Oksana Tabunshchykova Resume and Interior Design Portfolio 2021 by Oksana Tabunshchykova

TABUNSHCHYKOVA

INTERIOR DESIGN PORTFOLIO AND RESUME

ABOUT ME Hello there, my name is Oksana! I’m an interior designer with over 2 years of experience in residential and commercial interiors. I’ve worked both independently and as part of a design team in the San Francisco Bay Area. I’m passionate about the practical and aesthetic aspects of design, and appreciate the challenge of finding a solution that will meet and exceed a client’s needs and vision. I practice a holistic approach to interior design that includes sustainable practice, beauty, technicality, and the overall wellbeing of clients and users. I’m a lifelong learner and deeply enjoy the practice of interior design. I find deep enjoyment in 3D modeling, space planning, finish selection, and collaborating with others to brainstorm unique solutions to overcome design challenges. I’m pursuing NCIDQ certification, and complement my formal training by attending industry events and studying the latest interior design publications. In addition to my training, I bring extensive mathematics, purchasing, logistics, and management skills from my career before design. In my spare time I enjoy spending time in nature, reading, and sketching.

OKSANA TABUNSHCHYKOVA oksanaTdesign@gmail.com (415) 656 - 9227

WORK EXPERIENCE Design Consultant

Freelance | San Francisco, CA | 09.2019- Present

• Produced design plans in AutoCAD and created realistic renderings and collage renderings of future spaces in SketchUp/Vray/SU Podium to convey design concepts to high-end residential designers for luxury residences • Collaborated and interacted with residential design clients to understand needs and identify design preferences • Researched, proposed and specified architectural materials; selected furniture for rendering and modeled furniture and lighting according to client needs and specifications for visualization

San Francisco in/oksanatdesign

EDUCATION

Designer

Masters Degree in Applied Mathematics Odessa National University, Ukraine 2003

Associate of Science in Interior Design City College of San Francisco Graduated with highest honors, 3.89 GPA 2019

SKILLS

PROGRAMS

Space Planning Material Selection 3D Modeling Rendering Building Code

Revit AutoCAD SketchUp Vray for Sketchup Rhino

Photoshop InDesign Illustrator Premiere Pro Twinmotion

Q-Architecture | San Francisco, CA | 08.2014 - 10.2015

• Participated in residential projects from schematic design to installation; researched, proposed and specified FF&E plus flooring, lighting, hardware, and plumbing for projects, while meeting code and matching client style and budget • Collaborated with Senior Designers and a team of consultants, contractors, fabricators, spec writers, and regulatory agencies to deliver on project objectives • Surveyed clients and identified needs; designed conceptual presentations, 3D/physical models, inspirational boards for clients to communicate functional and beautiful design ideas and clarify preferred style • Applied building codes and ADA requirements into proposed space plans while implementing designer’s idea; produced construction documentation in AutoCAD to obtain permits and gain successful approval from SFBD • Performed site survey and analysis under lead architect’s supervision to understand advantages and disadvantages of the space • Designed and redesigned space plans to achieve residential and commercial project goals; for commercial projects directed movement flows, achieved zoning, and capacity level; for residential projects enlarged space functionality and brought contemporary way of life into Victorian houses

OTHER ACTIVITIES

Intern

Current member of IIDA and ASID

• Produced 3D renders in SketchUp to allow clients to visualize showroom furniture in personal spaces and persuade clients to purchase items • Collaborated with an architect and designer to produce AutoCAD drawings for multi-unit residential design projects • Managed showroom, marketed and presented floor models to potential customers to increase sales of the products, and produced invoices for sales

Preparing for NCIDQ certification Sustainability Design Club Member, CCSF Volunteered on Charitable Events

Arttitude | San Francisco, CA | 04.2013 - 07.2014

CONTENT

THE GROVE CAFETERIA AT CCSF

SHADE WALL MASHRABIYA

REINVENT SUNGEVITY OFFICE

ACADEMIC PROJECT

2'-4"

3'-0"

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EQ EQ EQ EQ 1'-6"

5'-1"

9'-3" 2'-0"

3'-0"

2'-0"

3'- 0"

1'-9" 2'-4" 3'-0"

2'-6" 1'-8"

EQ EQ

3'-0" 1'-8"

2'-0"

1'-4"

3'-0"

7'-8"

9'-0" C.H.

4'-3"

4'-7"

2'-0"

1'-6"

2'-6"

9'-0" C.H.

