F21_IDES 3805 Interior Design V | Workplace

IDES 3805 Fall 2021

Workplace C A C H E

Bencsik, Shannon Borgfeld, Emily Brown, Taylor Coughran, Myah Creek, Emily Eslick, Hannah Fallows, Maya Fordyce, Emily Haake, Mia Hanavec, Sydney Hanlon, Mia Hill, Katelyn

Huang, Ivy Hughes, Tyler Hunt, Krista Imber, Margaret Kennedy, Kendal King, Madison McKnight, Jade Modesett, Ford Morris, Megan Pace, Audrey Poellot, Ellison Prentice, Ava

Ruland, Sydney Russell, Haley Schrouf, David Shell, Madison Struck, Skylar Thirion, Tracy Uselton, Sadie Vang, Diamonique Walker, Sydney Weidman, Ashlynn Wright, Emily Wyrick, Hayden

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Course IDES 3805 Interior Design V | Workplace in 2021 Fall Students Bencsik, Shannon Borgfeld, Emily Brown, Taylor Coughran, Myah Creek, Emily Eslick, Hannah Fallows, Maya Fordyce, Emily Haake, Mia Hanavec, Sydney Hanlon, Mia Hill, Katelyn

Huang, Ivy Hughes, Tyler Hunt, Krista Imber, Margaret Kennedy, Kendal King, Madison McKnight, Jade Modesett, Ford Morris, Megan Pace, Audrey Poellot, Ellison Prentice, Ava

Ruland, Sydney Russell, Haley Schrouf, David Shell, Madison Struck, Skylar Thirion, Tracy Uselton, Sadie Vang, Diamonique Walker, Sydney Weidman, Ashlynn Wright, Emily Wyrick, Hayden

Reviewers Barrington, Chad | SKA Studio Bunch, Monica | Hossley Lighting and Power Solutions Hoff, Molly Paris | SKA Studio Lawson, Whitney | HOK McKinney, Rowland | Greenway Energy LLC Redmon, Abbey | Goddard Design Group Tanquary, Ginny | Hufft Wilson, Carrie | Greenbird Design Instructors Park, Jinoh Reinker, Erin E. Wiggins Webb, Jennifer D. Publisher Park, Jinoh Contact jinohp@uark.edu

*. The copyright of all design results contained in this book belongs to each (student) designer.

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PUBLISHER’S NOTE

Since the beginning of the Fall semester of 2021, I have had the opportunity to meet new students in an entirely new context. Despite my convictions about what I did in my previous schools, it is always challenging and a little frightening to start over at a new school. One of the things I was determined to keep was the publication of this book despite difficulties and fears.

Even if instructors and students put forth their best efforts throughout the semester, the end-of-semester design outputs may or may not meet expectations. Regardless of what design outputs we achieve, the importance of our process cannot be overlooked. To begin with, this publication is intended to serve as a record of our processes and experiences during the semester.

passionate about or what I enjoy. It was more like another assignment than a portfolio of my work as a designer. I hope you will find this publication useful in reclaiming what you have learned and saving what you have accomplished as a designer.

Lastly, I want to say that everyone did a good job last semester. I was happy while making this book since I was able to combine the results as precious as everyone’s efforts into a book. I would like to thank Erin and Jennifer for being with me, and I would like to express my gratitude to the reviewers; Chad, Monica, Molly, Whitney, Rowland, Abbey, Ginny, and Carrie, and the school who worked with us for this result.

-

It is meaningful in many ways to review the processes and experiences. Firstly, you can see what processes and experiences you followed and what outputs you achieved.

Upon obtaining satisfactory outputs from each step, you can repeat the procedure and practice it. If you don’t achieve satisfactory results, try another procedure or retry the procedure if it doesn’t matter. Second, you may review your performance levels within each process to determine if there has been any change. It is possible to attain the desired outcome when you know the cause of when your performance was good and when it was poor. Additionally, you can learn from reviewing others’ outputs. That is probably the reason that we are purchasing a design book with the process.

Jinoh Park, Publisher

Back in my student days, I was not very satisfied with the first portfolio I developed by simply binding design output files for the job preparation that I was required to complete.

Although it used to bother me that it would have been better to prepare the portfolio in advance during the break, every break is short and I needed to rejuvenate my body and mind after having completed so many tasks during the semester. I often did not remember what I had learned or what I had missed. Occasionally, I was unable to locate my design output files. I therefore found myself holding a portfolio that had nothing to do with what I am

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COURSE SCHEDULE

#1. Artist Research Paper | pp. 4-7 | As individuals, students developed a research paper by examining their assigned artists’ fundamental concepts and analyzing the materials and methods used by the artist in realizing that concept.

K

E

R

M E X I C O

I

N

C I T Y

|

G

O

F E R N A N D O

F

F

I

R O M E R O

C

E

#3. Program Analysis | A team of three students investigated the client documentation by establishing the project background, goals, objectives, uses of space, typicals, space allocations, criteria, and adjacency matrix.

S

E N T E R P R I S E

ARCHITECT

FR-EE / Fernando Romero Enterprise

TOTAL DESKS

ISOMETRIC PROJECTIONS

Approx. 7,965 sq. ft.

LONGITUDINAL SECTION

TRANSVERSE SECTION

2020 Commercial office building in Mexico City for the Kering Group, a Frenchbased multinational corporation specialized in designing, manufacturing, and marketing luxury goods 42

The Mexico City Kering Office exemplifies a clean, and calming workspace. It was designed by Fernando Romero, Mauricio Ceballos, Liliana Viveros, Fernando Talamantes, Armando Montiel, César López, José María Padilla, for the company Kering. Kering is an international production company that manages the development of fashion materials for luxury fashion brands such as Gucci, Saint Laurent, Balenciaga and many others. FR-EE Fernando Romero Enterprise, a global and industrial design firm, was at the head of the project. The goal of the project was to create a calming, clean, and safe workplace. Kering focuses on employee welfare and is committed to creating a healthy environment, which is primarily why most design decisions were made. They also heavily emphasize sustainability, and are LEED Gold Certified. They recently have come up with a map to reduce their environmental footprint by 40% and their carbon emissions by 50% by 2025. This is at the heart of the company’s beliefs, and a main way they lead with all of their design decisions. With that being said, when building this office, FR-EE was up for the challenge, the office is now in the process of getting LEED Certified. With Kerings main focus being sustainability and the welfare of their employees, the choice of materials were to be light and airy. The materials chosen are intended to be pure, so they consist of wood, concrete, and glass.

The color palette was chosen in order to be raw in appearance, black, white, grey, and beige.

PROGRAM

SQUARE FOOTAGE COMPLETION

Mexico City

LEVEL 9 PLAN + CIRCULATION PATH

Kering Offices

LOCATION

LEVEL 8 ISOMETRIC PROJECTION + GLASS PARTITIONS

PROJECT NAME

LEVEL 9 ISOMETRIC PROJECTION + GLASS PARTITIONS

LEVEL 8 PLAN + CIRCULATION PATH

#5 Site Analysis | A team of three students collected and documented the information needed for future design by visiting the project site.

RECEPTION 1% | 73 SQ FT

LOUNGE AREAS

8% | 609 SQ FT

MAINTENANCE 1% | 75 SQ FT

CIRCULATION

CONFERENCE ROOMS

25% | 2,036 SQ FT

9% | 688 SQ FT

PHONE BOOTHS 2% | 128 SQ FT

STORAGE

2% | 170 SQ FT

CHUKUM WALL FINISH

ORIGINATED IN MAYAN CULTURE

PRIVATE OFFICES 15% | 1220 SQ FT

BREAK ROOM 4% | 312 SQ FT

GLASS

BATHROOMS

31% | 2,494 SQ FT

WORK AREAS

CONCRETE

AVA P R E N T I C E + SY D N E Y H A N AV E C

WOOD

RECINTO STONE

LOCAL VOLCANIC ROCK

2% | 160 SQ FT

#2. Precedent Study | pp. 8-13 | A team of two students evaluated a precedent project to address problem-solving, placing information within the context of design components.

#4 Concept Development | Based on the content analyzed so far, the students developed a programmatic concept and created a design concept for implementing the programmatic concept into a space using design elements.

#6 Partis & Organization Strategies

2

#7 Study Model

#9 Early Review

#11 Final Review

Happy Halloween #8 Design Charrette

#10 Mid Review

#12 End of Semester

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RESEARCHED ARTISTS 1/2

Bencsik, Shannon | Tanya Aguiñiga

Coughran, Myah | Safaa Erruas

Fallows, Maya | Billie Zangewa

Borgfeld, Emily | Anna Ray

Creek, Emily | Betye Saar

Fordyce, Emily | Monica Mayer

Brown, Taylor | Libs Elliott

Eslick, Hannah | Vanessa Barragão

Haake, Mia | Lena Yarinkura

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As individuals, students developed a research paper by examining their assigned artists’ fundamental concepts and analyzing the materials and methods used by the artist in realizing that concept.

Hanavec, Sydney | Shadi Ghadirian

Huang, Ivy | Lillian Blades

Imber, Margaret | Monir Shahroudy Farmanfarmaia

Hanlon, Mia | Renée Stout

Hughes, Tyler | Christine Ay Tjoe

Kennedy, Kendal | Simone Saunders

Hill, Katelyn | Tarsila do Amaral

Hunt, Krista | Chiho Aoshima

King, Madison | Maria Sol Escobar

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RESEARCHED ARTISTS 2/2

McKnight, Jade | Bisa Butler

Pace, Audrey | Nyapanyapa Yunupingu

38 Ruland, Sydney | Lalla Essaydi

Modesett, Ford | Annie Morris

Poellot, Ellison | Julie Mehretu

Russell, Haley | Malika Agueznay

Morris, Megan | Matika Wilbur

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06 Prentice, Ava | Lygia Pape

Schrouf, David | Jane Lee

As individuals, students developed a research paper by examining their assigned artists’ fundamental concepts and analyzing the materials and methods used by the artist in realizing that concept.

Shell, Madison | Njideka Akunyili Crosby

Uselton, Sadie | Elizabeth Catlett

Weidman, Ashlynn | CJ Hendry

Struck, Skylar | Chiharu Shiota

Vang, Diamonique | Sheila Hicks

Wright, Emily | Jenevieve Aken

Thirion, Tracy | Namsa Leuba

Walker, Sydney | Joana Choumali

Wyrick, Hayden | Lynette Yiadom-Boakye

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PRECEDENT STUDY 1/3

CONCEPT STATEMENT

PALETTE

To design a welcoming and comfortable space that promotes productivity and innovation through visible differences and social considerations within each interior.

Workplace for Continuous Employment Yodogawa Ward, Osaka, Japan 9252 sq. ft.

BELLAD & CO. HEAD OFFICE TEAM MEMBERS: Emily Fordyce & Kendal Kennedy

ARCHITECTS: LEAD ARCHITECTS:

The use of expanded mesh in the form of folded plates allows for a broader space vertically.

PALETTE uses materials that help prevent sensory overload and promote productivity.

SJK Architects Shimul Javeri Kadri, Sarika Shetty, Anusha Pulapaka Bellad & Co. Automotive

CLIENT:

It is not a ‘homogenous space’ unlike other previous facilities.

LOCATION: CLIMATE: GRASS

HALL

EV

COMPLETION DATE: SIZE:

5F PLAN

MATERIALS:

TATAMI ATAMI CORNER CORN

DIGITAL FABRICATION ROOM

ST

PLAN & SECTION ANALYSIS

RES ST SP PACE REST SPACE

WC

ST

Dealership Hubli, Karnataka, India Cool & Windy with Extreme Summer Months (March-May) 2017 8,915 SF (6,500 SF Office Space) Concrete, Plywood, Glass, Cudappah

TYPICALS

WC ST WC

EV WASHING ROOM

ATLIER

STAFF ROOM

BALCONY BALCO ONY

4F PLAN

TATAMI MI NE ER CORNER STAFF SPACE

SPAC CE REST SPACE

WC ST WC

WC

ST

EV

ATTELEIR ATELEIR

PAPERMAING/ PAPERMAING/ SPAC DRYING SPACE

LEGEND:

LEGEND:

1. ENTRANCE 2. RECEPTION & WAITING 3. MEETING RM. 4. CHAIRMAN’S RM. 4.a. CHAIRMAN’S BTHRM. 5. SECRETARY’S DESK 6. MD’S ROOM 6a. MD’S BTHRM. 7. OPEN WORK SPACE 7.a. WOMEN’S BTHRM. 7.b. MEN’S BTHRM. 8.

MANAGER’S CABIN 9.

MANAGER’S CUBICLES 10. BOARD/TRAINING RM. 11. LANDSCAPED BALCONY 12. LANDSCAPED SOUTH TERRACE 13. PANTRY

1.

2.

3.

4.

5.

6.

(6)

Manager’s Cubicle (8)

2.

RE EST SPACE SPAC PACE REST

13%

CIRCULATIONS

11%

SERVICE

STORAGE

7% 4%

STAFF

6%

Meeting Desk (1)

3.

4.

4TH FLOOR PLAN

0M

Secretary’s Desk (1)

3RD FLOOR PLAN

6M

6M

SPACIAL EXPERIENCE Manager’s Cabin (3)

STRUCTURE

(4)

1.

0M 3F PLAN

Conference/ Training Desk

6.

5.

POTTERY KILN ROOM

GLAZE ROOM

Open Office Desk (14)

ENTRANCE CAFE SERVER RM. ELECTRICAL PANEL RM. UPS & BATTERY RM. SERVICE STAIRCASE

Chairman’s Office (1)

MD’s Office (1)

CONSULTAION / ULTIPURPOSE ROOM ROO MULTIPURPOSE

TA A MI CORNER ATAM CORN NE ER TATAMI

ST WC

WASH CLOSETS, CHANGE ROOMS

CHAN NGEROO GEROOM CHANGEROOM

CHAN NGEROO ROOM CHANGEROOM WC

ST

1.

EV

WC

2.

7.

10.

6.

KITCHEN KI K ITTC TCHEN CH HE EN

POWDER STORAGE

REST SPACE TATAMI CORNERS

16%

ATELIER

21%

WORKSPACES

10%

SOCIAL

12%

GaG

SPACIAL ALLOCATION

2F PLAN

GaG

GALLERY, SHOP, CAFE, GRASS AREA GaG

GALLERY GALL LER ERY

Entrances Reception/Waiting Open Work Space Manager’s Cubicles Cafe Secretary’s Desk

WC

SHOP WC C

EV

TOILET CAFE CAF CAF AFE FE

OFFICE OFFICEE

KITCHEN

S = 1/200 1F PLAN

(515sf) (290sf) (1235sf) (650sf) (850sf) (40sf)

6'

12'

12’

6’

OFFICE POTENTIAL OPTION

24'

12’

6’

48'

24’

48’

48’

24’

12'

24'

48'

REST SPACES WITH TATAMI MATS 6'

12'

24'

2ND FLOOR MULTI-USE SPACE 6’

12’

6’

48'

24’ 12’

48’ 24’

6'

12'

RAINFALL 3.0 2.5

95

31%

10%

48’

24'

3RD FLOOR ATELIER 6'

48’ 12’

6’

12'

24'

(30sf) (170sf) (100sf) (90sf) (100sf) (40sf) (50sf) (40sf) (75sf) (35sf) (35sf)

90 85 80

(325sf) (230sf) (295sf)

48'

48'

ARCHITECT: Esrawe Studio CLIENT: Esrawe Studio COMPLETION DATE: 2019 SIZE: 6,082 square feet LOCATION: Córdoba 206, Roma Norte, Mexico City, Mexico MATERIALS: Wood, Concrete, Steel, Brick, Metal, and Glass DESIGN ANALYSIS: The multidisciplinary studio office is located in a reimagined 1950s dancehall. Designing the studio was a way for Esrawe’s brand to expand their horizons. Celebrating the building’s structure and raw materials created an open environment that encourages employee connection. A neutral palette welcomes clients and employees into the collaborative workspace through minimalism and purity. The fluid circulation pattern allows teams to work simultaneously without interruption.

MATERIAL SELECTION

1.0

Glass Metal

0 Jan. Feb. Mar. Apr. May Jun. Jul. Aug.Sep. Oct. Nov. Dec.

Smooth, Transparent

Slick, Industrial

Jan. Feb. Mar. Apr. May Jun. Jul. Aug.Sep. Oct. Nov. Dec.

Dark Wood Rugged, Keen

Month

Month

Light Wood PL PL UM UM PL BIN UM BI G PR BINNG PR IVA IVA PR CYCYG IVA DA CY YL YL DA IGH IG HT PUYLIGH T PU BL BL PU ICIC T BL ACAC AD IC CECE JA AC SSSS CE CE AD CE NC SS JA NC IES SQ CE IES ..FO NC IES SQ FOOT . FO OTAG AG QU OT EE AN AG QU TIT TIT E AN YY TIT Y

N N N N Y N N N Y Y 5 5 5 906 906906 1 1

SHOWROOM SHOWROOM

187187 5 5 5 Y Y Y Y Y N N Y 6 6 187 Y Y Y 6

RESTROOM RESTROOM RESTROOM

6 6 886 886886 4 N N Y Y Y Y Y Y N N 6 4 4

CONFERENCE CONFERENCE CONFERENCE

ADJACENT Not Related ADJACENT Not Adjacent NEARBY NEARBY NOTNOT ADJACENT Nearby ADJACENT NOTNOT RELATED Adjacent RELATED

PRIVATE OFFICE PRIVATE PRIVATE OFFICE

N N N N N NY 3 32636 Y Y 3 2636 2636 1 1

COLLABORATION COLLABORATION COLLABORATION

N N N N Y 6 6 113 Y Y N N 6 113113 1 1

Solid, Supported

Medium Wood

Brick

Organic, Modest

Classic, Calming

Steel Strong, Neat

8 8 274 ENTRY/EXIT/STAIR ENTRY/EXIT/STAIR Y Y Y Y Y 8 274274 3 3 3 ENTRY/EXIT/STAIR N N N N Y 3 3 33 N N Y Y Y N N N N 3 33 33 1 1

Concrete

Pure, Inviting

ADJACENCY ADJACENCY ADJACENCY

ATRIUM ATRIUM ATRIUM

OFFICE PRINCIPAL PRINCIPAL OFFICE 201201 1 1 PRINCIPAL N N Y 4 4 201 Y Y Y Y Y N N 4

3 3 72 Y Y N N N N 3 N N Y 72 72 2 2 2

UTILITY UTILITY UTILITY STORAGE STORAGE STORAGE

3 3 192 192192 2 N N Y Y Y Y Y Y N N 3 2 2 Y Y N N 2 2 192 192192 1 1 N N N N Y

TERRACE TERRACE TERRACE

Y Y N N N N N N 3 168168 1 1 3 3 168 Y

KITCHEN/DINING KITCHEN/DINING

PRINTING/PLOTTING N N N N N N N N 2 2 315 PRINTING/PLOTTING 315315 1 1PRINTING/PLOTTING

CONFERENCE 4 This conference space is located right off of the main collaborative work space on the first floor and next to the staircase. It is fully open, almost appearing to be a This conference space is located

towards to back of the office

building on the first floor. It is

fully enclosed to allow ample

privacy and serve as a larger and

more formal meeting space

compared to other areas.

