Ctrl full score

Laurence Osborn

Ctrl

for Amplified Soprano and 13 Players

Full Score  ŠLaurence Osborn 2017

Instrumentation Flute db. Bass Flute Clarinet in Bb db. Bass Clarinet in Bb Alto Saxophone Bassoon Trumpet in Bb: Straight Mute, Harmon Mute, Cup Mute Trombone: Straight Mute, Wah-wah Mute, Buzz Mute Percussion (1 Player): Bass Drum (Soft and Medium Sticks), Kick Drum, Suspended Cymbal, Hi-hat (Drumsticks), Cowbell (Muted - see performance directions), Bongos, 2 Wood Blocks (one played by percussionist, one played by soprano), Thunder Sheet, Tubular Bell (see performance directions), Vibraslap, Maraca, Egg Shaker, Kazoo, Referee’s Whistle, Bicycle Wheel (see performance directions), Plastic Ruler Piano Electric Guitar: Volume Pedal, Distortion Pedal, Wah-wah Pedal, E-bow, Whammy Bar Violin Viola Violoncello Double Bass Duration: 20’ Score in C All octave transpositions apply Commissioned by The Riot Ensemble with funds from Arts Council England: Grants for the Arts, and the PRSF Open Fund. World premiere given by soloist Sarah Dacey and The Riot Ensemble conducted by Aaron Holloway-Nahum, St Pauls Hall, Huddersfield Contemporary Music Festival, 24th November 2017.

©Laurence Osborn 2017

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 Performance Directions: General

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Performance Directions: Soprano Performance The soprano should be in character as a male throughout the performance. Costume is optional. The expression and articulation for the final movement are left up to the performer. Amplification/autotune The soprano should be amplified, and the microphone attached to an autotune pedal. Ctrl was written with the TC Helicon Voicetone C1 autotune pedal - this model is therefore recommended. The soprano should operate the pedal by hand while performing.

~~~~~~ nœ

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The autotune TC Helicon Voicetone C1 pedal has three dials. From left to right, these adjust the scale (chromatic and all major scales), the intensity of effect, and the voice tone (from “deep” to “alien”) respectively.

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Directions for adjustment of the settings in performance are given in boxed text above the stave, with the dials given from left to right. For the voice tone dial dial, “deep” and “alien” refer to the most extreme ∑ settings, ∑ and∑“ord.”∑refers ∑to the midpoint ∑ ∑ between them.

Ó

° z

Percussion

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3

The soprano ~~ should play a wood F I block (pitch unspecified) ∑ ∑ during ∑ the final movement. & +œ Œœ œÓœ œ œ~~œ¿~œ~Œœ œRÓ G Ó Go, Œ œoÓœ œ œ œ ∑œ œ œ ∑Ó Œ Ó œù œ œ ‚ Glossary nœ Ó ‰ ∑ ∑ ∑ ∑ ∑ ∑ ∑ 6 & # œ ĺĺĺ œ œ œ œ – ∑ ∑ ∑ ∑ ∑ ∑ ∑ quasi x

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Performance Directions: Percussion Set-up The percussion should be set up in order for the player to play the Kick Drum simultaneously with the Hi-hat and Cowbell. Therefore the Cowbell needs to be mounted on a stand. Cowbell The cowbell should be muted throughout the piece, so as to give a ‘clattering’ sound. This can be done with a sponge, duct tape, or both. Bicycle Wheel The Bicycle Wheel is ‘played’ by allowing it to spin, and holding a plastic ruler (or similar) lightly against the spokes as it spins. The Bicycle Wheel should therefore be mounted in a way that allows it to spin freely. Tubular Bell One Tubular Bell is used, with the following tuning:    

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©Laurence Osborn 2017

Performance Directions: Guitar Dynamics Dynamics should be controlled by either a Volume Pedal or in execution, at the player’s discretion. The performance will call for both options, as the E-bow requires the Volume Pedal to be used.                           Glossary                  Indicates  that the  note played  should  be muted  with  the palm of the right hand.    a “pitch     by playing   the pitch  given in brackets before bend” executed     Indicates            bending  the string  to       one side so that it sounds the pitch given. The “pre-bend    pitch” should always sound on the beat. 30 30 H           H Indicates pitch be      “hammer-on”   - the  second   should   played by pressing down   on the note hard with the left hand.

° z 40 40

       

  “closed”   “open”  with  the Wah-wah    Indicates to         pedal.  These should sound “ww” and “ah” respectively. 5 3 quasi x

quasi x

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œ œ œ G Ó G , œ œ œ œ œ œ œPerformance œ œ œ œ œPiano œ œ œ    Directions:  R

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60 Pedalling 58 60 58           ‰              Allœpedalling specified. The indicates that – ∑ ∑ following ∑ ∑ ∑ the pedal ∑ should ∑ not be used:

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©Laurence Osborn 2017

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Programme Note Ctrl is a three movement song-cycle about toxic masculinity written from the fragmented perspective of a male character and sung by a female singer. The piece examines the cycles of physical and psychological violence transferred between men, and the resulting damage. It also deals with themes of power, entitlement, fear, loneliness, and suicide. The vocal part uses autotune. In my opinion, autotune is the perfect analog for a hyper-masculine character because it gives the human voice the illusion of invulnerability by masking the vulnerabilities and imperfections that make it human. The three movements of Ctrl are called ‘No Heart’, ‘Body’, and ‘No Head’.

©Laurence Osborn 2017

Text I - No Heart I was born without a heart. I was born face first into the pulp of processed male history. I was born a boy. I was held, licked clean, taught how to kick, to wriggle, to roll, crawl, stand. Taught to cover my shitting arse as I waddled from the nipple to the pulpit. Taught don’t walk like a girl, don’t lose, don’t get fucked like a girl, ask, beg, take, learn the language of control. Learn to bend and reach into the moving machinery of the world. I reached and gave my hands to the thresher. Belts and wheels buckled at the touch, screws recoiled like snails, movement ceased, machinery held at the moment of hot throb. I was born again, spine jacked, legs splayed, feet sunk in hardening sediment. The sludge of human damage, great big legacy, fossilised. Layer on layer of act on violent act, spirals spirals, horseshoes, mongoose and cobra, calcified, packed together, pushed down towards the centre in contractions. Control. Inward collapse eternal, boy born without a heart. II - Body • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Body is amazing. Body is the best body. Body is the latest in cutting-edge body design. Body is a fucking legend. Body is equipped for work and sex and sport. Body is equipped for destruction. Body is a weapon for use against others. Body is disposed to an uncontrollable lust. Body is disposed to an innate urge to kill. Body is disposed to spiralling shame. Body is at risk from disease, misadventure, and suicide. Body is a weapon for use against itself. Body is stained with soil and salt. Body is sprained for the spreadsheet. Body is strained and strained. Body has the best job in the world. Body looks cute in its little grey suit. Body commands a competitive salary. Body drives and directs action. Body has functions and operations. Body functions and operates. Body operates and occupies. Body occupies and operates the broken machinery of the world. Body sweats and farts. Body pisses and cums. Body falls apart. Body turns to ash. Body is a body. Body inescapable.

We do what we want/we do what we want/me and my body/we do what we want [x6] To kick. To wriggle. To crawl. To roll. To stand. To bend. To reach in. To reach in.

©Laurence Osborn 2017

III - No Head (Berceuse) Saturday morning.

Saturday morning.

Saturday morning.

Saturday morning.

Still hard.

Hard head.

Head gone.

Gone still.

Head gone.

Gone still.

Still heart.

No heart.

Black blinds.

Same blinds.

Birds outside.

Same black blinds.

Birds sing outside.

Cars pass outside.

At the bottom of everything.

Whispering outside.

At the bottom of everything.

Music outside.

And at the bottom of everything.

And at the bottom of everything.

No head.

No head.

Spiralling shame.

No head.

Rock me.

Rock me.

Rock me.

Hang myself. Rock me.

ŠLaurence Osborn 2017

Ctrl Laurence Osborn

I. No Heart

  

 

Manic q = 112

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Clarinet in Bb

Alto Saxophone

Bassoon

Trumpet in Bb

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Tbn.

  



mf

3  



pp

mf

3



    

  



 

p



 



A     10

Fl.

Cl.

