BTEC FIRST DIPLOMA MEDIA PRODUCTION COURSE HANDBOOK - 2009/2010
CONTENTS 1: Introduction 2/3: The Course 4/5: Tutorial Schedule 6/7: The Qualification 8/9: Assignment Schedule 10: Teaching Staff 11/12/13: Useful Resources
INTRODUCTION Welcome to the BTEC First Diploma in Media Production. This course is dramatically more than making a quick film, it is about being passionate, committed and inspired to push the limits of what is possible. Media Production is about communication. It is a response to a brief. It is a process of exploration and development of ideas. It is film-making, motion graphics, photography, spoken word, graphic design, interactive design, advertising, the Internet, computer games, virtual worlds‌ the list continues to expand as technology pushes forward at an astonishing rate.
It is frequently praised and often condemned. Knowledge of the media and how it works is essential for every individual who wishes to participate in contemporary social and political life. In choosing this course we hope you will not only develop your understanding of the media but also take the first steps in becoming skilled practitioners in media production. If you want to be a film or TV director, sound recordist, cameraperson, journalist, producer, video editor, advertising copywriter, write screenplays, work in music video production, present TV shows – then this is the course for you. This handbook gives you information that we hope you will find useful and provides an introduction to the philosophy and structure of your studies. We hope you will enjoy your time with us and we look forward to working with you here at Guernsey College.
ONE
THE COURSE The BTEC First Diploma in Media Production is a one year full time course equivalent to four GCSE’s. It is designed to equip students with the knowledge, skills and understanding required for success in current and future employment in the media industry or allied sectors or for progression to courses such as National Diplomas, Higher Nationals or Degrees in Media. Overall, you will learn about media institutions, the future of the media, television, film and video both from a theoretical and practical aspect.
You will have access to a range of
VISITS
FACILITIES
professional digital video cameras,
We continually strive to ensure
To help you successfully complete
non-linear editing facilities and a
students gain industry experience
your qualification, the following
range of outside producers to help
through visits planned throughout
resources are available;
you build your media experiences.
the year. These include visits to
You will be given assignments designed to achieve clear learning outcomes, which are graded at Pass, Merit or Distinction level.
local media industry professionals such as CITV and BBC and planned trips to Bristol, London, France and Southampton.
A purpose built, professional standard Avid/Final Cut Mac editing suite. Professional design and multi-media Mac suite
These assignments are related to
END OF YEAR SHOW
specific professional related work
In recognition of your dedication
A multi purpose audio and visual
situations or activities and provide
and creativity, the the best work
recording studio
opportunities for teamwork and in-
produced throughout the year is
depth study.
showcased to an invited audience of industry professionals, family and friends at the end of year show, which takes place at the Performing Arts Centre.
HD projector and large cinema screen for film viewings Professional video cameras Professional sound recording equipment Digital still cameras A large selection of media books and DVD’s
TWO
TIMETABLES
ATTENDANCE
The academic year for this course
We regard attendance as a critical
is 44 weeks including an induction
indicator of your interest in the
week. You will have private study
course and your commitment to
time where you are expected to
it. If you are unable to attend for
work at the College on the various
any reason, you must contact
assignments that form the course.
the staff as soon as possible. You
Specialist areas such as the Mac
need 80% attendance to pass the
editing suite and the use of video
course. Constant lateness will not
and stills cameras will be available
be tolerated. Persistent offenders
to book during your timetabled
will receive warnings and then be
sessions.
removed from the course.
THREE
TUTORIAL SCHEDULE It is impossible to understand social and cultural changes without a knowledge of the workings of the media. MARSHAL MCLUHAN
SEP/OCT 09
NOV/DEC 09
JAN/FEB 10
WEEK 1. Induction - Course and
WEEK 1. Personal Tutorials - Target
WEEK 1. Personal Tutorials - Target
College documentation.
setting interviews
setting interviews
WEEK 2. Group tutorial - Learning
WEEK 2. Personal Tutorials - Target
WEEK 2. Personal Tutorials - Target
plan
setting interviews
setting interviews
WEEK 3. Group tutorial - Progress
WEEK 3. Personal Tutorials - Target
WEEK 3. Personal Tutorials - Target
files & assessment structure
setting interviews
setting interviews
WEEK 4. Group tutorials - study skills
WEEK 4. Personal Tutorials - Target
WEEK 4. Personal Tutorials - Target
setting interviews
setting interviews
WEEK 5.Personal Tutorials - Target
WEEK 5.Personal Tutorials - Target
setting interviews
setting interviews
WEEK 6. Personal Tutorials - Target
WEEK 6. Personal Tutorials - Target
setting interviews
setting interviews
WEEK 7. Group tutorials
HALF TERM
WEEK 5. Group tutorials - Student services video WEEK 6. Group tutorials WEEK 7. Group tutorials WEEK 8. Group tutorials HALF TERM
FOUR
CHRISTMAS HOLIDAY
FEB/MAR 10
APR/MAY 10
JUN/JUL 10
WEEK 1. Group Tutorials - Career &
WEEK 1. Personal Tutorials - Target
WEEK 1. End of year progress review
Educational options review
setting interviews
WEEK 2. Personal Tutorials - Target
WEEK 2. Personal Tutorials - Target
setting interviews
setting interviews
WEEK 3. Personal Tutorials - Target
WEEK 3. Personal Tutorials - Target
setting interviews
setting interviews
WEEK 5.End of year progress review
WEEK 4. Personal Tutorials - Target
WEEK 4. Personal Tutorials - Target
WEEK 6. End of year progress review
setting interviews
setting interviews
WEEK 5. End of term reviews
WEEK 5.Personal Tutorials - Target
WEEK 6. End of term reviews EASTER HOLIDAY
WEEK 2. End of year progress review WEEK 3. End of year progress review WEEK 4. End of year progress review
SUMMER HOLIDAY
setting interviews WEEK 6. Personal Tutorials - Target setting interviews HALF TERM
FIVE
THE QUALIFICATION Edexcel BTEC First Diplomas provide: A nationally recognised qualification with detailed standards for centres, students and employers.Guidance to aid centres with their own quality assurance procedures. A focus on independent learning and practical knowledge and skills. A common core of study with related pathways that can lead students into employment, professional or academic progression. A modular approach that allows the aspirations of different students to be met. Students may complete single units, several or complete programmes.
