Brian Fanzine Marketing Report

Page 1

1


2


CONTENTS

01

>>

INTRODUCTION

>> >>

METHODOLOGY PRIMARY RESEARCH SECONDARY RESEARCH

02

RATIONALE

AND

>>

MARKET

>>

CASE

>>

THE

>>

WHY

>>

THE

>>

PROMOTIONAL

03

DISCUSSION

PLACE

STUDY CONCEPT BRIAN CONSUMER

COMMERCIAL >>

SPONSORSHIP

>>

PRESS

CAMPAIGN OPPORTUNITIES

RELEASE

04

CONCLUSION

05

REFERENCES

06

APPENDIX

AND

3

BIBLIOGRAPHY


INT ROD UCTION THIS

MARKET

WILL

EXPLORE

RESEARCH, AND

REPORT THE

RATIONALE

COMMERCIAL

OPPORTUNITIES THE

BEHIND

INDEPENDENT

FANZINE, HAVE

BRIAN.

WE

IDENTIFIED

POTENTIAL

SPONSOR

THAT

IS

WITH

THE

WILL

ENHANCE

COMPATIBLE ZINE

AND BOTH

THE

PUBLICATION

AND

THE

CHOSEN

BRAND.

BRIAN

BE

AT

SOLD

ZINE HAVE A

FAIR ALSO

A

AND

WILL LOCAL SO

WE

DESIGNED

PROMOTIONAL

STRATEGY TO

A

THE

RUNNING

UP

EVENT.

4


FIG. 1

0

1

M

E

T

H

O

D

5

O

L

O

G

Y

>

>


M

IN

ORDER

E

TO

SUCCESSFUL OUR

FORMAT EACH

H

AND

AND

INTO

O

THE

L

O

G

MOST

ZINE

VARIOUS

WE

SPLIT

SECTIONS;

SITUATION,

CONTENT,

COMMUNICATION.

SECTION

WAS

COMPREHENSIVELY GROUP

D

TIMELY

MARKET

SOURCES

O

CREATE

RESEARCH

CURRENT

T

AND

USING

RESEARCHED

USING

SHARED AN

DIFFERENT

BETWEEN

ONLINE

THE

BLOG,

WWW. BRIANGNOME. TUMBLR. COM USING

DIFFERENT

ASPECTS VISUAL

OF

THE

AND

RESOURCES PUBLICATION

COMMUNICATIVE

CAREFULLY

CONSIDERED

TO

A

CREATE

STAND-ALONE THAT A

VIABLE NICHE

RESONATES

RESEARCH

WAS

CURRENT

POPULAR THE

BETWEEN

A

BEEN

ORDER ENGAGING

ON

OUR

HAVING

UNDERSTANDING

OUR

AND

HAVE

READERS.

FOCUSED

CULTURE,

FORMAT

WRITTEN,

PUBLICATION

MARKET;

UNDERSTANDING

IN

AND

WITH

WELL-INFORMED

THE

ALL

IDENTIFYING

TARGET

STUDENT

THE

OF AND

CONSUMER, CULTURE,

RELATIONSHIP

PUBLICATION

ONLINE

OFFLINE.

6

AND

Y


FIG. 2

7


PRIMARY

RESEARCH:

IN

ORDER

ANALYSE QUESTIONNAIRE:

AND

AN

WE

ONLINE

QUESTIONNAIRE

ON

AT

TO CONTENT

LANGUAGE LOOKED CELEBRITY

SURVEYMONKEY.COM

MAGAZINES

WAS

AS

NOW

WE

ALSO

COMPLETED

OVER TO

40

AND

MEN’S

INSIGHT

SUCH

OPINION. WANTED

KNOW OF

PEOPLE

INVESTIGATE

CURRENT WE

BY

THE

AND

TO

WITH,

HOW

THEY

HOW

AND

GQ,

FHM

TO

NOTE

ZOO

BRANDS

THEY

USED TRENT AND

NOTTINGHAM CENTRE

THEIR

THEY

LANGUAGE.

UNIVERSITY

PER

IN

AND

NOTTINGHAM

MUCH

SPEND

MONTH

WE

MANY

PUBLICATIONS BUY,

AS

ANALYSE ENGAGE

HEAT.

LOOKED

ADVERTISE

CONTENT

CONSUMERS

AND

MAGAZINES

WHICH

KIND

SUCH

TO

CITY FIND

PROMOTIONAL

PREFERENCES

POSTERS

TOWARDS

RECOGNISE

POPULAR

LOCATIONS.

WE

AESTHETICS (SEE FOR

ETC.

APPENDIX

ALSO

FULL

AT

QUESTIONNAIRE)

AND

LOOKED

THEIR

IDENTITY

VISUAL AND

TYPOGRAPHICAL HIERARCHY.

8


FIG. 3

CASE

STUDY:

INDIVIDUALLY

WE

INDEPENDENT

MAGAZINE

THE

FUTURE

WEBSITES WITH

MY

OF

SUCH

CONDUCTED

RESEARCH

MAGAZINE,

THAT

PUBLISHING, AS

A

CASE

WE I

STUDY

FEEL

USED

VARIOUS TO

AND

THE

HYPEBEAST.

9

AN

REPRESENTS

FASTCOMPANY.COM ANALYSIS

ON

OF

HELP ONLINE


FIG. 4

10


SECONDARY

RESEARCH:

ONLINE: WE

USED

SUCH

SEARCH

AS

GOOGLE.COM

BING.COM ACROSS THE

TO

THE

BLOGS

ENGINES

FIND

AND

ZINE

COUNTRY

FAIRS

AND

ARTICLES

SUCH

AS

HYPEBEAST. COM AND THE GUARDIAN . C O M GAVE US AN INFORMED

INSIGHT

THE

OF

PUBLISHING.

WE

USED

AS

NEWSPAPERCLUB.COM

WEBSITES

GFSMITH.COM

FOR

OPTIONS

STOCK

AND

ACADEMIC MINTEL

PROVIDED

BEHAVIOUR.

ON

FUTURE

SUCH AND

LAYOUT

REPORTS

STATISTICS

AS

COM

AND

ARE

POPULAR

THAT

TRUELAD.

BOOTHEDOG.NET

CREATE

CULTURE A

SITES

COMMUNITY

OF

FOLLOWERS.

WORLD.

ONLINE

SUCH

TYPES. SUCH

AS

RELIABLE

CONSUMER

SOCIAL SUCH

NETWORKING

AS

SITES

FACEBOOK.COM/

UNAYUNAY,

TWITTER.COM/

JOEYESSEX

BOTH

ENGAGE

WITH

CONSTANTLY

FOLLOWERS.

