The Street Angle #2 by Street Is The Way

A STREET PHOTO MAGAZI NE

THE

SEPTEMBER 2016

STREET ANGLE AN ONOFFJOI NT

“ F orwhatdoesas t r eetphot ogr apherdobutwal k andwat chandwai tandt al k,andt henwat chand wai ts omemor e,t r yi ngt or emai nconf i dentt hatt he unexpect ed,t heunknown,ort hes ecr ethear toft he knownawai t sj us tar oundt hecor ner . ” Al exWebb

#I NTRO

THE2ND 4ME

#OUTOFPAI NTS

Popst ai rs:auteurst ai rs

Thest ai rspai ntedi nRome bythearti stDi avù

#CRASH

MarcoMonopoli

Ci rcusofLi fe

#BUSKERSTALENTO SU STRADA

Di StradaFesti val

Parkour&Ci rcus

#OBJESSI ON

RushandPi pe ThePri soner HarleyAnatomy

#OnoffLab

TheAdventuresOfaPhotographer

#THEFRI DAY’ SOPTI MI SM

BeOpti mi st

#CONTATTI

THESTREET

I l S e c o n d os e c o n d ome Ca p a r e z z ac a n t a“ i l s e c o n d oa l b u mès e mp r ei l p i ùd i f f i c i l e , eq u e s t os e c o n d on u me r oès t a t oi n n e l l ac a r r i e r ad i u na r t i s t a ” av i aèt r a c c i a t a . S ei l e f f e t t i c o mp l e s s oet r a v a g l i a t o , maa d e s s ol , q u i i n i z i a moap e r c o r e r o p r i mon u me r oa v e v ai l s a p o r ed e l n u me r oz . t r a d e r e r el as t r a d a , c o s t r u e n d on u o v ef o r me , d e l i n e a n d on u o v es I nq u e s t on u me r oi np r i mop i a n oi l c o n t e n i t o r ededi c a t oa l l as t r e e t to fP a i n t s , g l i s t r e e ta r t i s tc o mep i t t o r i u r b a n i , n u o v i a r t i s t i a r tOu l ac i t t àr i d i s e g n a n oi n o s t r i s p a z i . e l edel c o n t e mp o r a n e i s u l l et s i t od e l l en u o v es c a l i n a t e , s c a l ed ' a u t o r e o mahaacqui Dau na n n oR a p p u n t og r a z i ea l l ’ o p e r ad i Di a v ù .

r a s hpas s i a mod a l l es c a l ea l Ci r c od e l l aVi t aconl o“ s c o n Co nC Dau nc i r c oa du na l t r oc o nBu r c oMo n o p o l i . t r o ”c o nl ’ a r t i s t aMa

d i s t r a d af e s t i v a l t r ap a r k o u rec i r c o . s k e r seg l i s c a t t i a l Ob j e s s i o ni l n o meèi l ma n i f e s t o Unn u o v op r o g e t t op e rc o n t i n u a r e , s u p e r o e ” p r o g r a mma t i c o . Ch i u d i a moc o ni l l a bc h es f o r n au nn u o v o“ l ’ o t t i mi s mo . e di n f i n ei l n o s t r oc a v a l l od i b a t t a g l i a . . . Ri c o r d a t ed i “ p r o v a r e ”g l i E a s t e rE g g s , d i s s e mi n a t i n e l l ep a g i n e ,

v i a g g i o . n u o v i i n p u tp e ra p r i r ea l t r es t r a d e , p e rp r o l u n g a r ei l o l o n n as o n o r a,edecco E di n f i n en o np u oe s i s t e r ev i a g g i os e n z ac s o u n d s h o o t , i l s u o n od e l l os c a t t o , s u g g e s t i o n i s o n o r ep e ri a l l o r ai l p a l a t i p i ùf i n i . Bu o nVi a g g i o ! . s . L ac o l o n n as o n o r ac o mp l e t ad i q u e s t on u me r ol ap o t e t et r o v a r es u P S p o t i f y

On o f f

THEANGLE

T h e2n d4me Ca p a r e z z as i n g" t h es e c o n da l b u mi sa l wa y st h emo s td i f f i , a n dt h i ss e c o n dn u mb e rwa s c u l ti nt h ec a r e e ro fa na r t i s t " o mp l e xandconf l i c t e d , b u tn o wt h ep a t hi sd r a wn . I ft h ef i r s t i n d e e dc , h e r ewes t a r tt og od o wn e r o n u mb e rh a dt h et a s t eo ft h en u mb e rz , b u i l d i n gn e wf o r ms , ma p p i n go u tn e wr o a d s . t r e e t t h eS I nt h i sn u mb e ri nt h ef o r e g r o u n dt h ec o n t a i n e rdedi c a t e dt os t r e e ta r t o u to fp a i n t st h es t r e e ta r t i s ta su r b a np a i n t e r s , n e wc o n t e mp o r a r y p a c e . r a wi n gours a r t i s t so nt h ec a n v a so ft h ec i t y , r ed r e ds o men e ws t a i r s , s t a i r so fa u t h o rn o t e o mehasacqui Ay e a rf r o mR t h a n k st ot h ewo r ko fd i a v Ã¹ .

