A Creative Laboratory
by Nyla Free
Journal 1 | Issue 3 Autumn ‘24
Inside this Journal
CREATIVE DIRECTOR
Nyla Free
EDITORIAL DIRECTOR
Brianna Powell
ASSOCIATE EDITOR
Ava Free CONTRIBUTORS
Christopher Donovan & Marie Luce-Denis
HOME AWAY FROM HOME
WHAT ARE WE LOVING LATELY?
From songs, to travel destinations, a collection of items we’re loving for Fall!
Tour through our office renovation, our home away from home.
Mary Janes, from cartoon fable to beloved shoe. FROM FICTION TO FASHION
THE BEST LAID PLANS
When a trip goes awry, do you call it quits or make the most of it?
HOME IS WHERE THE HEARTH IS
Your 101 guide to fireplaces.
AN APPLE A DAY
Fall inspired recipes for the apple lover.
THROUGH THE LENS OF FILM
Chris Donovan shares his insight into the world of film photography.
Letter From The Editor
I spent hours choosing paper, adornments, selecting photos and creating layouts. Each photo taken with my Canon Rebel 35mm camera was an unknown result until I picked up the prints, 24 hours later. I paid extra for the quick turnaround, because I could hardly wait to see the images, some of which had been taken a week prior as I used up the 36 exposure roll. There was no instant gratification like there is today. Each photo was sacred – film was expensive plus the cost to develop. (We’re learning more about film photography on pages 73 - 77 this issue!) Nowadays, my phone is filled with 10 photos of the same moment only to capture the “perfect” angle or composition. Nothing ever gets printed, but maybe (if I don’t overthink it) I’ll post on Instagram. Once developed, I would lay out my photos, finding a common theme in a celebration, or moment in time. The creative juices would flow with ideas and I would spend hours putting together the scrapbook pages to encapsulate the stories the photos told.
As is likely typical (or so I tell myself) in most families, the eldest child has the most photos, and in my case, the most scrapbook pages too. By the time our second daughter, Mya, arrived, I had little to no extra time to scrapbook. I yearned to get my hands into the creative process day after day, however there remains only eight pages documenting her early days.
While this craft has sadly gone by the wayside, I still have all my supplies. They have come in handy for other creative projects over the years, however I hope one day, I will pick up where I left off.
Freehand is the journalization of creative moments and life experiences, a hybrid of a digital scrapbook and magazine. From celebrating life’s experiences, learning new skills, or simply being inspired, we hope to delight within each page. We take all our own photos, write our own text and art direct the pages from cover to cover. Much like the early days of scrapbooking, it’s become an expression and extension of any and all type of creativity, digging into the process, the why, the how and sometimes the mess behind the scenes.
This magazine is not only a labour of love but a scrapbook of life and learning.
“GRACE”
written by Ava Free
I raise a glass
And give a toast
With kindred spirits And a heart to host
To write of things I’m grateful for I may run out of ink
To wish a mind, full of memories I fear to simply blink
Gathered round the table
In singles and in pairs
An ambiance of warmth surrounds As conversation’s shared
Falling swiftly, leaves greet the ground
How seldomly we’ve seen
The pursuit of Fall in such a way
It’s beauty is serene
Friends who we call family And family we call friend
I think of those we long for
The ones who can’t attend
I’m grateful for the wisdom
Of the ones close by my side
And think about the very fruits
From the vine which we abide
Amidst the back and forth of things
The busy and the bustle
The privilege we have to rest, May it strengthen our heart muscles
I’m reminded as we gather
During what we call thanksgiving How deeply I’m encouraged
To pour into thanks-living
Click & listen to the sounds of Thanksgiving
School’s back in, the temps are dropping and fall is upon us. The time has come to turn the page on summer and embrace extra layers, cosy recipes and the crunching of leaves. Here’s what our team is loving this season.
WHAT ARE LATELY?
LOVING
WE
LOVING
ARE LATELY?
1 5 4 3 2 6
1 REVERSIBLE TRENCH , Burberry || I invested in a Burberry trench 12 years ago and while it was a big purchase, I have never regretted it. My price per wear is verging on almost free if you’re thinking in girl math terms.
2 SOUP , Love & Lemons Recipe || It’s soup season! The very best of fall’s bounty will be well received, and this particular sweet potato recipe was a recent hit at our house.
3 ART , Jack Bishop, Newzones Gallery || Extend summer vibes into the Fall, and all year long! with a Jack Forrest painting of vibrant florals.
4 FOOTED BOWL , Zara Home || I’m slightly obsessed with footed bowls, and plates and my collection is growing. There’s always room for one more!
5 PLATES , Anthropologie || Fall brings with it Thanksgiving and indoor dinner parties. I’m loving the colour palette of these plates, and thinking about updating my table for our next gathering.
6 BALLET FLATS , Sézane || I’ve got my eyes on a go-witheverything pair of leopard print ballet flat classics this fall.
1 TWEED CAP , House of Bruar || If you know me, you know I’m a fan of dressing up my cosy day outfits with a hat. I love a tweed cap like this. It’s a chic & classic accessory, & great for hiding bad hair days!
2 CASHMERE TURTLENECK
Aritzia || Ahh, sweater weather. There’s simply no better Fall fit than a cashmere sweater, especially a turtleneck style. Comfortable and elegant, this neutral option is just what I’m looking for.
3 BOOTS , Gravitypope || A must have item, boots are perfect for trekking through every kind of Fall day. I love how versatile these Camper boots are in a neutral colourway.
4 THROW BLANKET , CB2 || I can’t wait to cosy up on my sofa with a book and this throw. The pattern is perfect, and the silk/ linen blend = peak comfort!
5 ARGYLE TIGHTS , Her Room || These argyle tights are a fun layer, and make it easy to continue wearing dresses all through the colder months. Take a basic dress and add a little flair with this Fall pattern!
6 QUEBEC CITY , Quebec, Canada || I’ll be visiting La Belle Provence this fall and can’t wait for cocktails at the library bar of the Château Frontenac.
3
5 6
1 EDINBURGH , Scotland ||
I believe everyone has a “soul city.” A place that speaks to you on a deeper level, and satisfies your soul entirely. I just returned from traveling abroad, and think I’ve found just this in Edinburgh. The city is truly unlike anything I’ve experienced.
2 WEEKENDER TOTE , Béis
|| I’ve had my eye on the Béis weekender tote for years. My NFDI fam surprised me with this striped number to celebrate my work anniversary back in July. I recently had the chance to try it out, and can’t say enough about it!
3 PLATES , Fornasetti || I first learned of Fornasetti a few years back, and have been a fan ever since. I’d love to add a few pieces to my home one day.
4 SECTIONAL , Article ||
I. Love. My. Sectional. Perhaps my favourite purchase to date, it’s everything I was looking for in a sofa. The wide chaise is my coined “spot”, and with two big pups who love to cuddle up, there’s plenty of room for everyone!
5 “PRETTY SLOWLY” ,
Benson Boone || This has been my hyperfixation song this season. I stumbled across Benson Boone last year, and he’s been circulating through my playlists ever since.
6 CONVERSATION PITS
|| I’m all about feeling cosy, and there’s something about a conversation pit that makes me want to curl up! I love that this retro trend is getting its second wind.
