SELECTED WORKS ANNA JULIANA PAJULO
SELECTED WORKS
ACADEMIC PROJECTS
Tampere Museum of Art Kotisatama - the characteristics and possibilities of floating homes
PROFESSIONAL WORK
Guggenheim Helsinki UC San Diego Franklin Antonio Hall UCSD FAH Custom Donor and Code Signage
OTHER WORKS
Architecture in Photography Furniture Design Studio
CONTACT
TAMPERE MUSEUM OF ART TAMPERE, FINLAND 2012
studio project
This project provides new exhibition spaces for three museums in Tampere: Tampere Museum of Art, Sara Hilden Museum and the Moomin Museum. The site is a currently underutilized large public square located in a historically delicate urban environment in the city center of Tampere. The goal for the project is to connect the proposed extension with the surrounding urban structure as well as existing spaces for the Tampere Museum of Art located on the site. The old museum is protected by code, so any major changes to the building are prohibited. The design draws inspiration from the famous moomin characters created by the Finnish children’s book author Tove Jansson. The design limits the visible structures to the minimum to preserve the existing public square, even further defining the space. Three softly sloping, cone-like structures push through the ground layer, each containing a single function that requires either daylight or street level access, i.e. the main entrance, the museum cafe and the administrative spaces. The exhibition spaces themselves are located underground, connected to the existing museum. Instead of museumspecific galleries, the museums share one large space that can easily adapt to house exhibitions of various sizes and scales. Only the Moomin museum has its own space, since their exhibition is permanent. The spatiality is concentrated in one location, but shared by two spaces. The entrance and the main exhibition hall are both located in and underneath the largest cone. These two spaces, divided by a sloping wall, are simultaneously connected and separated, visually and physically. The main structures are site-cast, reinforced colored concrete. On the interior the walls function as a neutral backdrop for the art, while on the outside they compliment the strong architecture, allowing the building to both blend in and stand out.
HAKATU
PUUTAR
4.
3. 5.
6.
1. 2.
PIRKANK
ATU
ground floor
1. Main entrance 2. Museum Cafe 3. Administration 4. Delivery/underground parking 5. Existing museum 6. Museum square/outdoor stage
Three softly sloping, cone-like structures push through the ground layer, each containing a single function that requires either daylight or street level access:
1. main entrance 2. museum cafe 3. administrative spaces
Below street level, the main floor houses the exhibition spaces for all three museums, the archives, auditorium and workshop spaces, connecting the existing galleries with the extension from underground. The open floor plan adapts to a large variety of setups for art installations of different type and scale. The cone structures extend down from above the ground, creating free-form, high ceiling gallery spaces lit by indirect daylight.
Below the main floor is an underground garage, shared by the museum visitors and the local music academy across the street.
The spaces above ground level are opened to different directions depending on the daylight and the views they call for. The main entrance opens north-east, giving the entering visitors a view of the old museum and providing the gallery spaces below with indirect daylight. The cafe faces the Pyynikki square and the music academy across the street, interacting with the street level and the people passing by. Lastly, the administrative spaces open towards the historical Amuri block and the more quiet street Puutarhakatu, providing indirect daylight and a more secluded entrance for the staff.
12.
13.
9.
10. 8.
7.
11.
main floor
7. Foyer 8. Main Exhibition Hall 9. Exhibition Hall 10. Moomin Valley 11. Museum library/archive 12. Storage 13. Existing exhibition spaces
transverse section
KOTISATAMA: THE CHARACTERISTICS AND POSSIBILITIES OF FLOATING HOMES TAMPERE, FINLAND 2015 Thesis project
My thesis project Kotisatama - the characteristics and possibilities of floating homes investigates the emergence, development and current state of floating homes on both global and national scale. Floating homes have only recently been introduced to Finland, which has no significant tradition in building on water. Because of this lack of tradition the regulations concerning floating homes are often insufficient. This has resulted in a monotonous selection of apartments and somewhat stiff design solutions on an urban scale. In order to both reinvent and maintain the building traditions and the culture of the floating home communities, the background research is used to define the existing forms and typologies and the differences between a floating home and conventional housing. These idiosyncrasies are then considered in examining the potential of floating living in both urban design and housing design. The conclusions based on the research are brought to life in a more general design scheme that combines the modern building techniques and urban development issues with the traditions of living on water. The thesis presents one possible approach to designing floating homes to serve a basis on general design guides for floating homes in Finland. The typologies and idiosyncrasies are applied in the design in the form of e.g. prefabricated apartment modules and raw space design. The proposal consists of several, concept-level variations on a single module, creating a selection of apartments of different sizes and qualities. The variations are comprised as combination of three main factors (programmatic layout, number of floors and cross section). The apartment modules are designed to adapt with the residents’ life cycle and can be easily converted to different uses such as work space, office or even a summer house.
