+90 05319721867 ozgetpinar@gmail.com ozgetpinar@hotmail.com ISTANBUL/TURKEY
NAME
ÖZGE TAŞPINAR
BIRTH DATE 10.05.1996
BIRTH PLACE İSTANBUL
SITE PLAN
A
C
C’
B
B’
D’
D
A’
“THE CINEMA – (THEQUE)”
In the project, I started to concentrate on the strength of the light. I questioned the effect of light in space through its power concept. a virtual force with specific push and pull forces determines the organization in the field. This organization is starting to emerge from the underground under the pressure of the subway shows itself in the pr field. the focal point that is produced as a result of this gush brings the functions of pulling force all over the area. Within this organization, some public and private areas are questioned about the concept of force. These forces show upward leaks for underground as shown in the model. However, in the places close to the focal point and walls, we see the pulling forces in underground and on the ground when the thrust is applied. The underground and the ground are starting to move. In another model and diagrams, it shows diag how this fragmentation is combined with circulation and third dimension. Spaces are rising as they approach the focus point. However, in public areas, we see fragmented walls. All of these can be an open-air museum with separate typologies but also into in open-air cinema. As seen in the model, large areas rise, smaller and fragmented areas, semi-public areas can be lower. Without identifying any entrance, getting people from one end to the other without realizing the public and private distinction is the purpose here.
ROOF
+25
RESTOURANT TERRACE
+20
LABROTORIES WORKSHOPS
+15
CINEMA C 150 PERSON CAPACITY’S CLASSROOMS
+10
ENTRANCES INSTRUCTORS ROOMS
+5
TICKET SALES +3 GIFTSHOP
CINEMA HALL B 300 PERSON CAPACITY 0 ARCHIVE ENTRANCE
FILM KIOSKS -2 AND CAFE
LIBRARY -5 FOYERS ARCHIVE’S DOWN STAIRS.
CONTEMPORARY AND PERMANENT MUSEUM -8 CINEMA A 600 PERSON CAPACITY
CIRCULATIONS
POSITIVE SPACE
POSITIVE SPACE
NEGATIVE SPACE
NEGATIVE SPACE
-8.LEVEL
-5.LEVEL ARCHIVE
-5
-8
CINEMA A 600 PERSON
-8
SMALL CINEMA HALL’ FOYER
-8
-5
PERMANENT MUSEUM
-8
SMALL CINEMA HALLS SPECIAL FILMS
-8
-8
TEMPORARY OPEN AIR MUSEUM
-5
OPEN AIR RESTING STAIRS
PERMANENT MUSEUM LIBRARY
ŞIŞHANE METRO STATION UNDERGROUND PLAN CAR PARKING -12.LEVEL
-16 AND -20 LEVEL
-5 -2
0
-8
-8 -12 -16 -20
SECTION A-A’ 1/200
-2
-8
-8 -5
-5
-5
+3.LEVEL
-8
0
+5
+5.LEVEL
OPEN TO BELOW
+1
ENTRANCE LOBBY
-8
-12
-16
-20
SECTION B-B’
+5 +1 0
-8
SECTION C-C’
SECTION D-D’
+25
CONCRETE FLOOR 50 CM ROCK WOOL STEAM BREAKER AQUAPANEL HEAT AND WATER INSULATION ROCK WOOL FLOOR STRAIGHTENING SCREED
1/10 Facade Glass Detail
+20.50
+15
CONCRETE FLOORS 50 CM STRAIGHTENING CONCRETE 10 CM
0
LIQUID SURFACE HARDENER
CONCRETE FLOORS 50 CM STRAIGHTENING SCREED 40 MM THERMAL INSULATION STEAM BALANCING LAYER WATER INSULATION SEPARATING LAYER - GEOTEXTILE STRAIGHTENING SCREED 30 MM POLYURETHANE COATING
VENTILATION VACUUM ABSORBENT VENTILATION VACUUM ABSORBENT
-8
BACK FACADE ELEVATION
FRONT FACADE ELEVATION
OR MA
BEC EXT TRA
RIGIN AIN POINT
COMING HAVE AN TENSION IN ANSMITTER SPACE
“ BACK TO FACTORY DEFAULTS!’’ NESTLE CHOCOLATE FACTORY
WEAVING FACTORY ADVERTISING COMPANY
KENT CANDY AND GUM FACTORY PRIMARY SCHOOL
BOMONTI OLD BEER FACTORY
Looking at historical data in the region, it is seen that a serious and large production plantation is required. From this point of view, we can see that this production, which we have already seen before, has a serious effect on human life. What do we see right now? The traces we see, the ruins factory, the buildings used for different functions, the reuse of the bomonti which takes its name from the beer factory, shows that the region actually wants to use the existing one that respects the existing one. This remanufacturing idea comes as the main material of the project. It differentiates the function of protecting what ma exists and leads to the concept of 'recycling'. When reuse is actually thought of as recycling, there is an upcycle situation that is similar to what we see here but different from it. This plays a role in the functioning of the existing one. Beyond these, there is also the situation of exhibition and showing the factory life here. On the other hand, the dynamic and variable we are watching comes up against. Could there be a moment in the world of production, where we feel we are following this?
‘’We produce ourselves from the power production’’
KAZOVA TEXTILE ACTS topkim pharmacy factory nestle chocolate factory organic chemical factory sanofi pharmacy factory feriköy nail factory tile factory yargıcı factory old beer factory
OLD FACTORY AREAS, ARE USED TO STOREHOUSE SINCE FEW YEARS NEW INDUSTRY AREAS
DEMOLISHED FACTORIES TRACES
GROUND FLOOR PLAN
LIBRARY CAFE
OFFICES
A-A’ SECTIO
1.FLOOR PLAN
B-B’ SECTIO
2.FLOOR PLAN
CAFE/BREAK POINT
C-C’ SECTIO
USER TRANSITIONS OUTDOOR ACTIVITIES HUMAN DENSITY FLOW FACTORY CIRCULATION
WAREHOUSE
D-D’ SECTIO
KADIR HAS UNIVERSITY ALTERNATIVE SPACE ‘‘UNCHARTED’’
PERSONAL STUDIES -GRASSHOPPER WORKS -ANALOG PHOTOGRAPHY
THANK YOU!