FREE Vol. 5 Issue 1 August 2011
Gen Con 2011 had something to offer gamers of all sizes, shapes BY JONDI SCHMITTSOPER Each year more than 30,000 people invade he downtown area of Indianapolis - but not just any people. No, these people are gamers, cosplayers, comic book-lovers, anime fans and more. With this year’s newly opened expansion of the Indianapolis Convention Center, Gen Con was even bigger and better than ever before. With a larger exhibit hall, the board games headquarters nearly doubled in size and the convention’s premier event, True Dungeon, was able to expand to 10-person groups throug the dungeons this year. The True Dungeon is a two-hour massive Dungeons and Dragons liveaction adventure complete wih highly immersive sets, working props and monsters - don’ forget the monsters. A the end of this year’s advenures, a video of True Dugeon creator Jeff Martin was shown to
adventurers, in which he announced that the True Dungeon at Gen Con 2012 will be moving to a bigger locaion and expanding. Information about the True Dungeon adventures can be found at www.truedungeon.com Gen Con’s costumes, as always, were epic. What better place to see amazing cosplay than a gaming convention? There were men dressed as women, women dressed as men, people dressed as animals and robots and there were even a few real robots! The costume competition brought steep competition. The finalists came down to a well-made Batman suit, a halfling-orc (I don’t want to know how that even happens) or a beauiful Warhammer cosplay group that even included a woman. In the end, the judges turned o the audience for the final decree and the results were actually quite surprising when the halflingorc took the winnings (he was pretty adorable).
Mayfair Games expanded their presence at Gen Con this year significantly, and they had a petty large presence last year to begin with. They had several licenses present this year on their area on the exhibi hall floor, which was by far he largest area in the hall. Who North America, a Dr. Who store based Even kids dress up at Gen Con! in Indianapolis, Photo by Amanda Lynn Lupfer was a popular “Torchwood.” booth. With a display that From Wizards of the looked like the TARDIS Coast with their release and a life-sized World of the Neverwinter advenWar II Dalek at the booth, ture and Wyrd Games with even those not stopping their wonderful miniature to shop were stopping to games such as Malifaux pose with the TARDIS or and Puppet Wars to events the Dalek for a photo op. for “spouses” in which The store offered atendees made chainmail books, games and memobelts for a teddy bear, Gen rabilia from all eras of Dr. Con Indy 2011 truly had Who adventures and even something to offer evsome things from the two ery member of the gamer spin-off shows, “The Sarfamily. ah Jane Adventures” and
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Disney’s D23 Expo: a recap BY SHAWN MARSHALL
con-news.com - Although I’d been a spectator from afar for quite some time, 2011 marked my first venture to Disney’s D23 Expo. In the interest of full disclosure, I think it’s important for you to understand that I am a Disney fan, but I’m probably not what you’d consider a Disney fanatic. I have a season pass to Disneyland and have been to Disney World a number of times, but I don’t purchase much in the way of memorabilia and I’ve never been to Club 33 (does having a knowledge of Club 33 make me a bit of a fanatic?). So, although I knew of the D23 Expo in the past, I had never thought it was an event that was necessarily for me. That being said, the
a bit pricey ($47 per day without D23 membership and $40 per day with it), there are a number of great panels throughout the weekend. The big news of the weekend that emphasized part of this point is that with Marvel on their side (or vice-versa?), D23 Expo pulled off what SDCC could not this year and hosted an Avenger’s panel. Not only did this panel feature the wit of Robert Downey Jr., but it also included exclusive clips of the new movie. Furthermore, they followed this up with another entertaining panel on Sunday where Joe Quesada, Chief Creative Officer of Marvel Entertainment, held one of his “Cup O’ Joe” talks, where he led a discussion on the history, psychology, and sociology
ever-expanding Disney Empire lured me for this event with their relatively new acquisition of Marvel. In order to prepare for the event, I began following the many discussions on Twitter about #D23 and #D23Expo. As a result, I decided to follow the advice of @evico and purchase a D23 membership for the first time (but not the last). The minimal membership was only $35 and immediately earned a $7 discount on each tickets, an exclusive watch, and, most importantly, access to the show an hour before the regular public. Although the D23 Expo is not the size of a San Diego Comic-Con (SDCC) or a New York ComicCon (NYCC), anyone that has been to one of these events can appreciate how
