Utrecht Early Music Festival 2014 brochure English

utrecht earlymusic festival 29 aug | 07 sep 2014

vienna | Prague

Habsburg Isaac | De Monte | Biber | Fux | Zelenka

Early Music Festival 2014 1 Welcome 2

Festival program 2014

4 Habsburg 6

The repertoire

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Ars Antiqua Austria / Gunar Letzbor

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Collegium 1704 / Vรกclav Luks

12 TivoliVredenburg 14

Festival centre TivoliVredenburg

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Young Tigers

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Internationaal Van Wassenaer Competition

20

The Juilliard School

22

STIMU-symposium: Curriculum Matters

24

Kunstkammer Wien

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Het Laboratorium

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Carillion Early Music Festival

30 Films 32

Festival program 2014

126

Ticket Sales & practical information

128

Friends make it possible

131 Colofon

Carillion

Festival Report

mB R mB R K mB R K middle ages

renaissance

baroque

Wilkommen! Vítejte!

Vienna brings Sissi, the Tritsch Tratsch Polka and Mozartkugeln to mind. We might visualise the ballroom at Schönbrunn, or dream of a scrumptious café au lait with cake at Landtmann’s. In any case, names such as Aufschnaiter, Vilsmayer or Weichlein do not occupy first place on our list of familiar images. Likewise, well-known composers like Zelenka, Schmelzer and Biber are overshadowed by the Viennese classical masters.

We do not have an easy task before us, but nonetheless, this is what this Early Music Festival plans to do. We will immerse ourselves in Austrian repertoire before Mozart and reveal the enormous wealtoh that the region displayed over many centuries.

Vienna was the central area from which the Habsburgs operated for centuries. Their empire was one of the greatest European centres of power. From an artistic standpoint, the Habsburg cities were a magnet for supreme talents. As is appropriate for a true crossroads, influences from all over Europe were mixed to form a genuinely unique cocktail.

This Early Music Festival corrects the optical illusion regarding Austrian repertoire. What nowadays seems marginal or anecdotal was trend-setting in the Renaissance and the Baroque, and above all, possessed a refinement that outclassed the rest of Europe. Five composers serve as central figures.

Make sure to leaf through to the last section of this brochure. When the final notes in Utrecht have died away, the Early Music Season will begin, with concerts throughout the Netherlands and Belgium, all year round.

Xavier Vandamme director

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Festival schedule fri 29 aug

sat 30 aug

zo 31 aug

9.00-18.00 Stimu-symposium TivoliVredenburg

11.00-18.00 Stimu-symposium TivoliVredenburg

11.00-18.00 Stimu-symposium TivoliVredenburg

ZS: Anne Smith TivoliVredenburg

09.30

mon 1 sep

tues 2 sep

ZS: Niels Berentsen

ZS: Paulus Rainer

ZS: Arjan de Koomen

TivoliVredenburg

TivoliVredenburg

TivoliVredenburg Workshop dance

10.00

Pandora Suonar Cantando

Trio Froberger

Juilliard415

Ensemble Masques

Hertz

Hertz

Hertz

Hertz

naam van het concert

Olga Pashchenko

Alina Rotaru

Catalina Vicens

Petra Somlai

locatie van het concert

Lutherse Kerk

Leeuwenbergh

Lutherse Kerk

Lutherse Kerk

Guided tour (TiVre)

Guided tour (TiVre)

Guided tour (TiVre)

Guided tour (TiVre)

naam van het concert

Tiburtina

Leones

Schola Gregoriana

Cappella de la Torre

locatie van het concert

St.-Catharinakerk

St.-Willibrordkerk

St.-Catharinakerk

St.-Willibrordkerk

naam van het concert

Vivante

La Fontaine

Capriccio Stravagante

locatie van het concert

Leeuwenbergh

Hertz

Cloud Nine

Film (TiVre)

Film (TiVre)

Film (TiVre)

Film (TiVre)

naam van het concert

Per Sonat

Contrapunctus

Cinquecento

Cappella Mariana

locatie van het concert

Pieterskerk

Pieterskerk

Pieterskerk

Pieterskerk

Barocktrompeten Berlin

Collegium Marianum

Ars Antiqua Austria

Les Cornets Noirs

Geertekerk

Geertekerk

Geertekerk

Jacobikerk

11.00

13.00

15.00

16.30 17.00

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Huelgas Ensemble

Ars Antiqua Austria

Collegium 1704

Armonico Tributo

Big Hall

Big Hall

Big Hall

Big Hall

Juilliard Baroque

Ricercar Consort

Capriccio Stravagante

Collegium 1704

Hertz

Hertz

Cloud Nine

Hertz

naam van het concert

Ricercar Consort

Pierre Hanta誰

Kirkby & Lindberg

Eduardo Eg端ez

locatie van het concert

Hertz

Lutherse Kerk

Aula

Aula

18.00 20.00

Collegium 1704

22.30

24.00

daily rythm 9.30 : 10.00 : 11.00 : 13.00 :

summer school workshop dance chamber music young tigers

15.00 : 16.00 : 16.30 : 17.00 :

middle ages carillion recital film renaissance & baroque

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18.00 : 20.00 : 22.30 : 24.00 :

diner big evening concert chamber music midnight concert

wed 3 sep

thu 4 sep

fri 5 sep

10.00-17.00 Halve Finale 12.00-18.00 Van Wassenaer Concours Early Music Exhibition TivoliVredenburg Hertz

sat 6 sep

sun 7 sep

10.00-18.00 Early Music Exhibition TivoliVredenburg

10.00-17.00 Early Music Exhibition TivoliVredenburg

ZS: Mary Helen Dupree

ZS: Robert Mealy

ZS: Rozenkrans

ZS: Leertouwer / NPU

ZS: Leertouwer / NPU

TivoliVredenburg

TivoliVredenburg

TivoliVredenburg

K&W

Big Hall

Workshop dance

Workshop dance

Workshop dance

Pandora

Pandora

Pandora

Gli Incogniti

Édouard & Eichelberger

Malov & Birsak

Geertekerk

Hertz

Finale Van Wassenaer Concours 11.00-16.30 Hertz

Ensemble Tourbillon

Hertz Mark Edwards

Maude Gratton

Jean Rondeau

Francesco Corti

Aurélien Delage

Lutherse Kerk

Lutherse Kerk

Lutherse Kerk

Lutherse Kerk

Leeuwenbergh

Guided tour (TiVre)

Guided tour (TiVre)

Guided tour (TiVre)

Guided tour (TiVre)

Guided tour (TiVre)

Servir Antico

Les Flamboyants

Psallentes

Les haulz et les bass

Cappella Romana

St.-Willibrordkerk

St.-Catharinakerk

St.-Willibrordkerk

St.-Catharinakerk

St.-Catharinakerk

Het Laboratorium

Het Laboratorium

Het Laboratorium

Zefiro

Theater Kikker

Theater Kikker

Theater Kikker

Hertz

Film (TiVre)

Film (TiVre)

Film (TiVre)

Film (TiVre)

Film (TiVre)

Gallicantus

Ens. Clément Janequin

Stile Antico

Discantus

Companyia Musical

Pieterskerk

Pieterskerk

Domkerk

Pieterskerk Film (TiVre)

Pieterskerk Film (TiVre)

The Rare Fruits Council

Juilliard415

Le Concert Brise

The Harmonious Society

Les Passions de l’Âme

Geertekerk

Geertekerk

Geertekerk

Geertekerk

Geertekerk

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Wien Cuisine (TiVre)

Concerto Palatino

The Tallis Scholars

L’Arpeggiata

Graindelavoix

Vox Luminis & Scorpio

Big Hall

Big Hall

Big Hall

Big Hall

Big Hall

FLUX

L’Armonia Sonora

Ars Antiqua Austria

Ars Antiqua Austria

naam van het concert

Hertz

Hertz

Hertz

Hertz

locatie van het concert

Anthony Bailes

Glasharmonika Duo

naam van het concert

Cloud Nine

Cloud Nine

locatie van het concert

Van Elsacker & Johnsen Hopkinson Smith Aula

Aula

Hertz

middle ages

seventeenth century

additional

renaissance

eighteenth century

Van Wassenaer Competitiion

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Ea r l y Musi c Fest i va l U t recht 20 1 4

habsburg This year, the Early Music Festival has not chosen a place or an era, but a dynasty. The extraordinarily powerful Habsburgs ruled uninterruptedly from 1438 until the conclusion of World War I over large portions of Europe, with Vienna and Prague as centres of Habsburg power and culture. The liveliness of these cities and the grandeur of the Habsburgs, who were neither dukes nor kings, but emperors, attracted a colourful assembly of artists and musicians from Italy, France, Germany, Bohemia, Hungary and even their adversary Turkey.

Of course, the jewel in the Habsburg crown is Vienna, which is surely the capital of music. But just what kind of music? Closer observation soon shows that, in musical history terms, Vienna is a blind spot... due to overexposure.

The First Viennese School – with Mozart, Haydn, Beethoven and later Schubert – is so present on modern-day concert stages that most music lovers cannot have the slightest notion of the musical riches of the pre-classical period.

So let this be the rewarding challenge that we address this summer.

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the repertoire The Austrian Habsburgs ruled for centuries over constantly changing portions of Central Europe, with Vienna as their military bassis. The region, which nowadays has a rather sleepy reputation, was for centuries the artistic focal point of Europe. This was primarily fuelled by the power politics of the artand music-loving Habsburgs, which were peaceful but nonetheless assertive.

Our musical story begins deep in the Middle Ages. It takes on genuine momentum with the marriage of Maximilian and Mary of Burgundy: the fusion of their territories not only gave rise to an immensely strong European power, but provided Netherlandish composers of polyphony with a foothold in German-speaking areas, and later in Spain. It was a pivotal moment in European musical history. The Baroque in Austria and Prague has its own remarkable story. Again, cross pollination is the order of the day, but with added value. Close observation reveals that the exchange of styles is lifted to a higher plane: everything that found its way to the Habsburg cities takes on unmistakable flair and chic.

The story of this Early Music Festival is structured by a succession of prominent composers. In Heinrich Isaac and Philippus de Monte we hear two highly contrasting Renaissance masters of the 15th and 16th centuries.

Biber, Schmelzer and Bertali represent typical Austrian Baroque, while Fux and Zelenka provide a link between the 17th and 18th centuries. In general, we can assert that this repertoire is sorely underestimated. However, what today seems marginal or anecdotal was trend-setting in the Renaissance and the Baroque, and above all, possessed a refinement that outclassed the rest of Europe.

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A r t ist i n resi d e n ce

ars antiqua austria gunar letzbor Ars Antiqua Austria, the ensemble led by the Austrian violinist Gunar Letzbor returns to Utrecht. Last year, Letzbor presented the unknown mass by the Austrian Muffat as the opening concert of the Early Music Festival. This year, the ensemble is proud to fulfil the role of artist in residence.

In four concerts, Ars Antiqua Austria presents a very special mixture of Austrian 17th-century Baroque repertoire. The ensemble kicks off with the festive Missa Alleluia by Biber. In the second concert, Letzbor presents the two Austrian composers he loves best: Aufschnaiter and Weichlein. Finally, during the last weekend of the festival, on two successive evenings at 10:30, we make room for a complete performance of Biber’s beloved Rosary Sonatas.

Ars Antiqua Austria was founded in Linz in 1989 and seeks to acquaint the public with the roots of Austrian Baroque music. Thanks to Letzbor and his musicians, countless scores have received their first modern-day performance.

The ensemble enjoys demonstrating the great diversity of cultures that have left their stamp on the Austrian Baroque, when Austria’s political boundaries and sphere of influence reached much further than they do today. .

Ars Antiqua Austria / Gunar Letzbor sun 31 aug / 20.00

fri 5 sept / 22.30

Biber & Aufschnaiter

Biber’s Rosary Sonatas (I)

mon 1 sept / 17.00

sa 6 sept / 22.30

Musica Austriaca

Biber’s Rosary Sonatas (II)

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A r t ist i n resi d e n ce

collegium 1704 václav luks Václav Luks and his Collegium 1704 are our second artist in residence during this festival. In three concert programmes, this young ensemble from Prague presents a selection of music from Bohemia, with an accent on the early 18th century.

Of course, the opening concert with festive music by Zelenka, T ma and Fux strikes the eye first. But just a few days later, these newcomers will again take over the main stage with a Caldara oratorio which has never been performed before, and is fittingly dedicated to Wenceslas, the patron saint of the modern-day Czech Republic. Their third concert is devoted to unknown Baroque music from their homeland of Bohemia.

With Prague as its home basse, Collegium 1704 specialises in the works of Zelenka, Bach and Händel. The orchestra garnered international attention for its spectacular recording of Zelenka’s Officium Defunctorum. In only a few years, their glowing and highly energetic performances have won them a position at the pinnacle of Baroque music.

Collegium 1704 / Václav Luks fri 29 aug / 20.00 Opening concert

tue 2 sept / 22.30

Festival Oude Muziek

Salon 1723

mo 1 sept / 20.00 Caldara –

San Giovanni Nepomuceno

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tivolivredenburg Home at last!

After an extensive renovation lasting seven years, the old familiar Vredenburg is open once more. We can again enjoy the excellent acoustics of the Large Hall, which is a great step forwards. But there is more: Utrecht can now call on a good medium-sized hall for chamber (orchestra) music.

The new music palace is certainly imposing. With five different halls and their accompanying lobbies, TivoliVredenburg is a location with unheard-of possibilities. Accordingly, not only concerts but lectures, symposia and the Early Music Fair will be housed here. Also, there will be guided tours for those who want to get acquainted with this fascinating building, both from the front and behind the scenes. Naturally, we will continue performances in the venues in the old centre of Utrecht, but as the festival centre, TivoliVredenburg will be a pleasant and inspiring place where every early music lover will feel at home.

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festival centre tivolivredenburg Would you like to enjoy a drink and a snack between acts? Do you enjoy nosing around in the festival’s CD store, or do you like to evaluate the concert you just attended with others of the same mind? Then the Festival Centre TivoliVredenburg is the place for you. Here you can also purchase concert tickets or obtain free fringe tickets at the festival box office. In addition, fringe concerts will be given and workshops and other events will take place. Festival Centre TivoliVredenburg is open every day from 10:00 till late in the evening.

Festival Box Office Concert tickets are available at the Festival Box Office in TivoliVredenburg, open every day during the Festival from 10.00 to 20.00.

Viennese coffee Every day in the Festival Centre: delicious coffee and Viennese pastries.

Early Music Exhibition One of the cornerstones of the Early Music Festival Utrecht is the yearly Early Music Fair with more than 70 musical instrument builders, music publishers and CD labels from all over the world. The Early Music Fair takes place this year in TivoliVredenburg, thereby taking back the position it deserves as the beating heart of the Early Music Festival.You can find a complete overview of the (more than 75) stallholders as of 1 June on our website and in the festival programme book.

AVRO Festival Report Every evening from 30 August to 6 September, AVROTROS/Radio4 broadcasts a special Festival Report in which presenter Mark Brouwers introduces his musical guests to you at the Festival Centre TivoliVredenburg. The Festival Report precedes the live broadcast of the evening concert on Radio4. You are welcome to join us!

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A n e w ge n e ra t i o n o f m usi cians fo r to day

young tigers of the keyboard They may be young, but make no mistake: this is no line-up of promising young keyboard players for the future. No, this is the generation that is succeeding right now. Dwarves on the shoulders of pioneers? It makes no difference. Each one of the harpsichordists and fortepianists we present to you during this Early Music Festival is a pedigreed musician who has earned a place on major concert platforms.