1 TUESDAYS WITH MORRIE , Mitch Albom || I’ve read Tuesdays with Morrie 3 times now, and each time I fall in love a little bit more.
2 WHEN HARRY MET SALLY
|| As the days grow short and my pants get longer, the thought of a cosy night in sounds just right. To be honest, no matter the season, a rom com is always a good idea.
3 OLIVE BACKPACK , Matt & Nat || I’ve had this backpack for nearly two years and let me tell you… it has seen it all. It’s been on day-trips and road trips. It’s been robbed and retrieved. I call that function AND fashion.
4 NAVY PEN , Staples ||
There is no pen to paper if it’s not this one. They are everywhere. In my pockets, couch cushions, drawers, purses, car – you name it. The only problem is, they seem to never be in the one place I actually need them… my backpack.
5 TOMATO CANDLE HOLDER , The Oblist || So quirky!! I love them! Besides the fact that the candles look like spaghetti noodles, these candle holders are so fun. They’re asking for a dinner party!
6 IVORY SWEATER , American Vintage || The weather is calling. Sweaters emerge from hibernation in dresser drawers. Shoulders beg for their protection. Why not have fun with them… it’s only going to get colder.
3 1 5 4 2 6
1 LE PETIT PRINCE , Antoine de Saint-Exupéry || I’ve been hard at work with my French Duolingo lessons. With Spanish as my first language I’ve found it easier to pick up French! I read “Le Petit Prince” many years ago in Spanish and would love to read it in this translation.
2 MUSSELS & FRITES , Barcelona Tavern || I recently ordered this dish from the Barcelona Tavern in YYC and can’t stop talking about it. The spicy chorizo and rich flavours of the broth were *chef’s kiss*. My next culinary challenge? To see if I can make it at home.
3 TOSS CUSHION , Perigold || A seasonal toss cushion is a simple way to change the vibe of a space. I’m moving apartments in a few weeks, and would love to add this leather and patchwork cushion to my living room!
4 WATCH , Pascal || This vintage-inspired oval watch caught my attention immediately. The green leather strap and latte watch face give a timeless, elegant look, perfect for styling with a fall outfit.
5 “GEORGIA” , Vance Joy || Vance Joy’s live version of Georgia from Nova’s Red Room is beautiful & never gets old. There’s nothing I enjoy more than lighting a candle, queueing songs like this, a glass of wine, and relishing in the cosiness of the season.
6 TURTLENECK SWEATER , Aritzia || Bogota, my hometown, is 2600 m above sea level and is often colder than other parts of Columbia. Breaking out my Fall wardrobe reminds me of home, with its cold days and windy nights. This sagassee colour is a relaxed fit with beautiful texture.
ANA
1 PRESSURE COOKER , Amazon || A hot tip from my mom, using a pressure cooker for Manjar. (See below!) It takes the cooking time down to about 15 min. A win in my books!
2 SUEDE BOMBER JACKET , ASOS || I’m all about fall fashion, and am eager to add a suede bomber jacket to my closet. It can be dressed up or down, an easy piece to style with for Fall.
3 SNEAKERS , Nike || A chic addition to my sneaker collection! I love the brown colourway of these Nike Cortez’s.
4 MERLOT SOFA , Montauk || I’ve got my eyes set on this merlot coloured sofa from Montauk. The perfect contemporary piece for my space!
5 MANJAR RECIPE , Olga in the Kitchen Recipe || Manjar (or more commonly known as dulche de leche) a traditional Chilean delacy! I’m craving this sweet treat this season.
6 TURTLENECK TOP ,
Editorialist || A grey slim-fit turtleneck is just the thing I’m looking for, for my fall wardrobe. I’m a big fan of cashmere, so this top is perfect for me!
The Bes
BesT laid plans
Rather than gifts, my husband and I decided we would take a trip to celebrate our 50th birthdays, his in the spring and mine in the fall.
On my list was to drive part of the coast of California, from San Francisco to Los Angeles. I wanted to experience the landscape (I adore the ocean), and the thought of having five days in a car with my family travelling from seaside town to seaside town sounded like bliss. But what ensued was nothing short of an upheaval, turning our trip on its side, emotions heightened and lots of pivoting along the way.
Our trip was certainly memorable. I’ll give it that. Looking back, even if the trip did go as planned, I still should have been more prepared. I underestimated the timing, didn’t research the towns and cities we were going to as much as I should, I chose hotels in a hurry and entered our vacation on a wing and a prayer. In the end, most of the plans I did make and the hopes I had for my big birthday trip, had to be adjusted anyway, all because we got robbed. Here’s the story of what was planned vs. what actually happened on our California road trip.
WORDS BY Nyla Free
plan
what actually happened
12:25 PM
ARRIVED IN SAN FRANCISCO. 10:25 AM DEPARTED YYC.
1:45 PM PICKED UP OUR RENTAL CAR.
2:30 PM
ARRIVED AT THE KIMPTON HOTEL ALTON.
2:32 PM REALIZED WE’RE AT THE WRONG LOCATION.
3:00PM
ARRIVED AT HOTEL ENSO TO DROP OFF OUR BAGS.
3:45 PM WALKED TO FILMORE STREET.
7:00 PM
DINNER RESERVATION AT LEO’S OYSTER BAR.
9:00 PM EXPLORED JAPANTOWN AND VARIOUS SHOPS.
daY TWO plan
10:00 AM ARRIVED AT THE LEGION OF HONOR.
10:20 AM WALKED BACK TO OUR CAR TO FIND THE REAR WINDOW SMASHED AND OUR BELONGINGS STOLEN, INCLUDING 2/4 PASSPORTS, 1/4 NEXUS CARDS & CRITICAL MEDICATION.
11:00 AM
MADE ROBBERY CLAIM AT SFPD.
12:30 PM
DROVE BACK TO THE AIRPORT TO PICK UP A NEW RENTAL CAR.
1:15 PM
ARRIVED AT URGENT CARE TO SEE A DOCTOR ABOUT GETTING REFILL PRESCRIPTIONS.
1:17 PM
URGENT CARE WAS CLOSED.
1:30 PM
10.07.2023
5:20 PM
HEADED BACK TO THE LEGION OF HONOR TO CHECK FOR ANY BELONGINGS. LEFT WITH NOTHING MORE THAN A NICE PHOTO.
5:30 PM
WENT TO ANOTHER URGENT CARE, ONLY TO FIND OUT THEY WON’T TAKE NEW PATIENTS.
2:00 PM
WENT TO EMERGENCY AT THE HOSPITAL.
4:00 PM
GOT ENOUGH REFILLS FOR THE TRIP AND STOPPED FOR FIVE GUYS.
5:00 PM
WENT TO PICK UP 1 OF 2 STOLEN PASSPORTS FROM A GOOD SAMARITAN.
STARTED TREK TO OUR SECOND STOP ALONG THE COAST: THE SANCTUARY IN MARINA, CA.
daY ThRee plan
7:30 AM WOKE UP
9:00 AM
the facts
SECURED OUR ROOM AT THE SANCTUARY FOR ANOTHER NIGHT. CALLED TO CANCEL OUR HOTEL IN SAN LOUIS OBISPO.
11:00 AM
HAD BRUNCH IN CARMEL BY THE SEA, BROWSED THE SHOPS AND VISITED THE WHITE SAND BEACH.
