60PLUS opener
Gwen Lemke Contributing Editor, 60PLUS In Omaha
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A PR IL SHOWERS BRING May
flowers.
This edition of 60Plus has some good reading, in particular, on the subjects of history and health. Robert Klein Engler has written a story I find especially interesting. It is about St. Mary Magdalene’s stained glass windows from the studios of Franz Mayer in Munich, Germany.
FEATURE Lisa Knopp on Bread
HEALTH Colon Cancer Awareness Month
ACTIVE LIVING Uber and Lyft for Seniors
NOSTALGIA St. Mary Magdalene Church
The set of windows were completed as the church was “built down” to accommodate the lowering of Dodge Street. Monsignor Bernard Sinne and his many German parishioners were responsible. Lisa Knopp, Ph.D., has written about her life and research that inspired her latest book, Bread. The new book explores her unhealthy relationship with food and self. The story about Uber and Lyft, by Carol Crissey Nigrelli, could be eye-opening for retired Americans who are grappling with transportation challenges. The writer has also penned the cover story for the March/April issue of Omaha Magazine. Last but not least, Lisa Lukecart has written a poignant reminder about Colon Cancer Awareness Month in March. Colon cancer is the third leading cause of cancer death in men and women. If you haven’t had a colonoscopy, now is a good time to go do it. Enjoy!
Gwen
ON BREAD
THE STORY I DIDN’T WANT TO WRITE BY LISA KNOPP PHOTOGRAPHY BY BILL SITZMAN // DESIGN BY MATT WIECZOREK
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story I didn’t want to write—that one about what I call “my malady,” my three episodes of severely restricted eating. The first bout struck when I was 15, when, in response to difficult family circumstances, I limited myself to fewer than 600 calories per day. I calculated and tallied the calories for everything I ate; I chewed and spit out forbidden foods; I stripped down and weighed myself many times a day; I exercised too vigorously and for too long; I awakened in a panic from vivid dreams in which I was devouring doughnuts or pizza; I isolated myself from my friends and no longer ate meals with my family because of the all-consuming nature of my regimen. I lost weight so quickly and recklessly that I stopped menstruating and could barely get out of bed in the morning because of the anemia. But I felt safe and empowered because, through my self-restriction, I’d taken control of my frustrating life and unruly flesh. T WAS THE
Over a decade before Karen Carpenter’s death from anorexia nervosa, the event that awakened many Americans to the dangers of eating disorders, I had never heard of the condition. Apparently, neither had the pediatrician who examined me when I was my thinnest and most unhealthy. He simply told my mother that I needed to eat more, which eventually, I did. When I was 25 and left my family, friends, and hometown for a demanding job in a big faraway city where I knew no one, my malady returned in a less dangerous though more tenacious form. In spite of intensive psychotherapy, this bout of my malady didn’t start abating until three years after it started with the birth of my son. Most perplexing to me was that when I was deep into middle age, a professor at a state university, the author of five award-winning books, the mother of an adult son and daughter, a homeowner, a church member, and a supporter of various worthy causes, my malady returned. Then, my weight dropped to a number on the scale that I hadn’t seen since middle school, as I whittled down my list of permissible foods until it fit on my thumbnail. Because of age-related changes in my bodymind, the departure of my grown children, and the loss of other significant people in my life, I was heartbroken and anxious. Just as when I was 15 and 25, I tightly restricted what and how much I ate as a way of keeping myself safe from what threatened me. But I couldn’t see what I was doing, much less link it to the two other times when eating too little had been so easy and gratifying. In fact, I didn’t know that I was sick again until my 20-year-old daughter told me that if I didn’t eat more, I was going to die. My blindness to my situation still astonishes and baffles me.
FEATURE
I didn’t want to write the story of an illness that many judge to be a character flaw, a moral failing, nothing but a silly, overzealous diet, or a childish attempt to get attention. I didn’t want to write a story in which I had to admit that I had a condition that I didn’t want usually strikes teenagers and young women. I to write the didn’t want to write a story that would require me to re-enter, through memory and imaginastory of an tion, the dark periods of my life when eating illness that less than my body needed seemed like a logical, fitting response to adversity. I didn’t want to many judge to write a story that was an illness narrative and, be a character so, presents a version of the self that isn’t sound or fully functioning. flaw, a moral And yet, I felt compelled to write this story. In “On Keeping a Notebook,” Joan Didion advises us “to keep on nodding terms with the people we used to be, whether we find them attractive company or not.” If we don’t, they might “turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget.” What I had forgotten was the woman in me who sometimes found self-starvation and the taking up of as little space as possible so alluring.
failing, nothing but a silly, overzealous diet, or a childish attempt to get attention. I didn’t want to write a story in which I had to admit that I had a condition that usually strikes teenagers and young women.