r a s hwegodownt h es t a i r st ot h ec i r c u so fl i f ewi t ht h ec l a s h Wi t hc u s k e r s wi t ht h ea r t i s tMa r c oMo n o p o l i . F r o mo n ec i r c u st oa n o t h e ri nb i S t r a d af e s t i v a l i np a r k o u r , c i r c u sa n d . . . a r et h es h o o t sa tD Ob j e s s i o nt h en a mei st h ep r o g r a mma t i c An e wp r o j e c tt oc o n t i n u e , S u p e r h e ma n i f e s t o . L e t ' sc l o s ewi t ht h el a bt h a tc h u r n so u tan e w" "a n do u rh o r s eo fb a t t l e . . . r o t h eo p t i mi s m. R e me mb e rt o" t r y "t h eE a s t e re g g s , s c a t t e r e di nt h ep a g e s , n e w r i p . i n p u tt oo p e no t h e rs t r e e t st oe x t e n dt h et o u n d t r a c k , s oh e r ei st h e An df i n a l l yc a n ' te x i s tt r i pwi t h o u tas s o u n d s h o o t , t h es o u n do ft h es h u t t e r , s o u n ds u g g e s t i o n s , f o rt h emo s t o u r me t s . d e ma n d i n gg o o dt r i p ! Ha v eag

p o t i f y P . S . T h ec o mp l e t es o u n d t r a c ko ft h i sn u mb e ry o uc a nf i n do ns

On o f f

SOUNDSHOOT I LSECONDOSECONDOME-CAPAREZZA

MI CHELLEMERCI ER POPSTAI RS

OUTOFPAI NTS

t r uf f a utderay a z na vour ma s t r oi a nnig a s s ma ngabin c ol l i s onb a vamonicellir i s i manfredibe l mondogemmac ur t i s me l vi l l e

«Poi ntofCont r ol» Vi aRonci gl i one,Rome|Onof f2016

SOUNDSHOOT GOLD-KI I ARA

I NGRI DBERGMAN POPSTAI RS

OUTOFPAI NTS

ba c i a mi c ome s efossel'ultimavolta”.

Ki s sMe

“ Ba c i a mi ,

“ Ki s sme .

i twe r et hel a s tt i me ” . i f

a s

Ca s a b l a n c a

I l s aLu n dLa s z l o-

I nmos t r aperi l Cr acovi a2016

alkonf eder acka4-Cr acovi a exi bi t i on

«AsT i meGoesBy» ” Vi aF i ami gnano,Rome|Onof f2016

SOUNDSHOOT PLAYI TSAM. . . -CASABLANCAOST

1 0

ANNAMAGNANI POPSTAI RS

OUTOFPAI NTS

Kn r g

“ Ca p p e l l oP a na maintesta,passolento,unuomodistintoincapacediscacciareunapreoccupazionerecente,

1 1

" Pa na mahatonthehead,slowly,amanofdistinctionunabletowardoff

or s aenelprofilodelvol t osipercepisceunrespiroteso. i lp u g n os e r r ai lma ni c ode l l ab on c e r n ,t hef i s ts e r r at heha ndl eoft heb a ga n d Ar e c e ntc

Lag e o me t r i al ogi c ade l l as c a l i na t aaba ndepa r a l l e l e ,i lr i t r a t t od i An n aMa g n a n i

r e a t hfeelstense.Thegeometrylogicofthestaircase,parallelstripes Th ep r o f i l eo ft h ef a c ei sab ol l i e vo” a c c o mp a gna noi ls uopa s s a ggi or e ga l a ndo,f or s e ,uns os pi r od is

e l i e f" Th ePo r t r a i to fAnnaMa gna nia c c ompa nyhi sr i degi vi nga wa y ,pe r h a p s , as i g ho fr

«T heAcci dent alT our i s t» Vi aAndr eaDor i a,Rome|Onof f2016

SOUNDSHOOT CESGENSLÀ-NOI RDESÌ R

1 2

ANNAMAGNANI POPSTAI RS

OUTOFPAI NTS

1 3

r ughe ,

“ La s c i a mit ut t el e

t ogl i e r enemmenouna. Cihome s s ounav i t aafarmelevenire” nonmene

don' t r e t ouc h myw . r i nkl e s I tt ookmes ol ongtoearnthem” “ Pl e a s e

Ma g n a n i

An n a

«Anna’ sL egacy» Vi aAndr eaDor i a,Rome|Onof f2016

POPSTAI RS

1 4

ELENASOFI ARI CCI POPSTAI RS

OUTOFPAI NTS

1 5 "a n dr e me mbe r : s e r vochenonsiribella whodoe snotr e be l t hes e r va nt èpe ggi ode lpa dr onec hel oc ” oma nda I ti swor s et ha nt hema s t e rwhoc omma ndshim" “ Et ur i c or da :i l