We are happy to create a complete concert series featuring these young talents, every day at 13:00, because they deserve this. What is more, it is striking how different these players are. With their Russian, Chilean, Italian or French background, we can hear a wide spectrum of schools and aesthetic viewpoints. In this way, the series provides a sampling of everything that is happening in keyboard land in 2014. Don’t miss it! sa 30 aug, 13.00 - Olga Pashchenko su 31 aug, 13.00 - Alina Rotaru mo 1 sep, 13.00 - Catalina Vicens tu 2 sep, 13.00 - Petra Somlai we 3 sep, 13.00 - Mark Edwards th 4 sep, 13.00 - Maude Gratton fr 5 sep, 13.00 - Jean Rondeau sa 6 sep, 13.00 - Francesco Corti su 7 sep, 13.00 - AurÊlien Delage

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A la un ch i ng b oa rd fo r yo ung talent

international van wassenaer competition The great acquisition of this Early Music Festival is the Van Wassenaer Competition (VWC). Since the first edition in 1986, the Van Wassenaer Competition has given a boost to the careers of beginning early music ensembles.

We are proud that, as of 2014, the Early Music Festival will be the host of this renowned competition.

The international jury consists of soprano CĂŠline Scheen, violinist and artist in residence Gunar Letzbor, fortepianist Petra Somlai, gambist and director of Armonico Tributo Lorenz Duftschmid, singer and director of Vox Luminis Lionel Meunier and Juilliard professor and coordinator Ben Sosland.

The chairman is Krijn Koetsveld. Together they will judge a group of twelve ensembles who will compete for a place in the final. The participants who do not reach the final will be given master classes which will also be open to the public. For the winners, there is prize money to be shared.

The list of participants will be published in the third issue of the Magazine for Early Music, which will appear around 15 August. As of 1 August the list can also be found at www.oudemuziek.nl/competition In cooperation with the International Van Wassenaer Concours.

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Co ns e r va to i re i n resi dence

the juilliard school In 2014, the Early Music Festival embarks on a project with The Juilliard School in New York, the world’s most prestigious conservatoire. For the past five years, Juilliard has had an early music department that is following an inspiring path. They will explain their pedagogical approach during the STIMU symposium Curriculum matters and a Summer School lecture, at which the current state of affairs regarding the early music scene in the United States will be described.

Still more importantly, the impressive student orchestra Juilliard415 will be heard twice during the Early Music Festival. Their professors will also have their turn at a teachers’ concert and during master classes. Besides this, department coordinator Benjamin Sosland will be part of the jury for the Van Wassenaer Competition. sa 30 aug, 22.30 - Juilliard Baroque su 31 aug, 10.00 - Juilliard Masterclass with Phoebe Carrai and Dominic Teresi mo 1 sep, 11.00 - Juilliard415 Chamber Ensemble tu 2 sep, 10.00 - Juilliard Masterclass with Gonsatlo Ruiz and Cynthia Roberts th 4 sep, 9.30 - Summer School: Robert Mealy th 4 sep, 17.00 - Juilliard415 In collaboration with The Juilliard School for Music, Historical Performance Faculty, New York.

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In te r na t i o na l ST IM U s ymp osiu m

curriculum matters The International STIMU Symposium 2014 will examine in detail the early music education of the past and of today.

Historical knowledge is of fundamental importance for persons who wish to be professionally active in early music. More and more, this causes growth in the appreciation of teaching methods from the past. But that is not all.

Research and experimentation are becoming more important for today’s students, and a more interdisciplinary attitude is expected of them. It is time to develop a new curriculum which does have its roots in the past, but is geared towards the future.

Curator Jed Wentz has assembled a three-day programme in which speakers from Oxford, the Juilliard School, Harvard, the Royal College of Music, London and the Bach-Archiv Leipzig have been invited to reflect on interdisciplinary teaching plans. This will initiate interaction between musicians and musicologists, young and old.

Official language: English Speakers: Anne Smith, Jette Barnholt Hansen, Mary J. Carruthers, Michiel Schuijer, Nicola Cumer, Amy Blier-Carruthers, Julia Muller, Ben Sosland, Thérèse de Goede, Wendy Heller, Kate van Orden, Niels Berentsen, Kailan Rubinoff, Jed Wentz, Claire Genewein, Jennifer Thorp, Sharon Weller, Bernd Koska, Johannes Boer You can find the complete program on oudemuziek.nl/symposium

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kunstkammer wien The Kunsthistorisches Museum in Vienna is the guardian of what is possibly the most spectacular art collection in Europe: that of the Habsburg emperors. Besides its impressive Habsburg painting gallery, the museum is also the custodian of the so-called Kunstkammer: the collection of precious metal works, decorative objects, furniture, music boxes and rare exotica of Ferdinand II and Rudolf II, among others.

Each of the objects being displayed reflects the good taste of the emperors.

In contrast to the often obstreperous young dynasties such as the Bourbons in France, this collection attests to a controlled self-assurance, but to relaxed playfulness and humor as well. Its quality is so high that it makes one reflect on the musical life of the Habsburg courts: that too must have possessed unimaginable finesse.

As of last year, the collection in Vienna can again be viewed in a completely new display. The works are too valuable to be transported, but we are bringing them to Utrecht all the same, in the form of a multimedia installation that will be open daily in Festival Centre TivoliVredenburg. In this way, with a cup of coffee in your hand and between concerts, you can enjoy projections of these remarkable works in peace. After this visual experience, you will return to the concert hall with a completely new field of reference.

Virtual Kunstkammer in TivoliVredenburg from su 31 aug open daily in Cloud Nine Capriccio Stravagante & Profeti della Quinta led by Skip SempĂŠ: mo 1 sep / 22.30 and tu 2 sept / 15.00 In coproduction with Kunsthistorisches Museum, Vienna.

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Be n da ’ s M e de a

het laboratorium Our festival takes the next step in exploring the relationship between music, rhetoric, gesture and declamation by initiating a new festivalonderdeel: het laboratorium. The idea behind the laboratorium is to create a forum for scholars and performers to experiment with new modes of expression, free from the pressures of mounting a fully-staged production. The laboratorium will allow musicians, actors, dancers and scholars to work together on specific aspects of theatrical performance, while allowing the audience to enjoy a ‘kijkje in de keuken’.

This year’s laboratorium, it’s maiden voyage, will centre on reconstructing the declamatory style for the spoken texts in Georg (Jiri?) Benda’s 1775 melodrama Medea. The genre of melodrama, in which spoken texts and musical accompaniments altoernate in order to highlight the different powers of words and music, was tremendously popular in the late 18th century. This year’s laboratoium team of scholars and performers aims to recreate the gestures and musical speaking style associated with Medea at the time of its premier, supported musically by Ensemble Aurora led by Enrico Gatti.

Cast Medea Jason Hofmeisterin

Tanja Obalski Joao Paixão Laila Neuman

Laboratorium team: Jed Wentz (Organisatie Oude Muziek, Conservatorium van Amsterdam) Mary Helen Dupree (Georgetown University) Ensemble Aurora / Enrico Gatti

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carillon festival early music For the fourth time, the Carillon Festival Early Music will be held in the city centre of Utrecht. Every day, a carillon concert will be given whose theme is connected to the Early Music Festival 2014 – Habsburg. The concerts this year will take place at 16:00, in between the early music concerts in the churches of the city centre.

The carillonneur of the city of Utrecht, Malgosia Fiebig, will play the leading role, but she has also invited some prominent colleagues. The carillon fringe will offer room for upcoming talent.

For whoever dares: at the carillon concerts on 30 August and 6 September, 15 curious souls may come on a guided tour of the Dom Tower to have a look at the carillon. On Sunday 31 August, there will be a children’s guided tour.

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films Early Music was once a movement fully convinced of the purity of its quest for authenticity: many performers felt that by concentrating exclusively on the musical sources of the past and thereafter applying the information to performance, that historically informed music-making would automatically result. More recently, however, Early Music has begun to reflect on itself, and to question how the culture in which reconstruction takes place influences by the musical results: in short, there is increased awareness that the performing artist himself is a part of a larger cultural context.

In order to celebrate this ever-widening philosophical stance, and with topics like musical and theatrical gesture, declamation and expression in mind, the festival this year will offer its public a varied film series exhibited in an intimate space. Movies of very different types, created between 1925 to 2012 and all related in some way to our Vienna-Prague theme, will allow the bezoekers to refresh their eyes and ears, and to ponder the dramatic changes in European theatrical culture that have taken place since WWI. From silent films with live musical accompaniment, to grim and fantastic animations, to the Romantic suikerspin of Sissi, these movies highlight the diversity of approaches in 20th- and 21st-century cinematic story-telling.

Acting too has changed, from the expressive and meaningful gestures of the ‘silent’ period to the entirely naturalistic styles of today.

All of the films will be preceded by a short introductory lecture to help the viewer get the most out of the experience.

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friday 29 august 9.00 STIMU-symposium

19.45 Utrechts Klokkenluiders Gilde

TivoliVredenburg

Dom Tower

19.00 Malgosia Fiebig

20.00 Collegium 1704

Dom Tower

TivoliVredenburg

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Home in Tivol i Vre d e n burg

opening concert With the festive opening concert in 2014, we celebrate the return of the Early Music Festival to Vredenburg. The old concert halls were closed in 2007 for a thorough renovation. Now we will reoccupy our place in the new TivoliVredenburg, with a brand new Festival Centre, countless activities, and above all, a great deal of music in optimal acoustic conditions.

19:00-19:45 19:30-20:00 19:30-20:00 19:45-20:00 20:00 22:30

Carillon concert by Malgosia Fiebig (Dom Tower) Festival Report AVRO / Radio 4 Greeting played by Baroque Trumpet Ensemble Berlin Pealing of bells for opening of the Festival (Dom Tower) Opening concert by Collegium 1704 Opening reception in Festival Centre TivoliVredenburg

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friendsconcert fri 29 aug / 20.00 TivoliVredenburg, Big Hall € 36 / € 25 / € 10

order number 01

Opening concert: Fux and his Bohemian Followers T ma & Zelenka

Large-scale and festive: this is how we begin this Habsburg Early Music Festival. By the Viennese court composer Fux, much admired by Bach, we hear the radiant Te Deum. Then two of his best students take their turn: we hear Tůma’s Stabat Mater and Zelenka’s Missa Divi Xaverii. It will be an evening full of Baroque discoveries in which the choir, orchestra and soloists of Prague’s Collegium 1704, conducted by artist in residence Václav Luks, promise us an electrifying performance.

Collegium 1704 / Václav Luks Hana Blažíková, soprano Kamila Masatlová, alto Václav Cížek, tenor Tomáš Král, bass 37

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saturday 30 august 9.30 Summer School:

Anne Smith

15.00 Tiburtina St.-Willibrordkerk

TivoliVredenburg

15.00 Vivante 9.30 STIMU-symposium

Leeuwenbergh

TivoliVredenburg

15.30 Fringe 1o.00 Festival Centre

Various locations

TivoliVredenburg

16.30 Film 11.00 Suonar Cantando

TivoliVredenburg

TivoliVredenburg

17.00 Per Sonat 11.00 Fringe

Pieterskerk

Various locations

11.00 Malgosia Fiebig

17.00 Barocktrompeten

Ensemble Berlin

Geertekerk

Dom Tower, Pandhof

12.00 Utrechts Klokkenluiders Gilde

18.00 Wien Cuisine TivoliVredenburg

Church towers Utrecht

19.30 Festival Report 12.30 Fabulous Fringe

AVRO / Radio 4

TivoliVredenburg

20.00 Huelgas Ensemble 13.00 Olga Pashchenko

TivoliVredenburg

Lutherse Kerk

22.30 Juilliard Baroque 13.30 Guided tour

TivoliVredenburg

TivoliVredenburg

24.00 Ricercar Consort 14.00 Fringe

TivoliVredenburg

Various locations

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sat 30 aug / 11.00 TivoliVredenburg, Hertz

sat 30 aug / 9.30

€ 22 / € 19 / € 10

order number 04

TivoliVredenburg, foyer Big Hall € 5

Suonar Cantando / Bojan i ić

order number 02

Treasures from the Viennese Minorite

Anne Smith

Monastery

The Pedagogical Guidonian Hand

Manuscript 726 from the Minorite Monastery in Vienna contains music from the heart of the Habsburg repertoire at the end of the 17th century. The great influence of Italian composers on Viennese musical life proves evident: sonatas by Bertali, Valentini, and Albertini are represented in the manuscript. The brilliant Croatian violinist Bojan Čičić plays several of the loveliest violin sonatas with his four-member chamber group, including a remarkable anonymous contrapunctus on Wie schön leuchtet der Morgenstern.

In the 16th century, the Guidonian Hand was an important pedagogical method for teaching boys in the choir school how to sing. Anne Smith explains the elementary principles of practical music education in the Renaissance. She gives the very first singing lesson, as it were, beginning and ending with… ut re mi fa sol la.

With the support of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen. ten en Wetenschappen.

40

sat 30 aug / 12.00 Church towers Utrecht free

sat 30 aug / 11.00 Dom Tower, Pandhof

Utrechts Klokkenluiders Gilde

free

Bell pealing & and Bell walking tours

Malgosia Fiebig

Quacking, growling, meowing and nightingale song: these are sounds that we do not readily associate with the carillon. However, the sounds of nature have always spoken to the imagination of composers, and were especially loved in the Austrian Baroque. City carillonnneur Malgosia Fiebig presents works by festival composers Schmelzer, Biber and Kerll.

The Utrecht Bell Ringers’ Guild stirs all the bells of Utrecht’s city centre to life.

It begins with the peal of the Dom Tower, which gradually swells to a “grand peal” with all 14 bells. This can only be heard a few times a year: at Easter, on New Year’s Day, and during the Early Music Festival. Then bells from other parts of the city join in, so that the music of the bells wafts over the city.

At 12:15 two bell walking tours directed by guides will start out at Domplein, a western and a southern route, that will follow the relay from close at hand.

+ Looking at the carillon in conjunction with Utrecht Tourism Starts 10.30 AM, duration: 75 min Gather at the Domtoren entrance, Domplein 21 €10 pp, order number 03 No live-streaming at this concert.

12:15: Bell walking tours led by a guide, western and southern route.

Free, but space is limited. Tickets must be claimed from 10:00 onwards in the Festival Centre TivoliVredenburg.

Night Sounds on the Carillon

41

sat 30 aug / 13.00 sat 30 aug / 13.30

Lutherse Kerk

TivoliVredenburg A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 05

€ 5

Olga Pashchenko

Guided tour

Fux, Haydn, Mozart on Harpsichord and

Discover TivoliVredenburg

order number 06

pianoforte

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes is just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak in a portion of a rehearsal as well.

