Love WHAT WE THIS ISSUE
KATE WINSLET’S CAMPAIGN CELEBRATES THE NEW MINI DOLCEVITA WITH EXCLUSIVE DOUBLE TOUR STRAPS
Launched in 2023, the MINI DOLCEVITA line is being enriched this year with new models sporting double tour straps. In black, beige gold, pink, red, orange or green Nappa leather, these straps in a design exclusive to Longines hug the wrist in a soft embrace. Presented in their emblematic rectangular cases, with or without diamond settings, the new MINI DOLCEVITA models demonstrate once again that elegance is to be found in the smallest detail. To unveil these watches, the winged hourglass brand has collaborated with its Ambassador of Elegance, Kate Winslet, on an original campaign that celebrates her unique vision of time.
COVER: Model: Eleonora Cracco wearing fashion by Designer Emilio Bonadio, Photographer: Daniel Passarelli, Hair and Make Up Artist: Sofia Motta.
JEANINE DE BIQUE
CAPTURING SPECIAL MEMORIES THROUGH JEWELLERY WITH LILY GABRIELLA 22
A TRANSFORMATIONAL ART EXPERIENCE WITH DIASPORA ART IN BERMUDA 34 14
28 JEFFREY HALL’S CORPORATE JOURNEY IN THE CARIBBEAN
MALLIOUHANA — ANGUILLA’S GRAND DAME CELEBRATES 40 YEARS OF LUXURY
A
Jeanine De Bique at work, Photo courtesy of ©Jeanine De Bique
Editor-in-Chief PETER WILLIAMS
Group Publisher Garry Duell
VP & Director of Operations June Minto
Executive Fashion Editorial Director Bernice Chez Noel
Chief Copy Editor Dawn Davis
Founder CEO /Executive Creative Officer
Derwent Donaldson
FASHION
Editor at Large
Prissilla Zamboni Tejada
Retail and Brand Editor
Juan Villar
Fashion Editor Paris
Paloma Abreu
Fashion Editor Milan
Rosaly Escueta
Contributing Content Creators
Jesse Scott / Diana Huk
Style Editorial Print & Social Media Blogger
Chapeyama
Asst. Style Editorial Print & Social Media Blogger
Taylor Noel
Editorial Assistant
Rvalentina Rwigimba
Special Feature Editor Richard Crookes
Asst. Creative Director
Vladimir Markovic
Chief Beauty Editor Bali Lawal
ART & VISUAL
Art/Digital Director Justyne Panton
Web and Content Blogger
Dmytro Usatiuk
Graphic Designer/Digital Asst.
Joel Andrew Foga
Photographer
Guillaume Guiriaboye
Videographer
Jean Luc
Creative Director/Productions
Waverly Studios
FEATURE & CONTRIBUTING
Chief Travel/Hotel Editor GARRY DUELL
Chief Feature Editor
Laura Tanna
Lifestyle Editor
Patty Hughes
CEO/President GARRY DUELL, JR
gduell@northsouthnet.com
Vice President of Advertising LUIS SARDINAS lsardinas@northsouthnet.com
Operation Director ROSANA ALFONSO DUELL
Editorial Director VANESSA MOLINA SANTAMARIA
Tel: 305-222-7244 | www.northsouthnet.com
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Throughout my travels it is the heritage, culture, and people that keep me connected to destinations and wanting to return to experience more of their traditions.
OUR HERITAGE IS OUR GLORY!
Editor-in-Chief Peter Williams (R) gifts a heritage book on Jamaica to (L-R) Raimie Richardson, Heritage Inspector & Policy Advisor, and Carol Jack, Director Social Domain for Public Entity - Sint Eustatius, the Caribbean Netherlands. In 2026 the island of Sint Eustatius will celebrate the 250th anniversary of the ‘First Salute’ as the first country to recognise the independence declaration of the fledgling 13 colonies of the USA. Venue: The Heritage Centre, Sint Eustatius
Each Caribbean island has a single unique characteristic that comes top of mind when I reflect on my past travels:
In Trinidad and Tobago it’s the flamboyant costumes worn at Carnival parades by revellers dancing to the music of steel pan bands.
In Martinique it’s their aromatic agricole rhums considered among the finest in the world bearing the Appellation d’Origine Contrôlée designation.
In Dominican Republic it is the only country with mines producing the semi-precious Larimar stone with its sky blue colour — known as the “Gemstone of the Caribbean”
In Jamaica the zesty spicy flavour of jerked meats on pimento wood is a treat for the palate.
In Curaçao, the capital Willemstad is filled with colourful colonial buildings and well-preserved his-
toric inner city and harbour, now a UNESCO World Heritage site
All these and more in destinations beyond, evoke a sense of pride and honour amongst its people that have helped shape their country’s unique identity the world over.
As you head off to new destinations of discovery to rejuvenate your senses and well-being, remember, your next great inspiration in life’s journey may be just a holiday away.
Peter B. Williams MIAD, MBA Editor-in-Chief IG: jamaqueparadis
DIARYEditor’s
PEOPLE THE FINDS MUST HAVES THE FASHIONABLE
JEANINE DE BIQUE
Trinidadian Opera singer; Animated, joyful, and technically flawless.
Described as “one of the most exciting sopranos to catch onstage these days.”
Jeanine De Bique — the Trinidadian vocalist soars before landing on audiences’ ears like a musical meteor shower” (Operawire) and a “sheer endless wealth of colour and nuances — a radiant, free-floating timbre.”
De Bique's highlights in 2023-24 include her return to the Opéra de Paris for the title role of Massenet’s Cendrillon, as Donna Anna/Don Giovanni at Staatsoper Berlin, Micaëla/Carmen at Gran Teatre de Liceu Barcelona, and Poppea/L’incoronazione with the English Consort. In concert she presents a new programme with Baroque arias and Caribbean folk songs with Holland Baroque on tour throughout the Netherlands,
gives solo recitals in the US and perform with the Swedish Chamber Orchestra, Netherlands Philharmonic, B’Rock, Kammerorchester Basel and Gürzenich Orchester.
Reflecting her versatility and artistic curiosity, Ms De Bique is featured on Joachim Horsley’s album and video release ‘Caribbean Nocturnes’ with the single ‘Le M’Mouri’, which fuses the classical sound with Latin Caribbean Afro rhythms. She also made a guest appearance in season 2 of the Netflix series ‘The OA’
She is a recipient of the Youth Ambassador for Peace, awarded by the National Commission of UNESCO, Trinidad and Tobago. jeaninedebique.com / P
PARADIS PORTRAITURE
Jeanine De Bique, ©Tim Tronckoe Photography,
Photo courtesy of Jeanine De Bique
Editor’s PICK
RADMILA LOLLY
Russian-American artist and Miami resident, Radmila appeared on the music scene with a triumphant debut album “IV Stories at the Standard Hotel Op. 6” with the avant-garde, electro-acoustic “Scorchio” String Quartet during an exclusive gala concert at Zankel Hall, Carnegie Hall. She followed up the album with an eclectic mix of singles, which showcased her range and captured her voice in all of its decadent glory.
Opera singer Radmila Lolly has cemented herself as a NBA courtside fixture at the games — known for putting her spin on fashion, into basketball inspired ball gowns.
In April 2018, she launched this album, during a night of Opera & Couture at Carnegie Hall which she fully produced herself. The release included a live performance of the album, as well as a fashion show of Radmila’s couture collection that corresponded with the storyline of the album. She has a classically trained sultry voice, which she uses to combine classical and contemporary music effortlessly. In 2019, Radmila made it on Billboard’s Dance Chart with the duet “U R Moving Me,” climbing up to Number 21. Her song, “Tonight,” was also rising on the Billboard Dance Chart. In 2021, Radmila released her single “MAGIC.” The song was written during lockdown as an ode to her new home, Miami, the “Magic City.” In 2022, she collaborated with fellow Miami artist DJ Mike Tee to release MAGIC (Miami Beach House Remix.) “MAGIC” Remix and “MAGIC” made it to the Billboard Mainstream Top 40 Indicator Chart. Radmila is currently in the process of writing a novel, which she will accompany with a new studio album composed of 33 musical movements.
Radmila has been the producer, script writer, and set designer for over 10 of her music videos. Her designs have been worn by many celebrities such as Gayle King, Natti Natasha, Bebe Rexha, Mya, Nicole Ari Parker, Carla Morrison and many others, both for performances and the red carpet. They have also been worn by nominees for the Daytime Emmys, Oscars, and Grammys. Her designs have also been featured in numerous magazine editorials, including Vogue, L’Officiel, Elle, and Harper’s Bazaar. Her collection has been featured at Barneys New York Trunk Show, alongside designers such as Zac Posen, Naeem Khan, and J. Mendel. Radmila’s latest splash in the fashion world is the Miami Heat jersey gown that she designed and wore for the NBA Playoffs Miami Heat vs 76’ers, Game 1. It garnered a lot of attention from the fans and media.