Included is one large conference

part of the collaboration area to

CONFERENCE 3

table and 10 chairs.

The square footage of this space

is 288.65 sf.

TYPICALS

CROSS SECTION

allow designers to work alongside on another, while also specifying their area of work.

Included is one very long conference table that can be pulled into 3 seperate tables, 12 chairs, and 12 computers for designers.

The square footage of this space

PRIVATE CONFERENCE 1

PUBLIC CONFERENCE

is 489.2 sf.

10’ - 6”

4’ - 0”

4’ - 0”

21’ - 7”

15’ - 0”

PRIVATE OFFICE COLLABORATION

PRIVATE CONFERENCE 3

CONFERENCE 1

PRIVATE OFFICE

located towards the entrance adjacent to the second exit. The

privacy and serve as a smaller

4’ - 7”

office is fully enclosed and very

and more intimate meeting

This conference space is directly

small, providing the perfect

to the left of the entry area. It is fully enclosed to allow ample

quietly.

STORAGE

This storage space is located

2’ - 0”

towards the back of the ground

3’ - 0”

floor, directly next to a second storage space. Although these areas are used to hold models

process. The open space allows

and supplies, they also have

team members to coordinate

desks for individuals to work at if

with one another and gain

necessary.

4’ - 7”

inspiration.

Included is one desk against the

Included is one large two-piece

two long connecting desks and 3

with 4 people at each work

desk chair.

space. These tables are often pushed together to create one

11’ - 11”

is 138.03 sf.

rolling desk chairs.

The square footage of this space is 94.44 sf.

large work environment. These

The square footage of this space

guidelines and layout may vary.

is 33.03 sf.

11’ - 8”

Included is several shelving units,

Included is one desk and 4 chairs,

wall, and an individual rolling

desk and 4 chairs.

The square footage of this space

6’ - 6”

2’ - 11”

5’ - 9”

COLLABORATION

This collaborative workspace is located in the center of the first floor. It has very high ceilings and walls used as galleries to contribute to the team’s work

space to work individually and

4’ - 0”

privacy and serve as a meeting space.

The square footage of this space is 70.47 sf.

10’ - 0”

Included is one large desk and 3

1’ - 6”

3’ - 10”

space.

chairs.

STORAGE

6’ - 6”

to the right of the entry area. It is fully enclosed to allow ample

This private office space is

7’ - 3”

PRIVATE CONFERENCE 2

This conference space is directly

30’ - 10”

27’ - 0”

13’ - 8”

CONFERENCE 2

7’ - 3”

The square footage of this specific space is . The overall square footage of the collaborative area is 2,636 sf.

PUBLIC VS. PRIVATE

7’ - 3”

10’ - 6”

11’ - 8”

PUBLIC VS. PRIVATE

TERRACE TERRACE

Hunt, Krista & Wright, Emily | PALETTE (Upper Left)

5’ - 6”

PRINCIPAL OFFICE

This outdoor space is located at the top of the mezzanine staircase and allows workers to

This private office space is

get fresh air during breaks. This

located at the back of the ground

space adds a natural touch to the

with floor to ceiling glass and

4’ - 0”

small amount of windows.

allows the principal designer to work individually without distraction. This area is also large

Included is 3 table units, each

so that meetings can be held

having 4 chairs for socializing.

The area is surrounded by plants

1’ - 10”

10’ - 10”

when necessary.

and the natural vegetation of

Included is several shelving units,

16’ - 11”

Mexico City.

The square footage of this space is 464.7 sf.

6’ - 7”

floor. The area is fully surrounded

office building and brings in natural light that is otherwise lacking due to the structure’s

4’ - 0”

PUBLIC SEMI-PUBLIC PUBLIC PRIVATE SEMI-PUBLIC PRIVATE

PUBLIC Public Semi-Public SEMI-PUBLIC PRIVATE Private

21’ - 5”

PUBLIC VS. PRIVATE

PRINCIPAL OFFICE 13’ - 11”

10’ - 8”

PUBLIC VS. PRIVATE

a long connecting desk unit and

16’ - 6”

3 rolling desk chairs.

3’ - 2”

The square footage of this space

7’ - 8”

10’ - 4”

10’ - 9”

LONGITUDINAL SECTION

10’ - 9”

is 201.42 sf.

8’ - 0”

16’ - 4”

30’ - 5”

SPATIAL ALLOCATION

SPATIAL ALLOCATION

EWE Showroom

Principal Office

Restroom

Utility

Conference

Storage

Exit/Entry/Stair

Terrace

Private Office

Kitchen/Dining

Collaboration

Printing/Plotting

Atrium

EWE Showroom

Collaboration

Conference

Principal Office

Private Office

Atrium

Entry/Exit/Stair

Terrace

Kitchen/Dining

Printing/Plotting

RATINGS & REVIEWS

M.E.P.

4.8/5

Esrawe Studio

Brown, Taylor & Haake, Mia | ESRAWE Studio Office (Lower Left)

CIRCULATION Circulation

94% Recommendation

Esrawe Studio’s work has been described by clients as innovative, unusual, sophisticated, and bright. Some critics call the studio’s work uninteresting and confusing.

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Mia Haake & Taylor

Closed Off

0M

SECTION

2M

Skylights

Fordyce, Emily & Kennedy, Kendal | BELLAD & Co. HQ. (Upper Right)

0M

2M

Ventilation

WINTER SOLSTICE:

PRIVATE OFFICES: Manager’s Cabin Chairman’s Room MD’s Room

1.5

0.5

75

Summer Sun

Winter Sun NORTH ELEVATION

(635sf) (650sf) (1545sf)

48’

24’

Cafe Office Space

TERRACE: Landscaped Balconys Landscaped Terrace Cafe Terrace

2.0

Inches

Degrees Fahrenheit

TEMPERATURE 105

4TH6’FLOOR ATELIER 12’ 24’

3RD FLOOR STAFF SPACE POTENTIAL OPTION

ESRAWE STUDIO OFFICE

100

40%

Elevator Stairs Service Stairs Server Rm. Electrical Panel Rm. UPS & Battery Rm. MD’s Bm. Chairman’s Bm. Men’s Bm. Women’s Bm. Pantry

MEETING SPACES: Meeting Rm (210sf) Boarding/Training Rm (680sf)

6'

9%

10%

EMILY WRIGHT & KRISTA HUNT 4TH FLOOR STAFF SPACE

OTHER:

SHARED SPACES:

TRASH AREA

ST

SUMMER SOLSTICE: 4TH FLOOR PLAN

0M

6M

A team of two students evaluated a precedent project to address problem-solving, placing information within the context of design components.

Hunt, Krista & Wright, Emily | STACK I (Lower Left) Bencsik, Shannon & Wyrick, Hayden | Impact Hub Berlin (Upper Right) Poellot, Ellison & Struck, Skylar | IRPC Innovation Center (Lower Right)

Impact Hub Berlin

Hayden Wyrick & Shannon Bencsik

Program:

Innovation workspace with 12 various workspaces, kitchen, interior elevated lookout, event space and outdoor patio

Design team/s:

LXSY Architekten, Architecture Firm Fliq Design, Wood & Joinery Work

Completion Date:

2015

Size:

6,460 square feet, 2 levels with outdoor patio

Location

Friedrichstrasse 246, 10969 Berlin, Germany (Kreuzberg Neighborhood) Kreuzberg is a district within the city of Berlin, Germany that is home to a remarkably diverse community. This district fosters a hipster and artistic environment for young locals, families, and tourists to enjoy with things like coffee shops, street art, museums, Turkish food, and night clubs. Berlin has a moderate climate with warm summers and cold winters and it tends to rain the most during the summer. The climate and area create a great walkable atmosphere for people to flock to and make an impact within the Impact Hub of Berlin

Collaboration

Spatial Allocation

Dynamic Co-Working/Event Space

Focus Co-Working Area

The overall design concept was to create a mix between space and cohesion, communication and calm, dynamic and concentration while also creating a warm and open atmosphere that meets the needs of a young, dynamic start-up scene (Le Roux). The co-working areas, four private offices and the meeting room all respond to the design concept well because there is a mixture between quiet and social spaces. In many of the built elements there is a lot of storage space which overall makes one feel welcome. The space is opened by an ample amount of windows which allows a worker to be part of the day, experiencing all weather patterns and seasons as they work indoors. The types of clients/users within this space are those who are focused on solving societal issues and many of them are coming together to create an organization or an event that serves others.

Transformation

Cafe Area

Kitchen

Wooden Table

Workshop Room

Wooden Desk

Office

Office

Office

Meeting Room

Office

The space is very transformative. In the space one can see these unique tables which were made to be easily assembled on site. This plays into the overall idea of the co-working space because one can easily assemble a table if need be, in order to collaborate with others. While traveling throughout the space one is guided by signage and thresholds. In every other room besides the Dynamic Co-Working/event space and the café/kitchen area, the ceilings are all the same height. This height looks natural and allows for moments of intimacy within these spaces. The other two group spaces have much higher ceilings, creating a livelier atmosphere. Overall, human scale is well respected in this space.

Inspiration

In the building there is an excessive amount of natural light that infiltrates the space, so the usage of white paint and natural light reflects well off each other creating a youthful and lively space. The paint is complimented by a natural light wood all throughout that helps with sound absorption. The juxtaposition of plain white and this natural wood gives it a more dynamic experience. In contrast to the walls, the implementation of colors like black, turquoise, and yellow in items such as furniture materials and decorative pieces makes the space pop and it can guide how people move about the space and locate themselves.

I R P C

STACK I Location: Copenhagen, Denmark Designed By: Arcgency Completion Date: 2015 Size: 7,100 square feet Program/Typology: Office building

Location: Choeng Noen Sub-District, Thailand Design Team/s: Architects 49 Lead Architect: Prabhakorn Vadanyakul, Narongwit Areemit Completion Date: 2020 Size: 100,104.4 sq ft Program/Typology: Office Building Clients: IRPC (Integrated Refinery Petrochemical Complex) Public

INNOVATION CENTER

TOTAL 91.238.38 SqFt

SQUARE FOOTAGES

Building Information Arcgency developed an architectural concept that is easily moveable while still offering the qualities of permanent buildings. More than that, it is an experiment in pre-fab architecture that challenges universal waste issues and traditional building techniques. Worn-out shipping containers are stacked three stories high on a series of minimal site impact pillars. The container is a super optimized product, refined to be cost-effective, strong and durable. The architecture is based on at simple set of principles: Raw aesthetics,differentiated spatial sizes, layers of visual connections through the building and great daylight conditions while 90% of materials are recyclable.

Open Office

Kitchen

Primary Circulation

Small Meeting Rooms

Lounge

Secondary Circulation

Restrooms

Storage

COURTYARD 7,224 SqFt

OFFICE SPACES 18,107 SqFt BATHROOMS 2,436.11SqFt 6

ENTRY

BATHROOMS WORK SPACES

Magnetism in the containers utilized for mounting

Corner castings utilized to fasten structure

Gaps between containers create good light conditions and internal visual connections

12

24

CLOSET

48

EXHBIT

OFFICES

LABS

THIRD FLOOR PLAN 6

COURTYARD ELEVATORS

12

24

48

THIRD FLOOR PLAN 6

AUDITORIUM STAIRS

CLOSED PUBLIC

CLOSED PRIVATE

OPEN PUBLIC

OPEN PRIVATE

12

INDOOR CIRCULATION

24

48

THIRD FLOOR PLAN

ENTRIES AND EXITS

OUTDOOR CIRCULATION

Bolts and pop nits for fastening

INDOOR CIRCULATION OUTDOOR CIRCULATION ENTRIES AND EXITS

LABS 19,336.27 SqFt

CLOSET STORAGE 4,747.17 SqFt AUDITORIUM 2,158 SqFt WORK SPACES 12,043.06 SqFt

EXHIBIT 3,083.75 SqFt ENTRY/WAITING 2,435.25 SqFt

6

Raw container walls absorb sound

3

6

12 Large Meeting Rooms

Primary Circulation

Shared Office

Storage

Secondary Circulation

Facade made to easily click together

All building components kept in similar measurements

ENTRY

BATHROOMS WORK SPACES

12

24

48

CLOSET

SECOND FLOOR PLAN 6

EXHBIT

OFFICES

LABS

COURTYARD ELEVATORS

AUDITORIUM STAIRS

12

24

48

SECOND FLOOR PLAN

6

CLOSED PUBLIC

CLOSED PRIVATE

INDOOR CIRCULATION

OPEN PUBLIC

OPEN PRIVATE

OUTDOOR CIRCULATION

12

24

48

SECOND FLOOR PLAN

ENTRIES AND EXITS

INDOOR CIRCULATION OUTDOOR CIRCULATION ENTRIES AND EXITS

Small Meeting Room (220 sq ft) 8 Person desk ( L 10’-0” W 2’-2” ) Lounge Chair ( L 2’-6” W 2’-5” )

Shared Offices 1,040 SqFt

Open Office

All installations are exposed

Natural ventilation with manual control

6:29 P.M 6:29 P.M

WEST WEST

EAST EAST

6:07A.M A.M 6:07

Storage 1,850 SqFt

Small Meeting Rooms

6

Small Meeting Room (150sq ft) 8 Person desk ( L 10’-0” W 2’-2” )

Large Meeting Rooms 580 SqFt

12

24

48

FIRST FLOOR PLAN 6

ENTRY

BATHROOMS WORK SPACES

CLOSET OFFICES

EXHBIT LABS

COURTYARD ELEVATORS

AUDITORIUM STAIRS

12

24

CLOSED PUBLIC

CLOSED PRIVATE

OPEN PUBLIC

OPEN PRIVATE

48

FIRST FLOOR PLAN

Primary Circulation

Large Meeting Room

Secondary Circulation

Large Meeting Room (280sq ft) 16 Person Desk ( L 20’-0” W 2’-2” )

6

Restrooms 160 SqFt Kitchen 150 SqFt

FIRST FLOOR FIRST FLOOR

SECOND SECONDFLOOR FLOOR OUTSIDE OUTSIDE

Large Meeting Room (280sq ft) 16 Person Desk ( L 20’-0” W 2’-2” )

Open Offices 2,150 SqFt 6

INDOOR CIRCULATION OUTDOOR CIRCULATION ENTRIES AND EXITS

12:00P.M P.M 12:00

13' - 0"

6' - 0"

6' - 0"

Shared Office (280sq ft) 2 Person Desk ( L 5’-0” W 5’-0” )

Lounge 480 SqFt

3

FIRST FLOOR PLAN

2' - 0"

12 Storage

48

21' - 4"

22' - 6 1/4"

6 Open Office Shared Office

24

ENTRIES AND EXITS

2' - 0"

3

12

3' - 0"

Total Square Feet 7,100

22' - 6 1/4"

Small Meeting Rooms 690 SqFt

6

INDOOR CIRCULATION OUTDOOR CIRCULATION

21' - 4"

Shared Office (150sq ft) 2 Person Desk ( L 5’-0” W 5’-0” )

THIRD FLOOR THIRD FLOOR ELEVATORS& AND STAIRS ELEVATOR STAIRS

12

24

SECTION SECTION A A

SMALL OFFICE LAYOUT 1

SMALL OFFICE LAYOUT 2

BIG OFFICE LAYOUT 1

BIG OFFICE LAYOUT 2

The concept was to create an environment conducive to research and is open to visitors with the aim to promote a better understanding of the industry. The U-shape complex allows for the central space linking the two research wings to reduces the walking distance between the two buildings and provides an area for impromptu discussions and interaction. The Skywalk connecting two wings from the second and third floors also serves to conceal mechanical and electrical systems that run between the two buildings. The central outdoor space with multiple walkways linking the two research wings is in the heart of the building. This space also allows for the guest or workers to take a break, go outside, and walk around to enjoy the fresh air. The double-skin glass façade, with frosted glass and openings, offers both heat protection and views and light from the outside. It also allows for a glimpse of the workings in the lab. The walkways and common areas as well have glass facades to create interactions as well as creating light and open atmosphere.

12

Haley Russell , Diamonique Vang SKYLAR STRUCK ELLISON POELLOT

9

PRECEDENT STUDY 2/3

seattle, washington

PRECEDENT STUDY

graham baba architects

|

Location: Tel Aviv-Yafo, Israel

IDES 3805

FALL 2021

AUDREY PACE + MADISON SHELL

Design Team: Roy David Studios Completion Date: 2015 Size: 7,534.74 sqft

Program: Office Building

The new Jelly Button Games and Hamutzim Studio office designed by Roy David Studios is located in an existing loft building in Tel Aviv-Yafo, Israel . With two companies in one space, designers worked at creating both public, semi-private and private spaces that would divide and link the two complies to provide both a shared workspace and company privacy. Thus, the floor plan was created with one company on the east side of the space and the other on the West side. This allows for the most private areas of work to be on far, opposing walls and work inward to the most public, shared spaces in the center of the loft. The 7,500 square foot loft is made up of two levels, each joined by a small 3-step set of wall-to-wall vertical stairs. Complete with an all white wall structural base, this simple, clean building is brought to life with color in the furniture and art around the studio. Natural wood desk, concrete floors, colorful fabrics, and custom wall paintings on all structural columns bring the company's designs in gaming to life in the studio.

