April 2011 Pennon

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APRIL 2011

THE PENNON IS ONLINE AT: northshore.edu/pennon

An Artistic Perspective

A Debt to Pleasure

• A Monthly Publication For The Students of North Shore Community College, Danvers, Lynn & Beverly, Massachusetts •

BY NELSON BAKER

One of our own here at NSCC, Professor James Chisolm, has been an Professor of art for close to 9 years, and an instructor for more than 38 years. Chisholm taught at Endicott College for 14 years, at the University of New Hampshire, and for Harvard

ing.

Much of what Chisolm has painted on his own time has been outdoors, using water colors and oil. One of his favorite times to paint is during the cold weather. He described a time when it was so cold that his painting literally froze, and he had to bring the watercolor painting home to let it melt. There was another time he was

BY CHRIS RICCI AND AMANDA WORONECKI

Montserrat College of Art is holding “A Debt to Pleasure” show in the gallery until April 2. The pieces of artwork are a whirlwind back to traditional styled painting that is keen on realism while it is fresh for contemporary appeal and

new concepts. The artists in this exhibition are Julie Heffernan, David Ording, Shelley Reed, Erik Thor Sandberg, and Anne Siems. The artwork makes the viewer question what time period these paintings belong in. This group of artists combined in one show emphasis on the importance of historical painters. The Modernist con-

cepts of today are stale and show very little thought of how painting originated. A painting is a decoration and an aphorism simultaneously. Shelley Reed portrays her still life subject matter in black, whites, and gray tones yet her technique is reminiscent of Dutch painters. Her painting is luminous and transcends the normal beauty of classical and exotic subjects with a sinister feel. The monotone colorless palette tarnishes the grand theme that has been celebrated years past. The peacock does not seem lively. The fruits and flowers symbolize innocence, fertility, and wealth but they do not seem to thrive with vibrancy without color. Reed illustrates her concepts to explore oldworld symbols and allegorical realism to speak against where modern art world is heading. It CONTINUED ON PAGE 3

Painting by Professor James Chisolm

University Extension School for 34 years in conjunction with the Boston Museum of Fine Arts, and continues to instruct drawing at the Boston Museum of Fine Arts, and the Peabody Essex Museum in Salem. His knowledge of painting and art history extends beyond the classroom, and he has created many award-winning landscape paintings both outdoors and in his studio in a completely natural setting. In the beginning, Professor Chisolm’s students learn basic academic drawing practices. Advanced classes enable students to create their own compositions, and eventually create a compendium paint-

INSIDE:

doing a painting on the marsh on a cold and windy day, and “it came out perfect,” he said. Chisolm uses different techniques when it comes to his style, but nature is always present. “If it’s raining, it goes into the painting,” he said. “I draw what I see. It’s just myself and nature.” In 2007, Chisolm and NSCC art club members created a wall mural for the activities room at Radius Health Care in Danvers. He also has done murals of Lynn Beach. With a long list of respectable artistic achievements, Chisolm clearly has an eye for art and has much to CONTINUED ON PAGE 2

Latin American Journey Page 3

Japan: A Spirit Unshaken

BY NELSON BAKER

Over the past week, the people of Japan have been bombarded by devastation beyond comprehension. They were hit by a magnitude-9.0 earthquake, stronger than any ever recorded

A Hero For Fenville Page 7

in the country. What followed was a deadly tsunami that killed thousands. At the center of it all, Japan has displayed a character in their people that is simply inspiring. The numbers are horrifying. The video clips are unbe-

lievable. As of March 23, there are over 9,500 confirmed dead, with close to 13,000 still missing. Hundreds of thousands have been removed from their homes because of threats of nuclear radiation from plants that are threatening a reactor meltdown. Hundreds of homes have been uplifted, and washed away, along with countless vehicles – basically anything you can think of. Some villages have been completely wiped off the planet, with entire families having lost their lives. There is even video of ships being taken by the current and smashing into bridges. There are reports of stores with empty shelves. People are beginning to run out CONTINUED ON PAGE 2

Phil Hartman Page 8

New “Faces in the Hall” Page 16


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