Live Artery 2023 - Studio Showings Program

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We acknowledge and pay respect to Lenape people, elders, and ancestors past, present, and coming in the future. We acknowledge Indigenous people who may be present right now. We acknowledge and offer deep gratitude to Lenapehoking where we are now - the land, and waters of the Lenape homeland.

Faye Driscoll

Weathering

JAN 13, 9PM; JAN 14, 1PM

Created by Faye Driscoll

Performed by James Barrett, Kara Brody, Miguel Alejandro Castillo, Amy Gernux, Shayla-Vie Jenkins, Jennifer Nugent, Cory Seals, Eliza Tappan, Carlo Antonio Villanueva and Jo Warren

Scenic Design by Jake Margolin and Nick Vaughan

Vocal Design by Sophia Brous and Ben Vida

Lighting Design by Amanda Ringger

Sound Design by Ryan Gamblin

Dramaturgy by Dages Juvelier Keates

Choreographic Assistant, Amy Gernux

Intimacy coordination by Yehuda Duenyas

Production stage management by Emily Vizina

FUNDING

Weathering is commissioned and produced by New York Live Arts as part of the Randjelović/Stryker Resident Commissioned Artist Program, which is made possible with lead funding from the Andrew W. Mellon Foundation and has been named for lead donors Jon Stryker and New York Live Arts board Vice-chair Slobodan Randjelović; and co-commissioned by Theater der Welt 2023 in Frankfurt – Offenbach and The Joyce Theater Foundation’s Artist Residency Center, made possible by lead funding from The Andrew W. Mellon Foundation, Howard Gilman Foundation, LuEsther T. Mertz Charitable Trust and Doris Duke Charitable Foundation. Additional commissioning support provided by Wexner Center for the Arts and members of Faye Driscoll’s Commissioners Circle.

Weathering is made possible with generous support from New York State Council on the Arts, Café Royal Cultural Foundation and NYC Department of Cultural Affairs, and developed with residency support from Carolina Performing Arts at University of North Carolina at Chapel Hill, Maggie Allesee National Center for Choreography at Florida State University, Pillow Lab at Jacob’s Pillow, and Dancers’ Workshop.

BIOGRAPHY

Faye Driscoll is a Doris Duke Award-winning performance maker who has been hailed as a “startlingly original talent” by The New York Times and “a postmillenium postmodern wild woman” by The Village Voice. She is the 2021-2022 Randjelovic/Stryker Resident Commissioned Artist at New York Live Arts, and is the recipient of a Guggenheim fellowship, a Bessie award and the Jacob’s Pillow Artist Award among many others. Her work has been presented at Wexner Center for the Arts, Walker Art Center, ICA/ Boston, MCA Chicago and BAM, and internationally at Tanz im August, Kunstenfestivaldesarts, La Biennale di Venezia, Festival d’Automne à Paris, Melbourne Festival, Belfast International Arts Festival, Onassis Cultural Centre in Athens and Centro de Arte Experimental in Buenos Aires. Her newest work Calving (2022) premiered at Theater Bremen (Bremen, Germany). In 2020, her first-ever solo exhibition, Come On In, opened at Walker Art Center and then went on to Portland Institute for Contemporary Art and On the

Boards offering gallery-goers an experience of six distinct audioguided experiences called Guided Choreographies for the Living and the Dead.

Weathering, photo by Maria Baranova

FUNDING

Touch of RED is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Jacob’s Pillow, YoungArts, Miami Light Project, UCLA’s Center for the Art of Performance, New York Live Arts’ Live Feed Residency program, supported in part by Rockefeller Brothers Fund and Partners for New Performance, Museum of Contemporary Art Chicago and NPN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Mellon Foundation, Office of Cultural Affairs, and the National Endowment for the Arts (a federal agency). Touch of RED is also made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and the Mellon Foundation; developmental support and the world premiere presentation is made possible by co-presenters Massachusetts Museum of Contemporary Art (MASS MoCA) and Jacob’s Pillow. We would also like to thank the Consulate General of Israel in New York, Trust for Mutual Understanding, GIBNEY, The Harkness Foundation for Dance, and Artis. Bubble residency guidance provided by Duke Dang and medical consultant Dr. Wendy Ziecheck. For more information: npnweb.org