To limit the costs and ease the pre-fabrication process, the size and location of windows and other openings is limited to specific areas on the building mass. The shapes or sizes of the openings are not fixed, and the appointed areas can even be entirely glazed if desired.
The main openings are on opposite ends of the building mass, facing the water and the access pier. The secondary openings are along the long sides of the building, slightly misaligned to maintain privacy and avoid direct views from one building to the next.
Like the apartment module, the floating platform is prefabricated. All water, sewage, electrical and heating equipment can be installed in the platform, and later on accessed through maintenance hatches in the floor. The building is connected to the water, sewage and electrical lines by a single flexible connection. Additionally solar panels are installed
on the roof to provide environmentally friendly and cheap energy to the residents. Any excess electricity produced can also be fed back to the electrical network. The floating home can also be equipped with septic and water tanks as well as a generator to further increase the mobility of the floating home.
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All aligned
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In the single-floor solution, some floor space has been saved by integrating a murphy bed in the storage wall. In the next variation, the slightly higher ceiling leaves room for a small sleeping or working loft above the entrance and the bathroom. In the two-floor solution, the downstairs remains a more public area while the upstairs is dedicated to bedrooms, making it well suited for both small families and roommates.
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This layout variation is based on a single storage unit that spans th entire length of the apartment, containing all necessary closets and shelf space for the living area, the kitchen cabinets, a work area etc. This leaves the majority of the plan open and free of fixed furniture, allowing the space to be furnished and utilized in a number of ways.
II tekn.
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Bundled up
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The loft version has a larger sleeping space above the bathroom and kitchen area, as well as more storage and shelf space along the entrance wall. The stacked version has a more sizable living and dining area downstairs and bedrooms and/or studies in the upper floor.
tekn.
tekn.
This layout variation groups the kitchen with the bathroom, leaving a variety of options to arrange the living space. The smallest variation has a secluded alcove for sleeping, separated from the entrance by a shelf. The remaining space has enough room for a full dining table and a small living area.
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GUGGENHEIM COMPETITION ENTRY HELSINKI, FINLAND 2015
position: phases:
design staff pursuit
Guggenheim Helsinki was a prospective open architecture competition organized in 2015, by the Guggenheim foundation and the city of Helsinki, to invite prospective designs for a new art museum on a site located in the Etelasatama area of downtown Helsinki. The entry was completed in four weeks and included a team of two (myself and the principal). Thasic concept takes inspiration from the organic shape of a seashell and the surrounding seascape, as well as the iconic interior space of the Guggenheim NYC. The program concept is organized aroung a full height central exhibit space, with the surrounding shell-like massing slowly curls around the center space, and lifts off the ground spiraling around eventually terminating at a vista towards the harbor. A spiraling walkway climbing along the interior of the shell massing brings the visitor up through the building, providing access to additional exhibit spaces and auditoriums and opening views out to the water and the city along the path. At the ground floor, the main entry pulls the people in from the waterfront and underneath the sloping overhang above, giving a glimpse into the main exhibit space. Directly off of the main entry, the ground floor features the reception/ ticketing counter, a cafe space with a large patio facing the water, a museum shop and a double-height conference space with flexible seating to host a variety of events. From the ticketing counter, the ramp leads the path to the upper level galleries, each featuring filtered views towards different parts of the surrounding cityscape through the perforated exterior shell. A formal restaurant is located directly above the main entry, with vistas over the water and Katajanokka peninsula. Moving up, past the administrative quarter the path leads to the final seaview gallery, featuring full height views towards the open waters. The exterior of the building consists of a pre-fabricated, custom perforated panel system. The lacy exterior gives the overall massing a cohesive, veil-like appearance that shifts expression from daytime to night, while as well as providing controlled daylight into, and allowing views out of the exhibit spaces.
