2011
* dark passenger* transformation * contextual * city within city * VIKRANT TIKE + AMITA KULKARNI
TRIMESTER XI-XII SUPER NATURAL STRUCTURES
YEAR
MONTAGES SHOWING THE TRANSFORMATION OF SPACES IN DREAMS
PART PLAN OF THE PROPOSAL
SECTION A-A
COMM
ERCIA
CULT
URAL
SKETCHES TO EXPLAIN THE DREAMS.
EDUC
ATION
STILLS FROM THE MOVIE MADE TO STUDY THE SLUMS
CONNEC
CENT
TION AN
RE
PARK
FOR
D HOUS
ING
CONNECTION
CHIL
DREN SPACE FOR WOME
N
AND HOUSING
SHOPS
NAL SPACE
RECREATIO
OVERALL DEVELOPMENT PLAN SITE PICS SHOWING THE EXISTING CONDITION OF SITE AND EXPLAINING THE CHARACTER OF THE SITE SECTION B-B
SKETCHES SHOWING THE CHARACTERS FROM THE SITE
FINAL MODEL PICTURES SECTIONS THROUGH SITE SHOWING THE CHARACTER OF SITE
PROCESS MODEL PICTURES
OLD STRUCTURE
COLUMNS NEW STRUCTURE
OLD STRUCTURE
NEW STRUCTURE
PILE FOUNDATION
COLUMNS
PAKSHAL SANGHVI
L
YEAR
* pattern * overlap * porosity * visual connectivity * combinations * SUPRIO BHATTACHARJEE
SITE ANALYSIS: Site has various factors which affect the built form. -View Points -Traffic -Places Of Importance -Density Of People -Character Of The Site
MOVIE : ‘The Shawshank Redemption’ by Frank Darabont
TRIMESTER X TRANSFERRED EPITHET
2010
PAKSHAL SANGHVI
Overlaps of various spaces(private , Public etc.) Interdependence of each space with the other.
Final montages which relate back to the ideas from the movie .
First phase model pictures PLAN AT 9.5M Screens in sections
Model pictures which offered more possibility of overlap were selected and rasterbated. -Overlapping planes to explore different possibilities that can emerge out of the overlap -Overlapping done in sections and plan to achieve different combinations and results OVERLAPS IN SECTION
OVERLAP IN PLANS
ŸDENSITY ŸPROGRAMMATIC DIVISION ŸCIRCULATION ŸOPEN VS CLOSE ŸSENSATION OF A SPACE
ŸINTERLOCKING PROGRAMS ŸCONNECTIONS ŸLINKS ŸPOROSITY
Ÿ
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PLAN AT 15M
YEAR
* module * transforming space * connections * light * U P P E R
G R O U N D
PENINSULA HOUSE EXTENSION -intermediate space leading to exterior -light quality defining various space MODULES-acting as connections -interplay of light leading to creation of spaces -dynamic can be adjusted to use -breaking the linear geometry -depending on site
L E V E L
L E V E L
P L A N
P L A N
COMPONENTS HELPS IN TRANSFORMING A SPACE TO ANOTHER 타 CHANGES THE LIGHT QUALITY OF THE SPACE 타 타
XXX
TRIMESTER IX PENINSULA HOUSE EXTENSION
TRILOCHAN CHHAYA
PAKSHAL SANGHVI
2010
ROOF PLAN
SECTION A-A
SECTION C-C
SECTION B-B
SECTION D-D
YEAR
* attraction * focal point * levels * visual connection * ANJANA CHHAYA
TRIMESTER VII-VIII NUNNERY
2010
PAKSHAL SANGHVI
CLASS
SERVICE BLOCK
+6M
DEBATE ROOM
ADMIN. BLOCK +2M
+0M
SECTION THROUGH CLASS ROOMS
PLAN
RESI. CELL
+6M
SECTION THROUGH RESIDENCE
CONCEPT: -Privacy created through multiple levels (use of terrain) -Creating a visual focal point towards the monastery -Creating various open spaces which could act as interaction spaces between the nuns
ELEVATION
* light * shade * growth * visual connection *
D
C
B1
K
M
ADJOINING RESIDENTIAL BLDG.(G+2)
1 2
V1 D3
3 1980
F S A C
5
1490
350
1880
D3
1100
345
2140
1070
F1 S1 A1 C 2220
6
STAIR 1 TREAD 280 RISER 175 NO.27 F-F HT =4700mm
18
280
2060
2360
3020
17
W3
15 16
STAIR 2 TREAD 275 RISER 175 NO.19 F-F HT =3400
970
2150
7
D2
2920
PAKSHAL SANGHVI
4
8 9 CATCH-PIT AREA +0.35M
460
2670
10
A
TRIMESTER V-VI HYBRID: HOUSING AND LODGING
ANAND PANDIT
B
E
G
H
J
11
L
186 0
F
2800
D7
2770 2430
2120
1890
2200
3370
4350
990
D7 1720
D6 F2 S A C
RIDGE
D6
W4
230 STAIR 3 TREAD 275 RISER 175 NO.6
4980
D7
W4
1690 1660
6 5 4
9
230
VALLEY
17
3 2
18
1
2970
60 27
W4
2140
CATCH-PIT AREA
2570
2850
D6
W4 3090
1700
2270
230
1200
650
20 14
V1
960
20
2980
F1 S1 A1 C
RIDGE
19
DOWN
2680
D6
1200
COURTYARD OPEN TO SKY 0.0M
STAIR 2 TREAD 275 RISER 175 NO.18 F-F HT =3400
1810
D6 D6
2170
230
V1
D7 1840
3210
27
STAIR 4 TREAD 280 RISER 175 NO.6 F-F HT =1050
10 37
UP
250
RIDGE 4680
10 00
2009
2160
YEAR
5230
RIDGE
The project was based on growth pattern in the old city of jodhpur. The site selected was on the main street of navchaukya. As the site was located on a public street there was a visual connectivity between the market and the proposal. The proposal had conditions which led to interplay of light which led to shade and shadows.