Omar Hason - Architecture and Design Portfolio by Omar Hason

OMAR HASON

DESIGN PORTFOLIO

UNION PACIFIC HOTEL

HEALING JOURNEY

TECH COMPANY OFFICE

FIRE STATION No.2

BLOCK-67 HOTEL & MASTERPLAN

URBAN GROVES

THE MAGNOLIAS

LAYTON HOSPITAL AND CLINIC

2018

2019-2020

SUMMER 2017-2018

SUMMER 2020

EAO Competition Shortlisted Submission

WINTER 2014

WINTER 2015

ULI Hines Competition Honorable Mention

2016-2017

CENTER

MISC PROFESSIONAL PROJECTS

PRE’s TRACK

LIGHTSCAPE CHANDELIER

Pre’s Rock Memorial Competition 1st Place

RBT Competition 2nd Place Winner

UNIVERSITY OF UTAH TENNIS 2016

SPRING 2020

WOOL PRODUCTION FACILITY SUMMER 2014

VARIES

WINTER 2014

SELECT ARCHITECTURE VISUALIZATIONS ONGOING

SELECT GRAPHICS ONGOING

OH! DESIGN BLOG ONGOING

OMAR HASON RÉSUMÉ ONGOING

Hello! My name is Omar Hason and the following is a selection of academic and professional design work. I am a licensed architect, but I enjoy all things design including graphics, visualizations and digital photography. I’m always working on something new and regularly update my portfolio.

academic work professional work

Thanks for taking the time to flip through my work. Feel free to reach out to me at omarhason25@gmail.com with any questions or inquiries. Enjoy! -OH

UNION STATION HOTEL

SALT LAKE CITY, UTAH

Work completed while working at HKS Architects Concept design and planning for a 216,616SF, 225-key boutique hotel integrated with an existing historic train station in downtown Salt Lake City.

The project goals revolved around creating a elegant architectural statement that was respectful of the existing historic building without mimicking it. Contemporary interpretations of the design language utilized in the Union Pacific building are present in the hotel tower’s design. The East side of the hotel tower becomes a quiet backdrop to the historic building, while the West side is articulated in a faceted manner that more appropriately responds to the rest of the Gateway Mall. The simple large walls of brick are articulated with various brick coursing and textures, and touches of warmth are added to the hotel through the use of stone, wood soffits and patina bronze metal panel.

Historic Depot

Hotel Addition

The site constraints were extremely challenging as the Historic train station had already been integrated into an outdoor shopping mall (Gateway Mall). The neighboring retail spaces helped inform the shape of the building’s footprint, and the curve of the mass allowed the double loaded guest room corridor to spring away from the existing building and provided the opportunity for daylight and views.

400 W

Following the precedent of other retired train stations nationwide, we were asked to envision what a hotel addition to Salt Lake City’s Union Pacific Station would look like.

South Temple

Though the site was restricted heavily by the surrounding buildings, an attempt was still made to study the solar impact on the new hotel tower. The radius of the facade sweeps from South to North, creating a challenging condition to address in a repetitive guest room module. By utilizing the deepness of the facade and the faceted building mass, the deep brick facade is able to shield the building from the majority of direct summer heat gain while still inviting winter gains. The deep facade also creates a dynamic shadow play across the face of the building as the revolving surfaces of the facade reflect light and cast shadow in a gradient over the course of a day.

The courtyard between the hotel tower and existing Union Pacific building provides an outdoor connection between the Gateway Mall and the publicly accessible Grand Hall. Interior functions are allowed to spill out and activate the space and the towerâ&#x20AC;&#x2122;s facade is articulated in a more subdued and respectful manner.

To illustrate the buildingâ&#x20AC;&#x2122;s design intent and intricacy, wall sections were developed to express the depth of the facade that is uncommon in this building typology and is a special quality of the proposed design. Taking this concept one step further, some conceptual building details were developed as a proof of concept and to help inform preliminary pricing for the project.

To further the concept of an addition that is contextual and respectful, but is still contemporary in itâ&#x20AC;&#x2122;s design, we studied ways in which the buildingâ&#x20AC;&#x2122;s materials could relate to the historic building. Rather than using a red brick (the main material in the historic building), we selected a brick that matched the sandstone base of the historic building and a bronze metal panel that could patina as it aged cohesively with the existing depot. This way the new building does not fake antiquity but rather embraces its role as a contemporary addition.

TECH COMPANY OFFICE

SUNNYVALE, CALIFORNIA

Work completed while working at SERA Architects Schematic Design, Design Development, and Construction Documents completed for a Tech Company workplace Tenant Improvement in Sunnyvale, CA. Project required fast paced design iteration and visualization in a collabroative environment between Architects, Interior Designers and Engineers.

THE COBRA STAIR This project required a rebranding of the existing architecture as it was the most prominent of a recent aquisition by this tech company. The solution was to provide a strong architectural element in entry lobby that was functional, unique and could be a strong branded element. The concept was to remove the existing typical fire exit stair, and rebuild a unique fire exit stair in which you wrap the stair in a one-hour fire rated enclosure.

The resulting design came to be known as “the cobra stair”.

+ Clad in plywood, the joint patterning on the stair enclosure’s finish takes inspiration from a wooden snake toy. Using the spacing in the joint pattern to imply motion and add dynamism to a static building element.

To accentuate the joint patterns, color-ply plywood is used to bring some playful and branded colors to the feature stair. Wherever the plywood skin was jointed or cut, a layer of color would be exposed.

BALANCING DESIGN & DETAILING Working with a client that expects design options meant that the team needed to balance fast-paced design iterations and the technical requirments of a challenging design, all while maintaining an accelerated schedule. The design of the project needed to be explored just as quickly as documentation needed to occur, through the process of detailing connections and coordinating with consultants, the design for a very unique stair was complete.

The Cobra Stair continued deeper into the building to envelope all of the vertical circulation in the front portion of the building. The â&#x20AC;&#x153;mouthsâ&#x20AC;? of the cobra were designed to encourage use of the stair and create space at each of the stair landings. The floor and ceiling of the stair was painted the same color red throughout the enclosure as a visual cue and for a sense of continutiy through the entry tower.

The project also contained a huge amount of architectural design outside of the main feature stair, some of which was incorporated into construction documents.

Other design elements were studied extensively, and the final design was significantly different than the original.

Some portions of the design scope were removed completely from the project, though designed and documented completely.

Regardless of the challenges presented, we worked quickly and collaboratively to produce a significant amount of design work in an incredibly short amount of time. Fast paced, but incredibly fun and rewarding.

BLOCK-67 HOTEL & MASTERPLAN SUMMER 2017-2018

Work completed while working at HKS Architects Design for a 2.5 million sqft redevelopment of an entire city block in Salt Lake City including Hotel, Residential, Commercial/Retail, Office, and Parking. Block-B dual brand hotel was taken through Design Development.