I nn o med e lp o p o l os ovr a no

Cr i s t i n aAr q u a t i-

Ne l l epr os s i me

s e t t i ma ne “ c ons ur e mo”un

e s pe r i me nt o f ot ogr a f i c o i nque s t os e t , t r e e tda t e unos mol t o pa r t i c ol a r e . . . I nt hene xtWe e ks we“ Cons ume ”a Ph ot ogr a phi c

Expe r i me nt I nt hi ss , e t as t r e e tda t e Ve r ys pe c i a l . . . «I nnomedelpopol os ovr ano» Scal eaUgoBas s i ,Rome|Onof f2016

POPSTAI RS

1 6

“ Qu an dot i mu ov i al l av el oc i t àdel l av i t a. . . s c on t r ar s i èi n ev i t abi l e . Wh eny ouar emov i n gatt h es peedofl i f e , wear ebou n dt oc ol l i dewi t heac hot h er ” " Cr a s h-Co n t a t t of i s i c o " P a u l Ha g g i s ( 2004)

CRASH

“

1 7

I nu n ac i t t àv er as i c ammi n a. Sf i or i gl i al t r i pas s an t i , s bat t i c on t r ol agen t e . Qu i aL osAn gel esn onc ’ èc on t at t of i s i c oconn es s u n o: s t i amot u t t i di et r ov et r oemet al l o . I l i man c at al men t e c on t at t oc c h ec i s c h i an t i amocontrogl i al t r i s ol opers en t i r n el ap r es en z a. I nan yr eal c i t y , y ouwal k , y ouk n o w? Y oub r u s hpastpeopl e , peopl eb u mpi n t oy ou . I nL . A. , n obodyt ou c h esy ou . We' r eal waysbeh i n dt h i smet al an dgl as s . I t h i n kwemi n t oeac hot h er , s sthattouchsomuch,thatwecrashi j u s ts owec anf eel s omet h i n g.

Cr a s h-Co n t a t t oF i s i c o( 2004) P a u l Ha g g i s

”

r as hn as c edal l av ogl i adi v al or i z z ar egl i s t r e e tdat egl i appu n t ame n t i c h el as t r ada of f r e ,s c on t r i c onr e al t àdi f f e r e n t i ,c onu man i t à di f f e r e n t i ,f u gac i i n c on t r i di s gu ar di ,l e t t u r ef ot ogr af i c h ei n s t an t an e e ,u n al e t t u r ade l l as u pe r f i c i ec h et r as par e . . . i nqu e s t oappu n t ame n t o l ’ i n c on t r oc onu nar t i s t aMar c oMon opol i ,at t r av e r s oi mi e i oc c h i el es u eope r eu ni n c on t r o di s gu ar di f i l t r at i .

r as hi sbor nf r omt h ede s i r et oe n h an c et h e s t r e e tdat e s ,t h eappoi n t me n t st h att h es t r e e t of f e r s ,pu tc l as h e swi t hdi f f e r e n t ,wi t hdi f f e r e n t h u man i t y ,me e t i n gsoff l e e t i n ggl an c e s , dde nph ot ogr aph i cr e adi n gs ,ar e adi n gof s u t h ear e awh i c hi se v i de n t . . . i nt h i sdat et h eme e t i n gwi t hanar t i s tMar c oMon opol i ,t h r ou ghmy e y e san dh i swor k same e t i n goff i l t e r e dl ook s .

SOUNDSHOOT WI SEUP-AI MEEMANN

1 8

Per cez i onis ens or i al i ,s t at id' ani mo,mani f es t az i onidel l ' i o,i ncor ni ci at is us uper f i cidal l et ext ur e maibanal i ,avol t as or pr endent i . . . Sens or yper cept i ons ,moods ,mani f es t at i onsoft heego,f r amedby t ext ur eds ur f acesar enever banal ,s omet i mess ur pr i s i ng. . .