OFFLINE: WE

USED

BOOKS

THE

A-Z

OF

FOR

LAYOUT

CREATIVE

IDENTIFY MARKET

COMPLETED TO

GIVE

11

A

TO

KEY

SWOT

AN

ISSUES

AAKER A

IN

WE

ALSO

MODEL

STRONG

IDENTITY

IDENTIFY

FOR

PROPOSAL

PLACE.

BRIAN

POSITIONING HELP

AND

RESEARCH:

SPONSORSHIP

THE

IDEAS

INSPIRATION

COMPLETED

OUR TO

VISUAL

AS

SOLUTIONS.

STRATEGIC WE

SUCH

ITS

AND USP.


02

RATIONALE

AND

MARKET

WITH

TECHNOLOGY

PART

OF

OUR

DISAGREE OF

AND

SUCH

CULTURE

DIGITAL

PUBLISHING

PLACE

BECOMING

EVERYDAY

THAT

DISCUSSION

MEDIA

PRINT

IS

IS A

AN

INTRINSIC

IT’S

HARD

THE

FUTURE

DYING

TO

MEDIUM.

‘MAINSTREAM MAGAZINES MIGHT BE STRUGGLING TO SURVIVE AGAINST DIGITAL MEDIA, BUT THEIR INDEPENDENT COUNTERPARTS ARE T H R I V I N G ’ (GUARDIAN.2012, ONLINE) HOWEVER

IT

SEEMS

PRINT

THE

POPULAR

INDUSTRY

IS

THAT

SHOULDN’T

BE

DIFFERENT

MEDIUMS

DIFFERENT

PURPOSES.

STRUGGLED A

BEST TO

MECHANISM

MAGAZINES

CONSIDER

TO

BEING

THAT

BEING THE

WITHIN

DIGITAL

COMPARED,

DURING

FILTERING

OPINION

PRINT

THEY

ARE

FOR

TWO

USED

THE

AND

THE

PRINT

INDUSTRY

RECESSION

BUT

THAT

ALLOW

SURVIVE 100%

12

WILL AND

DIGITAL.

TWO

THE

IT

HAS IS

THE

OTHERS


PAUL

WILLOUGHBY,

INDEPENDENT

FILM

CREATIVE

DIRECTOR

MAGAZINE

LITTLE

OF

WHITE

LIES,

SAYS:

“I THINK MAGAZINES WILL ALWAYS HAVE A PLACE ON PEOPLE’S SHELVES.” (GUARDIAN.2012,

ONLINE)

13


FIG. 5

OVER

TIME

BECOME

ARE

FOCUS

RELIANT

CONTENT TRUTH

THE

IS

AND THAT

ON

OF

ADVERTISING

CREATING

A

PUBLISHERS

PRODUCING.’

MAGAZINES

(CREATIVE

LACK

AND

OF

HAVE

TRANSCENDED

PROFIT, FOCUS

2011,

TO

WEAKENING

DIFFERENTIATION,

LOST

REVIEW.

14

HAS

ON

ONLINE)

‘THE

WHAT

THEY


SOME ARE

PUBLICATIONS FORCED

DIGITAL THE

TWO

DEFINITELY AND

OVERLAP

ALTHOUGH

BEST

THE

INDEPENDENT

MAGAZINES SURVIVING FORM, IS

MOST

THE

THE

ARE IN

PRINT

INTERNET

LARGEST

PLATFORM

FOR

DISTRIBUTION.

THEIR

OF

TO

GO

BECAUSE

THEIR

CONTENT,

ENCYCLOPEDIA BRITANNICA

FOR

EXAMPLE

HAVE

STOPPED

PRODUCTION

AND

BECOME

DIGITAL,

100%

‘THE

GENERATION

YOUNGER CONSUMES

DATA

DIFFERENTLY

NOW,

AND

TO

BE

WE

THERE.’

(MONEY.CNN. ONLINE)

2012,

SIMILARLY,

PUBLICATIONS BLOOMBERG WEEK

AND

LIKE

BUSINESS THE

YORKER

ARE

ON

IPAD.

FOR

THE

OUR

SURVIVE AS

FANZINE

TO

SUCCESSFULLY

BOTH

A

PRINT

DIGITAL

THE

CONTENT KEPT

MEDIUM, MUST

AUTHENTIC

THROUGHOUT ADAPTED FORMAT

NEW

THRIVING

AND BE

WANT

TO AS

PLATFORMS.

15

AND EACH SEPARATE


>> >

CASE STUDY HYPEBEAST

BEGINNING PROJECT,

IN

2005

HYPEBEAST

CREATED

BY

CONFESSED

KEVIN

KNOWING

SUCH

AS

KEVIN

THERE

MORE

WAS HE

TELLING AND

WERE TO

STILL

VAST;

IS

SCOPE

TO

BEGAN

TALKING

AROUND

SUBJECTS

MAGAZINE

MARKET, WIDELY

A

OF

FASHION

SUBJECTS

SUCH

AS AND THE

HAVE

THE

FOR

MUSIC.

BOTH

LEADING

CUTTING-

FASHION,

ART, POSITIONING

SATURATED

REGARDED

TODAY’S

SOON

THERE

HYPEBEAST

CONTRIBUTOR

MUCH

KEVIN

BECOME

AND

THE

AND

SO

STAFF

ONLINE

IN

WAS

HIP-HOP

TO

DESIGN

RELEASED

ABOUT

GROWN

MEN’S

BLOG

THEM.

FROM

AND

SAID

WHAT

CRAZE

STREETWEAR.

ITSELF

HIS

DISCUSS

THE

LIKE

BE

WITH

SKATEBOARDING,

EDGE

TO

GET

CULTURE

AND

FELT

BEING

SNEAKER

SELF-

WEBSITES

BEGAN

WHERE

A

ADDICT.

CONSUMERS

SNEAKERS

SOLO

HUNTED

FRESHNESS, SO

MA,

OF

BEING

A WAS

SNEAKER

ONLY

AND

AS

AND

IS

AS

A

MAJOR

COMMENTATOR

LIFESTYLE

LANDSCAPE.

16

NOW

AND


THE A

WEBSITE

HONG

KONG

THE

TEAM

OUT

OF OF

WITH

50-60%

THE

2012,

THEIR

COMING THE

MAGAZINE

HAS

3

UNIQUE

20

YEAR

AND

MILLION

PAGE

VIEWS

MONTH

ESTABLISHING

HYPEBEAST OF

MOST ITS

AS

IS

ITS

BIGGEST ABILITY

CONSTANTLY

UPDATE

RELEVANT

WITH AND

INFORMATION

FIG. 6

OF

ITS

READERS

THE

ONE

INFLUENTIAL

KIND.