2/16/2018 21779

Block-D Massing

100 SOUTH

BOH RAMP DN RETAIL/ RESTAURANT

RESIDENTIAL LOBBY

RAMP DN

LEASE SPACE 4853 SF

RETAIL/ RESTAURANT 2387 SF

ALOFT HOTEL LOBBY

ELEMENT HOTEL LOBBY

BOH

RETAIL 3011 SF

RETAIL 1416 SF RESTAURANT 3069 SF

LEASE SPACE 5296 SF

LEASING OFFICE 1387 SF

RESIDENTIAL LOBBY 3876 SF

RAMP UP

Block-67 Streetscape

200 WEST

300 WEST

LEASE SPACE 1310 SF

RAMP DN

RESTAURANT 5028 SF

LEASE SPACE 3386 SF

RESTAURANT 5517 SF

RESTAURANT 3954 SF

HOTEL LOBBY 3518 SF

HOTEL BACK OF HOUSE 19212 SF

OFFICE LOBBY 9058 SF

TERRACE (ABOVE) 5114 SF

APT. LOBBY 2292 SF HOTEL LOBBY 4529 SF

RESTAURANT 5523 SF

GROCER 16909 SF

LEASE SPACE 2396 SF

RAMP DN

BLOCK 67 - BLOCK C SALT LAKE CITY, UT

200 SOUTH

BLOCK-67 MASTERPLAN Block-67 Streetscape

Block-67 challenges the typical 10 acre Salt Lake City block by proposing a development centered around a new through block street, resting on a below grade parking garage. Working with these parameters, the site is parceled into Blocks A, B, C, and D. Block B is a dual brand hotel that balances the requirements of each brand while maintaining a back of house connection. The block features ground floor retail/ restaurants, 6,000sqft ballroom, roof terrace bar and pool, and 272 hotel keys. Block D contains another 308 key hotel, conference/ballroom space, 210 unit residential tower, 350,000sqft office tower and street facing retail/commercial space.

GROUND LEVEL PLAN 0

80 FT

Taking cues from the historic Gateway districtâ&#x20AC;&#x2122;s vernacular architecture, the Block-67 Hotel is articulated as a contemporary interpretation of the traditional warehouse architecture style. A large volume of white brick fenestrated with double story glazing sits above a dark charcoal brick base. Muntins further articulate the areas of glazing and solidify the warehouse imagery. Areas of natural wood are employed to bring warmth to the more human scaled spaces, all while balancing the demands of well established international hotel brands.

BLOCK B Dual Brand Hotel 1

25' - 6"

31' - 0"

21' - 6"

20' - 0"

21' - 6"

F VEST

28' - 11"

RETAIL/ RESTAURANT 2387 SF

RESTORE 127 SF

CORRIDOR 112 SF

RE:FUEL 303 SF

15' - 4"

FOOD PREP 391 SF

LAUNDRY CHUTE ROOM 185 SF ALOFT FRONT DESK 109 SF BAR W XYZ 192 SF

W XYZ LOUNGE 982 SF

MENS RR 253 SF

LUGGAGE STOR 100 SF EXIT CORRIDOR

STAFF RR FRONT DESK SUPPORT 55 SF 231 SF

ELEC 149 SF

STAFF RR 55 SF

LAUNDRY 975 SF

FRONT DESK SUPPORT 227 SF

EMERGENCY GENERATOR ROOM 611 SF

HKSP STORAGE 282 SF

ENGINEERING 333 SF

MDF ROOM 234 SF TRASH/ RECYCLING/ COMPOSTING 95 SF

FOOD PREP 191 SF RE:MIX LOBBY 696 SF

ELEMENT FRONT DESK 158 SF

MECHANICAL 942 SF

LUGGAGE STOR 91 SF

ALOFT LOBBY 1172 SF

VEST 127 SF

DRIVE LANE

14' - 6"

WOMENS RR 359 SF

DROP-OFF

DRIVE LANE

14' - 9"

LOUNGE 2136 SF

DISPLAY KITCHEN 1142 SF

RR 68 SF

30' - 5"

Level 1 Ground Level

CART STOR 122 SF

UP VEST 246 SF

RR 68 SF

FIRE CONTROL ROOM 239 SF

BREAKROOM 189 SF

TRUCK DOCK 695 SF

SECURITY OFFICE 100 SF

LOADING 265 SF

BOH CORRIDOR 1404 SF

11 10

02/16/2018 21359.000

SCHEMATIC DESIGN GROUND LEVEL

BLOCK 67 - BLOCK C SALT LAKE CITY, UT

25' - 6"

31' - 0"

21' - 6"

20' - 0"

20 FT

21' - 6"

RISE DINING 1254 SF

ELEC 57 SF

RESTROOM 406 SF

SLL 251 SF

MEETING STORAGE 237 SF

14' - 9" 15' - 4"

RESTROOM 333 SF

SLL 281 SF

CSTD CLST 40 SF OFFICE 116 SF BALLROOM 1 1365 SF MEETING 462 SF

KITCHEN 1490 SF

STORAGE 288 SF

14' - 6"

BALLROOM 2 3039 SF

OFFICE 112 SF

CORRIDOR

OFFICE 146 SF

MECHANICAL 383 SF

ELEV CNTRL RM 59 SF

OFFICE 132 SF

CORRIDOR

BALLROOM 3 1378 SF

SERVICE CORRIDOR 974 SF

02/16/2018 21359.000

SCHEMATIC DESIGN

LEVEL TWO

BLOCK 67 - BLOCK C SALT LAKE CITY, UT

25' - 6"

31' - 0"

21' - 6"

20' - 0"

20 FT

21' - 6"

F AK1 304 SF

AK1 304 SF

AK1 288 SF

14' - 9"

FS & ALOFT ELEVATOR LOBBY

AK1 308 SF

AK1 310 SF

EBD1 422 SF ESK2 - ADA 400 SF

HKSP 220 SF

EXIT STAIR 1

ADQ1 350 SF

EK1 315 SF

EBD1 411 SF

ELEV

ELEV EXIT STAIR 2 EK1 302 SF

AK1 309 SF

ECS1 570 SF

31' -

ADQ1 351 SF

EBD1 419 SF

ELEMENT CORRIDOR 1049 SF IT CLST 24 SF

ELEV

ADQ1 353 SF

D 15' - 4"

EBD1 421 SF

ELEV

ESK1 388 SF

EBD2 - ADA 436 SF

EK1 312 SF

ALOFT CORRIDOR 980 SF

14' - 6"

AK1 304 SF

ELEMENT ELEVATOR LOBBY

AK1 304 SF

SERVICE ELEV

28' - 11"