In the mid-18th century, the familiar harpsichord and the still young fortepiano led a brotherly existence side by side. The Russian Olga Paschenko, a pupil of Alexei Lubimov and Richard Egarr, plays both instruments alongside each other. The great Fux, who survived three emperors as court composer in Vienna, is represented by his Capriccio and Fugue in g. With his Gradus ad Parnassum, Fux created an influential pedagogical work on counterpoint, of which Haydn handed on his copy, covered with notes, to Mozart.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

42

sat 30 aug / 15.00 A € 00 / € 00 / € 00

Leeuwenbergh

B € 00 / € 00 / € 00

€ 22 / € 19 / € 10

sat 30 aug / 15.00 St.-Willibrordkerk € 22 / € 19 / € 10

bestelnummer 00 order number 08

Vivante / Anne Marie Dragosits

order number 07

Sances: A Key Figure in Vienna

Tiburtina Regina lucti – The Mourning Queen

The Italian Giovanni Felice Sances arrived in 1636 in Vienna, where he worked till his death in 1679 as a singer and chapel master. Sances grew to be one of the key figures in Viennese musical life: from there his fame reached across all of Europe. Ensemble Vivante paints his portrait with vocal duets and fragments from his operas Apollo deluso and Aristomene Messenio, which he produced along with Schmelzer and Draghi for the Habsburg emperor Leopold I.

The eight female voices of Tiburtina from Prague sing, with harp accompaniment, religious and lyric poetry from the court of the culture-loving king Wenceslas II. He ruled around 1300 over the turbulent region of Bohemia.

Tiburtina concentrates on the tragic life of his wife, Judith of Habsburg, who died at age 26, only days after her coronation. For the first time in 700 years, we hear poetry dedicated to her.

43

sat 30 aug / 17.00 Pieterskerk A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 10

Per Sonat / Sabine Lutzenberger The Habsburg Mayor of Augsburg

Emperor Maximilian I, who married Mary of Burgundy, was called “the mayor” in Augsburg because he spent so much time in this city. As a warlike Renaissance man with a taste for grandeur, Maximilian was always short of money, and he owed enormous sums to his Augsburg friend and Maecenas Jakob Fugger. After all, Maximilian invested heavily in his ensembles, and composers such as De la Rue, Josquin, Isaac and Senfl were members of his personal circle. A great deal of their music is contained in an anonymous manuscript, the Augsburger Liederbuch, of which some works are even dedicated to Fugger.

sat 30 aug / 16.30 TivoliVredenburg, Workshop room €5

order number 09

Film: Museum Hours Director: Jem Cohen (2012)

A story of the transformative power of art. Set in the Kunsthistorisches Museum in Vienna,Museum Hours chronicles the budding friendship between a tourist and a museum guard as they look at and learn from the great paintings in the collection.

44

sat 30 aug / 18.00-19.30 TivoliVredenburg, Festival Centre

sat 30 aug / 17.00 € 25

Geertekerk A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 12

Wien Cuisine

order number 11

Barocktrompeten Ensemble Berlin / Johann Plietzsch

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Cum tubis in pleno

In the German empire, strict regulations applied to the playing of wind instruments in combination with other instruments, but within the direct reach of Habsburg influence the rules were more relaxed. In this way, the culture of trumpet and trombone playing blossomed. The Baroque Trumpet Ensemble of Berlin presents music by Bertali, Biber and Schmelzer for strings and winds.

Included: main course, one drink and a cup of coffee to finish.

45

sat 30 aug / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 13

Huelgas Ensemble / Paul Van Nevel

particularly versatile, and he creates a miraculous combination of polychoral technique after the Venetian model with the counterpoint of the Flemish polyphonists. The expression of the text is strengthened by means of word painting or daring chromaticism. The Huelgas Ensemble is the best imaginable ambassador for Gallus’s dazzling polyphonic “fusion”.

Jacobus Gallus: the Slovenian Lassus

Jacob Gallus was a member of the Viennese court chapel and worked around 1586 as cantor in Prague.

Despite his short lifespan, he was very famous and left an oeuvre of some 500 works. In stylistic terms, Gallus is 46

sat 30 aug / 24.00 TivoliVredenburg, Hertz € 12 / € 10 / € 7

order number 15

Ricercar Consort & Céline Scheen From Sances to Schmelzer: Italian Music

sat 30 aug / 22.30

in Austria

TivoliVredenburg, Hertz € 22 / € 19 / € 10

order number 14

As early as the Renaissance, Italian composers were received at the Habsburg court in Vienna with open arms.

In the Baroque, Bertali and Sances created a sensation there, and they influenced many Austrian composers with their “modern” Italian operas and chamber music. Schmelzer was one of these: tonight we hear a Germanlanguage song of his. Soprano Céline Scheen possesses the necessary poetic feeling and imagination to bring 17th century repertoire to life, and in the process she will be in the excellent company of Philippe Pierlot and his musicians.

Juilliard Baroque Bertali and Schmelzer

The Juilliard School for Music in New York is “conservatoire in residence” for this festival. Five faculty members from this top rank institute, including the department head Robert Mealy, appear together in this concert. They play chamber music by festival composers Bertali and Schmelzer.

In cooperation with The Juilliard School.

47

48

zondag 31 august 9.30 Summer School:

Niels Berentsen

14.00 Fringe

Various locations

TivoliVredenburg

15.00 Leones 9.30 STIMU-symposium

St.-Willibrordkerk

TivoliVredenburg

15.00 La Fontaine 10.00 Festival Centre & Kunstkammer

TivoliVredenburg

TivoliVredenburg

15.30 Fringe

Various locations

10.00 Workshop renaissance singing

16.00 Geert D’Hollander

Academiegebouw, auditorium

Dom Tower

10.00 Children’s Treasure Hunt

16.30 Film

TivoliVredenburg

TivoliVredenburg

10.00 Juilliard Masterclass

UCK

17.00 Contrapunctus

11.00 Trio Froberger

17.00 Collegium Marianum

TivoliVredenburg

Geertekerk

11.00 Fringe

18.00 Wien Cuisine

TivoliVredenburg

Pieterskerk

Various locations

12.30 Fabulous Fringe

19.30 AVRO / Radio 4

TivoliVredenburg

13.00 Alina Rotaru

20.00 Ars Antiqua Austria

Leeuwenbergh

TivoliVredenburg

13.30 Guided tour

22.30 Ricercar Consort

TivoliVredenburg

TivoliVredenburg 49

Festival Report

zo 31 aug / 9.30

zo 31 aug / 10.00-14.30

TivoliVredenburg, foyer Big Hall

Academiegebouw, auditorium

€ 5

order number 16

€ 30 including lunch

Summer School: Niels Berentsen

Tore Tom Denys Workshop Renaissance Singing

Singing from the Book

Long before Mozart and Beethoven, the musical life of Vienna was dominated by Franco-Flemish composers such as De Monte, Vaet and Regnart.

Under the supervision of Tore Denys (Cinquecento, La Capilla) you will sing works of those composers that worked for the Viennese court and in Praha.

One of the works will be the beautiful Miserere of De Monte.

The on-the-spot (ex tempore) creation of polyphony on the basis of existing Gregorian melodies was an important skill for the Renaissance singer. “Singing from the book”, as the theoretician Tinctoris called it, was probably an indispensable step in learning how to compose counterpoint. The musicologist Niels Berentsen sheds light on research into the reconstruction of the practice of improvised counterpoint in the 14th and 15th centuries.

You can apply via oudemuziek.nl/ toredenys 10.00 workshop 10.00

workshop 13.00 lunch 14.00 presentation and fringe

With the support of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

50

zo 31 aug / 11.00 TivoliVredenburg, Hertz € 22 / € 19 / € 10

zo 31 aug / 10.00 TivoliVredenburg € 5

order number 19

Trio Froberger / Nima Ben David

order number 17

Froberger da camera

Children’s Treasure Hunt

Is it not unfortunate that Froberger’s music, which can be counted among the finest repertoire of the 17th century, is almost exclusively reserved for harpsichordists and organists? Why not hand this repertoire to a couple of chamber musicians and see what happens? That is the novel approach of the gambist Nima Ben David. In the violinist Koji Yoda and the harpsichordist Pierre Trocellier, she has found two like-minded, poetic souls to conduct this experiment.

For children from 5 to 10 years

Did you know that there all kinds of secret corners in the new TivoliVredenburg that no one knows about?

Places where grownups are maybe not allowed to go? During the Early Music Festival there’s a lot to discover in TivoliVredenburg. Come along on a musical treasure hunt to uncover the secrets. Maybe you’ll hear something that you’ve never heard before!

51

zo 31 aug / 13.30

zo 31 aug / 13.00

TivoliVredenburg

Leeuwenbergh € 18 / € 16 / € 10

€ 5

order number 20

order number 21

Guided tour

Tigers of the keyboard: Alina Rotaru

Discover TivoliVredenburg

Kerll and Froberger on the Harpsichord

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes is just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak in a portion of a rehearsal as well.

Johann Jacob Froberger and Johann Caspar Kerll both displayed the cosmopolitan attitude that characterised many German composers of the 17th century. In addition, the similarities between them are striking: both studied in Rome, worked in Vienna and converted to Roman Catholicism. The Romanian harpsichordist Alina Rotaru, who made a great impression in 2012 with her Sweelinck recital in Utrecht, places these two masters of the keyboard side by side.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

52

zo 31 aug / 15.00 TivoliVredenburg, Hertz

zo 31 aug / 15.00

€ 22 / € 19 / € 10

order number 23

St.-Willibrordkerk € 22 / € 19 / € 10

La Fontaine / Alex Potter

order number 22

Ensemble Leones / Marc Lewon

Fede e amore

Friend and Enemy of the Habsburgs

Viennese Baroque music for voices and virtuosic trombones: this is an intriguing combination that provides instant insight into the high technical and musical level that composers like Caldara, Fux and Conti demanded from their musicians of the Viennese court chapel in the first half of the 18th century. The timbre of the British countertenor Alex Potter blends perfectly with the warm glow of the trombones of Catherine Motuz and Simen van Mechelen.

The specialist ensemble Leones employs (sometimes coarse) songs of love, fate and war to create a unique portrait of the Minnesinger, bon vivant and diplomat Oswald von Wolkenstein.

During his turbulent life, “Oswald the Cosmopolitan” travelled to every corner of the known world and was constantly at odds with the Habsburg princes. Thanks to his interest in a new development, polyphony, he is one of the earliest German Renaissance composers.

Please note: During this concert we offer a childcare service for children from 3 to 8 years.

Aanmelden verplicht via info@oudemuziek.nl

53

zo 31 aug / 16.00 Dom Tower, Pandhof free

zo 31 aug / 16.30 TivoliVredenburg, Workshop room

Geert D’hollander

€ 5

Zelenka, Kerll, Caldara and Franz Benda on

order number 24

Carillon

Film: Trollflöjten (1975) Regisseur: Ingmar Bergman

Geert D’hollander studied piano and choir conducting in Antwerp and carillon in Mechelen. He succeeded Ronald Barnes as university carillonneur and professor at the University of California.

Since 2012 he has been carillonneur of the monumental 60-ton Taylor Carillon in Bok Tower Gardens (Lake Wales, Florida), and city carillonneur of Middelburg. Today D’hollander plays works by Zelenka, Kerll, Caldara and Franz Benda.

A great director tackles a great opera.

Bergman partially filmed his version of The Magic Flute in the well preserved and beautiful 18th-century theatre at Drottningholm. The result is rich, complex and magical, and, all in Swedish, the film reveals a 20th-century northerner’s view of Mozart’s Vienna classic.

54

zo 31 aug / 17.00 Geertekerk A € 22 / € 19 / € 10

zo 31 aug / 17.00

B € 19 / € 16 / € 10

Pieterskerk

Collegium Marianum / Jana Semerádová

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 26

order number 25

Easter Cantatas by Zelenka

Contrapunctus De Monte, Lassus, Padovano

The Collegium Marianum from Prague focuses on music from the 17th and 18th centuries, particularly by Central European composers. Their efforts were rewarded by UNESCO in 2010.

Today’s programme offers music by Zelenka, who admittedly spent most of his career in Dresden. However, a number of remarkable works by him are known that are linked to the area of his birth, around Prague. The magnificent Sepolcri were performed for Easter and demonstrate Zelenka’s feeling for colour and drama.

The British ensemble Contrapunctus guarantees the highest level of performance with their clear, flexible voices.

The weddings of the Habsburg princes provided the perfect opportunity to underline their power with visual and musical display. Contrapunctus sings mass movements and wedding motets

by De Monte, including his superb Missa Si ambulavero and the theatrical Europam pueræ, and works by Padovano and Lassus.

55

zo 31 aug / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 28

Ars Antiqua Austria / Gunar Letzbor

with its distinctly Austrian élan, is the great discovery he hopes to help you make during this festival. Combined with Biber’s massively proportioned (36 parts!) and festive mass, this will be one of the most exciting concerts of the week.

Aufschnaiter: Memnon sacer ab oriente Biber: Missa Alleluia

Who has ever heard of Benedikt Anton Aufschnaiter? For artist in residence Gunar Letzbor, Aufschnaiter’s music,

With the support of the K.F. Hein Fonds.

56

zo 31 aug / 18.00-19.30 TivoliVredenburg € 25

zo 31 aug / 22.30 TivoliVredenburg, Hertz

order number 27

€ 22 / € 19 / € 10

Wien Cuisine

order number 29

Ricercar Consort & Carlos Mena

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Music for the Virgin by Bertali, Biber, Schmelzer, Sances and Leopold I

The Ricercar Consort presents music dedicated to Mary by three generations of Viennese court musicians. The Stabat Mater, the supreme Marian lament, was not permitted to be sung during the liturgy in the late 17th century, but its popularity remained undiminished.

Sances’s moving setting was probably heard in the private chapel of Leopold I, who for that matter was a more than serviceable composer in his own right.

The star of the evening is the Spanish countertenor Carlos Mena.

Includes main course, one drink and a cup of coffee to finish. Does not include Viennese pastries for dessert (can be ordered at the counter).

57

58

monday 1 september 9.30 Summer School:

Paulus Rainer

15.00 Schola Gregoriana Pragensis

TivoliVredenburg

St.-Catharinakerk

10.00 Festival Centre

15.30 Fringe

TivoliVredenburg

11.00 Juilliard415 Chamber Ensemble

16.30 Film

Various locations

TivoliVredenburg

TivoliVredenburg

17.00 Cinquecento 11.00 Fringe

Pieterskerk

Various locations

17.00 Ars Antiqua Austria 11.00 Jungeun Kim

Geertekerk

Dom Tower

18.00 Wien Cuisine TivoliVredenburg

12.30 Fabulous Fringe TivoliVredenburg

20.00 Collegium 1704 TivoliVredenburg

13.00 Catalina Vicens

Lutherse Kerk

22.30 Capriccio Stravagante &

Profeti della Quinta

13.30 Guided tour

TivoliVredenburg

TivoliVredenburg

14.00 Fringe

Various locations

59

mon 1 sep / 9.30 mon 1 sep / 11.00

TivoliVredenburg, foyer Big Hall

TivoliVredenburg, Hertz € 5

order number 30 € 22 / € 19 / € 10

Summer School: Paulus Rainer

order number 31

Juilliard415 Chamber Ensemble

Die Kunstkammer Wien

Chamber Music for Leopold I

The Habsburgs were passionate collectors of art: many of the works they purchased or commissioned are now owned by the Kunsthistorisches Museum, Vienna. The Kunstkammer is utterly unique and contains the most exotic and rare decorative works. As of last year, the Kunstkammer in Vienna is again open to the public. Curator Franz Kirchweger will lead you through this magnificent legacy of the Viennese emperors.

Seven students from The Juilliard School in New York, which is “conservatoire in residence” during this festival, demonstrate that this prestigious institute is more than worthy of its reputation. Only twelve exceptionally talented students are accepted yearly.