SUCCESS TO

AROUND

A

PER THE

FROM

COMPANY.

ONLINE).

VISITORS

THE

WORLD,

(FAST

MILLION

BUT

STAY

WITH

OF

READERSHIP

FROM

OFFICE

TOUCH

US

RUN

NEVER

REST

THE

IS

WORLD.

17

BRAND

NEW,

RELATABLE

FROM

ACROSS


FIG. 7

18


THE

WEBSITE

ALLOWING

IS

THE

MULTI-FACETED,

READER

WITH

INFORMATION

THAN

ONE

FEEDS

A

A

INSIGHT

UNIQUE

WITHIN

TO

A

A

ENTERTAINS

HBTV

INTO

THE

IS

A

ALLOWS

THEIR

SAY

COMMUNITY

CINEMATIC

WORLD

HYPEBEAST

INDUSTRY

FORUM

LIKE-MINDED

AND

BLOG

LATEST

INTO

HAVE

MORE

DAILY

BLOGROLL

TASTEMAKERS, READERS

A

THE

UPDATES,

ENGAGE

ACROSS

MEDIUM.

READERS

TO

THAT

INSIGHT

SURROUNDS

(HYPEBEAST.

2012,

ONLINE) THE

CONTENT

EVOLVED IT

OF

TOO,

SPOKE

THE

IN

ABOUT

ITS

BUT

STRONGER

FASHION

BELIEVE THE

LOOK

FROM

WORKING OF

THE

COOL

OR

RELATES

THE

COPY

WHAT’S

FOR THE

THEY

COMES SOMETHING

THAT

AUDIENCE. TRENDS

THEY AND

IS

CONTENT

FINDING

OR

BEING

START

HAVE

INFLUENTIAL

CONSUMERS,

INDUSTRY

AND

ORGANIC

SOLELY

ALREADY

ABOUT,

VASTLY

THE

FOLLOW

CONVERSATION A

THAT

HYPEBEAST

THEIR

DON’T

A

AUTHORITY

INTERESTING TO

HAS

TEAM’S

TEAM

THEY

TALKED

OF

WEBSITE

THE

IT

‘HYPED’

GOOD.

METHOD.

FROM

DAYS

MOST

PRODUCTS

SUCCESS

BORN

NOW

HAS

EARLY

THE

PRODUCTS DISCUSSES

SITE

THE

CREATED

PLATFORM

TASTEMAKERS

PROFESSIONALS

GLOBE.

19

AND

ACROSS


HYPEBEAST QUALITY

IS

OVER

CONSIDERED A

PARTICULAR QUANTITY,

CONTENT

PREDICTABLE

DAILY BOTH

QUOTAS.

STREETWEAR

BLOGS, BY AND

ITS

AUTHENTIC

SITE

HAS

DAY

ONE,

BEEN

A

TO

RISE

STAYS

CONTENT AND

IN AND

ON

TOP

ORIGINAL

ALTHOUGH

PROFITABLE

MONEY

OF

MEET

BRANDS

HYPEBEAST

KEEPING

PUBLISHING

INSTEAD

CHURN WITH

ABOUT

WAS

THE

FROM

NEVER

THEIR

PRIORITY.

FIG. 8

20


WITH

SUCH

CREATIVE THAT

HYPEBEAST

DEPTH THEY

THE

WEBSITE

CONTENT FINISH.

BEGUN

MULTI-FACETED

PRIME

IN

A

TO

ADVANTAGES

PROMOTIONAL

STRIVES

HELPS

TO

PUBLISH

PROMOTE

UNASSUMINGLY SUCCESS THE

AUTHENTIC

KEEPING

MAGAZINES

ITS

ENSURE

ARE

AS

THE

CONTENT,

MORE

WHAT

OR

INWHO

WORTHY.

AND

WHICH

OFFER

THAT

TO

UNDERSTAND

MAGAZINE

IS

INTENTIONS

A

CAN

FEATURES THINK

TEAM

CONSIDERATION

PROFESSIONALS

PLATFORM.

THE

PARTICULAR

A

AND IN

PLATFORM RIGHT

REPRESENTATION

DUE

MAGAZINES

FINGER

THE

IS

EACH

THAT THE

21

TO

COMMERCIAL

ITS

MOTIVES

CURRENT PIE,

LEADS

DIRECTION.

OF

WITHOUT

FROM THE

DEDICATED AND START SITE

OTHER

HYPEBEAST

FUTURE

OF

TO

IS

ONLINE IS

A

PUBLISHING.


THE CON CEPT BRIAN

IS

A

STUDENT TRENT ALSO A

FIRST

AT

HAPPENS

ON

SOCIAL

A

ONLINE BRIAN

FORM

OF

COMMENTARY

SHARING AND

BE

FACEBOOK

TWITTER, AS

TO

HIS

PRESENCE ACTS

WHO

GNOME.

BEGINNING

AN

NOTTINGHAM

UNIVERSITY

GARDEN

AND

YEAR

HIS

THOUGHTS

EXPERIENCES EVERYDAY

HIS

WIT

ARE

FRIENDS

STUDENT.

AND

USED

AS

SARCASM

TO

AND

ENTERTAIN FOLLOWERS

ALIKE. BRIAN INTO

IS

EXPANDING

PRINT

AND

FEATURING FIRST WILL OF HIS

IN

EVER BE

A

HIS

ZINE

COLLECTION

HIGHLIGHTS FIRST

YEAR

NOTTINGHAM UNIVERSITY.

22

WHICH

FROM AT

TRENT


FIG. 9

23


WHY BRIAN? USING

BRIAN

REPRESENT LONGEVITY

THE

STUDENTS WITH

PROMOTIONAL NATWEST PIGS WAS

TO

AND

GAVE

OUR

THEIR OF

AS

FLAT

A

IN

POPULAR

RECENTLY

SEEN

CHURCHILL

BULL

DOG.

THE

PETER

AND

1981,

FAMILY

CONSUMERS; ERIC

US

MARKETING

INTRODUCED

MORE

TO

STRATEGY.

FULL

SUCH

GNOME

THE

OF 90’S

CHARACTERS

FOR

LEVI,

WE

HAVE

JET

DEAN

SETTING FROM

“IN SUCH A CROWDED, COMPETITIVE MARKET A CHARACTER CAN CREATE PURE BRAND S A L I E N C E . ” (MARKETING CHURCHILL

WEEK.

2012,

SAID

ONLINE)

24


FIG. 10

IN

EARLY

IN

2010

THAN HAS

2009,

THE

‘THE

COMPARE

THE

700,000

VISITORS

A

AROUND

FANS.’

COMPARE

32,000

(MARKETING

SUCCESSFULLY

IN

MEERKAT

MONTH,

TWITTER WEEK.

