PORTFOLIO
ARCHITECTURE | SELECTED WORKS | 2018 - 2021 | ÖZGE TAŞPINAR
RESUME
ÖZGE TAŞPINAR EDUCATION
ERASMUS [+] INTERNSHIP PROGRAM Collobration with Heri und Salli Architektur with 100% scholarship Vienna / Austria August 2019-2020 BACHELOR DEGREE IN ARCHITECTURE Graduated with high honor Kadir Has University Faculty of Art and Design GPA: 3,31/4,00 Istanbul / Turkey 2014-2019 HIGH SCHOOL DIPLOMA Adile Mermerci Anatolian High School Istanbul / Turkey 2010-2014
EXPERIENCE
HERI UND SALLI ARCHITEKTUR Internship-Junior Architect Vienna, Austria August 2019 - July 2020
ozgetpinar@gmail.com +90 0531 972 18 67
Istanbul/Turkey
SALACAK SEASIDE URBAN DESIGN Istanbul/Turkey | Competition | I.Prize
WORKS
w/ Rasa Studio
BAKIRKÖY SQUARE AND SURROUNDINGS URBAN DESIGN Istanbul/Turkey | Competition | Participant GOLDEN HORN COASTS DESIGN Istanbul/Turkey | Competition | III.Prize w/ Okta Atelier, Architecture
YOUNG ARCHITECTS COMPETITION ‘‘TREE HOUSE’’ Les Trois-Moutiers/France | Competition | Finalist Mension PEDESTRIANIZED STREETS URBAN DESIGN Usak/Turkey | Competition | I.Prize KRIEHUBERGASSE SPORT CENTER Vienna/Austria | Competition | Participant w/ Heri and Salli Architecture
SALON ARCHITECTURE Office Internship Istanbul,Turkey July 2018-October 2018 RASA STUDIO Office Internship Istanbul,Turkey May 2018-July 2018 ALSAR CONSTRUCTION MANAGEMENT Construction Internship Istanbul,Turkey July 2017-October 2017 GULTEKIN CONSTRUCTION MANAGEMENT Construction Internship Istanbul,Turkey May 2017-July 2017 FLAT OFFICE MODEL MAKING AND INSTALLATION WORKS Volounteer Istanbul,Turkey June 2016-September 2016
CINEMA PARADISO St.Pölten/Austria | Construction Project CINEMA PARADISO Baden/Austria | Construction Project SALTZWELTEN - TIMES AND TILES Salzburg/Austria | Competition | II.Prize Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Premier Adobe After Effects Autocad Revit Rhinoceros vray grashopper Lumion Sketchup Maya 3ds Max SolidWorks
+++++ +++++ +++++ +++ ++ +++++ ++++ +++++ +++++ +++ +++++ +++ + + ++++
SKILLS
Turkish English German
[Native] ++++ +
LANGUAGES
Professional
01/
Istanbul Salacak Se
02/
Young Architects C
03/
Co
Usak Pedestrianize Urban Design Com
04/
Saltzwelten Hallein
05/
Cinema Paradiso -
Academic
06/
[square] Music School For T Graduation Project
n t on e t
easide Urban Design Competition
Competition ‘‘Tree House’’
ed Streets Architecture mpetition
n - Salzburg/Austria
- Baden/Austria
Taksim t
1/
SALACAK URBAN PARK
SALACAK COAST DESIGN COMPETITION
Competition Project Equivalent Prize Fall 2020 Team Work Istanbul,Turkey w/ Rasa Studio Architecture Design
This project was one of the biggest and most important competition projects I have been in on an urban scale, so we worked as a team. On the seaside in ĂœskĂźdar / Salacak, one of the oldest and historical places of Istanbul; New and useful proposals were made on the urban scale based on the landscape and other spaces.
The project was awarded the Equivalent prize in the competition held by the municipality of Istanbul and was opened to public voting.
