Portfolio EA1-EA4

NICOLE Ni cole T sai

PO RT F O L I O

UNIVERSITY

2020

UNIVERSITY

UNIVERSITY

TAMKANG

2016

TAMKANG

T S A I TAMKANG

L ife is architecture an d archi te cture is the mirr o r o f life .

- I . M . Pe i

ABOUT ME

EDUCATION BACKGROUND SEPT 2013 - JUN 2016 /

Wu li ng Seni or Hi gh School

SEPT 2016 - PRESSENT / D epartm ent of Archi tectu re | Tam kang Uni versi ty

AC ADEMIC HO NO UR S S EP 2016 - J U N 2017 EA 1 /

Teacher Wang Ji kun Archi tectu ral D esi gn Excellence Scholarsh i p | 1- 3st

S EP 2017 - J U N 2018 EA 2 /

Teacher Wang Ji kun Archi tectu ral D esi gn Excellence Scholarshi p | 1-3s t

O C T 2016 EA 1 /

Tam kang 66 Stu dent I nstallati on Exhi bi ti on Com peti ti on | 3st

AC ADEMIC EXPER IENC E

NICOLE TSAI

D EC 2016 EA 1 /

1997/09/24 ntiscaoile@gmail.com +886 9256212131 9F., No.160, Tongde 6th St. Taoyuan Dist., Taoyuan City 33045 Taiwan (R.O.C.)

F B : 蔡妮可 ( N I C O L E T S A I ) IG : ntiscaoile

Art D esi gn Com peti ti on | Tungnan Uni versi ty

M A Y 2017 - J U N 2017 EA 1 /

Tsuboni wa Bam boo Pavi li on | Tam su i Port

A U G 2017 - S EP 2017 EA 1 /

Constru cti onal Workshop | Fu ji an,Ch i na | Posi ti on: Team leader

2017 EA2 /

Carpentry Workshop | Tam kang Uni versi ty | Posi ti on: Teachi ng assi stant

2018 EA3 /

Carpentry Workshop | Tam kang Uni versi ty | Posi ti on: Teachi ng assi stant

2019 EA4 /

Carpentry Workshop | Tam kang Uni versi ty | Posi ti on: Teachi ng assi stant

PR O FES S IO NAL EXPER IENC E SEP 2017 EA2 /

Redner Stu di o | Modeli ng

JUL 2019 - SEP 2019 EA4 /

EXT R ACUR R IC UL AR J U N 2017 EA 1 /

Tsuboni wa Bam boo Pavi li on Fi nal Exhi bi ti on | Posi ti on: Arti sti c D esi gn D epartme n t

D EC 2018 EA 3 /

Archi tectu re Week - Bi ngo | Posi ti on: Art D i rector

J U L 2019 EA 3 /

3rd Archi tectu re Cam p | Posi ti on: Adm i ni strati on Secti on

S EP 2019 - J U N 2020 EA 4 /

Facebook

Instagram

Issuu

Chao-Lung Li u , Archi tects i nternshi p | Su m m er i nternshi p

Stu dent Associ ati on

of T KU A rch. D e pt. 5 3 th

| Posi ti on: Arti sti c D esi gn D epartme n t L e ade r

CONTENTS 01 He a rt Broke n Hote l

06

02 House W i th M a rks

12

03 E nc la v e - U rb a n R e fi l l

22

04 M a ke Y our O w n Ho u s e

28

29

05 Flow i ng i n A R T

34

35

06 Ci ty Com e I n

36

37

07 Coon

38

01

look at yourself as a bystander - perspective

07

house that change with time- ritual

13

from movie to architecture - Heterotopia

23

21 centry social housing

39

regional art museum

Tamsui culture center

complex offi ce building

08 09 10 11

F a b ri c Culture M use u m C o-re a d i ng Sta ti on B a m b oo Struc ture Wood Struc ture

40

Nic��� Cl���

Sh��� Nic���

N�n��

N�n��

Cl���

N�n��

Peg��

Yv���� Peg��

R����

Yv����

R����

H EA RT B R O K EN H O TEL

T KU 2020 SPR ING EA4 PR OJECT / Hotel Instructor : Hi deki Hi rahara Si te : T am sui Di st., New T ai pei Ci ty 251, T ai wan ( R . O . C . )

I hope to design a hotel for the heart broken people.At here they all have a goal to stay here, say goodbye (burn something from the tower)to the past, and then move on.However, the process of healing is not easy,so I also create many space for people who didn't make up their mind yet , it's fine here if you regret .On the way to the hotel,from afar you will see a long bridge over the original site.This horizontal bridge and the virtical tower create a black , which make people feel the beautiful of silence.

