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The real Hillary problem Hillary Clinton recently announced she was running for president. With the news came a fresh round of sexism lobbed at the former first lady, senator and secretary of state. While there’s plenty of legitimate fodder for criticism and debate when it comes to Clinton, little of it seems to come without an accompanying whiff of old-fashioned chauvinism. The latest arrived via The New York Times’ Maureen Dowd, who opined in an April 12 column titled “Granny Get Your Gun” that “the most famous woman on the planet has a confounding problem. She can’t figure out how to campaign as a woman.” Actually that’s not Clinton’s problem, it’s Dowd’s. Sure, Clinton has struggled with image—which candidate hasn’t?—but it’s ludicrous to suggest that during her 2008 bid, “Hillary scrubbed out [her] femininity” in attempt to win. This time around, Dowd says, the candidate will face an even tougher time. After all, Clinton’s not just saddled by previous missteps, she’s also now a grandmother. Now, she must bridge the divide between politics and her age and gender. “Isn’t there a more authentic way for Hillary to campaign as a woman … something between Macho Man and Humble Granny?” Dowd asked. Clinton isn’t the only woman to face sexist political scrutiny, of course. If former Hewlett-Packard head Carly Fiorina makes good on a bid for the Republican ticket, she’ll undoubtedly also endure intense examination over her femininity, looks, emotional state, et al. Whether Fiorina, Clinton or any other female candidate is in possession of a vagina should never be a political consideration. When an accomplished journalist makes it a case, however (and without irony, it should be noted), then unfortunately it’s clear such treatment is here for the long haul.

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NEWS

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Kel Munger, Kate Paloy, Patti Roberts, Ann Martin Rolke, Shoka Creative Director Priscilla Garcia Art Director Hayley Doshay Associate Art Director Brian Breneman Ad Design Manager Serene Lusano Production Coordinator Skyler Smith Designers Brad Coates, Kyle Shine Contributing Photographers Lisa Baetz, Steven Chea, Evan Duran, Wes Davis, Luke Fitz, Taras Garcia, Michael Miller, Bobby Mull, Shoka, Darin Smith, Lauran Worthy

Our Mission To publish great newspapers that are successful and enduring. To create a quality work environment that encourages employees to grow professionally while respecting personal welfare. To have a positive impact on our communities and make them better places to live. Co-editors Rachel Leibrock, Nick Miller Staff Writers Janelle Bitker, Raheem F. Hosseini Assistant Editor Anthony Siino Entertainment Editor Jonathan Mendick Editorial Coordinator Becca Costello Contributing Editor Cosmo Garvin Editor-at-large Melinda Welsh Contributors Ngaio Bealum, Daniel Barnes, Rob Brezsny, Jim Carnes, Deena Drewis, Joey Garcia, Blake Gillespie, Becky Grunewald, Lovelle Harris, Jeff Hudson, Jim Lane, Meg Masterson, Garrett McCord,

rac he ll@ n ew s r ev i ew . com

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05 06 10 12 15 22 25 27 33 34 36 38 45 47 59

STREETALK OPINION + letters SCOREKEEPER + bites NEWS FEATURE STORY ARTS&CULTURE NIgHT&DAY DISH COOLHUNTINg STAgE FILM MUSIC + sound Advice ASK JOEY THE 420 15 MINUTES COVER dEsign BY haYlEY dOshaY

—Rachel Leibrock

BEFORE

April 23, 2015 | vol. 27, issue 01

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F E AT U R E

STORY

Chief Marketing Officer Rick Brown Advertising Manager Corey Gerhard Senior Advertising Consultants Rosemarie Messina, Joy Webber, Kelsi White Advertising Consultants Joseph Barcelon, Meghan Bingen, Lee Craft, Teri Gorman, Dusty Hamilton, Dave Nettles, Matt Richter, Lee Roberts, Julie Sherry Senior Inside Sales Consultant Olla Ubay Sales Assistant Matt Kjar Director of Et Cetera Will Niespodzinski Custom Publications Editor Michelle Carl

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Custom Publications Managing Editor Shannon Springmeyer Custom Publications Writer/Copy Editor Mike Blount Custom Publications Writer Brittany Wesely Executive Coordinator Jessica Takehara Director of First Impressions David Lindsay Distribution Director Greg Erwin Distribution Services Assistant Larry Schubert Distribution Drivers Mansour Aghdam, Daniel Bowen, Heather Brinkley, Mike Cleary, Jack Clifford, Lydia Comer, John Cunningham, Lob Dunnica, Chris Fong, Ron Forsberg, Garry Foster, Joanna Gonzalez-Brown, Craig Hays, Brenda Hundley, Greg Meyers, Kenneth Powell, Gilbert Quilatan, Victoria Prunty, Lloyd Rongley, Lolu Sholotan President/CEO Jeff vonKaenel Chief Operations Officer Deborah Redmond Human Resources Manager Tanja Poley Business Manager Grant Rosenquist Accounting Specialist Nicole Jackson Accounts Receivable Specialist Kortnee Angel Sweetdeals Coordinator Courtney DeShields Nuts & Bolts Ninja Christina Wukmir Lead Technology Synthesist Jonathan Schultz

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AFTER

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Senior Support Tech Joe Kakacek Developer John Bisignano System Support Specialist Kalin Jenkins 1124 Del Paso Boulevard, Sacramento, CA 95815 Phone (916) 498-1234 Sales Fax (916) 498-7910 Editorial Fax (916) 498-7920 Website www.newsreview.com SN&R is printed by The Paradise Post using recycled newsprint whenever available. Editorial Policies Opinions expressed in SN&R are those of the authors and not of Chico Community Publishing, Inc. Contact the editor for permission to reprint articles, cartoons or other portions of the paper. SN&R is not responsible for unsolicited manuscripts. All letters received become the property of the publisher. We reserve the right to print letters in condensed form and to edit them for libel. Advertising Policies All advertising is subject to the newspaper’s Standards of Acceptance. The advertiser and not the newspaper assumes full responsibility for the truthful content of their advertising message.

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building a

HealtHy S a c r a m e n t o

a living Wage For all

Increased hourly pay may make working families less dependent on public assistance b y b r I t t a n y W e s e ly n April 15, nearly 500 activists marched to Sacramento City Hall, hoping to influence change-makers to raise the minimum wage.

O

The “Fight for $15” demonstration came two days after the release of a University of California, Berkeley study that reported 56 percent of state and federal welfare dollars are used to support working families. In California alone, $3.7 billion in public assistance goes to employed households. Tamie Dramer, director and board chair of Organize Sacramento, says that while public assistance programs offer important support for families, raising the minimum wage would help lift working families out of poverty and allow tax dollars to be spent in other areas. A local nonprofit with the mission to educate and mobilize communities to influence change, Organize Sacramento is one of three organizations that make up the Sacramento Raise the Wage Coalition. Along with Sacramento Area Congregations Together and the Alliance for Californians for Community Empowerment, the coalition is spearheading the local movement to raise the minimum wage to $15 per hour. “We’re three really active groups of activists and organizers who are concerned about the disparities in Sacramento families,” Dramer says. “We’ve all received grants from The California Endowment’s Building Healthy Communities initiative to provide education and dispel misconceptions about increasing the minimum wage.”

Organize Sacramento used its grant to conduct a poll about Sacramento attitudes toward the minimum wage. “We learned that a strong majority of Sacramento voters really feel it’s time to raise the minimum wage locally,” Dramer says. The poll revealed that 58 percent of Sacramento voters would support a measure that phases in a $15 minimum wage over the course of three years.

“We learned that a strong majority of sacramento voters really feel it’s time to raise the minimum Wage locally.”

“She had no savings, no benefits and all she earned was minimum wage,” Mazariegos says. “She really wasn’t able to take care of her needs.” The woman had to retire early due to her disease. She moved in with her son and his family in their one-bedroom apartment. Mazariegos says the situation is tragic, but it is an experience that is unfortunately shared by many. “Her story really bothers me,” Mazariegos says. “We need to raise awareness and increase the minimum wage so these stories are less common.”

BuIldIng HEalTHy COmmunITIES In 2010, The California Endowment launched a 10-year, $1 billion plan to improve the health of 14 challenged communities across the state. Over the 10 years, residents, community-based organizations and public institutions will work together to address the socioeconomic and environmental challenges contributing to the poor health of their communities. activists march to City Hall on april 15 to demand a higher minimum wage. Photo by laura anthony

Tamie Dramer, Director and board chair of Organize Sacramento

ACCE Lead Organizer David Mazariegos says there is a lot of concentrated poverty in Sacramento, especially in the South Sacramento area. “In the neighborhoods we work in, there are a lot of folks in low wage jobs who are just barely scraping by to pay bills, buy food for their families and fill their cars up with gas,” Mazariegos says. Mazariegos tells the story of a woman in her 50s who is active in the “Fight for $15” movement. She worked at McDonald’s for a long time until she was diagnosed with Parkinson’s disease.

your ZIP code shouldn’t predict how long you’ll live – but it does. Staying healthy requires much more than doctors and diets. Every day, our surroundings and activities affect how long – and how well – we’ll live. Health Happens in neighborhoods. Health Happens in Schools. Health Happens with Prevention.

paid with a grant from the california endowment 4

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www.SacBHC.org


“The birth and raising of my son. I am watching him grow and he is a great kid.”

Asked at the intersection of Truxel Road and West El Camino Avenue:

What is your greatest accomplishment?

Dionna Conner

unemployed

Moving here. Two months ago I decided I needed a change. I was sick of where I was in life. I really didn’t feel I had done anything. I literally packed up my car with as much as it would hold and drove across country. I moved in with a friend of mine who has been here for a decade.

BEFORE

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NEWS

Jan Navarro

Alex Valdez

referral analyst

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dental assistant

So far [my friends and I] have gathered cans and bottles, which is recycling, which is money. Today so far, I also have collected three cigarettes. These are really for my friends because I don’t smoke. I look out for them.

F E AT U R E

STORY

I finished school. It was a nine-month program. The toughest moments include not finding patients for practice procedures we had to do in class. I have a plan to stay in Sacramento and work. I will go back to school to become a hygienist while I am working.

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Nick Parisi

Gina Walmarth

barista

I beat cancer. It was skin cancer, melanoma, found out on my birthday. When I was 26, I was diagnosed with cancer. They did a major surgery back behind my left ear and removed it. My support system is here. My family is here. My brother lives in Carmichael; my best friend is here. This is home.

A RT S & C U LT U R E

Antoinette Sullivan

stay-at-home mom

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The birth and raising of my son. I am watching him grow and he is a great kid. I get compliments on what a good kid he is. Parenting is hard work and it is a lot more than people think it is going to be. It is hard to keep him straight and focused and away from trouble.

AFTER

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04.23.15

truck driver

My best accomplishment is knowing God. It was through the most devastating time. I think that is when he finds you, when you are at your lowest. My brother was on trial for murder and I felt like my whole world was taken from me. My brother was my best friend. Through that event, God began to work on me.

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Lets get under 350 There’s a certain irony—or providence, depending on how one looks at it—in California Senate President Pro Tem Kevin de León’s climate-change legislation package bearing the name Senate Bill 350. That’s because 350 parts per million of carbon dioxide in the atmosphere is the upper limit beyond which serious climate change isn’t just pending, it’s inevitable. We’re currently at 400 ppm. De León’s bill—or rather, the legislative package—would ask Californians to double our energy efficiency, get half of our power from renewable sources and cut our oil use in half by 2030. Our only complaint about this Our only legislation? That it will only be complaint about in force in California. this legislation? We might want to add some penalties for drivers that insist That it will only on low-mileage, high-emission vehicles, especially because we be in force in reside in a state where there are California. almost as many people as cars. In fact, if vehicle-registration fees reflected the weight of vehicles (and thus the damage to roadways and infrastructure) and emissions (and thus the damage to our breathing and our planet’s climate), there might be enough economic incentive to get Californians out of our single-occupancy cars and into everything from public transport and carpooling to biking and walking. (Yes, we’d support some exceptions.) We focused on that part of the law that will cut back our use of fossil fuels because that’s where the big opposition will come from; the Western States Petroleum Association has already weighed in against it. Big surprise there. For more information Here’s the simple reality: We’re past the point about what we can of no return when it comes to climate change. Now, do to reduce CO2 we’re in the place where we can—at best—simply emissions, visit hope to adapt. Hope to mitigate the coming changes www.350.org. and reduce our contributions to the problem enough so that the effects aren’t completely devastating for our children and grandchildren. For contact The year 2030 is not that far away. The kids information for in their first soccer cleats this year will be young your state senator, adults, worrying about the future of their own chilvisit http://senate. dren. What are we going to say to them when they ca.gov/senators. ask why we didn’t do more to stop a slow-motion disaster that we knew was coming? We urge our readers to stand up in support of S.B. 350. Make sure that your legislators know that these proposals are the minimum that we should be doing if we’re to have a livable Golden State in our golden years. Call or email in support of these proposals, and resist the fear-mongering of the oil, coal and gas lobby. It’s that sort of fossilized thinking that got us here. Now, let’s move ahead. Ω


Now hiring

online buzz

On lOcal rapper Task1ne geTTing caughT sTealing raps frOm emcees:

Re: SN&R “Online Buzz,” April 16, and “How much are you worth?” by Nick Miller (SN&R Feature Story, April 9): Travis Houston claims that, if the minimum hourly wage rises to $15, he is going to quit his job “and go work at a coffee letter of shop and do the week less work for more money.” This made me think of Sacramento’s best coffeehouses in Midtown and downtown during their busiest times. If Houston thinks he’ll do less work in a coffeehouse, then he must work as a roughneck in an oilfield, or as a front-desk medical clinic worker when all “bleep” breaks loose on a Monday during allergy season. So Houston, I’ll tell you what. I’m going to open my own coffeehouse. We’ll call it Undaunted, and I’m going to hire you as my main employee, my No. 1, my Commander Riker. You’re going to make all the coffee-or-teaor-kombucha drinks, cheerfully and fast. And to make sure you earn yourself way more than the current miserable abusive Soviet-era minimum wage in America, I’m going to pay you by the piece. That’s right. I’m going to pay Houston 20 cents per drink made-and-served, because anyone who thinks coffeehouse drink-makers don’t work hard crafting their product must be one of the hardest workers of our time. At 20 cents per drink, and working as hard as you do at your current employment, you’ll easily be getting $43.80 per hour, on average, all week long, year round. Indeed, Houston, my man, you and I will make a lot of money together.

Wow. Its a kold game but im still #SacramentoProud Omm thooo Dirk Dig

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Not a good look....is an understatement. SChmordan River

via facebook lololol everybody goin in on task. @iamheadband

no less should happen when someone bites entire verses regularly. @OfficialNKNGS

shits a shame haha bad look for sac @BRADYHAZE

On esquire imaX TheaTre Offering beer anD wine During films:

Will the Esquire also be increasing their janitorial service, to clean up the sick from buzzed and queasy patrons losing their stomachs? “Mop and bucket to row 15. Again.”

J.O. Daunt

D av i s

RT fares out of whack Re “Fare talk” by Cosmo Garvin (SN&R Bites, April 16): Thank you for highlighting the lack of public representation on the Regional Transit board, and thank you for including some of my thoughts. I would like to add that I work for Resources for Independent Living (www.ril-sacramento.org), and we have been focused on transportation equity regarding Regional Transit, and Paratransit Inc., for a long time. Fares in Sacramento are way out of whack if you look at fares in comparable jurisdictions. The Connect Card has already found itself plenty of problems, and it isn’t even in use yet. It’s up to the ridership to make sure that RT makes policies that live up to it being a public service, and not just a business. Chris Jensen advocate/community organizer with Resources for Independent Living BEFORE

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NEWS

Email your letters to sactoletters@ newsreview.com. Online Buzz contributions are not edited for grammar, spelling or clarity.

R.J. Richards

via facebook

@SacNewsReview

Awesome! Nicole Schiestel

via facebook

Facebook.com/ SacNewsReview

Finally Rachelle Douglas

via facebook

@SacNewsReview

Coming soon: Gravity in 3D with half-price Jager shots all night @brenemania

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F E AT U R E

STORY

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A RT S & C U LT U R E

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AFTER

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PA I D A DV E RT I SE M E N T

Fifty Shades of Green Medical marijuana growers hopeful for industry regulation by Mike Blount

In the absence of state regulation, many local governments have set guidelines for marijuana cultivation, or, in some cases, growers have made their own. But these solutions are far from uniform across the state, according to Hezekiah Allen, executive director of the Emerald Growers Association. The group has produced multiple guides on sustainability and environmental responsibility for growers, but adoption of these policies is slow and voluntary.

Currently, two bills — SB643 and AB34 — are focusing on setting up regulatory framework for the medical marijuana industry. “Our fundamental goal is to have regulation that balances with existing legislation and increases our access to programs and incentives,” Allen says. “Working with both of the authors of these bills, we are hopeful about what they might do. They have resisted all of the stigma and focused on the fact that it’s a public policy question. We’re really excited about this fresh, new perspective.” Photo by Laura Anthony

S

ince the passage of the Compassionate Use Act in 1996, the medical marijuana industry in California has largely been unregulated by the state, leaving many questions about public safety and environmental concerns unanswered. With a public vote on the legalization of recreational use of marijuana looming in 2016, state lawmakers and cannabis growers have begun working together to create statewide legislation by the end of the year.

“Our farmers are ready to pay taxes and work with state agencies. We just want to make sure the program is balanced and fair.” Executive Director of the Emerald Growers Association Hezekiah Allen, far right, rallies with cannabis farmers in front of the State Capitol April 15.

Hezekiah Allen, executive director of the Emerald Growers Association Allen says new regulations would legitimize the medical marijuana industry, setting it apart from the illegal growing operations, which are at a competitive advantage.

While specific details for either bill have yet to be announced, Allen is hopeful that one will pass this year ahead of a 2016 public vote on recreational use.

California currently has a multimillion dollar black-market cannabis industry, and illegal growing has caused environmental concerns. As part of Gov. Jerry Brown’s emergency drought package passed in March, $2 million was set aside to fight illegal water diversion for illegal marijuana growing operations.

“Of course, if we’re going to do that in 2016, it would be so much better to have some of these questions already answered ahead of time,” Allen says. “But I believe this stands on its own merits as a public policy question. Our farmers are ready to pay taxes and work with state agencies. We just want to make sure the program is balanced and fair.”

In response to these concerns, Allen and his 750-member group have hired lobbyists to work with politicians at the State Capitol to make sure their interests are represented as the groundwork for new regulations is being laid.

COLLECTIVES CARING FOR THE COMMUNITY.

Because medical marijuana is not a regulated industry, growers also do not have access to state agricultural programs and incentives — something Allen would also like to see changed. Medical marijuana farmers also are unable to obtain business licenses, which would allow them to have business bank accounts and apply for bank loans.

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When I meet political candidates, I always ask them about their campaign issues. The usual answers are “good government” or “wanting to give back.” When I press for actual issues, many candidates give me a blank look. Not Patrick Kennedy. Early last year, when I talked to him about his candidacy for the Sacramento County Board of Supervisors, he had plans to tackle numerous issues. And he was particularly passionate about improving mental-health services in the county. He was also very knowledgeable about these issues. And this was before he won his seat. Since l by JEff VOnKaEnE June, he has spent considerable time working with hospital groups, the county health department and the fire j ef f v@n ewsreview.c om department to improve mental-health services. Mental-health problems are not simple and cases vary widely. What we need is a continuum of care, with a variety of approaches. This is critical both for improving mentalhealth services and also for controlling costs. Health-care experts agree that we need alternatives to hospital emergency rooms for treating people suffering from mental-health problems. Hospital Council of Northern and Central California Regional Vice President Brian Jensen told me that Sacramento’s four hospital groups estimated that 1,700 patients a month could be diverted from emergency rooms if there were alternative medical facilities specializing This plan will not in this type of care. Earlier this year, with only keep people out support from the other county Kennedy convened of the emergency supervisors, a meeting of the county staff room, but will and other health stakeholders, primarily the four hospital also help prevent groups, to discuss options. Over a recent breakfast at mental-health Old Soul at 40 Acres in Oak breakdowns and Park, Kennedy told me how the staff and the hospitals emergencies. county were initially distrustful of each other. But now they meet weekly to work out the details of creating drop-in locations, providing more beds and offering more supportive services. Kennedy is full of praise for the county staff, particularly Sherri Heller, director of Sacramento County’s Department of Health and Human Services. And he praises all four hospital systems, which have been coordinating with each other as well as the county to create an effective plan. This plan will not only keep people out of the emergency room, but will also help to prevent mental-health breakdowns and emergencies. This plan is only possible because Jeff vonKaenel of the Affordable Care Act. Previously, many people went is the president, to the emergency room because their mental condition had CEO and gone untreated. Their only option was the emergency room, majority owner of the News & Review which by law has to accept everyone. Now, thanks to the Affordable Care Act, many of these newspapers in Sacramento, people now have health-care insurance for the first time. Chico and Reno. They can get treatment. And the emergency room will no longer be their only option. Having the county staff and health-care organizations cooperating, combined with new resources becoming available through the ACA, will hopefully only be one of many positive changes enabled by the ACA. It’s exciting to see that the vision that Kennedy articulated to me, early in 2014, before his successful campaign for the board of supervisors, is now starting to come to fruition. Ω

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SCORE KEEPER Sacramento’s winners and losers—with arbitrary points

‘In the dog house’

Taken to Task

This paper’s writers joked often about  the appearance of a too-cozy relationship  between Sacramento Bee scribe Marcos  Breton and Mayor Kevin Johnson and his  team. And now, because of emails obtained  by SN&R contributing editor Cosmo Garvin  (see page 12), we know for a fact that Team  K.J. regularly pressured Breton to ink proKings arena columns. It’s gross. But it’s  also serious: Who else did they lobby at the  Bee during the arena vote and signaturegathering effort, and did it impact fairness  of the paper’s Kings coverage?