63%

RECOMMEND TO A FRIEND

AVERAGE

EASY

WORKPLACE RATINGS

SECTION

March

FLOOR PLAN

October

floor plans

26’ 4”

SOLAR STUDY 3,347 SQFT

650 SQFT

470 SQFT

3,077 SQFT

9%

PRIVATE

Second Floor 0’

0’

Trailbend Taproom

Mezzanine

0’

10’

25’

50’

Third Floor

0’

10’

25’

OFFICE SPACE

4,187 SQFT

COMMON AREAS

HALLWAYS

56%

44%

40%

50’

50’

25’

10’

50’

25’

10’

3,347 SQFT

PUBLIC SEMI-PUBLIC

7%

44%

circulation

PROGRAM RELATIONS CIRCULATION PATHS

GRID DIAGRAM Square Footage ( 7,534.74 sq.ft Total)

19’ 0”

1100

1000 900 4 ft

800 700

13’ 6”

PUBLIC VS PRIVATE

the baby blue path follows the circulation of the caretaker of the location who lives in an apartment on the third level

the rust red path follows the circulation of an employee of the office space on the second level of the location

the dark green path follows the circulation of a wanderer in pursuit of food or drinks in the beer hall

Level 3

600

FENESTRATION

14 ft

Bar Office Apartment Studio Roof

HARD

3.2 RATING

22’ 0”

location: seattle, washington architects: graham baba archi tects size: 10,041 sqft year: 2019 building type: mixed-use (residence, office, beer hall) design intent: because of the mixed-use intent, they derived inspiration from the sliding tile puzzle known as the “klotski”. The 7’x10’ perforated metal screens on the facade immitate sliding tiles of the puzzle. they are movable in order to maximize sun shading and privacy. sustainable factors: rainwater cisterns, windows for cross ventilation, operable sun shades. materials: wood, glass, concrete, steel

DIFFICULTY RATINGS

Jelly Button Games and Hamutizm Studio

THE KLOTSKI BUILDING

500 400 300 200

jade mcknight & sydney walker Lobby

Pace, Audrey & Shell, Madison | Jelly Button Games and Hamutizm Studio (Upper Right)

10’ 5’

Polished Concrete

Tyler Hughes & Sadie Uselton

am

e

ac

Sp

om

ing

typicals

om

e Ro

Ro

ny n Te lco tio Ba uc od d Pr an Art am D Te am R& Te ing rket Ma ea e t Ar ac ou ng g Sp Ha etin e Me Larg om Ro ng mi

Ga

om

ther

ning

g Ro

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an

Collaboration Room

White Painted Drywall

10

n an

8% Offices

Collaboration

Light Wood Paneling

es

Hughes, Tyler & Uselton, Sadie | IBENERGI HQ. (Lower Left)

30% Meeting Areas

Grooved aluminum

he

McKnight, Jade & Walker, Sydney | The Klotski Building (Upper Left)

Space Allocation

Scale: 1’ = 1/2”

ffe

Workroom Floor

5% Bathrooms

3’

ctur

4% Maintenance / Mechanical 13% Public / Rest Space 40% Outdoor Areas

2.5’

Co

Transverse Section 1

Scale: 1’ = 1/2”

Le

e

Transverse Section 3

01. Upper Level Circulation 02. Administration 03. Accounting 04. File Closet 05. Mechanical 06. Restroom 07. Cleaning Closet 08. Meeting Room 09. Telephone Operators 10. Meeting Bubbles 11. Group Work Area

Telephone Operators

om

SQUARE FOOTAGE: 6,490

Transverse Section 2

FIRST FLOOR

thro

USE: Ibenergi Headquarters

GROUND FLOOR 01. North Access 02. Reception 03. Entry Access 04. Cafeteria 05. Kitchen 06. Restroom 07. Exterior Rest Area 08. Auditorium 09. Boiler Room 10. Electrical Panels

Ba

PROJECT COMPLETION: July, 2017

Kitc

am

nt

CLIENT: Ibenergi

om

ac

etin

LOCATION: Toledo, Spain

s Ro

spacial allocation

this is an example of a single workspace each employee has. there are 21 in the project

IBENERGI HEADQUARTERS ARCHITECTS: Taller Abierto

rver

Se

n

me

Sp

e Te

Me

7.5 ft

ge

ptio

10 ft

tiv

public vs private 5.5 ft

3 ft

all

12 PM

3 ft

steel material used on exterior facade for the “klotski tiles”

na

ce

6:07 PM

3 ft

Level 1

ea

this is an example of a professional meeting table. there are 2 in the project

Sm

10 ft

this is an example of a casual meeting table. there are 2 in the project

0 Cr

14 ft

5:57 AM

Ma

3 ft

rary Lib

concrete material used on exterior for structure and used for flooring on interior

4 ft

Re

Level 2

sun diagram

100

wood material used on exterior window frames and the interior of the restaurant

A team of two students evaluated a precedent project to address problem-solving, placing information within the context of design components.

Creek, Emily & Miranda, Madisyn | AICL Mumbai (Lower Left) Ruland, Sydney & Weidman, Ashlynn | AKQA Agency (Upper Right) Eslick, Hannah & Modesett, Ford | SODEXO Montreal (Lower Right)

area- 6135 ft2

A K Q A AGENCY O F F I C E

levels- three stories with garden access finish date- 2016 program- advertising offices with conference rooms, meeting space, private office, and recreation context- A megacity full of urban conveniences, rich culture, and ever-expanding business opportunities. Sao Paulo is the financial and economic hub of Brazil. Constructed in the 70’s, the building was once a two story home, created by its former owner, and designed with brick, wood, and industrial elements throughout.

penha studios sao paulo, brazil

ashlynn weidman and sydney ruland

“re-imagining the future of studios” -akqa the main intention for retrofitting this former home into a workspace was to keep the original character, memory, and materials the home provided and incorporate those into the workspace. This design choice was not only made for sustainable reasons, but also to bring a sense of home, comfort and relaxation into an office. Another important concept for this project was to incorporate access to the outdoors on every floor, inviting new environments with existing ones. In all of AKQA’s 30-plus studios around the world , this one explores a new way to think about the office, a home away from home.

spatial Allocation

start the day-

rattan chairs, floor to ceiling windows, accordion doors to garden, discussion table, small presentation space, wooden ceiling details

coworking-

break out- ottoman seating for breaks from

long tables with individual workstations, raw brick walls and apertures, wooden ceiling detailing, secondary seating in middle

share-

presentation space, wooden bleachers, wooden picnic tables, lawn space for recreation, landscaping, original brick.

AICL MUMBAI WORKPLACE

S O D E XO

EMILY CREEK & MADISYN MIRANDA

FIRM/SAV Architecture + Design CLIENT/AICL Communications SIZE/6,000 sqft YEAR/2019 LOCATION/Mumbai, India INDUSTRY/Consulting / Business Services

BACKGROUND

media

“The new AICL workplace design was discussed collaboratively with the clients, with a lot of emphasis on understanding the future of working environments especially in the creative industry.” - SAV Architecture + Design

critics “is bursting with creative energy, vibrant colours, and intersectional spaces” “a digression from the traditional workplace that encourages relaxation, and fun” - Architectural Digest

clients “Turning a dream of building the kind of workspace that aptly reflects our spirit into a 6,000 square feet reality” - @aiclcommunication on Instagram

walk in the park

concept

“the ability to blur boundaries between old and new, move seamlessly across one media form to another, change, grow, adapt”

designers “The concept was to create a series of overlapping programs with fuzzy boundaries of what one presupposes as ‘working’, alternating between living, working, and landscape spaces” - Amita Kulkarni, Co-founder and Principal Architect, SAV Architecture + Design

meeting space

social/living

workspace

working or for small brainstorming sessions outside of work-stations

relax-

full glass wall, exposed beam-work detailing, community table, indoor/outdoor kitchen, open access to rooftop garden, exposed pipework

MONTRÉAL

5524 Rue Saint-Patrick #300-302, Montréal, QC H4E 1A8, Canada

The concept of the design of AICL Communications has an emphasis throughout the design on understanding the future of working environments, particularly in the creative industry.

Inspired by the creatice process, the interior space of AICL is conceptualised into “fuzzy spaces” similar to the idea of “fuzzy thinking” throughout the creative development of design.

The concept was implemented in the solution by the overlapping of different programs over all the spaces including the outside ones, so that events, meetings, working and fun things can be interspersed all across and each and every space gets used in with fresh ideas making the entire working environment interchangeable.

Architects: Atelier I’Abri, Vives St-Laurent Client: Sodexo Location: 5242 Rue Saint-Patrick #300-302, Montreal, QC H4E, Canada Use: Professional Services

concept sketch

- Architectural Digest

Year of construction: 2020 ground floor plan

organization of space other carlift 1 carlift 2 staircase single bath men bath women bath lift 1 lift 2 server

1 13 %

brand/identity AICL is a creative company providing creative solutions for their clients. The company's brand/ identity is reflected throughout the design of the space by implementing custom furniture to blend functionality as well as innovative additions to the creative nature of the space.

Designer Vikrant Tike, explained the significance of crafting furniture elements specific to AICL Communications as the emphasis and quality of graphics, texture, and design elements were not overlooked but instead a focus of the conceptual design.

2 22 %

155 155 152 30 88 88 30 30 54

meeting space 184 meeting room 173 ceo pod small meeting 1 61 small meeting 2 94 287 creative desk casual meeting 119 informal meeting 139 261 large meeting

1 2 13 %

outdoor space

3 14.5 %

walk in the park

1200

5

4 27.5 %

social space

3

20 %

5 20 %

amphitheater 388 living/social 145 library 128 reception 210

4

materials board

1290 361

open workdesks upstairs workspace

second floor plan

seperation of space

ANALYSIS

blurred

stimulus

stimulus that celebrates the technical and relaxed elements

that draws you into the elements that provides light to stay alert and exit to take a short break

that promotes prolonged productivity and stillness

social spaces

meeting spaces

Sustainabillity:

Spatial Allocation

The concept of this project is to create a Quality of Life Space that highlights air, water, light, sound, and material to create a healthy a sustainable enviorment.

With access to outside views, an abundance of plants and plentiful amounts of natural light the design team wanted to promote movement, community and the importance of nourishment through natural aspects and materials such a wood. The building has also implemented a network of sensors to collect real-time data on the use of the space, meaning the building will improve energy efficiency over time.

IMAGES

“SOCIAL SPACE”

that prolongs comfort and movement

that prolongs comfort and attentive posture AUDITORY

“MEETING SPACE”

8am 9am 10am 11am 12pm 1pm 2pm 3pm 4pm 5pm

Site: The project occupies a large space within the Dompark complex, an industrial building built in 1908 directly on the edge of the Lachine Canal in Montreal.

Materials: Steel, Glass, Sheetrock, Maple

14.5 %

workspace/focus

AUDITORY

Square footage: 7,000 sf

22 %

27.5 %

“The “broad strokes” of the space, as Kulkarni and Tike call them—the concrete floors, the white ceilings, and the plywood furniture pieces— served as a binding theme across all the spaces.

“As a studio, we always like to highlight key parts of the design through the right contrasts,” Kulkarni offers. The sharply defined play of volumes for the conference and director pods, the colour gradient of the doors and the bold graphics on the signage accentuate the space—all the more because of the muted backdrop.”

blurred

collaboration-

triple height ceiling, metal detailing, area, floor to ceiling glass pane doors, lounge

8am 9am 10am 11am 12pm 1pm 2pm 3pm 4pm 5pm TYPICALS

height: 7’7”

area: 145 sq ft (3 Units)

area: 388 sq ft (1 Unit)

blurred

blurred

stimulus VIS

stimulus “WORKSPACE”

UAL

that invites the

that provides clear purpose and identity as a brand

OPOM

Y

TA

walk in the park

E TR

AN

T

outside in

HR

that supports you for brief, intentional periods of time

that prolongs productivity and flexibility

CTILE

that encourages collaboration and community

that grounds you inside

AUDITORY

AUDITORY

“A WALK IN THE PARK”

7am 8am 9am 10am 11am 12pm 1pm 2pm 3pm 4pm 5pm

8am 9am 10am 11am 12pm 1pm 2pm 3pm 4pm 5pm TYPICALS

workspace

TYPICALS “walk in the park”

“breakout zone”

exterior focused

intimate meeting

6’ x 1’6”

3’3” x 1’

“walk in the park”

“dining”

brief resting

socially engages

6’ x 1 ’2”

6’ x 1’6”

additional workspace allowing for extra individual desk space

ergonomic desk + task chair for focus large storage cabinets for tidy space charging ports for electronics

above desk storage cabinets cloth bench for relaxation

SPATIAL QUALITIES

m

t ee

carlift carlift staircase bath small meeting room ceo pod amphitheater living/social library meeting small small meeting creative desk lift 1 lift 2 reception men bath women bath open workdesks meeting informal meeting large meeting server walk in the park upstairs workspace

pla

y rk wo

esc

ap

e

et

me

TYPICALS

FORD MODESETT

occupancy load

HANNAH ESLICK

= one person circulation diagram

occupancy diagram

11

PRECEDENT STUDY 3/3

CAITLIN THIRION, MYAH MOBBS & IVY HUANG

TINY’S NEW HEADQUATERS

Average Sunlight hours

Average Hours of Sunlight per Day

LOCATION - BENTO GONÇALVES, BRAZIL ARCHITECTS - KARINA GUIDOLIN ARQUITETURA AREA - 10,085 YEAR - 2020 PROGRAM - SOFTWARE COMPANY HEADQUARTERS

9

AVERAGE AMOUNT OF SUNLIGHT PER DAY

HOME-TURNED-OFFICE -

EMPHASIZING THE QUALITIES OF HUMANITY AND THE CORPORATE SPACE

8

7

6

THE FACTORY CONTEMPORARY ARTS CENTER

HO CHI MINH CITY, VIETNAM HTAP ARCHITECTS + HOANH TRAN 2017 | 9500 SQUARE FEET

5 4

3 1 1

2

3

4

5

6

7

8

9

10

MONTHS OF THE YEAR

11

12

Months of the Year

https://en.climate-data.org/south-america/brazil/rio-grande-do-sul/bento-goncalves-1386/

KITCHEN/DINING AREA a relaxing space surrounded with windows that frame a beautiful mountain range

MAIN OFFICE SPACE located on the south side of the building, this space has plenty of natural lighting and efficent venitlation

Chart Title

O F F I C E S PA C E S M E E T I N G S PA C E S B AT H R O O M S SOCIAL AREAS OUTDOORS

PUBLIC PUBLIC

THE CLIMATE OF HO CHI MINH CITY IS WARM YEAR-ROUND, RARELY DROPPING BELOW THE 60S. THEREFORE, THE FACTORY’S SPACE IS MAINLY INDOORS, PROTECTING THE ARTWORK, BOOKS, AND PEOPLE FROM THE OPPRESSIVE HEAT. THERE ARE OUTDOOR SPACES THAT MAKE USE OF TENSILE SHADING STRUCTURES AND NATURAL SHADOWS OF THE BUILDING AND THE SHIPPING CONTAINERS AS WELL AS LARGE FANS FOR COOLING. THE LOCATION OF THE BUILDING IS RIGHT OFF OF A BUSY ROAD AND NOT FAR FROM SONG SAI GON, A RIVER FLOWING THROUGH HO CHI MINH CITY. THE BUILDING ALSO IS NOT FAR FROM SEVERAL LOCAL COFFEE SHOPS, BARS, AND EATERIES.

SECOND FLOOR OFFICE SPACE a more compact and intimiate space to make employees feel comfortable

THE FACTORY CONTEMPORARY ARTS CENTER IS THE DESTINATION IN VIETNAM FOR THOSE WHO APPRECIATE ART, CULTURE AND THE LOCAL COMMUNITY. ITS CREATION SERVES THOSE WHO WILL UTILIZE THE DIFFERENT INTERDISCIPLINARY ART AND CULTURAL ACTIVITIES THE BUILDING HAS TO OFFER. LOCATED IN A BUSY PART OF THE CITY, THE TWO-STORY CULTURAL HUB WAS CREATED IN THE PLACE OF AN EXISTING WAREHOUSE AND UTILIZES ALMOST A DOZEN SHIPPING CONTAINERS IN ITS STRUCTURE. CIRCULATION

Front Yard YARD FRONT Cafe CAFE Restaurant Seating RESTAURANT SEATING Air-Conditioned Seating AIR CONDITIONED SEATING Reception RECEPTION Exhibition Area EXHIBITION AREA Reading Room ROOM READING Special ExhibitionEXHIBITION Room SPECIAL ROOM Workshop WORKSHOP Tensile Shading Structure TENSILE SHADING

PRIVATE PRIVATE

Art Storage ART STORAGE Restaurant Kitchen RESTAURANT KITCHEN Bathroom BATHROOM Art Storage ART STORAGE Extra StorageSTORAGE EXTRA

GROUND FLOOR: PUBLIC V PRIVATE PUBLIC PUBLIC

GROUND FLOOR: CIRCULATION CIRCULATION

OUTDOOR CAFE

Outdoor Cafe

GROUND FLOOR PLAN Exhibition Room EXHIBITION ROOM

BATHROOMS

GROUND FLOOR PLAN

PRIVATE PRIVATE

OFFICES STORAGE

Offices

Storage

MEETING SPACES

OFFICE SPACES SOCIAL AREAS

FIRST FLOOR: PUBLIC V PRIVATE Office Spaces

Social Areas

Meeting Spaces

FIRST FLOOR: CIRCULATION

Bathrooms

GROUND FLOOR 2.8%

FIRST FLOOR PLAN

FIRST FLOOR PLAN

THE TYPICALS SHOW OFFICE SPACES FOR WORKING INDIVIDUALS. BOTH ARE FURNISHED WITH FUNCTIONAL DESKS AND CHAIRS, BUT TYPICAL #1 ADDITIONALLY HAS A TABLE FOR MEETING. TYPICAL #1 IS A PLACE TO SHARE IDEAS OR CONFERENCE OR FOR INDEPENDENT WORK. ONE OF THESE SPACES EXIST IN THE BUILDING. TYPICAL #2 IS MORE OF A QUIET SPACE FOR INDEPENDENT WORK. TWO OF THESE SPACES EXIST IN THE BUILDING.

1.3%

4.7%

11’

4.3%

15’

MEETING ROOM

SECOND FLOOR OFFICE 35.4%

EXHIBITION AREA

Office 1 2nd Floor

READING ROOM

WORKSHOP

ART STORAGE

RESTROOMS

FIRST FLOOR 3.1%

1.3%

6.6%

FIRST FLOOR WORKSPACES 40.5%

VOID

EXHIBITION ROOM

OFFICES

STORAGE

TYPICAL: OFFICE SPACE TYPICAL: OFFICE SPACE #1 0’

3

6

9

12

15

TYPICAL: OFFICE SPACE TYPICAL: OFFICE SPACE #2 0’

3

6

9

12

15

16’

CALL ROOM 15’

SECOND FLOOR WORKSPACE

MADISON KING + KATELYN HILL

Marketing Room

Communique Marketing Solutions OFfice Project

Communique Marketing Solutions Office

Location

83, Phase IV, Udyog Vihar, Sector 18, Gurugram, Haryana 122015, India

Design Team

Group DCA

Commencement Date Completion Date

2017 2018

Size

9484 sf

Program/Typology

An open workspace that is meant to foster creativity, collaboration and productivity. Each space was designed as a volume and the idea and concept behind the office is a strategy called Biophilia.