+9.100/ +12.100
GALLERY 2 510 m2
GALLERY 3 440 m2
+9.100
+12.100
+6.100/ +9.100
+11.100
RESTROOM
GALLERY 200 m2
RESTROOM GALLERY 7 / ATRIUM 950 m2
+10.100
+6.100
+2.400
+9.100 +2.750 +2.100
GALLERY 1 400 m2
MAIN ENTRANCE
+3.100
LOADING DOCK
LOBBY
VISITOR SCREENING/ BAG CHECK
+3.100
CAFE 200m2
+2.100 UNCRATING / STAGING 50 m2
TICKET/ INFO DESK 20 m2 STORAGE 55 m2
ART STORAGE 100 m2
+3.100
STORAGE 10m2
COAT CHECK 63 m2
LOCKERS SHOP 170 m
2
RESTROOM
GREEN ROOM
UN D L .1 0 0 EVE L
RESTROOM
LANDSCAPE & GROUNDS MAINTENANCE EQUIPMNET 25 m2 REGISTRAR, CONSERVATION, EXHIB. DESIGN & SUPPLY, TECH. OFFICES EQUIPMENT & 30 m2 SEASONAL FURNITURE STORAGE 40 m2
CATERING PREP./ STAGING AREA
STORAGE
+2.100
STORAGE 53 m2
CONFERENCE HALL 315 m2
G
RO
SHARED ART PREP/ CONSERVATION STUDIO & EQUIPMENT STORAGE 70 m2
DRESSING ROOMS
+3
CRATE STORAGE 50 m2
A S S I G NE D A R E A S
E X HIB IT IO N PROGRAMS AN M UL T I- P UR P O S E V ISIT OR SE R V IC RE T A IL D INING O F F IC E S C O L L E C T IO NS S M A I NT E NA NC E
MID LEVEL + 6 . 10 0
CUSTODIAL OFFICE 20 m2
MULTIFUNCTIONAL CLASS ROOM / LABORATORY 70 m2
IT SERVER, WORKROOM, STAFF OFFICES 36 m2 EDUCATION OFFICES 30m2
SECURITY OFFICE/ CONTROL ROOM 27 m2
SHOP 55 m2
1.
LOCKER ROOM 13 m2 LOCKER ROOM 13 m2
TECHNICAN OFFICE
TRANSLATION BOOTH
CONTROL ROOM
PROJECTOR BOOTH
FORMAL RESTAURANT 145 m2
E X HIB IT IO N C IR C UL
+6.100
STAFF LUNCH ROOM / LOUNGE 70 m2
F L O O R PL A N, L O W E R L E V E L 1: 3 0 0
STROOM
+18,100
GALLERY 5
GALLERY 1 STORAGE
+12,100
+12,100
GALLERY 6
GALLERY 3
+6,100 +3,100
GALLERY 7/ATRIUM
CROSS- SE CT ION
WA Y U P WAY D O W N GA LLERY ORDE
G H- 3 8 5 8 0 6 2 7 8 0
V IE W F R O M SL O P E T O T HE A T RIUM GA L L ERY, INT E R IO R SUR F A C E S MA T T V A R NISHE D C O NC R E T E
2.4
O UT S ID E V IE W F R O M K A UPPA T ORI, G H- 3 8 5 8 0 6 2 7 8 0 G U G G E N H E I M HE L SINK I D E S IG N C O M P E T IT IO N
G U G G E N H E I M HE L SINK I D E S IG N C O M P E T IT IO N
0
2.8
G
WORD
+ 6 . 10 0
STORAGE
ADMINISTRATIVE OFFICES 126 m2
MARKETING & DEVELOPMENT OFFICES 100 m2
G U G G E N H E I M HE L SINK I D E S IG N C O M P E T IT IO N
SHARED WORK ROOM 35 m2
+15.100/ +18.100
COPY ROOM & FILE STORAGE 18 m2 CONFERENCE ROOM 34 m2
SEA VIEW GALLERY 6 620 m2
CURATORIAL, EXHIBITION DESIGN, PUBLICATIONS, ARCHIVIST OFFICES 110 m2
+18.100
CONFERENCE ROOM 40 m2
+15.100
RESTROOM
+12.100/ +15.100
RESTROOM
GALLERY 5 290 m2
+12.100
+9.100
G H- 3 8 5 8 0 6 2 7 8 0
KITCHEN 420 m2
FORMAL RESTAURANT 145 m2
GALLERY 4 630 m2 RESTROOM
A S S I G NE D A R E A S
RESTROOM
E X HIB IT IO N P R O G R A M S A N D E V E NT S M UL T I- P UR P O S E Z O NE V ISIT OR SE R V IC E S RE T A IL D INING O F F IC E S C O L L E C T IO NS S T O R A G E A N D M A N A G E M E N T M A I NT E NA NC E A N D O P E R A T IO NS
2.
E X HIB IT IO N C IR C UL A T IO N
1.
S
7.
WA Y U P WAY D O W N GA LLERY ORDE R
NE D A R E A S
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3.