Additional TRIBE commissioning, development and core operating support is provided by the Mellon Foundation; Arison Arts Foundation; the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation; The Howard Gilman Foundation; Dance/NYC’s Dance Advancement Fund, made possible by the Howard Gilman Foundation and Ford Foundation; 92Y Harkness Dance Center; National Performance Network (NPN) Creation, Development & Artist Engagement Fund Project. The Creation, Development & Artist Engagement Fund is supported by the Doris Duke Charitable Foundation, the Mellon Foundation, and the National Endowment for the Arts (a federal agency); New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

BIOGRAPHY

TRIBE is a Brooklyn/NYC based arts collective dedicated to creating, developing and sharing original multidisciplinary art projects. Understanding that performance art and live art are practices of human connection, TRIBE acts nationally and internationally by developing art exchanges and performances in collaboration with institutions and artists, with a focus on the African diaspora.

With artistic direction by Shamel Pitts (2020 Guggenheim Choreography Fellow), TRIBE was created in the end of 2019 with the dream to soon become a synonym of artistic experiences that connects gifted individuals in our present era to re-imagine and cultivate an alternative collective future.

Touch of RED, photo by Alex Apt

UnFiNiShEd aNiMaL

JAN 14, 8PM

Choreographer/Video Designer/Costume Designer/Vocal Artist: MX Oops

Virtual Reality by Eva Davidova

Choreography/Costume Design/Performed by NARCISSITER

Choreography/Performed by Jason A. Rodriguez Costume Design by Jivomir Domoustchiev

Music Composed and Performed by TR!GGERED Animation by TR!GGERED

Vocals and Music Composed by STEFA*

FUNDING

The Live Feed Residency program is supported in part by Rockefeller Brothers Fund and Partners for New Performance.

UnFiNiShEd aNiMaL is a National Performance Network (NPN) Creation & Development Fund Project cocommissioned by Dance Place, The Clarice Smith Performing Arts Center, 651 Arts, New York Live Arts, and NPN. The Creation & Development Fund is supported by the Doris Duke Charitable Foundation, the Mellon Foundation, and the National Endowment for the Arts (a federal agency). For more information: www.npnweb.org

BIOGRAPHY

MX Oops is a multimedia performance artist and educator whose work centers hybridity, encouraging ecstatic disobedience as a path toward embodied wellness. Their work is NYC-based and explores the nightclub as a queer site of transnational Afro-diasporic imagining. MX works in a range of mediums including dance, video design, new media sculpture, costume, rap, and guided meditation. They are the creative director of transmedia production company, Complex Stability, exploring queer mysticism through crude metaphysics. MX is a 20212022 CultureHub Experiments in Digital Storytelling Mentor and Researcher, and Assistant Professor teaching in Lehman College’s Dance (BA) and Multimedia Performing Arts (BFA) Programs.

[NONFATAL_ERROR] is a multimedia ensemble of artists engaged in collaborative worldbuilding. Ensemble members work in dance, new media, interactive video projection

design, sound design, rap, singing, costume, fashion, sculpture and more. These mediums come together to welcome party people into a lush world of queer becoming.

JAN 15, 1PM

Music: Rose Rhythm by Doudou N’Diaye Rose, Vibrations rituelles & Magie ethnique by African Music Drums Collection, Mountain Love Dance by Jack DeJohnette & Foday Musa Suso

Costume designers: Zinda Willams (US) and Ben Isac/Black (BF) Co-production / logistic support: New York Live Arts

FUNDING

The Live Feed Residency program is supported in part by Rockefeller Brothers Fund and Partners for New Performance.

Lacina Coulibaly was born in Ouagadougou, Burkina Faso. His professional dance career, deeply rooted in traditional dance, later merged with contemporary influences to create a uniquely choreographic expression. Lacina began his studies of contemporary conception with the choreographer Lassann Congo (studied at the acclaimed Mudras-Afrique, Senegal). In 1995, Lacina created the Cie Kongo Bâ Teria with Souleymane Badolo and Ousseni Sako. Their creations, Frères sans stèles (1999), Vin Nem (2001) et Hydou Bye (2004) toured the world and won international awards, including the award of 3rd place at SANGA, les Rencontres Choréographiques for Vin Nem (2001) which toured more than 30 cities in Europe and throughout the US on the Movement (R) Evolution tour. The documentary film Movement (R)Evolution Africa (2007), available from Documentary Educational Resources (der.org). He has danced with other international dance companies, such as Salia ni Seydou, Faso Danse Theatre,

