2017 October TEMPO

Page 50

2017-18 NJMEA Young Composers Competition Information & Registration

T

he New Jersey Music Educators Association is proud to announce the 2017-18 Young Composers Competition. The competition will include two divisions, one for middle school students in grades 6 – 8, and one for high school students in grades 9 – 12 (graduating June 2018). Finalist composers will be invited to attend a critique session to be held in conjunction with the NJMEA State Conference at the Hilton Hotel in East Brunswick from February 22-24, 2018. The composition recordings will be played and the finalists will participate in the critique session. In addition, the winning composer(s) will be announced at that time and awards will be presented. All other participating student composers are welcome to attend. The exact date, time and location will be announced in January 2018. The deadline for online application submissions is November 28, 2017. Endorsement page and application fees must be postmarked by November 28, 2017. Questions about the competition may be directed to Robert Frampton at: rtframpton@comcast.net Categories For Submission Composers may submit works in the following categories. All works must be 100% original. No arrangements or transcriptions will be accepted. Compositions may include combinations of instrumental and vocal parts: • Solo Player (including piano) • Small Instrumental/Vocal Ensemble (2 – 10 parts/performers) • Large Instrumental/Vocal Ensemble (11 or more parts/performers) Competition Guidelines 1. Applicants must be New Jersey residents and must be sponsored by a current NJMEA/NAfME member. TEMPO

Andrew Lesser Burlington City Public Schools NJ-YCC Executive Committee andrew.lesser@yahoo.com 2. Students may submit multiple selections in each category. However, a $20 application fee is required with each selection. Each entry must have a separate completed application form and entry fee in order to be considered for eligibility. 3. All compositions must have a title or opus number, and all names must be omitted from the score, program note and audio file so that submissions may be judged anonymously. 4. Students must include a brief program note that includes the composition title with composer name omitted, describing the composer’s intention of the work. 5. All scores must be submitted as PDF’s using a standard notation program, such as Sibelius or Finale. No handwritten scores will be considered for entry. 6. All measures must be numbered in the score. 7. Students must submit an audio recording of their composition in MP3 format, a PDF (digital copy) of their score and PDF of composition description/program note. Submissions without recordings or PDF score will not be considered for entry. 8. While the applicant will retain ownership of their submission, all submissions will be kept by the NJMEA. No materials will be returned to students. NJMEA reserves the right to use student submissions for publicity and/or display. Finalist compositions will be posted on the NJMEA website. 9. Submissions must be no longer than 7 minutes in length and within the difficulty range of Grades 2-4. Evaluation Criteria Evaluation of all submissions will be received by NJMEA approved Competition Judges. This panel will judge all works according to the following guidelines:

48

• Originality: Demonstrating a personal/ unique style showing individual creativity. • Compositional Technique: Must have identifiable form, structure, and development. Correct usage of musical notation and score markings. • Accessibility: Must be playable by student ensembles on limited rehearsals. • Compositional Maturity: Knowledge of medium, effective use of instruments/voices, and look of professionalism in score and recording. • Overall Appeal: Must be innovative, imaginative, and enjoyable. Suggestions For Students And Teachers • Remember that the submission must be able to be played by a student ensemble on limited rehearsal time. Make sure to adhere to the grade level and length specifications listed in the guidelines. • Parts must adhere to the generally accepted instrument and voice part ranges for grade 2 to 4 music. • Remember, neatness counts! An excellent piece will lose credibility if the score is sloppy or shows careless errors. • Consider all aspects of a good piece when writing: dynamics, articulation, variety of melodic and harmonic ideas, orchestration and timbre, etc. • Above all, this piece should be personal and meaningful to you. You must consider your creative ideas above anything else combined with your musical knowledge. More information at: http://njmea.org/young-composerscompetition/

& OCTOBER 2017


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Round the Regions

14min
pages 62-65

In Memoriam

8min
pages 66-68

2018 Region Jazz Choir

2min
pages 60-61

2018 Region Sr. Jazz Ensemble

3min
page 59

2018 Region Jr. Jazz Ensemble

2min
page 58

2017 All-State Opera Festival

3min
page 57

2018 Honors Guitar Ensemble

4min
pages 54-56

NJEA Convention Music Sessions & All-State Concerts, Nancy Clasen

7min
pages 51-53

2018 Young Composers Competition

3min
page 50

2017 NJMEA Honors Guitar Ensemble, Thomas Amoriello

0
page 49

How Do You Get To Carnegie Hall? Practice, Man, Practice!, Jeanne Fasano

7min
pages 46-48

Virtual Choir: Building A 21st Century Ensemble, Zachary Gates

7min
pages 42-44

The Times Are Changing. Approach Teaching Differently. Create Student Lead Discussion And Student Lead Classes, Meghan Cabral

4min
page 45

“Old Dogs” Can Learn “New Tricks”!, Who Knew?, Thomas McCauley

7min
pages 36-39

Quick Tech Tips For The Elementary Music Educator, Amy Burns

7min
pages 40-41

Editor’s Message

2min
pages 6-7

Division Chair News

34min
pages 8-27

Blackbyrd Fly, Thomas Amoriello

8min
pages 32-34

2017 Governor’s Awards, Joseph Jacobs

2min
page 35
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.