In 2023, Radmila was named by the NBA “The Most Fashionable Courtside Seat Holder in the NBA.” Radmila launched 2 collections with the Miami Heat for the 23-24 season along with performing a halftime show in December 2023. Her journey from a viral fashion moment to a celebrated partnership with the Miami Heat showcases her ability to unite different cultural spheres. The University of Miami is currently showcasing her latest collection. / P
THEO TURNING CHAOS INTO ORDER
Led by Theo Dekan, the brand's team constructs pieces aimed at erasing boundaries, offering power silhouettes and agender notes, all the while maintaining the effortless attractiveness of everyday clothing. THEO focus on experimental yet exceptional outerwear with a minimalistic approach to designs for men and women. Each piece encapsulates the designer's journey and dreams, skillfully blending functionality with an allure that captivates and entices. Layering well-constructed forms with the dualism of colours, materials, and senses into refined modern staples, THEO is a blend of urban inspiration with signature functional design. iwanttheo.com
BRUCE GLEN SS 2024 COLLECTIONS
New York City based Identical twins and Fashion Designers Bruce and Glen of the fashion house BruceGlen SS 2024 collections are bold, conversational, and electric! Colour, metal hardware and mixed patterns are key for us says Bruce and Glen. bruceglen.com
ASSIGNMENTS
NOVITSKA SS24
NOVITSKA SS24
ASSIGNMENTS AW24
GCHÉN SIFAN AW24
NOVITSKA SS24
CHÉN SIFAN AW24
CHÉN SIFAN AW24
AW24
GUDU SS24
CPLUS SERIES AW24
MARKGONG AW24
MARKGONG
MARKGONG AW24
XIAOLI AW24
XIAOLI AW24
XIAOLI AW24
CPLUS SERIES AW24
CPLUS SERIES AW24
AUTUMN WINTER 2024/25
Explores unusual materials and shapes, starting from stainless steel coloured by a special process used in kitchens is cut to match the three-dimensional shape of the human body. maximilianlinz.com
Lily talks to PARADIS Editor-in-Chief Peter Williams about her inspirations and the evolution of her designs.
Lil Gabriellay
Born in Brazil and raised in Monaco, Lily Gabriella is at the forefront of a new wave in contemporary jewellery design. With a bold, graphic style that nods to the great eras of the past, her highly considered jewels are resolutely rooted in a futuristic oeuvre. Lily Gabriella’s work fuses a myriad of influences from Art Deco, contemporary architecture, shape and form to ultimately create an innovative and modernist design style.
The inspiration behind Lily Gabriella Fine Jewellery stemmed from a deep-rooted love and fascination for gemstones combined with a passion for jewellery design. Ever since I was young, I’ve been surrounded by an exquisite array of jewellery, thanks to my mother and grandmother, who were avid collectors. Their collections spanned numerous periods in jewellery design, reflecting the artistic, cultural and technological shifts of its time, offering me a unique and comprehensive exposure to the art from a very early age. This not only piqued my curiosity but also cultivated a profound appreciation for the craftsmanship and creativity inherent in jewellery making. It was this blend of personal passions and familial influences that naturally led me to create Lily Gabriella, where I could channel my creativity and love for gemstones into creating unique pieces that resonate with others.
Lily Gabriella Elia
©Photo Courtesy of Lily Gabriella
It’s about more than making jewellery; it’s about capturing moments and memories in tangible form. ” “
Opposite page
top: Lily Gabriella Aurora Ring; Lily Gabriella Bespoke Ring; Lily Gabriella Rubellite Marble Cocktail Ring
What have been the key influences on your designs
One of my most profound influences in my designs comes from the cherished memories I have of my mother and grandmother. Both of them possessed exquisite taste in jewellery, which was not only about the pieces themselves but also about the stories, the craftsmanship, and the eras they represented. Growing up, I was fascinated by their collections — each piece seemed to hold a narrative, a slice of history, or a family memory that was lovingly passed down through generations. This personal connection to jewellery through my family instilled in me a deep appreciation for the sentimental value and the storytelling aspect of jewellery.
Equally influential on my designs has been my admiration for the Art Deco period. The boldness, the geometric shapes, and the sheer innovation in design that characterised Art Deco have always resonated with me. This era represents a pivotal time in art and design, where the emphasis was on modernity, symmetry, and a departure from the traditional to embrace new ideas and technologies. It’s this blend of the old and new, the personal and the universal, that informs my work. I strive to create pieces that are not only aesthetically pleasing but also evoke a sense of history, emotion, and artistry.
Can you talk me through your design process
My design process thrives on spontaneity, with inspiration drawn from anywhere; meaningful conversations, the natural world, or striking visuals. This unpredictability kick-starts my creative journey, which begins with sketching. These sketches are the first step in transforming fleeting inspiration into tangible form, acting as a bridge between the initial concept and final creation.
Collaboration with craftsmen is vital for turning sketches into exquisite jewellery through a blend of their expertise and my vision. For bespoke pieces, the process is deeply personal and collaborative, starting with the client’s vision and refining it through sketches until it perfectly aligns with their desires. Together with skilled craftsmen, we then bring this shared vision to life, crafting pieces that tell a unique story and resonate on a personal level.
Tell me about the evolution and range of styles of your jewellery
My jewellery has always embraced a sculptural essence, beginning with my first collection, Spira, inspired by sculptors such as Barbara Hepworth and Anish Kapoor. This influence is evident in the movement, volume and depth of each piece, establishing jewellery as wearable art. Initially, I favoured pavé settings, appreciating their texture and detail. However, as my style evolved, so did my use of materials. I transitioned to larger, unusually shaped gemstones and incorporating unconventional materials like marble. This shift not only challenged traditional jewellery aesthetics but also enhanced the narrative and tactile quality of my work, marrying the robust presence of sculpture with the intimacy of jewellery. In this way, my journey reflects a deepening exploration of form and material, with each piece affirming jewellery’s potential as a dynamic art form.
Which pieces or collections have been your favourite to date
Choosing a favourite among the pieces or collections I’ve created is a challenge, as each one represents a special place for me in my journey as a designer. The creation of every piece involves a deeply personal process of turning a vision into reality which makes each one special in its own right. However, if I were to highlight a segment within my body of work that resonates with me on a profound level, it would be the Edition pieces.
These represent a playground of innovation and creativity where I truly challenge myself. It’s in these pieces that I push the boundaries of conventional jewellery design, both in terms of aesthetics and the materials used. This collection allows me the freedom to experiment and explore new possibilities, marrying unconventional materials with unique design concepts to create something truly groundbreaking. The process of crafting these pieces is both demanding and immensely rewarding, as it embodies the essence of what I strive to achieve as a designer; to continuously evolve and redefine what jewellery can be. In essence, while I treasure all my creations for their individuality and the effort that went into making them, the Edition pieces stand out as milestones of my creative exploration and the relentless pursuit of pushing the envelope in jewellery design.
When did you introduce the bespoke service
From the beginning, bespoke jewellery has been at the heart of my brand. It stems from my belief in jewellery as a form of storytelling and personal expression. Engaging directly with clients to create pieces that hold sentimental value and embody their unique stories is what I find most fulfilling. This personal touch in translating individual narratives into precious pieces was a foundational aspect of my brand’s inception. Offering bespoke service wasn’t just an addition, it was essential as it reflects my commitment to crafting jewellery that resonates deeply with the wearer. It’s about more than making jewellery; it’s about capturing moments and memories in tangible form.
Tell us about your new showroom in Mayfair
My showroom in Burlington Arcade, Mayfair redefines the traditional jewellery buying experience. Designed as a whimsical living room rather than a typical store, it’s located in a unique penthouse setting. The aim is to create a space that feels cosy, quiet, and comfortable to ensure that our clients enjoy a VIP experience without feeling rushed. It allows for personalised interaction with the pieces so that the luxury and craftsmanship inherent in my work can be appreciated. This atmosphere ensures that clients are able to take their time and truly connect with the artistry seen in the jewellery.
What has been the greatest recognition you have received in your career
Throughout my relatively brief journey thus far, a notable point of pride resides in my collaboration with Sotheby’s Diamonds back in 2019. This partnership was centred around the creation of a distinctive capsule collection that prominently featured fancy coloured diamonds, renowned as the rarest gemstones in existence. The endeavour with Sotheby’s Diamonds not only provided me with a unique platform to showcase my expertise in the intricate world of jewellery design but also afforded me the opportunity to work with gemstones of unparalleled rarity and beauty. Crafting a collection around these extraordinary fancy coloured diamonds underscored a commitment to excellence and innovation in my evolving career within the jewellery industry.