Allocation of Space by Percentage 120 100 80 60

Floor Three - Studio and Terrace

40 20 0 Ground Floor

Floor One

Work

Floor Two A

Floor Two B

Personal Amenities

Floor Three

Overall

Leisure/Wellness

Floor Two Upper Level - Work+Meeting

Floor Three Yoga Studio

Workspace Greenwall

Floor One-toFloor Two Communication

Floating Meeting Room and Amphitheater Floor Two - Meeting

YOGA STUDIO

Sun Path Diagram WORKSTATION

CONFERENCE ROOM

PRIVACY DIAGRAM KEY

WORKSTATION

Floor One - Work + Assembly

AMPITHEATHER

Volume Diagram

Floors One and Two Lighting Diagram Ground Floor - Reception and Team

Material Board

Privacy Diagrams

MARGARET IMBER & DAVID SCHROUF

Coughran, Myah, Huang, Ivy, & Thirion, Tracy | TINY’s HQ. (Upper Left) Imber, Margaret & Schrouf, David | Communique Marketing Solutions (Lower Left) Hill, Katelyn & King, Madison | The Factory (Upper Right)

12

A team of two students evaluated a precedent project to address problem-solving, placing information within the context of design components.

Borgfeld, Emily & Hanlon, Mia | LASVIT HQ. (Lower Left)

K

E

R

M E X I C O

I

N

C I T Y

|

G

O

F E R N A N D O

Hanavec, Sydney & Prentice, Ava | KERING (Upper Right)

F

F

I

R O M E R O

C

E

S

E N T E R P R I S E

LEVEL 9 ISOMETRIC PROJECTION + GLASS PARTITIONS

Fallows, Maya & Morris, Megan | TIRA (Lower Right) LEVEL 8 ISOMETRIC PROJECTION + GLASS PARTITIONS

LEVEL 8 PLAN + CIRCULATION PATH

PROJECT NAME

LEVEL 9 PLAN + CIRCULATION PATH

Kering Offices

LOCATION

Mexico City

ARCHITECT

FR-EE / Fernando Romero Enterprise

SQUARE FOOTAGE COMPLETION PROGRAM

TOTAL DESKS

ISOMETRIC PROJECTIONS

Approx. 7,965 sq. ft.

LONGITUDINAL SECTION

TRANSVERSE SECTION

2020 Commercial office building in Mexico City for the Kering Group, a Frenchbased multinational corporation specialized in designing, manufacturing, and marketing luxury goods 42

The Mexico City Kering Office exemplifies a clean, and calming workspace. It was designed by Fernando Romero, Mauricio Ceballos, Liliana Viveros, Fernando Talamantes, Armando Montiel, César López, José María Padilla, for the company Kering. Kering is an international production company that manages the development of fashion materials for luxury fashion brands such as Gucci, Saint Laurent, Balenciaga and many others. FR-EE Fernando Romero Enterprise, a global and industrial design firm, was at the head of the project. The goal of the project was to create a calming, clean, and safe workplace. Kering focuses on employee welfare and is committed to creating a healthy environment, which is primarily why most design decisions were made. They also heavily emphasize sustainability, and are LEED Gold Certified. They recently have come up with a map to reduce their environmental footprint by 40% and their carbon emissions by 50% by 2025. This is at the heart of the company’s beliefs, and a main way they lead with all of their design decisions. With that being said, when building this office, FR-EE was up for the challenge, the office is now in the process of getting LEED Certified. With Kerings main focus being sustainability and the welfare of their employees, the choice of materials were to be light and airy. The materials chosen are intended to be pure, so they consist of wood, concrete, and glass.

The color palette was chosen in order to be raw in appearance, black, white, grey, and beige.

RECEPTION

LOUNGE AREAS

1% | 73 SQ FT

8% | 609 SQ FT

MAINTENANCE 1% | 75 SQ FT

CIRCULATION

CONFERENCE ROOMS

25% | 2,036 SQ FT

9% | 688 SQ FT

WOOD

RECINTO STONE

LOCAL VOLCANIC ROCK

PHONE BOOTHS

2% | 128 SQ FT

STORAGE

2% | 170 SQ FT

CHUKUM WALL FINISH

ORIGINATED IN MAYAN CULTURE

PRIVATE OFFICES 31% | 2,494 SQ FT

WORK AREAS

15% | 1220 SQ FT

CONCRETE BREAK ROOM

BATHROOMS

4% | 312 SQ FT

AVA P R E N T I C E + SY D N E Y H A N AV E C

L E V E L

1

L E V E L

2 2.3%

4.4%

1.0%

LEVEL 3

8.3% 8.3% 1.1%

8.8% 8.3%

L E V E L

3

50%

2% | 160 SQ FT

GLASS

TIRA OFFICE

LEVEL 2

6.8%

FOYER: 565 sq ft CAFE: 1,050 sq ft PATIO: 2,000 sq ft WAITING: 2,130 sq ft

LEVEL 1

STORAGE: 255 sq ft WALKWAY: 2,145 sq ft BTHRM: 1,635 sq ft MEETING: 2,005 sq ft OFFICE: 12,045 sq ft 1. GROUP FORMAL LOCATED IN THE MEETING ROOMS; SHELVES, TV, LONG DESK, ROLLING CHAIRS

2. LOUNGE LOCATED IN WAITING RM, FOYER, OFFICES, PATIO; CIRCULAR TABLE & ROUNDED CHAIRS

Project: Location:

3. INDVIDUAL LINE LOCATED IN THE OFFICES; LONG RECTANGULAR DESKS PLACED NEXT TO EACH OTHER, SHELVES, ROUND ROLLING CHAIR

PROJECT: HEADQUARTER LASVIT LOCATION: NOVÝ BOR, CZECH REPUBLIC LOCATED ON PALACKÉHO SQUARE IN THE NORTHERN CZECH TOWN OF NOVÝ BOR, THIS PROJECT ATTEMPTS TO RENEW ITS REGIONS TRADITION OF GLASSBLOWING, WHILE ADDITIONALLY RESTORING SOME OF

4. INDIVIDUAL GROUP LOCATED IN THE OFFICES; LONG RECTANGULAR DESKS PLACED IN A GROUP OF FOUR, SHELVES, ROUND ROLLING CHAIR

C I R C U L A T I O N

SECTION

&

SITE

THE TOWNS BUILDINGS AND THEIR HISTO-

TIRA Office Building 608-19 Yeoksam-dong Gangamnu, South Korea Nestled in a quiet residential neighborhood built in the 80’s, the TIRA Office Building is an amalgamation of the private and the public, the old and the new. The building hosts a Travel Service agency, with its top floor serving as the owner’s residence.

Design team: HBA-rchitects Hyobin Jung, Lead Architect KUM Structure, Engineering Completion Date: 2018 Size: 5,193.8 square feet across 4 levels Program: Office Building/Housing-- Piloti (Level 1); Courtyard (Level 2); Skip Floor (Level 3); Residence + Offices (Level 4)

RICAL ESSENCE THAT CAN BE TRACED TO THE LATE 18TH CENTURY.

DESIGN TEAM:

OV-A ARCHITECTS

COMPLETION DATE: 2019

SIZE: 8385 SQFT PROGRAM/TYPOLOGY:

OFFICE BUILDING

WITH GROUND FLOOR CAFE.

HEADQUARTER LASVIT INVITED A NUMBER OF ARCHITECTURE FIRMS TO SUBMIT PROPOSALS FOR A DESIGN THAT WOULD DAZZLE AND INSPIRE YET RESPECT THE HISTORY OF THE SITES EXISTING BUILDINGS. THE BRIEF ALSO CALLED FOR A SCHEME THAT WOULD PROVIDE EMPLOYEES AND VISITORS WITH A PLEASANT, FUNCTIONAL ENVIRONMENT. HOWEVER, THE BUILDINGS ALSO HAD TO FULFILL DEMANDING TECHNICAL REQUIREMENTS. AS LASVIT IS KNOWN FOR ITS INTRICATE AND LARGE-SCALE KINETIC GLASS INSTALLATIONS THAT REACT OR MOVE TO MUSIC, ONE OF THE PROJECTS KEY GOALS WAS TO INCLUDE A HALL WHERE THESE WORKS CAN BE DISPLAYED UNDER DIFFERENT LIGHTING CONDITIONS. THE NORTHERN CZECH TOWN OF NOVÝ BOR INSPIRED THE PROJECT, SEEKING TO REGENERATE THE REGIONS GLASSBLOWING TRADITIONS AS WELL AS RESTORING THE TOWNS HISTORIC BUILDINGS. THE MASTER PLAN SHOWS THE ADDITION OF STRIKING A NEW BUILDING, CLAD WITH GLASS TILES INSPIRED BY THE SURROUNDING SLATE ROOFS. LEON JAKIMIČ, PRESIDENT OF LASVIT STATES THAT THEY CHOSE A HOUSE USED BY GLASSMAKERS AS LONG AS TWO HUNDRED YEARS AGO, AND BREATHED NEW LIFE INTO IT, A LIFE INTERTWINED WITH GLASS AND WITH THE ROOTS OF THIS TRADITIONAL CRAFT IN THIS AREA, SHOWING HOW TRADITIONAL MATERIALS CAN BE UNITED WITH MODERN DESIGN AND CUTTING-EDGE TECHNOLOGY, A PRIMARY CONCERN FOR THE PROJECT WAS TO CREATE A STRONG IDENTITY THAT STILL CONNECTS TO ITS SURROUNDINGS AND REMAINS A PART OF THE TOWNS FABRIC. THE TWO HOUSES WERE ORIGINALLY BAROQUE-ERA COTTAGES, THESE HOUSES EMULATING A UNIQUE SHAPE BOTH INSIDE AND OUT. THE BLACK HOUSE IS CLOSED, WHEREAS THE GLASSHOUSE SHINES LIKE A LAMP TO THE CITY; A SIGN OF THE REJUVENATION IN GLASSMAKING FOR THE REGION. DURING THE RENOVATION, ARCHITECTS DISCOVERED A WELL THAT WAS UNKNOWN TO THE TOWN RECORDS, WHICH THEN INSPIRED THEM TO CELEBRATE THE HISTORICAL ARCHITECTURAL FEATURE BY ALLOWING VISITORS TO LOOK THROW A GLASS FLOOR TO SEE TO THE BOTTOM OF THE WELL THAT COULD'VE BEEN PART OF THE ORIGINAL SETTLEMENT. THE FOUR HOUSES ARE CONNECTED BY A PATH ALONG WITH THE COURTYARD,

WHICH IS COMPLEMENTED BY STOPS AND NOOKS AND CRANNIES FOR WORKERS OR VISITORS TO EXPLORE. THE GLASSHOUSE IS ENTERED THROUGH ACOUSTIC 'NECKS' AND THE BLACK HOUSE THROUGH A GLASS 'TUNNEL'. TREES WERE PLANTED IN THE YARD DURING AUTUMN TO EMBRACE NATURE IN THE PROJECT AS WELL AS FILL THE AREA WITH COLOR THROUGHOUT THE SEASONS. THE GLASSHOUSE IS CONCEIVED AS A LIGHTHOUSE, CLAD WITH TILES TO BE REMINISCENT OF THE SHAPE AND APPLICATION OF THE TRADITIONAL SHINGLES, SQUARE GLASS TEMPLATES PLACED DIAGONALLY ON TOP OF EACH OTHER. LASVIT WAS ABLE TO GIVE THE GLASS A SIMILAR TEXTURE TO THE SLATE, WHILE THE ADJACENT BLACK HOUSE FACADE IS OVERLAID WITH CEMENT WALL TILE. INSIDE, GLASS ELEMENTS ARE EXPOSED THROUGH SHELVES THAT ARE ILLUMINATED BY DAYLIGHT AND BACKLIT TO GLOW AFTER DARK.

LASVIT

M I A H A N L O N & E M I L Y B O R G F E L D

TYPICALS - Lower Ground Floor 2 1st floor typicals (2 offices, 2 bathrooms, 2 storage)

TYPICALS - Lower Ground Floor 1 2nd floor typicals 19’ 4”

6’

6’

5’

13’ 2”

8’ 4” 24’ 10”

5’

8’

7’ 10”

15’ 10”

12’

12’

5’ 6”

1’ 3’ 7”

7’2”

13’

6’ 7”

12’

2’ 7” 9’ 10”

1’

6’

7’

5’ 5’

11’

35’

8’ 8”

12’ 3”

6’ 2”

13’

TYPICALS - First Floor

13’

13’

TYPICALS - Second Floor 12’

13

SITE ANALYSIS 1/2

525 S. SCHOOL AVE

BY EMILY FORDYCE, AUDREY PACE, & SADIE ULESTON

FIRST FLOOR PLAN - NTS

SITE ANALYSIS

SECOND FLOOR PLAN - NTS

MATERIALS

BASEMENT PLAN - NTS

CACHE PROJECT E X I S T I N G

HALEY RUSSELL

ELLISON POELLOT

COMPOSITE PANEL

INTERIOR STONE TILE

STEEL

GALVENIZED GLASS INTERIOR CONCRETE STEEL ROOF

EXTERIOR CONCRETE

EXTERIOR BRICK PAVING

OAK

INTERIOR BRICK

BATHROOM TILE

CAST IRON

KRISTS HUNT

B U I L D I N G

A. STRUCTURAL STEEL BLOCKING WINDOW IS SUPPORTING FLOOR ABOVE AND CONNOT BE REMOVED B. SECOND STORY OF APARTMENT LIVING; CROSSING STEEL CABLES BLOCKING WINDOW. CEILINGS ARE EXPOSED REVEALING PLUMBING, ELECTRICAL, HVAC SYSTEMS USED FOR BOTH SPACE AND STRUCTURE. C. ELECTRICAL CONDUITS RUNNING ALONG THE OVERHANG ON THE EXTERIOR OF THE BUILDING. THE CONDUITS ARE PASSED THROUGH THE WALL TO BE UTILIZED ON THE INTERIOR AND SOME EXTERIOR LIGHTING. D. STRUCTURAL STEEL JUTS OUT OF THE WALL INTO THE MIDDLE OF THE FIRST FLOOR OF THE APARTMENT, MAKING USERS’ EXPERIENCE MORE LIMITED. SUPPORTS FIFTH FLOOR, SO CANNOT BE REMOVED IN REMODEL. E. STEEL COLUMNS THE PROVIDE SUPPORT RUNNING THROUGH THE ENTIRE BUILDING. CREATES INDUSTRIAL ENVIRONMENT THAT CONTINUES ON THE INTERIOR. CROSSING STEEL CABLES ARE EVIDENT IN AND OUTSIDE TO GIVE STABILITY FOR SHEAR FORCES (MAY BE HAZARDOUS).

F. CROSSING STEEL BEAMS COVERING WINDOW ON THE EGREES STAIR; CAN BE DANGEROUS IN FIRE DUE TO WINDOW BEING BLOCKED. PROVIDES STRUCTURAL SUPPORT BUT PAINTED BLUE FOR AESTHETICS.

Kennedy, Kendal, Shell, Madison, & Weidman, Ashlynn (Upper Left) Hunt, Krista, Poellot, Ellison, & Russell, Haley (Lower Left) Fordyce, Emily, Pace, Audrey, & Uselton, Sadie (Upper Right)

14

A team of three students collected and documented the information needed for future design by visiting the project site.

Haake, Mia, Hill, Katelyn, & Wright, Emily (Lower Left)

SITE ANALYSIS - MILL DISTRICT BUILDING MATERIALS

Bencsik, Shannon, Fallows, Maya, & Hanavec, Sydney (Lower Right)

BUILDING SYSTEMS

SITE STUDY- PATHS OF TRAVEL

BUILDING SYSTEMS

SITE STUDY - VIEW OF SURROUNDINGS

Brown, Taylor, Eslick, Hannah, & Vang, Diamonique (Upper Right)

TAYLOR BROWN HANNAH ESLICK DIAMONIQUE VANG

FLOOR PLAN ANALYSIS

STRUCTURAL COMPONENTS

C C C T

525

A A A

H

C C C

E

H H H

S

I

T

E E E

3 2 1

UP

S SCHOOL AVE, FAYETTEVILLE, ARKANSAS

1

I-BEAM

2

DIAGONAL BRACING

3

CROSS BRACING

DN

DN

E

C A C H E S I T E A N A LY S I S CREATIVE ARKANSAS COMMUNITY HUB + EXCHANGE

SECOND LEVEL BUILDING STRUCTURAL ELEMENTS

09.29.2021

EXTERIOR FINISHES AND MATERIALS

GARBAGE & RECYCING AREA

1 I-Beam

3

PAD MOUNTED TRANSFORMER BOX

2 Diagonal Bracing

2

SHANNON BENCSIK / MAYA FALLOWS / SYDNEY HAVANEC

BUILDING SYSTEMS KEY

3 Cross Bracing

DIGITAL ELECTRICTY UTILITY METER

1

AC UNIT WATER ELECTRICTY

GROUND LEVEL BUILDING STRUCTURAL ELEMENTS

1

I-BEAM

UP

1

SITE

DN UP

DN

BASEMENT LEVEL BUILDING STRUCTURAL ELEMENTS

3 2

WASTE

3

HVAC

5

1 UP

4

ELECTRICAL

2

4

6

5

DN

1

Corrugated steel sheets for side paneling and slanted roof overhang

Triple and double hung windows

Red iron beams and columns

Yellow metal paneling

WATER DIAGONAL BRACING

6 ELEVATOR

Old silo concrete slab on backside of property

FIRST FLOOR PLAN VIEW

EXTERIOR MATERIALS

BUILDING SYSTEMS

TRAFFIC FLOW

URBAN SETTING

FORM DIAGRAMS - CIRCULATION/GRID/BLOCK/OPEN+CLOSED

STRUCTURAL DIAGRAM

N

DN

5

7

CURTAIN WALL

8

DOUBLE HEIGHT SPACE

9

CROSS BRACING

SECOND LEVEL BUILDING SYSTEMS

2 DIAGONAL BRACING

3 CROSS BRACING

7 ELECTRICAL Cross bracing is utilized very strategically in areas that may obscure an ideal view for workers, however they offer the support necessary to withold the weight of the building.

