VULKAN
Photographed by Shaun Vadella
Nats Getty Scoutt LaRue Willis
Jessica Belkin
Willa Fitzgerald
Vulkan
Surreal
Welcome to the latest issue of VULKAN, titled "Surreal."
As we journey into this new issue, it’s impossible not to sense the unique, surreal nature of the world around us. We find ourselves stepping into an era where certainty fades, boundaries shift, and the familiar feels increasingly like a distant memory. We are living in a time when the ordinary becomes extraordinary, and what was once stable now floats in a sea of questions. In such moments, finding our place, our purpose, and our truth is both a challenge and a calling.
This issue embodies that search—a quest through a landscape that feels more like a dream than anything concrete. It’s an exploration of distorted perceptions, heightened emotions, and the search for identity amidst a world that feels as if it’s constantly shifting beneath our feet. We may feel lost, yet paradoxically, it’s in this search that we come closer to understanding who we are and what we value most.
At VULKAN, art and fashion serve as guides through this surreal terrain. They help us express the unconventional and reveal truths that go beyond words. In this issue, we celebrate those who embrace the unknown and find beauty in the strange and the unexpected. Each story and image speaks to those edges, to the courage of stepping outside the ordinary.
As we embark on this surreal journey together, I invite you to pause and reflect on your own sense of reality. Let these pages challenge your perspective, inspire your imagination, and, most importantly, remind you that seeking clarity in the surreal is a shared human experience that connects us all.
Here’s to finding strength, clarity, and beauty in this surreal new world.
With resilience and imagination,
Stéphane Marquet Editor In Chief
PHOTOGRAPHY SHAUN VADELLA
Fashion by Strike Oil
Flooded with ideas NATS GETTY
Radical Acceptance
A conversation With Nats Getty
In the world of fashion, few stories are as raw and genuine as that of Nats, the creative force behind Strike Oil. What started as a deeply personal outlet has grown into a brand with a distinctive voice and a passionate following. We sat down with Nats to dive into the journey of discovering his creative voice, navigating the fashion industry, and embracing every bit of the journey, from rebellion to acceptance.
What was the real inspiration behind creating Strike Oil?
Where did it come from?
Honestly, it all started as a personal outlet. I never intended for it to be a brand or anything to be sold. It was something I needed to do, a way to expel this trapped, suGocated part of myself. I started with painting on jackets—Saint Laurent jackets I already had—and I'd wear them to modeling gigs. Stylists noticed, and they’d freak out, asking where I got them. I'd tell them I made it. It was raw, straight from the heart.
Now that Strike Oil has grown, how does the fashion world perceive you?
It’s interesting. I went from being really misunderstood to finding my footing, and now, I think—at least I hope—people see Strike Oil as a fully realized brand. It’s hard to separate me from Strike Oil because I’m there every day, designing, managing everything. I went downtown 10 years ago to learn how to make a leather jacket, and here I am, finally feeling confident enough to call myself a designer and creative director.
You mentioned you went to university studying pre-law — why did you go that route initially?
I went to a very traditional British boarding school, and I chose art as a major, but they kicked me out, saying I was no good. It crushed my creative spirit, so I went to law school, got straight A’s, and did everything I was supposed to do. But I felt something was missing. When I started modeling, it all clicked—I needed to create and be in fashion.
What role does representation play for you now?
Representation is massive for me. I believe in what I call "radical acceptance." Every form of art is valid, even if it’s not your thing. You don’t have to love it, but you should respect it. For me, everyone’s art deserves a place.
Do you see Strike Oil as an act of rebellion or as a way of freeing yourself?
Maybe it started as rebellion, but looking back, I realize I was always surrounded by art and beautiful things. My mom encouraged me to find beauty in the world. It wasn’t rebellion for the sake of rebelling; it was more about finding my own version of beauty.
Your brother, August Getty, has a strong influence on you, right?
Absolutely. We’re polar opposites, but he was one of the youngest designers to show at New York Fashion Week, and seeing his inclusiveness in the industry taught me a lot. We both inspire each other in completely diGerent ways. He’s all about haute couture, and I’m more grunge, but it works.
As a trans man, how does your journey of self-discovery influence your creativity?
Honestly, it’s the other way around. Fashion and clothes helped me realize who I am. They were my armor, showing the world how I wanted to be seen. Through designing, I found myself.
What challenges did you face breaking into the fashion industry?
People didn’t take me seriously at first; they thought I was just playing around. But this wasn’t a phase—I live and breathe this work. It took a long time to shake oG the imposter syndrome, but now I can stand behind what I’m doing.
What advice would you give to someone who wants to break into fashion?
Be fearless, find your people, and don’t overthink what others think. It’s hard, but you’ll find a chosen family who supports you. At the end of the day, if you’re putting good out there, you’ll get it back.