What can we expect next from Lily Gabriella
At Lily Gabriella Fine Jewellery, our future is all about breaking new ground in design and creativity. We’ve set our sights on exploring uncharted territories of style and craftsmanship, ensuring that the best is yet to come. As we continue to evolve, you can expect that we’ll keep challenging the norms of jewellery design, always offering something fresh and exciting./P
Opposite page: Lily Gabriella Showroom at Burlington Arcade Mayfair; From top: Lily Gabriella Manta Ray Brooch; Lily Gabriella Sea Urchin Earrings; ‘Lily Gabriella for Sotheby’s Diamonds Halcyon Earrings’
His list
of
accomplishments is astonishing ” “
JEFFREY HALL CD
BECOMING ONE OF THE MOST POWERFUL MENIN CORPORATE JAMAICA AND THE CARIBBEAN
With one grandfather, a Jamaican from Port Royal, working as a Wharfinger on the finger piers of Kingston, and another an American attorney in North Carolina, Jeffrey Hall could have become anyone other than what Business Suite Online calls someone “Set to Become One of the Most Powerful Men in Corporate Jamaica and the Caribbean.”
By LAURA TANNA
His list of accomplishments is astonishing. CEO and Vice Chairman of Pan Jamaica Group (PJG), Chairman of Lumber Depot Ltd., Chairman of Blue Power Group Ltd., a Director of Sagicor Group Jamaica Ltd., Sagicor Life Jamaica Ltd, SAJE Logistics Infrastructure Ltd, and Eppley Caribbean Property Fund Ltd SCC, his past positions have included being Chairman of Scotia Group Ja Ltd, a Director of the Jamaica Stock Exchange and the Bank of Jamaica, a founding partner of Caribbean Investment Fund from 1999 – 2001, along with Nigel Clarke, now Jamaica’s Minister of Finance, and the list goes on.
Hall recounts: “I was inspired by listening to my father and Dhiru Tanna talking about their activities within the Jamaican economic sector in the early 1980s and that’s when I knew that I wanted to be part of Jamaica’s economic growth. What they were doing sounded so exciting. I must have been about 14.”
Caron Chung, Executive Director of the American Friends of Jamaica, had told me: “Jeffrey was absolutely brilliant” as a guest panelist in New York at the Caribbean Economic Forum in March 2024. When I queried him on this, Hall explained: “The forum started with a retrospective question about the journey of Jamaica over the last 10 years. I think those of us who are in Jamaica and who have chosen to make our lives in Jamaica took responsibility for trying to persuade them [Jamaican diaspora] that there was a fresh wind blowing in Jamaica, that the era in
to include seeking financing from multilaterals where there’s a pool of capital globally. He notes that in the old days the concept of developing the country through business could be a bad thing with sinister undertones but that has changed. The Rio Cobre Water Company, as private investors, are looking at the long term of even 23 years in order to make a full return on their investment while helping Jamaicans more easily secure much needed water. Hall believes the government deserves credit for creating a policy framework that allows for private investment improving highways, the port, and airports.
Hall says he is a family manwhose hobby is business ” “
which the Government of Jamaica was crowding out the private sector is coming to an end, as evidenced by a dramatic reduction in the government debt to GDP from about 140% of GDP to 72%. Our plan as a country is for this to be 60% by the end or for next fiscal year. So, that’s a dramatic stepping back of government and a huge opportunity for business to step forward.
“There’s no question that Jamaica’s government has in managing its deficit sought to embolden the private sector to play a role. Jamaica has long had a shortage of water in the right places in the metropolitan area, Kingston, St. Andrew, and St. Catherine, but it does have water in other places like the Rio Cobre. The question we’re asking ourselves is, ‘How can we bring the two together with a private investment solution?’ The idea is to take water from the Rio Cobre, purify it and put it into the water system to supply it to the National Water Commission (NWC), but a water treatment system of that scale costs about 80 to 90 million US dollars.
“So, what we’ve done is we will put the investment in and sell water gallon by gallon to the NWC. By we, I mean a company that’s jointly owned by Pan Jamaica Group and Eppley, we put together a partnership with VINCI, a French infrastructure firm, to jointly make the investment. They’ll do 30% of the total equity and we’ll do 70%.”
Hall explains that VINCI brings technical expertise and that because interest rates in Jamaica have increased dramatically, tightening up liquidity available, the original plan to raise money from local banks and pension funds has changed
Hall’s rise up the corporate ladder began after his graduation from Campion College in Kingston. He then earned a BA in Economics from Washington University, 1991, earned a Master of Public Policy from Harvard University in 1993 before graduating with honours from Harvard Law School, 1996. After spending a year on Wall Street at Davis Polk & Hardwell, where he practiced banking and securities law, the opportunity arose to take a year’s leave of absence to become a senior executive of FINSAC in Jamaica during the county’s financial meltdown. While at FINSAC, involved in the acquisition and restructuring of Jamaican financial institutions, he made so many contacts that he decided this was the time to return to help rebuild Jamaica’s economy.
While his American mother, Dr. Jeanette Hall, was a principal lecturer at the College of Arts Science and Technology (CAST) later University of Technology (and gave UTech its nickname), his father, economist Dr. Marshall Hall OJ, CD, among other things, was a director of Jamaica Producers Group Ltd (JP) for 40 years and Group Managing Director for 27. Jeffrey joined JP in 2002 and took on the role of CEO of JP in 2007.
This page: Jeffrey Hall with his Son Jei Han, Wife Dr. Swee Chua and Daughter Li Ann; Opposite page: Jeffrey Hall receiving the CD from the Governor General of Jamaica, Sir Patrick Allen.
This page: Left to Right: Jeffrey Hall, Grantley Stephenson CEO Kingston Wharves Ltd, Prime Minister of Jamaica Andrew Holness and Bishop Robert Thompson at the Official Opening of The Total Logistics Facility: Kingston Wharves, January 2018; Jeffrey Hall and Laura Tanna at the American Friends of Jamaica Gala, Miami, May 2024; Pablo Portes, Economic Advisor to Pres. Abinader, Charlie Johnston Chairman of JP Group, Lisa Johnston Head of Corp. Services JP Group, Jeffrey Hall at the Presidential Palace, following a meeting with the Pres. of the Dominican Republic.
I think there’s an opportunity that’s big enough for us to have economic growth
On 1st April 2024, JP proudly celebrated 95 years since its creation as a cooperative to assist banana producers to ship and market bananas in Europe. Today, the banana plantation is the largest private employer in St. Mary with 350 employees. Hall remembers his father “took a very strong view that we could employ people who were not literate, although now you have to be literate. But he insisted on a literacy programme within the farms. That was part of a long-term commitment to employees who then became more productive as a result and could justify the kind of investment that was made in them. Compared with other agribusinesses – sugar, coffee, traditional crops – our business is one of the few that offers not only a 52-week full-time job with a pension, health insurance, life insurance, but also programmes for personal development including back-to-school support for children.”
JP grew tremendously thanks in part to Jeffrey Hall’s leading the acquisition and development of Kingston Wharves, Geest Lines, A.L. Hoogesteger Fresh Specialist B.V., JP Logistics Solutions, Tortuga International, Grupo Alaska, JP Snacks and JP Farms, and Capital Infrastructure Group. Each of these acquisitions would make interesting reading, which space here does not allow, though Hall reveals: “I have a theory of opportunity in acquisitions in which you look for enterprises that have the wrong shareholder and that shareholder will naturally want to ultimately sell, and you can solve their need by buying it.”
On 1st April 2023, JP amalgamated with PJG, chaired by Stephen Facey and Hall became ViceChair and CEO of PJG, which has approximately 4,000 employees involved in their primary interests of shipping and logistics, property and infrastructure, food and drink, and financial services, with operations in the Caribbean, Europe, and North America.
Married to Malaysian Rhodes Scholar Dr. Swee Chua (see “Peranakan Culture and the Caribbean Connection,” Jamaque Paradis Magazine, (V14/N3, 2020) with two children, Hall says he is a family man whose hobby is business and that he values his father’s guidance and also that of Oliver Clarke and Charlie
Johnston. Hall believes the family structure in Jamaica has issues with fathers not fulfilling their roles sufficiently and to overcome that, “what we should be doing as a country is over-investing in early childhood and pre-primary education.” Nonetheless, unemployment at 4.2% is at an all-time low since the beginning of keeping records.
The impact of the return of persons like Jeffrey Hall can be seen in what they are building in Jamaica today, which is why their leadership is so important to the country and the Caribbean’s future.
He observes: “One of the views historically was that small economies were disadvantaged. You needed scale in order to be relevant, in order to have trade links, in order to be able to communicate what you’re about. I think in the modern world, relatively small scale can still be a constraint, but it can also create certain opportunities. We can be agile as a country, as we’ve shown with the way that we’ve handled our debt. We can be agile with our trade policy and our investment policy. With global trade and our proximity to the US, which is still the world’s largest economy — certainly North America — with the diversification of supply chains away from Asia, with very high labour costs in the United States and their preoccupation with inbound immigration, Jamaica is a country that is competitive, that is proximate to the United States, and has the largest trans-shipment port in the region while being culturally open and interesting, including a hundredyear-old history in tourism. With all of that, I think there’s an opportunity that’s big enough for us to have economic growth and be attractive to investors.” / P
Dr. Deborah Atwood, curator of the National Museum of Bermuda, gives DVCAI a tour of the Hall of History - illustrating Bermuda’s Story in Art, at Commissioner’s House, painted by Graham Foster.