Last week. SN&R music  writer Janelle Bitker  reported that one of  the city’s foremost  emcees, Task1ne (Corey  Lakel Pruitt), stole lyrics  and verses from other  rappers. On Monday, Pruitt  conceded as much in a  quasi-apologetic YouTube  video diary. Scorekeeper  says: Mic drop, it’s all over,  Task. Thanks for playing.

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California allows transgender students to  use bathrooms that align with their gender  identity. But a group called Privacy For All  opposes this, and is aiming to reverse the  new law with a ballot measure in November  2016. They want people to use the bathroom  of their biological sex. Scorekeeper asks of  the group aiming to repeal the law: Why do  you even care?

- 1,266

DUI fail File this one under  “Don’t Jump Out of a  Moving Vehicle at a DUI  Checkpoint”: This past  Friday night in North  Sacramento along  Marysville Boulevard,  police were conducting  a DUI checkpoint when  a passenger jumped out of a car window just after  10 p.m. The suspect also  dropped a gun. “Officers  chased the suspect, but  were unable to catch up  with him and a perimeter  was quickly established,”  the police report reads.  A K-9 unit apprehended  the suspect, who was  charged with   multiple counts.

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The Sacramento Taxpayers Association held its first-ever Golden Fleece  Awards last week. These are like the Razzies, but for local government,  bestowing the “award” to whomever served up the most “wasteful,  ridiculous, or ironic use of taxpayers’ money.” The Sacramento Department of Utilities snagged the big prize on April 15, for its wasteful water-meter install  policy. SN&R’s writer Joe Rubin, who wrote our cover-story exposé on the  DOU last year, accepted the award on the department’s behalf.

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Residents baffled by city plans for  pharmacy at old Mercado Loco site A new t apartmen ar e n x comple ! n w to n dow

In government, there are good ideas and there are What happened? Ironically, the new design bad ideas. Then, there is that broad category of was an attempt by city planners to limit buildunintended consequences and good ideas ing “setbacks” and put new buildings close to done badly. city sidewalks, and thereby be more connected Take the city of Sacramento’s attempt to surrounding streets and sidewalks. to apply some forward-thinking planning The setback ordinance, put in place after principles to a planned chain-store pharmacy CVS began its application for the Franklin on Franklin Boulevard, which now seems to have Boulevard site, says new building fronts backfired in a big way. shouldn’t be set back more than 25 feet from ArvIN You may recall that last year neighbors the property line. 9 0 o n e - b e d r o o m , 9 0 t wo - b e d r o o m h o m e s by CoSMo G in the North City Farms, Hollywood Park The purpose of the policy, says Sacramento Central heating and Air conditioning Private parking garage cosmog@ newsrev iew.c om and Curtis Park neighborhoods were pretty city associate planner David Hung, is so “the exterior storage closets Interior courtyard agitated to learn that the Mercado Loco market building can be closer to the street, and there on Sutterville Road and Franklin Boulevard can be more interaction with the street. There dishwashers Community fitness & conference rooms would be torn down and replaced with a CVS can be eyes on the street.” After school programs & enrichment classes Laundry rooms on each floor pharmacy and convenience store. Neighbors even City planners wanted CVS to put the buildhigh-speed Internet, phone & tV balconies & patios circulated a petition asking the landowner—the ing entrance on the sidewalk. CVS instead Sacramento Children’s Home, located next asked for a variance from the new policy, and door—not to go through with the deal. But the to stick with their original plan. City planners CALL NOW (916) 553-2222 mUst containerized economy rolls on. Mercado Loco is refused. CVS said OK, but insisted on having see to Located at 601 Cannery Ave. sacramento, CA 95811 already closed, with plywood over the doors. the store entrance face the parking lot, and no beLIeVe! Section 8 Welcome! • SE HABLA ESPANOL • EHO&EOA After CVS submitted its application to the entrance facing the street. “For us, this is a city, the Sierra Curtis Neighborhood Association compromise solution,” said Hung. asked the project developer for a number of changes, to make the project a little less of “This makes absolutely suburban-style beige box surrounded by parking. “The idea was to make it more architecturally no sense in terms of good compatible with the Sacramento Children’s urban planning and Home, and more bike and pedestrian friendly,” design and it will be an explained Andrea Rosen, a Curtis Park resident and SCNA member, who negotiated with the incredible eyesore at this CVS developer on the plan. intersection.” CVS agreed to drop several parking spaces, put bike parking near the store entrance, and Marti Brown reduce the drive-thru pharmacy lanes from two executive director, North Franklin Business to one. A shade-providing arched trellis would District Association be built near the sidewalk, connected by a raised brick walkway running from the street corner to the building’s corner entrance. The developer The result of the compromise, says Brown, also agreed to consider adding larger windows. is a building that, “literally turns its back” on Still a big box, but could be worse. Rosen the street. “No entrance on either street. No said she felt pretty good about the changes. That eyes on the street. No building face on either was in summer 2013. Fast-forward a year and a commercial corridor.” half, when Rosen learned the city had approved Hung says the new entrance, facing the an entirely different project. “They completely Children’s Home on the building’s west side, trashed the pedestrian experience,” she says. will still be near the sidewalk on Sutterville. Now the entrance is on the west side, facing And he said SCNA was notified that there the Children’s Home. There are no entrances were changes, so it’s not clear how the new planned to face the street; instead, the building design got by them. turns its rear to Sutterville. There’s another Still, neighbors feel the city has botched blank wall facing Franklin. The CVS will have implementation of its new zoning rules. “window graphics”—meaning signs, not actual “You’ve got to think about how it works windows for looking through—on the walls out on the ground,” says Rosen. “Is the intent plants 4 feet facing the street. of the ordinance to build a building that turns “This makes absolutely no sense in terms of its back on a busy intersection?” & above good urban planning and design and it will be an Brown says CVS should get a refund of its 916.922.4769 In-store only. incredible eyesore at this intersection,” says Marti planning fees and be allowed to resubmit their 1833 Howe Avenue No double discounts. Brown, executive director of the North Franklin original plan. She thinks neighborhood would Sacramento, CA 95825 Some exclusions apply. Expires 4/30/15. Business District Association, who worked for many be better off with a more suburban-style layout wwww.exoticplantsltd.com 916.922.4769 years as an urban planner for the Sacramento than a more urban design done badly. 1833 Howe Ave Housing and Redevelopment Agency. “It’s a great planning principle to strive Brown added the building’s vast flanks will for,” said Brown. “But if you can’t reach it, Sacramento, CA be prime targets for neighborhood graffiti artists. don’t do something this egregious.” Ω exoticplantsltd.com “I can’t imagine this would be allowed to happen in Land Park, or East Sacramento.” B E F O R E   |   N E W S   |   F E A T U R E S T O R Y   |    A R T S & C U L T U R E     |    A F T E R   |    04.23.15     |   SN&R     |   11

EXOTIC

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Remember Mother’s Day, June 11th


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IllustratIon by Jason Crosby

Mayor Kevin Johnson likely won’t get a Hillary-esque meme of him tinkering with a smartphone. And his office likely won’t see any repercussions for sending public emails that are not connected to a city server.

Election extremes Islamophobic campaign mailer disrupts Twin Rivers school board race Another scandal in the Twin Rivers Unified School District has cast an ugly pall over an upcoming special election. by Murmurs of racism have uglied up May 12’s vote, when Brooke Purves residents of the district’s Area Five will choose between Sonja Cameron and Basim Elkarra. Area One trustee Michael Baker told SN&R that his in-laws recently received something disturbing in their mailbox: a flier branding Elkarra as having ties to religious extremism and Islamic terrorism. The flier calls Elkarra an “outsider,” accuses him of terrorist ties as part of the Council on American-Islamic Relations, and includes pictures him with women in headscarves. Elkarra said he does work with CAIR, but says it is a civil-rights organization. It’s not clear who distributed Islamophobic campaign materials. The Clarion Project, a Washington D.C.-based organization that proposes to “challenge extremism,” is cited on the flier but has denied responsibility. It’s also uncertain how many fliers were produced or The flier calls Elkarra distributed, or whether the Fair an “outsider” and Political Practices Commission will investigate. accuses him of terrorist Cameron emphatically denies ties as part of any involvement in distributing the inflammatory material, the Council on saying it makes her “sick to even American-Islamic talk about it.” A Denmark native, Cameron Relations. said she herself was treated poorly upon coming to the states 45 years ago, a bride of a black Air Force member. “Why would I put something like that out there?” she said. The special election has been contentious so far. Cameron said her election committee distributed a letter to voters expressing support for a discussion about moving Regency Park Elementary from Twin Rivers to the Natomas School District. For that, she’s received some blowback. But “everyone I talked to, including my old community, feels we naturally belong in the Natomas School District,” Cameron said. She added that many families in Area Five send their kids to the geographically closer Natomas District schools, and that many are not happy with Twin Rivers. “What I want is for Twin Rivers to explore this,” she said, calling it a “crucial conversation.” Cameron was appointed by the district in December to fill the spot left vacant by Cortez Quinn, who was sentenced to jail for receiving loans and gifts from a district employee and conspiring to obstruct justice in a paternity case. But the Democratic Party of Sacramento County promptly took issue with the appointment, stalled it, and successfully collected signatures to force a special election. Cameron has no campaign website, no Facebook page. And she’s sought only local endorsements. “I’m not a politician,” she said. “The school board is nonpartisan.” Elkarra, on the other hand, is endorsed by multiple elected officials, including many high-powered Democrats. Ω

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Special delivery Mayor Kevin Johnson and his staff use private email for public work—and there’s no rule saying they can’t. Should there be? The Hillary Clinton email controversy brought public attention to an issue that open-government advocates have worried about for years: the by Cosmo Garvin widespread use of private emails by government officials to do public business. cosmog@ The danger is that some government officials ne w s re v i e w . c o m will use private email accounts to skirt publicrecords laws and avoid scrutiny by the media and larger public. Sacramento Mayor Kevin Johnson also uses private emails extensively to do city business. In fact, he and his staff have created a sort of parallel email system, not connected to city servers at all. That’s a big problem, says Jim Ewert, an attorney with the California Newspaper Publishers Association. “The practice essentially guts the California Public Records Act.” The mayor’s office has refused to answer SN&R’s questions about these private email accounts. And, unlike some other government agencies, the city of Sacramento has no policy at all regarding the use of private email accounts by government officials. In this way, Johnson is exploiting a legal gray area, one which is being fought over in the California Supreme Court right now. Like all city employees, the mayor and his staff are all assigned official city of Sacramento email addresses. But the mayor’s staff also uses a

special set of Gmail accounts to do a lot of city business. The accounts are private, but all branded with the letters “OMKJ,” for “Office of Mayor Kevin Johnson.” So, the email for Johnson’s chief of staff, Daniel Conway, is daniel.omkj@gmail.com. His press person, Ben Sosenko, is ben.omkj@gmail.com, and so forth. The mayor himself doesn’t appear to use Gmail, instead preferring to use other email addresses to do some city business. For example, he has in the past used mayorjohnson@ kevinjohnson.com. A more recently used address is seven@kevinjohnson.com. (Seven was Johnson’s jersey number in the NBA.) The mayor’s office won’t say why these accounts are used instead of the official city accounts available, or under what circumstances they are used. Sosenko did not return several calls and did not reply to an emailed list of questions, but sent a statement: “As has been widely pointed out in the media, elected officials in California have no clear uniform guidelines on the use of email. We look forward to the Legislature addressing this issue.” But the Legislature is not likely to address the issue any time soon, Ewert said, while the issue is tied up in California courts.


BEATS In 2013, the Santa Clara County Superior Court ruled that all emails used by San Jose city officials to conduct city business—even if they are sent using personal phones and private email accounts—were subject to the California Public Records Act. But a year later, the Sixth District Court of Appeal overturned the lower courts’ ruling. And now the case is before the California Supreme Court, which may or may not hear it this year. A decision is more likely sometime in 2016. In the meantime, “Most state and local agencies are looking at this like it’s the Wild West,” Ewert said. So, SN&R turned to the Sacramento city clerk for some answers. This paper filed a California Public Records Act request with the clerk’s office for all emails from all “OMKJ” accounts going back two years. The records request also included some basic questions about the use of the accounts, such as the names of the employees using the accounts and the number of emails generated. Many of those questions could not be answered, because the emails are not directly accessible by the city clerk. Instead, the messages are on Google servers, in accounts controlled entirely by the mayor’s staff. The city clerk’s office asked for and acquired 371 pages of emails from the mayor’s staff and turned them over to SN&R as part of a request. Much of what the city has turned over so far concerns the Kings arena. And much of it is information that was already turned over as evidence in a lawsuit brought by a group of citizens against the Kings arena deal, which is still in process. Most of the material disclosed is from early in 2013, and shows the constant communication between the mayor, his chief of staff Conway, spokesman Sosenko—all using private email accounts—and certain players in the arena deal. These included Kunal Merchant, the mayor’s former chief of staff who went to work for the mayor’s nonprofit arena booster organization, Think Big, then later parlayed that into a job with the Kings. Another frequent correspondent in this batch is Jeffrey Dorso, a Sacramento attorney who helped push through the deal. Many of the emails are historically interesting, allowing readers a glimpse of how the sausage is made at City Hall. Many of the exchanges show the group developing its talking points and planning how to manage local media and Johnson’s colleagues on the city council. Some of the emails also seem to suggest the senders weren’t thinking that their messages would ever be made public. For example, here’s an excerpt of an email from Dorso to the mayor and his lieutenants, on March 15, 2013:

“Met with [Sacramento Bee columnist] Marcos Breton today and put him in the dog house. He tried to back peddle [sic] saying it was just more neutral than negative. I hit him on this saying he needs to keep in mind his goals and focus on economic benefits of downtown development. He said he would do a better article Sunday. We will see.” In another exchange, Conway tells the group about his efforts to lobby “The Steves” on the arena term sheet, meaning Councilman Steve Hansen and thenCouncilman Steve Cohn. Hansen was asking for the vote on the tentative arena deal to be pushed back two days, and had concerns about what the deal would do for arts funding. Conway wrote: “Hansen said he’s a ‘no’ vote on Tuesday but that he can ‘support at the end of the day.’ Said two days will 1) allow Hansen to get assurances from Shirey that arts will be taken care of and 2) let public have input on term sheet.” To which Merchant replied, “Hansen is a tool.”

“ Met with [Sacramento Bee columnist] Marcos Breton today and put him in the dog house. … He said he would do a better article Sunday. We will see.” Jeffrey Dorso attorney, in an email to Mayor Kevin Johnson and his key staff And later, “Must Keep Shirey spine,” apparently meaning to keep City Manager John Shirey on board with the plan. It’s not clear if the emailers presumed these records would remain private, or even if that was the point of setting up the outside OMKJ accounts. And it’s not clear if these emails would have been turned over by the mayor’s staff if much of the material wasn’t already revealed in court. No other emails have been released so far, and no timeline has been given for the release of further material. If more emails are forthcoming, it’s hard to be sure the mayor’s office is turning over everything it should—because the law is not settled, and because the city clerk doesn’t have access to the emails directly. Assistant City Clerk Wendy KlockJohnson told SN&R, “I don’t have cause to believe that when I’ve asked for records that they withheld them from me.”

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But Ewert said the honor system is problematic. “It permits the owner of the account to make arbitrary decisions about what he or she wants the public to see,” he said. “You may not be getting the emails from the chief of staff or the press person, because they may not want you to see them.” The city has no policies or rules about the use of emails. It does have rules about the retention of public records, and those rules apply to city emails generally. The current policy allows the city to destroy records after two years, but requires certain documents to be retained and archived for the public record. But because the OMKJ emails are not in the city’s control, there is no way to know for sure if the mayor’s staff is following the records retention policy with regard to emails on private accounts. “We rely on our staff to follow our policies,” reiterated Klock-Johnson. Craig Powell, president of the local government watchdog group Eye on Sacramento, said that given the current confusion in the law, the mayor should be commended for turning over some emails from his private OMKJ accounts. “He could simply cite the recent California court of appeals decision. … I think it shows he has a basic commitment to open government.” But Powell said a better practice in the future would be to require that only city-provided email accounts be used for city business, and to treat all of those emails as public records. “That way no one will be going through emails making subjective judgment about what is or is not a personal or a city business email.” Powell is describing something similar to the policy in the city of Auburn, not far from Sacramento. Auburn’s email policy, adopted in 2012, requires “all emails sent to or from City elected officials and staff to be sent via or copied to an address on the City server so they can be preserved and made available to the public.” The rule was put in place to settle a lawsuit brought against Auburn by the California First Amendment Coalition, after an Auburn citizen alleged city council members were using private emails to get around the public records act. CFAC executive director Peter Scheer said that no matter how the California Supreme Court rules, “government agencies need to have control over their business files. This is the case whether the files reside in a city hall file room, a database on the premises or the city manager’s personal email account.” Ewert said the city needs to come up with its own policy about private emails accounts and city business. “Why is this practice being allowed in the first place? The city really needs to address that fundamental question.” Ω

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Sexual reeling For the 14th year in a row, Sacramento County is a statewide leader in sexually transmitted diseases. That’s according to the latest County Health Status Profile from the California Department of Public Health, which ranks California counties by the number of cases relative to the counties’ populations. Second only to Fresno County in female gonorrhea, and fourth in chlamydia and male gonorrhea, Sacramento ranks eighth in AIDS cases. Chlamydia reports have risen countywide by 60 percent since the disease was first included in the 2001 report, but STD rates overall have risen in California. It’s not clear what’s driving the numbers, but Sacramento County Public Health Officer Olivia Kasirye thinks it might have something to do with young people’s misconception about the risk of certain STDs. Screening and education efforts focused so heavily on HIV prevention that people didn’t get tested for other diseases. We’re now seeing an uptick in syphilis, which was almost nonexistent until a few years ago, Kasirye said. The county has tried to shake the trend by bolstering outreach and education efforts. Everyone coming through the county’s juvenile detention center gets tested, according to nursing supervisor Gwen Morrissey, and county reps visit high schools with educational material. Young women hesitant or unable to access clinic-based STD services can request a confidential testing kit online, collect their own sample and ship it back to a lab for analysis through the county’s I Know program. (Brooke Purves)

Roadkill science Unless you’re a budding serial killer, you probably avoid thinking too much about roadkill. This is why we have academics: to design interactive mapping software that tells us where we’re most likely to encounter these street-pizza horrors. That’s just what the folks at UC Davis’ Road Ecology Center did. Using data from the California Roadkill Observation System, the center released a 13-page report last week that describes which stretches of state highway are deadliest to wildland critters. The April 15 report divides the state into four regions, combining the Sacramento Valley and nearby mountain areas into one. The area around Sacramento County appears fairly benign at about one to six animal carcasses per mile. Activity picks up to about seven to 18 carcasses per mile in Yolo and El Dorado counties, where there’s more agriculture, waterways and forest habitats. A UC Davis release that accompanied the report suggested the drought “may be increasing the number of roadkill.” Author Fraser Shilling, co-director of UCD’s Road Ecology Center, writes that building fences and underpasses along priority highways could provide safe passage to wildlife. The CROS website also offers a “Roadkill Photo Gallery” that is exactly what it sounds like. And probably only of interest to academics or budding serial killers. (Raheem F. Hosseini)

Black lives Andreas Tillman Jr., better known as hip-hop artist Dre-T, brought the house down last week with a spoken-word performance inspired by the disproportional deaths of Sacramento County’s black children. Dre-T performed during a packed April 14 workshop organized by the board of supervisors to hear ideas on how to address the crisis, which has stretched on for 21 years now. Greater Sacramento Urban League president James Shelby urged supervisors to heed Dre-T’s message and adopt the strategy put before them. “As board of supervisors, you have an opportunity now to do something that’s never been done before—show that you care about African-American lives,” he said. (RFH)

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Sugar M A RY D U A N y b

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by M

15

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DU AN

age

RY

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it’s ly devilish sweet!

