A Rare Shearwater Pottery Vase, c. 1940, cast with the lotus blossom, design by Walter Anderson, bronze glaze with blue glaze to rim, dime size ink stamped mark, height 8 1/2 in. $3000/5000 153. A Shearwater Pottery Vase, c. 1950, thrown by Peter Anderson, decorated by Walter Anderson, with a lily and foliage, quarter size impressed mark, height 6 3/8 in. $2000/3000 154. A Shearwater Pottery Vase, c. 2010, in the “Sea, Earth and Sky” pattern, decorated by Adele Anderson Lawton with colorful slip glaze, fully marked, height 11 3/4 in. $1500/2500

153

154

155. A Shearwater Pottery Vase, c. 1929, cast by Peter Anderson, decorated by Mac Anderson in the “Stokesias” design, with an experimental mottled blue grey glaze, marked with horizontal Shearwater mark and Mac’s initials, height 6 in. $800/1200 Illustrated: Stewart, Dod, Shearwater Pottery, p. 114. 156. A Newcomb College Art Pottery High Glaze Chamberstick, 1908, decorated by Corinna Morgiana Luria with leaves and berries in the well and the poem “Through the Golden Woven Dreams Goes the Dance of the Hours”, dark blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, Q for buff clay body and reg. no. CG13, height 4 1/4 in., diameter 5 in.

159

155

156

$600/800 Provenance: Succession of Harry T. Howard III (1931-2011), New Orleans, LA. 160 W 157. A Shearwater Art Pottery Fish Mug, c. 1960, design

by Walter Anderson and decorated in a mottled seafoam green and mottled brown glaze, base with impressed quarter-size Shearwater stamp, height 4 1/4 in., width 5 1/4 in.

159. A Lower Mississippi Valley Cypress Chest, mid-19th c., lift top, bracket feet, shaped apron.

$400/600

$1000/1500

W 158. A Shearwater Pottery Vase, c. 1985, thrown by James

Anderson, decorated by Patricia Anderson, tin design in a figure, wave and marsh design, fully marked, height 6 7/8 in. $300/500

Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. 160. An American Late Classical Carved Walnut Bookcase, mid-19th c., ogee-molded cornice, three arched glazed doors, adjustable shelves, lower case with three shaped paneled doors, molded arched base, bracket feet, height 98 in., width 73 1/4 in., depth 23 1/8 in. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

162

165

168

166. A Southern Late Federal Walnut Plantation Desk, mid19th c., paneled fall front, fitted interior, the base with long drawer and a pair of paneled doors, shaped base on bracket feet, the whole with ripple molding, height 55 1/2 in., width 30 1/2 in., depth 21 in.

163

$600/800

W 161. Three American Aesthetic Gilt and Faux

Bamboo Side Chairs, late 19th c., upholstered seats, each of varied reticulated design.

W 167. A Fanciful

Child’s Painted Rocking Chair, each side in the form of a peacock, height 24 in., width 36 in., depth 14 in.

$250/500 162. An Antique Louisiana Cypress Table, late 19th c., found in St. Francisville, LA, two board overhanging top, square legs, remnants of old gros rouge paint, height 28 1/2 in., width 45 1/2 in., depth 26 1/2 in.

166

$800/1200 163. An American Federal Walnut Clerk’s Desk, early 19th c., probably Tennessee or Kentucky, foldover lid opening to fitted interior, two drawers below, turned tapered legs, height 48 in., width 34 1/4 in., depth 19 1/4 in. $600/900

165. A Good Southwestern American Horn Armchair, late 19th c., probably Texas, rounded back with steerhorn stiles, padded arms, shaped seat, outswept horn legs, retains original leather upholstery. $1500/2000

W 164. An American Classical Tiger Maple

Child’s Chair, 19th c., New York, shaped crest and medial slat, caned seat, saber legs joined by stretchers. $200/300

$400/600 168. A Continental Gothic Cast Iron Lithophane Stand, mid-19th c., the lithophane marked “KPM”, depicting the resurrection of Christ after the original oil by Noel Coypel (French, 16281707); the adjustable stand with scrolled standard, base with lion’s masques, height from 18 3/4 in to 21 1/4 in. $500/800

169. An Antique English Fruitwood Tea Caddy, in the form of an apple, height 4 1/4 in., diameter 4 3/4 in. $800/1200 170. A Good American Art Nouveau Sterling Silver Centerbowl, c. 1900, Black, Starr & Frost, New York, wc. 1874 to present, the everted rim with exuberantly modeled chrysanthemum blossoms, height 4 in., diameter 15 1/2 in., weight 47.90 troy ozs.

169 170

$1500/2500 171. A Good Antique Sterling Silver Repoussé Chamberstick, 19th c., probably Baltimore, marked “WARNER” and “STERLING”, floral repoussé, removable bobêche, script monogram, length 10 1/2 in., width 5 1/2 in., weight 7.30 troy ozs. $400/600 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

171

172. A Jacob Leonard (17871829) Coin Silver Ladle, wc. Georgetown, MD, 1810-1815, Washington, DC, 1816-1827, possibly New Orleans, 1824, Fredericksburg, VA, 1828; fiddle handle with period script monogram, length 13 1/4 in., weight 5.85 troy ozs.

174

$1500/2500

172

Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993); exhibited MESDA. Note: Federal commissioned silver from Leonard includes four silver gilt treaty boxes provided to the Department of State in 1819 and an inkstand provided to the U.S. House of Representatives, probably between 1819 and 1822. The inkstand is shown in the 1822 portrait of Henry Clay by Charles Bird, now at the Corcoran Gallery of Art.

173

Reference: Hollan, Catherine B. Virginia Silversmiths, Their Lives and Marks. pp. 453-458, mark illustrated fig. c.

173. A Maryland Coin Silver Ladle, Thomas Bruff III (1760-1803), wc. Easton, MD, 1785-1791, Chestertown, MD, 1791-1803, marked “T. BRUFF” in rectangle, length 13 in., weight 4.65 troy ozs.

175

174. A Kentucky Coin Silver Julep Cup, Eli C. Garner, Lexington, wc. 1838-1842, marked “E.C. GARNER”; reeded rims, seamed construction, height 3 3/4 in., weight 4.95 troy ozs. $1200/1800 Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 130132, 301, fig. 60A.

$2000/4000 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

175. A Kentucky Coin Silver Julep Cup, marked “WM. M. SHARRARD” for William M. Sharrard, Shelbyville, Harrodsburg, & Louisville, wc. 1850-1880; molded rims, seamed construction, height 3 5/8 in., weight 4.05 troy ozs. $1200/1800 Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 244 and 306.

W denotes the lot is illustrated at www.nealauction.com

W 178. Two American Coin Silver Julep

Cups, Duhme & Co., Cincinnati, wc. 1842-1896, each with molded foot rim, seamed construction, height 3 1/2 in. and 3 7/16 in., weight 7.75 troy ozs. $500/750 179. An American Federal Coin Silver Creamer, William Hughes (1744-1791), wc. Baltimore, 1785-1791, marked “W.H.” in rectangle; helmet form on pedestal foot and square plinth, period script monogram, height 6 3/4 in., weight 6.90 troy ozs. $1500/2500 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

176

180. A R.H.L. Villard Coin Silver Julep Cup, wc. Washington, DC and Georgetown, MD, c. 1833-1835, marked “VILLARD” in rectangle; seamed construction, molded rims, engraved “Mary A Fletcher” in old script, height 3 1/2 in., weight 4.95 troy ozs.

179

$1000/1500 Provenance: Collection of Steven Cabot Barnes Harvey (19491993). Reference: Kovel, Ralph and Terry. Kovels’ American Marks, p. 382.

181. A Maryland Coin Silver Soup Ladle, Frederick Nusz, Fredericktown, MD, wc. c. 1819; marked “F. NUSZ” in rectangle; fiddle handle with period script monogram, length 13 in., weight 6 troy ozs. $1000/1500 Provenance: Collection of Steven Cabot Barnes Harvey (19491993); exhibited MESDA.

177

176. A Kentucky Coin Silver Julep Cup, marked “J.S. SHARRARD” in rectangle, for James S. Sharrard, Shelbyville and Louisville, c. 1836-1880; molded rims, seamed construction, height 3 3/8 in., weight 4.10 troy ozs.

182. An American Coin Silver Soup Ladle, John Bernard Woltz (b. 1785), wc. Hagerstown, MD, 18061811, Shepherdstown, (W) VA, 18111850; marked “J.B. WOLTZ” in rectangle and eagle in circle; fiddle handle with period script monogram “AMW”, length 13 1/2 in., weight 4.85 troy ozs.

180

$1000/1500

$400/600

Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, pp. 242-244, 306, fig. 137A.

177. A Kentucky Coin Silver Julep Cup, marked “HUDSON & DORFLINGER” and “LOUISVILLE”, Henry Hudson & Jacob Dorflinger, Louisville, wc. 1855-1858; with molded rims, seamed construction, height 3 3/4 in., weight 4.5 troy ozs.

Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993); exhibited MESDA. 181

Reference: Hollan, Catherine B. Virginia Silversmiths, Their Lives and Marks, pp. 831-833, mark illustrated fig. c-1.

W 183. Three R.H.L. Villard Coin

Silver Forks, wc. Washington, DC and Georgetown, MD, c. 1833-1835, marked “VILLARD” in serrated rectangle; fiddle typt pattern, period script monogram “LE” en verso, length 8 1/8 in., weight 5.85 troy ozs.

$700/1000 Reference: Boultinghouse, Marquis, Silversmiths of Kentucky, 1785-1900, p. 160.

$150/250 182

Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993). Reference: Kovel, Ralph and Terry. Kovels’ American Marks p. 382.

W 184. A Group of American

Coin Silver and Sterling Silver Flatware, mostly Maryland, including a pair of tongs, J.F. Reeves, Baltimore, c. 1835-1840, “10.15” mark; a soup spoon, Joseph Wharfe, early 19th c.; a master salt spoon, Armour, Baltimore, “10.15” mark; a teaspoon, A. Stowell, Jr., Baltimore, c. 1855; 2 teaspoons, marked “HOLLAND” and with pseudo hallmark; a teaspoon, Talbot & Co., Indianapolis; and a dessert spoon, S. Kirk & Son; (10 pcs.), total weight 8.80 troy ozs. $300/500 Provenance: Collection of Steven Cabot Barnes Harvey (19491993).

186

W 185. A Good

Baltimore Sterling Silver Repoussé Belt Buckle, A. Jacobi, wc. 1879-1890, marked “A. JACOBI & CO” and “STERLING”; floral repoussé, 3 3/4 in. x 2 1/2 in., weight 1.75 troy ozs. $150/250 Provenance: Collection of Steven Cabot Barnes Harvey (1949-1993).

189

186. An American Coin Silver Repoussé Tea and Coffee Service, S. Kirk & Sons, Baltimore, c. 1846-1861, including a teapot, coffee pot, kettle, and creamer, each of footed vase form, approx. weight 134.05 troy ozs.

189. An Antique English Silk and Metallic Thread Needlework, 19th c., depicting Jesus with staff and sheep, sight 11 1/4 in. x 10 5/8 in., framed.

$5000/7000

$500/750

W 187. An Italian Silverplate

190. An English Carved Rosewood Canterbury, mid-19th c., three compartments fronted by lyre carved dividers, turned spindled sides, base with drawer on bulbous turned legs ending in brass ferrules, casters, height 17 in., width 19 in., depth 14 1/2 in.

Salmon Dish, c. 1970-1990, marked “Franco Lagini”, with naturalistic hinged cover, and original wood serving board, length 32 in. $400/600 W 188. An Antique Continental

Silverplate Hot Water Urn, 19th c., domed lid with turned finial, pearshaped body with scrolled handles, two spouts and three double scroll legs, height 14 in., width 7 1/2 in. $300/500

190

191

$800/1200 191. A George III Mahogany Chest of Drawers, late 18th c., molded top above a dressing slide, four graduated drawers, molded base, shaped bracket feet, height 33 1/4 in., width 37 1/2 in., depth 19 in. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

195. A Fine Pair of French Gilt BronzeMounted Polychrome Porcelain Lidded Urns, 19th c., in the Sèvres taste, blue ground with polychrome decoration, opposing reserves of couples and floral sprays, female masque handles, height 11 3/4 in. $800/1200

192

193 (1 of 12)

W 196. A Paris

Porcelain Gilt and Polychrome Veilleuse, mid-19th c., “Paris” blue with floral decoration, elliptical godet, height 10 1/2 in. $300/500 W 197. A Set of Seven

Antique Continental Gilt Porcelain Nut Dishes, 19th c., possibly Russian, each with impressed mark and “4190/1”, flared reticulated form, length 3 in. $200/300 Provenance: Bernard M. Caperton Antiques, Charlottesville, VA, 1982. W 198. A Suite of Four

195

Large Antique Continental Carved and Polychromed Tiebacks, c. 1870, rosette center with fruit and leaf decoration, on iron armature, length 18 in., depth 3 1/4 in. $150/250 Provenance: Hollingsworth Collection, Baltimore.

194

192. Italian School, 19th c., “Travelers Approaching Naples from the West”, gouache on paper, unsigned, 8 1/2 in. x 11 1/2 in., framed.

194. A Czech or German Porcelain Urn, early 20th c., beehive mark, reserved with cavorting faun and nymphs, height 31 in., width 10 1/2 in., depth 7 1/2 in.

199. A Pair of Aesthetic BronzeMounted Brackets, late 19th c., shaped shelf, over fluted support, flanked by dolphins, mounted with plaques of cavaliers, height 16 in., width 15 in., depth 10 1/4 in.

$800/1200

$500/750

199

$1200/2000 193. Jules Frederic Bouchet (French, 1799-1860), a group of 12 hand-colored engravings (including title page) from Pompei Choix des Monuments Inedits, Maison du Poete Tragique, 1828, Paris, approx. sheet 12 1/2 in. x 16 1/2 in. $500/700

200. A Pair of American or Continental Gilt Bronze Seven-Light Candelabra, 19th c., in the style of Bruno Paul (1874-1968), three double arms revolving around a central shaft, turned base, height 17 1/8 in., diameter 16 in. $700/900 201. Two Fine DoultonLambeth Stoneware TwoHandled Jardinières on Stands, 1884, signed on base, in sgraffito “FAB” for Franklin A. Butler (active at Doulton 1872-1911), “IB” and “WHD” in script, bearing the impressed Doulton fleurette mark and the date, cobalt ground with relief decorated floral designs, presented on intricate reliefdecorated pedestals in the Moorish taste, jardinière height 12 1/2 in. width 15 1/2 in. depth 15 in., total height with pedestal 45 3/4 in.

203

200 (1 of a pair)

204 (1 of 3)

203. Puebla School, 19th c., “Still Life of Fruit in an Elaborate Compote”, c. 1875, oil on canvas, unsigned, Instituto Nacional de Bellas Artes/ Museo Nacional de Artes Plasticas label en verso, 17 1/4 in. x 23 5/8 in., marquetry frame.

$3000/5000 202. Ettore Romano (Italian/Latin American, 1906-1996), “Italian Coastal View with Promenade”, gouache on paper laid on board, signed lower right, 11 1/2 in. x 18 in., matted and framed.

$1000/1500 Provenance: Collection of a Texas gentleman.

201

204. Alessandro Sanquirico (Italian, 17771849), three set designs for operas, each ink and ink washes on paper, approx. 8 1/4 in. x 11 1/2 in. each, matted. $400/600 W 205. Leon-Charles Libonis (French, 1847-

1901), five drawings illustrating orientalist architecture and design, “Alhambra”, “Cairo Grilles”, “Mosque, Cairo”, “Greek” and “Persian”, c. 1865, ink on cardstock, each signed lower left, each approx. 16 in. x 11 in., matted.

$1000/1500

$400/600 W 206. Roberto Domingo y Fallola

202

(Spanish, 1883-1956), “De España a la India en Automobile”, graphite and ink on paper, signed lower left, titled upper left, sight 9 in. x 8 in., attractively framed. $400/600

W denotes the lot is illustrated at www.nealauction.com

207

209

209. Jose de Cala y Moya (Spanish, 18501891), “The Accusation”, 1881, oil on wood panel, signed and dated lower left, Christie’s London label en verso, 6 1/2 in. x 11 7/8 in., framed.

208

$2000/3000 Provenance: Collection of a Texas gentleman.

211

207. Félix-Joseph Barrias (French, 1822-1907), “Commandant of the Argentine Republic”, graphite, watercolor, and gouache on paper, signed and inscribed “à M. Jullien” lower right, further inscribed on mat, sight 16 in. x 20 in. $700/1000 208. Antonio Casanova y Estorach (Spanish, 1847-1896), “The Courtship”, 1877, ink on paper, signed and dated lower right, sight 8 1/2 in. x 11 3/4 in. $800/1200

210

210. Pierre Edouard Frère (French, 1819-1886), “The Young Artist”, oil on canvas, signed lower left, 12 3/4 in. x 9 1/2 in., framed. $2000/3000 Provenance: Descended in a New Orleans family. 211. Attributed to Sir Edwin Henry Landseer, R.A. (English, 1802-1873), “Interior with Girl, Two Dogs, and a Cat”, oil on panel, initialed lower left, 8 in. x 10 in., antique frame. $400/600

212. Edward Linley Sambourne (English, 1844-1910), “La Hollandaise”, oil on board, initialed lower left, 14 1/2 in. x 17 3/8 in., framed. $800/1200 Note: The artist, a wellknown cartoonist for Punch, shows clear affinities with the techniques of the famed “Pont-Aven” school in Brittany. 212

216

213

213. A Fine Italian Parquetry and Carved Walnut Library Table, top with banded and geometric design, frieze fitted with two end drawers, gilt accented scrolled legs ending in dolphin feet, molded stretcher.

217

$1500/2000 214 214. An Italian RenaissanceStyle Carved Mahogany Settee, 19th c., arched back, arms surmounted by cherubs, blackamoor arm supports, highly carved X-stretcher, outswept dolphin legs, height 43 in., width 74 in., depth 28 in. $2500/3500

W 215. An Antique Empire Gilt Bronze-Mounted

Marble Pedestal, comprised of Patricia green and variegated rouge marbles, square top, lobed collar with rosettes, tapered columnar shaft, plinth base. $600/800

217. A Venetian Rococo Painted Console and Mirror, 19th c., arched, pierced floral and C-scrolled mirror; the console with serpentine top, small frieze drawer, acanthus carved cabriole legs ending in trifid pad feet, retaining original paint decoration, mirror height 61 in., width 37 in.; console height 32 in., width 39 in., depth 19 in. $1800/2500

216. A Pair of Regency-Style Ebonized and Caned Armchairs, backs centered with paterae, scrolled arms, trapezoidal seats, turned tapered legs. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

218

219

221

221. Gaston Sébire (French, 1920-2001), “Petite Plage”, oil on canvas, signed lower right, signed, titled, and with Wally Findlay Galleries label en verso, 7 3/4 in. x 18 3/4 in., original giltwood frame.

220

$1500/2500 222. Peter Curling (Irish, b. 1955), “A River Landscape”, oil on canvas, signed lower right, Crossgate Gallery, Lexington, KY label en verso, 12 in. x 20 in., framed. $2500/3500

222

218. A Belle Époque-Style Wrought Iron Console, marble top above a pierced frieze with rosettes and paterae, acanthine scrolled legs, shaped stretcher, height 34 1/2 in., width 67 1/4 in., depth 18 in. $1500/2500

223

219. An Italian Neoclassical Walnut Side Table, late 18th c., frieze drawer, square tapered legs, height 31 in., width 53 1/2 in., depth 32 1/2 in. $1000/2000

220. A Large French Carved and Painted Beechwood Bracket, late 18th/early 19th c., support in the form of a classically draped cherub, C and S scroll surround, height 49 in., width 44 in. $2000/3000

223. Lucio Fontana (Italian, 1899-1968), “Composition in Yellow”, silk screen with column of punched holes, signed and numbered “17/95”, blind stamp “Galleria del Deposito”, sheet 27 1/4 in. x 19 1/2 in. $3000/5000 Provenance: 2001 Auktionsverk, Stockholm.

224. An American Polychrome and Gilt Carved Carousel Chariot, late 19th c., scroll and foliate body with two seats, retaining original paint, height 47 in., width 23 in., length 67 in. $2500/3500 225. An English Blue and White Ceramic Garden Seat, c. 1892, marked “Mintons”, floral and scroll decoration with leaf pattern design, height 20 1/8 in., diameter 14 1/2 in.

224

226

$800/1200 226. A Set of Regency-Style Quartetto Tables, inset leather top, turned supports, outswept legs, height 26 in., width 20 in., depth 14 in. $700/1000 227. A Louis XV-Style Black Lacquer Bureau Plat, 20th c., in the style of Maison Jansen, molded shaped top, three shaped drawers, bronze mounted cabriole legs, height 30 1/2 in., width 51 in., depth 27 in. $700/1000 W 228. A Grand Tour Sienna

Marble Tabouret, with circular tray over molded pedestal, height 24 3/4 in. $600/900 W 229. American or English

225

227

W 230. Roger Mark Walton

(American/Savannah, 20th/21st c.), “Posing Male Nude”, graphite, white and black chalk on cardstock, signed lower right and en verso, 20 1/2 in. x 14 1/2 in., unframed. $200/400 W 231. Jamie Wyeth (American, b.

1946), “Twenty-Fifth Anniversary Pig”, ink on paper, inscribed and signed, 8 1/2 in. x 10 1/2 in., framed.

232

$600/900

School, late 19th c., two designs for ceilings, “Hall” and “Dining Room”, watercolor and pencil on cardstock, titled on original mats, sheet 10 in. x 19 1/4 in. and 6 1/4 in. x 17 in., matted together.

232. William C. Rymer (American/ Wyoming, fl. 1871-1895), “Orientalist Outdoor Bazaar”, 1885, watercolor and gouache, signed and dated lower right, sight 9 in. x 12 1/4 in., matted and framed.

$400/600

$200/400

W 233. Spanish School, late 19th/early

20th c., “Church Tower”, watercolor on paper, signed “Gino-” lower right, 3 1/2 in. x 5 3/4 in., matted and framed. $150/250

W denotes the lot is illustrated at www.nealauction.com

W 238. Two

237

235

Cobalt and Gilt Porcelain Cabinet Plates, early 20th c., the first with scalloped edge depicting ‘wishing bridge’ at Gap of Dunloe, Ireland, diameter 9 1/4 in.; the second with a classical scene depicting a musical goddess and cherubs, “Das Gehör” on reverse with beehive mark possibly Ackermann and Fritze, diameter 9 1/2 in. $200/300 W 239. A Large

English Porcelain Amphora Vase, marked Copeland, blue ground with allover geometric and anthemion decoration, height 15 3/8 in., width 14 1/8 in., depth 11 1/2 in. $400/600

236

W 234. French School, 19th c., “Coup de Grâce”, oil

on tin, unsigned, inscribed “H332” en verso, 5 in. x 6 1/2 in., later frame.

240

$300/500 235. A Neoclassical-Style Crème Peinte and Gilt Overmantel Mirror, cavetto crest with spherules, frieze with chariot pulled by lions and interspersed by acanthus and rosettes, central oval mirror with anthemion corners, Classical columns flanking side mirror plates, height 42 in., width 55 1/2 in. $800/1200

236. Continental School, 19th c., “Classical Scene A Capriccio”, oil on oval panel, unsigned, 7 1/2 in. x 6 in., antique giltwood spandrel frame. $700/900 237. A Vintage French Opera Poster, c. 1905, lithograph, linen-backed, by Georges Dola (French, 18721950), advertising Johann Strauss’ opera La Chauve Souris (Die Fledermaus), depicting Count Orlofsky’s ball, sheet 31 1/4 in. x 22 3/4 in., unframed. $500/700

240. A Louis XVI-Style Gilt Bronze and Crystal FourLight Chandelier, the corona with plumes and drapery, the circlet mounted with figural terms, interior fitted with accent lights, height 33 in., diameter 24 in. $1500/2500

241. An Antique Bronze FiveLight Lamp, 19th c., scrolled bracket with lion term, the light cast with bellflowers, acorn pendant, height 42 in., width 16 in., depth 16 in. Note: Shade in “estate” condition. $400/600 242. An American Gilt and Patinated Bronze Floor Lamp, c. 1915, with impressed mark, fluted capital, the standard cast with scrolling grapevines, incurvate triangular base, scrolled feet, height 60 in., diameter 17 in.

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$700/900 243. A Cartier Stainless Steel Man’s Pasha Date Watch, with Authorized Dealer Certificate to Mr. Harry T. Howard III, Individual Number 4305??CD2475, dated 15 Septembre 2000. $1200/1800 Provenance: Succession of Harry T. Howard III (1931-2011), New Orleans.

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244. Zhang Yixiong/Chang Yi-Hsiung (Taiwanese, b. 1914), “Paris Street”, 1981, oil on board, signed “Y Chang” and dated lower left, 9 in. x 12 in., framed.

W 246. A Chinese Silver `Heavenly

Creatures’ Octagonal Box, 19th c., faceted sides repoussé decorated with shaped cartouches enclosing a dragon, a phoenix, a qilong, and a tortoise, between insect and flower cartouches, hinged cover with butterfly and flower decoration within a raised chrysanthemum head reserve, height 4 1/2 in., width 7 3/8 in. Note: Tested .500 silver.

$1000/1500 Provenance: Washington Collector. W 245. A Chinese Export Gilt

Decorated Brown-Black Lacquer Tea Caddy, 19th c., rectangular form with hinged lid decorated with a central monogram flanked by sword-wielding figures beneath flowering bamboo, pewter liner incised with figural decoration, ivory pull, height 5 1/8 in., width 10 1/8 in., depth 7 1/8 in. $400/600

$400/600

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247. Mariano Jose Maria Bernardo Fortuny (Spanish/Italian, 1838-1874), “The Connoisseur”, oil on wood panel, signed lower right, 10 1/2 in. x 5 3/4 in., antique giltwood frame. $3000/5000

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249. Gunther Gerzso (Mexican, 19152000), “F:Var. 12 A”, 1970, ink and graphite on prepared paper, signed and dated in ink lower right, 14 3/4 in. x 12 in., matted and framed. $5000/7000 Provenance: Collection of a Texas gentleman.

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250. Peter Poskas (American, b. 1939), “Cream Hill”, oil on canvas, signed lower right, 38 in. x 47 1/2 in., framed. $10000/15000 Provenance: A New Orleans Collection.

Note: Peter Poskas is an acclaimed landscape painter who paints realist views of the towns and landscapes of Litchfield County, Connecticut. The work offered here depicts the Cream Hill Agricultural School in Kent, CT. Originally located in Cornwall, CT, the school was one of the earliest dedicated to the teaching of scientific agriculture in the United States. Founded in 1845, the school was disassembled, moved and reassembled at the Connecticut Antique Machinery Association site in Kent in 1994. The painting appears to show the building in its original location. A graduate of the Hartford Art School and the MFA program of the University of Massachusetts, Poskas embraced realism during a period when Abstract Expressionism was in favor. With their crisply detailed execution and sensitivity to subtle gradations of light, Poskas’s works are both realistic depictions and poetic evocations. In the tradition of Andrew Wyeth, Poskas’s work evokes an immediate sense of time and place. 252

248. Leonora Carrington (Mexican, 1917-2011), “Unicorn and Griffin”, ink on paper, signed and dedicated “For Tac” lower left, titled lower right, Galeria Arvil, Mexico City, label en verso, sight 8 1/4 in. x 11 in., framed.

251. A 14 kt. Yellow Gold and Diamond Solitaire Ring, set with a fine 1.56 ct. brilliant cut diamond, E color, VS1 quality, accompanied by G.I.A. Certificate #NY2060334. $15000/20000

$2000/3000

252. A Pair of Italian Carrara Marble Lions, opposing figures, fully modeled, on wood plinth base, height 16 1/2 in., length 28 in., width 10 1/2 in.

Provenance: Collection of a Texas gentleman.

$2000/3000

253. A Pair of Large Rock Crystal Spheres, presented on patinated brass ram form stands, height 10 1/2 in., diameter 6 in. $700/1000 254. A Large Pair of Chinese Cloisonné Enamel Buddhist Lions, 20th c., each modeled seated on its haunches with a removable head with an alert expression, height 15 in., presented on tiered rectangular plinth with removable cover and “brocade” ball, height with plinth 23 in., wood stand, overall height 25 1/2 in.

255 253

$1500/2500 256

Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA; acquired Hong Kong, 1981. 255. A Good Chinese Cloisonné Enamel Bowl, probably 18th/19th c., heavy U-form body raised on a short foot ring, decorated around the exterior with playful qilin and Buddhist lions, the interior with a central twin-fish roundel beneath a band of phoenix birds in flight, height 3 7/8 in., diameter 9 in., wood stand, overall height 5 1/4 in. $1000/1500 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

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256. A Pair of Chinese Cloisonné Enamel Ram Form Pricket Stands, each modeled as a caparisoned ram standing with its head turned over its backside, the saddle issuing a cup and candle stick, height 12 1/4 in., width 6 1/2 in., wood stand, overall height 13 1/2 in. $800/1200 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA; acquired Hong Kong, 1981. 258 W 257. A Pair of Chinese Cloisonné

Enamel Baluster Vases, each tapering ovoid body decorated with shaped panels enclosing the flowers of the four seasons, reserved on a blue ground strewn with vining flower heads, height 9 1/2 in., wood stands, overall height 10 3/4 in. Note: Dent to side of one. $300/500 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

258. A Pair of Chinese Cloisonné Enamel Buddhist Lions, each figure modeled seated on its haunches, female with a pup, male with a brocade ball, each raised on a tall waisted rectangular plinth, height 8 3/4 in., wood stand, overall height 10 in. $600/800 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

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259. A Large Chinese Cloisonné Enamel Footed Bowl and Cover, heavy U-form body supported on splayed horizontally lobed foot, domed cover with Buddhist lion finial, decorated with two large panels enclosing scholarly accoutrements on a pale yellow ground strewn with vining flower heads, height 7 3/4 in., diameter 12 1/8 in. $800/1200 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. W 260. A Tiffany & Co. Sterling Silver Alarm Clock, c. 1943,

case monogrammed “R.E.D. Jr” and engraved with presentation date “September 10, 1943”; face marked “Tiffany & Co.” and “Alarm/8 Days”, 4 in. x 3 1/4 in. $500/700 261. A Chicago Sterling Silver Chocolate Pot, Randahl Shop, 1911 - present (division of Reed & Barton since 1965); hinged cover with pineapple finial, molded tapered form, ebonized handle, height 10 1/2 in., weight 17.90 troy ozs.

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262. A NeoclassicalStyle Bronze Jardinière Stand, 19th c., lions holding garlands at top rim, floral 262 garlands at waist, tripartite base with lower spandrel, mounted with porcelain finial, on claw feet, height 42 in., diameter 16 in. $500/700 263. A Pair of Rock Crystal Lamps, graduated spheres on plinth base, height 16 in., width 5 in., depth 5 in. $2500/3500

$400/600 Reference: Darling, Sharon S., Chicago Metalsmiths, pp. 84-88.

264. A Pair of Egyptian Revival Carved Walnut and Bronze-Mounted Fauteuils, each winged back centered by vasiform splat with bust and lotus, shaped seat rail with Isis mount, shaped legs, paw feet. $4000/6000

265. A Pair of Louis XVI-Style Doré Bronze Guéridons, each circular variegated white marble top on ram’s head and cabriole legs, medial stretcher shelf, incurvate triangular stretcher, centered by a rosette, hoof feet, height 29 in., diameter 31 in. $4000/6000 266. An Antique Venetian Glass Eight-Light Chandelier, vasiform standard, with hand blown twisted arms and floral stems, with colored flower pendants, height 26 in., diameter 30 in. $1800/2500

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267. A Louis XVI Crème Peinte Chaise Longue, late 18th/early 19th c., molded back, padded arms terminating in scrolls, rosette blocks, tapered fluted legs, height 41 1/4 in., length 73 in., width 34 in. $1500/2500 268. An Italian Rococo Carved Argenté Console Table, late 18th/early 19th c., serpentine marble top, pierced shaped foliate carved frieze, floral and acanthus carved cabriole legs ending in scrolled toes, height 32 1/2 in., width 46 1/2 in., depth 21 in. $3000/5000

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272. An American Classical Carved Mahogany Work Table, early 19th c., shaped top, molded edge, each end with demilune lift top enclosing fitted interior, case with two drawers, turned pendants, reeded pedestal, incurvate plinth, brass paw feet, casters, height 28 1/2 in., width 26 1/2 in., depth 15 1/2 in. $1000/1500 270

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269. A Louis XV Carved Fruitwood Commode, c. 1760, serpentine top, conforming case fitted with two short over two long drawers, chamfered stiles, paneled sides, cabriole legs, height 30 in., width 36 in., depth 21 1/4 in.

270. A Louis XV Provincial Carved Walnut Fauteuil à la Reine, mid-18th c., arched back, padded arms, molded skirt, cabriole legs joined by “X” stretcher centered by a rosette, scrolled toes.

271. A Louis XV Provincial Carved Walnut Fauteuil à la Reine, mid-18th c., arched back, padded arms, scrolled skirt, cabriole legs, hoof feet.

$1200/1800

$3000/5000

Provenance: Eric Bolin Antiques, Los Angeles, CA, 1972.

Provenance: Town and Country Antiques, Robert J. Dunbar, Sausalito, CA, 1972.

Provenance: Originally purchased by Stanley Newbold Barbee, CA, c. 1939; thence by descent to the current owner.

$1200/1800

273. A Good American Federal Mahogany Sideboard, c. 1800, Baltimore, fitted with original brass pulls, bails stamped “HJ” for Thomas Hands & William Jenkins, Birmingham, England; shaped bowfront top, conforming case with a central drawer over doors flanked by doors, square tapered legs, height 41 in., width 72 in., depth 20 1/2 in. $2000/4000 Note: The case of this sideboard relates to that of a sideboard believed to be from Brinkley House near Marion, Maryland, and now conserved by the Maryland Historical Society (acc. 73.110.1). The distinctive marked pulls on this lot are from the partnership of Thomas Hands and William Jenkins (active 1791-1805). Reference: Weidman. Furniture in Maryland. 1740-1940. p. 156, fig. 117; Fennimore. Metalwork in Early America. p. 441.

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275. A West Indies Purpleheart Armoire, 19th c., probably Martinique, molded cornice over paneled doors, fiche hinges, shelf interior, cabriole legs, scrolled toes on hoofs, height 79 in., width 56 in., depth 25 in. $3000/5000

274. An American Classical Carved and Inlaid Mahogany Center Table, mid-19th c., Philadelphia, tilt top of segmented flame veneer centered by a compass star, acanthus-carved support, incurvate triangular plinth, scrolled acanthus paw feet, casters, height 30 in., diameter 41 1/2 in. $2500/4000

Note: With origins in 18th century French cabinetmaking traditions, the proportions, case construction, fiche hinges, paneled doors, apron and feet of this armoire are found not only in examples from the French Antilles like that seen here, but also in early Louisiana. Reference: Strum. West Indian Antique Furniture of the Lesser Antilles 1740-1940, p. 137. Holden, et.al. Furnishing Louisiana, Creole and Acadian Furniture 1735-1835. figs. 1, 2, 3 and 11, pp. 130-137. The Don Esteban de Quinones armoire, sold by Neal Auction Company as lot 220, November 21, 2009.

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276. [Declaration of Independence], “In Congress, July 4, 1776. The unanimous Declaration of the thirteen United States of America. When in the Course of Human Events...”, folio broadside (30 5/8 in. x 24 in.), engraved by W.J. Stone, reprinted 1833 from the same copperplate for Peter Force’s American Archives, with original folds, mounted to heavy stock, framed.

278. Charles Dickens, Master Humphrey’s Clock, 1840-1841, first edition, 8 vo, Chapman and Hall, London, illustrated by George Cattermole and Hablot Browne, three volumes, bound by Tout and Sons, 3/4 leather with marbled boards, raised bands, gilt titles all edges gilt.

$6000/9000

279. Thomas Jefferson Randolph, Memoir, Correspondence, and Miscellanies, from the Papers of Thomas Jefferson, 1829, first edition, published by F. Carr, and Co., Charlottesville, 4 vols. full calf, gilt titles, with fold-outs.

$700/1000

Note: In 1823 Congress commissioned Stone to produce a fine actual-size replica of the original Declaration of Independence. After Stone printed the 200 copies ordered, the original engraved plate remained with the Department of State. A few years later, Peter Force (1790-1868), historian publisher and mayor of Washington D.C., conceived a 20-volume anthology entitled American Archives, containing copies of letters, documents and broadsides from the Revolutionary War. Force arranged with the State Department to print 4000 copies of the Declaration.