To write the story of my malady, I had to educate myself about eating disorders and disordered eating. Eating disorders—anorexia nervosa, bulimia nervosa, binge-eating disorder—are clinically defined and diagnosed, according to criteria set forth by the American Psychological Association’s Diagnostic and Statistical Manual of Mental Disorders. Less well-known to most people is “disordered eating,” which Lauren Reba-Harrelson and the co-authors of a 2009 study define as “unhealthy or maladaptive eating behaviors, such as restricting, binging, purging, or use of other compensatory behaviors, without meeting criteria for an eating disorder.” “Other compensatory behaviors” include the use of laxatives, diuretics, stimulants, or excessive exercise to counteract the calories one has consumed. I went into my research believing that eating disorders and disordered eating are caused primarily by unhealthy family dynamics and the message from the fashion, entertainment, beauty, and diet industries that nothing you are and nothing you’ve achieved matter as much as being thin. Now I know that those are but the easiest explanations and that they trivialize a complex problem. Aimee Liu, the author of Gaining: The Truth About Life After Eating Disorders, compares an eating disorder to a gun: “Genes shape the gun, environment loads it, and stress pulls the trigger.” This felt true to me, so I went to work researching the genetic, environmental, and psychological aspects of eating disorders. From the studies I read by geneticists and neuroscientists, I learned that those with eating disorders and disordered eating can’t trust their brains to tell them the truth about when and when not to eat.
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Several studies, for instance, have investigated variations on the gene for serotonin among the eating-disordered, since when people with anorexia severely restrict their caloric intake, their abnormally high levels of serotonin drop, and they report feeling calmer and less anxious; when those with bulimia increase their caloric intake, their low serotonin levels rise, and they report feeling happier. Another study found that those with bulimia and anorexia have an altered response in the insula, a part of the brain involved in appetite regulation, when given tastes of sugar, which means that they don’t accurately perceive signals about their hunger or satiety. Yet another study suggests that increased activity in the dorsal striatum leads to “maladaptive food choices” among restrictors, meaning that they actually prefer the plain rice cake over the Asian pear and smoked gouda panini.
FEATURE
I explored various cultural factors that “load the gun.” Feminist theorists, such as Susie Orbach, Naomi Wolfe, and Susan Bordo, see anorexia as rebellion against or an overconformity with Western notions of feminine beauty and power. Historians and medievalists weighed the similarities and differences between contemporary anorexia and the prolonged fasting of religious women in Europe in the late Middle Ages who sought worldly power and a deeper union with God through their austerities. Accounts by and about hunger strikers, whether the imprisoned members of the Irish Republican Army, the American suffragette movement, or those being held at the Guantanamo Bay detention camp, present their fasts as the ultimate political statement and protest.
Danielle Gagne and her research team found that women over 50 are engaged in unhealthy eating behaviors and thinking to the same extent that adolescents are. From my reading in psychology, I learned that certain family structures and personality types were more likely to “load the gun” than others. Hilde Bruch, a psychoanalyst and pioneering researcher on eating disorders, studied the connection between disturbed interactions between a child and a domineering or detached mother and the development of anorexia, while psychiatrist Salvador Minuchin studied how “psychosomatic families,” especially those that are “enmeshed,” contribute to the genesis of eating disorders. For a 2004 study, Walter H. Kaye, the director of the Eating Disorders Center for Treatment and Research at the University of California-San Diego, administered standardized tests for anxiety, perfectionism, obsessionality, and eating disorders among individuals with anorexia, bulimia, and both disorders, as well as a control group. He found that 66 percent of the members of the three eating-disordered groups had “one or more lifetime anxiety disorders,” 41 percent had obsessive-compulsive disorder, and 20 percent had a social phobia. The majority of the eating-disordered study participants reported that the onset of their anxiety disorder, obsessive-compulsive disorder, or social phobia had occurred during childhood, before the symptoms of their eating disorder manifested. Even those who had recovered from an eating disorder and were symptom-free “still tended to be anxious, perfectionistic and harm-avoidant.”