Do you see Strike Oil expanding beyond fashion?
Definitely. Strike Oil has always been a lifestyle brand in my eyes. I dream big—one day, I want to be designing hotel interiors, with Strike Oil robes, candles, and mini bars. The goal is to create spaces with the same raw energy the brand embodies.
In a world obsessed with labels, how do you define the essence of Strike Oil?
It’s a blend of Los Angeles, my experiences abroad, and my life. I’ve lived everywhere—from LA to England to New York. I draw from all those experiences. LA is my core, though. There’s a raw, imperfect beauty to it, and that’s what Strike Oil is about.
What does success mean to you?
Success is a moving target. I set a high bar because of my family’s achievements, but I don’t think anyone ever truly hits "success." I’d rather have people say, “Nats brand is dope,” and keep moving towards goals I may never reach.
Any final thoughts?
I’m happy to be an evolving contradiction. At the end of the day, I strive for authenticity— whatever that might look like. Cheers to honesty and success, whatever that might be.
WILLA FITZGERALD
@willafitz
Photography Michele Laurita @michelelaurita
Assisted by Valentina Berti @valentinabertib
Styling Lisa Smith Craig @lscstyling
Assisted by Essence Carson @essencecarson @wemergenetwork
MakeUp Tamah Krinsky @tamah_krinsky Hair Marty Harper @themartyharper
Interview Anna Dória @annadoria._
Production + Location Isabela Costa @isa.chromatic for @bellomediagroup x @maisonpriveepr_la
Jacket & Skirt ABODI @aboditransylvania Necklace LUNAVERSOUL @lunaversoul
SIMON
Jewelry
Jacket & Skirt ABODI @aboditransylvania Necklace LUNAVERSOUL @lunaversoul Bracelets & Ring SIMON G. @simongjewelry Bootie MALONE SOULIERS @malonesouliers
Dress
JULIE COLQUITT @juliecolquittart Earrings & Bracelet SIMON G. @simongjewelry Jewelry Ring PAVE THE WAY @pavethewayjewelry
Dress KRISTINA K @kristinakofficial Jacket KAOS Jewelry Earrings PAVE THE WAY @pavethewayjewelry Ring ATRA NOVA BY SHEILA B. @atranova_by_sheilab
Jacket & Skirt ABODI @aboditransylvania Necklace LUNAVERSOUL @lunaversoul
Bracelets & Ring SIMON G. @simongjewelry Bootie MALONE SOULIERS @malonesouliers
Dress PHAN DANG HOANG @hoang_dang_phan Jewelry Cuff PAVE THE WAY @pavethewayjewelry
Earrings ATRA NOVA BY SHEILA B. @atranova_by_sheilab Rings LILOU PARIS @lilouparis.us
Following up a delightful interview with the artist last month, I have the pleasure to take you on a deep dive into the layers of Willa Fitzgerald, who seamlessly combines intelligence, confidence, sweetness, and maturity both as an individual and as a professional. It’s impossible not to admire her understated generosity and keen dedication to her craft, qualities that radiate from her performances across a range of works—whether in Little Women, Strange Darling or even her upcoming projects!
The artist’s dedication to her craft is evident not only in her performances but also in her approach to roles. She has seamlessly transitioned from her portrayal of the intense and complex character Emma Duval in MTV’s Scream to the fierce and determined athlete Colette in Dare Me. As we spoke, it became clear how Willa approaches each role with immense care and precision. The time she spent studying psychology and theater at Yale shaped her worldview, though she attributes her most direct influences to her theater studies. She recalls how those academic moments helped her develop an analytical eye, something she draws upon in each character she portrays. Yet, in true Willa form, she maintains a humility about it, noting that her psychology studies, while impactful, play more of a subconscious role in her craft: “I don’t know if I would say my time in the Yale Psychology Department plays a large role in my conscious preparation for a role… But a much bigger part of my time at Yale that I do draw on is my time in the theater studies department, in breaking down plays and looking at them from an analytical perspective.”
It is this blend of academic rigor and creative intuition that makes Willa’s performances so nuanced. She brings an openness to her roles, often allowing room for interpretation rather than delivering a neatly packaged message. This is particularly true in Strange Darling, where she appreciates the film’s ambiguity and its refusal to spoon-feed answers to the audience: “What I hope for audiences is that they get to watch this movie with friends, with family, and have conversations about what they think it means… It’s a really special part of getting to engage with art that doesn’t tell you exactly what it’s trying to state.”
Willa’s fascination with the unpredictability of acting and storytelling runs deep. Although she admits the industry’s uncertainty is sometimes unsettling, she embraces it as part of the adventure. “You never totally know where your career is going to take you next,” she says. Yet, even amid that unpredictability, Willa knows the core of her work lies in trusting herself. She advises actors not to chase someone else’s vision of how a role should be played: “I think that the differential I have to give as an actor is my own personal perspective on the world… That ultimately is where creativity comes from.”