2'-0"

1'-4"

2'-0"

1'-1"

2'-1"

3'-0"

1'-0" 2'-0"

3'-2"

POWELL STREET APARTMENT REMODEL

A GUEST HOUSE IN BURLINGAME, CA

ARTWORKS

WORK EXPERIENCE

COMMISSION WORK

DRAWINGS | SKETCHES | SCULPTURE

The Grove Cafeteria at CCSF

Interior Design Individual Work Hospitality San Francisco, CA

STUDIO CLASS INTD102 PROFESSOR TONY WONG PROGRAMS USED: AUTOCAD | SKETCHUP | V-RAY | PHOTOSHOP | ILLUSTRATOR

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OBJECTIVE Remodel existing student cafeteria at City College of San Francisco. The new cafeteria serves as a space for studying to benefit the student experience. • Promote a healthy way of life creating a healthy environment for students to eat, study and collaborate • Encourage collaboration between Architecture, Sculpture, Horticulture, and Culinary Departments • Motivate students to succeed

CONCEPT

EAT HEALTHY

COLLABORATE

LEARN

Interior Render | Coffee Counter

INSPIRATION IMAGES CLIENT AND USERS The City College of San Francisco is a community college that has served the community since 1935.

The forests of Northern California are an inspiration for the color scheme and finishes

Users of the space are students, teachers, and workers of CCSF. All of them diverge by age, background and culture. The City College supports and encourages student possibilities by building on the vibrancy of San Francisco and where it is guided by the principles of inclusiveness, integrity, innovation, creativity, and quality.

Feasibility Studies CCSF BOUNDARIES SUNNYSIDE WESTWOOD PARK

Site View

Site View From Street

BALBOA PARK

INGLESIDE

SITE LOCATION Site View Interior

Site View Interior

The cafeteria is located in the Ocean Campus of CCSF. It’s bordering residential neighborhoods on all sides. The campus is spread out, so access to healthy food and a relaxing place to study within a few minutes’ walk is essential. The cafeteria is already a place of gathering for meals, group meetings, and socializing over coffee.

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Feasibility Studies

Summer Sun Path

Winter Sun Path

SUN PATH

PATH TO THE SITE

EXISTING CIRCULATION

POSITIVE CHARACTERISTICS

MAIN ISSUES

SOLUTIONS

• Sunny • Big enough to accommodate groups and individual seating. • Many exits that help with human flow

• Not enough tables for small groups • No clear zoning • Lack of site visibility from the street

• Provide different sizes of tables and seating to meet personal and group needs • Define zones more clearly with floor covering, table arrangement, and ceiling • Install outdoor sign with light • New engaging front yard improvement in front of the North entrance

Inspiration and Concept

PATH The site topography reminded me of the forests of Northern California, which feature valleys, meadows, and dramatic changes in elevation. Scientific studies demonstrate the beneficial power of nature, for example how visiting a forest can reduce stress and improve overall wellbeing. Leveraging this concept, I challenged myself to consider how a feeling of being in a nature-inspired space could improve wellbeing of students and faculty.

HEIGHT CHANGES

TEXTURE

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Circulation Zoning COUNTER TO ORDER MEAL

READY MEAL

OUTDOOR SCULPTURE COURT

MICROWAVE AREA

COFFEE AND PASTRY COUNTER

KITCHEN N.I.C.

OUTDOOR COURT

LEGEND Main Circulation Interior Secondary Circulation Interior Main Circulation Outdoor Secondary Circulation Outdoor

DINING ZONES

COZY NOOK

ELEVATOR

COFFEE AREA

OUTDOOR SITTING

12 B

Interior

Entrance 2

PROGRAMMING

1. Counter to order fresh made food

2. Refrigerators with drinks and pre-made food 3. Main dining area

4. Microwave area to warm up homemade food

5. Community tables 6. Lounge area 7. Coffee and pastry counter

Entrance 1

8. Coffee tables for two 9. Individual coffee sitting area

B FLOOR PLAN

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Interior Render | Coffee Area | Community Tables Area

Interior LEGEND 6” Recessed Lighting 4” Recessed Lighting Pendant Lighting 1 Pendant Lighting 2 Track Lighting LED String Cove Lighting 9” Recessed Down lighting

