Cop Task 1

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What is your question? Authorial Tone : How does personal drawing practice drive professional practice for an illustrator? What is the question’s background? ­

Illustration Practice

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Drawing/ Mark making

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Drawing as a language

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Research surrounding drawing

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Methodologies of drawing practice

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Tone of voice within practice

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To suggest that ongoing drawing practice helps create a personal language which is then used in client based work (as a reason behind your selection) Why is it important to you?

I want to better understand what illustration is and how drawing practice is intrinsically linked with this professional practice. I want to learn about it from the viewpoints of professionals and academics who research it. I think my research will not define a set route or routine for drawing practice as an illustrator because I realise this will be distinctive to the individual, more to investigate the benefits and thought processes behind it and the personal language/ tone of voice which develops with exercised drawing practice. How will it contribute to your development? I hope by deepening my understanding of what illustration is today it will better inform the way I approach projects and briefs. By exploring other practitioners methods of drawing practice and how it influences their professional work I hope to bridge a gap I feel I have between personal and professional practice. Are they definably different?


How are you going to research it? I could use qualitative research methods to explore the why and how’s of decisions made in drawing practice­ ​ would this be possible? How do I measure this? Investigating performative research as a new paradigm for illustration research, this has already been researched by Stephanie Black, how can her research aid me? ­

Varoomlabs

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A Manifesto for Performative Research; Haseman, Brad (2006)

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Writing on Drawing­ ​ Steve Garner

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Authorial Tone­ Steve Braund

What will your practical outcome be? My research will focus on how drawing practice influences professional practice, should my practical outcome be a tool aimed toward professionals to aid drawing practice? Or should I think about using my research to target young adults as a campaign to engage with drawing? Or should I target my peers/illustration students? ­Using my research to positively encourage people to draw? ­ A campaign? E.g ​ The Campaign for Drawing/ The Big Draw ­ A colouring book? ­ A drawing diary? ­ A sketchbook or project with collaborative input ­ A project/exhibition which looks behind the finished outcome/illustration *I can’t use my research to try and influence how people implement drawing practice ____________________________________________________________________________ Is this too broad? Am I asking a real question or just wanting to investigate my interests? How do I understand/measure what drawing means?



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