These steel trusses vary in location and size as well.

Diagonal bracing is placed strategically throughout this floor to allow structural support. Although these steel trusses are located very centrally throughout the space, they bring a dynamic and industrial touch to the area that remains cohesive throughout the entire building.

The electrical wires are located in a closet behind a floor to ceiling sliding barn door.

This allows for wires the excess amount of wires to be hidden and keep an organized system for powering several television screens, computer monitors and lighting simultaneously. The sliding barn door allows for the electrical to be easily accessed as well if neccessary.

6 HVAC

5 WATER

4 ELEVATOR

The HVAC unit is located in the same closet area as the electrical units. This allows for easy access through the sliding barn door, while also hiding important elements of the structure that are not aesthetically contributing to the workplace design and organization.

The sink area is located just byond the collaborative work area inside the break room kitchenette for employees to enjoy refreshments and food during and outside of work time. This fuels their bodies and allows them to use their rest time in a beneficial way.

The elevator is centrally located, offering full access to every floor of the building.

This allows for ADA accessability and an additional form of exit, entry, and circulation throughout the work building.

2

3

1

1

3 9

2

9

5

5

5

3

5

4

5

3

8

ELECTRICAL WASTE HVAC WATER DIAGONAL BRACING

6 ELEVATOR 6

7

7 5

3

9

9

9

9

CURTAIN WALL

8

DOUBLE HEIGHT SPACE

9

CROSS BRACING

GROUND LEVEL BUILDING SYSTEMS

4

2 WASTE

1 ELECTRICAL

3 HVAC Two different sets of HVAC systems can be found on the west side of the building.

One is located next the electrical, the other is on the southwest corner.The path of ventilation continues along the exterior walls in the interior.

The mirco waste components can be found on the far northwest corner of the grounds. They are within a minutes walking distance from exiting the building and back.

Located on the northwest corner of the building, the electrical boxes can be reached by exiting any exterior based door.

5 DIAGONAL BRACING

4 WATER

6 ELEVATOR

What can be found throughout the building is a main source of structure for the site. This diagonal bracing is consistently attached to I-beams.

The water lines flow through the front of the building and gain access at the front of the building at teh north east corner.

7 CURTAIN WALL

8 DOUBLE HEIGHT SPACE

Used only in the entrance lobby of the building, the curtain wall brings an architecturally modern aspect to the space.

The elevator provides access to all progam floors, located off-center of the building, closer to the south end.

9 CROSS BRACING

The double height space from the first floor gives views to the basement level of the site. The use of curtain wall acts as a way to let in natural light in to the windowless basement level.

The cross bracing structural element plays part in numerous areas of the site, all located in front of windows.

CORRUGATED METAL

1 1

2

3

4

2

4

UP

3 4

5

7 8

5 DN

ELECTRICAL BATHROOM KITCHENETTE WATER RAMPS

6 ELEVATOR

6

4

UP

5

DN

1

7

DOUBLE HEIGHT SPACE

8

HVAC

BASEMENT LEVEL BUILDING SYSTEMS

CABEL DETAIL 1

STEEL PANELING

ELECTRICAL

2

BATHROOM

5

RAMPS

4 WATER

ELECTRICAL

Sprinkler heads located throughout the basement in case of an emergency.

Pipes run throughout the ceiling.

7

DOUBLE HEIGHT SPACE The basement is opened up to the first floor. The first floor looks down on the basement. Glass curtain walls makes it easy to see up.

WRIGHT

MIA

HAAKE

KATELYN

KITCHENETTE

ELEVATOR

Small kitchenette in basement equipped with sink and microwave to clean dishes and heat up meals.

HVAC

EAST ELEVATION EXTERIOR UTILITIES

I-BEAM

HVAC

EMILY

3

6

Unisex bathroom located in basement. Equipped with shower and is ADA accessiblle.

Located in a closet in the back left corner of the basement. Hidden from sight but easy to get access to it when needed.

METAL CORNER DETAIL

WEST ELEVATION MATERIALS & FEATURES

ADA accessible ramps for those who use a wheelchair coming down from the elevator.

8

HVAC

Accessible from all floors. Connected to the stairs and ramps.

Located above the first ramp. This allows comfort to continue in the basement.

HILL

15

SITE ANALYSIS 2/2

site analysis

mia h., emily c., ty h.

nway

k Gree

rbac

Razo

525 school ave

­

Razor back

way Green

­

second floor

­

structural trusses section workspaces in existing plan, clients expressed need for focus workspace as well as collaborative desks potential use for focus workspace as zoning could be created with the existing structural elements.

structural columns along corridors need to be considered when creating space for accessiblity and ADA codes

electrical located on exterior of building, easily accessible for maintence

materials & surfaces

Borgfeld, Emily, Miranda, Madisyn, & Ruland, Sydney (Upper Left)

first floor

structural trusses located by windows, basement has minimal lighting causing spaces to be dark client expresses need for natural lighting and views of exterior, expanding window sizes would maximize natural daylight throughout interior space

6’ 6”

3’ 9.5”

6’ 8.5”

5’ 10”

Creek, Emily, Hanlon, Mia, & Hughes, Tyler (Lower Left)

4’ 9.5”

6’ 4.5”

6’ 6”

14’ 11.5” 3’ 6”

12’ .5” 14’ 11”

16

basement

access to basement interior spaces allows for area to be ADA accesible which is nessecary for the inclusivity clients wish to achieve artifical lighting is very dim, potential for improvement on the lighting strageties

22’ - 0” height ceiling provides natural daylight throughout interior spaces as well as views to the basement interior from first and second floor

4.5”

FRONT FACADE 1’ = 1/8”

2.25”

1” .5”

8”

NOT TO SCALE

electrical closet located in basement interior adjacent to ramp access.

Coughran, Myah, McKnight, Jade, & Schrouf, David (Upper Right)

A team of three students collected and documented the information needed for future design by visiting the project site.

Huang, Ivy, Morris, Megan, & Prentice, Ava (Lower Left)

Mill Distric Office Building

Imber, Margaret, Thirion, Tracy, & Walker, Sydney (Upper Right)

Arsaga’s

Mill Office Key

Trail Access

Parking Circulation

Parking Lots Main Highway Fire Lane

Hair salon /restaurant

King, Madison, Modesett, Ford, & Struck, Skylar (Lower Right) Electrical units located on the West side of the building.

Structural diagonal trusses located throughout the building on all floors. This one is on the second floor.

Double height space located in the basement level.

Structural Columns Structural columns

Electrical Units

Double height

HVAC Systems

Structural columns Diagonal trusses

First Floor Plan

Basement

Second Floor Plan

Caitlin Thirion, Margaret Imber, Sydney Walker

S I T E A N A LY S I S

525 South School Avenue PROGRAM SITE ANALYSIS

NORTH WEST ARKANSAS COUNCIL CACHE

525

S S CH

OOL

AV E

FAY

ETT

EVI

LLE

AR

727

01

S K Y L A R S T R U C K , F O R D M O D E S E T T, M A D I S O N K I N G

THE ACTIVITIES GOING ON IN THIS SPACE WOULD INCLUDE WORKING INDIVIDUALLY AS WELL AS COLLABORATIVE WORK, WORK EVENTS, FAMILY FRIENDLY, AS WELL AS BIKING. THE

METAL SIDING

ACM PANELING

SITE IS NOISEY, MLK ROAD IS NEXT TO THE BUILDING, WHICH IS A BUSY ROAD, TRAIN TRACKS ARE ALSO VARILY CLOSE, THE TRAINS HORN OFFERS A LOT OF SOUND. OVERALL THE OBJECTIVE IS TO CREATE A SPACE FOR EMPLOYEES AS WELL

METAL STRUCTURAL COLUNMS

STEEL MULLIANS

AS VISITORS, A PLACE THAT IS WORKING TOWARDS MAKING THE NWA AREA A BETTER PLACE AND A PLACE THAT BETTERS THE LIVES OF THE EMPLOYEES BY OFFERING THEM A SPACE THAT BALANCES THEIR WORK LIFE AS WELL AS THEIR PERSONAL LIVES.

CONCRETE CYLINDER

BARRIER CABLE

DUMPSTERS

2’-0” 71”

DIAGONAL TRUSSES

202”

VERTICAL COLUMNS

METERS

6” STAND PIPE

WASTE WATER

FIRE HYDRANT

ELECTRICAL HVAC

WATER HEATER

DIAGONAL TRUSSES

5’-0” 4’-6”

ELECTRICAL

CLOSET

VERTICAL COLUMNS

ELEC

WASTE WATER ELECTRICAL HVAC

Megan Morris + Ivy Huang + Ava Prentice

DIAGONAL TRUSSES

VERTICAL COLUMNS

17

DESIGN PROJECTS 1/2

22 Bencsik, Shannon | CACHE

34 Coughran, Myah | CACHE

46 Fallows, Maya | CACHE

26 Borgfeld, Emily | CACHE

38 Creek, Emily | unbounded

50 Fordyce, Emily | OVERARCHING VISION

30 Brown, Taylor | CACHE

42 Eslick, Hannah | CACHE

54 Haake, Mia | CACHE

18

Including Concept Development and Posters for Early, Mid, and Final Reviews

58 Hanavec, Sydney | CACHE

70 Huang, Ivy | CACHE

82 Imber, Margaret | CACHE

62 Hanlon, Mia | CACHE

74 Hughes, Tyler | CACHE

86 Kennedy, Kendal | CURVING BOUNDARIES

66 Hill, Katelyn | CACHE

78 Hunt, Krista | ARCADIA

90 King, Madison | CACHE

19

DESIGN PROJECTS 2/2

94 McKnight, Jade | A PLACE FOR CACHE

106 Pace, Audrey | CACHE

118 Ruland, Sydney | Creative Connections

98 Modesett, Ford | CACHE

110 Poellot, Ellison | CACHE

122 Russell, Haley | CACHE

102 Morris, Megan | CACHE

114 Prentice, Ava | CACHE

126 Schrouf, David | CACHE

20

Including Concept Development and Posters for Early, Mid, and Final Reviews

130 Shell, Madison | JADE 525

142 Uselton, Sadie | NWA CACHE OFFICE

154 Weidman, Ashlynn | ORGANIC CONNECTIONS

134 Struck, Skylar | CACHE

146 Vang, Diamonique | CACHE

158 Wright, Emily | CACHE

138 Thirion, Tracy | CACHE

150 Walker, Sydney | CACHE

162 Wyrick, Hayden | the confluence

21

Borgfeld, Emily

I chose these ten words because I believe they are the most applicable to my life from this list. Empathy, honest, generosity, passion, trust, love, friendship, self-determination, respect, and kindness. These are all words that I feel describe me or words that I would like to include in my life. The first would be self-determination. I’m not the best when it comes to self-determination. I tend to stay away from things that make me feel scared or things I don’t know how to do just to avoid embarrassment from myself. The rest of these words I think are very applicable to me. I know that I am empathetic and honest (most of the time), generous, passionate, loving, friendly, respectful and kind. Another one I could work on is trust. Sometimes I put too much trust into people and then some not enough. Finding the right balance would greatly improve my life.

26

What is your plan after this semester?

My plan after this semester is to better learn my design style and progress.

How would you describe your design style?

My design style changes quite often and it’s usually base on what the concept of the project is.

What problems did you encounter in your design inside and/or outside of the studio?

Not trusting my design based on others work.

What type of place would you like to design next?

A spa.

How would you define a well-designed or good workplace?

One that is functional and makes you feel good walking into and working in.

What does the evidence-based design mean to you?

Design that has been proven to work for its specific goal.

What did you realize while implementing your research into interior design?

The types of design that go into certain projects, such as creative workspaces.

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

Thank you for teaching me new ways to come up with designs and thank you for a great semester!

27

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

cashe

CASHE CHARETTES

PARTI DRAWINGS

Madisyn Miranda Sydney Ruland Emily Borgfeld

CACHE Site Analysis Exterior Perspective

Facing East

Trail and Water Access to Site

Trail

Entrance North Facing

Water

Site

Apartments

Traffic Patterns

Parks/Recreation

Light

Heavy

Moderate

Building Systems in Plan ……

First Floor, NTS

First Floor

Road

Water

waste



electrical electrical

Entrance West Facing Second Floor

First Floor

Basement

FIRST FLOOR

BASEMENT N E

W

N

janitors closet

S

E

W

LOBBY/ WAITING AREA

S

these are great examples of how the beams are used as sculptural accents and also as partitions.

The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

5' - 0"

a kitchenette in the basement for the employees

DN

DN

BASEMENT

SECOND FLOOR

Metal cladding

Painted metal panels

UP

IT ROOM/STORAGE

The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

Steel grates for building systems

4' - 9 15/16"

Exterior Building Features

UP

Structural steel beams (horizontal)

-

KID AREA

13B/72L

13B/72L

DN CN

WAITING AREA GRANTS, PROGRAMING + OUTREACH DIRECTOR office

IT ROOM/ STORAGE

BRAINSTORM ROOMS

BRAINSTORM ROOMS

BRAINSTORM ROOMS

HR DIECTOR office

OPEN COLLAB/ private or more sectored off

3' - 8"

RECEPTION 4' - 8"

ART STORAGE

BATHROOM

EXECUTIVE ASSISTANT office 5' - 0"

OPEN COLLAB/ lounge CONFERENCE ROOM

MENS

5' - 0" PHONE BOOTH 5' - 0"

EXECUTIVE DIRECTOR office -

-

WOMENS

DN

DIRECTOR OF FINANCE office

-

UP

-

DN

-

5' - 1 31/32"

---

Project Statement:

SECOND FLOOR

EAST ELEVATION

The main goal of this project was space for employees, clients and Being environmentally friendly w the client, so using ethical mater must, while also using a univeral throughout the three floors.

WEST ELEVATION

-

-

DN LOBBY/ WAITING AREA KITCHENETTE

DN

LOUNGE ADA RECPETION

LOBBY/ WAITING AREA

UP

DN

OPEN COLLAB

NORTH ELEVATION

MENS

DN

SOUTH ELEVATION

DN

FEMALE UP

DN

DINING ROOM

KIDS AND FAMILY

banquette seating

FIRST FLOOR

locker

locker

FEMALE RESTROOM

MALE RESTROOM

OTHER BUILDINGS UP

locker

3' - 11 23/32"

3' - 11 9/32"

WATER MAIN

locker

WATER SERVICE LINE

AUDITORIUM

DN

DN

circulation path stair connection

28

BASEMENT

media storage

SEWER GRAVITY MAIN

CACHE

CREATIVE ARKANSAS COMMUNITY HUB & EXCHANGE

In this project, the main goal was to incorporate a functional space for family, employees, and productivity throughout the company.

With the diverse selection of seating and work space options, the company can thrive through it’s ability to be more transparent with clients.

nwa

FAMILY

EQUALITY

CREATIVITY

AUDITORIUM CALLOUT BASEMENT

PRIVATE OFFICE CALLOUT SECOND FLOOR

RESTROOM CALLOUT FIRST FLOOR private public

MATERIALS

second floor

SHOWER CALLOUT BASEMENT

private public

BATHROOM CALLOUT BASEMENT

first floor

private

UP

DN

public

1S

basement

12' - 6 31/32"

IWCM4C-1811826

1S

32' - 2 1/2"

UP

2' - 4 1/16"

1S

1S

IWCM4C-1811826

UP

DN

DN

---

JANITORS CLOSET 1S

SECOND FLOOR

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

SECOND FLOOR RCP

-

UP

KIDS AREA

2' - 4 1/16"

DN

SECOND FLOOR 12' - 6 31/32"

1S

32' - 2 1/2"

FISCAL & hUMAN RESOURCES office

KITCHENETTE

JANITORS CLOSET

0' - 9 23/32"

IWCM4C-1811826

1S

REGIONAL ALLIANCE/ STATE TOURISM office

UP

11' - 0"

IWCM4C-1811826

1S

1S

UP

EXECUTIVE OFFICE

-

ARTS & CULTURE office

GRANTS, PROGRAMING + OUTREACH DIRECTOR office

UP

-

DN

-

8' - 11 7/16"

DN

DN

DN UP

IWCM4C-1811826

DN

1S

12' - 11 1/2"

JANITORS CLOSET

1S

FIRST FLOOR

FIRST FLOOR RCP 1S

IWCM4C-1811826

1S

PRIVATE OFFICE

FIRST FLOOR OPEN COLLABORATION 12' - 6 31/32"

32' - 2 1/2"

2' - 4 1/16"

1S

1S

IWCM4C-1811826

-

UP

-

DN

DN

---

JANITORS CLOSET 1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

UP

-

DN

DN

BASEMENT

BASEMENT RCP

SECOND FLOOR OPEN COLLABORATION

BREAKOUT ROOM SECOND FLOOR

s to design a welcoming d everyone in-between. was a major concern for rials was an absolute design plan all BREAKOUT ROOM

IWCM4C-1811826

1S

1S

32' - 2 1/2" 32' - 2 1/2"

12' - 6 31/32"

UP

DN

2' - 4 1/16"

UP

1S

1S

IWCM4C-1811826

UP

1S

1S

IWCM4C-1811826

UP

DN

DN

---

DN

DN

--JANITORS CLOSET 1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

JANITORS CLOSET 1S

DINING ROOM FIRST FLOOR

OPEN COLLAB SECOND FLOOR

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

1S

1S

IWCM4C-1811826

PRINTER AREA SECOND FLOOR

29

Creek, Emily

I intentionally strive to implement creativity in my life. Using my passions is important in inspiring me to become the best version of myself. I seek reliability and honesty within my inner and outer circles. I am dedicated in inhabiting empathy in myself and those around me. Trust is an important aspect of who I am as well as who I surround myself with as I seek selflessness.

38

What is your plan after this semester?

My plan after this semester is to continue design school while continue my search for an internship this summer. I am planning on studying abroad in Rome the Fall 2022 semester or Summer 2023 after graduation.

How would you describe your design style?

I would describe my design style as minimalistic as I am typically drawn to neutral colors and finishes. Finding inspiration from Scandinavian/minimalist designs I am drawn to natural materials and color palettes while also considering sustainability and our environment.

What problems did you encounter in your design inside and/or outside of the studio?

