THE ESSENCE OF STYLE
BE IN BLOOM
PROTECT YOUR SKIN
FLORAL BOUQUET NEW SCENT SIGNALS
SPRING DAZE
THE SEASON’S HOTTEST TRENDS
WWW.OHLALAMAG.NET APRIL 2020 | ISSUE 105 QR20
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APRIL 2020 ISSUE 105
EDITOR-IN-CHIEF
WEBSITE DESIGNER & DEVELOPER Ammar Ali
Jayne Houghton LOCAL EDITOR Anushay Khan CONTRIBUTORS Gergana Ivanov
CHIEF EXECUTIVE OFFICER Greg Hughes PUBLISHERS Edward Smith Rami Khalil
Jenny Guttridge
COVER IMAGE ILLUSTRELLA MODA PRODUCTION MANAGER
PUBLISHING DIRECTOR Chirine Halabi
WEBSITE Melek Yildirimtekin
ACCOUNTANTS Gigimon Thankachen Praveen Alexander
SENIOR GRAPHIC DESIGNER
DISTRIBUTION
Jyoti Rawat
Qatar – Dar Al Sharq
Neil Mahmood DISTRIBUTION MANAGER
CREDITS IMAGE Graff
Ajit Kumar
DISTRIBUTION TEAM Rajesh Noushad
PHOTOGRAPHY CONTRIBUTOR Sudheesh Kollaroth PRINTING PRESS Al Anan Printing Press, Oman
ENQUIRIES Editorial: jayne@ohlala-magazine.com | Publisher: edward@ohlala-magazine.com | Publishing Director: chirine@fact-magazine.com Office: +974 4421 3089 | Mobile: +974 3303 3475 No part of this publication may be reproduced without the written permission of the publisher. All Rights Reserved. The views expressed in this magazine are not necessarily the views of the publisher. Every effort has been made to ensure the accuracy of the information contained in this publication. However, Ohlala Publishing and all of its publications cannot accept legal responsibility for any error, content or omissions.
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Doha, Qatar
+974 4447 8888
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almajedjw
hublot.com
Big Bang One Click. Case in 18K King Gold. Bezel set with 42 diamonds. Self-winding movement. Interchangeable rubber www.ohlalamag.net strap using patented One-Click system.
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GRAFF
CONTENTS Ohlala
10 ROSE Editor’s Letter Style Focus Cartier
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36 TULIP Dolce & Gabbana Leila Issam Beauty Insight
64 DAISY Park Hyatt’s Spa Westin’s Sleep Day Chic Eats: O’Glacée
Spend a relaxing day at our Recreation Center among endless greenery in the middle of Aspire Park. A green oasis featuring two swimming pools, indoor & outdoor kids’ play zones and a Patio Café to enjoy with the entire family!
Al Baaya Street Aspire Zone Doha Qatar info@alaziziyahboutique.com | +974 4445 5555 www.alaziziyahboutiquehotel.com www.ohlalamag.net
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ITOR D ’ E
S
TTER E L It’s time to banish heavy knitted jumpers to the back of your wardrobe, because a new season is upon us. As we edge into spring/summer 2020, we can finally start wearing some of the trends we saw on the catwalks last September. Womenswear this spring combines playful tailoring, funky silhouettes, and unexpected layering for a new type of power dressing. This season is definitely following the notion of ‘more is more’ with finishing details adding an additional ‘oomph’. Although the coronavirus has left many of us fashion-loving folks confined to their homes, online shopping offers us plenty of time to recharge and renew in the style department. However, many of us have gained solace that all rules of etiquette have gone out the window whilst socially isolating - and that’s okay! For me personally, this period – although spiking my anxiety – has ultimately left me feeling comforted and gratified as I receive caring and considerate notes from my fashion-industry friends and contacts around the world. When you are so isolated, it means a lot. Take this time to reconnect with family and friends, but above all else, connect with yourself. Despite all the inconveniences of the confinement, I do see something positive coming out of the experience. We are more conscious of a strict hygiene routine, have had the rare time to reflect on what’s important in life, learned to appreciate family, friends and colleagues more after this long period of separation, and have become even more skilled conducting business online. Our work and lifestyle will change after this experience that’s for sure, and I’m all for it. Stay safe.
Jayne Houghton @vintagejayne 10
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Editor-in-Chief
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VILLAGGIO MALL VIP AREA GATE 6 T 44831027 TOMFORD.COM
A WA R D R O B E REFRESH SPRING ALLOWS US TO START USHERING OUR FAVOURITE PIECES FROM OUR WARM-WEATHER WARDROBES BACK INTO OUR OUTFITS, ALL THE WHILE COMFORTABLY RELYING ON THE WINTER ITEMS WE CAN’T BEAR TO PART WITH JUST YET.
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STYLE
VIKTOR ROLF
Take on a new twist, with more intricate patterns and irregular embroidery elevating your style to new fashion heights.
ZIMMERMANN
SIMONE ROCHA
Broderie Anglaise
SIMONE ROCHA
LUISA BECCARIA
LOEWE
ISABEL MARANT
ZIMMERMANN
CHRISTIAN DIOR
Focus
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ULTRÀCHIC
Focus
EMILIA WICKSTEAD
Power Prints
MOSCHINO
DOLCE & GABBANA
ERDEM
LOEWE
STELLA MCCARTNEY
BALENCIAGA
STYLE
BURBERRY
They’re not for everyone, but the woman who wants to command the room will surely be noticed.
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Create lasting memories.
Blending newly reimagined Suites, Spa and Club Lounge with legendary services and amenities, The Ritz-Carlton, Doha delivers a lifestyle that is second to none and creates a legacy filled with lasting memories for you and your family. For reservations, visit ritzcarlton.com/doha or call +974 4484 8000. DOHA
Terms and conditions apply. Subject to availability. Advanced reservation is required. Š 2019 The Ritz-Carlton Hotel Company, L.L.C. www.ohlalamag.net
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STYLE
BOTTEGA VENETA RODARTE
PRABAL GURUNG
TOGA
VERSACE
VALENTINO
FENDI
TOGA
Wrapped Ankles
JW ANDERSON
Focus
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Whether you’re a lover of lace-up espadrilles or adoring ankle-tie heels, this trend is here to stay.
Discover them all and book your stay at mgallery.com Msheireb Downtown Doha | Email: H8395-re@accor.com| Tel: +974 4009 9999
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SUPRIYA LELE
SPORTMAX
A drawstring embellished piece makes a statement on its own, so it’s easy to style. Keep it simple.
ULLA JOHNSON
LOUIS VUITTON
HANSEN GRETEL
MARKUS LUPFER
3.1 PHILLIP LIM
GILBERTO CALZOLARI
Drawstrings
ULLA JOHNSON
ASHISH
STYLE
Focus
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STYLE
Focus
SIGNATURE PATTERNS FOR SUMMER 20, ANTHONY VACCARELLO CREATIVE DIRECTOR AT SAINT LAURENT CHOSE TO PLAY WITH CONTRAST THROUGH COLOURS AND TEXTURES.
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STYLE
Focus THE ALL-OVER EMBROIDERED LONG DRESSES WHILE THE COLOUR PALETTE IS MORE AUTUMNAL THAN SUMMERY, THE OPULENT AND HEAVY GOLD EMBROIDERIES CONTRAST WITH FLUID AND DELICATE FABRICS. IN THE SAME FASHION, ANTHONY VACCARELLO HAS REVISITED SOME OF SAINT LAURENT’S OTHER SIGNATURE PATTERNS SUCH AS PAISLEY AND ZEBRA, FOR A FASHION-FORWARD ATTITUDE. VARIOUS SHAPES ARE OFFERED SUCH AS HALTER AND OPEN-SHOULDER FOR A SEDUCTIVE & ULTRA-FEMININE APPEARANCE.
THE JUMPSUIT WORN BY AVIATORS IT IS NOW A STAPLE OF THE WOMEN’S WARDROBE. FOR SUMMER 20, IT IS REINTERPRETED IN AN ALL OVER EMBROIDERED VERSION FOR A DAZZLING EVENING SILHOUETTE. AS AN ALTERNATIVE TO THE TOTAL LOOK, PANTS ARE ALSO AVAILABLE IN THE COLLECTION TO BE MIX AND MATCHED WITH OTHER PIECES, EMBROIDERED OR NOT. @ysl
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Saffron A f t e r n o o n Te a Daily from 2-5 PM QR 110 for two A select choice of Pastries and Snacks Tc h a b a A r t i s a n Te a L e a v e s Coffee by CafĂŠs Richard
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STYLE
Focus
U P B E AT S O P H I S T I C AT I O N
KATE SPADE NEW YORK CELEBRATES RAMADAN WITH A FESTIVE CAPSULE COLLECTION In celebration of Ramadan 2020, Kate Spade New York will be
releasing a curated assortment of handbags, ready-to-wear, jewellery and shoes specially selected for the holiday season. Designed by Creative Director Nicola Glass, this selection infuses the pragmatic and witty design, clever use of color and upbeat sophistication that the brand is known for. “We are thrilled to celebrate the festive Ramadan holiday with a curated collection of some of our favorite Spring pieces,” said Creative Director Nicola Glass. “We wanted to create a range of products for the Middle Eastern woman that would integrate seamlessly into her existing wardrobe. I am excited to see how she expresses her spirit and individuality through this assortment.” The collection is comprised of dresses in fluid silhouettes that can easily transition from day to night throughout the festive season; the Romy handbag in a mix of sizes, colors and prints that any woman can make her own; while the spade continues to be incorporated into hardware and jewellery designs, both subtly and overtly – all designed with thoughtful feminine details and ladylike accents. 26
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ABOUT KATE SPADE NEW YORK SINCE ITS LAUNCH IN 1993 WITH A COLLECTION OF SIX ESSENTIAL HANDBAGS, KATE SPADE NEW YORK HAS ALWAYS STOOD FOR OPTIMISTIC FEMININITY. TODAY, THE BRAND IS A GLOBAL LIFE AND STYLE HOUSE WITH HANDBAGS, READY-TO-WEAR, JEWELLRY, FOOTWEAR, GIFTS, HOME DÉCOR AND MORE. POLISHED EASE, THOUGHTFUL DETAILS AND A MODERN, SOPHISTICATED USE OF COLOR—KATE SPADE NEW YORK’S FOUNDING PRINCIPLES DEFINE A UNIQUE STYLE SYNONYMOUS WITH JOY. UNDER THE VISION OF CREATIVE DIRECTOR NICOLA GLASS, THE BRAND CONTINUES TO CELEBRATE CONFIDENT WOMEN WITH A YOUTHFUL SPIRIT. KATE SPADE NEW YORK IS PART OF THE TAPESTRY HOUSE OF BRANDS. @katespadeny
Experience the Past Today.
The perfect blend of Qatari tradition and Modern luxury; embrace the spirit of Summer in Qatar when you stay of Doha’s ‘best-loved’ resort.
For reservations, please contact: +974 4425 6666 or email: dining.sharq@ritzcarlton.com www.ritzcarlton.com/sharqvillage © 2020 The Ritz-Carlton Hotel Company, L.L.C.