much entry an hour early would mean to the overall rhythm of the day. Although we did not hit the exclusives hard like other events (as I said, I’m not a huge Disney collector), the extra time the membership gave us did allow us to grab extra swag and to get to the front of the line at many of the more popular exhibits. This meant that the rest of the day had a much more relaxed tone, as that one hour provided us with several hours worth of fun and entertainment. For those of you that might attend the next D23 Expo, my first two pieces of advice: 1. Follow @evico on Twitter and 2. Get the D23 membership. Regarding the entertainment value of the event, although the tickets are
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Disney-con makes for enjoyable experience of the Marvel Universe. Beyond Marvel, Disney also utilized its other relationships and provided exciting panels related to Pixar and ABC (really sad I missed their panel on the new show, Once Upon a Time). Beyond these “fringe” relationships, the heart of the content was directly Disney. With a number of panels led by Imagineers, attendees had many opportunities to look behind the curtain to get a glimpse of the inner workings of Disney. Additionally, for the younger crowd, the D23 Expo had near constant programming tied to their Disney Channel shows. Although Lemonade Mouth and So Raven! may have not been on my “must see” list, the teens, tweens, and little ones seemed to have a blast with the many panels and performances in this vein. Unlike many conventions where programming, vendors, and talent are the most important elements, D23 Expo also had many interactive experiences and exhibits. Of these, the Carousel of Projects was probably the most popular. Mimicking the original, Carousel of Progress, this exhibit gave attendees a number of glimpses at upcoming attractions that Disney has in the works.
From the renovations of California Adventures to the addition of a new ship in the Disney fleet, the Carousel of Projects offered attendees the opportunity of getting up close with some of the interactive elements that would soon be making their way into the Disney Kingdom. Of the items featured in this area, the replica model of Disney World’s new Fantasyland was by far my favorite. Having just been to Disney World a few months ago, it was particularly interesting to see what is being built behind those barricades I had just recently seen. Without a doubt, I found the D23 Expo to be an extremely enjoyable event. That being said, I do understand some grumblings I heard about the lack of presence by other Disney properties (ie. ABC, ESPN, Marvel, etc.) on the showroom floor.
I think a Marvel booth, armed with free Avenger posters and shirts would have gone a long way to further integrate the company into the Disney family. So, although I was surprised that there wasn’t a stronger presence by some of these properties, I also understand that Disney is a successful business that is very pragmatic about their undertakings. Having seen the hysteria surrounding the new addition to the family, I’d be very surprised if Marvel (and others) aren’t more visible the next time around. In addition to the discontent about the lack of Marvel, I spoke to some who also felt the vendor room was a letdown. This is understandable, as it was one of the smaller vendor rooms I’ve ever seen at a show of this size. If you didn’t collect Disney pins, there wasn’t much else to purchase. Although my Disney collecting is lim-
ited, I definitely have been known to buy Haunted Mansion memorabilia or Vinylmations from timeto-time. Because of the limited offerings in the vendor room, I didn’t even have temptation. That being said, the Saturday sell-out of the D23 Expo indicates what we’ve seen recently at SDCC and WonderCon…big things are on the horizon. Although the D23 Expo is not scheduled to return to Anaheim until 2013, I wouldn’t be surprised if the immense popularity lured the company into coming up with something next year. Like LucasFilm, Disney has no desire to saturate the market with a con-presence, but despite this Star Wars Celebrations are becoming more commonplace. Similarly, I wouldn’t be surprised if we see some sort of con or expo related to Disney in Southern California prior to 2013. Either way, the next time there is a Disney-Con of any sort in my area, I’ll be there. The new partnerships Disney has formed, coupled with the increasing frenzy by the public for Con-Culture, leads me to feel that we’ll see the D23 Expo become an increasingly powerful player in the convention scene in the very near future.