In design and in general, I struggle with being decisive. The existing structure of the site from this semester, allowed for me to become more decisive.

What type of place would you like to design next?

I am interested in hospitality design, a restaurant or hotel would be something we haven’t explored before in studio.

How would you define a well-designed or good workplace?

I would define a well-designed workplace as a space where employees feel welcomed and encouraged by their environment while also providing necessary functionalities throughout the design.

What does the evidence-based design mean to you?

Evidence-based design can be described as utilizing research and resources to create a successful outcome.

What did you realize while implementing your research into interior design?

While implementing research into interior design I noticed that design has the potential to become much more intentional and complex What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I appreciate all that you have done this semester! AS I struggle with being decisive in my design work, pushing us to make informative decisions throughout the process definitely pushed me outside my comfort zone but ultimately allowed me to grow as a designer. I enjoyed your insight and perspective throughout the semester.

39

Design Development ay eenw k Gr rbac Razo

Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

cache workplace

55%

to reduce individual contributio that vechiclar pollution causes, staff members have the option utilize the frisco trail to bike as means of transportation

site analysis

77%

of typical employees spend the majority of their time away from their desk and utilize multifunction workspaces

innovative

employees are encouraged to positively contribute to the environment by utilizing adjace trails to walk, jog, and run to wo

the introduction of a new way of integrating health and wellness into the workplace environment

motor-vehicle transportation

flexible

of companies that implement work-life balance for their employees report an increase in productivity

of workers think that having wellness integrated in their work environment impacts a company’s culture

85%

ay eenw k Gr rbac Razo

an imaginative versatile community.

a flexible workplace for an imaginative versatile community

catering from local restaurants adjacent to cache workplace contribute to the community outreach experience staff members value

the ability and willingness to adjust ones thinking or behavior

­

harmonious

ridesharing + razorback transit

striving for consistency, order, and pleasing arrangement throughout our community while maintaining congruity

c

b

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bicycling a

form that inspired organization of focus work space

a f

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concept

CACHE holds a unqiue set of characteristics in consideration of workplace environment.

Striving to influence the working enviroment in a positive manner while persuing a positive enriching community in NWA. A diverse, yet unified, organization requires a versatile environment to thrive in. Through innovative design details with a consideration of sustainability CACHE values and practices zero-waste. The variety of activities employees involve themselves with on a daily basis proves a necessity for changing functionalities throughout the design.

restaurant

traffic pattern

GREE NWAY

organizational system

imaginative versatile community

walking + jogging

department individual focus offices

RAZO RBAC K

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stepped masses create social spcae

IT + media storage with printers, etc...

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conceptual sketch for entry sequence leading to lobby + reception area

space allocation

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portion that inspired curvilinear seating and placement

e

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f

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segment inspired shape of dining area masses

floor plans

a

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private office private meeting media equipment collaborative toliet room kitchenette meditation storage lockers

floor two

2

3

e

DN UP DN

axonometric

parti diagrams art supply storage + artist in residence area includes various types of storage and workspace for painting, drawing, and creating

d

d

a

e

media/recording room for OZCast vareity show, podcasts, and local creative artists including acoustical wall panels for auditory needs

presentation & scre area provides a spa lecturers, medi demonstrations workshops + mo

g c

b

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lounge private meeting private offices waiting family recreation dining + cafe reception non. designated toliet room

floor one

b

d a

DN

DN

a b c d

c

floor zero

40

presentation art supply room showers + toliet room hvac + service sink

dining + kitchen perspective

a flexible workplace for an imaginative versatile community Unbounded, a design maximizing openness creates an environment that emphasizes employee and visitor engagement.

Through innovative design details, harmonious + balanced materiality, and changing functionalities, the designs openness creates a space welcoming a diversity of individuals to achieve success. An imaginative versatile community achieved through innovation, unique characteristics, and a consideration of sustainability. The intertwining of departmental work creates the necessity for a vibrant environment. While providing one seat for focused work + one for collaborative work unbounded mimics work in cafes and libraries while valuing a healthy work / life balance.

85%

of companies that implement work-life balance for their employees report an increase in productivity

of workers think that having wellness integrated in their work environment impacts a company’s culture

55%

77%

of typical employees spend the majority of their time away from their desk and utilize multifunction workspaces

to reduce individual contributions that vehicular pollution causes, staff members have the option to utilize the frisco trail to bike as a means of transportation

employees are encouraged to positively contribute to the environment by utilizing adjacent trails to walk, jog, and run to work

unbounded

catering from local restaurants adjacent to cache workplace contribute to the community outreach experience staff members value

NWA COUNCIL CACHE IMAGINATIVE VERSATILE COMMUNITY

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NWA COUNCIL IMAGINATIVE VERSATILE COMMUNITY

04

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restrooms

storage storage shelf hvac + service sink

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presentation art supply room non. designated media equipment

UP

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DN

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private office private meeting media equipment collaborative toliet room call room meditation storage lockers collaborate work focus work

floor two

30 150

floor one toliet room floor two toliet room

5

DN

131 56

UP

1

corridor towards presentation space

01

02 island seating

01

stacked seating inspired by razorback greenway

03 standing table

03 built-in seating

02

leveled seating for informal work + social

04 table + bench seating

04 upholstered seating

DN

05 multi-function stepped seating

presentation / large lounge

recording

28 %

mechanical

public

2

floor one lounge waiting area recreation dining + cafe reception collaborative kitchenette non. designated

3% 49 %

03

physical refresh

04

lounge step seating

06 recycle

4

302 238 174 180

DN

DN

personal storage + coat rack

02 refreshments + catering space

05 presentation space

semi private

j

01

DN

02

UP

i

3

recycle

art supply

195 65 216 478 90 1216 74 318

locker storage

refreshments

art display

16.5 % 3%

workspace elevation + sequence

private

women’s toliet room

elevator

universal restrooms focus workspace collaborative space auditorium/screening

men’s toliet room shower room

610 900 256 900 comm.

ADA shower room

basement presentation / screening perspective

public focus workdesks

basement plan

public collaboration workdesks

locker storage

coat hanging

built-in seating

lounge + casual work

UP

S

reception

waiting

AS

EM

PL

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form that inspired organization of focus work space

d

RA+ST

kitchen / dining + informal work bike storage

F/HR

DN

toliet room

recycle

breakout

a b c d e f

lounge private offices waiting desks dining + cafe reception toliet room

gallery elevator

F/HR II

D

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ADA toliet room

focus workspace perspective

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floor one

MAS

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level one plan

dining elevation + sequence S

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kitchen + dining perspective

informal dining island/kitchen imitating cafe

executive director storage

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segment inspired shape of dining area masses

formal dining + stepped mass for seating

executive director

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process of developing unique typicals for specific functions

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portion that inspired curvilinear seating and placement

PT

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presentation art supply audio + music room refreshments showers + toliet room

f

hvac + service sink

basement perspective

level two plan

basement

l

basement elevation + sequence 01

01

06

refreshments allow for vistors and staff members to enjoy catering from local restaurants or refresh throughout the workday

02

03

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07

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basement reflected ceiling plan

basement large bathroom perspective

level two reflected ceiling plan

level one reflected ceiling plan

level one dining perspective

level two focus workspace + collaborative perspective

focus + collaboration perspective

41

Fordyce, Emily

Ever since I was little, I was obsessed with succeeding, whether that meant in school or in personal activities like soccer.

Even though I was young I still felt confident in my abilities, constantly dreaming of what my life would turn into and if it could meet my expectations, no matter what the job. For the longest time, I had no clue what I wanted to do, so I ended up going to a community college and living with my parents out of high school. Without the company and compassion of my parents and friends during this specific time period is when I started to lose confidence in myself, I didn’t know if I would ever get out of my rutt. With the excess amount of time on my hands, I was able to find a positive mindset again and start dreaming of my success and how to get there. Finally, I realized two of my favorite things to do were to create and build things and to spend time cleaning or organizing. With the help of my grandfather who is an architect and my dad who has a love for building, I came to the conclusion Interior Design was what I wanted to do with my life. It had been about 2 years since I had been in school so I was nervous that I had lost prior knowledge that I would need, but it was as easy as hopping back on a bicycle. Having a larger sense of responsibility from living alone in another state while attending school gave me a feeling of power. No one had to take care of me or worry about me anymore, so I felt the power of being trusted to do exactly what I wanted and have the confidence to achieve it as well.

50

What is your plan after this semester?

I plan to continue my search for an internship for this upcoming summer, as well as plan for studying abroad in Rome the following summer of 2023 after graduation.

How would you describe your design style?

I would describe my style as a modern eclectic. Minimal modern design with eclectic materials and aspects.

What problems did you encounter in your design inside and/or outside of the studio?

Overall, being indecisive when making decisions on layout or material choice was the most difficult. The existing structures and time management also proved to be challenging, but toward the end got easier.

What type of place would you like to design next?

I would love to work at a commercial hospitality firm with a collaborative work environment in a large city location.

How would you define a well-designed or good workplace?

A well-designed workplace meets the needs of the employees working there and fits their concept and goal, while promoting health and wellness of the occupants.

What does the evidence-based design mean to you?

Evidence-based design means you have the research and examples from other works or theories to back up your design.

What did you realize while implementing your research into interior design?

The more research you do makes your design more inclusive, functional, and aimed toward the client.

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I appreciate the freedom and support you gave us to truly find our own design! Can’t wait for next semester!

51

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

CACHE

CACHE

NWA COMMUNITY HUB EXCHANGE EMILY FORDYCE

NWA CREATIVE HUB OFFICE

CACHE Office provides a supportive environment for the artistic community in th Their main goals and brand identity can be described as sustainability, creativity, culation, sustainable materials, and craftmanship design elements create the vib

CONCEPPT ANALYSIS

SITE ANALYSIS

FUNCTION CIRCULATION RECREATIONAL MEETING SPACE AMENITIES

PRE-DESIGN

WORK SPACE

CIRCULATION ENCLOSED ELEVATOR & STAIRS HORIZONTAL CIRCULATION VERTICAL CIRCULATION

FLOOR PLANS SPATIAL ALLOCATION EMPHASIS ON CIRCULATION 1.

CHARRETTE OUTCOMES

5.

CONCEPT

LEVEL 2 0’

1/4” SCALE

3’

9’

2.

7.

10.

11.

8.

1.

4.

13.

3.

4.

5.

2.

LEVEL 1 1/4” SCALE

0’

3’

9’

6.

9.

VARIETY OF FURNITURE 6.

7.

BASEMENT SUSTAINABLE MATERIALS

52

INNOVATION

ARTS & HISTORY

COLLABORATION

1/4” SCALE

0’

3’

9’

NWA

OVERARCHING VISION NWA CREATIVE HUB OFFICE

COMMUNITY

CREATIVITY

HEALTH

AMENITIES

S. PRIVATE MEETING

S C H O O L

12%

9%

STORAGE

25% 33% LOUNGE + RECREATION

21%

A V E

COLLABATIVE

M.L.K. BLVD

DESIGN

CIRCULATION

SITE

LOUNGE + RECREATION

FLOOR PLANS

8.

SUSTAINABILITY

CONCEPT ANALYSIS

EMILY FODYCE

CACHE, or the Creative Arkansas Community Hub and Exchange, is a nonprofit organization dedicated to increasing involvement, improving access, and spreading knowledge about different creative figures and forms in the Northwest Arkansas region. Their main focus is to acknowledge the history, culture, and character of Northwest Arkansas while integrating modern concepts and resources. Innovative ideas such as creating sustainable systems and good working conditions for the local artists and innovators create an inclusive space for the community to enjoy.

he Northwest Arkansas region. , and community. Emphasis on cirbrant and professional workspace.

COLLABORATION

13.

PRIVATE OFFICES

LOUNGE

- LOBBY/RECEPTION - LOUNGE - FAMILY RECREATION - DINING - KITCHENETTE - OUTDOOR LOUNGE

ART SUPPLY

PRIVATE MEETING

6.

INFORMAL MEETING

- INFORMAL MEETING - LARGE CONFERENCE - PRIVATE OFFICE - PRIVATE CALL RM

11.

8.

ELEV.

COLLABATIVE

5.

LARGE CONF.

COLLAB SPACE

W.C.

4.

EXEC. OFFICE

- WORKZONE - COLLABORATIVE SPACE

OPEN WORKSPACE

LEVEL 2

AMENITIES

WORK

(OPPOSITE SIDE)

NTS

- WATER CLOSET - SHOWER

STORAGE

BRAND IDENTITY

PRESENTING

CONCENTRATING

- LOCKER - ART SUPPLY STORAGE - MEDIA STORAGE - RECYCLING - BIKE STORAGE

STORING

10.

9.

8.

RELAXING

12.

WAITING

1.

RECEPTION

FAMILY REC.

15.

VERTICAL RELATIONSHIPS

INFORMAL MT.

KITCHEN

14.

11.

DINING

ELEV.

PRIVATE CALL RM. 9.

SECTION

W.C.

10.

7.

OPEN WORKSPACE

LEVEL 1

WORK

OAK WOOD

COPPER

COLLAB

(OPPOSITE SIDE)

NTS TERRACOTTA CONCRETE TILE

TEAL SATIN PAINT ENTRY

REPETITION DINING

WAITING

CHECK-IN

PLAY

SHOWER/ LOCKERS

W.C.

PRINTING

COLLABORATION LOUNGE

2.

14.

WAITING

PRIVATE OFFICES

CRAFTSMANSHIP

9.

1.

2.

3.

4.

10.

3.

ELEV.

12.

13.

AUDITORIUM

BASEMENT

MEDIA STORAGE

NTS

14.

12.

11.

RELAXING

15.

STORING

VIEWING

STORING

CUSTOM FURNITURE

12.

15.

VARYING PRIVACY LEVELS

MATERIAL BOARD

6.

5.

VIBRANT COLOR PALETTE 13.

7.

3.

14.

15.

53

Hanlon, Mia

My love for artistic pathways and ideas since a young age, allowed for my enthusiasm to transform into a career path for design. As a highschooler, I knew Interior Design would be my route, provoking me to make a deliberate effort towards success. As a freshman, continuing up until senior year, I took Interior Design-specific classes that were offered by my high school to prepare me for college. A mixture of Architecture classes, along with the others, granted me to have a better understanding of the field before committing. While searching for the right college, I consulted teachers, friends, and family on their opinions of each possibility, collaborating to determine the right fit for me. Decision-making can be tough whether in the design field or not, therefore maintaining flexibility to new ideas was a trait I learned early-on. Entering my first year of college, as most students must learn, responsibility is an imperative role to embrace. Living on my own in a new state required me to gain skills to maintain not only my academic obligations, but also learn how to manage my time. My passion about design has kept me motivated to succeed, and I gained the willpower to accomplish projects I once feared. Although the program is intensive and occasionally soul-crushing, it has taught me to embrace modesty in its most educational form. Criticism is no longer intimidating, but rather constructive towards my progress as a student.

I look forward to the rest of my schooling, approaching it as a genuine inquiry to my future in school, and eventually my career.

62

63

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

64

PRIVATE MEETING

COLLABORATIVE

RECEPTION & LOUNGE

PRIVATE OFFICE

SUPPLY ROOMS

OFFICE DESIGN MIA HANLON

SINCE ITS BIRTH IN AUGUST 2019, CACHE SUPPORTS THE REGION'S ARTISTRY AND CULTURE BY CONSIDERATION OF THEIR GOALS AND PARTNERSHIPS WITH NONPROFITS. WITH COORDINATION THROUGH THE WALMART FOUNDATION, THE TYSON FAMILY FOUNDATION, AND THE WALTON FAMILY FOUNDATION, THEY SECURE INVESTMENTS TO SECURE THEIR GOALS. CREATING EQUAL OPPORTUNITY FOR EDUCATION IS IMPLEMENTED IN AN EXPERIMENTAL VARIETY-STYLE DIGITAL SERIES THAT EXPLORE THE ARTISTS, COMMUNITIES AND PLACES IN ARKANSAS, AS WELL AS THE PROFESSIONAL DEVELOPMENT PROGRAM, ART CONNECT, THAT IS FOR SMALL TO MIDSIZE ARTS AND CULTURE ORGANIZATIONS THAT OFFER TRAINING SEMINARS. THIS DELIBERATE EFFORT TO ENLIST LOCAL CITIZENS INTO THE EFFORT, CAN BE SHOWN THROUGH THE MUSIC ECOSYSTEM STRATEGY AND ACTION PLAN FOR NWA. OPPORTUNITIES FROM THIS CAN BE IDENTIFIED IN RESIDENCIES, SCHOOL PROGRAMS, AND PLATFORM DEVELOPMENT. THE ENCOURAGEMENT FOR DEVELOPING A CULTURALLY-DIVERSE CREATIVE HUB HAS A CONCLUSION THAT WILL KEEP STABILITY FOR THE FUTURE, WORKING WITH THE CITY OF ROGERS TO LEAD A CULTURAL PLANNING EFFORT THAT PLANS FOR THE NEXT 10 YEARS. THIS WILL INCLUDE PUBLIC ART, PARK ACTIVATION, PROGRAMMING, AND CULTURAL SPACES FOR THE LOCAL COMMUNITY.

LEVEL ONE WATER CLOSET

CONFERENCE

RECEPTION DINING

LOUNGE

SUPPLY RM

W.C. CONFERENCE W.C.

LEVEL TWO

STAFF

PRIVATE OFFICES

PRIV. MT

STAFF

COLLABORATION

BASEMENT

COLLABORATION

LOCKER/SHOWER

FAMILY RECREATION AUDITORIUM

FAMILY RECEREATION

LOUNGE

DINING

65

Hughes, Tyler

It’s extremely valuable to be inclusive of people from all different walks of life and to treat them as my equals regardless of social status, gender/sexual identity, personal beliefs, culture, etc. I believe that in treating everyone with unconditional compassion and kindness that the world would be a much more peaceful place. If you can be anything, be kind. I choose to live life free of judgement by celebrating pride and spreading love. Love for myself has been a very long journey - one which takes a lot of bravery. It is not over yet and may never be. It is important to remain truthful and honest with yourself as well as for other people. Being selfless should not mean self-sacrificing in the same way that being selfish should not mean being self-absorbed. A part of growth involves holding yourself accountable for your past mistakes. There is no growth without change.