DVCAI MEETS BERMUDA A Dimensional Experience
By LISA HOWIE, BLACK PONY GALLERY & ATLANTIC ARTHOUSE
DVCAI was co-hosted by Black Pony Gallery, with Alix Pierre, PhD, Caribbean Studies, Spelman University as the resident scholar, and Rosie Gordon-Wallace as DVCAI president and curator.
From the plane, the reef structure that protects this isolated archipelago was vivid, articulating the hazards of seafaring in these waters. The cooler temperature made the ocean’s turquoise colour even more compelling. Keen eyes may have spotted migrating humpback whales. March in Bermuda. It can be stunning.
The storms were monstrous; the airport closed; flights turned back.
That was the day before Diaspora
Vibe Cultural Arts Incubator (DVCAI) landed in Bermuda. Their entry day was glorious. Clear bluebird sky.
The DVCAI group of 16 artists, curators, academics, all know islands and coastal living intimately. But this was their first visit to Bermuda, 700 miles from American mainland.
“Bermuda’s unique cultural heritage, stunning natural landscapes, and vibrant community provided an ideal setting to immerse myself in a new environment and gain fresh perspectives,” said artist Rosa Naday Garmendia.
Cultural Exchange
Diaspora Vibe Cultural Arts Incubator was founded by the recent recipient of Miami’s Legacy in the Arts award, Rosie Gordon-Wallace. She and her energetic team produce an annual International Cultural Exchange thanks to support from the Miami Dade Department of Cultural Affairs and the Florida Division of Arts & Culture. This unique programme actualises a roving exchange with Miami artists living in the Diaspora who are interested in and committed to sharing and expanding their contemporary visual art practices across the Caribbean region.
Opposite page: Rosie Gordon-Wallace recipient of Miami’s Legacy in the Arts award.
©Photo Courtesy of the Diaspora Vibe Cultural Arts Incubator.
Bermuda’s unique cultural heritage, stunning natural landscapes, and vibrant community provided an ideal setting to immerse myself,” said artist Rosa Naday Garmendia.
““I am a firm believer that deepening cultural understanding and forging lasting connections across borders are essential for promoting peace,” reflected artist Rosa Naday Garmendia. Photo: The DVCAI group of artists, curators, and academics take a moment at the Cambridge Beaches Hotel Bermuda with their host.
This trip, entitled ‘Island Scapes: Ascending Triangle, Bermuda 2024’, leaned into the narrative of the Bermuda Triangle ”
This trip, entitled ‘Island Scapes: Ascending Triangle, Bermuda 2024’, leaned into the narrative of the Bermuda Triangle, getting lost at sea. But, it also evoked a finding of sorts.
“All artists need spaces like DVCAI to feel seen, heard, celebrated, and given the opportunity to travel and learn in different countries... Being immersed in a diverse environment with artists from different countries and cultures not only expanded my artistic horizons but also deepened my appreciation for different cultures and perspectives from the ICE artists and local Bermudian artists, educators, curators, and chefs,” commented Miami-based artist Shawna Moulton with Bahamian and Jamaican roots.
The 7-day cultural immersion included visits to the National Museum of Bermuda, Masterworks Museum of Bermuda Art, and the Bermuda Society of the Arts to gain historical context and understand the Island’s art trajectory. Contemporary exhibitions on display at The Loren Hotel featuring artist Nhuri Bashir and Cambridge Beaches Hotel for the Black Pony Gallery outpost both added depth. DVCAI joined artist ABWilson for a photography tour in Somerset, visited the home art studio of Jonah Jones, and spoke with several filmmakers such as Dana Selassie at the Department of Culture’s Gold Bermudians screening of newly released short films. Walking the Railway Trail, sharing a pitcher at Swizzle Inn, learning about Mary Prince, experiencing the Hamilton Princess Hotel art collection, dining with Chef Ricky, all contributed to a dimensional experience.
South Florida artist originally from Haiti, Asser Saint-Val said, “My first trip to Bermuda was nothing short of a surprise... Every moment unfolded as a vibrant tapestry of cultural exchange and artistic discovery.”
“As the curator of the itinerary, I had the pleasure of witnessing the DVCAI experience unfold, seeing my own home country with fresh eyes. I could sense that powerful, personal connections were developing from one day to the next and that their home setting for the week — an historic voluminous property steps from the beach — added much to the vibe.”
This parting statement from Cuban artist Rosa Naday Garmendia underscores my observations further: “I am a firm believer that deepening cultural understanding and forging lasting connections across borders are essential for promoting peace, fostering mutual respect, preserving cultural heritage, and nurturing a sense of global citizenship among individuals and communities worldwide. This, in turn, contributes to a more interconnected and harmonious world.” / P
“
Every moment unfolded as a vibrant tapestry of cultural exchange and artistic discovery
”
Left to right: Dr. Deborah Atwood, curator, gives DVCAI a tour of the National Museum of Bermuda; A reflected moment at Chesley Trott’s sculptural homage to The Enterprise, which was forced to land in Bermuda due to storms and carried the cargo of enslaved people most of whom decided to stay in emancipated Bermuda; DVCAI gather outside their historic home for the week.
TEN TO ONE
This Starbucks VP Returned To His Caribbean Rum Heritage — The Anti –Pirates And Plantations To Launch A Redirection of The Rum Cultural.
Ten To One is proud to introduce its new Five Origin Select, the latest addition to its portfolio of award- winning pan Caribbean rums.
For too long, rum has struggled to move beyond its complicated history, often settling for the narrative that feels uncomfortably restricted to old caricatures and narrow tropes around Caribbean culture.
Ten To One, is a contemporary and elevated rum endeavoured to build a brand that’s elevated and grounded in the authentic elements of Caribbean culture and heritage, with a narrative that is both compelling and contemporary.
Our sense of shared identity is not born out of what we wear, or even where we spend our time (and money), but a common ideal in the pursuit of our passions, and a commitment to reimagine the world around us. This is rum reimagined. Stated Marc Farrell, Founder of Ten To One
The name Ten To One is taken from a phrase by Dr. Eric Williams, the legendary first Prime Minister of Trinidad and Tobago. When rallying to preserve the first Caribbean federation of 10 countries, he famously said, “One from ten leaves zero”, reflecting the idea that we are stronger together than we are apart. The name also speaks to overcoming great odds and the “beauty in the blend.” tentoonerum.com
RESORTS/RESIDENCES
BELMOND MAISON SPA BY GUERLAIN
LATIN AMERICA’S VERY FIRST SPA BY GUERLAIN
An indulgent escape for authentic relaxation and mindful indulgence, this including luxurious accommodations — the Belmond Hotel, Riviera Maya’s much-anticipated newly reimagined property is delighted to announce the launch of the brand-new Maroma Spa by Guerlain. A temple for transformative spirituality.
“We
are thrilled to be Guerlain’s first partner in Latin America, further cementing our am- bitions for our newly reopened Mexican sanctuary — Maroma, as the beating heart of the Riv-
iera Maya,”
— Federico Echaiz, Area Managing Director and General Manager of Maroma
Wellness takes on a new dimension at Maroma Spa by Guerlain. Healing rituals are inspired by ancient practices — the four elements of nature: fire, water, earth, and air; and the sacred Melipona bee — “Bee Healing Ritual”, a honey-based treatment renowned for its effective healing powers that calls on Guerlain’s Abeille Royale collection revered by the Mayans for over 3,000 years as a symbol of spiritual resonance.
An indulgent escape for authentic relaxation and mindful indulgence awaits with 60-minute body massages and special welcoming amenities. Founded on the principles of nature and vitality, these inspired treatments, from the Purifying Cenote, a refreshing and moisturising treatment inspired by the Riviera Maya’s mystical cenotes designed to soothe and nourish the skin, to the Talisman of Immunity, an anti-ageing therapy, will soothe the body and spirit. Spa package requires a three-night minimum stay. belmond.com
©Photos Courtesy of Belmond Resorts
SANTOSHA VILLA ESTATE
Named for the Sanskrit word for contentment, SANTOSHA Villa Estate is Anguilla’s most custom designed and largest private estate. Discover the ultimate island retreat in Anguilla on secluded Long Bay Beach.
Originally built as a personal home, it is Anguilla’s largest private residence, adorned in classic Caribbean décor filled with custom furnishings, antiques, and artwork – all set against the backdrop of sweeping views of the sparkling turquoise waters of the Caribbean Sea. The property has a grand villa, with three other guest houses dotting the property, affording guests the ultimate in privacy and space for up to 21 guests sleeping in 8 rooms, and event space for over 150 visitors attending weddings, family gatherings, or corporate events.