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STYLE
Focus
A UNIQUE ASSORTMENT NET-A-PORTER launches a modest edit ahead of Ramadan with 20 exclusive capsule collections IMAGE CREDITS: NET-A-PORTER
NET-A-PORTER launches a dedicated Modest Edit ahead of Ramadan including a curation of 20 exclusive capsule collections, ahead of the 20th anniversary of NET-A-PORTER in June. Exclusive capsules from, Oscar de la Renta, SemSem, Reem Acra, and others create a unique assortment of eye-catching colorful caftans and floaty dresses suitable for Ramadan as well as more celebratory embellished styles from Naeem Khan, Marchesa, Dundas and Jenny Packham for Eid. Standout collections exclusive to NET-A-PORTER include a monochromatic iconic trench gown by Wes Gordon at Carolina Herrera, sunset inspired solar jewel-tone gowns from Oscar de la Renta and distinctively glamorous embellished and crystal gowns from Jenny Packham drawing inspiration from old Hollywood glamour. British designer Erdem collaborated with esteemed wallpaper creators de Gournay to create a romantic view of nature in full bloom across 28
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For the Modern Middle-Eastern Woman THE ESSENCE OF STYLE
BE IN BLOOM
PROTECT YOUR SKIN
FLORAL BOUQUET NEW SCENT SIGNALS
SPRING DAZE
THE SEASON’S HOTTEST TRENDS
WWW.OHLALAMAG.NET APRIL 2020 | ISSUE 105 QR20
April Edition available now on issuu.com www.ohlalamag.net
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STYLE
Focus
seven pieces, including gowns, dresses and separates. Andrew GN presents further iconic dresses inspired by Elizabeth Taylor, and Cushnie includes jumpsuits and separates in their offering. Reem Acra creates a world of timeless silhouettes in luxe fabrics - with both colorful and neutral interpretations. The collection is complemented by elevated finishing touches from fine jewellery brands Anita Ko, Bina Goenka, Boghossian, Buccellati, Messika, Suzanne Kalan, Amrapali, Yeprem, and Martin Katz. Accessories from brands such as ATP Atelier, Gianvito Rossi, and Chloé designed to complete the look. The campaign was shot by Sonia Szostak in Mallorca and stars model Malika El Maslouhi, reflecting NET-A-PORTER’s elegant, yet contemporary perspective on eveningwear and high-summer collections.The exclusive capsules will launch throughout March, April and May. @NETAPORTER / NET-A-PORTER.com
FULL LIST OF EXCLUSIVE DESIGNERS: ALEX PERRY ANDREW GN CAROLINA HERRERA CUSHNIE DUNDAS ERDEM JENNY PACKHAM LOUISA PARRIS MARCHESA MARCHESA NOTTE MARTIN MARTIN MONIQUE LHUILLIER NAEEM KHAN OSCAR DE LA RENTA RASARIO REDEMPTION REEM ACRA SAFIYAA SEMSEM TALBOT RUNHOF
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“We are thrilled to be able to offer our largest edit of capsules to date purposefully tailored and specifically selected for Ramadan and EID, alongside modest dressing, not only for the Middle East but for our global woman. Highlights including the Erdem x De Gournay gowns and Carolina Herrera’s iconic trench gowns.” - Elizabeth von der Goltz, Global Buying Director
Stay healthy and happy.
virginmegastoreqatar virginmegastoreme virginmena
Doha Festival City Landmark Mall Mall Of Qatar Villaggio Mall
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JEWELLERY
Edit
THE
PANTHÈRE ALPHABET
FROM A THROUGH TO Z, CARTIER PRESENTS THE WHOLE UNIVERSE OF ITS EMBLEMATIC ANIMAL.
Cartier collections are available at Ali Bin Ali. @Cartier Alibinali.com @alibinali_luxury
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AVANT-GARDE
CREATIVITY
IT ALL BEGAN WITH AN ALLUSION, A COMPOSITION OF ONYX SPOTS AGAINST A BACKDROP OF DIAMONDS FOR A WRISTWATCH CREATED IN 1914. THE PANTHER ENTERED INTO THE STYLISTIC VOCABULARY OF THE MAISON THROUGH THE ABSTRACT, EVOCATIVE INTERPRETATION OF ITS COAT.
THE VARIATIONS ON THE PANTHER’S ATTITUDE ARE INFINITE. WITH EXPRESSIONS VARYING FROM PLAYFUL OR LASCIVIOUS TO INVINCIBLE, CARTIER TRANSLATES ITS PERSONALITY TRAITS WITH EQUAL PRECISION. FOR THIS BRACELET, THE JEWELLERY WERE INSPIRED BY THE SHAPE OF A BERYL WHICH SEEMS TO FEATURE THE REFLECTION OF A PANTHER. CARTIER CREATES THE ILLUSION OF DEPTH AROUND PLAYFUL DESIGNS OF LINES AND PERSPECTIVES.
BROOCH IN 1948, THE PANTHER WAS REPRESENTED FOR THE FIRST TIME IN ITS ENTIRETY. THE “TASTE FOR VOLUME” TO WHICH JEANNE TOUSSAINT WAS PRONE GAVE BIRTH TO PIECES MARKED BY A SEARCH FOR MOVEMENT AND LIFE. THIS BROOCH WAS CREATED FROM A 116.74-CARAT EMERALD AS A SPECIAL ORDER FROM THE DUKE OF WINDSOR FOR HIS WIFE.
FELINES CARTIER’S EXPERTISE IN DESIGNING ANIMAL FIGURES EXTENDED TO SEVERAL OTHER FELINES BESIDES THE PANTHER. TIGERS, SNOW LEOPARDS AND COUGARS STEADILY EXPANDED THE MAISON’S MENAGERIE.
DAISY FELLOWES IN 1931, FOR HEIRESS AND FASHION ICON DAISY FELLOWES, CARTIER DESIGNED A BRACELET AND NECKLACE EVOKING A PANTHER’S COAT, ENHANCED WITH PEARLS, SAPPHIRES AND TURQUOISE. A BOLD CREATION, JUST LIKE ITS OWNER.
EXOTICISM THE END OF THE 19TH CENTURY MARKED THE BEGINNING OF A GROWING TASTE FOR TRAVEL. FROM ONE CONTINENT TO THE NEXT, INSPIRATIONS BECOME RICHER AND CULTURES CAME TOGETHER. CARTIER WAS AT THE CENTRE OF THESE EXCHANGES AND CHANGED THE REPRESENTATIONS OF THE PANTHER OVER THE COURSE OF ITS DISCOVERIES. THIS VANITY CASE FROM 1925, FEATURING THE FELINE IN A PERSIAN GARDEN, IS ONE SUCH EXAMPLE.
GRAPHIC PLAYING WITH STYLISATION, IN 2005 CARTIER DESIGNED A PANTHER RING WITH A POWERFUL DESIGN – A CONSTRUCTION OF GRAPHIC LINES FOR A FELINE WORN ON THE FINGER IN SELFAFFIRMATION.
HERITAGE SINCE 1989, MORE THAN THIRTY-ODD EXHIBITIONS AROUND CARTIER HAVE BEEN ORGANIZED AROUND THE WORLD IN PRESTIGIOUS CULTURAL INSTITUTIONS. WHATEVER THE THEME, THESE RESTROSPECTIVES REVEAL THE MAISON’S EMBLEMATIC ANIMAL IN ALL ITS AESTHETIC VARIATIONS.
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KNOW-HOW
ICON THE SUBJECT OF CRAFTSMANSHIP FROM SHAPE TO SKETCH, THE PANTHER IS AT THE HEART OF CARTIER’S CREATIVITY, WITH JEWELLERS AND DESIGNERS COMPOSING AN EVER-RENEWING REPERTOIRE OF ATTITUDES. THROUGH THIS PARED-DOWN, GRAPHIC FORM, IT ASSERTS ITSELF TODAY AS AN ICON OF THE MAISON.
THE PANTHER HOLDS SECRETS OF WHICH ONLY CARTIER’S ARTISAN JEWELERS ARE AWARE. NOTHING ESCAPES THEIR EYES: A WORK OF PROPORTION, VOLUME AND ARTICULATION IN WHICH EVERYTHING IS STUDIED. CARE AND ATTENTION THAT GOES AS FAR AS REPRODUCING THE ANIMAL’S COAT WITH THE FUR SETTING.
JEANNE TOUSSAINT PLAYING WITH STYLIZATION,JOINING CARTIER AROUND 1920 AND BECOMING CREATIVE DIRECTOR IN 1933, JEANNE TOUSSAINT WAS NICKNAMED “LA PANTHÈRE” FOR HER UNIQUE PERSONALITY AND STRONG CHARACTER.
LOUIS CARTIER JUST AS HE HAD DONE A FEW YEARS BEFORE WITH PLATINUM, LOUIS CARTIER I WAS THE FIRST TO INTRODUCE THE PANTHER INTO MODERN JEWELLERY. FIRST IN ITS ABSTRACT FORM, AND THEN IN A FIGURATIVE STYLE. IT WAS JEANNE TOUSSAINT, CARTIER’S CREATIVE DIRECTOR FROM 1933, WHO INCREASINGLY INCORPORATED THE PANTHER INTO PIECES WHICH SOON BECAME NOTICED - WITH HER, THE ANIMAL ASCENDED TO THE RANKS OF THE MAISON’S EMBLEM. THE INTUITIVE AND PIONEERING LOUIS CARTIER KNEW THAT BETWEEN THIS STRONG-WILLED WOMAN AND THE FELINE, THE COMBINATION WOULD BE FRUITFUL.
NATURALISM IN THE CARTIER MENAGERIE, THE PANTHER FALLS BETWEEN ABSTRACTION AND EMBODIMENT. ITS COAT ALONE IS ENOUGH TO EVOKE THE ENTIRE ANIMAL AND, FROM ITS INCEPTION, CARTIER HAS BLENDED THE TWO REGISTERS WITH THE SAME MASTERY.
MARÍA FÉLIX KNOWN AS “THE MEXICAN PANTHER”, ACTRESS MARÍA FÉLIX LOVED THE CARTIER MENAGERIE. IN 1967, SHE ORDERED A BRACELET COMPRISING TWO PANTHERS WITH ARTICULATED HEADS AND PAWS FOR GREATER REALISM.
ONYX FROM THE FIRST PANTHER APPEARANCES, ONYX WAS THE MATERIAL MOST OFTEN USED TO REPRESENT THE ANIMAL’S COAT. EACH A DIFFERENT SHAPE, THE SPOTS TRANSLATE THE FELINE’S MOVEMENT AND SHAPE WITH DAZZLING REALISM.
PERFUME CREATED IN 2014 BY MATHILDE LAURENT, LA PANTHÈRE EAU DE PARFUM IS A MARRIAGE OF PURE, MESMERISING GARDENIA AND SENSUAL NOTES OF MUSK. THIS FELINEFLORAL SCENT IS THIS FRAGRANT INCARNATION OF THE PANTHER THAT SYMBOLISES CARTIER.
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QUEEN SOVEREIGN AND MAJESTIC, THE PANTHER RULES OVER THE MAISON’S MENAGERIE. ITS STATELY SILHOUETTE LOOMS FROM ONE CREATION TO THE NEXT. NOTHING CUTE OR OVER-SENTIMENTAL AT CARTIER, BUT WILD, DYNAMIC AND TENSE – JUST LIKE THE FELINE.