 

3 3      



mf



  



p

Alto Sax.

Bsn.

Tpt.

Tbn.

B. D.

Pno.

E. Gtr.

S. Solo

Vln.

Vla.

Vc.

Cb.

 



 

p

3

mf

 3    mf

       

  

 

 mf





   

  

   



   

  





 







 



  



 







 



 

  

  

  

f

p

 



pp

pp



p



  

p

  



  



 



   



 



 





 



 



 



 





 



  



 



 

p

f

 



 



 





 



   



 



 





 



    

A   



3           mf

I



 

 



 

 



  

  

  



 

was



       

   ff

born

   

sffz

-

n.

       p

born

 

     

  p

    

    

 

with -out a

   



heart.

  

 

mf

     



       pp

  

   

p

 

 

f

mf

 

pp

     

 



 

mf

  

 

pp



4

   

   

   

   

15

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

B. D.

Pno.

E. Gtr.

  

         

  

Vla.

Vc.

Cb.

   

flz.           pp  p









  







  





   





 



 

   



pp

       p  





  

pp

  

 

pp

 

       p

 



 

 



 



          pp        p        p

pp

pp

 

       mf 

 



   







 









 











 











 

p

was

     

mf

        3

3

 

 

    p

      

  

 

   

 

pp







   

born,

  

pp







 

  

  





              

 



  

I

Vln.

    p  

pp

p

S. Solo

    p 



mf 3   



   

        p

pp

   

 

   

 

 

    

p

       p 



3

born

sul pont.



                  p ord.

pp

          

pp

p

 

 

  

 

           mf

            mf

  

 

 

pp

   

   

 

B  

  

 

 

20

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

B. D.

Pno.

E. Gtr.

S. Solo

 



Vla.

Vc.

Cb.



3 mf

3

p

p

    

           

3

pp

  

     



      

3

pp

3

p

   

3







  

   

 p



3

 





                





 





   





 







 



 







 



 









 





3      

  

pp

3



p

   

p

 

3

3 mf



3

p





mf







pp







pp

ff              

       

   

  



first,

       

  

3

  



mf

pp



mf

  

(p)

  

p



pp

face

first

B sul pont.               3

 

p

3

mf

3 p

sul pont.

p

   

  



 

p

3

3

mf

3

mf



3

 

ord.



          3

mf

f







in - to

the

              

3

              

   

p



 

pp



(pizz.)

pp



mf

  

3





 

3



   

 



 3 

mf





3

mf

3

p

 

  

face

Vln.



5

mf





        

pulp

 

of

 

pro - cessed

f

5

 

 

 

 

 

 

    3





 

mf

  

3

3

          sul pont.



3 f

       p

 p

3

  3



mf

 mf





6

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

 









         p    

(mf)

3

Vln.

3





    

   

 

  

 3



  

 ord.         p

 

    male 3



 

 



his

      

3

-

   

 

 

 

     





3

to -

           

 

    

arco

  p

       mf

  

    

 

     

   

mf

mf

  

f

mf



 

       

mf

 

p

    

p

     p

f







 



p

    





 



    



                     

  

f

   

   

       

 

   

   

 

 

   

f

mf

f

f

f





mf







 



C§ > Chrom. Alien > Ord.



ry.



mf



f

3

3

f

  

p

                              

        



   

ff

  

flz.



    

 

p





f



fmf

      

mf

f

 

mf

 

p

Cb.

  

f

mf

  

mf

                          



mf

f

 



           

                   

 

  

ord.

Vc.

 

 

p

Vla.

 

 3             3                                      p mf f

p

S. Solo

f

mf

(p)

 

E. Gtr.

   

                     

 

 

Pno.

 

3

  

p

B. D.

              flz.

24





p



        p

   

p

7

   27

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

C  

 

 

 

 

 



 



 



  



pp



 

   pp

3

 



  w/ drumsticks  

Cowbell, muted

C. B., K. D.

Pno.

E. Gtr.



Kick Drum



  







 



 



  3 



 



 

    

Vla.

Vc.

Cb.

 

       

pp

   



 



p

mf





pp

mf



 



 







 3           mf 

     

      

 

   

 

3





  mfp

mf

 

3

mf

        3

     3

3

3

mf

  fmf

   f





    p

3

         

  

(mf)

3 mf

      

(pp)

solo al segno pizz.

  

     



(pp)

  







          

       

 

solo al. segno

mf

pp

p

 



f

Vln.

p





C     

 









   

 



fmf

 

 

      





  

p espress.



pp

 

p

3     



 

    

 

solo

 







(p)



pp

Tbn.



3

p

 









pp



 



 

3

pp

     

 

        3 mf

 



 

        3



 

 

 

3 mf

mf

8

   



31

Fl.

Cl.

     

mf

  

 



 

     

  



 



     





pp

Bsn.

Tpt.

solo

  



  

mf

C. B., K. D.

Pno.

E. Gtr.

Vln.

    







 



 



              

 



 



p

3

3

f



 



   

 



 



 



 

 





     f

 

mf

 

                  3

   

 

f



   

        

  

3

 

f



p

mf

  

p

mf

  





 

     p 

   

 

3

3 mf

3

p

mf

f

                      

f

 

3

3

               3                     3 3 pp

                          





3

f

pp

Cb.