74

75

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

CREATIVE ARKANSAS COMMUNITY HUB + EXCHANGE

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76

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SUSTAINABILITY

INCLUSIVITY IN DESIGN

PROMOTE WELLNESS

SPATIAL SEQUENCE

TASK ORIENTED PRIVATE OFFICES

FOCUS WORKSTATIONS

LEISURE

COLLABORATION

LOUNGE

GYM/MEDITATION

CAFETERIA

MOTHER’S ROOM ART SHOWCASE

PLUMBING SHOWERS & LOCKERS

RESTROOMS

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77

Kennedy, Kendal

As a college student, I value the time I have here to expand my creativity and choose to trust myself and the path I have set for myself. In order to one day take on the career path I choose, I have to constantly remind myself of my self-determination and the purpose for my time here at Arkansas. Through the hard times as well as the good, I have come to find an appreciation in all my experience because of the amazing friendships I have made along the way, as well as teaching myself to appreciate learning and understanding. I have become a much more patient person which has brought me to become more thoughtful and creative in my design and the overall way I view the world. In all my actions I want to be a leader and always hold my actions and my work to a high standard.

86

What is your plan after this semester?

My plan after this semester is to continue design and have an internship in the summer of 2022. I plan on studying abroad after graduation in the summer of 2023.

87

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

EFFICIENCY IN ORGANIZATION

KENDAL KENNEDY

CACHE OFFIC

SITE ANAYSIS

CACHE

Building Site Grass Highway Secondary Road

The design concept for the NWA Creative Arkansas Com and Exchange, otherwise known as CACHE is to integra communal focus space that brings together both creativ community, and an efficient work environment. With this integration of curves and organic shapes represents the the CACHE brand, while utilizing raw materials and a neu color palette to maintain the focus and comfort a profess workplace provides.

Private Drive/Parking

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Building Sidewalk Crosswalk

Building Site Highway - High Traffic Flow

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Mail - Kendal Kennedy - Outlook

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ADJACENCY DIAGRAMS

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24/60

))(#$*ÿ *!+#ÿ# ÿ,!-$% ÿ *!+#ÿ.ÿ/$ 0ÿ'("12ÿ'03,32ÿ456 Media Storage

Kitchenette / Break Refrigerator

Reception / Lobby

UP

Bathroom

Media / Auditorium Lounge

DN

Bathroom

UP

SMALL CONFERENCE

COLLABORATION SPACE / OPEN WORKSPACE

Refrigerator

Program Tech Director

UP

DN UP

HVAC

ART StTORAGE

ARTWORK SUPPLY

LEVEL 1

UTILITY

MEDITATION RESTROOM

COLLABERATION SPACE

BREAKOUT / BREAK

PRIVATE OFFICE / WORKSPACE

Media Storage

CONFERENCE

KITCHENETTE

FAMILY AREA

STORAGE

IT Storage

RESTROOM

DN

SHOWER

FURNISHED FLOOR PLANS

INDIVIDUAL WORKSPACES

-

---

Volunteer Workforce Coordinator

1/4”-1’0 SCALE

LEVEL 2 LARGE CONFERENCE

Finance Private Office

RESTROOM

WOMEN'S LOCKER ROOM

MEN'S LOCKER ROOM

SHOWER

UP

DN

UP

Level 4 33' - 0"

Level 3 22' - 0"

Level 2 11' - 0"

Level 1 0' - 0"

Level 0 -9' - 0" B Stair -9' - 9" Basement -11' - 0"

SECTION CUT

PARTI DIAGRAMS

88

BASEMENT

BUILT AT 1/4”-1’0 SCALE

Level 5 44' - 0"

SCALE MODEL IMAGES

DN

Level 6 68' - 0"

https://outlook.office.com/mail/inbox/id/AAQkAGYxZGM5ZDcyLWI2ZmItNGFiYi04ZTllLTkzYmM4MDdlMWQ3MwAQABC46HAd2ZtFv2AWGlFV3gg%3…

1/1

CURVING BOUNDARIES

CES

The design concept for the NWA Creative Arkansas Community Hub and Exchange, otherwise known as CACHE is to integrate a communal focus space that brings together both creativity, community, and an efficient work environment. With this in mind, the integration of curves and organic shapes represents the creativity of the CACHE brand, while utilizing raw materials and a neutral, warm color palette to maintain the focus and comfort a professional workplace provides.

mmunity Hub ate a vity, in mind, the e creativity of utral, warm sional

CEILING ELEMENTS

ARTISTRY HIGHLIGHT

FLOOR PLANS

LEVEL 2

2' - 6"

LEVEL 1

6' - 0"

FLOOR LEVEL 2

BASEMENT RECEPTION LOUNGE

KITCHENETTE & DINING

FLOOR LEVEL 1

RECEPTION BASEMENT

SMALL CONFERENCE

FLOOR LEVEL 2

OPEN WORKSPACE

AUDITORIUM

FLOOR LEVEL 1

KITCHENETTE & DINING PRIVATE OFFICES

VOLUNTEER WORKFORCE COORDINATOR

FINANCE DIRECTOR

BASEMENT

PROGRAM TECH DIRECTOR HR DIRECTOR

KENDAL KENNEDY

89

Pace, Audrey

As someone in the design industry, my job is to make people’s lives easier at all scales. This is a responsibility that I take very seriously. Part of my job will be to recognize the aspects of a space that is not working and make a successful solution. I am a very empathetic person and I try to always react with kindness and in good morality because you never know what could be going on in a client’s life. I believe cleanliness plays a huge part in someone’s home life and happiness, a cluttered home works for some people but can be detrimental to others mental health. As I advance into my professional career I recognize that there will be different clients that will require different things. Each client is very different but it is my job as a designer to be consistent and reliable. The design industry is very fast paces and requires an admiration for detail and endurance to keep up with the pace the world moves at.

106

What is your plan after this semester?

Enjoy my winter break and get ready for spring semester!

How would you describe your design style?

Comfortable What problems did you encounter in your design inside and/or outside of the studio?

Never feeling quite done! It’s hard for me to stop working on a project.

What type of place would you like to design next?

Public community areas. Museums/theaters/library etc How would you define a well-designed or good workplace?

Attention to clients needs and wants! As well as different spaces with different activity and privacy levels.

What does the evidence-based design mean to you?

Designing based on facts and data to create the most successful space you can.

What did you realize while implementing your research into interior design?

You always need more clearance space! And circulation takes a good amount of square footage.

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

Thanks for a great semester!

107

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

CACHE OFFICE

The concept of the new Northwest Arkansas Creative Arkansas Comunity Hub and Exchange is to create a clean, comfortable work environment with an open concept and specialized work spaces.

The office will include lots of greenery, clean lines, natural light, and warm colors that correspond with the company.

colors employees per branch

CACHE O

sq footage allocation

THE CONCEPT FOR THE NEW NO AND EXCHANGE IS TO CREATE A OPEN CONCEPT. THE GOAL IS TO T NATURAL LIGHT. THE OFFICE WILL NATURAL LIGHT, AND WARM COLO AND GOALS. THIS CONCEPT IS IN H WHERE THE EMPLOYEES, WHO

concept goals

incorporate nature

comfort

sustainability

GREENERY

collaboration

COMFORT

S

level 1

level 2

LEVEL 1

basement

BASEMENT

section

UP UP

UP

DN

DN

DN

DN

UP DN

UP

DN

site

DINING AREA ON LEVEL 1

partis

108

study models

sketches

LEVEL 1 W

CACHE

CONNECTING THE COMMUNITY THROUGH CRAFT THE CREATIVE ARKANSAS COMMUNITY HUB AND EXCHANGE HAS ELEVATED NORTHWEST ARKANSAS AS A LEADING REGION OF ARTS, CULTURE, AND CREATIVITY. CREATING AN INCLUSIVE, INSPIRING, AND EQUITABLE ECOSYSTEM OF DIVERSE ARTISTS, BUSINESSES, NONPROFITS, AND COMMUNITIES IN NORTHWEST ARKANSAS. AS AN ARTS SERVICE ORGANIZATION, CACHE HELPS TO COORDINATE, CONNECT, AUGMENT, EXPORT, AND EXCHANGE THESE INSPIRING CREATIVE RESOURCES WITH THE REST OF THE WORLD. THE NEW NWA CACHE OFFICES WILL BE LOCATED AT 525 S SCHOOL AVE IN THE CREATIVE ARTS DISTRICT OF FAYETTEVILLE, ARKANSAS. THE CONCEPT GOAL IS TO CREATE A COMFORTABLE, WELCOMING, AND SUPPORTIVE ENVIRONMENT FOR THE EMPLOYEES AND CLIENTS OF CACHE. THE GOAL IS TO TAKE ADVANTAGE OF THE EXISTING STRUCTURAL ELEMENTS WITHOUT LOSING THE NATURAL LIGHT THAT THE BUILDING HAS TO OFFER. THE OFFICE WILL INCORPORATE GREENERY, COMFORTING MATERIALS, NATURAL LIGHT, AND WARM COLORS THAT CORRESPOND WITH CACHE’S COMPANY IMAGE. AS AN ORGANIZATION THAT PROMOTES CREATIVITY, THE OFFICE WILL CAPITALIZE ON LOCAL ART AND HAVE AN EMPHASIS ON BOTH EMPLOYEE AND CLIENT EXPERIENCES.

OFFICE

WORKSPACE

NATURAL LIGHTING

COMFORT

GREENERY

COLLABORATION

COMMUNITY

NATURAL LIGHT

1 COLLABORATION 2 LOUNGE 3 CONFERENCE ROOM 4 EXECUTIVE DIRECTOR 5 EXECUTIVE ASSISTANT 6 PRIVATE OFFICES 7 ARTIST IN RESIDENCE 8 ART SUPPLY AND STORAGE 9 DIRECTOR MEETING 10 RESTROOMS

LEVEL 1

COMMUNIT Y

TRAIL ENTRANCE

1 RECEPTION DESK 2 WAITING AREA 3 CAFETERIA 4 RESTROOMS 5 PUBLIC COLLABORATION 6. WORKSTATIONS

LEVEL 2

COLLABORATION

SUSTAINABILITY

LEVEL 2

ORTHWEST ARKANSAS CREATIVE ARKANSAS COMMUNITY HUB A COMFORTABLE, WELCOMING, CLEAN ENVIRONMENT WITH AN TAKE ADVANTAGE OF THE EXISTING STRUCTURAL ELEMENTS AND L INCORPORATE LOTS OF GREENERY, COMFORTABLE MATERIALS, LORS THAT CORRESPOND WITH NWA CACHE’S COMPANY IMAGE HOPES TO CREATE A SUCCESSFUL AND EFFECTIVE WORKSPACE ARE USED TO WORKING FROM HOME, STILL FEEL AT HOME.

SUSTAINABILIT Y

AUDREY PACE

CONCEPT

MAIN ENTRANCE

BASEMENT 1 2 3 4 5 6 7 8

A

1/8”=1’0”

C

B

8:00AM BIKE TO WORK AND STORE BIKE ON VERTICAL RACK IN THE LOBBY.

MEP AND STORAGE CALL BOOTHS IT DIRECTOR IT STORAGE MOTHERS ROOM FAMILY LOUNGE SCREENING ROOM LOCKER ROOM

8:15AM SHOWER AND GET READY FOR THE DAY IN THE LOCKER ROOMS IN THE BASEMENT.

D

8:45AM WORK AT A PERSONAL DESK SURROUNDED BY DEPARTMENT AND COWORKERS.

KITCHEN AND DINING

12:00PM EAT LUNCH IN THE DINING ROOM ON THE FIRST FLOOR.

E

F

2:30PM MEETING IN THE 2ND FLOOR CONFERENCE ROOM WITH DEPARTMENT HEAD.

4:30PM ATTEND COWORKERS PRESENTATION IN THE SCREENING ROOM IN THE BASEMENT.

STAFF WORK STATIONS

PRIVATE OFFICES

1

1

2 2

2

1

LEVEL 2 WORKSPACE AND OFFICES

1

2

1

2

1

2

109

Ruland, Sydney

I strive to approach every situation with thoughtfulness and artistic intention. I have a willingness to succeed in my endeavors, and to be a dependable, encouraging and understanding friend and colleague. I will consider the wants, needs and goals of others and treat them with respect. I will eagerly approach challenges and support my colleagues in their goals.

118

What is your plan after this semester?

I am currently in the middle of an internship with a local design company so I will invest a lot of time into that! I also own a small jewelry business and will take some time to build up inventory. And take a much needed break!

How would you describe your design style?

I draw inspiration from a lot of different design styles and time periods. Lately, I have been drawn to mid-century design and Scandinavian modernism. I love the use of fresh, organic materials, clean lines and a simple concept.

What problems did you encounter in your design inside and/or outside of the studio?

One of the hardest things for me with this project was making final decisions. I am a person who likes a lot of options and found it difficult to make ‘hard’ decisions. All in all, I was able to make the best decisions for my project by researching my client and project requirements .

What type of place would you like to design next?

I would love to design some kind of hospitality or retail space next!

How would you define a well-designed or good workplace?

I think variety is really important in a workplace. Most offices I have worked in or experienced only have one space for employees to work, and one space for them to take a break. I think that providing multiple opportunities of workspace is imperative to a successful employee, providing a space for focused work, collaboration and recreation.

What does the evidence-based design mean to you?

Really researching the client and requirements needed to complete and fulfil the project.

What did you realize while implementing your research into interior design?

Researching this client inspired many of my design decisions. I realized through this project that every client is different and will require a different approach for their spaces, and that is really exciting! No two clients are exactly the same so that should reflect in my designs!

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I thank you for a great semester and would love to get to see more of your designs and understand your style better!

119

Design Development Process Madisyn Miranda Sydney Ruland Emily Borgfeld

CACHE Site Analysis

Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

Exterior Perspective

Facing East

Trail and Water Access to Site

CACHE AT THE MILL

Trail

Entrance North Facing

Traffic Patterns

CACHE AT THE MILL Water

Site

Apartments

Parks/Recreation

Light

Heavy

Moderate

Road

Water

Connection through Artistry

Building Systems in Plan ……

First Floor, NTS

CACHE is the arts and cultural division of the NWA council. They focus and pride themselves in helping and conFirst Floor

waste



necting local artists, musicians and creatives with eachother, the community and to recources they need. The CACHE team believes in supporting local business as well as keeping an environmentally consious office. The new office is located next to multiple resturaunts and coffee shops creating opportunities for local dining. With this in electrical

CACHE is a branch of the Northwest Arkansas Council that focuses on and supports local art-

electrical

ists, musicians and creatives. The CACHE staff is always on the go and needs direct access to

mind, the concept for the new CACHE office is ‘Connection through artistry.’ This design for CACHE’s new office successfully blends aspects of community, environment, health and artistry into one cohesive space.

community event spaces and food opportunities. The staff values sustainable solutions in the workplace as many of them ride bikes or utilize public transit to and from work. Composting

Entrance West Facing

and recycling stations are easily accessable and a community composting garden allows for

Second Floor

Madisyn Miranda

the staff and community to come together to share and grow fruits and vegetables. CACHESydney Ruland

First Floor

Basement

Emily Borgfeld

also values their friends and familie’s involvment in their work and providing a space and en-

CACHE to Site vironment that is welcoming notAnalysis only the community but friends and family is a core de-

N

sign feature for these community and artistry driven visionaries.

E

W

N

S

E

W S

Exterior Perspective

Facing East

Trail and Water Access to Site

Exterior Building Features

Traffic Patterns

these are great examples of how the beams are used as sculptural accents and also as partitions.

The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

Materials Board a kitchenette in the basement for the employees The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

SECOND FLOOR

Trail

Entrance North Facing

Water

Site

Apartments

Parks/Recreation

Light

Heavy

Moderate

Building Systems in Plan ……

First Floor, NTS

First Floor

Road

Water

Steel grates for building systems

Metal cladding

Painted metal panels

BASEMENT

Structural steel beams (horizontal)

waste



electrical electrical

Adaptable Spaces

Transparency

Second FLoor 1/

Entrance West Facing Second ZeroFloor - Waste Office

Family Zone

First Floor Conscious

N

these are great examples of how the beams are used as sculptural accents and also as partitions.

N

The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

E

W

Visual + Spatial Connections

E

W S

Exterior Building Features

Basement Collaborative Environment

Adaptability

Community & Artistry Driven Visionaries

S

Harmony

Art Instalations

Communal Outdoor Space

Harmonious Color Palette

First Floor Plan 1/

a kitchenette in the basement for the employees

The beams add a structural need to the space by adding a interesting sculptural element to the residents and employees.

SECOND FLOOR

Steel grates for building systems

Metal cladding

Painted metal panels

BASEMENT

Structural steel beams (horizontal)

Basement Floor P

120

Entry Perspective NTS

First Floor Entry Sequence NTS

/8” Scale

8 “ Scale

First Floor Workspace NTS

Plan 1/8 “ Scale

Presentation & Dining View NTS

121

Shell, Madison

I strive to be a strong, independent woman in my everyday life. In work, school, and in my personal life I want to be able to take care of myself and rely on others for help. In my work life I will be reliable and trustworthy. My goal is to want others to work with me and choose me because of my dedication to my work and the company. I want to be creative and self-determined in my work at school. I will striving for excellence in every project. In personal relationships I will be loving to all. I will always be considerate of others in how they are feeling and open to helping. I will strive to be a positive presence in their life that they always want around and go to in times of need. My overall goal is to be a positive, thoughtful, contributing member of society.

130

What is your plan after this semester?

I plan on continuing my education in the interior design program. Before the start of next semester I am traveling to Rome to study abroad. Once I return to campus I plan on continuing my undergraduate and minors in sustainability and event management.

How would you describe your design style?

I feel my design style is modern yet reserved. I tend to hold back on bold new designs and play with current trends and styles.

What problems did you encounter in your design inside and/or outside of the studio?

I struggled with the existing site. The beams and restrictions in the building were a challenge for me to work with and be creative. I also struggled with design inspiration and wish I would have researched more and bounced ideas off others.

What type of place would you like to design next?

I would like to design something residential. I really like the idea of designing a hotel/apartment building.

How would you define a well-designed or good workplace?

I think a well designed workspace is a place that meets the needs of those occupying it and encourages those working in it. It is a place that betters the work of those occupying it.

What does the evidence-based design mean to you?

Evidence based design means you research and back all your ideas with the research you found. It is what should inspire and be the back bone of your design.

What did you realize while implementing your research into interior design?

I realized that I struggled to incorporate my inspiration into the design and struggled with the existing conditions.