MARKET’S

WEBSITE

WHILE

FOLLOWERS

2012,

ONLINE)

2012.

25

CAMPAIGN

RECEIVES

ALEKSANDR AND AND

WAS THE

700,000 IS

STILL

LAUNCHED, MORE MEERKAT

FACEBOOK RUNNING


>> THE

FIRST

TRENT ALLOWS

WITH

EDITION

STUDENTS

LANGUAGE MORE

THE

THAT

THEM

SO

A

DECIDED

TO

60%

LEAN

WAS

AT AS

CULTURE IN

IF

HE

THE

PEAK

FHM

AND

WHICH

STYLE.’

IN

WITH

A

AND

ITS

MALE THE

AT

A

TO

LADDISH

MARKETING

WHICH

DAY

BASIS

PERSON.

OF

1990’S,

EXPRESS

CHARACTER

AUDIENCE

CONSUMER.

LAD

MOSTLY

BANTER

WE

AND

2009,

HAVE

WITH

A

CULTURE

IN

‘DEFINED

WINCHESTER.

26

TO

DAY

UNSELFCONSCIOUS

(JOURNALISM.

NOTTINGHAM

BRIAN

THE

REAL

TARGET

LOADED

WAS

ON

PRESENCE

OUR A

AIMED

USING

USE

WAS

ZINE

WEIGHT

IS

18-21.

EMPATHISE

TOWARDS

ITS

BRIAN

STUDENTS

CONSIDERABLE

THROUGHOUT

SUCH

OF

AGED

TO

THAN

CONSUMER

MAGAZINES A

‘LADDISH’

IRREVERENT ONLINE)


OVER THE

RECENT

YEARS

INTERNET

WITH

IT

PERVADED

INESCAPABLE SUCH

SITES

ALTHOUGH WILL

WE

‘THE

“LAD”

PHENOMENON,

IN

ENGAGING

BRIAN

IS

ENGAGING IS

THE

UNILAD.’

WITH

ZINE

WITH

ALSO

A

EXAMPLES

AND OF

LIFE

AS

FORM

A

THE

ONLY

IS

NEWLY TO

ONLINE)

AND

LANGUAGE AND

READER.

OF

TV

WHICH

THANKS

2012,

ATTITUDE

THE

ESCAPISM

LIFESTYLE AND

YEARS,

AND

STUDENTS

RELEVANT

FEMALE

A

WITH

IS

FOR

(GUARDIAN.

MALE

OVER

TRUELAD.COM

EVERYWHERE

BRIAN’S

STUDENT

ENTERTAINING

CHELSEA

LIFE

UNDERSTAND

TO

ALL

AS

CAMPUSES

EMPATHISE

APPROACH USED

AS

ITSELF

SUCH

UNIVERSITY

ON

FOUND

SITES

FACEBOOK/UNAYUNAY. HAS

HAS

OTHER

SHOWS WAY

IS

FOR THAN

SUCH ESSEX

AS

STUDENTS, THEIR MADE

ARE

OWN IN

PRIME

THIS,

‘IT WOULD APPEAR THAT THE NATION ENJOYS THE MILD ESCAPISM TO BE HAD FROM WATCHING OTHER PEOPLE’S LIVES’ (EPIGRAM.ORG.

2012,

ONLINE)

27


BRIAN’S BY

GIRL

NIGHT.

WHEN

PSYCHOLOGY OFTEN VAN

WEARS

HANGS

CONVERSE

SHE’S

SHE OUT

NOT

WORKS AT

DAY

STUDYING

PART

THE

BY TIME

LOCAL

IN

AND

FOR

28

HER

TOPSHOP

STUDENT

DYKES.

HEELS

BAR,

BA

IN

AND SPANKY


FIG. 11

BRIAN’S AS THE

GUY

IS

STUDYING RUBGY

COURSE OCEAN.

BNOC,

AKA

CRIMINOLOGY

SOCIETY,

MATES HE

A

ON

WORKS

A

HE

BIG

HE’S

ENJOYS

WEDNESDAY

HARD

BUT

NAME

A

ON

CAMPUS.

COMMITTED

JOINING FOR

PARTIES

29

TEAM

THE

MEMBER

WELL

OF

MEMBERS

WEEKLY

HARDER.

AS

AND

SOCIAL

AT


FIG. 12

FIG. 13

30


>>PROMOTIONAL

TO

MAXIMISE

INTEGRATED CAMPAIGN

CAMPAIGN

BRIAN’S OUR

WITH

PRESENCE

DIRECT A

WE

MARKETING

SOCIAL

MEDIA

STRATEGY. SOCIAL THE

STUDENT

WITH

OVER

USING KEEP ON

NETWORKS HALF

A

OF

AND

OUR

SOCIAL

FACEBOOK

PLAN

IN

MEDIA

WE

APPEARED

HIS

OWN

WERE

A

A

FOR AT

UNIVERSITY.

WHICH BRIAN’S

A

PERSON

BE

INITIALLY AS

AND

IF

TRENT

CONTINUED SUCH

AND

AS

TV

MEMBER.

31

TO

ADD

LIKING

PAGES

CREATED

ADVERTISING JUST

HE

ADDED

AUTOMATICALLY

FACEBOOK

TO

ENSURE

NOTTINGHAM

MUSIC

PAGE,

CLOSE

TO

BRIAN

WE

BEHAVIOURAL

ONLINE)

FACEBOOK

CHARACTERISTICS POPULAR

A

LEISURE

NEEDED

AS

PERSON

STUDENTS

THEIR

TO

STUDENTS,

RIGHT.

CREATED

ACCOUNT

THEM

2010,

WITH

TO

GOING

USING

THREE-DIMENSIONAL BRIAN

COMMUNITY,

DEVELOP

RELATIONSHIP

IN

STUDENTS

(MINTEL.

TO

CRUCIAL

WHAT’S

THIRD

ACTIVITIES.

ORDER

OF

LIKE

TRACK

ORGANISE

IN

LEISURE

SITES

AND

ARE

LIKE

ON ANY

OTHER


FIG. 14

32


AFTER AND BE

BUILDING

TWITTER, PUT

UP

WE

AROUND

A

FOLLOWING

MADE

POSTERS

NOTTINGHAM

ENCOURAGE

SOCIAL

AWARENESS

OF

BRIAN.

VIDEO

AN

INFAMOUS

WITH

MEDIA WE

ACTIVITY MADE

STUDENTS

A

THE BE THE

PHOTOS

HAD

AVAILABLE ZINE

PROMOTING

ON

BEEN

FILM

STUDENTS

ON

THE

26THMAY.