F L O O R PL A N, UP P E R L E V E L 1: 3 0 0
CRO
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1.
X HIB IT IO N R O G R A M S A N D E V E NT S M UL T I- P UR P O S E Z O NE ISIT OR SE R V IC E S E T A IL D INING O F F IC E S C O L L E C T IO NS S T O R A G E A N D M A N A G E M E N T M A I NT E NA NC E A N D O P E R A T IO NS
2.
4. 6.
3.
T IO N C IR C UL A T IO N
7.
WA Y U P WAY D O W N GA LLERY ORDE R
5 4
1. KITCHEN GALLERY 4
LOBBY
OFFICE
OFFICE
COAT CHECK
GREEN ROOM
L E NG HT W IS E S E C T IO N 1: 3 0 0
GALLERY 5
SLOPE
+9,100 +6,100 +3,100
SHOP
STORAGE STORAGE
G
STUDIO & EQUIPMENT STORAGE
CRATE STORAGE
4.
ART STORAGE
TECHNICAL
+15,100
OFFICES
+12,100 +9,100
1
GALLERY 1 CONFERENCE HALL
5.
+19,600
GALLERY 2
+6,100 LIFT & STAIRS
WORD +3,100
+2,100
G H- 3 8 5 8 0 6 2 7 8 0
G U G G E N H E I M HE L SINK I D E S IG N C O M P E T IT IO N
UC SAN DIEGO FRANKLIN ANTONIO HALL LA JOLLA, CA 2016-2021
Franklin Antonio Hall is a new interdisciplinary engineering building for Jacobs School of Engineering, located at the north end of the campus. he project was acquired by Perkins&Will through a multi-phase interview process with the University in May 2017, and is currently scheduled to open for classes in March 2022.
position: phases:
The building will house thirteen cutting edge, flexible research spaces, known as ‘collaboratories’, for joint research opportunitites for the engineering school and the industry partners. The project also includes several classrooms, a large auditorium, several smaller collaboration spaces, a student maker space with direct outdoor access and a cafe with a large patio overlooking the surrounding ravines.
design staff pursuit, programming, SD, DD, CD, CA
Aligned with the University’s sustainability and environmental goals, the building is currently on track for LEED Platinum certification, and includes restoring a large portion of non-irrigated, canyon-native landscape around the site. As the heart of the building program, the collaboratories have been designed for current needs as well as flexibility for future tenants and evolving technologies. Each Collaboratory includes multi-functional flexible laboratory space, staff and graduate student work areas, faculty offices, informal collaboration zones including internal meeting/conference spaces. Structural bay spacing for the collaboratories is based on commonly accepted laboratory planning modules of 10’-6” supporting modular movable lab casework and equipment. The planning grid is bidirectional (north-south and east-west grid directions), allowing further flexibility in the baseline design and future suite planning. To support the flexible layout and future flexibility, each collaboratory comes fitted with a kit of parts. The kit of parts includes mobile casework and lab work tables, ceiling service panels with power and data connections, lab sinks, emergency showers and a baseline single pass HVAC system.