Offering a range of on-site sporting and gaming facilities, gourmet chef menus, and curated events arranged by the on-site concierge, guests will be spoiled for choice while being pampered by dedicated villa staff who will ensure a memorable stay in this most paradisiacal of 5-star settings. santosha-villa-anguilla.com
©Photos Courtesy of Santosha Villa
NAYARA SPRINGS COSTA RICA
AN UNDERSTATED SECLUDED PLACE OF LUXURY
Arenal Volcano National Park, Costa Rica.
“Pura Vida”
Disappear into the spirit of the rainforest and experience the authentic Costa Rica and the natural and cultural richness committed to providing every guest an intimate experience in a naturally stunning world that promises a warm and memorable experience where you’ll find your “Pura Vida”, pure life.
©Photos Courtesy of Nayara Springs
LLocated deep in the northern highlands of the Costa Rica rainforest, Nayara Springs is located a few minutes from La Fortuna de San Carlos — with stunning views of Volcán Arenal the local volcano.
The 35 villas of Nayara Springs are identical in style. From a king-size four-poster bed you will look out through a huge pane of windows to a private terrace complete with your own private view of lush vegetation beyond and geothermal pool. The interiors are natural and relaxing with hardwood floors, plenty of bamboo in calming tones making for understated and classical luxury. As an adults-only resort, you will find the communal facilities to be peaceful and chicly mature in tone. This Relais and Chateaux property has six incredible options for dining, with the flagship ‘Amor Loco’ restaurant, complete with purple velvet armchairs and a cabaret stage guaranteeing a memorable evening!
A transformative experience with the bonus of a worldclass view, enjoy your own private and secluded plunge pool, fed from the heat of local geothermal energy. You also have the choice of five other pools, but, for a magnificent view of the volcano, the infinity pool at the highest point on the property will leave you with a breathtaking experience. nayarasprings.com
OBeautiful openair restaurant on the beach offers stunning oceanside dining, ocean views and delicious Western Tropics -inspired cuisine
OCEAN BLU Caribbean Fine Dining Restaurant offers a chic beachside setting at the Ocean Club, A Four Seasons Resort on Paradise Island. Open daily for lunch, the restaurant has launched a new dinner menu and updated its design with new furnishings and décor, to complement its breathtaking ocean views.
Guests can enjoy cocktails infused with exotic fruits while watching the sun set over the ocean waves. Ocean Blu’s upscale oceanfront setting next to the beach, combined with tantalising flavours and seafood delights transports guests to foodie heaven in this Bahamian paradise. fourseasons.com/oceanclub
©Photo Courtesy of Four Seasons Resort
The Tallest Residential Building South of New York—Waldorf Astoria Residences
Take your spot in an updated rendition of the historic Peacock Alley.
Waldorf Astoria, known for providing unforgettable experiences in landmark destinations worldwide. Rising 1,049 feet above Biscayne Bay, the striking tower will be the tallest building south of Manhattan, offering breathtaking views and signature experiences. A place where each moment is to be cherished. Beyond world renowned food and beverage offerings, residents enjoy exclusive hotel benefits including house account signing privileges and preferred access to the spa and other hotel venues.
Residents will regularly find themselves front and centre for the ultimate in healing, relaxation, rejuvenation and an experience in authentic self-care. beginyourjourney.waldorfresidencesmiami.com
Neutral
EThe Colombia Armchair Inspired by its delicious coffee taste, breathes comfort and elegance into any living room design. Made with boucle fabric and dark bronze matte, this armchair will bring that serene atmosphere we often associate with minimal interiors.
mbracing a palette of soft, muted tones, these living spaces offer a serene and timeless backdrop that elevates your home’s aesthetic. Soft creams, gentle taupes, and soothing greys create a harmonious atmosphere, while high-quality materials like plush fabrics, rich woods, and polished metals add a touch of understated luxury. Every piece is carefully chosen to complement the overall look, ensuring a cohesive and understated luxury inviting space inspired by the elegance of neutral tones and shapes. Caffelattehome.com
BBentley Residences Miami, 2027
The first residential development to bear the Bentley name. Offering uninterrupted views of the Atlantic Ocean and intracoastal waterways around Sunny Isles Beach
entley Residences Miami offering uninterrupted views of the Atlantic Ocean and intracoastal waterways around Sunny Isles Beach, Bentley Residence Miami 61 storeys of modern luxury living, in what is said be the tallest residential building on any US beachfront. The building when completed will house 216 residences, each with its own incredible views through floor-to-ceiling windows. The core of the cylindrically designed building will house a patented car elevator — and with an in-unit multi-car garage area with up to four spaces for each home, residents will be able to drive right up to their homes. The collaboration between Bentley, Sieger Suarez Architects, and luxury property specialist Dezer Development. Explore today, by visiting the on-site sales gallery at Sunny Isles Beach, Florida. bentley.com
Celebrates her 40th anniversary in style
MALL IOU HANA
By BANCROFT WILLIAMS
Opened in 1984 as Anguilla’s first luxury hotel.
©Photo Courtesy of Malliouhana.
Entrance foyer to Malliouhana
©Photo Courtesy of Malliouhana.
Malliouhana offers sweeping views of the Caribbean Sea ©
Photo Courtesy of Malliouhana.
Discover
A Legacy of Luxury celebrating 40 years of low-key glamour, seaside sophistication, and heritage come together at Malliouhana for a memorable holiday.
MALLIOUHANA celebrates her 40th anniversary this year (2024) with a glamorous series of events and parties be-fitting of her title as the ‘Belle of the Ball’ of resorts on this sun-drenched Caribbean Island of 33 beaches.
Located on a bluff with panoramic views of two of Anguilla’s most sought after beaches, guests can choose between the secluded Turtle Cove and the sweeping Meads Bay, both with powdery white sand and azure blue waters located on the West End of the island.
The first luxury resort to open its doors in Anguilla in 1984.
A palette of soothing tropical colours, elaborate tiles, and objects d’beauty welcomes guests into the reception area with alluring views of the Caribbean Sea. As I make my way towards the beckoning waves, the colours of the walls, cushions, tiles, and carpets, seem to sparkle in their vibrancy of colours, designs, and textures. The Haitian artwork depicting fables and folklore adds a magical touch to this eclectic tropical decor.
Cascading swimming pool at Malliouhana
©Photo Courtesy of Malliouhana.
Enjoy island living at its best as you lounge amidst the privacy of Turtle Cove, or soak up the sun on the island’s best beach at Meads Bay (shown below), while enjoying Anguilla’s rich culinary and music offerings
Evoking a sense of Joie de vivre, and setting the tone for a memorable stay at the ‘Grande Dame’ of Anguilla
The best sunsets on the West End
Following the theme, my suite exuded an elegant mix of colours with robin-blue drapes, bold coral red designs with brilliant yellow stripes on the upholstery, evoking a sense of Joie de vivre. All this setting the tone for a memorable stay at the ‘Grande Dame’ of Anguilla — the first property to elevate the island’s tourism offering to 5-star glitz and glam. My room opened onto a large private terrace overlooking the sea, and sported candy coloured stripped lounge beds, adding to a unique sense of place, set in a lush landscape filled with colourful foliage with verdant manicured gardens.
Bar Soleil with its large open windows is a perfect place to lounge with friends and family, as you enjoy dramatic sunsets while savouring home pressed tortillas, over your favourite rum infused cocktails in a chic bar atmosphere with a travellers decor reminiscent of old world explorers — leather trunk cases and hanging lanterns. As the last of the sun flickered away, the wafting aromas from Celeste, the property’s epicurean ocean restaurant, is a foodie’s dream come true, with the freshest sea-totable cuisine.
The blackened grilled grouper melted in my mouth and I paired the meal with a glass of Tansy Vermentino Wine, created by James Beard award-winning Sommelier Shelley Lindgren from Northern California grapes for the hotel’s 40th anniversary celebration, with the bottle label donning a painting of the hotel. Dessert was a decadent carrot cake with a scoop of pistachio ice-cream, which I paired with another anniversary creation, Tansy Rosé whose label is decorated with a mirror image
of Malliouhana’s welcoming entrance. Closing the evening by the softly lit poolside with digestifs and petit fours to the sounds of lapping waves, I settled in for a night of banter and laughter, caressed by a soft cooling breeze blowing off the ocean.
Morning sunshine bring a burst of energy
Sunshine peeking in my room behind the curtain aroused me from my slumber, and I took a few more minutes snoozing in my king size bed with crisp linens, before joining Sunrise yoga at Malliouhana Bluff with its scenic views of Meads Bay. Stretching and channelling my energy into positive thoughts to refocus and re-centre, I welcomed the day ahead with the activities planned.