WITH THE

BRIAN’S

ZINE

KEY

AND

TO

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SONG

(PLAYER.

PHOTOS THEY

TO THIS

TO

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CAMERA;

DEVELOPED

THE

FLYERS

UNIVERSITY

TOOK

FOR

FAIR

INTERACTION

BRIAN

A

STUDENT WE

FACEBOOK

AND

TRENT

VIMEO.COM/VIDEO/42034530) WITH

ON

OF

ONCE

WOULD

PICK

UP

AT

ENCOURAGED

DEMOGRAPHIC

WHILST

FAIR.

FIG. 15

33


FIG. 16

FIG. 17

34


BRIAN’S

FIRST

HAVE

LOW-FI

BE

A

PRINTED

THIS US

TO

SELL

COST

AND

IT

PROFITABLE

AND

NEWSPRINT.

THE

LOW

WILL

AESTHETIC

ON

KEEPS

PRINTING

EDITION

OF

ENABLES

FOR

A

£2.

82% OF PEOPLE ASKED SAID THEY WOULD PREFER TO BY AN AESTHETICALLY PLEASING PUBLICATION TO KEEP. (SEE

APPENDIX

THE

NEWSPRINT

NOSTALGIC GIVING

ALSO

DESIGNED

THAT

THE

FOR WE

KEEP.

APART –

THE

HAVE ZINE

AND

SO

CAN

USED

BE

AS

BENEFIT

STUDENTS. HAVE

AND

CREATED

HAVE

FOR

ALSO

THE

TABLETS

AN

WEBSITE

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MAKING ON

WE

ANOTHER

PLATFORM

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A

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CAN

POSTERS

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READER

THEY

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RESULTS)

CONNOTATIONS,

THE

TANGIBLE

FOR

SUCH

35

IS

INTERACTION WITH

BRIAN.

CONSIDERED

ZINE

IPAD.

THAT

AVAILABLE AS

THE


03>> COMM ERCIAL OPPOR TUNI TIES

36


FIG. 18

OUR

IDEAL

LOCAL

NOTTINGHAM UNION. UNION

EMBRACE

STUDENT

AS

A

REAL

ASSUMING MOST BY

TRENT’S

TOGETHER

OF

SPONSOR

STUDENT

BRIAN

ALL

LIFE.

AND

BRIAN

SPEAKS

NOT

REPRESENTATIVE

UNIVERSITIES.

37

THE

ASPECTS

STUDENT,

PROMOTIONAL

IS

TOOLS

AS

AN

LIKE USED


FIG. 19

OUR

CHOSEN

SPONSOR

IS

NATIONAL BRANSTON

BEANS.

BRIAN’S

SOCIAL

MEDIA

PLATFORM LAUNCH AND

STUDENT

WILL

BECOME

NATIONAL

FOR

A

STUDENTS

HELP ALL

TO

THE

WHILE

BRANSTON

ARE

GREAT

PRESENCE

WITH

MARKET.

AND

A

BRANSTON

ONLINE

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BE

BEANS

TRADITIONAL

ENGAGING

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FOR

ITS

BAKED

A

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FOOD

PARTICULARLY

FOOD

NOTTINGHAM ‘STUDENTS

ARE

IN

SPEND

MORE

BEANS

EVERY

FOR

BRIAN’S

EDITION

AS

NOTTINGHAM ON

BAKED

YEAR

BRIAN

ANYWHERE

ELSE

MASCOT

COUNTRY’.

(TELEGRAPH.

OVER

THE

ONLINE)

UK.

38

IN

THAN THE 2009,


BRANSTON BEEN THE

HAVE

COMPETING MARKETS

COMPETITOR. DOMINATED THE

BAKED 2009.

HEINZ

WITH

TOTAL BEANS

(MINTEL.

HOWEVER

THE

WATCHDOG

120

TO

AN

BEANS

BAKED

BEANS

A

SHARE

59%

£365

MILLION

MARKET 2010,

IN

ONLINE)

CONSUMER

WHICH?

SURVEYED TASTE

WITH

LEADING

THE

CATEGORY OF

FOREVER

WHILST

PEOPLE ARRAY

OF

BLINDFOLDED

BAKED BEANS MADE BY BRANSTON CAME TOP WITH 73 PER CENT, WITH HEINZ TAKING JOINT FOURTH POSITION, BEHIND ASDA’S AND MORRISONS’ OWN BRANDS.’ AND

(SCOTSMAN.

2010,

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BEANS FOOD

GENERATIONS CREATED BEANS A

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AGE

2010,

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ONLINE)

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ONLINE)

OF

39

18-21

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ON

COMPANY’S THE

TO 18-

(MINTEL.

THIS

YOUNG

OVERLAPS

TARGET YEAR

FOR

FEEL

APPEAL

GROUP.’

BRIAN’S

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OUT

‘THE TO

MANY

LABEL

PASTA

STAND

WAS

A

BRANSTON

PREMIUM

SHELVES. AIM

FOR

NEW

AND

ARE

WITH

CONSUMER OLDS.


PREMIER SPEND

FOOD’S

IN

CANNED

2008

JUST

OVER

ABOUT BRIAN ON

£1,000

IS

A

TO

BEANS.

FOR

2007.

CUT

SPEND, THEIR WHILST

THEM

THEY AD

STUDENTS

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OF

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THE

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AND

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ONLINE

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TO

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STUDENT

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2010,

BRANSTON SO

THE

AND

£800,000

(MINTEL. HAS

IN

BEANS

CATEGORY

AD

VIA

TWITTER WILL

FOR

SUPPLY

BRANSTON

BEANS.

ENTRANTS

WILL

A

OF TWITTER

BE

ASKED

#BRIANS BRANSTON COMPETITION, TO

A

UNIQUE

THAT THE

WILL

KEYWORD

INCREASE

SEARCH

OPTIMISATION

40

ENGINE ON

TWITTER.


FIG. 20

THE

COMPETITION

AMONGST IDENTITY IT’S

THE OF

ENCOURAGES

STUDENT

BRIAN,

LAUNCHED

COMMUNITY.

BRANSTON

ONLINE

CREATIVITY

AND

WHILST

BEANS

INTO

41

A

AND

WILL

EXCITEMENT

MAINTAINING BE

YOUNGER

THE

REJUVENATED DEMOGRAPHIC.