AK1 386 SF

22' -

ALOFT

ADK1 367 SF

EK1 291 SF

ELEMENT

EK1 - ADA 303 SF

EK1 298 SF ADK1 367 SF

ICE MACHINE 30 SF

ADQ1 349 SF

B 15' - 11"

ADQ1 349 SF

14' - 6"

21' -

Level 3-10 Typical Guest Room Levels

G PREFUNCTION 3344 SF

30' - 5"

Level 2 Ballroom Level

28' - 11"

MEETING 769 SF

EBD1 420 SF EQQ2 - ADA 422 SF

ROOF OCCURS AT LEVEL 3 ONLY

ADK2 - ADA 400 SF

ELEC 39 SF

9' - 0" 31' -

9' - 0"

25' - 6"

31' - 0"

02/16/2018 21359.000

BLOCK 67 - BLOCK C SALT LAKE CITY, UT

TYPICAL GUEST ROOM FLOOR LAYOUT - 01 0

25' - 6"

SCHEMATIC DESIGN

31' - 0"

21' - 6"

20' - 0"

21' - 6"

20 FT

21' - 6"

14' - 9" 15' - 4"

CORRIDOR 944 SF

FITNESS CENTER 1277 SF

MECHANICAL 877 SF

ELEV.CONTROL RM 109 SF

ELEC GUEST LAUNDRY 113 SF 83 SF

RR 60 SF

RR 57 SF CORRIDOR 759 SF

EXIT CORRIDOR

POOL EQUIP 167 SF

ELEV

UP EXIT STAIR 2

EXIT STAIR 1

FS & ALOFT ELEVATOR LOBBY

MENS RR 198 SF

31' -

UP 14' - 6"

ROOF TERRACE 2881 SF

14' - 6"

21' -

B 15' - 11"

Level 11 Roof Terrace

WOMENS RR 202 SF

ELEV

22' -

ELEV

ELEMENT ELEVATOR LOBBY

SERVICE 844 SF

SERVICE ELEV

28' - 11"

ROOFTOP BAR 2158 SF

ROOF TERRACE 2356 SF

31' -

02/16/2018 21359.000

BLOCK 67 - BLOCK C SALT LAKE CITY, UT

SCHEMATIC DESIGN

ROOF TERRACE 0

20 FT

THE MAGNOLIAS

MORGAN HILL, CALIFORNIA Work completed while working at SERA Architects Concept and Schematic Design for a 66-unit affordable housing project in Morgan Hill, CA. The project is targeting LEED Platinum and is a prefabricated modular apartment building that is partly transitional and partly permanent supportive housing.

Inspired by the city of Morgan Hill’s rich history of agriculture and vitriculture, as well as the natural beauty of the hillside landscape, the form of the building is designed to respond to the iconic “El Toro” peak situated directly behind the project site. As you move past the building, the faceted facade closes in on itself and vertical expanses of color reflecting the seasonal coloring of the hillside closes in on itself. The other side of the building takes inspiration from the nearby bodies of water like the Uvas Canyon Waterfalls. This side of the building ripples in shades of blue pouring outward from the exterior elevator lobby.

The high level of articulation in the building and bright colors are a direct response to the project’s goals, established by the design team in partnership with the owner and the OPR. The goal of creating affordable housing that feels like a home to it’s inhabitants and becomes an established community for families in Morgan Hill pushed the design team to strive towards a unique, layered and playful design.

6 basic unique module types

Assembled to make 5 unique unit types

Articulated to acheive design intent into 19 unique module types

UNIVERSITY OF UTAH TENNIS CENTER 2016

Work completed while working at HKS Architects Concept design and planning for an addition/expansion to the University of Utahâ&#x20AC;&#x2122;s George S. Eccles Tennis Center. Created three design options varying from a 7,400sqft renovation to a 14,000sqft addition.

The first level became the entry for players and housed all of the lockers and player amenities.

LEVEL TWO PLAN LEVEL ONE PLAN

Working with the existing grades the second level became the main entry for visitors and admin as it aligned with the street. This level housed all of the staff offices, a small hall of fame and event space overlooking the courts.

GEORGE S. ECCLES TENNIS CENTER

OPTION 1

SOUTH ELEVATION

This site factors limited the planning on all options to a long and narrow strip along the face of the existing tennis center. The client preferred option (illustrated here) was a complete new structure that would re-brand the image of the tennis center and the tennis program as a whole.

UTAH UTES

LEVEL 2 UTAH UTES

OPTION 1

LEVEL 1

NEW CONSTRUCTION

01 JULY 2016

PROJECT # 20413.000

UTAH UTES

NEW CONSTRUCTION

GEORGE S. ECCLES TENNIS CENTER

01 JULY 2016

PROJECT # 20413.000

01 JULY 2016

OPTION 1 - SECTION/ELEVATION PROJECT # 20413.000

SECTION

One of the biggest challenges of this project was interfacing the renovations/additions with the existing gabled structure that housed six tennis courts as well as the neighboring football center.

PRE’S TRACK

EUGENE, OREGON

Pre’s Rock Memorial Competition 1st Place

Made in collaboration with WALKER HOLT

Track Town USA is a symbolic destination for runners around the world, with no local landmark carrying more signiﬁcance than Hayward Field. The iconic form of Pre’s home track is recontextualized onto the steeply sloping site, adding depth and dimensionality to create a series of contemplative destinations. From Skyline Boulevard visitors enter into an intimate, high-walled passageway with a narrow opening overhead. This enclosure creates a spiritual connection to the existing memorial, providing a place for visitors to pay their respects with offerings and mementos. As visitors proceed along the track the walls gradually erode away, giving way to expansive views of Eugene and the University of Oregon below. The circuit is completed as it began, with visitors concluding their journey through the introspective memorial hall.

“You have to wonder at times what you’re doing out there. Over the years, I’ve given myself a thousand reasons to come keep running, but it always comes back to where it started. It comes down to self satisfaction and a sense of achievement.” -Steve Prefontaine

WOOL PRODUCTION FACILITY MAUPIN, OREGON

Wool production is a process that has been divided and dispersed across the country/ globe. The goal for this facility is to stitch together the three fundamentally different programmatic blocks to provide space for the entire wool production process, education facilities and gallery spaces while also creating the opportunity for programmatic overlap in the high desert climate of Eastern Oregon.

The facility is sited on a rather steep slope and runs along the topography to minimize excavation. By digging into the earth slightly, the building creates a berm that protects against the strong winds and passively ventilates the facility. The angled incisions then benefit from varied solar exposures and views. The resulting architecture is a rich variety of spaces that are functional, but also demonstrates visible and interactive permeability.