TIMEPIECES THE PANTHER MOTIF APPEARED IN ABSTRACT FORM AT CARTIER IN 1914 ON A WOMEN’S WATCH IN ONYX AND DIAMOND. IT LAUNCHED A CREATIVE REPERTOIRE THAT CARTIER HAS NEVER STOPPED EXPLORING. ON THIS WATCH, IT POUNCES, BOUNDING TOWARDS THE BOX. THE IMPRESSION OF MOVEMENT IS TRANSLATED BY THE CURVE OF THE BRACELET, THE RHYTHMIC SUCCESSION OF EMERALD BEADS AND THE DYNAMIC POSTURE OF THE ANIMAL, DEPICTED WITH A PRECISE CONCERN FOR ANATOMICAL DETAIL.
ROAR THE INVINCIBLE PANTHER IS THE FOUNDATION OF CARTIER STYLE. TENSE MUSCLES, OPEN JAW, EARS AT ATTENTION AND A SCULPTED PROFILE – EVEN MORE THAN IT ANATOMY, THE JEWELLERY CAPTURES THE FELINE’S VERY ATTITUDE.
SETTING THE FUR THE INVINCIBLE PANTHER IS THE FOUNDATION OF CARTIER STYLE. TENSE MUSCLES, OPEN JAW, EARS AT ATTENTION AND A SCULPTED PROFILE – EVEN MORE THAN IT ANATOMY, THE JEWELLERY CAPTURES THE FELINE’S VERY ATTITUDE.
UNIVERSAL
DUCHESS OF WINDSOR
CARTIER’S CURIOSITY IS ENDLESS, THROUGH BOTH TIME AND SPACE. THIS DYNAMIC FEEDS THE VISION OF THE JEWELLERS. AS SUCH, THE REPRESENTATION OF CARTIER’S ICONIC ANIMAL HAS EVOLVED THROUGH THESE AESTHETIC ENCOUNTERS AROUND PIECES THAT REVIVE THIS FOUNDING INSPIRATION TO UNIVERSAL RELEVANCE.
VOLUME IN 1935, CARTIER CREATED A RING AROUND A RUBY STAR AND TWO SCULPTURAL PANTHERS, IN YELLOW GOLD AND BLACK ENAMEL. IT WAS THE FIRST APPEARANCE OF A THREE-DIMENSIONAL PANTHER IN THE HISTORY OF THE MAISON. A DARING CREATION INTRODUCED BY JEANNE TOUSSAINT, HERSELF A CARTIER PANTHER, WHO HAD A TASTE FOR COLOURED STONES, GOLD WORK AND VOLUME.
IN 1948, THE WOMAN NICKNAMED “LA PANTHÈRE”, JEANNE TOUSSAINT, CREATED A PANTHER BROOCH AROUND A 116.74-CARAT EMERALD FOR THE DUCHESS OF WINDSOR. THIS FELINE IN GOLD AND BLACK ENAMEL WAS THE FIRST REPRODUCTION OF THE ANIMAL IN ITS ANATOMICAL ENTIRETY; IT WAS ALSO THE FIRST TIME THAT THE DUCHESS OF WINDSOR WOULD SUCCUMB TO ITS MAGNETIC CHARM. INSTANTLY RECOGNISABLE. SHE BEGAN THE ERA OF “PANTHER WOMEN”.
YELLOW GOLD XXIST CENTURY TODAY, MORE THAN 100 YEARS AFTER ITS FIRST APPEARANCE AT CARTIER, THE PANTHER CONTINUES TO SEDUCE NOT ONLY WOMEN, BUT MEN AS WELL. A QUESTION OF STYLE AND THE DESIRE TO EXPRESS ONE’S FREEDOM. CHOSEN AS A UNIQUE SIGNATURE.
GOLD WORK AT CARTIER IS OFTEN ASSOCIATED WITH THE INFLUENCE OF JEANNE TOUSSAINT, WHO PAIRED IT WITH VOLUME IN THE 1940S. THEIR FIRST PANTHERS WERE IN HAMMERED OR CHISELLED GOLD AT THE TIME. ALONGSIDE WHITE AND ROSE GOLD, IT HAS NEVER LEFT THE CARTIER PALETTE.
ZOO DE VINCENNES FROM 1927 ONWARDS, DESIGNER PETER LEMARCHAND SPENT COUNTLESS HOURS AT THE VINCENNES ZOO STUDYING THE EXPRESSIONS AND MOVEMENTS OF THE PANTHERS FOR CARTIER. AT THE END OF THE 1940S, HIS JEWELLERY DESIGNS SPARKED ENTHUSIASM IN JEANNE TOUSSAINT.
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E X C L U S I V E B E AU T Y Dolce&Gabbana exhibited the Alta Gioielleria Collections at the Doha Jewellery and Watches Exhibition. Scrupulous choice of materials, preciousness of manufacturing and luxurious uniqueness: these creations reflect the brand’s values of craftsmanship and timeless elegance. DOLCE&GABBANA ALTA GIOIELLERIA CREATIONS ARE EXCLUSIVE PIECES WHOSE UNIQUENESS IS GUARANTEED BY AN ENGRAVED SERIAL NUMBER AND LOGO. AFTER DISCERNING SELECTION OF THE MOST PERFECT CRYSTALS, THE DOLCE&GABBANA GEMMOLOGICAL LABORATORY ANALYSES THE STONES WITH EXTREME CARE. WHERE NECESSARY, THE GEMS ARE ACCOMPANIED BY GEMMOLOGICAL REPORTS ISSUED BY THE MOST PRESTIGIOUS AND INTERNATIONALLY RECOGNISED GEMOLOGICAL INSTITUTES, SUCH AS GIA, HRD AND GÜBELIN. ALL JEWELLERY IS IN 18 KT GOLD.
ENAMELLED “ROSE” NECKLACE IN WHITE, PINK AND YELLOW GOLD WITH GREEN TOURMALINES, RUBIES, EMERALDS AND DIAMONDS This original necklace in white, pink and yellow gold featuring a rosebush seems to have stepped out of the enchanted world of a fantasy story. To emphasise the distinctiveness of the design, a small cricket covered in diamonds animates the composition, lending both a naturalistic and fairytale quality to the jewel. The chromatic liveliness of the necklace is owed to modelling and enamelling – all done by hand – of several floral motifs, as well as to the pavés of rubies, diamonds and emeralds that adorn much of the vegetation. The creation is further embellished by eleven green tourmalines cut in the form of tiny leaves arranged along a thin strand of yellow gold, which in turn wraps around the rigid part of the collier in white gold. The all-around modelling of the elements that compose the jewel – from the leaves, flowers and branches to the spider – make it possible to admire the necklace from any angle, transforming it into a sculptural masterpiece of Alta Gioielleria.
“LAGOON” TOURMALINES The jewel is part of a wonderful set that includes a necklace, a pair of earrings, a tiara, a ring and a bracelet-timepiece. The indeterminate greenblue colour of “Lagoon” tourmalines, their extraordinary brightness and the extreme difficulty of finding them has wrapped this particular gemstone in a halo of mystery, turning it into the object of desire of jewellery lovers and collectors who will go to any length to take possession of such a rarity. The mine from which they were extracted is located in the Namibian desert, where the climatic and environmental conditions are harsh. The exceptionality of this finding, then, derives both from the fact that very few raw crystals are extracted every year from this deposit, and from the enormous difficulty of putting together such a large number of “Lagoon” tourmalines with matching colour and clarity. Building the layout of an entire set can therefore be considered an extremely rare event, which has required years of hard research. 36
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NECKLACE IN WHITE AND YELLOW GOLD WITH “LAGOON” TOURMALINES AND DIAMONDS This magnificent necklace is distinguished by the exceptionality of the ten “Lagoon” tourmalines and the more than 1,100 diamonds (of which 39 are GIA-certified) that together bring this extraordinary goldsmith’s creation to life. The necklace is further embellished with more than 1,100 diamonds, 39 of which are GIA-certified pear-shaped stones with a total weight of more than 46 carats, whose modern brilliant cut has unusual proportions that contribute to underlining the retro character and absolute uniqueness of this masterpiece of Alta Gioielleria.
BRACELET-TIMEPIECE IN WHITE AND YELLOW GOLD WITH “LAGOON” TOURMALINES AND DIAMONDS This bracelet-timepiece is distinguished by the exceptionality of the four “Lagoon” tourmalines and the more than 400 diamonds (of which one is GIA-certified) that together bring this extraordinary goldsmith’s creation to life. The watch dial covered in baguette diamonds illuminates the entire composition, while the other diamonds set around the tourmalines and the case form a slightly retro design that contributes to the absolute uniqueness of this creation.
TIARA IN WHITE AND YELLOW GOLD WITH “LAGOON” TOURMALINES AND DIAMONDS This magnificent tiara is distinguished by the exceptionality of the three “Lagoon” tourmalines and 864 diamonds that together bring this extraordinary goldsmith’s creation to life. The diamonds, which further illuminate the suggestively retro design that recalls the delicate weave of a precious lace, contribute to the absolute uniqueness of this creation.