In the hotel,Repeated and similar space can be distinguished due to different events happen there. and people have a sense of surprise in every space.By constantly realizing that someone who is as sad as you lives here too.Suddenly.watching others is like watching yourself.The first-person and third-person perspectives start changing .in the end, everyone can reach the tower that burns the past to the future.Then say goodbye to injury.

PERSPECTIVE There are three characters in this interesting photo.The person in the photo who took the picture with the building / the person who took the picture for him / the person who took this interesting photo.In the same space time,different results due to different perspective.I think is really interesting.

I brought in the experience myself of writing a diary by replace the first person perspective with third person perspective, this is a simple way to increase the psychological distance, look at yourself as a bystander will actually make people more calm when facing objects. So I started thinking, can architecture also achieve the effect of changing the phycologcal distance ?

Site : Tamsui Dist., New Taipei City 251, Taiwan Be�u�i���

B�id��

I chose the site at a distance from the Tamsui Customs Wharf,On the way to the hotel,from afar you will see a long bridge over the original site.This horizontal bridge and the virtical tower create a blank , which make people feel the beautiful of silence.

PLAN

site plan

second floor

third floor

for th floor

fifth floor

sixth floor

S��n�

R���� / Lo�� �� �n� �e� w��� wa��� �u�� ���� fa�� O��� ��l��e� �y��l� t� ��� �� ��� �h���� C�n�u�� �e�r� �i�� ba�� wa��� A� i� I h��� ����� ���e� I d��'� w�n� t� a��i� �ha� I’� ��� E��� i� n�bo��’� ���� .

Shad��

Sh��� / F����i�� s��n� c��� �r�� ��� �h���� ro��.

S��e��� ���e� t� c���� �� s����n� �i�� ��� �h���� I lo�� a� ��� c��� wa��� ���r��n��n� �� .

M�����n� t� �y��l� : “O�� d�� ��� �e�r� ���� ���� �nt� ��� ����� E��n�u���� ga���� �nt� ��� �e� An� ���� ��� �e�wa��� �v�p�ra�e� �nt� s��� W� �h��l� ���ea�� �� h�p��” I �ud����� s�� ��� �i�h� �n� �eg�� t� ���� ������e� . �n� st��e� ��m��n� �� f�v��i�� s�n�.

Cl��� / I �i� ��� �ig����� �n� ��h��e� �m��� W��� wat���n� �m��� �is��pa�e� �� ��� ��n�e�, �ud����� c��� ��� f����i�� ��lo��.

"I�'� ��� s�n�" I ��i����e� .

"O� m���� ,�� �us� ���" s����e� �u� �� �ig����e�, I �nc�ns�i�u��� ����e� ��i� s�n� ag��� A s�n� I �h�u�h� I w���’� ��n�i�� ag��� C��'� ��n� "O��"s�n� ���m��� a� �eas� I s���� w�n� t� h��� "M�"s�n�

S����

N�n�� / Wh� i� ����n� �� ��� ��nd��?

T�� �had�� c��e� �nt� �i�h� �l�n� ��� w��� .

T�� ��� i� ����n�,��� �had�� �is���e��e� .

I wa� w�n����n� wa� ��� �had�� �is���e��e� �ec�u�� ���’� �e�u�� t� ���� �� ��� �i�h� �� ��� ��rs�� �n���� ���e� �n�u�� �n� �e���?

N�n�� / Pe���� ��p� �����n� y�� t� w��� ��.

W��� m���n� � ��� � �of��� m��� ���ng� �����?

O� ���� i� ���� w�r��� �ns���i� t��i�h�?

Peg�� / 19: 03 / O���e� �� ��e�, Cof��� �r�m� ���ea� �r�� ��� do��.

“S��� �of��� �i�h� �� g�o� .”I ��i����e� t� �y��l�.

I ���� ����i�� ,��n�� tod�� i� ��� �rs� ���� I w��� �� �i�h�u� ������n� � �i� �e���n�.

H��� ���e�i�� m���� s���h�� �����e��n� �ha� I s���� w�n� t� ������� �h�u�h� I los� �� �e��.

Ins���i�

Peg�� / 20: 48 / G� f�� � w��� ���� ������ Ni�h� ������ ��n��� t�u��e� �� ��e�� .

Te�r� ma�� ��� ��n� c�l���, ��i�� c�� ma�� �� c��� d��� lo�� a� ��� c��� �����, W��� ���� �e���� ���� ����y���n�?

H�� l�n� i� i�?

1 d��, 1 m�n�� , �� 1 �e��?