Incision Structure

Diagonal Support

Entry/Reception Shed Structure

Combined Structure

Building Axonometric Sheep Shelter

North Elevation

BUILDING ENTRY

ARTIST STUDIO

CLASSROOM + PRODUCTION

East Elevation

Programmatically, the facility is divided into three major programmatic blocks: 1- WOOL PRODUCTION 2- GALLERY/STUDIO 3- EDUCATION Block 1 is very utilitarian and must function with maximum efficiency by following a very linear process, starting with sheep and ending with a product (yarn, felt, textiles, etc.). Block 2 requires the ability to display things (textile arts, books, products, etc.) and would benefit from daylight and a more quiet atmosphere. Block 3 benefits from a direct relationship to both Block 1 and Block 2. Visual and physical connections and spatial overlap characterize the program within Block 3.

LIBRARY + GALLERY

SHEEP SHEARING + SHELTER

North-South Section

HEALING JOURNEY

VENICE BEACH, CALIFORNIA EAO Competition Shortlisted Submission

ENERGIZE

RELAX

Made in collaboration with ELIZABETH BISHOP ZOE STONE

5% of U.S. adults claim they have abused or been addicted to Opioid drugs*. *statistics from the American Psychiatric Association (APA) study 2018

12,447,000

Los Angeles Population* *according to United Nations population projections

40,885

*according to 2008 U.S. Census Data

MEDITATE

ENGAGE

SUPPORT

Venice Beach Population*

+2,000 residents of Venice Beach that could benefit from services provided by a methadone clinic* *numbers based on statistical data

WELCOME

CHALLENGE

REVITALIZE

SUSTAIN

RECOVER

HELP

ACCEPTANCE

BETTERMENT

LISTENING

COMMUNITY

HEALTH

HONESTY

THRIVE

Statistically, 5% of all American adults have abused or become addicted to prescription opioids. A significant part of overcoming the stigma associated with opioid abuse is revealing that the need for the methadone clinic comes from within the community. Providing a program to allow controlled interaction between the clinic patients as well as community members will promote interaction and understanding.

BELONG

DISSOLVE STIGMA + BROADEN COMPASSION AND UNDERSTANDING

CONTROL

If the community recognizes the value of the building, it is more likely to become accepted as a part of the fabric of the community. Providing programs that benefit community members and methadone clinic patients alike such as an urban farm and coffee shop helps reduce NIMBYism and increases opportunity for self education and acceptance.

EMPATHY

BECOME AN ASSET TO THE COMMUNITY

SACRIFICE

Methadone clinics dispense methadone to users who are battling addiction to opioids. The recovery process is slow and painful and some patients will be dependent on methadone for the remainder of their lives. This design proposes a form of methadone clinic that recognizes the patientâ&#x20AC;&#x2122;s dependence on methadone as a daily need and aims to support that process by providing facilities for other regular activities that support healing to happen in and around the building. Usersâ&#x20AC;&#x2122; health and happiness is promoted through physical activity, Biophilia, social interaction, and rest/meditation.

CONNECTION

FACILITATE HEALTHY + PRODUCTIVE RECOVERY

FIRE STATION No.2 MEDFORD, OREGON

Currently, the Medford Fire Station 2 is sorely undersized and in need of more and better space. With an increase in size comes an increase in responsibility towards the community. The new Medford Fire Station 2 recognizes its duties as a civic building and becomes a beacon for the local community.

+ WORK

+ CIRCULATION

= LIVE

Laundry Facility

Kitchen/Dining Room

“The Dock”

The new Fire Station 2 will be recognized as a safe place and a home for heroes. It must also serve as a place for rest and solitude for the fire fighters who live there.

2 2 3 3 2 2

Fighting fires is a demanding profession that requires great physical and mental health. With this in mind, the entire station was designed with the term “Moments for Pause” in mind. Providing opportunities for fire fighters to pause during their busy days promote relaxation and tranquility among the men and women who risk their lives daily became a primary design goal.

LEVEL 2

1. LAUNDRY ROOM 2. BUNK ROOM 3. BATHROOM

3 2 2

3 3

LEVEL 1 1. ENTRY/GALLERY 2. COFFEE STATION 3. RESTROOM 4. STORAGE 5. COMMUNITY/MEETING 6. EXERCISE 7. TURNOUT 8. PRIVATE OFFICE 9. OPEN WORKSPACE 10. DECONTAMINATION 11. KITCHEN/DINING 12. DAY ROOM 13. APPARATUS BAY 14. SHOP 15. EMS SUPPLY 16. HOSE TOWER / VENTILATION 17. HOSE STORAGE 18. EQUIPMENT SUPPLY

3 10

18 4 3 4

9 AM 11 AM 3 PM

The concept of “Structural Light” is employed to simultaneously provide structure and supply diffused day-lighting to key volumes. Other spaces feed from the light provided by these light-courts. Ideas about day-lighting, passive ventilation, and water collection all inform the shape of the finished building.

1 PM

To avoid creating spaces that resemble current conditions, an emphasis is placed on day lighting and creating a gradient of unique spaces of varied scales.

5 PM

DAYLIGHTING

VENTILATION

7 PM

WATER COLLECTION

URE

ater

ector

URBAN GROVES

NEW ORLEANS, LOUISIANA ULI Hines Competition Honorable Mention

planted 612 trees of carbon dioxide absorbed annually 29,376 pounds of water 1,177,488 gallons captured annually

Made in collaboration with ANDREW JEPSON-SULLIVAN ROXANNE ROBLES GILBERTO VILLALOBOS Advising Professor MARK GILLEM

The Urban Groves is a competition submission for the 2015 Urban Land Institute (ULI) Hines Competition that received an honorable mention for “the diagrammatic visualization, a good optimization of real estate in plan, as well as the outlined cross section, and general presentation board design.” Our multi-disciplinary team examined a neighborhood in New Orleans, Louisiana and was charged with the task of developing a visioning plan for the upand-coming district. LIVABLE CLAIBORNE COMMUNITY GOALS

HOUSING IN THE GROVES Housing typologies within the development step down from the edges to retain a neighborhood feeling in the Groves.

KEY DEVELOPMENT STRATEGIES

enhanced transportation choice + access preservation of culture + identity sustainable solutions for a flood prone environment equitable access to economic prosperity managed change to benefit the exitsting community

THE CANOPY

INVESTING IN PUBLIC INFRASTRUCTURE

under the overpass; active social space + connector

open space, trees, stormwater infrastructure, recreation

PROM LOCAL

local o entrep

KEY KEYDEVELOPMENT DEVELOPMENTSTRATEGIES STRATEGIES

INVESTING INVESTINGININ PUBLIC PUBLICINFRASTRUCTURE INFRASTRUCTURE

THE THE CANOPY CANOPY

THE CANOPY

PROMOTING LOCAL INDUSTRY

open openspace, space,trees, trees,stormwater stormwater infrastructure, infrastructure,recreation recreation

under the overpass; active social space + connector

PROMOTING PROMOTING LOCAL LOCALINDUSTRY INDUSTRY

under underthe theoverpass; overpass; active activesocial socialspace space+ +connector connector

elevated rowhouse

(flood mitigation)

local opportunities for collaboration, entrepreneurship, innovation, production

NOLA makerspace (entrepreneurial + collaborative space)

PROMOTING LOCAL INDUSTRY

local opportunities for collaboration, entrepreneurship, innovation, production

DERBIGNY STREET

green roof

local localopportunities opportunities forforcollaboration, collaboration, (stormwater retention) entrepreneurship, entrepreneurship,innovation, innovation,production production

ROWHOUSE TYPOLOGY

ACCESS ALLEY

retail / mix

MIXED-USE COMMERCIAL / ST

SECTION E / ACTIVE EDGES + NEIGHBORHOOD INTERFACE

BUILDING SETBACK

SUSTAINABLE DEVELOPMENT New buildings utilize green roofs, passive solar, passive ventilation, and daylighting strategies.