09.2020 w/ Rasa Studio Istanbul,Turkey
[8]
Professional
Özge Taşpınar
2018-2020
Salacak Urban Park /
Main Roads/ Transfer Center
Green Area
Transportation
Fountain square increases the life by producing an action surface (such as pier, beach, breakwater) and produces urban-rural minor foci. On the other hand, during the metropolitanization process of the city, the relationship between the Salacak city-coastal-water intersection was interrupted by the coastal embankment and then by the vehicle, and the minor foci were broken;
Silhouette Points / View Points
Fountain Square and Coastal In the urban-historical readings carried out on the area, at the points allowed by the characteristic topography in the cliff typology starting from Selimiye barracks to Şemsipaşa square; It has been observed that the cores of life begin with a fountain and articulate towards the sea. However, it has been determined that the movement opening to the shore with the
Professional Özge Taşpınar
touristic panoramic view axis. Thus, it has been observed that the coast has transformed into a transfer surface and a pure.In the approach to the field, re-activating the minor foci (harem bus station, stairs descending from the cliff embankment, landing pier and Şemsipaşa square) produced by the articulation that produces life by meeting the shore is considered as a design problem. Thus, the potentials
of coastal-urban life produced by the filling surface, which can be produced by combining the axis parallel to the shore with vertical architulations, has been investigated and the proposal has been developed in the context of this principle.
2018-2020
Coastline
[9]
[10]
Professional
Özge Taşpınar
C
PIER PLAN
K
2018-2020
Professional
Özge Taşpınar
B
A
K
2018-2020
HAREM PLAN
[11]
2018-2020 Özge Taşpınar Professional
[12]
PARTIAL LANDSCAPE FOCUS-1
PARTIAL LANDSCAPE FOCUS-2
The new green areas designed in the project have been combined with the existing green textures, and a green continuity has been achieved on the entire coast. The area has a rich structure in terms of landscape values. Existing parks, coastal and cliffs were increased by preserving existing trees. Open-closed, shadesun, green-hard ground proportions are balanced and designed for the disabled. The climatic and environmental values of the region were taken into consideration.
Places to be used in four seasons have been created. In the vegetative design, plant species suitable for the natural structure of the region have been selected. In addition to visual richness in vegetal design, it is aimed to minimize the negative effects that may arise in climatic and coastal use. The species used in the afforestation of the area have been evaluated in accordance with the fore-shore and back-shore typology and solution proposals have been developed.
Professional Özge Taşpınar
PARTIAL LANDSCAPE FOCUS-4
2018-2020
PARTIAL LANDSCAPE FOCUS-3
CITY ACTIVITIES
[13]
2/
LA LIAISON [LINK]
YOUNG ARCHITECTS COMPETITION / ‘TREE HOUSE’ Competition Project Finalist Honorable Mention Spring 2020 Team Work Les Trois-Moutiers, France w/ Ömer Faruk Demir,Meltem Çinar
This ‘Tree House’ project was a competition that aimed to create a shelter in nature and how human senses and other creatures could live together. With 3 sample castles and areas shared with the conditions of the competition, it was asked to develop a strategy on how the project will affect people and what benefits it will provide to the region.
It was also among the competition criteria for applicability and modularity. We were expected to design 2 treehouse variations. One of them should be smaller and the other should have been a design with sauna inside. In the design decision, one of them was associated with water and the other with the tree. The project was awarded the Finalist Honorable Mention.
06.2020 w/ 2 Group Member Les Trois-Moutiers, France
Professional
Özge Taşpınar
2018-2020
L a Liaison [Link] /
+/ la liaison
nature, habitat, interaction, retreat, ruin, adaptive, dynamic
[16]
A Man who lives in nature has always been in touch with nature throughout his life cycle, and has managed to live in nature. The close relationship of man with nature has gradually decreased with urbanization and has been replaced by daily activities such as a camp, picnic or trekking. As a result of the desire to be with nature and the feeling of peace,
the ‘Tree House’ typology has been added to human life and architecture.The tree house is a place of retreat and interaction that reconciles people with nature and makes them understand themselves. Man is retreated in the naivety of nature and finds peace and looks for ways to re-establish the interaction man lost against nature. In terms of architecture, the tree house is an experiential and a calm space that takes its structural strength from
Professional Ă–zge TaĹ&#x;pÄąnar
as the main inputs ofthe design. Man re-makes peace with nature, integrates and creates a new micro habitat.Since the cabins are designed by being affected by the existing elements in the given lands, all three lands can be used as project areas. Mothe Chandeniers was considered as the area that would highlight the design among the three lands and it was decided to study.