I �e�i�� t� g� ba�� t� �e� , A��� ��� , ��� fas�es� ���� pa�e� �� ��� ��e��.

B���

Yv���� / D�e��e� �b�u� ���� ag��� E��� ��i� ro�� i� p���u�e� .

A��� ���� �� �i�� ���� �us� d��’� �e� g� � �� ���� �� �� ��m���e�.

De�i�e� t� g� �u� f�� s��� ��e�� ���.

I� ��� �ist�n�� ,wa� � ���� ����n� �� ��� ��id�� �l�n�.

S��m� �ha� I �� ��� ���� ��� st�� �� la�� t��i�h�.

Yv���� / En�r�n�� Pi��e� ��� �i��es� s�u��� Pu� �� �i� ��ot� �n� �lo�� ��� �r����.

S ��� �� ��� st��r� �i�h�u� lo���n� ba�� Y�� h��� g��� ba�� �n� f��� ��� st��r� �ha� y�� c��l��’� c��n� h�� m��� ���e� F��� ��v���e� ��m���e� �b�u� ���.

I wat��e� ���e���.

Un��� ��� a��e� �is���e�r� �i�� ��� ��n� .

R���� / Sm��� ��i� �u� A����� ��rs�� s�i� g�o���� t� ��� pas� I h��� �ls� ���e� t� g� Bu� I ��w�y� �e��e� ���� ��� las� s��� i� ��� F���na����, T�� t���� ���� ��w�y� �� �� �la�� W�i� f�� ��� t� �� �ea��.

6

7

8

9

10

11

12

13

14

15

16

17

H O U S E wi t h M A RK S

T KU 2020 SPR ING EA4 PR OJECT / House Instructor : Hi deki Hi rahara Si te : Datong Di st., T ai pei Ci ty 103, T ai wan (R .O. C . )

I think the difference between ritual and roitine is that routine is for survival,it is physical satisfaction, and ritual is for life , psychological satisfaction.The path of mordern people are fast, too many distractions make it impossible to focus on yourself,ritual is a way for us to experience the wirld deeply,make us serious, respective,and love our life,or to be ready for the next state.

I started to create some extraordinary things or impression moments in the routine to let people change their emotion in the space,make ordinary things produce extraordinary connotations.

Site : Datong Dist., Taipei City 103, Taiwan Dadao���n� P���

The choice of the site is one of the street houses on Dihua Street.The reason for choosing this site is that one side of the site is the lively Dihua commercial district, and the other side is Dadaocheng Park, sandwiched between two spaces with ver y different functions. From business district to private house, through the creation of a sense of ritual, to achieve a mood to change

D��u�

c����r�i�� �is��ic�

D��u� c����r�i�� �is��ic�

Dadao���n� P���

E L E VAT I O N

In the final design, I mainly used these methods to create some extraordinary things or impression moments in the house of 5 family members.

1. Door Symbolizes the end of one journey and the beginning of the next, through the hint of completion and beginning to achieve a sense of ritual 2. Height difference (action) Stairs, height differences can presuppose human behavior, which also creates a sense of restraint

In the picture ,there are circutious path ,high and low stairs,many walls and door between the girl and the green area.the series of desine between the girl and the destination make me think of ritual.I think the difference between ritual and roitine is that routine is for sur vival,it is physical

3. Corridor The uniqueness of the path gives people a sense of restraint, which has the meaning of ritual. At the same time, there are some water areas in the design, which can also form a sense of restraint

satisfaction, and ritual is for life , psychological satisfaction.The path of mordern people are fast, too many distractions make

4. Color (visual)

it impossible to focus on yourself,ritual is a way for us to experience the wirld deeply,make us serious, respective,and love our life,or to be ready for the next state.

5. Open the window (memory point)

6

7

8

9

10

11

12

13

14

15

16

17

The most important thing in my design is light.First of all, I list the routines of the users in the design, and at a specific time and specific place, through a variety of layer forms, such as patterns, refractions, reflections, etc, to create unique marks, the light is controlled through the combination of different layer to form a symbol, which is the part I have been constantly trying in this design.

T���

A

T���

B

T���

C

T���

D

T���

E

T���

F

T���

T���

G

H

T���

I

for example, at five in the afternoon , The light will shine into the office through the west window, and it will be reflected by the metal to produce an orange pattern, and this has become a sign that the hostess must go home every day after work, or at 10 o'clock, the sun shines through the window In the office, through the small round hole opened on the ground, and at the entrance when the hostess changes from the living space to the office space

Type A

Type B

Type C

Type D

Type E

Type F

Type G

Type H

COLOR COLOR CORRECTION

LONG TAKE

EN CL A V E - U R B A N R EF I L L

T KU 2019 FALL EA4 PR OJECT / PUBLIC AR CHIT ECT U R E Instructor : Chen Chen-cheng Si te : Da’an Di st., T ai pei Ci ty 106, T ai wan (R .O.C.)