Today, Baroque musicians of the younger generation display their flair with music by composers such as Fux and Tuma, who served the Viennese emperor Leopold I.

Language: English With the aid of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

In cooperation with The Juilliard School.

60

mon 1 sep / 13.00 Lutherse Kerk

mon 1 sep / 13.30 TivoliVredenburg

A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 32

€ 5

order number 33

Catalina Vicens

Guided tour

Queens of Bohemia

Discover TivoliVredenburg

The young Chilean harpsichordist Catalina Vicens studied at the Curtis Institute in Philadelpia, in Freiburg and in Basel, where she received the first diploma in medieval keyboard playing.

She will also present early repertoire in Utrecht: intabulations, fantasias and dances by De Monte, Luython, Byrd, Bull and Gibbons, written for the daughters of two Bohemian kings: Mary of Austria, the daughter of Emperor Ferdinand I, and Elizabeth Stuart, who became Queen of Bohemia by means of her marriage to the Elector Palatine Frederick V.

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes might be just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak into a rehearsal as well.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

61

mon 1 sep / 15.00 St.-Catharinakerk € 22 / € 19 / € 10

order number 34

Schola Gregoriana Pragensis / David Eben

mon 1 sep / 16.30 TivoliVredenburg, Workshop room

Maiestas Dei: Medieval Czech Polyphony

€ 5

order number 35

Film: Sissi (1955)

The Schola Gregoriana Pragensis is one of the leading ensembles for the performance of Gregorian and medieval religious music from Central Europe.

The music of the Polish cleric Petrus Wilhelmi de Grudencz, born in 1392, was sung in Bohemian churches till the beginning of the 17th century. Around 1440, he was in the service of Frederick III, and presumably accompanied the emperor on many travels. As a composer his roots were in the Middle Ages, but intellectually he already belonged to the Renaissance.

Regisseur: Ernst Marischka

A post-war fantasy of more innocent times, Sissi retains its sentimental appeal, even in our more cynical times.

The films charm rests firmly on the shoulders of the young Austrian actress Romy Schneider, who portrays Empress Elizabeth of Austria with a captivating girlish freshness.

Limited seats available; English subtitles

62

mon 1 sep / 17.00

mon 1 sep / 17.00

Pieterskerk

Geertekerk

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

A € 22 / € 19 / € 10

order number 36

B € 19 / € 16 / € 10

order number 37

Cinquecento / Tore Tom Denys

Ars Antiqua Austria / Gunar Letzbor

Jean Guyot de Châtelet & Philippe

Musica Austriaca

Schoendorff

For those who want to discover Austrian music of the 17th century, this is definitely the most beautiful concert of the festival. Artist in residence Gunar Letzbor and his ensemble bring a carefully chosen programme with instrumental works by Weichlein, Aufschnaiter, Vejvanovsky, Mouthon and Biber, every one of them stunningly beautiful, refined, dramatic and moving.

Supple, evenly produced voices, perfect intonation and diction, and musical intelligence: Ensemble Cinquecento is at the forefront of the performance of Renaissance polyphony, a reputation they have acquired in a brief period of time. Today they sing music by two composers from Liège: Philippe Schoendorff, a student of De Monte, and Jean Guyot de Châtelet, both of whom served at the Viennese court.

With the support of the K.F. Hein Fonds

63

mon 1 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 39

Collegium 1704 / Václav Luks Caldara: San Giovanni Nepomuceno

died a martyr’s death on command of the tyrannical king Wenceslas IV of Bohemia. The youthful Collegium 1704 from Prague, with harpsichordist and conductor Václav Luks, is artist in residence.

After wanderings in Mantua, Barcelona and Rome, the Venetian composer Antonio Caldara was named Kapellmeister of the imperial court in Vienna in 1716.

He was 46 and famed throughout Europe. Caldara composed primarily operas and oratorios. In San Giovanni Nepomuceno he depicts the life of the Czech saint Jan Nepomucký, who

Soloists: Hana Blažíková, soprano (Regina) Alena Hellerová, soprano (Angelo) Soptie Harmsen, mezzo-soprano (San Giovanni Nepomuceno) Václav Cížek, tenor (Ministro) Tomás Kral, bas (Venceslao)

64

mon 1 sep / 18.00-19.30 TivoliVredenburg, Festival Centre

mon 1 sep /22.30 € 25

TivoliVredenburg, Cloud Nine

order number 38

€ 22 / € 19 / € 10

Wien Cuisine

order number 40

Capriccio Stravagante / Skip Sempé Profeti della Quinta / Elam Rotem

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Music in the Kunstkammer

Surrounded by projections of the exotic treasures which the Habsburgs collected for their spectacular Kunstkammer, Skip Sempé presents music for the “Prague” emperor Rudolf II. With chansons and madrigals by Willaert, De Rore, and Byrd for voices and consort of viols, this concert should give an impression of the finesse and the virtually inconceivable craftsmanship of a vanished age.

Included: main course, one drink and a cup of coffee to finish.

65

66

tuesday 2 september 9.30 Summer School:

Arjan de Koomen

14.00 Fringe

Various locations

TivoliVredenburg

15.00 Capella de la Torre 10.00 Festival Centre TivoliVredenburg

St.-Willibrordkerk

15.00 Capriccio Stravagante 10.00 Baroque Dance Work-

shop with Rachel Farr

TivoliVredenburg

TivoliVredenburg

15.30 Fringe

Various locations

10.00 Juilliard Masterclass 16.00 Janno den Engelsman

UCK

11.00 Ensemble Masques TivoliVredenburg

16.30 Film TivoliVredenburg

11.00 Fringe

Various locations

17.00 Cappella Mariana Pieterskerk

12.30 Fabulous Fringe TivoliVredenburg

17.00 Les Cornets Noirs Jacobikerk

13.00 Petra Somlai

Lutherse Kerk

18.00 Wien Cuisine TivoliVredenburg

13.00 Handleiding Oude Muziek

Dom Tower

20.00 Armonico Tributo

Various locations

TivoliVredenburg

13.30 Guided tour

22.30 Collegium 1704

TivoliVredenburg

TivoliVredenburg

67

tues 2 sep / 10.00-12.00 TivoliVredenburg, Pandora â‚Ź 25

tues 2 sep / 9.30 TivoliVredenburg, foyer Big Hall â‚Ź 5

order number 42

Rachel Farr

order number 41

Workshop Baroque Dance 1: Passepied

Summer School: Dr. Arjan de Koomen

Due to great success, the workshop in Baroque dance returns. Have you always wanted to know more about the secrets of Baroque dance? Rachel Farr guides you into this wonderful world of music and movement with a different dance each day. Today this will be the passepied. Of course, you will be taking to the dance floor yourself.

Habsburg

Who were the Habsburg princes actually? Historian Arjan de Koomen of the University of Amsterdam tells you about the significance of the Viennese emperors and places them in their political and cultural context.

With the participation of Scroll Ensemble

Language: Dutch With the support of the Society for Arts and Sciences of the Province of Utrecht

tues 2 sep: passepied / wed 3 sep: gigue / thu 4 sep: sarabande / fri 5 sep: allemande

68

zo 31 aug & tues 2 sep / 10.00-14.30 UCK € 5

order number 18 & 43

tues 2 sep / 11.00 TivoliVredenburg, Hertz

Juilliard Masterclass

€ 22 / 19 / 10

A unique chance for young ensembles: two professors from the renowned Juilliard School of New York give a master class in the performance practice of early music. And as an audience member, you have the opportunity for a glimpse behind the scenes.

order number 44

Ensemble Masques / Olivier Fortin Chamber Music by Schmelzer

Masques, the young Canadian ensemble containing talents like Sophie Gent, Julien Léonard and Olivier Fortin, plays sonatas from Schmelzer’s collection Sacro-Profanus concentus musicus, in alternation with programmatic works: the musical sword battle Die Fechtschule, Die Polnische Sackpfeiffe, and the familiar Lamento sopra la morte di Ferdinando III. Certainly one of the finest concerts in this festival.

10.00-13.30 workshop 14.00-14.30 presentation in fringe Sun 31 aug: Phoebe Carrai and Dominic Teresi Tues 2 sep: Gonzalo Ruiz and Cynthia Roberts In cooperation with The Juilliard School.

69

tues 2 sep / 13.00-22.00 Various locations € 105 / € 90

order number 46

Early Music Guide With Saskia Coolen

A whole day of early music: specialist Saskia Coolen takes you along on a journey of discovery into the performance practices of the Middle Ages, Renaissance and Baroque. Coolen describes for you the musical characteristics of each style period, after which you can apply the knowledge you have gained directly to the concerts by Capella de la Torre, Cappella Mariana and Armonico Tributo. During a stroll to the concert venues and dinner in TivoliVredenburg, there is ample time to discuss your experiences with one another.

tues 2 sep / 13.00 Lutherse Kerk A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 45

Petra Somlai Koželuch and Schubert on Fortepiano

The Hungarian fortepianist Petra Somlai is embarked on a dazzling career.

In 2010, she won the International Fortepiano Competition in Bruges; she is a sought-after concert artist, and teaches in Budapest and Texas. Today she plays the Drei Klavierstücke D.946

by Franz Schubert and works by the Czech composer Leopold Koželuch, who succeeded Mozart in 1792 as court composer in Prague.

13.00 introduction 15.00 concert Capella the la Torre – St.-Willibrordkerk 17.00 concert Cappella Mariana – Pieterskerk 18.00 Wien Cuisine – TivoliVredenburg 20.00 Armonico Tributo – TivoliVredenburg max. 40 participants inlcuding program booklet voucher (normally € 10) including diner (normally € 25)

70

tues 2 sep / 15.00 TivoliVredenburg, Cloud Nine

tues 2 sep / 15.00 St.-Willibrordkerk € 22 / € 19 / € 10

€ 22 / € 19 / € 10 order number 48

order number 49

Capriccio Stravagante / Skip Sempé Profeti della Quinta / Elam Rotem

Capella de la Torre / Katharina Bäuml Music for Emperor Ferdinand I

Music in the Kunstkammer

Capella de la Torre is unmatched in repertoire for Renaissance reed instruments like the shawm and dulcian.

The central figure of this programme is Ferdinand I, Archduke of Austria, who became emperor in 1558. Ferdinand was a music lover and maintained an excellent court chapel. The music of his chapel masters, such as Jacobus Vaet and Arnold von Bruck, is preserved in sources from Bohemia, Hungary, Germany and Poland.

Surrounded by projections of the exotic treasures which the Habsburgs collected for their spectacular Kunstkammer, Skip Sempé presents music for the “Prague” emperor Rudolf II. With chansons and madrigals by Willaert, De Rore, and Byrd for voices and consort of viols, this concert should give an impression of the finesse and the virtually inconceivable craftsmanship of a vanished age.

71

tues 2 sep / 16.30 TivoliVredenburg, Workshop room â‚Ź 5

tues 2 sep / 16.00

order number 50

Film: Der Golem, wie er in die Welt kam (1920)

Dom Tower, Pandhof free

Director: Paul Wegener (silent movie)

Janno den Engelsman Silent film. In order to save his people from the cruelties of Habsburg emperor Maxillian I, a rabbi from the Prague ghetto, creates a clay statue (the golem) and brings it to life by means of a magic spell. One of the greatest examples of Weimar cinema, Der Golem, wie er in die Welt kam is visually spectacular. Its sets, costumes, special effects and acting style were influenced by painters like Hieronymus Bosch.

Seger, Linek, Brixi and Benda on Carillon

Janno den Engelsman studied organ, harpsichord and church music at the Utrecht Conservatoire. In 2007, he received a performer’s diploma from the Netherlands Carillon School in Amersfoort. Den Engelsman is titular organist of the Gertrudiskerk in Bergen op Zoom and city carillonneur of Zierikzee. He has assembled a programme of exclusively Czech composers.

Music score: Jed Wentz Piano: Olga Pashchenko 72

tues 2 sep / 17.00 Pieterskerk

tues 2 sep / 17.00 Jacobikerk

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 51 A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

Cappella Mariana

order number 52

Praga Magna

Les Cornets Noirs / Johannes Strobl

At the end of the 16th century, Emperor Rudolf II summoned the finest artists to his residence in Prague, thereby transforming the city into one of the most important cultural centres in Europe. Court composer De Monte, who entered the service of the Habsburg emperor in 1568 after travels in Italy and England, was at that time one of Europe’s most renowned musicians.

His 8-voice Missa Confitebor tibi Domine originates from that period. The Prague ensemble Cappella Mariana presents De Monte’s mass alongside several of his madrigals and works by his colleagues Zanchi and Regnart

Leopold I: Emperor and Composer

Emperor Leopold I was actually more interested in music than politics. Not only did he have outstanding musicians like Schmelzer in his service: music also flowed from his own pen. Les Cornets Noirs explore his vocal and instrumental works, including the Marian motet Vertatur in luctum and sonatas for four gambas and basso continuo. The Tres Lectiones, which the emperor wrote after the death of his second wife, are impressive for their musical maturity and tangible personal sorrow.

73

tues 2 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 54

Armonico Tributo Austria / Lorentz Duftschmid Kudsi Erguner & ensemble

Turks were defeated, to the great relief of the Viennese. Armonico Tributo, prized for 20 years due to its fresh and colourful performances, plays the crackling battaglias that reported the siege and sorrowful lamentos and alla turca court dances of Schmelzer, Fux and Biber. The music of the Turkish prince Dimitrie Cantemir will be performed by the eight-man ensemble of Kudsi Erguner, the great master of traditional sufi music.

Turcaria 1683

Located on the borders of Europe, Vienna was vulnerable to attack from the vast Ottoman Empire. In 1683, the Turkish army stood again at the gates, but after a siege lasting weeks, the 74

tues 2 sep / 18.00-19.30 TivoliVredenburg, Festival Centre € 25

order number 53

tues 2 sep /22.30

Wien Cuisine

TivoliVredenburg, Hertz € 22 / € 19 / € 10

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

order number 55

Collegium 1704 / Václav Luks Salon 1723

Around 1700, Prague was a veritable melting-pot of cultures: music from Germany, Austria and Italy was reforged into the elegant instrumental music of Zelenka and his only recently rediscovered colleagues Brescianello, Reichenauer and Orschler. Music that was once heard in the private salons of Baroque palaces is now revived by the hands of artist in residence Collegium 1704.

Includes main course, one drink and a cup of coffee to finish.

75

wednesday 3 september 9.30 Summer School:

Mary Helen Dupree

15.00 Het Laboratorium

Theater Kikker

TivoliVredenburg

15.30 Fringe 10.00 Festival Centre & Kunstkammer

TivoliVredenburg

15.30 Carillion

Various locations

Dom Tower

10.00 Baroque Dance Work-

shop with Rachel Farr

16.00 Malgosia Fiebig

TivoliVredenburg

11.00 Gli Incogniti

16.30 Film

TivoliVredenburg

TivoliVredenburg

11.00 Fringe

17.00 Gallicantus

Pieterskerk

Various locations

Dom Tower

12.30 Fabulous Fringe

17.00 The Rare Fruits Council

TivoliVredenburg

Geertekerk

13.00 Mark Edwards

18.00 Wien Cuisine

TivoliVredenburg

Lutherse Kerk

13.30 Guided tour

19.30 Festival Report

TivoliVredenburg

14.00 Fringe

20.00 Concerto Palatino

TivoliVredenburg

Various locations

AVRO / Radio 4

15.00 Servir Antico

22.30 FLUX

St.-Willibrordkerk

TivoliVredenburg

77

t

wed 3 sep / 10.00-12.00

wed 3 sep / 9.30

TivoliVredenburg, Pandora

TivoliVredenburg, foyer Big Hall â‚Ź 5

â‚Ź 25

order number 56

order number 57

Rachel Farr

Summer School: Mary Helen Dupree

Workshop Baroque Dance 2: Gigue

Declamation and Gesture in German Theatre

Due to great success, the workshop in Baroque dance returns. Have you always wanted to know more about the secrets of Baroque dance? Rachel Farr guides you into this wonderful world of music and movement with a different dance each day. Today this will be the gigue. Of course, you will be taking to the dance floor yourself.

