Saddlebag Dispatches—Summer 2021

Page 172

T

ELEVISION WESTERNS NEARLY DIED by the 70s and have never dominated the small screen like they did in the 50s and 60s. The three existing networks were filled with westerns during this period. Since then, westerns have struggled to stay on the small screen—most have only lasted a season or two. An occasional TV movie came along once in a blue moon to appease the appetite of western fans. In 1975 a television show was created based on the movie Blazing Saddles. It was called Black Bart, and it was a show no one was meant to see.

Before we jump into the series, we need more information on the movie Blazing Saddles. It came to life in the mind of Andrew Bergman. It originally was titled Tex-X and was to star James Earl Jones as Bart with Alan Arkin to direct. That version fell through, and later Mel Brooks got involved with the project. Mel Brooks brought Richard Pryor, Norman Steinberg, and Alan Uger into the fold, with five writers working on the script. Originally Richard Pryor was to be cast as Black Bart, but Warner Brothers studio was nervous about Pryor’s reputation for drug use and declared he was uninsurable. Another version was that before filming could begin, Pryor called Mel Brooks and told him he was in Cleveland and didn’t know how he got there. Either way, Cleavon Little got the role of Black Bart. Next came the casting of The Waco Kid. Gene Wilder wanted the role, but Brooks wanted an older actor to play the kid. John Wayne was offered the part and read the script. He told Brooks that

LOUIS GOSSETT, JR. AS THE TITULAR BLACK BART, JOINED IN THE BACKGROUND BY NOBLE WILLINGHAM AS MAYOR FERN MALAGA, MILLIE SLAVIN AS BELLE BUZZER AND STEVE LANDESBERG AS REB JORDAN.


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Articles inside

Living in the Shadow of the Superstitions by Larry Newton Clark & Barbara Clark Clouse

7min
pages 136-141

The Last Horseman by Neala Ames

21min
pages 97-105

Deadly Pursuit by Michael McLean

17min
pages 151-159

Farewell to an Icon by Terry Alexander

7min
pages 42-44, 46-49

Deep Tracks by Marleen Bussma

1min
pages 166-167

Indian Territory by John T. Biggs

12min
pages 176-181

Lets Talk Westerns by Terry Alexander

5min
pages 172-174

Heroes & Outlaws by Velda Brotherton

8min
pages 168-169, 171

Black Hills White Stones by R.G. Yoho

1min
pages 92-93

Age Too Quickly Comes by Phil Mills, Jr.

1min
pages 18-19

Tribal Passages by Regina McLemore

14min
pages 12-17

Six-Gun Justice by Paul Bishop

7min
pages 8-10

Behind the Chutes by Dennis Doty

3min
pages 6-7

The Last Rider, Part IV by J.B. Hogan

25min
pages 78-84, 86-89, 91

As Good A Man by Neala Ames

11min
pages 161-165

Bend the Blades of Grass by Phil Mills, Jr.

10min
pages 143-146, 148-149

Copperhead by Sharon Frame Gay

24min
pages 125-128, 130-131, 133-135

The Running Day by Rich Prosch

17min
pages 115-123

Mary, Mary, Quite Contrary

16min
pages 107-113

Sky Stone by John T. Biggs

17min
pages 69-73, 75-77

She Rode for the Marshals by Velda Brotherton

36min
pages 51-56, 58-61, 63-67

Justice for Duff O'Casey by Jacob Bayne

5min
pages 39-41

High Stakes by Andrew Salmon

5min
pages 35-36

Incident at Blue Nose Creek by John D. Nesbitt

5min
pages 33-34

Gun-Quick by Brandon Barrows

5min
pages 31-32

Redbear by Michael McLean

5min
pages 29-30

Just Us Saloon by Bruce Harris

5min
pages 27-28

Two for the Trail by Allison Tebo

5min
pages 25-26

The Devil Mare by Sharon Frame Gay

5min
pages 23-24

Saddlebag Dispatches—Summer 2021

5min
pages 21-22
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