AS


PRES S REL EASE

42


B R IA N F A NZ IN E 2 1 A RTH UR S T RE E T CITY : N OTT I NG H A M COUNTR Y : UNITE D K I NG DO M P H ONE : 0 2 0 3 3 7 2 3 0 0 0 EMA IL : GE N E RA L E NQUIRIE S @ B R IA NZINE .C O . UK

T O: VICE MAGAZINE, ALEX MILLE R, E X E CUTIV E E DITOR

BRIAN T HE G NOM E M EETS BRA NS TO N B E A NS B RI A N AND BRANSTON BEANS H A V E FUS E D TOGE THE R TO CRE A T E A N I NT ERACT IVE PHOTOGRAPHIC COM P E TITION, R E - E NGA GING S TU DE NT S A ND T HEIR CREATIVITY. F OR REL EASE: [VICE MAGAZINE ] / E MB A RGOE D FOR: ONE M ONTH P RI O R. NAME: BRIAN’ S BRANSTON COMP E TITION A DD RESS: VICE MAGAZINE REL EASE DATE: SEPTEMBER 20 TH 2 0 1 2 ( N A TIONA L S TUDE NT W E L CO M E WEEK) OF F ERING : T HI S CAMPAIGN IS DESIGNED TO S UP P ORT B ET W EEN BRIAN AND BRANSTON B E A NS .

TH E

NEW

S P ONS O RS H IP

A COMPET ITION RELEASED THROUGH B RIA N ’ S ONL INE P RE S E NCE E NCOU RA G E S S T UDENTS TO PHOTOGRAPH THE M S E L V E S IN TH E MOS T CR E A TIV E WA Y P O SSIBL E. EA CH IMAGE MUST IN CL UDE A CA RD B OA RD C UT- OU T OF B R I A N A ND A CAN OF BRANSTON BE A NS . TH E C OMP E TITION W IL L RUN O NL I NE V I A F ACEBO OK AND TWITTER A ND E A CH E NTR Y W IL L B E COM P E TING F O R A L IF ETIME SUPPLY OF BRANSTON B E A NS T HE CO MPETITION SEEKS TO E NCOU RA GE CRE A TIV ITY A N D E X CIT E M E NT A M ONG ST T HE STUDENT COMM U NITY . W H IL S T MA INTA ININ G THE IDE NT I T Y OF BRIAN, BRANSTON BEANS W IL L B E R E J UV E N A TE D A S IT’ S L A UNC HE D ONL INE AND EMERGED INTO A Y OUNGE R DE M OGRA P HIC. E ND S B RI A N/BRANSTON BEANS GRAPHICS A V A IL A B L E ON RE QUE S T. WEBSITE: W WW.BRIANZINE.COM F A CEBO O KPAGE: HTTP://WWW.FA CE B OOK .COM/B R IA NGNOM E T WI T TER ACCOUNT: @BRIANGNOME

43


06 CONCLUSION THE

ZINE

IS

A

REFLECTION

PERSONALITIES

AND

CULTURE

WE

BORN

THAT

FROM

A

THE

ACROSS

SUCCESS

DEPENDS

ON

CONTENT, AN

LIVE

STANDS

OF

IN

TO

THE

TODAY.

MOTIVE,

THE

ENGAGE

WITH

COUNTRY.

BRIAN

THE

OUR

STUDENT

PERSONAL

COMMENTARY STUDENTS

THE

OF

AS

A

ZINE

AUTHENTICITY

STRATEGIC

UNDERSTANDING

SOCIAL OF

THE

OF

THE

MEDIA

AND

MARKET

SITUATION. THERE

IS

FOR

STUDENT

A

LOCALLY TELLS

A AND

THE

STUDENT OFF

HIS

ENGAGE AND

NATIONALLY

THE

PLAYER

BRANSTON THE

INCREASE

PUTTING

IT

AGAINST

ITS

IN

ITS A

ONLINE

TO

BRIAN RE-

COMMUNITY PRESENCE,

POSITION

HEINZ.

44

TO

BRIAN

TURN

BEANS

BETTER

THE

THE

OF

STUDENT

RIVALS

AS

HELP

AWARENESS IN

ABOUT

REELING

IN

WILL

ADVENTURES. WITH

TRUTH

OFFERS.

BRANSTON

BOTH

THAT

WITHOUT

LARGEST

HELP

MARKET

NEWSPAPER

ACTIVITY

INCREASE

THE

HUMOROUS

INDUSTRY,

WILL

IN

PROMOTIONAL

SECOND

AND

GAP


FIG. 21

45


05

REFERENCES

AND

BIBLIOGRAPHY

REFERENCES: (GUARDIAN.2012, (CREATIVE

REVIEW.

(MONEY.CNN. (FAST

ONLINE) 2011,

2012,

COMPANY.

ONLINE)

ONLINE)

2012,

ONLINE)

(HYPEBEAST.

2012,

(MARKETING

WEEK.

2012,

ONLINE)

(MARKETING

WEEK.

2012,

ONLINE)

(JOURNALISM.

ONLINE)

WINCHESTER.

(EPIGRAM.ORG.

2012,

(MINTEL.

ONLINE)

2010,

(TELEGRAPH. (MINTEL.

(SCOTSMAN.

ONLINE)

ONLINE)

2009,

2010,

2009,

ONLINE)

ONLINE)

2010,

ONLINE)

(MINTEL.

2010,

ONLINE)

(MINTEL.

2010,

ONLINE)

ILLUSTRATIONS: FIG.

1

BRIAN

UP

FIG.

2

BRIAN

GNOME

FIG.

3

MAGAZINE

FIG.

4

BRIAN

IN

A

FIG.

5

BRIAN

IN

THE

FIG.

6

HYPEBEAST

IMAGES,

HYPEBEAST.COM,

2012

FIG.

7

HYPEBEAST

IMAGES,

HYPEBEAST.COM,

2012

FIG.

8

HYPEBEAST

IMAGES,

HYPEBEAST.COM,

2012

FIG.

9

BRIAN

FIG.

10

COMPARE

FIG.

11

CONSUMER

PROFILES,

FIG.

12

FACEBOOK

BRIAN

MINUSCULE,

A

TREE,

TUMBLR,

LOGOS,

ON

OWN

A

THE

IMAGE,

2012

THEATRE,

OWN

LIBRARY,

POLICE

2012

BRIANGNOME.TUMBLR.COM,

OWN

LECTURE

IMAGE,

OWN

CAR,

MEERKAT,

IMAGE

OWN

2012

IMAGES,

IMAGE,

MINUSCULE,

2012

2012

IMAGE,

GOOGLE

OWN

IMAGE,

2012

2012

2012

FACEBOOK.COM/BRIAN-

2012

FIG.

13

TWITTER

BRIAN.GNOME,

FIG.

14

PROMOTIONAL

FIG.

15

BRIAN

POSTERS

FIG.

16

BRIAN

THE

FIG.

17

BRIAN

ON

TABLET,

FIG.

18

NTU

UNION

LOGO,

GOOGLE

IMAGES,

2012

FIG

19.