Mary Helen Dupree earned her doctorate in German literature at Columbia University, and focuses her research on historical stage performances. In this Summer School, as an introduction to the laboratory staging of Medea (3, 4, 5 September), she tells about the 18th-century German traditions of declamation and gesture in the theatre, with special attention to the genre of melodrama.

With the participation of Scroll Ensemble. tue 2 sep: passepied / wed 3 sep: gigue / thur 4 sep: sarabande / fri 5 sep: allemande

78

wed 3 sep / 13.00 Lutherse Kerk

wed 3 sep / 11.00 TivoliVredenburg, Hertz € 22 / € 19 / € 10

A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 58

order number 59

Mark Edwards

Gli Incogniti / Amandine Beyer

Il Rossignolo

Viennese Pastries

In the mid-17th century, Alessandro Poglietti was of the opinion that the development of music was completed: perfection had been reached. The solution that allowed him to continue composing was to dot his music with sounds, objects and events from the physical world. In this way, he dedicated a cycle inspired by the song of the nightingale to his patron Leopold I. The Canadian harpsichordist Mark Edwards unleashes all his talents on the programmatic music of Poglietti, Frescobaldi and Kerll. Edwards won the harpsichord competition of Bruges in 2012.

A baker’s son who astonished people with his violin playing; a harpsichordist who travelled through all of Europe in order to play with the best musicians; an Italian violinist who composed magnificent but textless recitatives; and a violinist who murdered a singer in the cathedral of Messina and had to flee his country. All these personalities produced the most fascinating and original Austrian music of the 17th century.

Gli Incogniti presents this programme like a basket full of sweet rolls that you cannot stop eating.

79

wed 3 sep / 13.30 TivoliVredenburg € 5

wed 3 sep / 15.00 St.-Willibrordkerk

order number 60

€ 22 / € 19 / € 10

order number 62

Guided tour Discover TivoliVredenburg

Servir Antico / Catalina Vicens

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes is just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak in a portion of a rehearsal as well.

A Dynasty of Founders

In late 14th century sources, the young Medieval specialist Catalina Vicens discovered sacred music from Austria and Switzerland (where the Habsburg castle can still be found). The throne of the Holy Roman Empire was at that point not yet occupied by the Habsburgs, but the moment was soon to come.

The organetto, slide trumpet and vielle of ensemble Servir Antico accompany soprano Els Janssens-Vanmunster in repertoire from a turbulent period.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

80

wed 3 sep / 15.00

wed 3 sep / 16.00

Theater Kikker € 22 / € 19 / € 10

Dom Tower, Pandhof order number 63 free

Het Laboratorium

Malgosia Fiebig

Benda’s Medea

Violin Sonatas on Carillon

A team of musicians and researchers collaborate on a theatrical mini-production, with the accent on experimentation. Benda’s melodrama Medea (1775) is the departure point of an investigation into the interaction of music, declamation, rhetoric and gesture. The musical contributions are in the hands of the Ensemble Quartet directed by violinist Enrico Gatti. As an introduction, you will receive a short presentation on the main themes of the research.

City carillonneur Malgosia Fiebig turns her attention to a special area of Austrian repertoire: violin sonatas by festival composers Pandolfi Mealli, Biber and Schmelzer. The violinists in this region were of an incredible calibre, which resulted in technically very challenging music that also evokes astonishment on the carillon. + Guided tour for children 5+ Mandatory adult accompaniment.

In conjunction with Tourism Utrecht.

Start: 15.45, duration: 75 min.

Gather at the Domtoren entrance, Domplein 21 € 5 pp, order number 64.

No live-streaming at this concert.

Team: Tanja Obolski, João Paixão, Laila Neuman, Aurora Quartet, Mary Helen Dupree and Jed Wentz.

81

wed 3 sep / 16.30 TivoliVredenburg, Workshop room € 5

order number 65

wed 3 sep / 17.00 Pieterskerk

Film: korte films Director: Jan Švankmajer

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

Spiel mit Steinen (1965), Johann Sebasstian Bach: Fantasia G-moll (1965), Rakvi kárna (Punch and Judy, 1966)

order number 66

Gallicantus The Secret Link between De Monte and Byrd

Švankmajer is an internationally lauded Czech film-maker whose surreal, multimedia work has inspired a younger generation of animators and artists. His love of puppets led to the creation of the disturbing short film Rakvickárna, in which hand-puppets battle it out to the death: and yet somehow Svankmajer can find humor in the exaggerated violence. The public is advised, however, that his films are certainly not suitable for children. They remain, in their intensity, their virtuosity and their perverse wit, monuments to 20th-century black humor.

According to an 18th-century manuscript, De Monte came to England in 1554 to accompany his employer Philip II, and met William Byrd there. Did they find themselves to be of a similar mind, with their shared Roman Catholic faith and comparable musical language?

Years later, they made an exchange of motets by post: an intriguing musical correspondence, which is reconstructed in this concert by the British ensemble Gallicantus. You will hear Super flumina Babylonis by De Monte and Quomodo cantabimus van Byrd, in addition to other motets by these soul mates.

Limited seats available, English subtitles.

82

wed 3 sep / 17.00 Geertekerk

wed 3 sep / 18.00-19.30 TivoliVredenburg, Festival Centre

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 67

€ 25

The Rare Fruits Council / Manfredo Kraemer

order number 68

Wien Cuisine

Biber: Sonatae, tam Aris quam Aulis

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

servientes

In his cycle of 12 sonatas which can ”serve both the altar and the table” and are suitable for both sacred and secular use, Biber requires trumpets and strings to play together in all sorts of combinations. The exciting sonatas are structured by means of sharp contrasts.

A perfect assignment for violinist Manfredo Kraemer, who on this occasion is partnered by the phenomenal natural (valveless) trumpeter Jean-François Madeuf.

Includes main course, one drink and a cup of coffee to finish.

This concert will last 75 minutes without interval.

83

wed 3 sep / 20.00 TivoliVredenburg, Big Hall â‚Ź 36 / â‚Ź 32 / â‚Ź 10

order number 69

Concerto Palatino / Bruce Dickey

Redemptoris and the motet Vidi Luciferum are impressive in their splendor and pomp. Concerto Palatino, led by cornettist Bruce Dickey and trombonist Charles Toet, has been one of the leading early music ensembles for more than 20 years, and is a sure bet for an exciting concert on the highest level.

Bertali: Missa Redemptoris

Antonio Bertali was known both for his operas and his monumental, festive religious works. His 22-voice Missa 84

wed 3 sep / 22.30 TivoliVredenburg, Hertz A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 70

FLUX / Lidewij van der Voort & David Van Bouwel

wed 3 sep / 19.30 TivoliVredenburg, Festival Centre

Biber: motetten

There are still many exciting discoveries to be made in the oeuvre of Heinrich Ignaz Franz Biber. The composer, who was born in Bohemia, is still chiefly known for his violin works and largescale polychoral masses, but his motets for smaller forces, including Nisi Dominus en Salve Regina, are very worthy of attention. Ensemble FLUX, directed by harpsichordist David Van Bouwel and violinist Lidewij Vervoort, unveils these gems.

Festival Report AVRO / Radio 4 Every evening from 30 August to 6 September, AVRO/Radio4 broadcasts a special Festival Report in which presenter Mark Brouwers introduces his musical guests to you at the Festival Centre TivoliVredenburg. The Festival Report precedes the live broadcast of the evening concert on Radio4. You are welcome to join us!

Kristen Witmer, soprano Peter Kooij, bass 85

86

thursday 4 september 9.30 Summer School:

Robert Mealy

15.00 Les Flamboyants St.-Willibrordkerk

TivoliVredenburg

15.00 Het Laboratorium 10.00 Festival Centre & Kunstkammer

TivoliVredenburg

15.30 Fringe

10.00 Internationaal Van

Wassenaer Concours

Theater Kikker

Various locations

16.00 Jan-Geert Heuvelman

Dom Tower

TivoliVredenburg

10.00 Baroque Dance Work-

shop with Rachel Farr

16.30 Film TivoliVredenburg

TivoliVredenburg

11.00 Édouard & Eichelberger

17.00 Ensemble Clément Janequin

Geertekerk

Pieterskerk

11.00 Fringe

17.00 Juilliard415

Geertekerk

Various locations

12.30 Fabulous Fringe

18.00 Wien Cuisine

TivoliVredenburg

TivoliVredenburg

13.00 Maude Gratton

20.00 The Tallis Scholars

TivoliVredenburg

Lutherse Kerk

13.30 Guided tour

22.30 L’Armonia Sonora

TivoliVredenburg

TivoliVredenburg

14.00 Fringe

Various locations

87

thu 4 sep / 9.30 TivoliVredenburg, foyer Big Hall â‚Ź 5

thu 4 sep / 10.00-12.00 TivoliVredenburg, Pandora

order number 71

â‚Ź 25

order number 72

Summer School: Robert Mealy

Rachel Farr

Conservatoire in residence: Juilliard School

Workshop Baroque Dance 3: Sarabande

for Music

Due to great success, the workshop in Baroque dance returns. Have you always wanted to know more about the secrets of Baroque dance? Rachel Farr guides you into this wonderful world of music and movement with a different dance each day. Today this will be the sarabande. Of course, you will be taking to the dance floor yourself.

The renowned Baroque violinist Robert Mealy is director of the early music department of the Juilliard School in New York. Mealy explains how the programme, in which leading teachers such as Monica Huggett and Kenneth Weiss take part, came into being and sets the programme in the context of early music practice in the United States.

With the participation of Scroll Ensemble

Language: English With the aid of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

tues 2 sep: passepied / wed 3 sep: gigue / thu 4 sep: sarabande / fri 5 sep: allemande

88

thu 4 sep /10.00-16.30 TivoliVredenburg, Hertz

thu 4 sep / 11.00 Geertekerk

free A € 22 / 19 / 10 B € 19 / € 16 / € 10

International Van Wassenaer Competition

order number 73

Odile Édouard & Freddy Eichelberger

Semi-final

Violin Sonatas by Schmelzer and Organ

A first: the International Van Wassenaer Competition for early music ensembles finds its new place at the heart of the Early Music Festival, with the semi-final taking place today. Ten ensembles of varying distribution will display their best efforts in repertoire from the 17th and 18th centuries. They will be judged by a jury whose members include artist in residence Gunar Letzbor and Juilliard professor Benjamin Sosland. Only four to six will go on to the final on Saturday!

Works by Kerll Kerll

Schmelzer and Kerll were colleagues in the imperial chapel in Vienna: Kerll was the organist and Schmelzer the Kapellmeister, incidentally one of the few non-Italians to hold that post. Emperor Leopold I was extremely impressed by the improvisations that Kerll played during his coronation mass in Frankfurt and succeeded in bringing him to Vienna. The duo Édouard-Eichelberger presents sonatas, toccatas and battaglias from the loft of the great organ in the Geertekerk.

In cooperation with the International Van Wassenaer Concours

89

thu 4 sep / 13.30

thu 4 sep / 13.00

TivoliVredenburg

Lutherse Kerk

€ 5

A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 74

order number 75

Guided tour

Tigers of the keyboard: Maude Gratton

Discover TivoliVredenburg

Benda on Harpsichord

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes is just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak in a portion of a rehearsal as well.

When you seat Maude Gratton at a harpsichord, the world falls still around her: the concentration with which she plays is fascinating. She has chosen five sonatas by the Bohemian musician and composer Georg Benda, who eventually ended up in Berlin in the service of Frederick of Prussia. His surprising and original keyboard music occupies a position on the cusp of the Baroque and classical periods.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

90

thu 4 sep / 15.00 Theater Kikker

thu 4 sep / 15.00 St.-Willibrordkerk € 22 / € 19 / € 10

€ 22 / € 19 / € 10 order number 76

order number 77

Het Laboratorium

Les Flamboyants / Michael Form

Benda’s Medea

Isaac: Ein frölich wesen

A team of musicians and researchers collaborate on a theatrical mini-production, with the accent on experimentation. Benda’s melodrama Medea (1775) is the departure point for an investigation into the interaction of music, declamation, rhetoric and gesture. The musical contributions are in the hands of the Ensemble Quartet directed by violinist Enrico Gatti. As an introduction, you will receive a short presentation on the main themes of the research.

In the Renaissance, composers enjoyed playing with the material from pre-existing compositions. There are numerous arrangements by Heinrich Isaac in which he virtuosically fleshes out an existing chanson into a quodlibet, or weaves a small motif into a network of counterpoint. The German ensemble Les Flamboyants specialises in instrumental practice from around 1500. They perform Isaac’s virtuosic music with gambas, flutes and plucked instruments, in addition to a singer.

Team: Tanja Obolski, João Paixão, Laila Neuman, Aurora Quartet, Mary Helen Dupreeand Jed Wentz.

91

thu 4 sep / 16.30 TivoliVredenburg, Workshop room â‚Ź 5

thu 4 sep / 16.00

order number 78

Dom Tower, Pandhof

Film: Die freudlose Gasse (1925)

free

Director: G. W. Pabst

Jan-Geert Heuvelman Fux, Caldara, Benda and Schmelzer on

Silent film. Set in Vienna after WWI, Die freudlose Gasse (Joyless Street) follows the lives of two women as they struggle to survive in the chaotic and impoverished capitol of a vanishing empire. Asta Nielsen, one of the great stars of the silent screen, here plays opposite a young and stunning Greta Garbo.

Carillon

As an organist, Jan-Geert Heuvelman plays the Van Eeken organ in the Noorderkerk in Rijssen and regularly gives concerts in the Netherlands and elsewhere. As a carillonneur, he is the permanent player of the Eijsbouts carillon in the Gudula Tower of Lochem. He teaches music in Amersfoort.

Limited seats available, English subtitles.

92

thu 4 sep / 17.00 thu 4 sep / 17.00

Pieterskerk

Geertekerk

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 79

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

Ensemble Clément Janequin / Dominique Visse

order number 80

Juilliard415 The Habsburg Orchestra: Fischer, Muffat,

Chansons and Motets for Ferdinand I

Fux, Schmeltzerr

In 1540, the publisher August Vindel issued a collection of motets and chansons for Emperor Ferdinand I. The collection contains some 100 works in various languages, by composers such as Gombert, Josquin, Mouton and De la Rue. Ensemble Clément Janequin, which has been a top ensemble in the performance of Renaissance repertoire since 1978, has chosen the finest works for this concert..

Since its founding in 2009, Juilliard415, the principal early music ensemble of The Juilliard School for Music in New York, has been acclaimed for the high quality of its performances and its innovative choice of repertoire. With 21 professors and students from this “conservatoire in residence”, the group performs works by festival composers who served the Habsburgs.