F r a n c e s c oI mp e r i o

CRASH

1 9 “ T RAREGOL EEANARCHI A” 100x70cm mi xed,col l age, var ni s h,acr yl i c, pos t erpai ntonMDF

MARCO MONOPOLI

CRASH

« Wat chwor d-Par ol ad’ or di ne» |Onof f2016

Car t e,met al l i ,ogget t idi ver s i ,cor t ecci adial ber i vengonor i pl as mat idaMar coMonopol i" Quent i n" ches egueconpaz i ent et enaci al el or opos s i bi l il ocaz i oni ,as col t ail or ol i nguaggipot enz i al i .L i nee, paes aggi ,col or i ,mas cher edel i neanocos ìununi ver s os i mbol i codens odial l us i vi t àepoet i ci t à.

Car ds ,met al ,ot herobj ect s ,t hebar koft r eesar e bei ngr es hapedbyMar coMonopol y"Quent i n" f ol l owi ngwi t hpat i entper s ever anceandt hei rpos s i bl el ocat i ons ,l i s t enst ot hei rpot ent i all anguages . L i nes ,l ands capes ,col or s ,mas ksaswel lpai nta dens es ymbol i cuni ver s eofal l us i onsandpoet i c.

P r o f . L u i g i Ma r i aL o mb a r d i S a t r i a n i

«L ookMeUp» |Onof f2016

SOUNDSHOOT GI OI AERI VOLUZI ONE-AREA

Nel l es equenz ef i nal idi" Z abr i s ki ePoi nt "Mi chel angel oAnt oni onir appr es ent al ' es pl os i onediun enor mecat as t adir i f i ut ichedi s t r uggecos ìl ' or di nat ecos t r uz i onedel l as oci et àcont empor anea. . . Quit al is equenz evengonor i cor dat epers ot t ol i near ecomeM.M.ut i l i z z is i s t emat i cament er i f i ut ididi ver s ot i po,mat er i al e,cons i s t enz a,s pes s or e,perr ecuper ar l ii nunot t i car adi cal ment edi ver s a. . . I nt hef i nals equenceof"Z abr i s ki ePoi nt"Mi chel angel oAnt oni onii st heexpl os i onofahugepi l eof was t et hatdes t r oyst hewel lor der edcons t r uct i onof cont empor ar ys oci et y. . . Her et hes es equencesar e r emember edt oemphas i z ehow M.Monopol is ys t emat i cal l yus eswas t eofdi f f er entt ypes ,mat er i al , t ext ur e,t hi cknes s,t or et r i evet hem i nar adi cal l y di f f er entper s pect i ve. . .

P r o f . L u i g i Ma r i aL o mb a r d i S a t r i a n i

CRASH

«J oi ntPoi nt» |Onof f2016

SOUNDSHOOT

LUGLI O, AGOSTOESETTEMBRE( NERO)-AREA

BUSKERS

25 BUSKERS|DISTRADA FESTI VAL

ni z i amodal l af i ne. . . Ungi or nof i ni s ce, t r amal i nconi a,s t anchez z a. . . euna memor i api enadif acce,par ol e,s or r i s i ,vol t imes col at i ,avol t ei ndi s t i ngui bi l i edunnuovobackupdar i f ar e,uni nvent ar i odiemoz i onicont r as t ant it ut t e dacat al ogar e.Siar chi vi ai lbel l oi l br ut t o,l epi ccol eemoz i oni ,l eamar ez z e,is or r i s iamet à,conl ei mmagi ni i nl ungadi s s ol venz as ul l ar eal t àf uor i dalpal co,cheas pet t a,paz i ent ement ei lr i t or noacas a. . . T heSt agei sOver

et ' ss t ar tf r om t heend. . . Oneday ends ,mal i ncony,t i r ednes s . . .anda memor yf ul loff aces,wor ds,s mi l es, mi xedl ookss omet i mesi mper cet t i bl e andanew backupt obedone,ani nvent or yofconf l i ct i ngf eel i ngst ober ecor ded.I ti st i met oar chi vet hebeau t y, t heugl i nes s ,t hes mal lf eel i ngs ,t he bi t t er nes s,t hehal fs mi l es ,wi t hevanes centpi ct ur esont heof f s t ager eal i t y, t owai tpat i ent l yt or et ur nhome. . . t he St agei sover

«T heSt agei sOver» |CAE-Rome|Onof f2016

SOUNDSHOOT STANCOEPERDUTO-VI NI CI OCAPOSSELA

Pa r k o u r f uc o n i a t od aDa v i dBe l l eeHubertKoundénel1998,derivada p a r c o u r sd uc omba t t a nt( pe r c or s ode lc o mb a t t e n t e ) , o v v e r oi lp e r c o r s odiguerrautilizzatonell'addestramentomi l i t a r e . p r o p o s t odaGe or ge sHé be r t .Di s c i p l i n ame t r o p o l i t a n an a t aa g l ii n i z ide g l ia n n i‘ 9 0i nF r a nc i a , c o n s i s t en e l l ' e s e g u i r e u npe r c or s o,a da t t a ndoi lpr o p r i oc o r p oall'ambientecircostante.Ametàtrada nz aea c r oba z i a , l os c o p ode lPa r kour ,s e mpl i f i c a n d o , ès p o s t a r s in e lmo d op i ùe f f i c i e n t epossibile,daunpuntoAaunpuntoB, i lt e r mi ne

t het e r m

Pa r k o u r wa sc o n i e db yDa v i dBe l l eandHubertKoundéin1998,comesfrom

mi l i t a r ytraining.proposedbyGeorgesHébert.