$600/900

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277. Hezekiah Niles/Editor, Niles’ Weekly Register, containing Political, Historical, Geographical, Scientific, Statistical, Economical and Biographical, Documents, Essays, and Facts..., 1811-1836, printed in Baltimore, volumes 1-50 (but lacking 21 and 48), octavo, full calf, most with bookplate of John P. Conrad. $3000/5000 Provenance: The volumes bear the 19th c. bookplate of John P. Conrad of Franklin, LA, likely a member of the Conrad-Weeks family, prominent Acadiana plantation owners. Note: Niles’ Register was one of the great 19th c. weekly magazines, with a circulation comparable to today’s Newsweek or Time. As a resource of early 19th c. politics and economics, nothing compares to the vast record of articles, reprints of public documents, treaties, data, and the War of 1812, contained in the Register. Thomas Jefferson wrote, “I have found it very valuable as a Repository of documents...and facts of the day, and the ease with which the index enables us to turn to them.” 279

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W 280. [New Orleans Directories], Soards’ New Orleans City

Directory for 1882 published by Soards & Co., New Orleans, leather, 868 pages, with numerous advertisements, together with Gardner’s New Orleans Directory for 1866, including Jefferson City, Gretna, Carrollton, Algiers and McDonogh; with a Street and Levee Guide, Business Directory, and An Appendix of Much Useful Information, published by Gardner, printed at True Delta, St. Charles St., 528 pages, numerous advertisements. $300/500 W 281. An Antique Map of Louisiana, 19th c., by Finley,

Philadelphia, sight 10 in. x 12 in.; together with a group of three antique New Orleans prints, later reproductions. $250/350 Provenance: Map descended in the family of Thomas Nichols. 282. George Wesley Bellows (American, 1882-1925), “The Rescue”, 1922, Conte crayon, pencil and ink wash on paper, signed lower right, titled lower center, titled and dated en verso, Santa Fe Festival of Arts label and Frederick Keppel & Son, New York labels en verso, sheet size 20 3/4 in. x 16 1/2 in., image size 18 1/8 in. x 14 5/8 in., framed. $2000/3000 Provenance: Estate of James R. Lamantia, Jr., New York and New Orleans.

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283. William Woodward (American/New Orleans, 18591939), “French Market, New Orleans”, 1903, watercolor on paper laid down on board, titled lower left and inscribed “Jan.”, signed and dated “Wm. Woodward, New Orleans 1903” on backing, 24 in. x 16 in.; accompanied by an envelope inscribed “This watercolor done by Mr. William Woodward circa 1900. It was property of my grandmother, Nannie Mather Bell” with typed “Bomar” return address, attractively matted and framed. $7000/10000 Provenance: Gift from the artist; descended in a Louisiana family. Note: The French Market was a favored theme of William Woodward. He depicted it in different media over several decades. A watercolor from 1891 in The Historic New Orleans Collection depicts an active scene with piles of cabbages and onions and a man at work cleaning cabbages in the right background. Seemingly the same man is shown in the 1903 painting offered here, but in a slightly different location of the market. This view depicts one of the gabled entries on the river side of the French Market and relates very closely to a Raffaelli oil crayon from 1904 in the collection of the New Orleans Museum of Art. In that work, from a different angle, he shows the same woman with her red scarf and blue skirt, standing by a table piled with cabbages. The man is also shown, but at work on his horse carriage. Large watercolors by William Woodward are quite rare as he generally preferred the medium of oil crayon to capture his beloved Vieux Carré. Reference: Brady, Patricia, ed., Complementary Visions of Louisiana Art: The Laura Simon Nelson Collection, The Historic New Orleans Collection, 1996, p. 34. Hinckley, Robert, William Woodward: American Impressionist, 2009, p. 16 and 129.

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284. William Henry Buck (Norwegian/New Orleans, 1840-1880), “Louisiana Bayou: Live Oaks and Water Lilies at Dusk”, oil on canvas, signed lower right, 13 in. x 17 3/4 in., period frame. $50000/80000 Provenance: Estate of a St. Louis, Missouri collector. Note: William Henry Buck’s romantic and atmospheric depictions of the Louisiana landscape are noted for his moss-laden live oak trees and views of bayous. He achieved a recognizable compositional style which makes his work discernible from that of his contemporaries. As shown in the work offered here, Buck often paints a large live oak tree placed prominently within the picture creating an anchor for the scene. The landscape here is depicted just after the sun has set with dark trees starkly contrasted against a fiery sky. Lily pads in bloom illuminate the foreground setting the bayou ablaze with the reflection of sunset.

285 288 285. Johannes Adam Simon Oertel (German/North Carolina, 1823-1909), “Team of Oxen Pulling a Logging Cart, Possibly Florida”, oil on canvas laid onto board, signed lower right, 16 in. x 32 in., period frame.

W 287. Three Large Chitimacha Double

Weave Rivercane Baskets, probably early 20th c., consisting of a carba and two tray baskets, natural, black and tan cane; carba with three bands of bow ties, lid with one band; one tray with two bands of “Black Bird Eyes”; the other with two small bands of “Black Bird Eyes”; heights 14 in., 7 in., 5 in., widths 16 3/4 in., 21 1/2 in., 18 in., depths 16 in., 21 in. and 18 in., respectively. Note: “As is” estate condition.

$2000/3000 Note: Mostly known as a painter of religious subject matter and Civil War scenes, Johannes Oertel became an ordained Episcopal minister in 1871. In 1882 Oertel moved his family to Florida where he built a sawmill and bought land for an orange grove near Orange Springs in Marion County. His plan was to allow his sons to run the businesses while he devoted himself to painting full-time. “Team of Oxen Pulling a Logging Cart” was executed during this time. Oertel’s Florida art career was cut short when the business ventures did not pan out leaving this painting to be one of the few genre scenes to emerge from this period. References: Painting in the South: 1564-1980, Virginia Museum of Fine Arts, 1983; John Frederick Oertel, A Vision Realized, a Life Story of Rev. J.A. Oertel, D.D., Artist, Priest, Missionary, 1917, The Young Churchman Co., Milwaukee, WI.

$300/500 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. 288. A Fine American Colonial Revival Pine and Mixed Woods Windsor Armchair, early 20th c., bearing label of Wallace Nutting (Massachusetts, 1861-1941), model #409, tall bow back with squared terminals in a flat small armrest, shaped elliptical seat, bulb-turned and tapering legs with a stretcher, original surface. $1000/1500 Note: The c. 1770 prototype for this chair is illustrated as #2643 in Volume Two of Wallace Nutting’s seminal Furniture Treasury. The author describes the form as “beautifully turned, including the front spindle, well shaped bow; necking to small dimensions and enlarging like a mortise...”, features echoed in the chair seen here. The extraordinarily high back on this chair relates to that on a “Spinster’s chair” at the Metropolitan Museum of Art documented by Nutting as #2698. 289

W 286. A Choctaw Rivercane Market Basket,

early 20th c., natural and tan cane, herringbone design, height 14 1/4 in., width 14 1/2 in., depth 15 in. $200/400 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

289. An American Chippendale Carved Walnut Highboy, late 18th c., Philadelphia; upper case with swan’s neck crest, applied rosettes, blind fret frieze over three short and four graduated drawers; lower case with one long drawer above a shell carved drawer flanked by small drawers, cabriole legs ending in claw and ball feet, height 90 in., width 44 1/2 in., depth 23 1/2 in. $8000/12000

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290. An American Classical Carved Mahogany Work Table, c. 1825, crossbanded top above two graduated drawers flanked by turreted ring-turned corners, lyre base on four acanthine outswept legs, brass paw feet, casters, height 31 in., width 21 in., depth 15 3/4 in. $800/1200 291. An American Federal Carved Cherrywood Chest of Drawers, early 19th c., four graduated drawers with ivory inlaid escutcheons, turned legs, ball feet, height 42 in., width 40 3/4 in., depth 21 3/4 in. $1000/1500

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292. An American Classical Rosewood Armchair, mid-19th c., New York, school of Duncan Phyfe, arched crest, padded arms, saber legs, casters. $1000/1500 293. A Rare Antique Napoleon Relic Cane, 19th c., silver handle engraved “15 Decembre 1890”, the lid unscrews to reveal a spring-loaded bronze bust of Napoleon, the bust unscrews to reveal a glass capsule labeled “Terre de Ste. Helene (soil from St. Helena)”, length 36 in. $2000/3000

294. A Pair of Continental Papier Peinte Panels, late 18th/early 19th c., depicting Terpsichore and Euterpe, sight 44 1/4 in. x 22 1/2 in., framed, in estate condition. $4000/6000

295. A George III Sterling Silver Tankard, Hester Bateman, London, 1789, baluster form with banded body, domed hinged cover, pierced scrollwork thumbpiece, C-scroll handle with shield-shaped terminal, period script monogram, presentation inscription interior rim of cover: “The Gift of Philip Tandrell to his Son 1789”, height 8 3/4 in., weight 29.10 troy ozs. $4000/6000 296. A Pair of Sheffield Fused Plate Candlesticks, early 19th c., elaborate anthemion and palmette decorated standard and candlecups, original bobêches, height 13 in. $400/600 297. A Set of Four Antique English Silverplate Telescopic Candlesticks, early 19th c., circular shell and acanthus decorated base with columnar shafts, height 8 3/4 in. $400/600 W 298. A Late

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295

Georgian Sheffield Plate Epergne, c. 1830, circular wirework baskets on scroll arms, trumpet-shaped support, spreading foot, height 16 1/2 in. $500/750 W 299. An

English Victorian Reticulated Silverplate Centerbowl with Cobalt Liner, c. 1880, ret. Warings of London, height 5 7/8 in., diameter 9 3/4 in.

297

$250/350 300. A Diminutive Regency Sterling Silver Teapot, marked Matthew Boulton, Birmingham, 1818, with swan neck spout, original cover with hardwood finial, swinging bail handle wrapped in rattan, fully hallmarked, overall height 5 in., weight 12.60 troy ozs. $800/1200

300

W 301. An Antique English Silverplate Cake Basket,

19th c., circular footed form with openwork swing handle, lobed body, floral and foliate rim, gadroon and foliate foot, height (to top of handle) 11 in., diameter 10 in. $250/350 W 302. A British Bearskin Helmet, c. 1900, with original

metal case, labeled “Hawkes & Co., 14 Piccadilly, London”, helmet with British fusilier medallion with St. George and the motto “Quo Fata Vocant”, chinstrap and accompanying stand, approx. height 19 in. $600/900 W denotes the lot is illustrated at www.nealauction.com

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303. A Diminutive English Chinoiserie Chairback Settee, early 19th c., turned uprights, slat back, rush seat, turned legs, stretchers, height 32 in., width 35 1/2 in., depth 16 1/4 in. $1000/1500

304. A Pair of Antique Restoration or CromwellianStyle Walnut Side Chairs, early 19th c., rectangular back and seat, barley-twist legs, stretchers, embossed leather upholstery and nailhead trim.

306. A Large Antique English PapierMâché Tray, 19th c., hunting scene with riders and hounds, 23 1/4 in. x 31 1/2 in.

$500/750

$1000/1500

305. A Small Brass Bound Leather Trunk, early 19th c., nailhead trim throughout, void interior, double headed eagle escutcheon, carrying handles, height 9 3/4 in., width 21 1/4 in., depth 12 1/2 in.

307. A Fine Pair of English Tôle Peinte Tea Canisters, 19th c., H. Sotcliffe & Co., Manchester, stamped, domed lid, faceted rims, cylindrical bodies with reserve paintings of “Scene of the Rhine” and “Cork River”, height 18 1/4 in.

$200/400 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

$2000/2500

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312. An Antique George III Carved Giltwood Mirror, late 18th/early 19th c., bearing partial label en verso “Richard Hoare, Jun., No. 18 Gracechurch St...1799-1830”, crest surmounted by an eagle clasping chains, scrolling flowers to sides, panel with swagged drape, reeded columnar sides, blocked base, also with John Walton 427 Park Ave., New York label en verso. $1200/1800

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313. A Fine English Carved Rosewood Canterbury, mid-19th c., pierced gallery with turned finials, barleytwist uprights, divided base fitted with a drawer, turned feet, height 40 in., width 22 in., depth 16 in.

W 308. An Antique Sword Cane, 19th

W 310. An Antique Carved Wood

c., the silverplate knob with eagle insignia and Arabic inscription.

Boar’s Head Cane, 19th c., inlaid with ivory tusks and glass eyes.

$500/700

$200/300

309. An Antique English GoldMounted Walking Stick, 19th c., repoussé handle decorated with shells and floral garlands, horn tip.

311. A Pair of George III-Style Patinated Bronze Lanterns, scrolled body, acanthine corona and finials, fitted with four lights, height 36 in., width 14 in., depth 14 in.

314. A Regency Mahogany Chiffonier, c. 1815, reticulated brass gallery, medial shelf between scrolled brass supports; case with a single drawer over a pair of doors, tapered and reeded legs, height 49 1/4 in., width 34 5/8 in., depth 19 3/8 in.

$1200/1800

$800/1200

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316

317. A George III Carved and Inlaid Mahogany Linen Press, c. 1790, lancetcarved cornice above two doors having mitred molding and oval figured mahogany veneer panels with conch shell inlay; base with two short and two long graduated drawers with crossbanding, rosette inlay throughout, shaped bracket feet, height 81 in., width 49 1/2 in., depth 24 in. $3000/5000 318

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315. A Continental Empire Mahogany and Gilt Bronze-Mounted Guéridon, 19th c., circular marble top, probably Saint Anne des Pyrenees, tapered columnar supports with anthemion collars, incurvate triangular plinth, casters, height 29 1/2 in., diameter 34 1/2 in. $4000/6000 Provenance: Gerrie Bremermann, New Orleans, LA.

316. An Antique Louis XVI-Style Bronze-Mounted Mahogany Bureau à Cylindre, 19th c., galleried marble top superstructure with three drawers, cylinder lid, pull out writing surface, fitted desk interior, frieze drawer, tapered fluted legs ending in toupie feet, height 44 in., width 32 in., depth 20 in. $1000/1500

318. A Regency Mahogany Breakfast Table, c. 1815, rectangular banded tilt top with rounded corners, turned stem, arched reeded outswept legs, brass ferrules, casters, height 27 1/4 in., width 49 in., depth 36 1/4 in. $800/1200

320

W 319. A Georgian Carved Mahogany Armchair,

seat rail marked with Monarch’s stamp, crown over “GR/V”, tablet crest rail, scrolled arms, turned legs, casters. $800/1200 320. An Antique English Inlaid Mahogany Carlton House Desk, brass galleried superstructure of drawers and cupboards, inset leather writing surface, three frieze drawers, square tapered legs, brass cuffs, casters, height 43 in., width 52 1/2 in., depth 26 in. $1800/2500 321. A Rare American Classical Inlaid Satinwood Astragal End Work Table, c. 1815, attributed to Duncan Phyfe, New York, hinged lid enclosing an interior fitted with a writing panel, looking glass and two demilune trays; the frieze faced as a drawer, tambour door below, reeded urn standard, saber legs with waterleaf carving, brass paw feet, casters, height 31 in., width 25 in., depth 12 1/2 in.

321

$8000/12000 Note: This rare example is part of a very small group of satinwood work tables related to the Phyfe workshop. Others include a table purchased from Phyfe in 1813 by Victor du Pont for his niece Victorine du Pont Bauduy for her marriage, and now conserved by the Hagley Museum and Library, Wilmington, Delaware. A second table is conserved by the Metropolitan Museum of Art (acc. 1986.84.2). The table offered here is nearly identical to the Met example and shares dimensions and case details with the du Pont example. Reference: Kenny, Brown, Bretter, and Thurlow. Duncan Phyfe: Master Cabinet Maker in New York. p. 122, fig. 151 and pp. 170-173, pl. 8-9.

322. A Large American Classical Cabinet, early 19th c., black marble top above ogee molded frieze drawers, beveled panel doors flanked by free standing pylon columns, molded base, shaped block feet, height 41 1/2 in., width 70 in., depth 22 in. $1500/2500

322

W denotes the lot is illustrated at www.nealauction.com

326

323

323. An American Late Federal Carved Mahogany Tall Post Bed, early 19th c., paneled headboard with shaped crest and bosses, spiral and ring-turned and blocked posts, conforming rails.

324

Reference: http://www.boscobel.org/wp-content/uploads/2012/04/Boscobel-Peter-DykmanBedroom1.jpg; Kenny, et.al. Duncan Phyfe Master Cabinetmaker in New York. p. 285 fig. 2.16; McClelland. Duncan Phyfe and the English Regency. p. 171. pl. 153.

325

$1000/1500 Note: The form of the splat on this side chair is closely related to a pair of attributed Kneeland and Adams chairs conserved in the Winterthur Museum (Acc.# 59.104.12). Reference: Montgomery, American Furniture The Federal Period, ill. fig. 40, p. 93.

$4000/6000

Note: This lot is nearly identical to a dressing table installed in the Peter Dyckman bedroom at Boscobel, Garrison, New York. The dimensions, mirror supports and case of this dressing table are also nearly identical to those on a dressing table given by Phyfe to his daughter, Eliza Phyfe Vail. The distinctive curule supports and turned stretcher seen here relate to those on an example documented by Nancy McClelland.

$1200/1800 324. An American Federal Carved and Inlaid Mahogany Side Chair, early 19th c., attributed to Kneeland and Adams, Hartford, Connecticut, reticulated shield back centered by an urn, serpentine seat rail, molded legs joined by H-stretcher.

325. An American Classical Carved Mahogany Dressing Table, early 19th c., attributed to Duncan Phyfe, New York, mirror with scroll supports, case with fitted drawer flanked by two small drawers over a long drawer, reeded curule legs joined by spiral carved stretcher, casters, height 57 in., width 37 in., depth 19 1/2 in.

326. An American Late Classical Carved Mahogany Center Table, 19th c., New York, attributed to John and Joseph W. Meeks, serpentine marble top, conforming frieze, opposing scroll supports, arched stretcher, outswept scrolled feet, height 29 3/4 in., width 43 in., depth 24 1/2 in. $1200/1800

327. An American Chippendale Tiger Maple Chest-on-Chest, New England, upper case with molded cornice over five graduated drawers; an associated lower case of four graduated drawers, base raised on bracket feet; later brasses and restorations to feet, height 78 1/4 in., width 40 in., depth 21 1/4 in.

328

$4000/6000 328. A Fine Pair of American Late Classical Gilt Bronze SixLight Candelabra, mid-19th c., probably Cornelius & Company, Philadelphia, each with an urn issuing acanthine arms ending in candlecups and drip pans, gothicized triangular standard, shaped plinth base, height 23 in., diameter 12 1/2 in.

327

329

$2500/3500 329. A Fine Pair of Antique Italian Carved and Gilt ThreeLight Sconces, Prince of Wales plume backplate issuing scrolling arms, height 22 in., width 16 1/2 in., depth 9 1/2 in. $2000/3000 330. Two George VI Limed Oak and Velvet Coronation Chairs, c. 1937, one North & Sons and the other Hands & Sons, High Wycombe, Buckinghamshire, England; embroidered with the Royal cypher of George VI, “GR” under a crown, both branded by the maker and dated. $1500/2500 Note: George VI was crowned upon the abdication of his older brother Edward VIII. These chairs, made for the Coronation service at Westminster Abbey in 1937, would have been available for purchase by special guests.

330

331. An English or American Ebonized and Gilt-Decorated Pole Screen, late 18th c., bellflower stenciled frame containing later fabric, turned stem, arched legs, scrolled toes, height 58 in., width 37 1/2 in., depth 22 1/4 in.

331

$400/600 W denotes the lot is illustrated at www.nealauction.com

332

333

333 (detail top)

333. An Italian Carved Walnut and Specimen Marble Guéridon, 19th c., circular top with complex juxtaposition of marble specimens, floral and foliate frieze, C-scroll supports centered by a turned column with applied acanthus medallions, incurvate triangular plinth base, height 24 1/8 in., diameter 32 in. $3000/5000 334. An American Neo-Grec Carved, Gilded, Incised, Ebonized and Inlaid Rosewood Side Cabinet, mid-19th c., New York, shaped top with a raised plinth centered by an exotic wood inlaid frieze, door with musical trophée, conforming paneled sides with outset scrolled brackets and turned discs, blocked base, height 48 1/2 in., width 60 in., depth 18 in., in fine estate condition. 334

332. An Anglo-Colonial Carved Hardwood Reclining Chair, mid-19th c., related to the designs of Lockwood de Forest (American, 1850-1932) and William Morris (English, 1834-1896), rectangular adjustable back, shaped arms, square uprights, floral blocks, serpent entwined legs, height 41 in., width 29 in., depth 41 in. $1200/1800 Note: The chair presented here shares its form with chairs designed by William Morris. The carvings appear to be closely related to those found in pieces attributed to Lockwood de Forest. De Forest was with Associated Artists in 1879 prior to being in India where he opened the Ahmedabad Wood Carving Company which supplied Associated Artists until their close in 1882. De Forest then returned to New York to open his own design firm.

$3000/5000 Note: Ambitious cabinets such as the lot offered here were intended for the most public room in a grand house, putting in evidence the good taste and prosperity of its owner with the use of exotic hardwoods, fine imported inlays, fashionable Neo Grec embellishments, and a pedestal worthy of a fine clock or sculpture. This form exemplifies the apex of American Renaissance Revival style as presented by French émigré cabinet makers in New York City of the nineteenth century.

335. An American Aesthetic Carved Walnut Hanging Shelf, late 19th c., New York, back containing a central tile depicting the lion lying down with the lamb flanked by lithograph pictures, molded shelf, blocked bracket supports. $400/600 335 336. An American Renaissance Carved Walnut Portfolio Stand, late 19th c., having adjustable leaves, bellflower crest, turned supports, stretcher shelf, the shaped molded legs ending in casters, height 46 in. $800/1200 337. A Fine American Neo-Grec Rosewood, Marquetry, and Gilt-Incised Bedstead, c. 1875, attributed to Herter Bros., New York, paneled headboard surmounted by an urn inlaid crest, flanked by fluted urns and scrolled inlaid wings; faceted posts, conforming low footboard with stylized flower inlaid reserve, paneled rails, turned disc feet, height 84 in., width 58 in., length 79 in. $7000/10000

336

338

338. A Pair of American Gilt Lacquered Brass and Bronze Hanging Solar Lamps, 19th c., possibly H.N. Hooper & Co., Boston, identical to item No. 498 in the 1850 catalogue, each font on circular bracket with three foliate arms suspended by chains, period chimney, height 21 in., diameter 13 in. $3000/5000 Note: Similar hanging lamps were produced by Starr, Fellows & Co. as illustrated in their 1856 catalogue and by Dietz as seen in their 1860 catalogue. Reference: Gowitt, Gerald 19th Century Elegant Lighting, 2002, pp. 32 & 92.

337 W denotes the lot is illustrated at www.nealauction.com

339

340

343

339. A Pair of Italian Rococo-Style Carved and Gilded Five-Light Altar Candelabra, 19th c., scrolled support, carved with acanthus and rosette design, height 28 1/4 in., width 26 1/2 in., depth 8 1/4 in.

341

$2500/3500 W 342. A French Cast Iron Crucifix,

340. An Antique American Gilt Metal and Abalone Shell-Mounted Lamp, 19th c., cast flower framework inset with abalone shells, vasiform standard, on scroll feet, now electrified, height 30 in., diameter 12 in. $600/900

dedicated to St. Anne de Beaupré, overall pierced floral and ornamental design centered by the figure of a saint, plinth base, in white paint, height 35 in., width 20 1/4 in., depth 5 3/4 in. $250/350

341. A Pair of French Art Deco Molded Glass and Bronze Wall Sconces, early 20th c., backlit panels with nickel-plated bronze leaping dancers, opposing gilt bronze cornucopiae applied to decorative silvered bronze bands at top and bottom, height 31 in., width 16 in., depth 3 1/2 in. $3500/5500

343. A Pair of Antique Lead Garden Figures, 19th c., modeled as allegorical putti representing harvest, on square plinth base, height 26 in., bases 12 in. x 12 in. $1200/1800

344

346

344. A RenaissanceStyle Carved Pine Mirrored Tabernacle, late 18th/early 19th c., possibly Italian or Dalmatian, shaped crest atop rosette blocked fluted columns, centered by a mirror plate over a scrolled shell and a plaque, incurvate shelf base, height 44 in., width 32 in., depth 10 1/2 in. $700/900 347

345. An Antique French Carved Fruitwood Tall Case Clock, mid 19th c., porcelain dial, brass repoussé surround with courting couple, molded case with pendulum window, striking bell movement, height 97 1/2 in., width 17 in., depth 14 in.

346. A Good French Provincial Cherrywood Dining Table, late 18th/early 19th c., plank top, shaped apron, one end drawer and slide, cabriole legs ending in hoof feet, retaining a fine old patina, height 30 in., width 79 in., depth 33 in. $3000/5000 347. A French Provincial Carved Walnut Commode, 19th c., grey marble top above two drawers, paneled sides, cabriole legs, height 39 in., width 48 3/4 in., depth 23 in. $2000/3000

$1000/1500

345 W denotes the lot is illustrated at www.nealauction.com

348. Marie Atkinson Hull (American/Mississippi, 1890-1980), “Rocky Shore”, oil and mixed media on canvas, signed lower left, titled en verso on stretcher, 36 in. x 30 in., framed. $4000/6000 Provenance: Acquired from the artist by the current owner. Note: Marie Hull’s style as a painter successfully matured into full abstraction. In the 1950s and 1960s she created a body of work utilizing forms of the full rainbow of colors to create her compositions. Hull often titled her paintings so the viewer is given insight into what is being depicted. The work offered here, entitled “Rocky Shore“ is a vibrant canvas in which bright shapes of white, yellow, red and orange are framed by brown, green, blue and amber forms. Interestingly, and rarely found in her work, Hull incorporates sand she gathered at the scene with the oil medium, creating a visual texture to the painting. 349. George Rodrigue (American/Louisiana, b. 1944), “Blue Eyes for Me”, 1991, oil on canvas, signed lower right, titled and inscribed en verso, 24 in. x 20 in., attractively framed. $7000/10000 Provenance: Purchased from the artist, 1991. Note: The lovely blue-eyed young lady depicted in this lot was painted in Rodrigue’s transitional period. At this point in his career, Rodrigue had begun to paint his “Loup-Garou” paintings, which were a precursor to his “Blue Dog” series. However, he was still including the Cajun swamp scenes with oak trees and Spanish moss in the background of most of his paintings. 348

350

349

350. Knute Heldner (Swedish/New Orleans, 1875-1952), “Paris Rooftops”, oil on canvas, signed lower right, 18 in. x 21 1/2 in., period frame. $2000/3000

351. Marion Souchon (American/New Orleans, 18701954), “Past Splendor”, oil on board, signed lower right, signed and titled en verso, 21 1/4 in. x 13 7/8 in., period frame. $4000/6000 Provenance: A gift of the artist. 351

352

353

352. Simon Gunning (Australian/New Orleans, b. 1956), “Cats on the Roof While the Devil Beats his Wife”, 1986, oil and mixed media on canvas, signed lower right, initialed, titled and dated en verso, 36 in. x 24 in., framed. $4000/6000

354

353. V. Anguiano (Mexican, 20th c.), “Market Scene”, 1987-88, watercolor on paper, signed and dated lower left, 19 3/4 in. x 28 1/4 in., unframed.

354. Sofia Bassi (Mexican, 19131997), “Ruined Landscape”, 1968, oil on wood panel, signed and dated lower right, sight 7 1/4 in. x 12 1/2 in., framed.

$800/1200

$1000/2000 Provenance: Collection of a Texas gentleman.

W denotes the lot is illustrated at www.nealauction.com

357

357. An Anglo/Indian Mahogany Bench in the Sheraton Taste, 20th c., incurvate caned seat with conforming cushion, turned tapered legs, height 14 in., width 63 in., depth 19 in.

355

$500/800 W 358. Three Lower Mississippi

River Valley Cypress Tables, early 20th c., comprised of a small library table and two candlestands, the table with molded top; the candlestand with tapered stem; the other with adjustable stem, four splayed legs. $700/900 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. 359. An Antique American Carved Mahogany Corner Cabinet, 19th c., dentil molded cornice, gothicized glazed doors, medial drawer, gothicized paneled door below, molded base, bracket feet, height 90 1/2 in., width 40 in., depth 20 1/4 in. 356

359

360. An American Classical Carved Mahogany Games Table, mid-19th c., New York, “D” shaped foldover top over a well, frieze centered by a panel, four columnar supports on incurvate plinth, acanthine paw feet, casters, height 28 1/2 in., width 36 in., depth 18 in.

355. A Southern Cherrywood Table, c. 1830, square top above a single drawer, turned tapered legs, height 28 1/2 in., width 20 in., depth 20 in. $500/800 356. An English Red Lacquer Chinoiserie Lap Desk on Stand, 19th c., hinged lid enclosing a foldover writing compartment, green leather fittings, height 35 in., width 18 in., depth 10 in.

$700/1000

$500/800

360

$2000/3000

361. An American Classical Carved Mahogany Sofa, c. 1840, attributed to Phyfe & Son, New York, ogee crest rail, scrolled arms, molded seat rail, flat disc feet, flamed veneers throughout, height 36 in., width 87 in., depth 27 in. $500/700 Note: The form, proportion and figured veneers on this sofa point to the influence of the workshop of Duncan Phyfe in the 1830’s, in what is known as the “Grecian Plain” style. Sofas and couches attributed to Phyfe with scroll arms and elliptical feet similar to those seen here include those made for Samuel Foote, now at the Metropolitan Museum of Art (acc. 66.221.1); a couch from the household of Eliza Phyfe Vail, now in the collection of Virginia Gould; a couch made for John Manning still at Millford Plantation, Pinewood, South Carolina; and a daybed also owned by John Manning, now in the Metropolitan Museum of Art (acc. 2006.399a-r).

361

Reference: Kenny, Brown, et. al. Duncan Phyfe, Master Cabinetmaker in New York. pp. 139, fig. 176-177; p. 143, fig 185; p. 148, fig. 193; and pp. 248-249, pl. 55.

362. An American Late Federal Cherrywood and Tiger Maple Jackson Press, c. 1830, gallery back, two drawers over a pair of doors flanked by engaged columns, bulbous foliate carved feet, cupboard interior with scalloped shelves, height 54 1/2 in., width 48 in., depth 23 in.

362

363. An American Classical Carved Mahogany Secretary Desk, early 19th c., Baltimore, pedimented cornice over paneled doors, shelf interior, belt of three drawers; associated lower case with fitted escritoire drawer flanked by drawers, paneled doors below, sides with tapered columns, plinth bases, scroll feet, height 82 in., width 51 1/2 in., depth 24 in.

363

$1200/1800 364. A Good Antique French Cast Iron Table de Pâtisserie, 19th c., dished white marble top, foliate skirt, scroll legs with bosses, height 31 in., width 48 in., depth 29 1/2 in.

$1500/2500 Note: Derived from the traditionally larger sideboard, this Southern form known as the “Jackson Press” was versatile in its use for dining rooms and kitchens. Most closely associated with Tennessee cabinetmakers and named for local hero Andrew Jackson, the Jackson Press was prevalent in the vicinity of Jackson’s home: Davidson County, Montgomery County, and Wilson County, Tennessee.

$2500/3500

Reference: For related examples see Derita Coleman Williams and Nathan Harsh, The Art and Mystery of Tennessee Furniture and Its Makers Through 1950, chapter XII.

364 W denotes the lot is illustrated at www.nealauction.com

365. An American Late Classical Carved Mahogany Library Armchair, mid-19th c., scrolled back and seat, conforming padded arms, curule supports. $400/600

365

366. An American Classical Gilt Stenciled Mahogany Pier Table, early 19th c., New York, rectangular white marble top, bolection molded frieze, columnar uprights, mirrored back flanked by pilasters, shaped stretcher shelf, lobed verde antique and gilt feet, height 37 3/4 in., width 40 1/8 in., depth 22 in.

368

$4000/6000 367. A Rare George III Carved Mahogany Bottle Stand, late 18th c., molded dished top, shaped apron, sabre legs joined by brass stretcher, height 12 in., top diameter 7 1/4 in. $300/500 368. A Pair of George II Carved Mahogany Hall Chairs, c. 1760, pierced backs, plank saddle seats, splayed quatrefoil pierced supports connected by a shaped stretcher.

366

367

$700/1000 Note: This rare pair of chairs relates to chairs original to Wilton House, Wiltshire, the seat of the Earl of Pembroke. This sgabello form after Italian Renaissance prototypes is also found in elaborate painted examples at Petworth House, Sussex. 369. A Set of Eight Regency-Style Mahogany Dining Chairs, consisting of two arm and six side chairs, pierced crest rail, gilt bronze rosettes, reeded uprights, conforming saber legs. $2000/3000 369

371

372

374

374. Italian School, 19th c., “The Goddess Diana” (possibly after a painted prototype), inscribed “Baratta.Carrara”, on a square marble socle, height 24 3/4 in. $800/1200 370

375

370. An Antique Empire-Style Mahogany, Ebonized and Gilt Bronze-Mounted Dressing Table, 19th c., rectangular mirror supported by tapered ebonized columns on three short drawers, base with three frieze drawers on ebonized supports, incurvate plinth base, turned feet, height 58 1/2 in., width 37 3/8 in., depth 22 1/4 in.

372. A Franco-Belgian Bronze Figure of “Lady Godiva”, after Léon Mignon (Belgian, working in Paris, 1847-1898), cast signature, verde antico marble plinth, height 21 1/2 in., length 18 1/2 in., depth 9 1/2 in.

$700/1000

$1200/1800

371. A French Painted Six-Panel Screen, late 19th c., depicting figures in a landscape, floral surround, height 67 in., panel width 22 5/8 in., overall width 133 in.

W 373. Continental School, 19th

$1200/1800

Note: Possibly of the same famous family of 17th, 18th, and 19th century Italian sculptors as Francesco Baratta the Elder (an assistant of Bernini’s, d. 1666), Giovanni Baratta (1670-1747), and the latter’s relatives Francesco Baratta the Younger (1805-1835), and Pietro Baratta (1659-1729).

c., “Bronze Statuette of a Crouching Venus”, uninscribed, height 10 1/4 in.

375. An Exceptional Antique Swedish Carved Giltwood Mirror, crest with foliate and pinecone cartouche flanked by scrolling acanthus, divided mirror plate, ropework and floral carved sides, shaped pierced base, height 92 in., width 35 in.

$200/400

$3000/5000 W denotes the lot is illustrated at www.nealauction.com

376. An Italian Neoclassical Fruitwood Parquetry and Marquetry Commode, early 19th c., with two drawers, chevron motif sides, square tapered legs, height 29 1/8 in., width 21 1/8 in., depth 13 1/8 in. $1500/2500 377. An American Rococo Carved Giltwood Mirror, mid-19th c., probably Philadelphia, elaborately carved pierced crest with corn, grapes and fruit cartouche, oval beaded framework surrounded by scrolled leaves and fruit, acanthine base, height 95 in., width 43 in.

376

$800/1200 378. A Continental Inlaid and Figured Walnut Bombé Commode, late 18th/early 19th c., two short over two long drawers with banded inlay and bookmatched veneers, string inlay throughout, scalloped skirt, flared feet, height 32 in., width 46 1/2 in., depth 25 in.

377

378

$5000/7500 379. An Empire BronzeMounted Mahogany Console, 19th c., marble top, frieze drawer, scroll supports ending in paw feet, incurvate plinth base, height 35 1/2 in., length 58 1/4 in., width 20 3/8 in.

380

$1000/2000 379

380. A Diminutive American or English Chippendale Carved Mahogany Looking Glass, 18th c., scalloped crest terminating in scrolled ears, molded frame, length 26 1/4 in., width 15 1/2 in. $800/1200

382

383

384

381

381. A Set of Twelve Queen Anne-Style Walnut and Burled Dining Chairs, early 20th c., Schmeig Hungate Kotzian, comprised of two arm and ten side chairs, each stamped “SHK” on seat rail, with arched back, vasiform burled splat, balloon slip seat, shell-carved cabriole legs ending in pad feet, armchairs with scrolled shell and leaf-carved arms. $5000/7000 Note: Karl Schmeig and Henry Kotzian apprenticed in London in the first years of the 20th century, then formed a partnership which they brought to New York City in 1908. The firm was known throughout its fifty-four year existence for fine materials and exacting standards of cabinetmaking. They worked for Art Deco luminaries such as Donald Dusky, Eugene Schoen, and George Tanier, and produced piano cases for Steinway. This suite of chairs bears a rare circular “S H K” stamp indicative of the Hungate partnership of 1911.

382. A Fine Pair of Louis Philippe Carved Rosewood Chaises, mid-19th c., shaped foliate crests, molded foliate stiles, serpentine seat rails, acanthus and anthemion carved cabriole legs, casters, retaining Aubusson upholstery. $800/1200

383. A Monumental Neoclassical-Style Gilt and Patinated Bronze Mantel Clock, 19th c., striking bell movement, allegorical figures representing harvest, their chariot pulled by a pair of lions, on a molded green variegated marble base, height 20 in., width 29 in., depth 10 1/2 in. $6000/9000 384. A Chinese Carved Xingyao or Dingyao Porcelain Bottle Vase, probably Song Dynasty (9601279), pear form body, flared mouth, short foot ring, overall pale ivorywhite glaze, carved around the midsection with foliate and scroll bands, height 7 1/8 in. Note: Gilt lacquer restoration to rim. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

386. A Chinese Gilt-Decorated Green Glazed Porcelain Covered Jar, 19th c., globular body, domed cover, thick green enamel surrounding gilt floral sprays, bats, pendant ruyi heads, and petal lappets, base with double circles in underglaze blue, height 6 1/2 in. Note: Staple repair to cover. $700/900 387. A Chinese Susancai Glazed `Brinjal’ Porcelain Bowl, 17th c., bell form body raised on a short foot ring, incised to the exterior with three floral sprays, the interior with a central spray, all reserved on an aubergine ground, base with a blue character-like mark, height 3 5/8 in., diameter 7 1/2 in. $4000/6000 385

Provenance: With Anne Roselt, Cologne, Germany, 1981.