2018-2020
nature, nourishes it physically and visually. On all these ideas, la liaison project aims to design tree houses that rejuvenate the communication that people have lost against nature and to seek calmness. The main purpose in the established contexts is to provide maximum interaction with nature and natural elements (flora, fauna) and at the same time to obtain a retreat. Water, tree flora and large greenery, which are common elements of sites, are considered
[17]
2018-2020 Özge Taşpınar Professional
[18]
CROSS SECTION-1
CROSS SECTION-2
PLAN
PLAN
Design To add value to the historical ruins placed in nature, la liaison project aims to design the tree house cabins by inspiring the movements, feelings, interactions and patterns extracted from nature. While double-skinned façade system which is mimicking the natural movements creates a main living unit inside, it also creates dice and shelter membrane for the cabins with the secondary façade
system, and it allows to take the sun rays into the interiors in a controlled manner.
Professional Özge Taşpınar
construction is finished with the customizable panels. In The Interaction Cabin, the floors are formed with plates mounted on wooden beams. Then, as finishing stages, a facade as tensile structure, the inner circulation core and the customizable panels are added.
2018-2020
Construction The construction methods have similar stages in both cabins. For The Retreat Cabin, front frame, which is formed by connecting the etfe and wood rings to each other, is stretched to the main carcass system, and the cabin’s outer form is finalized. Then the vertical circulation unit is mounted on the main column. Wooden plates attached to the flexible rope system and the
[19]
2018-2020
[20]
Professional
Özge Taşpınar
SITE PLAN
INSTALLATION DIAGRAM
Structure The Retreat Cabin is built on a tensile structure and floor system based on the “swinging” movement. Each floor is mounted to the tension rope system and an swinging motion is obtained over the floor. This is also valid for the structural elements required to hang the cabin. The main façade system is stretched in the vertical plane thanks to the etfe material with flexibility, and the form takes its’ final stage.
Since The Interaction Cabin is a ground-pressing unit, it draws its strength from a rigid wood structure system. Although the main facade is rebuilt with a tension system, floors are connected to the main column with wooden beams and a suitable floor is prepared for the functions.
Professional
Özge Taşpınar
2018-2020
SITE SECTION
[21]
3/
DIALOG USAK
USAK PEDESTRIANIZED STREETS ARCHITECTURE URBAN DESIGN COMPETITION Competition Project First Prize Spring 2020 Team Work Uşak,Turkey w/ Ezgi Üzümcü, Nasibe Nur Dündar, Burak Arifoğlu
‘Street belongs to everyone That competition started and belongs to no one.’ with that spesific main idea, street should belong to Streets are two doors away everyone. In the end, that from living rooms and the idea brought First Prize. corridors of the city. It is the closest and most belonging public space we have.
05.2020 w/ 3 Person Usak,Turkey
[24]
Professional
Ă–zge TaĹ&#x;pÄąnar
2018-2020
Dialog Usak
The street is the commonplace of the city dwellers. It is the fundamental public space of the city, where both people who have a door opening to the street and the people passing through it have equal rights of use. When the solid mass boundaries of the built environment break and begin to offer opportunities for different users, the city itself begins to live with the people in it. When the citizen can have a say on the life of the city in this living city, he adopts his place.
Streets are two doors away from living rooms and the corridors of the city. It is the closest and most belonging public space we have.Cities are places where people interact as social beings. Even though the man was the creator of this space, over time he fell under the domination of the space he established and lost the hierarchy war they entered with the solid masses they built, the machines he designed, and the tools. Over time, he lost his environmental awareness.
Professional Özge Taşpınar
space by personalizing the space. The built environment should be able to meet existing and possible human needs. The city should be able to reorganize itself at the end of the change. In cities that are equipped with flexible structures, the borders established with the buildings become permeable, a new interface between the individual and the city is formed. The city comes to life and begins to live with its residents.