In our conversation, Willa Fitzgerald’s dedication to her roles and her ability to balance intellect with an open-hearted approach to storytelling stood out. She’s a woman who not only commits fully to her craft but also leaves space for the complexities and nuances that make each role uniquely hers. This depth of understanding brings an undeniable richness to her characters, making each performance not just a role but a reflection of her own thoughtful exploration of the human experience. This dedication, combined with the elegance and depth she brings to every project, ensures that she remains one of the most compelling and multifaceted actresses of her generation.
space odyssey featuring
A
SCOUT WILLIS
Scout Willis @scoutlaruewillis and modelAriana Simone @arianasimoneclay
Photography Nikko Peach @nikkopeach
MakeUp Suna Myles @sunamyles_mua
Styling Daisy Stackpole
Berenz Castro @byberenz
Hair
Melanie Moran @melaniiemoran
Interview
Lighting Assistant Victor Alvarez @victorisaacalvarez
Jeremy Moran @jayjaymoran
Assitant
Rachel Frailich @rachelfrailich
Production
Smashbox Studios @smashboxstudios
Equipment
Studio +
Illustration Stéphane Marquet @alekandsteph
Scout LaRue Willis is an up-and-coming artist, musician, and songwriter based in Los Angeles, CA. She released her debut self-titled album Scout LaRue Willis in 2022 as an ode to her experiences of heartbreak and subsequent self-discovery. Her upcoming album Songs for Sorrow, Songs for Pleasure, is in the same universe but from a different perspective. Scout pranced into the studio with a beaming smile on her face, a crochet top, sweats, and an infectious, free-spirited energy. Her long brown hair flowed behind her as she introduced herself with a warm hug. With coffee and matcha in hand, she led me into her artistic world, steeped in shades of passion, self-empowerment, and most importantly, pleasure.
A conversation wth Scout Willis
How are you feeling today? I’m about to get my period, so I woke up and felt like I had a choice between either being a melancholy, sad girl and worrying about something or reprogramming my frequency and having a ball. I chose the latter! [she laughs] I’ve been listening to your debut album, Scout LaRue Willis. Congratulations! I didn’t know what to expect, but it’s beautiful–I loved it! The lyrics are raw and relatable. Thank you so much! I feel like when you share honestly, people can’t help but relate to these themes that are actually really universal to all of us. The album is mostly based on my real experience […] but when I put it all together, it traced the experience of meeting someone for the first time and being nervous and unsure. A lot of them were written during the course of this long drawn out, toxic break up I was having [and] the process of finding yourself in a spiritual experience and connecting to a higher power. I’m a relational creature, that’s how I learn, and that’s how I understand myself and the world. Yes, I can understand myself alone, but I can’t exist in a vacuum. It’s not about meeting someone, it’s more about what happens when you’re human and you’re alive. Do you feel like you’ve learned to appreciate those difficult moments and emotions? Absolutely. I think I really have shifted my perception to bring every kind of emotion I have into an embrace, as opposed to saying “ugh, those are the ones I hate. I hate feeling this way”. I’m always like, “how human of me! Oh my god, I feel jealous or sad. Oh my god, I feel anxious. How utterly human of me.” You choose to embrace it. Yeah. And, well, I know everything always shifts. When you’re feeling sad, you get really low, and it’s like,” I’ll never feel good again,” but that’s just not true. I even said to myself this morning, “you have a 100% success rate with moving through things and feeling good again at some point.” At the very least, I try to have curiosity because sometimes sadness is just sadness, but trusting that it will go away at some point and things will feel different and trusting that…there’s some gift in it. And then sometimes you just have to deal with it. [she laughs] When did you first discover that singing and songwriting was your passion? I think I loved it all through my childhood, but my path would meander away from it and towards it. [In] college, I realized “Oh, I could do this,” then in 2017, I taught myself guitar. But even that—the long process of when you love something so much, and it’s the closest thing to you connecting with the gods? It’s scary, you know? It’s vulnerable. What was it like for you when you first started performing and did you have a fear you felt you needed to
move past? I’ve always loved performing live. I played everything and anywhere anyone asked me to. What I’ve learned while performing is “if I fuck up, don’t let them know.” I once had to change an entire ending of a song and just make it up on the fly because I switched the verses by accident! You just don’t sweat it because nobody knows you fucked up besides you. One of the biggest shows was this launch of a makeup beauty app: Megan the Stallion was playing, Halsey was emceeing, and I’m like, “why did y’all invite me here? I love it, thank you so much, but huh?” I was playing with a full band, but my guitar was plugged in so the audience would hear every imperfection and I was so nervous; but, I had heard that the chemical makeup of anxiety and excitement are the same in your body. So, if you remove what the “story” is, it’s the exact same sensation. I was like, “well it’s day-of, I’m not going to get ten times better at guitar, so I might as well let that go…what if I could reframe what I’m feeling in my body as just pure excitement?” [So] I went out on the stage in front of all these Gen-Z beauty influencers [who] were all talking. They didn’t give a shit who I was, but I had this moment where it all just flipped for me and I thought, “I’m here for my pleasure and my joy!” I belted out this big note at one point and they all shut up for a second. I was like, “now you’re listening!” [she laughs] I really said that! That performance was really pivotal for me because I