Clearly, eating disorders and disordered eating are due to a messy tangle of genetic and biochemical factors, family dynamics, individual psychology, and a wide range of cultural influences. Also clear to me is that my story isn’t unique. Experts say that about 10 percent of those with eating disorders are older women. But, says Dr. Cynthia Bulik, the director of the Center of Excellence for Eating Disorders at the University of North Carolina, the percentage is surely higher since most older women with eating disorders disguise or misread their symptoms as being due to a health condition or changes associated with aging, and so they aren’t included in the number of reported cases. In a 2012 study, Danielle Gagne and her research team found that women over 50 are engaged in unhealthy eating behaviors and thinking to the same extent that adolescents are. Most experts that I’ve read see a link between loss, grief, and depression as triggering the onset or return of an eating disorder in women who are middle-aged or older.
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The loss and grief triggered by an empty nest, the death or relocation of several others who mattered to me, and an awareness of my own aging caused me to start restricting my diet again in 2011. But of all the factors that loaded the gun, two presented the most daunting challenges to my recovery. The values of hyper-consumerism was one. In “Hunger,” the Canadian writer and human rights activist Maggie Helwig says that it’s no accident that the widespread appearance of eating disorders in the 1960s and the epidemic of the 1970s coincided with the unprecedented growth of the consumer society, which places supreme value on one’s ability to buy goods and services. Helwig, who almost died from anorexia when she was young, observes that by the end of the 1960s, our material consumption had become “very nearly uncontrollable,” resulting in “what is possibly the most emotionally depleted society in history, where the only ‘satisfactions’ seem to be the imaginary ones, the material buy-offs.” Anorexia, then, is the “nightmare of consumerism” played out in the female body. “It is these women,” writes Helwig, “who live through every implication of our consumption and our hunger and our guilt and ambiguity and our awful need for something real to fill us … We have too much; and it is poison.” By not eating, the anorexic tells us that she’d rather be skeletally thin than ingest something that isn’t real or substantial. By not eating, the anorexic causes a cessation in ovulation and menstruation, rendering herself literally unproductive. By not eating, the anorexic refuses to be consumed by the act of consumption. Such self-denial in a culture of plenty is an audacious, radically countercultural act and statement. I extend Helwig’s metaphor to include binge-eating disorder (rapid, uncontrolled consumption with no “compensatory behaviors”) and bulimia (a refusal to complete the act of consumption by hurling out what one has just taken in) as responses to unrestrained consumerism.
The things, services, and diversions that money can buy can’t fill a hungry heart or lessen the pain one feels from a lack of meaning or purpose. Ironically, or perhaps fittingly, what we’re truly hungry for can’t be bought. And what I was craving when my malady returned for the third time were a renewed sense of purpose and deep nourishing relationships to “replace” those that I’d lost. This was easier said than done. The rise of consumerist culture has been accompanied by a decline in the number of close relationships among Americans of all ages. Instead of visiting and confiding in each other, we spend more and more of our time working and, in our leisure time, gazing at screens. Consequently, finding others with the time and desire for new friendships was challenging and at times, disheartening. But with prayer and persistence, I eventually found people who share my values and who enjoy my company as much as I enjoy theirs.
The other factor that made recovery during the third bout of my malady so challenging was that in my early 50s, I had become acutely aware of the effects of ageism. Because the master narrative our culture imparts about aging is that late midlife and beyond is a time of inexorable decline, marked by deterioration, powerlessness, dependency, irrelevance, and obsolescence, it is the fear of aging and even more, of ageism, that is the inciting force that triggers disordered eating in some women. I didn’t want to think about aging—my aging—and I certainly didn’t want to write about it. Yet, address it I must. In a 2011 study, a team of Australian researchers found that a group of women ages 30 to 60 with disordered eating who participated in just eight weeks of cognitive behavioral therapy focused on “midlife themes” were still doing better in terms of “body image, disordered eating, and risk factors” at the follow-up six months later than a control group that had not had the opportunity to explore these themes in a therapeutic setting. To counter the effects of ageism in my life, I now collect resistance narratives from women, role models, really, who live their later years with passion and purpose and on their own terms—Jane Goodall, Maria Lassnig, Gloria Steinem, Helen Mirren, Isabel Allende, and others, both famous and not.