2:00 PM
DROVE TO BIG SUR... OR SHOULD I SAY, WENT LOOKING FOR WHAT WE THOUGHT WAS BIG SUR.
3:30 PM
EXPLORED BIXBY BRIDGE AND ENJOYED SIMPLY BEING OUTDOORS.
5:00 PM
DROVE BACK TO CARMEL WITH HOPES OF GETTING INTO LA BICYCLETTE, BUT THERE WAS A 3HR WAIT.
5:30 PM
WANDERED AROUND TOWN LOOKING FOR A PLAN B, C, OR D...
7:00 PM
RETURNED TO HOTEL FOR DINNER, AS WELL AS TIME AROUND THE FIRE PITS ON THE BEACH BEFORE BED.
A
daY FOUR plan the reality
9:00 AM CHECKED OUT OF OUR HOTEL. 1:00 PM ARRIVED AT HEARST CASTLE AND ENJOYED A PRIVATE, GUIDED TOUR OF THE GROUNDS.
HEARST CASTLE is the historic estate of publishing tycoon William Randolph Hearst, located along the Central Coast, off Highway 1 in San Simeon, CA. Built between 1919 and 1947 by affluent architect Julia Morgan, the property is now a California State Park and National Landmark. The estate was formerly known as La Cuesta Encantada or “The Enchanted Hill.” Four distinct guided tours of the property run year round, offering a unique look into the aristocratic life of a newspaper baron and world of old Hollywood.
2:45 PM
FINISHED OUR TOUR AND STARTED THE DRIVE TO SANTA BARBARA. 4:00 PM PIT STOPPED IN SAN LUIS OBISPO ---- WHERE WE WERE ORIGINALLY GOING TO STAY. REFUELLED AND GRABBED A BITE AT A NEIGHBOURHOOD MARKET.
5:45 PM
ARRIVED AT HOTEL CALIFORNIAN IN SANTA BARBARA, CA.
6:30 PM
HAD A LOVELY DINNER AT LOQUITA ------ A FARM FRESH SPANISH TAPAS, AND CRAFT COCKTAILS RESTAURANT AND PATIO.
daY FiVe plan
what actually happened
DUE TO CANADIAN THANKSGIVING, THIS WAS OUR FIRST OPPORTUNITY TO SPEAK WITH THE GOVERNMENT, REGARDING CORY’S STOLEN PASSPORT.
8:00 AM SPENT 4 HOURS ON THE PHONE WITH THE CANADIAN CONSOLATE, WESTJET & BORDER SECURITY, TO SEE IF CORY WOULD BE ABLE TO RETURN TO CANADA WITH HIS NEXUS.
12:30 PM WENT FOR LUNCH AT FLOR DE MAIZ.
2:00 PM WANDERED THROUGH DESIGN SHOPS.
4:00 PM HEADED BACK TO HOTEL FOR A POOLSIDE RETREAT.
6:30 PM WALKED TO DINNER AT THE KIMPTON CANARY RESTAURANT.
the facts
7:45 AM WENT FOR A MORNING WALK ALONG THE BEACH.
daY siX plan
9:30 AM HEADED BACK TO HOTEL. 11:00 AM WALKED TO NEARBY VINTAGE SHOPS AND BOUGHT SOME TREASURES. RETAIL THERAPY PERHAPS?
3:00 PM
11:45 AM CHECKED OUT OF HOTEL.
1:00 PM
DROVE TO SUMMERLAND, A SMALL AREA SOUTH OF SANTA BARBARA. WE HAD LUNCH AT FIELD AND FORT AND WANDERED SHOPS CLOSEBY SUCH AS: THE WELL,PORCH, MARY SUDING ANTIQUES AND BLUE MAGNOLIA.
HIT THE ROAD TO MALIBU WITH COASTAL VIEWS ONCE AGAIN.
5:00 PM
ARRIVED AT THE SURFRIDER MALIBU.
6:30 PM
ENJOYED A DINNER ON THE HOTEL ROOFTOP WITH OCEAN VIEWS. THE ROOFTOP OF THE SURFRIDE IS ONLY OPEN TO HOTEL GUESTS.
7:00 AM
WATCHED THE SUNRISE - SOMETHING I’D NEVER DONE BEFORE!
8:00 AM
HAD BREAKFAST ON THE ROOFTOP, SOAKING IN AS MUCH OF THE VIEWS AS WE COULD.
9:30 AM
WALKED TO THE BEACH, TO FEEL OUR FEET IN THE SAND BEFORE WE HEADED HOME.
11:00 AM
CHECKED OUT OF THE HOTEL.
11:30 AM
ADAMSON HOUSE MUSEUM --- A NATIONAL HISTORIC SITE, ONCE HOME TO THE ADAMSON FAMILY. SHOWCASED THROUGHOUT THE GROUNDS ARE AN ARRAY OF STUNNING TILES FROM THE MALIBU POTTERIES. WHAT AN INCREDIBLE EXPERIENCE.
1:00 PM BACK ON THE ROAD TO LA.
3:00 PM HAD A LATE LUNCH/EARLY DINNER @ SHAKE SHACK.
4:30 PM ARRIVED AT LAX.
6:30 PM
FLIGHT HOME TO CALGARY FEELING DRAINED. SO MANY MEMORIES CREATED BUT NOT AT ALL WHAT WE HAD HOPED FOR.
HOME AWAY FROM HOME
INTERIOR DESIGN| Nyla Free Designs Inc.
Phil Crozier |CONTRACTOR| Focused Renovations
The story of our office renovation started in 2022. We had one year left on our lease, and we knew timing and planning was of the essence. Through the process of both redesigning the space we were currently in, and looking for a new space to move to, nothing was feeling right. Size, location, feel and yes, cost, the alignment wasn’t there. We extended our current lease for one more year to give us some breathing room, and space to decide the best plan forward.
After careful consideration, which also included having an understanding of what growth looked like for our company, we decided to renovate our existing space and stay where we are.
From there the design came easy, just as though it was meant to be.
We made minimal, yet impactful changes to the layout of the space. We added storage, a seating area and updated the decor and overall feeling of our office. As residential designers, we wanted our office to feel like a home. Less utilitarian, more layered and infused with unexpected details than what you would typically see in a commercial setting. We wanted the space to show our personality as a company, a brand and ultimately as designers. With our process rooted in creating one of a kind spaces, we approached the new design of our office with the same intention.
Welcome to our home away from home.
DESIGN DIRECTIVE
Our design journey began with the floors. They became the foundation of our design decisions, and the most important layer to work from. I’ve long admired the Louis XIV collection from Divine Flooring, so when the opportunity presented itself to include him in our new office, we jumped at the chance. Louis was the first selection we made during the design process, and well, the rest is history. We knew he was the perfect choice.
With a combination of parquet and straight lay throughout our space, the darker tones are a departure from our previous light flooring. Louis offers a warm and rich foundation for the European vibe we’ve created for our office.
MIXIMALISM
mix
/ˈmixəməˌliz(ə)m/
adjective
1. a reference to the mix and combination of eras, design aesthetics and personalities in a home to create a one of a kind interior.
2. the new eclectic.
