The Street Angle - Immortal #4 November 2016

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STREET ANGLE

I fIgavei tal lupi mmedi at el y,I ' dl os emyi mmor t al i “ t y.I ' veputi ns omanyeni gmasandpuz z l est hati twi l l keept hepr of es s or sbus yf orcent ur i esar gui ngover whatImeant ,andt hat ' st heonl ywayofi ns ur i ng one' si mmor t al i t y. ” J AMESJ OYCE

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i mmo r t a l e[ i mmo r t à l e ]a g g . , s . [ d a l l a t . i mmo r t a l i s , d e r . d i mo r t a l i s‘ mo r t a l e ’ ] 1. Ch en o nèmo r t a l e , c h en o nès o g g e t t oa l l amo r t e : l ’ a n i maèi mmo r t a l e . 2. e s t e n s . Ch en o na v r àma i f i n e : f a ma , g l o r i ai . ; g i u r a r eo d i oi . ( p i ùc o m. e t e r n o ) .

Nu me r oq u a t t r oen u me r os p e c i a l ec o n t a mi n a t od a l l es t r a d ed i T r i e s t e t i v a l . Mas o p r a t t u t t o c i e n c e+F i c t i o nFes ed a l l os u g g e s t i o n i d e l l oS i n f l u e n z a t od a lr J a me sJ o y c e ) .P r i mad iq u e s t o e n d e z v o u sconJJ(

d e adicomei mp o s t a r eq u e s t o i n c o n t r o ,d e v oa mme t t e r l o ,n o na v e v oi i mmo r t a l i t à , s u g l i e n i g mi i p u z z l e n u o v on u me r o , mal es u ep a r o l es u l l ’ a z z oedi s p e r a mi h a n n oa c c e s o , f a c e n d o mi i n t r a p r e n d e r eu nv i a g g i op Cr a s hmol t op a r t i c o l a r i , n u o v i t i s s i mo . E da l l o r as a r àu nn u me r oc o nd e i e c c h ic o n t e n i t o r i ,u nn e o n a t oGr u p p od iS v i l u p p oedunas e r i ed i ev

r o mp i c a p ot u t t id as c o p r i r e .Mat o r n i a moa lt e ma ,Co mes id i v e n t a as t r a d aconos c el ar i s p o s t amas c e g l i el amo r t a l i t à ,I l i mmo r t a l i ?L c i n e mapr o p o n es o l u z i o n ic e r c a n d ou ne q u i l i b r i od i f f i c i l et r at e mp o me mo r i aa mo r ees o l i t u d i n e . . Jmihadet t oc h en o ns if a ! Mamif e r moq u i ,n o np o s s os v e l a r et u t t o ,J P . s . No nd i me n t i c a t ei l s o u n d s h o o t , q u e s t ome s ep l a y l i s td e d i c a t a a l l en o s t r et r a c c ei mmo r t a l i . . . n a t u r a l me n t e

Bu o n aVi s i o n e ! Or p h à nOn o f f “ Sea ve s s is ve l a t otuttosubito,avreipersolamiaimmortalità. Hoc r e a t oc os ìt a nt ie epuz z l ec het e r r a nnoipr of e s s or i ni gmi

oc c upa t ipe rs e c ol iadiscuteresuquellochevolevodire,

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J J-

c e r c a t el ei c o n en e l l ep a g i n ed eT h eS t r e e tAn g l e p e ra s c o l t a r el an o s t r as e l e z i o n emu s i c a l es uS p o t i f yev i me o

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132575; Mi d d l eE n g l i s h( a d j . )<L a t i ni mmo r t ā l i s . S e ei m2, mo r t a l 1. n o tmo r t a l ; n o tl i a b l eo rs u b j e c tt od e a t h ; u n d y i n g : o u ri mmo r t a l s o u l s . 2. r e me mb e r e do rc e l e b r a t e dt h r o u g ha l l t i me : t h ei mmo r t a l wo r d so fL i n c o l n . 3. n o tl i a b l et op e r i s ho rd e c a y ; i mp e r i s h a b l e ; e v e r l a s t i n g . 4. p e r p e t u a l ; l a s t i n g ; c o n s t a n t : a ni mmo r t a l e n e my .