and Urban Bush Woman. He has conducted major residencies in American universities, UF 2010/’12, Brown University 2015, performance projects at SLC 2016, and Barnard College 2018. He also set a piece for Memphis Ballet in collaboration with Emily Coates. In Dec 2019 he created a performance for the opening ceremony of the festival Dialogue de Corps and presented his work “Sen Koro la”, an evocation of the sacrality of the Mask. His unique blend of traditional and modern influences results in dynamic intellectual and artistic processes that intrigue and inspire young artists, and audiences. He also set Sigini an analytical approach that emerged from learning, practicing and studying Dance in African and particularly in the West. A pedagogical approach that establishes three principles to design, sculpture, write movement through dance. He is currently guest lecturer at Yale University and Sarah Lawrence College.

jumatatu m. poe transitions into terrestrial

JAN 15, 3PM

Presentation by jumatatu m. poe

Managing Producer: Marýa Wethers

FUNDING

terrestrial is supported in part by New York Live Arts’ Live Feed Residency program, supported in part by Rockefeller Brothers Fund and Partners for New Performance. terrestrial is a Creative Capital Project, has received support from the MAP Fund, and was developed in partnership with Princeton University’s Lewis Center for the Arts’ Caroline Hearst Choreographer-In-Residence Program.

BIOGRAPHY

jumatatu m. poe: I am a choreographer and performer based between land of the Tutelo-Saponi speaking peoples (Durham) and lands of the Lenape peoples (Philadelphia) who grew up dancing around the living room and at parties with my siblings and cousins. My early exposure to concert dance was through African dance and capoeira performances on California college campuses where my PanAfricanist parents studied and worked, but I did not start “formal” dance training until college with Umfundalai, Kariamu Welsh’s contemporary African dance technique. My work continues to be influenced by various sources, including my foundations in those living rooms and parties, my early technical training in contemporary African dance, my continued study of contemporary dance and performance, my movement trainings with dancer and anatomist Irene Dowd around anatomy and proprioception, my sociological research of and technical training in J-sette performance with Donte Beacham. Through my artistic work, I strive to engage

in and further dialogues with Black queer folks, create lovingly agitating performance work that recognizes History as only one option for the contextualization of the present, and continue to encourage artists to understand themselves as part of a larger community of workers who are imagining pathways toward economic ecosystems that prioritize care, interdependence, and delight.

Vanessa Anspaugh mourning after mornings

JAN 15, 6PM

Created by Vanessa Anspaugh in collaboration with the performers

Performed by Anna Azrieli, Becky Serrell-Cyr, maura nguyễn donohue, Laura Osterhaus Rosenstone, Jo Warren, C Green, Pia, Umechi Born, Amelia Koper Heintzelman & Leah Fournier Sound Design by Vanessa Anspaugh & Soraya Odishoo with original compositions by Leslie Allison & Guillermo Galindo Leslie Allison for Claps, Rock the Baby & Harp Howl Scene 19 composed by & Guillermo Galindo courtesy of artist

Additional sounds by What Cheer Brigade, Lean Year, OKRAA, Sarah Devachi & Emilie Mosseri

Lighting & Scenographic Design by Kathy Couch Costume Design by Becky Serrell Cyr (with an original Fringe piece by Jess Feury)

FUNDING

The work is supported in part by Dance NYC’s Coronavirus Dance Relief Fund: New York State Edition, made possible by the New York State Council on the Arts; and New York Live Arts Live Feed Residency program, supported in part by Rockefeller Brothers Fund and Partners for New Performance.