386

387

389

388. A Chinese Gilt Bronze Mounted Famille Rose Porcelain Bowl, Daoguang mark and period (1821-1850), oval porcelain body with wide horizontal lobes raised on a tall, slightly splayed foot, enameled to the exterior with numerous characters on a yellow ground between bands of ruyi clouds and floral sprays, base with Daoguang seal mark, porcelain height 3 1/2 in., width 8 3/8 in., overall height 6 1/8 in., width 12 1/2 in. $3000/5000

388

385. A Chinese Carved Yaozhou Celadon Pottery Bottle Vase, probably Song Dynasty (960-1279), globular body, flared mouth, tall foot ring, olive green crackle glaze, carved around the belly with lingzhi scrolls, unglazed foot, height 5 5/8 in. Note: chip to rim. $800/1200

389. A Chinese Blue and White Porcelain Onion Form Bird Feeder, Ming Dynasty (1368-1644), probably Hongwu period, delicate eggshell-like conical body with two loop handles, finely painted around the shoulder with leafy vines and chrysanthemum heads beneath a key fret band at the short neck, height 2 5/8 in. $4000/6000

390. A Pair of Chinese Blue and White Porcelain `Bamboo and Phoenix’ Bowls, Kangxi marks but probably 19th c., conical bodies raised on short foot rings, each with continuous phoenix and bamboo decoration to the interior and exterior, each base with sixcharacter Kangxi mark, height 1 1/2 in., diameter 3 7/8 in.

390

$1000/1500 391. A Pair of Chinese Gilt Embellished Blue and White Porcelain Mallet Form Vases, Guangxu marks and probably period (18751908), each with all over vining floral head decoration, each base with six character Guangxu mark, height 2 1/2 in.

392

$800/1200 392. A Chinese Incised and Glazed Stoneware Double Gourd Vase, probably 19th c., lower bulb freely incised with chrysanthemum sprays between bands of pendant ruyi heads at the shoulder and turbulent waves above the foot, overall greyish-white crackle glaze, height 13 5/8 in.

391

$1000/1500 Provenance: Christie’s, New York, June 16, 2009, lot 424.

393

393. A Chinese Song-Style Black Glazed Stoneware Bottle Vase, probably 18th c., globular body with a tall neck and funnel mouth raised on a short foot ring, with raised bands around the neck and body, overall brownish black glaze, height 7 1/2 in. $1000/1500 394. A Pair of Chinese Famille Rose and Faux Bois Decorated Porcelain Vases, probably 18th c., square tapering bodies applied with grapes and squirrels around the shoulders, the sides enameled with citron shaped floral panels, raised on faux bois porcelain plinth bases, height 4 1/4 in. $1000/1500

394

395. A Chinese Blue and White Porcelain Lantern Vase, 19th c., elongated ovoid body with a flared waisted neck raised on a slightly splayed foot, decorated with two bird, rock and floral panels on a blue ground strewn with clouds and bats, height 12 in. $1000/1500

395 W denotes the lot is illustrated at www.nealauction.com

398. A Chinese Blue and White Porcelain `Dragon’ Bowl, Guangxu mark and probably period (18751908), bell form body raised on a tall straight foot ring, decorated with a pair of confronting five-clawed dragons contesting a flaming pearl, base with Guangxu mark, height 2 3/8 in., diameter 4 3/8 in. $600/800 397 399. A Chinese Blue and White Porcelain Square Brush Washer, Jiaqing mark but probably late 19th c., square body with canted corners decorated with scrolling floral vines, the circular aperture applied with a confronting qilong and bat, base with Jiaging mark, height 2 3/8 in., width 3 1/4 in., depth 3 1/4 in. Note: small losses.

396

396. A Chinese Yellow Glazed Pottery Bowl, Qing Dynasty (1644-1911) or earlier, delicate thin walled conical body molded to the interior with three raised dragons encircling a central character roundel amid floral sprays, height 2 3/4 in., diameter 7 3/4 in., storage box. Note: Restoration.

$600/800

398

400. A Chinese `Ink’ Painted Porcelain Brush Pot, Daoguang mark and possibly period (1821-1850), cylindrical body painted to one side in brown and black ink tones with a seated Luohan, the other with an inscription, base with Daoguang mark, height 4 3/4 in., diameter 3 in.

400

$800/1200 397. A Chinese Famille Rose Porcelain Dish, Yongzheng mark but 20th c., enameled to the exterior side and continuing over the rim and through the well with a large blossoming peony branch, base with apocryphal Yongzheng mark, height 1 14 in., diameter 8 1/2 in.

$600/800 399

$600/800

401. A Pair of Chinese Blue and White Porcelain Bowls, Qing Dynasty (1644-1911), delicate U-form bodies raised on short foot rings, interior wells with a pair of ducks swimming beneath the branches of a willow, exteriors with two pairs of ducks in a lotus pond, bases with six character Kangxi marks, height 1 5/8 in., diameter 3 1/4 in. $1500/2500

401

402. A Chinese Patinated Bronze Buddhist Lotus Pod, the body with pierced top and 10 articulating seeds, pierced circular base, diameter 4 1/4 in., wood stand, overall height 3 in.

402

$1000/1500 403. David Roberts, N.A. (English, 17961864), “General View of the Island of Philae”, “Approach to the Temple of Wady Saboua”(with text), “Temple of Edfou” and “Map of Egypt and Nubia, 1846”, four lithographs, from The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, 1842-1849, sight 15 in. x 20 in., each framed.

405

403

$600/900 404. Henriette Ronner (Dutch/ Belgian, 18211909), “Portrait of a Kitten”, 1905, oil on panel, monogrammed and dated upper right, 7 3/4 in. x 10 1/4 in., framed.

406

406. Charles Van den Eycken II (Belgian, 18591923), “Portrait of a Kitten”, oil on panel, signed lower left, 6 1/2 in. x 5 in., framed. $1000/1500 404

$3000/5000 405. Henriette Ronner (Dutch/Belgian, 1821-1909), “Dog Chasing a Fly”, 1891, oil on panel, monogrammed and dated lower right, 7 1/2 in. x 9 in., framed.

W 407. A Russian Celestial Navigation Globe,

mid-20th c., the removable six inch sphere with major stars and navigational points, fitted in original box, complete with original labels, box height 10 1/4 in., width 9 1/2 in., depth 9 1/2 in. $500/700

$1200/1800

W denotes the lot is illustrated at www.nealauction.com

408. An American Classical Revival Giltwood Overmantel Mirror, late 19th c., rectangular mirror plate, split baluster and molded surround, rosette blocks, height 44 in., width 76 1/2 in. $500/1000 409. A Pair of Antique French Tôle Peinte Sconces, 19th c., in green and mustard paint, copper reflectors with remnants of silvered surface, removable shields, now electrified, height 14 1/2 in., width 5 in., depth 7 1/2 in. $500/700 410. An American Beaux-Arts Gilt Bronze and Porcelain-Mounted Bouillotte Lamp, c. 1910, marked on base “Sterling Bronze Co. New York”, adjustable tôle peinte shade, floriform candlecups, with enameled porcelain flowers, now electrified, height 24 in., diameter 13 in.

408

$800/1200 411. An Empire-Style Gilt Bronze Ten-Light Chandelier, the green body with foliate decoration, three perched falcons, acorn pendant, four etched glass shades, height 40 in., diameter 24 in. $1000/2000 W 412. An Antique Gorham

Silverplate Gallery Tray, late 19th c., oval with reticulated gallery and ball feet, length 23 in., width 16 1/2 in.

409

$500/750

410

W 413. A Fine Victorian Walnut

Framed Berlin Woolwork and Beaded Panel, c. 1875, of a geometric design worked in scarlet cross-stitch and heavily beaded with white, black, brown, and gold pound beads, length 27 in., width 12 in. $150/250 Provenance: Gallier House Museum, 1132 Royal Street, New Orleans. 414. An English Oak and Brass Tantalus, c. 1850, marked “Harrison Patent”, ring handle, fitted with four original blown glass bottles with cut glass stoppers, height 12 3/4 in., diameter 11 in. $300/500

411

414

W 415. An Edwardian Walnut and Brass

Presentation Lap Desk, c. 1910, cartouche engraved “Presented to/ Mr. Richard Howarth/ by his Weavers at Barnbrook Mill, Bury/ May 24th, 1911”, with baizecovered writing surface, fold-out letter compartment with pen holder and ink well, height 6 1/2 in., width 14 in., depth 8 3/4 in. $250/350 416. A Mottahedeh “Blue Canton” Porcelain Dinner Service, pattern commissioned by the Historic Charleston Foundation and stamped “Historic Charleston Reproductions, Vista Alegre, Portugal, 1824”; comprising 10 dinner plates, diameter 10 in.; 11 salad plates, diameter 8 3/4 in.; 4 porringers; 5 bowls; 4 shell dishes; 6 saucers; 7 cups; 6 mugs; 1 coffeepot with lid; 1 mustard pot; 1 charger (diameter 11 1/4 in.); 1 oval vegetable dish; 2 octagonal platters; 1 reticulated basket; 1 covered vegetable dish; 1 round trivet.

416

$800/1200 417. A Pair of Chinese Export “Mandarin Palette” Porcelain Vases, probably 18th/19th c., elongated baluster bodies painted with figures in garden settings on an iron red and gilt diaper ground, now mounted as lamps with wood stands and caps, height 10 3/4 in. Note: condition of one.

418

$400/600 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

W 420. A Chinese “Mandarin Palette”

Porcelain Tankard, 18th c., drum form body with scrolled handle terminating in a ruyi head, decorated with figural and bird and flower panels, on an iron red gilt ground, height 5 3/4 in.

417

418. A Chinese Famille Rose Porcelain Punch Bowl, 19th c., U-form body decorated with alternating figural and bird and flower panels on gilt ground strewn with fruit, flowers and butterflies, height 5 1/2 in., diameter 13 1/2 in., wood stand, overall height 7 1/2 in. $400/600 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

$350/450 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. W 421. A Chinese Export

Famille Rose Porcelain Basket and Underplate, 19th c., reticulated oval basket and underplate with alternating figural and floral panels on a gilt ground with vining fruit and flowers, basket height 3 3/4 in., underplate length 11 1/4 in. $200/300 422

W 419. A Decorative Pair of Chinese Copper Red

Decorated Stoneware Vases, 20th c., ovoid bodies with short waisted necks and feet, decorated with dragon and cloud design, height 12 in., diameter 8 in. $400/600

422. A Royal Worcester Gilt and Polychrome Porcelain Partial Dinner Service, transfer-decorated and hand-painted in the Imari palette, comprising 3 graduated platters, lidded soup tureen with undertray, 4 lidded vegetable dishes, 2 with undertrays, 2 lidded sauce tureens, 1 with undertray, 19 dinner plates, diameter 10 1/4 in., 9 soup plates, diameter 10 1/2 in., 12 soup plates, diameter 9 1/8 in., 11 luncheon plates, and 8 dessert plates, (73 pcs.) $700/1000 W denotes the lot is illustrated at www.nealauction.com

424

426. Manuel Garcia y Rodriguez (Spanish, 1863-1925), “Rincon del Parque de Sevilla (Fountain in the Park)”, oil on wood panel, signed and inscribed lower left, titled en verso, 6 3/8 in. x 10 1/8 in., framed.

423

$1500/2500 426

Provenance: Collection of a Texas Gentleman. 427. Eugenio Oliva y Rodrigo (Spanish, c. 1852-1925), “A Courtyard Entertainment, Madrid”, 1885, oil on wood panel, signed and dated lower right, 7 1/2 in. x 12 5/8 in., framed. $2000/3000 Provenance: Collection of a Texas Gentleman.

428 427 423. A Royal Worcester “Blind Earl” Pattern Plate, 19th c., marked “051” verso, diameter 9 1/4 in. $500/700

428. Jose Garcia Ramos (Spanish, 1853-1912), “The Blind Singer Accompanied by a Guitar”, oil on wood panel, signed lower right, 9 1/2 in. x 13 1/4 in., antique frame. $2500/3500

424. Six Royal Copenhagen “Flora Danica” Porcelain Demitasse Cups and Saucers, dated 1963, each round cup with branch handle, circular saucer with dentil border, botanical paintings of various flowers, base with Royal Copenhagen logo, underglaze blue wave marks, pattern no. 20, shape no. 3618 and initials, cup height 2 1/4 in., saucer diameter 4 3/4 in.

Provenance: Collection of a Texas Gentleman.

429

$1000/1500 W 425. Continental School, 19th c., “Venus and Cupid

Surrounded by Putti”, miniature watercolor on ivory, illegibly signed lower right, sight 4 1/2 in. x 6 1/2 in., framed. $200/300

429. Francisco Pradilla y Ortiz (Spanish, 1848-1921), “A Coastal Town”, 1906, oil on canvasboard, signed and dated lower right, sight 3 3/4 in. x 6 1/2 in., framed. $2000/3000 Provenance: Collection of a Texas Gentleman.

430

430. Jose Villegas y Cordero (Spanish, 1848-1921), “River Flowing over a Weir below a Bridge”, oil on wood panel, signed lower left, artist information en verso, 6 1/2 in. x 9 1/2 in., framed. $800/1200 432

431. An Italian Bleu Peinte and Faux Marbre Center Table, late 18th/early 19th c., molded top, conforming frieze, turned beaded and collared tapered legs, lobed bun feet, height 32 1/2 in., width 42 1/2 in., depth 22 1/2 in. $3000/5000 432. An Antique Louis XV-Style Kingwood Marquetry and BronzeMounted Poudreuse, central lift top opening to dressing mirror and a well, case fitted with a writing slide flanked by drawers, cabriole legs, height 29 5/8 in., width 34 1/4 in., depth 18 in. $800/1200 Provenance: Ames Galleries, Beverly Hills, CA, 1980.

431

W denotes the lot is illustrated at www.nealauction.com

433. An Antique English Carved Oak Refectory Table, 17th c. and later, plank top, turned and blocked trestle support, stretcher, height 31 in., length 87 1/2 in., width 35 1/2 in. $1500/2500 434. A Georgian Carved Mahogany Davenport Desk, 19th c., shaped gallery, slant front writing surface, baize-lined interior, paneled cupboard below, vasiform tapered upright trestle base, casters, height 36 1/4 in., width 24 in., depth 23 1/4 in.

433

$600/900 435. A George III Carved Mahogany Extension Dining Table, late 18th/early 19th c., in two parts, each “D” end top above an inlaid frieze, reeded legs, cup casters, two original leaves, height 29 1/2 in., width 50 in., depth 25 1/4 in. 435

$2500/3500 436. A Rare American Federal Mahogany Étagère, early 19th c., probably Boston, cedrela secondary wood, four tiers, turned and blocked uprights surmounted by finials, single drawer below, turned legs, brass ferrules and casters, height 51 1/2 in., width 18 1/2 in., depth 16 1/4 in. $1200/1800

434

436

437. An American Classical Gilt Stenciled and Carved Mahogany Games Table, c. 1825, New York, foldover top with rounded corners, trestle support with hexagonal columns on acanthus scrolled legs ending in hairy paw feet joined by a stretcher, brass casters, height 30 in., width 36 in., depth 18 in.

437

438

$2000/3000 Note: The design of this table relates to a table by Duncan Phyfe which descended in the Astor family. Reference: McClelland, Duncan Phyfe and the English Regency 1795-1830, ill. pl. 239 p. 252.

438. An American Classical Carved Mahogany Work Table, early 19th c., case with turreted corners and pendants, two drawers, carved lyre support, incurvate plinth, turned disc feet, casters, height 28 3/4 in., width 21 in., depth 17 1/4 in.

439

440

$700/900

440. An American Classical Carved Mahogany Center Table, c. 1825, Philadelphia, circular tilt top, columnar support on incurvate triangular plinth, volute scrolled feet with rosettes, casters, height 29 3/8 in., diameter 41 1/4 in.

439. An American Federal Inlaid Curly Maple Games Table, early 19th c., New England, shaped foldover top, square tapered legs, height 29 in., width 35 1/2 in., depth 18 in.

$1000/1500 441. A Louis XVI-Style Carved Fruitwood Bergère, of generous proportion, scrolled back, padded arms, baluster uprights, rosette blocked seat rail, turned legs.

$1200/1800

$1000/1500

441 W denotes the lot is illustrated at www.nealauction.com

443

W 442. A French

Empire Carved, Ebonized and Gilt Fauteuil, 19th c., crest centered by rosette, arms on turned uprights, square tapered legs, ball feet.

444

$600/800 Provenance: Mac Maison, New Orleans, LA, 1997. 443. A Pair of English Bronze Chenets in the Renaissance Taste, late 19th c., facing portrait medallions of Robin Hood and Maid Marian, urn-form uprights, ringed lion masks, paw feet on shaped bases, joined by molded crossbar, height 21 3/4 in., width 51 in., depth 6 1/2 in. $600/900 444. An Antique French Carved Mahogany Relief Plaque, 19th c., depicting Joan of Arc with sword and standard and guided by an angel, sight 30 1/2 in. x 27 in., red velvet frame. $1200/1800 445. Two Polychrome Wood Figures, 19th c., probably Venetian, depicting cavorting putti, one partially draped on a stepped base, the other on argenté naturalistic base, height 24 1/2 in. and 25 in., respectively. $1500/2000

445

446. A Pair of French Carved Marble Urns, baluster form, ball finial, swan handles, body with cornucopiae, faux porphyry base, height 26 in., width 13 in., depth 10 1/2 in.

446

$1000/2000 447. A Pair of Decorative RococoStyle Silverplate Five-Light Candelabra, foliate and floral candlecups with floriform drip pans, foliate candlearms, reeded and acanthus standard, scrolled pad foot, height 27 1/2 in. $1500/2500

447

451 448 450. An American Classical Mahogany, Inlaid Rosewood and Satinwood Sécrétaire à Abattant in the Gothic Taste, early 19th c., New York, marble top, cove-molded frieze drawer, fall front opening to a Gothicized interior of niches with mirrored backs over a series of drawers, base with doors opening to shelf interior, low drawer, bracket feet, locks marked Terryville, CT, height 59 3/4 in., width 41 1/4 in., depth 19 in.

449

448. An American Classical Carved Mahogany Work Table, early 19th c., New York, lift top opening to fitted interior with writing surface, over two short and one long drawer, acanthus baluster support, saber legs, paw feet, casters, height 31 1/2 in., width 24 1/4 in., depth 16 1/4 in. $1200/1800

$1000/1500

450

449. A Queen Anne Carved Elm Wing Chair, early 18th c., possibly Canadian, arched crest, out-scrolled arms, cabriole legs joined by turned stretchers, pad feet. $1500/2500 Provenance: Sotheby Parke Bernet, New York, Collection of the Late Dr. & Mrs. James W. Marvin, September 30-October 1, 1978.

451. A Continental Chinoiserie Decorated Settee, latticework back centered by a pagoda splat, conforming arms, bracketed seat rail, blocked legs, the whole in black lacquer and gilt decoration, height 43 1/2 in., width 76 in., depth 29 in. $1500/2500

W denotes the lot is illustrated at www.nealauction.com

452. A Regency-Style Burled Walnut “Jupe” Dining Table, top with five additional circumference leaves, columnar supports connected to a circular base, outswept sabre legs ending in brass caps, casters, height 28 1/2 in., diameter 72 in. $1000/1500 453. A Regency-Style Carved Mahogany Extension Dining Table, banded drop leaf top opening to receive two leaves, triple trestle base, molded sabre legs, brass casters, height 29 1/2 in., extended length 115 1/2 in., depth 42 in.

452

$1000/2000 454. F. Ballesteros (Mexican, 19th c.), “Civic Square, Toluca”, 1860, oil on canvas, signed and dated lower left, 29 1/4 in. x 42 1/4 in., framed. $2000/3000 Provenance: Collection of a Texas gentleman.

453

455

454

455. Eugenio Lucas y Padilla (Spanish, 18241870), “Three Figures”, 1862, watercolor and wash on paper, signed and dated lower right, sight 7 in. x 10 1/8 in., framed. $700/900

456

456. Salvador Murillo (Latin American, 19th/20th c.), “Solitary Figure on a Rutted Road Beside a River”, 1878, oil on wood panel, signed and dated lower right, 9 in. x 15 1/4 in., framed.

457

459. An American Federal Inlaid Mahogany Games Table, 19th c., shaped lift-top with chessboard, conforming case with backgammon interior and fitted with two drawers, square tapered legs joined by cross stretchers, accompanied by gaming pieces, height 28 in., width 23 1/4 in., depth 13 in.

$2000/3000 Provenance: Collection of a Texas gentleman. 457. An American Chippendale Carved Walnut Tilt-Top Tea Table, late 18th c., Philadelphia, dished top above a birdcage support, tapered stem with suppressed ball, arched legs ending in ball and claw feet, height 29 1/2 in., diameter 34 in.

$600/900 460. An Antique American Carved Mahogany Wing Chair, serpentine back, scrolled arms, red leather upholstery with brass nailhead trim, eagle head cabriole legs ending in ball and claw feet joined by stretchers. $800/1200

458

$1200/1800 458. An American Chippendale Walnut Desk, late 18th c., Delaware Valley, slant front opening to a fitted interior of drawers, and a prospect door flanked by reeded document slides, four graduated drawers, shaped bracket feet, height 45 1/2 in., width 39 in., depth 22 1/2 in. $1000/1500

459

460 W denotes the lot is illustrated at www.nealauction.com

461

463

461. A William IV Oak and Ebonized Telescopic Dumbwaiter, early 19th c., three tiers, molded supports, carved scrolled trestle base, height 31 in., width 42 in., depth 20 5/8 in., extended height 44 in.

462. A William and Mary Carved Oak Blanket Chest, late 17th/early 18th c., paneled lift top, strap hinges, void interior, paneled sides, molded block feet, height 26 1/4 in., width 53 1/2 in., depth 24 in. $700/900 463. A Queen Anne Carved Oak Settle, late 18th c., raised arched paneled back, scrolled arms, cushion seat, cabriole legs ending in pad feet connected by turned stretchers, height 41 in., width 72 in., depth 23 in.

$500/700 462

$1000/1500 464. An Antique Oak Welsh Dresser, flared cornice, three shelves, a pair of paneled doors to the sides, the base with three paneled drawers, open shelf base, blocked feet, height 77 3/4 in., width 66 1/2 in., depth 17 1/2 in. $1800/2500 W 465. An Antique

French Provincial Carved Walnut Side Chair, 19th c., scrolled acanthus crest, padded back and seat, cabriole legs. 466

$300/500 Provenance: Ames Galleries, Beverly Hills, CA, 1980.

466. A Pair of Large Patinated Brass Carriage Lanterns, urn finial, oval body with beveled glass panels, turned stem. 464

$1200/1800

471

469

W 467. A

Persian Serapi Carpet, red and navy ground, central geometric medallion, floral geometric border, 5 ft. 9 in. x 8 ft. 3 in. $500/750 W 468. An Oushak

Rug, muted greens, blues, yellows and reds, 12 ft. 8 in. x 16 ft. $1000/1500 472

469. A Persian Serapi Carpet, rust and cream ground, repeating medallions, stylized creeping vine and floral motif with teal accents, 12 ft. 9 in. x 15 ft. 4 in.

471. A Sultanabad Carpet, rust background with repeating cream medallions, all over stylized floral motif, cream border, 10 ft. 4 in. x 14 ft. $2000/3000

$8000/12000

472. A Persian Heriz Carpet, red ground, central medallion and spandrels, overall stylized floral motifs, 10 ft. 4 in. x 13 ft. 2 in.

470. A Persian Mahal Carpet, red ground, central medallion, overall floral design, repeating diamond border, 10 ft. 3 in. x 17 ft. 8 in. $7000/9000

$4000/6000

470 W denotes the lot is illustrated at www.nealauction.com

481

W 476. A Pair of Etched Glass

Hurricane Shades, floral decoration, height 19 5/8 in., diameter 8 in. 473

475

$700/1000 W 477. An Antique French Ormolu-

Mounted Cut Crystal Vase, etched floral decoration, height 5 1/4 in., width 5 in., depth 3 in. $250/350 W 478. A Decorative Tôle Peinte and

Patinated Metal Mirror, foliate vines centered by a wood sprite mask, rectangular mirror. $800/1200 479. An Antique French Figural Shelf Clock, 19th c., Japy Freres movement, gilt carved spread-wing eagle support with enamel and brass decorated dial on hardwood plinth, height 17 3/4 in., width 11 in., depth 5 in. $600/900

479

473. A Semi-Antique Persian Carpet, ochre ground with repeating floral designs, 6 ft. 6 in. x 9 ft. 2 in. $600/900 W 474. Two Semi-Antique Persian

Runners, one with repeating diamond and serrated motifs, dark blue, cream and red ground, 3 ft. 9 in. x 12 ft. 2 in., the other with salmon ground, repeating geometric design, 3 ft. 5 in. x 8 ft. 9 in. $500/700

480

475. An Antique Continental Patinated Bronze Bust of Minerva, on fluted patinated plaster pedestal with square marble plinth, overall height 19 1/2 in., width 7 in., depth 6 in., now mounted as a lamp. $700/1000

480. An American Federal-Style Bench-Made Inlaid Mahogany Library Armchair, early 20th c., arched back, shaped arms, square tapered legs joined by H-stretcher. $600/900 481. An Antique George III-Style Carved Mahogany Armchair, bead and foliate crest rail with continuous stiles, Gothicized splat, scroll arms, serpentine seat, molded Marlborough legs, stretchers. $300/500

482. A British Arts and Crafts Tray Top Serving Table, late 19th c., related to the designs of Christopher Dresser and John Moyr Smith, molded top incised with Celtic and Anglo-Saxon motifs, turned X-form supports, medial shelf, trestle feet, pegged stretchers, height 32 1/2 in., width 36 in., depth 26 in. $500/750 Note: The Celtic knotwork along the tray border as well as the zigzag carving on the medial shelf of this table are motifs included in Dresser’s repertoire. Smith, a student of Dresser, would have worked with similar motifs. W 483. An Antique English Carved Oak Hall Chair, c. 1875, turned crest

rail, pierced back, shaped plank seat, pierced sides, arched legs. $200/400 W 484. A Hardwood Coffee Table, 19th c. and later, recessed rectangular top

inset with a 19th c. door with multiple recessed panels and iron mounts, turned legs, overall height 19 1/2 in., width 56 1/2 in., depth 33 in.

482

$200/400 485. A George III-Style Carved Mahogany and Gilt Metal-Mounted Extension Dining Table, demilune drop leaves, opens to receive three leaves, square tapered fluted legs, casters, height 30 1/2 in., extended length 130 1/2 in., width 55 in. $2000/3000

485

488

W 487. A Pair of Continental Carved Fruitwood

486

Urn-Form Pedestals, early 20th c., square tops, volute sides, stepped bases. $300/500

486. A Set of Eight Antique Sheraton-Style Carved Mahogany Dining Chairs, including two armchairs and six side chairs, each with swag-carved crest rail, square back, attractive needlepoint upholstered seats, and square tapered legs.

488. Eugenio Lucas y Padilla (Spanish, 18241870), “A Dancer Accompanied by a Guitar”, 1862, watercolor and wash on paper, signed and dated lower right, sight 7 in. x 10 1/4 in., framed.

$1000/1500

$700/900 W denotes the lot is illustrated at www.nealauction.com

493 (1 of a group)

489

492. A Group of 50 Antique Prints of Furniture and Decorative Ornament, including five hand-colored prints from Edouard Garnier, The Soft Porcelain of Sevres, 1891, sheet 17 1/2 in. x 12 1/2 in.; 20 prints from Fragments d’Architecture Antique, c. 1905; and others, sheet sizes 4 3/4 in. x 2 in. to 18 in. x 14 in. $500/700

489. Manuel Garcia y Rodriguez (Spanish, 1863-1925), “Mediterranean Beach Below Mountains”, watercolor on paper, signed lower left, sight 7 3/4 in. x 11 3/8 in., framed.

494 (1 of a group)

$800/1200 W 490. Sir

Charles Holroyd (British, 18611917), “Standing Nude”, pencil on paper, initialed lower left, 12 3/4 in. x 6 1/2 in., framed.

$500/700 494. A Group of 120 Antique French Prints, including 25 plates from Statistique Monumental de Paris, 1867; 92 plates with maps from Les Promenades de Paris, plate size 24 x 16 in.; four prints from Jacques Androuet Du Cerceau, Les Plus Excellents Bastiments de France, 1576-79; and others.

491 (1 of a group)

$200/400 491. Owen Jones, (18091874), The Grammar of Ornament, 30 chromolithographs from the 1856 edition, 22 in. x 14 1/2 in.; and 60 plates from the 1865 octavo edition, sheets 13 1/4 in. x 9 in; together with 15 misc. prints of ornament and interiors. $600/900

493. A Group of 40 Antique Prints of Furniture and Interiors, including a George Smith design for an Octangular Tent Room, 1826; 13 hand-colored prints from Pugin’s Gothic Furniture; 30 plates from Smith’s Cabinet and Upholsterer’s Guide, 1826; 9 engravings from R. Ackermann’s Repository of Arts, 1813; and others, sheets from 5 1/2 in. x 9 in. to 7 1/2 in. x 10 1/4 in.

$500/700 495. A Group of 130 Antique Prints, including frontispieces from J.B.Waring, Masterpieces of Industrial Art...1862; Matthew Lock, A Book of Tables..., 1768; Illustrissimo Heroi...; Some Designs of Mr. Inigo Jones and Mr. Wm Kent, 1744; Lorenzo Roccheggiani, Raccolta de Cento Tavole, I Costumi Religiosi...; M. Digby Watt, Industrial Arts of the XIXth Century...1851; 35 engravings with modern hand-coloring from JusteNathan Boucher (1736-1782), Élévation et dévelopement d’Armoires...; 85 prints from Cahier de L’Academie, Sujets de Grand Prix, 1779; and others. 495 (1 of a group)

492 (1 of a group)

$500/700

496. A Group of 40 Antique Engravings of Religious Architecture and Biblical Themes, including Le Jugement Universel, Sistine Chapel (16 engravings), 21 in. x 14 in.; Caracci after Claude Lefevre, Palais Farnese, 1660s; six engravings of Roman statues; and others, sheet sizes from 9 in. x 13 in. to 23 in. x 16 in. $500/700 497. A Group of 45 Antique Prints, of various subject matters and ranging in sheets sizes from approx. 8 in. x 15 in. to 26 in. x 18 in., many with modern color.

500 (1 of a group)

496 (1 of a group)

$300/500 498. A Group of 60 Antique Continental Prints of Costumes, Fashion and Portraits, including “Portrait of Sir Robert Shirley in Oriental Dress”, 1799; “Travesti en Bonapartiste from Actualities”; “Portia, Wife of Brutus after L. Alma-Tadema”; Jules de Goncourt, D’Apres de Boucovot, 1869; Honoré Daumier, Qui payeses dettes s’enrichit from La Caricature Journal; and others. $300/500 499. A Group of 150 18th c. Encyclopedia Plates, including 100 plates from Ephraim Chambers, Cyclopaedia, London 1786-88, 16 x 9 3/4 in.; 19 plates from Diderot Encyclopedia, 16 1/4 x 10 3/4 in.; 30 plates from Diderot & d’Alembert Encyclopedia, Paris, 16 1/4 x 10 3/4 in.; and others.

497 (1 of a group)

$500/700

499 (1 of a group)

500. A Group of 40 Antique Prints, including four prints from John Boydell, The Dramatic Works of Shakespeare, London, 1803, including scenes from “Hamlet”, “Macbeth”, “As You Like It”, and “Troilus and Cressida”; A.W. Pugin, four prints from Floriated Ornament, London 1849; 14 plates from Abraham Swan, The English Architect, London, 1745; four plates from Vignola Revived, 1761; various sheet sizes 12 1/2 x 8 1/2 in. to 25 x 18 in.; and others, various sheet sizes. $500/700 W 501. A Group of 40 Antique Prints, of various subjects

and sheet sizes ranging from 8 in. x 11 in. to 20 in. x 24 in. $300/500 W 502. A Group of 100 Continental Prints and

Etchings, including Cathedral Church of Gloucester, 1809, (11 at 26 1/2 in. x 20 in., 4 at 40 in. x 26 1/2 in.), Cathedral Church, Durham, 1801, (11 etchings including four at 40 in. x 26 1/2 in.); various prints including mammals, birds, fish, snakes, some hand-colored; hand-colored engravings of furniture and interior profiles; and others. $500/700

498 (1 of a group)

503 (1 of a group)

503. [Antique Medical Prints], a group of 21 engravings by Bernard Siegifried Albinus, from Tables of the Human Muscles...and Skeleton, 1777, engraved by Andrew Bell, Edinburgh, sheet 18 in. x 12 in.; together with another group of 30 engravings from John Lizars’s A System of Anatomical Plates of the Human Body, c. 1840, engraved by his brother W.H. Lizars, sheets 17 in. x 11 in., all loose, some with text, total of 51 engravings. $500/700 W denotes the lot is illustrated at www.nealauction.com

W 506. Three Antique French Tôle Peinte

Trays, 19th c., oval form, largest with scenes of courting couples, 15 1/4 in. x 11 3/4 in., yellow tray with remnants of gold paint with genre scene, 9 3/4 in. x 3 3/4 in., red tray with geometric design, 9 1/4 in. x 3 3/4 in. $400/600 W 507. A Continental Hand-Carved Wood

Figure of a Victorian Lady, signed “Byron” on the base, height 35 in., width 9 in., depth 10 in. $300/500 W 508. Two “Grand Tour” Marble and

Bronze Tempiettos, one with circular black marble base and dome, central bronze figure after the Diana of the Louvre, height 14 in., diameter 7 3/4 in.; the second with square stepped faux marbre base, four bronze stylized Tuscan columns, central bronze warrior figure with martial attributes, height 13 3/4 in., width 6 1/2 in.

504 (1 of 4)

$700/1000

504. Carroll Tyson (American, 18771956), “Pigeon Hawks”, “American Swift”, “Great Black Beaked Gull”, and “DoubleCrested Cormorant”, four lithographs, each sight 29 in. x 21 1/8 in., all framed, three framed alike.

W 509. A Pair of Baroque-Style Silverplate

Candlesticks, marked on footrim, each with broad drip pan below candle nozzle, ornate baluster shaft, weighted base, height 15 in.

$600/800

$300/500

W 505. A Classical-Style Plaster

W 510. An Antique American Carved

Amphora Vase, of ancient Greek inspiration, decorated with figures in black and white, height 33 in., diameter 19 in.

Mahogany and Giltwood Cornucopia Mirror, 19th c., crest issuing gilded fruit and nuts, beribboned base.

$400/600

$300/500 W 511. An Antique Seth Thomas Carved

512

Walnut Ship’s Clock, early 20th c., dial marked “Seth Thomas/ Manufactured in the United States of America”, diameter 8 1/2 in., depth 4 3/4 in. $300/500 512. An Antique American Mahogany Tallcase Clock, 19th c., with floral painted dial, molded and fluted case, height 86 1/2 in., width 22 in., depth 12 3/4 in. $600/900 513. An American Chippendale-Style Carved Mahogany Pedestal Writing Desk, early 20th c., labeled “Beacon Hill Collection #404”, tooled leather top, central long drawer, shaped apron, flanked by two banks of four graduated drawers, plinth base, height 30 5/8 in., width 54 in., depth 30 in. $1000/1500

513

515

516. James Montgomery Flagg (American, 1877-1960), “I’m Sorry”, gouache on artist board, signed lower left, titled and inscribed lower left and right, sight 17 1/4 in. x 29 1/2 in., framed. $1000/1500 517. Walt Kuhn (American, 18771949), “Cowboys”, 1929, watercolor on paper, signed, titled and dated lower right, Maxwell Galleries, San Francisco label en verso, 18 1/4 in. x 15 1/4 in. 514

$400/600

514. An American Classical Carved Mahogany Tester Bed, early 19th c., Philadelphia; acanthus-carved and turned posts; paneled headboard with acanthus crest, conforming rails, height 93 in., length 83 1/2 in., width 60 1/2 in. $2500/3500 515. An American Classical Carved Mahogany Work Table, early 19th c., Boston, dropleaf top, two drawers, (one fitted), ring-turned and spiral carved legs ending in ball feet, height 29 in., width 21 in., depth 19 in. $1000/1500

516

517

518

518. Will Henry Stevens (American/Louisiana, 18811949), “The Shore Tree”, color woodcut on paper, pencil-signed, titled and numbered “9/15”, sight 11 in. x 29 1/2 in., matted and framed. $400/600 W denotes the lot is illustrated at www.nealauction.com

520. Morris Henry Hobbs (American/New Orleans, 18921967), “Pirate’s Alley, Old New Orleans”, 1943, etching on paper, ed/200 signed, 9 5/8 in. x 6 1/4 in. $400/600 521. A Large Decorative Japanese Imari-Style `Dutch Ship’ Porcelain Covered Baluster Vase, 20th c., bulbous body with straight neck, domed cover with shishi lion finial, decorated with shaped cartouches enclosing European figures and three masters, base with apocryphal Chinese Kangxi mark, height 18 1/2 in.

519

$1000/1500 520

522. A Pair of Highly Decorative Gilt BronzeMounted Chinese Ge-Style Porcelain Vases, 20th c., baluster bodies with gilt bronze-mounted rims and plinths, covered overall in a pale blue crackle glaze, base with pseudo mark, height 25 1/4 in. $1800/2500 W 523. A Japanese Imari

521

524

519. Frank Marsdon London (American, 18761945), “Still Life of Tulips and Lilacs”, oil on canvas board, signed lower right, signed with John Highland Artists’ Materials labels en verso, 24 1/4 in. x 30 in., period frame. $800/1200 522

Porcelain Charger on Stand, Meiji Period (18681912), circular body raised on a short foot, decorated with fruit, flowers, rocks and trees, base with impressed Yamatoku mark, height 2 in., diameter 14 1/2 in., set within a tripod stand as an occasional table, overall height 21 1/4 in. $300/500 524. A Chinese Highly Carved Hardwood Display Cabinet, late 19th c., shaped crest with pairs of Buddhist lions, songbirds, egrets and deer amid pine, bamboo and prunus (the Three Friends of Winter), over staggered shelves, reticulated back and sides further carved with trees and foliage, lower incurvate cabinet with two doors with raised panels enclosing pine, bamboo and prunus, shelf interior, scroll feet, height 89 in., width 43 in., depth 17 1/2 in. $2000/3000

525

525. A Pair of Antique Chinese Carved Wood Recessed-Leg Benches, rectangular tops, over scrolled bracketed aprons, recessed beaded legs, square stretchers, bearing Sotheby’s, New York, lot tag, height 19 in., width 46 1/2 in., depth 13 in.