New green space creates a buﬀer between the built environment and the Interstate. This space allows for water infiltration and capture during high water or storm events. Collected stormwater can be used for watering trees throughout the development.

THE CANOPY Space under the Interstate is activated through lively programming including a skate park, farmers market, food cart pod, dog park, and community gathering space. Lighting the underside of the elevated highway provides visibility at night and creates an iconic space.

vegetated panels (sound insulation + light diﬀusion)

xed use

TART-UP SPACE

engineered bioswale underground cisterns (increased flood capacity)

OPEN SPACE

CLAIBORNE AVE.

dog park underpass lighting

THE CANOPY

CLAIBORNE AVE.

ST. LOUIS CEMETERY

PHASE 0 / SEEDING 1. 2. 3. 4. 5. 6. 7. 8.

Greenway Skate Treme-Lafitte Farmerâ&#x20AC;&#x2122;s Market Down Under Food Cart Pod Woof! City Dog Park Claiborne Plaza Park Blocks Bioswale Groves Community Park Iberville Community Park

PHASE 1 / SPROUTING 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21.

Overlook NOLA MakerSpace The Hub NOLA Life The Green NOLA Market The Zone Icon Apartments Zen Spot Park Place Groves Park The Treehouse The Vintage

residential retail + flex industrial retail + office retail + residential residential anchor grocery store residential retail + residential retail + residential office + residential residential residential residential

PHASE 2 / BRANCHING 22. 23. 24. 25.

Canal Square Infinity Square Greenway Living Greenway Lofts

office + residential residential residential residential

PHASE 3 / ROOTING 26. 27. 28. 29. 30. 31.

Grove House Greenway II Central Building Healthrow Building Galvez Square The Commons

commercial + residential residential commercial + residential commercial + residential commercial + residential residential

LEVERAGED IRR

12%

300 hrs

8 in

100째F

7 in 250 hrs

6 in 80째F

5 in 200hrs

4 in

VIEW B / NIGHTLIFE UNDER THE CANOPY

60째F

2 in

150 hrs

1 in

DEC

JUL

SEP

AUG

FEB

JUN

JAN

APR

MAY

OCT NOV

HOURS OF SUN

100 hrs MAR

DEC

JUL

SEP

OCT

NOV

JUN

FEB

JAN

APR

MAY

AUG

AVG. RAINFALL

0 in MAR

DEC

JUL

SEP

OCT

AUG

NOV

FEB

JUN

JAN

APR

MAY

AVG. TEMPERATURE

40째F MAR

VIEW C / SKATEPARK AT THE GREENWAY

3 in

mis

sis

VIEW A / THE URBAN GROVES, A GROWING COMMUNITY

sip

rive

REGIONAL CONTEXT

LAYTON HOSPITAL AND CLINIC 2016-2017

Work completed while working at HKS Architects Schematic Design, Design Development, Construction Documents and Construction Administration for the Primary Childrenâ&#x20AC;&#x2122;s portion of Layton Hospital, a total of 16,700sqft of project area spread across two floors.

Layton Hospital is a 280,000sqft 43-bed hospital with a 100,000sqft medical office building. The project is seeking LEED Silver Certification. The Primary Children’s clinic included facilities for Pediatric Cardiology, Diabetes, Endocrinology, ENT, Gastroenterology, Imaging, Neurology, Orthopedics, Rheumatology, Diagnostics (ECHO and EEG), Dietician, and Outpatient Rehab Services. The project was designed/developed in tandem with the rest of the facility and put emphasis on the “childfriendly” aspects of the building’s overall design concept. Interior motifs like “the river” and “the park” appear in design moves regarding flooring, wall covering, and ceiling treatment. Once completed, the two floors of Primary Children’s space in Layton Parkway Clinics were hands down the most vibrant and playful.

U.S. BANK STADIUM PED BRIDGE FALL 2015

Work completed while working at HKS Architects Construction documents prepared for the Downtown East Pedestrian Bridge as a part of the Vikings Stadium (US Bank Stadium) in Minneapolis, Minnesota.

This is cool. This is what I worked on...

MURRAY CITY OFFICE & MASTERPLAN 2015

Work completed while working at HKS Architects Concept design and master plan visioning for a new City Hall for the city of Murray, Utah and a surrounding mixeduse office, residential, commercial/retail development.

PETERKORT MASS TIMBER BEAVERTON, OREGON

Work completed while working at SERA Architects Concept design for an eight story mass timber building in Beaverton, Oregon. This speculative office building was designed as a part of a larger masterplanning effort for a development surrounding the Sunset Transit Center.

HOUSING RE-DESIGN

SAN FRANCISCO, CALIFORNIA

Work completed while working at SERA Architects Concept design and masterplan for the re-development of existing housing in a forested portion of San Francisco. The housing was designed to accomodate the needs of individuals and families on a steeply sloped and wooded site.

KEARNS BUILDING RE-DESIGN SALT LAKE CITY, UTAH

Work completed while working at HKS Architects Concept design, Schematic Design, Design Development and Construction Documents for the rennovation of a 10-story historic office building in the heart of downown Salt Lake City.

Originally built in 1911, the office building had been minorly updated over the years. This rennovation included more signficant updates and improvements including a fitness facility and shared tenant break room in addition to accessability and code updates.

The design of the office space and shared amenity spaces required a delicate balance of contemporary clean and historic architecture. Embracing the grandeur of the space and immaculate stonework, brass metals and brick work, elements of wood and contemporary LED lighting are introduced into the space to create a contemporary workplace that can compete with other office space on the market.

0”

LIGHTSCAPE CHANDELIER SOUTH DAKOTA

RBT Competition 2nd Place Winner MODULAR SYSTEM

VIRGINIA CARTWRIGHT

support cables

As an array of modules the chandelier is easily customizable and allows each module to be individually lowered for cleaning or maintenance.