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Animator, diretor Makoto Shinkai to appear at New York anime festival
Norwalk, CT, August 4, 2011 - The New York Anime Festival (NYAF) and Crunchyroll today announced auteur Japanese animator and director Makoto Shinkai will participate in this October’s New York Anime Festival. The New York Anime Festival will take place October 13-16, 2011 at the Javits Center in Midtown Manhattan as part of the sixth annual New York Comic Con (NYCC). NYCC, which attracted 96,000 attendees in 2010, celebrates comics, television, movies, toys, games, and the popular arts from around the planet. NYCC’s Anime Festival shines a specific spotlight on anime, manga, and Japanese pop culture. NYCC has already announced guests including Kevin Smith, Felicia Day, and Robert Kirkman. NYAF guests include voice actress Junko Takeuchi and manga author Hiro Mashima. Makoto Shinkai, born in Nagano, Japan in 1973, boldly entered the animation world in 2000 with “She and Her Cat,” a short sin-
Makoto Shinkai gle-handedly written, directed, and animated. His follow up, “The Voices of a Distant Star” in 2002, was again a solo work. Shinkai laboring individually on what a team would normally produce, the result was a poignant, personal, unique film which won awards and praise in both Japan and the United States. Shinkai’s first animated feature, “The Place Promised in Our Early Days,” was released in 2004, and it was followed by “5 Centimeters per Second” in 2007. Shinkai now working with a dedicated staff at CoMix Wave Films committed to his vision, these two titles expanded the scope of his storytelling. They further planted his name squarely in the minds of anime fans, critics, and cinemaphiles on both sides of the Pacific,
Shinkai’s and earned the young art- watchers. ist comparisons to master works are respected by storytellers including animation and cinema aficionados the world Hayao Miyazaki and the over, and I am delightdeparted Satoshi Kon. ed to bring Mr. Shinkai “Hoshi O Ou Kodoto New York City and mo: Children who to present his most reChase Lost Voices from cent work, Children Deep Below” is Mawho Chase Lost Voices koto Shinkai’s newest from Deep Below.” work, released earlier “Children who Chase this year in Japan and Lost Voices from Deep premiering in New Below” premiered in York City at the New Japan on May 7 and York Anime Festival. saw its American preHe is co-sponsored by miere at Otakon on July Crunchyroll. His travel 30th of this year. It will is provided by Ameriscreen for the first time can Airlines. in NYC at the New “The New York AnYork Anime Festival. In ime Festival is hum“Children who Chase bled to welcome MaLost Voices from Deep koto Shinkai to New Below,” a girl named York City,” NYAF and Asuna meets a young NYCC Show Manager man called Shun who Lance Fensterman said. comes from the far“Since The Voices of away land of Agartha. a Distant Star was reThe two quickly beleased in America, it come friends, but then has been making fans. — just as quickly — Something different, Shun disappears. And all of Shinkai’s works when Asuna hears the have been possessed by word “Agartha” again a heart and a sense of in school as part of a self that is seldom seen fairytale, she knows adin anime. venture and mystery lie Every project Mr. ahead. Shinkai’s been behind Makoto Shinkai’s has had a clear permost ambitious film yet, sonality, intimacy, and immediacy that have Continued on Page 9 earned him fans far beSee NYCC yond traditional anime
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CBLDF TO DEFEND AMERICAN CHARGED IN CANADA
ICV2.COM The Comic Book Legal Defense Fund is forming a coalition in order to support the legal defense of an American citizen who is facing charges in Canada that could result in a mandatory minimum sentence of one year in prison. This incident is the most serious in a disturbing trend noticed by the CBLDF involving the search and seizure of print and electronic comic
books carried by trav- sonal belongings includelers crossing national ing his laptop, iPad, and iPhone. The customs offiboundaries. cer discovered the manga, The CBLDF has agreed believed to be a doujinshi to assist in the case by (fan-created) comic of the contributing funds to mainstream manga sethe defense, which it ries Magical Girl Lyrical is estimated could cost Nanoha, and declared it $150,000, as well by prowas “child pornography.” viding access to expert The man is being witnesses and assistance charged with violating on legal strategy. sections 163.1 (3) and The defendant in the 163.1 (4) of the Criminal case, whose name is being Code of Canada, which withheld as part of a legal prohibits both the imporstrategy, is a computertation and possession of programmer and comic child pornography. book fan in his mid-twenJapanese publishers are ties. much more lenient about He was on his way to allowing amateurs to crevisit a friend in Canada ate works featuring their when a Canadian customs licensed characters, which official conducted a search has led to a large marof the man and his per-
ket for “doujinshi” in Japan where self-published works featuring licensed characters are often sold in the thousands, and publishers regularly mine the ranks of doujinshi creators for new talent. But a substantial portion of doujinshi creation is often similar to the “Tijuana Bibles” in that they depict licensed characters in sexual situations.The images at issue are all comics in the manga style and the crux of the case, in addition to protecting the privacy rights of travelers, is the increasingly urgent issue of authorities prosecuting art as child pornography. No photographic evidence of criminal behavior is involved in the case.