The building site is surrounded on three sides by an ecological reserve. All site development has been coordinated and aligned with the strict requirements of the California Coastal Commission and local wildfire mitigation regulations, providing a continuous area for ESHA (Environmentally Sensitive Habitat Area) around the site perimeter.
PARTI
PARTI
CANYON + CAMPUS CANYON + CAMPUS
PARTI
PARTI
CANYON + CAMPUS CANYON + CAMPUS
FRONT DOOR FRONT / ENTRYDOOR / ENTRY
SITE CIRCULATION SITE CIRCULATION
TDRB PRESENTATION CONCEPT PRESENTATION | MAY 2, 2018| MAY 2, 2018 FRONT DOOR FRONT / ENTRYDOOR / ENTRY
TDRB PRESENTATION CONCEPT PRESENTATION | MAY 2, 2018| MAY 2, 2018
The building massing takes advantage of the unique location offering the views from all collaboratories toward the campus or the surrounding ecological reserve. Main entries are strategically located to connect with the main campus and continuing the outdoors into the atrium, while the site provides programmed outdoor space for activities and connection between interior and exterior programmatic activities. The building massing consists of two bent bars that house the collaboratories, proportioned per the golden section and connected in the center by a 4-story glazed atrium. The atrium space connects the collaboratories both visually and physically, fostering collaboration and extending engagement beyond the boundaries of the research spaces. From multiple vantage points within the atrium, visitors, students and faculty will be able to look around and see the diverse array of 8 research in8process within technology and the building.
ESHA BOUNDARY ESHA BOUNDARY
8
8
large collaboratory small collaboratory
collaboration/ support
fire lane
CEILI HEIG
9' - 0" AFF
B4
BA
SIM XX A-XXX
B3
C5
D1
B2
B1
MECHANICAL GRILLES
D4
LEVEL 03 RCP 1/16" = 1'-0"
C2
C3
C4
C5
C6
RETU
DA
D6
C7 C8
SUPP
B80
D5 C1
CEILI
D2
D3
OFFICE
D7
OFFICE
ACP-1 10' - 0"AFF IN OFFICES
OFFICE
TYP. OFFICE
2408
2403
2407
OFFICE
REF LINE
2404
2405
3 5/8" OR 4" STUD OFFICE
E
EXHA
ROU
6" STUD OFFICE
2406
LINE T-GR
DB B2 A51-03
LIGHT FIXTURES
ACO
LINE
BLAC
2409
WAL KITCHENETTE
ACP-1 10' - 0"AFF IN OFFICES
OFFICE
OFFICE
2308
2309
SMALL MEETING
2010
MCP-2B 10' - 0"AFF
OFFICE
DC
2402
REC
2009
GENDER INC RR
REC
2008
REC
TYP. 2401
TR
ALIGN
2011
GWB-1 10' - 0"AFF
OFFICE 2306
CB
1
2012
2301
OFFICE
ES
2305
EXPO ES -
2304
WMNS
MENS
2006
2005
2303
GWB-1 10' - 0"AFF
ES - EXPOSED CEILING IN LABS, TYP.
NG IN
FIR O EXTER
CEILING DEVICES
, TYP.