realized if it’s a crowd of three or 5,000, I need to be on stage for my pleasure and my joy. The crowds are gonna do what they’re gonna do, so I have to be up there because it’s fun for me to perform and honestly, that shifted so much for me in the way that I show up on stage. I feel like you just gave me a TED talk on life. [she laughs] We’re here for, hopefully, a long time, but pleasure is the path. I do this whole Venus devotional every Friday: I have a little altar, buy her flowers, do hot girl walks, put on a look for her, and create my little altar for the handmaiden of the goddess of beauty, love, and sex. I swear it’s really changed my life. [There are] moments when I’m thinking, “I should be working harder and pushing myself,” [but] I know that the energy that is going to come through is energy of play, fun, pleasure, and bliss. I used to be so caught up with wanting people to take me seriously and not be judged, et cetera, then I thought, “well they’re going to do it anyway. Otherwise, I worry about it and I’m not having fun, so what’s the point?” How would you describe your creative process when writing music? It’s different every time. I journal every day and sometimes that will inspire me or sometimes I’m driving in my car and a line pops in and I’m like,
“oh that’s good.” Recently, I was driving and I just had this thought where I was like, “I’m wasted on all but the bravest of mortals.” I was like, “That’s good! That’s fun!” So I wrote it in a song. What aspect of creating music excites you the most? Honestly […] sometimes the music video [she laughs] because there’s a sense of completion to the whole process. I’m also a visual artist, so there’s something about the full road: I have the experience, the experience informs the song, I write the song with a guitar, perform it, then I record the song, it takes a secondary life, I invite other people and instrumentation in, and then it lives in its own world! It’s like learning to crawl and energetically taking flight, then I get to feel how it wants to visually express itself. By that point, I’m probably a completely different person than I was when I wrote it, so I then get to circle back to myself at that point and figure out what makes sense visually. There’s a sense of completion and healing around it. I’ve had really powerful experiences filming music videos and I’ve been very lucky that every time I’ve put one together it’s also just such a fun hang. I work with the best people. What can we expect to hear from your upcoming music? The new album is going to be called Songs for Sorrow, Songs for Pleasure. It’s something that you can kind of listen to to either get out of pain that you’re feeling or draw in pleasure. Something that people, without even realizing, will be repeating to themselves like an affirmation. There’s something about unabashed confidence, pleasure, joy, being happy, turned on, curious, and how to weave that in musically […] things that I’ve been so lucky to learn on a spiritual and emotional level. What’s inspiring me right now is how to make songs that people can dance and move to, and not necessarily pop music by the way, because I come from a more folk, americana vibe, but something that you can dance to. What are you currently listening to? I’ve been making a monthly playlist to chart what’s inspiring the music that I am making and this month’s a really high octane, exciting one. “Espresso” [by Sabrina Carpenter] is there, “Makeba” [by Jain], “Million Dollar Baby” by Tommy Richman, “Colors” by Black Pumas, “Bitters End” by Roxy Music, and “Power of Goodbye” by Madonna, the most perfect breakup song of all time, and Troye Sivan. A few months ago, I made this giant collaborative playlist with a bunch of people on Instagram and everyone added to it. I was about to go into a scary, complex work conversation and that Troye Sivan song “One of Your Girls” came on and it changed my life! I was like, “oh this is that song with the music video, the iconic drag moment. This is pretty good.” Then I put it on again and was like, “woah, this is really good.” I put it on a third time and I’m like, “this is the best pop song I’ve ever heard in my life” and I listened to it 64 times that weekend. I was also having a kind of heartbreak, and I was like, “yo, pop music is powerful!” Who are some of your biggest musical influences? In high school, I listened to a lot of Roy Orbison. I think he and Patsy Cline both exemplify using their voice as an instrument around really simple melodies. Growing up, my dad listened to so much music. I got my classic rock education from him. Everything from The Beatles, The Monkees, The Rolling
Stones, The Coasters […]. My mom was listening to angry ’90s, singer-songwriter girlies and R&B. She loved Eric Benet [and] also loved Beth Hart. Recently, I like indie stuff [like] Big Thief, Julia Jacklin, and this English pop star that goes by CMAT. It’s so much fun. Everything has a tongue-incheek energy. If you could collaborate with any artist who would it be and why? Cher. Her career is one that I admire so deeply and want to emulate. She has incredible music, a snatched body, and is a gay icon. Does a few movies that are all somehow iconic and wins an Oscar. And Troye Sivan would be a dream to work with. There are so many. What’s something you’ve learned about yourself since first sharing your music with the world? My biggest cheat code to life: whatever scares you the most, and scares you so much you think you’re going to die…do that. Just lean into whatever that is. Life is about being present enough to see these moments of choice that can either be small or big. Like, if I choose this way, it’s kind of me doing the same thing I’ve always done and that’s the safe route; then this other one scares me so much that I feel I’ll be so exposed. Just do whatever that one is because every single time I’ve done that, I find the greatest joy, bliss, and freedom. I let a lot of [external] things mean a lot [to] me. I learned through those experiences, and I feel so blessed that I like myself so much more now. Like I said, pleasure is the path.