527

528. Two African Terracotta Figures, c. 200 BC, Nok, Nigeria, the first modeled as a bearded male torso with hands resting on his belly, height 4 3/4 in., metal plinth, overall height 5 3/4 in.; the second bearded male figure modeled seated on his knees, height 4 1/4 in., metal stand, overall height 5 in.

$1200/1800

$1200/1800 Provenance: Acquired James Willis Tribal Art, San Francisco, CA.

W 526. A

Monumental Japanese SatsumaType Baluster Urn, early 20th c., ovoid body on waisted splayed circular foot with a waisted neck split down the center into two fanshaped halves, scroll handles with fan terminals, polychrome and moriage decorated with figural landscape and seascape cartouches on a dense floral ground, height 44 in., presented on a tall cylindrical stand. $500/700

528

W 529. A Group of Twelve South African

Zulu Spears and Spearpoints, iron with wood shafts, comprising eight leaf-form assegai throwing spears (four complete), and four swordpoint iklwa stabbing spears, longest complete spear length 86 in. $300/500 Note: Shaka Zulu (1787-1828), the legendary Zulu chieftain, is credited with many military innovations including age regimentation, flanking tactics and the iklwa stabbing spear. W 530. A Papua New Guinea Tapa Cloth,

New Britain, long, rectangular form, the central geometric section flanked by cellulose patterned banding, executed in red and black pigment on a creamy white ground, length 94 1/2 in., width 11 1/2 in.

531

$100/200 527. A Pair of Chinese Hardwood Candlestands, scroll shelf on adjustable central column over turned upright supports, openwork scroll base, height 48 1/2 in., width 10 1/2 in., depth 10 1/2 in., extended height 73 in. $600/900

531. A Papua New Guinea Carved Wood Bed Figure, Manus Province, Admiralty Islands, male figure carved lying flat on his back on a raised platform, height 7 1/2 in., width 18 1/2 in., depth 7 1/2 in. $100/200 Provenance: With H.M. Lissaur, Australia; thence to Taylor Dale; thence to current owner. W denotes the lot is illustrated at www.nealauction.com

W 535. Two Pairs of Japanese

W 539. A Group of

Cloisonné Enamel Vases, Meiji Period (1868-1912), each bottle form body with a lobed mid-section, flared rim and splayed foot, decorated along the lobes with flower and butterfly panels on alternating green, blue and black grounds, reserved on a pale blue ground, heights 7 7/8 in. and 9 1/8 in.

Seven Japanese Imari Porcelain Cups, Meiji Period (1868-1912), bell form and U-form bodies raised on short foot rings, three with foliate rims, height 2 3/8 in. to 2 7/8 in., wood stands, overall height 3 3/8 in. to 3 3/4 in.

$200/400

$300/500 W 536. A Japanese Blue and

White Porcelain Sake Cask, c. 1900, drum form body with domed top and loop handles flanking a central aperture, porcelain height 14 in., now mounted as a lamp. $150/250 541

W 540. A Group of

Four Japanese Imari Porcelain Covered Bowls, Meiji Period (1868-1912), U-form bodies raised on tall foot rings, two domed covers extending over the bowl rims, the others set within, height 3 1/4 in. to 3 3/4 in., wood stands, overall height 4 1/4 in. to 4 5/8 in. $200/400

542

W 532. An Indonesian Carved Wood Janus

W 537. A Japanese Satsuma Pottery Koro and

Head Musical Instrument, possibly Torajan, the sound box of double lobed rectangular form, below a shaft with twin head finial, height 26 in.

Cover, Meiji Period (1868-1912), faceted body raised on splayed circular foot with applied scroll handles to shoulder, pierced domed cover with shishi finial, decorated with panels depicting ladies at leisure and samurai and their attendants, reserved on a deep blue ground with gilt highlights, height 12 1/2 in., width 9 in.

$100/200 W 533. A Chinese Mother-of-Pearl Inlaid

Carved Hardwood Stand, late 19th/early 20th c., square inset marble top above shaped frieze with reticulated bird and prunus panels, medial shelf, square legs, height 31 in., 16 1/2 in. square. Note: Marble broken. $400/600 W 534. A Chinese Brass-Mounted

Hardwood Chest, hinged top opening to void interior, camphor wood lining, bracket feet, height 23 5/8 in., width 41 in., depth 20 in. $500/750

$400/600 W 538. A Japanese Arita Polychrome and Gilt-

Decorated Porcelain Charger, probably Meiji Period (1868-1912), circular body with foliate rim raised on a short foot ring, central chrysanthemum head reserve encircled by a band of shaped floral panels, base with Fuki Choshun (wealth, nobility, longevity and youth) mark, height 2 1/2 in., diameter 14 1/4 in. $250/350

541. A Pair of Japanese Cloisonné Enamel ‘Totai’ Porcelain Bottle Vases, Meiji Period (1868-1912), each pear form body with tall flared funnel neck raised on a splayed foot ring, covered to the exterior with cloisonné enameling, each base marked “Dai Nippon...”, height 13 5/8 in., wood stand, overall height 15 1/2 in. $300/500 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. 542. A Fine Collection of SixtySeven Japanese Ivory, Bone and Wood Ojime Beads, late Edo/early Meiji Period, 19th c., variously carved, lacquered, inlaid, applied and stained, many signed, average height 3/4 in. $3000/5000

543. A Group of Five Japanese Ivory Figural “Namban” Okimono, probably Meiji Period (1868-1912), each standing male figure carved wearing Western attire, each signed, height 3 3/8 in. to 3 3/4 in.

W 552. A Chinese

Archaistic “Chicken Bone” Jade Covered Urn, flattened oval body raised on four slightly splayed feet, the sides with ram’s head and tongue handles, domed cover with a flattened knop finial, height 4 1/8 in., width 5 in.

$500/700

$400/600

Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

543

W 553. A Chinese

Green Jade `Alms’ Bowl, squat globular body carved around the rim with three bats, the heads and wings forming an irregular aperture, height 1 5/8 in., diameter 3 3/4 in.

W 544. Two Japanese

Ivory Figural Okimono, including an “amorous couple”, carved in two parts as a man and woman making love, signed, height 2 1/2 in., width 3 7/8 in.; note small loss to man’s right foot; and a “doctor’s lady”, naked recumbent figure wearing shoes, length 3 3/8 in.

$500/700 W 554. Two Chinese Archaistic

Grey Jade Winged Figures, each young male carved in motion, with legs bent, arms raised and wings spread, height 2 1/4 in., width 3 1/4 in., and height 1 3/8 in., width 3 3/4 in.

$300/500 550

W 545. Two Japanese Ivory

Netsuke, Meiji Period (1868-1912), the first in the form of a boy crouched on a drum, signed, height 1 1/8 in.; the second in manju form, carved and reticulated disk with cover and cord, diameter 1 1/2 in. $400/600 W 546. A Collection of Eleven

Japanese Ivory Figural Netsuke and Okimono, animal, bird and human figures and faces, seven signed, height 1 1/4 in. to 5 1/8 in. $500/700 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. W 547. A Group of Asian Ivory,

including a Chinese figure of an emperor, carved standing with a sword, height 6 1/8 in., wood stand, overall height 7 1/8 in.; a Chinese cylindrical box and cover, carved with dragons, height 1 1/2 in., diameter 2 in.; a Japanese circular box and cover, incised with an erotic scene, diameter 2 1/2 in.; and an Indian goblet-form candle stand, carved with figures in an Eden-like garden, height 4 1/8 in. (4 pcs.) $400/600 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

$300/500 W 548. Cyrus Leroy Baldridge (American, 1889-

1975), “Peking Market”, 1925, woodblock print, signed and numbered “42/200” in plate, inscribed “Peking-25”, sheet 15 1/4 in. x 10 1/4 in. $75/125 Provenance: Estate of noted architect, artist and antiquarian, James R. Lamantia, Jr. (1923-2011), New Orleans and New York. W 549. A Chinese Archaistic Creamy White,

Green and Russet Jade Pendant, shaped body with oval aperture, pierced at top, height 3 1/4 in., width 3 1/2 in. $300/500 550. A Chinese Archaistic Creamy White “Chicken Bone” Jade Libation Cup, undulating bowl with scroll handle raised on a wasted oval foot, two qilong dragons relief-carved to the sides and another clambering up the handle with its head peering down into the bowl, height 2 7/8 in., width 5 3/4 in., depth 3 5/8 in. $600/800

W 555. A Chinese Ming-Style

Cloisonné Embellished Bronze Vase, Xuande mark but probably late 19th/early 20th c., globular body with tall lobed neck with mask-ring handles raised on a tall foot ring, decorated with cloisonné banding and applied “gems”, height 8 1/2 in., wood stand, overall height 9 3/4 in. $300/500 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. W 556. A Chinese Polychrome

and Gilt Painted Pottery Figure of a Maiden, probably Ming Dynasty (1368-1644), reclining figure modeled resting one arm on a pillow, height 7 in., width 9 1/4 in., mounted to a rectangular wood plinth, overall height 7 1/2 in., width 10 in. Note: Figure’s head has been detached and reglued.

W 551. A Chinese Archaistic Jade Covered Bowl,

$150/250

U-form body with waisted foot raised on a band of ruyi heads, carved around the sides with two phoenix birds in flight, slightly domed cover carved in high relief with a pair of qilong dragons encircling a pearl, height 3 in., diameter 2 1/2 in.

Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

$400/600

W denotes the lot is illustrated at www.nealauction.com

W 557. A Chinese Cloisonné

W 565. A Pair of Decorative

Enamel Animal Form Horn and Three Animal Figures, horn with rectangular shaft terminating in a dragon’s head, extended length 16 3/4 in.; animal figures comprised of a tortoise, length 3 3/4 in.; a ram, length 2 3/4 in., and a duck, height 3 1/4 in.

Chinese Ming-Style Blue and White Porcelain Baluster Jars and Covers, 20th c., ovoid bodies with short straight necks and splayed base applied at the shoulders with mask-loop handles, domed covers with Buddhist lion finials, decorated with figures in outdoor landscapes, height 22 1/2 in.

$400/600

$500/700

Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

559 W 566. A Chinese Blue and

White Porcelain Candlestand, tall columnar body between large and small bowls, supported on splayed foot, dragon design, height 11 1/2 in.

W 558. An Antique Chinese

Polychrome Painted Wood Figure of a Monk, probably Ming Dynasty (1368-1644), carved standing upon a lotus pedestal base with hands held to his chest in anjali mudra, wearing long robes and a downcast serene and contemplative expression, height 13 7/8 in.

$200/400 W 567. A Pair of Decorative Chinese

$500/700

Ming-Style Blue and White Porcelain Jardinières, 20th c., U-form bodies with wide everted rims, decorated around the exteriors with the Eight Immortals in a garden landscape, height 10 1/4 in., diameter 17 in.

559. A Chinese Wood Document Box, rectangular form with rounded dovetailed sides, hinged top, the front mounted with cloud shaped hasp and round escutcheon, the sides with bail handles, height 5 1/2 in., width 16 in., depth 4 5/8 in.

$1000/1500

W 568. A Pair of Chinese Archaistic

W 560. A Near Pair of Chinese Ming-

Style Blue and White Porcelain Stem Cups, probably 20th c., bell form bowls raised on tall splayed stem feet, banded around the exteriors with leafy chrysanthemum vines, the interiors with ribbon wrapped Buddhist emblems, height 3 3/8 in. and 3 1/2 in. Note: Restoration to rims. $400/600

562

562. A Chinese Sancai Glazed Roof Tile, possibly late Ming Dynasty (13681644), arched base surmounted by a Guardian figure modeled crouching on a flaming cloud, height 12 1/8 in., width 9 in., depth 4 5/8 in.

Spinach Jade Horses, each galloping figure carved in mirror image, heights 3 in., width 4 1/ 8 in., wood stands, overall heights 4 in. Note: Losses and repairs; together with a mottled green and russet jade recumbent horse and monkey group, height 1 1/4 in., width 2 in., (3 pcs.) $300/500 Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

$400/600 W 561. A Chinese Longquan Celadon

Mallet Form Vase, Ming Dynasty (13681644) or earlier, globular lower body with applied decoration, cylindrical neck with a wide everted rim, height 5 7/8 in., gilt lacquer restoration to rim; together with two celadon glazed jars, ribbed ovoid bodies with waisted feet and necks, heights 6 1/8 in. and 6 3/4 in. $300/500 Provenance: Collection of Texas Antiquarians Jack and Kate Wheeler.

Provenance: Estate of Jewell Younger Graeber (1923-2011), Marks, MS. W 563. A Group of Four Chinese

Sancai Glazed Roof Tiles, each base variously surmounted by a qilin, phoenix, Buddhist lion, and a figure astride a chicken, heights 11 1/8 in., 10 1/4 in., 8 1/4 in., and 11 in. respectively.

‘Magpie and Prunus’ Pendant, solitary bird carved perched upon a blossoming prunus branch, height 1 3/4 in. $300/500 W 570. Two Chinese Greyish White

$200/400

Jade Pendants, one of butterfly form, width 2 1/2 in.; the other of rectangular form, carved with a phoenix, height 1 1/2 in., width 1 in.

W 564. A Group of Six Chinese

$300/500

Turquoise Blue Glazed Figures, comprising a pair of standing ducks, height 6 1/4 in.; a pair of reclining ducks, height 5 1/2 in.; a single standing duck, height 9 3/4 in.; and a scholarly figure, height 10 3/4 in. $150/250

100

W 569. A Chinese Pale Pink Coral

W 571. A Collection of Ten

W 578. Two Chinese Jadeite

Chinese Hardstone Pendants, 19th/20th c., including carved jade, agate, soapstone, rhodonite, various shapes and sizes; three with chains, one marked “TRIFARI”; one mounted as a pin, marked “STERLING”, heights 1 1/4 in. to 2 1/2 in.

Pendants, 20th c., each of tapering rectangular form with silvered metal mounts, possibly lustrium, one stamped “18KCP”, jadeite height 2 1/2 in. and 2 1/4 in., width 1 3/4 in. and 1 5/8 in. $400/600

$600/900 W 579. A Group of Six Chinese W 572. A Chinese Jet Black

Ivory and Jade Seals, comprised of four ivory and two jade, each with carved chop, one jade inscribed on one side, ivory heights 1 1/8 in. to 1 in.; jade heights 1 3/8 in. and 1 3/4 in., the ivory presented in two cases, the jade with cloth sleeves.

Stone ‘Twin Fish’ Group, possibly soapstone, carved in the round as a pair of entwined carp, height 1 in., width 2 in. $200/300

$250/350

W 573. A Chinese Tiger’s Eye

Provenance: With Benjamin Franklin March, Jr. (1899-1934), Curator of Asiatic Art, Detroit Institute of Arts (1927-1931); thence by descent in his family.

Figure of Budai, carved wearing voluminous open robes, carrying a wood staff in one hand and a sack in the other, height 4 1/2 in., wood stand, overall height 4 1/2 in., storage box.

W 580. A Pair of Chinese

Spinach Green Jade Phoenix Birds, early 20th c., each carved in mirror image standing beside a rock outcropping with its head turned over its back side, height 7 3/4 in., now drilled and presented on gilt bronze lamp stands, removable, each shade stamped “Gump Co” with a jade Shoulao and deer finial.

$300/500 581 W 574. A Group of Four Chinese

Hardstone Carvings, including a jadeite monkey group, height 2 7/8 in.; a soapstone finger citron and cat group, height 2 1/4 in.; a hardstone Liu Hai and Chan Chu pendant, height 2 3/8 in.; and a jadeite Budai, height 1 7/8 in., (4 pcs.)

$800/1200

$400/600

Gourd and Squirrel Pendant, carved as a double gourd borne on a leafy branch with squirrels climbing up the sides, height 3 3/4 in., width 1 5/8 in.

581. A Pair of Chinese Ivory Phoenix Birds, early 20th c., each carved with its head turned over its back side perched upon a tall rock beside a branch laden with peony blossoms, each base with inset plaque with Qing marks, height 13 in., wood stands, overall height 14 5/8 in.

$300/500

$3000/5000

W 575. A Chinese Green Jade

Provenance: A Charlotte, NC collector. W 576. A Group of Seven

Chinese Sodalite and Lapis Figures, including a standing lion, length 4 3/4 in., a reclining bull, length 5 1/4 in.; two standing elephants, length 4 1/4 in. and 3 in.; a seated rabbit, length 2 in.; a seated cat, length 1 3/4 in.; and a leaping carp amid turbulent waves, height 4 1/4 in., width 5 in., wood stand, overall height 5 3/4 in. $300/500 Provenance: Estate of Jewell Younger Graeber (1923-2011), Marks, MS.

582

W 577. A Group of Six Chinese Sodalite and

Lapis Figures, 20th c., including a reclining Li Bai, height 1 1/4 in., length 3 1/4 in., wood stand, overall height 2 in.; a standing Celestial Beauty, height 4 3/4 in., wood stand, overall height 5 7/8 in.; a seated Budai, height 2 1/4 in.; a standing Guanyin, height 2 7/8 in., wood stand, overall height 3 5/8 in.; a reclining figure on an oval uncarved “seal”, height 2 1/8 in.; and a seated Scholar, height 2 in.

582. Three Chinese Kingfisher Feather Embellished Hairpins, Qing Dynasty (1644-1911), the largest with coral, jadeite and other hardstone highlights, approx. height 6 3/4 in., 3 3/4 in., and 2 in., presented together within a shadow box, height 12 1/4 in., width 10 1/2 in., depth 2 in. $1000/1500 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

$300/500 Provenance: Estate of Jewell Younger Graebar (1923-2011), Marks, MS. W denotes the lot is illustrated at www.nealauction.com

101

583 584 583. A Chinese Boxwood Scepter, carved as three entwined lotus stems, the longest terminating in a lotus pod with articulating seeds, another terminating in a furled lotus leaf, and the last in a lotus bud, length 13 1/2 in.

586. A Chinese Famille Rose Porcelain Lantern, 19th c., hexagonal ovoid body with waisted 584 (detail) neck and foot, decorated to the reticulated sides with floral roundels on a dense mille fleurs ground, height 8 7/8 in., presented as a removable shade on a custom lamp stand, overall height 18 3/4 in.

$800/1200 584. A Chinese Cloisonné Enamel Covered Vessel, Qianlong mark but probably later, U-form body with scroll spout and ring handle raised on a wide foot ring, stepped domed cover, decorated throughout with dragons, auspicious symbols and foliage on a rouge red ground, base with raised Qianlong mark within a gilt metal square, height 3 7/8 in., width 7 3/4 in.

$500/700

W 587. Two

Chinese Gilt Decorated ‘Mirror Black’ Porcelain Baluster Vases, Kangxi marks but late 19th/early 20th c., one with lotus pond decoration, the other with flower sprays, each base with apocryphal Kangxi mark, height 10 1/4 in. and 10 1/8 in. $300/500

586

$800/1200 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. 585. A Pair of Chinese Cloisonné Enamel Covered Stem Bowls, each footed bowl set with a removable circular box surmounted by a domed finialed cover, overall auspicious emblem and floral scroll design, height 8 in., wood stands, overall height 9 in. $600/800 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

102

Provenance: Estate of Margaret Winling Gulotta (19282007), New Orleans, LA.

585

588. A Chinese Famille Rose Porcelain Bottle Vase, Guangxu mark but 20th c., pearshaped body with short neck and flared rim raised on a tall foot, decorated with nine multi-colored bats flying amid peach sprays and auspicious symbols, recessed base with apocryphal Guangxu mark, height 11 1/2 in. 588

$600/800

589. A Chinese Ivory Figure of Guanyin with the Acolyte Sudhana, late 19th/early 20th c., Bodhisattva of Compassion carved holding the Pearl of Light in one hand, and in the other, an upside down vessel from which pours a giant lotus blossom, base stamped “CHINA”, height 10 1/2 in., wood stand, overall height 11 3/4 in. Note: restoration to raised hand.

W 595. A Chinese Celadon

$1000/1500

Provenance: Collection of Texas Antiquarians Jack and Kate Wheeler.

Porcelain Bowl, Xuande mark but probably 20th c., tapering U-form body with a wide rim and circular foot, delicately carved with a radiating root design, covered in a sea-green glaze thinning to white around the rim, base with apocryphal Xuande mark, height 3 3/8 in., diameter 8 1/2 in. $150/250

Provenance: A Charlotte, NC collector.

W 596. A Chinese Bronze W 590. A Chinese Wood

Jardinière, Qianlong mark but 20th c., tapering square form raised on suppressed bun feet, relief decorated to three sides with dragons in pursuit of flaming pearls, the fourth with a recessed inscription panel bearing apocryphal Qianlong mark, height 4 in., width 6 1/2 in., depth 6 1/2 in.

Brush Pot, slightly waisted cylindrical form, height 4 5/8 in., diameter 3 3/4 in. $400/600 W 591. A Chinese Bamboo

Brush Pot, rectangular form with canted corners raised on four triangular feet, carved to the sides with figures in scenic landscapes, height 6 1/2 in., width 4 3/4 in., depth 4 3/4 in.

589

599

$150/250 Provenance: Collection of Texas Antiquarians Jack and Kate Wheeler.

$400/600 W 597. A Chinese Ivory Apple, realistic

form deeply carved to one side with figures in a village landscape with trees, height 4 in.

W 592. A Chinese Gilt Bronze Figure of

Avalokitesvara, modeled seated in vajrasana on a waisted lotus base with the two principal hands raised in prayer, the other two holding ritual objects, depicted with a serene downturned expression wearing a foliated crown, bead necklaces and a celestial scarf, height 17 in.

$300/500 Provenance: Estate of Margaret Winling Gulotta (19282007), New Orleans, LA. 598. A Chinese Gilt Bronze and Cloisonné Enamel Figure of Guanyin, androgynous figure with voluminous robes, modeled seated on a separate waisted pedestal base, figure height 9 1/4 in., height with base 11 1/2 in., wood stand, overall height 12 3/4 in.

$400/600 W 593. A Chinese Cloisonné Enamel

Hand Warmer and Teapot, hand warmer of rectangular form with strap handle and pierced cover, height 5 in., width 6 in.; teapot of splayed form with scroll spout, loop handle and domed finialed cover, height 5 5/8 in., width 6 3/4 in., wood stand, overall height 7 in. $400/600 Provenance: Estate of Margaret Winling Gulotta (19282007), New Orleans, LA. W 594. A Pair of Chinese Ivory Buddhist Lions, each carved

seated on a waisted pedestal with a pup clambering up its backside, height 5 1/4 in.

$400/600 Provenance: Estate of Margaret Winling Gulotta (19282007), New Orleans, LA.

598

599. A Chinese Ivory Figure of a Luohan, late 19th/early 20th c., carved standing with his head raised toward the sky wearing a happy expression, holding a gourd in one hand and dangling a fly whisk from the other, height 9 3/4 in., wood stand, overall height 11 3/8 in. $1000/1500 Provenance: A Charlotte, NC collector.

$400/600 Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA.

W denotes the lot is illustrated at www.nealauction.com

103

W 600. Two Chinese Snuff Bottles, 19th/20th c., the first,

W 606. A Large and Decorative Chinese Export Style

cloisonné enamel, double bottle form with phoenix and flower decoration, stoppers, one lacking spoon, height 2 1/4 in.; the second, incised silver metal with malachite and coral applied “gems”, stopper, height 3 1/4 in.

Porcelain Fishbowl, Guangxu mark but mid-20th c., globular body with waisted neck and wide flat rim, decorated to the exterior with Hongs scenes, height 17 3/4 in., now mounted as a table with stand and glass top, overall height 30 1/4 in., diameter 36 in.

$400/600

$500/700

Provenance: Estate of Margaret Winling Gulotta (1928-2007), New Orleans, LA. W 607. Two Chinese Yixing Pottery Teapots, 20th c., the first,

ovoid with waisted foot and neck, jade handle, spout and finial, base marked, height 4 3/8 in., width 7 in.; the second, bamboo stalk form, bamboo form handle, spout and finial, base and interior cover marked, height 4 1/2 in., width 6 1/4 in.

W 601. Three Chinese Snuff Bottles, 20th c. or earlier, the first

glass, octagonal faceted body with raised insect design, base with guyue xuan mark, lacking stopper, height 2 1/4 in.; the second porcelain, ovoid body with black glaze, base with Artemisia leaf mark, lacking stopper, height 2 3/4 in.; the third cloisonné enamel, flattened globular body with bird and flower roundels, base with Qianlong mark, stopper, height 3 in.

$400/600 W 608. A Pair of

Decorative Chinese White Glazed Porcelain Vases, 20th c., each elongated ovoid body with tall cylindrical neck and zoomorphic mask and tongue handles, carved around the sides with seven Buddhist figures, base with apocryphal mark, height 20 in.

$300/500 W 602. Two Pairs of

Chinese Cafe-au-Lait Glazed Blue and White Porcelain Cups, 20th c., bell-form bodies with rich coffee brown glaze to the exteriors and blue and white decoration to the interiors, each base marked Ruo Shen zhen zang (in the collection of Ruo Shen), height 1 3/8 in., diameter 3 3/8 in., (4 pcs.)

603

$500/800 609. A Pair of Decorative Chinese White Glazed Porcelain Covered Jars, 20th c., each bulbous body tapering to a slightly splayed base, tall straight neck, and domed cover with finial, height 23 1/2 in.

$600/800 603. A Pair of Louis XV-Style Gilt Bronze-Mounted Asian Porcelain Bowls, apple green ground, height 5 in., diameter 11 1/4 in., gilt bronze foliate handles, pierced stand on scrolled feet, overall height 10 3/4 in., width 16 1/2 in.

$600/900 W 610. Two Chinese Famille

Rose Porcelain Ovoid Jars, late 19th/early 20th c., the first with bird and flower decoration; the second with figures; each with calligraphy to one side, height 10 3/4 in. and 10 1/4 in., respectively.

$1200/1800 W 604. A Pair of Chinese

Polychrome Porcelain Fish Form Vases, each modeled in the form of an open-mouthed carp riding a cresting wave with lotus blossoms and leaves, height 16 1/4 in., width 13 1/2 in., one base drilled. $600/800 Provenance: Acquired Blossman’s, New Orleans, LA.

609

$200/400 W 611. A Group of Chinese Porcelain, late 19th/early 20th c., including a blue and white decorated celadon ground mallet form vase with lion handles, height 10 1/2 in.; a yellow ground famille rose jar, height 6 1/2 in.; and pair of blue and white covered “ginger” jars, 20th c., each height 8 1/2 in., (4 pcs.)

W 605. A Decorative Chinese Blue Ground Famille Rose

$200/300

Porcelain Fish Bowl, 20th c., globular body with a waisted flared rim, decorated with two panels enclosing scenes of ducks swimming amid lotus blossoms and birds on flowering branches, reserved on mottled blue ground, height 14 5/8 in., diameter 16 1/4 in.

W 612. A Chinese Patinated Bronze Pipe and Tray, the pipe

$300/500

with a bamboo form shaft and curved bowl incised with fish, Qing marks within a square, length 14 3/4 in.; the rectangular galleried tray with raised figural design, height 1 1/8 in., depth 14 1/8 in. (2 pcs.) $300/500

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W 613. A Chinese Cloisonné Embellished Gilt Bronze

W 619. Two Chinese Blue and White Porcelain Items, mid-

Figure of Bodhisattva, four headed, eight armed figure modeled standing on a waisted lotus base, the principal arms raised in prayer, each face modeled with a downturned serene expression, wearing a foliate crown, bead necklaces, and cloisonné embellished garments, height 30 1/4 in.

20th c., Jingdezhen, including a teapot with a large branch handle, decorated with shaped landscape reserves on a cracked ice and prunus ground, height 16 1/2 in., and a covered censer with a bulbous body, three cabriole legs, and zoomorphic handles, height 13 1/2 in.

$800/1200

$100/150

W 614. A Group of Five Chinese Cloisonné Enameled

W 620. A Chinese Export Famille Rose Porcelain Vase, 19th

Metal Ware, early 20th c., including a cylindrical box, height 3 1/8 in.; a circular box with finial, diameter 4 3/4 in.; a small dish, diameter 3 5/8 in.; a bangle bracelet, diameter 2 3/4 in.; and a bowl, height 2 in., diameter 4 in.; together with a sterling silver and enamel pill box, diameter 1 1/2 in.; and a mosaic cylinder form inkwell (lacking liner) height 1 3/4 in., (7 pcs.) Note: Condition of inkwell.

c., ovoid body with large reserves of figures in garden landscapes, the shoulders and tall waisted neck with pairs of qilong dragons and Buddhist lions, height 23 1/2 in. Note: chip to rim.

$200/400

W 621. A Group of Chinese Export Famille Rose Porcelain,

W 615. A Pair of Chinese Bronze Vases, 20th c., each circular

body relief modeled with a procession of figures in a landscape set with trees and clouds, raised on a splayed stem foot and issuing a cylindrical flared neck with tubular handles, height 17 7/8 in., width 10 1/4 in. $300/500

$400/600

18th c., comprised of three saucer dishes and a matching cup and saucer, the first dish painted with figures at leisure in an outdoor setting, diameter 5 3/8 in.; the second, foliate rimmed, with alternating figural, floral and chrysanthemum head panels, diameter 4 3/4 in. Note: Small area of restoration; the third with floral sprays, diameter 4 3/4 in. Note: Chips to rim; the cup and saucer with white slip and polychrome floral sprays, saucer diameter 4 1/2 in., cup height 2 1/2 in., (5 pcs.) $400/600

W 616. Two Chinese Embroidered Silk Panels, the first of

quadrilobed form embroidered with a flower vase, stars, and ruyi clouds, picked out in silver and gold couched threads and polychrome satin stitch, height 8 1/2 in., width 8 1/2 in.; the second of rectangular form, embroidered with a fish amid water reeds, picked out in gold couched threads and polychrome satin stitch, height 9 7/8 in., width 4 7/8 in., each mounted and framed, overall 12 3/4 in. x 11 1/4 in. $200/300

Provenance: The Irving and Bettie Redler Collection, New Orleans, LA; acquired Henry Stern Antiques, New Orleans, LA. W 622. Two Chinese Export Famille Rose Porcelain

Teapots, 19th c., the first with figural decoration, domed finialed cover with foliate rim, base with Henry Stern Antiques label, height 5 7/8 in., width 8 1/4 in.; the second with floral decoration, domed finialed cover, height 5 1/2 in., width 8 1/2 in. $200/300 Provenance: The Irving and Bettie Redler Collection, New Orleans, LA.

W 617. A Chinese Carved and Gilded Wood Figure of

Guandi, the warrior god modeled wearing a suit of armor and a celestial scarf, holding a sword, height 18 1/4 in., mounted to a wood stand fitted as a lamp. $300/500

W 623. A Group of Seven Decorative Chinese Porcelain Tea

Caddies, 20th c., rectangular bodies with rectangular and circular covers, largest height 10 1/2 in., width 6 in., depth 2 1/2 in.; smallest height 5 1/2 in., width 3 1/2 in., depth 2 in. $700/900

W 618. A Set of Six Chinese Pink ‘Beijing’ Glass Cups and

Saucers, late 19th/early 20th c., brass-mounted cylinder cups with footed saucer bowls, cup height 1 7/8 in., saucer diameter 3 3/4 in. $200/300

W 624. A Chinese Canton Blue and White Porcelain Platter,

oval well with a village seascape design, banded around the cavetto and sloping rim, height 2 3/8 in., width 19 3/8 in., depth 16 in. $400/600

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Notes

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Session Two Sunday, July 1, 11 am 3923 Carondelet Street

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W 625. A Set of Fourteen Copeland

W 633. Two Mexican Sterling Silver

W 637. A Group of American Sterling

Spode Polychrome Porcelain Bowls, fully marked, in the “Florence” pattern, scalloped rims, diameter 9 in.

and Wood Sauce Ladles in the Style of William Spratling, Taxco, AEM mark, AE inside a heart-shaped M. Eagle 23, circular bowls with near matching handles, length 6 1/2 in.

Silver Tableware, including a coffee pot; a bowl by International Silver Co., “Courtship” pattern, c. 1930; 18 corn on cob or hors d’oeuvre picks; 3 coasters; and a reticulated bowl by Meriden Britannia, c. 1890, (9 pcs.)

$150/250 W 626. A Wedgwood Blue and White

Transferware Pottery Partial Dinner Service, early 19th c., impressed marks, chinoiserie reserves bordered by fence and floral bands, comprising a circular charger, six luncheon plates, and four soup plates, charger diameter 11 3/8 in., (11 pcs.) $200/400

$100/150

$150/250 W 634. Three Cased Sets of English

Silverplate Serving Pieces, including a pair of berry spoons, James Dixon, Sheffield, c. 1890; a pair of fruit spoons, c. 1880; and a three piece serving set. $150/250

W 627. A Pair of Figural Bronze

W 639. A Miscellaneous Group

of American Sterling Silver Bonbon Spoons, Sugar Spoons, Cheese Knives and Assorted Serving Pieces, various patterns and makers including Tiffany, Gorham, Mauser and Reed & Barton; including 13 bonbon spoons, 11 sugar spoons, 2 small ladles, 18 “Fairfax” butter spreaders (1 with hollow handle), 14 assorted butter spreaders, cucumber server, jelly server, jelly roll server, sardine server, lettuce fork, 4 cheese servers (hh), Tiffany tea knife and 11 other pieces, combined weight 54.30 troy ozs. (79 pcs.)

$250/350 W 628. An Antique English Cast

Iron and Brass Scale, late 19th c., lyre-form support, on quadripartite base, height 30 in., width 22 in., depth 11 in. $250/350 W 629. A Napoleon III Gilt

Bronze Fire Screen, 19th c., folding fan-form, marked “Brevette S.G.D.G.”, centered by female mask, on scrolled base, height 26 in., open width 26 in., depth 8 in.

$1000/1500 640

$200/400

Plaque of Mary Magdalene, 19th c., unsigned, period label reading “Ch. N. Schun, Büssend: Magadalena, uf Battone”, 5 3/4 in. x 4 in., period gilt frame; together with an inlaid stone plaque depicting a musical trophée, 5 3/8 in. x 8 in., framed. $150/250 W 631. An English Brass-Bound

W 635. A Group of Small American

Sterling Silver Objects, including a Whiting card case with original leather box, c. 1890; a silver and ivory box purse with expandable sides, c. 1890; a Blackinton two-compartment pill box, c. 1930; a pocket card case, c. 1930; and a card holder, c. 1910; together with a silverplate cigarette urn, total weight (weighable) 8.75 troy ozs., (6 pcs.)

Rosewood Lap Desk, 19th c., fitted interior, height 5 3/4 in., width 18 in., depth 10 in.

$200/400

Sterling Silver Hand Mirror and Hairbrush, Saart Bros. Co., North Attleboro, MA, c. 1912; together with a cut glass and sterling silver hair receiver, hallmarked Birmingham, 1911; mirror length 13 in.

W 632. An Antique Gorham Sterling

Silver Baby Cup, c. 1899, with gadrooned border and molded handle, height 2 3/4 in., weight 4.75 troy ozs. $100/200

Hair and Clothes Brushes and Combs, including 4 hair brushes, 3 clothes brushes and 2 combs, plain and fancy patterns, some with monogram; together with an antique ivory clothes brush, (10 pcs.) $200/300

Bookends, 20th c., polychrome fairies seated on edges of rectangular black marble plinths, height 9 1/4 in., width 5 1/2 in., depth 3 1/4 in.

W 630. A Continental Porcelain

W 638. A Group of Silver-Mounted

640. A Group of Miscellaneous Small Sterling Silver Serving Pieces and Place Pieces, by various manufacturers in various patterns; including a Georg Jensen serving spoon/ fork, 10 serving forks, 2 gravy ladles, 14 butter serving knives, 6 olive spoons and pickle forks, 2 gravy ladles, 5 lemon/pickle/ sardine forks, 1 small sugar tongs and 16 various place pieces, combined weight 63.45 troy ozs. (55 pcs.) $1200/1800 W 641. A Group of Vintage Silver-

W 636. An American Art Deco

$150/250

Handled Carving Pieces, including a small carving knife and fork, 2 steak carving knives and forks, a small carving fork and a bar knife, (8 pcs.) $200/300 W 642. A George III Sterling Silver

Beaker, London, 1789, maker TJ untraced, height 2 7/8 in., weight 2.3 troy ozs. $150/250

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643. A George III Sterling Silver Asparagus Tongs, c. 1784, George Smith (No. 3), London, U-shaped tongs, length 9 3/4 in., weight 4.80 troy ozs. $150/250 W 644. A Cased

Set of Twelve English Silverplate Fish Knives, William Hutton and Sons, Sheffield, wc. 1800 to present, “Kings” pattern, in a fitted mahogany case with brass shield and escutcheon, knife length 9 in.

643

646

W 650. [Louisiana History], 19th c.

$150/250 645. A Reed and Barton “Francis I” Sterling Silver Flatware Service, pat. 1907, including 9 luncheon forks, 9 luncheon knives, 8 salad forks, 8 teaspoons, 2 cream soup spoons, 2 dessert spoons, 2 iced tea spoons, 2 cocktail forks, 2 flat butter spreaders, 2 dinner forks, a cold meat fork and 5 nut dishes, (52 pcs.), total weight (weighable) 64.85 troy ozs. $1500/2000 646. A Charles Lindbergh Welcome Banner, c. 1927, navy muslin silkscreened in colors, portrait bust of the aviator flanked by U.S. and French Flags, height 44 in., length 35 in. $400/600 Provenance: A New Orleans Family.