p a r c our sduc omba t t a nt( t hep a t ht ot h ef i g h t e r ) , Us e di n

Fr a nc e , i st op e r f o r map a t h , a d a p t i n gt h e i rb o d yt ot h es u r r o u n d i n ge n v i r o n me n t . a nc ea nds t unt Ha l f wa ybe t we e nd , t h ep u r p o s eo fp a r k o u r , s i mp l i f y i n g , f f i c i e nt I t ' smovei nt h emo s te wa yp o s s i b l e , f r o map o i n tat op o i n tb ,

Th ed i s c i p l i newa sbor ni nt hee a r l y9 0 ' si n

BUSKERS

SOUNDSHOOT

LATRAVI ATA: OVERTURE-PHI LARMONI CASLAVONI A

a r k o u rèandatoinscenacon«Ba n l i e ue13 »( » Su lg r a n d es c h e r moi lP 2004)eBr i c kMa ns i ons ( 2 0 1 4 ) , e n t r a mb ic o nl ap a r t e c i pa z i onediDa vi dBe l l e . Ne l2006a nc heJ a me sBond(DanielCraig), d i mo s t r ao t t i med o t id it r a c e u r . . . i ls uoi ns e gui me nt oi n«Ca s i n oRoya l e »s a r àunac ons a c r a z i one . Ont h eb i gs c r e e nt h ep we ntons t a gewi t h“ Ba nl i e ue13”( 2004)a nd“ Br i c kMa ns i ons ”( 2014) , a r ko u r b o t hwi t ht h ep a r t i c i p a t i onofDa vi dBe l l e . I n2006, e ve nJ a me sBond(DanielCraig), s h o wsav e r yg o o dt r a c e u r . . . Hi spur s ui ti n“ Ca s i n oRo ya l e ”willbeaconsecration.

«SocksAndShoes» |Ci t t àdel l ’ Al t r aEconomi a-Rome|Onof f2016

BUSKERS

SOUNDSHOOT FALLENFROM THESKY-GLENHANSARD

OBJESSI ON RUSTANDPI PES

OBJESSI ON

STREETSTI LLLI FE

L' o c c h i ononvedecose maf i g u r edicose o s e c hes i gni f i c a noa l t r ec .

“

e y edoesnotseethings b u ti ma g e softhings h i n g s t h a tme a not he rt ” .

“ Th e

Lec i t t àInvisibili-I n v i s i b l eCities

I t a l oCa l vi no-

Gl io g g e t t i c h ec ic i r c o n d a n o , c h ei n c o n t r i a mos u l l an o s t r as t r a d a

n o ns o n os o l oo g g e t t imae l e me n t i“ vi t a l i ”chestimolanoinostrisensi, av o l t ec ir a p p r e s e n t a n o , av o l t el ip e r c e p i a mos o l oi , nc os c i a me nt e mae s i s t o n oevivonointornoanoi,amplificandopassioniedesideri.

Pe rc h il ip e r c e p i s c ea t t r a v e r s ou n al e n t e , p o s s o n oa s s u me r es e n s i , , f or me s i g n i f i c a t id i f f e r e n t i , e l e me n t ia l l u c i n a t o r ieo s s e s s i vi

I lLe g a met r al ’ e s s e r euma noeglioggettièormaisimbioticooltre c h eo s s e s s i v o , i nu nmo n d oc h es e mb r as e mp r ed ip i ùi lp i a ne t a

c h ep r o f e t i c a me n t eDa vi dCr one mbe r gavevaimmaginato. Th eo bj e c t sthatsurroundus,thatweseeonourway

I ' mn o tj u s to b j e c t sb u te l e me n t s" vi t a l "thatstimulateoursenses,

So me t i me st h e r ea r e , s o me t i me swep e r c e i v eo n l ys ubc ons c i ous l y,

Bu tt h e ya r ethereandtheylivearoundus.byamplifyingpassionsanddesires. Fo rt h o s ewh or e c e i v et h e mt h r o u g hal e n s , c a nt a k es e n s e s , f or ms Di f f e r e n tme a n i n g s , h a l l u c i n a t o r ye l e me n t sa n do bs e s s i ve

Th eBo n db e t we e nh uma nbe i ngsandobjectssymbioticisnowover Th a tOb s e s s i v e , i nawo r l dt h a ts e e msmo r ea n dmo r eo ft h ep l a ne t Th a tPr o p h e t i c a l l yDa vi dCr one mbe r ghadimagined

SOUNDSHOOT KARMACOMA-MASSI VEATTACK

OBJESSI ON THEPRI SONER

OBJESSI ON

STREETSTI LLLI FE

L' o c c h i ononvedecose maf i g u r edicose o s e c hes i gni f i c a noa l t r ec .