93

thu 4 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 82

The Tallis Scholars / Peter Phillips

British group sings motets by De Monte and Isaac, two Franco-Flemish composers who worked in the service of the Viennese emperor. De Monte enjoyed the status of a star in his era, but Isaac’s fame also stretched far beyond Habsburg borders. The Tallis Scholars surround you with the pure sounds of De Monte’s. Missa sine nomine en Isaacs Virgo prudentissimae.

De Monte & Isaac

After an absence of nine years, the Tallis Scholars can finally be heard in Utrecht again. Under the direction of conductor Peter Phillips, the famed 94

thu 4 sep / 18.00-19.30 TivoliVredenburg, Festival Centre € 25

order number 81

thu 4 sep / 22.30 TivoliVredenburg, Hertz

Wien Cuisine

€ 22 / € 19 / € 10

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

order number 83

L’Armonia Sonora / Mieneke van der Velden Bertali’s Sacred Works

Bertali was one of the most successful Italian composers in Vienna, where he resided for almost 40 years. In the service of the emperors Ferdinand III and Leopold I, both strict Roman Catholics, he composed religious music that was used at court and was meant to demonstrate the lustre of the Habsburgs. With bass soloist Peter Kooij and three talented young singers, L’Armonia Sonora offers the Salve Regina, Beatus Vir and other motets by Bertali.

Includes main course, one drink and a cup of coffee to finish.

95

96

friijdag 5 september 9.30 Summer School:

Kathleen Nieuwenhuisen

15.00 Het Laboratorium

Theater Kikker

TivoliVredenburg

15.30 Fringe 10.00 Festival Centre & Kunstkammer

TivoliVredenburg

16.00 Malgosia Fiebig

Various locations

Dom Tower

10.00 Masterclasses IVWC

16.30 Film

Various locations

TivoliVredenburg

11.00 Malov & Birsak 17.00 Stile Antico

TivoliVredenburg

Domkerk

11.00 Fringe

17.00 Le Concert BrisĂŠ

Various locations

Geertekerk 12.00 Early Music Exhibition 18.00 Wien Cuisine

TivoliVredenburg

TivoliVredenburg

12.30 Fabulous Fringe 19.30 Festival Report

TivoliVredenburg

AVRO / Radio 4

13.00 Jean Rondeau

20.00 L’Arpeggiata

Lutherse Kerk

TivoliVredenburg

13.30 Guided tour 22.30 Ars Antiqua Austria

TivoliVredenburg

TivoliVredenburg

14.00 Fringe

24.00 Anthony Bailes

Various locations

TivoliVredenburg

15.00 Psallentes St.-Willibrordkerk

97

fri 5 sep / 9.30 TivoliVredenburg, foyer Big Hall â‚Ź 5

fri 5 sep / 10.00-12.00 TivoliVredenburg, Pandora

order number 84

â‚Ź 25

Summer School: Kathleen Nieuwenhuisen

order number 85

Rachel Farr

An Art History of the Rosary

Workshop Baroque Dance 4: Allemande

The manuscript which preserves the 15 Rosary sonatas of Biber is adorned with etchings that depict the subject of each sonata. This was no coincidence: a tradition of rosary devotion had existed in Salzburg for some time, and the 15 mysteries had also been depicted elsewhere on paper and canvas, or in stone. Art historian Kathleen Nieuwenhuisen of the University of Utrecht provides insight into this special form of Marian art.

Due to its great success, the workshop in Baroque dance returns. Have you always wanted to know more about the secrets of Baroque dance? Rachel Farr guides you into this wonderful world of music and movement with a different dance each day. Today this will be the allemande. Of course, you will be taking to the dance floor yourself.

With the participation of Scroll Ensemble

Language: English With the aid of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

tues 2 sep: passepied / wed 3 sep: gigue / thur 4 sep: sarabande / fri 5 sep: allemande 98

fri 5 sep / 11.00 TivoliVredenburg, Hertz € 22 / € 19 / € 10

order number 86

fri 5 sep / 12.00-18.00 TivoliVredenburg

Sergey Malov & Florian Birsak

free

Violin Sonatas of Mozart, Beethoven, Hummel

Early Music Exhibition

The Russian violinist Sergey Malov made an impression two years ago at the Early Music Festival with his performances of Bach’s cello suites on viola da spalla. Now this young super-talent takes up his classical violin for a programme with the Salzburg fortepianist Florian Birsak. They play the Sonata in B-flat, KV 454 by Mozart; the Sonata in E-flat, Op. 5, no. 3 by his student Hummel; and the Sonata in A, Op. 12, no. 2 by their friend Beethoven.

More than 75 musical instrument builders, music publishers and CD producers will be on hand with advice and/ or demonstrations of their instruments.

The perfect chance for professionals and amateurs to try out and compare historical stringed, plucked, keyboard and wind instruments for themselves.

A complete overview of the stallholders can be found at www.oudemuziek.nl/ markt and in the festival programme book.

99

fri 5 sep / 15.00 St.-Willibrordkerk

fri 5 sep / 13.00 Lutherse Kerk

€ 22 / € 19 / € 10

order number 89

A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

Psallentes / Hendrik Vanden Abeele

order number 87

Jean Rondeau

St. Walburgis

Palestrina, Fux, Muffat, Wagenseil and Haydn on the Harpsichordel

In the 8th century, Walburgis, a king’s daughter, entered the convent at an early age. She evangelized large portions of what was to become the Habsburg Empire and was canonized after her death. Her grave in Eichstätt (South Germany) became a site of pilgrimage. The Flemish ensemble Psallentes presents the Gregorian office notated for Walburgis in an antiphonary in Zutphen. The power and purity of Gregorian chant make this an intense, almost hypnotic homage to this remarkable saint.

The influence of Fux’s volume on couterpoint Gradus ad Parnassum, which can be freely translated as “steps to perfection”, is noticeable among his students, but also on the autodidact Haydn, who learned to compose by painstakingly going through all the exercises. Harpsichordist Jean Rondeau, winner of the harpsichord competition in Bruges and a thoroughly inspiring player, places the master and his students side by side.

100

fri 5 sep / 15.00 Theater Kikker € 22 / € 19 / € 10

order number 90

fri 5 sep / 16.30

Het Laboratorium

TivoliVredenburg, Workshop room

Benda’s Medea

€ 5

order number 91

Film: Baron Prásil (1962)

A team of musicians and researchers collaborate on a theatrical mini-production, with the accent on experimentation. Benda’s melodrama Medea (1775) is the departure point for an investigation into the interaction of music, declamation, rhetoric and gesture. The musical contributions are in the hands of the Ensemble Quartet directed by violinist Enrico Gatti. As an introduction, you will receive a short presentation on the main themes of the research.

Director: Karel Zeman

Zeman’s cult classic tells the fabulous and nonsensical tale of Baron Munchausen who flies from the moon to 18th-century Turkey.

Zeman’s movie displays a clever, witty and artistic mix of live action and animation, and was hailed as a masterpiece upon its release. Terry Gillian, of Monty Python fame, is an especial fan.

Team: Tanja Obolski, João Paixão, Laila Neuman, Aurora Quartet, Mary Helen Dupree and Jed Wentz.

Limited seats available, English subtitles..

101

fri 5 sep / 16.00 Dom Tower, Pandhof

fri 5 sep / 17.00 Domkerk

free A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

Malgosia Fiebig Kerll, Schmelzer and Poglietti on the carillion

order number 92

Stile Antico Josquin, Isaac, De la Rue

The Austrian composers Kerll and Schmelzer, and the Vienna-based Italian Poglietti wrote magnificent music for keyboard. You will hear a passacaglia by Kerll, a partita by Schmelzer and Poglietti’s variation series Aria Allemagna con alcuni Variatoni Sopra l’Età della Maesta Vosta. Poglietty wrote this piece as a birthday gift for the Empress. In a colorfull procession, folk musicians from multiple parts of the Habsburg empire pass by in twenty variations.

The British vocalists of Stile Antico turn their attention to music for two great Habsburg princes: Maximilian II and his grandson Charles V. To tell the colourful and cosmopolitan tale of their marriages, celebrations and funerals, Stile Antico makes use of chansons by Josquin, rich polyphony by Isaac and motets by Crecquillon, De la Rue and others.

102

fri 5 sep / 18.00-19.30 TivoliVredenburg, Festival Centre € 25

fri 5 sep / 17.00 Geertekerk

order number 94

Wien Cuisine

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 93

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Le Concert Brisé / William Dongois Sonatas by Schmelzer and Bertali for Natural Trumpet

Includes main course, one drink and a cup of

The brilliant natural trumpeter JeanFrançois Madeuf and the cornettist William Dongois choose arresting and colourful music by Schmelzer, Bertali and Vejvanosky. Schmelzer was a generation younger than Bertali. He was strongly influenced by the latter’s Italian-modelled compositions, but his music is notable primarily for its elegant sense of equilibrium.

coffee to finish.

103

fri 5 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 95

L’Arpeggiata / Christina Pluhar

performed by the instrumentalists of L’Arpeggiata and a cast of vocal stars.

Bertali & Sances: Salmi concertati

Soloists: Raquel Andueza, soprano Valer Barna-Sabadus & Vincenzo Capezzuto, countertenors Fernando Guimarães & Cyril Auvity & Emiliano Gonzales-Toro, tenors Fulvio Bettini, baritone João Fernandes, bass

Give Christina Pluhar good music to work with, and sparks will fly. This entirely new concert programme has a personal side for her: she went to research new repertoire in her native country, Austria. We hear newly discovered sacred repertoire by Sances and Bertali,

This concert has no interval.

With the support of the Turing Foundation

104

fri 5 sep / 22.30 TivoliVredenburg, Hertz € 22 / € 19 / € 10

order number 96

fri 5 sep / 24.00

Ars Antiqua Austria / Gunar Letzbor

TivoliVredenburg, Cloud Nine € 12 / € 10 / € 7

Biber: Rosary Sonatas (I)

order number 97

Anthony Bailes

Few works for the violin speak so strongly to the imagination as the 15 Rosary Sonatas by Heinrich Ignaz Franz Biber.They are full-fledged Baroque affect machines, and highly virtuosic besides, demanding the maximum from both the player and the instrument. The violin is tuned differently for each sonata, thereby increasing the expressive possibilities. Artist in residence Gunar Letzbor presents this tour de force in two parts, tonight and tomorrow evening.

The Lute in Austria

Around the year 1700, the popularity of the lute in Austria was undiminished, in contrast to a country such as France, where the guitar was on the rise.

Master lutenist Anthony Bailes presents music by composers such as Johann Anton Losy, Aureo Dix and Matthias Sigismund Biechteler. Their works attest to the waning influence of French lute repertoire, in favour of the more tuneful style of Italian opera.

With the support of the K.F. Hein Fonds

105

106

saturday 6 september 9.30 Summer School:

Leertouwer & NPU

14.00 Fringe

K&W

15.00 Les haulz et les bass

Various locations

St.-Catharinakerk

10.00 Festival Centre & Kunstkammer

15.30 Fringe

TivoliVredenburg

10.00 Early Music Exhibition

16.00 Zindering

TivoliVredenburg

TivoliVredenburg

10.00 Workshop Gregorian chant

St.-Willibrordkerk

16.30 Film

10.30 Looking at the carillon

17.00 Discantus

Pieterskerk

TivoliVredenburg

Dom Tower

17.00 The Harmonious

Society of Tickle-Fiddle Gentlemen

11.00 Internationaal Van

Wassenaer Concours TivoliVredenburg

Geertekerk

11.00 Malgosia Fiebig

18.00 Wien Cuisine

Dom Tower, Pandhof

TivoliVredenburg

11.00 Fringe

20.00 Graindelavoix

Various locations

TivoliVredenburg

13.00 Francesco Corti

Various locations

22.30 Ars Antiqua Austria

Lutherse Kerk

TivoliVredenburg

13.00 Zindering TivoliVredenburg

24.00 Wiener Glasharmonika Duo

13.30 Guided tour

TivoliVredenburg

TivoliVredenburg 107

sat 6 sep / 9.30 K&W, J.M. Fentener van Vlissingensatal € 5

order number 98

Summer School: Johannes Leertouwer & De Nieuwe Philharmonie Utrecht

sat 6 sep / 10.00-18.00 TivoliVredenburg

Brahms’ Violin Concerto

free

Early Music Exhibition

Conductor Johannes Leertouwer presents, along with his full-sized early music orchestra De Nieuwe Philharmonie Utrecht on the stage, a lectureperformance on his research into the historical performance circumstances of Brahms’s Violin Concerto. This takes place precisely on the spot where Brahms himself also conducted: the K&W Building of the Utrecht School of Music.

More than 75 musical instrument builders, music publishers and CD producers will be on hand with advice and/ or demonstrations of their instruments.

The perfect chance for professionals and amateurs to try out and compare historical stringed, plucked, keyboard and wind instruments for themselves.

A complete overview of the stallholders can be found at www.oudemuziek.nl/ markt and in the festival programme book.

Duration: 60 minutes Language: English With the aid of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

108

sat 6 sep / 10.00-14.30 St.-Willibrordkerk â‚Ź 25

Workshop Gregorian Chant

sat 6 sep / 11.00

With Hendrik Vanden Abeele

free

Dom Tower, Pandhof

Malgosia Fiebig

As director of the specialist ensemble Psallentes, Hendrik Vanden Abeele knows everything about Gregorian chant and the performance practices connected with it. If you love singing and would like to learn the fine points of Gregorian singing in this workshop, then this is the place for you. Both men and women are of course welcome.

Imperial Music on Carillon

Aply via oudemuziek.nl/gregoriaans.

City carillonneur Malgosia Fiebig plays a dance suite by Emperor Leopold I. He was not only a great music lover, but had a fair bit of talent as a composer as well. In addition, we hear sonatas and balletts by his court composers Richter, Poglietti, Bononcini and Fux.

10.00 workshop 13.00 lunch 14.00 presentation in fringe

10.30 A.M.: Looking at the carillon â‚Ź 10, order number 99. Report at the Dom Tower, Dom Square 21. This concert has no live streaming 109

sat 6 sep / 11.00-16.30 TivoliVredenburg, Hertz

sat 6 sep / 13.00 & 16.00 € 22 / € 19 / € 10

TivoliVredenburg, Pandora

order number 100

€ 10

International Van Wassenaer Competition Final

order number 101 & 106

Zindering Children’s performance 4+

Today is the day: the culmination of the International Van Wassenaer Competition 2014 for early music ensembles. A maximum of six ensembles will go head-to-head. Of course the focus is on the music, but some finalists will receive cash awards, and a concert tour in the Early Music Season is on offer.

Your opinion counts too: you can vote for the Audience Prize.

Zindering is an interactive journey of the senses for little ones, with two musicians, an actress, a viola da gamba and a theorbo. The departure point of this charming presentation is the Suitte d’un Goût Etranger van Marin Marais.

Young children will be set dreaming by their first taste of Baroque music.

Alexandra Aerts, spel Romina Lischka, viola da gamba Sofie Vanden Eynde, theorbe

In cooperation with the International Van Wassenaer Concours.

110

sat 6 sep / 15.00 St.-Catharinakerk

sat 6 sep / 13.00 € 22 / € 19 / € 10

Lutherse Kerk A € 18 / € 16 / € 10 B € 16 / € 14 / € 10

order number 105

Les haulz et les bass

order number 102

Gut zu Blasen

Francesco Corti Alpine passes have been important routes for cultural exchange since time immemorial. It is with good reason that two important musical collections were assembled here: that of the welltravelled Oswald von Wolkenstein, and the Trent codices, which contain more than 1000 compositions from all over Europe. The four alta capella winds of Les haulz et les bass have chosen music by Wolkenstein (Kom liebster man), Dufay (Vasilissa ergo gaude), Ciconia (Ut te per omnes) and others, including the Nachthorn by the mysterious “Monk of Salzburg”.