r i e s t es Nu mb e rf o u ra n ds p e c i a l i s s u eb l e n d e db yT t r e e t sa n dt h e S c i e n c e+F i c t i o nFes t i v a l a mb i e n c e . Bu ta b o v ea l l i th a sb e e ni n e n d e z v o u swi f l u e n c e db yt h er t hJ J( J a me sJ o y c e ) . Be f o r et h i s d e aonhowt me e t i n g , I h a v et oa d mi t , t h a tI h a dn oi os e tu pt h i sn e w u z z l e sr i s s u e , b u th i swo r d sa b o u ti mmo r t a l i t y , a b o u tp e b u sh a v e r a z yanddes t u r n e dmeo n , t a k i n gmeo nac p e r a t ej o u r n e y . An dt h u s r a s h e s i twi l l b ean u mb e ro fv e r ys p e c i f i cC , n e wa n do l db o x e s , a e v e l o p me n tGr o u pandas n e wb o r nD e r i e so fp u z z l e st ob ed i s mmo r t a l c o v e r e d . Bu tb a c kt ot h et o p i c , Ho wt ob e c o mei ?T h es t r e e t n s we rbuti k n o wst h ea tc h o o s e smo r t a l i t y , Ci n e mao f f e r sd i f f e r e n t o n gme mo r y s o l u t i o n sl o o k i n ga f t e rad i f f i c u l tb a l a n c eb e t we e nl l o v ea n dl o n e l i n e s s . Bu tI s t o ph e r e , I c a nn o tr e v e a l e v e r y t h i n g , J Jt o l dmen o tt od oi t !

o u n d s h o o t Don o tf o r g e tt h es , t h i smo n t hp l a y l i s td e d i c a t e dt o P . s .

o u ri mmo r t a l b i to fc o u r s e. . .

Or p h à nOn o f f “ I fIga vei ta l lupi mme di a t e l y ,I ' dl os emyi mmor t a l i t y.

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t hep r of e s s or sbusyforcenturiesarguingoverwhatImeant, a ndt ha t ' st heonl ywa yofi si mmor t a l i t y . ” ns ur i ngone'

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as t r a d aq u e s t av o l t ah ao f f e r t oMr . Mi n u s , u nu o moc h eh at r o v at ol as u ai mmo r t a l i t àn e l 1982c o nu nf i l md i n o meB l a d eR u n n e r . I l s u omo n o l o go ,a p o t e o s i d e l l amo r t a l i t à ,l o h ar e s os e n z ae t à ,h af e r mat oi l t e mp ot r a s f o r ma n d oi l s u op e r s o n a ggi oi nv e r ai c o n aP o p. F a s c i n on o r d i c oea u s t e r o ,Mr . Mi n u sh as f o ggi at ou no u t f i ti mp e c c ab i l eman o nèr i u s c i t oa r e s i s t e r ea l l ec o n t a mi n a z i o n i d e l l ’I t a l i a nS t y l e . Ca p p u c c i n o . Wh ate l s e ?

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h i st i met h es t r e e th a so f f e r e dMr . Mi n u s ,a ma nwh oh a sf o u n dh i si mmo r t a l i t yi n1982 wi t hamo v i en a me dB l a d eR u n n e r . Hi smo n o l o gu e ,a p o t h e o s i so fmo r t a l i t y ,ma d e h i ma ge l e s s ,i th a ss t o p p e dt h et i met u r n i n gh i s c h a r a c t e ri n t oa ni c o n i cP o p. No r d i ca n da u s t e r ec h a r mi n g,Mr . Mi n u sh a ss h o we dap e r f e c t o u t f i t sbu th ec o u l dn o tr e s i s tt ot h eI t a l i a n S t y l ec o n t a mi n at i o n . Ca p p u c c i n o . Wh ate l s e ?