 

 

3

              p





 

   

p

3

f



3

Vc.

 

pp

 

mf

Vla.

   



3

3

 





 

f

mf

        

f

3

mf

 



fmf



   

  

 

   

mfp



 







      

3

mf

 

 

fmf

cup mute

Tbn.



p

mf

Alto Sax.



3    

3





3

 

  p



 

mf

p

   

3 mf

3



     3

3

3

mf

      

mfp

   f

f

   

pp

 

 

   



   

pp

   IV

(f)

   

mf

 

  

3

 



9

   35

Fl.



 

mfp

Alto Sax.

 

Tpt.

Tbn.

 

 

pp



 

mfp



(p)



mf

E. Gtr.

Vln.



f

mfp

Vla.

 

       p

Cb.

 

 

  

         f

 

  3

 

    



pp

   

3

  

mf

   

p

 







                 







3

3

f

    p

 



mf

  p

 

 

 

 

 

  

 

    

 

    

  

3

3

mf

mf

 

 



mf

mf

III, IV

3           p 3

fp

3         p

mf

f

3

3

p

p

f

 

 

 

  

 

        

 

       (f)

 

solo





f



 

   

         

  

 

 

  



solo II, III



mf

mf

f

 





3        



 

  



   

mf

3

   

   



p

        

p

 





3       



 3

 



p

   



mfp

Vc.





 

remove mute

3

p

pp



mf

3

3

3



mf

        

   



3       

       

 

 

  

 

p

mf 3

p







                 

     

5







f



Pno.

  

 

p

3

 

 

                      f

C. B., K. D.

  3 



 









pp

           p mf

 

 



mf

  

 

mfp

Bsn.

3

3

p

Cl.

                

p

10

Fl.

39 D   

 



 p

Cl.

   3                                  3 3 3

mf

f

3                                  3 3

Alto Sax.

3

3 mf 3

 

f

p

 

  p

mf

Bsn.

   

 

mf

Tpt.

  

 



 p

Tbn.

  

              



E. Gtr.

Vln.

Cb.

 

 

  3

mf



   



D            

      

 

  







 



 

f

  

(mf)

f

3

      

3

     

  

           3

3

3

   

mf

 

  



  

mf

   

   



 

f

f

f

       3

 

  3



 

mf

mf

  f



 



 

mf

   

  

fmf

fmf



f



3

3

mf f



p

5

f

 





 



       mf

   

                   3

 

3

fp

fmf

         

         

     

 

3

3

f

3

             

              

mf

3

          mf

3       

  

f

fmf

3 mf

3



 3         p 

     3

           

3



 

mf

fp

mf



 

fmf

  



mf



mf

Vc.



solo

 

  

           



f

  f

f

mf

Vla.

3

fp w/ Bsn.

3

3

 3                  3

p

3

 

Pno.

3

  

mf

fp w/ Tbn.

 

 f

C. B., K. D.

mf

 

 

 



   



3

solo



f

 

3 3 3                                   f



fp

(f)

    

  

fp

3

3

     3

     3

    3

   

                      43

Fl.

mf

Cl.

3

3

f

                         3

3

Alto Sax.

  

3

 



   





fmf

 

                 3

C. B., K. D.

Pno.

E. Gtr.

Vln.



 



 



    



 

         

mf

     0

Cb.

       

        

f

f

  3

             f

 0

 p

mf





3

 

3





3

  p

 



3

 





3

 

 

 

3



3 f

 

mf

f

3                      3 mf

   

  p

     (f) fp



3





f

 

3



ff

f



f

  

   

p

p

3

f



            

 



 

      3

     

 

  3

 

  

 

 

         

     



3



  

3

f

mf

        

 



mf

f

  3

 



f

 

3

   

 

fmf

fp

3

   

 

f

3

          mf    





 

mf 3

3

3

       

     

f



  3





     

mf

Vc.



                     3 3 3 p mf



3

f

mf

Vla.

f

p

5



f

3

       f

                   f

mf

fp

3                           3

3

3

         f

f

Tbn.



    f



fmf

Tpt.

 

f

fmf

Bsn.

 

                                       3 6 3 3 p 3

11

3

  

3

f

mf

3

  

3

f

mf

 mf







12

   46

Fl.

Cl.



3

      mf





E                                      6 3 3

   

3

3 f

fmf

ff

                             fmf 3 mf   6

  

3

3

3

ff

Alto Sax.

 

3



  p

Bsn.

Tpt.

Tbn.

C. B., K. D.

E. Gtr.

p

  



3

    

ff





Cb.





 

  

  





 

3 fmf





 

 



   

 



  

  

 

p

mf

3          

 

p

            fp    f





   

mf





ff

3

 

 

 

 

 

 

 

 

   

 





To W.B.

 





 



   

   3 f



mfp 3

ff

 





p

       

 

f





f

f

 

 

  

          



 





mfp

                    6   

3

mfp

(ff)

6

f



3

 

             







 

 

mf





f







  3           

   



f

f



ff

  



mf

(f)

Vc.

f

 



(f)

Vla.

 

(f)

  







  3





 

fp

fp

 









mf

Vln.



        



Pno.

3

3

(mf) 3

3



       

ff

3

  

E      



fmf

   ff

    ff

 (pizz.)

    f

3 f

  

f











mf

3 fmf

13

Fl.

  

mf

Cl.

Alto Sax.

Bsn.

   

  

     



    





3

p



      





mfp

  

        

 

sfz



fp

    mfp



    sfz



sfz

    3

3

f

p

      



p



mfp











 

sfz

 



mfp

 

fmf

3

    f

  

sul pont.