645

W 647. An American Modern Gothic

Lantern, colored glass panels inset in a trefoilpierced brass frame, height 10 5/8 in., width 6 7/8 in. $100/200 W 648. A Giltwood Ecclesiastical Pricket, c.

1900, fluted standard with acanthine collar, tripartite base with carved reliefs, on paw feet, height 33 in., diameter 10 in. $200/400

$100/150

W 649. An Indian Brass Lantern, pierced

overall in a vining branch pattern, height 41 1/2 in., diameter 12 in. $250/350

documents related to the Hebert Family of Iberville Parish, Louisiana; including handwritten document by Felix Grima, New Orleans Notary Public, for the purchase of property by Paul Octave Hebert from John G. Gaines, President of Citizen’s Bank of Louisiana, dated February 5, 1869; 3 New Orleans invoices from Frost & Co., dated July 26, 1858, J.W. Wilder, dated February 24, 1857 and Ruleff & Co., dated October 12, 1858; handwritten true copy in French for sale of land in January 1816 by M. Denis Landry to M. Valery Hebert, signed by Judge John Dutton and dated September 8, 1832; handwritten true copy in French renouncing any rights to the sale of land by Constance Melancon, wife of Judge M. Denis Landry, to which she had title as part of her dowry, to M. Valery Hebert, signed by Judge John Dutton and dated September 15, 1832; handwritten true copy in English for sale of land by Paul Hebert, administrator for the late Anne Catherine Bush, to Joseph D. Hamilton, signed by Judge John Dutton and dated November 18, 1834; handwritten true copy in English for sale of land in January 26, 1854 by Lavinia Jane Hamilton, widow of Paul Hebert, signed by Gustave Rouseau, Iberville Parish Recorder and dated April 19, 1854; Bill of Sale from Steamer Sarah dated June 3 1868; document regarding ship Damascus dated New Orleans, December 26, 1849; and letter dated April 7 1807.

W 651. [Opera], a collection of opera and

theatre related items, comprising a Jenny Lind autographed and signed letter in an antique frame, a Pike Opera House playbill for Cinderella, c. 1888, and various other theatre items. $400/600

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W 652. [Antique Southern Prints], a

group of 25 prints from periodicals including New Orleans and Carnival/Mardi Gras scenes; “Rout of Comus and his Band”; Frank Leslie’s Illustrated Newspaper, “...the New Orleans Exposition”, 1885; Picturesque America, “The Lower Mississippi”; Scribner’s Monthly, 1873, “The Great South, Louisiana”; Appleton’s Journal, “Gathering Magnolia Blossoms...”; Harper’s Weekly, “In Carnival Time”, “Sketches of the Flood in New Orleans”, July 1871, and “Cypress Swamp...”; The Illustrated London News, “The War in America, Arrival of a Federal Steamer with Flag of Truce at Madisonville...”, 1863; and others.

658. Currier and Ives / Publishers, 19th c., “The Great Mississippi Steamboat Race”, handcolored lithograph, sight 11 in. x 13 in., matted and framed.

W 661. Horace Devitt Welsh (American,

$500/750

$250/350 W 662. Horace Devitt Welsh

(American, 1888-1942), “French Quarter Courtyard” and “Bounty Hunter”, two etchings on paper, unsigned, plate 12 in. x 9 in. and 9 in. x 8 in. respectively, sheet 16 in. x 12 1/4 in. and 12 in. x 10 1/2 in., respectively, unframed. $300/500

$400/600

W 663. Horace Devitt Welsh

W 653. A Group of Federal

Carved and Polychromed Tester Canopy Elements, early 19th c. $300/500 654 654. After George Moreland (British, 1763-1804), “The Reckoning”, oil on canvas, inscribed “George Moreland 1872”, 19 3/4 in. x 24 1/8 in., framed.

W 664. A Vintage Albumen

Cabinet Card of an African American Man with a Crutch, late 19th/early 20th c., stamped “D.J. Gordon photographer” en verso, 5 3/4 in. x 4 1/4 in., unframed.

W 655. Frederick C. Nairn

(Scottish, late 19th/early 20th c.), “Seascape”, pastel on canvas, signed lower right, canvas stamped “Kensington” en verso, Davidson, Kay & Co., Glasgow label en verso, 18 in. x 24 in., original frame.

$100/200 W 665. A Collection of

$400/600 658

W 656. A Group of Five

W 659. Currier and Ives /

Publishers, 19th c., “The ‘Sports’ Who Lost Their ‘Tins’” and “The ‘Crowd’ That ‘Scooped’ The Pools”, a pair of hand-colored lithographs, each sight 10 1/8 in. x 14 1/4 in., framed.

$200/300

W 657. Currier and Ives / Publishers,

W 660. Horace Devitt Welsh

19th c., “The Great Mississippi Steamboat Race from New Orleans to St. Louis, July 1870”, published 1870, small format hand-colored lithograph, sight 9 3/4 in. x 13 1/2 in., framed; together with “Levee Scene on the Mississippi, 1878”, color reproduction, sight 10 in. x 15 in., framed. $400/600

(American, 1888-1942), “Migrant Family”, “The Black Bottom”, and “The Angler”, three etchings on a similar laid paper, pencil-signed and titled, signed in plate and unsigned respectively, plate range from 4 3/4 in. x 4 in. to 8 3/4 in. x 7 1/2 in., sheet ranging from 9 1/4 in. x 17 3/4 in. to 11 7/4 in. x 9 1/2 in., all unframed. $400/600

$400/600

Louisiana Plantation Photographic Portfolios by David King Gleason, 1985-1986, a total of 59 color reproductions, each 11 in. x 14 in., incl: Antebellum Homes of the Gulf Coast, Mansions of the Garden District, and Plantation Homes of Pointe Coupee, Along the Teche, and Along the River Road, each with maps and descriptions.

1888-1942), “African Golf—The Crap Shooters”, etching on paper, pencil titled and signed, plate 7 1/4 in. x 8 3/4 in., sheet 8 1/2 in. x 10 in., unframed.

(American, 1888-1942), “Baptism Scene”, etching on paper, signed in plate and inscribed “Trial Proof” lower left, plate 9 in. x 7 1/2 in., sheet 11 in. x 8 1/4 in., unframed. $250/350

Louisiana Horse Racing Memorabilia, c.1950s, vintage photographs and ephemera from the New Orleans horse trainer and owner Ebben B. Shipp (1890-1975); including 29 horse race winner’s photographs from 1929 and 1950s, with one of Rocky Graziano presenting trophy to jockey S. Chiapetta and trainer E.B. Shipp in 1951; 8 Official Programs, Winter Meeting, Louisiana Jockey Club, New Orleans Fairgrounds from 1938 and 1939; vintage postcards of Southern race tracks, newspaper articles and assorted ephemera; additionally New Orleans ephemera including Antoine’s Restaurant menu and souvenir booklet, “Story of the Praline” booklets from the Green Orchid, Romantic New Orleans postcard foldout, Royal Perfume Company brochure, associated French Quarter business cards including The Art House-Dr. Cline, Brochure from the Lewis Turpentine Still and Plantation, Brooksville, Florida and assorted photographs and personal memorabilia from E.B. and Laura Hodge Shipp. $500/700

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666. Knute Heldner (Swedish/New Orleans, 18771952), “Crawfishers Shack”, etching, pencil signed and titled, plate 7 3/4 in. x 9 3/4 in., matted and framed. $500/700 667. Alexander John Drysdale (American/New Orleans, 18701934), “Oak Tree with Water Lilies”, oil wash on board, signed lower right, sight 9 1/2 in. x 29 1/2 in., period frame.

666

668

$2000/3000 668. Alexander John Drysdale (American/New Orleans, 18701934), “Louisiana Oak, Dawn”, oil wash on board, signed lower right, sight 14 3/4 in. x 19 1/2 in., period frame.

667

$1200/1800 669. Ruby Viavant (American/Louisiana, 1904-1925), “Nature Morte: Killdeer”, 1920, gouache and watercolor, signed and dated lower left, sight 17 3/4 in. x 30 in., period frame. $2500/3500 Provenance: Installed for many years at 496 Audubon Street, New Orleans; descended in a New Orleans family. Note: The daughter of George Louis Viavant, the accomplished wildlife artist and Louisiana sportsman, Ruby Viavant’s talents were evident at a young age; the work offered here was painted when she was sixteen years old. Unfortunately, Ruby died at age twenty-one, which so devastated her father that he himself died within a year.

670

670. George Hand Wright (American, 1872-1951), “Morning Deliveries, South Carolina Lowcountry”, watercolor on paper laid on board, signed lower right, 9 in. x 11 1/2 in., framed. $500/700 669

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671

672

673. Clementine Hunter (American/ Louisiana, 1886-1988), “Still Life of Zinnias in a Red Pot”, 1983, oil on canvas board, monogrammed lower right, inscribed and dated en verso, 18 in. x 14 in., in a giltwood frame. $1000/1500 W 674. Eugene Daymude (American/

New Orleans, 1925-1995), “Brulatour Courtyard”, 1967, oil on board, signed “D’Mude” and dated lower right, signed, titled and inscribed en verso, 23 7/8 in. x 17 7/8 in. $200/400

673

675 (1 of 2)

671. George Ramey (American/Georgia, 1898-1973), “The Cabbage Seller: Atlanta Street”, 1941, oil on canvas, signed and dated lower left, remnant of artist and title label en verso, 16 in. x 20 1/4 in., painted period frame.

$600/800 676. An Antique American Carved Mahogany Kneehole Desk, late 19th/ early 20th c., Potthast Brothers, Baltimore, with paper and incised labels, serpentine top above three drawers, full relief carved eagle supports, conforming plinth base, height 31 1/2 in., width 51 3/4 in., depth 25 1/4 in.

$800/1200 672. Clementine Hunter (American/ Louisiana, 18861988), “Baptism”, oil on canvas board, monogrammed lower right, 16 in. x 20 in., framed. $2000/3000

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675. Maggie Hartnett (American/New Orleans, mid-20th c.), “Nuns Walking by The Stable, French Quarter” and “Nuns Walking in Pirate’s Alley, French Quarter”, two oils on masonite, both signed lower right, 24 in. x 30 in. and 20 in. x 16 in. respectively, matching frames.

676

$800/1200

W 677. An

Antique American Pine and Maple Tavern Table, overhanging top above a frieze drawer, turned legs, height 36 3/4 in., width 48 in., depth 17 in. $200/400 678. An American Rococo Carved Rosewood Center Table, mid-19th c., probably New Orleans, molded top, cabochon and shell frieze, foliate cabriole legs, pierced shaped stretchers centering a lobed urn finial, height 28 1/2 in., width 35 1/2 in., depth 25 1/2 in.

678

680

680. A Lower Mississippi River Valley Cypress Bookcase, 19th c., flared cornice, five shelves, molded base, height 69 in., width 53 3/4 in., depth 16 in. $800/1200 Provenance: Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

$500/750 679. An American Late Classical Carved Walnut Armoire, mid19th c., New Orleans, massive ogee cornice over molded doors, shelf interior with medial belt of drawers, ogee bracket feet, height 93 1/2 in., width 73 in., depth 28 in.

681. A Lower Mississippi River Valley Cypress Plank Top Work Table, late 19th c., three board overhanging top, square tapered legs, height 28 1/2 in., width 28 1/4 in., length 55 1/4 in. $300/500 Provenance: Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

679

$1500/2500 Provenance: Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. Note: The massive cornice, case construction, wide door stiles, medial belt of drawers, and ogee bracket feet on this armoire are typical within a group of armoires made in New Orleans. A freeman-of-color, Jean Rousseau (Haiti/New Orleans, active 18101837), trained thirty apprentices between 1813 and 1833; notable among them was Dutreuil Barjon (b. 1799). Reference: Moscou. New Orleans’ Free-Men-of-Color Cabinetmakers in the New Orleans Furniture Trade, 1800-1850 p. 46; Ibid. fig. 9.

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682. An Antique American Oak Low-Back Windsor Chair, spindled uprights, plank seat, turned legs, stretchers. $200/400 Provenance: Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. By family repute this chair belonged to Mississippi Governor Gerard Chittocque Brandon (1788-1850) in his later years. 683. An American Carved Walnut Prie Dieu, probably early 20th c., needlepoint crest rail monogrammed “HHP”, lobed and fluted stiles flanking a cross, needlepoint kneeler on turned feet. $500/700 682

683 684. An American Rococo Carved Rosewood and Rosewood Grained Bedstead, mid19th c., attributed to Prudent Mallard, New Orleans, paneled headboard with openwork scrolled crest, shaped foot board, conforming rails, posts on turned feet, height 84 in., interior length 77 1/2 in., interior width 60 in.; posts now reduced. $7000/9000 Provenance: Descended in a New Orleans Family. Note: This lot closely relates to a tester bed descended in the Hincks family of New Orleans and accompanied by a bill of sale from Prudent Mallard, sold by Neal Auction Company as lot 306, September 30, 2006, and also a bed descended in the Cox family of New Orleans. 684

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685. An American Rococo Carved Rosewood Duchesse Dressing Table, mid-19th c., probably New Orleans, serpentine mirror with shell crest, bracket supports surmounted by urn finials, shaped marble top, conforming frieze drawer, C scrolled legs joined by X stretcher, urn finial, casters, height 66 1/2 in., length 47 in., width 22 1/2 in. $3000/5000 Provenance: Descended in a New Orleans family; found en suite with preceding lot. Note: The mirror frame, proportions, legs and stretchers on this lot are nearly identical to those on a duchesse de-accessioned from the Bayou Bend Collection, Houston and sold by Neal Auction Company as lot 149 on September 12, 2009; The Bayou Bend duchesse was accompanied by a copy of a letter to Miss Ima Hogg from Frank Kane, 600 Royal Street dated April 25, 1957 describing its origins from warerooms of (Francois) Seignouret and as being “presented to Miss Octavie Roman, niece of Governor of Louisiana (1831-1835, 18391841) upon her marriage to Philip Buchanan, son of Judge Buchanan; the original owners of Oak Alley Plantation in St. James Parish at Vacherie Louisiana”.

685

687

686. An American Rococo Carved Rosewood Parlour Suite, mid-19th c., comprising a sofa, three fauteuils and four chaises, shaped backs with floral crests, molded seat rails, cabriole legs, casters (8 pcs.)

The Rococo Revival dressing table or “duchesse” form is rare and was a specialty form made by a variety of American cabinetmakers generally for the Southern market. Interestingly, this form is seen often in lower Mississippi River Valley collections (including Herman-Grima and Gallier Houses, the Louisiana State Museum, and Lansdowne in Natchez; another example from a New Orleans family sold in these rooms as lot 79 November 10, 2010.

$1800/2500 Provenance: The Barrow/Brandon/ Bedgood House at Greenwood Plantation, Pinckeyville, MS. 687. A French Louis XVI-Style Doré Bronze and Crystal 12-Light Chandelier, height 50 in., diameter 22 1/2 in.

Reference: Warren, Brown, Coleman, Neff. American Decorative Arts and Paintings in the Bayou Bend Collection, Museum of Fine Arts, Houston, p. 148, fig. F240. Otto, American Furniture of the 19th c. pl. 286, 282, 291 and Scherer. New York Furniture at the New York State Museum, pp. 96-97, fig. 95.

$1500/2500

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691

690. An American Classical Gilt Pier Mirror, early 19th c., molded cornice with spherules, gothic tracery frieze over rectangular mirror plate flanked by cluster columns, height 41 3/4 in., width 25 in.

690

$300/500 691. An American Classical BronzeMounted Carved Mahogany Extension Dining Table, 19th c., circular molded top opening to receive four leaves, cluster column support containing a center turned leg, quadripartite outswept legs, bronze boss disc feet, casters, height 30 in., closed length 45 1/2 in., depth 46 in. $1200/1800

693

W 688. A Good Group of Antique and Vintage Linens,

including a lace bedcover or tablecloth, 2 openwork and lace insertion tablecloths, 6 Madeira luncheon napkins, 7 luncheon napkins with openwork, embroidery and tatting, 2 Arts and Crafts openwork and embroidered table runners and a set of 5 embroidered peach placemats and napkins. $300/500 W 689. An Antique American Rococo Carved Giltwood

Looking Glass, late 19th c., pierced cartouche crest, scrolling sides, cabochon carved base, beveled mirror plate, 33 1/2 in. x 40 3/4 in. $300/500

116

692. An American Late Classical Carved Mahogany Secretary Bookcase, c. 1840, cove molded cornice, glazed doors above three drawers, the base with fitted escritoire drawer, paneled doors flanked by S scrolls, molded base, scroll feet, height 81 in., width 48 in., depth 27 in. 692

$1500/2500 693. An American Classical Carved Mahogany Chest of Drawers, early 19th c., two outset drawers above four drawers flanked by acanthine columns, paw feet, height 52 in., width 47 in., depth 24 in. $700/1000

694. An American Federal Mahogany Games Table, early 19th c., School of Henry Connelly, Philadelphia, “D” shaped foldover top, turned tapered legs, height 28 1/2 in., width 36 in., depth 17 3/4 in. $800/1200 694

695

697

695. A Georgian Walnut Tilt-Top Tea Table, 18th c., turned tapered stem, arched legs, pad feet, height 27 in., diameter 32 in.

699

$500/700 698. An English Tôle Peinte Tray, mounted on wrought iron base, height 18 in., width 29 3/4 in., depth 21 1/2 in.

W 696. A George III-

Style Library Armchair, rectangular back, padded arms, straight rail, molded square legs, stretchers.

$300/500 698

$150/250

697. Three Associated Georgian Carved Mahogany Armchairs, 18th c., each with arched crest rail, pierced splat, shaped scroll arms, trapezoidal slip seat, square molded legs, two with H stretcher.

699. An Antique Iron Wine Rack, early 20th c., having a pair of slatted doors, ten bottle tiers, slatted sides, in old paint surface, height 44 in., width 42 in., depth 22 1/2 in. $500/700

$600/800

W denotes the lot is illustrated at www.nealauction.com

117

701. An Antique Louis XVIStyle Giltwood Mirror, oval beaded surround surmounted by crest centered by a female profile bust, acanthus pendant, height 47 in., width 31 1/2 in. $300/500 702. A Louis Philippe Patinated and Gilt Bronze Figural Mantel Clock, c. 1840, silk thread suspension, the Renaissance figure with flowing veil, plinth base with palmette border, height 17 in., width 13 1/2 in., depth 5 in. $800/1200 W 703. A French Gilt Metal

701

and Cloisonné Clock, 20th c., colonnaded case surmounted by urn, porcelain dial, striking gong movement, height 18 in., width 12 in., depth 6 in. $500/700 704. An Antique GeorgianStyle Carved Mahogany Corner Chair, c. 1900, of generous proportions, arched crest rail, turned uprights, slip seat with molded rail, turned legs, cup casters.

700

$500/700 705. An American Carved Mahogany Center Table, 19th c., segmented veneer top, tapered chamfered support, circular plinth, arched scrolled legs, casters, height 29 in., diameter 36 in.

702

$500/750

704

700. A French Restauration Carved Mahogany Bookcase, 19th c., retains fragments of old shipping label... “Rue de Noailles Versailles”, molded cornice over two glazed and paneled doors, shelf interior, plinth base on turned feet, height 81 1/4 in., width 47 1/2 in., depth 15 1/4 in. $800/1200 705

118

706. An American Late Classical Carved Mahogany Sofa, mid-19th c., paneled crest rail terminating in foliate scrolls, arms with volute acanthus, bracketed paw feet, height 37 in., width 72 in., depth 21 1/2 in. $1200/1800 707. An American Rococo Carved Rosewood Server, mid-19th c., marble top, frieze drawer over mirrored doors, shelf interior, paneled sides, molded feet, height 40 1/2 in., width 45 in., depth 22 1/2 in. $700/1000

706

707

709

W 708. An American Classical Revival Carved Mahogany Low

Table, late 19th c., marble top, faceted stem, scrolled feet, height 21 in., diameter 30 1/2 in. $500/700 709. An Antique George III-Style Mahogany Pedestal Dining Table, reeded edge top, turned support, reeded legs, casters, height 27 1/2 in., width 38 3/4 in., depth 58 in. $800/1200 W 710. George Anderson Short (English, 1856-1945), “Over the

Brook”, watercolor, signed lower left, titled en verso, sight 4 1/2 in. x 7 in., attractively matted and framed. $400/600 711. Wilhelm Kray (German, 1828-1889), “Gypsy Woman and Child in a Church”, 1872, oil on canvas, signed, inscribed “Roma” and dated lower left, label en verso of frame from “Ignazio Fonatana, Doratore, Via di Pie di Marmo, 16, Roma”, 18 1/2 in. x 14 1/8 in., framed. $1500/2500

711 W denotes the lot is illustrated at www.nealauction.com

119

712

712. Italian School, 19th c., “Young Peasant Girls in Regional Costumes”, oils on canvas, one indistinctly signed lower left, both with “Ignazio Fontana/Doratore/Via di Pie di Marmo, 16/Roma” labels en verso of frames, each 7 in. x 6 1/8 in., matching Renaissance Revival frames. $2500/3500 713. Fernand Le Quesne (French, 18561932), “Classical Maidens and Youths Making Music on the Flower-Strewn Steps of a Temple Complex” and “Three Nymphs Fishing in a Sylvan Pool”, oils on canvas, each prominently signed lower right and indistinctly inscribed in pencil en verso of stretchers, both bearing stencils of an Anglo/American art supply shop, 111 in. x 47 3/4 in. and 111 in. x 43 3/4 in. respectively. $4000/6000

713

120

714

716

714. A Pair of Louis XV-Style Carved Fruitwood Bergères, padded rectangular back and arms, loose cushion seat, shaped rail, cabriole legs, scrolled toes, silk upholstery. $2000/3000 715. An Empire-Style Bronze-Mounted Mahogany Bureau Plat, inset leather top with bronze molded edge, frieze with three drawers, winged lion supports, paw feet, H-shaped stretcher base, height 32 1/2 in., width 65 in., depth 33 in. $3000/4000 716. A Louis XV-Style Bronze-Mounted Kingwood Commode, shaped variegated rouge marble top, bombé case fitted with two drawers, cabriole legs, paw feet, height 35 in., width 59 in., depth 22 1/2 in.

715

$2000/3000 717. A Large French Carved Fruitwood Buffet, serpentine marble top above four shell and scroll doors, and two drawers, shell stiles, shaped base, acanthus cabriole legs, scrolled toes, height 42 in., width 98 in., depth 28 in. $2500/3500 717

W denotes the lot is illustrated at www.nealauction.com

121

718

720. A Pair of American Classical Gilt Bronze Candelabra, mid-19th c., probably Cornelius & Company, Philadelphia, six scrolled arms with grape clusters ending in candlecups and drip pans, columnar standard, pedestal base, turned feet, height 27 in., diameter 18 in.

724

$1000/1500 W 721. A Pair of

720

725

Louis XVI-Style Gilt Bronze Five-Light Sconces, backplate with flame finial, central cabochon, issuing scrolled arms, ending in a wreath and ribbon, floriform shades, electrified, height 42 in., width 16 in., depth 10 in. $700/1000

W 722. A Pair of Mahogany Fern Stands, inset

verde marble tops, turned body, height 25 in., diameter 9 in. $300/500 723. An Antique George III-Style Mahogany Two Pedestal Dining Table, 19th c., reeded edge top opens to receive one leaf, turned stems, reeded saber legs ending in brass paw feet, casters, height 29 1/2 in., length 67 in., depth 42 1/8 in. $1200/1800 724. A William IV Carved Mahogany Games Table, c. 1840, foldover top with green baize playing surface, fluted stem, incurvate plinth, acanthine paw feet, lacks casters, height 29 in., width 36 in., depth 17 1/2 in.

723

$300/500

718. An Antique French Fruitwood Wine Tasting Table, 19th c., circular tilt-top, blocked upright supports, trestle base, height 29 1/2 in., diameter 41 in.

W 719. An American or English

Patinated Bronze and Cut Glass Banquet Lamp, tripartite paw foot base, cut and etched shade, chimney, overall height 30 1/2 in.

725. An Antique George III-Style Carved Mahogany Armchair, pierced crest rail, conforming slats, shaped arms, square legs, stretchers.

$800/1200

$300/500

$600/900

122

726. A Queen Anne Oak Chest-on-Stand, 18th c., paneled slant front lid, interior with cubbyholes and one drawer, shaped stand, square molded legs, height 38 in., width 39 1/2 in., depth 21 1/2 in. $800/1200

726

729

727

730

727. An Antique English Carved Walnut Vitrine, glazed top, shelf interior, tufted silk back panel, ball and claw feet, height 37 in., width 48 1/2 in., depth 16 3/4 in. $300/500 728. A George III Mahogany Tilt-Top Tea Table, 18th c., vasiform stem, arched spider legs, pad feet, height 29 in., diameter 22 1/2 in. $500/750 729. A George II Oak Lowboy, 18th c., molded top, shaped frieze with drawer, turned tapered legs, pad and ball feet, height 27 in., width 31 in., depth 20 in. $800/1200 730. An Antique Georgian-Style Oak Library Table, 18th/19th c., inset leather top, five frieze drawers on each side, raised on tapered legs with lappet knees and pad feet, height 30 1/4 in., width 72 1/2 in., depth 35 1/2 in. $2000/3000

731

728

731. Continental School, 19th c., “Man Playing Bagpipes in a Tavern”, oil on board, unsigned, 11 5/8 in. x 9 1/2 in., antique giltwood and foliate frame. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

123

732

734 (1 of a pair)

733

735

732. James Harrold (English, 19th c.), “Dwelling by a Stream”, oil on canvas, signed lower left, 22 in. x 36 in., original frame.

735. A Decorative Pair of Large Malachite Obelisks, on tall plinth bases, height 27 3/4 in., width 6 1/2 in., depth 6 1/2 in.

$1000/1500

$1500/2500

733. A Pair of Neoclassical White Marble Pedestals, probably early 20th c, with square columns, height 43 in., width 16 1/2 in., depth 14 1/2 in.

W 736. A Pair of American Sterling Silver

$1500/2500 734. A Pair of Baroque-Style Wrought Iron and Tôle Lanterns, foliate scrolled frame inset with etched glass panels, height 56 in. $2500/3500

124

and Cut Glass Two-Light Candelabra, T.G. Hawkes & Co., Corning, NY, c. 1890, marked “Hawkes Sterling” with pattern number, simple silver base, scroll arms and bobêches decorated with etched ovals and hung with prisms, height 10 in., width 13 in. $400/600 Note: Hawkes was the predecessor to Steuben Glass Works (1903-2011).

738

W 737. A Persian Carpet,

blueish-grey ground, muted brown border, with overall stylized floral design, 9 ft. 10 in. x 14 ft. 2 in. $800/1200 738. A Kashan Carpet, navy ground with overall meandering floral motif, 9 ft. 2 in. x 12 ft. 2 in. $1200/1800

739. A Persian Kerman Carpet, purple background with overall floral motif, periwinkle, pink and cream accents, tripartite border of periwinkle and pink, 9 ft. 6 in. x 12 ft. $4000/6000 740. A Persian Hamadan Center Hall Runner, ochre ground and central medallion with dark gold and brown meandering floral motif border, 6 ft. 2 in. x 17 ft.

744

744. A Decorative Silverplate Venison Dome on Warming Stand, elaborate rococo body with openwork removable handle, the base of well and tree design, with hot water compartment, on scroll feet, height 15 in., length 26 1/2 in.

$1500/2500 741. A George IIIStyle Painted and Parcel Gilt Trumeau Mirror, late 19th c., broken arch crest centered by Prince of Wales plume cartouche, canvas painted with an extensive landscape of Classical ruins, divided mirror plate, cascading floral pendants to the sides, acanthus scrolled base, height 64 3/8 in., width 55 3/8 in.

$1200/1800 739

$3000/4000 W 742. A Chinese Carved

Lacquer Polychrome and Gilt-Decorated Six Panel Floor Screen, 20th c., the front carved with bird-andflower design on a gilt ground, inscribed, the reverse carved with egrets in a lotus pond on a black ground, height 72 in., width 96 in. $400/600 W 743. An Asian Six-Panel

Floor Screen, 20th c., ink and color on silk mounted to board, depicting a garden scene with exotic birds, height 88 1/2 in., width 136 in., overall height 96 in., width 142 1/2 in.

741

$500/700 740

W 745. A Good Group of Silver Serving Pieces, including a sterling silver asparagus fork, Reed & Barton, Taunton, MA, 1840 to present, “Hepplewhite” pattern, pat. 1907; a sterling silver soup ladle, Simpson, Hall & Miller, Wallingford, CT, 1895-1898 (absorbed into International Silver), “New Margaret” pattern, pat. 1912; a silverplate and horn stilton scoop, c. 1870; and a German silver butter server; 4 pcs., total weight (weighable) 8 troy ozs.

$400/600

W denotes the lot is illustrated at www.nealauction.com

125

W 746. A Fine Group of Antique

W 751. A Large Group of American

W 755. A Group of Four Antique

American Sterling Silver Teaspoons, including a cased set of 6 Wood & Hughes, New York, wc. 1845-1899, “Cellini” pattern, engraved with a shotgun; 6 George W. Shiebler & Co., New York, wc. 18761910, “Corinthian” pattern (originated by Polhemus, c. 1855); 4 Gorham, Providence, RI, 1865 to present, “Cherry Blossom Engraved” pattern, pat. 1894; and 10 Watrous Mft., Co., Wallingford, CT, 1896 to present; approx. weight 19.35 troy ozs. (32 pcs.)

Sterling Silver Hollow Ware, various makers, mid-20th c., including an International “Prelude” pattern sugar and creamer, 6 circular trays (diameters 9 1/2 in. to 10 1/2 in.) and 6 bowls (diameters 4 1/2 in. to 9 1/2 in.), combined weight 86.30 troy ozs.

English Sterling Silver Sugar Tongs, London, 19th c., by various makers, weight 5.45 troy ozs.

$1200/1800

Lidded Tureen, Meriden, CT, oval with beaded decoration, loop handles and octagonal foot, height 8 1/8 in., width 12 in., depth 6 1/2 in.

$150/250 W 756. An American Silverplate

$300/500

$300/500 W 757. A Group of Antique and W 747. Eight American Coin

Silver Fiddlethread Tablespoons, including four by Wood & Hughes, NY, wc. 1845-1899, ret. by A.B. Griswold & Co., New Orleans, wc. 1865-1906, upturned handle with French style straight shoulders, engraved script monogram; and four with rubbed marks, c. 1850, upturned handles with rounded shoulders, engraved script monogram on the reverse, length 8 3/4 in. and 8 1/2 in., combined weight 15.90 troy ozs.

749

Vintage American Sterling Silver Flatware, including a Tiffany “Century” pattern tablespoon, pat. 1937; a Gorham “Lancaster” pattern flat server, pat. 1897; a Wallace “Irving” pattern tablespoon, pat. 1900; an International “Trianon” pattern tablespoon, pat. 1921; a Saart Bros. cold meat fork in the Colonial Revival taste; 6 Durgin “Hampshire” pattern citrus spoons, pat. 1906; and 6 Wallace teaspoons; combined weight 18.45 troy ozs. $400/600

$400/600 W 758. A Group of Antique Whiting W 748. A Group of Antique and

Vintage Sterling Silver and Silverplate Cake Knives and Miscellaneous Serving Pieces, by various manufacturers including Gorham and Whiting, various patterns; including a cake breaker, pastry server, pasta server, and serving spoons, approx. weight (weighable) 21 troy ozs. (26 pcs.) $700/1000 749. Eleven Sterling Silver Bouillon Frames with Lenox Porcelain Liners, two-handled pierced frames, 7 matching and 2 pair of similar frames; together with an assorted group of sterling silver and silverplate caddy spoons, pill boxes, card case and stamp box, including 2 sterling tea caddy or sugar shovels, a sterling teapot shaped tea strainer, 3 sterling pill boxes, 2 sterling card cases and a silverplate stamp box, sugar cube stand, and 1 tea caddy spoon, combined weight 22.10 troy ozs. (21 pcs.)

754

$300/500 W 752. An American Silverplate

Coffee and Tea Service, Birmingham Silver Co., Yalesville, CT, mid-to-late 20th c., comprised of a kettle-on-stand, teapot, coffee pot, sugar, creamer and waste bowl; coffee pot height 11 1/2 in., (Note: coffee pot condition), with a shaped oblong footed tea tray, length 29 in. $200/300 W 753. A George III Sterling Silver

Creamer and Pepperette, the creamer by Thomas Shepard, London, 1778; the pepperette, London, 1809, maker untraced, creamer height 4 1/8 in., pepperette height 5 1/4 in., combined weight 5.95 troy ozs. $200/300

Sterling Silver Tableware, including 3 bread trays and a sandwich tray with handle, combined weight 31.70 troy ozs. $500/750

W 759. A Group of Four Antique and

Vintage Sterling Silver Creamers, including a helmet form by T. Slater, W. Slater & H. Holland, London, 1899; a footed example by W.I. & S., Birmingham, 1933; a lidded example by Meriden, Britannia Co., c. 1895; and an antique example, probably American, marks rubbed; combined weight 10.80 troy ozs. $200/300 W 760. A Group of Silver Handled

Nut Crackers, Grape Shears and Strainers, sterling handled grape shears, 2 nutcrackers, a strainer and a teaspoon-form tea infuser. (5 pcs.) $150/250

$600/800 W 750. A Group of Vintage American

Sterling Silver Flatware, including “Old King” pattern crumber and 4 teaspoons, pattern c. 1890; and “Louis XV” pattern ice tongs and berry spoon, patent 1891; combined weight 10.10 troy ozs.

754. An English Victorian Sterling Silver Fish Knife, London, 1858, pierced and engraved flat scimitar blade and scroll pattern hollow handle; together with a Whiting “Lily” pattern berry spoon, introduced 1902, (2 pcs.) $200/300

W 761. An American Sterling Silver

Dresser Set, International Silver Co., Meriden, CT, c. 1910, including a hand mirror, hairbrush, shoe horn and nail file; together with a sterling silver repoussé powder castor by Mauser Silver Co., New York, c. 1900; mirror length 13 in., shaker weight 3.50 troy ozs. $300/500

126

768

766

767. An English Inlaid Rose wood and Gilt BronzeMounted Demilune Parlour Cabinet, 19th c., center door with inlaid panel flanked by two glazed doors enclosing shelves, conforming plinth, turned feet, height 40 1/4 in., width 59 in., depth 15 1/2 in.

W 762. A Group of American and

English Silverplate Items, including a tripartite coquiform dish by Mappin & Webb; a pair of three-light candelabra by Wm. Rogers, small rectangular tray, small scalloped tray, 2 condiment stands and 2 circular trays, (9 pcs.) $150/250 W 763. A Group of Sterling Silver

Demitasse Spoons, by various manufacturers and in various patterns, including 5 Kirk “Repousse”, 4 Gorham “New Queens”, 6 Gorham “Imperial Chrysanthemum”, 4 Gorham “Marie Antoinette”, 10 Gorham “Fairfax”, combined weight 26.80 troy ozs. (approx. 74 pcs.)

767

$500/700 768. An American Classical Carved Mahogany Sofa, c. 1835, probably J. & J.W. Meeks, New York, scrolled crest, “S” curve uprights terminating in bosses, ogee seat rail, scrolled feet, height 32 in., width 79 in., depth 32 in.

$800/1200 W 764. Two George III Sterling Silver

Caddy Spoons, one by George Angell, London, 1845; the other London, 1820, probably Samuel Hennell (mark rubbed). $100/150

$1000/1500 Note: This example relates closely to one illustrated in the 1833 Joseph Meeks & Sons Broadside No. 44.

W 765. Three George III Sterling

Silver Sugar Tongs, including one by Peter & Ann Bateman, London, 1793, with bright cut engraving; one by Peter and William Bateman, London, 1810; and one by Thomas Street, London, 1801; each approx. length 5 1/2 in., combined weight 2.90 troy ozs.

769. An American Rococo Carved Mahogany Armoire, c. 1850, arched fruit and nut crest, stepped molded cornice, paneled doors, fitted interior, molded base with two drawers, shaped bracket feet, height 108 in., width 73 in., depth 28 in.

$250/350 766. An American Rococo Carved Rosewood Work Table, mid-19th c., New York, hinged top opening to mirrored and fitted interior, drawer and work basket below, cabriole legs, x stretcher, height 31 1/2 in., width 21 1/4 in., depth 16 1/2 in. $300/500

$2500/3500

769 W denotes the lot is illustrated at www.nealauction.com

127

772

770

773

770. A Monumental American Renaissance Carved and Burl Walnut Hall Stand, c. 1880, attributed to Daniel Pabst, outset cornice with relief frieze flanked by fish scale blocks, fluted pilasters ending in massive stylized lions’ masques, bench resting on paw feet, molded plinth, height 98 in., width 57 1/2 in., depth 19 1/2 in. $2000/3000 Provenance: Descended in the family of Reverend Benjamin M. Palmer (1818-1902); from the estate of Cecilia Caldwell.

771

128

Note: Rev. Palmer was pastor of First Presbyterian Church, New Orleans, from 1856 to 1902. He was the first moderator of the Presbyterian Church in the Confederate States of America and of the Synod of Louisiana. Palmer established the Southwest Presbyterian Seminary, now Rhodes College, in Memphis, TN. Palmer Avenue in Uptown New Orleans is named for him, as is the Palmer Orphanage in Columbus, MS.