RCP

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Interior View to the Court

A-A Section

Materials and Furniture Board

Floor Tile

Ivy

Accent Pendant

Pendant

Counter Height Chair for Coffee Area Coffee Counter and Back Wall Tile

Chair for Main Dining Area

Coffee Counter Top Finish

Dining Table for Main Dining Area

Coffee Table Top Finish

Wall, Ceiling, Table Top Wood Finish

Coffee Table

Dining Table for Community Area

Chair for Coffee and Community Area

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Courtyard

PROGRAMMING Outdoor | North Entrance Elevation

1. Outdoor seating area 2.Sculpture courtyard featuring artwork from

sculpture department students 3. Informal outdoor seating bench with flowerbed

SITE PLAN

Outdoor View from Street | North Entrance

North Entrance Night View Perspective

Outdoor Lighting

Outdoor String Lighting

Outdoor Planter

Ivy

Typical Outdoor Coffee Table

Typical Outdoor Chair

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Outdoor Benches and Sculpture Base

Outdoor Site Sketch

Outdoor Sitting Benches and Sculpture Base | Perspective

Seating Bench Seating Bench Sculpture Base Seating Bench With Flowerbed

Outdoor Seating Benches Sketch

Plan

Seating Bench With Flowerbed Sculpture Base

Axonometric View

Shade Wall Mashrabiya

Academic Project Individual 3D Modeling

RHINO CLASS ARCH218 PROFESSOR G.LIN

SSECORP NGISED LANIGIRO PROGRAMS USED: RHINO NRETTAP

NOXA DEDOLPXE

SEVITCEPSREP

Y OPMU

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FACADE PROJECT DESCRIPTION The goal of the assignment was to re-examine the Mashrabiya pattern and create the screen wall using Rhino technology. Starting point: pick an existing Mashrabia pattern or any other pattern and use it to create three - dimensional pattern. As a stating point I picked art by Francesco Stumpo. He is an artist with an architecture background who explored various line connections in form. His work is simple and reminded me of Mashrabiya. I decided to experiment and explore the possibilities of transforming plain 2D lines into a beautiful 3D object.

Mashrabiya in Architecture Inspiration

Art by Francesco Stumpo Starting Point

INSPIRATION BY FRANCESCO STUMPO

ORIGIN PATTE

ADE 22

PERSPECTIVES Modeling Process

PLAN

Elevations

ELEVATIONS

PERSPECTIVES

A A

EXPLODED AXON

EXPLODED AXON Exploded Axon Variations

ELEVATIONS

PLAN

Plan

ORIGINAL DESIGN PROCESS PATTERN

ORIGINAL DESIGN PROCESS PATTERN B PERSPECTIVES

Final Pattern Module

Pattern Layout

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9:00 am 4:00 pm Section A

SECTION A

SNOITA AXO SECTION BVELE AXONOMETRIC 12:00 pm

Axonometric Section Cut B

Shadow Exploration

REINVENT SUNGEVITY

Interior Design Individual Work Office Design Oakland, CA

ts ran u ta

ec oj r P

t Location , 6 6

PROGRAMS USED: REVIT | ENSCAPE | PHOTOSHOP | PROCREATE

F n ra

Re s

Office Design

STUDIO CLASS PROFESSOR AMILY HUANG

klin

Fer ry

2 Floor

inal m r Te

Market Pl

OBJECTIVE ac e

The goal of the project is to transform existing workspace of Sungevity into a diverse landscape that encourage collaboration, learning, and positive environment to live more meaningful life.

Sungevity is a leading fast growing solar electricity company that designs home solar systems; manages system installation, maintenance, and performance. It has many locations in the USA and Europe.

Location Map

ALAMEDA

We b

ste r

Str ee

tT ub

OAKLAND

Jack London District

The project is located at 66 Franklin Street, Jack London square, Oakland. It is a historical part of the city that is diverse, vibrant and rapidly transforming. The neighborhood has a good live-work balance providing office buildings to work, market places and restaurants to shop, and mixed use buildings and residential houses to dwell. In addition, good public transportation, ferry terminal, buses, and Amtrac, and close proximity to freeways connect the square with the business center of Oakland, San Francisco, and the rest of the Bay Area and California.

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DIAGRAMS

OFF-THE-GRID ON-THE-GRID Sungevity attracts young employees who value sustainable cultural lifestyle. Sungevity promotes the emotional wellbeing of the employees providing weekly yoga boot-camp. It is also B certified corporation, that means that it interacts with workers, customers, community, and environment meeting “the highest standards of verified social and environmental performance, public transparency, and legal accountability to balance profit and purpose.”