The Edexcel BTEC First Diploma
skills gained in different parts of the
You will attain grades in these
in Media is designed to meet the
programme.
modules as the course progresses
following aims;
To develop a range of skills and
To provide an educational
techniques, personal qualities and
foundation careers in the media
attitudes essential for successful
industry.
performance in working life.
To provide specialised studies
QUALIFICATION STRUCTURE
relevant to the vocations and
The course is made up of 7 units,
professions in which students
three core units and four specialist
are working or intend to seek
units.
employment.
THREE CORE UNITS
To enable students to make
Introduction to Media Industries
an immediate contribution in
Research for Media Production
employment.
Introduction to Media Industries and
To provide flexibility, knowledge,
Products
skills and motivation as a basis
FOUR SPECIALIST UNITS
for future studies and career
Video Production
development.
Animation Techniques
To develop student’s ability in media through effective use and combination of the knowledge and
SIX
Interactive Media Production Media Production Project
so you are aware of your grades. All units are to be completed by 10th June 2010 ASSIGNMENT GRADING STRUCTURE Each assignment and unit will be graded as a Pass, Merit or Distinction. A pass is awarded for the achievement of all outcomes against specified assessment criteria. Merit and distinction grades are awarded for higher-level achievement. Please see following for a description of each assessment grading criteria. PASS To achieve a pass the student must meet all the requirements defined in the criteria for each unit.
MERIT
ASSIGNMENT GUIDANCE
To achieve a merit, the student
You must hand in assignments on
must; Review and respond to a
or before the deadline shown on the
variety of information. Demonstrate
assignment. A pass is the highest
skill and understanding through
grade that can be awarded for work
analysing and applying knowledge.
handed in after the deadline date.
Choose an appropriate format to present work coherently, using vocational language accurately.
If a student is aware of any problems which will prevent the assignment being handed in on or before the
DISTINCTION
dead line this should be raised by
To achieve a distinction, the student
the student with the assessing tutor
must; Check validity in evaluating
and an extension to the deadline
and responding appropriately to
date may be negotiated. A pass,
a variety of work. Demonstrate
merit or distinction is then awarded
skill and understanding through
following the normal criteria.
evaluating and synthesising knowledge and justifying conclusions. Show an individual approach to structuring and presenting work in a coherent and appropriate format using vocational
If the assignment is handed in more than one week after the deadline (including an extended deadline) a fail will be awarded for that assignment.
language fluently.
SEVEN
ASSIGNMENT SCHEDULE Technology is important, primarily because it should force us to do new things - rather than because it enables us to do old things better. PETER DRUCKER
SEP/OCT 09
NOV/DEC 09
JAN/FEB 10
PROJECTS
PROJECTS
PROJECTS
Video Production - Day in the Life
Flash Animation – Public Info
Video Production/Music Video
Digital image and Photography
Intro Media Industries
Research Techniques
Flash Animation – Public Info
Intro Media Audience & Product
Interactive Media – Blog
HALF TERM
CHRISTMAS HOLIDAY
HALF TERM
EIGHT
FEB/MAR 10
APR/MAY 10
JUN/JUL 10
PROJECTS
PROJECTS
PROJECTS
Studio based project
Media Production Project/ FMP
Final Hand In
Stop-Motion Animation
FMP extended time End of Year Show
EASTER HOLIDAY
HALF TERM
SUMMER HOLIDAY
NINE
TEACHING STAFF
PROGRAMME MANAGER - Paul Arnett
LECTURER - Kirsty Bougourd
LECTURER – Gillian McCartney
Paul specialises in film and video
Kirsty specialises in TV and video
Gillian specialises in all aspects of
production.
production and editing. She is the
sound design and production.
T: 01481 750200 ext 8852
Course Tutor for the First Year ND
T: 01481 750200 ext 8861
E: paula@gcfe.net
Media Film students.