“

e y edoesnotseethings b u ti ma g e softhings h i n g s t h a tme a not he rt ” .

“ Th e

Lec i t t àInvisibili-I n v i s i b l eCities

I t a l oCa l vi no-

I lp r i g i o n i e r onascosto,neigraffidellanotte, r i e s c iav e d e r el ’ o c c h i o ?

Av v i c i n a t i l e n t a me n t ea lc e n t r od e l l af o r o. . . s t e r i o s oprigioniero. ev e d ii lmi r i s o n e r Th eh i d d e np , i nt h eg r o o v e so ft h en i g h t , y e c a ny o us e et h ee ?

o o msintothecenterofthephoto. Sl o wl yz . . s t e r i o u sprisoner a n ds e et h emy

SOUNDSHOOT PANDA-DESI I GNERS

OBJESSI ON HARLEYANATOMY

OBJESSI ON

STREETSTI LLLI FE

L' o c c h i ononvedecose maf i g u r edicose o s e c hes i gni f i c a noa l t r ec .

“

e y edoesnotseethings b u ti ma g e softhings h i n g s t h a tme a not he rt ” .

“ Th e

Lec i t t àInvisibili-I n v i s i b l eCities

I t a l oCa l vi no-

Noic r e d i a mon e l l ’ a n d a r ep e rl an o s t r as t r a d aincurantidiqualestradapercorrailrestodelmondo Noic r e di a mon e l l ' o p p o s i z i o n ea ls i s t e mac h eès t a t oc r e a t op e rc o l p i r eg l ii n d i v i d u ic o mei n s e t t is u lp a r a br e z z a Al c u n id in o ic r e d o n on e l l ' u o mod e lp i a n od , is opr a t u t t in o ic r e d i a mon e lr i s p e t t a r el ' u o moquisullaterra No ic r e d i a mon e lc i e l oenoncrediamoneltettuccioapribile No ic r e d i a mon e l l al i b e r t à No ic r e di a mon e l l ap , n e ic e s p u g l ir o t o l a n t i , n e ib u f a l i , n e l l ec a t e n emo n t u o s een e l l ec a v a l c a t ev e r s oi lt r a mo n t o o l v e r e No ic r e d i a mon e l l eb i s a c c eec r e d i a moc h eic o wb o y sleavevanoalpostogiusto No ic r e d i a mon e lr i f i u t odiinginocchiarciachicchessia No ic r e d i a mon e lv e s t i r ed in e r op e r c h èn o ns is p o r c aen o nd i mo s t r ad e bo l e z z e No ic r e d i a moc h ei lmo n d os i al e n t oenoinonlocondividiamo mo t o c i c l i s t i c ic h ed u r a n ou n as e t t i ma n a No ic r e d i a moi ng i r i Noic r e di a mon e lf a s c i n od e lb o r d os t r a d a , b e n z i n a i ,h o td o g senelloscoprirecosanascondelaprossimacollina No ic r e d i a mon e imo t o r ir o mb a n t i , p i s t o n ig r a n d ic o meb i d o n i , s e r b a t o id i s e g n a t in e l1 , 963 f a n a l ig r a n d ic o meq u e l l id iu nme r c i , c r o moev e r n i c i a t u r ac us t om No ic r e d i a moi nf i a mmeet e s c h i No ic r e d i a moc h el av i t aèc i òc h en ef a ien o in ef a c c i a mou ni n f e r n od ic a va l c a t e No ic r e d i a mocheilveicolosulqualesiedipuòdirealmondoesattamentedachepartestai No nc ii mp o r t ad ic o s ac r e d o n og l ia l t r i

Ame n

SOUNDSHOOT THUNDERSTRUCK-AC/ DC

OBJESSI ON HARLEYANATOMY

OBJESSI ON

STREETSTI LLLI FE

L' o c c h i ononvedecose maf i g u r edicose o s e c hes i gni f i c a noa l t r ec .

“

e y edoesnotseethings b u ti ma g e softhings h i n g s t h a tme a not he rt ” .