CONCEPT In my concept I combined features of the neighborhood and cultural values of the company. Horizontal business model is seen in open space plan without separate offices for management. Management of the company is a mentor and team lead and is a part of the team rather than an overseen person. Shared spaces promote connectivity and work environment choices while having some closed spaces for rejuvenation.

TRADITIONAL NEW

COMPLEX SIMPLE

Spaces for big groups interaction

Main circulation Secondary circulation Entrance to Elevators

Spaces for big groups interaction

Fire Exit

INSPIRATION

26 FLOOR PLAN 7

PROGRAMMING

1. Reception 2. Kitchen 3. Big conference room 4. Individual working stations | open space

5. Small conference | conversation space

6. Multipurpose conversation space 7. Individual Working stations | more private

8. Library 9. Small conference room

10. Quite room | stretching room 11. ADA Bathrooms 12. Nursing room | quite room

13. Individual Working stations | more private

14. Small conference | conversation space 15. Storage 16. Individual working stations | open space

17. Medium conference room 18. Informal regathering space for fun and work N

2’ 4’

8’

16’

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LOBBY

WOOD BEAMS WOOD POSTS SUNGEVITY SIGN W/LIGHT BEHIND

LED LIGHTING SOLAR PANEL PRINT

Reception Elevation

Reception Sketches

Powell Street Apartment Remodel

Photo | Kitchen

Interior Design Collaboration Residential San Francisco, CA, USA

DESIGN AND PROJECT MANAGEMENT: DAWN MA, THEO REVLOCK DRAWINGS | MODELING | FF&E: OKSANA TABUNSHCHYKOVA OTHER TEAM MEMBERS: NICOLE BIENWENGA, ANNIE FRYMAN PROGRAMS USED: AUTOCAD | SKETCHUP

Kitchen Mood Board

PROJECT DESCRIPTION

2'-6" 1'-6"

4'-0"

2'-6"

DISH CABINETRY 2'-0" WASHER

3'-2"

BUILT-IN 2'-0" 2'-0" 2'-0" 2'-0"3'-0"2'-0"EGRESS 2'-0"3'-0"

KITCHEN CABINETRY ELEVATION 2'-0" 2'-0"

REF. W/SIDE PANELS 2'-0"

3'-0"

EXIT

2'-0"

2'-6"

4'-0"

1'-6" 3'-0"2'-6"1'-6" 3'-0" 3'-0"2'-4"

9'-0" C.H.

1'-6"

2'-4"

1'-9" 2'-4"

3'-0"

5'-1"

3'-0"

1'-0" 2'-0" STORAGE CABINETRY

EQ EQ EQ EQ EQ EQ EQ EQ

9'-3"

1'-6" 5'-1" 6"

5'-1" 4'-3"

1'-6"

EQ EQ EQ EQ

9'-3"

2'-0" 2'-4"

2'-4"

3'-0"

EQ EQ EQ EQ

4'-7" 3'-2"

2'-0"

6'-7"

FRONT VIEW

2'-4"

3'-0" 2'-4"

2'-4"

3'-0"

4'-0"

6'-7" 2'-4"

4'-0"

2'-4"

4'-0"

2'-4"

2'-0" 2'-1"

3'-0"

2'-4"

1'-0" 2'-0"

3'-0" 1'-1"

1'-4"

2'-0"

LEFT VIEW

9'-0" C.H.

1'-9"

2'-0"

EQ EQ

1'-8"

9'-0" C.H.

2'-6"

3'-0" 2'-0" 3'-0"2'-4" 1'-8" 1'-9" 3'-0"

3'-0"

2'-0"

1'-6"

2'-7"

6'-7" 5'-3"

TOP VIEW

4'-7"

5'-1"

4'-3" BACK4'-7" VIEW

9'-3"

1'-6"

6" 4'-3"

9'-3"

KITCHEN ISLAND 4'-3" 4'-7" EQ EQ

1'-1" 3'-2" 2'-1"

2'-0"

1'-4"

6'-7"

2'-6" 2'-6" 1'-8" 3'-0" 1'-4" EQ EQ EQ EQ

11'-11"

9" 1'-4"

11'-11" 11'-11" 2” 2'-0" GRANITE3'- 0" 2” GRANITE 9" 2'-1" 3'-0" 1'-1" COUNTER TOP COUNTER TOP 1'-0" 2'-0" 3'-0" 2'-0" 2'-5" 1'-6"

3'- 0"

1'-6"

2'-6"

2'-4"

1'-4"

14'-5"

EQ EQ

2'-6" 1'-8"

7'-8"

4”X6” BACKSPLASH 4”X6” BACKSPLASH 3'-0"2'-0" 2'-0"3'-0" 2'-5" 2'-0" 1'-6" 2'-5" 1'-0" 1'-6" TILE 2'-6"1'-6" 2'-0" SUBWAY TILE SUBWAY

5'-3"

2'-6" 1'-6"

3'-0"

2'-4"

3'-0"

14'-5"

1'-4" 14'-5"

3'-0"

9'-0" C.H.