LABS
SPRIN
S W L
SPRIN OPEN SEATING 200B
OFFICE
CEILI
L
SPE
PER SPRINKLER MFR
2' - 0"
OFFICE
SED
TRA
3/4"
ELEC
COLLABORATORY
ACP-3 9' - 6" AFF
SPO
DD
ACP-2 10' - 0"AFF
2307
1/2"
OFFICE
CC
ACP-3 9' - 6" AFF
1
COLLABORATORY
CA
GWB-1 10' - 0"AFF
1' - 0"
6"
9"
PEND
9"
CL
CL
RECESSED SPRINKLER AND PIPE WITH METAL COVER AFF-4 TYPICAL
OFFICE
CEILIN
S T L
EXIT S
MCP-2A 12' - 0"AFF
2302
CD
F6 A44-10
COLLABORATORY
RECESSED SPRINKLER AND PIPE WITH METAL COVER AFF-4, TYPICAL
SF-1
METAL "BULKHEAD" 9'-6" AFF WHERE OCCURS, REFER TO RCP'S FOR LOCATION FINAL DETAIL TBD
AWC-1 11' - 6"AFF
2 F5 A44-10
MCP-2A 12' - 0"AFF
ATRIUM
AC
ELECTRICAL 2001
ES
OFFICE 2102
COLLABORATORY 2101
OFFICE 2103
MEDIUM MEETING 2002
BD
D6
TR 2004
EXPO ES -
OFFICE 2202
BC
SED
CE
IN ILING
LABS
, TYP.
MCP-2B 10' - 0"AFF
AB
ATRIUM SEPARATION TYP. ACP-3 9' - 6" AFF
OFFICE 2104
ES - EXPOSED CEILING IN LABS, TYP.
ACP-1 10' - 0"AFF IN OFFICES TYP. OFFICE
1 1/2" = 1'-0"
ACP-2 10' - 0"AFF
A6
1
AA
2105
COLLABORATORY
OFFICE
RCP NO
2201
ACP-3 9' - 6" AFF
2203
OFFICE 2204
ACP-1 10' - 0"AFF IN OFFICES TYP. OFFICE
BB
D 1
2205
B5
B6 A6
A5
A4
A3
A2
B4
BA
A1
B80
B3 B2
B1
A5 LEVEL 02 RCP 1/16" = 1'-0"
CEILING REF. RCP
3/4" 5
4
One of my responsibilities on the project was ceiling coordination and related detailing. The coordination included integrating mechanical, electrical, IT/AV and fire protection with the ceiling design, particularly in the main building atrium. The open atrium space on levels 1 through 4 feature a continuous wood slat ceiling that provides acoustic mitigation and access for maintenance where needed, and adds a layer of warmth to balance the harder finishes of the space. The layout has been carefully studied to adjust to the changing angles of the building, while establishing a hierarchy in the details and maintaining a level of calm and uniformity. The angle of the ceiling varies from 0 to 16 degrees staying perpendicular along the atrium edges and turning averaged at 8 degrees at the atrium center and wings, where the different angles meet. A major 6 aspect of the atrium design was atrium separation. To provide the required 1-hour rating for atrium separation while still maintaining the full visibility from collaboratories
2 1/4"
3
2
1
into the atrium, the project opted for a code alternate FIRE BARRIER SEALANT AND BACKER ON BOTH SIDES utilizing closely-spaced sprinklers to protect non-rated D41 MOTOR-OPERATED ROLLER SHADE storefronts, in lieu of rated 2glass. WITH DOUBLE ROLL - BLACKOUT AND 1/8" 7 1/4" 7 1/4" C
SOLAR RS-3 SPRINKLER BAFFLE WHERE
C
L L OFFURS, REFER TO RCP FOR The collaboratory fronts consist of a continuous, nonLOCATIONS SF-3 CEILING COLUMN BEYOND WHERE OCCURS rated storefront system with butt-joint glazing, a rated REF. RCP pony wallADJACENT and SPACE closely spaced sprinklers. The ATRIUM assembly requires sprinklers spaced at 6’-0” oc max, on both sides of the glasing, located within 4’ to 12” range from the surface ATRIUM SEPARATION AT MEETING ROOM TYP. of the glass. In addition, the condition accommodates 1 1/2" = 1'-0" roller shades along the storefronts as well as a dropped bulkhead to set the height for drop ceilings in future tenant C improvements. On the sill, the storefront meets the 30” tall concrete pony wall to complete the smoke barrier.