BIOGRAPHY

Vanessa Anspaugh is a choreographer/performance based artist. Born and raised in Los Angeles, CA amongst an eclectic family of artists Anspaugh relocated to New York where she spent the better part of the last two decades. She is a recent Bessie nominee for Most Outstanding Production (The End of Men) as well as a NEFA NDP (National Dance Project) 2020 grant finalist for her latest work in process, Mournings. Her work has been commissioned and presented by, The Joyce Theater, New York Live Arts, Danspace Project, DTW, The Sculpture Center, The Kitchen, The Rubin Museum, The River to River Festival, The Hessel Museum among others. Her work has toured to Bard College, AUNTS, The Bates Dance Festival, The Cowles Center in Minneapolis, Colby College, Highways and Pieter in Los Angeles, Studio 303 in Montreal and Space Gallery in Portland Maine. She has had a number of creative residencies supported by, Brooklyn Arts Exchange, CPR, Abrons Art Center, DTW, Kaatsbaan Center for the Arts, Bard College among

others…In 2013 beloved dance champion Sam Miller invited her to join the first cohort of the LMCC Extended Life Artist Grantee & Residency program where she worked closely with mentor Jennifer Monson. As a performer Anspaugh has worked for Taylor Mac, Faye Driscoll, Aretha Aoki, Juliette Mapp, Robbinschilds, and more. She was a collaborating member and performer with MGM GRAND (Modern Garage Movement) with Jmy Leary and Biba Bell with whom she toured the western US Coast line. Her work has been written about in multiple periodicals such as The New York Times, The New Yorker, Art Forum, The Brooklyn Rail, The Movement Research Journal, and academic journals such as the upcoming piece on The End of Men, by academic Mirium Felton-Dansky in the May 2020 issue of Theatre Survey. Over the last three years Anspaugh has been a visiting teaching artist at Bowdoin, Colby and Bates Colleges near Portland, Maine. There, she finds inspiration from the wild coastal landscape that feels familiar to her California home-land.

Created and performed by Holland Andrews

BIOGRAPHY

Holland Andrews (they/ them) is an American vocalist, composer, and performance artist whose work focuses on the abstraction of operatic and extended-technique voice to build soundscapes encompassing both catharsis and dissonance. Frequently highlighting themes surrounding vulnerability and healing, Andrews arranges music for voice, clarinet, and electronics. Andrews harnesses these instruments’ innate qualities of power and elegance to serve as a cohesive vessel for these themes. As a vocalist, their influences stem from a dynamic range including contemporary opera, theater, and jazz, while also cultivating their own unique vocal style which integrates these influences with language disintegration and vocal distortion. Andrews previously performed solo music under the stage name Like a Villain.

In addition to creating solo work, Andrews develops and performs soundscapes for dance, theater, and film, and their work is still toured nationally and internationally with artists

such as Bill T. Jones, Dorothee Munyaneza, Will Rawls, and poet Demian Dinéyazhi. Notable musical collaborations have been with composers and artists such as Son Lux, Christina Vantzou, William Brittelle, Peter Broderick, and is one of the first artist on releasing on the label Leiter, a Berlin-based record label spearheaded by composer, Nils Frahm. Andrews has gained recognition from publications such as The Wire, The New York Times, Electronic Sound, Uncut Magazine, Le Monde, and BBC Radio. Holland Andrews is currently based in Brooklyn, New York. In addition to creating solo work, Andrews develops and performs the soundscapes for dance, theater, and film, and whose work is still toured nationally and internationally. Andrews has gained recognition from publications such as The Wire, The New York Times, Uncut Magazine, BBC Radio, and more. Holland Andrews is currently based in New York City.

Kyle Marshall Choreography

Onyx

JAN 16, 1PM

Artistic Direction, Choreography by Kyle Marshall

Performed by Bree Breeden, Cayleen Del Rosario, Niara Hardister, Kyle Marshall, Nik Owens

Sound Collaborator: Kwami Winfield

Visual Director - Makeup, Hair & Costume Design: Edo Tastic Lighting Design by Itohan Edoloyi

Costume Construction by Meagan Woods Company Manager: Madalyn Rupprecht

FUNDING

Onyx is co-commissioned by The Joyce Theater Foundation’s Creative Residencies Program made possible by the Mellon Foundation and American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Works. Additional support from the Mid Atlantic Arts Foundation ArtsCONNECT Grant. Initial research was supported by a 2021 Caroline A. Hearst Choreography Fellowship from Princeton University. Special thanks to Ariana Speight for their contributions to the work. Gratitude goes to the Monira Foundation at MANA Contemporary and The Center for Ballet and the Arts at NYU for generous residency time to build the work.