1'-8"

11'-11"

3'-0"

2'-0"

1'-4" 5'-3"

2'-4"

1'-6" 2'-4"

3'-0"

2'-4"

3'-0"

2'-4"

3'-5" 3'-5"

1'-4"

3'-0"

EQ EQ

2'-6" 3'-0"

OPEN SHELVES WITH GLASS HOLDER 2'-5" 1'-6" UNDER

5'-3"

1'-4"

6" 4'-0"

OPEN SHELVES

4'-0"

4'-3"

4'-0"

1'-6" 2'-7"

2'-7"

3'-0" 1'-4"3'-0"1'-8" 1'-4" 3'-0"

KITCHEN CABINETRY ELEVATION

4'-3"

4'-7"

1'-4"

1'-0" 2'-0" BUILT-IN GAS WALL OVEN

4'-3"

9'-3"

1'-6" 1'-6" WORKING COUNTER TOP 2” GRANITE

5'-1"2'-7"

4'-7"

" C.H.

DRAWERS

EQ EQ 4'-0" EQ

4'-0"

2'-0"

7'-8" 1'-4"

3'- 0"

3'-0"4'-7"

3'-0"

1'-4"

VINE PANTRY REF. W/SIDE PANELS

2'-0"

2'-7" WORKING COUNTER TOP 2” GRANITE

1'-4"

BREAKFAST COUNTER 2” GRANITE

1'-6"

5'-1"

9'-0" C.H.

2'-6"

EQ EQ EQ EQ

" C.H.

1'-6"

9'-3" 2'-0"

2'-0"

3'-0"

1'-0" 2'-0"

4'-0"

1'-8"

3'-10"

1'-0" 2'-0"

7'-8"

EQ 3'-10" 3'-10" 9'-0" C.H.

℄

2'-0"

4'-0"

2'-6" 1'-6"

3'-5" 2'-7" CLR.

3'-0" 2'-7" CLR.

2'-0" 2'-0"℄

1'-4"

℄ 3'-0"

4'-0"

3'-0"

2'-0"

2'-7"

9'-3" 2'-0"

1'-8"

2'-0"

1'-4"

2'-0"

6'-10" EQ EQ EQ EQ CLR. 1'-6" 5'-1"

3'-7"

EQ EQ5'-5"

KITCHEN PLAN

3'-7"

4'-0"

℄

1'-4"

1'-6"

11'-11"

2'-5"

5'-5"

EQ 5'-5"

2'-0"

7'-8"

11'-11"

2'-5"

9'-0" C.H.

2'-0"

3'-0"

3'-10" EQ EQ

1'-0" 2'-0"

3'-7"

1'-6"

6'-7"2'-7"

3'-0"

2'-4"

2'-7" CLR.

3'-0" 5'-5"

3'-7"

5'-3"

6'-7"

part of a team of five collaborators working under supervision of the company’s principal, who guided the 1'-6" 1'-6" 2'-7" 1'-6" 2'-7" design flow, technical drawings, and management. My role was to collaboratively propose a kitchen 6'-10" design. I was responsible for creation of a floor plan, CLR. elevations and the island of the new kitchen. These are preliminary shop drawings for a kitchen manufacturer and for client approval. In addition to 6'-10" 6'-10" CLR. drawings, CLR. I also created the mood boards technical EQ which were used to drive client approval. 2'-4"

BREAKFAST COUNTER

KITCHEN

4'-0"

6'-7" I 4'-0" was

1'-6"

2'-7" CLR.

14'-5"

MY ROLE

OAK HARDWOOD FLOOR 4'-0"

2'-7"

4'-0"

3'-10"

3'-0"

14'-5"

LIVING ROOM

C B

℄

1'-4"

4'-0"

3'-5"

6'-10" 3'-7" CLR.

3'-5"

5'-5"

6'-10" CLR.

1'-4"

The project was situated in a historical part of San Francisco, and couple with 1'-4" 5'-3" a child. The goal was to 5'-3"the clients were a renovate the condominium with contemporary vision of living with a new traditional luxurious twist.

