‘You Go on Anyway’ Civil-rights veteran Lizan Mitchell stars in all-black production of ‘Skeleton Crew.’ By Don Maines
T
he main character in Dominique Morisseau’s dynamic drama Skeleton Crew is Faye, an out and proud
‹ Double Discrimination Lizan Mitchell says her character in Skeleton Crew, a union steward named Faye, endures an “extra serving” of prejudicial treatment because she is both black and gay. 90 | SEPTEMBER 2018 | OutSmartMagazine.com
lesbian. “No bones about it: she is not without flaws, but she feels good about being Faye,” says Lizan Mitchell, the Harlem-based actress who leads an all-black cast in the opening production of the Alley Theatre’s 2018–19 season. “She is really helping me open up to myself because of her courage to be who she is, unapologetically. Basically, she is okay with Faye,” Mitchell adds. Skeleton Crew premiered off-Broadway in 2016, but its setting is the break room of one of Detroit’s last automotive stamping plants in 2008. “The whole country was in recession at that time, and the auto industry was in particular peril,” Mitchell recalls. In a tight 90 minutes, loyalties are tested and boundaries are crossed among Faye, who is the union steward, two entry-level co-workers, and a tight-lipped manager, as rumors fly about the factory closing. Faye endures an “extra serving” of potential discrimination because she is both black and gay, as well as the oldest worker and oh-so-close to retiring with a pension. Mitchell, who is not gay, grew up in Greensboro, North Carolina, which she calls “one of the places at the center of the civilrights movement” in the 1950s and ’60s. She was just a youngster when, unescorted, she hopped on a bus leaving for the March on Washington in August 1963 and saw Dr. Martin Luther King Jr. deliver his famous “I Have a Dream” speech in front of the Lincoln Memorial. “Being politically aware was part of the lifestyle. It was normal,” she recalls. “When we marched for desegregation, almost the whole town went to jail. They were booking people in a building the size of a convention center.” Mitchell tells LGBTQ rights activists and allies that in the face of oppression, “You go on anyway. You do it with strength,