“ Th e

Lec i t t àInvisibili-I n v i s i b l eCities

I t a l oCa l vi no-

Web e l i e v eingoingourownway,nomatterwhichwaytherestoftheworldisgoing. . Web e l i e v ei nb u c k i n gt h es y s t e mt h a t ’ sb u i l tt os ma s hi n d i v i d u a l sa sb u g so nawi nds hi e l d . So meo fu sb e l i e v ei nt h ema Al lo fu sb e l i e v ei ns t i c k i n gi tt ot h ema nd o wnh e r e . nu p s t a i r s

Web e l i e v ei nt h es k yandwedon’tbelieveinthesunroof.

Web e l i e v ei nf r e e d o m

Web e l i e v ei nd u s t ,t u mb l e we e d s , b u f f a l o,mountainrangesandridingoffintothesunset. Web e l i e v ei ns a d d l eb a g sa n dweb e l i e v et h a tc o wb oyshaditright. Web e l i e v ei nr e f u s i n gtoknuckleundertoanyone. . Web e l i e v ei nwe a r i n gb l a c k , b e c a u s ei td o e s n ’ ts h o wa n yd i r to rwe a kne s s

Web e l i e v et h ewo r l disgoingsoft,andwe’renotgoingalongwithit. Web e l i e v ei nmo t o r c y c l er a l l i e sthatlastaweek. Web e l i e v ei nr o a dsideattractions,gasstationhotdogs,andfindingoutwhat’soverthenexthill. Web e l i e v ei nr u mb l i n ge n g i n e s , p i s t o n st h es i z eo fg a r b a g ec a n s , f u e lt a n k sd e s i g n e di n1 936, f r e i g h t t r a i ns i z eh e a d l i g h t s , c h r o mea n dc u s t ompaint. Web e l i e v ei nf l a me sandskulls. . Web e l i e v el i f ei swh a ty o uma k ei t , a n dwema k ei to n eh e l lo far i de

Web e l i e v et h ema c h i n eyousitoncantelltheworldexactlywhereyoustand. Wed o n ’ tc a r ewhateveryoneelsebelieves…

Ame n

SOUNDSHOOT THUNDERSTRUCK-AC/ DC

L’ OTTI MI SMO DELVENERDÌ

41 L’ OTTI MI SMO DEL VENERDÌ |FRI DAY’ S OPTI MI SM

api ùdi 1an n oeme z z oogn i Ve n e r d ì pu bbl i c ou n af ot o ,er i u s c i r eapu bbl i c ar l ao gn i s e t t i man a,r appr e s e n t ape rme ,i n du bbi ame n t e , l apr i maf on t edi ot t i mi s mo . . . c i s on o ,r e s pi r o , v i v oes c at t o! L ’ Ot t i mi s mon onès e mpr ees ol opos i t i v i t à,ma èu n api c c ol as pi n t aadan onar r e n de r s i mai ,a l ot t ar e ,an onpe r de r el as pe r an z a. Comei l n os t r o“ Ma s t e ro fP a t i e n c e ”c h eèdi s pos t oadas pe t t ar et u t t al av i t ai nc ambi odi u n as pe r an z a. P ot e t ev e de r eepar t e c i par eal l ’ ot t i mi s mo ,s u i pr i n c i pal i S o c i a l es uS t r e e t I s T h e Wa y . c o m

ormor et h an1y e aran dah al fIpu bl i s h e v e r yF r i d a yapi c t u r e ,an dbeabl et opu bl i s hi t e v e r ywe e k ,f orme ,i su n dou bt e dl y ,t h ef i r s t s ou r c eofopt i mi s m. . . t h e r ear e ,br e at h ,l i v ean d s h o o t ! Opt i mi s mi sn otal way san don l ypos i t i v i t y ,bu t i sal i t t l epu s ht ot on e v e rgi v eu p ,t of i gh t ,n ot t ol os eh ope . Asou r" Ma s t e ro fp a t i e n c e "t h ati swi l l i n gt o wai tal l y ou rl i f ei ne x c h an gef orah ope . Y ouc ans e ean dpar t i c i pat ei nt h eopt i mi s m,on maj ors oc i al an donSt r e e t I s T h e Way . c om