Photography + Creative Direction Emily Sandifer @emilysandiferphoto
Styling Thibaud Romain @thibaud.romain
MakeUp Bongbong Buan @bong2buan
Hair Richard Grant @richardnormangrant for Exclusive Artists using Bumble & Bumble Interview Anna Dória @annadoria._
Production + Creative Direction + Location Isabela Costa @isa.chromatic for BMG X MP @bellomediagroup x @maisonpriveepr_la
JESSICA BELKIN
Jacket CHARLES & RON @charlesandron Shorts NIL + MON @nilandmon
Dress CHARLES & RON @charlesandron Shoes JONAK PARIS @jonak
Jacket CHARLES & RON @charlesandron Shorts NIL + MON @nilandmon
INTERVIEW
Navigating Hollywood with Talent and Tenacity
From her captivating performances in the spine-tingling world of American Horror Story to the lighthearted antics of Nicky, Ricky, Dicky & Dawn, Jessica Belkin has proven herself to be a versatile force in the entertainment industry. As she embarks on a thrilling new chapter with her role in the upcoming film Last Straw, Belkin reflects on her growth as an artist, the challenges of playing deeply emotional characters, and her aspirations within both the horror genre and beyond. With a passion for storytelling that bridges her love for acting and music, she is a shining example of persistence and creativity. Step into her worldas we explore her remarkable path, the inspirations that fuel her artistic processes, and the thrilling upcoming projects that are sure to project Belkin’s creative voice to new and exciting spaces.
Jessica, you’ve had a diverse range of roles from “American Horror Story” to “Nicky, Ricky, Dicky & Dawn.” How do you approach preparing for such different characters, and is there a particular role that has shaped your career the most?
I take pride in my early work as a child actor, but “Last Straw” really shaped my career. It was pivotal and it allowed me to showcase the depth I’ve developed over the years and helped me transition back into horror and more dramatic roles as an adult. I’m incredibly grateful to our director, Alan Scott Neal, for believing in me trusting me with this role.
In your film “Last Straw,” you play Nancy, a waitress who faces intense and harrowing situations. What drew you to this role, and how did you prepare for the emotional and physical demands of the character?
What drew me to Nancy was the raw emotional intensity and the challenge of her grueling journey. Diving deep into character work, her backstory, memorizing lines, and really understanding why she acts and does the things she does, especially
in the first act was important to me. Having our writer on set Taylor Saradoni was a huge advantage; It was fun finding a way for Nancy to balance panic and adrenaline while staying in survival mode. To channel that energy, I’d run in circles outside the diner at sometimes 3-4 in the morning before high-stakes scenes. I feel lucky to have had a supportive cast and crew who really helped foster a collaborative environment and I felt free to play around. We all shared a love for the world we were creating, which showed in our work.
You’ve worked across various genres, including horror, comedy, and drama. Do you have a favorite genre, or is there one you’re particularly excited to explore further in your career?
I’ve always leaned more towards dramatic storytelling because I love diving deep into characters and their emotions. There’s something powerful about exploring complex human relationships and the struggles we face. I also have a passion for horror and would love to become a staple scream queen; There’s nothing quite like the set of a horror film, it’s always a thrilling experience that pushes boundaries in storytelling. Overall, I want to tell real, impactful stories, and would especially love to portray a real person. Bringing those experiences to life would truly be a dream for me.
Your role in “Last Straw” involves significant suspense and thriller elements. How do you balance the psychological and physical aspects of such a highstakes role, and what was the most challenging scene for you to film?
I was lucky to work with a crew that prioritized my safety while also pushing for a great performance. The role was physically demanding, but that was part of the thrill. The stabbing stunts were well-coordinated, and the physical acting along with it was discussed between us before. I really loved the challenge of making those scenes look realistic.