3'-5"

2'-7" CLR.

FOYER

6'-10" CLR.

-0"

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A Guest House In Burlingame, CA

Interior Design | Exterior Collaboration Residential Burlingame, CA, USA

DESIGN AND PROJECT MANAGEMENT: GRIGORY TIMEN VISUALIZATION AND FF&E: OKSANA TABUNSHCHYKOVA PROGRAMS USED AUTOCAD | SKETCHUP | V-RAY | PHOTOSHOP

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NOTE: ALL RETAINING WALLS, CONCRETE SLAB ON GRADE, AREA DRAINS, DRAIN PIPING AND DISSIPATERS ARE EXISTING PER PREVIOUSLY APPROVED PERMIT.

BBQ

SINK

GRILL

WORK LIMIT AREA

T.O.C. 90.0

(E) UPPER WOOD DECK

8" STEP FOOTING

415-302-1712

(E) UPPER PATIO

24" TREE

T.O.C. 88.6

T.O.C. 92.0

POST BASE (TYP.)

UPPER RETAINING WALL

SINGLE PLY ROOF OPEN TO BELOW

T.O.W.85 MIDDLE RETAINING WALL

EL. 81.0

(E) LOWER PATIO

My role in the project was to assist the designer with the visual representation of the future spaces and furniture selection within the budget constrains to successfully communicate with a client about their needs and aesthetic. I created realistic renderings, floor plans and elevations with different finishes and various furniture layouts. I proposed three furniture plans; the current plan illustrates the client’s final preferences.

(N)7'-HIGH FENCE

T.O.C.94.0

415-602-2290

1 11/2/2018 ELEVATIONS

FLAT LANDSCAPING AREA

Construction Solutions

ALL ROOF DOWNSPOUTS TO BE DISCHARGED INTO AREA DRAINS CONNECTED TO EXISTING DISSIPATER TO PREVENT EROSION.

MY ROLE AND DESIGN PROCESS

Design the interior and outdoor spaces withing the residence to accommodate various activities. The detached house was intended to be used as a secluded retreat to recharge within nature, or to serve as a guest house. The upper level proposed furniture and space plan for family gatherings activities.

1485 Bayshore Blvd. Suite 229 San Francisco, CA 94124 www. adeptconstruction.solutions

PROJECT DESCRIPTION

FLOOR PLAN MURPHY BED OPEN

42" HIGH RAILING

(E) GUEST HOUSE

T.O.W.84.6

FRONT GABLE ROOF

EL. 79.4 AREA DRAIN

B roof curb

LOWER RETAINING WALL

PROPOSED SITE PLAN

FLOOR PLAN

ROOF DRAIN SINGLE PLY ROOF

LIMIT OR WORK

Site Scheme (E)

CABLE RAILING TOP OF ROOF

CLAY TILE ROOFING

TOW 92.0

TOW 85.4 WIRE RAILING NOT SHOWN

GUEST HOUSE

WOOD DECK OUTINE

2319 EASTON DR. BURLINGAME, CA

7 RAILING OUTLINE

14'

9' TO PLATE

The house is built in an irregular shape that posed a challenge as it pertains to visually balancing the space. With furniture placement facing the windows, the view became a focal point, thereby redirecting attention from the irregularity of the architecture.

9/26/18 AS NOTED AV 2018-117

Guest House Perspective | Kitchen

Guest House Perspective | View from the Entrance

Guest House Perspective | Murphy Bed Open

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Upper Wood Deck Perspective | Lounge Area

Upper Patio Perspective | Pool Area

Upper Patio Perspective | Dining Area and Outdoor Kitchen

ARTWORKS

PHYSICAL MODELING

Sketches | Drawings | Sculpture

WATERCOLOR

Parrot Mixed Media | Wood | Paint Academic Project | San Francisco, USA

PENCILS | MARKERS

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Mixed Media | Pencil, Pen, Markers on Watercolor Paper Sketch from a photo | San Francisco, USA

Spring | Watercolor Plein-Air Odessa, Ukraine

My Backyard in Noe Valley Mixed Media | Pencil, Pen, Markers on Paper Sketch | San Francisco, USA

Marker Interior Sketch Mixed Media | Pen, Marker on Marker Paper | Interior

Thank you for taking the time to look at my portfolio O

TABUNSHCHYKOVA PORTFOLIO https://www.linkedin.com/in/oksanatdesign/ OKSANATDESIGN@GMAIL.COM (415) 656-9227 SAN FRANCISCO