A light breakfast was all I needed before hitting the beach in the morning sunshine with goggles in hand to enjoy the marine life in the calm clear waters — starfish, rays, playful fish, and the occasional turtle, and catch up on my suntan while taking in a few laps. Tired and having built up an appetite I headed to Leon’s at Meads Bay, the hotel’s toes-inthe-sand beach shack, to hang out at Meads Bay for lunch. The menu offered authentic Caribbean fare and comfort food, and had a live band strumming calypso beats, kids building sand castles, teens playing beach volleyball, and adults pondering their next move over board games in the shade of coconut trees. It was like a
From zesty island cuisine, to wellness journeys and Caribbean seaside adventures to offshore cays, a range of laid back excursions from across Anguilla await guests of Malliouhana
Opposite page top -
In-house Fashion Show. ©Photos Courtesy of Malliouhana.
Malliouhana’s 40th anniversary celebrations in 2024 will focus on Food & Wine, Boat Racing, Art & Culture, and Music. Highlights include: Reinvention of Malliouhana’s Wine Collection; Boat Racing Launch Party; Moon Splash Music Festival; Introducing Internationally Renowned Chef Kerth Gumbs and Chef Kelston “Sweets” Connor, Plus 40th Anniversary Wine Release, Fashion Show Weekend; Anguilla Culinary Experience (Ace) Weekend; The History and Future of Boat Racing; Carnival At Leon’s; Malliouhana’s Anniversary Weekend; Festive Season At Malliouhana. For details of Malliouhana’s 40th anniversary celebrations and updates to its year-long programme of activities visit https://malliouhana.com/40years.
beachside party, with so many activities to choose from. After lunch, I snuck away into a comfy hammock to laze the afternoon away as I was lulled in and out of sleep to the calls of seagulls soaring above in the clear blue sky.
Pyrat rum has its origins in Anguilla and is aged up to 16 years and features bursts of aromas
Closing another perfect day in paradise
As the sun began to fall into the Caribbean Sea and the heat of the day ebbed away, I joined an Anguillan rum and chocolate tasting experience in the sitting lounge across from Bar Soleil. Pyrat rum has its origins in Anguilla and is aged up to 16 years and features bursts of aromas ranging from caramel, honey, and orange peel with hints of island spices. Swirling and nosing the aroma of locally crafted rum-infused cocktails in our glasses to discern their complexity, we took bites into tropical fruit-filled chocolates making for a dreamy decadent pairing. But only a taste, as dinner that evening would be a lantern-lit festive
feast on the beach on the edge of the shoreline under the stars and the silvery hues of the moon. With dedicated wait staff, this was a high touch dining experience where we feasted on Anguilla’s famous lobster, conch, and calamari with libations poured late into the night as we made a bit too much noise with lively chatter and singing. Thank goodness we were a distance from the main dining areas.
Nourishing our souls, bodies, and minds
With new acquaintances from the night’s beach fiesta, the following morning, smoothies in hand, we joined a low impact full body workout, engaging our muscles to
bottom: Rum tasting with Malliouhana’s Brand Ambassador Chesney Hughes (L) against the backdrop of Haitian art; Boating off to nearby cays for a day of sheer relaxation. This page left - right: Mixologist Taffy Hodge; Moonsplash Music Festival;
A soothing colour palette of creamy white and sky blue juxtaposed with natural, island inspired textures sets the tone for elevated comfort at the Malliouhana Spa named one of the “World’s Best Hotel Spas” by Harper’s Bazaar
Luxury hospitality in Anguilla all started here at Malliouhana
work off some of the tasty meals, and got tips on how to keep fit when away from home. After a shower at the Spa at Malliouhana located in a tranquil setting with its own lap pool facing the sea, we had massages, facials, mani and pedicures with luxury Sorella Apothecary treatment line of products. After a light lunch at the spa, and in keeping with our fitness mantra for the day, we hopped on Malliouhana branded bicycles to explore the more than 10 acres of manicured gardens finding some scenic spots to pause and snap photos. Eventually taking a break under the boughs of a large flowering poinciana tree, we spread our blanket, and popped open a bottle of bubbly from our picnic basket packed by staff with a selection of light tasty fare while enjoying the quiet seclusion of our newly found ‘hide-away’ as the leaves of the tree seemingly danced away the day in the late afternoon breeze.
As the cooling trade winds signalled the end of the day’s heat, we headed back to the lobby to join the hotel’s Cultural Ambassador Chesney Hughes who took us down memory lane when the hotel first opened in the 1980s. In those early days the average guest would stay for two weeks. There were no regularly scheduled commercial flights to facilitate their easy arrival, and tourism on Anguilla was in its nascent stages. Back then, evenings at the hotel were a dress up affair where guests were
served meals created by Michelin trained chefs. The nights would end with dancing way into the wee hours of the morning .
On its 40th anniversary year Malliouhana is not sitting on its laurels, but is forging ahead in a new era of modern luxury with elevated offerings, keeping true to its roots steeped in the culinary traditions of the island and the artistic and sporting talents of its people. Over the years, international luxury brands have followed Malliouhana’s lead and opened their doors on the island, attracting a jet set following their global branding. But luxury hospitality in Anguilla all started here at Malliouhana, an independent hotel that proudly bears the name given to the island by its indigenous people — the Amerindians who first inhabited this tropical paradise. This is proof enough of Malliouhana’s commitment to delivering authentic Anguillan hospitality to its guests of yesteryear, which will continue well beyond today, and for many years to come. /P
Opposite page: Malliouhana Spa; This page left - right: Malliouhana’s original Sommelier Albert Lake (L) and Shelley Lindgren - James Beard Award Winner for Best Wine Programme; Felix Pina (L) and Logan Miller, Malliouhana Resort Manager, and General Manager.
©Photos Courtesy of Malliouhana.
HEROES UNSUNG the
OF JAMAICAN POPULAR MUSIC
LEAVE MY KAISELO — Chins Radio Service
EVENING NEWS Lord Creator — The Fitz Vaughan BryanOrchestra 1959
PENNY REEL — Lord Power
shuffling jug
Cluet Johnson and the Blues Blasters - Studio One
AND IT’S IMPACT ON THE WIDER SOCIETY
There is a persistent myth that the influence of Jamaican music on the rest of the world is a recent phenomenon, and that prior to the appearance of Bob Marley and Reggae music the Caribbean had no significant presence in the wider world. A myth created perhaps by cultural/political engineering to enhance the Region’s Tourist Industry. Certainly, the Marley song ‘One Love’ written at the request of the Jamaica Tourist Board was an effective marketing tool and continues to be effective as the Marley mystique has become a worldwide phenomena.
By MYRNA HAGUE BRADSHAW
This page, Top L-R: Carl McLeod (Drummer), Sonny Bradshaw (Band Leader/Trumpeter), Jackie Jackson (Bass Player); Bottom, L-R: : Billy Cooke Quartet with Ernie Rangling (Guitar); Roland Alphonso (Saxophone).
BB
‘One Love’ written at the request of the Jamaica Tourist Board was an effective marketing tool and continues to be effective as the Marley mystique has become a worldwide phenomena. ” “
But before there was ‘global cultural diffusion’, a term used by Orlando Patterson in his work ‘Global Culture and the Cosmos’, there was ‘World Music’ and before that, there was the usual globe-trotting activities of artistic prophets and musicians from Jamaica.
Says John Cowley in his paper on ethnic relations in the UK “Lionel Belasco’s unissued 1948 recording, Jamaica Serenade, is almost certainly the Jamaican song/dance form usually spelt Mento”. This and other clues such as the presence of Jamaicans in London jazz/ dance bands in the 1930s, indicates they were part of the West Indian musical spectrum at this time.
It is unfortunate that we who are African descendants, and bearers of an oral civilisation, tend to pay rather more attention to our verbal artists than to the instrument playing musician whose work, by its very nature, is evanescent. The DJ of Dance Hall is the modern day Griot whose praise/curse occupation and pre-occupation, enables him to memorise and speak long lines of speech in his oral presentation, accompanied only by a sustained rhythm which aids the process of recall. It is for the same reason that the Calypso and Mento troubadours were popular, both being storytelling forms whose real currency was words.
Nevertheless the instrument playing musician had and continues to have a very important role to play, for no matter how short or how simple the phrase, it is the musician who must create it. Every Mento band is made up of musicians playing an instrument and singing, and every one of Jamaica’s popular music stars owes more than 50% of their successes to the musicians who created the music to which they sang, and who helped them, in many cases to organise the lyrical content of their songs.