Enclave “a part of a country that is surrounded by another country, or a group of people who are diff beerent from the people living in the surrounding area�

The design starts from the analysis of heterogeneous space, and divides the method of forming heterogeneous space into four major categories, namely A.self-change The space with the same nature originally has some functional changes with the passage of time, becoming an enclave different from other spaces.

B. External change The space of the same nature originally, because of the passage of time, the things that maintain the original state begin to be disconnected from the future to form an enclave.

C.invade In the process of socialization, we entered the group from individuals, unable to integrate into the group and accepted as a niche, forming an enclave by ourselves.

D.surround Originally the same space.There are gaps to allow other spaces to enter, forming a meeting of different properties, and intruders forming an enclave.

Then I applied these four logics to movie. By analyzing the filming technique, I tried to understand the reason why movies made people feel out of time. Finally, I made the final four designs through digital calculations.

A.

SELF-CHANGE

B.

/keyword/

EXTERNAL-CHANGEG

/keyword/

CONCEPT transform modern

/ 原本性質相同的空間 隨著時間的流逝 開始有些機能的改變 成為異於其他空間的飛地

/ 原本性質相同的空間 隨著時間的流逝 開始有些機能的改變 成為異於其他空間的飛地

A

COLOR

CORRECTION

B

E

C

D

MAKING

constant retro

COLOR

UNITS

LONG TAKE TRANSI TI ON

R E VE N G E

CORRECTION

1:00 min

REAL WORLD 1:00

2:00

3:00

4:00

5:00

1:00

2:00

3:00

4:00

5:00

ME MORY BLOOD

a

B

c

D

2:00 min

V I GOR

e TR A N S I TI O N

WARMTH

HIGHLIGHT

CONTRAST

MOVIE

A.

B.

S EL F -CH A N GE

3:00 min

EXTERNAL-CHANGEG

4:00 min

NATURE

NE W

5:00 min

TR A N S I TI O N A

B

C

D

E

F RI GH TE NE D

ME MORY

B LOOD Y B A TTL E A

C

E

a

c

e

MEMORY

1:00

MOVIE TIME (STATIC)

TIME OVERLAP

2:00 3:00......

F I GH T

BASE

AUXILIARY

PROGRAM / SITE ASSEMBLING + FILM STUDIO The last one selected the gap between the two measuring bodies to develop a movie salon. The

STEP 1

first floor to the fifth floor are used as borrowing spaces for movies and related books, extending to the small lecture hall held on the top floor as a forum space. , It is the patte that the outer

LONG TAKE

facade will produce a gradient due to the internal activiti e s

ELEMENT

STEP 2

STEP 3

STEP 4

COLOR CORRECTION DRAEING

&

RENDERING

PLAN

COLOR CORRECTION The last one selected the gap between the two measuring bodies to develop a movie salon. The first floor to the fifth floor are used as borrowing spaces for movies and related books, extending to the small lecture hall held on the top floor as a forum space. , It is the patte that the outer facade will produce a gradient due to the internal activities

FIRST FLOOR

B

SECTION

A

SECOND FLOOR

THIRD FLOOR

SECTION A

SECTION B

B.

EXTERNAL-CHANGEG

/keyword/ constant retro

CONCEPT

MAKING

/ 原本性質相同的空間 隨著時間的流逝 開始有些機能的改變 成為異於其他空間的飛地

LONG TAKE

LONG TAKE

LONG TAKE

PATH

1:00 min

REAL WORLD 1:00

2:00

3:00

4:00

5:00

1:00

2:00

3:00

4:00

5:00

2:00 min 3:00 min

MOVIE

B. EXTERNAL-CHANGEG

4:00 min

1:00 MOVIE TIME (STATIC) 2:00 3:00......

5:00 min

TIME OVERLAP

P RO C E S S A B

A

B

C

D

C D

PROGRAM / SITE + LECTURE

ASSEMBLING

For the selection of the base, I chose several unused spaces in the eastern district of Taipei to design.

The first building is a film memorial at the crossroads. The concept is a long lens. The calm space con trasts with the disturbance of the outside business circle, and uses a tall and sculpted structure to create a memorial different from other spaces

STEP 1

BLOCKING ASPECT RATIO

STEP 2

STEP 3

LONG TAKE DRAEING

&

RENDERING

PLAN

LONG TAKE For the selection of the base, I chose several unused spaces in the eastern

district

of

Taipei

to

design. The first building is a film memorial at the crossroads. The FIRST FLOOR

concept is a long lens. The calm space contrasts with the disturbance

of

the

outside

business

circle, and uses a tall and sculpted structure to create a memorial different B A

SECTION SECOND FLOOR

THIRD FLOOR

SECTION A

SECTION B

from

other

spaces

D.