The LIGHTSCAPE Chandelier is the 2nd place winner of the Robert Bruce Thompson Annual Student Light Fixture Design Competition. It is a multi-purpose lighting chandelier designed for Midwestern hotel’s conference room that utilizes LED and OLED technology.

wire housing

1’-3” 0.5”

OLED panel welded steel structure painted plywood LED tape

20’-0”

3’-0”

CHANDELIER/ROOM SECTION

17’-0”

Advising Professor

12’-0”

GEOGRAPHIC FORM

12’-0”

120’-0”

Black Hills, South Dakota

12’-0”

12’-0” CHANDELIER 1/2 SCALE MOCK-UP

120’-0”

ABSTRACTED CURVES Digitally Sectioned Lines

CHANDELIER COMPONENTS Light Diffusing Plywood Fins

12’-0”

A. AMBIENT LIGHT Using just the OLED panels, the space is filled with diffused light that washes down the plywood fins. Patterns are cast on adjacent walls without being distracting.

B. PLAY OF BRILLIANCE For lower light demands, the LEDs in the tape that runs along the profile of each fin can be individually operated to create a gentle sparkle.

C. THE FULL EFFECT Combining the OLED panels with the LED tape accentuates the geographical form while sufficiently lighting the space. In this setting, the chandelier helps to activate the space for more lively ballroom room functions.

SELECT ARCHITECTURE VISUALIZATIONS ONGOING

The following are select renderings and visualizations for a range of project types and phases. All are created using Revit, Vray for Sketchup or Rhino, Lumion, Enscape, and Photoshop.

Created while working at HKS Architects

Created for Ryan Hajeb Architect

Created while working at HKS Architects

This split section perspective was a finalist in the 2015 KRob Architectural Delineation Competition.

Powellâ&#x20AC;&#x2122;s Books 2020

This section perspective was a finalist in the 2015 KRob Architectural Delineation Competition.

SELECT GRAPHICS ONGOING

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UNIVERSITY OF OREGON Visiting Artist Series

LUMINDEO

Created as a Graphics Graduate Teaching Fellow at the University of Oregon School of Architecture and Allied Arts. Print media and digital graphics created for a recurring visiting artist lecture series.

Designed business cards and other print media while working closely company founders to best communicate brand identity and goals.

Business Card Design and Graphics

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UNIVERSITY OF OREGON

SOMETHING NEW

Art History Graduate Student Symposium

Brand Identity and Graphics Design

Created as a Graphics Graduate Teaching Fellow at the University of Oregon School of Architecture and Allied Arts. Print media and digital graphics created for the 10th annual symposium.

VAn GoGh demAnd: on DemanD DemanD: Deman D:: Valorizing the Copy Van GoGh GoG Go Gh h in the age of China

Designed brand identity and logo graphics including business cards and a mock RFP response for an architecture firm imagined for a professional practice course.

Assistant Professor Department of Rhetoric University of California, Berkeley

Thursday, april 17 6:00 p.m. 177 Lawrence Hall Reception to follow aaa.uoregon.edu/aha

10th AnnuAl Art history GrAduAte student symposium

AnnA GAskell Friday, april 18 3:00 p.m. Gerlinger Alumni Lounge 1468 University St. aaa.uoregon.edu/aHa

10th AnnuAl Art history GrAduAte student symposium

student symposium

in the history of art

panel 1 panel 2 panel 3

................................

..............................

9:30 a.m. 11:10 a.m. 1:15 p.m.

..................................

Friday, april 18 Gerlinger Alumni Lounge 1468 University St. aaa.uoregon.edu/aHa

re-prodUCinG the THe original oriGinal re-producing the copy’s role in the history of art

photo courtesy of Winnie Wong and Haibo Yu

10TH annUal arT HisTory GradUaTe sTUdenT symposiUm

Call for papers The University of oregon art and architectural History association invites papers for its 10th annual Graduate student symposium. This cross-cultural, interdisciplinary symposium will explore the theme of “the copy,” interpreted in the broadest sense to include any form of replication, reproduction, or forgery across all time periods, media and geographic regions. While both the art market and the art historical discipline have tended to prioritize the value of the original art object over its copy, an increasingly globalized society saturated with easily available reproductions in a variety of media requires us to reconsider the complex relationship between the copy and its original. Applicants may consider but are not limited to the cultural, theoretical, historical and commercial aspects of this topic. The symposium will be held at the University of oregon on april 17-18, 2014

aaa.uoregon.edu/AHA

Potential topics may consider: Problems of authenticity, originality, authorship, genius and art-world commodification

Cross-cultural reproduction

Forgeries, counterfeits and the art market

Miraculous icons

The copy’s effect on the transmission of artistic ideas, theories and styles throughout history

Digital reproduction, piracy and copyright

Prints and photographic reproductions

Appropriation and the ready-made

Digital art museums Art education

Important Dates December 20, 2013 January 15, 2014

aHa

Submit a 250-300 word abstract and curriculum vitae as PDF attachments to uosymposium@gmail.com Selected participants will be notified

April 11, 2014

Full paper due

april 17, 2014

Keynote address by Winnie Wong

April 18, 2014

Papers to be presented in person at the University of Oregon

University of Oregon

Art History Association

AAA SAC

school of architecture and allied arts

student advisory Committee

School of Architecture and Allied Arts

The University of Oregon is an equal-opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. This publication will be made available in accessible formats upon request. Accommodations for people with disabilities will be provided if requested, (541) 346-3675. © 2013 University of Oregon

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URBAN GROVES Graphics and Branding

A series of graphics and brand identity designed for a ULI competition project entry.

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Winnie WonG

re-producinG the original oriGinAl re-producing the copy’s role

something new

10th AnnuAl Art history GrAduAte student symposium

Artist tAlk And Film screening: screeninG: Film s creening: Artist tAlk tAlk And And Bona Fide

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CHROMA CLOTHING CO.

Graphic T-Shirt Design

Various upcoming Chroma Clothing Co. t-shirt designs and graphics.

UNIVERSITY OF OREGON

Nm +C2 new media and

Miscellaneous Graphics

culture certificate

Created as a Graphics Graduate Teaching Fellow at the University of Oregon School of Architecture and Allied Arts. Print media and digital graphics created for various A&AA events.

Challenging gotham: Water, energy, access:

INFORMATION AND COMMUNICATIONS TECHNOLOGY IN RURAL ZAMBIA

J. CARTER BROWN’S TRANSFORMATION OF

THE NATIONAL GALLERY OF ART

Professor Harris’ research interests center on the evolution of American cultural life, high, popular, and mass, and more particularly on the

Lisa Parks

STUDY in the

A&AA MAJORS FAIR

A&AA

School of Architecture and Allied Arts

BE A MAJOR OR MINOR

Study in the School of Architecture and Allied Arts

Be a major or minor 2013-14 Ten academic programs

Today

Historic Preservation

THIS WAY

Interior Architecture

Arts Administration

nation’s electrical grid. Most Machans, however, live off the grid in small, scattered homesteads across vast distances. This lecture will explore the installation and use of Internet and

The certificate program is a collaborative venture among the College of Arts and Sciences, the School of Architecture and Allied Arts, and the School of Journalism and Communication.

mobile phone infrastructures in Macha, and the local struggles that have emerged in relation to information technologies.