There is no lack of evidence of musicianship in Jamaica and yet instrument playing musicians continue to be marginalised in favour of the singers. Jamaican popular music has been written about ad-nauseam by all sorts of people , but in none of the many works is there mention of the instrument playing musicians who were the architects of the music. In talking about Ska, the usual names are mentioned, i.e. Roland Alphanso, Tommy McCook, Lloyd Brevette, Dizzy Moore, and in recent times, both Ernie Ranglin and Monty Alexander have been recognised for their experiments. But talking to Coxone, or Downbeat, as he was also known, one gets a larger picture of the processes out of which this body of work emerged. Says Coxone:
“ I employed musicians on a weekly basis; Federal (studios) only had a mono system, which meant that everything had to be recorded ‘once down’ but when I built my studio I put in two-track and that made the work easier. I could work with the musicians until I got the sound I wanted and then bring in the vocalist. I had working with me on a regular basis Jackie Mittoo, Rico Rodrigues, Aubrey Adams, Harold McNair, Jah Jerry Hinds-guitar, Herman Sang-guitar. I even had two Australians, Dennis Sindrey-guitar and Lowell Morris-drums; Lloyd Knibbs-drums, Cecil Lloyd -piano, Roland (Alphanso) was a personal friend; I loved the sax. He (Roland) became a kind of resident arranger and it was he who helped the teenage Marley to develop his voice.
HIT SONGS OF THE LATE 50S AND EARLY 60S
SHUFFLING JUG
I asked him how the Ska came about. He said:
Cluet Johnson and the Blues Blasters — Studio One
MURIEL
Alton Ellis & Eddie Parkins — Studio One
PENNY REEL
Lord Power
LEAVE MY KAISELO — Chins Radio Service
EVENING NEWS
Lord Creator
— The Fitz Vaughan Bryan Orchestra 1959
Easy Snapping
Theophilus Beckford — Studio One
THEY GOTTA GO Prince Buster/Derrick Morgan (Played Piano) Stanly Ribbs, Lester Stirling, Jah Jerry, Val Bennett
FREEDOM — Clancy Eccles - Federal Studio Musicians
BETTER MUST COME — Delroy Wilson - Federal Studios I’M IN A DANCING MOOD
NO MAN IS AN ISLAND — Dennis Brown - Studio One
SKYLARKING
— Horace Andy - Studio One
“It was a Jive thing: it was a way of getting the musicians to hold the guitar riff and not being a musician myself, I could only say ‘ska, ska, ska, and keep on saying it until they got what I meant. I didn’t want them to improvise, just to hold it right through; after a while they began to tease me with it and the thing stuck and that was how those guys got the name, but they were not the only ones I had doing Ska because the sound became popular.”
In August 1964 CashBox magazine wrote “….the Jamaican Ska is a dance that could be tremendous if given the right exposure here in America.”
FEDERAL STUDIOS
The Ska had been taken to America by Byron Lee and the Dragonaires through the Ministry of Development and Welfare. The Minister, Edward Seaga, was also the Managing Director of WIRL (West Indies Records Ltd.) and had been responsible for a big hit “Manny Oh” with (Joe) Higgs & (Roy) Wilson and Byron Lee and the Dragonaires’ first hit “Dumplins” which was recorded in 1960.
Lyn Tait-guitarist, Drumbago Parks-drummer, Jackie Jackson-bassist, and Leslie Butler, were some of the musicians operating at the Federal studios and responsible for the creation of much of the music that formed the sound of what is called “Jamaica Popular Music”, the body of music created since the mid-1950s. These musicians were also part of the Ska era who went on to play Rock-Steady and then Reggae.
It is thought that the Skatalites, namely Roland Alphanso, Tommy McCook, Don Drummond, Lloyd Knibbs, Jackie Mittoo, and Lloyd Brevette were the only musicians who played Ska. But the Clarendonians, the Wailers, Clancy Eccles, and Laurel Aiken among others recorded many Ska hits with the help of the musicians mentioned earlier. The Skatalites were so named by
Coxone when he created the celebrated album that was to make icons of the musicians who played. They also backed Jimmy Cliff with his boogie shuffle sound as well as Toots and the Maytals. Maytals leader Toots Hibbert passed in 2020. When Ska died, the Skatalites broke up and the musicians went their separate ways, some forming their own bands.
SONIA POTTINGER-SOLE FEMALE PRODUCER
Sonia Pottinger was the most successful female record producer in Jamaica. Her husband Lindel Pottinger owned Tip Top Records and when they parted, Sonia Pottinger took up record production. Starting in 1966 she created the ‘Gayfeet’ and ‘Rainbow’ labels and went on to produce hits for the Gaylads, Ken Boothe, The Melodians, The Ethiopians, Joy White, and Marcia Griffiths.
Pottinger produced ‘Every Night’ for Joe White & Chuck which went to No.1 on the Jamaican charts. She produced the cover version of “No Charge” for Sonia Spence which also went to No.1. Pottinger also produced the Marcia Griffiths hit ‘Dreamland’. For Judy Mowatt she produced ‘I’m Alone’. For Culture she produced the LP ‘Harder than the Rest’ and the single which attracted Virgin Records, ‘This Train’. She went on to produce ‘ABC Rock Steady’, ‘Say You’, and ‘Lady With the Starlight’ for Ken Booth.
Pottinger produced the first Gospel show at the Ranny Williams Centre and was instrumental in getting Gospel added to the Annual Festival Song Competition. She again made history as the first and only woman, to date, to manufacture records in Jamaica. Pottinger is also credited with making the first ‘Rhythm’ (Riddim), which was really an instrumental titled ‘Dynamic Pressure’.
DJS, DANCEHALL & DUB
The Verbal Artist, Dancehall’s DJ exponents and Dub Poets create from a concept of functionality and work from themes
evident around them. Their messages and stories come from their life experiences and are presented using language that is common coinage within their community. From these communities came many of the young men who would end up in the Alpha Boys home, now transformed into a Music School, or the Stony Hill (Government) school, and who would emerge with highly prized musical skills.
HEADLEY JONES
Jamaican musician and electronic technician
Headley Jones, made the first solid body electric guitar in the world, in 1940. At the time of his invention, he was playing banjo in a band led by Hol Foster, featuring Isaac Elliott, a popular Jazz and Hawaiian guitarist of the period 1935-43. Jones made electric guitars for his colleagues playing in dance bands, as well as for guitarists playing in the US War services Band at the base in Vernamfield - Clarendon.
Jones’ expertise as an electronic technician has made him a seminal person in the development of Jamaican popular music as it was he who made not only the first sound system for Dodd, but it was he who built Dodd’s recording studio at 13 Brentford Road and serviced the equipment for one year to launch Dodd’s career as Sound System operator, record producer and promoter. It was in this studio that Ernie Ranglin, playing a Jones guitar, accompanied young Bob Marley in 1964 on his debut recording “It Hurts to be Alone”. / P
Excerpt from Myrna Hague Bradshaw Doctoral Thesis
From opposite page left to right: Headley Jones (Guitar); Clement Seymour Dodd (aka Coxone - Studio One); Kenneth Lara (aka Lord Lara Calypsonian - Guitar); Sonia Pottinger left - (Record Producer); Coxone in Studio One
In 2014 Royal Huisman teamed up with regular supporters to acquire the Bucket Regatta. This allowed for a relaxed, owner-focussed culture of these special “industry supported” events for the long term.
From the First Bucket Regatta in Nantucket to the annual races in
ST. BARTHS GLAMOROUS
Super-J Hanuman, the 42m modern recreation of Endeavour II, racing the spectacular waters of St. Barths ©Photo by Cory Silken.
‘‘ Not many can claim to have taken part in the first ever Bucket Regatta… ’’
Aquarius and Hyperion ©Photo by Royal Huisman
St. Barths Bucket Regattas: An increasing number of superyacht owners have come to recognise that the thrill of the regatta circuit coupled with the relaxed social ambiance they can enjoy ashore with fellow owners, guests and crew at a regatta makes the perfect complement to their ocean cruising itineraries.
Featuring the largest sailing yachts on the planet with 200 full-time crew, 140 industry professionals, and over 1000 aficionados, the entry list of the 2024 edition contained 35 vessels including four Royal Huisman yachts: Nilaya, Aquarius, Hanuman, and Hyperion.
Nilaya, winner of Race 3 and third overall in ‘Les Mademolselles’ class.
©Photo by courtesy of Royal Huisman.
A
Royal Huisman was represented back then and is proud to be a present day
‘Bucket Steward’.
The St. Barths Bucket is indelibly marked on the calendars of more and more sailing superyacht owners. The regatta is the queen of all superyacht regattas. Simply put, it has everything going for it. The obvious draw is that it takes place in and around St. Barthélemy, a small French island in the Leeward chain of the Caribbean. This pristine island with 5-star hotels, delectable restaurants, seascape villas, glorious beaches, translucent waters, chic shopping, and hilly topography is the ‘it’ island of the cognoscenti. Yacht owners enjoy relaxed ‘feet in the sand’ rosé lunches with fellow owners and guests as well as team spirit dinners with their crew.
‘‘ In the spirit of the Bucket we are all winners!