CONCEPT

SURROUND

+

initiative

/ 原本性質相同的空間 有縫隙而使其他性質的空間 得以進駐 形成不同性質的交會 侵入者形成飛地

MONTAGE

MONTAGE 1:00

2:00

3:00

4:00

MONTAGE

START

5:00

1985

1.33 : 1

2:00

3:00

4:00

5:00

TI ME AFTER MO NTAGE

1.85 : 1

2:00

4:00

3:00

1.85 : 1

second tim e

third tim e

1:00 5:00 TI ME BECO ME LO O P

UN I T P VC

first tim e

TI ME 1:00

MAKING

/keyword/

1968 FIR ST TI ME

S E CO N D TI M E

TH I R D TI M E

1932

D.

C. INV AD E R E AL W O R LD

1: 00

1.33 : 1

+

+

2.35 : 1

2.35 : 1

5: 00

2: 00

R EAL TIME

TI ME MO NTAGE

4: 00

3: 00

DIFFERENT TIME END

UN I T M D

48

15

16

31

PROGRAM / SITE AS S EM BL I N G + MTV The second building chose the open space site the high-rise building as the MTV sp oppohope to break the past image of everyo ace. I n e s s t o t h e M T V s p a c e , a n d s u b d i v i d e tn e ' s c l o s e t u r e i n t o m o r e s m a l l s t e e l s t r u c t u r e s thoe s t r u c t h e t r a n s p a r e n c y o f t h e s t r u c t u r e . P e o p cl r e a t e s p a c e c i r c u l a t e w i t h e a c h o t h e r , a n d t h ee i n t h e c a n a l s o v a g u e l y s e e t h e i n t e r n a l a c t i v i toi u t s i d e making MTV an open leisure activity

es,

BLOCKING ASPECT RATIO

6

14

76

MONTAGE DRAEING

&

RENDERING

PLAN

MONTAGE

The

second

building

chose

the

open space opposite the high-rise building as the MTV space. I hope to break the past image of every-

FIRST FLOOR

one's closeness to the MTV space, and subdivide the structure into more

small

create

the

structure. circulate

steel

structures

transparency People

with

in

each

of

the

to the

space

other,

and

the outside can also vaguely see the

SECOND FLOOR

MTV

B

SECTION A

THIRD FLOOR

FORTH FLOOR

SECTION A

SECTION B

internal an

activities,

open

leisure

making activity

D.

rd/

SURROUND

CONCEPT

MAKING

/keyword/

e

+

initiative

/ 原本性質相同的空間 有縫隙而使其他性質的空間 得以進駐 形成不同性質的交會 侵入者形成飛地

ASPECT RATIO

A S PEC T RA T I O

first time

ASPECT RATIO

S T ART

UN ITS 1985

1. 33 : 1

P A TTE R N MOL D

1.85 : 1

second time

1. 85 : 1

third time

1968 SECOND TIME

2.35 : 1

2. 35 : 1

THIRD TIME

D.

1932

S U RRO U ND

1.33 : 1

REAL WORLD

+

FIRST TIME

1:00

5:00

2:00

MO V I E 4:00

3:00

DI FFE RE NT TI ME

1968

2.35 : 1

E ND

PROGRAM / SITE A S S EM B L IN G

+ OUTDOOR THEATER The third building selects the op next to the existing bar. The stru tends from the first floor to the

en space

cture ex floor, with different cortex textur ating a visual illusion. The inte

third

es, cre gram is set to a semi-outdoor movi rnal pro ater to match the bar space. A sp combines movies and life

e the ace that

PA T T ERN

ASPECT RATIO DRAEING

&

RENDERING

ASPECT RATIO

PLAN

The third building selects the open space next to the existing bar. The structure extends from the first floor to

the

third

different

floor,

cortex

with

textures,

creating a visual illusion.

THIRD FLOOR

The internal program is set to

a

semi-outdoor

theater

to

space. combines

B

SECTION

A

SECOND FLOOR

FIRST FLOOR SECTION A

SECTION B

match

A

movie

the

space

movies

and

bar that life

2 1 C EN TRY S O C I A L H O U S I N G

T KU 2018 FALL EA3 PR OJECT / SOCIAL HOUSI N G Instructor : LI, AN-R W EI Si te : Bei tou Di st., T ai pei Ci ty 112, T ai wan (R .O.C.)