What happens when you fall into a category that isn’t explained solely by traditional, modern, farmhouse, transitional, Scandinavian, or Mid-century modern? Perhaps you like a little taste of everything? I’m with you. I love a good mix!
So much so, I’ve created a new word to describe my aesthetic, a concept and overarching style I feel we bring to our projects.
Miximalism is an elevated, modern-day eclecticism, whereby the design of a room is collected and edited with intention and love, rather than a space that feels expected, contrived and oversaturated in design. This aesthetic could err towards minimalism, or maximalism in its own right, however, it bridges the gap between stark and cluttered, adding personality and warmth throughout a home.
Our brand colour, yellow, is not a colour most gravitate towards, however it has become so synonymous with Nyla Free Designs it needed to be an important part of our overall palette and colour scheme. We knew a thoughtful approach to the selections would be required, as to not overwhelm the space with such a strong colour.
Why Yellow? It’s...
These are all words that describe our brand and approach to design. After almost 23 years I have never tired of it. I love what it stands for, how it feels and the positivity it offers, like a ray of sunshine.
While embracing all that yellow has to offer, we infused more warm colours into the mix such as merlot, burnt red, pink and dusty salmon, not a popular combination but we went for it! We wanted to design a space that felt different, that challenged our creativity and had a level of risk to it.
As designers we inherently gather fabrics, wallpaper, and finish samples that excite and inspire us. We had a collection of materials lingering on pinboards, in drawers and stashed away for the perfect opportunity. With yellow at the helm, there were some immediate standouts, spurring on creativity and enthusiasm amongst our team. Once a few key selections were confirmed we had a stage set for the overall feel.
FUN FACT: this colour match was based off a sofa my husband purchased when Nordstrom closed in Calgary. He thought it would be perfect for our office. It went directly into storage so we weren’t able to see it or confirm the colour easily. Thankfully, my colour sense did its job and the match was near perfect. A relief since the design of our space hinged
The first impression as you walk into a space is important to us in all our designs. It immediately sets the tone for what’s to come. Our entry is large enough, and sectioned off from the rest of the office that it acts as a welcome area as guests enter. It also gives a glimpse into what’s beyond, drawing you into the rest of the space.
The room directly to your right as you walk into our office is the board room, or as we like to call it, our dining room. Meetings, lunches, presentations, planning and creativity all happen here.
This space was once Ana’s office, however in the redesign, we decided functionally it made more sense for the boardroom to be directly off the entrance.
TEXTILES
FABRICS & WALLPAPERS
GROUNDED
Harlequin
WALLCOVERING
Nyla's Office
CITY VELVET RELOADED
Jab Anstoetz
ARIOSA PRINT
Kravet
VINYL RECONSTRUCTED
Phillip Jeffries
MOUFLON TWILL
Osborne & Little
PIPING DETAIL
Design Centre
COUNTER STOOLS
Design Centre
WALLCOVERING Design Centre
SIDE CHAIRS
Living Room
TILI
Jab Anstoetz
DRAPERIES
Nyla's Office
MIAMI BRAIDED TAPE
Houlès
SOHO HEMP
Phillip Jeffries
WALL DETAIL
Ana's Office
WALLCOVERING
Ana's Office
The design centre is the workhorse of our office. With project drawers full of each client’s finishes and materials, our sample library, and a frame TV feature wall act as one part art, and the other, a presentation screen. This area engages creativity and allows the juices to flow. Our previous sample library doors remained, and because they were no longer available for order, we had two more sets custom made as we just couldn’t part with the design and feeling they offer our space.
We updated the doors with Farrow & Ball’s Light Grey No. 17, a warm and moody greige that envelopes the space.
Moving a main wall over five feet allowed us to open up our studio space significantly. This was one of, if not the biggest change we made in our office, resulting in a much larger central area. With this, we were able to create two highly functional spaces in one, our design centre/ studio space, as well as a seating area, also known as our living room.
With our yellow sofa the focal point, the living room came together with
other finds I had acquired over the years. Reupholstered mid-century chairs, a Moroccan carpet and vintage coffee table came together as an unexpected gathering space in our office. I purchased the carpet roughly seven years ago, simply because I loved it. It’s an odd size so finding the right home for it proved difficult. Low and behold it ended up being the perfect shape and size for our living room, and I’m thrilled it’s found its ideal home!
Not only does this area offer a lounge-like atmosphere and feeling of warmth. It’s an invitation to sit, chat, relax as well as be creative outside of our regular desks. You’ll find us having lunch here as well as impromptu meetings. This space has become a popular gathering spot amongst our team. We’ve even had the odd weekend nap here!
FURNITURE SELECTIONS
UPHOLSTERED BARSTOOLS
Custom
Repurposed & Reupholstered From Previous Office
KNOLL OVAL WALNUT WOOD TOP TABLE
Kit Interior Objects
Repurposed From Previous Office
WIT CUSTOMIZABLE OFFICE DESK CHAIR
Simplova
TUFTED YELLOW LEATHER SOFA
Vintage Find
BURL WOOD VOLUME SQUARE SIDE TABLE
West Elm
AXEL MODERN TUFTED BROWN VELVET
DINING CHAIR
CB2
ZANDER DRESSER
Crate & Barrel
MID CENTURY BOOMERANG LEG COFFEE TABLE
BEX Vintage
Brought From Home New Addition
EAMES ALUMINUM GROUP SIDE CHAIR
Herman Miller
Repurposed From Previous Office
Repurposed From Previous Office
VENICE STUDIO
WOOD & BRASS DESK
CB2
Repurposed From Previous Office
LIVINGSTON EXECUTIVE DESK
Pottery Barn
GREEN VELVET UPHOLSTERED SIDE CHAIR
Vintage Find
NUB SO EASY CHAIR
Andreu World
Repurposed From Previous Office
MARSEILLES LINEN PIN BOARD
RH
TWO DRAWER FILING CABINET
Pottery Barn
PACIFIC WRITING DESK
Pottery Barn
Repurposed From Previous Office
MID CENTURY LEATHER SHOW WOOD ACCENT CHAIR
West Elm
Repurposed From Previous Office Brought From Home & Reupholstered
HANDWOVEN MOROCCAN SHAG RUG
Morocco
Brought From Home
The majority of our team’s time is spent within our open workstations. Sourcing, drafting, illustrating, designing, organising… there’s no desk in this space in which a project doesn’t touch at some point during the process. The footprint of this area was untouched, however did involve new millwork, countertops, and a large format porcelain tile backsplash. A pin board I’ve had since my first office sits centred between the windows as a place to gather inspiration.
The arches were a new addition creating a framework, visual division and a colour infused design detail.
Sherwin Williams Fireweed SW6328
LIGHTING SELECTIONS
1. Soleil Semi-Flush Mount
2. Zettel’z 5 Chandelier
3. Modern Balloon Glass Chandelier
4. Disc Pink Murano Glass Chandelier
5. Gilda Table Lamp
6. Cabinet Maker Picture Light
7. Melange Mini Monopoint Flush Mount
8. Conical Drum Pendant
9. Colorado Accent Table Lamp
Lighting is a significant part of the design decisions for our client work, so naturally we wanted to reflect the same in our office. We love lighting. For us, the selection of light fixtures extends far beyond the function, and into the ambience, feeling, and glow that a fixture offers in order to illuminate a space. We have an eclectic mix, or rather, a miximalist approach to our lighting. From classics to current, modern to traditional, mid-century to murano glass, there’s no shortage of interest and a collected feel, with our light fixtures. Each one makes a statement in their own right.