JEWELLERY
Edit
Tiara in White and Yellow Gold with “Lagoon” Tourmalines and Diamonds
Enamelled “Rose” Necklace in White, Pink and Yellow Gold with Green Tourmalines, Rubies, Emeralds and Diamonds
•3 “LAGOON” TOURMALINES: RECTANGULAR CUSHION SHAPE AND MIXED CUT; 26.80 CTS •27 DIAMONDS: PEAR SHAPE AND MODIFIED BRILLIANT CUT; 6.52 CTS •837 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 22.61 CTS
•5 GREEN TOURMALINES: FANTASY SHAPE AND ROSE CUT; 4.91 CTS •6 GREEN TOURMALINES: CARVED LEAF SHAPE; 5.02 CTS •305 EMERALDS: ROUND SHAPE AND BRILLIANT CUT; 3.38 CTS •1,455 RUBIES: ROUND SHAPE AND BRILLIANT CUT; 13.51 CTS •1,147 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 6.47 CTS
Necklace in white and yellow gold with “Lagoon” tourmalines and diamonds •10 “LAGOON” TOURMALINES: SQUARE CUSHION SHAPE AND MIXED CUT; 53.64 CTS •37 DIAMONDS: PEAR SHAPE AND BRILLIANT CUT; 43.56 CTS •2 DIAMONDS: PEAR SHAPE AND MODIFIED BRILLIANT CUT; 2.54 CTS •1,062 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 21.09 CTS
Bracelet-timepiece in white and yellow gold with “Lagoon” tourmalines and diamonds •4 “LAGOON” TOURMALINES: RECTANGULAR CUSHION SHAPE AND MIXED CUT; 25.32 CTS •2 DIAMONDS: PEAR SHAPE AND OLD EUROPEAN CUT; 1.97 CT •1 DIAMOND: PEAR SHAPE AND BRILLIANT CUT; 0.70 CT •372 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 9.63 CTS •DIAL 44 DIAMONDS: BAGUETTE SHAPE AND STEP CUT; 1.76 CT
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Flower Ring with an Exceptional Emerald and Diamonds •1 EMERALD: RECTANGULAR CUSHION SHAPE AND MIXED CUT; 7.41 CTS •12 DIAMONDS: RECTANGULAR SHAPE AND BAGUETTE CUT; 2.69 CTS •8 DIAMONDS: TAPERED SHAPE AND STEP CUT; 1.43 CTS
Necklace in White Gold with Exceptional Mozambican “Paraiba” Tourmalines and Diamonds •17 “PARAIBA” TOURMALINES: OVAL SHAPE AND MODIFIED BRILLIANT CUT; 65.40 CTS •9 DIAMONDS: PEAR SHAPE AND BRILLIANT CUT; 7.36 CTS •8 DIAMONDS: PEAR SHAPE AND MODIFIED BRILLIANT CUT; 3.01 CTS •78 DIAMONDS: MARQUISE SHAPE AND MODIFIED BRILLIANT CUT; 8.12 CTS •528 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 28.79 CTS
Necklace in white gold with an exceptional Mozambican “Paraiba” tourmaline, named “Oceanina”, and diamonds •1 MOZAMBICAN “PARAIBA” TOURMALINE NAMED “OCEANINA”: PEAR SHAPE AND FANCY CUT; 74.46 CTS •2 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 3.02 CTS •38 DIAMONDS: SHIELD SHAPE AND STEP CUT; 23.28 CTS •40 DIAMONDS: TRAPEZOIDAL SHAPE AND TAPERED CUT; 7.14 CTS •61 DIAMONDS: PEAR SHAPE AND MODIFIED BRILLIANT CUT; 17.80 CTS •674 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 6.38 CTS
Earrings in white and pink gold with “Paraiba” and “Rubellite” tourmalines, and diamonds •2 “RUBELLITE” TOURMALINES: ROUNDED TRIANGULAR SHAPE AND MIXED CUT; 16.21 CTS 2 •“RUBELLITE” TOURMALINES: PEAR SHAPE AND MIXED CUT; 15.85 CTS •2 “PARAIBA” TOURMALINES: OVAL SHAPE AND BRAZILIAN CUT; 12.13 CTS •214 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 3.92 CTS
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Necklace in white and pink gold with “Paraiba” and “Rubellite” tourmalines and diamonds •6 “PARAIBA” TOURMALINES: OVAL SHAPE AND BRAZILIAN CUT; 271.38 CTS •9 “RUBELLITE” TOURMALINES: RECTANGULAR CUSHION SHAPE AND MIXED CUT; 112.49 CTS •3 “RUBELLITE” TOURMALINES: OVAL SHAPE AND MIXED CUT; 3.93 CTS •862 DIAMONDS: ROUND SHAPE AND BRILLIANT CUT; 29.22 CTS
JEWELLERY
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FLOWER RING WITH AN EXCEPTIONAL EMERALD AND DIAMONDS The ring is distinguished by an extraordinary central emerald from Colombia surrounded by baguette-cut and tapered diamonds, whose forne evokes flower petals that enhance the colour and exceptional transparency of the emerald. The absolute integrity of the central stone makes it very rare, in that it presents no delusions or fissures. In fact, it did not require oiling, a treatment normally necessary for emeralds, the majority of which are riddled with tiny cracks. The word ‘emerald’ derives from the Greek ‘smaragdos’, meaning ‘green gem’. It was known in ancient Egypt, particularly along the Red Sea where the so-called ‘mines of Cleopatra’ were located. The pharaohs and queens treasured this precious stone, which they considered a symbol of wisdom, secret knowledge and rebirth. The emerald was also held in very high regard in ancient Rome. Pliny the Elder writes extensively about its powers in his Naturalis Historia’, dainuing that gazing upon an emerald for a long time would improve one’s eyesight. The Latin historian goes on to recount how the emperor Nero would watch the gladiatorial games at the Colosseum through a green emerald lens, so as not to tire his eyes.
“PARAIBA” TOURMALINES AND DIAMONDS It took ten years to find and assemble such a large number of gemstones with a uniformity of colour, clarity and cut. And who knows how long it would take to repeat such an extraordinary endeavour. Finding tourmalines of such incredible luminosity, vividness, and a minimum weight of 2.04 carats in a mine in Mozambique is a one-of-a-kind event. The spectacular colour of the gemstone is due to the combination of manganese and copper, an element that is found only in these particular tourmalines and that gives the crystal its coveted turquoise blue. The name “Paraiba” comes from the Brazilian state where a deposit of these gemstones was first found in 1987. In 2001, new tourmaline mines were discovered in equatorial Africa with a chemical composition of the subsoil very similar to that of the South American state, demonstrating that the phenomenon of continental drift is a tangible reality: indeed, the brilliant African “Paraiba” stones composed of manganese and copper were created under the same conditions as the Brazilian ones, before the two continents separated. It is for this reason that it is so difficult to visually distinguish the origin of these legendary gemstones, whose exceptional luminosity can only be appreciated after faceting, when the stone shows a rare glow that makes it shine even in low light.
NECKLACE IN WHITE GOLD WITH EXCEPTIONAL MOZAMBICAN “PARAIBA” TOURMALINES AND DIAMONDS This stunning necklace, which is part of a wonderful parure that includes a pair of earrings and a ring, is illuminated by 17 “Paraiba” tourmalines weighing over 65 carats in total, all Gübelin-certified, and 623 diamonds. The unique beauty of the “Paraiba” tourmalines that make up this necklace is also emphasised by the sparkle of 623 diamonds, set in refined patterns with a retro flavour. And the nine GIA-certified pear-shaped diamonds, the largest of which weighs 1.71 carats, contribute further to making this a unique masterpiece of Alta Gioielleria.
“Building the layout of an entire set can therefore be considered an extremely rare event, which has required years of hard research.”
@dolcegabbana
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THE MOTHER OF
PEARLS
JENNY GUTTRIDGE DELVES INTO THE INTRICACIES OF MIKIMOTO WITH THEIR WHOLESALE DIRECTOR JEREMY BURBANKS TO DISCOVER THE BEAUTY OF THEIR CRAFTSMANSHIP. 40
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Tell us about the brand history of Mikimoto and what it represents at Doha Jewellery and Watches Exhibition (DJWE)? I think first of all Mikimoto, when you look at all of the brands here amidst the entire pavilion of this, none of them are Eastern. So, we have that uniqueness in a sense that we’re offering a product in a sector that’s very well represented. There are a lot of jewellers out there but the difference of being Japanese when it comes to design method manufacturing is impactful. I’m a trained jeweller and when I see how we make the pieces or how the workmen craft in the factory it’s fascinating because it’s different. Sometimes you think that really, you’re making life difficult for yourselves because it seems to take so much longer but then you see the final product and it’s ‘WOW’, just the attention-todetail. Talking about history, they haven’t changed these techniques or adopted modern practices, it’s a philosophy of ‘if it’s not broke, don’t fix it’ and they just carry on with the same masterful craftsmanship. Our handmade factory has crafted all of these big pieces that you can see in a district of Tokyo called Meguro, and that’s been there since about 1910. When you consider Mr Mikimoto himself, we’re still a family business, not part of a group, not publicly quoted, still a family business. He cultured the first pearl in 1893 and in 1899 he had his first store in Tokyo, to go from culturing the first pearl in 1893 to opening that first store is incredible. The taste of the Japanese purchaser was recognised very differently from western taste so he sent his designers and craftsmen to Paris and London – the centres of jewellery production at the time – to learn and see what the ladies were wearing, learn how to make these pieces and design them and bring that information back to Japan. Then in 1910 he already started opening overseas offices; New York, London, Bombay and even Singapore. He is recognised as being this originator for cultured pearls and an icon of the pearling and jewellery industry, but really he was a genius businessman above all else. Imagine how long it would have taken to travel from Japan anywhere in the 1890’s, it would have taken you forever! I’d love to be able to go back in time to see it all and you know, still today we are known for that one core product. There are very few companies, certainly in our industry, who are known for one specific component. So, there’s a quick history of the company! You said that it’s still family owned and independent, how is that beneficial for the success of the brand? We have a very definite line of descendants from the original Mikimoto, the current matriarch of the company is Mrs Mikimoto and she’s the granddaughter of Mr Mikimoto, he
died in 1954 in his 90’s, which again for that time is quite an age. The pearling industry is a really tough sector because people think that cultured pearls are easy because they are ‘manufactured’ whereas the reality is that it’s exactly the same process as natural pearls. All Mr Mikimoto recognised was that the natural pearl is formed by an irritant that the oyster doesn’t like which produces the natural pearl, however it’s simply chance for that to happen. What he wanted to do was induce the oyster to do the same thing by introducing an irritant which in this case what we use is a bead of shell, but that shell only comes from one source - a stretch of the Mississippi river in America. We’re growing the oysters to a particular size, implanting the nucleus, the nucleus is rejected by 50% of the oysters, but you don’t know so you’re still taking care of them to maturity (which can take up to two years), and then it can take up to two years after that point for the growth of the pearl. All of that labour and then there might be nothing there. Quite often there is nothing there. Once we have harvested said pearls we only use the top 5% for our jewellery production, we use a pyramid which is great, in some of our retail stores we have an actual pyramid of pearls in a huge frame, from worst to best for a visual representation of the difference. Triple A is the best. Do you outsource the harvesting to oyster farmers? We have our own pearl farms specifically; they have a laboratory attached and they do an awful lot of research into pearl production which we then educate small family businesses of each pearl farmer. For example, if you grow the oyster to a smaller size and put a smaller nucleus in you would harvest 5/5.5mm pearls, but, if you think of going slightly bigger then you’re growing them a little longer but there is more risk, the pearl in the oyster is going to be longer however your harvest is going to be smaller, but the price you get is of a higher amount as the pearl is bigger. There is always a continuous balance. At the end of the harvest season all the pearls are brought to an auction house, it’s sorted by a realm of factors including quality. Since we act as advisors to the industry we are provided preferential treatment as the number one purchaser. This is a true 360 approach as not only are we supporting the industry but it helps us because we are buying them at the end of the day. Currently the industry is facing a challenge where pearl prices are going up – because the demand is going up – but production is going down. Global warming is not helping, the increase of water temperature means more production of algae that the oysters don’t like. They are very sensitive organisms, not to mention that there is an awful lot to think about and study to obtain matching pearls - it can take years.
“There are a lot of jewellers out there but the difference of being Japanese when it comes to design method manufacturing is impactful.”