BIOGRAPHY

Kyle Marshall Choreography (KMC) sees the dancing body as a container of history, an igniter of social reform and a site of celebration. Since its founding in 2014, KMC has performed at venues including: Chelsea Factory, BAM Next Wave Festival, Jacob’s Pillow Inside/ Out, FringeArts (Philadelphia), Joe’s Pub, The Shed, Roulette, Abrons Arts Center, New World Symphony (Miami) and Actors Fund Arts Center. Commissions have included: Baryshnikov Arts Center, “Dance on the Lawn” Montclair Dance Festival, ADF and Harlem Stage. Residencies have included: Bethany Arts Community, MANA Contemporary, and the 92nd st Y. The company regularly engages in educational and repertory workshops in high school and colleges throughout the region including; Bloomfield College, Trenton Central High School, County Prep High School and Sarah Lawerence College.

Director Kyle Marshall received a 2018 Juried Bessie Award and a 2020 Dance Magazine Harkness Promise Award. Kyle

has also received choreographic fellowships from Princeton University and the Center for Ballet and the Arts. Kyle currently holds an adjunct position at NYU’s Open Arts Program. He is a former member of the Trisha Brown Dance Company and a graduate of Rutgers University with a BFA in Dance.

Pearlyn Lii Reverb, A Genetic Opera

JAN 16, 3PM

Created by Pearlyn Lii

Concept by Pearlyn Lii & Connie Bakshi

Pearlyn Lii’s Genetic Opera

Emma Goldberg Liu, Soprano in the role of Ān the Guide

Alex Darby, Project Director

Kyle Chang, Creative Sound & Mastering Ji Won Choi, Costuming

Reverb: Episode 1

Michelle Millar Fisher as herself

Emma Goldberg Liu Soprano in the role of Ān the Guide

Directed by Tatyana Kim

Produced by Alex Darby

Screenplay by Pearlyn Lii, Alex Darby & Michelle Millar Fisher

Cinematographer Huy Dang

Art Direction by Pearlyn Lii & Alex Darby

Costume Design by Ji Won Choi

Edited by Greg Truono

Creative Sound & Mastering by Kyle Chang

Graphic Design by Angela Bac & Jeane Kim Gaffer and Key Grip Jon-Luke Fillippi

BIOGRAPHY

Pearlyn Lii is an artist, designer, and creative director from Hong Kong whose work examines narratives about identity through performances and installations. She crafts surreal stories and investigates archetypes— often merging physical and sensory experience with digital, typographic, and code-based media. Her narratives are often inspired by mythology, lore, and magical realism.

She is the founder of nonstudio, an art and design practice that investigates mythologies through transmedia. Her work has been recognized by Dezeen, Vogue Italia, Wallpaper*, Forbes, Art in America, and the Society for Experiential Graphic Design (SEGD). In 2020, Foundation invited her to be one of the first 24 artists to launch the 2.0 version of the platform.

She is an alumna of NEW INC’s Art+Code track, a cohort of artists supported by The New Museum’s partnership with Rhizome.

Netta Yerushalmy Movement

JAN 16, 6PM

A new work by Netta Yerushalmy

Created with and performed by Burr Johnson, Catie Leasca, Christopher Ralph, Caitlin Scranton, Jin Ju Song-Begin, Hsiao-Jou Tang, Khalifa Babacar Top

Original Music by Paula Matthusen

Dramaturgy: Katherine Profeta

Lighting Design by Tuçe Yasak

Costumes by Magdalena Jarkowiec

Stage Management: Amanda Eno

Produced with Miranda Wright, Los Angeles Performance Practice

FUNDING

MOVEMENT is co-commissioned by PEAK Performances at Montclair State (NJ). This project was created, in part, at The Yard, an artist residency and performance center dedicated to contemporary dance and related arts, with additional development support from a New York City Center Choreography Fellowship, Dance Initiative, Miami Light Project, Lower Manhattan Cultural Council, and the Maggie Allesee National Center for Choreography (MANCC). Support for MOVEMENT came from DanceNYC, New Music USA, NYSCA, The O’Donnell-Green Music and Dance Foundation, Harkness Foundation, and Foundation for Contemporary Arts Emergency Grant.

MOVEMENT was developed in residence at the Alexander Kasser Theater, Montclair State University.