'THEY'RE NOT JUST LOOKING FOR BOMBS ANYMORE' ICV2.COM A new outreach ad aimed at getting more participation in and contributions to the Comic Book Legal Defense Fund will begin running as a PSA in comic books starting in late July. Created pro bono by the Bonfire Agency, the ad, which features the powerful headline, “They’re Not Just Looking for Bombs Anymore,” draws attention to the case of an
American who faces serious charges in Canada after Canadian customs officials found comic art on his laptop that they considered child pornography (see “CBLDF Defends American Charged in Canada”). Bonfire’s Steve Rotterdam, former V.P. of Sales & Marketing for DC Comics, created the copy for the ad: “We felt that the comic book in a briefcase stopped on an x-ray conveyor belt together with
the headline, ‘They’re Not Just Looking for Bombs Anymore,’ summed up the situation very succinctly and powerfully.” Most major comic book publishers will be including the ad in their comics and related banner ads have been created to run on comic news sites, publisher Websites, blog sites and other fan destinations. Rotterdam noted, “I was blown away by the fact that the CBLDF had never
advertised to potential members and contributors in the most likely place to find them—the comics themselves. When Ed (Catto) and I formed our agency, we were determined to help change that.”
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‘Yu-Gi-Oh!’ Organized Play Makes Big Gains
ICV2.COM Konami Digital Entertainment VP Yumi Hoashi told ICv2 that attendance at the YGO Regional Qualifiers in the U.S. is up 27 percent in 2011 versus 2010. Hoashi told ICv2
that she attributes the jump in attendance to, “An increase in the number of players, a lot of lapsed players are returning to the game. We have also put a lot of effort into promoting organized play in general. We are providing players with more venues
that they can play at, and in some areas events are held at less intimidating venues such as Tournament stores, which are a lot more accessible and less intimidating.” Attendance at Yu-GiOh! Championship Series events in the U.S. was up 17% in 2011 versus 2010. These gains in attendance at both the Regional Qualifiers and
YGO Championship Series come on top of similar boosts in attendance in 2010 versus 2009 that were reported last year (see “Yu-Gi-Oh! OP Attendance Up”). Konami took control its YGO brand in North America in late 2008 and launched its YGO OP program in 2009 (see “Konami Launches League Play”).
Anne Hathawy defends Catwoman costume ICV2.COM 08/09/2011 - Anne Hathaway has reacted to criticism of her Catwoman costume that characterized her Dark Knight Rises togs as “underwhelming.” Hathway replied to remarks about the costume by telling MTV, “What I am happy to say is, if you didn’t like the photo, you only see about a 10th of what the suit can do. And if you did like the photo, you have excellent taste.” Hathaway’s functional and understated Catwoman costume is perfect keeping with the overall design of Christopher Nolan’s Batman films. Meanwhile Hathaway’s stunt double accidentally totaled an expensive IMAX camera while
Hathaway on Batpod in her Catwoman costume filming a scene in which she was riding the massive Batpod motorcycle down the steps of Carnegie-Mellon University in Pittsburgh. According to The Hollywood Reporter, the stunt double flew off
the bike and sailed into the pricy IMAX camera. Though the camera was wrecked, neither Hathaway’s double nor any of the camera crew was hurt, so it could be said that the Catwoman costume
passed its first test at least for durability. With a budget just north of $250 million, the producers of The Dark Knight Rises should be able to absorb the cost of replacing the camera.