2018-2020
His dialogue with his environment weakened. In other words, space has a directing effect on human actions.Cities established by man, could not respond to the complex structure of the human being. While the individual can easily adapt to the changing conditions and produce new dialogues against the new conditions caused by the change, the built environment does not have this flexibility. However, the individual reestablishes his authority over the
[25]
2. FOCUS Exhibition space Play ground Rest Area Temporary Urban Furniture Temporary Space Setup /. Market Area / Car Park /. Open Cinema /. City Scene /. Meeting Area
3. F
2018-2020
1. FOCUS Water Square Playground Moving Amphitheater Exhibition Areas Observing Hills
[26]
Professional
Özge Taşpınar
This urban void, which is currently used as a parking lot, turns into a city market set up on certain days of the week. Interactive operation is envisaged with the sales areas on its periphery.
Design Person-space interaction provides primary control and continuity of public spaces. Flexible structures should be built to ensure the continuity of use of the space and to prevent the use of public spaces from being interrupted. As long as space does not meet the needs of the individual, it will be reconstructed and undergo a construction process.
This will cause both time and financial losses, as well as restricting the use of public space by the individual during the construction period. It interrupts the dialogue.With “Dialogue”, it is aimed that the spaces, which are designed to strengthen and maintain the communication, can always respond to the changing needs of the individual. Considering beyond a specific list of needs, functionally uncertain space with the realm of possibility and system suggestions
FOCUS Urban Stage Water Area Play ground Announcement Area
Professional
Tiritoğlu Park Tiritoğlu Park, located on İsmet Paşa Street, envisaged that Acun Street would serve as a welcoming point square. It connects with the 1st focus point with the continuity of the green tissue.
Özge Taşpınar
are presented. It is aimed for the users to direct and change the space in line with their needs. While creating flexible spaces, the need for privacy of the residents of the street was taken into consideration, but it was aimed to remove the street from the use of a certain group and serve the whole city.
Acun Street, which acts as a spine between Tiritoğlu Park and Meydan Park, and the streets which it connects are aimed to ensure the continuity of this green line This connection aimed to strengthen the communication with the built environment, nature and other people. The green spine running on the street shows fragmentation according to the ground floor usage functions.
2018-2020
STREET ACTIVITIES
[27]
2018-2020
FOCUS -2
[28]
Professional
Özge Taşpınar
FOCUS -1
The spine breaks down at the entrances of the shops operating in commercial, service and similar functions and apartments for circulation and service to function. Fragments define the entrances. In the potential areas of the street, the spine expands and forms secondary squares by breaks down completely. The part of the spine preserved on the street is shaped and located according to the functions of the building. In addition to the existing
structures of the street with the green areas designed along the street, the buildings and the street are connected with grass stones in order to ensure the visual continuity of the green and the continuity of circulation. The street cannot be considered spatially with its ground alone. In order to ensure the visual integrity of the street, to increase the readability of the urban space and to support the street functions; an interface with a width of 50 cm is
Professional
FOCUS -3
Özge Taşpınar 2018-2020
designed in front of the facade. Two rows of movable wooden structures can be used for various functions such as a table, seat, hanging unit, shelf. This movable and actively changeable structure, which clings to the facades of the shops, has the flexibility to meet the different needs of different shop owners. While serving the shop owners during the day, it also meets the needs of other users of the street.
[29]
2018-2020 Özge Taşpınar Professional
[30]
This system breaks the sharp boundary between private and public spaces for streets and creates a porous structure. Thus, the occupation of the street by the shop owners is prevented and a democratic usage program is created. Dialogue between street users improves. The flexible structure easily adapts to changing user needs during the day and in the distant future.
The street furniture set up along the street allows the renewal of the street setting due to its easy installation and combination details that work with different structures. These structures, built with box profiles, wooden laths and awnings, respond to the needs of the city by transforming into more advanced furniture in the focal points and potential spaces. It undertakes different functions such as street markets and promotional stands,
1.50 2.60
0.50
Professional
Çelik profil 10mm Ahşap 50mm
Özge Taşpınar
Demirsiz Beton 50mm
Çim taşı Dokuma Geotekstil membran Kum 25mm
Yer aydınlatması
Geçirimli taban mal. agr. no:57 Geçirimli taban mal. agr. no:2 Dokuma Geotekstil mebran (ops.) Sıkıştırılmış Zemin
lining of repetitions and exploration areas has been designed in a way that does not hinder the life of the street residents. Items of Furniture feed daily life practices. Direction signs, exhibition areas and billboards set up along the street strengthen the relationship of the street with other areas of the city. This set allows the management and navigation of the in-street experience. Signs and panels can be installed and removed. They are allowing for replacement.