Frankly, the toughest scene for me was definitely the bike riding sequence with Bobby in the first act. I’d never ridden a bike with someone standing on the pegs before, and at 19, I was determined to nail it despite having no muscle mass. After a couple of hours of practice, my calves were on fire, but we finally got the shot!!
With your background in both acting and music, how do you find balance between these two creative pursuits? Is there a particular project or genre where you see yourself integrating both talents?
I grew up acting and singing, but acting took off faster, so I put music on hold. Recently, I got to combine both in my new film “Singing In My Sleep,” where I play Charlotte, a singersongwriter dealing with the grief over my late father. That role inspired me to pick up the guitar again and reignited my love
for music. I’d love to do more projects that blend both talents, since this one was more of a drama, I’d love to incorporate it into a comedy. “Singing In My Sleep” is coming out later this year, and I’m also working on my own music to release soon!
You’ve been in the industry since a young age, and you’ve grown up in front of the camera. How has your perspective on acting evolved over the years, and what advice would you give to young actors just starting out?
Growing up in the industry, my perspective on acting has evolved significantly. I’ve come to see it not just as a job but as a way to connect with others and tell meaningful stories. Acting has taught me how to continuously shed my ego and let go of any self-consciousness. How to be vulnerable, silly, and to have fun with it, which is such a gift. For young actors just starting out, as long as you love it & you want it for the right reasons, that will get you far. With acting always comes rejection, but the only failure is to not try. So embrace the awkward auditions, learn from the “no’s,” and remember to have fun along the way.
“Last Straw” is set in a small town and features a unique setting. How did the location and setting impact your performance and the film’s atmosphere?
We really lucked out with the diner location in a small town in the Catskills, Upstate New York. It had been sitting empty for a couple of years, and our set designer worked wonders bringing it to life.
Especially because most of the movie takes place in one location, it was important to make it feel authentic. Being in that space helped me tap into the mindset of a young girl feeling stuck in her small-town life. Filming in the kitchen & basement gave me a real feel for how diners operate, which added so much to my performance. One of my favorite scenes is when I’m working the night shift alone. The jukebox, disco ball, and the lights were perfect for my dance sequence, and really allowed me to dive into Nancy’s personality when she thinks no one’s watching…
You mentioned a love for horror films and a desire to be a “scream queen.” Can you share some of your favorite horror movies or influences that have inspired your work in this genre?
Yeah I have a few that have stuck with me through the years, I grew up watching horror films w no problem. I’m a big fan of John Carpenter’s “Halloween”, such a classic and the scoring is incredible. Our director and our music scorer (Neon Indian) took a lot of inspiration from John Carpenter’s suspenseful builds for our film. I have always admired Jodie Foster’s and Anthony Hopkins performances in “Silence of the Lambs”, another classic that has left me feeling connected to the characters. Jodie Foster is a huge inspiration for me and I find her work so versatile and impactful. One more, Jordan
Peele’s storytelling work with “Get Out”. The story was so impactful and the writing was clever. It was the first horror movie I had seen in a while that left me thinking about it for a few days. It would be a dream to work with Jordan Peele in the future.
In addition to acting, you’re also a singersongwriter. How do you approach songwriting, and do you find any overlap between your creative processes in music and acting?
Songwriting for me is often an emotional outlet. I start with a feeling or a story I want to convey, just like I do when preparing for a role. Both processes involve tapping into my experiences and vulnerabilities.
You’ve worked with notable actors and directors throughout your career. Is there anyone you’ve found particularly inspiring or memorable to work with, and why?
Growing up, it was incredibly important for me to see powerful, confident women working in the entertainment industry. Working with Mena Suvari, & Lady Gaga was pivotal for me. Their influence has shaped my perspective on what it means to be a woman in entertainment, and I’m truly grateful for the example they set. Seeing them excel in their craft while supporting other actresses in the industry showed me the importance of solidarity among women. Their commitment to their work and their ability to speak their truths made me realize that I could be both strong and vulnerable in my journey. Watching Mena work on set was inspiring; she’s truly a pro & showed what it means to be an actor who genuinely loves what she does. We’ve stayed in touch since filming, and I really value her mentorship and friendship.
Looking ahead, are there any particular roles, genres, or projects you’re passionate about pursuing? What can your fans look forward to from you in the near future?
Looking ahead, I’d love to dive into a romantic comedy, as I’ve never done one before and feel like it would be a lot of fun at this stage in my career. I think it’s a genre that really allows for playfulness and connection. My supporters can look forward to my upcoming films, starting with “What She Doesn’t Know,” my newest horror film coming out soon, where I star alongside my good friend Siena Agudong. I also had the pleasure of working with her again on my latest production, “The Upside of Unrequited,” which is based on the book by Becky Albertalli. This is a fun YA comedy, and we just wrapped filming in Maryland last month! I’m so excited for both projects to be released, so stay tuned!