       f



   

mf

f

 

f

    

f





fmf

     

mf

ff

mf

     f

ord.

sfz

3

3

mf

    mf

ff

  

3

f

  3

   

mf



 

mf



    f

   II



p

f



 



p

  

     3

mfp

sfz

 



III

   3

mf

 



  

f

fp



  

    

     3f mf

f

3 sfz

p



    

 

    

  

               3 3 mfp mf  

3 mfp

3



p

          



     

3

  



3

  

        

f

  





   

f

mfp

mf





  





 

 

mf

mfp

  

3

   

sfz

sfz



 

  



(p)

3

  

f

mfp

Cb.

mfp

 3

fmf

Vc.

mfp



       





3

3

Vla.



   

  

mfp

mf

Vln.

   



mfp



 

sfz

 

E. Gtr.



mfp



sfz





sfz



     

   

Pno.

3

     

    



mfp

mfp

Tbn.



3

f

sfz

sfz

Tpt.





    

        f3 

       3 f 3

49

 

mf

   ff

 

 

       3 

         ff 3 3      3

 

sffz

  

 

14

Fl.

53           p

Cl.

mf

fmf

  

   

mfp

3





    

  

  

   

mfp

 3

mfp

E. Gtr.

        

S. Solo

Vln.

    



  

3







 



  







fmf

        

f

3

  3

             3

f

   mf

mfp

3

   

fmf

 3 (mf)

    

sfz

   





   



 

      f

 

II

III





 



mf

f



 

   







p

botn

   



l.v.

 

  

f



 



 

sfz

          

 



 



 

a

 

boy.

              p

f

0 0



sfz

 



    

p

 

p



    

l.v.

0 0





p

 

  



      

was

    

p

     

mf





p

 

ff

fp

Cb.

      



f

mf



 





 



f

  

p

p

mf

ff

     

sffz

3

f

              3 3 3



fmf

Vc.

sfz



  





I

f

Vla.

  f

Chrom./Hard/Ord

mf

    

      





  

  

mf

             mf p 



sfz

3

f 3

ff

3

       

 



                    

 3

fmf

    

fp

sfz

   

Pno.

    

f

fp

sfz

             

3

fmf

p

sffz

3

3



sfz

Tbn.

mf

mf

      

3

mfp

Tpt.

3

  

3

  



               

sfz

Bsn.

f



         p

Alto Sax.

3

        

                p

3      3

 



 



 



 

sffz

          

F        57

Fl.

3 mf

f

Cl.

Alto Sax.

   

      mf

Bsn.

Tpt.

Tbn.

  

 

mf

E. Gtr.



Block   Wood   



 

f

        3        



3

  





     

(p)

 











3

S. Solo

Vln.

F     

fmf

Vla.

    f

 

was

          

 

 

 

fmf

3 mfp

 

3 f

3

fmf

        3 f

fmf



 

  

licked

     

w/ Vla.

3 ff w/ Vln.



    

      

     mf



    

3 arco

mfp

sfz

3

sfz

fmf

l.v. 3

     mf

3

mf



 

    

mf

   





3 mfp

mf

   





3



f

 



then

 

   

sfz

 

mf

 

 



taught



 

how to

 



     3

fmf

  

 



p

3

sffz

3 sffz

mf

3

p

clean,

         ff fmf

fmf

3

f

3



3 sfz

          

    

held,

f

f



      mfp

Cb.

   I

3

Vc.

(ff)



 

    

 mf

mf

f

      

3     

mf

     





sfz

sfz fmf

sfz

    





   



3

mfp



mf



3

flz.





     

mf

 

(f)

sfz fmf



sfz



p

 3     



  

mf



f



mf



mf 3

mf





3 sfz

 

3



  

3

mf



   



3 f

mfp



sfz

mf

   



     

3 sfz



     

mf

f

   



 



3

mf

       







    

Pno.

mf



  

 p



sfz

3

W.B.

3



 

p

  

ff

sfz



3

 

   

mf

 

3

ff



       



fmf

  

 

15



mf

fmf



fmf

3

      sfz

mf



16

Fl.

60    ffmf

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

W.B.

3

 



3

  

sfz

mf

     



3



3



3



   3 mf

mf







 

f 6

S. Solo

Vln.

f

        f

Vla.

Vc.

p

 

 

  



  





   

 

sfz









kick

3

 3 f



 











f

  

 f







3    

 

 mf

 



  

  



3

        3



   

 

    

3

ffmf

3

 

mf

   mf

mf

 



roll,

 

 

3

ff

3





 

 

 

 





 

ff











   



 fmf

      p  3

      3 p 

 

  



 

 



 



 



 



 



 

 



 

(mf)

  

f

  mf

 mf

sfz

(p)

 

mf

to

   

ffmf

   mf 

p

 

 



mf

p



p

p

f

   3   

p

mf

           

3

3



    sfz 



  

mf

sfz



mf

3

fmf

  

mf



 p

mf

(mf)





   

3

to wri - ggle,

 





mf

fmf

     

 

         To  Sus. Cym.



 



sfz

3

3 sfz

Cb.



p

         

  



mfp

3

f



3

  

E. Gtr.

 

  

mf



mf

   



 

f

3

sfz

3

3

mf

   

f



f



3

ff

3

    

  

  



    

 

 



Pno.

 

   



 



(f)

3                f

mf

crawl,

stand.