Lisa Parks is Professor of Film and Media Studies at UC Santa Barbara, where she is Director of the Center for Information Technology and Society.

newmediaculture.uoregon.edu nmcc@uoregon.edu

the nature of metropolitan life, the design of consumption and shopping experiences, and the relationship between people and the built landscape.

Neil Harris

Current work includes a study of J. Carter Brown and the National Gallery

Preston and Sterling Morton Professor Emeritus of History and Art History Department of History University of Chicago

Monday, May 5, 2014 5:30 p.m.

of Art, and an examination of American newspaper buildings. His recent publication, Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience (2013) will be the focus of his lecture. J. Carter Brown served as the director of Washington D.C.’s National Gallery of Art from 1969 to 1992. During those years he changed its culture and competed vigorously with New York’s Metropolitan Museum of Art for glory and collections. In this lecture Harris describes Brown’s

240A McKenzie Hall 1101 Kincaid Street Eugene

strategies, and the competing ambitions of the two institutions. The Sally Claire Haseltine Endowed Lecture is presented by the Department of the History of Art and Architecture

SCHOOL OF ARCHITECTURE AND ALLIED ARTS

Architecture

Snacks and Beverages

Architecture

concerns with the history of museums and libraries, the social history of art and design, the development of world fairs, the character of art collecting,

malaria research institute, several schools, a local open-air market, and a landing strip, all of which are connected to the

Arts and Administration

Lawrence Hall, Room 120

A&AA majors and minors Portfolio requirements Application deadlines Career paths

Jaqua Academic Center auditorium 1615 East 13th Ave.

of Zambia and is home to 130,000 Tonga people. The community is the site of an historic mission, a hospital and

Digital Arts

4:00–6:00 p.m.

Learn about

formation and sustenance of its supporting institutions. He has special

Thursday, May 22, 2014 3:00 p.m.

Macha is a rural community in the southern province

Landscape Architecture

DEPARTMENT

5-8 pm

OF ART

Friday

Senior Show

Art Planning, Public Policy and Management

A&AA

Product Design

May 30

John Reynolds Sustainability Symposium

History of Art and Architecture

aaa.uoregon.edu/programs

Lawrence Hall University of Oregon Department of Art MFA Thesis Exhibition

May 3–25, 2014

Historic Preservation

Opening Reception May 2, 6:00–8:00 p.m.

The Reynolds Sustainability Symposium is set for Sunday, May 17, 2015 on the University of Oregon campus. The symposium will honor Professor Emeritus John Reynolds’ decades of contributions to sustainable design and energy policy. Were it not for John Reynolds’ research and teaching, and the colleagues he attracted to the university, the School of Architecture and Allied Arts would not be known as a leader in sustainable design education nor would our alumni be making the level of impact they are around the globe.

bringing internationally renowned practitioners, researchers, and thought-leaders to campus for a series of lectures and panel discussions that will attract hundreds of attendees to campus while providing a world-class opportunity for our students and faculty members to interact with individuals on the leading edge of sustainable design, policy, teaching, and research. A dinner event will be held on Saturday, May 16, 2015 including event sponsors and special guests.

SPONSORSHIP LEVELS AND GIVING OPPORTUNITIES The School of Architecture and Allied Arts has a pressing need to raise funds for this ambitious symposium. You can contribute a charitable gift to benefit the 2015 Symposium and we can recognize your contribution in the following ways:

Premiere Sponsor $10,000 (one available) • Visibility in all marketing materials • Lead recognition at the event • The opportunity to introduce John Reynolds, or any other speaker, for their presentation • Four (4) seats at the Saturday, May 16 dinner event. You can choose your seating arrangement - $700 value. • Admission for eight (8) to the Reynolds Symposium - $1,800 value. Registration cost is $225.

Presenting Sponsor $5,000 (three available) • Visibility in all marketing materials • Recognition at the event • The opportunity to introduce a speaker for their presentation

The inaugural Reynolds Sustainability Symposium will be one of the most notable academic gatherings on the University of Oregon campus,

• Two (2) seats at the Saturday, May 16 dinner event. Priority seating arrangement - $350 value. • Admission for four (4) to the Reynolds Symposium - $900 value. Registration cost is $225.

Gallery Hours Friday–Sunday, noon–5:00 p.m. Interior Architecture

Location • Disjecta 8371 N Interstate Avenue, Portland, Oregon 97217 • p 503-286-9449 art.uoregon.edu/academics/grad/mfa-2014

Landscape Architecture

Art

Planning, Public Policy and Management

History of Art and Architecture

Digital Arts

Product Design

DEPARTMENT OF ART SENIOR STUDENTS WILL EXHIBIT THEIR WORK THROUGHOUT LAWRENCE HALL FOR THIS ONE DAY EVENT. SPRING STORM IS FREE AND OPEN TO THE PUBLIC. 1190 FRANKLIN BOULEVARD, EUGENE E OR 97403 ART.UOREGON.EDU

UNIVERSITY OF OREGON

Department of Architecture Graduate Student Reception Created for the University of Oregon’s Department of Architecture’s Graduate Student Reception.

we are here

DEPARTMENT OF ARCHITECTURE LECTURE SERIES

THE BEAUTY OF UTILITY

Portland

Tuesday, October 7, 2014 5:00 p.m. Ecotrust Building Billy Frank Jr. Conference Center 721 NW 9th Avenue Reception Follows

Gordon Gill’s presentation will focus on the exploration of designs and platforms that expand the concept of beauty beyond the aesthetic to include purposeful performance based solutions at all scales of the built environment. Recent Adrian Smith +Gordon Gill Architecture projects that will be discussed include the Astana Expo City 2017 Master Plan, Chengdu Great City Master Plan, FKI Tower, Beijing Waldorf-Astoria, Dancing Dragons Towers, Kingdom Tower and Masdar Headquarters. His work has been published and exhibited widely in the U.S. and internationally and his designs have repeatedly been recognized by the American Institute of Architects. In 2013 Gordon was elected to The College of Fellows at the American Institute of Architects.

University of Oregon Department of Art Second Year MFA Student Exhibition

May 2–25, 2014 Opening Reception First Thursday, May 1, 6:00-8:00 P.M.

Art

Gallery Hours Tuesday–Saturday, NOON –6:00 P.M. Location • White Box 24 NW First Avenue, Portland, Oregon 97209 • P 503-412-3689 whitebox.uoregon.edu

Federation of Korean Industries in Seoul, Korea.