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JEWELLERY
Edit
What do you do with the pearls you reject? Do you sell them on to other companies? In Japan and in the US we have secondary brands of classical collections using a slightly lower quality pearl, but it’s still 10-15%. Anything lower than that is moved to our cosmetics division. It’s huge in Japan as some of the beauty sections use the ‘acre’ derived from the pearl in their face creams. Pearls are perceived as a classical opulence. Is it hard to balance traditional pearls into these modern designs? Sometimes people think pearls are for older ladies, however it’s also often the first gift you get as well such as for graduation. We still have classical pieces like the simple stud earrings but we pretty much have something for everyone, including cutting-edge designs. We have recently launched a collaboration with Comme des Garçons, exclusively available in Tokyo, London, Paris and New York at Dover Street Market. Tell us more about Mikimotos presence in Japan. Ginza is the downtown main shopping area of Tokyo. Our main store is 12 floors and is designed to an aquatic aesthetic which shines like the ocean on an evening. It truly is beautiful and I would say it’s the largest jewellery store in the world. 50% of our business in Japan is actually non-pearl, it’s engagement rings. We have two floors exclusively showcasing engagement rings as we are iconic in that segment. We also have a bridal suite, restaurant, bar etc and it’s pink! So yeah, it’s quite a company. There is a lot going on at Mikimoto! 42
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“We have recently launched a collaboration with Comme des Garçons, exclusively available in Tokyo, London, Paris and New York at Dover Street Market.” Tell us what is in the pipeline for Mikimoto and your passion for the brand. We have a concept twice a year that we call ‘Grand Display’ in Japan which was revered so we have been invited to exhibit alongside all the couture shows. We’ve actually been invited to join the federation which covers the whole couture week as the first non-fashion company to be asked. Twice a year we show our one-of-a-kind pieces through this concept and then we are lucky enough to bring some of these pieces to Doha. Our customers in Qatar want to see new materials, new designs and they are fascinated by the intricacies of the pieces and luckily our designers in Japan are able to incorporate a little bit of local taste into the collections. You don’t want to lose your DNA or the ‘Japanese-ness’ of the brand, but they are able to make things that would appeal to the local audience here. I’ve been here for 25 years, which speaks for itself ! It’s got to be something really interesting to not have worn off by now, but the combination of the product, the design and what they come out with each year you can’t fail to be inspired by it.
Mikimoto collections are available at Ali Bin Ali. @official_mikimoto Alibinali.com @alibinali_luxury
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DESIGNER
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DIVERSE DESIGN
JENNY GUTTRIDGE TALKS TO YOUNG QATARI DESIGNER LEILA ABU ISSA ABOUT HER ENDEAVOURS WITH HER JEWELLERY BRAND LEILA ISSAM.
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hen did you first realise that you wanted to pursue your career as a jewellery designer? The path was a bit long, I’m not going to lie, I always knew I wanted to design, but I didn’t know what, and it showed in my university path to be honest. So I started in fashion and I quickly realised that that wasn’t it so I moved into conceptual design in Paris, I completed three years and then I felt like I needed something more to come back to The Middle East as conceptual design doesn’t exist here yet, so if I wanted to come back I had to do something else. With this in mind I enrolled in interior design in Florence and then ended up working in a gold and diamond trading company so I was doing the business development part, and there I had all the materials. I had the gold and the diamonds to work with and we used to distribute, and then I fell in love. That’s where the story started. And I went back after two years of working with diamonds to complete a jewellery design course, I think all of the hands-on design experience that I’d had in jewellery helped! So, I did that and that’s how it started.
That’s great, there are so many different influences in there from fashion and then interiors, how does that translate into your work? Do you use the design that you learned through other areas for inspiration? Absolutely, I am really glad my path was so diverse in design as it helped me build the brand as a whole from the branding to the interior of the location to really complete the brand. I feel it’s really important to diversify your mind. Obviously, we’re in the Young Qatari Designers booth at DJWE. How does being Qatari influence your work? Do you draw on any traditional designs or motifs or methods? I don’t use any traditional motifs, however I am very inspired by the women around me, it really inspires me, what they want to wear, how they want to feel in the jewellery and it helps me create the designs. How do you feel when you wear your jewellery? I honestly design things I want to wear, when I do that it’s a feeling I want to feel. Sometimes you want to feel very feminine and sometimes you want to feel very edgy so we have two different lines, somethings that are very dreamy and feminine and another line that’s a bit more practical. www.ohlalamag.net
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DESIGNER
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You recently accessorised Leena Halawani for the Oscars on OSN #livetheoscars, which is amazing, congratulations! How does it feel when you see your pieces on the red carpet? It’s a dream. We customised it and it’s also translating a feeling I wanted her to have on the red carpet so it is the more dreamy line that I was telling you about that she wore, so I wanted that to transpose whilst she was there. What is the feeling you want women to have translated through your pieces? I want to translate what being a woman is. I think we like to feel feminine but we also like to feel strong and I feel like I get to do that with jewellery because of the stones and the colours that we use is the feminine part but in the structure and design it is very powerful. So, I feel like I get to do that. What are your favourite materials to work with when you’re creating a piece? Is it too typical if I say diamonds!? It is a girl’s best friend! Yes! Definitely diamonds. And so, in your current collections, if there was one stand out piece for you that was your favourite to either wear for yourself or that you had the most fun creating which one would it be? The Forest Green collection, we keep adding to the collection it has been there for years, it’s by far for me the most beautiful piece on and I feel like it’s exactly what the brand is about, the contrast of that magical aura against the strong structure.
“Sometimes you want to feel very feminine and sometimes you want to feel very edgy so we have two different lines, somethings that are very dreamy and feminine and another line that’s a bit more practical.” Whereabouts are your pieces made? Depending on what piece I am designing I use different manufacturers. So, it’s between Jordan, Lebanon and Spain, there is a mechanism that I like to use that I only find in Spain. Actually there is also a piece I manufactured in India, I haven’t found anyone else that can create the gold layer that is so thin and holds the stone properly so I make the collection of vintage rings there. Where are you wanting to see the brand go over the next five years? Where are you envisioning seeing yourself ? So, this year we are opening two locations hopefully, so one in Qatar and one... somewhere else. Our plan is to be within department stores and not to have stand alone boutiques. We want to keep our jewellery accessible and we’d rather 46
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have our collection in different locations than to really be in one place. We’re going to be in Europe. Who or what do you see embodies your brand or the image you want to portray? It can be an actor or an athlete or someone from your family, it can be your mother, or I don’t know, your school teacher that you loved or hated. I feel it would suit Blake Lively and Victoria Beckham really well as they are both feminine yet bold, and I love that. @leilaabuissa www.leilaissam.com
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ILLUSTRELLA MODA 2020 COLLECTION 2
‘Farfalla’ BUTTERFLIES SYMBOLISE TRANSFORMATION AND CREATIVITY, TWO KEY ELEMENTS THAT DEFINE ILLUSTRELLA MODA. FOR THE NEW YEAR, ILLUSTRELLA MODA EMBRACES NEW BEGINNINGS WITH THEIR LATEST 2020 COLLECTION 2 INSPIRED BY FLUTTERING BUTTERFLIES. THE INSPIRATION FLUTTERS IN COLLECTION 2 THROUGH SIGNATURE FABRICS OF METALLIC TULLE AND MINIMAL STATEMENT EMBROIDERY SHOWCASING THE DIFFERENT PATTERNS ON A BUTTERFLY. FEMININE SILHOUETTES ACT AS A CANVAS FOR EMPHATIC DETAILING WITH LARGE BOWS, EXAGGERATED SLEEVES AND OVERSIZED PLEATS SYMBOLISING THE WINGS OF A BUTTERFLY. SHADES OF PINK IN BLUSH AND OLD ROSE ARE FUSED WITH HUES OF BRONZE, BEIGE, DUSTY GREEN AND WHITE FOR A TOUCH OF ELEGANCE. EPITOMISING GRACE AND GLAMOUR, COLLECTION 2 RADIATES SOPHISTICATED DESIGNS THAT WILL LEAVE EVERY WOMAN FEELING CONFIDENT.
@illustrellamoda
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BEAUTY is on the inside (OF THIS MAGAZINE)
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BEAUTY Buzz AERIN AMBER MUSK EAU DE PARFUM
MARC JACOBS DAISY EAU SO FRESH DAZE EAU DE TOILETTE
TIFFANY CO. EAU DE PARFUM
BLACK OPIUM NEON, YVES SAINT LAURENT
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LIBRE, YVES SAINT LAURENT
VIKTOR ROLF FLOWERBOMB EAU DE PARFUM
SCENTS of Approval Whether you’re treating yourself or someone special, this selection is absolute perfume goals. From the chicest boxes, to the most ornate perfume bottles inside, there’s something noteworthy for everyone.
CHLOÉ NOMADE ABSOLU DE PARFUM
GUCCI GUILTY LOVE EDITION POUR FEMME
JO MALONE LONDON LIME BASIL MANDARIN COLOGNE
MISS DIOR ROSE N ROSES, DIOR
BEAUTY Column
When you’re self-quarantining, a lot of your normal routines — trips to the gym, daily grocery runs — must change out of necessity. But you can, for the most part, maintain a skincare routine. It might even provide a much-needed sense of normalcy when it feels like everything else is changing fast. Still, do you need to switch it up at all to accommodate your new reality? When it comes to skincare, the big difference between normal you and quarantine you is the amount of time you’re spending outside. You may not be getting as much sun — or even seeing the sun — as much as you normally do. Still, you shouldn’t forgo sunscreen. While it may be true that sunscreen is less important when you’re indoors, windows don’t filter out harmful UV rays, which means your face still needs protection. Dermatologists also suggest paying particular attention to (gentle!) exfoliation to keep the skin fresh and healthy. Think of this as similar to exfoliating after a flight: dry air may cause your skin to overproduce oil, which, if trapped under dead skin cells on your face, can cause breakouts. Exfoliating regularly will help get rid of those dead skin cells. Just be careful, as usual, not to over-exfoliate.
Spending so much time indoors also means you’re probably in dry air. This means hydration is more important than ever. If you’ve already switched to a lighter spring moisturiser, it may be wise to switch back to a rich moisturiser for now. Now is a time that you may want to use your face masks daily for even more hydration, any hydrating mask that works for you is a good choice here. If you want, social distancing is also an opportunity to take a break from makeup, which will give your sweat glands a chance to clear out. Plus, it’ll make your routine at the end of the day that much easier. Of course, it’s OK if you can’t bring yourself to be as strict about skincare as you used to be. This is a high-stress time for most of us, and strict routines provide comfort for some and anxiousness for others, especially when tensions are already high. It’s all about what will make you feel best in the long run! If you just want to wash your face and use a gentle moisturiser with sunscreen, that’s fine. If you want to commit to a 12-step routine and a full face of makeup every day, that’s fine too. One thing you shouldn’t skimp on, though: drinking lots and lots of water.
A BRAVE FACE.
We delve into the importance of wearing sunscreen and maintaining a skincare regime whilst you are stuck indoors.
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BEAUTY Focus
Summer Of Glow IT’S THE PROMISE OF AN AIRY AND DAZZLING SUMMER. THE DELICIOUS CARESS OF SUNLIGHT ON SKIN BEADED WITH SEAWATER. A FEELING OF FREEDOM, INSTILLED BY A SAILBOAT GLIDING ALONG THE COAST AGAINST THE MEDITERRANEAN. INSPIRED BY THE RELAXED LIFESTYLE OF THE FRENCH RIVIERA, LES BEIGES SETS SAIL THIS SEASON WITH AN EXCLUSIVE COLLECTION: SUMMER OF GLOW. LES BEIGES SUMMER OF GLOW SHAKES UP SUMMER WITH A POWERFUL BREEZE OF FREEDOM. LUMINOUS, IT IS AN INFUSION OF BELOVED SUMMER LIGHT. DELECTABLE WARMTH ON THE SKIN. LIGHTWEIGHT, INSPIRED BY THE AURA AND FREE SPIRIT OF MADEMOISELLE CHANEL, THIS NEW COLLECTION HAS ONLY ONE GOAL IN MIND: A SUN-KISSED HEALTHY GLOW THAT SEEMS REVIVED BY THE GREAT OUTDOORS. LIPS AND EYES ARE ILLUMINATED BY WARM SHADES WITH CORAL SHIMMERS AND ENERGY THAT SHINES DOWN TO THE FINGERNAILS IN SUMMERY COLORS.