771. An American Renaissance Carved and Burled Walnut Sideboard, late 19th c., pedimented superstructure with lobed vasiform supports, floral frieze, beveled glass doors and mirrors, the base with marble top above three drawers, raised panel cupboards flanking a long drawer and door, blocked base, height 91 in., width 66 in., depth 26 in. $1500/2500 Provenance: Previously installed in Antoine’s Restaurant, 713 St. Louis St., New Orleans. From the Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS. 772. An American Renaissance Walnut and Burled Wooten Desk, inset oilcloth top, three drawers and slide on one side, two drawers on the opposite side, rotary storage cabinet base, one side for files, other with cubbyholes, molded base, height 31 1/2 in., width 59 1/2 in., depth 28 3/4 in. $1000/1500 773. An American Rococo Carved Rosewood Games Table, mid-19th c., serpentine foldover top, baize-lined playing surface, frieze centered by a shell, cabriole legs, height 28 in., width 34 in., depth 17 in. $500/750

W 774. An American Carved Oak

Barristers Bookcase, F.E. Hale Manufacturing Co., New York, labeled, each unit with mullioned door, base fitted with a drawer, paw feet. $500/1000 775. A Louis XVI-Style BronzeMounted Mahogany Bouillotte Table, late 19th c., marble top, pierced bronze gallery, frieze with candle slides and drawers, fluted tapered legs ending in brass caps, height 29 in., width 26 in., depth 17 1/2 in. $800/1200

775

777

776

776. A Good French Provincial Carved Walnut Dough Box on Stand, stamped, hinged top opening to void interior, shaped skirt, turned baluster supports joined by stretchers, scrolled feet, height 33 in., width 54 1/2 in., depth 25 in. $800/1200 777. Franklin Adams (American/New Orleans, 1933-2008), “Buttoned Camisole”, 1995, mixed media on paper, initialed and dated lower center, numbered “327” lower right, sight 18 1/4 in. x 26 1/8 in., attractively matted and framed; accompanied by a copy of the original bill of sale from Jonathan Ferrara Gallery dated January 10, 2009. $600/800 Provenance: Jonathan Ferrara Gallery, New Orleans, January 2009.

778

W 779. Charles Whitfield Richards (American/

New Orleans, 1906-1992), “Standing Odalisque (from behind)”, oil on masonite, signed lower right, 83 1/2 in. x 42 in., unframed. $500/700

778. Charles Whitfield Richards (American/New Orleans, 1906-1992), “Pensive Standing Odalisque”, oil and gold leaf on masonite, signed lower right, 83 1/2 in. x 60 in., unframed. $500/700 W denotes the lot is illustrated at www.nealauction.com

129

780. Henry Casselli (American/New Orleans, b. 1946), “Mother and Child”, 1986, graphite on paper, signed lower right, signed, titled and inscribed “Donated to Country Day Metairie Park School, April 1986, fundraiser” en verso, 24 in. x 18 in., matted.

782. Noel Rockmore (American/New Orleans, 1928-1995), “Guitar Man, Mardi Gras”, 1993, mixed media collage, signed and dated mid-left, titled upper left and lower right, sight 22 in. x 29 1/2 in., framed. $800/1200

$1000/1500 781. Noel Rockmore (American/New Orleans, 1928-1995), “Léogáne, Haiti”, 1983, watercolor, signed, titled and dated “8 Jul.’83” lower right, title label en verso, sight 13 1/2 in. x 19 in., framed. $1000/1500 Note: Léogáne was at the epicenter of the January 2010 earthquake which destroyed 90% of the buildings and claimed over 20,000 lives. Visiting Léogáne nearly thirty years earlier, Rockmore created a series of paintings of the picturesque coastal community.

783. Sallie Girdaya, (American, 20th c.), “Rural Landscape, possibly the Blue Ridge Mountains”, oil on canvas, signed lower right, 20 in. x 28 in., framed. $1000/1500 784. American School, 19th/20th c., “Fourth of July Picnic”, oil on canvas, monogrammed lower right, R.H. Love Galleries, Chicago label en verso, 16 in. x 20 in., framed. $500/800

780

130

781

783

782

784

785

785. John McCrady (American/ Mississippi, 1911-1968), “Three Ages of Man”, 1939, oil over tempera on panel, unfinished landscape en verso, signed lower left, title label with date en verso, 11 3/4 in. x 17 in., frame hand-painted by the artist. $25000/35000 Provenance: Given by the artist to his friend, photographer Duane Mortenson (of Wolbrette and Mortenson, 253 Chartres Street, New Orleans); thence by descent. Mortenson took the photograph of McCrady used in the frontispiece of the catalogue John McCrady 1911-1968. New Orleans Museum of Art, 1975. Note: John McCrady created this recently discovered painting,

“Three Ages of Man”, in 1939, the same year he completed “Oxford on the Hill”, his last work for the Federal Art Project. During this time, McCrady received great critical claim and experienced commercial success for these important American Scene works. Like his other Mississippi panoramas of this period, “Three Ages of Man” has alluvial rippled hills and undulating clouds that conjure images of angels and spirits. In the foreground, an infant is bathed in bright light on the edge of a bluff. In the right middle ground, a couple stands with their backs to the viewer, in the shadow of a dark cloud looking into an unknown future. An elderly bearded man is seated on the ground and seemingly reflects upon the attenuated tree of life, the red drapery and the infant.

785 (in frame)

W denotes the lot is illustrated at www.nealauction.com

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786

787. An Antique American Walnut Armoire, 19th c., probably Southern, molded cornice over plain frieze, arched paneled doors enclosing shelves, shaped skirt with two drawers, bracket feet, height 82 in., width 53 in., depth 18 1/2 in.

790

$800/1200 788. An American Rococo Carved Rosewood Center Table, mid-19th c., serpentine marble top, conforming acanthus and floral frieze, C and S scroll legs, incurvate stretchers centered by an urn finial, height 30 in., width 40 1/2 in., depth 29 1/2 in.

788

$500/750 789. An American Double Comb-Back Windsor Rocking Armchair, 19th c., original “brun espanol” surface. $400/600 790. A Louis XV Carved Fruitwood Side Table, late 18th/early 19th c., rectangular molded top, shaped frieze fitted with a single long drawer, cabriole legs, hoof feet, height 27 in., length 29 3/4 in., width 19 1/4 in.

787

$400/600 789

786. A Mississippi River Valley Cypress Farm Table, late 19th c., two board plank top, square tapered legs, in old grey paint, height 30 in., width 55 1/2 in., depth 32 in. 791

$300/500 Provenance: The Barrow/Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

132

791. Emil Eugen Holzhauer (American/Georgia, 18871986), “At Spence’s”, oil on masonite, signed and titled en verso, 22 in. x 27 3/4 in., unframed. $2000/3000

792

794

793

792. Emil Eugen Holzhauer (American/Georgia, 1887-1986), “Coden, Alabama”, watercolor on paper, signed lower right, titled en verso, 22 1/4 in. x 30 1/4 in., unframed.

795

$1200/1800 793. An American Classical Cherrywood Chest of Drawers, mid-19th c., outset crossbanded drawer, over three graduated drawers flanked by turned columns, turned feet, height 45 1/2 in., width 44 1/4 in., depth 22 1/2 in. $700/1000 794. An American Carved Mahogany Bookcase, late 19th c., rectangular top over three doors flanked by columns, ball feet, casters, height 61 in., width 72 in., depth 17 1/2 in. $1000/1500

796

795. An American Late Classical Carved Mahogany Sleigh Bed, mid19th c., tubular crests, paneled headboard, conforming footboard, scroll bracketed rails, acanthus feet. $800/1200

796. Will Ousley (American/Louisiana, 1866-1953), “Still Life of Grapes, Peaches, Apples, Plums, Watermelon and Cherries”, oil on canvas, signed lower right, 24 in. x 47 1/2 in., period frame. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

133

803. An Antique NeoclassicalStyle Zinc Bathtub, 19th c., rounded, tapered body, carrying handles, molded base, height 26 1/2 in., length 65 in., width 26 in. $500/700 W 804. An

798

Antique Pressed Tin Fireback, 19th c., depicting warriors flanking the motto “Veni, Vidi, Vici”, the borders decorated with scrolls and olive leaves, height 37 in., width 37 1/2 in.

797

$300/500

797. Colette Pope Heldner (American/New Orleans, 1902-1990), “Old Creole Courtyard, (Artist’s Studio), Rue St. Peter, Vieux Carré, Old New Orleans”, 1940, oil on canvas board, signed and dated lower left, signed, titled and dated en verso, pencil inscribed and Fulton Canvas Boards label en verso, 20 in. x 16 in., period frame.

799

$2500/3500 798. Luis Graner y Arrufi (Spanish/New Orleans, 18631929), “Village”, gouache on paper, signed lower right, 8 1/2 in. x 11 3/4 in., framed. $500/700 799. Auguste Edouart 803 (French, 17891861), “Two Ladies in a Morning Room”, 1838, silhouette of figures and table, graphite and bistre wash on paper, signed and dated lower center, sight 12 in. x 14 1/2 in., antique maple frame. $1200/1800 W 800. Four Antique Silhouettes of Women,

largest labeled “Torond No. 10 Wells St. London” in typeface, 14 in. x 11 in.; second signed “Stephen Roman”, 6 1/2 in. x 5 1/4 in., all framed. $300/500

134

802

W 801. Seven French Porcelain Absinthe

W 805. An American

Saucers, c. 1910, some marked “Limoges” or “Cochard & Manquin”, each with colored rims and French Franc values, diameter 5 in.

Federal Brass Fireplace Insert, late 18th/early 19th c., iron grate at center flanked by engaged columnar supports with finials, blocked base, height 29 in., width 34 1/2 in., depth 14 in.

$200/300 802. An American Cast Iron Figural Bootscraper, 19th c., surmounted by a pointing dog, height 15 3/4 in., width 18 3/4 in., depth 11 1/2 in. $400/600

$300/500

806. A Pair of American Classical Brass Andirons, early 19th c., Charleston, SC, faceted urn finial, columnar standard, plinth base, height 20 1/2 in. $600/900 807. A Pair of American Cast Iron Armchairs, 19th c., each with shaped crest, pierced scrolled back and seat, scroll arms, conforming bracketed legs.

806

807

$800/1200 808. An American Cast Metal Garden Settee, late 19th c., labeled “John McLean Maker N.Y., Pat. April 22nd 89”, pierced crest and back, geometric pierced seat, scroll arms, splayed legs, stretchers. $800/1200 809. A Pair of Cast Iron Wall-Mounted Horse Heads, in green paint, height 30 in., width 14 1/2 in., depth 21 1/2 in.

809

808

$1000/1500 Note: Similar cast iron horse heads are found at the Churchill Downs stables. 810. An American Cast Bronze Bell, 19th c., cast iron yoke, diameter 13 in. $500/700 Provenance: The Barrow/ Brandon/Bedgood House at Greenwood Plantation, Pinckneyville, MS.

811

810

811. An American Cast Iron Architectural Element, 19th c., bears the seal of New York City and inscription “Sigillum Civitatis Novi Eboraci”, depth 2 1/4 in., diameter 18 in. $250/350

W denotes the lot is illustrated at www.nealauction.com

135

816. An American Classical Carved Mahogany Work Table, c. 1830, two drawers, pendant corners, acanthus carved stem, arched acanthus legs, paw feet, casters, height 30 1/2 in., width 21 in., depth 18 1/2 in. $700/900 W 817. A Verde

Antico Marble Pedestal, circular top on fluted columnar shaft, faceted base, height 35 3/8 in. Note: Condition. $400/600 812

819

815

816

812. An American Cast Iron Jockey Hitching Post, 19th c., marked White Oak Foundry, Peapack, NJ, red cap and shirt, white face and breeches, height 46 1/2 in., width 16 in., depth 16 in.

W 814. An American Rococo-Style

$800/1200

$700/1000

W 813. An American Cast Iron

815. An American Gilt Lacquered Brass Hanging Solar Lamp, c. 1859, attributed to Hooper & Co., Boston, retains original E.F. Jones patented kerosene burner, period chimney, shade and smoke bell, cut and etched prisms, original condition, height 24 in.

Figural Fountain, 19th c., fluted basin, centered with wreath, on acanthine feet, fitted with opposing frogs, height 28 1/4 in., width 28 1/4 in., depth 14 1/4 in. $500/700

Gilt and Patinated Bronze Five-Light Gasolier, late 19th c., ropetwist central shaft with seated putto, issuing scrolling and floral supports, cornucopia pendant, height 40 in., diameter 34 in.

$1200/1800

136

818

818. A Napoleon III Kingwood Parquetry, Marquetry and Bronze-Mounted Side Cabinet, late 19th c., top with outset corners above a floral inlaid door, shelf interior, conforming blocked base, height 42 1/4 in., width 26 3/8 in., depth 14 in. $500/750 819. A Louis XV-Style Kingwood, Marquetry and Bronze-Mounted Bombé Commode, early 20th c., serpentine marble top, three drawers, cabriole legs, floral inlay overall, height 38 1/2 in., width 47 1/2 in., depth 20 1/2 in. $500/750

821

822

W 820. A Louis

XVI-Style Kingwood, Marquetry and BronzeMounted Chiffonier, late 19th c., six drawers, chamfered corners, shaped base, cabriole legs, height 51 1/2 in., width 25 1/2 in., depth 14 3/4 in. Note: Lacking marble top. $400/600

823

821. A Louis XV-Style Rosewood, Kingwood and Marquetry Bedstead, early 20th c., arched molded crest rail, urn and acanthus scroll inlaid panel, conforming low footboard and shaped rails, height 56 in., width 58 in., length 78 1/2 in.

824

$500/750

824. A Continental Rosewood and Mother-of-Pearl Inlaid Work Table, early 19th c., lift top opening to a fitted interior, chamfered stem with dentil molded collar, stepped octagonal plinth base, height 31 1/2 in., width 20 in., depth 17 in.

822. A Napoleon III Ebonized and Gilt Bronze-Mounted Boulle Cabinet, late 19th c., serpentine rouge marble top, conforming case, door flanked by stiles with female busts, disc feet, height 42 1/2 in., width 45 in., depth 16 1/2 in.

$1200/1800

$600/800 823. A Pair of Charles X-Style Carved Walnut Fauteuils, arched back, scrolled arms, saber legs. $1000/2000

825

825. A Directoire-Style Painted and Parcel Gilt Armchair, carved crest rail above a reticulated back with rosettes, shaped arms on winged griffin supports, ending in paw feet. $800/1200

W denotes the lot is illustrated at www.nealauction.com

137

827. Continental School, 19th c., “Archangel Raphael Bringing the Fish to Tobias”, oil on canvas, unsigned, 29 in. x 21 1/2 in., antique frame. $500/700

827

828. Continental School, 19th c., “A Three-Masted Ship Under Way by Engine to a Mediterranean Port”, oil on canvas later laid down on board, unsigned, 12 in. x 19 3/4 in., period frame. $700/900 W 829. A Pair of

Louis XV-Style Gilt Bronze Two-Light Sconces, torchform standard, suspended by ribbon backplate, scrolled arms hung with garland, electrified, height 27 1/2 in., width 11 1/2 in., depth 9 in.

826

$600/900 830. A Patinated Bronze Figure of the Goddess Nemesis on a Griffin, together with a Renaissance Revival ebonized wood pedestal with griffin brackets, lobed standard, figure height 38 in., width 22 in., depth 14 in.; pedestal height 49 in., width 24 in., depth 18 in.

828

826. Continental School, 19th/early 20th c., “Venus and a Nymph with Two Putti below a Sculpture”, oil on canvas, unsigned, remnants of dealer label and Christie’s label en verso, 85 in. x 55 in., framed. $3000/5000

138

$3000/5000 830

831. A Pair of Neoclassical-Style Painted Tables, top of each with frolicking putti and scrolling leaves, frieze with drawer, flared reeded stem, tripartite base, disc feet, height 30 in., diameter 23 1/2 in. $600/900 832. A Louis XV Carved Pine Armoire, late 18th/ early 19th c., arched cornice, frieze with flowerfilled urn and beaded molding, arched raised panel doors with volute moldings, reeded center stile, shaped skirt, cabriole legs, hoof feet, height 89 in., width 57 in., depth 21 in.

835. A French Kingwood Sécrétaire à Abattant, mid-19th c., serpentine marble top, fall front with inset leather writing surface and fitted desk interior, cupboard doors below, height 55 in., width 40 in., depth 16 in. $800/1200 836. An Antique French Carved Walnut Console Table, serpentine molded top over conforming frieze fitted with a drawer, cabriole legs, height 29 3/4 in., width 28 3/8 in., depth 15 in. $500/800

831

$1000/1500 833. An Antique Louis XVI-Style Carved Giltwood Canapé, beaded crest rail, curved arms, acanthus scrolled and stop fluted uprights, shaped seat rail, tapered legs, height 34 in., width 46 in., depth 22 3/8 in.

832

835

$600/900 W 834. An

Italian Art Nouveau Cast Iron Bedstead, early 20th c., labeled “A. Richetta & Co., Torino”, shaped headboard, conforming footboard, rails with wrought brackets, height 65 1/2 in., interior length 76 5/8 in., interior width 53 in. $500/750

833

836 W denotes the lot is illustrated at www.nealauction.com

139

837

840

838. A Louis XIV-Style Carved Mahogany Dining Table, late 19th/early 20th c., rectangular banded top, molded frieze, square bellflower carved tapered legs joined by X stretcher centered by an urn finial, height 31 1/2 in., width 46 1/2 in., length 73 in.; together with two leaves. $1200/1800 839. A Set of Six Antique Louis XIV-Style Carved Mahogany Dining Chairs, late 19th/early 20th c., comprised of five side chairs and one arm chair, upholstered rectangular backs, armchair with fluted acanthus scrolled arms, square tapered and blocked legs, shaped acanthine stretchers.

838

$1000/1500 840. A Louis XVI-Style Carved Mahogany Server, shaped marble top, conforming case, lattice paneled door, incurvate sides, toupie feet, height 38 in., width 51 1/2 in., depth 19 3/4 in. $500/1000

839

837. An Antique Louis XVI-Style Carved Mahogany Console, shaped marble top, conforming frieze with pierced scrolled acanthus centered by a shell, square tapered legs joined by shaped stretchers centering a vasiform finial, height 39 in., width 90 1/4 in., depth 23 3/4 in. $1200/1800

140

841. A Napoleon III Ebonized, Gilt 841 BronzeMounted and Brass Inlaid Cabinet, late 19th c., shaped noir marble top, conforming case fitted with a frieze drawer over door, stiles mounted with caryatids, disc feet, height 42 in., width 39 in., depth 16 1/2 in. $500/750

842. A Restauration Mahogany Marble Top Washstand, c. 1840, probably New Orleans, ogee molded frieze drawer over beaded doors, bracket feet, lacks backsplash, height 31 3/8 in., width 34 5/8 in., depth 18 in.

845

$500/700 842

W 843. An

American Carved Mahogany Bench, mid-19th c., upholstered rectangular frame, shaped base, bracket feet, height 15 1/2 in., width 36 in., depth 18 1/2 in. $300/500 844. Two American Classical Rosewood Piano Stools, 19th c., each with shaped seat, one needlepoint, the other leather, heights 20 in. and 20 1/2 in.

844

847

$200/400 845. An Acadian Cypress Kitchen Table, late 19th/early 20th c., overhanging top, molded legs, stretchers, height 27 3/4 in., length 47 in., width 28 in. Note: Side aprons of later date.

848

849

$1000/1500 W 846. An American

Gothic Carved Walnut Armoire, c. 1840-50, probably Southern, stepped cornice, arched beaded paneled doors, shelf interior, plinth base, height 82 in., width 59 1/2 in., depth 22 in. $500/750

847. An English or American Mahogany Bidet in the Sheraton Taste, early 19th c., lift top, interior fitted with porcelain basin, conforming base, turned tapered legs, brass ferrules, casters, height 19 1/2 in., width 19 1/2 in., depth 13 in. $200/400

848. Alexander John Drysdale (American/New Orleans, 1870-1934), “Live Oaks along the Bayou”, oil on wash board, signed lower right, 19 1/2 in. x 29 in., original frame. $2000/3000 849. Clarence Millet, N.A. (American/New Orleans, 1897-1959), “Live Oak, Louisiana Bayou”, oil on canvas board, faintly signed lower left under frame, 12 in. x 13 1/2 in., framed. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

141

852. William Hollingsworth, Jr. (American/ Mississippi, 19101944), “Portrait of Isabel”, oil on canvas, signed right center, 30 in. x 24 in., framed. $1000/1500 Provenance: Descended in the family of Nancy Currie Robinson, a close friend of the Hollingsworth family.

852

850

Note: A prolific draftsman, William Hollingsworth was continuously sketching his family and friends. He painted numerous oil portraits of his family, such as the one of his sister Isabel offered here. Best known for his watercolors, the artist’s oil paintings have a much different feel. Painted in a straight-forward, realistic style, the portrait shows the tenderness Hollingsworth felt for his sister. 853. James Michalopoulos (American/New Orleans, b. 1951), “Que Tupee”, 1994, oil on canvas, signed lower left, signed, titled and dated en verso, 28 in. x 22 in., framed. $2500/3500 Provenance: Purchased from Touchstone Fine Art, Royal Street, New Orleans in April 1995 by private collector, Stourbridge, England.

851

850. George Louis Viavant (American/Louisiana, 1872-1925), “Nature Morte: Woodcock”, 1921, watercolor, signed and dated lower left, accompanied by original cardboard backing bearing partial Seebold Gallery, New Orleans label, 25 1/2 in. x 19 1/2 in., period frame.

853

$7000/9000 851. Alexander John Drysdale (American/ New Orleans 1870-1834), “Live Oaks, Louisiana Bayou”, oil wash on board, signed lower left, sight 19 1/4 in. x 29 in., matted and framed.

$1000/1500 Note: An oil on canvas version of “Relics” dated from 1967 is reproduced in Mildred Nungester Wolfe, University Press of Mississippi, page 94.

$1500/2500 Provenance: Sold for the benefit of the Dominican Sisters of Peace.

854

142

854. Mildred Nungester Wolfe (American/ Mississippi, 19122009), “Relics”, watercolor, pencil-signed lower right, 22 1/4 in. x 29 1/2 in., framed.

855. Charles Henry Reinike III (Louisiana/ Atlanta, b. 1947), “St. Francisville Countryside”, watercolor, signed lower right, sight 21 1/2 in. x 29 1/4 in., framed. $700/900 856. Ulric W. Fisher (Florida/ Texas, 18871970), “Bayou Moonlight”, oil on canvas, signed lower right, 18 in. x 24 in., gilt frame with brass artist plaque.

855

856

$1000/1500 857. Oscar W. “Pappy” Kitchens (American/ Mississippi, 1901-1986), “Mississippi Hiways, Down on the Farm”, oil on canvas, 1975, signed and dated lower right, titled mid and lower right, 20 in. x 24 in., framed. $700/900

857

858

859. Robert Gordy (American/ Louisiana, 1933-1986), “Tortola Stamp #3”, 1973, acrylic on canvas, initialed and dated lower left, signed, dated and titled en verso, 36 1/2 in. x 49 1/4 in., period frame. $3000/5000

858. George Bauer Dunbar (American/ Louisiana, b. 1927), “Something for the Children”, casein and gesso on canvas, unsigned, Orleans Gallery, 527 Royal Street label with artist and title en verso, 14 1/4 in. x 19 in., period frame. $800/1200

W 860. Ethelinda Robbins

(American/New Mexico, 20th/21st c.), “Las Lleguags”, 1999, oil on canvas, signed lower right, titled and dated en verso, 64 in. x 74 in., unframed. $800/1200 W 861. David DeVary (American/

New Mexico, 20th/21st c.), “Tim and Friends”, 1999, oil and gold leaf on canvas, initialed lower right, signed, titled and dated en verso, 58 in. x 48 in., unframed.

W 862. American School, 20th c., “Horseneck Beach, Massachusetts “

$1000/1500

oil on canvas, signed “C.S.” lower right, 13 in. x 19 in., framed.

859

$300/500 Provenance: From the noted collection of Steven Cabot Barnes Harvey (1949-1993).

W denotes the lot is illustrated at www.nealauction.com

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865 867

W 863. American School, 20th c., “Beach Scene,

probably Somers Point Beach”, oil on board, signed “Ruthe” lower right, 19 1/8 in. x 29 7/8 in., framed. $400/600 W 864. American School, 20th c., “Somers Point

Beach” oil on canvas board, signed “Ruthe” lower left, titled en verso, 16 in. x 20 in. $400/600 866

865. A Costa Rican Art Moderne Inlaid Mahogany Banquet Table, mid-20th c., rectangular top, later draw leaves in laminate faux zebrawood, base of clustered columns, incurvate plinth, height 29 in., extended length 130 in., width 43 1/2 in. $800/1200 Provenance: The Estate of Doris Zemurray Stone. 866. A Pair of Contemporary Exotic Woods Veneered Consoles, in the Art Decoratif Style, rectangular tops, dentilated edges, columnar supports, conforming bases, height 32 1/2 in., width 43 1/4 in., depth 14 1/2 in. $1000/1500

868

867. A Pair of Art Deco-Style Guéridons, 20th c., circular onyx tops, bronze seated greyhound supports on octagonal marble bases, height 29 in., diameter 17 in. $800/1200 868. A Pair of Small Danish NeoclassicalStyle Inlaid Mahogany Commodes, molded top above three drawers, stepped molded base, square tapered legs, height 33 in., width 28 1/2 in., depth 18 in. $1000/2000

869

869. A Biedermeier-Style Carved and Lacquered Fruitwood Settee, triple back with molded crests, scroll arms, shaped seat rail, molded splayed legs, height 36 1/2 in., width 81 5/8 in., depth 21 in. $1000/1500

144

W 870. Louisiana School,

20th c., “Pirates Alley” and “French Quarter View of St. Louis Cathedral”, c. 1960, oils on canvas, unsigned, each 24 in. x 10 in., framed alike. $300/500 871. Emil Eugen Holzhauer (American/Georgia, 18871986), “Valparaiso Boat Yard”, oil on masonite, signed, titled, and numbered “X O-331” en verso, 22 in. x 28 in., unframed.

871

$2000/3000 W 872. Charles Whitfield

Richards (American/New Orleans 1906-1992), “PreColumbian Figures”, c. 1950, oil on canvas, signed lower right, titled and dated en verso, 16 in. x 20 in., giltwood frame.

873

$400/600

W 876. David Sinclair Nixon

(American/Louisiana, 1904-1967), “Three Figures with Deer (abstract composition en verso)”, oil on masonite, unsigned, 12 in. x 10 in., unframed.

873. Noel Rockmore (American/New Orleans, 1928-1995), “Jim Robinson (1892-1976), New Orleans Trombonist”, 1969, oil on masonite, signed and dated “Mar.’69, N.O.” lower right, titled en verso, 18 in. x 12 in., framed.

$250/350 W 877. David Sinclair Nixon

874

(American/Louisiana, 1904-1967), “Crucifixion”, 1944, watercolor and gouache on paper, signed and dated on mat, 10 3/4 in. x 8 1/4 in., unframed.

$1200/1800 Provenance: Acquired from the artist by the present collector.

$200/300 878. Arnold Turtle (American/ Louisiana, 1892-1954), “Harbor”, oil on canvas laid on board, signed lower left, 16 in. x 20 in., framed.

874. Noel Rockmore (American/New Orleans, 1928-1995), “Ménage a Trois: Bruce, Markel and Joan in Bed - Loft at 9th St.”, 1965, watercolor and gouache on paper, signed, titled and dated “Nov. ‘65” lower right, 21 1/2 in. x 27 1/2 in., framed.

$1500/2500 W 879. John Hawxhurst (American/

New Orleans, b. 1931), “Bourbon Street”, oil on masonite, signed lower right, 24 in. x 19 in.; and “Independence Street, Mexico”, 1970, acrylic on canvas, signed and dated lower right and en verso, 16 in. x 21 3/4 in., framed

$500/800 Provenance: Acquired by the present owner from Dr. Robert Ryan, New Orleans.

878

W 875. Jewel Alma Woodard Simon (American/

Texas/Georgia, 1911-1996), “The Ballet Dancers” and “Scene at Rocky Mountain National Estes Park, Colorado”, 1937, two oils on canvas, both signed lower right, the latter titled and dated 1937 en verso, 20 in. x 16 in., and 16 in. x 20 in., respectively, unframed. $400/600 Provenance: From the noted Southern Art collection of Steven Cabot Barnes Harvey (1949-1993).

$1000/1500 W 880. A Newcomb College Art

Pottery Bowl, c. 1900-1910, potted and glazed by Joseph Meyer, low open form with pale blue glaze, base marked with Newcomb cypher and Meyer’s potter’s mark, height 2 1/4 in., diameter 7 1/4 in. $200/300

W denotes the lot is illustrated at www.nealauction.com

145

W 884. A Shearwater

W 887. A Shearwater Pottery Figure

Pottery Tea Set, c. 1950, comprising a teapot, creamer and sugar bowl in the blue rain glaze, quarter size impressed mark, teapot height 5 3/4 in. (3 pcs.)

of “Sancho Panza and Mule”, designed by Walter Anderson, man height 4 3/4 in., mule length 8 in. Note: Loss on inside rear of mule.

$200/300

W 888. A Shearwater Pottery Figure

Illustrated: Stewart, Dod, Shearwater Pottery, p. 297. 881

$150/250

of a Bull, mid-20th c., designed by Walter Anderson, from the Oldfields series, turquoise brown glaze, length 6 1/2 in. Note: repaired break to horn. $100/200 W 889. An American Art Pottery

Umbrella Stand, early 20th c., green glaze, molded floral decoration, height 20 1/4 in., diameter 10 1/2 in. $200/300 W 890. Five Rookwood Art

Pottery Vases, each stamped, height from 3 1/2 in. to 7 5/8 in. $500/700

883

882

881. A Newcomb College Art Pottery Matte Glaze Bowl, 1927, decorated by Anna Frances Simpson, with a relief carved design of narcissus, blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, shape no. 171, and reg. no. QP83, height 4 1/2 in., diameter 10 5/8 in.

891. A Clewell Copper-Clad Art Pottery Lemonade Set, each piece stamped, riveted decoration, comprising a pitcher, 6 cups and a bowl, pitcher height 9 3/4 in; together with a Clewell copperclad art pottery bowl and vase, each signed and numbered, bowl diameter 8 in., vase height 4 1/4 in., and a Clewell copper-clad art pottery vase, signed and numbered, height 12 7/8 in. (10 pcs.) $600/900 W 892. Three Weller Art

Pottery “Lily Pad” Table Articles, candleholders stamped, bowl diameter 8 5/8 in.

$800/1200 882. A Shearwater Pottery Figure of a Duck, c. 1935, antique green glaze, height 8 1/2 in. $300/500 2001, decorated by Chris Stebly, with a geometric design in lavender and black, marked and dated, height 8 1/4 in.

W 893. Three Pieces of Fulper Art Pottery, each marked, comprising a crystalline green glaze center bowl, waisted vase, and flower frog, vase height 11 7/8 in.

$150/250

$300/500

W 885. A Shearwater Pottery Pitcher,

883. A Shearwater Pottery Cast Figure of a Dragon, c. 1990, designed by Walter Anderson, from the “Golden Apple of Hesperides”, colorfully glazed, marked and dated, height 8 3/4 in., length 12 1/2 in.

Illustrated: Stewart, Dod, Shearwater Pottery, P. 298. W 894. A Pair of French Transfer and

$300/500 Illustrated: Stewart, Dod, Shearwater Pottery, p. 234.

146

$200/300

891

of “Jack the Giant Killer”, 1996, designed by Walter Anderson, colorfully glazed, marked and dated, height 9 in.

Hand-Decorated Chargers, c. 1860, signed “Carl Larsen”, the reserves with classical motifs, foot rim drilled and wired for hanging, diameter 11 3/4 in.

$150/250

W 886. A Shearwater Pottery Figure

W 895. A Group of Three

Canes, 19th c., including a sword cane with carved wood handle depicting gun and game bag; a Japanese red and black lacquered cane; and one with a carved tusk handle with sterling tip and collar engraved “Peter C. Cabral”. $500/750 W 896. A Patinated Metal

Bird Cage, multi-tier with domed upper section surmounted by a finial, lower section of rectangular form, the whole on square legs, height 37 in., width 18 in., depth 10 1/8 in. $200/400 W 897. A Pair of English

Patinated Metal Figures, c. 1890, depicting conquistadors holding a sword and a mace, turned wood base, height 14 in., diameter 5 1/4 in.

910

$150/250

905. A Large Semi-Antique Persian Carpet, red ground, overall floral motifs, 8 ft. 8 in. x 20 ft. 5 in.

W 898. A Harmonica

Gadget Cane, c. 1900, the handle with a working chromeplated brass harmonica.

$1000/1500 W 906. A Persian Carpet, teal and ivory

$400/600 W 899. A Group of Antique

Sewing Implements, late 19th c., including a thread holder, a sewing kit, a silver button hook, and an ivory notepad, (4 pcs.)

ground, overall stylized floral motifs, 9 ft. 9 in. x 13 ft. 9 in.

905

$800/1200

W 902. A Group of Ellis Barker

$150/250

Silverplate, including a tea tray, a rectangular sandwich tray, a circular sandwich tray, a tea caddy and a beaker, tray length 28 in.

W 900. An Antique American

$200/300

Silverplate and Glass Vase, E.G. Webster & Son, Brooklyn, NY, founded 1865, the crystal trumpet vase in a floral and scroll silverplate stand, height 17 3/4 in.

W 903. A Large Group of Sterling

$100/200 W 901. An Antique Gorham

Silverplate Water Pitcher, 18631865, Gorham trademark below “550” and with the lion facing right, Neo-Grec baluster form having flat surface chased bands, Greek key border at the neck and a beaded foot, hollowcast handle, height 9 7/8 in. $150/250

Silver Infant and Youth Flatware, 4 long handled spoons, 3 enameled spoons, 1 food pusher, 3 baby forks, 2 baby knives, 3-piece youth set, 2 youth forks, 2 youth spoons, pair of Continental napkin rings and one silverplate pap spoons, weight 14.40 troy ozs. (23 pcs.)

W 907. A Group of Four Small Persian

Carpets, 3 ft. 11 in. x 6 ft. 10 in.; 3 ft. 3 in. x 4 ft. 6 in.; 3 ft. 9 in. x 5 ft. 11 in.; 2 ft. 7 in. x 4 ft. 7 in. $500/700 W 908. Two Persian Runners, both with

repeating medallions, 4 ft. 2 in. x 11 ft. and 3 ft. 6 in. x 9 ft. 11 in. $600/900 W 909. A Persian Carpet, rust and green

ground, central medallion with stylized floral motifs, 7 ft. 11 in. x 10 ft. 5 in.

$400/600

$700/1000

W 904. An English Silverplate

910. A Persian Kashan Carpet, rose ground with navy accented central medallion, cream corner spandrels with overall winding floral motif, 4 ft. 7 in. x 7 ft. 2 in.

Revolving Tureen, oval dish fitted with two liners, one pierced, the revolving domed cover with repoussé band of flowers and foliage surrounding a vacant reserve on top, height 9 1/4 in., width 15 in., depth 9 in.

$1200/1800

$150/250 W denotes the lot is illustrated at www.nealauction.com

147

912. Carl Thorp (American, b. c. 1915), “Gloucester Harbor”, 1971, oil on canvas, signed and dated, 20 in. x 24 in., framed. $500/700 913. Emil Ganzo (German/ American, 1895-1941), “After the Bath”, oil on canvas board, signed lower right, 13 1/2 in. x 11 in., period frame. $800/1200 914. Johannes Norretranders (Danish, 1871-1957), “Lady Reading”, 1932, oil on canvas, signed and dated lower right and signed en verso, 20 in. x 27 1/2 in., framed.

911 913

$500/700 915. Alfred Pronier (French, 19th c.), an oil on canvas three panel table screen, each arched panel with illusionistic views of aborial avenues, height 32 1/4 in., width 41 in. $300/500

915

912

916. An Aesthetic Carved and Ebonized Étagère, late 19th c., molded top, pierced frieze, arched brackets and skirt on turned legs joined by stretcher shelf, tapered legs ending in balls, height 34 1/2 in., width 16 1/2 in., depth 11 in. $300/500 W 917. An English Bamboo

and Lacquered Occasional Table, early 20th c., floral lacquered top, bamboo molding, bracketed legs connected by a low shelf, height 30 in., diameter 23 in.