 

 

       

 

  



 



 

 (p)

p

p

p

   

p

3

      

 

 

 

3

17

   

       

   

       

63

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

 

p



mf



mf



   

 

   



 



 

 

   

p

 

   

 



p

   

sfz

G



 

Pno.

E. Gtr.

S. Solo

Vln.

Vla.

Vc.

Cb.

       

    



 

    3

   



 



   





 



Taught

to

                          

    

 

  

 

mf

mf

 





co - ver

my

   

shitt - ing

 

  p

    p 



p

 



arse

    

mf

f

6

fmf



   

f



    



   as

sfz

sfz

 



 

    



          

 

  

 3

    

 

 







 3   

5

mf

f



3

 

     

 



 



 

f

mf

    

5

f



 

 



5

 

6

f

mf

mf



6

    

Suspended Cymbal

Sus. Cym.

     

mf

p



sfz

p

w/ medium beaters    

3

         mf

    G     

mf





   

   

 I

3

 



 

   

mf



3





mf

     



 



sfz

 



 



mf

fmf



18

        mf 66

Fl.

   

3

mf

5

mf 5

           

   

p

mf

Alto Sax.

  

    sfz

5

Cl.

 

mf



p



f



Bsn.



sfz

            p 6

      3

Tpt.

 mf

Tbn.

Sus. Cym.

   





Pno.

E. Gtr.

p

  

f

  



 











   



 







              6  mf fmf       



   

S. Solo

3      3



 

wa- ddled from the ni- pple

Vln.

   

   

f

Vla.





    

f

Vc.





   

f

Cb.

  

 mf

 to

   





p





 f

 mf

 

    3 fmf

mf

 

fmf

 

 

 

       



  

  

 

       



      f



      mf

3

 

 mf

 

3

p

   

mf

  

don't

  

walk

   

G   

p

mf

    

 

fmf

 

 



       

f

f

3



Taught

     

mf 3

 

 

fmf

the pul - pit.

mf

fmf

   

  



 

mf

ff

3

5

p

f

 3     



  





(f)

p









 

fmf



      

 

         



p

p





  

fmf

f



 

        



   

  



fmf

mf

    sfz

 

   

    

mf

f

5

   

mf

 

p

5

Bb

 

G       3

fmf

   

3           mfp mf fmf

    3 fmf

 

       

     3 fmf

 

   

     3 fmf

fmf

fmf

mfp

mfp

mf



19

Fl.

70          f

Cl.

Alto Sax.

 

5



p

     

f



p

  

  f

Bsn.

Tpt.

Tbn.

Sus. Cym.

  

E. Gtr.

S. Solo

Vln.

       

Vc.

Cb.

    



      

         

       

 



5

p

mf

3

   p

3









 

    



    

 





           

3



  

     mf

f

girl,



don't



3

p

 p

p

   

(p)

     mf

    mf



    



lose,

   



        fmf

 



fmf

    

 





fmf





 

mf

  

 

3

       f

don't

p

    

 



 

get

fucked 6

f

fmf



 



     

        

       

p





3

   



p

a

f

mf

      

like

       

     



mf

fmf

3



   

         

3

    





  3

fmf



mf

(mf)

3

3

3

mf

 

 

      

  

 

f





  

5

fmf

  

3

   

f

fmf

p

 

 

fmf

          p

p

p

mf

6



5



   

f

Vla.



f

        



         



    

Pno.



  



mf



like



a

girl,

 

fmf

    3

fmf



   f



 fmf

 fmf







20

   74

Fl.

fmf

Cl.

    



 



 

 

3

5

     

 

Tpt.



fmf



 



fmf

            

mf

f



5

Tbn.

Sus. Cym.

    

mf

Pno.



E. Gtr.

S. Solo

Vln.

 

fmf

     mf    

mf

  

 f

 





ask,

 

f



beg,



 

   

  

 

  

 

3



3

    

 

 

 mf

  

  

f

 





 



fmf

 



mf

   



 

  

take,





f



f



 

3





 mf   



 

 



f







    

fmf



  



 

  

f

5

f









 

mf

(I)







  3

(VII)

 

3

      

f



mf



mf

f

  

  3





3

  

6



5

3

f

  

           5

mf

f

fmf

Bsn.



f

fmf

Alto Sax.





   

 

 

learn

  the

   

  

fmf

Vla.



            6

fmf

Vc.



  

fmf

Cb.

 

 

fmf







p

 



fmf

fmf



    

fmf



 

 

 fmf

fmf



 

fmf

   

      77

Fl.

H







mf

        5

Cl.

mf

Alto Sax.

f

   





Bsn.

f

Tpt.

    









Sus. Cym.

   

 

E. Gtr.

S. Solo

Vla.

Vc.



 

3

    

 

  



 

      

f

3

-



  



guage

of



3

     





    







  



             f mf 





    





 











   6



      

   

 



H

 



ff



                f mf

 

to Kick Drum

   

  

3

    

 

 

   

 

     

       

 

ff



con - trol.

3

 



f

Distortion off





ff

   

  

 mf   



 

ff

mf

f

mf

3

 

                 







3



f

Cb.

 

 

ff





 

ff

    



f

21

ff

 

3



lan

Vln.



6

            5



      

3

3



5

mf

3

mf

Thunder Sheet to Thunder Sheet

 

Pno.



f

  

  

f

    

mf

Tbn.

3

    

mf

        3

         3

               

 



3  

    

Learn,

  

ff

      

to bend and

   



reach

   

  

ff

 

 



 

ff

fmf

  

fmf

    ff

 





 

22

                   81

Fl.