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a r dt ot e l l y o uab o u tt h eme e t i n gwi t hMr . T i me s . Hewa st h ef i r s tt r a c eo ft h i si s s u e ,t h e f i r s ti n ks t a i no nt h ewh i t ep a ge . Ass o o na sI s e eh i mIn o t i c e dh i sb i gh at ,bu s h ywh i t e b e a r d ,wh i l eIa ml o o k i n gath i mIa mt h i n k i n g: “ Hemu s th av ec h a n ge dh i ss t y l er e c e n t l y "bu ti t wo r k s . Weh av eb e e nt a l k i n gf o rab i t ,wi t ht h e l i mi t sc r e at e db yt h emi x E mo t i o nS h y L a n gu a ge . F o ramo n t hIh av eb e e nt h i n k i n gi fI s h o u l dt e l l y o ua l l i nh e r e ,bu tt h ec r a s ht e l l st h e i n s t a n tf e e l t h ea c t u a l i mp a c t . An ds oh e r ei ti s as t r e a mo fc o n s c i o u s n e s sa ne n i gmat ob ed e c o d e d ,d e d i c at e dt oJ J

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p e c i a l e v e n to fOu to fP a i n tt ot h eT r i e s t e S c i e n c e+F i c t i o n . Weh a dt h ep l e a s u r eo f me e t i n gAl e s s a n d r oR e ga l d o ,e x e c u t i v ep r o d u c e ra n ds h o wr u n n e ro ft h ep r o j e c tB l at t as e r i e s f r o mt h egr a p h i cn o v e l b yAl b e r t oP o n t i c e l l i ,a mu l t i d i me n s i o n a l c o mp l e xa n da mb i t i o u sp r o j e c t . I no u rl o n gc h atwep a s s e df r o mt h ec l a u s t r o p h o b i cd i f f i c u l t i e so fI t a l i a nc i n e mat ot h e mo r t a l i t yc h o i c eo fS t r e e tAr t . I nt h e s ep a ge s wep r o p o s ea ne x t r a c tf r o mt h ei n t e r v i e ,y o u c a nf i n dt h ef u l l v e r s i o ni nt h eh o u s eo fT h e S t r e e tAn gl e ,S t r e e t i s t h e wa y . c o m

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SOUNDSHOOT MADWORLD| GARYJULES


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ALBERTO PONTI CELLI fUMETTI STA EI LLUSTRATOREi tali ano HA COLLABORATO CON MARVEL, I MAGE,I DV,VERTI GO,DI SNEY, DCCOMI CS EKOELJAPAN i tali an comi cbook i llustrator heworked for MARVEL, I MAGE,I DV,VERTI GO,DI SNEY, DCCOMI CS EKOELJAPAN

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I mmor t al i t yi s I mmor t a l i t y i s I mmo r t al i t yi s o n l y amat t e r oft i me .

PORT CS RE I cRYPT ON ATI

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NFORM I ONS SOME SUGGESTI F TO 4 E A BI ON SPAC I NATI MMAG I YOUr

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T h i sc o v e rc o mpo s i t i o ni saf r e ei n t e r pr e t at i o nb yT h eS t r e e tAn gl e . P al mao i l f r e e

T h i sc o v e rc o mpo s i t i o ni saf r e ei n t e r pr e t at i o nb yT h eS t r e e tAn gl e . P al mao i l f r e e

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“ M e mo r i aM E M O R Y ” | M r . Z e r o | “ R e s u r r e z i o n eR E S U R R E C T I O N ” | M r s . T h r e e |

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PORT CS RE I cRYPT ON ATI

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SOUNDSHOOT SYMPATHYFORTHEDEVI L GUNSN' ROSES


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OBJESSI ON I MMORTALI TYรทMORTALI TY

STREETSTI LLLI FE

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Lec i t t àInvisibili-I n v i s i b l eCities