914

$300/500 911. American Northwest School, late 19th c., “Cabin by the Lake, possibly in the Cascades”, oil on canvas, unsigned, Walter S. Bower Art Store, St. Paul, MN label en verso, stretcher frame patented by Aaron D. Shatluck of Granby, CT in 1885, 11 1/4 in. x 13 in., period frame. $800/1200

148

916

918. A Victorian Burled Walnut Loo Table, mid19th c., oval top inlaid with arabesques and stringing, four turned baluster supports, center finial, scrolled outswept legs, scrolled toes, casters, height 28 in., width 53 in., depth 42 in. $1000/2000 918

920

919

919. A Small Hepplewhite Mahogany Sideboard, shaped top above a long drawer and arched deep drawer flanked by two small drawers and doors, square tapered legs ending in Marlborough feet, height 36 in., width 16 1/2 in., depth 21 1/4 in. $1500/2500 920. A French Renaissance Revival Mahogany and Ebonized Armoire, mid-19th c., broken crest, blocked cornice, conforming case, two paneled doors; fitted interior; plinth fitted with a drawer, disc feet. $1000/1500

922

W 921. A Georgian-Style Carved Mahogany Bench, early 20th c.,

rectangular slip seat, shaped skirt, acanthus carved cabriole legs, height 17 1/2 in., width 19 1/2 in., depth 15 in. $500/800 922. A Pair of Neoclassical-Style Doré Bronze Gueridons, black granite tops with bronze molded edges, molded legs ending in paw feet connected by X-form supports, height 24 3/4 in., diameter 16 in. $1500/2500 W 923. Latin American School, 19th c., “Aqueduct in Chile”, oil on wood

panel, inscribed “Gros” lower right, 8 1/2 in. x 14 in., framed. $600/800 W denotes the lot is illustrated at www.nealauction.com

149

W 930. A Dresden Gilt and

Polychrome Porcelain Partial Dessert Service, 19th c., stamped, comprising 12 plates and 6 chocolate cups and saucers, floral reserves and banding, plate diameter 9 5/8 in. (24 pcs.) $600/800 W 931. A Group of Three Porcelain

Circular Boxes, 19th c., each lid with various scenes, height from 1 1/2 in. to 2 in. $200/400 W 932. A Set of Six Capodimonte

934

936

Gold-Ground Porcelain Cups and Saucers, with classical motifs, marked, decorated in relief, cup height 2 1/4 in., saucer diameter 4 3/8 in. $600/900 W 933. A Group of Wedgwood

Tableware, 20th c., including two small covered dishes, two vases, a small calyx urn and a small jardinière, heights ranging from 2 in. to 5 1/2 in., (6 pcs.) $150/250 934. A Pair of American Gilt Bronze and Crystal Four-Light Girandoles, 19th c., vasiform standard, foliate arms, hung with pendants, scrolled base with toupie feet, height 19 in., diameter 11 in. $400/600 W 935. An Antique American Gilt

937

938

Plaster Figural Bracket, late 19th c., figural support, modeled as an artist holding a palette, height 10 in., width 14 in., depth 9 in. $150/250

W 924. Luis G. Alberran (Mexican,

W 927. Spanish School, 19th c.,

1893-1967), “A Signorita on a Prancing Pony”, oil on panel, signed lower right, 24 in. x 21 in., framed.

“Confidences to the Notary”, oil on board, unsigned, sight 6 in. x 7 3/4 in., framed. $300/500

$400/600 W 928. Continental School, late 19th/ W 925. A Greek Orthodox Icon of

“Nikolaos of Myra (St. Nicholas)”, late 19th/early 20th c., inscribed in Greek, tempera on wood panel, 16 1/4 in. x 9 1/2 in. $300/500 W 926. Spanish School, early 20th c.,

“Gypsy Dancers Beside a Farmhouse”, oil on canvas, unsigned, 29 1/2 in. x 38 3/4 in., unframed. $400/600

early 20th c., “Bottle Number Three”, watercolor, initialed “JC” lower left, sight 8 3/4 in. x 6 in., framed. $300/500 W 929. A Pair of Paris Porcelain Gilt

and Polychrome Vases, 19th c., baluster form, figural reserve of classical scene with putto, set in a molded wood base, height 19 1/4 in., now mounted as lamps. $500/700

936. A Plaster Relief of a Young Woman with an Elaborate Coiffure, signed by “H. [?] Pirilli, 1870” in worn script on truncation, unglazed, 10 1/2 in x 8 1/4 in., in an oval ebonized frame. $700/900 937. French School, 20th c., “A Terracotta Bust of a Young Woman”, signed and inscribed “Paris” on shoulder truncation, mounted on a fine scagliola socle, overall height 19 in. $500/800 938. A Pair of Decorative Wrought Iron and Tôle Mirrors, early 20th c., foliate and floral surrounds, rope-molded mirror frames, beveled glass. $700/1000

150

W 939. A Small

Antique Walnut Vitrine, glazed case over drawer, square legs, stretcher shelf, height 34 in., width 14 1/2 in., depth 14 1/2 in. $300/500 W 940. A Pair of

Contemporary Carved and Upholstered Chaises, each with scrolled back, baluster support with floral terms, Southwest-style upholstery, height 32 in., length 76 1/2 in., width 32 in.

942

$700/1000 941. An Antique George III-Style Carved Mahogany Secretary Bookcase, dentilated cornice over astragal glazed doors, shelf interior, slant front opening to fitted interior, four graduated drawers below, bracket feet, height 86 in., width 43 1/2 in., depth 24 1/2 in.

944. A Louis XVI-Style BronzeMounted Mahogany Commode, marble top above three bead molded drawers and two long drawers, fluted stiles, tapered fluted legs, height 34 in., width 50 1/2 in., depth 20 1/2 in.

$1000/1500

$1200/1800

942. A George III Carved Mahogany Games Table, late 18th c., foldover top above a shaped frieze, tapering round legs, pad feet, height 29 in., width 32 1/2 in., depth 16 in.

W 945. A Paris Porcelain Gilt and

941

943

Polychrome Vase, mid-19th c., floral modeling, height 8 1/4 in., width 12 1/2 in., depth 5 1/4. $300/500

$700/1000 W 946. A French Gilt and

943. A George III Inlaid Mahogany Linen Press, 1790 and later, stepped cornice over paneled doors enclosing linen drawers; associated base, with three graduated drawers, bracket feet, height 74 3/4 in., width 51 1/8 in., depth 21 7/8 in.

Polychromed Porcelain Vase, mid-19th c., base marked with impressed “JD”, deep reticulated rim, body with a floral bouquet, small scroll handles terminating in groups of applied delicately molded flowers, height 10 3/4 in. $200/400

$800/1200 Provenance: John Doughty Antiques, San Francisco, CA.

944 W denotes the lot is illustrated at www.nealauction.com

151

950

W 953. A Louis

XVI-Style Crème Peinte Trumeau Mirror, 20th c., dentil molded cornice, the panel with relief carved urn and floral garland, rectangular mirror plate, height 71 in., width 29 in.

949

$600/900

957

W 948. A Pair of Sèvres-Style

Cachepots with Bronze Mounts, Rose Pompadour ground, reserve decorated with cherubs, lion’s head handles, height 11 in., diameter 10 in. $500/750

W 954. An

American Carved Mahogany Chest, mid-19th c., Philadelphia or Baltimore, two drawer superstructure, frieze drawer and two deep drawers flanked by engaged columns, foliate melon feet, casters, height 42 in., width 37 in., depth 20 1/2 in. $400/600

955

949. A Pair of Empire-Style Patinated Bronze Seven-Light Candelabra, scrolled arms, columnar standard, pedestal with masques, paw feet, plinth base, height 28 5/8 in., diameter 10 1/2 in. $1000/2000 950. A Group of Four Russian Malachite Boxes, three rectangular and one hexagonal, the largest height 3 1/4 in. $800/1200 W 951. A Mexican Silverplate Punch

Bowl, 20th c., grapeleaf repoussé, stepped foot, fitted with a removable bottle holder, height 10 in., diameter 16 in.

955. An Antique American Carved Walnut Side Table, late 19th c., molded top, turned and blocked supports, tapered stem, outswept legs with bosses, height 29 in., width 32 in., depth 19 1/2 in. $500/750 956. A George III Inlaid Mahogany Pembroke Table, c. 1790, oval drop-leaf top, frieze drawers, square tapered legs, height 28 3/4 in., width 41 1/2 in., depth 25 in. $1000/1500

$300/500 956

W 947. A Sèvres-Style Bronze-Mounted

Porcelain Box, 20th c., reserves decorated with cherubs and musical instruments, height 8 in., width 14 1/2 in., depth 10 in. $500/750

152

W 952. An Art Moderne Iron Mirror,

with silhouette of deer, height 30 1/2 in., width 48 in. $300/500

957. An Edwardian Inlaid Satinwood Settee, with arched crest, winged arms, square tapered legs, spade feet, height 35 in., width 44 in., depth 27 in. $700/900

962

W 965. James

Fletcher Watson R.I., R.B.A. (British, 19132004), “Dijon, France”, watercolor on paper, signed lower right, 1986 exhibition label en verso, sight 5 1/2 in. x 7 1/2 in., matted and framed. $300/500 W 966. Frank Brissot

958

958. A George III Mahogany Inlaid Secretary Bookcase, c. 1790, flared cornice over glazed doors enclosing shelves; lower case with escritoire drawer opening to well-fitted desk, over paneled doors, bracket feet, height 87 1/2 in., width 42 in., depth 21 in.

963

$2000/3000 W 959. An English Inlaid Oak and Mahogany

Games Table, 19th c., foldover top, square tapered legs, height 29 in., width 36 in., depth 18 in. $300/500 W 960. A Louis XV-Style Carved Mahogany

Commode, marble top, case with two short over two long drawers, height 29 in., width 44 in., depth 22 in. $700/1000

962. An Italian Renaissance-Style Oak Credenza, molded dentilated top above two drawers over doors, shaped base, bracket feet, height 41 in., width 64 in., depth 17 1/4 in. $1000/1500 963. A French Provincial Carved Fruitwood Side Table, 19th c., guilloche carved frieze drawer, incurvate stretcher shelf, stop fluted tapered legs, height 29 in., width 25 1/4 in., depth 19 1/2 in. $700/1000

de Warville (English, 1818-1892), “Shepherd, Collie, and Flock”, watercolor on paper, signed and inscribed “Paris” lower left, sight 8 3/4 in. x 13 1/4 in., matted and framed. $200/300 W 967. A Pair of

French Porcelain Baluster Vases, late 19th c., flared flower and leaf handles, painted with nymphs scattering flowers, height 16 1/2 in. Note: Losses and restorations. $300/500

W 961. A Louis XV-Style Inlaid Mahogany Side

Table, shaped top, cabriole legs, height 21 in., width 24 in., depth 18 in., together with an inlaid side chair, turned legs (2 pcs). $300/500

W 964. English School, 19th c., “Waiting for

their Lady; Horse, Groom and Dogs”, oil on canvas, unsigned, 14 in. x 22 in., framed. $400/600

W denotes the lot is illustrated at www.nealauction.com

153

972

975

W 968. An

Austrian White Porcelain Figure of “Madonna in a Ray Wreath”, designed 1933 by Ida SchwetzLehmann (18831971) for the Augarten Manufactory, fully marked including impressed initials “ISL”, height 7 3/4 in; together with a vintage Danish hand-painted porcelain vase, possibly Royal Copenhagen, tapering cylindrical form with herons at upper edge and lilies below on a blue ground, height 10 1/4 in. $300/500 W 969. A Sèvres-

Style Bronze973 Mounted Porcelain Center Bowl, reticulated rim, scroll handles, cobalt ground, reserved with scenes of Napoleonic battles, height 15 in., width 21 in., depth 16 1/2 in. $500/750 W 970. A Large Antique French Porcelain Figure

of a Maiden, c. 1880, Levy & Cie, marked, height 30 in., width 11 in., depth 9 in. Note: Loss of fingers and chip to base. $400/600

975. An American Aesthetic Carved Mahogany Recamier, late 19th c., Philadelphia, after a design by E.W. Godwin, padded crest rail, galleried support, bolster end with stylized sunflower terminal, blocked and reeded seat rail, “Roman” feet, height 27 1/4 in., length 72 in., depth 28 in. $500/750 W 976. An American

977

W 971. An Antique Bamboo Easel, with

spindled decoration, splayed tripodal base, brass fittings, height 72 in., width 20 in; together with a bamboo magazine rack, height 18 1/2 in., width 17 in., depth 12 in.

$200/400

972. A Pair of American Late Classical Brass Andirons, mid-19th c., faceted ball standards, conforming log stops, scrolled legs, button feet, iron billet bars, height 19 in.

977. A George IIIStyle Upholstered Wing Chair, of generous proportions, arched back, winged scroll arms, loose cushion, tapered legs, H stretcher.

$300/500

$400/600

$150/250

973. A Renaissance-Style Wrought Iron Torchère, tiered top, scrolled standard, arched legs, height 79 in., diameter 25 in. $700/1000 W 974. An Antique English Bamboo and

Needlepoint Firescreen, late 19th c., reticulated design, inset needlepoint with coat-ofarms, outswept legs, height 45 1/2 in., width 30 in. $200/400

154

Renaissance Carved and Burled Walnut Demilune Games Table, fold-over top, paneled frieze, turned legs, casters, height 30 3/4 in., open width 36 in., depth 18 in.

978. An English Carved Oak “Dickens” Pedestal Desk, mid-19th c., superstructure with balustrade flanked by bays of four drawers, slant top, tooled leather writing surface, egg and dart molding, kneehole configuration of drawers, height 48 in., width 60 1/2 in., depth 31 3/4 in.

982

978

$800/1200 979. An American Aesthetic Carved Walnut Bookcase, late 19th c., molded top over paired glazed doors flanked by engaged columns, plinth base fitted with drawers; old black finish, height 64 1/2 in., width 53 in., depth 19 in. $700/1000 W 980. A

Scottish Carved Mahogany Chest of Drawers, 19th c., canted cornice above a torusmolded frieze drawer, two short over four graduated drawers, foliate carved brackets, blocked plinth on turned feet, height 68 3/4 in., width 52 3/8 in., depth 24 in. $500/1000 W 981. An English Carved

Mahogany Adjustable Highchair, late 19th century, spindled back, shaped tray, molded ratcheted legs, turned stretchers, on wheels. $250/350

986 979

W 985. A French Renaissance-Style Carved

982. An Antique French Bentwood Perambulator, late 19th c., Brebets W. Raumann & Co., labeled La Reve, fabric covered frame with fringed canopy, collapsible frame, wire wheels. $700/900

Walnut Bookcase, labeled Beacon Hill Collection, stepped cornice, glazed doors flanked by barley twist columns; lower case with two drawers over paneled doors with trophées, bun feet, height 95 in., width 65 1/2 in., depth 23 1/2 in. $800/1200

Youth Bed, late 18th c., triangular crest, paneled headboard, fluted uprights, tapered fluted feet.

986. A Contemporary Exotic Woods Veneered Chiffonnier, in the Art Decoratif style, central bank of drawers surrounded by shelves, height 67 in., width 47 in., depth 14 in.

$150/250

$700/1000

W 984. A Pair of Antique Louis XV-Style

W 987. A Pair of Contemporary Exotic

W 983. A Louis XVI Carved Fruitwood

Carved Walnut Fauteuils, late 19th c., arched crest, padded arms, serpentine seat rail, cabriole legs. $500/700

Woods Veneered Nightstands, stepped tops with drawer, medial shelf, plinth base, height 30 in., width 21 in., depth 13 in. $600/900

W denotes the lot is illustrated at www.nealauction.com

155

991. A Pair of Moroccan or North African Inlaid Carved Hardwood Side Chairs, crest with star and crescent, pierced backs, slatted seats, “X” frame supports, scrolled feet, each with bone inlay.

W 996. A Paris Porcelain Figural Flare

$400/600

W 997. An English Stoneware

992. A Miniature RégenceStyle Bronze-Mounted Walnut Commode, serpentine top above three drawers, shaped base, flared feet, height 10 1/2 in., width 9 1/2 in., depth 8 1/4 in.

$400/600

Vase, mid-19th c., a gentleman with dog, beside a concave painted reserve, with gilt highlights, height 12 in., width 9 in., depth 7 in. $300/500

Washstand Suite, late 19th/early 20th c., stamped J. & E. Mayer, consisting of a large pitcher and basin, small pitcher, vase and lidded chamber pot, all with gilt accents, large pitcher height 11 3/4 in. (5 pcs.)

$500/800 991

992

W 988. An Italian Neoclassical-Style

Gilt and Ebonized Console, three part verde marble top, frieze with rosettes centered by reserve panel, tapered legs, height 37 1/2 in., width 91 in., depth 21 in. $500/700

993

993. A Pair of Empire-Style Burled Wood and Patinated Metal-Mounted Consoles, each marble top above a frieze drawer, caryatid supports, mirrored back, plinth base, height 34 in., width 40 1/2 in., depth 16 1/4 in. $1200/1800

W 989. A Louis XV-Style Gris and

Crème Peinte Armoire, paneled doors opening to shelf interior, drawers below, cabriole legs, height 76 in., width 48 in., depth 21 in. $500/750

W 994. An English Miniature

Mahogany Chest-on-Chest, c. 1880, molded top, reeded drawers with bail pulls, later bracket feet, height 18 3/4 in., width 14 1/2 in., depth 8 1/2 in.

$300/500

Glass Dresser Boxes, consisting of one of oval form (height 1 1/2 in., length 4 1/4 in., width 2 3/4 in.); one oblong form with Continental .800 silver lid (height 1 3/4 in., length 8 1/2 in., width 2 3/4 in.); and one circular form, signed Heisey, with a sterling silver repoussé lid (height 2 11/16 in., diameter 2 5/8 in.) $100/200 W 999. An Antique Continental

$150/250

Meerschaum and Silver Mounted Pipe, 19th c., lidded cap, bowl carved with soldiers holding swords and rifles, horn mouthpiece, length 12 in.

W 995. An Antique French Porcelain

$100/150

W 990. An Empire-Style Mahogany

and Ebonized Writing Desk, inset leather top, two frieze drawers, curule supports, height 30 in., width 44 in., depth 26 in.

W 998. A Group of Three Antique Cut

Flare Vase, mid-19th c., Pompadour pink ground, polychrome floral reserve, applied bisque maiden, height 17 1/2 in., width 12 in., depth 7 in. $300/500

W 1000. An English Mahogany Lap

Desk, c. 1820, the lid inlaid with ivory plaque, ivory escutcheons, fitted interior retaining one glass inkwell, height 4 in., length 12 in., width 8 5/6 in. $150/250

156

W 1001. A Group of Antique

and Vintage Silver and Silverplate Carving Utensils, including a silverplate roast stand, Wilcox Silverplate, Meriden, CT., pat. 1891; a silverplate bone holder, c. 1900; an ivorine and silverplate carving set, possibly German, c. 1930; a Continental .800 silver skewer, German, 19th c.; a sterling silver Stilton scoop, Watson Co., Attleboro, MA, c. 1879; a silverplate arrow skewer, c. 1930; and a Continental .800 silver aspic knife, c. 1870, (8 pcs.) $200/400 W 1002. A Group of Sterling

Silver Handled Carving Pieces, including a pair of steak carvers, assorted steak carving knives, a fork, a sharpener, a luncheon knife, and a bottle stopper “GRANDE RESERVE”, (7 pcs.) $150/250 W 1003. A Set of American

Sterling Silver Shaving Accessories, Meriden Britannia Co., Meriden, CT, 1895-1898 (absorbed into International Silver Co., mark used until 1930), c. 1910, in original fitted leather case, length 4 in., weight 6.40 troy ozs. $100/150 1004. An American Gilt Lacquered Brass and Bronze Solar Lamp, c. 1850, Starr, Fellows & Co., New York, identified as item No. 130 in the 1856 catalogue, tapered fluted standard, period etched shade, chimney and crystal prisms, overall height 24 1/2 in.

1004

1006. An English Pine “Fiddlefront” Dresser, composed of antique elements; upper section with covemolded cornice, fretwork frieze, three shelves, heart reticulated stiles, base with three drawers and shaped open storage compartments, height 101 in., width 75 in., depth 18 1/4 in.

1006

$800/1200 1007. A French Carved Pine Armoire, 19th c., molded cornice, pair of paneled doors flanked by engaged fluted columns, drawer below, blocked octagonal feet, height 88 1/4 in., width 53 in., depth 23 in. $700/1000

$800/1200 Reference: Gowitt, Gerald 19th Century Elegant Lighting, 2002, pp. 102 & 113.

W 1005. A Pair of Cut Crystal

Decanters, each body and stopper with diamond and faceted design, height 10 in., with hallmarked English sterling silver, bottle tags engraved “Rye” and “Scotch”, height 9 3/4 in., width 4 in. $150/250

W 1008. Two Napoleon III

Marquetry and Ebonized Side Tables, one a dressing table with lift top above two shelves, cabriole legs; the other with galleried top, frieze drawer, two shelves, cabriole legs, largest height 31 1/2 in., width 17 in., depth 12 1/2 in. $400/600 W 1009. A Neoclassical-Style

Mahogany Inlaid Commode, rectangular top over two drawers, tapered legs, height 35 1/2 in., width 44 in., depth 19 1/2 in. $500/700

1007

W denotes the lot is illustrated at www.nealauction.com

157

1010

1011

W 1012. A Rococo-Style

Parcel Gilt and Mahogany Mirror, crest with a pierced rocaille shell cartouche, foliate scroll ears, scalloped framework, pendant leaves to the sides, acanthus carved base, height 73 in., width 33 in. $300/500 W 1013. An American

Rococo Revival Giltwood Mirror, late 19th c., shaped surround, scrolled acanthus crest, height 33 1/2 in., width 39 in.

1015

$200/400 1014 1014. A Britannia Metal Cast of a Groom Holding a Rearing Horse, after the “Horses of Marly” in the Place de la Concorde, Paris, unsigned, height 15 1/2 in., length 12 1/2 in.

1010. A Carved Oak Buffet, 19th c., pedimented backsplash with dragons, lions rampant, and a coat of arms, gadrooned top, three drawers above recessed cupboard with arched niche, sides with knights flanking cupboard doors, blocked foliatecarved base, height 54 in., width 78 in., depth 26 in.

$300/500 1015. A Patinated Bronze Sculpture of a Hunting Party with Hounds, 20th c., a surmoulage bronze after an original model by Nikolai Ivanovich Lieberich (Russian, 1828-1883), bearing inscriptions “Fabr./C.F. Woerffel/ St. Petersburg,” “1884,” and “Sculp. Lieberich,” and numbered “17/100” on self base, height 10 3/8 in., width 15 3/4 in., depth 11 1/2 in.

$800/1200 1011. A Japanese Highly Carved Hardwood Writing Desk, Meiji Period (1868-1912), “Arthur & Bond/Yokohama” retailer’s stamp, shaped back with shelves and compartments on each side, incurvate beaded and incised writing surface above two drawers, on phoenix carved cabriole legs, height 47 in., width 52 in., depth 24 in. $700/1000

158

$1200/1800 1016. A Contemporary Black Marble Sculpture, depicting a woman disrobing, height 46 in., width 11 in., depth 11 in. $2000/3000 1016

W 1017. A French Bronze

of “A Whippet”, after Christophe Fratin (French, 1810-1864), cast signature at front edge of base, height 11 1/2 in. $300/500 W 1018. An Italian Marble

of “Niobe and Her Daughter”, late 19th/early 20th c., after the Antique, a reduction of the multi-figural life sized group now in the Uffizi, Florence, height 14 3/4 in. $400/600 Reference: Haskell and Penny, Taste and the Antique, New Haven, 1988, pp. 274-279.

1020

W 1019. A Pair of Iron and

Wood Benches, slatted seats, curule bases, marked “Titan”, height 15 in., width 49 1/2 in., depth 17 1/2 in.

1022

$300/500 1020. An Antique American Walnut “Campeche” Chair, 19th c., probably Southern, arched canted back, padded arms, “X” form legs, turned stretchers. $300/500 1021. An American Southern Cherrywood Work Table, 19th c., square top over two drawers (one fitted), turned legs, ball feet, height 30 in., width 20 in., depth 19 1/2 in. Note: Original brass locks and escutcheons.

1021

$300/500 1022. An Aubusson Carpet, black ground with cream and salmon central medallion, 10 ft. x 14 ft.

1024

$2500/3500

1024. A Pair of Antique Louis XV-Style Gilt Bronze Candelabra, scrolled acanthus standard issuing four arms centered by a single stem ending in a candle cup fitted with a flame finial, pierced base with floral garlands, height 25 1/4 in., diameter 15 1/2 in.

1023. A Pair Louis XIV-Style Doré Bronze Sconces, c. 1900, openwork scrolled back plate with acanthine crest, issuing four arms, foliate pendant, electrified, height 28 in., width 17 in., depth 8 1/2 in.

$800/1200 W 1025. Three French Art Deco Brass

$800/1200

Chandeliers, one six-light with floral swags and crystal buttons, height 27 in., diameter 16 in.; and two conforming single-light fixtures, height 17 in., diameter 10 1/2 in. $700/1000 1023 (1 of a pair)

W denotes the lot is illustrated at www.nealauction.com

159

W 1031. William

F. Matthews (American/ Missouri, 18781966), “The Homestead”, oil on canvas affixed to board, signed lower right, with handwritten inscription “W.B. Backof” en verso, 11 7/8 in. x 15 5/8 in., giltwood frame. $200/400

1026

1028

1032. Oleg Stavrowsky (American, b. 1927), “High Riders”, oil on canvas, signed upper right, signed and titled en verso, 30 in. x 20 in., framed. $2000/3000 W 1033. David

Stirling (American, 1887-1971), “Estes Park”, 1939, oil on board, signed lower right, signed, titled and dated en verso, 24 in. x 30 in., original frame.

1034

$400/600

1026. A Belle Époque-Style Gilt Bronze and Porcelain-Mounted Sixteen Light Chandelier, of corbeille form, scrolled supports, mounted with swags and acanthus, with applied porcelain flowers, floriform shades, height 31 in., diameter 33 in.

1032

$1200/1800 W 1027. A Handel-Style Lamp, 20th c., reverse painted

shade with American lighthouse scene, bronze lamp base, marked “Handel”, height 20 1/2 in., diameter 15 1/2 in. $300/500 1028. David Atchison Woodward (American/ Maryland, 1823-1909), “Portrait of Woman”, 1843, oil on canvas, signed and dated lower left, 30 in. x 25 in., original frame. $500/750

W 1029. American School, early 20th c.,

“Gentleman with a Hat”, oil on canvas laid down on beveled panel, unsigned, 20 in. x 16 in., framed. $500/700 W 1030. Edmund William Greacen

(American, 1877-1949), “The Homestead (with preparatory graphite sketch en verso)”, oil on canvas board, signed lower left, 16 in. x 20 in., in a giltwood frame. $500/700

160

1034. Robert Edmund (Lie) Lee (American, 1899-1980), “Sailing Ship, Lightning”, 1962 and “Ocean with Whitecaps”, 1950, two oils, one on artist board, the other on canvas, each signed lower left, 18 in. x 24 in. and 21 1/2 in. x 24 in. respectively, each framed. $700/900

1035. Alexander John Drysdale (American/ New Orleans, 18701934), “Live Oak at Rosy Dawn”, oil wash on board, signed lower right, sight 10 in. x 19 1/2 in., framed. $1500/2500 W 1036. Hildegard

Hume Hamilton (Florida/Virginia, 1898-1970), “Nassau Street”, 1962, oil on canvas, signed and dated lower left, 15 1/4 in. x 18 in., framed.

1035

$300/500 1037. Lloyd Kelly (American/ New Orleans, b. 1946), “Red Wheelbarrow”, 1988, oil on canvas affixed to board, signed and dated lower right, signed en verso, 8 in. x 10 in., framed.

1040

$1000/1500 W 1044. Joseph Woods “Pops”

Whitesell (American/New Orleans 1876-1958), “Swans in City Park”, unsigned, silver gelatin print, 11 in. x 14 in., antique walnut frame with stenciled liner.

W 1038. Robert Paul Hose

(American, 20th c.), “Victory Parade”, 1946, watercolor on board, pencil-inscribed “ASA Hearthrue” lower right, pencil-signed, titled, and dated, and bearing a partial label en verso, 14 7/8 in. x 10 in., framed.

1037

$300/500

$400/600

W 1045. A 19th Century Hand-

Painted Tintype of Two Sisters, 9 in. x 7 in., stenciled period frame.

W 1039. Horace Talmadge Day (South

Carolina/Virginia, 1909-1984), “Still Life of Chrysanthemums”, oil on canvas, signed lower right, 30 in. x 24 in., period frame.

$400/600

New Orleans, 1836-1914 (active New Orleans, 1880-1914), two enhanced photographs on paper laid down on canvas, “Portrait of an Older Gentleman”, signed lower left, 24 in. x 28 1/8 in.; and “Portrait of a Young Man”, unsigned, 20 1/8 in. x 15 7/8 in., each in elaborate period giltwood frames; together with American School/New Orleans, 19th c., two silver gelatin photographs on paper “Nurses on the Steps of Gallier Hall”, and “Base Hospital Unit No. 24 at their Hospital in France”, both unsigned, 20 1/4 in. x 28 1/4 in., and 13 1/8 in. x 20 5/8 in., period frames, (4 pcs.)

W 1046. August Nolte (German/

1040. Earnest Williams (American/ Alabama, 20th/21st c.), “Market Farm Face”, 2009, oil on board, signed and dated lower right, titled and dated en verso, 38 3/4 in. x 17 1/2 in., framed. $300/500 1042 W 1041. Earnest Williams (American/

Alabama, 20th/21st c.), “Watching Television” and “Filling Station”, 2012, acrylics on board, signed and dated en verso, 13 1/2 in. x 19 1/2 in., framed as a diptych. $300/500 1042. Jack Cooley (American/New Orleans, 1923-2008), “Papa John Joseph”, c. 1964, oil on masonite, signed lower left, 30 in. x 24 in., original frame.

W 1043. Ronald Wolhauer (American,

b. 1947), “Waterlilies”, 1977, and “Winding Road, California”, 1973, two silver gelatin prints, each signed and dated lower right, 10 in. x 13 in.; together with Michael Rubin (American, 20th c.), “Lily” silver gelatin print, signed lower left, 10 in. x 13 in., all framed alike (3 pcs.)

$400/600

$300/500

$700/900 W denotes the lot is illustrated at www.nealauction.com

161

1051. An American Late Classical Mahogany Dressing Table, c. 1840, rectangular mirror on tapered supports, two drawers above a bolection molded long drawer, tapered columns, incurvate shelf, turned feet, height 67 in., width 33 in., depth 18 in. $500/800 W 1052. An English Carved

Mahogany Shaving Mirror, 19th c., arched mirror, turned uprights, molded base. $100/200 W 1053. An Antique William

IV-Style Mahogany Drop-Leaf Table, c. 1890, molded top, bulbous turned stem, arched legs ending in paw feet, height 29 in., open width 46 1/2 in., depth 44 3/4 in.

1050

$400/600 W 1047. A Large Majolica Vase

W 1054. An American

in the Classical Taste, colorful body with putti engaged in a Bacchanal, with laurel garlands and grotesque-form handles, vase height 16 1/4 in., now mounted as a lamp. $125/175

Renaissance Carved Walnut Server, mid-19th c., arched, scrolled backsplash centered by a bust of a woman, leaf and vine scrolls, shaped marble top above a pair of arched paneled doors flanked by doors, conforming molded base, blocked feet, casters, height 66 in., width 72 in., depth 21 in.

1051

W 1048. A Continental Brass

and Patinated Metal EightLight Chandelier, palm frond decoration, ball pendant, height 31 in., diameter 33 in.

$300/500

1055. An American Rococo Carved Walnut Youth Bed, mid-19th c., arched half tester centered by scrolled shell crest on turned posts; molded paneled headboard, footboard and conforming rails, height 84 1/2 in., length 54 in., width 38 1/2 in.

W 1049. An American Late

Classical Mahogany Footstool, c. 1840, original needlework and horsehair upholstered seat decorated with a calico cat resting on a cushion, ogee molded seat frame, turned feet, original condition throughout, height 6 1/2 in., width 14 1/2 in., depth 12 1/2 in. $200/300 1050. An American Neo-Grec Ebonized and Gilt-Metal Work Table, c. 1865, top inset with a porcelain roundel, interior fitted tray concealing a deep well, legs topped by female bust mounts, height 31 in., width 14 in., depth 14 in.

$700/1000

$500/750

1055

162

W 1056. Emilie Marie de

Hoa LeBlanc (American/ New Orleans, 1870-1941), “European Landscapes and Views of Venice”, eight oils on canvas, some signed, 4 stretched, sizes from 12 1/2 in. x 17 1/4 in. to 20 in. x 24 in., all unframed. $1000/1500 Provenance: Discovered in a collection of paintings and drawings by Newcomb artists, New Orleans. 1057. American School, mid 19th c., “Mother and Children Reading in a Garden”, 1864, oil on canvas laid on board, monogrammed “A.R.” and dated lower left, 30 in. x 25 in., period gilt frame.

1057

1059

$400/600 W 1065. A Pair of

W 1058. American School,

Crystal Hurricane Shades, with molded foot, etched tulip and leaf decoration, height 15 in.; together with a pair of French bell metal candlesticks, height 10 1/4 in.

19th c, “Miniature Version of Guido Reni’s Aurora”, gouache, unsigned, art supply house label en verso, sight 6 1/8 in. x 15 1/8 in., original giltwood frame. $250/350

$400/600 1059. Continental School, early 20th c., “Thomas Francis, Prince of Carignano”, after Sir Anthony Van Dyck, oil on canvas, pencil inscription along upper stretcher, 32 in. x 26 1/2 in., framed.

W 1066. An Antique

1069

$500/700 W 1060. Henry Ernest Schnakenberg

(American, 1892-1970), five drawings of Central Park, c. 1934-36, three graphite and two charcoal on paper, all signed, various sizes, largest sheet 16 7/8 in. x 14 in., unframed; together with two photographs of Schnakenberg oils of Central Park and an exhibition catalogue of Schnakenberg’s show of Central Park paintings at Kraushaar Galleries in New York, 1943. $400/600 Provenance: Estate of James R. Lamantia, Jr., New Orleans and New York.

Cut and Etched Glass Claret Jug, 19th c., with applied, twisted handle, height 11 1/8 in. $75/150

Lady and Gentleman, c. 1870, in 18th century dress, carrying flower baskets, heights 13 1/2 in. and 14 in.

W 1067. An Art Nouveau Green Glass and Silver Overlay Vase, floral and foliate decoration, height 8 in.

$150/250

$125/200

W 1063. A Pair of Decorative

W 1068. An Antique Continental

Polychrome and Gilt Covered Urns, 20th c., reserved with courting couples, height 23 in., width 19 1/2 in., depth 15 in.

$200/400

W 1062. A Pair of Parian Figures of a

$300/500 W 1064. An Aubusson-Style Carpet,

W 1061. M. Kalenski (Russian, 20th

c.) “Sharing Apples”, oil on canvas, signed lower left, 19 in. x 23 in., framed. $300/500

Carved Hardwood Corinthian Capital, 19th c., weathered surface.

diaper ground in green, central floral medallion, 11 ft. 8 in. x 12 ft.8 in.

1069. An Antique Cast Iron “Fern” Pattern Garden Bench, 19th c., with later black paint. $1500/2500

$600/900 W 1070. An Antique Cast Iron

Planter, egg and dart rim, molded body with band centered by cherub masque. $500/750 W denotes the lot is illustrated at www.nealauction.com

163

1074. A Carrara Marble Figure of David, after Michelangelo, height 24 1/2 in. $700/1000 W 1075. An American Carved and

Gilt-Painted Mirror, mid-19th c., beaded oval frame surmounted by a foliate cartouche, conforming bracketed base, height 47 in., width 59 1/2 in. $500/800 W 1076. An American Rococo Carved

and Giltwood Mirror, mid-19th c., arched frame with outset crest, height 45 in., width 25 in. $400/600 1077. An American Late Classical Carved and Gilded Looking Glass, 19th c., Caleb P. Wayne (Philadelphia, active 1823-1843), partial label en verso, split baluster surround with rosette blocks, height 24 1/2 in., width 18 1/2 in.

1071

1071. Marguerite Lacamus Mason Smith (American/New Orleans, active late 19th/early 20th c.), “Standing Nude”, 1922, oil on canvas, signed and dated lower left, signed en verso, W.E. Seebold label on stretcher, 19 in. x 13 in., framed.

$400/600 W 1078. A Three Piece American

Eastlake Walnut and Burled Parlor Suite, c. 1870, comprised of a sofa, armchair and side chair, pedimented crests, shaped incised arms, turned legs, casters, sofa height 43 in., width 67 in., depth 22 in.

1072

$600/800 1072. A Fine Pair of Monumental Patinated Bronze Figural Terms, each goddess in helmet with dragon finial, armor breastplate, fluted stiles with bellflowers and acanthus adornment, massive paw feet, rectangular plinths, height 107 in., width 20 in., depth 15 in.

$500/800 W 1079. A Decorative

“Longhorn” Armchair, black and white cowhide upholstery, padded crest and back, ample seat, legs with stretchers, height 45 in. $300/500 W 1080. A Large

$1500/2500

1074

1077

W 1073. A Patinated Bronze Figure of an Eagle on a Tall Rock, inscribed

“Barye” on left side of base, mounted on a molded black marble plinth, height 20 1/2 in., length 12 1/2 in., width 9 in. $300/500

164

American Late Classical Mahogany Sewing Bench, mid19th c., period needlepoint top, lifting to a lined interior, tapering sides, molded plinth, casters, height 17 in., width 22 in., depth 21 1/2 in. $300/500

W 1081. A Putnam Oak

Telephone Ladder, early 20th c., angled steps with hand rail, steel trade mounts, labeled “Manufactured by the Putnam Rolling Ladder Co.”, base of ladder with large casters, height 11 ft., width 7 in. $200/400 W 1082. A Late Victorian

Walnut Icebox, c. 1890, mirrored back with rosette crest, top with ice storage, the doors opening to zinc lined shelves, shaped base, blocked feet, casters, height 64 in., width 38 in., depth 21 in.

1085

$250/500 W 1083. Sydney Kittinger

1087

(American/New Orleans, 1921-1997), “Dancing on Bourbon Street, French Quarter”, 1954, watercolor and graphite on paper, signed and dated lower center, sight 10 3/4 in. x 13 3/4in., framed.

W 1090. Jean Nevitt Flanigen

(American/Georgia, 1898-1994), four paintings; “Female Nudes”, pair of oils on canvas, each 18 in. x 16 in., framed; “Young Girl” and “Young Boy”, two oils on masonite, 24 in. x 20 in., and 20 in. x 16 in., respectively, unframed; all signed en verso (4 pcs.)

