Music of Azerbaijan
Classic Music
In 1920, Azerbaijani classical music had undergone a renaissance and Baku Academy of Music was founded to give classical musicians the same support as folk musicians. Modern day advocates of Western classical music in Azerbaijani include Farhad Badalbeyli, Fidan Gasimova and Franghiz Alizadeh.
Opera
Prominent Azerbaijani opera singers such as Bulbul, Shovkat Mammadova,Fatma Mukhtarova, Huseyngulu Sarabski, Hagigat Rzayeva, Rashid Behbudov,Rauf Atakishiyev, Muslim Magomayev, Lutfiyar Imanov, Fidan and Khuraman Gasimovas, Rubaba Muradova, Zeynab Khanlarova and many other singers gained world fame.[3]
Folk Music
Most songs recount stories of real life events and Azerbaijani folklore, or have developed through song contests between troubadour poets.[4] Corresponding to their origins, folk songs are usually played at weddings, funerals and special festivals. Regional folk music generally accompanies folk dances, which vary significantly across regions. The regional mood also affects the subject of the folk songs, e.g. folk songs from the Caspian Sea are lively in general and express the customs of the region.
Mugham It
is a highly complex art form that weds classical poetry and musical improvisation in specific local modes. Mugham is a modal system.[13] Unlike Western modes, "mugham" modes are associated not only with scales but with an orally transmitted collection of melodies and melodic fragments that performers use in the course of improvisation.[14] Mugham is a compound composition of many parts. The choice of a particular mugham and a style of performance fits a specific event.[14] The dramatic unfolding in performance is typically associated with increasing intensity and rising pitches, and a form of poeticmusical communication between performers and initiated listeners.[14] Three major schools of mugham performance existed from the late 19th and early 20th centuries - the region of Garabagh, Shirvan, and Baku. The town of Shusha of Karabakh was particularly renowned for this art.
The
Azerbaijani rock scene began in the mid-to late 1960s, when popular United States and United Kingdom bands became well-known. Soon, a distinctively Azerbaijani fusion of rock and folk emerged; this was called Azerbaijani rock, a term which nowadays may be generically ascribed to most of Azerbaijani rock.[28] Coldünya and Yuxu are the best known group of older classical Azerbaijani rock music.
Niyazi was born on August 20, 1912 in Tbilisi in a family of prominent Shusha musicians.[2] His father was the composer Zulfugar Hajibeyov. He is the nephew of Uzeyir Hajibeyov, the founder of the Azeri classical music. He was playing the violin in "Qırmızı Kadet" Turkish military orchestra in 1921. He studied at the Gnessin Music School in Moscow in 19251926. In 1929-30 he studied at the Central Musical Technical School in Leningrad (now Saint Petersburg), but dropped out due to health problems. He returned to Baku in 1931. Right after that he was sent to Dagestan where he met his future wife Həchər khanum.
Uzeyir Hajibeyov
Uzeyir Hajibeyov was born in Agjabadi in the Elisabethpol Governorate of the Russian Empire, which is now part ofAzerbaijan. His father, Abdul Huseyn Hajibeyov, was the secretary to Khurshidbanu Natavan for many years, and his mother, Shirin, grew up in the Natavan household.[3] Growing up, Hajibeyov was strongly influenced by Natavan's work.[4] Shusha, often dubbed as the cradle of Azerbaijani music and culture, had a reputation for its musical heritage. The town was also referred to as "the Music Conservatory of the Caucasus" because of its many talented musicians and singers. And the fact that Hajibeyov grew up in Shusha explains how at 22, in 1908, with very little formal musical education, he was capable of writing a full-length opera.
Presents: Babayev Rafail