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A do g n i p a s s oi mp r e s s oi n s t a n c a b i l me n t es u l l as t r o , t r a d anesegueunal c o nl as t i a l p o s t og i u s t o , a l mo me n t og i u s t o , a l l ' i n c o n t r og i u s t o . c o mme s s achepor L ' a v a t a rc o nl as u ai mmo r t a l i t àa r t i f i c i a l e , l ' e mu l od i n o i s t e s s i v e r ep e rs e mp r e , c o n t i n u aavi s p e r i me n t ar e a l t àn u o v eea t t r a v e r s ad i v e r s ed s e n z ap r e o c c u p a r s i d i mo r i r e i me n s i o n i I l mo r t a l eb i o l o g i c ov i v ep e rl af o i e z i o n e , d e l l ' o mb r al u n g a , d i u n ' i mmo r t a l i t àt e r r e n a a macomepr l e g a t aa l l os p a z i o . t e mp oedal A t e a c hs t e pi mp r i n t e do nt h es i t f o l l o wsa n o t h e ro n e , t r e e t h a t i t l e a d st ot h er i g h t p l a c e , a t t h er i g h t t i me , t ot h er i g h t c r a s h . b e t t i n gt T h eA v a t a rwi t hi t sa r t i f i c i a l i mmo r t a l i t y , o u r s e l v e sma t e , ol i v ef o r e v e r , c o n t i n u e st h ee x p e r i e c e sn e wr e a l i t i e sa n di t g e t st h r o u g hd i f f e r e n t t h o u t wo r r y i n ga b o u t d y i n g . d i me n s i o n swi T h eb i o l o g i c a l mo r t a l b e i n gl i v e sf o rf , al o n gs h a d o wp r o j e c t i o no f e a r t h l yi mmo r t a l i t y a me r e l a t e dt ot i meandspace.

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SOUNDSHOOT NOTHI NGELSEMATTER APOCALYPTI CA


38 TSA

T ² P L I S S K E N ’ SV E R S I O N

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39 TSA

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| d r . P L I S S K E N |

V a g a r ep e rl es t r a d eme n t r eg l i a l t r i d o r mo n o , r i e mp i r el ac i t t àc o ni F A N T A S M I d e l l ame mo r i a ec h i e d e r eal o r ou nc o n s i g l i o . M i c h i a ma n oS U S S U R R O p e r c h és i r i v o l g o n oamec o nu nf i l od i v o c e . M al aD O M A N D Aèl as t e s s a , s a r òi oav i n c e r ei l t e mp oos a r àl u i av i n c e r eme ? L aR I S P O S T Af i n a l me n t ea r r i v a s e g u ol al e t t e r a , P L I S S K E N ’ S t r o v ol aL U C E V E R S I O N d e c i d od i f u ma r c i s u

Wa n d e r i n gt h es t r e e t swh i l eo t h e r ss l e e p , f i l l i n gt h ec i t ywi t hme mo r yg h o s t sa n da s k i n gt h e i ra d v i c e . T h e yc a l l meS U S S U R R Ob e c a u s et h e yc o met omewh i s p e r i n g . B u t t h eq u e s t i o ni sa l wa y st h es a me , wi l l I b e t t h et i meo rwi l l i t b e t me ? T h ea n s we rf i n a l l ya r r i v e s , I f o l l o wt h eL E T T E R , I f i n dt h el i g h t I d e c i d et og e t s mo o k i n go v e ri t

SOUNDSHOOT W HEREDOIBEGI N THECHEMI CALBROTHERS


40 TSA

L’ OTTI MI SMO DELVENERDÌ


41 TSA

BeOpt i mi st .

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46 2016

SOUNDSHOOT COMETOGETHER THEBEATLES


42 TSA

GREATEXPECTATI ONS

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2016

OPTI MI SM ONFRI DAY


41 TSA

MEGAGI ANTMOUSE

b a mb i n oèunartista. Ev e r yc h i l disanartist. i lp r o b l e maècomerimanere Thep r o b l e mishowtoremain una r t i s t aquandocresciamo. a na r t i s toncehegrowsup.”

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SOUNDSHOOT ACROSSTHEUNI VERSE FI ONAAPPLE


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SOUNDSHOOT HOMEWARDBOUND SI MON&GARFUNKEL


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