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Although I was reluctant to write this story, I did find pleasure in crafting Bread. And the act of writing was filled with many moments of self-revelation and one grand epiphany: that there are aspects of my malady that are within my control (how I respond to ageist, hyper-consumerist, and patriarchal values) and some that are not (genetics and brain chemistry: my hardwiring). Now, I know what I can fight and what I must gracefully accept. When people asked me what I was working on as I was writing Bread, I reluctantly told them about the story that I didn’t want to write. I found that most were not only interested, but they wanted to tell me their stories about being in the grip of something beyond their control that lead them to eat too much or too little, about feeling shamed or misunderstood because of this, about the familial tensions or social costs or the ill physical effects that resulted from their unhealthy relationship with food and self. Some told triumphant stories about the residential treatment, the counseling, the spiritual practice, the religious conversion, or the supportive loved ones that saved them. But some were in the thick of it. Many were grateful to be given a name—disordered eating—for what they were experiencing and to know that this could afflict anyone of any age and circumstance.
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FEATURE
Many were grateful to learn that the reasons they were stuffing or starving were more complex and nuanced than their having played with Barbie dolls as children or having conflicted relationships with their mothers. The deep story I’ve heard in each of these testimonies concerns the tellers’ hunger for wholeness and fullness. Now, I encourage those who tell me their stories to ask themselves a difficult question—What am I truly hungry for? —and then answer it with courage and honesty. I’m hungry for companionship. I’m hungry for solitude. I’m hungry for reconciliation. I’m hungry for meaningful work. I’m hungry for less busyness or the opportunity to paint or dance or fight for social justice. Then, I urge them to bring that source of nourishment and sustenance into their lives. Some women thanked me for writing Bread before they’d even read it. When I consider how frankly confessional my story is and how controversial some will find my interpretations of the research, I squirm and second-guess myself. But then I remember that I am safer from relapse because I understand what I can and can’t control and because I’m far less likely to forget, as Didion says, “the things [I] thought [I] could never forget.” And, too, I feel full knowing that people are finding self-knowledge, nourishment, hope, and strength in the story that I didn’t want to tell. Lisa Knopp, Ph.D., is a professor at the University of Nebraska at Omaha’s English Department. Her recent book, Bread: A Memoir of Hunger, was published by the University of Missouri Press in 2016. Visit lisaknopp.com for more information.
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The mother-daughter bond is a close one; you two can talk about anything. Don’t let retirement living put an end to that. We’ll provide information and advice to make the conversation a little bit easier. Give us a call at 402-829-2900 or visit Immanuel.com
You’ve had plenty of awkward conversations.
What’s one more?
60PLUS
HEALTH
BY LISA LUKECART // DESIGN BY MADY BESCH
a reminder of colon cancer awareness month in march
Micrographs show what colon cancer looks like under a microscope. spent the entire evening reading Wine Spectator magazine cover to cover. ARY KROPF, 62,
On the toilet. “It was a busy day,” Kropf recalls. A powder laxative mixed in 64 ounces of Gatorade helped clear his gastrointestinal tract for inspection. He doesn’t regret a single minute. It wasn’t a fun day, but it was easier to drink the dreaded “colonoscopy cocktail” than die. What his doctor discovered after Kropf had the procedure were two polyps, or growths in the intestine, which could develop into cancer. Kropf didn’t panic since he went through a procedure to remove polyps five years before. This time, however, one polyp f lattened out and couldn’t be removed. His biopsy tests came back as slightly abnormal. Kropf sought a specialist.
In fact, according to the American Cancer Society, colon cancer is the third leading cause of cancer death in men and women. However, almost 59 percent of those 50 and older—the recommended age for testing—do not get tested. Most, Langenfeld believes, do not get the colonoscopy procedure because it is embarrassing. Geraldine Russmann, 80, had a laparoscopic colon resection after discovering cancer last year. Russmann, also a breast cancer survivor, has trouble talking people into having a colonoscopy because they think cancer won’t ever happen to them.
"IT’S A DAY OUT OF YOUR LIFE THAT WILL SAVE YOUR LIFE."
“Gary, I’ve seen a lot of these. I bet it will turn into cancer,” colon and rectal surgeon Sean Langenfeld informed him. Kropf understood the impact of those words more than most. His first wife died of uterine cancer. He had seen firsthand how fast cancer could take a life. Unfortunately, Langenfeld was correct. Tests came back positive for cancer.