5

Cl.

Alto Sax.

       

5





mf

5              



p

3



 

      

3

 



p

Bsn.

Tpt.

Tbn.

     







E. Gtr.

S. Solo

Vln.

Vla.

Vc.



Cb.

     p

    

 p

     6

       



    

6

6



f

6

      

 





        

6

6





f

p

         Clean





 



-





to

the



mo

-



ving

  

ma - chi



  3

-

 

         p

(l.h. pizz.)



ne - ry













 



 

3 p



 p



   

3

pizz.



f

f





 



3



f 3



  

mf

in

 

    





p

  



mf

     





 



    

  

             5  p





   

 





take harmon mute

    

 



f

  

Pno.



3

 

      





 

3

3



3

   p

f





3

3

   

23

   83

Fl.

Cl.

Alto Sax.

Bsn.

 

 

Tbn.

Pno.

E. Gtr.

      

Vla.

Vc.

                     p p  f

 



 f

6

      

  the



f 6







  

senza vib. sul pont.

  

3

 

    

   

f



 

mp





I

 

 

3

    p

f

p

3

world.

  

3

6

6

3

                        





f

p

3

           

 3



p

p

             p



 







and

 

p



3



3

  p





3

  



 3

   

3



 

 

3



p

f

3



3

    f





 

reached



f

Cb.

f



  





f

of

Vln.



p

         p 

 

mf

S. Solo













p

 

f

Tpt.





3

  p

3

       f

3





24

    85

Fl.

Cl.

Alto Sax.

Bsn.











p

 

p



   



Tbn.

  



 

E. Gtr.

S. Solo

Vln.

Vla.

Vc.





 





 

 p

f

6

  



  

f

6

             

3

 



p

              

3



 





gave



3



my

 

hands

3

   







  







    



3

Cb.

f

p

 

p

 



        

 



p



3



3

3

    



 

     

3

p

3

 

 

     f





 p

3

   f

f

3

f

3

to the thre - sher.



3

6

   

              3



f

   

p

f

6

 



3

p





 



f

 

p



Pno.

f

f

w/ harmon mute     

 

                         p p  

           p

Tpt.

 

3

 



3

   f





3

  p

25

  87

Fl.

Cl.

Alto Sax.



 



 

Tpt.

Tbn.



E. Gtr.

S. Solo

Vla.

Vc.

 

p





f

  

  



            p

f



 

p



 

p

 p

f

6

     

3

   

    mf  



 

 

3



 

p



 

f

f

p

 

 

6







3









 



3

   

3

   



 







3

 p

 



at

 

5



 

the

touch.

p 3







   

3

3 p

 





pp

3



f

buck - led



6

 





f

  3  

f

p

3

wheels

   

f



and

 

p

                                                   6 6

 



 6



3

Cb.



f

Belts

Vln.

p

                             p p  



Pno.



 



p

Bsn.

 

3



3

3

        



f



f







3

 p



26

  



 



89

Fl.

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

Sus. Cym.

 

E. Gtr.

S. Solo

Vln.

   

Vla.



p



f

 





  p





      f

p

p

 



 



  



3



Screws

     

(f)

  

re -

 

coiled



3      f

  

mf

 







 

 3

6





snails.





 3

3

       



f



  

like



     

3

 3



p

f

6







p

f 6

mf

 

3

       





       



  

       



6

6                    6

  

p

f



3 p

Cb.

 

p



3

Vc.

 

 

  

 



                                    p   p 

  





 

 

Pno.





3

 p



   3 p

3

3

  

3

   



f 3

  f

   









3





p



Fl.

Cl.

Alto Sax.

27

   91

I



  



fp

 



3

  





 



          3

Tpt.

Tbn.

         

fmf

  

   



D§

3

     

  

S. Solo

Vln.



   



3

3

   

6

3



I   



3

3

 

 

  

arco sul pont.

 



 

 

3



   3

p





       

 

 



 

3

    

 





-



 

 

 

-

 

-



fmf

3

 

3











-





-

-



  

fmf

  

III, IV

fmf

 



-

3

II, III sul pont.

3

p

  

f

 

       

3

  

3



-

3

f

  

3

3

3

3

p

f

-

f

f

 

f



Move

fmf

Vc.

3

     

p

  

H

  3

fmf

3



3

         



           

 sul pont.

3

p

f

mf

  



f

fmf

insert wah-wah mute

3

p

f

  





3



f

                   



fmf

Vla.

3

 

f

3

fmf

mf

 

         

E. Gtr.

 



fp

 

Pno.



f

3

f

                p



         

3

fmf

Bsn.



p

mf

 



 



sfz

mf

 

 

mf

   

sfz



 

mf

f

Cb.

3        f

III,IV sul pont.





3

    

p

f





 

mf

 

sfz

28

  93

Fl.





        3 3



f

fmf

Cl.

3

 

        f

fmf

Alto Sax.

Bsn.

Tpt.

Tbn.

Pno.

E. Gtr.

S. Solo

 

3

fmf

Vla.