ARTWORK
ARTISTS & GALLERIES
I don’t consider myself a collector, however I have collected several art pieces over the years. Whether through galleries, my travels, vintage finds or creating something myself, I have many meaningful pieces. Several of my smaller pieces became part of the gallery wall in my office, while others were new purchases and investments. The addition of two new larger pieces of art were the final touch in completing our office, and what a difference they’ve made.
MARK HOLIDAY The Pink Door Show
SIOBHAN HUMSTON Herringer Kiss Gallery
ANDA KUBIS Newzones Gallery
CATHY DALEY Newzones Gallery
PAM FERWORN
The Pink Door Show
LAUREN WALKER
Herringer Kiss Gallery
LENORE SHERMAN
Vintage Find
CATHY DALEY Newzones Gallery
ARON HILL Herringer Kiss Gallery
LAUREN WALKER
Herringer Kiss Gallery
I went from a wallpaper ‘feature wall’ alongside a complimentary paint colour, to a painted wall panelling detail throughout, to a large abstract wall mural wrapping all walls, ultimately deciding on a soft, yet impactful wallpaper. Phew! I wanted to feel enveloped in my space so the idea of applying my selection to all walls was the right choice. After careful consideration I decided to reuse my previous drapery (which I love), even though our Instagram poll told me otherwise. Lastly, we created a gallery wall of art collected over the years, from various places. I love how this grouping layers over the wallpaper.
Oh boy, did I agonise over this space!
My credenza, desk and guest chair were all repurposed from our previous office, so while there were similarities, I wanted it to feel different. I knew the key difference would come by way of the walls and drapery so I set out to find the perfect selections. As designers, making decisions for ourselves is incredibly hard. We are not immune to wanting to make “the right decisions”. We analyse, over analyse, go up one side and down the other, thinking through all options. I’ve lost count as to how many wallpapers, paint colours and respective combinations I contemplated before landing on THE ONE.
If you’ve had the pleasure of meeting Ana, you’ll know and love her Latina enthusiasm. We wanted to create an office that reflected her fervent personality and love of colour. Our jumping off point was a deep coral paint colour, and the selections unfolded from there.
Ana was open to all the ideas we brought forth. Her one request? Repurposing her previous light was a must. Its modern vibe creates a juxtaposition to the accompanying elements such as the grasscloth walls and vintage artwork.
The series of six floral framed art pieces came from a “learn to paint” book I picked up at an antique store for $2.00 USD. We purchased the frames from Amazon and the result is a wonderful floral gallery wall. Big impact with a small investment!
Throughout our office, the goal was to celebrate design details; the thoughtful and unexpected additions to a space that add layers and personality. Layer art over wallpaper? Absolutely. Add a ribbon detail over grasscloth? How wonderful! Add a wall panel detail and saturate it with colour? Yes please!
We cut back the square footage of our kitchen significantly, yet increased its functionality. We gave it a new design aesthetic with all the amenities we need for the day to day. It’s amazing how a small space still functions when organised and thoughtfully considered.
Our office renovation has been a place for us to experiment and learn about new materials so we can speak to the sensibilities and details of a product. As an example, we selected high gloss porcelain counters and a matte suede finish for our cabinets, an unlikely pairing!
The goal in designing our office space first and foremost was to create a space people felt good in, whether clients, suppliers, trades or us, that “home away from home” feeling was important. Second to this was to be able to showcase design details and share what’s possible with our clients. Oftentimes seeing things in person makes a huge difference, so being able to offer that experience is not only beneficial but speaks to our design sensibilities.
OUR OFFICE RENOVATION JOURNEY IN 90 SECONDS
The Free Press
FROM FICTION TO FASHION
All I Ever Wanted Was A Pair Of Mary Janes
WORDS BY | Ava Free
I grew up wearing a uniform to school. A white polo shirt, green plaid tunic, black skort, burgundy vest or cardigan and knee high socks. The one item we had the liberty of expressing ourselves through were none other than a pair of black shoes. Here is where fashion freedom could be exercised. They could be patent, or matte. Laced, or velcro. There were few rules.
Throughout both elementary and middle school, come September I dreaded the infamous black shoe shop – arguably not as much as my mother did – which made for the perfect storm in the aisles of Payless.
“Loafers!,” my mom would say, “I think we should buy you loafers!”
Loafers?! The very thought of walking into my fourth grade classroom in a pair of shoes that made me feel like a middle aged man in finance was enough for me to get upset. All the girls wore cute shoes with a thin little strap and a small heel.
Some were patent, some had a buckle, others had a bow. Some even had a heel that clicked and clacked as they walked past me in my loafers. My mom would say, “I used to wear these in school and we’d carry a little penny by the toe… you know ‘Penny Loafers!”
Her story, however cute, never sold me on wearing a pair of shoes that sounded like bread.
Fast forward fifteen years and I found myself a pair of simple black patent Mary Jane’s. With a buckle strap and small heel; just like the ones my classmates had. Despite being fifteen years too late, I love them. With white frilly socks, sheer socks or no socks. They remind me of girlhood, of back to school shopping in September, brisk mornings in warm light and of course, my mom.
I like to think my younger self would be pleased. Pleased to know I got rid of what she always hated and thrilled to have what she always wanted.
So Much
More Than A Patent Leather Shoe
Mary Jane wasn’t always a shoe. Once a little girl brought to life by American cartoonist Richard F. Outcault., Mary Jane was an affiliate character in the 1902 comic strip “Buster Brown”.
The strip was published in the New York Herald as well as several Hearst owned newspapers until the 1920s. It wasn’t long before the strip was beloved by the American public. In 1904 Buster and Mary Jane were adopted as mascots for,
The Free Press
and licensed under the Brown Shoe Company. Both names were used to brand childrens footwear primarily known for thick leather, timeless charm and function. Prior to their adoption, Mary Janes were commonly referred to as bar or doll shoes – specifically for the ‘bar’ across the instep and their resemblance to shoes worn by the childrens toy.
Mary Jane, Is That You?
The most important feature of any shoe that calls itself a Mary Jane is the single (sometimes double or triple) strap across the instep. Most styles are flat with a rounded toe, however several variations have been adopted over the years.