#SUMMEROFGLOW #LESBEIGES #CHANELMAKEUP
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TIMELESS FEMININITY THE COUTURIER OF THE SUBLIME, ELIE SAAB INVENTED A WORLD OF TIMELESS FEMININITY FOR HIS FIRST FRAGRANCE, WITH A UNIQUE PROMISE: TO BRING THE EXCEPTIONAL INTO EVERYDAY LIFE.TODAY, NINE YEARS AFTER THE LAUNCH OF ELIE SAAB LE PARFUM, THE COUTURIER OFFERS AN INTERPRETATION OF HIS SIGNATURE SCENT, FOR A WOMAN WHO KNOWS WHAT IS ESSENTIAL FOR HER.SHE IS THE ESSENCE OF ELIE SAAB COUTURE. THE ESSENCE OF FEMININITY. TO EXPRESS HER TRUE SELF: ELIE SAAB LE PARFUM ESSENTIEL. www.ohlalamag.net
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BEAUTY Insight
Platinum Rare is La Prairie’s most prestigious collection – what is it that makes it the most luxurious collection? In crafting the Platinum Rare Collection, La Prairie applies the same principles as the Maisons of haute-couture, hautehorlogerie or haute-joaillerie – from the painstaking selection of its raw, precious ingredients to an expert formulation and the sublime design of its vessels, every Platinum Rare creation is an object of desire. Why did you decide to infuse a noble ingredient such as platinum into skincare? La Prairie became intrigued with platinum’s potential as an anti-aging element at a time when such scientific research was at its infancy. Convinced that this precious, rare ingredient of the highest purity and quality could be transformed into a rejuvenating skincare ingredient, the scientists at La Prairie made the commitment to elevate the research, creating an unprecedented Platinum science. What is rejuvenation to La Prairie? Rejuvenation is the very essence of La Prairie, inspired by the brand’s rich heritage that began with the pioneering work of Dr Paul Niehans at the Clinique La Prairie. The quest for timeless beauty is continuously pursued through the art, science and pioneering excellence, fusing Swiss precision, scientific innovation, precious ingredients and a magical experience. It has become a promise of time. Last year you introduced the concept of Haute-Rejuvenation. What is it exactly and how do you achieve it? Haute-Rejuvenation is the very essence of the Platinum Rare Collection, inspired by our heritage at Clinique La Prairie and Dr Paul Niehans’ pioneering rejuvenating therapies. Haute-Rejuvenation also embodies the traditions of savoir-faire unique to La Prairie –
audacious innovation, bespoke craftsmanship, the use of the most precious, rare ingredients and a refined, enchanting experience. This year is a milestone for the Platinum Rare Collection. Could you tell us more about this new era? In 2020, La Prairie introduces a new chapter of HauteRejuvenation: the Science of Haute- Rejuvenation. La Prairie scientists have developed the Science of Haute-Rejuvenation exclusively for the Platinum Rare Collection. It explores the secrets of skin rejuvenation and acts by creating a virtuous Loop of Rejuvenation across skin layers to help reverse the visible signs of aging. This scientific milestone has elevated the Platinum Rare science to new heights. What is the Loop of Rejuvenation? With age, the skin’s natural rejuvenating capacity decreases. To counteract this, the Science of Haute-Rejuvenation reactivates the skin’s natural network of interconnected rejuvenating processes, triggering a halo of benefits across skin layers. This creates a virtuous Loop of Rejuvenation addressing the visible signs of aging. How does Haute-Rejuvenation elevate the Platinum Rare Collection to new heights? Haute-Rejuvenation elevates the Platinum Rare Collection to its summit. It is the very essence of the Platinum Rare Collection, embodying the heritage and savoir-faire unique to La Prairie: from the science inspired by the heritage of our brand at the Clinique La Prairie and Dr Paul Niehans’ pioneering rejuvenating therapies, to the unique La Prairie’s traditions of savoir-faire – audacious innovation, bespoke craftsmanship, the use of the most precious, rare ingredients and a refined, enchanting experience.
PLATINUM PRESTIGE Ohlala delves into the world of La Prairie with Chief Marketing Officer, GREG PRODROMIDES.
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“La Prairie became intrigued with platinum’s potential as an anti-aging element at a time when such scientific research was at its infancy.” The products from the Platinum Rare Collection have a very distinctive scent and texture. Does the sensorial experience remain the same with the introduction of the new products? Though a new ground-breaking science has been introduced to the formulas, the velvety, shimmering textures and delicate signature fragrance of the Platinum Rare creations have been preserved – in order for both silky serums and unctuous creams to propel the senses to another dimension, on the other side of time. What is your vision for the Platinum Rare Collection? What can we expect next year? Timeless beauty is La Prairie’s quest. In crafting the Platinum Rare Collection, the epitome of luxury of our house, the La Prairie scientists are continuously inspired by our rich heritage at the Clinique La Prairie and Dr Paul Niehans’ pioneering Cellular Therapy. Furthermore, we strive to keep elevating the collection to its summit, embodying the savoir-faire unique to La Prairie – audacious innovation, bespoke craftsmanship, the use of the most precious, rare ingredients and a refined, enchanting experience. @laprairie www.ohlalamag.net
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HEALTH Files
THE ZEN ZONE
The Spa at Park Hyatt Doha has made waves across the spa and wellness industry with their immersive virtual reality experience, so Anushay Khan sashayed her way over to the historical heart of Msheireb Downtown.
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hen it comes to Park Hyatt Doha, luxurious hospitality doesn’t just begin at the Spa; it starts the moment the doors are opened for you by the staff and you’re escorted up the lifts to the 4th floor and introduced to the spa attendant. Luxurious small details present themselves as you make your way upstairs which will have you feel like you’ve entered the ultimate haven. The purple lights, floating chandeliers provide a balanced contrast to the red seats at the entrance and its copper chandelier. The products are displayed right in front of you and you’re even offered the fresh rose water sprayed on a towel as a welcome gesture - an item that I now carry in my bag because of its refreshing scent. Green and herbal teas were at my disposal as I filled out the consultation form and discussed my pressure points with their spa manager. Exactly on the clock, Katarina, my therapist, took me to my treatment room for a change of clothes. The room had the changing area right next to it so I had a suite to myself. I appreciate the fact that you are given the options to either remain in your undergarments or use the disposable ones that the Spa already has. As the lights dimmed and I was about to close my eyes, I couldn’t help but compare the setting to experiencing a sunset with yellow hues in the room. My treatment swiftly transported me to a state of bliss One hour seemed too short for such impeccable service and I was further pampered by being taken to the relaxation area. Even the tone of this walk was set by calming blue
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“The woman’s voice was my anchor for the kit which aided me in normalising my breathing as I focused on the visuals of the underwater life. I found my muscles easing with every breath.” paintings on the walls as I entered the space with an ice blue chic Jacuzzi right in front, adorned with both steam and sauna rooms. The marbled beds, that were remarkably comfortable, prepared me for the next, most unique concept a spa has introduced in Doha. A sensory experience. I immersed myself with their Virtual Reality kit that was soothing to the extent of being hypnotic. The woman’s voice was my anchor for the kit which aided me in normalising my breathing as I focused on the visuals of the underwater life. I found my muscles easing with every breath. This is an experience I have never had anywhere else in Doha so I was even more curious to find out about it. Turns out, a local university student and the Park Hyatt team got together to make this concept come to life and after four months of research and planning, the Park Hyatt Spa has one of the most outstanding services to offer at The Spa. I love how at The Spa at Park Hyatt Doha everything is about the experiential service that does not end once your treatment is complete. It’s a continuous haven that stays with you indefinitely. Katarina even gave me a takeaway card with tips on how to release stress by stimulating certain nerves. In addition, it also gave information about
pressure points that result in various calming results - a must as a social butterfly battling with the importance of ‘shutting-off ’. All in all, the Park Hyatt Spa is definitely an experienceworthy concept in Doha that will leave you wanting more and I promise that you will book your next visit as you’re walking out! For reservations and more information please call 4009 1234 @parkhyattdoha www.ohlalamag.net
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REGIONAL Escapes
#SLEEPWELL.
Anushay Khan booked herself a treat for World Sleep Day at Westin Doha Hotel & Spa, hoping to get her hands on the snooze button.
Sleepless nights and I have a special relationship
that I have been trying to break for the last three years. As life went on, jobs changed and my family grew from two to three, I found myself looking for ways to escape the busy life and close my eyes for a rare second where no one calls my name. A blessing in disguise, an email in my inbox made me do a little dance and I IMMEDIATELY picked up my phone to book myself and the family a night at Westin Doha Hotel & Spa who were celebrating World Sleep Day. A little research told me that this annual event called for a celebration of sleep and a call to action on important issues relating to sleeping, that included medicine, social aspect, education and even driving. Well, you had me hooked, Westin! As I was welcomed by the reception, my daughter took the opportunity to pose with the World Sleep Day visual display, the cutest cutouts of clouds in the lobby, and we were set to find ourselves in a haven of relaxation. Our pastel and white toned room was a treat for sore, sleep deprived eyes, and a small gift bag awaited us. All the information in my room showcased the importance of meditation and why we should use this opportunity to learn and experience the benefits of sleeping for eight hours for an overhaul of wellbeing. Whether you are traveling through Doha or here because you needed a break from your normal routine, it is essential to get a night of full rest so you can combat the day ahead of you.
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REGIONAL Escapes
This World Sleep Day, Westin encouraged guests to enjoy their full 8 hours in their signature Heavenly® Bed so that patrons can rise to the challenge of taking eight hours to experience something new wherever they travel. The Heavenly Bed had found its ideal partner in me; a person who immediately kicked off her shoes and sank in the softness of this feathery mattress. I checked everything in my room and especially loved my lavender oil, half of which I emptied on myself, because it encourages the body to relax and ultimately slip into oblivion in this cozy room. The blackout curtains and the sound proof walls with their in-room healthy dining experience is just what a family needs to get recharged for the weekend. Even when the heart wanted a pizza and Netflix, a healthy bowl of goodness was a better mix than that. Everything about the room and the experience was in harmony with World Sleep Day – an annual holiday that I will now proactively take thanks to Westin! The itineraries and activities offered by the hotel were customer based which encouraged a refreshing day after a good night’s sleep. Spa programs, F&B experiences and the resort amenities offer a carefully curated source of activities that would add to anyone’s knowledge – if it wasn’t already a well-known fact! Speeches by wellness coaches, spa suggestions to relax you further and the lavender balm at the check-in are all part of this unique theme.
“The Heavenly Bed had found its ideal partner in me; a person who immediatelykicked off her shoes and sank in the softness of this feathery mattress.”