BRANSTON

BEANS,

GOOGLE

IMAGES,

2012

FIG

20.

COMPETITION

FIG

21.

BRIAN

THE

TWITTER/BRIAN.GNOME,

POSTER, AND

WEBSITE,

OWN

IMAGE,

2012

FLYERS,

OWN

IMAGE,

OWN

OWN

ENTRY,

ZINE,

OWN

IMAGE,

IMAGE,

OWN

2012

IMAGE,

IMAGE, 46

2012

2012

2012

2012

2012


BIBLIOGRAPHY: BOOKS: INGLEDEW, RENCE

2011.

KING

TRIGGS,

2010.

J.

ADDITIONAL

ANON.

A-Z

OF

VISUAL

LONDON:

MAGCULTURE:NEW KING

IDEAS.

LONDON:

LAU-

LTD.

FANZINES.

2003.

LAURENCE

ONLINE

THE

PUBLISHING

T.

LESLIE, DON:

J.

THAMES

MAGAZINE

PUBLISHING

AND

HUDSON.

DESIGN.

LON-

LTD.

SOURCES:

WEBSITES 2010.

AND

STUDENT

ARTICLES: LEISURE

UK.

MINTEL

GROUP.

AVAILABLE

AT: ACADEMIC.MINTEL.COM/SINATRA/OXYGEN_ACADEMIC/SEARCH_RESULTS/SHOW&/DISPLAY/ID=480753 ANON, TEL

2010.

COMPLETE

CANNED

GROUP.

AVAILABLE

AT:

MEALS

AND

MEATS

UK.

MIN-

WWW.ACADEMIC.MINTEL.COM/SINATRA/OXYGEN_ACADEMIC/ SEARCH_RESULTS/SHOW&/DISPLAY/ID=497062 CROWE, VIEW.

D.

2011.

AVAILABLE

PORT

MAGAZINE

LAUNCHES.

CREATIVE

RE-

AT:

WWW.CREATIVEREVIEW.CO.UK/CR-BLOG/2011/MARCH/PORT-MAGAZINE GARBUTT, GUILTY

J.

2012.

PLEASURE?.

REALITY

TELEVISION:

EPIGRAM.

AVAILABLE

OUR

NATION’S

AT:

HTTP://WWW.EPIGRAM.ORG.UK/2012/02/REALITY-TELEVISION-OURNATIONS-GUILTY-PLEASURE/ ZAX,

D.

MAJOR

2012.

FAST

ONLINE

TALK:

HOW

THIS

‘SNEAKERHEAD’

MAGAZINE.

FAST

COMPANY.

AVAILABLE

BUILT

A

AT:

HTTP://WWW.FASTCOMPANY.COM/1819814/FAST-TALK-HOW-THISSNEAKERHEAD-BUILT-A-MAJOR-LIFESTYLE-MAGAZINE AROESTI, RIOUSLY

R.

2012.

UNFUNY?.

UNILAD

CULTURE

GUARDIAN.

ONE

AVAILABLE

BIG

JOKE

OR

SE-

AT:

HTTP://WWW.GUARDIAN.CO.UK/LIFEANDSTYLE/THE-WOMENS-BLOGWITH-JANE-MARTINSON/2012/FEB/06/UNILAD-CULTURE-JOKE-SERIOUSLY-UNFUNNY

47


LAMONT,

T.

PEOPLE’S

2012.

MAGAZINES

SHELVES.

WILL

GUARDIAN.

ALWAYS

AVAILABLE

HAVE

A

PLACE

ON

AT:

WWW.GUARDIAN.CO.UK/MEDIA/2012/APR/15/MAGAZINE-PRINT-LOVERSPRINTOUT-STACK WILLOUGHBY, PEOPLE’S

P.

2012.

SHELVES.

MAGAZINES

GUARDIAN.

WILL

ALWAYS

AVAILABLE

HAVE

A

PLACE

ON

AT:

WWW.GUARDIAN.CO.UK/MEDIA/2012/APR/15/MAGAZINE-PRINT-LOVERSPRINTOUT-STACK ANON.

2012.

ABOUT.

HYPEBEAST.

AVAILABLE

AT:

HTTP://HYPEBEAST.COM/ABOUT/ WOODS,

P.

CHESTER.

2009.

MAGAZINE

AVAILABLE

JOURNALISM:

FHM.

JOURNALISM

WIN-

AT:

HTTP://JOURNALISM.WINCHESTER.AC.UK/?PAGE=249 PEPITONE, BOOKS.

J.

2012.

MONEY.CNN.

ENCYCLOPEDIA AVAILABLE

BRITANNICA

TO

STOP

PRINTING

AT:

WWW.MONEY.CNN.COM/2012/03/13/TECHNOLOGY/ENCYCLOPEDIA-BRITANNICA-BOOKS/INDEX.HTM

DEAN, CON.

P.

2010.

BRAND

MARKETING

CHARACTERS

WEEK.

AVAILABLE

CAN

BRING

HOME

THE

BA-

AT:

HTTP://WWW.MARKETINGWEEK.CO.UK/BRAND-CHARACTERS-CAN-BRINGHOME-THE-BACON/3020330.ARTICLE COSTA, CON.

M.

2012.BRAND

MARKETING

CHARACTERS

WEEK.

AVAILABLE

CAN

BRING

HOME

THE

BA-

AT:

HTTP://WWW.MARKETINGWEEK.CO.UK/BRAND-CHARACTERS-CAN-BRINGHOME-THE-BACON/3020330.ARTICLE ANON,

2010.

SCOTSMAN.

BEANS

NO

AVAILABLE

LONGER

MEANZ

HEINZ:

IT’S

BRANSTON.

AT:

WWW.SCOTSMAN.COM/NEWS/UK/BEANZ_NO_LONGER_MEANZ_HEINZ_ IT_S_BRANSTON_1_788768 ANON, BEANS.

2009.

NOTTINGHAM

TELEGRAPH.