“ May everyone can have their own home �

Why doesn't the rented house feel like home? I think it is because the rented house often lacks the personality of the occupants, so in this design, I try to compress the minimum area of living through the flexible living unit, releasing more space to let everyone wash according to their own preferences to refit. Easy to operate with a modular frame system, everyone is their own designer

2 1

2 1

MAKE YOUR HOUSE

CONCEPT

for every member lives in 21 centry social housing

D E

N

03

E

X

THE TOTAL AMOUNT RE MAINS THE SAME, THE USER CHANGEE

THE TOTAL AMOUNT RE MAINS THE SAME, THE USE CHANGES

THE TOTAL AMOUNTCHANGES

G R A Y Z O N E

W

PLEN

T

E

GRAY ZONE

INSIDE

WITH THE ADDITION OF ARCHITECTURAL ELE

INSIDE

OUTSIDE

WINDO

FURNITUR

FIGURE GROUND DIRECT SPACE DICHOTOMY

MENTS, SPACE IS NO LONGER JUST A DICHOTOMY

INTO INDOOR (BLACK) AND

OF BLACK AND WHITE, BUT MORE GRAY ZONE

OUTDOOR (WHITE)

EXTENDING FROM THESE FLEXIBLE INTERFACES OUTSIDE

2 1

TIME / SPACE for every member lives in 21 centry social housing

CONSTANT INFILL

A

FLUXIONARY INFILL

F

B

A B

IN ADDITION TO THE CON BASIC NEEDS OF THE

STANT SPACE,THERE IS

F

HOME AND COMMUNITY

A B

D

SUCH AS BEDROOM,TOI LET,COMMUNITY CENTER.

SPACE THAT CAN BE FLEX IBLY CHANGED ACCORDING

B B

TO DIFFERENT NEEDS.

C D

F A

B

C

D

E

F

D

E C

B

A

B

C

D

E

F

L O O P

L I F E

Living is a basic human right, but living is just a place to shelter from the rain? I think the social significance of social housing is not just a place to provide a place to live. More importantly, give everyone a home of their own.By compressing the basic space in the room to a minimum, the released space provides each person to make their own space according to their preferences. The size of the elastic space is defined by the modularization, and combined with equipment such as a Rachel machine, it is convenient to assemble. Finally, Everyone has a unique "home"

02

T

A L P

01

R

E

Everyone is an architect"

C E

"in the future

REO RGA NIZ ATI ON

for every member lives in 21 centry social housing

TEMPORALITY PLAN - A

2 1

ASSEMBLY GUIDE for every member lives in 21 centry social housing

HOMELESS EMPLOYMENT HEALTH CARE

QUADRUPL ROOM

SAFE & FRIENDLY

FIRST STEP

selsct basic dwelling unit

+ BEDROOM + LIVING ROOM + STUDY ROOM

SECOND STEP

TEMPORALITY PLAN - B

which find of fram

ELDER

HANDICAPPED

HEALTH CARE

ACCOMPANY

ACCOMPANY

HEALTH CARE

SAFE & FRIENDLY

SAFE & FRIENDLY

+ BEDROOM

THIRD STEP

+ LIVING ROOM

chose infill meterial

+ STUDY ROOM

TEMPORALITY PLAN - C

FIFTH STEP didital manufacture

SINGLE

HOMELESS

EMPLOYMENT

EMPLOYMENT

CHILD CARE

HEALTH CARE

ACCOMPANY

SAFE & FRIENDLY

+ BEDROOM + LIVING ROOM + STUDY ROOM

SIXTH STEP assemble

DOUBLE ROOM

A

DOUBLE ROOM

B

21

PLAN/SECTION for every member lives in 21 centry social housing

first floor

for th floor

second floor

fifth floor

third floor

sixth floor

21

RENDER/ELEVATION for every member lives in 21 centry social housing

In an era where 3D printers, lazer cuts, robotic arms, etc. are beginning to flourish, how will the role of architects change?

I believe that in the days to come, architecture will become a matter of downloading files on your home computer and assembling it yourself

"in the future Everyone is an architect"

AMAZING Regional Art Museum - Elementary school and City Regenenation B

a se

This art gallery not only provid

es

exhibitions to tourists, but al

so

provides a field for the residen

ts

of the town to learn. More im

p o r-

tantly, it inspires children's im nation of li

a g i-

fe .

Therefore, the museum itself is work of art th an d

AMAZE

at

a

INSPIRES this to w n .