3

  3

      

fmf

       3

f

6

f

f

fmf



        3 fmf

f



3

       3 fmf

f



3

f

f

fmf

 

   

  

3

3

  

 



 



  

  

 

  

 

 

 

  

mf

 

mf

 





 

    

 



mf

3



3

(f)





    

 

mf

    

3

 

mf

 



III

3

 3

mf

 

sfz

mf

sfz

   

 

   

 

mf

sfz

mf

sfz

I, II



 -

    





3

sfz









3

ord.



 3

mf







ord.

mf

-

sfz



mf

3

chi

   

III, IV

mf

 



3

sfz

 

sfz

mf

    

III, IV 3

 

  

Ma

sfz

  

sfz



ceased.

 

I, II



 

 

  

3

III, IV 3

sfz

 

f

fmf

  

 

 

ment

mf

6

          3



f

   

f

fmf



  



 

3 fmf

fmf

f

fmf

   

6

6 6 6                                 3 3

fmf

3 fmf

         3

f

fmf

 



fmf

f

6

3

f

sfz

Cb.

       

6



3

Vc.

f

f

fmf

3





3

                          3 3

-

Vln.

        

3

fmf

     

  

3

6



  





3

 

  

sfz

       95

Fl.

3

f

3

Cl.

       f

Alto Sax.

 

             

  

                  3 3

                   (p) p 3 3

  

Tpt.

3

3 fmf

3 fmf

f

3

f

6

3





6

3

                 3

3

f

fmf



 

p



Tbn.

Pno.

E. Gtr.

S. Solo





   

     

     

3

Vla.

Vc.

Cb.

   



 

  

fmf



ne - ry



held

 

III



mf



3

  mf

3

sfz

 

        3 sfz

mf

 

3

   

sfz

 

p

 p



  

 

mf

sfz

 

    mf



 



mf

rall.





throb.

     (p)



fp



p

hot

fp

ord.



3

of

sfz

        3 3



      

  

ord.

mf

 



the mo - ment

 



Distortion and Wah-wah on

 3     at



 



mf



  



3

sfz

   

  

 

   



mf

  

 

  

3

  

  

 

 

p

  

 

    

3

-

Vln.

  

 

  



   



w/ wah-wah mute

 

  

p

    3

fmf



p



  

(p)

   3

f

p 3

flz.

mf

fmf

             3 3 fmf

 

mf 3

3

fmf

fmf

Bsn.

29

rall.

            3

 

(f)

  (p)

(f)



 





 





30

       99

Fl.

flz. G#

Heavy q = 96

J  



               

(accent w/ consontant sounds)



3

sfz

Cl.

    



     



 

sfz

Alto Sax.

sfz

Bsn.

Tpt.

Tbn.

        

Pno.

sf

   

sfz

E. Gtr.

S. Solo

 KickDrum  

 

p

flz.



 



 

 3    







   p



    mf

 



     



3

p

f

f

      

 I



J      

mf

 

3



p



p

f

al pont.

Vc.





sul pont.                 p

al pont.

Cb.

 



f

             p

p

      

 

p

3

mf p

p

p 3

mf 3









 

ff

      

 

 



 

       3

 



3





f





 

  mf 

f

mf

-



 

(l.h. pizz.)

3

p





gain,

         

p



p



mf



(l.h. pizz.)

 





mf

              

 

p 3

sul pont.

 





  

3

mf



mf

mf



     

a

p

        

   

born



mf





3         

3

    



p



mf

     



         

     

flz.





3

p

 

3

  

 

               

  

 



 

mf

    

3



 

was

f

3

 

          

                          3





  

f

       

f

p

pp





      

  3



ff

ff

p



     

3



 



 

 

Distortion/Wah-wah

pp

Vla.







t-k

f

 

Heavy q = 96

Vln.

mf

mf



  

    

flz.

f

t-k

 

       mf 

     





 

mf

f

     



   

3

t-k



mf

sf

B. D.

3

t-k

p

 

  

    

ord.

p

  

mf 3

   

mf



              103

Fl.

3

3

t-k

t

p

Cl.

    



    



t-k

t - t - t - t

-

 t

mf

-

  t - t

-



 





t

p

mf





mf







     f

Tpt.





B. D.

  





f



E. Gtr.

          f  

Vla.

p

  



mf



    

jacked,





legs

  

 

splayed,

3



3

feet

 

 

 

al pont.

 

 

 

sul pont.

3

                   p

sul pont.



f

 

mf

f











  

      p

     



ord. I

p

dal pont.

 

mf

ord.

    mf







 

 

 



 



   

ff

f





3

in

har

-

 

   

de -



f

ff

 

   



   

      

f

ff

 

ff

  

5

sul pont.            p mf al pont.

          f

mf

     

sul pont.

5



 



  



mf

   

 

  sunk

          

 

    

ff

p

mf

 





mf

 







f



   





f

Cb.



 

 

  

fp

f



   

 

sul pont.

al pont.

Vc.

 



 

  

  



 



 

   

p

  



p

          mf

spine

Vln.

   

 



ff

 

mf

S. Solo

 





Pno.

   



ff

f

 3  3              p

    



ff

mf

Tbn.

3

fp

   

31

ff

 

f

Bsn.

3

   

f

Alto Sax.

    

 5

mf

mf ord.

mf ord.

3

   

mf

 

 

3

3

3



     3





32

   106

Fl.



  

  

 

p

mf

           



sfz

3

t - t

t-k mf

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

B. D.

Pno.

E. Gtr.

S. Solo

 



 

fmf

  



mf

  

      p

p

f

   

f

mf

 mf

       





 



     





 







     

    

mf 3

   

se - di- ment.

   II      sim.