WESTIN SAID IT BEST: #SLEEPWELL #PLAYWELL #MOVEWELL For reservations and more information please call 4492 1555 @westindoha www.ohlalamag.net
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ALUN CALLENDER
THE PERFECT
PAPER CUT
Galeries Lafayette launched the unique ‘Mother Blossom’ campaign that celebrates the advent of spring and featured creative floral designs by world-famous British paper artist ZOE BRADLEY. Ohlala talked to Zoe about the experience and support behind such an amazing venture... 72
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Tell us a little bit about yourself. I studied Fashion Design at Middlesex and after graduating in fashion design and I went on to work as an apprenticeship at Alexander McQueen studio for 2 years. It was an extraordinary experience watching and learning from a designer so unique and visionary. It was something I could immediately relate to as I was never a ‘conventional’ designer I loved the theatre and spectacle of what fashion could offer. Performance art and theatre is still something that informs my work and where I draw most inspiration. Working in unconventional materials at McQueen was always a challenge, but it’s what led me to work in paper. It’s a raw material just like wood or a textile fabric, so I began to manipulate it – stitching it, folding, pleating, curling and scoring to create dresses and headpieces. It’s always difficult to define exactly what I do and who I am, as it involves several disciplines, I sculpt, design, draw on paper, with paper creating works of art that play with scale. How do you remain disciplined when you combine sculpture, fashion and theatre in your work? It starts with the silhouette. What is the overall shape that I am trying to create? It could be a huge hanging chandelier, a couture dress worn by a real model or a mannequin, a minute set design for jewellery. But it’s all about scale and attention to detail, and my fashion background has informed my discipline to push the boundaries of art and fashion. What do you believe defines you as a paper artist? Probably the scale of what I do in paper, my references over recent years has been very floral and the natural world continues to inspire me, flowers are my focus – I love to combine a fusion of fashion flowers and theatre. Be it a huge hanging chandelier, 6ft high dress, larger than life headpieces. How have you evolved your artistic approach over the years? I can get very different briefs in from brands, so firstly I’ve learnt a lot more on what makes those brands tick and why they have come to Zoe Bradley to create something special for them. I always try to stay true to myself and it always starts with an idea – the inspiration can come from a client themselves or I draw upon a wealth of books, my own photos and recently social media has been a creative source of discovery. I look to fuse the technology of laser cutting with traditional hand craft, which has become my signature style. You were trained as an apprentice with fashion designer Alexander McQueen. What did you take away from that experience? My time working with McQueen truly informed the rest of my career. It really was a seminal time and experience to work with such a visionary. Creating fashion as art, storytelling, pushing the boundaries – it all resonated with me and my approach to creating. The drama and spectacle are what drives me, but all done with learning a craft. Craftsmanship was at the heart of what Alexander McQueen did and I hope that is something I teach within my studio.
DESIGNER
Focus
Today your clients include a variety of worldwide luxury brands such as Louis Vuitton, Dior and Christian Louboutin. Tell us who you would like to collaborate with in the future and why? I’ve been very fortunate in working with some incredibly recognizable luxury brands and my work has taken me all over the globe from Australia and Japan to America and China. There are a couple of designers I find inspiring should an opportunity arise (Viktor & Rolf/Valentino/Giambattista Valli). I’m equally excited to collaborate with a brand completely outside the fashion industry, where my slightly left field ideas, my extreme silhouettes whether it be big or small scale can bring something new and create some visually inspiring storytelling.
“I was never a ‘conventional’ designer I loved the theatre and spectacle of what fashion could offer” Is this your first time working with Galeries Lafayette? How was it working with Galeries Lafayette Doha? Yes, it’s my first time working with Galeries Lafayette in Doha. The Middle East is a new market for me. I’m excited by the appreciation for art and attention to detail and craftsmanship in this country. I have been particularly inspired by the architecture of the National museum. The Galeries Lafayette store is beautiful and such an honour to be displayed in the store in such a prominent position by the entrance. I hope to provide the customers of Galeries Lafayette with a moment of theatre and wonder as you enter the store! Symbolising the spring awakening of a new season and Mother’s Day, the pastel pink paper floral dress that you created is being featured prominently in the entrance to Galeries Lafayette. Tell us more about this dress that took 3 weeks to create. The dress was built in 3 weeks, along with four bespoke headpieces to design and create. We created hundreds of hand sculpted flowers ranging from blossom flowers, roses, fuchsias, crafting over 1500 pink petals. With any of my creations, it’s about the impact and creating the ‘WOW’ factor and I hope that is what the Galeries Lafayette customer will find on entering the store. It becomes all-consuming when it’s on this scale. Tell us an interesting fact about yourself that people wouldn’t ordinarily know. I love to cook as a pastime and for switching off, for me cooking is a bit of theatre, and I love to create and borrow cooking styles and fuse them together to create new tastes! @zoebradleydesign www.zoebradley.com www.ohlalamag.net
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CHIC Eats
APRIL
DINING Our round-up of the best chic eats venues offering delivery services.
Mandarin Oriental Doha
At present time, Mandarin Oriental, Doha continues to offer their guests the option of Food & Beverage takeaway service daily between 9am to 10pm. Guests can choose selected items from three takeaway menus including signature dishes by celebrity chef Izu Ani and Gelato’s takeaway ice cream tubs. Distinguished catering services are also available for guests to enjoy at the comfort of their own home. Call 4008 8888 for reservations and more information.
The Diplomatic Club
Connoisseurs in the kitchen are still working hard on their expertise of gourmet meals at Al Sayyad and Al Nassayem restaurants. You can get yourself a delightful meal at your doorstep and celebrate the extraordinary! Call 4484 7414 for reservations and more information.
Mondrian Doha
Taste to Go Enjoy Mondrian’s incredible culinary experience from the comfort of your homes. Offering the convenience of take-away and delivery, Mondrian Doha has started delivering some of its most popular dishes from its restaurants Hudson Tavern and Morimoto. Available from 12pm to 11pm with 20% OFF and free delivery Call 5050 7888 for reservations and more information.
Marriott Marquis City Center Doha
Times are tough but Marriott Marquis City Center Doha has a sweet little deal for you! Get your favourites from Cucina & Quick Bites delivered directly to you any day from 11 am – 11 pm. Call 4419 5000 for reservations and more information.
W Doha Hotel & Residences
W2Go Your favorite dishes from W Doha are now available for takeaways & home delivery! Minimum order for home delivery is QR 350 and selected items are available. Selected items available. Call 4453 5135 for reservations and more information.
DoubleTree by Hilton Doha, Al Sadd
The newly launched DoubleTree by Hilton Doha boasts of a few of the best cuisines which are now available for ordering on Talabat and directly too! You can order luscious Asian cuisine from Indo-Chin or get a trip of the dynamic StrEAT Culture Urban Sports Bar. The hotel is also offering International cuisine via OPEN, the Mediterranean and Middle Eastern cuisine. Call 5002 6386 for reservations and more information.
Westin Doha Hotel & Spa
Get yourself some delicious Thai food from the renowned Thai Sabai as you enjoy the delicious menu at home! Check the menu online and order the best of the best! Call 3359 8514 for reservations and more information.
Dusit Doha Hotel
With a special 15% discount on orders, select your favourite dish and savour traditional Thai cuisine dishes from Benjarong Doha or select from Taste that also offers a wide variety of gastronomic treats! Call 4004 4444 for reservations and more information.
JW Marriott Marquis City Center Doha
Treat yourself to a feast of exciting food that is swiftly delivered to your doorstep. Sridan, the all-day dining experience mixes international cuisines, grilled meats, incredible seafood, a range of seasonal salads and desserts. The eye-popping myriad of meals at Sridan is something not to be missed. Call 4429 5295 for reservations and more information. www.ohlalamag.net
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A L U M I NAT I N G
DELIGHT The hustle of the city had Gergana Ivanov making dinner reservations at O’Glacée Restaurant, one of Alwadi Hotel Doha’s prestigious realm of outlets.
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decided to spoil myself and have dinner at O’Glacée Restaurant after indulging with a facial treatment in the Alwadi Hotel’s M|Spa, as I had heard positive reviews of this restaurant and needless to say, I was impressed with my dining experience. I made my way to the third floor and by the time I had arrived, the sun had gone down and the moon was glistening overhead with its reflection in the swimming pool making this a sublime experience. As I walked out and looked around, I could see the Al Fanar centre in its magnificent glory across the soothing blue colour of the outdoor pool. It was perfect to sit outside and enjoy the current weather of Doha whilst it lasted. With a beautiful outdoor setting that includes chicly designed tables, comfortable couches and a bar, I was astonished to find a location that was completely occupied by people having dinner, enjoying a drink or simply relaxing with the dynamic views of the city. It’s refreshing to finally have a space in Doha that really knows how to go all out and cater to a variety of people. The hospitality of this place started as soon as I was escorted by the friendly staff who gave me a blanket to cover myself from the strong winds we have been experiencing lately. They recommended that I try one of their signature drinks called ‘Million Dollar Lady’, a sweet and sour drink that was inspired by the former British Prime Minister Margaret Thatcher. As the night went on, I was mesmerized by MGallery and the stories that came with it. The menu was a fusion of flavours from all over the world but predominantly focused on Mediterranean cuisine. The idea was simple yet well executed with their use of fresh ingredients. For starters, my Asian style sautéed chicken with chunky peanut sauce and a quinoa salad made this a divine combination to begin with. The skewered chicken was presented on a banana leaf, immediately amplifying and adding an Asian feel to the visual. Complementing the juicy and perfectly cooked dish was the peanut sauce that came together impeccably. www.ohlalamag.net
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CHIC Eats As for the quinoa salad, I can easily say that it is the best that I’ve had in all of Doha, and it actually reminded me of a healthy food restaurant that I love back in Australia. For the main course I tried the peri-peri chicken, with its luscious mild spices and buttery chicken whereas the mashed potatoes that came with it were cooked unlike any other with a crunchy baked top and fluffy underneath, melting away in my mouth. I was also able to try the wagyu beef burger, making this a juicy experience and winning my vote as the best item on the menu at O’Glacée. As I waited for dessert, I curled up in the warm blanket and was able to sit back and truly enjoy the atmosphere.