’’
Entry list of the 2024 edition of the St. Barths Bucket Regatta contained 30- some vessels including four Royal Huisman-built yachts: Hyperion, Hanuman, Aquarius, and Nilaya. The 47m/156ft Hyperion and the 42m/ 138ft J-Class Hanuman —(supported by her 1930 escort motor vessel Atlantide, which had an extensive rebuild at Huisfit) — have been long time Bucket participants. Hyperion and Hanuman have had many wins and line honours over the years. This year Hyperion came is second overall in Les Mademoiselles class. Hanuman came in second overall in Les Elegantes class and 56m/186ft Aquarius, delivered in 2018, (first in class in the 2019 and in 2022 Buckets) winner of race one, and second overall in Les Gazelles class this year. Her
47m performance sloop Hyperion: second in ‘Les Mademoiselles’ class. ©Photo by Cory Silken
larger sister ship Aquarius II is currently in build at Royal Huisman for the same owners and, no doubt, she will also be a future Bucket participant. 2024 marked the first year for the participation of the 2023- launched 47m/154ft Nilaya She was the winner of race 3 in Les Gazelles class and 3rd overall in her class.
Royal Huisman is one of two official ‘stewards’ of this world class event. In fact, Bucket Regattas and Royal Huisman have enjoyed a long term relationship that goes way back to the first Bucket—the Nantucket Bucket — which took place in 1987. The 82ft/25m Royal Huisman-built Volador, owned by American, Charles Butt, was one of the original yachts that participated in that infamous ‘for fun only’ race, organised — rather loosely — by a handful of owners and their captains. The origin story of the original Bucket varies a bit depending on who is telling it. Since all is based on 37-year old memories, the lore around those early days cannot easily be fact checked. Nor does it really matter. It’s always been the spirit that counts.
Roger James, the captain of Volador, was good friends with Peter Goldstein, owner of
Flying Goose. Volador had a dock in Nantucket for the summer and Goldstein who commuted to the island on weekends from New York City kept his dinghy on the dock behind Volador as his boat was anchored out. According to Goldstein, he arrived from NYC one night and James invited him for drinks onboard Volador. As happens among sailors, the two began bragging about their single handed abilities and then about which boat was faster than the other.
The two determined to race out to the green buoy and back the next day to prove their mettle. As the evening wore on, weather set in, and the wind was blowing hard. Captain James suggested Goldstein not risk going out to his boat in his dinghy but instead spend the night onboard Volador. The next morning
This page (L-R): Opposite page: The 56m Aquarius (I) is ‘close to perfect’: her owners simply want a larger yacht – and even more impressive performance. The 65m Aquarius (II) is currently under construction at Royal Huisman and will be delivered to her owners later this year.
©Photo by Cory Silken; A relaxed, racing atmosphere onboard Hyperion, Photos by Royal Huisman ; Opposite page (T-B): “Around the Island” exhibition on St. Barths by Cory Silken; A fun filled experience shoreside.
John Clyde-Smith the captain of Nelson Doubleday’s yacht Mandalay popped by and the idea of putting together a friendly race gained steam. Doubleday’s wife’s birthday was coming up, so it was decided to have the race the following weekend, making it an event where the family and crew were one for a weekend. The race was an invitational race, not a professional one. The first year there were 7 or 8 boats, The cost for entering that race was $300 a boat. And as it was his wife’s birthday, Doubleday offered to invite all to a celebratory post-race clambake.
The first Bucket was a big success and grew every year. After 15 years, Goldstein who was in charge of all— including engraving winners’ names on the silver trophy purchased by Doubleday at a Nantucket antique emporium— decided they should call it quits while they were ahead. The stakes had become higher, concern for safety, handicap rules and ratings were becoming challenging, and, as Goldstein said, “The boats are getting bigger, and it is all getting too complicated.” Furthermore, there is no room on the trophy for any more names.”
Conventionally, many super sailing yachts summer in New England and the Med but head to the Caribbean in the winter. In 1995, the idea of the St. Barths Bucket was conceived by some who had partaken of the Nantucket Bucket. Thereafter, a Newport Bucket took flight. Eventually, the Newport Bucket ran its course and ceased to exist, but the St. Barths Bucket had staying power, and its legend lives on. Royal Huisman is thrilled to be one of its chief supporters. royalhuisman.com/ stbarthsbucket / P
(T-B): A photographic journey of Royal Huisman’s Ultimate Expression of Personal Freedom; In the spirit of the bucket we are all ‘winners! Mark your calendar for the 2025 edition: 13–16 March. ©Photos by Cory Silken.
Emilio’s collection uses references from the past, vision, and values of contemporary themes, and culture.
EMILIO BONADIO
Photography by Daniel Passarelli
Fashion interpreting the fascination with the world of classical art — dreamy garments created for that special occassion focused on party dresses and elegant suits.
Designer: Emilio Bonadio Models: Eleonora Cracco, and Adrian Prepah Makeup and Hair: Sofia Motta
PREFERRED PARTNERS
Stocking JamaquePARADIS in their rooms, spas, and lounges.
SANMARZANO WINE
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ANGUILLA
Four Seasons Resort & Residences
Belmond Cap Juluca
Malliouhana
ANTIGUA
Jumby Bay Island, an Oetker
Collection of Masterpiece Hotels
Tamarind Hills
ARUBA
The Ritz-Carlton Spa
Private Jet Terminal
BAHAMAS
The Ocean Club, A Four Seasons Resort
The Rosewood, Bahamar
BARBADOS
Cobblers Cove, Relais & Chateaux
Port St. Charles Villas & Marina
Port Ferdinand Luxury Residences
The Fairmont Royal Pavilion
BERMUDA
Rosewood Bermuda
Azura Bermuda
BONAIRE
Harbour Village Resort
BRITISH VIRGIN ISLANDS
Rosewood Little Dix Bay
CAYMAN ISLANDS
The Ritz Carlton, Spa
The Westin Resort Spa
Kimpton Seafire Spa
CUBA
Gran Hotel Manzana
Kempinski, La Habana
CURACAO
Baoase Luxury Resort
Airport VIP Lounge
DOMINICA
(The Commonwealth of)
InterContinental Dominica Cabrits
Resort & Spa, an IHG Hotel
DOMINICAN REPUBLIC
Eden Roc at Cap Cana, Relais & Chateaux
Tortuga Bay Punta Cana
Resort & Club
Casa de Campo Resort & Villas
GRENADA
Calivgny Island
Mount Cinnamon Resort and Beach Club
GUADELOUPE
Hôtel La Toubana
Villas Chez Flo
JAMAICA
Round Hill Hotel & Villas
Half Moon Hotel & Villas
The Cliff Hotel Negril
Island Outpost Properties — Golden Eye | Strawberry Hill
The Caves
Jamaica Inn
MARTINIQUE
Le Cap Est Lagoon Resort & Spa
La Suite Villas
MEXICO
Rosewood Mayakoba, Cancún
Belmond Maroma Resort & Spa, Cancún
NEVIS
Four Seasons Resort
Montpelier Plantation Inn
PUERTO RICO
Ritz-Carlton Reserve, Dorado Beach Spa
The Plantation Residences, Dorado Beach
Airport VIP Lounge
SABA
Queen’s Garden Resort
ST. BARTHELEMY
Le Guanahani Hotel
Le Toiny, Relais & Chateaux
ST. EUSTATIUS
The Old Gin House
Golden Rock Dive & Nature Resor t
ST. KITTS
The Park Hyatt
Kittitian Hill Belle Mont Farm, Boutique Hotel
ST. LUCIA
Cap Maison Luxury Boutique Hotel
Sugar Beach, A Vice Roy Resort
ST. MARTIN
Belmond La Samanna
ST. VINCENT & THE GRENADINES
Mandarin Oriental Pink Sands Club, Canaoun Island
Petit St.Vincent Private Island
Sandy Lane Yacht Club & Residences
TOBAGO
The Villas at Stonehaven
TURKS & CAICOS
The Palms
The Shore Club
US VIRGIN ISLANDS
Ritz-Carlton Destination Club Residences
FiNAL LOOK
ROLEX, MOTOR SPORTS, CELEBRATING A TRADITION OF ENDURANCE AND EXCELLENCE
The 24 Hours of Le Mans is the world’s oldest and most iconic endurance race, where teams compete to cover the greatest distance in 24 hours at Circuit de la Sarthe. Throughout its over 100-year history, the race has required drivers to continuously refine their skills, while the intricate balance between a car’s speed and its reliability is tested in extreme conditions. Rolex has supported the event since 2001 as the Exclusive Major Partner and Official Timepiece, recognising the values at the heart of this ultimate challenge: prestige, durability, dedication and excellence. As the only driver to have won the 24 Hours of Le Mans nine times, Rolex Testimonee Tom Kristensen, is an emblematic figure in the world of motor sport. Rolex.com / P
Tom Kristensen is the most successful driver in the race’s history. Kristensen has been a Rolex Testimonee since 2010. Shown here: Rolex Professional Cosmograph Daytona Everose Gold.