«Mas t erOfPat i ence» |Onof f2016

FRI DAY’ S OPTI MI SM

42 0107201 6

L’ OTTI MI SMO DEL VENERDÌ |FRI DAY’ S OPTI MI SM

BeOpt i mi st . L ’ o t t i mi s moi ne s t at es i de c l i n ai nmodi ef or me d i f f e r e n t i ,al u gl i os i amopas s at i dal l ’ ambi e n t ef ami l i a r edi“T wi n s e t”e“An n a ’ sL e g a c y”as i mb o l i d e l l ’ i t al i an i t àc on“Ma d eo fI t a l y” ,c on“I ’ m T o oBa d”i n v e c eabbi amo2ar t i s t i ,ops e u dot al i , ac o n f r on t o . . . c onpi c c ol edi f f i c ol t ài de n t i t ar i e . I l me s es i c h i u dec oni l n os t r o“Ma e s t r od i P a z i e n z a”e di l s u oat t e n de r e . AdAgos t oabbi amo a p e r t ol eol i mpi adi c on“Ol i mp i cP r o p o s a l ”u n o f f e r t ac h en ons i pu òr i f i u t ar e ,pe rpoi pas s ar e a du nt r amon t on e l l et e r r ede l s u dc on“Ca l a b r i f o r n i aDr e a mi n g”e dal “Ba t t e s i mo ”di On of f . Ch i u d i amoi l me s ec onu not t i mi s modi f f i c i l ee a ma r o . . . “S t a l e ma t e : T r aCi e l oeT e r r a” T h eo p t i mi s mi ns u mme ri tde c l i n e si ndi f f e r e n t mo d e san df or ms ,i nJ u l yweh av emo v e df r omt h e f a mi l ye n v i r on me n tof“T wi n s e t”an d“An n a ' s l e g a c y”t os y mbol sofI t al i anc h ar ac t e rwi t h “Ma d eo fI t a l y” ,wi t h“I ' mt o ob a d”i n s t e adwe h av e2Ar t i s t s ,orps e u dos u c h ,i nc ompar i s on . . . wi t hl i t t l edi f f i c u l t yofi de n t i t y mak i n g. T h emo n t he n dswi t hou r“ Ma s t e ro fP a t i e n c e ” a n dh i swai t . I nAu gu s t ,weope n e dt h eOl y mpi c s wi t h“Ol i mp i cP r o p o s a l ”anof f e ry ouc an ' t r e f u s e ,an dt h e ns wi t c ht oas u n s e ti nt h el an dsof t h es o u t hwi t h“Ca l a b r i f o r n i aDr e a mi n g”an dt o“ T h eBa p t i s m"ofOn of f. L e t ' sc l os et h emon t hwi t haopt i mi s mh ar dan d b i t t e r . . . “S t a l e ma t e : Be t we e nHe a v e na n dE a r t h” L’ OTTI MI SMO DELVENERDÌ

TW I NSET 0807201 6

ANNA’ SLEGACY 1 507201 6

MADEOFI TALY

43 1 208201 6

2207201 6

I â&#x20AC;&#x2122; M NOTBAND CALABRI FORNI ADREAMI NG 1 908201 6

2907201 6

SM MASTEROFPATI ENCE THEBAPTI 2608201 6

0508201 6

OLI MPI CPROPOSAL STALEMATE

SOUNDSHOOT HERO-FAMI LYOFTHEYEAR

L’ OTTI MI SMO DELVENERDÌ

45 L’ OTTI MI SMO DEL VENERDÌ |FRI DAY’ S OPTI MI SM

26Agos t o2016

e l l as e t t i man ade l l at e r r achet r e ma,di f f i c i -

f i l o l er i u s c i r eade s s e r eot t i mi s mi en onv e de r ei l s ot t i l ec h er e gol ai n os t r i d e s t i n i ,c h ec i r e n de e di n di f e s i . Mac ’ èu ne s i f r agi l i q u i l i b r i opos e r r a,f or s edobbi amos ol os f r u t i e l oet bi l et r ac , t ab i l i t à t ar el egi u s t ec or r e n t i pe rt r o v ar el as u n t odiequi l i br i o ,l o r aggi u n ge r eu nn u o v op s t al l oneces s ar i o .

26Au gu s t2016

nt h ewe e koft h ee a r t ht h ats h ak e s ,h ar dt o

h at h r e a dt beopt i mi s man dn ots e et h et h i nt

,t h atmak e su swe akan dh e l e s t i n i e s r u l eou rd we e n a l a n c ebet pl e s s . Bu tt h e r ei sapos s i bl eb t h ,may bewej u s tn e e dt ou s e h e av e nandear t or e ac ha t ab i l i t y , t h er i gh tc u r r e n t st of i n ds t a l e mat e . n e wpoi n tofbal an c e ,an e c e s s ar ys

«St al emat e:T r aci el oet er r a» |Onof f2016

SOUNDSHOOT LEVENT NOUSPORTERA-NOI RDESÌ R

ARTSTREET PHOTO MAGAZI NE

THE

STREET ANGLE

SEGUI CISU FOLLOW US W W W. STREETI STHEWAY. COM

@OnoffVi ew

AN ONOFFJOI NT SETTEMBRE2016

sevoleteraccont areivostrieventi , levostreatti vi tÃ , levostrestori e, levostrepassi oni , attraversogliocchidiStreetAngle, nonsi ateti mi di ,scri vete! i fyouwanttotellyourevents, youracti vi ti es, yourstori es, yourpassi ons, throughtheeyesofStreetAngle, donotbeshy,wri te!

onoff@streeti stheway . com