HOW THE SODA INDUSTRY SPENDS MILLIONS TO CRUSH LAWS THAT WARN US ABOUT THE DANGERS OF SUGAR

A version of this story originally appeared in the Monterey County Weekly.

t

he metal tab pulls back with a familiar clickclick-hissssss as bubbles rush to the top of the can. The alluring scent of faux orange or grape or berries wafts through the air, a familiar smell that hints at what’s to come. What’s to come tastes good. It’s a reminder of summer, or of a childhood treat, of a sporting event or

a beach day with friends. It’s OK to indulge yourself, the advertising says. You’ve earned it. If you’re drinking a 20-ounce Mountain Dew, you’re earning the equivalent of 18 teaspoons of sugar. A same-sized Pepsi equals 16 teaspoons and a Coke comes out to 15. A 16-ounce Rockstar Energy Drink slams more than 15 teaspoons of its own. Here’s the problem with what you’re drinking, some scientists say: Humans are not biologically designed to deal with that much liquid sugar at once. Since there’s no digestion involved, it enters the bloodstream and is absorbed more quickly than food. As it does, the sugar overwhelms the pancreas, the organ tasked with regulating blood sugar, and over time wears it out. Welcome to Type

2 diabetes. That much sugar hits the liver like a freight train—the liver doesn’t know what to do with it all, other than convert it into fat, leading to higher rates of fatty liver disease. That’s a condition that once used to be seen mostly in alcoholics. Davis-based doctor of public health Harold Goldstein offers up the statistics on the amount of sugar in the most popular drinks off the top of his head—and then he sends a chart. Goldstein is the founding executive director of the California Center for Public Health Advocacy, located across the Yolo Causeway and whose mission is to look for solutions to what scientists say is an alarming increase in diabetes and obesity in California. About five years ago, the CPHA commissioned a study

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FRIDAY N I G HT LIGHTS SACRAMENTO

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SPOONFULS UPON

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SPOONFULS

How much sugar goes into some of America's favorite drinks?

Soda SODA

BOTTLE SIZE CALORIES (IN FLUID ONCES)

U N TeAwI N M OD Dr.

PEPPER

290

20

Energy Drinks TEASPOONS OF SUGAR

CALORIES PER 12 ONCES

18

174

250

20

16

16

150

7up

20

250

16

150

C OcCoA -la

20

240

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144

S I EmR RiAst

20

240

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e

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240

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0

0

0

20

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COKE t

Die

DR. PEPPER

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280

18

210

STARBUCKS

15

210

13

168

AMP ENERGY

16

220

14

165

MONSTER ENERGY

16

210

13

158

RED BULL

8.4

110

7

157

MONSTER REHAB

15.5

20

1

15

ROCKSTAR

16

0

0

0

12

0

0

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sugar-free

iet

D IN U N TeAw M OD

0

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0

TEASPOONS CALORIES PER OF SUGAR 12 ONCES

ROCKSTAR

doubleshot energy

250

t

CALORIES

150

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Die

BOTTLE SIZE (IN FLUID ONCES)

energy drink

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RED BULL TOTAL ZERO

by the UC Berkeley Center for Weight and Health to see if there was a correlation between obesity and sugary beverage consumption. The UC study found that between 1977 and 2001, Americans on average were consuming 278 more calories a day than before, with 43 percent of those calories defined as new beverage calories. “I had no idea what the answer was going to be, but what they came up with was simple and compelling,” Goldstein says. “I was stunned. It was twice as much as I guessed.” We weren’t just eating more. We were drinking more. And mostly, we were drinking more sugar, a phenomenon that coincided with the “soda wars” of the ’70s and ’80s, where Coca Cola and Pepsi went head-tohead on television advertising campaigns to win the hearts, tastebuds and dollars of consumers. It also coincided with an increase in portion sizes: In the ’70s and ’80s, a 12-ounce can was the norm. Now fast-food restaurants offer 32-ounce cups with free refills, and thirsty consumers can find sugar-sweetened drinks everywhere, from corner markets to vending machines in airport parking garages. Another surprising statistic, this from the National Institutes of Health via Goldstein: A quarter of teenagers, or 23 percent, have pre-diabetes, an increase from 9 percent just 10 years ago. “These beverages are tricking the body,” Goldstein says. “The pancreas goes wild and the liver says, ‘Look at all this. I better save it for a rainy day and turn it into fat.’ There is a cohort of teens that will be entering the health care system with higher rates of diabetes than ever.” The grim statistics are why state Senator Bill Monning, backed by CCPHA and the Sacramento-based Health Officers Association of California, is going back into battle with the beverage industry. Earlier this year, Monning introduced Senate Bill 203, which would require a warning label to be placed on the packaging of sugar-sweetened beverages including sodas, sweet teas, sports drinks and energy drinks. He introduced a similar bill last year, but it didn’t make it to the governor’s desk. The label would be required on drinks with 75 or more calories per 12 ounces and would read as follows: “STATE OF CALIFORNIA SAFETY WARNING— Drinking beverages with added sugar(s) contributes to obesity, diabetes and tooth decay.” Sacramento state “Sugar Senator Richard Pan ” supports the bill and is ContInuEd on pagE also listed as a co-author.

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POUR SOME

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If the immediate reaction from the beverage industry is any indication, Monning faces an uphill battle. It might actually be dead already; the bill was scheduled to appear in a legislative committee on April 22. (Results from the committee vote were not known before deadline; insiders say it will likely make it through, but you never know.) PHOTO BY NIC COURY

Many sodas and energy drinks like Rockstar have up to 18 teaspoons of sugar. Critics worry that marketing targeting kids and young adults might inspire overconsumption of these drinks, which can lead to diabetes and obesity.

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If it dies, it will be because the beverage industry is willing not only to put a lot of muscle and money behind the effort to stop Monning, but also to try to stop information they deem harmful to their industry from reaching the public in the first place.

The ‘S’ word But the soda industry has bigger problems besides one California legislator: More and more studies are being released every year on sugar-sweetened beverages, and how they’re not so good for you. For instance, a Monterey County Health Department study, which was delayed for more than two years because someone higher up the food chain brought down pressure, finally was released this past March. Which adds even more fizz to the pop drama. The report was based on research conducted between 2011-12 by a tri-county organization—San Benito, Santa Cruz and Monterey counties—called the Nutrition & Fitness Collaborative of the Central Coast, as part of the nationwide initiative called “Rethink Your Drink.” The aim is straightforward: getting people to reduce their consumption of sugary drinks. Christine Moss is a staffer to the collaborative and knows what she’s talking about. She also knows about pressure from the American Beverage Association, a representative of whom called her while the collaborative was gathering its data. “He wanted to make sure we weren’t doing anything silly like pushing for a soda tax,” she says. “I explained to him we couldn’t work on something like that, because our funders wouldn’t allow it.”

I n 201 4, t h e A me r i c an Be v e r ag e A s s o c i at i o n Cal i fo r ni a P A C—a. k . a. A me r i c an Be v e r ag e A s s o c i at i o n S t r at e g i c Ad v o c ac y Fu nd, a 5 01 ( c )( 6) no np r o fi t —s p e nt $ 1 1 . 8 mi l l i o n o n var i o u s bal l ot m e as u r e s and c andi dat e s . Here’ s w h at t h e y g av e and t o w h o m:

Epidemiologists began the survey in 2011, seeking to track the sugary-beverage-consumption habits of 250 people in each of the three counties. They found participants at health clinics and in laundromats waiting for their clothes to dry. In the end, they collected 1,053 surveys and completed the survey work by late 2012. “Anyplace we could get a group together, we did a survey,” Moss says. “That way we could get a nice representative group of people. That was important to us.” The aim was to release the survey a few months into 2013. Yes, that means it is a full two years late. What happened? “We were touchingly naive,” Moss says. “We started to realize this was very controversial. We got lots of pushback. Our state funder, the California Department of Public Health, had lots of questions and cautions.” She says she would would send in surveys and the Department of Public Health would send them back asking for very precise changes. “I wasn’t quite sure of the intent, but the approvals each step took a lot of time. It pushed back our timeline a long way,” she said. Examples of that pushback: Moss says she was not allowed to use imagery people might think of as a specific soda can—no red backgrounds with silver swirls, or blue backgrounds with red and white imagery.

And she was actually discouraged from using the word “soda” in the report (it may have slipped in, she says, in at least one instance, but the report mostly references sugarsweetened beverages). “I expect it’s a trigger word for certain special interests,” Moss says, “but we found it’s much broader than soda.” Moss says the research found what she calls “two big shockers.” First, as soda sales have started to plateau, companies have ramped up their advertising for energy and sports drinks, specifically targeting 11- to 17-year-olds. “The numbers will knock your socks off. For every second-grade teacher wondering why kids are so hopped up, caffeinated drinks are big,” Moss says. The other big shocker: Nobody’s drinking much water. The California Department of Public Health did not respond to questions about the report’s delay.

Soda industry rushes to defend sugar That brings us to the money and influence the beverage industry wields throughout the state. Here are just a few examples. Last June, on the same day Monning’s previous labeling bill died in the state Assembly Health


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Committee, PepsiCo spent $2,200 on a catered event for 13 legislators and more than three dozen legislative staff members from the Latino Legislative Caucus, as the Sacramento Bee reported. Of the legislators who attended, two voted against Senate Bill 1000, the previous iteration of the labeling bill. Later that day, the Bee reported that PepsiCo representatives took Assembly members Luis Alejo and Freddie Rodriguez to dinner. Alejo, who this year became head of the Latino Legislative Caucus, didn’t vote on the bill because he’s not a member of the Assembly Health Committee. Rodriguez, who is a committee member, abstained. Assemblywoman Lorena Gonzalez voted against it. She said at the time that a decline in soda sales would lead to the loss of too many jobs in her district. Alejo says the timing was coincidental. The PepsiCo event had been planned for more than a month and featured a book signing by Richard Montanez, a former janitor who became a PepsiCo executive—and the inventor of Flamin’ Hot Cheetos. In 2014, the American Beverage Association California Political Action Committee, also known as the American Beverage Association Strategic Advocacy Fund, spent $11.8 million on various candidates and measures. Of that, $9.24 million went to the successful opposition of a soda tax floated before San Francisco voters. The group also spent $2.43 million to defeat a Berkeley soda tax, which passed despite fierce industry opposition.

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The PAC donated $4,100 to Alejo for Assembly, and the same to the Senate campaign of Ben Hueso, the San Diego Democrat who is vice chair of the Latino Legislative Caucus. It put $27,200 into Gov. Jerry Brown’s campaign and $3,000 into Attorney General Kamala Harris’ too. It gave $46,000 to the Democratic State Central Committee of California and $10,000 to the California Republican Party. (For more information, see box at right.) Fast forward to this year. The PAC started 2015 with $504,000 in the bank. The spokesman for the Latino Legislative Caucus PAC and foundation, local political strategist Roger Salazar, is now the spokesman for CalBev, also known as the California-Nevada Beverage Association, the trade association representing the nonalcoholic beverage industry in California and Nevada. The Cal-Nev Soft Drink Association PAC spent $37,371 on various campaigns in 2014, mostly as $1,000 contributions to individual legislators. In the hours and days that followed Monning’s announcement of his labeling bill, S.B. 203, CalBev went on the offensive. In a written statement, CalBev Executive Director Bob Achermann says obesity and diabetes are more complicated than a warning label. Monning’s bill is “misguided,” singles out soft drinks while ignoring sugar-rich cupcakes, donuts and processed foods, and is riddled with loopholes that will

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confuse consumers, according to the statement. For example, the release says, fountain sodas purchased at restaurants with table service will be exempt from labeling. The release also calls out milkbased products like Frappuccinos and lattes, which contain as much sugar and more calories than soft drinks. Salazar says the industry has taken on an initiative to reduce sugarsweetened beverage consumption 20 percent by 2025. “There are ways you can have a collaborative effort, but bills like this seek to demonize an industry with a shocking label when there are other, broader causes to obesity and diabetes we should be looking at,” Salazar says. “It’s about balancing calories, and there’s no question we support programs that educate people about nutrition and exercise.” But the statement that there could be a collaborative effort came as news to Monning. “They haven’t proposed any compromises to us that would work for them,” he says. “I think we’ve maintained open and cordial conversation. Their position on labeling is, they provide caloric information on the label and consumers have that at their fingertips.” He acknowledges other sources of sugar are out there, but says none are as dangerous. “While sugar is in other foods,” he says, “medical evidence is clear that liquid consumption of sugar is more immediately damaging. When

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AmericAns on AverAge were consuming 278 more cAlories A dAy thAn before, with 43 percent of those cAlories defined As new beverAge cAlories. you eat it, more is eliminated through digestion.” None of Monning’s proposed legislation aimed at taxing sugar-sweetened beverages or requiring labeling thus far has made it to a vote of the Legislature. Achermann contends it’s counterproductive to suggest legislation impacting only some beverages will be effective. “If consumption of sugar-sweetened beverages is going down and diabetes is going up, then how are soda and other sweetened beverages driving the problem?” he writes. Goldstein agrees on one point: soda consumption is going down. Americans now drink an average of 44 gallons of soda a year, a 17-percent drop from the peak in 1998, he says. But the percentage of adolescents drinking sports, energy or

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19 sweetened fruit drinks is on the rise, from 31 percent in 2009 to 38 percent in 2012.

What’s in a label?

PHOTO BY NIC COURY

State Senator Bill Monning has taken other runs at legislation surrounding sugar-sweetened beverages. Two taxes he floated, one in the Assembly and another in the Senate, failed, as did last year’s labeling bill. “The more awareness we bring to the issue, the more it will resonate with the public,” he says.

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The ultimate question might be, “Will a warning label work?” The fact that industry is fighting so hard against it indicates it might. Monning says it’s hard to forecast whether his will succeed this time around. “I never make predictions,” he says in a phone call from his office in Sacramento. “We got through the Senate last year. You do build on persistence in this building.” He added that the more the labeling issue is in the public eye, the more it’s likely to resonate. Goldstein, the Davis-based public-health doctor, isn’t sure what’s so controversial about a warning label. His

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center’s polling research shows that 74 percent of California voters support labeling, and that includes 63 percent of Republican voters, 86 percent of Latino voters and 80 percent of African-American voters. “In some ways, labeling is the most Libertarian of all public policies,” Goldstein says. “It says consumers have the right to know and should be able to decide for themselves on the truth. The beverage industry wants to continue hiding behind a marketing message.” A different kind of persistence, Moss thinks, proves the very power of a warning label. “The statistic I hear about getting people’s attention is that you need to hear a message 11 to 13 times before it sinks in,” she says. “If you have to look at it every time, maybe that’s the loading dose. Maybe it will lead to the question, ‘Is this the best choice I can make?’” Ω Weekly writer Sara Rubin contributed to this report.

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Sacr Andyamento musi Allo t expat a and c, open- lks withtouring mics Prin ce smith darin y b o phot

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ndy Allo

e ib r o c k by Rachel L

was born in Cameroon; there her mother taught her piano and Allo explored her dad’s extensive record collection. A move to Sacramento at 13 expanded Allo’s musical breadth and by the time she was 20, the singer-songwriter (who’s also done some modeling and commercial work) was playing guitar, performing at open-mics and working on her first album, 2009’s UnFresh. In 2010, Allo moved to Los Andy Allo got her musical start playing open-mic nights at the Fox & Goose.

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w.com srevie l@new l e h c ra

Angeles and eventually nabbed a gig playing guitar in Prince’s band, the New Power Generation. The pair struck up a musical friendship and in 2012 Allo released Superconductor, which features three songs co-written by Prince. These days she’s on her own again with a new EP, Hello, which finds the singer digging deep into her love for rock. On a recent visit to the 916 to visit family, Allo chatted with SN&R about influences and finding herself immersed in Prince’s musical boot camp.


Pass the popcorn See NIGHT&DAY

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Ciderhouse rules See DRINK ME

… It was my first crowd experience. It was fun because these are songs we had written together. Did you record your first album in Sac? Yes, at Paradise [Recording] Studio. I wanted to go there because Tony! Toni! Toné! recorded there. It was one of the most difficult [things I’ve done] but exciting. I was 20 and … financing everything and being the force that was pushing it forward.

Tell me about the new EP. This is my first project since leaving the NPG and I’m venturing into a different sound. [It’s] pop-rock. It’s a little grittier and there’s still some soul elements but it’s definitely reconnecting me with the music I listened to when I was [younger]: Arctic Monkeys, Grateful Dead, the Strokes.

Why did you move to Sacramento? My mom is from Sacramento. She … wanted my siblings and I to finish school and get a better education.

When did you meet Prince? Real quick, about the open-mics, the reason I did them is because that’s how I started here.

When did you start playing music? My mom was a pianist and so when I was 6 or 7, she started teaching me. … In my late teens, that’s when I was introduced to guitar because I wanted to have an instrument that was a little more portable. … It was [also] a chance for me to enhance the songs I was writing, to step forward and … put them forth [for a band].

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What kind of feedback did he give you? It was more that he just listened. He would play some songs and we were just two musicians singing. He hadn’t yet become a mentor. It was still him testing me out and seeing. Then I performed two shows with him and a couple of weeks after that he asked if I would join the band. … He had the “Welcome 2 Europe” tour and the “Welcome 2 Canada” tour all set. Those were my first major tours and I had two weeks to learn a bunch of songs.

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Drunk drama See ASK JOEY

That seems like a school of rock right there. It was boot camp. I was challenged every day and the night before, because I didn’t know all the songs. The night before [Prince] might write down some of the songs he might do the next day. I’d figure out the chords or he’d show me what he wanted me to play or I’d call some of the other band members and ask for help. Then I’d spend most of the night practicing. What happened after the tour? In between [shows] I was writing and I would share my new songs with [Prince] and it organically happened where we ended up having a collection of songs that I had written, some that he and I had written together. When we had time off, we would just go into the studio.

Andy Allo riter ngw singer-so

What did he say after? He didn’t say anything. It was a party, so it was more like I performed and then I went back to being a guest. Later on, I played more songs. We had a one-on-one jam session.

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He can play forever, too. Yeah … shows were about four hours. Then we’d have an after show. We’d take, like, an hour break then perform until 4 a.m.

t wha s ’ .” t I o do t n bor

So then, you come to L.A. where you have at least an album’s worth of songs. And because of that I was featured on The Africa Channel. They had heard of the music and wanted to do a special with me. … A year or two later, they reached out to me and said we’re working with Prince and we’d like to introduce you.

What’s your reaction? “Ahh! Is this real?!” [But] I didn’t go crazy with my imagination. I just went to the concert where they were working with him. They [had given] him my first record. I think he liked one song on it. Then he asked me to jump on stage and perform with him at the after party. I sang “Waiting in Vain” by Bob Marley. This was no rehearsal, nothing, I just met him and this was my audition to see if I was real. I take it that it went well. I had been preparing for it. All those open-mics, all those performances. I was ready. It’s what I was born to do.

You performed at the Fox & Goose, right? Yes, and for me that was the cycle. It’s more an open, supportive space. … The first [open-mic] night at Fox & Goose was so crucial to what I’m doing now because I only had two songs written. They said I needed three songs. I had half of a song written. … I sang that song and improvised and finished it on stage.

How did you find like-minded musicians? I would go to this rehearsal space off El Camino [Boulevard] and that’s where I … created my first band, Allo and the Traffic Jam. We played Second Saturday. … It was awesome.

See SOUND ADVICE

You moved to Los Angeles in 2010— what was that like? I had to figure out what I was doing and where I was living and things e like that. I just took a thos chance. I took the risk of “All s, -mic going to a place I didn’t n e p o e know at all. There was . thos l this little theater that has l a nces a m open-mic poetry night or perf once a week and I went ady. e r s s there and I sang. I wa I wa

You grew up in Cameroon. How did that shape you? I think it grounded me, in the sense that we didn’t have everything available to us at the drop of a dime. It was mostly focused on community, family and the arts. … My father had this epic record collection and we’d always listen to music: reggae, African music or even country.

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Candy-ass what?

Where did you record? At [Prince’s Minneapolis studio] Paisley Park; then some of the music was recorded at a studio in Switzerland. I was working with some of the best musicians out there. Maceo Parker, Trombone Shorty, Prince. They were taking charge and I was involved in the process but I was also watching and observing how he led the musicians. Did it change your approach? I think I was more careful and just not so much analytical but looking at the songs overall and thinking about how they could be the best song possible. … There were times I finished a song and I’d share it with Prince and he’d say, “I think you need one more verse.” And I’d say, “Ah, man, really!? I thought I was done.” Then I’d go back and I’d write it and share it with him and he’d say, “Yeah,

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that’s it.” It pushed me to not accept the first run-through or the first draft. What’s happened since then? Are you still on his label? I never was signed. Everything we did was just as a collaboration. I created my own company, Allo Evolution. Why did you stop playing with his band? At the time we had finished touring and Superconductor had just come out. I wanted to promote the record and [Prince] was also changing bands. … It just was right. Are you still working with him? His recent record that just came out, Art Official Age, we have two songs [together] on it. Did he work with you on any of the new stuff? Or is this independence? This is independence! This is me, venturing out on my own. How does it feel? I love it! It’s been a humbling experience and readjusting to me saying, “What’s my voice, truly and what do I want to say?” It’s been a trusting experience of learning how to listen to myself. I still have a lot of what [Prince] taught me, I can’t not have it. That’s what gave me the confidence to say, “OK, I can do this.” Ω Download Andy Allo’s new EP at https://itunes. apple.com/us/album/hello-ep/id982254114. For more information, visit http://alloevolution.com.