2018-2020
open stages, revolving amphitheatre, play structures, exhibition areas. These types of furniture provide opportunities for the celebrations and events of the city. The street turns into a festival area by hosting various programs in its potential venues. Furniture placed along the street creates integrity as a network of repetitions. It turns the street into a continuous area of experience with exploration areas that disrupt this holistic language. The rhythm in the
[31]
2018-2020 Özge Taşpınar Professional
[32]
The street is where local identity is formed and maintained. This street is aimed to be the new focal point of Uşak. It has been considered to be a space design that is not only street residents but also all city dwellers will adopt and develop a sense of belonging. With the potential programs it hosts, it is aimed to host special days and events of the city and create a strong Uşak image. The design aims to nurture and revitalize the social life of the city of Uşak.
It is aimed that the design will contribute to the economic development of businesses located along the street and support the promotion of development projects of the city with various stands, panels and exhibitions.
Çelik C profil 50x50x5mm Dişli kutu profil
Dişli tabela plakası Geçmeli Tabela
Açılır-Kapanır Tente Sistemi
Dişli tabela plakası
Çelik C profil Ø10mm çelik boru profil menteşe
Karışımlı dökme beton Genişleme Derzi Fuga Galvaniz Izgara 20mm Polimer Beton Drenaj Kanalı B25 Beton Tabaka Sıkıştırılmış Zemin
Slim Ground liner 750
Professional
Geçmeli Sac örtü levhası RAL 1013 320x594x6mm
50x50x5mm çelik kutu profil Izgara Kapaklı Drenaj Kanalı
CROSS SECTION
PLAN DETAIL
Özge Taşpınar 2018-2020
URBAN FURNITURES
[33]
4/
SALTZWELTEN
SALZBURG MUSEUM AND SALT MINE, RENOVATION PROJECT Competition Project Second Prize Summer 2019 In-Office Work Salzburg,Austria w/ Heri und Salli Architektur
The project came second in the competition for the redesign of the Hallein Salt Mine. Both the aboveground visitor center (above ground) and the underground salt mine (underground) were the subject of the task.
A combination of structural and media redesign of the entire facility was proposed under the motto “The salt mountain is calling�.
08.2019 Heri und Salli Architektur Salzburg/Austria
[36]
Professional
Özge Taşpınar
2018-2020
S altzwelten Hallein/
Just as the salt was mined from the mountain and brought to the near and far land, so the new visitor center rises from the mountain and offers visitors a staged view of the Salzach valley landscape below.The day is reserved for the experience of the visitors, in the evening “salt dinners”, small events, symposium, music or theater performances can be held and thus give the unique location additional added value.
If it is “above day” the distance of the landscape that comes to the fore, “below day” the depth of the earth and the materiality of the salt are decisive. The aim was to create a spatial, temporal and historical overall concept through a thematic tour of the visitor, which unites worlds layered on top of each other: ancient and modern, underground and surface mining, land and city come together in the salt worlds.
Professional Ă–zge TaĹ&#x;pÄąnar 2018-2020
The materiality of the architecture and the staging of the materiality can thus reconnect elements from the most varied of epochs, styles and worlds - the mountain itself functions as a medium for this.