THE GROUNDS
Photography Rick Lash
Model Lily Tarrant
MADISON WILD
Madison Wild @madisonxwild Photography+ Creative Direction Isabela Costa @isa.chromatic
Styling Veta Adrion @vetaadrion Hair + MakeUp Andi Ojeda @andiohheyduhh
Interview Anna Dória @annadoria._ Management SCHULLER TALENT @schullertalent
Production + Location BMG X MP @bellomediagroup x @maisonpriveepr_la
Dress WOOL PROJECT @woolprojectofficial Shoes JONAK PARIS @jonak Necklace TOVA JEWELRY @tovastore
Earrings FAIRCHILD BALDWIN @fairchildbaldwin Ring @vintagefusionjewelry
Vintage Vibes and Modern Muses
Madison Wild embraces fashion as a form of selfexpression, blending eclectic elements with modern sensibility. For her, clothing is about connection: "Style is how I communicate who I am and who I want to become. I follow what excites me, but I always come back to lived-in pieces with interesting textures. My first inspiration was my mom’s blend of classic and western styles—it taught me to have fun with clothes and explore contrasts."
When discussing "it-girls," Wild believes their allure lies in authenticity:
"It’s not about what they wear—it’s how deeply themselves they are. Anyone can copy their outfits, but the magic comes from their ability to connect with people by being raw and real, despite the noise of the internet."
Wild’s video, “The Last 6 Months in 6 Minutes,” reflects her personal journey and desire for meaningful connection:
"It’s a love letter to my friends and how they’ve shaped my life. At the end of the day, more than material success, I want to connect—whether through friendships or with my audience. Knowing that I made someone feel something is the most rewarding thing."
Drawing inspiration from icons like Helena Bonham Carter and Fiona Apple, Wild’s creativity is fueled by emotional depth. Looking ahead, she dreams of starting a clothing brand and building a creative community:
"I want to create beautiful things with inspiring people. In ten years, I see myself in a home with exposed wood, surrounded by friends, and working in a studio where I can help others on their creative journeys."
For the full interview, visit vulkanmag.com.
JEWELRY
LUNA LI
Luna Li, the artistic persona of Hannah Bussiere Kim, takes listeners on an introspective journey with her second album, When a Thought Grows Wings. Inspired by Richard Powers’ novel The Overstory, the album delves into nature’s symbolism, using the oak tree to represent stability while embracing personal transformation. Born in Toronto to a Korean father and Canadian mother, Li’s musical path began at an early age. After experimenting in Toronto’s DIY scene, she made her mark with her debut single, Opal Angel (2017), and later, her Juno-nominated album Duality (2022).
Reflecting on her growth as an artist, Li recalls leaving McGill University and immersing herself in Toronto’s indie rock community:
"Dropping out to return to Toronto and playing DIY shows was when my musical path really took shape."
Her versatility as a multi-instrumentalist shapes her creative process, allowing her to use piano, violin, guitar, and harp to explore diverse emotions:
"Playing different instruments makes arranging and production fun and full of possibility."
During the pandemic, Li posted instrumental jams online, opening new creative paths beyond lyrical music. Duality explored themes of identity and self-discovery, while When a Thought Grows Wings sees Li embracing vulnerability.
"Writing more vulnerably felt inevitable with all the change and growth I was going through," she says.
Influences like Minnie Riperton and Dorothy Ashby shaped the album’s 70s-inspired sound. Songs like “Minnie Says” and “Confusion Song” reflect their impact, blending modern production with harp-driven melodies. The album cover—Li with an axe in a forest—symbolizes cutting away stability to make room for new growth, aligning with her life transition from Toronto to Los Angeles: "The phrase 'when a thought grows wings' is about letting your desires bloom into real action."
As she embarks on her North American tour, Li looks forward to performing the album live:
"Playing shows lets me connect with my audience and my band in a way that makes the whole experience feel therapeutic and fulfilling."
For the full interview, please visit vulkanmag.com.
UPSAHL
VULKAN sat down with UPSAHL, the alternative pop phenomenon whose journey began in Arizona and exploded on the national scene in 2019. Known for her eclectic style and lyrical prowess, she has garnered over 700 million streams globally. UPSAHL has co-written songs for renowned artists like Dua Lipa, Demi Lovato, Madison Beer, and Dove Cameron. Her music also shines in hit shows such as Gossip Girl and The L Word. Beyond the studio, she’s a powerhouse on stage, having headlined festivals like Lollapalooza and toured with stars such as Tove Lo, Yungblud, and Madison Beer.
In our conversation, UPSAHL shared insights into her artistic journey, revealing how she continues to evolve musically:
"My music has changed with me. There are so many badass women who’ve paved the way, allowing me to explore and exist in multiple genres," she reflects.