STUDENTS

AVAILABLE

EAT

THE

MOST

BAKED

AT:

WWW.TELEGRAPH.CO.UK/EDUCATION/UNIVERSITYEDUCATION/6252319/ NOTTINGHAM-STUDENTS-EAT-MOST-BAKED-BEANS.HTML 48


WWW . AL TERNAT IV EPRESS.ORG.UK WWW . AMPERSAND MAGAZINE.COM.AU WWW . APARTAMENTOMAGAZINE.COM/C URR E NT.P H P WWW . ARTICL EMAGAZINE.CO.UK WWW . BEING HUNTED.DE/?PAGE_ID=578 WWW . BL ANKETMAGAZINE.COM/ WWW . CARL S- CARS.COM WWW . CHARL O TT E RIVERS.COM/_/MEN U.HTML WWW . CO L L EG EHU MOR.COM/ WWW . CREATIVEREVIEW.CO.UK/CR-BL OG/2 0 0 8 /DE CE M B E R/NE V E R- K N OW INGLY -UN DE RS T O O D WWW . CREATIVEREVIEW.CO.UK/CR-BL OG/2 0 1 2 /M A R CH/CR - A P RIL - 2 0 1 2 - IS S U E WWW . DG Q UARTERLY.COM WWW . DUKEPRESS .CO.UK WWW . EL UPTO N.COM/ WWW . ENG L ISH.MA SHKULTURE.NET/20 0 9 /0 5 /0 1 /B E HIND - THE - B L OG- P A R T- 5 - K E V I N-M A / WWW . EPHEMERA-SOCIETY.ORG.UK/ WWW . F ACEBO O K.COM/EVENTS/278602 7 6 5 5 1 0 3 6 4 WWW . F ACEBO O K.COM/SLAMXHYPEFA N S WWW . F ANT ASTICMAN.COM WWW . F O URT EEN-NINETEEN.COM/PROJ E CTS WWW . F O URT HANDMAIN.COM WWW . F RESHNESSMAG.COM WWW . G RAINANDGRAM.COM WWW . G REENW ICH LETTERPRESS.COM WWW . G UARDIAN.C O.UK/MEDIA/2012/A P R /1 5 /TW E NTY - FOUR - MA GA ZIN E - 2 4 - HO URS WWW . G YMCL ASSM AGAZINE.COM WWW . HANDMADE ANDBOUND.COM WWW . HARDW O RK ERSCLUB.COM/ WWW . HIG HSNO BIETY.COM/ WWW . HO L YG HO S TZINE.COM/ABOUT WWW . HYPEBEAST.COM/2012/05/HYPE B E A S T- OP - E D- RE DE FININ G- P RIN T/ WWW . KINFO L KMAG.COM/ WWW . L ITT L EW HITELIES.CO.UK/ WWW . L O NDO NBOOKFAIR.CO.UK WWW . L O NG READS .COM/ WWW . MAG CUL TURE.COM/BLOG/?CAT = 5 0 & P A GE D =2 WWW . MAG FO RUM.COM/INDEPENDENT_ MA GA ZIN E S .HTM WWW . MARMAL ADEWORLD.COM/PAGE S /DIGITA L .HTM L WWW . MO TT O DISTRIBUTION.COM/SITE /? P A GE _ ID=1 0 2 0 WWW . MRPO RTER.COM/ WWW.NOW-HERE-THIS.TIMEOUT.COM/2012/02/25/TOOTING-FANZINE-FAIR-CONSTRUCTION-GALLERY WWW.PIGEONSANDPEACOCKS.COM/ WWW.PORT-MAGAZINE.COM/ WWW.PRESENTJOYS.COM/NEWS/ANNOUNCEMENT WWW.RAPHA.CC/ WWW.SHOESTRING.WEB.OFFICELIVE.COM/DEFAULT.ASPX WWW.SMITHJOURNAL.COM.AU/ WWW.SNAPME.CA/ WWW.SPITALFIELDSLIFE.COM

49


WWW.STOLENSHARPIEREVOLUTION.ORG WWW.STREETHING.COM/ABOUT WWW.STUDIOAHIRA.COM/ESSAY WWW.THECOVETEUR.COM/ WWW.THEFACEARCHIVE.TUMBLR.COM/#13816649080 WWW.THEGENTLEWOMAN.COM/ WWW.THEGREENSOCCERJOURNAL.COM WWW.THEIDEALIST.CO.UK WWW.THEMANZINE.COM/ WWW.THEPLANTJOURNAL.INFO/ WWW.THERIDEJOURNAL.COM/ WWW.THEWHITEREVIEW.ORG/ WWW.THEWRAPPAPER.COM WWW.TOURIS.MS/ WWW.TRAVEL-ALMANAC.COM/ WWW.UNDERCURRENTMAGAZINE.COM WWW.UPPERCASEGALLERY.CA/ WWW.USEDMAGAZINE.CO.UK/USED_MAGAZINE/WELCOME_TO_USED.HTML WWW.USURPZINES.TUMBLR.COM WWW.VIMEO.COM/38276968 WWW.WEARETBC.COM/ABOUT WWW.YOUTUBE.COM/WATCH?V=3AF9KKMI0AU&FEATURE=PLAYER_EMBEDDED#! WWW.YOUTUBE.COM/WATCH?V=PIMBWUWBTBO&FEATURE=PLAYER_EMBEDDED WWW.YOUTUBE.COM/WATCH?V=YIFXLWCEJC0

50


APPENDIX >>

51


06

APPENDIX

AAKER AS

A

MODEL PRODUCT

-

NEWSPRINT

-

LOW

-

FOLDS

-

TANGIBLE

-

ONLINE/OFFLINE

AS

AS

ZINE

PRICE

AN

OUT

INTO

POSTERS

FUN

-

QUICK

-

SYMBOL

-

BRIAN

GNOME

-

GREEN/BROWN

-

CAPITAL

-

BOLD

FONT

PRESENCE

EXPERIENCE

-

A

AS

AN

ORGANIZATION

-

INNOVATIVE

-

STUDENT

ACCESSIBLE

-

CREATIVE

MULTI-FUNCTIONAL

-

CURRENT

AS

A

READ

PERSON

-

WITTY

-

COOL

-

FRIENDLY

-

POPULAR

-

CHEEKY

-

OUTGOING

52

ORIENTATED


SWOT STRENGTHS: ONLINE

PRESENCE

DIRECTLY BRITISH CHEAP

LINKS

BRAND

OF

TO

BRANSTON

STUDENT

ACCENTUATES

ADVERTISING

FOR

WILL

BE

IMPROVED

DEMOGRAPHIC BRIAN’S

BRANSTON

AUTHENTICITY

AND

BRIAN

WEAKNESSES: NOT

ALL

STUDENTS

EAT

BAKED

BEANS

OPPORTUNITIES: RE-ENGAGE

WITH

STUDENT

DEMOGRAPHIC

INCREASE

AWARENESS

AND

INCREASE

AWARENESS

OF

PROVIDES

BRIAN

NATIONAL

PLATFORM

FOR

STUDENT

WITH LOCAL

SALES

OF

BRANSTON

TO

STUDENTS

BRIAN

STUDENT

RECOGNITION ATTRACTIONS

NEWSPAPER

THREATS: HEINZ

ARE

INCREASED BRANDED

MARKET FEE,

LEADERS

LESS

DISPOSABLE

GOODS

OVERSATURATED

MARKET

53

INCOME

TO

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54

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