“It’s a day out of your life that will save your life,” she says.
Preventive screening seems to be key to a longer life since many times there are no symptoms, as was the case with both Kropf and Russmann. Excluding family and personal history, a colonoscopy is recommended every 10 years to identify polyps and cancers in patients before they have symptoms or the cancer spreads. Kropf is remarried, and he is urging his second wife to get checked (she can't stomach the idea of going through the pre-bowel prep experience).
“I’m not a betting man. I don’t like the odds,” Kropf says.
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But Langenfeld says the chalky cocktail is now “less miserable and tastes better.” The day of the procedure, the patient is sedated. The surgeon uses a colonscope with a tiny camera at the tip to see a visual of the colon and removes any polyps if necessary. It typically takes about 30 minutes. “It can change your life to not wearing a bag or getting really sick,” Kropf adds. Kropf had much anxiety in those dark days, but felt confident in Langenfeld’s abilities. Langenfeld, a five-year University of Nebraska Medicine veteran, has seen many of these cases. He knows if a polyp gets out of hand, a person can die. He has seen these red or pink masses become so huge they “block the road.” The biggest was the size of a football, while others were like softballs. As of December, Kropf ’s blood work came back favorable. How did he celebrate? “I had a nice glass of wine,” Kropf says.
Visit cancer.org for more infomation.
S
when Omaha Bishop Richard Scannell visited Europe to invite young men to serve as priests among the German-American members of the Omaha diocese, the Rev. Bernard Sinne was among those who responded. OMETIME AROUND 1904,
Sinne was born Dec. 9, 1878, in Elsen, Westphalia. He was ordained to the priesthood May 5, 1904, in Freiburg. The following August, Sinne was appointed pastor of St. Mary Magdalene Church in Omaha. He was 27 years old and served as pastor for 57 years. Before Sinne left Germany for Omaha, he was told by his bishop that he was “a goat to go to Omaha, where he would have to ride horseback all day and sleep in an Indian tent all night.” Sinne ended up in Omaha doing neither. What Sinne did do was build and preserve a church that holds the most beautiful stained glass windows in Omaha, windows from the studios of Franz Mayer in Munich, Germany. There is no other church in Omaha, no other church in the state of Nebraska, and probably no other church in the United States that has such a fine collection of stained glass as does St. Mary Magdalene at 19th and Dodge streets. This church could be considered the Sistine Chapel of stained glass in the United States. It wasn’t an easy thing to do, to keep St. Mary Magdalene Church above ground. In the 1920s, the city administration decided to lower Dodge Street because the incline was too great. The church was then “built down” to accommodate the new street level. After building the church down and turning the basement into the main level, Sinne ordered a new set of windows from the Franz Mayer company for the new main level.
Left: "The Good Samaritan on the Battlefield"
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NOSTALGIA
BY ROBERT KLEIN ENGLER // PHOTOGRAPHY BY BILL SITZMANN // DESIGN BY MADY BESCH & MATT WIECZOREK In 1926, Sinne was honored for his work lowering the church and his many years of service at St. Mary Magdalene. At the ceremony, he admitted that the cutting down of Dodge Street's hill “was the greatest cross that ever visited me. But with your assistance, we have been able to bear the heavy expense [estimated to be $150,000].” There are other churches in the United States that have stained glass windows from the Franz Mayer studios, but none have two full sets, spanning a generation, that display the work of artisans from Munich so well. Ironically, representatives of the Franz Mayer company had forgotten about their windows in Omaha. It seems that the destruction brought about by two world wars had devastated the company’s records. It was only after an inquiry was made about the “Good Samaritan on the Battlefield” window did they search their remaining records. To their surprise, they realized they had shipped stained glass to Omaha in the 1930s.
Why is there no window depicting the crucifixion at St. Mary Magdalene? Most Catholic churches have a window that shows the crucifixion. Instead, opposite each other in the church, windows depict the birth and resurrection of Jesus. Furthermore why in a church named after St. Mary Magdalene, is there no window dedicated to her? Instead, there are two windows dedicated to St. Cecilia. What will be the future of this Nebraska treasure of stained glass? In a city that often seems dead set on demolishing its past and replacing it with more glass and steel boxes, the future does not look bright for these historic windows or the church. Many of the windows are now more than 100 years old and are in need of repair. Parts of some windows are missing. The church itself needs extensive repair, and just like a masterpiece by Rembrandt that has an elegant frame around it, so the building that holds these stained glass treasures has to become the elegant frame that holds the windows up.