NYCC
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SyFy cancels Eureka
continued from Page 3 “Children who Chase Lost Voices from Deep to attempt to convince ICV2.COM Below” is grand in SyFy to keep the property 08/09/2011 After fi rst scope, marrying togethannouncing a 6-episode going in some form. er lavish visuals with a One of the most origiseason six, SyFy abruptnarrative that literally ly pulled an about face nal American science ficcrosses worlds. and cancelled the sixth tion TV series in years, At the New York Anseason of Eureka, the Eureka takes place in a ime Festival, Makoto science fiction comedy/ fictional high tech comShinkai will speak on a drama created by Andrew munity in Oregon where Q&A session and dediCosby and Jaime Paglia. nearly everyone is a scicate time to autographThe series, which de- entist working on maing, both public signings buted in July of 2006, is jor technological breakfor general attendees and not going to disappear throughs at a corporation reserved autographing immediately. It will end known as Global Dynamfor NYAF VIPs. His apwith the 12-episode sea- ics. pearance will culminate The key dynamic in the son 5 that is set to air on in the introduction to series is the tension beSyFy in 2012, so diehard Children who Chase Lost fans will have some time tween Sheriff Jack Carter Voices from Deep Below. For Mr. Shinkai’s bio, headshot, and stills from “Children who Chase Lost Voices from Deep ICV2.COM Frank Cho has anBelow,” please visit www.newyorkcomiccon. nounced that he is working on an X-Men minisecom. Details around all of ries for Marvel that will Shinkai’s events and feature “three of the hotNYAF’s full schedule test women in the Marwill be announced later vel Universe.” Cho anthis summer. Tickets are nounced the project on available at www.newy- his Website on a list of “stuff coming out in the orkcomiccon.com now. For the latest informa- next 12 months” that also tion, please follow @ included the Guns and ny_anime_fest and @ny_ Dinos 3-issue miniseries would appear to indicate a comic_con on Twitter as from Image that debuts in late 2012 debut. The other well as read NYAF and November, and Brutal a project, which he notes NYCC’s official blog, miniseries co-written with will probably come out in www.mediumatlarge.net. Joe Keatinge that was an- 2-3 years is Jungle Queen, for other fans, thus nounced at Comic-Con a pet project, which will making them uniquely and is slated to debut in probably be published in France “where there is no qualified to service those April of 2012. The X-Men project was censorship of nudity like with whom they share a third on the list, which here in America.” common passion.
(Colin Ferguson), a man endowed with considerable practical intelligence and the numerous resident Eureka doubledomes, who either on purpose or inadvertently create problems for the community that Sheriff Carter has to deal with. BOOM! Studios, which was co-founded by Eureka co-creator Andrew Cosby, has published several issues of a Eureka comic book, which are based on storylines provided by Cosby.
Frank Cho creating ‘X-Men’ mini-series
Cho explained on his Apes & Babes site that he will be both writing and drawing the X-Men miniseries, but noted “I can’t say too much right now but this miniseries will have three of the hottest women in the Marvel Universe.”
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Sequal and RPG planned for Jim Henson classic ‘The Dark Crystal’ ICV2.COM Aug. 23 - Archaia Entertainment, publisher of the Dark Crystal comic book, has announced plans to release a role-playing game based on the Jim Henson classic late in 2012. ICv2 caught up with Mark Smylie with the details at the recent Gen Con game fair. “It will be fairly simple, all-ages appropriate, and available for younger players,” Smylie explained. The game will be designed by Luke Crane, who also created the Mouse Guard RPG for Archaia and the awardwinning Burning Wheel. The Dark Crystal RPG will use similar rules to
those found in Mouse Guard. Players will be able to create gelfling characters and explore the world of the film. Smylie indicated that the game will be released as a single hardcover book, and may later be presented in a boxed set as well. Archaia hopes to have the game finished in time for Gen Con. A sequel to the Jim Henson and Frank Oz film is reportedly in the works. Omnilab Media and The Jim Henson Company will produce “Power of the Dark Crystal,” the sequel to the original, in 3D. The feature will be a combination of live action, puppetry, and visual and special effects. Fantasy artist
Brian Fround will be the conceptual designer of the film. Brothers Peter and Michael Spierig (Undead, Daybreakers) have been
hired to direct from a screenplay by Craig Pearce (Moulin Rouge) based on a script by Annette Duffy and David Odell.
GameStop pulls free OnLive Deus Ex: Human Revolution coupons www.gamepolitics.com Aug. 24 - Yesterday it was revealed that cloudgaming service OnLive and Square Enix had teamed up for a special promotion that would give consumers that bought a retail copy of Deus Ex: Human Revolution for PC a free OnLive version of the game. Gamestop, however, took steps to make sure its customers did not get an OnLive version of the game - and they did it without telling them.