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“Some just can’t seem to see that this is technology, not [Big] Tobacco.” JOHN “JJ” JENKINS OWNER, THE VAPOR SPOT

Opponents to e-cig legislation visit lawmakers

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ozens of small business owners visited the California State Capitol earlier this month to voice their disapproval of proposed legislation they say could harm the California vapor industry and its consumers. Senate Bill 140 would change the definition of tobacco products to include electronic cigarettes and vaporizers as it applies to the Stop Tobacco Access to Kids Enforcement (STAKE) Act. During the Senate Committee on Health hearing on April 8, lawmakers heard testimony from both sides,

including a contingent of vaporrelated businesses. “Though our opposition is very well funded, … it was heartening to see the unified voices of the many small businesses show up in opposition to this bill,” said John “JJ” Jenkins, owner of midtown’s The Vapor Spot, a vaping bar. Some studies have recognized e-cigarettes as a better alternative to traditional combustible cigarettes. E-cigarettes heat a liquid to form vapor, which is inhaled into the lungs. In light of the differences between vaping and smoking, the vapor

industry objects to being treated the same as traditional cigarettes. “Some just can’t seem to see that this is technology, not [Big] Tobacco,” Jenkins said. Opponents fear that classifying e-cigarettes as tobacco products could lead to them being taxed the same as combustible cigarettes. That could mean higher prices for consumers and manufacturers. It also could harm California vaping businesses, which would not be able to compete with vaping products sold in states that do not have a tax.

“They need to classify them as tobacco in order to tax them,” said Robert Jones of Smokeless Smoking, who attended the hearing. “We are witnessing a government that would rather a population continued smoking purely for money.” Timothy Koester, co-owner of e-liquid manufacturer 503 eLiquid, says he’s part of a community of small vaping businesses that offer an alternative to traditional tobacco products. He worries classifying e-cigarettes as tobacco products would stigmatize vapers.

“The proponents of SB 140 have made the outrageous claim that vaping carries similar risks to smoking, even though this assertion has been contradicted by numerous scientific studies,” he said. With a 6-1 vote, SB 140 advanced through the Senate committee and is headed to the Committee on Appropriations. “Californians are smart, though,” Jenkins said. “These arguments may make it through some lower chambers, but it’ll take a bit more to convince the full Senate that these are reasons enough to hinder the growth of this helpful new technology.”

THIS MESSAGE IS BROUGHT TO YOU BY THE VAPING EDUCATION COUNCIL: The purpose of the VEC is to share information about vaping and electronic cigarette products with the general public, fortify advocacy throughout the industry, and share stories directly from our consumers. The vape shops represented in the directory are privately owned and operated. Please contact our members with any questions or comments, or visit any of the local shops listed at right: NOTE: Must be 18 and older and present valid identification to test any products.

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For the week of April 23

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his week is all about watching films, and  buying tickets for those films really early.  There are plenty to choose from—except  for maybe the long-awaited Colin Hanksdirected Tower Records documentary, All  Things Must Pass, that everyone wants to see.  Basically, one screening (part of the opening  night of the Sacramento International Film  Festival) sold out quick, and then festival organizers decided to organize a second one—and  that sold out fast, too. For everyone who  wasn’t lucky enough to get tickets for those  screenings, the following guide should help  point you to some other good stuff on the big  screen. To start, there’s the rest of the Sacramento International Film Festival. It’s pretty long, running from Saturday, April 25, through Sunday,  May 3, at multiple venues, including the Tower  Theatre, the Crest Theatre and the Delta King.  Highlights include films from a local 48-hour  film-making challenge, an action-packed

short-film program called Hard Ass Cinema,  conferences, youth films and a bunch of other  locally made and international films. Head to  www.sacramentofilmfestival.com for the full  schedule and individual ticket prices. Catch old-school films this week at both   the Crocker Art Museum (216 O Street,   www.crockerartmuseum.org) and the Crest Theatre (1013 K Street, www.crestsacramento. com), both venues that regularly screen classic films. Speaking of sold-out, the Crocker’s  already filled up an April 26 screening of Paris  Blues, which will help close out the magnificent  Toulouse-Lautrec and La Vie Moderne: Paris  1880–1910 exhibition. But tickets are still available for Citizen Kane, screening on Thursday,  April 23, at 7 p.m. (tickets are $6-$10). And  then at 7:30 p.m. on Friday, April 24 (tickets  are $8-$10), the Crest will show Stand By Me,  starring River Pheonix, Will Wheaton, Corey  Feldman and Keifer Sutherland.

—Jonathan Mendick

wEEKLY PICKS

Steeped: Recipes Infused with Tea Friday, april 24 If you haven’t tried Burmese tea leaf salad, you  haven’t lived (head to Burma Superstar, stat). Tea,  as an ingredient in a dish, is surprisingly good. Author  and food blogger Annelies Zijderveld imagines dishes  to infuse with tea in her debut book, Steeped. The  COOKING author will discuss her book and  answer questions. Free, 7:30 p.m.  at the Avid Reader, 617 Sixth Street in Davis;   www.avidreaderbooks.com.

—Aaron Carnes

Art Studio Trek Saturday. april 25, through Sunday, april 26 Seventeen artists show off their art at 10 locations  in Rocklin, Granite Bay and Roseville this weekend  at the Art Studio Trek. Art demonstraART tions, chocolate and door prizes round  out the event, which features the art of Patricia  Abraham, Cathy Cline, Diane Ruhkala Bell and more.  Free, 10 a.m. to 5 p.m. daily at various locations;  www.artstudiotrek.com.

—Jonathan Mendick

Kids Art Festival Saturday, april 25 A full day of art for kids includes an exhibition  of student art, entertainment, food and a dozen  make-and-take art stations including sculpting with  clay, making Chinese yo-yos, beading bracelets and  ART FESTIVAL making ribbon wands. Also  enjoy performances by  nearly two dozen youth performers including the  Mission Avenue Elementary Doo Dit Doo Bahs, the  Howe Avenue Ukuleles and the Barrett Middle School  Dancers. Free, 10 a.m. at Village Park, 4238 Main  Street in Fair Oaks; www.fairoakspark.org.

—Trina L. Drotar

Vinyl and Music Fair Sunday, april 26 Although seemingly everyone is glued to their  phones these days, there are still lots of audiophiles  around who like their music on vinyl. Hearing music  VINYL reproduced on records is still a wonder  after all of these years. The fine folks at  Armadillo Music have been hosting these music fairs  with great results and there are always gems to be  found. Free, 9 a.m. to 4:30 p.m. at Armadillo Music,  646 A Street in Davis; www.armadillomusic.com.

—Eddie Jorgensen

TEDxUCDavis: Beyond the Conversation Sunday, april 26 More than a dozen speakers, including a cognitive  neurologist, a fashion designer, a hydrologist and  an Internet entrepreneur, will  LECTURE explore what motivates individuals to act on inspiration during various panels and  interactive activities. $15-$30, 1 p.m. at UC Davis,   1 Shields Avenue in Davis; http://tedxucdavis.com.

—Deena Drewis BEFORE

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sushi

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IllustratIons by serene lusano

Old school balls MeatBall sandwiCh, italian iMportinG CoMpany Meatballs are hot. They’re showing up on menus  all over town, from pizza places to  Turkish bistros. But for an  old-school comfort classic, you’ve got to try  the meatball sandwich  ($6.75) from the Italian  Importing Company.  The place is so vintage,  it’s practically a time  warp, and the meatballs  are traditionally made.  First, they line a yeasty roll with  provolone so the sauce doesn’t sog the bun, then  they fill it with hefty, fine-textured meatballs and  gravy (a.k.a. marinara). The finishing touch: a little  Parmesan. It’s not so big that it’d kill you to eat the  whole thing, so mangia! 1827 J Street; (916) 442-6678.

—ann Martin rolke

Apple, sauced Ginja ninja, 2 towns Ciderhouse

IllustratIon by Mark stIvers

Out with the old ... By janelle Bitker

The revolving door turneth: Whenever we’re treated to a bunch of exciting new restaurant openings, we’re typically saddled with some closures as well. So it goes. Bistro Michel (1501 14th Street) and Tucos Wine Market and Cafe (130 G Street in Davis) both closed suddenly and without warning last week. Bistro Michel merely posted a handwritten note on the door, while Tucos chef Pru Mendez announced his restaurant’s closure after the fact on Facebook, citing his desire to dedicate himself to his new tech startup, but also that “we were never more than an arm’s reach from bankruptcy.” Later, Mendez told SN&R that he intends to cook at the BEFORE   |   NEWS

janelleB@newsreview.CoM

same location from time to time with a concept called “Chef Pru’s Coconut Renaissance Faire,” a Burning Man-inspired day of food and fun for $23 with zero corkage fees. Midtown is also temporarily without Trick Pony (2031 S Street) and Pizzeria Urbano (1050 20th Street). Well, Trick Pony’s absence will actually be sort of permanent, because it’ll reopen as Piccola Citta. Broderick Roadhouse’s Chris Jarosz and Matt Chong will still be managing the restaurant, but it’ll be less focused on pizza and widen to rustic osteria fare. That’s expected for the first week of May. Pizzeria Urbano, meanwhile, suffered a small fire on Friday, March 27, and has been closed ever |   F E AT U R E STORY

since. The challenge, owner Carlos Ulloa said, is that he had to build a new wall and therefore get new permits from the city and health department as well. Ulloa hopes it’ll be back open by May. On to the new: The Green Boheme opened in Roseville (1611 Lead Hill Boulevard, suite 160), serving raw, vegan eats for dining in or to go, plus Liquidology juice and Pachamama coffee. In Davis, Shabu Extreme (213 E Street) softly opened a few weeks ago. Think of shabu as Japanese fondue, dipping thin strips of raw meat, noodles and vegetables into bubbling soups. Shabu Extreme also boasts a long menu of Taiwanese boba teas: squat cups carry brown, sugar-infused milks; flavored puddings; salty, foamy creams; and flavored shaken tea. And to look forward to shortly: The Sacramento Business Journal reported that Roxie Deli’s new location at 15th and R streets will open sometime next week. The East Sacramento shop has been longbeloved for its made-to-order deli sandwiches, and expect more smokey options at the new spot, as it’s called Roxie Deli & Barbecue. Ω |    A R T S & C U L T U R E

For once we can thank the gluten-free trend, because  most bars and restaurants carry at least one hard  cider nowadays—usually from locals Two Rivers Cider  Co. or Common Cider Co. Their ciders usually run the gamut of  sweet and fruity, and while  delicious, I often crave  something light, dry and  a little more complex.  Enter the Ginja Ninja  from 2 Towns Ciderhouse  in Corvallis, Ore., which  pours pale gold and cleanly  balances notes of tart green  apple and spicy ginger. It’d  pair well with an aged, nutty sheep’s cheese, say,  from The Rind, which regularly carries 12-ounce cans.  1801 L Street, www.therindsacramento.com.

—janelle Bitker

More cheese, please Cheddar Cauliflower Cauliflower is one of those vegetables often improved  by cheese. So imagine my delight when I spotted a  “cheddar” cauliflower at the farmers’ market! While  it actually contains no cheese, this variety is a lovely  yellow-orange, making it a great source of vitamin A.  Use it raw to add color to a crudité platter or steam  it and watch the color deepen. Since cauliflower is a  good sub for mashed potatoes, puree the cooked florets and honor the varietal name by adding a handful  of sharp cheddar to the mix. Or make it into a cheesy  beer soup with a local lager.

—ann Martin rolke

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Visit newsreView.com/sacramento/dining/more to search sn&r’s dining directory to find local restaurants by name or by type of food.

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by Garrett Mccord

Kathmandu Kitchen

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Kormas, for those looking to learn, are dishes where meat and vegetables are braised in a sauce made of yogurt, cream or coconut milk blended with spices and 234 g street in davis, (530) 756-3507, nut paste. Here, the prawn korma sits in a kathmandukitchendavisca.com canary-colored coconut-and-cashew sauce Dinner for one: $15 - $25 blended with a hefty hand of curry powder. Good for: indian and nepali cuisine In relation to the restaurant’s other, spicier Notable dishes: baingan bharta and palak paneer dishes, it first comes off as unseasoned and flat. It must be eaten alone to better appreciate its subdued flavors and the perfectly cooked shrimp. The dal seemed to be all out of whack as what arrived was simply a lentil soup too I had no intention of reviewing Kathmandu watery and thin to be considered a proper Kitchen this week, but sometimes plans dal. And, while the flavor was fine and suddenly change. Some friends and I rich, dal should be eaten with naan and not happened to just meander through the front slurped with a spoon. door, drawn by the curry-scented air and Kathmandu’s laal maas is a rather unique suddenly we found ourselves seated in a curry that would almost seem like a riff on dimly lit room ordering a round of overly Italian food if not for the spices. Chunks sweet lemongrass mojitos. of lamb are braised in a shocking red chili We started with a plate of appetizers. sauce. Shouts of numerous spices such The salty pakoras (fried vegetable fritters) as black cardamom, coriander and were both crispy and tender, taking cumin all beckoned for attention, well to the spicy mint sauce yet it was the sweet and spicy Gulab provided. A chewy momo—a kashmiri chili’s bold flavor sort of Indian-style, extrajamun is that rose above the din. chewy wonton—tasted a A golden saffron rice bit bland but paired nicely floral, well bejeweled with golden with sweet tamarind sauce. raisins proved to be a made and sweet The crispy potato samosa sweet treat that cut through boasted of spice and enough to kill the hotter dishes, and the billowed steam at the first house naan was chewy and a diabetic. bite before demanding to be addictive; both soaked up the dunked in a chill raita. A few numerous sauces with an apprecisad pickles devoid of flavor were ated greed and should be ordered. also served and quickly forgotten. The baingan bharta consisted of roasted Palak paneer is an Indian restaurant eggplant mashed into a delightfully chunky classic that most people are familiar with: paste, heavily spiced, and served with juicy homemade farmer’s cheese cooked with green peas. It was texturally alluring and the spinach and spices. This one was as flavorflavor both savory and sweet. ful and creamy as they come, and rich Gulab jamun is a classic Indian dessert— with garlic and ginger. While often paneer pastry made of deep-fried milk solids is usually tough and chewy, this was soft soaked in rose water syrup. Here the dish is and velvety and the table fought to fish out floral, well made and sweet enough to kill a every bit. diabetic. A plate of tandoori chicken announced Kathmandu Kitchen is an excellent stop its arrival with a hissing sear as it continued to make if you happen to be in Davis. The to cook on a blazing hot metal plate. We food is solid and you’ll find yourself quickly lashed the bright red bird with smiling by the end of the meal. Ω generous squeezes of lemon juice and

HHH

Iced Teas

Jenna LeMaster Brittany Vanessa Geovanie Brooks Mondo Mariscal

The accidental curry tourist

4/24

Trio Las Cruces

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Dog Fish

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Wednesdays: Ross Hammond Solo Guitar

916.440.0401 • 1217 21ST ST SACRAMENTO, CA www.kuproscrafthouse.com

28   |   SN&R   |   04.23.15

Sea Legs

devoured it efficiently, basking in the juicy meat and subtle spice.


I’M A PIZZA GUY!

FS

Gimme some MoFo It’s hard to believe it’s been four years and seven hugely popular events  since SactoMoFo launched in April 2011. I still remember the thousands of  people in 2011 milling around Fremont Park looking  for food, and how the event helped to raise  the profile of food trucks to almost rockstar status in the local foodie community. This Saturday, April 25, from 2 p.m.  to 9 p.m., is SactoMoFo 8, the organization’s latest food truck festival  featuring 35 food trucks, a beer garden  and entertainment. It happens at the  site of the Sunday farmers market  under Highway 80 near the corners  of Sixth and W Streets, and features  a lineup of Sacramento-area (Slightly  Skewed, Wandering Boba, Green Papaya)  and Bay Area (Koja Kitchen, The Chairman, El  Porteno) food trucks. Parking is $5, but that fee’s waived with the donation  of a canned or nonperishable food item to the Sacramento Food Bank—or if  you bike to the event (there’s free valet bike parking via Sacramento Area  Bicycle Advocates). Hero’s Last Mission, the Soul Shakers and Jimmy Ashley  provide the jams. Find out more at www.sactomofo.com/sactomofo8.

“I’ve worked in the pizza industry for 20 years and I still choose Pizza Guys!”

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-Ray Conrado, State Worker & Photographer

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Gonzo garbanzo cupcakes by Shoka Garbanzo bean flour kind of tastes  like grass. But that’s before baking  it. Also called chickpea flour, gram  flour and besan, it seems like an unlikely main ingredient for cupcakes,  but in this gluten-free age, why  the bean not? There’s a recipe for  chocolate chickpea cupcakes in Vegan Beans from Around the World  by Kelsey Kinser ($15.95, Ulysses  Press), published in 2014. It calls  for twice as much as baking soda  as typical cake recipes because  gram flour is heavier than wheat.  BEFORE

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And where, pray tell, was this  bit of knowledge gleaned? From  Stefani Hope Pollack’s website  Cupcake Project, where she posted  the same recipe, minus the vegan  substitutions, in 2011. Oooh! Pollack  called this her best gluten-free  recipe she created to date, and  the vegan version was good, too,  despite its liquid batter. But this  recipe is a great starting point for  experimentation; try roasting the  flour and using mesquite instead of  chocolate in it. Pretty ’banzo. |

F E AT U R E

STORY

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C

ongratulations to the SN&R Best of the Burbs nominees! Voting for your favorite businesses and destinations from Carmichael, Fair Oaks, Orangevale, Gold River, and the greater Folsom, Elk Grove and Roseville areas begins Wednesday, April 22, at www.newsreview.com. Good luck!

Best of CarmiChael, fair oaks, orangevale, gold river SN&R Best of the Burbs nominees for the Carmichael, Fair Oaks, Orangevale and Gold River areas

Best restaurant Boulevard Bistro Best restaurant El Palmar Mexican Restaurant El Papagayo Restaurant Skip’s Kitchen Mighty Tavern Mikuni Japanese Restaurant & Sushi Bar Peacock Indian Restaurant Noble Vegetarian Firebird Russian Restaurant & Gallery Stirling Bridges Restaurant & Pub Yui Marlu Kolbeh Kabob Best breakfast or brunch Bella Bru Cafe & Catering Dianda’s Italian Bakery & Cafe Fair Oaks Coffee House & Deli Hungry Hollow Lido Cafe and Bakery Mirabelle Cafe Mighty Tavern The Village Bistro

Best pizza Mark & Monica’s Family Pizza Pasquale’s Italian Pizzeria Pizza Guys Superb Pizza Strobelli’s Pizza

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Best coffeehouse Bella Bru Cafe & Catering Boulevard Coffee Roasting Company Fair Oaks Coffee House & Deli Java Johnny’s A Whole Latte Love

Best place to get your hair lookin’ good Estilo Salon and Spa Hoshall’s Salon & Spa Siena Salon Textures Salon Village Salon Professional Nails & Hair The Last Tangle Salon & Spa Willo Aveda Best place to shop Fair Oaks Village Thrift Town Tickled Pink The Feathered Nest Freestyle Clothing Exchange

Best yoga spot Aha Yoga Hot Yoga at Sunrise Lotus Garden Meditation Center Saha Wellness and Yoga Center

Best of elk grove SN&R Best of the Burbs nominees for the greater Elk Grove area

Best restaurant Boulevard Bistro Bravo’s Soup and Sandwich Shoppe Brick House Restaurant & Lounge Deliciozo Mexican

and Thai Bistro Happy Garden Loving Hut Lola’s Lounge Mikuni Japanese Restaurant & Sushi Bar Old Town Pizza & Tap House Oz Korean BBQ Red Chopstix Silva’s Sheldon Inn Thai Chili Restaurant Todo Un Poco Yoshi Japanese Restaurant

Best sushi Crazy Sushi Fuji Sushi Buffet Kintaro Sushi Bar Mikuni Japanese Restaurant & Sushi Bar Satori Sushi & Teriyaki Grill Wasabi Japanese Steak House Yoshi Japanese Restaurant Osaka Sushi Japanese Restaurant Suki Sushi Sushimono

Best Mexican/ Latin Chando’s Tacos Truck Dos Coyotes Border Café El Jardin Fine Mexican Restaurant El Potro Taqueria Plaza Del Sol Restaurant & Bar Sol Mexican Restaurant Taqueria Vallarta Todo Un Poco Vallarta Mexican Restaurant

Best coffeehouse Grace Coffee Roasters It’s a Grind Coffee House Java Time Donuts Moo Moo Tapioca & Tea Tea Culture


See the complete list of nominees at www.newsreview.com Best bakery Ab Indian Sweets & Catering Above & Beyond Cakes The Cookie Jar Ela’s Sweet Treats Ginelle’s Bakery JR’s Donuts Mrs. Kay’s Sweet Treats Nothing Bundt Cakes Starbread Sinful Treats Terri Does Desserts