Fux and Haydn on Harpsichord

Johann Joseph Fux was still Kapellmeister when Joseph Haydn entered the choir of St. Stephen’s Cathedral as a young singer. Fux was the author of the most important book on counterpoint, Gradus ad Parnassum, which the young Haydn devoured. The Italian harpsichordist Francesco Corti plays Fux’s Partitas in a, E115 and in g, E117; and Haydn’s Sonatas in A, Hob. XVI:26 and in D, Hob. XVI:37.

111

sat 6 sep / 17.00 Pieterskerk A € 22 / € 19 / € 10

sat 6 sep / 16.30

B € 19 / € 16 / € 10

TivoliVredenburg, Workshop room € 5

order number 108

Discantus / Brigitte Lesne

order number 107

Film: Pupendo (2003)

Universi populi

Director: Jan Hřbejk

Fuelled by tales of miracles, the cult of Ludmilla and her grandson Wenceslas, the patron saints of Bohemia, grew rapidly in the 12th century, especially in Benedictine monasteries. The monasteries gave a boost to the musical life of Bohemia, which was further strengthened by the construction of the new cathedral of Prague and the founding of the University. Discantus follows a musical line from the 12th to the 15th century, during which the liturgical traditions of Prague were enriched by the beginnings of polyphony.

A black comedy, Pupendo tells the story of a talented artist in Czechoslovakia, who has been blacklisted by the communists. He and his family survive by producing kitsch ceramic objects. The arrival of an art historian who rediscovers the artist’s work brings the promise of well-deserved recognition. But fate has a surprise in store that upsets the plans of all involved.

Limited seats available, English subtitles..

112

sat 6 sep / 18.00-19.30

sat 6 sep / 17.00

TivoliVredenburg

Geertekerk € 25

order number 110

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 109

Wien Cuisine

The Harmonious Society of Tickle-Fiddle Gentlemen

Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Vivaldi in Prague

This ensemble, whose name is just as piquant as its style of playing, investigates the relationship of Vivaldi with Prague. In 1730, Vivaldi conducted his opera Il Farnace there, and his music had considerable influence on young composers from Prague like Jiránek and Miča. In addition, Count Wenzel von Morzin, Vivaldi’s Maecenas, maintained an excellent orchestra there for whom the composer wrote virtuosic concertos. We have the brilliant bassoonist Anton Möser to thank for Vivaldi’s bassoon concertos.

Includes main course, one drink and a cup of coffee to finish.

113

sat 6 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 111

Graindelavoix

the flight of a wife and a battle, Ulrich found himself roving about as persona non grata with an army of peasants. The mass by Finck proved to have brought misfortune. Graindelavoix presents the mass, a hunting song by Ulrich himself and other curious music in an absorbing presentation on the roistering life of this German nobleman.

Fincks Missa O Venus Bant

The marriage for which the Missa O Venus Bant by Heinrich Finck was composed and performed in the Stiftskirche in Stuttgart ended disastrously. Duke Ulrich von Württemberg, a vassal of Maximilian I, married the latter’s niece Sabine of Bavaria, but also had his eye on other ladies. After a murder,

This concert has no interval.

114

A € 00 / € 00 / € 00

sat 6 sep / 24.00 B € 00 / € 00 / € 00

sat 6 sep / 22.30

bestelnummer 00

TivoliVredenburg, Cloud Nine

TivoliVredenburg, Hertz € 12 / € 10 / € 7 € 22 / € 19 / € 10

order number 113

order number 112

Wiener Glasharmonika Duo

Ars Antiqua Austria / Gunar Letzbor

The mysterious glass harmonica

Biber: Rosary Sonatas (II)

Everyone is probably familiar with the effect: when you rub your finger over the rim of a wineglass, a tuneful, almost unearthly sound issues forth. The peculiar glass harmonica was built on this principle in the mid-18th century.

The instrument swiftly gained popularity, and composers such as Mozart, Reichardt and Röllig composed curious music which the Wiener Glasharmonika Duo plays and explains during this intimate midnight concert.

Yesterday, the Austrian violinist and artist in residence Gunar Letzbor played the first part of the virtuosic Rosary sonatas by Biber: today part two follows.

The 15 sonatas each represent one of the 15 Mysteries of the Rosary. With this high technical level and emotional depth, Biber left an example for all violin composers after him.

With the support of the K.F. Hein Fonds.

115

116

sunday 7 september 9.30 Summer School:

Leertouwer & NPU

15.00 Cappella Romana St.-Catharinakerk

TivoliVredenburg

15.00 Zefiro 10.00 Festival Centre & Kunstkammer

TivoliVredenburg

TivoliVredenburg

15.30 Fringe

Various locations

10.00 Early Music Exhibition 16.00 Bernard Winsemius

TivoliVredenburg

Dom Tower

10.00 Children’s treasure hunt 16.30 Film

TivoliVredenburg

TivoliVredenburg

11.00 Ensemble Tourbillon 17.00 Companyia Musical

TivoliVredenburg

Pieterskerk

11.00 Fringe

17.00 Les Passions de l’Âme

Various locations

Geertekerk

12.30 Fabulous Fringe 18.00 Wien Cuisine

TivoliVredenburg

TivoliVredenburg

13.00 Aurélien Delage 20.00 Vox Luminis / Scorpio

Collectief TivoliVredenburg

Leeuwenbergh

13.30 Guided tour TivoliVredenburg

14.00 Fringe

Various locations

117

sun 7 sep / 9.30 TivoliVredenburg, Big Hall â‚Ź 5

order number 114

Summer School: Johannes Leertouwer & De Nieuwe Philharmonie Utrecht

sun 7 sep / 10.00-17.00 TivoliVredenburg free

Brahms’ First Symphony

Early Music Exhibition

Just as he did yesterday, conductor Johannes Leertouwer takes a close look at a work by Brahms. With the fullstrength Nieuwe Philharmonie Utrecht, he presents the results of years of research into the historical practices surrounding the performance of the Symphony No. 1 by Brahms. A few hours later, at 12:30, the symphony will be performed in the same Large Concert Hall.

More than 75 musical instrument builders, music publishers and CD producers will be on hand with advice and/ or demonstrations of their instruments.

The perfect chance for professionals and amateurs to try out and compare historical stringed, plucked, keyboard and wind instruments for themselves.

A complete overview of the stallholders can be found at www.oudemuziek.nl/ markt and in the festival programme book.

Language: English With the aid of the Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen.

118

sun 7 sep / 11.00 TivoliVredenburg, Hertz € 22 / € 19 / € 10

sun 7 sep / 10.00

Ensemble Tourbillon / Petr Wagner

TivoliVredenburg

€ 5

order number 116

Finger: Virtuoso Music for Gamba

order number 115

Children’s Treasure Hunt

Gottfried Finger was born in Moravia, but spent a great deal of his career in England. Although the viola da gamba was not nearly as popular in Eastern Europe as it was in France and England, Finger’s music clearly bears the characteristics of the Austrian-Bohemian violin acrobats Biber and Schmelzer, and shares their virtuosic idiom. The Prague gambist Petr Wagner, who once was a student of Wieland Kuijken in The Hague, recorded these demanding sonatas for CD last year.

Did you know that there all kinds of secret corners in the new TivoliVredenburg that no one knows about?

Places where grownups are maybe not allowed to go? During the Early Music Festival there’s a lot to discover in TivoliVredenburg. Come along on a musical treasure hunt to uncover the secrets. Maybe you’ll hear something that you’ve never heard before!

119

sun 7 sep / 13.30 TivoliVredenburg

sun 7 sep / 13.00

€ 5

order number 118

Leeuwenbergh € 18 / € 16 / € 10

Guided tour

order number 117

Discover TivoliVredenburg

Tigers of the Keyboard IX: Aurélien Delage

Are you curious about the new TivoliVredenburg? Then our daily guided tour both in public areas and behind the scenes is just for you. From the Large Hall to Hertz, Pandora, Cloud 9 and back: simply by strolling through the building you will discover hidden corners and come to know this fascinating music centre better. And with a bit of luck, you may sneak in a portion of a rehearsal as well.

Muffat, Froberger, Kerll, Ebner, Fux on Harpsichord

From the 17th century on, Austria was a crossroads region where various national styles interacted. Aurélien Delage, the most talented student of that poet of the harpsichord Laurent Stewart, has played previously during the Festival and Early Music Season. In his recital he focuses on the French influence in Vienna, from Georg Muffat to Gottlieb Muffat.

Duration: 45 minutes Please report at the information stand in the Festival Centre before the starting time. Not suitable for the disabled.

120

sun 7 sep / 15.00 St.-Willibrordkerk € 22 / € 19 / € 10

sun 7 sep / 15.00

order number 120

TivoliVredenburg, Hertz

Cappella Romana / Alexander Lingas

€ 22 / € 19 / € 10

order number 121

Byzantijnse Music at the Fall of

Zefiro / Alfredo Bernardini

Constantinople

The Master, the Pupil and the Newcomer 3 to 8 years. Open 2.30-4.15 p.m.. Mandatory registration in

NB: during this concert there will be a nursery for children aged

advance by sending an e-mail to info@oudemuziek.nl.

In 1453 Constantinople, which was then the most prosperous city in Europe and the capital of the once mighty Roman and Byzantine Empire, fell into the hands of the Ottomans.

This was a painful loss for Christianity, but the closing of the door to the East did establish the claim of the Habsburg princes to the throne of the Holy Roman Empire, which was visible in the two-headed eagle on their shield. The American ensemble Cappella Romana, a specialist for 20 years in this repertoire, sings Byzantine hymns and the so-called Byzantine motets of Dufay.

Zefiro, led by oboist Alfredo Bernardini, is known as the pre-eminent Baroque wind ensemble. In this new concert programme, they compare music for one or two oboes, strings and continuo by the master Fux (including his concerto Le dolcezze e l’amarezze della notte) with that of his Bohemian pupil Zelenka (Ouverture and the well-known Hypochondria) and Antonín Reichenauer (Ouverture en Concerto in Bes).

NB: during this concert there will be a nursery for children aged 3 to 8 years. Open 2.30-4.15 p.m.. Mandatory registration in advance by sending an e-mail to info@oudemuziek.nl.

121

sun 7 sep / 16.30 TivoliVredenburg, Workshop room

sun 7 sep / 16.00 Dom Tower, Pandhof

â‚Ź 5

order number 122

free

Film: Wings (1927)

Bernard Winsemius

Director: William Wellman

Biber, Schmelzer and Bach on Carillon

This silent film follows the experiences of two American soldiers in WWI, and in doing so makes a strong pacifist statement. The cinematography was groundbreaking in its day, and the spectacular airborne battles of the fighter pilots are still thrilling to watch. Wings received the first ever Academy Award for best picture. Its stark anti-war message serves not only as commemoration of the beginning of the war 100 years ago, but also as an upbeat to the closing concert of the festival, Vox Luminis’ performance of a requiem for the Habsburg family: The Great War marked the end of the Habsburgers’ empire and power.

Bernard Winsemius is one of the most famous carillonneurs in the world, and we welcome him with pride back to our festival. Until 2012, he was city carillonneur in Haarlem and Amsterdam, and he has taught at such institutions as the Rotterdam Conservatoire and the Carillon School in Amersfoort. In 1981, he was appointed alongside Gustav Leonhardt as organist of the monumental historic organs of the Nieuwe Kerk in Amsterdam, a position he still retains. Today he plays arrangements of sonatas for violin and basso continuo by festival composers Biber and Schmelzer, and by the great Bach.

122

sun 7 sep / 17.00 sun 7 sep / 17.00

Geertekerk

Pieterskerk A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

A € 22 / € 19 / € 10 B € 19 / € 16 / € 10

order number 124

order number 123

Les Passions de l’Âme / Meret Lüthi

Companyia Musical / Josep Cabré

Exotic Baroque: Schmelzer, Biber, Fux

Isaac: Missa in festo assumptionis Beatae Maria Virginis

The young Swiss violinist Meret Lüthi and her orchestra present Baroque music from around 1683, when the Turks were again knocking at the gates of Vienna. This inspired many composers to write programmatic works which imitated the sounds of battle, such as Schmelzer’s Fechtschule and the Türkenschlacht by his son Andreas Anton. Elements of Turkish folk music make Turcaria by Fux one of the most exciting, exotic works of the Baroque.

Today, the Companyia Musical, directed by the baritone Josep Cabré, sings the rarely heard mass for the Assumption of the Virgin by Heinrich Isaac.

The composer, who very likely came from Brabant and served the Viennese emperor Maximilian I from 1497 till his death in 1517, alternates polyphonic movements with Gregorian chants from the Viennese Graduale Pataviensis.

123

sun 7 sep / 20.00 TivoliVredenburg, Big Hall € 36 / € 32 / € 10

order number 126

Vox Luminis & Scorpio Collectief / Lionel Meunier & Simen Van Mechelen

Eugene of Savoy and Emperor Karl VI, thereby becoming known as the Kaiserrequiem. The moving mass will be preceded by motets and sonatas by Fux, who survived three emperors during his service in Vienna. This concluding concert will be presented by Scorpio Collectief, directed by the trombonist Simen Van Mechelen, and the fabulous vocal ensemble Vox Luminis, who will be artist in residence in 2015.

Fux: Kaiserrequiem

Johann Joseph Fux wrote his requiem for the widow of Leopold I. The requiem was also performed for the funerals of Leopold Joseph of Lotharingen, Prince 124

sun 7 sep / 18.00-19.30 TivoliVredenburg, Festival Centre â‚Ź 25

order number 125

Wien Cuisine Stay in the Habsburg mood with Wien Cuisine. Every evening at the Festival Centre, you can enjoy a delicious Austrian dinner. Of course we bear in mind that you still have to get to the concert: the dinner flows perfectly into the evening concert.

Includes main course, one drink and a cup of coffee to finish.

125

Ticket Sales & practical information You can buy your tickets for the Utrecht Early Music Festival and Early Music Season from the Organisatie Oude Muziek. Sometimes you can also purchase tickets and / or make a reservation through a local organization; details are specified by the locations concerned.

For concerts in Belgium, you can only get tickets from the locations themselves.

Order online Tickets can be bought online through the concert calendar. You can use your log-in details or create a new personal account. Accepted methods of payment are credit cards for international guests and iDEAL for Dutch bank account holders. The administration fee per ticket is â‚Ź 1,50, with a maximum of â‚Ź 7, 50 for each separate order. When the concert is within 4 days of ordering, the tickets will no longer be sent: during the Festival you can pick up the tickets at the concert venue, and during the Season your confirmation e-mail will count as your ticket.

Festival tickets Vrienden Extra, Vrienden VIP and our Gildeleden can order tickets from 15 May. Vrienden can order from 22 May. The regular ticket sale starts on 1 June.

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Festival box office and ticket line The Festival box office is located in the Festival centre in TivoliVredenburg (entrance via Vlaamse Toren), and open daily from 10.00 to 20.00, starting from Friday 29 August.

To reserve by phone, please call +31 (0)30 2329010 (from Monday 25 to Wednesday 28 August from 10.00 to 17.00, from Friday 29 August each day from 10.00 to 20.00).