Produced for Broadcast and Online Streaming by Montclair State University (NJ) for PEAK Performances.

MOVEMENT is produced by and managed with Los Angeles Performance Practice / performancepractice.org

Netta Yerushalmy is an award winning choreographer and performer originally from Galilee, Israel. Based in New York City since 2000, her work aims to engage with audiences by imparting the sensation of things as they are perceived, not as they are known, and to challenge how meaning is attributed and constructed.

Most recently recognized with a 2022 United States Artists Fellowship, Netta has also been awarded a Guggenheim Fellowship, Princeton Arts Fellowship, Research Fellowship from New York Public Library for the Performing Arts, Toulmin Fellowship for Women Leaders in Dance at the Center for Ballet and the Arts at New York University, New York City Center Choreography Fellowship, Jerome Robbins Bogliasco Fellowship, Foundation for Contemporary Arts Grants-toArtists Award, National Dance Project Grant, LMCC’s Extended Life, Six Points Fellowship, and a New York Foundation for the Arts Fellowship.

Her work has been commissioned and presented by venues such as Jacob’s Pillow Dance Festival, Joyce Theater, American Dance Festival, New York Live Arts, Danspace Project, HAU Hebbel am Ufer (Berlin), Bates Dance Festival, Wexner Center for the Arts, Guggenheim Museum, Center for the Arts/Wesleyan University, NYU’s Skirball / Cunningham Centennial, La Mama, River to River Festival, International Dance (Jerusalem), Alvin Ailey American Dance Theater Foundation, ‘62 Center for the Arts/Williams College, ODC & Bridge Project, and Suzanne Dellal Center for Dance (Tel Aviv).

She has received development support through the Baryshnikov Arts Center, Watermill Center, National Center for Choreography/Akron, the Yard, Maggie Allesee National Center for Choreography, Djerassi Arts Program, Movement Research, Gibney’s DiP, and Trinity College.

Netta works across genres and disciplines: she contributed to sculptor Josiah McElheny’s

Prismatic Park at Madison Square Park, choreographed a Red Hot Chili Peppers music video, worked with cellist Maya Beiser and composer Julia Wolfe on Spinning (PEAK Performances, 2019), and collaborated on evenings of theory and performance at the Institute for Cultural Inquiry (ICI Berlin).

As guest artist and visiting faculty, Netta has created works with repertory companies and students nationwide at Princeton University, Philadelphia’s University of the Arts, RirieWoodbury Dance Company, Juilliard School, NYU Tisch School of the Arts, Rutgers University, Peridance Ensemble, University of Utah, Zenon Dance Company, American Dance Festival, Alvin Ailey School, SUNY Brockport, University of Texas at Austin, James Madison University, Long Island University, UNC Charlotte, Roger Williams University, and The Maslool conservatory.

As a performer, Netta has worked with Pam Tanowitz Dance (New Work for Goldberg Variation, PEAK 2017), Doug Varone and Dancers, Joanna Kotze, Karinne Keithley, Nancy Bannon, Mark

Jarecki, and the Metropolitan Opera Ballet. Netta received a BFA in Dance with Honors from NYU’s Tisch School of the Arts, where she is currently guest faculty in the department of dance.

LIVE ARTS CONTRIBUTORS

New York Live Arts is deeply grateful to all the individuals listed below for their vital gifts to New York Live Arts over the last year:

$1MM and higher

Slobodan Randjelović & Jon Stryker

$500,000-$999,999

Anonymous

$100,000-$499,999

Anonymous

Eleanor Friedman

Ruth & Stephen Hendel

Alex Katz Foundation

Ellen M. Poss

Jane Bovingdon Semel & Terry Semel | Semel Charitable Foundation

$50,000 - $99,999

Jody & John Arnhold | Arnhold Foundation

Lorraine Gallard & Richard Levy

Helen & Peter Haje

Suzanne Karpas Barbara & Alan D. Marks Matthew Putman

$25,000 - $49,999

Ylva Cavalli-Björkman & Willard Ahdritz

David Dechman & Michel Mercure

Zoe Eskin

Adam Flatto

Agnes Gund

Michael P.N.A. Hormel in memory of Linda Grass Shapiro Charla Jones

Colleen Keegan Darnell L. Moore

Amy Newman & Bud Shulman

Alanna Rutherford

Jennifer & Jonathan Soros

Starry Night Fund at The Chicago Community Foundation Diana Wege | Wege Foundation