Best spot for a cocktail Bob’s Club Brick House Restaurant & Lounge Lola’s Lounge Mikuni Japanese Restaurant & Sushi Bar Original Pete’s Pizza Pasta Grill Silva’s Sheldon Inn

Best spot for family fun Barbara Morse Wackford Community & Aquatic Complex Elk Grove Park Laguna’s Awesome Party Palace Pins N Strikes Surf Xtreme

Best place to shop From the Homestead It’s a Rack Pomegranate Gifts for the Home The Red Door Antiques, Vintage & More Shoe Daca Styles for Less

folsom, el dorado hills, ranCho Cordova SN&R Best of the Burbs nominees for the Folsom, El Dorado Hills and Rancho Cordova areas

Best restaurant Aji Japanese Bistro Bacchus House Wine Bar & Bistro Back Wine Bar & Bistro Bamiyan Afghan Restaurant Boucane’s Smokehouse Cascada The Cellar Wine Bar Chez Daniel

Land Ocean New American Grill Mints Euro-Asian Cuisine Rudy’s Hideaway Bar & Grill M. Shahrzad Fine Persian Cuisine Sienna Sutter Street Grill Sutter Street Steakhouse Visconti’s Ristorante

Best burger Brookfields Restaurant Burger Hut Burgerocity Early Toast Restaurant & Mimosa House Famous Burgers Hop House Relish Burger Bar Samuel Horne’s Tavern Manderes The Purple Place Bar & Grill Vice Cafe

Best breakfast or brunch Amore Cafe & Bakery Early Toast Restaurant & Mimosa House Bistro 33 Brookfields Restaurant El Dorado Cafe Sienna Mary’s Gold Miner Cafe The Purple Place Bar & Grill Sutter Street Grill Willow Cafe & Sweetery

Best place to shop Broadstone Marketplace El Dorado Hills Town Center Folsom Premium Outlets Historic Sutter Street Koreana Plaza Palladio at Broadstone

Best place to get your hair lookin’ good Adagio for Hair Adore Salon and Spa Hoshall’s Salon & Spa Echelon Salon Elly Hair Salon French Twist Hair Salon Fusion Salon and Spa Indie Salon Maribou Salon on Sutter Pure Hair Studio Republic Salon & Blow Out Bar Salorah Salon Salon Capelli Salon Etcetera Sculptures Salon Tangled Hair Salon Zinfandel Hair & Nail Salon

Best place to hear live music 36 Handles Pub & Eatery Folsom Hotel Saloon PowerHouse Pub The Purple Place Bar & Grill

Best of roseville, roCklin and granite Bay

Best Indian Curry Club Indian Bistro India House Indian Spice Restaurant Mylapore Indian Cuisine Ruchi Indian Cuisine Chaatney Peacock Indian Restaurant

Best bakery The Baker’s Daughter Bakerie & Latte Chateau Arme BJ Cinnamon Great Harvest Bread Company Karen’s Bakery & Café Selland’s Market-Cafe

Best spot for a cocktail 36 Handles Pub & Eatery Folsom Hotel Saloon Hampton’s on Sutter PowerHouse Pub The Purple Place Bar & Grill Reunion Nightclub Sauce’d Pizza & Cocktail House Scarlet’s Saloon Sutter Club Sports Bar

SN&R Best of the Burbs nominees for the greater Roseville area

Best restaurant ASR Restaurant & Lounge Baagan The Chef’s Table Flame & Fire Four Sisters Cafe Hawks Restaurant La Huaca Peruvian Cuisine Mehfil Indian Restaurant Mikuni Kaizen The Monk’s Cellar Ninja Sushi and Teriyaki Source Global Tapas Restaurant

Best brewery Black Vinyl Ale Project Boneshaker Community Brewery Dragas Brewing GoatHouse Brewing Co. The Monk’s Cellar Out of Bounds Brewing Company Roseville Brewing Company

Matsuyama Japanese Fusion Mikuni Japanese Restaurant & Sushi Bar Mikuni Kaizen Ninja Sushi and Teriyaki PK Sushi Raku Sushi Sushi House Sushi Mon by Sky Umi Sushi

Best Mexican/ Latin American Carmelita’s Mexican Restaurant Chando’s Tacos Don Quixote’s Mexican Grill El Azteca Taqueria Flame & Fire La Huaca Peruvian Cuisine Jalisco Grill Mas Cocina Mexicana Nela’s Mexican Restaurant Rudy’s Gourmet Mexican Cuisine Sabores Mexican Cuisine Zócalo Best coffeehouse Bambu Desserts & Drinks Bloom Coffee & Tea Edwin’s Coffee & Tea Kona Cafe Lollicup Coffee & Tea Origin Coffee & Tea Pipeline Coffee House Shady Coffee & Tea Best bakery Baker Ben’s Donuts Beard Papa’s Sweets Cafe Celestial Bites Cookie Connection Cupcake A La Mode Foothills Donuts Icing on the Cupcake Kelli’s Cookies Little Bliss Cakery Nothing Bundt Cakes Smallcakes: A Cupcakery Stieber’s Sweet Shoppe A Slice of Goodness

Best spot for cocktails ASR Restaurant & Lounge Bar 101 The Boxing Donkey Irish Pub Halftime Bar & Grill Mandango’s Sports Bar & Grill The Onyx Club Owl Club Paul Martin’s American Grill The Place Sports Page Restaurant and Bar The Station The Trocadero Club The Union

Best spot for family fun Arena Softball Blue Oaks Century Theatres Century Roseville 14 Golfland Sunsplash John’s Incredible Pizza Company LaserCraze Maidu Regional Park Petroglyph Ceramic Lounge Roller King Skatetown Ice Arena Sky Zone Indoor Trampoline Park Strikes Unlimited United Artists Olympus Pointe Stadium 12 Best place to get your hair lookin’ good Avalon Day Spa & Salon Backstreet Salon Crushed VLVT Envy Salon The Garage Hair & Skin Lounge Gloss Salon Salon Hermosa Shades Hair Color Bar & Salon Sola Salons Zimbali Salon and Spa Best place to shop Antique Trove Deja Vu in a Dress Consignment Boutique Denio’s Farmers Market & Swap Meet Fountains at Roseville FreeStyle Clothing Exchange Sei Bella Boutique Westfield Galleria at Roseville YSJ Trading Co.

Best sushi Arigato Sushi Ichiban Sushi Izumi Sushi

ISSUE ON STANDS JUNE 18 BEFORE

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PAID ADVERTISEMENT Barbara Thompson, executive director of the National Council on Alcoholism and Drug Dependence, says stigma about addiction is not only inaccurate, but also makes getting sober even more difficult. Photo Louise MitcheLL

Stigma Inhibits Recovery Misconceptions about addiction M a k e g e t t i n g c l e a n to u g h

B

arbara Thompson isn’t a doctor, but every day she helps people suffering from a disease that afflicts more than 23 million Americans — addiction. As executive director of the National Council on Alcoholism and Drug Dependence, Thompson says that the prevailing social stigma is that addicts are hopeless outcasts who can’t help themselves. This mindset, she says, is exactly what makes it difficult for addicts to get clean and stay clean. It is only in the last decade that the medical community has come to recognize addiction as a disease, Thompson says. At NCADD, the mission is to promote public understanding that alcoholism and drug addiction are not only treatable, but preventable.

“My job is to be a good ambassador for helping people understand the nature of addiction, and the flavor of our organization is to treat the family unit as the basis for recovery,” she says. In terms of both treatment and prevention, the first step is always to provide general information about addiction and recovery.

“When you tell someone with an addiction to quit, it’s like telling a sober person to stop breathing.” Barbara Thompson Executive director of the National Council on Alcoholism and Drug Dependence

Thompson says that it is nearly impossible to simply convince addicts that they have a problem. “When you tell someone with an addiction to quit, it’s like telling a sober person to stop breathing,” Thompson says. “The addict believes that their substance is what maintains their reality.” This is also what makes it so hard for those affected by the addict’s behavior to understand how best to help, Thompson says. Promoting this sort of comprehensive understanding isn’t just about encouraging family members to provide appropriate support to a relative seeking treatment, but also to make sure that those seeking treatment keep themselves and their families safe. Thompson says she once worked with a mother who was six

months pregnant and abusing the highly addictive prescription pain reliever, OxyContin. “I helped her design a complex program of treatment that put her unborn baby’s needs first and allowed her to prioritize her children’s needs along with her own personal recovery,” Thompson says. It’s these successful recoveries that make Thompson’s job rewarding. “I was so honored to assist her in taking control of her life,” she says. “What keeps me doing this is seeing people make full recoveries.” By Lexi Brister

Sacramento News & Review and California Consortium of Addiction Programs and Professionals (CCAPP) have partnered to tell sponsored stories that share the joys of recovery, break down the barriers of stigma, and employ individuals, families and the community to form a united front against the disease of addiction. To find more about recovery and resources offered in the community, visit www. newsreview.com/sacramento/ ccapp.

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Priorities Clinic

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Gateway House

4343 Williamsbourgh Dr. Sacramento, CA 95823 (916) 395-3552 4441 Auburn Blvd Ste E Sacramento, CA 95841 (916) 473-5764 www.strategies4change.org

River City Recovery Center Inc. 500 22nd Street Sacramento, CA 95816 (916) 442-3979 www.rivercityrecovery.org

3647 40th Street Sacramento, CA 95817 (916) 397-2434 4049 Miller Way Sacramento, CA 95817 (916) 451-9312 www.gffw.org

Sacramento Recovery House

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Harm Reduction Services 2800 Stockton Blvd Sacramento, CA 95817 (916) 456-4849 www.harmreduction.org

Sacramento County Dept of Health & Human Services Alcohol & Drug Services 3321 Power Inn Rd Ste120 Sacramento, CA 95826 (916) 874-9754 www.DHHS.saccounty.net

1914 22nd Street Sacramento, CA 95816 (916) 455-6258 www.sacramentorecoveryhouse.org

For more information about these companies please look on our website: www.newsreview.com/sacramento/CCAPP.us

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photo courtesy of crocker Art MuseuM

ALLE Y K ATZ PRESENTS

FIND OF THE WEEK

Uncomfortably nice comPulsion In Compulsion (Minotaur Books, $25.99), Elk Grove novelist Allison Brennan’s second installment in the case files of Maxine “Max” Revere has her going after a serial killer. Already in custody, Adam Bachman is Book charged with five murders; Max thinks there are two more. She secures an interview with Bachman for her TV show and probes the murder of a middle-aged couple who disappeared on their second honeymoon. A taunt from Bachman lights a fire under her, but not even her bodyguard, David, can get between Max and danger. While the first novel, Notorious, depicted Max as obnoxious but right, she’s now edging uncomfortably close to nice. Max started out as a “Nancy Grace with brains” type; now she’s gone a bit too far in the emotionally-available direction.

Arts and crafts and dance

—Kel Munger

Onscreen equality Davis Feminist Film Festival It’s no secret that women have suffered at the hands of the male species for centuries. Sexism still exists in countless settings and while many do Film their best to learn the nuances of what makes equality possible, education is key. This film festival, now in its 10th year and currently run by the UC Davis Women’s Resources and Research Center, offers a focus on art from women and people of color. Selections include the documentary In the Turn about a 10-year-old Canadian transgender girl. There’ll also be experimental genre flicks and traditional narrative films. 7 p.m. Thursday, April 30, and Friday, May 1; $5-15 suggested donation. Veterans Memorial Center Theater, 203 East 14th Street in Davis; http://fem filmfest.ucdavis.edu. —Eddie Jorgensen

Dogchella Pet-a-Palooza Festival season is upon us, and for those of you with a Fido that has serious FOMO, this year’s Pet-APalooza looks like it’ll be a banger—Colbie PEts Caillat and Katy Tiz are headlining. Plus, there will be obstacle courses for dogs, a beer garden for humans and more than 20 animal-rescue groups, so you can expand your brood, save lives and live that flower-crown lifestyle all at the same time. 10 a.m. to 4 p.m. Saturday, April 25; free. 7801 Auburn Road, http://ksfm.cbslocal.com/pet-a-palooza-2015. —Deena Drewis

BEFORE

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“HatcH”/Dance Works in Progress Dance fans likely need no reminder that we’re still more than a month away from the season premiere of So You Think You Can Dance, nor that last year’s tour skipped Sacramento (as did the tour before that, but DANCE who’s keeping track?). Luckily, there’s something to fill your pirouette-hungry heart in the meantime: For the fourth year running, Sacramento State University dance professor and Dancers Investigation Group co-founder Lorelei Bayne will be curating an evening of new and in-progress choreography by emerging artists in an up-close setting. If bearing witness to art is simply not enough, audience members are invited to provide feedback to the dancers after the performance (and the nice thing about abstract, avantgarde contemporary dance is that almost any interpretation is an insightful one). The evening will also feature a special piece inspired by The Nature of William S. Rice: Arts and Crafts Painter and Printmaker, a current museum exhibit featuring several never-before-seen pieces of the printmaker’s collection. Rice was known for his woodblockprint art and for his distinctive portrayals of California nature, so if you’ve ever wondered what happens when you mix 20th century arts-and-crafts woodblock printmaking with contemporary dance choreography, now is your chance—something tells me these kinds of collaborations don’t happen every day. 6:30 p.m. Thursday, April 30; free for museum members, $8 students and youth, $10 nonmembers. 216 O Street, http://crockerartmuseum.org.

$

20 T WO DRINKS COVER INCLUDES

VIP BOOTHS AVAL ABLE BY RESERVATION

SAT. MAY 2 | 6PM

2019 O ST | 916.442.2682

—Deena Drewis

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Love interruption 5

Best of Enemies

Hotel on the Corner of Bitter and Sweet Community Asian Theatre of the Sierra ventures in new directions with this show about young love interrupted by World War II, between by Jeff Hudson a Chinese-American boy and a JapaneseAmerican girl. The boy’s father (a stern Chinese Nationalist) despises everything Japanese, so young son Henry (Kevin M. Lin, an actor from Seattle) hides his growing fondness for classmate Keiko (Lyra Dominguez, who brings energy and surprising insight to the role).

4

PHoTo By DAviD WoNg

his Americanized son, counterbalance the love story. The script (based on Jamie Ford’s 2009 debut novel) was developed by Seattle’s Book-It Repertory Theatre. What you’re getting here is “literature on stage,” with multiple characters speaking narrative prose drawn directly from the book. The storytelling style takes a little getting used to (and Ford’s plot occasionally leans toward the melodramatic), but the show grows on you. Seattle’s Annie Lareau (who directed the 2012 Seattle premiere) helms this CATS staging. It’s a big show (23 actors, 2.5 hours), but it grips your attention, unifying strikingly different ideas, eras and outcomes in Henry and Keiko’s long, unusual lives. Ω

4 Cloud Nine

Hotel on the Corner of Bitter and Sweet; 7 p.m. Thursday, 8 p.m. Friday and Saturday, 2 p.m. Sunday and Saturday, May 9; $20-$23. The Nevada Theatre, 401 Broad Street in Nevada City; www.catsweb.org. Through May 9.

34

There’s lots more going on. Angry racists target any Asian as a hated Japanese (Henry’s father makes him wear a button saying “I am Chinese”). A gentle-hearted black jazzman (Michael Lewis) offers perceptive advice. A few tolerant whites are troubled by the harsh government crackdown—mass arrests of Japanese-Americans, leading to internal exile amid barbed wire. The lovers struggle to stay together, but the tide is against them. Woven in is a parallel plot in the 1980s involving the haunted, middle-aged Henry, and his modern, culturally-assimilated son, who’s marrying a white girl. They help old Henry (Bay Area pro Randall Nakano) trace Keiko, whom Henry hasn’t heard from in decades. The very different relationships between young Henry and his dictatorial Chinese dad, as well as old Henry and

—Patti Roberts

Cloud 9; 7:30 p.m. Friday and Saturday, 2 p.m Sunday, 7:30 p.m. on Thursday, April 30; $10-$15. Harris Center for the Arts, 10 College Parkway in Folsom; (916) 608-6888; www.harriscenter.net. Through May 3.

4

Buyer & Cellar

Nick Cearley charms as a struggling actor who takes a preposterously impossible job working in the basement mall of Barbra Streisand’s Malibu home. This play broaches several important topics: the isolation of celebrity, the narcissism that accompanies stardom, the mark of an unhappy childhood on the adult and even the attraction between gay men and divas. Tu, W,

Sa 8pm; Th, F 7pm; Th 2pm; Su 1pm. Through 5/9. $23-$35. B2 Space at B Street Theatre, 2727 B St.; (916) 443-5300, www.bstreet theatre.org. J.C.

4

The Clearing This play humanizes the conflicts of 17th-century

Ireland when Cromwell’s English army sets out to clear the Irish from their homeland. The personal price paid by those trapped in the conflicts is the focus of Ovation Stage’s production, which tells the story of a young married couple with roots and allegiances in two different countries. F, Sa 8pm; Su 7pm. Through 4/26. $17-$20. Ovation Stage at the Wilkerson Theatre in the R25 Arts Complex, 1723 25th St.; (916) 606-5050; www.ovationstage.com. P.R.

1 FoUL

2 FAiR

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5

The Whipping Man

Buddy Butler directs this powerful play that takes place at the close of the Civil War in Richmond, Va., during Passover. Playwright Matthew Lopez’s award-winning story chronicles a young wounded Confederate soldier’s return home, where he finds his home destroyed and two of his newly freed slaves trying to cobble a life together amidst the ruins of the house. The historic time frame is pertinent: the war is ending, an assassination takes place and Passover is being observed in the relatively large Jewish population who lived in Richmond. The performances are memorable, as is the script, the story and the staging. W,

gooD

4 WELL-DoNE

5 SUBLiME–DoN’T MiSS

Th 6:30pm; F 8pm; Sat 2 pm & 8pm; Su 2pm. Through 5/3. $34-$38. Pol-

lock Stage at Wells Fargo Pavilion, 1419 H Street; (916) 443-6722; www.sactheatre.org. P.R.

Short reviews by Jim Carnes and Patti Roberts.

PHoTo CoURTESy oF MiCHAEL o’CoNNELL

They found love in a hopeless place.

When Caryl Churchill’s Cloud Nine was written and produced in the late ’70s, it was meant to titillate and shock with its overt sexual themes and language. All these years later, it still does. In a storyline that starts in British colonial Africa and ends in a London park in 1980, it presents a whole cornucopia of social, sexual and gender taboos with a comedic bent that has tongues firmly planted in cheeks. This is a daring offering for Falcon’s Eye Theatre up at Folsom Lake College, and comes with a warning: It’s not a production for those who might get the vapors upon hearing lewd language and all things carnal. Turns out David Williams, the dean of performing arts, wrote his dissertation on the original Cloud Nine, so even a recent rival by Sacramento’s Big Idea Theatre did not thwart the college from staging another production. And the decision was a wise one, with the winning combination of a fascinating play, flawless performances by a wonderful team of talented and very versatile actors under the careful guidance of director Christine Nicholson, and Folsom Lake’s usual creative production decisions. The only weakness lies in the play itself. Though the first act has a compelling and comedic storyline, the play fades a bit in the second half with the abrupt change in era, genre and pace, with a flat plot and titillations that feel forced.

This play by Mark St. Germain, based on the bestselling nonfiction book by Osha Gray Davidson, tells an unlikely—but true—story about the relationship between an African-American civil rights activist and a Grand Cyclops of the KKK during the desegregation of Durham, N.C., schools in 1971. James Wheatley directs the play as a series of short scenes. There’s only one set, and rearranging chairs and turning a desk into a table are the only changes, so it all moves relatively smoothly. Th-Sa 8pm; Su 2 pm. Through 5/9. $8-$15. Celebration Arts Theatre, 4469 D St.; (916) 455-2787, www.celebrationarts.net. J.C.

The team, from left: Nina G, Eric Mee, Steve Danner and Michael O’Connell.

The funny foursome There’s a difference between laughing at people and laughing with them. This is an important point that the Comedians With Disabilities Act want to get people to think about. The group of Bay Area comedians met and joined forces a few years back with help from local comedian Keith Lowell Jensen, and have been making audiences laugh (and think) ever since. The foursome includes blind comedian Eric Mee, little person Steve Danner, wheelchair user Michael O’Connell, and Nina G, who stutters. The line between being laughed at and laughed with is a particularly important one for them, as folks with disabilities are often the butt of jokes by comedians. “We thought, ‘Wouldn’t it be more fun for the crowd to laugh with people with disabilities instead?’” O’Connell says. “That’s guilt-free fun right there.” This is a special performance, a release show for their new CD, and Jensen will host. The Comedians with Disabilities Act; 8 p.m. Wednesday, April 29; $15. Punch Line Comedy Club, 2100 Arden Way; www.comedianswithdisabilitiesact.com. —Aaron Carnes

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War wounds The Water Diviner Russell Crowe turns director with The Water Diviner, in which he plays Joshua Connor, an Australian farmer in 1919. We first see him employing the by Jim Lane talent that lends the movie its title, pacing the yellow hills of his South Australia property, dowsing wires wavering in his fists. When they cross, he stops and digs. At last, with the rim of the hole well over his head, he strikes water, luxuriating in it before climbing out. Connor is a man who knows where to do what must be done, and how to do it himself.