Reductions The reduced rates for Vrienden (Friends) is available for a maximum of two tickets per concert. If you have a CJP/youth card or a student card, you can benefit from even cheaper tickets.

Ranks and seating In some locations, the seats are ranked. Rank A provides the seats with the best view on the stage and the musicians; rank B provides the less favourable places.

Wheelchairs Not every venue is easily accessible for wheelchair users. Please let us know your need, as experience has taught us we can help. Don’t forget to select wheelchair seats where possible online, or tick the ‘wheelchair’ box on the order form.

Concert durations Most Festival concert will last for one hour, without an interval. Concerts starting at 20.00 will usually end before 22.00. We have mentioned different ending times in the brochure.

Sold out concerts We will mention sold out concert on our website and the Festival box office.

Conditions Please take good care of your tickets and contact us immediately if you think you lost them. Once issued, tickets cannot be returned.

Keep in touch Do you want to receive out monthly newsletter? Please subscribe at www.oudemuziek.nl.

www.oudemuziek.nl 127

Friends make it possible Do you love early music and find it important to support new talent? Do you like to have the best concert seats, and would you like to receive a discount for our concerts? If so, become a Friend of Early Music.

Each year, 75,000 music lovers attend over 250 concerts that we present during the Early Music Festival and the Early Music Season. However, we cannot do this work without your financial support. For this reason, we ask you to contribute to the preservation of early music culture in the Netherlands.

Of course your donation is meant to support the Organisatie Oude Muziek, but it also affords you a number of privileges. You receive the Early Music Magazine four times per year (in Dutch), are welcome to attend our yearly Friends’ Concert, and receive a discount on all admission prices and CDs. In addition, you can order advance tickets for the Festival, thus providing an opportunity to get the best seats. As a Friend, you make a contribution towards keeping Early Music alive for yourself and for coming generations.

You can be a Vriend and profit from the advantages from â‚Ź 40 per year. Your friendship is valid for a season.

128

Advantages of being a Friend

Advantages of being a Friend Extra for € 80 per

Advantages of being a Friend for € 40 per year:

• two weeks ordering ahead

• reduced rates for all concerts during the Early

• two tickets for the price of one for one Early Music

year: • all of the advantages mentioned above

Season concert

Music Festival and Season (for 2 persons) • discount on cd’s, dvd’s, music tours • four issues of the Tijdschrift Oude Muziek each

Advantages of being a Friend VIP for € 160

year

per year: • all of the advantages mentioned above

• you can order Festival-tickets one week ahead of

• free admission to the Vriendenconcert for 2

non-Friends

persons

• cheaper rates for the Vriendenconcert (in 2014, the Opening Concert on August 29), you will pay € 25 instead of € 35

Interested? For more information and advice, you

• free admission to the Early Music Exhibition

can always contact Wilmer de Jong via

• an invitation to come to our Vriendenavond/Eve-

vrienden@oudemuziek.nl or +31 (0)30 232 9010

ning for Friends, where the Festival programme will be presented

www.oudemuziek.nl/steun-ons 129

Colophon Brochure Utrecht Early Music Festival 2014 © 2014 Utrecht

editors: Susanne Vermeulen (final editing), Xavier Vandamme, Jed Wentz, Juliette Dufornee, Nicolien van der Veer concept design: Kea Dunant lay-out: Esther de Bruijn print: Drukkerij Practicum, Soest image cover: Merlijn Doomernik photography dailly reviews: Christian Mendez, Kunstkammer in Kunsthistorisches Museum Wien photography inside: Remke Spijkers, Georg Thum, Ivan Kor, Juri Hiensch, Tim Mintiens, Maarten Danial, EvS, Philip van Ootegem, Ludêk Sojka, Lichtwertig.art, Sabine Lutzenberger, Joanna Ogrodnik, Nan Melville, Jonas Niederstadt, Gabriele Lewon. Petra-Hajska, Michal Adamovsk, Wouter Jansen, David Samyn, Elisabeth Melchior, Michael Kooren, CdlT/Weishart,Eichhorst, Capriccio Stravagante Archives, Taco Witte, Jindrich Trcka, Jeremy West, Oscar Vasquez, Edouard , Bressy, Bram Tackenberg, Philippe Genestier, Marieke Wijntjes, Bob Handelman, Marco Borggreve, Lorris, Florence Grandidier, Susanne Vermeulen, Koen Broos, Hiroyuki Ito, Eric Richmond, Julia Wesley, Edouard Bressy, Patrick Charbon, Melcak, Zoetnet, Cynthia Johnston, Frank Eidel, Cristine Fronterota, Anne-Marie Berthon, Jens Mollenvanger, Boun-Sook Koo, Guillaume Perret, Ola Renska, Jörg Mutke, Thomas Lieser, Douglas Sprott, Nora Haak, Daniel Kruczynski, Gregor Kobelkoff, Thistledown_jp, Filedump, SludgeG, Clarence Sinclair Bull, Pieter Affourtit, Chani Lesaulnier, Roel Siebrand, Per-Ake Persson, Francesco Galli, Flore Tricotelle, Ludêk Sojka, David Ignaszewski, Michiel Hendryckx, Rien Zilvold, Ignacio Elosúa, Bridget Elliot, Bruno Gauthier Lorris, Boun-Sook Koo, gallica.bnf.fr / Bibliothèque nationale de France

Publication date: 15 May 2014 (may be subject to change)

The 33th Utrecht Early Music Festival is a production of the Organisatie Oude Muziek and is made possible with the support of: Fonds Podiumkunsten, Provincie Utrecht, Gemeente Utrecht (Culturele Zaken), SNS REAAL Fonds, VSB Fonds, Turing Foundation, Tsjechisch Centrum in Rotterdam, Ministerie van Buitenlandse Zaken in Praag (Tsjechië), Oostenrijkse Ambassade in Den Haag, K.F. Heinfonds, Jacoba van Wassenaer Stichting, Gravin van Bylandt Stichting, Familie Stichting Van Wassenaer, Provinciaal Utrechts Genootschap van Kunsten en Wetenschappen, Institut français, Carel Nengerman Fonds, Fentener van Vlissingenfonds, Koninklijke Nederlandse Ambassade van Wetenschappen, De Oude Franz Jansen.

In coproduction with: TivoliVredenburg, Kunsthistorisches Museum Wien, The Juilliard School in New York, AVRO, Radio 4, Interna tionaal, Van Wassenaer Concours, MAfestival, Stichting Vrienden Oude Muziek, Stichting Muziekhistorische Uitvoeringspraktijk, Omroep MAX, Concertzender, De Nieuwe Philharmonie Utrecht en Utrechts Klokkenluiders Gilde.

We would like to thank: Sabine Haag, Franz Kirchweger, Paulus Rainer, Hana Schenkova, Tomas Bisschop, Daria Bouwman, Ward Rennen & Jacques Reijniers, Benjamin Sosland, team TivoliVredenburg, Utrechts Centrum voor de Kunsten, Toerisme Utrecht, fam.

Brouwer, fam. Hoek, Kerken Kijken Utrecht, Bart van Meijl, Johannes Leertouwer, Tineke Lodders, Ton Herstel, Hans Kuperus, Stichting Cultuurparticipatie Utrecht, Malgosia Fiebig, Henk Klop klavecimbels & orgels, Jan Kalsbeek klavecimbels, Siebe Henstra, Menno van Delft, Tineke Steenbrink, Martine Visser, Jeroen Heijungs, Paul Hesseling, brava nl klassiek, beheerders, kosters en medewerkers van de genoemde instellingen en van de festivallocaties, en alle festivalvrijwilligers.

Media partner: AVRO / Radio 4, Trouw

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TIVOLI VREDEN BURG TOON VV

Z

L

Nicolien van der Veer administrator: Anita van der Kroft box office: Wilmer de Jong assistance box office: Germaine Anema, Eelke Bakker, Judith Heeres office assistance: Ellen Vogelenzang, Tom Blaas, Miel Slagerm Elly Witvliet festival tuners: Eduard Bosm Edwin Beunk transport: Matthijs Kappers light: James Murray, Seeing and Hearing

Organisatie Oude Muziek visiting adres: Plompetorengracht 4 3512 CC Utrecht postal adres: PO Box 19267 3501 DG Utrecht T +31 (0) 30 232 9000 F +31 (0) 30 232 9001 info@oudemuziek.nl IBAN: NL68RABO394477170 BIC: RABONL2U Name of the bank: Rabobank

supervisory board Dr. Mrs. J. Sylvester, chair Mr. J.H. van der Tol RA, treasurer Mr. J. van der Grond, member

director & programming: Xavier Vandamme artistic advisor: Jed Wentz planning and editorial office: Susanne Vermeulen producer: Cato Ootes, Martine Maris, Lieven Cooiman producer and office: Marijse Poutsma coordination volunteers: Yvonne Poutsma marketing, communication & fundraising: Juliette Dufornee,

Board Stichting Vrienden Oude Muziek Mr. Dick Hoek, chair Mr. Jan van der Tol RA, treasurer Mr. Hans Tromp, member

For current information: www.oudemuziek.nl Follow us on: 131

cello & voice

bestel nu kaarten

Ook het nieuwe concertseizoen

132

foto: Simon Van Boxtel

kaartverkoop is gestart!

Oude Muziek Festival Praag Praag houdt van muziek, en musici houden van Praag. Het jaar 2014 wordt een feest voor muziekliefhebbers van over de hele wereld . Vanwege enkele jubilea (Dvořák, Smetana, Janáček en het Praags Symfonie Orkest) is 2014 uitgeroepen tot het jaar van de Tsjechische muziek, onder de artistieke patronage van de klassieke muzieksterren Sir Simon Rattle en Magdalena Kožená en met maestro Jiří Bělohlávek, chef-dirigent van het Tsjechisch Philharmonisch Orkest, als erevoorzitter.

Of u nu een doorgewinterde muziekfanaat of puur voor uw plezier wel eens naar een concert gaat, in 2014 zit er voor iedereen wel iets bij. Naar uw favoriete opera gaan in het theater waar die ooit in première ging, een experimenteel jazz stuk horen in één van Praags nieuwe jazz clubs of langs de straatmuzikanten op de Karelsbrug slenteren, in alle gevallen is het decor van Praag net zo’n groot onderdeel van de belevenis als de muziek.

U bent van harte welkom om het zelf mee te maken, bijvoorbeeld in juli tijdens het festival Zomerfeest van de Oude Muziek.

Kijk voor meer informatie over het programma op de website van Prague City Tourism www.prague.eu of surf direct naar www.musicinprague.com. Daar vindt u een programmaoverzicht, impressies van de optredende musici en een interactieve muziekmap van de stad waarop u aankomende concerten kunt vinden maar ook per artiest of componist informatie vindt over plekken die nauw verbonden zijn met de muziekgeschiedenis van Praag.

133

ME TA Jordi Savall Il Giardino Armonico MOR F Le Poème Harmonique Beyer OSEN Amandine Leonardo García Alarcón OUDE MUZIEK IN BRUGGE

1—10 AUG 2014

MET STEUN VAN DE VLAAMSE OVERHEID

EUROPESE UNIE EUROPEES FONDS VOOR REGIONALE ONTWIKKELING

Ensemble Correspondances Robin Verheyen Olivier Fortin

www.mafestival.be DOET GRENZEN VERVAGEN

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18 - 21 sept 2014

134

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07-04-14 21:27

Camerata Trajectina 40 jaar

Jubileumconcert - zo 30 nov, 16.00 uur, Geertekerk Geertekerkhof 23, 3511 XC Utrecht

Kaartverkoop via www.oudemuziek.nl korting bij vroeg boeken (vóór 8 september 2014)

Kunst en Cultuur liefhebbers opgelet!

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135

Suze Robertson in Panorama Mesdag

De papieren kostuums van Isabelle de Borchgrave

24-01-14 12:00

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Voor of na een concert Trouw lezen? Dat kan!

Haal een gratis exemplaar op in het festivalcentrum in TivoliVredenburg.

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50ste INTERNATIONAAL VOCALISTEN CONCOURS 4 – 14 september 2014 Theater aan de Parade ’s-Hertogenbosch

VOORRONDEN 50STE IVC 27 & 28 juni 2014 Theater aan de Parade ’s-Hertogenbosch

Feestelijke Tiendaagse van de Stem Concours – Masterclasses - Familieconcert

De Stem van Bosch

Opera | Oratorium Jury: Dame Kiri Te Kanawa sopraan • Anne Gjevang mezzosopraan Siegfried Jerusalem tenor • Kenneth Montgomery dirigent Dominic Seldis solocontrabassist Koninklijk Concertgebouworkest Pieter Alferink impresario Jesús Iglesias Noriega De Nationale Opera Evamaria Wieser Osterfestspiele Salzburg, Opera Chicago & Rome Ioan Holender voormalig intendant Weense Staatsopera

Lied Duo Jury: Elly Ameling sopraan• Jard van Nes mezzosopraan Siegfried Jerusalem tenor • Meinard Kraak bariton Irwin Gage pianist • Rudolf Jansen pianist • Graham Johnson pianist 136

Workshops opera en musical voor amateurzangers Francis van Broekhuizen • Maaike Widdershoven Ernst Daniël Smid Zaterdag 30 augustus 2014 Theater aan de Parade ’s-Hertogenbosch

3de Elly Ameling Liedcursus Meinard Kraak bariton • Julius Drake pianist 4 & 5 oktober 2014 Muziekcentrum De Toonzaal ’s-Hertogenbosch

www.ivc.nu

S E I Z O E N

2 0 1 4 - 2 0 1 5 K O M D I C H T E R

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ONZE NIEUWE BROCHURE IS UIT! BESTEL NU UW ABONNEMENT EN LOSSE K A ARTEN

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137

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1 Festivalcentrum TivoliVredenburg Box office Big hall Hertz Pandora Cloud Nine Workshop room 2 Domkerk, Domplein 3 Pandhof, Domplein 21 4 Academiegebouw, Aula, Domplein 29 5 Flora’s hof, Hoek Domplein & Servetstraat 6 Geertekerk, Geertekerkhof 23 7 Jacobikerk, St.-Jacobsstraat 171 8 St.-Catharinakerk, Lange Nieuwstraat 36 9 Lutherse Kerk, Hamburgerstraat 9 10 Pieterskerk, Pieterskerkhof 3 11 St.-Willibrordkerk, Minrebroederstraat 21 12 Utrechts Centrum voor de Kunsten (UCK), Domplein 4

13 14 15

Leeuwenbergh, S­ ervaasbolwerk 1a Theater Kikker, Ganzenmarkt 14 Conservatorium, Gebouw voor Kunsten en Wetenschappen (K&W), Mariaplaats 2

The Centre of Utrecht is easily accessible by public transport.

The main train Station is next to the Festival Centre TivoliVredenburg.

Parking at TivoliVredenburg can also. These car parks are in the immediate vicinity: - La Vie (325 parking spots, elevator) - Stationsstraat (391 parkin spaces, 6 wheelchair accessible parking spots, elevator) - Radboud (451 parking spots, 7 wheelchair accessible parking spots, elevator)

138

FESTIVAL BO0K 2014 The only source of all festival information!

WENEN | PRA

AG

HABSBURG ISAAC | DE

MONTE | BIB

ER | FUX | ZEL

ENKA

Articles, programmes, programme notes with free cd-sampler NB: all texts are provided in Dutch, but with English summary.

€ 10, preorder € 8 (order via our website)