C6
On the atrium opening perimeter, a concrete turndown captures the drop ceiling. Supply air diffusers that intermittenly occur to line the atrium openings are recessed into a 5” black-painted recess that sits above 5 the wood slats, forming a continuous reveal around the turndown. AC
C
4
LEVEL 03 377' - 6"
CD D4 A41-11
TYP
C80 B80
6" STUD
REFER TO SPRINKLER DRAWINGS
T-GRID CEILING SUPPORT SYSTEM, PAINTED BLACK
ARCHITECTURAL CONCRETE WALL TYP.
3" CLEAR
ACOUSTIC INSULATION RECESSED SLOT DIFFUSER WHERE OCCURS (REFER TO MECHANICAL), VISIBLE SURFACES PAINTED BLACK, TYP.
BLACK SCRIM FABRIC, ATTACHED BY WOOD CEILING MFR
1/2"
3"
B
ALIGN
3/4"
LINEAR WOOD GRILLE CEILING AWC-1
2' - 0"
PER SPRINKLER MFR
5"
6"
9"
CONTINUOUS 5" REVEAL, CL REFER TO C5/A51-02 FOR DETAIL WITHOUT DIFFUSER
CL
SF-1
9"
CL
CL
COLLABORATORY METAL "BULKHEAD" 9'-6" AFF WHERE OCCURS, REFER TO RCP'S FOR LOCATION FINAL DETAIL TBD
CEILING AWC-1 1 7/8" WOOD 6 1/2"GRILLE PANEL 6 1/2"
7"
SPRINKLER BAFFLE ON BOTH SIDES WHERE OFFURS, REFER TO RCP FOR LOCATIONS
1' - 0"
METAL TRIM PAINTED BLACK, TYP. 1 1/2" ACOUSTIC INSULATION
ALIGN
FIRE BARRIER SEALANT AND BACKER ON BOTH SIDES
6" MAX.
+/-1"
B2 A51-03
1/2"
3 5/8" OR 4" STUD
E
1' - 0" TYP.
3'-0"
6" TYP.
ATRIUM SF-1
B6 AWC-1 AT ATRIUM - DIFFUSER
SHADE WHERE OCCURS, REFER TO ENLARGED RCP'S FOR LOCATION
1 1/2" = 1'-0"
B
COLLABORATORY
A
1 GWB BULKHEAD 9'-6" AFF WHERE OCCURS, REFER TO RCP'S FOR LOCATION
UCSD FAH CUSTOM DONOR AND CODE SIGNAGE 2021
position: phases:
design staff SD, DD, CD, CA
As an additional service during construction administration, Perkins&Will was asked to design a full package of custom signage, icnluding both donor recognition and coderequired signage. A comprehensive design apporach was developed through design meetings with the University’s donor outreach and development office and the Jacobs School of Engineering, including Dean Al Pisano. The design incorporates three levels of donor recognition, based on the contributed amount and the size and location of the sponsored space. Naming opportunities range from smaller communal spaces to entire collaboratories, to a more collective donor wall located in the main atrium space. Donor recognition signs have been designed as part of the whole building interior, and highlight both the donor and the building itself. Monumental donor recognition is provided at each collaboratory and classroom, the student research space and the cafe as well as the Learning Innovation Studio and Executive Outreach Center. These donor signs are a prominent feature in the main atrium space, visible from all four floors. Highlighting the importance of the collaboration and support both beyond and within the research and teaching spaces, the integrated donor recognition offers naming opportunities for smaller spaces in the building, ranging from offices and casual lounge spaces to cyberbars and meeting rooms. For the smaller scale donor recognition, the design joins the donor sign with the room signage, resulting in one cohesive piece. The integrated approach also adjusts to the scale and location of the space. The two options both derive from the same simple concept of the golden section, that in turn ties back to the original building massing
Type 1
VARIANT FOR
VARIANT FOR 1 PERSON OFFICE
SS OR nj LOUNGES
VARIANT FOR 1 PERSON OFFICE
nj KITCHENETTES
MATTE FINISH STEEL
nj OFFICES (COLLABS, IGE)
TOP PORTION ADDED WITH
nj ATRIUM SEATING
MATTE FINISH STEEL
DONOR RECOGNITION
nj IGE RECEPTION
TOP PORTION nj VESTIBULES ADDED WITH nj STORAGE (INCL. LIS) DONOR nj SUPPORT SPACES (AV, MEETING, RECOGNITIONWELLNESS, MAIL ROOM) METAL INSERT, nj SOME NON-COLLABORATORY FLUSH WITH SPACES WITH MONUMENTAL