[37]
C
C INFO TICKETK ONTROL LE
Restaurant 54 Sitzplä tze
Beamerpräse ntation
Foyer
WC H 13 m2
WC D 19 m2
Verkaufsflä che 151 m2
Büro/Lage r 33 m2
Wartebe reich 183,47 m2
Lager 50,09 m2
B
Ölkammer 8,82 m2
Kassa 25 m2
Lager 15,28 m2
Mitarbeit erbereich 128,63 m2
B
WC D 16 m2
Lager 118,82 2 m
Technik 11,91 m2
C
C
2018-2020
WC H 19 m2
N 0 1 2
5
10
A 5
10
N A
GROUND FLOOR
[38]
Professional
Özge Taşpınar
1.FLOOR
In the project, starting from underground, the designed spaces begin to change as they approach the earth. While the underground spaces create a darker and softer perception, they turn from traditional to a modern perception as they get closer and higher to the earth. Similarly, the functions of the spaces evolve from the format of the museum, historical area and cave to functions such as cinema, cafe and meeting areas.
B
B
0 1 2
C
C Lager 25 m 2
C
UNDERGROUND
Professional
C
Lager 25 m 2
-2.FLOOR
Özge Taşpınar 2018-2020
[39]
2018-2020 Ă–zge TaĹ&#x;pÄąnar Professional
[40]
The traditional salt mine, which has come from the past, transforms by preserving certain parts of the structure and begins to offer new possibilities. While taking the visitor around, it aimed to have both salt production and history and a thematic museum tour.
Professional
UNDERGROUND
Özge Taşpınar
2018-2020
ABOVE THE GROUND
[41]
5/
CINEMA PARADISO
RE-DESIGNING A CINEMA BUILDING [RENOVATION PROJECT] Construction Project Winter 2019 In-Office Work Baden,Austria w/ Heri und Salli Architektur
This special project was requested by the owner of the building and the cinema to maintain certain common tradition and offer new possibilities. The main purpose was that people could come and go without breaking their habits in the city of Baden, where the building and the established cinema culture are located.
For this reason, the process of redesigning the building started with long analyzes and everything to be protected or reused was determined. Some new movie theaters and foyer areas have been proposed to make the user comfortable. Permits were obtained to realize the project later.
10.2019 Heri und Salli Architektur Baden/Austria
[44]
Professional
Özge Taşpınar
2018-2020
C inema Paradiso/
Design The architectural appearance of the new roof structure is based on the one hand on the existing Cinema Paradiso - the new dome-like hall follows the circular shape of the existing dome and builds on it. On the other hand, there is the consistently gable-like roof landscape of Baden city center.
The material reference to the urban environment and the compression at the location of the Cinema Paradiso should be reflected in the functionality of the building as a cross-location, cultural attraction. Following the shape of the outside, the new hall should also create a dome-like space inside, which meets the current acoustic requirements of a contemporary event and performance hall.
Professional Özge Taşpınar 2018-2020
For the Cinema Paradiso in Baden, an additional event room is to be created in the top floor area with the option of a roof terrace, connected to a restaurant and subsequently generally accessible. For this purpose, the existing dome is to be removed and replaced by a new, also again dome-like, construction, following the building regulations.
[45]
[46]
Professional
Özge Taşpınar
2018-2020
Professional
1.FLOOR PLAN
Özge Taşpınar
2018-2020
GROUND FLOOR
[47]
[48]
Professional
Özge Taşpınar
2018-2020
Professional
2.FLOOR PLAN
Özge Taşpınar
2018-2020
ROOF PLAN
[49]
[50]
Professional
Özge Taşpınar
2018-2020
TERRACE
TOILET HALL 3
Professional
PROJECTION ROOM
HALL 2 CLOAKROOM HALL 1
BAR
Özge Taşpınar
TOILET
OFFICE CAFÉ/ RESTAURANT
2018-2020
AXONOMETRIC DIAGRAM
[51]
6/
SPACE [SQUARE]
MUSIC SCHOOL FOR TAKSIM / RE-THINKING A PUBLIC SQUARE IN MASTER SCALE Graduation Project Spring 2019 Individual Project Kadir Has University Istanbul,Turkey Instructors Dr. Birge Yıldırım Okta | birge.okta@khas.edu.tr Ahmet Özgüner | ahmet.ozguner@khas.edu.tr Dr.Fatmagül Aslaner Gencoğlu | fatmagul.gegeoglu@khas.edu.tr Asst. Dr.Gürbey Hız The starting point of the project proceeded through the question of the continuity of the flow determined in the master plan scale and the question “What is the square?” This problematic situation arose with the existence of various restrictions and obstacles, and created interruptions on the crossing points.