REG I O N A L A RT M U S EU M

T KU 2019 SPR ING EA3 PR OJECT / AR T MUSEUM Instructor : LI, AN-R W EI Si te : T am sui Di st., New T ai pei Ci ty 251, T ai wan (R. O . C . )

The art museum in the elementary school is also a space to activate the city. Through multiple openings, the art is released from the interior into the city.

At the same time, it also provides a space for children in the art class to display their works like the city, and Through the design method of the smallest curved surface, the indoor and outdoor are blurred, and the city and art begin to interact from here

SITE

CONCEPT Regional Art Museum - Elementary school and City Regenenation Base

STAIR

ENTRANCE

PLAYGROUND

Regional Art Museum - Elementary school and City Regenenation Base

The site is located in the Tamshui Elementary School, an open space connecting the flyover and the school, connecting the campus activities through different openings, and linking the city and the campus art museum

OVER PASS

WEST

COMBINE SOUTH

It is an organization that can breathe; it combines "institution" and "city", "art" and "life" to become a 24-hours network of "inside" and "outside" in the new era.

NORTH

EAST

SECTION AA

SECTION BB

SECTION CC

PLAN Regional Art Museum - Elementary school and City Regenenation Base

SECOND FLOOR

THIRD FLOOR

FORTH FLOOR

CONCEPT

FLOEING

Regional Art Museum - Elementary school and City Regenenation Base

Regional Art Museum - Elementary school and City Regenenation Base

This art gallery not only provides exhibitions to tourists, but also provides a field for the residents of the town to learn.

More importantly,it inspires children's imagination of life.

Therefore, the museum itself is a work of art that INSPIRES and AMAZE this town

The horizontal and longitudinal continuity space is symbolically separated in both horizontal and vertical directions. and maintaining maximum integration and continuity, achieving transparency,no barrier to traffic or minimal barrier,creating fluidity that allows people to feel VITALITY and desire to EXPLORE the space.

POROUS Regional Art Museum - Elementary school and City Regenenation Base

Buildings can be coordinated with the city.

Space is no onger a closed and independent machine. Instead, through many open pores, primary schools and cities can be INTEGRATED with art galleries.

People and buildings can establish a CONTINUITY with the city.

NATURAL Regional Art Museum - Elementary school and City Regenenation Base

The site is located in the green belt of the elementary school and is also the third hill of Tamsui.

OUTSIDE

networ

k of "inside" and " h e new e

ra .

o u tNATURE

side" in t

So it is hoped to PRESERVE natural environment of the site and allow nature to EXTEND to the building, providing green space which people now live in the cities,children in Tamsui elementary school were less able to test

MINIMAL SURFACE

GRASSHOPPER

SECTION CC

SECTION BB

Regional Art Museum - Elementary school and City Regenenation Base

TYPE A

01 02 03 04 05

TYPE B

Regional Art Museum - Elementary school and City Regenenation Base

TYPE C

06

CITY COME IN

Tamsui World Heritag Display and Education Center

TKU EA3 FALL

From the urban texture, the activities are independent when they occur in the building, while the virtual spaces in the city are connected in series, so when we reverse the concept into the virtual space with the concept of Figure-Ground ; Activities are able to connect to each other and also to the city, this is a concept on the plane. If we convert the concept of Figure- Ground into a three-dimensional idea, the building will transform from a separate space into a network-like relationship. .

In the case of restrictions on the base and volume, the opportunity of contact between space and environ ment can be increased through the method of fragmentation. When the public space is shredded, the level of openness will increase, and people will choose not only the choice of the Grand Plaza. There are also some small corners where people can rest.

ＷＥＳＴ

ＳＯＵＴＨ

ＥＡＳＴ

PLAN city com in plan first second third forth

city com in plan first second third forth

ＳＥＣＴＩＯＮ

ＥＬＥＶＡＴＩＯＮ

ＮＯＲＴＨ

EXPLODE

COCOON

Complex Office Building

TKU EA3 FALL

The space focus of INCUBATOR is not hardware.

But people&people/information exchange learning

PROGRAMME

07

BUSINESS

DIVISION & COOPERATION

+ + + +

+ + +

+ + + +

+ + +

VARIOUS & INDEPENDENT

INTERACTION & SHARING

+ + + +

+ + +

+ +

+

+

ENTREPRENEUR

1．節省時間 2．少走彎路 3．創業者集聚效應

MENTOR

4．加速發展，提高了創業的成功率

INVESTOR

INCUBATORS

SPEED

TIMELINESS

promotion discussion...