VARIANT FOR 1 PERSON OFFICE
DONOR TEXT IN RAISED LETTERING
SIGN SURFACESIGNAGE SEAM DONOR RAISEDTEXT IN RAISED LETTERING LETTERING GRADE 2 BRAILLE SEAM TYPE 0
MATTE FINISH STEEL SURFACE APPLIED VINYL LETTERING RAISED
SEAM METAL INSERT, FLUSH WITH SIGN SURFACE
TYPE 0
DONOR TEXT SEAM IN RAISED
LETTERING
RAISED LETTERING LETTERING
GRADE 2 BRAILLE
SEAM GRADE 2 BRAILLE METAL INSERT, FLUSH WITH SIGN SURFACE SEAM
Type 2
OUNTED ON ADJACENT WALL, GLASS OR
OREFRONT FRAME
COLLABORATORIES
MATTE FINISH STEEL
MEETING ROOMS
ATRIUM SEATING / CYBERBAR
MATTE FINISH STEEL FRAME WITH DONOR RECOGNITION CAN BE ADDED LATER
GE DEMO STUDIO
GNITION CAN BE ADDED LATER GE MULTIPURPOSE ROOM TYPE 1
GE OPEN CONFERENCE
TERRACES
TYPE 1
SEAM
SEAM
1.
ARCHITECTURE IN PHOTOGRAPHY SEATTLE, WA 2013
Architecture in Photography - course aims to provide basic skills in manual black and white photography, film developing and printing as well as an understanding of architectural photography. The course, taught by the recognized architectural photographer John Stamets, explored the history and development of photography as well as the technical aspects of manual photography: aperture, shutter speed, depth of field, perspective correction, film sensitivity etc. After the students had gained a sufficient level of understanding of the camera, they were given weekly assignments learning different composition and lighting techniques. Lastly, each student picked a building of choice and photographed it applying the techniques learned earlier. A full architectural series of developed and printed photos on the building of choice, including all relevant elevations, a detail shot and a general perspective, was the final assignment for the course. Rather than the final project, these photos portray the variety of photos from the weekly assignments, of different spaces and scales, different lighting conditions and compositions.
1. Suzzallo library, University of Washington 2. Mural on S Jackson st. 3. View over Lake Union 4. House on 27th Ave NE
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FURNITURE DESIGN STUDIO SEATTLE, WA 2014
The furniture studio in winter 2014 had the privilege of learning from Erling Christoffersen, the renowned Danish furniture designer and professor of the Danish Institute for Study Abroad. In the studio, students designed and built a piece of furniture of their choice. My project was Lucy, a slim but sturdy dining chair. This chair was designed to be easily disassembled, fit in a box and shipped abroad, as that was my intent to do after my studies at the University of Washington ended. The profile of the chair is thin, simple and minimalistic. The seat is solid cherry, CNC-routed to shape to fit the contours of the body. The legs, made on 1/8” blackened steel rod, attach to the seat like a clamp. Utilizing the steel’s ductility, the joint relies on the tension formed between the two v-shaped frames to hold the leg in place. No additional fasteners are needed. In the spring quarter I ended up making Lucy a companion, taking advantage of everything I learned in the furniture studio and the techniques I used. The result was Ernest, a simple cherry and stainless steel side table that, like Lucy, can be easily disassembled and shipped abroad if needed. Ernest’s leg frame structure is more simple than Lucy’s and consists of two sets of two pieces. The pieces attach to each other with tabs and slots, forming a rectangular frame. The frame has to be bent outwards to fit into the table top, clamping tightly into the grooves in the bottom of the top.
CONTACT
ANNA JULIANA PAJULO +1 206 557 2621 anna.pajulo@gmail.com 667 Congress St Apt 607, Portland ME 04101