“The smooth music added a radiating and lively feel to the cool night as the cheerful chatter of the people hummed around me.” The smooth music added a radiating and lively feel to the cool night as the cheerful chatter of the people hummed around me. I couldn’t help but smile as the blue lights illuminated the entire set up of the restaurant. Dessert was served in a bowl of happiness that had mint pistachio nuts mixed with chocolate eggs, reminding me of finding chocolate eggs on Easter as a child. As I bit into the chocolate, I was surprised that there was a different layer and consistency of the dessert that instantly melted away in my mouth. For anyone who is a fan of mint chocolate; this is definitely the dish for you. I’m looking forward to the unveiling of their new menus this summer which will showcase an exciting range of flavours, creatively crafted by their talented Chef Rick Gonzalez. The O’Glacée Restaurant located in Downtown Msheireb proved to be impressive and definitely one of my new favourites. If you’re looking for an exceptional experience, add this one to your list to visit next! For reservations and more information please call 4009 9999 @alwadi.hotel.doha 78
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OHLALA Society
DJWE 2020 The 17th Edition of Doha Jewellery and Watches Exhibition crowned as the biggest in the history of the event
T
he Doha Jewellery and Watches Exhibition (DJWE) concluded on 29 February with record participation from both exhibitors and visitors. Organised by Qatar National Tourism Council (QNTC) under the patronage of H.E. Sheikh Khalid bin Khalifa bin Abdulaziz Al Thani, Prime Minister and Minister of Interior, the event hosted an astounding 129 exhibitors from 14 countries, showing 68% growth from the previous edition. It attracted more than 32,000 aficionados of luxurious ornaments and timepieces, demonstrating 34% growth in the number of visitors from 2019. The 18th edition of DJWE will return next year from 22 – 27 February 2021. Secretary General of QNTC and GCEO of Qatar Airways His Excellency Akbar Al Baker said, “This edition of DJWE boasted the largest number of exhibitors to date, representing a record number of countries. Such numbers demonstrate the influence of this prestigious event for both industry and consumers. “With more exhibition space than ever before to accommodate a diverse and growing array of brands, DJWE attracts the biggest names in jewellery and watchmaking. As we conclude yet another successful event in 2020, we are already looking ahead to our eighteenth edition next year to ensure that the event continues to grow each year.” The opening ceremony was attended by a large number of dignitaries, exhibitors and partners, led by Qatar National Bank (QNB) as the official sponsor, Qatar Airways as the official airline partner, JW Marriott Marquis City Centre Doha as the official hospitality partner, Alfardan Automotive and Sotheby’s International Realty Qatar. Bollywood celebrity Sonam Kapoor was also present as the face of QNTC’s promotional campaign titled “Journey into Wonder.” Aired in 16 regional and international markets, the campaign has reached over 450 million people, furthering Qatar as a worldclass destination. Among the highlights of this year’s event was the participation of 18 Young Qatari Designers – the largest representation since the initiative began four years ago – illustrating the country’s steadily developing pool of homegrown talent. New participants included: H Jewellery, Kaltham’s Pavilion, Camelot Jewellery, Clair De Lune Jewellery, and Letters Passion Arts, while returning brands were Trifoglio, Ghada Albuainain Jewellery, Nouf Jewellery, Ghand Jewellery, Leila Issam Fine Jewellery, Hairaat Fine Jewellery, Sarah’s & Co, 80
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AlGhla Jewellery, Hessa Jewels, Midad Jewellery, and Thameen Jewellery. The collections presented by these young designers incorporated pieces inspired from local elements such as a desert rose or sadou weaving patterns, and of course, the locally sourced pearls drew special attention from visitors. This year’s exhibition covered 33,000 square metres, the largest yet, and featured spectacular pavilions from Qatar’s seven industry powerhouses: Alfardan Jewellery, Ali Bin Ali Luxury, Al Majed Jewellery, Amiri Gems, Fifty One East, Al Muftah Jewellery and Blue Salon, as well as two exclusive pavilions dedicated to Indian and Turkish offerings. The Indian pavilion housed 28 leading brands showcasing the country’s varied craftsmanship and styles, while the Turkish pavilion featured 11 established Turkish brands. In addition, De Beers and Le Portique Jewellery made their first appearance at DJWE, as they prepare to launch stores in Qatar, while Jawaher introduced its new brand Lenore to the region. The Amiri Gems pavilion brought high-end brands including Adler, Concord, Davidor, Letalis and Ananya. H.E. Sheikh Nawaf Nasser Bin Khaled Al Thani said: “Amiri Gems is proud to have been part of the Doha Jewellery and Watches Exhibition since its inception. Our participation reiterates our commitment towards the national events that contribute to achieving a diversified economy and that support the pillars of the 2030 National Vision. Our participation in this year’s edition of DJWE was a huge success. The Amiri Gems pavilion showcased unique and luxurious
pieces from international brands. We will continue to provide the Qatari market with the finest jewels and gems and look forward to the next edition of this exhibition to enhance Qatar’s leading position in this industry in the region.” This year, Alfardan Jewellery unveiled a number of exhibits including the Égérie watch line, Vacheron Constantin on the opening day, and an extraordinary diamond and gemstone collection by Tiffany & Co., designed by their chief artistic officer, Reed Krakoff. Mr. Ali Alfardan, Vice Chairman of the Alfardan Group and President, Alfardan Jewellery, said: “Once again, Alfardan Jewellery proved an exceptional presence in the seventeenth edition of the Doha Jewellery and Watches Exhibition - pushing boundaries to showcase one-of-a-kind pieces by seventy three of the exclusive high-end leading brands in the industry and their very own Qatari-made and inspired magnificent gem jewellery. We thank all our customers and visitors for their part and support in making this year’s event a great success as always.” Fifty One East pavilion didn’t have any shortage of visitors with Rolex exhibiting its Baselworld 2019 collection alongside TUDOR’s award-winning P01 watch. Chanel’s booth was inspired by the brand’s iconic camellia flower with its 1.5 1 Camélia 5 Allures collection as its centrepiece. Mr. Bader Al-Darwish, Chairman and Managing Director of Fifty One East, said: “We were proud to participate in the seventeenth edition of the DJWE, where Fifty One East presented its new pavilion, our largest to date, symbolising our success story that started more than 70 years ago. As part of our commitment to value and nurture the strong and long-lasting trustful ties that we have with our clients and partners alike, we were happy to present the finest brands from around the world along with an impeccable and memorable experience.” “We would like to thank the Qatar National Tourism Council, DECC’s team and everyone who contributed to the success of this edition. Year after year the DJWE is solidifying its position as one of the most important events in Qatar and the region,” he added. Al Majed Jewellery had special reveals by Tag Heuer including its Aquaracer Calibre 7 watch. The limited-edition watch constructed of 200 pieces is inspired by the colours of Qatar’s flag. Greubel Forsey and Roberto Coin had special reveals on the second day with Pasquale Bruni also showcasing its latest Atelier collection Aleluia’. The new horological masterpiece Zeitwerk D by German brand A. Lange & Söhne was unveiled on the last day of the exhibition. Commenting on this year’s DJWE 2020 edition, Mr. Jamil bin Mahdi Al Majed, Vice-Chairman of the Board of Al Majed Jewellery, said: “We would like to extend our sincere thanks and appreciation to His Highness Sheikh Tamim bin Hamad Al Thani, the Emir of Qatar, for visiting Al
Majed Jewellery Pavilion during this edition of DJWE.” He added: “We are honored to have been one of the first founders of DJWE and to see the growth in the number of visitors year by year. We are extremely proud of our own successes and achievements that enable us to contribute to strengthening the local market. Al Majed Jewellery is known for preserving our nation’s historical heritage and for designing the finest jewellery from natural Qatari pearl. Our understanding of the luxurious taste of the Qatari community and their status shows in the unique pieces we bring to the show. And with the growth of the show over the past years and the fast development of the jewellery and watch industry, DJWE has become an international event awaited by everyone and the best destination for international brands. We see DJWE as a platform that not only highlights commercial and tourism potential but also reflects the development of the business landscape.” Ali bin Ali Luxury also revealed an exquisite range of new and unique designs at this year’s exhibition, adding new brands like Dolce & Gabbana and Nous to their regular favorites such as Cartier, Piaget, Audemars Piguet, Van Cleef & Arpels, Graff, Damiani, Mikimoto, Ulysse Nardin, JaegerLeCoultre, Baume & Mercier and Garrard. Al Muftah Jewellery pavilion featured a host of exclusive international brands including Charriol, Chronoswiss, Cuervo Y Sobrinos, Dubey & Schaldenbrand, Ebel, Falcinelli, Giovanni Ferraris, Montana and Movado. Mr. Abdullah Almuftah Deputy Chairman of the Board said, “Doha Jewellery and Watches Exhibition, which is held once a year, is an indication of the health of markets, and over the years it has become the most important jewellery and watch exhibition in the Middle East.” Blue Salon pavilion also impressed the crowds with the latest collections by Breitling, Zenith, Bovet, Louis Erard, Montegrappa, Korloff and Digo to name a few. In addition to a diverse collection of stunning adornments, DJWE also offered an educational platform with daily classes and workshops conducted by industry experts. After receiving a great response last year, Qatar Watch Club returned with a series of panel discussions and educational workshops for the public. Independent Swiss watch brand Salon des Horlogers brought three luminaries of the independent watchmaking scene – Romain Gauthier, Ludovic Ballouard and Laurent Ferrier – to DJWE for the first time, giving visitors the rare chance to meet these masters and get hands-on experience with their timepieces. Objectif Horlogerie also offered demonstrations, while the De Beers Group Institute of Diamonds, in collaboration with UNI, hosted a daily diamond workshop with expert Rachel Sahar www.visitqatar.qa www.ohlalamag.net
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RYAN TANDYA
MISS Ohlala
It may be tempting to keep your eyes fixed on the TV or social media news feeds as you try to keep yourself informed by reading every quarantine update that pops up on your phone—but worrying yourself can be like sitting in a rocking chair: it can give you something to do, but it doesn’t necessarily get you anywhere. Take this rare opportunity and turn the isolation to your advantage; because the world is improved when its occupants are inspired and motivated, rather than anxious and overwhelmed. Annoying as it is, lounging around at home does have its upsides – you can finally indulge in all those things you never have time for, whether it be taking a cooking masterclass, attending to your cracked heels or getting through that book you’ve been ignoring all year. Make the most of your kitchen and try out a new recipe. Make something you “never have time” to cook - you might just surprise yourself with the results. Whilst clearing out your wardrobes you can sew those buttons or small holes that you always pass off. Yeah, remember that hole that was left after you ripped the tag off your shirt? Repair it in 15 minutes with some needle and thread. Do the once-a-year jobs: Flip over and rotate your mattress so you can sleep better; purge your phone of bad photos and contacts you don’t want
anymore; dust the bookshelf; clean out your clothes and load up a giveaway bag. Why not make a pandemic playlist whilst you’re at it to boost morale during such activities? Remember, feel-good songs only! The importance of focusing on self care cannot be ignored. You now have more time to sit quietly and meditate. Do some stretches in the morning. Soak in a bathtub with some candles. Scrub your feet. Do a face mask if you have some on hand. Use your good china and tablecloths to eat a homemade dinner with some soft music playing — and remember to drink plenty of water! There’s nothing like quarantine to indulge in a small TV binge. Luckily enough, the amount of good TV out there will most definitely take a few weeks to get through. Enjoy traditional puzzles like crosswords and jigsaws as well as online trivia games that can be wonderfully beneficial for your cognitive health too! Remember, you aren’t alone. Make the most out of modern day technology and text, WhatsApp, and video call your family and even someone you haven’t spoken to in awhile. Think of this as a great opportunity to reconnect. Take the time to catch up on all the things you never get around to, whether binge-watching TV, making shakshuka or soothing your cracked heels. Stay safe.
THE POWER OF POSITIVITY
AS MORE AND MORE PEOPLE STAY INSIDE THEIR HOMES MISS OHLALA URGES YOU TO USE THIS TIME AS A GIFT.
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LIFE IS A JOURNEY. anantara.com
doha
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