GameSpy offers a report saying that a number of GameStop customers contacted them outraged at what the retailer had done. From the GameSpy article: “We received reports from a handful of GameStop customers claiming that their new PC boxed copies of DXHR were opened and the OnLive codes were missing. We also received evidence from an anonymous tipster suggesting that it was GameStop management that made the decision
to physically remove the OnLive codes from its PC copies of the game.” A photo of an internal memo shows that (allegedly) GameStop management instructed its employees to remove the OnLive codes. It reads, in part: “Please immediately remove and Discard the OnLive coupon from all regular PC versions of Deus Ex: Human Revolution. Our desire is to not have this coupon go to any customers after this
announcement.” GameStop public relations representative Beth Sharum commented on the story to GameSpy in an email, confirming that GameStop was in fact removing the coupons: “Square Enix packed the competitor's coupon with our DXHR product without our prior knowledge and we did pull and discard these coupons,” Sharum said. OnLive had no comment on the story, but did says they were aware of it.
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Gamefly subscribers to have free computer game access LOS ANGELES, Aug. 9, 2011, PRNewswire -GameFly, Inc., the number one online video game rental subscription service will be launching a new digital client, the one-stop shop for gamers, this holiday season. The biggest bonus for active GameFly subscribers will be the addition of free "Unlimited PC Play" which allows them to download and play as many Windows/Mac games as they want, from a large and ever-growing collection of titles. Gamers will have unprecedented flexibility in how they want to con-
sume games, whether it is renting discs by mail from a library of over 8,000 titles, downloading any of the more than 1,500 Windows/Mac games for sale, pre-ordering new console and PC releases or buying used games – all managed via the desktop client. Casual to hardcore gamers can get all of their gaming information with up-to-the-minute news, a live feed and archive of HD trailers, videos, and screenshots, and a robust social component for realtime discussions of what's hot and what's not. In addition, users will
be able to manage their entire library of games across all gaming platforms, as well as create custom libraries to share. “We're thrilled to bring digital to the gaming consumer in a meaningful way, as no other service or retailer brings physical and digital gaming together like GameFly,” said Sean Spector, GameFly co-founder and SVP of Business Development and Content. “With a library of over 9,500 titles from over 300 first- and third-party publishers, GameFly members have the ultimate
choice of how, what, when and where they game.” GameFly will launch their closed beta at a Los Angeles event on Sept. 8, exclusively for GameFly members. All attendees will walk away with beta codes for themselves and a friend. Gaming enthusiasts not in the Los Angeles area who want to gain access to the private beta can visit www.gamefly.com/beta. The digital client will launch publicly during the holidays, but for a sneak peak now, see the teaser trailer here --www.youtube.com/gamefly.
Celebrity guests added to Tennessee Horror Weekend BY SHAWN SCOTT SMITH Horror Weekend 2011 announced several new additions to this year’s show show. Sid Haig is best known for his role as Captain Spaulding in “Rob Zombie’s House of a 1000 Corpses” and “The Devils Rejects.” He has bee in the film industry for over 50 years, also appearing in films such as Rob Zombie’s “Halloween,” “Night of the Living Dead 3D,” “Kill Bil Vol. 2,” “House of the Dead 2,” “Warlords” and he has also appeared in tv shows such as “The
Dukes of Hazzard,” “Batman” “Star Trek,” “Gun Smoke,” “Mission Impossible” and many more. Priscilla Barnes is probably best known for her role on the classic television series “Three’s Company” but has gain notoriety in the Horror world
with her role in “The Devils Rejects.” She has also appeared in “Trailer Park of Terror,” “Ed Gein: The Butcher of Plainsfield” (opposite Kane Hodder), “Mall Rats” and appeared as a Bond Girl in “James Bond 007: License to Kill.”
Plus several paranormal guests have been added to the show. Brian Harnois a paranormal investigator that appeared in more than 50 episodes of Syfy Channels Ghost Hunters as well as Ghost Hunters International. John Tenney is a paranormal investigator that is best known for A&E’s Paranormal State the New Class as well as Realm of the Weird and Weird Lectures. Visit their website at w w w.H orrorWeekend. com for complete event details.