Of all the windows in the church, the “Good Samaritan on the Battlefield” is probably the most unusual. This window was installed between the two world wars, at a time when German immigrants to Omaha were involved in a difficult question of identity—were they Americans or were they Germans?
We owe it to the memory of Sinne that the art treasure he has given Omaha be preserved and restored. Some men build a cathedral on a hill to demonstrate their power, other men build a church (and decorate with windows from the Franz Mayer company) to show their love.
With Hitler on the rise in Germany, the question of patriotism took on new meaning for both Sinne and his many German parishioners. In the battle scene depicted in the Good Samaritan window, we see written in Latin, “Pro Deus et Patria.” For God and Country.
The gravel walk to the Douglas County Historical Society is strewn with red maple leaves. It is early in a dry November. Already, the Crook House next door to the society library is decorated with Christmas garlands.
The Good Samaritan window is also significant because, while working with a representative of the present-day Franz Mayer company, the church discovered the original cartoon for the window design. Other windows in the church also have stories to tell. The window that depicts the Evangelist Luke bears a dedication to the contractor Benno Kunkel, who built the present church for $40,000. As the German community in Omaha moved west into St. Joseph’s parish and the bishops were working to build St. Cecilia Cathedral, Sinne quietly made St. Mary Magdalene Church into an Omaha artistic treasure. In so doing, he also left us with some mysteries.
Researching the Windows
Then Monsignor Sinne had given an interview to the Greater Omaha Historical Society in 1959. The interview was conducted in the rectory at St. Mary Magdalene Church. That tape is now in the possession of the Douglas Historical Society, and I am on my way to hear it. The interview was conducted by the Rev. Henry Casper, S.J., author of the History of the Catholic Church in Nebraska, and an unidentified woman. The old tape player in the historical society's listening room is covered in dust. Sinne’s voice, the voice of an older man, sounds dusty, too. He was 83 years old at the time of the interview. On the tape, which breaks up from time to time, Sinne relates his experiences as a young man and new pastor in Omaha. You can still hear a German accent in his voice. In the interview, he admits that when he came to Omaha his first impression of the city was seeing all the beer signs. When asked about that, he remarked, “Lord in heaven!”
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We learn from the tapes that Leo A. Daly was one of the architects of the Blessed Sacrament Chapel. The Leo A Daly company still works in Omaha today (and maintains its international headquarters in the city). After getting an architect, the monsignor went to Chicago to get a construction firm. He claims, all together, the work on the chapel cost $275,000. All in all, the taped interview does not reveal much about the windows at St. Mary Magdalene. But the oral history does shed light on the monsignor’s personal background. He came from a wealthy German family. This may account for where the money came from to decorate the church and buy the windows. It’s disheartening to realize that the interview recording—which lasts more than an hour— does not answer questions we would like to ask Sinne. At the end of the tape, I realize this voice from the past is also a voice from another world. Then, there comes a surprise. Besides the two cassette tapes, the Historical Society has a manila folder with newspaper clippings about Sinne. Mixed up among the yellowed clippings is a copy of a short article from the World-Herald on Thursday, Aug. 6, 1914. The article says that Sinne had three brothers: Two of them were in the German army, to be posted to Cologne, no doubt preparing to fight in WWI. The third brother was in the United States and “responding to the reserves call.” The tape rewinds. The monsignor’s voice sounds weary. I pack the laptop and sling my backpack over a shoulder. The old door to the library creeks open as I leave and walk down the wooden steps. I kick at fallen red maple leaves on the way to my car. Did it happen that Sinne’s brothers fought on different sides during WWI? Could this be the reason for the war memorial window, for the Good Samaritan on the Battlefield? Could it be that Sinne had this window installed to remember his brothers? More unanswered questions. The late afternoon sunlight is brilliant while casting long shadows. This glow of a dwindling autumn holds not the promise of spring. It lends its light only a short while. Robert Klein Engler is a member of St. Mary Magdalene parish and works part-time at Joslyn Art Museum. He holds degrees from the University of Illinois-Urbana and the University of Chicago Divinity School. Visit archomaha.org for more information.