On balancing her personal and stage personas, UPSAHL explains: "I think UPSAHL is the most confident version of me—she pulls me out whenever I’m feeling insecure."
Her creative process is equally dynamic. For instance, “Tears on the Dancefloor” was born from a blend of sonic inspiration from Nelly Furtado and Timbaland, evolving from a playful concept called “Slippery” to its final form. UPSAHL balances her artistic edge with carefree energy in tracks like “Summer So Hot,” written nostalgically on a cold night in London to capture the essence of sun-soaked days, playful vibes, and carefree moments.
Visual storytelling is a passion for UPSAHL, with her hands-on involvement in music videos allowing her to bring songs to life: "If you can bring people further into the world of the song through a video, that’s powerful."
Looking forward, UPSAHL is crafting her next album with a collaborative twist, involving fans in the process through weekly demo snippets shared on her app and Discord. “We’re creating an album together,” she reveals, excited for what the future holds.
For the full interview, please visit vulkanmag.com.
UPSAHL @whatsupsahl Phototography Brandon Lundby @brandonlundby assisted by Randal Ruiz @randalruizz
Styling Vincent Weathersby Jr. @styledbyweathersby assisted by Monica Sera MakeUp Caitlin Krenz @caitlinkrenzbeauty
Hair Heather Weppler @heatherlurkInterview Anna Dória @annadoria._ and Isabela Costa @isa.chromatic
Production + Location Isabela Costa @isa.chromatic for BMG X MP @bellomediagroup x @maisonpriveepr_la
Fulop
Muse Fulop Budavari @iamfulop
Photography Cécile Boko @bokocecile
Creative Direction + Styling Ambika Sanjana @styledbyambika
Stylist assistant Sarah Gibson @sarahmgibsonn
Grooming Jael Serrano @serranostudiosla
Production Isabela Costa @isa.chromatic for BMGXMP @bellomediagroup x @maisonpriveepr_LA
Suit BTFL @btflstudio
Necklace and Bracelet Pyrrha @pyrrhajewelry
Black bracelet AKINGS @akingsny
Ring Rat Betty @ratbetty Shoes ALDO @aldo_shoes
Full Look Ashton Michael @ashtonmichael
Necklace Pyrrha @pyrrhajewelry
Shoes Kurt Geiger @kurtgeiger
Rings Pyrrha @pyrrhajewelry Rat Betty @ratbetty
Top Atelier Cillian @ateliercillian
Wandering in the Half-Light
A digital fashion tale by Stéphane Marquet
What’s more surreal than expressing a feeling or vision in seconds? AI dissolves the boundaries between thought and creation, turning imagination into reality with a click. Once, art took time—now, it’s instant. As machines dream with us, the line between the real and unreal vanishes. In this new era, are we shaping reality, or is it shaping us?
The night is in no hurry; it lingers, as rain taps rooftops and spills over into puddles, blurring reflections into something just beyond reach. Beneath halos of streetlight, drifting through the hum of the city, they wander—untethered, as if they’ve stepped out from the mist itself.
They move between moments, belonging everywhere and nowhere, with silk that whispers and leather that hums under the rain. Their steps hold no urgency, only presence—an effortless glide through spaces that ask nothing in return. The world softens here, where edges dissolve, and what’s familiar becomes strange, leaving room for those who fit nowhere yet belong everywhere.
They are neither this nor that, and in that freedom, they are everything—fluid as the rain, constant as the night. Wrapped in the half-light, they are a quiet ode to those who exist in-between: not a fragment, but a whole world, wandering and wild, made for these hours when reality loses its shape.
V Surreal
Viusals by Stéphane Marquet
Available Worldwide
Order on demand at www.vulkanmagazine.com/print DIGITAL
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WEBSITE
www.VulkanMagazine.com
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EDITOR IN CHIEF + CREATIVE DIRECTION
Stéphane Marquet
GUEST EDITOR
Isabela Costa
COLUMNIST
Anna Dória
FASHION DIRECTOR
Michael Fusco
PUBLISHER
Alexandra Tuil | Aleksandar Tomovic @BelloMediaGroup x @MaisonPrivéePr_La 8285 Sunset Blvd. Suite #1 / West Hollywood, CA 90046 Image Nation Studio L.L.C. California, USA
CONTENT DISCLAIMER
We would like to take a moment to emphasize that the content presented in this magazine does not necessarily reflect the opinions or viewpoints of the editorial team or the publication as a whole. Our aim is to provide a platform for diverse perspectives and voices, recognizing that opinions may vary widely on the topics covered.
Furthermore, while we strive to ensure the accuracy and reliability of the information presented, we cannot guarantee that all content is entirely free from errors or inaccuracies. We encourage our readers to critically engage with the material and to verify information independently when necessary.
Thank you for your continued support and understanding.
Surreal VULKAN
Nats Getty
Photographed by Shaun Vadella