$400/600 W 1084. Charles Franklin

Tuttle (American, 18411893, active New Orleans 1869-93), “At Gigi’s Academy, Rome”, 1973, “Woman with a Black Lace Collar”, “Purple Boutonniere” and “In Profile”, four watercolors, all signed, ranging from 17 3/8 in. x 11 1/2 in. to 11 in. x 7 3/8 in. respectively, unframed. $500/700 1085. Ellsworth Woodward (American/New Orleans, 1861-1939), “The Jungfrau Summit, Bernese Alps, Switzerland”, watercolor on paper, monogrammed lower left, titled and with “Art Association of New Orleans” label with artist’s signature en verso, 8 1/2 in. x 10 in., period frame.

$400/600 Provenance: From the noted Southern Art collection of Steven Cabot Barnes Harvey (1949-1993).

1091

1087. Clarence F. Underwood (American, 1871-1929), “Love Me, Love My Horse”, 1907, mixed media, signed and dated lower left, Knoke Galleries, Marietta, GA label en verso, sight 27 in. x 19 in., framed.

1091. Attributed to Anthony Thieme (American, 1888-1954), “Sailboats in a Tranquil Harbor”, oil on canvas, unsigned, stamp on canvas en verso reading “Anthony Thieme, Boston, Mass”, 25 in. x 30 in., in a period giltwood frame. $1200/1800

$800/1200 W 1092. Samuel Bell Waugh, A.N.A.

“Louisiana State University Campus View”, 1939, pen and ink on paper, sight 20 in. x 15 1/8 in., matted and framed.

(American, 1814-1885), “Posthumous Portrait of a Lady”, 1859, oil on canvas, signed and dated lower right, 24 in. x 19 3/4 in., giltwood frame.

$300/500

$200/400

W 1089. Will Ousley (American/

W 1093. Continental School, 19th c.,

W 1088. Louisiana School, 20th c.,

$1000/1500

Giltwood Overmantel Mirror, 19th c., baluster-turned frame, divided mirror plate, rosette blocked corners, height 27 in., width 62 in.

Louisiana, 1866-1953), “West Fork of the Calcasieu River, Louisiana”, oil on canvas, signed lower right, inscribed and titled lower center and en verso, 18 1/8 in. x 34 1/4 in., original frame.

“The Dutch Herd”, 1933, mixed media on paper laid down on canvas, illegibly initialed and dated lower right, with a S.T. Blessing, New Orleans label en verso, 24 in. x 42 in., giltwood frame.

$400/600

$150/250

W 1086. An American Classical

W denotes the lot is illustrated at www.nealauction.com

165

W 1103. A Large Group of Cut to Clear

W 1094. Continental School, early 20th c.,

Glassware, etched with flora and fauna, stylized floral motifs, comprising 17 crimson cordial glasses, varying in height from 3 1/8 in. at smallest to 5 1/4 in. at largest, 11 yellow cordial glasses, largest measuring 5 3/8 in., 1 tall decanter with stopper measuring 15 5/8 in.

“Woodland Landscapes”, pair of oils on canvas, unsigned, 24 1/2 in. x 29 3/4 in., framed. Note: Condition. $200/400

$200/300

W 1095. Two Carved Wood Doric Columns,

slightly tapered, in white paint, height 103 in. $200/400

W 1104. An American Late Victorian

Carved Oak Hall Mirror, early 20th c., shaped oxbow frame, pierced crest, four brass hooks, beveled mirror, height 34 in., width 40 1/2 in.

W 1096. A Set of Three Antique Rococo-

Style Carved Giltwood Valances, c-scroll and acanthus decoration, height 12 1/2 in., length of pair 48 in., the other 46 in., depth 7 in.

$300/500

$400/600

1105. An Antique American Eight Day Banjo Clock, 19th c., painted dial faintly marked “Boston”, gilt rope-carved borders, inset with mirror and watercolor of Chambord Chateau, height 40 in., width 10 in., depth 4 in.

W 1097. A Pair of Louis XVI-Style Doré

Bronze Sconces, urn form finial, bracket with central ram’s head masque, three candle arms with acanthus, height 19 in., width 14 in., depth 10 1/4 in.

$600/900

$700/1000

W 1106. An English Brass and Nickel-

Plated Ship’s Clock, c. 1930, with sweeping second hand, base with screws for wall mounting, diameter 8 in.

W 1098. A Group of Bohemian Ruby

Overlay Cut Glass, c. 1870, consisting of a pair of vases and an oblong dish with circular and leaf design, vases height 7 5/6 in., dish length 9 in.; together with a sterling silver overlay ruby glass decanter, early 20th c., vintage pattern reserved with initial “K”, marked by Fishel, Nessler & Co., New York, replacement stopper, height 8 3/4 in. Note: Crack on base.

1105

$300/500 1107. A Paris Porcelain Gilt and Polychrome Mantel Clock, late 19th c., in the style of Jacob Petit, the figure singing from song book, scrolled base with floral reserve, with later wood base, height 13 1/2 in., width 9 in., depth 5 in.

$150/250

$300/500

W 1099. An American Brilliant

W 1108. An Antique American

Cut Glass Chalice, c. 1890, tapered bowl with fan and “chair bottom” motifs, on a faceted stem above a circular foot, height 11 1/2 in., diameter 5 in.

Mahogany Victrola, c. 1904, serial #187672, height 49 in., width 24 in., depth 24 in.; together with many records, contents, etc; original condition.

$100/150

$400/600

W 1100. A Set of Ten Waterford

Cut Crystal Wine Goblets, marked, height 7 in.

1107

W 1109. A Group of Antique

$100/200

American Swords, including 3 Model 1860 Field Officer’s swords, two with scabbards, and one militia/society sword by Pettibone Bros., Ohio, (4 pcs.)

W 1101. A Pair of Continental Gilt-Decorated Amethyst

$500/700

Cut Glass Covered Potpourri Jars, mid-19th c., reserved with courting couples, height 9 1/4 in. $100/200 W 1102. A Steuben Crystal Owl Figurine, signed, height 5

1/2 in. $100/200

W 1110. [Mardi Gras], Prophets of Persia King’s ball tableau

costume, 1938, with the theme of “Old Heidelberg, 1860”, complete costume comprised of the helmet, velvet full length cape, jacket, trousers, belt, pair of knee high black boots, and braided metal accoutrements, designed by Van Horn & Son Theatrical Company, Philadelphia, labels inscribed “Made for Dr. C.S. Holbrook”, together with a newspaper clipping showing the costume, a tableau programme, and a 1939 dance card. $500/700

166

W 1111. [Mardi Gras], three Rex ball favors including an undated

W 1115. An Antique American Cast Iron Molasses Kettle,

compact with Rex Fifth Avenue puff, 1911 inkwell and 1908 cardholder.

knop handles, height 16 in., diameter 26 1/2 in. $300/500

$150/250 W 1116. Spanish Colonial School, 19th c., three retablos: W 1112. [Mardi Gras], three Rex ball favors including 1913 pierced

basket, 1918 card holder and 1909 taper holder. $150/250 W 1113. [Mardi Gras], three ball favors including Rex 1906 crown

shaped pin cushion, 1908 Rex card holder and 1939 Krewe of Proteus compact. $150/250

“Mater Dolorosa”, oil on copper, sight 13 3/4 in. x 9 3/4 in., in a carved and gilt-painted wood frame; “Madonna and Child”, oil on tin, sight 13 3/4 in. x 19 1/2 in., in a carved and gessoed wood frame; “The Virgin of Guadalupe”, oil on canvas, inscribed “non fecit taliter omni nation [He hath not done this for any nation]”, 9 1/4 in. x 7 1/4 in., unframed. $300/500 W 1117. Spanish Colonial School, 19th c., three retablos: “St.

W 1114. [Mardi Gras], four Rex ball favors including 1912 hand

mirror, 1910 letter opener, 1911 inkwell and 1914 silverplate loving cup. $150/250

Francis”, oil on tin, sight 13 1/4 in. x 9 1/2 in., in a cove-molded carved wood frame; “Madonna and Child”, oil on tin, sight 6 1/2 in. x 4 1/2 in., in a carved wood frame; “St. Joseph and the Christ Child”, oil on paper affixed to board, sight 8 3/4 in. x 6 1/2 in., in a period carved and pierced wood frame; together with a partial retablo of “Madonna and Child”, oil on board, 7 3/4 in. x 5 1/4 in., unframed. $300/500

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167

CI�CA  August –,  The French Quarter

� presentation of

The Historic New Orleans Collection 1- 1 Ê UÊ , - , Ê

/ , ÊUÊ*1 - ,

A B OV E : Detail, armoire attributed to the workshop of François Seignouret, New Orleans, 1800–1825; The Historic New Orleans Collection (2009.0027), gift of John Geiser III in memory of Marjorie Peirce Geiser and John Geiser Jr.

168

T H E H IS TOR IC N E W OR L E A NS C OL L E C T ION PR E SE N T S T H E 2 012 N E W OR L E A NS A N T IQU E S F ORU M

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1812: An Overture Tom Savage, 7Â&#x2C6;Â&#x2DC;Ă&#x152;iĂ&#x20AC;Ă&#x152;Â&#x2026;Ă&#x2022;Ă&#x20AC;Ă&#x160; Ă&#x2022;Ă&#x192;iĂ&#x2022;Â&#x201C;]Ă&#x160; >Ă&#x20AC;`iÂ&#x2DC;Ă&#x160;>Â&#x2DC;`Ă&#x160; Â&#x2C6;LĂ&#x20AC;>Ă&#x20AC;Ă&#x17E; Circa 1812: A Most Interesting Time in the Coastal South John H. Lawrence, The Historic New Orleans Collection Burned and Rebuilt: The White House in the War of 1812 William Seale, Author, Historian â&#x20AC;&#x153;The Hunters of Kentuckyâ&#x20AC;?: Origins, Influences, and Objects of Americaâ&#x20AC;&#x2122;s Frontier Riflemen R. Scott Stephenson, /Â&#x2026;iĂ&#x160; Â&#x201C;iĂ&#x20AC;Â&#x2C6;V>Â&#x2DC;Ă&#x160; ,iĂ&#x203A;Â&#x153;Â?Ă&#x2022;Ă&#x152;Â&#x2C6;Â&#x153;Â&#x2DC;Ă&#x160; iÂ&#x2DC;Ă&#x152;iĂ&#x20AC;

Peace Then Plenty: Duncan Phyfe and the Rise of the New York School of Cabinetmaking, 1812â&#x20AC;&#x201C;1825 Peter Kenny, The Metropolitan Ă&#x2022;Ă&#x192;iĂ&#x2022;Â&#x201C;Ă&#x160;Â&#x153;vĂ&#x160; Ă&#x20AC;Ă&#x152; Andrew Jackson, Consumer Marsha Mullin, /Â&#x2026;iĂ&#x160; iĂ&#x20AC;Â&#x201C;Â&#x2C6;Ă&#x152;>}i\Ă&#x160; Â&#x153;Â&#x201C;iĂ&#x160;Â&#x153;vĂ&#x160;*Ă&#x20AC;iĂ&#x192;Â&#x2C6;`iÂ&#x2DC;Ă&#x152;Ă&#x160; Â&#x2DC;`Ă&#x20AC;iĂ&#x153;Ă&#x160; >VÂ&#x17D;Ă&#x192;Â&#x153;Â&#x2DC; The Federalization of Vernacular Design Eugene D. Cizek, /Ă&#x2022;Â?>Â&#x2DC;iĂ&#x160;1Â&#x2DC;Â&#x2C6;Ă&#x203A;iĂ&#x20AC;Ă&#x192;Â&#x2C6;Ă&#x152;Ă&#x17E;Ă&#x160; School of Architecture Alexander Wilson and the Beginnings of American Ornithology Christopher W. Lane, /Â&#x2026;iĂ&#x160;*Â&#x2026;Â&#x2C6;Â?>`iÂ?ÂŤÂ&#x2026;Â&#x2C6;>Ă&#x160;*Ă&#x20AC;Â&#x2C6;Â&#x2DC;Ă&#x152;Ă&#x160;-Â&#x2026;Â&#x153;ÂŤ

The Importance of Commerce and Trade in Southern Clock Making, 1760â&#x20AC;&#x201C;1825 Robert Cheney]Ă&#x160;-Â&#x17D;Â&#x2C6;Â&#x2DC;Â&#x2DC;iĂ&#x20AC;Ă&#x160; Â&#x2DC;VÂ° New Treasures at The Historic New Orleans Collection Priscilla Lawrence, The Historic New Orleans Collection â&#x20AC;&#x153;Only Superficialâ&#x20AC;??: The Importance of Wall and Floor Coverings during the Early National Period Lynne Dakin Hastings, Ă&#x2022;Ă&#x192;iĂ&#x2022;Â&#x201C;Ă&#x160; Consultant Collecting For a Federal Period Southern House Morgan Delaney, Collector

The 2012 New Orleans Antiques Forum is made possible with the generous support of:

Important Bidding Information All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by Friday, June 29 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500. Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

170

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

Domenico Mazzoni (attr), 54

George Anderson Short, 710

Luis G. Alberran, 924

Harry Frier (attr), 7

John McCrady, 785

Jewel Alma W. Simon, 875

Friam Miam, 937

Marion Souchon, 351

James Michalopoulos, 853 Léon Mignon (aft), 372

Spanish School, 233, 926, 927, 1116, 1117

Clarence Millet, 849

Cornelis Springer, 55

Joan Miró, 28

Oleg Stavrowsky, 1032

Misbach, 44

Will Henry Stevens, 518

Goerge Moreland (aft), 654

David Stirling, 1033

Salvador Murillo, 456

American School, 80, 81, 229, 784, 862-864, 911, 1029, 1057, 1058 V. Anguiano, 353 John James Audubon, 87

G Emil Ganzo, 913 Manuel Garcia y Rodriguez, 426, 489 Gunther Gerzso, 249 Sallie Girdaya, 783

Cyrus Leroy Baldridge, 548

David King Gleason, 656

F. Ballesteros, 454

Robert Gordy, 859

Felix-Joseph Barrias, 207

Edmund W. Greacen, 1030

Sofia Bassi, 354

Luis Graner y Arrufi, 798

J.H. Tatham, 5

George Wesley Bellows, 282

Simon Gunning, 352

Frederick C. Nairn, 655

Anthony Thieme (attr), 1091

David Sinclair Nixon, 876, 877

Carl Thorp, 912

August Nolte, 1046

Carl F. W. Trautschold, 51

Johannes Norretranders, 914

Arnold Turtle, 878

Jules Frederic Bouchet, 193 Leon Esperance Broquet, 23 William Henry Buck, 284

H Hildegard Hamilton, 1036 William Hamilton, 97

Charles F. Tuttle, 1084

James Harrold, 732

Jose de Cala y Moya, 209

Maggie Hartnett, 675

Johnnaes A.S. Oertel, 285

Leonora Carrington, 248

John Hawxhurst, 879

Eugenio Oliva y Rodrigo, 427

Antonio Casanova y Estorach, 208

Colette Pope Heldner, 797

Will Ousley, 796, 1089

Clarence Underwood, 1087

Henry Casselli, 780

Knute Heldner, 350, 666

Continental School, 20, 45, 236, 373, 425, 731, 826, 827, 828, 928, 1059, 1093, 1094

Morris Henry Hobbs, 520

Boris Pastoukhoff, 46

Carle Van Loo, 52

Francesco Piranesi, 94, 95, 102

Augostino Veneziano, 29

Giovanni Battista Piranesi, 96, 101

George Louis Viavant, 850

Gérard Jozef Portielje, 93

Ruby Viavant, 669

Peter Poskas, 250

Jose Villegas y Cordero, 430

Francisco Pradilla y Ortiz, 429

Jack Cooley, 1042 Auguste Cornu, 56 Peter Curling, 222 Currier and Ives, 657, 658, 659

D Salvador Dali, 32 Horace Day, 1039 Eugene Daymude, 674

William R. Hollingsworth, 88, 852 Charles Holroyd, 490 Robert Paul Hose, 1038 Emil Hozhauer, 791, 792, 871 Marie Hull, 348 Clementine Hunter, 672, 673

Alfred Pronier, 915

Puebla School, 203

Italian School, 22, 43, 53, 107, 108, 192, 374, 712

Augustus W. N. Pugin, 2

Carroll Tyson, 504

William Aiken Walker, 83, 84 Roger Mark Walton, 230 Frank Brissot Warville, 966

James F. Watson, 965

Fernand Le Quesne, 713

Samuel Bell Waugh, 1092

David DeVary, 861

Roberto Domingo y Fallola, 206

M. Kalenski, 1061

Alexander John Drysdale, 85, 86, 667, 668, 848, 851, 1035

Lloyd Kelly, 1037

Oscar “Pappy” Kitchens, 857

George Ramey, 671

Joseph Woods “Pops” Whitesell, 1044

George Bauer Dunbar, 858

Sydney Kittinger, 1083

Jose Garcia Ramos, 428

Earnest Williams, 1040, 1041

Dutch School, 21

Wilhelm Kray, 711

Charles Reinike III, 855

Milfred Nungester Wolfe, 854

Walt Kuhn, 517

Stefano Ricci (aft), 57

Ronald Wolhauer, 1043

Auguste Edouart, 799

Charles Whitfield Richards, 872

David Atchison Woodward, 1028

English School, 6, 229, 964

Ethelinda Robbins, 860

Sir Edwin Henry Landseer (attr), 211

Ellsworth Woodward, 1085

William Etty (attr), 3

David Roberts, 403

Latin American School, 923

William Woodward, 283

Charles Van den Eycken II, 406

Noel Rockmore, 781, 782, 873, 874

Emilie Marie de Hoa LeBlanc, 1056

George Hand Wright, 670

George Rodrigue, 349

Leon-Charles Libonis, 205

Jamie Wyeth, 231

Ettore Romano, 202

Robert Edmund Lie, 1034

Hennriette Ronner, 404, 405

Nikolai-Ivanovich Lieberich, 1015

Alexander Runciman, 1

Zhang Yixiong, 244

Frank Marsdon London, 519

William C. Rymer, 232

Anders Leonard Zorn, 27

John Faulkner, 82 Ulric W. Fisher, 856 James Montgomery Flagg, 516 Jean Nevitt Flanigen Flemish School, 109

Louisiana School, 870, 1088 Eugenio Lucas y Padilla, 455, 488

Horace Devitt Welsh, 660- 663 James Abbott McNeill Whistler, 26

✹

Pierre Edouard Frère, 210

June 30 & July 1, 2012 ✹ artist index ✹ artist index ✹ artist index

Edward Linley Sambourne, 212

Giovanni Giuseppe Fontana, 114

Lucio Fontana, 223

Fannie F. MacPherson, 4

Mariano Jose Maria Bernardo Fortuny, 274

Rolph Scarlett, 17, 18, 19

Marguerite Lacamus Mason Smith, 1071

Henry Ernest Schnakenberg, 1060

French School, 234

William Matthews, 1031

Alessandro Sanquirico, 204

Gaston Sébire, 221

171

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504.899.5329 • Fax: 504.897.3808 • www.nealauction.com

Auction Date: June 30 & July 1, 2012

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

1. Items must have a minimum low estimate of $500. 2. Condition Reports will not be given verbally. 3. The Condition Reports Department is available to take requests two weeks prior to every auction. 4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at www.nealauction.com. Detail photos provided upon discretion. 5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by Wednesday, 6/27/12. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

First Name: ______________________________________________ Last Name: __________________________________ Company: _____________________________ Address: ________________________________________________________ City: ___________________________________________ Prov/State__________________ Postal Code __________________ Home Ph.: (____)___________________ Work Ph.: (____)______________________ Fax:(____)_____________________ Email: ______________________________________________________

LOT #

DESCRIPTION

SPECIAL REQUESTS

SELECT:

All reports will be sent via Fax or email

❒ Fax

❒ Email

Fax this form to 504-897-3808 on or before Wednesday, 6/27/12. 172

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504.899.5329 • Fax: 504.897.3808 • www.nealauction.com

Confidential Absentee / Telephone Bid Form

12/06M

Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more. Absentee bids are gladly accepted for all items below $500. 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Friday prior to the auction. 3. In the event identical bids are submitted, the earliest bid received will take precedence. 4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids. 5. Auction addendum available prior to the auction on the website or via facsimile. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. 7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ City: _____________________________________________ Prov/State _______________________ Postal Code ________________ Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________ Dealer Resale# ________________________________State __________Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______ Credit Card V-code:________

☎

MUST PROVIDE: Cash Payment Check Method: Wire

Credit Card

IF SUCCESSFUL, please bill my card. Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

Lot#

Description

Bid Amount $ or Telephone No.

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required

Date

For Internal Use Only: Approved_ _____________Registered____________ Entered_ ____________ Clerks Initial________________ Account #_ _________________ Confirmed_______________________

Fax Form on or before Friday, 6/29/12 to 504-617-6431 or 504-617-9990 173

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504.899.5329 • Fax: 504.897.3808 • www.nealauction.com page 2 12/06M

Name: ________________________________________________________________________

Lot#

Description

Bid Amount $ or Telephone

✍ Signature Required For Internal Use Only: Approved________________________ Registered________________Entered_ ______________________ Clerks Initial_____________________ Account #______________ Confirmed_______________________

174

Date

Fax Form on or before Friday, 6/29/12 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. 2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 3. Documentation of tax exemption must be provided upon registration. 4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 23% of the hammer price. See www.liveauctioneers.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale. 175

Auction Results for April 2012 0001-$1434 0002-$1553 0003-$2318 0005-$671 0006-$922 0007-$209 0008-$1135 0010-$1792 0011-$1434 0012-$676 0013-$717 0014-$922 0015-$3346 0016-$717 0017-$1586 0018-$597 0019-$776 0020-$1673 0021-$776 0024-$488 0025-$488 0026-$478 0027-$478 0028-$2390 0029-$1015 0030-$3286 0031-$956 0034-$3226 0035-$3107 0036-$896 0037-$1845 0038-$717 0039-$717 0040-$676 0041-$3690 0046-$1135 0047-$369 0048-$274 0049-$776 0050-$1792 0051-$657 0052-$1314 0053-$1722 0054-$799 0055-$657 0057-$1075 0058-$5185 0059-$2806 0060-$305 0061-$366 0062-$369 0064-$1434 0065-$1353 0067-$122 0068-$597 0069-$369 0071-$1075 0072-$418 0073-$2987 0074-$1353 0075-$184 0076-$717 0077-$657 0079-$854

176

0080-$1135 0164-$2031 0252-$537 0333-$65725 0415-$2440 0493-$2091 0573-$184 0677-$3107 0081-$1314 0165-$478 0253-$3382 0334-$21510 0416-$1434 0494-$2091 0575-$179 0678-$861 0082-$3346 0167-$1912 0254-$2270 0335-$19120 0417-$328 0495-$1476 0576-$307 0679-$123 0084-$1792 0173-$4182 0255-$1015 0336-$11950 0418-$3107 0496-$1553 0577-$799 0680-$1476 0085-$2031 0175-$1968 0256-$369 0338-$4780 0419-$836 0497-$1476 0578-$305 0681-$1353 0086-$1912 0176-$369 0257-$657 0339A-$1434 0420-$3585 0498-$2987 0579-$179 0682-$3226 0087-$717 0177-$776 0259-$1195 0340-$4481 0421-$1230 0499-$2390 0580-$184 0683-$298 0088-$1195 0178-$597 0260-$4302 0341-$3286 0422-$9858 0500-$1845 0581-$184 0684-$3416 0089-$4481 0180-$799 0262-$1098 0342-$4182 0424-$3585 0501-$4780 0582-$1314 0685-$2829 0090-$597 0181-$7170 0263-$717 0343-$657 0425-$4481 0502-$3585 0583-$239 0687-$2337 0091-$1968 0183-$366 0264-$836 0344-$1912 0426-$4270 0503-$3050 0584-$246 0689-$537 0093-$1075 0184-$274 0269-$2270 0345-$1195 0427-$2868 0505-$3198 0585-$369 0690-$537 0094-$1553 0185-$244 0270-$1075 0346-$2031 0428-$2151 0506-$976 0587-$358 0691-$328 0095-$2509 0186-$239 0271-$2031 0347-$836 0432-$430 0507-$34655 0588-$10455 0692-$179 0097-$305 0188-$119 0274-$4780 0348-$537 0433-$179 0508-$369 0589-$492 0693-$537 0098-$246 0189-$239 0279-$1673 0350-$2987 0434-$369 0509-$1434 0591-$738 0694-$6150 0099-$3226 0190-$358 0280-$2031 0351-$2987 0435-$307 0510-$1952 0593-$478 0695-$1195 0101-$1952 0191-$184 0281-$676 0353-$20315 0436-$478 0511-$10755 0594-$14640 0697-$1195 0102-$1075 0192-$183 0282-$1599 0354-$4182 0438-$597 0512-$2440 0595-$179 0698-$276 0103-$717 0193-$119 0283-$984 0355-$1434 0439-$5078 0513-$1553 0596-$209 0699-$122 0104-$956 0194-$239 0286-$2460 0356-$27060 0440-$984 0515-$3883 0597-$1353 0701-$956 0106-$976 0195-$213 0287-$1314 0357-$4182 0441-$1168 0516-$19680 0598-$179 0702-$184 0107-$358 0196-$478 0288-$1792 0358-$5078 0442-$3107 0517-$6572 0599-$793 0704-$239 0108-$239 0197-$307 0289-$836 0359-$3883 0443-$956 0518-$2440 0600-$1195 0706-$369 0109-$418 0198-$184 0290-$2031 0361-$861 0444-$4780 0519-$2196 0601-$1553 0711-$799 0110-$239 0199-$152 0291-$1912 0362-$4302 0449-$2509 0520-$1314 0602-$4481 0716-$153 0112-$4182 0200-$149 0292-$5185 0363-$4182 0451-$2460 0521-$2151 0603-$2270 0717-$86 0113-$1553 0202-$418 0293-$1195 0365-$836 0452-$5377 0522-$1195 0604-$8610 0718-$179 0114-$717 0203-$209 0294-$836 0366-$1599 0454-$1830 0523-$4780 0606-$369 0719-$239 0115-$418 0204-$369 0295-$1673 0367-$6765 0455-$793 0524-$6572 0607-$1792 0722-$184 0116-$956 0205-$123 0296-$1342 0368-$5377 0457-$4182 0525-$7468 0608-$298 0724-$305 0117-$1792 0206-$7468 0297-$8066 0369-$1673 0458-$1673 0527-$3690 0609-$184 0733-$184 0118-$4182 0207-$776 0298-$5975 0370-$3883 0459-$1553 0528-$597 0611-$976 0737-$239 0119-$2390 0209-$122 0300-$6710 0372-$5535 0460-$537 0529-$956 0612-$244 0738-$537 0121-$1434 0210-$369 0301-$3690 0373-$5975 0461-$1464 0531-$956 0616-$184 0740-$184 0123-$3883 0211-$657 0302-$2688 0374-$5019 0462-$1434 0532-$1792 0617-$738 0742-$183 0126-$1673 0212-$488 0303-$1968 0376-$597 0463-$1599 0533-$14937 0621-$2074 0743-$179 0128-$2151 0213-$358 0304-$12547 0377-$861 0464-$1254 0536-$5078 0624-$69310 0745-$184 0129-$836 0214-$537 0305-$4182 0378-$478 0465-$1314 0537-$15990 0625-$478 0746-$553 0130-$1586 0215-$1015 0306-$1195 0379-$2031 0466-$239 0539-$717 0628-$298 0747-$358 0131-$1314 0216-$418 0307-$2390 0380-$2987 0467-$358 0540-$861 0629-$122 0748-$1195 0132-$537 0217-$298 0308-$2748 0382-$2868 0468-$4920 0541-$976 0630-$358 0751-$246 0134-$268 0218-$1553 0309-$7468 0384-$4182 0469-$2688 0542-$854 0631-$8365 0752-$430 0135-$836 0223-$28680 0310-$657 0386-$4920 0470-$8962 0543-$1075 0632-$1353 0753-$1195 0137-$1968 0224-$2440 0311-$1374 0387-$418 0471-$4899 0544-$2509 0635-$1220 0757-$366 0138-$2390 0225-$2440 0312-$4481 0388-$984 0473-$43020 0545-$5975 0636-$1015 0763-$2562 0139-$4780 0227-$1912 0313-$6572 0389-$418 0474-$2091 0547-$246 0638-$7320 0764-$732 0142-$6150 0228-$3107 0314-$4920 0390-$369 0475-$7767 0548-$183 0639-$478 0776-$8610 0143-$26290 0229-$2509 0315-$6572 0392-$492 0476-$5975 0550-$427 0640-$492 0778-$732 0144-$2390 0231-$3585 0316-$5377 0393-$1342 0477-$7170 0551-$184 0641-$537 0782-$298 0146-$1353 0235-$1195 0317-$14937 0395-$246 0478-$5185 0552-$239 0646-$246 0783-$418 0147-$1045 0236-$213 0319-$41825 0397-$488 0479-$1830 0554-$184 0647-$615 0787-$244 0148-$2031 0237-$2460 0320-$13145 0399-$1314 0480-$1314 0555-$537 0649-$732 0789-$358 0149-$1107 0238-$537 0322-$2031 0400-$492 0481-$8365 0556-$298 0652-$153 0791-$369 0151-$430 0239-$358 0323-$4182 0402-$732 0482-$4182 0558-$239 0658-$123 0792-$298 0152-$239 0240-$239 0324-$488 0403-$2390 0483-$239 0559-$488 0660-$39435 0796-$179 0154-$179 0241-$276 0325-$1434 0405-$2688 0484-$492 0560-$478 0661-$738 0797-$179 0156-$1673 0243-$776 0326-$19120 0408-$1195 0485-$1673 0561-$478 0663-$5227 0798-$298 0157-$717 0244-$369 0327-$8365 0409-$597 0486-$1912 0562-$4780 0664-$1230 0799-$615 0158-$1220 0247-$1015 0328-$7170 0410-$4305 0487-$4780 0565-$246 0667-$57360 0800-$369 0159-$478 0248-$358 0329-$8962 0411-$1314 0489-$11352 0567-$179 0669-$4920 0801-$307 0161-$732 0249-$1553 0330-$2152 0412-$1098 0490-$10157 0568-$179 0670-$537 0802-$492 0162-$3075 0250-$492 0331-$21510 0413-$956 0491-$10755 0569-$615 0671-$537 0803-$307 0163-$1912 0251-$427 0332-$1107 0414-$418 0492-$1434 0571-$358 0672-$896 0804-$246

0805-$610 0898-$732 0995-$244 0807-$430 0899-$1195 0998-$1553 0808-$1107 0901-$861 0999-$1195 0809-$184 0902-$358 1001-$836 0810-$239 0903-$478 1002-$537 0811-$1353 0904-$597 1003-$1912 0812-$358 0905-$861 1006-$358 0814-$307 0906-$1230 1008-$597 0815-$492 0907-$478 1009-$836 0820-$861 0911-$1553 1010-$298 0821-$184 0912-$1792 1011-$358 0822-$1342 0914-$5377 1012-$246 0823-$2868 0915-$2390 1013-$657 0824-$369 0916-$1673 1014-$861 0826-$179 0917-$3107 1015-$478 0827-$793 0918-$717 1016-$537 0828-$1195 0919-$3585 1017-$676 0829-$549 0920-$2091 1018-$836 0831-$676 0923-$1476 1019-$732 0837-$358 0924-$2509 1020-$597 0838-$14937 0925-$3198 1021-$776 0840-$358 0927-$1220 1022-$861 0841-$298 0929-$861 1023-$478 0845-$239 0930-$369 1025-$119 0846-$179 0931-$1220 1026-$119 0847-$358 0932-$717 1028-$4481 0848-$1792 0933-$2987 1029-$239 0850-$4182 0936-$492 1030-$418 0851-$615 0939-$7767 1032-$179 0852-$430 0940-$2390 1033-$239 0854-$358 0943-$956 1034-$152 0855-$3226 0945-$239 1035-$492 0856-$478 0947-$976 1036-$597 0859-$1195 0948-$2151 1037-$776 0860-$307 0949-$597 1038-$610 0861-$358 0950-$5676 1040-$2337 0862-$584 0951-$3075 1042-$418 0863-$209 0952-$597 1043-$1353 0864-$597 0953-$358 1044-$1673 0865-$799 0956-$358 1045-$956 0866-$922 0957-$179 1046-$537 0868-$298 0958-$369 1047-$2748 0869-$478 0961-$2270 1048-$2688 0871-$1792 0963-$239 1049-$488 0873-$6871 0965-$5377 1050-$2031 0874-$366 0966-$1830 1051-$2509 0875-$2987 0967-$2270 1052-$1075 0876-$2337 0968-$1673 1053-$597 0877-$1464 0969-$2684 1054-$2460 0878-$956 0970-$3965 1055-$2706 0879-$1230 0972-$657 1056-$478 0881-$478 0972A-$597 1057-$738 0884-$1553 0974-$1912 1059-$717 0886-$1135 0975-$244 1060-$1792 0887-$5078 0976-$3585 1061-$4541 0888-$956 0978-$488 1062-$1075 0889-$671 0979-$671 1063-$861 0890-$1075 0981-$3226 1064-$615 0891-$956 0982-$10755 1065-$2151 0892-$717 0984-$597 1066-$3346 0893-$2460 0985-$268 1068-$836 0895-$1195 0988-$956 1069-$488 0896-$836 0989-$1314 1070-$1075 0897-$597 0991-$2135 1071-$861

1072-$717 1073-$836 1075-$298 1076-$597 1078-$478 1079-$239 1082-$799 1083-$179 1086-$369 1087-$119 1088-$1314 1089-$369 1091-$1673 1092-$537 1093-$239 1094-$1075 1096-$179 1098-$1434 1100-$1434 1101-$836 1102-$6871 1103-$1075 1104-$1792 1106-$956 1107-$896 1108-$366 1109-$836 1110-$1075 1113-$976 1114-$492 1115-$2390 1117-$1792 1118-$717 1119-$1230 1120-$4780 1122-$478 1125-$717 1126-$537 1127-$478 1128-$298 1129-$418 1131-$246 1132-$246 1133-$1314 1135-$358 1136-$1792 1137-$597 1139-$478 1140-$717 1141-$956 1142-$956 1143-$7170 1144-$1673 1145-$4270 1146-$2509 1147-$738 1149-$956 1150-$1434 1151-$5975 1152-$3997 1153-$1075 1154-$537 1155-$2767 1157-$956

1158-$2688 1163-$3355 1167-$4780 1169-$418 1178-$2390 1179-$1314 1181-$553 1183-$1434 1186-$597 1191-$537 1192-$597 1195-$597 1196-$1792 1198-$369 1200-$366 1201-$836 1202-$1015 1205-$1195 1206-$738 1207-$478 1209-$358 1210-$239 1211-$369 1212-$122 1216-$1434 1217-$478 1219-$492 1220-$717 1222-$1912 1224-$239 1226-$1195 1229-$597 1231-$149 1232-$597 1234-$553 1235-$1476 1237-$1792 1238-$1107 1240-$478 1243-$246 1244-$1075 1245-$1673 1246-$358 1247-$717 1248-$209 1250-$1708 1251-$2390 1253-$246 1254-$976 1255-$358 1257-$179 1258-$956 1259-$836 1260-$717 1261-$298 1262-$366 1263-$239 1264-$239 1265-$366 1266-$738 1268-$358 1270-$369 1271-$478 1272-$246

1273-$5019 1274-$1075 1276-$1075 1277-$369 1279-$836 1280-$861 1281-$358 1282-$369 1283-$366 1285-$1599 1287-$478 1290-$717 1291-$239 1292-$179 1293-$597 1294-$179 1295-$239 1296-$1195 1297-$1075 1298-$298 1299-$3346 1300-$976 1301-$836 1302-$179 1303-$1230 1304-$492 1306-$366 1307-$427 1309-$2390 1311-$1195 1312-$597 1314-$1314 1315-$984 1317-$478 1319-$179 1322-$861 1326-$418 1327-$717 1328-$732 1330-$307 1332-$1195 1333-$369 1334-$366 1335-$492 1337-$1075 1338-$2868 1339-$597 1340-$1195 1341-$615 1342-$2706 1343-$179 1344-$369 1345-$956 1346-$244 1347-$1464 1348-$1195 1349-$244 1350-$119 1354-$597 1355-$657 1359-$358 1364-$657 1365-$836

Neal Auction Company John R. Neal Chairman

Neal Alford President

Katherine Hovas Senior Vice President

Michelle LeBlanc, CAI Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc, CAI Database Manager/Assistant to Director Jackie Hernandez Client Services Johanna Darilek Database/Administrative Assistant Lisa Weisdorffer

Director of Furniture & Decorative Arts Neal Alford; Rachel Weathers Director of Research Douglas Lewis, Ph.D., F.A.A.R. Director of Consignments, Books & Manuscripts Marc Fagan Director of Paintings, Prints & Photography Rachel Weathers; Thomas Crowther Associate Director of Consignments Ashleigh Hite Silver & Decorative Arts Katherine Hovas Inventory Coordinator Steven G. Rutledge Fine Arts Amie Strickland Asian Arts Bettine Field Carroll

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director Emory Nolan Catalogue Design Carolyn Finnell Photography Jason Leckert Tom Simpson Terry Thibeau Reneé Gautreaux

AUCTION SERVICES

Operations Staff Sol Carter Charlie Clay Kelvin Gibson

Director of Business Development Bettine Field Carroll Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers Marc Fagan Museum Services Douglas Lewis, Ph.D., F.A.A.R.

CATALOGUE CONSULTANTS

OPERATIONS Director of Operations Charles Lee

Thomas Johnson Jerry Majors

EXHIBITION STAFF

Sybil Lawson Carolyn Wogan Cammie Mayer Clare Stewart Karolyn Westervelt Cecile Ballard Mimi Abbott

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc #1514

Paintings and Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie-Alsobrook Decorative Arts & Victoriana Ann M. Masson Fine & Decorative Arts Linda Stubbs