Use your smart phone QR reader for more specials

4

Sacramento Vedanta Reading Group Every Friday 7:00 - 8:30 pm · Free admission Sacramento Yoga Center @ Sierra 2 Community Center, Room 6 2791 24th Street, Sacramento The whole world is your own. — Sri Sarada Devi Parking in back For more information please see www.SacVRG.org

No, this film probably isn’t drought-friendly.

S ONGS OF ETERNITY West Coast Premiere

Requiem For The Living | Dan Forrest Songs of Eternity | James Hopkins Sea Symphony | Howard Hanson

Projected supertitles

Music and texts rich with emotional directness in a large-scale choral/orchestral tribute to three major American composers

1 Poor

Special Guest | Composer James Hopkins present at the performance

2

Saturday, May 9 at 8:00 pm

Fair

7:00 pm – Pre-concert talk by Donald Kendrick

3

Community Center Theater 1301 L Street, Sacramento

Good

CONCERT SPONSOR

4 Very Good

DONALD KENDRICK | MUSIC DIRECTOR

5 excellent

CCT Box Office | 916.808.5181 or TICKETS.COM SACRAMENTOCHORAL.COM 36   |   SN&R   |   04.23.15

Returning home, Connor finds his wife Eliza (Jacqueline McKenzie) dreamily cleaning a shoe. “Arthur has worn through the toe of his boot,” she says. “I don’t know how he does it.” She tells him the boys are all in bed waiting for him to read them to sleep. Pained, he tries to beg off, but she insists. Sighing, he goes to his sons’ room and reads from The Arabian Nights—to an audience of three empty beds. The boys are all gone, lost in 1915 in the disastrous Gallipoli campaign of the Great War. Grief has unhinged Eliza, and it drives her to suicide, after bitterly reproaching Connor (“You can find water but you can’t find your own sons!”). At her grave, he promises her that somehow he’ll find their three sons and bring them home to rest beside her. This is what brings Connor to Istanbul in the shattered Ottoman Empire, where the Turkish locals seethe under Britain’s postwar occupation, and where the British Army is undertaking the grisly chore of uncovering the dead, identifying them where possible, and interring them in military cemeteries on the Gallipoli Peninsula. Connor is denied access to the peninsula, but he’s not easily turned aside once his mind is made up. In his self-imposed mission, Connor finds unexpected allies, even friends, along the way. He stays at a small hotel owned by Ayshe (Olga Kurylenko), a Turkish woman whose husband, like Connor’s sons, lies among the unknown corpses on Gallipoli. At first her bitterness makes her cold and hostile, but as days wear on she responds to Connor’s obvious decency and, in her way, empathizes with his loss. Her son Orhan

(Dylan Georgiades, in an engaging performance) befriends Connor, reviving the man’s withered paternal instincts. And most curious of all, he forms a wary, respectful bond with Major Hasan (Yilmaz Erdogan), a commander on the Ottoman side in the Gallipoli campaign, now reluctantly cooperating with the British in their work of finding and identifying the dead. Through all this, Connor’s peculiar sixth sense, which once helped him to find water in the desert of South Australia, somehow, in ways he only dimly understands, guides him in his anguished quest for the remains of his three sons. The Water Diviner was written by Andrew Knight and Andrew Anastasios, and the script is a sometimes heady mix of epic events and intimate emotions, punctuated by brief but savage battle scenes—either experienced, remembered, imagined or psychically sensed—as brutal and indelible as anything since Saving Private Ryan. Knight and Anastasios juggle time and place expertly, but in a way that might easily flummox a fledgling director, especially one who’s starring in the movie himself. So it’s a relief to see the confidence with which Crowe drives the movie.

Russell Crowe doesn’t allow the scenery or the exotic Turkish locations to upstage the characters. Like Connor luxuriating in the water of the well he has dug, Crowe similarly basks in the lush beauty of Andrew Lesnie’s cinematography, while Lesnie proves that his work on the Lord of the Rings trilogy was no fluke. But the movie never slides into an album of travel postcards; Knight and Anastasios keep the plot percolating with turns that shouldn’t be spoiled here. And in its tranquil moments, Crowe doesn’t allow the scenery or the exotic Turkish locations to upstage the characters. Even in a visit to an exquisitely beautiful Byzantine mosque, the focus remains on Connor and his young guide Orhan. And Crowe’s scenes with Kurylenko (in her way as exquisite as that mosque) gently pulse with the decorous, tentative rhythms of courtship between damaged souls. The Water Diviner is an old-fashioned movie in the best sense of the term, directed by Crowe with a (perhaps surprisingly) delicate and generous touch. Ω


by daniel barnes & JiM lane

2

Broken Horses

2508 LAND PARK DRIVE LAND PARK & BROADWAY FREE PARKING ADJACENT TO THEATRE

To the extent that it’s possible, I tend to avoid extra-textual awareness of the films that I might review. I shun gossip and spoilers, mistrust all hype and never read the media notes that studios spoon-feed to lazy critics. Director and co-writer Vidhu Vinod Chopra’s inscrutable biblical noir western Broken Horses presents a rare exception— there’s no way to fathom what’s happening here without a Ken Burns documentary worth of explanatory anecdotes, much less an IMDB page. Broken Horses is the first Englishlanguage production for Chopra’s India-based production company, which at least partially explains why good actors like Thomas Jane and Vincent D’Onofrio behave as though English was their second language. It’s hard to tell if the film is an unfunny joke or an earnest failure, but ham-fisted symbolism and sloppy plotting rule regardless; to see this sort of genre smashup done right, check out last year’s Young Ones. D.B.

3

“DELICIOUS SATIRE.” - Kenneth Turan, LOS ANGELES TIMES

WED/THUR: 12:30, 2:50, 5:10, 7:30, 9:45PM FRI-TUES: 11:15AM

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Monkey Kingdom

Another Earth Day, another Disneynature documentary, this one following a group of Sri Lankan macaques as they deal with a strict social system and defend their territory from interlopers. The macaques, a Shemp-haired species of monkey, are decidedly less adorable than the stars of last year’s Bears, and Monkey Kingdom narrator Tina Fey is a weak substitute for Bears narrator John C. Reilly. Much like Bears, the film focuses in on a struggling single mother dealing with dangers from both outside and inside her troop, but Monkey Kingdom tries too hard to manufacture a storyline. It’s never clear why we’re supposed to root for one group of monkeys to defeat another group of monkeys, except that some of the “bad” monkeys have facial scars, and facial scars equal evil. Monkey Kingdom is a passable time-passer, with lovely visuals and positive if oversimplified messages about conservation and motherhood, but nothing more. D.B.

3

Salt of the Earth

This Oscar-nominated documentary charts the 40-year career of Brazilian photographer Sebastião Salgado, whose horribly beautiful black-and-white images of slave labor and genocide and exodus form a visual timeline of human suffering on the planet. The venerable German filmmaker and documentarian Wim Wenders co-directs, along with Salgado’s son Juliano, but you get the impression that Wenders only came aboard to shape decades of disparate material into this coffee table book of a movie. After an awkward first act, The Salt of the Earth settles into a comfortable rhythm, following Salgado’s nomadic career across several continents, from the gold mine at Serra Pelada to the Kurdish refugee camps. But there are also a number of contentious family dynamics that the film sets up and then neglects to explore (at a certain point, Salgado’s wife simply disappears), and ultimately this feels more like a greatest hits collection than a unique work of art. D.B.

It Follows

After a drifting suburban Detroit teen sleeps with her new boyfriend, she learns that he has “passed on” to her a malevolent presence, one that will never stop its slow but deadly pursuit. In just his second feature, writer-director David Cameron Mitchell (The Myth of the American Sleepover) produces one of the best horror films of the millennium. The story touches on themes of venereal disease, rape, contagion fears, PTSD and more, while combining cinematic influences from zombies, ghosts, slashers, J-horror, conspiracy thrillers, exorcisms, Robert Altman, teen sex comedies, apocalypses, John Carpenter, chase films and the first five minutes of M. Night Shyamalan’s The Happening into something deeply unsettling and nightmarishly lucid. Imagine if Texas Chainsaw Massacre-era Tobe Hooper

2

True Story

James Franco and Jonah Hill starred together in This is the End, but in Rupert Goold’s True Story, they’re trading concepts of moral culpability instead of bong rips and mas-

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F E AT U R E

WED/THUR: 12:00, 2:25, 4:45, 7:10, 9:30PM FRI-TUES: 11:55AM, 2:30, 5:00, 7:20, 9:40PM NO SAT 5:00, 7:20PM • NO SUN 11:55AM NO WED 7:10PM • NO TUES 7:20PM

JURASSIC PARK 5/4 • INDIANA JONES AND THE TEMPLE OF DOOM 6/1 TOP GUN 7/6 • BLADE RUNNER: DIRECTOR’S CUT 8/3

P R A H S

Ex Machina

directed a Richard Linklater rewrite of Under the Skin. A few clunky special effects and easy jump scares aside, It Follows is intelligent and terrifying, an instant genre classic. D.B.

3

WOMAN IN

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look

When a Long Island computer programmer (Domhnall Gleeson, playing the same sad-sack stargazer role as he did in Frank) wins a company lottery, he gets whisked off to the remote underground research lab of Nathan (Oscar Isaac), his mysterious and obscenely rich boss. Nathan reveals that he has developed a robot capable of artificial intelligence—the curvaceous and curious Ava, played by Alicia Vikander with a huge assist from some mindbending special effects—and that the meager programmer has been recruited to assist in the final phase of her development. Screenwriter Alex Garland (28 Days Later…; Dredd) makes his directorial debut with this sleek sci-fi chamber play, and he exhibits the visual command of a true filmmaker, even if his storytelling gets wobbly at times. Best in show goes to Oscar Isaac, reimagining the evil scientist as a socially isolated scumbag jock, equal parts Victor Frankenstein and Frank T.J. Mackie. D.B.

Furious 7

NEWS

TOWER CLASSICS SERIES

Do the robot.

Freetown

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“TRIUMPHANT AND HOPEFUL.” - Jan Wahl, KCBS RADIO

WHILE WE’RE GOLD Young

Danny Collins

BEFORE

WED/THUR: 12:20, 2:40, 5:00, 7:20, 9:40PM FRI-TUES: 1:15, 3:30, 5:35, 7:45, 9:50PM NO TUES 9:50PM

FRI-TUES: 12:00, 2:20, 4:45, 7:15, 9:45PM

Speed demon Dom Toretto (Vin Diesel) and his crew (Dwayne Johnson, the late Paul Walker, Michelle Rodriguez, Ludacris, Tyrese Gibson, et al.) are being hunted by the brother of a vanquished villain from Fast & Furious 6 (Jason Statham); they join with a shadowy government operative (Kurt Russell) to turn the tables on their pursuer. The preposterous franchise reaches an apotheosis of sorts with a delirious array of death-andphysics-defying stunts, as exciting and enjoyable as they are unbelievable and physically impossible. (On a more subdued note, similar CGI wizardry completes the performance of Walker, who died during production.) Chris Morgan’s script is pretty much beside the point, but it provides director James Wan with an efficient framework, and outlandish as it all is, the movie delivers the goods. J.L.

5

STARTS FRI., 4/24

ex machina TRUE STORY

Amid the chaos of the First Liberian Civil War (1989-1996), a group of African Mormon missionaries flees the violence in Monrovia, the capital, for the presumed safety of Freetown in neighboring Sierra Leone, crammed into a rattletrap car with a worried but good-hearted driver. Written by Melissa Leilani Larson and director Garrett Batty, the movie has laudable intentions on its side (not least a determination to counteract the lily-white image of the Church of Jesus Christ of Latter Day Saints), but it’s limp, leaden, redundant and too-clearly hampered by a limited budget. The inexperienced cast is earnest but wooden, easily upstaged by the stark beauty of the Ghanaian countryside where the movie was filmed. J.L.

3

“SOUL-SEARCHING WORK.” - Peter Debruge, VARIETY

- Chris Nashawaty, ENTERTAINMENT WEEKLY

An aging pop superstar (Al Pacino) finally receives a letter written to him by John Lennon 40 years ago, when he was just starting out; the letter plunges him into soul searching, and the first thing he decides to do is look up the biological son he’s never met (Bobby Cannavale). Based “a little bit” (but really, hardly at all) on a true story, writer-director Dan Fogelman’s movie bulges with talent; besides Pacino and Cannavale, there are Christopher Plummer as Pacino’s avuncular manager, Jennifer Garner as Cannavale’s wistful wife, and Annette Bening as the bemused manager of a modest New Jersey hotel where Pacino checks in. Pacino sinks his gleaming teeth into his role with a relish that’s infectious and charming, and the charm spreads and coats the whole movie like butter over hot pancakes. J.L.

2

“BEAUTIFUL AND OMINOUS.”

STORY

turbation jokes. Their credibility as dramatic actors is never a question; the credibility of the bland true-life drama they inhabit is entirely another matter. The stakes are all screwy, and it’s never clear why the story of a disgraced writer reclaiming his reputation (Hill) is placed front and center, while life-and-death matters involving a suspected mass murderer (Franco) get pushed to the sidelines. Even Truman Capote wasn’t that egotistical. The filmmaking is drab and predictable—Goold holds the film at a resting pulse throughout, encouraging his often outsized lead actors to underplay their parts, and the material holds very little dramatic urgency. D.B.

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Improvisational oddballs As the members of Swimming in Bengal make it up on  the spot, they discover that less is way more Tony Passarell, multi-instrumentalist in the local experimental trio Swimming in Bengal, recalls one early show at the late Luigi’s Fun Garden, by Aaron Carnes sandwiched in between two noisy rock bands. He was a little nervous about what kind of response they’d get because unlike the other bands, his plays songs that are free-form, Middle Easterninspired and completely improvised with slow, droning builds.

phoTo By miChAEl millEr

Swimming in Bengal is Brewer’s second band to explore a Middle Eastern sound. The other is San Kazakgascar, but even that plays structured, prewritten songs. All of Swimming in Bengal’s music is composed on the spot, live. It’s a new thing for Brewer whose previous bands, most notably Harvester, played alternative rock and Americana, albeit with a dark edge. “Now I’m not playing chords. I’m just playing up and down on the strings, and just taking that whole approach to another extreme,” Brewer says. Spontaneously writing music on stage is a new experience for Brewer. For Passarell, who has an extensive jazz background, it’s not. These days, he says, he prefers improvisation. “I don’t even play in any bands that have real tunes anymore,” he explains. Jenkins also has a jazz background, and has worked full-time as a musician for more than a decade. As such, he is not able to make every gig, in which case Brewer and Passarell enlist someone else to play. When Jenkins is behind the kit, Passarell says, the musician brings a very trance-like element to the music. Despite not actually writing music, Swimming in Bengal has released a few EPs. The process for making a record is more or less the same as a show and editing is minimal. “Mostly we’re just picking out the sections that work. It’s amazing because once you get some sort of parameters to everything, it’s not that difficult,” Passarell says.

Is this band reenacting the printer scene from Office Space?

Catch Swimming in Bengal at 8 p.m., Wednesday, April 29, at Shine, 1400 E Street. Tickets are $10. For more information, visit www.facebook.com/ swimminginbengal.

38   |   SN&R   |   04.23.15

Maybe because it was so different, the band ended up capturing the audience’s attention in full. “It was so loud in there [when the previous bands played] that people went outside. We started playing and when we opened our eyes after being meditative for a few minutes, the whole place was packed with people sitting, intently listening,” Passarell says. “It was really bizarre.” In the few years that Swimming in Bengal has been a band, it’s managed to move seamlessly between the alternative rock and jazz scenes, finding a comfortable spot grabbing folk’s attention as the intriguing oddballs. The group comprises Jed Brewer on gourd guitar; Passarell, who rotates between the saxophone, flute and various percussion; and Alex Jenkins on tablas and, sometimes, the drum set. With such odd instrument selections, transcendental vibes and a clearly nontraditionally Western choice of chords and rhythms, it’s obvious to even the casual music listener that they’re influenced by Eastern and Middle Eastern sounds, yet they play it without any real concept of whether they’re doing it right. Brewer says that, initially, he considered taking formal gourd lessons. “Then I thought, ‘No. I don’t want it to be straight. I want it to be a weird hybrid that’s kind of messed up and not strictly traditional,’” Brewer says.

“ We’re trying to be as genuine as we can.” Tony Passarell multi-instrumentalist, Swimming in Bengal As they’ve played more together, and developed a better understanding of what they’re doing, the band members say they’ve found themselves actually playing less. Brewer plays more open chords, as opposed to noodling on the guitar, and Passarell often drops out for complete sections, only to come in again when it feels right. “We’re the first ones to say that we don’t know exactly what we’re doing, but we’re trying to be as genuine as we can about making the music sounding interesting,” Passarell says. “This music has a vibe. If you tap into that vibe then you might get a kick out of it.” Ω


Sweet Scottish nostalgia: Belle & Sebastian’s Stuart Murdoch is not a candy-ass bitch, but that didn’t stop someone in Sacramento from hurling the pejorative phrase at the singer the last time he was in the area. At least, that’s the story that the frontman shared from the stage at the Mondavi Center during Belle & Sebastian’s April 14 performance. The incident happened while Murdoch was doing laundry— presumably between tour stops. Murdoch related the same story the week prior at Coachella, so it’s not likely just some made-up stage banter—although it was unclear when, exactly, the Scottish musician was in town to run his clothes through the spin cycle. In any case, he moved on with a shrug and off-handed “fluff ’n’ fold” comment. Why would he care anyway? This is a guy who’s fully comfortable in his skin, full of energy and good cheer. The Mondavi set was an engaging trip through the Glasgow band’s extensive catalog. There were plenty of numbers off of Belle & Sebastian’s latest album, the dance-ready Girls in Peacetime Want to Dance, but the band also dug deep into its 19-year catalog, pulling out oldies such as “My Wandering Days are Over” (from the 1996 album Tigermilk), “Judy and the Dream of Horses” (from 1996’s If You’re Feeling Sinister), “The Boy with the Arab Strap” (from the 1998 album by the same name), “Dear Catastrophe Waitress” (from the 2003 album by the same name) and “The Blues are Still Blue” (2006’s The Life Pursuit). Murdoch led a 12-piece band– the usual B&S line-up plus a string section–during a set that included an on-stage dance party with nearly 40 fans that the singer hand-selected from the audience (this despite some obvious discomfort on the part of Mondavi’s security squad which seemed befuddled by their task of having to deal with a small throng of well-behaved, dancing indie-rock fans). The show wasn’t sold out but if the members of Belle & Sebastian were disappointed by this, even on the heels of playing Coachella and Berkeley’s Greek Theatre, they didn’t let it show. Murdoch is an engaging, fun performer—the kind of guy who actually listens to the requests fans shout out. “I can’t find that one in the archives,” he said, shuffling through some papers at his feet, after one request. BEFORE

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NEWS

Overall it was a solid show, marred only by a few sound issues—the bass throbbed uncomfortably at times and, to be honest, the whole thing could have been turned up a few notches. Just because it’s indie rock doesn’t mean it needs to be quiet. —Rachel Leibrock

r achel l@ne w s re v i e w . c o m

Biting raps: The big question in Sacramento’s hip-hop community right now: Is Task1ne a fraud? Task1ne (Corey Lakel Pruitt) has been a much-beloved, respected rapper in town for years, taking home the Sammie for best emcee in 2012 and recently gaining wider attention for cyphers on TeamBackPack. But a YouTube video that dropped two weeks ago with audio of Task1ne rapping the exact same bars as Detroit emcee ChrisCo has called

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US.

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Fluff ’n’ fold drama and ghostwriter blues

OR ELSE.

LOVE, & THIS DINOSAUR

Attend the VIP WINE EXPERIENCE during Bud Break Weekend at the OLD SUGAR MILL WINERIES Clarksburg on April 25th & 26th Featuring VIP-only 6-Wine Taste & Learn hosted by Master of Wine, Norma Poole + catered appetizers + exclusive Meet & Greet with winery principals + VIP 3-Flight Tasting at 6 wineries + complimentary grape vine to take home! Early bird pricing till 4/20 ($10 off or buy 2 for $55) All day access to FREE Live music, food trucks, & tours (insert ticket link) or www.oldsugarmill.com

Task1ne’s credibility into serious question.

Task1ne didn’t potentially accidentally use some of the same words in the same order as another rapper. It’s the bulk of a verse, lifted verbatim. According to the video’s uploader, Task1ne claimed to have used a ghostwriter. Yes, ghostwriters are also frowned upon in hip-hop. Since then, more allegations have surfaced, suggesting Task1ne has quite a history of plagiarism. Last Sunday night, he posted his own response via YouTube video: “I am guilty of overworking myself and cutting corners, and by doing so, I broke hip-hop’s No. 1 rule,” he said. Another big question in Sacramento’s hip-hop community right now: Is Task1ne done for good? Fun-draiser: Once again, it’s time to tune into KDVS 90.3 FM and listen to college kids stammer about needing money. And you should absolutely consider donating—the UC Davis free-form radio station is a truly unusual treasure, chiefly supported by this $60,000-goal fundraiser each year. Head to https://fundraiser. kdvs.org and take advantage of the premiums, a.k.a. really rad stuff you

can get in exchange for a monetary donation: deejay compilations, gift

certificates and seemingly endless KDVS swag. You have until Sunday, April 26.