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ACTIVE LIVING
BY CAROL CRISSEY NIGRELLI // DESIGN BY MATT WIECZOREK
UBER AND LYFT offering mobility and income to local seniors
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ITH THE POST-MILLENNIAL rise of ride-hailing
companies Uber and Lyft, a generation weaned on digital technology could suddenly tap a smartphone app, summon a private car driven by the owner, and pay for the fare electronically. Easy peasy. Uber and Lyft can thank their younger demographics for pushing revenue into the billions of dollars. But guess what? Both transportation companies have figured out that profitable fruit doesn’t only come from young trees. The push to make ride-hailing easier for retired Americans looms on the horizon, and that horizon can’t come into focus soon enough. “Transportation has always been one of our greatest challenges,” says Erin Endress, director of sales and marketing at Remington Heights, a retirement community in Omaha. “We have vans, but getting residents to and from medical appointments takes priority, which it should. That leaves little opportunity for trips just for fun. We could definitely use a transportation alternative, as long as it’s safe.” And for those who still live at home but whose eyesight or reflexes may not be the best?
"I LOVE OMAHA AND I CONSIDER MYSELF AN AMBASSADOR FOR THIS CITY,” SAYS AN ANONYMOUS LYFT DRIVER. “NEARLY ALL MY PASSENGERS SAY HOW FRIENDLY WE ARE HERE."
“Personally, I think Uber and Lyft are going to make a huge difference for folks as they stop driving or don’t drive as much, or as far, on their own,” says Cynthia Brammeier, administrator of the Nebraska State Unit on Aging. “I’m looking forward to getting to that point. It’s awesome!” she exclaims, having personally experienced the buzz surrounding Uber while visiting another state. Nebraska came late to the party, approving Uber and Lyft operations in July 2015, which may explain a lack of awareness among Omahans in general. The necessity of a smartphone to summon a ride excludes many seniors from ride-hailing apps. According to the Pew Research Center, 70 percent of those 65 and older don’t own a smartphone, instead preferring cheaper, old-fashioned flip phones with limited data capabilities. One segment of the senior population did benefit immediately from having the transportation alternatives in Omaha: drivers. “I’ve been with Lyft for over a year. It’s my only job now, “ says Dave*, 68, who prefers to remain anonymous. Working about four hours a night, the Dundee resident brings home “between $400 and $500 a week working the entertainment district and trips to the airport. But that’s not counting my car payment, gas, and insurance.” The insurance question explains why Dave doesn’t want to be identified. Both Uber and Lyft have up to $1 million in liability coverage. But if a driver gets into an accident on the way to pick up a passenger, how much his or her personal insurance carrier will pay out becomes murky, since the driver uses the car for profit. The advantages of ride-hailing services, previously called ridesharing, seem pretty clear. “We’re half the cost of a cab,” Dave says. “We pick up passengers within five to 10 minutes. The cars are newer, clean, and have to be fourdoor. No cash exchanges hands, unless the passenger tips me in cash.”
But why would someone in their 80s summon a stranger to their home to pick them up? “[The companies] check us out pretty good,” Dave assures. Both Uber and Lyft conduct extensive background, criminal, and DMV checks. Lyft sent an employee to inspect Dave’s Toyota. “Believe me, we’re safe.” The opportunity for seniors without smartphones to utilize Uber or Lyft as passengers depends greatly on a “no app required” platform. One such service recently appeared on a list of transportation options compiled by the Eastern Nebraska Office on Aging. “It’s called GoGoGrandparent,” says Taylor Armstrong of the ENOA. “We’re told you don’t have to use a smartphone. People just call a number.” The brainchild of a California man whose grandmother couldn’t tool around San Diego anymore, GoGoGrandparent uses a toll-free hotline to connect seniors with an operator, who then summons an Uber car for them. “We’re not recommending this service over all the other transportation options ENOA offers,” cautions Jeff Reinhardt of the public affairs division. “We haven’t gotten any feedback yet on GoGoGrandparent.” Lyft’s contribution to creating easier access involves senior-friendly Jitterbug cell phones and smartphones. When paired with a 24/7 health care provider, a registered user simply dials “0” on the Jitterbug phone and books a ride through the operator. This pilot program has yet to find its way to Omaha. “We’re going to be top-heavy in seniors in the next 10 to 20 years,” Endress says. “There’s a huge need for entrepreneurs who want to make a difference in someone’s life.” As evidenced by the rapidly changing technology that grants the gift of mobility, the difference-makers have arrived. Visit uber.com, lyft.com, and gogograndparent.com for more information.