E: gillianm@gcfe.net
T: 01481 750200 ext 8864 E: kirstyb@gcfe.net
Charlie specialises in IT, with an
LECTURER – Nigel Edwards
emphasis on Mac related software.
Nigel specialises in media research,
T: 01481 750200 ext 8860
new media and advertising. He is
E: charliet@gcfe.net
the Course Leader for the ND Media Sound Course T: 01481 750200 ext 8863 E: nigele@gcfe.net LECTURER – Peter Root Peter specialises in digital graphics and interactive media. He is the Course Leader for the First Diploma Media Course T: 01481 750200 ext 8862 E: peterr@gcfe.net
TEN
LECTURER – Charlie Towers
LECTURER – Jon Ozanne Jon specialises in script writing, editing and advertising. T: 01481 750200 ext 8860 E: jono@gcfe.net
USEFUL RESOURCES
SUGGESTED READING LIST
An Introduction to Film Studies, 3rd
The Animator’s Survival Kit Richard
Edition Nelmes J (editor) Routledge,
Williams
2003
The Animation Book Kit Laybourne
Video Production Handbook, 3rd
and John Canemaker
Edition Millerson G Focal Press,
Editing with Avid Roger
2001
Shufflebottom Focal Press -2001
Single Video Camera Production
ISBN 0240 51678 8
Musberger R Focal Press, 2002
The Crash Controversy: Censorship,
Film Production Management and
Campaigns and Film Reception
Coordination Patz D Butterworth-
Barker M, Arthurs J, and
Heinneman, 2002
Harindranath R Wallflower Press, 2001 Film Art: An Introduction, 4th Edition Bordwell D and Thompson K McGraw-Hill Inc, 1993
The Print and Production Manual Peacock J PIRA International, 1998 The Guerrilla Film Makers Handbook Jones C and Joliffe G Continuum, 2007
Shocking Entertainment: Viewer Response to Violent Movies Hill A
The Documentary Idea Ellis J. C
John LIbbey Media, 1997
Prentice Hall, 1989
Introduction to Film Lacey N Palgrave Macmillan, 2004
ELEVEN
USEFUL RESOURCES
Practical DV Film Making Evans R
Media Studies Price S Focal Press,
The Art and Science of
Focal Press, 2002
1993
Screenwriting Parker P Intellect,
User’s Guide to Copyright Flint A
The Media Students Book Stafford
Butterworths, 1997
Roy Routledge, 2000
The Visual Story Block B Focal
An Introduction to Film Studies
Press, 2001
Nelmes Jill Routledge 1999
Filming on a Microbudget Hardy P
Media Research Techniques Berger
Pocket Essentials
A Sage Publications, 1991
Research for Media Production, 2nd
Sound Recording & Reproduction
Edition Chater K Focal Press,2001
Edition 3 Alkin G Ed Focal Press,
Directing the Documentary Rabiger
1997
M Focal Press, 1997
Production Management for Film &
Directing the Corporate Video
Video Gates R Focal Press
Diazzo Focal Press, 1992
Effective Presentation Jay A BIM,
An Introductory History of British
1987
Broadcasting Crisell A Routledge,
Documentary Barnouw E Oxford Press 1992 Directing Documentary Rabiger M Focal Press 1997 Web Design: Flash Sites (Icons) Taschen Jun 2006 Art of the Digital Age Thames & Hudson Ltd Jul 2006
From Script to Screen Croton G BBC Training Manuals, 1986 The Way to Write for TV Paice E Elm Tree Books, 1987
TWELVE
1999 Art of the Electronic Age Popper F Thames & Hudson, 1997 Underground Film, A Critical History Tyler P Da Capo Press, 1995 Documentary Barnouw E Oxford University Press, 1992
1997
USEFUL WEBSITES FILMS, ANIMATION, MOVING IMAGE bbc.co.uk/dna/filmnetwork/
GRAPHICS
GENERAL MEDIA
dafont.com
digitalartsonline.co.uk
impawards.com
computerarts.co.uk
animation
TUTORIALS & TRAINING
jerwoodmovingimage.org
avid.co.uk
animateprojects.org
apple.com/finalcutstudio/tutorials/
mtv.co.uk
Final Cut Pro
filmeducation.co.uk
kenstone.net Final Cut Pro
britmovie.co.uk
nikondigitutor.com/eng/d60/index.
imdb.com
shtml Nikon D60
bbcfootage.com
kirupa.com Adobe Flash tutorials
ukfilmcouncil.org.uk
and forum
apple.com/trailers/
creativecow.net Tutorials and forum
bva.org.uk
for variety of software
bfi.org.uk
adobe.com/support/
britfilms.com kk.org/truefilms/ tv-ark.org.uk shootingpeople.org/account/auth. php
thefwa.com englishandmedia.co.uk bbc.co.uk/writersroom broadcastnow.co.uk skillset.org guardian.co.uk/media
MUSIC & SOUND synthzone.com prs.co.uk sounddogs.com/start.asp
THIRTEEN
COLLEGE ADDRESS Guernsey College of Further Education, Delancey Campus, Rue des Monts, St Peter Port, Guernsey. GY2 4HS T: 01481 737500 W: guernseycollege.ac.gg