Go to COWORKING SPACE after leaving INCUBATOR Continue to grow into the accelerator

EFFECTIVENESS

STATIC

DYNAMIC

SOFTWARE

CARRIER SHARING

INCUBATOR提共的空間重點不是硬體

離開INCUBATOR後進入COWORKING SPACE

而是人與人 / 人與資訊 交流 學習 推廣 討論 ……

進入加速器內持續成長

INTERSECTION

DAILY ROUTINE LEARNING

SOCIAL ACTIVITY CHATTING

SPEECH OFFICE HOUR

GROUP OFFICE HOUR

ONLINE STREAMING

DAILY ROUTINE

WORKING MEETING COWORKING DEMONSTRATION ………..

………..

………..

WORK

EXHIBITION CENTER

DEMONSTRATION SPACE

CHAT

STORE OPEN SPACE

OFFICE HOUR TAKE A NAP

MEETING SPACE

OFFICE COFFEE SHOP AUDITORIUM

COWORKING SPACE

WORKING SPACE

COFFE SHOP GARDEN

ONLINE STREAMING CONSULTT

PRESENT RESEARCH DISCUSS ENTERTAIN

OFFICE

CONSULTATION SPACE

COFFEE SHOP GARDEN

MEETING EAT SLEEP SMOKE

CLASS ROOM

OFFICE HOUR SPACE

COFFEE SHOP

READ

GARDEN

TAKE A WALK

CLASSROOM

EXERCISE

PHUB

GROUP OFFICE HOUR SPACE

CAFETERIA

GARDEN

SCREENING ROOM

ONLINE STREAMING SPACE

SPACE OUT GOSSIP

WORK

COFFEE SHOP

CHAT

GARDEN

OFFICE HOUR

BATHROOM

ONLINE STREAMING

TAKE A NAP

DAILY ROUTINE SPACE

STORAGE AREA TOILET

CONSULTT

PRESENT

CAFETERIA

DINING SPACE

COFFEE SHOP

RESEARCH DISCUSS

PANTRY ENTERTAIN

COFFEE SHOP

CHATTING SPACE

GARDEN HALL

SCREENING ROOM

ENTERTAINMENT SPACE

MEETING EAT SLEEP SMOKE

GYM

READ

GAMING ROOM

TAKE A WALK

REST ROOM

EXERCISE

PHUB

REST SPACE

SMOKING ROOM GARDEN

SPACE OUT GOSSIP

PLAN complex office building cocoon

FABRIC CULTURE MUSEUM / 2018 SPRING EA2 PROJECT /

Dadaocheng has historical traces of past fabrics.Today it is also inseparable from the fabric,the future of fabrics/more possibilities for fabrics is what I hope to show in the fabric culture museum to let people know that fabric is no longer equal to traditional crafts they are also entering the era of technology.

Explore the impact of the base around the site.Form thrust to compress tourist space to disturb residents and tourists.Cut and lift the green belt from the original site form a natural barrier

DRAWING

CO-READING STATION / 2017 FALL EA2 PROJECT /

The idea of the design came from the observation of the alley space created by the space between the building and the contrast between the path branched from the main road and the building and the main road, whether it is visually or auditory, there is a great change Then put this concept of contrast back into PROGRAM to create contrast differences in space and shape, and coordinate the axis of the city to adjust the direction of the space, a co-reading station designed for residents of Yongkang District, a lively performance Space and quiet reading space coexist It provides residents with a community activity base in addition to Yongkang Park, and also interacts with tourists visiting Yongkang District through the external performance space.

IMPLEMENTATION / BAMBOO STRUCTURE /

/ WOOD STRUCTURE /

Through the carpentry training that I received during my freshman year, we went to China and Fujian University of Technology to summer vacation. We plan to build five participate in the implementation of the summer vacation. We plan to build five structures on the campus to attract people to form a place.

Instructor / Ke Chunrong Design List / Cai Jianran, Wang Ruijie, Yiping, Chen Pinrong

IMPLEMENTATION

A U G 2017 C ro ss -re g i o n a l wo rk s h o p

"The Moon" Lin Shijie, Guo Yuzhen, Cai Niike, Lin

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The moon is a place for the ancient and modern people.It’s also a profit and loss Li Bai’s monthly rule, Su Zi’s housands of miles, and the red moon Too much is the literati's whimsy about he moon.They express their thoughts in words And we try to use bamboo to construct our own dreams about the moon.

Constructing a regular hexagonal cylinder.And put a layer of cortex inside and outside the column.The inner and outer skin layers reach the shading effect of the gazebo.In a void that is not covered by the cortex.Visitors can enjoy the view and the beauty of pure structure.Tourists in the moon-shaped pavilion,above the grass, under the sun Then people, things, places, and scenery that are enjoying the scenery,Forming a poetic landscape.

T o Be co n tin ue d . . . . . .

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