GORDON GILL Gordon Gill is one of the world’s preeminent exponents of performancebased architecture. His work, which ranges from the world’s largest buildings to sustainable communities, is driven by his philosophy that there is a purposeful relationship between formal design

Kingdom Tower in Jeddah, Saudi Arabia.

Wuhan Greenland Center in Wuhan, China.

FAIA, OAA, AIBC

and performance; and that there is a language of performance, which is the basis of his practice: Form Follows Performance. A founding partner of award-winning Adrian Smith + Gordon Gill Architecture, Gordon’s work includes the design of the world’s first net

zero-energy skyscraper, the Pearl River Tower (designed at SOM Chicago), the world’s first large-scale positive energy building, Masdar Headquarters, the world’s tallest tower, Kingdom Tower in Jeddah Saudi Arabia and most recently the design of Astana Expo

2017 and its sustainable legacy community for Astana, Kazakhstan. These landmark projects pursue energy independence by harnessing the power of natural forces on site and striking a balance with their environmental contexts.

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light ac·u·punc·ture Creating a symphony of light and sound, activated by human touch, to connect and activate urban spaces

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Light acupuncture is a method of intervention in urban communities that are divided by physical and social boundaries. Using Oakland, California, USA as a case study, map pin-shaped bollards are placed along the main street, Broadway, acting as a spine that connects various neighborhoods, each strongly defined by social, economic and cultural status of its inhabitants. The objective is to use these physical interventions to connect each neighborhood through sight, sound, and touch.

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NT identification code: 5865

Created in collaboration with Olivia Asuncion

Created in collaboration Melissa Williams, Leslie Hamil, D Rennie, Brian Barker, Hazel Springer, and Rob Waters

PRESENTATION BOARDS Various Projects

A collection of various presentation boards developed for student and proffessional work.

Graphics created for HKS Architects

OH! DESIGN BLOG ONGOING

architecture - design - photography art - books - movies - gadgets - ideas

The OH! design blog was created to document my design work, ideas, and everyday interests. The intention was to create an online platform through which I could easily share recently completed projects. Since its inception, it has evolved into a driver for creativity. It is a collection of words and images that represent me. It is a machine for exploration. Currently this blog is in its fifth year of publication and shows no signs of slowing.

OMAR HASON

AIA, NCARB, LEED AP BD+C, WELL AP

“Good design can influence positive change, no matter the scale.”

720.771.8667 omarhason25@gmail.com ohdesignblog.com

SUMMARY

EXPERIENCE

I am passionate about architecture and love all things design. I am a licensed architect living in the California Bay Area and believe in a holistic approach to design that considers all scales. Sustainability and impactful design are two things I believe must be a part of EVERY project. I specialize in architectural visualizations and In my spare time I am a frequent blogger, digital photographer and avid doodler.

LOCATION: POSITION: WORK:

EDUCATION Master of Architecture University of Oregon Eugene, Oregon Fall 2013 - Spring 2015 Bachelor of Environmental Design; Architecture University of Colorado Boulder, Colorado Fall 2008 - Spring 2012 Danish Institute for Study Abroad (DIS) Copenhagen, Denmark Spring 2011

DATE: LOCATION: POSITION: WORK:

DATE:

PROJECT EXPERIENCE SERA Architects

Architect Collaborated across Workplace and Housing studios with an emphasis on design roles. Participated heavily in sustainability efforts and design culture. March 2019 - Current

HKS Architects

Architect Work on a wide variety of projects of various typologies in all phases Specialized in architectural graphics and renderings. July 2015 - March 2019

LOCATION:

University of Oregon, A&AA External Relations and Communications

POSITION:

Graphics GTF (Graduate Teaching Fellow) Graphic design of a variety of print and digital media for the University. September 2013 - August 2014

WORK: DATE:

SD DD CD

Revit Sketch-Up Rhino 3D Adobe Photoshop Adobe InDesign Adobe Illustrator

REFERENCES Available upon request.

• • • • • •

Digital Photography Free-Hand Sketching Hand Drafting Model Building Graphic Design Video Editing/Production

SERA Architects, Rennovation and Tenant

Improvement of two existing spec office buildings for a confidential tech client including office space, cafe, collaboration space and amenities. ROLE: Job Captain/Designer CO SD

The Magnolias, Morgan Hill, California SERA Architects, A 66-unit prefab modular affordable

housing project providing transitional and permanent supportive housing. ROLE: Job Captain/Designer CO

Union Station Hotel, Salt Lake City, Utah HKS Architects, An eight story, 225-key 4-star hotel

tower that attaches delicately to a historic downtown train station, revitalizing and renovating the landmark. ROLE: Project Architect/Job Captain/Designer DD CD

Kearns Building, Salt Lake City, Utah HKS Architects, Rennovation and Tenant

improvement to a +100 year old historic building in downtown SLC. Included a fitness center, breakroom, and accessibility improvements to tenant levels. ROLE: Project Architect/Job Captain/Production Team

SKILLS • • • • • •

Tech Company Office, Sunnyvale, California

University of Utah Tennis Center Remodel & Expansion, Salt Lake City, Utah HKS Architects, Concept Design package for an

addition/renovation to the George S. Eccles Tennis Center. ROLE: Designer/Production Team CO Concept Design SD Schematic Design

DD Design Development CD Construction Documents

CA Construction Admin

CO SD DD

Block-67 Hotel, Salt Lake City, Utah HKS Architects, 173,000 sf, 270-key dual brand life

style hotel with commercial podium. ROLE: Project Architect/Job Captain DD CD CA

Brigham Young University Richards Building Pool Renovation, Provo, Utah HKS Architects, Complete replacement of the diving

tank, competition pool and the family warm-up pool ROLE: Job Captain/Production Team CO

www.linkedin.com/pub/omar-hason

Murray City Office & Masterplan, Murray, Utah HKS Architects, Concept design and masterplan

for a new city office building as well as a mixed-use residential block, office building, parking garage, and retail buildings. ROLE: Designer/Production Team DD CD CA

Intermountain Layton Hospital & Parkway Clinic, Layton, Utah HKS Architects, 180,000 sf, 43-bed hospital with a

500px

500px.com/omarhason

100,000 sf medical office building. Registered under HC v2009, seeking LEED Silver Certification. ROLE: Production Team CD

Minneapolis Downtown East Pedestrian Bridge, Minneapolis, Minnesota HKS Architects, Pedestrian bridge for 1.5 million sf,

65,000-seat multipurpose and NFL stadium. ROLE: Production Team

Issuu

issuu.com/omarhason CO Concept Design SD Schematic Design

DD Design Development CD Construction Documents

CA Construction Admin

thank you

NOSAH RAMO

OILOFTROP NGISED