Print & Play here
Down
1. Elegantly and stylishly
2. Type of heel; to wind
3. Number of straps typically found on a pair of Mary Janes
4. Found between the ball and heel
5. Used on leather to change its original colour
6. Young or old, worn to dinner or to dance
9. Children’s book character who lives at the Plaza Hotel in New York City
11. Small in size, both pet and heel
13. 1920s fashion movement
14. An Outcault publication
15. Breathable fabric
16. Who might also wear mary janes
17. Soft leather
21. Colour of Dorothy’s iconic Mary Jane shoe
22. Pop icon who performed in Mary Janes at Wembley stadium in 2007
24. Popular British shoe manufacturer
25. Location of the strap on a Mary Jane
26. If your shoes were sick you might call…
27. Luxury brand known for its playful, youthful and edgy take on Mary Janes
29. For gifts or bows, often satin
34. Mary Jane, not a shoe, brought to life by Stan Lee in Spider Man
35. Italian fashion powerhouse known for sophisticated and sleek footwear
39. Buster Brown’s dog
40. Don’t toe squish, buy this fit
Across
Answers found in the Scrapbook
3. Author of Buster, Mary Jane and Tige
7. Beloved Hollywood actress known for her polished looks and flat, black, strappy shoes
8. A sleepless city
10. The type of cat you don’t want to cross
12. In need of some height without a heel
15. An audacious and unconventional take on fashion in the 50s and 60s
17. Could have one, two or even three
18. North American shoe measurement
19. From toe to heel on the bottom
20. A glossy, treated leather
23. How most Mary Jane’s are cut
24. She once referred to mary janes as an “urban shoe myth”
28. Holiday when Mary Janes were often advertised
30. She wore mary janes down the yellow brick road
31. Fastener
32. Adornment
33. Dressed in at school
36. Before ‘Mary Janes’ they were known as _____ shoes
37. To gradually become more narrow
38. Comic strip character and shoe brand mascot
41. Sheer, frilled, patterned or coloured
42. Some tights and socks
43. In Wonderland
44. Schoolgirl item with 33 across
HOME IS WHERE THE HEARTH IS
ILLUSTRATIONS BY | Brianna Powell WORDS BY | Nyla Free
I love my fireplace. It was one of the first selections I made during our renovation, not only out of necessity for framing but also out of enthusiasm. For me, a fireplace says comfort, and creates the perfect amount of ambience and warmth. Add this alongside jazz music and the smell of delicious food and you’ve got the makings of a beautiful evening.
There’s a lot that goes into the decision of which fireplace is best for a room, and there are many fireplaces to choose from. From personal preferences to design aesthetic to the layout of each space it can be overwhelming. It’s a big decision and one that needs to be made early on in the planning process so framing, mechanical and electrical can be considered accordingly.
Where do you begin with the many options available? Let’s learn!
ADJUSTABLE FLAME
The ability to adjust both the height and flame intensity of a fireplace.
BLOWER
An electric powered fan that enhances the circulation of hot air into a room.
CLEARANCE
Required distance by building codes between the fireplace unit, vent or chimney and combustible materials to prevent fire hazards.
EFFICIENCY
A measure of usable heat for the room rather than losing it up the chimney.
direct vent
A venting method which draws combustion air from outdoors by way of one chamber, and expels emissions outside through a second chamber, also known as a flue. Considering today’s airtight construction, this is an ideal option.
FIREBOX
The interior portion of the fireplace where the fire is built and fuel is burned in order to produce heat.
HEARTH
Originally designed to protect wooden floors, a hearth is a slab, often tile or stone that a fireplace sits on top of and extends into the room.
SURROUND
The structure that borders a fireplace opening. Generally clad in a noncombustible material such as tile, stone or brick.
BTU
MANTLE
A ledge above the fireplace opening, traditionally used as a heat shield to protect the surrounding area from extreme heat and smoke for wood burning fireplaces. Overtime, mantles have served as an aesthetic detail, primarily used for displaying decor.
trim kit
A decorative trim that frames the front of a fireplace.
British Thermal Unit, is the hearth industry’s primary heat measurement. It gauges the total energy required to increase the temperature for one pound of water by one degree Fahrenheit.
draft
The essential air flow required for combustion and venting in gas fireplaces.
FLAME ROD
A safety feature in gas fireplaces that ensures the presence of a flame. If no flame is detected, the gas supply is shut off.
MEDIA KIT
A kit containing decorative elements such as lava rocks, glowing embers, LED lights, ceramic logs etc. Used to enhance and customise the aesthetics of gas fireplaces.
unvented
A high efficiency unit that transfers heat into a space without the need for external ventilation. Efficiency is key in order to prevent toxins from entering the air.
CFM
Cubic Feet per Minute, a measurement that determines the amount of air that a blower will move. A fireplace will be noisy if the air movement is not balanced.
eLECTRIC FIREPLACE
An electric heating unit that mimics gas or wood burning fireplaces. As the flames are simulated, no ventilation is required for this installation.
GLASS FRONT
A glass barrier on the front of a fireplace unit. Heat radiates through, without the risks associated with an open flame, however glass fronts, if not protected, can be dangerous to the touch.
REFRACTORY PANELS
A heat resistant lining on the interior of gas fireplaces in order to reflect heat into a room. Often designed to look like brick or stone.
zero clearance
A self contained unit that does not require space allowance between the flame and combustible materials for safe burning.
GLOSSARY OF TERMS
A)
90 degree corner fireplace unit
WHAT IS IT?
A fireplace unit with two opposite panes of glass exposed to two different rooms, or two sides creating a 90 degree corner exposed within the same room.
Two-sided fireplaces come in many shapes and sizes.
APPLICATION
• Use a 2-sided fireplace when you want to divide two rooms and have a view of the fireplace from each room.
• Use a two-sided fireplace with a 90 degree corner in a space where the fireplace extends from one side of the room with the corner exposed outward.
B) 2-sided fireplace unit
2-Sided fireplac e s
WHAT IS IT?
A fireplace in which 3 of the 4 firebox walls are glass, expelling heat from 270 degrees. A three-sided unit is generally shared between two rooms.
APPLICATION
• A way to divide two spaces while still maintaining connection between rooms. In this design the two “face” panes are longer than the side pane, offering a view of the fireplace from both sides.
• Use a three-sided fireplace in one room, whereby the two side panes are shorter than the front glass pane. This application would install along a main wall.
LINEAR
WHAT IS IT?
A fireplace that is longer than it is tall, and sits above the floor for visual appeal. A linear fireplace can be single, two or three sided in design.
APPLICATION
• Used on an exterior wall, or as a room divider, this option is typically seen in modern homes. A linear fireplace does not usually require a surround and a mantle can be created as part of the overall design and material allocation if desired.
WHAT IS IT?
As the name suggests, a fireplace that is equal in both length and height.
APPLICATION
• A focal point in any room, the symmetry of a square fireplace is a classic and versatile option for many homes. Add a concrete surround for a contemporary design, or something more ornate to suit a traditional aesthetic. Surround a square fireplace from floor to ceiling in stone, for the ultimate in rustic ambiance. The sky’s the limit!
WOOD BURNING
APPLICATION
• Use as a primary heat source in exterior settings such as an outdoor patio.
• Use indoors with a hearth foundation and additional clearance confirmations. While charming, careful consideration must be given to selecting a wood burning fireplace for the interior of your home.
A fireplace that must be manually started using wood, and a form of kindling to ignite a flame. A wood burning unit requires one to maintain the fire throughout the duration of use. Similarly, users either need to put out the fire themselves or allow time for the fire burn out. This design requires external venting and due to the hands-on nature, is not often paned with glass. Wood burning units will have either a mesh curtain, door, or screen to protect from flying sparks, ash and heat intensity emitted by the open flames. Storage for wood logs should be considered with this fireplace option.
THINGS TO CONSIDER
• Wood Storage & Access to Logs
• Matches/Lighters/ Kindling
• Fire Upkeep/CLEANING
• Clearances
• SAFETY
APPLICATION
• The sculptural design of this fireplace makes it an ideal choice for modern settings and large open spaces.