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I enjoyed the freedom of the semester but would prefer a little more structure and design critique along the way. I greatly appreciated all the motivation and encouragement along the way though! :) 131

Design Development

CACHE OFFICE PROJECT IDES STUDIO V

MADISON SHELL

Transit Analysis

Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

Building Site

Private Offices Workspaces Meeting Rooms Storage Misc.

Highway - High Traffic Flow

Building Razorback Green Way - High Pedestrian Traffic

Bus

Existing Site: Building Exterior + Materials

Site Analysis

Train Tracks

Building Site Grass Highway Secondary Road Private Drive/Parking Building

INTERIOR SQUARE FOOTAGE: 11,800 SQFT

Sidewalk Crosswalk

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Block Diagram

Scale: 1/8” = 1”

Second Floor Plan

Second Floor Plan

Parti Diagrams

Scale: 1/8” = 1”

Basement Floor Plan

Scale: 1/8” = 1”

Basement Floor Plan

First Floor Plan

First Floor Plan

Study Model Scale: 1/4” = 1”

Section

Scale: 1/8” = 1”

Interior Perspective Drawings: Lobby

132

Section: Lobby Scale: 1/8” = 1”

133

Uselton, Sadie

As an individual I have always strived to be intense about everything I do. Part of the reason for this is the self-determinism that I carry. Having a passion for my actions and work that I produce is extremely important in reflecting who I am.

While holding these aspects in high regard, the outward appearance of cleanliness and order plays a strong role in my character. While one side is very structured, I also thrive off of being creative and imagining new ideas and concepts. This balance helps me be flexible in my decisions while remaining organized and controlled. Observing my surroundings and others work is not only a habit that I have learned, but it has also helped me gain appreciation and respect for a variety of approaches and ideas. One thing that is a focal point in my mind is remembering to be trustworthy and friendly towards others. Those are traits that people value and are not forgotten.

142

What is your plan after this semester?

After this semester, I will be working to update my portfolio as well as travelling to Rome in order to complete my study abroad requirements.

How would you describe your design style?

I would describe my design style as minimalist. I tend to think that less is more and having a clean, simple space is more satisfying than being crowded with design elements.

What problems did you encounter in your design inside and/or outside of the studio?

I would like to work on my revit skills to be able to create more of what designs I visualize.

What type of place would you like to design next?

A retail or hotel space How would you define a well-designed or good workplace?

A well designed workplace would include clean spaces that minimize distractions while having an elegant design to inspire workers and impress visitors and guests.

What does the evidence-based design mean to you?

Evidence-based design uses scientific or proven information to base design decisions on to be able to give people the best possible experience when in the space What did you realize while implementing your research into interior design? when implementing my research into the design I realized how important it is to maximize the use of the space while keeping it practical and accessible What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I really enjoyed the approach that Jinoh took this semester. It helped me curate and build off my own design while being able to expand my spaces to be the best that they could be.

143

Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

CREATIVE ARKANSAS COMMUNITY HUB + EXCHANGE (CASHE)

NWA CACHE OFFICE

DESIGN PROPOSAL

SITE

SADIE USELTON

CONCEPT A clean workspace has the power to boost moods, performance, and wellness in the workspace. Being a space that also includes green elements from nature impacs need to connect with nature, and when this connection is made, it results in better health, concentration, creativity, and work performance. Incorporating elements of the natural world have been proven to improve cognitive ability and reduce stress, blood pressure levels and heart rates in the workplace which is an essential element for this space. These aspects intend to inspire observers to have more energy in their day to day life as well as become increasingy productive and efficient. Combined, these underlying concepts serve to create the goal of creating a refined workspace for those employees and guests.

PROCESS

lobby

materials PUBLIC PRIVATE SEMI-PRIVATE OPEN

1 ART STORAGE

SMALL LOUNGE

INFORMAL MEETING

MEDIA STORAGE

COLLABORATION SPACE

2

AUDITORIUM

ART SUPPLY + WORKBENCH -

UP

-

-

3

DN

DN

CASHE

4

15

14

13

12

11

10

9

8

7

6

5

site OUTDOOR DINING + LOUNGE

1 OFFICES

STAFF WORKSPACE UP

2 BIKE STORAGE

CONFERENCE

BATHROOM PRIVATE CALL

RECEPTION

3 DN

BATHROOM

UP

4

15

14

13

12

11

10

9

8

7

6

5

section

1 HVAC

KITCHENETTE

CHILDRENS AREA

UP

DINING + LOUNGE

2

3 DN

LOCKER ROOMS

UP DN

4

-

15

-

14

13

12

11

10

9

8

7

6

5

1 SMALL LOUNGE

INFORMAL MEETING

MEDIA STORAGE

COLLABORATION SPACE

2

AUDITORIUM

-

-

UP

-

-

3

DN

DN

---

4

15

14

13

12

11

10

9

8

7

6

5

collaborative space OUTDOOR DINING + LOUNGE

15

14

13

12

11

10

9

8

7

6

5

1 OFFICES

Level 6 68' - 0"

STAFF WORKSPACE UP

2 BIKE STORAGE

TOILETS

CONFERENCE

3

PRIVATE CALL DN

UP

RECEPTION

4

15

14

13

12

11

10

9

8

7

6

Level 5 44' - 0"

5 Level 4 33' - 0"

Level 3 22' - 0"

1 CHILDRENS AREA

HVAC

KITCHENETTE

Level 2 11' - 0"

UP

DINING + LOUNGE

2 Level 1 0' - 0"

3 DN UP DN

LOCKER ROOMS

4

15

144

14

13

12

11

10

9

8

7

6

5

Level 0 B Stair -9' - 0" Basement -9' - 9" -11' - 0"

art storage & workspace

The concept of the cache will bring them energy a bringing bright concepts Having a space that imple health. Creating a delibe softness of the natural ciation for the design to

NWA CACHE OFFICE

The concept of the cache design project is to create a space that individuals can visit or work in that will bring them energy and comfort simultaneously. This harmonious design can be accomplished by bringing bright concepts and elements and combining them with fresh and natural building blocks. Having a space that implements peace allied with efficiency is essential for productivity, mood, and health.

Creating a deliberate design that includes the structure of the workplace combined with the softness of the natural world brings an imaginative approach to sculpt one's environment and appreciation for the design to individuals inhabiting the space.

W PRARIE ST

AIL

S GREGG AVE

R CO T FRIS

S SCHOOL AVE

UNITY CASHE

M.L.K. JR BLVD

e design project is to create a space that individuals can visit or work in that and comfort simultaneously. This harmonious design can be accomplished by s and elements and combining them with fresh and natural building blocks. ements peace allied with efficiency is essential for productivity, mood, and erate design that includes the structure of the workplace combined with the world brings an imaginative approach to sculpt one's environment and appreindividuals inhabiting the space.

2

4

3

BALANCE

5 6

7

1

LEVEL 2

UP DN

DN

1.

2.

3.

4.

5.

6.

7.

aUDITORIUM SMALL LOUNGE INFORMAL MEETING STAFF WORKSPACE RESTROOM MEDIA STORAGE ART GALLERY & WORKSTATION

RECEPTION

level 2

3

2

4

5

6

7

8

1

ENT

LEVEL 1 UP

DN

UP

level 1

1.

2.

3.

4.

5.

6.

7.

8.

RECEPTION EXECUTIVE DIRECTOR OFFICE DIRECTOR OFFICE ADMINISTRATOR OFFICE COLLABORATIVE WORKSPACE RESTROOM PRIVATE CALL ROOM CONFERENCE ROOM

COLLABORATIVE WORKSPACE

HVAC 1

UP

3

2

DN UP DN

3

4

BASEMENT basement

1.

2.

3.

4.

FAMILY SPACE KITCHENETTE DINING LOCKER ROOM

ART GALLERY & WORK STATION

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Weidman, Ashlynn

In life and throughout my future endeavors as an interior designer, I want to always be my most authentic self and feel confident in everything I create. One of my goals is to be perceptive when designing, being aware individual needs and experiences. I strive to make sure every person knows that they are valued and that they deserve moments of peace in this world. I hope to have the courage to stand firm in my beliefs and be constantly pursuing activism within my communities through my projects. I want to use my drive and creativity to find solutions to the multitude of problems in our society. It will take courage to take risks in order to continuously strive for creativity. I hope to never lose sight of myself while still adapting to the ever changing world of design.

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What is your plan after this semester?

I plan to continue to further my education in interior design. I hope to study abroad in Italy next summer and broaden my knowledge of different cultures. At the end of the summer, when returning home, I plan on interning at a local design firm in order to complete my course obligations while preparing myself to be career ready when graduation rolls around in May. How would you describe your design style?

I would describe my design style as dynamic and contemporary. I enjoy making spaces experiential, and using statement pieces and elements in each space of my design.

What problems did you encounter in your design inside and/or outside of the studio?

Problems that I run into is furniture selection and making them feel cohesive with my concept and shapes and forms within my space.

What type of place would you like to design next?

I really enjoy all of the different possibilities when it comes to hospitality design.

How would you define a well-designed or good workplace?

A well designed workplace is a space where employees can feel motivated and comfortable in their environment and have different options when it comes to how they want to work.

What does the evidence-based design mean to you?

Evidence based design means to me that a designer uses statistics and studies research both related to interior spaces and the human experience and applies the findings in how they design the space.

What did you realize while implementing your research into interior design?

When implementing my research I found that it is better to play around with different options and use continuous iteration on paper to find out what you like best and what is the most successful before immediately putting it into your project.

What would you like to tell your instructor (ex. Personal or project, anything else you want)?

I would like to say thank you for the continuous guidance throughout the semester both in and out of the studio.

Having a professor that is constantly reaching out to you with ideas and feedback both in person or over email is something that I believe helps us students to keep pushing forward and feel like we are headed in the right direction.

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Design Development Early Review Poster (Left) Mid Review Poster (Center) Final Review Poster (Right)

historic mill building renovation for cache offices

DYNAMIC CONNECTIONS

Building Site Highway - High Traffic Flow

Building Razorback Green Way - High Pedestrian Traffic

Bus

HISTORIC MILL BUILDING RENOVATION FOR CACHE NWA

Train Tracks

project breif: The CACHE brand is all about uplifting local artists.

The Historic Mill Building on Martin Luther Kind Blvd. will serve as their office space where they can work to diversify the culture of NWA, strive for innovation, and work in harmony with the community. The staff of CACHE wish to have a creative space where they can collaborate and feel inspired. Connection to nature and health and wellness are important goals for them as well as the comforting feel of working in a caffe or coffee shop.

concept Given that the space is for art in the community and the innovation that comes along with it, the design of the space should be dynamic, and creative. By sculpting the space with organic shapes and lines, zones of space will seem to flow together without harsh right angles. Patrons will move through the space seamlessly while feeling immersed in the buildings own art.

inspiration:

Organic shapes and lines relate to the natural feel that the client requests. The lack of rigid barriers makes the space feel more casual providing the type of atmosphere that a cafe or coffee shop would provide rather than a typical office

DESIGN CONCEPT: Given that the space is for art in the community and the innovation that comes along with it, the design of the space should be dynamic, and creative. By sculpting the space with organic shapes and lines, zones of space will seem to flow together without harsh right angles. Patrons will move through the space seamlessly while feeling immersed in the buildings own art.

DYNAMIC CONNECTIONS

custom

design

design

MATERIAL, COLOR, LIGHT:

Colors and textures represent the cache brand making the space feel like its own work of art. Some materials give a natural essence while others provide a sense of luxury.

process

PERSPECTIVE VIEWS reception- level 1

-

SPACE TRANSITION/ POINT OF ENTRY PARTIAL WALL PARTITION

SPACE TRANSITION/ POINT OF ENTRY

OUTDOOR PRESENTATION

PARTIAL WALL PARTITION

OUTDOOR RECREATION

DIAGONAL TRUSS

DIAGONAL TRUSS

1

1

SPACE TRANSITION/ POINT OF ENTRY

HVAC

FABRICATION

1

BATHROOMS

UP

EVENT

DIAGONAL TRUSS

2

BATHROOMS

GALLERY

GARDEN

COMMUNITY

PRIV.OFFICE

COLLAB & LOUNGE

PARTIAL WALL PARTITION

MUSIC

38' - 0"

3

-

FAMILY

ART

LOBBY

PRIV. OFFICE

4

13

12

11

10

9

8

7

6

3

4

4

15

14

-

DN

DN

DN

KIDS ZONE

UP

EVENT

-

UP

-

3

DN

15

2

2

DN UP

CONF.

WORK STATIONS

UP

IT

5

15

14

13

12

11

10

9

8

7

6

14

13

12

11

10

9

8

7

6

5

5

PLANS 15

2 A108

14

13

12

11

10

9

8

7

6

5

1

2

3

4

2 A108

2 A108

Level 6 68' - 0"

1

1 1

entry- level 1

-

UP UP

2

2 2 1

1

A108

A108

3

3

UP

DN

Level 5 44' - 0"

Level 4 33' - 0"

Level 4 33' - 0"

Level 3 22' - 0"

Level 3 22' - 0"

3

Level 2 11' - 0"

DN

DN

UP

DN

Level 5 44' - 0"

Level 1 0' - 0"

UP DN

12

11

10

9

8

7

6

5

15

10/14/2021 10:42:59 PM

1 Basement 1/8" = 1'-0"

Level 1 1/8" = 1'-0"

14

13

12

11

10

9

8

7

6

Level B Stair0 Basement -9' 0" -9' -- -9" -11' 0"

4

5

15

1

14

Level 2 1/8" = 1'-0"

13

12

11

10

9

8

7

6

1

5

10/14/2021 10:42:57 PM

13

1

10/14/2021 10:42:56 PM

14

Level B Stair0 Basement -9' 0" -9' -- -9" -11' 0" Section 3 1/16" = 1'-0"

2

STUDY MODEL

ASHLYNN WEIDMAN

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Section 4 1/16" = 1'-0" 10/14/2021 10:43:04 PM

4

4 15

site and program:

The CACHE brand is all about uplifting local artists. The Historic Mill Building on Martin Luther Kind Blvd. will serve as their office space where they can work to diversify the culture of NWA, strive for innovation, and work in harmony with the community. The staff of CACHE wish to have a creative space where they can collaborate and feel inspired. Connection to nature and health and wellness are important goals for them as well as the comforting feel of working in a caffe or coffee shop.

ORGANIC CONNECTIONS Historic Mill Renovation for CACHE NWA Offices capacity

the concept

Organic forms, shapes and lines mold the interior to provide a connection to the ideas of the natural world. Partitions instead of full height walls are implemented to allow for free flowing communication while still defining space and providing partial privacy within the clustered plan, allowing for the overlapping of activities. Organic furniture in combination with these partitions stimulate creativity of employees and artists by making them feel immersed in a work of art. Lighting along the edges of partitions gives a relaxing ambient glow while making trasitions from space to space an experience that inspires. The feeling of stepping into this building is anything but corporate.

creativity community

Through the renovation of the Historic Mill Building on Martin Luther King Jr. Blvd., CACHE has requested an office space where creativity can thrive. Employees have stated that they do not like the typical corporate feel of offices and would rather have something unique, casual, and inviting similar to the atmosphere of coffee shops, cafes, and libraries. A space is needed where collabroation is a priority and communication can flow freely. The office needs to have a connection to the natural world and make employees feel inspired. The CACHE brand is all about uplifting artists, diversifying culture, and striving for creativity and innovation while connecting with the community. This office will serve as a hub for creatives of the greater Northwest Arkansas area.

LEVEL 1

ORGANIC COLUMNS

ORGANIC PARTITIONS

ORB LIGHTING

ORGANIC FURNITURE

PERSPECTIVE VIEW

gallery

plans detailing design elements

community 3

entry

Materials include: Concrete, wood, glass, resin, velvet, gold and silver finish, and wallpaper.

dining 2

COM gallery

materials range from natural and raw to sleek and luxury to represent the diverity of art and culture that CACHE strives for. Raw materials like concrete and wood bring in the outdoors acheive the connection to the natural world that CACHE requested.

community

4

1

reception

family lounge

HVAC entry

bar/kitchen

family 0’

3’

6’

12’

24’

reception/lobby

1- ENTRY

2- RECEPTION

3- GALLERY

4-DINE

5- WORKSTATIONS

6- CONFERENCE

7- FABRICATION

8- RECORDING

LIGHTING F1

m furniture

executive suite work station

ned partitions collab/lounge conference

LEVEL 2

ned columns

ORGANIC COLUMNS

ORGANIC PARTITIONS

private offices

ORB LIGHTING

ORGANIC FURNITURE

PERSPECTIVE VIEW

executive suite 5

lounge

large conferene

fabrication music

recording

IT department

workstation

lounge

6

COM

collab

lounge

small conference private offices

hvac

art storage

0’

3’

6’

12’

24’

LIGHTING F2

gallery- level 1

BASEMENT

ORGANIC COLUMNS

ORGANIC PARTITIONS

mechanical

ORB LIGHTING

ORGANIC FURNITURE

PERSPECTIVE VIEW

8

fabrication

IT workspace

lounge 7

COM

art storage

service

0’

3’

6’

12’

24’

conference/offices- level 2

LIGHTING B1

COMMUNITY BASEMENT

LEVEL 1

LEVEL 2

WORKSPACE COLLABORATE EXHIBITION

ashlynn weidman

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Bachelor of Interior Design | Fay Jones School of Architecture and Design, University of Arkansas, Fayetteville YEAR ONE IDES 1035 Studio I

IDES 1045 Studio II

YEAR TWO IDES 2804 Interior Design III

IDES 2814 Interior Design IV

IDES 3805 Interior Design V

IDES 3815 Interior Design VI

IDES 4805 Interior Design VII

IDES 2723 Digital Design in Media

IDES 2883 History of Interior Design

IDES 3833 Building Systems for Interior Design

IDES 4813 Human Factors for Interior Design

Professional Elective

IDES 2823 Interior Design Materials & Assemblies

IDES 3843 Lighting & Related Building Systems

IDES 4823 Professional Practice for Interior Design

IDES Study Abroad Requirement

ARCH 1212 Design Thinking I

ARCH 1222 Design Thinking II

YEAR FOUR

YEAR THREE

IDES 4815 Interior Design VIII

IDES 4811 Internship for Interior Design

ARCH 4433 Architectural History III

My students in IDES 3805 Interior Design V demonstrate the ability to build abstract relationships and explore and develop original ideas with their imagination. They understand the impact of design based on applied research and analysis of multiple theoretical, social, political, economic, cultural, and environmental contexts to the creation of built environments.

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