               p

mf

ff

  

mf

mf

f

 





f

 

The

f

   







           

  



  

 

f

mf

t

-

  

p



mf



  





p

mf

-



 

f

 

 

f



 

  





     

 

f

 



  

 

 

 

f

mf

 





t

f



mf

  

 

f

     

p

p



mf

f

 





f

mf

 



 



of

      f



     

ff

       f ff

ff



hu - man da - mage,

5

 

5

   

   ff

mf

   3  

       5

sludge

 



  

               ord.   3 3 3 3 s.p. f mf ord.          f mf s.p.   ord.         sul pont.

  

p

 

   

ff







         mf





-

   





f

 

p

Cb.





mf

Vc.

     



t

3 mf



I

Vla.



sfz

 

ning

Vln.

f

       

  



 



  

   

 

  

3

t-k

 





(mf) 5



(mf)

5



(mf)

   (mf)

 

          mf

3

3

3

 

        

 



 

mf

 



 

 

 



 

mf

flz. A§

     109

Fl.





       



t

Cl.

mf

   

          3

mf

Alto Sax.

Bsn.

Tpt.

Tbn.

B. D.

Pno.

E. Gtr.

S. Solo

       

3



 

mf







     3

   mf









mf







   

 

 





       mf



mf

    

 



   



mf



6











 



 



 







 







      

    

     

 



great





    f





 

ff

     



big

l-l-l - l

mf

-

 

p

   

le - ga - cy.





mf

ff

 

f f 3

 



mf

flz.   



mf 3

     

ff

f

 

  



       





6

3

   

ff

6



f

      

      mf

f

     

ff



 

f

6

3

f

fmf

  



mf



fmf



ff

  







      

3





      

p

3

 

33

                

      



 

 



ff



fo - ssil- ized

A§

                           3

Vln.

3

Vla.

Vc.

Cb.

3

         

ff

   

ff

  

  

  

sul pont.

sul pont.

ff

            3

ff

mf





             f 3 ff          mf

  



  

ff

mf

ff

           



ff

       mf ord.

s.p.

f



      

     

  

mf ff

5  ord.        mf ord.

             mf (s.p.)

f

5

    

mf

ff

    



3

3



ff

  

 



f

ff

mf

 

 

 

 

mf

f

ff

mf

mf



G#

34

                 

flz.

K

                      112

Fl.

3

3

t-k

    

3

t-k

t-k

3

t-k

mf

Cl.

f

Alto Sax.

    

Tpt.

Tbn.

  3 3 3  mf f                           

  



  

    



S. Solo

3

3

 



Vla.

Vc.





f

 

ffmf

f

  





    



mf

f

f

       



mf







3

on

 

3

mf

 







  

     

 





 

mf

f









           









 



3   



 

 

p



f

fmf



   ff

 

f



    



   



    



ff

 

f

f

act

  

 

fmf

        



of

fmf

3

mf

mf

 

3

(ff)

 

        f

   3                 f



6



lay - er

mf



             

 





mf

 



3      

 

  



 

ff

3



mf

 





f

 



3

3

                  mf     3

ff

     



mf

f

f

      



 

mf



    mf f                  

    





 

 





 

f

f

5

   

             mf  



mf

ff



f

f

lay - er

    

   

    

5

Cb.

mf

3

f

K

Vln.





   

 

3

mf

f



E. Gtr.

3

mf



Pno.

3

3 3 3 3                            

      

fmf

6

      

f

          



ffmf

B. D.

f

t-k

mf

ff

Bsn.

t-k

                   3 3 3



ff

3

3

on

f

 

vio



mf

(f)



mf

(f)



  

       

3 3            







  

   



  





f

f

3

mf

mf



f



lent

f

   115

Fl.

           

      3

mf

3

mf

f

Alto Sax.

 

        



3

3



 

f

 



mf

             

Tpt.

Tbn.

B. D.

  

f

3

E. Gtr.

S. Solo

Vln.

Vla.

f

mf







  

(f)

 



  ff

 



6

 

mf

 

  

ff

 





 

  





mf



    f

   

f

  

ff

    ff

  

f

ff

 

    mf

flz.





f



                





3



  

   



6

 











 



 



 

   

 

 



 

mf



 



 



f



spi - rals, spi - rals,

   

 

               







   





mf

 

  





6

f

3       f

  f

  



 

p

mf

  

mf

ff

 

f



6

f

fmf

f

 

mf



ff

 



ff

    

    

              

act,

 

mf

Cb.

     





  

     



f

mf

Vc.

   

mf

mf



  



  





3

mf

 

 3

mf

f

f

      

  

 

mf

f

 6              

            6

ff

f

  

t-k-t-k-t-k-t-k-t

     



     

  

 

Pno.



f

       

 

3

         

f

6

Bsn.

6

6

mf

3

Cl.

35

 f



 

f

 

horse

shoes,



    





   



 (mf)

mf

 (mf)



 

mf f

    ff

   



 



 

ff

  



  

 

fmf

ff

ff

mf

fmf

  





-



(mf)

ff



    

(mf)

 

  

 

ff

 

f

  

36

   118

Fl.

3

f

Cl.

Alto Sax.

Bsn.

Tpt.

Tbn.

t-k

Pno.

E. Gtr.

S. Solo

3

3

mf

Vla.

Vc.

 

mf

6

3



 





   



     

fmf

fmf

3

3



 



 



and

 

co

3

 

mf







-

3

 



bra,



cal

3

 





  



 



 

 

 

3

-

f

  

mf



 