EntEr Sn&r’S

College Essay Contest! thE prizES: First place will receive a $2,015 award, plus $750 for second place and $500 for third place. thE rulES: High-school seniors graduating in 2015 are eligible. Only one entry allowed per student, and you must live in the Sacramento region to apply. No SN&R employees or their relatives may enter. thE dEtailS: Essays can be no longer than 650 words. Email essays as a Word document or PDF attachment to collegeessay@newsreview.com, with the subject line “College Essay Contest.” Deadline is Friday, May 1, at 5 p.m.

FirSt placE prizE SponSorEd by

third placE SponSorEd by

—Janelle Bitker

jan el l eb @ne w s re v i e w . c o m

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24FRI

24FRI

24FRI

25SAT

Nora Jane Struthers & the Party Line

Musics of the World Ensembles of UC Davis

Cory Barringer & the Agnostic Tabernacle Choir

Cliff ’Em All

Harlow’s Restaurant & Nightclub, 6:30 p.m., $12

Mondavi Center, 7 p.m., $8-$20

There are plenty of reasons to be tired of  pop-Americana, but singer-songwriter Nora  AMERICANA Jane Struthers isn’t one  of them. Hailing from  Nashville, Struthers’ 2015 release Wake is the  most roots-rock of her efforts. It’s a significant departure from 2013 release Carnival and  her 2010 self-titled album, which lean more  toward a modern Alison Krauss and Emmylou  Harris. There’s plenty to like across Struthers’  entire discography. Combining close-knit harmonies and nostalgic strings plus the addition  of more electric guitar and bigger sound on the  recent album, she still steers skillfully away  from commercial pop country. 2708 J Street,  www.norajanestruthers.com.

Shime, 8 p.m., $5

Samba’s distinctive and energetic rhythms,  dances and parties often flood city streets  with people. Picture 25 drummers performing the music of Carnaval inside the intimate  Vanderhoef Studio Theatre at the Mondavi  Center. Woah, indeed. These drummers are  all UC Davis students, and just one of several  student ensembles that are part of the university’s enthomusicology program. Dart around  the world with performances from three  more student groups: the Hindustani Vocal  WORLD Ensemble, Korean Percussion  Ensemble and Gamelan Ensemble  (pictured), an Indonesian orchestra featuring  bronze gongs and chimes. 9399 Old Davis Road  in Davis, www.mondaviarts.org.

—Deena Drewis

It’s the Kelps (pictured) guitarist Cameron  Betts’ 25th birthday! Join in the celebration by watching him perform a bunch of  new songs—solo. The headlining act for the  ROCK evening will be Kelps’ frontman  Cory Barringer, who’ll be performing with a group he assembled solely for  the event. Note: Barringer won’t actually  be backed by a choir, but will have Betts on  upright bass, Tony Reyes on drums and also  a guitarist and keyboardist. They’ll be playing a few Kelps songs, but mostly solo material Barringer has recorded with his brother  Danny over the years. Dino Dimare from  Pandoval will also perform. 1400 E Street,  www.facebook.com/thekelpsmusic.

—Janelle Bitker

MAY 1 • 9PM

D.A.P

GANGES RIVER BAND, DRY COUNTY DRINKERS

April 25

Billy MAnzik

April 26

DylAn CrAwforD*

May 1

BriAn rogers

May 2

Billy MAnzik

May 3

ken koenig*

May 8

MAY 2ND • 9PM $8

BENEFIT FOR THE FAMILY OF CHRIS WHITMIRE: WEST LORDS, MURDERLICIOUS, PEACE KILLERS

4/23 7PM $8

THE J BAND

SAMBA DA TERRA, LILLA

MAY 30TH • 9PM $7

COMING SOON 4/25 10PM $10ADV

BIG EYED FISH

(A TRIBUTE TO THE DAVE MATTHEWS BAND)

ROSELIT BONE, HOLLOW POINT STUMBLERS

JUNE 5TH • 9PM $5

EXQUISITE CORPS, MONDO DECO

JUNE 6 • 8PM $10

ROCK & ROLL BENEFIT TO CURE ALZHEIMERS: CITY OF VAIN, RIOT RADIO, WEST LORDS, THE SCRATCH OUTS

in The no

4/24 5:30PM $12 (ALL AGES)

NORA JANE STRUTHERS & THE PARTY LINE MERRYGOLD

JUNE 13TH • 8PM $7

PINE BOX BOYS, COLONEL JIMMY & THE BLACKFISH, GRAVESIDE QUARTET

May 10 ADriAn Bellue* May 22 islAnD of BlACk & whiTe May 23 kingsBorough

JUN 19TH • 9PM

FLESH HAMMERS, PAT TODD & THE RANKOUTSIDERS, DRIVE-THRU MYSTICS

*ACousTiC sessions froM 2-5PM

JUNE 20TH • 5-9PM. ALL AGES

trivia mondays @ 6:30pm open mic wednesdays sign-ups @ 7:30pm karaoke thursdays @ 7:30pm

MON JUNE 22ND • 8PM $5

27 Beers on Draft

101 MAin Street, roSeville 916-774-0505 · lunCh/Dinner 7 DAys A week fri & sAT 9:30PM - Close 21+ fACeBook.CoM/BAr101roseville

40   |   SN&R   |

—Aaron Carnes

2708 J Street Sacramento, CA 916.441.4693 www.harlows.com

UPCOMING EVENTS

live MuSic

Before Metallica was headlining arenas and  filming documentaries about its members  being in therapy, it was one brutal thrash  band that terrorized clubs all over the Bay  Area. The secret ingredient was bassist  Cliff Burton, who played with an intense  amount of energy, and unfortunately  died in a bus accident in 1986. Burton’s  contributions can be heard on Metallica’s  METAL first three albums, Kill ’Em All,  Ride The Lightning and Master  of Puppets. Cliff ’Em All is a group of Los  Angeles-based early Metallica fanatics  that pays tribute to this era of Metallica  and the magic that Burton brought to the  group. 1400 Alhambra Boulevard,   www.facebook.com/cliffallica.

—Aaron Carnes

THE HIDEAWAY BAR & GRILL

April 24

Blue Lamp, 9 p.m. ,$8

MATINEE: BANANAS, G.GREEN, VIOLENCE CREEPS HENCHMEN, GAMBLERS MARK

FOURTH OF JULY:

JAKS REUNION: VERBAL ABUSE, HOLLYWOOD HATE,CAR 87,OUT FOR WAR 2565 FRANKLIN BLVD • 916.455.1331

04.23.15

4/26 6:30PM $22ADV (ALL AGES)

CURREN$Y

CORNER BOY P, YOUNG RODDY, LE$, TY

4/24 10PM $10

4/29 6PM $17ADV

CHRIS & NAWAL

THE MOTH & THE FLAME

ARDEN PARK ROOTS

4/25 6PM $15ADV (ALL AGES)

SIR MICHAEL ROCKS ROBB BANKS, POUYA

BIG DATA

5/1 9PM $20 2014 BLUES MUSIC AWARD WINNER

JOHN NEMETH

5/01 Life in the Fastlane (Eagles Tribute)(all ages) 5/02 Andy McKee (all ages) 5/02 Killer Queens (Queen Tribute) / The Jean Genies (David Bowie Tribute)(21+) 5/03 The Beatles 1965 (all ages) 5/05 Helmet (21+) 5/07 Timothy Bloom (21+) 5/08 CIP After Party (21+) 5/09 Joseph in the Well (all ages) 5/09 Solsa (21+) 5/13 Howard Jones (21+) 5/14 Dru Hill (21+) 5/16 Strangelove 5/20 Ex Hex 5/23 Shuggie Otis 5/23 Midnight Players 5/24 Mike Love 5/30 California Honeydrops 6/04 ZOSO (Led Zeppelin Experience) 6/05 The Brothers Comatose 6/11 Hot Club of Cowtown


25SAT

25SAT

26SUN

29WED

Mr. December

The Tipsy Hustlers

Imbibed by the Quasar

Yasiin Bey

Torch Club, 9 p.m., $8

Old Ironsides, 9 p.m., $6

At first glance, Mr. December might seem  like another one in an endless stream of  bands playing a little bit of funk, a side  of rock ’n’ roll, tossed with a bit of soul  and blues. But with frontwoman Dana  Moret belting out her own take on Stevie  Wonder’s “Superstition” or vocalizing  on “Telling Lies” (one of the band’s many  originals)—backed by some serious musicians—it’s clear that Mr. December is  different. Moret’s voice ranges from sultry  jazz singer to hard-hitting blues rocker.  BLUES/FUNK Singer-songwriter  Miles Schon will join  the band for some jams. 904 15th Street,  http://mrdecembertheband.com.

—Trina L. Drotar

On the Y, 8:30 p.m., $5

If you’re in the need of some high-energy  funk and rock music with a heavy dollop of  soul, Old Ironsides should be your destinaFUNK/ROCK tion this Saturday night.  Tipsy Hustlers are led  by the multitalented Ken Rudulph on vocals  and guitar alongside longtime friend and  bassist John Mullick. They will be joined by  their former band’s guitarist, Vince Mellone  from the defunct Mama’s Gravy, and have  big plans for the night’s set list. This is also  a CD re-release show for Pressure which  was released in 2013, but now includes new  songs and special remixes. Also on the bill  are Back Alley Buzzards and Clouds Roll  By. 1901 10th Street, www.facebook.com/ TheTipsyHustlers.

Ace of Spades, 7 p.m., $39.95

Booking veteran Tanaka Leal is putting on  some high-quality metal shows around the  Sacramento area. For the price of a coffee  at Starbucks, you can catch some crazy  death metal from Imbibed By The Quasar,  which may just have the coolest band name  ever. If you’re into frenetic, fast-paced  death metal with some cool synthesizer  workouts, these five lads will take you on  a nauseating journey through time and  METAL space. If you’ve always wanted  to know what it would feel like  to be excreted and splattered into the  stratosphere aurally, you best come out  to this one. Also on the bill are Perfect  Nightmare and Bloodgeon. 670 Fulton Ave,  www.facebook.com/imbibedofficial.

—Eddie Jorgensen

—Eddie Jorgensen

Brooklyn-based rapper Yasiin Bey is a  longtime force in underground hip-hop culture. Throughout the ’90s and until recently,  Bey was known as Mos Def. He formed the  hip-hop duo Black Star with Talib Kweli,  HIP-HOP and in ’98, the two released  their debut album Mos Def &  Talib Kweli are Black Star—whose tracks  “Definition” and “Respiration” made VH1’s  100 Greatest Songs of Hip-Hop list. As Mos  Def, he’s worked with a variety of performers like Kanye West, the Roots, Gorillaz and  even French electronic dance duo Justice.  In 2011, Mos Def announced that he changed  his name to Yasiin Bey and has since performed and appeared in films under his new  identity. 1417 R Street, www.facebook.com/ MosDef.

—Steph Rodriguez

ACE OF SPADES

1417 R Street, Sacramento, 95814 www.aceofspadessac.com

ALL AGES WELCOME!

SATURDAY, MAY 9

FRIDAY, APRIL 24

BERNER

COMING

LESS THAN JAKE & REEL BIG FISH

SOON

PACIFIC DUB

05/16 FallRise

SUNDAY, MAY 10

E40

SATURDAY, APRIL 25

PARMALEE

05/17 The Waterboys 05/20 Glass Animals

STEVIE STONE – NESSASARY COOL NUTZ

WEDNESDAY, APRIL 29

YASIIN BEY AKA MOS DEF

05/29 IM5 05/30 Dokken

TUESDAY, MAY 12

SEPULTURA

DESTRUCTION – ARSIS - BORIS THE BLADE - GLUG WEDNESDAY, MAY 13

SATURDAY, MAY 2

07/07 Shovels & Rope 07/09 John Mayall

THURSDAY, MAY 14

MICKEY AVALON & DIRT NASTY

06/19 The English Beat 06/26 Robin Trower

KUNG FU VAMPIRE - DAVEY SUICIDE - DAMN DIRTY APES - KISSING CANDICE - AMERICAZ MOZT HAUNTED - JAKE THE TERRIBLE

FRIDAY, MAY 8

06/12 The Story So Far 06/20 The Original Wailers

TWIZTED

SAUL HERNANDEZ

06/05 Nico & Vinz

EARL SWEATSHIRT VINCE STAPLES - REMY BANKS

07/24 Between The Buried And Me 08/08 Echo & The Bunnymen 08/28 Moonshine Bandits

TICKETS AVAILABLE AT ALL DIMPLE RECORDS LOCATIONS AND ARMADILLO RECORDS, OR PURCHASE BY PHONE @ 916.443.9202 BEFORE

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NEWS

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F E AT U R E

STORY

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NIGHTBEAT Post your free online listing (up to 15 months early), and our editors will consider your submission for the printed calendar as well. Print listings are also free, but subject to space limitations. Online, you can include a full description of your event, a photo, and a link to your website. Go to www.newsreview.com/calendar and start posting events. Deadline for print listings is 10 days prior to the issue in which you wish the listing to appear.

SUNDAY 4/26

BILLY MANZIK, 9:30pm, no cover

DYLAN CRAWFORD, 2-5pm, no cover

BLUE LAMP

The Grind Hip-Hop Show, 8pm, $10

Reggae w/ Wokstar and guest deejays, 10pm, $5

CLIFF ’EM ALL, MAIDEN CALIFORNIA, MANITOU; 9pm, $8

BRANDY ROBINSON, GANA, ABBY NORMAL, D.U.S.T.; 8pm, $7

Open-mic, 8pm M; X METHOD, 8pm Tu, $8; CHAOS IN MIND, REMOVED; 8pm W, $5

THE BOARDWALK

THE CLASSIC CRIME, MEGOSH,

1400 Alhambra, (916) 455-3400

ALESANA, CAPTURE THE CROWN, THE BROWNING, CONQUER DIVIDE; 6pm, $13

9426 Greenback Ln., Orangevale; (916) 988-9247 HEARTS LIKE LIONS; 5:30pm, $14

CENTER FOR THE ARTS

314 W. Main St., Grass Valley; (530) 274-8384

JANIS IAN AND TOM PAXTON, 8pm, $42-$47

COUNTRY CLUB SALOON

COUSIN CRICKET, 9pm-1am, no cover

4007 Taylor Rd., Loomis; (916) 652-4007

LE VENT DU NORD, 8pm, $22-$24 Home Grown Comedy, 8-10pm, $10

THE COZMIC CAFÉ

Open-mic, 7:30pm, no cover

DISTRICT 30

DJ Project 46, 10pm, call for cover

DIVE BAR

Deuling Pianos, 9pm, no cover

FACES

Kamikaze Karaoke, 9pm-2am, no cover

Hip-hop and Top 40 Deejay dancing, 9pm, $5-$10

Hip-hop and Top 40 Deejay dancing, 9pm, $5-$10

FOX & GOOSE

JOHN GRUBER, 8pm, no cover

GUERO, GOLDEN CADILLACS; 9pm, $5

JAMBUCK, ANZAC BAND, BRIAN WATSON; 9pm, $5

Open-mic, 7:30pm M; Pub Quiz, 7pm Tu; Northern Soul and Cornhole, 8pm W

Rock On Live Band Karaoke, 10pm, no cover

DJ Adrian G, 10pm, no cover

DANGERMAKER, 10pm, no cover

DJ Larry Rodriguez, 10pm W, no cover

594 Main St., Placerville; (530) 642-8481 1016 K St., (916) 737-5770

1001 R St., (916) 443-8825

G STREET WUNDERBAR 228 G St., Davis; (530) 756-9227

CALIFORNIA CHILD, ZERO CLIENT; 7:30pm, $7 DJ Benji the Hunter and drummer Flash, 10pm, call for cover

COLLEEN HEAUSER, 9pm, no cover

HALFTIME BAR & GRILL

APPLE Z, 9pm-midnight, $5

POP FICTION, 9pm-midnight, $7

1603 J St., (916) 476-5076

5681 Lonetree Blvd., Rocklin; (916) 626-6366

DJs Oasis, Amar, Kid Vicious and Whores, 9:30pm, call for cover

DJ Solarz, 10pm, call for cover

GOLDFIELD TRADING POST

ZEPHYR & THE SUPERFRIENDS, 9pm, no cover

BILLY MANZIK, 9pm W, no cover

Dragalicious, 9pm, $5

Kamikaze Karaoke, 9pm M; Latin night, 9pm Tu, $5; DJ Alazzawi, 9pm W, $3

JARED & THE MILL, 9pm, no cover

HARLOW’S

THE J BAND, SAMBA DA TERRA, LILLA; 8pm, $8

NORA JANE STRUTHERS, 6:30pm, $12; ARDEN PARK ROOTS, 10:30pm, $10

SIR MICHAEL ROCKS, 6:30pm, $15-$50; BIG EYED FISH, 10:30pm, $12

CURREN$Y, CORNER BOY P, YOUNG RODDY, LE$; 7:30pm, $22-$27

BIG DATA, THE MOTH & THE FLAME; 6:30pm W, $17-$20

LUNA’S CAFÉ & JUICE BAR

Joe Montoya’s Poetry Unplugged, 8pm, $2

Singer-songwriter showcase w/ Howard Hall, 8pm, $5

DAVID HOUSTON & STRING THEORY, 8:30pm, $6

AMY BLACK, 7pm, $8-$10

Nebraska Mondays, 7:30pm M; Open-mic comedy, 8pm Tu; Comedy night, 8pm W, $5

MIDTOWN BARFLY

PUSH / PULL, SPANKALICIOUS, JAYTWO; 9pm, $5

That Thing on Friday, EDM, 10pm-2am, $5

NAKED LOUNGE DOWNTOWN

ELIZABETH ANNE MALL, HEATHER BECH- EARTHANCHOR, MOUTHBREATHER, TEL, JAMES LEE BAKER; 8:30pm, $5 MALLARD; 8:30pm, $5

STEVE KOTAREK, GATEKEEPERS, LUCKY LASKOWSKI AND THE LIARS; 8:30pm, $5

Jazz, 8pm M; JIMMY BOOM, KEPI GHOULIE, JESSE WAGNER; 8:30pm W, $10

OLD IRONSIDES

50 WATT HEAVY, BILLY SHADDOX, SCOTT CHARLES; 8pm, $7

THE TIPSY HUSTLERS, BACK ALLEY BUZZARDS, CLOUDS ROLL BY; 9pm, $6

Karaoke, 9pm Tu, no cover; Open-mic, 9pm W, no cover

2708 J St., (916) 441-4693 1414 16th St., (916) 441-3931 1119 21st St., (916) 549-2779 1111 H St., (916) 443-1927

1901 10th St., (916) 442-3504

SN&R READERS SAVE ON TICKETS

LAS PESADILLAS, THE PIKEYS, THE BRANGS; 9pm, no cover

RESTAURANT •• BAR BAR CLUB •• RESTAURANT COMEDY COMEDY CLUB

VOTED BEST COMEDY CLUB BY THE SACRAMENTO NEWS & REVIEW!

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LANCE WOODS AND FRIENDS WEDNESDAY 4/29

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SN&R

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04.23.15

THURSDAY APRIL 23

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MONDAY-WEDNESDAY 4/27-4/29

D.A.P, 9:30pm, no cover

2000 K St., (916) 448-7798

Want to be a hot show? Mail photos to Calendar Editor, SN&R, 1124 Del Paso Blvd., Sacramento, CA 95815 or email it to sactocalendar@ newsreview.com. Be sure to include date, time, location and cost of upcoming shows.

SATURDAY 4/25

Karaoke Night, 7:30pm, no cover

1022 K St., (916) 737-5999

Hey local bands!