• Some styles allow for 360 degrees of heat and view.
• Use this design as a focal point and art piece in a room.
A wood burning fireplace that hangs from the ceiling with an open clearance below the firebox for visual interest. Suspended fireplaces come in a variety of shapes and styles, however, cater to a very specific aesthetic.
WOOD BURNING
THROUGH THE
INTRO BY | Nyla Free
I currently have 81, 961 photos on my phone between work and personal. I love capturing moments and sometimes, ok often, I over capture. There was a time when I would approach taking a photo as the moment. One click, resulting in one photo and I hoped for the best. Sometimes the flash didn’t go off for an indoor photo and it was black. Other times someone had their eyes closed. Oh, well. That was film photography for me. I lived with the outcome regardless of the disappointment or joy, with no skill set, simply an eye and a hope for a great outcome.
Nowadays, we have the ability to take the perfect photo, whatever that means to us at that moment. My iPhone takes great photos, many of which have been used in Freehand. I’m no pro. I like to think I take decent photos, but I know I can be better. I often think about film photography as less pressure, and being IN the moment far more than experiencing something with my phone attached to my hand. I’m intrigued to return to my film roots but I have work to do to relinquish all attempts at perfection.
LENS OF FILM
Growing up in the 90s, Christopher Donovan began shooting film as a kid. With hobbyist photographers for parents, it was almost a right of passage. At 19, once the woes of high school were no more, Donovan chose film for himself...
“It’s a love affair that continues to this day.”
With years of hands-on experience with the medium, Donovan has a wealth of knowledge, something he uses and shares as a longtime employee at The Camera Store.
Question: What about film photography drew you to the medium, beyond the influence from your parents?
Initially – and this is really funny now – it was the cheapest way to shoot. When I came into it, in around 2010, everyone was still formally using digital photography, yet digital cameras were super expensive. Getting into something so technical was difficult, especially for someone who didn’t have anything to start with, being fresh out of high school but really wanting to do something new. When I started, you could easily buy film for five or six bucks a roll and you could find these cameras that no one wanted for dirt cheap.
“One of my very first film cameras literally came out of a trash bag.”
Now, that camera would probably sell for $250. Besides the cost I really enjoyed the amount of control it gave me, especially when you start
to develop your own film – you get to take control over the entire process, start to finish. With digital photography that’s quite hard. You can do all your own edits but nowadays these cameras are smart. They add something to your process whereas film always felt a little bit more straightforward.
Question: In your opinion, why or how has film remained such a relevant medium?
I think film as a technical medium is capable of just as much as digital photography; in terms of resolution, colours, printing... film tends to hold up. Even with the latest and greatest cameras, still image to still image, you don’t see a lot of improvement from film to digital, in my opinion. Now, a lot of people might disagree with me on that but film holds its own so well – it retains...and this is where it gets a bit esoteric.
Film has more of an interest in look and a lot of that comes from the fact that “your image isn’t being made from zeros and ones anymore.
“It’s silver on gelatin. It’s this very tangible thing that you made.
with Christopher Donovan
INTERVIEWED BY | Ava Free
Q A &
I think the relationship to my images is stronger when I shoot film. The way I push myself technically tends to be... a little bit harder. I’m responsible for everything, there’s nothing for me to pawn off.
That technical mastery is always the carrot on the stick. But when you get it, the satisfaction is so much higher. I think in a world where our phones and digital, pro cameras have become so good. Sure, photography has become more accessible but it’s also so much harder to stand out.
Question: Can you tell me a little bit about the quirks and characteristics of your experience with film?
I shoot a lot of Ilford HP5 which is a black and white film that’s been around in various reitorations for about 60 years. I love it. It’s really
high contrast, versatile and... ...malleable. You can do what’s called pushing and pulling really easily on it. You can shoot for super low light or lots of it.
“A lot of people don’t realize how much you can manipulate film to get different results.”
Question: How might the patience required to shoot film affect someones willingness to engage with the medium?
You know if we go back six or seven years – having an iPhone in your hand, snapping a photo and seeing a good looking image right away – we’re so used to that. You didn’t buy [it] for the camera, you bought it because it’s a phone.
Obviously [the iPhone] was and is an amazing thing that’s changed our view, but now I say to myself ‘I’m going to shoot one picture in a day.’ There’s a huge community of people who are showing up for film.
Question: When it comes to community, connection or culture, how do you feel film and digital photography differ?
It’s composed of so many different levels [and interests]. There’re some who are into it for the technical aspects. They like developing or printing, or maybe they enjoy the math side of things. Others come with an artistic eye, they might want a bit of grain or some punch and they’re okay if things are a little
underexposed because it looks more unique. You have people who get a kick out of simply finding and using old cameras. There’s some who love the mechanics. [Being able to open] up the gears and springs is a big draw for a lot of people.
“At the end of the day, we all love it for different reasons, but we share them.”
Question: Why do you think there has been such a surge in film photography over the last several years?
It’s been a really slow build. I got back into film more seriously in 2010 or so when few people shot on 35mm – [it still felt unique] but it [started to pop up] in different places. It wasn’t being carried at Shoppers Drug Mart or London Drugs anymore but you could find it at Urban Outfitters.
Around the same time we saw a company called Lomography really take off. They pushed to produce, buy and distribute a lot of film. They were also distributing cameras at an [extremely affordable price], providing people with a cheap step into photography.
Then of course there was a big jump over the pandemic. People could learn how to develop and print themselves – all of which is a whole new artform. There’s taking the picture, making the negative and making the print.
Each one is a very distinct process. I take space, effort and time. So… with the time [during the pandemic], we had older guys who would say ‘I just dug out my enlarger and I
want to use it!’, or kids who would come in and say,
‘I bought a camera on Facebook Marketplace and I want to shoot some film… now what?’
I think these things [the film world] will always be somewhat circular. A lot of younger kids these days are getting into digital point and shoots. Those were ever present during my youth – they were boring.
Question: What would you say are the pros and cons of film photography’s resurgence, especially through trends, apps and overall popularity?
I would say one of the things I try and educate people about is that you can edit your photos any way you want. You can take your digital photos and make them look like film. You can do tons of stuff. There’s presets out there and it’s all available.
“But [digital] just doesn’t beat the magic of film.
It really is a magical process. You put some stuff in a camera, you go take some pictures and – you can’t look at it – if you look at it, this is all gone. Then you go home and you mix up some potions, you pour and swish them around. Then 30 minutes later, you pull out this strip and you’ve got pictures.
This is the biggest draw for me. It doesn’t matter how many rolls of
film I’ve developed in my life –there’s this moment when you grab film out of the tank and hold it up to the light – seeing all the images you have, that’s where the magic lies.
“Some things that were downsides to film for many, many years, like grain are now part of the charm.”
So it does kind of open up a little bit more of a creative space that you can access, where things don’t have to look a certain way. I think a uniqueness shows [itself] more strongly through film than it does digitally. The variability jumps. There’s more randomness.
Question: Do you have any advice for someone who is interested in film photography, not as a trend but as a hobby?
Get a camera, shoot a ton of pictures then shoot a ton more and then see what happens. Yeah. And I mean one of my favourite photography books and a great read for anyone who’s interested in photography in general is, a book called On Photography by Susan Sontag. It’s considered to be one of the most seminal, best academic, theory, texts based on photography. It’s not a technical lesson, it’s a theory lesson.