The aim of the project is to strengthen the existing transition and to propose a new meeting area by researching the concept of the square. Also designing a music center which is near by and connected the square with music.
05.2019 Graduation Project Taksim/Istanbul/Turkey
[54]
Professional
Özge Taşpınar
2018-2020
S quare /
Taksim square and its surroundings are one of the most important locations in the country and the city. Therefore, when starting the project, it was started by making researches on various layers. With most of the data in the historical background of the taksim, as well as the still existing political and sociological situation, it showed that this memory should not be viewed from just one side. People’s tendency to be commune, which started with football matches,
later turned it into a place of action and protest, giving it a psychological sense of freedom. The Gezi events and all political and political activities that emerged afterwards played an important role in the emergence of social consciousness, that the public should have a say in terms of discussing the square and producing more useful solutions. Despite these, some wrong productions and restrictions made the square a pile of concrete and the use of people in
Professional Özge Taşpınar
this square decreased. Apart from all these, with the demolition of the AKM building, discussions began about what would happen to the “wide facade overlooking the Taksim”, which brought a lot of discussion. First of all, Maçka and its surroundings were also included in these analyzes. It was observed that human circulation could not continue and there were many obstacles. Together with the level differences in the field, it was investigated how
INTERRUPTIONS FROM SITE
to handle these situations. Basically, continuity and permeability were taken as a basis and this was done on some principles.While making the main decisions, 3 different structures and the transitions between them were studied and then plan schemes were created in which all transitions and buildings interlock and intertwine. This interlocking situation was studied through certain relationships between wall and water prototypes.
2018-2020
URBAN CLUSTERS
[55]
1.Step
2018-2020
2.Step
[56]
Professional
Özge Taşpınar
3.Step
4.Step
Although the concept of ‘wall’ is actually a holistic ‘obstacle’ perceived at the beginning, it was used as an architectural element that guides us, provides continuity or divides it in this project. The plan scheme was started to be fitted with 2 main artery and 1 line dividing this artery.
Professional
Özge Taşpınar
Site Plan
2018-2020
Elevation From Square
[57]
[58]
Professional
Özge Taşpınar
2018-2020
Professional
±0.LEVEL (+83) GROUND LEVEL 1-RECORDING ROOMS FOR RENTING 2-INSTRUCTORS ROOMS AND SECRETARY
Özge Taşpınar 2018-2020
Entrance and Foyer of Main Music Hall
[59]
2018-2020 Özge Taşpınar
+5.LEVEL (+88)
[60]
Professional
Second Entrance From Back Street
However, the canopies, walls and ground relationship allowed these reflections to occur. The project establishes its bond with ‘Taksim’ through this circulation. The resulting shortcuts began to build with side streets connecting their heights. The landscape arrangement and the extension of the canopies through the spaces enabled the project to establish a direct relationship with the square.
Professional
+12.LEVEL (+95)
+9.LEVEL (+92)
Özge Taşpınar
Main Hall Foyer
Main Music Hall
2018-2020
[61]
2018-2020
-10.LEVEL (+73)
Özge Taşpınar
1-SOUND RECORDING ROOM 2-ENSTRUMENT ROOM 3-OFFICES 4-BACKSTAGES 5-ARTIST ROOM 6-CAFE/FOYER 7-STORAGE
[62]
Professional
Transition Between Two Building
The simplicity of this material and the stillness of water define spaces with high potential when matched with the concept of music. However, there are openings deliberately left in some parts of the building. These gaps were left so that someone outside could hear the feeling of the music during the concert or training. At the same time, it was tried to be noticed by the presence of water that sound waves are forces that do not disappear in the air.
Professional
-6.LEVEL (+77) 1-ATELIER AND CLASSES 2-MUSIC CHIOR ROOMS 3-PROJECTION ROOMS 4-STORAGE
-3.LEVEL (+80) 1-MEETING ROOM AND OFFICES 2-STORAGE
Özge Taşpınar
Entrance From Main Street
Foyer
2018-2020
[63]
Thank You ozgetpinar@gmail.com +90 0531 972 18 67 Istanbul/TURKEY