FRIDAY 4/24

Trivia Night, 6:30pm M, no cover; Open-mic night, 7:30pm W, no cover

101 Main St., Roseville; (916) 774-0505

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THURSDAY 4/23

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FRIDAY 4/24

Karaoke, 9pm, no cover

670 Fulton Ave., (916) 487-3731

THE PALMS PLAYHOUSE

13 Main St., Winters; (530) 795-1825

PISTOL PETE’S

Karaoke, 9pm, no cover

140 Harrison Ave., Auburn; (530) 885-5093

THE PRESS CLUB

2030 P St., (916) 444-7914 HOT CITY, 9pm, no cover

1409 R St., (916) 231-9121

Karaoke, 9pm, no cover

Karaoke, 9pm Tu, no cover CHATHAM COUNTY LINE, 8pm W, $15

CAROL GARCIA BAND, 9pm, $5

KENNY FRYE BAND, 9pm, call for cover

Karaoke, 9pm Tu, W, no cover

SWIM, AT BOTH ENDS, BRI; 9pm, call for cover RV ROYALTY, 10pm, call for cover

SHADY LADY SALOON

MONDAY-WEDNESDAY 4/27-4/29

CRARY, EVANS, AND SPURGIN; 8pm, $20

5461 Mother Lode, Placerville; (530) 626-0336 614 Sutter St., Folsom; (916) 355-8586

SUNDAY 4/26 IMBIBED BY THE QUASAR, PERFECT NIGHTMARE, BLOODGEON; 8:30pm $5

GURF MORLIX, BLACKIE FARRELL; 8pm, $20

PJ’S ROADHOUSE

POWERHOUSE PUB

SATURDAY 4/25

SOL COLLECTIVE

LOVE FOOL, 10pm, call for cover

BROKEN STEMS, 10pm, call for cover

DELTA WIRES, 3pm, call for cover

KENNY REGO & THE LAW OF ONE BAND, MATT W. GAGE BAND, 8pm W, $5

Top 40 w/ DJ Rue, 9pm, $5

Top 40 w/ DJ Larry Rodriguez, 9pm, $5

BURNING PALMS, G. GREEN, GRILL CLOTH; 6pm; Soul Party, 9pm, $5

BOOKS ON FATE, M; ARIEL JEAN, 8pm Tu; JOHN MORELAND, 8pm W, $7

ARLYN ANDERSON, 9pm, call for cover

GOLDEN CADILLACS, 9pm, no cover

PETER PETTY, 9pm, no cover

Janis Ian and Tom Paxton 8pm Friday, $42-$47. Center for the Arts Folk

DEANZA, BANG DATA, Dj El Indio; 8pm, $10

2574 21st St., (916) 832-0916

SOPHIA’S THAI KITCHEN

BE CALM HONCHO, SUNMONKS, 9pm, call for cover

129 E St., Davis; (530) 758-4333

STARLITE LOUNGE

1517 21st St., (916) 704-0711

STONEY INN/ROCKIN’ RODEO

CROSSMAN CONNECTION, 8pm, no cover

1320 Del Paso Blvd., (916) 927-6023

SWABBIES

5871 Garden Hwy, (916) 920-8088

TORCH CLUB

X TRIO, 5pm, no cover; HARLIS SWEETWATER, 9pm, $6

904 15th St., (916) 443-2797

BREATHE OWL BREATHE, SEA OF BEES; 9:30pm, call for cover

Trivia Night, 9:30pm Tu, call for cover ; Open-mic, 8pm W, call for cover

BRUTHA SMITH, MR. HOOPER, BOOMBOX BROS; 8pm, call for cover

(16), BRAINOIL, KOWLOON WALLED CITY; 8pm, call for cover

Country dancing, 7:30pm, no cover; $5 after 8pm

Country dancing, 7:30pm, no cover; $5 after 8pm

Country dance party, 8pm, no cover

CHRIS GARDNER BAND, 6pm, call for cover

DEPARTURE, HEARTLESS, 4pm, call for cover

SAVANNAH BLUE, 3pm, $5

PAILER AND FRATIS, 5:30pm; BELLYGUN- MR. DECEMBER, MILES SCHON; NER, SOUL TRACK MIND; 9pm, $8 9pm, $8

Comedy open-mic, 8pm M; Bluebird Lounge open-mic, 5pm Tu, no cover

MICHAEL RAY, 8pm Tu, $5; Open-mic, 5:30pm W; PETER PETTY BAND, 9pm W, $5

Blues jam, 4pm, no cover

All ages, all the time KALIN AND MYLES, ANJALI, DEREK KING; 6:30pm, $25-$75

CAFÉ COLONIAL

HIDEAWAY, QUIET, VVOMEN, STOOP KIDS, LITTLE TENTS; 7pm, $8

1417 R St., (916) 448-3300 3520 Stockton Blvd., (916) 718-7055

BERNER, 7pm, $25

PARMALEE, 7pm, $22

Retrogen916 game night, 6-10pm Tu, no cover

THE COLONY

CONNOISSEUR, DEADPRESSURE, XTOMHANX, DAKHMA; 8pm, $6

SHINE

CORY BARRINGER AND THE AGNOSTIC TABERNACLE CHOIR; 8pm, $5

3512 Stockton Blvd., (916) 718-7055 1400 E St., (916) 551-1400

Print ads start at $6/wk. www.newsreview.com or (916) 498-1234 ext. 5 Phone hours: M-F 9am-5pm. All ads post online same day. Deadlines for print: Line ad deadline: Monday 4pm Adult line ad deadline: Monday 4pm Display ad deadline: Friday 2pm

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*Nominal fee for adult entertainment. All advertising is subject to the newspaper’s Standards of Acceptance. Further, the News & Review specifically reserves the right to edit, decline or properly classify any ad. Errors will be rectified by re-publication upon notification. The N&R is not responsible for error after the first publication. The N&R assumes no financial liability for errors or omission of copy. In any event, liability shall not exceed the cost of the space occupied by such an error or omission. The advertiser and not the newspaper assumes full responsibility for the truthful content of their advertising message. AIRLINE CAREERS start here - if you’re a hands on learner, you can become FAA Certified to fix jets. Job placement, financial aid if qualified. Call AIM 800-481-8389 BEWARE OF FAKE CHECK SCAMS Fake check scams are clever ploys designed to steal your money. You can avoid becoming a victim by recognizing how the scam works and understanding your responsiblity for the checks that you deposit in your account. If someone you don’t know wants to pay you by check but wants you to wire some of the money back, beware! It is a scam that could cost you thousands of dollars. For more information, go to www.fraud.org/scams. This reminder is a public service of the N&R

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When you abuse alcohol, you burden others with the responsibility of minding you. That’s unkind. It’s also childish. But drinking so much that you don’t remember what you said or did is dangerous. Alcohol is still the No. 1 date rape drug, despite the media focus on roofies, Special K, GHB or Ecstasy. Remember: Exotic and scary stories fascinate us and drive the media, but sensationalism rarely correlates to the lives of most people. Sexual assault is common, particularly among high school and college students. It only becomes news when accompanied by bizarre circumstances, like the latest date rape drug. Please be good to yourself. Don’t become a statistic. Stay in control of your senses. When you abuse alcohol, you burden others with the responsibility of minding you. That’s unkind. It’s also childish. Drinking until you are helpless inspires serious setbacks on the road to maturity. So how should you cop to your blackout? If you want an emotionally intimate relationship with this

Got a problem?

Write, email or leave a message for Joey at the News & Review. Give your name, telephone number (for verification purposes only) and question—all correspondence will be kept strictly confidential. Write Joey, 1124 Del Paso Blvd., Sacramento, CA 95815; call (916) 498-1234, ext. 3206; or email askjoey@ newsreview.com.

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Party smarter, not harder I went to a party with friends but we got separated. I ended up hanging out with some new people and drank way too much. One of the guys I was talking to helped me find the bathroom. We kinda made out while we were waiting in line. When I was leaving the bathroom, he pushed me back in. We made out some more. I don’t actually know if we had sex or not because I was so out of it. I reby Joey ga rcia ally wanted to be with him but I’m embarrassed that I don’t a skj oey @ ne wsreview.c om remember what happened. He’s been texting me to hang Joey out but I haven’t responded. I like watches The Voice just him a lot but it’s weird not knowing to see Pharrell. what happened. How do you think I should handle this? First step: Promise yourself that you will never again get so drunk that you lose contact with reality. Then, keep that promise. Hey, having a cocktail or two with friends is fun.

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Time to reschedule Last year we scored a historic victory that bans the Department of Justice from undermining state medical marijuana laws for one year. But the department recently declared that it will ignore the Congressional mandate and continue prosecuting people for medical marijuana. Do you think medical marijuana will never be safe unless we change federal law permanently? Is the CARERS Act the big chance to do it? —Lickity Split Good question. I suppose we’ll find out. The Compassionate Access, Research Expansion and Respect States Act, originally sponsored by senators Cory Booker, D-New Jersey, Rand Paul, a sk420 @ n ewsreview.c om R-Kentucky, and Kirsten Gillibrand, D-New York, is picking up steam. According to a tweet from Senator Booker (yes, Twitter is a legitimate way of gathering information, so hush), the bill now has 14 co-sponsors, seven Dems and seven Repubs. That’s pretty sweet. Not only that, this bill is really nice. The CARERS Act allows banks to handle medical cannabis money, amends the Controlled Substances Act so states can have legal medical cannabis and reschedules marijuana from Schedule I to Schedule II, meaning it would no longer be classified as a “dangerous narcotic.” I always giggle (I always giggle when calls cannabis a when someone calls someone “narcotic.”) By the way, cannabis a “narcotic.” United States District Court Judge Kimberly Mueller decided to allow cannabis to remain listed as Schedule 1 in a hearing last week. The defense’s lawyers are, of course, planning an appeal. It would probably be easier to get this bill passed. The CARERS Act would go a long way toward creating positive change. Call your representatives and senators and tell them to support this bill. Senator Barbara Boxer is already listed as a co-sponsor; can we get Senator Dianne Feinstein to come aboard? I know she hates marijuana, but maybe she could do her job and follow the will of the people just this once. Send her an email. Thank you. by NGAIO

BEALUM

I saw the stoner movie story in last week’s issue and I’m looking for some good, trippy cinema for when I’m couch locked. Got any recommendations for movies, shows or anything else? —Les Thargic I do indeed! If you want some stunning visuals, check out the film Baraka. It’s a trippy journey around the world. Curse of The Golden Flower is also visually stunning, with a great story of intrigue. And kung fu. I also really really like concert films. Dave Chappelle’s Block Party is fantastic, so are Woodstock and Stop Making Sense, which may be the best concert film of all time. Be aware: Stop Making Sense may cure your couch lock, because it’s hard not to get up and dance when the Talking Heads get into full party mode. Find this book: Reefer Movie Madness: The Ultimate Stoner Film Guide. It will help. Ω

Ngaio Bealum

is a Sacramento comedian, activist and marijuana expert. Email him questions at ask420@ newsreview.com.

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by nick MilleR

ARIES (March 21-April 19): If you’re

stumped about what present to give someone for a special occasion, you might buy him or her a gift card. It’s a piece of plastic that can be used as cash to buy stuff at a store. The problem is, a lot of people neglect to redeem their gift cards. They leave them in drawers and forget about them. Financial experts say there are currently billions of dollars going to waste on unredeemed gift cards. This is your metaphor of the moment, Aries. Are there any resources you’re not using? Any advantages you’re not capitalizing on? Any assets you’re ignoring? If so, fix the problem.

have no objection to your devoted concern (I won’t use the phrase “manic obsession”) with security and comfort. But there are rare phases in every Taurus’s life cycle when ironclad stability becomes a liability. Cruising along in a smooth groove threatens to devolve into clunking along in a gutless rut. Now is such a phase. As of this moment, it is healthy for you to seek out splashes of unpredictability. Wisdom is most likely to grow from uncertainty. Joy will emerge from an eagerness to treasure the unknown.

SCORPIO (Oct. 23-Nov. 21): It will

soon be that time when you are halfway between your last birthday and your next birthday. I invite you to make this a special occasion. Maybe you can call it your anti-birthday or unbirthday. How to celebrate? Here are some ideas: (1) imagine who you would be if you were the opposite of yourself, (2) write a list of all the qualities you don’t possess and the things you don’t need and the life you don’t want to live, (3) try to see the world through the eyes of people who are unlike you, (4) extend a warm welcome to the shadowy, unripe, marginal parts of your psyche that you have a hard time accepting, let alone loving, and (5) are there any other ways you can think of to celebrate your anti-birthday?

SAGITTARIUS (Nov. 22-Dec. 21):

As I climb the first hill along my regular hike, both sides of the path are dominated by a plant with glossy, three-lobed leaves. They’re so exuberant and cheerful, I’m tempted to caress them, even rub my face in their bright greenery. But I refrain, because they are poison oak. One touch would cause my skin to break out in an inflamed rash that would last for days. I encourage you, too, to forgo contact with any influence in your own sphere that is metaphorically equivalent to the alluring leaves of the poison oak.

GEMINI (May 21-June 20): There

may be a floodlike event that will wash away worn-out stuff you don’t need any more. There might be an earthquaketype phenomenon that only you can feel, and it might demolish one of your rotten obstacles. There could be a lucky accident that will knock you off the wrong course (which you might have thought was the right course). All in all, I suspect it will be a very successful week for benevolent forces beyond your control. How much skill do you have in the holy art of surrender?

CAPRICORN (Dec. 22-Jan. 19):

Today the French Capricorn painter Henri Matisse (1869-1954) is regarded as a foremost pioneer of modern art. Some critics say his innovative influence on painting nearly matched Picasso’s. But during the first part of the 20th century, his work often provoked controversy. When a few of his paintings appeared at a major exhibition in Chicago, for example, local art students were shocked by what they called its freakishness. They held a mock trial, convicted Matisse of artistic crimes and burned his painting Blue Nude in effigy. I don’t expect that you will face reactions quite as extreme as that in the coming weeks, Capricorn. But it will make sense to express yourself with such forceful creativity and originality that you risk inciting strong responses.

CANCER (June 21-July 22): What is

your biggest excuse? Or rather, what is your thickest, sickest, most debilitating excuse? We all have one: a reason we tell ourselves about why it’s difficult to live up to our potential; a presumed barrier that we regard as so deeply rooted that we will never be able to break its spell on us. Maybe it’s a traumatic memory. Maybe it’s a physical imperfection or a chronic fear. In accordance with the current astrological omens, Cancerian, you’d be wise to do an audit and reassessment of your own lamest excuse. I suspect you now have insight about it that you’ve never had before. I also think you have more power than usual to at least partially dismantle it.

AQUARIUS (Jan. 20-Feb. 18):

Leonardo da Vinci had skills in many fields, ranging from botany to engineering to cartography, but he is best known as a painter. And yet in his 67 years on the planet, he finished fewer than 40 paintings. He worked at a very gradual pace. The Mona Lisa took him 14 years! That’s the kind of deliberate approach I’d like to see you experiment with in the coming weeks, Aquarius. Just for a while, see what it’s like to turn down your levels of speed and intensity. Have you heard of the Slow Food Movement? Have you read Carl Honoré’s book In Praise of Slowness? Do you know about Slow Travel, Slow Media and Slow Fashion?

LEO (July 23-Aug. 22): If you were a

supporting character in a popular TV drama, the producers would be cooking up a spin-off show with you in a starring role. If you were in an indie rock band, you’d be ready to move from performing at 300-seat venues to clubs with an audience capacity of 2,000. If you have always been just an average, egocentric romantic like the rest of us, you might be on the verge of becoming a legend in your own mind—in which case it would be time to start selling T-shirts, mugs and calendars with your image on them. And even if you are none of the above, Leo, I suspect you’re ready to rise to the next level.

PISCES (Feb. 19-March 20): Modern

movies don’t scrimp on the use of the F-bomb. Actors in The Wolf of Wall Street spat it out 569 times. The word-thatrhymes-with-cluck was heard 326 times in End of Watch, while Brooklyn’s Finest racked up 270 and This Is the End erupted with an even 200. But this colorful word hasn’t always been so prominent a feature. Before 1967, no actor had ever uttered it on-screen. That year, Marianne Faithfull let it fly in the film I’ll Never Forget What’s’isname. In the coming weeks, Pisces, I invite you to break a taboo that’s maybe not as monumental as Faithfull’s quantum leap, but still fabulously fun and energizing. Be a liberator! End the repression! Release the blocked vitality!

VIRGO (Aug. 23-Sept. 22): Free at last!

Free at last! Thanks to the Lord of the Universe or the Flying Spaghetti Monster or a burst of crazy good luck, you are free at last! You are free from the burden that made you say things you didn’t mean! You are free from the seductive temptation to rent, lease or even sell your soul! Best of all, you are free from the mean little voice in your head—you know, the superstitious perfectionist that whispers weird advice based on fearful delusions! So now what will you do, my dear? You have escaped from the cramped, constricted conditions. Maybe you can escape to wide-open spaces that will unleash the hidden powers of your imagination.

LIBRA (Sept. 23-Oct. 22): “To me, there

is no greater act of courage than being the one who kisses first,” says Libra actress and activist Janeane Garofalo. I can think of other ways to measure bravery, but for your immediate future, her definition will serve just fine. Your ultimate test

BEFORE

|

NEWS

bRezsny

will be to freely give your tenderness and compassion and empathy—without any preconditions or expectations. For the sake of your own integrity and mental health, be steadfast in your intention to always strike the first blow for peace, love and understanding.

TAURUS (April 20-May 20): I usually

You can call Rob Brezsny for your Expanded Weekly Horoscope: (900) 950-7700. $1.99 per minute. Must be 18+. Touchtone phone required. Customer service (612) 373-9785. And don’t forget to check out Rob’s website at www.realastrology.com. |

F E AT U R E

PHoTo BY LAuRAn FAYnE WoRTHY

by ROb

For the week of April 23, 2015

STORY

Filming the impossible The Sacramento Kings were outta here. Seattle bound. It was over. But not really. And video director Rusty Prevatt and his team at Franklin Pictures documented it all: media frenzies, from City Hall to New York City; RV road trips; fist-bumping phone calls with Mayor Kevin Johnson and more. Say what you want about arena subsidies or Vivek Ranadive’s moves, Prevatt’s Playing To Win documentary is a heart-on-sleeve throwback to that moment when Sacramento’s sports community did something most of us thought was impossible. SN&R chatted via email with the very busy director, who often works on commercials and ad campaigns across the globe, in advance of his film’s premiere.

What one movie inspired you to be a director? I can’t point to a single movie that inspired me to want to direct, but I can quote Top Gun almost word for word. Does that count?

Sort of. The movies that inspired me growing up were movies like Tombstone, Braveheart and The Shawshank Redemption. But probably the most influential was The Matrix.

Your favorite recent TV commercial? This is an easy one. I have two favorites: the Volkswagen Darth Vader spot back in 2012 was brilliant. Perfect writing. Flawless execution. The second is the Nike 2010 World Cup ad, “Write the Future.” So much energy, such good story telling. I can watch it over and over and over.

What’s the crappiest commercial? I’ll take the Fifth on this one. There’s a bunch out there though.

Boo! What bugs you most about bad stuff? My biggest pet peeve is bad audio. What most people—even those that call themselves professionals—fail to understand is that audio is more important than video when you’re trying to communicate something to someone. Blair Witch Project is a great example of this. It was shot by what looks to be a first-grader, but the audio was done so well that nobody cared. If you were to reverse that, it wouldn’t work.

Great point. Who’s your fav director? Christopher Nolan. I love his style of nonlinear storytelling and his commitment to shooting in camera, meaning he would prefer to build an actual set, or use scaled models, than try to recreate it by shooting on green or blue and relying on CG. It’s the difference between the first Star Wars |

A RT S & C U LT U R E

trilogy and the second. There’s no contest. Nolan’s way is organic and real, and it can’t be substituted. George Lucas initially did it that way because the technology wasn’t quite there to use CG, but Nolan chooses to do it that way even now, in a time where we can do some pretty amazing things in a computer. I’m not saying I don’t like CG, but there’s a time and place. I love Toy Story, Wall-E.

If you could work with any client for a project, who and why? This is so easy, and yet so hard to answer. I’d have to go with Nike or Apple. They are both such powerhouses in our industry, willing to take risks, yet extremely thoughtful in their approach. That being said, a straight-up fun client would be Geico. Think about it: What commercial spots are most talked about around the water cooler? “Hump Daaay!”

If you weren’t a video director, what would you be? A rock star. A drummer, to be exact.

Will the Kings make the playoffs next year? Even with the somewhat rocky season we’ve had, we’re starting to show signs that we could in fact be a playoff team in the near future. Next year might be a stretch. But, hey, for the first time since [Rick] Adelman, we actually have a top-tier coach who will have the entire off-season to get the team where he wants them. It is very possible.

|

AFTER

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I see on Twitter that you are a father. What’s the best kids movie these days? Honestly, early on my wife and I made a commitment to keep our daughter, now 3, away from the TV as much as we could. But we will allow her from time to time to watch a short show on TV. There is some amazing content out there for small kids these days. Such great stories, life lessons, production value, etc. Her favorite is Doc McStuffins or Sheriff Callie’s Wild West. Honestly, I think I enjoy them as much as she does.

What’s your next project? We have several on the books right now, some of which I can’t discus. But at the beginning of last week, we shot a regional campaign for Jiffy Lube, then I hopped on a plane to New York City and produced and directed a six-day commercial shoot for a design product company named Stikwood, in collaboration with WeWork. We’re also gearing up for a huge season with Sacramento Republic FC. As I already mentioned above, we’re incredibly grateful and blessed to be doing the work that we do. We can only pray that it continues for years to come. Ω The saving-the-Sacramento Kings documentary Playing To Win premieres this Wednesday, April 29, at the Esquire IMAX Theater as part of the Sacramento Film Festival. The film will have a limited run beginning May 9 at the Esquire IMAX and the Studio Movie Grill in Rocklin. Learn more about Prevatt’s company, Franklin Pictures, at www.franklinpictures.com.

04.23.15

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