The advantages for Dave include setting his own work schedule, meeting “wonderful people,” and showing off his hometown to visitors. “I love Omaha and I consider myself an ambassador for this city,” he says. “Nearly all my passengers say how friendly we are here.”
* Dave is not the driver's real name. MARCH // APRIL • 2017 / 151 / BESTOFOMAHA.COM
BY LISA LUKECART PHOTOGRAPHY BY BILL SITZMANN DESIGN BY MATT WIECZOREK
MARCH // APRIL • 2017 / 152 / OMAHAMAGAZINE.COM
OBVIOUSLY OMAHA St. Patrick’s Day Bar Crawl BY JARED SPENCE // PHOTOGRAPHY PROVIDED
IT’S NOT MERE luck that Omaha was ranked third overall of the nation’s best cities for St. Patrick’s
Day celebrations (according to wallethub.com in 2016). If there is one thing our city is known for, it is rallying together to celebrate with friends, both old and new. Omaha has rich Irish heritage, and Omahans are eager to boast their love of the local Irish population. So, of course, the city turns green with pride on St. Paddy’s Day—from east to west. Festivities range from live Irish entertainment and personal pub food tours to black-and-tans and parades of whisky shots. Head to any of these highlighted hot spots to celebrate in local Irish style. 01. CENTRAL OMAHA Clancy's Pub Clancy's Pub has a longstanding tradition as a must-stop visit for St. Paddy's Day. While the Pacific Street location has undergone new ownership within the last few years, it has still proven itself to be full of that Irish spirit patrons have grown to love. (7120 Pacific St.) Brazen Head Irish Pub If you are determined to settle in at the most authentic Irish pub in Omaha, look no further than Brazen Head. Named after the oldest pub in Dublin, this Omaha gem will transport you to the Emerald Isle. The Brazen Head opens its doors at 6 a.m. for a traditional red flannel hash breakfast. The day continues with authentic Irish entertainment and food (including fish and chips as well as corned beef and cabbage). (319 N. 78th St.) 02. BENSON You'd be remiss not to stop by Benson's oldest, continuously running bar and only Irish Pub—Burke’s Pub—for drink specials and their famous apple pie shots. While a few bars along the Benson strip (on both sides of Maple Street from 59th to 62nd streets) serve up green pitchers and Jell-O shots, neighborhood staples like Jake’s, Beercade, and St. Andrews (which is Scottish) feature specials on authentic Irish beers, such as Kilkenny, and Irish whiskeys.
Marylebone Tavern The Marylebone is one of two Irish bars on the tour, recognized by the giant shamrock painted out front on Leavenworth Street. The bar is known for its cheap prices and stiff drinks. (3710 Leavenworth St.) Barrett’s Barleycorn Pub & Grille Barrett’s Barleycorn, the second of the two Irish bars on the tour, opens its doors at 8 a.m., serving sandwiches in the morning followed by a hearty lunch next door at Castle Barrett, with beer and specials flowing all day long. Barrett's closes the parking lot to create an outdoor beer garden, while inside tables are cleared for what usually turns into a packed wall-to-wall party. (4322 Leavenworth St.) 04. OLD MARKET The Dubliner Toting the tagline, “If you can’t get to Dublin to celebrate St. Patrick’s Day, there’s a little piece of Ireland nestled underground at 1205 Harney Street in the Old Market,” on the front page of their website, The Dubliner is one of Omaha’s oldest Irish pubs. Pull up a bar stool at this Harney Street haunt for a breakfast of Lucky Charms and Guinness and be sure to stick around for the Irish stew, corned beef sandwiches, and live music. (1205 Harney St.) Barry O's Tavern Slip onto the patio at Barry O's to mingle with the regulars and the O'Halloran clan themselves at this family-run bar. Enjoy drink specials and stories from some of the friendliest characters you'll meet. St. Paddy's Day usually brings an entertaining mashup of regular patrons and “Irish-for-theday" amateurs. (420 S. 10th St.)
03. LEAVENWORTH The Leavenworth bar crawl has become somewhat of a year-round tradition, especially on St. Patrick's Day. Locals call it a convenient way to pack in a handful of bars in one strip—beginning at 32nd Street at Bud Olson’s or Alderman’s and continuing on a tour down Leavenworth toward The Neighber’s on Saddle Creek.
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// APRIL • 2017 / 153 / BESTOFOMAHA.COM
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