$10,000 - $24,999

Caroline & Paul Cronson

Claire Danes & Hugh Dancy

Alexes Hazen

Julie Orlando

Andrea Rosen

Nina & Gabriel Stricker

Pat Stryker

$5,000 - $9,999

Patricia Blanchet | Ed Bradley Family Foundation

Paula Cooper & Jack Macrae

Joan Davidson

Anne Delaney

Laura & Richard Hunt

Glenn Ligon

Jeffrey B. & Wendy Liszt

Robert Longo

Margaret Morton Jeffrey Schneider

Melissa Schiff Soros

Cindy Sherman Catharine R. Stimpson

Kristalina & Jack Taylor Billie Tsien & Tod Williams Steve Wilson

$1,000 - $4,999

Derrick Adams

Rosio Alvarez & Jennifer Brody

Anonymous Alberta Arthurs

The Brant Foundation, Inc.

Jill Brienza

Catherine & Paul Buttenwieser

Reggie Browne

Carmine Boccuzzi

Rose C. Cali in Memory of John J. Cali Jeannie Colbert

Joan Davidson

Lil & Jim DeMarse

Beth Rudin DeWoody

Dobkin Family Foundation

Margaret Doyle

Terence Dougherty & Pierre Duleyrie

Gina Duncan

Nancy & Stephen Gabriel Mimi Garrard

Michael & Deborah Goldberg

Thomas & Barbara Gottschalk

Deborah Hellman & Derek Brown

Tom Hennes

Jenny Holzer

Scott Hudziak

Joanie Johnson

Judy Johnson

The Joyce Theater Foundation Emil Kang Amir Karby

Hedy Klineman

Oscar Mack

Nancy Meyer & Marc Weiss

Susan Micari

Linda Murray

Wangechi Mutu

Samira Nasr

Richard Plepler

Randy Polumbo | Plant Construction

Margaret Selby

Jeffrey Seller

Céline Semaan & Colin Vernon

Caroline Shapiro & Peter Frey

Shinique Smith

Temple St. Clair & Paul Engler

The Susan Stein Shiva Foundation

Mickalene Thomas

Robyn Trani

JP Versace

James J. Williams, III

Jacqueline Woodson Timothy Wu & Eric Murphy

$500 - $999

Stewart Adelson

Mary Ann Ashley

Arthur Aviles

Carol Bryce-Buchanan

John Fitzgibbon

William Floyd

Jeremy Henderson

Karen B. Hopkins

Brinton T. & Francis C. Parson, Jr

Robert Ross

John Sansone

Ellynne Skove

Deborah Swiderski Wade Turnbull Gilbert Williams

Gifts and commitments between 7/1/2021-6/30/2022

Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, The Brant Foundation, Inc., Joseph and Joan Cullman Foundation for the Arts, Dance/ NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Samuel M. Levy Family Foundation, The John D. and Catherine T. MacArthur Foundation, The Andrew W. Mellon Foundation, National Performance Network, New England Foundation for the Arts, NYC COVID-19 Response & Impact Fund in the New York Community Trust, One World Fund, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Stavros Niarchos Foundation, Tides Foundation

Corporate support for New York Live Arts includes Con Edison, Google, Tito’s Handmade Vodka.

Public support for New York Live Arts is from Humanities New York, National Endowment for the Arts, New York City Department of Correction, New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts.

Board of Directors

Stephen Hendel Co-Chair

Richard H. Levy Co-Chair

Helen Haje Vice Chair

Slobodan RandjeloviĆ Vice Chair

Alan Marks Treasurer Bill T. Jones

Artistic Director Ex-Officio Kim Cullen

Chief Executive Officer Ex-Officio

Bjorn Amelan

Willard Ahdritz

Sarah Arison

Aimee Meredith Cox

LaToya Ruby Frazier

Charla Jones

Colleen Keegan

Darnell L. Moore

Amy Newman Randy Polumbo

Ellen M. Poss Matthew Putman

Jane Bovingdon Semel Ruby Shang Catharine R. Stimpson

Board Emeritus

Derek Brown

Terence Dougherty Eleanor Friedman Advisory Council