[She asks the reader questions like:] Why do we take photos? What do we take photos of? Why are they important? What makes a photograph important?
There’s a great line in there from Sontag and I’m going to paraphrase
it really poorly but she says, ‘We don’t take photographs of things that we think are ugly. Every photograph that’s ever taken is because someone thought something was beautiful.’
“And that’s my encouragement for everyone, is to find something that you think is beautiful and worth taking a photograph of, and then taking it. The more you do that, the more you’ll find what there is to love in the world.”
INTERIOR DESIGN BY
NYLA FREE DESIGNS
Quartier Grande Collection | White Oak
ENGINEERED HARDWOOD PLANKS
There are few fruits who can say they wear as many hats as an apple. It’s what A is for – or, it’s your phone brand. If they’re big – the city that never sleeps. A McIntosh? The computer that revolutionised tech in 1984. To Gwyneth Paltrow and Chris Martin, daughter. It’s what killed Snow White and what keeps the doctor away. They are the spokes-fruit for Autumn; back to school, harvest and the north star in Thanksgiving recipes. Candied, pied or maybe bobbed for, there’s a delicious reason why they’re the fruit of the season.
RECIPES FROM | Marie Luce-Denis of French 50 Bakery
INTRO BY | Ava Free
1. Melt 2 tablespoons butter in a large skillet over mediumhigh heat. When oil simmers, add onions and cook for 3 minutes until softened.
2. Add half the apple cider, season with salt and pepper and continue cooking for another 5 minutes, or until cider has mostly evaporated. Reduce to lowmedium heat and add remaining cider, cooking for another 8-12 minutes or until onions are golden and caramelised. Add thyme, sage and red pepper, cooking for one minute. Remove from heat.
2. In a large skillet set over medium heat, cook bacon until crisp. Remove from skillet.
3. Brush the outside of each slice of bread with olive oil. Evenly layer cheese, bacon, onion, apples.
4. Place the open face sandwiches, 1-2 at a time, in the skillet and cook for 3-5 minutes – or until bread is golden brown and cheese has melted.
1. Quarter apples and oranges, and add to a stockpot alongside cinnamon and cloves. Cover with water (or cider).
2. On high heat bring cider to a simmer. Reduce to medium-low heat, cover and simmer for 2 hours, or until apples are tender.
3. Using a wooden spoon or potato masher, mash oranges and apples in pot. This will enhance the flavour profile of the cider. Cover and simmer for 1 hour.
4. Using a mesh strainer or cheese cloth, strain out all solid ingredients. Press against pot to release remaining juices. Discard solid ingredients.
5. To the cider, add in sweetener to taste, and stir.
6. Serve as desired, warm or cooled & enjoy!
• 1077 grams Flour
• 478 grams Cold Water
• 454 grams Salted Butter | Cold & Cubed
1. Combine flour and half of salted butter in a food processor.
2. Pulse until butter is completely worked into the dough.
3. Add water and remaining butter and pulse until mixture is combined. Careful not to over mix.
4. Shape dough into a ball and refrigerate for a minimum of 4 hours.
5. Roll out dough with rolling pin to approximately 1/2” thick.
6. Drape dough over an 11” pie pan. Lift edges as you press dough into the bottom edge of the pan and up the sides; try to avoid stretching it.
7. Once dough is securely in pan, cut away any excess so that dough sits flush with top of the pan.
8. Wrap pan in plastic wrap and let chill in freezer. Can be left overnight
9. After dough has chilled, preheat oven to 325°F. Crumple a sheet of parchment paper and place inside shell. Fill paper with dried beans. (These make for great baking weights.) Bake for 20 minutes.
10. Remove shell from oven and wait until parchment is cool enough to handle. Remove paper from shell. Return shell to oven and bake for an additional 10-12 minutes. Remove from oven and let cool completely before filling.
• 4-5 Apples Gala or Golden Delicious
• 4 tbsp. Unsalted Butter
• 1/3 cup Packed Brown Sugar
• 1/2 Squeeze Fresh Lemon juice
• 1/8 tsp. Kosher Salt
• 4 Apples for Topping
• 10 tbsp. Unsalted Butter | Melted for Final Bake
1. Core and chop apples placing in a large pot.
2. Mix together salt and sugar. Sprinkle over apples and toss to combine.
3. Press lemon juice over apples.
4. Melt butter in a pot, stirring frequently and let it come to a simmer. *It will then start to caramelise and brown slightly* Once butter is a golden brown and smells like caramel, remove from heat immediately.
5. Add butter mixture to the apples.
6. Cook on low to medium heat, stirring often until the apples become soft.
7. After 35-40 min the mixture will thicken. Allow mixture to cool and blend with an immersion blender. Careful not to overblend.
8. Preheat oven to 350°F. Fill cooled tarte shell with apple butter mixture.
9. Peel and core “decorative” apples for topping. Thinly slice apples, approximately 2mm thick. Optional: Toss sliced apples with a little bit of cinnamon sugar.
10. Using the sliced apples, arrange in concentric circles starting with the outer ring and working inwards, changing the directionality of the apples with each layer. The slices should overlap.
11. Brush apples with melted butter and bake for 35 minutes, or until apples are soft. Allow tarte to cool and gently brush with maple syrup.
The Scrapbook
Click HERE for Crossword Answers
Yellow Pages
THE BEST LAID PLANS
Kimpton Hotel Enso | San Fransisco
Leo’s Oyster Bar | San Fransisco
Legion of Honor | San Fransisco
The Sanctuary Beach Resort | Marina
Hearst Castle| San Simeon
Kimpton Canary Hotel | Santa Barbara
Loquita | Santa Barbara
Flor De Maiz | Santa Barbara
Hotel Californian | Santa Barbara
Field & Fort | Summerland
The Well | Summerland
Porch | Summerland
Mary Suding Antiques | Summerland
Blue Magnolia | Summerland
The Surfrider | Malibu
Adamson House Museum | Malibu
PAGE 15 - 32
FROM FICTION TO FASHION
Celebrities Are Wearing Your Favorite Shoe From Kindergarten VOGUE www.vogue.com
My Favorite Shoe Purchase For Spring ‘22 Is A Zoë KravitzInspired Classic THE ZOE REPORT www.thezoereport.com
High Fashion Aesthetic With Ease: Why Mary Janes Are Footwear Du Jour THE GUARDIAN www.theguardian.com
Mary Jane Shoes Are Ripe For Rediscovery FINANCIAL TIMES www.ft.com
PAGES 63 - 64
HOME IS WHERE THE HEARTH IS Fireplace Terminology: A Need To Know Guide VALOR www.valorfireplaces.com
What Is A Fireplace Mantel? CAPO BUILDING SPECIALTIES www.capofireside.com
PAGES 65 - 72
THROUGH THE LENS OF FILM
Christopher Donovan
www.thecamerastore.com
403.234.9935
PAGES 73 - 77
AN APPLE A DAY
Marie Luce-Denis www.french50bakery.com
587.429.5906
Homemade Apple Cider GIMME SOME OVEN www.gimmesomeoven.com
PAGES 79 - 86
STOCK IMAGES
www.freepik.com THROUGHOUT
